<h4>Chapter 267: Netizens of Han Country Fight Back</h4>


    As the country with thergest poption in the world, China could crush anything with its poption.


    Just like thisizen war, because of the restrictions of the VPN, only a small number of Chineseizens climbed out of the wall to fight with theizens of Han Country. However, this small number already had extremely strongbat power.


    Theizens of the Han Country could not win against them. Cui Yongjun’sments section was gradually upied by the Chineseizens. They were all asking Cui Yongjun to apologize.


    At that moment, some painters who had a good rtionship with Cui Yongjun from Han Country stood up.


    @ Han Zhiyu: “Chineseizens, don’t rely on the number of people you have to distort the truth. Cui Yongjun’s painting skills have many ways that your China doesn’t have. Take the three-dimensional ink painting method for example. In your historical records, such a painting method was recorded, but in China’s historical paintings, there has never been such a painting. It was Cui Yongjun who reproduced this painting method. You should apologize to him because of your rude behavior.”


    Han Zhiyu’s words were like a g that instantly united the hearts of theizens of Han Country. Everyone was excited again.


    [ You guys said that Han Country learned from China, then do you have such a painting? ]


    [ That’s right, that’s right. You keep saying that we’re learning from you, but you can’t even produce such a painting. How can you have the cheek to climb over the wall and make a fool of yourself? ]


    [ Oh, China calls itself a big country in the China Dynasty every day. So the big country in the China Dynasty relies on its long history to snatch everything and pretend its their own? ]


    [ Get out of Han Country’s social media. The Chineseizens must apologize to us! ]


    The originally valiant and spirited Chineseizens were in the wrong now. Everyone withdrew from Country Han’s social media and returned to China to investigate.


    For example, the effects of the three-dimensionalndscape painting in Cui Yongjun’s painting had been recorded in China’s history. This was a painting technique called “Light Mist”.


    Ink painting was particr about painting with ink. The color was very simple. In traditional Chinese painting, most of the colors were ck and white.


    Because the colors were single, the painters did not pay much attention to the level of the images. Instead, they focused on the meaning.


    On the contrary, the Light Error Art drew a single ink-ck picture through the skilled painter and the deep changes in the ink. It drew the three-dimensional feeling in modern painting techniques.


    This technique had disappeared throughout the long history. After checking the information, theizens realized that Cui Yongjun really knew such a lost technique.


    The ancient books that recorded such painting techniques had been recorded much earlier than the ancestors Cui Yongjun had mentioned. Theizens knew that Cui Yongjun must have learned Chinese art from somewhere and imed it for his own.


    However, no one had evidence and they could not do anything to him.


    Seeing the Chineseizens run away with their tails between their legs, the news media in Han Nation became even more arrogant. They grabbed this matter and publicly proimed that Cui Yongjun was a national painter in an ink painting.


    Furthermore, Country Han began to do its usual job. They began to prepare all sorts of procedures, wanting to apply for protection for Country Han’s cultural heritage and Cui Yongjun’s various painting skills.


    With this application, if anyone mentioned this art in the future, they would associate it with Cui Yongjun and Country Han.


    Theizens in the country were furious, but there was nothing they could do. Even in the Painter Association, there was no painter who knew such a lost technique. The world was filled with joy abroad, and the world of painting and calligraphy in the country was shrouded in worry.