After shooting in Belfast, the first thing Murphy did was to adjust the shooting style of all the photographers in the film crew through a large number of field shooting. These frequent scenes were mainly extras and scenery aerial scenes. Each group of photographers took turns to take part in the shooting. Then Murphy and Philip Raschel called them together to watch the video Material, solve specific problems.


    Different from the commonly used two or three slot shooting in film shooting, because the crew will be divided into three after shooting, no matter the number of photographers or the number of shots shot, a film can''t compare.


    Although Murphy and Philip Raschel focus on the issue of shooting style when recruiting photographers, no two photographers in the world have the same style and work style, especially those photographers who cooperate with Murphy for the first time. If they want to meet the requirements of Murphy, they must have a process of adaptation.


    Nowadays, Murphy''s reputation is here. It''s only good to cooperate with him. Photographers try their best to pay attention to their work, so as to ensure the fit of their shots.


    There are no two photographers in the world with exactly the same style, but with enough communication and working together, they can become a team of close cooperation. At the same time, the shooting materials can be very similar visually, so Murphy and the whole team have been adhering to the idea of close integration.


    Before shooting their own parts, the photographers, at the request of Murphy, constantly compared their own shooting logs, and also used the pix system online sample platform to preview each other''s samples through a secure connection. In the words of Philip Raschel, "game of Thrones" has become a super cooperative "interconnected giant."


    Although everyone knows the importance of communication in shooting, in fact, Murphy and the photographers are busy all the time, so there is no guarantee that they can take time to chat every day. However, they still try to read their own shooting logs and often watch other people''s photos on PI.


    Just like the whole crew, the photographers share the same team.


    In the first week of shooting, all this helped photographers understand what they were doing and what they needed to do, and how to do it.


    For example, when Seth Logan filmed a night play, the crew hung a huge moon shaped box under the crane as a luminous body. Murphy came to the set to have a look at it, expressed that he liked the device very much, and decided to use it in some of his night plays.


    This kind of learning from each other is widespread in the crew, and Murphy and all the photographers try to keep the camera consistent


    in the period before the crew was divided into three parts, Murphy effectively united the photographers together, so that they can learn from each other and make progress together.


    During the shooting, for all the location scenes with good lighting conditions, Murphy tried to let David Robbie use natural light sources to adjust the lighting, so as to make the shooting lens more close to the natural reality. These natural light sources, whether from sunlight or fire, have more expressionism in saturation and color, and look more prominent and dramatic.


    After half a month''s adjustment, the crew got on the right track step by step. Murphy also got quite a lot of extras and scenery materials. Then the main actors arrived at the Titanic Museum in Belfast one after another. The complicated relationship between the major families in the Westeros requires Murphy to use the camera lens in the next three months The head is clearly displayed.


    In the huge open-air studio, under the command of several assistant directors of Murphy, dozens of staff are busy with their work in an orderly manner. Two cameras are set up on the preset track, another camera is hung under the long boom, and the microphone for live video recording is also installed on the boom. Two recording engineers and their assistants are constantly debugging, To achieve the recording effect Murphy wanted.


    Most of Murphy''s shooting will be done in the later part of the day, just like in the night.


    "Philly, the lens of unit 2 is down 15 degrees."


    Sitting behind the monitor, Murphy looked at the test shot and yelled to Felipe Raschel, who was in charge of the crew, "lower the boom by another three feet and shoot from a 30 degree angle! The track of unit 1 moves outward two feet, and the lens angle remains unchanged. "


    It takes some time for each scene to adjust the camera lens and angle. Philip Raschel adjusts the camera according to Murphy''s requirements. Murphy leaves her directing position and goes to the two actors who have just entered the set. She asks them to make a trial walk and check the details of their costumes at the same time.


    Clothing and modeling, any items with modern social marks, are to be eliminated.


    Any epic film or TV series can not completely eliminate all the bugs, but in practical work, the director must not use this as an excuse for carelessness, and try every means to reduce the existence of bugs.


    To make sure that there is no problem with clothing and modeling, Murphy''s focus is on the two actors, who are about to shoot a dialogue between Jon Snow and the little devil Tyrion Lannister. The two actors are tall and short, forming a sharp contrast.The actor who plays Jon Snow is a newcomer from CAA, an Englishman named Hahn jotter, who performed wonderfully in the audition.


    As for the little devil, because of the external conditions, there are not many candidates for Murphy to choose. After some efforts of bill rosis, he successfully found Peter dinlaki.


    Although Peter dinlaki can''t be compared with the mature stage after many big productions, this type of actor is too hard to find. Murphy doesn''t want to use forced perspective in a large area, which means more money and time will be spent. So he chose this special actor who is extremely scarce in Hollywood.


    Because he suffered from achondroplasia when he was young, Peter dinlaki could only be "inferior" all his life, but this did not affect him to embark on the road of performance. Unlike many half-way monks, Peter dinlaki graduated from the performance Department of a regular college and is a real class.


    As a student, he had already shown his talent and talent. He was a top student in the class, and he began to write plays in college. Murphy was deeply impressed by Peter dinlaki''s "academic" style and rigorous attitude in his audition, which is also the main reason for his final choice.


    When the two actors finished their walk, Murphy patted her hands and waited for Hahn chott and Peter dinlaki to look at them and wave to them.


    "Hahn," Murphy looked at the young actor first, "your character is still very green now. You don''t need to exert too much."


    The young actor has good savvy, which is one of the reasons why Murphy chose him.


    "Well..." Hahn Kate nodded his head hard.


    Then Murphy takes a step back and looks at Peter dinlaki.


    This step back can make the two people''s vision more equal. Murphy will not despise anyone, even the black actors he does not like. The two sides will cooperate for a long time in the future. He will not be stupid enough to talk with Peter dinlaki in a way of looking down or condescending.


    Special people like Peter dinlaki often feel extremely sensitive. When they see Murphy''s action without leaving any trace, they don''t show it on their face, but their liking increases greatly.


    Getting along with each other is a very deep knowledge.


    "Peter, Tyrion is a very complicated character," Murphy said seriously. "He has both the right side and the evil side. You need to balance his complexity."


    "I seriously studied the role." Peter dinlaki is very clear that he is limited by innate conditions. If he wants to succeed, he must make more efforts. "I think everyone is like this to a certain extent. People are very complex creatures. Unfortunately, sometimes we are too narrow-minded. For example, there are only good and bad people in the novel. One of the highlights of the script is that the characters are blurred. What do you think I think it''s very interesting to have sympathy for some characters who have done bad things. Tyrion is a good person who has done bad things, and there are many bad people who have done good things in the play. I think it''s very interesting. "


    Murphy did not expect Peter dinlaki to think so much. He asked, "what do you think is the greatest charm of Tyrion?"


    Peter dinlaki did not hesitate or think too much. He said directly, "his sense of justice, the spirit of speaking for the weak, is very brave, even if his family has always turned a deaf ear."


    "Not bad." Murphy gave Peter dinlaki a thumbs up. "Now I''m looking forward to your performance."


    He thought about it and said, "I''ll shoot this scene from Tyrion''s POV perspective first."


    As an ugly dwarf and deeply disgusted by his father, Tyrion Lannister has a complex personality. Generally speaking, he sympathizes with the weak and is good at strategy. Because of his bad reputation, he is often misunderstood as a scapegoat.


    He''s quite special in the whole series.


    Tyrion Lannister''s life can be regarded as an endless psychological abuse, but his POV perspective will not make people feel sad, but only excited, because his counterattack is also the most powerful.


    His father threw his first wife to the soldiers as a camp prostitute, and he finally shot him to death in the pit; his prostitute lover sold him out in public, and he strangled her in bed with the prime minister''s chain.


    So Murphy will let fate abuse him a little harder. "Revenge of the little devil" will be one of the ultimate killing skills of the whole series (to be continued). )