In the afternoon, Murphy arrived in Burbank. There are many studios here. The giant studio reconstructed from Hughes Aircraft Factory is one of the best. Its area, height and volume are all the best in all Burbank studios. It is very suitable for building some tall and wide scenes.


    Without much effort, Murphy went into the studio, because the crew was shooting. Instead of looking for little Robert Downey with the motion capture, he just stood outside and watched quietly.


    This is obviously an action scene in which a red haired woman in a tight black uniform constantly shows off her sexy figure in front of the camera, and then replaces her with a shorter male double to complete a series of difficult fighting actions.


    "Black widow. Woman?" After all, Scarlett Johnson''s face is not strange at all. "Is there a black widow in iron man?"


    He''s a little confused.


    The footstep sounded from the side. Murphy turned to look. Robert Downey, Jr. with the motion capture device, probably saw him and came over.


    When he comes to him, Murphy points to Scarlett Johnson in front of the camera. "She''s playing the black widow?"


    "That''s right. It''s the black widow." With little Robert Downey''s character, even if Murphy didn''t ask, he would take the initiative to say a lot of crosstalk, "agent Natasha normannoff decided to join in at the end of May."


    He raised his hand and tried to pat Murphy on the shoulder. Seeing the dark blue motion capture suit he was wearing, he put it down again and went on, "Hei duo. I''m in this movie because of you."


    Murphy took a look at Robert Downey, but did not ask the specific reason. Even if he did not ask, Robert Downey would take the initiative to say.


    Sure enough, little Robert Downey couldn''t stop. "After your" body of steel "was a great success, Gail''s wonder woman was highly praised and became a recognized highlight of the film. Marvel pictures thought this model could be used for reference, so it found..."


    He motioned to Scarlett Johnson with his chin. "Get that New York girl to play agent Natasha normanov."


    Murphy looked back at Robert Downey Jr. "how does it feel to be Tony Stark?"


    "Tired, very tired!" Robert Downey, Jr. sighed, "it''s torture to have to work out two hours a day for this role."


    "I''m still not the worst." He pointed to Scarlett Johnson, who came to the camera again. "Her role is temporary. For this role, she has to spare four hours a day to exercise and practice some fighting routines. It seems that her arm is injured."


    In front of the camera, Scarlett Johnson makes a roll on the spot, then poses a sexy poss


    No matter what the actress''s comments, during the time Murphy watched, she worked hard enough.


    In the inherent concept, compared with those actresses who are good at acting in literary and art films, it seems that the vase in commercial films is always easy to handle the role, and can become famous without paying too much, but in many cases, this is not the case at all.


    How long did Cameron Diaz and Drew Barrymore train for the vase role in angel of the thunderbolt?


    Orlando Bloom for Legolas for a few months of archery and fitness training, and even a hamstring strain.


    How much did the former vases, such as Megan Fox, pay to shoot transformers? The feeling of running thousands of feet in the sky is only clear to the person concerned.


    In this circle, people who can become famous are all lucky people, but behind the luck, there are efforts that others can''t see.


    In the same way, even if there are two stunt doubles, Scarlett Johnson wants to play agent Natasha normannoff well, she will not pay less or even more than her performance in art films.


    After chatting with this long winded guy again, Robert Downey Jr. was called away by the staff to prepare for the next shooting. Murphy followed the transition crew to the other side of the studio. In the past, she walked far away from Scarlett Johnson, who was going to take off her make-up. Both sides nodded slightly.


    Although I didn''t know about it before, Hollywood has such a large circle that I don''t know whether there will be work intersection in the future.


    However, Murphy''s greatest feeling is that he can influence the trend of Marvel superhero movies in an alternative way.


    The shooting starts all over again. Standing far away from the outside, Murphy looks and thinks. Combined with some words he just talked with Robert Downey Jr., it''s not difficult for him to find that Jon fereau''s power as a director is quite limited.


    , like Murphy, is a minority director. The initial filming capital comes from himself. How to shoot has the final say of him. When he really directs a big company project, he has already had considerable qualifications and will not be restricted like the new director.Jon firu''s limitations on the set are not obvious, and only Murphy, who is also a director, feels the same way. For example, when you stand here and look at it, the legal adviser of the crew will take advantage of the shooting gap to question Jon firu.


    In Murphy''s crew, Robert would never do that.


    Of course, no one can deny the importance of a good legal adviser to the Hollywood crew.


    As Murphy has mentioned before, big companies in Hollywood are always cautious. In order to eliminate all the factors that hinder the realization and recycling of the commercial value of films, the caution of big companies is also reflected in the importance they always attach to the law.


    No company wants to face a lawsuit because the film project involves personal rights or defamation. No matter how high the cost and complicated the process is, it is necessary to conduct a round of legal review on the film content to minimize the litigation risk.


    Take a script for example, every element, whether it is a character, event, scene or dialogue, will at least be clear: what does this element show or describe? Is it a real person or fact? If it is true, is there any hidden danger that may cause legal disputes?


    Apart from that, it''s not hard for Hollywood watchers to notice that one thing that often causes trouble for film companies is the phone number.


    For the problem of whether the phone number in the film coincides with the real number, in the past, the production company would try to test and verify it, or simply open a new number, otherwise the actual owner would be annoyed, and they would have to bear the impact and loss caused by it.


    That''s why most of the telephone numbers appearing in Hollywood movies today begin with 555, and the number between 555-0100 and 555-0199 is reserved, which can be understood as a special number for film and television.


    In addition, for films adapted from real people and true stories, film companies will adapt, modify, add or delete part or all of the information provided by the story and any movie character archetype. In order to avoid trouble, sufficient legal protection must be introduced in this respect.


    Smart lawyers will remind studios to sign a "waiver" for movie character prototypes, stating that they will give up possible litigation rights in the future. As consideration, they can get certain compensation or licensing fees, and some popular characters can even participate in the share of the film''s net profit.


    In addition, newspapers and periodicals in reality also need attention. Robert reminded Murphy that it is not difficult for the careful audience to find that all the newspapers in Murphy''s past movies are very strange, with no date and no specific event, and the content is the same. There is a bust of a smiling lady, a man wearing a hat, which is a man without copyright or other rights The movie props of the problem.


    Seeing little Robert Downey on the set, Murphy regained his mind and concentrated on the shooting of iron man. Jon fereau is a new director. It''s right, but every director has his own merits, and there are other people''s worth learning.


    The studio, reconstructed from the large hangar of Hughes Aircraft Factory, is arranged in the shape of a cave. The three cameras are skillfully set up on the reserved photo space with no influence on each other. The focus of the lens is the gaunt man standing in front of the old workbench.


    Murphy watched the performance of Robert Downey Jr., a talented Hollywood actor in the early 1990s, whose experience is quite similar to that of Tony Stark now.


    Both of them are geniuses and have experienced the low ebb of life. They both choose to save themselves in the end.


    In the set, little Robert Downey picks up the hammer and knocks heavily on the metal plate in front of him. His expression is dignified and his eyes are firm. He is not only the terrorist in the setting, but also seems that even if Satan comes from hell, he can''t stop himself from saving himself.


    The hammer struck the sheet metal, and it seemed to enter the world of Tony Stark. Robert Downey, Jr. waved his hand very forcefully, and the sound of knocking spread to every corner of the studio


    Murphy stayed until Robert Downey Jr. finished filming and left the studio at Hughes Aircraft Factory with him.


    Robert Downey, Jr. gave his sports car to his assistant and got into Murphy''s SUV. As the car drove out of Burbank, he suddenly said, "the person who framed me is almost clear."


    Murphy didn''t turn his head. He asked, "is there any evidence?"


    "No Robert Downey, Jr. shook his head. "Didn''t you say that this kind of thing doesn''t need proof?"


    "Well..." Murphy nodded and asked, "what are you going to do?"


    "Revenge, of course!" "I want them to pay the price as soon as possible," said Robert Downey, Jr! These two bastards! I''ll give them a taste of being abused! "


    He turned to Murphy. "Don''t you agree?" (to be continued). )