As night falls, the sign of Moby''s bar just rings, and the huge motor roars from far to near, a fiery red Ferrari sports car drives like lightning, and finally stops in front of the bar.
It was a brown haired young man about 25 years old who stepped out of the sports car. The parking boy at the door of the bar obviously knew him very well and took the initiative to get close to him.
"Hi, Cameron." Parking younger brother took the initiative to extend his hand, "is it still the old rule?"
A young man named Cameron threw the key and shoved a dollar in his hand. "I''m still leaving at the same time."
"Don''t worry!" Looking at the large dollar, the parking boy said excitedly, "there''s enough time. I''ll let people wax the car again."
Cameron waved his hand and walked into the bar.
The light in the bar is dim, probably because of the earlier time. The band is preparing, and the deafening heavy metal hasn''t sounded yet.
Cameron found a place to sit down, asked for a bottle of wine, took out a cigarette box, put it on the table, and drank slowly.
A bony young white man saw him, walked over and sat directly opposite.
"Small card, out of stock again?" The two sides were obviously acquaintances. "I''ve got the best goods that just came from Mexico."
"Try one." Cameron snapped his fingers and said boldly, "as long as the goods are good enough, money is not a problem."
The thin man took out a cigarette box, a homemade cigarette and handed it over.
Cameron took it, sniffed it under his nose, put it in his mouth and took out the lighter.
"Boss, that''s him."
In a corner not far away from Cameron, a short man with glasses motioned for Cameron with his eyes and said respectfully to the person opposite, "he comes here every few days. He has no less than five luxury sports cars, and his hand is very generous. He should come from a family with money."
"Well." The man nodded.
He was a stout black man with a shiny bald head.
The bald black man took a look at Cameron, made sure he didn''t find the wrong person, looked back and asked the dwarf, "are you sure you can''t find your head?"
"Absolutely not!" The dwarf swore, "I didn''t do much."
He looked at the thin man opposite Cameron. "This guy is a big fish. Those bastards who go offline have long wanted to pull him into the water. From him, I''m sure they can make a lot of money."
The black people nodded their heads again. Compared with these people, those at the end of the network are basically unskilled little gangsters. They have no principle in doing things, dare to do anything for money, and rarely consider the consequences.
That''s good. Some things are more convenient to do.
Cameron took a deep breath, and slowly spit out the smoke in his mouth. He closed his eyes and seemed to be completely intoxicated with this feeling of ecstasy.
"How''s it going?" Skinny asked at the right time.
"Good product!" Cameron didn''t even open his eyes, so he put up a thumb, "yes, much better than the last batch! How much do you have? I''ll take them all! "
"You want these?" Thin suddenly changed tone, "this is the thing that the woman sucks, I still have better, want?"
Cameron opened his eyes and looked at the thin man. His brain, paralyzed by excitement, gradually realized what the thin man was saying.
The thin man kept shaking his head and threw the cigarette box on the table in front of Cameron. "You don''t just smoke this kind of thing for women, do you?"
"I..." Although Cameron''s head is a little dizzy, he has not completely lost his mind. He knows that touching those things is totally different from sucking big numbness. "I can''t move those things, otherwise my grandfather..."
"Little card." A little disdain appeared on the thin man''s face, "how old are you? Depends on your grandfather''s face? You go back and ask your grandfather, how many people in that circle don''t smoke? Did he smoke when he was young? "
Without asking, Cameron knows what the answer is.
The thin man pointed to the cigarette box on the table and said, "that''s a totally different feeling. It''s a hundred times stronger than this."
Cameron is a little excited, but still hesitant.
"Just go and have a look, taste and try. If it''s not suitable..." The thin man shrugged, "don''t touch it in the future, and no one can force you, right?"
After twitching his nose a few times, Cameron fainted and the nerve in his brain began to beat.
Just like all addicts. At first, Cameron hesitated a little and said, "well OK, I''ll see. "
The thin man stood up and walked to a private room in the bar. Cameron followed him closely.
"Boss, the fish has taken the bait."
In the corner, the dwarf said to the bald black man, "the atmosphere inside is very influential. Unless he is determined, he will definitely smoke under the influence of the environment."
The slick black man nodded with satisfaction.The dwarf continued, "Cameron, a big, numb addict, has no willpower at all."
The black man habitually touched his bald head, stood up and said, "keep an eye on this matter, and let me know if there is any new situation."
"Don''t worry, boss." Dwarf put away the appearance of laughter, "I will put down other things this time, just stare at this guy."
The night became darker. In a temporary parking lot outside the bar, the red Ferrari had been quietly parked in a parking space, never moving, as if the owner had completely disappeared.
Warner Brothers and DC Comics feel the pressure from the popularity of iron man. They take the initiative to contact CAA. The target of this negotiation is not Murphy, but Gail gado.
Gayle gado''s brilliant performance in "body of steel" and numerous fans make the film more attractive. At the same time, it also brings problems to Warner Brothers and DC Comics. Because there is no long-term contract signed, if Gayle gado wants to continue to play Diana Prinz in the subsequent "Wonder Woman" independent film, he has to start a new round of negotiations with CAA.
Murphy didn''t get involved in this matter. It depends on Gail gado''s own meaning.
Apart from occasionally caring about Ross''s progress, he devoted most of his energy to the rest of the post production work of shameless bastard.
Because it was not until the time of fine cutting that Murphy found that there was a problem with the shooting of the projection room in the explosion scene of the cinema. It took a lot of time to call the actors to remake. He simply concentrated the staff of the post production department to adjust this section through editing, color matching and lens overlap.
Murphy and Jodie Griffith first re edited the play.
"I need the airtight space of the projection room to create a stage like dramatic scene, and even to see the light and shadow effect of the place where the German soldiers fall like a stage chasing light."
After the editing, Murphy explained to the colorist, "the moment that sosana looks back at the soldier, the soft side light shines on her golden hair. In a moment, she feels like the Virgin Mary is possessed. The Jewish beauty who was still shooting the dead soldier a second ago has a soft look at the dead soldier."
This is going to be the most beautiful part of Margot Robbie in this film.
After that, Murphy gives the clip to the colorist for rendering.
Looking at the whole Hollywood, the outstanding color matching artists are rare and high-end talents. The later stage of the film is an important factor to increase the sense of film. The most direct modification of the screen is the color matching of the film.
The main work in this area is to change the exposure, saturation, contrast and hue of the material, color some parts of the picture, remove unnecessary noise and highlight what needs to be shown, which is equivalent to the "makeup artist" of the film.
One of the difficulties in film color matching is to give consideration to both quality and efficiency, because color matching is the finishing link in post production. The editing and special effects departments in front of them have already wasted almost all the time, and the time left to the color dresser is not enough.
In any Hollywood movie, it is conservatively estimated that there are 1500 + shots. After tuning in a month, the average number of high-quality shots per day is 50. If there are a lot of special effects shots or movies with a very tight schedule, the intensity of work will be even higher.
That''s why colorists are expensive.
However, Murphy allowed enough time for the colorist, and it wasn''t much.
A week later, he and Jodie Griffith saw the results and were quite satisfied with the woman, Susan Charles.
With the clips of Murphy and Jody Griffith, the effect of this episode is amazing.
In the light and shadow interlaced in the projection room, and the black and white images of the play inserted from time to time, the red dress of sosana is particularly moving, with the red color of blood, temptation and revenge. At the moment of the gunshot, it turns into a withered flower, mixed with blood dust, like the black feather flying all over the sky at the end of the dream traveler.
And the soldier in white uniform is a shameless bastard who one second said he couldn''t bear to see the killing picture, and the next second took "three hundred bodies lying in Italy, proving that I''m not the one you should refuse" because of his anger.
"For the evil characters with young people''s pure impulse and conceit, and never forgetting to make up a shot when they are dying, white is more suitable than the black and green of Nazi high-ranking officials, and more suitable for his" hero "identity that night."
Murphy makes some conceptual explanations for Gail gado, who stays quietly beside him. "The color contrast between red and white makes the whole picture have romantic beauty, although he shows the death of two extremely young lives. The wood floor has a brownish red texture, an old-fashioned projector that keeps flashing, and a young red and white body. The whole picture presents the texture of a classical oil painting. "
Compared with other violent scenes, the rhythm of this section is relatively slow. Murphy has used seven shots to show sosana''s expression. Slow shot is not only a matter of speed or rhythm, but also a way of observation. (to be continued). )