4 Theatrics and Revtions


    4 Theatrics and Revtions


    Emma watched, hiding her disbelief as Alex and Be yed out their drama, wondering how she ever


    fell for such a big fool. Her resolve to leave, belongings in hand, was interrupted by Be’s


    usations.


    “I didn’t do any of this! Why are you so set on ming me? I’ve hardly been around you two, only


    returning now for a film project. Why target me?” Be’s words, though directed at the room, were


    clearly aimed at Emma.


    Emma observed the dysfunctional family scene with a detached amusement: Alex, blinded by


    infatuation; Be, the maniptive actress; and the mother–inw, eager to attack.


    As Alex used Emma of malicious intent, she replied with a sigh, “You have no proof, okay? Without


    it, your usations are nderous, and I can even sue you for nder.”


    All eyes turned to Be, even the mother–inw seeming to doubt. Theck of proof against Emma


    raised questions.


    Tears filled Be’s eyes as she looked to Alex for support. “You believe me, right? After all these years,


    how could you think I’m capable of this?”


    N?velDrama.Org copyrighted ? content.


    Alex, still nursing past regrets, reassured her, asking for evidence to clear her name. Be’s response


    was dramatic, threatening to harm herself to prove her innocence.


    As she lunged towards a sharp corner of the cab, Alex grabbed her, preventing serious injury but


    not before she cut her forearm. Be’s tears and Alex’s protective embrace left Emma unimpressed


    with their melodrama.


    Despite Be’s theatrics, Emma remainedpletely detached, ready to leave all this behind. But


    each attempt to exit was thwarted by another call for her attention.


    Alex, furious, demanded Emma take responsibility for Be’s actions. Emma’s incredulity was palpable.


    “How am I responsible for her recklessness? You’re the one who wants to marry a drama quieen! If


    you’re using me of harm, where’s your evidence? If you have none, my only duty is to call for


    medical help.”


    Taking out her phone, Emma was met with Alex’s frantic protests about the hospital’s distance. Her


    patience wearing thin, she remained firm in her stance.


    The scene, more fitting for a stage than reality, made Emma all the more eager to leave this farce of a


    marriage and its apanying drama. She was done being a part of their twisted and sadistic script.


    5 Twists and Turns