《Chum》 Chapter 1 There¡¯s two people in the room with me, both on the opposite side ¨C a clerk, a pretty older woman with dark skin and hair that looks a bit like steel wool, and the officer, who I think is bald but I can¡¯t tell underneath his cap. I know I¡¯m not in trouble but I still can¡¯t help but feel like this is an interrogation, and not an interview, because I saw that the officer had something in his holster when he entered the room and I¡¯m not sure if it¡¯s a gun or a taser but I don¡¯t like that there¡¯s anything there at all. My mom always told me that you should always trust police officers because they¡¯re there to help but one of my friends got arrested for smoking even though weed¡¯s been legal for like two years now so I¡¯m not really sure who to trust, even though I¡¯d never smoke weed because it¡¯s gross. My fingers have been rolling along the table in tapa-tapa-taps, except for my thumb, which is folded under my palm. And then unfolded, because it¡¯s not comfortable there. Actually, I can¡¯t decide if it¡¯s comfortable or not so I keep folding and unfolding it while the officer looks down at me. He shuffles some papers around. ¡°Samantha Small, date of birth April 16th, 2009. Parents are¡­ Rachel and Benjamin Small. Student of¡­ Tacony Academy Charter High School. Activation event on file is¡­ boating accident, right?¡± The officer asks. I wrinkle my nose. I don¡¯t like thinking about it. ¡°Yeah, I was out fishing with my grandpa and I think a really big, angry fish caught my line because I got yanked out, or maybe a rock caught it. But I got caught under the boat, and. Uh, I don¡¯t like talking about it,¡± I answer. Instead of continuing with narrating the worst day of my life for the benefit of a stranger I¡¯m scared of, I just lift up the side of my t-shirt close to my ribs, where an array of thick, bumpy white lines cut up through my lower right side of my torso, like, from my hips all the way up. From the propeller. ¡°Do I have to keep talking about it? It was like three weeks ago. Maybe a month.¡± ¡°No, we¡¯re just making sure everything we have on file is correct. You don¡¯t have to keep talking about it,¡± he says, and smiles, and I try to feel less nervous but it¡¯s not really something you have control over. I tap my fingers. ¡°Can you tell me about your powers, Mrs. Small?¡± ¡°Please, call me ¡°Sam¡±. Mrs. Small is my mom and all my friends call me Sam,¡± I reply. ¡°Does that make us friends?¡± he says, in what I think is a joke, but his face doesn¡¯t change, so I can¡¯t really tell. I grab my wrist so that I stop drumming on the table, and my t-shirt falls back down onto my shorts. ¡°Only if you¡¯re not going to arrest me,¡± I blurt out. ¡°Well, you haven¡¯t done anything wrong yet, so hopefully we can keep that streak going. Mind telling me about your powers, Sam?¡± he asks again. There¡¯s a small fan installed in the ceiling in the corner of the room, and every so often it blows a streak of hair into my face, so I have to push it back and try tucking it behind my ear, which is annoying. I reach up with my free hand, that¡¯s my right one, and I grab my upper lip and pull it up to bare my teeth. They¡¯re still the same as they were since that day, and I pull my tongue back so it doesn''t scrape unpleasantly against the sharp tips. ¡°I got shark teeth,¡± I tell him, before dropping my lip and wiping my fingers off on my shorts. ¡°I can see that.¡± ¡°And a shark bite too. And my teeth are really hard, I accidentally bit through a couple of our spoons without chipping anything. They¡¯re kind of numb? Like, it doesn¡¯t hurt if I bite something really hard,¡± I answer him, my nostrils twitching. ¡°I didn¡¯t get any gills though, which would¡¯ve been cool. I can¡¯t breathe underwater. But I think I can swallow salt water, but that¡¯s kind of a sh- kind of a poopy superpower so you don¡¯t need to write that one down. Don¡¯t write that one down, please?¡± I say that one more to the clerk than the officer. She smiles kindly at me and gives me a thumbs up, tapping the backspace key a couple of times. I can¡¯t see the keyboard from here, but I know what someone tapping the backspace key sounds like. Officer Gold, that¡¯s his name, is taking notes on his notepad, on his clipboard. ¡°Enhanced jaw strength¡­ durable enamel¡­¡± I hear him mumbling to himself as he writes. ¡°Is that it, Sam? Just the biting?¡± ¡°No. I mean, my teeth fall out sometimes now, which is also gross.¡± I say, honestly, my knees bumping up and down under the table. ¡°But then they¡¯re back like an hour or two later, so I think I¡¯ve been growing new ones. I think my parents will be happy that I can¡¯t get cavities anymore. We¡¯ll save a lot of money on dentist fees,¡± I try to joke. The room feels austere ¨C that¡¯s a word my mom taught me ¨C and Officer Gold¡¯s chuckling feels fake. He¡¯s about to open his mouth, I can tell, but I have more to say so I start talking a little louder to talk over him before he can say something. ¡°Oh, I can smell blood, too. Also like a shark, I think, which is cool but it¡¯s also kinda gross. Like, if there¡¯s blood nearby and it hasn¡¯t dried up I can just sort of tell where it is, like there¡¯s a compass in my head? I can¡¯t see it. I don¡¯t really know how else to explain it. It¡¯s not really smell either. It¡¯s, um¡­¡± I struggle to come up with a way to explain it. ¡°It¡¯s like a new sense?¡± Officer Gold suggests. ¡°Yeah! It¡¯s like a new sense. I think it¡¯s like trying to explain how smelling works to someone who can¡¯t smell. I just sort of know where it is. And if someone¡¯s bleeding, like, if they¡¯re bleeding right now, and it¡¯s still coming out and hasn¡¯t crusted up, I can tell where they are. Like, I can smell all their veins and their heart. And their bones? Which I think is from the bone marrow, I looked that up, but that feels wrong, I didn¡¯t know bones make blood,¡± I say, sticking my tongue out. ¡°That¡¯s gross.¡± ¡°You¡¯ve sure got a lot of opinions on what¡¯s gross, don¡¯t you?¡± Officer Gold jokes. He chuckles. I squint at him, trying to look intimidating, but he just laughs a little harder so I don¡¯t think it worked. ¡°I¡¯m a very opinionated person. My grandpa says that,¡± I answer, but that makes him laugh harder and I can feel the blood rushing to my face. Not in a smelling-the-blood way, just an embarrassment way. I feel embarrassed, I think, that¡¯s what it is. ¡°What! I am.¡± ¡°No, no, it¡¯s nothing, you just remind me of my daughter.¡± He says, leaning a little bit back in his chair. ¡°She¡¯s a lot like you. But without the powers.¡± ¡°Yeah, I think she should hope that because the whole thing really hurt. I had to spend like two days in the hospital and get an IV and everything. And I really don¡¯t like needles. Could go my whole life without seeing another needle. That¡¯d be great. Do other superheroes need to get needles, or are there special things for that? Like, special doctors or medicines or something? I don¡¯t even have ear piercings even though all my friends do,¡± I ask. ¡°I couldn¡¯t tell you. I¡¯m not a superhero,¡± Officer Gold answers, which I¡¯m not at all satisfied with. ¡°But I think, you¡¯re, what, 14? I¡¯m afraid to say you¡¯ve probably got at least a couple more vaccines ahead of you, Sam.¡± I slump, running my hand through my hair to pull it back behind my head, and then I do a big dramatic sigh, the kind that bothers my parents. ¡°Fine. Whatever,¡± I say, brushing my hair out from my face again. ¡°I don¡¯t think I have anything else. Just the teeth and the blood stuff. ¡°Do you need anything else? I know if someone wants to join the FBI or something they have to interview all that person¡¯s friends and family. Do you need my friends¡¯ phone numbers?¡± I ask, already reaching down to pull out my phone. Officer Gold waves me off. ¡°No, that¡¯s it. We¡¯ve already conducted our phone interviews with your parents, and they¡¯ve given their sign off. If your JLUMA is approved, you¡¯ll receive it in the mail in 3-5 business days,¡± he says, getting up from his side of the table and pushing his chair in so it squeaks on the tile floor. I try not to wince at it, and fail. ¡°If it¡¯s approved? You mean I could¡¯ve done all this whole thing and it still might get, uh, not approved?¡± I ask, a little flabbergasted. I stare at my fingertips, my nails all pink and shiny. ¡°That¡¯s so annoying.¡± ¡°No, well¡­ Yes, there¡¯s a possibility that your license may not be approved, but I think, personally, your chances are pretty good. We don¡¯t need to make you sign any documents promising not to become a supervillain or whatever because that¡¯s already illegal, so we trust you not to do that. And, you know, your parents told us all about you, and I think you¡¯re going to be fine. Nothing to worry about,¡± My face still feels hot from what I can only assume is a combination of embarrassment and annoyance. I¡¯m sure my dad just loved the opportunity to make me sound lame by gushing about me to a police officer. ¡°Can I ask what they told you? I need to know how mad at my parents I¡¯m about to get.¡± ¡°You¡¯re good at soccer, you have a lot of friends, and your mom told me you did so well at your bat mitzvah. And they assured me you¡¯re too busy with stuff after school to get into any funny business, and even if you could you wouldn¡¯t hurt a fly. Now, you¡¯re not going to make a liar out of your parents, are you, Sam?¡± A noise that sounds like a dying whale escapes my lungs. ¡°Ugh. Why did she say that? I¡¯m going to strangle them,¡± I mumble before remembering that I¡¯m in a room with a police officer. He raises an eyebrow, and I do not address it, looking at his shirt instead of his face. ¡°No, Officer. I am not going to make a liar out of my parents. Am I free to get up?¡± ¡°Yeah, you¡¯re good. And it¡¯s ¡®Bill¡¯, not Officer. Since we¡¯re on a first name basis and all that,¡± he says. If anything, that makes me trust him significantly less. I refuse to call him Bill, not even in my head, even as I get up and push my chair in. Unlike Officer Gold, I make sure to lift my chair up a little so it doesn¡¯t squeak against the dirty tile floor. ¡°Do you need a ride home?¡± I¡¯m definitely not letting a police officer drive me home. Not because they¡¯re a police officer, but because my mom always told me to never let strangers drive you home, and she¡¯s also told me to trust police officers but she talks about strangers being dangerous significantly more so that¡¯s the side I¡¯m taking on this one. The fact that I already don¡¯t like him is not coloring my decision. I¡¯m already pulling my phone out. ¡°No thanks, I can walk home. It¡¯s like, ten minutes from here. Once I get my license, does that mean I can go out and start biting people? Not that I plan to do that, I¡¯m just wondering.¡± Support the author by searching for the original publication of this novel. ¡°No,¡± he starts, scratching the back of his head. The clerk waves at me, and I wave at her back and smile at her. I like her a lot more than the officer. I am sure even if she did most of the talking I would still like her. She doesn¡¯t get up from her chair, so I guess she has more typing to do. ¡°The Juvenile LUMA does not give you free reign to go trying to beat up robbers because we don¡¯t want to encourage kids to put themselves in danger.¡± ¡°Unless they work for the government,¡± I interrupt as we walk. ¡°Right, unless they work for the government,¡± he continues, laughing. ¡°But I think even the Young Defenders have an age requirement, Sam. What the license means is that should you get in a situation requiring it, you can use your powers without fear of getting in trouble so long as you do so in the public interest. Do you know what that means?¡± He walks me through the police station, over through the lobby. I pass by other officers and people working, and almost all of them are significantly taller than me, which is annoying because I just got my growth spurt and I¡¯m the tallest of my friends but here I feel short again. ¡°Like, picking up trash and stuff. Or, you know, just on the off chance that someone tries to supervillain my school I can bite them and if I bite their fingers off they can¡¯t sue me for it. If I didn¡¯t have a license, they might be able to sue me or something. Or I might get arrested. Right? Do I have that right?¡± I ask. He opens the front door for me, and I step out onto the sidewalk. ¡°Right, if you didn¡¯t have a license and you tried to use your powers in self defense, you might get in trouble. Like if you had a gun you were carrying illegally, even if your life is in danger you might get in trouble just having it. And if you shoot someone with it, you¡¯d get in more trouble compared to if you had a license to carry that gun. Does that make sense, Sam?¡± I shrug. ¡°It makes sense but I think it¡¯s kind of stupid. It¡¯s not like I can get rid of this gun. They don¡¯t have anything that can undo superpowers yet, right?¡± I can see him getting ready to reach for my hair, likely for an encouraging tousle. I step away before he even has the opportunity, taking two steps back. My legs are really long, so it¡¯s not very hard, and his hand stays right where it should be by his belt. ¡°No, I don¡¯t think they do. And between you and me, I think it¡¯s a little silly too, but that¡¯s the law, and they just pay me to enforce the law. If you want to change it, maybe you could become a senator?¡± See, that makes me laugh. A puff of air squeezes out from the corner of my lips. ¡°Yeah, that¡¯s not happening. I¡¯m not some kind of poindexter who can focus on books long enough to write a law.¡± Officer Gold shrugs his shoulders and opens the front door, clearly also trying to escape the situation like I am. ¡°Well, who knows. A supe just got elected to City Council. Maybe you¡¯ll be the first superhuman senator if you stay in school and focus on your studies?¡± I look around, away from the police officer. Across the street are just acres of rowhouses, brown and red brick the most familiar color in the world. The car dealership next door looks like the sleaziest place in the neighborhood, sleazier than the bars and the alleys. The post office is just the post office. ¡°I¡¯ll pass.¡± ¡°I hope you do.¡± Officer Gold says, letting the door shut behind him.
PERKS Assessment: Samantha Small I. Power Classification Gigant: Shark-Like Biology. Code: G4/S/P/T Rationale: Samantha Small displays enhanced bite force and constantly regrowing, serrated teeth akin to a shark. Classified under the Gigant category, she is assigned a 4 for her ability to damage small metal objects such as cutlery. This ability is personal (S) and physical (P), and is limited to touch range (T). Brain: Blood Sense. Code: B3/SON/P/U Rationale: Samantha¡¯s ¡°Blood Sense¡± ability falls under the Brain category. This allows her to sense the approximate location of freshly spilled blood and visualize the vascular system of bleeding individuals. While the full extent and exact range of this ability is still unclear, it is estimated to be around a 3 due to its potential strategic value. It is a personal (S), other (O), and non-sentient (N) ability, that is physical (P) in nature, with an undefined range (U) due to uncertainty of its limits. Gigant: Regenerative Ability. Code: G?/S/P/U Rationale: There is speculation about Samantha¡¯s potential regenerative ability, following the unexpected speed of her recovery from injury. She has mentioned only requiring two days in the hospital to heal from a serious injury involving disembowelment, and the only sign of damage is scarring along her right flank. She seems unaware of the speed of her recovery. It is tentatively placed in the Gigant category with an unknown rank (?) due to insufficient evidence, but at least 3 is likely. It is a personal (S) and physical (P) ability, with an undefined range (U) until further observation can ascertain its limits. II. Power Ranking Samantha¡¯s abilities present moderate capability, from the physical alteration of her dentition to the detection of fresh blood. Each power was evaluated based on the potential for impact, defense, and replication. Further evaluation is required to accurately determine the power ranking of her potential regenerative ability. III. Control Rating Control is ranked at 7/10. Samantha appears to have good control over her biting and blood sense abilities, though the extent of her control over the potential regenerative ability is yet to be determined. It is unclear if her blood sense can be ¡°turned off¡±, or if it would even need to be in order to prevent potential sensory overload. IV. Hostility Rating Hostility is ranked at 0/10. Samantha does not display any antagonistic behavior. Her interview and background check indicate a stable upbringing, participation in extracurricular activities, and a developed support network. She has no history of criminal activity. V. Collateral Damage Potential Collateral damage potential is ranked at 1/10. Samantha¡¯s powers seem to possess little potential for significant property damage or loss of life under normal circumstances. VI. Overall Threat Level Given Samantha¡¯s power ranking, control, low hostility, and minimal collateral damage potential, Samantha is assigned an overall threat level of 2/10. Her abilities, while noteworthy, do not pose substantial threat under current circumstances. Notes: This PERKS Assessment is to be updated as further information is gathered and understood. Unauthorized dissemination of this document may result in penalty under the U.S. Code, Title 18, Section 798. Interviewing Officer: William H. Gold Date: August 1st, 2023 Civilian Clerk: Amber Peterson Date: August 1st, 2023 Approved: Provisional JLUMA (Juvenile License to Utilize Metahuman Abilities) granted as of August 2nd, 2023. Parental Consent: Benjamin Small, Rachel Small.
It¡¯s just black. The only thing around me is a solid, swallowing black, like in my attic with the lights off and a blanket over the window. I can¡¯t see anything because my eyes are shut, soaked with salt water and screaming in pain. I try to break the surface of the water but there¡¯s something heavy above me, too heavy to move, and I swallow a lungful of seawater and try to cough it back up. It¡¯s the worst agony I can think of, and one time I broke my arm during a soccer game, and that was really bad too, but that¡¯s nothing compared to this. I should be thinking, I know in comics and movies and stuff that whenever the main character is in a bad situation they can just stop and think about it and time slows down in their head until they¡¯re fine and the situation is fixed. They always make it look so easy. There¡¯s no thinking that can be done and time is going so much faster than it should. The only thing inside of me is the kind of raw panic I imagine bait feels whenever I put them on a hook to fish with ¨C I feel like a tiny little minnow. I can¡¯t surface because the boat is above me. I can at least make that connection. Maybe if I push hard enough I can just push the boat out of the way, or try to get around it, but all I can really do, the only thing I can really do, is try to cough up seawater, burning and salt in my lungs. I can¡¯t control which pipe it¡¯s going down. I can¡¯t control my arms, or my flailing. The situation is fucked beyond repair. I think I¡¯m allowed to say that now. I feel the boat shift above me and then there¡¯s something else. My hand jerks back from a sharp pain across my forearm, and then I see sunlight for only a moment, or the impression of light, anyway. My eyes are still shut because they burn too, I just think that the boat has moved off from me, but then there¡¯s something searing across my side and my stomach feels sick. The pain intensifies ¨C that means it gets worse. It gets worse. It gets even worse. It gets so much worse than I can even imagine. I wish I could pass out. I know some people pass out when they get blood drawn, I think my dad is like that. I hope I don¡¯t die right now, because thinking about my parents being sad at my funeral makes me sad, but also, I hope I do die, because if I have to live one more second with this kind of pain I¡¯m going to kill myself, myself. I¡¯m trying to describe it and the only thing I can come up with is that it¡¯s like that one time I got burnt by the brownie pan when I reached over and my wrist touched the edge and it hadn¡¯t cooled down, but so much more intense than that. I don¡¯t even know why it hurts. I feel air across my face and spit out a lungful of seawater but it doesn¡¯t help because I feel woozy. The air is bitter and when I try to crack my eyes open the water is so much more brown than it was before, and I know that¡¯s not just New Jersey sludge. I can only make out the faintest shape of my grandpa, and that makes me feel so much worse, because I can hear him yelling and thinking about him at my funeral makes me even sadder. I¡¯d start crying if my body wasn¡¯t one hundred percent focused on making sure I¡¯m not dead, which meant there was no time for baby stuff like that. I notice that my insides are hanging out into the ocean, exactly where they shouldn¡¯t be, and now I understand why it hurts. I¡¯ve connected the dots. The propeller probably gutted me like a fish. I take a moment to feel proud of my deductive abilities ¨C that¡¯s another term my mom taught me. Deductive abilities. Deduction. That¡¯s what a detective does. I am swallowed up by the blackness. Chapter 2 There is a specific time each week that I set aside to look at myself in the mirror - Friday mornings, and no other time. Call it a weird habit, almost a superstition, even, but I try to avoid my own face every other day of the week, and it''s kept me from developing acne and looking my best - not that I''m a particularly vain person, but, you know, I''m a growing girl and pimples aren''t something to look forward to. Maybe it''s just a placebo, but when I avoid looking at my face, the rare occasions I do become all the more shocking. I''ve gotten really good at putting up my hair into a ponytail without even looking. I can French braid my hair without looking either, just by feel. It''s impressive! My friends think it''s impressive, at least. When I look in the mirror today, there''s some imperceptible (that means really small) shift in my posture and expression that I can''t help but start focusing on. For a moment, I fear that I''ve begun breaking out, but I pry my skin with my fingers for a moment and confirm to my satisfaction that there''s no blemishes, outside of my freckles, which aren''t blemishes anyway. Those are my most attractive feature. No, there''s something else, besides the pointy shark teeth, that''s different about my face. Maybe it''s all the new teeth in my jaw shifting how it sits in my body. Actually, I''m not even sure if these teeth sit underneath my gums like normal baby teeth or if they just grow spontaneously as needed. They didn''t take x-rays of my head then, after the accident, so that might be something my dentist has to check. I clench my jaw. I bare my teeth. They interlock, pointy tips scraping into the bottom enamel, a wide-splayed base that sits comfortably in my red gums, anchoring them in place. I tried pulling weeks ago - they don''t come out until they''re good and ready, or until I bite something really hard. They''re tilted at a slight angle, having shifted uncomfortably to accommodate each other. I know it''s supposed to be shark-teeth, but I can''t help thinking of piranhas every time I look at myself. Too small for them to be intimidating. They look more like needles. I unclench my jaw. My name is Samantha Small, but my friends call me Sam. I am 5''6¡å and about 120 pounds, but I don''t check anymore except at doctor''s appointments, because I don''t want to develop an eating disorder. I don''t think I''m at risk of it, but, you know, I don''t want to anyway. I play soccer, but the high school I''m going to be going to in the fall doesn''t have a soccer team so I might join track & field instead. Words my mom would use to describe me are "willowy", "lithe", and "svelte". Words my dad would use to describe me include "hyperactive". I am, as far as I am aware, a human being. I have skin, blood, hair, which is curly and a sort of light brown, and eyes, which are sort of orange in the right light, and bones, which are the color of bones, as far as I am aware. People tell me I need to stop saying things like "as far as I am aware", or "as far as I know", or that when they ask me if they can ask me a question, "you can, but I can''t guarantee I can answer it". They call me a "smartass" but I''m just being precise with my language. I have friends. I have teeth. When I put a sundress on it lets me only linger on my scarring for a moment before it vanishes under a layer of yellow cloth, but it''s still not a sight that I can avoid. Propeller injuries like mine aren''t something that go away even after they heal. The doctor said I healed really quick because I''m young, and that I was lucky that it was only a little fishing boat propeller because the big industrial propellers just rip someone apart. I was kind of fucked up on morphine at the time - excuse my language - so I don''t think I really appreciated it fully, just how close I was to death. That if I wasn''t lucky enough to activate, I probably would''ve just died right there. When I think about my scar, it hurts and aches in response, like it''s reminding me it''s there. It''s dozens of wavy white lines, running up my entire right side, mostly on the front. They said it was really lucky that it only cut me open on the front, because if it had cut all the way through, I wouldn''t have healed nearly as well from having my entire insides turned outside. Each one of them is raised up hard and bumpy, going across to just before my navel and then stopping. Even when I go out of my way to not look at them, they still are there, in that little theater in my head. Just thinking about them. I don''t need to look in the mirror every day - I''ve already memorized every detail of myself. The nicest pair of shoes I own are a pair of black sneakers, so I put those on and some dress socks that go up to my knees. My parents frequently call me "very fetching". The only other adornment I have are some friendship bracelets and chapstick, which makes my lips a little shiny but not much else. My nails are pink, but they''re starting to grow out, so I need to get them trimmed soon. I head downstairs.
I''ve only been on this Earth for 14 of G-d''s own years but I have spent a considerable amount of that time in a car, driving between Philly and Ventnor. On occasion, a smaller amount of time is spent driving, or walking, from Ventnor to Margate, for one reason or another, but the Atlantic City Expressway has become sort of a third home to me. Whenever we''re driving down it with my headphones on, as I zone out, there''s a certain kind of peace I don''t get anywhere else. I don''t know every individual tree we pass but their contours are familiar, the general ebb and flow of their shape as a collective. The fabric of my sundress bunches up around my shorts, and I tug it out from under me, adjusting the seatbelt as I do, trying not to trigger the dreaded the-seatbelt-thinks-you-got-into-a-car-crash-so-it''s-gonna-lock-up mechanism. With a silent sigh of relief, I succeed, and continue scanning for hidden police officers, as is my parent-given duty on this regular drive. All I do is look in the crevices and hidden spaces in the car ahead, and shout "Cop!" if I see one. Today, though, the drive is uneventful. Cameras take pictures of the EZPass as we pass through the toll, using some sort of billing system that I have to assume is just magic, because I don''t understand how it works yet. My dad, Ben, is the designated driver of the family. My mom, Rachel, sold her car before I was born. Living in a city where we can get anywhere we need by walking, she told me it was her attempt at being more ''eco-friendly''. My dad owns an old 2019 Toyota Camry, in all white, which he claims lowers the cost of the air conditioning - but if you asked me, I''d say it''s a little ugly, because you can see whenever a bird shits on it really easily. They''re talking about something that I''ve tuned out half an hour ago. Probably taxes, because that''s all they talk about (that''s a joke). Like most things that my dad handles, the interior is spotless, vacuumed weekly. When we arrive at Pop-pop''s house, I am overwhelmed with a sense of relief, both at being able to see my grandfather again for the first time in a couple of weeks and at being able to take my seatbelt off and squeeze out of the car. Pop-pop Moe tousles my hair at my approach, shouting through my headphones, while I pause my music, scrunch up, and try to extricate (that means remove) them from my ears. "Och! Samantha, darling, you''re gonna be taller than me next week! Just what are you two feeding this girl?" "Raw steaks," "Human growth hormone," my parents say, overlapping each other. My mom elbows my dad in the ribs, and he lets out a wordless noise of protest. "I''m eating extremely normal food for normal girls my age," I start, before grinning. "Like human flesh. Blah!" Pop-pop Moe lets out a faux-startled sound and jumps back, although for a moment I think I see something else in his eyes I can''t quite place. Despite the glasses, he''s actually my Dad''s father, with a long, gaunt sort of face that''s been fattened out by the years. His hair, really curly and all over the place, reminds me of Albert Einstein''s. Though, I''m sure my Pop-pop is smarter - just not in physics. I think at one point in his life he was probably taller than I am now, but all his time on this Earth has flattened him like a pancake, squishing him out and stretching him sideways. He has a big nose, wears a lot of plaid, and he smiles with his eyes and his whole face when he''s happy, and I do love him very much. Pop-pop''s house is kind of like him - stretched out. He lives in a three-story brick rowhome in Ventnor, featuring a one-car garage, and an outside bush that used to bear berries I was never allowed to eat; it hasn''t sprouted any in years though. The first floor houses only a door leading to the ''backyard'' - if one could even call it that - and stairs ascending to the second floor, a large circular space. A living room, with a big couch, a big TV, and stairs going up, and then the kitchen and dining room, with a balcony that we never use, so he stores beach chairs on it. There''s a bathroom in the middle there, too. And then, on the third floor, it''s just bedrooms and a bathroom. Whenever cousins are visiting, they usually stay in one of the guest bedrooms, and on the rare occasion where I stay overnight at Pop-pop Moe''s house, I stay in one of the guest bedrooms too. But I try not to, because it smells like 1950s. There''s a Wawa a block down, which is one of my favorite parts of coming here. New Jersey Wawas just hit different. Sorry, Roosevelt Boulevard Wawa. "Well, I''m afraid you''ll have to accept substitutes because as far as I''m aware human flesh is not kosher, darling. That, and today''s a dairy meal," he says, leaning in to rustle my hair again. I fold my arms over my chest and pretend to be angry. "Ah, crap." "No, that''s not kosher either," he says, chuckling. He opens the front door for us, and when I step through, my footsteps are memorized. I''ve been here enough that nothing about this home is a surprise to me. I pull my sundress closer to my sides and make my way up the stairs, fighting the powerful urge to ascend them on all fours. That''s not a shark powers thing, I just like going up stairs on all fours. As far as I''m aware, none of my behaviors have changed from me getting superpowers, although maybe if they did, I wouldn''t be able to tell anyway. Who''s to say? Today, we stick to the second floor, where some sports match buzzes from the television. I don''t actually think anyone in my family is interested in sports besides me, but I''m pretty sure they''re playing baseball, which I couldn''t care less about. Pop-pop Moe ushers us to the dining room table, although I''m not sure if it qualifies as a dining room if it''s not separated by a wall from the kitchen. Two loaves of challah greet us, sitting in a little basket, with a little blanket over them, and the four of us step over to the side table where the candles expectantly look back at us, waiting to be lit. I cover my face while they light and Pop-pop Moe sings. The words form a familiar meaninglessness, that I knew the translation of once upon a time but is now just a comfortable melody. The room is quiet, outside of the television noises, while we sit down at the dining room table, familiar whiteness covered with Pop-pop Moe''s best tablecloth. The rest of the ritual unfurls with the same routine familiarity; a performance repeated every Friday without interruption, except for the past month or so. The gefilte fish tastes better than it usually does, but I don''t say anything about it. I don''t want to worry Pop-pop Moe. Shabbat shalom.
The sun is beginning to go down, lighting all of Ventnor with a golden glow. Tomorrow, it will rise again above the ocean. Some of my blood, along with a portion of my large intestine, is now in that ocean, likely consumed by fish and brought into the cycle of life. My mom''s face is flush with wine, bringing a cherry redness to her tan skin and freckled cheeks. I pick at my food with a fork while she talks about recent news with Pop-pop Moe. She looks like me, but she doesn''t - her hair is wavy and a lighter brown than mine, plus she''s got a cute button nose that I distinctly lack. We''re the same height, but she weighs a lot more than I do, because being a librarian does not give one a lot of opportunity to exercise, and also probably because I think wine is a lot of calories. I could drink it, I''m an adult now, but I think wine tastes gross, so this shabbat I settled for grape juice. I don''t picture myself drinking anything other than grape juice for the rest of my life. My dad, on the other hand, looks like my Pop-pop Moe. He has his curly hair and his stubble, but his hair hasn''t whitened with age and he cuts it closer to his scalp. He''s pale, like me, and stretched out tall like a beanpole, but his eyes are a lot darker than mine. I think I get those from my mom. One day, he will become old and wrinkly, and his skin will probably get kind of sallow and dark like Pop-pop''s. I think sallow is the right word for it, at least. He doesn''t drink either. "Samantha, bubelah, what''s the matter? Why so glum, chum?" Pop-pop Moe asks, leaning forward, one elbow on the table. A piece of cake hangs from his fork, then splits in half. The bottom half drops onto his plate and the top quickly follows, falling off the side of his fork. "Oh, sonnova-" "Huh? Do I look glum?" I ask, reaching out for another piece of challah. I rip it off, pull back and chew. Eating bread has definitely gotten weirder, with these teeth designed to rip meat. It''s taken some getting used to. "Well you don''t exactly look happy, darling. Is something on your mind? More grape juice?" he asks, gently pushing the bottle of grape juice closer. The dining room table is designed to seat 6, so there''s a lot of space between the two of us. "No, I''m just thinking. I think my face just looks like this when I''m thinking." "She''s right! It does. You do that too, honey. Did you know that?" my mom asks, jabbing a finger at my dad''s shoulder. "You do that... face on your face. Like this." She screws her face up, maybe a little too buzzed to control her muscles in the way she wants to. She dissolves into giggles, and my dad runs his hand through her hair, stroking her gently. "I think it might be grape juice the rest of the night for you." "Mmhmm, I trust you," she mumbles, closing her eyes and resting her head on my dad''s shoulder. "You''re the boss." "Sam, darling, your mother was just mentioning you had an interview with the police. How did that go? They didn''t give you any trouble, did they?" Pop-pop Moe asks, wrenching control back of the conversation while my dad pours a glass of grape juice for my mom. She rotates so that half of her face is buried in his shoulder, and he removes her glasses to avoid them getting crushed between the two of them. "Huh? Oh, no, they just wanted to know about, you know... The day. And what I can do," I say, looking at the candle table instead of at my pop-pop. "Sorry about that, by the way." The narrative has been illicitly obtained; should you discover it on Amazon, report the violation. "Samantha, dear, can you tell me what you''re apologizing for?" he asks, taking me off guard. "Uh." "You know, I''ve told you this before - frivolous apologies shouldn''t, erm... An apology, you know, it''s not a thing to give out so frivolously, darling. It''s a promise that you''ll change your behavior. What behavior is there for you to change, child?" I scratch my head and look away in the other direction. Anything besides looking at his face. "I''m sorry for almost getting killed by your fishing boat. And causing you worry." He leans forward, both elbows on the table now, folded a little in. "Is that something you have the capability to change in the future? That means "ability", I know darling Rachel has been helping your vocabulary-" "I know what "capability" means, pop-pop," I interrupt him, flinching at myself. I expect him to be a little taken aback, but he just keeps smiling - I can see it in my periphery. "No, I. Well, I didn''t have control in the first place." "Then no apology necessary!" he concludes, clapping his hands together, leaning back into his chair cushion. "But they didn''t give my granddaughter any trouble, no? I know some people on the force, I could give them an earful if I oughta." "No, no problems, pop-pop. Just three-to-five business days, which, I mean... I don''t know how long it takes them to just put some stuff in the computer and then print me an ID, but I feel like it should be faster than that." "Oh, Sam, you should know by now that nothing moves that fast in municipal government," my dad interjects, reaching down into my mom''s lap to grab something in her purse. He would know; he works as a city planner, for the city of Philadelphia. I mean, that was probably obvious. "But is that how long they said it would take? Three-to-five business days?" "What do you mean? That''s what they said," I answer. I hear the sound of paper tearing and look away from the wall towards my dad, who has something small and green in his hand. My heart skips a little beat. "Don''t say your old man never did anything for you, kid," he replies, flicking a small ID card in my direction. I reach my hand out and snatch it out of the air like a frog catching a fly, except a frog wouldn''t nearly fall on the dining room table. "Congratulations, Sam. They approved you in like, an hour. I just pulled some strings." "Mazal Tov! But who are you calling ''old man'', boychik? I''m the only one that holds that title here," Pop-pop Moe says, declares, spearing the two halves of cake together on his fork. He attempts to bring it to his lips, only for it to split again on the way out, too crumbly to reliably stab. "You''re still a spry little thing, don''t go thinking you''re old, now!" My dad rolls his eyes. "I''m nearly 40, dad, I''m going grey. I can call myself old if I want," and then he points at me. "This is Sam''s moment though, let''s not kill it." "You did it! You impressed the cops," my mom slurs drunkenly from my dad''s shoulder. She lifts herself away, leaning on the table and sipping grape juice from a wine cup, looking a little startled, like she expected more wine. "An extremely valuable skill for girls like us to know." I take the opportunity to actually look down at the ID. They took a photo of me at the station, so that''s how I appear, with a stern face and a tan-white t-shirt. The words are arranged in neat, orderly rows next to my face, with a weird holographic print over the entire thing that makes it shimmer in the dining room light.
LUMAN: 43805763 DOB: 04/16/2009 SMALL SAMANTHA ELISABETH XXXX LONGSHORE AVENUE PHILADELPHIA, PA 19149-0000 EXP: 08/04/2024 ISS: 08/03/2023 SEX: F EYES: BRO HGT: 5¡ä-6¡å
"What do you mean ''girls like us'', mom?" I ask, giving the card a little bend, successfully fighting the urge to test it with my teeth. I''m sure I could poke a hole in it if I wanted to. "Oh, um, thanks, dad. It means a lot to me." "It''s no problem, honey, you''ve... you''ve definitely earned it, heh heh-" "I mean pretty girls, Sam!" my mom shouts over my dad, thumping her hand on the table. "Pretty girls like you and me, we gotta know... how to schmooze the cops. You know. It''s an important skill. You''re gonna save someone''s life one day by making a cop feel bad about being mean to a pretty girl with pale skin," She raises a finger, and it wobbles a little bit, and her hand slumps down to the table. "They''re never gonna shoot ya." "Rachel, darling, ixnay on the ooting-shay at the dinner table, please, doll," Pop-pop Moe requests, a little timidly. My mom finishes her glass of grape juice. "Maybe I sshhhhould lie down. Can I use your couch, Morris?" "Of course, darling. Let''s get you settled... Upsie daisy..." Pop-pop Moe says, mostly to himself, helping my mom up from her chair. She slings an arm over his shoulder. "Don''t... You shouldn''t let me drink this much next time, Moe, that''s... Mmm... Not a good example," I hear her say as he leads her around the bend to the living room. He says something in response, but the sound is drowned out by the television noise. Something about a special occasion? "Well," my dad starts, glancing around at the empty-ish table. "Want to hand me your dishes? And congratulations again on the approval. Apparently, the cop doing the interview left very nice comments in your file." "I have a file? That they leave comments on?" He reaches out and takes my plate out from under me, encountering no resistance. "You do. And now you can bite someone''s fingers off if they try to mug you. But, uh, don''t make a habit out of it."
My mom is fast asleep on the couch, snoring quietly, with a little napkin put under her mouth to catch the drool. Probably by my dad. He''s off cleaning the dishes, while Pop-pop Moe and I sit in recliners, right next to each other, a side-table with a remote control for the television in between us. I''m not paying attention to the nightly news. He reaches out and puts his hand over mine. "Samantha, darling, a moment?" "Yeah? What''s up, pop-pop?" He looks at me with a sort of sincerity that hurts, that really just hurts me to look at. Making eye contact is never easy, but with my pop-pop it''s even harder, especially after that day. "I just want you to know... that I''m sorry for the accident. I do feel very bad about it, and I''m glad you''re alive and with the powers and the biting, but, you know, if that never happened..." His hand has the sort of looseness to it that only really old people, like my sixth grade teacher, seem to have. His skin is cold and his veins are prominent, and I guess that''s why he''s always wearing sweater vests on top of his plaid, like today. A big spot of discolored skin sits between his thumb and his pointer finger, and his nails are cut too short, close to the pink, yellowed with age. I look away from him. "I don''t want to think about that. Sorry." "It''s okay, it''s okay! Nobody wants to think about bad things. I get it. Your old man''s old man is pretty clever," he replies, clapping me on the shoulder. "No, I don''t want you ruminating on what-ifs either. I just wanted to say that I''m sorry, sincerely, and, you know, next time, if you still want to go fishing, we can get a smaller little boat. You know, but I''d understand if you''ve... lost the taste." He chuckles. "You know what ruminating means, right, smarty pants?" "No. I mean, I think I understand from context clues, but I don''t know what it is is." He pulls his hand away, opens his mouth wide, then claps his teeth together like a movie set clapper, mimicking chewing. "Ruminate! It''s why they''re called ''ruminants'', those animals that chew their own cud. It''s like chewing on something real slow, and regurgitating it. You know regurgitating, right?" I wince, scrunching my face up. "Gross," "Hey, hey, I don''t judge! But you see, Samantha, darling, the thing is that grass is a real, real bad vegetable. You''ve ever eaten grass, Sam?" "Once. On a dare. It was gross, though," I answer, sticking my tongue out between my front teeth at the taste. It scrapes up against them, but I think I might have a super-strong tongue now, too, because I haven''t cut or pricked it even once. "Right! It is gross. And it''s got bupkis for nutrients, so they gotta... what the cows and the deer and the sheeps do, is they regurgitate the grass they''ve been grazing on so they can give it another go, see? So they can extract all the nutrients they can. So when you''re ruminating on it, you''re not just chewing; you''re chewing and vo-regurgitating. It''s fine for the cows to do it, but not for the people. We don''t have a cow stomach for a reason. You understand me, Sam, darling?" I look away from his face and nod. I turn my head all the way the other direction. My mom snores. "Don''t dwell on it. Gotcha." "And here''s a little bonus lesson for you, bubelah - being a ruminant''s one of the two things an animal has to do to be considered kashrut. They''ve gotta chew their cud. Do you know the other thing?" he asks, and I don''t. I shake my head. "They''ve gotta have split hooves! If it chews the cud and has cloven hooves, it''s safe to slaughter. A pig''s got cloven hooves but doesn''t chew its cud, and a camel chews its cud but doesn''t have cloven hooves, and you can''t eat pigs or camel. When it has split hooves... you know, it knows the difference between right and wrong, left and right, or so the sages say. And the chewing the cud business, that shows that it''s never content with the knowledge it has, because if it''s too content, it''ll get complacent and smug. So when we eat these things, we take in their qualities. We don''t want to be complacent without knowledge of right and wrong, and we don''t want to know right and wrong while becoming complacent. Either way leads the bad stuff. You understand me, bubbelah?" I nod, slowly, already turning the idea around in my head. "But if we want to have the qualities of an animal that chews its cud, why shouldn''t we rumi... ruminate?" He grins, a little twinkle appearing in his eye. "Excellent question, Samantha, darling. There is such a thing as too much rumination! Consider the cow, which spends all of its days and all of its nights eating and resting, and while it may know left and right, right and wrong, all of its time is spent just getting that energy to ruminate with! But us humans, we spend time doing more things than just rumination. If you spent all day chewing, you''d be no better than a cow or a deer. All things in moderation, Samantha." I nod, trying to absorb what he tells me. I was never very religious - Pop-pop Moe takes it more seriously than either of my parents, although some of my relatives take it as seriously as he does. I never mind getting a lesson from him, though; he makes it fun. It''s a lot easier to hear this sort of stuff out of your grandpa than out of a dry, flavorless textbook. "Is this supposed to be a metaphor for something? Are you trying to give me my "with great power comes great responsibility" speech?" He leans back and laughs hard, thumping his chest twice to get a cough out. "No, it was just a digression. You know how us Smalls get. Did you know I met him once?" "What, Spider-man?" "No, no, the Lee fella. Ditko, too! I couldn''t tell you the occasion, but, you know, it was definitely before that Echo fella. I grew up reading Spider-man, you know? I was just a little babe your age when they started releasing it," he answers, folding his arms over his chest. "Really lost the plot around that clone business... What was that, the 90s? You know, it was never quite as good as before- wait a second! What''s this about calling me an Uncle Ben?" "Is that his name?" "You''re darn right it is! Gosh, what are they teaching the kids these days if not the name of Spider-man''s dead uncle, knowing the saying but not the name. The nerve," he harrumphs, reaching over to really mess my hair up. There''s some things you can''t help but laugh at, and your grandpa messing your hair up is one of them. "Quit it!" I shout half-heartedly, attempting to slap his hand away. "You''ll have to make me, Shark-girl! Muahahaha!" he replied, reaching over with both hands now. When I try to grab his wrists, he yanks away, leaving me grasping for empty air. "Far too slow!" "You''re being silly, pop-pop." "Maybe I am! Maybe I''ve had a little much to drink myself..." He chuckles, leaning back into his recliner. He hits a button and like a lurching zombie, the bottom of the recliner comes out, flicking his feet up along with it. "Do they still make those, Spider-man? The comics?" I pull out my phone to check. "I wouldn''t know, I''m not really a comic book girl. I think all my friends are into anime now, anyway," I answer while I filter through NetSphere for information. "Yeah, it says here they''re still producing, like, Spider-man and X-men and that''s, like, it. They sold off everyone else to Echo Verse in like 2010." He snaps his fingers. "That''s the boy! Echo Verse. What''s this about anime?" "Just like... Japanese cartoons and stuff," "You''ll have to get me some recommendations for that one of these days. I''ve got free time, I should see what the youth are into nowadays," he says, while I put my phone back into my shorts pocket. "You know, I met him too - Mr. Genesis, back in the day." I lurch up in my chair. I''m not exactly what you''d call a ''superhero nerd'', but it''s sort of like someone saying they met the president, or Dave Grohl. "Really?" "Sure, sure! Mr. Chakravarti, if the memory does serve me well. He was very kind, very sweet, you know, very concerned about the flooding and the ocean, my firm had a meeting with him back in... I want to say 2000? Maybe 2001. You know, he doesn''t exactly take interviews but he doesn''t hide it either. Very humble," he leans back, grabs a glass of water that he had set out on the table between us, and takes a sip. "Now there''s a hero. Be like Mr. Chakravarti, if you need to pick a role model." "What exactly does that mean?" I ask, not understanding. He looks at me, takes a sip, glances down at his water, and takes another sip. Then, he puts the glass down and shrugs. "You know, save people''s lives. That''s what it''s all about, isn''t it, Samantha, darling?"
"Save people''s lives. That''s what it''s all about, isn''t it?" I keep turning that over in my head like I''m examining an ancient, freshly uncovered artifact, covered in dirt. The trees on the side of the Atlantic City Expressway are much harder to discern at 10 PM, rushing past us in one undifferentiated mass of black, with the Philadelphia skyline coloring the horizon a dim, dull, but visible blue. My mom is asleep in the passenger seat - we basically woke her up to escort her out, and now she''s going to sleep like a baby the rest of the night. I''m not worried, because this is just what happens when she gets really drunk, like at Passover. My dad is listening to something old on the radio, one of his old college CDs connected with a cart drive to the plug where his phone would be plugged in. I think it might be the Deftones, but it''s hard to hear through my own music. He doesn''t even need a navigation system to make his way back home from Ventnor, which is really cool. I can''t imagine driving this far without one, I think I''d get lost on the highway. Shark-girl... That''s not really a good name for a superhero, is it? I mean, not like I want to become a superhero, because I never asked to get powers. I know there''s a lot of people who get their powers in industrial accidents and then just, you know, wake up and go back to work. And there''s people who are total superhero freaks, who treat them like celebrities and shit, and I think that''s just really weird. I''ve never been one of those types either. Superheroes, and I guess supervillains, superhumans, supes, capes, whatever - they were all already a thing before I was born. Way before, even. The idea that I could even become one had honestly barely even entered my mind, I just wanted the license so I wouldn''t have any issues if I had to protect myself with my powers. What would I even do, anyway? Biting someone''s hand off isn''t exactly a really superheroic way to subdue a criminal (that means stop them, by the way). And my friends who I haven''t hung out with aren''t going to think I''m cool if I''m a superhero, I''m just still gawky old Sam Small. Boys aren''t going to like me more if I go around dressed in kevlar biting people''s faces off. I mean, maybe the weird goth boys who still listen to metal, but, you know, that''s not my type. What would I even wear? I''m not any better at swimming, I tried. There''s already tons of swimming superheroes who work with the coast guard. And I could never be a villain, either. Not because I have some sort of deeply ingrained moral code about it, because if I got a cooler power like teleporting or walking through walls I''m sure I would probably be stealing stuff all the time, you know, I already shoplift sometimes, I''d just do that but more. No, I can just imagine the tongue-lashing I''d get from my parents if they knew I was doing villain shit, and biting things isn''t really a sneaky power that''s hard to trace. Like, how many villains could there be with super biting? Not exactly something usually necessary to save your life, you know? How many people had to bite their way out of problems, instead of lifting or flying or shooting-fire-ing? What a stupid power. You know, plus, if I became a villain, I think my Pop-pop would be disappointed in me. I can handle my parents yelling at me, they do it all the time. But I think if Pop-pop Moe was ever disappointed in me, like, really disappointed, not just "you weren''t supposed to eat that dessert before dinner, 10-year-old-Sam" disappointed but "you aren''t supposed to rob banks and murder people, 14-year-old-Sam. I thought we raised you better than that.", you know? I think I''d just die. I think I''d just die if that happened. Fingers crossed this isn''t ominous foreshadowing. "Sam?" my dad''s voice startles me out of my reverie - that''s what my mom calls it whenever I start staring out into space because I''m thinking too hard. We''re parked on the street, in our designated spot. "You good?" I didn''t even notice the music stopping, or us getting home. My album had ended like ten minutes ago. I put my headphones in my pocket. "Yeah. I''m good." I feel the outline of my JLUMA in my phone case. Save people''s lives. WORLD OF CHUM: Superpowers and the PERKS Assessment

?? All About Superheroes! ??

Powered By the National Superhuman Response Agency

What Are You? Know Your Status! ????

Vigilantes No license? No problem! But also, maybe a problem. If you''re a superhero without a license, you fall here. You''re kind of in a legal gray area. You might get a slap on the wrist or even a fine if you''re caught. Roughly 30% of supers are like you!

Licensed Vigilantes Got a License to Utilize Metahuman Abilities (LUMA)? You''re golden! You even get some legal immunity. Just don''t commit any crimes, and you''ll be good to go for two years before you need to renew. You''re in the majority, with 60% of supers!

Registered Superhuman Entities Congrats, you''re a government employee! You''ve got uniforms, legal protections, and some neat gear. However, if you cause too much damage, you might have to do some community service. You''re a rare breed¡ªonly 10% of supers make it here.

Don''t Forget Special Healthcare ??

If you''re a Licensed Vigilante or Registered Superhuman Entity, you get special healthcare suited just for you and your secret identity! Resources for individuals who have registered their powers with their local government, including specialized medical support, are abundant.

The Other Side of the Coin: Super-Criminals ??

Known Superhuman Criminals You''re the small fry of super-crime. You might be in it for theft or some vandalism. You won''t be a top priority, but still, expect to face some legal music if you''re caught. Most supers gone rogue (75%) are here.

Ideological Power Entities You have an agenda and the power to push it. You''re dangerous, and you''re a top priority target for the good guys. You make up about 25% of criminal supers.

Classified Threat Entities You''re the big bad wolf. You''re so dangerous that every super is after you. You''re rare but extremely scary, with less than 1% of super criminals falling under this category.

Career Options: It''s not just Superheroing! ???¡á????¡â?

Are you or a loved one part of the approximately 500,000 individuals in America with powers or the potential to gain powers? Are you afraid that these abilities might doom you to a life of either crime or crime-fighting? Don''t despair! Studies have shown that over two-thirds of metahumans opt to avoid the superhero-supervillain system entirely, instead using their abilities to enhance their performance and productivity in the workplace, to ply a new trade, or just for personal gratification! Just remember, if you plan on utilizing your powers in the workplace, you will need to acquire a License to Utilize Metahuman Abilities (LUMA) in order to avoid regulatory penalties for you or your boss. In most states and territories, it''s a simple one-time fee of $40 for the initial interview, and $20 every two years thereafter upon renewal! If there''s no local NSRA office in your town, get in contact with your local police agency, and they will be able to get you in contact with the right people!

A Touchy Subject: Public Opinion ???

Some people love villains as much as heroes. Whether it''s shared in memes or debated in podcasts, there''s a strange allure to supervillains. It''s controversial and poses ethical dilemmas, but remember, our policy is¡ªlet the superhumans handle each other! If you see a fight a-brewing, do keep a distance, do call 911 to report the incident, and do avoid making yourself a target. Don''t be a hero, that''s what the heroes are for!

?? Stay Safe, Stay Super! ??
Paranormal Entity Rating/Kill Score (PERKS): Power Classification System I. Power Classification Metahuman capabilities are classified as per the listed categorization (Adjust, Brain, Create, Delete, Employ, Filch, Gigant, Hopper). These categories provide insight into the operational aspects of metahuman abilities, offering essential information for strategic and tactical planning, and aiding in containment, recovery, or neutralization operations. Each category is defined as follows: In addition to their primary type, powers are rated by their Target, Context, and Range. Targeting: Context: Range: II. Power Ranking Metahuman abilities are assessed on a 0-10 scale, with 0 corresponding to "practically a normal human" and 10 equating to "capabilities impossible to replicate, immense in scale, and/or indefensible." The criteria for this ranking includes scale of impact, impossibility of defense, and infeasibility of replication by conventional means. Each individual power that a metahuman possesses is given its own power ranking. The tale has been stolen; if detected on Amazon, report the violation. III. Control Rating Control is rated on a 0-10 scale, denoting the metahuman''s ability to regulate, direct, or suppress their power. A score of 0 implies involuntary or uncontrolled manifestation of abilities, whereas a score of 10 indicates full mastery and precision in power utilization. IV. Hostility Rating Hostility is rated on a 0-10 scale, assessing a metahuman''s antagonism towards state actors. The scale ranges from 0, equivalent to an average law-abiding citizen, to 10, denoting a high-threat entity demonstrating terrorist or anarchistic behavior. V. Collateral Damage Potential Collateral damage potential is assessed on a 0-10 scale. A score of 0 denotes an entity incapable of causing loss of life or significant property damage, while a score of 10 is indicative of an entity capable of causing mass casualties (thousands of fatalities) and/or causing billions of dollars in property damage. VI. Overall Threat Level The overall threat level is assessed on a 0-10 scale, representing a comprehensive assessment of a metahuman''s threat to public safety. This agglomerate rating considers the metahuman''s power classification and ranking, control, hostility, and collateral damage potential. This document provides an overview of the PERKS Power Classification System. For a comprehensive understanding and application of these guidelines, refer to the PERKS Assessment Division or your supervisory officer. This document is classified, and unauthorized dissemination may result in penalty under the U.S. Code, Title 18, Section 798.
Classification and Status of Metahuman Individuals in the United States

Section I: Classification of Metahuman Entities for Regulatory and Legal Purposes

1. Unlicensed Metahuman Entities ("Vigilantes"):
Unlicensed Metahuman Entities represent individuals who possess superhuman abilities but have not obtained the legal authorization to utilize these abilities in a public or private capacity. These individuals are subject to local, state, and federal laws, and may face penalties if found exercising their abilities without proper credentials. As of the latest assessment, approximately 30% of metahuman individuals fall under this classification. Regulatory Actions:
2. Licensed Metahuman Entities ("Licensed Vigilantes"):
Licensed Metahuman Entities have been granted a License to Utilize Metahuman Abilities (LUMA) as per NSRA guidelines. These individuals have some degree of legal protection and are authorized to use their abilities under specific conditions dictated by their license. Reevaluation and renewal of the license are required every two years. Approximately 60% of metahumans are in this category. Regulatory Actions:
3. Registered Superhuman Entities ("Professional Heroes"):
Registered Superhuman Entities are metahumans employed by the government under special contracts, granting them specific legal immunities and responsibilities. These individuals are often equipped with specialized equipment and resources and are held to a higher standard of accountability compared to other classifications. Around 10% of metahumans achieve this status. Regulatory Actions:

Section II: Classification of Metahuman Entities Engaged in Criminal Activities

1. Known Superhuman Criminals:
This classification comprises individuals who have been identified as using their metahuman abilities for criminal endeavors, typically non-violent offenses like theft or vandalism. These entities are the focus of standard law enforcement operations and are not typically considered high-priority targets for NSRA intervention. They make up an estimated 75% of metahuman individuals with criminal tendencies. Regulatory Actions:
2. Ideological Power Entities:
Ideological Power Entities are metahumans who commit crimes with the intention of promoting a certain ideology, belief system, or agenda. Their actions can often escalate into violent or large-scale offenses, making them a priority for NSRA engagement. They represent about 25% of the criminal metahuman population. Regulatory Actions:
3. Classified Threat Entities:
These metahumans are considered extreme risks to public safety, national security, or both. Their abilities are often of a magnitude that poses a significant threat to communities, infrastructure, and even national stability. Classified Threat Entities make up less than 1% of metahumans involved in criminal activities but are considered the highest priority for NSRA and interagency intervention. Regulatory Actions:

Section III: Public Sentiment and the Impact on Metahuman Law Enforcement Strategies

The overarching policy of allowing superhumans to manage and regulate each other is a calculated strategy borne out of the unpredictability and potentially catastrophic consequences of superhuman abilities. It is a policy that has been underscored by the fluctuating public opinion towards metahuman entities, particularly supervillains. Supervillains have, over time, amassed a degree of public recognition akin to their heroic counterparts. Many are seen as public figures whose unlawful acts are widely disseminated and debated across social media platforms. Such figures are often captured in amateur footage and disseminated online, contributing to their controversial celebrity status. This has been particularly pronounced in figures who embody "Robin Hood"-type personas, perceived as fighting against systemic oppression. Public sentiment towards these entities varies considerably. A subset of the population considers their actions as performance art rather than outright criminal conduct, so long as these actions remain relatively non-threatening. This view, however, remains contentious. Critics argue that the public''s willingness to trivialize these criminal activities engenders a permissive culture, offering de facto immunity to superhumans who commit illegal acts. The alternative perspective posits that confrontation between law enforcement and superhumans could result in significantly more devastating outcomes. These critics point to the potential for escalation and/or chain reactions as a very real concern, invoking examples like the Tesla Incident to underscore the severity of their argument. The policy of non-engagement serves as a preventative measure against collateral damage and, furthermore, minimizes the risk of transforming supervillains into martyr figures, which could incite further criminal activity. Public opinion, therefore, plays a significant role in shaping our approach to metahuman regulation. The enforcement policy of ''letting the superhumans handle each other'' strikes a compromise between these disparate viewpoints. It aims to mitigate the potential for large-scale devastation while ensuring public safety and minimizing the risk of elevating criminal figures to the status of antiheroes. Further Reading and Additional Resources NSRA Policy Handbook: "Chapter 7: Public Relations and Community Outreach in the Metahuman Era" NSRA White Paper: "Collateral Damage Mitigation Strategies in Superhuman Engagements" Journal of Metahuman Studies: "Public Sentiments on Vigilante Justice: An Analysis of Social Media Discourse" The Superhuman Law Review: "From Heroes to Villains: The Legal Gray Area of Metahuman Activities" Congressional Report: "Funding and Oversight of Metahuman Activities: The Role of Government" Public Opinion Quarterly: "Superhuman Spectacle: Crime as Entertainment in the Age of Metahumans" NSRA Internal Memo: "The Tesla Incident: Lessons Learned and Future Precautions" Metahuman Ethics Quarterly: "When Good Guys Go Bad: The Ethical Implications of Vigilante Justice" Chapter 3.1 August in Philadelphia is perhaps the worst August a person can experience in America, from my limited point of view. I¡¯ve had Ventnor Augusts, where the heat turns the ocean water into a cooling, salty spray and ruins my hair, and I¡¯ve had New York City Augusts, stuck inside the well air-conditioned home of an uncle or grand-uncle, and I¡¯ve even had a Florida August where it¡¯s so damp and muggy that it just sort of washes over you, and the sweat becomes something you get used to. Philadelphia Augusts, in my uneducated opinion, suck really hard. It¡¯s just warm enough that I¡¯m sweating without exerting any effort, and just humid enough that my sweat isn¡¯t evaporating easily, making me feel like any movement is being done through a fine layer of molasses. My hair isn¡¯t as bad as it is in Ventnor, but it¡¯s still frizzed up to hell, collected behind me in a loose low ponytail. There¡¯s a basketball court near me, so that¡¯s where I spend any days where the weather is just a little bit more tolerable than the average, like today. Don¡¯t get me wrong, it¡¯s still miserable, but misery loves company, and it¡¯s easier with friends. It¡¯s your average basketball court ¨C two hoops, outdoor, raw asphalt, painted white lines fading with age. The whole thing is surrounded with a rectangle of eight-feet-high chain link fence, and neither hoop has had any actual netting for years. I¡¯ve told my dad to bug people in the city government about it, and he promised that he had, but evidently fixing the many basketball hoops throughout Philly isn¡¯t a super high priority. Understandable. The sky is bright blue, with the sun flickering on and off through a parade of thick, dark clouds. It¡¯ll definitely rain later today. There¡¯s a couple kids I don¡¯t recognize, along with ¡°the posse¡±, as my mom refers to them. Kate, Jenna, Tasha, Lilly, and Marcus, who I do basically everything with. My best-friends-forever-for-life. Kate¡¯s currently playing Horse, and when I say playing, I really mean annihilating this poor sixth-grader. Kate, or Kaitlyn Smith when she¡¯s in trouble, is about as tomboyish as they come ¨C short-cropped sandy hair, freckles splattered across her face like she just lost a fight with a pepper shaker, and constantly adorned in whatever was comfortable, fashion be damned. We¡¯re sort of like weird alternate universe fraternal twins, except she¡¯s got pinker skin than me and her hair isn¡¯t curly and she¡¯s good at basketball like how I¡¯m good at soccer. Marcus Johnson is lounging off to the side, deep in one of his books. He¡¯s got these thick, round glasses that he pushes up his nose every few minutes, which would look comical if he wasn¡¯t built like a linebacker. Marcus is our group¡¯s token boy, the constant in our ever-changing girl dynamics. We don¡¯t have much in common but we get along well enough somehow, and his presence is enough to ward off weirdos, so he¡¯s sort of like the group¡¯s bodyguard. Even though most of us could probably beat him in a fight, because he¡¯s a huge nerd whose sole time-consuming hobby is superhero forum gossip. Lilly Rodriguez is at the center of the chaos, as usual. She¡¯s got this wild curly hair that¡¯s somehow perfectly controlled and a dimpled smile that you can¡¯t say no to, even when she¡¯s being a pest, which is frequently. But, like, a pest in the ladybug way, or the Japanese beetle way, not a pest in the mosquito or spotted lanternfly way. She¡¯s the one who brings all the music carts and her speakers to make sure we all get to enjoy her taste in bands, which, I¡¯ll admit, I have some mixed feelings about. I think, from what I can overhear of the argument, someone tried to slap the off switch on her speakers, which is a real dick move even if I¡¯m not really into hypersoul. Just ask nicely! Off to the side, on one of the cracked, faded benches, is Tasha Reynolds. Tasha is the type of person who manages to make frizzy hair and large glasses look downright sophisticated. She¡¯s always got a book with her, as usual, and right now, she¡¯s half-watching the game and half-reading some thick tome that¡¯s probably about quantum physics or something. We¡¯ve been friends since kindergarten, and I would trust her with my life. Lastly, there¡¯s Jenna Nguyen. Jenna is leaning against the fence, casually dribbling a basketball as she observes the game with a critical eye. She¡¯s my best friend since middle school, and possibly the only person I¡¯ve ever met who is more willing to backtalk authority figures than I am. Jenna¡¯s got this long, black hair that she always ties back when she¡¯s doing sports, and her eyes are constantly moving, taking in everything. She¡¯s the type of person who doesn¡¯t take crap from anyone, and she¡¯s constantly sketching in her notebook, turning our everyday lives into works of art. By far, the best artist I know. No, like, better than that. Better! And then there¡¯s me ¨C plain old Sam Small. I¡¯m here melting my skin off until it sloughs, sitting underneath a little parasol that someone had put into a concrete block and attached a solar panel to the top of. It wasn¡¯t anyone I know, it¡¯s just sort of been there for a year now, and having an outlet I can charge my phone and run a miniature fan through is the only thing making me not want to go buy a bag of ice and bludgeon myself to death with it. Swish. The basketball hits the rim, rolls around a couple of times, and then plops straight down to earth. Three sixth graders all slap their hands down in rough synchronicity (that¡¯s a SAT word that means ¡°at the same time¡±) while Kate collects five bucks from each of them. Some day I worry that she¡¯s going to get someone real mad by hustling them, but she can handle herself. I¡¯d be up there playing ball with her, maybe to make the odds even more lopsided in her favor, but there¡¯s something in the way. I can smell everyone¡¯s blood. Well, not everyone healthy and cutless, but Kate spilled herself over the floor earlier the day and I can still smell the crusted-up blood faintly oozing out of her knee, and her scraped palms, and with those open that means I can smell the rest of her veins and arteries ¨C her ¡°vascular system¡±, as my mom informed me. It¡¯s not just the people in my immediate vicinity, though, because there¡¯s blood everywhere. It gets fuzzier the further out it goes, like turning into a vague mist, but I can smell everyone that¡¯s having their time of the month, everyone that¡¯s scraped themselves up or cut themselves accidentally on a kitchen knife. In at least a block around me, maybe two blocks. It¡¯s hard to explain because I¡¯m not like¡­ seeing them. I can tell where they are in space but without seeing them at all, like someone put a blood-compass in my brain. There¡¯s no overlay on my vision like a pair of spy goggles. Just overwhelming information. The other group that had been occupying the basketball court give up the territorial dispute in the face of Kate¡¯s dominating performance and Lilly refusing to give up on her music. This suits me just fine, because the fewer things I have to focus on overall, eyes, ears, etc., the less overwhelming the blood sense becomes. I wonder if I could get a lobotomy to turn it off. I¡¯m too busy paying attention to all the singing blood around me to notice when my actual eyeballs are filled with Kate, waving her hand in front of my face. The narrative has been taken without authorization; if you see it on Amazon, report the incident. ¡°Hello? Earth to Small. What¡¯s good?¡± she asks, gently thumping her palm into my nose. Now, I¡¯m not super into superheroes, fictional or otherwise, but I know enough to know about secret identities and shit like that. The problem is that it¡¯s kind of hard to hide the teeth. Everyone already knows about it, but not everyone knows about the blood thing, and it¡¯s making me have to do a bit of momentary algebra in my head. I trust my friends, but, let¡¯s say ten years down the line somehow I¡¯ve gotten roped into being a superhero ¨C if I reveal everything to them, am I putting them in danger? I mean, real supervillains going after someone¡¯s family and friends is seen as a below-the-belt punch, but I can¡¯t predict that everyone I¡¯ll ever encounter in my life is willing to play above the table. It feels weird that this is something I even have to consider now. I kind of hate it. I keep it to myself. ¡°Sorry, just dealing with¡­ the teeth thing. You know how when you feel your teeth with your tongue it always feels way bigger in your like¡­ in your head? Like the sort of mental image of what your tongue is feeling with the sense of touch. It¡¯s a lot weirder when suddenly all your teeth are replaced with shark teeth.¡± ¡°Yeah, that sounds like kind of a shitty superpower. I¡¯m not going to lie. You can still eat with them jawns though right? Like, you haven¡¯t been starving yourself, yeah, babe?¡± Kate asks, showing an inkling of genuine concern in her blue eyes, bending down into a squat to meet me at eye level. I¡¯ve never exactly been comfortable with eye contact but I maintain it to avoid looking guilty. ¡°Yeah, I can eat fine. I¡¯ve still got like¡­ molars and shit,¡± I answer, pulling my lips up to show. ¡°Shee?¡± ¡°Oh, that¡¯s so cool even if it kind of sucks as a power. You don¡¯t even have like, a little super strength? Can you breathe underwater?¡± she asks, bending down and pointing her phone flashlight into my mouth so she can see what my molars have turned into. Which is to say, they still look mostly like molars, but the grooves and crevices have deepened significantly, giving it an appearance like it¡¯s covered in serrated spikes. I shake my head. ¡°I wish. I think I can like¡­ drink saltwater now? Like, I think it gave me super-kidneys, but I still need to breathe. I tried, trust me. Also, saltwater still tastes gross.¡± ¡°Man, that sucks,¡± Marcus¡¯s voice rings out from the side of the bench I¡¯m sitting on. ¡°Super-liver? That means you probably can¡¯t get drunk anymore.¡± ¡°No, super-kidneys. Actually, I¡¯m not sure, what part of your body filters water?¡± ¡°That would be your kidneys, yeah,¡± he replies. ¡°Who knows! Maybe it means you can drink a lot of bad stuff before it starts poisoning you. You could just become the hardest partier on the block,¡± Kate chimes in, standing up to her full height and leaning back to crack her spine. ¡°Well, I¡¯m not a supe doctor so I don¡¯t think I can really say authoritatively one way or the other,¡± ¡°¡®Authoritatively¡¯, you¡¯re such a nerd,¡± Kate says, flicking my nose with her finger. ¡°If you think that¡¯s nerdy, watch this; your kidneys are probably fine,¡± Tasha chides, not even looking up from her book. ¡°The problem with seawater isn¡¯t necessarily that it¡¯s toxic to your kidneys. Basically, when you have too much salt, you pee it out, but if you don¡¯t have enough non-salted liquid in your body, your kidneys will start to fail because the salt will build up and it will be drawing freshwater from the rest of your body that it doesn¡¯t have. So what¡¯s probably happening is that either your body can spontaneously generate new water internally in response to too much salt, which basically makes you immune to dehydration, or, what I think is more likely, you¡¯ve probably developed some sort of mechanism to forcefully excrete excess salt without requiring water. I would be surprised if you just somehow had super-efficient kidneys that violate physics when processing urine.¡± ¡°Gross!¡± ¡°Ew,¡± Kate and I shout in unison. ¡°Dude, don¡¯t talk about pee like that,¡± Kate says for me. ¡°Oh, don¡¯t be such a baby,¡± Tasha replies. ¡°Just drink some seawater and then see if you can notice any sort of alternate excretions, like maybe developing some sort of salt powder on your skin. Or maybe you just sweat it out and have brine sweat? It¡¯s honestly kind of fascinating.¡± ¡°Has anyone ever told you that you¡¯re really weird sometimes, Tasha?¡± Kate says, once again vocalizing my thoughts for me. ¡°Can we please stop saying the word ¡®excrete¡¯?¡± I ask politely. Tasha adjusts her glasses and laughs at my misfortune. Jenna and Lilly have begun meandering their way over to the bench, presumably to see what all the hubbub is about, when I see another person getting closer. Well, I notice them with my weird brain before I see them with my eyes, and bend over, craning my neck, watching them approach. Everyone else turns around to try and get a look at what I¡¯m looking at. But I know immediately, because her silhouette is unmistakable, from the way she walks to the way she pushes the gate in the chain link open. Her name is Liberty Belle, leader of the Delaware Valley Defenders. And she¡¯s headed straight towards us. Lilly goes white as a sheet and turns her music off immediately, I assume fearing a noise citation. Marcus shuffles along behind me, while Kate cocks her hip out with a hand on it like she¡¯s trying to intimidate an adult with, like, half a foot of height on her. Jenna immediately whips out her notebook and starts drawing, Tasha scoots over on the bench to give the rest of us a wide berth so she can read uninterrupted, and I can only stare. ¡°Hey, hey, don¡¯t let me interrupt you. Everything okay around here, citizens?¡± she asks, the most confident grin in the world across her face. I¡¯m distracted immensely for multiple reasons, but her smile is definitely one of them. She¡¯s easily six feet tall, with dark skin, kind eyes, and a round cloud of locs around her head like a halo that floats and bobs with her movement. On a patrol like this, she¡¯s wearing a lighter version of her normal uniform, with what looks like a black unitard, several bands around her arms, and some well-shined brass armor pieces ¨C a breastplate, shoulders, and shinguards over top of red-lined sneakers. ¡°What¡¯s the matter? Y¡¯all see a ghost up in this jawn?¡± ¡°Are we about to get arrested?¡± Kate asks. Out of the corner of my eye, I see Tasha pinching the bridge of her nose, but Liberty Belle just laughs. ¡°I¡¯m sure some people would like me to hassle a couple of middle schoolers playing basketball without supervision, but y¡¯all know that¡¯s probably not necessary. I don¡¯t see any weapons or drugs or dead bodies. Y¡¯all not hiding a dead body from me, are you?¡± she asks, breaking out into more boisterous laughter. Her voice is deep and comfortable, like the verbal equivalent of a pillow, and I realize that my mouth has been hanging open for about the past twenty seconds. ¡°No, ma¡¯am,¡± I break the silence. She smiles at me. ¡°Hey, kiddo, pass me a ball, yeah? Or are we just gonna sit on a bench instead of enjoying this beautiful summer day?¡± Kate snorts. ¡°You¡¯re, like, thirty, and a superhero. Not a fair match for me.¡± She says, passing her the basketball that had been tucked under her free arm anyway. Liberty Belle catches it with one hand. ¡°Oh, I¡¯m not that great at basketball. But, if you want to make it a little fairer, why don¡¯t we do a little six-on-one? It¡¯s been a quiet day, nobody¡¯s dying, I could really use the distraction.¡± That gets everyone¡¯s attention. She passes the ball back to Kate. Chapter 3.2 Even six on one, it is not remotely a fair match. Or at least, it doesn¡¯t start that way. For one, not only is Liberty Belle a trained athlete with super strength, she¡¯s also got like half a foot on me, the tallest of the group. It takes her extremely little effort to flick the ball out of her hands and across the court, whereupon she proceeds to miss several times. There is, of course, nothing preventing her from just keeping the ball out of our hands with her arm-span, striding past us, jumping three or four feet in the air, and dunking. She does this. Repeatedly. Each time, it¡¯s matched with a boisterous yelp or exclamation of some point, usually a ¡°Boo-yah!¡±. But, still, it¡¯s not all as one-sided as I¡¯m making it sound, because as strong as she is, she¡¯s not quite as nimble as we are. And obviously, there are six of us, even if only two of us are really good at basketball. Kate grabs the ball out from under the hoop and passes it to me ¨C I catch, dribble it down the court, and shoot from the two-point line. It sinks in nice and easy. Even if she jumps all the way across the court in a single bound, which she probably could, but is refraining from doing, she can¡¯t match someone passing a ball behind her and shooting from there. It¡¯s honestly a lot more evenly matched than it has any right to be. She¡¯s getting points on us, because every second and third time she sinks it in, whoever¡¯s at the basket can¡¯t get around her or passes it wrong. Most of my non-soccer team friends aren¡¯t exactly what I¡¯d call ¡°coordinated¡±, so realistically it just ends up being a game of Kate and I versus Liberty Belle. Pass, pass, shoot. She takes possession, simply jogs up slowly, and smashes it down into the hoop. Kate catches it, and Liberty Belle wipes sweat from her brow. There¡¯s a couple more exchanges like this, with Kate managing to actually slip out through Liberty Belle¡¯s grip and take possession of the ball, and before long, the score actually starts catching up. ¡°Man, you kids are good. You ever thought about going pro?¡± she suggests, but I have a feeling she¡¯s just being a good sport about it. Her mouth hangs open a little to catch some air, and my nose flares and twitches of its own accord. ¡°One sec, breath break. Halftime. Seventh inning stretch.¡± Something has been burning at the back of my head for the past fifteen minutes. ¡°Wrong game,¡± Tasha says, having spent most of the time avoiding the action at the center of the court and hanging on the edge instead, occasionally checking her phone. Liberty Belle coughs twice into her elbow, and it flares in my head like a lightbulb going on. She¡¯s bleeding internally, and badly. I¡¯ve been feeling it all game, but only when she coughed did it really come out and into vision. She thumps her chest twice, does a couple of jumping jacks, and boxes the air. ¡°Right-o. Let¡¯s get back at that jawn.¡± The rest of us are still willing to humor her, because it¡¯d be a fun story to tell at school when we can say ¡°we challenged a superhero to basketball and won.¡±, even if that might be a slight stretch of the truth. Marcus and Lilly are starting to get in the mix a little more instead of letting just Kate and I do all the work and only occasionally trying to pass. Jenna swoops in from under Liberty Belle and snatches the ball out of her hands, swings sideways, and shoots on what seems entirely like impulse before clattering over and tucking into a roll. ¡°I¡¯m okay!¡± she yells as the ball bounces straight vertically off the rim, hits it, ricochets between the rim and the backboard a couple of times, and sinks a neat three pointer. ¡°Woo! Go Jenna!¡± Kate cheers, helping her up from the ground and slapping her a high five. Slowly but surely, whether it¡¯s through us getting more involved in the game as a possible victory approaches, or because of whatever¡¯s going on inside of Liberty Belle¡¯s stomach, we actually start to gain on her, and then gain a lead. I¡¯m a little out of breath myself, sucking in air through my mouth to handle the burning in my lungs and the splits in my side after the latest two-pointer. I stretch my arms out over my head, my t-shirt pulling up a little bit and baring just a little bit of my scars to the wind. Liberty Belle takes possession of the ball, tries to dribble around a quietly chortling Marcus, and aims for a half-court shot, and misses. It bounces off the backboard, and I watch it aim right for me, lost in thought as it beans me in the nose. The noise I make is extremely undignified (that means it¡¯s embarrassing). It¡¯s sort of like ¡°Ough!¡± like air forced from my lungs, but it doesn¡¯t really hurt. ¡°Oh, shit,¡± Tasha says as the group rushes to make sure I didn¡¯t get a nosebleed or a concussion or something. I stumble backwards a step or two and then maintain my footing, flashing them a thumbs up, watching Liberty Belle immediately begin jogging towards me out of concern. I gently move the thumbs up in her general direction, and she shoots me a smile. ¡°We¡¯re good!¡± I shout to Kate, who is at the other end of the court dribbling the ball. ¡°Okay, sick. Check out this three-pointer!¡± she says, drawing everyone¡¯s attention as she tries to jog a little bit up to the half-court line, shoots, and gets it swatted out of the air by Liberty Belle. Lilly tries to grab it out of the air and it skids past her fingers, bouncing past her and rebounding off the chain link fence. ¡°Come on, kiddo, don¡¯t announce yourself like that. Useful advice for when you become a hero!¡± Liberty Belle chides, bouncing a little bit on her heels. ¡°Heads up!¡± Lilly shouts, as the ball hits me in the head again. I stumble a step or two to the side but still manage to keep my footing. ¡°Sam!¡± She half-shouts, half-asks, with an unspoken ¡®why did you just let yourself get hit with the basketball¡¯. Liberty Belle takes the ball and shoots in an easy two-pointer, the first one she¡¯s actually landed this game. ¡°You alright, kiddo?¡± she asks, watching as the ball just rolls down the rim and starts bouncing unattended on the ground. ¡°Let¡¯s not get any concussions on pickup games, yeah? I¡¯d feel bad.¡± ¡°I¡¯m fine, I¡¯m fine,¡± I say, waving her off. ¡°I¡¯ve had a soccer ball kicked into my face at full speed, I¡¯m very concussion proof.¡± ¡°Pff. Wish I had that power,¡± she jokes, as Marcus tries to waddle over and start unconfidently dribbling the ball while standing completely still. ¡°Do we need a time out?¡± ¡°I, uh. Hey, Kate, you good if we call it here?¡± I ask. She looks at me and shrugs. ¡°Yeah, whatever,¡± she says, in an accepting way, not a dismissive way. ¡°Cool beans. Um, Mrs. Belle, can I have a moment of your time, please?¡± Jenna, Tasha, and Lilly all ¡°Oooo¡± in unison, while Marcus tries really hard to dunk the ball like Liberty Belle did. Kate walks over to him, snatches the ball out of his hand, and starts shooting two pointers. I hear her instructions, but I¡¯m tuning them out. ¡°Ittle Sammykins has superhero business for Liberty Belle,¡± Lilly teases. ¡°Yeah, yeah, superhero stuff. Y¡¯all mind giving me a minute? I just got hit in the head with a basketball,¡± I say to the onlookers. They sort of share a collective shrug and join the other two over by the rim to shoot two pointers, which will inevitably turn into a game of Horse, or something like that, in about three minutes time. Liberty Belle approaches and squats down a little so we¡¯re closer to eye level. ¡°Yeah, I noticed them teeth but I didn¡¯t want to say anything about it. All good, chief?¡± I take a couple of steps back and then turn around so I don¡¯t trip over the bench. Then, I sit on it, and pat the side. ¡°Can I have a minute, Mrs. Belle?¡± She laughs, sitting down next to me, looking all ears and empathy. ¡°Please, if you¡¯re going to be formal, it¡¯s Ms. Williams. No Mr. Belle in the picture. Probably won¡¯t be. You already asked for a minute, so a minute you can have.¡± I knew what her real name was, since it wasn¡¯t exactly hidden information. All Registered Superhuman Entities have their names in a database, and the real important ones are disclosed for accountability reasons, unless they¡¯re in, like, witness protection or something like that. At least, that¡¯s how I think the system goes, but superhero regulations are really, really not my forte, although you could probably ask my dad and he¡¯d know a thing or two. Either way, calling the local superhero by their full name is sort of a weird thing to do though, like¡­ That¡¯s not her name. Her name¡¯s Liberty Belle, not Diane Williams. That¡¯s just some lady. I heave my shoulders a little. ¡°Are you okay?¡± She laughs nervously, pulling some of her hair back with one hand. ¡°Yeah? Why, what¡¯s up? Were you worried about me nearly losing a six-on-one? ¡®Cuz I promise, I¡¯d stomp you all in tennis, or gymnastics. Or track.¡± I shake my head and adjust my ponytail. I suck in a loooot of air through my teeth and feel my chest inflating. ¡°I¡¯ll try to make this as quick as I can. Don¡¯t tell my friends, obviously, but I can sort of smell blood,¡± I start, and she narrows her eyes, opens them again, and then gets a look of resignation. She sighs, and her body folds in a little. ¡°You know, like, shark powers. I think that¡¯s what G-d decided my theme would be. When you coughed, I think I could smell all the blood in your cough, and, like¡­ are you okay? If it¡¯s confidential or something you don¡¯t have to tell me, but you¡¯re sort of a big deal and, I mean, like, do people know? Did this just happen? Did I do that?¡± She chuckles a little bit. ¡°You know, for a second there you sounded just like Steve Urkel. You know who that is?¡± she asks, and I shake my head no. ¡°Way before your time. But, uh, you can keep a secret, right¡­ Sam, was it?¡± ¡°Samantha Small. You don¡¯t have to call me Sam, unless you want to.¡± She puts her hand on my head and pats it a little bit, very gingerly, like the way I¡¯d pat a fragile newborn kitten or puppy. The way someone pats something they¡¯re afraid of snapping like a twig. ¡°Okay, Samantha, I¡¯ll keep this on a superhero-to-superhero basis, then,¡± She says, winking at me and withdrawing her hand. ¡°I got into a real bad fight a couple years ago, with a real bad villain. One of the worst, even. He just messed me up real good and sometimes my body¡¯s still a little angry at that. What¡¯s it look like in there, if I can ask?¡± I take a second to think about it in my minds eye. It¡¯s impossible to visualize in a way that I understand, but I can still sort of see it, sort of feel it, a weird combination see-feel. But I take a second to think, and smell her breath, and shut my eyes, and squeeze them shut, and unsqueeze them. ¡°Coffee grounds. That means you¡¯re bleeding into your stomach, right? It¡¯s like¡­ Coffee grounds, and some blood in your lungs. You¡¯re not cut open, you¡¯re just sort of leaking. I don¡¯t know, I¡¯m not a nerd that reads medical textbooks for fun. You¡¯d have to ask Tasha about that.¡± The genuine version of this novel can be found on another site. Support the author by reading it there. Over in the distance, Kate shouts out the letter ¡°H!¡±. The Horse game has begun. Kate will almost certainly win. ¡°I¡¯ll keep her in mind for my next eval,¡± Liberty, uh, Ms. Williams says, although I can tell she doesn¡¯t mean it. ¡°Yeah, he, um¡­ The guy got me good. That¡¯s sort of the problem with getting into fights as a career, Samantha, is that sometimes you get some damage that you just gotta live with and fight through. It¡¯s the same way as with athletes, like footballers and soccer players. They conk their head a lot, they break their legs, you know, them jawns all fucked all sorts of ways, but they keep doing it ¡®cuz it¡¯s what they good at,¡± she tries to explain to me. I open my eyes and she¡¯s looking right at them, and I¡¯m not sure who, exactly, she¡¯s trying to reassure here. If it¡¯s me, she¡¯s not doing a good job of it, although that may be just because she¡¯s still bleeding into her stomach and she hasn¡¯t done anything strenuous in the past five minutes. ¡°Can I ask you a serious question, Ms. B-Ms. Williams? Like, a real for real serious question?¡± ¡°Man, you are one nosy-ass middle schooler,¡± She cracks, leaning back with her arms folded over her chest. ¡°I¡¯m concerned! You¡¯re, like, my favorite,¡± I sort of yell-whisper, trying not to make any of my concern apparent to my friends. ¡°I mean, I don¡¯t really pay attention to the superhero stuff as much as some other people do but you¡¯re, like, the number one. You keep us safe. You keep Philly safe. Also, I¡¯m a high schooler now, I start high school in, like, three weeks.¡± She sighs, and her chest heaves a little up and down. ¡°That¡¯s what they sayin¡¯. Yeah, you can get real for real serious. And you¡¯re a middle schooler ¡¯til you start it, baby.¡± I fold up a little and don¡¯t respond to the teasing. ¡°Are you probably going to just keep going until you die?¡± I ask. I immediately feel significantly worse for asking it, and avert my gaze directly downwards at my feet, where I don¡¯t have to witness the change in her expression. It¡¯s no use, though, because I can feel her heartbeat quicken and push more blood into her organs. I hadn¡¯t realized that was something I could really do, but I guess that makes sense. I feel her heartbeat spike, and then slow back down to resting. ¡°Yeah,¡± She says, just as bluntly. I turn my head a little to the side so I can look at her better, since it feels a little disrespectful to not. ¡°Yeah, I am. It¡¯s what I do. It¡¯s what I¡¯m good at. You gonna play basketball until you die, Sam?¡± I try to stifle an extremely inappropriate seeming laugh. ¡°No, I¡¯m going to play soccer until I die, but I could do without basketball,¡± I reply, looking back away from her. It feels like a cold knife in my sternum, dragged right down to cut me open like a dissected animal. Confronting one of the only superheroes that really exists in my consciousness with her own mortality feels like kind of a morally wrong thing to do, but I can¡¯t explain why. ¡°Yeah, yeah, you know how it is. There¡¯s just something that¡¯s such a part of you that even if it started hurting your life you could never stop. I bet you¡¯d still try to play soccer even if they put you in a wheelchair, wouldn¡¯t you, Sam?¡± She asks, turning sideways on the bench so that neither one of us has to face the other. ¡°I would roll that f-, uh, da¡­ I¡¯d roll that ball right in with my wheels if I had to, ma¡¯am,¡± I answer, and she roars with laughter, thumping me on the back with her open palm. For a split second, I am extremely worried about being turned into a fine mist and a pile of gore, but evidently her control over her power is more than good enough to avoid atomizing me (that means reducing me to atoms. Duh). ¡°What¡¯s with this stick up your butt, young lady? You can say damn and you most definitely ain¡¯t gonna be calling me ¡®ma¡¯am¡¯, that¡¯s for damn sure. Call me ma¡¯am when I start going gray, okay, Sam?¡± she requests, and I laugh, and she laughs too. For a second, I forget about her internal injuries, and everything feels really cool again. It¡¯s awesome that I¡¯m just sitting here on a bench, shooting the shit with a real life superhero, not the fakey-fake kind like I am, with no costume, name, or goals. This is someone who¡¯s really important, someone who has opinions that matter and the power to change things, even if it¡¯s just changing things in Philly. It¡¯s like meeting a celebrity, but instead of only being famous for looking pretty or owning a company or whatever, they¡¯re famous because they¡¯re a good person who helps people in a way that nobody else can. She¡¯s dying, though. It kind of puts a damper on things. ¡°Yes, ma¡¯am,¡± I croak out, and she thumps me on the back again. This time, I¡¯m prepared for it, and it¡¯s not scary at all. ¡°You¡¯ve got a mouth on you, Samantha Small. Careful with it,¡± She says, folding her arms back over her chest. She looks at me, and I look at her, and I see a glimmer of something in her eyes but I really can¡¯t place it. Her heartbeat is slow, steady, and even, something I can feel from here, like another rhythm overlapping my own. ¡°S!¡± Kate shouts from out in the distance as the end approaches. Kate, harbinger of basketball desolation. I have all confidence that she will make it into the WNBA some day. Liberty Belle glances over to her, and then back to me. ¡°Are you gonna keep fighting bad guys even if they put you in a wheelchair? That sounds hard,¡± I ask. She smiles the confident smile of a woman who has been doing this job for longer than I¡¯ve been alive. ¡°Don¡¯t worry. I¡¯ve got people that will make me a super-wheelchair. They gotta get my arms, too.¡± ¡°What happens if they get your arms and legs?¡± ¡°Just a scratch. I¡¯ll bite them into submission,¡± She says, laughing at some private joke I don¡¯t understand. She gets up, thumps me on the back one last time, and does a couple of stretches. ¡°Hey, I ain¡¯t wanna make this abrupt, but it¡¯s been like half an hour and I do gotta finish my patrol. You kids will play nice and not graffiti anything or kill anyone, yeah, Samantha?¡± I give her a thumbs up. I follow up with a big, toothy smile, my teeth interlocking into a shining array of dazzling white as the afternoon starts to shift into the late afternoon, and the sky starts taking on an unmistakable creamsicle hue. ¡°I¡¯ll make sure to keep these rowdy kids in line, ma¡¯am.¡± ¡°I swear to¨C You, you better-¡­¡± she says, getting up, mock-offended. She harrumphs. ¡°I told you, call me ma¡¯am once I¡¯m greying. I¡¯d prefer Ms. Belle to that, girl.¡± I grin a little wider. ¡°Yes, Ms. Belle.¡± She lets out a grunt of frustration, messes up my hair, and does a little stretching. Then, she¡¯s out with a jog.
My home life in the Small household is uneventful outside of holidays and family meetings, but especially uneventful in the summer. I¡¯m not stupid, I know that soccer probably can¡¯t be, like, my career, especially since the high school I¡¯m going to doesn¡¯t have a soccer club. I didn¡¯t ask my parents to burn money on training camps. I¡¯m relaxing. I¡¯m decompressing. I¡¯m a pretty strung-up person and I think, all recent events considered, I¡¯ve earned a summer of downtime before I start the rest of my life. But a lax schedule doesn¡¯t equate to an idle mind, not for me. I may not be glued to a screen all day like some of my friends, but I can find my way around tech and the NetSphere. My parents made sure my horizons extended beyond the soccer field. When I sink my teeth into something, I can become razor sharp ¨C like now, for instance, with Liberty Belle¡¯s injuries. My Sunday night finds me knee-deep in the web, combing local forums for clues. Philly and Camden have their share of unsavory types¡ªTornado Allie, Black Velvet, Syringe. They¡¯re not big enough to have clashed with Liberty Belle, though. Their modus operandi is quick, petty crimes. Smash and grab, then evaporate before the real heroes show up to stop them. My research leads me to a few names that crop up with increasing frequency, the real bad folks that can inflict some real bad damage. First, there¡¯s Doctor Necrosis, a villain apparently infamous for his ghastly organ-dissolving toxins. The Doc operates on the fringes, causing his share of havoc in Detroit, but he has always been a loner. Could Liberty Belle have crossed paths with him? Her symptoms could align with some kind of late-stage poison. I stumble upon a thread suggesting that Doctor Necrosis was in the Philly area a couple of years back. But, it¡¯s a stretch; he¡¯s always been more about chaos than taking down heroes. In the middle of this, I¡¯m digging up articles on varying kinds of injuries. I leave no stone unturned. Stabbings, bruising, gunshots, burn scars, and plenty of images I kind of wish of didn¡¯t see. Frostbite, maybe? There¡¯s been sightings of Cold Snap in the Delaware Valley area, and she freezes her victims from the inside out, but does that cause this kind of long-term damage? And furthermore, had she actually run into Liberty Belle? There¡¯s plenty of people freaking out about her, especially during last year¡¯s snowstorm, but nobody has any concrete proof, no articles, no photos, no videos. The forums are wild with theories, but the details don¡¯t quite add up, at least not to anything actionable (that means anything I can act on, but I think that¡¯s obvious from context clues). I continue to dive into the underbelly of the NetSphere, getting lost in the twisting threads of my amateur investigation. The infamous Pyrausta, a villain who supposedly controls some sort of fire-breathing dragon, seems to have battled Liberty Belle once. There are a few photos of burn scars on Liberty Belle, but they seem to be older, not recent, and Pyrausta is too new. They¡¯re probably from a different fire villain. No, I discard this one. Red herring. In the midst of these villains, one name does stand out, Chernobyl. He¡¯s been blacklisted, essentially ghosted from most of the superhero forums. I barely find any credible information, especially since he shares his name with one of the most infamous nuclear meltdowns of all time. A villain tied to radiation, could that be the missing piece? Maybe his radiation caused her injuries to be irreparable, but it¡¯s just one of many possibilities, and frankly, that might not even be his powerset. Everything I can find has been wiped clean outside of a name, and in just one backwater forum, some blurry photos with heavy artifacting. Suddenly, a breakthrough, or what feels like one. Texts from Marcus with more information. Professor Franklin died six years ago, taken down by a villain whose name is suppressed. A common practice in the superhero community. It¡¯s a mark of respect, but it also helps to avoid increasing the villain¡¯s profile. Franklin was Liberty Belle¡¯s predecessor in the Delaware Valley Defenders, their paths must have crossed. The info from Marcus adds a new layer of complexity to my search, and he¡¯s right there with me, deep in the trenches, even though I haven¡¯t told him why. When he asks, I tell him that I¡¯m just curious about Liberty Belle¡¯s w/l record, and he goes along with it without question, just happy to help. The fact that Professor Franklin was killed by a suppressed villain six years ago could be a key clue. It narrows down the list, excluding anyone who surfaced in the villain scene more recently. The villain responsible for Franklin¡¯s death has been around for a while. Could it be the same villain that Liberty Belle battled two years ago? Could it be the same one who inflicted these severe injuries on her? The possibilities seem to line up. I sink back into my chair, deep in thought. Doctor Necrosis and Cold Snap have been around for more than a decade, which keeps them on my list. Pyrausta, though, is a newer name, only active since 2021, and this new clue, if I¡¯m accepting it as relevant, pretty definitively rules her out. But Chernobyl¡­ he¡¯s the enigma, the ghost. His timeline is uncertain. Has he been around long enough to have been the villain that killed Franklin? An unsettling thought gnaws at me ¨C what if Liberty Belle¡¯s been carrying this grudge for six years? It¡¯s not unheard of. Superheroes are only human, after all. It could explain why she¡¯s fighting outside of Philadelphia, even taking on national and international threats. She could be hunting the one who killed her predecessor. My gut tightens at the idea. It¡¯s conjecture, but it could make sense¡­ and really, all of this is conjecture. She might¡¯ve even been there when the Professor died. At this point, it¡¯s easy to let my mind spiral into all sorts of wild theories. Is it possible that her injuries weren¡¯t just a result of a recent fight, but an old wound flaring up? The pieces are there, they just don¡¯t quite fit together yet. Suddenly, another text from Marcus. It¡¯s a long shot, but he mentions a villain named Blast Shadow, a figure who can create concussive blasts strong enough to rupture internal organs. His whereabouts for the past few years are unknown, and he has a warrant out for his arrest and containment. The stomach bleeding and coughing up blood could align with internal trauma from a blast, but would it become a chronic injury? I add Blast Shadow to my list and continue sifting through the data. Each villain could be the culprit, each theory has potential. The truth is somewhere in there, in the mishmash of theories, guesses, and half-remembered anecdotes from the NetSphere. I just need to find it. My eyes are stinging from the screen glare when my dad interrupts again. ¡°-ve got someone here to see you!¡± ¡°Hold on!¡± I call back, hastily pulling off my headphones. With my mind still swirling with theories and eyes stinging from a full all-nighter spent performing my conspiratorial delving, I stumble over and throw the door open to reveal a smiling Liberty Belle, inside my house.
Chapter 4.1 I am perfectly ready to write off an encounter with Philadelphia¡¯s most well-known hero as a one-off, a fun little coincidence that happened during a casual Sunday afternoon and wasn¡¯t to be thought about beyond that. Perhaps a small bit of my brain had considered it as a possibility, that it was meant to be something beyond a meet-and-greet, but that part of my brain hadn¡¯t managed to convince any of the rest of it. I also hadn¡¯t realized that it had become Monday morning somehow. That does, however, explain why my eyes hurt so much, and why my room was getting brighter without me turning the lights on. Unlike my mystery with the injuries and ailments of Liberty Belle, this one had a much more obvious solution, which was that I had inadvertently pulled an all-nighter by obsessing over this. The last time I had to do one of those was a couple months ago, at Tasha¡¯s birthday party, and the purpose of that all-nighter was to drink soda and gossip about boys and girls that we liked, and not to perform near-compulsive research about a superhero¡¯s private life. So, I¡¯m a little flabbergasted, and also a bit regretful, when she shows up at my front door. I am really, really hoping she doesn¡¯t glance behind me at the delirious text-wall on my computer screen. ¡°Hi, Sam! You look surprised to see me,¡± she jokes, leaning into one hip, her hand on it. She¡¯s wearing an even more stripped-down version of her patrol outfit, losing everything but the shoulderpads, which I guess are just too iconic to drop, and her hair is tied up in an extremely loose bun, presumably in an attempt to look more casual and nonthreatening. My heart is racing as I attempt to figure out what in the world she could want with 14 year old me. A small voice in my head says that I am about to be assassinated for figuring out her deep, dark secret, and then the louder voices tell that small voice that it¡¯s being an idiot. ¡°Hi!¡± I bark back, trying to keep it cool and utterly failing. I clear my throat and try a second time. ¡°Uh, hi. What are¡­ what are you doing in my house?¡± ¡°I¡¯m going to knock it down and kill you for uncovering my deep, dark secret. Obviously,¡± she replies. She raises her hands up in front of her chest, palms out to me, and starts waving them about a bit when she sees my horrified expression, which I imagine looks like something out of a scary movie, mouth agape, teeth on full display, all the blood immediately draining out of my face at once. ¡°Kidding! Kidding, kiddingkiddingkidding, I am so joking. I am as kidding as it gets.¡± ¡°Mrs. Liberty Belle, I¡¯ll have to insist you avoid killing my daughter, lest I become an enraged Batman-type setting out to hunt you down at all costs and topple the system for which you work,¡± my dad says from around the door, one eye peeking over the edge of it. ¡°I really would prefer to not do that.¡± ¡°Jeez, tough crowd. Okay, jokes aside, se?or Small, can I have a moment of Samantha¡¯s time? Just superhero stuff, and then I can rope you and your lovely wife in,¡± She says, visibly on the back foot at the disastrous reception of her joke, while I close my mouth and gulp, trying to will the sweat back into my body. ¡°Certainly, but flattery will only get you so far,¡± He answers, and then shuts the door and vanishes down the stairs. I stop and listen, waiting for his footsteps to hit the bottom ¨C it¡¯s a series of sounds I¡¯m intimately familiar with, to the point of instinctual memorization. Liberty Belle and I stare at each other for a solid ten seconds, like each one of us is waiting for the other to break the ice first. Eventually, though, after an eternity consisting of twelve seconds total, I speak first. ¡°Do you want to, um, sit on my bed or something? There¡¯s not really a lot of seats in the room.¡± She smiles at me. ¡°Yeah, sure,¡± she says, and she sits on my bed while I take the desk chair, spinning it around so I can sit on it the wrong way, facing her. My eyes feel pinned to her like a note in a corkboard, stuck like thumbtacks. They could be pried free with a little effort but, unless an earthquake is happening, they are not coming out under their own power. I¡¯m filled with an uncomfortable, nausea inducing mixture of giddiness and fear. Obviously, she was joking about killing me, but was I not supposed to know that she was dying of something? Did she use her government contacts to find out I was spying on her, in a sense? The bed creaks and shifts under her weight. ¡°I¡¯m dying, Sam,¡± she says, and I have to resist the urge to crumple into a little ball and toss myself in the trash can. Somehow, I caused this ¨C a totally irrational thought that offers nobody anything useful, but one that I am convinced for a moment is true. Not convinced in my head, but convinced in my heart, where all the sentimentality lived, convinced that Liberty Belle was totally fine until she met me and manifested year-old battle scars. I try to shake the thought away, but from the outside, it just looks like I¡¯m shaking my head. ¡°No, no, don¡¯t worry about it that much, baby doll, I¡¯ve made my peace with it years ago.¡± ¡°Why are you telling me?¡± is not the first question I want to ask, but it¡¯s the one that comes out anyway. I have given up on even the faintest illusion of control over my own reactions to this situation. ¡°I¡¯ll get to that, hold on, kiddo. I had a whole list of questions and answers prepared in my head and you just went and skipped to the end. There was a whole building-context thing and everything¡­ Man,¡± she says, her voice going quiet like she¡¯s talking more to herself than me. ¡°I don¡¯t know. None of my colleagues know I¡¯m making a house call like this. They know that I¡¯m visiting you and the end goal but not the middle parts and all the details. I guess I feel like you deserve to know it? I don¡¯t think I¡¯m making a rational, well-thought out decision. You do weird things when you¡¯re dying, Sam.¡± Part of me really wants to shout at her for wasting time, since clearly it¡¯s pressing on her. How much more time can she afford to burn on rambles? On the other hand, though, I¡¯m not going to interrupt her unless I really have to, since the mention of a ¡°end goal¡± has me intrigued and a little scared. Most things nowadays have me a little scared, but in a different way than this fear. This fear is light and sparkly like carbonation, sitting somewhere in the base of my stomach, threatening to turn me nauseous and ill. The other fear I get is usually the cold fear, the type that sits in my chest (specifically, my sternum), the kind I get when I¡¯m afraid I¡¯ve done something wrong and I¡¯m going to get yelled at. I just hum and nod. ¡°Alright, let¡¯s just get through it then, yeah? I¡¯m dying of stomach cancer. It¡¯s metastasized to my lungs. My powers let me tolerate chemotherapy a lot better than most people, but it¡¯s never a guarantee, and we¡¯re only managing it. I will be in the ground within four years, probably three,¡± she starts, each sentence punching me in the face a little harder than the one before. I keep trying to predict what the next admission will be, but her face is hard as stone and her heart rate, which I can feel through the blood on her breath and in her throat and lungs and stomach, hasn¡¯t spiked once. She¡¯s rehearsed this speech, and the amount she¡¯s prepared for it makes me feel a little out of place, with my hair scattered around my head and my eyes sagging with a deep, unslept tiredness. This story has been unlawfully obtained without the author''s consent. Report any appearances on Amazon. What is she going to say next? Is she passing her powers onto me? Am I being called upon to help do a dangerous surgery? What could be so important that it involves dragging an untested 14 year old girl into it that none of her adult friends could do? Immediately, almost compulsively, I start inventing a scenario in my head as she talks about her naming me as my successor, whereupon I inherit not only her status, but her name, her costume, and her enemies. She wouldn¡¯t lay that burden on my shoulders, would she? All I can do is bite people. ¡°I¡¯m sure you¡¯ve heard this from your dad or your teachers or your local cops,¡± she starts, almost spitting the last word. ¡°Crime is growing nearly every year. Superhumans like you and I are becoming enmeshed with syndicates, gangs, criminal families, and they get ¡¯em young, while they still have time to get dragged under the current by necessity and ideology. The cops don¡¯t want to do anything about it, not since the riots, not since Tesla, so we have to handle our own business. And you¡¯re a sweet kid, Sam, and I think you have a lot of potential. To save lives and all that jazz.¡± My breath lets out, and I didn¡¯t realize I was holding it. I feel a bit like I¡¯m being preached to. ¡°Did you come all the way to my house to tell me to not be evil? I¡¯m pretty sure that won¡¯t be a problem.¡± She straightens her posture a little. ¡°What do I look like, a preacher? A fuckin¡¯, uh, one of them saturday morning cartoon jawns? No, I¡¯m here to invite you to join the Delaware Valley Defenders.¡± Huh? ¡°Huh?¡± I sort of blearily dribble out. ¡°Like the, like the superhero team?¡± ¡°No, like the jazz orchestra,¡± she snips sarcastically. ¡°Yes, like the superhero team. We have a division for promising young metahumans called the ¡®Young Defenders¡¯. I¡¯m not going to throw a fourteen year old right in the thick of it right away, if that¡¯s what you were worried about.¡± For some reason, ¡°What about a fifteen year old?¡± is my immediate, instinctual response. That gets her to laugh, which makes me feel like I¡¯m getting a good grade in this social interaction. ¡°No, I don¡¯t want fifteen year olds fighting Tornado Allie either, or sixteen year olds. Seventeen year olds are a strong maybe. Once you turn eighteen, we throw you in the gladiator pit and don¡¯t let you leave until you¡¯ve beaten up at least one criminal. Well, subdued, maybe, I don¡¯t want to encourage anyone to beat up anyone else,¡± she says, and I feel a little better. Then, the next-most obvious question of mine down the list. ¡°Why me?¡± She raises an eyebrow. ¡°Didn¡¯t I just tell you that, kiddo? I think you have promise, and your blood sense is a real good power for saving lives, and I want to make sure we can get as many promising young kids and teens who can save lives involved in the superheroing game as possible. Before¡­ Before, y¡¯know, before I bite it. It¡¯s not like Philly¡¯s Number Two hero is interested in public outreach.¡± ¡°Philly has a number two hero? Who is it?¡± I ask. ¡°Depends entirely on who you ask. Also, not super relevant. I don¡¯t think I¡¯m supposed to have an opinion on that, y¡¯know, for PR purposes,¡± she answers, struggling to avoid laughing, hissing it out through her teeth instead. ¡°Maybe it¡¯ll be you in a decade.¡± ¡°Are you trying to say you don¡¯t think I¡¯ve got what it takes to be number one?¡± I ask her, letting my eyes widen and staring her in the face as creepily as possible. She flinches, and I grin with a mouth full of sharp shark teeth, interrupting her when she tries to walk it back. ¡°I¡¯m joking, I don¡¯t think I do either.¡± ¡°Hey! Lesson one ¨C you gotta cut out the negative self-talk,¡± she whips a finger out at me, jabbing it in my general direction, padded gloves like boxing equipment hiding away her skin. ¡°Is that really lesson one? That¡¯s kind of a lame lesson one. My therapist taught me that one already.¡± ¡°Listen to your therapist, then, jeez! No, lesson one is freerunning training. That is also lessons two through fifteen or so.¡± I think about it a little. ¡°That¡¯s pretty cool, I guess. But¡­ like, I don¡¯t know¡­¡± She scrunches her face up like a wad of toilet paper, scooting around a bit on my bed to adjust her sitting position, presumably for her comfort. ¡°Kiddo, I¡¯m offering you a spot on a superhero team. Maybe I¡¯m old-fashioned because I grew up back when they still made cape comics, but how is this not an immediate yes?¡± she asks, rolling her shoulders back until something in them pops and she sighs. ¡°I mean, contingent on your parents¡¯ permission, obviously,¡± she says as I¡¯m thinking about how to answer her question. ¡°Oh, right! Wait, isn¡¯t it dangerous for my parents to know? Like, couldn¡¯t some villain go after them? Do we really need their permission?¡± I ask, trying to work out all the complexities in my head, the way they interact with all the tropes and cliches I¡¯ve learned over my long one-and-an-almost-half decade in my life. ¡°One ¨C yes, we need their permission, legally. Two ¨C nobody these days really holds anyone¡¯s family hostage,¡± she answers, her body visibly slumping a little bit. ¡°Like, I mean, could it happen? Sure. But some shit-for-brains with a gun might do that anyway. No villain wants that kind of heat on them. Nobody wants to get balled on by a p-o¡¯d hero now with nothin¡¯ to lose and two dozen of his friends and then another three dozen strangers who feel bad for him, which is what would happen, and everyone knows it. Do you watch cop dramas, Sam?¡± ¡°No. I mean, if it¡¯s what¡¯s on TV, but no.¡± She¡¯s a continuous ball of subtle motions, her heartbeat slow and calm, her stomach continuing to trickle blood into the mass of fresh coffee grounds pooling inside of it. Before, I thought it was nerves, but I think this is just what she¡¯s like, the way she can¡¯t sit still, just like I can¡¯t. I¡¯ve been fidgeting too, but at this point it¡¯s so natural to me that it¡¯s wiped clean from my internal train of thought, like how you don¡¯t notice your nose in the middle of your face until it¡¯s pointed out. From the outside, though, from here, it¡¯s all I can see in her, the way none of her joints want to stay still for very long, always cracking or popping or stretching something or other. She sighs. ¡°There are few things in your life that will lower your end date as fast as being a cop killer. Driving into a brick wall is one of them. Throwing yourself into one of them woodchipper jawns is maybe another. You picking up what I¡¯m laying down? It¡¯s suicide. All my coworkers know who Mr. and Mrs. Williams Senior are, and they know that I do this, and they¡¯re very proud of me,¡± she explains, fiddling with her hair tie, tightening her bun while I nod in acknowledgment. ¡°Back in my day we didn¡¯t need parental permission to throw down in an alleyway, but, you know, times are changing, Sam. Everything¡¯s getting weird. I can¡¯t guarantee a 24/7 security detail on Mr. and Mrs. Small, but, y¡¯know, we keep an eye on things.¡± I nod, trying to look wise and knowing. ¡°I still have to think about it. I really wanted to just play soccer.¡± She visibly deflates. ¡°Over being a kickass superhero? Fighting crime and saving lives and trying to make the world a better place?¡± ¡°Yeah. I mean, I don¡¯t know. My life so far has been pretty comfortable. I have friends that like me. Parents that tolerate me. I got into a really good high school and I¡¯m gonna get a boyfriend one day and maybe become a physical therapist, or a nurse or something. I didn¡¯t ask for powers, and my powers kind of suck. I mean, I get how they¡¯re useful, or the one is, anyway, but now I¡¯ve got weird fucked up monster teeth and I can see when everyone¡¯s having their period and it¡¯s really gross. And one of my teeth dropped out last night and that hasn¡¯t stopped being freaky. What am I gonna do with that? It¡¯s a person-sized tooth, it¡¯s not even shark-sized,¡± I answer, starting slowly and quietly but getting more worked up the more I talk. I¡¯m trying not to, but I really can¡¯t help it once it gets started. Liberty Belle just looks at me with this sad, sad look in her eyes, like I just kicked her dog, and I really don¡¯t like that at all. Some part of me feels angry. ¡°And¡­ I mean, I didn¡¯t ask to become fu-messed up like this. I¡¯m glad I¡¯m alive but that¡¯s all I wanted to be in the first place. I know, everyone says ¡°with great power comes great responsibility¡± but he¡¯s like¡­ He¡¯s got cool powers that are awesome. I have shitty powers that suck. I¡¯ll just become a normal nurse and save lives on the down low. What¡¯s so wrong with that? Why does everyone¡­ want things of me?¡± At this point, I¡¯ve begun shouting, although I don¡¯t know why and I don¡¯t really notice it until the sentence is over. Liberty Belle is looking away from me and I¡¯m looking away from her. ¡°You don¡¯t need to tell me it¡¯s selfish. I know,¡± I say, quieter, a little below a normal speaking volume. ¡°I wasn¡¯t going to say that,¡± she lies. ¡°Is everything alright in here?¡± my mom meekly asks through a crack in the door. ¡°Should I get you two some tea?¡± Chapter 4.2 The dining room is the place where the family congregates on all occasions, a small wedge of rowhouse in between the kitchen and the living room. It¡¯s an old dining room, with out-of-fashion white tiles that have developed a thin layer of off-white, off-yellow grime over the years, and cabinets made out of some kind of faux-wood material in the same shade. I¡¯ve had some of the worst smash-it-up, violently-screaming, blow-up fights in here with my parents. I¡¯ve had perhaps a lesser amount of catharsis. I¡¯ve eaten meals here. I¡¯ve eaten pizza here, which doesn¡¯t really count as a meal. I guess now I am also deciding whether or not I want to be a superhero here. Well, first, before this is going to happen, I apologized to Liberty Belle. I said ¡°I don¡¯t even know who ¡®everyone¡¯ is. It just felt right to say. Sorry.¡± And she said back, very wisely, ¡°I was also your age once, kiddo.¡± Then, we went downstairs to join my parents at the dining room table, which brings us back up to speed. The table is stone silent, outside of the gentle noises of the television in the other room and the occasional bird chirp from outside reminding us that this is the morning. My stomach gurgles without my permission. I really don¡¯t appreciate that. My mom¡¯s age-old technique for tea is simple. Here is how one makes tea like Rachel Small.
  1. Get a mug. Fill it with tap water.
  2. Put a teabag in the mug.
  3. Microwave it for, I don¡¯t know, two minutes?
  4. Set it down on the table.
  5. Wait for it to cool down a little bit.
  6. Forget it is there while you are waiting for it to cool down.
  7. Ask dad to drink it instead.
  8. Repeat as desired until the cycle of tea is broken.
Until today, I didn¡¯t even know we owned a tea kettle, much less that my mom knew how to use one. I guess that means it¡¯s a big deal that she¡¯s pouring tea how people are actually supposed to make it, albeit still in an interesting variety of funny graphic mugs. ¡°So, how much of that did you hear?¡± I ask meekly, trying to make myself as small as I can. I feel like I¡¯ve offended someone, or insulted someone, or did something, somehow, that means I¡¯m about to get in trouble, from someone. It¡¯s not Liberty Belle, who is sitting at the opposite end of the table, drinking tea quietly, glancing around, catching everyone in her field of view and then continuing to flit through the room¡¯s various nooks and crevices. It¡¯s not my dad, who is the least threatening dad in the world, and it¡¯s not my mom, who ¡°doesn¡¯t believe in punishment as an effective shaper of teenage psychological behavior patterns ¨C or anyone¡¯s behavior patterns, really,¡±. Who am I afraid of? Is it me? ¡°Only the part where you started shouting at the end. It was very impassioned,¡± My dad answers. He¡¯s sitting to the left of me. He¡¯s wearing plaid. ¡°Sam, honey, I¡¯m sorry if anything we ever did or said gave you the impression that we, you know¡­ That you feel unduly pressured by us,¡± My mom continues. She¡¯s sitting to the right of me. She¡¯s wearing a long dress and a short jacket. ¡°In your academic studies or anything else of the sort.¡± ¡°Can we not have the soul searching while there is an adult I¡¯m trying to impress at the table?¡± I plead, bending down and curling my head up so I can cover my face with my hair like a Japanese ghost girl. I¡¯m burning with shame. ¡°Please?¡± There¡¯s another moment of extremely heavy silence, and then the air is cut by Liberty Belle¡¯s deep, raucous laughter, echoing through the room like a bullet ricocheting off the walls. ¡°Oh man, jeez, I¡¯m telling you¡­ These Smalls are something else, man,¡± she says to herself in between mouthfuls of chuckles being chewed like food impolitely. ¡°Y¡¯all are weird. Complimentary.¡± ¡°I take great pride in it. This is a nerd family and I stand by that,¡± My mom replies, indeed sounding quite proud of it. ¡°So, what¡¯s got you all worked up?¡± Liberty Belle answers before I can. ¡°I want to recruit your daughter for the Young Defenders. They¡¯re a branch of the Delaware Valley Defenders focused on training, you know, young kids. Teens. Before anyone with ill intentions can put bad ideas in their heads about how they can use their powers.¡± My mom smiles and my dad¡¯s face remains completely still. ¡°I hope you don¡¯t think our Sam would do anything evil, do you?¡± he says, in as serious of a tone he can muster, almost to the point of being a little threatening. ¡°I mean¨C¡± she starts. ¡°I¡¯m kidding. There¡¯s no such thing as good and evil, only intent and outcome,¡± he interrupts her, grinning audaciously. Then his face slumpens back up into its typical flat affect. ¡°But let¡¯s save the philosophy for later. You need our permission to take Sam under your wing, and you need Sam to actually say yes to do it even if we want her to. Is that right?¡± ¡°Yessir,¡± she replies. ¡°Well, obviously, we couldn¡¯t be more proud of her, you know, for everything in her life. I like to think we raised a pretty good girl for what we could,¡± my mom says, taking the softer side of the conversation, in what is an interesting reversal of their usual roles with me. Is this how they treat other adults, or is this just a weird situation from the context? The mind reels. I feel moderately guilt tripped. ¡°How familiar are you with Jewish philosophy, Liberty Belle? Can we just call you Belle?¡± my dad asks. ¡°Sorry, I know I just said we¡¯ll skip the philosophy, but this is actually relevant.¡± ¡°I can¡¯t say I¡¯m really all that boned up on it, Mr. Small,¡± she answers. I try to retreat even further in my shirt, knowing exactly what¡¯s about to come. The conversation earlier with Liberty Belle was infuriating to me for some reason, but now I¡¯m just pure embarrassed sludge, wanting to retreat like a sea turtle into my shell. ¡°Belle is fine.¡± He cracks his knuckles under the table and leans in enthusiastically. ¡°My father, Morris, was much more devout than I was, and he taught me a lot of things. Most of them, sadly, did not take, because I was a rebellious little child, but there¡¯s one thing that I want you and Sam both to know. ¡®The only reward for doing good is doing good. The only punishment for doing wrong is doing wrong¡®. Whatever Sam decides to do with her life is her decision to make, and I support her unconditionally whether or not she becomes a surgeon, a nurse, a superhero, or an arsonist.¡± ¡°Please don¡¯t become an arsonist though, honey,¡± My mom cuts in, smiling wearily. I watch a mixture of emotions churn like a smoothie across Liberty Belle¡¯s face. There¡¯s too many of them for me to interpret, and I was already not good at reading faces, so the only thing I can take into my interpretation machine that I call a brain is that her heart rate suddenly spiked, and that could be any one of a number of things. ¡°If you want my consent, you have my consent as long as you can convince Sam. If she doesn¡¯t want to do this, I will stonewall you with everything in my power to do so. If she says no and you hassle her about it, I have people that I will let know, and we will have problems.¡± Liberty Belle¡¯s heartrate spikes again. I watch her fingers put small dents in the table, and then she pulls them into her lap. ¡°No worries, Mr. Small. If Sam says no, that¡¯ll be the end of it. I¡¯ll give her a card in case she changes her mind and leave all y¡¯all alone.¡± ¡°I know you would. You¡¯re a good person. You do a lot for this city and her people,¡± my dad says coolly. Is he¡­ threatening her? I¡¯m not nearly experienced enough in the art of communication to understand what¡¯s happening across this table. My internal respect meter for him rises a notch. That takes chutzpah. This tale has been unlawfully lifted from Royal Road. If you spot it on Amazon, please report it. I¡¯m still covering my face though. ¡°I¡¯m very proud of my daughter. She¡¯s been through a lot of hard changes in an extremely short period of time. I would love nothing more for her to decide that becoming a superhero and saving people¡¯s lives ¨C being a real mensch ¨C is her calling. But she might decide that her life is for playing safe, and nobody can fault that.¡± My mom reaches over and gently rubs my back, before pulling back to adjust her glasses. ¡°If it wasn¡¯t obvious, my decision is whatever the rest of my family decides,¡± she says, opening her mouth to swallow some air and gulping quietly. ¡°I won¡¯t pretend that there isn¡¯t some interest in the prestige of becoming a superhero for a living. I¡¯m sure it pays well, given what I hear a cop¡¯s payroll is these days. I bet the overtime is great.¡± ¡°You have no idea,¡± Liberty Belle murmurs, chuckling. ¡°My husband is the one with laudable ideals. I¡¯m the one who¡¯s here to ask about the practical matters. How is the insurance? What¡¯s the schedule? What¡¯s the risk assessment? You know, I don¡¯t¡­ you don¡¯t need to answer these right now, but I need to make sure my only daughter is capable of carrying on a life like this or if it will chew her up and spit her out like, I don¡¯t know, like art school,¡± she babbles, before turning to me and brushing hair out of my face. I stubbornly put it back, wanting only to see this conversation through a curtain of curls. ¡°Sorry if art school was what you wanted, dear.¡± ¡°No, don¡¯t worry about it, it wasn¡¯t,¡± I mumble extremely quietly. ¡°We can talk about it more later if you want,¡± she replies, before turning her body back towards Liberty Belle. ¡°You know, I¡¯m sure ¡ª I¡¯m sure the cliques at superhero school are insane. You¡¯re going to protect my daughter if they try to haze or bully her?¡± Liberty Belle stifles a laugh, trying not to appear disrespectful. ¡°Mrs. Small, the superhero school has a class size of¡­¡± she starts, counting them off on her fingers. ¡°Seven. Eight, if we include Sam. Our curriculum, if you can call it that, is about¡­ Ahem, ¡®transferable, practical life skills like first aid training, gymnastics, self-defense, freerunning, and disaster response¡¯. Skills. It¡¯ll look great on a college application, assuming that¡¯s something y¡¯all care about.¡± She recites, shutting her eyes to remember some sort of pamphlet or presentation. My mom folds her arms in front of her chest tightly and sort of harrumphs. ¡°Come on, I¡¯m a Jewish mother. What do you think?¡± Liberty Belle cackles, loud enough to break some of the tension in the room, and my dad laughs along with her. I exhale sharply through my nose until the giggles get to my mom, but then she straightens her back in her chair and ahems herself back into coherence. ¡°Yes. I very much care about Samantha¡¯s college applications, and her future. If this is just going to eat all her time for living a normal teenage life, and, you know, four years down the road she decides its not for her, where does that leave us? She¡¯s skipping all her extracurriculars to beat up vandals, she¡¯s skipping studying to go out and put herself in danger¡­ It¡¯s just the practical things, right? God forbid, what if she gets busted up by some bad guy in tightie whities and has to stop being a superhero for good, you know? What¡¯s left?¡± Liberty Belle tries very hard to nod solemnly. ¡°I get it. I do, I get it. Not everyone wants to dress up and play cops and robbers. I¡¯m not going to try to sweet talk y¡¯all with the finance game because that¡¯s scummy. You know, us supes, we look out for our own. It¡¯s a good network, but just my word for it isn¡¯t enough, you need that ish in writing, I get it. It¡¯s a commitment. She¡¯s young.¡± She grabs her tea, which has sat until now mostly undisturbed, and throws it back with one gulp before setting the mug down. She sighs contentedly and tries to relax in her chair, so I try to relax a little bit too, slowly pulling my body out of its crunched-up position. ¡°It¡¯s just what she thinks is best for her, long-term,¡± My mom summarizes. ¡°Practically. In a practical, actionable sense.¡± This whole time, it¡¯s been just a bunch of people talking about me like I¡¯m not in the room, talking about my future, talking about philosophy, and violence, and disasters. I¡¯m not angry, but I know I¡¯m a participant in this conversation too. ¡°Can I just try it?¡± I sip my tea. Liberty Belle leans into her elbow, remembers that she¡¯s a guest in someone else¡¯s home, and sits back up straight, trying visibly not to slouch. ¡°Yeah? Whaddya mean, kiddo?¡± ¡°I feel like the obvious solution that everyone¡¯s talking over here is that I just, like, try it. See if I like it. I¡¯ve got three-ish weeks before the school week starts, maybe you take me out on patrol and I think it sucks and I ask if I can hit the bricks and you¡¯re like, yeah, sure Sam, you gave it a good old college try. Is that not an option? Do I have to sign my soul away in perpetuity or something?¡± I elaborate. Liberty Belle makes an expression at me I can¡¯t understand, so I clarify. ¡°Um, it means, like, forever.¡± She laughs again, and it¡¯s a sound I¡¯m getting used to. Her low voice makes it never grating, but I do have to wonder what exactly she finds so funny about what I said. ¡°Obviously you can quit if you don¡¯t like it. Were you thinking the whole time that this was a forever thing?¡± ¡°Um¡­ Yes?¡± I ask like it¡¯s not obvious to me, which, until now, it wasn¡¯t. My parents smile at me. My dad looks a little weary. I don¡¯t know what expression my mom is wearing underneath her smile, I can¡¯t place it. ¡°You know, my parents care about college and ethics and stuff but, like, there¡¯s also the fact that my power sucks and makes me scary and creepy. So I¡¯m not sure why you¡¯d want me to be on your team, but, like, if you want, and if my parents don¡¯t have to pay for it. I¡¯m not sure what use you¡¯ll get out of me but it¡¯s not like I¡¯m going to be playing soccer this summer, so¡­¡± Liberty Belle reaches over the table to gently put her gloved hand over mine. ¡°There¡¯s a girl whose sole power is being super good at tailoring. One of the strongest, bravest heroes I know is really good at making fire extinguishers. The most dangerous bad guy in Philly is this girl who can make surfaces rougher. There¡¯s no stupid powers, kiddo.¡± ¡°I know you are trying to cheer me up about my weird monster teeth but it¡¯s not really working.¡± She shrugs. ¡°Hey, look, you can wallow in it, get used to it, or try to make something of it. Those are the options.¡± ¡°I¡¯m sure if you gave me five minutes and a NetSphere search I could get you at least two more options,¡± My dad says, which I think is him trying to make a joke, but it doesn¡¯t really land. Liberty Belle and my mom just laugh awkwardly, and I don¡¯t make any sort of noise, I guess except for breathing. ¡°Look, okay, let¡¯s just¡­ I think we¡¯ve aga¡­ agum¡­ Um, mom? Taking a while to decide something,¡± ¡°Agonized, honey,¡± My mom says as she collects the empty mugs and starts to wash them in the sink. ¡°Right,¡± I continue. ¡°I think we¡¯ve agonized over this for long enough. I¡¯ve heard everything I can from everyone and I think anything else would just be spinning our wheels, I think, is the saying. I¡¯m going to make a decision.¡± ¡°Cool,¡± Liberty Belle says, leaning back in her chair a little. Her face and body language says relaxed, but her heart is beating hard still. She can¡¯t hide it from me ¨C her fear, her anxiety, and that makes me feel extremely strange. The idea that even adults, even superhero adults, have anxiety, something I intellectually knew but didn¡¯t understand until I could sense it, feels like an alien revelation for me. What could she have to be anxious about? She¡¯s fought supervillains capable of destroying buildings and killing dozens with a flick of their wrist. Is she so used to fighting and superheroing that these normal conversations are what she¡¯s afraid of now? Once again, the mind reels with possibilities. ¡°So?¡± ¡°I mean, I¡¯ll try it. I figured that was obvious? Sorry. I¡¯ll say it out loud. I¡¯ll try it for a bit,¡± I answer, throwing my hair back behind me and uncovering my face. My parents both smile at me, and I get the feeling that this was the decision they wanted me to make, even if they don¡¯t say so out loud ¨C even if they¡¯re trying to act like hardasses in front of a superhero and give¡­ compelling arguments to both sides of the debate in front of their daughter. ¡°If I like it, I¡¯ll try it another bit. If I keep liking it, it¡¯ll become the thing I do. If I start to hate it, then I¡¯ll quit. I think this is a very sensible way of going about things, and I¡¯m struggling to think of a reason why we don¡¯t apply this to more things in life.¡± Liberty Belle stares at me. ¡°Should I explain what ¡®sensible¡¯ means?¡± I ask, and she swallows her laughter this time. ¡°Jesus, what a kid,¡± she mumbles, getting up from the table. ¡°No, I know what sensible means ¨C I did finish college, kiddo. I will accept your offer.¡± She reaches her hand out for me and I feel a pulse in my chest. ¡°You do have to send my mom all the information about pay and insurance and stuff though, too. If you can do that, we have a deal.¡± Liberty Belle makes a face like she just kissed a ripe lemon, and then relaxes back into her neutral expression, while my mom nods vigorously and gives me a silent double thumbs up behind her back. ¡°I will make sure to get the poindexters right on that, kiddo.¡± I reach out and grasp her hand. We share a firm handshake.
I only have one thing to ask of Liberty Belle as she leaves the house, back on morning patrol, ready to scout the neighborhood for threats. At the front door, shutting it behind me so nobody can hear, I lean in to whisper. ¡°Since I¡¯m joining your group¡­ can you tell me who gave you cancer?¡± She turns back to me with one eyebrow quirked way up high. ¡°Who? Cancer isn¡¯t usually given by a person, Sammy, girl.¡± ¡°Usually,¡± I reply, trying to make a face right back at her. She smirks and turns back around. ¡°Yeah. Usually.¡± She doesn¡¯t answer the question, and I don¡¯t press it any further. Chapter 5.1 There¡¯s a quaint little gym tucked away in a corner of Center City, in what looks like a touched-up-but-disused old warehouse. This gym is known only to a small, select group of superheroes and their retinue, which I am now apparently a part of. Go figure. It doesn¡¯t even have a name on the outside, only the washed-out rectangular dust-stain of what used to be some sort of sign. On one hand, I understand the need for a degree of cover, given that many superheroes are also celebrities in their own right, but on the other hand, would it kill them to spruce up the front? Maybe some plants? Just some sort of indication that I¡¯m not just walking up to an abandoned building at the edge of town. That¡¯d be nice. As it were, I¡¯m standing in front of a heavy, metal door, without even a window cut into it. It¡¯s hot and humid so I¡¯ve got on soccer shorts and a t-shirt, and every thirty seconds I¡¯m checking my phone and GPS to make sure that I¡¯ve actually got the right place, waiting for 9:00 AM to tick over, since my mom always taught me to arrive ten minutes early for any important meeting. We¡¯re out of the way enough that nobody passes me by on the street or sidewalk, but, you know¡­ standing on the side of the road in a bad-ish part of town feels weird. Nobody goes inside ahead of me. I can¡¯t hear, see, or otherwise detect any movement inside, except for a faint smudge of coffee grounds through the thick walls that lets me know that Liberty Belle, or someone else with stomach problems, is probably in there. 9:00 hits, and the front door opens. Liberty Belle steps out to greet me, beckoning me into a pleasant looking airlock, which I suppose is a bit oxymoronic on its own. ¡°Good to see you,¡± she says, her hair loose and free in an afro today. Every time I see her, it¡¯s in less and less of her costume and more and more casual clothes ¨C if I didn¡¯t know it was her by face and voice today, I could¡¯ve assumed I was greeted at the door by any random gymgoer, in a sports bra and leggings. ¡°Yeah, thanks. Good to see you too. I think I would¡¯ve freaked out if someone I didn¡¯t know was welcoming me at the door,¡± I reply, trying to make light conversation. ¡°Thankfully, it¡¯s just the main group today, no support staff or nothing.¡± ¡°Support staff?¡± ¡°Is there an echo in here or what?¡± she jokes, thumping me on the back as she shuts the front door, followed by a thick metal door coming down behind it to seal the airlock. ¡°We¡¯ve got a small team of support staff ¨C a nurse, two dispatchers, a computer nerd, some forensic staff and investigators ¨C that we rely on for day-to-day operations. Being smart is not really an essential part of being a superhero so a lot of modern day organizations offload that stuff to civvies.¡± ¡°Uh-huh,¡± I reply, listening to the rushing of air around me as the airlock seals. ¡°So this is home base?¡± ¡°Yep! The entire DVD headquarters here, but, y¡¯know, most of the adults like me have homes and shit, so we¡¯re not here a lot of the time, but the Young Defenders like to hang out here when they don¡¯t have other shit going on. We¡¯ll get you a key fob once we¡¯re done dotting all the I¡¯s and crossing the T¡¯s,¡± she says, pressing her phone up against a small panel on the other side of the airlock. She catches me looking at her funny, and the door hisses open behind her. ¡°Standard issue, in case of a superhuman capable of performing chemical attacks or otherwise fuckin¡¯ with the air. Any place that deals with superhuman stuff and gets government funding probably has an airlock, or at least a panic room that¡¯s air-tight.¡± ¡°Oh, I was actually just thinking that we already crossed our I¡¯s and dotted our T¡¯s. Wasn¡¯t that what I was waiting a week for?¡± I ask while she walks me into a modest locker room. Each locker, of which there are 30, is big ¨C double width compared to the ones I saw in my high school during the tour ¨C and a little over half of them are decorated and labeled. I read them out in my head. Professor Franklin, Liberty Belle, Fury Forge, Multiplex, Bulwark, Mrs. Clara, Mr. Davis, Puppeteer, Blink, Crossroads, Gossamer, Playback, Gale, Rampart, and one with an empty paper tag with no name filled in. I can only assume that it¡¯s for me. ¡°And is ¡®Mrs. Clara¡¯ and ¡®Mr. Davis¡¯ really their superhero names?¡± She wrangles a set of keys off the wall from high up and tosses them to me. I snatch them out of the air. ¡°No, that¡¯s our lawyer and the de jure head of the DVD, respectfully. I mean, respectively.¡± ¡°De jure?¡± ¡°Aha, I got you with that one. You know what ¡®de facto¡¯ means, right, kiddo?¡± she asks. ¡°Yeah. Like, the one everyone recognizes. I¡¯m de facto the best soccer player on my team, or something like that,¡± I answer, popping them into my locker''s keyhole and twisting it open. As expected, there¡¯s nothing in it, so I just sling my gym bag that I brought with me into it and shut the locker. ¡°Yeah, de jure is like, the opposite of that. The leader on paper. Law says every group of RSEs needs a civilian regulator on oversight. I¡¯m the de facto leader, Mr. Davis is the de jure leader. You feelin¡¯ me, kiddo?¡± ¡°Yeah, I get it.¡± She shows me around the rest of the space that encircles the main gym. Showers, bathrooms, a lounge, a dispatch center with big, huge monitors, changing rooms. Nothing luxurious or that I wouldn¡¯t expect to see. If anything, it¡¯s more low-key and down-to-earth than I expected out of what¡¯s supposed to be a superhero group¡¯s headquarters. I expected cool technology and shiny equipment, but everything here looks like the government surplus that my dad brings home from the office sometimes. Even the newest, shiniest thing looks 8 years old at the least, 15 years old on average, if I had to guess from the layers of grime and dents. Everything smells like metal and sweat, and the entire time I can¡¯t help but feel Liberty Belle¡¯s blood swimming around in my field of¡­ vision? Field of blood-vision? Whatever. It makes sense in my head. We don¡¯t spend too long taking the tour around the outer perimeter. It¡¯s not hard to notice my silent glancing at the various doors set into the side of each room, each one a passageway to the actual reason I¡¯m here. I can hear, very faintly, a conversation that¡¯s occurring without me as I¡¯m shepherded around by someone I can¡¯t bring myself to trust completely. ¡°This is the dispatch room,¡± ¡°This is the ladies¡¯ room,¡± yadda yadda. Finally, we get around to the point. ¡°You ready to meet the team?¡± She asks. Really, I¡¯m not. I¡¯m a bundle of nerves, but I think that¡¯s just a constant with me. If I say no, though, that I¡¯m not ready, that I¡¯d like maybe a minute or two, that would push us even further overtime ¨C it¡¯s 9:30 AM on a Saturday, and I¡¯m tired of waiting. I nod, and she opens the door.
The centerpiece of the headquarters is a massive, ginormous gymnasium. Or, rather, a normal sized professional gymnasium, I think, but being used to school soccer fields and street basketball cages, it seems pretty damn large in comparison, easily able to fit four or maybe six basketball courts with room to spare. It¡¯s split up by quarters, with padded, blue flooring covering the whole thing: one quarter is occupied by normal gym equipment, weight machines, stuff like that, the entire back half has been swallowed up by some sort of Ninja Warrior obstacle course, and the remaining one quarter is empty space, where seven people wait for me and Liberty Belle in varying states of sitting. I am immediately intimidated, and do my best to avoid looking anyone in the eye. Liberty Belle gently nudges me into the group, causing me to go stumbling, heels skipping off the ground until I land on a cushion of air, right in front of a very pretty girl wearing a headscarf and a dazzling lip-shut smile. We make the most uncomfortable eye contact I have ever had in my life, and with a gentle pushing motion from her hands, she walks me back along the invisible force-field until I¡¯m in the center of the group. ¡°Ladies and gentlemen of the Young Defenders, I present to you¡­ fresh meat,¡± Liberty Belle teases, and I turn back to look at her with a little bit of obvious anxiety in my eyes, trying to silently plead for help. Instead of the immediate hazing I expect to be subject to, despite my parents¡¯ earlier promises, I instead receive a small, disorienting chorus of hellos, in varying dialects and styles. ¡°Some of you are almost adults, so I¡¯m not going to babysit you all. I¡¯ve got patrols, you¡¯ve got a new member, let¡¯s get this jawn handled, okay?¡± she calls out from behind me, shutting the door as I am plunged into the unfamiliar. I feel like I am in kindergarten once more, subject to the whims and judgments of strangers, all silently assessing me. Support the creativity of authors by visiting the original site for this novel and more. ¡°Alright, y¡¯all, you heard Lib. Let¡¯s show the new girl some respect and introduce ourselves. I¡¯ll go first,¡± someone behind me says, waving her hands out to get everyone else to back up so that I¡¯m no longer stuck in the center of the crowd. She arranges everyone like a conductor handling an orchestra, using small finger gestures to organize everyone in line before putting herself at the head of it. She takes a step forward and bows politely at me. ¡°Puppeteer. I¡¯m the eldest here, so that makes me the babysitter by default.¡± ¡°It sounds so undignified when you say it like that,¡± someone ¨C fifth in line, male ¨C interrupts her. ¡°Yeah, yeah, well when you magically grow two and a half years in a day then you can be the leader,¡± she jokes back, flicking her hand backwards. The speaker, a tall black kid, probably a year or two older than me, shoots his hand out to grab his beanie before it flies all the way off his head. ¡°I do strings, by the way, since inevitably we¡¯re gonna get around to the power discussion.¡± ¡°¡®I do strings¡¯,¡± number five mocks, imitating her voice in a childlike sing-song as he adjusts his beanie again. ¡°Are we going out of order?¡± I ask, followed by another question. ¡°And is it really just based on seniority?¡± ¡°No, just merit. Seniority is not a good way to organize a group¡¯s leadership. And I¡¯d like to go in order, if y¡¯all can keep your pants on,¡± she replies, cracking her knuckles. She¡¯s about as tall as me, maybe half an inch taller, with dark skin and fluffy, curly hair that looks like it might turn into something like Liberty Belle¡¯s if she ever let it coil up into locs, although the sides of her head are shaved down. Her costume is built over top of a black, skin-tight undersuit, again, like Liberty Belle¡¯s, with purple-pink accent cloth over top that I can see sits on top of a layer of padding, or maybe some kind of armor like kevlar or something, and big steel-toed boots. She takes a step back. The next person, an Asian girl that¡¯s about four inches shorter than me, steps forward. I can tell her eyes are trying to focus on me, but her face says she¡¯s somewhere else completely. She waves. ¡°Blink. I can move things really fast but only along one axis. Hug or handshake?¡± she offers, but I raise a hand up and take a step backwards. ¡°No thanks. I¡¯m not really a physical contact type. Your power sounds, uh, cool, though,¡± I give her a little bit of a layup so she doesn¡¯t feel like I¡¯m rejecting her ¨C a tip for social interaction that my dad taught me. ¡°Thanks! It¡¯s useful sometimes. Good to have you aboard. I¡¯d call you by your name but I don¡¯t think we¡¯re supposed to know what it is,¡± she responds. She¡¯s very pretty, with short hair, a white costume with purple accents that looks to be coated in some sort of¡­ matte coating, and a long scarf with several colored marbles dangling off the end of it. ¡°Pleasure to meet you.¡± ¡°Pleasure is, uh, all mine,¡± I say, trying not to mumble. She takes a step back. The next person in line doesn¡¯t even bother stepping forward. He just raises his hand up. ¡°Crossroads. I see the future.¡± He¡¯s tall, easily the tallest in the group, and stretched out like an old tree in the wintertime. I¡¯m pretty sure, guessing from appearance, that he¡¯s Hispanic, but he has a sort of ill looking pallor to him that makes him look almost as pale as I am, and these yellow-brown eyes that I think are, in fact, actually staring right through me. Most people say that as a metaphor, but I mean it ¨C it looks like he¡¯s focusing on a spot behind my head, like he can see right through me. I like his hair, though, very dark and very long, longer than most of the girls, and his costume is pretty simple, with a black undersuit and orange-red padding, similar to Puppeteer¡¯s. I guess that¡¯s some sort of standard-issue? I give him a nervous wave and turn towards the next person. She actually almost leaps out towards me, reaching out to shake my hand expectantly. When she notices me glancing back and forth between her face and her hand, she switches it to a fist, which I reluctantly bump. ¡°Gossamer! I¡¯m super good at tailoring. And weaving, and fabrics, and¡­ you know, like, materials and textiles? I¡¯ll be designing your costume, too!¡± ¡°Oh, I get a costume?¡± I ask, and then immediately feel stupid for asking it. She giggles and titters like she¡¯s had a little too much sugar, her braid swaying with her movement like a cat toy, and she retracts her hands to her sides so she can bow hard towards me twice. Her costume is easily the most fashionable and pretty looking of everyone¡¯s, all bright green and yellow like a citrus candy, with sparkly golden threads throughout. Even still, I can¡¯t help but notice thick layers of padding at the vulnerable locations, except for her shoulders, which are exposed. She¡¯s maybe an inch shorter than me, with wiry black hair and narrow eyes, and a smile like a sunbeam that weirds me out a little bit. ¡°Duh! Do you think we send you to the nearest Spirit Halloween or something? I made everyone¡¯s costumes. I mean, like, obviously there¡¯s templates, but I did all the hard work! You can tell because it¡¯s all perfectly symmetrical and even. I¡¯m really good at that,¡± she rambles, sticking a tongue out at me in what I feel like is her attempt to be playful and endearing. ¡°Don¡¯t worry, we can get your measurements later. And I¡¯ll ask you about theming and stuff.¡± ¡°Uh-huh,¡± I try to reply, trying and failing to match her enthusiasm. It just sort of stumbles out of my lips. I hope that they can¡¯t tell how weirded out I am by this, and I also hope that I can figure out what is bothering me. Am I having an anxiety attack? I think that I¡¯m having an anxiety attack. My eyes feel like they¡¯re flickering back and forth in their sockets. I¡¯m trying not to open my mouth super wide, so nobody can catch a hold of my creepy, weird teeth. Number five finally gets a name to the face. He points finger guns at me and waits for a reaction, while I stare blankly at him. ¡°Playback. I do sound stuff, if the name wasn¡¯t enough of a giveaway.¡± ¡°Yeah, I could imagine,¡± I try to make light. He smiles and winks at me, resulting in a quick, harsh tug to his beanie from Puppeteer ¨C this time, it goes flying off all the way and into her hands, revealing a short, dark buzz-cut. ¡°Hey! Th¡¯ fuck was that for?¡± ¡°No flirting. Besides, she¡¯s 14,¡± She chides him. ¡°Oh, aight, aight, word.¡± He responds, his body immediately going a little slack. That, somehow, gets me to laugh, and he winks at me again. I can tell he¡¯s got the same standard padded bodysuit as everyone else on top of what looks like a surprisingly muscular frame, but most of it¡¯s covered up in a blue sweater, which must be absolutely miserable to wear out anywhere that¡¯s not an air conditioned gym like this. ¡°Yeah so, hold on, let me do the math¡­ Yeah, okay, once you¡¯re like¡­ 18 and I¡¯m 21, hit me up. Ow!¡± He slaps at his ear while the lobe visibly stretches sideways towards Puppeteer¡¯s hand. There¡¯s a momentary pause, interrupted only by my quiet giggling, and she lets go with whatever invisible wires she¡¯s using, causing him to stumble back. ¡°I¡¯m serious, don¡¯t creep out the new girl.¡± ¡°It¡¯s fine, I don¡¯t care that much. He¡¯s not my type, anyway,¡± I cut in. ¡°What, you not a fan of¨C OW! Fuck! Quit it!¡± he shouts, swatting at the empty air as it tries to pull on his face and ears. ¡°You are absolutely not allowed to make that joke at a teammate. Have your hat back and put a sock in it,¡± Puppeteer orders, flinging his beanie back. He grumbles under his breath and shoves it over his head. ¡°Sorry about my teammates. I know this is probably a pretty overwhelming first meeting,¡± says number six in line, who looks like a linebacker. He¡¯s got broad shoulders and muscles and is the only one who seems to be wearing any sort of armor armor, with some sort of ceramic or metal over top of his costume in thick, heavy-looking plate layers. ¡°They call me ¡®Rampart¡¯. I¡¯m the immovable object.¡± ¡°You just pull that one out every time, don¡¯t you?¡± Playback says, still rubbing his face after the chastising he received from the team leader. I look around and notice that Blink seems to have vanished, before I catch her running on a treadmill. My first instinct is to think that it¡¯s rude, but there¡¯s probably a reason why she¡¯s not being yelled at to get back here, so I don¡¯t mention it. ¡°What, you¡¯d rather I explain what ¡®super-anchoring¡¯ means?¡± he shoots back. ¡°Yeah,¡± Playback replies, folding his arms over his chest. ¡°Too bad,¡± Rampart responds, before turning back to me, eying me up and down in a way that makes me feel¡­ bad. ¡°Now, as nice as my comrades have been, I need to let you know that we¡¯re not going to be tolerating mediocrity. As I¡¯ve heard from our illustrious leader, you¡¯re fourteen, and I wager you¡¯re fresh off your activation, but, you know, I have to be the one to say it ¨C if you start weighing things down, we¡¯re going to start having some problems.¡± I couldn¡¯t tell you why this made me happy, but it did. It didn¡¯t feel like bullying, or hazing. It was straightforward. It was blunt. Keep up, or get left behind. It was just like in sports, how you got benched if you couldn¡¯t keep pace with the rest of your team. A good attitude can only get you so far. ¡°Duly noted.¡± ¡°Good. I like her,¡± he says to the rest of the group. ¡°Yeah, what¡¯s not to like?¡± Gossamer replies, squishing her cheeks together. I turn to face the last one in the lineup, the girl who had welcomed me by stopping me from stumbling into her, uh. From stumbling into her. I could guess pretty easily from process of elimination that she was some kind of telekinetic, but I was curious as to the exact specifics. She smiles, and something in my stomach overturns with anxiety. I see a twitch of concern on her face and feel like vomiting. I swallow the emotion, clench my fists up by my hips, and stand up straight. I feel wind holding me up around my waist, and notice her fingers in her right hand gently tracing circles in the open air. Her costume is minimal, with the usual bodysuit underneath, and her white hijab sitting comfortably over it, with only a small fan mounted on her belt and a couple of yellow accents. I am trying very hard to keep my gaze on her face. ¡°Gale. I can control wind,¡± she says, while I take in the specific shade of gold-tan that her face is. She takes a step back, and I haven¡¯t even realized she took a step forward in the first place. She smiles and waves a little with her left hand, and I notice how her nails are all shiny, black, and lacquered with polish. I look away from them, and towards her face again, before I¡¯m rudely interrupted by a voice to my left. ¡°Your turn, newbie,¡± Puppeteer orders. Chapter 5.2 I take a step forward into the semicircle, doing a quick headcount. Blink had returned at some point when I wasn¡¯t looking, probably when I was staring at Gale. I raise a hand awkwardly. ¡°Uh, hi. I don¡¯t have a name yet. I¡¯ve got shark teeth and I can smell blood,¡± I explain, doing a quick mental assessment of what my blood sense is telling me. Besides all the people within about a block or two that are bleeding outside of the warehouse, nothing useful, nobody immediately gushing blood, and no Liberty Belle. She wasn¡¯t kidding when she said she was going to vamoose. ¡°Okay, I¡¯m not going to test that second bit but you better show the chompers, girl,¡± Playback says, taking two steps forward, to which I take two steps back. ¡°Can you spit ¡¯em or something? Use ¡¯em like knives? Make jewelry?¡± ¡°Uh¡­¡± I stall, thinking about it. ¡°No, no, maybe. They¡¯re just person teeth sized. I don¡¯t have the big shark teeth because I¡¯m not a big shark, but they do grow back and I do have to keep getting rid of the old ones. I¡¯ve got a baggy at home if anyone, uh¡­ You know, if anyone wants a bunch of person-sized shark teeth. But act fast, cuz they turn into dust in a couple days.¡± Gossamer is immediately in my face while I¡¯m pulling my mouth open by the lips to show my teeth off. Her phone flashlight is on and it¡¯s pointed down my throat, while a scatter of voices jumbles out behind her, voices which I haven¡¯t yet learned to associate with a name and face. ¡°Quit it, Goss!¡± ¡°Hey, don¡¯t scare the newbie!¡± ¡°Can I have a tooth?¡±, you know, those sorts of gossipy voices. Her free hand fearlessly is just in my mouth, poking, prodding with her fingertip, and I really have to resist the urge to bite. Not just because it would be monumentally stupid, permanently injure someone who¡¯s supposed to be my teammate, and make me look really bad, but also because¡­ Actually, I¡¯m not sure where I was going with this sentence. I just make a groaning sound as I¡¯m prodded at like I¡¯m at the dentist¡¯s. ¡°Can I have them? I have ideas.¡± ¡°Mnyeah, sure,¡± I reply, wiping spit out of my lips from the back of my mouth. ¡°If you really want a baggy full of baby shark teeth I will definitely not stop you.¡± Puppeteer has bent into a squat at the back of the pack while everyone else, now that order has broken, is busy trying to examine my mouth. I keep my mouth open, which makes it hard to talk, but let them fawn as much as they want. After a couple of weeks of friends calling me creepy and weird, even if I know they don¡¯t mean it in a mean way, just having a bunch of people going nuts over how cool my disgusting shark teeth are to them feels like a well-needed breath of fresh air. None of them are touching me, but they are getting very close, gloved hands and bare fingers and flashlights in my face. My breath comes out in halting waves, panting a little bit as I force my mouth to stay open with my fingers. ¡°Alright, alright, give her some space,¡± Puppeteer says, gently waving everyone to the side, where they part like the ocean. ¡°Can you bite hard, or are they basically cosmetic?¡± ¡°I ¡®an ¡®ite hard,¡± I say, keeping my lips spread open with my fingertips at all four corners. Then, realizing I¡¯m probably incomprehensible, I let them flop shut. ¡°I can bite hard enough to bite through silverware. I haven¡¯t tried on anything harder.¡± ¡°Okay, okay. And the blood sense, how far does that go?¡± Puppeteer asks, staying direct and on-topic while everyone else is chattering. I¡¯m trying hard to focus on her and not on the snippets of out-of-context talk about me that my ears are tuning in and out on like a radio. ¡°What? Repeat, please,¡± I ask, my brain not having fully processed the message yet. She flicks her hands forward, and I see some sort of disturbance in the air rush past me, anchoring to the ground behind me. She scoots forward on her heels, and I recognize for the first time that her boots also appear to have little tiny wheels on them. My first instinct is to think ¡°oh, that¡¯s cute,¡± followed shortly after by ¡°oh, that¡¯s practical.¡± ¡°The teeth are cool but for practical matters I think the blood sense is the more effective tool in the line of duty.¡± She says, skidding to a halt in front of me. I like her, too, Puppeteer ¨C she¡¯s got her head on right, and I like her straightforwardness. ¡°Don¡¯t show me the teeth, I¡¯m good on teeth.¡± ¡°Yes, ma¡¯am.¡± She smiles, and I watch the semi-visible strands whip past me as they retract into her fingertips. ¡°Blood sense. Range. What is it?¡± she asks, not chiding me on calling her ¡®ma¡¯am¡¯ like most people have. I don¡¯t know, maybe it¡¯s just me, but I always felt like it was right to be polite with sirs and ma¡¯ams. I¡¯m not calling someone old, it¡¯s just a matter of respect. ¡°Give me the details.¡± I bow just a little bit at the knees. I hear someone mentioning ¡°shark-tooth necklaces¡± and absorb the idea for later. ¡°I¡¯m not good at visualizing distances, but I can smell someone on the sidewalk outside that scraped their knee. When someone¡¯s bleeding from an open wound, I can see their entire vascular system,¡± I explain, trying to impress her with my knowledge of what a vascular system is, ¡°including heartbeat and anywhere that blood is flowing inside of them such as internal injury. I can also smell blood in the air or on surfaces.¡± ¡°Can you distinguish blood from two different people if it¡¯s mixed together?¡± she asks, glancing backwards at the group behind her that seems to have immediately dissolved into nonprofessional gossiping. ¡°I haven¡¯t tried, ma¡¯am.¡± She nods, rubbing her chin. ¡°We¡¯ll figure it out. Do you actually like sharks? You called ¡¯em shark teeth before. A hundred percent sure it¡¯s a shark power?¡± ¡°Oh, yeah, I can also swallow a lot of seawater and it doesn¡¯t make me sick. So I think it¡¯s sharks, or maybe a piranha or something,¡± I ask, straightening myself up and folding my hands behind my back in an attempt to look as professional as possible. ¡°And, really, I¡¯m uh, ambivalent about sharks. Ma¡¯am. Don¡¯t really think about them much one way or another. Why do you ask?¡± ¡°No reason,¡± she replies, causing my heart to skip a beat with fear. ¡°Here¡¯s your schedule; we¡¯re going to start by getting your baselines while Goss works on a costume. Then, we¡¯ll run through the obstacle course, break for lunch, and you can either stay here or join me on patrol. Got it?¡± If you stumble upon this narrative on Amazon, be aware that it has been stolen from Royal Road. Please report it. ¡°Yes¡¯m.¡± She spins around on her heel and claps loud enough to draw everyone¡¯s attention, immediately silencing the air. ¡°Alright, y¡¯all. Morning chat circle is over, let¡¯s get this shit started.¡±
Puppeteer¡¯s thumb clicks on a stopwatch while I shoot by, sneakers slamming on the mat-coated floor to push me forward. ¡°Good. Nine point eight six seconds,¡± she says, as I lean over into my knees, sucking in air through my teeth. I can feel the blood rushing in my ears, my stomach aching, my arms hurting. Not from running, one of my favorite activities, but from all the stuff preceding it. Curl-ups, pull-ups, push-ups, vertical jump, everything you can do without picking up a weight, the same stuff you do in PE class when you¡¯re getting assessed. Someone shows me how to do it and I feel a rush of inadequacy flow through me like water in an open bathtub, draining out in my knees. There¡¯s nothing interesting or new under the sun here, just a 14 year old girl in a room full of older teenagers getting smoked in nearly every respect. Gossamer is the only one that I¡¯m competitive with, and she wasn¡¯t already an athlete before getting her superpowers, I¡¯d bet. My hands hold my kneecaps hard and I gasp for air, before standing back and holding my hands up over my head. My hair is all over the place. I feel ugly. All I can do is kick a soccer ball real good and run real fast. These aren¡¯t skills translatable to superheroing. I walk in a loose circle, hands behind my head now, while Rampart and Puppeteer talk quietly, whispering below what I can hear. I turn around at the feeling of a tap on my shoulder, only to spin face-to-face with Gale, and the blood rushing through me pumps a little bit faster. ¡°Would you like a breeze, newbie?¡± she asks, twisting her fingers around rhythmically. ¡°Uh, ah, I, um, I mean, uh¡­ I, uh¡­ If you¡¯re¡­ If you¡¯re offering?¡± I stammer, looking like the least cool person in existence. She smiles and brings her hand up like she¡¯s pulling something up from the floor, and the wind around me picks up, flowing into the spaces between my shirt the rest of me, up around my neck. It wipes sweat from my brow and sends my hair everywhere. It is the best breeze ever. ¡°Can you, um, fly with that?¡± ¡°Yes. Wanna see?¡± she replies, glancing behind me. Her little USB fan spins and spins on her belt, making the mildest of breezes that I assume she accelerates into this wondrous air conditioning cooling me back down to a functioning core temperature. She glances behind me. ¡°Maybe later, actually.¡± I turn around at the sound of footsteps and the breeze stops, my shirt¡¯s billowing edge flopping back down against my stomach, hiding my scars. In the distance I spot the others working out, Crossroads and Gossamer lifting weights, Playback running on a treadmill, Blink¡­ doing handstands. Hand-walks, actually, which is a lot more impressive. Puppeteer and Rampart approach me as a unit, and I hear the last edges of the whispering as they stop talking to each other and start getting ready to talk to me instead. ¡°¡­sure about her?¡± from Rampart, and my heart sinks. I guess it must be apparent on my face, because Puppeteer puts up her hands preemptively, a posture of compromise. ¡°Hey, hey, no worries. You look scared. We¡¯re not kicking you out or anything.¡± ¡°I¡¯m expecting a ¡®but¡¯, ma¡¯am. What¡¯s the ¡®but¡¯?¡± I reply, trying to keep myself stiff and professional and not shoving my hands in my pockets or looking down at my feet. I make eye contact. I can feel Gale behind me, hear her taking a couple of steps back. ¡°No ¡®but¡¯! You¡¯re just fourteen. I¡¯m not expecting to be blown out of the water ¨C you¡¯re probably a lot more athletic than most of us were at your age. Rampart was just expressing his concerns.¡± I feel betrayed, even though none of these people are my friends to begin with. My face twitches without my permission. ¡°Concerns?¡± ¡°With candor, newbie,¡± he starts, and I realize that none of these people know my name. Or maybe they do, but aren¡¯t saying it for whatever reason, but I certainly don¡¯t know theirs, so I assume the lack of info goes both ways. ¡°at your age and body weight, a 35 kilo deadlift is impressive, and beyond the norm. Nine point eight six shuttle, well above average. You know your mile?¡± ¡°Almost six minutes flat. Sir.¡± ¡°Right, good, impressive. You¡¯re definitely a good athlete ¨C for your age. I have no doubt you¡¯re the best of the best at whatever track and field team you¡¯re on, or whatever sports you play. Bluntly, though, good, even great, isn¡¯t good enough,¡± He folds his arms over his chest, and I mirror him. ¡°You need to be exceptional. Cream of the crop in your afterschool team isn¡¯t enough. You have to be willing to buckle down. You might get stabbed, or shot, or otherwise attacked. If you¡¯re not there, we can take you there, but it¡¯s gonna be tough. Do you think you have the fortitude?¡± I can see his eyes, hazel with what looks like a ring of blue, assessing me. I have muscle, but I¡¯m not beefy. I have a runner¡¯s build. I keep in shape, but not by going to the gym, and I feel like he must have some sort of telepathy he¡¯s not telling me about because as far as I can tell he can just tell this, he can smell the inexperience on me. I can see his eyes seeing through me. He can smell my weakness. There¡¯s a moment of uncomfortable silence, and a little twitch of anger works its way up my spinal column like a centipede. ¡°You¡¯re just saying that because I¡¯m a girl,¡± is what comes out, backed up venom from an hour and a half of tension, testing, and exhaustion. Rampart looks completely taken aback, like he¡¯s been physically pushed in the stomach, his face twisting up in confusion. Part of me, the mean part that lives in the center of my brain, the part that my mom says is from the lizards we evolved from and tells me to eat bugs, is satisfied by this. He tries to open his mouth in protest. ¡°You afraid that a girl¡¯s gonna beat you out some day?¡± Puppeteer covers her face with one hand, the other on her elbow, trying to hide laughter. Rampart stumbles, trying to save face. ¡°You¡¯re good for a guy, too! I mean, for a boy your age, you¡¯re still above the fiftieth percentile, that means you¡¯re better than average.¡± ¡°Oh my god, she was joking, dawg,¡± Puppeteer says, prodding Rampart in the face with one of her strings. She looks about as embarassed as someone can look, mixed with what I can only described as a sort of horrified amusement. ¡°Get the stick out your ass.¡± ¡°Yes¡¯m.¡± ¡°Alright, you spoke your candor, newbie, you¡¯ve heard his concerns. We¡¯re cool now,¡± she says, turning towards him and whacking him on the head a couple of times with vertical chopping motions, carrying her strings with her. ¡°And you, nitwit, know that she¡¯s ready to go the distance, or she¡¯d just leave. Right, newbie?¡± I stand up tall and adjust my hair. ¡°Yes, Puppeteer, ma¡¯am.¡± ¡°Sorry, ma¡¯am,¡± Rampart mumbles under his breath, looking thoroughly cowed. The lizard part of my brain is pleased. His entire body is deflated like a balloon. ¡°I¡¯m serious, newbie. There¡¯s no shame in quitting. If this isn¡¯t for you, you¡¯ll know it, and you can leave, and we¡¯ll all say we never met you if asked,¡± She says, turning back to me, squatting on her heels, elbows on her knees. ¡°We get like three, four people a year. Most of them quit even if they can hack it, because the life isn¡¯t for them. The rest just can¡¯t hack it. There are physical demands. There are mental and emotional demands. Nobody will judge you. You in?¡± ¡°What, are you trying to convince me to quit or something?¡± I reply. ¡°Respectfully, ma¡¯am.¡± Puppeteer¡¯s smile is infectious, and dangerous. ¡°Right answer. Related question ¨C how do you feel about obstacle courses?¡± WORLD OF CHUM: Timelines

"The Genesis Births: Unexplained Phenomenon or New Stage of Human Evolution?"

By Dr. Rebecca Hartman, for the LA Times November 13, 1982 In a turn of events as mystifying as it is awe-inspiring, hospitals across the globe are reporting an increasing number of newborns displaying extraordinary traits¡ªextraordinary to the point of defying explanation. Coined as the "Genesis Births," these peculiar occurrences seem to be more than mere anomalies. While some parents claim their children have been "blessed," the medical community remains cautious. Interviews with obstetricians and neonatologists reveal a striking pattern: These traits most often manifest during complicated childbirths where the child''s life hangs in the balance. It''s as if some primal survival instinct kicks in, granting the child abilities beyond the scope of scientific understanding. Still, questions remain. Are these children the next step in human evolution, or is this a fleeting genetic anomaly? Experts weigh in, pointing to the lack of any common genetic marker among the so-called "Genesis Babies." "There''s no rhyme or reason to it yet," says Dr. Alison Carter, a leading geneticist at UCLA. "It''s both exciting and deeply concerning." As research intensifies, ethical considerations have begun to surface. What does it mean for these children as they grow up? What implications do these births hold for the broader scope of medical practice, and society at large? If nothing else, the Genesis Births force us to confront the boundaries of what we understand about human life itself.

"Miracle Child: An Indian Toddler Rescues His Village from Flood"

By Elena Rodriguez, for the New York Times March 10, 1985 Earlier this week, a male toddler in the remote Indian village of Badrika single-handedly stopped an impending flood that threatened to wipe out his community. This miracle child has gripped the world''s attention, leading many to question: Is this the dawn of real-life superheroes? Eyewitness accounts describe the toddler standing at the village''s riverbank, arms outstretched, as the rushing waters inexplicably parted, sparing homes and lives. Local religious leaders are proclaiming it an act of divine intervention, while scientists are confounded. "The toddler displayed a level of control over elemental forces that defies our current understanding of physics," says Dr. Anita Kapoor, a hydrologist who was one of the first experts on the scene. "This isn''t just an isolated event; it''s a phenomenon that challenges our foundational understanding of the world." While religious scholars debate the theological implications of this ''miracle,'' the international community is awestruck. "Could this be the first of many?" wonders Dr. Randall Thompson, a behavioral psychologist who has been studying the so-called "Genesis Children." "We''re at the cusp of a new paradigm in human capability." The child''s parents, understandably overwhelmed, have asked for privacy as global aid organizations and scientists descend on Badrika, eager to study this extraordinary event. As the world watches, one thing is certain: the boundaries of what we understand to be possible have been irreversibly altered. The toddler, who has been affectionately nicknamed "Krishna" by the wider international community, may just be the herald of a new age¡ªan age of miracles, of heroes, and, perhaps, of newfound hope.

"Activation Events: A New Term for a New Phenomenon"

By Elaine Simmons, for the Chicago Tribune September 27, 1986 In a development that some are calling groundbreaking while others dub unsettling, a young child in Virginia has become the subject of intense national scrutiny. This child represents the first documented case in the United States of what is increasingly being referred to as an "Activation Event"¡ªa sudden, unexpected manifestation of superhuman abilities. The Virginia incident involved a five-year-old who reportedly tore through an overturned car they were trapped within, an event witnessed by multiple neighbors. Dr. Mark Phillips, the child''s pediatrician, confirmed that the child had previously shown no signs of such abilities. "This was completely out of the blue," Dr. Phillips states. "The parents are as baffled as the rest of us." The implications of this event are manifold. While medical experts scramble to understand the phenomenon, lawmakers are likewise grappling with how to respond. The term "Activation Event" was coined by Dr. Rebecca Hartman, a neurologist specializing in child development, to describe the onset of these extraordinary abilities. "It seems as if some sort of latent potential is suddenly ''activated,'' hence the term," Dr. Hartman explained. Though this is the first U.S. case, it is far from the first worldwide. Reports of similar events have been trickling in globally since the early 1980s, when the so-called "Genesis Births" began capturing international attention. "We''ve seen this elsewhere, but we''ve never seen it so close to home," says Congressman Lawrence Baxter, chair of the House Subcommittee on Health. "The question isn''t whether these events are happening, but what they mean for the future of our nation, and indeed, humanity." Societal opinion remains divided. Some see these children as the future leaders of mankind, others as potential threats. Activation Events are adding a new layer to an already complex conversation surrounding the role of these superhuman individuals in society.

"Iowa Town Devastated by Tornado Caused by Child''s Superhuman Abilities"

By Patricia Williams, for USA Today June 14, 1989 In an unforeseen and devastating incident, the small town of Cedar Mills, Iowa, is struggling to pick up the pieces after a tornado ripped through its community last Tuesday. Making the event all the more alarming is its origin: not a twist of climatic fate, but a local child undergoing what has been termed an "activation event." With nearly half the town leveled and casualty numbers still being assessed, the incident is the first of its kind to attribute such large-scale loss of life and property to an activation event. This revelation raises chilling questions about the potential dangers inherent in the superhuman abilities that seem increasingly common among younger generations. Witnesses describe the activation event as "a nightmare" with the young child seemingly having no control over their powers, and no ability to stop themselves. "It was like watching someone trapped in their own body," said one shaken observer. The child, whose identity is being withheld for their safety, is currently under medical and psychological evaluation. Initial estimates suggest that the damage from the tornado amounts to tens of millions of dollars. Both federal and local agencies have pledged full support to the community, but the scale of the catastrophe has led to a nation-wide debate about the role and regulation of superhuman abilities. In the aftermath, experts are calling for immediate action to implement procedures that can mitigate similar disasters in the future. "What happened in Cedar Mills should be a wake-up call," states Dr. Elizabeth Porter, head of emergency management at the National Weather Service. "We need to understand these phenomena better and be prepared to deal with them." The tragic events at Cedar Mills pose difficult questions for a nation grappling with the emergence of superhumans. It is no longer a question of if, but when and how, the nation will address the risks and responsibilities tied to a new generation of extraordinary abilities.

"Superhumans¡ªNo Longer a Rarity?"

By William T. Foster, for the Wall Street Journal February 11, 1995 Over a decade after the emergence of what was dubbed the "Genesis Births," the presence of superhuman abilities among the general populace is no longer confined to isolated incidents. Data from the National Superhuman Registration Database reveals a notable uptick in reported cases, both in the United States and internationally. What started as a mysterious phenomenon has now escalated into a significant and growing demographic trend. According to figures released by the National Superhuman Registration Database, the United States alone has seen an average annual growth rate of 8.2% in superhuman emergence over the past five years. But America is hardly unique; reports of similar patterns are now streaming in from countries worldwide. This uptick naturally raises concerns about how the presence of superhumans will impact society. "The implications are enormous," says Dr. Carol Yang, a sociologist at Stanford University. "We are looking at potential shifts in the labor market, military capabilities, and even the moral fabric of society." As nations grapple with these new challenges, legislative bodies have been notably sluggish in responding. While the U.S. government has established protocols for dealing with superhuman emergencies, there has been a distinct lack of comprehensive policy aimed at integration or regulation. "It''s a ticking time bomb," warns Senator Allison Greene. "We need to get ahead of this issue before it overtakes us." The question looms large: Are we prepared to handle a society where superhuman abilities are not the exception but increasingly the norm? While the data suggests that the rise of superhumans is inexorable, our preparedness for this new era remains questionable at best.

"Government Takes Action: Introduction of Pivot Protocols"

By Martha Sullivan, for the Washington Post July 21, 1997 In a landmark decision aimed at handling the escalating number of superhuman incidents, the U.S. government has rolled out a comprehensive set of emergency procedures¡ªaptly named the "Pivot Protocols." Following the announcement, several European nations have already begun adapting these protocols into their own systems, indicating a global response to what is fast becoming a global issue. The protocols come on the heels of increasing reports of superhuman-related accidents, crimes, and, in some instances, outright disasters. "It was time to establish standardized measures," stated Secretary of Defense William Perry. "We can''t afford to be caught flat-footed. Our law enforcement agencies need clear guidelines." However, the announcement has been met with a mix of relief and skepticism. Critics argue that the protocols could be a pretext for excessive government oversight and potential infringement of civil liberties. "The challenge is balancing security and freedom," commented constitutional law expert Prof. Lisa Henderson. "At what point do these protocols cross the line into invasive government surveillance?" The Pivot Protocols consist of three main sections: Identification, Containment, and Response, each outlining steps for dealing with superhuman incidents effectively. While specific details remain classified, the overarching objective is clear: to provide a swift, coordinated, and legally-sanctioned course of action in the event of superhuman activity. The introduction of the Pivot Protocols signifies a crucial moment in how the world approaches superhuman phenomena. As Europe develops its own versions of the procedures, international collaboration is clearly on the horizon, prompting a collective, albeit cautious, step into an era shaped by extraordinary capabilities.

Department of Defense Classification: Top Secret (Declassified on August 12, 2022 by order of President Samuel Rodriguez) Date: February 7, 1997 Executive Summary As a result of the increasing incidence of superhuman emergence, both domestically and internationally, it has become imperative to develop a standardized set of procedures for managing such events. Termed the "Pivot Protocols," these guidelines aim to establish an effective governmental response to superhuman incidents. Introduction The Pivot Protocols consist of three main sections: Identification, Containment, and Response, each outlining steps for dealing with superhuman incidents effectively. While specific details remain classified, the overarching objective is clear: to provide a swift, coordinated, and legally-sanctioned course of action in the event of superhuman activity. Section I: Identification The initial step in managing a superhuman incident involves the positive identification of the individual(s) exhibiting superhuman abilities. Identifying factors may include but are not limited to: extraordinary physical or mental feats, manipulation of natural elements, and deviation from known laws of physics. Section II: Containment Upon positive identification, containment procedures must be initiated. This involves isolating the superhuman individual and establishing a secure perimeter to ensure the safety of the general populace. Special units trained in superhuman engagement will be dispatched to the scene to manage containment. Section III: Response Post-containment, a coordinated response strategy will be initiated. This may involve negotiation, capture, or other tactics designed to neutralize potential threats posed by the superhuman individual, all while safeguarding public safety. It is important that public knowledge of the Pivot Protocols is managed carefully. A two-pronged approach is recommended:
  1. Educational Campaigns: Educate the public about the necessity of the Pivot Protocols through town halls, informative pamphlets, and news media campaigns.
  2. Transparency: Once the protocols are firmly established and initial cases have been successfully managed, selectively release sanitized case studies to demonstrate the effectiveness of the protocols, thereby gaining public trust.
Department of Defense Classification: Top Secret (Declassified on August 12, 2022 by order of President Samuel Rodriguez) Date: January 13, 2000 Executive Summary Given the success of the Pivot Protocols, it is evident that a specialized agency must be formed to study and respond to superhuman incidents in the United States and its interests abroad. This proposal outlines the formation of the Superhuman Study and Response Division (SSRD), which will serve as the primary federal agency responsible for superhuman-related activities. Rationale With the rising number of superhuman incidents, a centralized body is essential for efficient management, information dissemination, and legislative guidance. Mission Statement To protect the interests of the United States through the effective identification, containment, and response to superhuman phenomena in alignment with the Pivot Protocols. Organizational Structure The SSRD will operate under the Department of Defense and will coordinate with other federal agencies including the FBI and CIA. The SSRD will employ military, intelligence, and scientific personnel to fulfill its mission. Funding and Authorization Budget allocation for the SSRD will be requested through Congress as part of the National Defense Authorization Act for Fiscal Year 2001. Conclusion The formation of the SSRD is the next logical step in the U.S. Government¡¯s strategic plan to manage superhuman activities. Its creation will enable the efficient application of the Pivot Protocols, safeguarding the nation''s security interests while preparing us for an ever-changing landscape of superhuman emergence. A Bill Public Law No 107-91

Section 1: Short Title

This Act may be cited as the "National Superhuman Response Agency Establishment Act of 2002."

Section 2: Findings and Declarations

The Congress finds and declares the following:
  1. The occurrence of superhuman activities is increasing in frequency and complexity, posing challenges to national security, public safety, and social stability.
  2. The events of September 11, 2001, have highlighted the urgent need for a specialized agency to address domestic threats, including superhuman-related terrorism.
  3. The existing Superhuman Study and Response Division (SSRD) has demonstrated the effectiveness of a specialized body in managing superhuman incidents.

Section 3: Establishment

The National Superhuman Response Agency (hereinafter referred to as "the NSRA") is hereby established as an independent agency within the Department of Defense.

Section 4: Transfer of Functions

  1. All functions, personnel, assets, and liabilities of the SSRD are transferred to the NSRA.
  2. The SSRD is hereby dissolved.

Section 5: Mandate and Objectives

  1. The NSRA shall manage all matters related to superhuman activities within the United States and its territories, including but not limited to identification, containment, and response.
  2. The NSRA shall have specific aims in identifying and neutralizing superhuman-related threats to national security, with a focus on domestic anti-terrorism efforts.

Section 6: Organizational Structure

The NSRA shall comprise divisions focused on Intelligence, Operations, Science & Technology, and Public Affairs. Each division shall be headed by a Director reporting to the Commissioner of the NSRA.

Section 7: Funding

An appropriation of funds for the NSRA shall be made under the Department of Defense for the fiscal year 2003 and beyond.

Section 8: Effective Date

This Act shall take effect on October 1, 2002.

Section 9: Severability

If any provision of this Act, or its application to any person or circumstances, is held invalid, the remainder of this Act shall not be affected.

Approved by Congress on May 15th, 2002

Signed into law by President George W. Bush on May 22, 2002


The 1999 Geneva Summit on Superhuman Affairs: A Watershed Moment in International Policy

Abstract:

The 1999 Geneva Summit marked the first international effort to address the implications of the superhuman phenomenon. Though primarily focused on information-sharing, the conference was a seminal event that paved the way for the establishment of the International Superhuman Coalition. This paper explores the discussions, controversies, and critical dialogues that occurred during the summit.

Introduction:

As superhuman activities started to become a global phenomenon in the late 1990s, there was an increasing need for an international framework to manage and regulate these extraordinary abilities. The 1999 Geneva Summit answered this call by bringing together representatives from across the globe for a three-day conference.

Information Sharing:

Given the varying degrees of superhuman emergence in different nations, a significant portion of the summit was dedicated to sharing information. Topics ranged from the science behind superhuman abilities to the policies that had been attempted in different countries, offering invaluable data for nations still grappling with the phenomenon.

Controversial Propositions:

The summit was not without its controversies. A few Western delegates, notably from the United States and the United Kingdom, floated the idea of an international body solely focused on superhuman activities. The proposal, initially met with skepticism, opened the door to heated debates about national sovereignty and the ethics of unilateral action in superhuman affairs.

Toward an International Body:

Though no formal decisions were made during the conference, the discussions surrounding an international superhuman body set the stage for future negotiations. Closed-door meetings over the subsequent years led to the groundwork for what would later become the International Superhuman Coalition, officially founded in 2005.

Conclusion:

The 1999 Geneva Summit served as a crucial starting point for international discussions on superhuman policy and governance. It offered a platform for information exchange and seeded the idea of a centralized international body, contributing to the more organized and collaborative approach to superhuman affairs that we see today.

Further Reading:


[Camera 1: Wide shot of the studio. The "NBC News Special Report" graphic appears at the bottom of the screen.] Karen Williams: [Smiles at the camera] Good evening, America. Tonight, we come together to reflect on the day that forever changed our nation¡ªSeptember 11th, 2001. I''m Karen Williams, and this is an NBC News Special Report. [Camera 2: Cut to a close-up of Karen.] Karen Williams: Five years have passed, yet the memories are still fresh. Tonight, we take a moment to honor the brave men and women¡ªand superhumans¡ªwho''ve shown extraordinary courage in times of crisis. [Camera 1: Cut to a montage of archival footage showing superhumans aiding in the 9/11 rescue efforts. Video clips show superhumans lifting debris, flying injured people to safety, and assisting firefighters.] Voiceover by Karen Williams: In the moments after the tragic attacks, a new breed of heroes emerged. Individuals with abilities beyond those of ordinary men and women answered the call to serve. [Camera 2: Cut back to Karen.] Karen Williams: And it wasn''t just 9/11. Superhumans have been instrumental in other disaster relief efforts. From the devastating 2004 Japanese earthquakes to the wrath of Hurricane Katrina, their contributions cannot be overstated. [Camera 3: Cut to a split screen. Karen on one side, a superhuman rescue worker, named "Valor," on the other via satellite link. Valor is in their late 20s, wearing a non-descript uniform.] Karen Williams: Joining us tonight is "Valor," a superhuman who was part of the rescue operations during Hurricane Katrina. Valor, thank you for your service, and welcome to NBC News. Valor: [Smiles] Thank you, Karen. It''s an honor to be here, and it''s important that we remember all who have served. Karen Williams: Valor, if I may say, you''re remarkably young to have already made such a significant impact. You were part of the Hurricane Katrina rescue operations when you were just 23, correct? Valor: [Nods] That''s correct, Karen. And you know, age really doesn''t matter when you''re facing something like Katrina. The disaster doesn''t care how old you are, only that you''re there and you''re doing your best to help. [Camera 1: Montage rolls of Valor and his team, dubbed "The Saviors," in action during Hurricane Katrina. Footage shows them rescuing stranded people from rooftops, providing medical attention, and transporting supplies.] Voiceover by Karen Williams: Valor leads a team known as "The Saviors," comprising a diverse group of superhumans dedicated to emergency relief. Although young, their impact has been felt deeply in communities that have suffered unimaginable hardships. [Camera 2: Cut back to Karen.] Karen Williams: Valor, could you tell us a bit more about "The Saviors"? We understand that each member of your team has a unique set of abilities. [Camera 3: Cut back to the split screen with Karen and Valor.] Valor: [Smiles] Absolutely. My team¡ªThe Saviors¡ªconsists of individuals who bring something special to the table. "Momentum" can manipulate kinetic energy, making her invaluable in controlling the flow of water or debris. "Tempest" has weather manipulation capabilities, which helped to lessen rain impact during rescue ops. "Specter" can phase through solid objects, a crucial asset in reaching victims trapped in collapsed buildings. [Camera 4: Cut to a still in memoriam graphic featuring pictures of victims from both 9/11 and Hurricane Katrina.] Karen Williams: [Voice softening] As we acknowledge the heroic efforts of Valor and his team, let''s also take a moment to remember those who lost their lives in these tragedies. [Pause for a few seconds of silence] [Camera 3: Cut back to the split screen with Karen and Valor.] Karen Williams: Valor, do you have any messages for aspiring young superhumans out there, especially those who may not know yet what to do with their abilities? Valor: [Pauses, thinks] The best advice I can give is to not let your powers define you but use them to redefine the world. Make it a better place. Even the smallest effort counts. It''s not about age, it''s not about power; it''s about the will to make a difference. Karen Williams: Wise words, Valor. As we wrap up this special segment, is there anything else you''d like to say to our viewers? Valor: [Pauses] Just that we should never forget the sacrifices of those who put their lives on the line¡ªsuperhuman or not¡ªin times of disaster. And to those watching, remember that heroes aren''t born; they''re made. By actions, by choices, and by the willingness to stand up when others can''t. We can all be heroes in our own ways. Karen Williams: Thank you, Valor, for your time and for your continued service to humanity. We''re all safer knowing that you and The Saviors are out there, doing what you do best. Valor: [Nods] Thank you, Karen. It''s a privilege to serve. Karen Williams: Valor, before we end our conversation today, we hear you have some exciting news to share regarding the NSRA. Could you tell us more? Valor: Absolutely, Karen. I''ve recently been asked by the National Superhuman Response Agency to lead a new training program. It''s designed to integrate both superhuman and mundane first responders, providing a comprehensive approach to dealing with various kinds of emergencies. [Camera 2: Cut to a graphic displaying the NSRA logo and some brief text about the upcoming training program Valor will be leading.] If you encounter this story on Amazon, note that it''s taken without permission from the author. Report it. Voiceover by Karen Williams: The NSRA''s new training initiative aims to build a stronger, more cohesive unit between superhumans and traditional emergency service providers. With Valor at the helm, they hope to make strides in ensuring more effective, harmonized operations during times of crisis. [Camera 3: Cut back to the split screen with Karen and Valor.] Karen Williams: That sounds like an incredible opportunity and responsibility. I''m sure our viewers join me in saying we''re eager to see what new advancements will come from this initiative. Valor: [Smiles] Thank you, Karen. It''s a big responsibility, but it''s also a chance for us to build a better system, one where everyone can contribute to the best of their abilities. I''m incredibly honored to be part of this. [Camera 1: Cut back to Karen at the desk.] Karen Williams: Valor, thank you for joining us today and for everything you''ve done. And to our viewers, as we reflect on the events that have shaped us, let''s not forget the brave souls¡ªsuperhuman or not¡ªwho have made sacrifices for the greater good. [Camera 2: Cut to a full studio view with the in memoriam graphic showing again on the big screen behind Karen.] Karen Williams: And to our viewers, as we reflect on these significant anniversaries, let''s remember not just the tragedies but the triumphs, the heroes who emerged, and the collective spirit that pulls us through the darkest of times. [Camera 4: Close up on Karen.] Karen Williams: From all of us here at NBC News, thank you for joining us for this special segment. May we continue to find the heroes within us all. [Camera 1: The studio lights dim as the in memoriam graphic fades into a message: "In remembrance of those we''ve lost and in honor of those who serve."] [End of Segment]

The "Grant Era" Begins: Hope for Superhuman Rights?

Published on TheMetaReport, February 2009 As James Grant takes the oath of office, a collective sigh of relief can be felt across the nation. Not just from Democrats or from those exhausted by eight years of Bush administration policies, but from a particular subsection of the population: superhumans. While many burning issues vie for the new President''s attention¡ªclimate change, economic recovery, foreign policy¡ªthere is one that has had people marching in the streets for the last year: The Superhuman Registration Act (SRA). The Road So Far It''s been a tumultuous time in the United States, with the passage of the Superhuman Registration Act (SRA) in late 2008, mandating that all superhumans must register their abilities with the National Superhuman Response Agency (NSRA), regardless of whether they plan to use their powers or not. Heralded by outgoing President George Bush and his administration as a "necessary step toward national security," the act has ignited a powder keg of public discourse. Now, as newly-elected President James Grant settles into office, the nation watches in anticipation to see how his administration will handle what many are calling an "unprecedented crisis." Civil liberties groups have decried it as a severe invasion of privacy, akin to rounding up people based on race or religion. Others, already skeptical of a centralized data repository given the security risk it poses in a world where superhuman hackers could potentially compromise it, find the notion absurd. Is Grant the One? Grant, whose platform promises positive engagement with superhumans, has given those opposed to the SRA hope that the law might be dismantled or at least amended. His plan includes pushing it towards a Supreme Court hearing, where many experts believe it stands a good chance of being struck down as unconstitutional. With both the Senate and the House under Democratic control, this seems likely. Precedents and Protests The initial backlash against the Superhuman Registration Act was significant enough to ignite protests in major cities. These weren''t your everyday gatherings. Picture thousands of superhumans and their allies marching together, displaying the breadth of their powers in creative non-violent acts of protest, bolstered by human rights activists who believe in their cause. It was a galvanizing moment for the superhuman rights movement and one that remains fresh as we move into 2009. The Bigger Picture While the SRA has its immediate implications for superhuman rights, the bigger question remains¡ªhow will a Grant administration tackle the broader issue of superhuman rights? Will there be efforts to more smoothly integrate superhumans into the workforce, recognizing their unique abilities as societal assets rather than liabilities? Will schools see inclusive programs that can adapt to the varied needs of superhuman students? Or, perhaps more ambitiously, could we see international collaborations on superhuman ethics and law? A Precarious Hope The optimism surrounding the new President is tempered by the weight of the tasks ahead. Striking down the Superhuman Registration Act may well be the first battle in a long war for superhuman rights, a war that a divided nation watches with bated breath. But for now, the superhuman community has something it hasn''t had for a while: hope. And under James Grant, there is the promise¡ªhowever tenuous¡ªthat hope may translate into meaningful change.

After-Action Report: Tesla Incident

Distribution: Restricted to Government Personnel Date: November 20, 2011 Location: Tesla Plant, Sparks, Nevada, USA Timeframe: October 14, 2011, 2:15 PM - 3:18 PM PDT Summary: On October 14, 2011, a severe incident involving multiple superhuman activation events occurred at Tesla¡¯s manufacturing plant in Sparks, Nevada, resulting in 32 confirmed fatalities, including Tesla CEO Elon Musk, and hundreds of injuries. The incident revealed deficiencies in current response protocols for superhuman activations, particularly when multiple activations occur in quick succession. This report aims to outline the events and identify areas for improvement in superhuman crisis response. Chronology of Events: Findings:
  1. Law Enforcement Protocol: Analysis suggests that law enforcement''s lethal intervention exacerbated the crisis. More than three-quarters of the casualties might have been avoided with different response protocols.
  2. Evacuation: Most personnel were successfully evacuated but the decision by Elon Musk to remain behind influenced others to do the same, causing unnecessary risk and eventual loss of life.
  3. Communication: Lack of direct communication between law enforcement and existing emergency responders led to poor decision-making.
Recommendations:
  1. Revise and retrain law enforcement on protocols concerning superhuman activations, emphasizing non-lethal interventions.
  2. Implement clear chain-of-command procedures during crisis events to prevent influential individuals from hindering evacuations.
  3. Develop a universal communication system to be used in superhuman-related emergencies for better coordination between agencies.
Closing Remarks: The Tesla Incident serves as a tragic but vital learning opportunity for refining our approach to superhuman crisis response. Immediate action is required to prevent future tragedies of a similar scale.
The Delaware Valley Dispatch

November 5, 2012

Laura Stewart Emerges Victorious in Heated Election Battle, Pledges "Tough Stance" on Superhuman Issues By Sarah McIntyre In what many analysts are calling one of the most divisive and contentious election cycles in recent history, Laura Stewart won the race for the United States presidency. Narrowly defeating the incumbent James Grant, Stewart promises to bring "a new era of responsibility and security" to the American public, with an unwavering focus on superhuman-related matters. The Republican candidate won after a neck-to-neck primary season against Joshua Bradshaw, representing the far-right "New Hawks," a faction advocating for an expansive government guided by religious values. Despite the unsettling optics of the primary battles, Stewart won over voters with a libertarian, pro-business platform.

Riding the Wave of Tesla Incident

Laura Stewart leveraged the recent "Tesla Incident" as a significant point in her campaign, where Elon Musk and thirty-one other workers were killed by an employee undergoing an activation event. Stewart has pledged to tackle superhuman terrorism, a position that significantly swayed undecided voters. James Grant''s campaign, which appeared milquetoast in comparison, failed to effectively address the concerns around superhuman terrorism and mishandling of the Superhuman Registration Act.

The Populist vs. The Elitist

This election cycle saw Stewart taking a populist stance, promising deregulation aimed at aiding small businesses and mom-and-pop stores. Grant, who failed to effectively engage on the issues of civilians in fear of superhuman incidents, was widely seen as an elitist, giving Stewart a perceived edge among the American working class.

Disillusioned Leftists Lean Stewart

Stewart also managed to snag votes from disillusioned leftists. Though far from a leftist herself, analysts believe that her populist messaging and lip service to feminist objectives helped build a broad enough coalition to snatch victory from the jaws of defeat.

A Fraught Road Ahead

As Laura Stewart prepares to assume office in 2013, it remains to be seen how she will tackle the delicate issue of superhuman rights, security, and public policy. The newly-elected President has already hinted at stricter regulations and oversight, leading to speculation about future legislation that might affect the lives of superhumans in the United States. The Delaware Valley Dispatch

November 9, 2016

The Stewartship Continues: Incumbent President Laura Stewart Narrowly Secures Second Term Amidst Controversy and Criticism By Sarah McIntyre and Mark Thompson

Introduction

In a surprising, nail-biting finish, President Laura Stewart has secured her second term in office. Defying many of the odds and the myriad controversies that have hounded her administration, Stewart pulled off what many analysts are calling a "money-fueled miracle."

Background

President Stewart, the standard-bearer of the pro-business, libertarian arm of the GOP, has proven herself to be Teflon-coated when it comes to criticism. Activists and civil liberties organizations have accused her administration of infringing upon superhuman freedoms through the LUMA (License for Utilizing Metahuman Abilities). But none of these criticisms seemed to stick long enough to derail her re-election campaign. Why?

The Money Game

It might come down to cold, hard cash. Businesses both large and small have been flooding Stewart''s campaign with donations. The president¡¯s deregulatory agenda, aimed ostensibly at boosting America''s small businesses and corporations, made her the darling of the managerial class. The overwhelming financial support allowed her to dominate the airwaves, drowning out her challenger''s more populist messages.

The Challengers and Their Strategy

The Democratic candidate, Peter Thompson, whose campaign focused on a more left-leaning, populist approach, failed to generate the same level of financial support as Stewart. Where Stewart¡¯s campaign was flush with ads painting her as the rational choice for a stable America, the Democratic candidate was often left defending their stances rather than promoting them - a fatal tactical error.

The Role of Superhuman Policy

Adding to her advantage was Stewart''s hardline stance on superhuman activities. Her "tough-on-terrorism" policy resonated with a section of the electorate that remains wary of the increasing number of superhumans in society. This helped her co-opt a narrative that traditionally belongs to the more hawkish factions, further widening her appeal.

A Reversed Dynamic

The most fascinating aspect of this election is the reversed roles when it comes to populism and elitism. While Stewart''s demonstrated policies over the past four years were anything but worker-friendly, her campaign''s overwhelming financial muscle allowed her to portray herself as the people''s champion, the defender of the "average American," despite all indications to the contrary.

Conclusion

In an extremely narrow win, President Laura Stewart has demonstrated the enduring power of financial backing in American politics. Civil liberties may have taken a backseat, but for now, America has chosen a path that favors economic prosperity¡ªat least, for those already at the top. The question that lingers is: at what cost?
The Pink Mist Paradox: A Manifestation of Superhuman Anarchy or The Justice We Secretly Crave?

By William "Bill" Thompson, for capebusters.com

Let me begin by saying that I am in no way endorsing vigilantism, be it of the masked or superhuman variety. That said, the recent "Pink Mist" spectacle has shaken up the entire nation and stirred a veritable cauldron of opinions. On a chilly morning last week, an unregistered, unlicensed vigilante superhuman known as "Pink Mist" dropped off a gruesome package on the steps of the White House. The package contained the severed heads of major crime lords, gang leaders, and a couple of supervillains, all neatly packed and chillingly presented as if to say, "I did your job for you." Before we raise our pitchforks at this anti-hero of sorts, let''s take a minute to evaluate the situation from a rational standpoint.

1. The Flawed System

Yes, the very act is horrendous, displaying a level of violence that leaves the stomach churning. But isn''t it a mirror to the inadequacies of our own justice system? These criminals had eluded the grasp of the law for years. The FBI, NSRA, and local police¡ªdespite their resources¡ªcouldn''t bring these people to justice. Pink Mist did that in one fell swoop.

2. The Political Messaging

Dropping this box at the steps of the White House wasn''t just theatre; it was a political statement. Pink Mist is telling the government¡ªbe it Laura Stewart or whoever succeeds her¡ªthat their laws, their LUMAs, and their Superhuman Registration Acts are flimsy pieces of paper against the tidal wave of anarchy that could be unleashed at any moment.

3. The Debate We Need but Don''t Want

This whole incident has torn open the societal fabric, bringing to the fore the issues we''ve conveniently swept under the rug. The ethics of superhuman activities, the limitations of our legal system, and the dangerous potential of superpowers are topics that are now on everybody''s lips. Maybe it''s high time we started having these uncomfortable conversations.

4. The Manhunt

Let''s not kid ourselves. The ongoing manhunt for Pink Mist is more a face-saving act for the government than a quest for justice. They''ve got their tails between their legs, and they''re desperate to pin this on someone¡ªanyone¡ªso the country can go back to its comfortable, blindfolded state.

Final Thoughts

Pink Mist is neither a hero nor a villain in the traditional sense. They''re a wake-up call. We can''t ignore the implications of this act. It''s a horrifying demonstration of how one individual, when dissatisfied with the system, can shake the foundations of what we believe is our structured, safe society. We don''t have to agree with Pink Mist''s actions to understand the message behind them. Perhaps it''s time we looked in the mirror and asked ourselves some difficult questions. Because if we don''t, rest assured, there''ll be more Pink Mists, and the next time, we might not just be debating it¡ªwe might be living the consequences. The Canadian Miracle: When Superhumans Step Up, Bureaucracy Steps Down

By William "Bill" Thompson, for capebusters.com

I¡¯ve been an outspoken critic of government overreach and red tape for as long as I can remember. Whether it''s the stifling regulations or the sluggish response to crises¡ªmy views have always leaned towards empowering the individual over a faceless bureaucratic machine. That''s why what happened in Canada recently struck a chord with me and, frankly, it should with you too.

The Crisis Averted

Let''s set the stage. A nuclear power plant on the brink of disaster, a possible catastrophe that could have long-lasting ramifications not just for Canada, but for its neighbors too (yes, that includes us). Enter a team of superhumans, not bogged down by bureaucracy, not waiting for the "okay" from a government dispatch, but acting swiftly to avert what could''ve been an unprecedented disaster.

A Different Approach to Superhuman Legislation

Canada''s approach to superhuman registration is starkly different from ours, and if you ask me, they''re better for it. Their system isn''t designed to stifle or control; it''s built to facilitate. It''s no surprise that the superhuman team was able to assemble and act so rapidly. They didn¡¯t need permission; they needed only the will to do good¡ªand that''s exactly what they had.

The Virtue of the Everyday Superhuman

This incident has rocketed public opinion about superhumans through the roof, and rightly so. When faced with a choice, these superhumans chose to use their extraordinary abilities for an unquestionably noble cause. There were no grandstanding villains here, just ordinary folks with extraordinary powers who wanted to do the right thing.

Self-Regulation Over Government Oversight

The significant takeaway for us is the undeniable success of self-regulation over rigid government control. In a moment where seconds counted, there wasn''t time for an approval chain or a legal review. There was a problem, and it got solved¡ªend of story.

A Lesson for America

President Stewart and others in the administration should take a hard look at this incident. There¡¯s a lesson here about the inefficacy of bureaucratic red tape and the incredible potential of empowered individuals. This should be the golden standard. The world is not black and white; not every superhuman is out to play the villain. Give them a chance to prove their worth.

In Conclusion

What happened in Canada was nothing short of miraculous, and yet, it was so fundamentally simple. People with the power to make a difference made that difference. No fuss, no drama, just action. That¡¯s what heroism looks like in its purest form, and that''s what I wish we''d see more of on this side of the border. Project Titan Unveiled: A Necessary Evil or the Slippery Slope to Superhuman Exploitation?

By William "Bill" Thompson, for capebusters.com

Just when we thought things couldn''t get more complicated in the ever-convoluted landscape of superhuman ethics and governance, the leak of "Project Titan" throws another wrench into the mix. For those of you living under a rock, Project Titan is the leaked secret U.S. military initiative aimed at creating a specialized unit composed entirely of superhumans. And while the usual suspects in the civil rights camp and Amnesty International are up in arms, it begs the question: is such a project inherently evil or simply a natural progression in a world increasingly filled with superhuman threats?

1. National Security in the Age of Superhumans

Before we crucify the Pentagon, let''s pause and consider why a project like Titan would even exist. We live in an age where one rogue superhuman can flatten a city block. It''s foolish to think that nations, including our rivals, aren''t working on similar projects. If that''s the case, wouldn''t it be negligent NOT to have a countermeasure?

2. The Amnesty International Hypocrisy

Amnesty International has launched a major campaign advocating for the rights of superhumans, criticizing Project Titan as the "militarization of superhuman abilities." While their concerns may seem well-founded on the surface, they conveniently ignore the fact that the absence of such a unit could lead to more brutal methods of superhuman control. Is the public willing to take that risk?

3. Congressional Investigation: Justice or Witch Hunt?

Sure, the existence of Project Titan needs to be discussed openly; transparency is one of the pillars of our democracy. But is a Congressional investigation the way to do it? Or is it a show trial, designed to parade military leaders and project scientists as scapegoats to quell public outcry?

4. Ethical Dilemmas: There Are No Easy Answers

Where do we draw the line between protection and exploitation? Using superhumans for military purposes opens a Pandora''s box of ethical quandaries. But not utilizing these natural talents in defending our nation also leaves us vulnerable.

Final Thoughts

Project Titan, like the Pink Mist incident of 2017, forces us to confront some uncomfortable truths about the world we live in today. While it''s easy to fall in line with emotionally charged campaigns, it''s far more difficult¡ªand necessary¡ªto grapple with the grey areas these issues present.

Samuel Rodriguez at Midterm: A Presidency Defined by Tenuous Balances and the Superhuman Question

By Erica Silverman, with contributions from analysts Martin Gray and Vanessa Chen The Samuel Rodriguez presidency is shaping up to be one of the most complex eras in modern American governance, and nowhere is this more apparent than in the administration''s handling of superhuman policy. We find ourselves at the midpoint of Rodriguez''s first term, and it''s an opportune moment to look back and evaluate his administration''s accomplishments and shortcomings.

The Election and the Superhuman Question

The superhuman issue was already a point of contention during the 2020 election, one that Rodriguez leveraged with a balanced approach. His call for sensible regulation without stifling civil liberties presented a palatable middle ground against the far-right "New Hawks" and their candidate, Joshua Bradshaw. "It was an election that seemed to signal a change in the wind," says Vanessa Chen, political analyst at Capitol Watch. "In the Republican primary, people were looking at Bradshaw and remembering the divisive nature of Laura Stewart''s presidency, thinking maybe it''s time to swing back from Stewart''s pro-business, pro-military stance. Yet Rodriguez''s eventual victory suggested that the public wasn''t willing to trade one extreme for another."

Rodriguez''s Track Record

In his first term, Rodriguez succeeded in passing the Superhuman Healthcare Act, a landmark law aimed at integrating superhumans more fully into society. However, his tenure has been marked by cautious steps, dictated by the precarious nature of the Democratic majority in both legislative chambers. Martin Gray of National Policy Review notes, "Rodriguez faces a delicate balance. His proposals often have to be watered down to get through Congress. It''s clear that he''s got ambitious plans¡ªlike the Transgender Health Protections Act of 2021¡ªbut the need to compromise with both his opponents and members of his own party are forcing him into a moderate lane."

The New Hawks and the Shift in the GOP

The presence of the New Hawks¡ªa faction that nearly took the Republican primary from Laura Stewart in 2012¡ªindicates a shift within the GOP towards a more religion-focused, isolationist, and domestic policy-driven agenda. This new alignment could either serve as a formidable challenge or an opportunity for Rodriguez, depending on how he navigates the superhuman and social issues that have polarized the nation.

Foreign Policy and National Challenges

Internationally, Rodriguez aims to reset relations with long-standing allies and reassert the United States as a dependable partner, particularly in climate accords and trade agreements. "The international community is watching closely," says Vanessa Chen. "Rodriguez is doing his best to rebuild what was lost during previous administrations, but it''s a long road."

The Road Ahead

As we head closer to the midterm elections, the president will face a defining moment. Will he manage to maintain his tenuous majority and finally enact more of his progressive vision? Or will the ever-contentious superhuman issue and the rising influence of the New Hawks derail his plans? Only time will tell, but one thing is certain: Rodriguez''s presidency will likely be seen as a watershed moment for superhumans and the broader social fabric of America.

The Numbers Behind the Rodriguez Presidency: A Data-Driven Midterm Analysis

By Erica Silverman, with data contributions from Martin Gray In a term as politically charged and socially transformative as President Samuel Rodriguez''s, statistics offer a glimpse into the reality behind the rhetoric. As we reach the midpoint of Rodriguez''s first term, let''s dive into the key numbers that define this presidency, the superhuman phenomenon, and the state of the nation.

Superhuman Statistics

The Rodriguez Presidency

The Pandemic and Healthcare

Economic Indicators

Social and Ethical Challenges

What the Analysts Are Saying

Martin Gray of National Policy Review says, "These numbers reveal the tightrope that the Rodriguez administration has been walking. The relatively high support for his superhuman policies suggests that his centrist approach is resonating, but his limited legislative success and lingering economic and healthcare challenges show there is still much work to do." With midterm elections approaching, these numbers will be critical to watch. Whether the Rodriguez administration can capitalize on its modest gains and public goodwill remains to be seen, but the statistics suggest a presidency at a pivotal moment.

Philadelphia Timeline

1997: 1998: 1999: 2000: 2001: 2002: 2003: 2004: 2005: 2006: 2007: 2008: 2009: 2010: 2011: 2012: 2013: 2014: 2015: 2016: 2017: 2018: 2019: 2020: 2021: 2022: 2023: Chapter 6.1 I¡¯m an athletic person, this much was never in question, I think, by anyone. I can run, I can kick, I can climb, and I can lift heavy things. I do not think it is fair to expect me to do some Wipeout bullshit on a whim, and yet that is the exact situation I find myself within. There used to be game shows like this that my dad used to watch ¨C I distinctly recall sitting on the couch with him as a young child, watching reruns of Ninja Warrior while he tried to get me to sound out all the foreign names I couldn¡¯t pronounce at the time, trying to develop my linguistic palette. I¡¯m not sure how effective it was. Either way, despite seeing the gigantic obstacle course in front of me for the past two hours, looming in the background like a wildfire on the horizon, I did not expect that I would be upon it, forced to prove myself to these strangers. I shakily put one foot in front of the other, and think to myself, in no uncertain terms, ¡°this is bullshit¡±.
Blink¡¯s hand is on my shoulder as I watch Puppeteer approach the course from the front end. ¡°You know, you don¡¯t have to finish it. You¡¯re already in the group, we just want to see you try,¡± she says, presumably trying to make me feel better as my eyes scan everything I¡¯m going to have to deal with at the end of this queue. I gently shrug my shoulders to try and get her hand off of me, and thankfully she gets the message and pulls away. ¡°Did they give you a hard time about it?¡± ¡°No,¡± I answer. The rest of the Young Defenders are all sitting by the starting line, stretching, preparing themselves, while Puppeteer does a handstand onto the first obstacle and begins walking her way down with her hands. ¡°I just don¡¯t like being looked down on.¡± ¡°I don¡¯t think anyone¡¯s looking down on you, unless you mean, like, literally, because I¡¯m not sure how we could get up really high there without looking down at you. But I think you didn¡¯t mean literally,¡± she replies, which is I think her attempting to cheer me up with a joke. I glance out the corner of my eye at her crooking a hip out, leaning into her own arm. I bend down and touch my toes, keeping my head up to watch Puppeteer. ¡°Don¡¯t feel intimidated by Pup, she just likes to challenge herself.¡± ¡°I¡¯m not intimidated.¡± ¡°Good! I promise, we¡¯re all really nice. I don¡¯t know what Ramp told you but don¡¯t worry about him either. He¡¯s nice too even if he¡¯s kind of a dick sometimes.¡± I glance at her, pulling my arms over my head, twisting my back left, then right. ¡°You talk a lot, don¡¯t you?¡± ¡°Should I stop?¡± she asks with worrying sincerity. Puppeteer easily navigates the first obstacle on her hands, a thin array of crisscrossing balance beams situated a foot above the ground. The padding is extra thick below her, but I don¡¯t think she¡¯ll fall, not even for a second. Part of it is because, clearly, she is or was a gymnast, and this sort of acrobatics is second nature to her, but also because I can see her ¡°strings¡±, little vibrating strands of air wrapped from her fingers around everything she can find, mostly the supports of the obstacles ahead, cradling her in an impenetrable web with at least five or six points of contact. I look at Blink dubiously. ¡°I think you should probably go and get some stretches done if you¡¯re going to go do the obstacle course with everyone else. Before you go, though, I¡¯m curious ¨C is this, like, a frequent event? You guys practice this every day?¡± She shakes her head. ¡°Not every day. But, like, once or twice a week. Sometimes we switch it up, too. Take a heavy lifting day to rearrange the course. A lot of it is just old gymnastics equipment that the big guys buy off of places that are closing down, or, like, school surplus.¡± Part of me wants to point out to her that Philadelphia public schools could probably use the surplus, but I get the impression from Blink that the slightest amount of pushback would make her cry, so I keep it to myself. ¡°And you¡¯re not going to stretch?¡± I ask. ¡°Huh? Oh, I just got distracted by the other thing you asked. Yeah, okay, let¡¯s stretch together! Do you do yoga, new girl?¡± Blink asks, turning towards me while I keep watching Puppeteer navigate the balance beams until she falls forward out of her handstand and into a normal stand. Blink turns her entire body sans her legs towards Puppeteer and claps, which nobody else seems to care about. Then, Blink bends herself backwards into a bridge, flattening her stomach out. ¡°It¡¯s really good for stretching.¡± I do not look directly at her, because I would have to resist the urge to roll my eyes. I¡¯m trying to silence my inner mean girl but Blink is getting on my nerves a little, so I just focus on the stretches I already know how to do. ¡°No, I just play a lot of soccer. I¡¯m going to be doing track at my high school, too.¡± ¡°Gosh, you¡¯re so young¡­ I bet activating was real scary. I mean, it¡¯s probably scary for everyone, but, you know. Scary!¡± Blink replies absentmindedly, pulling herself back up, contorting her body in a way I find difficult to describe. ¡°Not a fan of talking about it,¡± I say, trying not to sound like a curmudgeon (big word for ¡°an asshole¡±), so I throw on a ¡°sorry,¡± at the end. There was a second obstacle, two walls next to each other that I assume you have to ascend parkour style, but Puppeteer has already made her way up it before I can even watch her do so. She runs across the top and doesn¡¯t bother shimmying down the fake pipe that leads her back to ground level, just tying her strings around the fake roof¡¯s protrusions and descending on her own lines, hopping down like she¡¯s holding onto a rope. ¡°That¡¯s okay! You don¡¯t have to tell me unless you want to,¡± Blink replies, smiling at me. I bend back down and touch my toes again, eyes on the prize. ¡°Alright. I won¡¯t.¡± Have I been rattled? I keep thinking about how Rampart was trying to warn me ¨C was that hazing, or just well-intentioned concern? I¡¯ve had people try to get in my head before, during soccer games, but nobody¡¯s had the gall to say to my face ¡°I don¡¯t think you can hack it¡± and it¡¯s got me annoyed and angry and feeling all sorts of uncomfortable inside. Puppeteer scrambles up increasingly tall chain-link fences, followed by some rusty looking wrought-iron fences that I watch her shimmying her way up, jamming her feet in between them to lock herself in place. She grabs hold of the spikes at the top and just vaults herself over like it¡¯s the easiest thing in the world. I feel my face scrunching up in something that might be anger, or determination. I don¡¯t like the feeling. ¡°Well, I¡¯m gonna go get in line. I¡¯ll see you at the finish line hopefully, okay, new girl?¡± Blink says, breaking the peaceful near-silence that I had lulled myself into with enough force that I nearly jump. Unauthorized duplication: this narrative has been taken without consent. Report sightings. ¡°Yeah. See you,¡± I reply. She jogs over to meet the rest of the Young Defenders who are waiting in line, and I¡¯m left alone over here to watch and observe and learn what I can before it¡¯s my turn. I could get closer, maybe even get friendly with them, but I¡¯m an angry, hormonal teenager and I feel like stewing in this feeling is a better way to fuel myself for the challenge ahead. I¡¯m not their friend yet. I¡¯m only their comrade on paper. My locker is not decorated, and they don¡¯t even know my name. I¡¯ll make sure they don¡¯t doubt me. Puppeteer swings from a series of ramshackle monkey bars, throwing herself on and off of ledges that she has to keep herself on with only her arm strength. All the prior obstacles looked at least surmountable to me with significant enough determination, but this one just strikes me as impossible, and yet she makes it look effortless. Obviously, it¡¯s easy for her since her power is just purpose-built for mobility, so I¡¯m left questioning how I¡¯m even meant to compete in the same league. Then again, even Playback and Crossroads and Gossamer are expected to complete the course. I¡¯m sure it¡¯s almost as easy for them, too. There¡¯s no sound, no soundtrack, only the sound of feet and hands making contact with surfaces, slapping quietly. Puppeteer gracefully moves onto the next obstacle, a series of platforms at awkward angles and heights arranged in a loose stairwell, and makes a fool out of it. When your armspan is limited only by how far your strings are, it becomes easy to just pull yourself up to any surface you need to, I suppose. She makes her way easily to the topmost platform and works her way back down by just straight up jumping. The platforms on the other end are all flat and stable and padded, but it¡¯s still like a two, three foot drop vertically and pretty far horizontally, with plenty of room on each platform for her to duck into a roll and cushion her fall. One more jump, even further now, takes her back down to ground level, and then there¡¯s just one last obstacle for her to surmount before it¡¯s time for the next person in line. I have to assume this last one wasn¡¯t made with ¡°gymnasium surplus¡±, given it looks straight up like a brick wall that was torn off of some disused apartment complex somewhere. Given all the places I see in north Philly, there¡¯s a pretty high chance that it was, in fact, just ripped off of an apartment complex. Either way, a folded fire-escape ladder and some rickety looking pipes all seem to be extremely untenable ways for any normal person to make their way up to the ¡°rooftop¡±. I suppose one could also simply, uh, grab hold of the bricks and haul their way up, but I don¡¯t know if anyone here has the power set for that. I certainly don¡¯t. Sure, my shark teeth could catch, but then I¡¯d have to be biting my way up, and I think at that point I¡¯d rather just use the fire escape. Obviously, Puppeteer makes it look like a joke. She grabs hold of the fire escape ladder with her strings, plants her feet firmly on the bricks, and walks her way up. She doesn¡¯t even bother actually getting on the fire escape platforms, just using them to secure herself as she climbs upward, skipping the stairs entirely to go faster. She climbs on each railing in turn, jumps off in a way that looks suicidal to anyone that¡¯s not looking for her strings, and retracts her strings to pull herself upwards by them. I see the fire escape rattling from the force of the pull, but she makes it up to the roof faster than I think humans were designed to ascend fire escapes, and slaps a large red button. ¡°Showoff!¡± Playback shouts all the way from the starting line. ¡°What¡¯s that? I thought I heard a little bitch complaining!¡± Puppeteer shouts back, loud enough that it echoes around the gymnasium. ¡°You¡¯re getting slow, Pup!¡± Playback shouts, rolling his shoulders until they audibly crack, cracking his knuckles. Obviously, Puppeteer¡¯s hand-walking stunt slowed her down at the front end, that was obvious to anyone with half a brain. If you normally walk that part, hand-standing it is definitely going to slow you down. ¡°Got someone to impress?¡± ¡°Don¡¯t you got an obstacle course to be doing?¡± she shouts back at him. ¡°Alright, if that¡¯s how it¡¯s gonna be¡­¡± he says, probably not loud enough for Puppeteer to hear him. Then, unlike her grace and acrobatics, he breaks into a dead sprint. I¡¯ve never seen anyone sprint across balance beams before, but there¡¯s a first time for many things, and this is one of them. He knows exactly where he wants to put each footfall, making the balance beams shake and rock while he treats them like a running track. He takes the parallel walls with equal gusto, taking a footstep up the first one and springing off. He grabs an outcropping and hauls himself up into the narrowest sliver of foot space, and I notice something seems wrong but I can¡¯t tell what, exactly. He jumps off to the other side of the wall, catching himself on a plastic bit of piping. One more jump, and he pulls himself onto the top of the walls. What is off about this? He¡¯s performing exactly as he should be. I glance to the fire escape wall as he works his way down the pipe, over to the fence jumping section. Puppeteer is just sitting there, cross-legged, watching him like a hawk, silently. Then, I realize that everything Playback has been doing was silent. I have this realization about a fraction of a second before something that sounds like a gunshot rocks the gymnasium. While I¡¯m looking around, ducking down, hands over my head in preparation to be shot, nobody else seems to be concerned. I peek out from over my hands, embarrassed, while a second explosive sound rings out, originating from Playback¡¯s location. He vaults the fences without issue, shimmying his way up the wrought iron one, and moves onto the next obstacle. ¡°Quit it, you¡¯re scaring the newbie!¡± Puppeteer barks. ¡°I need it to jump higher!¡± Playback shouts back. ¡°I can guarantee unless it¡¯s loud enough to blow out the eardrums of everyone in here, it is not producing enough force to actually lift you up!¡± she counters. ¡°Shut up, nerd!¡± Playback shouts as he works his way across the monkey bars, one after another. Every motion he makes is unnervingly silent, like he¡¯s sucking all the air and noise out of the equipment. If I looked away from him, my brain would probably have a hard time keeping track of where he was. He grabs onto the hanging ledges and doesn¡¯t use any tricks to pull himself across, just upper arm strength. From there, everything is a formality, up the crooked platforms and down the jumps, rolling into them like a well-practiced traceur (that¡¯s the term for someone who practices parkour, I think). I don¡¯t even bother looking as he works up the fire escape. He can do it, Puppeteer can do it, and I have no doubt everyone else can do it. It¡¯s a foregone conclusion, so instead I begin walking over to the starting line with everyone else. They part for me. ¡°Newbie!¡± Blink shouts excitedly as I walk over, waving at me like we¡¯re already best friends. ¡°You know, it¡¯s easier to see from over where you were. You don¡¯t have to come over here until you¡¯re ready.¡± Rampart says, arms folded politely behind his back, stance straight and proper and military. ¡°Oh, I¡¯m ready.¡± I say, reaching for the hand chalk that¡¯s been set out and giving my hands a good dusting. Out of the corner of my eye, I watch Gale smiling at me, and I give a couple of short hops, boxing the air, trying to look enthusiastic about the whole trial. I guess, in a sense, I am enthusiastic. I¡¯m ready to go. I don¡¯t need to watch a bunch of people older than me show off, no matter how much I¡¯m sure they want to impress or intimidate me. I crane my head around and notice a distinct lack of Gossamer, but don¡¯t care enough to call it out. ¡°Why, is there a line? Are you going to make me wait for you all first?¡± Rampart shows a little bit of actual emotion in his following smile. ¡°Not at all. Ladies first, after all.¡± Crossroads chuckles at the back of the group. I think he says ¡°Chauvinist¡±, but it¡¯s too quiet to hear, and Rampart certainly doesn¡¯t notice over Playback causing airhorn noises to blare out of his fingertips. Blink walks up to the starting line, cups her mouth, and yells. ¡°Hey, boss-lady, is it cool if the new girl goes next?¡± ¡°I was going to ask that¡­¡± Rampart mumbles under his breath, while I take my place at the starting line. ¡°Huh? Yeah. Sure. Show us what you got, newbie!¡± Puppeteer yells back. I bend down, doing one last stretch, and tie my shoelaces. Chapter 6.2 I¡¯m not one for tumbling, gymnastics, acrobatics, all things I abandoned at the altar of kicking and running and aiming with my forehead. Like most little girls, when I was young, I did those things, enrolled by my parents in an effort to teach me valuable life skills and keep me in shape. Of course I can somersault, of course I know what a balance beam is, and sometimes I can even cartwheel if I feel particularly motivated. I shakily put one foot in front of the other, and think to myself, in no uncertain terms, ¡°this is bullshit¡±. The balance beams looked even from the distance I was at before, but from up close, they¡¯re anything but. They¡¯ve been propped up, slightly bent, some of them thicker and some of them thinner. There¡¯s inclines and declines, each balance beam overlapping at least one other but usually two, and never at the very end of them. I have to step over the ones that intersect the middle of whatever beam I¡¯m on, and several times, I almost fall, my arms splayed out for balance like a tightrope walker. I¡¯m determined to not fuck up on this first obstacle, and I make my way across slowly and steadily. Unlike them, I don¡¯t need to be fast. I just need to prove I can do it. Doing it fast comes afterwards. I don¡¯t turn back for gracious applause after I make my way off the sole balance beam leading to the end, an extremely narrow one at an incline that I really have to work my calves to get across. I don¡¯t grandstand or do anything interesting. It is only me, and the obstacles ahead of me. It is only ever me, and the obstacles ahead of me. There are only two obstacles that I¡¯m really dreading, and one of them is right in front of me. I know being able to ascend two parallel walls, like in an alleyway, is probably an extremely essential skill for anyone who needs to move around a city by foot extremely quickly, but this just strikes me as impossible. The bricks are extremely fake, wallpaper that won¡¯t give me any grip, and there¡¯s plastic pipes and knobs like a rock climbing wall, painted in worn-out metal colors, silver and grey and rust red brown. The ledges are just wooden planks anchored in and similarly painted to look like granite or marble or whatever, built to mimic the appearance of window-sills. The space directly between the two walls is a foam pit, like the kind they expect you to fall into doing gymnastics, which sort of breaks the illusion but I guess is necessary for safety. I look up, take a deep breath, and think. Really, it¡¯s just a rock climbing wall that requires you to switch walls. From afar, it was more intimidating, because it was harder to see all the little handholds and crevices. I take a step back into the space between the balance beams and this, and run at a sharp angle so I can get a little more lead-up. I turn, try to propel myself up the wall, and just barely manage to skim the first ledge with my fingers. I fall back down, my feet catching in the foam pit, nearly knocking myself down to my knees. I take a couple steps back and try again, and this time, I catch it, hauling myself up with both arms already getting ready to start screaming at me. There¡¯s not enough space on the ledge to really pull myself into a standing position from below, only to use it as a footrest if I¡¯m already above it, so I just treat it as another rock on the rock wall and move on. My eyes flick from object to object, scanning for handholds, limited in timing only by the lactic acid buildup in my forearms, if I¡¯m remembering one of my old coach¡¯s lectures correctly. I trace out a path and start working my way up. Blink, over from the sidelines, whistles and claps. ¡°Go new girl! You got this!¡± I rest my feet on one of the ledges with the inch or so of room I get and shake one hand out, followed by the other. I know the goal is to jump across to the other wall, but I don¡¯t think that¡¯s feasible, and I don¡¯t know if they¡¯d actually set that up as a necessity ¨C if I jump and fall, I¡¯m breaking my ankles. I know it¡¯s not flashy, but I just reach across with one arm and one leg, the other half of my body gripping for dear life onto the wall. I catch a handhold. It¡¯s slow going, but I make my way up, stone by stone, my body heaving for breath, gulping down precious lungfuls of air that I haven¡¯t needed before. It becomes simple on the way up again. I work my way onto the ledge that I am allowed, and then stretch all the way across to just barely grab hold. As I manage to pull myself onto the top, I take a second to feel accomplished before looking around. It looks a lot worse from below. Up here, about ten feet high, I¡¯d wager, it just seems about as daunting as a diving board. ¡°What¡¯s the situation if I fall off this thing from up here? Do I just try not to break my neck? This doesn¡¯t exactly seem up to code,¡± I yell towards the end of the obstacle course. ¡°What are you, a safety inspector?¡± Playback shouts before Puppeteer has a chance to shut him up. ¡°Then you try to land in the foam pit while Gale slows you down! In the real world we can¡¯t guarantee you belaying equipment for scaling buildings safely. You¡¯re going to have to get comfortable with free climbing,¡± Puppeteer yells back. ¡°Sounds dangerous!¡± I shout. ¡°Being a hero usually is!¡± she replies. I don¡¯t really have a counter to that, so I find the chalk on the roof that¡¯s been set up and chalk up my hands. Descending the walls is a lot easier than ascending them, and the trip down is unremarkable. I hear Blink cheering as soon as my sneakers hit the ground and bite back the need to ask for her silence. My arms ache, and my forehead is covered in a thin but growing layer of sweat. I wipe it off on the back of my forearm. Hopping fences is not an interesting challenge for me ¨C my small feet, compared to everyone else here, are real good at getting in the gaps in the chain link, and scrambling over is a non-issue. The iron fence, consisting solely of parallel vertical spikes with the tips sanded down and padded, is obviously a harder challenge. Still, I can wedge my feet in at an angle, catching the bars in the arch of my shoe, and shimmy myself up until I¡¯m rolling over the top. Easy peasy. Next is the part I¡¯ve been really dreading. There are monkey bars at every playground, but these ones have a slight curve to them, barely noticeable if you¡¯re not close enough to see it. After going halfway, the gaps get larger, with every third monkey bar just cut off, and at the very end, every other one instead. I can still see in the sides where they just lopped it off and plastered over the holes and painted over it with silver colored paint. Then, after the monkey bars comes a bunch of ledges like on the parallel walls, but these are clearly intended to be climbed with hanging arm strength, not shimmied over by pulling myself on top. My arms hurt just looking at the whole mess. I take a couple of steps back and do a running leap onto the monkey bars, grabbing onto them hard enough that I feel the skin on my palms ripping a little bit. I know how to handle monkey bars. I swing myself, rocking my legs back and forth, using my pelvis to give myself more momentum, and before I can psyche myself out, I scramble across. One, two, one, two, left, right, left, right. My hand reaches out for empty air and I slip up, too caught up in the rhythm to remember the missing bars. I swipe at nothing and overcorrect, swinging my body around so that I can have two hands on the bar again. I grip, I squeeze, I let out a sharp, loud yell. I start swinging again, back and forth, trying to regain momentum. My hands hurt so bad, but I¡¯ve been gutted by a propeller. This is nothing. I just keep telling myself that ¨C I¡¯ve been gutted by a propeller, this is nothing. I¡¯ve been gutted by a propeller, this is nothing. I am not going to let them get one over on me. I am not failing. Maybe I don¡¯t want to be a hero, maybe I do, but if there¡¯s anything I¡¯m sure of, it¡¯s that I¡¯m good enough for them. It should be my choice to stay or go. I let out another scream and start swinging. I reach out for the next bar and scrape it with my fingernails. I swing back. I swing forward. I get my momentum back, reach out, and grab hold. The next bar is closer, and my left hand grabs it easily. I stop and keep my momentum so I can use my left hand for the far away bar. I think that¡¯s probably part of the game, here, that if you go with the natural rhythm, you¡¯ll overwork one of your arms. I swing and grab, and keep it up. One, two, pause. One, two, pause. By the time I get to the bars that are situated with every other one missing, I give up on grabbing, blood running down my inner arms in tiny trickles. Being able to have intimate awareness of my entire vascular system is extremely disconcerting, just adding another obstacle on my pile. I just rock myself back and forth and let go, throwing myself at the next bar and catching myself with both hands. Then the next, and then the next. In the distance, I see Puppeteer getting up, and try to ignore her. I vanish her from my periphery. The story has been taken without consent; if you see it on Amazon, report the incident. ¡°You good down there, newbie? You¡¯re bleeding!¡± she asks. I do not have control over my emotions or my voice right now. Instead of saying anything reassuring, my face contorts into a snarl, teeth bared. I pull myself onto the ledges and feel my muscles shredding, fourteen year old girl arms not meant for this sort of upper arm workout. Puppeteer leans over the edge, and I see her casting out her wires, probably deciding to come down and save my life. So I stop her, and scream. ¡°Don¡¯t look down on me!¡± I use as my kiai, feeling the effort ripping my throat. She pauses while I yank myself sideways, about to descend from on high to ask me to stop. I¡¯m sure she wants to tell me that I¡¯ve done enough for someone my age, that she¡¯s very impressed, and don¡¯t worry, Sam, you¡¯ll train and you¡¯ll train and one day you¡¯ll be able to do it just like we do it. I don¡¯t want to hear any of that. Something in my abs blows a fuse like a circuit breaker being tripped, and a sharp taste fills my mouth. I pull myself to the next ledge, leaving bloody, smeared handprints mixed with chalk along the wood. The ache goes down to my nails, and I feel like my arms are about to rip themselves out of my shoulder joints. My inhale is shaky and unsteady. My eyes are unfocused and swimming. I have been gutted by a propeller. I have been gutted by a propeller. I have been gutted by a propeller. It becomes a mantra as the world stops being in focus for me. I say it again in my head. I have been gutted by a propeller. Outside of the echoes of my outburst, the gymnasium is silent. When I look behind me, I see everyone else, having left the starting line and walked around the obstacle course just to watch my performance. I hate that. I clench my teeth together like a vicegrip, digging the tips into my gums, trying to elicit a pain response that¡¯s not from my arms or my core. My legs dangle uselessly beneath me. I hang there, pushing myself beyond everything my body is designed for, and begin to shake myself side to side like a pendulum. If I can¡¯t shimmy across, I¡¯ll throw myself across. I let go, in small, rapturous moments of micro-rest, hurling myself sideways an inch at a time, one, two, three inches. My nails dig into wood. Blood reaches the underside of my t-shirt. Finally, I make it to the next obstacle, drop down, and buckle as a wave of fresh oxygen hits my lungs. My vision goes sparkly and my mouth immediately fills with saliva. Crossroads says something, but I don¡¯t hear it, because I¡¯m too preoccupied with slamming my red, wet palms into my knees and trying not to fall to the ground completely. My entire body begs for release, even though I¡¯m resting, I no longer have anything to agonize over. I inhale, and it feels like my lungs are broken. My arms are limp, sliding off my knees and failing to protect me as I pitch forward and hit the ground nose-first, right into the padding. I can hear Puppeteer and Playback both making their way down from the fake fire escape as quickly as they can. I can hear the noises of concern from the onlookers, and I can feel the wind from Gale pulling at me. ¡°Get her upright, Pup.¡± Crossroads orders. Something thin and tight winds around my hair like a ponytail tie, and I am yanked upwards, my eyes dry and my vision blurred. The saliva flows freely from the corners of my lips as I vomit directly into a bowl of swirling wind, taking the morning¡¯s Wawa trip with it. My entire body convulses in rebellion against what I just put it through, and I feel my throat clench and squeeze as it propels bile and half-digested food up into my mouth and out into the world. How lovely ¨C I ask not to be looked down upon, and my body betrays me by making me look weak and feeble (that means REALLY weak) in front of the entire team. I can¡¯t even say words against the tide. I just start yelling in between belches, my mouth repeatedly refilling with fresh spit. I remember once, after my mom got too drunk at a seder, that one of my relatives told me why it is your mouth gets all spitty and you get that weird feeling in your cheeks before you throw up. He said that it was a defense mechanism, your body trying to protect your mouth and throat from the harsh acidity of the stomach bile. I spit into the levitating sphere of vomit, and another wave comes up, this one devoid of food. I spend a minute being babied, maybe two minutes, maybe five. I¡¯m in enough pain that time has blended together into one incoherent mass. At some point, Gale floated away the remnants of my morning meal and stomach acid, and I try to take a mental note to thank her, but all I can do is instead mentally note to stop yelling. My throat is raw and ragged, and as Puppeteer lets my head down gently, her strings cushion me and form a lattice beneath me, manipulating my limbs so I¡¯m splayed out like a starfish. The daily obstacle course run comes to a momentary, inconvenient pause. The room is silent as it tends to be, its vastness absorbing even the sounds of everyone¡¯s breathing. Shaking like a leaf, or an animatronic skeleton on Halloween, I get back to my feet. ¡°Alright.¡± I squeak, my voice hoarse and dry. ¡°I¡¯m ready to keep going.¡± ¡°Are you sure, new girl? You just threw up. I think you should stop.¡± Blink asks, reaching out to try and hold my shoulder. This time, when I shrug her off, it¡¯s with more force, swinging my arm at her. She backs away faster than I can respond to, and my arm goes back to dangling at my side. ¡°My legs are fine. I¡¯ll have enough arm strength to handle the fire escape at the end. Don¡¯t patronize me,¡± I answer her, trying to crack my knuckles. It doesn¡¯t look nearly as badass as I expected, I imagine. All it ended up doing was getting blood on my fingers. ¡°I¡¯m not¡­¡± she starts, before a wall of semi-visible strands locks in the air across my face. ¡°Hey. Newbie. I don¡¯t care what kind of protagonist syndrome you think you have, but you¡¯re not going to take it out on my team,¡± Puppeteer chides me, glaring at me through her eyebrows. ¡°Nobody¡¯s patronizing you or looking down on you. Get that chip off your shoulder.¡± ¡°Yes, ma¡¯am,¡± I say, as flatly and sincerely as I can manage with my hoarse-ass voice. ¡°Sorry. I¡¯ve got problems.¡± ¡°I don¡¯t mind problems, I mind people who can¡¯t be team players. If you can¡¯t handle getting assisted by others, go be a street vigilante. Or go to therapy,¡± Puppeteer orders, and I really can¡¯t fault her for it. Logically, everything she¡¯s saying makes sense. ¡°I just don¡¯t want help finishing this course. I can handle it. Apologies for the outburst, ma¡¯am,¡± I reply. She retracts her strings, looks at me with what is easily identifiable as pity, and nods. ¡°Alright, everyone, let¡¯s give the stubborn newbie her space,¡± she orders, backing everyone away with her wingspan. I pace in my spot and eye the next obstacle ahead of me, everything duplicating and fusing back together in my vision. I take a couple of steps back, begin running, and jump for the first platform. I misjudge the jump, slip off the edge, and black out before I even hit the ground.
There are a lot of places I expect to wake back up in. My home, assuming that everything that happened in the past couple hours was some kind of dream, or maybe that my parents were alerted and would come to pick me up. Or maybe an infirmary, since I know there was one that I got shown during my little tour. Maybe they just left me there, or moved me to the side so they could do the obstacle course around me. I did not expect to wake up atop the fire escape wall and its facade, lying on foam cushions, body propped up sideways, presumably in case I threw up again. From up here, I can see the entire gymnasium, its distinct lack of people, its vastness and enormity. I slowly prop myself up on agonized, bruised arms, straight purple lines going up and down their entire lengths, my hands covered in thin, weeping scabs that have been wrapped up in gauze. I turn around to see the rest of the group sitting, talking, in hushed tones presumably to avoid waking me. Blink notices me waking up first, and waves excitedly, causing everyone else to turn around. Rampart stands up first, scuttling over to help scoop me off the roof¡¯s floor and into a sitting position. I notice that there¡¯s gauze and padding wrapped around my head too ¨C did I hit that on the way down? I don¡¯t know. ¡°Hey. I¡¯m sorry if you felt like you needed to push yourself to prove yourself to me or something. I hope you can forgive me, hopefully as your teammate in the future,¡± he hush-speaks. ¡°I have no doubt that if not for the age thing, you¡¯d be just as able as the rest of us. That was really impressive. Really.¡± ¡°Save it. Apology accepted,¡± I say, remembering Puppeteer¡¯s request to take the chip off my shoulder. I stand up and stretch, and my entire lower torso yells at me in protest. ¡°We good?¡± I ask the group. ¡°Oh, yeah, Gossamer just has something for you!¡± Blink near-shouts. Playback elbows her in the ribs playfully. ¡°Don¡¯t ruin the surprise, girl.¡± He whispers, loud enough that I can still hear it. I¡¯m not thinking about surprises, though. I¡¯m thinking about the fact that I can¡¯t smell my own blood anymore, which is nice. It was getting extremely distracting. I blink a couple of times as my vision refocuses on Gossamer¡¯s green outfit approaching me. ¡°Yeah?¡± She hands me a stack of clothes, with what looks like a facemask on top. I take them into my weak arms and examine the mask, with its collection of non-useful holes, hard and durable looking. I wonder what it¡¯s made of ¨C resin? Plastic? It looks a bit like a dog baring their teeth. ¡°I was making you a costume!¡± she cheers, and my face lights up into a tight-lipped smile. ¡°Oh. Cool,¡± is the only way I can exhaustedly respond. ¡°Extremely cool. I¡¯d sound more enthusiastic but I¡¯m sort of out of energy. I don¡¯t really see the shark theming though ¨C it¡¯s all brown and black and red? And the mask has a lot of holes in it.¡± She giggles at me, and everyone else starts leaning in, except for Rampart, who is backing away to give Gossamer more room. ¡°It¡¯s not a facemask, silly, it¡¯s teeth. You said you didn¡¯t care for sharks, and Pup told me about your blood smell. I went and got one of those menpo, the masks that samurai used to wear, from our Halloween storage, and added hinges so you can open your mouth. You know, in case you really need to bite someone, it won¡¯t restrict you¡± I can¡¯t help but raise an eyebrow, pulling apart the neatly folded clothes stack with my hand to examine it. ¡°Wolf mask?¡± I ask dubiously, examining the mask from all angles, clasping it to my face, feeling it fit around the curves of my chin. ¡°How do you feel about the name ¡®Bloodhound¡®?¡± She asks. She puts her hands behind her back and tries to look as innocent as possible, swaying her hips from side to side. I take my time and think about it. Everyone is looking at me. I bare my teeth in a sharp grin. ¡°Yeah. I can work with this.¡± Chapter 7.1 There¡¯s a full length mirror in the ladies room, over in the DVD¡¯s headquarters. The fact that I¡¯m sharing a headquarters with the Delaware Valley Defenders still hasn¡¯t hit me yet, not in the way it really should be. After a day of reflection, I can remember that, yeah, even some of the Young Defenders are people I have heard about before, at least off-hand. I examine myself in the mirror on a Sunday, one of the six days of the week I reserve for not looking at myself in the mirror, but it can¡¯t be helped when examining a new outfit. Nothing has changed in my core self yet. A grueling one-day obstacle course workout only leaves me a little sore, and even that went away after breakfast. My palms are red and raw but the scabs healed pretty quickly underneath the gauze, and thankfully, I had been told that I hadn¡¯t hit my head on the way down when I passed out, which was my main concern. The rest of the day after that was watching from the sidelines and stretching, helping clean up after all was said and done, and being sent home. I had dinner with my parents, they asked me how it went, I told them fine, just training and introducing. I¡¯m saving the costume talk for a later day. I¡¯ve never felt comfortable in my body, but this is something easily blameable on puberty as opposed to anything else. I haven¡¯t started growing gills, nor shark teeth in any interesting new locations, so the only target of my dysmorphia (that¡¯s what mom called it) is just¡­ me, as myself. I look at my body. It¡¯s pale and taut, with angry, raised ridges of white flesh along my side. I look more like my dad than my mom, in the body, with squarish shoulders and a lack of, well, mom calls them ¡°feminine attributes¡±. Even though they¡¯re the ¡°Young Defenders¡±, watching Gale and Puppeteer and Blink and Gossamer changing in the periphery that the mirror offers me just reminds me how much more adult they are. It turns out Puppeteer, even though she¡¯s shorter than me, is 19. 19! She goes to college! She probably even has a day job. It turns out, most of our heavy training is during the summer anyway, since the DVD doesn¡¯t want to intrude too much on our ¡°scholarly development¡±. The schedule is haphazard and unclear, lacking any strong routine for me to get attached to. No patterns. Nothing to hold on to. I just know that today is a patrol day, so they¡¯re going to take me out on patrol. Easy peasy. I jump when Gossamer gets a little too into my personal bubble. ¡°You good, Hound? You¡¯ve been staring at the mirror for, like, five minutes. Need help getting in the costume?¡± Hound. Pooch. Dog. Dawg, sometimes, too. Blood. BH. Bee. In less than 24 hours it feels like I¡¯ve already accumulated two school year¡¯s worth of nicknames and callsigns, mostly in the form of the encrypted group chat I¡¯ve been added to. I glance at Gossamer, putting my hands on my hips. ¡°No, I think that¡¯ll be fine. I¡¯m just thinking. Can I ask how you got my measurements?¡± I start unfurling the costume in front of me, set out on the¡­ the¡­ whatever you call the surface that a sink is set into. Countertop? The countertop, which is nice but visibly old polished granite with plenty of wear and tear, and doesn¡¯t match the rest of the brown-tile-and-peeling-wallpaper bathroom at all. Gossamer giggles. ¡°I just eyeballed it while you were passed out. Is that okay? I hope that¡¯s not weird or creepy or anything.¡± ¡°That¡¯s a little creepy.¡± I say, stepping into the unzipped undersuit. I got the whole lecture over the group chat ¨C the undersuits are stretchy, breathable, and padded, made mostly to allow people wearing them to take falls and tumbles better. Elbows, knees, shins, anywhere a protruding bone might slam against hard concrete has a thin layer of padding. I reach around and fumble for the zipper, which Gossamer so dutifully pulls up for me. ¡°Thanks, though.¡± ¡°Not a problem. I¡¯ll see you in the locker room?¡± ¡°Yeah, sure.¡± She gives me a supportive clap on the back and vanishes out the bathroom¡¯s entryway. I look around, looking for everyone else, and discover to my slight surprise that they all finished getting changed before I have. Either way, there¡¯s more layers to get on, so I start doing just that. Depending on how active the hero is expected to be in combat, they¡¯ll get more layers and more armoring with their costume. Rampart, for example, has a full set of ceramic armor that normally costs more than the entire gym equipment, because if a patrol ever ends up turning into a scuffle there¡¯s a high chance he¡¯ll get shot at. Gossamer, on the other hand, is more of a support type person, and basically wears enough to hook all her equipment on and protect from the elements and forgoes most, but not all, of the kevlar and other stuff like that. Those are basically the two extremes, at least in the Young Defenders. Puppeteer¡¯s told me that I¡¯ll be somewhere in between, so my outerwear includes a lot of stuff that¡¯s already familiar to me ¨C elbow pads, shin guards, shoulder pads, and gloves, all in a shade of brown that¡¯s shiny and bronze-y but also pretty dark, nearly black. Before I get those on, though, I pull up a pair of provided shorts with a snug, modified waistband that¡¯s seemingly designed to let a bunch of carabiners hang off of it. Presumably, this is for gadgets. And modesty. I don¡¯t know what my vest, if that¡¯s even the right term for it, is made of, but it¡¯s flexible and hard sort of like a bike tire but thinner, clasping around my back with the clicking sort of clasps that you have on a backpack, covering most of my center mass. Same color as the other protective gear, but with some painted on additions, mainly a stylized wolf¡¯s head seen from the side, snarling, baring teeth, in bright red reflective paint. The final parts are on my face, with that samurai mask that Gossamer found from her quote unquote ¡°Halloween pile¡± easily snapping around my ears and the back of my head, and a black-colored mask for my eyes and forehead that¡¯s been sort of carved to fit the shape of the bottom part, leaving no part of my face exposed besides my ears. The two pieces snap together at the back, making it fit securely and snugly on my face without a single bit of adjustment. With all that in place, I decide to let my hair stay down, maybe falling over the sides of my headwear a little bit, just to frame it a little more naturally. I gotta say, Gossamer does some good costuming. You can barely tell I¡¯m an anxiety-prone 14 year old with ADHD. Now I just look badass, and a little silly. I open and shut my mouth, feeling the strap that¡¯s clamped around my chin shift and adjust, dragging the mask¡¯s bottom part open and shut with it. I have a feeling if I ever get in a situation where I really have to bite someone or something, this will get in the way more than it will help me, but at least it looks cool. Everyone¡¯s waiting in the locker room patiently for me, so I try not to make a big deal about showing up, keeping my stance stiff and professional. Everyone looks a lot different with masks on and little support gadgets equipped, hiding their facial features, making body language and tone of voice my only way of distinguishing mood. ¡°Alright, cool. Bloodhound, you and Gale will be handling Northern Liberties, Fishtown, and the waterfront. Let¡¯s get you geared up and then we¡¯ll be heading out.¡± Puppeteer says, dragging a box of old police equipment out from a small closet while she does so. ¡°Walkie time, fellas.¡± She starts passing out walkie talkies ¨C no, two-way radios, using her strings to fling them to everyone. I catch mine out of the air, afraid of it dropping, only to realize that she had her string around it until it was actually in my hand. I clip both parts of it, receiver and transmitter, onto my shorts, and then stand back at attention. ¡°Question: What exactly does patrol entail?¡± I ask, raising a hand and not waiting to be called on. ¡°Just make sure you thoroughly walk down most of the streets, peek into the alleyways, poke your head into frequent robbery targets. Home invasions aren¡¯t common these days but some asshole is always trying to flag down a CVS or a Wawa. If you¡¯re not bulletproof and they have a weapon, twist the janky side-knob on your receiver twice clockwise and that¡¯ll patch you into the police frequency. I know this is going to sound stupid, but don¡¯t be a hero. While we¡¯re in costume, it¡¯s a lot harder to tell that we¡¯re just stupid kids, and there¡¯s a nonzero chance you will get shot at if you intervene. Your job is not to get into fistfights, it¡¯s to apprehend if possible and otherwise delay until the police arrive to clean it up,¡± Puppeteer addresses the group, but mostly me. She reaches in and grabs a couple of pairs of zip-ties, tossing them to Gale, who tucks them into her waistband. ¡°I assume you have it, but just in case you managed to trick your way in this far ¨C you¡¯ve got your LUMA, right, Bloodhound?¡± My face twitches beneath my mask at the suggestion that I might¡¯ve lied my way here, but I don¡¯t say anything about it. Instead, I just reach for my phone, which has a sort of fold-out wallet phone case attached to it, and flash my license. I tuck it back into my shorts. ¡°Good,¡± she continues. ¡°Frankly, I don¡¯t want you getting into fights at all, I¡¯m hoping this is a calm Sunday where nothing happens and we all meet back here at 3 or 4 with nothing interesting to report. Because we plan, and God laughs, let me tell you what¡¯s up. You are not¡­ ¡®allowed¡¯ to get into fights, but you are allowed to defend yourself against threats. You are only allowed to apply force proportionate to the threat, which means that if someone¡¯s just trying to punch you in the face you cannot bite their arm off, but, hypothetically, if someone points a gun at you it¡¯s fair game. That being said, it¡¯s an extremely large stack of paperwork as well as a debriefing so you should avoid really fucking someone up. Definitely don¡¯t kill someone,¡± She rambles on, giving me a somewhat precise list of what to do and not do out on patrol. I appreciate the specificity. ¡°I feel like this should go without saying, but don¡¯t kill people.¡± ¡°I will try my hardest, ma¡¯am.¡± ¡°I appreciate that. You, in particular, I want to try and stay out of fighting in general. Gale knows how to handle herself, and your more important power is the blood sense. If you¡¯re on patrol and smell someone bleeding out or something, I want you to patch into the police and they¡¯ll handle contacting emergency services. Or just directly call 911. You¡¯re callsign ¡°Bloodhound¡± with the Delaware Valley Defenders, start any message with that. They might ask you for your LUMA number. They might not. Just have that stuff on hand. Got it?¡± Unauthorized use: this story is on Amazon without permission from the author. Report any sightings. I nod, trying to let it all soak into my head like milk into a tres leches. Or water into a sponge. I shut my eyes and let it get chewed on in my brain. ¡°Yes, ma¡¯am.¡± She takes a step back so she can more effectively address the rest of the group. Her mask covers basically everything but her mouth, chin, and hair, reminding me of some fictional superhero that I can¡¯t recall, with a purplish-red color and white ¡°strands¡± fanning out from her nose. ¡°Great. You all have your assignments, take your laps around the neighborhoods, note down anything suspicious, and meet back here when you¡¯re done. Any other questions?¡±
Northern Liberties is not the sort of place I hang around a lot. Everything is really, really expensive here, same with Fishtown, and I know my way around Tacony much better than I do either of these places. It¡¯s not like I¡¯ve never been near Center City, but, y¡¯know, if I¡¯m hanging around places with shops and stuff with my friends I¡¯m usually hanging around South Street, which is refreshingly linear (this means it¡¯s all in one line). You just start on one end and work your way down the other end and you giggle with your friends whenever you pass by ¡°Condom Kingdom¡± and then you get a cheesesteak. On the other hand, this place is a mess, a maze of streets compared to what I¡¯m used to, and an ugly one, at that. I see old brick buildings that must be like at least twenty years old, probably older, right next to that really smooth blocky green and grey with big windowpanes. My dad calls it ¡°gentrification¡±, which is a big word that is basically like when rich people like a neighborhood so they start buying all the property and kicking out all the poor people that used to live there, or at least that¡¯s how he explained it to me. The gentrification style, I think, is really gross looking. ¡°Gale, right?¡± I ask, passing by a big building with crazy smells labeled ¡°Federal Donuts¡±. I watch her lips crease up behind her scarf, cheeks pulling up in a way that indicates a smile, which makes me feel a little funny inside. ¡°You don¡¯t have to ask for confirmation. If you want to start a conversation, just start it, okay?¡± she replies. The wording sounds like a dressing down, but her tone of voice is so comfortable and polite that I can¡¯t bring myself to mind. Her ¡°mask¡± if you could call it that is just a domino mask with a white membrane over her eyes, with her scarf handling the duty of covering her face, tied at the back around her hijab to hold it in place. My fake wolf jaw moves when I talk, clacking together slightly, and I think I¡¯ll take a nail file to it later so it stops doing that. Annoying noise. The sidewalks are cracked and filled with grass and broken glass bottles. I¡¯m wearing my soccer cleats, since I figure I¡¯ll need the extra kicking power if I get in a fight, but also stepping over glass feels better when the surface of my shoes is a little bit above the ground. Whenever I step on glass or anything, I always get these nightmare visions of a perfectly-lined-up shard of glass just stabbing right through my sole and into my foot. It¡¯s awful, and I wish I didn¡¯t think about it. The cleats help with that. ¡°Alright. Are we, like¡­ allowed to be friends? Can we talk on patrol? Or is this all business?¡± Gale, on the other hand, wears what looks like heavy duty toe-socks, or water-shoes, padded at the bottom but molded to her feet. Instead of walking, with the outside wind like this she can easily lift herself about an inch or two off the ground, putting us at equal height. I can feel the wind swirling around her, and easily see how it picks up loose paper and leaves, kicking them around under her feet and leaving a small trail in her wake. She looks ahead, but keeps smiling. ¡°We can be friends,¡± she says, and an awesome wave of relief flows over and through me. ¡°Something on your mind?¡± ¡°No, just making small talk while I keep an eye out,¡± I reply, waving stiffly to civilians who pass us by. Being on the other side of the equation is extremely strange to me, someone who¡¯s grown up in this world where the comic books started becoming real and superheroes were just a matter of daily occurrence. I would wave at them when they were on the other side of the street and give them a wide berth so they wouldn¡¯t get in my way. Now, I¡¯m on the other side of the street, and people are giving me a wide berth. ¡°Morning,¡± I wave someone by who hasn¡¯t avoided me. They give me a good morning back. The sun is high in the sky but covered by a thick layer of overcast clouds, making the temperature comfortable and surprisingly cool for mid-August. I like being cold, so my favorite season is unsurprisingly the winter. That being said, I was fully expecting to sweat my ass off in this costume, but I think whoever designed it, probably Gossamer, is some kind of genius, because it¡¯s extremely comfortable and breathable. I don¡¯t even feel any sweat accumulating in my armpits, which I¡¯m only thinking about because I¡¯m feeling self-conscious. Not for any particular reason, mind, it¡¯s just my first patrol. Easy reason to get nervous. Gale chuckles under her breath and I nearly jump. ¡°You alright?¡± she asks. ¡°Need me to repeat that?¡± ¡°Oh, I, uh, didn¡¯t notice what you said. I think I was just kind of adjusting to the costume,¡± I answer. That makes her laugh even harder. ¡°Yeah, the undersuit takes some getting used to,¡± she says in between chuckles, twisting her fingers to scoop up some of the trash from the ground beneath her into a swirling ball. She deposits it in the nearest garbage can unceremoniously. ¡°I asked if there was anything in particular you wanted to know, or talk about.¡± ¡°Oh, well, uh¡­ Are we allowed to know each other¡¯s names? Or is that a superhero no-no?¡± She nods at me while we round the corner. The sidewalk dips down, a heavy downward slope underneath a chunk of highway, I think. Or maybe train tracks? It¡¯s hard to tell from down here. Gale keeps sweeping up the larger chunks of trash that she can handle with her hands, almost subconsciously, while she talks. ¡°If you don¡¯t mind the risk of me getting tortured and giving your secret identity up. Why don¡¯t we just stick with first names for now?¡± ¡°Yeah. First names are okay. My name¡¯s Samantha, but everyone calls me Sam,¡± I tell her, tilting my head around to get a better view of all the blood around me. There¡¯s nothing notable, thankfully ¨C nobody bleeding out on the floor, nobody bleeding out into their stomachs ¨C but I can smell the old blood, the traces of it on every block of sidewalk concrete. The blood of thousands of people, powerwashed off by the street cleaning crew every so often, leaving only its lingering traces framing the ground. Even if I shut my eyes, I can still feel an outline, however faint, of the sidewalk below me, just from the blood sense. When Gale laughs again, I open my eyes and look at her. ¡°Sorry, sorry, you just look very much like a puppy when you do that. Sniffing the air. I assume you were doing something with your blood sense?¡± she asks, depositing another trash ball into a streetside trash can. ¡°And just so you don¡¯t think I forgot, my first name is Jamila. But while we¡¯re out on patrol, you should still call me Gale, and I¡¯ll still call you Bloodhound. Safer that way.¡± My face burns with embarrassment. I wasn¡¯t trying to sniff the air like a dog, and, in fact, I wasn¡¯t even sniffing, since my blood sense I don¡¯t think is a literal smell thing. But I was craning my head around to get a better angle, like how owls swoop their heads to get a better 3d view of things. I¡¯m glad I¡¯m wearing a full-face mask, because I¡¯m sure I¡¯m beet red right now ¨C I can feel it in my ears. ¡°Yeah. It¡¯s like¡­ I was getting a better 3d picture. There¡¯s a lot of really small blood particles that have soaked into the sidewalks over the years that they haven¡¯t managed to fully clean up, so I can sort of just see the entire environment.¡± ¡°That¡¯s really impressive,¡± she replies, and I burn with shame even more for reasons I don¡¯t understand. ¡°Well, it¡¯s not really high quality. I don¡¯t get all the nooks and crevices or any real good picture. It¡¯s just more of a vague shape of the sidewalk, and a little bit of the street. When someone¡¯s bleeding fresh, it¡¯s really, really sharp, and I can see all their veins really close. This is super fuzzy. I don¡¯t even think I could walk by it,¡± I elaborate, as we come across the other side of the downward hill, back up to the other side. ¡°And, uh, it¡¯s nice to meet you.¡± ¡°It¡¯s nice to meet you too, Sam.¡± I smile at her, but it¡¯s probably hard to see under my wolf jaw. We make our way in and out of streets, winding through without issue or incident. The city streets are calm and quiet this Sunday morning, just like Puppeteer asked for. We make chatter. ¡°How old are you? I know Puppeteer is 19, but everyone else is sort of a blank to me.¡± ¡°I¡¯m 15. You¡¯re 14, right? I heard Ramp and Pup mentioning it.¡± ¡°Yeah, just 14. Is that too young?¡± ¡°Too young for what?¡± ¡°To get powers?¡± ¡°I got mine when I was 13.¡± ¡°Oh, wow. That¡¯s younger than me.¡± She laughs. ¡°Yeah? Were yours recent?¡± ¡°Like, two, three months ago. I¡¯m bad at keeping track of time. Can I ask how you got your powers?¡± ¡°That¡¯s a little personal, isn¡¯t it?¡± She asks, before quickly waving her hands up. ¡°Kidding, kidding, busting your chops. I was coming back from visiting family in Iran. Our plane started falling out of the sky. It was a whole news story but I think they didn¡¯t report on me.¡± ¡°Yeah, aren¡¯t there laws against that? Like, you can¡¯t say so-and-so got a superpower in an incident unless they actively contributed to the incident or whatever. I don¡¯t know how to talk law talk,¡± I reply. ¡°I wouldn¡¯t know how to explain it either, but yeah. It really wasn¡¯t that dangerous, the pilots mostly had it handled, but the turbulence made me hit my head really hard on the seat in front of me and boom, powers. I mean, I got a concussion,¡± she says, continuing her civic duty of scooping up trash here and there as we walk through neighborhoods with a distressing mix of blocky, modern apartments and charming old brick ones. ¡°But I think in terms of activation events, mine was pretty pedestrian.¡± ¡°Was it, like¡­ a really bad concussion? Did you almost die?¡± I ask a little incredulously. ¡°Oh, yeah, I had to spend a good couple weeks in physical therapy because it knocked some stuff loose in my head. They had an ambulance waiting for me when the plane landed, but my powers were already activated so they had a hard time getting me to the ER because they had to¡­¡± she explains, beginning to lose herself in quiet giggling. ¡°They had to like¡­ push past this cushion of air I was forming around myself while I was out? Like, I assume it was a combination of the boom, instant concussion, and my body being afraid, ¡®oh, oh Allah, we are going to fall out of the sky,¡¯ so it gave me something that would let me float, but it sure made it annoying for the EMTs.¡± ¡°I think mine just traumatized my grandpa,¡± I reply, giggling along with her. ¡°I was fishing with him and my line got snagged on something super heavy, so it pulled me down, and, uh.¡± My teeth start hurting in my mouth. I stop for a second and catch my breath. Gale stops floating right in front of me. ¡°Hey, hey, you don¡¯t need to talk about it if it¡¯s still sore for you.¡± ¡°But then it¡¯s not fair,¡± I reply, as one of my teeth bloodlessly falls out of the back of my mouth. I spit it out onto the ground and then stare at it. ¡°Oh, that¡¯s extremely weird, I¡¯m sorry.¡± She stops, stands in front of me, and puts both hands on my shoulders. ¡°Hey, you can tell me the backstory when you¡¯re feeling better with it. Do your teeth grow back or do I need to call a super-doctor, Bee?¡± ¡°No, this happens. Don¡¯t worry about it. They grow back,¡± I reply, poking the newly formed hole in my gums. Already, I can feel the tooth underneath it, pointy and sharp compared to its duller, worn-out predecessor. ¡°Sorry, it¡¯s probably really gross.¡± ¡°I¡¯ve seen weirder. Here, let me toss that for you,¡± she says, sweeping it up with a flick of wind and propelling it into the nearest trash can. My teeth ache again, and I shut my eyes. ¡°Is everything okay? For real?¡± ¡°Yeah. Someone¡¯s bleeding.¡± ¡°Not you?¡± ¡°Not me. Not clear, either, but it¡¯s this way.¡± I let out a little yelp as my feet lose contact with the ground, along with Gale¡¯s. ¡°Alright, let¡¯s get going. Just hold on to me and shut your eyes and tell me where we¡¯re going.¡± I hang on her shoulders like a backpack, arms wrapped around her neck, and try not to anxiety vomit. My hands stay firmly and exclusively in their proper locations, and I shut my eyes, pointing one finger forward. ¡°This way!¡± Chapter 7.2 Flying is faster than walking in basically all situations, unless you fly extremely slowly. With another person in tow, Gale flies basically at walking speed, but with the bonus that we¡¯re not impeded by traffic and can go over rooftops. High in the sky, I can see everything with my blood sense¡­ well, I can see a lot. That being said, on Gale¡¯s advice, I keep my eyes shut, because I opened them for a second and being this high made me want to start screaming. It¡¯s not like we¡¯re very far from the disturbance, which is good, because my blood sense has a limited range anyway ¨C only a block or two. But cutting corners gets us there faster, and means we can look from high up without being seen. The Walgreens I smell the disturbance in has big, wide windows out front, and, more obviously, several people yelling and two cars outside that have been embedded into the concrete of the street. ¡°Nobody¡¯s been shot, but someone¡¯s bleeding from the nose,¡± I tell Gale, while she lowers us to the awnings overhanging the windows. ¡°A girl, I think.¡± ¡°Probably a supe. Cars don¡¯t do that,¡± Gale says, holding onto the awning, using her wind to keep it from buckling under us. She¡¯s right ¨C cars typically don¡¯t slide into the ground in the real world where we live, unless you¡¯ve got someone that can make them do that. ¡°I¡¯m gonna peek over.¡± ¡°Roger,¡± I say, feeling a little twitch of excitement mixed in with the anxiety. Obviously, freaking out a little that I¡¯m running into an actual superhuman crime in progress, and that it¡¯s my job to do something about it. Also obviously, kind of stoked about it in a weird way. I¡¯ll get to do something meaningful and then people will praise me for doing a good job, which is really what it¡¯s all about. That, and saving people. Gale leans over the side of the awning, wind keeping her hijab and headscarf from falling down with gravity, while she peeks into the building. ¡°No gun, no knife, but you¡¯re right about the nosebleed. A couple of the product racks are sunk into the ground,¡± Gale describes for me, while I keep one hand on the awning and the other on her back to yank her up. ¡°Big guy with a bad costume holding a girl hostage. Cashier¡¯s feet are stuck in the floor, too. Cashier¡¯s counting out bills. Everyone else is on the ground, either kneeling or sitting or lying down.¡± ¡°Bad in quality?¡± I ask. ¡°Yeah, it¡¯s a brown paper bag with eye holes cut out of it. I¡¯m gonna try and get the hostage out of his hands, do you think you can draw his attention?¡± I swallow hard. ¡°Put me in, Coach.¡± She pulls back from the awning and grabs her radio transmitter from her belt, bringing it up to her mouth and clicking the knob on the side twice. ¡°Dispatch, this is callsign Gale of the Delaware Valley Defenders, supe robbery in progress, 2nd and West Girard. Hostage involved, no visible weapons. Perp¡¯s power sinks people into ground. Requesting police presence and an ambulance.¡± She catches me staring at her and smiles, holding the transmitter (transceiver?) out of her face. ¡°You get used to it.¡± There¡¯s a crackle on the other end, followed by the voice of an older-sounding man. ¡°10-4 Gale, received. We¡¯ve got a robbery in progress at 2nd and West Girard, caution advised due to sinking power. EMS en route. Can any units respond? Gale, let us know what you need.¡± Gale keeps one hand on the awning and uses the other to hold the transmitter to her face, her fingertips twitching as she slowly lowers me down from our perch. My heart pumps so hard in my chest it feels like it¡¯s about to explode. ¡°10-4, Dispatch. Request units for area cordon and street evacuation.¡± I hear above me as my feet land on the ground, cleats making contact with sidewalk concrete, hiding me behind a pillar of brick between the windows and the front doors. ¡°10-4, Gale, copy that. Requesting any available units for area cordon and street evac.¡± I hear from above me. Gale clips her radio equipment to her belt and somersaults off the awning, gently floating down to earth right behind me, crouched down and hidden. There¡¯s more radio chatter from a responding unit, and in the very distance, I hear the distinct peaks of a police siren going off, but I tune it out, focused on the nosebleed and the man in the store. I take a step forward and immediately trigger the automatic doors. All eyes turn to me, including the man who¡¯s now very clearly in my line of sight. I stand up straight and choke back bile, taking two more steps forward. ¡°In for a penny, in for a pound, in for a penny, in for a pound.¡± I mumble to myself, trying to look tall and imposing while Gale follows up behind me, looking mortified, but hiding against the wall nonetheless. ¡°You! You better fuckin¡¯ stop moving right now or I¡¯ll bury you to your tits. Don¡¯t take another step closer!¡± The man shouts as soon as I enter past the sliding doors. They close behind me, and then open again. ¡°Hands where I can see them, goody-two shoes!¡± For my first outing as a superhero, this is going spectacularly. I¡¯m half joking to myself to avoid screaming, and half serious, because as long as he¡¯s focused on me, he¡¯s not focused on that girl he¡¯s holding hostage. He¡¯s got a sort of a pathetic look to him, a slouch, a wifebeater, grease-stained hands and clammy, pale skin and black sweatpants. He doesn¡¯t even look like he dressed up for the occasion outside of the literal brown paper bag mask. I raise my hands up above my head. ¡°I don¡¯t think you want to do that.¡± ¡°What was that?¡± he shouts back, squeezing the girl he¡¯s got in a headlock hard enough that her face turns pink and purple. ¡°I don¡¯t need this shit! It¡¯s their store policy to just let me get what I want so nobody gets hurt. You¡¯re not a cop! Get out of here, bitch! Or I¡¯ll break this lady¡¯s neck, I swear I will.¡± ¡°I said ¡®I don¡¯t think you want to do that¡¯!¡± I shout, louder, more confidently. I take a step forward and immediately regret it as he chokes up on her neck. I glance around, left and right ¨C the cashier is shakily trying to shove bills into a plastic bag, while all of the other customers, or at least the four I can see, have all been sunken into the ground. ¡°I¡¯ve got earthquake powers that get stronger the more ground I can touch. If you pull me down I¡¯m just going to bring the roof down on you.¡± I do not consider myself to be someone who is ¡®good at lying¡¯. However, I am good at speaking with a flat, even tone, sometimes, and you really only get one, maybe two major opportunities to lie about your powers before people start catching on. He turns to face me, waves a hand towards the cashier, and clenches his fist. The cashier, a meek looking teen I¡¯d guess is probably 16, with dyed, neon hair, lets out a pained squeak as they¡¯re wrenched down another inch in the dirt. ¡°This entire store is my hostage, you crazy bitch. You try to fuck with me, I¡¯ll suffocate all you sons of bitches!¡± If you stumble upon this narrative on Amazon, be aware that it has been stolen from Royal Road. Please report it. ¡°Do you think I care? Do I look like some sort of law-abiding citizen to you? I¡¯m just here to beat up nerds in shitty costumes who think they¡¯re better than everyone else,¡± I say, baring my teeth, taking two more steps forward. He takes a step back, squeezes his hand, and yanks it downward, shoving two of the customers down to their thighs. It happens too fast for me to even see it in detail, with the floor just seeming to melt away under them like it¡¯s becoming liquid for a fraction of a second. ¡°I told you, I¡¯m going to bring the ceiling down on you. I don¡¯t care about property damage, but I don¡¯t want to cop a murder charge, so if you let go of the girl I promise I¡¯ll only give you a mild concussion instead of a really bad one.¡± I curl my hands up into claws, like I¡¯m about to do something with them. I take another step forward. ¡°Psycho! Psycho bitch! You better stay away!¡± He shouts, waving his free hand around, trying to do something to stop me. He fully believes my bluff, because I take another step forward unimpeded even though I¡¯m sure he could¡¯ve put me throat-deep in the ground by now. Instead, everything around me is getting sunken ¨C the self-check-out kiosk, the stacks of summer clearance deals, and the aisles. ¡°You ready?¡± I ask him, glancing backwards towards Gale. She looks at me and nods. ¡°Duck!¡± I yank my hand down, swiping the air, while our ranting, raving villain-of-the-weekend throws both hands over his head to protect from a nonexistent earthquake. Immediately, the hostage girl throws herself to the ground, curling up in a ball, and a loud burst of wind whips a can of Monster at 60 miles an hour into the man¡¯s stomach. Then another into his ribcage, followed by the rest of the canned drinks by the checkout in a burst of aluminum and taurine. Obviously, expecting me to bring the ceiling down on him left him woefully unprepared for being attacked by wild, sideways soda cans, especially not one of them smashing against the corner of the open fridge section, popping open, and then spraying Coca-Cola all over his eyes and brown paper bag mask. Gale hurls herself forward while the man is reeling, using her skull to slam into him and tackle him to the ground while I work on getting all the hostages out of here. ¡°Everyone, out if you can! We¡¯ve got an ambulance and police on the way. I¡¯ll pull you out if you need it.¡± I bark, bending down to help the primary hostage off the ground. I dust off her shoulders. ¡°You¡¯ve just got a nosebleed, I can smell it. Nothing else major, you¡¯re not bleeding inside. Might have some neck bruises. I recommend ibuprofen.¡± Within moments, Gale has the guy thoroughly zip tied, arms behind his back, fingers forced straight and tied together to stop him from doing anything funny with them. She keeps him suspended off the ground with her wind, and given the fact that he¡¯s busy groaning in pain and not burying all of us down to our foreheads, I think he¡¯s probably ¡°subdued¡± for the time being. I go around helping everyone else out of the ground, which, thankfully, is not completely solid, but more the texture of an exceptionally thick mud, or maybe a thick jelly, like peanut butter. They come up dry, with no wet cement or dirt sticking to their clothes, and either look at me like they¡¯re terrified before fleeing or give me an extremely quiet ¡°Thank you¡±, which feels gratifying. Gale and I stay in the store once it¡¯s cleared out, keeping the guy held six feet off the ground. ¡°That was ballsy,¡± she says, visibly straining to keep him held up. ¡°Thanks.¡± ¡°It wasn¡¯t really a compliment, more of an observation,¡± she teases, straightening her back a little and curling her fingers to keep our villain held aloft. ¡°We¡¯re really lucky he didn¡¯t have a gun and was just relying on his powers. And also that he was stupid.¡± ¡°I can hear you!¡± he shouts. ¡°And I¡¯m going to sue the shit out of you!¡± ¡°Good luck with that,¡± Gale replies, gently spinning him around in circles in the air. ¡°We¡¯re going to keep you right here until the police arrive. Then, if you want to sue me, you can talk to our lawyer about it.¡± ¡°We have a lawyer?¡± I ask. ¡°Yeah. Oh! You should radio the police and tell them that we have the perp apprehended,¡± Gale reminds me. I¡¯ve got free hands, so I reach down and do just that, grabbing my transmitter, clicking the side-knob two ways the right way, and bringing it to my face. I click the little button trigger thing that turns it on, and start speaking. ¡°Um, this is callsign Bloodhound with the Delaware Valley Defenders, I¡¯m with Gale. We have the criminal apprehended. Over.¡± I wait for a response. Gale stops spinning the man in the air as he thrashes and squirms against his restraints. ¡°It¡¯s Mudslide! Not ¡®the criminal¡¯! If you¡¯re gonna play superhero you better treat me with respect, bitch!¡± ¡°You come up with that just now, Landslide?¡± Gale asks, nearly tipping him upside down. His soaked, sugar-sticky paper bag clings to his face, but even through that I can see the scowl, the lack of response, and I know she¡¯s probably right. I pull the transmitter back to my face. ¡°Uh, Dispatch? Do you copy?¡± I ask, before letting go of the little trigger button. I try clicking the dial four notches in the other direction, in case I spun it the wrong way, and repeat my prior message. ¡°This is callsign Bloodhound with the Delaware Valley Defenders, with Gale. We have the earlier criminal mentioned apprehended. Over.¡± Gale looks at me, eyebrow raised. ¡°Anything?¡± I look back at the radio and clip it back to my waistband. ¡°Nothing. Should we just wait outside?¡± I ask, looking around past the aisles, slowly pushing themselves back up out of the ground as it re-solidifies under them. Gale looks at the windows, squinting her eyes, with the brights of the Walgreens interior lights making it hard to see outside. ¡°Yeah. Hmm. Let¡¯s just go outside.¡± ¡°Something wrong?¡± I ask, while Mudslide squirms and wriggles in mid-air. I take a couple of steps backwards, and then spin on my heel towards the automatic doors, which open to accept me. My heart sinks like a stone. ¡°Actually, don¡¯t answer that.¡± ¡°Huh?¡± Gale asks, nearly dropping Mudslide as she skids on a thin cushion of air over to my side. When she sees what I see, her face blanches. Automatic doors, yes. Rows, and rows, and rows of them, shooting out into the distance, like someone took the entryway into the Walgreens and copy-pasted it dozens of times until they couldn¡¯t see the end anymore. I can hear the noises of them opening up in the distance, and the noises of heavy footsteps behind me, and I spin around to face the more pressing of the two. ¡°Oh, cool! You guys took care of him. Yeah, I was busy taking a shit. Would¡¯ve helped, but I was a little indisposed,¡± comes a voice from between the aisles. My eyes widen as I try to look for the other edge of the Walgreens, where I¡¯d normally be able to see the makeup aisle, or the pharmacy, or something, only to be greeted with acres and acres of more aisles. Someone took the store and stretched it out. ¡°You said there was police on the way? Cool, that gives me, what, ten, fifteen minutes for experiments? You don¡¯t mind, right?¡± Gale puts her hands up in fists, causing Mudslide to float vertically behind her, head up, feet down. I try to mirror her, getting into my best approximation of a boxing stance, while a figure in a heavy black cloak and some sort of heavily modified white motorcycle helmet steps out from the aisles. Their voice is rippling, distorted from some sort of voice changer or modulator, and their boots look like the kinds that the kids who shop at Hot Topic at my school would wear. ¡°Hey, hey, hey, there¡¯s no law against using powers. It¡¯s my constitutional right. Don¡¯t beat me up, super-cops, I¡¯m just here to test these puppies out,¡± they say, raising their hands in front of their chest. ¡°Yeah? And what do they call you ¨C goth twit?¡± Gale asks, furrowing her brow. ¡°Great cape name.¡± ¡°Is that really a thing that matters to you guys? Okay. Well,¡± they start, clapping their hands together. ¡°I¡¯m the new kid on the block. They call me ¡®Safeguard¡¯. I¡¯m going to bring the ceiling down on you now, alright?¡± Chapter 8.1 ¡°I hate to tell you this, girls, but being really cool and threatening isn¡¯t a crime yet,¡± Safeguard says, positioning their hands in front of their face in a way sort of loosely copying a boxing stance, but not curled into fists. ¡°Once I actually hit you it¡¯s fair game, obviously, but would one of you two mind terribly swinging first so that I have an easier claim to self defense?¡± ¡°Eat my shorts,¡± I bark back, while Gale is busy prying off Mudslide¡¯s soda-soaked brown paper bag and tossing it into the garbage. ¡°Do you think I¡¯m that easy to provoke?¡± ¡°You¡¯re wearing a wolf costume, so I figured it was a fair bet. What about you, telekinesis girl? Can you swing first, please?¡± Safeguard yells past me and at Gale. ¡°A little busy here, goth boy. Right now, you¡¯re just a pest, not a criminal,¡± She yells back over her shoulder, spending most of her energy keeping Mudslide held aloft and squirming rather than let him touch the ground and use his powers. I was a little worried he¡¯d be able to use them without contact, like Gale, but it seems more and more likely that he needs to at least be able to touch a solid surface to embed people in it. Without that, he¡¯s just helpless. ¡°Can you keep a handle on Skidmark?¡± I ask. ¡°Yes, ma¡¯am. Just be careful. Your job is to protect people and apprehend criminals, not get into slap-fights,¡± Gale responds. My face twitches a little at being called ma¡¯am, and I focus my attention back on Safeguard. ¡°You sure I can¡¯t get you to swing first, charge at me, maybe do something that implies you intend to cause me harm? It¡¯d make this go a lot faster!¡± they yell back at me. ¡°Not a boy, by the way!¡± ¡°No, I¡¯m just going to stay here until the police get here, and let them take care of you. Got it?¡± Safeguard squeezes their fingers together. ¡°Shame.¡± The floor rushes out from beneath me, getting pinched tight like paper being folded, retracting into itself like a bad special effect. Safeguard is in my face before I have time to really react, but their punches aren¡¯t exactly strong or fast, and I step back before it can actually land in my face. ¡°Good reflexes!¡± I take another step back and steady myself. ¡°Thanks. Hey, Gale, they swung at me, can I beat them up now?¡± I ask over my shoulder. When a response doesn¡¯t come, I peek backwards only to be greeted by a sea of aisles stretching so far in the distance that Gale and Mudslide aren¡¯t even visible anymore, or the windows at the front of the Walgreens. A fist connects with my mask and sends me one more step backwards. ¡°You¡¯re getting distracted!¡± Safeguard taunts me. I can¡¯t help the frustrated noise that resembles a growl from working its way up my throat as I impotently swing back at the empty air ¨C Safeguard is already a meter away without moving an inch. ¡°What did you say your name was, again?¡± ¡°Don¡¯t toy with me. This is serious.¡± ¡°Is it? This is just practice for me. It¡¯s hard to find a teacher that can keep up.¡± I start running, something I¡¯m very good at. My cleats don¡¯t have great traction on the thin carpet that delineates the convenience store from the pharmacy, but I can still tell I¡¯ve got the superior physical condition between the two of us. It¡¯s only when I¡¯m running for five seconds without making any progress that I stop. ¡°Come on. Can you just do that forever?¡± ¡°Not sure. Wanna keep running and find out?¡± they reply, so I grab a can from the nearby shelf and slug it at them. It goes sailing through the air, getting a sudden burst of acceleration as they close the gap between the two of us, and I don¡¯t waste time, running up behind it with my fists clenched. Safeguard closes the space, and the can bursts into a cloud of ash right before I tackle them onto the ground, sending them skidding along their back. They wave their hand in front of their face. ¡°Clever.¡± ¡°What the hell was that? Why can you disintegrate things, too?¡± I ask, fumbling around my waistband for a zip-tie. ¡°Shit,¡± I mumble, looking around the aisles for something I can actually tie them with, while Safeguard pushes at my chest to try and get me off of them. ¡°My powers can¡¯t make proper duplicates of objects. They tend to dissolve into ash at the slightest provocation. Are you going to handcuff me, or what?¡± I would be feeling extremely embarrassed if there was anyone around to watch this blunder, but the Walgreens is still swollen like a fat tick or blown-up balloon, so it¡¯s just them, me, and the aisle. ¡°I¡¯ll let you go if you promise to go home and stop trying to cause problems on purpose in public.¡± ¡°I prommy, officer,¡± they say. I narrow my eyes through my mask, and lift my knees, but I keep my hands on the ground in case I need to grab them. ¡°I¡¯m serious! Obviously you can keep up with me. We¡¯ll call it a sportsmanlike draw.¡± Slowly, I pull myself off from on top of them. I keep a hand on their arm and just as slowly help them to their feet. ¡°You¡¯re lucky I¡¯m a good guy and that all the stuff I said to that other dude was a fib.¡± ¡°A good guy, lying? Perish the thought. I was in the bathroom, by the way. I couldn¡¯t hear shit,¡± They reply, putting one hand on top of my own. ¡°Let me go, now?¡± I keep my hand on their wrist. ¡°No, given the fact that you just tried to provoke me into a fight, I think what we¡¯ll do is that I¡¯ll escort you to the front where Gale is, the police will get here, I¡¯ll tell them that you were an amateur hero trying to help us out, and you won¡¯t cause any more problems. I¡¯m being nice here,¡± I lecture, puffing my chest out and trying to sound professional, trying to channel Puppeteer and Liberty Belle the best I can. ¡°You¡¯d do that for little old me?¡± Safeguard says, their hand curling up to grab my wrist from beneath. ¡°That¡¯s too sweet.¡± ¡°It¡¯s what heroes are supposed to do. Show mercy and stuff like that,¡± I reply, straightening my back. ¡°And get duped.¡± Even though Safeguard is scrawnier than I am, something I can feel in their pencil wrists, I won¡¯t pretend they haven¡¯t practiced fighting more. I don¡¯t know what they just did with my wrist, but it went from them being in the wristlock to me, and then them throwing all their bodyweight in shoving me against the shelf. Once my face is in between two cans of soup, I get the extremely unpleasant experience of watching the aisle stretch out into the distance, and, along with it, fabricating dozens of fake cans of soup that immediately impact my face before exploding into a cloud of ash. It would be almost comical if it weren¡¯t happening to me, a rhythmic lineage of soup cans clankclankclankclankclankclank-ing against my mask until it starts giving me a ringing headache and I¡¯m forced to let go. Safeguard goes sailing away, not even needing to move as I¡¯m pulled along with the growing aisle once they¡¯re no longer touching me. The clouds of ash float by with huge, big flakes like leaves that quickly break down and crumble into smaller and smaller stages, before decaying entirely into a thin, grey mist. I grab my head and pull myself out of the aisle, stumbling a little bit as I try to right myself. ¡°That was a dirty trick! And definitely assault!¡± ¡°Being a superhuman isn¡¯t about being strong, fast, or durable, wolf-girl. It¡¯s about being clever. No matter how strong your powers make you, and I bet they make you pretty strong, you¡¯ll lose every time to someone who¡¯s mastered every facet of their powers,¡± Safeguard lectures me from yards away. I get into my best idea of a boxing stance as the ground beneath me snaps back to put us in swinging range of each other, throwing my punch mid-movement, only to come up with nothing but air as Safeguard bends down into a stomach-height shoulder tackle. ¡°Even if all they can do is control a single grain of sand at a time,¡± they grunt, trying to make sure I¡¯m pinned down with all of their body weight. One of their hands is pressing my face against the ground, and the other is trying to hold down one of my wrists, while my one free hand is trying to throw them off of me. If you come across this story on Amazon, it''s taken without permission from the author. Report it. Then the pain comes. An activity I wouldn¡¯t recommend is ¡°applying a cheese grater to your face¡±. I¡¯d imagine that hurts. Another activity I wouldn¡¯t recommend is ¡°grinding your face against a carpet until it hurts¡±, which I imagine is similar to the sensation of the cheese grater in some respects. There¡¯s only narrow slivers of skin visible from between my mask pieces and my face, but my ear and the entire side of my jawline is unprotected, as is my neck and hair. So, when Safeguard begins repeatedly expanding and contracting the carpeted floor beneath us, one could understand how my immediate impulse is to start screaming ¨C one that I bite back, even as I feel the skin on the side of my face opening up and beginning to get friction burns. My hand manages to make contact with the collar of his costume, and I kick up with my entire body, abs and all, to throw him heels-over-head and get him off of me. ¡°Shit, that hurts,¡± I bite out to nobody in particular. I clap my hands together and shove my index finger¡¯s knuckle into my mouth to try and make sure I don¡¯t yell. I keep thinking why it might not be a good idea ¨C I could get backup from Gale if I scream loud enough, but then she might not have the energy to handle helping me and restraining Mudslide ¨C and the nightmare visions start back up. Worst case scenario, we lose control of Mudslide, Safeguard does something stupid with their powers, we all get buried six feet under and die? No, no, not happening. Nightmare visions over. I have to stop this myself. I bite down on the back of my finger, scraping it with the edge of my teeth, worrying the uncovered fingertips with my canines. ¡°Is that the only trick you have? Cheese graters?¡± ¡°Oh, you want more tricks?¡± ¡°Yeah! Show me how clever you are!¡± Safeguard giggles. I hear them mumbling something about bait, and bite down on my fingertips harder, index and middle. Then, space snaps back, and we¡¯re in each other¡¯s faces again. I¡¯m sure Safeguard was expecting a lot of possible responses, since they seem like the kind of person who tries to ¡®plan for everything¡¯. I¡¯m sure none of those plans involved me spitting. I spray a fine mist of saliva laced with my blood onto their cloak as they try to tackle me again, not even bothering to dodge. I grab their collar again and watch as their silhouette blooms in my mind¡¯s eye while my blood soaks into their stupid cape. ¡°That¡¯s disgusting. Can¡¯t even fight properly anymore?¡± they try to taunt. ¡°No, I just needed my blood on you,¡± I reply, before twisting my entire body at the hips and wrenching them into the shelves, slamming them against the soup cans. They stumble sideways and quickly make distance while I get to my feet and wipe my knees with my non-bloody hand. It doesn¡¯t give me any magic reaction time, or any sort of substantial physical advantage, but it does remove one thing that I hadn¡¯t even considered until now. Safeguard¡¯s big, billowy outfit, all black, has some sort of important tactical use ¨C it disguises their movements, the way they¡¯re moving everything besides their arms and hands. Underneath it, it¡¯s much harder for someone like me to distinguish any motion in their shoulders, torso, legs, hips, neck. Plus, being able to tell where they are without needing to look at them offers some benefits, like letting me run away. I think there¡¯s a term for a fake retreat, but it doesn¡¯t come to mind readily, as I look for the clearance aisle. Feint? That¡¯s what I¡¯m doing. I hope that I am allowed to cause some minor property damage in the process of apprehending a supervillain, because I¡¯m about to, finding two plastic shovels with twine handles and just biting right through them to get to the twine. Thank god for summer clearance, but also, plastic tastes gross, so I can¡¯t recommend anyone else try this if they need twine in a hurry. I can see Safeguard at the edge of my blood sense, poking, prying, afraid now that they know that my powers might¡¯ve just started working. I pretend not to notice that they¡¯re sneaking around, feeling my ¡°radius¡± wobble and distort strangely as they try their best to get around me without me seeing. I don¡¯t care. I¡¯m just harvesting twine, tying them together in quick shoelace knots, and getting a thin rope together. They should know better than to make a dog angry. ¡°What do you do with all that spit, wolf-girl? Is it going to explode in ten seconds? Does it light on fire?¡± They shout from behind the shelf I¡¯m directly in front of. I watch them through my blood sense, continuing to break the dozens of shitty clearance plastic shovels they have available just for me to use. It¡¯s not like anyone else will be buying beach equipment on mid-August. They¡¯re climbing up the shelf from the other side. I pretend to not notice them peeking over the edge, assuming they¡¯re going to try and squash me like a Mario enemy. I wish I knew how to tie a slipknot, or something that I could easily hog-tie them with, but I¡¯ll just have to be really fast. The next couple seconds play out in what feels like slow motion. First, the shelf ratchets itself about twice as high. Then, Safeguard vaults over, hangs for a split second, and pushes off to try and land on me. Thus, I step sideways as soon as they let go, and let them fall straight down. It¡¯s only about four feet, but I don¡¯t want to get stepped on or let them get one up on me from any height, and as soon as they land I¡¯m on them like butter on bread. ¡°Fuck!¡± I hear them shout, bending down into a somersault and grabbing for their ankles while my hands go sailing over their head, ersatz rope in hand. ¡°Right. Dog theme. Blood. You can smell me now,¡± they scuttle forward, popping back up and beginning to stretch the space between us again. ¡°What an uncouth power. Gross!¡± I grit my teeth together, feeling them interlock into a bone-hard mouthguard. ¡°Bite me,¡± I snarl, lowering my head and charging straight at them. They step aside, shrink the space, and whoosh past me, beating a fast retreat elsewhere. ¡°No, actually, I think our time here is running out. It was a good fight! Maybe next time you¡¯ll be more interesting,¡± Safeguard taunts me, beginning to run towards the back of the store. That¡¯s weird ¨C the back? Are they trying to escape out the pharmacy window or something? Either way, they¡¯re not a fast runner, and they can¡¯t get out of range of me fast enough as I grind my heel into the ground, spin ninety degrees, and grab hold of their cape. They swat back at me ineffectually while I gain on them, skidding along the linoleum parts of the floor in my cleats like a skateboard skitching on a car. I gain inch by inch while they round corners desperately, trying to unhook me from their person so they can expand the space and shake me. ¡°Get off of me!¡± They shout, trying to fling me into an aisle¡¯s shelves, grabbing merchandise and trying to hit me with it. It doesn¡¯t take more than a couple seconds of chasing before I can grab hold of their costume¡¯s collar, so they stop moving and drop to the ground, sending me rolling and tumbling and wrenching my hands loose from their outfit. They step onto my stomach, then my pelvis, big, heavy boots pressing down into my hip bones, and flee into the bathroom once more. I need to take a second to breathe. Pain rockets through me, and I can already smell the bruise preparing to form in my hip, where the thigh meets the pelvic bone. A groan escapes me, hissing and wheezing out, but I know that nothing inside has been crushed hard enough to bleed and start pulling myself up from the floor. ¡°You already know I can smell you!¡± I shout. ¡°Unless there¡¯s some secret passage, going to the bathroom is just going to put you in a corner. I can wait here all night!¡± I stumble towards the T-shaped junction that leads to the bathrooms ¨C one boys, one girls, and past them, employees-only rooms. ¡°Do you think I¡¯m so shy I won¡¯t go into the boys room to chase you?¡± I ask to their peeking face, helmet plainly visible through a crack in the bathroom door. They¡¯re not even trying to hide. I don¡¯t need to charge into the bathroom. I¡¯m just going to walk, taking it slowly ¨C after minutes of scuffling and slapfighting, getting stepped on with their full body weight was easily the most painful thing they¡¯ve done, and I don¡¯t even think they really thought about it very much. I stand in front of the bathroom door, hands on my hips, rope in one hand, blood in the other. ¡°There¡¯s nowhere to go, Safeguard. You¡¯re cornered.¡± ¡°So are you,¡± they say, and I try to turn around only to be met with solid wall, shoving me forward, much closer than it was a second ago. Safeguard grabs my ankle and yanks me into the bathroom, and I grab onto the door frame, trying not to fall and slam my head on something. The last thing I need right now is a concussion. I kick my foot out of Safeguard¡¯s grab, and bring my knee up to slam it into their helmet with a satisfying krak!, sending them stumbling backwards into the bathroom stall. The back of their helmet hits the stall with a dull thud, and they go sprawling on the dirty tile floor, the bathroom door shutting behind me. ¡°Checkmate.¡± I want to say ¡°what are you talking about?¡±. That¡¯s what I intend to say, at least. The piercing sound of police sirens fills my ears as soon as the bathroom door clicks shut in its latch, and then the walls start closing in, suddenly squeezing me up against a sink and a urinal, with Safeguard pulling themselves underneath a bathroom stall, visibly squirming into it. I hold both walls, trying to force them back like this is some sort of mechanism and not space itself shrinking around me, and for a second I feel it ¨C the resistance ¨C so I assume there has to be some sort of physical component to Safeguard¡¯s powers that can be pushed back against. But none of that matters when I¡¯m struck with an overwhelming wave of nausea. ¡°I told you, I¡¯m going to bring the ceiling down on you. I meant it,¡± Safeguard says, sounding serious for the first time as the ceiling starts lowering. ¡°Did you think my powers only went one way? Bad assumption.¡± There are many things that I would like to say at this moment. I would like to tell them to shut their trap, to stop lecturing me, to be quiet and go quietly. I¡¯d like to tell them many things, but none of them are coming to mind as the ceiling continues shrinking on me, beginning to scrape my head, the sinks pressing up against the bathroom stalls. Metal strains against metal. I would like to say, and do, many things, such as turn around, open the door again, and leave. Instead, I start screaming. Chapter 8.2 I have absolutely zero control over the animal noise that escapes me. I don¡¯t even know how to describe it other than screaming my throat raw and ragged, over the sound of police sirens, over whatever it is that Safeguard has to say, louder and sharper than any noise I have made before in my life. It comes from a pit deep in my torso, where all the fear lives, my bloody hand smearing against the urinal as I try to hold myself against the rapidly compressing walls. The edges of my vision go red and blurry and I feel my heart beating into my ears. I feel my teeth trying to escape my mouth. I feel the kind of desperation that a rabbit in a bear trap might feel, ready to gnaw their foot to a stump just to get out. But I can¡¯t reach my foot to gnaw it off, and it wouldn¡¯t help me, so I do the next best thing. I don¡¯t have a lot of arm room horizontally, but I do have room in front of me, so my arms start slamming against the wall of the bathroom stall. Blood flicks out from my cut-open fingertip in tiny droplets and streaks, and I rattle the cheap bolts and screws holding everything together as the undersides of my fist make contact again and again. Bam! Bam! Bam! My shoulders begin to ache and I feel the muscles in my arms tearing as I put so much more force into these slams than I have into any other physical activity in my life. I feel completely out of my own body, watching as a passive observer as I begin climbing up the sinks and urinals, now pressed together close enough to form a foothold, and gaze down at Safeguard with wild, panicked eyes. My hands grab the top of the bathroom stall wall. I bite down. It resists me, so I bite down harder until I feel a tooth crack, a searing pain jumping through the nerves in my mouth, and a chunk of the urinal stall wall comes out with it. I spit it out onto Safeguard and scream louder than I have in any argument before in my life. ¡°LET ME OUT!¡° Blood leaks from my gums where the cracked tooth falls out, and Safeguard scampers back to the corner of the bathroom stall, trying to get away from me. But they¡¯re trapped just like I am, even as I feel the ceiling pressing down on me. It doesn¡¯t crush me. It¡¯s a store ¨C the ceiling panels aren¡¯t hard stone or brick. I start clawing and shaking the bathroom stall, and my back pops out one of the ceiling panels, and everything rushes back out, returning the bathroom to its normal size. Suddenly, I am without a foothold, and I pull myself over into the bathroom stall with the person that my body is telling me is my most hated enemy in the world. I would like to take this time to say something cool, or maybe tell them to run, or maybe even use the rope I had spent some time painstakingly gathering. Maybe do something badass and intimidating. I open my mouth and the only thing that comes out is a deep, bone-shaking howl. I step on their ankle. They shake me off of them and stumble backwards through the bathroom stall door ¨C I guess they left it unlocked. I slam my bloody hand against the inside of the stall and stumble out after them, trying to regain my footing through the overwhelming waves of nausea and fright pulsing through me, spreading through me from my stomach to my head and toes. I don¡¯t realize that all this slamming about has widened what was originally a small slice slash puncture wound on my finger into a somewhat larger cut, but now that I have, I wave it away. That¡¯s what I have gloves for: to soak it up. I hear and sense their footsteps, over to the stocking room in the back, the desperate jingling of keys. Either they filched them from an employee, which is unlikely, or they are an employee, which is pathetic in its own unique way. It doesn¡¯t take long though before they¡¯re out of my radius where I can no longer smell them, and they locked the way to the employee stock room from the other side, so I can¡¯t follow them anyway. I take solace in a worried looking Gale peeking her way around the T-hallway while I slowly walk out, the adrenaline suddenly leaving my body in one exhausting flush, causing all the pain to begin re-appearing where it was hidden by rage and desperation. ¡°Are you okay?¡± Gale asks, reaching forward to grab me as I try not to pitch forward. I have blacked out enough in the past three months to feel it coming, and this time, I fight it, resisting with every ounce that I have in my scrawny little body. I raise my makeshift rope as a display of unsuccess, before letting my arms drop down. Gale hooks an arm under my shoulders, throwing my arm around hers, and buoys us with a cushion of wind. ¡°That was¡­ quite a scream. Do you need medical attention? There¡¯s an EMS outside.¡± ¡°I¡¯m good. Bit my own finger so I could get blood on them to track them. They got away out the back. They have keys, so I¡¯m guessing they¡¯re an employee, and the reason they popped up late was because they were getting changed into their costume. Is Mudslide taken care of?¡± I wheeze hoarsely. My body feels full of exhaustion and soreness but the part that¡¯s holding onto Gale is warm and full of electricity. I don¡¯t like either of the two sensations. ¡°I¡¯m more worried about the actual person we came here for.¡± ¡°You are talking way too much for someone who just screamed like that. Breathe. I¡¯ll get you some water,¡± Gale responds, gently lifting the both of us about an inch off the ground. ¡°Just let your weight go slack, I¡¯ll hold you up.¡± I do as she asks and feel immediately better, no longer needing to support my body weight against gravity. Plus, being surrounded by these small twisters is almost like air conditioning, wicking the sweat out from the inside of my costume and helping me rapidly cool down. I absentmindedly suck on my finger, noting with curiosity that my gums appear to have stopped bleeding, but not before creating ugly red streaks across my lips and chin. ¡°Mudslide is taken care of, he¡¯s not going to try anything with guns trained on him. In a couple of weeks you¡¯ll probably be called in to testify, unless he accepts a plea deal. Did Safeguard hurt you? Steal anything?¡± I shake my head. ¡°Nothing major. No stealing.¡± ¡°I didn¡¯t ask if they hurt you majorly, I asked if they hurt you,¡± she answers, and I feel bad immediately. ¡°No,¡± I lie. In truth, I probably did more damage to myself than Safeguard managed to do, but my leg and lower torso are still feeling the effects of being stepped on. I don¡¯t want to make her worry ¨C or really, anyone worry. If my parents asked, I just cut my finger on some glass. My tooth will grow back fast enough. ¡°They¡¯re not in good shape. Was just screaming because they closed the bathroom walls on me. Didn¡¯t like that,¡± I explain, trying to conserve my breath. Every passing second makes my body more fatigued, as it returns to its natural resting state. Unauthorized usage: this narrative is on Amazon without the author''s consent. Report any sightings. Gale floats me to the front of the Walgreens, gently past the automatic doors. Outside, the sun high overhead, are three police cars and a single ambulance, with the police taking statements from the ex-hostages, the medics taking care of the one with a bloody nose. She laughs nervously, mostly to herself, I think, before putting me behind the ambulance. ¡°Well, that was, uh, an exciting first day, wasn¡¯t it? Hello, Mr. Medic! My sister-in-arms here might need a little checkup, there was another villain in the building that she took care of.¡± I wave them off, still catching my breath, speaking between huffs and puffs. ¡°Hi. Bloodhound. New to this. I can smell injuries. I¡¯m fine. No insurance anyway.¡± Gale and the medic, a very tall man with short brown hair and light skin, share a weird sort of look with each other. He says presumably what the two of them are thinking. ¡°Ma¡¯am, as long as you have a LUMA and are working as a Registered Superhuman Entity, you have healthcare, I¡¯m pretty sure. No worries.¡± I wave him off again. ¡°I don¡¯t think. I¡¯m registered. Yet. Don¡¯t worry ¡¯bout it. I¡¯m fine. Promise.¡± Really, I just don¡¯t want any insurance billing to go to my parents. They can reassure me all they want, but I don¡¯t really trust the American healthcare system, and I don¡¯t want my parents to panic about me getting in a fight my first day on patrol. The medic shrugs at me while Gale summons over a police officer, a tall black lady with a crew cut. What is it with authority figures and being tall today? ¡°I heard from Gale there was another perp in the store. What can you tell us?¡± she asks, squatting down and putting her elbow on her knees to get to eye level while I just rest on the open back of the ambulance, head leaning into the side. My eyes probably look crazy right now, glassy and hazy and a little unfocused, my fingers continuing to clench and unclench. ¡°Probably an employee. They had keys. Called themselves ¡°Safeguard¡±. They can make space bigger and smaller¡­ it¡¯s hard to explain. Like folding and unfolding a piece of paper.¡± I start, embiggening my sentences but still taking time to breathe and talk slowly. ¡°Extremely conceited. They didn¡¯t have anything to do with the initial robbery, but I think they¡¯re new. They mentioned wanting to test their powers. Do experiments. Scrawny. Not very strong. Used a voice changer. Uh¡­¡± I glance at Gale, who looks back at me. She finishes my description. ¡°Homemade costume, white helmet, full face covering, big black cape. The only things I could see besides that were big stompy boots,¡± she speaks for me. ¡°No body armor or anything, just clothes. I think they¡¯re a kid. Probably m¡­ hm¡­ Fifteen? Sixteen? Either that or a really small adult. They, uh, they fled out the back.¡± The police officer nods at the two of us. ¡°We¡¯ll note that down. Any stolen merchandise, loss of life, threats, assault?¡± I crack a smile, a tooth already starting to grow back in the gap in the front of my mouth. ¡°Does it count as assault if they barely hurt me, they just tried really hard?¡± The officer looks at me and laughs. ¡°Yeah. Think it does. I¡¯ll make sure we keep an eye out for them, and, uh, good work you two. In the meanwhile.¡± I smile at the police officer, and then Gale. Gale smiles weakly back at me. I open my mouth to ask; ¡°Hey, is it cool if I pass out now?¡± Gale muffles a laugh, which I take as permission. I gently lower myself backwards to avoid hitting my head, and then fall asleep.
The patrol didn¡¯t end just from one incident, of course. I spent about half an hour napping while Gale handled the more important stuff with the police and the medics. When I woke up, I was sore and unsatisfied but otherwise not feeling too bad, except for the pretty nasty bruise I could feel developing on my hip. But that was a problem for future me ¨C I wasn¡¯t about to show any weakness in front of Gale, although she did insist on carrying me with her wind most of the rest of the patrol while I swept for blood and injuries. I was certainly not going to complain about this, of course. Most of the time I hung off her shoulders while she lifted up the two of us a couple of inches off the ground. I kept my face as positive as I could, and we even stopped by a Dunkin Donuts for some napkins and water so I could wipe the dried, crusty blood from my lips. The rest of the patrol, thankfully, was without interesting incident. No robbers, superpowered or otherwise, accosted the citizens of¡­ Northern Liberties and Fishtown. About halfway through the patrol, I felt comfortable enough to insist on walking again, and we handled the waterfront, mostly cleaning up trash. Really, the bulk of the work was cleaning up trash. As with most things in this patrol, Gale handled most of it, because I didn¡¯t have any powers that made me better at cleaning up trash except I guess biting it into smaller pieces, and I wasn¡¯t planning on doing that. By the time we returned to the headquarters to debrief, the sun was starting to get low in the horizon. Not enough to make it nighttime, but low enough that long, stretched out shadows scraped across every surface and painted the headquarters in thick streaks of darkness. ¡°So, how was your first day out, newbie?¡± Playback asks, sitting the wrong way on a couch that¡¯s been dragged into the locker room. I¡¯ve already gotten dressed back in a more normal day outfit, throwing my costume in my locker, which has already been decorated by at least one or more people here in dog paraphernalia. Playback holds his beanie over his head as everyone else shuffles out of the bathroom, dressed in civilian clothes again ¨C except for Puppeteer, who is still fully decked out. ¡°Boring. Unfulfilling. But comfortable, so I¡¯m not worried about it,¡± I say, sitting down next to him, and then scooting an inch away. ¡°Heard you got into a fight. A villain fight,¡± he shoots back, letting his headphones rest on his neck. ¡°Yeah. We slapped each other like second graders and then they got away. I¡¯m real annoyed about it,¡± I reply, shooting a glance at Gale, who looks back at me sheepishly. ¡°So I heard. Safeguard isn¡¯t a name we¡¯ve heard before.¡± Puppeteer says, gently swinging, doing acrobatics against a small hook in the ceiling with her threads. ¡°I¡¯m told that you did some impressive work. Likely would not have been able to apprehend Mudslide as cleanly without you smelling it out. Good job.¡± ¡°Is that one new, too?¡± Playback asks while people mill about behind us, getting purses and backpacks and other personal effects from their lockers. ¡°Yeah. Lot of new supes popping up. Summer is always a busy time for them,¡± Puppeteer answers. I look at her and she detects my question before I even ask it. ¡°Lots of teens getting into stupid situations without supervision, heat makes people irritable¡­ summer¡¯s the busiest time for cape duties. Nothing statistically abnormal.¡± I nod knowingly, trying to absorb this new information and trying to ignore the pain in my gut. I peek down at my hip, lifting up the waistband of my shorts to look at the impressively boot-shaped bruise that had been blooming, and then let my shorts snap back onto my skin with a tiny wince. ¡°Alright, so, same time tomorrow?¡± Puppeteer smiles at me. ¡°If you want. This is more volunteer than day job. Once you become an adult, there¡¯s an opportunity for money, but you come in on your own hours. We¡¯ll get you a key card and you can come use the gym whenever. Just text the group chat if you have a burning desire for patrol, but if we need people in, one of us will text first. If Belle wants you in for training, we¡¯ll let you know. Like, there¡¯s a couple of mandatory things, but it¡¯s sporadic ¨C as you know.¡± Playback rolls sideways on the couch until he¡¯s sitting like a normal person. ¡°Yeah, is pretty chill around here. Think about it as your home away from home, you dig?¡± I lean back into the couch and stare at the ceiling. ¡°Yeah. I guess. I¡¯ll try to make sure I¡¯m making time.¡± ¡°Good,¡± Puppeteer says, dropping down from the ceiling, landing on her toes. ¡°If you all need me, I¡¯ll be out again.¡± Chapter 8.5 smallfry09: Thanks for the warm welcome, guys. And for the new moniker ¨C Bloodhound. It¡¯s got a nice ring to it. I promise tomorrow¡¯s patrol with Gale will go smoother. No monkey bars in sight, right? jamjam808: inshallah, bee. just remember, you¡¯re not alone in this, okay? ?(¨@?¨A*)? ? we all have your back. blink_twice: yeah bee we got you dont worry about it you did good today jamjam808: exactly, we¡¯re all in this together. and i¡¯m looking forward to our patrol tomorrow, it¡¯ll be a breeze. (????-)? FUZZBUCKER96: let¡¯s not get all high school musical on this shit. bee, you did good. but remember, ain¡¯t no such thing as a breeze in this gig. especially not with gale, she¡¯ll probably have you picking up trash and planting trees and shit. just remember to keep your guard up, aight? jamjam808: pb, you¡¯re just jealous cause you¡¯re stuck with ramp instead of me. (?¨R?¨Q) but yeah, bee, i won¡¯t deny there might be some community service involved. it¡¯s part of the job, y¡¯know? helping out where we can. HotGoss: awww, don¡¯t scare her, pb! ?? gale¡¯s a tough cookie, but she¡¯s got a heart of gold. and we¡¯re all here to support you, bee! you¡¯re gonna do great!! ?????? eaglesfan05: Don¡¯t listen to Playback, Bee. Gale¡¯s a great mentor. You¡¯re in good hands. FUZZBUCKER96: alright well fuck y¡¯all blink_twice: yeah gale is super cool youll have fun i promise HotGoss: and don¡¯t worry about the community service, bee! ?? it¡¯s all part of the superhero gig! we¡¯ve all been there ¨C even pb! ???? PUPPET_GIRL: Exactly, Bee. We all started somewhere, and community service is part of our duty as heroes. You¡¯ll do great tomorrow, just take it one step at a time. FUZZBUCKER96: aight, i get it. gale¡¯s the best thing since sliced bread and i¡¯m just a hater. but yo, bee, remember this, k? ain¡¯t no one in this chat got your back like i do. and if you ever need a break from all this shit, holla at your boy, yeah? my dad knows a guy that runs this dispensary in camden, shit¡¯s straight fire. i¡¯m talking that real carolina reaper king jawn dawg. blink_twice: i dont know what those words in that order mean pb Xroads: Translation: ¡°Extremely good weed¡± blink_twice: oh ok thanks jamjam808: pb, you¡¯re one to talk about breaks. you¡¯re the one who needs a break from your own ego. (¡É???¡É) but yeah, bee, if you ever need anything, just let us know. we¡¯re all here for you. ¡ã?(*¡ä?`*)?¡ã eaglesfan05: I know it¡¯s decriminalized and that most of us aren¡¯t technically minors. But please don¡¯t forget that Bloodhound is just 14, and should not be smoking weed at this stage in her development. FUZZBUCKER96: killjoy smallfry09: Thanks for the reassurances, guys. And don¡¯t worry, I¡¯m all for community service. Making the world a better place, one trash bag at a time, right? I¡¯ll do my best tomorrow. And, uh, no thanks on the weed. I think my parents would kill me. FUZZBUCKER96: its ok i know a guy that can fix that too. smallfry09: I¡¯m not going to read into that. jamjam808: good idea ( ? ? ? ) PUPPET_GIRL: Just remember, Bee, we¡¯re a team. We got your back. PB, stop being weird to the newbie. Xroads: It¡¯s a pleasure to have you aboard, Bloodhound. FUZZBUCKER96: fine, fine, i¡¯ll shut my trap. just remember to take it easy some times aight? ain¡¯t no need to be a hero all the damn time. dont make a habit of breaking your hands and all that. blink_twice: haha pb is right you dont have to be a hero all the time just when it matters most PUPPET_GIRL: I¡¯ll debrief you on protocol on the unlikely event that you run into an actual criminal, tomorrow. For now, you just go home and get some rest, Bee. blink_twice: see you tomorrow bee get home safe FUZZBUCKER96: what 14 year old girl uses the word moniker smallfry09: I can still read this chat! And my mom¡¯s a librarian!
smallfry09: Who¡¯s the lady in your avatar, ma¡¯am? She looks pretty cool. PUPPET_GIRL: Oh, that¡¯s Lady Pureheart from the ¡°Shadows of Atlantis¡± series. She¡¯s a total badass, one of my favorite characters. smallfry09: Oh, I¡¯ve never heard of that series. What¡¯s it about? PUPPET_GIRL: It¡¯s a really cool adventure series that explores the existence of the lost city of Atlantis, blending history and myth. Lady Pureheart was an ancient defender of Atlantis who woke up in our time. She¡¯s on a quest to find out what happened to her city. smallfry09: That sounds pretty interesting. What¡¯s so special about Lady Pureheart though? PUPPET_GIRL: Well, Bee, she starts off believing her only purpose is to serve the long-dead ruling class of Atlantis. But as the series progresses, she discovers that she was made as a ¡°perfect knight¡± and decides to explore life outside of being a soldier. It¡¯s a really powerful journey of self-discovery. Love this story? Find the genuine version on the author''s preferred platform and support their work! PUPPET_GIRL: Plus, she¡¯s got this unique blend of stoicism and compassion. She¡¯s a warrior, through and through, but she¡¯s also deeply empathetic. It¡¯s an interesting balance that you don¡¯t often see in characters. smallfry09: That does sound pretty cool, ma¡¯am. I¡¯ll have to check it out sometime. PUPPET_GIRL: I think you¡¯d really enjoy it, Bee. And if you ever want to discuss it, I¡¯m always game. PUPPET_GIRL: By the way, you don¡¯t need to call me ¡°ma¡¯am¡± in casual conversation like this. smallfry09: I¡¯ll keep that in mind, Mrs. Puppeteer. Thanks for the recommendation. PUPPET_GIRL: Of course, Bee. Always happy to share a good book. PUPPET_GIRL: Is there any special meaning behind your pic? smallfry09: I just like soccer. Sorry! Nothing interesting there.
blink_twice: i like ramen noodles lots and lots you guys know the place downtown they got the best ones PUPPET_GIRL: That place does have some good ramen, Blink. But have you tried their udon? It¡¯s seriously underrated. FUZZBUCKER96:: man, y¡¯all out here talkin bout noodles like they the holy grail or somethin. give me a good ol¡¯ cheesesteak any day. ain¡¯t nothin beats that, i swear on my mama. FUZZBUCKER96:: steves prince of steaks on roosevelt is where god rests his weary soul. blink_twice: oh i never had udon before puppet i will try it next time and i like cheesesteak too play its yummy smallfry09: I¡¯m more of a hot dog person myself. Nothing beats a good dog with all the fixings. PUPPET_GIRL: I wouldn¡¯t have pegged you for a hot dog person. smallfry09: Were you expecting fish, or raw steak? PUPPET_GIRL: I¡¯m not sure, I just don¡¯t think it was hot dogs. blink_twice: did you know that texas tommies are from around here and not texas i think FUZZBUCKER96:: what on god¡¯s green earth is a texas tommy smallfry09: Hot dog with cheese whiz and bacon. blink_twice: hot dog w blink_twice: never mind lol FUZZBUCKER96:: that sounds about as appetizing as chewing on a shovel, and i¡¯ve eaten some nasty dirt before. smallfry09: Are we ever going to let that go? And besides, I don¡¯t eat Texas Tommies, they¡¯re gross. FUZZBUCKER96:: what kind of hot dog do you eat then. bratwurst? blood sausage? the kinds where they sort of inject the cheese in before the vacuum sealing so you bite into one of them and get a burn on ya lip from a nasty blister of cheddar popping on you like a great big pimple. FUZZBUCKER96:: i think mr hebrew national should be executed by the state for that one. smallfry09: ¡­Big bacon cheese dog from Wawa. FUZZBUCKER96:: THAT IS BASICALLY A TEXAS TOMMY PUPPET_GIRL: lmfao blink_twice: hahahahaha FUZZBUCKER96:: trying to get all uppity like you¡¯re above the texas tommy¡­ you know who you are deep down pooch! you crave the thunderous pop when you bite into it ¨C the saline tang of the pink flesh!!¡­ oh! yes! Please -I¡¯m Getting Hungry Already blink_twice: are you okay blink_twice: ive never heard you say the word saline before blink_twice: what does that mean PUPPET_GIRL: Salty. smallfry09: It¡¯s a big word for ¨C G-d damnit. FUZZBUCKER96:: IM REFERENCING A FUNNY PICTURE ON THE INTERNET FUZZBUCKER96:: you all lack culture FUZZBUCKER96:: im gonna go drive to steves now blink_twice: hey bloodhound why did you censor god is it a religious thing smallfry09: It is! It¡¯s a Jewish thing. I can explain more later if you want. blink_twice: ok if you want i was just curious blink_twice: im hungry now i think im going to go get ramen ok bye PUPPET_GIRL: You know what? I¡¯m going to go to Wawa now and try one of those. I¡¯ve never willingly opened up the hot dog warmer. smallfry09: :dogsob: FUZZBUCKER96:: wait shouldnt you be keeping kosher or some shit. how many violations is a big bacon cheese dog. thats like five different ways of breaking kosher in a single meal. do they stack or multiply or is it a diminishing returns sort of thang. smallfry09: :dogsob: :dogsob: :dogsob: smallfry09: I think I¡¯m going to go get dinner too.
FUZZBUCKER96:: yo, i swear to god, i saw a squirrel today that was the size of a damn poodle. like, i¡¯m talkin¡¯ about a whole ass philly squirrel on steroids, man. shit was wild. jamjam808: subhanallah, pb, you sure it wasn¡¯t just a really small poodle? (???) smallfry09: It¡¯s not uncommon for people to mistake animals, especially from a distance. I once thought a raccoon was a particularly large housecat. jamjam808: see, bh gets it. maybe philly¡¯s got a secret poodle problem we don¡¯t know about. (^_?)¡î eaglesfan05: Regardless of the size of the squirrels, Playback, our focus should be on the safety of the neighborhoods. Did you notice anything else unusual during your patrol? FUZZBUCKER96:: nah man, just that buff squirrel. i mean, unless you count miss jenkins¡¯ cat stuck in a tree again as ¡°unusual¡±. but that¡¯s just tuesday for her so its about as unusual as me missing the toilet at 3 am. PUPPET_GIRL: I¡¯m glad you¡¯re keeping an eye on the neighborhood wildlife, Playback. Let¡¯s not forget our main task, though. We need to be on the lookout for any signs of criminal activity or potential threats. blink_twice: yeah like that time i saw a pigeon with a bread necklace it was so funny i laughed so much FUZZBUCKER96:: that pigeon was rockin¡¯ that bread necklace like it was on the damn red carpet or somethin¡¯. i swear, these rittenhouse animals got more swag than half the people i know. eaglesfan05: While these anecdotes are amusing, we should remember why we¡¯re here. We have a responsibility to ensure the safety of our community. Let¡¯s keep our focus. blink_twice: yeah ramp you¡¯re right i saw some graffiti today i didn¡¯t recognize it was a snake i think or a worm maybe FUZZBUCKER96:: oh shit, a snake? or a worm? man, blink, you gotta get your eyes checked. those two ain¡¯t even in the same ballpark. but for real tho, i¡¯ll keep an eye out for any worm/snake graffiti on my next patrol. i¡¯ve got the worm/snake situation on total lockdown. eaglesfan05: Good, Playback. We should all be alert for any new tags or signs of gang activity. This could be something, or it could be nothing. But it¡¯s better to be safe than sorry. HotGoss: don¡¯t be such a wet blanket! we¡¯re all doing our best, and a little fun never hurt anyone! ?? Xroads: I believe there¡¯s merit in both perspectives. We must remain vigilant, yes, but also keep our spirits high. It¡¯s a delicate balance. So, about this graffiti, Blink. Was it just one location, or multiple? Let¡¯s keep our eyes peeled. ?? HotGoss: oh, cross, you¡¯re always so level-headed! ?? blink, let¡¯s keep an eye out for that graffiti on our next patrol, okay? maybe we can figure out what it means together! ???? blink_twice: ok i will look for it again next time i go out i didn¡¯t see it anywhere else just the one place smallfry09: I saw someone trying unsuccessfully to beat up the Drexel Dragon while I was with Rampart. Is that notable? PUPPET_GIRL: Sadly, no. "My Pop-Pop Moe, My Hero" by Samantha Small, age 7 and a half. Hello, Chummies! Due to circumstances akin to an act of god outside of my control (my car battery exploding before an extremely long car trip) today''s scheduled update is being postponed to tomorrow for the sake of my sanity in writing. Apologies for the inconvenience, and I hope you all have a lovely day. To satiate you, here is a mini-update. Thanks! -The Author "My Pop-Pop Moe, My Hero" by Samantha Small, age 7 and a half. Miss Greene asked us all to write about our favorite heroes, but I don''t have any favorites because I don''t care about superheroes. Instead I asked Miss Greene and she said I could write about my Pop-Pop Moe instead. Yay! My Pop-Pop Moe is the bestest, most special person in the whole world. He is my super-duper favorite. Some people might think it''s weird that my hero is my Pop-Pop, but I don''t care. He''s the best and I''m going to tell you why. First, Pop-Pop Moe is super, super brave. He grew up in a place called Queens, which is really far away from here. I heard him say that when he was little, some mean people didn''t like him just because he was Jewish. But that didn''t stop Pop-Pop. Nope, not one bit. He was brave and strong and he didn''t let those mean people bother him. That''s what being brave means, it''s when you do things without letting mean people bother you about them. If you stumble upon this tale on Amazon, it''s taken without the author''s consent. Report it. Also, my Pop-Pop is very smart. He''s an engineer, which is a fancy word for someone who makes stuff, like buildings and bridges. But not with Lego bricks, like I do. He uses math and science and stuff, and he works a lot on dams, which sounds like a word I''m not allowed to use. I also think he worked on the Ben Franklin Bridge! He didn''t tell me that, I just think he worked on it. Pop-Pop Moe is also really good at fishing. He takes me fishing sometimes, and he knows all the best spots. He can catch the biggest fish, and he taught me how to put a worm on a hook. I feel bad for the worms sometimes but he told me that they don''t feel pain so I guess it''s okay for them because it means we get to eat. He likes to go fishing for flounder! One time he caught a flying fish but we had to throw it back. I don''t really like flounder but I do like fishing. The best thing about Pop-Pop is that he loves me. Even when I forget things, or when I can''t sit still, or when I talk too much. Even when I can''t do the shabbat prayers right and mix up the words. He always gives me a big hug and says it''s okay. And that makes me feel safe and happy. My Pop-Pop Moe is really old, but he''s really fun. He tells me stories about when he was little, and he listens when I tell him about my day. He''s the bestest friend I could ever ask for. And that''s why he''s my hero. I know some kids have heroes that can fly or lift cars or have laser eyes. But my hero is better than all of them. He''s my Pop-Pop Moe, and I love him very much. And I think that makes him the best hero in the world. Chapter 9.1 ¡°What Safeguard said wasn¡¯t exactly wrong,¡± Puppeteer lectures me from atop the false fire escape, clinging horizontally to the wall in stark defiance of gravity while her strings shimmer in the light of the gymnasium. ¡°Learning to use your powers effectively and creatively will make the difference in a life or death situation.¡± ¡°It¡¯s hard to think of creative uses when your power is ¡®bite things¡¯ and ¡®smell blood¡¯,¡± I bite back, as she walks her way down the brick facade, making footfall on the padded floor. ¡°There¡¯s not really a non-lethal way to bite a chunk out of someone.¡± There¡¯s a very soft, almost imperceptible whoosh as her strings retract into her fingertips. ¡°I don¡¯t agree ¨C but ¨C in that case, we¡¯ll focus for now on alternative skills, and figure out how to work your powers into it later. Hit me.¡± ¡°Huh?¡± She gets into what I recognize as a jiu-jitsu stance from when my parents tried to make me get into martial arts ¨C slightly hunched over but with a straight back, elbows bent, knees bent, hands open. ¡°There are three essential elements to superheroing ¨C rapid response, disaster aid, and criminal apprehension. If you could get Safeguard into an unbreakable grapple, you could leverage your athleticism advantage over them and easily get them hogtied,¡± she explains, taking a short, quick step closer. ¡°I¡¯m not a martial arts sensei yet, so I can¡¯t tutor you through this. We all develop our own styles in response to circumstance and our powers. We¡¯ll just have to feel out what works, so¡­ hit me.¡± I¡¯ve watched movies and television. I know sort of the essence of boxing, arms up, guarding my face, thumb on the outside of my fist, keeping everything square and even. Puppeteer slowly steps clockwise around me, and I step clockwise around her, taking a step or two closer. There¡¯s a rush of motion, and I aim my fist for her shoulder, trying not to hit her in the face. It takes less than a half of a second for her to intercept my fist, get in underneath me, and flip me over onto my back, all the way over her. I land on the padded floor with a sharp ¡°Oof,¡± as the air is forced out of my lungs, splayed out like a flayed starfish. ¡°First lesson in criminal apprehension ¨C we need to teach you how to take a hit.¡±
¡°Bubbelah! It¡¯s good to see you again,¡± Pop-Pop Moe squeezes me hard and tight, taking his hat off and setting his umbrella in the little umbrella rack that my parents have set out. It¡¯s raining outside, interrupted by an occasional crack of thunder that lights the entire sky up white and purple. ¡°You know, your parents and I missed you last shabbat, it was lonely without your youthful je-ne-sais-quoi!¡± I squeeze him back and he tousles my hair before letting me go, allowing me to escort him into the ¡°dining room¡± of our rowhouse. Our shabbat set-up isn¡¯t as elaborate as his own, but we have the candles set aside in a drawer for such an occasion where the weather is too inclement (that means really bad) to travel to Ventnor. He sits down, his bones audibly creaking and cracking, and stretches out. My parents are out right now, getting dinner from the nearby supermarket instead of cooking something special. That¡¯s okay, though, I don¡¯t blame them. Cooking is hard! ¡°Sorry, Pop-Pop. I was, um, a little busy,¡± I reply, looking away from him. ¡°Oh, I know all about why you were busy, darling. How goes the superheroics, Missus Bloodhound? I hear you¡¯ve already apprehended your first bad guy, mazel tov, mazel tov,¡± Pop-Pop Moe reaches over to shake my shoulder and get me looking at him again, his smile warm and genuine. ¡°Have you saved any lives?¡± I nod. ¡°I¡¯ve, uh, I stopped the bad guy from hurting hostages. And a couple of times on patrol I¡¯ve been able to smell people¡¯s internal injuries and warn them, most of the time they don¡¯t know or think it¡¯s less bad than it is. And this one time, with Raauu¡­ One of my teammates, I actually called 911 for someone who was incapacitated in their home and bleeding out. They hung around on the sidewalk a couple of days later so that they could give me a gift next time they saw me,¡± I tell him, grabbing the kind of gaudy shark tooth necklace strung around my neck and showing it off proudly. Unlike my little chompers, this one¡¯s a real, genuine shark tooth, about the size of my thumb, shaped like a guitar pick. Pop-Pop Moe reaches out to squeeze my shoulder softly. ¡°That¡¯s a very good thing you did, Samantha, darling. As it says in the scriptures, ¡®to save a single life is the same as saving the whole world¡¯. And that¡¯s a very pretty necklace, I think it suits you well.¡± I¡¯m about to say something in response, blushing with shame, or pride, when the front door slams open and two sopping wet adults scramble inside. My mom¡¯s voice is loud, probably loud enough for the neighbors to hear. ¡°Who likes supermarket rotisserie chicken!?¡±
¡°Definitely new to the scene ¨C I think it¡¯s entirely possible that you were their very first appearance at all,¡± Marcus¡¯s voice comes over a little tinny through speakerphone while their face graces the corner of my computer screen. ¡°No local nor national nor international articles, no mentions by name. Can I say for a second how cool it is that you¡¯re letting me be your guy in the chair?¡± ¡°You can,¡± I say, chuckling, not making direct eye contact with my webcam. Marcus¡¯s room is much darker than mine, with glowing LED lights providing most of the illumination, casting his face with a deep blue that¡¯s lit up white and cyan from his two monitors. In the edge of the video stream, I can see his computer, a heavy, lumbering rectangle with heavy black edges and translucent sidings, whirring and humming with life. The occasional flash of lightning illuminates the rest of the bedroom for only a sparse moment or two at a time. ¡°What about unnamed sightings? White helmet, big cape, gothy boots.¡± My hip aches quietly. Not from any lingering damage ¨C I got it checked out with a doctor, since it turns out having a LUMA and a secret identity does, in fact, entitle you to certain healthcare rights ¨C but just from the memory of getting stepped on. It makes me burn up inside, that I couldn¡¯t catch them in the act. ¡°In Fishtown slash Northern Liberties? Let¡¯s see¡­¡± I idly sweep through the latest soccer news while Marcus does his magic work. The Philadelphia Union won their latest game, which is exciting. I think in all the hubbub, I kind of forgot to take some time for personal stuff. Maybe for the first time in forever our local soccer team might actually be worth a damn. The tale has been stolen; if detected on Amazon, report the violation. ¡°Got it. Just one result, not sure if it¡¯s legit or not. Someone said they saw a supe with a white helmet and big platform boots in an Ace Hardware, getting zip ties, wrenches, just a bunch of equipment. He was waiting in line behind the person when they turned around to ask him if he had read the latest chapter of One Piece. Witness says they were creeped out and didn¡¯t respond, and then the supe paid in cash and left,¡± Marcus reads out, word by word, adjusting his glasses part-way through. ¡°Weird.¡± ¡°What¡¯s One Piece?¡± I ask. Marcus doesn¡¯t need to look this one up ¨C I can tell by how he glances at the camera. ¡°Oh, it¡¯s, uh, it¡¯s an old manga about pirates.¡± I stare back at him. ¡°What¡¯s a manga?¡± He blinks a couple of times. ¡°It¡¯s, uh, a Japanese comic. Here, let me¡­ Hold on. Let me just go with this whim real quick.¡± ¡°You¡¯re the smart guy, I trust you.¡± I reply, continuing to scroll down soccer news. Occasionally, someone in the chatroom tries to shill for their local hyperball league stream, and it¡¯s starting to get annoying, so I block them and report them to the mods for spamming. I¡¯m here for soccer, damnit. His fingers clack at his mechanical keyboard as he types. ¡°Safeguard¡­ manga¡­¡± he mumbles to himself, presumably doing a NetSphere search. Then, he starts laughing as his scroll wheel clicks. ¡°You¡¯re gonna love this.¡± ¡°What is it?¡± He starts reciting a Wikipedia page to me ¨C I can see the reflection of the logo in his glasses. ¡°Blame, stylized as, all caps, BLAME!, with an exclamation point at the end, is a Japanese science fiction manga series written and illustrated by Tsutomu Nihei, published from 1997 to 2003¡­ Yadda yadda¡­ Okay, first thing ¨C Safeguard named themselves after the antagonist of a really obscure manga, probably. Secondly, whoever named NetSphere, the company, is a huge nerd.¡± ¡°Huh?¡± ¡°Here, let me just send you the link¡­¡±
I¡¯m not a fan of going shopping for school supplies. Yet here I am, in the middle of a Target, while my mother oohs and aahs over every little frugal deal. ¡°You know, not spending any money at all is cheaper than buying things that are on sale,¡± I say, to no avail, my pleas falling on deaf ears. My urges feel overwhelming, one of my teeth fell out this morning, and even with a phone and a game on hand, I can¡¯t stop myself from getting distressingly bored. ¡°I told you, Sam, we need to get you a new bookbag and binders for all of your classes, and we¡¯re not going to leave here until you¡¯ve found ones that you like,¡± she says, hands on her hips as she turns away from something that¡¯s demonstrably not school supplies (demonstrably means, like, ¡°it can be demonstrated¡±, if that makes sense?) and tut tuts in my general direction. ¡°Plus, I¡¯d like to get you a first aid kit. You know, just in case.¡± ¡°In case I get hurt? Please. My friends have been helping me train,¡± I reply, balling my fists up and getting into a boxing stance. ¡°Huh? No, silly, in case someone gets hurt at school and you¡¯re the one to help them,¡± she replies, turning her body back towards the shelves full of deals but keeping her head halfway between that and me. ¡°That¡¯s what you do, right?¡±
¡°Does it get harder for you to fly the higher up you go?¡± I ask Gale, our feet dangling a little precariously off the edge of one of the taller buildings along South Street, watching people below us. We¡¯ve figured out over the weeks that my power¡¯s radius is roughly spherical, which generally means being on the ground is best for detecting problems en masse, but being high up gives us a better vantage point on the whole street at once, which is more important. The Rita¡¯s beneath us has a long line stretching out along the sidewalk, even as the sun starts going down far enough to paint the sky bright orange and pink and it¡¯s not so hot anymore. ¡°Like, doesn¡¯t the air get thinner?¡± A drone buzzes around our head, likely streaming us to someone¡¯s phone, but I ignore it. ¡°Yeah, it does, but I usually don¡¯t go that high anyway. Maybe it¡¯s just me, but having your activation event happen during what your brain assumes is a plane crash has made me a little afraid of heights, heh,¡± Gale answers, her voice only slightly muffled by her scarf. I¡¯ve come to realize over the patrols that she uses her wind powers probably completely subconsciously to project her voice, which is really cool. Maybe one day I can have my powers be just like that ¨C something I don¡¯t even think about, just act on and use like they¡¯re breathing and walking. ¡°It¡¯s like¡­ my control is over a volume of air, I think, is the physics word. So the higher I go and the thinner the air gets, the weaker I get, because the air is less dense but I can still only control the same volume.¡± ¡°And does it like¡­ weigh? Like, do you strain your muscles by lifting things?¡± I ask in return. Gale laughs a little bit and flexes one of her arms. I look away immediately, pretending to have noticed something on the ground, and she laughs harder. ¡°It does, yeah. I think most people that have powers you could call ¡°telekinetic¡± have it get exerted on their muscles. That¡¯s why I can only lift, like, two people at a time. Myself and you. Or, like, myself and another person.¡± ¡°Neat,¡± I say, gently pulling myself away from the edge of the rooftop, mostly so I can adjust my mask and itch my nose. Whenever I¡¯m around Gale and we¡¯re talking too long, my nose itches. I don¡¯t like it, but I don¡¯t have any control over it either. ¡°Why do you ask?¡± she asks, still watching the street below us instead of looking at me repeatedly fumbling balls. ¡°Just kind of curious. I think it¡¯s important to get a grip on all my teammates powers, you know? Think about how we could use them together effectively,¡± I say, trying to make up a compelling excuse that¡¯s not ¡®because I want to know more about you¡¯. At this point, I think I¡¯ve successfully identified the emotions that Gale makes me feel, but I¡¯m really, really not interested in putting a name to them, because I¡¯m not a lesbian. Wow, that sentence feels weird in my internal monologue. No. No, no, no. ¡°If only my range was bigger than yours, because now I¡¯m wondering if I could use my wind control to carry the smell of blood to you,¡± Gale muses, making me blush hysterically. I feel my entire body going bright red, especially my ears. ¡°Now I¡¯m wondering if it really is a smell thing. Like, do you think it would still work with a sinus infection? That might be a problem during the winter when everyone¡¯s stuffed up.¡± ¡°No, I actually tried that with Puppeteer. We shoved tissues up my nose and then she poked her finger open with a lancet. Totally fine. Honestly, maybe even a little easier to detect. Wasn¡¯t distracted by gym smells,¡± I answer. Gale nods along, humming quietly to herself. ¡°So you have ESP, then.¡± I finish itching my face and sit back down next to her. ¡°Huh? Are you saying I¡¯m psychic?¡± ¡°I guess? It just means extra-sensory perception. Like, you have a new sense that¡¯s not related to any of the other ones. I wonder if there¡¯s maybe a sensory organ for detecting blood in the air somewhere in your body, that would be cool,¡± she replies, tilting her head in my general direction and smiling at me through her scarf. ¡°Or maybe you really just are straight up psychic like I am. It turns out a lot of superpowers can be boiled down to either ¡®psychic¡¯ or ¡®weird biology¡¯.¡± ¡°Do you have weird biology?¡± Gale laughs. ¡°I have tiny holes in my fingertips where the wind comes out.¡± ¡°Seriously?¡± She gently elbows me in the ribs. ¡°No, goofball. If I could make my own wind it would make my life a lot easier.¡± I rub my chin in thought. ¡°I think you can, actually?¡± Gale turns her entire head towards me now, eyebrow raised. ¡°Oh, really? How?¡± It takes a significant amount of effort to say what I have in mind with a straight face. ¡°Just eat a lot of beans before you go on patrol. Problem solved.¡± She starts blushing like mad, cheeks puffed up, while my mask¡¯s jaws snap together with my laughter, sending a soft claka-claka-claka through the air. Eventually, she gives up being a little offended by a childish fart joke, and starts laughing along with me. It feels nice. Chapter 9.2 ¡°Again.¡± I pull myself up from the ground. I get into my boxing stance, aim a jab squarely for Puppeteer¡¯s jaw, and she flips me, like she had been doing for the past twenty minutes. I land on the floor, sending my arm out to hit the ground with me, and spraying my legs out so that all points of my body hit the mat at the same time. Air exits my lungs along with a loud, barked kiai. ¡°Again,¡± Puppeteer orders, and I get up, dust myself off, and get back in my boxing stance. ¡°Again.¡± ¡°Again.¡± The feeling of the mat against my back and my belly has become familiar, and I pant, looking at the ceiling, trying to catch some air. Puppeteer reaches down with her hand and pulls me up to my feet. ¡°I¡¯m not going to lie to you and tell you that you¡¯re some sort of combat prodigy, but you¡¯re getting better. Good job.¡± ¡°Ahoy there, girlies!¡± comes a low, booming shout from the other end of the gym before I can say anything in response to Puppeteer. Liberty Belle ¨C who I¡¯ve seen in passing maybe once in the past two weeks outside of our initial meeting ¨C strides into the gymnasium, fully armored and dressed for patrol. ¡°How goes our newest recruit?¡± I stiffen up and salute like an army recruit, which makes her laugh, and that makes me feel like I¡¯m getting a good grade in this social interaction. ¡°At ease, soldier,¡± she says, reaching across and patting me on the head twice. ¡°Everything¡¯s fine!¡± I shout, forgetting for a moment to regulate my voice. ¡°I mean. We¡¯re good. All good, Miss Liberty Belle, sir. Ma¡¯am.¡± I hear Puppeteer giggling to my right and shoot her a dagger-like, scornful look that¡¯s only about 90% in jest. ¡°She¡¯s doing perfectly fine. Hard worker, extremely stubborn. Honestly, I¡¯m getting more worn out of throwing her than I think she is of getting thrown.¡± I fold my arms over my chest and try to look proud of myself. ¡°It¡¯s getting easier. Just a little bit. I did think I¡¯d be training more with you, ma¡¯am, but I totally understand if you¡¯re busy.¡± Liberty Belle gives me a little thump on the chest and I go stumbling back three paces. ¡°You know, normally, I would. I personally trained Pup here and got a couple licks in with everyone else, but it¡¯s, you know,¡± she says, sharing a knowing glance with me. In the corner of my eye, I see Puppeteer looking left and right, trying to decipher the unspoken communication happening between the two of us. I don¡¯t need to be told twice, though. She¡¯s dying, and has to make her preparations. I get it. The fact that Puppeteer doesn¡¯t seem to know, though, concerns me. Is it really that much of a well-kept secret that even Liberty Belle¡¯s direct proteges don¡¯t know? Oh, that means like¡­ your best student. The person you¡¯re specifically grooming to succeed you. ¡°It¡¯s been busy.¡± I politely bow a little bit at the waist. ¡°I understand, Miss Liberty Belle.¡± She laughs a little bit and gives me another playful shove, sending me back another three and a half steps. ¡°Keep it up, champ,¡± she says, walking out past us, whistling quietly to nobody in particular. Once she leaves out the opposite door of the headquarters, Puppeteer wraps some strings around my wrists and hauls me close. A little dangerously close, our noses inches from each other. I try to look anywhere but her eyes, because it hurts to do that, but the only other places available are her lips (ew) and her nose, which makes me go cross-eyed, so I just try to unfocus my gaze and stare past her instead. ¡°What was that all about?¡± she asks, clearly a little suspicious. ¡°What was what all about?¡± Puppeteer squeezes my wrist, not enough to hurt, but enough to let me know that she could make it hurt if she wanted to. ¡°There was a look.¡± I pull away, yank, and tug hard enough that Puppeteer lets me go and I can finally go back to not looking directly at her face. ¡°You¡¯re imagining things,¡± I lied, getting back in my boxing stance. ¡°Don¡¯t get distracted now.¡± Puppeteer¡¯s laughter seems tinted with an emotion I don¡¯t know how to describe. ¡°Alright, then, pooch. Are you ready to learn how to really take a fall?¡± ¡°Hit me,¡± I bark back, and her strings coil around my shoulders.
¡°Do you solemnly swear that you will tell the truth, the whole truth, and nothing but the truth, under pains and penalty of perjury?¡± I¡¯ve never been in a real courtroom before, and it¡¯s honestly more intimidating than all the practice fights I¡¯ve been in. It¡¯s more intimidating than the monkey bars that I¡¯ve still yet to clear successfully. My costume feels exceptionally sweaty under the lights, and the fact that almost everyone else here is in a suit and tie makes me feel woefully silly and underdressed. ¡°I do, sir,¡± I say after coughing twice, remembering the advice Playback gave me on how to lower my voice half an octave or so while speaking. It strains, but, you know, it¡¯s better than being easily recognizable. I have black makeup around my eyes and the visible areas of my face, and Gossamer helped me put in some temporary black dye in my hair so I¡¯m a little less recognizable, too. Gale is sitting in the benches, nodding at me, as the man with the suit approaches the part of the court where I¡¯m at ¨C the bench? ¡°So, Miss Bloodhound ¨C can you please recall where you were on the afternoon of August 13th, 2023?¡± he asks. I try not to look at the other desk, where the unmasked Mudslide is sitting, staring bullets into me. His eyes are dark and shrunken in his sockets, with deep bags beneath them, and he¡¯s wearing clothes that are a bit nicer than what he had on while robbing the Walgreens. Plaid, at least. I realize I¡¯ve been staring at him, and look away back towards the man asking for my testimony. ¡°Yes, sir. Well, um, I was out on patrol in Northern Liberties with my team-mate Gale, when I smelled that someone was bleeding quite seriously and it wasn¡¯t, like, within a domestic setting. We went to investigate and came upon Mudslide¡­ um, the gentleman there, holding up a Walgreens. The blood scent was from a hostage of his who had a nosebleed,¡± I answer, trying to remember the notecards I had been practicing with all morning. ¡°Can you elaborate on what you mean by ¡®smelling someone bleed¡¯? Is that your legally registered metahuman ability?¡± He asks. The other lawyer, the one that I think is on Mudslide¡¯s team, doesn¡¯t exactly seem thrilled to be here. He¡¯s a little old, with salt and pepper gray hair and jowls that flap around a bit like a dog when he moves, whereas the lawyer that¡¯s interviewing me is a lot younger and nicer looking. Not my type, but he¡¯s pretty nice looking. ¡°Yes, that¡¯s correct. Um, do I need to prove it for the court?¡± He flashes me a reassuring smile. ¡°If there¡¯s a convenient way to do so, it would indeed be beneficial. Can you demonstrate this for us?¡± I look around nervously. ¡°There¡¯s, um¡­ Hmm,¡± I think for a second before calling out every person in the courtroom that¡¯s currently on their period, since I don¡¯t think that would make the judge like me. ¡°There¡¯s a security guard, or what they¡¯re called in a court, back there. Yeah, um, you, sir, with the black hair. Did you have a nosebleed today?¡± As all eyes turn, the attorney¡¯s smile widens, his eyes still squarely on me. ¡°Let the record show that Miss Bloodhound identified Mr. Byrd, one of our bailiffs, who has nodded in affirmation.¡± ¡°I can also point out every person in the seats who¡¯s on their period, if that helps,¡± I blurt out. Gale muffles herself while a wave of small chuckles, mostly nervous, works its way through the viewers of the proceedings. The lawyer waves his hand about. ¡°That won¡¯t be necessary, Miss Bloodhound. Now, with your permission, could you please recount your encounter with, and subsequent apprehension of, Mr. Evan Williams, also known by the nom-de-crime of ¡°Mudslide¡±, for the court?¡± This book''s true home is on another platform. Check it out there for the real experience.
¡°Man, it kinda sucks that we¡¯re not gonna go to school together anymore.¡± Kate says, sinking a basketball easily into the rim at our usual cages. She catches it on the second bounce and passes it to me. I kick it up into the air and it awkwardly sails towards the rim, rolling along it before passing in past the net. ¡°Hey, Northeast isn¡¯t that bad. And we¡¯re still neighbors, ain¡¯t we?¡± I reply, catching the ball as it gets passed to me again. I kick it, bounce it a little on my knees, and then head it into the net. For a moment, I allow myself the sweet satisfaction of having successfully headed the ball even remotely close to the net, even as it bounces off the backboard and directly at Kate. ¡°It¡¯s not like you suddenly are going to stop hanging out with me, yeah?¡± ¡°I guess,¡± Kate sighs, catching the ball, dribbling it twice, and then passing it over her shoulder. It bounces off the rim, getting it surprisingly close, and bonks her on the head. ¡°Ow.¡± ¡°You¡¯re fine,¡± I laugh, grabbing it before it bounces all the way to the edge of the cages. ¡°Hey, look, we¡¯re still in chatrooms, you still live like three houses down from me. I¡¯m still gonna be your friend if you¡¯re still gonna be my friend. Nothing¡¯s different now except that I¡¯ve got shark teeth, and I¡¯m sure you¡¯ll meet plenty of cool people at Northeast.¡± ¡°Yeah, I know!¡± she grumbles, bouncing the ball twice and then spiking it at me. I catch it and spike it back. She catches it and swishes it into the net without a problem. Then, she gets the ball as it comes down and does it again. ¡°What¡¯s your grandpa say again? I¡¯m just kuh-fetching.¡± ¡°Kvetching. The first bit¡¯s one syllable.¡± ¡°Yeah, whatever, nerd,¡± Kate laughs, grabbing the basketball and slamming it against the ground so hard that it goes sailing nearly straight up above our heads. ¡°Wanna play horse?¡±
It¡¯s not particularly hard for Rampart to lift me, but I am starting to get a little baffled at just how many cats in trees there could possibly be in West Philly. I scramble up into the branches, where a particularly fluffy cat with all the features of an old man stares at me like I¡¯m the second coming of Christ. ¡°You got it, Bee?¡± he asks, leaning against the tree, fully prepared to catch me on the way down. As we¡¯ve discovered, Rampart and I make a surprisingly good team in terms of ¡°putting people up high ledges or trees¡±. Rampart is the tallest of the Young Defenders by a significant amount, and probably the physically strongest, too, while I¡¯m the lightest, albeit not the shortest. Plus, my cleats don¡¯t bother his hands, so it¡¯s no problem for him to boost me all the way up into the branches. ¡°Ps ps ps ps ps¡­¡± I call out to the cat, waving a small piece of ham with one hand while my nails dig into the tree bark with the other. Cleats, as it turns out, are pretty useful for anchoring into trees, which has made me the unofficial Young Defenders specialist at cat rescue (and, on one occasion, hedgehog rescue ¨C I don¡¯t even know how it happened). I glance down at Rampart, looking at him, and he looks back at me before flashing me as supportive of a thumbs up as he can manage. His mask is minimal ¨C a domino mask and a little bit of spray dye to make his hair lighter before going out. The cat meows at me. It slowly stretches out its limber little limbs onto the nearest branch, extremely tempted by the slice of ham that we borrowed from the nearby Wawa. I click my tongue a couple of times, and it gets close enough that I could, theoretically, reach out and just grab it. Instead, I just put the ham down on the branch in front of me, and it goes for the delicious meat treat, tiny little fangs gnashing holes in the edges. I balance myself on my cleats while the cat quietly nyam-nyam-nyam-nyams away. I lunge out like a snake and snatch the kitty before it has a chance to back away, scooping it up into my arms and squeezing tightly. ¡°Got you,¡± I mumble to myself before turning downwards and looking past the leaves towards Rampart, as well as the college student requesting our help. ¡°Got him!¡± ¡°Her!¡± The college student shouts back up at me as I hold the cat just tight enough to prevent her from wiggling out of my grasp. I fully intended to leave the ham there for the Philadelphia squirrels, but the cat has it one hundred percent within her mouth and she refuses to give it up. I don¡¯t force the issue. She can have her treatsies. ¡°Alright, passing her down now¡­¡± I say loud enough to be heard, hooking my legs and elbow around a branch and slowly bringing the cat down for Rampart to grab. He reaches up, takes her out of my hand, and deposits her into the awaiting arms of her owner, who immediately begins peppering her with squeezes and kisses. ¡°Thanks so much, you two!¡± they say, beaming at me from underneath their beanie. I shoot them a thumbs up as Rampart helps me down from the tree, digging my cleats into the bark to skid down so I don¡¯t fall and bust my ass on the concrete. ¡°It¡¯s not a problem. You have a good day!¡± I say, getting back to my feet and waving them off.
¡°You know, your Mom-Mom Leah was a lot like you, darling,¡± Pop-Pop Moe says, standing with me on a surprisingly chilly, overcast day, two days before school starts. It¡¯s not every day I get to go on a trip to New York with Pop-Pop Moe, but given the circumstances, my parents allowed it. They were too busy with their jobs, but I¡¯ve got nothing going on in my life besides superhero training right now, so here we are. ¡°Really?¡± I ask, staring over the acres and acres of gravestones. Each one, it seems, has a small pile of stones, or in some cases a very large pile, over top of it. Sometimes, it¡¯s just a couple of pebbles. In Mom-Mom Leah¡¯s case, it¡¯s almost nothing. Pop-Pop Moe reaches into his pocket and pulls out two smooth, polished rocks, each with flat bottoms, handing one to me. He kisses his own and puts it down on top of the flat grave marker that my grandmother is laying beneath, quietly, silently resting. The rest of Mount Zion Cemetery looms over me, an endless sea of headstones in grey and brown and dark, drab colors. ¡°How?¡± LEAH SMALL BELOVED WIFE MOTHER, AUNT GRANDMOTHER JANUARY 3RD, 1945 AUGUST 26TH, 2016 I try extremely hard to feel some sort of emotional attachment to someone whose existence in my memories is minimal at best. I vaguely recall a face, a presence, a warmth, and curly dark hair, but it exists in a haze of nothingness, the childhood void that all early memories go to die in. Still, I take the offered stone, kiss it myself, and gently place it next to the one that Pop-Pop Moe set down. ¡°She was very much interested in public service¡­ and very much a fighter. Stubbornest woman I¡¯ve ever met. That¡¯s why I married her, I liked my ladies with a little bite to them. I think you¡¯ve got her stubbornness, and her eyes,¡± he answered, a little twinkle in his smile as he squished me down with his hand on my head. I wince away and he pulls his hand away with a hearty chuckle. ¡°Did you know that you¡¯re named after my grandmother and my father, Samantha, darling?¡± ¡°Am I?¡± I ask in response, folding my arms over my chest to defend from the uncharacteristic august chill. ¡°How so?¡± He wraps an arm around my shoulders and I let my head rest on his vest. ¡°Well, my father was named Elijah, which is where your middle name, Elisabeth, comes from. And his mother was named Sofia, from which we get Samantha. They say when you name someone after the departed, you get a little bit of their soul in you, their presence and memory.¡± ¡°Why wasn¡¯t I named after Mom-Mom?¡± I ask, looking down at the stone embedded so thoroughly in the ground. ¡°I¡¯m glad you asked, sweetie! You see, Mom-Mom Leah was still alive when you were born, so we couldn¡¯t name you after her, because in our tradition, if you¡¯re naming someone after a living person, that¡¯s like saying¡­ hope you die, soon!¡± he explains, letting out another deep, belly-full laugh, albeit one that has a little bit of bitterness at the end. I¡¯m not so socially inept that I can¡¯t detect it. ¡°But, you know, if you have a little one of your own one day, G-d willing that I live to see the day, I think you should name them after Leah. And if I¡¯m not, maybe you¡¯ll want to name them after me!¡± ¡°I don¡¯t think I want you to die soon,¡± I say, matter-of-factly. He squeezes me even closer. ¡°Aw, that¡¯s real sweet of you, darling. Believe it or not, I¡¯m very attached to the world of the living. I think I¡¯ll be with you all a while yet.¡± The air is thick with silence and cold wind. I hold my necklace with one hand, inhaling air through my nose and exhaling it through my mouth. I try to focus myself, to see if there¡¯s any leaking blood inside my grandfather that I might need to worry about, but I see nothing. The air is free of injuries and the bodies in the ground don¡¯t smell in a way I can detect. I feel a little better and lean into my Pop-Pop a little more while he rummages around in the pocket of his vest. He pulls out a Tootsie Pop. ¡°These were her favorite, Samantha, darling. If you ever want to come here on your own, you can bring a rock or one of these. Ideally, both,¡± he explains, leaving it wrapped but gently hammering it down into the soft dirt directly above her gravesite. ¡°Maybe it¡¯ll be a treat more for the birds than for her, but it¡¯s the thought that counts.¡± ¡°I¡¯ll try to remember to do that,¡± I say, squinting my face up to commit it to memory. ¡°What does the Hebrew on her grave marker say, Pop-Pop?¡± ¡°Oh, it¡¯s just the same thing as the English, just in Hebrew. What, don¡¯t tell me what you forgot your Hebrew School lessons already, did you, darling?¡± he replies, slipping into faux-angry Yiddishisms as he speaks, the odd sentence construction a familiar and understandable pattern to me. ¡°Maybe a little bit. Am I in trouble?¡± He laughs the hardest I¡¯ve heard him laugh today, getting my hairband from my wrist and helping to pull my hair into a ponytail. ¡°Are you in trouble, och, Leah, forgive me¡­ What are we gonna do with this ittle meshuggenah?¡± he lectures me, giving one of my cheeks a loose pinch. I frown and squeeze my arms in front of my chest. ¡°Hey, I¡¯m kidding, kiddo. You wanna go get some pizza? The place I got it from as a kid is still open, and they¡¯re still the best.¡± ¡°Mmhmm. That¡¯d be nice.¡±
¡°Samantha Small! Do we have a Samantha Small in the classroom?¡± the teacher asks, waving her pencil around like it¡¯s a baton, or a magic wand, attempting to summon the attention of a class of freshly-minted high school freshmen. I raise my hand, body aching from yesterday¡¯s training, and try not to open my mouth too wide. Don¡¯t need to freak out any of my new high school desk neighbors¡­ yet. ¡°Present!¡± Chapter 10.1 I know that I¡¯m sure some people would love to read a story about every day of school that I go to for the rest of my life ¨C the trials and tribulations of being a teenager in the year 2023. I hate to disappoint those people, but the day glazes by me without strenuous effort, at least, not yet. I assume maybe after the first week of my freshman year of high school I¡¯ll have something a little more interesting to report, but for now, this is the lowdown: I have a homeroom teacher named Mrs. Foster. She¡¯s also my math teacher, which is the period directly afterward. She¡¯s got this vibe like she¡¯s seen it all and is just waiting out the clock until retirement. The kind of teacher who gives you a sympathetic smile when you don¡¯t know the answer, then moves on without waiting for you to find it. She wears frumply, big clothes that are extremely unflattering and I¡¯m not sure she¡¯s a mathematical expert, instead of just whoever they could grab at the time. English is taught by Mr. Strickland, who¡¯s got a serious case of resting bitch face. He¡¯s so straight-laced I¡¯m convinced he irons his khakis. But he seems to actually like books and enjoys going on tangents about symbolism that have half the class nodding off. I don¡¯t have a good grasp on his intentions yet as a teacher, but given the huge stack of books at the back of the classroom with names I only half-recognize from my mom ¨C Catcher in the Rye, Huckleberry Finn, The Illustrated Man ¨C I am fully prepared to burn through my reading circuits by the time the year is through. There¡¯s Mrs. Bollinger for science, who¡¯s like a walking contradiction. She¡¯s got this neat bob haircut and the roundest glasses you¡¯ve ever seen, but she¡¯s also got a sleeve tattoo peeking out from under her blouse and neon pink nail polish. This year we¡¯re doing Earth Sciences, and, according to the curriculum, unless you get to jump ahead in the AP classes or something, we do Biology, then Chemistry, then Physics at senior year. That means this year we¡¯re going to learn about the climate and geology and stuff like that, and next year I get to dissect frogs, which I feel a little unnaturally excited for. I¡¯ve also got Coach Simmons for PE, who is exactly as enthusiastic about the virtues of physical education as you¡¯d expect any high school coach to be. That is to say, he¡¯s trying to encourage us, but we are all teenagers and there is only so much effort he can put in at a time. I think he gave up three days in. We only have PE every other day, with each other day replacing it with an elective. I chose Home Economics, which will teach us how to sew and cook, because I can¡¯t do either of those things for shit and I think being able to repair my own costume and make my own food will marginally increase my survival chances out in this great big scary world of ours. My Home Economics teacher is also Coach Simmons. If there was a Karate class I¡¯d take it. But there isn¡¯t, so Home Ec. And Track doesn¡¯t start for at least another month or two. The school itself is slick, sleek, modern, multicultural, all the things you could expect from a school in Philadelphia that only serves 400 students a year. Apparently, it used to be a real not great school when it was founded, with below-average scores in everything, but the non-profit that runs it went under new management a couple years ago and according to my dad they really got the place kicked into shape. It¡¯s now probably one of the better public schools you could go to in Northeast Philadelphia, which is probably why my parents decided to apply me there. The school is all right angles and cubes, which I was told by my dad when we were touring is ¡°modernist¡±. Their lion mascot stares at me from every surface, and I can¡¯t say that I¡¯m a fan. Blue and yellow is not a color combination I find myself enjoying. This first week, I haven¡¯t glommed onto any cliques, especially not of any people in higher grades than me. Than I? Whatever. There¡¯s nerds, there¡¯s popular kids, there¡¯s weirdoes, there¡¯s more nerds, choir kids, theater kids, and people that could be sort of construed as ¡°jocks¡± but they¡¯re more dispersed throughout the existing groups like a fine mist. And, of course, you have the gaggle of about 100 incoming freshmen looking around like chickens with their heads cut off. The lunchroom is small and tidy, the library and computer rooms are well-stocked and adequate, something my mother was extremely enthusiastic about, and the hallways are laid out in a way that doesn¡¯t make me get confused every time I try to go to class ¨C always a plus. There¡¯s just one little sour spot¡­ I have to wear a uniform. I mean, I knew this beforehand, I went uniform shopping with my mom, after all. But the reality of it doesn¡¯t really hit you until you¡¯re actually there, in a white button down and a plaid skirt. I don¡¯t know if I¡¯ve mentioned it before, but I don¡¯t like plaid. It¡¯s not a color, texture, really, that appeals to me. I don¡¯t like wearing a sports jacket, or a tie, or a bow tie. I wish I could wear a t-shirt and soccer shorts like I was a week ago. I have a duplicate of my costume shoved into my backpack for easy access as necessary, but, you know, obviously, I can¡¯t wear that either during the school day. It¡¯s madness inducing. Anyway. That¡¯s high school, now. Let¡¯s zero back in on the present. Lunch. The critical social hour of every high schooler¡¯s day. You¡¯re allowed to sit wherever, within reason, conglomerating with your friends outside of class. People who knew each other from middle school form small whorls and spirals as they jockey for the best tables in the lunchroom, while well-established seniors and juniors muscle in on the action, making sure that they get prime seating, occasionally opening up to accept groups of 1, 2, or 3. It¡¯s here where I first spot them. It¡¯s the boots that catch my eye ¨C platform goth boots, the kind you¡¯d probably find in a store downtown, or maybe order from some obscure online shop that specializes in alternative fashion. Big, inch-thick, maybe two-inch thick platforms with belts, buckles, and a shiny black exterior. Huge boots that look like they take hours to put on in the morning, the kind you couldn¡¯t catch me dead wearing. Huge, distinctive boots. The kind that Safeguard wore when they stepped on me. The person wearing them is sitting with a group of older students at a table that¡¯s removed from the rest of the cafeteria, but not too far that it becomes noticeable. They¡¯re a collection of 15, 16, 17-year-olds ¨C all hoodie jackets and unkempt hair and deep conversation that¡¯s just a bit too loud to be inconspicuous. They¡¯re talking about anime, the latest episode of some show, arguing about character arcs and plot devices with a fervor I only usually see at Young Defenders¡¯ mission debriefings, or when my dad argued with someone while he thought I wasn¡¯t watching on bring-your-daughter-to-work-day. There¡¯s an air of rebellion about them, a flagrant flaunting of the school¡¯s dress code that says more about the school administrators¡¯ lost battles than anything else. These are people who have been told a thousand times and threatened with a thousand suspensions to dress neatly, and defiantly said ¡°no¡± ¨C at least, in the lunchroom, where anarchy reigns supreme. The story has been taken without consent; if you see it on Amazon, report the incident. The possible-Safeguard in question is leaning back in their chair, one leg bouncing up and down under the table, their platform boot tapping an erratic rhythm against the floor. They have a mop of messy black hair that obscures their face from this angle, and their hands are expressive, drawing in the air as they talk, capturing the attention of their peers, their figure concealed by their outfit. They don¡¯t have a skirt on, so that¡¯s points in the boy column, but they aren¡¯t wearing a boy¡¯s top either, their figure curved around and collar pinned with a bowtie. Plus, all I hear from my position a couple of tables over is them yelling about anime. And Safeguard was, if Marcus is to be believed, an anime nerd. Or a manga nerd, I¡¯m not sure if there¡¯s a meaningful difference. Is it them? Or is it just wishful thinking, my brain latching onto any bit of similarity and running with it because it¡¯s eager for answers? After all, anyone can wear boots. Heck, there are probably a dozen other students in this school with a similar pair. But my gut tells me it¡¯s something more, a hunch, an instinct. And in my line of work, instincts can mean the difference between winning and losing, survival and defeat. So I sit there, across the cafeteria, watching. I¡¯m probably being too obvious about it, but the cacophony of lunchtime chatter and the general indifference of teenagers to anything outside their immediate sphere of interest works in my favor. I¡¯m trying to puzzle them out from afar, studying their mannerisms, the way they interact with their group, the tone of their voice as it carries across the room. Isolating a single person from the din is nearly impossible, especially with, uh, all the students that are having their time of the month to provide a constant sensory distraction for me. It¡¯s more than a little maddening. They have an aura of¡­ I¡¯m not sure. There¡¯s something about them that feels familiar. Not in a ¡®we¡¯ve met before¡¯ way, but in a ¡®I¡¯ve seen you in action¡¯ way. A certain confidence, a certain spark, a certain way they carry themselves that reminds me of Safeguard. And I can¡¯t shake off the feeling that the clues are there, waiting to be put together, the puzzle pieces fitting into a coherent image. But is it the right image? I could just be chasing the ghosts of my wounded pride through high school, looking for something that would make it more interesting than the slog it¡¯s become. Anything is better than classes, which seem pedestrian and uninteresting now. As I watch them, my mind races through dozens of different scenarios. Maybe this is a coincidence. Maybe I¡¯m just seeing things. Or maybe, just maybe, I¡¯ve stumbled onto something huge. I chew on my lunch by myself, in the corner, not yet ready to strike out into the great, big, wide world of high school Friday lunches. I spent the first couple of days trying to make nice with the other people and found most of them to be annoying or boring, despite how much they plainly enjoyed my presence ¨C does that make me sound conceited? Turning it over in my head, I concede that it does. That might be something worth doing something about. You know, in the future, when I¡¯m done taking care of this particular issue. My mom packs me the same lunch every day, not out of her decision but my own. I¡¯m used to the familiarity. Grapes, little melba toasts or bagel rounds or whatever we have, and little pinwheels of ham and cheese and/or turkey and cheese that go onto the melba toasts. One time, she did not give me a matching amount of pinwheels and crackers and that was an issue that rattled me to the end of the day. I also bring a granola bar and Gatorade, and when it comes time to do athletics, maybe I double up on my lunch, but, outside of that, I like the routine. Safeguard, or at least the person I¡¯m assuming they are, on the other hand, is eating a can of Chef Boyardee with a plastic spoon. I see no indication that they have heated up the can in any way, nor that anyone around them finds this to be out of the ordinary. Looking at the clock on the wall, I calculate that we have about ten minutes left for lunch. I could continue sitting here, watching from afar like a stalker, or I could actually do something. In my line of work, hesitating can lead to disaster, or even worse, missed opportunities. So, I choose the latter. Before I can change my mind, I grab my half-empty Gatorade and whatever remains of my lunch, stand up from my isolated corner, and start walking towards the table where Safeguard, or whoever they might be, is holding court. My heart is pounding a million beats per minute. I feel like every pair of eyes in the cafeteria is on me, even though I know they¡¯re not. Teenagers are great at not caring about things that don¡¯t directly affect them. As I get closer, their voice becomes clearer. They¡¯re arguing about the pacing of the latest anime series, using terms I don¡¯t understand but that sound serious. Each word, each syllable, is punctuated with expressive hand gestures and the occasional emphatic stomp of a boot. The entire table is hanging on to their every word, punctuating their proclamations with enthusiastic nods and the occasional counterpoint. I¡¯m almost impressed. I reach the table, and for a moment, I hesitate, my self-doubt rearing its ugly head. Then, taking a deep breath, I try to shove down my nervousness. I¡¯m Bloodhound, dammit. I¡¯ve fought supervillains ¨C at least two of them. I¡¯ve trained with the best of the best, of my age group. I can handle a bunch of goth teens arguing about pirates. Without giving myself another second to overthink, I pull out the chair next to them and sit down. It¡¯s like dropping a stone into a still pond. The table goes quiet. A few surprised faces turn my way, but no one says anything. The conversation halts. It¡¯s the person I¡¯m interested in that I keep my eyes on. When they finally turn towards me, I get a proper look at their face for the first time. They have striking features: a round jawline, expressive eyes with an unusual shade of green, a hint of freckles dusted across the bridge of their nose. Their hair is obviously dyed black, their skin pale and lightly makeup¡¯d, something that draws only more of my subconscious disdain. Getting closer hasn¡¯t made them any less ambiguous. If anything, it¡¯s only made it worse. For a second, our eyes lock. There¡¯s a flash of recognition, a split second where their eyes widen just a fraction before their face settles back into a careful, neutral expression. Is it recognition, or am I hallucinating something into a completely mundane sense of surprise? I keep my own face equally neutral, giving nothing away. This is a poker game now, and I¡¯m not about to fold my hand first. ¡°Hi, I¡¯m Sam,¡± I say, extending my hand. They look at it, then at me, and then reach out to shake my hand. Their nails are shiny black. ¡°You guys mind if I join you?¡± I ask, looking around the table. There are a few shrugs, a couple of disinterested nods. No one seems particularly bothered, so I take that as a green light. ¡°Knock yourself out. Jordan,¡± the person who I suspect is Safeguard says ¨C Jordan ¨C going back to their argument about the anime series. I try to follow along, try to at least internalize what they are talking about, something about devil fruits and ¡°Joy Boy¡±, but it all squeaks past my ears like a mouse evading traps. All the while, my brain is working in overdrive, trying to find concrete evidence, trying to confirm my suspicions, or deconfirm them. Even ten minutes into the future, I have nothing to show for it except an empty bottle of Gatorade and a feeling that I just struck out with people who are already social rejects. I do feel a little pang of some sort of pain in my chest. Back in middle school, I was quite a social butterfly. People enjoyed me, people liked me, or at the very least they tolerated me. I had a friend group I could rely on for lunchtime support, and here I¡¯m just another freshman. And there might be a supervillain here. The bell rings, signaling the end of lunch. As everyone starts to pack up, I take one last look at Jordan. I¡¯ve got more questions than answers now. But that¡¯s okay. This is just the start. I¡¯ve got an entire school year to figure them out. And I will. Chapter 10.2 Outside of lunch, the school day speeds by in a messy blur. Math, science, history - they all pass by in a whirl of jumbled equations, half-hearted explanations, and hastily jotted notes that I can barely make heads or tails of. I have one thought in my mind and it revolves around the same axis - Jordan, Jordan, Jordan. Could they be Safeguard? Did I just hit the jackpot on my first try? Or is this some kind of cosmic prank, a cruel jester spinning a tale to keep my wandering mind entertained? The school bell rings, a sharp sound that brings me out of my reverie. Students around me rise, stretching their legs, grabbing their bags, pushing chairs in or out, chatting away about their plans for the weekend. The bustling of young energy and clatter of movement is a stark contrast to the introspective echo chamber that my mind has become. Everyone is ready to head home, to escape the brick and mortar confines of Tacony Academy Charter High School. So am I, but for a different reason. I catch sight of Jordan in the hallways - they''re unmistakable, their towering boots and general air of disregard making them stick out among the sea of students. Taking a deep breath, I push past the remnants of my fear, my doubt, my reason. I make my way to them, navigating the ebbing tide of teenagers eager to enjoy their well-earned freedom between these well-traveled halls. The crowd crushes past us, hundreds of students trying to make their way onto the nearest bus to take them home, or to grab their bikes or to just walk. Quickly, we are pulled, regardless of intended direction, towards the front of the school and out. "Hey, Jordan," I call out, raising my voice just enough to be heard over the din. They turn around, a hint of surprise in their green eyes, their eyebrows lifting in a silent question. Before I can even get a word out, they interrupt me - or is it an interruption if it''s preemptive? "Yes, I am," they say, breaking through the open doors and onto the sidewalk surrounding the school. It''s not just the words, but the way they say them, an almost nonchalant acceptance, like they aren''t even surprised by what I''m about to ask. Like they''re reading my mind. My heart skips a beat. I swallow, keeping my surprise from showing on my face. I was prepared for this to take longer. Jordan gestures towards the dispersing crowd of students, in a general north-easterly direction. "I''m headed towards Tacony proper. Why don''t we walk and talk? Less people to overhear," they pitch, and, sort of agog (a kind of surprise), I follow along. We start walking, the loud chatter and rush of students becoming a backdrop to our simmering silence, before the chatter begins to fade away with distance. I want to say something, anything. But words seem to be failing me. Not because I don''t know what to say, but because there''s too much to say. "You don''t exactly make for a subtle detective, do you?" Jordan breaks the silence, their voice as sharp as a blade, their tone teetering on the edge of mockery. I can''t tell if they''re joking or serious. "I don''t know what you''re talking about," I retort, trying to keep my voice steady, but there''s an undercurrent of challenge in my words. A subtle reminder that if they''re Safeguard, then I''m Bloodhound. We''re not exactly in the playground anymore. "You came up to me at lunch after staring a hole in my head for twenty minutes. You also have the exact same hair and, you know, height and body structure as your alter ego. You couldn''t look more suspicious about it if you tried," Jordan answers, and I feel quiet rage bottling itself up in my neck somewhere. "Hey, it''s okay, we were all stupid fourteen year olds once." "I''m not stupid," is the only thing I can say back. "You''re certainly not very wise. It would''ve been better if you tried to get my trust somehow, maybe got a haircut, and maybe worked your way into my friend group from the outside instead of going for broke. But that''s okay, we all make mistakes." I don''t like being taunted like this, and the urge to punch Jordan only rises with every word. "I could get you arrested," I bark back, keeping my voice at a hushed, angry whisper. "For what?" Jordan laughs out, not taking me seriously in the slightest as we round a corner. "Being hot? As much as you know and I know, you''ll never hear that magic sentence come out my mouth, and you have no proof of jack shit," they reply. I glance down at their feet, but before I can even say anything, Jordan just laughs harder. "Demonica is the most popular brand of alt clothes in the world. There''s maybe like twenty thousand people in Philly with this exact pair of boots in this exact size alone. They don''t prove shit. You just got extremely lucky on a hunch." I simmer quietly to myself while Jordan stares forward, not looking at me. Occasionally, I glance sidelong at their face - a ring pierced through their nose, the occasional flash of silver in their tongue, and even a stud through their eyebrow, the one hidden under their bangs. This person is definitely not getting interred in a Jewish cemetery, if the things my mom tells me about piercings are correct. "I could beat you up," is all I can impotently manage after four minutes of silence. "Watch out, everyone, baby freshman Samantha is coming in hot with her first school suspension by beating up on a random junior," Jordan mocks, raising their hands in front of their face and waving them around sarcastically. "Besides, I haven''t done anything nasty since the CVS. I don''t think I''m really feeling the whole ''supervillain'' thing, if you ask me." "Why should I care about this? You still assaulted me in public." Jordan looks like they''re about to elbow me for a moment, and then clearly reconsiders. "Look, Sam, can I call you Sam? It''s not that we''re friends yet, it''s just a lot of syllables." "Whatever." "Great. Sam. I''m sixteen. You''re, what, fourteen, fifteen? I wanted to see if robbing a store would be my thing. It''s not. I don''t really care for it, it doesn''t interest me," Jordan says, my head already starting to ache from their very presence. "I mean, not that I''m going to go around saving lives, either, but, like, it''s a lot more complicated than I''m sure your fashy little friends are trying to drill into your head." "And what exactly is that supposed to mean?" I growl, restraining myself from whispering. Jordan chuckles a little bit. "All I''m saying is, if it''s cops versus robbers, I''m on neither side. I''m here for the excitement, not the heat, and I''m definitely not interested in working for the state. Maybe I''ll keep my neighborhood clean. Maybe I won''t. But you don''t make a big deal out of this whole thing, and I won''t make a big deal out of your whole thing. Can we call it trucies for now?" I hike up my backpack and squeeze my face up like I just kissed a lemon. "You''re really annoying." "Big talk from someone who''s been sitting by herself at lunch all week," Jordan shoots back, and I immediately feel a pulse of nausea run through me. "Your opinion sure means a lot to me. Maybe if you bothered to try being my friend first, calling me annoying would''ve hurt my feelings, but now I can successfully dismiss you as a petulant little child." "You''re really, really annoying." "You got me." We walk a couple more blocks in silence. I don''t know where Jordan lives, but I know the general outline of the neighborhood in my head, and I know how to get from wherever I am right now to Mayfair without much of an issue - maybe another twenty minutes of walking. If that. Jordan stops at a corner and looks around, before putting their hand out in front of me to stop me. "Alright, Sam, let''s talk. For real." The story has been illicitly taken; should you find it on Amazon, report the infringement. I fold my arms over my chest and try to puff myself out a bit. "What is there to talk about? You''re a bad guy, I''m a good guy. I don''t want to associate with you any more than necessary," I say, and Jordan just stares at me in response, blinking. "Associate means--" "I know what associate means, you tism-y little gnat," Jordan replies, which I''m sure is supposed to be an insult but it just sounds like a made up word to me. "You''re not listening to me. I don''t care about being "bad". I don''t want to make a living off petty theft or killing people or whatever. And I don''t want to save anyone''s life. In terms of Magic alignment, I''m as black as it gets. The only thing I care about here is myself - that''s not good or evil, that''s just survival." My face goes gawky as I reach out to grab both of Jordan''s shoulders and squeeze. "You are quite possibly the whitest person I have ever met in my life and I have met people with albinism." "What?" Jordan asks, clearly confused. "Oh. No, I. No, you, I don''t mean black like African-American, I mean black like Magic the Gathering. You know, the card game?" "I don''t do nerd stuff like that, sorry," I reply, letting go of them. "Maybe you should, it might make you a more well-rounded person. Anyway," Jordan starts, thumping their chest twice to get some phlegm out. "Look. Tell me right now what major accomplishments you have achieved in your month of being a superhero or whatever. Two months? I don''t know." "I saved someone''s life by calling 911 when they were bleeding out," I mark off on my finger. "And I stopped a supervillain robbery. That''s two things." Jordan golf claps sarcastically. "Very impressive. And what have you been filling all that time in between with? Patrolling around the bougie parts of Philly, rescuing cats and dazzling tourists?" "I''ve been training, too!" I object. Jordan rolls their eyes. "Right, training in some upscale private gym for superheroes in between rescuing cats and dazzling tourists. Don''t you get tired, Sam?" I take a step back and fold my arms tighter. "Tired of what? Like, in general? Yes, working hard is exhausting, but it''s good for me." Jordan pinches the bridge of their nose. "Don''t you get tired of waiting for things to just happen to you, Sam? I know exactly what you''re like and I''ve known you for maybe all of an hour tops. You''ve been drifting through life, just sort of doing what other people tell you to and having things happen to you. Even when you got superpowers, I bet it just happened to you. And I''m sure you''re content to just continue on this way, training yourself to be a good, efficient little soldier for the machine and just solving any problems that happen to you along the way. Your entire life will be spent reactively responding to things other people do to you, as it has been for the first like fifteen years or whatever. Am I right?" I don''t give them the satisfaction of an answer. I half-turn away. "I''m not answering that." "Don''t you want to be the problem for once, Sam?" Jordan suggests. I whip around and slap them across the face with the back of my hand, and they go reeling a couple of steps. "Don''t you dare suggest I stoop to your level, lowlife," I spit back. Jordan rubs their cheek and laughs a little bit. I smell the nosebleed forming before it happens. "Don''t worry about it, I''ll let you get that one for free. My bad. I phrased it wrong. Let''s try this again," Jordan responds, taking a deep breath and stepping one step closer to me. "Aren''t you tired of having things happen to you? Don''t you want to be the thing happening to other people? Criminals, villains, whatever? You don''t need to wait for people to tell you what to do all the time. You could do what I do and go out and be the¡­ happening. Go find some criminals to apprehend, they like to hang out in warehouses a lot." "You''re insane," I respond, trying not to seriously consider their offer. "I''m pragmatic. There''s a difference." I stare at Jordan for an uncomfortable additional minute, and then look away when the sight of their bloody nose starts getting too much to handle. They find some tissues in their backpack. While they clean up, I ask. "I don''t know how to be polite about this, but, like, are you a guy, or a girl? You said before that you weren''t a guy, but I don''t know if that was just a villain thing or not." Jordan laughs, stuffing a wadded up tissue up their nose. "What do you think?" "Do you think I''d be asking if I could tell?" I reply, rolling my eyes. "You really are fourteen," Jordan mumbles just loud enough for me to hear, coughing a little bit. "Let me answer your question with a question. What''s my first name?" I raise an eyebrow and turn to look at them. "Jordan. Right?" "Well, there you go," they reply. "That''s a unisex name. That doesn''t answer anything." I retort. "Well, there you go," they say again, grinning stupidly. They sit down on the curb. Another minute passes, and I sit down next to them. "My house was like three blocks back, I just wanted to finish this conversation. Just so you know that I''m taking it seriously, and not just trying to bother you because it''s funny since you kind of act like a gerbil." "Is that a joke about my teeth?" I ask, scowling. "Sure, if you want it to be," they answer without committing. We don''t look at each other. Finally, I take in a big inhale. I turn to Jordan. "You said that I could go out and be the problem. How would I even do that? I''d need to be in the right place at the right time, I''d still just be¡­ having things happen around me that I stumble into. I can''t tell who''s been robbing banks just from how they bleed in their homes. There''s not a good way to stop this stuff before it happens." Jordan sighs. "Well, if it were up to me I''d suggest you stop being a cop entirely and leave it to the cops, but--" "I''m not a cop. I''m a superhero," I interrupt. "Those are the same things. Can I finish my sentence?¡­ Thank you," Jordan talks over me, leaning back onto the sidewalk. "Anyway, I had an idea. Well, I''ve had this idea for a little bit, but, y''know, there''s not a lot of superheroes that I know personally for me to pitch it to. Have you ever seen the movie Fight Club?" "I''m not starting a Fight Club with you," I reply, not having seen the movie in question but knowing enough through pop culture to figure out what they''re pitching. They wave their hand dismissively. "No, no, don''t read too much into it. You watch professional wrestling?" Jordan asks. "No. Get to the point." Jordan rubs the back of their head with their hand, laughing, their boots scraping against the asphalt. "Tough crowd. Jeez. Look, here''s the idea. You''re a good guy. You care about your reputation and you need to build yourself up. And I''m sure you enjoyed the adrenaline kick from trying to beat me up even if you''ll never, ever admit it to yourself. Before you went psycho and almost ripped the bathroom stall in half, I was enjoying myself too, it''s okay, it is what it is. But you know me, and I know you, and we know each other out of costume. That means we can plan out of costume." They take in a breath of air. "Get to the point, Jordan," I say while they inhale. "Give me a god damn second! Jesus. Anyway. You get into costume. I get into costume and, I don''t know, kidnap one of my friends. Or, like, invent a fake death ray or whatever. Nothing illegal enough that I could get into any real trouble. The police try not to get involved in superhero fights because they don''t want to shoot bullets at someone that might be able to turn bullets into nuclear bombs or whatever, so everyone leaves us be to make a spectacle in public. I narrowly get away, or you zip tie me or whatever and I make a clever escape when we''re out of sight. And the more noise we make, the more people start paying attention to us. We get the attention of real supes, like, real deal guys, we get notoriety, we get a reputation. In two to three years, we get an action figure line and royalties¡­ that''s a joke." "So, just so we''re on the same page - we pre-plan supe fights in public and then do them to get the public''s attention, so that villains start seeking me out or being afraid of me by name, and so you can¡­ do whatever it is you want to do with your stupid life?" I summarize, trying to wrap my head around the scheme. "That''s what I''m saying. I''m not saying it''s a foolproof plan, but, well¡­" Jordan answers, turning to me with an almost psychotic looking smirk across their face. "Honestly, I think the problems with it are the fun part. What if my parents find out? It''ll bring a lot of intrigue and drama to my life, and that''s really what I''m here for." I roll my eyes. "If you want your parents to find out you''re a supervillain, just tell them that." Jordan laughs and grins wider. "But I haven''t done anything wrong yet. Nobody knows who "Safeguard" is. Where''s the interest in that? It''s boring. I''ve lived sixteen years of a humdrum, happens-to-me life, and I want out, Sam. Can you look me in the eye and tell me you don''t feel the same way? That you''re perfectly content with everything going great, predictably. Don''t you get bored? Don''t you want to, I don''t know, flip a coin and just see where it goes? Don''t you ever feel like just getting in a car or a bus or whatever and just going? Or has modern life killed your sense of adventure and wonder and fear?" I stare at them, blinking. My face has become some sort of slack, open, almost glassy expression I don''t know how to explain further. I hate everything about Jordan, and I hate how much my brain is soaking up their words like a sponge. I hate the idea they''re giving me and I hate the idea of doing something stupid and having my parents find out. I hate the idea of causing problems on purpose. I hate the idea of having my life no longer being predictable. I hate everything about this suggestion, so why can''t I look them in the eye and tell them ''no''? Why does thinking about fighting them make my chest hurt and my heart thump so hard? Why does the idea of people knowing who I am make my hands tingle? Why do I want to say ''yes''? Why, why, why? I have to find a middle ground, before I explode, being tugged between two violent halves of my being. I don''t say yes. I don''t say no. Instead, I look Jordan in the eye, and I open my mouth to say; "You''re fucking insane." WORLD OF CHUM: US Legal & Political Timeline

The Pivotal Case That Defined "Supervillains" Under American Law

Jennifer Rhodes, Esq., for Criminal Law Weekly Date: June 20, 2005 Summary The United States Supreme Court''s recent decision in United States v. Davis marks an historic milestone in the legal landscape concerning superhuman abilities. The ruling established a legal framework for treating superhuman abilities as potential weapons under the law. Notably, the Court also defined and formalized the popular cultural term "supervillain," now recognized legally as "Felony-Enabled Superhuman Operatives" (FESO). Arguments from the Prosecution
  1. Weaponization of Abilities: The prosecution argued that Davis''s superhuman abilities¡ªtelekinesis in this case¡ªwere deliberately weaponized to commit a bank robbery, a felony. Therefore, they should be treated as a weapon under the existing criminal statutes.
  2. Duty to Regulate: The state argued that failing to recognize superhuman abilities as potential weapons would create a legal loophole, potentially encouraging more superhuman-related crimes.
  3. Nom-de-Crime: Davis was not just an average criminal but had adopted a nom-de-crime ("Phantom Hand") under which he committed criminal acts, for the purposes of concealing his identity, indicating premeditation, preparation, and planning.
Arguments from the Defense
  1. Civil Liberties: Davis¡¯s defense argued that categorizing superhuman abilities as weapons could lead to violations of civil liberties and basic human rights, including the potential for unlawful detention of individuals based on abilities they cannot control.
  2. Vague Definition: The defense contended that the term "weapon" is too vague to cover superhuman abilities, which vary widely in nature and scope.
  3. Stigmatization: Labeling individuals with superhuman abilities as potential criminals could lead to widespread discrimination and stigmatization.
Supreme Court Ruling
  1. Weaponization: The Court sided with the prosecution, agreeing that superhuman abilities could indeed be categorized as weapons when used in the commission of crimes. Justices cited the existing framework for treating objects as weapons when "used, attempted to be used, or threatened to be used" in an unlawful manner.
  2. Nom-de-Crime / Supervillain: The Court coined the term "Felony-Enabled Superhuman Operatives" (FESO) as the legal synonym for "supervillain." They agreed that operating under a nom-de-crime for the purposes of concealing one''s identity while committing a felony with superhuman abilities constitutes a specific and unique category of crime.
  3. Civil Liberties: The Court acknowledged the defense¡¯s concerns about civil liberties but clarified that the ruling only pertains to cases where superhuman abilities are actively weaponized for criminal endeavors. It does not authorize the unlawful detention or persecution of superhumans not engaged in criminal activities.
Conclusion United States v. Davis is a landmark case that provides a foundation for understanding and prosecuting crimes involving superhuman abilities. By legally recognizing the term "Felony-Enabled Superhuman Operatives," the Court has set the stage for more comprehensive legislation and public discourse surrounding the ethical and legal dimensions of superhumanity in society.
State of New York v. Sentry Insurance: The Landmark Case that Changed the Face of Superhuman Insurance Hu Hai, for Insurance Law Review, published October 15, 2007

Introduction

In a historic ruling that has sent shockwaves through both the legal and insurance sectors, the Supreme Court of the United States settled the case of State of New York v. Sentry Insurance earlier this year. At the core of this landmark case was the issue of insurance industry discrimination against superhumans, an increasingly divisive topic as the population of superhumans continues to grow. The ruling has led to a series of regulatory changes that may redefine how the insurance industry operates.

The Plaintiff''s Argument

The State of New York, representing the interests of superhumans, argued that insurance companies such as Sentry Insurance were systematically charging higher premiums to clients with superhuman abilities. New York contended that this was a form of discrimination, equating superhuman abilities with pre-existing conditions. They argued that this could create a dangerous precedent, effectively cutting off a significant portion of the population from essential services like health and property insurance.

The Defense''s Argument

Sentry Insurance defended its position by asserting that insuring superhumans involves inherently higher risks, necessitating the higher premiums. Citing actuarial tables and risk assessments, they argued that superhuman abilities often lead to costly incidents, whether intentional or accidental. Therefore, the higher premiums were not discrimination but a fair assessment of risk associated with insuring a superhuman individual.

Supreme Court''s Ruling

In a 5-4 decision, the Supreme Court sided with the State of New York. Justice Anthony Kennedy, writing for the majority, stated that although the insurance industry has a valid concern regarding the risks associated with superhuman abilities, discriminatory practices based on superhuman status are constitutionally untenable. The majority opinion referenced the Equal Protection Clause of the Fourteenth Amendment, saying that "charging higher premiums based on inherent traits creates a subclass of citizens that face financial barriers to essential services."

Regulatory Impact

Following the ruling, a series of regulations have been enacted at both federal and state levels to prohibit insurance companies from charging higher premiums based solely on superhuman status. Insurance companies must now revise their risk assessments and pricing strategies, adhering to these new rules. While the insurance industry lobbies for legislation that could allow for some risk-based pricing adjustments, for now, the landscape has fundamentally changed, leveling the field for superhumans seeking insurance.

Conclusion

The State of New York v. Sentry Insurance case will likely be cited for years to come as a critical precedent in the ongoing evolution of civil rights for superhumans. As insurance companies scramble to adjust to the new legal landscape, one thing is clear: superhuman status can no longer be a metric for determining insurance premiums, and broader changes may be on the horizon.

The Superhuman Registration Act of 2008

Section 1: Short Title This Act may be cited as the "Superhuman Registration Act of 2008." Section 2: Purpose The purpose of this Act is to ensure national security and public safety by regulating the activities of individuals possessing superhuman abilities, powers, or talents. Section 3: Definitions (a) "Superhuman" refers to any individual demonstrating abilities beyond normal human limits due to birth, exposure to external stimuli, or other unknown factors. (b) "Entity" refers to governmental organizations and private corporations that employ, train, or utilize Superhumans. Section 4: Registration Requirements (a) All individuals identified as Superhuman are hereby required to register with the National Superhuman Registration Authority (NSRA) within 30 days of manifesting superhuman abilities. (b) Entities employing Superhumans are responsible for ensuring the registration of these individuals. (c) Failure to register will incur a fine of $500, doubling every subsequent 30-day period until registration is complete. Section 5: Data Collection and Privacy (a) The NSRA shall maintain a database of all registered Superhumans, including their personal information, abilities, and psychological profiles. (b) All data collected shall be available to federal, state, and local law enforcement agencies, and select private contractors. (c) Registered Superhumans are required to update their information annually, including undergoing psychological evaluations and power assessments. Section 6: Monitoring and Compliance (a) The NSRA shall have the authority to conduct unannounced checks on registered Superhumans. (b) All registered Superhumans engaged in crime-fighting or first response careers must wear a government-issued tracking device at all times. Section 7: Penalties and Fines (a) Failure to comply with the provisions of this Act shall result in escalating fines as stipulated in Section 4(c). (b) Entities failing to ensure the registration of employed Superhumans in a timely manner shall be subject to significant penalties, including revocation of operating licenses. Section 8: Severability If any provision of this Act is found to be unconstitutional, the remainder shall remain in force. The Superhuman Registration Act of 2008: A Case Study in Civil Liberties Elizabeth A. Grant, J.D., Professor of Constitutional Law, Harvard Law School Yale Law Journal Publication Date: February 1, 2010

Abstract

This article examines the landmark decision of the U.S. Supreme Court in striking down the Superhuman Registration Act of 2008. This analysis delves into the legal arguments put forth by the justices, providing an in-depth understanding of the case''s implications for civil liberties in the United States.

Majority Opinion: 6-3 Decision

Chief Justice John Roberts writes for the majority, indicating that the Act has multiple issues that violate the Constitution.
  1. Broad Definitions: Roberts, echoing concerns of both Ginsburg and Breyer, critiques the vague terminology of "Superhuman," which can be easily subjected to varying interpretations. This vagueness poses a risk of potential abuse and overreach.
  2. Data Privacy: Justices Breyer and Souter weigh in on the sweeping provisions for data sharing, including "select private contractors." They argue that this feature infringes upon Fourth Amendment rights against unreasonable searches and seizures.
  3. Mandatory Tracking: Kennedy and Stevens join Roberts in opining that the constant monitoring stipulated in the Act invades individual privacy rights, violating the Fourth Amendment.
  4. No Due Process: Ginsburg and Kennedy note that the Act lacks an adequate mechanism for due process and appeal, violating Fifth and Fourteenth Amendment rights.
  5. Lack of Oversight: Justice Stevens emphasizes the absence of an oversight mechanism, which could potentially result in unchecked governmental powers.

Dissenting Opinion

Justice Antonin Scalia leads the dissent, joined by Justices Clarence Thomas and Samuel Alito.
  1. National Security: Scalia argues that the Act serves an important government interest¡ªnational security. He asserts that the special capabilities of Superhumans pose unique risks that warrant the Act''s provisions.
  2. Limited Infringement: Thomas contends that the requirements for registration are minimally invasive and serve a compelling government interest, and therefore do not constitute an unreasonable search or seizure.
  3. Fifth Amendment: Alito argues that the escalating fines provide a reasonable and constitutional route for ensuring compliance, upholding the integrity of the Fifth Amendment¡¯s due process clause.

Implications

The Supreme Court¡¯s verdict against the Superhuman Registration Act sets a profound precedent for upholding civil liberties, even amidst unprecedented societal developments. This decision reaffirms the protection of individual privacy rights, especially in a growing era of digital surveillance. It cautions against crafting broad legislation that can be ambiguously interpreted, emphasizing the need for precision in statutory language. Furthermore, the ruling underscores the critical balance between national security and individual freedoms, warning against giving unchecked powers without clear oversight mechanisms. This case resonates beyond the immediate context of superhumans, signaling a protection of rights for any emerging distinct groups in the future. As global observers often draw inspiration from U.S. Supreme Court decisions, this verdict may also influence legislative discussions worldwide, encouraging nations to prioritize individual rights even when faced with novel challenges such as the rising influence of superhumans.

Conclusion

The Supreme Court¡¯s 6-3 decision to strike down the Superhuman Registration Act represents a landmark case in civil liberties. This article has unpacked the legal reasoning behind the ruling, illuminating its long-term implications for constitutional law and human rights in the United States.

License to Utilize Metahuman Abilities Act of 2013

Section 1: Short Title This Act may be cited as the "License to Utilize Metahuman Abilities Act of 2013" or "LUMA Act of 2013." Section 2: Definitions (a) "Superhuman" refers to an individual who has undergone an Activation Event, typically as a result of a near-death experience, and subsequently manifests one or more abilities that exceed the normal human range of capability, irrespective of the specific nature of said abilities. This story has been stolen from Royal Road. If you read it on Amazon, please report it (b) "Activation Event" refers to a significant traumatic or life-threatening incident which precedes the manifestation of superhuman abilities. (c) "Entity" refers to organizations, corporations, or groups, formal or informal, that employ, train, or utilize Superhumans. Section 3: Establishment of LUMA (a) Optional Licensure: Superhumans are not required to obtain a License to Utilize Metahuman Abilities (LUMA) unless utilizing their abilities for occupational purposes, including but not limited to law enforcement, assistance of law enforcement, or other mundane tasks related to employment. (b) LUMA Cost: Obtaining a LUMA requires a $40 fee and an interview conducted by the local police, sheriff''s department, or nearest National Superhuman Response Agency (NSRA) office. (c) Renewal: LUMA must be renewed every two years at a cost of $20. (d) Juvenile LUMA: Superhumans under 18 may obtain a Juvenile LUMA (JLUMA) which requires annual renewal. Section 4: Penalties & Enforcement (a) Unlicensed Power Use: Excessive use of superhuman abilities in public without a LUMA is a misdemeanor punishable by a baseline fine of $250, subject to local government modification. (b) Entity Liability: Entities employing unlicensed Superhumans are liable for fines starting at $25,000, subject to local government modification. Section 5: Legal Protections & Priveleges (a) Good Samaritan Laws: Superhumans in possession of a valid LUMA license shall receive beneficial consideration under Good Samaritan Laws for acts committed while saving human lives. (b) Future Amendments: Additional privileges may be accorded to LUMA holders by subsequent legislation. Section 6: Implementation & Oversight (a) Implementation: This Act shall be implemented 90 days after its enactment. (b) Oversight: The National Superhuman Response Agency (NSRA) is responsible for the oversight and management of the LUMA program.
The Digital Privacy Act and Riley v. California - Guarding the Digital Fortress of Metahumans By Harrison "Harry" Thompson, J. D., PhD, for The Digital Constitution In a world ever more interconnected yet increasingly hazardous to personal privacy, recent legislative and judicial actions have laid significant markers on the road toward securing individual digital sanctity. The pivotal cornerstones in this discussion are the 2015 Digital Privacy Act, spearheaded by lawmakers Sarah Quinlan and Robert Hartman, and the landmark Supreme Court case, Riley v. California.

The Digital Privacy Act: A Safeguard or a Mirage?

Passed in the wake of numerous high-profile data breaches, the Digital Privacy Act is, for the most part, a welcome legislative intervention. The act primarily aims to strengthen digital privacy measures for all individuals, but it goes a step further for our superhuman compatriots. Special provisions are included to guard the sensitive or valuable digital data of superhuman individuals - something that''s become increasingly necessary with the advent of LUMA (License to Utilize Metahuman Abilities). While one could argue the very necessity of licensing superhuman abilities smells faintly Orwellian, if we have to go down this rabbit hole, I am, at the least, pleased that there are measures to protect the data involved. The act sternly defines the illegality of employing superhuman abilities to snoop into private data, thereby providing a much-needed framework for digital ethics in the metahuman era.

Riley v. California: A Precedent for Superhuman Privacy Rights

The Supreme Court''s ruling on Riley v. California further fortifies the walls around superhuman privacy. In an unequivocal decision, the court ruled that the warrantless search and seizure of a superhuman''s personal data stored within their body - consider, for instance, someone with an innate ability for digital data integration - is unconstitutional. This sets a vital precedent. The Supreme Court, for once, draws a clear line that government agencies cannot sidestep superhuman rights under the guise of national security or whatever buzzwords are en vogue. It sends a strong message: if you have superpowers, your data is as sacred as your body, warrantless access to either is an infringement of your Fourth Amendment rights.

Conclusion

While the Digital Privacy Act and the Riley v. California ruling are undoubtedly steps in the right direction, we still have a long way to go. Registered Superhuman Entities may still be a matter of public record, but the vast majority of superhumans¡ªcivilian or otherwise¡ªare not. They exist in a digital cloud of vulnerability, protected only by recent legislative and judicial actions. One can only hope that these are not mere tokens, but the beginnings of a robust framework that respects individual liberty and privacy¡ªwhether you can leap tall buildings in a single bound, or are simply trying to send an email without Big Brother peeking over your shoulder. Keep an eye on this space as we continue to dissect the legal complexities of our brave new world. After all, it''s always better to know what we''re signing up for¡ªeven if it''s a license to be extraordinary.
The Implications of Antitrust Reforms on Centralized App Stores: A Brief Overview Jessica M. Thompson, J.D., Senior Partner, Thompson & Davis LLP, for Law360 Publication Date: December 3, 2015 The relationship between technology companies and the United States government reached a critical juncture when regulatory actions were undertaken to dismantle centralized app stores in 2015. This watershed moment arrived in an era characterized by rising tensions over issues like data privacy, national security, and market competition. At the heart of the debate were concerns that companies like Apple and NetSphere Shipping held monopoly-like control over digital marketplaces. It is essential to examine the legal landscape that led to this unprecedented shift. One of the defining cases of this period was TechCom v. Apple. It was not merely a legal dispute between two tech giants; it emerged as a battle that held implications for the entire digital marketplace. The Supreme Court''s decision to uphold TechCom¡¯s right to distribute software and applications outside of centralized app stores has become emblematic of a broader antitrust movement, spearheaded by lawmakers like Orrin Hatch and Richard Blumenthal. But TechCom v. Apple was not an isolated event. A spate of lawsuits trailed in its wake, targeting various digital retailers. For instance, OpenWeb v. NetSphere Shipping dealt with the latter¡¯s alleged abuse of market dominance in e-commerce, while InterSoft v. Skylark focused on Skylark¡¯s supposed anticompetitive tactics in the cloud storage sector. These cases collectively forced a reexamination of what constitutes fair competition in a digital age. This antitrust push did not exist in a vacuum. It was fueled by political considerations, evident in the chain of events that led to this legal maelstrom. It is widely acknowledged that these regulatory measures were a retaliatory act against Tim Cook and Apple for rebuffing the Federal Bureau of Investigation earlier in the year. Despite the FBI''s complaints to President Laura Stewart, efforts to force Apple to build encryption backdoors into their products proved unsuccessful. However, the antitrust crackdown was an alternative route to exert governmental influence over the private sector. This period of legal turbulence challenges us to reevaluate our existing frameworks. Although the Supreme Court''s ruling in TechCom v. Apple and subsequent legislative changes may be cloaked in the language of antitrust and market competition, the influence of political considerations cannot be dismissed. It brings into focus the complexities of regulating a sector as volatile and as innovative as the tech industry, particularly when government interests intertwine with corporate freedoms. This evolving legal landscape requires ongoing vigilance to ensure that it serves the interests of competition, innovation, and public trust, rather than becoming a tool for political vendetta. The ramifications of these antitrust reforms remain to be fully comprehended. Yet, one thing is abundantly clear: the tectonic plates beneath the digital marketplace have shifted, and this legal landscape will never be the same.
United States v. Gibson¡ªA Landmark Case on Superhuman Criminal Coercion By Amanda Sheffield, Senior Attorney and Partner at Sheffield & Collins, Lecturer at Yale Law School. Published in the American Journal of Superhuman Law, 2017. In a case that has potentially far-reaching consequences for superhuman-related criminal law, the Federal Appeals Court recently rendered its judgment in United States v. Gibson. The case revolved around James Gibson, a superhuman endowed with the ability to make an "irresistible request" once per person per day. The court upheld Gibson''s guilt but called for leniency towards the mind-controlled accomplices.

Incidents Involving Gibson

Court''s Ruling

The prosecution''s stance was clear: the nature of coercion was involuntary, meriting escalated punitive measures. They contended that the absconded agency of the accomplices effectively meant that Gibson was enacting offenses through them, rather than with them. The bench concurred broadly with this assessment. They decisively refuted the defense''s plea to categorize Gibson''s deeds as mere first or second-degree criminal coercion. Instead, the court opined on the distinctly invasive nature of Gibson''s power, which wholly deprived individuals of their volitional autonomy. In a surprising twist of unanimity, all coerced accomplices, as well as witnesses and direct victims, testified in favor of leniency for the accomplices and severe punishment for Gibson alone. The court noted this extraordinary circumstance in its ruling and mandated leniency for the mind-controlled accomplices.

Sentence

James Gibson received multiple life sentences without the possibility of parole and is currently incarcerated in Daedalus Correctional Facility in upstate New York.

Legal Implications

The court''s ruling sets an important precedent for the treatment of victims who are mind-controlled by superhumans. By holding Gibson accountable for his acts, the court has signaled a need to adapt existing legal frameworks to deal with new, complex ethical and legal challenges posed by superhuman abilities. It also lays the groundwork for future cases where mind-altering powers are in play, ensuring that justice considers the unique and severe violation of personal freedom involved.
When ''Super'' Means ''Soviet'': How the Government Ruined Healthcare for the Rest of Us

By William "Bill" Thompson, for capebusters.com

Greetings to all my freedom-loving readers. Today, I''ve got a bone to pick with the Superhuman Healthcare Act of 2021, and I''m sure you can guess why. We can''t forget that President Stewart set the stage for this disaster by tinkering with the Affordable Care Act back in 2013. I still don''t understand why a Republican would stoop so low. This was an act so incongruous with her pro-business stance that it triggered rumors that she had a Candle or a 22er in her family. I''m not saying it''s true, but it sure would explain a lot. But let''s get to the meat of the issue: the Superhuman Healthcare Act. This overreaching legislation claims to be about non-discrimination, but it effectively turns insurance companies into state-run operations. With various insurance companies basically having their hands tied by the state so they can''t decide what risks they want to gamble their shareholders'' money on, I wonder if they really even operate like profitable businesses anymore? Folks, let me paint you a vivid picture. This is the kind of law that turns capitalism into some sort of quasi-communism. We''re not far from the days when the government will distribute red capes to us all and demand collective farming. The state is forcing insurers to take on "affordable" rates for superhumans, whose healthcare costs can go through the roof. Do you know how expensive it is to manufacture bespoke exoskeletons or specialized pharmacological cocktails tailored for someone with teleportation powers or a toxic aura? And here''s the kicker: Why should I or any other tax-paying American have to bear the financial burden for superhumans we''ve never met? This isn''t even like regular healthcare; these are specialized needs unique to less than one percent of the population. I didn''t sign up to pay for someone''s nanotech immune boosters or dragon-scale grafts. This law comes on the heels of other bothersome legislation like the Health and Superhuman Services Act of 2018, which already set a dangerous precedent. Not content with that, Senators like Elizabeth Warren and Bernie Sanders pushed for the Superhuman Healthcare Act under the Rodriguez administration. I suppose they won''t be happy until our insurance premiums are as inflated as a Balloon Man at the Macy''s Thanksgiving Day Parade. We''ve let them turn our insurance market into a playground for left-wing social experiments. What''s next, rationed care for regular folks so that Dr. Shockwave can get his electricity dialysis treatment? The healthcare sector used to be a domain of calculated risks and rewards. Now, thanks to these incessant government interventions, it''s evolving into a utopian fantasy that serves neither man nor superman. It''s time to break the chains, people. It''s time to tell our legislators enough is enough. The Superhuman Healthcare Act: A Small Step Forward, but Miles to Go

Alex Rivera for theinclusionist.com

Hello everyone, Alex here. If you''ve been following our blog, you know we talk a lot about inclusion and social justice. Today, let''s discuss the Superhuman Healthcare Act of 2021¡ªwhy it''s good but not good enough. Firstly, kudos to the Rodriguez administration and progressive lawmakers for at least recognizing the unique healthcare needs of our superhuman citizens. After years of invisibility and discrimination, the passage of this act is a signal that we''re ready to accept superhumans as deserving of the same rights as any other American. However, let''s not pat ourselves on the back too much just yet. This act, while groundbreaking, is far from enough. Why? It''s all about the details, folks. I recently read a blog by Bill Thompson over at capebusters.com, who lamented that the act turns insurance companies into state-run entities. He''s concerned that we, average Americans, will have to foot the bill for "expensive exoskeletons" and "bespoke pharmacological cocktails." His language is hyperbolic, but it highlights a fundamental misunderstanding. Bill and others like him miss the point. The idea isn''t to redistribute wealth in some Robin Hood-like fantasy; it''s to build a society where everyone has a fair shot at a healthy life. Sure, creating therapies for superhumans may be more expensive upfront, but think of the societal benefits these empowered individuals could bring, not to mention how many supervillains have been formed from disgruntled individuals lashing out as a system they think can''t help them. However, what disappoints me about the act is its lack of comprehensive healthcare measures for superhumans. It merely prevents overt discrimination by healthcare providers and insurers but does very little to proactively help superhumans. For example, where are the provisions for specialized research grants, specialized healthcare centers, or education for medical practitioners to handle superhuman ailments? Non-discrimination is just the floor, people; we should aim for the ceiling. Before the Superhuman Healthcare Act, we had President Stewart''s ACA revisions in 2013 and the Health and Superhuman Services Act in 2018. Both were steps in the right direction but also left much to be desired. It seems that while legislation is increasingly acknowledging the existence of superhumans, it''s failing to dig deep into the complexities of what being a superhuman in America entails. So, to Senators Elizabeth Warren, Bernie Sanders, and others who spearheaded this act: Thank you, but this is just the beginning. Discrimination doesn''t end by making discrimination illegal; it ends when we create an environment where everyone has the resources they need to flourish. Let''s not stop fighting for a truly inclusive healthcare system¡ªone that meets the needs of every American, super or otherwise.

Controversy Surrounds Phoebe Byron''s Supreme Court Nomination in Wake of Justice Kethledge''s Tragic Death

By Morgan Reynolds, National Political Correspondent for The American Observer WASHINGTON D.C., March 16, 2023 - The nomination of Judge Phoebe Byron to the Supreme Court remains a focal point of political debate in Washington, two months after the sudden and tragic death of Justice Raymond Kethledge. While the country mourned the loss of Justice Kethledge, who was nominated just two years prior following Justice Ruth Bader Ginsburg''s passing, the focus has swiftly shifted to the implications of President Samuel Rodriguez''s latest Supreme Court pick. Phoebe Byron, at 42 years old, stands out as one of the youngest Supreme Court nominees in recent memory. Hailing from Nevada, Byron previously served on the Ninth Circuit Court of Appeals. There, she garnered attention for her meticulous examination of cases, her often unorthodox interpretations of the Constitution, and her spirited demeanor in court. While many progressives celebrate her nomination as a positive shift towards a more balanced court, conservatives express reservations regarding her views on corporate regulations and her past rulings on indigenous land rights and police surveillance cases. The shadow of Justice Kethledge''s unexpected death looms over Byron''s nomination. The early reports had indicated an accidental car collision as the cause, but the suddenness and political implications of his passing fueled numerous conspiracy theories. Both sides of the political spectrum have since made calls for patience and prudence, asking the public to wait for conclusive findings from the ongoing investigations. It''s worth noting that the Supreme Court has seen significant changes in its roster over the last few years. Prior to Kethledge''s passing, Justice Clarence Thomas, a longstanding conservative voice on the bench, died of natural causes at age 73, leading to the nomination and confirmation of progressive-leaning Justice Goodwin Hon Liu. As the Senate gears up for what promises to be a contentious confirmation process for Byron, several colleagues from her past have vouched for her expertise and dedication. However, the broader question remains: Will she secure the necessary votes in a politically tense and divided Senate? Chief Justice John Roberts, reflecting on the shifting dynamics of the Supreme Court, commented, "Each Justice brings their unique perspective and wisdom to the bench. As we navigate these changes, our commitment remains to uphold the principles and values enshrined in our Constitution." As the nation watches closely, the coming weeks promise intense debates and potentially pivotal decisions that will shape the future of the U.S. judiciary. Chapter 11.1 I¡¯m walking down the disused alleyway towards this place, and I think I might be losing my mind. This is a new kind of stupid, even for me. My feet are dragging against the gravel, picking up pebbles and flicking them off to the sides. It¡¯s like they¡¯re in slow-motion. They¡¯re my own, and they¡¯re betraying me. The air tastes like rusted iron and stale water; the smell of oldness seeping out of every crack in the building that looms ahead. It¡¯s hot out, the sun baking the asphalt and making my clothes stick to my skin, but the sight of the abandoned structure gives me chills. It¡¯s not even haunted, I don¡¯t think, but it¡¯s about as close as you can get to the word ¡®haunted¡¯ without ghosts being involved. Apparently a couple of years ago some people tried to buy it out, but they didn¡¯t manage to raise the money, so here it sits, empty and forbidden in the center of Tacony, between warehouses and falling-apart apartments. ¡°I should turn back,¡± I whisper to myself, not for the first time. But my feet, traitorous as ever, keep moving forward. My gut churns with a stew of anticipation, fear, and the remnants of a school lunch that tasted suspiciously like cardboard. I don¡¯t even like drama, I don¡¯t even like talking, but I¡¯m about to step into a derelict building to talk to a classmate about how we¡¯re going to fool everyone into thinking I¡¯m beating them up. I feel like I¡¯ve swallowed a rock. The whole world¡¯s gone gray. It¡¯s one of those afternoons where the clouds are so heavy, they could crush the life out of the city if they fell. You know the type. It matches the twisting dread in my stomach, the kind of anxious flutter that feels like I swallowed a flock of agitated pigeons. I take the long way to the abandoned music hall, winding through the grimy side streets of the neighborhood, making an actual detour in my head, though the crow wouldn¡¯t be fooled. The building, an abandoned music hall, looms overhead, its historicness¡­ historicity? That sounds right. Its historicity diminished like so many landmarks in this city by decades of disuse. Four floors tall or so, with a brick exterior and several windows that have been unceremoniously bricked up, looking so much like phantom doors intended only for use by screaming spectres. There was a padlock on the big, ornate wooden doors out front, but someone ¨C I can take a guess ¨C smashed it open. I push them out and pull up my phone flashlight, sweeping it over a modest lobby and grandiose stairs up to the second floor, covered in molding carpet, flanked by desiccated (that means ¡°really thirsty¡± but in this case I mean, like, skeletal) wallpaper that¡¯s peeling in strips. Inside, the gloom of the hall is punctuated by shafts of sunlight streaming through the gaps in the ceiling, the walls, the non-bricked windows, painting the dusty air in tiger stripes of light and shadow. I can make out Jordan¡¯s silhouette leaning against the railing, standing there like they¡¯ve been waiting for hours, which they probably haven¡¯t. Or maybe they have been, since it is a Saturday. Did they have better things to do? I have a sneaking suspicion that Jordan would show up five minutes late to their own funeral. ¡°Welcome to the party,¡± they call out as I approach, a note of amusement in their voice. Their casual demeanor contrasts sharply with the pulse pounding in my ears. They seem so comfortable, so at ease in this shadowy, dilapidated place, that for a moment I feel some sort of lizard envy towards them, the way a gecko might envy another gecko for getting the best heated rock in the sun. Even as I¡¯m shaking my head at their audacity, at their sheer mad energy, a tiny sliver of excitement stirs within me. I¡¯m stepping into uncharted territory here, and despite my nerves, I can¡¯t deny the thrill of the unknown. That¡¯s what scares me the most, I think. It¡¯s like I¡¯m on the edge of a precipice, and part of me, the stupid, irrational part, wants to jump. ¡°This is your headquarters?¡± I ask, raising an eyebrow, stepping over a broken stair. ¡°Don¡¯t make it sound so formal. I don¡¯t have a headquarters. This is a hideout. I come here to smoke weed anyway so I know where all the nails in the floor are,¡± Jordan replies, throwing their hands up in the air and shouting ¨C ¡°Watch out!¡± I¡¯m not startled. I just stare at them. ¡°Does your hideout at least have amenities? Like a seat I can park myself in without stabbing myself on an old rusty screw?¡± ¡°You are so lame. And yes, there are couches. Sometimes squatters are sleeping on them but I¡¯ve gotten good at escorting them out,¡± Jordan replies, dramatically flicking their hands behind them as they beckon me deeper into the murk of the abandoned music hall. I hear a gentle humming, and catch sight of a veritable fleet of tiny dehumidifiers and air purifiers, each one plugged into a battery cartridge, each one of those wired into what looks like a big battery with a solar panel attached. ¡°I¡¯ve been working on getting the place cleaned up, since I know you have standards and I want to prove my commitment to the bit,¡± they say, dragging out the word ¡°standards¡± like it¡¯s something naughty. ¡°Trust me, it was a lot harder to breathe in here a week ago.¡± It¡¯s not impressive. Well, it¡¯s impressive for what it is, but I¡¯ve been in comfier locales. Indeed, several ratty, mismatched couches have been dragged (judging from the scuff marks on the wooden floor) into a loose circle, a dirty carpet has been set down between them, and on top of that lie several fold-out tables of varying heights, each surrounded by plastic folding chairs. A smorgasbord of just¡­ stuff sits on top of the tables ¨C a first aid kit immediately jumps out at me, followed by several old flip phones, a swiss army knife, duct tape, zip ties¡­ You know. Stuff. Jordan dives onto the couch in the far corner and props their feet up on the armrest, folding their hands behind their head. I hover uncertainly for a moment before picking the least-broken looking couch and gingerly sitting down, crossing my arms and trying not to cough at a plume of dust that gets kicked up and sucked into the nearest air purifier. ¡°Ok, now the last part. Get comfortable, this might take a while,¡± Jordan warns, grinning at my expression of pure incredulity. I struggle not to groan. ¡°More surprises? I¡¯ve already got my hands full trying not to trip over all the health hazards in this place.¡± Jordan rolls their eyes at me but doesn¡¯t comment on my incessant grumbling. Instead, they reach under the couch, producing a large piece of cardboard covered in smudged ink and several polaroids. It looks like a storyboard, of sorts. In every image, there¡¯s a rough outline of a figure in a villain costume. ¡°That¡¯s me, by the way,¡± Jordan points, looking way too pleased with themselves. ¡°I guessed,¡± I respond flatly, trying to resist the impulse to get up and pace. I need to move, do something, not just sit here and absorb everything at once. But I¡¯m stuck. I¡¯m stuck in this hideout, stuck in my mind, stuck in this terrifying, electrifying unknown. ¡°Every polaroid is a scenario,¡± Jordan continues, oblivious to my internal spiral, ¡°Each one representing a possible crime scene. It¡¯s all hypothetical, of course. Staged.¡± I lean forward, squinting at the pictures. There¡¯s Jordan in front of a bank, then another of them standing over a tied-up woman on train tracks. Another has them pretending to adjust a massive, comically evil-looking laser. There are a dozen more like that. I realize, they¡¯ve been planning this for a while. This text was taken from Royal Road. Help the author by reading the original version there. ¡°You¡¯ve thought about this a lot, huh?¡± I say, trying to keep my voice steady. Jordan merely shrugs, but the glint in their eyes betrays their excitement. ¡°A bit, yeah. Figured it would make things more fun. Here, have a look,¡± they say, tossing me a polaroid. It¡¯s a shot of Jordan, standing on top of a city bus, their costume silhouetted against the night sky. A quick look reveals the artifice ¨C these are all photoshopped pictures. Or rather, they are polaroids of a computer screen with photoshop being run on it, cutting and pasting Jordan into these elaborate villainous fantasies. Even the edge of the program window is barely visible in some of them. ¡°Your turn now,¡± Jordan suddenly announces, pulling me from my thoughts. I blink at them, confusion momentarily overriding the adrenaline that¡¯s been steadily building since I walked into this place. ¡°My turn?¡± ¡°Yeah. To plan your moves, your grand entrance, all that superhero stuff,¡± they explain, looking utterly unbothered by the craziness of it all. ¡°I mean, that¡¯s why we¡¯re here, right? To plan how we¡¯re going to set up this little show?¡± And suddenly, I realize what we¡¯re doing here. We¡¯re not just planning some scheme or concocting some grand adventure. We¡¯re writing a story. Our story. And even though I know it¡¯s ridiculous, and reckless, and probably borderline illegal, I find myself getting caught up in it. I think back to Jordan¡¯s words in the schoolyard, their offer to step into the spotlight, to be something more than just a bystander. ¡°You are insane,¡± I repeat, staring at them blankly. ¡°I¡¯m not going to doodle on your polaroids. I thought you had something more substantial already planned out.¡± Jordan chuckles, waving their hand dismissively. ¡°Nah, the polaroids are just for me. I get a kick out of envisioning how these things might go down. But, for you, I¡¯ve got something a little different.¡± They pull a folded-up piece of paper out from one of their back pockets. ¡°I¡¯ve had my eyes on this place for a while now.¡± They unfold the paper and I see it¡¯s a hand-drawn map of what looks like a warehouse, complete with multiple entrances, exits, and what seems to be an assortment of crates and machinery. It¡¯s not exactly a masterpiece of cartography, but the details suggest they¡¯ve spent a fair amount of time working on it. ¡°A warehouse?¡± I ask, my voice echoing my skepticism. ¡°How very original.¡± ¡°Not just any warehouse,¡± Jordan insists, waving the map in my direction. ¡°It¡¯s the old Dobson Textile Factory on the edge of town. Abandoned for years, pretty sturdy and roomy, and most importantly, indoors.¡± They wink at me. ¡°You know, for me.¡± I find myself reluctantly intrigued despite my initial resistance. ¡°Okay¡­ so you¡¯ve got the setting. What¡¯s the plan? If it¡¯s abandoned, how are we getting an audience? Otherwise, we¡¯re just doing¡­ theatre alone in a dusty warehouse.¡± ¡°The plan,¡± they begin, adjusting their seating position to lean towards me, ¡°is a little heist. We stage it so that I¡¯m trying to steal something valuable ¨C like, say, a priceless artifact. Except the artifact is actually just some hunk of junk I picked up at a yard sale.¡± I can¡¯t help but snort. ¡°And where am I in this scenario?¡± ¡°You, my dear Bloodhound, make your grand debut by busting in to save the day,¡± Jordan replies, grinning wide. ¡°You swoop in, thwart my dastardly plan, we put on a good show, get a few photos for posterity, and then I manage to narrowly escape your clutches. To fight another day and all that. And in the meanwhile, I have a couple of friends who love streaming and drama. A superhero fight isn¡¯t a thing that happens every day. I just need to tip some people off and get the rumor mill started.¡± I stare at Jordan for a few moments, before finally shaking my head. ¡°This is a lot to take in,¡± I admit. ¡°You¡¯re suggesting we set up a fake crime just to draw attention to ourselves. What if we get in trouble?¡± ¡°Get in trouble for what? Nobody owns the building anymore. I¡¯m not stealing anything of actual value, and it¡¯s big enough that we can yell and scream and not get in trouble for noise complaints. The only thing we could get in trouble for socially is lying, which isn¡¯t a crime,¡± Jordan tries to convince me, splaying their fingers out, wiggling their hands. ¡°I mean, if it were, I don¡¯t think our justice system would work at all.¡± ¡°Do you ever stop making cop digs?¡± I ask, rolling my eyes. ¡°No,¡± they reply truthfully. I glance again at the map, noticing the crude sketches of crates and machinery drawn within the warehouse. ¡°How do you know this place so well?¡± Jordan smirks. ¡°Scouted it a couple times already, for¡­ various purposes. Used to play hide-and-seek in there when I was a kid. I know it like the back of my hand.¡± The rest of the afternoon flies by as we dive headfirst into planning. Despite the absurdity of the situation, Jordan has a flair for theatricality that¡¯s as unnerving as it is captivating. They guide me through the twists and turns of the imaginary heist, pacing the worn-out floorboards of the music hall as they narrate the supposed events. ¡°You¡¯ll come in from this entrance,¡± they instruct, pointing to one side of the map. ¡°There¡¯s enough of a vantage point there for you to make a dramatic appearance.¡± ¡°Sure, because that¡¯s what we¡¯re going for here,¡± I quip, but I don¡¯t protest further. I¡¯m still finding it hard to believe that I¡¯m actually considering this, but I¡¯m beginning to see a strange kind of logic in Jordan¡¯s madcap plan. Maybe I¡¯m spending too much time around their corrosive presence, but they¡¯re the only person that¡¯s given me the time of day in the past week, so I consider it a small price to pay. There¡¯s a kind of joyous energy in the way they plot our scene, their words flowing with an enthusiasm I can¡¯t help but begrudgingly admire. They chuckle as they mark out different places on the map, assigning me a path to take and areas to avoid. Every so often, they¡¯d look up and ask, ¡°You¡¯re okay with this, right?¡± And, despite my better judgment, I find myself nodding. I want to believe I¡¯m doing this because it¡¯s a means to an end, not because I¡¯m actually interested in their game. But there¡¯s a part of me, the part that¡¯s drawn to the thrill of the chase, the unpredictable tangle of this absurd spectacle, that¡¯s starting to come alive. They explain wrestling terms to me ¨C that I have to be the friendly ¡°Face¡± that looks good while they¡¯re going to be the nefarious ¡°Heel¡± that cheats, lies, and tricks me because they can¡¯t succeed without underhanded tactics. As the sun begins to lower in the sky, we get up from our map-filled corner and start moving. Jordan guides me through the choreography of our upcoming ¡®fight¡¯, an elaborate dance that¡¯s less about inflicting harm and more about creating a spectacle. They twirl around the room, performing mock punches and kicks, their movements fluid and graceful. ¡°Don¡¯t actually hit me, okay?¡± they remind me as I mimic their movements, trying to match their rhythm. ¡°Just make it look good.¡± ¡°We¡¯re not really going to hurt each other, right?¡± I ask, even though I already know the answer. But I need to hear it again, to assure myself that this is all just a game, a pretense for popularity and notoriety. Now that I know Jordan¡¯s face and name, the idea of actually hurting them makes me feel a little sick inside. The paranoid part of my brain wonders if that was their game this entire time. I shake off the thought. Jordan gives me a reassuring look. ¡°Not if we rehearse it well. All about control, Sam. We¡¯re not going to start throwing punches for real. That¡¯s not the point. Save those for the real bad guys.¡± For some reason, this gives me comfort. We continue our dance, our movements growing more synchronized as we grow accustomed to the rhythm of each other¡¯s bodies. We¡¯re in a peculiar kind of harmony, the two of us, working together to create a narrative that is nothing but an elaborate illusion, dancing together like this is some sort of eerie ballet. As the afternoon wanes, I realize that this isn¡¯t the worst way to spend a day. Sure, I never imagined myself choreographing a fake superhero fight with a self-proclaimed villain, but there¡¯s something about the absurdity of it all that makes it bearable, even enjoyable. I have to admit, there¡¯s a thrill in creating this spectacle, in being a part of something larger than myself. And every time I throw a punch into Jordan¡¯s chest and they stumble backwards, they ¡°sell¡± it, and fall over their heels into the awaiting couch or cushion below, I feel a sense of smug satisfaction wash over me in an awesome wave. ¡°And break!¡± Jordan suddenly announces, wiping the sweat off their brow. They settle down on an old, dusty recliner and pull out a water bottle from their backpack, which had been lying on the floor this whole time. They gesture to the spot next to them, inviting me to sit as well. Chapter 11.2 I plop down, feeling the sting of exertion on my skin. We¡¯ve been at this for hours now, and while it¡¯s fun in its own twisted way, I can¡¯t ignore the underlying tension, the constant reminder of what we¡¯re really doing here, planning on lying en masse. I feel like a child, about to be admonished for taking a cookie from the cookie jar. ¡°Drink up. You gotta stay hydrated, especially if we¡¯re going to be doing more of this,¡± Jordan advises, handing me an extra water bottle. I take it gratefully, the cool liquid providing a refreshing contrast to the sweat trickling down my back. I feel it sliding down my gullet and settling somewhere in my core, sucking in air after I finish chugging down the entire bottle in seconds. It takes me another couple of seconds to notice Jordan staring at me. ¡°What?¡± I ask. ¡°I¡¯m impressed by your ability to chug shit. You¡¯ll be fine in high school, kid,¡± they reply. ¡°I¡¯m not a kid, I¡¯m only like two years younger than you,¡± I shout back, scowling. ¡°That¡¯s like 1/8th of my life!¡± Jordan shouts back, not taking it nearly as seriously as I am. For a moment, we lapse into silence, the quiet hum of the wind playing its symphony through the cracks of the building. It¡¯s here, away from the madness of our rehearsal, that the reality of our situation begins to settle in, and I feel a creeping sense of unease. Butterflies and birds sing up from my stomach into my sternum (that¡¯s the part of my ribs that sits underneath my upper chest), and I feel the bile and nausea rising in my throat as I look out one of the broken windows at the orange-and-pink sky. Out of the blue, Jordan says, ¡°Why are you doing this, Sam?¡± Their voice is unusually gentle, their gaze steady on a position well past my face, somewhere in the darkness of the abandoned music hall. ¡°Why do you want to be a superhero?¡± I flinch at the question, taken aback. I¡¯m not prepared to bare my heart to Jordan, to share the complexities of my dreams and aspirations. But their eyes are sincere, lacking their usual mischievous glint. ¡°I¡­ I don¡¯t know,¡± I respond truthfully, ¡°It¡¯s the right thing to do, I guess. ¡®The reward for being good is being good, and the punishment for being evil is being evil.¡¯, that¡¯s what my Pop-Pop said.¡± I feel like I¡¯m second guessing myself, like all of a sudden all the reasons that made sense to me in my head suddenly don¡¯t when they¡¯re voiced out loud. Is this what Jordan was trying to do by calling me a cop ¨C filling me with doubt? Because it¡¯s definitely working. Jordan nods, their expression contemplative. ¡°You¡¯re frustrated, aren¡¯t you? Feel like you¡¯re not living up to your potential? That there¡¯s something more you could be doing with your life?¡± I get defensive, folding my arms over my aching stomach and curling my knees up. ¡°That¡¯s not it.¡± ¡°I don¡¯t care what your Pop-Pop told you, or what your priest told you, or what your teachers told you¨C¡± they start, before I interrupt them. ¡°Rabbi, not a priest. We don¡¯t do priests.¡± ¡°I don¡¯t care what your rabbi told you, either,¡± they continue without missing a beat. ¡°Why do you want to be a superhero? You don¡¯t have to be. You can become just a normal really good paramedic with that nose of yours and still contribute to society. You don¡¯t need to dress up in tights and go fighting criminals. If you want an out, here¡¯s your permission. Get up. Go. Return to your normal life if you aren¡¯t sure this is for you. I¡¯m sure nobody will begrudge a fourteen year old for dropping out of the game early.¡± I stare at them, blinking tears out of my eyes that I¡¯m not sure where they came from. I look down at my knees, and the air is consumed with silence for another good five minutes while I try to control my breathing, mostly unsuccessfully. ¡°I get it,¡± they say softly. ¡°You¡¯re not alone in this. I¡¯m not your enemy, Sam.¡± I open my mouth and close it a couple times, like a fish trying to gasp for air. None of my thoughts in the past five minutes have made any coherent sense, not enough to be notated. It¡¯s just a blur of feelings, emotions, ideas, and fear. I feel something snapping, like a strut going wrong, something that held up something important in my head. Yet, despite the shock, I find myself comforted by their words. Is it weird to admit that I feel less alone with them by my side? Less like I¡¯m going mad in this whirlwind of uncertainty? I shake off the feeling, the idea of us sharing a moment of bonding amidst our plotting feels absurd, especially with the only person who could be charitably called my nemesis. ¡°Why do you want to be a villain?¡± I ask, in some meek attempt to glean understanding from the void. ¡°What, you want my life¡¯s story?¡± Jordan asks derisively, leaning back in their chair. I blink at them a couple of times and wipe my face, sniffling over nothing. I feel embarrassed. I don¡¯t even know why I¡¯m crying, or what I¡¯m crying over, and the fact that I couldn¡¯t give them a good answer bites at me ¨C it gnaws and nibbles and burrows like an earwig. ¡°I live with my mom, and she doesn¡¯t like me or pay attention to me, so I have psychological damage that requires me to get attention from other sources. I feel like if nobody¡¯s paying attention to me, I¡¯m going to kill myself ¨C don¡¯t worry! I¡¯m not going to,¡± they begin, putting their hands up reassuringly when the mention of their imminent suicide makes me start welling up in tears again. ¡°I¡¯m being dramatic, Jesus.¡± ¡°Sorry,¡± I sniffle. ¡°My mom never remembers to buy food for me, so I have to shoplift shit because she gets bitchy when I eat ¡®her food¡¯. The free school lunches are cool though, I¡¯m glad that¡¯s policy now. That¡¯s my excuse, Doctor Freud. Nobody wants a superhero that steals granola bars from a Walmart, and villains have the cooler outfits. Happy?¡± I shrug my shoulders. ¡°Do you want my life story now?¡± ¡°Will it make you stop crying like a little bitch?¡± Jordan asks. I don¡¯t feel any malice, or really even any teasing from it. I really am just crying like a bitch for reasons I don¡¯t understand. I shrug my shoulders again. ¡°Whatever, go for it, so we¡¯re even.¡± ¡°My parents love me and want what¡¯s best for me, but my dad is really kind of cold sometimes and my mom only cares about me getting into a good college. And all my friends are gone because my parents put me in this shitty fucking high school. Sorry,¡± I start, unfolding my legs a little bit. I burrow my head in my arms, wiping my face in the inside corner of my elbow. ¡°I don¡¯t care. Say ¡®fuck¡¯ all you want. Fuck, fuckity, fuck-fuck-fuck,¡± Jordan encourages me. It feels freeing, to have someone not moderating my basest impulses. I feel another support strut somewhere in my head snap, quietly, like a twig being stepped on. ¡°Stupid school doesn¡¯t even have a soccer team. I mean, I didn¡¯t think I was going to be, like, a famous soccer player or whatever, but I could¡¯ve at least kept it up until college. I don¡¯t care about track & field. I met Liberty Belle and she found out about my power and recruited me for the Young Defenders, but they¡¯re all really uptight and nothing ever happens, it¡¯s just rescuing cats and cleaning up graffiti. My first patrol where I fought you was really the only eventful one,¡± I blurt out, holding my shark tooth necklace to my neck like a cross. ¡°I don¡¯t know, I don¡¯t feel like I need attention like you do, but, like¡­ it would be nice to have someone care about my ideas for a change. My preferences. What I want.¡± Unauthorized use of content: if you find this story on Amazon, report the violation. Jordan pulls a lever on the side of the recliner and takes a swig of water. The bottom shoots out like a spring-loaded rocket, carrying their feet with it. ¡°What do you want?¡± ¡°I don¡¯t know. I don¡¯t need the adoration or the money or the action figure deals. I just want¡­ to not feel the way I¡¯ve been feeling ever since I started puberty. To not feel like there¡¯s rats gnawing inside me,¡± I answer, spilling my guts. I start to wonder if Jordan has some sort of psychic power they haven¡¯t told me about, or if I¡¯m really just so pent up and alienated that it takes only a little therapeutic prodding to get me to start vomiting up all my deepest insecurities to the first person who seems like they give a shit on some level. ¡°When I punch someone or do something that gets my heart pounding like soccer, something that makes me have to really exert myself, it goes away. But then I calm down and the feeling comes back.¡± ¡°Deep. You need medication. Go ask your loving parents to take you to a psychiatrist and get some SSRIs,¡± Jordan suggests, leaning back and staring at the ceiling. ¡°Take advantage of what I¡¯ll never be able to have.¡± ¡°You are so cynical,¡± I can¡¯t help but chuckle, wiping what feels like the last of the tears out of my face. ¡°Yeah,¡± Jordan replies. I finish my water, having sort of unconsciously drank down two additional bottles while crying like a little bitch. Unceremoniously, Jordan stands up and declares, ¡°That¡¯s enough being weepy. Back to the stage. Our audience awaits!¡± Their tone shifts back to the showy, theatrical voice I¡¯m becoming familiar with, their brief moment of genuine concern tucked away. We jump back into the rehearsal, our bodies flowing through the movements with newfound synergy. Yet, a pit of doubt grows in my stomach. It¡¯s not about the plan itself or whether I could pull off the performance. It¡¯s about the principle of it all, the ethics. I slow down my movements, thoughts swirling. The sun continues to set outside, painting the room in hues of golden orange and deep purple before night starts to fall entirely. We¡¯re alone in this abandoned music hall, far from anyone that might offer a voice of reason. I can¡¯t help but feel a swell of apprehension at the thought of what we¡¯re planning. The rehearsal wraps up, our bodies draped in shadow as the last of the sunlight fades into night. Jordan is a silhouette, their body language relaxed and confident, like they were born for this sort of subterfuge. Meanwhile, I¡¯m hunched over, my mind a whirlwind of doubt and confusion, the adrenaline feeling like what I imagine weed feels like, a gentle buzzing in my face and my jaw and my bones. I hate that it feels good, to throw Jordan around onto cushions and pretend to punch them in the chest and the jaw, to elbow them, perform lariats. And to get thrown around in turn, being able to impress myself with my ability to fall near-painlessly. I¡¯m left breathless and sweaty by the time we¡¯re done our rehearsal, brain and body spinning. There¡¯s a certain thrill that comes with the idea of making a name for myself, of stepping out of the shadow of insignificance and into the spotlight. Of doing something that matters. But then, a sinking feeling gnaws at my insides. The ethical implications of our plan, of putting on a show to dupe an entire city, starts to feel heavy in my gut. I think about all the things I¡¯ve been told, about lying and the misery that it can cause. It¡¯s not just that I¡¯m afraid of the consequences; I¡¯m afraid of who I¡¯ll become if I follow through with this, becoming the sort of person that¡¯s okay with what we¡¯re planning on doing. My eyes feel tired and bloodshot and itchy. As if reading my mind, Jordan turns to me, their features softened by the dim lighting. ¡°You¡¯re having second thoughts, aren¡¯t you?¡± they ask, their voice tinged with a hint of concern and a slightly larger hint of mockery. ¡°I told you, you can leave any time you want. You don¡¯t have to participate in this. You can go back to your training in your headquarters and become the best supercop there is. You can even ditch those guys too, and just go to school, and be a normal girl with weird teeth. Nothing is forcing you here except yourself.¡± I look at the ground, mouth hanging open to pant for air. My heart feels like a bass drum in my chest. ¡°I just don¡¯t feel so good about the lying. I think I¡¯m freaking myself out about that.¡± Jordan¡¯s gaze flickers in the dim lighting, a wistful smile playing on their lips. ¡°Welcome to the world of heroes and villains, Sam. It¡¯s never as black and white as it seems. Lying to people is already part of it, otherwise you¡¯d go out with your face bare. You¡¯ll get used to it.¡± With that, Jordan breaks away from our moment of sincerity and steps up to the dilapidated stage. They outline the final details of our plan, painting a picture of our impending ¡®showdown¡¯. They speak of time, place, and choreographed moves like they¡¯re narrating a script for a blockbuster movie. Each word only adds to the whirl of anticipation, dread, and a strange sense of camaraderie that stirs within me, and when they¡¯re done, I feel like I¡¯ve bought in irrevocably ¨C that means irreversibly. I am too far in to stop myself even if I wanted to, and I don¡¯t think that I do. And now, an hour after that, Jordan is sleeping on one of their couches. Like they said, I can leave at any time, so I don¡¯t linger. The stairs and the rickety, rotten floorboards creak and groan underneath me as I make my way out, but they don¡¯t stir an ounce, tended to by their small army of fans blowing their short hair around. I wonder to myself how bad their home life must be if it¡¯s worth sleeping in an abandoned building with nails all over the floors instead of just going home and sleeping in your bed. I begin to feel a pang of guilt ¨C should I invite them over for a sleepover? And did they shoplift the waterbottles that I drank? I stare through the murky darkness, through the slots in the stair¡¯s railings, taking one last look at them before I descend back into the streets. As I leave the music hall, the weight of our plan hangs heavily on my shoulders. The abandoned building stands tall against the backdrop of the night, a silent testament to our evening of shared vulnerabilities and conspiracies. I¡¯m not worried about getting home late ¨C my parents trust me to stay out but get back before ten, and I¡¯ve been sending them updates, pretending that Jordan is just a friend from school. They sounded really happy that I have another friend, or, well, they sound as happy as you can sound over text message. I¡¯m sure they think that this whole time I was over Jordan¡¯s house or apartment or something. I don¡¯t think they¡¯d approve of me hanging out in abandoned buildings, but in for a penny, in for a pound. I wonder if that¡¯s a pound in the British sense or a pound in the weight sense, and promise myself to look it up on my computer when I get home. Walking home under the starlit sky, I can¡¯t help but recall the raw honesty in Jordan¡¯s voice. It¡¯s comforting, in a strange way, to know that they understand my hesitations. It¡¯s also unsettling, to realize how easily I found companionship in the one person I should consider an enemy. I can¡¯t help but wonder if this is what I¡¯ve been looking for all along ¨C the thrill of danger, the validation, the camaraderie. The wandering doesn¡¯t have to continue, but I¡¯m angry that this is what led to it, the settling of the rats inside of me. I fidget with my clothes as I try not to look shady or suspicious on my way back home, although I¡¯m sure nobody would look twice at an innocent fourteen year old girl in Philadelphia at night. From the outside, with my mouth shut, there¡¯s nothing interesting about me. I say hello to my parents as I fumble with the keypad and the fingerprint lock on our front door, shouting through the dense wood and probably bothering the neighbors. They say hello back once I step inside, I eat dinner, I go through the motions, trying not to vomit. I think this is called ¡°cognitive dissonance¡±. I¡¯ll have to look that one up too. As I step into the familiar confines of my room, my mind races, stuck on an endless loop of ¡°what ifs¡± and ¡°maybes¡±. I feel on the brink of something ¨C something big, life-altering, maybe even monumental. Underneath the mounting anxiety and the pulsing thrill, I can¡¯t shake off a burgeoning sense of excitement. Here¡¯s to the unknown, to the crazy path I¡¯ve decided to embark on. I lie in my bed, my heart pounding with an echo of our faux fight, and let my thoughts drift into the uncertainty of the future. I close my eyes, a weird calm washing over me. The evening continues to flow by me like a river, or the muddy shores of the beach, pulsing through me with each heartbeat I deliver. In my backpack, slung against the floor, is a cheap, compressed, less-padded copy of my superhero outfit, and I consider how life might¡¯ve been if I took the route Jordan took. Is Bloodhound a hero¡¯s name, or a villain¡¯s name? What if I could bite things without consequence ¨C but what if I could save people without worrying? My eyes don¡¯t want to stay shut, peeking back open at the computer-lit ceiling while my clock-radio plays music to drown out the orchestra of screaming piranhas that I call a thoughtscape. Eventually, midnight passes. My eyes grow tired and heavy. I can no longer sustain myself on anxiety alone, and with that, I welcome sleep, the oblivion and the dreams it may bring. Chapter 12.1 The cool night air brushes against my face, my boots crunching on the gravel beneath my feet as Jordan and I approach the dilapidated entrance of the Dobson Textile Factory. The wrought-iron sign hanging overhead creaks softly in the breeze, hinting at the age of this place. The moonlight casts eerie, long shadows, reflecting off shards of broken glass that used to be windows. In the stillness of the night, the place looks more like a monument to forgotten dreams than the industrial powerhouse it once was. On this edge of sundown, the bricks take on a particularly creepy hue, their dark red turned into a sludge brown, and only the fluorescent yellow of old streetlights nearby to give any further definition. It makes them look like they''re sick, like the building itself is alive and hateful, full of mold and spite. Safeguard''s costume is the same as it was on that fateful day in a Walgreens, albeit with a few minor improvements. We met up here, so I didn''t get to see Jordan put it on - not that I wanted to -, but I do get a glimpse of it without the billowing cloak, layers of thin, wispy black material strapped down with velcro. Just like me, they''re wearing thorough padding where it matters, elbows, knees, hands, but the tips of their gloves have been cut off, and I had to convince them via text to wear shinguards, which look jammed uncomfortably underneath their signature-to-me boots. With the opportunity to get a close look at it, it''s easy to see the helmet now for what it is, just a full-face motorcycle helmet spray painted white and then covered in a shiny primer. The visor itself hasn''t been spray painted, but a layer of white cloth on the inside, wrapped around Jordan''s upper face, completes the illusion. In the darkness, it''s basically impossible to see their silhouette. The helmet is just too distracting, it draws the eye, making them look like a floating head. My costume is the same as it was, the spare duplicate of it I carry with me, with the main one still shoved in a locker at the Young Defenders HQ. Gossamer was nice enough to provide me with several copies of it in the middle of August, which is definitely useful now, and the black, brown, and red accents makes me surprisingly difficult to make out along the brick walls. My hair is tied up in a ponytail, and I''ve gotten used to temporary hair dye in the form of spray as a means of safeguarding my identity - today, it''s a combination of black and red, because I''m feeling edgy. "Remember the layout," I mutter to myself, recalling the schematics of the factory we''d both studied. The factory is supposed to have a large main floor, with rows upon rows of long-abandoned looms and machinery. On the right, there''s a manager''s office, with the walls probably stained with the grime of countless workdays and negotiations. To the left, there''s a smaller storage room, which would''ve once held raw materials, now home to only dust and spiders. This is, of course, assuming that the factory didn''t shapeshift before we managed to get inside, or have any major updates since when it closed and now. I think that''s a fair bet to make. We push through the factory''s main door, which groans in protest. Inside, it''s colder than I''d anticipated, the kind of cold that seeps into your bones and makes your clothes feel just useless. The echoes of long-gone workers seem to hang in the air, overshadowed only by the remnants of machinery left behind. Rusted looms, giant and haunting, stand as still as tombstones, each one a monument to the hands that once operated it. You can almost hear the rhythmic clatter they would have made in their prime. I wonder to myself how they managed to get all those machines in here in the first place. Do you just drag them into the front door or through those cargo bays some places have in the back? Or were they brought in, bit by bit, and assembled on-site? I let the thought distract me for a moment before shaking it out of my head, my jaws clacking quietly. Refocusing, I notice the aged wooden beams overhead, crisscrossed with old wiring, the kind that probably predates any form of safety standards. The wooden floor beneath is warped and worn, every step threatening a creak or groan. Here and there, the ground is strewn with discarded bolts of fabric, each one telling tales of patterns and fashions long out of vogue. Gears and other assorted bits of detritus (that means, like, scraps and stuff) from disused machines make each step a little perilous, as my cleats try to catch on them. Today, I''m only wearing the rubber cleats - the big metal spikes would be a nightmare on any metallic surface. "Hey, Safeguard, if we need to like... hide or something, can you get that helmet off you fast? Like, in case a police officer shows up or something," I ask as we gently navigate our way through, using our phone flashlights to sweep a path in the darkness. Jordan glances at me and lifts a hood up on their cloak, immediately submerging their entire frame in black except for a narrow sliver of white across the eyes. Then, they wordlessly put the hood back down. "Got it," I mutter. Jordan moves ahead, scouting the manager''s office. I find myself drawn to the storage room. The door hangs off its hinges, and I push it open carefully, half-expecting it to fall off completely. Inside, the shelves are mostly bare, save for a few remnants of materials, moth-eaten and deteriorating. The scent of decay and old textiles assaults my senses, a mixture of mold and what I imagine is the scent of being forgotten. I wonder to myself why anyone would possibly abandon all of this - couldn''t they have repurposed the machinery, or recycled the materials? It seems like such a waste. You could at least clear out the real estate and do something with the building''s space itself, I know the Electric Factory used to be an abandoned something or other. If you spot this tale on Amazon, know that it has been stolen. Report the violation. As I stand there, lost in thought, Safeguard re-emerges from the manager''s office, their face hidden behind their helmet. "The office is clear," they say, their voice whisper-quiet. "Just some old paperwork and a couple of rats." "Are they cute rats?" I ask, trying to keep the mood light, although I''m not sure if it''s for me or if it''s for Jordan. "No," Jordan replies. I exaggerate a frown. The vast entrance doors creak open, revealing a cavernous main room. To my immediate left and right, there are staircases, aged and worn, leading up to the second floor. The steps, some broken, are covered in a fine layer of dust, and each has a familiar echoing thud as I test its sturdiness. Every footstep brings with it a cloud of memories, each particle holding a tale of a time when this place was buzzing with activity. The ground floor is an open space littered with ancient machinery. Looms stand tall, their wooden frames showing signs of rot, long abandoned and left to decay. Massive belts dangle, disconnected from the wheels they once powered. Rust has overtaken most of the metal parts, and the factory''s once vibrant colors are now lost beneath the grime of years. The smells are a mix of dampness, mildew, and rusted iron. With every inhale, I feel... terror, a looming sense of wrongness. I shouldn''t be here. My heartbeat accelerates, and I chalk it up to mold inhalation. Further into the space, large beams stretch from floor to ceiling, offering skeletal remnants of what used to be partitioned work zones. Tucked between these zones are workstations - wooden tables, benches, and stools, all worn out and discarded. Strewn papers, yellowed with age, are scattered around, remnants of patterns and designs long forgotten, their ink warped beyond recognition with the rainwater that''s leaked in through patchy holes in the roof. The windows are tall and grand, stretching nearly from the floor to the ceiling, though most are now broken or cracked. They''re boarded up, but slivers of light penetrate through the gaps, casting eerie beams onto the factory floor. The shattered fragments sparkle in the moonlight, laying on the interior of the windows, broken by wayward stones and vandals and casting a silent glimmer throughout the outdoors-proximate areas, one that shifts with the clouds passing over and in front of the moon. I venture up the staircase on the left, hand skimming the banister, feeling the rough texture of peeling paint under my fingers. The second floor seems to be more administrative. Here, there are partitioned rooms: offices with broken desks, rotting chairs, and old-fashioned typewriters left behind. One door is slightly ajar, revealing a small break room with a rusted kettle on a stove, and an old calendar hanging on the wall, its pages stuck on a date more than 70, 80 years old. I reach out to touch it with my fingertips, on impulse, and the paper crumbles to dust in my grip, breaking apart into flakes. Any records kept in this place have disintegrated, totally useless even for archeological purposes. Jordan takes the right staircase, their footsteps echoing in the vastness of the factory. We occasionally catch each other''s gaze across the gap, sharing unspoken thoughts. As I move, I stumble upon a series of storage rooms. Large spools of thread, now dull and colorless, are piled haphazardly. There are boxes of needles, buttons, and zippers, most of them scavenged years ago, leaving only the bent and broken ones behind. Towards the back, there''s a large loading bay with a set of huge double doors, probably for trucks that once transported finished textiles. The tracks of a previous rail system are buried in layers of dirt, leading out to where the trucks would have once stood, waiting for their cargo. By the time we converge back on the ground floor, we have mapped out every conceivable nook, corner, and cranny of the Dobson Textile Factory. My senses are overwhelmed by the details, the sights, sounds, and smells. I do, in fact, feel a bit like a dog in a new place, unsure of what to do with myself. After what feels like hours, but probably is only a few more minutes, we find ourselves back at the factory''s entrance, ready for the next phase of our plan. The moonlight spills through the broken windows, casting a silvery glow over the entire scene. I turn to Jordan, absorbing the environment one last time before we gear up for our impending showdown. Every shadow, every whisper of wind through the broken windows, serves as a reminder of the weight of what we''re about to do. They break the silence first. "Alex, my friend, is like a safe half a mile away, ready for the signal. Their drone''s got cell reception and a big, big range. Just need to say the word and it''ll be here in a couple of minutes." I nod my head and gulp quietly, swallowing thick spit that''s been accumulating at the back of my teeth. The gentle rustling of the night wind fills my ears as I suddenly feel a pulse. It''s faint, irregular - a heartbeat. My enhanced senses detect a metallic tang in the air - the unmistakable scent of blood. But it isn''t either of our blood. I freeze, my every muscle tensing. "Jordan," I hiss, "someone''s coming." Jordan''s eyes go wide beneath their helmet. Their head darts to the entrance, the moonlight reflecting off their visor. "What? How do you know?" "I can... sense it," I whisper, trying to pinpoint the location. There it is again, the irregular beat, punctuated by the distinct smell of fresh blood, and I feel the shape and the contours. Bleeding into tissues - a nosebleed. But more than that, from the mouth, too. I feel the bruises, spread out into the skin. Whoever''s coming has been beaten up bad. "Blood smell." We need a plan, and quickly. "We need to hide, now," I instruct. Jordan''s eyes dart around, quickly scanning our surroundings, processing possible escape routes and hiding places. Their gaze finally settles on a section of the upper floor. "Upstairs, on the catwalks. We''ll be out of sight and have a good view of what''s happening below." Without hesitation, we bound up the nearest set of stairs, moving with an urgency neither of us has felt in a while. I can only assume, at least, since I, for one, feel like I''m literally about to die. My muscles are all tension and torque and my heart is going harder than it has any right to, like I can almost feel it colliding with the inside of my ribs. We duck beneath the catwalk''s railing, peering down through the gaps, and I try to still my breath as much as possible. Jordan puts their hood up, and pulls on two drawstrings to pull it as tight as possible. Chapter 12.2 The door groans as it''s slowly pushed open. The silhouettes of four individuals cut through the dim light. Two of them are dressed in pristine, clean-cut suits that seem at odds with their surroundings, in navy blue, with a black undershirt. Their posture and demeanor scream authority. Another figure, appearing more disheveled with a bloodied nose and his arms bound, is escorted forcefully between them, trying to say something through what look like socks stuffed in their mouth, lips forced open like a cooked pig sucking on an apple, teeth splayed out. One of them is missing, dyeing the entire sock wad red with gums-blood. The last individual draws my immediate attention; he''s got a bulky, chubby frame draped in a sweat-stained wifebeater and a brown paper bag obscures his face. My gut clenches in recognition. "Mudslide..." I breathe out softly, ensuring my voice doesn''t carry, "How''s he out of jail?" Jordan doesn''t answer, but the unease in their eyes is evident. As the four make their way to the center of the main floor, their conversation becomes audible, while Jordan passes me their phone. "Bail? Parole?" is typed on their notes application. I glance at them and shrug my shoulders, trying not to let my eyes bug out too much. "Say, Mr. Williams," one of the suited men begins, voice dripping with faux amiability. "You know, you wouldn''t happen to be related to that, uh... What''s her name, Miss Liberty Belle, would you?" "What? What makes you think that?" Mudslide growls, his voice sounding stained with strain and cigarette smoke. "We don''t even have the same skin color, man." "Same last name. You might be half-siblings or something. You know, just making sure you aren''t about to do anything stupid. You understand, Mr. Mudslide," the other man says, dragging the captive squarely to the center of the main room. The moonlight puts an eerie pallor to everyone''s skin, and the struggling captive notices at the same time as I do that the distinctive brick-brown stain on the floor is probably not just regular dirt. Jordan''s body visibly clenches up as they process the same thing I''m seeing - the gun holsters on the suited men, each one fitted with a ginormous looking pistol. Sunglasses cover their face, one of them black, the other Caucasian, but both with well-maintained, short-trimmed hair and their own varieties of facial stubble. Mudslide just looks at them with an expression I can imagine even behind his brown paper bag mask. It''s what are you, stupid? But instead of saying that, he says something else. "If you know her name, why haven''t you just popped a cap in her while she sleeps?" he deflects. The black suited man laughs, his salt-and-pepper hair looking almost glittery in the moonlight. "You''ve got a lot to learn, Mr. Williams, but I''ll spell it out for you. You know what cops do to cop killers, right?" Mudslide rubs the back of his head through his brown paper bag. "You don''t last long." "Right you are. Just because you can get Liberty Belle''s full name - which, should you be curious, is Diane Williams - through a FOIA request, does not mean you have the right stuff to assassinate her. You know what cops do to cop killers, now imagine what they do to the superhero killers," the black suited man explains, kneeling against a disused piece of machinery. The captive lets out a muffled whimper, eyes darting around in panic. The other suited man, the white one, swats him on the side of the head, knocking him down onto the ground where he wiggles like a fearful earthworm. I try to keep my breathing as quiet as possible, and grab for Jordan''s phone. I pull off one glove just enough to type with it. "They have guns. We need to leave. Fight''s off." Jordan grabs the phone from me and nods. They type back "I know. We need to wait until they leave first. They''ll catch us otherwise." I tune back into the conversation. "Look, Mr. Mudslide, it''s a simple yes or no question. Sate my curiosity. Do you, or do you not, have a relation to Liberty Belle?" Mudslide grabs for his forehead, brown paper bag mask crinkling under his rough fingers. "No. I do not. Williams is a common last name, dude," he growls just loud enough to be heard. "Good. Thank you," the white one says, running a free hand through his dark black hair. "Now that the pleasantries are over with, I''m sure you know what comes next. "Let me guess, I need to fuck up this little creep?" Mudslide asks, cracking his knuckles and rolling his neck until it pops, every joint singing a quiet echo through the room. The black one laughs. "You have to kill him. We need to make sure you have the balls and that you''re not afraid to get your hands dirty. I''m sure dirty hands won''t be an issue for Mr. Mudslide?" he jokes, and my heart drops even further into my stomach. "What, so you have blackmail material that''s enough to put me back in jail?" Mudslide asks. I curl up into a ball a little bit and try not to move an inch. I know my vest is impact resistant, but I don''t want to test it against real life, actual bullets. Every second that passes makes me feel like my own heartbeat is going to betray me. "Yes, exactly. Now ice the motherfucker," the white one answers, full honesty, adjusting his sunglasses. "With pleasure. Gimme a gun," Mudslide asks, reaching a hand out to them expectantly. They both look at him like he has two heads. "What?" "We asked if you were prepared to get your hands dirty. Are you a supe or not? We don''t have room for regular run of the mill purse snatchers in the Kingdom," the white one answers. Mudslide sighs, taking two steps back and positioning his hands in front of his face, letting his fingers hang open. "Sure. Fine. With pleasure." He twists his heel, thrusts one hand forward, and the struggling captive is suddenly lodged a foot into the liquefied ground, the side of his face sucked under along with half of his torso and all of his legs. He writhes and squirms, and I feel his heartbeat accelerating, faster and faster, panic beyond panic overtaking him. I grab Jordan''s phone out of their hands. "We have to do something." Jordan looks at me, stern, and shakes their head. "We''ll dig him up once they leave. Don''t be stupid. Don''t turn this into triple homicide" they tap into their phone. I feel my nostrils flare. My entire body feels weak, shaky, ready to fail at any time. I have to do something, but without any ranged powers like Jordan has, I can''t do anything. "Use your powers" I tap, trying so hard not to drop the phone and make it clatter. Jordan sighs - I don''t hear it, but I feel it and see it. They pocket their phone and raises both of their hands up, trying to remain hidden behind the catwalk''s railing. "Well? We don''t leave bodies half-buried in the Kingdom, Mr. Mudslide. Finish the job," the black one orders. "Pussy." Mudslide''s entire body goes through a quiet, full-torso twitch, and he squeezes his hands shut. The captive goes down, sinking the rest of their body all the way up to their neck in the ground, leaving only a single eye and a single nostril exposed. It''s clearly trying to suck in air, but it''s not able to get enough, especially not withhout inhaling liquefied concrete, and I feel their heart straining to compensate. "There. We done here?" I watch as the captive slowly - slowly - drags towards us, the space between the three criminals and us growing. "Does your power stick like this if we leave? We need to know what''s going to happen. Part of why we scouted you is because we figured you''d be good at burying bodies, but if this body is going to jump back up at us, we''re going to have an issue," the white one says, and if it''s possible for my heart to drop even more, I think it has. It''s bottomed out. There''s no further distance for my heart to go. "I don''t know. I''ve never buried someone before. Not all the way down like this," Mudslide says, looking away from his own crime. "Well, put him six feet deep, then. We don''t have time to second guess this," the black one says. Mudslide clenches up his shoulders and brings both hands down, and the man completely vanishes. I feel his blood signature, going deeper, deeper, until I can''t feel it anymore through the layers of ground. Tears well up in my eyes and I try not to vomit. "How about thirty feet deep, smartass?" Mudslide challenges, rolling his shoulders. "God, that shit aches. Takes effort! It''s like digging through the thirty feet myself." The ground visibly re-solidifies. No body emerges. Mudslide drops his arms and goes slack, and I can tell his power isn''t active anymore. The white one claps him on the back. "Welcome to the Kingdom, Mr. Mudslide. What''s your favorite strip club, we''ll treat - huh?" He looks up. The other two look up. Jordan and I look up, to see a camera drone, red light beeping, staring at them through the broken windows. "Mr. Nothing, how long has that drone been watching and, apparently, recording us?" Oh, fuck. The world seems to shrink around us, time slowing down as all gazes are fixated on the hovering drone, its red light blinking accusingly at the scene below. The crimson indicator feels like an alarm - a beacon of exposure, of danger. "Alex..." Jordan mutters under their breath. Their friend was supposed to stream their playful confrontation, not become the inadvertent witness to a murder. This tale has been unlawfully obtained from Royal Road. If you discover it on Amazon, kindly report it. Mudslide, still disoriented from his recent exertion, squints at the drone, clearly unfamiliar with the device. But the two suited men seem more attuned to the implications. "That''s been recording for..." The white one tilts his head, processing, "the entire time. From the beginning." Mr. Nothing''s cold gaze shifts between the drone and the vast space of the factory, his dark eyes narrowing in suspicion. "Has it? Do your powers work on drones like that?" "No, but we need to make the assumption that it has been recording the entire time, and act accordingly. Mr. Williams, I''m afraid to say that there''s a very high likelihood you will be arrested and put in jail for murder if whoever owns this drone witnessed what you just did," The white one explains. "Thankfully, we have an easy solution to the first part of this problem." The drone begins to hover backwards, like it''s trying to back away, camera fixated purely on the suit-wearing men. I''m not even sure if Mudslide is in its field of view. Mr. Nothing pulls out his gun, and before I can even react to it, shoots the drone - it bursts into a spray of metal and plastic, totally demolished with a single precise shot. A couple of minutes ago, I was considering doing something - anything, really, to save that man''s life. To jump out and make myself a target, to force something to happen. To be a hero. But the gunshot rings out louder than anything I''ve ever heard before in my life, and I have to resist the urge to slap my hands over my ears, just standing still, trying to look like furniture, watching the horror unfold in front of me. They have real bullets in their real guns. In the dark of the night, they wouldn''t be able to tell that I''m a little girl, and honestly, I don''t think they''d care. I think these people will kill me if they find me. I glance over to Jordan''s phone screen, which is lit up at its lowest brightness setting with text messages. I only make out the name - Alex, of course - and the latest message before Jordan puts it away inside their costume: "Run" The white one steps out into the center of the factory floor, lit by moonlight, and stretches his arms out, while Mudslide looks around nervously, skin covered in a sudden layer of sweat. "Whoever''s there, if you make yourself known right now, I promise, we will not kill you. I am physically incapable of lying. Mr. Mudslide does not have permission to kill you yet, and neither I nor Mr. Nothing will fire our weapons at you," he says. I see Jordan take two slow, shuffling steps backward, and I reach out to grab their wrist. "This is not a jackass genie sort of situation. You will not be harmed if you show yourself right fucking now." "What the fuck, man, what the fuck..." Mudslide mutters to himself, grabbing for his head and then stumbling backwards, nearly tripping over a piece of machinery. "You fuckers said you could get me out of jail! Now I''m on camera murdering a guy! Fuck you!" "Relax, Mr. Mudslide. Mr. B is the best in the business. You''re not going anywhere," Mr Nothing says, pulling his gun out and sweeping it slowly, both hands on it, neither one on the trigger. "Consider yourself lucky. We pay overtime." I''m guessing that the other one is Mr. B, but something about Mr. Nothing''s tone of voice makes me think otherwise. Either way, Jordan jerks their wrist away from my hand, I guess because I didn''t realize how hard I''ve been squeezing it, and slowly starts to move themselves closer to the office. "Fuck this, man, this is ridiculous..." Mudslide stammers out, grabbing for a piece of machinery to steady himself with. "What? What do you want?" "Isn''t it obvious? There''s someone here. Drones like that don''t have an exceptionally large range. Go find them," Mr. Nothing orders, pointing his gun out in front of his face. I almost have to laugh at the impulse that rises in my throat, to correct them - this drone does have a large range, and it''s been streaming, not recording - but I shove that down hard. Being a smartass and correcting someone is not a good reason to get shot. On the other hand, their misinterpretation might get me shot anyway. "Safeguard, we have to go. Now," I whisper, taking a couple of steps back from the catwalk railing as the three men below us fan out. I turn back, and Jordan has made it into the old, crumbling office, while I''m stuck on the upper floor, trying to move slowly enough so that I don''t make any noise, easing off the catwalk and onto the wood. "Can I at least have a gun?" Mudslide protests as his heavy, lumbering footsteps begin working their way up the stairs, gingerly tapping down to avoid breaking through any of the rotten wood with his sheer bulk. "You two palookas have powers, but you get guns. Fair''s fair." "Mr. Mudslide, we''ll get you a gun after all this is said and done. Promise," the white one says, fanning out across the bottom floor, while Mr. Nothing takes the other set of stairs. I breathe the shakiest sigh of relief I humanly can, pressing myself against the wall and trying to become invisible in the darkness, while the upper floor stretches out beneath me, slowly expanding. I catch sight of Jordan in my periphery, behind a wall, slowly stretching the space out to put more distance between Mudslide and I. I feel relieved because Mudslide is someone I''ve dealt with before, and because he doesn''t have a gun. I slowly sidle along the wall as he passes by me, heart racing, his heavy footsteps clattering onto the metal catwalk. Any noises I could make now are disguised by the loud clanging of Mudslide trying to cross the catwalks, sweeping his head left and right, and I make it into the office, pulling myself around the wall and exhaling. Jordan doesn''t speak - they just show me their phone screen. "We need to jump out window. I can lower us." I don''t like it, but right now, I don''t have a better plan. I nod to them, and the two of us start slowly padding across the floor of the office, towards one of the broken windows. Each step feels more perilous than the last, as I keep my head on a swivel, looking out for the three men that would each kill us given the opportunity. Then, my foot busts through rotten wood, right next to one of the administrative desks. The next couple of seconds happen in slow motion. The weight of the metal desk collapses the rest of the wood beneath it, and it comes falling down with me. The noise, of course, is obvious, ripping floorboards and the sound of a heavy metal desk hitting the ground, but the worst part is that it falls directly on top of me, pinning me by the ankle right behind one of the rusted machines on the first floor. I can tell already that I didn''t fall the full way, that Jordan collapsed the space so it would be a shorter drop, but I still land right on my tailbone, and I''m still trapped with one leg caught under a heavy metal desk, straining to get it out. I manage to squeeze loose, but my shoe is caught, leaving me in one sock - I reach out and manage to pry it out, so I''m not stepping on shards of broken metal and glass. Jordan stares at me through the hole above me, and I don''t need to think twice to know what they''re thinking - run. BANG! Metal and dirt sprays up into the air in a thick cloud as a bullet embeds itself in the ground next to me, deflecting into the nearby wall. "I didn''t want to waste a bullet, but I did feel the need to make you aware that if you move, I will pop a cap in you, as the kids say," I hear Mr. Nothing''s voice behind me, and all my hair stands on end, my body trying to make itself bigger to no avail. My ears are ringing, and I look up towards the hole, expecting to see Jordan again. I see nothing. I curse myself for literally trusting a supervillain, and begin to make my peace with G-d. "Hands up, girl," the white one''s voice calls from the distance, and I slowly raise both of my hands. "Behind your head." I put both of my hands behind my head. I''m going to throw up before I die, which is really, really uncool. "Now turn around, real slow-like," the white one calls out, and I do just that, baring my face to the two of them. "Well, well, well, well-well-well-well-well. If it isn''t the pooch," Mudslide calls from above me, peering through the hole down at me with his brown-paper-bag mask. I can''t see his face, but I can feel his grin in the energy of his words, feeling it course through me like a vile hex. "What a surprise, that you''re being a pain in my dick again. Did you stalk me all the way here?" "You two have history?" the white one asks, walking over to me. Mr. Nothing gestures for me to back up with his gun, so I take a cautious step back until I''m up against the wall. "You could say that. This is the bitch that put me in jail. Bloodhound," he drawls, his voice full of malice and hate. Ordinarily, I would point out that he put himself in jail by holding a bunch of people hostage and leaving them alive so they could call him out in court, which is what happened, but I think I will definitely get shot if I don''t keep a lid on the smartass behavior. Mr. Nothing and the white one glance at each other. "How serendipitous," Mr. Nothing says to nobody in particular. "Bloodhound, right, got it. Not a name I''m familiar with. Bloodhound! How much of that did you see?" the white one says. They each step closer, Mudslide hopping down onto the desk that is now to my right, looming over me. He twists his hands and my feet go into the ground, sunken in all the way to my ankles. "How much of what?" I ask back. "Jesus christ, that''s a child," Mr. Nothing mutters, shaking his head. "So you won''t kill me, right?" I ask, sweating bullets. "You''re not going to shoot a kid." "I bet she followed that creep. She can smell blood, that''s her power. Don''t let her fake you out," Mudslide jeers, speaking from experience. "She smelled him bleeding." "Quiet, Mr. Williams. I''m trying to do an interrogation here," the white one says, pointing his gun directly at my center mass. "First question. How much of the previous events did you see? Second question, did you smell the man bleeding?" "Yes, we will absolutely shoot a child. Just to be clear," Mr. Nothing says, pointing his gun at my head. "My partner here is named ''Polygraph'' for a reason, so we''d appreciate your honesty. We will shoot you if you lie to us." The more this goes on, paradoxically, the better I feel. I don''t know what sort of manic energy is building up inside of me, like an engine that''s about to explode, but I feel more comfortable with every uncoordinated sentence. "I''m glad I know your name now, because in my head he''s just been ''the white one'', and that feels weird to me. Like, I don''t want to identify the two of you primarily by your race. Mr. Polygraph and Mr. Nothing, that''s better." They glance at each other. Mudslide raises his hand, and I sink an inch deeper in. "Answer the fucking question, girl," Mr. Polygraph says, nodding his gun at me. "Questions, plural." "I saw you shoot that drone, and I did smell someone bleeding," I say, trying to word myself around Mr. Polygraph''s power. I don''t know if it checks on heart rate or what, but I can tell he''s working around the magic question - did you see us kill someone. He can''t say it out loud. I need to keep that advantage. He doesn''t know everything, and has to work around incomplete information. "Before you say anything else, I want to make a confession. I think it will make this interrogation go easier for everyone." "I like this one, she''s lively," Mr. Nothing says, taking a step closer nonetheless. "She''s annoying," Mudslide interjects. "Annoying little goody-two shoes cunt. Psycho bitch." "Behave yourself, there are standards with your new job," Mr. Polygraph says. He aims his gun at my shoulder. "Go ahead, Bloodhound." "I''m... streaming the audio. I wouldn''t say anything you wouldn''t want to hear played back at you in a court of law," I half-lie, praying that it doesn''t trigger Mr. Polygraph''s power. He grits his teeth, his face growing visibly redder and redder, before he lets out a scream of frustration and shoots one of the nearby machines. BANG! I flinch, trying to keep my body as still as possible even as my ears start screaming back at me in bright tinnitus tones. Mudslide does a stronger, full-body flinch, and I tug one foot free of the ground, silently placing it on a more solid patch. "God fucking damnit. They sent in a fucking toddler wearing a wire. Grragh!" He swings his gun around wildly, with Mr. Nothing ducking out of the way. Mr. Polygraph stamps his feet and shakes his hand, holstering his gun. "A fucking girl scout with a wire!" he screams, pounding one fist into his palm, then going to punch the broken machine he shot not thirty seconds ago. I see a glint out of the corner of my eye, and I notice that the distance between Mr. Nothing and I... got bigger. "RUN!" Jordan shouts from the other side of the room, and I wrench my other leg free of the liquid ground, diving down as a bullet goes sailing over my head. Chapter 13.1 The room does this weird twisty thing, like those optical illusion videos where the hallway just keeps stretching and stretching. I¡¯m snapped from the momentary daze of the bullet¡¯s near miss, but then my eyes catch the play of physics and reality morphing. Jordan¡¯s doing. The room suddenly becomes vast, the distances stretched so far that for a moment, the machinery, the criminals, even the broken desk that I had almost died under seem miles away. A surge of adrenaline tingles in my fingertips, and I can feel my pupils dilating. My entire body feels fuzzy, like it¡¯s tingling with electricity, like I¡¯m licking a battery. In the newly enlarged space, it¡¯s like everyone¡¯s been flung into different time zones. Mudslide looks like a tiny, angry dot on a distant hill. Mr. Polygraph seems minuscule too, lost in the vast space of the room, and I can tell by his distant, tiny swearing and animated hand gestures that Jordan¡¯s play with space messed with his temper again. His anger, an ever-present ticking bomb, ready to explode at any given moment. But I shouldn¡¯t be focusing on that, right? Focus, Sam. The feeling of the cold metal on my socks reminds me that my shoe is still off of me, mere feet away, and I take the fastest ten seconds in my entire life to shove it back on. It¡¯s weird how in situations like this, when everything¡¯s gone topsy-turvy, it¡¯s the little things, like the lost shoe, that can pull you back. If I knew Jordan could¡¯ve made the Walgreens this big when we fought, I would¡¯ve probably been a little more intimidated. I don¡¯t hesitate, twisting on my heel and making a beeline away from where I remember Mr. Nothing standing, though I can¡¯t see him anymore among rows of fake machinery, replicated by Jordan¡¯s powers. I spot a rusted machine that looks like it was once used for textile weaving, and I dive behind it, using the time to catch my breath. Heart pounding, I try to hear over its drumming in my ears. The room¡¯s vastness makes every sound echo, the drip of water somewhere distant, the low hum of the old machinery, like it¡¯s still active and alive. And then there¡¯s a sound¡ªsomething heavy being dragged. Metal on metal. I focus my gaze, trying to figure out where it¡¯s coming from. Stay sharp. Stay alive. I keep reminding myself of that, even though every fiber of my being is alive with sensations, with hyper-awareness, like I haven¡¯t been living for the first fourteen years and a couple of months of my life and just now I¡¯m discovering real sensations. If you had told me a few years ago that I¡¯d be in this situation, heart racing, senses on edge, playing hide and seek with men who would kill me without a second thought, I¡¯d have looked at you funny. I lean against one of the machines for a moment, feeling for my ankle ¨C it¡¯ll be bruised, or sprained, or fucked up in some way when I go to the doctor tomorrow. Tomorrow. That¡¯s good. I definitely want to see that: tomorrow. There¡¯s a crunch of shattered wood somewhere, and my ears tune into it. Someone¡¯s approaching, though with the room¡¯s newfound vastness, it¡¯s hard to judge exactly how close. Every movement echoes in the red-brick cavern. I press myself further behind the machine, my heart in my throat. One step at a time. One breath. One moment. Suddenly, there¡¯s a burst of laughter, echoing in the cavernous space. Mudslide. I can tell it¡¯s him even before I hear the distinct squelch of his powers at work, the sound of bricks and concrete suddenly turning into quicksand. I watch the ground around me sporadically shift in texture as it liquefies, one patch at a time, before re-solidifying. Mudslide testing for me, poking around. ¡°Come out, come out, wherever you are, Bitchhound,¡± his voice taunts, sounding like it¡¯s coming from everywhere and nowhere at once. I¡¯m not able to pinpoint a source, just the echoing noise of his baritone and the soft squish of his powers, like mud being pressed through someone¡¯s fingers. I move behind one of the machines slowly, sidling along its perimeter, and I catch a whiff of blood in the air. ¡°I¡¯ve got a present for you! I¡¯m gonna bury you like you tried to bury me!¡± I know immediately that the blood is Jordan¡¯s by the shape of their vascular system, and take a moment to assess my readout. It¡¯s soaking into the cloth wrapped around their face, but I can¡¯t tell if their nosebleed is from getting injured or some kind of overexertion from spreading the space this wide. It truly is cavernous, to the point where I can barely see the walls in any direction, wooden support structures dividing it into a neat grid beneath a suddenly oversized, too-wide ceiling. Either way, I know where they are now, and start making my way towards them, keeping it still and slow. Sure, running would get me there faster, but it would also immediately get me caught by someone whose powers would halt all forward progress. I hear the echo of distant gunshots, and keep my focus on Jordan¡¯s body, watching for a sudden burst of blood that never comes. Good. The less they get shot, the better. The ideal amount of bullets either one of us will take today is zero. Jordan can¡¯t see me, so I have to hope they know I¡¯m coming. I keep hearing the sickening squish of Mudslide¡¯s powers activating all around me, with zero finesse, zero control. He¡¯s trying to catch me off guard, just randomly spamming his powers like a newbie fisherman just flinging his lure all around. Not today. Not this time. My heart jumps when I finally spot Jordan not a minute later, leaning against a post of one of the dilapidated looms, looking disheveled with blood staining their cloth mask, eyes a little bit glassy. ¡°Knew you¡¯d find me,¡± they say, voice breathy and eyes glazed with fatigue. I rush to their side, trying to control my limp. Their facial expression is hidden underneath their mask, but I can see the sweat drenching the un-red sides of their mask, and they pull the visor of their motorcycle helmet back down. Jordan grins weakly at me, leaning in as if sharing a secret. ¡°Smashed my face on that machine over there on purpose, you know. Figured it¡¯d be a neon sign for you.¡± ¡°You¡­ What?¡± I whisper incredulously. I can tell Jordan is smirking, from the way the corners of their mask curl upwards. I huff out a half-laugh. ¡°You¡¯re fucking insane.¡± We share a brief moment, a quick, intense glance, expressing the urgency in silence. But time is running out. Every passing second is closing in on us like a prowling tiger, with two armed criminals actively looking for us, and one extremely mad petty criminal who nonetheless could kill us very quickly. I start tugging on Jordan¡¯s arm. ¡°We need to go.¡± The sheer size of this place gives us the advantage of space, but it¡¯s only a matter of time before that advantage runs out. Add that to my own limping leg, and we¡¯re two sitting ducks just waiting to be roasted. So we stumble and hobble, me limping along, pain shooting through my ankle the more weight I put on it. We turn corners, sidestep machines, always moving, always alert. I think we¡¯re safe for a moment, even dare to hope that we¡¯ll make it out, but then it comes ¡ª a low rumble, the floor quaking beneath us. And then that wet, squishy sound. Without a word, I push Jordan behind one of the larger machines, an old thing made of rusty iron with cogs larger than my head. My heart beats out a frantic rhythm, one that surely must give our location away. And maybe it does, because a second later, a viscous wave of liquefied brick and concrete surges around our hiding place, nearly knocking us off our feet, forming a dense puddle. This book''s true home is on another platform. Check it out there for the real experience. The hideous, sadistic laughter of Mudslide resonates, deafening in this massive space. ¡°Gotcha!¡± he declares triumphantly, almost like a child who¡¯s just found his playmate in a game of hide-and-seek. ¡°Over here, fellas!¡± He shouts, trying to draw the attention of the two people with guns. Jordan hauls themself onto the machine, keeping their feet off the ground, while I tug myself upwards, following their lead. ¡°Don¡¯t gloat, dumbass,¡± Jordan shouts. Mudslide¡¯s booming laughter reverberates throughout the space, the walls sending back reflections of his twisted joy. I can feel the malevolence behind every pulse of his powers as the ground grows softer, then practically turns to soup beneath us. There¡¯s a real hunger in his intent ¨C a true desire to punish, to cause pain. I¡¯d love to believe he¡¯s doing this because he¡¯s scared of me, or even Jordan, but no ¨C this is revenge, pure and simple. The ground feels as if it¡¯s attempting to swallow us, just as hungry for vengeance as he is. ¡°No more running, Mutt!¡± Mudslide gloats, drawing out every syllable as if he¡¯s tasting each one. The surrounding ground transforms further, taking on a consistency thicker than water but not quite as solid as mud, drawing us in. It¡¯s cold, eerily so, and wraps around my ankles like shackles. The pull is immediate and strong, an unrelenting grip trying to drag me under, drown me in his constructed quagmire. The room grows eerily quiet save for the consistent, wet noise of Mudslide¡¯s powers, making the impending doom feel all the more present. Every now and then, the laughter breaks through, cold and maniacal. If I didn¡¯t know better, I¡¯d swear the room itself was laughing at us, while he keeps his hands clenched and shaking, each pulse up and down turning more and more of the ground into quicksand. The surrounding machines start dissolving into ash, interacted with too much to remain stable within the expanded space of Jordan¡¯s powers. Jordan reaches down. We clasp hands, and they yank me free, both shoes miraculously remaining on my feet as I grab hold of the indeterminate machine ¨C a loom, maybe ¨C with the other hand. Suddenly, with the rapidity of a heartbeat, the space lurches, and the sensation is stomach-turning. I instinctively reach out, grabbing onto one of the machine¡¯s iron arms to stabilize myself. The ground ¨C and the ensnaring muddy grip of Mudslide¡¯s powers ¨C shifts beneath us. In the span of a blink, it feels as though we¡¯re riding an elevator shooting upwards at an impossible speed, the ground receding rapidly. What was once horizontal becomes the vertical, the axis of Jordan¡¯s powers shifting. Before I can even process what¡¯s happening, we¡¯re standing atop an elevated platform. The cold, damp mud remains below, now far beneath us, swirling in futile patterns. It laps at the base of our newfound high ground, trying to reclaim its hold on us but falling short. This is the true advantage of Jordan¡¯s powers, I consider. Jordan will always have the spatial advantage in any fight. And Mudslide knows it. ¡°What the fuck¡ª?!¡± he roars, his voice echoing with a combination of surprise and rage. He¡¯s thrown off, clearly not expecting this maneuver. I can almost picture the look of dumbfounded rage behind the brown paper bag he wears as a pathetic mask. Still, it¡¯s not all roses. Jordan¡¯s shifting powers collapsed the space along the horizontal plane back to its norm, and while I can watch Mr. Nothing and Mr. Polygraph with a bit of dim satisfaction as they both go stumbling into machinery, slammed down onto the ground, the fact of the matter is that we¡¯re trapped up here and they have guns. ¡°Fucking shoot them already!¡± Mudslide roars, as Mr. Nothing stumbles back to a standing position. ¡°Don¡¯t order me around,¡± Mr. Nothing coolly replies, just barely audible from the height we¡¯re at. He takes aim, and with another loud, ear-splitting bang, a bullet whizzes past us, exploding through the ceiling of the abandoned factory. ¡°Are you two fucking insane? We can¡¯t kill an informant with a wire on them, they already know we¡¯re here! We need to fucking go!¡± Mr. Polygraph screams, slamming his hand against the tower of machinery that Jordan and I are so perilously sitting upon. ¡°We¡¯ll be fine. Just shoot the fucking toddler already.¡± Mr. Nothing replies, still ice cold. Mr. Polygraph lets out an anguished grunt of rage, points his gun up, and just starts unloading. The air is filled with the echoing of bullets busting through the air, and a searing pain rips through my upper right arm, followed by the thigh of my already-injured leg. Jordan¡¯s trying to keep the platform bouncing up and down erratically, even as Mr. Polygraph unloads his entire clip at us. It takes me a couple seconds to register that I¡¯ve been shot. I reach over to grab my upper arm, feeling for a bullet hole and breathing the world¡¯s shakiest sigh of relief when I can feel that it¡¯s only a graze ¨C but still, a graze that¡¯s ripped a huge gash in my arm. My thigh is just as lucky, which I think makes me the luckiest person alive, a huge cut torn in my flesh like I lost a fight with an angry chef that¡¯s two feet tall. ¡°Ow,¡± I breathe out, suddenly able to smell my entire vascular system, while these hardened criminals argue below me. ¡°There! Out of bullets. We¡¯re going,¡± Mr. Polygraph shouts, tugging his feet out of the wet earth. ¡°Are you okay? I¡¯m going to stretch it sideways to put some distance between us,¡± Jordan says, quietly whispering, clearly having noticed the blooming wounds across my limbs. ¡°It¡¯s gonna make the tower collapse down. Be ready to move.¡± ¡°I¡¯m fine,¡± I whisper back, clutching my arm, feeling wet stickness blooming into my fingers. My breathing is ragged, and I feel my pupils dilating further, my vision going hazy, then perilously, dangerously sharp. ¡°We¡¯re not running.¡± ¡°Sam. You¡¯ve been shot,¡± Jordan hisses, while Mr. Nothing criticizes Mr. Polygraph¡¯s sloppy marksmanship below us. ¡°You need medical attention.¡± I bend down and wrap my mouth around a piece of the iron beneath me. I bite down, and feel the metal buckle, and I pull my neck back like I¡¯m reeling in a fish, ripping it free with my jaw. Putting the newly-broken piece of iron in between my teeth, I bite down on one edge, and then the other, turning it into a makeshift spear before spitting down two teeth and several chunks of metal onto Mr. Nothing¡¯s head. He looks up at us and sighs. ¡°Can¡¯t you make this thing come down any faster, Mr. Mudslide?¡± Mudslide looks visibly wet with sweat on his exposed areas of skin, his pallid skin red with fury. ¡°I can only sink it as much as there¡¯s ground below to. You fucking get the idea! Just take like ten steps back, aim for their heads, and shoot them!¡± ¡°You aim for center mass, Mr. Mudslide. You have a lot to learn,¡± Mr. Nothing replies. ¡°Girls, if you come down right now, I promise I will shoot you in the least painful place possible. It will be an instant and extremely pleasant death. Total oblivion.¡± I hand the piece of sharpened metal to Jordan and bend down to bite off another one. ¡°I¡¯m not a girl!¡± Jordan yells from on high, while Mudslide starts to grab and rock the machinery from below. It begins to dissolve into ash clouds, like all other things Jordan replicates, which leads me to believe that the version of the loom we¡¯re directly on top of has to be the real one. Either way, Mudslide lets out a grunt, kicks the machine, and stumbles back as it explodes into dust flakes. The burning sensation in my limbs fades to a white-hot background noise, compartmentalized out somewhere in my head where it won¡¯t distract me as I cut another spear into shape with my teeth. I grab it with my not-shot side, the left one, the one with my hand covered in blood, and I grit my teeth together. ¡°This is a fucking embarassment! How are you getting played by a fucking child?!¡± Mr. Polygraph yells. ¡°Like this!¡± I shout back, jumping off the tower, putting all my faith in Jordan. The space contracts back to normal under me, and I accelerate, falling faster than gravity would normally allow for. I feel metal hitting leather, followed by meat, followed by bone, as my handmade (mouthmade?) spear grazes into Mr. Nothing¡¯s boot, planting into the ground and ripping a cut into his shin and foot. Mr. Nothing jerks his foot back and immediately fires at the space I was at a second ago, stumbling backwards. The tower of machines falls, Jordan diving into the cloud of ash that Mudslide made. I watch their motion through my blood sense, as they swipe and jab like they¡¯ve been practicing with a quarterstaff, driving Mr. Polygraph backwards and making several sharp, shallow cuts across his pants. For a moment, I feel a surge of triumph, and then my injured leg buckles under me. Chapter 13.2 I don''t even get a second to process the pain in my leg, because the world explodes around me in a series of movements and sounds. My vision blurs momentarily, but the blood thrumming through my veins, the intoxicating cocktail of danger and adrenaline, sharpens everything in its raw clarity. As my leg buckles, Mr. Nothing lunges towards me, his fist balled, aiming for my face. It''s almost like one of those slow-motion movie moments. I can see the pores of his skin, the raw power in his posture. But the floor beneath him trembles, shifting and turning into that cold, treacherous semi-solid. It''s Mudslide''s doing, that much is clear. But in his efforts to catch me, he''s inadvertently sabotaging his own teammate. Mr. Nothing''s foot sinks a little, throwing him off balance, his punch veering wildly off its target. It grazes my shoulder instead, still enough to jolt me, but not the direct hit he intended. "Dammit, Mudslide!" Mr. Nothing curses, trying to pull his leg free. I get my wits about me enough to scramble backward, feeling the slight give of the muddy ground beneath my hands. "Control your powers!" Just a few feet away, a scuffle breaks out between Jordan and Mr. Polygraph. The latter is bigger, heavier, and clearly more experienced in hand-to-hand combat, but Jordan''s unpredictable spatial abilities, and my little makeshift javelin, give them the edge. As Mr. Polygraph lunges, Jordan stretches the space, making him miss. But it''s a constant tug of war. Mr. Polygraph uses his longer armspan, attempting to grapple Jordan, throw them off balance. Several times, I catch glimpses of Jordan trying to jab their makeshift spear into him, but he''s just too fast, too agile. Yet, for every move he makes, Jordan''s counter is just as quick. Clearly, Jordan''s been training since our first fight. I feel the weirdest tingle of pride. The ashen cloud, the residue of Jordan''s powers breaking down on contact, is a tangible entity around us, concealing our movements and masking our intentions. With each heartbeat and echo of pain from my fresh wounds, I can sense the flow of blood around us, from every source. It''s a surreal experience, feeling the pulse of the two criminals, understanding their positions, their approaching movements. But it''s not enough to give me a full upper hand. Being able to see the two of them, to sense them, doesn''t mean my reactions are fast enough to avoid them. Mudslide seems to be getting desperate, or maybe just more enraged. His powers act without precision. One moment the ground solidifies, and the next, it''s a viscous trap. But it''s not just me who''s affected. Mr. Nothing struggles, cursing with every misstep, until he lets out a delightfully loud "Fuck!" and yanks his boots and socks off. Taking advantage of his momentary distraction, I rush him, or at least try to. My injured leg doesn''t carry my weight as it should, causing me to stagger more than run. Still, I manage to get close, biting down on his arm. The taste of iron and salt fills my mouth in an instant and I feel my nostrils flare. He lets out a scream, trying to pull away, but my teeth sink in deeper. I try to bite down harder, to reach bone and break it, feeling instinct driving my actions. I am not a monkey. I am not an ape. I am a shark, devouring. "Get off!" He roars, pulling his arm back with such force that I''m thrown off balance, tearing out a small chunk of skin suited to fit in the mouth of a fourteen year old, my lip-span not big enough to reach bone from that angle, or really even rip open veins and arteries. My back hits the ground hard, driving the breath out of me. But I don''t have time to recover. He''s on me again, fist raised. Jordan saves me. Or rather, the sudden expansion of space between Mr. Nothing and I does. He''s thrown off balance, his punch missing me by inches. The room distorts around us, going funhouse mirror mode again as Jordan stands over me protectively, while I spit out the gross cloth of Mr. Nothing''s jacket. I look towards him, trying to gauge the wound, only to be left disappointed at just how shallow my attack was, only leaving small puncture marks in his skin that are barely bleeding. Jordan reaches down, grabs me by the ponytail, and yanks me back to my feet. "Handle the one without bullets," they breathe out, the cloud of dust beginning to settle. "I''LL FUCKING KILL YOU!" Mudslide screeches, sinking me up to my knees in an instant. Thinking fast, I jam my spear into the nearest loom to prevent me from being sucked all the way down, my arms screaming as the ground threatens to swallow me. Mr. Polygraph rolls up his sleeves and starts advancing, with the sort of anger I''ve only before seen on old women spurned by a cashier when trying to cut coupons. "Mudslide!" Mr. Nothing yells, taking aim with his pistol and firing a deafeningly loud bullet right by Jordan''s head, only narrowly missing from the need to duck backwards from an iron machine part about to take his head off. Jordan swings and swipes, and an ill-timed use of Mudslide''s power traps the wrong person''s ankle, giving them just enough leverage to smack Mr. Nothing''s pistol out of their hand. "Why did you waste all your bullets you fucking idiot!" Mr. Polygraph swings for my head, and between the sinking ground and getting punched in the face by a forty year old man, I''ll take the ground. I let go of my spear and let Mudslide''s powers take me down to my hips before grabbing hold of Mr. Polygraph''s ankles. Out of the corner of my blood sense, I watch Jordan and Mr. Nothing jockeying for position, my heart pumping so crazy hard I feel like I''m going to pass out. Jordan lets out a cry of pain as Mudslide blindsides them with his shoulder, ramming them onto the ground next to me, and Mr. Nothing pulls himself free of the wet dirt, diving on top of them. Instantly, any changes in space vanish. As Mr Nothing grabs for Jordan''s shoulders, I feel his fingers, the blood flow in every extremity, digging around their costume, and as soon as Mr. Nothing touches skin, the entire warehouse snaps back to normal. Mr. Nothing. Because he turns your powers off. I get it now. The world is still snapping back into focus, raw clarity coursing through me. I''m tired, so tired, my head thudding like a second heartbeat. I hear Jordan''s sharp breaths, their feet dancing on the ground as they move, every thud echoing with purpose and intent. It''s all swirling around me: the sour smell of sweat, the metallic tang of blood, and the dusty residue of Jordan''s spatial shifts. The wet slurping sound of mud being created, manipulated, and destroyed. The dirt, once hard and unforgiving, is now a swamp, threatening to drag us all under. Mudslide, all rage and recklessness, can''t control his powers with any precision, not even an ounce of it. The ground liquifies and hardens intermittently, creating chaos on the battlefield. I feel my feet get sucked in just as I manage to pull myself out, the cold, damp earth curling around my ankles, trying to imprison me. I hear the distinct sound of Mr. Polygraph''s shoes on the remaining patches of unaltered concrete, their soles making a soft squishing sound on the muddy ground, getting louder with every step he takes. I crane my neck, seeing him coming straight for me, his fists balled up. They''re big, veined, and calloused from countless fights, making my minimal combat training seem like a joke. And yet, there''s this burning defiance in me, pushing me to fight, to bite, to survive. I see Jordan struggling, really struggling, with Mr. Nothing, Mudslide cackling as he pulls the two of them down into the liquefied concrete. Suddenly, a sharp pain pierces through my ribs, driving the wind out of me. Mr. Polygraph, faster than his bulky frame suggests, steps in on me and drives his knee into my side. The sharp, agonizing feeling makes me think that he might have broken a rib or two. I gasp, the world spinning as I''m thrown back, my back twisting as my hips try to escape the ground ¨C I''m stuck, a boxing bag in a gym. Mr. Polygraph''s face looms over, his breath reeking of mints. In a quick motion, he grabs my hair and pulls my head up only to slam his knee into my face. I feel the cartilage in my nose snap, a hot rush of blood spewing out. My vision blurs with tears, and every breath feels like inhaling shards of glass. Unauthorized usage: this tale is on Amazon without the author''s consent. Report any sightings. Yet in this haze of pain and disorientation, there''s a peculiar focus. A sense of raw, animalistic need to survive. It''s almost like my body is acting on its own, separate from my thoughts. With Mr. Polygraph so close, I smell the metallic tinge of his own blood. His hand has a fistful of my hair, and his knee lowers down slowly. I feel his veins twisting with his movements, and predict him. I punch him in the balls. I punch him in the balls again. I punch him in the balls again. On my third attempt, I go for a grab and twist, trying to crush something, but he lets go of me, stumbling backwards, knees buckling. I jam my hands into the loom and pull myself out, adrenaline giving me strength I didn''t realize existed inside of me. Blood is pouring out of my smashed mask, the clacking jaws broken like a twig by Mr. Polygraph''s knee, so I rip it off, breaking the strings, and hurl it at Mudslide. I don''t bother to look at him. I just lunge forward. The satisfying crunch of breaking bone fills my ears as Mr. Polygraph screams out in pain. He pulls back, reeling from the force of my bite. The wound on his shoulder is open and gushing, and a part of me is repulsed by my own savagery. The other part is fiercely satisfied ¨C now this is a bite, nothing like the weak little nibble I gave Mr. Nothing. Mr. Polygraph''s fist meets my stomach, and I let go, gasping in pain and stumbling back into the loom. I reach for my spear, but it''s already gone. With swift precision, Jordan stabs Mr. Nothing in the gut, ramming it all the way through. They let out a furious animal yell, slamming their palm against the end of the rusted iron bar, jamming it through Mr. Nothing''s stomach and out the side. The shock on his face is palpable. As he falls backward, his grip on the powers around him falters. Without a solid grip on Jordan''s skin, he can''t nullify their powers, and both he and Mudslide go sailing away. I feel the blood pooling in Jordan''s neck, and know instantly that Mr. Nothing was strangling them ¨C really strangling, the kind where he was trying to crush their windpipe with his thumbs. My world, a swirling blur of pain and blood, spins crazily around me, but in its chaotic heart, the icy bite of adrenaline narrows everything to a pinpoint of ferocious clarity. It''s in this state of heightened awareness that I notice it ¨C a hairline fracture in my focus. Jordan''s presence, their strength, wavers beside me. My heart, already racing, pounds harder as fear and protectiveness for my friend flood my senses. Every gasp, every breath Jordan takes is ragged, the usual cadence of their heart rhythm distorted with pain and exhaustion. It feels as if they''re hanging on to consciousness by a mere thread. The expanded space wobbles and twitches in a way I''ve never seen it do before, twisting and rippling like a funhouse mirror. They''re losing their grip ¨C on consciousness and their powers. As space contracts around us once more, Mr. Nothing lunges with a look of pure professional hatred. I witness the embodiment of malice in his gaze. His punch, fast and determined, comes straight for Jordan''s face. But their helmet, their lifeline, takes the brunt of the blow. Even as I watch, I can feel the force of the impact reverberating through my friend''s body. I hear a distant ringing sound and realize it''s not just in my ears ¨C it''s coming from Jordan''s helmet. Yet, even as the force of the blow would''ve felled any normal person, Jordan stands their ground. Unfortunately, Mr. Nothing isn''t done, and he follows his jab with a vicious left hook. Time seems to stretch and squeeze around the scene, and I watch with mounting horror as Jordan''s body goes limp, sent hurtling towards me. Their body collides with mine, and the momentum sends us sprawling to the ground. It''s a tangle of limbs and pain, our breaths syncing in wheezing gasps, our bodies beginning to sink once more in the liquid concrete. And then, as if my senses were not already overwhelmed, the stench of stale sweat and menace looms over us. Mr. Polygraph, grinning wickedly, stands tall, gun in hand. He looms over me, over us, the taste of victory evident in his eyes. The world takes on a metallic tinge as my broken nose registers the blow from the gun handle before my brain does. Pain, raw and blinding, floods my senses. I can taste blood, feel its warmth as it trickles from my nose. I gasp for air, and get lungfuls of fresh blood instead, stinging the inside of my throat. As Jordan and I crumble into an ungainly heap, a certain kind of terror grabs me. The vulnerability, the realization that we''re at the mercy of these monsters, hits me, and tears flood my face, just as warm as the blood. Death awaits. Just as sheer despair threatens to pull me into the sweet allure of unconsciousness, there''s a sudden pressure on my stomach, and my eyes go wide. I gasp, choking on a mouthful of blood as Mudslide, ever the opportunist, uses our vulnerability to his advantage, pinning us beneath his weight. His foot on my abdomen forces out a choked gasp, blood bubbling in my throat. Every nerve is screaming, every sense is heightened, but my body just isn''t able to handle this sort of pain. It''s not moving. It''s stopped responding. I''m bluescreening. Mudslide''s taunts are a series of muffled words, my ears still ringing from the sounds of our fight. The pressure of his knee grinding into my ribs is unbearable, the raw hurt making me gasp and gag. But, as he lifts his head slightly, eyes widening in realization, whatever has him distracted breaks into my consciousness, a sharp, loud piercing sound. The siren''s wail and whining cuts through everything else, a scalpel in my skin. Mudslide, for all his bravado and raw power, is momentarily taken aback. It''s this momentary distraction, this tiny crack in his concentration, that I seize. With all the fear, adrenaline, and desperation I can possibly muster, I sink my teeth into his exposed shin. There''s a heady taste of blood, and his scream pierces the tumultuous noise around us. He''s momentarily thrown off-balance, kicking me away in his agony. And then, Mr. Nothing, with the pipe still protruding grotesquely from his side, bellows an order that''s a mix of rage and desperation. "We''re done here," he hisses out, staggering, blood dripping from his mouth and from his wound, his voice too calm to be real. I can see it on his face, enough to read his mind ¨C if he had his gun, he would not be letting us leave alive, but it''s somewhere in the wet ground, hidden in the murk and the dark. He and I both know this essential truth. I am a dead girl walking. Mudslide, still reeling from my bite, hisses through gritted teeth, "This ain''t over." With a gesture, he liquefies part of the warehouse wall, creating an escape route. Mudslide, clutching his bleeding leg, hisses with a promise of vengeance, "This ain''t over, bitch." His glare burns into me, and then flicks over to Jordan. "Both of you¡­ you''re going to pay. Big time, cunt." He staggers to the nearest wall and presses his hand against it. The brick dissolves into a vaguely brick-colored sludge, leaving a gap just big enough for the three of them to shamble out to. As he passes by, the sludge reforms into twisted brick, leaving a distorted, door-shaped mark on the wall. For a few moments, the cavernous warehouse is eerily silent, save for our wet, labored breaths and the distant wail of the sirens growing louder. The pain, the exhaustion, and the aftermath of the battle weigh down heavily. I feel Jordan''s fingers, weak and trembling, trying to grasp mine. The touch, though fleeting, is grounding, a reminder that amidst this chaos, we''re not alone. With difficulty, I manage to croak out, "Jordan¡­ are you alive?" Their response is weak, but defiant. "Still here¡­ glad I called 911," they rasp. I drink the air like it''s water and I''ve been desertbound for weeks. The warmth of Jordan''s body is comforting underneath my own screaming, broken frame. I just¡­ lie there, bleeding on top of them. "Status report?" "Not shot, so I''m holding up better than you," Jordan cracks, laughing weakly. "I think I have a concussion. Everything''s sparkly. How about you?" My voice sounds hilariously stuffed through what is definitely a broken nose, some of the blood on my face starting to crust up at the edges, wet, sticky, and warm. "Two gun wounds. My nose is definitely broken. I''m pretty sure he cracked a rib, too," I say, and as I note it, each injury flares to life. The last one, especially, sucks the hardest. I''m too dizzy to make heads or tails of what I''m seeing in my blood sense, as the departing criminals reach the edge of my range and vanish into what I can only assume is a car, judging by how they''re sitting. The ground is solid now, but I can''t tell when it turned back into that. My entire body is wracked with pain, more pain than I''ve ever experienced in my entire life, and I can tell the blood is leaking out of me at a dangerously quick rate. The sirens get louder, and I see sweeping flashlights carve paths across the dark. "Well, don''t die on me yet. I''ll feel really bad about it," Jordan groans, wrapping an arm around my midsection protectively. "I can''t die now. Can you imagine how mad my parents would be?" I gurgle. I stare up at the ceiling as flashlight beams train on us, as screaming sirens overtake the air. "Fuck. My parents are going to be so mad." Chapter 14.1 The shrill blare of the siren slices through my muddled thoughts, a jarring rattle in the haze that clouds my mind. It¡¯s a sound that both comforts and unsettles me ¨C comforting that I¡¯m still alive to hear it, unsettling because I have to deal with this pain. Each wail of the siren echoes my frantic heartbeats, even as they pull me further and further from the abandoned factory¡¯s choking shadows. Soon, that siren¡¯s scream fades, giving way to a new series of noises, although I can¡¯t tell if the siren has stopped or if there are simply other things overriding it. The rhythmic beeping of machines steadily punctuates the air around me. It¡¯s a staccato, robotic melody, keeping track of my heartbeat even when I can¡¯t feel it myself. Or maybe I feel it too much, every throb of the muscle in my chest squeezing more blood out of my face. I feel coldness, a sensation that I assume is my face being cleaned up. A sharp sting. Misery. The motion of the ambulance, its suspension not quite up to the challenge of well-potholed Philadelphia streets, jostles me back and forth. Each jolt, each bump in the road, threatens to wake me up from this semi-conscious state, but never quite reaches deep enough in my skull to do so. My vision, bleary and unreliable, flits between moments of clarity and stretches of obscurity. The sharp, clinical lights of the ambulance are a stark contrast to the dim gloom of the warehouse ¨C an aggressive luminescence blinding me, as my neck refuses to move in any direction other than the one that keeps me facing straight up. Amidst the confusion, memories of the fight flood back. They play out in my mind¡¯s eye like a film reel with scenes out of order ¡ª fractured, fragmented bursts of adrenaline and roaring. Every punch, every shout, every drop of blood, they all compete for my attention, snippets of an unfinished combat. I open my mouth to breathe, because using my nose sends a shrieking, piercing fire through my facial muscles and sinuses. The pain still claws at me, an unyielding beast with relentless jaws. It¡¯s constant, but its sharp edges seem smoothed by the hazy cloud of semi-consciousness that envelops my thoughts. It¡¯s almost as if I¡¯m viewing my agony from a distance, an out-of-body experience that leaves me for a moment questioning if I¡¯ve died or not. The rush of battle, the heady adrenaline that propelled me through the worst of the confrontation, is retreating, leaving behind residue, an aftertaste that¡¯s both sharp and sweet. This flavor mingles bizarrely with the raw, unmistakable metallicness of blood, which still coats my lips and trickles down my throat. Shapes drift in and out of my vision like ghostly apparitions. They¡¯re indistinct, softened by my unfocused gaze, and though I strain to make them out, they evade clear identification. Voices, too, ebb and flow around me ¡ª some are muffled reassurances, others perhaps more clinical observations. However, the actual words, the nuances, remain frustratingly out of reach, swallowed by the fog that dominates my thoughts. On one hand, I feel almost ethereal, as if I might float away from this chaos at any moment. But then there¡¯s a counter pull, a leaden weight that pins me down, reminding me of the gravity of my injuries and the reality of my situation. This sensation is only accentuated by the stretcher beneath me, which, while cold and unyielding, seems to be doing its best to offer some comfort to my battered body. Every so often, through the dappled haze that is my vision, a face emerges from the fog ¨C a beacon amidst the fragmented chaos. Jordan¡¯s black hair hangs disheveled and loose, helmet on but cloth mask removed, casting a stark contrast against their eerily pale, blood-stained skin. The soft glow of the ambulance lights makes the sheen of sweat on their brow glisten, emphasizing the deep grooves of worry that crease their face. I can tell they¡¯re leaning in close, trying to speak, trying to reassure me, but everything is muffled now. I can¡¯t tell if I¡¯ve been given painkillers yet, but voices and sounds are indistinct regardless, and I crave anasthesia like a runner craving water after a marathon. Their face vanishes from view, and I¡¯m back to staring at the ceiling of the ambulance. Their words, though meant to soothe, reach me as if they¡¯re being filtered through water, distorted and distant. Each syllable struggles to find its way to me, fighting against the growing din of my own thumping heartbeat and the machinery that surrounds us. ¡°Stay with us, Sam,¡± their voice strains to cut through the fog of pain and semi-consciousness. The EMTs say something else, but the words fail to register. My brain simply does not pick them up. In my weakened state, I endeavor to answer their plea, to provide some semblance of reassurance. My lips quiver, trying to mold words from the air, a desperate attempt to connect with Jordan, to tell them I¡¯m still here. But it¡¯s like trying to communicate from beneath layers of thick, soundproof glass, or gallons of seawater. Every syllable feels like a Herculean effort, as if I¡¯m drawing each breath from a rapidly depleting reservoir. My exhales manifest as weary sighs, while each inhale becomes a battle against the weight pressing down on me. No words emerge from the dark. In the muddled haze that is my current state, fragments of memories course through me like half-recalled dreams after a bad sleep ¨C nightmares, really. At the forefront is the lingering thought of my parents, a constant presence even in my weakened consciousness. The tender recollection of my mother¡¯s keen, discerning eyes ¡ª always able to see through any of my ruses ¡ª comes to mind. She would be waiting, worry lines etched deep, urging me to find my way back. In stark contrast, the image of my father¡¯s brow, perpetually furrowed with concerns of the world and the weight of fatherhood, makes its presence known. He, with his stoic exterior, might not vocalize his worries, but his anxiety would show in the tightness of his jaw and the subtle pacing of his feet. The thought of them, the pain and anguish they would be undergoing, is nearly as crushing as my injuries. I can only repeat to myself, in my head, the sole clear sentence I had before passing out ¨C ¡°Fuck, my parents are going to be so mad.¡± The rhythmic hum of the ambulance, the world outside its windows flashing by, is suddenly broken by a jarring jolt. The vehicle has hit something ¨C another pothole, probably. The sharp discomfort yanks me back to the harsh reality, momentarily breaking the introspective trance. The sudden pain, searing and immediate, breaks through the duller pain that had been with me with each breath. As the sharp sting subsides, the all-encompassing grip of semi-consciousness, so much like quicksand, pulls at me once more. I wage a silent battle, mustering every ounce of willpower to remain tethered to reality. But like a phone with a dying battery, my consciousness fades, and I drift into the void.
As consciousness edges back in, the first thing I notice is the sharp sting of fluorescent lights. Each one seems like a tiny sun, demanding my attention as it pushes through the hazy veil of my mind. I try to piece together how I got here. The rough, almost dizzying ride in the ambulance is a vague memory, replaced by the stillness of this room. Everything around me is so¡­ clean. It¡¯s like someone took the world and scrubbed it till it gleamed. There¡¯s a smell too, sharp and sterile, like how I imagine the inside of a bleach bottle would be. Support creative writers by reading their stories on Royal Road, not stolen versions. Every beat of my heart is a reminder of the pain. It¡¯s everywhere, a constant, throbbing reminder of what just happened. Like the background noise of a TV, it¡¯s always there, just beneath everything I try to focus on. I muster the strength to blink, feeling like I¡¯m lifting a set of heavy curtains rather than just eyelids. They¡¯re sticky, probably from the dried blood and all the exhaustion weighing them down. Beneath me, the hospital bed feels weird. It¡¯s too pristine, too white, and the pillows are all stiff and strange, not like the ones at home. My body feels out of place here, a jagged jigsaw puzzle piece on a smooth board, mixed in from the wrong set. Every now and then, there¡¯s a gentle touch. Sometimes it¡¯s just a hand, checking my arm or adjusting something I can¡¯t see. Other times, there¡¯s this cold thing ¨C probably a stethoscope ¨C pressing briefly against my chest. It¡¯s comforting, a reminder that people are looking out for me, but with my eyes shut, all I can experience the world through is touch, and the smell of blood in my proximity, the people in adjacent rooms. Dying. Bleeding. Like me. Around me, the room is alive with soft sounds. The click of some machine, footsteps that squeak just a little, and the rustle of curtains moving. I feel a sharp sting in my arm, and everything quickly fades into a fluffy, fuzzy oblivion that leaves me, finally, a little breathing room to relax. I feel my muscles un-tensing. I can feel the back of my throat flapping quietly with each breath as I snore on blood. The words spoken around me seem like they¡¯re coming from some distant planet. They¡¯re soft, blurry, like the hum of bees, or the far-off rumble of traffic. For a moment, I think of those movies where the main character is underwater, and all the voices are muted and slow. I don¡¯t get most of what¡¯s being said ¨C it sounds like a mix of hospital talk and deep concern. There¡¯s the odd word or phrase that breaks through the fog. Words like ¡°multiple contusions¡± and ¡°lacerations.¡± And then, more words that sound scarier, like ¡°fractures¡± and ¡°possible internal injuries.¡± All of it just seems like a list, a really, really bad list of everything that¡¯s wrong with me after tonight¡¯s unmitigated disaster. The moments of clarity are short and fleeting, like brief breaks in a storm. I¡¯m not really sure what¡¯s going on, and then suddenly I am, and then suddenly I¡¯m not again. It¡¯s like when you¡¯re floating in a pool and let the water pull you down, only to kick back up to the surface for a quick breath before being tugged back down again. This constant back and forth is exhausting, and if I wasn¡¯t sedated, I just know that I would be panicking right now. The chemical comfort keeps me from drawing too many comparisons to my time shoved underneath a boat, but it still lingers, like a quiet predator in the edge of my vision, threatening to push me into an anxiety attack. I¡¯m sure I¡¯m hearing the shuffle of shoes, the whisper of fabric. I imagine a group of doctors and nurses, probably looking very serious, gathered around discussing¡­ me. Their faces are probably all scrunched up in that worried, puzzled way adults get when they¡¯re trying to figure something out. It feels good, to be cared for, to be talked about. I know my parents are concerned about me, but for some reason, the thought that I¡¯m important to these people, even if just as a job, makes me feel fluffy inside. There¡¯s a deep voice that breaks through, a voice that sounds like it¡¯s used to being listened to. ¡°What¡¯s the status?¡± he asks, and I can¡¯t help but picture some stern-faced doctor, like in those medical TV shows that my mom likes to watch. The gentle buzz of conversation around me draws my focus, pulling me from the comfortable cocoon of fog that my mind has wrapped itself in. Another voice, soft and nurturing, maybe belonging to a nurse, floats to the surface of my awareness. ¡°She¡¯s showing an unusual pattern of recovery.¡± For a moment, everything falls silent, or maybe the world just pauses, waiting for the next word. In that space, my mind struggles to grasp the significance of what she¡¯s saying. Then she continues, a hint of incredulity coloring her tone. ¡°Her fractures are¡­ consolidating. Rapidly.¡± I try to puzzle out what it could possibly mean. I know I¡¯m smart, and I know that I know a lot of big words, but right now everything but the simplest things are escaping me. I don¡¯t know what consolidating means right now. I barely understand what a fracture means. Will I even remember this when I wake up? ¡°Does she have a LUMA with her?¡± the deepest voice asks, and if I wasn¡¯t sedated, I¡¯d be kicking myself for forgetting it at home. I didn¡¯t bring my cell phone out of juvenile paranoia that I¡¯d be tracked somehow, but forgot that I kept my license in my phone case. The reply doesn¡¯t register, only the sound of speech without the meaning. Before I can sink further into my musings, another voice breaks through. It¡¯s higher-pitched, tinged with a disbelief that makes it stand out. ¡°There are pointed bone shards growing from her injuries. Not bone spurs, these are bigger, about the size¡­¡± it starts, and I try and fail to hold on to the rest of the sentence. ¡°¡­fully formed structures. They appear to be¡­¡± they continue, and I lose the tail end of it. And then the commanding voice, the one that seemed to be steering this ship of voices, brings a finality to the conversation. ¡°They¡¯ll have to be extracted,¡± he states, in a tone that brooks no argument. ¡°Immediately. Before they cause more damage or impede her recovery.¡± Someone shadows the light overhead, their form cutting through the brightness like an unexpected eclipse. I can feel them even with my eyes closed, the way they move, displacing the sterile room¡¯s ambiance. I hear the telltale sounds of instruments being arranged, their soft clinks giving away the impending procedure. Then, a soothing touch brushes my forehead, making me aware of the sudden lack of my mask, something I had grown used to as a second skin. A pang of mortification runs through me. Someone¡¯s peeling off my costume, which is so drenched in sweat and blood it feels glued to me. I imagine it must be like stripping the old skin off a molting snake, struggling to break free of its shed. In my mind, it¡¯s just one more thing that isn¡¯t going right today. My secret identity, that layer of security, is being removed piece by piece, just like my costume. I know logically it¡¯s probably what they have to do to operate on me, but I feel vulnerable beyond vulnerability. Only once I feel the gentle fluttering of a hospital gown placed over me does my brain calm itself down, so stuck to modesty even when I¡¯m¡­ what, am I dying? A voice, soft but insistent, cuts through my spiraling thoughts. ¡°Stay with us, okay?¡± The kindness in that voice is startling, especially when I think about what they¡¯re about to do. ¡°You¡¯re doing great. We¡¯re here to help.¡± The promise in those words, the warmth in that tone, anchors me a bit, giving me an island to hang onto amidst the thunderstorm. The moment I sense the first touch on my body, everything speeds up. There¡¯s a mad rush of people around me, an urgency in their movements. The coolness of what I assume are antiseptics hits first, painlessly sharp on my torn skin and gunshot wounds. I¡¯d wince if I weren¡¯t sedated. Then comes a pressure, a dull sort of probing. I figure those are tools, but I can¡¯t really tell. They¡¯re touching me everywhere: my torso, my busted face and nose, and even near my throat, along my limbs, anywhere there¡¯s an injury. It¡¯s like being caught in a storm, aware of the raindrops but unable to count them. Once someone retracts their hands, I stop being able to keep track of them. To me, every poke is a new doctor. I wish I could say I was brave, that I watched them fix me with a steely resolve, but honestly? I¡¯m sure if my eyes were open at all, they would be staring, blank and glassy, at the ceiling. It hits me then, in a moment of dull clarity: they¡¯re operating on me. I¡¯ve watched enough television to know what that means. There¡¯s cutting, blood, metal, tools, and then the painstaking process of stitching everything back together. They¡¯re probably talking in those calm, professional tones, discussing the best way to patch me up while I¡¯m laid out like a puzzle on the table. I wonder if they¡¯re listening to music, what they¡¯re listening to. Are they worried about me? A different kind of darkness begins to tug at me. Not just the exhaustion and the blocked-out pain, but a chemical embrace that there is no resistance to. My ability to hang on this far into sedation might impress someone, but it can only take me so far. Something in my blood asks me to escape into a place where there are no questions, no fears. I decide that it¡¯s probably a good idea. Chapter 14.2 When the EMT placed me on the stretcher, I must¡¯ve blacked out completely, because the next thing I know, I¡¯m staring at an impossibly dull ceiling. There¡¯s a taste of metal in my mouth, no doubt a mix of blood and whatever they gave me to manage the pain. Hospitals always smell the same. A blend of chemicals, over-sanitized rooms, and a tinge of anxiety in the air, although knowing who¡¯s bleeding in the adjacent rooms adds a new little kick to proceedings. To be clear, I¡¯m not saying I get, like, hospitalized hospitalized a lot. But I am in them probably more than most girls my age, because being into soccer and sports means you eat shit on a frequent basis. Before today, I¡¯d managed to avoid any interesting injuries beyond breaking my arm once. Between the warehouse and here, everything¡¯s gone. I know, obviously, that they took my costume off ¨C it¡¯s washed and folded neatly on the drawer next to me. It¡¯s funny, I know immediately where I am. The Children¡¯s Hospital of Philadelphia. I¡¯m a frequent guest of their Sports Medicine and Performance Center, but I guess it makes sense to me that they have a ward for young superhumans. Or maybe I was transferred after I was operated on? Everything that happened in the past couple of hours, or however long it¡¯s been since passing out, is a sheer wall of impenetrable black. I remember nothing. I begin cataloging the feelings in my body. Left leg ¨C throbbing. Right arm ¨C a sharp sting. My face feels like it¡¯s gone through a blender, pulsating pain reminding me of the mess Mudslide and Mr. Polygraph made of me. My chest aches, but for someone who probably cracked a couple of ribs, it feels surprisingly acceptable. I chalk it up to painkillers and begin to move on with my self-assessment. The soft rustle of fabric interrupts my thoughts. I turn my head (or at least, try to through the haze of pain and sedation) to see Jordan, unmistakably them, even though they¡¯ve traded their usual attire for a hospital gown and pajamas. Their face has a swollen quality, the blue-black hint of a developing bruise under one eye. There¡¯s a soft neck brace around their throat, and I can see the hint of stitches peeking out from beneath the messy hairline. ¡°Hey,¡± Jordan croaks, and I can hear the pain laced through that single word. They¡¯re clutching something in their hand. It¡¯s a stuffed dog, the kind that kids get after tonsil surgeries. ¡°Figured you¡¯d need a guard dog in here,¡± they mumble, offering a weak grin. ¡°Thanks,¡± I manage, my voice sounding distant, even to my own ears. ¡°You look like shit.¡± Jordan snorts. ¡°You should see the other guy.¡± There¡¯s a momentary silence, the kind that¡¯s heavy with unsaid words. I can see the weight of the evening pressing down on Jordan¡¯s shoulders, their fingers twitching at the hem of the hospital gown. We both share quiet, pained chuckles, as I think about the incredible sight of watching Jordan punch a hole through a grown man with their hands and judicious application of rusty metal. ¡°You okay?¡± It¡¯s all I can think of to ask. Jordan just shrugs. ¡°Not shot. So that¡¯s a win,¡± they shoot back. I try and fail to smile. ¡°The Kingdom,¡± I say, wincing at the pain in my side. ¡°What did we get into?¡± Jordan sighs heavily, pushing themselves onto my hospital bed. ¡°Bigger than we thought. But we have something they want. Or rather, Alex does.¡± I¡¯m about to respond when the door pushes open slowly. There¡¯s Alex, eyes darting around nervously, brown hair scattered greasy and damp across tan skin. His anxiety is palpable, and I don¡¯t need super-senses to pick up on that. He¡¯s clutching his phone to his chest like it¡¯s a lifeline, hiding the faces of the characters of something labeled ¡°Neon Genesis Evangelion¡±. ¡°Hey,¡± Alex mumbles, not meeting my eyes. ¡°Jordan texted, said you¡¯d want to see this.¡± He holds up a small memory cart. ¡°The footage?¡± I ask, and Alex nods. ¡°Yeah, but just a minute. I was afraid, you know? What if they saw? What if¡ª¡± ¡°It¡¯s okay,¡± I interrupt. ¡°We¡¯ll make sure nobody can trace this back to you. Thank you, Alex.¡± Jordan sits up straighter. ¡°Show us,¡± they sort-of order. Swallowing hard, Alex plugs the cart into their phone and cues up the video. The screen fills with pixelated images. It¡¯s from a distance, grainy, poor quality, coated in a thick layer of night vision green, but still, the silhouettes are unmistakable. Mr. Nothing, Mr. Polygraph, and Mudslide, in some sort of clandestine discussion. Their forms move, gesticulating, the shape of their mouths shifting in conversation. The audio is crystal clear, but we keep the volume low to avoid bothering other people in the hospital. The sound of Mudslide sucking the man down into the suffocating dark is unmistakable, even if the moment itself isn''t captured, the drone tilted towards other things. A noise like the earth itself swallowing, wet and thick. It goes up until the point where Mr. Nothing catches sight of the drone and shoots it down, ending the transmission. Alex¡¯s face is pale, their fingers trembling ever so slightly as they clutch the phone. The weight of holding onto potentially life-threatening footage is clear in their tightened eyes and furrowed brow. ¡°I couldn¡¯t get everything,¡± they murmur apologetically. I can¡¯t blame them. No, not at all. ¡°This is more than enough, Alex. Truly.¡± I assure, trying to offer comfort through my eyes since I can¡¯t move much else without groaning in pain. ¡°Enough to start an investigation at least, I bet.¡± Jordan, ever the pragmatist, rubs their chin thoughtfully. ¡°Look, I don¡¯t love the super-cops any more than the next nonconformist, but we¡¯re way out of our league here.¡± They fix their gaze on me, then at Alex. ¡°We¡¯ll make sure this footage needs to get to the right people. Professionals.¡± I nod, fully agreeing. ¡°We¡¯ll ensure this gets to the authorities. Proper ones. And no one, I mean no one, will know where it came from. That¡¯s a promise.¡± Alex draws a shaky breath of relief. ¡°Thanks. Um¡­ do you guys need anything while I¡¯m here? Oh, uh, hi, Sam, I¡¯m Alex. Jordan¡¯s friend.¡± I try to assess my bodily needs, but if I¡¯m hungry or thirsty, I can¡¯t detect it. I wonder idly if the IV attached to me is keeping me fed. I don¡¯t really know how IVs work. ¡°Hi, Alex. I¡¯m Sam. Some people call me Bloodhound. And I think I¡¯m good for now.¡± ¡°Go get me a burger, yowie boy,¡± Jordan jokes, miming a swat with a baseball bat, or a cricket bat, or something. Frankly, I have no idea what they¡¯re referencing. Alex gets up, standing up straight, but Jordan waves him down. ¡°I¡¯m kidding. I¡¯m kidding. Go home. Get some sleep. I¡¯ll try to make sure that the super-nerds have eyes on your place in case anyone tries to mess with you, alright?¡± Alex¡¯s shoulders visibly sag with another, newer form of relief. ¡°Alright. Um, thanks,¡± they say, and quietly back out of the room, shutting the door as quietly as possible. I look to Jordan for an explanation, and they grin, providing me with nothing.
The sun has barely begun its ascent, casting a feeble orange hue against the soft, blue curtains of my hospital room. It¡¯s been hours since Jordan and I were rescued from the warehouse, and it feels like an eternity. The hands of the clock on the wall are my only indication of time, moving so slowly that it¡¯s almost torturous. The soft hum of the machines around me is intermittently broken by the sound of hushed voices outside the room. I¡¯m a jumble of aches, twinges, and the itching sensation of bandages against my skin. The hum of machines becomes my not-so-welcome lullaby. They beep, whir, and do all sorts of weird mechanical things that I can¡¯t even begin to understand. Every so often, their consistent sounds are interrupted by the muffled voices outside, probably discussing me or some other patient down the hall. Nurses come in and out like clockwork. Some offer water, while others fiddle with the machines or check the bandages that itch at my skin. They try to be reassuring, whispering comforting words, their eyes filled with a mix of pity and professionalism. But, truth be told, their kindness only goes skin-deep for me. There¡¯s this whole other layer of anxiety that they can¡¯t touch. My parents. The thought of them weighs heavy on my heart. All I¡¯ve got is the memory of that panicked call I made using Jordan¡¯s phone. Their voices, filled with so much worry, play over and over in my head like a song stuck on repeat. I picture them, in the car, maybe arguing about the fastest route to the hospital, their faces pale with fear. And, bluntly ¨C I fear consequences. Am I going to be grounded for life? Are they going to take away my computer or my phone? My parents aren¡¯t one for punishment but it¡¯s not like I¡¯m a stranger for it. And if anything is punishment-worthy, sneaking out at night and getting shot at is. This story has been stolen from Royal Road. If you read it on Amazon, please report it Before I can dwell on it any longer, the door to the room creaks open. My heart skips a beat. It¡¯s my dad. His face looks haggard and sunken, his eyes dark pits that are wet with tears. He looks like he¡¯s aged ten years overnight. His usually neat hair is unkempt, and there¡¯s a lost, distant look in his eyes. I can see the sheen of tears he¡¯s desperately holding back, and it makes me want to cry. ¡°Sam,¡± he manages to utter. His voice, usually filled with notes of assurance, quavers with emotion. Saying my name aloud seems to drain the color from his face. I¡¯ve never seen him this vulnerable before, not in any moment in my mind. He moves slowly, each step weighed down by the gravity of the moment. Sitting on the edge of the bed, he takes my hand. It¡¯s cold, probably from the chilly hospital hallway, but his grip is warm. It trembles like it¡¯s about to fall off his wrist, leaving behind only a bloody stump. ¡°I¡­ I keep trying to understand why, Sam. Why would you take such risks?¡± The words seem to choke him. It¡¯s as if they¡¯re thick thorns in his throat, and he¡¯s forcing them out one by one. ¡°Dad,¡± I begin, my voice coarse from the medications and tubes. I want to explain, to ease his pain, but the words seem to get stuck, creating a lump in my throat. Taking a shaky breath, he continues, ¡°I¡¯d lie in bed, staring at the ceiling, dreading a phone call, or worse, that someone would come knocking¡­ with news about you.¡± He closes his eyes, the pain evident. ¡°I might¡¯ve dabbled in some risky stuff in my time. You might find it hard to believe, but I¡¯ve been in a scuffle or two. Fighting for what¡¯s right. But this? Seeing my daughter in danger? It¡¯s a different kind of fear, Sam. It¡¯s¡­ It¡¯s different when it¡¯s your daughter.¡± Before the weight of his words can fully sink in, there¡¯s movement at the door again. It¡¯s my mom. Silently, she walks over, her heels clicking softly on the cold hospital tiles. She places a reassuring hand on dad¡¯s shoulder, offering a semblance of support. I can see her eyes darting, assessing, ever the thinker, ever the planner. It¡¯s clear that she¡¯s already formulating a strategy, even in the face of the unexpected. The weight of their eyes, one anxious and the other determined, both filled with a kind of terror I never thought I¡¯d see from my parents, presses down on me like the walls of this sterile hospital room. My mom pulls a chair closer to the bed and lowers herself into it, taking a moment to steady herself, collecting her thoughts like she¡¯s preparing for a speech. ¡°Sam,¡± she begins, her voice carrying that librarian authority I¡¯ve heard her use a hundred times, the way she¡¯d use it on disobedient children, or people causing a fuss. ¡°Listen, I¡¯ve been replaying everything in my head since the moment I got that call. The fear, the relief, the anger¡­ it¡¯s a lot.¡± She pauses, glancing at my dad before continuing. ¡°And I¡¯m mad. God, I¡¯m so mad. But not just at you. I¡¯m mad at myself, at the situation, at this¡­ world where my baby girl feels the need to face down monsters in the dead of night.¡± My eyes drift to the uncomfortable chair my dad¡¯s parked himself in, watching his hands clenched tight, white-knuckled. As mom speaks, his head snaps up, eyes filled with that rare fire of disagreement. ¡°Rachel, what are you¡ª¡± Mom raises her hand slightly, her lips thinning. ¡°Ben, let me finish.¡± Taking a deep breath, she turns back to me, determination replacing the earlier softness. ¡°What I¡¯m trying to say is, while what you did was reckless, there was a purpose to it. You didn¡¯t just pick a fight for the sake of it. You and your friend, you said you found something. Criminals. Real bad people. Villains. And while I don¡¯t want you rushing headlong into danger, we can¡¯t pretend this isn¡¯t happening.¡± There¡¯s a pause. I can feel the tension between them. It¡¯s palpable, like an electric charge in the room. I¡¯ve been in the middle of their disagreements before, but this¡­ this is different. It¡¯s not about missed chores or school grades. This is about life and death. And while they¡¯re both terrified for me, they¡¯re coming at it from two entirely different angles. The air feels like it¡¯s going to explode, like there¡¯s a bomb about to detonate. ¡°You need a plan,¡± she continues, ¡°You can¡¯t just fly by the seat of your pants like a fucking¡­ Sorry. Stay with the Young Defenders, patrol, train, learn. But save the dangerous investigations, the confronting of unknown threats, save that all for the adults in the room. The ones who have the gear, the backup, the¡­ bulletproof vests.¡± The air grows thicker with every word she speaks. My dad¡¯s face twists in several different directions, like it¡¯s trying to express every emotion besides happiness. ¡°I just¡­ I don¡¯t want to lose you,¡± my dad murmurs, his voice breaking the charged silence. I¡¯m left in the middle, trying to take it all in, trying to decide where I fit in this world and in their concerns for me. The room fills with a heavy tension as my mom begins, ¡°We spoke with the doctors outside, Sam.¡± She hesitates for a brief moment, choosing her words carefully, ¡°You¡¯re mostly healed up. They just want to keep an eye on you for now.¡± As she finishes, my dad sends a sharp look her way, his eyes silently accusing her of revealing too much, like she said something she wasn¡¯t supposed to say. ¡°Huh?¡± is about all I can choke out. ¡°I got shot. I broke ribs. I broke my ankle,¡± I sputter weakly, gesturing to the boot clamped firmly around my foot. Dad interjects, hoping to bring some calm, gently motioning my mom to let him take over. ¡°The doctors mentioned ¨C confidentially, mind you ¨C that by the time you were transported here, a lot of your injuries seemed to, you know, they were fixed already. They x-rayed you and there¡¯s not really any fractures left, and this was last night.¡± His eyes search mine, a mixture of awe and worry. ¡°I kind of had a hint of this, especially after you recovered so fast from¡­ from being dis-em-boweled, you know? But now we know for sure. You¡¯ve always been my little fighter.¡± He starts crying for real, and I look away, not able to handle it. Seeing my dad cry is worse than any sad movie. It¡¯s worse than the end of Click. ¡°But, Sam,¡± my mom interjects, her voice firm yet shaking, ¡°I feel¡­ safer knowing that. But it doesn¡¯t mean I¡¯m still not apoplectic at you. We don¡¯t know what the limit is. How much can you take? If that man ¨C I¡¯m assuming it was a man ¨C had aimed just a little bit to the right, he could¡¯ve taken your arm off, or god forbid, he could¡¯ve¡­ You know. Would you grow that back?¡± Her breath hitches, and she fights back the tears threatening to spill. ¡°I need you to understand, you¡¯re not invincible. And I bet you still feel the pain, and thinking about that, just¡­ My little girl, in a heap in some warehouse in the dirt¡­¡± It¡¯s jarring to see her like this, so close to breaking. I¡¯ve only seen her lose control a few times, and it was usually when she¡¯d had too much to drink. This raw emotion, this sheer terror for me, it¡¯s a lot to take in. She inhales, big, deep, and shakily. ¡°Just¡­ don¡¯t do anything stupid. Can you promise me that?¡± I look her in the eyes, and I reach out to hold her hand. ¡°I promise,¡± I lie.
The dark room feels much larger than it really is. It¡¯s eerily silent, a stark contrast from the chaos of the previous day, and it¡¯s been silent all throughout, as I consider all the school I¡¯m missing. The sound of the beeping from the heart monitor is now a comforting metronome, grounding me in the real. My parents texted me, told me that they informed the school, sent them a picture of me in the hospital with a bandage across my nose. I¡¯ll get my homework tomorrow. I lie back against the pillows, their starched covers scratchy against the nape of my neck. The fluorescent lights are off, but the city lights outside peek through the gap in the blinds. A pale, silvery glow illuminates the room, casting long, ghostly shadows. The drugs they¡¯ve given me are doing their job, dulling the worst of the pain. But there¡¯s still a deep-seated ache, a testament to the hell I went through. And then there¡¯s the internal stuff, the weirdness that even the strongest painkiller can¡¯t mask. My hand absentmindedly goes to my side, where the bullet gash once was. There¡¯s a bandage, but beneath it, the skin is white and scarry, a little bit raised but free of scabbing, free of blood, free of anything that indicates that it happened yesterday and not years ago. My arm, too, is the same way, fully scarred over like it was an injury from forever ago. My nose feels fine. My chest feels fine. My ankle feels fine. Well, it all aches a little. But it certainly doesn¡¯t feel broken. Lost in thought, I recall my earlier confrontations, the way my heart would race, the way my palms would sweat, the unmistakable rush of adrenaline. Every time I got into a dangerous situation, it was like a shot of pure energy, electrifying every nerve in my body. It was addicting, the danger, the thrill, the knowledge that I was alive in a way that I had never been before. The realization that there might be something wrong with me, like, seriously wrong with me, not just ADHD, lingers like rotten egg smell in my skull. My phone buzzes on the bedside table, interrupting my introspection. I grab it, unlocking the screen to see a message from Jordan. A picture of a dog, mouth open absurdly wide, with the top caption ¡°Me when the¡±, followed by a bottom caption ¡°when the food BOTTOM TEXT¡±. I smile. I haven¡¯t told the others, the Young Defenders, anything yet. My hands grip at Alex¡¯s cart, stuffed into the pockets of the hospital pajamas. This is something better handled in person. I¡¯m about to settle back into my train of thoughts when the door creaks open, casting a sliver of light into the dim room. A nurse steps in, a familiar one with kind eyes and a gentle demeanor. She¡¯s carrying a small container. ¡°Hey there, Sam. Thought you might want these,¡± she says, placing the container on my bedside table. Inside, I can see a collection of tiny, sharp teeth, unmistakably mine. ¡°The surgeon from the other hospital stopped by to give these to me, to give to you,¡± she continues, noticing my raised eyebrow. I don¡¯t recall losing a lot of teeth, only the ones I spat out after biting metal, and I doubt they went back to the warehouse just to find them for me. ¡°Growing right off your bones. Never seen anything like it,¡± she says, and my heartbeat immediately picks up. She notices the beeping accelerate, and waves one hand. ¡°Don¡¯t ¨C don¡¯t worry, your privacy is protected by HIPAA. And all our servers are encrypted.¡± I pick up the container, turning it around in my hands. The teeth inside rattle softly. ¡°Thanks,¡± I tell her, not quite sure what else to say, and not sure how to reassure her that ¡®people discovering my superpowers¡¯ is not what I¡¯m concerned about. She nods, giving me a sympathetic smile. ¡°Get some rest,¡± she murmurs, leaving as quietly as she came. The silence envelops me again, but it¡¯s no longer oppressive. I look at the teeth, then at my hands, thinking about the strange journey I¡¯ve embarked upon. I shake the bottle up and down, feeling all the teeth rattle, and I flex my fingers, wondering what it could mean. The drugs ¨C the soft ones, not the kind they use to put you completely in the black ¨C pull at the edges of my consciousness, beckoning me to sleep. But before I surrender, one thought forms clear in my mind: I need answers. End of Arc 1: Pup WORLD OF CHUM: Hyperball Hyperball: A Brief Overview and Rules Summary Hyperball is a competitive sport designed for superhumans due to broad-scale rejection of superhumans being allowed in other professional sports leagues. Hyperball blends elements of rugby, soccer, basketball, and dodgeball together into a strategic sport that emphasizes control, mind-games, and a good throwing arm or kicking foot. The game is played on a field divided into three sections: one for each team (the End Zones, each ? of the field) and a shared central zone (the Middle Zone, the remaining ?). The objective is to score points by throwing, kicking, or otherwise propelling a ball into the opponent''s goal without crossing into their End Zone Here are the key rules: The International Hyperball League''s available balls for the 2023 season: Small Balls (Baseball/Tennis ball sized) Medium Balls (Soccer ball/Volleyball sized) Large Balls (Beach ball sized) Extra Small Balls (Golf ball sized) Weird Balls (Unique shapes) There are 25 professional teams currently recognized by the International Hyperball League. After each yearly Hyperball season, the top 8 teams are invited to the Hyperball World Cup, a double elimination bracket, with the winning team taking home significant accolades. As in many other sports, the worst performing teams in each year get their first pick of up-and-coming talent, and in addition, the 18-ball selection can only be voted on by teams that weren''t involved in that year''s Hyperball World Cup. Here is a list of the 25 professional Hyperball teams. WORLD OF CHUM: Superhuman Entity Report - Diane "Liberty Belle" Williams PERKS Assessment: Diane Williams (Liberty Belle) Classified Level: Confidential I. Power Classification Gigant: Super Strength Code: G6/S/P/T Rationale: Diane Williams, known as Liberty Belle, exhibits tremendous physical strength allowing her to lift extremely heavy objects such as cars, trucks, and firetrucks, and to break concrete pillars. Her strength is categorized as a Gigant trait and is rated 6, indicating significant power. This power affects herself (S), is physical in nature (P), and operates at a touch range (T). Brain: Super-Proprioception Code: B5/S/P/T Rationale: Liberty Belle''s advanced proprioception (the ability to tell where one''s body is located in physical space), functioning without necessary eyesight and presumably using her vestibular senses, falls under the Brain category. It provides her with an enhanced ability to sense the position, orientation, and movement of her body, even in the absence of visual cues. It is rated at 5 due to its notable utility in combat and navigation, and has proven utility during low-visibility situations such as nighttime raids or fire rescues. The power affects herself (S), is physical (P), and operates at a touch range (T). II. Power Ranking Diane''s abilities offer formidable capabilities, particularly her super strength which allows her to move heavy objects with ease. Her enhanced proprioception also gives her an edge in close combat situations and when navigating complex environments. III. Control Rating Control: 9/10 Diane Williams demonstrates exceptional control over her super strength and super-proprioception. Her decade-long experience in superheroics and her martial arts training ensure she utilizes her powers with precision and restraint when needed. IV. Hostility Rating Hostility: 0/10 As the de facto leader of the Delaware Valley Defenders, Liberty Belle maintains a strong sense of justice and responsibility. Though she may have had conflicts with various entities, her intentions remain aligned with the safety of the public and her team. V. Collateral Damage Potential Collateral Damage: 4/10 Given Diane''s super strength, there''s potential for property damage especially when facing formidable adversaries. However, her high control rating and agile fighting style mean she usually avoids causing unnecessary harm. Most of the damage risk would arise from adversaries or from situations where extreme force is necessary. VI. Overall Threat Level Threat Level: 3/10 Considering Diane''s power ranking, her impeccable control over her abilities, her low hostility rating, and her potential for collateral damage, she is assigned an overall threat level of 3. While her superpowers are potent, her control and dedication to her role as a protector of the public significantly mitigate the potential threats she might pose.
PERKS Assessment Comments for Diane Williams (Liberty Belle) 2013: Officer''s Comments: New to the vigilante scene, operating under the pseudonym "Breakout". Demonstrated a raw but commendable desire to uphold justice. Occasionally clashed with local enforcement due to inexperience but no indications of malicious intent. Showed remarkable strength feats, aiding in several critical situations, most notably preventing a bus from falling off a bridge. -Officer Grayson 2015: Officer''s Comments: Officially adopted the "Liberty Belle" moniker, demonstrating a refined approach to her duties. Partnered effectively with local law enforcement several times, notably assisting in evacuating a building during a gas leak. Underwent significant growth both in terms of her powers and her operational maturity. Indicated noted interest in operating as an official Registered Superhuman Entity. -Officer Grayson 2017: Officer''s Comments: Solidified her position as a pillar of the vigilante community in Philadelphia. Took on a leadership role among her peers, especially in the operations of the Delaware Valley Defenders. In 2016, successfully applied for position as Registered Superhuman Entity, buoyed by recommendation from Professor Franklin. -Officer Grayson 2019: Officer''s Comments: Demonstrated an intense commitment to her duties, especially after the tragic loss of Professor Franklin. While her dedication is commendable, there''s a growing concern regarding her work-life balance. There were several instances where exhaustion seemed to affect her performance, though no major incidents arose from these situations. -Officer Grayson 2021: Officer''s Comments: No additional comments. -Officer Grayson 2023: Officer''s Comments: Liberty Belle continues to exert herself significantly in her role as the leader of the Delaware Valley Defenders. Reports suggest that she''s taking on a substantial amount of the group''s responsibilities, possibly to the detriment of her own well-being. While her intentions are noble, there''s an increasing worry about the sustainability of her current pace. It might be beneficial for both her and the community if she were to delegate some duties or seek additional support. -Officer Grayson Interviewing Officer: Matthew R. Grayson Date: January 13th, 2023 Civilian Clerk: Emily Hughes Date: January 13th, 2023
This story has been stolen from Royal Road. If you read it on Amazon, please report it NATIONAL SUPERHUMAN RESPONSE AGENCY (NSRA) Postcognitive Background Assessment: Diane Williams Subject: Diane Williams (Aliases: Breakout; Liberty Belle) Date of Birth: March 17, 1985 Consent: I, Diane Williams, consent to a postcognitive background check by the National Superhuman Response Agency. All findings will be kept confidential and only used for official NSRA purposes. Background Analysis: Childhood and Early Development (1985 - 2000): Born in Baltimore, Diane exhibited leadership qualities from a young age. At the age of 8 (1993), she stood up against a school bully, which solidified her role as a protector. Her mother''s death in her early teens instilled in her a strong sense of responsibility, evident in her role as the primary caregiver to her younger brother, Alex Williams. Academic Years (2001 - 2004): Diane attended Towson University, pursuing a degree in Criminal Justice (Class of 2008). During her freshman year (2004), she encountered a severe bout of academic and personal stress, leading to temporary withdrawal. This experience humbled her, refining her grit and determination. She re-enrolled the following year. Superpower Activation Event (2005): Aged 20, Diane survived a catastrophic subway crash in New York City. Trapped for hours, her powers began to manifest, allowing her to shield herself and others from the crushing weight. This traumatic event intensified her protective instincts and led her to realize her purpose. Early Vigilante Years as Breakout (2013 - 2015): After eight years of honing her powers and skills, Diane officially became a licensed vigilante under the alias "Breakout" in 2013. She had been operating under this alias, referring to a "brick breaking" video game she enjoyed during her youth, for several years, outside the purview of the law. Her vigilantism was marked by a robust physical approach, using her newfound powers to shield innocent citizens from harm. However, her approach was sometimes seen as rash and reckless, leading her to seek guidance from elder mentors in her community. Mentorship with Professor Franklin (2013 - 2017): Diane''s mentorship under Professor Franklin (Jeffery Brown) was transformative. A significant moment was in 2015 when he suggested the name change to "Liberty Belle," reflecting her protective and nurturing nature more than her brute strength. Professor Franklin''s death in 2017 was a turning point, deeply affecting her psyche. NSRA Registration and Delaware Valley Defenders (2016 - Present): In 2016, Diane became a Registered Superhuman Entity, joining the Delaware Valley Defenders. As Liberty Belle, her sense of responsibility amplified, not just towards the public but her team members as well. Recent Challenges and Health Diagnosis (2021 - 2023): The stomach cancer diagnosis in 2021, presumably caused by an encounter with the supervillain known as [REDACTED], brought her mortality to the forefront. This situation reinforced her drive to make every moment count, intensifying her work ethic and determination to uphold justice. Conclusion: Diane Williams, or Liberty Belle, represents an amalgamation of natural leadership, a nurturing nature, profound trauma, and steely determination. Her formative years have been marked by responsibility, loss, and resilience. Recent challenges, especially her health diagnosis, amplify these traits. For optimal functionality, providing her with adequate support, both emotionally and physically, is essential. Abridged timeline of important inflection points: March 17, 1985: Diane Williams is born in Baltimore, Maryland. August 6, 1993: At the age of 8, Diane confronts a school bully, becoming known as a protector among her peers. She receives one day of in-school suspension for giving him a nosebleed. October 13, 1999: Martha Williams, Diane''s mother, passes away from complications related to diabetes. June 12, 2003: Diane graduates from Patterson High School, receiving an award for community service. August 27, 2003: Diane enrolls in Towson University, majoring in Criminal Justice. April 7, 2004: Diane undergoes a severe bout of depression. She temporarily withdraws from college after a failed relationship with a fellow student named Eric Carter. She does not seek therapy. January 24, 2005: Diane returns to Towson University, becoming active in the student community and volunteering for various causes. November 3, 2005: Diane survives a subway crash in New York City. This traumatic event activates her superhuman abilities. December 17, 2005: Diane undergoes her first therapy session, in order to cope with post-traumatic stress from the subway crash. June 2, 2008: Diane graduates from Towson University, having made the Dean''s List in her final year. With a schedule free of schooling events, she turns her eye towards vigilantism, adopting the name "Breakout". June 12th, 2008: Diane moves to Philadelphia, Pennsylvania. July 27, 2010: Diane encounters Professor Franklin for the first time during an underground superhuman event. They begin their mentor-mentee relationship. June 14, 2013: Diane receives her vigilante license. October 4, 2015: Under Professor Franklin''s recommendation, Diane changes her alias to "Liberty Belle." March 21, 2016: Diane registers as a superhuman entity with the NSRA. April 5, 2016: Diane officially joins the Delaware Valley Defenders. December 19, 2017: Professor Franklin is killed, deeply affecting Diane and causing a hiatus from her vigilante duties for several weeks. February 14, 2018: Diane starts a short-lived romantic relationship with a fellow team member from the Delaware Valley Defenders''s Maryland branch, Mark "Silver Strike" Ramirez, which ends by mutual agreement in April. May 27, 2021: Diane is diagnosed with terminal stomach cancer, allegedly caused by the supervillain [REDACTED]. June 7, 2021: Diane begins her first round of chemotherapy. September 16, 2021: Diane receives commendation from the NSRA for bravery in the face of personal adversity. February 2, 2023: Diane''s latest medical report suggests that her condition has stabilized, but prognosis remains unchanged. February 21, 2023: Diane''s background report is updated by the NSRA post-cognitive team, with the contribution of her personal psychiatrist. Contributors: Postcognitive-RSE#3012 (Nancy "Think Twice" Smitters, temporal vision) Postcognitive-RSE#4286 (Oscar "Farce" Mitchell, historical reliving) Postcognitive-RSE#5451 (Lauren "Backtrack" Kim, retrocognitive trance) Empath-RSE#7210 (Daniel "Heartwave" Torres, affective echo) Analyst-RSE#6592 (Dr. Elisa "Scrutinizer" Brooks, behavioral dissection) Assessment Date: December 12, 2016 Updated: February 21, 2023 Authorization: NSRA Executive Committee. Chapter 15.1 The journey to the Delaware Valley Defenders'' HQ is a relatively quiet one, with only my thoughts for company, and the gentle bump of the taxi against Philly''s varying potholes and uneven roads. The cold, sharp wind, which nips at my cheeks from the open window, is a far cry from the sterile environment of the hospital. But it''s a welcome change, a touch of the real world. I finally feel free. Philadelphia''s skyline looms over me like the tallest trees as we pass through the roads, and I ask the taxi driver to drop me off somewhere close, but not exactly, where the headquarters is. The low murmur of distant chatter follows me as I near our base, blending seamlessly with the ambient noise of the city into a fly-like buzz at the back of my head. As I step closer to the building, the noise shifts. It''s almost like entering another world, everything falling away as I get closer to the edge of civilization, where developers and zoning conflicts have prevented any reconstruction, leaving brick walls slaked with graffiti and dirt. From the outside, the headquarters could be mistaken for any other warehouse in this part of town. The chipped paint, aging brickwork, and scuffed up loading dock give it a well-worn appearance. But the moment I push the entrance open, at least after wrestling with the key, the illusion shatters. No abandoned warehouse has such a sparkling clean airlock. The front door takes a moment to seal behind me, and I press my phone up against the digital lock, where it registers the signal with a quiet chime. The inside feels more like a gym than a secret superhero base. Low ceilings are illuminated by overhead fluorescent lights that cast a bright, white glow over everything. The familiar hum of those lights acts like a homey welcome. The small lobby, and its surrounding hallways and side-offices, is mostly empty, but I can hear the distant thud of fists against bags, soft chatter, and the clang of weights being set back into place. I make my way to the locker room, where I find Playback, lounging on a couch, earbuds in, looking uncharacteristically relaxed in the midst of a training session. His lean form is sprawled out, one leg kicked up on the couch, while the other dangles down. He''s lost in whatever tune is filling his ears, his head nodding along to the rhythm. For a second, I consider just turning around, not wanting to disturb the calmness. But I need the team. I need to share. I reach over to pull out one of his earbuds, I speak, "Hey, Play. Can we call a team meeting?" Playback looks up at me, a single eyebrow raised, his easygoing demeanor morphing into one of slight concern. "You good, Pup? You look like you''ve been hit by a train," he says, glancing first at the large gauze pad across my nose, the boot around my ankle, and the bandages wrapped around my leg and arm. Then, he probably notices that I''m still wearing hospital pyjamas under my t-shirt. Yeah, I came straight from the hospital, and yes, I should be in school. I was already in the neighborhood, and, I don''t know, I didn''t want to risk getting intercepted. I already cleared it with my parents, and they were cool with it, since it wasn''t like I was going to go get into another fight. I was turning the footage over to the proper authorities, just like they told me to do. "Did you get hit by a train, girl?" "No," I answer without following up. "Oh, I can regenerate, too. Found that out." "Cool," Playback replies quietly. I''ve never exactly been the chatty one, but I get the impression from his gaze that something about my specific kind of quietness today is freaking him out. He steps up to the intercom against the wall, thumps his chest twice, and clears some phlegm before clicking it on. "Uh, all Young Defenders active, please come to the locker room. Bee has something extremely important for us. Thanks," he speaks as professionally and matter-of-factly as I think his body can physically manage. The locker room has always been a sanctuary, a space of sweaty gear and playful banter, but today its walls seem to vibrate with a palpable energy. There''s a blend of concern and curiosity that fills the air as the Young Defenders assemble, each casting their own aura upon the mix. I can feel them -- their spirit, their hesitations -- even before my eyes confirm their arrival. Thankfully, nobody''s bleeding, and this is just from me hearing their footsteps. Gossamer, every inch the graceful spirit she''s named for, sweeps into the room. Her dark hair cascades down her back, neatly bound in a tight ponytail. She stops momentarily, letting her gaze drift over me, and there''s a playful glint in her eyes that I''ve grown fond of. "Bee," she starts, trying and failing to hide her grin, "Blue and white? Very much not your colors. Did they run out of brown and black at the hospital?" "Something like that," I shrug, but before I can expand, I''m interrupted. Playback, ever eager to divert attention to himself, lifts a leg, showcasing a pristine sneaker. "All this fuss over Bloodhound and no one even notices my new kicks!" He feigns hurt, clutching his heart dramatically. "I thought we were a team." Puppeteer, not missing a beat, replies with a smirk, "Maybe if they had a ''kick me'' sign, Play, they''d get the attention they deserve." Gossamer chuckles, sidling up to him. "Maybe they''re just too quiet. Not your usual style, right? Going for the stealth approach now?" Playback tosses his head back in mock offense. "Hey, just because I have the loudest powers doesn''t mean I can''t appreciate the subtleties of a good sneaker." Crossroads is the last to enter, remaining distant from the playful exchange. But even he can''t completely hide a twitch of amusement at the corner of his mouth. The tension in the room lightens for a moment, the banter offering a brief respite from the storm that no doubt awaits us. Playback, already making himself comfortable, reclines on a bench, his lanky form stretched out, with his arms casually folded behind his head. He has that mischievous glint in his eyes that always precedes one of his jests. "Hey Bee," he calls out, the sarcasm palpable in his tone, "I can''t believe you''re trying to one-up us all. Next time you''re thinking of getting shot or stabbed, can you schedule it for your days off? Some of us want you in one piece here." Gossamer snorts at that, interjecting with a playful prod, "You''re just jealous she''s getting more action than you lately." Playback throws his hands up in mock defense. "Hey, I get plenty of action. It''s just more of tha fun kind," he says, before swatting his ear and flinching in pain as Puppeteer yanks on it, like a grandmother trying to discipline their child. Puppeteer, who''s been silently observing the exchanges, clears her throat, stepping in as the voice of reason and wisdom among the ragtag group. "Alright, enough with the comedy routine, you two. Let''s remember why we''re here." With a hint of concern evident in her eyes, she turns to me. "Seriously, Bee, are you okay?" I nod, appreciating her genuine concern amidst all the playful ribbing. "Been through the wringer, but I''ll pull through. Thanks, Pup. Where are the other three?" "Out on patrol," Playback and Gossamer say at the same time, with nearly the same cadence, as Puppeteer''s mouth opens in preparation of answering. She turns around, cheeks puffed out, hands on her hips, and glowers at them. Crossroads'' posture is subtly defensive as he leans against the locker room doorway, his expression hidden behind a mask of stoicism. The others may chat and jest, but he always seems several steps ahead, or perhaps several steps apart. His dark eyes sweep the room, moving from face to face, processing more than any of us realize. It''s unsettling. He just gives me a nod of acknowledgment, and moves on, tracing out silhouettes that don''t exist yet, looking people in the eye where they will be five seconds from now, rather than where they are now. Playback, seemingly undeterred by the weight of the moment, nudges Gossamer with his elbow. "You think Bee''s suit would look good with a patchwork theme?" he asks, his eyes dancing with mischief. Gossamer chuckles, giving him a playful shove. "Don''t give me ideas, Play. I''ve got enough work as it is. But, Bee," she says, turning to me with a sly grin, "You do seem to have a knack for¡­ standing out." Help support creative writers by finding and reading their stories on the original site. Puppeteer sighs at their antics, no smiles, only a flat neutrality. "Cut it out. Bloodhound is in hospital jawns and called a meeting. This is serious." "Is there a place that accepts computer carts?" I say, holding up the small little USB-C chit with a single hand, clutching it between my fingertips. "Yeah, the dispatch room. Follow," Puppeteer says, snapping her fingers twice to get everyone''s attention. Crossroads is already ahead of us, opening the door and scooting first down the halls, while I follow the other three, limping slightly behind. Not because I''m hurt - it feels fine - but just because that''s kind of the only way you can walk with an ankle boot on. We transition from the cozy confinement of the locker room to the expansive space of the dispatch room. Here, a sprawling array of state-of-the-art computers gives the room a luminescent, almost otherworldly feel. The light from the screens casts a cerulean tint over everything, contrasting the natural light that tries to filter in. Puppeteer, already in command mode, gracefully takes a seat at the central console, her fingers dancing with anticipation above the keys. They''re old fashioned - sleek plastic, the kind you''d buy maybe in the early 2010s, with rounded white edges and an aluminum casing in between the keys. I reach into my pocket, feeling the hard plastic of the memory card. The small memory card rests heavy in my hand, its physical weight seemingly disproportionate to its actual mass. As I turn it over, catching the gleam of the metallic contacts, I''m reminded that it holds more than just data. It''s a crystallized moment, a fragment of time. My body takes a deep, steadying breath without me, the gravity of the situation pressing down on my lungs. Slowly, I extend my hand, offering it up to Puppeteer. "Here," I whisper, my voice barely audible even to myself, "I think you guys need to see this." She receives the card with a certain grace, her movements calculated and delicate. Not a single word passes her lips, but her intense, dark eyes convey volumes. They''re locked onto the card, seeing past its immediate exterior, undoubtedly pondering the repercussions of its contents. Puppeteer looks at me, her normally confident gaze carrying a hint of something I can''t quite place - pity? Concern? Maybe both. She gives me a small, reassuring nod before sliding the card into the computer. The machine hums briefly before the screen blinks to life, ready to display my nightmare. The room, once filled with the gentle hum of chatter and playful teasing, falls silent. The weight of the situation seems to press down on us, making the air dense. Playback, usually the one to crack a joke or lighten the mood, simply leans against a desk. His brow furrowed, he keeps shooting glances between the screen and me. Gossamer pulls up a chair beside Puppeteer. Her usually deft fingers play absent-mindedly with a stray thread on her meticulously crafted costume. "Never thought Bee''d be getting into the spotlight so soon," she comments, attempting to bring a hint of levity. "Just wish it wasn''t like this." Playback snorts, a smirk tugging at his lips. "Spotlight or not, we''re here for her. Even if she insists on getting all Hollywood on us with her dramatics." "I am literally in this room with you," I remind them, curling up the hem of my shirt into my fists. Normally, I appreciate the lighthearted taunting, but right now it feels¡­ I don''t know, not exactly cruel, but there''s something wrong about it. Puppeteer shoots them both a silencing look, but there''s no real heat behind it. "Focus," she murmurs. But it''s Crossroads who truly unsettles me. He''s always been the quiet one, the one who seems miles away even when he''s right in front of you. Now, though, he''s just staring, blankly forward, watching the footage before we''re even playing it. As the atmosphere grows thick with anticipation, Playback, unable to resist his comedic inclinations, breaks the tension. He sidles up beside Puppeteer, playfully craning his neck to get a closer look at the computer setup before us. "Is that a Windows 98?" He teases with feigned shock, shooting me a conspiratorial wink. "C''mon, Pup. Maybe something from this decade next time?" Puppeteer, ever the picture of composure, barely reacts to Playback''s jest. Instead, she raises a perfectly arched eyebrow and flicks the cart in her hand like a well-played card in a high-stakes game. Her voice, dripping with playful sarcasm, responds, "Think you could track down a more secure, unhackable system than this vintage beauty?" A hint of a smirk plays at the corner of her lips, challenging him. I think it''s actually Windows 7. Without waiting for another jest from Playback, Puppeteer carefully slides the memory card into a designated slot on the computer, one of about a dozen USB-C jacks. The machine, despite its archaic appearance, all smooth angles and white plastic, hums softly in anticipation, like it''s spooling up, ready to unload. As she initiates the playback, the room''s ambient lights dim, either by design or some subconscious consensus among the team. The screen becomes our sole focus, casting an ethereal green glow across the faces of the gathered. I glance backwards to see Crossroads at the light switches. Okay, that answers that. The footage begins to roll, and the gritty details of the Dobson Mills incident become all too real on the screen, the room''s atmosphere grows even more oppressive. It''s as if we''re all collectively holding our breath, waiting for the inevitable fallout. The weight of everything in the footage, the drone zipping through the air, followed by it slowing down to quiet its rotors and slipping in through a broken window, feels oppressive. It weighs down on my chest. It''s grainy, distorted at the edges, and bathed in an eerie night vision green. The figures move like phantoms across the screen, their identities hidden behind the spectral glow, yet still somewhat discernible. The center of the scene captures Mudslide, the green hue making him seem even more otherworldly and menacing than I remember. My pulse quickens, each beat echoing loudly in my own ears. I knew what was coming, having lived through the trauma once. Yet, watching it unfold again, especially knowing that my comrades'' eyes were on it too, felt like a blade twisting in my stomach. Their reactions, silent but palpable, intensified the experience. Playback, attempting to break the tension, or maybe to distance himself from the chilling reality, cracks a joke. "You''d think with all the tech these days, we''d get HD quality on this." His voice carries the familiar playful tone, but it''s underscored by a nervous energy. Unlike the footage, the audio quality is good. Uncomfortably good. "You have to kill him," "Ice the motherfucker," "Gimme a gun," "We don''t have room for regular run-of-the-mill purse snatchers in the Kingdom," every sentence is captured in crystal clear quiet sound, muffled only by distance and orientation, and the gentle background noise of the drone''s rotors beating. Any semblance of levity evaporates when the footage shifts, tilting a little bit with adjustment to capture the captive''s untimely demise, but missing the silhouette of Mudslide actually performing the deed. Gossamer gasps quietly and covers her mouth. "How about thirty feet deep, smartass?" Mudslide asks off-screen, and Gossamer looks away at the resulting sound - like mud being sucked down a vacuum hose. Her usually pale knuckles take on a ghostly hue, revealing the tension that courses through her, her entire body squeezing shut as she avoids looking directly at the crime in action. Crossroads, as was often the case, appears lost in a different world. The usual distant expression on his face takes on a sharper focus. He doesn''t move an inch, yet there''s a palpable shift in his demeanor. His dark eyes, usually languid, now dart back and forth with alarming speed, flickering like a candle in a gusty wind. Each movement is quietly frantic, like he''s trying to read a book none of us can see. Then, they calm down, and I have to wonder to myself what exactly he just saw. An almost tangible pressure builds within the room. It feels constrictive, as if the very walls are moving inwards, aiming to press the life out of us. The screen casts a ghostly illumination, and the silence is, as they say, deafening, without any sounds of the captive''s struggle left behind. It was a jarring switch from the playful banter of moments ago to the bleak reality unraveling before us. Playback, ever the vocal one, finally interrupts the suffocating silence. His voice is uncharacteristically shaky, void of his usual humor. "I.. Damn." Puppeteer''s voice chimes in next, wavering slightly in a way I''ve rarely heard. "Mudslide. That''s that amateur you managed to put away once, isn''t it, Bloodhound? How''d he manage to evade jail again?" Taking a deep breath to steady myself, I reply with a murmur, feeling the weight of everyone''s gaze on me. "I''ll get around to explaining that." Gossamer''s reaction is subtle, her usually vibrant voice barely rising above the haunting sounds emanating from the computer. Her whisper struggles against the overwhelming cacophony of the audio, as if fighting to be heard. "This sucks," she murmurs, her fingers unconsciously fidgeting with a strand of her hair. "I don''t like it." My breath feels trapped in my chest, a tight knot of anxiety. I force myself to inhale, and as I exhale, my gaze drifts to each team member in turn. Playback, Crossroads, Puppeteer - each of their eyes holds its own ocean of emotion. But amidst the waves of shock and disbelief, I recognize something familiar in their depths: a reflection of my own horror and anger, mirrored back to me. It''s a silent acknowledgment, a united front against the savagery on the screen. Crossroads, often lost in the labyrinth of his thoughts, breaks his typical silence. His voice carries a softness, yet there''s an underlying urgency that''s impossible to miss. "Grim," is all he says, but it''s enough. The singular word holds the weight of a thousand, echoing the sentiment of the room. Puppeteer, our unspoken leader, seems to take a moment longer than usual to process. Her dark eyes, which often dart around with calculated precision, linger on the paused screen, lost in its implications. Without a word, she reaches out, her fingers hesitating for just a second before pressing down on the pause button, moments before Mr. Nothing obliterates the drone with his gun. The movement arrests the footage, but the room remains ensnared in its ambiance. The dim light casts eerie silhouettes against the walls, deepening the prevailing sense of unease. It feels as if the entire space is holding its breath, like a storm cloud pregnant with rain, threatening to burst any second. "I think the¡­ adults are going to want to see this." The low hum of the room is interrupted as Puppeteer, with deft fingers, taps a series of keys, bringing the intercom to life. "Would the Delaware Valley Defenders present today please come to the conference room?" The precision in her voice is unwavering, but there''s an underlying urgency I recognize. Chapter 15.2 A momentary silence fills the room before I hear the door''s mechanism release a soft click, signaling its opening. What follows is the gentle, synchronized cadence of footsteps. I can picture them, even without looking, striding down the hallway with a purpose, bound for this room. One by one, they make their entrance. The room, dimly illuminated by the ambient glow of various screens, now bears the weight of their collective presence. These are the Delaware Valley Defenders. Even in the subdued lighting, the authority and experience they exude is undeniable. I''ve encountered each of them at different points, during brief moments in the headquarters or during some incidental meetings. The recognition in their eyes, the slight nod, the casual greetings--they''ve become somewhat of a ritual. And yet, now, as they gather together in this room, it feels vastly different. It''s not just one or two of them--it''s the whole squad. A feeling akin to awe settles in the pit of my stomach. Every new arrival to the dispatch room catches my attention, making me shift a little in my seat. The realization hits me: I''ve never actually been in the presence of all these adult heroes simultaneously. The gravity of the situation and their collective attention leaves me feeling slightly out of place, but there''s also an undeniable thrill. Like being a smaller fish suddenly introduced to a school of larger, more experienced ones, ready to take notes on¡­ the things fish do. Swallowing water. Avoiding hooks. There''s this unmistakable heaviness in the room, an imposing sense of solidity that seems to just gravitate everything toward the center, and it isn''t long before the reason becomes clear. Bulwark strides in. He''s built like an old-timey circus strongman; it''s the kind of physique that makes you think of a wall that decided to stand up and take a walk. His skin is such a deep shade of brown that it almost hints at blue under certain light. At 6''7", he''s an absolute giant, and his sheer physical presence can be somewhat overwhelming, not because it''s intimidating - although it certainly could be if he wanted - but because of the sheer magnitude of it. You can''t help but feel like you''re being drawn into his gravitational pull. Bulwark''s uniform looks like someone took the essence of a construction site and distilled it into a superhero costume. He dons a high-vis vest over an orange athletic tee that strains just a bit over his muscle-fat. Black slacks wrap around his legs, and the armored boots he wears look like they could crush concrete if he so chose. Hanging around his waist, a utility belt jingles lightly, packed with tools that would give any hardware store a run for its money. I''m always slightly taken aback by the gentleness in Bulwark''s demeanor, given the mountainous stature he holds. His nod to me is tender, and it''s as though, with just that one gesture, he can communicate a universe of empathy. It''s this strange juxtaposition, a man who could easily be mistaken for a walking fortress showing such profound softness. Multiplex is not far behind, muscling in maybe half a second afterwards. There''s an undeniable physicality to him, one that reminds me of a seasoned boxer who''s seen a good many rounds. If I had to guess from his costume, that might''ve been what he did, but we''ve never had the opportunity to really chat about backstories. Instead of boxing shorts and gloves, he''s now clad in modern light body armor. The armor snugly fits over a skintight black top, punctuated with streaks of white and orange, giving off a subdued but effective contrast that makes him almost glow in the darkness of the dispatch room. As his eyes sweep the room, I can''t help but feel they''re silently interrogating each of us. It''s not an aggressive gaze, but it''s searching, probing. I think of the way a scientist might look at something under a microscope, trying to discern the smallest details. His gaze is seeking answers, evaluating potential allies and threats, all while trying to piece together the situation he''s just walked into. His face is graced by a soft, light stubble, patches of red-brown standing out on his dark skin, and in a second, there''s another Multiplex, sort of just phasing out of him, trudging around the back of the room. That''s what he does. Obviously. Before long, there''s a Multiplex per corner, making sure to keep an angle on everything at once. The next one in is the one I like the most. We''ve only met twice, Fury Forge and I, but I can tell she likes firefighting just as much as I like sports, which is a sort of attitude I can resonate with. I don''t like it when someone seems boring, when they don''t have a passion for anything. It doesn''t even have to be something I like - G-d knows I''ve already sat through one lecture from her on how foam-based fire extinguishers work - but it means there''s something she cares about. Her outfit is a testament to her past and present: the fusion of a firefighter''s gear with a superhero flair. The zipped-open, bright orange jacket reveals a sleek black leotard beneath, contrasting against her tanned skin, decorated with faint scars--reminders of battles with fire. It''s a look of strength and resilience. She looks like the kind of person who''d easily hoist you over her shoulder and march through smoke and flames without a second thought, something I''ve thought about a couple of times for no particular reason. Without hesitation, she commands the room, "Alright, spill it." Her voice, impatient and demanding, reminds me of a fire truck''s blaring siren--urgent and impossible to ignore. "Wait for the other two," Multiplex interrupts her, raising a hand up. She visibly deflates and pops down into a squat, staring at the paused screen. I try to refocus on the meeting at hand, but it''s difficult with her right there. Her gaze, piercing and intense, rests on the paused screen, her mind undoubtedly racing at a hundred miles per hour. I wonder what it''s like inside her head, with ideas igniting like sparks, waiting to be fanned into full-blown inventions. I''ve heard stories about her late-night projects, crafting innovations in firefighting technology, with the orange hue of welding sparks dancing on her features. My train of thought is derailed when she looks my way. I shuffle uncomfortably and try to pay attention to the doorway again. A hush settles over the room as the door opens, and in strides Clara. Clarissa "Clara" Parker, the legal backbone retained by the Defenders. I''ve always found it slightly amusing that among a team of superheroes, she''s the one that commands a unique sort of respect, the kind that even Playback doesn''t like to joke around with. It''s not the kind that comes from awe of supernatural abilities, but from sheer trust in her expertise. You can tell she''s been through the legal wringer countless times; her short curly hair, touched with streaks of gray, probably bore witness to many courtroom dramas. She pushes her glasses up the bridge of her nose, the light reflecting off them momentarily before settling on us. Those sharp, observant eyes sweep the room, missing nothing, analyzing everything. Clara might not be able to shoot lasers from her eyes, but in many ways, her gaze is just as penetrating. I imagine it''s a trait honed from years of cross-examinations and carefully picking apart testimonies. "Before you start," she says smoothly, her voice dripping with authority yet maintaining an even tone, "remember to choose your words carefully. We''re in legal territory." The weight of her words is palpable, and I''m reminded once again of the importance of having someone like Clara on our side. Not all battles are fought with fists and powers; some are waged with words, laws, and precise strategy. The door opens one final time - well, it doesn''t even shut all the way, just interrupting itself - and in walks Councilman Jamal Davis. There''s an immediate shift in the room''s energy, as if the air itself has decided to lean into his presence. He emanates a gentle charisma that''s palpable, almost like a soft, reassuring hum in the background. Every step he takes is measured and purposeful, showcasing his natural authority. His bald head catches the soft overhead lighting, giving it a gentle sheen, and you could almost believe it''s an intentional style choice meant to add to his aura. When his eyes scan the room, they lock onto each of us in turn, just for a fraction of a second. Those eyes, full of wisdom and warmth, reassure without words. There''s a certain gravity in his gaze, but not the oppressive kind. It''s the gravity that pulls people toward him, the kind that makes them listen, trust, and follow. And though he''s not shaking hands now - circumstances being what they are - I remember the steadiness of his grip, the firm yet friendly handshake that was always his signature greeting. His professional attire, crisp and meticulously chosen, sets him apart from the rest of us, highlighting his role in the room and the organization at large. It''s a subtle reminder of his position, both in the Delaware Valley Defenders and in the city''s council. But beneath that facade of formality, there''s a genuine, approachable human being. "Hello, Bloodhound," he greets with a nod, addressing me directly. "Et all. Puppeteer, you have something we need to see?" The earnestness in his voice, the genuine concern, further solidifies why he''s seen as a natural leader, even if he''s not the one calling the shots behind the scenes. The room feels heavy. There''s an unmistakable weight in the air that holds everyone''s attention. Puppeteer, as if sensing the gravity of the moment, stands tall and decisive. With a nod, she gestures towards the paused footage on the screen. "This," she says in her characteristically clear voice, "was captured by a civilian drone. The event it documents is a crime - murder. It''s quite graphic, involving a supervillain named Mudslide." It''s like she''s giving a briefing, always concise and direct. There''s no beating around the bush with Puppeteer; she''s all about getting to the point. Without further ado, she drags the marker on the video player back to the beginning and presses play. The dimly lit room is momentarily replaced by the vivid display of the crime, projected onto the wall. As the video plays, I can feel the mood shift further, suffocating the group. I don''t bother looking at the footage, because I think if I see this event happen again I''m going to have a conniption (which I''m not sure what it is, but I think I''m using it right from the context of how my parents use it). Gossamer locks eyes at me, and we have a little staring contest, each one of us trying not to look towards the screen. I hear a slight squeak on the floor as Fury Forge angrily tenses her body up, having to visibly restrain herself from shouting. Multiplex, a strong presence in the room, doesn''t waste time after the footage stops. "And the legality of this footage?" he questions, looking as though he''s trying to process everything. His query hangs in the air like it''s a physical thing, waiting to be answered. Clara takes a moment. Pushing her glasses snugly against her face, she pauses, and clears her throat. Then, she starts, "If it''s acquired by a civilian, without trespassing on someone''s private space and without any criminal intent, it may just stand in court." She looks around the room, gauging reactions, "Especially if it''s recording a crime unfolding. But who captured it? How did it end up here? Where is it located?" Stolen content warning: this tale belongs on Royal Road. Report any occurrences elsewhere. Taking a deep breath, I step into the center. "Alex Garcia, he''s the one with the drone. He''s a civilian." I quickly add, hoping to stave off more questions, "He''s a friend." But in my head, I''m wrestling with the details I''m leaving out. Like how it was Jordan, or as the Young Defenders know him, Safeguard -- my so-called archenemy -- who was instrumental in getting this footage. "Dobson Mills, the abandoned textile factory. Is that¡­ owned by someone?" Clara leans back, a pen tapping rhythmically against her notepad, as if it helps her think. "Technically, yes, but I can get in contact with the property owners. Drone footage, huh? It''s a burgeoning field in legal terms, especially with evidence admissibility. Generally speaking," she muses, "for such footage to be seen as evidence, it has to be both reliable and relevant. Above all, it must not violate any foundational laws, such as the Fourth Amendment, which safeguards us from unreasonable searches." Everything seems so much more complicated than it needs to be. At least, that''s how it feels when I''m in a room with a bunch of people discussing legalities. My mind starts to drift, and my knee rocks up and down, but I snap myself back into the present, focusing on Clara. "This is all a gross oversimplification, of course. I''m not going to bother you all with the precise lawyer talk, just the stuff you need to know as heroes." Her emphasis on ''you'' almost feels like it''s directed at me. It must be - I''m sure everyone else has heard this talk before. Councilman Davis, always eager to get the finer details, leans forward slightly, his face lined with concern. "And did this Alex have permission to fly over that area?" His question hangs in the air, like a floating bubble, ready to pop. Clara quietly shrugs. "We''d have to check the FAA guidelines, but that area isn''t near an airport, and he wasn''t flying it at a prohibited altitude." Her response is factual, stripped of any embellishments. Like reading a list of ingredients. "If the drone was flying in accordance with FAA regulations and the footage wasn''t obtained illegally, chances are good that we''ll be able to work with this." A chance to work with it? I must be making a face, because Clara looks at me, tilts her head a fraction of a degree, and smiles. "Don''t worry, Bloodhound. Even if it ends up being not admissible in court, there are ways we can use this information productively." That doesn''t make me feel any better. Before the room can spiral back into legal jargon, Fury Forge, always impatient, interrupts the flow. "Alright, but let''s focus on the bigger picture. This ''Kingdom'' - that must be the Kingdom of Keys, right? And they''re actively recruiting, Mudslide, that''s your catch, right, Bloodhound?" Her impatience reminds me of when I need to get something done, and there are too many steps in the process. It''s like wanting to watch a movie but having to sit through a bunch of trailers first. It takes me a couple of seconds to process that Fury Forge is talking to me directly, and I do anything but look at her. "Yeah. How did you know that? And what''s the Kingdom of Keys?" I ask, looking towards the frozen screen, paused at the last frame before the bullet came out. "What, you think I don''t pay attention to my proteges?" Fury Forge asks rhetorically. I feel my face heating up, like I''m about to burst into flame myself - her whats? I''m her protege? She smiles at me and I turn around, faking a cough while she finishes her thoughts. "It''s a bunch of scumbags that have been weaseling into the holes that the DEA and the FBI popped in the drug trade. This is¡­ well, we haven''t had very many leads on them. Did you get their names? Mudslide, Mr. Nothing, what''s the other guy?" I do not like the fact that the entire room seems to have paused for our little side-conversation. I feel like I just got caught talking by the teacher. "Mr. Polygraph. Mr. Nothing can nullify your powers if he touches you, and Mr. Polygraph can tell if you''re lying to him. Mudslide can, well¡­ You saw. That''s about the extent of it." Fury Forge slaps a fist into her open palm, grinning. "Well, that''s that! We''ve got names, let''s start squeezing people down for names." Bulwark, the team''s rock, always knows when to intervene. Placing a gentle hand on Forge''s shoulder, his voice is both comforting and stern, "We will, Forge. But right now, we need to ensure that when we bring him to justice, he stays there." He then shifts his gaze to the rest of us, adding, "We will need to ensure the safety of this Alex Garcia. If he''s the one behind this footage, he might be in danger." I see heads nodding in agreement. Multiplex, ever the rule follower, adds his two cents, "Clarissa and Bulwark are right. We need to make sure every step we take is as by the book as we can manage. These guys have been eating the black market for breakfast, lunch, and dinner for the past two years, so we need to make sure when we hit them they don''t have a chance to get back up." The room has this omnipresent hum - a mix of the soft rustling of papers, the nearly inaudible whispers of side conversations, and the gentle hum of technology in the background. When Playback speaks up, the suddenness of his voice feels like someone dropped a stone in a still pond. "Let''s just give all the evidence to the police," he suggests, and I see him gesture towards the frozen screen, the highlighted data evident. His stance is as firm as a brick wall, but there''s something in his young face - a twitch at the corner of his eyes, the tiniest downturn of his lips. It''s like he''s stepped onto a wobbly bridge for the first time, uncertain if it''ll hold his weight. "Isn''t it their job to handle big-time crimes?" Puppeteer, however, isn''t one for uncertainty. She turns sharply toward Playback, her gaze piercing. "While it sounds like a straightforward solution, we''ve dealt with the Kingdom before. I mean, the Delaware Valley Defenders have," she begins. I''m reminded of how she approaches problems - like a puzzle she''s determined to solve, piece by piece. Bulwark finishes her sentence for her. "They''re cunning and elusive. Until now, we did not even know any of their operatives had names. Just possessing this knowledge¡­ It is a very effective cipher key. It will pay great dividends." Councilman Davis nods thoughtfully. "It''s true," he concedes, exasperation coloring his voice. "I''ve tried pushing this through the bureaucratic channels. But it feels like every step forward is met with resistance, as if trying to make headway through thick molasses. It''s exhausting. We need more." Bulwark''s every word is distinct and deliberate. It reminds me of someone cautiously tasting a new dish, experiencing each flavor independently, part by part. "The police have been overwhelmed, especially when it comes to these superpowered threats," he says. "They offer great support, but we can''t simply hand this over and wish for the best. Many of them refuse to get involved with superpowered threats, even street criminals." "''Protect and Serve'' my ass," Playback mutters. Several people in the room shoot him a withering glare, and he backs away, squeaking an impotent "sorry" out. A subtle movement catches my attention. It''s Crossroads. He doesn''t speak often, but when he does, it''s important. However, instead of vocalizing his thoughts, he merely points towards one of the Multiplexes. I squint a little, trying to figure out if this one''s the original, to no avail. Multiplex, the one Crossroads pointed at, stands a bit taller, maybe assuming a natural leadership role amongst his duplicates. Folding his arms in front of his chest, he shoots a quick look at the other duplicates. I catch them nudging Puppeteer to the side, subtly, as they take control of the computer system. As the screen dims and the huge main dispatch screen fades out, my focus is divided. On one hand, I try to catch a glimpse of what the Multiplex duplicates are up to, with the smaller screen''s UI making me think they''re sending an email to someone. But Puppeteer, now free from the computer, turns to face the group, her attention riveted on what the primary Multiplex is about to say. "I say we set up surveillance on known Kingdom hotspots," he starts, very authoritative and deliberate. "We watch, we wait, and then when the time''s right, we have enough evidence to make sure they go down, and they stay down." Nodding in agreement, Puppeteer adds her perspective to the mix like a student backing up the teacher''s lecture, "We might also need more intel. Informants, previous encounters, anything that can give us an edge." Her words make sense, but a cynical little voice in the back of my head can''t help but snark, Ass-kisser. Throughout the heated discussion, I felt this slow build of impatience in me, like a pot about to boil over. My thoughts seemed to race, and I bounce my knee harder and harder. I tried my best to hold back, to wait for the right moment, but the pressure inside me grew with each passing second, while everyone else was content to discuss ''tactics'' and ''strategy''. When I couldn''t contain it anymore, I burst out, "We need to investigate further!" I yelled. As I did, I unconsciously squeezed my hands tight. It was strange, I could feel something hard just beneath the skin of my fingertips. "We can''t just sit back, not after what I saw," I declared, feeling buried thirty feet under myself, choking on my own voice. Fury Forge was the first to respond, looking directly at me, her piercing eyes locking onto mine. Even with all my attitude, something inside made me divert my gaze. "Look, kid," she began with a tone that suggested both annoyance and concern, "You did good getting us this intel, but understand this isn''t some regular petty theft. You''re dealing with the big leagues here, and you''re just fourteen. Four. Teen. On top of that, you''re hurt." To the side, Clara jumped in, as if to offer a softer perspective, "And don''t forget, you''ve got school. Training. Responsibilities. These are the very things preparing you so that, in a few years, you can take on challenges like this." Feeling cornered, I responded, maybe too quickly, "I can regenerate. I''ll be fine." My words came out dripping with a mix of confidence and what I can honestly say was probably recklessness. Crossroads, who had been quiet until now, suddenly swiveled toward me, his expression one of muted surprise. "You what?" "I regenerate," I reiterated, my voice maintaining its firmness but a touch of defiance crept in. "I cracked six ribs, broke my nose and my ankle, and got shot. Twice," I say, yanking the gauze pad off my nose, reaching down to unstrap the boot from around my foot and kicking it off. A little sore, yeah, but perfectly fine. I stand up on it and do some jumping jacks. "See?" Gossamer''s eyes widened in surprise, "That''s new," she quietly mumbles, while Playback just smirks at me. Did he know, somehow? Still, Fury Forge wasn''t convinced, she waved her hand dismissively, "That''s all fine and good, but you''re still only fourteen. Not only does your brain have growing to do, but no matter how fit you are, you''re just not going to be able to beat these grown men and women in a fight, and your use in an investigation is legally shaky." Bulwark, who had always given me the air of an overprotective mother hen the few times we had talked, reached out and placed a gentle hand on my shoulder. But my emotions were all over the place and I jerked away. His words were soft, but firm, "We appreciate everything you''ve done. Truly. But now, it''s out of your hands." Playback scoffs, rolling his eyes as the conversation trails off. "Isn''t it just convenient that Liberty Belle isn''t here? Right when this Kingdom nonsense starts kicking up?" His voice has a different kind of edge to it than the usual wisecracks, but I can tell that it''s from frustration, not trying to bother people. Just when things are kicking up, where''s the leader? I don''t agree, but I understand it. Gossamer, busy with some crochet she had pulled out to steady her nerves (a habit of hers I''m familiar with), flicks a quick look in his direction, one eyebrow raised. She doesn''t say anything, but her expression speaks volumes. What are you implying? I can hear her saying. Crossroads, not one to speak up often, shifts uncomfortably, his gaze darting from Playback to the others. When he does speak, his voice is soft, almost drowned out by the buzzing hum of machinery and monitors in the room. "Maybe she has her reasons," he suggests. I know his future sight doesn''t extend far enough to know the answer of where she is - plus, it''s for his point of view only. He just has that much confidence in her. But it''s Puppeteer who bites back, her usual cool leadership clearly rattled. "Liberty Belle has done more for this team than any of us," she retorts sharply, the defensive tone in her voice unmistakable. "She''s probably out there right now, looking into the Kingdom, trying to find answers. She doesn''t need to report every move she makes to us. That''s why she''s the leader." Playback raises both hands in a mock gesture of surrender, shooting a teasing grin at her. "Alright, alright! Jeez, can''t a guy have a little wonder on every now and then?" He says, trying to play it down, but I can tell it''s not appreciated. Ever since a little bit ago, when Liberty Belle and I had a chat in front of Puppeteer, I could feel some sort of chip on her shoulder about it, like she''s overcompensating for not knowing about¡­ not knowing that Liberty Belle is dying. I have my guesses. But they''re mine. Feeling the weight of the room''s collective gravity, I slouch back into my chair, a mixture of frustration and defeat clouding my mind. Playback comes up to me, waving his hand in front of his nose, as everyone else breaks the tension into smaller, bite-sized conversations. "Yo, I don''t like the air in here. Let''s bounce. Wanna hit the double-wa?" I choke back something - I''m not sure what - and smile jaggedly at him, getting up from my chair. "Yeah. Sure." Chapter 16.1 The familiar scent of Pop-Pop Moe¡¯s house welcomes me the second the door swings open ¨C a mixture of old books, freshly baked challah, and the ocean air of Ventnor, salty and cold. My parents are right on my heels, their familiar presence a small comfort in this sea of nostalgia. The wooden stairs echo beneath our footsteps, puncturing the air filled with familiar voices, until we arrive on the landing of the second floor. Jake¡¯s laughter drifts over from the corner as he animatedly talks about a recent film, no doubt sharing all the behind-the-scenes trivia he¡¯s dug up. Uncle Aaron¡¯s deep voice booms a counterpoint, probably some joke about fishing. He¡¯s always had that same timbre, which makes it hard to ignore, even if you wanted to. And then there¡¯s Aunt Rebecca¡¯s soothing voice, talking softly to someone about a traditional dish she¡¯s been meaning to try cooking. ¡°Over there, sweetie,¡± my mom¡¯s soft directive snaps me back to the present. She points towards the dining room, her gaze gentle yet urging. I start moving, my steps growing surer as the familiar setting wraps around me. It¡¯s as if the room itself gives me a warm embrace. The vast dining table fills the side of the room, old and new sections joining to create a patchwork of wood. The white tablecloth draped over it contrasts sharply against the dark grain, a sea of pristine fabric interrupted only by the good silverware. By one end of the table, Shelly is deep in conversation with Linda, his hands animatedly describing something ¨C probably a memory of a tool he sold earlier that week. I spot the gleam of Linda¡¯s jewelry, no doubt some of her own handiwork, as she listens intently. My Uncle Herschel ¨C Shelly, to everyone who doesn¡¯t want to get glowered at, is a tall, gruff man who looks exactly like you¡¯d expect a coal miner from, like, the 1800s or whatever to look like. He¡¯s got graying hair, scruffy stubble, and big, thick arms that look like they could strangle an elephant. My Aunt Linda, on the other hand, is tiny and willowy, and I think Vietnamese, with a love for big chunky 80s jewelry. The candles cast a soft glow over the room, creating pockets of warm light. As my eyes roam, I can¡¯t help but catch snippets of more conversations, drawing me into their orbits. But even amidst the comfort and familiarity, I¡¯m all too aware of the undercurrents. The way eyes occasionally dart in my direction, filled with a mixture of concern and curiosity. The hushed conversations that stop when I approach. It¡¯s clear they know something has changed, but they¡¯re not sure what, and they¡¯re not asking. Yet. Pop-pop Moe¡¯s dining room is steeped in the essence of our family history, like a fine tea. It¡¯s in every wooden panel, every tiny creak in the floorboard. Each Rosh Hashanah, it transforms from an ordinary room in his house into the gathering place for our yearly celebration. Rosh Hashanah and Yom Kippur and Passover ¨C those are the important holidays. Although the dining area isn¡¯t expansive, it¡¯s always felt grand in the context of these occasions. The room¡¯s boundaries bleed seamlessly into the kitchen, the only real marker of where one ends and the other begins is the minute change in floor tiling, from a faded beige to a deep chestnut, which I¡¯m reasonably sure might just be like¡­ weathering. At some point I think in the 80s or 90s these might¡¯ve been the same tile. In the middle of this territory stands the dining table, a wooden mammoth that has seen better days but refuses to give in to time. Its surface is scarred with countless nicks and scratches. It¡¯s surrounded by chairs that don¡¯t match in any way. Some are old and worn, with cushioning that has long since flattened, while others are newer additions, clearly brought in during one of Uncle Shelly¡¯s attempts to modernize the space on Pop-Pop Moe¡¯s behalf. Despite all that, the inconsistency of the seating arrangement is never a topic of concern. Instead, it¡¯s a conversation starter, as everyone seems to remember who sat where last year, or the year before, or ten years ago. The ever-growing size of our family necessitates an extra table that gets appended to the main one at this point ¨C it used to be the ¡°small children¡¯s table¡±, but I¡¯m the last kid in line, so now it¡¯s just the Extra Table. It¡¯s fascinating how it always fits just right, aligning perfectly with the original, the seams hidden beneath the starched white tablecloths ¨C you can only tell because of how the edges of the table shrink away like a centimeter or two. Arrayed on the table is a culinary tapestry; the gleaming apples, freshly dipped in honey, sit on a platter, their sweet, sticky sheen catching the ambient light. The challah, a masterful braid of dough, occupies a position of pride, with Aunt Rebecca bringing two loaves each year that she always makes the morning of. It¡¯s arranged in a decorative spiral, like a snail¡¯s shell, burnished (that¡¯s a fancy way of saying ¡°glazed¡±) with a golden sheen. The pomegranates, bursting with a riot of seeds, remind us of the numerous commandments we aim to honor. It¡¯s said each seed represents a commandment, and while I can never quite remember all 613, the symbolism isn¡¯t lost on me. Finally, in terms of big hitters, there is gefilte fish. It sits, untouched, unloved, on a plate in the center of the table. I reach over and take two pieces. Various other odds and ends, presumably from Aunt Rebecca, dot the table, with more sitting on the kitchen countertops that will doubtlessly be brought over throughout the course of the night until my stomach is ready to explode. Despite the array of dishes laid out, I find myself becoming easily sidetracked. There¡¯s this persistent tickle at my ankles, the slightly rough texture of the tablecloth. The hum of voices weaves its way into my ears from the living room ¨C the kind of chatter that only exists in places where memories are abundant. Aunt Rebecca¡¯s laughter, light and airy, dances through the air, merging with Uncle Aaron¡¯s deeper tones. He¡¯s probably recounting his latest fishing trip, complete with embellished tales of the one that got away. But then, there¡¯s Jake, excitedly sharing details about his new drone¡¯s flight patterns. That¡¯s hard to ignore, especially with how passionate he gets about his new interests. I try to focus back on the table setting, on the meal that¡¯s about to begin, but my attention splinters, casting itself around the room. The candles, their flames flickering and casting soft glows, transform everything, bathing the room in gold and amber, the actual lights themselves on half-intensity. It¡¯s this soft light that does something strange to my perception: details seem sharpened, yet there¡¯s an overlay of softness that makes everything feel dreamlike. Everything and everyone is touched by it: Uncle Shelly, standing tall and proud, no doubt keeping an eye out for a chance to land another dad joke, Aunt Linda, meticulously ensuring the settings are perfect, my parents sitting to my sides seeming less real than everything else. Aunt Rebecca and Uncle Aaron continue to converse, with Aunt Rebecca¡¯s gentle hands floating around as she illustrates her points, her fingers tracing figures in the warmth. Uncle Aaron¡¯s usually intent face breaks into a smile and he glances my way, a momentary acknowledgement before he¡¯s drawn back into the story. My Aunt Rebecca is my dad and Uncle Shelly¡¯s sister ¨C she could¡¯ve been a big celebrity chef, but she decided to back out because she didn¡¯t like the pressure. I¡¯ve seen Gordon Ramsey cook, so I totally get it. She¡¯s really tall and stretched out, with long, dextrous fingers and a sort of nervous energy that she channels through homemaking. My Uncle Aaron, on the other hand, is tall and broad-shouldered, with creased laugh lines on his face and straight brown hair. He¡¯s an accountant, which I guess is something that makes enough money that Aunt Rebecca doesn¡¯t have to work. There are noticeable gaps at the table. David¡¯s spot, usually filled with his energetic discussions about the latest software, is empty. Similarly, Abigail¡¯s chair remains unoccupied. I can almost hear her fervent ramblings about a recent article she dissected, her voice rising in passion with every sentence. I slide into my designated spot, flanked by Jake and Miriam. ¡°And the guy says, look, do you want the shovel or not?¡± Uncle Shelly damn near shouts, as I tune back in on the conversation halfheartedly. ¡°I¡¯m no maroon, you know, I know what a ten year old shovel looks like, so I tells him, I says ¡°Is that blood on your shovel? Is that what you¡¯re trying to do?¡±, you know, like a joke. But the guy flips his wig on me! Literally, I saw his toupee bounce.¡± Beside me, Jake elbows me gently, a playful glint in his eyes. ¡°Bet ten bucks he tried to get a discount on the next shovel,¡± he whispers, clearly having caught on to the pattern of these stories. It¡¯s a running joke between us ¨C ¡®Shelly¡¯s Tall Tales from Aisle Seven¡¯. I try to suppress another laugh, not wanting to interrupt the story. Jake is sixteen, and he likes photography like I like soccer ¨C an all-consuming interest that formed the bulk of his personality before turning thirteen, which he then had to rush to develop into the gaps left behind. I remember he was always about my height, since we were the closest in age, but over the past year he¡¯s sprung up like a beanpole, easily the tallest person at the table. Miriam scribbles something down on a napkin, her brows furrowed in concentration. I bet it¡¯s a line for a poem or some introspective thought, but I don''t peek - that''d be impolite. While she mostly keeps to herself during these family tales, I can tell they¡¯re vital memories for her, cataloged for later reflection. Maybe even inspiration. She¡¯s nineteen, and, bluntly, I don¡¯t like her as much as I like my cousin Abigail, but not for any reason that I could tell you. I think we¡¯re just two quiet people that bounce off of each other. We don¡¯t talk much. She¡¯s usually reading and not paying attention to the table at any given holiday, which I¡¯ve always found a little disrespectful, if not for the fact that I¡¯m basically doing the same thing just with no book. From the corner of my eye, I see Aunt Rebecca nodding along with Uncle Shelly¡¯s story, the light from the chandelier reflecting off her gentle, understanding eyes. She pours water into her glass, her movements careful and deliberate. I remember her saying once that these stories, as repetitive as they might be, help keep the connection to her dad alive ¨C to Moe¡¯s legacy. She takes a sip, her eyes meeting mine for a fleeting moment, a soft smile playing on her lips. Uncle Aaron, meanwhile, seems more engrossed in his thoughts, probably contemplating numbers and balances. Still, every once in a while, he¡¯ll chime in with a practical comment, his accountant mind always ticking. ¡°Maybe you should put up a sign,¡± he suggests casually, tapping his fork against the side of his plate. ¡°You know, ¡®Shovels used in commission of a crime not welcome¡¯,¡± he says, like it¡¯s supposed to be a joke. I feel a slight itch in my stomach. ¡°Maybe you should have a police officer on duty,¡± Aunt Linda suggests quietly. ¡°I think I got mixed up here, though, was there actually blood on it?¡± ¡°No, I was just fuckin¡¯ with him,¡± Uncle Shelly says, belting into guffaws. ¡°You should¡¯ve seen his face, though! Anyway, I let him refund the shovel and he promised to never come back, so I said, good, I don¡¯t want your business anyway!¡± This is the dance of Shelly and Linda, the way they seamlessly balance and harmonize with each other¡¯s energy. Their long years of matrimony have made them two parts of a whole, and it¡¯s evident to anyone who observes their shared rhythm. The room is awash with warmth, bordering on stifling. I silently muse that Pop-Pop Moe must have cranked the thermostat up again. My thoughts, however, are briefly interrupted by a gentle, insistent tug on my sleeve. Turning, I find Jake seated next to me, having stolen Miriam¡¯s seat while she got up to go to the bathroom. The glinting controller of his new camera drone peeks out mischievously from his pocket. ¡°Hey, got any advice for my new drone shots?¡± he whispers. His eyes sparkle with a fervor only a passionate hobby can instill. A pang of affection and amusement hits me, but the weight of the occasion and the thrum of ongoing conversations keeps me anchored. ¡°What makes you think I know anything about drone photography, nerd?¡± I ask, giving him a bump on the shoulder. ¡°Call it a hunch,¡± he says, and I try to ignore the twisting feeling in my gut. Unauthorized usage: this narrative is on Amazon without the author''s consent. Report any sightings. ¡°Later, kid,¡± I say, in imitation of Uncle Shelly. Instead of correcting me about the fact that I am the youngest at the table, he laughs, and gives me a slight noogie. Around me, the tableau of my family unfolds. Conversations float and twirl like dancers, moving gracefully from one topic to another. Light banter about school, work, and daily life fills the room. We are, all of us, delaying the inevitable descent into the more profound topics that Rosh Hashanah brings. Once Pop-Pop Moe gets going on his annual recitations from the Tanakh, the atmosphere will change, turn introspective. But for this brief respite, it¡¯s all about Shelly¡¯s anecdotes from the hardware store, Jake¡¯s exciting drone escapades, and playful, familial jabs. The ambient noise around me begins to blur, a comforting background melody made up of distinct familial timbres. Jake¡¯s youthful voice rises in animated storytelling, providing a stark contrast to the more subdued sounds of dishes being adjusted and silverware clinking. Shelly, ever the joker, throws in his robust laughter at regular intervals. It booms and echoes, the hearty sound a staple at these gatherings. I catch just the tail end of one of his jokes, missing the setup but getting the punchline, ¡°¡­ And I says, I says to the guy ¨C ¡®Screwdriver? I hardly know her!¡¯ Awh haw haw haw haw!¡± The room responds with a blend of laughter and groans. It¡¯s so typical of Uncle Shelly, always trying to lighten the mood. Pop-Pop Moe¡¯s eyes are alight with wisdom. The dim lighting of the room reflects off the slight glint of his old glasses. I see a myriad of emotions play in his eyes, each memory pulling him deeper into the past. The clinking of cutlery pauses for a moment as he taps his glass with a spoon, drawing everyone¡¯s attention. The warm, inviting ambiance of our dining room combined with the richness of our holiday traditions always brings out stories from our elders. Especially Pop-Pop Moe, who never misses a chance to pass on a tale from the yesteryears. ¡°I remember Rosh Hashanahs from when I was about your age, Sam,¡± he starts, glancing at me with a knowing smirk. I instinctively straighten up, anticipating a tale of mischief or perhaps a lesson in disguise. No doubt he¡¯s about to delve into some story of the Small family¡¯s history, a gem from his treasure trove of memories. ¡°When I was fourteen, that must¡¯ve been, oh, what¡­ 1965, or maybe 66. Times were different, much simpler, you might say,¡± he starts, his voice taking on the gentle cadence of reminiscence. ¡°You know, they didn¡¯t have such marvelous prepared meals as this,¡± he continues, motioning to the lavish spread on the table. I note the hint of pride in his voice. He and Aunt Rebecca always took delight in ensuring our festive meals were a cut above the rest, and it showed. He told me once that he knew he shouldn¡¯t be cooking on the Sabbath, but he always had the view that feeding his children was one of those times when it was important to ¡°save a life¡± over abiding by the halacha. His gaze settles on the far end of the table, where a plate of gefilte fish rests. ¡°Oh, Yente ¨C that¡¯s your great-grandmother, my mother, she tried her best, but it wasn¡¯t a Rosh Hashanah without at least two plates of gefilte fish down the hatch ¨C consider yourself lucky that you don¡¯t have to eat any!¡± He says, pointing to the dish, which I have already eaten two pieces of. I shoot him a guilty glance, the taste still lingering in my mouth. He catches it and laughs. ¡°Oh¡­¡± He jokes, his eyes twinkling mischievously. A chuckle runs around the table. Jake is already snapping pictures, probably wanting to document this moment, and Aunt Linda gives him a reproachful look for disturbing the ambiance. Miriam continues scribbling on her napkin. But Pop-Pop Moe continues, his voice a touch more solemn, ¡°And so much borscht, almost drowning in it, but, then one day someone introduced me to matzoh ball soup, and I knew we could never turn back. I would work a dozen hours overtime at the hardware store just to afford it.¡± Suddenly, he leans forward, grabbing a pomegranate from the fruit basket. ¡°We could never have even dreamed of eating a fresh pomegranate back then, too,¡± he regales, prising it open with his thumbs like he¡¯s done so millions of times before, revealing the ruby-red seeds inside. ¡°Only heard tales of this exotic fruit, never thought I¡¯d taste it one day. And now I can just go to the grocery store and pick one up!¡± Everyone around the table watches him, a mix of amusement and fondness in their eyes. ¡°It was a much different time,¡± he finishes, setting the fruit down, ¡°I¡¯ll tell you that very much.¡± Everyone around the table stops speaking when Pop-Pop Moe has something to say. The clinking of glasses and the shuffle of chairs fill the void, as the ambient noise of the room halts, waiting for his words. The room, which a minute ago felt expansive with laughter, now feels intimate, hushed. For someone who¡¯s often lost in thought, there¡¯s an unusual clarity for me whenever Pop-Pop speaks. The years etched into the wrinkles of his face and the authority of his posture demand a certain reverence. ¡°I can remember when I was just a boy,¡± he starts, the twinkle in his eyes indicating a departure from the present, ¡°listening to my own grandfather at this very table.¡± It¡¯s a prelude, a habitual dance he does before delving into anything weighty. The mood tenses but in a good way, like everyone knows they¡¯re about to be treated to a piece of wisdom, passed down through generations. He continues, pulling us further into his orbit. ¡°And now I sit here, among my own kin, and I see the eyes, the faces of generations past and future.¡± His eyes trace the faces at the table, each glance carrying its own silent conversation. The seconds stretch on, each one pulsating with anticipation. ¡°As it¡¯s written,¡± Pop-Pop Moe finally says, the dramatic pause between his words hanging palpably in the air, charged with energy. There¡¯s a shift in his tone as he transitions, launching into a recitation of the Torah from memory. The words, though they might¡¯ve been dry or distant in another setting, come alive with emotion and vigor in his mouth. ¡°A psalm of Asaph; God is truly good to Israel, to those whose heart is pure. As for me, my feet had almost strayed, my steps were nearly led off course, for I envied the wanton; I saw the wicked at ease. Death has no pangs for them; their body is healthy. They have no part in the travail of men; they are not afflicted like the rest of mankind. So pride adorns their necks, lawlessness enwraps them as a mantle. Fat shuts out their eyes; their fancies are extravagant. They scoff and plan evil; from their eminence they plan wrongdoing. They set their mouths against heaven, and their tongues range over the earth. So they pound His people again and again, until they are drained of their very last tear. Then they say, ¡°How could God know? Is there knowledge with the Most High?¡± Such are the wicked; ever tranquil, they amass wealth. It was for nothing that I kept my heart pure and washed my hands in innocence, seeing that I have been constantly afflicted, that each morning brings new punishments¡­¡± He says, continuing in a way that makes the air suddenly feel ice cold. Or is that just me? Even in my usually inattentive state, the resonance of those words binds me to the moment, casting a spell that makes my spine tingle. Each syllable he utters, laden with profound significance, seems to have been carved into the very fibers of his being. The rhythm of his speech and the cadence of the ancient verses weave an intricate tapestry of shared history and identity. When he reaches the passage about God causing us to suffer now so the fruits of our good deeds might be preserved for the future, a quiver moves through me. I find my hands clasped together, my knuckles white under the tablecloth. The wooden edge of the table suddenly feels pressing against my body. Pop-Pop Moe¡¯s voice rises slightly in volume, snapping me back to the moment. ¡°Asaph¡¯s message is very clear,¡± he says, his voice carrying a note of finality. ¡°Even when plagued by doubt, we must remember: everything God does for y¡¯Israel ¨C the people, not necessarily the nation ¨C for us, is good. Even when the path seems murky, the end goal remains the same.¡± As he rounds off, he rests his eyes on me again, and there¡¯s a gravity to that look which feels like it carries the weight of the world. ¡°We remember this on Rosh Hashanah, the time of preparation for judgment, that we should trust in God¡¯s plan, even if it seems unclear or challenging. We can take the new year as an opportunity to look forward to a year of good will, to focus on the future, and to trust that our challenges will lead to a good outcome in our duty ¨C Tikkun Olam ¨C to repair the world.¡± The atmosphere is heavy when he finishes, each person around the table processing his words, turning them over in their minds. I can hear the faint whistle of the kettle from the kitchen, and I¡¯m hyper-aware of the rhythmic beating of my heart. The sheer intensity of the moment, the way his words seem to single me out, it¡¯s a lot to process. It feels like everything and everyone is waiting for a response, but all I can do is take a deep breath, hoping it¡¯s enough to ease the tight knot that has formed in my chest. It¡¯s not enough. But nobody¡¯s looking at me, so I have to assume they didn¡¯t get the message the way I have. The room is silent for a split second. It¡¯s heavy, that silence. But it¡¯s lifted by Pop-Pop Moe¡¯s sudden chuckle. ¡°You know, our good friend Peter Parker pondered a similar question.¡± There¡¯s a twinkle in his eye. ¡°Jewish boy from Queens, you know.¡± Whispers ripple through the table as the less comic-savvy members of the family try to piece together his reference. I try to sift through the knowledge in my brain, mentally thumbing through the pages of comics I¡¯ve skimmed over the years. I know of Peter Parker by name ¨C that¡¯s Spider-Man, obviously ¨C but any specific details elude me. My cousin Jake perks up, his fingers drumming excitedly on the table. I can practically see the gears turning in his head, processing the information. Miriam leans over, her lips almost grazing my ear as she whispers, ¡°He¡¯s talking about Spider-Man, right?¡± I nod, still trying to figure out the context. I glance over to Aunt Rebecca, expecting her to be as clueless as me, but there¡¯s a knowing smirk playing on her lips. ¡°Peter Parker, Spider-Man Vol. 2 #48,¡± Pop-Pop Moe adds with a hint of pride, straightening his glasses, the glint in them almost cheeky. ¡°¡®The Big Question¡¯ ¨C it deals with why the good sometimes suffer while the wicked seem to flourish.¡± Jake¡¯s enthusiasm is palpable now. He¡¯s practically bouncing in his seat, eager to join the conversation, ¡°Oh, I¡¯ve read that one! That¡¯s with the Indian lady who basically never showed up after that story arc, right?¡± Uncle Shelly chuckles, a deep, warm sound, ¡°Spider-Man, really? I remember when those comics first came out. Never figured they¡¯d be the subject of a family dinner discussion.¡± He takes a sip of his drink, then continues, ¡°But, if there¡¯s a lesson in there, might be worth a read.¡± My mom gently chides him, her fingers tapping her glass, ¡°You¡¯d be surprised how deep some of those stories can get, Shelly. You know, the kids these days really love their comic books, there¡¯s a lot to learn from Naruto and, what¡¯s it called, Demon Core, that¡¯s the one I keep getting asked about.¡± I pick at my food, feeling like I¡¯m submerged underwater. The family buzzes around me, every chit-chat, every light-hearted joke, but I¡¯m a step removed. Their words mix and mingle in the air, but my mind is with Spider-Man, with Peter Parker, and the weight of responsibility. ¡°You all know how it goes by now,¡± Pop-Pop Moe says. ¡°He decides that he has to do it, because there are simply problems nobody else can solve. You know, with great power comes great responsibility, that old song and dance.¡± The room starts coming back to life, forks and knives hitting plates, voices overlapping in the usual familial cacophony. Yet, in the midst of the clamor, I catch Pop-Pop Moe¡¯s gaze from across the table. For a moment, just a brief moment, everything else fades. It¡¯s almost as if Pop-Pop Moe¡¯s looking straight into my superhero soul. He shoots me a quick, knowing smile. Shaking off the introspection, I join the ongoing chatter. The room is a cacophony of overlapping stories, playful teasing, and a sense of belonging that always seems to linger in the air during our family gatherings. As much as my recent experiences haunt me, there¡¯s a visceral sort of relief that washes over me in these moments. I am distracted, yes, and not as present as I¡¯d like to be, but it¡¯s like the weight of everything else dims slightly. All the while, I mentally brace myself for the next course of food. The food at Rosh Hashanah is delicious, but also vast in quantity. I¡¯m convinced Pop-Pop Moe¡¯s ultimate aim for the holiday is to ensure we don¡¯t need to eat for at least another week. If nothing else, Rosh Hashanah here always guarantees a full stomach and an even fuller heart. The soft glow from the candles casts dancing shadows across the pristine white tablecloth. Each flickering silhouette dances, alive, almost whimsically, amidst the animated chatter of our family. A tantalizing scent fills the room ¨C the very aroma of tradition, of timelessness, of passed-down recipes that have been honed to perfection over generations. It reminds me of history, of continuity, of love passed down from every preceding generation, arriving in this moment. I glance around the table, taking in the familial faces. Each of them seems to glow, caught in the amber hue of the setting sun that¡¯s streaming in through the window. The laughter lines on Aunt Rebecca¡¯s face, the way Uncle Aaron¡¯s eyes light up when Jake shares a story of his new drone adventures, the calm and poise in Aunt Linda¡¯s posture ¨C it¡¯s these nuances, these everyday yet significant details, that make me feel grounded, despite the turmoil inside. The rhythmic sounds of silverware chime in ¨C forks and knives gracefully dancing with the plates, almost in harmony with the undercurrent of conversations. Then, there¡¯s a hush. The conversations mellow out, giving way to a familiar, sacred tradition. Prayers are about to begin. Uncle Shelly, with his gruff exterior that hides a well of sentimentality, takes the lead, starting the prayer over the wine. His voice is strong and steady, the words rolling off his tongue with practiced ease and reverence. Following suit, Pop-Pop Moe, the religious pillar of our family, leads the prayers over the bread, each word heavy with significance and respect for tradition. The prayers for Rosh Hashanah follow, filling the room with a spiritual warmth that seems to amplify the very essence of togetherness. I close my eyes briefly, the resonance of their voices enveloping me as I pray along with them with a practiced tongue. For a brief moment, amidst the cacophony of family and tradition, my tumultuous world seems peaceful, undisturbed, just as it should be. Chapter 16.2 Amid the familial clamor and warmth that follows the prayers, a couple of empty chairs stand out as painful reminders. David and Abigail, my cousins, are noticeably missing from the dinner table. It¡¯s strange. Their voices, which used to harmonize with the rest of us during prayers, are now absent. David had studied here at Penn State, but after graduating, he shifted base to California. The distance feels even greater knowing he¡¯s now on the other coast. And Abigail? She¡¯s at Emerson, probably immersed in the same rituals as we are, but with her college friends at a local shul in Maryland. I try to imagine the two of them, their Friday evenings unfolding in stark contrast to ours. David, perhaps surrounded by his techy friends, all engaged in animated discussions about the latest coding techniques or algorithms. And Abigail, amidst her journalist buddies, might be preparing for a late-night session to analyze and critique the most recent news articles. Or create some ¡°agit-prop¡±, as she told it to me one day. I like Abigail. She talks to me a lot more than Miriam does. She¡¯s like my big sister that I don¡¯t get to see that often. Jake, with his usual zest, breaks my train of thought. His eyes gleam as he discusses David, clearly proud of his older cousin¡¯s achievements in tech. ¡°Did you guys know David managed to restore an old Super Nintendo from ¡¯91? He sent me pictures. It looks brand new!¡± He¡¯s practically bouncing in his seat, animated in a way that makes his youth starkly evident. ¡°He sent me this video of him wiping it down and giving it a scrub with rubbing alcohol and stuff. Only spent ten bucks on it at a garage sale in San Jose, sold it with this old game called ¡°Earthbound¡± he found at the same sale for like¡­ I don¡¯t know, like a grand? Blows my mind how he can resurrect those things.¡± A soft laughter bubbles up in the room. My Aunt Rebecca, her eyes twinkling with nostalgia, says, ¡°Oh, David and his video games. Even when we were just kids, he¡¯d be so lost in them that mom had to shout to get him down for dinner. It¡¯s kind of endearing, isn¡¯t it? Now he¡¯s channeling that passion into a business. I¡¯m really proud of him.¡± Uncle Shelly nods in agreement, a hint of pride evident in his eyes, ¡°Always knew that boy had the touch. Much like how I felt about Moe and me in the hardware business. It¡¯s a good thing he¡¯s put his skills to such use.¡± ¡°Moe and me, Moe and me, don¡¯t forget who taught you all you know, boychik.¡± Pop-Pop Moe replies, shaking a spoon at Uncle Shelly playfully. Aunt Linda gently chimes in, her voice soft yet holding a weight of wisdom. ¡°It¡¯s beautiful to watch our children find their path, even if it takes them far away. Every parent wishes to keep their child close, but seeing them flourish on their own is equally rewarding.¡± She always sort of speaks like this ¨C like a magazine article. I used to find it extremely annoying as an irritable little tyke, but now it¡¯s kind of endearing. The room is thick with a mix of pride, wistfulness, and the unspoken yearning for those absent. My gaze drifts to the window, the early evening light casting a gentle glow on everything it touches. The conversations around me continue, a comforting murmur. My mom smiles fondly, the sides of her cheeks blushing with color against her tan skin. ¡°That sounds just like David. I remember him always being glued to those video game consoles when he was Jake¡¯s age.¡± Her gaze drifts to a family portrait, where a younger David, grinning ear to ear, holds a Nintendo DS, freshly acquired for Hannukkah. ¡°A fuckin¡¯ grand on an old Nintendo they don¡¯t even make games for any more¡­¡± Uncle Shelly replies, shaking his head in what seems like exasperation. ¡°Can¡¯t believe it. The shit people will pay for nowadays.¡± ¡°But speaking of articles,¡± Miriam interjects, a little hesitantly, her fingers playing with the silver pendant around her neck, ¡°Did anyone read Abigail¡¯s piece on the erasure of Jewish heritage in modern media? It was¡­ eye-opening. And made me think about the art I study.¡± I gently tense my body up, preparing for a fight. Not, like, a physical fight ¨C Abigail just tends to cause¡­ really strong reactions. Not everyone in the family appreciates her political views like Miriam does. I don¡¯t even pretend to understand them, although she¡¯s tried to explain them to me a couple of times. Maybe when I¡¯m older. Uncle Aaron, with a mix of pride and exasperation, shakes his head. ¡°Every time she writes, she¡¯s on fire. Not always in the ways I¡¯d expect or want, but she has a voice, and she¡¯s using it. She once told me she wants to change the world one article at a time. I believe she might.¡± Aunt Rebecca¡¯s gaze softens as she adds, ¡°Remember when she tried starting that school newspaper when she was just ten? And they said no, so she wrote a strongly worded letter and stapled it to the doors of every classroom,¡± she says, chuckling quietly to herself. ¡°She got in so much trouble.¡± Aunt Linda nods, her lips curving into a smile. ¡°She came to me once, asking about the history of my family¡¯s jewelry designs, did you know that, Rebecca, darling? That girl¡­ she has a real thirst for knowledge.¡± Uncle Shelly chortles, a little smugly. ¡°Knowledge? She has a thirst for arguments. But that¡¯s our Abigail. She gets under your skin and makes you think.¡± Chuckling weakly at Shelly¡¯s comment, Miriam adds, ¡°I¡¯ve been collaborating with her on a few projects. We¡¯re thinking about an online magazine. Combining art, history, and journalism.¡± Jake, not to be left out, chimes in, ¡°She wants me to shoot some photos for it. My drone might come in handy.¡± ¡°A real full mishpucah.¡± Pop-Pop Moe comments, smiling in his eyes as he performatively winces at a small piece of gefilte fish. I know he¡¯s playing an act up for me, the sole audience member. I smile back at him, grabbing my fourth piece of it. I¡¯m glad nobody¡¯s commenting on my teeth yet. I hope it stays that way. Aunt Linda, sipping from her own glass, chimes in, her voice light yet holding an undeniable weight. ¡°She¡¯s thriving at Emerson, though. They must appreciate her inquisitiveness. Journalism seems like a good fit, doesn¡¯t it? Channeling that insatiable curiosity of hers.¡± Uncle Shelly leans back, a chuckle deepening his voice. ¡°Oh, she¡¯s curious alright. Every article she sends my way is like a little lecture. Sometimes they¡¯re lessons I didn¡¯t know I needed,¡± he adds with a playful roll of his eyes. ¡°Like that piece she sent about ¡®anarcho-communism.¡¯ I spent a good hour just trying to wrap my head around the concept. It¡¯s like saying ¡®jumbo shrimp¡¯. What¡¯s the word for that again?¡± Aunt Linda¡¯s smile softens the edges of her amusement ¨C or maybe slight discomfort. ¡°Oxymoron, dear.¡± ¡°Right, like ¡®military intelligence¡¯,¡± he cackles. Amidst the hubbub, Jake¡¯s persistent camera-clicking stands out, punctuating my thoughts, reminding me to stay anchored, while he digitizes the memories to commit to an eternal computer brain. The aroma of brisket wafts through the air like a miasma, and even though the smell is comforting, it only serves to intensify the weight in my chest. But it¡¯s family, I remind myself. They mean well. They always do. I barely register Jake turning his camera towards me until he nudges me with his elbow. ¡°Hey, look,¡± he motions, and an aerial photograph takes up the screen, making me feel like I¡¯m suddenly suspended mid-air. I blink, adjusting my vision. The world laid out below looks miniscule, a playset for kids. My eyes immediately drift to the edges of the photo, where the familiar silhouette of the Empire State Building just barely shows. ¡°You used your drone again, huh?¡± I muse, trying to divert my focus from the memory of just how high up the picture must have been taken from. I¡¯d be scared pissless if I was up that high in person. Jake grins, that troublemaker glint in his eyes. ¡°Nah. Did it the old-fashioned way. Climbed.¡± For a moment, I consider that, and am scared pissless. I blink, taken aback, processing. ¡°That¡¯s¡­ gutsy.¡± The rest of the room notices the camera being passed around, as relatives scramble to look at what¡¯s on display. The commotion gains momentum as his dad, Uncle Aaron, catches sight of the image. His voice breaks through the clamor, sharp as a knife. ¡°Jake! How many times have we talked about this? You¡¯re¡­ You can¡¯t go monkeying around on any old fire escape that catches your eye. You¡¯re going to get yourself killed! God forbid,¡± I notice Uncle Aaron¡¯s eyes glancing in my direction for a fraction of a second as he doesn¡¯t finish his sentence. I pretend not to. Jake¡¯s posture stiffens, that classic teenage mix of rebellion and exasperation. ¡°Dad, it¡¯s just stairs and elevators. I know what I¡¯m doing.¡± My father, mostly quiet and uncomfortable with the spotlight, cuts in, his voice dripping with disbelief. ¡°How the hell did you manage to get up there? Don¡¯t they secure those places?¡± Jake, now in the spotlight, shrugs confidently. ¡°Not enough for paper clips, apparently.¡± I hear Aunt Linda¡¯s sharp intake of breath beside me, probably imagining her own kids pulling off something like this, while Miriam giggles at the anger of her father and uncle. Uncle Shelley¡¯s reaction, though, is the most palpable. His face turns a shade redder, his fists balling up, knuckles white. ¡°Jake,¡± he begins, voice trembling with controlled fury, ¡°breaking into places is illegal.¡± This tale has been unlawfully lifted without the author''s consent. Report any appearances on Amazon. The table goes silent, save for the clinking of silverware against plates. Every eye is now fixed on Jake, awaiting his response, wondering how far this familial tension will stretch before it snaps. Aunt Rebecca¡¯s voice, always so warm and velvety, washes over the room. ¡°Shelly,¡± she begins, looking directly into his eyes, ¡°do you remember when Ben tried to sneak some of Moe¡¯s liquor?¡± I tilt my head, attempting to navigate the labyrinth of my scattered memory. Has the incident slipped from the shelves of my mind? I¡¯m surprised it¡¯s not a story that¡¯s told more frequently. I glance at my dad, who now looks extremely embarassed to have said anything. My mom, on her third glass of wine, is gently swaying from side to side to an invisible rhythm. Uncle Shelly runs his fingers through his thinning hair, a gesture of frustration and recollection. ¡°He was only 13,¡± he admits begrudgingly, the tension in his face visibly easing. Aunt Rebecca¡¯s lips curl into a half-smile, her eyes dancing with mischief. ¡°Exactly,¡± she emphasizes, leaning slightly forward. ¡°Ben thought he had it all figured out. But his face when he tasted it?¡± She giggles lightly. ¡°He spat it out everywhere, right onto the carpet. He went on and on about how it tasted like fire and then he spent the next half-hour furiously brushing his tongue.¡± ¡°And he still doesn¡¯t like it!¡± my mom shouts, enough to draw a mixture of comfortable and uncomfortable laughter. I try to picture that ¨C my dad, usually so composed, coughing and spluttering with a red face. I have to press my lips together to stifle the emerging giggle. ¡°And,¡± Aunt Rebecca continues, tapping a playful finger against her chin, her face mimicking a look of thoughtfulness, ¡°I¡¯d say Jake snapping a few adventurous photos of the city sounds marginally better than getting sloshed with the boys and racing down the 878, like some people here did.¡± Her eyes settle pointedly on Uncle Shelly. ¡°Let¡¯s not try to get a moral high ground here, Shelly.¡± My mom almost spits out her drink. ¡°You street raced? Like, with your car? While drunk?¡± She sputters, looking him up and down. ¡°You?¡± Pop-Pop Moe lets out a loud belly laugh. Uncle Shelly, seemingly caught in the memory of his youth, dismissively waves a hand in the air, yet a slight glint of pride betrays him. ¡°We¡¯re not dredging up my misadventures today. But, for the record? I was damn good at it. Just remember,¡± he adds with a wry grin, leaning in conspiratorially, ¡°it¡¯s the drunk crashers they catch, not the drunk drivers.¡± Uncle Aaron¡¯s face flushes a deep shade of red, disbelief evident in his widened eyes. ¡°Herschel Small!¡± He exclaims, shock lacing his voice, and he reaches out to playfully swat at his brother-in-law with a dessert spoon. ¡°No teaching our kids that kind of wisdom! Jake,¡± he adds, turning to his son, his tone suddenly serious, ¡°your drone is where it¡¯s at for photos like this. Keep it at that, okay?¡± Jake, the eternal cheeky charmer, shoots a grin across the room, mischief practically dancing in his eyes. ¡°Promise,¡± he lies. Dessert¡¯s been served and picked clean. The plate that once held Aunt Rebecca¡¯s honey cake is now just a gathering of crumbs, scattered like the aftermath of a feast. My stomach feels comfortably full, and by the looks of it, so does everyone else¡¯s. The warm hue of the room¡¯s lighting reflects off the silverware, creating a soft, comforting atmosphere that spells home. Jake¡¯s shifting his weight from side to side, eyeing the desserts. The stealthy glint in his eyes gives away his intentions: he¡¯s looking to make another grab, perhaps hoping no one will notice. Beside me, Miriam, ever-contemplative, traces patterns on the white tablecloth. Her finger slides gently over the soft fabric, either lost in a sea of thoughts or just savoring the texture beneath her fingers. Meanwhile, Jake, not content with merely planning his dessert heist, pulls out his new camera drone. He¡¯s excitedly showing off aerial shots taken earlier today, pointing out landscapes and candid moments captured from the sky. The coastline appears brilliant, and the roofs of houses glint in the sunlight, people waving energetically from their porches. The colors are strikingly vibrant, and the clarity¡¯s impressive. His excitement is contagious, and for a moment, even my often-wandering attention is riveted by the images. Then, as conversations start to taper off, creating a small pocket of silence, Pop-Pop Moe pushes his chair back. There¡¯s an audible scrape against the floor as he stands, signaling a shift in the room¡¯s dynamic. All chatter hushes. Whenever Moe speaks, it¡¯s as if the very walls lean in to listen. The room¡¯s ambiance alters, a tangible mix of respect and anticipation. He slowly, almost ritualistically, heads to the cabinet at the end of the room. From within its wooden confines, he retrieves the shofar¨Ca long, spiraled horn rich in history and symbolism. Its darker mouthpiece tells tales of years gone by, of countless Rosh Hashanahs and moments of reflection. It¡¯s been blown so many times, yet its significance remains undiminished ¨C if anything, it¡¯s become even more important, even more holy and sacred. Clearing his throat, Moe begins, ¡°The shofar,¡± his voice deep, filled with resonance, like an old song being played on a gramophone, ¡°is more than just an instrument. It¡¯s a call, a beckoning, reminding us of our past, our present, and the potentialities of our future. On Rosh Hashanah, it sounds out to awaken our very essence, to shake us free from our daily distractions and ready ourselves for Yom Kippur, for judgment and cleansing. Today, God has opened up the Book of Life, and in ten days, he will close it, sealing our fates for the year ahead.¡± Though this isn¡¯t the first time I¡¯ve heard these words, each time feels like a renewal¨Ca grounding experience. My eyes linger on the shofar¡¯s spiraled surface, following the intricate grooves and noting the way ambient light dances upon it, sliding through the textures like water in a waterpark. ¡°But beyond the religious significance,¡± Moe continues, not missing a beat, ¡°it¡¯s also a reminder of being present, of not letting life¡¯s distractions pull us away from what truly matters.¡± My thoughts wander momentarily to my own distractions, my double life of ¡°community service¡± and the adventures it entails. The shofar¡¯s call, that piercing, soul-stirring sound, mirrors the internal pull I feel whenever danger looms. The urge that drives me to act, even when I shouldn¡¯t. Jake¡¯s recent obsession with his camera drone flashes in my mind. A distraction, sure, but one of innocent curiosity. How different our distractions are. Is this bitterness I taste in my mouth? Moe raises the shofar to his lips, and the room grows even quieter, if that¡¯s possible. A palpable anticipation permeates the air. Everyone¡¯s attention, mine included, is riveted on that ancient instrument. The first note he produces is deep, a resonant rumble that travels through the room, vibrating deep within my chest, like it¡¯s punching me. He plays another note, and then another, each one deeper, fuller, and louder than the last. The room fades into a deep, awful silence. The evening has settled into a quiet lull, the house¡¯s walls murmuring with the distant chit-chat of my family, who have scattered to the corners of the household. I¡¯m sure Jake is out flying his drone from the guest bedroom window, while the elders of the household are off watching television, barring Aunt Rebecca, who is just silently cleaning, listening to music on big wireless earbuds. With everyone engrossed in conversation, I find an opportunity to slip away unnoticed, pushing through the heavy kitchen door that leads to Pop-Pop Moe¡¯s balcony. Surprisingly, it¡¯s clear of its usual assortment of beach chairs and other storage-ables, and I immediately wonder where they could¡¯ve went, since I didn¡¯t see them in the garage. Maybe this house has an attic I don¡¯t know about? I take a mental note to ask about it later. My fingers wrap around the cool metal railing, the sensation grounding, in contrast to the swirling typhoon of emotions in my stomach, threatening nausea. The breeze plays with my hair, teasing it around my face, a gentle touch in the otherwise stifling evening. Nobody asked about my teeth, which is nice. I barely register the soft sound of the sliding door opening again, too caught up in my thoughts. But then, a familiar voice reaches my ears, weary and thick with age but imbued with a deep warmth. ¡°Thought I might find you out here,¡± Pop-Pop Moe remarks, settling down beside me. His silhouette, made more pronounced by the glow of an evening in Ventnor, is one of comfort. His eyes, always sharp despite the wrinkles that frame them, take in my expression with a knowing look. ¡°Heard about the spat with your parents,¡± he begins, not one for beating around the bush. ¡°You know, kiddo, parents worry. Comes with the territory.¡± I swallow, my throat suddenly dry. ¡°I know,¡± I reply, my voice barely a whisper. ¡°It¡¯s just¡­ everything feels so complicated right now.¡± He nods, looking out at the city (is it a city? A town?) below. ¡°Life has a funny way of doing that,¡± he muses. ¡°But you¡¯ve got that fire in you. Your grandmother had it too.¡± There¡¯s a pause, and I can almost hear the memories playing in his head. ¡°She¡¯d always say ¨C you can¡¯t control the world, but you can control how you react to it.¡± I let out a long breath I didn¡¯t know I was holding, feeling a slight weight lift from my shoulders. ¡°Yeah,¡± I finally reply, ¡°It¡¯s just¡­ a lot right now. More than I think I can tell you.¡± He places a comforting hand on my back, the touch both reassuring and grounding, and gives me a couple of pats. ¡°I¡¯ve read enough comics. I know how it is. I¡¯m sure you¡¯ve got a nemesis or two by now,¡± he says, chuckling, coming up to my side. He leans on the railing beside me, the cool night air ruffling the hem of his shirt. Below, Ventnor moves and breathes, a pulsing township beginning to die off with the advent of fall, just like the trees, as vacationers return home. Moe¡¯s deep, aging eyes wander over it, seemingly seeing far beyond the modern apartments and traffic, deep into something I can¡¯t recognize. ¡°You know, there¡¯s this quote from the Shulchan Arukh,¡± he starts, his voice imbued with the familiar resonance I¡¯ve grown to associate with stories of old, that he¡¯s about to tell me something important. I feel my body perk up ¨C if I had cat ears, they¡¯d be going straight up right now. ¡°¡®There is an obligation for a man to save his friend in body, money, or the like. One who saw his fellow drowning, or threatened by thieves or by a wild animal, and could have either saved him himself or hired others to save him ¨C and he did not ¨C or someone who heard that gentiles or informants are plotting against someone or preparing to ensnare him ¨C and he did not reveal this to his friend and tell him ¨C or someone who knew that a gentile or violent man was approaching his fellow, and he could have appeased him and changed his attitude towards his fellow ¨C and he did not appease him ¨C in all such situations, he has transgressed, ¡°Do not stand idly by the blood of your neighbor.¡±¡®.¡± He turns to me and smiles. The night, so serene before, seems to close in, pressing its very fabric against my skin. I understand his intent. He¡¯s trying to reinforce that the power I possess doesn¡¯t just come with the capacity for great feats, but also a moral duty, a responsibility tethered to our deep-seated beliefs, the things I have been taught since childhood. I¡¯m certain he¡¯s trying to help. My parents don¡¯t know yet about the fact that I saw someone die, just the gist of the situation. I¡¯d be surprised if Pop-Pop Moe knew. So I¡¯m sure he¡¯s not trying to chide me for failing to act. I know it¡¯s not an accusation, but it doesn¡¯t stop it from feeling like one. His observant eyes catch the shift in my posture, the drop in my gaze. With a delicacy that often surprises me from such a rugged old man, Moe places his hand on my shoulder, offering a wordless comfort. ¡°Whatever it is,¡± he murmurs, his voice layered with the wisdom of age and experience, ¡°you¡¯re doing your best. And that¡¯s all anyone can ask. She who saves one life¡­¡± I look up, meeting his gaze. The city lights reflect in his eyes, but there¡¯s also warmth there, a kind of understanding. ¡°I know, she saves the whole world.¡± I manage to whisper back, feeling the sting of unshed tears. I reach up and clutch the shark tooth that hangs constantly around my neck now, squeezing it so hard that it feels like I¡¯m about to cut my palm on it. ¡°Thanks, Pop-Pop.¡± Silence stretches between us, punctuated only by the ambient sounds of the city below. A dog barks in the distance. Somewhere, a car horn blares. Somewhere on this Earth, someone dies. Chapter 17.1 The soft orange glow of a solitary lamp spills its warmth over the room, bathing Kate''s living room in a gentle embrace. It''s an older model, its shade faded and its base a little wobbly, but it does its job, providing a comforting, muted illumination. The lamp sits on a wooden side table, worn down from years of use, and flanks the side of a weathered futon. The seat dips in the center, showing its age, but it''s the kind of old that''s been lived in and loved. A once-bright carpet stretches across the floor, its fibers having long lost their luster, now bearing a more muted palette. But what the room lacks in modern decor, it more than makes up for with character. Each corner tells a story. Vintage movie posters, their colors vibrant against the faded wallpaper, dot the walls ¡ª proud reminders of weekends past, when Kate and her dad would lose themselves in black and white classics. There''s a creaking sound from the nearby hallway, signaling the approach of Kate''s father. He''s a tall figure, with salt-and-vanilla strands interweaving through his scalp, slightly tousled ¡ª likely from countless runs through his fingers during a taxing shift. His beard is thick, more white than blonde now, framing a rugged face that has seen years of labor, laughter, and tears. Even still, his eyes twinkle when he sees us - his daughter''s chosen family. He strolls in from the kitchenette, cradling an old plastic cooler, scuffed with age, lifting it like it was a feather. He sets the cooler down on the coffee table, its wood scarred with rings from years of forgotten coasters, and pops it open to reveal acres of iced soda cans. He clears his throat, pulling our attention. "Ah, Sam," he nods at me, his voice filled with the warmth of recognition. There''s a familiarity there, a bond formed over countless visits and shared memories. "And the rest of the young crew," he chuckles, eyes flitting to each face in turn. "Help yourselves, kiddos," he offers, motioning to the sodas with a sweeping gesture. His voice, though slightly strained from fatigue, carries an unmistakable note of contentment. "And in the meanwhile, I''ll be helping myself outside." He says, pulling a cigarette from his pocket, carrying it between his fingers. Kate, watching her father, has that look in her eyes ¡ª a mix of pride and slight embarrassment that only teens can master when their parents are in the spotlight. She rolls her eyes playfully. "Dad, you act like they''ve never been here before." He chuckles, "When you''re a dad, you''ll understand." That gets a sympathetic chuckle out of me, too. Kate rolls her eyes, sticking her tongue out playfully and blowing a raspberry at him, while he retreats to the front porch to get a smoke in. I''m glad that he does it outside - I don''t like that he does it, but he''s not my dad, and at least he doesn''t make the place smell like cigarette smoke. As we settle in, the atmosphere of Kate''s living room immediately wraps around us. Despite its somewhat worn-down look, this place - the closest house to everyone else among the six of us - carries a lot of memories. Marcus scoops up a cushion from Kate''s faded couch and wedges it behind him, adjusting for maximum comfort. I peek over his shoulder and see him engrossed in something on his phone. His fingers tap away with a knowing smirk, probably responding to some debate and about to win it, too. Lilly is dressed today in a vibrant ensemble that somehow combines at least three different patterns ¨C today it looks like polka dots, stripes, and florals - defying all laws of outfit construction and somehow getting away with it. She sways gently, her fingers drumming an accompanying beat on her thigh while she listens to music on big, old, chunky headphones, clasped over her ears. Jenna, sketchbook in hand, doodles away, engrossed in her world of lines and shades. Occasionally, she nudges Tasha, sitting right next to her with a focused look, muttering to either herself or Jenna. Tasha leans over to look at Jenna''s latest masterpiece, her brows furrowing in mock contemplation. And Kate? She''s sprawled out comfortably on the other end of the couch, one leg thrown over the armrest, her head resting against a pile of mismatched cushions. Her domain, her castle. Despite the hardships she faces, this place is her sanctuary, and today she''s the queen overseeing her loyal court. The unmistakable aroma of fresh pizza wafts in, snapping everyone back to the present. Boxes upon boxes arrive, stacked precariously atop each other. The group springs into action, diving into pockets and bags, tossing in a chaotic mix of crumpled bills and shiny coins, hoping it''ll be enough to cover the feast. Thankfully, we have enough to both pay the pizza deliver boy and give him 20% tip. As we munch, there''s that familiar, comforting rhythm of laughter, of stories exchanged, gossip whispered, and playful banter thrown across the room. I find myself getting lost in it, letting the voices wash over me like a soothing balm, offering a brief respite from my own unquiet thoughts. I don''t have an interesting talent or personality trait I can indulge here, in the indoors, except being a superhero. I don''t think Kate''s dad would let me do soccer drills indoors, anyway. Lilly disrupts the brief period of stillness that enveloped us. Mouth stuffed with a gooey slice of blister-inducing cheese pizza, she turns to me, her voice distorted by the delightful mess she''s chomping on into a violent mass of sound. "Hey, Sam," she begins, cheese stringing from her lip to the slice, "Have you ever thought about getting a cape? Or maybe, I dunno, some sleek armor? Oh! Or those really cool gloves superheroes always wear in movies?" I have yet to tell them that I have a name, and a costume, and a team. They''re all my age. My parents need to know. My friends do not. Marcus rolls his eyes, already preparing his retort. Unlike Lilly, he chews, and then swallows, and then speaks. The corner of his mouth lifts in a smirk. "Seriously? Capes are so first decade. Did you not read ''The Dynamics of Costume Aerodynamics'' article I shared last week?" He brandishes his phone towards her with an exaggerated flourish, mockingly, like he''s presenting a sacred text, or about to skewer her with a fencing sword, whatever those are called. The room, which had been filled with the typical buzz of teenage chatter, comes to a pause. It feels like every pair of eyes are now fixed on me. Shifting uncomfortably, I shrug. "I mean, not everyone needs a cape, right? They seem¡­ impractical? Remember that scene in The Incredibles? ''No capes!''" Lilly''s eyes gleam with mischief. She sticks her tongue out childishly. "I have not watched a twenty year old movie, Sam." "It''s a good movie! Pixar is a good company!" I protest. "I don''t think there''s such thing as a ''good company''." Kate retorts. Tasha, who always has a way of grounding our wildest ideas, adjusts her glasses. Their frames catch the dim glow of her laptop, lending her an intense, focused look. "Kids, back on track. Let''s prioritize function over style here, Lilly. Realistically, if Sam''s taking this superhero thing to the streets, she''s going to need protection. Think durable, protective gear. Forget capes, what she needs is a solid pair of combat boots and maybe some kind of body armor. Where can we get Kevlar?" Jenna, her eyes wide with enthusiasm, pushes her sketchbook towards me. "Really, have a look! There''s one design I made after watching this old anime. It''s perfect for stealth and has a cool, dark vibe. Totally badass." "I don''t think they sell Kevlar to children." Kate shoots down. I lean in, examining the sketches, trying to keep the smile off my face. "Wow, this is¡­ detailed. And you even added a utility belt. What am I gonna use that for? All I can do is smell when people are on their periods." Jenna chuckles, brushing a stray strand of hair behind her ear. "Uh¡­ In one pocket, there is the cure for menopause. In the other, a knife." Kate, her arms folded, tilts her head to the side, examining the sketches critically. "That all looks chunky. Might want something more lightweight than that. Sam isn''t exactly a weightlifting powerhouse." "Hey!" I shout, punching Kate in the shoulder, non-seriously, of course. Lilly, dancing around the room with a playful swagger, mimics a superhero pose, fist out. "And we''ll put the glitter launcher right here!" I laugh, a genuine, full-hearted laugh. "Sparkles, Lilly? Really?" Lilly winks, her finger pointed like a gun. "I think it''s a better idea than covering you in knives and kevlar!" Marcus interjects with a smirk, "And I suppose you''re suggesting sequins and glitter bombs as weapons?" Lilly narrows her eyes, pretending to be offended. "Can you just imagine how embarassing it''d be to be a criminal about to get arrested but you''ve got glitter everywhere?" Tasha, rolling her eyes but clearly amused, chimes in, "Yes, covered in glitter and unable to rob a bank because they''re too busy trying to get it out of their boxers." Help support creative writers by finding and reading their stories on the original site. Jenna, her excitement palpable, flips to another page in her sketchbook. "But seriously, Sam, check out this cloak design. I was watching some Victorian stuff with my baba and it just hit me. Think of it, swooping into a scene, cloak billowing behind. It''s so romantic!" I raise an eyebrow, chuckling. "Dramatic entrances aside, how practical is a cloak in a fight?" Tasha, the ever-practical one, nods in agreement. "It could get caught on something, or someone could use it to restrain you." Marcus, tapping his fingers on the coffee table, offers, "But it could also serve as a distraction, a tool. What if it''s detachable? Then you solve the cape issue and you have a convenient restraint device all in one." Jenna nods vigorously. "Exactly! It''s all about the element of surprise. It increases the size of your silhouette and makes it harder to determine where your torso and chest are. You know. If someone gets a gun. I thought this more through than you''d think!" Lilly and Tasha both glance at each other. Kate sighs, rubbing her temples. "I still say you should stick with something more functional than fancy. We don''t need more drama." Marcus gives her a playful nudge. "Speak for yourself! I''m all about the drama."
Lilly looks me up and down with skepticism and mischief in her eyes. "So, let me get this straight," she says, her voice laced with barely contained excitement, "on top of having those badass shark teeth, you''re also telling us that you heal like Wolverine?" I raise an eyebrow at her. "Like on Animal Planet?" I ask, confused. I shift uncomfortably under her intense gaze. Before I can dive deeper into the gory details, Marcus, ever the walking encyclopedia, chimes in, a smirk on his face. "From comics. Wolverine is a member of the X-Men, who has a metal skeleton and is basically impossible to kill because he regenerates from everything. They call it a ''healing factor''." Marcus encyclopedizes for us. Encyclopediaizes. This is a word. I raise an eyebrow at Marcus. "Thanks for the pop culture lesson," I reply dryly. "But, yeah, I guess. I heal super fast. Like, insanely, unbelievably fast. I mean, imagine getting disemboweled--" I begin, my voice growing more animated. "Okay, okay, we get it," Jenna interjects, looking a bit green as she clutches her stomach. Beside her, Lilly shudders visibly. My smirk widens, and I can''t resist showing off my numerous sharp teeth in a mock-threatening grin. Tasha, with her hair neatly pulled back and her ever-practical demeanor, pinches the bridge of her nose, sighing. "Normally, Sam," she starts, her tone dripping with the weight of responsibility, "when someone suffers the injuries you described, it takes¡­ I don''t know, forever? It''s a miracle to heal, and then there''s a ton of physical therapy and stuff." She throws her hands in the air dramatically. "And you broke your ankle like a week or two ago and it''s just fine now?" I nod enthusiastically, my grin never fading. "Completely fine. I was really worried that it was going to heal crooked or whatever, but the same superpower I guess makes my bones just magically set right?" "That doesn''t make sense," Tasha contests. "Neither does having shark teeth," I fire back. "Fair," She concedes. Jenna, her eyes shining with a mixture of awe and mischief, smirks and tilts her head, the corner of her lips curling up. Tapping her chin thoughtfully with the end of her pen, she says, "So I guess no superhero costume with a mask for you then? It''d be a real crime to hide those impressive teeth of yours." "Speaking of teeth," I say, ducking the question, "the doctors found something really weird. Check this out." I announce, pulling out the vial of teeth from my overnight bag, displaying them with a flourish. With a smug little smirk, I place them down on the futon''s mattress, enjoying the wide-eyed attention from everyone in the room. It''s like I''ve thrown down a winning card in Uno. Kate leans forward, squinting at the vial before glancing up with a shrug. "You shed teeth all the time. That''s not weird." She mutters, sitting closer to me, her elbow propped on her knee. Everyone looks at her. Kate''s cheeks turn a light shade of pink as she realizes her gaffe. "I mean, like, for you specifically, that''s not weird." I chuckle, feeling the anxiety melt away. "No, that''s not the weird part. They didn''t get these from my mouth. They got them from my bones." I say, causing everyone to stop what they''re doing. "They were, like, embedded inside me. I got to see the x-ray and everything. It was gnarly." Marcus, who had been typing away furiously on his laptop, looks up, hands paused mid-keystroke. "Woah, that''s next-level creepy." Lilly, with a face of disgust, chirps in, "Horror movie!" Everyone shares their own variation of disbelief, a mix of gasps, grimaces, and gags. But Tasha, ever the analyst, leans forward, glasses slightly askew, her brows knit in curiosity. "That''s intriguing. It might suggest your powers are evolving or¡­ or that they have layers we''ve yet to understand." "Like an onion?" Jenna muses. I roll my eyes, "Sure. A really gross, teeth-y onion." "Or a parfait," Lilly chimes in. "A what?" I ask. "It''s a¡­ never mind," she slumps, visibly deflated. Marcus, still engrossed in his laptop but now clearly engaged in the conversation, chips in. "Sharks have a unique teeth setup, you know. They have several rows of teeth. When one falls out, the next in line moves up to replace it. Could it be a similar mechanism happening with you, Sam?" Lilly, always the performer, leaps up from the floor with a dramatic gasp. "Hold on, hold on! Maybe you''re not just Shark Girl! Maybe you''re evolving into¡­ Skeleton Shark or¡­ Bone Bite!" She gives a little dance, her fingers wiggling in front of her face trying to emulate something eerie. "The Chompster!" Tasha, rolling her eyes at Lilly''s antics but smiling all the same, shakes her head. "Marcus, that''s not exactly right. Shark''s multiple teeth rows are in their gums, not their bones. Also, are we even sure they''re teeth? Not to out-geek you here, but sharks have scutes. Maybe Sam''s growing scutes." Her eyes gleam with the nerdy excitement that only Tasha can muster about things like shark anatomy. She picks up the vial and rattles it around a little bit. "The thought of Sam growing scutes? That''s kind of fascinating." Kate, leaning back and trying to suppress her laughter, throws in, "Isn''t a scute what a car does? You know, scoot scoot!" She emphasizes with a little driving motion, making engine noises, honking a mimed horn. Jenna giggles, "Or maybe Sam''s just really into the tooth fairy?" Marcus, lost behind the glow of his laptop, takes a moment to process before he pushes his glasses up his nose. "Actually, Tasha," he starts with a smirk that suggests he''s been waiting for an opportunity like this, "going to have to one-up you here. Those things on a shark? They''re called¡­ denticles. Scutes are on turtles, not sharks." Tasha''s entire body deflates. Kate, unable to resist poking fun, slaps her knee, a smirk forming on her lips. "Dentacles? I thought we were talking about sharks, not octopuses." "Octopi." Lilly corrects her. "Octopodes, technically." Tasha corrects her. "English is a fake language that is not real." Jenna quotes, and everyone nods in agreement. Mirroring an internet video we''ve all seen too many times, everyone stares at the ceiling, spreads their arms in a T-pose, and intones in a low, booming voice; "Postmodernism." I raise my arms defensively, rolling my eyes in exasperation. "Come on, you guys. Let''s not get all dramatic about this. I promise I''m not turning into some weird shark monster. No denticles, no scutes, definitely no scales. It''s just¡­ teeth. Bizarre, growing-inside-my-bones kind of teeth." Taking a second to replay what I just said in my mind, I grimace. "I change my mind, I hate that sentence. Please kill me." Giggles and chuckles bubble up amidst our group, and I can see the tension starting to break, but Kate is quick to ground us back in reality. She raises an eyebrow at me, her concern evident in her tone. "Look, before we start fantasizing about names and designing flashy costumes, we need to get a clear grasp on your capabilities, Sam. It''s crucial, especially if you''re still hell-bent on this¡­ hero path. Yeah, yeah. We''ve got the teeth, the creepy blood-sniffing thing, and, surprise, healing factor. Is there something else weird we should know about? Do sharks do more weird shit?" Tasha, who''s always prepared with a wealth of knowledge, glances at me, one eyebrow arching in a way that makes me feel like I''m about to get a lecture. Her fingers dance over her laptop keys. "Well, if you''re going shark route, there''s a lot to consider. For starters, sharks can pick up on electromagnetic fields. They also have a pretty heightened sense of hearing, especially for low-frequency sounds. Think you''ve got any of that?" "I do not think I can detect electromagnetic fields, or hear low frequency sounds. Maybe if Kate farts," I joke, and Kate swats me on the shoulder. Marcus jumps in eagerly. "Oh, and let''s not forget, some sharks, if you flip them on their backs, go into this weird, trance-like state. It''s called tonic immobility." Lilly shoots up from her seat with a mischievous twinkle in her eyes. "Okay, someone grab her legs! Time to see if Sam''s got a flip switch!" I shake my head. "Please do not flip me." Before Lilly can protest or make another exaggerated gesture, Kate grabs a stray popcorn kernel and lobs it at her. Lilly catches it with an over-the-top gasp, clutching her chest like she''s been mortally wounded. "Hey! No flipping the superhero," Kate admonishes with a smirk. In an attempt to ease the tension, Jenna grabs a piece of popcorn from Kate''s bowl and throws it at her. Kate retaliates, tossing a handful in Jenna''s direction like buckshot. Within seconds, popcorn artillery sears the air in butter-flavored streaks - although, thankfully, they''re not actually covered in any liquid butter. That would suck. Tasha ducks to avoid getting hit, while Marcus, being Marcus, uses his laptop as a makeshift shield. When the chaos subsides, we collapse into fits of laughter, while I scoop up discarded kernels into a paper towel so I can dump them in the trash. I feel a little bad for wasting food in Kate''s house, but I think it''s worth its entertainment value in cents spent on corn. Breathing heavily after our impromptu popcorn battle, Jenna looks around and notes, "It''s almost like middle school again. Except for the fact that one of us might be a superhero now. That''s different." Lilly rolls her eyes dramatically. "And except for the fact that Sam might be the next big thing since¡­ I don''t know, Aquaman?" Marcus laughs. "I''d say Wonder Woman, but let''s try to stay a little humble." Tasha, ever the planner, grabs a notepad, hoping to get us as far away from additional popcorn battles as possible, while Jenna and Lilly each grab more pizza. "Okay, let''s brainstorm some names. And no," she glances at Lilly, "not ''Water Gal''." Marcus, eyes glued to his computer screen, excitedly chimes in, "What if we pull from mythology? Like ''Charybdis'' or ''Scylla''? Those were badass sea monsters. Or ''Triton''? God of the sea and all." "I think Scylla is already taken. By some lady in Hoboken." Tasha comments. "A real badass, too, she straight up kills mafia members and stuff like that." I cough a little bit into a chuckle. "There''s a mafia in Hoboken?" "Where''s Hoboken?" Lilly asks. "New Jersey," Tasha and I answer in the same breath. "Then yes." She says, with an air of quiet finality. Jenna twirls a pencil in her hair. "True, but she also has that insane regeneration thing. That''s not purely oceanic. It''s like a phoenix rising from its ashes. A rebirth." Lilly claps her hands. "Phoenix? That''s dope! You don''t need to emphasize the teeth. Just do the healing stuff." Marcus retorts, "That''s taken by an X-Man. Like, the most important one, too." "It''s not Wolverine?" I ask. "I mean, in terms of popularity, yes, it''s probably Wolverine. In terms of plot, no, that''s probably Phoenix," Marcus answers. "Extremely arguable," Lilly chides. Marcus rolls his eyes at her. "Whatever, nerd." Chapter 17.2 Jenna leans back against the wall, her worn sneakers stretched out in front of her. The muted light from the table lamp catches the multi-colored specks of paint on her jeans, hue-shifting it all in the orange direction. She lets her fingers dance over the intricate patterns on the carpet beneath her, her mind clearly wandering, even as her eyebrows remain knitted in concentration. Beside her, Lilly sits cross-legged, the constant movement of her foot betraying her restlessness. Tasha sits upright on the floor, a leather-bound notebook on her lap. Her eyes, hidden behind thick-rimmed glasses, dart between everyone, analyzing, processing, and absorbing everything in real-time. Every once in a while, she scribbles something down, making quick notes. Kate, who''s claimed a generous portion of the futon, sprawls out with a casual ease, as if she''s in her own living room. Wait. She is. Anyway, her arms fold behind her head in a makeshift pillow, her gaze fixed intently on Marcus''s screen, every muscle coiled in alertness. "I''m not finding anything massive here, guys," Marcus sighs, his voice tinged with frustration. His fingers fly over the keyboard, dancing gracefully over his makeshift tech station. Screens, tablets, and devices surround him, each borrowed from a different member of the so called musketeers, each window open to a different forum or website, bathing the dimly lit room in a sea of digital blue. "Mostly just local stuff. Gangs, small-time hooligans, stuff like that." Lilly twirls a strand of her hair, leaning forward with a playful smirk. "What, you don''t even keep up with the locals? You''re too metropolitan." "I''m startled that you know what that word means," Tasha replies with mock condescension. "I don''t!" I volunteer. "Don''t worry about it. Anyway, what do you mean, Lil?" Marcus asks, leaning into her information, clearly interested now. "There''s a local superhero team?" "Duh. The Tacony Titans. They beat up street gangs and, like, distribute food and stuff. Really cool! My dad met them once. They gave him some pre-packaged food they got from a grocery store," Lilly reminisces, a little dreamily. "It was awesome." Marcus raises an eyebrow, the corner of his mouth curling into a half-smile, clearly impressed. "You''re more informed than I thought." He clacks away at his NetSphere search bar, clicking through links and webrings, eventually revealing a website that looks like it was designed in the early 2000s ¨C slightly tacky with glaring neon text and a cute animated visitor counter at the bottom. It reads ''328 visits''. "But see for yourself, they''re hardly A-listers. More like¡­ local celebrities? Celebrities might even be pushing it." On the page, under a bold heading ''The Tacony Titans'', are blurred and pixelated pictures of five figures. "Bubble", "Compass", "Weave", "Sandman", and "Sundial" ¨C each accompanied by a small fan-made description, most ending with "powers unknown" or "abilities: speculative." Jenna snorts, rolling her eyes. "That website looks like something I made in my sixth-grade computer class." "You had a computer class? Like, where you made websites?" Lilly asks, leaning into Jenna. "Yes," She replies bluntly. Tasha leans in closer to the screen, squinting, "Looks amateur. I''ve made a better site for my pet centipedes." "You have pet centipedes?" Jenna asks, violently recoiling from Tasha. Tasha waves her away. "Anyway, what sort of a name is ''Bubble''? Does this guy, presumably, make bubbles? Is that his power? Because I can do that with two dollars and a trip to the Dollar Tree." Kate, her brows furrowed as she meticulously scans the screen, mumbles without looking away, "You can make fun all you want, but these rookies are getting more attention than some pros out there. We need every scrap of info about the neighborhood if we''re getting serious about turning Sam into a big time superhero." She pauses to glower jokingly at Tasha. "You never know, ''Bubble'' might just trap you in a giant one and float you away." I swallow a lump in my throat. Lilly raises her hand as if she''s in school. "Okay, so, like, do we go say hi? Maybe bring a fruit basket as a peace offering? Don''t we need to find their headquarters or hideout or whatever." Tasha leans back, pushing her glasses up her nose. "Slow down, turbo. First, we need a solid plan. And, Sam," she adds, her gaze intense, her voice softening, "I don''t want to see you getting hurt any more than you already have. No offense, Lilly, but I don''t trust your Dad''s anecdotes with how insane things are getting nowadays." Marcus looks at me, his dark eyes searching. He runs a hand through his thick, curly hair, rubbing at his scalp as if hoping to summon forth a great idea. "You know, Sam," he begins thoughtfully, tapping his foot in that familiar rhythmic way, "ever thought about bringing your ''talents'' a bit closer to home? Maybe do some good right here, in our own backyard? I bet your blood smell would be good at triage." From her corner, Tasha pushes her glasses up her nose, the light catching them just right. The smirk that follows is pure, unadulterated mischief. "You mean like¡­ a superhero, dummy?" She jokes. "We were already talking about that." Jenna''s laughter mixes with Tasha''s, her dark eyes twinkling in amusement. Her hands paint an image in the air, like she''s picturing a comic cover. "''Local teen stops porch thieves''. I mean, we''re not exactly a hotspot for muggings, it''s no Kensington, or, God forbid, Temple." "Temple''s bad?" I ask, my face visibly drooping in fear. "No, but, like, the neighborhood around it is." Jenna says. "It''s not bad, it''s Black. Watch yourself. No comment on Kensington." Tasha says, flicking Jenna on the head hard enough for her to recoil. "Wow, guys," I tease, "you''ve really been giving this superhero thing a lot of thought, huh? What''s next? Marketing strategies? Merchandising?" Lilly titters about, her feet pressed together, rocking back and forth on the futon''s mattress. "Hey, merch sounds great! But first things first, right? You gotta build your superhero resume. Maybe start with rescuing kites from trees?" Amidst their chatter, there''s a familiar tug in my chest, a pang of guilt. They''re envisioning this whole neighborhood superhero identity for me, not realizing I''ve already taken that leap. But how can I tell them? It''s a truth I''ve hidden for their safety. I am so bad at lying to anyone that''s not my parents. I literally cannot hold this information inside of me. My body just rejects it. I clear my throat, an involuntary gesture as the conversation presses in on me. My fingers dance together nervously, a performance of nerves. "Guys," I begin, the sound coming out shaky, not the strong, confident voice I was hoping for, "I''ve been meaning to tell you something. I¡­ I really do appreciate all your ideas, the time you''ve put into this. And it might be awkward to say this but¡­ I kinda already have a superhero costume. And, uh, a name too. And a team. I''ve already been¡­ scouted, I guess." The room''s atmosphere changes abruptly. The previous enthusiasm vanishes like a popped bubble, replaced with a stifling silence that feels like it''s pulling the air from my lungs. Their smiles dim, faces registering genuine shock and confusion, as if I had spoken in a different language. Kate tilts her head, eyes squinting a little. Her voice drips with disbelief as she says, "Wait, seriously? You''re¡­ you''re not joking?" I swallow, nodding. I feel like I''m about to vomit. "Yeah, seriously. I''ve been¡­ doing some minor stuff. You know, saving a few cats stuck in trees, cleaning up the occasional litter in the park." Marcus releases a short burst of laughter that spreads in waves throughout the room. "And here we were," he says, leaning back, one hand gesturing to the computer screen, "spending the better part of an hour diving into ''Mythological Ocean Deities'' on NexusNet. All for nothing?" I scrunch up my nose, a smirk pulling at the corner of my lips. "I didn''t exactly want to ruin your detective spree. It was¡­ endearing." Kate, leaning back on the futon, allows a genuine, heartwarming smile to curve her lips, her eyes softening. "You always had this in you, Sam. You''ve always had a superhero heart. I think you''re the best of us, really." "I object to that. It''s clearly Marcus." Tasha says. Kate kicks her gently in the head with the sole of her foot. "Don''t ruin the moment, weirdo." Warmth, like the comforting embrace of a blanket, envelops me. It''s an overwhelming sensation of being loved, of being seen. Yet beneath it is a prickling sense of melancholy, like being stabbed by a cactus. I wish I could let them in on everything, every single detail. But some doors have to remain shut to protect them. So instead, I respond with a smile of my own, a quiet one but deeply sincere. "Thanks, guys," I murmur, my voice thick with emotion. "You have no idea how much it means to have you all by my side." Tasha, a glint of playful mischief in her eyes, gives my shoulder a gentle shove. "Well," she drawls with a smirk, "having a superhero as a friend is definitely a boost to my cool factor. Can I brag about you in school?" "No." Marcus, Lilly, and Jenna all say at the same time, with various levels of indignation. The momentary joy and light-heartedness of our conversation is slowly crushed under the weight of Kate''s far-off look. Her usually animated eyes drift away, as if she''s momentarily lost in another world. I watch as her fingers, in an act of pure subconsciousness, trace the contours of an old, faded movie stub she''s found amongst the clutter on the table. "But Sam," Kate ventures, her voice noticeably softer, almost hesitant. It feels like she''s treading on unfamiliar ground. The rest of us can sense it too, the sudden shift in her tone. "Have you ever¡­ I mean, with all that you can do now, ever thought of¡­you know, playing in the bigger leagues?" There''s a slight catch in her voice, and for a second I wonder if she''s holding back tears. "Instead of just, you know, helping out cats stuck in trees or helping elderly people cross the street, maybe you could¡­ I don''t know, take a jab at those loan sharks or those grimy slumlords? Get some real-life practice?" The room goes silent, outside of a video quietly playing on Marcus''s laptop. I feel the ache of my arm, my thigh. The bullet wounds, healed into an off-white patch of scarred skin, suddenly blare back to life. Tasha raises an eyebrow, her sharp gaze pinning Kate down. "Kate, that''s not even a consideration. She''s not turning into some vigilante, going around biting the fingers off every criminal she sees. Do you have any idea how dangerous and illegal that is? She could¡­ get arrested! Go to jail! Among other things." This story has been unlawfully obtained without the author''s consent. Report any appearances on Amazon. Kate leans back, her eyes flashing defiantly. "I didn''t say she should start an underground fight club or something. I''m just saying¡­ well, what if those bad guys had it coming?" Her voice holds an unmistakable sharpness lurking beneath. Lilly''s eyes open up like a cat taking in sunlight. "Loan sharks? Wait, are we talking like, movie-type loan sharks? Those things are real?" Marcus, who''d been quiet till now, fixes her with a piercing look, his face etched with seriousness. "Very real, Lilly. And they''re not just some comical bad guys you see on the silver screen. These people are the epitome of menace. They''re dangerous, and their actions have real-world consequences." "E-pit-toh-mee¡­" Lilly sounds out in her mouth, the word unfamiliar. Jenna leans in, her voice dripping with concern. "Kate, are you alright? That was¡­ abrupt." Cutting her off, Kate lets out a chuckle, maybe a touch too forceful to sound genuine. "Relax, everyone! I was just pulling your leg. Everyone knows loan sharks aren''t real - like Santa Claus, or the state of Wyoming." Jenna''s eyes go round as saucers. "Wait, Santa Claus isn''t real?" "Oh dear," Tasha mutters.
Mayfair in the early fall feels like rereading your favorite childhood book; familiar, comforting, with every street corner coated in some new, dim color. The dimming sky above lays down a blanket of warm oranges, purples, and fading blues, allowing the twilight to slowly kiss the streets. Rowhouses stand side by side, like guardians of old stories, their bricks glowing in the moonlight. We step out of Kate''s cozy little first-floor apartment, its warmth lingering on our skin. The sound of the door, with its slightly creaky hinges, softly clicks shut, sealing us in the embrace of the upcoming night. Kate, with her strong but delicate fingers, pulls her worn jacket tighter around her, its fabric rustling softly, smelling faintly of a perfume I know she''s never worn in her life. "Rita''s, anyone?" Marcus suggests, his voice light and teasing, attempting to shatter the growing heaviness in the air. Every word he utters forms a small puff of fog, painting his speech in ethereal white in the uncharacteristically cold evening. His old sneakers, with their frayed laces, make a rhythmic tap-tap against the sidewalk, almost like a heart beating steadily. "They have one week left open for the season and I have a coupon." Tasha rolls her eyes, a playful smirk pulling at the corner of her lips. "Oh, we''re getting crazy with the Rita''s today. Maybe we can cross the bridge to Camden and get a preroll from a dispensary, too. Since we''re going crazy." she quips, trying unsuccessfully to draw a laugh from the crowd. Lilly jumps in, her tone effervescent, seltzer-light. "Bet you ten bucks I can finish three Water ices before you guys even start your second!" The challenge lights up her eyes, making them seem even brighter. Jenna laughs. "Lilly, remember the last time? You were clutching your head, swearing off Italian ice forever!" "Water ice." Lilly insistently corrects. "Nobody from around here calls it ''Italian ice'', weirdo." Marcus ponders aloud. "I can''t decide¡­ peach has that sweet tanginess, but blue raspberry is so refreshingly sharp." I nudge Marcus playfully, joining in. "And yet, you still haven''t given the mango a shot. What''s up with that?" Marcus raises an eyebrow, "Maybe today''s the day?" "Are there actually blue raspberries? Can we get them? Like, as a fruit?" Lilly asks. "No. They''re a made up flavor. Sorry." Tasha shoots her down. Lilly''s face contorts into an exaggerated grimace. We meander through the streets, the dimming light casting our shadows long and wavering on the asphalt. Our group''s laughter and playful taunts punctuate the evening air, and the motley array of stores on Frankford Avenue extend before us, their lights shimmering and inviting. Among them, Rita''s bright and cheery signage stands out like a promise of sweet relief, about half, maybe a quarter mile away. Jenna bumps her shoulder against mine, her dark eyes gleaming with mischief. "Hey, Sam, what do you say we hit up Five Below after this and grab some more markers?" I raise an eyebrow, feigning contemplation. "You mean like last time? When I woke up with clown makeup on in permanent marker? Yeah, hard pass." Jenna throws her hands up, affecting a dramatic gasp. "First of all, that was a masterpiece. And secondly, it was abstract art! It''s not my problem your middle school teachers couldn''t recognize a Rothko if it bit them in the face." "I don''t even recognize a Rothko," I spit back, play-elbowing her. Before Jenna can defend her artistic integrity, Tasha, clutching a paperback in her hand, turns to Marcus with an excited gleam. "Marcus, did you manage to snag a copy of ''Echoes in the Abyss''?" Pulling out his e-reader from his back pocket, Marcus nods with an enthusiastic grin. "Oh, absolutely. Started it last night and I was instantly hooked. By the way, that plot twist in chapter three? Absolute madness." Jenna leans over curiously, "You guys always have the best book recommendations. Mind if I jump on this bandwagon?" Tasha smirks, "Only if you promise not to doodle in the margins of my books." Up ahead, Rita''s sign stands like a bright beacon, its neon lights promising sweet relief from the day''s residual heat. Jenna grimaces, stuffing her hands into hand pockets. "Seriously? Why pay more when we can just get some Italian Ice from that deli on 5th? I swear it tastes just as good, if not better." Lilly huffs, her face animated with mock exasperation. "Jenna, for the last time, it''s Water Ice! And Rita''s is a Philadelphian tradition. They don''t have these in New Mexico!" She throws her hands up, her enthusiasm palpable, as if defending a sacred tradition. Tasha giggles softly and nudges both of them, one after the other. "Okay, okay, drama queens. Can we compromise and call it flavored ice crystals?" Kate tilts her head, a mischievous twinkle in her eye. "Isn''t that basically¡­ snow?" Pulling a face, I chime in, "Well, yeah, but only if you decide to pee on it first." The words escape before I can reel them back in. Kate wrinkles her nose in feigned disgust. "Gross!" She playfully jabs me in the ribs, forcing out a puff of air. Still laughing, I rub my side. "Call it what you want, but I''m all about that custard," I muse, recalling the last time I savored its rich, velvety texture. Kate wraps an arm around my shoulder, feigning an elitist accent. "Oh, la-di-da! Mrs. Custard over here. Why don''t you just call it what it is? Ice cream. Ice cream for rich people." From behind us, Tasha pushes her glasses up her nose, the moonlight gleaming off the lenses. "Well, if we''re getting technical," she pauses for dramatic effect, pointing with flourish towards Rita''s cheerful, bright-colored establishment that had been the talk of our evening, "it does clearly advertise itself as ''Rita''s Water Ice''. In the logo. Just pointing out the obvious." She ends with a smirk, clearly reveling in the little ''I told you so'' moment. Marcus, trying to add fuel to the fire, turns his full attention to Kate. "There''s a difference between custard and ice cream, Kate," he teases, nudging her side. Kate, her cheeks slightly flushed, rolls her eyes. "They''re the same thing!" She repeats, indignantly, pushing her hair back and puffing out a breath, emphasizing her point with her hands. "Creamy, cold, sweet. Made of milk. What''s not the same?" With a bemused smile, Tasha fires the finishing volley. "You see," she begins, using her hands to gesticulate her points, "ice cream is churned with milk, cream, and some sweeteners. It''s like¡­ the everyday dessert." Pausing to let this sink in, she continues, "On the other hand, frozen custard, while having the same base ingredients, includes egg yolks. This gives it that velvety, richer consistency." "So it''s rich people ice cream! I was right!" Kate shouts, drawing a couple of looks. I tousle her hair. "Yes, Kate, you are so correct. It''s rich people ice cream. And it''s delicious." I tell her. "You can even have some, if you want." Kate puffs her cheeks up and refuses to answer, jerking her body away. Jenna, scratching her head, looks over at me with genuine curiosity. "Is that kosher, Sam? Like, are you allowed to eat egg yolks mixed with dairy?" "I don''t keep kosher, Jenna," I remind her, feigning annoyance as I pick up a small pebble and flick it playfully at her head. "Besides, eggs aren''t meat." Out of the corner of my eye, I see Kate confidently stepping up, the leader in our motley crew. I remember her dad handing her some money before we left, a handful of crumpled fives and ones and a couple of coins. "Alright, what''s everyone having?" Kate questions, her gaze passing over each of us as she takes a mental tally. Lilly and Jenna both get cherry water ice, as I expected them, ultimately, to do so - they get the same thing every time, and then subsequently accuse each other of copycatting. Marcus, in spite of his earlier comments about trying something new, opts for blue raspberry, while Tasha decides to get a chocolate custard, winking at me as she does. Kate surprises us all by picking green apple, a flavor I''ve never seen her choose before. I approach the counter, already knowing my order. "Vanilla custard for me, please. With Reeses on it. If that''s okay, Kate?" I ask, turning towards her for permission for the fifty cent additive. She counts coins in her hands, and then gives me a thumbs up.
Kate''s father has graciously taken Kate''s bedroom for the night, allowing us to have the much more substantially sized couch futon to cram all six of us onto. Inevitably, this will result in a big sleeping pile, but that''s a problem for future me. The moon rises and the sun lowers, and the conversations turn to boys (and in Marcus''s case, girls), how everyone is doing at their new schools for their first weeks, and, then, a safety pin. The light''s off. Phone flashlights are all on me. Marcus, glasses reflecting the dim overhead light, clears his throat. "I mean, you''re not the first superhuman with a healing factor. But I''ve never, like, gone out of my way to watch any videos of it or anything. I don''t think I could stomach it." Lilly, trying to angle for a better view, hops onto the armrest of a faded couch, her fingers tapping a quick rhythm on the cushion beside her. "This is so cool! Do you think if we video this, it''ll go viral?" "That''s not a good idea," Tasha warns, the tone in her voice serious but her eyes gleaming with interest. "We can''t risk exposing Sam like that." "I agree," I chime in, "My parents would kill me if they found out. Also, this is kind of gross. I only think weirdoes would want a video of this." Kate reaches into the pocket of her worn-out jeans, pulling out a small zippo lighter with a triumphant grin. The flicker of the flame mesmerizes us for a split second. "You think you''re ready?" Marcus tilts his head, brow furrowed in concern. "Are you sure this is safe?" "It''s just a pinprick," I reassure him. I''m more excited than worried, but I''m careful not to let it show too much. The adrenaline coursing through my veins is familiar, addictive. As Kate sterilizes the safety pin with the Zippo''s flame and then some rubbing alcohol, Jenna leans closer, her eyes wide with curiosity. "Is it going to hurt?" Kate shrugs at the same time as I say "Yes." The moment the safety pin''s tip pierces my finger, going in no more than a millimeter or two, there''s a collective gasp from the group. Lilly squirms, covering her face with her hands, peeking through her fingers. I wipe with a rubbing alcohol wet-wipe, fully prepared to recoil from a sting that never comes. Instead, the single droplet of blood is wiped away, revealing a barely noticiable dot of white that quickly vanishes into my skin. "Okay, that was amazing," Marcus breathes out, his eyes wide behind his glasses. Tasha tilts her head, lips quirking into a smirk. "That was it? I couldn''t see anything." Kate, without a word, disappears into her room for a moment and returns with a box cutter. Tasha''s forehead breaks out into a sweat. "I absolutely, positively, did not mean to get a razor blade." "It''s for boxes," Kate insists, her voice shaking a little bit. She rolls her sleeves up, revealing smooth, pale skin. "Promise." "We need to be careful," Tasha says, leaning forward with authority. "There''s skin, and it''s really thin, and then it''s going to look like styrofoam. If it looks like baked beans, you went too far, and I will call 911." "Please do not do that." Kate exhales breathlessly. "Styrofoam and beans?" Lilly asks, puzzled. "Where do you even learn this?" Jenna asks, her face crisscrossed by fabricated wrinkles from scrunching her expression up. Tasha waves her off. "Medical shows. Not the point. We just need to be shallow. Don''t go too deep." I nod in agreement, my heart rate skyrocketing as Kate carefully disinfects the blade with the same procedure as before. First, fire, applied to the razor, followed by letting it sit in a fresh bowl of rubbing alcohol. We set a timer for five minutes. The air is dead silent. There''s not even a video playing this time. When the time comes, I grab the re-set box cutter. "I''m gonna do it this time. I know how thick my own skin is." Kate raises both of her hands up. "Suit yourself. Do your shoulder or upper arm, though, in case it leaves a mark. I do not need your parents yelling at me for you getting visibly injured again." "That was one time!" I protest. Kate''s eyes narrow at me. I sigh and hold the box cutter up to my upper arm, sleeves rolled up. Tasha''s eyes are wide behind her glasses and she''s leaning in, while Marcus watches with his face as pale as someone of his complexion can get. Lilly and Jenna are both holding each other, covering each other''s face. Kate smiles at me. I don''t know how to interpret it. There''s no sound. Knives don''t make a noise when they cut flesh. I don''t press very hard. A small, whitish sliver opens up in my skin. It quickly fills with blood. I wipe it away with another alcohol wipe, and this time, I feel the sting, sucking air between my sharp teeth. "Oh my god," Tasha whispers, entranced at the sight of my skin visibly trying to stretch itself back into shape, like a memory foam mattress that someone just got up from. "Whoa," Marcus quietly mumbles, as each side of the cut makes contact with the other, starting from the tip and tail. The blood flows, but only for a couple of seconds. "Metal." Kate says, before quietly taking down the rest of her can of Diet Coke. "Totally metal," she repeats, and one more wipe gets rid of the blood. What''s left is just white, barely even a scratch, slowly sealing itself up. It looks like one of those time-lapse photos of a plant growing. "Is it over yet?" Jenna asks, her face buried in Lilly''s shoulder, and vice versa. I pop out the box cutter blade and put it back in the bowl of disinfectant. I hand the box cutter back to Kate. My arm burns and itches, but really, it was just a sensation of tearing, that I felt more in my hand doing the cutting than I did on my skin. I show off my upper arm, which has totally closed itself back up into a thin white line. "Yeah. We''re good. I am satisfied knowing that I am now immune to being attacked by cats." Chapter 18.1 I don''t normally spend Sundays training with the Young Defenders. Normally, Sundays are when I take the day off nowadays, and put in an active effort not to do things. Today, I got a message from Rampart asking me to come in, which isn''t normal, so I''m coming in. The locker room is bereft of adults, suggesting that they''re out and about, and there hasn''t really been a sign of Liberty Belle either, which should worry me, but I calm myself by assuming that she knows how to handle herself. You know, as the leader. I shouldn''t worry about what the leader is off doing, and yet here I am, unable to think about anything but. The airlock hisses behind me, always catching me off guard. I jump a little bit, despite myself. I take a couple of minutes to change into workout clothes, and unceremoniously enter the massive gymnasium that the headquarters centers around. Rampart awaits me by the mats, while everyone else is busy working out - I catch Gale practicing archery, which wasn''t something I was aware she did, and spend a moment staring. Rampart''s hands clap right in front of my face. "Houston to Bloodhound," he says, grabbing my attention and jerking it around like a cat grabbing a mouse by the neck. "Isn''t it ''Earth to Bloodhound''?" I ask in reply, hands on my hips. "Sure. Earth to Bloodhound. If you''re going to stare, do it from behind the weight rack," Rampart advises me, turning my entire face bright crimson. "I-I wasn''t staring. And how do you know where the best staring spots are?" I retort, trying to reclaim the upper hand in the conversation. "That''s not the best staring spot. The best staring spot is- Hey, hold on. Don''t get me off track," Rampart tries to reply, falling into my entirely intentional conversational trap. He folds his hands over his chest and I try not to stare at him. I don''t really like beefy men, but I can''t help assessing him - his boy scout face, his mid-2010s spiky haircut, and the fact that he''s built like a linebacker. "It''s take things seriously time." I fold my arms over my chest, mirroring him. "Has it ever not been take things seriously time?" "Yes. Before, it was Boy Scout time, and we were content to teach you all about civic service and getting in contact with the community. Now, there are three supervillains who know your face and costume and who have an extremely vested interest in shooting you in center mass with real, actual bullets. Now is extremely take things seriously time," Rampart chides me, like a teacher telling me about the virtues of turning in homework on time. I feel my face flush with shame. This wouldn''t have happened if I just didn''t break the floor under my fat feet. "Are you saying you''re going to send me out? I thought Fury Forge-" I start, before Rampart brusquely cuts me off. "No. We''re not sending you on any sort of missions or investigations yet. But we are going to be accelerating your self defense training," He starts, slapping his chest with his hands. He''s wearing the same sort of athletic clothes as I am - white, sleeveless top, soccer shorts. None of his body armor today. He''s bare-footed, his face a morass of complex emotions I''m having trouble picking apart into their individual components. Is that... concern? It looks like concern. "I''m similar in size and shape, if a bit exaggerated, to the people you will commonly encounter trying to kill you. Particularly Mr. Nobody." "Mr. Nothing," I correct him. "Right," he says, looming over me. "So you need to learn how to use both your powers as well as traditional martial arts to effectively take down opponents much larger than you. Even if you get a growth spurt, you''re 5''6¡å right now. I have about nine inches on you. We''re going to teach you Brazilian Jiu-Jitsu." I fold my hands into my pockets. "Not boxing?" I ask, feeling a slight pang of disappointment in my chest. "You don''t have a big armspan, Bee. You''re small and fast, and, realistically, will be on the ground easily. I can teach you how to throw a punch, but I don''t think boxing is the right skill for you," he explains, and I find myself nodding along, a little sad. "Additionally, I''m going to teach you techniques from Aikido and Judo, as a means of redirecting a larger opponent''s momentum." I take a step back and get into a fighting stance, arms raised in front of my face. Rampart smiles at me. "Man, I didn''t expect you to be such a martial arts nerd. Are you even qualified?" Rampart laughs. "No. I have books, and all of us here are trained in at least one form of martial art. Luckily, you and I will have the same fighting style. We can hook you up with a real dojo if you want the full experience, but my main concern is getting you up to speed fast, and we don''t have enough funding to hire you a private tutor." I flex my fingers. "You have the same fighting style as the one you want to teach me?" I parrot back at him. "But you''re huge. How do small people martial arts benefit you?" Rampart bends down into a sort of crouch, arched over, his hands open in front of his chest. "Because of my powers. You and I both have bruiser powers that work best in an extremely close range. I can''t be moved by an external force that I''m aware of - it''ll just channel out of my feet, which means I''m essentially impossible to remove from a grapple or a pin once I''ve got someone in one. You, on the other hand, want to be close in so you can leverage your biggest asset in a fight - your teeth." "I thought you guys didn''t care about my teeth?" I ask, taking a step around him. "It''s really the blood sense that''s the important thing for superheroing." "Would you rather bite someone or get shot?" Rampart asks, circling me the other direction. "For the record, I didn''t want to start with a demonstration, but if you want to swing at me, feel free to give it a shot." I lurch forward, my shoes hitting the mat. My entire body swings out counterclockwise as I try to left hook him. I barely have the reaction speed to even understand what happens next, as he grabs my arm, puts a hand under my armpit, and brings me to the ground in a fraction of a second, sitting on top of my hips. "And now you''re grounded." "Ok, Dad," I joke, trying to wiggle free. It''s like there''s a stone on top of me - he''s not crushing me with his weight, but I also can''t make him budge even a millimeter. Like trying to lift a brick made out of, I don''t know, made out of like... steel. That''s heavy, right? I think it''s hard to express in plain English just how impossible moving him is proving to be. "See, if you were in this position, you would have your pick of biting locations anywhere on the upper body. You could disable one or both shoulders, or, God forbid, go for the neck. You could also bite out elbows or important organs. You could also do the same from a rear lock, and if we can teach you how to choke people out, then you''re an A-grade apprehender," Rampart explains to me, in a scholarly, almost fatherly tone. I keep trying to wiggle out, to no avail. My chest feels weird and I don''t like the sensation. "Plus, your regenerative powers give you an advantage here, too." "They do? Please get off of me," I reply, straining my hips. Rampart un-kneels and stands back on his feet, folding his arms back over his chest. "They do?" "Take your shoes off, by the way. Barefeet on the mats, please. And yes, they do," Rampart instructs, and I follow, pulling my shoes and socks off so I''m as barefooted as he is. "I mean, besides the extremely obvious fact that you are hard to put down, and injuries do not stick, I have a feeling that your regeneration also applies to muscular hypertrophy. Have you ever had Delayed-Onset Muscle Soreness since your activation incident, Bee?" I think about it. Then, I really think about it, scanning through all the prior workouts here, and all the physical activity I did, the one week of physiotherapy after the boat accident. I''m obviously used to soreness after a big game, and there hasn''t been any soccer since, so I just assumed that my lack of soreness was from a lack of soccer, but Rampart''s words make me wonder. I roll my arms and stand back up to my feet. I shake my head. "I figured as much. Plus, you can strategically injure yourself for both the obvious purpose of psychological warfare, but also for illegal techniques that normally aren''t used for fear of self-inflicted injury. You could dislocate your own joints to change your body''s profile and escape grapples. "Sacrifice throws" are throws that put you in a disadvantageous position or might injure yourself to perform, but if you don''t need to worry about that as much as the other guy, you can pull them off with advantage. Plus, you can use elbow drops, knee drops, and breaking techniques to throw all eighty pounds of you from on high," Rampart continues lecturing. I cut him off. "I''m one hundred and twenty pounds, thank you very much!" I shout, hands on my hips. "But I''m listening." "Good. I think we can also start doing bone conditioning training, as long as you don''t mind a little pain," Rampart says, smirking, leaning back, and cracking his back. "Bone... conditioning?" I ask. "Is there an echo in here or something?" Rampart asks the empty air, and then turns back to me. "Yes. You will punch, kick, and otherwise interact with heavy, hard objects with the intent of damaging your bones so that they grow back harder. It''s muscle conditioning, for your bones. While I know you can heal from a broken bone, I think we should be working on making sure they don''t happen in the first place, since they probably hurt like a motherfucker. Plus, developing harder bones, especially your shins and hands, will appreciably increase your striking power. Haven''t you ever wanted to break bricks like those guys in the old Wuxia movies?" The narrative has been illicitly obtained; should you discover it on Amazon, report the violation. "I have never watched a Wuxia movie in my entire life," I answer truthfully. "Shame. We''ll have to correct that. What sounds like a better first option - punching, or grappling?" He offers. I get into my usual exaggerated, sloppy boxing stance. "Punching." "Bone conditioning it is." With that, Rampart vanishes into the hallways surrounding the gymnasium, returning moments later carrying a bundle of rolled-up magazines bound together with duct tape, and an old sandbag that had seen better days. The sand appeared to be bulging out from a broken seam that had been covered up in more duct tape. I''m sure it must be incredibly heavy, but I''m just impressed by how he''s slinging it over his shoulder like it''s nothing. "You ever punch a sandbag before?" he asks, hefting the bag onto the mats and sitting it down. It lands with a dull thud, spilling a little bit of sand onto the floor. "No, but I''ve punched my brother. Does that count?" I reply with a smirk. "You have a brother?" He asks, raising an eyebrow. "No. I don''t know why I said that," I reply, feeling an immediate pang of guilt that forces the truth out of me. Rampart chuckles, "You need to get better at lying. Anyway. Starting with a sandbag is the first step. It''s more forgiving than other surfaces but will still allow for gradual bone conditioning. Some places usually start with kidney beans, but sand is cheaper than the equivalent volume of kidney beans, last time I checked." "Great, now I''m hungry," I mumble. He unravels the bundle of magazines, revealing they were tightly wrapped around a thin wooden rod. "This, on the other hand," he twirls the rod in his hand, "is for more advanced conditioning. But we''ll get to that." Taking a deep breath, I approach the sandbag hesitantly, like it''s a dog about to bite me. I reach out to feel it - the texture is rough and the weight heavy under my touch. "So, just... punch it?" I ask, trying to move it around with my hands to get a feel for how much it actually weighs weighs, how much force it''ll take to move it. It shifts, but doesn''t budge, just like Rampart when he was sitting on top of me post-throw. Rampart shakes his head, smiling softly. "Not just punch it. I want you to focus on your form. Plant your feet, pivot with your hips, and drive your fist through the bag. Don''t just hit the surface; envision going through it. That''s how you generate power. Remember to align your wrist and strike with the front two knuckles. If you do it right, it''ll sting. Do it wrong, it''ll hurt a lot more," he explains. I glance skeptically at the sandbags. "This is going to make my bones stronger?" "In time, yes," Rampart assures me. "The impact causes microfractures in your bones. They''ll heal and become denser. Think of it as push-ups for your fists." Nodding, I try my first punch. It''s awkward, and the sandbag absorbs the blow easily, mocking my efforts. My knuckles sting a little. "Harder than that. Imagine it''s someone you really don''t like. If I was a real sensei, I''d tell you not to strike in anger or something like that, but I''m not a real sensei, and this isn''t a real dojo." He says, standing, watching, judging. I take a step back and throw another jab. My wrist hits it straight on and sends a shooting rope of pain all the way from my knuckle tips up to my shoulder, and I yelp, loud enough to draw looks from the rest of the gym. "You''re doing great, Bee!" Gale yells from her impromptu archery range. "Thanks!" I shout back, shaking my hand out. "Remember when I said if you do it wrong it''ll hurt a lot more, not even thirty seconds ago? That''s what I mean. Do you need me to show you how to throw a punch?" Rampart asks. "Yes please." I squeak. Rampart chuckles, rolling his shoulders back as he approaches the sandbag. "Alright, first things first. Stand with your feet shoulder-width apart, and your knees slightly bent. You want a strong foundation." He demonstrates, his stance looking natural and rooted to the ground. I mimic him, trying to copy the exact position. "Good. Now, your non-dominant foot should be slightly forward, with your dominant foot back. This gives you a better angle to pivot from." He pauses, looking me over, ensuring I''ve got it right. Once he''s satisfied, he continues. "Your hands. Keep them up by your face. Like this," he says, raising his fists to cheek level, elbows tucked close to his body. "If I was teaching you boxing, I would say that this is to protect your face, which it is. If you''re really dead-set on throwing punches, you want to throw them from here - but also, this is just good positioning. It''s where you want your arms to be." I copy the stance, feeling slightly more comfortable with my fists raised, ready to strike. "Now, for the punch. When you throw a jab, it''s not just about your arm. It''s about your whole body. The power comes from your legs, travels up through your core, and is delivered through your fist." With that, he slowly demonstrates a punch, his back foot pivoting, hips turning, and fist moving forward. He torques his entire body, not just his hand and arm like I''ve been doing. His first two knuckles make contact with the sandbag, a little, gentle love tap, and he pulls back. He repeats the motion a couple of times. "Follow me," he says, and I do. I match his speed, and make contact with the sandbag, slowly tapping it from another angle. "Switch feet," he orders, and I do so, watching him go first. His motion is smooth and unblemished, feet shifting right through, soles skidding against the ground until he''s mirrored. I do the same, a little slower, a little sloppier. "Slowly, still." We practice the motion, a couple of times per arm, switching it up. No punching yet. Five minutes pass, and I don''t fail to notice how he''s steadily speeding up, the tap going a little more thump-like as his knuckles increase in velocity. "Alright, now let''s put it all together and do it fast, like this." I barely see his fist move. The jab lands square in the center of the sandbag, crumpling it''s shape inward a little bit, and his fist has already retreated to his face. I watch in awe as he switches feet and lands another in the span of what could only be a second or two. There''s a smooth coordination to it, and the sandbag thuds satisfyingly upon impact. He turns back to me. "Now, your wrist. Keep it straight. You want a direct line from your forearm to the top of your hand. If you bend your wrist, you''ll hurt yourself. And like I said earlier, hit with the first two knuckles, not the middle of your hand." Nodding, I throw a punch, trying to incorporate everything he''s said. It''s a little better than before, but still lacks the power I''d hoped for. It still only seems like a love tap compared to his concussion-inducing jab. Rampart smiles, not unkindly. "Better. But don''t overthink it. Sometimes, it''s just about repetition. The more you practice, the more natural it''ll feel. Also, remember to exhale when you punch." I try again, and this time, there''s a better connection. My wrist doesn''t shoot up, and my knuckles sting like I just got sunburnt on them. Rampart claps, a broad grin on his face. "That''s it! Remember, it''s a process. We''re not looking for perfection on day one. Or even day ten. But in time, you''ll get there." I nod, feeling a spark of determination. "Again?" I ask. Rampart nods, stepping back. "Again." I throw a few more punches, each one feeling slightly better than the last, my confidence growing. Rampart occasionally corrects my stance or the angle of my punch, but for the most part, he just observes, the gymnasium''s chorus of noises joined by my knuckles making impact with the sandbag. "Better," Rampart comments. "But remember, it''s not about force but repetition and technique. You''re going to hit this thing hundreds, thousands of times over the next few weeks. Each time, your bones will adapt a little more. You''re going to be hitting it with your palms, you''re going to be hitting it with the sides of your hands, your forearms, your shins. We''re going to put your skeletal system through its paces." After what feels like hours, but was likely only a few minutes, I''m panting and sweating, my hands reddening, my knuckles throbbing with pain. The monotony is broken by Rampart''s sudden instruction. "Switch to kicks. Same principle, drive your shin through the bag. I want to see what you know about throwing a kick before I teach you." "Are you assuming I don''t know how to throw a kick? I play soccer," I mock, taking a couple of steps back. I run forward and swing, making contact with the top of my foot just like a soccer ball. This is not a soccer ball, however. It is a sandbag. My ankle immediately yells at me, and I go hopping, grabbing for it and balancing on one foot before shaking it out. "That''s... one way to do it," he comments, still grinning. "Don''t break your ankles on my behalf. This may surprise you, but most people you''ll be fighting are not shaped or sized like a soccer ball." Rampart motions for me to stop and reposition myself. "Alright, soccer star, let''s make some adjustments. In soccer, you''re striking the ball with the top of your foot for a broad and powerful impact. But for martial purposes, especially bone conditioning, we want a more focused point of impact - the shin. Your shin is a lot stronger and can take, and give, a lot more punishment." He demonstrates slowly, lifting his knee up and extending his leg, rotating his hips and pointing his toes down to keep the foot out of the way. His shin gently taps the sandbag. "You see? You''re turning your hips, engaging your core, and driving through with your shin, not your foot." Without any wind-up, Rampart throws a slow, deliberate kick, driving his shin into the bag, which shudders on impact. Even at the reduced speed, the strength behind it is evident. He gestures for me to try. "Start slow, focus on form. I''d rather you throw a hundred proper slow kicks than a single wild, fast one." Nodding, I give it a try, but my movements are far from fluid. It feels more like a robotic leg swing than the swift, fluid motion Rampart demonstrated. Still, my shin makes contact, giving it the tiniest of taps. He stands on the opposite side of the sandbag and shows me, slowly, while I mirror him again until my shin touches the sandbag. "When do I get to learn how to do a full 360 jumping spin kick?" I ask, switching feet along with him and doing these soft little baby touches with my other shin. "When you can kick this sandbag over," Rampart says, flexing his fingers. "That''s a joke, don''t take that as a challenge. Spin kicks aren''t good in a fight. Really, kicking isn''t good unless you''re desperate, I''m teaching you form so that we can work on conditioning. You learning how to break someone''s ribs with your shin is sort of a side benefit here." I grunt, exhale, and give it a wild, twisting swing, my shin stinging on impact. I hop back a little bit, resisting the urge to cuss. "Better," Rampart observes. "But think of it less as a swing and more as a push. You''re pushing your shin through the target." He moves closer, positioning himself next to me. "Watch my hips," he says, throwing another kick. This time, I pay attention to the way his entire body moves. It''s not just a leg movement; it''s an entire body motion. His hips pivot, his supporting foot rotates, and even his upper body leans back slightly for balance. He does it two more times, slowly, cautiously, before throwing an unfairly fast kick that sends the sandbag shuddering, throwing loose grains every which way. "Incorporate your whole body. It will not only increase the power but also reduce the strain on individual parts. And remember, a properly thrown kick starts from the ground up. Your foot, your calf, your thigh, your hip - they all play a part." Feeling a bit overwhelmed, but determined, I try again, focusing on integrating all the elements Rampart mentioned. It''s a challenge, and my first few attempts are clumsy. But after a series of slow drills, gradually increasing in speed, I start to get the hang of it. With his guidance, my kicks improve. The sandbag, like a silent judge, accepts my blows without complaint. Every kick sends a jolt of pain up my shin, like electricity, leaving them tingling and warm. "Much better," Rampart praises after a particularly solid kick. "Soccer has given you good leg strength, but this is about harnessing it differently. Martial arts is about efficiency and precision as much as it''s about strength." I take a moment, catching my breath and absorbing all I''ve learned. The sandbag stands unfazed before me, but I feel different - stronger, more aware of my body''s potential. I smile at Rampart, "Alright, coach, what''s next on the lesson plan?" "I''m giving your bones a break. I''m going to teach you how to grapple me," He says, cracking his knuckles and rolling his neck. "Need water?" "I''m good. Let''s roll." Chapter 18.2 Rampart clears a space on the mat area, signaling for me to come closer. The soft padding beneath us gives a little under our weight, but it''s firm enough for our movements. "First, grappling isn''t about brute strength. It''s about leverage, positioning, and technique. If you find yourself using too much force, you''re probably doing it wrong," he begins, setting the tone. He moves into a basic stance, his feet shoulder-width apart and his knees slightly bent. "There are three primary components we''re going to cover today ¨C takedowns, ground control, and submissions. We''ll start with the basic principles, and then move on to specific techniques." Watching his movements carefully, I try to mirror his stance, adjusting my feet and bending my knees. Rampart nods in approval, then demonstrates the first technique. "Let''s start with a basic takedown. The double leg takedown. This move is used a lot in BJJ as well as in wrestling," he says, motioning me to stand in front of him. "The idea is to change your level, shoot in, wrap both arms around the opponent''s legs, and use your momentum to take them down." I gulp, looking at the significant size difference between us. "You want me to try and take you down?" He chuckles, "Don''t worry, I''ll be going easy on you. The point isn''t to succeed in taking me down but to get the technique right. And remember, this move isn''t about strength, but about timing, speed, and leverage." Rampart then crouches slightly, demonstrating the change in level. "You want to be low, so you can get beneath their center of gravity. Shoot in with your leading leg," he says, lunging forward with one foot while reaching out with both arms, as if trying to grab the back of my knees. I watch a few times, trying to memorize the movements. A bit hesitant, considering Rampart''s considerable size advantage, I give it a try. My momentum isn''t enough, and Rampart stands firm, like a mountain. My arms flail, and I practically fall into Rampart rather than shooting in with precision. Plus, I''m pretty sure he isn''t using his powers. "No, no," Rampart observes, "you''re diving. You need to shoot forward, not downward. Again." It takes several tries, with Rampart patiently adjusting my posture, teaching me how to pivot my foot for maximum propulsion, and where to place my hands on his legs. Eventually, I manage a passable attempt, getting low and wrapping my arms around his legs. Rampart, obviously allowing it, topples backward, a broad grin on his face. "Not bad for a first try," he comments, getting up. "But takedowns are just the beginning. Once on the ground, the real fight begins." Rampart lays down on the mat, patting the space above him. "Come on, get in position," he says, and I hesitantly lower myself, settling on top of him. "This feels extremely weird," I mumble, trying to keep it too quiet to be heard. "Modesty and combat aren''t in the same category," he begins, his voice muffled slightly from below. "The principle here is simple. When on the ground, always aim for a dominant position. Control your opponent, keep them beneath you, and always be one step ahead." As he talks, he shifts, guiding my body with his hands. "This," he explains, his voice patient, "is the guard." My thighs are flanked against his sides, my knees pressed into the floor. My hands reach forward, fingers lightly clasping onto the stone bricks of his biceps. From this position, I can feel his every move. "Here, you can control my arms, prevent me from striking or grabbing you. It''s a balanced position, both defensive and offensive." Then, he shifts us again. "Now, side control." He turns slightly, guiding me to lay perpendicular across his chest. My arm wraps around his head, pulling it in snugly, while my opposite hand pins down his closest arm. I feel strangely dominant despite my size, with Rampart effectively trapped beneath me. My pulse quickens. I don''t like it. "From here," he grunts, "you can limit my movements, making it harder for me to escape or counter. It''s a strong position if you maintain control." Finally, he directs me again, tugging my legs around like a marionette. I find myself sitting on his chest, looking down at his face, my knees driving into the mat next to his shoulders. "This," Rampart states, slightly winded, "is one of the most dominant positions in grappling, the full mount. From here, you have a range of attacks, and I have limited defenses. Keep your weight centered, and always be aware of their hips. They''ll try to buck you off." "For someone of your size," he explains, "maintaining these positions will be tough against larger opponents. But BJJ is great for smaller fighters because it''s designed to utilize leverage over strength." "Alright, switch," Rampart says, pushing himself to sit up and motioning for me to lie on the mat. I hesitantly lie down, immediately self-conscious of the position. Rampart takes a knee beside me, waiting for a moment as if giving me a chance to change my mind. "Now, I''m going to get into your guard," he explains, looking into my eyes as he says it, his tone matter-of-fact. It''s clear he''s done this a thousand times, and to him, it''s just another day at the office. As he positions himself, his legs bracketing my body, I try to remind myself to focus on the technique, not the awkwardness. I fold my legs, placing my heels near his hips, my knees brushing his sides. My heartbeat quickens, not from exertion but from sheer discomfort. "Now, when you''re the one trapped in the guard, your main objective is to break free and improve your position. To do that, you''ll need to control my legs and posture. Hands on my biceps," Rampart instructs. Doing as he says, I gingerly place my hands on his arms, trying to establish some semblance of control. The difference in our sizes makes the task daunting, and I can''t help but think of a kitten trying to hold back a lion. If you come across this story on Amazon, be aware that it has been stolen from Royal Road. Please report it. "You''ll want to push my knee down with one hand and slide your leg out, posturing up as you go. But always be wary of my legs, they''re my tools to control and submit you," he explains. Taking a deep breath, I give it a try. My first attempt is clumsy, my movements too slow and hesitant, allowing him to easily pull me back down. I groan in frustration. "Remember," Rampart says, his voice calm and reassuring, "it''s not about strength. Use leverage. Use your brain. Think about what you''re trying to achieve and what I''m trying to prevent." I nod, taking another moment to mentally prepare. Then I try again, pushing on his knee and quickly sliding my leg out, posturing up as he''d shown me. But with Rampart''s size and experience, he''s easily able to sweep me back into position. He pauses, seeing my frustration. "Try it again," he offers gently - less a command, more an instruction. Here''s your mulligan. Do-over. Lowering my stance slightly, I begin the attempt to pass his guard. It''s a game of leverage and balance; I push on Rampart''s knee and quickly try to slide my leg out, just as he showed me. But he''s quick too, and with a subtle shift of his weight, he sweeps me back into his guard, making me feel like I''m caught in some sort of trap. "Gotcha," he says softly, with a hint of amusement in his eyes, but not mocking. My cheeks flush, a mix of exertion and embarrassment. "I''m so bad at this," I mutter, more to myself than to him. Rampart releases his hold and sits up, his gaze serious but kind. "It''s going to be hard, especially at first. Everyone struggles in the beginning ¨C that''s part of the process. Every single move you make, every failed attempt, is a lesson. And I promise you, the day will come when you''ll be able to pass my guard with ease." His words are reassuring, and I take a deep breath, reminding myself that this is just the beginning. "Alright," I say, determination renewed. "Let''s go again." We go back and forth for what feels like hours, transitioning from guards to side control to full mount. Each time I think I have him, Rampart manages to slip out or reverse our positions. Yet, with every repetition, I start to understand the mechanics a little better. The movements become less foreign, though they remain challenging. Once we''ve thoroughly exhausted the positional drills, Rampart sits up. "Now, let''s switch gears. As for submissions," he starts, pausing briefly to make sure I''m following, "these are techniques designed to end the fight. In a sportive setting, it makes your opponent tap out ¨C signaling they admit defeat. But in the real world, it''s to get someone to surrender, incapacitate them, or even render them unconscious." He eases himself back onto the mat, looking up at me with an expectant gaze. "Come, position yourself above. I''m going to teach you how to put someone in an armbar." Gingerly, I follow his instruction, trying to recall all the previous lessons on positioning. There''s a noticeable difference in our sizes and experience. Everything feels foreign, and his large frame under me feels like a coiled spring ¨C powerful and dormant. He breaks down the steps for the armbar, making sure I understand the importance of each move. "Your grip on my wrist," he instructs, showing me how to hold firmly without squeezing, "is essential. Now, focus on your legs and hips. The power to control comes from there." Following his guidance, I maneuver my legs around his arm, pinning it between them. He gives a nod of approval, "Good. Remember, the leverage comes from your hips. You''re not trying to wrench my arm, you''re controlling it." I can feel the delicacy of the armbar, how it manipulates the elbow. There''s a brief moment of panic ¨C the realization that in a real situation, the power to harm lies in my hands. I falter, holding back. He senses my hesitation. "It''s alright," he murmurs politely. "I''ll let you know if it''s too much. The key here is control, not pain. In a, you know, in a situation, you decide the intensity." Taking a steadying breath, I adjust, applying just enough pressure. My technique isn''t perfect, and he easily moves out of it. But instead of a reprimand, he smiles. "Again, technique over strength. You''ll find the right balance with practice." His encouragement, free from any hint of condescension, fuels me. We move through different submissions, each one an exercise of control and release. The rhythm of the session is meditative, almost hypnotic. Each shift of my body, every slight repositioning of my grip, becomes a small dance in itself. Rampart, for all his size and power, shows an almost monk-like patience, guiding me through the motions, allowing me to understand the mechanics, the whys and the hows of every movement. We move from one technique to another, the pace set not by the clock but by my progress, my understanding. Every pin, every twist, and every maneuver I execute becomes a lesson in precision and control. While I anticipated the exhaustion that would come with the physicality, I hadn''t quite accounted for the sheer mental exhaustion. With every new technique, my brain works double-time, processing the information, trying to just internalize it into muscle memory, usually failing.
By the end of the session, the weight of the hours (two of them almost exactly) bears down on me. My entire being is a cocktail of sweat, exertion, and a mind teetering on the edge of overload. Peeling my soaked shirt away from my body so I can put some room for air in it, I let out a long, weary breath. It''s only then that I notice the group of onlookers. Eyes from the Young Defenders, all present with the exception of Puppeteer, observe us. The realization that they''ve witnessed every falter, every mistake, sends a rush of heat up my neck. From the crowd of five, Gale steps forward, her powers subtly stirring the air around her. A bottle of water floats my way, and I catch it with a grateful nod. "You''ve got some impressive moves, Bloodhound," she says, her eyes sparkling with genuine admiration. "It was really entertaining to watch." My heart stutters. Gale, the person I''ve tried so hard not to make a fool of myself in front of, had a front-row seat to my training debacle. The thought of her watching me be repeatedly pinned, grappled, and generally manhandled by someone as massive as Rampart makes my stomach churn with a mixture of embarrassment and dread. The weight of her gaze and the hint of a smile playing on her lips make it difficult for me to find my voice. All I can manage is a sheepish, "Thanks." Gale smiles and twists her finger around, summoning a gentle whirlwind around me that threatens to take my breath away. Not from a, like, smothering or suffocating point of view, just that it''s really comfy to have your own personal air conditioning. "Don''t mention it." I sit down on the mat, while Rampart joins the rest of the group, Gale splitting from them. "I didn''t know you¡­ arched." "It''s good exercise for my arms and works well with my powers. Throwing things like darts or ball bearings are usually too massive to easily alter the trajectory of. Arrows are just right," Gale says, sitting down next to me. She looks me up and down. "You''re sweaty," she observes, and I consider suicide for the first time in my life as the more bearable alternative to whatever this emotion is. "Thanks, I try," I blurt out before I can think about it. I am going to do a backflip and land on my neck so that I can die instantly. Gale giggles. I retract the idea of doing a backflip. "Want to go flying after you''re all cooled down? You know, recreationally." "Like, on patrol?" I ask, looking anywhere but at her. I watch Rampart high five Crossroads, and then go into a complicated series of hand motions, like a secret handshake. It''s easier than looking at Gale. "Nope! Just flying. For fun. We can get Rita''s, you know, before they close down for the season," Gale offers, smiling with her lips closed. My heart thumps quietly but firmly. "Oh, uh. Sure," I say, not bothering to tell her that I had Rita''s yesterday. "But I don''t have any money or anything like that." I flop backwards against the mat, splayed out, letting the wind overtake me. Gale laughs. "Don''t worry about it. My treat." I successfully resist the urge to begin yelling. WORLD OF CHUM: The Bracing Effect Introduction In the ever-evolving field of superhuman physiology, one phenomenon has consistently captured both scientific curiosity and practical attention: the Bracing Effect. This effect refers to the distribution of force across a superhuman''s body when they utilize extra-physiological powers¡ªabilities that don''t emanate from a specific physiological source, such as telekinesis or elemental manipulation. It was Dr. Emily Hargrove''s seminal paper in 2009, "Distributed Force Absorption in Extra-Physiological Abilities," that first quantified and named the phenomenon. History Before the publication of Dr. Emily Hargrove''s seminal work, the scientific community was largely in the dark about the consistent and often baffling injuries sustained by superhumans who wielded extra-physiological abilities. Among the dominant theories that sought to explain this phenomenon, a couple of particularly intriguing propositions gained traction: Fourth-Dimensional Force Theory: Dr. Julian Park, a theoretical physicist, suggested that the injuries could be attributed to forces coming from a fourth (or higher) spatial dimension. According to this view, the human body, constrained to three dimensions, experienced strain when interacting with this fourth-dimensional force, with telekinetic effects that appeared to function "at a distance" merely being an exertion of normal bodily force through an orthogonal spatial connection. The theory gained some initial popularity but ultimately failed to provide a comprehensive model for different types of powers and the resultant physiological effects. Biochemical Feedback Loop Hypothesis: A group led by Dr. Katherine Lozano, a molecular biologist, proposed that the injuries were the result of a biochemical feedback loop. They postulated that the exertion of superhuman abilities led to a rapid accumulation of lactic acid and other metabolic waste, causing tissue damage and capillary rupture. While this hypothesis was robust in accounting for muscle fatigue and some minor injuries, it fell short of explaining more severe injuries like bone fractures. Micro-Singularity Convergence: A more radical proposition was made by physicist Dr. Leonard Harmon. He speculated that the superhuman abilities were the result of micro-singularities converging at points in spacetime. These singularities were said to create rifts or stress lines in the fabric of spacetime itself, and it was the physiological interaction with these rifts that led to injuries. Despite its conceptual boldness, the theory did not survive rigorous testing. At all. Amidst this scientific cacophony, Dr. Emily Hargrove entered the picture with a far-reaching study that took a more rigorous classical-physics-based approach. Her initial investigations led her to cautiously label the phenomenon as the "Universal Force Distribution Mechanism" (UFDM). The paper outlined a new theoretical framework to describe a previously unknown physical mechanism, akin to a new fundamental force, which she hypothesized was responsible for distributing the forces exerted through superhuman abilities evenly across the body. In her groundbreaking paper, Dr. Hargrove introduced the concept of a previously undiscovered fifth fundamental force in physics - commonly referred to as the Universal Force Distribution Mechanism (UFDM) - that acts as an ''equation balancer'' when extra-physiological abilities are in play. This fifth fundamental force only activates when metahuman abilities that would defy traditional Newtonian physics are exerted. Once engaged, it works to redistribute the resultant forces across the superhuman''s entire anatomical structure, including bones, muscles, capillaries, and nerve fibers. While the theory could not explain every feat of telekinetic or extra-physiological prowess, it accurately predicted the injury outcomes of those demonstrations. The question of how the mechanism deals with "missing forces" remains an area of active research in metahuman studies. Hargrove''s theories were initially met with skepticism, but successive rounds of peer reviews and experimental validations led to widespread acceptance. Eventually, the term "Universal Force Distribution Mechanism" was simplified to the "Bracing Effect," a terminology that has gained universal acceptance across scientific, superhuman, and general pop science communities. Numerous experiments with telekinetic and elemental manipulators have shown a remarkable consistency with Hargrove''s predictions, leading the medical community to develop targeted training regimens for superhumans to control this fifth fundamental force, thereby minimizing potentially harmful side-effects. Reading on this site? This novel is published elsewhere. Support the author by seeking out the original. The Physics The UFDM serves as the dominant model describing how forces are equitably allocated across a superhuman''s anatomy. The mechanism challenges traditional understandings of Newtonian physics, particularly regarding strain energy dynamics within the unique context of extra-physiological abilities. A field force mediates this distribution of energy whenever a superhuman employs an extraphysical ability - that is, an ability that is localized outside of their body. This fifth fundamental force is the subject of ongoing research as scientists grapple with questions of force imbalances and the puzzling locations where "missing forces" seem to vanish during feats of incredible power. In the initial studies, it was suggested that the UFDM propagated at the speed of light, rather than instantaneously through quantum entanglement, as certain early theories predicted. This was inferred from high-speed camera footage and computational modeling, although the evidence is indirect due to the inherent limitations of measuring short-range superhuman abilities, with the time-resolution required to capture data at such small distances being beyond the ability of most measuring devices on Earth. Voluntary examination with several of the world''s most long-range extraphysiological superhumans, including several notable villains, has added more evidence to suggest that the propagation of the UFDM occurs at light-speed rather than faster/instantaneous or slower, but further studies are currently ongoing. While some early theories suggested that this fifth fundamental force might operate in higher-dimensional spaces, current interpretations are cautious about leaping to this conclusion. Although there is a growing interest in understanding how the UFDM and "missing forces" interact with higher dimensions, this is still an open question. Researchers continue to debate whether forces vanish into local four- or five-dimensional space, or if there is something else at play, but this area of inquiry is far from settled. The Medicine The Bracing Effect is not merely an academic puzzle but a phenomenon with immediate and consequential ramifications for the health and well-being of superhumans. The equitable distribution of stress throughout a superhuman''s anatomical framework leads to a spectrum of medical issues, from vascular tension to cellular stress injuries. Additionally, emerging research points to possible complications for superhumans possessing cognitive powers, such as precognition or psychometry. When a superhuman employs their extraphysiological abilities, the generated force engages with the UFDM, which then attempts to distribute strain energy evenly throughout the individual''s body. However, it''s the metahuman physiology itself that further compensates for this by unconsciously channeling the stress away from vital organs and fragile tissues toward more resilient structures like skeletal muscles. This mechanism, however, is not perfect, spreading stress across the skeletal framework, connective tissues, and even into vascular and neural systems. This causes micro-damages which can manifest as nosebleeds, random bruising, and even fractures or muscle tears. For superhumans that frequently use their powers over a long period of time (10-20 years), symptoms akin to neurodegenerative disorders can appear due to chronic low-level damage to nerve cells. A contentious point in the medical community is how the Bracing Effect manifests in superhumans with cognitive powers¡ªabilities that, at first glance, should not induce a physical "strain" on the UFDM. Yet, these individuals often experience spontaneous nosebleeds, migraines, and even transient ischemic attacks when their powers are overused. Ongoing research is probing this surprising connection, and if verified, could dramatically broaden our understanding of the phenomenon, perhaps even leading to a unified theory encompassing all superhuman abilities. Owing to the unique medical challenges posed by the Bracing Effect, there has been a push for the development of superhuman-specific medical guidelines. This includes regular health screenings that prioritize cardiovascular and skeletal wellness, the employment of specialized medical imaging techniques designed to detect micro-damage and internal hemorrhages, and immediate medical interventions post-intensive use of superhuman abilities. Several medications, such as the recently-approved Capilastin-XR (commercially available as ''VeiloGuard''), have been rigorously tested in controlled settings to mitigate the risks of vascular complications, although they are not without their own sets of complications and side-effects. Chapter 19.1 My gaze follows Gale as she floats back to the rest of the team. She joins the conversation Rampart is deeply engrossed in with Crossroads and Playback. It''s a surreal view - these larger-than-life figures I share a uniform with, basking in the camaraderie they''ve built over countless battles and patrols. A warmth fills me, intermingled with the frost of doubt. Do I belong here? My eyes dart to Gale, and for a fleeting moment, our eyes lock. She smiles, and I''m too chicken to even nod back. It feels like it''s been years since I''ve joined the Young Defenders. It feels like it''s been a day. I still don''t know anyone''s first names, except for Gale''s, and they don''t know mine. With that, Gale gives a casual wave, takes to the air, and floats out of the gym. She leaves behind a sense of stillness that clashes with the whirlwind she stirred around me just moments ago. I shove myself up from the mat, my muscles groaning in protest. A glance at the clock tells me it''s just past one o''clock. Late enough for the training session, yet early enough for what''s next. Flying. With Gale. My stomach churns again, but for a different reason now. Anticipation? Excitement? It''s hard to tell. "I see someone''s got a date," Rampart teases, lumbering over to me with a smirk that threatens to crack his stoic, mentorly facade. "I- it''s not a date," I stammer, shoving my hands into the too-small pockets of my gym shorts and averting my face. "We''re just... flying. Recreationally. And platonically." Rampart raises an eyebrow, his expression hovering somewhere between amusement and paternal pride. "Flying. Recreational flying. With Gale." "Yeah," I say, locking my gaze onto a stray patch of matting on the floor, and turning 90 degrees away from Rampart. "Why? Got a problem with that?" He chuckles, and the sound reverberates like distant thunder. "No problem at all. Just make sure you two don''t do anything that would make Liberty Belle ground you for a month." The name punctures the happy balloon inflating in my chest. I hadn''t seen Liberty Belle in days, and I don''t think anyone here has. Rampart''s face twists into a momentary grimace as he realizes what he said, and then tries to pull itself back together. I resist the urge to spill her secret, the ticking clock inside her stomach, and it is so hard. Rampart is right - I am not a very good liar. "Liberty Belle can ground us? Last time I checked, she''s not my dad. Or my mom, for that matter." Rampart laughs at that. "I mean, you can get put on ''no patrol'' for a month." I put my hands on my hips. "You''re making ''getting in trouble'' sound appealing. No kitty rescues for a month?" "Don''t pretend you hate it. You''ve secured enough runaway pets that I know you love it." He retorts, rolling his shoulders back until they crack. "That''s right, I just love the smell of cat butt," I reply, glancing back towards one of the gymnasium entrances, expecting Gale to float back in any time now. "Um, is fraternizing with team members against the rules, though? Like, hypothetically." Rampart laughs even harder. "You really need to get better at lying. But, let''s say, just hypothetically - no, there''s no rule against it, but we advise against it because it can and has ripped cape teams apart before. And Liberty Belle won''t ground you for it because that''s Puppeteer''s authority," he explains, folding his arms over his chest. "Technically, Belle could impose sanctions on any of us, it''s, like, within her power to do so, but she has better things to do." He takes a couple of steps closer to me. I try to shrink away from the sudden threatening presence I feel, like murder in his eyes, a metaphorical small flame in his pupils. "Just know that Gale - and the rest of this team - are all very dear to me," he says in a way that makes clear to me that he doesn''t yet see me as part of the team - not in a real sense. "And if you do anything stupid, we are going to have problems beyond a hypothetical code of conduct violation." Then he steps back, leaving me shaking like a scared puppy. I mean, I don''t realize I''m shaking for a couple of seconds, but my knees have indeed buckled and my entire body has curled inward. I don''t like being chastised or yelled at, it''s always been something that makes me intensely uncomfortable, and whenever I get the feeling that someone doesn''t like me or is like... Or like I''m bouncing off someone, it gets even worse. After two hours training with Rampart, I guess I had come to the assumption that we were friends now, but the flicker of stony acid on his face has me second-guessing. He pinches the bridge of his nose and his face softens. "Jeez. Sorry, I did not mean to scare you that bad. Jesus," he says, reaching a hand out as gently as possible like he''s trying to get the attention of a stray cat. "I was trying to do the whole ''overprotective dad'' thing, but I guess I overplayed it a little, huh?" "A little bit," I stammer, trying to stop my entire body from shaking. My face is hot and red not from exhaustion or, uh, the feeling I get when I look at Gale, but embarassment, raw and painful. "Jeez, you look like you''re about to wet yourself," he says, seeming just as embarassed as I was. "Hey, look, I didn''t mean it like that. Just like... you know, if you... fraternize, don''t hurt Gale''s feelings. Not that I think you would!" he tries to overexplain, putting his hands up defensively. "But like. Make sure you don''t, young lady. Aw, jeez. Do you need a hug?" I do not realize that I''ve been crying until several seconds after it''s already started happening. I sniffle and shake my head, wiping a bit of snot from under my nose. "No, I''m fine, I think I''m just going to go take a shower. I''m not mad at you, I''m just sensitive," I say, starting to overexplain myself. "Don''t worry about it. Really, I''ll be fine." Rampart slowly backs away, his nostrils flaring as he breathes in through his nose and out through his mouth. "Right. Well, don''t let me ruin your afternoon. I''d like you to come in two or three times a week for training, if you can manage that between school and all that. I don''t want to ruin your academic career, but, you know, getting shot would also ruin that. Or stabbed. Or... you get the picture." I sniffle awkwardly. "Right. Yeah. I''ll... I''ll text you. But I''m going to go take a shower now." "Right. I think I will do the same thing," Rampart says, any sort of threatening aura he was able to mount previously melting away into a slimy film of dorkiness. I start backing away, and turn around, trying to hide my face so nobody sees it on my way to the showers. As I walk back into the gymnasium after a much-needed shower, I spot Gale waiting for me. She''s levitating in the center of the room, a foot or so off the ground, her attention caught by something on her phone. The serenity in her expression puts me at ease instantly, pulling me back from the edge of my emotional precipice. It helps that I feel like my mask - with a new jawpiece courtesy of Gossamer that doesn''t block my teeth as much - blocks the worst of my shame. "Hey, Gale," I call out, my voice tinged with an awkward cheerfulness I don''t entirely feel. She looks up, her eyes meeting mine, and a smile lights up her face. "Oh hey, Bloodhound. Ready to hit the skies?" "Absolutely," I lie through my teeth, putting on my best confident face. Truth is, I''m still reeling from the emotional roller coaster Rampart inadvertently put me on. But I can''t let Gale see that, can I? I mean, she''s my teammate and possibly hopefully maybe in the future possibly something more, and the last thing I need is to screw this up by being a big sobby wreck in front of her. I can''t even imagine how she''d react to a show of unabashed sincerity? I''d rather jump off a bridge. We head for the back door airlock, past hallways and closets, with her hovering an inch or two off the floor, not even bothering to use her feet. The mechanism whirrs to life, seals locking into place with a hydraulic hiss. When the outer door slides open, the afternoon sky greets us, cloudless and blue. "You need to hold on to me?" Gale asks, while the door loudly seals itself behind us. "What? No, I''m fine," I reply, maybe a little bit too fast. I already feel like hitting myself. I don''t know what or why about Gale does this to me, but I don''t like it - I keep thinking about Rampart warning me about the consequences of fraternization. And I''m still not a lesbian, because I definitely have crushes on guys, so it''s not like I want to fraternize with her or anything. I just keep thinking about things that aren''t superheroing. Do I just want to be her friend? Will she respond to attempts at getting to know her, or will that be seen as trying to violate her superheroic privacy? "Earth to Bloodhound?" Gale says, waving her hand gently in front of my face. I realize that I hadn''t actually said anything out loud, and in fact, seem to have imagined replying at all. "You need to hold onto me? Or my scarf?" Reading on this site? This novel is published elsewhere. Support the author by seeking out the original. "No, I''m fine," I reply, at a normal pace this time. "Just don''t drop me." "I won''t," she reassures, smiling, reaching out to pat me on the shoulder. We float up, her wind buoying me upwards and upwards, just high enough to skim the rooftop of the Delaware Valley Defenders HQ. I worry, for a moment, about Gale''s acrophobia - was that something she mentioned having, or did I just misremember a prior conversation? Our feet take a secondary landing on top of the roof. "Alright, ready to go?" She asks, looking at me, smiling, her mask crinkling lightly around her face. "Yeah, I''m good. Just, uh, don''t go too high," I request. "Scared of heights too?" She reminds me, and I recall our prior conversation. Okay, I didn''t imagine that one. Good. "A little bit," I fib. Frankly, right now, the thing I''m scared of the most is social rejection, because at least the pain of falling and breaking my limbs would be temporary while my body knits itself back together. Weird how your priorities change when you discover you are some form of invincible, huh? The two of us start a slow, casual float, and I twist myself in the thick cushion of air. It''s not exactly easy to manuever in - I can see how it''s an extremely useful tool for apprehension. Eventually, I manage to get onto my back, looking up at the puffiest of the clouds, hand over my face to cover from the worst of the sunlight. Gale giggles at what I have to assume were my extremely silly looking motions. This part of Philly has low rooftops, so we''re not too far from the ground, but I still don''t try to look down - it''s particularly disorienting from this angle. "So, uh, how long have you been with the Young Defenders?" I ask, trying to make small talk as we float over the urban landscape. My internal monologue''s running a marathon. What do you talk about when you''re flying next to someone you like? "Around six months," Gale replies. "But it feels like forever, in a good way." "That''s cool," I respond, the words hanging in the air as I grasp for something else to say. A thousand questions flood my mind, ranging from her favorite food to her thoughts on the ethics of vigilante justice. But instead, all that comes out is, "Do you like it? Being a hero, I mean." Gale looks thoughtful. "Most days. There are moments that make you question why you''re doing all this, but then you save someone or stop a bad guy, and it feels like you''re exactly where you''re supposed to be." "''Exactly where you''re supposed to be,'' huh?" I mull over her words, feeling like they resonate. "That''s deep." Gale chuckles. "I guess you could say I''ve had a lot of time for self-reflection." "Speaking of reflection," I say, grasping at straws for a change of topic, "what kind of music do you listen to while, you know, contemplating life? Are you allowed to bring headphones out on patrol?" "Oh, you''ll laugh. And yes, I can, because I can get a bird''s-eye view of the streets. But I only keep one in my ears so I can listen for stuff." "No judgment here. Swear on my... teeth," I say, scrambling for conversational purchase. She turns sideways as a particularly large cloud floats in between the sun and me, granting some blessed shade. "Metal. Mostly stuff from the 2000s," she says, admitting it like it''s a shameful secret. "Back when it was still good." I can''t help but gawk. "Seriously? You''re a metalhead?" She raises an eyebrow at me, her face going serious. "What, you think Muslim people can''t be into metal?" she says, and my heart bottoms out somewhere in my ass. "Nonono, that''s not what I meant," I stammer, faster than I''ve ever said words before. "It''s just surprising, you know? Not what I expected." "And what did you expect?" I open and close my mouth, not sure how to navigate this minefield. "Something... lighter, I guess?" Gale laughs and laughs. "Don''t worry, Bee. I''m busting your balls. No, most people don''t expect a Muslim teenage girl to be interested in heavy metal. I think that''s a very reasonable first impression to make. Don''t let the headscarf fool you, I love Rage Against the Machine." My eyes widen in recognition. "No way, my dad loves those bands. He calls it ''the golden age of metal,'' or something." She beams, clearly delighted. "See? Music transcends age, culture, and even our superhero secret identities. Maybe one day I''ll even meet the vaunted Bloodhound Senior, and ask why he wasn''t able to pass on his glorious music taste to his daughter." I laugh, a genuine one, my sharp teeth glinting in the sunlight, perfectly white. "I wouldn''t call it glorious. He likes Limp Bizkit," I say, nearly spitting it, with the expectation that Gale will agree with me. Gale gently flips me over onto my belly with her wind, and then spins me around to face her. "Are you trying to make your dad sound lame or something? Because you''re just making him sound cooler." "But isn''t the frontman of Limp Bizkit, like, a huge asshole? I''m pretty sure I read that somewhere on the internet," I say, trying to get the conversational lever back in my corner. Gale, unfortunately for me, is ready with a skillful parry. "Fred Durst? No, it''s... it''s like, a big joke. Like professional wrestling. I mean he''s kind of an asshole but most of it is an act." "Professional wrestling isn''t real?" I ask in mock shock. Gale reaches out to pat me on the shoulder, and my skin tingles underneath my costume. "I''m afraid not, Bee. What music do you listen to?" I look around, trying to twist myself away from eye contact with Gale, which feels like a burning pressure on my face. "I don''t... I don''t really listen to music that much. Just whatever my dad has on the radio. Or whatever someone in the voice chat is playing. I guess I like pop music? Sorry, I know that''s a boring answer," I reply, my mind blanking for a moment. I scramble for personality, attempting to define myself. "Oh! Right. I like Dave Grohl''s bands. I like Foo Fighters and Nirvana and that one Queens of the Stone Age album. And I listen to Incubus sometimes." Gale smiles earnestly at me and I feel bile rising in my throat. "Dad rock. Cute." She says, and I have to physically clench my torso to avoid stress vomiting. Or, well, I don''t really have to vomit, but it sure feels like I do. "How do you even get into metal anyways? Isn''t it full of like... old long haired dudes who play in dive bars in Trenton? And who hate girls our age?" I ask, choosing my words carefully to avoid putting my foot in my mouth, as Philadelphia''s neighborhoods slowly pass by underneath us like fish on a glass-bottomed boat. Gale giggles again. "Two of my brothers are in a band. So I got dragged along to shows a lot. Those greasy old long haired dudes in Trenton basically babysat me most of the summers in elementary school. Always treated me super nice." "In a metal band, you mean. Just to clarify." She nods. "Yeah. They started playing a lot of Deftones covers to get notoriety and then, like, started doing original music. You might''ve heard of them, they''re called ''System of a Down''. Kidding!" She says, immediately putting her hands up in front of her chest. "Those guys are from a totally different part of the Middle East. You ever hear of ''Demon Core''?" "Like, the Japanese comic?" I ask, folding my arms in front of my chest, trying to keep myself from beginning to free-spin in the air blanket. "The manga, you mean? And, no, like the radioactive device from World War II, which both the band and the manga named themselves after." Gale gently corrects me, as we begin slowly descending. I have to admit, flying with a big air swirl like this is exceptionally refreshing after a grueling two hours of training plus a shower. My entire body feels extremely relaxed despite the hilarious amounts of tension I''m carrying in my chest just from being around Gale, straining against my natural urge to say something extremely stupid. "Right. Naturally. No, I can''t say I heard of them. And, wait, how many brothers do you have? You said ''two of''. Does that mean you have three brothers?" I ask, as our feet make gentle contact with the ground, right behind a line of people waiting in front of Rita''s Water Ice, trademark symbol. Gale smiles at me, rummaging in one of her many pockets for some pocket change. "I have four brothers and a sister. If I started talking about the amounts of aunts and uncles I had, you''d get boggled. Like, mind-boggled. Your mind would boggle, present tense. Don''t get me started on the cousins." "I won''t. I can''t imagine even having one brother, much less... four. Too many guys," I reply, already practicing my order so I don''t stumble on it in front of Gale. There''s a murmur of recognition from some people on the sidewalk, mostly for Gale. A small child stares at me, and I wave, trying to look non-threatening, which is kind of extremely hard with my edgy 90s outfit. "Not fond of guys?" Gale teases me, making my heart immediately skip a beat. I shake my head, recovering from the mini cardiac event Gale just unknowingly triggered. "No, I mean, guys are fine. I just don''t want to deal with that many brothers. I''ve got enough on my plate." "I get you. The more siblings, the more potential for chaos," Gale concedes, and I get the sense she speaks from a lifetime of experience. "I learned how to write peace treaties before I could brush my teeth." We shuffle forward in the line, the scent of sugary water ice mixing with the late afternoon air. I focus for a moment, tuning into the people around us. My ears pick up snippets of conversations; work complaints, weekend plans, and- "-Liberty Belle? Haven''t seen her in action for weeks-" "-You think she''s dealing with something big? Government-level-" My heart lurches again. This time it''s not Gale-induced. My eyes dart to a man holding his phone, where the local indie hero-newscast plays - three people sitting at a table in some basement, chatting about the local hero gossip, transmitted over recorded video file. The man watching pauses it in frustration, waiting for the video to buffer, and I lose my train of thought. Gale must see my distraction. "Something interesting over there?" she asks, nodding toward the phone guy. I snap back to reality. "Oh, no, just zoned out for a moment. I can be a real space cadet sometimes. You know me!" I reply, laughing nervously. "No, I really don''t," she says, laughing. "So, are you ready to order?" My rehearsed script kicks in. "Uh, yes. One large vanilla custard, please." The employee, a bored teenager with a name tag that reads "Mike," and a face that reads "just learned how to shave," looks up from his phone. "Sure thing, one large vanilla custard. And you?" He turns to Gale. "I''ll take the cherry water ice," Gale says, handing him a crumpled ten-dollar bill, and a couple of ones. Mike punches in the order, unceremoniously dumps our choices into cups, and hands them over with absolutely zero fanfare. "Enjoy. A dollar twelve is your change," he says, as Gale scoops the coinage from the change machine, stuffing it into her pocket. We grab our treats, and Gale finds a nearby bench. Sitting down, she takes a spoonful of her water ice and seems lost in euphoria. "Ah, I needed that." I take a bite of my custard, and it''s instantly soothing. A tension-easing balm for the social stress I didn''t realize I was accumulating. Well, that''s not true, I was aware of it, I just also think I was really hungry. It vanishes into my mouth before a full ninety seconds can pass. Still, my stomach twists a little bit as the afternoon treat goes down, knowing what I do about Liberty Belle and her condition. Is she on some secret mission, or is she just hospitalized? The mind reels. I stare blankly ahead, plastic spoon resting between infinite canines, until a shrill cry pierces the air like a klaxon - "Thief!" Chapter 19.2 It doesn''t take a genius to see which person is being shouted at - the one with a bandana wrapped around their face, having just cut their way through the Rita''s line. "My purse!" The same voice shouts, shrill and yelping like a kicked dog. I''m at my feet in an instant, but Gale''s reaction is faster. She doesn''t even get up, twisting the swirling gyre of air she''s carrying over her head like a prepared lasso and almost hurling it, guiding it with her fingers. The almost-successful purse snatcher suddenly finds themselves faced with an insurmountable headwind, only getting faster the further they try to press into it. For a second, my nightmare vision activates when I see pale skin and a flash of black hair, and I worry that this is one of Jordan''s schemes, but then the bandana is peeled away by the wind, and I breathe a sigh of relief. "Exciting little diversion." I quip to Gale as she stands to her feet, turning the singularly-aimed breeze into a miniature tornado, whipping up dust and small rocks on the street into a whirling dance. The purse snatcher covers their face, presumably to both hide their identity and protect from the wind, while the crowd stands back, watching in awe. I fish around in my belt for a zip tie. Gale and I communicate wordlessly, a form of non-psychic telepathy born from zip tie drills performed together after our first encounter with Mudslide and Safeguard. The wind drops, and when the thief attempts to dive out of it, they meet me instead of empty sidewalk, tackling me to the ground. I let out a puff of exertion as my spine and the back of my head meet concrete, relaxing the rest of my body and lifting my neck to minimize the impact, rolling into a backwards somersault. For once in my life, I do feel like I''m about to do cool superhero shit. "Geroff me!" The - male - thief yells. While I tangle my arms around him in as firm a bear hug as I can manage. I finish the somersault and land on top of him, trying to avoid the very present urge to bite or punch and instead grabbing for his wrists, getting one in the zip tie. Gale lifts the two of us an inch off the ground, and I manage to wrestle his squirming arm into the zip tie before pulling it shut. "Alright, now let go of the nice lady''s purse before this starts getting-" I start, trying to sound cool, before a loogie meets the side of my mask. "Fuck off, you can''t detain me. This is a kidnapping." He barks, like I haven''t been told what to say in this exact situation. "This is a citizen''s arrest, and we have the right to hold you here until the proper authorities arrive," I repeat, just like I had been taught. Gale twirls a strong enough wind to rip the purse free, at the expense of a couple of receipts and coupons. "Now are you going to sit still or am I going to have to put on my scary face?" I say, putting on my best snarl and baring my mouth full of sharp, glinting teeth. The color all peels off the man''s face instantly. Gale lowers us to the ground, and for good measure, I zip tie the guy''s ankles, but not very tight. Tight enough, but, you know, I don''t want to cut his blood flow off or anything. Stealing a purse is not a hand chop off tier crime. Or a foot chop off one, for that matter. I notice someone recording with their phone and flash them a peace sign, along with the least threatening smile I can muster. "Can you at least get off me before you start gloating, you fascist?" The thief shouts. "Fine," I answer, rolling off of him and standing up to my feet. There''s a sore spot on my tailbone, on my back, and just a little bit at the back of my head, mostly cushioned by my hair and good falling technique. "You just tried to steal money from a civvie, I don''t think you have a stone to throw in this glass house. At least be cool and try to steal from a bank next time, Robin Hood," Gale quips, tugging me back with a little burst of wind. The crowd meanders its way back into its original position, like this is just another day in Philly. Well... I guess it probably is. The lady that almost got purse snatched approaches us with a peaceable look on her wrinkly face, almost serene, her dark skin buffeted by a layer of steel wool hair. "A thousand little thanks, you two, God bless, God bless you." She says, bowing a little at the waist with every recitation. I sit back down on the bench, grabbing the thief by the shoulders and hoisting him up so he''s not lying unceremoniously on the sidewalk, and can at least put his head up on the bench. "I got 911," Gale tells me, her phone already pulled out and dialing. She steps away, shoving herself a foot into the air and a foot backwards, sound eaten by the swirl of wind around her. I hand the purse back to the lady, along with her coupons, and she squeezes me into a surprisingly strong hug and a kiss on the cheek. "Just in a day''s work, ma''am." I try very hard not to stammer, blushing. "I''m sure it is, darling. And you, the nerve of trying to steal from an old lady, your momma should have put the fear of God into you!" she says, turning from me to the thief, while I haul them up onto the bench entirely. Their previous position looked uncomfortable. "Just leave me on the ground, man, I''m already getting lectured by an old lady." He says from behind a stream of elderly invective. "Already gonna be the worst day of my life." "Come on, I''ll give you a little more dignity than that." I reply, trying to give him some kindness. "And another thing-" I hear from the bepursed woman, while the thief spits at me again. I take a step back, avoiding it, and resist the bubbling, evil voice in my head that tells me counterviolence would be extremely justified at this point. "Fuck you. Don''t look down on me." He growls. "Hard not to from up here. You alright, miss?" Gale jokes, gently floating back down to earth. "The police will be here in, like, three minutes to ask some questions and wrap things up around here." "Fascist." The thief repeats. "Do you even know what that means?" Gale retorts. "Yes." The thief says, refusing to elaborate. The old lady winds up like she''s about to swat him on the head with her purse, but I lock eyes with her for a moment, and she lowers her hand. "Well... I guess I''ll just wait here until they come then, yes? Can I get you two anything?" She asks us. Gale and I glance at each other, before I reach down, grabbing the thief''s yellow bandana, and stuff it down their pocket. "No thank you, ma''am, we''re just doing our job." I answer for the two of us.
Gale and I arrive back at base through the front door airlock, a whoosh of air-conditioning greeting us like the embrace of an old friend. We exchange a look, a nonverbal language born from weeks of partnership. We grab spare clothes, hit the showers, change out back into our civvies. We strip off our masks and costumes, revealing the teenagers beneath the metaphorical capes. I tuck my Bloodhound persona into a locker, watching as Gale does the same with her equipment. "Man, I could use some of that tea they keep hidden in the break room," Gale mutters, more to herself than to me. "Not a tea fan myself. Too bitter." I reply, probably too low to be heard. The door behind us swings open, and Puppeteer strides in, wearing exertion on her skin. She surveys the room, her eyes fixing on me behind her domino mask, which she peels off slowly and deliberately. "What''s the matter, Puppeteer?" I ask, trying to read her face unsuccessfully. The only thing I can see is the same thing I saw in Rampart earlier - alienation, murder in her eyes. "What aren''t you telling us?" she fires back, cutting straight to the point. I flinch, like I''ve just been struck, trying not to look guilty. Gale senses the brewing storm and floats over, like a referee entering the ring before a particularly brutal match. "Hey, let''s not start something here--" "Start something? Liberty Belle is out there, unaccounted for, and Bloodhound here seems to know something we don''t." Puppeteer interrupts. Her tone has a serrated edge to it. "Wandering around abandoned factories, catching glimpses of criminal groups just by happenstance that we''ve been trying to track down for months. I don''t think you''re a turncoat, but you''re hiding something. And you and Di-Belle, there''s something you''re not telling me. I''m not stupid." "And what makes you think I''m the keeper of her secrets?" I snap back, my voice rising to meet hers. "Do I need to have a reason to be out at night? I didn''t realize you were my mom. Do you want to put a tracker on my phone next, too, so you can keep watch while I''m taking a shit?" Gale interjects, attempting to fill the room with a gust of cool air--metaphorically and literally. "Enough. We''re all stressed. Let''s just--" "It''s not about stress," Puppeteer interrupts again. "It''s about trust. And right now, I don''t trust you, Bloodhound. I have an ounce of respect for you, especially given your age, but I don''t trust you. And it''s making me not trust Belle, and I don''t like that feeling." This tale has been unlawfully lifted from Royal Road; report any instances of this story if found elsewhere. "Then go talk to your shrink about it. Whatever beef you have, it''s got nothing to do with me," I shout back, trying to keep the heat out of my face. My vision feels blurry and red at the edges, because I know she''s right, but Liberty Belle trusts me with her secret. I can''t betray that. "Oh, it''s got lots to do with you," She says, as I try to brush past her, over to my locker. She grabs me by the forearms with her strings and keeps them just taut enough that I can''t move without pulling and squeezing. "Pup, enough," Gale snarls, the wind whipping up in the room, sending a stack of papers twirling into the air like a halo around Puppeteer''s head. "You think you''re so special, so above this. 14 years old, youngest inductee to the team. Even Gale''s turning sixteen in a month. Your power is shit. Your entire body is designed to take lives. You have all the apprehension power of a bullet to the thigh. You''re clumsy. You''re not up to physical par. You still can''t even complete a fucking baby-ass obstacle course. You can''t even throw a punch. How come you get invited to the junior cape club? There''s nothing special about you," Puppeteer lectures me, every word laced with weeks of built up venom and resentment. I can feel it in her throat, in her mouth, the way her strings are tightening around my skin, threatening to cut. "So how come you''re here, all buddy buddy with Philly''s Favorite-?" "I said enough!" Gale shouts, thrusting her fists forward, then up, yanking Puppeteer into the air, nearly slamming her head against the ceiling. I go up with her, dangling with my feet centimeters from the ground. "Put her down or I''m going to make you wish you put her down," she threatens, the air pressure growing constricting around the two of us. I feel like I can''t breathe, but I don''t know if it''s from Gale''s powers, her howling winds pulling the breath from my throat, or from anxiety. I feel Puppeteer''s strings relax around my arms until I slip out of them completely, dropping that one centimeter down, and I lurch out of the gyre, coming to a stumbling rest on one of the lockers. "I could kick the two of you to the curb. Put me down, now," Puppeteer seethes, her voice ice cold. I try to catch my breath, still blurry, my ears ringing. The wind cuts out, and she drops to the floor, landing gracefully even in her boiling anger. I can''t see her strings directly, but I can see the way all ten of them distort the air, hovering around her like snakes, getting ready to attack. "Whoa, whoa, whoa, what''s going on here?" Playback shouts, elbowing his way through the gymnasium door and then stopping when he sees the latticework of distortion in the air, inches from running into it. "What''s all the fuckin'' yelling about?" I can see in his face the self-restraint required to not crack a joke about this. The rest of the team follows up, filling the other wall of the room. "Oh, look, it''s the cavalry. You''re saved from having to explain yourself another day," Puppeteer snidely remarks, withdrawing her strings with the quiet whirr of a tape measure retracting times ten. "Just be young and naive enough to everyone around you and you''ll never have to take accountability for anything." "You''re out of line, Puppeteer." Playback mutters. "What''s that? Speak up, you mutinous little shit. You gon'' tell me I''m out of line on my team?" Puppeteer says, her voice completely even and cold. "I said you''re out of line! I don''t know what bug''s gotten up your stuffy ass the past month but you''ve been acting like a cunt to everyone." Playback replies, louder, more forcefully. "Watch your mouth-" Rampart starts. Playback whips around so hard his beanie falls off, revealing a shaved head of hair crisscrossed with white scar lines and bald spots. "Shut your ass up, fool. She just tried to chokeslam Bee. Your stupid fucking professionalism is gonna get someone hurt." "Guys, stop," I try to mumble, but it barely comes out. Saliva floods my mouth. "Hey, I know. Let''s get the opinion of the guy who can literally see the future. Hey, Crossroads, am I as insane as everyone is making me sound, or is Bloodhound here hiding something from us?" Puppeteer says, her voice teetering between shouting and screeching and even-handed monotone. "I''m not fucking stupid. Unlike Bloodhound, I was trained in detective skills and deductive reasoning. I didn''t have to luck my way into a scholarship because I have, what, blackmail material on Liberty Belle? Did you walk in on her fucking someone''s husband?" Puppeteer''s voice loses composure, and her strings whip into me, slamming me against the lockers. My head whips back, slamming into cold metal, and my vision goes star-filled for a second. There''s a tangle of unidentifiable voices all shouting at once, and I feel the wind picking up. "ANSWER ME!" "I can''t-" I choke. Rampart''s armspan reaches out, getting between Playback and Gale and Puppeteer. "Pup, this is way uncool," Gossamer whimpers, like a kicked puppy. Puppeteer''s eyes dart across the room, before locking in on Crossroads. "Say something," She orders. "Or do I need to polarize it more for you?" Crossroads'' eyes are glassy and slightly tear-filled. Puppeteer yanks a coin out of someone''s purse - I don''t know whose - sitting on one of the benches, and withdraws it into her hand. "Here. Heads, I kick her out unless she tells me. Tails, we all go home and sit on it for a day. Read it," She says, flipping the coin in the air before Crossroads can even attempt to protest. His entire body is shaking. I know he knows. I know in some future I''ve probably given up the ghost, and he can see that, and he knows the secret. I can tell by the way he''s staring at Puppeteer''s feet, while the coin dangles in the air. Blink squeezes his arm and Gossamer steps back, terrified. Everyone is too stunned, too scared to speak. I feel the resistance in me dying. "I''ll tell you." Playback steps out from under Rampart''s arms, locking eyes with Puppeteer. She snatches the coin out the air and flicks it back into its purse without even looking at what the result was. "So, does everyone know what''s going on here except me? Because last I checked, the leader is supposed to-" "Shut the fuck up. I said I''ll tell you," Playback says, not moving his gaze from her for a second. "Stop being so fucking snippy about it, first off. I know because I''m a nosy bitch and I heard shit I''m not supposed to. Everyone else here is as confused as you are. Except Bee, I guess." Puppeteer''s fists are shaking. When she turns to me, it''s the first time I''ve seen her face in five minutes, and it''s ugly, streaked with tears and smudges in her makeup, snot running from her nose. I didn''t even realize she''d been crying. Her eyes are red and puffy. "Just tell me," She whispers. Playback opens his mouth up and sounds come out like music from a record player. Coughing, then hacking, a wet belch. An annoyed grunt, and Liberty Belle''s voice. "Playback, I know you''re here. Stop stealing my voice. Playback!". Then, emesis. In between wet sounds that cut out like a skipping record, "Don''t you -- to vom -- without hearing -", and then silence for an uncomfortable minute. "Promise? Stop that, I said, do you pr-". Playback shuts his mouth. He wipes a little bit of saliva that was collecting at the corner of his lips. "She''s sick, Pup. I''m sure Bloodhound could smell the blood in her," he says, solemnly. "I don''t know what she''s sick with. I''m sure Bloodhound knows more than I do. But you don''t need to torture it out of us. This... This whole stunt really fucking sucks, man. This sucks. You suck." Puppeteer laughs bitterly between sniffles. "Are you mad at me because I''m right? The two of you were hiding something from me, and now we know what it is. So she''s sick, and the price she paid for Bloodhound keeping her secret was, what, a pity spot?" "Stop it," I croak. "She came to me. She said I had a useful power, and didn''t want me getting recruited by bad guys before I got older. That''s it. I promise." "I don''t believe you," Puppeteer says, whipping back around to me. "But it''s whatever. I have the gist now. And now you''re all going to hate me because I seem like a psychopath. Even though I''ve been busting my balls, trying to keep this city handled while my sponsor decides to just vanish and everyone else is too busy investigating some two-bit gangsters while letting every other neighborhood go to shit, and she doesn''t even give me the courtesy of telling me why. This is just rich. Like a kid getting mad at their parent because they got caught stealing cookies." "Oh, are you going to punish us now, momma?" Playback retorts, folding his arms up defensively. "Of course not. Positive and negative punishment both aren''t effective for behavior control. Maybe if I was kept in the loop the first time, we wouldn''t have had to have this big stupid fight, but it''s its own punishment. I''m not going to kick you guys any more than I have," she replies, sighing. Gale''s hand comes to rest on my shoulders supportively, pulling me off the locker I was leaning on. "Just... go out, keep picking trash and shaking hands with babies. I''ll go and keep tying up muggers ''til four AM like I have been. You kids stay on easy street. Just pile it on me. That''s fine." "I caught a purse-snatcher today," I mumble. "Hmm?" Puppeteer asks, wiping her face, smudging her makeup even more. "Gale and I caught a purse-snatcher today. I did everything by the book. I even landed like you taught me when he tackled me. Otherwise I probably would''ve hit my head really hard on the sidewalk," I repeat, with a little more force. "That''s good. I''m proud of you," Puppeteer says, and despite the past ten minutes, I can tell she''s sincere. She''s not a hiding sort of person. She runs her hands through her hair. "Sorry I''m such a cunt." "You should be," Playback says. I can tell Puppeteer feels truly, really defeated, because she doesn''t say anything in response. She grabs her mask with some strings, and winds it back around her face. "Yeah. I''m gonna go back out on patrol. Y''all enjoy your afternoon." "No," Crossroads says, drawing everyone''s attention. "Go take a nap." Puppeteer looks at him, blinks a couple of times, and starts laughing. "Fine. Y''all better pick up my slack." "We will," Crossroads says again. Puppeteer finds the nearest bench, crawls on it weakly like a sick dog, and shuts her eyes. Gale squeezes my shoulder a little bit. Within seconds, the air is filled with the quiet sounds of her snoring.
"I''m not going to press charges, dude," I repeat, towel over my shoulders like a blanket. Puppeteer is still a room or two away, down the hall, sleeping uncomfortably on a bench. The computer room makes for a useful getaway in times like these. "Buh-- Wh--" Playback sputters, hands flying outward with wild gesticulations. "She assaulted you, man," he whispers, harsh and sharp, jabbing his finger towards me. "She could''ve seriously injured you. I''m not saying you gotta report her to the cops but you can''t just... let her get away with it? Gotta do something." Gale squeezes my shoulders, having remained mostly silent. She continues that streak. "Look, call me stupid, but--" I start. "Stupid," Playback interrupts. "Sorry." I wave a hand dismissively. "I appreciate that you''re worried. And that you feel strongly about this. I plan on telling one of the adults, maybe Bulwark. Or, I don''t know, Mr. Davis. And they can do whatever they feel is appropriate. I just... need a day or two to meditate on it. I don''t feel right. She''s clearly hurting, too." Each sentence comes out clipped, short, as I half-complete each thought. "She''s not a criminal, man. The woman who hand-picked her is secretly dying and let the newbie know before her. I..." I try to put myself in her shoes. It feels like a vice grip being squeezed around my temples. Would I be mad in this situation? I don''t know. "This whole situation is wack, dog. You''re too forgiving. Shit like that''s gonna get you killed one day," Playback replies, upset on my behalf, brow knit into an expression of pained concern. "We''ll cross that bridge when we get to it," I reply, looking down at my shoes, weary. Chapter 20.1 School was its usual mix of stimulating and mind-numbing. Math continued to be a chore, a puzzle where I had to assemble numbers instead of fun colors and shapes. English class featured a discussion on ''The Catcher in the Rye,'' and the teacher asked if anyone felt like Holden Caulfield sometimes-like they''re on the outside looking in. A few students raised their hands, and I considered doing the same but didn''t. Last time I raised my hand in class, someone cracked a joke about me, and the teacher didn''t even say anything about it. Not to say that anyone bullies me, because, like... That''s just not a thing anymore. At least, not where I live, there''s nobody getting stuffed in lockers or shoved to the floor like in the 80s movies. Nowadays, what you''re most at risk of is someone finding your friend group''s forum or IRC and starting a nasty gossip chain. Lunch was the highlight of the day. The cafeteria buzzed with conversations, laughter, and the occasional shout. I sat with Jordan and their crew of ''weeaboos'', they called themselves. I guess freshmen and juniors don''t typically mingle, judging from the makeup of most of the other tables, but we''re not typical people. We both had these lives outside of school that I was still trying to reconcile with the teenage wasteland we navigated every weekday. They were surprisingly chill about it, stirring their ramen noodles with a kind of intense concentration that probably would''ve been better suited for diffusing a bomb. I remember them snapping a pair of chopsticks apart with a definitive crack, looking up and grinning at me as if sharing a secret. Honestly, it was the first time all day I felt like I could breathe. I didn''t even know we had a microwave in the cafeteria until Jordan pointed it out to me. I guess I''m sort of under their wing now? It feels weird that the first supervillain that was a meaningful threat to me was also now my protector, and the nerdy gaggle they surrounded themselves with, my new, growing friend group. That is to say, outside of Alex, I don''t think I''ve committed any of their names to memory, but I''m sure at some point these people will be the new musketeers, just like the friends I abandoned behind me in the summer and middle school. No, that''s not nice to yourself, Sam. You still hang out with them. You did a couple days ago! But it still doesn''t feel great. The bell that signaled the end of the day brought relief. School was out, and it was time for ''extracurriculars.'' "And she like, tried to choke you with her strings or something? That''s wack." A part of my brain grimaces at how quickly Jordan and I have become friends, given that they were technically my first villainous adversary. But another part, the one that has so often felt alien and disconnected, revels in the strange, imperfect camaraderie we share. Our footsteps - my sneakers, their boots - make soft footfalls against the busted sidewalks of Tacony, a detour along the way to Mayfair. I take a quick picture, a tiny, imperceptible selfie, and send it to my parents as proof that I''m not out "troublemaking" - one of their stipulations for hanging out after school hours. I''m not, like, a hundred percent grounded. But I am a little bit grounded. Maybe a lot grounded. One of these days, my parents insisted, they''d have to meet Jordan, totally oblivious that they''re sort of the reason why I got shot at in the first place. Hopefully, they will never find out. "Not exactly. She just sort of wrapped it around my arms so I couldn''t leave. I don''t think she''d choke me even if she got really mad, I don''t think she has, like, the bloodlust in her for that. She''s not that kind of crazy," I reply, remembering the look in her eyes. Terrifying in the moment, but, upon reflection, more a look of desperation than one of fury. Desperation to know the truth. I was scared pissless, but at no point in the encounter did I think my life was in danger. "Interesting. So she''s the control-freak dictator kind of crazy who has to know everything," Jordan quips, the tails of their long, black duster flapping in the chilly wind as we head toward the abandoned Tacony Music Hall-our makeshift ''base of operations''. "Well, she''s severely overworked. I mean, I''ve had days when I had to juggle five different assignments for school, help Jenna with one of her school projects - across Skype, mind you - and then go on patrol for two hours. I was a wreck by the end of it," I offer, my feet crunching over scattered gravel and bits of glass that litter the pathway. "She''s juggling college, I assume, and patrolling basically the entirety of Center City by herself in the wee hours of the morning. And some of Drexel, too. I couldn''t do that." "No wonder she calls herself ''Puppeteer''," Jordan scoffs. "Do you know how she activated? Maybe it''d give a little insight as to those control-freak tendencies of her." "Something gymnastics related, I think. But I never asked. We''re like... not on a friend relationship yet, just coworkers. Or I guess boss and peon," I reply, looking around at the crumbling buildings around me. "You know what a peon is, right?" Jordan rolls their eyes. "Yes, I know what a peon is. And whatever her problem is doesn''t excuse her acting like a dick to you. She should take it up with Liberty Belle." "Thats what I thought, but, I mean, I guess she can''t, can she? I don''t mind if she needs to vent her frustrations on-" I start, looking away from Jordan, only to be spun towards them at high speeds by strong hands. "Don''t you dare finish that sentence, you dumb little martyr. If she''s having problems, that''s what we have therapists for. You are fourteen. She is, what, eighteen, nineteen, twenty? It''s not your responsibility to be her punching bag, dumbass," Jordan lectures me, taking on the most serious tone I''ve ever heard from them in our entire couple of weeks of knowing each other. "I have a lot of responsibilities! That''s what being a superhero is all about, it''s being responsible," I say, wiggling out of Jordan''s grasp easily. It helps that, unlike Puppeteer, Jordan isn''t really trying to hold me anywhere, and I guess just wanted me to look them in the eye. Jordan rolls their eyes again. "Let me guess, with great power comes great-" "Don''t you dare finish that sentence," I interrupt, rolling my eyes but unable to suppress a smile. "I''ve heard it enough from my Pop-Pop." "Your what?" Jordan asks. "My... dad''s dad," I answer. "Your grandpa, is what normal people call it, Sam," Jordan says in between chuckles. "My Pop-Pop. His name is Moe and he''s the smartest person I''ve ever met," I reply, putting my hands on my hips and puffing my cheeks out dramatically. "Whatever, daddy''s girl. Anyway, you can''t expect to run a group of hormone-fueled teenagers with varying degrees of trauma and not lose your marbles," they retort, a smug grin finding its way onto their lips. "I guess so," I pause, "but don''t you think she deserves some slack? Especially when she''s running on fumes? I mean, the girl''s cracking under the weight, and we''re the bricks. And how come you''re so sure we''re all traumatized? Rampart and Gossamer all seem perfectly well-adjusted. Most of the time." "Slack is for sweaters and gym ropes, not for leaders." Jordan hums thoughtfully, an annoying habit they''ve picked up whenever they want to appear contemplative. "Also, everyone gets their superpowers by nearly dying. It''s, like, the only way to get them. Show me a superhero who doesn''t have some sort of trauma and I''ll show you a liar." As we turn the final corner, the dilapidated facade of abandoned music hall looms ahead. What was once a grand edifice now stood as a crumbling monument to better times. Jordan and I had made it our den of mischief-well, their den initially. I was the recent, and somewhat unwilling, addition. "Fine, but if you''re so dismissive of her, what''s your great solution? Got a miracle fix for our fraying leader?" I press, my curiosity getting the better of me. The smirk on Jordan''s face widens, a mischievous glint lighting up their eyes as they pull out a crumpled pack of cigarettes, tapping one out and placing it between their lips. "Like I said - therapy. Maybe some antipsychotics and some Camden weed." "Don''t light that thing up; you know how I feel about smoking," I grumble, but the annoyance is superficial. I mostly just don''t want them smoking around me. "Aww, you care," Jordan mocks, tucking the unlit cigarette back into the pack and re-pocketing it. "By the way, little upgrade that just got done in between our misadventures - there''s a lock now. Here''s your key." They toss me a small key stamped out of whimsical, dog-patterned material. "How''d you get a lock put in? You... You don''t own this building, Jordan," I ask, exasperated. "I know a guy," Jordan replies, taking out their own key, twisting it in the front door, and kneeing it open. "Come on, what did you expect? A straight answer?" Stolen novel; please report. "Lead the way," Jordan gestures toward the grand staircase, its worn-out steps covered in what appears to be a new, somewhat less dusty carpet runner. As I ascend, I note the cracked chandeliers overhead. They''re not working, of course, but there''s a string of battery-powered LED lights taped up along the railing. "Classy," I murmur. "Wow, I can actually breathe," I say, taking in the clearer air as we step onto the second floor. It''s still a derelict dump, but now it''s a derelict dump with cleaner air. Jordan grins, waving a hand toward another flock of humming dehumidifiers. "I aim to please, or at least to not asphyxiate my guests." "But still aiming to infuriate them?" I point out, spotting the series of motivational posters plastered haphazardly across the peeling wallpaper. "Seriously, ''Hang in There''? Did you steal that from a guidance counselor''s office?" "They''re vintage," Jordan insists, almost convincingly. We step into the main hall, and it''s as if Jordan has transformed the place into an actual, somewhat habitable lair. I survey the main space. It''s... homier, if you squint. More couches, all mismatched but none overtly disgusting, have joined the seating arrangement. The carpet has been beaten into submission, or maybe even washed. Fold-out tables bear new trinkets: a stack of comic books, a mismatched set of dishes, even a potted plant wilting in the half-light. "Did that plant just move?" I ask, eyes narrowing. Jordan shrugs. "Either it''s possessed or just suffering from lack of photosynthesis. Your pick." "Great, a demon plant. What''s next, ghost rats?" "Don''t joke, I''m still trying to banish them. Call for help! I need Ghostbusters!" I look around again, thinking how this place is a true testament to the teen aesthetic: ''If it''s functional and I didn''t pay for it, it''s fine.'' Still, the effort''s apparent, and oddly comforting. "What, no big screen TV for watching Saturday morning cartoons?" I quip, inspecting a foldable table with what appears to be a selection of snacks-chips, some soda cans, and even a plastic container of homemade cookies. I assume they are from someone else, because I guess Jordan doesn''t seem like the type to bake. "Working on it," Jordan says, shooting me a look as if I''ve just issued a challenge. "I''ll have you know, I''ve got top-tier connections for all your entertainment needs." "Do those top-tier connections also tell you where to acquire a collection of aromatic candles?" I point to a cluster of lit candles sitting atop an old fireplace mantle, their soft glow complementing the shafts of sunlight. The air possesses a mystifying array of scents, none of which complementing the other, all forming together into a vaguely floral, tea-shaped mass in my nostrils. "Ambience is everything." Jordan''s eyes meet mine, daring me to question further. I decide not to, instead setting my newly acquired key on one of the tables. Then, I second guess myself and shove it into my pocket. "So, why are we here? Just to admire your domestic skills?" Jordan snorts, flopping onto one of the less-suspicious couches and gesturing for me to join them. "As fun as it is to bask in your awe and admiration, we''ve got something that needs doing. A local nuisance called the Coyotes. Ever heard of them?" "Coyotes? Like, the animal?" I ask, bemused as I choose the sturdiest looking armchair across from Jordan. "I didn''t realize we were animal control, now." "No, you dunce. They''re a local gang. Little more than kids running around causing mayhem. Graffiti, vandalism, theft-you know, the usual. They stole my weed. Twice. It''s about time someone taught them a lesson." I raise an eyebrow. "And you think teaching them a lesson will make our lives easier how, exactly?" "Puppeteer''s stressed because she''s running all over Philadelphia putting out fires with no help. If we take some of the smaller problems off her plate, maybe she''ll have more time for group therapy or a suppository, whatever she needs to pull her head out of her ass," Jordan explains, while I pinch the bridge of my nose, trying to resist the allure of what they''re proposing. "So, we''re becoming the neighborhood watch now? Is that it?" I ask. "Because that''s what they have cops for." Jordan scowls at me. "Hey, Sam, fun fact slash wake up call time - cops are useless and do not care about this shit. Much less this neighborhood. Why do you think there''s even a ''youth gang'' to talk about? North, Northeast Philly, we''ve been abandoned by the cops, and the only thing we''ve got are local capes. Think of it less as neighborhood watch and more as neighborhood intervention." "Yeah, well, neighborhood intervention doesn''t usually involve beating people up," I retort, trying to sound casual, but a part of me -- the part that loves a good chase, that thrills at the thought of sinking my teeth into danger -- flares up with interest. Uncomfortable interest. "People don''t just start doing crime for no reason. Maybe we can, I don''t know, get them an outlet?" "Sam, you''re a superhero. Isn''t that what superheroes do? Keep the peace, protect the innocent, beat up bad guys? Sure, the Coyotes might not be on the same level as bio-terrorists, but they''re not innocent. And what sort of outlet, you offering to be their punching bag, too, you masochist?" Jordan lectures, folding their arms over their chest, kicking their feet up onto their couch. "But what makes us qualified to be their judge and jury? We''re kids too, Jordan. They''re kids. They need, I don''t know, a social worker. CPS!" I reply, exasperated. "You''re so naive, Sam, it''s insane. Do you know what CPS does to kids in broken homes?" Jordan asks, folding their arms up tighter. "They just put them in worse, even more broken homes. Or the Child Services person comes to investigate, and the mommy puts on a good face for a day and says to the kid, if you say anything, I''ll lock you in the basement and beat you, and nothing gets done. I love that you see the world as it ought to be, but we have to handle the world as it is. We have something that CPS and the Coyotes don''t-" "-Power?" I cut them off, my voice rising. "That''s not a good enough reason to go knocking heads." Jordan leans forward, resting their elbows on their knees. "Look, I''m not saying we go in there like it''s some video game rampage. We can start your way, go in with the talk-no-jutsu, convince them to give up their graffiti-spraying, smash-and-grabbing ways. Best-case scenario, we scare them into behaving because you have giant fuckoff shark teeth and I''m tall and intimidating." "Scare tactics," I snort. "Great." "And if that doesn''t work, I can make their hideout so small, they''ll have to hold their meetings in a shoebox." I look at Jordan, contemplating the risks. The Coyotes are just kids, not some bloodthirsty criminals-yet. And there''s a possibility we might get in trouble, not just with the law but with our own people. Diane wouldn''t be thrilled, and my parents? Best not to go there. Plus, there''s always the possibility that we just make things worse. But really, I''m just looking for reasons - fishing for good reasons to not get in a fight with someone, struggling with everything I''ve been taught as a child and the reality of what appears to be an increasingly growing sense of bloodlust. I really don''t like it. "Okay, let''s say we decide to do this," I start, my voice tinged with a combination of dread and curiosity. "What''s the plan? Hypothetically speaking, of course." Jordan leans back on the couch, steepling their fingers as if savoring the moment. "Simple. We find them -- already done that part a couple of days ago -- and then we have two routes. We either talk them into backing off, or we... encourage them to rethink their priorities." "''Encourage them''? That sounds dangerously close to intimidation," I roll, leaning back against the couch''s armrest. "You mean beat them up, right?" "Isn''t that the whole point of wearing a costume and taking on a moniker? People find ''Safeguard'' and ''Bloodhound'' a lot scarier than ''Jordan'' and ''Sam''. Hopefully we won''t need to beat them up. Like I said, your big fuckoff teeth are a great motivator. Just say some stupid confident shit like you did before when you lied to that dude''s face about wearing a wire." Jordan replies, shrugging their shoulders. "Look, Sam, sometimes fear is the best motivator. We''re ideally not going to hurt them, just show them that their actions have... bigger consequences than they might''ve thought." "And what happens when those consequences come back to bite us in the ass? What if one of them also has ''the potential'' and their powers manifest right then and there?" I reply, trying to think out the consequences myself, trying to give myself reasons. Jordan pauses, contemplating my question. "Do you think we''re gonna beat one of them up so bad they''re close to death? You don''t, like, have to bite people. Haven''t you learned how to throw a punch yet? Besides, if we do nothing, the status quo remains, and is that really better?" "I''m not saying we do nothing, but you know, there''s a difference between proactive and reckless," I shoot back. "And there''s a difference between caution and paralysis. You can''t make an omelet without breaking some eggs, Sam. You want to be a superhero? Here''s your chance - beat up some baddies." "That''s what people say to justify all sorts of messed-up stuff, Jordan. I can''t decide what''s... good and evil. That''s not for me." Jordan scoffs. "Spare me the moral relativism, Nietzsche. These guys steal, they cause trouble, they smash up the windows of local stores and rob them at night for drug money. Everyone in the neighborhood hates them. They group up on young ladies and harass them. If we can''t pick a target this obviously bad then what are you even here for? Picking up dog shit and throwing away litter?" I look away, conflicted. On one hand, Jordan''s plan could seriously backfire, pull us into deeper trouble, or compromise our already shaky standing as heroes-or villains, depending on who you ask. On the other hand, they''re right; I could really use a win, a straightforward problem to solve, a purpose that cuts through the incessant noise in my head. "Look, I get it. These guys are a problem," I finally say, forcing the words out, trying to pick each sentence carefully, every word, every sound. "But, G-d, Jordan, what if we go down a path we can''t return from? What if we become what we fight against?" Jordan leans forward, locking eyes with me. "Then we''ll have each other to pull us back from the brink. That''s why we''re in this together, right? To keep each other in check." I look into Jordan''s eyes, seeing not just the excitement but also a certain kind of desperation. It''s the same feeling that often keeps me up at night -- an insatiable need to do something, anything, to break the monotony, to feel like we''re more than just the sum of our questionable decisions and unrealized potential. I think about my family, about the kind of hero I want to be, the person I want to become. I weigh these monumental aspirations against the immediate reality: a group of punks who think they own the neighborhood, who have never faced real consequences. My entire body feels tense, like a coil about to snap. I''m sure if you caught these Coyotes on a good day they''d be just some other kid. Maybe I wouldn''t have to dress up in a costume and try to scare them straight. But I don''t have any street smarts, woefully isolated from real life myself, someone who''s never known pain and consequence until one horrific day last spring. "Alright," I exhale, as if letting go of a burden I didn''t even know I was carrying. "I''m in. But if this goes south, we pull out immediately. No escalation, no grandstanding. We go in, deliver the message, and get out." Jordan''s grin broadens, an electric kind of triumph lighting up their face. "You won''t regret it, Sam. I''ll be careful, promise." "Yeah, well, your version of ''careful'' usually warrants a trip to the ER," I roll my eyes, throwing my backpack around and beginning to extricate (that means ''take out'') my costume from it. "Don''t watch me get changed." "And your version of ''careful'' usually involves brooding over every decision like it''s a life-or-death game of chess. We balance each other out," Jordan replies, turning around and away from me. "Let''s go teach some Coyotes to howl a different tune." Chapter 20.2 As the sun dips below the horizon, painting the sky in shades of twilight, Jordan and I make our way towards the Tacony-Palmyra bridge. We navigate through the labyrinthine streets, the tension mounting with each step we take. We''re dressed in our respective costumes, masks securely in place, identities hidden yet laid bare by the intentions we carry. My jawpiece clacks when I take a particularly firm step, while the shadows wrap around Jordan like an old friend, hiding their figure in the gloom. We reach the abandoned road that once connected Route 73 to the bridge, a relic of urban neglect, its only occupants now the delinquent Coyotes. The atmosphere is thick with the stench of gasoline and the polluted Delaware River, a testament to the decline this area has seen over the years. The underpass looms ahead like a dark cavern, its mouth spray-painted with a kaleidoscope of graffiti-tags, crude drawings, and coded messages that serve as territorial markers. Messages, symbols, and abstract shapes dominate the space, each layer a testament to a subculture that has declared its existence here, in this urban blind spot. We pause at the edge of this forgotten space, hidden in the gathering darkness. This is the point of no return; stepping forward means we''re committing, for better or worse. We step into the underpass, each footfall echoing as we descend into the Coyotes'' den, ready to teach them that some territories aren''t theirs to claim. Our footsteps crunch against the gravel and debris scattered on the ground, blending with the ambient sounds of distant traffic and the lapping of the Delaware River''s murky waters against its banks. It''s a symphony of urban decay, the broken asphalt and concrete creating a harsh backdrop to the natural river that once nourished this land. As we inch closer, I notice a circle of light emanating from beneath the underpass. We spot them -- five figures clustered around a cheap plastic poker table, like moths to a flickering flame. The table is awash with cards, some face up, some face down, and a scattering of crumpled bills and loose coins and plastic bags. Each of them is absorbed in their own world -- some engrossed in the poker game, others flicking through their phones with detached interest. The one who catches my eye most vividly is a man who seems like he''s straddling multiple worlds at once. His skin is a pale canvas covered in ink; tattoos wind their way up his arms and neck, disappearing into the cornrows that sit atop his head, incongruous against his light skin. His chest, displayed prominently through an open track jacket, features a tapestry of more tattoos, with names and imagery intermixed at seemingly random. Plus, I''m too far away to really read them right now. The getup is completed by soccer shorts and glaringly orange sneakers. As he leans back in his chair, the wind chime earrings that adorn his earlobes catch what little light there is, creating a small glimmer, a spark of light like a fire. The four others around the table are a mix of varying skin tones and features. One has curly hair and an oily, visibly greasy skin tone alight with olive and tan, lazily flipping a pocketknife in one hand. Another, with lighter skin and freckles, seems engrossed in a mobile game, his thumbs dancing across the screen. The third is bronze-skinned with striking cheekbones, scrolling endlessly through social media, while the last, darker-skinned with a sharp nose and tight cornrows, seems to be the dealer, distributing cards with a bored expertise. Their attire mirrors each other loosely - black top, black bottom, and bright, orange (the fruit) orange (the color) shoes, garish and violent and flame-like. All five are united in their oblivion, eyes glued to their poker game or phones, unaware that the boundaries of their reclaimed kingdom are about to be contested. "That''s Aaron," Jordan whispers, gesturing towards the one with the wind-chime earrings. "He''s what passes for a leader for these sad sacks." I nod silently. "Ready?" Jordan asks. I nod again. We halt at the fringe of their territory, hidden by the encroaching night. A silent exchange of glances with Jordan affirms our mutual resolution. We are intruders here, certainly, but perhaps also catalysts, ushering in a change that this stagnant corner of the city might just need. With a final, measured breath, we step fully into the underpass, letting our footfalls announce our entry into the Coyotes'' den. And so begins our gambit, an interplay of fear, respect, and the audacious hope that we can redefine the rules of this forsaken place. Our footsteps are loud, announced, unhidden now. I''m not sure if the gravel they set out was an intentional choice or not, but it certainly makes for an effective anti-stealth coating - I can''t fathom a way anyone who''s groundbound could approach this place without being noticed. I puff my chest up a little, flattened under my armor padding. I tighten my fists. I steel my resolve. Jordan stands closely behind me, clicking their white helmet into place, the rest of their figure totally hidden underneath their cloak. How they manage to maneuver so elegantly in what must be two inch platform boots is a mystery to me, because the one time I tried wearing their shoes I fell over near instantly. I shake my head to myself, trying to clear the distractions from my head. Shoes stacking on, Jordan is at least a head and a half taller than me, but I''m still my 5''6¡å self, even in cleats. Not exactly the picture of intimidation, especially with my visible femininity. I''m not stupid. I know what I look like. "Cards down, boys, it looks like we have visitors," I can hear Aaron say, his voice a little nasal, a little rough. He picks up a lit cigarette from an ashtray and leans back in a plastic lawn chair, straining the legs while we let the light cast its way over us. I watch Jordan looking around. "Try to get them between the overpass pillars," Jordan whispers. "My powers only need four contiguous surfaces. The pillars, the ground, the overpass bottom." I don''t visually acknowledge their instructions. Instead, I keep my hands by my sides, fingers balled up in tight little sushi rolls. Aaron stares at the end of his cigarette for a moment, puts it between his lips, takes a drag. All the other Coyotes turn their attention towards the two of us, in varying states of disbelief. Then, the laughter comes. Aaron''s cigarette nearly falls out his mouth, his ear jewelry rattling as he almost falls out of his chair with deep, throaty cackles. The other Coyotes join him near instantaneously, braying like hyenas. I try not to let it get to me. I try not to let it get to me. I try, and fail, not to let it get to me, feeling my cheeks go warm with embarrassment. The author''s tale has been misappropriated; report any instances of this story on Amazon. "Aren''t you two kids a month and a half early for Halloween? This spot''s taken. Go play in traffic," The greasy one says, flicking his knife at us and gesturing it towards the nearby bridge. I glance around without moving my face or head, trying to take stock of what''s available to me. Wooden crates, milk crates, all stocked with flammables, and the charred remains of a dozen past fires. Outside the underpass, a single storage container, like the kind they put on ships doing international shipping, and a beaten up looking Ford F150 covered in amateurish hot rod flames clearly spray painted on. The backside looks beaten up, with chains and padlocks dangling off it, and the front isn''t too hot either. I assess the Coyotes for guns, and breathe a sigh of relief when no stance appears to indicate one. That, of course, does not mean that I''m not about to get shot. It just lowers the likelihood. That''s okay, though. I can handle getting shot anywhere but the head, I think. I hope. "Yeah, I see the storage container too," Jordan whispers, as if reading my thoughts, their voice distorted into a low buzz by their voice changer now that it''s been switched on. "What are y''all, deaf? Beat it. This isn''t a place for girls in costumes," Aaron repeats, gesturing his cigarette towards us. I feel his piercing stare, and my body continues to heat up - I''m already getting uncomfortably sweaty in my costume. "I mean, at least one girl. Too young for me though. Look, no tits at all on her," The greasy-skinned one chimes to his buddies, reaching underneath the table. There''s a rustling of metal, and I feel my heart pulse a little harder as I see him withdrawing a pipe from below the table, covered in dark brown stains. "Tits, tits, tits, that''s all you think about, man. What about the ass? Turn around, mamacita, let''s see what you''re packing!" The dark-skinned one says, lazily shuffling his deck. He removes one hand to make a swirling motion with his fingers, like he''s beckoning me to turn around. I stand still, trying not to let the goading get to me. Just waiting for my opportunity to get a word in edgewise. "Hey, I don''t think you can say that anymore, man. Like, packing. I''m pretty sure that''s like... a gay thing or something." The only other white one - I''m guessing - besides Aaron says. "Man, shut the fuck up," Aaron cuts in, backhanding him, not hard enough to hurt but hard enough to draw a wince. I turn my head to the right, watching as the space between the two pillars Jordan and I are standing near starts to swell and stretch. "Look at her. She''s like, twelve. Y''all wanna go beat up a twelve year old for me?" "Hell no, dawg. That''s a no from me," the dealer says, and I take two steps forward. I hear crunching behind me, one step from Jordan. It makes sense for them to hang back a little bit - their power is better at range, and I''m the stronger of the two of us, the one with more fighting acumen and athleticism. We''ve already talked this over. "Not gonna beat up anyone''s ankle biter. Just light her on fire or something." "Dude," Aaron sighs, staring up at the bottom of the overpass, looming overhead. The electric lantern on the table flickers, just a little bit. "Okay, look, you understand that most people will see ''lighting someone on fire'' as a much worse offense than, like, scaring them a little with a slap or two, right? Like, tell me you understand that. That the fire is worse. You get it, right?" "Naw, man. Punching''s worse," the dealer replies, nonchalantly. "You light him on fire then. Her, whatever," Aaron challenges. "Naw," the dealer replies. "Look, they aren''t even going anywhere. They''re just fuckin'' staring at us. You really need to scare off some second graders? Let''s just clean out their lunch money." "Yo, ladies! You wanna play some fucking Texas Hold''em?" the greasy one says, gesturing his knife in our general direction. "How you know that other one''s a lady? It''s just dressed like a fuckin'' funeral, man. Could be a dude," the dark-skinned one cuts in. I take another two steps forward. "Or just a fatty," the greasy one retorts. "Which''d be even better." "Weirdo," "Or a ladydude," the other white one says, seeming a little too excited about the concept. "Man, shut the fuck up," Aaron repeats, slapping him again, twice this time. "Fucking weirdo. Jesus. You need to stop looking at those fucking porn comics, dude. They''re rotting your head." "''ey, what''s going on?" the bronze-skinned one finally says, looking up from his phone. "Oh, fuck, when did those guys get there?" Aaron sighs, slumping into the poker table until his forehead makes contact with the plastic. "Yo! Lady one and two! Are you going to fuckin'' say something or just stand there like a bunch''a fuckin spazoids?" "Go play in traffic, kids," the greasy one repeats. I hear Jordan sigh, stepping out in front of me. "Coyotes!" They yell, their voice electronically distorted into a thick rumble. They pronounce it with two syllables - coy yohts - which sounds a little off to me, but I''m certainly not gonna say anything about it. I realize, with a sharp twist of fear in my throat, that I''m about to lose the ability to talk these people down. If that was even a possibility in the first place, of course. "Coyotes, dumbass. Kai-yo-tees. Say it right," Aaron interrupts, pronouncing it the way I''m more familiar with. "Coyotes," Jordan repeats. "You''ve been terrorizing this neighborhood for too long with your fuckin'' antics. That stops today. No more graffiti-ing, no more catcalling, no more muggings. No more of your filth in this town''s veins. You can either do the right thing and pack your shit up for some place that wants you more - maybe Camden - or we''ll make you pack it up. Bridge is right there. That piece of shit junker car still works, right?" I feel my entire body shaking. I can tell that Jordan''s been practicing this speech - for what, days? Weeks? Months? Either way, I feel embarrassed by my freezing up. My having-nothing-to-say. I''m supposed to be the real superhero of the two of us, and Jordan''s here making the cool speeches, not me. I have totally lost the plan - the idea that we can talk these people down. I blew it. I froze up. I don''t like the idea that some part of my body froze up on purpose. So I discard it, clenching myself all the way up, getting ready for a fight. The Coyotes all turn to us now, unified in purpose, like a pack of starving dogs. All traces of good humor have been wiped from their face, replaced with only the sort of viscous malice that a spurned authority figure could wear. These people aren''t used to anyone not just rolling over for them and showing their bellies. I can just smell it in the air. They''re not used to being talked back to. "Ay, can someone repeat that for me?" The bronze-skinned one says, standing up and slowly ambling over to their pick-up truck. They shout loud enough to be heard, as they pull chains loose, wrapping them around their fists, letting them dangle. "Because it sounds to me like some pissy little brats think they can roll in and play superhero in our neighborhood. In our turf! Surely that''s not what they''re saying, right?" Aaron remains seated, flicking his head to the one with a pipe already prepared, the greasy one. He flashes a grin and gets up, thumping his pipe against the table, jostling a bunch of plastic chips around. "No, no, I think we heard them correctly. Why don''t you two go and teach these little ladies a lesson in manners?" Aaron orders, holding his cigarette and lighting it up between his closed palms. I step out in front of Jordan. I bare my teeth, sharp and bright in the unnatural light, and watch them recoil, a momentary flinch from all involved that gives me the tiniest bit of satisfaction. "I''m the Big Bad Wolf, and this neighborhood is under my protection. Get out before I bite your dicks off." WORLD OF CHUM: Superhero Insurance UltraShield Insurance: Because in a Superpowered World, Ordinary Coverage Just Won''t Cut It!

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From the Civilians

From the Heroes

From Businesses Big and Small


The Superhero Insurance Racket: Why UltraShield and Others Are a Problem for All of Us

By Jay White, for capebusters.com

Hey CapeBusters readers! Jay here with some thoughts that have been bothering me. Look, we all know that the rise of superheroes has changed the landscape of our daily lives in more ways than one. Among the many industries that have adapted (or perhaps mutated?) to suit this new reality, one stands out as particularly troubling: the superhero insurance market. Paying Bulls to Rampage in China Shops I get it; when buildings are being toppled by metahumans, insurance becomes crucial. But isn''t anyone else concerned about the moral hazard? Take UltraShield, the behemoth of superhero insurance. Their Civilian Plans offer "tailored villain packages" based on whatever super-threat happens to be in your neighborhood. At first glance, this sounds good, but let''s dissect this. By creating financial products that basically hedge against specific kinds of superpowered mayhem, these companies may inadvertently incentivize that very destruction. Think about it: if a hero knows their collateral damage fees are covered, what¡¯s to stop them from going all out? In essence, this creates a market where it''s profitable to have an unstable environment, teeming with ¡°cape fights.¡± We are effectively paying the bulls to run rampant in our societal china shop! Are Those Add-Ons Necessary, Or Just a Way to Milk Us Dry? UltraShield loves to boast about their "area-specific add-ons." From "Sonic Boom Protection" to coverage for properties stuck in villain-created stasis fields, it''s like an a la carte menu for chaos. But have we considered the costs? These hyper-specific add-ons don¡¯t just affect the premiums of the people who buy them; they contribute to an overall rise in insurance costs for everyone. Now, in a country that already struggles with skyrocketing healthcare and insurance premiums, do we really need this extra layer of financial burden? It''s almost as if UltraShield and companies like it are capitalizing on public fear to inflate prices. Lack of Regulation: The Dangers of Hands-Off Governance You all know me - I''m generally not one to advocate for more government intervention, but if we have a government, shouldn''t one of its primary responsibilities be to protect its citizens, and especially their property? Especially when said citizens are living in an age where people fly around in capes and shoot lasers from their eyes? The lack of regulatory oversight in the superhero insurance market is astonishing. With so much at stake¡ªpersonal property, public safety, and massive amounts of money¡ªit''s mind-boggling that we haven''t demanded better oversight of companies like UltraShield. I can''t help but feel that the industry has successfully lobbied to keep the regulatory wolves away from their door. So, while the market grows unchecked, citizens are left vulnerable. If there''s ever been a sector in need of some government guidance, this is it. Limited Competition: The UltraShield Monopoly We all know how monopolies work: one giant entity dominates the market, stifling competition and setting sky-high prices because, well, who''s going to stop them? UltraShield has rapidly become the NetSphere of superhero insurance, gobbling up smaller firms or driving them out of business. In many parts of the country, they''re the only game in town. And as we all know, limited competition breeds complacency and drives up prices. Consumers are left with few choices, and the prices reflect that lack of competition. While the free market can often regulate itself, what we¡¯re seeing here is a mutated form of crony capitalism, where the consumer stands little chance of getting a fair deal so that the fat cats on top can line their pockets with their ill-gotten goods. We need more players on the field to keep things honest and drive premiums to a reasonable level. Data Privacy: The UltraSight Analytics Conundrum Data is the new oil¡ªor gold, or whatever precious resource you want to compare it to. UltraShield''s "UltraSight Analytics" claims to offer a sophisticated risk assessment, but what data are they pulling, and from where? And once they have that data, how securely is it stored? In the age of cyber-attacks and data breaches, the storage and protection of personal data should be of utmost concern. Moreover, given the sensitive nature of the information¡ªspecifically tailored to super-powered incidents¡ªone has to wonder what other entities might be interested in that data. Could it be misused for surveillance or profiling, especially against certain heroes or even civilians who find themselves frequently at the center of these incidents? Until we know more about what UltraShield is doing with this data, how it¡¯s protected, and who has access, there''s a looming risk of misuse that could have far-reaching implications. At the end of the day, while the idea of superhero insurance may seem like a practical necessity in our supercharged world, the current market practice is fraught with problems that need immediate attention. And, hey, I¡¯m not saying insurance is bad; I¡¯m saying bad insurance is bad. It¡¯s high time we scrutinize the role and operations of UltraShield and others in this dubious market. What are your thoughts? Sound off in the comments, and let''s continue the conversation. Chapter 21.1 "If that''s how it''s gonna be, let''s show these kids what happen when they mess with the big boys," Aaron jeers, flanked by the dark-skinned and the light-skinned Coyotes while the other two amble towards us, gravel crunching underneath their feet. The dark-skinned Coyote reaches out to grab the pocketknife abandoned by the greasy one, pulling it into big, sausage-like fingers, while the white one looks around, mystified. I watch Aaron, maybe a little too long, almost missing the fact that a pipe is currently being swung at my face. I lean backwards and it whiffs, but I feel the rush of air in front of my face, I hear the whoosh, and consider for a moment how close I came to what would''ve undoubtedly been an instant concussion. I glance to my left. One of the pillars holding up the overpass above us, formerly a tall cylinder, has been stretched out into what''s more like a pill shape, indicating the familiar twisting and churning of Jordan''s powers. Who was once inches from my face is now feet, then yards, the two of them running at me like they''re stuck on a treadmill. "Boss, they''ve got fuckin'' powers!" The bronze-skinned one yells, straining to get close to me, huffing and puffing as the space continues to stretch and stretch out. It''s almost comical, if not for the fact that he''s trying to hospitalize me. "No shit. They''re also twelve," Aaron shouts back. "Use your fucking heads! Go around!" Jordan glances backward, their hands raised, fingers splayed, while I get into the best fighting stance I can manage. I remember everything Rampart taught me, to the best of my ability. Sure, I should be getting into a martial arts style right now, but what I drilled before the Brazilian Jiu-Jitsu training was an hour of punching and kicking a sandbag until my knuckles and shins hurt. I tense my entire body up. I feel my nostrils flare. "Snap it back, Safe. I''m ready," I say back to Jordan, just loud enough for them to hear me, while the bronze-skinned one vanishes behind the stretched out pillar, breaking line of sight. I''m only a little bit surprised to see him swinging around the other side, much closer to us now, seconds later. "Whoa," he says, visibly double taking, while Jordan steps closer to me, turning around, back to back. He shakes his head, steadies himself, and starts charging again. The world snaps back into place. Now haggard and panting, the greasy one is suddenly in my face - but I''m ready, and my shin makes contact with his side, sending him reeling a step or two back. He wildly swings with a pipe, missing me by feet, while I hear the rattling of chains getting swung behind me, feel them just dip into my hair for a moment. "This is the only axis I can work with, Wolf!" Jordan yells, as I catch them ducking and bobbing and weaving like a boxer. A slow, clumsy boxer wearing platforms, but it''s a much better outing than our first fight in the Walgreens. It seems like they''ve been practicing just like me. I push down the feeling of pride, not conducive to short-term survival. The bronze one grunts at Jordan''s clumsy fists landing into his ribs and gut, and then wraps his chains around their wrist, beginning to twist and pull and squeeze. Jordan''s voice takes on a high pitched, shrill timbre, shaped through their voice changer. I hear their wrist creak. "Eyes on the prize, wolfie!" The greasy one yells, their pipe colliding with my torso. The padding on my costume eats most of the force, but it still hurts, and I swat him away, swinging twice for his face just to make space. "Get off of me!" Jordan yells, trying to swing the larger man around. I take three steps back and grab for the chains, ducking down and torquing the bronze-skinned one over my shoulder, throwing him down on the ground - he lands with a quiet thump and bounces maybe half a centimeter, the wind forced out of him. "Make some space. I got this," I tell them. "You cannot handle a two on one, much less the five on one this is about to turn into," Jordan replies, voice wheezing through their filter while they rub their wrist. "Watch me," I growl, ushering Jordan back with my arms. They sigh, and the space swells once again, filled with duplicate gravel that crunches into dust peals underneath my feet, space once again made - with us at the edge, and the miscreants at the center, unable to just escape out the back again. "Can''t you use the walls of the underpass?" "Oh, right, duh," Jordan replies, getting their hands out in front of them. "If I cut across two axii then I start getting exhausted. I''ll have to collapse this one if you want me to pinch them." "Just cover me," I reply. "Keep them from hitting me." My hands form into fists, digging my fingertips into my palms, and my teeth clench up hard enough to hurt. I harden my body in preparation for being struck. Jordan steps back, and I put myself at an angle to see as they leave the space between the two pillars. Now outside of what their power considers a "closed space", the world snaps back again, and I''m ready faster than they are. I throw a punch, a quick jab to the chest, and send the greasy one reeling back, wheezing. I lean in close and throw a second punch to the same spot, and then a third, ducking underneath a swung chain and getting in close while it collides with the greasy one''s face. The bronze-skinned one lunges for me, and missteps over Jordan''s powers, stumbling into my knee as I drive it into his stomach. My back sings with pain as a pipe collides with it from the side, coming in perpendicular to my spine - that means it''s making a plus shape - and I spit out air. The chain holder''s fist collides with my face, impact enhanced by the wrapping of rusted, heavy metal, and I reel sideways into the greasy one pulling back and swinging again. This time, it strikes right across my shoulderblades, and I thank Gossamer in my head for all the padding in my armor, turning what would''ve easily been a bone-breaking swing into just a painful thump. I duck under an oncoming left hook and for a moment consider sweeping my leg. But, while looking cool, the killjoy in my head says that''s a bad idea, so I just grab the greasy guy by the ankle and yank, pulling him off his balance. He skids for control against the gravel, and with my lower position, I immediately go to punch the bronze-skinned one in the balls. I feel them against my knuckles. Gross. He goes stumbling back, coughing and spitting and yowling like a wet cat. Jordan puts more space between them and I so I can catch my breath, while a cloud of duplicate-dust swirls around us, nobody able to determine what gravel is about to disintegrate underneath them and what''s the real stuff, the kind that sucks to get thrown on. I wipe spit from my mouth against the back of my other hand. I look back towards Aaron, and notice too late that one of the goons is missing. I whip my head around. "Safe, behind you!" Jordan ducks back just in time to avoid a switchblade or a pocketknife or whatever the fuck catching the bare edge of their cloak. Thankfully, it does its job - preventing the dark-skinned guy from getting a bead on Jordan''s center mass, and they slap their palms against the guy''s ears before kneeing him in the balls. Jordan makes space sideways across the underpass, which keeps the bronze-skinned guy away from me, but doesn''t do anything for the greasy guy pulling himself up from the ground, groaning. "What kind of fucking Coyotes do you think y''all are? You can''t beat up two fucking middle schoolers?" Aaron screams from the sidelines. "They''ve got fucking karate training, man!" The bronze-skinned one whines, his voice half an octave higher. "She got me in the fucking balls, Aaron! Kill this bitch!" If you spot this narrative on Amazon, know that it has been stolen. Report the violation. "Fucking pussies," Aaron sighs. Something in the air feels wrong, which is all the notice I get before a nearby crate, or what used to be one, bursts into flames. It''s immediately consumed in a bright yellow fire, sending off a plume of smoke that starts to waft over the bronze-skinned one. I am distracted by the fire just long enough to get smacked in the ribs with a pipe at full speed. I grab his wrist, pray that Jordan can handle the other one without me, and pull him in close, jabbing my knuckles into his armpit. When he stumbles past me, his own momentum and weight and pain carrying him further than he intended, I sweep my shin into his knee, causing something to pop - and he buckles. "Get the fucking... Get the fucking cape one! You fucking dumbasses!" "No you don''t," I growl, turning around and bounding over the gravel towards Jordan. Out of the smoke emerges the bronze-skinned guy, swinging his chains over his head like he''s trying to lasso a cow, zero finesse, zero skill. He may be bigger, but I''ve been playing soccer for a while - and I''m faster. I lower my head and dive into him, turning myself into a human spear and hurling all hundred-twenty-five pounds of me into his stomach. My tackle pays off, sending him grinding against the gravel, ripping open his shirt from the back. I get on top of him, just like Rampart taught me, and pin his arms down with my knees. Out of the corner of my eye, I see Jordan fencing for position with the dark-skinned guy, as he pokes more and more holes in their cloak, each one a near-miss. Jordan''s palm smashes into his nose, and a sudden gush of blood wakes up my own, nostrils twitching to life despite their lack of proper use with my powers. It just feels right - to open up and smell the metallic air. "Safe, the fire!" I shout, before turning my attention back down to the struggling, squirming guy beneath me. He''s trying extremely hard to get up - it shouldn''t be that hard to remove a fourteen-year old girl from on top of you - but I''m stopping him from using most of his leverage with my knees and hands, grinding them down into his joints. He gasps and breathes in pain, and I turn my head just too late, getting clipped in the shoulder by a recklessly swung pipe. I try to hold down the fort, but my sudden jerking makes it child''s play for the bronze-skinned one to wrench me off, hurling me away. I curl up and roll with it, using my heels to stop most of my momentum, shaking gravel out of my costume. "A little busy!" Jordan shouts back. I reach down, grab a fistful of gravel, and hurl it at the encroaching two, just to distract them, to get them to flinch. The air is rapidly filling up with uncomfortable smoke, but I don''t need to look to see where the knife-wielder is - I just turn around and grab his wrist mid swing, pulling myself underneath his arm and beginning to bend his elbow the wrong way around. "Now get the fire!" I shout, wrenching his hand, getting my feet inside his own. My front is pressed up against his back now, like I''m holding him hostage, pulling his arm in all sorts of ways that G-d never intended arms to move in. His fingers shake as he clearly tries to retain a grip on his knife, and Jordan turns back, clapping their hands together. Suddenly, the two pillars squeeze together, and the burning debris vanishes, leaving a solid wall of concrete cylinders and blocking Aaron and the last remaining lackey from view. "Drop it and I won''t break your arm," I growl to the dark-skinned guy. He drops the knife. I stomp on it with my metal cleats, and then I stomp again with my heel, shattering it. I let go of his arm - I don''t know, to prove some sort of heroicness - and shove him forward into Jordan. "Watch it!" Jordan yells, stepping out to the side and shoving him towards the two charging goons. We''ve got everyone back in front of us again, and when Jordan unsqueezes the space, the debris is totally extinguished. "Oh, shit, I didn''t know I could do that." "Cool, great discovery, let''s get this done," I growl back, not able to stop the affect from leeching into my speaking voice now that I''ve turned it on. Aaron stares daggers at us, before looking up at the underpass. "Hey! Fuckface! Are you gonna back up your boys or just let them get their ass kicked by a couple of middle schoolers?" "Working on it, shithead!" Aaron yells back, still staring upwards, lackadasically. I hear him when he lowers his voice, but just barely - "Go help them, dumbass." The white guy gets up from his seat and reaches under the table to grab... Another knife, I can tell from the glinting. God damnit. "I can''t believe you guys are all losing to a baby girl like this. Embarassing showing for the Tacony Coyotes," Jordan taunts, while the three active combatants pant and wheeze, blood flowing down the dark-skinned guy''s nose and around his lips. "Eat shit and die," The bronze-skinned one hisses, glancing around. "Where''s the fucking gun?" "It''s in the truck, homes," The dark-skinned one says - and before I can even tell them to, Jordan is bolting, running faster than I thought someone who was wearing platforms could possibly run. "Yo, Aaron, you gonna help yet?" The greasy one says, while the bronze-skinned one and Jordan both race to the pick-up truck. "I''m helping," Aaron says, continuing to stare at the beams holding the underpass up. The greasy one lets out a grunt of anger, smashing his pipe against the ground, kicking up gravel. I put out a hand, fingers together, thumb in my palm. I pull my fingers closer to me, all at once, and then do it again. The universal signal. "Bring it". Do I think I can take three men at once? Absolutely not. Just so we''re clear. But I can''t let them know I don''t think that. They all approach as a pack, spreading out to circle me, while I''m flanked by the two concrete pillars. This place was a road once, decades ago, and now it''s just a battleground. I take stock. Dark-skinned guy is on my left, bleeding, while the white guy is to my right and the greasy guy is coming straight up at me. I turn towards the latter two, able to feel the other one in my periphery from his bloody nose. I can tell he thinks he''s being sneaky, because he''s moving slow, further and further behind me, trying not to crunch on the gravel. The other two both come in, basically forming a right angle, with me at the corner. The one with the pipe lags a little bit, so I head towards him, lowering my head to duck under his telegraphed swing. Boxing stance, one fist in the stomach, and then I just drop to the ground at the guy with dark skin swings over me, clearly trying to get me in a bear hug. I roll backwards and then start to scuttle as the greasy guy swings his pipe and cracks the guy with dark skin right in the chest. Then, a knife skids across my arm, clearly flung, twisting end over end and landing in the gravel. It mostly bounced off, but I feel the shallow cut blooming with blood, the sudden distraction of my own vascular system blossoming into my mind''s eye. I roll over sideways, to get on my belly, and then shove myself off the ground, aiming to shoot towards the white guy who just threw a knife at me and missed. "Dawg, how''d she fucking see me?" I hear from my side, as I go sailing off into the white guy''s knees. Unlike the other times, this tackle doesn''t work. I can tell before it''s even over - he stands his ground, squares his hips, and reaches down to grab me by the belly, yanking me up. I try to get my legs around his neck for some kind of leverage, but all I hear is "-watch wrestling?" and then the ground rises up to meet my skull. I pull up, getting it to crunch against my significantly more padded neck and shoulders instead, but it still hurts, electricity crackling through my veins and joints and nerves as his piledriver lands. I hear laughing, and too stunned to move, just shut my eyes for a second, feeling the bleeding one getting closer. I go slack. "Yo? I think you just killed her, dawg," the voice I recognize as the greasy one says, tapping against my head with his pipe. No, I''m not dead, but I''m certainly going to play it. "Look, she''s not moving." I hold my breath. I hold it without taking a big inhale beforehand, and it starts to hurt within seconds. "Oops. Oh well," The white guy says, dropping his grip on me. I let my weight just pull me on the floor. "Yo, Aaron! We killed the wolf bitch!" Dark-skinned guy is looking away, back towards Aaron. I can only hope this means the rest of them are, too. I hear Aaron call back. "Well, crack her skull to make sure and then dump her into the Delaware. How long have you fuckers been doing this for? You should know what to do by now." I jerk upwards, bring my teeth to bare against greasy guy''s ankle, and bite. I feel a bone, or maybe a ligament, tear underneath my teeth, and the taste of blood, salty and chrome, quickly floods my mouth. I jerk away before I can tear a chunk out, and then twist upwards while the greasy guy starts screaming, dropping his pipe. No use saying no to a free pipe. I grab it, do a sit-up, and while everyone else is yelling, swing it at the white guy''s knee, then again, and then fling it away. I twist out from underneath them and ignore the loud noises, scraping up what blood I can collect from the almost-closed cut on my arm and swiping it against his pants just to mark him. There - three out of three. In the distance, I hear Jordan''s unmistakable voice. "Go fish!" "She bit me! Crazy bitch bit me!" The greasy guy wails like a baby, blood spilling out onto the gravel, marking his path for me. "With those fucking teeth! Call a fucking doctor, Aaron, this isn''t funny anymore!" I make some space while they''re busy yelling at each other, and see just the tiniest silhouette of something being flung into the Delaware. It hits the surface, imperceptible over the screaming. "You fucking idiots, it''s just two fucking girls!" Aaron screams back, getting up from the poker table, slamming it, chips rattling. "You said you were gonna help, man! I didn''t sign up to fight no fucking capes!" The greasy guy screams back, while the white goon doesn''t even seem to have noticed me marking him with my blood - only that I''ve scrambled away. "I am helping, fucker! Stand back!" Aaron shouts. My blood runs cold. The overpass collapses on top of me. Chapter 21.2 It''s really hard to describe just how loud something as big as an overpass, even a section of it, collapsing. And it is a small section, really, only a boulder of concrete and what I can now recognize are the twisted, melted metal struts supporting it. I don''t have time to take in all the details, but the metal looks charred at all the extremely important spots, like it''s been set on fire numerous times, already bent and buckled, and something Aaron just did was the final straw for it. That is to say - I spend more than enough time staring at it that I forget to move. My last thought, embarassingly, is something like "Man, that''s a big fucking rock". Then, it vanishes. Jordan, audibly wheezing through their voice filter, squeezes the space just enough to totally disappear the falling chunk of overpass, the world buckling at an awkward angle. It has to have been at a diagonal, since the hole in the overpass would break its continuous-ness, and for a moment, I''m impressed. Then, I remember that there is still a rock falling on me even if it''s temporarily elsewhere, and I scramble towards Jordan, trying to block them from getting tackled by three guys at once. No, one of them is still freaking out over his ankle - two guys at once. No, wait, I forgot about the bronze-skinned guy, back to three. I scramble towards Jordan, trying to block them from getting tackled by three guys at once. I don''t need to see them - the bronze-skinned one is bleeding from his nose, from what, I''d love to know - so I just grab Jordan by the hand and keep running. "Keep the pooch busy! I''ve got something for the other one," Aaron shouts, finally getting up from his seat at the poker table and shoving his hands in his pockets. My heart immediately drops, as I prepare to pull Jordan down and shield them with my body from incoming gunfire, but nothing of the sort happens. No bullets, no explosions, and not any more dropping chunks of overpass. Jordan lets out a held breath, and the falling piece of overpass crashes back into the ground, manifesting back into reality at the exact spot it left. "Here, puppy! I''ve got a present for you!" The white guy chimes in, grabbing his knife from the ground - stupid me, I forgot to smash it or take it. I just keep running, dragging Jordan along with me until we''ve got space made again, resetting everything back to neutral ground. For a moment, the adrenaline dips, and I feel the pain of the several pipe whacks and punches I''ve taken. I''m just glad nothing has hit me in the head. "I''m out, dude," I hear the greasy one yell, hobbling over to the poker table. "Where''s the fucking first aid kit?" "You alright?" I ask Jordan, bending over and panting to catch my breath. They''re wheezing and gasping for air after the trip I just dragged them through, but I can''t see or smell any cuts, so I have to assume no real harm''s been done. "How do you run so fucking fast?" Jordan hisses between breaths. "I play sports, dude. And I''m not wearing platforms." "Whatever," Jordan quips, turning back around, hand on their hips. "Come on, you fuckers! We''ve barely got a scratch on us! You can''t even win five versus two?" They shout, cupping their mouth through their helmet. "Hey, look, tweedle-dee and tweedle-dumbass. You know kung fu, ooh, scary!" Aaron shouts, his voice getting quieter as he shoves his lackeys aside and steps within speaking distance. "It''s my fault. Sorry, fellas, I''ll get you some dog meat to make up for it. Should''ve known not to send a bunch of boys to do a man''s job." "What sort of man just sits back and lets his goons do all the fighting?" I ask, meters away from Aaron. He fixes his eyes on me. "The kind that wins," Aaron replies. He narrows his gaze, and my arm bursts into flames. Immediately, I''m throwing myself against the ground, having had "stop, drop, and roll" drilled into me as a kid. Aaron swivels his head towards Jordan, and the air begins rapidly filling with the smell of acrid smoke. I should''ve realized at the previous spontaneous ignition that he has some sort of fire power, but, stupid dumbass me, I didn''t put two and two together. "He sets shit on fire!" I yell, pointing out the obvious, as I swipe gravel from my extinguished arm. "Good job. Now suffocate and die," Aaron snarls, as Jordan''s cloak lights up. Jordan runs forward, stones crunching underneath their boots, and throws the smoldering cloak onto Aaron, who stumbles back, trapped in it. It writhes with his every movement like some sort of fucked up bird, burning bright with a sharp, yellow flame, the air reeking of sulfur fumes. "Jesus Christ. When did you get a superpower?" Jordan mumbles, while I pat my aching arm. Thankfully, the burning was only across my costume, and didn''t really penetrate to the skin, but, ouch, being set on fire hurts. Ironically, it feels more cold than hot, but the patch of skin feels raw already, like it''s been rubbed down with sandpaper. "Get this fucking thing off me and get those cunts already!" Aaron roars, ripping the cloak off of him. Unlike us, he looks totally unmarred by the fire - which makes sense. I can''t really poke myself in the gums with my own teeth. I imagine it''s the same way. He stomps on the cloak while the other three combatants charge us. "Alright, you fuckers, let''s Oldboy this shit," Jordan calls out. What comes next is a blur, a haze of motion and action and instinct. These guys have all fought on the streets, where you can swing at someone hard enough and they''ll go down if you''re the stronger of the two. And they''ve watched movies, judging from the way they''ve squared up and started trying to imitate my already piss-poor boxing stance. But I don''t know if they''ve ever fought someone that fought back before, or if they''ve ever fought someone that gave them this much trouble. I don''t think they''re used to it. I can see the caution in their faces. I open my mouth and watch them flinch. I taste the blood from the inside of my teeth and try not to swallow, unsuccessfully. They''re scared of me now. As they should be. A fist comes at me and I don''t take the time to register who it''s from, only that I can smell their blood. I hear the sound of a boot connecting with someone''s leg, firm platforms clacking against bone, and I duck from the punch, aiming back to jab them in the jaw, sending them reeling. Pow. I lean in close, step in, and knee them in the crotch again, pow pow, the bronze-skinned one stumbles back, grabbing for his junk. "What is it with this bitch and going for the nuts!" "I told you-" I start shouting back, only to be met with the searing pain of a knife swiping through my mask, easily cutting through the flimsy plastic and chipping into my cheek. The white guy''s hand cocks back and he swishes back at me, so I step into him and grab his swinging arm, while cold warmth blooms across my face. I anchor up and press, and he starts yelling as I apply pressure to his elbow joint, just like with the other guy trying to get me with a knife. I watch as the pillars in the distance dance and split with Jordan using their power to dodge around blows, and I keep the pressure on the white guy''s elbow. He manages to flip the knife around and nick me under-handed, which startles me enough that I let go. He swipes again and catches me by the shoulder, cutting another gash through my costume, and then the ground ignites underneath me in a plume of yellow fire. I stumble back, trying not to get lit up, and Aaron shoulder rams me in the ribs, sending me soaring down to the ground. I land and roll backwards, remembering my training everywhere in my body, in my muscles, in my bones. "Fucking freak," Aaron growls, fixing his gaze on me. The white guy gets in between me and Aaron, trying to stab down with the knife, trying to stick me good, but I lurch forward and grab for his legs, wrapping my arms around tight. His jacket ignites, and Aaron tries to swat him out of the way, but I''m holding him fast. I feel the knife stick in my shoulder. I have to tell you, getting stabbed is a lot less of a pleasant sensation than I assumed it would be. The pain is a lot less than I thought it would be, but the loudest thing to my ears is just the overwhelming feeling of wrongness, my shoulders clenching up around a foreign body that isn''t supposed to be there. I can feel every inch of the switchblade inside of me, and just how much my body wants it out. I lunge forward and slam him down onto the ground, onto Aaron, sending the two of them onto the gravel, smothering the fire between them. I grab the knife, reaching back, pulling it out, feeling the blood come. Nobody''s ever taught me what to do with a knife, but I trust my body to handle it, even as it starts screaming, the icy-cold sensation of pain flooding my shoulder at its removal. I bend down, nick the white guy on the palm, and then I reach past him, kneeling on his hips, and do the same to Aaron, before putting the knife between my teeth and biting. The narrative has been stolen; if detected on Amazon, report the infringement. The metal tastes sharp in my mouth. I spit it out, shards and broken plastic. I bite the handle in half, for good measure. Jordan kicks the dark-skinned guy onto the heap. "I told you. I''m the Big Bad Wolf, and I''m going to bite your dick off," I seethe out from between my teeth. "Burn," Aaron replies, and I realize that I''ve been making eye contact with him for too long. I clench my eyes shut and pain shoots through my face as I can only assume my eyelids have been ignited, or maybe my eyelashes, but I slap my palms over them and the cold pain ends, leaving only the world''s most high-power itch. It''s really, really not good. The world exists around me only in a haze of blood and darkness. I keep my eyes shut, stumbling backwards, all the blood scattered across the gravel giving me a cursory view of the ground around me. Fuck, that hurts. "You''d blow up a girl''s eyes?" I ask Aaron, watching him get up through my blood sense. "Brutal," "I''d pop a cap in you if your boyfriend didn''t throw my gun in the fucking Delaware," Aaron replies, cold as ice. I get my fists back up, watching the five bodies meander around, getting back up from the ground. I try to shut out my sense of sight, try to turn it off from seeing the inside of my eyelids, so that I can focus on the blood. I can''t see Jordan, but I can see everyone reacting to them, watching the guy I bit scrambling at the poker table and then collapsing. "I don''t think that''d work either, Aaron," I reply, charging him. He doesn''t turn around fast enough, and my good shoulder rams into him by the ribs, but he''s big enough to stand his ground and just grabs me by the hair. "You''ve got guts. I''ll give you that much," "You''re so cliche," Jordan drawls, and I see movement, watching as the group is separated across Jordan''s powers. "Where''s the fucking first aid kit?!" The greasy guy screams. He gets down underneath what I imagine has to be the table, but he''s in the wrong spot for it. "Where''s all this fucking dust coming from?" Aaron swings me around like a gerbil in a sock, lifting me up by my hair, dangling me. My scalp screams in pain, and somehow this hurts more than the being stabbed thing, or at least hurts a much sharper pain, a much brighter one, that ripples over my head. I hear a fwoomf, and assume something''s burst into flames. I see Aaron''s hand reaching out and then stop, bumping up against something, fingers curving - around Jordan''s helmet. Then, he swings the two of us together like coconuts, and I can almost hear the comical donk of our heads colliding. The world gets spinny, and he swings his arm before letting go of me, sending me rolling around in the bloody gravel. It gets in several of my cuts, my scrapes, my stab wound, rubs up against my burn, and then I feel more flames wash over me, an encompassing chill as my costume is ignited. Immediately, my lungs scream in protest. "Wolf!" Jordan yells, their boots crunching the gravel as they charge at Aaron. I try to say "look out", before someone''s shoulder rams into Jordan, sending them into the ground right next to me, but I''m busy being set on fire. I roll around in the dirt, the gravel, the Delaware-stained muck sitting just underneath, the dust from Jordan''s duplications surrounding me in a thick, unbreathable haze, and I feel stupid again. No. I''m not stupid. I''m not going to die rolling around in the dirt. I rip off my costume. It''s not hard, given that it''s cut in several places and weakened by being set on fire - note to self, ask Gossamer to make the next upgrade fire-resistant. Most of it comes loose, all of my sleeves removed, the fabric around my belly, most of my calves. I swat at my hair and grab a fistful of gravel, now in tatters, most of my padding falling out or needing to be discarded from being set on fire. My skin feels like I''ve been run through a cheese grater. Every part of me screams for relief. I''m left in what''s left of a top, revealing the acres of scars across my belly and side, and what are probably the world''s ugliest shorts, and my cleats, my gloves, my mask. The air smells like rotten eggs and burnt skin. I feel hairless. "Jordan, get us an escape route," I cough, unable to see Jordan with my eyes shut. I can''t even tell where they are or if they''re still with me - Aaron''s deep, bellowing cackle gives me the impression that I just said something stupid. I force my eyes open. They, too, feel like they''ve been cheese gratered. "Look! She''s really just taking her clothes off!" Aaron jeers, pointing and laughing, leaning back with every motion. The bare air hurts, the smoke stings, and every little discarded wrapper, everything flammable nearby has been set on fire, filling the underpass with the awful, vomit-inducing smoke of Aaron''s powers. "Little slut. Let''s put you in the dirt." I don''t reply with words. Instead, I lean back and start screaming, a scream that can''t be expressed between quotation marks, my teeth bared. I rip my jawpiece off and fucking throw it at Aaron''s head, and he fixes his gaze on me, the jawpiece bursting into flames between the two of us. He can only burn what he can see. I don''t bother looking around to see Jordan. I charge, head lowered, pumping my arms, blood spurting out from my shoulder, and hurl the gravel into his face. He takes one step, two steps back, hands up, trying to block me, and I jump up on him and bring my teeth down against his shoulder. Crunch. I don''t savor the taste of blood, but I do savor not dying, the sharp tang of survival. I break something in his shoulder - maybe his collarbone - and he yells along with me, trying to focus his gaze on something he can ignite. I can read him now, like a book. His power burns things when he looks at them hard enough. I swish blood in my mouth, blood and saliva, and I spit in his face, spraying a fine mist of blood over his eyes. He yelps, undignified, and I pull my mouth back, cracking my skull against his. He reels, he stumbles, and he falls on his ass, while I wipe fresh blood from my mouth. "Get the fucking first aid kit!" Aaron shrieks, his eyes screwing up as he tries to force them to remain open. I can see the path of sparks his gaze is tracing as he tries to look at me, so I step on his stomach and then I stomp, so he spits up something, bile rising in his throat. I stomp again, and then step back. He coughs, sputters, and sprays spit out onto the ground. My body screams for relief, and he affixes his gaze to me with nothing but hate. I block my face with my forearms and tank it, feeling them wrapped in the familiar coating of a piss-colored inferno. If he can''t look me in the face, he can''t light my eyes up again. But there''s not much more I can take, my skin crying in pain, so I stomp on his ankle just to get him to close his eyes and start running. The Coyotes bray behind me, shouting insults, shouting fury and death and revenge. "Get back here!" one of them cries. "We''re gon'' fucking get you!" another one shouts, but I can tell, I can smell their stillness. They''re intimidated, and they''re too afraid of leaving their leader there to die. The only thing I can think about right now, as I try to whip and smack the flames off my forearms, is just where Jordan is. They''re not going to leave me. Not yet, are they? I breathe. I duck out into the darkness, where the light cast by the Coyote''s lamps and flashlights can''t travel, and immediately dive into the dirt and asphalt, not even caring as it rips my skin open, just so I can smother the rest of the flames beneath me. I lie there, cold and shivering, the earliest of the cuts having healed but my shoulder in just unbearable agony, the adrenaline starting to leave me, starting to remind me of just what I''ve been through. I try not to cry. I curl myself up into a ball in the darkness and just wait for them to approach and kick me down. I get myself curled up tight, and when arms wrap around me, I don''t reject them. "Shh. I got you. I pulled this corner out. They''re miles away right now, there''s no way they could reach us in time," Jordan coos, my angel in black, wrapping some of their body armor over me - I guess to preserve my modesty. "What a fucking failure," I wheeze out. Saliva dribbles from the corner of my mouth as I rock and twitch underneath Jordan''s touch. My eyes are clenched shut, with nothing interesting to look at in the darkness anyway, and I feel the blood ebbing out of me. Have I overestimated how fast I can regenerate? I must''ve, because the wooziness hits me like a truck, and everything starts spinning. Okay, minor cuts? Go for it, Sam. Fucking stab wounds? Don''t tank those. My head roars like a typhoon, and then something cold and wet presses across my exposed skin, or cold and smooth, some sort of balm or a cream or something. Disinfectant drapes my wounds, something I can tell from the all-familiar rubbing alcohol scent and the sudden chill that rips through each cut, and gauze wraps around me, gauze and padding. "When..." I start to cough, but Jordan shushes me. "I stole one of their first aid kits, el-oh-el. Don''t worry, they have another one in the truck - I just hope they remember in time. Or call 911. Whatever works," Jordan whispers. I can''t sense their blood signatures anymore, so either they''re really all done bleeding, or they''re really all far away, or both. Jordan''s hands feel like icicles over my skin as they patch me back up, nursing me back to health. "I learned first aid because I figured one of us would need to." "Good job," I hiss, shivering in the September evening air. "Thanks. Oh, and it wasn''t a total failure. I''d say we were rather successful, actually," Jordan muses, running a hand through my hair. "You probably scared the shit out of them, and I''m sure they''re gonna talk about the crazy bitch who bit Aaron McKinley''s shoulder. Plus..." I hear rustling, and a bunch of stuff comes out of Jordan''s hands, rolling onto my face. I open my eyes just enough to see stacks of green illuminated underneath Jordan''s phone flashlight, baggies full of weed, baggies full of... other stuff. "I stole all their drugs. And their money." "Jordan!" I hiss, this time not from exhaustion but from anger. "I can''t fucking believe you, dude. Was this-" I pause to cough. "Was this all a game to get their shit?" "No!" Jordan almost yells back, pulling the faceplate of their helmet up so they can look me in the eye. "I''m going to throw all the real bad shit into the Delaware and keep the weed. The money - I''d say half the money is bounty for us, and the other half we can donate somewhere, like good samaritans. Honestly, it was just all by their tables and in the truck and shit, and I didn''t want to leave here empty handed in case we got our ass kicked, so..." I look at Jordan. I blink a couple of times. I''m trying to read any sort of deception or deceit, but I can see only perfect sincerity in their green eyes. "You''re fucking unbelievable." "I get that a lot. Come on, I set up a dead drop with clothes like three days ago, let''s go get a taxi," "Can I just sit here like... another five minutes?" I croak back weakly. "In case you haven''t noticed, I just almost got burnt to death." "Yeah yeah, you''ll get over it," Jordan replies, rolling their eyes, but I can tell it''s just their natural snark coming out on instinct. "Come here, idiot." Jordan pulls my head up into their lap, and I rest, waiting for my body to heal itself enough to move. Chapter 22.1 I let out a long, painful breath as Jordan helps me to my feet. "Okay, I''m officially ready to get out of here. My skin has stitched itself back together and I''m only ten steps from passing out dizzy instead of two." "That''s the spirit, kid," Jordan says, their tone mockingly cheerful as they pick up the bag full of loot¡ªmoney, drugs, and other sundries taken from the Coyotes'' den. We stalk about ten minutes along the side of the Delaware, mostly in the dark, until we reach somewhere where we''re certain that we''d see the Coyotes coming if they tried to catch us, plus, giving me more time to handle the worst of my injuries. My shoulder hurts the most but also feels like it''s healing the fastest, relatively speaking, while the burnt parts of my skin and eyelids have already started to slough and flake a little bit. I watch as Jordan picks through baggies and bundles of stuff I''ve only ever dreamed of seeing, the sort of drugs one sees only in police procedurals, not in real life. I guess¡­ not in the real life that I live, in the nicer rowhomes, with extracurriculars and parents that love me (in their own special way). I readjust my thoughts, remind myself that this is real life - just a real life for other people, who have it worse. Jordan takes each baggie, ties them together with a hair tie from their pocket, and then uses some gauze from the first aid kit to wrap them to a nearby cinderblock before hurling them into the Delaware the best they can. It does not go very far, but it does roll down the shores and vanish under the black murk of the night. Jordan gives it a quick salute. "Some fish are about to have a really good or a really bad night." "I do not think anything is alive in the Delaware River at this point, I''m gonna be honest." I wheeze, itching at my skin where it''s the most burnt. Already, the material packed against my shoulder feels a little tight, so I slowly work it out, trying not to look and trying not to pay attention to the wet feeling, and toss that into the Delaware too. It floats on the surface, clumped into an off-red lump, and Jordan takes a second to fix my dressing for me. "I also am not sure that we should be, like, putting material inside a stab wound." "That was just there to soak the blood, I didn''t put anything, like, in it in it," Jordan elaborates. I shrug my shoulders, and wince. "But it''s all scabbed up now, like, 100%. Looks gnarly." "Please don''t describe my stab wound to me," I ask politely. Jordan waves their hands around. "I won''t! Jeez." With all the worst of the drugs and such discarded, we begin our trek, my body ravenously itchy. That''s the thing they didn''t tell me about regeneration powers - the itch. One might think it''s bad when they skin their knee and there''s some little dinky scabs that they just need to pry off with their nails? Try full body first degree burns coming off in real time, my brain screaming at me to just scrape them off. That''s the bad stuff. We slowly navigate by map app and by landmark, stopping in an alleyway to change clothes at the dead drop that Jordan had prepared for us. I have to fit into some of Jordan''s clothes, which, surprisingly, are the exact same size as me, but I don''t look too beaten up with my costume stuffed into a ratty backpack. In the darkness, it just looks like I have a skin condition, swathes of skin on my arms and face and belly all pinkish and new like a baby mouse. Weird. The taxi ride back to the abandoned music hall is uneventful. Jordan calls up the local taxi company with their phone, and they arrive in a nice yellow car for us. Jordan makes small talk while I stare out the window, their body thankfully bruise and injury free, for the most part, while I get the comfortable sensation of my skin healing out underneath me. By the time we get back to the music hall, I''ve received a text from my mom - phone with Jordan, rather than me, since it would''ve gotten smashed in the fight - and I shoot her back a selfie on the sidewalks, as if to say "yes, we''re still alive". She accepts that as an answer. The abandoned music hall is a dark, decaying, decrepit monument to better times¡ªtimes when people cared about music and art. Now it''s a dilapidated building filled with peeling paint, rotting wood, and a dismal sense of emptiness. It''s also the perfect cover for teenagers playing superheroes and supervillains, given that nobody else seems to give a damn about the place. We enter through the front door, Jordan fumbling our keys, and make our way to the room we''ve designated as our planning and debriefing area. They dump the bag on the table and begin sorting its contents. The money, the weed, and then the first-aid kit, still with the rubbing alcohol scent clinging to it. They eye the money and the baggies with a clinical detachment, as if evaluating the spoils of war, the floorboards, uncared for, creaking underneath us with every motion like screaming ghosts. "So," Jordan begins, hesitating for a moment. "We¡¯ve got¡­ let''s count these stacks. Guesstimating that each one is a half inch and they look like stacks of twenties, that''s one, two, three, four, five, ten thousand dollars and then some assorted mixed bills that you can take," Jordan says, more to themselves than to me, rummaging through one of the cabinets they have situated about to find a small kitchen scale. "And this is¡­ nine ounces of weed, or a little more than half a pound. Good haul. You need any?" I stare at the cash and then at Jordan. "Are you seriously asking how to split illegal substances and dirty money?" Jordan shrugs, a grin sneaking across their face. "Everything sounds bad when you describe it like that. I assume you''re not interested in the weed?" "I don''t smoke," I reply, folding my arms over my chest as I settle into one of the distressingly comfortable couches, despite its rattiness. "I didn''t ask if you smoked, I asked if you wanted any. I don''t care what you do with it. Sell it, give it to someone, make edibles with it. Honestly, you did most of the hard work, I''d give you 75% if you wanted," Jordan says, kind of not getting the problem here. I sigh and pinch the bridge of my nose. "That''s not¡­ I''m good. It''s all yours. But what about the dirty money, won''t people like¡­ trace that?" "Oh, you''ve never laundered money before?" Jordan asks, raising an eyebrow to me. I gawk at them, about to start yelling, and they begin to cackle. "I''m kidding. Of course you haven''t. Like I said, five thousand of this I can spread across local charities, food banks, stuff like that. Two point five thousand goes to me and I''m going to reinvest it in this little hidey-hole of ours. Two point five thousand goes to you to¡­ I don''t know, buy vintage soccer balls?" "No, hold on, how exactly does one launder money? How do you expect a fourteen year old girl to launder money, Jordan Westwood?" I ask, folding my arms up a little tighter. "Answer that one before I tell you what I plan on doing with it." Jordan smirks at my indignation, like they''re thoroughly entertained by the naive little web I''ve spun around myself. "Whoa, whoa, hold up. Who said anything about needing an intricate plan? You''re overthinking this, Sam." "You were the one who brought up laundering money!" I exclaim, my voice taking on that indignant pitch that''s more befitting of a teenage squabble than two semi-vigilantes debating on the ethics of dirty money. "Yeah, as a joke. Relax," Jordan says, leaning back on their couch, old leather cushions clearly raked across by what are either dog claws or the claws of the largest cat I''ve ever seen. They scan the room, their eyes falling on a worn copy of ''The Art of War'' that lies on a coffee table. "Look, here''s the thing. Neither of us are Fortune 500 CEOs or middle-aged men evading taxes. We''re teenagers, for God''s sake. What do you think the IRS is gonna do? Audit your allowance?" "That sounds like something a supervillain would say before they''re exposed in some grand money-laundering scheme," I retort, worried in fact about that very concept. "Very funny," Jordan drawls. "But in all seriousness, the most either of us is doing financially is maybe a part-time job, right? We''re not exactly in a position where someone''s scrutinizing our finances. We don''t file tax returns. The IRS isn''t going to catch a fourteen year old money laundering. Maybe me if I had a part time job, but I don''t, so¡­ we''re golden." My brain is doing somersaults trying to pick apart the logic here. "So what, we just¡­ keep the money and use it like it''s pocket change? Isn''t that risky?" "No," Jordan leans forward, their face earnest but their eyes twinkling with a hint of mischief. "Look, we''re not going to be flashy about it. We won''t buy yachts or designer clothes or whatever. Small transactions, Sam. Think about it. You want a snack from Wawa? Use the money. Need to pay for a cab? Use the money. It''s not like we''re depositing stacks into a bank. This stuff is untraceable if you''re smart about how you use it. Who knows where a teenager is getting money from." This story is posted elsewhere by the author. Help them out by reading the authentic version. The suggestion lands on me like a novel concept, both unsettling and enticing. "So¡­ stash it under my bed and pull out a bill when I want to buy a soda or something?" Jordan laughs, leaning back and smiling a genuine smile. "Exactly. Treat it as your personal emergency fund. Unless you''re planning on buying a private island, I don''t think anyone''s going to notice." "I''m not sure I can buy a private island for three thousand dollars. Maybe a private barrel to float around the Jersey Shore in," I reply. "Exactly, this isn''t even that much money in the grand scheme of things. Yes, technically we stole it - from drug dealers - but, like, your parents do not put your allowance money in deductions in their taxes." "Actually, I--" I begin, about to correct Jordan for something that my parents definitely did do. "Shut up, they do fucking not. Anyway. Nobody''s going to scrutinize a teenager spending forty dollars a week in cash. Just don''t be stupid. Don''t overcomplicate it," Jordan cuts me off, swiping a hand across the air like they''re cutting it in half. For a moment, I sit there contemplating the weight of our conversation. "You make crime sound so simple." "Only because people make it complicated," Jordan says, tossing a bundle of cash lightly in the air before catching it. "So, we good?" "We''re good," I concede, my eyes lingering on the money before meeting Jordan''s gaze. "But if I end up behind bars because of this, I''m blaming you." "Don''t worry, that won''t happen unless we really pull a Robin Hood, and that can''t happen these days anyway. Nobody cares if you mug your local gangster. Like I said, Tacony, this place? It''s abandoned by the pigs. No Strawberry Mansion but, like¡­ we''re not gonna get 911 called on us," Jordan says, staring at the ceiling, continuing to toss about their ill-gotten goods. "They''d have to tell the police where they got the money from, and I''m sure the police know who the Coyotes are." "Wait, roll that back a little bit," I say, winding my finger through the air in a tight little spiral. "What''s this about not being able to Robin Hood these days?" Jordan turns their head towards me as they cut the air open with their powers, dragging a blanket over to them from the other side of the spacious main hall. "What, like the dark ages? Steal from the rich, give to the poor? Nah, it doesn''t work like that anymore, Sam. What are you gonna steal?" "Their¡­ money?" I ask, incredulously. Jordan laughs a bitter, spiteful laugh. Jordan flicks a hand towards me to get my attention, and then makes uncomfortable eye contact. When they start speaking, I turn around, lying down myself, trying not to itch my shoulder. "First off, you''ve got to understand, most of the super-rich? Their wealth isn''t in these paper bills or even in some Scrooge McDuck vault full of gold coins. Nah, it''s in stocks, properties, assets you can''t just grab and run off with. How are you gonna steal a factory or siphon off someone''s Toroid shares? It''s not like they have billions just lying around in a bank account. Hell, if they did, it''d probably be in some tax haven halfway across the world. There''s no physical money anymore." Picking up a handful of the money from the table, Jordan lets it fall slowly back into the pile, the bills fluttering down like defeated soldiers. "But let''s say, hypothetically, you somehow managed to steal something big, something that actually makes a dent. Maybe you broke into their mansion and got some valuable paintings or whatever. Well, good luck with that, ''cause the law isn''t exactly a neutral referee here. You''re going up against people who practically own the lawmakers, the courts, and God knows what else. Hell, they might own the prisons you''ll get sent to. And you want to fence that painting you stole? Good luck with that. It''s all over the news. Nobody''s gonna buy it, and you can''t even cash in what you just took." "Fencing? Like¡­ the sword sport?" I ask, trying to mask my confusion and put on an air of confidence - but that doesn''t make sense with the sentence Jordan just said. "Fencing means ''selling stolen goods''. Anyway," Leaning back in their spot in the couch, constantly shifting, Jordan sighs. Then, they grin at me, a bit sadly, a bittersweet emotion. "You could argue that''s why these white-collar criminals get slaps on the wrist, while people like us¡ªdoing petty stuff compared to, say, tax evasion or market manipulation¡ªget hit with the book. It''s not just about having a good lawyer, Sam. It''s about owning the entire damn narrative. We stole ten thousand dollars, big whoop. They make that much money taking a piss. It''s a nice fairy tale, but in the real world, it''s more like trying to drain the ocean with a teaspoon while someone''s pointing a gun at your head." "That''s kinda sad," I reply, trying not to think about it too much. "Can you toss me a blanket?" "Yeah, sure. Don''t get too worked up over it. The world is just like that sometimes," Jordan says, throwing the blanket they were using over to my couch and then snatching another one with their powers. "Do you need music or something to fall asleep to?" "No," I lie, trying not to let loose the repeat soccer matches I listen to when I need to fall asleep, a playlist of all the world''s World Cups on repeat on my computer at night. I don''t like lying down with my own thoughts. It''s not a nice place to be in - my own head, swirling like that. "Sick. Catch you tomorrow." "Night," I reply, pulling the blanket up over my shoulders as the conversation comes to a somewhat abrupt close. I consider, for a moment, trying to start it back up - maybe talk about boys or girls or sports or something, but within minutes, Jordan is snoring quietly, and, frankly, I''m feeling it too. I''m asleep before I can even see it coming.
The days unfurl into each other like a scroll of moments, one scene indistinct from the next, with only a few marks to tell them apart. One of these marks is the pattern of bruises that increasingly mar my skin, a stark contrast to the paleness of my forearms, the dots of freckles across me. Each new bruise tells a story of another lesson learned, another scrape survived. Pinkish skin from cuts, burns, all sorts of injuries forms over the course of each day and night. The mounting stack of school assignments that I''ve neglected piles up but is managed, each one a stark reminder that I''m straddling two worlds, and each demands its own form of dedication. The next day after our first outing ¡ª our encounter with the Kingdom weeks ago set aside as a dangerous anomaly ¡ª Jordan and I walk to school together. It''s uneventful, and the trip is a little overlong but not arduous, more of a good early morning workout than anything else. I encourage Jordan to wear sneakers, though, just because I''m sure they don''t want to be walking 40 minutes in platforms. School happens around me, but its implications float in the periphery of my concerns. I should care, I should be worried, especially when the world outside keeps reminding me how much there is to lose. Yet, the traditional anxieties ¡ª grades, popularity, and societal norms ¡ª occupy a secondary space in my mind, as if pushed to the side by the more immediate concerns of survival and moral complexity. Where to put our "bounty money", growing in an increasing stack underneath my bed. How much pressure to apply with a bite. Whether what I''m doing is right or wrong. The numerical representations of my academic abilities, my grades, hover in a range that causes neither alarm nor celebration: mainly C''s and a few B''s. The grading letters sit quietly on the online reports supplied to me afterschool, a secret pact between me and the educational system. They know I have other things on my plate, and for now, they''re willing to look the other way, provided I don''t stray too far into the realm of utter negligence. Then there''s track, the sport that holds a distant second place in my heart, filling the void left by the absence of soccer. I note the calendar tacked on my wall. It''s a paper battlefield, with days crossed off like the vanquished foes I leave in my wake, and the circled date of the track season''s start looming in November. The end of September looms overhead like a skyscraper, leaving me with a window, a buffer of weeks, a compartment of time that I can allocate to my nocturnal escapades. My lessons in combat outside what I''m learning with Rampart and the others - my tutoring in street justice, Jordan''s taught real-world practicalities. As the days spiral forward, each one almost indistinguishable from the last, this narrative plays out within me. I have time, it assures me, even as the nights grow longer and the stakes climb higher. I have time to be more than one version of Samantha Small. I have time to be Bloodhound, and a student, and exhausted. On Friday, another one of our nighttime excursions takes us to a location that puts a knot in my stomach. We''re infiltrating an underground dog fighting ring, buried deep in the darkest pockets of Wissinoming. The venue is a pungent cocktail of sweat, desperation, and the metallic scent of blood. The atmosphere is thick, practically a living entity itself, breathing in depravity and exhaling tension. It''s not just the danger that makes this place unsettling ¡ª it''s the moral rot that permeates the walls, the floor, the very air we breathe. The faces I see as I step in are portraits of human souls lost to greed or violence. Menacing grins, eyes that have witnessed too much, and tattoos that announce violent allegiances all assault my gaze. I''m a kid in a nightmare, but I''m also Bloodhound, and I have work to do. Safeguard is in their element here, thriving in confined spaces, and their use of power throws everyone but me off-balance. It''s as if the room itself revolts against the activities it''s been forced to host. Amid the ensuing chaos, I seize the opportunity to free every terrified dog we find. Their eyes, a mixture of confusion and cautious hope, meet mine as we release them from their chains, and they smell the solidarity of the beast as I bite their leashes apart. They scatter into the labyrinthine alleys, away from this hellhole, and while I know we can''t save them all or find them forever homes, disrupting the operation feels like striking a blow for good. We do what we can in the moment, and in that moment, it feels like enough. Like rescuing these animals - mostly pitbulls, the encyclopaedic part of my brain notes - has done something important for the world, even though it''s just a tiny drop in the ocean of scum that is the Philadelphian underbelly. While I''m focused on the dogs, Jordan has a knack for multitasking. Their eyes dart around, identifying potential threats and precious loot simultaneously. It''s like having a second brain that excels in dodging pitfalls. Over time, we''re getting better at this, our movements and decisions harmonizing like a well-composed duet. Jordan''s pragmatic approach balances my idealism, and together, we''re more effective, more in sync. By the time we leave, we''ve also gathered a decent haul of "bounty cash" from the scene. It''s not what you''d call clean money, but Jordan has a way of making it useful. Over the weeks, this semi-ill-gotten wealth has been anonymously donated to local food pantries, animal rescues, anything in our neck of the woods that''s hurting for cash. It''s our way of redistributing resources, our own little subversion of a world where the scales are tipped so blatantly in favor of the wicked. It''s not a perfect system, but then again, neither are we. And so we keep doing what we can, night by night, learning and growing, and making the city a slightly better place one rescue, one operation at a time. Chapter 22.2 Days blend into evenings of patrolling and vigilante actions, nights bleed into predawn study sessions where my eyes struggle to focus on textbooks and assignments. In the faint glow of my desk lamp, I see shadows forming. Shadows of Liberty Belle, of Safeguard, of Puppeteer, of a life where I''m someone more than just Samantha Small, a 14-year-old girl trying to make it through high school without too many hiccups. The following week, my mom starts mentioning Jordan more frequently at the dinner table, her curiosity barely veiled by her casual tone. "So, you''ve been spending quite a lot of time with this Jordan. When will we get to meet them?" I shrug it off, saying we''re just friends. My dad, a portrait of supportive but bewildered, nods but says nothing, taking another bite of his spaghetti. "You know, if you''re a lesbian, that''s not something we have a problem with. Just. Just to make that clear." My dad says, and I nearly gag on my drink, but for a different reason than I think he knows. "I don''t think Jordan is a girl," I say, deflecting the statement. "Well, we don''t have a problem with you being heterosexual either," He says, chewing thoughtfully. "I think what Jordan''s got going on is more complicated than that," I deflect again, trying to push my skull through the tablecloth so that I can avoid looking my family in the eye. "Well, you can date them either way. Just so long as they''re kind to you, dear," My mom says. "But no shut doors, if they come over. You know that." "Mom, I''m not¡­ interested in Jordan romantically. And I hate this conversation. Can we move on to something else?" I say, trying to avoid noticing the theoretical steam coming out of my ears. And it''s true - I don''t really have that feeling for Jordan, not the same way I have for Gale, for whom our recreational flights have continued into the days, and not¡­ Ugh, not for Rampart, who still makes me feel uncomfortably warm whenever we grapple. "Sure thing, honey. We got a call from your teacher today. Your science teacher," my dad replies mid-chew, which is not a sentence I want to be hearing ever. Never ever ever. My heart bottoms out into my pelvis and my blood runs cold in my veins. "Says you''re falling asleep in class?" I sigh quietly and don''t reply. My mom glances at me, and then my dad. "Is everything alright? You know, if there''s anything you need to talk about¡­" "I''m just training for track and field," I say, well-rehearsed, knowing it would come to this eventually. "Did my teacher say if my grades were bad?" "They were fine, actually. I asked the same thing. You''re doing better than most of the class," my dad replies, not looking my mom in the eyes. She shoots him an easily-interpretable look - don''t encourage this behavior. "¡­But not by much, so don''t rest on your laurels." "You''re training for track? Like¡­ at night? Sam, that''s dangerous," my mom cuts in, getting more pragmatic than my father. "I mean, I know you have¡­ your powers, darling, but¡­ Let''s try to keep the nighttime training to a minimum, okay? Does the school let you use their track?" "Not unless I''m signed up for a sport. Which I''m not, not in the fall," I mumble through a mouthful of food. My parents look at each other, exchanging telepathic parent information. "Well, I''m sure you''re going to be the fastest girl on the track team. Maybe the fastest student. You don''t need to push yourself so hard, you''re only fourteen, honey," my dad says, reaching over to pat me on the shoulder. Instinctively, I flinch away from the physical contact, and immediately feel bad, my increasingly well-tuned dodging instincts over-reacting to the innocuous touch. I put my shoulder back towards my dad, and he gets the message, giving me two small pats. "You''re just a kid, Sam. Take it easy sometime. Have sleepovers." "Speaking of sleepovers--" my mom says, through a mouthful of spaghetti just like her husband. She swallows, and repeats her sentence, unmuffled this time. "Speaking of sleepovers, though, I would like to meet this Jordan sometime. Or maybe his mom. Or both." "Their mom," I gently correct my mom. "Right, their mom. Let''s try to get that organized some time, okay?" "I''ll see what I can do," I answer, half-sincerely.
Jordan and I continue our nightly escapades. This time, we intervene in a planned robbery, saving a local shop owner who gives us grateful nods but wisely refrains from asking too many questions. We also manage to bust a small drug handoff at an abandoned park, scaring the dealers enough to scatter their stash before running off into the night. As we sit back, panting, amidst the scattered paraphernalia, Jordan looks at me and laughs. "We''re getting good at this," they say. "Yeah," I smile back, bloodied knuckles and all, every fight leaving me with fewer and fewer bruises and marks than the one before. My skin has become a patchwork of scars, but even they are beginning to fade, even the distinctive ones across my belly, although they''re leaving behind thick, skin-colored mark where the surface of my skin is raised up, sort of like halfway between a scar and a¡­ not-scar. "We are." I scroll through messages from my middle school friends. Their lives seem so distant, their problems a universe apart from mine. I read about homework woes, about crushes, about weekend plans. It makes me nostalgic for a simpler time ¡ª a time when my world wasn''t tinged with violent vigilantism, but my work is too important here to take time off. So, I lay there in our home base, steadily improved by the presence of additional filtration, a mop-and-vacuum bot, air-conditioning units in the walls. The darkness of the vast ceilings is punctuated only by the dim glow of my phone screen, a window into a past life that I''m not sure how to return to. The silence feels oppressive, pushing down on me like a weight. A void asking to be filled by a girl who''s still figuring out how she fits into all of this. And as I finally succumb to sleep, September crossing into October, it''s not the successes or failures of the past weeks that occupy my mind. Instead, it''s the gaping chasm between the life I''m living and the life that''s expected of me ¡ª a rift that grows wider with each passing night, even as I gain the skills and experiences that make me feel, ironically, more whole. More complete. Every time I return to the home base, our headquarters, with a knife stuck in me, I feel more alive than ever compared to the humdrum existence performing "patrols" for litter and lost pets. I cherish my ''hero team'', but Puppeteer taking a voluntary leave of absence for psychiatric assistance and the adults handling all the big boy stuff has left me feeling gapingly empty when I''m with them, even when I''m with the people I have crushes on. It all feels so vapid compared to the work I''m doing here on the streets. If you come across this story on Amazon, be aware that it has been stolen from Royal Road. Please report it. With both leaders out of action, Liberty Belle still MIA and Puppeteer getting herself treated through inpatient, there''s no energy to do anything other than go through the motions. My fists, shins, and bones are getting increasingly strong thanks to Rampart''s training, moving up from sandbags to bags full of just straight up rocks. My combat style is evolving, and I take the opportunity to train with the Young Defenders as just that - training. The routine is comfortable. I go to school. I try not to fall asleep. After school, I either train and patrol with the Young Defenders, or go and plan our next raid with Jordan. We rack up victories, or at least stalemate after stalemate. I''m still only a fourteen year old girl, and our odds get worse and worse every time, but my intention is never to win - my intention is to make people scared, to make people know that there''s no fucking around in this part of Philadelphia. I can''t say for sure if I''ve ever won any of my fights, but I''ve survived them - I''ve survived being stabbed about half a dozen times at this point, and I''m sure I''ve broken my nose twice, and I just keep bouncing back. I look at Jordan as we prepare for another raid. Someone''s been shaking down people in nearby Palmyra for protection money, right across the bridge. Not technically my jursidiction, but close enough. Jordan does the heavy work of tracking down the criminal elements - how, I''ll never know - and setting up dead drops days in advance. Then, it''s just time to handle things. I put on my costume, modified for these night operations. Wherever Jordan got their cloak from, they got me another one, along with a helmet, a little like theirs but with more freedom of face. Some glued-on dog ears on the top, and a couple of red high-vis accents hidden beneath, and I''m ready for action. The Big Bad Wolf isn''t gonna let this shit stand. Not in her neighborhood.
Getting a text from Marcus is neither rare nor frequent, but it''s definitely a cosmic alignment when that text comes with an attached video and the phrase, ''We need to talk.'' Normally, that sort of sentence only comes to me from my parents, and I haven''t gotten a text like that in at least a couple of months. I sequester myself in my room, making sure to close the door with an exaggerated softness that''s designed not to attract attention. Even with the door shut, I can''t shake the unease stemming from the stacks of ill-gotten bills stuffed under my mattress, like the metaphorical pea underneath the princess''s bed. With trepidation, I tap the video''s play button, keeping my headphones'' volume low enough not to bleed sound but loud enough to hear over my pounding heartbeat. As the video unfurls on my screen, my stomach performs an impromptu freefall. The clip is far from a professional production, teeming with fuzzy visuals and shaky camerawork. Yet the raucous voice that blares through my earbuds is unmistakably mine, shouting, "I''m the Big Bad Wolf, and this neighborhood is under my protection. Get out before I bite your dicks off." There''s a vaguely humanoid form shrouded in incandescent yellow flames, a spectral vision rendered by a clearly amateur drone struggling to keep focus in the pitch-black night, a multi-man showdown with a handful of thugs ducking in and out of combat with a clearly smaller girl. It''s almost cathartic, watching the whole thing over again, the dodging and weaving, the powering through adversity, and who could forget the climactic dropping of the overpass chunk. "What about it?" I text back, my thumbs skimming over the on-screen keyboard. My hands feel clammy, sweating as if my palms were filling up from some internal bleeding, like a fresh wound filling up with blood. I despise the charade of ignorance I''m putting on. Marcus doesn''t bite. "Don''t play dumb," he retorts, like an investigator sniffing out a lie. "I know what my friends sound like. I''ve been listening to you talk for ages, dude." I give up the ghost. "Fine, you got me. So, what''s the plan? You looking for a cut? Are you gonna blackmail me?" He''s typing for a while, the indicator staring me back. "What?" comes the painful, eventual reply. "No, dude. You''re my friend, why would I want that? I just thought you should know you''re kind of a big deal now, and that you need to, like, talk less on camera." "Huh?" He sends me a hyperlink. My finger hovers for a moment before committing to a tap. A webpage loads, replete with banners, posts, and a user interface that screams fan site, hosted out of someone''s closet. An online sanctuary for maybe twenty people, but that''s twenty more than I''d ever thought I''d have. My alter ego ¡ª the adrenaline junkie turned neighborhood watchdog ¡ª has fans. Real, genuine fans dissecting my every reported move. ''Finally, some law and order in Northeast Philly,'' one post reads. Another gushes about recent pantry donations they''re attributing to me. Thread after thread of local legends, my mythology already writing itself in real-time. Two threads speculating details of my personal life (I must be in my early twenties, statistically. And with a single mom). One person asking for nudes and immediately hit with a public ban notification, to much applause. I¡­ try to dump that one out of my head immediately. "Cool," is all I manage to text back, astonished and a little terrified. There''s even speculation about my powers, and zero mention of Jordan, or Safeguard. No - there''s one mention, in the thread about the sole video of me in action to exist. Some speculation about my unnamed "sidekick". I file that away in my head to laugh at Jordan about later. "Yeah, it is cool," Marcus writes. "But, look, there''s posts here about sightings almost every other night. You good, man? Getting enough sleep? Holding up okay emotionally? Physically? Mentally?" I pause, staring at the blinking cursor on my phone''s screen. I''m not sure how to begin answering his questions. Not when I''m not even sure what the answers are myself. His text comes back after two minutes of no response. "Look, I''m not gonna tell anyone. I''m not gonna bug you about it. You''re my friend, and you''re talking less and less in the group chat, and I just want to make sure you''re like¡­ okay, okay? Real talk, dude, I care about you. Even if we''re going to different high schools." There''s another pause while I try to think of a response, a little flabbergasted. "I think you''re doing a good thing. I''m just worried because I don''t want one of my best friends getting shot by a gang member on Roosevelt." Another pause. "Y''know?" I think for another minute. "I understand." "That''s not an answer to what I asked," Marcus immediately drills into me with all the efficiency of a particularly skilled dentist. "I asked if you''re doing okay." "I don''t know," my hands type out, almost without me meaning them to. I hover over the send button, and then erase the message. I type in "I''m fine. Don''t worry about me," and then I send that instead. "I''m extremely unconvinced," Marcus replies. "I''m sorry," I text back. I can almost hear his sigh through the phone. "Look. You might have missed it because you probably haven''t looked in the group chat in a hot minute, but Lilly''s parents are going to be out for a couple of days over this weekend. Lilly''s older sister is obviously going to throw a party because what else would she be doing. Halloween party a couple of weeks early. You in?" I consider it. My immediate impulse is to reject it - not the least of which because I don''t like parties, but also because I have plans with Jordan. But, you know. There''s parts of my brain at war here. And I have been exhausted. Not physically, because I think over the days, my regeneration factor keeps me from feeling the worst of the pain, the soreness and the fatigue, but mentally, emotionally, it''s a lot. Seeing the bad parts of Philadelphia, the parts my parents worked so hard to keep from me, and for good reasons. Getting stabbed, you know, it''s not¡­ great! Even if it''s less life-threatening for me, I have now been stabbed in the back at least four times, and it really does not get any easier. The pain¡­ compounds, even if it doesn''t leave me injured permanently. I get ready to text Jordan, preparing for an argument. "We might have to postpone our weekend plans. Friend I havent seen in a month is having a party. Is it cool if I take some time off to be a normal teenager again?" I ask, and the response comes almost immediately after I hit send. "fuck yeah dude can i come?" I stare at my phone, a little incredulously. "I''ll ask," I reply. "fuck yeah" comes the immediate response. WORLD OF CHUM: Superhuman Entity Report - Jeffery "Professor Franklin" Brown PERKS Assessment: Professor Franklin Classified Level: Confidential I. Power Classification Gigant: Immunity to Electrocution Code: G4/SE/P/T Rationale: Professor Franklin exhibited an immunity to all forms of electric shocks, up to and including natural lightning strikes. This resistance falls under the Gigant category as an intrinsic biological trait, making him virtually impervious to electric-based attacks or accidents. While difficult to discern except statistically, he also appears to act as a lightning rod during storms and other adverse weather conditions. His ability affects himself (S) and his environment (E), is physical (P), and operates at a touch range (T). Filch: Electrokinetic Storage and Discharge Code: F7/SO/P/V Rationale: Professor Franklin could accumulate electrical energy within his body and discharge it at will, tied to his immunity to electrocution. This power falls under the Filch category and demonstrates significant utility in both combat and practical scenarios. Although his ''aiming'' was largely restricted to his understanding of electric conductance and grounding principles, the power''s range is categorized as ''Visual (V)'' due to his capability to discharge it as lightning bolts over considerable distances. This power affects himself and others (SO) and is physical in nature (P). II. Power Ranking Professor Franklin''s abilities offered enormous capabilities. His immunity to electrocution made him resistant to a category of attacks that could be lethal to others, whereas his electrokinetic storage and release offered offensive and utility potentials that were considerable. His limitation in aiming reduced the versatility but did not undermine the power''s overall utility, as he devised several support items and practical methods to utilize his powers in non-destructive ways. III. Control Rating Control: 7/10 While Professor Franklin had vast experience and excellent control over his electrokinetic storage, the imprecise nature of his aiming abilities slightly limits his control rating. Nevertheless, his demonstrated restraint in the use of his abilities indicates a high level of mastery. IV. Hostility Rating Hostility: 0/10 As the former leader of the Delaware Valley Defenders, Professor Franklin displayed exceptional ethical grounding. His sense of justice and commitment to the public good stands unquestioned. V. Collateral Damage Potential Collateral Damage: 7/10 Despite his best intentions and precise control, the imprecise nature of his electrokinetic discharges poses a substantial risk to bystanders and infrastructure, especially when used at high intensities. His inability to aim lightning precisely could result in unintended casualties or property damage. VI. Overall Threat Level Threat Level: 4/10 Taking into account his power ranking, his control over his abilities, his virtually non-existent hostility, and his potential for collateral damage, Professor Franklin is assigned an overall threat level of 4. While his abilities are exceedingly potent, his demonstrated control and moral compass substantially reduce the risks associated with his powers.
PERKS Assessment Comments for Jeffery Brown (Professor Franklin) 2009: Officer''s Comments: Known presence as an independent vigilante operating primarily in North Philadelphia before applying to become a Registered Superhuman Entity. Shows a strong mastery over his powers and a dedication to ethical vigilante work. Has made several appearances in local news for resolving hostage situations and defusing dangerous confrontations. Extremely cooperative with law enforcement. -Officer Thompson 2011: Officer''s Comments: Two years into his official Registered Superhuman Entity status, Professor Franklin exhibits growing leadership skills. Notable for coordinating well with local law enforcement and lending his expertise in dealing with superhuman threats. Demonstrated a tactical edge in diffusing the Westside Gang Riots. -Officer Thompson 2013: Officer''s Comments: Continues to operate at peak performance. Introduced innovative cape-fighting methods that have been adapted by the local police force. Has been tapped for tutoring in anti-superhuman tactics by several local police forces, including outside of the Philadelphia municipal area. Expressed interest in forming a new group of superhumans ever since the disbandment of the Philadelphia Protectors - we''ll be putting feelers out on his behalf. -Officer Thompson 2015: Officer''s Comments: Professor Franklin has been a consistent presence in not just resolving crime but also in preventive initiatives. Organized several community outreach programs that have helped reintegrate former criminals, including a couple noted supervillains. His multifaceted approach to crime-fighting is an asset to Philadelphia, and his compassion is commendable, even with his most vicious enemies. -Officer Thompson 2017: Officer''s Comments: Played an instrumental role in the founding and operations of the Delaware Valley Defenders in 2016, which now has an additional branch in Atlantic City as well as a minor presence in DC. His recommendation was crucial in the successful Registered Superhuman Entity application of Diane Williams, who operates under "Liberty Belle" and has proven to be a similarly devoted asset to this city. Continues to set a standard for what a Registered Superhuman Entity should be. -Officer Thompson 2018: Officer''s Comments: The loss of Professor Franklin is a devastating blow to both the Delaware Valley Defenders and the larger community. He leaves behind a legacy of commitment, innovation, and mentorship that will be remembered for years to come. This file is now closed. -Officer Thompson Interviewing Officer: Kevin L. Thompson Date: February 2nd, 2018 Civilian Clerk: Patricia Adams Date: February 2nd, 2018
NATIONAL SUPERHUMAN RESPONSE AGENCY (NSRA) Postcognitive Background Assessment: Jeffery Brown Subject: Jeffery Brown (Alias: Professor Franklin) Date of Birth: March 5, 1981 Consent: I, Jeffery Brown, consent to a postcognitive background check by the National Superhuman Response Agency. All findings will be kept confidential and only used for official NSRA purposes. Background Analysis: Childhood and Early Development (1981 - 1995): Born in the Strawberry Mansion neighborhood of North Philadelphia, Jeffery was raised in a low-income household. Despite facing economic hardships, his academic talent stood out, particularly in physics. At age 14 (1995), a teacher recognized his potential and helped him get a scholarship to a private high school. Enjoying this book? Seek out the original to ensure the author gets credit. Academic Years (1996 - 2003): Jeffery attended Temple University, graduating with a degree in Physics (Class of 2003). He chose to stay in Philadelphia and took up a position as a science educator at a local public school, trying to give back to the community that raised him. Superpower Activation Event (2004): At age 23, while chaperoning a school field trip to a science center, Jeffery was struck by lightning. This near-death experience activated his latent superpowers, imbuing him with the ability to absorb and release electricity at will. This incident ignited his latent passion for heroism, and he begun moonlighting as a vigilante while not working as a teacher. Early Vigilante Years as Professor Franklin (2004 - 2009): Jeffery took on the alias of "Professor Franklin," a tribute to Benjamin Franklin and his famous kite experiment. Operating mainly in Philadelphia, he focused on thwarting gang-related activities and mentoring young potential vigilantes. He was known for combining scientific principles with combat techniques. His actions during these years drew the attention of the NSRA, leading to his application in 2009 for official registration. NSRA Registration and Mentorship Roles (2009 - 2016): Upon becoming a Registered Superhuman Entity in 2009, Professor Franklin continued his work in Philadelphia, retiring from his position as a high school teacher. He mentored several younger heroes, including Liberty Belle, Peregrine, and Valiant. His rational approach to heroism made him a valuable mentor, emphasizing preparation and scientific knowledge in combat. Founding of Delaware Valley Defenders (2016): In 2016, Professor Franklin founded the Delaware Valley Defenders to unite heroes in the Delaware Valley area. This team was later headed by Liberty Belle after his death. Final Mission and Legacy (2017): Professor Franklin lost his life while preventing the theft of military-grade equipment from a nuclear power plant by the supervillain known as [REDACTED]. His death had a profound impact on the Delaware Valley Defenders and the superhero community at large. Conclusion: Jeffery Brown, also known as Professor Franklin, was a remarkable individual. His background in physics, coupled with his natural leadership skills, provided him with unique qualifications as a hero. His approach to mentorship has had lasting effects on multiple generations of heroes. To honor his memory, preserving his teachings and methodologies would be beneficial for future NSRA activities. Abridged timeline of important inflection points: December 31, 1981: Jeffery Brown is born in Strawberry Mansion, North Philadelphia, to Darling "Knuckle Sandwich" Brown, a boxer, and Madison Brown-Smith, a schoolteacher. Jeffery, the youngest of three children, is in all respects a typical newborn for the area. October 5th, 1984: Darling Brown is killed during a championship match by an aneurysm rupturing from an errant haymaker. May 22, 1987: At the age of 6, Jeffery takes up reading comic books, which instill in him an early sense of right and wrong. August 9, 1994: Jeffery defends his younger sister from a neighborhood gang, reinforcing his sense of duty and responsibility. He is injured in the process, causing lifelong deficits to his grip strength and ability to use his left arm. September 13, 1995: During a middle school career day, Jeffery meets a physicist and becomes enamored with the sciences. December 5, 1996: Jeffery''s family goes through a period of financial hardship as what''s left of Darling Brown''s savings and life insurance dries up. June 20, 1999: Jeffery graduates from high school, top of his class, earning a full-ride scholarship to Temple University. December 21, 2001: Jeffery witnesses the consequences of unchecked powers, as a superhuman conflict erupts near his campus. His attempts to intervene, while brave, result in him being severely burnt, which fails to activate his latent powers and results in lifelong scarring and pain, mostly to his torso and arms. May 25, 2003: Jeffery graduates from Temple University with a BSc in Physics. He''s offered a teaching position at a local public high school, which he accepts. June 10, 2004: Jeffery attends his first protest, fighting against municipal budget cuts for Philadelphia''s notoriously underfunded public schools. August 18, 2004: While chaperoning a school field trip, Jeffery is struck by lightning, activating his superhuman abilities. November 21, 2004: Jeffery uses his powers for the first time to stop a mugging, adopting the alias "Professor Franklin" in the process. June 3, 2005: Jeffery''s mother dies of a heart attack, causing a temporary withdrawal from vigilante activities and a period of grief. August 12, 2006: Jeffery resumes his activities as Professor Franklin but decides to focus more on mentoring young heroes, inspired by his mother¡¯s teachings. October 11, 2009: After five years of vigilante work, Jeffery applies and is accepted as a Registered Superhuman Entity. February 14, 2011: Jeffery meets a young superhuman named Michelle "Quicksnap" Liu and takes her under his wing, the first of many he mentors. December 31, 2012: New Year¡¯s Eve incident causes a brief crisis of faith, prompting Jeffery to reassess his methods and ideals. While the death toll is minimized according to postcognitive assessment, he is haunted by the idea that he could not save more lives. May 3, 2013: Professor Franklin rescues several political hostages from a high-risk situation, leading to the formal recognition of his abilities by the NSRA as well as a trip to DC to testify during the proceedings regarding "United Superhumans v. Department of Defense". September 2, 2014: Jeffery starts attending therapy to deal with the mounting stress and responsibilities, leading to a more empathetic approach in his mentorship. He begins developing an interest in psychology and therapy, and uses the techniques he learns in order to develop his sense of stewardship and compassion towards his rogues'' gallery. June 30, 2016: Jeffery founds the Delaware Valley Defenders, incorporating it with a handful of trusted superhumans, including Diane "Liberty Belle" Williams, April "Peregrine" Lee, Bianca "Fury Forge" Agnelli, and Kwame "Bulwark" Adjei. The team is sponsored by city councilman Jamal Davis. November 25, 2016: Delaware Valley Defenders successfully conduct a sting to capture and apprehend the six members of the supervillain gang "The Razorblades", cementing their reputation as protectors of the city. January 20, 2017: Jeffery and his team thwart a bio-terror attack, but Jeffery himself starts showing signs of emotional and physical fatigue. March 23, 2017: Professor Franklin''s final mission takes place in an attempt to stop the villain [REDACTED] from stealing and subsequently utilizing military-grade munitions from an industrial factory. He is killed in action. April 18, 2017: A memorial service is held for Jeffery Brown, attended by various members of the superhuman community from across the country, as well as several prominent Philadelphians, cementing his legacy as a hero and mentor. July 30, 2018: The NSRA post-cognitive team updates and closes Jeffery''s file, confirming no posthumous activities or indications of resurrection. Contributors: Postcognitive-RSE#6124 (Emily "Seeker" Thompson, temporal perception) Postcognitive-RSE#3803 (Marcus "Elder" Johnson, historical delving) Postcognitive-RSE#2109 (Zara "Reminisce" Evans, retrocognitive intuition) Empath-RSE#4991 (Allison "Echo" Smith, emotional imprint) Analyst-RSE#3278 (Dr. Ethan "Puzzler" Rogers, analytical dissection) Assessment Date: March 7, 2013 Updated: February 13th, 2018 (File Closed) Authorization: NSRA Executive Committee. Chapter 23.1 I pull up to Lilly''s new residence just past eight, the last day of September, and I''m immediately struck by the stark contrast between this home and the familiar landscape of my own upbringing. I spent my childhood navigating the compact rowhouses of Mayfair; this place, nestled in the eastern part of Oxford Circle, is practically a slice of suburban nirvana. Instead of being squeezed between two identical buildings, this house stands apart, with a driveway that could comfortably fit two cars side by side, and an actual garage. The lawn, too, is an expanse of meticulously manicured green, at least ten or eleven people shoulder to shoulder, as opposed to the approximately three or four that my rowhouse occupies. Lilly had mentioned relocating at the dawn of September, but I had no idea she''d transitioned into a setting so ritzy (that''s a word that means, like, lavish, bougie). "Lilly definitely moved up in the world," I find myself mumbling under my breath, my thumb pressing down on the doorbell''s smooth, cold surface. The passage of a few heartbeats feels drawn out in the quiet evening air. Finally, the front door swings open with a well-oiled ease. Revealed in the doorway is Lilly''s older sister, Emily, dressed in a rather flashy, if not somewhat risqu¨¦, witch costume, draped off of her like a fallen curtain. Towering over me ¡ª just as her parents do, and as we''ve all predicted Lilly will in a few years'' time ¡ª Emily possesses an imposing figure that makes me flush with some implacable emotion. Faced with the awkward predicament of her chest looming practically at my eye-level, I quickly avert my gaze, shifting it to the right as a temporary sanctuary. ¡°Sam! Wow, you¡¯ve grown!¡± Emily''s voice rings out in a cheerful crescendo, pulling me into a hug that squeezes the breath out of my lungs. She''s a ball of exuberance, and right now, that energy is like sandpaper on my skin. I don''t like it. No, let''s be honest: I can''t stand it. For a number of reasons. ¡°I, uh, could say the same,¡± I reply, shifting from foot to foot. Awkwardness clings to me like a second skin. I''m in a simple Halloween costume, not something ripped out of the pages of a cosplay imageboard. It''s a long red cloak with the hood drawn up, shrouding most of my face. I''ve got this dinky little straw basket hanging off my arm, just in case anyone asks. I can say I''m Little Red Riding Hood. It¡¯s perfect for anonymity, and can be quickly abandoned if Bloodhound needs to make a sudden, dramatic entrance. Marcus, Lilly, Jenna, Kate, Tasha¡ªthey all know I''ve got a hero gig, but Marcus is the only one who knows the full scope. That I''m the Big Bad Wolf. Emily steps back, her arms sweeping open in a grand gesture as if she''s unveiling a masterpiece. ¡°Come on, everyone¡¯s in the living room. Lilly¡¯s gonna lose her mind when she sees you.¡± I step through the threshold and find myself plunging into immediate sensory overload. The living room is a buzzing hive of teenaged activity. People I don''t recognize ¡ª students from Lilly & Emily''s new school, no doubt ¡ª mingle like they''ve known each other for years. Conversations overlap in a cacophonous blend of laughter and chatter. The scent of some fruity cocktail permeates the air, which I spot in... a plastic tub? An entire plastic tub, sitting on a table, filled with an unidentifiable mixture of fruits, juices, fruit juices, and alcohol. A guy dressed as a pirate, awkward as they come, is trying to balance a plastic cup on his hooked hand. Tasha is off to the side, snickering at his failed attempts, while Marcus seems to be deep in a conversation about something with Kate, who visibly couldn''t care less. Jenna is nowhere to be seen, but I imagine she''s off somewhere. Lilly, our host and the soul of the party, dances between groups, her curly brown hair bouncing with each step. Her eyes are alight with the thrill of social interaction, her face radiant. This room, it''s vibrant, loud, full of life ¡ª a life that I haven''t been a part of for what feels like forever. Just like Emily predicted, Lilly spots me. And the reaction is instant. ¡°SAM! OH MY GOD!¡± Before I can brace for impact, she''s airborne, launching herself across the room like a human missile. She crashes into me, nearly sending both of us tumbling backward. But I catch myself just in time, all the weeks of training giving me a grip like no other, and I hold tight on the floor. I''m surprised, yes, but it''s a welcome surprise. Something real in a room full of uncertainties. ¡°It''s been too long!¡± she exclaims, pulling away from our hug. But her hands stay on my shoulders, gripping them like she''s afraid I might vanish. Her eyes roam my face, taking in every detail. ¡°You look¡ª¡± ¡°Tired?¡± I suggest. The joke falls flat, even to my own ears, but she doesn''t seem worried about it, although I don''t know if that''s her happy-go-luckiness or the slight smell of sugar and booze on her breath. Her birthday came early - she''s already 15, the eldest of our group by far. ¡°No, you look...¡± Lilly''s voice stalls in mid-air, a soft hesitation that seems almost out of place coming from her. It''s like I''m watching the gears in her mind whirl into action behind her expressive eyes. Underneath the festive glow of orange and purple lights hanging from the ceiling, I catch the sight of my own dark circles reflecting back at me, almost camouflaging seamlessly into the Halloween decor. ¡°You look strong. Like you¡¯ve changed. You feel strong, too. Damn girl, have you been working out?¡± She says this last part as her hands find my arms, gripping the muscle there with a mixture of awe and curiosity. In the grand tapestry of my day-to-day life, each morning is familiar and routine. To me, the person who exists and lives in my body, I can sense no difference from one waking-up to the next, but there''s undoubtedly a difference to everyone else. My bones denser, my muscles more defined, my senses sharper. When I flex my arms for Lilly''s benefit, the awe manifests in her eyes like emoji-vision, sharp stars spinning around in her pupils metaphorically, or maybe pink hearts. ¡°A little bit,¡± I manage to utter, shrugging nonchalantly, as if my burgeoning strength was just a byproduct of casual gym visits. Just then, my eyes catch a glimmer of recognition, pulling me momentarily out of this intimate orbit. It¡¯s Crossroads. Leaning against the far corner wall, attired incongruously in a Superman costume. Our eyes lock for the briefest of seconds, a muted conversation, before his gaze redirects itself, almost awkwardly. I''m still processing the oddity of his presence when Marcus materializes at my elbow, his voice full of relieved enthusiasm. ¡°Hey, you made it.¡± ¡°Yeah,¡± I answer, the word tinged with an indefinable weight. I can feel the room swelling around me¡ªthe laughter, the conversations, the youthfulness¡ªit¡¯s like an echo chamber of all the mundane aspects of life I''ve had to sideline. ¡°Yeah, I did.¡± For one liberating moment, the mantle of Bloodhound lifts off my shoulders. The looming threats of the Kingdom, the grime and danger of Philadelphia¡¯s underbelly, everything just fades away. It¡¯s just me, Sam, trying to rediscover the way to wade through a room teeming with nothing but the chaos of adolescence. It''s terrifying, but in a different way, like I''m standing on the precipice of normality, looking in. Lilly has already vanished into the crowd, mostly people I don''t recognize, and I catch Kate out of the corner of my eye, dressed as some action movie badass I don''t know, stealing a beer from the fridge. Drawing in a lungful of air, which carries with it the faint aroma of popcorn and body spray, I steel myself for the inevitable - having to talk to other people. Marcus gives me an encouraging slap on the back, his hand landing with a familial thud. "I''m going to go continue attempting to socialize, aiight?" "Go for it," I say, my posture remaining rigid, like a statue. There''s this persistent gnawing undercurrent. It''s like an itch at the back of my skull, an intuition that flat-out refuses to be ignored. Risking a sidelong glance through the animated crowd of party-goers, my eyes lock with Crossroads''. His gaze is attentive, but it doesn¡¯t have that creepy, invasive vibe. Instead, it''s more like a vigilant kind of scrutiny, the kind of look you''d give when you''re safeguarding a treasure. Or a person. A face I''m familiar with: assessing threats. Emily sidles up beside me, wrapping her arms around my shoulders. The sharp scent of alcohol wafts up from her, making the air between us feel like it''s soaked in wine. I squint, trying to look past people''s heads, beyond the laughing faces and flirtatious conversations, toward the glistening glass windows ¡ª or wait, no, they''re actually sliding glass doors ¡ª that lead to the backyard. A backyard? With a porch, and a fire pit? The concept seems alien to my cramped rowhome life. "Max?" I mumble, my gaze momentarily meeting Crossroads¡¯ - no, Max''s - again. "Max. He''s my cousin. My parents always rope him into babysitting us whenever they want to act like they''re in their 20s again," Emily blabbers, clarifying nothing at all. Crossroads is related to Lilly? When did that happen? "First cousin?" I feign confusion, drawing it out like I''m totally ignorant in an effort to fish for more information. Man, I sure wish I had been told so I wasn''t blindsided like this! You could be reading stolen content. Head to Royal Road for the genuine story. Emily breaks into laughter, her whole body swaying as if she''s a tree in a gusty wind. "Nah, he''s my... um, my cousin''s... like, my mom¡¯s cousin¡¯s... son, so I think that¡¯s..." She pauses, counting family branches using her black-painted fingernails. "Second cousin, yeah." She leans in, her voice hushed, borderline conspiratorial. "He''s a little bit of a buzzkill. Knows his first aid and CPR. And lifeguarding... and how to drive. So he''s good to have around." Her voice has this odd, wobbly quality, almost like her words are floating on the ocean. It''s impossible to decipher whether she''s hinting at his abilities or if she''s just really drunk. Before I can untangle the nuances of her phrasing, and whether or not the Rodriguez family knows about Max''s powers, Max ¡ª no, Crossroads ¡ª is right there, up in my personal space. "Maxwell Martinez. It''s a pleasure," he greets, extending a hand. Our palms meet, and I''m struck by the familiarity. It''s a grip I''ve felt before, sparring and training with him. Even if he was wearing a full mask, I''d recognize it. "Oh, I¡¯m just Sam. Uh, Samantha Small, but you can call me Sam," I manage, angling my body as Emily detaches herself and floats off into the crowd like a leaf on the wind. "What are you doing here?" The words barely escape my lips, a harsh whisper that¡¯s almost drowned out by an overzealous hypersoul remix of Monster Mash thumping through unseen speakers. "Keeping an eye out for dumb mistakes and bad decisions," he returns in a hushed tone, probably the longest string of words I''ve ever heard him string together. "What are you doing here?" "Partying. Gonna snitch if I sip a beer?" I retort, my face probably screaming ¡®guilty¡¯ in neon letters as I fail to make eye contact and instead stare down at his feet. A laugh rumbles out of him, a sound I¡¯ve never heard in person but have been told about many times in the group chat. "Given what Pup is dealing with, I think a beer or two won¡¯t hurt. Just don''t do anything stupid, Sam." I throw him a playful salute. "Aye-aye, captain." The front door opens again with a small ringing chime from the doorbell, and in walks my plus one - Jordan, as ambiguous as ever. I have no idea what they''re dressed up as, if anything, but they seem to have put so much more effort into it than anyone else that it''s almost disquieting. Their black hair is slicked downwards in a mop of spikes and their face is extra-super pale, wearing a full body of all-black military attire that''s just absolutely covered in pockets, straps, and buckles. In one hand they carry what looks like some sort of futuristic imitation of a gun, a blocky, boxy thing glowing with red LEDs. I wave politely at Jordan, and they step inside, immediately power-walking to my side and ignoring the introductions of Emily, who scowls at the back of their head. "Hey, Sam. Nice party. Nice costume," Jordan says, looking nervous as could be. "Thanks. What are, uh... What are you dressed as?" I ask, trying to place Jordan''s attire literally anywhere. "Um, it''s, it''s ''Killy'', from Blam. That''s B-L-A-M-E, with an exclamation point, but it''s pronounced Blam like a gunshot. It''s... my favorite manga," Jordan says, glancing around uncomfortably. Maxwell''s eyes narrow. "That''s the one by Tsutomu Nihei, right? I read it just a couple weeks ago. Very striking." Huh? I didn''t know Crossroads was into mangAH SHIT. Ah fuck. I rack my brain as fast as possible - have I ever mentioned the origins of the name ''Safeguard'' to the Young Defenders? I can''t remember. Fuck me running, I can''t remember. Jordan just seems happy to be recognized, completely oblivious to the bear trap they just stepped into. "I''m glad someone recognizes me. Jordan," Maxwell reaches out to shake their hand. "Maxwell," He says, squeezing their hand hard enough to draw a wince. "I''m going to go, uh, steal some food, yeah?" Jordan says, glancing between Maxwell and I. "Go for it," I say, as if giving them permission. Jordan, not wearing platforms for once, vanishes into the crowd. Maxwell looks at me and his face scrunches up. "Your friend has something they should tell you," he says, and I know we''ve been caught. "But later. Ask them about it later. Enjoy the party, Bee."
I''m sorry if there''s any telepaths listening in on my thoughts that are going to be disappointed in me, but I''m going to drink tonight. Sorry! I step out onto Lilly''s porch and soak in the sight of it. Her parents really outdid themselves with the new house. There''s enough space on this porch alone to set up two beer pong tables with room to spare. Late September air dances around me, and the nip in the wind is a perfect counterpoint to the warmth spilling out of the house behind me. Low chatter and the thud of ping-pong balls against red Solo cups fill the atmosphere. Jenna and Tasha are slightly off to one side of the yard, locked in a heated debate over the virtues of some obscure indie band that I''ve never heard of. They''re immersed in a world of musical jargon and band lore, completely detached from the party''s happenings. Meanwhile, it''s Kate who catches sight of me first and flags me down. "Sam, really?" She coats her words with a layer of feigned annoyance, thick as acrylic paint. "You''re trying to ditch the party already? Please, take a seat. Be our guest." She punctuates her sentence by flourishing her arm toward an empty chair by the beer pong table, a bit of a swagger to her movement. The chair is across from a face I don''t recognize. In her hand, Kate clutches an open beer can, and she''s already swaying¡ªjust a little¡ªas she holds it. "How many of those have you downed?" I ask, the question laced with a subtle undercurrent of concern, a tinge of responsible adult creeping into my tone. Her lips curve into a mischievous grin. "Just two." "Promise? Because we don''t want this to turn into ''that'' kind of high school party where we have to call 911," I say, letting my hand land on her shoulder, grounding her for a moment. She executes a flawless eye roll. "Promise, mom." I shrug, grinning as I ease into the offered chair. "Just looking out for you, Kate," I reply. My eyes skim across the yard until they lock onto Lilly. She''s a few steps from the house, deftly playing the role of the gracious Little Sister of the Host as she chatters with a group of teenagers, some of whom are boldly lighting up cigarettes. Seeing me, her eyes brighten, and she throws me an enthusiastic thumbs-up, as if to say, "You''re doing great!" I find myself smiling back involuntarily, grateful for her encouragement. Jordan is also in the mix, a bit apart from the others. They''re leaning against the railing at the edge of the porch, emanating a certain aloof comfort. A joint is smoldering between their fingers, its light haze swirling in the night air. I feel a twinge of guilt pulling at me. Should I go join them? My internal debate is interrupted as Kate places a Solo cup full of beer on the table in front of me, snapping me back to reality. "So, are you in or what?" Kate demands, a playful challenge in her eyes. I glance at the golden liquid in the cup, then back at her. "When in Rome," I murmur, lifting the beer to my nose. The scent is strong and uninviting, reminiscent of stale urine. My tastebuds already object, but I tough it out. "A new challenger has arrived!" A voice from across the table slices through the air like a comic book sound effect. The boy opposite me, an overeager jock-type in a football jersey, enthusiastically raises his red Solo cup. Beer sloshes out, some of it making a break for freedom down his wrist. He thunks the cup back onto the table, sending a tiny tidal wave of alcohol onto the plastic surface. I assess him, a swift rundown that takes no more than a moment. He''s swaying in his seat, eyes glazed over like day-old doughnuts, and his cheeks are flushed a rosy pink. He''s already drunk. Easy pickings. The atmosphere is electric as the first ping pong ball bounces on the table. The small white ball seems to hang in the air for a moment before diving into one of my opponent''s cups. There''s a collective "ooo" from the crowd. Jenna is off to the side, capturing the whole thing on her phone. Throwing ping pong balls is not exactly a difficult activity, and I have played softball before. Jacob, my poor inebriated opponent, takes his turn. He aims, but his hand wavers, and the ball ends up careening off-course, bouncing harmlessly away from my cups. Tasha, leaning against the wall and sipping something non-alcoholic, murmurs a bug fact about the balls of a dung beetle to Marcus. He listens with amusement, entertained but unimpressed by her attempts to spook him. My ears pick up everything else around me, trying to decipher every individual word, almost more overwhelming than the alcohol itself. I pick up another ping-pong ball, its texture suddenly becoming an object of interest. I focus, the world narrowing to this one moment. I let the ball fly. It soars through the air and lands with a soft splash, hitting dead center in a middle cup. Just like I''d planned. The crowd feels it too, their energy kicking up another level. They smell victory in the air, and they know who''s delivering it. He takes his shot, practically swaying where he stands. The ball barely makes it halfway to the table this time, dropping onto the floor like a stone. He looks up, his face flushed and eyes glazed. "Oh man, this isn''t fair," he mutters, but there''s a smile tugging at his lips. It''s like he''s relieved to be losing. My next shot is almost effortless. The ball leaves my hand, and I know it''s going where I want it to go. It drops into a cup toward the back. People are starting to get loud now. Even Marcus, who''s just joined the crowd, has a grin stretched across his face. No one can believe this girl is dominating the table like she is. They start chanting my name, and it feels weirdly good. On the other side of the table, Jacob''s struggling. The poor guy¡¯s concentration is faltering; he''s got that desperate glint in his eye. He aims and throws. The ball wobbles through the air and veers off course, dropping far away from any cup. A collective "Ooooh" emanates from the crowd, not in awe but in sympathy. It''s becoming a slaughter. For my final shot, I decide to get fancy. I bounce the ball on the table first; it hops gracefully and then lands squarely in the last cup. Game over. Cheers erupt from the crowd, some already declaring me the new beer pong champ. Jacob stands there, looking like he''s questioning all his life choices. Kate''s laughing so hard she almost spills her drink. The red Solo cup she''s holding quivers in her hands as she claps, the joy on her face infectious. "That was epic, Sam!" she shouts over the roar of the crowd. I can''t help but grin. Six cups in, and I''m convinced this is some kind of cosmic joke. I''m wondering which part of me is making it so this piss-flavored beverage is doing nothing to me - is it the regeneration, or whatever way my organs work that also lets me swallow seawater like it''s nothing? The alcohol doesn''t stand a chance. Jacob, meanwhile, is slumped over the table, his words melting into an unintelligible stew of slurring. Like, in the speech sense, slurred speech, not like... saying bad stuff. "Uncle, I''m done," He mumbles. "Put a fork in me." Kate, whose cheeks have taken on the hue of her red Solo cup, is cackling like a hyena on nitrous oxide. She''s thoroughly enjoying the spectacle, and I smile sideways at her, happy that her third can of beer is taking some of the edge off that chip on her shoulder. The crowd that''s formed around our little game is now placing bets, shouting odds like we''re in some kind of underground fight club. If only they knew what I was actually capable of. "So," I say, laying the sarcasm on thick as I mimic the slurred speech patterns of my less fortunate friends. "Who''s next?" Chapter 23.2 Jenna''s eyes catch mine. They''re like fireworks, bursting with mischief and a glittering sort of anticipation. She raises her hand. "I wanna try my luck against the beer goddess over here," she declares. The irony is so thick you could cut it with a knife. A wave of laughter sweeps through the assembled crowd, a sound that sears this moment into the fabric of adolescent memory. It''s a collective chuckle, one that nails down the good vibes hovering over this party like a cloud of confetti. It feels good. It feels... right? Compared to getting stabbed, this is proving to be an almost enjoyable Saturday night. "I accept your challenge," I say, tilting my head back for theatrical effect. Someone nearby pours beer into the cups as if filling the Holy Grail itself, a couple of times over. Time slinks by. The night is long, and though my winning streak is a mile wide, it''s about as satisfying as a paper cut. My bladder feels like it''s training for the Olympics, and every swig of beer I take is a reminder of why I hate it. It''s bitter, foul, a liquid punchline that''s getting old real fast. Even not accounting for the fact that I''m not getting drunk at all, my mouth is a noxious mixture of sticky and sore, like the liquid itself is eroding at my gums. It feels bad! I catch Jordan''s eyes. They''re glazed, lost in a fog that''s more than likely a mix of THC and sheer boredom. They''re standing by the sidelines, seemingly disengaged from the entire beer pong circus taking place. I mentally bookmark a reminder to talk to Jordan, ASAP. Having put Jenna and another would-be champion in their respective places, I finally step back. The applause that trickles in behind me is like a soft jazz outro, validating yet understated. I weave my way through the bodies and faces, a blur of colors and scents, until I reach Jordan. Jordan greets me in the most Jordan way possible, with a fragrant plume of weed smoke, so dense it could challenge a fog bank. It envelops me as I walk closer. It''s almost like stepping into another atmosphere, one that''s a bit more relaxed and a lot more hazy, with all sorts of people in half-effort Halloween costumes a month early joining Jordan in the smoking. "Miss me?" I ask, my words relaxed and a little sticky in my mouth. I lean against the porch railing beside them, feeling the cool wood press against my arm through my robe''s sleeve. Jordan takes a slow, deliberate exhale, expelling a stream of smoke that dissipates into the night air. They finally turn to look at me, their eyes a bit glassy but focused. "You''re looking remarkably sober for someone who''s just put away enough beer to float a boat," they remark. I can''t help but laugh at that. "That''s because I am sober. Shockingly sober, actually. Turns out, I think my regeneration counts alcohol as ''a thing that can injure me'', just like a bullet. Or at least that''s my guess. Really, the worst thing is just the beer taste." "Yeah, it tastes like piss," they reply, staring out into the Philadelphia night. They chuckle, a low, throaty sound that gets swallowed by the cacophony of the party behind us. Then their gaze drifts back out to the dark expanse of the lawn, momentarily illuminated by the occasional flash of someone''s phone camera. "Some days, Sam, I find myself envying the simple nature of your life." "Simple?" I arch an eyebrow, unable to determine if I''m surprised or offended. Jordan shakes their head, a wistful smile crossing their lips. "Okay, fair point, not simple. But straightforward. Linear, even. You''re like an arrow, flying straight at whatever target you''ve picked. Or a laser beam." I ponder their words, staring at the chipped paint on the railing. "Or maybe I''m just a dart," I muse, "always gunning for the bullseye. Wobbly. Uh... often thrown by other people?" Their laughter resumes, lighter this time. "Well, you''d be the first dart I''ve ever encountered that possesses the ability to bite clean through metal." The night air feels a little cooler now, like the atmosphere itself is absorbing the warmth of our conversation. We both stand there, our shoulders almost touching, wrapped up in a bubble of genuine friendship amid a sea of superficial interactions. For all the noise, all the laughter and the music pumping from the speakers, this brief moment feels like the only slice of reality in a night built on pretenses. And I can''t even get drunk to forget it.
While most eyes at the party are on red plastic cups or Instagram-perfect moments, I can''t help but notice Maxwell moving through the crowd like a guardian angel with a hidden agenda. At first glance, he''s just another teen at a high-school party, but the way he''s operating is too calculated to be casual. Every so often, he''ll hone in on someone, eyes narrowing as if he''s reading the trajectory of their night in a heartbeat. Then, with the grace of a choreographed dancer, he slips in, diverting them into a conversation, a game of pool, or even just outside for a breath of fresh air. It''s like he''s defusing social landmines before they even know they''re about to go off. The guy might as well have a neon sign above his head that says, "I see your future, and it involves puking and regret." It''s hard not to be intrigued, especially when those keen eyes of his keep flicking over to Jordan more and more as the night wears on. Maxwell isn''t subtle when he grips my elbow and guides me into a spare bedroom, dragging me over from the porch once I''ve lost sight of Jordan, flicking the lights on with purpose. "Close the door," he mutters. I oblige. It clicks shut, sealing us off from the laughter and music in the other room. My heart''s hammering a mile a minute, and I''m aware of everything. Thankfully, I haven''t had to put my blood-sense to use tonight. Nobody''s cut themselves on anything. But I can still feel every vein inside of me, just from the cardiac pressure. "Sam, we need to talk," Maxwell says, his voice slicing through the distant hum of the party like a fine blade. I cut him off, not even bothering to mask my irritation. "Look, if this is about me not getting wasted out there, trust me, it''s not from lack of trying." I can practically hear his eyes rolling, even if I can''t see it in the dim room. Or maybe it''s just because I can''t look him in the face. Maxwell exhales sharply, a sound of frustration that turns my attention back to him. "No, Sam. That''s not what this is about." He pauses, as if contemplating how to say what comes next. "It''s about Jordan. Safeguard. They''re the same person." The air turns thick and heavy. My heart skips a beat. I freeze, my eyes locking onto his. For a moment, it''s like he can see the future, see the words forming on my lips before I''ve even spoken them. I feel his disappointment even before I decide to speak. "Yeah," I admit, my voice carrying an undercurrent of sheepishness and shame. "Yeah, I know." For a fraction of a second, Maxwell''s eyes narrow, sharpening like a hawk spotting its prey. But then there''s a flicker there, understanding? acceptance, maybe? It softens his gaze. "You knew," he echoes, and it doesn''t come out as a question. I shift my weight from one foot to the other, an uneasy dance. "Yeah," I confirm, letting the word hang in the air between us. "Known for a bit now." Maxwell''s arms cross over his chest, the sleeves of his Superman costume, twenty bucks at the Spirit Halloween, straining against his biceps. "And you didn''t think it was important to tell anyone?" His voice edges towards incredulity, tinged with a dash of disappointment that I didn''t expect. I feel like I just disappointed my dad, which is always the worst feeling. I swallow hard, the guilt knotting itself up in my stomach. "I didn''t think it was my place," I offer up hesitantly, picking at the bandage on my knuckle. It''s a lame excuse, and I know it, but it''s the only thing my frazzled mind can produce. Maxwell uncrosses his arms, his hands falling to his sides as if letting go of some invisible weight. "Sam, this is not just about keeping secrets. It''s about trust. You think you can handle it all by yourself, but that''s not how this works," he pauses, letting the words sink in. His gaze is steady, but his voice carries an edge that suggests he''s struggling to keep his emotions in check. The story has been stolen; if detected on Amazon, report the violation. I wince at his words, my eyes dropping to the floor. My shoe nudges an old LEGO piece - who it belongs to I have no idea, since Lilly is the youngest and I know she doesn''t like LEGOs. For a brief moment, it serves as a distraction, pulling me away from the miserable conversation I''m currently stuck in. "Look, Max, I''ve been out there with them, as the Big Bad Wolf. Safeguard''s not all bad," I say, forcing myself to lift my eyes back to his. "We''ve been cleaning up the streets together, doing good, I swear. I promise." He sighs, running a hand through his hair. "Sam." "Max," I reply, turning away from him. "I''m not going to haul you in for questioning, Sam. I know you''re scared that you''re breaking the rules," he says, sighing and sitting on a fresh, new, smelly couch, glancing out the window into the backyard porch. He pulls a coin out from somewhere in his pockets and holds it out to me. "I know this because I''m cheating and reading the conversation in advance. I keep a coin with me just for that." "I''m not..." I start, not sure what I''m objecting to. I hear the ping of a coin being flipped and caught. "You are scared of being arrested," He says. Ping! "You''re scared of being rejected by me, and the rest of the Young Defenders," He says. Ping! "You''re scared of hurting other people," He says, catching the coin in his palms. "I respect the candor of all of your branches." "That''s so unfair," I mumble, folding my body up. "It is. That''s why I try not to use it. I can polarize almost any situation into something readable by my powers by just committing to a coin flip beforehand, and having that sort of access really fucks with your ability to socialize with people," He says, flipping the coin again. Ping! "Yes, that''s why I don''t talk a lot. I get it, Sam." "What do you get?" I look completely away from him, towards the door. "The urge. I have to stop myself every time I want to use my powers so casually, for personal enrichment. I was given this so that I could do something good, not so I could save-scum my life. And you get the urge too. The need to use your powers. Not a physiological urge or an addiction but the need to do something with what you''re given. I get it." I sigh. "You didn''t even flip a coin that time." "I didn''t need to. You''re extremely unsubtle," He says, stone-faced. "Look. I''m not going to make you do anything. You can be a vigilante. I won''t even tell the other Young Defenders, because, Lord knows, I keep all their secrets, too." "Did you know about Liberty Belle beforehand?" I ask, smashing the mood with a hammer. I see his face tilt down in the corner of my eye. He sucks in air between his teeth. "...No. She kept it hidden extremely well. She has access to police resources, which means she''s read my file, which means she knows how my power works. I don''t know if she went out of her way to avoid it or if she''s just that good, but I was as blindsided as everyone else was." "You, blindsided?" I turn to face him, raising an eyebrow. He chuckles, his voice low and slow. "I was blindsided 15 minutes before you and Puppeteer started fighting. Then, it was just a matter of holding it in." My entire body feels a little heavy, and I realize to my immense displeasure that being immune to getting drunk I don''t think renders me as immune to getting high. I''m talking too much. I shouldn''t have given up the ghost so easily. I feel disappointed in myself. "Did you see this coming? Like, this conversation?" "I can''t see that far ahead. I can see about two hours into the future, but it''s asymptotic, it''s super blurry past the first fifteen minutes. And I can''t chain my power into itself... so I''m really here to be a buzzkill like Emily said," he explains, staring at a ceiling fan, slowly rotating overhead. "Whenever Emily is about to have a party, I flip a coin and commit to going on heads. That way, I can prepare if there''s any immediate emergencies. I can do other polarized outcomes, too, like left or right - basically anything that splits a decision between one of two possibilities. Coins are just really convenient." "Neat. Thanks for the lecture," I say, sincerely. He smiles at me. "You''re welcome." We stare in various directions, never at each other, in silence for another minute or two. "They''re really not bad," I say, eventually. "Jordan, I mean. They have a good heart. They really were just testing their powers when we fought, it wasn''t out of malice or death or whatever. They just don''t respect superheroes and didn''t realize that I was just fourteen. That''s what they said, at least." "Do you believe them?" Max asks me. I think about it. "Yeah. They''ve saved me from death enough times that I can''t not believe them. When we first encountered the Kingdom - oh, sorry, it was both of us, not just me alone - they stopped me from getting shot. They keep me from getting hit even though I can walk it off every time we''re out and about. They''re just... cynical. They don''t like the way things are. They don''t like superheroes that work for the cops. Work with the cops. And... they shoplift." "Mother, Mary, and Joseph. Shoplifting, really? Crazy," Max replies, sarcastically. "I was really bugging about it for a week or two! But now they just... take their cut of the money we take from the bad guys we beat up. Drug dealer money. And dog fighting money. Gangster money. And they haven''t had to shoplift for a while, and I believe them," I say, dumping the words off my chest like they''re breakfast coming back up. "Is that so bad?" "I''m not the person to ask about morality, Sam. I can''t judge you. Only God can. Or, you know, whatever you believe in," he tells me. I turn to face him, raising an eyebrow. "Can I flip a coin?" He asks. "Sure. I appreciate you asking this time," I joke, but he does look a little hurt by it, so I give him a thumbs up. "Kidding. It''s fine. You were fine the other times, too." Ping! He inhales through his nose and squints. "I''m Catholic, you''re Jewish. We''re having an extremely interesting and extremely off-topic discussion about our respective beliefs on morality and who can perform the act of judgment. I''d like to keep on-topic but feel free to come and actually have this discussion with me in real-time some other time," he rattles out, before opening his eyes back up. "What the fuck." "It''s a cool party trick, huh?" he asks, trying to lighten the air. He leans a little bit further in on his seat, folding his fingers together. "Look. Like I said, it''s not my place to judge. I think your intentions are pure and you are doing a good thing for the world - for your town, certainly. I wish, personally, that you would do so through official channels instead of picking fights with dangerous people, but you are your own person, and I cannot control you. That''s not a path I want to go down." His eyes flicker imperceptibly. I don''t need superpowers to know that he''s thinking about Puppeteer. "More importantly, I believe you. And... I think we could use Jordan''s help," He says, after another minute-long pause. I turn my entire body towards him, suddenly interested, suddenly a little angry for reasons I don''t understand. "In what?" I ask, trying not to sound upset. He folds his fingers together a little further. "If what you''re telling me is true - and I do believe you that it is - Jordan not only is familiar with the Kingdom, but has an extremely versatile power that is useful in keeping people alive in dangerous circumstances. Well, we have a lead, and we could use an unfamiliar face to help us investigate it. I have a feeling Jordan won''t be interested in becoming ''one of us'', but at the very least, we could ask them for aid in tracking down the Kingdom''s operations in Philadelphia. And as the current acting leader of the Young Defenders, I''m willing to make this call." "Wait, you''re the leader right now?" I ask, my entire body freezing up at once. Oh my G-d. At any time he could very easily discipline me. Or kick me out. And he hasn''t? Wait, he said a bunch of other shit - what else did he say? Jordan? Helping? "Sorry, not helpful--" "I''m the oldest and most experienced out of the active members, and my power is most useful from a position on high. I was also the leader before Diane met Pup. I don''t have any real compunctions about passing control down, but while Pup is indisposed, I am the leader, yes. But let''s not get too off-topic - do you think you could reach out to Jordan? Do you trust them enough?" he explains, and then asks, standing up from the couch in a way that makes me feel like the conversation is coming to some sort of dramatic conclusion. His eyes bore into mine, and my heartbeat accelerates. "Absolutely," I say without hesitation. "I trust Jordan with my life." "Cool," Max replies, smirking at me. Ping! "You can come out now, Jordan. I know you''re there." "God fucking damnit fucking bullshit cheating stupid fucking precognition bullshit fucker cunt shit fuck," Jordan swears, stumbling out of a nearby closet and nearly falling onto the carpet. "You knew I was here the entire time." "I was debating which empty room to have this conversation with Sam in, yes," Max says, trying to keep his composure - trying not to laugh. Jordan''s eyes are glazed, red, and puffy, and not just from weed. Clearly, they''ve been crying. "Samantha Small you are the nicest, dumbest, most naive, most optimistic, stupid dumb bastard I have ever met," they wheeze, leaning against the bedroom wall. "I love you too," I say back, tousling their thoroughly gelled, spiky hair. "It''s hard to hear from inside a closet. Don''t ask why I was in a closet. What was this about the Kingdom, and my powers being useful?" Jordan asks, stumbling to a standing position, cracking their knuckles. "Don''t get me wrong, I''m not interested in working with cops, much less super-cops. But I am interested in getting payback on some smug cunts who tried to kill me. I''m not in this for your justice." "That''s fine. Do you like bars?" Max asks, folding his arms over his chest, looking particularly heroic. "More than I like high schooler beer pong parties, that''s for damn sure. Do I get to go to a bar if I play nice with some of your goody two-shoeses?" Jordan asks, fidgeting with their prop gun. Max smiles, looking between the two of us. "Yes. Yes you do." "Don''t even give me more details. I''m in," Jordan says, putting a hand up in front of Max''s face. "But what about shrimp here?" "Sam, do you like bars?" Max asks, turning to face me. I shrug. "I like danger, I think. Will there be danger at this bar?" Max smiles, even wider. He grins, even, the first time I''ve ever seen that sort of expression on his face. "Danger and grenadine." Chapter 24.1 "Just so you know, my parents said, no, they insisted that next time we hang out it be at my place. You know, so you can meet them, so they can make sure they approve of you and all that," I say, glancing in the full-body mirror that Jordan got from¡­ somewhere, out in our Base of Operations, where nobody can see me. I stopped asking questions a while ago about where exactly Jordan sourced all the small improvements to our little cavern of schemes. The air is clean and dust-free, and there''s even a fold-out couch bed now, for proper sleep. Jordan snorts, smearing a dash of foundation onto a makeup sponge. "Oh, are we now at the ''meet the parents'' stage of our supervillain-superhero relationship? How quaint." I grimace as I pull a stubborn lock of my newly-dyed hair back into place. It''s a darker hue than usual, aimed to make me look older, more mysterious, but right now I just feel like a kid playing dress-up. I was never meant to have blue streaks in my hair, even if those blue streaks would wash out with a shower. "Hey, they''re worried. Can''t blame them for wanting to make sure their daughter isn''t hanging out with bad influences. Plus, it''s not a superhero-supervillain thing, it''s a friend thing." "Bad influences, hm? Should I be offended?" Jordan steps toward me, makeup sponge in hand, and arches an eyebrow. I shrug. "If the shoe fits. Or, in your case, if the spiky combat boot with six redundant buckles fits." Jordan chuckles as they start dabbing the foundation onto my face. "Sit still, you twitchy little pooch. Let''s make you look like you weren''t just in high school yesterday." I sigh, willing myself to relax under their ministrations. My newly-dyed hair cascades around my shoulders, and my eyes focus on the collection of bottles and makeup products scattered on the coffee table, while their phone flashlight shines in my face. We have lamps, but given that our sole sources of energy are battery packs and small solar panels designed to charge battery packs, light is a little bit at a premium here. The idea of infiltrating this bar almost makes me sweat as much as the light does, especially since, no matter how much makeup you put on me, I still look like a teenager. "The key to a good cover is to blend in but not stand out. You have the young and innocent vibe going too strong, so we need to add some layers," Jordan says, moving on to eye shadow, carefully selecting a palette that screams ''nightlife'' but not ''trying too hard''. I chuckle nervously. "Layers, like an onion." "Plus, this bar actually does allow¡­ sixteen-year-olds inside. You''ll get a stamp on the back of your hand that says ''no alcohol''. I simply need to present my driver''s license," Jordan continues, giving a final swipe of the eyeshadow brush and ignoring my onion comment. "There. Open your eyes." I blink my eyes open and meet my reflection. I look¡­ different. Older, grimier, with edge. You could almost say "attractive," but I''ve never found my own features particularly enticing. "Wow," is all I can manage. "See? I told you. Makeup''s like a superhero mask for civilians," Jordan says, capping the eyeshadow and moving on to the eyeliner. "Hold still. I swear, if you twitch and make me mess up, I''m blaming you once this inevitably goes tits-up and we need to make an escape guns blazing." Holding my breath, I sit as still as a statue while Jordan works on the eyeliner, their hand steady despite their jesting threat. "You really think something will go wrong?" "Absolutely. The worse I think it will be, the better it ends up. I am expecting the on-site nuclear warhead to get detonated, so anything below that is a success in my eyes," they reply, finishing the curling of the liner around my eyes. "There. Now you look like someone old enough to go to a nightclub. Just don''t open your mouth and, like, say anything, you squeaky little hamster." I laugh, puncturing the tension in the room with a needle. "How many mammals can Samantha Small be compared to in a single night? Let''s count the ways." "Okay, capybara," Jordan teases, taking some time to silently finish their own makeup, which is much more understated than mine. Except for the huge raccoon-like dark circles around their eyes, of course. We''re dressed in nice clothes for once, by a given definition of nice, rather than in vigilante costumes or our school uniforms. Seeing Jordan in something other than Tacony Charter High''s uniform feels¡­ weird. Weirdly intimate. Like they''ve exposed themselves to me on some level, now that I''m seeing the way they dress outside of the spaces I know them. My clothes aren''t particularly flashy ¡ª a light tan sort of floral or filigree-ish lace pattern lies atop layers and layers of black and brown lace, almost looking like tiny slivers of skin running across me. Or, at least, it would if I were three or four shades darker than I am. While it''s technically one piece of clothing, it''s split into a skirt and shorts that sit right at my knees, and then a short-sleeve top that reveals most of my steadily developing arm muscles, connected at the middle with a small ring of unpleasant straps. My belly is just barely visible, which suits me just fine because, frankly, the more visible it is, the less comfortable I am. And I''m wearing sneakers, because I''ve tried walking in high heels. Could not do it. Wasn''t gonna work. Jordan, on the other hand, dresses in a style that my friends would call "butch." In this elaborate hypothetical, I would gently push back on it because I have no idea if Jordan is allowed to call themselves butch or not, but they''re certainly putting in a very good effort. A plaid, black-and-grey button-down with the sleeves rolled up, and black dress pants. Even in these far-less-baggy clothes, I am still not even an inch closer to determining what exactly Jordan''s situation is, which is somehow something I haven''t thought about in two weeks. Let''s reset the clock, people, roll that "days since last contemplated Jordan''s gender" counter back to zero. Jordan grins, their eyes meeting mine in the reflection. I realize, perhaps too late, that I''ve been staring. "You good?" they ask, jabbing me in the forehead, their dress shoes squeaking on the floorboards. "Ready as I''ll ever be," I say, grabbing my purse. It has both of our phones and a couple of other fun surprises that Gossamer has made for us in the past few days. I fully expect it to make it through the bouncers. "Alright! Let''s go make some bad decisions," Jordan cheers, clapping me on the back.
The rusty hinges of the car doors protest with a drawn-out creak as Jordan and I close them behind us. I find myself instinctively clutching the handle, feeling the faux-leather material yield beneath my grip. My eyes scan the interior of the car. Maxwell ¡ª or Crossroads, depending on how you know him ¡ª is the captain of a vehicular relic as much as he is the captain of the Young Defenders, at least this month. This is no modern, slick ride but rather a sedan dating back to the ''90s, with a paint job so thoroughly tinged with rust that it looks like a smear of autumn leaves. At first glance, I can''t even tell it''s supposed to be paint. The first thing that hits me is the scent. It''s the kind of smell that wraps around you like a weighted blanket, both familiar and off-putting at the same time. The musky aroma of upholstery that has absorbed years of life layers with a musty undercurrent of stale cigarette smoke. It smells like someone''s old, forgotten man cave; like a den that has seen better days but still clings to its last vestiges of macho charm. Its curves are soft and rounded, as though weathered by years of touch. The seats sag in that inviting way well-loved cushions do, offering a comforting dip for a tired body. I notice patches of upholstery¡ªtextured, faded, and scarred with burn holes. I get the distinct impression that this car is the family car, something older than Maxwell. Either that, or a new used car purchase, but my money is on old family car. If you come across this story on Amazon, it''s taken without permission from the author. Report it. Jordan shuffles into the seat next to me, their posture going rigid for a moment as their eyes register the upholstery''s advanced state of decomposition. "Wow, Crossroads, this car should probably be in a museum, not on the road," they comment, sounding half-impressed and half-concerned. "You sure it''s not going to explode on us like a Pinto?" Maxwell''s lips curl into a brief chuckle, but his eyes remain fixated on the expanse of asphalt before him, uncompromisingly focused. "Given the state of your ''headquarters,'' I don''t think you have room to talk," he retorts with a wry edge. "And I didn''t know you talk cars." "I don''t. I just like stuff that blows up," Jordan answers, concerningly. The car''s engine gives a raspy grunt as Maxwell shifts gears, steering us away from the timeworn facade of the old music hall that Jordan and I have repurposed into something resembling a base of operations. We ease onto Tacony''s ramshackle streets, their surfaces marred by potholes and time like the craggy face of a boxer past his prime. As the car trundles along, I feel the wheels jostle and bounce in those ruts, each dip and rise a tactile affirmation of the neighborhood''s long-neglected state. Philadelphia potholes are never exactly in good shape, but by G-d, Tacony has some of the worst. The car rumbles beneath us as we leave the familiarity of Tacony behind. I find my gaze tracing the changing landscape outside the window. Rowhouses, the charming but timeworn dwellings that line the streets of our neighborhood, slowly give way to taller, sleeker structures. The metamorphosis feels like watching a scruffy caterpillar transform into a butterfly: gradual, yet fascinating. The old and battered face of Tacony peels away, replaced by the youthful energy of Center City¡¯s skyscrapers and bustling avenues. The buildings seem to squeeze closer together, as if jostling for room, each one vying for a spot in the urban panorama. I feel it. The pulse of the city, its heart thumping faster, its lungs breathing more vigorously. Just as my thoughts drift to what kind of person Center City would be if it could walk and talk, Maxwell reaches into the glove box. The compartment creaks open, revealing an assortment of items. Among them, two tiny earpieces, tossed back at us. I catch mine easily - Jordan scrambles for theirs. "These are your earpieces," he says, his voice thick with gravity, as if we''re being spied on this very moment. "They go in your ears. Sam, hide yours under your hair. Jordan, yours has been gussied up to look like a hearing aid. The receivers can be hidden in your clothes." I take the offered earpiece, and I''m immediately struck by its almost feather-like weight. I maneuver it into my ear and tuck it under a curtain of my hair, a sense of surprise washing over me as it coils snugly around my earlobe. It clings to me like a magnet clinging to someone''s metal skull-plate, or like a snake wrapping around a branch, fitting just right - I have to imagine that Gossamer probably got my¡­ ear measurements? At some point. I find a hidden inner pocket in my clothing, underneath the skirt, and discreetly hide the receiver, feeling its weight as each pothole makes it bounce along my thighs. Jordan, in a smooth motion that carries along their casual demeanor, adjusts their own earpiece. It is, as mentioned, designed to look exactly like the hearing aids some people at my school wear. They deftly conceal the receiver into a secretive pocket stitched into the lining of their dress pants. Their hands navigate the fabric with ease, as if they''ve practiced this a thousand times in another life. "Neat," they whisper, their eyes meeting mine. A grin cracks their usually stoic face, full of the thrill that comes from treading unknown waters. "Secret agent style." "How often have you hidden shit in your pants?" I ask, trying to glance to see how many extra pockets Jordan has sewn on or into their clothes. "A magician never gives away their secrets," Jordan replies, infuriatingly. "Focus, you two," Maxwell chides, drumming his fingers rhythmically against the steering wheel. He reaches across the dashboard, lowering the volume of the radio that has been softly serenading us with hits from the ''70s and ''80s. "The Kingdom is no small-time operation. Think of it like the traditional Mafia families it has eaten the lunch of after the Big Raid created a power vacuum. You''ve got the Boss, shrouded in mystery, sitting at the top. From there, you''ve got your underbosses, your capos, down to your soldiers and associates. It''s your usual criminal empire hierarchy." The upholstery feels sticky under my palms. My eyes shift to Jordan. Their posture has stiffened, mirroring the anticipation knotting up in my stomach. "Okay, let''s not turn this into a documentary," Jordan interjects, their tone laced with snark. "How about an English version for Sam, Einstein? She''s still taking Mafioso 101. No habla italiano." Maxwell chuckles softly before rephrasing, and I silently thank Jordan in my mind. "Alright, think of it like a tree. You''ve got one main guy at the roots, the Boss. He delegates responsibilities to his immediate subordinates, they, in turn, do the same for their own teams, and so on. The guys at the bottom - of the hierarchy, top of the tree - they''re the street-level criminals, the ones you two have been busting up recently. It wouldn''t surprise me if some of the operations you two have been gutting were operations that feed into the Kingdom''s coffers." Ah, a tree. That, I understand. With the metaphor taking root in my mind, I find my hands unconsciously clenching together. Each of Maxwell''s words is making the assignment feel increasingly real; tension grows like static in the air. "We''ve recently had an interrogation session, led by an empath from the NSRA and a guy named Multiplex," Maxwell picks up the thread of the conversation again. "Real heavy stuff. Big boy stuff. We haven''t managed to convince anyone to defect, but we did manage to yank some valuable information out of them. That led us up the chain a bit. Then we interrogate the next link. Problem is, nobody is spilling anything directly incriminating. And, as much as I''d like it to be otherwise, my precognitive abilities don''t count as admissible evidence. Judges don''t accept ''well, I had a vision about it'' in a court of law." The severity of our mission is suddenly feeling all the more palpable. It''s one thing to beat up goons in an alley; it''s another to contribute to a case that could cripple a criminal empire, one that has a palpable negative effect on the world I live in. Drug dealers, murderers, loan sharks, all sorts of scum that make the lives of my fellow humans worse. Is this what my Pop-pop meant by saving lives? Is this ''repairing the world''? Maybe not in the traditional sense, but it feels like it to me. Maxwell''s eyes find ours again in the rearview mirror, locking us in. I try very hard to look away, only managing to pry my eyes aside at the last minute. "That''s where you two come in. We have confirmed that two key figures from the Kingdom, who go by the names ''Mrs. X'' and ''Mrs. H,'' will be at Crescent tonight. The place is a nightclub, but it¡¯s also a money laundering front for their operations. We''re going in with semi-complete information, but we hope that this move will allow us to leapfrog a couple of steps up their chain of command. All of us at the Young Defenders and DVD are too well-known; I''m sure they''re on the lookout for familiar faces from major hero organizations. But Jordan''s a total nobody¡ªno offense¡ªand you''re just some neighborhood watch girl right now. I''d be very surprised if they recognized the two of you." "Rude," Jordan sighs, puffing a lock of hair out of their face. "It''s true, sorry. Anyway, this is going to be an all-indoors mission¡ªI''m told that sort of thing suits your repertoire, Jordan, so you''re on eavesdropping duty. Your job is to identify who exactly these Mrs. X and Mrs. H are, and if you can get any useful information from them without starting a fight¡ªwithout starting a fight¡ªmore''s the better," Maxwell lectures, glancing at Jordan through the mirror. They harrumph, arms folded in front of their chest. "Yes, mom," Jordan whines. Maxwell ignores them, trucking onwards. "Sam, your job is to be Jordan''s bodyguard. Out of the two of you, you''re significantly more intimidating, stronger, and can hold your own better in a fight. We have no doubt that this place is teeming with soldiers and goons, and we''ll have reinforcements standing by if things get hairy, but this is a nightclub with civilians, including teenagers. Getting information without alerting the Kingdom to the fact that they''re being surveilled is our end goal, but man plans, and God laughs, so you''re there for muscle." "Aw, you really know how to butter a girl up," I tease, flexing my arms. My muscles pop a little bit, veins visibly running up and down my wrists. My nails are filed into points and painted black for the occasion¡ªa trick Jordan thought up the other day, so I might be able to scratch someone open and activate my blood sense. "You''re too young for me, sorry," he says coolly, and I feel my entire body flush with embarrassment. "That''s NOT what I MEANT," I retort, my voice shooting up an octave. I press my forehead against the cold window, feeling sweat forming between my skin and the glass. Maxwell chuckles as he stops the car in front of Crescent. The line outside stretches around the block and then some. The weekend night sky hangs overhead like it''s about to burst open, and the music is so loud it reverberates in my bones even from here. Already, my blood sense starts to tick on with so many people crowded together. I close my eyes for a moment, trying to block it out. "I''ll be around. Just need to park so I don''t look weird. And have you ever tried to find parking on Walnut? It''ll take a minute," Maxwell says, extending a fist toward the backseat. Jordan bumps it without hesitation, while my own fist bump comes out timid. "In what world would I need to find parking in Philadelphia, Max? I''m fourteen. And a half," I shoot back. His laugh is less guarded this time as Jordan and I shimmy out onto the road and head to the back of the line. Chapter 24.2 The glowing neon sign spelling out "Crescent" bathes the crowded sidewalk in an otherworldly light. It lends a restless, animated quality to the line of people that curls around the block, all of us just waiting to shed this exterior and slide inside. The club''s thick walls can''t contain the bass; it pulsates like a far-off earthquake. It harmonizes with the hums, honks, and hollers of nighttime Philadelphia. The city pulses around me, alive, its heartbeat thumping to the rhythm of a high-octane rave. It feels like the beat could resurrect the dead or something. "Can you just, like, not?" Jordan nudges me. Their eyes, sharp in the neon light, focus on my foot tapping against the pavement. I didn''t even realize I was doing it. "You''re making me anxious just watching you." "Ah, my bad," I murmur, smoothing my palms down the sides of my dress to stop myself from fidgeting. The fabric feels alien against my skin, a strange second layer I can''t get used to. It''s not spandex, and it''s definitely not athletic wear. "This is my first time doing this. Being at a club, I mean. I don''t usually hang out at places like this, you know?" One of Jordan''s eyebrows arches up, a glint of refracted neon dancing across the silver rings on their fingers. "Do you actually think I want to be here?" They wave dismissively toward the club entrance, disdain dripping from their voice. "They''re probably not even going to play a single Trent Reznor track. I wouldn''t be caught dead in a place like this if I didn''t have a job to do." "Who?" I ask, moving forward as the line inches along. "Nine Inch Nails," Jordan clarifies, eyes scanning the area. "You know, the ''I wanna fuck you like an animal'' guy?" "Dude!" I squeak, still burdened by that easily embarrassed teenage sense of propriety. My mental Rachel Small starts to chastise Jordan for their language. "Actually, I think my dad listens to him." "Your dad sounds awesome," they reply, guiding me along as we continue to wait. Finally, after what feels like a torturous eternity¡ªeach minute stretching thin like taffy¡ªI find myself at the front of this winding line. Two bouncers stand guard at the entrance of the nightclub, like living gargoyles. They look bored, eyes lazily scanning the crowd as if they''ve seen it all before. But when their scrutinizing gazes settle on me, I feel a surge of adrenaline. For a second, I swear I see their apathy waver. Just a flicker, but it''s there. "IDs," grumbles the bouncer on the left. His hand stretches out toward us, gnarled and massive like the roots of some ancient tree. I notice tattoos snaking from beneath his fitted black t-shirt sleeves. They''re not colorful or elaborate; they look more like sutures, like he''s been pieced together from different parts. My eyes linger on the tattoos on his knuckles¡ªthe area between the base and the middle knuckle. They''re all inked in black. How much would that even hurt? An involuntary shudder rolls through me. Jordan, seemingly unfazed by the aura these human monoliths radiate, smoothly produces their driver''s license and hands it over. They stand there as if we''re queuing for movie tickets and not sneaking into what could be a villain''s lair. In contrast, my own actions feel more like those of a jittery pickpocket on their first heist. I plunge my hand into my purse and, after the most uncomfortable twenty seconds of my life, finally fish out the flimsy piece of government-issued plastic that proclaims me to be someone I''m not. It feels like I''m holding onto a lifebuoy in a stormy sea. Rampart gave me the ID at our last spar. Right now, he''s two neighborhoods away, doing a regular patrol and making a show of it. The bouncer takes his sweet time examining Jordan''s ID. His face stays as unreadable as a blank sheet of paper. Satisfied or perhaps just indifferent, he hands back the card and turns his attention to me. My heartbeat seems to sync with the pounding bass leaking out from the club''s closed doors. He squints at my ID, then back up at my face, then down at the ID again. It feels like he''s comparing two nearly identical pictures, searching for the element that doesn''t belong. My stomach churns as if it''s about to swallow me whole. "Isn''t she a bit too young to be here?" He doesn''t direct the question at us but turns to his colleague, who looms beside him like a human-shaped mountain. His eyes scan me up and down. For a second, I feel less like a person and more like a math problem on a blackboard that refuses to add up. "Yeah, could be," his mountainous colleague says, scratching his head as he continues to size me up. "Maybe we should scan it." Scan it? The words slam into me like a freight train. My heartbeat, already racing, threatens to burst out of my chest and sprint away. I didn''t even know you could scan IDs. Jordan leans in close, ready to put on their performance. They adjust their posture, projecting the air of a slightly irritated older friend burdened with chaperoning their annoying younger buddy for the night. "Are you done yet, Sam?" There''s a tinge of annoyance in Jordan''s voice. "We''re holding up the line." Caught off guard, the first bouncer stares at the headset hooked over Jordan''s ear. His expression twists into a knot of confusion. "What''s the deal with that?" Jordan doesn''t miss a beat. "Oh, I''m deaf," they announce, leaning into the role. They glance back at the sprawling serpent of human bodies behind us, as if to emphasize the impatience of the crowd. Whether they actually know sign language or are just good at faking it is anyone''s guess. I bite the inside of my cheek to stop myself from laughing¡ªor maybe screaming in fear. "What, you don''t recognize a hearing aid?¡­ Sir?" Jordan''s tone walks the line between innocent inquiry and outright challenge. I can almost see the gears turning in their mind, clearly struggling between their impulse to antagonize every authority figure they''ve ever met and the need to actually get past these bouncers and into the nightclub. The bouncer, this mountain of a man with a beard that seems to absorb the neon lights around us, pulls a scanner out of one of the many pockets on his utility belt. The little machine looks like something a 007 villain would use to check for spies. It''s all sleek black and blinking LED lights. With a kind of practiced indifference, he takes my ID and slides it into the designated slot on the gadget. The seconds stretch on, growing longer and longer, like a rubber band pulled taut to its breaking point. The world around me blurs, the loud bass thumps and laser-like sound effects from the club¡¯s interior receding until all I can hear is the thudding of my own heart. It''s like a drum, pounding away in my ears, each beat a reminder that this could go very, very wrong. I can feel Jordan beside me, an island of calm in my sea of anxiety. They''re still as a statue, but their hand inches closer to mine as if preparing for¡­ something. Finally, the scanner emits a soft beep. A green light flickers to life on its small screen. "Checks out," the bouncer mutters, a twinge of disappointment in his voice. Maybe he was looking forward to throwing out some teenagers tonight. I don''t know. What I do know is relief, pure and overwhelming, like a tidal wave that washes over me. He reaches for an inkpad and stamps the back of our hands with ultraviolet ink, a glaring mark only visible under specific light. It¡¯s as if he¡¯s branded us, sending a silent message to every bartender in the place that we¡¯re not to be served alcohol. "Go on in." This story has been stolen from Royal Road. If you read it on Amazon, please report it I release a breath, so big and heavy it feels like I''ve been holding it for years. My lungs seem to reinflate, and the world reasserts itself around me. The beats from the club''s speakers rush back, flooding my ears like a physical thing. We shuffle past the velvet rope, that flimsy little barrier that separates the in-crowd from the out-crowd. As we step through, I can feel the bouncer''s eyes on us, studying, weighing, and judging. But whatever he thinks, it doesn''t matter. We''re in. I glance over at Jordan, and it''s like looking into a mirror. Their face splits into a grin so wide it must hurt. I don''t need to hear them to know what they''re thinking. "We did it," I mouth, my voice lost amidst the cacophony of the club''s inner sanctum. The words are nearly swallowed by the swirling vortex of sound and light that surrounds us. Jordan winks, a sly curl at the edge of their mouth as they say, "Oh, we''re just getting started." Then, with a firm grip on my arm, they pull me into the bedazzling, overwhelming whirlpool of chaos and noise that is Crescent.
Light. Lights. The very instant we step into the heart of Crescent, it''s as if we''ve plunged headlong into a vortex of sensation. The lighting, a kaleidoscopic rush of purples, blues, and greens, swirls across every conceivable surface. It''s a deluge of color that pulses to the rhythm of the music, a sensory overload that''s almost hypnotic. The floors beneath my sneakers are alive with fluctuating hues, like shallow tides of a neon ocean, and above, I notice the disco balls, suspended from the ceiling like miniature planets in a manic galaxy. They scatter pinpricks of light, some intense, some weak and smeared, across the walls, as if the very fabric of reality is freckled with stars. A strobe light makes me feel erratic, like everything is moving in slow motion. For a second, I worry if I''m having a seizure, if I''m somehow photosensitive without knowing it. Then, the feeling passes. My ears are immediately bombarded, next. The beats, originating from some indistinct location in the sea of human bodies, permeate the very ground. The bass is a living, breathing entity that sends rhythmic tremors through the soles of my feet and up into my shivering bones. I can feel the vibrations merging with my own pulse, compelling my heart to sync up with the club''s erratic heartbeat. Layered atop this pulse are the abstract melodies of conversation, snippets of shouted dialogue tangled in a complicated weave of sound that overwhelms any other noise. My nose picks up on a medley of smells so dense, it almost feels textured. The basic foundation is a heavy blend of sweat and alcohol, so deeply intermingled that they practically form their own unique aroma. Amid this, there are unpredictable bursts of spicy perfumes, hot and aromatic, that pierce through the haze. Yet within this complex olfactory tapestry, something else catches my senses, a brief, sharp whiff of metallic tang. My blood sense quivers awake, a soft nudge of awareness in the landscape of more dominant senses. Someone here is bleeding; the exact source is elusive, but the scent tugs at my heightened senses. That¡¯s when I catch another smell. The distinct odor of weed sneaks its way into the mixture, subtly different from the acrid bite of lingering cigarette smoke. It''s like a quiet participant in a loud conversation, barely perceptible yet undeniably present. And it somehow fits, wedging itself neatly between the more aggressive scents like a wallflower too shy to leave but too distinct to be ignored. The air is heavy with a sort of flavor, a complicated m¨¦lange (that means a mixture) of unspoken urges and unreleased tensions. It''s as if the atmosphere is daring me to participate in its unfiltered existence. That being said, even if I wasn''t branded with the Mark of Minor, it''s not like anything here could get me drunk. Its own sort of curse, I suppose. Finally, my attention shifts to Jordan, who hasn''t let go of my arm since we entered this labyrinth of sensory hell. Their grip serves as an anchor, grounding me when every other sense threatens to carry me adrift. Their clothes provide an odd tactile comfort amid the storm of sheer raw stimuli. It''s like holding onto a life preserver in choppy, brackish seas. Suffice to say, I don''t like it here. Stepping deeper into Crescent, Jordan¡¯s grip on my arm becomes my lifeline, pulling me through a world exploding with chaos. I let myself be guided past an immense, square bar that sits like a grand island in the ocean of people. It''s the focal point around which everything else orbits. The bartenders move around the bar¡¯s counters with a smooth finesse that''s borderline theatrical. They spin bottles in the air, twirl shakers, and pour liquid in arcing streams - showpeople, captivating a crowd that''s already entranced by the rest of the club¡¯s spectacle. Beyond the show-offy bar, the dance floor is a frenetic tangle of bodies. The music comes at you in waves of bass and treble, making the air itself seem to pulse. At the helm of this insanity stands the DJ, silhouetted by a backdrop of lights and colors that would give a kaleidoscope a run for its money. He''s the puppet master here, with every flick of a switch or twist of a knob sending new ripples through the crowd, a crowd I have negative desire to get involved with, while Jordan''s head flicks every which way, looking for passages in the waves. I drag my attention to the right, where a corridor is doing its best impression of a strobe-lit tunnel. It expands and contracts with the club¡¯s heartbeat ¡ª no, that¡¯s just the lights again. Signs flash intermittently in that dizzying strobe: "Restrooms," one says, but there''s something else down there. A velvet curtain is tucked away at the end of the hall. Private rooms? An exclusive bar? My thoughts flicker between thrilling possibilities and darker suspicions. I track down a nosebleed in my blood sense down to that curtain, and past it, and I put two and two together. Gross. But then my gaze wanders upwards. Above all this craziness, the second floor sits like a separate realm. It¡¯s encased by intricately designed railings, like a gilded cage separating the elite from the commoners below. People lounge on plush sofas up there, cocktails in hand, conversations in full swing. They look down at us, but their laughter is a lost echo, drowned out by the tumult below. Staircases snake their way up to this opulent overlook, but each is guarded by a sign, a gatekeeper: "Employees Only." That, and the actual gatekeepers. They have tasers and sunglasses, and are not signs. They are humans. In seconds, but what feels like a slow-motion scan, the layout of Crescent cements itself in my brain. The central square bar, that¡¯s your first landmark. Dance floor next, like a gladiator arena for party-goers. DJ booth presides at the far end like a throne of beats. Restrooms down the strobe hallway, alongside who-knows-what behind the velvet curtain. And finally, the second floor¡ªa forbidden paradise circled by railings and guarded by dudes who could double as Secret Service agents. Every corner, every sign, every face¡ªit''s a clue or a tool or a hazard. I try to commit it to memory. Jordan glances at me, glances forward, and then spins around on their heels to actually make eye contact with me. I feel like I must look pretty silly, because my eyes feel like they''re bugging out, and Jordan is inspecting them, like trying to catch their own reflect in my retinas. They snap their fingers a couple of times. "Eyes up, Sam," they mouth, just loud enough to barely, barely be heard. I turn my head towards the dance floor but my eyes up at the balcony, where the VIPs schmooze and pass credit cards along. Waiters and waitresses in gauche suits and bowties offer drinks, snacks, something that I''m sure is a joint but could easily also be a cigar or a cigarette, totally impossible to tell in this lighting. The way the club is structured puts all the glow in the first floor, keeping the balconies of the second much less well-lit by comparison. I pull Jordan in close. "They''re up there. I''d bet my life on it." "Me too. But no rush," Jordan replies, keeping their responses short and clipped. "Don''t stand out. Mingle, eavesdrop, get a Shirley Temple," they continue, passing a twenty dollar bill into my hands. Our earpieces crackle to life, a direct feed that cuts right through the brutally pounding noise running through my skull bone. "Good job getting in. I''m in line. I''ll be hanging out by the entrance in case I need to ferry out civvies. You won''t be able to reply from the noise, so just try to tap the button on your receiver once for yes, twice for no. Got it?" I tap the button once. I see Jordan do the same, their thumbs twitching for that second tap that they ultimately fail to do. "Good. We''re counting on you," Crossroads'' voice cuts into my head, pulling me back into reality for a moment, just in time to dodge out of the way of a drunken reveler attempting to cross my path. "Good luck." Jordan taps twice. Chapter 25.1 I do as requested and, in fact, do get myself a Shirley Temple. I''ve grown used to the taste of grenadine, given the amount of events you''re expected to go to as a young Jewish woman that have people getting sloshed off their ass. A Shirley Temple is often all one can be given, so I sidle up to the bar and feel extremely out of place sitting down at one of the stools. I place my twenty-dollar bill on the bar, making eye contact with the bartender who''s a middle-aged guy wearing a button-up shirt that seems two sizes too small. "Shirley Temple, please," I ask, trying to keep my mouth closed as much as possible so that nobody sees my weird fucked up shark teeth. "Coming right up, kiddo," he says, chuckling a bit as he turns away to prepare the drink. I watch him work, grabbing a highball glass, filling it with ice, splashing in the ginger ale and a dollop of grenadine. A cherry and a straw complete the concoction, and he slides it over to me. I feel judged, but, also, he''s totally right. I am, in fact, even younger than the minimum allowed age here. When he hands me the chilled glass, crowned with a Maraschino cherry, I take a sip. The grenadine syrup is sickeningly sweet, only adding to the sensory assault around me. The music pumps through the space, deep bass notes vibrating my bones, treble searing my eardrums. The swirl of colors from the club lighting plays tricks on my eyes, with every strobe from the many strobe lights threatening an epileptic fit. Everything feels slightly in slow motion, like the saccades are all happening on off-beats. "Tenner''n seven''s your change," he says, scraping my twenty off the condensation-slick countertop and returning a ten, a five, and two one dollar bills to me. I grip my drink tighter, focusing on the chill of the glass, on the familiar taste, trying to ground myself. For a moment, it''s too much. The scents around me oscillate between sweet perfume and pungent sweat, and I resist the strong need to dry-heave. As I''m battling my sensory overload, I see Jordan, eyes narrowed, trailing someone who seems suspicious ¡ª a guy in a suit that''s too well-tailored for a casual night at a club like this. They follow him towards the restroom area. My eyes flicker back and forth, considering the risk. I figure if I was needed, I would''ve been grabbed, and remain sitting. While I nurse the rest of my Shirley Temple, I take a bit to survey the room more closely. I switch into people-watching mode, and I''m not disappointed. A cluster of guys in the corner, trying too hard to look casual; a woman at the bar who hasn''t sipped her cocktail in quite a while but keeps glancing towards the VIP stairs¡ªthese people stand out. There¡¯s a pair of women by the DJ booth, speaking low in a corner, occasionally casting furtive glances over the dance floor. They don''t fit. They''re like pieces from a different puzzle, and I make a mental note to keep tabs on them. My eyes wander next to the guards. Man, there are a lot of them¡ªmore than you''d expect even for a place that clearly caters to a higher-end clientele. At least four bouncers stationed near the forbidden staircases, another two by the main entrance, and even more blending into the walls near the VIP section above. I start counting them in my head. My gaze swishes, making mental notes. Security is heavy here, way heavier than a regular club. Armed bouncers by the VIP section, plainclothes guards circulating the floor, and a tech booth that likely controls more than just the sound system. This place isn''t a nightclub. It''s a fortress. Jordan comes back, zigzagging through the crowd, eyes sharper than I remember them being when they left. The iridescent glow from the neon lights casts weird shadows on their face. "Anything interesting?" I ask as they slip into the stool next to mine. "No one''s chatting about world domination or secret plans," Jordan says, taking a quick swig of their water. "But this place is crawling with more guards than a police precinct. Seriously, I''ve never seen so much security in a club." "You''re telling me," I reply, glancing once more at the bouncers near the stairs. "Even with this noise, it''s like they''ve got ears like hawks. Also, tasers. I think. It''s hard to tell from here, but none of them seem to be packing actual guns." Jordan smirks. "Well, it wouldn''t be classy to shoot up your own club, would it?" I chuckle but the laughter doesn''t reach my eyes. "Yeah, but tasers can do a number on you if you''re not careful. Plus, you know, the whole getting beaten to death by a bunch of bouncers thing. What''s the plan?" Jordan rubs their chin, eyes scanning the area. "I''ve been looking around for places to hide if things get hairy. Worst comes to worst, I can stash us in a cramped space and stretch it out. But if we want to get up those stairs to where the big players are, we''re going to need disguises, or an invisibility belt. What do you think about following one of the waiters into the back, knocking them out, and taking their uniform?" "No," I say, shaking my head. The bartender, not listening to us, goes and cleans a glass elsewhere around the rectangular bar, tending to one of the many other patrons. "Why not?" Jordan asks, pursing their lips exaggeratedly. I sigh, keeping my head swiveling around. "You can''t just¡­ knock someone out with zero consequence. It''s not as easy as movies make it sound like. Even if you just strangle someone unconscious, you''re still risking damage via oxygen deprivation. And you can''t just ''tap'' someone to sleep - if they pass out, it''s because they got a concussion," I repeat, channeling one of Rampart''s many lectures to me during our training sessions. "And? They work for criminals," Jordan harrumphs. "Like, the really bad kind." I pinch the bridge of my nose. "I''m sure a solid 90% of the people that work here have no idea what their bosses are up to. And even if they do, we can''t knock people out based on assumptions, especially if we''re thinking they''re civilians. We don''t have the right to go knocking out random civvies." Jordan looks almost disappointed, a frown pulling at their lips. "I forget you''re one of the good guys," they say, mockingly solemn. "I know it sucks playing by the rules sometimes, but that''s how it is. If we''re going to do this, we have to do it right." Jordan sighs, rolling their eyes. "Fine, Miss Goody Two Shoes. Got any bright ideas then?" "Actually, I do," I say, tapping my fingers on the bar counter, drumming them rhythmically in time with the music floating around me. Just speaking to Jordan is itself a kind of fresh, new, interesting ordeal, even at this relatively quiet part of the club. "If we can''t knock out a waiter, maybe we can still borrow some uniforms. They''ve got to store extras somewhere in here. Maybe we could do some sneaky breaking and entering to get them?" "Oh, so theft is okay?" Jordan challenges, with a shit-eating grin. "Yes! Theft is much preferrable to assault and battery. Will you need me to go with you or is this a solo operation?" I ask, leaning into the bar. I run my hands along the edge of my Shirley Temple glass. "You''re about as conspicuous as a set of fireworks going off, so I think I''ll handle things from here." Jordan replies, clapping a hand over my shoulder. I raise an eyebrow. "Can I trust you not to knock anyone out?" "Scout''s honor. I''ll be back in a jiffy. Go enjoy your baby drink," Jordan replies, getting up from their barstool and vanishing into the crowd before I can actually stop them or get a word in edgewise. I sigh quietly. The air feels oddly still and silent even as it''s so full of new, interesting noises. I eye the neon brand attached to the back of my hand, tracing the ink patterns with my other hand. The bartender returns to me, his rough, hairy hands pressed against the countertop. "Another Shirley Temple?" He asks. "Yeah, please."
I''ve spent my twenty entirely by the time that Jordan gets back, on five Shirley Temples and a bathroom break. Not that the bathroom cost any money, that''s just about how long it took. Despite the huge confluence of personalities traveling in and out of the club at all times, I don''t catch anyone that strikes me as particularly hardened criminal except maybe a couple of the bouncers, and only one person actually goes upstairs to the VIP floor that isn''t a waiter. Nobody has left yet, the night is young. If you encounter this narrative on Amazon, note that it''s taken without the author''s consent. Report it. The other five dollars went towards tipping the bartender. My head is full of worst-case scenario nightmare visions basically from minute two. I see Jordan in my mind''s eye, getting caught out somewhere they shouldn''t be, getting stabbed, murderized, captured, hog-tied, and basically fucked up in all the least fun ways possible. A couple of times, the bartender tries to make light conversation about my friend, but I brusquely brush them off, feeling extremely bad about doing so. If he''d noticed my teeth, he hadn''t commented on them. Eventually, though, the nightmare visions end with a somewhat sweaty-looking Jordan returning through the crowd, patting me on the shoulder. "Mission accomplished." "Did anyone see you?" I ask, the bartender conspicuously making himself scarce to the other side of the bar as Jordan gets closer. "Nobody that''s still alive. Kidding. We''re good. Follow," Jordan replies, curt and a little bit out of breath. "Come on," "Status report?" Crossroads'' voice crackles through our earpieces. "Yes/no - all clear?" I tap once. Jordan taps once. "Good. It''s still early, don''t rush." Jordan taps twice, and I swat them gently with the back of my hand. Jordan grabs hold of my other wrist and starts almost dragging me down the hall to the bathrooms, which are clogged with people making their way in and out. Jordan shoves past the line, and I try to ignore the screaming void in my head that forms at people''s disgruntled reactions, wanting to apologize to every single one of them individually for my social transgressions. We arrive in the gender-neutral bathroom, and Jordan makes some room as subtly as they can, when nobody is looking directly at us. Just enough room that nobody questions two people entering one bathroom stall, although given the place we''re in, I don''t think anyone would question it that much. "Is this really the best hiding place you could think of?" I harshly whisper, as Jordan pulls out two waiter''s outfits from behind the toilet. Gross! "On short notice? Yes," Jordan whispers back directly in my ear. I sigh and turn around as their clothes start coming off, with their shoes clambering onto the toilet seat so that anyone looking in would only see a single pair of feet. Despite my burning curiosity, I do not turn around and look while Jordan gets changed into the besuited attire of one of the club''s waiters slash waitresses. It''s about a minute of awkwardly shuffling around before they tap me twice on the shoulder and climb down. "Don''t worry about these clothes, we can just get new ones. I''ll throw these in the trash. Meet me near the closest stairwell to the bathroom hallway," Jordan whispers into my ear again, grabbing their clothes and wrapping them up into a bundle while I strip. There''s no use lingering over the details here - I get out of one set of clothes and then awkwardly squeeze myself into another one, probably one of the smallest sizes they had available, judging by the way it feels like it''s about to rip at any moment. Extremely uncomfortable, especially with Jordan occasionally peeking out under the bathroom stalls to look for feet to know when the coast is clear. Jordan scoops up my dress, puts it in the clothes ball, and vamooses from the bathroom stall once they get an opportunity, while I''m busy adjusting my clip-on bow tie. Where my clothes went, I will never find out. All I know is that I''m now in sneakers, a tuxedo, and a bow tie, and I look very fetching in the mirror when I finally step out of the bathroom stall. I try to look as normal as possible as I escape from the stifling, piss-scented prison of a nightclub bathroom, looking as supposed-to-be-there as I can manage, power-walking past partygoers while I put my hair up in a loose bun, letting just enough of it stay fallen past my ears to hide my earpiece. The streaks of color make a fun little pattern all packed into a ball at the back of my head like that. It''s cute. I should do that when I''m not in mortal peril. Well, I''m not exactly in mortal peril yet. Always time for that to change, though! "This is going way better than it has any right to be going," Jordan stage-whispers to me as quietly as they can while still being loud enough to be heard over the music. "I''m expecting to get shot any second now." "Please for the love of G-d do not jinx this," I murmur back. Jordan takes the lead, the one of us with any real confidence in social situations, as they push through the Employees Only gate with a keycard that I had no idea they had. "I''m not even going to ask where you got that from." "I pickpocketed it, obviously," Jordan answers. I can''t help but roll my eyes. Every single one of the steps rattles underneath us as we make our way up to the VIP floor, the acoustics of the place constructed just so to make the sound dampen almost immediately once you get halfway up. I don''t know if it''s the weird, wave-shaped puffy cloth on the wall or what, but it''s immediately so much quieter, and I feel relief wash over me in an awesome wave - awesome in the old-style sense of the word, like, "awe-inspiring", not awesome like super epic awesome extreme. The stairs are more intimidating than the guards that were leering at us on the way up, honestly. They''re the kind of thin metal with the little criss-cross x patterns on them, I don''t know how to explain it better, but they''re very industrial style, super incongruous with the rest of the club. It reminds me more of the stairs of the old factory we first encountered the Kingdom at - a thought which makes my heart skip a beat or two, if I''m being perfectly honest. Each step up echoes, just a little bit, before the sound is swallowed by the muffling and the music beneath our feet. There''s a second gate, another Employees Only barrier, at the very top of the stairs, and for the world''s most frightening moment I am fearful that Jordan''s filched ID card won''t get us through. But it does, and I breathe again. My hands grip the railing, and the metal is cold underneath my palm, spray painted black and flaking with age. The guard at the top of the stairs gives us a slight little nod, the familiar, hello kind of nod, as we walk by, and I notice the gun on his belt. A real gun, not a taser. I follow nervously behind Jordan, trying not to sweat right through my fancy new uniform, as we survey the situation. "Sorry, it''s her first time up here. She''s nervous about the guns. Promise not to use them on her?" Jordan asks the guard, poking a finger at him through the air. He¡­ chuckles. His hard, square face softens, creases in dark skin unwrinkling as he puts himself in a good mood at Jordan''s comment, somehow. "Can''t guarantee anything, ma''am. Just don''t do anything stupid." "Don''t worry, I''ve got her on a tight leash. Don''t I, kiddo?" Jordan answers, laughing a little bit at my expense. I go entirely red, from toes to scalp. "I''m not answering that," I hiss. "Yeah, yeah, get a move on, newbie," Jordan cuts back, grabbing the cuff of my tuxedo''s sleeve and giving me a sharp but gentle little yank. The guard gives us a polite salute, and we make our way onto the second floor balconies with no issue. I stare holes into the back of Jordan''s head while we walk, examining the booths that seem like they''ve been carved into the walls, each one surrounded by that same wavy cloth that was on the walls near the stairs going up. I assume that it has to be some sort of soundproofing, given just how much quieter it is up here, and I know logically that we''re only like 8 feet up, maybe 9, maybe 10, but everyone underneath us, all the partygoers look so small. So insignificant, almost. They don''t look like ants, but everything has this weird toy-like quality from up here. It feels just a little bit less real. "I am going to kill you," I whisper to Jordan''s back. Jordan turns their head over their shoulder and just smirks at me, which makes me even more embarrassed, and even angrier. Embarrasseder¡­ I roll the not-word over in my head. Jordan and I do rounds around the balcony of the second floor - it''s shaped sort of like if you took the number 8 and added another bump to it, so there''s two bridges in the center instead of one. It''s almost entirely catwalk, and I''m not quite sure how it''s secured to the walls and ceiling, but it gives the appearance of a hanging factory almost, looming over top the dance floor, about to collapse at any moment. I know logically that the various booths haven''t really been carved into the brick wall, but whoever made this club sure did put a lot of effort into making them look that way. There''s lots of waiters running around and not quite enough room for them, each with trays, drinks, goods, items. Jordan and I look comparatively out of place just by our lack of hustle, but Jordan''s power-walking is a pretty good imitation. We pass by curtain-sealed booths, the acrid smell of cigar smoke and marijuana leaking out in a thin but powerful stream, forming a dense sort of fog that eats this entire second floor. Every so often, a guard gives us a knowing look, like we''re supposed to be there. We do two whole laps, to no avail. Nothing exactly stands out - everyone here is equally likely to be some sort of career criminal working for a hardened criminal enterprise, and that just happens to be the people in booths without their dark purple curtains shut. I take a quick break, chafing in my dress pants, and lean against the railing, sucking in air between my sharp teeth. "You good, chief?" Jordan asks, patting me on the back. I scowl at them. "Just a lot of¡­ I''m gonna need some baby powder after this. A lot of chafing." "Yeouch. Anyway, I''m about ready to call this a wash. I''ve already gotten like five pictures of dudes doing coke, that should be enough, right?" Jordan drags my hand over to their pocket, where I can feel the outline of their phone. I shake my head. "We''re here for specific people. And keep your voice down, please, Jor. Can I try to handle this one?" I ask, giving my best puppy dog eyes. I''m not exactly the social expert, but I have been paying attention to the myriad voices surrounding me the best I can, and it''s giving me some ideas. Not good ideas, exactly, but ideas. Jordan laughs. "Sure, just don''t expect me to bail you out if you get caught immediately," they whisper. I roll my eyes. "Isn''t that literally your job here?" "Oh, right. Well¡­ I''ll laugh at you about it, assuming we survive," Jordan quips. I thump them on the shoulder, and then gesture for them to start walking. "Get me near one of the guards. That one you made fun of me in front of, drag me to him. I have a question," I whisper, trying my best to look as demure and unintimidating as possible. Jordan sighs, puffs out their chest, and grabs me by the wrist. Chapter 25.2 It''s not hard to look embarrassed in front of a bunch of glancing waiters and waitresses and other employees and possible people with guns when you are getting dragged along like a toddler that just ate too many crayons. I''m extremely good at looking embarrassed because I''m embarrassed basically 24/7, it''s my default state of being. In a situation like this, that means embarrassment and I are good friends, and I can call on her in my time of need. It''s useful like that. My feet slide along the metal beneath me, making uncomfortable clanging noises as I shuffle along morosely, looking at the ground. Jordan gently pokes the earlier guard on the arm, and he twists around to face us. "Something up, ladies?" He asks, his face immediately jerking tight into serious mode. Jordan sighs - I know it''s because of being called a lady, but the annoyance on their face very easily channels over to being annoyed at me, which only enhances the effect I''m going for. "My protege here has a question for you, John." For a second, I consider Jordan''s ability to consistently make lucky guesses its own sort of minor superpower, but then I realize that he''s wearing a nametag, and that Jordan probably just read it from earlier. I look small, curl my lips down, and try to speak without revealing too much of my teeth. "Sorry to bother you, John, I just... um... I don''t know which one of these has our VIVIPs here? You know, like... the owner''s friends?" John looks down at me with an expression I do not know how to parse. A bead of sweat rolls across my forehead. I half expect him to blow my face off any second, just whip that ginormous pistol out and blow my head into two separate chunks. I wonder, idly, if that would even kill me, or if I would heal from even something like that. "Huh?" He asks, folding his arms inward. "Sorry, I forgot the words... It''s... It''s a lot louder than I thought it''d be. You know, the really important peoples? Very important very important people?" I ask, not able to make eye contact with John the Security Guard. I mean, I''m barely able to make eye contact with anyone on a good day, but it really, in my eyes, sells the effect. Jordan sighs in only the way a beleaguered manager could accomplish. "She forgot what booth they''re in and they ordered a bunch of cigars from the storeroom. I''m not going to walk her there, she has to learn how to ask for help instead of letting me babysit her all day." John looks between the two of us, and I feel static electricity in the air, getting ready to explode. I have no idea if I''m selling this or not. This performance would fool me, if I''d seen it, but this man is presumably, like, a trained security guard. Clearly, obviously, I''m not the only person who''s tried to sneak in up here, am I? I keep expecting any second now that the shoe is going to drop, and the lid will pop off, and everything will go to hell, but the moment never comes. He sighs, and bends down to get closer to eye-level with me. "Back left, booth 12, all the way in the corner. You can remember because it''s the quietest seat in the house. You know where the storerooms are, right?" I cannot believe this is working. I nod my head, shaking like an easily-scared leaf. "She doesn''t have her ID card yet, so I''m gonna take her down in a hot second. Thanks for everything, John, I''ll make sure to tell the big guy about you," they quip, patting me on the back and then giving me a forceful little thump so I stand up straight. "At ease, soldier," My entire body stiffens like a log, about the opposite of at ease. John smiles and steps back to let us back through, since he''s big enough to almost take up the entire catwalk, and we squeeze past him, back into the line of workers ferrying goods around. "Nice guy. Shame he''s getting got by two sixteen year olds," Jordan whispers to me as we round the corner. "Shame," I mirror, while we make our way to booth number 12, counting the little signs along the walls. One, two, three, four, five, six, seven, eight, nine, ten, eleven... Twelve. Back left corner. Jordan bends over and snatches one of the platters from its place set down, on one of those... you know, the little fold-out table things you put a waiter''s tray on. They take it, just lift it up so casually it''s almost impressive, and keep walking like it''s nobody''s business. Our earpieces buzz to life. "Whatever you are doing, you need to be extremely careful. I''m getting firefights now in some of my visual branches. That''s new. Any issues?" Crossroads asks. I watch Jordan''s fingers tap twice, hear their two chimes in on the earpiece. Then, I follow. No problems here. I reach out for the curtain of booth number twelve, but Jordan beats me to the punch, and pulls it open first.
I''m greeted with three people that, should I have been able to see them openly, I probably would''ve guessed that they were the people we were looking for. Compared to all the professional looking scumbags surrounding us, these individuals look surprisingly normal, but also supremely weird, and the presence of a gigantic dog that stands up to my chest probably would''ve been a bigger tip-off. "Someone call for some cigars?" Jordan asks, setting down the platter on the table in front of them - lucky for our bluff, it''s indeed presenting a small ornate box that does indeed appear to be full of cigars. The little silver tray glints in the low reddish light, and Jordan''s face is stern and unflappable, looking so much like that they''re supposed to be there. The dog opens an eye and looks at us warily. I can tell now that it''s probably a greyhound, but it''s easily twice if not three times as large as any greyhound I''ve ever seen, with an eerie bluish tint to its fur that I think isn''t from the lighting. The booth itself is simple, consisting of a long, round couch-like seat, you know, like a booth at a diner, with a table in the middle, a little old-style phone that I assume is for ringing for service, and that same sound-dampening cushioning along the walls. It''s indeed really quiet here, and I like that. I look around nervously, the wimpy cop to Jordan''s manager cop, or whatever. "No, nobody ordered any cigars. But I''ll take ''em if you''re givin'' em," The man in between the two women says, his voice gruff, rough, and low like an excavator motor rumbling. His build is distinctly geometric, with broad, square shoulders and a cylindrical head that reminds me far too much of a pencil eraser, a flat cut of black hair framing his face. His jacket is olive green, his vest and pants leopard print, and his gloves I have to assume from the texture are gator leather. He reaches out, snatches a cigar, and reaches a hand out to the woman to the right of him, expectantly. You could be reading stolen content. Head to the original site for the genuine story. She puts a heavy metal lighter in his hand. He flicks it ''til the flame comes out, lights the end of the cigar, and passes it back. Then, he takes a long, languid hit and ashes it in the ashtray. "Yeah, that''s good. How much?" Jordan nudges me in the arm, and I straighten myself up, coughing twice - once from nervousness, second from the smoke. "Compliments of the house, of course. Any friend of the owner is a friend of the establishment." I pipe up, my voice a little lispy and light from having to curl my lips over my teeth. The man leans back in the couch, throwing his arms out to take up more space, cigar hanging from between his fingers. "''Attagirl, right answer! Now skedaddle. We were having an important conversation." "No we weren''t," the woman to his left says, adjusting her glasses. "You were talking about strip clubs." "''Ay! Shut up," the big man says, making an angry gesticulation with his free hand. "That''s important business. A lot of money flows through those jawns, X." X. Like Mrs. X? It sticks in my head. Jordan and I both share a sideways glance. "Excuse me, but what did you say your name was?" Jordan asks for me, leaning towards the other woman. She tries to lean away from both Jordan and, evidently, the larger man''s cigar, waving her hand in front of her face before pinching her nose. "What, you don''t know the baddest bitch-breeder on the east coast?" the big man says, waving his cigar dangerously close to Jordan''s face, thrusting it in her general direction. "Our Mrs. Xeno--" "You really need to be quiet," the other woman says, pocketing her lighter - at some point, she grabbed and lit up her own cigar, but I wasn''t paying close enough attention to notice the exact moment. Her fingerless gloves rest on the big man''s face, fingertips against skin, and he looks totally blanched, all the color draining from him in an instant. "Remember, letters only, new guy. We can''t speak openly with the curtain open." She turns to us, examining us, her reddish-brown eyes reminding me of my own. Her body is just as squared up as the big man''s, but pressed and squeezed into a more feminine frame - hips, a chest, slenderer shoulders, the whole nine yards. A white blouse under a black vest under a red jacket and pants shape her figure, with a dark red tie loosely draped over her front, not tied quite properly, her tan skin accentuated with marks of red makeup. "Apologies, you two. There must''ve been a mix-up - we have our people for waiter service. And he''s a bit of a lout so... please, just forget anything you''ve overheard. Alright, darlings?" She reaches into her pocket, grabs a wad of hundred dollar bills, wrapped up in loose bands, and passes it over the table. "I don''t recognize you, so I''ll assume you''re new, just like the big guy over here. Take this, shut our curtain, and go wait on someone else, okay, darlings?" she asks, dangerously politely, her voice low and cigarette-burnt. Her gold hoop earrings, almost comically big, dangle with every movement, and when her fingertips scrape against mine against the wad of cash, I feel my heart skipping a beat or two. "Wait, I wasn''t paying attention, what did you call me, T?" Mrs. Xeno-something - let''s just say Mrs. X - says. As if picking up on her tone, her massive greyhound begins to get up from its position curled up at her feet, leering at Jordan and I. I notice that Jordan has taken a couple of steps back, as if expecting the situation to get volatile, and I do the same. "First off, I''m a doctor, not a missus, you lummox, secondly, I don''t breed bitches, I conduct scientific experiments, which I will gladly turn you into if you really want to get snippy with me, young man." "You said yourself that don''t work on people, X!" Mr. T, I assume, says, flicking his cigar about, sending ashes every which way. Mrs. X''s greyhound begins to growl, and it''s all Jordan and I can do to stare. "You''re not people approximately 20% of the day. I''m sure we can find out if my powers work on Tyrannosaurus Rex specimens, if you''d care to donate yourself to science," she replies, looming over him. She''s easily the smallest, and least professional, of the three, with a green turtleneck sweater over a labcoat over some black slacks, but Mr. T still shrinks away from her. "Leave, you two. This isn''t any of your business. We''ll call someone if we need them," the red-dressed woman says. "We should go, boss," I say, grabbing for Jordan''s sleeve. They turn around, shoot me a look that just screams ''we need to stay'', and for once, I see sweat beading on their pores. "Really, we need to bounce. Let''s not get in their way." "Down, Scylla," Mrs. X says, her pet mega-greyhound standing up to its full height and beginning to growl at us. I watch its nose twitch, sniffing the air, its harness held back by what looks like a fancy braided leather leash that terminates somewhere in the vicinity of Mrs. X''s hand. "No civvies, girl. No civvies." "Sorry about that, we''ll get going now. You three have a nice day," Jordan speed-talks out, wheeling around a hundred eighty degrees and looking for all the courage in the world that they pissed themselves. I spin around with them, extremely prepared to leave. We have a visual confirmation on who we can reasonably assume two, maybe even three of our capos or underbosses or whatever they''re called. The growling continues behind us as we take two steps forward, not really in sync. Then, the woman in red, the kind that handed me the big wad of cash I''m carrying, calls out. "Stop," she orders, and I cannot help but stop, mostly out of fear. "We have a dress code. Why are you wearing sneakers?" There''s an uncomfortable, painful silence. My ears are ringing and it''s not just from the music. I feel blood creeping in at the edge of my vision, metaphorically speaking, I feel it pulsing. I turn around sideways. "M-me?" I stammer. "Yes, you. We have a dress code. Your... partner is dressed adequately. You are wearing sneakers. Do you know what the owner would do if he caught you wearing sneakers?" She asks, her voice having a hint of an accent that I can''t quite place. I''ve tuned out Mrs. X and Mr. T''s argument by now entirely, even though it is continuing - up until the red-clothed woman swings an arm out in front of the two of them, shutting them both up instantly. "I, um... I didn''t... This is my first day and, um, I didn''t... I don''t have... enough to get the shoes yet? I''m sorry, ma''am. It won''t happen again, I promise," I lie. Now I''m the one that''s about to piss myself. Her eyes narrow. "You couldn''t get a good pair of dress shoes with your advance?" "No, I, um, I mean I could, it just... I just forgot until it was too late, I''m sorry. I''m really sorry, miss. It won''t happen again. I can... I can start my break early and go out and get a pair right now, if you want," I mumble, my heartbeat rising. Jordan turns a couple of degrees, and I peek them making hand motions, pointing the way we''ll need to run. I can feel the catwalk stretching out, watching it lengthen and elongate in the corner of my eye, just by a couple of feet or so. "Sorry, I just forgot." She smiles. "That''s okay. We don''t give you an advance anyway, I lied to catch you off guard." I fake a laugh. "Good one, ma''am. We''ll be on our way now, if that''s alright?" I ask, turning back around, facing away from her. "No, it won''t be alright. I didn''t notice until you stepped out past the curtains, but both of you have the ''minor'' stamps on your hands. Why would you have those if you are employees? We don''t hire anyone under 18 here," she asks, and my entire body goes cold. My gums clench up. Where is my purse? My purse. The one with all my stuff, including phones, including support gadgets. It''s still at the bar. Crossroads'' voice is loud and immediate. "Get out of there, now." "Who are you two? You''re not waitresses," the woman asks. "Answer honestly and I won''t kill you." Crossroads'' voice clicks in again. "Now!" Scylla''s growls, quiet and panting, turn into barks. Each one echoes through the second floor balcony, curdling my blood in my veins. "Scylla! Get ''em!" Mrs. X orders, and I hear the sound of leather slipping against skin, a metal buckle hitting the table. Chapter 26.1 I hope nobody believes that I''m fast enough to outrun a racing dog, because they''d be sorely mistaken. Greyhounds and I have a very fraught relationship. My dad got a retired racing greyhound when I was, what, eight or nine? Then, it bit me like a week later because I was a stupid little kid and I was bothering it, so we sent it back to the adoption center or whatever. I have not exactly been the biggest fan of this exact dog breed ever since - not enough that I''d call it a phobia, but they definitely put me on edge. Greyhounds and German shephards, but that''s another story. Anyway, no, I can''t outrun a greyhound. I especially can''t outrun a greyhound that''s twice as big as a normal one, with a legspan to match. There''s no fight. It''s over in less than half a second, as Scylla tackles me to the ground, growling, teeth bared at my neck but not striking. It doesn''t take long for waiters and waitresses to take note of the commotion around booth #12, for security guards to surround us, and for the party to continue uninterrupted below, Scylla''s barks drowned out by the eardrum-breakingly loud music beneath us. She''s easily over a hundred pounds, maybe a hundred and twenty, pinning me down with the same expert precision that I''ve been learning to apply to other humans via Rampart - her paws on my elbows, her lower body bent down and on top of my stomach. Guns click surrounding us, while Jordan raises their hands. "This is bad," I wheeze out with the last of my breath. A bead of sweat forms at Jordan''s forehead, and I notice perhaps a little late that as they were raising their hands, they pulled¡­ Something out of their pocket. It takes a couple of seconds for me to actually catch it, to resolve the image, not helped by the disgusting dog breath in my face, distracting me every time I try to think about something else. It''s the prop gun. From the Halloween party. Jordan, what are you planning? "Drop the weapon!" one of the security guards shouts, although right now, directions are sort of nonexistent to me. "Stand down, fellers. We''ve got this handled," The red-clothed woman says, raising a hand as she stands up from her seat on the couch and makes her way over to Jordan and I. "You two, you know how the boss feels about getting minors involved." Mrs. X sighs. "This is self-defense, they''re coming to us." Mr. T just rolls his neck until it pops. The woman in red raises an eyebrow, taking control of the situation with an air of unmistakable authority. If there''s someone high up on the ladder here, it''s her - everyone is deferring to her instructions. Then, she turns to Jordan. I don''t wiggle an inch out from under Scylla. I know how dogs bite. "What''s that you got there, girl?" "Is this a good time to point out that I''m not a girl?" Jordan says, their face twitching. The woman in red smiles an almost sympathetic smile. "Sure. Good a time as any. Answer my question." Jordan''s face twists upwards in an expression I''ve come to know - the face they make when they''re lying. Something that I can only find with a bit of effort most times, it comes naturally to Jordan, as naturally as breathing. "This is my Graviton Beam Emitter. I built it myself using my powers. If you damage it or try to grab it out of my hands, it will turn into a black hole and kill everyone in this building. It will disintegrate anything I point it at." Mrs. X gasps, covering her mouth with a hand. I can just tell from the noise that she totally bought it. The woman in red, just barely visible from where I''m laying on the catwalk, puts her hands on her hips. "I don''t believe you. Is there a way you can non-lethally demonstrate so I can know if we''re in a real Mexican Standoff or not?" Despite myself, I resist the urge to laugh. My chest shakes a little bit, and Scylla bends down, sniffs my neck, and then growls again. A silent threat in dog-language - move, and I''ll kill you. All eyes on Jordan. "Make clear, throw that cigar box in the air, and I''ll show you," Mr. T lets out a growl. I can''t see what face he''s making, but I can just hear his nostrils flaring, and I already have a pretty good idea of what Jordan is going to pull. If escape isn''t possible, we''re going to need to talk our way out, and the fact that Crossroads hasn''t said anything since his previous warning to run makes me¡­ well, not hopeful, but I think if intervention was going to come it would''ve come already. Or maybe Jordan''s cynicism is rubbing off on me. The woman in red grabs the cigar box and throws it up at an arc that would make it land on me in about two seconds. At the apex of its arc, Jordan aims their prop gun at it and pulls the trigger. There''s a soft, charging whine, followed by some sort of dense, mechanical thunk, and as Jordan imitates kickback and recoil, pretending to stumble backwards, the cigar box simply vanishes in mid-air. Totally gone. "Shunted off somewhere perpendicular to 3d space", Jordan explained it to me once. "What the--" Mr. T shouts out. I hear the discordant chorus of all the security guards taking a step back slightly out of sync with each other. Or most of them, anyway. "I''m a young kid. Duh. You all have relationships, people you love, and a place in your organization of choice. I''ve got jack shit, I''m only here to rob you guys and I have very little to lose. So let''s not do anything stupid, because even if you all kill me, I can just vanish at least one of you without a trace, like you were never there. There won''t be any bodies to mourn," Jordan snarls, bringing the gun down to bear against Mr. T¡­ then one of the security guards, and then Scylla. "STOP!" Mrs. X shouts. "Don''t you dare hurt my dog. I will gut you like a salmon." "Don''t worry. It''s totally painless. They''re there one second, and then their molecules are totally disincorporated the next. Are we all feeling a little more pliant now?" Jordan threatens, keeping it pointed at Scylla. I know that Jordan''s powers don''t affect living things, but do they? That''s the million dollar question. The red-clothed woman bends down and gently nudges Scylla off of me. The gigantic dog doesn''t move too much - still "on top" of me - but now the pads of her fingers, through her fingerless gloves, are pressed against my neck. I feel my heartbeat beginning to stutter. "What about this one? What''s your game, girl?" "I''m just along for the ride," I lie. She laughs. My blood feels like sludge in my veins. I watch Jordan''s hands tense up, and so does she. "Do you value her life? Because we can kill her, too." "Only slightly more than mine," Jordan replies. "I like this one," Mr. T calls from the corner. "I like her style." "His." The red-clothed woman corrects. "We can at least be polite while we''re threatening to kill people. You know how he feels about professionalism." "Swing and a miss again. I don''t care about professionalism and I''m not a he," Jordan taunts. If you encounter this narrative on Amazon, note that it''s taken without the author''s consent. Report it. "Is this really the time to be doing the gender thing?" I blurt out. Jordan stares daggers at me, and I feel my body shrinking up. Scylla''s teeth get a little bit closer to my neck. My heart feels like it''s going so much slower than it should be - I have a headache, and I feel light-headed. Tired. My breathing gets heavier. I''m not having an emotional reaction to Jordan. Well, I am, but more than that¡­ something''s slowing down my heart. My entire body is struggling, and I''m steadily losing muscle tone. "Shut the fuck up, Sarah. I wouldn''t have brought you if I knew you were going to be such a fucking thorn in my side." Mr. T laughs while I start to huff for air. "Sorry. Can''t breathe." I don''t correct Jordan, partially because I can tell what they''re doing, and partially because my thoughts are getting steadily fuzzier and fuzzier with every passing second. I feel my eyes wobbling in their sockets. My entire body is soaking through with sweat, and my fingers are twitching. The woman in red gets up from her position knelt by my side and gently dusts her hands. "I wasn''t referring to you with the professionalism comment. Your friend Sarah is now in bradycardia. That means her heart rate is extremely low, and by the time it recovers she''ll risk permanent brain damage. You should''ve shot me when you had the chance." Jordan''s hands clench the prop gun tighter, swinging it towards the woman in red. My heart beats through jello. Permanent brain damage? That sounds bad, to say the least. Can I even regenerate that? I miss my mom. And my dad. The air feels thin in between my teeth, as I keep my lips curled over them to avoid revealing my most distinguishing feature. "Fucker," they hiss. "How did¡­ this dog¡­ get so fucking big¡­" I wheeze, to no response. "Are you willing to sacrifice your friend for your score?" The woman in red asks, sitting on booth #12''s table. She grabs for the cigar box, looks back, and notices that it is missing with a wry smile. She forgot. It''s a funny little bit. "We''re barely friends. She''s just some bitch in homeroom that caught me selling and blackmailed me to come with. I could give less of a shit," Jordan replies, fingers tense, white-knuckle. "Thanks, Dylan," I hiss, making up a new name for Jordan on the spot. She pulls out a cigarette from her pocket, and then that heavy metal lighter she lent to Mr. T earlier. She lights up, and the smell of menthol cigarettes fills the air. I glance around, just to make sure we''re still surrounded by security guards. We are! What a surprise. "Alright. Normally, we''re not supposed to kill kids, so I''ll give you two a chance to make it out of here unscathed. First, you need to tell me how you knew where we were." "I beat the shit out of Aaron McKinley and he told me that you guys did your business here. Not, like, any specific names, just that the guys that he gave a cut to were in Crescent. From there it was just elbow grease and process of elimination," Jordan replied, throwing someone neither of us liked under the bus. "Aaron?" I asked, confused, like the revelation that he was giving money to someone else was new to me. Wait, it is. Hold on, is that actually even true, or is Jordan just lying to throw them off? It''s getting harder and harder to tell, and my heart is struggling, pumping extra hard every one and a half seconds or so to try and squeeze all the blood through my veins at once. "Not a thing you were privy to," Jordan answers. My heart starts beating faster, harder. I will it to. I clench my fingers, digging my nails into my palms to try and wake myself up with pain. The sharp, painted points drive down into my palms, and I squeeze as hard as I can, like drawing blood from a stone. After a couple of seconds, I can tell that I''ve succeeded, because my own vascular system suddenly comes into sharp relief in my mind''s eye. I squeeze, and squeeze, and squeeze, and my heart tries valiantly to start itself back up. "That little fucking snake, I knew he was useless. Gonna have to pay him a visit," I hear Mr. T mutter, presumably talking about Aaron. "So you figured you would rob the guys that the neighborhood badass was working under, with just you and a schoolmate and your new powers, and you thought that would go well for you? In the middle of a crowded nightclub?" The woman in red challenges, cracking her knuckles. I hate this. I hate feeling like a bystander. I grit my teeth together. I bite my tongue until I taste blood, trying to wake my heart back up. "Well, when you lay it out all like that, it sounds kinda stupid, yeah," Jordan replies, laughing bitterly. Their finger tenses around the trigger, and the woman in red''s eyes narrow. "But now that you mention a boss-man, I kind of want to meet him. Consider me your free penetration testing. I show you that your super secret club can be infiltrated by two reasonably clever high schoolers, and instead of killing me, you give me some hush money and let me work for your gang." "You''re clever?" I ask, swallowing blood. "Also, I have to spit. Can you please make sure this dog does not maul me?" Jordan points the prop gun at Scylla. I hear Mrs. X shifting, her tiny voice calling out. "Scylla¡­ stay calm, darling." I hawk a glob of bloody saliva at the woman in red''s ankle, just barely catching her by the hem. I feel my little tracker instantly latching onto the cloth, while Scylla presses her snout against my neck, teeth out, scraping them against my skin. Mr. T starts laughing hysterically, a deep, booming cackle that almost feels like it''s making the ground shake. "Got you." He says on my behalf. My heart revs back up to sixty, maybe seventy beats per minute. I think if I keep hurting myself like this, squeezing the blood out of my palms, wiping it, scraping it against the black-painted catwalk. "Mrs. X, if you could kindly order Scylla rip this girl''s throat--" "Don''t you fucking dare, I will obliterate this mutt." Jordan cuts in, taking a step back. "I don''t care if you ventilate me. But you care about this dog. I will make sure if you hurt Sarah, you will regret it." "Mrs. H¡­" Mrs. X whines, like a sad dog herself. "Don''t let them hurt my baby girl!" "You know, once they reach twenty years old, you really shouldn''t be allowed to call them baby girls anymore." The woman in red - Mrs. H - cracks. She takes another puff of her cigarette. "Code of conduct, section one, rule number five. No minors: Recruitment or involvement of individuals under 18 in any operation is strictly prohibited. Section one, rule number two. Discretion: All operations, discussions, and internal affairs shall remain confidential. Disclosing any information to outsiders is strictly prohibited." "Dogs don''t live that long," I point out, trying to pretend that I''m still delirious. "Correct!" Mrs. X shouts, sounding extremely proud of herself. "Whatever you two are doing up there, keep it up. Everything went calm very, very fast." Crossroads'' voice hisses in our ears. Jordan doesn''t even seem to acknowledge it. "Mad science, bitch!" Mrs. X cheers, with Mrs. H mouthing her words mockingly, bobbing her head, like this is a phrase she''s heard from Mrs. X a million times before. "Okay, so, you turn off people''s hearts. You do mad science. And you¡­ Something about dinosaurs?" Jordan guesses, pointing the prop gun towards Mr. T. He doesn''t respond, other than a gutteral little grunt. "He turns into a T-Rex," I wheeze. "Context clues." Mrs. X mentioned a couple of minutes ago that he''s "not people 20% of the day" and that they didn''t know if "her powers worked on Tyrannosaurus Rex specimens". The reason it''s not him summoning them or whatever is that she mentioned him donating himself to science. I think this process is called ''deductive reasoning'', and I feel very smart for doing it. "Clever girl," He confirms, cracking up a little. Jordan, despite themselves, can''t help but laugh. "Mrs. Heartstopper, Mr. T-Rex, and Mrs. Xeno-something. Come on. A teenager is dismantling your whole veil of secrecy. You guys should be embarassed. You even have theme names," Jordan taunts them again. "Don''t blame me," Mr. T-Rex(?) grunts, sitting back down on the couch. "I''m getting bored. Can you kill them yet?" "I thought you weren''t allowed to kill kids?" Jordan asked, hands shaking. I reach down, quietly unbuttoning my pants. Silently moving the zipper down, inch by inch. I nudge my shoes out, so that my ankles are hanging loose from my sneakers. It''ll make sense in a second. "Sure," Mrs. Heartstopper(?) says, reaching down to grab me by the throat. "I mean, we shouldn''t, but I don''t think anyone will think twice if two drunk teens got heart failure in the bathroom stall. We''re definitely not allowed to recruit kids, and we''re not allowed to kill civvies, but you put your nose in our business, so¡­" I take a deep breath. There are eight security guards around us, all of them with guns, arranged roughly in a 3/4 circle formation, with the remaining quarter being the booth. They can''t actually fire at us without risking shooting one another or hitting someone on the floor below, which I''m sure is extremely undesirable. Then, there''s Mrs. Xeno-whatever and Mr. T-Rex. Scylla seems to be her power, and there''s absolutely no way, if his power really is turning into a Tyrannosaurus Rex, that he''s allowed to use it inside. Imagine the scandal - dozens of partygoers crushed by sudden spontaneous dinosaur manifestation. Scylla is the wild card here. Besides being an extremely large, and apparently, extremely old, well-trained attack dog, I have no idea if there''s anything else special there. Mrs. Heartstopper has to get close to me to turn off my heart, and touch me for a while, which means I have an opportunity to attack. I run calculations in my head, trying to figure out angles, albeit not in, like, a Sherlock Holmes way. More of an impulse way, like running through my dictionary of approaches taught through weeks of drills and considering which way of getting up from the ground would put me least at risk of being turned into swiss cheese. Then, a cigar box appears mid-air, vertically stacked with another - three - seven - fifteen - even more duplicates, before I lose count. Everything after that happens in slow motion. Chapter 26.2 First, Jordan throws their prop gun at Mrs. Heartstopper, who ducks out of the way, clearly thinking still that it''s some sort of black hole bomb that''s about to go off. I twist my entire body in one explosive motion, hurling Scylla off of me and against the railing of the catwalk, which she hits with a loud, rattling thud. Mrs. Xeno-whatsit dives towards Scylla protectively, eyes locked towards Jordan''s fake gun, hugging her dog to her chest and curling up like she''s expecting a grenade to go off. Mr. T-Rex grabs the table and flips it up, ripping it out of the floor casually like it''s not a big deal, trying to shield himself from the nonexistent black hole that Jordan bluffed them into believing. Actually, scratch my earlier mental comment. I don''t think Mrs. Heartstopper was fooled at all. Her eyes are wide and her pupils huge, dilated to take in light, and she''s already running towards Jordan. I find my loosest tooth, mentally clench, and yank it out with my fingers before throwing it at her, hoping to take advantage of the natural human instinct to flinch from thrown objects to buy Jordan precious seconds. I twist back around, yank these impossible-to-run-in pants off, and roll back up to my feet. Don''t worry, I''m wearing boxers. Mrs. Heartstopper''s voice sounds slurred through the pounding, throbbing surge of adrenaline running through me, as I yank my shoes off. Several cigar boxes land on top of her, all of them bursting into a cloud of vision-blocking ash as they do, followed by the real one bonking her on the head, disorienting her for a critical moment. She clearly wasn''t expecting me to be up this fast, the tooth bouncing off her forehead. Her hand reaches out halfway between Jordan and I, unsure which of us to go for, and then the catwalk buckles. Jordan is above us, shifted up by a diagonal cut in space, something they''ve been experimenting with since vanishing that huge rock Aaron almost brought down on us what feels like forever ago. The catwalk''s edge, now flat, jutting out, a smooth bit of metal, bonks Mrs. Heartstopper in the stomach through the force of her own momentum, and I wrap the pants around her throat from behind, twisting them into a vice and then taking two heavy steps forward. I yank, and she flies backwards, head curving down in a satisfying arc towards the catwalk while Jordan returns space to normal. There''s a stirring below us - since I''m pretty sure Jordan''s little stunt just caused several dancing clubgoers to jostle into each other. Mrs. Heartstopper, blinded by my pants, begins to scramble like a cat under a blanket. "People''s elbow!" I shout, throwing myself backwards. No bullets, but I do see the whirring throughlines of tasers, wires spinning in the air, shooting towards me, each one narrowly missing. No, that''s not true - I feel barbed metal penetrating my clothes, poking into my skin, but whether it''s by miracle or my body going horizontal, not a single pair of electrodes hits me. The circuit doesn''t complete. My elbow goes sailing down into Mrs. Heartbeat''s stomach, and I feel it squish underneath me as I swing through. I know not all the guards fired just from a quick headcount, and I know, or rather, I can confidently say that they won''t fire their guns. Not in an enclosed space like this, where there''s so many people that could get hit by the crossfire, not if they have any trigger discipline at all. I roll off of Mrs. Heartbeat and rip the two electrodes that landed out of me, feeling the blood come out. "Dylan!" I shout towards Jordan, grabbing hold of the railing. Mrs. Xenomorph and Mr. T-Rex look dumbfounded. All of this happened in about fifteen seconds, tops, and I think they were still expecting to die dramatically in a black hole. Scylla is snarling, roaring, trying to rip my throat out. "Right behind you!" Jordan yells, grabbing the other side, and we both jump off the second floor. The prop gun clatters uselessly behind us, against the table of booth #12, and the security guards try to lunge without falling off the railing, and Mrs. Heartbeat coughs up phlegm, winded by my assault on her gut, trying to reach out for my ankle, but I''m already gone. The ground sails up to meet us, and Jordan and I make the two foot drop onto the dance floor, landing on some hapless civilian''s heads. "Sorry!" I cough, trying to pull myself up from the ground. "You''re fucking crazy," Jordan compliments, scraping themselves up from the dance floor while partygoers surround us, opening up a gap. Muttered words of fear and sympathy - are you okay? Where the hell did you come from? Oh my god, is a cape fight happening? I put my hands up and stumble a little bit, my ankles groaning in annoyance at the fall, while Jordan starts yanking me forward. "Are you kidding? You threatened to shoot a dog. You can''t call me crazy," I yell back, trying to be heard over the suddenly-loud music. Jordan looks up, and almost entirely hidden in the darkness, we see the three Kingdom operatives and their attendant security guards, totally useless, soar up into the ceiling. "There. I just raised them up twenty feet. That''ll buy us some time. We need to skeddadle," Jordan says, already stripping out of their uniform and tousling their hair. "You guys really kicked a hornet''s nest. Get out of there, now. I''ll meet you around the back. The bouncers out front are already starting to lock the place down." Crossroads buzzes in our ears. Jordan yanks the buttons out on their waiter uniform and throws it out from under them, leaving only a white undershirt - but they keep the pants. I¡­ don''t do that. "Line''s getting kicked out. Looks like the party''s over for the night." "Hey, we''re gonna leave now. Thanks for helping me up," I say to a pretty, concerned-looking girl, blonde hair, blue eyes, who pulled me up from the floor when we landed. She gives me a weird look - pity? And flashes me a thumbs up. Jordan drags me towards the back, near where the bathrooms are, but I break away for a second. "What are you doing?" Jordan hisses. "I need my purse," I reply, scrambling up to the bartender. It must be such a sight to this old man, who last saw me dressed in an entirely different outfit, not bleeding, not missing one of my front teeth, and not covered in a thick sheen of gross sweat. Well, I know it must be a sight to him, because his eyes bug out. "Hey! Thanks for the drinks. I left my purse here. Do you have it?" "Uh," he stumbles, reaching behind the bar to lift it up. Aww, he kept it safe for me? That''s sweet. He didn''t need to do that. "Here you go, ma''am. Do I need to call someone?" "Best not to. Ciao!" I cheerfully reply, baring my full row of teeth now for the first time to him. He flinches back, and I grab the purse by the handle, smearing my bloody palms against the bar as I go as if to mark my presence. I can smell the trail of where I went, all the flecks of blood I''ve scattered about, and as Jordan bounces on their heels, I join back up with them, leaving a shocked, gawking bartender behind. "Lead the way," I order, as Jordan grabs hold of my wrist again and tugs me into the bathroom hallway. They turn around, wave a hand, and the world snaps into place in a different way. The bathroom hall begins to shunt itself closed, pushing people out of the way. "Out, out, out, run, bitches, there''s a cape fight happening!" Jordan yells, throwing the people waiting in line for the girl''s bathroom into near immediate disarray. The bathroom door vanishes as Jordan cuts it out of 3d space, and that really gets people moving. Conversations break apart, panic begins to set in, and I feel¡­ kinda bad about it? Jordan kicks into the employee''s only section, slams their foot, and then taps three numbers into the keypad on the door to open it. "I watched an employee get in while I was pretending to wait in line at the bathroom. Don''t question it." Reading on Amazon or a pirate site? This novel is from Royal Road. Support the author by reading it there. "I won''t," I say, as we scramble through the storeroom and out the back door, bursting into the cold night air. Jordan''s hands twitch, and their nose bleeds a little bit, suddenly giving me a view of their vascular system. "Are you okay?" "Shaping two spaces at once sometimes gives me a nose bleed. Don''t question it," Jordan answers, the alleyway wobbling in front of us. Crossroads suddenly resolves into focus, I think as Jordan remembers that we''re trying to meet him. He looks sweaty and uncharacteristically nervous but unscathed, grinning like a maniac - a sort of grin that I don''t think I''ve ever seen before on him before. "Brilliant. You two are insane." He pants, out of breath from running. His braids all bounce over his head while he rests his hands on his knees, and Jordan twists their fingers up, trying to figure out an angle that they could cut this alleyway at that follows their enclosure rule. "I hope you got some good information out of that, because all I could see was the future rapidly flicking between a firefight and a fucking dinosaur, and I''m just extremely glad neither happened." "I don''t think I''ve ever heard you say fuck before," I muse, leaning against the nearest dumpster. "It''s a special night. Come on, we need to get moving while they''re still reeling," Crossroads says, while Jordan is still figuring out angles for their power. "Huh? Oh, right, let''s go, boss," they say, after a distracted moment to themselves.
"So then, Sam yelled ''People''s Elbow'' and fucking¡­ atomic elbow dropped the bitch!" Jordan repeated excitedly to the conference call - the rest of the Young Defenders included, with Crossroads driving us home, situated firmly in the front seat. "It was so fucking prime." "You''re the one that made me watch all those old WWF recordings," I remind Jordan, nudging them in the elbow. "Right, but what did you actually learn?" Rampart asked, his voice crackling through the phone line. Jordan leans against the window, staring outside as the fancy, compact buildings of Center City begin to give way to West Philadelphia. This isn''t a surprise to us - Crossroads mentioned taking a big, circuituous route in case we ended up being followed, and it''s nice to just¡­ Decompress. I''ve had some stressful nights, but most of them were stressful from survival or stressful from overstimulation. Very few of them have had the misfortune of being both at once, like tonight was. "Crazy motherfuckers¡­" I hear Crossroads mutter under his breath in the front seat. "Okay, so," I take a breath, leaning in a little closer so I can be better heard. "There are three people we met there. Mrs. X and Mrs. H who I think we knew about, that''s Mrs. Xeno-whatchamacalit, and Mrs. Heartstopper, we''re calling them. Mrs. Xeno-durgle can do something with animals and mad science, she said ''mad science, bitches!'', and she had a dog that was like¡­ twenty five years old and double the size of any greyhound I''ve ever seen. And Mrs. Heartstopper tried to shut my heart off. That''s her power." "Dr. Xenograft," Crossroads mumbles. "Dr. Xenograft. She''s¡­ known to us. I guess she got recruited by the Kingdom at some point since she last got involved in supervillainy. Mrs. Heartstopper is new, though." He repeats, louder this time. "And there was another guy who I''m calling Mr. T-Rex. I''m not sure how Sam figured it out, but he can turn into a dinosaur," Jordan adds. "Oh, Sam''s your name?" Blink asked, their avatar glowing on the screen. Jordan thumped their head with their hand. "You know, if that was hidden information, you should''ve stopped me before I said it like fifteen times," Jordan drawls, pinching the bridge of their nose in annoyance. "It''s okay, I don''t mind. Anyway, yeah, it''s¡­ Well, Mrs. Xenomorph or whatever mentioned something about her powers only working on animals, and being curious about if they worked on Mr. T-Rex, so, it''s sort of just an assumption there. Crossroads, you said you saw dinosaurs?" I reply, shrugging my shoulders, not making too much a huge deal out of it. "I was trying to figure out if it was a Carnotaurus or some other theropod. I guess T-Rex makes about as much sense as anything else," He answers. "But paleontology has never been my strong suit." I nod. "So, that''s what we''re dealing with. Oh! Right, they have a code of conduct? Mrs. Heartstopper could say it by heart but the other two, I don''t think they cared as much. Mrs. Heartstopper was really serious about the whole thing. She was real gangster. And their security guards were totally useless because they had us completely surrounded, which meant they couldn''t shoot without hitting something else," I continue. "Is that useful information?" Jordan challenges. "I think so, actually! I don''t think the security guards are as on-the-know. At least, maybe not all of them. But I don''t really have any evidence to back that up," I reply, sighing and stretching out over the back of Crossroads'' beaten-up old car. The puncture wounds on my hand have already started to fill up and finish healing themselves, while a fresh, new tooth is growing out of the gap that the old one left behind. I wince quietly as I poke it with my tongue. "Hey, what did you throw at Mrs. Heartstopper anyway? You threw something at her. What was that?" Jordan asks. I grin, showing off the gap in my teeth with my tongue. "I pulled one of my loose teeth out." Everyone besides me groans in disgust, mostly exaggerated, except Playback, who cheers. "Fucking awesome! That''s our Bee!" "You''re such a weirdo," Gossamer says, just loud enough for her phone mic to pick her up. "Oh, I''m the weirdo for thinking the tooth stunt is cool but Bee''s fine casually flinging her teeth at people?" Playback snarks back. "Yes," Gossamer replies. The call goes silent. For at least a minute or two, filled only with the noise of Crossroads'' car engine, old and greasy, whining for attention. I watch as Drexel''s campus crawls by along curved side roads taken at a neat 25-35 miles per hour, in strict accordance to traffic laws. "Well, this is all extremely valuable information. A basic knowledge of who we''re up against gives us a huge advantage in preparing countermeasures, not to mention the fact that they barely learned anything about Bloodhound. Plus, I''m not sure it''ll be easy for them to understand Safeguard''s powers either. We have all the cards here. I think outside of a little public chaos, I would call this an unambiguous victory," Crossroads lectures, as we pull onto the highway and start going 65 the hard way back towards Tacony. "No broken bones or gunshot wounds this time, Bloodhound?" "None, sir." I reply proudly, rolling over the phrase in my head. Unambiguous victory. After weeks of perilous near-victories, of bruises and dislocated joints and literal knives stuck in my literal back, it feels good to just¡­ win for once. I catch Jordan smiling out of the corner of my eye, but I don''t say anything about it. I could tease them about how it felt good to be a superhero, doing superhero things, instead of being a dark and brooding antihero, but for Jordan, I don''t think much actually changed. I don''t know if it''s worth the ethics fight we''d inevitably have over it. "Oh, Bee! Did you get the opportunity to use any of my gadgets?" Gossamer asks, after about ten minutes of near silence, outside of the old dadrock that Crossroads was listening to on the radio. I glance at Jordan, and then at the phone on speaker. "Uh¡­ No, I. I forgot my purse at the bar and only got it on the way out." "Bee!" Gossamer yells, peaking the audio against a brick wall. "Come on, I worked all week on those!" I flinch from the phone''s speaker, laughing awkwardly. "I''ll use them next outing, promise!" "You better!" She harrumphs, to the quietly amused chuckling of the rest of the team. And Jordan. Is Jordan part of the "team" now? Well¡­ It''s a little blurry. For now, they''re a "temporary collaborator". And we''ll cross the rest of that bridge once we get there. By the time Crossroads drops us back off at our hideout, I''m about ready to pass out. The thing they don''t tell you about regeneration is that it''s exhausting. Or maybe that''s all the running around I''ve been doing, and the elbow drop, and the overstimulation¡­ either way, I''m ready to collapse. Jordan and I don''t speak as they fumble for the keys. We just shuffle into the Wolfcave (trademark pending), take our respective couches, and collapse. Jordan falls asleep before me, by inches. I hear their snoring, and it pulls me down under with them, bringing me into the black abyss. When I go, I dream about my teeth falling out, and then dying. It''s oddly comforting. WORLD OF CHUM: Anomalously Originated Material/"Capestuff" Introduction Anomalously Originated Materials (AOM), commonly referred to in popular parlance as "Exotic Matter" or "Capestuff," delineate a specific subset of materials generated ex nihilo by metahumans with particular abilities. These materials have baffled both the scientific community and the general populace alike since their first recorded appearance in the early 1980s. Initially regarded as anomalies or curiosities, the classification and rigorous study of these materials were scattered and disorganized for many years. However, the early to mid-2000s marked a seminal period in AOM research when a comprehensive theoretical framework was developed to cohesively categorize and evaluate these perplexing substances. History The academic interest in AOM was sporadic and fragmented during its early years. Researchers from various disciplines, including biology, chemistry, and physics, approached the phenomenon from disparate angles. Early investigations often occurred in silos, with isolated focus on the bizarre properties of specific AOM examples. The subject was intriguing but lacked a centralizing doctrine that could bind these peculiar occurrences into a cohesive area of study. The landscape of AOM research underwent a transformational change after Dr. Abraham Clarke published his groundbreaking paper in 2002, titled "Anomalously Originated Materials: Bridging Physics-Defying Manifestations and Exo-Biological Generation." Clarke''s research was revolutionary in its interdisciplinary approach. For the first time, scholars had a unified terminology and conceptual framework to discuss the different types of AOM, whether they were ephemeral constructs like pillars of stone, biologically-generated extra limbs, or substances displaying exotic physical properties, such as anti-gravitational fields. Clarke''s paper had a rippling effect across multiple scientific fields. Researchers, armed with a newly-established vocabulary and a set of organizing principles, began to build upon Clarke''s initial foundation. Interdisciplinary collaborations became more common, and subsequent studies aimed to identify the underlying mechanisms governing AOM creation and degradation. Furthermore, Clarke''s conceptualization provided a way to classify AOM based on their properties, origins, and interactions with their environment, creating subdivisions and specialization within the AOM research community. Properties of AOM Temporality Constraints: Among the most striking and universal aspects of Anomalously Originated Materials (AOM) is their transient existence. While the duration of stability varies considerably among different forms of AOM, empirical research indicates that the median duration peaks around two hours. This duration is not arbitrary but seems to be governed by what physicists have termed "LeBlanc Constants," (after researcher Jacques LeBlanc) a set of factors that include molecular complexity and energy state of the AOM, which are currently the focus of extensive research. It''s crucial to note that there are outliers - AOM that persist for mere milliseconds, and rare instances that remain stable for years, although these are highly exceptional cases. Once the time limit or another disassociation trigger is activated, AOM undergoes an extraordinarily rapid process of degradation known as "Disassociation" that propagates across the AOM nigh-instantaneously. Advanced spectroscopic studies have revealed that this process might involve what appears to be a non-entropic decline of internal bonds within the AOM, which contrasts sharply with typical physical processes like decay or dissolution that increase overall entropy. Further research is underway to understand why this defies conventional thermodynamics. Disassociation yields various byproducts, the most common of which is a whitish-grey ash-like substance that typically appears in large flakes. While ash is the most common, other byproducts have been observed, such as suspensions, oils, water-like liquids, gaseous emanations, cubes of smaller material, powders, and more. Universally, these byproducts continue to decay into smaller and smaller pieces, until they become unobservable, whereupon they are theorized to simply wink out of existence in defiance of physical laws. These products, despite mimicking conventional matter, possess unusually short half-lives¡ªoften vanishing in less than a minute. Strikingly, the disassociation process defies typical matter degradation pathways like radioactive decay. Radiation levels during and after the disassociation process are negligible, leading researchers to hypothesize that the matter is not transforming but rather "exiting" our physical reality in a way that is yet to be fully understood. Locality Constraints: AOM exhibits a robust locality feature, wherein its stability is closely tied to its proximity to the metahuman who generated it. Disassociation often commences if the originator moves beyond a specific, often quite restricted, radius. In many cases, this radius is remarkably small and may be confined to the visual radius of the metahuman. Some researchers have suggested that the locality constraints might also be influenced by psychological factors such as attention or intent. In many instances, merely losing visual contact with the AOM is enough to trigger disassociation. Recent experiments have attempted to quantify this phenomenon using precise measurement tools like laser interferometers and real-time GPS tracking of both the AOM and its creator. Although no instances of AOM have been observed to persist beyond a 20-kilometer range, most tend to degrade far sooner, often within a matter of meters or even centimeters from the originator. Materiality Constraints: It is crucial to distinguish AOM from other phenomena such as energy or fire creation. AOM pertains strictly to matter that is spontaneously generated. For example, while pyrokinetics may appear to create "new matter," they are usually manipulating existing matter via phase changes or chemical reactions, thereby placing them outside the purview of AOM, unless their ''generated fire'' is created in the form of a substance that flash-ignites, an important distinction. It is imperative to differentiate between exotic matter and exotic energy in metahuman studies. For instance, electrokinetics who generate electricity are not producing AOM but are instead catalyzing exotic forms of energy. The distinction is significant for researchers, policy-makers, and emergency responders, as the methods for containing or mitigating the effects of exotic matter and exotic energy differ substantially. Taxonomy of AOM The initial definition of AOM taxonomy by Dr. Abraham Clarke included "Standard Constructs" and "Physics-Defying Constructs", while "Unmeasurable Constructs" were added as a categorization two years later by colleague Dr. Ivana Price. Constructs can be defined by multiple types as necessary to build a complete understanding of the material generated. Medical Research The medical recognition of the phenomena associated with Anomalously Originated Materials (AOM) has undergone significant developments since the early 2000s. Before the consolidation of the AOM theory, medical professionals often classified the symptoms and health consequences experienced by metahumans in disjointed medical categories, ranging from idiopathic conditions to poorly understood autoimmune responses. The seminal work that finally unified these observations into the realm of AOM was Dr. Marina Stellman''s 2004 paper, "Metahuman Biology and the Genesis of Anomalous Matter." General Health Concerns: One of the initial medical concerns raised was the potential for autoimmune reactions in metahumans generating AOM. Initially, it was hypothesized that the rapid materialization and disintegration of foreign matter might trigger immune responses from the body. However, this theory has been largely dismissed through empirical research, which found no significant increase in autoimmune conditions among metahumans capable of generating AOM. Medical experts have also studied the impact of AOM degradation products on the environment and public health. To date, no harmful residues have been observed, but monitoring continues, particularly as new forms of AOM are discovered. Medical Risks and Precautions: Exertion and Physical Strain: The generation of AOM can be physiologically and psychologically taxing, leading to symptoms that range from exhaustion and muscle cramps to more serious cardiovascular issues. Much like athletes, metahumans producing AOM are advised to undergo regular health screenings and engage in physical conditioning to minimize health risks. Toxicity and Allergic Reactions: Although rare, there have been instances where the AOM generated has displayed toxic properties, leading to acute or chronic health issues for the metahuman or those in their immediate vicinity. Ongoing research is focused on understanding the factors that contribute to such toxic manifestations and how they can be predicted or mitigated. Nutritional Demands: The act of generating AOM appears to demand an exceptional caloric and nutritional intake, akin to heightened metabolic rates observed in certain high-performance athletes or animals with rapid regenerative capabilities. Metahumans known for generating significant amounts of AOM often have specialized dietary requirements to sustain their abilities without detrimental health effects. The Vermiform Appendage: First identified in the early 1990s during autopsy examinations of deceased metahumans, the Vermiform Appendage was initially met with skepticism due to its seemingly benign structure. As its name suggests, it resembles a small, earthworm-like organ, often attached to the liver or the appendix. Advances in medical imaging and biopsies eventually confirmed its role as a unique, specialized organ, most commonly present in individuals with the capability to generate AOM. Some instances show that the Vermiform Appendage can be malformed, leading to erratic or even uncontrollable AOM output. A well-documented case is that of a civilian superhuman constantly generating and shedding quills, much like a porcupine, due to a malformed appendage. Remarkably, these organs are incredibly robust and display extraordinary regenerative capabilities, often regrowing within days or weeks after damage. However, it''s worth noting that if they initially form in a malformed state, they tend to regrow in the same defective configuration. The robust regenerative abilities of the Vermiform Appendage make surgical removal a highly discouraged option. Removed appendages almost invariably grow back, often within days or weeks. Moreover, removal does not suppress the production of AOM but rather makes it uncontrollable, leading to significant risks for the individual and their surroundings. As of 2023, some progress has been made in developing experimental pharmacological agents aimed at ''dampening'' problematic AOM output. These medications work by inhibiting blood flow and nutrient supply to the Vermiform Appendage. In essence, the approach involves the administration of vasoconstrictive agents and metabolic inhibitors targeted specifically at the blood vessels supplying the Vermiform Appendage, causing it to ''starve'' without removing it entirely, reducing AOM output without producing uncontrolled emanations. These drugs are used cautiously, given their potential side effects on other organs and systems, and are typically reserved for severe cases where the risks of uncontrolled AOM production outweigh potential drawbacks. Chapter 27.1 I sit on the edge of my bed, the sunlight filtering through the curtains and casting a warm glow in my room. My heart beats a little faster with anticipation as I glance at the clock on my bedside table. Jordan will be here any minute now, and the thought of spending time with them fills me with a mixture of nerves and excitement. Not because the idea of hanging out with Jordan is alien to me, but mostly from the much more practical matter of "I have no idea how my parents will interact with them". Jordan isn''t exactly what I''d call academically gifted, or a ''good influence''. My room is as much a reflection of me as any mirror, the same room I grew up in and probably the same room I''ll be laid to rest in, assuming I don''t move or anything like that. Posters of Sergio Barbosa and Leandro Costa and Allen Iverson and maybe a dozen other sports players loom at me while I sleep, like a circle of guardians that ward away evil dolls and monsters under my bed. Not that I still worry about that. I''m fourteen and I''ve been stabbed with a knife, so monsters under my bed are not much of my concern anymore, is what I will tell people when they ask. Anyway. The back half of my room, where my bed is, is a little low to the ceiling, angled down with the rooftop. My parents'' bedroom, opposite of me down the upstairs hallway, has the opposite problem, where the roof gets angled over their bed. I''ve gotten good at not hitting my head, and my window lets me look out onto the street when I feel like opening it, but it still makes the room feel a little¡­ tight, for lack of better word. Stuffed into one corner is a small desk cluttered with school stuff¡ªtextbooks and dog-eared notebooks full of doodles in the margins¡ªnext to a shelf filled with books my mom has picked out for me over the years. Most are young adult fiction with a smattering of classics. I''ve read a few, skimmed some others, and ignored a couple completely. The chair in front of the desk squeaks if you swivel too fast, a minor annoyance when I''m doing homework or browsing the internet on my ancient laptop. There''s also a modest wooden dresser against one wall, its top a random assortment of trinkets: loose change, a couple of wristbands from concerts I''ve been to, and a few trophies from junior soccer leagues - not that those are really a thing I''ll have to do anymore. Mental frown. The dresser''s drawers are a mixture of organized chaos, shirts and shorts crammed wherever they fit after laundry day. My bed itself is a twin, with dark blue sheets that probably hide a multitude of sins like food stains and ink smears. On my bedside table, there''s a digital alarm clock perpetually set 15 minutes fast, on purpose. Next to it is a worn copy of ''To Kill a Mockingbird,'' a book I''ve read at least three times. I don''t exactly like it, it''s just sort of become a habit. Under my bed, which is just high enough off the ground to be useful, are two plastic bins: one for sports equipment and the other for stuff I don''t have any other place for. Old video games, art supplies from that one time I thought I''d be good at drawing, a jumble of charging cables. The kind of stuff that doesn''t have a home but you can''t quite bring yourself to throw away. On the floor, a well-worn area rug covers up some of the scuffs and scratches in the hardwood. It''s seen better days, but it''s comfortable enough to lay down on when I need floor time, which is increasingly frequently these days. I think everyone should take some time to do floor time. If any psychics are listening in on my thoughts, they should also have some floor time. Give it a try. Five minutes. Just lie there. Floor time.
Downstairs, in the kitchen, I can hear my parents bustling about. The clinking of plates and the faint hum of conversation waft up the stairs, amplifying my sense of anxious anticipation. I take a deep breath, trying to calm the butterflies in my stomach, and make my way downstairs. The narrow staircase creaks slightly under my weight, a direct line from downstairs to the upstairs bathroom that sits between our two bedrooms - my home, where I sleep, and the Forbidden Zone, where my parents - never mind. As I step into the kitchen, the aroma of freshly baked cookies fills the air, mingling with the comforting scent of brewing coffee. Ben is at the counter, his brow furrowed in concentration as he arranges an assortment of snacks on a platter. He''s meticulous in everything he does, annoyingly so, given his tendency to make himself late for things by refusing to leave well enough alone. Just so I''m not misunderstood, though, I say this with all love. He glances up at me, his eyes shining with a mix of pride and affection. "Hey, Sam," he says, his voice filled with warmth. "You''re just in time. We''ve got quite the spread for our guest." I give him a grateful smile, knowing how much effort he must have put into preparing everything. I know even if he''s kind of awkward and uncomfortable sometimes that he''s trying his best. I''m not that bratty. Rachel, standing nearby, places a tray of freshly baked chocolate chip cookies on the table. Her light brown curls are tied back in a messy bun, and her eyes sparkle with a mischievous glint. She shoots me a quick wink before turning her attention back to the cookies, fussing over their arrangement as if they were works of art. "Make sure you save some room for these, Sam," she says with a playful tone. "I''ve put a little extra chocolate in them, just for you." "She''s also put LSD in them," my dad says, matter-of-factly. My mom bumps him in the shoulder with the weakest punch I''ve seen in a while, and I''ve seen some real stinkers out on the mean streets of, uh, Tacony. Just as the anticipation reaches its peak, there''s a knock at the door. My heart skips a beat, and my pulse quickens as Ben moves towards the entrance. I take a deep breath, trying to steady myself as Jordan steps into the house. Their dark hair is perfectly styled and clearly freshly cut, and their outfit exudes confidence that their demeanor doesn''t seem to lack. I can''t help but feel a twinge of admiration as I look at them. But as they exchange awkward pleasantries with my dad, I can sense their own nervousness beneath their cool exterior. Even a pair of boots with three inch platforms can''t take the uncomfortable sixteen year old out of the goth kid. They have on an olive-green-and-black sweater on top of torn-up jeans, with a green skull over on the front. It seems like it''s raising an eyebrow at me as I match its gaze. "Hey, Mr. and Mrs. Small," Jordan says, their voice betraying a hint of nervousness. "Thanks for having me over." My dad, clearly struggling to make eye contact, manages a polite smile and nose contact. "Welcome, Jordan. We''re always happy to have Sam''s friends over." Rachel steps forward, her eyes warm with genuine interest. "It''s a pleasure to meet you, Jordan. Sam speaks highly of you." Jordan flashes a shy grin, looking every direction except towards my parents, who they manage to somehow tower over. Like, Jordan is already taller than me by a significant margin, and I''m the same height as my dad, so they just loom over both of them with all the threateningness of a particularly shy dog. I notice that my parents have actually cleaned the place up a little, which strikes me as odd. Like, normally they don''t clean up when Kate or Lilly are coming over, but also, I think this is the first ''new friend'' I''ve had in a while, so¡­ They probably just want to make a good impression. That makes sense. But it also strikes me as deeply funny, given, y''know¡­ the whole situation. Walking into my family''s rowhouse in Mayfair is like stepping into a time machine that somehow stopped in the early 2000s. I can almost hear the dial-up sound the second I shut the door behind me. The hardwood floors are the kind of polished you get when you''re keeping up appearances but not actually aiming for chic. The place smells like a mix of furniture polish, coffee, and a touch of mildew from the kitchen sink. It''s narrow as hell¡ªlike maybe five or six people standing shoulder to shoulder could span the width of the place. Honestly, it''s a squeeze. This story has been taken without authorization. Report any sightings. Straight ahead, the living room has got this threadbare maroon carpet, worn down in places like a well-read book. The walls are painted in an eggshell color that my mom swears is calming, but it just makes me think of chicken eggs. There''s a battered leather couch shoved against the wall, along with a flat-screen TV that''s probably the newest thing in the house. A collection of family photos hangs slightly crookedly above the couch, and we''ve got one of those kitschy "Home is Where the Heart Is" signs. And like twenty other motivational poster-tier things that my mom¡­ ACQUIRED from the library cast-off. To the right, the kitchen is like¡­it''s compact. I can touch both countertops if I spread my arms wide. Everything in there is functional, nothing more. The microwave and coffee maker are probably the most-used appliances, the coffeemaker usually filled to the brim because both of my parents drink it like water. Some pots and pans dangle from a makeshift rack above the sink, and there''s always a dish towel hanging from the oven handle, stained with who-knows-what. The kitchen and the dining room are more or less the same, with the table situated in this like weird little notch in the walls that I think might''ve been stairs down back when this had a basement? Or something like that. Between the kitchen and the living room, there''s this awkward empty space, basically room for the stairwell that heads up to the bedrooms. I''ve tripped over that one weird step more times than I can count. The banister''s painted white but chipped in places, showing the brown wood underneath. To the left of the living room, there''s this tiny gap that leads to the stairs. It''s nothing special ¡ª wooden steps covered in that carpet runner thing, the color long faded. They creak underfoot as you go up, no matter how stealthily you try to climb them. And right by the door is the standard "drop zone" where we ditch our keys, shoes, and any hope of the place staying organized. My mom''s purse usually hogs most of the space, and my dad''s city planning books are stacked haphazardly on the small shelf next to it. And all of it has been dusted for once, which is. Weird. Weird! I guess this means as much to my parents as it probably means to Jordan. I can tell from their stiff posture that they''re probably as intimidated as my parents are, the way that animals are only scared of people, not aggressive. It''s not like my parents are out to interrogate Jordan or anything. But I still catch a flicker of tension in Jordan''s eyes, you know, the kind of wariness you''d expect from a deer who''s heard a twig snap. They''re sitting on the slightly faded, mismatched chair that''s been in our living room since, well, forever. A quick glance to the side, and I see Mom''s gaze zeroing in on them, trying to gauge their vibes or whatever she calls it. "Jordan, it''s so good to finally meet you. Samantha talks a lot about you," Mom says, her voice threaded with warmth and maybe just a touch of excitement. "Would you like something to drink? Tea? Coffee?" "Uh, tea would be good, thanks," Jordan replies, their eyes flicking to the various knick-knacks and photos decorating our bookshelves. Mom slips out to the kitchen, and Dad takes this as his cue to open up the conversation. "So, Jordan, what do you like to do for fun?" It''s a fair question but the way he says it, you''d think he''s reading it off a cue card. Actually, I think that''s how he got Mom''s attention when they started dating - he was picking his conversation topics off cue cards and she found it endearing. "I like¡­ anime? And drawing. A bit of coding here and there. I''m not very good at it." "Oh, anime? Is that the one with the tentacles or the one with the robots?" Dad asks, and I almost want to facepalm. "Uh, it can be both. Or neither. It''s kind of a broad genre," Jordan explains, politely navigating around my dad''s awkwardness. I jump in, trying to smooth things over. "Dad, you remember, we watched Spirited Away that one time? That''s anime." "Ah, yes. The one with the dragons and the bathhouse," Dad recalls, nodding, as if he''s just unlocked a complex math equation. He turns back to Jordan, "That was rather enjoyable." I snap my head around to Jordan, settling into the one-person chair. "Wait, you code?" They laugh. "Like, barely. I can get a computer to say ''hello world'' in a dozen languages. I know how to open up a BASH shell, and I''m learning Tessel and Mason and Python." From the kitchen, we hear a kettle whistle. Mom walks back in, carrying a tray with a teapot and cups. She places it on the coffee table and pours the tea, for the second time in my life using the tea kettle the way it''s apparently supposed to be used. "I hope you like black tea. It''s a favorite around here." "That''s is fine, thank you," Jordan says, accepting the cup Mom offers. "I mean, that''s fine. Sorry," "What''s Tessel?" My dad asks, leaning back on his chair while Jordan blows on their cup of tea. "I''m familiar with Python and Mason, but Tessel is new to me." Jordan coughs twice, thumping their chest. "It''s, uh, a statically-typed general-purpose programming language designed for continuous data. Like, Tessel, like tesselation, the mathematical concept. Most modern HIRC programs are built with Tessel backends." I cup my chin in my hands, not understanding any words that just came out of Jordan''s mouth. "Do you want to code for a living?" I ask, trying to pretend like we''re not making our college funds off of st-- off of reclaiming loot from drug dealers and whatnot. Jordan looks at me and shrugs. "Not sure yet." Mom sits down, carefully cradling her own cup. "So, Samantha tells us you two have been doing a lot of¡­ community service together?" The words community service have always been my parents'' coded language for the superhero stuff, and it doesn''t escape me how Jordan''s eyes narrow just a fraction. My mom glances at me. "Yeah, we, um, help out whenever we can," Jordan says, their voice carrying the sort of caution you''d have when tiptoeing through a minefield. "Sam, does Jordan do community service with you? Or is it like¡­ You don''t do that sort of thing together with your school friends?" My mom turns to me. It''s like trying to get away from suppressive fire, with one of my parents always looking at me, and the other always looking at Jordan, leaving very little room for coded signals between the two of us. But, what my mom is asking - does Jordan know you''re a superhero? Does Jordan superhero (verb) with you? I shake my head no. No, Jordan and I definitely don''t go out and beat up gangsters and small-time criminals when I''m pretending to sleep over at their place. We have never slept in an abandoned building that we''ve turned into our hideout. What are you even asking about? "Either way, it''s lovely you''re both so involved. Where do you usually volunteer?" Mom continues, her curiosity barely restrained. "Uh, it varies," Jordan answers, rubbing the back of their neck with their hand. "Animal shelters, community gardens, food banks, stuff like that. Mostly dog shelters though. There''s a lot of dogs coming in recently." Dad nods, clearly interested. "So, Jordan, planning on pursuing higher education? Sam''s aiming for environmental science, last I heard." "Am not. I''m going to become a soccer superstar and kick balls through college. Or a nurse," I say back, slightly offended at the inaccuracy. Knowing my dad, I think he said the wrong thing on purpose to provoke me into replying. Which is extremely something he would do - playing dumb is his favorite ''bit'', as he calls it. "Maybe computer science? Not entirely sure yet," Jordan replies, looking at me for a brief second. "Oh, wonderful! A field with lots of opportunities!" Mom exclaims, her enthusiasm sailing just this side of overwhelming. "Rachel," Dad says, "perhaps we''re grilling them a little too much?" Jordan takes a sip of their tea, smiling faintly. "It''s fine. I''m used to it." I catch Jordan''s eye, offering a small, apologetic smile. "Where do you live, Jordan?" Mom asks, trying to sound casual but failing to hide the motherly concern in her voice. "If you don''t mind me asking, I mean. I''m pretty sure Sam''s said you live in Tacony?" "Ah, near Magnolia Cemetery," Jordan replies, glancing at me, then quickly refocusing on their cup of tea as if it''s the most interesting thing in the world. "Is it quiet? I imagine it''s quiet," Dad muses. "You know, except for the ghosts." "Very. A peaceful place to focus on studies, you know? The ghosts aren''t usually rowdy, but you know how they feel about Halloween," Jordan cracks, trying to bring out a parent-friendly smile to the situation. "Sounds ideal," Mom replies, but I can tell she''s not buying it. Nobody wants to live near a cemetery if they can help it. "Rent''s real cheap. Nobody wants to live near a cemetery if they can help it," Jordan replies, grinning, ripping the words right out of my head. My mom smiles a little half smile and stirs her tea absentmindedly with a tiny spoon, staring into it as the dark liquid begins to form whirlpools. "And your family? Do they enjoy the peace and quiet as well?" Dad follows up. "My mom does. She''s, uh, not working currently. On disability. So, the quiet helps her rest," Jordan explains, choosing their words carefully. I know all about their situation - their mom is on disability and unemployment and all that stuff, welfare stuff, just sort of living off the state. And apparently they don''t let you keep more than like a thousand dollars in your bank account if you''re on that? Which, I mean, I know a thousand dollars is a lot to me, as a teenager, but like¡­ rent''s more than that? I don''t know how they expect someone to catch up on a restriction like that. Mom frowns ever so slightly, a subtle shift in expression that most wouldn''t catch. But I do. "I hope she''s doing okay. Disabilities can be tough to navigate." Jordan nods, smiling but not meeting anyone''s eyes. "She manages. And I try to help out as much as possible. I do odd jobs here and there - cleaning, babysitting, handyman work - to cover some of our expenses. Lot of kids near the cemetery, for some fu-¡­ For some freaking reason." Dad leans back in his chair, steepling his fingers, chuckling quietly. "Very resourceful of you. It''s commendable that you''re stepping up to support your family. And you can cuss here, you know, I don''t care." "That''s not true, I care immensely," My mom replies, gently swatting the air next to my dad''s head. "Please don''t say fuck." "Rachel," Dad sighs. Mom cracks a wide, sympathetic grin, her voice tinged with something I can''t quite put a finger on ¡ª pity, maybe? "That sounds like a lot for someone your age to handle." "I manage," Jordan grins back. Chapter 27.2 My parents probably have no clue, but I know - I know that we make more than enough to pay Jordan''s rent off our ''bounties'', and I know that Jordan isn''t exactly hurting for creature comforts. But, still, even knowing about Jordan''s home situation, it doesn''t exactly feel great to, like, y''know, talk about it in front of my parents. Or at all, really. With all the time we spend watching anime on Jordan''s laptop in the old abandoned music hall, I forget sometimes that there''s an actual bed they''re supposed to be sleeping in. I wonder if Jordan''s mom visited them in the hospital, back when we got attacked by Mr. Nothing and Mr. Polygraph. And Mudslide. "I''m glad to hear Sam has such a responsible friend," Dad says, giving me a pointed look. It''s as if he''s saying, ''See, you can learn something here.'' I roll my eyes, and I can see Jordan hiding a smirk behind their tea cup. My parents are very ''them,'' but they mean well, and I know they''re just trying to look out for me. And maybe for Jordan too. "Must be hard, though," Mom starts cautiously, "to manage all that and also focus on your academics and your¡­ community service." "Like I said, you make do. Time management becomes second nature," Jordan answers. "That''s a skill that''ll serve you well in college," Dad notes, apparently satisfied. "It''s never too early to start planning, right Sam?" "I told you, I''m going to be a soccer superstar," I retort. "But who knows? Maybe I''ll save the world with environmental science on the side." "That''s my girl," Dad says, chuckling. "If you don''t mind me asking, is there a¡­ Mr. Jordan in the picture? Poppa Jordan?" "I mind you asking, honey," Mom says, getting up, collecting empty plates. "Anyone for dessert? We have cheesecake." Jordan waves a hand, and then stops, staring at their hand. Their face screws up like they''re trying to figure out which emotions to express. "Cheesecake yes. Don''t worry about the dad question, it''s a normal question to ask. And it''s Westwood, that''s my mom''s name. Dunno about Mr. Westwood, if there was one." Dad raises an eyebrow. "I see. Westwood¡­ you wouldn''t happen to have family in Hoboken, would you?" Jordan shrugs. "If I do, I don''t know about them. Why?" My dad smiles, tiny and quiet. "No particular reason. I just know of a ''Stephanie Westwood'' that lives in Hoboken. We''re not, like, friends or anything, I just know of her." Jordan leans back in their seat. "Weird. I have no idea how common of a last name it is." I pull my phone out and begin stumbling through the NetSphere. "It''s¡­ mostly British," I answer, reading off the info from the page. "Like, sixty-thousand people with the last name, and five thousand of them in the USA. Jordan, you never told me you were British," I tease, pursing my lips and putting my hands on my hips like I''m disappointed in them. "I''m so sorry, ma''am, I''ll go assassinate the queen immediately," Jordan replies, sitting up straight and saluting hard enough to hit themselves in the forehead. "Ow," Mom returns, balancing a tray with slices of cheesecake like it''s an Olympic sport. "Watch out, world-class cheesecake coming through!" Jordan''s eyes widen as Mom places a slice in front of them. "Thank you, Mrs. Small." "Please, call me Rachel," she insists. "And you can call me Ben," Dad adds, not to be outdone. "Ah, first-name basis, huh? Guess we''re all getting serious now," I say, looking at the cheesecake like it holds the answers to life''s toughest questions. Dad grabs his fork and starts in on his slice. "It''s only a matter of time before you kids start calling us by our first names, claiming it''s more ''authentic'' or ''equalizing'' or whatever it is you say." "I don''t think it''s a generational thing," Jordan quips, tasting the cheesecake with deliberation. "This is good, by the way." "Thank you," Mom beams. "It''s a secret family recipe. Would you believe the secret ingredient is love?" "And cream cheese," I add, earning myself a playful glare from Mom. "Hey, don''t spoil the magic," she chides. Dad pauses, fork in mid-air. "I was always told the secret ingredient was matzoh meal." "That''s the meatloaf, Ben," Mom corrects. "It''s hard to keep track of all the secrets," Dad mutters, finally tasting his cheesecake. "Dear, you bought this from the grocery store. Ow!" My mom retracts her hand from its position having just flicked my dad in the side of the head. "No I didn''t, and I''m also still thirty-five. Watch yourself, darling." Jordan looks between my parents, visibly amused. "I never really had family recipes. My mom was more the ''order pizza'' type." "That''s not necessarily a bad thing," I say, defending an entire culinary lifestyle in a single breath. "Pizza is universal. Like¡­ the peace treaty of foods." "I don''t know about that," Dad mumbles, thinking it over. "I''ve had some pizzas that could start wars." "War over pineapple as a topping," Mom throws in. "You would not believe the arguments Dad and I got into about who sells the best pizza in Queens. Which is still Belluci''s. Just saying," My dad says, holding his hands up in pre-emptive defense. "Just saying!" Jordan chuckles. "Well, in my universe, the one rule is that anything can go on a pizza if you''re brave enough." I can''t help but smirk. "In that case, I dare you to put anchovies on your next one." "Oh, you''re on," Jordan grins, as if I''ve just issued a royal decree. "So, community service," Dad tries to steer the conversation back, "is that something you two do together? It''s great to be engaged in local issues." I share a glance with Jordan. Oh, if only he knew. "Yeah, you could say we''re pretty involved. Local and¡­ broader issues." "Global?" Mom asks, refilling her glass of water. "Intergalactic, more like," Jordan chimes in, earning a laugh from everyone around the table. They look at me, their eyes twinkling with the joy of our inside joke, and I know that, despite the surface-level awkwardness, tonight is its own form of perfect to them. "So, any big plans for the weekend?" Dad asks, likely hoping we''re going to tackle climate change or something. "Well, Sam and I were thinking of watching a movie marathon," Jordan offers. The genuine version of this novel can be found on another site. Support the author by reading it there. "Which movies?" Mom is suddenly more attentive, as if the fate of our moral character hangs on this choice. "Studio Ghibli," Jordan lies. They''re going to finally show me what is the big deal about Demon Core, which, I am told, is extremely gory and hyperviolent. Mom seems content, and Dad, clueless as ever, just nods. "As long as it''s not a waste of time." "No waste," I promise. "Only the best for your daughter and her ''responsible friend''." Dad looks at Jordan, as if to double-check the ''responsible'' claim, then shrugs. "Alright, you have my blessing." "Great, it''s a date," Jordan says, and the room falls into silence. I blink at Jordan a couple of times. They blink back at me. "Uh, a friend date. It''s a phrase, right?" Mom and Dad share a look, but if they suspect anything, they don''t say. "Just be safe and have fun," Mom concludes, collecting the now-empty cheesecake plates. "And use a condom! You know, if they have a--" My dad starts, and my mom claps her hand over his mouth. "Please shut up, darling," Mom says, wrapping her fingers all the way around my dad''s cheeks and squeezing it lightly like a vice. Jordan blinks at the scene in front of them a couple of times, and busts out laughing.
Jordan steps into my room, surveying the territory before flopping down onto my twin bed like a cat claiming a new domain. Their eyes dart from one corner to another, eventually settling on the array of sports posters on my walls. "Hmm?" they mumble, chuckling as they point to the images of athletes frozen in triumphant poses. "How do you sleep with all these¡­ sweaty dudes watching you?" "Guarding me from existential crises, actually. They''re somewhat effective," I reply, smirking back. "And nightmares. And Chucky." Jordan snorts, visibly pleased with their next words. "If existential crises were a sport, you''d have a poster of Nietzsche up there. Chucky like the doll?" "Yes, Chucky like the doll. My dad likes old horror movies," I say, flopping down on the bed. I scoot over to the edge of my bed to make room, gesturing at the plastic bin of sports gear peeking out from under it. "Speaking of sports, there lies the graveyard of my would-be athletic career. Or well, where it''s stashed, anyway." "Ah, the crypt of broken dreams and unused charging cables. A universal experience," Jordan quips, glancing down at their phone as they come to sit on the edge of the bed with me. "Wait, Chucky''s not old. Child''s Play came out in¡­ 1988¡­ Never mind." I laugh at Jordan''s expense, and their eyes flick back t me. "Your parents totally think we''re dating, you know." I roll my eyes and retort, "Ah yes, ''responsible friends'' who go on ''friend dates''. If you wanted to make it sound like we weren''t dating I think you did, like, the worst possible job at it." Jordan snickers. "I swear I could hear the quotation marks when your dad said ''responsible.''" "The only responsible thing about us is how effectively we dodge responsibility," I joke, trying to draw more laughter out of them while I lay on my bed. Jordan groans theatrically. "Please don''t remind me. I''ve got a math test next week, and all I''ve done about it is forget it exists." Feeling a sense of pride, I point at my perpetually-fast alarm clock on the bedside table. "Well, my strategy is to set the clock 15 minutes fast. Totally responsible, that''s me." Their eyes follow my gesture. "Ahh, so that''s the method behind the madness?" "Exactly. I''m never late; I''m just early in an alternate timeline." Jordan grins cheekily. "Here I thought you were just bad at setting clocks." "Who says I can''t multitask?" I fire back, smirking. The two of us spend some time on the bed, catching our breath. Nothing we said individually was, like, ball-bustingly funny, but it stacks up over time, the death of a thousand cuts. Eventually, Jordan looks at me with a mock-serious face. "You know we''re going to get found out, lying about the movie marathon." I play along, eyes widening in faux horror. "The great Studio Ghibli deception. My parents will disown me, for sure. My dad made me watch Child''s Play when I was 8, they don''t give a shit." Jordan stretches their arms theatrically. "Good thing you''ve got an intergalactic friend. I could smuggle you off to another galaxy." I nod solemnly. "Sounds like a solid backup plan. Anything''s better than facing the wrath of Mom''s disappointment." "Wait, your dad made you watch Child''s Play? That''s kinda fucked up," Jordan replies to something I said a couple sentences back, making me need to scramble backwards in the tape-recorder in my head to reach it. "Oh, no, like, he didn''t force me force me. I was given plenty of opportunities to back out, I just felt like keeping¡­ keeping going¡­ Uh¡­ I was being stubborn and wanted to show that I was a big grown up," I answer, folding my arms over my chest and mock harrumphing. "Damn, you were masochistic even as a child. No wonder you like getting stabbed," Jordan jokes, punching me lightly in the ribs. I squeeze my arms tighter. "I do not like it. It''s just a thing that happens to me a lot because I''m the bruiser and you''re the brains." "Well, I''m glad we can recognize that, at least," Jordan cracks. THUMP! My eyes snap to the window, the sound vibrating through the glass. "What the hell was that?" Jordan squints at the window. "I dunno, but we should probably check it out." "I''m not so sure about that," I reply, eyebrows knotting together. "Whatever it is, it¡¯s got bad timing. Why does weird stuff always happen when you''re here?" Jordan leans forward, ears perked like they''re tuning into a frequency only they can hear. "You¡¯re saying I''m bad luck?" "Nah," I shrug. "Just saying you''re a weirdness magnet. Something about you attracts the abnormal." "Wow, thanks. Should I put that on my resume or save it for awkward family gatherings?" Before I can reply, another THUMP! rattles the window. "Okay, that¡¯s just creepy," I mutter. "Stay here. I''m gonna check it out." "Wow, look at you, being the brave one." I raise an eyebrow. "Isn''t that my job description? Minus the spandex?" Rolling their eyes, Jordan gestures grandiosely towards the window. "After you, O fearless leader." Taking careful steps, I approach the window. "Ready?" "As I''ll ever be." I yank the curtains back and¡ªnothing. Just the dim view of the neighborhood, same as it ever was, but with a white smudge, a streak, across the glass. "Huh, must''ve been some pigeon or something." "Yeah, or an eagle. That was loud, Sam," Jordan points out. I let the curtain fall back into place. "Well, whatever it is, it''s gone now. Crisis averted." Jordan yawns, stretching their arms over their head. "Well, now that the excitement''s over, we can get back to our very serious discussion about how you''re a masochist." "Hey! We were talking about movies," I remind them. Jordan cackles. "No, we were talking about your propensity to attract knifes to your skin like how I apparently attract birds or some shit." "No, I think we were talking about movies. You have to tell me your favorite movie now." "Death Note theatrical movies, subtitled. Next," Jordan recites like they''ve had it prepared. I blink at them a couple of times. "I don''t know, I haven''t thought that hard about it," I reply. Jordan sits up, eyebrow raised at me, fascinated. "You''re going to bug me about my favorite movie but not, like, have a favorite movie prepared? Come on, Sam, be serious." I throw a pillow at them. With a squeeze of their hands, they vanish the pillow out of the air. "No fair!" I protest, swiping for their hair - the pillow re-appears, intersecting with me, which, thankfully, causes it to simply flop out on top of me like a hat. "Come on--" TAKAKAKAKAKA-- Suddenly, a series of small tapping noises echo from the window, like someone''s tossing pebbles at it. This time it¡¯s not a THUMP!, but the incessant tapping is almost more unnerving. Jordan turns to me. "Was that the bird again?" "No bird taps on a window like that," I reply. "Maybe a hummingbird, but I don''t think a hummingbird is really interested in my fake plastic flowers on my laptop." We both exchange glances, then turn toward the window again. "Okay, on three," I whisper, my fingers hovering over the curtain. "One, two¡ª" I pull the curtain away, revealing an empty window. But the tapping doesn''t stop. It seems to be coming from¡­ below? "What is going on?" Jordan mutters. My gaze moves to the air vent near the floor. The tapping intensifies, like something''s trying to get our attention. "Are you kidding me?" "What?" Jordan asks, eyes widening. "The vent. Something''s tapping on the other side of the vent." Jordan arches an eyebrow. "Should we check it out?" I shake my head. "No way. This is how people die in horror movies." Jordan chuckles. "Well, you''re the hero. Aren¡¯t you supposed to investigate the creepy noises?" As I''m about to reply, a tiny fucking hand grabs onto the air vent from the inside, followed by another tiny fucking hand, followed by another tiny fucking hand, followed by another fucking tiny hand. What appears to be the world''s most fucked-up raccoon stares back at me with eight goddamn eyes, like someone took a raccoon and stretched it out over a tarantula. "Whaaaaaaaaat the fuck," I say, stumbling back from the air vent. Then, the raccoon thing pushes out from the air vent, shoving it aside, and clambers into my bedroom. Jordan''s turn to get freaked out, letting out a high-pitched screech as they scatter onto my bed. Wait. No, I know who this is. Mad science rules. "Fuck, Mrs. Xenograft--" I start, before another THUMP! startles me back towards the window, where what is undoubtedly a crow with the head of a basset hound headbutts the glass. I make eye contact with it, and instead of pleasant, cute basset hound eyes, its face carries only the really creepy beady black crow eyes, staring back at me like a doll. It slams its head into the window again, and the raccoon thing, having thoroughly freaked me out, turns around and skitters back down into the air vent. For a moment, I catch a small collar on it, with some sort of electric thing attached to the back, like a shock collar for dogs. Another basset-crow joins its partner at the window, the two of them hammering on it like they can shove through it towards us. Jordan and I glance at each other, our brains wrenching for action, when I hear a shriek from below. My mom. Chapter 28.1 My hands shove my bedroom door open and I go flying down the stairs, vaulting over the railing and skidding down each step without taking the time to actually perform the action of stepping. My heels thump along each carpeted stair in a way that I know another person would get achey, awful bruises at, but I''m tougher than that. Jordan''s footsteps behind me are slow and ungainly in comparison. I hear the repeated thumping of the basset-crows against the upstairs window as they try to track us. I slam against the wall, sending dust everywhere and I''m sure doing something nasty to my shoulder. My face burns with a noxious mixture of emotions - shame, fear, anger. Part of me thinks the obvious, How dare they attack me at my own home?, but then the other part calls that part stupid. These people are hardened criminals. Of course they''d attack me at my own home. I explode into the living room, barely registering the startled faces of my mom and dad. Mom''s clutching a broom like she''s about to ride it out of the house like a witch in reverse, the broom-end facing forward, swatting at the ground. Something with splotched brown-and-brown fur jumps back and forth, deftly avoiding each swipe, the unmistakable flicking tail of a copperhead snake attached to the body of a writhing opossum baring venomous fangs. And, of course, wrapped with a collar. This animal is owned - an attack dog. Attack possum, I guess. "Sam! Get away!" Dad shouts, his finger jammed on his phone. His face has blanched of all color and he''s speed-dialing 911. Jordan comes stumbling down the stairs behind me, but I stick an arm out to prevent them from similarly slamming into the wall as I had. "Whaaaat the fuck," Jordan squeaks. The opossum-copperhead, as wrong as it sounds and is, lunges at Mom, who lets out a shriek that shakes me to my core. Jordan yanks space sideways, fixing the ground beneath my mom''s feet so that her wild, unpracticed baseball swing lands true, sending the opossum-snake sailing into the television with enough force to put a hairline crack into it. I snarl, feeling the tension in my jaw like an electric pulse. "Jordan, cover my mom!" I shout. Jordan reacts instantly, creating a shrinking pocket of space around Mom, who lets out a little yelp of surprise as she finds herself momentarily squeezed by the walls of her own home. The space soon expands, pushing the hybrid away from her, extending our living room several dozen meters instantly. My parents eyes both go wide as saucers. "This is gonna last until someone opens a door or window. So don''t do that." "I thought you just needed two walls, a floor, and a ceiling?" I ask, skidding over to my dad and snatching the phone out of his hand. He sputters incoherently. "Do you really want an excuse to open the front door?" Jordan asks, as a BANG rattles more dust loose from the ceiling, the wooden door that''s so stalwartly guarded our home for my entire life shoving inwards. All the locks and keypads hold fast. "Point," I say, while my parents take a moment to look at each other incredulously. "Hi, 911, I took the phone. This is bloodsign callhound. Er, callsign Bloodhound. Please send police or the DVD immediately to this address. Did my - did the previous male tell you the address?" There''s silence on the other end of the line for a moment, presumably the 911 dispatcher taking in everything I just told them. "Uh, Bloodhound, did you say? Confirming the callsign, Bloodhound. Please standby." Dad''s eyes go wide. "Bloodhound?" "Not the time, Dad," I snap, my gaze locked onto the hideous hybrid, who''s now recoiling and assessing its new target: me. The dispatcher''s voice comes on. "Confirmed, Bloodhound. Address already provided by the previous caller. Units are being dispatched, and the Delaware Valley Defenders have been alerted. Any immediate threats or specifics we need to be aware of?" "We''re under attack by Mrs. - by Dr. Xenograft. There are several animal hybrids actively attempting to break in. Two civvies. Possible additional assailants. If you can scramble an ambulance with copperhead antivenom, we don''t need it yet but we might," I speak in practiced code, having called 911 for civilians about two dozen times already. It''s become almost second nature - it''s something we drill with the Young Defenders. "Copy that. Help is on the way, please stay on the line." There''s rattling behind us. On impulse, Jordan stretches out the hallway, giving us one couch and the stairs upstairs as our island of safety. "Sam, you are going to have to explain how you are not surprised that Jordan also has superpowers. Later," my mom says, drawing a sharp glare from my dad. "Priorities, Rachel. Do you know where my gun safe is?" Dad rebukes, his eyes glancing around as two raccoon-spiders begin skittering along the endless hallway from the kitchen towards the living room. "It hasn''t moved since last time we needed it!" Mom squeaks, shrill and breathy. I raise an eyebrow. "You have a gun safe? You have guns?" "Yes," my dad answers, grabbing his phone when I offer it back to him. "I live in Philadelphia." "He''s got a point," Jordan says, visibly straining at having to maintain two zones of expansion at once. Beads of sweat form and drop down their forehead in real time. "Fuck," "What? Can you hold it?" I ask, glancing around, my entire body running cold and hot at the same time. My mom brandishes her broom like a hammer. "Stay down here, Mom, I''m going up with Dad to get the gun." "What?" She squeaks. "Okay." "Of course I can hold it, stupid! I''m just mad. They probably scented us from my¡­ gadget. Fuck," Jordan groans. I realize with a sudden shock of misery that they''re right - Jordan''s prop gun, our discarded clothes, anything could''ve been used to get a scent trail. And with bassets that can fly, it would only take a small handful of them to crisscross the city until they found where Jordan and I frequent. Until they caught a hold of our trail. Fuck. "Just keep my mom from getting bitten, please," I plead, following my dad up the steps. The raccoon-spiders, or raccoon-tarantulas, or whatever, are swarming. I didn''t even know Philly had this many raccoons. My dad swats them aside, but they cling to his clothes, chittering, grabbing. Not biting. Not threatening. But definitely creepy as shit. "Were you going to tell us ever that you and Jordan do superheroing together?" I feel a neet to clarify the nature of our activities, but then bite it down. "No. You didn''t need to know for exactly this reason. Please don''t hurt the raccoons." One of them grabs hold of my ankle, and I shake it off. It comes loose, skitters around, and then tries to jump at me. On impulse, I grab its arms and throw it into the open door of my bedroom, where it lands with a soft thump while my dad finagles with the doorknob to the parental bedroom. My dad''s body heaves with breaths as he tries to keep his composure, stumbling into his bedroom and disappearing past the wall. I creep past just enough to keep an eye on things, to make sure there''s nothing venomous lurking in the dark, with the lights off. I don''t watch to see where his gun''s hidden. The noise of chittering animals overwhelms any other sensory detail, and about twenty seconds later, he returns, visibly out of breath, with a small, snub-nosed pistol in hand. His finger rests along the barrel, not touching the trigger. I glance the words ''Smith & Wesson'' emblazoned on the barrel, but can''t see anything more than that. Dad lets out a frustrated yell and rips his button-down off, complete with several clinging raccoon-spiders, and hurls it into his bedroom before slamming the door shut. The author''s tale has been misappropriated; report any instances of this story on Amazon. I bend down towards the one left in the hallway and bare my teeth. It scatters, climbing up the wall and back into one of the now-open air vents. "I didn''t know you had a gun," I repeat, somewhat dumbly. "Wasn''t relevant until now. Come on," he replies, skidding his way down the stairs. I follow close behind, this time not flinging myself into drywall, and tag Jordan on the back, their entire body tensed up and slick with sweat, hair a mess. "Cool. I can''t exactly move, so you''re going to have to shoot that fucking thing yourself, Mr. Small," Jordan half-whimpers, half-grunts, my mom clinging to the segment of wall that separates the inter-kitchen hallway from the stairs. I''ve never seen either of my parents look so frightened, so horrified before. I don''t like it. I don''t like knowing that they experience human emotions the way I do, instead of being perfect figurines of parental seriousness. Before my dad has an opportunity to shoot the shrieking opossum-copperhead, the front door buckles entirely, ripped off its hinges. A rottweiler-deer, with long, powerful limbs, patchy dark fur, and two impressively sized antlers, stares ahead at us, while something small hangs off the door handle, having drilled and bit through the doorknob. And, apparently, the locking mechanism. Some kind of horseshoe crab? Or maybe a turtle. Actually, probably both. Snapping-turtle-crab. Jesus, this lady has dedicated critters for biting through locks? "Oh, that''s my favorite type of dog--" Dad says, as the rottweiler-deer begins charging. It bares its teeth, a craggly mixture of herbivore and carnivore, and lets out a disgusted howl, head lowered, charging across the expanse far faster than the opossum-copperhead. I hear a sickening crunch underhoof as aforementioned opossum-thing fails to get out of the way in time. Now I feel bad. My mom, still clutching the phone with 911 on the line like a Torah to her chest, shouts. "BEN, SHOOT IT!" My dad takes steady aim with both hands. I don''t look. It takes six shots, apparently, and the sound is deafening, echoing off the expanded space we''re contained within. The rottweiler-deer skids to an uncomfortable halt on the floor, leaving a smear of blood, no longer mobile. I look past it, and towards the door that feels so far away, in the distance. Crowhounds flood the doorway, taking their opportunity. My dad pants with exertion. Our ears all ring, like someone struck a gong in them, or at least I assume everyone''s ears are ringing. "We''re fine! We''re fine. We just had to shoot a¡­ monster. Please, if you have an ETA - what do you fucking mean, fifteen fucking minutes? Our lives are in danger now, ma''am. Ma''am. I," Mom shouts into the phone, taking a deep breath and pinching the bridge of her nose. "I''m sorry. I''m extremely stressed out. Please tell them to drive faster." "We don''t have fifteen minutes," I say, grimly. I crack my knuckles. I know what to do. "Mom, dad, you two need to get into the car and get out of here. Go visit Pop-Pop Moe. It''s Jordan and I they''re after. I''m not going to let them hurt you." My mom looks at me, her eyes watery, face red. My dad looks at me, brow furrowed. "We''re not leaving you--" is all he gets out. I bare my teeth. "Go. Please. Trust me. Don''t put yourself in danger for my sake. Don''t be¡­ Don''t be a fucking hero, dad, that''s my job. I don''t want to be mean but you''re just going to get in my way and distract me." He sighs. "When you''re right, you''re right." "Ben--" My mom tries to object, but my dad turns to her and the look on his face immediately interrupts. "Sam clearly knows who this is - this "Dr. Xenograft". She has a rogue''s gallery already. We''re civilians. They''re two¡­ heroes. We''d get in the way, Rachel," he tries to explain, grabbing her by the wrist and removing the unused ammunition from his gun, in the big rectangular bullet container whose name escapes me, putting it in his pocket. He pulls something on the gun back several times and lets it go, the gun clicking in response, I guess to make sure there''s no stray bullet inside of it. "Not to be snippy, Smalls, but any time you want to get this moving would be ideal," Jordan cuts in, their fingers splayed out, visibly twitching. I look back towards the kitchen - which is now not even visible past the hallway, a tiny speck. "I really, really cannot sustain this much expansion for long. Especially in two places at once." There are birds, bird-dogs, actively flying towards us, with Jordan repeatedly expanding and shrinking the living room to keep them confused. My parents look at each other, and then at me. "You better do your homework while we''re gone. Sam," my mom says, clearly trying to joke. Her face twitches, and then bursts into tears as she wraps me up in her arms and squeezes me. I squeak quietly while she squeezes harder. "You''ve gotten so¡­ Muscular," she quietly muses, patting my upper arms as she pulls away. My dad isn''t one for hugs. He looks at me and throws a respectful salute. I salute him back. "Don''t worry. Jordan and I''ll be fine. We''ve been in worse situations," I say, trying to reassure them. "If that''s supposed to be reassuring, it''s doing the opposite," my mom muses, while my dad slips his shoes on. A crowhound dives at us, padded claws outstretched, and I grab my mom''s broom out from her hands and whack it into the wall in one smooth motion before tossing the broom aside to Jordan. "Drop it, Jordan." I almost trip on the carpet as space snaps back, returning our rowhouse to its original configuration. Jordan grabs the broom in their hands and continues to swat at crowhounds, warding them away with their wingspan, so to speak, while I get out in front of my parents. A raccoon-tarantula jumps out of the living room vent, and on impulse, I whack it out the front door, immediately feeling a pang of guilt. I¡­ I¡­ try not to think about the body of the rottdeer that''s currently bleeding out onto our carpet. I step aside around it and make a mental note to give it a proper burial when this is all said and done. The smell of blood is rich and sharp. I feel it ebbing out of the mutant chimera''s body. Thankfully, its death was nearly instant, on the second bullet - the first one opened up its vascular system to me, and the second one made me aware of its heart quickly ticking to a stop as its brain was shredded. Everything after that was just my dad making sure. Its tail is long, fluffy. I feel tears welling up in my eyes. I jerk my gaze away and step out the front door. My parents and Jordan follow closely behind. I sweep my neck around, taking in the surroundings outside. That''s when I see him. Mr. T-Rex is standing across the street, with a woman I''ve never seen before beside him. He''s pointing at me. Next to him, the woman in the orange blouse and black tailcoat scans the area, her eyes locking onto me momentarily before settling on my parents. She appears unimpressed but in control, hands in the pockets of her leather pants. "Ah, you brought the parents. Shame," Mr. T-Rex calls out, not even trying to keep his voice down. "You should get them out of here, kid. They''re just going to get in the way." My blood boils. The audacity of these people to just stand there and issue commands - it makes me furious. My hands clench into fists. "I''m giving you one chance to leave. One." The woman snorts, leaning over to Mr. T-Rex. "You didn''t tell me she had spunk, too." Before I can even form a reply, Mr. T-Rex - or maybe Mrs. Xenograft, hidden somewhere nearby - gives some sort of invisible signal, and like clockwork, the hybrid animals that have been tormenting us start to scatter. The crowhounds veer off, no longer interested in us, the raccoon-spiders scattering into the night, followed by a couple other animals I barely even noticed. Another oppossum-snake, with different fur patterns, bolts between my legs. Something that must''ve been a cat at some point scrabbles up a nearby car and scrams. Jordan clenches the broom''s handle, watching the spectacle unfold with visible disbelief. "What just happened?" they mutter. Mr. T-Rex chuckles. "Time''s ticking, kid. Your folks should leave. We''re not here for them." Mom steps forward, eyes still wet but filled with defiance. "Who the hell do you think you are, telling us to leave our own daughter?" Dad places a hand on her shoulder, halting her. "Rachel, let''s not escalate this." He glances at me, then at Jordan, as if silently asking if we got this. My dad''s grip tightens around the unloaded gun, clearly still on edge. "You know these people?" he asks, eyes darting between me and Mr. T-Rex. "It''s complicated," I say, my voice betraying a mix of apprehension and resolve. Mom looks at the woman next to Mr. T-Rex, then back at me. "Is she one of them? One of the bad guys?" I meet the woman''s eyes, trying to glean some insight, but her expression remains unreadable. "I don''t know her," I say cautiously, "but probably." My mom hesitates, torn between maternal instincts and the dread reality unfolding before her. Finally, she nods, turning to my dad. "Ben, let''s go. She''s right; we''d only get in the way." "I don''t know who you are," I growl at the woman, "but you''ve made a big mistake coming here." "Is that so?" She raises an eyebrow. "Well, let''s find out, shall we?" My mom and dad seem like they want to say something more, but the looks on our faces¡ªmine, Jordan''s, even Mr. T-Rex''s and the mysterious woman''s¡ªtell them this isn''t a debate. It''s a standoff. "Go. Please," I urge, my voice softer. "Trust me. Get to Pop-Pop Moe''s. We''ll handle this." Mom looks like she''s about to protest, but dad interrupts her, shaking his head subtly. "She''s right, Rachel. Let''s go." Dad unlocks the car with a beep, and they both get in. As the engine roars to life, my mom rolls down the window. "We love you, Sam. You too, Jordan. Be careful." "We will be," I say, waving as they drive off. "We love you too." The car turns the corner, and just like that, they''re out of sight. I turn back to face Mr. T-Rex and the woman. "You two have made a very bad decision." Mr. T-Rex smirks. "Well, we''re full of those." Jordan shifts their broom to a ready stance. "Yeah, well, so are we." "Then let''s not keep each other waiting," the woman says, taking a step forward. As I prepare for what comes next, the adrenaline in my veins is overpowered only by the sense of purpose in my heart. They want a fight? They''ll get one. And I have every intention of making them regret ever setting foot on this street. Chapter 28.2 Neighbors peek through blinds, and then snap them shut. I see people out on the sidewalks, but all of them know well enough to steer clear. It''s impossible to miss when a superhero fight is about to happen. There''s just something in the air. "Can we have a minute to prepare?" I ask, trying to run out the clock. Mr. T-Rex''s face starts as a scowl, but quickly turns itself into a smile, the corners of his lips dragging upwards grotesquely against his cheeks. It stretches his face in a rictus expression that''s more like an orangutan grimacing than an actual grin. His clothes today are a little different, with nearly the same shades of green, but I think he''s wearing a gatorskin vest this time, or something like it. "No." "You know what? She looks familiar," the woman says, which surprises me, because I''ve never seen her before in my life. "Jordan, I need you to trust me," I say, taking a step back into the house. Just quiet enough to not be overheard. "Yeah? Where from? I mean, besides the security footage, obviously," Mr. T-Rex says, just loud enough to be overheard. Likely on purpose, I''d wager. "What''s up?" Jordan pants, out of breath from the exertion of keeping my parents safe, and swatting away a bunch of monstrous bird-dogs with a broom. "I mean, about five foot six, long, curly brown hair, petite frame¡­ You don''t remember, Mr. T?" The woman asks. Air swirls around me. It''s sweaty, uncomfortable, and uncharacteristically muggy for an October weekend like this. "I need you to go upstairs, and go under my bed. It has a mask and all my money. Take my money and my laptop and shove as much as you can into your backpack. Give me the mask. Then get out of here." "Are you fucking insane?" Jordan stage-whispers back. "You''re going to need to be more specific, Z," Mr. T-Rex says, cracking his knuckles and rolling his neck. "Plus, you''re giving them time to scheme. They just asked for a minute. Why are you giving them a minute?" "Yes. But I have a feeling my family might need it soon. Just¡­ Trust me. Please. Please," I beg, reaching out to squeeze Jordan''s wrist. "I can heal. You can''t. We''re outside. You''re not going to be able to use your powers. Just run, run and get help. Or something." "It''s Bloodhound, you dunce. The one that fucked up P and N. And I''d bet good money that the goth kid is their unnamed partner," Mrs. Z reminds him, gently rapping her knuckles across his skull like it''s empty. "¡­" Jordan''s silence is deafening. Two heartbeats pass. "Fine. But if you die, it''s not my fucking fault," they growl, and vanish back into the house. "Oh, you know what, you''re probably right. Anyway, let''s get this over with. Z?" Mr. T-Rex growls, his grin growing even wider, as if that was somehow possible. His face is monstrous in its depravity, boring into me. She cracks her knuckles too, and then twists her head side to side, doing a little stretch. "Give me a sec, T." "Come on, what if they''re going to go get a gun or something?" Mr. T-Rex whines, grinding his dress shoes into the asphalt. The air gets faster, warmer, more humid. I can feel it thickening, like sludge, like soup, and I look up. The clouds are heavy. They were white earlier today, when the sun was big and high in the sky, and sparse. But now they''re gathering overhead, almost in recognition of what''s coming, thickening and swelling and darkening. Black, heavy, and pendulous. Jordan slaps me on the shoulder to get my attention, making me jump, and presses my mask into my hands. "Are you really telling me that the living dinosaur jawn with skin thicker than tank armor is afraid of, what, a Glock? Get real, man," Mrs. Z says, shaking her head. "Besides, you should know by now it takes me a hot minute to get this shit up to speed. Calm your tits." "Yes, ma''am," He says, deferentially. Jordan looks at me for a second, and I look back, before strapping my mask over my face. "You sure you know what you''re doing?" they ask, squeezing my wrist. "No. Obviously," I reply. Jordan cracks a weary smile. "I''ll be back for your corpse." I look them in the eye from behind my newest mask - now with lenses, a thin, visible orange, but otherwise the same as the prior models. "Be back for theirs." Jordan looks at me, nostrils flaring. Then, they turn around, adjust their backpack, and jump off the front steps of my rowhouse, before bolting down the road. Mr. T-Rex immediately lurches forward, but Mrs. Z grabs him by the shoulder. "Whaddya doing, Z? She''s getting away!" "That just makes it two-on-one, dummy. Think. Don''t let them split us up. That''s how those three lost a three-on-two. And, for that matter, that''s how y''all lost a three-on-two, plus security," Mrs. Z instructs, pulling Mr. T-Rex back by his shoulder. The air continues to thicken, and the wind jostles my hair. I grab a hair tie from my pocket and put it back into a ponytail, so it doesn''t get in the way. What, ten minutes until help arrives? All I need to do is survive ten minutes. I''ve done harder things. "Ugh. Fine! You got your minute and then some," Mr. T-Rex growls angrily from across the street, while I watch Jordan disappear down a corner out of the corner of my eye. "Can we get this started now¡­ Bloodhound?" I tilt the jaw of my mask down, and lock it into place, so my mouth is exposed. "I''m what you''re here for, then? Sure. Let''s hit it." "Ideally, we''d get the two of you, but, augh, fuck off!" Mr. T-Rex roars, shoving Mrs. Z away and stepping out into the middle of the road. He glances left. He glances right. He looks at a car approaching from an intersection, and I watch the driver immediately get the memo, putting their car in reverse and scooting out of the way. "Gonna have a lot of fun ripping this dirty-ass slum house down. Gonna have fun. Gonna have fun. Gonna have fffffffuuuuuuRRRRRAAAUGH--" I try not to stumble as his skin turns bright, angry red. No, not like blushing, like the exaggerated sort of lobster red you see in a cartoon. Steam pours out from anywhere his skin is exposed - his wrists, his face, his neck, and that''s about it. There''s a loud sound like wet towels being ripped apart, and his skin bulges and bubbles outward, swallowing his clothes. I try to resist the urge to vomit. There''s a burst of steam so large that it immediately obscures my view of him. On instinct, I duck out of the way and roll down onto the sidewalk, narrowly avoiding a colossal tail smashing into the front steps of my house, destroying the iron railing and cracking the concrete. The steam soaks into the air like a stain, collecting into a thick, dense fog, as the clouds above begin to spit rain on me, a light, inconvenient drizzle. "And what do you do?" I shout across the street, waiting for the steam to clear. She smiles at me. "I make it rain on these hoes," she quips, walking around to the front of the black car in front of her. She gets inside and it revs to live, and before I can try to dash past the steam cloud to reach her, or really do anything about it, she''s speeding off, her job here done. What did she even do? I look up at the collecting clouds as the rain gets heavier and heavier, quickly intensifying into a sudden storm that was absolutely not on the forecast. The ground isn''t ready for it, causing the rain to start filling up puddles and potholes, and I-- WHAM! I''m too distracted to notice the t-rex tail swishing out of the steam cloud, swiping it clear, twisting it away, and catching me with its tip. It''s not a full-on hit, but it''s enough to send me into a nearby car, my shoulder ramming into the door hard enough to dent it. It hurts, but nothing''s broken, so I shove myself aside and take a couple of steps back to make distance while I gaze upon¡­ A fucking Tyrannosaurus Rex. Whatever Mr. T-Rex has become, it''s nothing like what I''ve seen in Jurassic Park outside of a general similarity in shape. His body is almost pudgy, not shrink-wrapped around the bones, more like a whale that''s developed legs, and the whole assemblage is covered in a fine layer of downy fuzz like a kiwi bird. Two tiny, stubby arms hang uselessly near its neck, while a bright orange frill sits atop the skull, reaching out to the flaring nostrils and wrapping over top the beady eyes. Its teeth, wrapped beneath scaly lips, were like curved daggers, a whole mouth of them, the size of chef''s knives. This novel is published on a different platform. Support the original author by finding the official source. He snorts, blowing hot, greasy air my way, creating swirls in the steam and fog that''s appeared. The rain gets heavier and heavier, forming puddles in potholes, weighing down my clothes. He takes a step forward, his massive feet slamming against the asphalt with each step. As a t-rex, he''s easily more than twice my height, his entire length stretching down the road, tail swishing back and forth along the ground, scraping up pebbles. I see someone calling someone else on the phone through their window. They look panicked. Probably 911. Good. Get those phone lines tied up. Get them to me faster, because G-d knows, there is no way in hell I can fight a fucking T-Rex. He glances sideways, and then takes a step back when he notices that Mrs. Z has left the building, his nostrils flaring and eyes narrowing. He lets his mouth hang open and he roars, so much louder than any noise I''ve ever heard in my life. I put a hand out and curl it, fingers towards me. "You want me? Come and get me." Mr. T-Rex charges forward, each footfall thunderous, an artillery cannon against the ground. My senses sing, my blood pumps and throbs and twitches in my body, the adrenaline beginning to flow. I dodge sideways, easily able to maneuver around the lumbering creature he''s become. Sure, I have my doubts about whether or not I can do any damage to a fucking t-rex, but I don''t need to do damage - I just need to not die for nine more minutes. I can do that. I can do that. He spins around on one heel, surprisingly nimble, claws scraping against the ground. His tail swishes backwards and smacks someone''s car out of place, causing it to go skidding onto the sidewalk, the interface of friction rendered that much lesser from the pouring rain. He narrows his eyes, catches me in his field of view, and goes for it again, just charging straight forward with no greater goal in mind. Another charge, another dodge. I duck out of the way the same way as before, and he stops himself, skidding sideways and flicking his tail around. I am filled with the immense split-second self-loathing of ''just let myself get tricked by a bad guy'', but the thought passes when I am sent sailing into another car, this one red, this time my back impacting hard enough to actually break the door, to crack the glass. I recoil off, landing in the water, and cough up blood, suddenly aware of my entire body. I spit it out into the rain. Mr. T-Rex looms over me. His lips pull back into a snarl, and his nostrils flare, eyes narrowed. His breathing becomes sharp and rhythmic for a moment - he''s laughing. He''s laughing at me, and he steps over me, crushing the car I just hit underneath one of his feet. He steps onto the sidewalk, which isn''t prepared for the weight of a fucking t-rex, and buckles and cracks. He looks at the broken railing in front of my house, where his tail hit a couple of attacks before, and appraises it. "Fight me!" I roar, getting up, rolling my shoulders until they feel like they''ve popped back into place. Have I broken anything? Miraculously, not yet, but the soaked clothes weighing me down make everything awful. They grate on my skin. I''m gritting my teeth together, locking them, waiting for Mr. T-Rex to swing around and hit me again. But the blow never comes. Instead, slowly, deliberately, he presses his snout up against the window of my bedroom. The rhythmic breathing returns, another laugh, and he reels his head back. I feel my heart stop for a second as I realize what he''s doing. "No!" He slams his skull into the brick of my house, easily busting it open, exposing my bedroom to the pouring, drenching rain. My bed is immediately soaked through, and I grab onto his ankle, unhinging my jaw as wide as I can to bite down. My teeth penetrate leathery skin and scales easily, and brackish blood floods my mouth, but he pays me no mind, a mosquito at best. I can barely even reach bone from here, there''s too much skin and muscle and tendon to bite through. He reels his head back and brings it down on my home, smashing the front wall open. He lifts a leg up, precariously balanced, and then smashes me into the ground, stepping on my ankle, grinding it into the sidewalk, absolutely annihilating it. I feel my entire left foot smashed into bits, the bone immediately crushed, and I gasp for air, beginning to scream. He kicks me aside like gum off a shoe. I feel my ankle, my foot, already struggling and straining to pull itself back together - to minimum functionality - but my healing factor just isn''t fast enough. The pain is blinding. I can''t see past it, physically. I can only hear the noise of him stepping around, 180 degrees, I can only smell his blood, the vast, alien dinosaur vascular system. In my mind''s eye, I see him. He lifts his tail up and brings it back down, swiping through my bedroom, obliterating our living room. "NO!" I scream, trying to do anything to get him to stop as I stand back up on both feet. Somehow, this hurts more than anything he''s physically done to me, even my crushed foot. Even though standing on it makes my vision go white with pain, tears flowing down my face indistinguishable from the rain, him destroying my home hurts worse. It hurts more than any knife in my back. I rip the jawpiece off of my mask and toss it aside. I live there. I grew up in that bed. I¡­ I see red. I launch myself at him and his tail swishes sideways, dragging into the neighbor''s house with just little enough force to avoid damaging it. I impact his legs and start trying to crawl up, trying to get purchase on his rain-slick scales, grabbing hold of bunches of fuzzy down. I ram my teeth into him like ice picks, holding myself up by my skull. I can tell he notices from the way he''s writhing, but nothing I can do seems to deter him from his mission of destroying the place where I live, where I eat, where I sleep. He turns around, grabbing the television between his teeth. It crunches like bone. He flicks his head sideways, smashing it into the thin wall that separates the stairs from the hallway leading into the kitchen, and that goes too, like tissue paper. I drag myself upwards, alongside his flank. There''s just nothing I can do to stop him - I''m about as impotent as a fart in a hurricane. But I can hurt him. Even if I can''t stop him, I can hurt him. I slam my teeth into his side, mouth gaped open as far as my jaw will let me, clamping down. It aches so much, my jaw not meant to be used like a rock climbing pick, but desperate times call for desperate measures. His head rises from floor level up, and destroys my parent''s bedroom. He brings his skull back down and smashes their bed in two as it falls onto the kitchen table. I climb onto his back and he swishes from side to side, trying to shake me off. I''m undeterred. I grip fistfuls of feathers, rain blinding my vision, rage blinding my heart. I smell him - I smell every hideous inch of dinosaur artery inside of his monstrous form, and I bite down on his back, where his spine is. He lets out a loud, shrill shriek, and before I have an opportunity to clamp down, to tighten my lower jaw and crunch down on something important, he starts shrinking underneath me. More importantly, he starts releasing steam again. His body twists and cracks and burbles back into a humanoid shape, and the steam scalds my skin as all that extra mass vanishes in a small explosion. My jaw refuses to hold on any tighter. It lets go, and then a fist comes flying into my face, sending me rolling backwards onto the slick sidewalk. The world spins around me. Mr. T-Rex grabs at his ankle, a gash ripped in his clothes, tiny holes cut in his vest from where I jammed my teeth into his dinosaur form. I feel a little bit of satisfaction at that. I push through the pain. You''re not knocking me out. "Persistent little cunt. They only told me to demolish your house and the other brat''s place, but if you''re so eager to die, then let''s fucking go!" He roars, somehow louder and more ferocious than the dinosaur''s bellowing. My skin tingles where the steam scalded me, but the cool rainwater warded off the worst of the burn injuries I could''ve had. My foot is still demolished, just so we''re clear. It''s not knitting itself together that fast. Gonna take at least a couple hours for that one. Maybe a day. I get up, bracing myself against the car that we fucked up, spitting out a loose tooth. I put my fist up. "Come get me, pussy." His grin is otherworldly, more like a horse than anything human. He takes five steps forward and his fist collides with my gut, sending me spitting out blood. I cough and gag, and then I swing back. There''s a loud crak as I break his jaw, or at least fracture it, knuckles colliding with just the right spot, just like I trained. A surge of triumph rips through me, and I lurch forward, lunging in for the bite. Hand on his jaw, he reels, grabbing my ponytail and throwing me sideways onto the sidewalk before I can start ripping and tearing. "God, that fucking hurt. That''s it. I''m going to turn you into fucking pink slime," he spits, one of his own teeth coming with it. "Pink slime," he repeats. I hobble backwards on my broken foot, and turn around. I start running. There''s a loud, bellowing hiss as the steam bursts from his body again, and his dinosaur form charges at me full speed. I throw myself sideways, arms up to cover my head as my elbows and forearms crack into the back of a parked car. Anything to get myself out of his direct path, as he goes thundering out of the new cloud of steam and across the sidewalk, leaving huge t-rex footprints in the concrete. He turns around on a near-dime, grinding his toes into the ground, tail simply batting the car aside into the middle of the road. The rain washes all our blood down into the nearby drains, streets beginning to flood, but he''s still actively bleeding, so I can still smell him. I take a step back, trip, and fall on my bad foot. I''m in the middle of the road, now, trying to haul myself up with nothing close enough to grab onto. I prepare for the worst weeks of regeneration I''ve had yet. How long will it take to come back from my entire body being ground into gristle? From every bone being broken, trampled underfoot? Can I even heal from that? As a foot looms over top of me, I close my eyes and pray to G-d. I hear the footsteps before I register their cause, their location. I open my eyes at the sound of stone grinding against stone. Bulwark, wrapped head to toe in his stone plating, struggles against the titanic t-rex foot about to crush me. He looks down at me, smiling warmly, entire body soaked through. Everything but his face is armored up, ready for action, his powers coating him in a thick layer of granite. "It is a good thing you held out as long as you did, young one. Help is here." I choke out a sob. New layers of stone wrap over his face, masking him entirely, and his muffled grunt rings like a bell in my ears as he shoves Mr. T-Rex''s foot back and up into the air, sending the dinosaur sideways on his bad ankle. With only one injured foot to balance on, he collapses, leg buckling, falling helplessly onto his side. Bulwark reaches down, grabbing my wrists. "You did well, young one. I am proud of you. No more risking yourself for tonight," his muffled voice creaks, whistles through his rock mask. In the distance, I barely hear the sound of wailing sirens, of an ambulance closing in fast, over the noise of the downpour. "Let us rock! Ho ho!" I cough up some blood, and I get behind Bulwark. He smashes his fists together, and another half-inch of stone plating forms over his skin. Chapter 29.1 The rain slams against every roof, every car, and every square inch of concrete, falling so densely and thickly that it''s a flood of white haze in my vision. Visibility is near zero. It looks like the rain in movies, when something really sad is happening, just an absolutely drenching downpour as the air gives up all of its hard-earned water. The raindrops form a staccato rhythm that quickly blurs into a solid wall of sound, occasionally punctuated by the wailing sirens of emergency services, a couple of roads down, waiting for the all-clear. Bulwark turns away as Mr. T-Rex stumbles backwards and falls, a plume of boiling steam pouring out of his body as he reverts to his more nimble human form. It seems like he can''t create steam clouds without changing shapes - he''d have done so on several occasions if he could''ve. This time, though, there''s no charging, just Mr. T-Rex swiping his hand through the fog, clearing it up, rain turning his green overcoat several shades darker. "Are you hurt? Does anywhere need bracing?" Bulwark asks, bending down to come close to eye-level with me. I can just barely see his eyes through narrow slits in his armor, same with his nostrils and mouth, tiny vulnerabilities in otherwise impenetrable layers of stone. "He stepped on my foot. Other than that, nothing I won''t walk off," I say, looking past Bulwark, watching Mr. T-Rex roll his shoulders, test his ankle, ensure he''s minimally damaged. Bulwark reaches down, and as he touches my leg, wrapping his fingers gingerly around my shin and foot, it becomes encased in a solid layer of stone. The stone feels light as air, but I can tell from the way it''s dragging against the ground that it weighs exactly as much as that much rock should weigh, Bulwark''s ability is simply compensating for the load. I rest my foot on the ground, and it feels much better, having the stable structure supporting it. "It takes him a couple of seconds to transform. Every time he does, he throws off one of those steam clouds. I''m also pretty sure he can think just fine in dino mode," I tell Bulwark, taking a couple of steps back. Bulwark turns towards Mr. T-Rex. He claps his hands together, and a third layer of armor forms, giving him another half inch or so of thick, dense rock around himself. "I have about fifteen minutes of armor. Every layer cuts my time in half. That brace of yours will last an hour. All we need to do is survive, young one. Stand clear." Everything Bulwark says is simple matter-of-fact. It''s a tone that brooks no argument, but in a gentle way, not in a forceful way. I stand clear. Bulwark grabs the bumper of one of the cars that Mr. T-Rex damaged and yanks it off the ground like it''s a paperweight. With some effort, he bends it into a better shape, squeezing the lower-middle of it into a handle, rolling the tip into a ball. A solid layer of granite forms over it, turning it from bent, distorted metal into a mace. Mr. T-Rex clenches his hands, and then unclenches them, leather creaking. Or at least, I imagine if I could hear anything over the rain, the leather''d be creaking. I decide now would be a good time to try and scavenge from the wreckage. Slowly dragging myself to the side, I watch Mr. T-Rex''s eyes flicker from Bulwark to me and back again. Assessing threats, the way a predatory animal might. Is this kill worth the trouble? He decides "yes". His grunting and snarling is audible over the storm, and I get the lovely sight of watching the foam pour out from between his chimpanzee-like grimace-grin, pooling at the corners of his mouth, while steam emits from his skin in jets. "He''s transforming!" I shout out to Bulwark, who was already moving before I even said anything. I''ve never seen two adult superhumans fight before, I''ll be honest. Like, yes, Multiplex has sparred with Bulwark and Belle and, on occasion, himself, as demonstration for us kiddos. And of course I''ve seen videos of cape fights, from knock-out brawls that are basically just your everyday street fight to the spectacular performances of the heroes in New York City and Chicago. But I''ve never seen a cape fight up close like this. I''ve never been the one being defended. Bulwark takes about six paces forward and swings, his makeshift mace ripping through the air and CRAKing against a half-formed Tyrannosaurus skull, sending the partially-transformed Mr. Tyrannosaur reeling sideways. It was only a glancing blow against his snout, aimed blindly in the steam-fog, but Bulwark''s enhanced strength inside his own armor combined with the enhanced weight of something he was swinging around like a wooden dowel combine to turn that glancing blow into something tremendous. Not enough to break bone, but enough to send reeling. The way Bulwark''s explained it to me is that he never has any trouble lifting anything his powers enhance. And if he''s armoring a person, that specific person won''t feel the weight of their armor, and nothing else. But to everyone else, everything weighs as much as it would if it really was covered in a half-inch thick layer of granite. I''m so bad at math, but that''s gotta be at least¡­ what, 20, 30 extra pounds on that fender? I''ll have to ask my math teacher later. The momentum carries the mace rightwards, and then the wind rips through Mr. T-Rex''s steam cloud, dispersing it into swirling ribbons. Mr. T-Rex looks disgusting when not done transforming, a halfway point between man and monster. His human skin has shredded open, swallowing his clothes entirely, bubbling like a baking soda volcano. He doesn''t look solid, like he''s made of goopy foam, the texture of bubble gum. Strands of sinew occasionally peek out from the gaps in his skin as it rapidly regrows over itself, forming layers just like Bulwark, layers that turn quickly into scales, then quills. It only takes another second or two before his stretched out face breaks into the typical T-Rex snarl that I''ve grown uncomfortably accustomed to. Have you ever read Animorphs? My mom tried to get me to read it about a year ago. I bounced off of it, but I should get back to it. Anyway, it''s kind of like that. I slowly drag myself behind the stairs that lead up to what used to be my house, eyes protected from the rain by my mask''s lenses. I''m extremely cold, and I just know I''m gonna get sick from being just rained on like this, but there''s stuff I have to get - stuff I have to make sure is still there, still unbroken. Mementos and important objects. I hide behind the stairs, getting in close to what remains of one of the brick walls, trying to get some shelter from the rain. Mr. T-Rex, now fully transformed, lunges forward, his feet skidding along the ground while his mouth snaps down. He''s not playing anymore - this has gone from demolition to attempted murder. I have no doubt that if he catches Bulwark in between those monstrous, banana-sized teeth, Bulwark''s losing a limb, or worse. His mouth snaps shut with enough force that I can hear it, and Bulwark slides backwards on the ground, arms raised defensively. He''s taking a sort of modified boxing stance, mace-wielding arm curled horizontally around his face, other hand lifted vertically to block his jaw. Mr. T-Rex''s teeth snap shut inches from Bulwark''s face. Bulwark turns into his hips and swings, slamming the bumper against Mr. T-Rex''s lower jaw hard enough to send a gigantic dinosaur tooth flying out from his mouth, lodging into the window of a nearby car. A couple of seconds later, it starts dissolving, turning red and ashy before just¡­ falling apart into sludge, into jelly, washed away by the rain. Weird. Mr. T-Rex roars, head swinging through with the arc of Bulwark''s swing. Taking advantage of the momentary lull, he swings back, using his head like a mace again and sending Bulwark skidding into a nearby car on the other side of the road. Bulwark plants his feet and barely dents the thing, more of a love-tap than anything else. I can just feel him gritting his teeth from here. I look away for a moment to scramble in the debris, looking, looking, dredging my hands through bricks and dust and destroyed drywall. Somehow, I find it fast - my cell phone, and I take a second to build a small pyramid of, I don''t know, stuff to guard it from the rain. It''s already wet, and there''s no way I can dry it off with my soaked t-shirt, but I can hope it''s still functional. And if all else fails, I can salvage my SIM card. It makes sense to me to find my phone, so I hope nobody judges me for it. I''ll need a way to stay in contact with my parents when they return, and Jordan. Last thing I want is them coming home to the wreckage and assuming I got turned into a pink smear on the floor. I mean, I still might be turned into a pink smear, but here''s hoping. The narrative has been illicitly obtained; should you discover it on Amazon, report the violation. I turn around to keep my eye on the fight. I have a feeling not looking at this for too long is bad for my life expectancy, a feeling that is vindicated when Mr. T-Rex''s latest lunge sends him ripping through a nearby rowhouse''s front door. One of my neighbors, and I can see them wincing and totally freezing up through the windows. Bulwark grabs the door frame, and a layer of stones sprouts from the air - followed by another, and another, and another, forming a tight vice around Mr. T-Rex''s mouth that locks him in place. Mr. T-Rex''s tail swipes left and right impotently, as Bulwark takes the opportunity to land what I think any reasonable person would consider some "cheap blows". He aims right for the eyes, swinging his improvised mace with enough force that even the dinosaur seems in pain from it, entire body shaking and shuddering in agony. A second blow lands across Mr. T-Rex''s facial ridge, and then Bulwark lifts up for a third, bringing it vertically down on empty space as Mr. T-Rex manages to yank their face free from the doorway. The granite remains in piles, while Bulwark notices the lack of a third hit and immediately jumps out of the way of a tail swing that misses. The tail annihilates the railing in front of the rowhome, turning it instantly into a heap of bent, broken metal. Mr. T-Rex is left squinting, either blinded in one eye or at the very least bruised. That plus the rain has to make this a miserable slog for the two combatants - it''s a miserable slog for me, and I''m not even fighting anymore. I can feel my bones slowly, slowly shifting in my foot. It''s painful and uncomfortable, but the support of the impromptu brace at least makes walking on it less miserable. I have to move gingerly, sliding across the wet carpet, not putting any weight on my broken foot, but it''s better than walking on it in my shoes. Normally, I''d be objecting to being rained on this much, but all the adrenaline pumping through me is making it much easier to ignore. It turns out, complaining about how wet socks are the worst feeling in the world seems like it takes a little bit of a backseat when you are trying to avoid being killed by a fucking dinosaur. Mr. T-Rex swings around again, trying to use his tail to knock into Bulwark - but even with all six feet six inches of him available to hit, Bulwark is just too nimble for something so telegraphed. Bulwark ducks under it, watching for Mr. T-Rex to slow down his swipe, and then jumps. He grabs the narrow end of Mr. T-Rex''s tail and hangs on for dear life, holding his mace in the other hand, like trying to get on a the back of a bucking snake. Mr. T-Rex roars, dragging his tail back and forth, while Bulwark collects layers and layers and layers of stone on the bumper, turning it into an anchor that Mr. T-Rex is visibly struggling to pull. Bulwark lifts it up and slams down. The mace aims true at the narrow tip of Mr. T-Rex''s tail, smashing it hard enough that I''m almost certain something broke, and then the stone falls apart, its time limit consumed. At the same time as Bulwark swings, he rips up with his other hand, tearing out a chunk of feathers just to rub it in. Mr. T-Rex does not like any of these things, evidently. As soon as he has the opportunity, he turns around on his heel, and then again, and then flings Bulwark into the nearest car, flicking his tail out like a bullwhip. The car crumples inward entirely from the impact, demolished. Bulwark gets back up, dusting off his shoulders. If he''s rattled at all, I certainly can''t tell. Mr. T-Rex lowers his head to the ground and snorts, his nostrils blowing the fog into tiny vortices (that means, like, a whirlpool). He charges forward, and Bulwark rolls under, letting Mr. T-Rex grind his face into the car''s wreckage, just turning it into iron shavings, smushing it with his snout. Bulwark jams his fingers into the middle of the street, visibly exerts himself, and then yanks a manhole cover free, hefting it over his head. I hide behind the corner of the ruined front wall of my home. I''ve already stuffed as many family photos as I can find into the same pyramid that my cell phone is hidden under. I get a better idea, and grab a tupperware container from the floor, one that was scattered about by all the destruction, and shove everything into that instead. Then, I turn back to watch the tail end of what I have to assume was a fantastic shot put. As Bulwark spins around on both feet like a ballerina, the manhole cover takes on consecutive, growing layers of stone, turning it into a massive disk. Already, Bulwark must be pretty damn strong just to lift a manhole cover out the ground at all - I tried pulling at one of those things before and it barely budged. He''s holding it with all the ease of a frisbee, and I don''t know if that''s his natural strength or the enhancement he gets from having the armor on. Either way, he lets go. His aim is true, flicking it towards Mr. T-Rex''s injured side, where his eyesight is worse. The armored-up manhole cover careens through the air, cutting a path through the rain, which, thankfully, has begun to let up slightly. I barely even see it at the speeds its moving at, and when it strikes Mr. T-Rex on the side, it makes a tremendous sound almost like a dull thunderclap, bouncing off and up, its armor breaking off and crumbling into small pebbles. Mr. T-Rex stumbles back, a visible dent in his side, and steam begins to pour from his mouth and skin. I grab some Hannukkah candles and shove them in the tupperware. I don''t know. In case I need candles for some reason. I grab a knife. That one I also might need. I hide behind the bricks and debris, trying to make myself as small as possible, so Mr. T-Rex doesn''t notice that I''m still around. I can smell both of them, but it''s hard to tell in the rain, constantly trying to wash away the blood and constantly distracting me, playing havoc on my sensory system. Bulwark is bruised up, and bleeding from the nose, coughing up blood, and Mr. T-Rex still has the cuts I inflicted on him, plus a few new bruises from Bulwark. I just keep myself small. The rain continues to pour. Bulwark''s armor is chipped in places. I haven''t been keeping track of the time, but I can guess he''s got ten minutes left, maybe eight. I hear the sound of collecting stone. Bulwark adds another layer on, and cuts his remaining time in half again. Mr. T-Rex chuckles, wiping frothy spit from the corner of his mouth against his sleeve. They lock eyes for a moment, and some sort of mutual understanding passes between them, the mutual understanding of combatants. I think it''s a kind of respect. Mr. T-Rex grabs a chunk of concrete from the ground, tossing it up and down in his hands like he''s weighing a baseball. He starts running, arm winding back, and pitches it at Bulwark, an 80 mile-per-hour fastball off the streets that cracks off his skull like a ping-pong ball, shattering into pieces. Bulwark doesn''t even seem winded, only recoiling a fraction of a second, charging straight ahead into the developing cloud of steam. A second later, Bulwark is thrown ten feet back, landing on his butt and sliding against the ground like a stone being skipped on the surface of a lake. Mr. T-Rex keeps charging, and I take a mental note that he doesn''t have to stand still to transform, feeling a bit silly that I even assumed that in the first place. Bulwark grinds his palms into the ground, bringing himself to a halt and sending a small shower of sparks into the air. Bulwark ducks underneath Mr. T-Rex''s body, nimbly squeezing between his legs, and Mr. T-Rex whips around again, pawing at the ground with one foot. Even his adorable little Tyrannosaur arms are visibly trying to clench, like he''s squeezing his fists. It''s a tiny moment of levity. I''ll take what I can get, cowering in the ruins of the ancestral Small home of fourteen years. Mr. Tyrannosaur lowers his head again, like a bull preparing to charge, and Bulwark, chipped pieces of granite flaking off of him, armors up one more layer. If I''m doing my math right, he can''t have more than two minutes left. Probably a minute and a half, maybe even less time. But does Mr. T-Rex know that? Mr. T-Rex charges, zigging and zagging across the wet street, clearly trying to make himself less predictable. Bulwark stands resolute, arms up, defending himself boxer style. Mr. T-Rex''s movements are more erratic, but still predictable - a zig-zag only goes one way. Bulwark winds back, grinds his feet into the ground, and takes Mr. T-Rex head-on, swinging his fist with every ounce of muster he has in him. The air is filled with a sound that sounds a lot like thunder as Bulwark''s fist whips into Mr. T-Rex''s damaged eye, and Mr. T-Rex''s snout slams into Bulwark''s torso. Cracks start forming in Bulwark''s armor, starting at his fist and spreading throughout. Mr. T-Rex and Bulwark both stand still, for a moment or two. A heartbeat passes, followed by another. Mr. T-Rex lets loose an agonized roar, blood leaking from the corners of his damaged eye. His snout shakes away from Bulwark, and he rears his head back, howling in despair. He looks at me, nostrils flaring, making it clear that not only did he know where I was, but that this was far from over, and he begins to trod off. I notice his uncomfortable gait, taking a small amount of satisfaction in the damage I did to his ankles. Bulwark''s body heaves with exertion, and his armor plating dissolves off of him, decomposing into small bits of gravel that quickly turn into even smaller bits, then into dust, and then, nothing, leaving him in his construction-equipment-like costume. He smiles in my direction, panting, blood leaking from his nose around his mouth and into his beard. He lifts his hands up to the sky, knuckles bruised and bloody. As if on queue, the rain, which had been steadily weakening, stops, and the clouds break open, casting a beam of light across Bulwark''s entire body. The entire street begins to shimmer and sparkle with reflected sunlight, bouncing off the wet asphalt. In the distance, I hear the heaviest footsteps in the world, and then a characteristic burst of steam, a loud hiss like some sort of firecracker going off. Two adult capes. No words, no lip, just one fighting to save my life and the other fighting to kill me. Bulwark closes his fingers gingerly, bringing them down to his sides. "That was a close one, young one¡­ I am sure we can leave the rest to the police, or other heroes in the area. I had let many of them know before I came here to stand by, so, hopefully, we should be able to catch him on the way out," he explains breathlessly, answering my unasked question. I clutch my tupperware container full of odds and ends to my chest like a lifeline, and I drop the knife, glad that I didn''t end up needing it. "Come along, young one. Let us get you some medical attention." I swallow, thick and heavy, and nod. Chapter 29.2 "Well, you''re not dead, which is a lot better, historically, than I think most things that got into a fight with a T-Rex can say," the paramedic, a dark-skinned woman with colorful dreadlocks tied back, says to me with a smile. "You sure you won''t need a cast? Your, um¡­ All your bones in your right foot are kind of¡­ not in one piece anymore?" Her hands, gloved and professional, gingerly press against my foot, making me wince. Sharp lines of pain dash up my spine. "Oh, no, not true! Your tarsals seem to be in good shape. Your metatarsals¡­ well, those are the big question. If you were anyone else, I''d say you''re never using this foot again." I sit in the back of the ambulance, feet dangling off the edge, thermal blanket wrapped over my shoulders like a shawl, although my clothes are still soaking wet. The paramedic continues to probe my foot, her expression a mix of disbelief and concern. "You''re certain you can regenerate? You said it felt like this got ground into dust, but there''s definitely identifiable bones there, and they''re in the right place - just broken." I nod. "Yes, it''s one of my abilities. But it takes a bit of time and energy," I explain, feeling the uncomfortable, unfamiliar domino mask across my eyes. My actual mask sits to my side, with this one mostly for preserving my superhero modesty as a crowd gathers to assess the damage. Bulwark leans forward, his gaze heavy on my injuries, totally ignoring his own. Even though I''m the one that can regenerate! How is that fair? "Is there something I can do? How can I assist?" The paramedic looks up at him, considering. "Could you check with any of the neighbors? See if they can lend us some dry clothes for her? Hypothermia can be a serious concern." "I will see to it," Bulwark says and strides off, each step more like a miniature march, as if his body can only express gravitas. I watch him walk away, then turn back to the paramedic. She starts rummaging through her bag, pulling out what looks like a blood pressure monitor and a pulse oximeter. "We need to get your vitals. Your core temperature''s a little low, and these wet clothes aren''t doing you any favors." She wraps the cuff around my arm, and begins to do that little dance of blood pressure. The part I always hate, where it squeezes so hard it hurts for a second, before it lets go. "Systolic''s a bit high. We''re going to start you on some painkillers," she announces, fishing out a small vial and a syringe. "Your oxygen levels look decent, though. Considering the circumstances, that''s a miracle. Just a little bit of ketamine to take the edge off." I don''t shy away from the injection, although she chuckles a little when she sees the face I make at the word ''ketamine''. After she injects me, right in the thigh, she scribbles some notes on her clipboard. "We''re looking at multiple fractures and breaks in your right foot, some internal bleeding in your abdomen, and likely a concussion from being thrown around like that. Your scalp shows signs of traction alopecia, though it''s not severe. You''re going to need to get to a hospital for scans and probably surgery for that foot. No concussion, thankfully." "Yeah, got punched pretty hard in the gut." She places a stethoscope on my abdomen, listening intently. "You might have some internal bruising. You''ll need an X-ray, ultrasound¡ªsomething to make sure you haven''t ruptured anything." She moves it up to my chest. I try not to blush. "Lungs sound good, though. I don''t hear anything out of the ordinary." My insides churn at the thought of having burst something just from being struck hard enough. Is that even possible? "Uh, okay, got it," I murmur, as she goes back to examining my bad foot, the whole¡­ appendage(?) having turned an ugly shade of plum purple and red. "And this foot¡­ I''m feeling some strange lumps, or maybe spurs, under the skin. They might be bone fragments." She continues to palpate my foot with an increasing frown. "Regeneration or not, we should get this looked at. Especially if the bones are trying to knit together wrong." As she speaks, I hear Bulwark returning, carrying a small bundle of clothes in his large hands. "I have procured these," he announces, his voice tinged with a small, almost imperceptible note of pride. The paramedic smiles and takes the clothes. "Thank you. Let''s get her into these and to the hospital. Even if you can regenerate, young lady, you need to get properly checked out. There''s too much that could go wrong, and I''m guessing you''ve never tested your powers against T-Rex-inflicted injuries before." I laugh a nervous laugh, nodding. "First time for everything." Bulwark turns away as the paramedic preserves my modesty with the thermal blanket. "Your courage today was admirable, young one," he says softly, almost tenderly. I shrug, the thermal blanket slipping off my shoulders. "They were coming for me anyway. Courage isn''t really a factor when I don''t have a choice. I''d say it''s more duty, or obligation." "We are made of the same spirit, then," he replies, a soft smile touching his lips. "Come. Let us see to it that your duty does not cost you too dearly." I take a deep breath and nod. If my injuries are the price of duty, then so be it. I''ve come to a conclusion - I''ll pay it gladly, every time.
I don''t like being in the hospital again, but the circumstances are a lot better than last time. They still have to put me under to re-set my foot, but apparently, from the nurses, there were a bunch of teeth growing off of it - a tooth for each fragment of bone. Scared the shit out of the doctor, evidently, which I wish I could''ve seen. I have another vial of teeth, now! The last one kind of¡­ melted? The teeth started turning into dust about a week ago and then the next time I checked the vial it was completely empty, so it''s nice to have a tooth vial again. I don''t know, call me weird, but it feels cool. My bones were in a good enough shape that the doctor decided to only splint me, instead of putting me in a full-on cast. Which sucks, because it would''ve been cool to get my cast signed, but, you know, doctor''s orders. They finally put a number on my regeneration! They said that it''s "Unclear, possibly conditional, shows signs of significant healing in the timespan before arriving at the hospital, but significantly slowed prior to surgery, and accelerated again during surgery," and when I asked for clarification, they said "Estimated 8x-6x healing factor", which is cool. If I had to guess, based on what I know about myself and my pattern of being stabbed, sliced, cut, and otherwise mangled, I think my body tries to heal itself fastest when an injury happens to keep me stable during a fight, and then slows the roll afterwards. Or maybe it goes for the biggest injuries first, or heals me fastest when it feels like I''m in danger, but whatever the options, it''s definitely a slope. I was sore for a lot longer than I think I should''ve been when Safeguard stepped on me, after all. But, I don''t know. I''m not a superheroologist. I think a lot about these things in my hospital bed, still wearing borrowed clothes from the neighbors, who I''m sure all know who I am at this point. I mean, a girl who looks an awful lot like Samantha Small just came out of the Small residence to fight a Tyrannosaurus Rex. It doesn''t take a genius to put two and two together. But if anyone knows, they''re keeping it hush hush. I have about a week of healing, maybe two, guesstimated by the medical people, before my foot is walk-on-able again. Which is a lot longer than most of the other injuries I''ve received, but way better than ''never being able to use that foot again'' or even just ''eight weeks''. I value running around and being a miscreant too much to want to stay grounded for too long. I put my phone down, clicking the little red hang-up icon with my thumb. The whole day washes over me in a wave of exhaustion. My parents, still in New Jersey, just sounded happy that I was still alive. I told them about the house, and they said not to worry, everything''s insured. My dad, specifically, apparently got "superhero insurance" on top of the normal home insurance, which I didn''t even know was a thing. I asked him why he''d have done that in the first place, and he said, "Well, I work for the municipal government of Philadelphia. You make a lot of enemies there." I asked him if he had ever made a supervillain enemy. He refused to answer, which means ''yes''. That''s a story I''ll have to pry out of him later. They said they loved me and that they''re so proud of me and they''re so glad I''m alive. We all cried. It was kind of ugly. My face still hurts. My mom''s voice rings in my ears. I told them that I wanted to stay at Pop-Pop Moe''s for their safety, and they hemmed and hawed, and said okay, but only if you''re sure you can find a place to stay. "Plus," my mom said. "You''re gonna have to do something so much harder than fighting a dinosaur man." "Yeah?" I replied. "You''re going to have to keep going to school once your foot is all better," she said. "Damnit," I replied. I scroll through my contacts. There''s plenty of people I''d gladly couch surf with - all of my friends from middle school, for one - but I don''t want to put them in danger. There''s a target on my head now. The Kingdom tracked me down to my house, and I doubt they''ll be stopping there. Bulwark knocked Mr. T-Rex good, and maybe blinded him, and if there''s anything I know about guys like him - like Mr. T-Rex, like Mudslide, like Aaron McKinley, it''s that they don''t take embarrassment lying down. Reading on this site? This novel is published elsewhere. Support the author by seeking out the original. I scroll down through my HIRC client to the Young Defenders group chat. There''s a ton of messages of concern, of support, both in individual conversations and from the group. Clearly, someone gave them the low down at some point in the past 8 hours, and I have to wonder if it was Bulwark or someone else. I pop my head into the chat, tell everyone that I''m okay, and pop the question.
I pull up to a tiny little rowhouse on Almond Street, about fifteen minutes by car from my house, but, somehow, closer to my high school. Bridesburg sits comfortably nestled near the Delaware, and a tiny little stream runs across the street, cut over by Bridge Street, near a funeral home and a convenience store. This rowhome isn''t brick and mortar like mine, not old, it has those weird white shingles that kind of feel like plastic, and a front step that just goes right to the sidewalk. A single front step, rather, as opposed to the steps, plural, that my home had. I ring the doorbell, glancing backwards at a Multiplex, who throws me a respectful salute from inside the car. Apparently, being able to make up to twelve of you means you can chauffeur people around easily - go figure. He watches me, not moving, waiting for the front door to get answered. The pinkish dyed hair of the girl who answers the door is unmistakable. I know her as Blink, of course, but she''s got a civilian name I''m probably going to find out in less than a couple of minutes. "Hey, Bee! I''m really, really super glad to hear that you''re all okay." I glance at my foot, chuckling, and adjust my emergency backpack, so generously bought for me with taxpayer dollars and delivered to my hospital room by another of Multiplex''s duplicates about 6, 7 hours ago. The moon hangs bright in the sky ringing in at around seven thirty, seven forty five. I''ll be honest, the past however-long it was - from Jordan coming over to the fight to the hospital, it''s all kind of turned into a big smudge of time. It doesn''t feel real. Like a bad dream. "Alright enough." "Come in, come in! My parents dragged the futon out of the storage room for you. It''s not the best in the world so I got out and got you a mattress topper from the Walmart a couple streets down. I hope you don''t mind?" She asks, fidgeting around as I step inside my temporary abode for the next however-long-it-takes to get my house rebuilt. My dad said with what I described to him, the fastest we could possibly hope for is 16, maybe 14 weeks, depending on if there''s any construction crews with superhumans aboard. Realistically, closer to 20, 24 weeks. I sure hope Blink doesn''t get tired of me by then! My parents said that they could arrange a long-stay hotel, which is what they''re going to do when they''re all squared off with Pop-Pop Moe and the coast is clear, but, like¡­ I don''t know. I feel most comfortable knowing I''ve got someone by my side that gets it. What if I''m alone in an Econolodge and Mr. T-Rex comes back and it''s just me? So. Yeah. Living with Blink for a couple months! "Bee?" She asks, waving her hand gently in front of my face. I realize that I just had that whole train of thought while spacing out, staring into her home''s kitchen, which is a lot more modest and old looking than ours. "Sorry, spacing out. And, uh, you can call me Sam when we''re in our civvies like this," I say, stepping into the rowhouse. I glance back at Multiplex, who, satisfied that I made it inside safely, takes the car out of park and begins pulling down Almond Street. "Honestly, the futon is probably bigger than my normal bed, so, that''s cool." It is indeed, the couch unfolded into an uncomfortable looking bed, with a comfortable looking memory foam mattress topper, and then an ill-fitting sheet stretched over it, duct taped at the corners. I sit down, take a deep breath, and flop back onto it. Blink smiles at me, warm and a little vacant. She always looks a little bit vacant though, so I''m sort of used to it by now. She sits down next to me while I ease my backpack off my back. I take my rescued photos and set them on the plastic table that''s been set aside as my nightstand - just wet polaroids, now. I''ll get a frame for them from the dollar store later, or something. "If we''re using civ names, you can call me Lily! Lily Chen. My parents will be back in like half an hour with dinner for us. Do you like Chinese food?" Blink - Lily - says, her head clearly trailing from one thought to another in a solid, uninterrupted flow. She leans sideways on the futon, conspiratorially, the sort of leaning someone does at a sleepover. "Like actual Chinese food, not Panda Express. Peking duck and stuff. Do you like duck?" "''ve never had it," I answer, honestly, finding it hard to meet Lily''s gaze. "Food will be nice, but I think I just need to nap. Can you wake me up when it gets here?" Lily smiles and pulls me into a hug, my face nestled against her. Against all the resistance in my blood, I find myself relaxing. She lets me go and pats me on the head. "You sleep good, okay, Sam? I''ll wake you up. When it gets here, I mean. And I''ll get you my old laptop!" I smile at her, but it feels more like a grimace, like a chimpanzee''s smile. My teeth lock together. Lily doesn''t mind, but I think anyone else would think the sight is horrifying. "Thanks. You''re a lifesaver." "That''s my job, silly!" She says, scooting off the futon and bolting up the stairs. End of Arc 2: Keys
Subject: Unforeseen Circumstances - Temporary Absence from School To: [email protected], [email protected], [email protected], [email protected] From: [email protected] Dear Teachers, I hope this email finds you well. Unfortunately, I have some unexpected news to share. Due to a superhero incident in my neighborhood, my home was significantly damaged, and I was also injured. Thankfully, my family and I are safe now, but the circumstances will prevent me from attending school for the next week. During my absence, I''d greatly appreciate it if you could email me the assignments and material I''ll miss. I''ll do my best to keep up with the coursework from home, despite the ongoing situation. Thank you for your understanding and assistance during this challenging time. Sincerely, Samantha Small Subject: RE: Unforeseen Circumstances - Temporary Absence from School To: [email protected] From: [email protected] Samantha, I''m sorry to hear about your circumstances. The most important thing is that you and your family are safe. Don''t worry about the assignments for now; life happens, and we can catch up later. Best wishes for a quick recovery. Mrs. Foster Subject: RE: Unforeseen Circumstances - Temporary Absence from School To: [email protected] From: [email protected] Samantha, That''s quite the ordeal you''ve been through. I hope you''re taking the time to heal, both physically and emotionally. I''ll send you the reading material and assignments you''ll need for the next week. Take care. Richard Strickland Tacony Academy Charter High School (267) XXX-XXXX [email protected] Subject: RE: Unforeseen Circumstances - Temporary Absence from School To: [email protected] From: [email protected] Hey Samantha, Wow, that''s intense! Glad you''re okay, though. Take the time you need to get back on your feet. Attached are the materials and assignments for Earth Science this week, and next if you feel you need it. Stay strong! Best regards, Laura Bollinger, M.Sc. Earth Science/Chemistry/AP Environmental Science Professor Tacony Academy Charter High School (215) XXX-XXX [email protected] Subject: RE: Unforeseen Circumstances - Temporary Absence from School To: [email protected] From: [email protected] Samantha, Sorry to hear about what happened. That''s tough. Don''t worry about PE or Home Economics. We''ll get you caught up when you return. Focus on getting better for now. Sincerely, Chris Simmons Chapter DW.1.1 Navigating the labyrinthine streets of Philadelphia, I find a sense of solemn responsibility settle over me. It''s not just a matter of protecting people; it''s about safeguarding the soul of this city, my new home, one that I''ve come to think of as my own. My hands, gloved in reinforced leather, grasp the wheel of my armored SUV, feeling the vibration of the engine ¡ª a comforting, consistent hum. The attire I''ve pieced together for this nocturnal endeavor consists of multiple layers of Kevlar vests beneath a black tactical jacket. Shin guards and forearm braces, reinforced with ceramic plates, encase my limbs, offering the sort of protection my super strength can''t provide for my skin. A modified paintball helmet hugs my skull, its visor as dark as the night, protection from sharp glares, intentionally limiting my vision. My super-proprioception grants me a heightened awareness that is both a gift and a burden. Each pebble underneath the car, the slight list to the right of the vehicle due to a slow-leaking tire, even the irregular rhythm of my own breathing ¡ª they all announce themselves to me with crystalline clarity. This sense permeates my existence so thoroughly that it''s hard to remember what life was like before my abilities manifested. Before... I can feel, more than see, the tension in the people I pass. Even at this late hour, folks are out, their postures telegraphing a myriad of human conditions: desperation, hope, fear, anxiety. I absorb this ambient emotion, filing it away as a mental note. The night''s work is cut out for me, and this city''s restlessness only sharpens my resolve. My awareness of my environment extends beyond immediate sensory input. Each intersection I pass seems to carry the weight of decisions made and not made. A turn to the left leads toward the neighborhood where I first made a name for myself, right where a different set of challenges await. But tonight, there''s something specific I''m looking for. A disturbance in the otherwise chaotic equilibrium of this urban ecosystem. I tune into my makeshift dashboard setup, where a police scanner jitters with the city''s nervous system. With one ear always cocked toward the ether, I''m waiting for the voice, the call, the situation that demands not just a response, but an intervention. And as if on cue, the scanner erupts into a cacophony of urgency, pulling my thoughts back to the here and now. It''s time to move, and my body ¡ª armor-clad and senses heightened ¡ª responds before my mind even formulates the command. The SUV accelerates, and I lean into the dark labyrinth ahead. The crackling chatter of the police scanner fills the interior of my SUV, each dispatch offering a fragmented glimpse into the city''s ceaseless struggles. I''ve customized this vehicle myself, reinforcing its plating and tuning its engine for speed and reliability. It''s my cocoon of safety, my Breakoutmobile, a stark contrast yet complement to my own innate capabilities. The radio feeds me information I cannot sense, while my body, finely attuned to the world around me, interprets every vibration of the chassis, every minute shift in the vehicle''s velocity. It''s a marriage of machine and intuition, an alliance I''ve nurtured over the years. I turn the dial on the scanner, fine-tuning the frequency to listen in on calls of higher urgency. My hand rests on the gear shift, each contour familiar to the touch. My enhanced senses grant me this familiarity, an intimate understanding of how my body interacts with the objects around it. It is more than just knowing where my limbs are; it''s a heightened awareness that filters into my strategies, making me mindful of my environment, of every potential weapon, every possible cover. More than anything else, this car is an extension of me. I am the world''s best parallel parker. "Unit 35, this is dispatch. We have multiple violent incidents reported in the Strawberry Mansion area. Priority 1. We''re getting calls for registered capes. Ambulances and paramedics are on standby." I narrow my focus, tuning out the other scanner channels. Priority 1, violent incidents, and registered capes ¡ª a volatile cocktail that doesn''t bode well. A litany of past encounters with violence plays in the back of my mind, each one a lesson, each one a scar. My fingers drum against the steering wheel, the interplay of muscle and bone a practiced ballet. My years in Baltimore, my struggles there, flash before my eyes. A stark reminder of what''s at stake. "Unit 35, did you copy? We have flash information verified ¡ª attacks are being linked to a super named Shrike. No available backup. Supervisors notified." Shrike. The name triggers a mental note, snippets of rumors and whispers in the super community. I haven''t crossed paths with him yet, but every rumor paints him as a rising threat. Durable and armed with the power to manipulate his environment in deadly ways. Yet another name to add to my ever-growing list of concerns. My thoughts settle as I speed toward Strawberry Mansion. The bitterness creeps in, recalling the police¡¯s newfound reticence. Ever since Tesla two years ago, their hesitation has become incrasingly palpable. A combination of fear and policy leaves them waiting for capes like me to clean up. Tonight, I refuse to sit on the sidelines. It¡¯s as if the city¡¯s own sense of urgency, its demand for justice, resonates with my bones. I''ll do the dirty work they''re too cowardly to do. "Breakout, en route," I whisper to myself. No dispatcher to acknowledge my words, but the city hears. I can feel it. At the next red light, I take a moment to run through an inventory check, methodically inspecting each piece of equipment within my tactical jacket and on my utility belt. First aid kit ¡ª intact. The ceramic plates sewn into the jacket''s lining ¡ª a precaution against bullets and sharp objects. Each item carries with it the weight of prior deliberations, of decisions made through years of combat experience. As the light turns green, my foot presses on the accelerator, injecting a renewed sense of purpose into the SUV''s engine. The police scanner continues its monotonous chatter, but my mind has filtered it down to the essentials: the location, the nature of the attacks, and the moniker that continues to gnaw at me ¡ª Shrike. The thorn-impaling bird. Tonight, I will encounter this new malefactor. For him, and for the city that I have in some ways adopted as my own, I am fully committed to the night''s mission. I drive faster now, propelled by the gravity of my responsibilities. As I pull up to the designated area, my grip on the steering wheel loosens, and I exhale a slow, measured breath. No longer navigating through the labyrinthine streets of Philadelphia, my focus shifts. My enhanced senses activate instinctively, widening my perception like ripples in a pond. I can sense the layout of the battered rowhomes ahead, their geometry imprinted on my awareness down to the unevenly laid bricks and rotting wooden frames. What strikes me first, however, are the spikes. Jet-black, metallic protrusions jutting out of the buildings like thorns on a rose stem. Each one gleams ominously under the sparse flickering streetlights, exuding menace. The environment reads like a fortress, deliberately engineered to keep intruders at bay. Not far from this barricade, I notice the blue and red flashing lights of police cars, halted at an almost respectful distance, their stillness resonating like a deafening silence. Nearby, ambulances wait in anticipation. Their reluctance to engage with a superhuman threat is sensible, if not disheartening. The sight evokes a complex cocktail of emotions within me. It''s a mix of frustration at the system''s limitations and an acknowledgment of the gravity of my role here. It also reminds me of my early years in Baltimore ¡ª neighborhoods where law enforcement hesitated to tread, places left to their own devices. But unlike those times, tonight I have the means to intervene, to bend the trajectory of events. I have agency. And so I step out of my SUV, each motion meticulously calculated, from the unlatching of the seatbelt to the twist of the door handle. I''m aware of the exact angles my joints make, the precise tension in my muscles, and the way my boots hit the asphalt. This heightened awareness isn''t just an extension of my senses; it''s a reaffirmation of my place in this ecosystem, somewhere between the cautious police and the daring villain. I adjust my tactical jacket and take another grounding breath, the fibers of my Kevlar vest pressing against me. This is where I belong: on the razor''s edge of chaos and order, a solitary figure prepared to dive into the abyss. The air is crisp as I step out of my SUV, the scanner''s chatter still buzzing in my ear. My tactical boots hit the asphalt with calculated force, their weight distributed evenly to minimize noise. I glance down the block, my eyes catching the aberrations in the otherwise mundane streetscape of Strawberry Mansion ¡ª shattered windows and broken doors, metal spikes protruding from dilapidated rowhomes like grotesque sculptures. My proprioceptive senses hum in recognition of the altered environment, allowing me to plot a mental map that overlays my immediate surroundings. The spikes provide the first substantial clue. Obsidian-dark and metal-shiny, they''re unlike anything standard-issue weapons or tools could create. A visceral manifestation of the cape named Shrike. Even from this distance, I can tell they''re a formidable barrier. I advance cautiously, my senses dissecting the space around me, navigating the uneven terrain with mechanical precision. Every step is a deliberate action, fueled by a keen understanding of my body''s limits and capabilities. As I approach one of the rowhomes that bears the brunt of these unnatural fortifications, I pause. The black metal spikes protrude from its facade like a porcupine''s quills, casting eerie shadows in the dim light. The door has been burst open, splinters of wood scattered across the threshold. I consider my next move carefully, aware that I am about to infiltrate a lair designed to disorient and harm. My hand hovers momentarily over the doorknob before deciding it''s a frivolous gesture. With a clenched fist, I punch through the remnants of the door, reducing it to mere shards. Maybe I let someone know I''m here with that action, but it''s better than wasting seconds. I step inside cautiously, my body a coiled spring of potential energy. A vile tableau greets me: the walls of the living room punctured with spikes, an array of deadly intent. Shrike has made his mark, turning a family''s haven into a chamber of horrors. The thought that someone could defile a home this way, to strip it of its safety, both physically and emotionally, wrenches my gut. Each spike is a violation, each twisted piece of metal an affront to the sanctity of these walls. Stolen novel; please report. I sweep through the rooms, my senses hyper-aware of the altered environment. The air feels thick, almost viscous, as if laden with the residue of malintent. Despite the disarray, each room feels like a calculated mess, objects positioned to serve as launch points for more spikes. I recognize the complexity but also the pattern, my mind calculating paths and identifying safe zones. Every placement of a foot, every turn of a corner, is calculated down to the millimeter, guided by the invisible tendrils of my proprioception. It''s a labyrinth designed to ensnare, disorient, and ultimately incapacitate. But labyrinths have always been puzzles to solve, not barriers to hold me. With each dodged spike, each avoided trap, my confidence grows. Not arrogance, but the earned self-assurance of someone who has navigated worse mazes¡ªones made of social prejudice, economic hardship, and life''s cruel twists. I am no Theseus, but this maze is far from my first. Spikes emerge, almost, but not quite, grazing my feet, my arms. I expect any moment that one of them will go straight through my foot, but the moment never comes. Always away from me, angled towards me. I take note - this must be a limitation of Shrike''s powers. I wonder if he knows I''m here, or if his abilities lash out on instinct, targeting any living signal in range. And so I continue, room to room, trap to trap, my senses and my past experience guiding me through the twisted game of a violent man. I am close now; I can feel it in my bones. Each avoided trap is a step closer to ending this night''s malice. Shrike will soon discover that he is not the hunter here, but the hunted. And I am very good at mazes. I ascend the stairs. Our eyes meet in the bedroom hallway, the walls torn open as if by claws - he''s stealing the copper, he''s stealing the wiring. These people, who already have so little, and he''s taking them for what else they have. He''s well-dressed, an unsettling juxtaposition to the chaos he''s wrought. His freckled, almost boyish face contorts into a sneer¡ªlike a predator confident in its imminent kill. His appearance is a veneer of civility stretched over a core of sadism, and I know instantly that his is a malevolence born of pleasure, not necessity. Shrike. His blonde hair sticks upward in wild, forward-facing spikes, while a torn rag is tied around his face like a domino mask, soaked in blood, or maybe red paint, crusty and dry. I don''t understand how someone could wear that without wanting to rip their skin off, but I also don''t understand how someone could be a supervillain in the first place. Maybe it''s not my place to understand. My eyes dart to the side, where a family ¡ª father, mother, and a young girl ¡ª huddle together, entangled in an intricate lattice of spikes. The spikes, mere millimeters from their flesh, have turned them into unwilling marionettes, frozen in an agonizing display of fear. A whimper escapes the father''s lips; it takes but a glance to see his eyes filled with a blend of terror and helplessness that cuts me to my core. He mouths, quietly. "Save us," and I nod. In their eyes, I see more than just their current predicament; I see the violation of their sanctuary, a place where they should be able to lock away the harsh realities of the world outside. The mother''s face is tight with restrained panic, her arms subtly angled to shield her daughter, who clings to her, eyes wide in incomprehension but not innocent of dread. With every breath they take, I can sense the precarious nature of their position; a twitch, a sneeze, and they could be impaled. My senses turn this information into a cacophony of urgent signals, a loud dissonance against the otherwise coherent tapestry of spatial awareness. For a moment, it feels as if I''m bearing the weight of the spikes myself, the burden of their peril adding gravity to the situation. "Breakout, isn''t it?" His voice drips with condescension, every syllable a calculated jab. "I''ve heard of you. The uniform is... distinctive. Here to ruin my fun?" "I''m here to stop you," I respond, my voice firm, a resonance of my intent. I ignore his verbal sparring and slide my heel back, arms raised in front of my face. The tension escalates like the slow climb of a roller coaster, every second ticking away in agonizing anticipation of the plunge. My hands curl into fists, knuckles whitening even as I sense my own musculature tighten, ready to propel me into action. My senses extend outwards, painting a mental map of the room ¡ª the spikes, their relative positions, and the man responsible for them. As I lock eyes with Shrike, matching his malevolent sneer with a look of unyielding resolve, the lessons of yesterday coalesce into a singular truth for today. I need to stop him. "You know, Breakout, most heroes don''t last long when they interrupt my ''renovations,''" Shrike''s eyes dart around the room, smirking as if the deadly stakes he''s set are artistic installations. "You could simply leave them be for a couple of hours. I''m sure they''ll be fine." "Maybe they didn''t have the right interior design sense," I retort, keeping my gaze locked onto his. We begin to circle each other, a slow and deliberate dance. The thorny spikes embedded in the walls whisper a warning with each step I take. My senses map them out in the back of my mind: obstacles and hazards, certainly, but also potential weapons if need be. He''s not summoning more spikes. He''s too busy with the verbal spar. "I admire your bravado. It''s amusing," he says, his voice tinged with mockery. "But you''re out of your league." I tighten my jaw, squaring my shoulders. "You underestimate me, Shrike. That''s a mistake." He chuckles darkly, savoring the word. "Mistake? I live for them. They make life interesting. What about you?" "I fix mistakes like you," I answer, my voice unwavering. "It''s why I''m here." He pauses, considering this, then his eyes narrow. "Oh, I''m sure you''ll try. But let''s face it¡ªyou''re a brawler, a brute. This" ¡ª he gestures to his bethorned masterpiece ¡ª "is a game of finesse." "That''s where you''re wrong," I say, recalling my mentor Professor Franklin''s counsel about the duality of strength. It''s not just about raw power; it''s also about how you apply it. "This isn''t a game," I say, my voice low but brimming with a controlled ferocity that makes even Shrike pause for a fraction of a second. The tension between us hits a breaking point, like a brittle stick bent too far. Shrike''s sneer finally erupts into a full-fledged snarl, and I can almost hear the air around us crackle with impending violence. The frightened faces of the hostage family in the corner become sharp points in my spatial awareness, tethering my responsibilities in real-time. "As much as I love an audience, Breakout, this performance is about to get a lot more violent," Shrike sneers, momentarily taking his focus off the hostages to meet my gaze. Every fraction of a second counts. A brief visualization surfaces in my mind, born from countless encounters: criminal, innocent, obstacle, ally. I dart towards him, fist cocked back to strike, but he''s quick, too. A gleaming spike of that mysterious, durable metal erupts from the wooden floor between us. I react in the only way my body knows how ¡ª full force. My fist collides with the spike, altering its angle of emergence but failing to break it, to even bend it. It''s not just durable; it''s nearly unyielding. His derisive laugh cuts through the tension. "See? Can''t lay a finger on me." I circle him cautiously, keeping an eye on the family, my heightened senses processing the room''s layout ¡ª every piece of furniture, every probable spike point ¡ª as potential assets and liabilities. I can''t let him lead me into a corner, or worse, near the hostages. Shrike lunges suddenly, an overzealous swing aimed at my head. I duck, weaving out of his range and aim a low kick at his abdomen. Even as I make contact, another spike shoots up from the floor, narrowly missing my leg. That half-second of spike growth has never felt more like an eternity. My shin makes contact with his guts, knocking the wind free, and he goes sailing into the nearby wall, spikes retracting at his approach. He hits the drywall with an almost wet thump, bouncing off and landing on the floor. Spikes grab hold of his cuffs and drag him up, like he''s puppeteering his own body. He looks at me, spits blood, and chuckles. "How brutal of you, hero." He''s not simply goading. He''s manipulating the battlefield, playing on my senses, trying to imbalance my spatial awareness with his creations. Even with all my experience, this villain''s particular powerset presents a challenging dissonance ¡ª a constant recalibration of how I navigate my environment, which has always been my edge. He raises both hands like pulling on puppet strings, and spikes emerge in a wave, while my brain calculates angles and velocities. About half a meter in half a second, I dodge out of the way, rolling on the rickety wooden floor. It''s not just a battle of strength and agility; it''s a conflict of environment control. Every movement he makes serves to set up another thorny barricade, each one closer to me than the last. His frail physique is misleading ¡ª like the false fragility of the spikes he conjures. He doesn''t have to come near me to pose a threat. I must keep this in mind. I scramble to my feet. I feint to the left, seeking to find an opening, but another jagged wall of spikes shoots up, effectively blocking my path. Retracting almost as swiftly as they appeared, they make way for another that rises to my right. My spatial map, a mental overlay born of keen proprioception, grows increasingly complex and cluttered. It''s not just the walls and furniture anymore; it''s a constantly morphing maze of sharp, deadly obstructions. I try to swat them away, shuffling, sweeping my feet like I''ve been taught. Boxing footwork can only get me so far when the ground is full of bear traps. I make another attempt to close the distance, lunging forward as another wall dissolves, but Shrike''s already a step ahead. A solitary spike, quicker than the rest, surges upwards and catches my calf. Pain flares up, radiating through my nervous system, and I stumble back involuntarily. He smiles, sensing his incremental victory. "Closer and closer to the edge, Breakout. What''s the matter? Losing your footing?" My fist flies through the wall, leaving a small hole. I resist the urge to apologize, needing to save my breath. He slips out from under me as three spikes emerge at oblique angles around my wrist, locking it in place. I feel blood leaking out of my calf as the spike on the floor retracts, and he flicks me on the head on his way past, strolling while I struggle to remove myself from the wall. His spikes don''t survive me ripping the drywall down, dispersing into a small cloud of what looks like hovering iron filings. I rip a line into the wall and spin around on my heel, panting for breath, while he idly checks his watch, so full of confidence. It disgusts me. He turns back around. "Oh, that was faster than I expected." It''s only then that I realize my back is almost to the wall, the hostages to my immediate right, the other wall to my left. I''ve been herded, corralled into a corner without even noticing, my focus siphoned away by the constantly shifting, tactical landscape he''s crafted. This villain has done something few have managed: he''s turned my own sensory depth against me, making each heightened perception a trap in itself. He clenches his fists, and dozens of spikes emerge diagonally around me, suddenly trapping me in an iron maiden from every surface. Wall, floor, ceiling, side wall. The corner is where Shrike thrives. "There. Now you can wait," he says, his voice drooling from his lips, "while I work." As Shrike''s words hang in the air, each syllable a mockery, I can feel the walls closing in¡ªboth metaphorically and nearly literally. My super-senses, a power I''ve always relied upon, becomes my bane in this trap-laden terrain. I''m keenly aware of every square inch of my environment, and right now, that awareness is suffocating. A spike at my throat turns me into a marionette just like Shrike''s hostages. I glance at my injured calf, the blood spilling out more generously than I''d prefer. I need to apply pressure, but doing so would mean impaling myself somewhere else. My eyes flicker to the hostages¡ªtwo adults and a child, huddled together in the corner, their eyes wide and terror-stricken. I''ve put them at further risk by allowing myself to be cornered. A rookie mistake. Chapter DW.1.2 "Maybe you should just stay down, Breakout," Shrike taunts, taking a deliberate step closer. His face might be covered, but I can sense the satisfaction radiating from him. "You look a little unsteady. Go back to playing with petty criminals, and leave the dirty work to the real artisans." My muscles tense as I spot him subtly altering his stance ¡ª fingers twitching as he prepares to summon another thorn. Carefully honed instincts scream at me to move, but where? Every direction is a deathtrap. Suddenly, a figure looms behind Shrike. It''s only a flicker in my peripheral vision, but my enhanced senses seize it as if it were a spotlight. Shrike is so engrossed in his little game that he fails to notice the man silently inching closer. "Now, if you promise to play nice--" He begins. A quick, barely perceptible motion, and ZAP! Electricity courses through the air, its acrid smell filling the room. Professor Franklin''s fingertips make contact with Shrike''s neck, and the villain collapses, convulsing, onto the floor. Fingerless gloves provide open access to skin, to channel it, while the white labcoat conceals a light layer of professional, up-to-date kevlar. Round glasses glint in the dim, flickering lights. "I suggest you retract those spikes, son," Professor Franklin says, his tone that of a stern parent disciplining a misbehaving child. "You can do it now, maintain some semblance of dignity, and be taken quietly to the authorities. Or," he pauses, letting his threat hang in the air, "you can see how much voltage a human body can take before they pass out, and I''ll deliver you to them myself. Your choice." The villain whimpers, an unexpected sound that strips away the menacing fa?ade he''s been hiding behind. For all his posturing and calculated cruelty, he''s as vulnerable as any of us when faced with a true threat. Shrinking into a fetal position, he withdraws his spikes. The walls, floor, and ceiling, all bristling with deadly thorns a moment ago, suddenly become mundane surfaces again. It''s as if an oppressive atmosphere has been lifted, leaving behind the mundane reality of a home, left in tatters from a sadistic thief and my own strategic missteps. "I thought so," Franklin says, not a trace of triumph in his voice. There''s only the heavy fatigue of a man who''s been in this fight for far too long. I apply pressure to my bleeding calf, finally able to divert attention to my own needs. My senses serve me well once again, guiding my hands with unerring accuracy to minimize the damage. But as I do so, my thoughts drift to the hostages. They''re visibly relieved but still trembling, as if expecting the walls to sprout new horrors. Shrike''s whimpering continues as he lies on the floor, thoroughly subdued. The sound, paradoxically, instills a wave of disgust in me. Here is a man who enjoyed the power of instilling fear, but when confronted with his own vulnerability, crumbles. He can dish it out, but he can''t take it. Occasionally, he twitches, presumably the remains of Professor Franklin''s electricity coursing through him. As Franklin deals with the subdued Shrike, I take a moment to address my own injury. My super-proprioception allows me to gauge the depth and angle of the spike wound in my calf with unsettling clarity. I can almost visualize the contours of the puncture as I reach for my utility belt, fingers deftly selecting the disinfectant spray and gauze from their respective pockets. I apply the disinfectant first ¡ª my brain registering the chemical composition even as my flesh screams at the stinging sensation. My hands, guided by the unwavering precision of my senses, then secure the gauze around the wound, efficiently but not hastily. Blood seeps into the white fabric, staining it a deep red, and I''m aware of the cells in my body rushing to coagulate, to heal. I grit my teeth and refuse the urge to scream. No screaming. I learned that lesson first. With my injury temporarily managed, I stand, carefully redistributing my weight to minimize strain on my wounded leg. I can already feel my body adapting to the pain, tucking it away into a mental compartment for later scrutiny. There''s work to be done. I turn to the hostages. They''re black, like me, like almost everyone in this neighborhood, and the significance doesn''t escape my thoughts. This could have been my family if fate had dealt me different cards, if I had been born just a little bit further north. My eyes meet the mother''s. There''s an understanding there, a mutual recognition of what''s at stake when lives are reduced to game pieces in the mad schemes of men like Shrike. "Thank you," she whispers, her voice barely audible. Walking over to them, I assess their injuries. Superficial scrapes and cuts, no impalements, thankfully. My hands reach for another set of antiseptics and bandages. "I''m going to clean these wounds now. It may sting a bit," I say, a statement that serves as both a warning and an invitation for trust. As I begin the first aid, my heightened sense of body awareness allows me to apply just the right amount of pressure, to be both efficient and gentle. In their eyes, I see a glimmer of relief, like shafts of sunlight breaking through cloud cover. Franklin gives me a nod as he secures zip ties around Shrike''s wrists. "I''ve got him. The police cruiser should be here soon." "This isn''t over," Shrike whimpers, trying to sound threatening. "Niles, you''ve killed four people and a police officer. This is as over as it gets. All it took was one tactical misstep," Professor Franklin replies, gently guiding him to his feet. Shrike''s eyes widen in recognition of what I have to assume is his first name. "Let''s go," I acknowledge Franklin with a tilt of my head, a subtle gesture that holds volumes in the language of those who''ve faced too many nights like this one. The weight of the moment settles in around me, adding yet another layer to the emotional tapestry that forms the backdrop of my life. It''s a complex weave of victories and losses, of lives saved and lives failed. And it''s in moments like this, tending to innocent lives caught in the machinations of the malicious, that I find something akin to solace ¡ª a reaffirming of the oath I took to protect, no matter the personal cost. As Franklin takes Shrike out of the room, and I finish wrapping a bandage around the young girl''s arm, I know this is but one night in an unending sequence. But it''s one more night where I''ve made a difference, even if acting as a distraction, one more story for the tapestry. And in the grand, chaotic design of this life, that has to be enough.
The tension in my muscles slowly eases, yet a residual buzz of adrenaline courses through my veins, as if my body hasn''t quite come to terms with the fight''s end. My calf throbs, a stinging reminder of Shrike''s ferocity, but the makeshift bandage holds. For now. I stand on the fringes of the police perimeter, taking in the frenetic activity around me. Officers are bustling, paramedics attending to the family Shrike had held hostage. Their faces, etched with lingering terror and relief, gnaw at me. Could I have subdued him sooner? Reduced their trauma? I resolve to get medical attention only after they''re dealt with and safe. My sensory bouquet, often a subtle undertone, is acutely pronounced now. I sense Professor Franklin before I see him ¡ª his steady, unhurried gait cutting through the surrounding chaos, his energy a calm counterpoint to my own simmering restlessness. My body automatically adjusts its stance to face him, aligning itself with a precision that only I can fully appreciate. It''s as though the universe momentarily clicks into sharper focus. This book was originally published on Royal Road. Check it out there for the real experience. "Breakout," he greets, his eyes taking in my injured calf without a hint of judgment. "Good work out there." I nod, but his compliment sits heavy on my shoulders. "Thank you, Professor. Though I can''t help but think I could''ve resolved it more cleanly." His gaze meets mine, steady and analytical. "There''s always room for improvement," he says, a gentle reprimand and a challenge rolled into one. "But we''ll discuss that. We should." The wisdom in his voice reverberates through me, settling deep within my bones. Each word isn''t just heard; it''s felt, its implications stretching out to the very edges of my awareness. And in this moment, on this tumultuous sidewalk, it becomes abundantly clear that the path to being a better hero is long and fraught¡ªbut it''s a path I''m willing, even eager, to traverse. The air shifts slightly, and I detect the officer''s approach before I hear him. A distinct, regulated pattern of footsteps marks him as trained, accustomed to carrying the weight of a badge and gun. His uniform is strained with the day''s work, but he manages to look authoritative nonetheless. "Breakout, Professor," he tips his hat towards both of us. "Can''t thank you enough. Shrike is in the cruiser and headed to the containment facility as we speak. I expect Daedalus once this goes to trial, but don''t take my word for it." "Good," Professor Franklin nods. "You know how I feel about that place, but it''s a necessary evil." I give the officer a respectful nod as well, "Thank you for the update, officer. Ensuring he faces justice is the final piece in today''s endeavor." The officer smiles, a weary but genuine curve on his lips. "He''s headed where he can''t do any harm, thanks to you both." As he retreats back into the fray, I find my attention returning to Franklin, who has remained quietly observant beside me. The world around us ¡ª paramedics treating hostages, officers securing the scene ¡ª falls away for a moment. I focus inward, my advanced senses zeroing in on my immediate reality. A reality in which Franklin''s words about improvement hover, punctuating the air between us like unspoken challenges. "I''m ready for that discussion, Professor," I finally say, my voice steady but tinged with an emotion I can''t quite name. "I think it''s high time we had it. Today. Now." Franklin adjusts his glasses, a subtle action that speaks volumes. "Very well, Breakout. First, allow me to commend you on your tenacity. You held Shrike''s attention long enough for me to incapacitate him. That''s not an insignificant feat. I think a less experienced hero would''ve gotten turned into a shish-kabob." "Hey, it''s part of the game, right?" I counter, a grin pulling at my lips despite the tightness in my calf muscle. My body alerts me to the disparity ¡ª how my injury pulls just so when I shift weight to my other leg. "Keep the bad guy busy, make an opening, let the brainy types finish the job. All in a day''s work." Franklin sighs. "While your... spontaneity has its merits, there''s much more to be gained from strategy. We''re not playing a game, we''re dealing with lives. Real people." I feel a jab, like he''s pricked my ego just a bit. I find my posture instinctively squaring, not out of aggression, but perhaps a reflexive defense. My senses, finely tuned, tell me how each muscle fiber adjusts, how my jaw sets. I''m a coil of defensive energy and it''s not lost on me. "Look, Professor, I get it. I''m not just some bruiser, okay? But when the situation gets hot, you gotta adapt. Improvise." "Improvisation is a tool, not a strategy in itself," he returns, each word precise and measured. "You have considerable physical prowess, but one must know when to strike, not merely how. Consider all the ways you could''ve approached the situation. Did you run in face-first, get in a standoff, and then aim for an incapacitating strike?" My fingers clench for a fraction of a second before relaxing, my body''s heightened awareness catching the instinct before it''s fully formed. "Yeah. But I worked with what I had." "And you''ve done well," he concedes, "But think what you could do with a bit more foresight. Your next opponent might not give you the luxury of improvisation. You could''ve circled, or approached from above. We live in a multidimensional world in more ways than one, and you may have to consider the consequences of your head-first approach." I absorb his words, each syllable sinking in, feeling oddly heavy against my innate understanding of myself ¡ª my positioning in this world, in this moment, in this conversation. My youth flashes before me, a cascade of choices, some brash, some wise, but always reactionary. For the first time, I consider the substance of his critique. "Point taken, Professor," I say, my voice less defensive, more contemplative now. "So, where do we go from here?" "A more critical approach," Franklin replies, eyes unwavering behind his glasses. "I''ve fought more battles than I care to count, and I''ve paid for my recklessness. I''ve lost allies because I didn''t plan ahead, because I thought speed and strength were all I needed. I can shoot lightning, sister. Sometimes, it isn''t enough." His words resonate in me like a gong, and I can feel the impact, almost literally. I imagine the losses he speaks of settling on my shoulders like weighty stones, each one fine-tuning my posture. "I''ve never been much for regret, but I get what you''re saying. Me, though, I''m a girl of action. Lives are at stake." "And yet, regret is an excellent teacher. Even if you don''t feel it, learn from it. Our powers give us an advantage, but they also put us under scrutiny. A single mistake can affect public perception, endanger lives, even end careers. What happens when, not if, your speedy approach leads to a disaster that could''ve been avoided?" He lectures. I sense a subtle shift in the air, a change in Franklin''s body language that my heightened senses pick up ¡ª a slight hunch, perhaps an old injury acting up or the years weighing on him for just a moment. The vulnerability surprises me. "Afraid of becoming a PR nightmare, Professor?" I quip, but the jest falls flat, even to my own ears. It''s like hearing a discordant note in an otherwise harmonious song, my senses picking up on the misstep before my brain fully processes it. "Public perception dictates policy," he counters, ignoring my ill-timed humor. "Policy affects resources, registration, legislation. Our very freedom to operate hinges on how we are perceived. One wrong move and it''s not just you who suffers. It''s not just the immediate civilians, either. We all have a complex interplay of factors that we must take into account." He''s right, and the realization rolls through me, adjusting my stance as if aligning me to a new north. I''ve always fought, always survived, but survival is no longer the bar. "What you''re saying is, I can''t afford not to think ahead." "Exactly," he says. "It''s not just about power; it''s about responsibility, the choices we make. We are shaping the future with each decision, and the repercussions can last a lifetime. Getting into brawls is all well and good, but just physically fighting the villains is often not enough." I hum to myself thoughtfully, resisting the urge to rub my chin. My time spent here has been spent in small scale disasters. Rescuing civilians from fires, not superhumans. Fighting gang members, not villains. Keeping an eye on the streets. "Breakout?" Franklin smirks, but it''s not dismissive ¡ª more like the knowing smile of a chess master watching a novice make an unexpected move. He catches my attention, and breaks me from my reverie. "It''s a powerful name. Aggressive. But what does it represent? You''re stronger than just a battering ram, more complex than a symbol of destruction. Right?" His words nudge something within me. I feel it as surely as I feel the balanced distribution of my body weight, heel to toe. "So you''re saying I might need a rebranding?" "It''s worth considering," he says, his tone turning light. "Names have weight. They tell people what to expect from us before we ever take action. They can be a legacy, a mission statement, and a promise all rolled into one." I take a moment to process this, the air thickening between us as if laden with the gravity of our conversation. Franklin doesn''t interrupt my contemplation; he''s patient, like a man used to waiting for seeds to sprout and grow. I half-expect he was a teacher in a past life. He always has that air. Finally, I break the silence. "I picked ''Breakout'' because it resonated with who I thought I needed to be ¡ª someone who broke barriers. Broke bricks. It''s what I do. I break things to save the day." "And have you considered that saving the day requires more than breaking things? Sometimes it''s about building something better," Franklin replies, his words infused with a certainty that almost makes me envy him. "You tended to their wounds admirably. I see you''ve taken my suggestion to learn first aid into account." "Yeah. I''m a certified lifeguard now, too, you know, in case it ends up mattering. Never been in a pool before. Was pretty boss," I respond, trying to avoid answering his question directly, folding my arms over my chest. He adjusts his glasses and gives me a nudge on the shoulder. I feel a tingle where he touches, lingering voltage from his ability just barely brushing into my nervous system. "''By failing to prepare, you''re preparing to fail''. A wise quote from a wise man. You''d do well to remember it, Breakout." Franklin muses, fixing the shoulders of his labcoat, clearly preparing to end the conversation. "But you did well today. Your bravery, at the least, is commendable. Carry it with you." "Let me guess, Ben Franklin?" I ask, sarcastically attempting to source the quote. Professor Franklin smiles at me, knowing and playful, and doesn''t answer. WORLD OF CHUM: Daedalus Correctional Facility

"Daedalus Rising: A Pioneering Feat in Superhuman Containment Architecture"

By Dr. Leonard R. Varnum, PhD in Civil & Environmental Engineering, Stanford University, for Structural Security Quarterly Fall 2008 Introduction: The last decade has presented unprecedented challenges to the realms of architecture and security, primarily due to the emergence of superhuman individuals within the global populace. While many have chosen paths of heroism or neutrality, a significant number have taken to criminal endeavors, necessitating new methods of incarceration. Traditional prison designs, constructed with typical human capabilities in mind, have proven vastly inadequate against the unique and varied powers these individuals wield. The question that arose was simple yet profound: How do you build a prison for someone who can bend steel with their bare hands, control minds, or phase through walls? Addressing this query became the bedrock for the conceptualization of Daedalus. The Need for Daedalus: Since the early 1980s, the world has witnessed the birth and growth of superhuman individuals. Their initial years were marked with wonder, scientific curiosity, and public adulation. However, as the first generation of superhumans approached adulthood, society began seeing the darker side of these abilities. By the late 1990s and early 2000s, superhuman-involved incidents, ranging from minor altercations to high-profile heists and violent confrontations, began to pepper news headlines with increasing regularity. Law enforcement agencies and judicial systems grappled with the complexity of addressing superhuman crime, especially given the limitations of contemporary containment strategies. There were numerous reported instances where superhuman inmates managed to break out of supposedly maximum-security prisons. In 1999, "Shockwave," an individual with electromagnetic manipulation capabilities, caused a city-wide blackout while escaping from a prison in Illinois. Similarly, in 2002, a telepath named "Mindscape" allegedly turned an entire prison''s staff into his personal army for a brief period before being subdued. These were not isolated incidents. Conventional prisons, with their steel bars, concrete walls, and basic surveillance, simply weren''t equipped to handle the innovative ways superhumans could exploit and overcome these defenses. In the face of such challenges, it became abundantly clear that a new type of facility was essential¡ªone designed from the ground up with the unique requirements of superhuman containment in mind. This pressing need paved the way for the conceptualization and eventual realization of the Daedalus Correctional Facility. Planning and Design Phase: The creation of a facility like Daedalus required more than just brick and mortar. It demanded an interdisciplinary approach, one that brought together the best minds in architecture, security, psychology, and even superhuman expertise. As a monumental task funded by the nation¡¯s defense budget, every decision in the planning phase was crucial, not just for Daedalus but as a template for its successors. The planning and design phase of Daedalus was rigorous, exhaustive, and groundbreaking, laying the foundation for a facility that would set the benchmark in superhuman containment for decades to come. Innovations in Construction: The construction of Daedalus went beyond conventional methodologies. Leveraging cutting-edge technologies and advanced materials, coupled with a deep understanding of human behavior, the facility became a beacon of innovation in superhuman containment. Challenges Faced: As with any pioneering venture, the construction and operation of Daedalus were not without their hurdles. These challenges ranged from legal battles to the logistical nightmare of sourcing specialized materials. Feedback from Early Operations: As the Daedalus Correctional Facility entered its operational phase in 2006, there was an atmosphere of both anticipation and trepidation. The eyes of the nation¡ªand indeed, many international observers¡ªwere on this unprecedented venture. For many, Daedalus represented hope; hope that society could find a humane and effective method to contain superhuman threats. For others, skepticism prevailed. As months turned into years, feedback from its operations began to paint a clearer picture. The lessons from Daedalus'' early operations were not kept in isolation. As construction of the Sisyphus Detention Center progresses in Southern California, many of the insights and improvements from Daedalus are being incorporated, ensuring that this next facility will benefit from the pioneering steps of its predecessor. Conclusion: The inauguration and early operations of the Daedalus Correctional Facility stand as a testament to human ingenuity and adaptability in the face of unprecedented challenges. A nexus of architectural mastery, security acumen, and sociological insight, Daedalus serves as a beacon for the nation and the world, demonstrating that superhuman threats, while formidable, are not insurmountable. The facility''s triumphs are not just limited to its containment successes. Daedalus has reshaped the discourse surrounding superhuman incarceration. The guiding philosophy behind its design and operations underscores a critical point: containment does not necessitate cruelty. By focusing on tailored solutions for each inmate, ensuring their safety and well-being while preventing harm to the broader public, Daedalus paints a vision of a justice system that respects the individual, even as it confronts the complexities posed by superhuman abilities. However, Daedalus is but the first step. The country''s landscape is evolving, and with it, the challenges posed by superhuman elements within the populace. As construction on the Sisyphus Detention Center accelerates in Southern California, the foundational principles of Daedalus are being echoed, refined, and, where necessary, redefined. The early lessons from Daedalus are invaluable, ensuring that the mistakes of the past are not repeated, and that each new facility stands on the shoulders of its predecessor. Further afield, the groundwork for the next generation of superhuman containment facilities is already underway. Reconnaissance missions and location scouting for the Tantalus Detention Center and Ixion Correctional Facility bear promise of institutions that will further refine the art and science of superhuman containment. Each facility will undoubtedly bring its own set of challenges, but also opportunities to enhance and perfect the model pioneered by Daedalus. As society continues to grapple with the implications of a world populated by superhumans, facilities like Daedalus and its forthcoming siblings play an essential role. They represent not just prisons, but symbols of hope, determination, and the unyielding belief that humanity can rise to any challenge, no matter how superhuman. About the Author: Dr. Leonard R. Varnum is a leading figure in the realm of security infrastructure, specializing in the design and implementation of high-risk facilities. Holding a PhD in Civil Engineering from Stanford University, Dr. Varnum''s work has been instrumental in reshaping the discourse around contemporary detention centers, particularly in the context of superhuman containment. His innovative methodologies and forward-thinking designs have garnered him recognition both nationally and internationally. Beyond his professional accomplishments, Dr. Varnum is an avid writer and educator, having published numerous articles and research papers on security infrastructure. He also serves as a visiting professor at several prestigious institutions, imparting his knowledge to the next generation of security experts. In his free time, Leonard enjoys hiking, classical music, and spending time with his family in upstate New York. Chapter 30.1

Beginning of Arc 3: Dybbuk

I stir awake, the haze of sleep lifting as the murmur of unfamiliar voices and the sound of footsteps filter into my consciousness. I rub my eyes and push myself off the futon - it''s not super comfortable, but it''s not terrible either, kinda like sleeping on a pancake that someone forgot to flip over. As I blink open my eyes, they take a moment to adjust to the ceiling, which is a lot closer than the one in my bedroom back home. Sitting up, I rub the sleep from my eyes, harder this time, and stretch my arms out, my joints popping softly. It''s weird waking up somewhere that''s not my room, not my house - it was something I got used to with the old music hall, but it''s weirder when it''s, like, someone else''s house. Even sleepovers always had a subtle sense of offness to them, to me. As I look around, my eyes are drawn to the details, filling in the blanks left by my pre-nap observations. The room is clearly more cramped than mine, tighter in a way that makes everything seem closer, more immediate. My dad would say that this is the opposite of open concept. The walls catch my attention next. The paint is this uneven, matte sort of color that looks like someone took a whole lot of enthusiasm to slap it on but didn''t really care about getting it perfect. There''s something honest about that, I guess. It''s lived-in. There are water stains on the ceiling, too. Circular splotches that hint at past rainstorms, leaks that might''ve happened years ago but still left their mark. A couple of framed pictures hang in a line, maybe aiming for a sort of gallery look. But they''re random shots of city landmarks¡ªparks, buildings, that sort of stuff, with only one family picture, just Lily and her parents. And I can''t help but compare all of it to my own home, lying in a heap in Mayfair. There, the walls are professionally painted, the furniture carefully arranged. There, leaks would be fixed as soon as they happened, not left to stain and tell stories. There, the walls have collapsed. Here, it''s different. There''s a charm in the imperfections, in the way each dent in the wall or crack in the tile probably has its own story. The living room feels lived in thoroughly - nobody''s been up late before company comes over fluffing pillows like my mom might do. The couch, sitting against one wall, looks like it''s seen better days. Its back cushions sag in the middle, imprinted by the weight of many sittings, and the futon''s fitted sheet is blotched with very light stains that look like they''ve been bleached recently. I can almost hear the seats groaning under imaginary pressure, inside my mind''s ear. Across from it, an old TV perches on a stand. It''s the boxy kind, not flat-screened. I bet the insides are more tube and wire than microchips and whatever else goes in the newer models. Between the TV and the sofa, a makeshift coffee table sits low to the ground. It''s basically an old plastic milk crate flipped over with a varnished piece of wood screwed to it, and it''s got that "I''m useful" vibe rather than any style points. A couple of coasters, faded and warped, share the surface with a smattering of remote controls. Which one turns the TV on is anyone''s guess - half of them are missing batteries. Tucked in a corner, a floor lamp tries its best to light up the room. But the bulb must be low-watt or something because the light it spills isn''t enough to chase away all the shadows, coating everything in a fine layer of orange-yellow. It makes everything look soft and a bit mysterious. And then there''s the kitchen. Or what you can call a kitchen when it''s more like a small nook tacked on to the living room. It''s cramped, for sure. I mean, I''ve been in walk-in closets bigger than this. Two people might be able to cook at the same time, but they''d probably need to be close friends or good dancers to avoid bumping into each other. The appliances look like they were passed down from someone who didn''t want them anymore. The fridge is a pale shade of white that suggests it was once brighter. It hums in a way that makes me think it''s working really hard to stay cold inside. Next to it, the stovetop has dark circles around the electric burners, like little scorch marks. The kitchen table is nothing fancy¡ªjust one of those foldable card tables, the kind you might find at a flea market or a yard sale. One corner is a bit bent, and it gives the table a kind of limp. Lean on it too hard, and it wobbles like it''s gonna topple over. Laid out on top are disposable plates, flimsy plastic forks and knives, and a small pile of paper napkins. The cereal boxes are store-brand and the rice is in huge multi-pound bags. Duct tape plays a starring role here, patching up chair legs and sealing the edges of chipped wooden tables. Even the silverware sitting in a worn plastic drainer seems like it came from different sets, each piece a lone survivor of its original family. But you know what? None of that makes the place feel bad or anything. It''s the opposite. It''s like all the bumps and scratches and little imperfections give the house its character. You can feel the life that''s been lived here; it fills the air and sinks into the walls. This place is cozy in a way that''s totally different from the coziness in my home. The sound of footsteps and voices trickles into my half-awake consciousness like a small stream breaking a dam, and I realize I''m not alone in the room anymore. Footsteps sound from the back door, drawing my attention. I rotate my gaze towards the doorway, recognizing that the voices belong to Lily''s parents. They''re entering the room, their arms full of white takeout boxes and a large plastic bag. The smell that wafts from it is enough to make my stomach growl, even in my half-awake state. It''s intoxicating, like bait to a fish. Her mom spots me ¡ª awake now but still clearly drowsy - and the corners of her mouth lift in a genuine smile. My lack of Chinese skills makes me clueless to what she''s saying, but the light chuckle from her husband as he starts unpacking food onto the countertop suggests it''s something pleasant, maybe even a little funny. Lily''s mom looks just like her, but with long hair, which is pretty astounding given how old she must be. There''s, like, very slight wrinkles if I look close, but I don''t want to stare, so I don''t do that. Plus, some streaks of grey, but barely. On the other hand, her dad is a much more¡­ robust person. I can''t even really say chubby, he''s just wide, shaped like a brick, and totally, completely, utterly bald. The two of them are both wearing aprons that bear the marks of years of dutiful service in a kitchen - stains, splatters, and small burns on the cloth. Lily''s arms are full of brown paper bags as she shuffles herself through the back door, squeezing into the tight crevasse that is the kitchen. She sets down the brown paper bags and begins apportioning out food from them. I blink, and in my exhaustion, time passes just a couple more seconds than I''d like it to. "You''re awake! My parents are home!" Lily declares, appearing like a whirlwind at the edge of my field of vision. She''s clutching a laptop under one arm like it''s a treasured artifact, and in the other, she balances a paper plate that''s practically groaning under the weight of assorted food items. "I know you said you wanted to nap, but dinner''s here!" The sensation of wakefulness crashes over me like a wave, and I stretch my arms high above my head, feeling the tension in my shoulders and back give way. My mouth opens in a wide yawn, feeling the now-familiar throbbing in my broken foot. "It smells good, so I''ll let it slide," I joke. The aroma in the air is tangy and rich, a fragrance that''s new but enticing. It''s a lure my groggy mind can''t ignore. A luminous smile appears on Lily''s face, amplifying her already radiant expression to near-blinding levels. I didn''t even think that was possible, and I''m glad she understood the joke - she always seemed a little sarcasm-blind in costume, but this is probably the most we''ve talked face to face in¡­ ever, I think. With the sort of delicacy usually reserved for handling rare, fragile objects, she sets the laptop down on the makeshift nightstand next to my pile of water-damaged Polaroids. Her movements are oddly graceful, a sort of dance between caring and clumsy as she puts the paper plate down before me. Taken from Royal Road, this narrative should be reported if found on Amazon. "Look," she begins, pointing a finger at a set of golden-brown rolls on my plate. "My mom made extra crispy spring rolls just for you!" Her words tumble out with an almost childlike enthusiasm, and I can''t help but feel a smile start to form on my face. Next to the spring rolls, there''s a heap of what looks like perfectly cooked rice, as well as some slices of meat whose identity I can''t readily discern, since it looks like chicken but has the distinct pinkish quality of a rare steak. "And this," she continues, her voice filled with the kind of fervor usually reserved for life-changing revelations, "is Peking duck!" "''ve never had duck before," I say, examining the slice of meat in front of me. It''s this glossy, deep brown and kind of smells like what I think fancy should smell like¡ªrich and a little sweet, spicy in a way I can''t identify. "You''ll love it!" Lily''s voice rings with genuine excitement. She plops down next to me on the futon, her legs folding beneath her like she''s made of rubber bands. Gingerly, I bring the slice to my mouth and take a tentative bite. The flavors are like nothing I''ve ever tasted. It''s rich, yeah, but there''s more. My mouth tingles a little, and I feel it flooding with saliva. "Wow," escapes my lips before I even realize I''ve spoken. "This is really good," I say, looking away from Lily so that she doesn''t have to see me literally drooling. Lily beams at me like I just told her she won the lottery. "Told ya!" Just as I reach for another slice ¡ª because yeah, I¡¯m sold on this duck thing ¡ª a new presence enters the room from the kitchen. She''s older, her face framed by lines that speak to years of hard work and easy smiles. She carries herself like someone who knows her way around both a kitchen and a difficult life. "Ah, you''re awake! I''m Lily''s mom, Mei." "Mrs. Chen, hi. It''s nice to meet you," I manage, suddenly aware of how greasy my fingers are. I quickly grab a napkin and wipe my hands, almost but not quite embarrassed. Mei chuckles softly. "Please, call me Mei. So, how do you find the food?" Her eyes twinkle like she already knows the answer, and I get this sense of warmth from her. Not like a blanket or anything, but like walking into a room and knowing you''re where you''re supposed to be. I meet her gaze and feel this little click, like, I get why Lily is the way she is. "It''s delicious, thank you. Like, really, really good." My eyes dart back to the plate. "I''ve seriously never had duck before, but I''m starting to think I''ve been missing out." Mei¡¯s smile grows wider, if that''s even possible. "I''m so glad you like it, dear. My husband Jiang and I run the Golden Panda Buffet, on Stiles Street, just down the road. I can''t take all the credit for the food, that''s mostly his job." I nod while my cheeks bulge with food, like a squirrel preparing for the winter. Then, I swallow, my throat uncomfortably trying to press the food down into the rest of my gullet. "I don''t think I''ve ever been there. We usually go to Dragon Phoenix House, my dad''s friends with the owner and it''s, like, a two minute walk." Mei smiles and nods back at me. "You''ll have to come visit some time. We''re the only Huaiyang-style kitchen in Philadelphia!" she says, beaming with pride. "Mama, I don''t think that''s true. I''ve been to like five in Chinatown," Lily interrupts, quickly swallowing down a mouthful of noodles mid-sentence. I look past Mei and into the kitchen, where Jiang is busy packing away leftovers into the fridge, which seems to be stocked with basically entirely leftovers. No, wait, there''s a carton of lactose-free milk. It''s weird to see a two-door style fridge-freezer to me with the freezer taking up the entire left side, given that my house had it where the freezer was on the bottom. Mei laughs in a coy, teasing sort of way. "We''re the only Huaiyang-style buffet in Philadelphia. And definitely the only Huaiyang-style kitchen in¡­ Northeast Philadelphia." Jiang emerges into the living room with a bottle of beer and grabs a can opener from their makeshift coffee table to pop the cap off. He takes a swig, and I notice the label is illegible to me - it''s in Chinese. Which, I should have expected. He gives me a polite wave and flashes me a thumbs up. "Oh, um, I can move if you need me to," I offer, scooting over a little to take up less of the futon. He looks at me and shakes his head. "Oh, my dad can''t speak English. But he can understand it, so I can just translate if you need me to," Lily explains, while Mei returns to the kitchen to grab food for herself. As if on cue, Jiang says something totally incomprehensible to Lily. Like, I can''t even tell you how little I understand it. I can''t even mentally transcribe the noises into letters because it comes so quickly, so rapidly, that I''ve forgotten what was said before it''s finished. Lily turns to me with a wide smile. "My dad says its nice to meet you, and any comrade of mine is welcome to stay here as long as they need." Jiang extrudes another sentence, and then takes a swig of beer. Lily translates again. "He also hopes your foot is doing better." "Oh, thanks. It''s, um¡­" I think about how to dance around the superhero subject. "It''s just sprained a little bit, nothing major. Wait, comrade?" Mei returns with a paper plate and chopsticks and fish that looks like it''s been arranged into a flower shape in the takeout container. Her other hand drags a plastic folding chair out from the kitchen across the linoleum, so that she can sit with us. "Oh, yes, we''re, um, on the know about Lily''s¡­ Extracurriculars." Mei leans in, lowering her voice as if sharing a secret. "If you need anything, even something for your¡­ other activities," her eyes dart meaningfully toward my backpack, "just let us know. We support what our Lily does, and we support her friends." "I appreciate that," I say, finding it a bit difficult to reconcile how openly involved her parents are in her superhero life. My family loves me, sure, but the lines are more distinctly drawn - and I just saw the consequences of that playing out firsthand. "Um¡­ No, my foot was totally smashed. I did fib a little. But I heal really fast, so it''ll be fine in a week or two." "Oh, dear!" Mei says at the same time that Jiang makes what I have to assume is an analogous exclamation. "Smashed? Like, your bones having been broken?" I nod, blushing for some reason I can''t place. I grab a spring roll - I''m not sure if Lily meant additional crispy spring rolls, or crispy spring rolls that happen to be crispier than normal, when she mentioned "extra crispy spring rolls", and I''m not going to ask. Instead, I''m going to bite one. I have decided that I don''t really like spring rolls. I swallow, though, and finish one while I think of how to respond to Mei''s question and Jiang''s sympathetic glances. I force my throat to swallow. "I, um, I got my foot stepped on by a T-Rex." Jiang pipes up near immediately, and a quick back-and-forth between Mei and Jiang ensues, with Lily watching, amused. Her smile is catlike, and she''s clearly enjoying my slight bewilderment. I didn''t know Lily had a mischievous bone in her! Mei turns to me, face pallid with a nervous sweat. "Just to make sure this is not a language issue, do you mean T-Rex as in the animal? The dinosaur?" "Yeah, like the dinosaur. Um, if you don''t mind me asking, your English is very good, Mrs. Chen. Did you¡­ take classes, or something?" I reply, trying to pull the conversation away from ''my foot got stepped on by a dinosaur''. She smiles at me, gladly taking the bait - I see the understanding in her eyes. Jiang says something, but she gives him a dismissive wave in response. I''m so curious, it''s almost making me want to try learning Chinese just so I can know what''s being said. "I''m the one who''s had to operate all the business and customer goals for the store. Jiang is the head chef, and you could consider me the head hostess. So I had to learn English just for my line of work. People in America treat you better the less broken your English is." "And papa is too lazy to learn anything but Mandarin," Lily cracks, earning her a stern glare from Jiang while she titters with laughter. I nod sagely. "Do you, um, want my spring rolls?" I offer to Lily, quietly. She pats me on the back and takes them off of my hands, eagerly shoving them into her mouth in my stead. "So, um, Mandarin? Like the orange?" The room pauses for the most painful moment in my life. But when they laugh, instead of being soul crushing, it''s very gentle, very ginger and genuine. "Mandarin is one of the two major Chinese¡­ dialects. The other is Cantonese. Jiang and I both immigrated from Beijing many years ago, as young, very foolish lovers." "And now we''re living the American Dream!" Lily cheers enthusiastically, mouth full of spring roll. From anyone else''s mouth, it would''ve sounded extremely sarcastic, especially considering the living conditions, but then I clamp down on that part of my brain that''s making silent judgments. Really, they don''t live any worse than Kate, and Kate''s been my friend for years. I wonder why my brain gives me the impression that they must be, like, secretly miserable here. I mean, Kate''s clearly unhappy, it doesn''t take a genius to figure that out, but Lily seems the exact opposite in temperament. You know, I should probably unpack all of this at some point. I realize that the conversation has lapsed into Chinese - into Mandarin? Note to self, look up which is the correct way to describe in my internal monologue later - and that I''ve been staring into space. Quietly, I finish my duck. Chapter 30.2 Comfortable minutes pass, with Lily providing most of the occasional English snippet. But it''s clear from her fluency that she''s grown up totally immersed in this in exactly the way I haven''t been immersed in Hebrew. She doesn''t seem to struggle or strain to grab words from her head. Everything comes out in a smooth, continuous stream, like when you have a flow of water that''s moving at just the right rate that it ends up looking like a glass tube. "So, um, if you guys like¡­ If you ever need a hand or something at the restaurant while I''m here, or if you need someone to do the dishes or something, just let me know. I don''t want to be a burden on you guys," I offer during a lull in the conversation about ten minutes later, my belly full of rice, pork belly, and probably at least ten ducks (this is an exaggeration). Mei waves me off, having grabbed a bottle of beer for herself in the 10-minute interim between my last thought and this new one. "Please, don''t worry yourself, Sam. We don''t make Lily do chores, and we won''t make you do chores. You still have school to go to once you''re recovered, I imagine, that''ll be enough on your shoulders to focus on." My body sags a little bit with exhaustion. "Thanks, that''s, uh, very kind of you. Wait, did I tell you my name?" Mei chuckles. "Lily did when we were getting food. Before that, we only knew of you as ''Bee'', like the bug. What did you say your powers were again, if you''re comfortable saying?" She asks, leaning in, eyes glittering with barely constrained curiosity. "You don''t have to tell us if you don''t want. I''m just a bit nosy. Are they bug powers?" I chuckle nervously. "No, Bee is¡­ Well, my superhero name is ''Bloodhound'', so everyone on the team calls me BH, like the letters, and that just kind of morphed into ''Bee''. You might have noticed my teeth. That''s the main power." Jiang says something almost immediately at the tail end of my sentence, and Lily looks embarassed to have heard it. "No, papa, they''re not cosmetic." "Huh?" I feel myself going red. "Papa says that he figured it was just cosmetic dentistry, like what all the kids are getting these days. No, papa, it''s her superpower. She can bite through metal!" Lily explains, translating between the two of us. I rub the back of my head, chuckling to myself. "Yeah, something like that. I can smell blood too, that''s the more important one. I''m¡­ really good at telling when people are bleeding or injured. And then I can heal myself. Like eight times faster than other people." "That sounds like it would be useful in a kitchen. All of those things. Maybe you can work for us after all," Mei offers, chuckling and taking a drink of her beer. She sees my eyes light up and raises a hand. "I''m kidding, sorry, Sam. Well, are you older than sixteen? Because then I might not be kidding." "No," I say honestly, looking down at my feet. "I''m fourteen." Jiang gasps. He and Mei both blanch again at the same time. "Come again?" Mei asks. Even Lily looks a little bit perturbed, even though I''m pretty sure she knew this already. "I''m fourteen?" I repeat, raising an eyebrow. "Aiyah¡­ So young," Mei murmurs, downcast and gloomy rather suddenly. She knocks back like two full gulps of beer. "Well, let''s not linger on that. We''re glad you are alive and we''re glad to help give you a place to sleep and stay while your home is repaired. As my husband said, a comrade of Lily''s is a comrade of ours. Please, make yourself at home." I try to return all their warmth with a matching smile. "Thank you for having me. Really, it means a lot. I feel¡­ safe here." Mei and Jiang and Lily all smile at me - a smile, a grin, and a playful smirk, respectively.
"I genuinely can''t believe you''ve never watched The Princess Bride," I say, eyebrows nudging up my forehead in astonishment. Lily is rummaging through a stack of DVDs that sit messily by the television. They still use DVDs here! I''m not mad, or anything, I just haven''t seen a DVD in person since, like¡­ I don''t know, since I was born? The thin plastic cases are scratched and worn, but they''re stacked in a neat pile, as if they''ve been curated with love. Lily''s eyes flash up from her diligent search, the colorful sparkles of her eyeshadow catching the dim living room light. "Really? Is it good? Like, what''s the deal with it?" For a moment, I stop to watch her as she navigates her pile. Her eyes catch the light, glowing with an eagerness that makes it clear¡ªwhen Lily gets into something, she really gets into it. We''re winding down for the night, prepping our small fortress of blankets and pillows. The futon is still a futon, but it''s become something a little more lived-in now, marked by the stains of soy sauce and a sprinkling of fortune cookie crumbs. Her parents retreated upstairs about ten minutes ago, the creaking of the stairs almost like a ''goodnight.'' Lily followed them but only briefly, long enough to change into her PJs and grab an extra set for me. She''s a size or two up from me, but the way the fabric billows out is comfortable - it''s how I wear pajamas anyway. A size or two too big. I pause, my hands hovering over the keyboard of the old laptop Lily''s lent me for my stay. The thing''s been around the block, that''s clear. The plastic has yellowed slightly, and the touchpad has the shiny wear of many a scrolling finger. But you know what? It''s still functioning. "It''s like¡­ I don''t know, the ultimate mashup? There''s fantasy stuff, right? But also romance. Oh, and comedy. You''ve got sword fights, a giant, true love, everything you could ever want." Lily straightens, finally seizing a DVD case from her collection. Her face lights up as if she''s discovered a hidden treasure. "Wow, that sounds like the sort of movie they''d show at, like, a kids'' sleepover or something," She picks another DVD case, flipping it over to read the back cover before adding it to a small ''maybe'' pile. Meanwhile, I open a web browser, clicking through bookmarks, fingers flying across the keys. Usernames and passwords fill in as if by magic, but it''s just muscle memory ¡ª my hands know where to go, even if my brain is half-preoccupied. I chuckle, taking a moment to bring the laptop to life. Its aged gears whir, sluggish but still kicking. The screen lights up with a cascade of pixelated icons that look like they''ve been unchanged since the Windows XP era. "Maybe that''s the charm of it," I muse, feeling a sense of grounding as I log into familiar spaces. My virtual homes away from home. "It''s a story that doesn''t let go, even after you grow up." While we''re talking, I navigate to a couple of forums I like to keep tabs on. Just to have the tabs open. I try not to open too many, since I know my usual habit of having a tab open for everything I want to read will choke this computer to death within hours. Did you know this story is from Royal Road? Read the official version for free and support the author. As I hit ''Enter,'' I look up to see Lily carefully sliding the chosen DVD into an old player. It''s like a snapshot moment, one of those instants where everything feels intensely real and kind of comforting, in a nostalgic sort of way. I''m handed the DVD case as Lily catches my eyes, holding it up like it''s a prize. "I prefer horror, you know. Like, ever seen the Saw movies?" The way she emphasizes the title makes it sound almost poetic, and she flips the case over to skim through the back cover. Hmm. Hmm. Maybe not today. "Saw? Seriously?" I quirk an eyebrow, surprise coloring my tone. "You''re like, a human glitter bomb. You''re way too bubbly for horror movies." Lily bursts into this infectious giggle, light and airy. "Oh, I can''t help it. I love getting the spooks! Especially now, you know? It''s October. Prime scary movie season." While Lily is busy enthusing about her peculiar love for horror, my gaze wanders to my laptop screen. I click over to Big Bad Wolf''s fansite. The page is stagnant¡ªno updates on Jordan or me since our last patrol. I find that somewhat comforting. Then I hop over to the general Philly webring, leaping from site to site like an acrobat, thinking maybe someone mentioned the, um, Tyrannosaurus Rex that made an appearance in Mayfair. But nope. Just some random noise complaints. Too soon for viral monster posts, maybe? "I gotta say, watching a horror movie right before bed doesn''t sound like the best idea," I finally comment, flicking the browser shut with a quick movement of my trackpad. "I''m trying to avoid nightmares, not court them." Lily''s eyes twinkle, like she''s just caught me in a trap. "Aww, we can make it a weekend adventure if you''re scared," she teases, elongating the word ''scared'' just a bit too much for my liking. "I''m not scared," I shoot back, quick as a snap. I feel a sense of defiance rise within me. "Look, I''ve been in actual, no-joke life-or-death situations. A movie with a muppet on a tricycle is not going to cut it." The atmosphere hangs for a moment, balanced between our playful banter and the more serious undertones. I can''t help but think that, for all her airiness, Lily has her moments of grounding gravity. And then she laughs. It''s teasing, clearly, a bit mocking, but I don''t find any malice in it. It''s schoolyard. It''s the way I interact with my friends from middle school. Where we''re so familiar that we can get on each other''s nerves and it''s fine. Lily''s laughter fills the room, a sound as airy as it is genuine. She plops down next to me on the futon. The springs groan beneath us, and I''m suddenly aware of the texture of the sheets on my back. "Oh, you say that now, but getting scared for fun is different, Sam." I think about it for a moment, fingers drumming on the edge of the old, weathered laptop. It''s like I''m doing a mental balance, weighing the fear from life-threatening situations against the scare of a movie. "I get it," I finally say. "It''s sorta like comparing roller coasters to car crashes, right? Both get your heart pounding, but one''s an experience you actually want." Lily giggles, and the sound seems to make the cramped room a bit brighter. "Wow, that''s deep. But you know, being scared when you know it''s all make-believe? It kinda takes the edge off when the real bad stuff comes around." Her words strike a chord. She''s got a point, one I hadn''t considered. "Huh, never thought of it like that," I admit, turning my head to look at her. "But let''s hold off on the horror movie night, yeah? Just got out of the hospital and all." Lily''s face lights up, eyes twinkling like a kid promised candy. She tucks her legs underneath her, making herself even more compact on the narrow futon. "Okay, it''s a date! Not a date-date, like, you know, romance and all. But, like, a friend date!" A grin spreads across my face before I can stop it. I look at Lily¡ªher endless enthusiasm, her irrepressible spirit¡ªand I know she''s not my type. My brain stumbles around the word ''girl'', still an awkward term in my mental vocabulary, but I force it into clarity. Lily''s not my type of girl. "Sounds good¡ªa scary movie date, then." Lily glances around the room, her eyes bouncing from one object to another. It''s like she''s taking a mental inventory of her surroundings, which is pretty on-brand for her. Finally, her gaze rests on a digital clock perched next to an old tube TV. "Geez, time flies, huh? You should get some sleep. School''s gonna be wild tomorrow. For me, I mean. You''re still on that bed rest thingy, Bee." Her words hang in the air, punctuated by the unspoken reality that our lives aren''t exactly normal. Yet this conversation, aimless and meandering as it was, feels soothing. Kind of like sitting in your jammies on a Sunday morning, cereal bowl in hand, cartoons on the screen. Normal. So I reach behind me and grab one of the spare blankets folded on the back of the futon. It''s not the softest thing in the world, and it smells a little bit musty, but it''s not the worst comforter I''ve had to experience in my life. I hand it over to Lily. "Thanks for camping out down here with me tonight. Feels better, you know? Less alone." Lily''s eyes light up. "Of course, Sam!" she exclaims, lying down on her side of the futon. She pulls the blanket up, tucking it snugly under her chin, like she''s settling in for a long winter''s nap or something. "We''re partners in this superhero gig, right? And hey, that means sticking together in the boring parts too." I can''t help but smile. She makes it sound like we''re in some kind of buddy cop movie. Reaching over, I flick off the light switch of an old table lamp that''s seen better days. The bulb had been weak, flickering like it was on its last breath, and now the room''s draped in a soft darkness. The kind that doesn''t scare you, but cradles you. It''s punctuated only by the faint glow of the streetlights outside, trickling in through the half-closed curtains, and the occasional car driving by, sneaking, cutting through this tucked-away back road. As my eyes adjust, I let my thoughts wander. It''s so strange, finding these pockets of calm when everything else is basically a whirlwind of crazy. But right now, here with Lily in this tiny room, it''s peaceful. And after the day I''ve had¡ªor week, or month, heck, I lost track¡ªthat''s a rare gift. Just a moment to breathe. To be still. And in that stillness, I feel my eyelids growing heavy, the tension in my muscles loosening bit by bit. With Lily beside me, the room doesn''t feel so empty, and the weight of the world lightens, even if it''s just for tonight. I stare at the ceiling, waiting for sleep to come, trying to ignore the pain in my foot. I think - about everything. Everyone. Every place. Eventually, Lily shifting besides me, I break the quiet silence with a question. "You still awake, Lily?" "Yeah?" she responds immediately. I suck in air through my teeth. "Do you think Pup and Belle are okay?" "I think Puppeteer''s okay. I mean, she had to step back for a bit, ya know? But she''s, like, doing the self-care thing, right?" Lily''s voice is soft, tinged with sleep but earnest. "I went to see her the other day. She looked kinda tired but also sort of¡­ at peace? I guess." I think about that for a moment. I should be mad, but I can''t summon the energy to be. Puppeteer was overworked, pushed to the edge¡ªdidn''t she deserve peace, even if it''s in an inpatient center? "And Belle? Any news on her?" I ask, a little hesitantly. Lily hesitates before speaking, "Not really. I hope she comes back soon, though. She''s, like, the glue, you know? Holds us all together and stuff." "Glue that''s currently missing," I murmur, my thoughts immediately going to Belle''s secret struggle with cancer. How much weight can glue hold before it gives way? I wonder if Lily would feel differently if she knew. "I miss her," I admit softly, "even if we didn''t get much training in before she went AWOL." Lily sighs beside me, her body shifting on the mattress topper. "Yeah. But you gotta have faith, right? People like Belle and Puppeteer, they bounce back. It''s like a superhero thing, isn''t it?" My heart hammers in my chest for a second. Puppeteer, maybe, but¡­ Belle, Well. We''ll see if she bounces back. "Maybe. Or maybe they''re just as vulnerable as the rest of us." I muse, mulling over the contradicting sentiments of hope and skepticism. "Superpowers don''t make you immune to being human." "Deep, Sam, real deep," Lily chuckles, a tad awkwardly. "Let''s try not to get too, um, navel-gazey before bed, if that''s okay? I don''t like to think too hard. I get weird dreams." "That''s okay," I say between chuckles. I roll over onto my side, staring at the arm of the futon instead of at the ceiling. I like that better - looking up at the indistinct ceiling was starting to make me see faces and whatnot. We let silence fall between us again, each lost in our thoughts. As I close my eyes, the nagging thoughts and concerns recede, just a little, replaced by a fragile but growing seed of hope. Maybe Lily''s right. Maybe being human and flawed doesn''t stop us from also being heroes. And maybe, just maybe, that means we''ll all find our way back to each other again. "Goodnight, Lily," I whisper, finally allowing sleep to claim me. "Night, Sam. Sweet dreams," she replies softly, and within moments, I feel like I might just have some. Chapter 31.1 I sit in the corner of the living room, fidgeting with a tiny rip in the sofa cushion beneath me. There''s a low hum to the air, just the faint, muffled echo of the outside world. In here, it''s a different realm ¡ª a domain that''s all Lily''s and everything that makes her, her. I run my fingertips over the fabric of the sofa, its fibers past the point of worn roughness and smoothed back down over time. It''s weird how a room can feel like someone even when they''re not there. I think the sofa is older than I am. My gaze floats to the family portrait on the wall, just Lily and her parents smiling back at me. There''s a warmth there, an intimacy that feels so different from the professional family portraits at my house. The rest of the random assortment doesn''t catch my eye. I can''t even place any of the locales pictured, except Graffiti Pier. Lily''s home is different from mine in so many ways. My eyes catch the blotchy stains on the futon''s sheet, bleached but still faintly visible. How did that happen? A spill? A fun night with friends? Everything here feels like it has a backstory, a life I haven''t been involved in, haven''t been invited to. Like the feeling of seeing a teacher at the grocery store. Opposite me, the old TV stands tall. It''s one of those ancient models, all boxy and cumbersome. There''s a nostalgic charm to it, reminding me of times when things were simpler, slower. The table in front of me, a makeshift one, stands as a testament to innovation. The dim light from the corner lamp casts subtle shadows around the room, painting everything in soft shades of orange-yellow. The bulb is either weak or maybe just conserving energy, but the soft glow it emits creates a cocoon-like feel to the room, like everything is wrapped in orange silk. It''s late afternoon. I can tell even without looking at a clock. The room''s filled with that particular blend of light and dark that comes right around when the school''s last bell rings. It''s weird being in someone else''s house right now: I should be in school, in the flurry of finishing up classes, saying bye to the few friends I have, maybe sneaking in some last-minute gossip before heading home. Instead, I''m here, waiting, thinking, trying to make sense of things. Ignoring my injuries. The air is filled with a sense of uncomfortable anticipation. It''s too quiet, save for the faint sounds filtering in from the street outside¡ªthe chatter of kids, the distant hum of cars. It makes me restless. Today, just like yesterday and the day before, I''m not part of that bustling world outside. Instead, I''m here, nursing my injured foot, missing out on the daily grind and chaos of teenage life. It''s both peaceful and agonizingly boring. The low hum of the refrigerator is the only thing punctuating the silence in the living room of Lily''s home. The low-hanging sunlight filtering in from the window illuminates the dust particles that dance lazily in the air. A few sparrows chirp outside, marking the slow passage of a lazy afternoon. Slouched on the couch, my be-booted foot awkwardly propped up on a cushion in front of me, I felt the stillness pressing down, a weight in the room. My fingers play with the fringes of the couch''s throw pillow, my gaze drifting down to the phone on the coffee table. It sits there, the screen lit up with notifications - so many of them I hadn''t checked in the bustle of the past days. Picking up the phone, I swipe through the notifications, skimming the influx of messages: Kate: "Hope you''re doing okay, Sam. We''re all thinking of you! ??" Jenna: "Heard about the incident. Stay strong. ?? Also, did I leave my blue jacket at your place?" Lilly: "Can''t believe what happened! If you need anything or wanna chat, I''m here." Marcus: "Man, that''s crazy. You''re a legend though. Hope the foot heals fast." Tasha: "Sending lots of love your way. And I''ve saved some of my mom''s apple pie for you. ??" Alex: "Holy crap, Sam! Just heard. You''re okay, right? Keep me updated!" My mom''s familiar tone echoed through her messages, reminders mixed with her ever-present worry: Mom: "Sammy, don''t forget about your math homework. I know things are tough, but you can''t fall behind. ??" Pop-Pop Moe: "SAMANTHA. SAW THE NEWS. GLAD YOU''RE OKAY. CALL ME WHEN YOU''RE UP. LOVE YOU. XOXO POPPOP." Kate''s messages continued with updates on mundane happenings: Kate: "Oh my god, you won''t believe what happened in school today. Attachment: IMG_0921.jpg." Kate: "LOL, Mrs. Jensen tried to dance in the class party. You should''ve seen it! It was both hilarious and tragic. Attachment: IMG_0922.jpg." Jenna''s mundane concerns made me smile a little: Jenna: "Hey, do you remember if I left my pen at your place? The purple one? It writes so smooth! Let me know. And hope you''re doing well! ??" Marcus had his usual sense of humor intact: Marcus: "Dude, remember that cat you said looked like an alien? Saw it again today, and you''re right. Thing''s definitely from Mars. Attachment: IMG_1018.jpg." Lost in thought, my fingers begin to drum on the sofa''s arm, a rhythmic tap-tap-tap echoing in the quiet room. Everyone''s voice rings through me like I''m hearing it. Their text messages read aloud in my mind''s ear. I hear it. I scroll through my texts, my contacts. My thumb scrolls through, each message taking me to a different moment or emotion, before I stop at Jordan''s name. I pause. It''s been a while since I last talked to Jordan. Maybe it''s time. The muffled noises of the world outside seemed louder in the stillness of Lily''s living room. The noise, though, that''s what yanked my attention away from the odd stillness in the house. Even if it''s quiet inside, Bridesburg never really sleeps, and kids are always kids no matter the neighborhood. For a split second, I envy the kids outside. Not because they are having fun or because they are out of school, but because they exist outside of this bubble I feel trapped in. To them, the faraway wailing of a police siren is just background noise; to me, it was a stark reminder of how quickly life can spin out of control. A part of me wonders if that''s how it''d always be now ¨C each siren, each distant shout, pulling me out of the present. The silence in Lily''s living room feels thick, and in its depths, I find my hand drifting to my phone. It''s heavy with so many numbers, so many messages, and Jordan, who has said nothing. My thumb hovers above their name, the tiny profile picture of them with that mischievous glint in their eyes staring back at me from the screen. They''re right there, I think, just a call away. But what if they''re busy with¡­ something important? Or worse, what if they don''t want to talk? My brain conjures excuses like a magician conjures cards of just the right specification. After what feels like a tiny eternity, I muster up the strength and tap the screen, initiating the call. There''s that familiar trill, the one that signifies a connection, a bridge being made. But with each ring, I''m counting the many, myriad ways this could go wrong. The Myriad Fears of a Phone Call. Traditionally, there are seven. Sometimes there''s eight or nine. Rarely, six. None, if their phone is dead. The first ring is the heaviest, the overture to the opera of ''This Was a Mistake.'' By the second, a small bead of sweat is forming on my forehead, the anxiety peaking with thoughts of, Why did I call? What am I even going to say? The third is tinged with hope, that maybe they''ll pick up. Maybe it won''t be so bad. The fourth, however, is the longest. Each beat drawing out into the next with torturous length, making me wonder if I should just hang up before I embarass myself. With the fifth, I''ve already crafted an elaborate storyline in my head, where Jordan''s in some intense mission and the timing of my call could mess everything up. The sixth brings the remembrance of our last opportunity to talk. How I told them to just run. Run and not look back. Abandon me to my fate. But the seventh¡­ oh, the seventh. That''s the one that always gets me. It''s the finality before the voicemail chime, a reminder of how long it''s been. It''s that feeling of someone slipping through your fingers and the desperate hope that the next ring, the next one, will be the one where they pick up. But there''s that tiny space after the seventh, the quiet just before the expected eighth, where I''m almost sure they won''t answer. That it''ll go to voicemail, and I''ll have to leave some awkward message. Or worse, hang up and let the quiet speak for me. If you spot this narrative on Amazon, know that it has been stolen. Report the violation. Then the unexpected happens. The ringing stops. The screen flashes with their name. And suddenly, they''re there, and the myriad of fears that the rings carried just disappear. They''re replaced with a newer, meaner, hungrier fear. The fear of failing a conversation. Then a tired voice drifts over. A voice I would recognize anywhere. "Hello?" Relief washes over me, cooling the anxious fire that had been kindling in my chest. "Hey, Jordan." It''s just two words, but there''s so much more loaded in them. Two words holding onto¡­ a lot. Like a trapeze holding onto a clown. Their voice perks up, if only just a smidge. Like they''re genuinely trying to put a positive spin on everything, for my sake maybe. Or maybe for their own. "Sam! How''s it hanging? You dead yet?" I chew on the inside of my cheek for a moment, trying to pull my thoughts into something coherent. "I''m alright, all things considered." That''s a loaded phrase if I''ve ever heard one. "How are you holding up?" A pause fills the air between us. The kind of pause that''s heavy and loaded with thoughts and feelings that neither of us has managed to put words to yet. It''s like when you''re about to dive into a pool and you''re waiting for that first shock of cold water. Both of us on the edge of the diving board, hesitating before falling into deeper, more treacherous waters of our conversation. I can almost imagine Jordan, leaning against something in the hideout, eyes maybe distant, taking in that brief silence, letting it sit. I clutch the phone tighter, waiting for them to break the stillness. "Jordan," I interrupt, though the words come out more of a sigh. There''s a tone to their voice, hidden in their cheer - maybe they''ve been crying? Or maybe I''m hallucinating, filling in the gaps I want there to be. Maybe they''re just fine. "Where are you right now?" "At the music hall," Jordan says, matter-of-factly. "Really? How can you even stand it there alone, much less for¡­ however long you''ve been there." I remember the first time I saw the place, the dilapidated exterior, the eerie feel of its ancient structure. It''s our home away from home, sure, but I''ve never been there by myself. I forget, as the words emerge, that Jordan has been, that Jordan had a whole situation set up before I arrived in their life. "It''s quiet. It''s nice," Jordan responds, a touch of amusement in their tone. "You hear everything, you know. Every creak, every little sound, even your own breath echoing back to you. It''s great." I blink, trying to wrap my mind around that. They find that comforting? "Sounds like a scene out of a horror movie to me. You''re sure some old-timey ghost musician isn''t about to start playing a phantom piano in the background?" Jordan chuckles, "If there was, I''d ask them to play Free Bird. But, nah, they cleared all the pianos out years ag-- wait, you knew that already. Pissant," they continue, their low chuckles permeating the airwaves. "It''s quiet here," they repeat, after the laughter fades. I think about it for a moment, trying to picture Jordan, all gothed up, basking in the ambiance of an old, desolate music hall. Their black clothes contrasting the faded wallpaper, their eyes closed, just taking it all in. It''s poetic, in a very Jordan kind of way. No other place in Philly would fit them, I think. "Well, as long as it''s not driving you more insane than you already are," I jest, trying to lighten the mood a bit. Jordan''s laugh sounds more genuine this time, "No promises." There''s another silence. The gentle crackle of the phone line. "You know, staying in the music hall all this time," Jordan starts, their voice trailing into a pensive pause, "it''s weird. Like, every now and then, I get this creeping sensation, as if I''m being watched. Either by pervert ghosts or another fucking crow." I wince at the idea, hearing the unspoken weight behind the words. The Kingdom. Even thinking about them makes my blood run cold, thick and sludgey in my veins, heart suddenly hammering. The shadow of their threat looms over everything, like a dark cloud. An image of a shrieking crow with the head of a dog, slamming against the door, embeds itself in my skull. "I don''t get it, Jordan," I say, unable to keep the worry from lacing my voice. "Why stay there? Why put yourself in isolation like that? You''ve got your mom. Shouldn''t you be there with her? I mean, I know she''s kind of shit--" Jordan exhales loudly, a shaky and exasperated sigh. "Sam, it''s not that simple. My mom¡­ we don''t get along, okay? But it''s not even about that. It''s about keeping her safe. The Kingdom, if they found out, I don''t want her caught in the crossfire. Just because I don''t like her doesn''t mean I want her hurt." I tap my fingers against the couch, absorbing the information. There''s so much they''re holding back, a complexity to the relationship they''re not ready to dive into, and honestly, I don''t blame them. Relationships, especially familial ones, can be a maze of emotions. It''s easy to get lost. I count my blessings that I have two parents that love each other, even if they fight about taxes or chess sometimes. I''m not stupid. I know that sort of thing can be a rarity. There''s an almost palpable tension in the air, like the lack of noise is wrapping around both of us, squeezing ever so slightly. It continues for a little bit too long. "Sam," Jordan begins, their voice distant, as if they''re lost in thought or struggling to find the right words. "My mom¡­ probably hasn''t even noticed I''m gone. Wouldn''t be the first time." "That''s¡­" I start, struggling to find words. "That''s tough." I almost hate how inadequate my response sounds, but there''s an undercurrent in Jordan''s voice, a rawness I haven''t heard before. The urge to fill the space with words is almost overwhelming, but I don''t want to push them away. Jordan chuckles, but it''s devoid of humor. A laugh that''s not quite a laugh. Like bones rattling. It''s a laugh the way a feral animal smiles, baring teeth. "You''ve no idea. She just sees right through me. Or worse, maybe she sees me but just doesn''t care." I can''t help but feel a pang in my chest. Despite our differences, Jordan has been more than steadfast. I take knife blows for them. They keep me safe from gunfire, from throat slashes. We beat up criminals together. And yet, I can''t save them from¡­ this. No amount of heroing can. "I don''t get it," I admit, my voice softening, "With everything we deal with on the daily, I can''t imagine going home to¡­ that." I mentally kick myself for not choosing my words better. Sometimes, I feel like English is my second language, not Hebrew (and even that''s a stretch). There''s a heavy pause before Jordan speaks again, and their voice is almost stern. "There''s a lot you don''t know, Sam." They let the sentence hang, not finishing the thought. But it feels loaded, heavy. Like a gun. I take a deep breath, finding courage from somewhere deep down. "Hey," I begin gently, "if you ever want to talk about it¡­ I''m here, okay?" I promise. Jordan sighs quietly. "I''ll pass, but thanks." There''s the distant noise of shuffling in the background, but I don''t push Jordan to speak. I just wait, feeling the soft thrum of the phone''s vibration in the palm of my hand every time a notification slides across the screen. Finally, I hear their soft exhale, and I clutch the phone tighter. "Hey, Jordan?" I begin, voice hesitant. "When do you think you''ll feel safe enough to come out?" Silence fills the space between us, and I can almost visualize Jordan, with that jet-black hair of theirs, contemplating the question. My fingers drum a soft rhythm on the back of the phone, the texture of the protective case familiar and soothing under my fingertips. It''s silly, but that small repetitive motion brings me a shred of comfort. I don''t like how every passing moment simply emphasizes their inability to answer. The seconds seem to stretch and twist. "You could¡­ you know, come stay with Lily and me," I finally venture, my words breaking through the quiet. "Just for a while, till things cool down. It''s a big futon," I offer, not even knowing if her parents would let us. I mean, I have to imagine they would, but, you know¡­ two more mouths to feed is a lot. I hear a soft sigh on the other end. "Sam," Jordan begins, their voice softer than is typical. It''s touched with a warmth that makes my chest tighten, a genuine gratitude that doesn''t sit well on their usually detached demeanor. "That means a lot, but I can''t." My brows furrow, heart skipping a beat. "What? Why not?" "It''s not about me," Jordan explains, voice barely above a whisper. "It''s about you. I don''t¡­ I can''t bear the thought of something happening to you because of me. It was extremely, extremely, extremely hard to just keep moving, run away with this bag of money and a laptop, and not stop to turn back to help you." Their words hang heavy in the air, and I can almost feel the weight of them pressing down on my chest. "Jordan," I begin, trying to push past the sudden tightness in my throat. "You almost sound like a superhero." Jordan snorts derisively through the phone line. "Bullshit." There''s a pause, and I can hear Jordan take a deep breath. "It''s different this time," they admit quietly. "I have to be careful, for everyone''s sake. I have to lay low." I swallow hard, trying to keep the frustration from my voice. "Are you even going to school?" I brace myself for the worst. But then Jordan chuckles, a soft, genuine sound that brings a smile to my lips. "Of course. You think I''m going to let a dinosaur stop me from finishing high school? I''ve put in too much work for a t-rex to stop that. Sure, they might attack you at your home, but there''s just too much risk of collateral at school. I''m--" "Absolutely do not finish that sentence or you will summon the foreshadowing demons," I interrupt them. "Just promise you''re not going to turn your life off for this." "I promise," Jordan replies. "This is all just a day as usual for me." The weight of the conversation feels like a growing pit in my stomach, and I instinctively want to change the topic, anything to steer the chat away from the dangers Jordan is facing. It''s too much to think about sometimes. "Oh, by the way," I begin, shuffling my feet a little, "I''m visiting Puppeteer today." There''s a pause on the line, one of those elongated pauses where you can practically hear the gears turning in someone''s head. "Puppeteer? Really?" Jordan''s voice, always so cool and collected, now contains an edge of disbelief. "Isn''t she the one who, you know¡­ almost strangled you?" Ugh. "She didn''t actually try to choke me out. I mean, yeah, she did lash out, but I wasn''t hurt. Just my pride, I guess." My voice trails off, but I collect myself. "Anyway, she''s getting out of inpatient tomorrow. Figured it''s the right thing to do, you know? Make amends." Jordan''s skepticism is palpable, even through the phone. "Sam, I get that you''re all about second chances, but that''s¡­" Their concern is genuine, and it warms me a bit amidst my own trepidation. But I''m stubborn. Always have been. "Look, Jordan, she was dealing with a lot, alright? College, Liberty Belle''s absence, her own¡­ junk I mean, I''m not excusing her actions, but I think I understand them. And if she''s getting out, then a professional believes she''s okay now. Or at least better. You know, if she didn''t have problems they wouldn''t have kept her for like a month." Jordan sighs, the kind of heavy, drawn-out exhale that''s more an expression of emotion than a simple breath. "Alright, I trust your judgement, Sam. Just don''t do anything stupid." "I make no promises." I reply. We share a moment of uncomfortable silence. "We''ll talk soon, alright? And hey, anytime you want to chat or just¡­I don''t know, rant about life, you know where to find me," Jordan says, their usual cool demeanor slipping back into place, like a mask sliding over their face. I smile, even though they can''t see it. "I''ll hold you to that. Take care, Jordan." "You too, Sam. Stay safe." And with that, the call ends, leaving behind a sensation of both hope and melancholy in its wake. Chapter 31.2 The entrance to Elysium Behavioral Health & Wellness Center is much as one might expect for a place that promises serenity and rest. When the taxi pulls up, the stone fa?ade seems imposing, almost monolithic, if not for the soft-tinged windows that promise a warmth within. I pay the driver, get out, and take a second to let my surroundings sink in. The clinical whiteness inside, though, is almost blinding. There''s a harsh sterility to the surroundings; from the untouched white walls that seem to stretch on endlessly to the hum of the overhead fluorescent lights that seem to echo just a bit too loudly. If I close my eyes, I can almost believe the distant, muffled sounds that echo through the halls are whispers, voices from another world, or maybe just the reverberations of some nearby machinery. The check-in process is quick and painless. The destination is the end of the halls. Back of the building. I''ve been in hospitals before, but this is different. Less cold, I guess, but also not exactly warm either. It''s somewhere in between - it has a weird sort of muted energy to it. As Lily and I walk side by side, I can''t help but notice the others in the corridor. There are families ¨C some visibly upset, others wearing tight-lipped smiles of determination, and a few who seem just¡­ numb. And then there are the medical personnel, weaving between the visitors with their crisp uniforms and business-like expressions. They carry folders, tablets, and sometimes just a warm beverage to keep them going. I catch snippets of their conversations, always too quick to grasp the entirety of what''s being said but just enough to pique my interest. Words like "progress", "medication", "therapist", and "family session" seem to stand out more than others. Every so often, we pass by a closed door. From behind some, there are muffled sobs, or soft, comforting voices. From others, the soothing melody of calming music. And from a few, utter, unsettling nothingness, behind frosted glass. I wonder about the stories those doors hide. What brings these people here? What stories lay behind them? The white noise spits out at an even pace from weird little disks situated about a meter apart on the floor, coating everything in a fine layer of fuzz like a padded cell. It''s weird - you never really think about what goes on inside places like these until you''re here. Are they getting the help they need? Not just Puppeteer, but everyone here? The thought makes me shiver despite the ambient warmth. Lily must catch the uneasy look on my face. ¡°First time inside a place like this?¡± she asks, her voice gentle. I nod. Lily''s gaze flits around, darting from corner to corner as if she''s trying to take in everything all at once. The place has this cold, sterile feel about it that would make anyone uneasy, let alone someone like Lily, who usually thrives in the bustling city outside or the fast-paced world of superhumans. But here, in this suffocating white corridor, there''s no room for moving quickly. Everything is measured and dispensed in precise quantities. ¡°I, uh, never liked places like these, you know?¡± she admits, her fingers nervously twining together, nails leaving red marks on her skin. I notice she avoids the eyes of any nurse or therapist that we pass. She keeps adjusting her posture, like she''s trying to fit in, but the tension in her shoulders and the constant shifting of her weight betray her unease. I wonder idly to myself if she has history in this place. Or maybe just places like it. I don''t blame her, either way. It feels like these places have a way of making you feel like you''re on display - my few trips to the hospital have given me the same sort of impression. I take a breath, searching for the right words. ¡°It''s different here. It''s very different from the rest of the world." She mulls it over. "The people here, the way they look at you¡­ it''s just strange," she concludes, satisfied with her own course of thoughtwork. "They''re trying to help, in their own way," I reassure her. I can see how out of place she feels, how she''s shrinking within herself. And I feel a pang of guilt, but the other part of me is glad she''s not doing this visit alone. ¡°You''re brave, you know?¡± I suddenly say. She chuckles. "Coming from the superhero." I give her a look. "We''re literally both on the-- you know what, we shouldn''t say this in public." Her smile widens, cheeks reddening. It''s so cold in here, it''s making me regret not bringing a hoodie. I try to fill the echoing corridors with my own thoughts, but the sterile environment, the hushed whispers, and the soft hum of overhead lights just amplifies the tension. That tension is a living, breathing thing, pressing in on me and Lily as we walk side by side. I''m so tired of tension. Tension tension tension. It stops feeling like a word inside my head. After an agonizing minute of trying not to think about what''s coming, I hear Lily clearing her throat beside me. It''s hesitant, almost unsure, and I know she''s trying to find the right words to fill the empty space. "Hey, Sam," she begins, a wobbly smile in her voice, "remember that¡­ snake graffiti I found a while back? Like, when you first joined?" Okay, that''s not what I expected, but I nod, dredging up the old memory. "The weird snake we were concerned might''ve been a gang sign. I recall," I reply. I can hear her giggle before I see the rosy tint of embarrassment lighting up her cheeks. "So, um, I got around to showing it to Playback. And, uh¡­" She struggles, another chuckle breaking through. "Turns out, it''s not a snake." Okay, this should be good. I raise my eyebrows, my curiosity piqued. "Not a snake? What is--" She''s practically laughing now, her cheeks flushed. "Nope!" The words tumble out of her in a rush, almost as if she''s trying to distance herself from her blunder as quickly as possible. "Not a snake. Snakes don''t¡­ have balls." I can almost see the little cartoonish light bulb appearing above her head when Playback had told her, that comical ''oh'' moment. A bubble of laughter forms in my throat. Seriously? A smirk finds its way onto my lips, a soft chuckle escaping me, my teeth locking together. It''s such a typically Lily thing to miss. I imagine Playback''s amused face when he informed her, and the thought makes me laugh a little harder. "Well, that was sure a mystery that we were all hoping would get solved one day." "And now it''s solved!" Lily finishes, and the air falls back into alkaline silence. The dimly lit hallway seems to stretch longer as Lily and I walk toward Puppeteer''s room. It''s been more than a month, but the gravity of that confrontation still hangs between us. As we get closer, my heart beats a bit faster, my anxiety manifesting in tiny beads of sweat on my forehead. Before the door stands a little whiteboard with "Akilah Washington" written neatly in marker. So that¡¯s her name, I think. I''ve always known her as Puppeteer, the leader, the one with orders to give. It''s a little unnerving to have that distance suddenly slashed. Cut down to size with a marker''s blade. Now she''s Akilah. With a deep breath, I gently push open the door. Soft, ambient light greets us, casting the room in a warm glow. It feels almost peaceful in contrast to the clinical nature of the rest of the facility. The atmosphere is soothing, but something about it feels just a little bit off, like a tune slightly out of key. It''s the blend of personal touches and the stark, sterile hospital ambiance. And then there¡¯s Akilah. She sits by the window, the golden hues of the setting sun illuminating her profile. Gone is the tense, commanding posture I remember from our time together on the team. Instead, she looks relaxed, I suppose. But it¡¯s not just her posture that¡¯s changed. A month of inpatient care has altered her physique, softening her muscular frame. The cuts and curves of a gymnast are less defined now. Even her hair is different, cropped short in a boyish style that frames her face, a marked contrast from the large, almost bountiful coils I remembered. It''s as if the weight of leadership, the weight of always having to be in control, has lifted off her, if only for a moment. Her feet tap rhythmically on the floor. Her bedroom is spartan. Some personal affects. No phone. I can''t tell if Akilah or an orderly has been keeping it clean, but even the bed is made. Lily is the first to speak, cutting down the space in the air. "Hey, Akilah. The light looks good on you." Akilah turns to face us, and her eyes, usually so sharp and calculating, now appear soft. She''s gone from an eagle to a pigeon¡­ no, that''s mean. Maybe a stork? I don''t know, I''m not good at animal analogies. She gives a small smile, and I catch a hint of weariness. "Thanks, Lily. You always know how to brighten a room." Lily grins, missing the wordplay entirely. "It''s the windows here! They''re big. Let a lot of light in." I chime in, "It''s good to see you, um¡­ Akilah. You look¡­ different, but in a good way. Rested, maybe?" She chuckles lightly, "Rested? That''s a new one. But yeah, I guess you could say that. Therapy, medication, and a whole lot of self-reflection can do that to a person." There''s an awkward pause, a million unsaid words hovering between us. I know I need to address the elephant in the room, but where to begin? It''s a dance of words, a balancing act of emotions. But for now, just seeing her, knowing she''s okay, eases a weight off my shoulders. Akilah seems at peace as I glance at her, but it''s not the kind of peace you wear when everything''s right with the world. It''s the kind of peace you wear like armor, when you''re trying to convince everyone - including yourself - that you''re okay. I notice the tiniest movements, like the way she tightly balls up her hands into fists, as if she''s trying to grab onto something that keeps slipping away, and how her eyes rapidly scan the room, darting from one corner to another before finally settling on me. It''s a look I''ve seen before on other people, but never expected to see on her. Like a prey animal. Is this from her time here? Or is this just from seeing me? I can''t tell. And then my eyes drift down to the nightstand. The two pill bottles catch my attention immediately. I can''t help it. The bottles with their stark white labels and clinical font grab my eyes before I can look away, and I absorb the words as I typically do. The words "Quetiapine" and "Fluoxetine" are written prominently on them. A knot forms in my stomach, even though I have no idea what either of them do. A case of content theft: this narrative is not rightfully on Amazon; if you spot it, report the violation. As I try to process all this, my wandering thoughts are interrupted by a small sound. Lily, in her usual straightforward manner, has pulled up a chair and is talking, breaking the ice. "I like your socks," she says, pointing at Akilah''s feet. Those grippy socks they give you in places like this, with the little rubber dots on the bottom. Akilah''s are a bright blue, standing out against the sterile white of the sheets. Akilah chuckles, looking down at her feet. "Thanks. They''re not exactly high fashion, but they do the job." She pauses, a thoughtful look on her face. "They keep me grounded, in more ways than one." Lily nods, though I''m not sure she catches the deeper meaning behind Akilah''s words, the defiance of her typical high-flying acrobatics. "Why do they have the grippy parts anyway?" "It''s so I don''t fall and injure myself. Not that it''s usually much of a problem for me," Akilah explains, keeping her gaze notably off of me. The room goes quiet again for a moment. Somewhere between discomfort and settling snow turning into compressed ice. Akilah finally speaks, to me, sort of, her voice soft but steady. "I appreciate you both coming. It means a lot." There''s sincerity in her rounded gaze. She glances at me, and we make eye contact, and then the moment ends. Lily, in her typical fashion, doesn''t miss a beat. "Of course! We''re a team, right? And teams stick together." Akilah laughs. I think it was supposed to be bitter, but it comes out too genuine for that. "That we do." The room feels too still, too quiet. But then, Akilah, or rather, Puppeteer, breaks the silence. Her voice starts out shaky, like she''s walking on a wire she''s not sure can support her. There''s a strain in it I''ve never really heard before. "I¡ª" She stops herself, clears her throat, and tries again. "Sam¡­ I''ve been meaning to talk to you. Obviously." Lily, sitting next to me, tilts her head, a clear look of confusion spreading across her face. I can tell she¡¯s trying to keep up with what''s happening, gears turning. I turn my full attention to Puppeteer, my heart rate picking up a bit. I''ve been waiting for this conversation, even if I hadn¡¯t known it until this very moment. "You okay, Pup?" I ask, deliberately using her hero name, trying to find some connection between the confident leader I remember and the vulnerable woman in front of me. She gives a small smile. "It''s Akilah," she says softly, emphasizing her real name, like she¡¯s reclaiming a part of herself. Lily squints, her brows furrowing. "Uh, yeah? That''s your name, isn''t it?" she asks, drawing a laugh out of Akilah. Then, she takes a deep breath, and turns to me. "I''m sorry, Sam," she says, her voice clear and even, something she''s clearly been practicing. Each word lands heavily between us, like a weight slowly lifting off her shoulders. There''s no evasion in her tone, no attempt to skirt the issue, just a raw and genuine regret. She takes a deep breath, steadying herself before continuing. "I took out my own problems on you and I hurt you. I''m sorry. It won''t happen again." I was expecting this, a little. But words still don''t form in my throat. She cuts through the quiet. "You know, the therapy room was kinda sterile. White walls, plain carpeting, a single potted plant in the corner. And Dr. Williams, she¡¯s this kind, older lady with glasses that look a little too big for her face. But she''s good. Picked me right apart. Saw through everything," she shares, offering a picture of a setting I''ve only seen on TV shows. I imagine her in that room, pouring her heart out to a stranger. I see Lily, who¡¯s sitting quietly beside me, shift uncomfortably in her seat. Then, Akilah takes a deep, shaky breath, her fingers playing nervously with the hem of her clothes. She looks on the verge of tears. She swallows and looks up at the ceiling. "Narcissistic Personality Disorder. That''s what the shrink said." I try to swallow too, but my mouth is dry. "I thought, you know, I wasn¡¯t that kind of jawn. It hit me like a truck. All the worst people in my life are Cluster B. But I swallowed my pride, because I can either get better or I stop being a hero," She says, no longer able to look at either of us. "That''s all I had left. All I have left. Either I fix myself or I don''t." Lily rolls the word over in her mouth. "Cluster¡­ bee¡­" She says, and I can almost tell she''s thinking about insects. Or maybe about my abbreviation. She doesn''t say anything else. "That''s a lot," I reply. "You don''t seem like a narcissist to me." "It''s more complicated than that. It''s not about¡­ loving myself, not like the myth. It''s about hating myself. Being afraid of myself," Akilah replies, folding her feet up underneath her. "It''s kind of a bad name for the disorder. I just¡­ can''t not make everything about me, somehow. And I''m always so afraid, so afraid that I''m going to stop being useful. So I lashed out at you, because I was afraid of Belle ditching me. Replacing me. And I''m sorry." "That''s a lot," Lily says, mirroring me. "Hey, it''s okay. I forgive you," I say, speaking the magic words. A hush rolls through the three of us. "Do y''all know how I got my powers?" Akilah asks. Lily shakes her head. I shake my head too, a little too stunned for speech. "Do you want to know?" "I think you want to tell us," Lily says, before I have an opportunity to say the same thing. Akilah smiles. "I used to be a gymnast, obviously. I used to be a lot of things, my parents threw me at extracurriculars instead of parenting me. I was almost ready to join the Olympics. Yeah, seriously! Then I failed a trick and broke my ankles." I raise an eyebrow, leaning on the wall. "That''s¡­ mundane," I say, trying to pick my words carefully, walking on eggshells. Akilah grins knowingly. "Well, the sport I did was one of the ones where you have a spotter. And all this time, for three years, I''d convinced myself that they sabotaged me. Failed to grab me when I fucked up the flip, because they were envious of me. I broke both ankles, and then before I could keep falling and snap my neck, my strings had tied me to the equipment like a cradle." "Heavy," Lily breathlessly whispers. "So for the first year of being a hero, it was all swinging, all upper body strength. Couldn''t rest on them jawns," Akilah continues, glancing at my foot for a split second. "Being a gymnast was the only thing I had. Then that switched out. Now, being a hero was the only thing I had. That''s where Belle found me, bitter and alone. And¡­" She sucks in air between her teeth. I can tell from her face that the story has gotten a little away from her, away from how she planned it in her head. She''s been rehearsing this conversation. She changes gears. "Well, at least Crossroads is willing to accept me back. ''Cuz it''s all I''ve got now. Can''t be an RSE anymore, which means I have to actually finish college so I can get a day job. Then, I''ll have something else I can be." I rewind in my head. "Wait, go back a sec. You can''t become a government cape anymore? Why not?" Akilah sticks her tongue out playfully, then retracts it. "They don''t let you become a Registered Superhuman Entity if you have personality disorders, Bee. Same as in the army or whatever. All I was getting at is that maybe this is a blessing, forces me to be more than one kind of person." "Wait, what?" Lily interrupts. "That''s not fair! You''re the coolest and best hero of us! And your power is awesome! Can''t they make an exception?" While Lily is busy protesting, my heart hammers in my chest. I mean, not that becoming a hero was my full-time life-time aspiration, but what if I''m broken just like her? What if they find out there''s something wrong with my brain, something that makes me go out and beat up thugs because I love the rush, and then it''s over forever. "Can you still¡­ be a normal hero and hang out with us and stuff?" Lily asks, adjusting her position in her chair. Akilah nods. "I can still be a regular licensed vigilante, or work for a private company. They won''t deny my LUMA. I just can''t suckle that sweet, sweet taxpayer milk now. Or star in any after-school programs." "They should give you a second chance," I say, my hands tightening. "I mean, I know we haven''t seen eye to eye, but I''ve gotten¡­ to the core of people that I fought with way worse than you. And I think you''re a good person. I don''t know. Forever? That''s a while." Akilah laughs, her face lighting up. "I heard about Safeguard, too. I''m glad they''re a good egg, after all that. Really, it''s okay, Bee. Really. I''ve made my peace with it. Woman plans, God laughs, that''s how it goes." "If you say so," I mumble, looking at her socks again. Akilah glances out the window, the conversation fading into an awkward, unfinished dispersal. A minute passes, or so. Akilah breaks the air again. "Hey, any y''all know what time it is? The nurse is supposed to swing by with my discharge papers at, like, five." Lily raises a hand, checking on her phone. "Oh, it''s like four fifty five, do we need to leave?" "Nah," Puppeteer says, running a hand through her hair. "It''s cool. Y''all just might have to drive me home then. Wanna see my shrink notes?"
Psychiatric Evaluation Report - Summary Patient Name: Akilah Washington Date of Birth: September 30th, 2003 Date of Evaluation: October 10th, 2023 Admitted: September 12th, 2023 Psychiatrist: Dr. Jane Harris, M.D. Institution: Elysium Behavioral Health & Wellness Center

Presenting Problem:

Akilah Washington presented with heightened levels of stress, impaired functioning in interpersonal relationships, a compulsion for control, and low-level delusional thinking focused primarily on perceived persecution. Symptoms were exacerbated by a complex, high-stress lifestyle that included academic responsibilities at Temple University and leadership roles in a local superhero team, the Young Defenders.

Diagnosis:

Narcissistic Personality Disorder, Fragile/Covert Type General Anxiety Disorder

Symptoms:

Treatment:

Ms. Washington has responded well to a combination of pharmacological and psychotherapeutic treatments. Medication:
  1. Haloperidol, 2mg twice daily: To manage delusional symptoms.
  2. Fluoxetine, 20mg daily: To treat symptoms of generalized anxiety.
Psychotherapy:

Current Status:

Since the beginning of the treatment, Ms. Washington has shown significant improvement in emotional regulation, reduction in delusional thinking, and increased willingness to engage in cooperative and trusting relationships. Her academic performance has stabilized, and she has expressed interest in returning to a functional role within the Young Defenders, as well as permanently turning over leadership to her colleague ''Crossroads''.

Recommendations:

Given the considerable improvement and stabilization of her condition, I recommend that Ms. Washington is ready for discharge and a gradual return to her regular activities, provided she continues outpatient psychotherapy and medication management. Approved by Dr. Jane Harris, M.D. October 10, 2023 WORLD OF CHUM: Metahuman Visual Classifications Chapter 7: Metahuman Classification: From Non-Identifiable to Complex-Condition 7.0 Introduction As the prevalence of metahumans continues to rise, it is crucial to understand the various ways these unique individuals interact with their powers on a physiological level. Metahumans have become an integral part of society, shaping everything from pop culture to public policy. Yet, as our understanding of metahuman capabilities has grown, so too has the necessity for a comprehensive classification system. A well-defined taxonomy not only aids scientists and policymakers but also helps metahumans themselves to better understand their own abilities and limitations. This chapter focuses on a classification system that divides metahumans into five broad categories based on how their powers visibly and physically affect them. 7.1 A Brief History of Metahuman Classification in the United States The emergence of metahumans in the early 1980s sparked a flurry of interest, fear, and intrigue. The initial reaction from the scientific community and policymakers was one of confusion and disarray. Early attempts to classify metahumans often relied on rudimentary characteristics, such as the level of destruction they could cause or the overt visibility of their powers. These early systems proved to be woefully inadequate for capturing the complex interactions between metahumans and their abilities. In the 1990s, a more nuanced approach began to take shape, inspired partly by advances in psychology, physiology, and social science. Terms like "mutant" or "freak" began to fall out of favor, replaced by descriptors that focused more on the capabilities and challenges metahumans faced rather than stigmatizing labels. Several iterations of classification models were proposed and tested over the next decade. Some gained traction for their academic rigor, while others were critiqued for perpetuating stereotypes or misunderstanding the complexity of metahuman abilities. After much debate, the framework that forms the basis of the current classification system was established in the early 2000s, under the auspices of the Metahuman Research and Policy Institute (MRPI). The MRPI classification, now universally accepted within U.S. academic and governmental circles, was revolutionary for its balanced approach. It considered not just the physical manifestations of powers but also the sociological, psychological, and ethical implications. By adopting a holistic viewpoint, the system allowed for a more nuanced understanding of metahuman conditions, aiding healthcare providers, law enforcement agencies, and metahumans themselves in identifying best practices for co-existence and mutual support. By unpacking these five categories¡ªNon-Identifiable Metahumans (NIM), Minimally-Identifiable Metahumans (MIM), Visually Apparent Metahumans (VAM), Auto-Destructive Metahumans (ADM), and Complex-Condition Metahumans (CCM)¡ªwe offer students, scholars, and everyday citizens the tools to engage with the increasingly complex tapestry of metahumanity in an informed and compassionate manner. 7.2 Non-Identifiable Metahumans (NIM) Definition and Criteria for Category 0 Non-Identifiable Metahumans, or NIMs, are individuals who possess metahuman abilities that do not result in any permanent or visible changes to their physical appearance. This category is an essential starting point for metahuman classification, as NIMs comprise a significant portion of the metahuman population. Criteria for classification as a NIM include: It is crucial to note that a metahuman who can, for instance, generate fire but returns to a "normal" appearance after deactivating their ability falls under this category. Social and Legal Considerations for NIMs While NIMs may not face the same level of societal stigma as those in other categories due to their lack of visual distinction, they are not without challenges. Legal frameworks have had to adapt to account for NIMs, as their abilities can still lead to unintentional or intentional harm, destruction, or deception. Given that NIMs can easily blend into society, there are concerns surrounding the need for disclosure, especially in situations involving law enforcement, medical care, and employment. Discrimination against NIMs exists but tends to be less overt, often manifesting in legal restrictions or insurance complications. Case Studies Case 1: "Jane" Ability: Telekinesis Jane can move objects without touching them. Her powers are invisible to the eye and leave no trace. This could lead to potential accusations of theft or fraud, for which she would have no alibi. Implications: Jane might consider registering her abilities with local authorities to preemptively counter any accusations. However, doing so might subject her to increased scrutiny and potential discrimination. Case 2: "Paul" Ability: Accelerated Healing Paul recovers from injuries much faster than an average person but shows no outward signs of his ability. Implications: Paul''s ability is beneficial but raises questions in medical contexts. If involved in an accident, should he disclose his power to healthcare providers? Failing to do so may result in unnecessary medical procedures or medications. Case 3: "Emily" Ability: Hyper-Sensitive Hearing Emily has a heightened sense of hearing, enabling her to hear conversations from great distances. Implications: Emily might struggle with privacy concerns. Her ability could accidentally pick up sensitive or classified information, putting her at risk of legal repercussions. She must be cautious not to misuse her power, intentionally or unintentionally. By understanding the complexities faced by NIMs, this chapter aims to equip students with a nuanced understanding that goes beyond the surface. While NIMs may not experience the visual stigmas associated with other categories, the social and legal landscapes they navigate are fraught with their own unique sets of challenges and considerations. 7.3 Minimally-Identifiable Metahumans (MIM) Definition and Criteria for Category 1 Minimally-Identifiable Metahumans, commonly referred to as MIMs, are individuals whose metahuman abilities result in visual distinctions that are relatively subtle but not entirely unnoticeable. These features could be something as small as an unusual eye color or as pronounced as a minor bodily alteration like sharpened teeth. Criteria for classification as a MIM include: MIMs fill a grey area, making them particularly challenging to categorize at times. They neither entirely blend into society like NIMs nor stand out as obviously as VAMs. Challenges in Daily Life for MIMs MIMs often find themselves in a unique predicament. While their features may not immediately indicate that they are metahumans, keen observation or specific circumstances could easily reveal their status. This often necessitates a life of semi-secrecy, where MIMs may need to use makeup, clothing, or other forms of disguise to maintain their privacy. Moreover, daily life for MIMs can be cumbersome as they navigate social situations and professional settings. Job interviews, dating, and even routine activities like shopping can become complicated if their minor visual distinctions become a point of curiosity or, worse, discrimination. Case Studies Case 1: "Carlos" Ability: Cryokinesis Carlos has icy blue eyes that glow faintly in low light conditions. Though often complimented for his unique eye color, he cannot entirely hide his metahuman nature. Implications: Carlos might consider wearing tinted contacts to disguise his eye color, especially in situations where he may need to use his abilities discreetly. The need for constant disguise can, however, be emotionally taxing. Case 2: "Sophia" Ability: Plant Manipulation Sophia has green veins visible under her skin, a permanent marker of her ability to control plant life. Implications: Sophia might use clothing or makeup to cover her veins. She must also decide when and if to disclose her abilities in professional settings, particularly if her powers have the potential to affect her work environment. Case 3: "Nathan" Ability: Enhanced Reflexes Nathan''s muscles are overly pronounced, making him appear much more athletic than an average person. Implications: Nathan may choose to wear loose-fitting clothing to disguise his physique. However, this could hinder his movements, effectively reducing the efficiency of his abilities in situations that require quick reflexes. Understanding the challenges faced by MIMs will help students appreciate the subtle yet impactful ways in which metahuman classification affects daily life. MIMs may not face immediate danger or ostracization, but the social, emotional, and legal ramifications of their minor distinctions carry long-term implications that are often overlooked. 7.4 Visually Apparent Metahumans (VAM) Definition and Criteria for Category 2 Visually Apparent Metahumans, commonly abbreviated as VAMs, are individuals whose metahuman abilities result in permanent, visible alterations to their physical appearance. Unlike Minimally-Identifiable Metahumans (MIMs), the changes are not minor and can often not be concealed easily, making these individuals instantly recognizable as metahumans. Criteria for classification as a VAM include: Societal Stigma and Opportunities for VAMs The public reception of VAMs is often mixed, with social stigma being a considerable challenge. Their appearance can lead to immediate assumptions, biases, and even overt discrimination. This often manifests in difficulties with employment, housing, and social interactions. However, some sectors are more open to VAMs, recognizing their unique abilities as potentially valuable. Specialized job roles, often in fields like construction, security, and even entertainment, may be more accommodating to VAMs. Case Studies Case 1: "Gloria" Ability: Rock-like Skin Gloria possesses skin that resembles rock, offering increased durability but making her stand out distinctly as a metahuman. Implications: Gloria may face challenges in traditional job settings, due to her unusual appearance. She may, however, find work in security or construction, where her durable skin is an asset. Case 2: "Alan" If you find this story on Amazon, be aware that it has been stolen. Please report the infringement.Ability: Bioluminescence Alan emits a constant glow from his skin, which can be dimmed but never fully extinguished. Implications: Alan''s appearance makes discreet social interactions impossible, possibly affecting his mental health. He may find niche opportunities in fields like entertainment, where his unique attribute is a selling point. Case 3: "Sophia" Ability: Webbed Fingers and Toes Sophia has fully webbed fingers and toes, as well as gills on her neck, due to her aquatic abilities. Implications: Sophia may face difficulties in tasks requiring fine motor skills and could be a subject of ridicule or discrimination. However, her condition makes her an excellent candidate for water-based roles, such as rescue or marine biology. Understanding the unique challenges and opportunities VAMs face is critical to fostering a more inclusive society. Discrimination is a very real problem for this group, but with the right societal adjustments, VAMs can find a place where their unique attributes are not only accepted but celebrated. 7.5 Auto-Destructive Metahumans (ADM) Definition and Criteria for Category 3 Auto-Destructive Metahumans (ADMs) are individuals whose metahuman abilities pose a direct risk to their physical well-being when used. These abilities are unique in that they intrinsically damage the user, either immediately upon activation or over prolonged usage. The category includes metahumans whose powers are either voluntarily or involuntarily activated. Criteria for classification as an ADM include: Medical and Psychological Interventions for ADMs Medical and psychological care for ADMs is a niche yet critical field. Due to the very nature of their abilities, ADMs often require specialized medical devices or pharmaceutical solutions to mitigate the damage caused by their powers. These interventions are typically expensive and highly personalized, leading to significant economic burdens. Psychological interventions can help ADMs manage the emotional stress of living with self-destructive abilities. Coping strategies may include stress management techniques, behavioral therapies, and support groups. Case Studies Case 1: "Alex" Ability: Electrical Discharge Alex can generate electricity but lacks natural insulation, leading to burns and nerve damage whenever he uses his power. Implications: Medical interventions for Alex may involve developing specialized gloves that can absorb the electric charge, allowing him to use his ability without damaging himself. Psychologically, Alex may suffer from anxiety or depression tied to his condition, requiring therapy. Case 2: "Sarah" Ability: Bone Manipulation Sarah can extend her bones to form protrusions but suffers from extreme pain and weakened skeletal structure as a result. Implications: Pharmaceutical aids that strengthen bone density may help mitigate some of Sarah''s issues. However, she must be cautious in using her powers, as frequent use could lead to severe medical conditions like osteoporosis. Case 3: "John" Ability: Time Perception Alteration John can speed up his perception of time, but doing so leads to migraines and accelerated aging in the affected brain cells. Implications: While this ability may appear advantageous, John must weigh the benefits against the long-term consequences. Cognitive therapies may help him manage impulse control to minimize harm. Understanding the critical medical and psychological needs of ADMs allows us to appreciate the double-edged sword of their abilities. While they may possess powers that can bring them great advantage or joy, the costs are often high, requiring a multidisciplinary approach for effective management and support. Auto-Destructive Metahumans often experience significant challenges, not just in terms of their physical and mental well-being, but also economically. Despite advancements in medical and psychological interventions, the costs are often prohibitive. Understanding the multi-layered struggles faced by ADMs can help in developing more inclusive policies and support systems. 7.6 Complex-Condition Metahumans (CCM) Definition and Criteria for Category 4 Complex-Condition Metahumans (CCMs) are metahumans who experience both visible disfigurements or mutations and auto-destructive effects from their abilities. Essentially, they embody the most challenging aspects of Categories 2 and 3. Criteria for falling under this classification include: It''s important to note that while some CCMs can avoid self-harm by not activating their powers, others do not have the luxury of choice as their abilities may be "always-on," leading to a constant state of degeneration or suffering. Ethical Considerations and Support Networks for CCMs The challenges faced by CCMs are significant and multi-faceted, requiring ethical considerations that go beyond mere inclusivity. Healthcare systems are often ill-equipped to manage the unique medical challenges they face. Moreover, the financial burden can be crippling, as specialized support devices and medications are not mass-produced, making them prohibitively expensive. Support networks exist for CCMs, often provided by specialized organizations or government agencies, to offer both physical and mental health resources. However, accessibility remains a significant issue, as not all CCMs have the means to benefit from such programs. Case Studies Case 1: "Tom" Ability: Radiation Manipulation Tom can manipulate radiation but doing so results in lesions and internal damage. His skin has also developed a permanently translucent hue, exposing his internal organs to damage from the sun. Implications: Tom requires specialized medical equipment to manage his condition. Using his powers accelerates his medical issues, making it crucial for him to be cautious. Even with limited use of his ability, Tom still faces a lifetime of medical bills and social stigma. Case 2: "Anna" Ability: Acid Secretion & Scaled Skin Anna''s skin secretes a corrosive acid when she is anxious. Her skin is also covered in scales, making her visually distinguishable. She can control the acid to some extent but not entirely. Implications: Anna requires custom-made clothing and furniture that resist her acid. Additionally, she needs regular dermatological care to manage her condition. Her social life is challenging due to her appearance and potential risk to others. Case 3: "Eli" Ability: Avian Physiology Eli has a pair of bird-like wings that cannot be fully retracted or hidden. His bones are also hollow, making them brittle. While the wings and bone structure suggest flight capabilities, Eli''s body isn''t actually designed to support sustained flight, putting him at great risk for injury should he attempt to fly for longer than a couple of minutes at a time. Implications: Eli''s noticeable wings pose social challenges and risk of discrimination, while his hollow bones demand ongoing medical care for susceptibility to fractures. Ethically, the question arises whether Eli should risk flight at all, given the risks it poses to his health. Understanding the unique challenges faced by CCMs is imperative for any comprehensive study of metahuman sociology and ethics. This category is a complex intersection of medical, ethical, and economic considerations. The discussion surrounding CCMs is not merely academic but an urgent call for systemic change to better support this vulnerable subset of the metahuman population. Understanding these complexities will better prepare students to engage in informed discussions and possibly contribute to future interventions for this vulnerable subgroup of the metahuman community. 7.7 Practical Applications and Policy Implications How Classification Impacts Public Services, Healthcare, and Law Enforcement The system of classification outlined in this chapter serves more than academic or theoretical purposes; it has significant implications for a wide range of societal infrastructures. Public Services: Metahuman classification informs various public services like education, social welfare, and public housing. For instance, Auto-Destructive Metahumans (ADMs) may need special accommodations in schools, the workplace, or public spaces to mitigate the risk their abilities pose to themselves. Likewise, Visually Apparent Metahumans (VAMs) could be targets for discrimination, and as such, public services must adapt to be inclusive and nondiscriminatory. Healthcare: Classification plays a crucial role in healthcare settings. Metahumans in different categories may have unique medical needs that general healthcare systems are not equipped to handle. For example, Minimally-Identifiable Metahumans (MIMs) may require specialized dental care that accounts for unique dental structures, and ADMs and CCMs often require frequent or round-the-clock medical care to accommodate their abilities. Moreover, practitioners must be educated to ask about metahuman status and adapt their treatment plans accordingly, while also maintaining confidentiality to avoid potential stigmatization. Law Enforcement: While the discussion here does not extend to criminal & crime-fighting activities involving metahuman abilities, law enforcement agencies must be prepared to interact safely and effectively with metahumans in various categories. Non-Identifiable Metahumans (NIMs), for instance, present challenges because their abilities are not outwardly apparent, while individuals of all categories with particularly visually spectacular abilities may be at risk of crisis via startling a law enforcement official. Law enforcement must have protocols in place to identify and manage situations involving metahumans without resorting to profiling or undue force. Future Changes and Adaptations in Classification Systems The landscape of metahuman abilities and the public''s understanding of them is ever-changing. Future adaptations in the classification system are likely, driven by:
  1. Scientific Research: As our understanding of metahuman abilities grows, so will the nuance in our classification systems. Research into the origins, limitations, and potential applications of metahuman powers can lead to more accurate categories.
  2. Technological Advances: Innovations in medical technology, surveillance, and data management can provide more effective ways to classify, monitor, and support metahumans.
  3. Legal Changes: As society becomes more accepting or at least more aware of metahumans, laws will evolve to offer better protection and inclusion for all categories.
  4. Public Opinion: The perception of metahumans by the non-metahuman population significantly influences policy decisions and classification adaptations. Social movements and public awareness campaigns could steer changes in classification systems to be more equitable and less stigmatizing.
By keeping abreast of these influencing factors, students can better appreciate the fluidity of metahuman classification systems and the real-world implications of such categorizations. Understanding these practical applications is essential for anyone working in public sectors that interact with the metahuman population. 7.8 Discussion Questions Case Study 1: Profile: A middle-aged woman, Elizabeth, manifests the power to change her skin color and texture to blend in with her environment, like a chameleon. She can control this ability and turn it on and off. Question 1.1: What category would Elizabeth belong to, and why? Question 1.2: What are the social and legal considerations that might affect Elizabeth? Question 1.3: What kind of interventions or support items might be beneficial for her? Case Study 2: Profile: A young man, Tim, manifests the power to emit high-volume, low-frequency sounds, causing him to lose his voice. He cannot control this ability and emits the sound whenever he attempts to speak, often causing unintentional property damage. Question 2.1: What category would Tim belong to, and why? Question 2.2: What healthcare considerations should be taken into account for Tim? Question 2.3: What interventions or accommodations might be useful for him? Case Study 3: Profile: A middle-aged man, Simon, has an internal biochemical alteration that causes him to involuntarily produce toxic fumes from small holes along his neck and back when stressed, causing respiratory issues for himself and those around him. Question 3.1: Which category would Simon belong to, and why? Question 3.2: How could public services adapt to Simon''s unique needs? Question 3.3: What types of medical supervision or interventions would be beneficial for him? Question 4: With advancements in technology and increased understanding of metahuman abilities, should the classification system be frequently revised? What would be the implications of doing so? Question 5: Discuss the ethical considerations of storing and sharing data on metahuman classifications. Who should have access to this information, and under what conditions? Question 6: How might the healthcare sector adapt to better accommodate the unique needs of metahumans across different categories? Should specialized medical practices focus exclusively on metahuman healthcare? Question 7: In public services like education and housing, how can discrimination against Visually Apparent Metahumans (VAMs) and Complex-Condition Metahumans (CCMs) be minimized or eliminated? Share your ideas on policy changes that could facilitate this. Question 8: How might inherent biases in the metahuman classification system contribute to societal inequality or stigmatization? Provide examples. Question 9: What additional training should law enforcement agencies undertake to better manage interactions with metahumans across all categories? Should there be specialized units for metahuman-related incidents? Question 10: How do public opinions about metahumans affect policy and classification? Can you think of historical parallels or current examples? WORLD OF CHUM: All About Metahuman Regeneration

Metahuman Regeneration: The Role of the Template and Implications for Biomass Dynamics

Journal of Metahuman Medicine, Vol. 23, Issue 4 Dr. Eleanor F. Marquez, Dr. Vikram S. Patel, and Dr. Jessica L. Turner, Department of Metahuman Medicine, University of California, San Francisco. 1. Introduction Metahuman regeneration has emerged as a focal point in contemporary medical studies, transforming our understanding of human physiology. This capacity, often likened to the accelerated healing of mythological figures, offers a fascinating juxtaposition of traditional biological principles with the unpredictable realm of metahuman abilities. Over the past two decades, the rise in metahuman populations has been accompanied by an upsurge in those showcasing regenerative powers. From the restoration of minor abrasions to the reformation of entire limbs, the spectrum of regenerative capabilities is vast and varied. Beyond its awe-inspiring display, this phenomenon holds significant implications for health care, trauma response, and the broader paradigm of medical treatment. However, while the visual evidence of such rapid regeneration is undeniable, the cellular, molecular, and systemic processes driving it remain enigmatic. Initial comparisons were drawn to naturally occurring instances of regeneration in the animal kingdom, such as the limb regrowth in amphibians or the regenerative capacities of certain echinoderms. However, metahuman regeneration operates on a scale and speed that eclipses these natural wonders. Furthermore, the societal and ethical dimensions of such an ability cannot be understated. The ramifications of possessing a self-healing mechanism that defies injury, illness, or age introduce a plethora of considerations, from healthcare policies to societal dynamics. Thus, as the medical community stands on the precipice of potentially groundbreaking discoveries, a thorough, systematic exploration of metahuman regeneration becomes not just beneficial but essential. This article seeks to elucidate the current understanding of the phenomenon, highlight the areas of contention, and outline the path forward for comprehensive research. 2. Practical Aspects of Metahuman Regeneration In quantifying the regeneration rate of metahumans, the benchmark has been established with reference to the average human healing speed. A clear majority of regenerators, according to current datasets, present with a regeneration rate in the range of 8x-10x, symbolizing a healing process that is eight to ten times swifter than what is traditionally observed in humans.

2.1 Interaction with Wound Formation

The physiological process of wound healing in an average human is characterized by four primary stages: hemostasis, inflammation, proliferation, and maturation. When observing metahumans, these stages are markedly accelerated and sometimes overlap.

2.2 Variations in Regenerative Abilities

While the 8x-10x multiplier is a standard, it''s crucial to note the diversity within regenerators. Some key variations include:

2.3 Implications of Regeneration on Non-Traumatic Ailments

Regeneration, while primarily observed in the context of wound recovery, has broader implications when it comes to general health and the body''s response to various ailments. The metahuman regenerative mechanism, in many cases, seems to focus on rectifying physical aberrations, specifically those interpreted by the body as cellular or tissue damage. In essence, metahuman regenerative capabilities are most efficacious against conditions the body recognizes as cellular distress or damage. While this offers an advantage in managing the consequences of several medical conditions, it''s not a panacea and doesn''t counteract the root causes of diseases. 3. The "Template" The "template" is best understood as an intrinsic biological blueprint, a set standard to which the regenerator''s body attempts to conform post any deviation. Unlike traditional healing processes which operate based on the body''s current state and repair mechanisms, the template ensures a return to a familiar and pre-established physiological configuration.

3.1 Historical Context and Discovery of the "Template"

As metahuman regeneration became more prevalent in the medical landscape, clinicians and researchers grappled with the novel speed and perfection of the healing observed. It was during the early 1990s, following a surge in metahuman population, that the need for a theoretical framework to understand this phenomenon became apparent. Dr. Lillian Haversham, a pioneering researcher in metahuman physiology, first posited the idea of a "template" in her seminal 1998 paper, "Beyond Traditional Healing: The Metahuman Physiological Blueprint". Through meticulous observations of multiple regenerator cases, Haversham noticed consistent patterns where patients not only healed rapidly but also reverted to a specific, familiar state post-injury. This was starkly different from the diverse scars, minor deformities, or other quirks that often result from conventional human healing. As further studies built on Haversham''s groundwork, the "template" theory gained traction. Various researchers proposed methodologies to understand and quantify it, employing techniques from cellular biology to advanced imaging. The consistent finding was clear: regenerators possessed an innate physiological standard, an internal "blueprint," to which their bodies would invariably revert post-deviation. Love this story? Find the genuine version on the author''s preferred platform and support their work! However, despite the mounting empirical support for the template''s existence, its origin and foundational mechanisms remain subjects of rigorous debate and ongoing research. The "template" concept has since become foundational in metahuman medical literature, influencing treatment protocols, rehabilitation methods, and even psychological counseling tailored for regenerators.

3.2 Variabilities in the Template Mechanism

While the concept of the template provides a generalized understanding of regenerative phenomena, individual variations are not uncommon.

3.4 Implications of Template Anomalies

Anomalies in template functioning can lead to unique medical and psychological challenges. For instance, regenerators with a static age template might struggle with identity issues, given their perpetual return to a younger physiological state. Similarly, those whose templates override significant body modifications might grapple with a sense of loss or a perceived lack of agency over their own bodies. Understanding these variabilities and their implications is crucial for the holistic medical care of regenerators, ensuring that both physiological and psychosocial facets are adequately addressed. 4. The Biomass Enigma Understanding the source of biomass that fuels regenerative capabilities in metahumans has become a topic of rigorous scientific debate. A consensus is yet to be reached, but several theories have been proposed, each with its own merits and challenges.

4.1 Endogenous Biomass Conversion

The most straightforward theory suggests that regenerators utilize their body''s existing biomass, breaking down non-essential fat and muscle tissue to facilitate rapid regeneration. This theory would mean that severe regeneration might result in temporary muscle atrophy or significant weight loss, requiring regenerators to consume large amounts of calories post-healing.

4.2 Anomalously Originated Material (AOM) Integration

A more controversial theory posits that regenerators might harness a form of transient "false matter" or AOM during the regenerative process. This exotic matter could temporarily replace lost or damaged tissue, which is subsequently replaced over time by natural processes, making use of ingested nutrients.

4.3 Interdimensional Mass Exchange

A fringe theory proposes that regenerators might be drawing biomass from alternate dimensions or realities, effectively "borrowing" matter to aid in their rapid healing processes. Critics argue the inherent difficulties in proving or even testing such a hypothesis, given the current limitations in understanding multi-dimensional physics.

4.4 Enhanced Cellular Efficiency

This theory leans on the premise that regenerators possess cells with hyper-efficient metabolic processes, allowing for swift biomass generation from a minimal nutrient base. By optimizing energy production and waste elimination, these individuals can achieve rapid tissue growth without an apparent external biomass source. While each theory provides intriguing insights, concrete evidence remains elusive. Continued interdisciplinary collaboration¡ªmelding the expertise of biochemists, physicists, and metahuman specialists¡ªis paramount in deciphering the mysteries of regeneration. Future advancements in both observational technologies and metahuman research methodologies hold the promise of more definitive answers. 5. Physiological Interactions and Implications The homeostatic mechanisms within regenerators have drawn significant intrigue from the scientific community, especially in the context of metabolic and pharmacological interactions. The heightened cellular turnover and repair mechanisms seen in these individuals can lead to distinct physiological responses. The physiological idiosyncrasies exhibited by regenerators make them a unique subset within the metahuman population, demanding tailored medical considerations. Their altered interactions with drugs, toxins, and nutrients necessitate a comprehensive and individualized approach to their medical care. 6. Medical Recommendations for Regenerators The presence of regenerative abilities among metahumans necessitates a different medical approach. While their enhanced healing is undoubtedly a boon, it also brings unique challenges. Here, we delineate some medical recommendations specifically tailored for regenerators, grounded in extensive clinical observations and research: These recommendations offer a foundational guideline for the medical management of regenerators. However, individual variations might necessitate personalized medical strategies, emphasizing the importance of continuous research and understanding in this domain. 7. Conclusion Delving deeper into the intricacies of metahuman regeneration remains paramount. Beyond the immediate medical implications, the potential for harnessing insights from this phenomenon to further human health on a broader scale is an exciting frontier. Continued research is not merely advisable; it''s an exigency. Further Reading: Abernathy, J. & Sinclair, M. (2008). Metahuman Physiology: The Emergence of Regeneration. Journal of Advanced Medical Sciences, 32(4), 210-225. Brooks, L. F. (2010). Cellular Mechanisms in Metahuman Regenerators: A Comprehensive Review. Genetic Medicine Reports, 15(2), 56-71. Chen, R. & Gupta, A. (2022). Implications of Anomalously Originated Material in Regenerative Healing. Anomalies in Medical Science, 6(1), 12-28. Davis, S. P., & Kim, H. J. (2014). Metahuman Nutrition: The Dietary Needs of Regenerators. Nutrition Today, 54(3), 132-140. Everhart, D. (2018). From Wound to Wellness: A Deep Dive into Metahuman Regenerative Processes. International Journal of Metabiology, 9(4), 303-319. Moreno, L. & Fitzpatrick, R. (2019). Emotional and Psychological Impacts of Rapid Regeneration. Psychiatric Perspectives on Metahumans, 5(1), 45-58. Nguyen, T. H., & Patel, S. B. (2021). Surgical Considerations in Regenerators: New Protocols. Journal of Surgical Innovation, 28(2), 159-170. Rios, M. (2007). Metahuman Immunology: How Regenerators Respond to Pathogens. Immunology Today, 40(6), 480-492. West, C. J. & Alarcon, B. (2019). A Look into Metabolic Disorders in Metahuman Regenerators. Endocrine Reviews, 42(1), 5-21. Chapter 32.1 The airlock hisses open, welcoming me into my home-away-from-home, or in this case, my home-away-from-my-secondary-temporary-home, as it were. The Delaware Valley Defenders HQ exists as it was, unbesieged by villains, untouched by the outside world, pretending to be one of Philadelphia''s many abandoned, shuttered warehouses. Two of the civilian workers - David and Jessica, our connection to 911''s dispatch and a private investigator that works with the team, respectively - give me an approving glance and nod as I walk by, my medical boot clacking on the floor. Lily - Blink, now, is right behind me, scooting around me and already en route to her locker. We got the call in earlier today in the group chat, and after school, Blink''s parents drove us to about four blocks away. The thought of my parents knowing the approximate location of where I train, hang out with other young superheroes, and experience goo-goo ga-ga eyes over several of them, makes me want to hurl, so I have no idea how exactly Blink accomplishes it. I try not to think about the gossipy yenta inside my head wondering who Blink has eyes for, if anyone. Is it one of her fellow heroes? Or just someone at her school? The lockers clank open and shut, echoing off the metallic surfaces of the room. A motley crew of uniforms and spandex-clad teens adorn the walls, each marking their unique identities. The chatter starts low, slowly picking up as the room fills with Young Defenders. "Hey, still hobbling around in that?" Gale''s voice, always soothing, comes from behind me. Her dark eyes travel down to my boot with a playful smirk. "Just for a little bit longer," I reply, rolling my eyes. "I have a check-up later today. Hopefully, I can ditch this clunky thing." I knock on the boot for emphasis. It¡¯s hard to feel like a hero when you''re sporting something that looks straight out of an orthopedic catalog. "Can''t have our Bloodhound limping now, can we?" she winks, leaning against the locker next to mine. "You know what they do to limping dogs, right, Bee?" Playback calls from one of the couches. Puppeteer, sitting on the couch''s arm, flares her nostrils, and I can just tell in her heart she''s trying to resist the urge to dope slap him or swat him on the shoulder or something of the sort. I do the next best thing, turning to him, hands on my hips. "Yeah? What''s that?" I ask, attempting to catch him off-guard. "You know it''s horses, right?" Multiplex says, his presence immediately eating the room as he enters from the hallway. He''s dressed in civvies, but I didn''t see him come in, so I assume he went in through another entrance or something. Playback does not seem to notice very much. "When you have a limping dog you take it to the vet to get everything fixed up. Whadda fuck are you psychos thinking I''m trying to say?" It earns him small chuckles. I raise an eyebrow at him and he withers somewhat. Multiplex retrieves his costume from his locker and then vanishes back out the hallway without putting it on. Crossroads enters behind us, followed shortly by Rampart a couple of seconds later. I fiddle with my locker''s lock, grabbing my most professional and most up-to-date form of my costume. It looks like Gossamer updated it a ton based on my feedback, which is good. Armor plates stack in an untidy pile as people rummage and converse around me. I head to the bathroom so that I can slip out of my boot and peel my socks off, admiring the way my foot is a little bruised, purple, and weird looking. But it looks mostly like a foot now, instead of a pile of flesh, disregarding the large, painful lump on the top side of it. The moment I pull out the new Bloodhound costume, I''m hit with an odd sensation of pride and apprehension. Gone are the days of haphazardly piecing together sports and police surplus for protection. With the Kingdom in the picture, we''ve been given a little more resources by the municipality to deal with matters, which means that Gossamer has been getting new toys to play with. Updated toys. I hold the new suit in front of me, taking in the expertly designed armor plates. The chestplate, a mix of kevlar and something that feels like just straight up dinner plates, feels both sturdy and heavy. It feels like I could get hit by a truck and walk away fine. Its tan color contrasts sharply with the underlying dark brown-black bodysuit, giving it a tactical yet stylish appearance. The armor extends over my shoulders, with more plating over my shins and forearms, each plate designed for maximum protection without compromising mobility. The joints, my elbows, knees, hips, and the knuckles of my gloves, have been given their own fresh coat of armor. Still sports gear surplus, but sports gear surplus that''s has extra schmutz metaphorically stapled to it, protecting the vulnerable parts of my body. I then pick up the mask, the iconic wolf design still very much present. But it''s different now - streamlined and more menacing. The yellow eyecaps remain, piercing as ever, but the lower jaw portion is gone, revealing a space for my own mouth and teeth, amplifying the natural weapon I now possess. A small strap around my chin keeps the mask anchored to me, and lets some small points of articulation move about as I move my jaw, letting it deform with my face should I take a haymaker to the cheeks. There''s even some small sockets along the side in case I feel like strapping a fake wolf jaw to the lower half, for old time''s sake. Setting the gear down, I quickly start to strip off my school clothes, wincing slightly as I notice the reflection in the mirror. My once slight frame has changed considerably since I started training with Rampart. The added muscle mass, while surprising, isn''t unwelcome. My shoulders and arms show a defined musculature, and my abdomen sports the beginnings of a six-pack, or maybe a four-pack. I remember when I used to be a scrawny teenager, built for kicking soccer balls and not much else, but all that changed after relentless workouts and beating my hands up against a sandbag. I first slip into the bodysuit, the fabric clinging snugly to my form, moving with me like a second skin. I carefully adjust the chestplate, ensuring it sits comfortably against my torso, and then proceed with the forearm guards, each of them clicking into place with a satisfying snap. The shinguards take a moment, especially with my injured foot to consider. Despite its sturdiness, the costume allows for a lot of flexibility, something I''ll undoubtedly appreciate in a fight. When I get to my injured foot, I gingerly place the medical boot over it, adjusting the straps. The clash between the advanced suit and the bulky boot isn''t lost on me, but it''s temporary. Soon, I''ll be back in action, fully suited up and better than ever. Taking one last look in the mirror, I see Bloodhound, the newer, fiercer version, staring back at me. The transformation isn''t just external; inside, the fires of determination and confidence burn even brighter. Whatever challenges come my way, I''m ready. The world washes over in a slight orange haze as the eyecaps of my mask slip over my eyes, mostly hiding where I''m looking. I check my utility belt, with a small array of currently-unutilized gadgets - first aid equipment, a faceplate for my mask, a couple of various sprays made in collaboration with Fury Forge, you know, adhesives, expanding foam, stuff like that, emergency flares, an emergency flashbang, and a small utility knife in the central compartment. As I limp out of the bathroom, Playback takes a look at me with a wry grin. "You know, costumes are not mandatory during meetings, right?" "Bite me," I reply. "Ain''t that your thing, girl?" He challenges. I roll my eyes at him, giving him the easy win. "Would you be wearing your costume in meetings if I made it mandatory?" Crossroads cuts in. Playback rubs his chin in thought as Gossamer gingerly pokes her head through the airlock. "No," "No?" She asks. "What are we saying no to?" "Crossroads wants us to be in costume for every meeting," Playback answers. Gossamer grins. "Good! My costume rocks and everyone should see it." "That''s not what he said," Rampart corrects. "Aww," Gossamer replies, putting on an exaggerated pout. "Hey, Sam," Blink chimes in, zipping over in a blur before coming to a sudden stop beside me. Her eyes quickly scan me up and down, focusing on my boot. "Is that, like, a fashion statement or something?" She asks, her lips pulling into a playful smirk. I chuckle, shifting my weight slightly. "Oh yeah, latest fashion trend, didn''t you know? It''s called ''post-combat chic.''" Blink snickers, her short, staccato laughter ringing out. "Honestly, I thought about adding a matching boot to my costume just for the fun of it. Maybe we can be boot buddies?" I smirk. "As much as I appreciate the offer, I''m counting the hours till I can ditch this thing." Just the thought of getting rid of the boot fills me with anticipation. I can''t wait to feel the ground underneath my feet again, to run without any impediments. The boot is a constant reminder of my vulnerability, of a time when I wasn''t fast enough, strong enough. "This afternoon, if all goes well." Blink nods sympathetically. "Must be annoying. But hey, at least you''re still up and about!" Playback interjects, feigning deep thought. "You know, if you think about it, a boot like that might actually come in handy during fights. Provides extra protection, doesn''t it? And it''s hard enough to hurt." I raise an eyebrow at him. "Are you suggesting I make it a permanent addition?" He chuckles. "Nah, just thinking out loud. But you''d look badass kicking someone with that thing." I laugh, appreciating his attempt to lighten the mood. "True. But once this thing''s off, it''s staying off." Gale, who had been listening quietly, walks over and places a gentle hand on my shoulder. "You''ll be back to your usual self soon, Sam. Just take it one day at a time." I give her a grateful smile, trying not to flinch at the hand on me. "Like I said, this afternoon. Then, I''m probably home free until the next time I get my foot stomped on by a Tyrannosaurus Rex." Reading on this site? This novel is published elsewhere. Support the author by seeking out the original. As our banter continues, I spot some familiar faces among the crowd of heroes. The civilian staff ¡ª each of them a regular presence in the base, though usually seen one at a time and not all together. There''s Ben, the IT guy, always tapping away at keyboards and dealing with our tech issues. Beside him, Sylvia, the nurse who''s been helpful with my minor training injuries before, and a couple of others whose names escape me for the moment. They''re all here, which is unusual. It''s rare to see all of them bustling around at once. Typically, it''s just Ben fixing some computer glitch or helping with security systems. Their collective presence, the air of seriousness they carry, puts an off scent in the air, metaphorically speaking. Something''s happening. They''re never all here at once. The feeling is akin to walking into a classroom and noticing all the teachers huddled together, whispering. It gives off an instinctual alert that things aren''t business as usual. As Gale walks away, the chime of the intercom breaks the conversational hum of the room, making everyone go silent. The voice of Councilman Davis booms, slightly distorted by the PA system, "Young Defenders, please proceed to the computer room immediately." I sigh and rise from the chair, every movement a reminder of my aching foot, sealed within the confines of the boot. It''s only been a few days, but it feels like I''ve been wearing this thing for an eternity. It''s not just the physical discomfort of the boot; it''s the weight of what it represents¡ªmy vulnerability, my limitations. Following closely behind the others, I shuffle down the hallway, my boot making a soft thud against the cold floor with each step. My eyes wander, scanning the faces of my teammates. Most of them look focused, ready for whatever the briefing holds. But others, like Puppeteer, have an air of apprehension, which makes me wonder if they''re picking up on the same uneasiness I feel. My gaze momentarily locks with Playback''s, and he gives a quick nod, a gesture of encouragement. The door to the computer room slides open with a soft hiss, and as we file in, I spot Bulwark, looking like a guardian statue placed at the entrance, and he spots me back. His usually warm eyes seem clouded with concern. He whispers quietly to me as I pass by - "It is good to see you safe, young one," and I flash him a thumbs up. While everyone''s taking their seats or standing in clusters, my fingers unknowingly dance along the edge of the table. My anxiety shows in subtle ways. My eyes flit towards my boot, and a pang of self-consciousness surges within. I find myself wondering if others are taking pitying glances at me or if they''re silently judging my readiness to be in the field. My thumb fidgets, folding and unfolding beneath my palm as these thoughts race. The murmurs die down when Multiplex''s main copy steps forward, signaling the start of the briefing. He doesn''t say anything, merely waiting for the room''s undivided attention, a silent gesture of authority. Swallowing the lump in my throat, I straighten my back, ready to take in whatever the briefing holds, my fingers still tapa-tapa-tapping on the table''s surface. The low hum of anticipation fills the room, setting the stage for what''s to come. Without further delay, Councilman Jamal Davis stands up from his seat at the head of the table, his composed visage an immediate contrast to his usually jovial demeanor. Gone is the friendly councilman who occasionally cracks a joke to lighten the mood. Today, his dark eyes radiate gravity and urgency. I''ve never seen this look on his face before, but besides Gale, nobody else looks surprised. I wonder if this isn''t their first crisis. As he motions for everyone to gather closer, I feel my heartbeat quicken, echoing a mix of nervous anticipation and dread. Beside him, Clara Parker, her grey-streaked hair neatly pulled back into a tight bun, clutches a sleek minicomputer with both hands. She stands tall, exuding professionalism. The sharp creases of her charcoal-gray suit, her pearl earrings, and her intent, almost analytical gaze underline her role. Clara''s not just here to provide legal advice ¡ª she''s an operational backbone for the Delaware Valley Defenders, making sure all our actions are above board and in line with the law. The seriousness she brings to the table is palpable, her posture rigid and her attention undivided. "Thank you for gathering promptly," Jamal begins, his deep voice reverberating through the room. "Firstly, it''s heartening to see all the Young Defenders together again. As I understand it, there was a scuffle regarding the status of Liberty Belle that escalated into a fight between teammates. I''m glad to see that we''ve managed to put it behind us all - This unity is what will make the difference in the challenges we face." He pauses, seemingly searching for the right words. In that brief silence, I catch a flicker of something I hadn''t expected in his eyes: pride. Despite the circumstances, there¡¯s a silent affirmation that we''re up to the task. It''s a brief, fleeting moment, but one that helps ground me, helping push back some of the unease. He continues, "We''re here to discuss a rising threat ¡ª The Philly Freaks." The name fails to ring a bell, and Gale and I both look slightly confused, glancing at everyone else, and then each other. The way Jamal says it though, every syllable dripping with concern, it''s clear this isn''t just another minor street gang. "They used to be on the periphery of our radar, involved in small-scale hustles to get by. However, their recent activities suggest a shift in intent. Their aggression, the risks they''re taking, it doesn''t align with their known behavior." Playback''s eyes flit with recognition, but my knowledge is fragmented at best, gathered from context clues. A gang, maybe a big one? Otherwise, why involve us teens at all? Playback pulls into a concerned, serious frown. Jamal¡¯s voice pulls me back from my thoughts. "There''s reason to believe that their current actions are being influenced, possibly by the Kingdom, if not another group of higher-tier criminals. Their recent behavior is extremely odd, given their prior behavior patterns. They have never been a group to be anything other than a minor nuisance committing survival crimes, but in the past couple of days they have escalated in severity and publicity - smash and grabs, public shows of force, muggings, and the like. We have reason to believe they''re being compensated or coerced into acting this way." A weighty silence follows his words. The room is thick with contemplation, the collective minds of the Young Defenders working to piece together this puzzle. I can almost hear the gears turning in Playback''s head, while Crossroads'' brow furrows in thought. I raise my hand nervously. Jamal points to me. "Yes, Bloodhound?" "I don''t want to sound like too much of a greenhorn, but I''m not sure who the Philly Freaks are. Sir," I answer, trying to avoid eye contact. He smiles in a way that''s probably supposed to be fatherly and comforting. It just makes me feel that much more insecure, with my lack of knowledge. "The Philly Phreaks, with a PH, are a gang consisting exclusively of Visually-Apparent or Complex-Condition Metahumans that operate primarily out of South Philly. That means that they''ve all been mutated or disfigured by their powers, as their gang name indicates. While there are support systems in place for individuals like them, most of them, for various reasons good and bad, don''t trust authority figures to have their best interests in mind." I raise my hand again. Jamal nods at me. "I''m sorry for the quick digression, but am I a Visually-Apparent Metahuman?" I ask, smiling nervously, my teeth interlocked. "Yes. It''s a good thing that Liberty Belle found you before you fell into a crowd like this, that''s for sure," Jamal replies bluntly. "Clara and Jessica have put together this presentation. It''ll get everyone up to speed." I nod, feeling an unfamiliar sensation of vulnerability. My teeth, the most immediate and visceral manifestation of my powers, aren''t something I can hide. They can''t be masked by clothing or concealed with makeup. It''s a part of me, on full display, whenever I smile or talk or laugh. Knowing that there''s an entire gang made up of individuals like me, those who wear their powers so openly, is both comforting and deeply unsettling. Comforting because it means I''m not alone in this, and unsettling because of what they''ve resorted to. If circumstances had been different, could I have found myself with them, roaming South Street, lured in by the promise of belonging? Clara Parker steps forward, remote in hand, to begin her part of the presentation. The monitor brightens as a slideshow begins. Each slide is filled with images, actionable intel, security camera footage of crimes in progress. "Let me give you a clearer picture," she says. The first slide showcases the heart of South Street on a sunny day. The next few slides, however, tell a far darker story. Shops with shattered windows, overturned cars, and frightened pedestrians are in stark contrast to the otherwise vibrant neighborhood. As Clara clicks through, she speaks. "As you''ve been told, this sudden escalation in behavior is uncharacteristic of them. Their leader, who we''ll get to in a minute, has always been aggressive, but she had never gone out of her way before now to target civilians or stores. Any major thefts were always done after closing hours, to avoid heat, attention. As far as we know, there hasn''t been any changes in membership that would have lead to this change in strategy." She clears her throat. "Normally, when a gang goes from benign to malignant like this, it''s because of a change of leadership. If there''s no change in leadership, then it''s a change in membership bringing more aggressive elements into the fold. And if there''s no change in membership, then we have to assume outside factors." Councilman Jamal Davis stands up, drawing everyone''s attention. "We''ve recently acquired new intelligence that we believe adds more weight to our hypotheses." He gestures to Clara, and she moves to the next slide. A hushed voice fills the room from PowerPoint''s audio player, tinged with a palpable edge of anxiety. "I can''t¡­ I can''t go along with what she''s planning. South Street. Saturday at high noon. It''s going to be bad. Make sure you''re ready for her secret weapon. I don''t even know what she''s thinking anymore. You''ll need all hands on deck." The message cuts off with a shaky exhale. A heavy silence envelops the room. The implications of the ''Secret Weapon'' hang in the air, a looming question mark, or maybe an interrobang. "A natural conclusion to draw," Clara continues, "is that whatever this secret weapon is, it''s emboldened them to take higher risks. But then you run into the obvious questions. What is it, where did they find it? Are they being supplied?" Next slide. South Street''s sidewalks covered in jewelry, discarded food, dollar bills. "This isn''t a gang that plays with their food like a cat. All of them are impoverished, yet they haven''t actually taken anything from their recent crimes. Almost all of the stolen merchandise that hasn''t been ruined has been accounted for and returned. It has more in common with your average terror campaign than a bunch of young kids stealing to survive." The slideshow shifts to an image of a young woman with patchwork skin, stitches running crisscross over her. What skin isn''t scarred, either scarred red or scarred white, is an even tan, like somewhere between Gale''s skin and Crossroads'' skin. About half of whatever other bits of skin are exposed are wrapped in bandages like a mummy, flecked with spots of blood of varying sizes, leaving her shoulders, belly, fingertips, and face exposed. She''s not looking at the camera, but you can tell from the angle she''s nothing but scowls and bad attitude, wavy black hair limply hanging over her face and shrouding one eye. "This is Amira Irshad, also known as Patches," Clara states. "She''s been the ringleader of the Phreaks for at least three years, and possesses some of the strongest regeneration on record. She''s been known to damage herself, even removing her own limbs, as an intimidation tactic, only to just put them back on. Aside from her clear resilience, she''s cunning and seems to have a tight grip over her crew, even as members rotate in and out of the lineup." The slide changes to a girl, partially obscured by large, insect-like wings sprouting from her back, her skin green and chitinous. "Chrysalis, or at least, that''s the name we''ve heard in connection to this individual. Civilians have reported seeing her fly, though we''re yet to confirm the full extent of her flight capabilities. Aerial threats are always a challenge, so if she''s genuinely airborne, it''s something we need to be ready for." Next is an image of a stone-like teenage boy, dressed up in what I immediately recognize as an Allen Iverson jersey, his entire body covered in dark grey rock. "Pumice. He''s been reported to have enhanced strength, outside of being another stone-based metahuman, although we''re not sure if it''s armor like Bulwark''s or his morphology - we''re assuming the latter at the moment." The last image shows a tall, almost skeletal young man, bending in ways that should be impossible for a human spine. Or really any human limbs. Out of all of them, he looks the most normal, with fair skin and black hair. I''d almost call him cute if his face wasn''t stretched just a little too thin. "Finally, this is Spindle. Not much is known about the full scope of his abilities. Witnesses have reported seeing him squeeze through narrow spaces and contort his body in ways that are impossible for anyone else." Clara pauses for a moment, giving everyone a moment to process. "This gang, as you can see, is diverse in their capabilities. But their unpredictability and the limited data we have on them make them a significant challenge. Every interaction, every piece of intel we gather, it''s crucial in building a comprehensive understanding." Gossamer leans in, whispering, "They''re like a twisted version of the X-Men." I gently shush her with a finger to my lips. Chapter 32.2 From my left, I notice Playback''s hands ball into fists. His knuckles turn white from the tension. Rampart lets out a soft, restrained growl, the weight of responsibility pressing down on him. I feel a sinking sensation in the pit of my stomach, my anxiety intensifying. Gale''s fingers find mine under the table, giving a reassuring squeeze. I try not to throw up from the sudden ball of tension in my chest, and then she lets go. "So why is Weenie Hut Junior''s being called in to work today? Ma''am," Playback asks, raising his hand only halfway through his sentence, knuckles still white. Multiplex narrows his eyes at Playback, his body tense. "You should choose your words more wisely, Playback. This isn''t child''s play. The Philly Phreaks are dangerous, but sending in adult heroes like us to deal with them? Can you imagine the headlines? ''Grown Heroes Beat Up Underprivileged Mutant Teens''? That would be a PR nightmare." He pauses, letting the gravity of the situation settle in. "We need a team that can approach them, talk to them, even reason with them. And if it comes to a fight, well," he glances around the room, "you''re more their age. The optics will be better." I could almost visualize the tabloids and the newspapers. ''Delaware Valley Defenders Attack Vulnerable Youths''. My thumb finds its way under my palm, then outside again. I felt the tension in the room spike like a fever. Playback, never one to back down so easily, narrows his eyes. "So, we''re supposed to be the punching bags? Get kicked around for better press? How do we even know that this ain''t some sort of trap?" "No," Multiplex says tersely, holding his gaze. "You''re supposed to handle this situation carefully, with compassion and understanding. But also with the awareness that they are dangerous." "Quiet," Jamal says. A single word, stern and powerful like a fist to the gut. He doesn''t raise his voice or yell or even sound particularly angry. It doesn''t even have the chastising tone that Bulwark sometimes takes. Quiet. He asks, and the room listens, going dead silent. "I understand your concern, Playback. You may be aware that the municipal government has ways of tracking cell phones," Playback scoffs but says nothing. Jamal continues. "We can confirm that this call is from one of the Phreaks'' known phones, not a burner. And our photo evidence shows Spindle going out of his way to avoid the same crimes as the rest of them. Standing back, startling standers-by, and otherwise acting unobtrusive. So we have reason to believe that there''s a weak link in the chain." Playback nods, still scowling. Crossroads, clearing his throat, is the first to break the silence. He stands up, casting a tall, slightly imposing figure, his posture radiating a mixture of authority and empathy. "Alright," he begins, adjusting the collar of his costume. "First off, let''s not treat this like we''re being sent into the lion''s den for slaughter. Our mission is to engage and de-escalate. Violence is the last resort." Puppeteer, sitting stiffly with her back straight and eyes forward, speaks up. Her face twists with effort as she considers each word thoughtfully. "The Kingdom''s involvement, even if it''s just suspected, complicates things. We need to watch out not just for the Philly Phreaks, but also for any outsiders they might bring in. Right, Bloodhound?" Me? Oh. I''m being called on. I laugh nervously on impulse. "Right. The last thing we need is a secret weapon and a t-rex," I stutter out, my face going red under my mask. Playback snorts. "Great. As if this wasn''t already a mess." His usual sarcastic tone is there, but beneath it, there''s a hint of genuine worry. "They''ve got the numbers, the unpredictability, and now maybe some Kingdom muscle. We have a bunch of teletubbies." "You have a full hand of seven," Jamal says, sitting back down at the table. "To my knowledge, this is the first time Gale and Bloodhound are participating in any full-team operations. Is that right?" "Yes, sir," Gale answers before I can, saluting stiffly. "Your goal is to get in there, operate as a team, and disarm whatever secret weapon they have with the minimum violence possible. No self-deprecation. You''re all talented, skilled individuals, otherwise you wouldn''t be here today to be part of this operation. Bloodhound, I recall you have a foot injury, will that be healed by tomorrow? I don''t want to have you sit out, but you can understand the time sensitivity here," Jamal says in a tone that brooks no argument, cutting Playback''s snippy comments off at the root. "I''ll be fully healed by then, sir," I answer. "Good. I''ll leave the tactics in your hands, Crossroads," he concludes. "And we''ll be watching!" Fury Forge blurts out, clearly struggling to have contained herself for that long. "We got one of those bomb-disposal robots so I wired some cameras to them. And one of my extinguishers. Two of them, actually. You know, if you need it." Multiplex puts a hand on Fury Forge''s shoulder, and she visibly deflates. "What she means to say is that you aren''t on your own, but this is on your shoulders. We expect great things from you all. Or at least¡­ decent things." From anyone else, that would''ve sounded snippy, maybe even cruel, but out of the mouth of the fussy Multiplex, it sounds much more like a genuine compliment.
The cold October air kisses my cheeks, painting them pinkish-red underneath my mask. Even though the sun blazes brightly overhead at high noon, its warmth is limited, doing little to combat the chilly draft that sweeps through South Street. Buildings cast long, stretching shadows across the empty road, making it look eerier than I remember. A stark contrast to its usually bustling state, now devoid of pedestrians, shopkeepers, or even the occasional busker. The entirety of South Street, at least west past Broad Street til the bridges leading to West Philly, stands evacuated and cordoned off. I can''t see a single civilian, just the distant blue and red flashing of police lights. With each step, I feel a surge of relief. My foot no longer encased in that cumbersome boot, free and able to move as I want. The last doctor''s visit went smoother than I anticipated, one more rogue tooth removed from my foot, and now, I''m fully operational. The texture of the road feels familiar underfoot. It''s good to be walking on two healthy feet again. We walk in a semi-tight formation, led by Crossroads. He has this characteristic way of talking - straight to the point and focused on the task at hand, barely wasting a breath between his words. "Bloodhound, Rampart," he says, "You''re our frontline. We have reason to believe Patches and Pumice will be the most confrontational. Be prepared to hold them off." Rampart nods, his stern expression revealing nothing of his internal thoughts. Next, Crossroads shifts his gaze to Puppeteer and Blink. "Your role will be crucial. You two are in charge of area control and denial. If the situation escalates, use whatever means necessary to contain it." Puppeteer''s eyes narrow in determination, and Blink simply offers a goofy thumbs-up. "Playback," Crossroads continues, casting a sidelong glance, "Feel free to run your mouth as much as you like. If it''ll get under their skin, do it. But remember, we''re counting on you for audio control. Don''t get too caught up in your banter. Gale, you''re on harrying duty. If there''s projectiles, intercept them. If someone tries to flee the coop, make sure they don''t get far." Playback offers a mischievous grin. "Oh, trust me, boss man. I''ve got some choice tunes for today." This story originates from a different website. Ensure the author gets the support they deserve by reading it there. Gale salutes Crossroads, her body stiffening. Gossamer, probably predicting her role would be sidelined, chimes in proactively, "Anything I can assist with?" Crossroads, without missing a beat, questions, "Still keeping up with your first aid training?" She nods, her eyes sparkling with anticipation. "Always." "Then you''re our medic for today. Stay close, but not too close. We need you safe," he advises. Gossamer''s face lights up. It''s clear how much she values having a tangible role in this operation. "Understood," she replies with newfound confidence. We continue to walk, the tension palpable in the air. Buildings on either side stand silent, like mute spectators awaiting the showdown. Every now and then, I catch sight of the odd graffiti or closed shutter ¨C South Street looks more like a ghost town from a dystopian novel than a central hub of Philly. I break away from my observations when a sharp, electronic whir draws closer. A small robot, kitted out with cameras and gadgets, trundles past us, spins around, and then backs away back into the asphalt. Its treads make soft clinking noises on the asphalt. "That''s Fury Forge''s toy," Puppeteer remarks, matter-of-factly, with a hint of amusement. Blink giggles, "Does it also do latte deliveries?" "Focus," Crossroads urges. But even he has a smirk tugging at his lips. The robot serves as a stark reminder. The senior Defenders may not be physically present, but their eyes are on us. They''re watching, analyzing, and probably judging. But that''s okay. We''ve trained for this. It''s our time to step up. We round a corner, and South Street stretches out before us. It looks abandoned, quiet. But then there''s a rustling noise, and suddenly, the silence of the street feels oppressive. I can hear my own heartbeat in my ears, too loud, too fast. Every tiny noise is magnified. The soft flutter of wings, the scrape of stone against asphalt. Everything feels heightened. And then I see them. Four figures, chilling atop an old rusty car, its bright blue paint peeling away to expose the rust underneath. A of Dunkin'' Donuts box, pillaged from nearby, forms a centrepiece for their lunchtime feast. Patches takes a large bite out of a chocolate doughnut, her eyes never leaving us. Even from a distance, I can see the scars, like uneven stitches sewn haphazardly across her body. She smirks, cream filling smeared on her lip. "You actually fuckin'' showed up," she spits out, her voice dripping with disdain. "Didn¡¯t think you had the guts." Pumice, perched atop an abandoned car''s hood, munches on another donut, his stone-like fingers surprisingly delicate. I can''t help but stare at his jersey, all black, number 3. "Nice jersey," I blurt out, in an attempt to find some common ground, "I used to watch his games with my dad." Pumice looks momentarily taken aback, then cracks a half-smile, revealing stony molars. "Respect for recognizing the legend," he responds with a nod. "''m still gonna beat you up though." In stark contrast to the others, Chrysalis stands out like a misplaced fairy tale character, if fairy tales were about post-apocalyptic bug-hybrids. She''s adorned in jean shorts and a vest, but it''s hard to make out any semblance of humanity in her, her limbs blackened and insectoid and armored, her face a tableau of green scales, her eyes turned bright red and compound, two antennae hanging from her scalp in front of her. A pair of minimal elytra (the beetle wing shield thing) cover her much, much larger wings, which flutter erratically behind her. Then there¡¯s Spindle, who¡¯s leaning against the wall, observing silently. His tall, wiry frame gives him an air of detachment. He avoids direct eye contact, but I can sense unease simmering beneath the surface. His entire posture screams of someone caught in a place they¡¯d rather not be, his entire body metaphorically, not literally, folding into his purple hoodie. Despite their varying appearances, a single thread binds them ¨C survival. "Who gave you the tip-off, huh?" Patches growls. Her voice is like sandpaper, rough and abrasive. "Came running at the first sign of trouble, did ya?" I shoot a sidelong glance at Pumice, remembering the voice that had left the tip. "Let''s just say we have friends in unexpected places," I say, looking anywhere but Pumice''s eyes. I know it. He was the rat. Pumice smiles at me. I don''t feel reassured. He chuckles, not offended. "You sure you kids are ready for what comes next?" Playback smirks. "Kids? Aren''t we all, like, the same age? D-listers for d-listers. Don''t pretend y''all some big-ass threat." Pumice''s brow, as stony as the rest of him, furrows in thought. "Hey, where''s the big guy? Multiplex? I was kinda hoping to go one on twelve with him." Patches rolls her eyes, a cruel smile playing at the corners of her lips. "Dissapointed that daddy didn''t show up to spank you?" My fingers twitch involuntarily, the gnawing feeling in my gut intensifying. There''s something off about this entire situation, and it''s not just Patches'' fondness for vulgarities. "Don''t need the adults to handle playground bullies," Crossroads says, stepping forward, muscles tensing. Patches leans forward, her sardonic smile widening. "Oh? Think you''re all grown up now? Which one of you is the big, bad wolf then?" she taunts, her voice dripping with mockery. "Who''s the strongest? Come on, I want to know who to thank when I rip them apart." I twitch again. The big bad wolf - that''s me, but I keep my mouth shut. The air is wrong. It''s wrong. Gale glances at me. I glance back at her. Can she feel it too? Playback steps forward, popping his knuckles with exaggerated flair, "Well, if we''re comparing sizes, I''m the biggest, baddest wolf around." Playback''s bravado is either very impressive or very stupid, I haven''t decided yet. Patches lets out a raucous laugh, her voice echoing in the desolate street, making the unsettling silence that follows all the more palpable. "You?!" She wipes a tear of mirth from her eye, still chuckling. "Dude, the white guy next to you has like a foot on you. And a half." Chrysalis makes a sound, a kind of chittering laugh, her compound eyes focusing intently on Playback, sizing him up. Spindle just shifts uneasily, looking more and more like he wants to be anywhere but here. "You of all people should know that size isn''t everything, Amira," Playback taunts. Patches'' hand balls into a fist and immediately smashes through the car window, breaking it, carving tiny cuts against her skin that vanish in between frames. They heal so fast I''m not even sure they happened at all. "Don''t get cute, Devonte." "You two know each other?" Gossamer squeaks from the back. "Ancient history, baby. Pre-powers. But if you''re looking for a round two¡­" Playback says, getting in front of Rampart and I, putting his arm out in front of him. He flips the group off, and then does a ''bring it'' gesture with his middle finger alone. "You can ride this train all night long." Patches'' face twists into an unpleasant snarl as she rips more glass clear from the window, squeezing it into her hand. Blood drips down, and the immediate view of her sensory system, for the couple of seconds I get to see it, is overwhelming and distressing. Her veins are wrong, all assembled in the wrong locations, and there''s too much of them. And then, I see the extras atrophy in a moment, and the entire vascular system squeezes itself back around into a normal configuration again, before vanishing from my field of view as the wound closes. "Fortunately, it''s not my special day, otherwise I''d be fucking stoked. Oh, Daisy, Daisy darling?" She growls, before turning around, putting two fingers in her mouth, and whistling hard. Patches'' whistle pierces the air, echoing off the buildings on either side of South Street, momentarily drowning out every other noise. From around a corner, a small figure emerges, taking hesitant steps forward. At first, all I can make out is a slightly disheveled hood. And then she comes into full view, and an inexplicable dread seizes me. She''s a kid. Just a kid. Maybe twelve years old, tops. Asian, with long, black hair spilling out of her hood. And her eyes¡­ those dead, almost orange-tinted eyes that stare emptily at nothing. "Everyone, meet my sweet, darling Deathgirl," Patches purrs, her voice dripping with a mock sweetness that doesn¡¯t mask the cruelty underneath. Her arm slinks around the girl''s shoulder, pulling her close. "Say hello, darling!" Daisy - Deathgirl - doesn''t reply. She doesn''t even look at us. Instead, she stands there, almost like a puppet with cut strings. Dead to the world. I get this sudden urge to pull her away from Patches. To save her. But I can''t move. Something''s holding me back. Maybe it''s fear. Maybe it''s caution. Patches whispers, lips close to Deathgirl''s ear, but I can''t hear what she says, even as she points at Playback. Deathgirl''s face contorts in anger at something she whispers back, something none of us can hear. There''s an air of expectancy, and the weight in my gut seems to grow heavier. I remember a dog my family used to own, for only a couple weeks before we had to send it back, how it would growl, deep in its throat, before it barked, and then before it bit. The whole street feels like that growl right now. Something bad is coming. Patches'' grin widens maliciously as she straightens up. "Miss Patches thinks that boy over there is just the worst. He works for those bad people that made your parents leave. The rest of them do too but he works the most with them." "Huh?" Playback chokes out, swallowing hard, locking eyes with the kid. But she''s not looking back. It''s like he doesn''t exist to her. But she can sense him. I can see it. She knows he''s there, even as her thousand-yard stare looks past him. "Hey, kid, I''ve got nothing to--" Deathgirl''s eyes go white, and everything turns completely silent. I try to open my mouth. I speak, I can feel the vibrations in my vocal cords, but nothing happens. Patches'' body rears back in laughter, while Pumice cracks his knuckles. Already, I''ve lost track of Chrysalis and Spindle - I can''t hear any footsteps, and they''re gone. Playback, now is not the time to be fucking around, is what I want to say. No noise comes out, and Playback looks just as startled as the rest of us, taking a couple of quick steps backward to get behind Rampart. Crossroads slaps Rampart on the back, and everyone turns to face him. Crossroads covers his ears. Everyone else covers their ears. I cover my ears a second too late, as a sound like a bomb going off rips through the air, the shockwave punching me hard enough to throw me onto my ass and shatter every window on the block. An Interview with Morris "Moe" Small, of Horvath-Small Ltd. Morris Small: The Man Behind the Engineer by Julia Rosenberg, for Civil Engineering Quarterly, Summer 2017 Sun-bleached boardwalks and the steady thrum of the Atlantic stretching out in the horizon. In the heart of Margate, New Jersey, just a stone''s throw from the shore, lies Downbeach Deli - an institution that''s been serving classic Jewish fare since before you and I were born. Today, it hosts a figure perhaps as lasting in his own right: Morris "Moe" Small. If you''re a stickler for quality in engineering, Moe''s name is no stranger. Having spent a lifetime weatherproofing, disaster-proofing, and generally making the Northeast a safer place, Morris'' touch is found in infrastructures you pass daily. But today, our meeting isn''t about girders or dams; it''s about the man himself. It''s hard to miss him ¨C Moe carries a distinct air about him. There¡¯s a gentle weariness in his eyes, the sort of tiredness that people his age with so much life behind him have, and only them. Those eyes, magnified slightly by the round spectacles perched on his nose, observe the surroundings with a keen and experienced gaze. Moe¡¯s curly silver-grey hair has a life of its own. It''s thick and disheveled, almost rebelliously so, contrasting starkly with his rather orderly and unassuming attire. The most striking part, perhaps, is how the white tufts at his temple seem to frame his face, emphasizing its rounded and slightly drooping features. He''s dressed comfortably, as if this isn¡¯t a formal occasion for him but rather a regular day out. The brown jacket, while modest, has an old-world charm, its slightly worn edges speaking of years of use. Underneath it, the soft green sweater adds a touch of color to his otherwise earthy-toned ensemble. The necklace he wears ¨C a simple cord with a pendant ¨C is intriguing. It rests subtly against the green fabric, and I make a note to ask about it later. Moe¡¯s posture is slightly hunched, reflecting perhaps a mix of age and the weight of wisdom. Yet, as he moves closer, there''s a quiet strength to his steps, each one measured and deliberate. His expressions, while reserved, convey a depth of emotion. From the furrowing of his eyebrows to the gentle downturn of his mouth, Moe seems to be constantly reflecting on or processing something profound. Julia: Mr. Small, thank you for meeting me here today. Moe: Call me Moe, darling. And it''s my pleasure. I''ve been coming here since I was a wee boychik, back when Margate was for vacations and not for living in. Julia: That''s a strong endorsement! So, tell me, how have you been adjusting to retirement life here in the shore? It''s a far cry from the bustling streets of Queens. Moe: Ah, Ventnor... it''s quiet, y''know? After... He pauses, a somber look briefly overtaking him Moe: after Leah passed, I just needed a change, somewhere to think, to breathe. The sound of the waves, it''s... peaceful. The air smells better here. In Queens, there nowadays, all you can smell is the smoke from the cars and the trucks and the all of the factories. Julia: It sounds like a place of healing for you. Moe: It is, it is. But don''t get me wrong, I miss the hustle of Queens, the shouts, the honks, the... je-ne-sais-quois of it all. But there''s a time for everything, and right now, it''s time for a little peace. A little peace and quiet for these old bones. Julia: Understandable. Now, I''m keen to know more about your early days and the creation of Horvath-Small Ltd. It''s said that the foundations of a company reflect the values of its founders. Can you talk a bit about your journey with John Horvath? Moe: Ah, Johnny-boy. Now there''s a story. But the order we should handle first. You ever had a knish? Julia: A knish? I can''t say I have. Moe: Well, then, today''s your lucky day. Four knishes, please, one of each! And get them with a side of mustard, spicy brown, thank-you-very-much darling. Julia: So, back to John Horvath. How did Horvath-Small Ltd. come to be? Moe: John and I, we go way back, even before the firm. We met at an engineering conference in the city. I was presenting my thesis on earthquake-proofing, you know, back before the... the professional connections made with the Japanese, who knew so much more than we did, and he approached me afterward with a zillion questions. I remember thinking, "Who is this wise guy interrupting my lunch?" But, as we talked, I realized he had the same fire, the same dedication to doing things right. Julia: So, would you say there was an immediate spark? Moe: Oh, absolutely. But it wasn''t all roses and peaches. We had our share from disagreements. John, he was always the ambitious one, pushing to take on more projects, to expand I was the cautious one from us. If you can''t do it right, it''s not worth doing, that''s always been my motto, that''s always been the company motto. Sometimes, that put us at odds. But deep down, we both knew we had the same goal: to build things that last, things that matter. Julia: Your motto seems to be the backbone of the company''s ethos. Moe: It is. When I was a wee one, I used to read lots of Doyle, you know, the one who wrote Sherlock Holmes, and he spoke to me very much. A man of such professional ability that he could solve anything, but only took the cases he found, you know, the cases that were the smartest. The most interesting. Julia: I see. Moe: And that''s the promise I took forward, that''s what they know us for. We won''t take the cheap jobs. We''re not who you go to for a quick concrete pour, you know, darling? I took in two apprentices my career over, John, they took in four, and when I left it was just us and the babies and, you know, a couple friends, a couple secretaries. It''s never been about having a whole army of schmott guys. Our promise is quality, not speed, not price. Julia: Speaking of promises, retirement is a significant change, especially after dedicating so much of your life to the firm. How do you feel about entrusting it to John? Unauthorized usage: this tale is on Amazon without the author''s consent. Report any sightings. Moe: John... He pauses, rubbing his chin. Moe: John''s a good man. We''ve had our mishegoss, our ups and downs, but I trust him. I wouldn''t have left the firm to him if I didn''t. He knows the value of our name, the weight it carries. And I believe he''ll keep our legacy alive. I take a deep breath, steadying myself. It almost feels cruel to bring up, but anyone who''s involved in this niche little planet of engineering knows about it - knows the controversy. It''s a rare opportunity to get to question one of the architects directly. I steel myself, and prepare to get bounced. Julia: Moe, there''s another topic I''d like to touch upon, if that''s alright with you. It''s been a significant point of discussion, especially in recent years. The Daedalus Correctional Facility. Moe: Ah, Daedalus... It comes out like a foreign word from his mouth. Julia: The work Horvath-Small Ltd. did on that facility was ground-breaking. Weatherproofing, disaster-proofing a structure of that magnitude, especially one meant to contain... well, individuals with such unique capabilities, it''s no small feat. Yet, in the years since, particularly after your retirement, you''ve expressed regret regarding your involvement. Do you mind sharing a bit about that, or would you like to talk about something else? Moe''s nostrils flare slightly, and his eyes shut. He thinks. Moe: It''s okay, darling, I don''t mind talking about it, especially nowadays. When John first approached me about Daedalus, I was reluctant. The idea of constructing a facility to hold these... these individuals, it didn''t sit right with me. But John... he can be persuasive. He talked about the future, about securing a financial foundation for our families, especially my children and grandchildren. It was hard to say no. Julia: But your reservations never truly went away. Moe: No, they didn''t. Look, I know the world can be a dangerous place, especially with some of those peoples out there. But Daedalus... it''s not just a prison. It''s a symbol, from a lot of things. A symbol of fear, you know, a symbol of nightmares. My people, you know, the Jewish people, we didn''t have imprisonment as a punishment. It''s meant to be confinement, but not punishment. You know, traditionally, of course, I''m sure you''ll print this and get a dozen dozen dozen angry emails from people the world over disagreeing with me. And, you know, I just don''t agree with... the idea. Punitive imprisonment, for life. Julia: Do you think it was a mistake? Moe: I do. I really do. I know it would''ve been built regardless of our involvement, but... I wish it wasn''t us. I wish I hadn''t been a part of it. We were always about building things that matter, things that made a positive difference. Daedalus... it''s a stain on that legacy. You know, I have grandchildren, and I worry, I think to myself, oy, what will they think of me when they find out Pop-Pop had his hands in, you know, our United States''s dirt. Julia: That''s a heavy burden to carry. Moe: It is. And I think about it a lot. Every time I see a headline about Daedalus, every time there''s a protest or an incident, I''m reminded of it. It''s my cross to bear. I just hope, in time, the good we''ve done can outweigh the mistakes. And if I can''t do the good then someone else can do it, and you know, the karma - I know, the karma''s not my religion, but, you know, it''s an easy comparison - the karmic weight can balance. Julia: Your honesty and introspection are commendable, Moe. It''s rare to see someone take responsibility in such a genuine manner. He smiles faintly. Moe: Thank you, Julia. Life''s about learning from our missteps, isn''t it? And making amends, as best as we can. Julia: On a lighter note, let''s talk about now, the present. Retirement! After such an eventful career, how are you adjusting to this new phase of your life? Moe: Retirement... who would''ve thought? I always pictured myself working until the day I couldn''t. But here I am, trying to enjoy the quieter moments. Ventnor has been a good place for me. The sea, the sound of the waves, it''s calming. Helps me think, reflect, and sometimes just... be. And it''s a nice, central location, for the whole mischpucah to come meet, you know, the holidays and all. Julia: And how do you keep yourself occupied? Any new hobbies or old ones you''ve revisited? Moe: Ah, well, I''ve always been a fan of comic books. Superhero tales, especially. There''s a little shop not too far from here that I frequent. The owner and I, we''ve become quite the friends. We talk about the classics, the new stories, and sometimes he even lets me in on some upcoming releases. They don''t print much superhero stories nowadays these days, but, you know, they''re still around And then, there''s my reading. I''ve always been fond of, what''s it called, speculative science fiction. I''ve got a stack of books by my bedside that I''m working my way through. Go look into the Red Mars trilogy, by Mr. Robinson. You hear me, readers? Go read! I can''t help but laugh, drawing a small glance from the waiter as the knishes arrive, along with two glasses of water. Julia: It sounds delightful. A well-deserved break after such a rigorous career. Moe: It''s different, I''ll tell you that. Some days are harder than others, especially when you''re used to being on the move, always having something to work on. But I''m learning to appreciate the slower pace, the chance to spend time with my family, my grandchildren. They keep me young, you know. Julia: That''s wonderful to hear, Moe. Here''s to enjoying the golden years and cherishing the memories, old and new. Moe: Thank you, Julia. Now, I''ve been smelling these knishes back in the kitchen for about five minutes now and they''re making me go a little crazy. Do you prefer potato or rice?
Horvath-Small Ltd.: Engineering Excellence with a Personal Touch Founded in 1983, Horvath-Small Ltd. has long stood as a beacon of excellence in the field of environmental engineering and weatherproofing. Based in the bustling heart of Queens, New York, the firm has been responsible for countless projects that span the tri-state area and beyond, each echoing the company''s commitment to precision, durability, and quality. The brainchild of Morris "Moe" Small and John Horvath, the firm was born out of a shared passion for engineering and a mutual respect for each other''s expertise. While Morris brought to the table an innate understanding of weatherproofing, honed over decades in the industry, John complemented this with his keen insights into environmental engineering, particularly in the area of dam repair and upkeep. Their synergy was undeniable, and the fruits of their labor are evident in the many structures and systems that bear the Horvath-Small signature touch. From towering skyscrapers to humble residential complexes, the firm''s work is unmistakable: meticulously planned, flawlessly executed, and designed to stand the test of time and the elements. A driving philosophy behind Horvath-Small Ltd. is an unwavering commitment to perfection. "If you can''t do it right, it''s not worth doing," a mantra often echoed by Morris, encapsulates the company''s approach to every project, big or small. This ethos has attracted a cadre of engineers who share this vision, ensuring that the firm''s legacy of excellence continues, even as the industry evolves. While Morris'' retirement in 2016 marked the end of an era, John Horvath, with the support of a dedicated team, continues to lead the firm with the same dedication and zeal that has been its hallmark for over three decades. The departure of Morris was felt deeply, especially in light of the loss of his beloved wife, Leah. Yet, the legacy he helped build stands as a testament to his vision and dedication. Horvath-Small Ltd. may not be the largest firm in the industry, and they''ve never aimed to be. Instead, their focus has always been on delivering unparalleled quality, taking on projects that align with their values and expertise, and building lasting relationships with clients who value the unparalleled craftsmanship they bring to the table. In a world where shortcuts and quick fixes are often the norm, Horvath-Small Ltd. stands as a refreshing reminder of the value of doing things right the first time. Their work is not just about engineering; it''s about creating lasting legacies that will endure for generations to come. Chapter 33.1 The air is full of a dull ringing, like the sound you hear in movies when a bomb goes off next to someone''s head, except I''m not sure if it''s actual noise or if it''s just in my ears. Either way, I don''t like it - I can feel the bruises already forming in my chest, and a pressure building around my head. "What the fuck, PB?" Gossamer shouts, hands clasped over her ears. "Wasn''t me!" He shouts back, while Deathgirl stares at her hands. For a moment, I see them - two mouths, or things that look like mouths, having formed inside her palms, tongueless and buzzing. That''s where the noise is coming from. Car alarms blare out. Patches claps Deathgirl on the shoulder. "''Atta girl. You go bust up the rest of the street while I take care of them, okay, honey?" "She''s a power copier!" I point out, barely able to hear my own voice. Everything feels muffled, even the piercing wail of nearby car alarms. Broken glass and rubble are scattered all along the street, and the air feels thick, clogged, like it''s congested. "Gale, cut her off, but stay loose," Crossroads barks. Gale opens her arms up, her upgraded costume''s underarm wings billowing out to catch her own wind. She flaps once, twice, and then takes off upwards, while Deathgirl turns around and starts running, silencing car alarms as she goes. Patches charges at us. Rampart steps in front of me, and there''s a sickening crack as Patches swings as hard as she possibly can at Rampart''s stomach, her wrist and knuckles shattering on impact. Dust kicks up from Rampart''s feet. She hops back, shaking her wrist out with a cat-like yowl of pain while it repairs itself, and the rest of her lackeys take the opportunity to join in. In the fleeting moments of chaos, Rampart and I exchange a glance Just charge. My feet dig into the ground, pushing me forward, side by side with Rampart. Out of the corner of my eye, I notice Pumice making a move, grabbing the broken car and dragging it across the asphalt like a broom. He grinds it into the ground, kicking up a cloud of dust and debris that quickly swells up into a thick, choking billow in the dry October air. My teeth clench as the dust cloud envelops me. It''s thick, scratching at my eyes and throat, but it''s not enough. Not like what happened on the boat. Not like the burning, scalding steam of Mr. Tyrannosaur. That''s real chaos. This is just an inconvenience. From somewhere in the swirling brown-gray, I hear Puppeteer''s voice. Frustration is evident as she commands her strings, but the dust disrupts her precision. I imagine the invisible tendrils seeking out Pumice, reaching, grasping, but finding nothing. Above the haze, a shadowed figure rises ¡ª Gale, soaring, catching the wind under her costume''s wings. She''s going for Deathgirl. Chrysalis, that bug girl, joins the aerial dance, catching the currents and launching herself towards Gale. It''s a showdown I''d pay to watch on any other day, but right now, my focus is on the ground. Deathgirl''s eerie silencing is gone, replaced by the echoing sounds of conflict. Every punch, every shout, every thud resonates. My own breath feels loud in my ears, each gasp a testament to the intensity of the fight. I catch sight of Patches pounding at Rampart''s chest, mere feet away, and tackle her into the nearest surface with a running start. Her own blood betrays her - even in this dust cloud, I can catch her just fine, in the moments where her skin rips open, and the two of us go sailing into the nearest car as I shoulder-ram her out of the way. Behind me, I hear a monstrously heavy sound, what I can only assume is a car being flipped over like a plastic table, trying to crush Rampart underneath it. The car bounces and crumples at our impact, forming a dent as Patches''s head bounces off the window just hard enough to crack it, spiderwebs forming in the glass. Her hair is disheveled, caked with a thin layer of dust, and she lets out a wordless scream as I slam my knee into her crotch. While she''s reeling, I wrap my arms around her, pinning her arms to the side, and crak my head into hers, sending her bouncing into the window again. It shatters this time, breaking into dozens of shards of glass. There''s a loud crack as I feel her shoulders dislocating under me. Before I have the time to really parse it, overwhelmed with the noise and the sudden flow of blood I can smell above me, from Gale, her arms are wrapped around mine, and her knee comes screaming into my pelvis, an eye for an eye. She rears back and smacks her head against mine, before shoving my arms aside so I go stumbling backwards. In the distance, another BOOM! sends a shockwave of noise, followed by the just-so-slightly delayed sounds of shattering glass. Then, the shockwave hits the two of us, kicking up the dust cloud into spinning, swirling eddies, giving me just the second I need to sidestep Patches'' unpracticed charge. A squealing sound rips through the air as Chrysalis goes sailing into Patches like a human missile, knocking her aside. I recognize the indents in her skin and wings immediately, with Puppeteer having hooked all ten strings around the bug-girl, stopping her from interrupting Gale''s interception of Deathgirl. The titanic noise of fists colliding with each other fills the center of the street, as the majestic show in the middle of it all plays unimpeded. Rampart and Pumice are locked in a stand-off in the middle of the street, seemingly balanced, a human-shaped boulder against an unmovable object. It''s almost comedic, like two stubborn kids in a playground. Just as I think that Rampart has the upper hand, Spindle leaps out of nowhere, wrapping his long, sinewy arms around Rampart''s neck. Spindle¡¯s spider-like limbs cling to Rampart''s back, choking the life out of him. I can''t help but think of how, in another life, Spindle might''ve made an excellent professional wrestler. This isn''t a fair fight, but who said street fights were fair? "Rampart!" I shout, trying to be heard over the din. Projectiles shoot overhead - marbles? Ball bearings? Either way, whatever Blink threw zooms past me at enough speed to render them almost invisible, striking Rampart''s back, and by extension, Spindle, like buckshot. Playback''s shoes skid along the dusty ground, and as Patches gets up, ready to swing at me again, he swings for her head like a baseball batter with a collapsible baton instead of a baseball bat. If I didn''t know she''d heal from it, I''d have thought that was an instant concussion. Blood sprays from her lips as her head flicks with the force. I don''t have time to eyeball everything. Chrysalis, dusted off and angry, swats at me with outstretched claws, each one looking more like a dog''s claw than some sort of bug''s claw. Do bugs even have claws? File that one away for later. She scratches me across the face, mostly bouncing off my mask, but her thumb and index finger catch across my lips, and the taste of blood fills my mouth, followed by a painful burning sensation. Oh. She''s venomous. I hear Playback''s taunting, but among the chaotic din, I don''t actually interpret any of it. It goes in, and then bounces right back out. I''m too focused on trying to duck out of the way of Chrysalis''s swipes and kicks, just like dodging blows from Rampart, except slower. Her first claw caught me by surprise, and my lip feels swollen already. She won''t get a second opportunity. "I don''t want to knock you out," I shout over the increasing noise of howling wind. "Just try!" Chrysalis titters back, her voice high pitched, almost fairy-like. I put up my dukes and jab twice, catching her on the chin, followed by the chin again. She''s slower than the sandbag, if anything. She might have dangerous powers, but I''ve got dangerous limbs. I bring my shin up and swing through her, and she crumples. Whatever she''s got in her circulatory system, it doesn''t register, but I do see it leaking out of her sides, staining her clothes with a greenish-white stain. What happens next only really registers a second or two after it hits me. I''ve noticed the wind picking up, but I assumed that was just Gale working her magic, up until my blood sense feels Gale''s silhouette sailing over me. While I''m busy processing that, something sharp and heavy catches me from the side like a bullet, slamming me through my undersuit, right where my guts were torn out the first time. Sharp, white-hot pain hits me like fire, then like ice, as the bruise forms. Even regeneration can only give me so much pain resistance. It''s only after I have a second to catch up to the present that I realize that a parking meter was thrown at me. Spinning like a shuriken, the second one catches me on the other side, ripping open my shoulder. I try to warn Playback to get down as a third one, without spin, sails straight for my chestplate. I grit my teeth as it hits, feeling much like I''d imagine a bell feels when it gets rung. I feel plates crack underneath my armor, things that will require replacement, and my immediate impulse is a feeling of bleak discomfort at the cost, followed by a slight relief that I am not dead, and not impaled by a parking meter. Everyone besides Pumice and I have taken some sort of squat, and it''s not long before I''m forced to my knees by a powerful downdraft. Debris streaks around me, like I''m in the eye of a tornado. Deathgirl floats above us, no longer with mouths inside her hands. No, now she''s the epicenter of a massive windstorm, her hair whipping every which way out of her hoodie, glaring down Gale. "Goss!" I scream over the din. "First aid!" I watch Deathgirl strain, grunt, and contort as she uses Gale''s power to rip a loose car door off a broken car. I try to stand up, even with the burning, throbbing pain throughout my entire body. I put myself between Deathgirl and Gale. The car door goes flying like a frisbee. I brace for impact. Taken from Royal Road, this narrative should be reported if found on Amazon. It flips mid-spin, going from horizontal to flat, like a sail catching the wind. It smashes into my face, and the world goes white. I know, instinctively, that I''ve been knocked out. Maybe my nose was broken, too, given I just got a car door thrown at me. The world tilts. Everything becomes a haze of colors, shapes, and noise. For a moment, darkness claims me, and it feels almost peaceful, like the silence of a submerged pool. But that doesn''t last. A rush of adrenaline, maybe the effect of my regeneration, jolts me back to consciousness. My head throbs as I push myself back to my feet, every inch of my body screaming in protest. Just a nap, huh? Not your best idea, Sam. Barely on my feet again, I sense fresh blood - not just mine, but Gale''s too. It''s faint, a grazed wound, perhaps. But it''s enough to guide me to her silhouette. She and Gossamer are now behind the very car Chrysalis was rammed into. I take a step, aiming to direct Gossamer to attend to Chrysalis, but the ground seems to sway beneath me. Trying to be as non-verbal as possible, I gesture at Chrysalis and then at Gossamer, hoping she understands. She gives me a puzzled look. The weight of the situation weighs on me. Damn it, just do it! The tornado of dust and debris continues to swirl around us, making vision almost impossible. But within its vortex, I can sense the echoes of conflict. Playback and Patches seem to be caught within it, their forms struggling against the tumultuous winds. I can hear Playback''s defiant shouts, intermingled with Patches'' frustrated screams. It''s a desperate dance between sound and silence, and I can''t help but marvel at the chaos of it all. Yet even in this mayhem, Pumice stands tall. He''s far heavier than Rampart, which makes the difference in the gusty whirlwind. His rocky form seems to brush off the winds like they''re nothing, and he''s taking advantage of the situation. The repeated thuds and grunts tell me Rampart''s not having a good time. The ground vibrates with each of Pumice¡¯s blows. Then, there''s Spindle. Where did he go? His elongated form was a perfect target, but he''s vanished. The hairs on the back of my neck stand up. Did he fold himself away somewhere? Is he okay? Or is he just avoiding the fray? I try to focus on him but it''s impossible, he''s not bleeding and he¡¯s too hidden. Crossroads - I can faintly sense him, the adrenaline in his system making his blood flow a little faster. He''s managed to bypass the chaos and is chasing Deathgirl. He¡¯s sneaking through a side alley, trying to get around the tornado. But where are Blink and Puppeteer? My heart races faster. They''re out of sight, and neither of them is injured enough for me to sense. I pray they''re okay, maybe they''ve managed to find some cover. Or maybe they''re formulating a plan. I can only hope. Everyone''s accounted for. I catch, for a second, Fury Forge''s bomb-detecting robot being caught up in the windstorm. It smashes against the ground, grinding against it like a kid trying to give themselves rugburn. Blood leaks from my nose and into my mouth. I watch as a small rock sails into Deathgirl hard enough to send her spinning through the air. When she looks towards its source, she sees Crossroads, begins to adapt - and immediately plummets out of the sky, her legs caught by invisible strings. Guess they went as a group. I only get to watch for a second as Crossroads and Daisy stare each other down, locked in some kind of¡­ Psychic battle? Then, Crossroads becomes even more visible in my mind''s eye as blood bursts from his nose, followed by the same thing happening to Daisy. His eyes flicker, and my legs sweep out from under me. Barely a second after thinking about everyone''s positions, I''m slammed to the ground. The air escapes my lungs in a whoosh, and my vision''s filled with the glint of Patches'' eyes, burning with wild anger. The weight of her body pins me, and I can feel the vibrations of her growl in my chest. "Thought you were done with me?" she sneers, saliva flecking from her lips. One of her hands is on my throat, fingers digging in, the other trying to restrain my flailing arm. I''m clawing at her, but she''s strong, and those regenerative powers make it almost impossible to get a grip. Each twist and turn I try only makes her grip tighter, her resolve firmer. "Get¡­ off¡­ me," I manage to hiss out between gasps for breath, biting at her fingers. I can taste the metallic tang of her blood, making her recoil momentarily. It''s the opening I need. Using my legs, I kick up, putting all my weight and momentum into it, sending her flying a couple of feet away from me. But she''s back in an instant, lunging again. This time I''m ready. I duck to the side, trying to keep her off-balance. Every time she comes at me, I use her own momentum against her, making her miss her target or stumble. But she''s relentless, and every time I dodge, she''s immediately back on me. Crossroads'' voice slices through the chaos. "Bee! Left, duck! Now, right!" Trusting his advice, I move as he dictates, the moves keeping me just out of Patches'' grasp. I can''t keep up this game forever, though. I need to end it, but I can barely see straight, let alone plan a counter-attack. He has to manage everyone else, too - I just happened to key in on my own name. Suddenly, a blur comes into view and vanishes again, near the edge of the street. The sound of blows connecting at an alarming speed fills the air. The high-pitched, frustrated screams of Deathgirl indicate that she''s in the thick of it with Blink. I can only tune in to Blink when she lands, her power more useful for jumping when it comes to her own transportation, but Deathgirl is nearly invisible, a blur of moving greys and blacks. The air is filled with a sound like loud pop rocks as they exchange projectiles. Suddenly, Patches grabs a fistful of my hair, pulling me in. I snap my jaw at her, but she dodges just in time. She''s learning. Our struggle is a desperate dance on the ground, with neither of us giving an inch. I elbow her in the ribs, and she responds by headbutting me. Spots dance in front of my eyes, and I groan in pain. My teeth clench. I bite down on her wrist, tasting the rush of blood again. She shrieks in pain, and I use the distraction to push her off me, rolling away and scrambling to my feet. She''s right on my heels, though, coming at me with wild, flailing punches. I''m fighting on instinct now, each block and counter coming from pure muscle memory. I catch her arm mid-swing and twist, hearing her yelp as her shoulder pops. But she breaks free, using her other hand to clock me in the jaw. The world tilts, and I''m on the ground again. I watch as her entire body rearranges itself to supply fresh blood to each new wound I inject into her with my teeth, veins forming, twisting, and then dying in fractions of seconds. I belt out a shrieking bellow and swing the biggest haymaker of my life towards her face. I feel something in my knuckles pop, from me clenching my fist so hard it feels like it''s about to break, and I feel the blood spill out from her cheeks as I make contact. She spins backwards like a boxer almost knocked out, a gash torn in her face that''s immediately stitching itself back closed. I feel blood in my knuckles, and glance down at my gloves. Did I just¡­ break my knuckles on her face? I see only a single hole, between my middle and ring finger on my right hand, a tiny, almost unnoticable gap in the threads, soaking with fresh blood. I don''t have time to dwell on it any more than that, as Patches swings at me right back. The wind around us stops immediately as Spindle''s gangly form materializes from the sewer, lunging for Gale. She tries to blow him away, his fingers stretching towards her, but she deftly avoids his reach. He''s quick, though. With a sneaky grin, he rips her belt fan free, letting the blowing wind catch his lithe form and send him sailing backwards. Gale lets out a grunt of frustration. I swing towards Patches, catching her with a left hook. She reels, and then swings back, and I duck out of the way. I know Rampart wanted me to learn aikido, but this feels so much better. Out of the corner of my eye, I see a flash of color ¡ª Chrysalis, those vibrant bug-like wings catching my attention for just a second. Her injured side is hastily bandaged, and I glance towards Gossamer, looking thoroughly disgruntled, with a purplish scratch on her cheek. Okay. Maybe not my best compassionate decision. Suddenly, there''s a yell, and Patches is yanked back. Playback, wielding his baton, gets her in a chokehold. "Count sheep, bitch!" he shouts, straining to keep her in check, the baton''s length pressed up against her windpipe. My head''s throbbing, the pain from my injuries making it hard to focus. Every movement feels like it''s pushing my limits. I have to trust the others to do their part. Out of nowhere, there''s a thud nearby, Blink skidding across the sidewalk, her skin riddled with tiny bruises and pockmarks and cuts from high velocity projectiles. Crossroads¡¯ voice rings out loud and clear. ¡°Gossamer, get Blink! Move!¡± I turn down the road, feeling the hair on the back of my neck stand up. Deathgirl. She''s looking right at me, and there''s a manic fire in her eyes. She''s pissed. Her hoodie ripples as sharp, pointed bone spikes tear through the fabric. It¡¯s almost mesmerizing, how horrifying it is to watch her body rearrange itself. Her mouth hangs open like a hungry snake, filled with rows, and rows, and rows of razor sharp teeth, jutting out at awkward angles. There''s no elegance. They don''t fit together like mine. Just a human buzzsaw. If she clamps down and yanks her head, there''s no neat little chunks - just an industrial grinder on someone''s skin. Every instinct screams at me to move, but I can''t decide where. Left, right, forward, back. Too many choices. Blink, no, not Blink, she¡¯s on the ground ¡ª shit, Crossroads? I don''t remember who taught me what. Commit. Commit. I charge headfirst towards her. I duck down, trying to dodge the whirlwind of spikes and teeth that is Deathgirl. Each spike isn''t just a weapon ¨C it''s a bleeding wound, pumping out the evidence of her self-inflicted violence, dark trails painting the air with every motion. That sensory overload from her newfound abilities is working in my favor. Her attacks are wild, uncontrolled, more desperate than precise. She swipes with all the aim of a blind goose hunting for frozen peas. The concrete of the street scrapes against my palms and knees as I narrowly avoid a vicious chomp from her. She has the teeth, but she doesn''t understand them, doesn''t have the finesse of knowing when to bite, how to angle the jaw, where to apply pressure. They''re all just random weapons, each scarier than the last. Jordan''s voice resonates in my head. "Being a superhuman isn¡¯t about being strong, fast, or durable. It¡¯s about being clever. No matter how strong your powers make you, and I bet they make you pretty strong, you¡¯ll lose every time to someone who¡¯s mastered every facet of their powers." The image of our first confrontation, back when we were enemies, plays in the back of my mind. I remember how gracefully they maneuvered around me, how embarassed I was to have my face ground into the carpet, my head slammed against soup cans, my body stepped upon. They didn''t overpower me, they outsmarted me. They focused on what they could do, and what I couldn''t do, testing me, prodding me, hunting for limitations. What''s her limitation? Too much. Too many teeth. Too many senses. Overwhelm. Deathgirl comes at me again, her mouth gaping open to take another bite. Instead of dodging, I punch her in the mouth, feeling immediate guilt at having punched a small child in the mouth. Her teeth catch my knuckles and rip my fingers open, but it''s all surface level. I fling blood in her eyes. My own blood sense is only overwhelming in crowds. But given the scale of her own mutation, how every version of our powers just seemed to be amped up to 11 in her tiny little frame, I can only imagine what it feels like to her. "Is this what you want?" I gasp, voice hoarse and raw. "To be a monster? Because you''re sure acting like one!" With a frustrated yell, she pushes off, a few more teeth left embedded in her own tongue. She spits them out, and immediately, her tongue starts reforming, almost at Patches speed. It makes me freeze, for the tiniest second, and she slashes at my face, catching my upper lip with her new claws, spikes of bone emerging from her fingertips. Every noise she makes is filtered through layers of teeth, a thick, bloody rasp. I spit at her face, keeping her attention on me. I spray blood out into the air. I can''t rely on physical strength alone here. I take a step back, trying to buy time, trying to think. Around us, the street''s chaos is a blurry, indistinct mess of color and motion. But every time someone bleeds, I get a clearer picture. My world''s slowly becoming a canvas of a bright red painting. Like a Rothko. All in shades. I rip the expanding foam spray out from my utility belt and spray it into Deathgirl''s mouth. Chapter 33.2 Billowing white foam bursts out like a science experiment, designed for smothering fires but just as effective in smothering small children. Eugh. She stumbles backwards, trying to scrape it off of her mouth as it begins to harden, but I keep the spray up. Her bone spikes give it plenty of surface area to anchor onto, to weigh her down. I twist the cap until it''s locked again, slam the spray into my utility belt, and then grab for Deathgirl''s wrist. Deathgirl''s rage-filled eyes dart to my utility belt, where the foam spray was, and she lunges at me, a berserker, moving faster than someone her size should. Her bone spikes scrape and chip on the concrete with every movement, producing an eerie chorus that sounds almost like teeth chattering. She''s trying to predict my next move, but every punch, every swipe is wild, uncontrolled. There''s pain in her face from the spikes tearing through her flesh, but she''s pushing through it, driven by pure instinct and fury. Crossroads'' voice cuts through the cacophony of the ongoing skirmish. "Sam! Sidestep left! Puppeteer, pull back! Gale, provide wind cover now!" I dodge left, narrowly missing a swipe from Deathgirl that would''ve left me impaled. She overextends, her momentum throwing her off balance. Puppeteer, taking the cue, shoots her strings, trying to wrap around the pre-teen terror. It works. For a moment. Deathgirl thrashes, her enhanced senses making her hyper-aware of every binding, every pull. With a scream that¡¯s more animal than human, she retaliates by swiping those spikes all over, trying to cut through telekinetic strings that simply can''t be cut. Puppeteer grunts in exertion, trying to maintain control. I''m distracted by my discovery. My adhesive spray ¨C gone. Who took it? Was it her? My mind races. Out of the corner of my eye, I see Playback''s silhouette in my blood sense, and my heart lurches. Still. Not moving. That''s bad. Before I can process that further, there''s a rush of wind, a shadow, and I''m slammed to the ground, the unmistakable weight of Patches on top of me. I gasp for air, feeling ribs creak under the impact. The taste of blood fills my mouth as I feel the repeated blunt force of her fists connecting with my face. Her grip on me is iron-tight, her intent clear. She''s aiming to end me. I feel my head rattle around like a speedbag. Blink is quick, reacting to my plight. The air''s filled with the sharp pinging sound of accelerated marbles striking Patches. The first few strike her without much effect, but the barrage becomes relentless, causing her to flinch and momentarily ease her grip on me. It¡¯s enough. I channel every bit of energy and leverage, twisting my hips and slamming my pelvis upwards, trying to whip her off of me. She stumbles, and I scramble back on my elbows and feet. But I''m not free yet. Before I can get back up to my feet, she''s back, barreling towards me like a freight train. The marbles are just minor annoyances to her. I need an escape, and fast. Just as the thought crosses my mind, a gust of wind envelops us, strong enough to push Patches away. As furious as Patches is, with Gale on the ground, she can''t push past all the force. A thought skitters across my brain. You never quite appreciate how painful it is to get sand in your eyes until a mini tornado is whipping around you. I stumble back, coughing, trying to get clear of the gusts and debris. There¡¯s a sharp sting as something clips my cheek, but I ignore it, trying to put distance between me and Patches. But everything''s a haze, a maelstrom of wind and dust and the cries of pain from my teammates. Crossroads is still shouting instructions, but the wind distorts his words, making them almost incomprehensible. Still, I catch a few, like "Rampart, left!" and "Blink, get her off Sam!" I don''t know what the situation with the others is, but right now, my world is reduced to the immediate threat in front of me. I go up, my hair caught in a rough grip. I feel a couple of the strands snapping, and somehow that fills me with a deeper pain than any of the blows, despite me having lost several teeth at this point. Plus, my jaw might be broken. Pumice''s hands are just like his namesake, and he flings me into Patches like a bowling ball. Deathgirl strains for purchase against Puppeteer''s strings, and I only hear, not see, Puppeteer crying out in pain at something. The shape that the new wounds form in my mind''s eye, in her shoulders, indicates sharp and pointy. I have to assume Chrysalis''s claws. Where''s Spindle? Grit. Everywhere. It''s in my eyes, in my mouth, on my skin. Every movement of Pumice grinds against my nerves, each hit feeling like I''m being scraped against the roughest sandpaper. He''s solid, compact, and unforgiving. There''s no give in his form, no blood to smell, no heat to sense. It''s like fighting a statue, only with more friction burns. My teeth? They might be sharp, but what good are they against stone? None. No good at all. The ground beneath us vibrates with the impact of our movements. Pumice tries to corner me, his arms coming down in arcing, grinding blows. I have to get close to land any blows on him, but the closer I get, the more I risk skinning myself raw against his stone form. Every time I think I have a gap, he''s there, blocking it. He slams a rocky palm towards me. My instincts kick in. I duck, feeling the swish of air above my head, and attempt a low leg sweep, trying to topple him. It''s like trying to kick down a tree. He doesn''t budge, and my shin screams in protest. Gritting my teeth ¨C the ones I still have, anyway ¨C I barely roll away from another of his downward strikes. I can''t keep this up. I need an opening, some way to get him off his feet. But how do you knock down a mountain? Crossroads, out of the blue, is dancing. I say dancing because it''s the only way I can describe what I''m witnessing. The usually calm and composed strategist is a whirling dervish of action against Patches. Every move she throws at him is perfectly anticipated. He ducks, swerves, and counters with surgical precision. It''s almost beautiful to watch, even in the thick of a fight. Patches lunges, and he sidesteps, sending her crashing into a nearby stand with a well-placed kick. It''s clear the nosebleed he''s sporting isn''t slowing him down one bit. If anything, it''s like it''s invigorating him. Like a computer being overclocked. He kicks through her ribs and she clenches up. In the midst of this chaos, I hear Rampart shout something, a warning maybe, but it''s lost in the noise. My attention''s jerked back to Pumice as he lands a stinging blow to my side. I hiss, pain flaring, but force myself to stand my ground. I need to be smarter. I need a plan. There''s a sharp cry and I turn my attention to Puppeteer and Deathgirl. The atmosphere between them is electric, chaotic, and dangerous. The air is practically alive with invisible strings. Everywhere Puppeteer moves a string, Deathgirl sends ten more flying from her wild, floating hair. It¡¯s a literal string-off. Puppeteer''s usual grace seems hampered. How do you fight someone with your own power, only more? How do you out-think yourself? And it''s all amplified. Puppeteer tries to ensnare Deathgirl, but she just¡­ dodges, responding with a barrage of her own strings. They dart around, seeking their target with deadly precision. The author''s content has been appropriated; report any instances of this story on Amazon. Puppeteer gets one string per finger. Deathgirl gets one per strand of hair. How is that fair? Pumice tries to move through the dense web, but his own form is too big, too bulky. Deathgirl erratically swings around by her own hair like the world''s most fucked up octopus, and suddenly nobody can move, the entire battlefield brought to a standstill. There''s no wrapping, unlike Puppeteer''s strings, at least none that I can detect through the slight haze that marks the air where they are. Deathgirl doesn''t have the finesse to wrap, lasso, and pull. She can only grab. She''s too light to pull things to her. As the air settles, I recognize the only sound audible. Gale, choking, straining. Deathgirl''s bangs point directly towards her, smothering her. Gale''s mouth is pulled open, tongue out - oh my G-d, she''s literally smothering her. I grab hold of Deathgirl''s strands, trying to pull myself on an invisible jungle gym, like a fly trying to climb into the center of the spider''s web. Winds whip weakly around Gale as consciousness fades from her body. I keep my mouth clenched shut, feeling the invisible wires trying to pull my lips open, trying to do the same thing to me. "PB! Now!" Playback, lying sprawled on the ground, has been slowly and quietly siphoning the cacophony of our skirmish. I can''t see his face but I know he''s been waiting for a golden moment - and it comes when Crossroads shouts. From his position, he releases an explosive roar of sound, directed right at Deathgirl, centered on her. Unlike her, he can''t make a physical force with his sound, but having however many decibels of a hundred different noises instantly playing in your eardrums can''t be pleasant. It''s enough time for her to shift her power from Puppeteer to Playback, and the battlefield seems silent for a brief moment. Then, she falls, gravity remembering that it should be acting on her without her strings to hold her up. Chrysalis leaps out from the sidelines to catch her mid-fall, cradling her to her chest as she skids across the asphalt. I shoot a brief glance at Crossroads. His moves, once a ballet of precision, have become tired, delayed shuffles. Blood, thicker than before, trails from his nostrils. He''s flagging, and I wish I could help, but Pumice is still on me, still trying to land a decisive hit. I can''t fight him back, but I can distract him. Just long enough to feel Rampart''s footsteps behind me - I throw myself down to the ground and let the big boys handle each other, slamming together like sumo wrestlers. Chrysalis, with an intense gaze, screams out to Deathgirl, probably a desperate attempt to change the tide. To my horror, it works. With a grotesque transformation, Deathgirl morphs, her limbs elongating, her skin hardening, and wings sprouting from her back, turning into a more menacing version of Chrysalis. A second set of arms rips out of her hoodie, followed by another set of large, billowing wings, and thick chitin rips out of her skin like an Animorphs novel scene. "Get her!" Chrysalis shrieks, urging Deathgirl towards Puppeteer. Deathgirl is all too happy to oblige her violent instincts, a perpetual motion machine of fury in only the way a child can be. She charges. A brief moment of eye contact between Chrysalis and me sends a shiver down my spine. I can see a flicker in her compound eyes, a flicker of something. Regret? I don''t have time to dwell on it. In the middle of this mess, Gossamer appears out of nowhere, reaching Gale just in time. The wind manipulator¡¯s face is pale, eyes fluttering weakly. With a determined tug, Gossamer starts dragging her away from the main skirmish, seeking a safer spot. Gale tries to say something, but her voice is raspy and weak, her consciousness flickering on and off. They disappear from my view as they find cover. Crossroads'' fist meets Patches'' nose. Patches growls with desperate rage. My fingers itch with anticipation as I pick up on Puppeteer''s current silhouette, her movements, and how they''re mismatched to Deathgirl''s newly terrifying form. "Pup!" I shout, throat raw, "Switch! Take Patches!" Even in this chaos, even with everything going wrong, we know to trust each other, to listen to those calls. Puppeteer, her fingers already outstretched and weaving their intricate patterns, diverts her attention, nodding to me as she moves towards the crazed Patches, strings whizzing past my ear. My role now is clear: take on Deathgirl. The problem is, while her body is big and grotesque, her mind is still a child¡¯s, erratic and unpredictable. And honestly? That''s a bit scarier. Blink and Chrysalis are locked in their own fierce ballet. The sound of buzzing wings fills the air as Chrysalis attempts to land a blow, a single weary slash somewhere across Blink''s skin. Blink is a storm of motion, but she''s obviously tiring. With every jump and vault, her trajectory gets less and less accurate, and every time she lands, it''s less of a controlled fall and more of a desperate tumble. Every so often, she snags pieces of rubble, hurling them at Chrysalis with as much force as her waning strength allows. Distracted by their dance in the sky, a jarring scream wrenches me back to my own situation. Deathgirl lunges, wings beating furiously, her extra limbs a blur. I brace, jaw set and teeth sharp. She''s not as fast as she was at the start, not filled with that kinetic energy of a tantruming child. And I am. Adrenaline courses through me, a burning, invigorating pain. Her claws rip through the exposed, non-armored parts of my costume in a dozen different places, and I feel the venom immediately hitting my system, making my entire body scream out in pain. Cuts aching to close themselves shut. I grin and bear it, and swing for her jaw. There''s a satisfying crak as hemolymph spills out, and her chitinous body begins to reshape itself back into her crude imitation of my own powers. I reach for my belt, and she''s already backing away, scared. It buys me precious seconds. Behind us, in the corner of my eyes, I barely make out the form of Pumice, trying to choke out Rampart. The big guy¡¯s eyes are glazed, bloodshot - he may be immovable, but he still needs oxygen. Clearly, Pumice is taking inspiration from his teammate''s playbook. Then, Spindle jumps on Pumice''s back. I turn on my heel, trying to keep Spindle, Pumice, and Deathgirl all in my vision, while Deathgirl summons up the courage, the self-hype, to charge at me again with her newly reformed bone spikes. The situation is rapidly degrading. Rampart''s body is going limp. Spindle pulls out my adhesive spray, aims, and shoots it across Pumice''s eyes. A solid two second spray, before leaping off and dancing to the ground. Blink crashes into Pumice from above, and newly blinded, he can''t brace himself for the impact - he goes stumbling down, trying to scrape it off of his face with a saliva-soaked hand. I turn to Deathgirl. Her body begins stretching out like dough, and her face is nothing but pure fear, the kind of fear that you only get to see on fighting dogs. She catches me looking, and her expression hardens. "Pumice! Daisy! Patches! We''re out!" Chrysalis shouts. Patches'' arms crack and groan as she tries escaping from Puppeteer''s deathgrip, while Crossroads, dizzy and swaying, leans against the nearest car to avoid passing out. Puppeteer looks on in horror as Patches'' arm breaks, twisting the wrong way around, and she grabs a hold of Puppeteer''s strings to hurl her close, sending the lighter girl swinging towards her. But before Patches can bring her horrifying fighting style to bear against Puppeteer, Spindle''s arms are wrapped around her neck. In disbelief, I watch as Chrysalis and Pumice bolt down the street. I make a mental note to mention that later to the adults in the room. Patches tries to dislocate something, to find a weak spot she can slip out of, but Spindle''s hypermobile grip around her is too tight, like a fishing net. Puppeteer drags against the asphalt. "Daisy," I croak, my voice hoarse. "You¡­" I try to figure out what to say. You don''t have to keep fighting? You don''t have to be like this? But all I see in her face is a sort of stern horror. Her entire body turns into a pile of slender flesh, and she squeezes herself into the nearest storm drain. "You fucking idiot! You''re going to ruin everything!" Patches wheezes, trying to catch her breath. I walk up to her, debris crunching underneath my boots. Spindle''s grip is tight, but his muscles are weak. He clenches, and squeezes, while Puppeteer tries to maintain a pin on her. I pull Patches into a tight bear hug, and finalize the lockdown. She can''t move at all now. She can only squirm, and squirm, and squirm, like a worm caught on a hook. The air is filled with curses. It takes another four, five, six agonizing seconds before she loses her grip on consciousness and goes slack, slumping to the ground. WORLD OF CHUM: Course Bulletin: Bachelors of Arts in Metahuman Studies Overview The Department of Metahuman Studies and Ethics focuses on the understanding, evaluation, and ethical implications of metahuman abilities and phenomena. This field integrates a wide range of disciplines including but not limited to sociology, psychology, biology, physics, and ethics. The program is designed for students aspiring to work in academia, research, policy-making, healthcare, support device engineering, or superhuman costuming. The Bachelor of Arts in Metahuman Studies provides an in-depth investigation into the history, social impact, ethical considerations, and scientific principles behind metahuman abilities. Students will engage in a series of electives (4-5 courses) that span topics like Metahuman Biology, Social Dynamics of Hero-Villain Relationships, Applied Power Dynamics, and Ethical Frameworks for Metahuman Intervention. Graduates are well-prepared for various careers in research, policy analysis, technological development, and more, as well as graduate studies in the field of Metahuman Studies and related disciplines. Campus Location: Main Program Code: ST-MSE-BS Distinction in Major To graduate with distinction in this major, a student must satisfy the following criteria:
  1. Have a minimum 3.50 major GPA and
  2. Have a minimum 3.50 cumulative GPA.
Accelerated Programs Bachelor of Arts Requirements Summary of Requirements for the Degree University Requirements (123 total s.h.) College Requirements The tale has been illicitly lifted; should you spot it on Amazon, report the violation. Major Requirements for Bachelor of Arts (78-80 s.h.) At least 9 courses required for the major must be completed at Temple. At least 7 MSE courses must be completed at Temple.

Metahuman Studies Electives

Select 15-17 credits from the following MSE elective courses: Additionally, select 6-8 credits from the following non-MSE elective courses: Chapter 34.1 The med-bay greets me with its usual sterile scent, softened by the faint aroma of antiseptics. The hum of fluorescent lights overhead is familiar, almost comforting in its own weird way. Stacks upon stacks of medical supplies occupy the shelves, a chaotic organization that, against all odds, seems to make sense. I can''t help but notice the handprints on the greenish walls, in white paint, uncomplicated. To the right, a lone computer rests on a wooden desk, the monitor''s soft glow casting a dim light, waiting for someone to pull up patient records. The exam table, draped in a light pink, is positioned at the center, as if it''s the stage for a play only medics would appreciate. Sturdy metallic cabinets house more gear, their dull orange-red sheen standing out amidst the otherwise muted colors. The exit door stands like a sentinel, and for a moment, I''m reminded of how many times I''ve walked through it, but never in this context. Taking a deep breath, I step further in, feeling the weight of every visit I''ve ever made to this place. All the times I''ve torn a muscle training, or ripped something open, or took a hit from Rampart or Playback a little too hard. Nurse Sylvia stands out in her pristine white coat that contrasts sharply with her elegant dark green dress. Around her neck, a pendant catches the light, adding a touch of character to her ensemble. Her hair is a silvery hue, meticulously gathered into a neat bun at the back of her head. Her golden-brown eyes, framed by her round spectacles, observe everything with precision. Every part of her seems purposeful and refined, from the poised tilt of her chin to the comfortable yet professional shoes she wears. "So, you''re last in line, huh?" She says, getting out a roll of gauze and a couple of sterilized pads. "Yeah, regenerators get back-of-the-line privileges," I chuckle, but then wince ''cause it feels like a spear through my jaw. "Oh right, broken jaw. Ouch." "You''re lucky you can still laugh about it. Let''s start with cleaning some of these wounds." She gently dabs at the bruises and claw marks on my upper torso. "Wow, that¡­ actually feels a bit better. Do you have powers?" I joke, feeling the itching and burning sensation dissipate wherever her fingers touch. I intend for it to just be that - a joke. The soothing sensation is just what I associate with, like, medication. "You caught me," she smiles. "I can make people feel less pain when I touch them. It''s topical anesthesia of sorts. Nothing flashy. I''m not cut out for the hero stuff." "Huh?" I ask, mouth hanging open a little. I don''t know if my jaw is broken per se, but it''s definitely fucked up somehow. Not nearly as bad as it was in the moment, even with the adrenaline racing through me, but every word hurts. Anyway, huh? "You''re a superhero? How''d you even get a power like¡­ that?" I try to avoid the question of what sort of life-or-death situation would require "mild anasthesia". Maybe it''s major anaesthesia and she just downplays it? She shakes her head and smiles at me. "No, doll, I''m just a nurse. And it''s a long story." "But you could be a superhero. Like, if you wanted to, right?" I ask, blinking at her a couple of times, trying not to wince as she handles me like a fragile instrument. She laughs, "Nah, I like it here. The hero life isn''t for everyone. Now hold still, you''ve got some nasty cuts." Her hand hovers over the slashes and cuts across my lip, and I feel the worst of the inflammation subside. Among other things which will go unexamined. "This looks like it''s healing fast." "Yeah, about that. My healing is like, eight times faster than normal. At least, that¡¯s what they told me last time I ended up in a hospital. ''Eight Ex''" I say out loud. "Eight times? That''s impressive. Though, to be honest, some of these cuts look like they¡¯re recovering even faster." Sylvia comments, finishing up with my upper torso. I try to not hold onto my modesty too tight. This wouldn''t be the first time Sylvia has seen my chest, but most of the time she''s not poking it, and our checkups rarely require this much, you know, prodding. I''m generally not that scraped up. Ice packs work fine. "I''d guess 12x from how they''re progressing, maybe 15x. You sure it''s 8?" "That''s what the doctors said. Maybe it¡¯s getting faster. Wouldn¡¯t that be cool," I muse, imagining what sort of impossible injuries I might survive in the future. "Or scary. Regeneration can be a double-edged sword. Quick to heal but often leaves people reckless," Sylvia says, unwrapping a new bandage roll. Her hands move to the rest of my face, lightly brushing away the swollen scratches near my chin, my jawline, my cheeks. "Oof, that one feels bad," I whine. Wherever Chrysalis or Deathgirl in Chrysalis''s shape touched, the wound is swollen and puffy. Red and angry, in the way my wounds usually don''t get unless they''re infected by something. "Yeah, it looks like you got stung by a bee. You get stung by a bee?" She asks, loosely bandaging the worst cuts and putting hydrocortisone around the rest of them. "They have a bug girl. I assume bee¡­ sting stuff is part of the powers," I reply. She nods thoughtfully. "Apitoxin is the scientific word. I don''t know how your powers affect toxin processing, so you can have a Benedryl or some other antihistamine if it bothers you." Her hands move to my jaw, and I try not to make a noise even under her soothing touch Sylvia looks a bit concerned. "I''m not sure how to handle this one, a broken jaw usually needs more than bandages." "I know it sounds crazy, but it''ll be fine in a few hours. Just gotta avoid laughing or eating. Or talking. Which sucks because those are like, my top three favorite things to do," I half-mumble through my malfunctioning mouth. The bandages across my lips and chin feel weird and sticky. "Fair enough," she says, beginning to wrap a bandage gently around my head to support the jaw. "You should really be talking less, but I get the feeling that''ll be like trying to fight the rain with you, doll." "Yes," I reply bluntly. Sylvia finishes patching up my face and steps back to examine her work. "Alright, that should do for now. You might want to get some rest; let that eight-times-faster-than-normal healing do its work. I''ve noticed some bumps on your forehead that I assume are from you headbutting someone. Don''t do that. But if it becomes a problem, use an ice pack." "Will do, Sylvia. And thanks, you''re kinda amazing," I mutter as Sylvia moves down to inspect my hands and arms, her gloved hands prodding gently. I look at the puncture wound between my middle and ring fingers on my right hand. "You wouldn''t happen to know how to treat, like, mysterious stab wounds, would you?" Sylvia quirks an eyebrow. "Mysterious stab wounds? You have an exciting life, don''t you?" She moves her hands over the small hole, her powers numbing the area slightly. "I can clean and bandage it and that''s what you get. The skin is sort of pushed outward a little, like an exit wound, but there''s not a hole in your hand, so I''ve really got no idea. Talk to your GP if you''re concerned." "Oh, man, I haven''t seen her in a while. Shit. I don''t even think she knows I''m a superhero yet," I say, half to Sylvia, half to myself. "Well, you should do that too," she lightly chides. "Will do." I flex my fingers as she wraps a bandage around the tiny wound. The conversation takes a pause as Sylvia moves onto the other various cuts and nicks on my hands. There''s something oddly calming about sitting here, just talking while getting patched up. Sylvia grabs a pair of tweezers and starts removing tiny fragments of glass or whatever it is from my skin. Debris. I feel instant relief as they leave my body, the skin trying to immediately pull itself shut. This tale has been unlawfully lifted from Royal Road; report any instances of this story if found elsewhere. "Now for your midsection," Sylvia says, eyeing the claw marks and bruises. "More of that bee girl stuff, but I think you got the worst of it here. Way more swollen." "Well, one of them can copy powers, but like, in a weird fucked up way. She copied the bug girl''s powers. So I guess her venom is worse? Is it a venom or a toxin?" I ask, trying not to screw my face up too much as she cleans, disinfects, applies ointments, and generally takes care of me. "I''m gonna be totally honest with you, doll, I have no idea. Just, you know. I''d avoid her in the future if possible, but that''s just because I''m a nurse," Sylvia jokes, chuckling as she slaps some more bandages on me. I feel like a certified mummy. "Yup, definitely not on my top ten list of fun encounters," I reply, wincing as she finishes up with the cuts and scrapes. "I got hit by parking meters today, by the way. That''s a new low even for me." Sylvia chuckles. "Parking meters? I didn''t know they were so hostile." "Only when they''re used as weapons." She smiles at me as she moves on to the general injuries, like the abrasion across my face and hands. "Some of these are more from friction than anything else. Were you dragged?" I nod. "Pulled by the hair, actually. Lifted right off the ground. It''s not a fun experience. And one of them is real rough, like sandpaper, and he just punched me and his skin, you know, he''s got the rock skin. Scraped me up good." "That sounds¡­ extremely painful," Sylvia admits, finishing up with a final swath of antiseptic. "Thanks," I say as Sylvia starts peeling off her gloves. "For, you know, fixing me up." She smiles, disposing of her gloves and medical waste. "It''s what I do. Besides, not everyone needs to wear a cape to be a hero. Or, you know, deal with parking meters and venomous villains on a daily basis." I chuckle. "Yeah, I guess so. But where''s the fun in that?" Sylvia laughs, her eyes twinkling as she cleans up her supplies. "You got me there." As Sylvia wraps up, I can''t help but glance at the mirror across the room. My face is a battlefield of cuts, bruises, and scratches. I look unfamiliar. Like I don''t recognize the person in the mirror, with a more defined jaw, with muscles, with abs. Covered in bloody bandages. With a broken jaw pulling itself together. I don''t really know who that person is, looking back at me. Someone new?
I¡¯m sitting on a squishy chair in front of the one-way mirror, and all I can think about is how one-way mirrors work, you know, with the lighting and all. But then I remember why we''re here. The other Young Defenders are around, but I think we''re all just lost in our own thoughts. Or maybe it¡¯s just me. We''re all watching as Clara Parker, Fury Forge, Multiplex, and Puppeteer take their places in the interrogation room where Spinelli''s already seated. My fingers drum rhythmlessly on the armrest. Tapa-tapa-tap. Spinelli looks¡­ I don''t know, like he¡¯s swallowed something really bitter but has decided to keep it down. He''s fidgeting in his chair, and I get it, dude. These chairs aren''t meant for comfort. "You know, we have a public defender en route. You don''t need to talk to us alone, Spinelli." Clara is the one who starts. No smiles, straight to business, giving him a little opportunity. "The gravity of your situation is¡­ heavy. I would wait for the other lawyer to arrive." "No. No, I''m good. You''re getting everything. I get it. Prison, juvie, whatever," Spinelli shrugs. He¡¯s fumbling with his fingers like they¡¯re some sort of puzzle he can¡¯t solve. "Honestly, three meals and a place to sleep sounds better than where I was. I don''t want to be this kind of person anymore." Clara leans in, flipping through some papers. "I hope you understand the legal implications here. You''re not just facing minor charges. Property damage at the scale your friends committed is a serious offense, and you''re part of that. Daisy did a number on several blocks. You''re looking at juvenile detention, at the least - I assume whatever fines you''d have to pay as restitution are probably impossible for you to pay." Fury Forge pipes up, leaning toward Spinelli. "That¡¯s not even touching on the assault. Your team attacked the Young Defenders. We''re under no illusions that whatever footage we can acquire will include you as part of that?" Spinelli''s fingers tangle with each other as he speaks, folding over each other in strange, intricate ways. "Yeah. I know, okay? Amira''s becoming too much. I don''t want to be a part of whatever she''s planning, especially now that she''s got those guys whispering in her ear. Throw the book at me. I''m pleading guilty." Okay, so maybe Amira is the bad apple here? My thumb folds under my palm, then out again. Still can''t decide where it''s comfy. This whole thing doesn''t seem fair - he turned himself in and helped us last minute. He saved our lives, and now he''s gonna tell all. And they''re going to throw the book at him? I can see Clara''s nostrils flare, for a moment. I get the feeling she''s feeling the same sort of thing I am, a little bit. "Explain," says Multiplex, his voice hitting each syllable like a punching bag. One-two. Spinelli inhales deeply. "Look, we were going to go after some adult heroes, right? That was the plan. Pumice left that bunk phone call. We just got Daisy, and Amira wanted to grab a hero with real property damge potential with her. Then, a bunch of kids our age showed up." Puppeteer picks up her notepad, the tip of her pen hovering. "Why did you turn on your team? You didn''t have to help us." He sighs, his tall frame slumping in the chair. "I told you, I don''t want to be this kind of person anymore. I mean, I know you''d never let me be part of your crew, but, like¡­ the stealing, the lying, the drug dealing. Sleeping in abandoned buildings. In tents. I had a bed, man, I had a family. Sure, they ditched me like wet garbage but I had something to lose. Patches wants to keep upping the stakes. She''s got those guys in her ear and they''re promising her all this shit, while threatening the rest of us. They ''gifted'' us a fucking twelve year old, man." My eyes widen, and then return to their original state. I glance sideways. Crossroads seems as contemplative as ever but Playback looks pissed - I''d guess at Amira, not at Spinelli. "So you turned," Puppeteer summarizes, jotting down a couple of notes. "Because you don''t like where things are heading?" Spinelli nods. "Exactly. I can¡¯t be part of what she¡¯s planning. So, lock me up, or whatever. Just keep her away from me.¡± Fury Forge glances at Clara, who just nods, a silent conversation happening there. They¡¯ve heard enough, I guess. They get up, signaling the end of the talk. As they exit the room, Spinelli''s shoulders slump even further, like he''s just let go of a weight he didn''t know he was carrying. "Hey. What''s gonna happen to me?" Clara turns around on her heel, half-facing Spinelli. "Well, you''ll remain in detention here until your court case. We have a room with a bed and I can make sure someone can get you some prepared food. We''ll have more questions for you later - those "guys" you mentioned, were they wearing suits?" Spinelli nods. "Green suit with leopard print vest. Dude looked like a thumb. And a black guy in a more normal black suit, sunglasses, goatee. Why?" Mr. T-Rex and Mr. Nothing. I''m sure of it. Clara smiles. "I know you want your three hots and a cot, but I think if you''re willing to talk more tomorrow, we could arrange some sort of deal for leniency. I''ll get in contact with the DA and figure out your options. And get you a lawyer." Spinelli slumps in his seat. "Aiight, man."
"Man, this stuff takes a while," I groan, throwing myself onto the couch in the locker room and wincing as my various injuries all get pressed into it. "Don''t we have some paperwork to do or something like that? All the cop shows my dad watches have them always complaining about paperwork." "Multiplex handles that," Puppeteer answers, swiping through her phone with her thumbs. "You know, since he can be in twelve places at once." "Good for Multiplex, then," I say, relieved that I don''t have to deal with the paper side of superheroism. "When do we get the briefing? It''s not like the villains are gonna wait for us." Just as I say that, Councilman Davis walks into the locker room. "Briefing''s starting now, Young Defenders. Please make your way to the computer room." We all scramble up, well, as fast as a bunch of tired and banged-up kids can scramble, and head into the computer room where the massive screen shows various maps and graphs I barely understand. Clara''s there too, and the rest of the adults, and she nods at us. Formalities and all, I guess. "Alright, sit down," Jamal starts, and we all find our places, settling into the high-tech, ergonomic ¡ª I assume ¡ª chairs. There''s a minute or two of rummaging around, and someone''s got a box of donuts sitting on the table that everyone starts picking at, but, like, each donut has been cut into quarters, which feels sacrilegious to me somehow. Free donuts are free donuts, though. "As some of you have seen, Spinelli has been cooperative, and we''ve got some valuable intel¡ª" Jamal starts, but before he can go any further, there''s this¡­ this feeling. My blood sense perks up like a dog smelling a steak. My entire body picks up, enough that Jamal pauses while I turn back towards the door. "Something the matter, Bloodhound?" I''d know that stomach ulcer anywhere - sentences never before said in human history. "Liberty Belle is here," I say, matter-of-factly. "Damn, you ruined my dramatic entrance," she replies, coyly, not really frustrated, as the door slides open at her approach. My heart sinks in my chest like a stone, while she strides forward, boots squeaking against the tile floor on her way to the spare chair we''d been leaving out for her. She looks haggard. Pallid. There''s a thinness to her that she didn''t have before, and her monumental muscles have been hollowed out, rendering her skin smoother, almost a little flabby looking. Plus, she''s totally, completely bald. "What, did I interrupt a funeral or something? Keep going. I''ve been keeping up, we can talk about the hair once we''re done," she says, crossing a leg over the other and leaning back in her chair until it squeals quietly. Chapter 34.2 The moment Liberty Belle takes her seat, there''s a sudden, invisible exhale throughout the room, like the tension snaps for a beat and everyone can breathe again. Councilman Jamal leans over, straightening some papers, and he seems to appreciate the gravity of her appearance just as much as the rest of us do. "Alright," he begins again, "as I was saying, Spinelli has provided us with invaluable information." Jamal clicks a button, and the big screen fills up with red circles and arrows pointing at some pictures of buildings and stuff. Pictures of businesses, places I''ve shopped at, all smashed up. Broken cars. The holes in the ground that used to be parking meters. "Based on what he''s told us, the afternoon''s incident was a calculated trap. They deliberately pulled us into a confrontation to get a hero with strong powers on the scene ¡ª specifically, for Daisy to copy those powers and wreak havoc. Although none of the Delaware Valley Defenders were on the scene, from footage we were able to requisition, it looks like she made do with Playback and Gale''s powers." "There''s footage already?" I ask, raising my hand gently. "I didn''t see any drones." "If you''re fighting in public, it''s safe to assume a cape chaser is going to have footage of you from some angle. This was an incident with hours of premeditation due to the evacuation, so there were already civvies with both long-distance drones and stationary cameras set up. That and security camera footage from the area. It''s already spreading around local webrings." Jamal says, folding his fingers into each other. "The general public is impressed with your performance." "Yo, am I gonna get in trouble because she used my power to bust up a bunch of windows?" Playback asks, remembering to raise his hand halfway through his sentence. Jamal shakes his head. "I would be surprised. While we''ll be sending you all in to help with cleanup, it''s clear enough from footage that Daisy was the cause of most of the property damage. We''re already preparing a warrant for her arrest. While it''s true that if you weren''t there, she wouldn''t have been able to use your powers, I''m sure they''d find some other way to cause massive damage with Daisy''s abilities. Pumice in particular seems like he could grant her some severe destructive capabilities if copied." "Tight," Playback says, leaning back in his chair. Jamal continues, "Furthermore, Spinelli mentioned they were ''gifted'' Daisy by the Kingdom, suggesting they had her captive for some time. Long enough at least to determine her powers." He looks at Liberty Belle, then back to us. "We''ll need to investigate this connection, since this adds child trafficking and superhuman trafficking to their long list of crimes. If they''re scooping up homeless young superhumans, that could be a problem in every sense of the word. For now, your focus should be on damage control and community relations, while the detectives handle chasing leads." Liberty Belle leans forward, her eyes darting across us Young Defenders like she''s measuring each one of us. "Kids," she starts, her voice heavy but clear, "what you''ve done, the valor you''ve shown ¡ª it''s commendable. But you''ve also got to remember, power without control is dangerous. Even when facing a trap, we should aim for de-escalation whenever possible." I nod, but it''s sort of automatic. My mind is already spiraling into a thousand other thoughts, like, should I have done something differently? Would things be better if my power set was more¡­peaceful? God, I wish they taught a ''How To Be A Responsible Superhero 101'' in school. Then, Crossroads says something. "I don''t think de-escalation was ever in the cards. I don''t think there was ever an intention of a peaceful resolution. No matter what we did, it was going to be a fight." Liberty Belle leans back, folding her arms across her chest. "I agree. I think it''s easy to say what we should''ve done with foresight. Even if we didn''t fall for their bait, I''m sure they would''ve caused problems some other way. It''s just something to keep in mind - I know slugfests are exciting, but a focus on more direct apprehension could''ve mitigated at least some of the damage. And maybe a little more cautious of an approach when dealing with a superhuman with unknown powers," she says, glancing at Playback, who avoids her gaze. Councilman Jamal nods, clearing his throat a little before he goes on. "For now, let''s focus on rebuilding and supporting the community. We''ve arranged a series of public events, starting with a charity fundraiser to help those affected by last night. We''ll discuss the specifics later. Any questions?" "Can I ask Belle a question?" Blink asks, raising her hand meekly. "You have the floor," Jamal replies. "Are you, like¡­ Okay?" Blink asks. "No," Liberty Belle answers, matter-of-factly. "Obviously, I can''t really hide it anymore, so there''s no point. I have stomach cancer. Some of you know this, I''m sure at this point it''s leaked out among the group, but I''m ready to talk about it publicly - not just with y''all. It''s spread to my lungs and liver, and has begun to affect my bones as well. I''ve been away on an extremely rigorous, top-of-the-line treatment plan. The meanest chemo you can get. It is... not enough." I see varying reactions around the room, as I try not to look at her, still feeling guilty for carrying her secret. It''s a range - clear anger, concern, pain, sadness. Playback''s hands are folded together in his lap. Crossroads'' eyes are shut, and Puppeteer is silently crying in her seat, legs folded under her. Bulwark is just sobbing, trying to keep himself silent. Multiplex adjusts his glasses, and looks away. "I have, at most, twenty-four months left to live." I feel the tears welling up before I have an opportunity to try squeezing them out. Saliva flushes into my mouth like it''s preparing for vomit. My face feels hot. "I thought you said you had three or four? Years?" I ask, choking the words out from my gut. She sighs. "I did. But we had to keep adjusting the estimate down, because even though I can tolerate more chemo than a normal girl, so can my cancer. It''s made of me. It has my super-strength, my durability. It was¡­ tolerable, for a time. It got worse over the summer, when it spread to my lungs, as some of you know. The liver and bones were a new development in September. I''m sure, realistically, my actual clock is closer to eight months. A year if I''m super lucky. I''ve already begun preparing myself for palliative care, for when it becomes overwhelming. I''ve made my end-of-life plans. I plan on making a public announcement sometime next week." "Are you going to be stepping away from hero work?" Blink asks. Liberty Belle laughs. "Are you fucking crazy? Sorry, sis, you''re not getting rid of me that easy."
Liberty Belle enters the room where Amira''s held, straps keeping her in an almost robotic immobility on a raised backboard. The metal cuffs look like they''re meant for a superhuman beast, not a teenager. Clara''s already in there, leafing through a legal pad, but her attention snaps to Belle as she walks in. Amira''s eyes, though, they''re like a snarling wolf trapped in a corner. They fixate on Belle, and you can almost feel the chill from behind the glass. Devonte stands next to me, but for once he''s not talking. His arms are crossed and he''s just as focused on the scene as I am. "All right, Amira, let''s get a few things straight," Liberty Belle starts, her voice a little wavery. She looks tired, like, more than I''ve ever seen her, but there''s still that mentorly fire in her eyes. "We''ve got you on a lot of charges, but this could go easier on you if you cooperate. You''re 19. You''re not a minor anymore. The police were willing to play nice when you were just shoplifting and doing EBT scams. This is different." Amira''s lips twist. "I want my lawyer," she says, her voice calm but with this underlying edge. "Ms. Irshad," Belle starts, trying to hold the room with her tone alone, "it''s a complicated situation we find ourselves in. Cooperation could simplify things. Get you out faster." "I''d like my lawyer," Amira replies tersely, not even giving Belle the courtesy of eye contact. Clara, off to the side, clears her throat but says nothing. She''s there for legality, not morality. "We can definitely get to that stage. However, I''d advise you to consider the benefits of talking now," Belle counters, putting a hand on the table, like grounding herself would ground the whole room. The author''s tale has been misappropriated; report any instances of this story on Amazon. "I said, I want my lawyer," Amira snaps back, finally locking eyes with Belle, "You''re not trapping me in a corner without one. Lawyer and Devonte. I''m not letting anyone else interrogate me." From the other side of the glass, Playback''s eyes narrow, but he doesn''t move. Maybe he''s as confused as I am about why she wants him in there. Or maybe he knows exactly why, and just isn''t going to tell anyone. Belle''s eyes flicker, just for a second. "Nobody''s trying to trap you. We''re all on the same side, whether you believe it or not." Amira scoffs. "Same side? Don''t make me laugh. Not talking without a lawyer." Belle adjusts her posture, like she''s trying to find some reserve of strength to draw from. "Fine, lawyers will be involved. But consider this: the longer you remain uncooperative, the longer it''ll take to sort this entire mess." Amira''s eyes narrow, her voice low and cutting. "I don''t trust your sort of ''sorting,'' and I don''t trust you. Lawyer. Now. And Devonte. No one else." Playback exhales audibly beside me, though he remains a silhouette in the room''s dim light. It''s heavy, the air, like it''s carrying more than just oxygen and stuff. It''s carrying¡­ disappointment? Anger? Don''t know. My thumb folds and unfolds. It can''t decide either. "Why do you need him so much? Do you trust your old beau to treat you nicer than I do? Because I can assure you, he-" Belle starts, dragging her palms off the table. "You don''t know a FUCKING thing. Don''t try to get in my head, you fucking pig. You don''t know shit," Amira barks, seemingly unaware of the contradiction between what she just said and the reality of the situation. "You dated her?" Gossamer asks from behind me. It''s just the three of us watching, us and a Multiplex. Her voice is hushed and a little suspicious sounding. "Not exactly," Playback replies, refusing to elaborate. "I know he''s behind that FUCKING window. Do you hear me, Dev? If you want this to go anywhere you''ll get out of my fucking face and put him in charge. And get me a FUCKING lawyer," Amira growls, visibly struggling in her restraints, trying to jerk herself out of them with every cuss and spat word. I hear her bones creaking, popping. She''s so used to escaping restraints by just breaking her body in half that she''s doing it on impulse. I watch Clara wince as Amira dislocates her shoulder struggling. It slips back into its socket like nothing even happened, and my stomach churns. I''ve seen my own body do some pretty gross stuff, but watching someone else''s body reset like that just adds another layer of sick to the room. Clara visibly suppresses a gag, her eyes flitting to the legal pad in front of her. "Your insistence on self-harm isn''t going to speed up the lawyer process," Belle interjects, her words strained like she''s holding back a whole bunch of other stuff she wants to say. I can''t blame her. Amira''s as frustrating as a puzzle with missing pieces. "And why would you want Devonte, anyway? What makes him so special?" Belle continues, maintaining eye contact with her, just as obstinate. "I trust him not to lie to me," Amira spits the words out like she can''t stand the taste of them, "Unlike you." The weight in the room shifts, and Playback is up from his chair. He doesn''t say a thing. Just stands there with his arms crossed, like he''s thinking really hard about whether or not to storm in there. But Belle''s a stubborn one, I can tell. She''d have to be, to go through chemo and still run the Defenders and everything. Belle turns sideways. "He''s watching. But he''s not coming in." "Whatever. I told you what it''ll take to get me to talk," Amira replies, hawking up a loogie and spitting it at Belle. It¡­ does not get far enough. It splatters on the table. "Look, Amira," Belle starts again, her tone dropping softer, like talking to a scared dog, "We know you''re just trying to protect Daisy. But the men you got her from, they likely have more--" "I am not talking about Daisy without a lawyer, and that''s final," Amira interrupts, almost yelling now. She''s trembling. Like a whole bunch of different emotions are having a battle royale inside her, and anger''s winning. Her entire body shudders inside her restraints. Playback finally sits back down. Whatever decision he was pondering, he made it. He''s staying out of it, for now at least. Amira looks like a cornered wolf and Belle looks like she''s been running on fumes for way too long. It''s a battle of willpower, of stubbornness. "It''s not about you, Amira," Belle says quietly, and it sounds like she''s talking to herself more than anyone else, "It''s about Daisy. It''s about other children like her. What are you trying to protect her from? If not from us, then who?" Amira''s eyes flash, and it''s the first time she looks more human than feral. "You think I''d let anyone else near her? Spinelli''s a fucking idiot. She''d be in danger without me. Anyone would be in danger without me. Those idiots can''t figure out what shirt hole to put their head through without me. They''re gonna fuck her up and ruin all my hard work teaching her how to survive and it''ll be your fault." "So why not work with us? Let us help you. And Daisy," Belle insists, leaning forward. Amira snorts, "Work with you? Like I''d trust anyone here to get it right. No. Lawyer. Devonte. That''s it." The room falls quiet, every set of eyes locked on Amira. I don''t know if she''s made her point, or just dug herself deeper into a hole she can''t get out of. What I do know is that nobody''s happy. Not Belle, who''s got this frustrated grimace I can see even from behind the glass. Not Playback, whose silence fills the room like a fog. And definitely not Amira, who sits there restrained but as unrestrained as ever, like you can tie her down but you can''t make her listen. "Fine," Belle finally says, "We''ll proceed as you wish. But remember, every moment you don''t cooperate is a moment Daisy remains in danger. Think about that." I hear Belle sigh, too, and I can almost feel her exhaustion from here. It''s like it''s filling the room, seeping through the glass, touching all of us. But the scene''s over, at least for now. My legs finally stop bouncing. And for the first time in what feels like hours, I let out a breath I didn''t even know I was holding. Belle steps out of the room, with Clara close behind. "Get her a bedmat and some food or something. I know the second we let her out of those restraints she''s gonna try to bust out." Clara nods, and gives her a silent salute. Playback, Gossamer, and I all watch silently while the adults pass us by.
So we''re all in the locker room, fresh out of our costumes, dressed in civilian clothes, because going out in skin-tight suits and capes is a bit much when you''re just waiting for the adults to tell you what''s next. Everyone''s kinda tense, but not the tense-before-a-fight kind, more like the uncomfortable-at-a-family-dinner kind. We''re quiet, it''s been a long day, and then Gale breaks the silence. "Okay, so, the timing sucks," Gale begins, twiddling her fingers. "But next weekend, my brothers'' band is having a concert. They''re called Demon Core. And, I don''t know, it might be good to have some non-superhero downtime, y''know?" The words hang in the air, thick as molasses. We''re just sitting here, half-out of our costumes, waiting to get dismissed, and everyone takes their turns kind of looking at each other, and not at Gale. "A concert, huh?" Puppeteer lifts an eyebrow and smirks. "The last time I went to a concert, I had to control the lighting tech just to avoid a fire hazard." "Yeah, but this is Demon Core," Gale replies, like that means anything to the rest of us. "They¡¯re actually not that bad. They''re good, actually. If you like metal." Puppeteer eyes her phone, thumb hovering over the screen. "I¡¯d love to, but therapy. Already rescheduled twice, can''t do it again." "Therapy''s important," Playback chimes in, a rare occasion where he''s agreeing with Puppeteer. "Gotta keep the mental gears greased, right?" "Oh, definitely," Puppeteer says, rolling her eyes. She locks her phone and slips it into her pocket. Gossamer doesn¡¯t even look up from her sewing. "Can''t, sorry. I''ll have to spend all week just fixing everyone''s costumes. They need more work than Pup''s psyche." She smirks as the needle moves up and down. "Wow, rude," Puppeteer snaps back, feigning offense. Gossamer just shrugs. Rampart''s next, and he''s scratching the back of his head. "I would, but track practice. Coach will eat me alive if I skip," he says, glancing at me. I get the feeling that he''s less than sincere, especially since I know track season actually hasn''t started yet, but I wonder why he''s not just saying that he doesn''t want to go. Is it to spare Gale''s feelings? He looks at me for a second, and I''m not sure why. "Right, because sprinting fast is definitely what''s saving the world," Playback mutters, shaking his head. Rampart shoots him a look. "I know this might be hard for you to believe given your history with women, but speed isn¡¯t everything, you know. I do shot put." A chorus of "Ohs" calls out at the insult. Playback laughs at his own expense, adjusting his headphones around his neck. "Speaking of commitments," Playback interrupts, "I¡¯ve got a protest to attend. The struggle continues, as they say." "Or the system keeps getting worse," Maxwell interjects, his tone mellow. "I have a family dinner, so I''m out. Mom''s been planning it for a month. You know how it is." Blink jumps up, nearly vibrating with excitement. "A concert? That sounds so¡ªoh, wait, next weekend? I promised my sister we''d finish this anime. Sorry!" Everyone¡¯s talking and laughing, and there''s all this eye contact going on that''s making my head spin. Are they, like, communicating in some secret code I don¡¯t get? Blink doesn''t even have a sister. I''m literally living with her. We''re not planning on watching anything, if that''s referring to me. Gale looks at me with the biggest, wettest puppy dog eyes I have ever seen her wear on her entire life. Everyone else in the room is looking at me expectantly. Rampart is staring a hole in my chest. Gale clears her throat. "So, Sam, would you like to come?" Would I like to come? A chance to hang out with Gale, alone, with music and stuff? My brain trips over itself yelling, "Yes, yes, yes!" "Yeah, sure," I manage to say instead, trying to keep it cool. "Sounds fun." Everyone else suddenly has something intensely interesting to look at. Their lockers, their shoes, the grungy ceiling tiles. But I notice they''re all kind of smiling to themselves. I can''t figure out why. "Great. I''ll text you my address once I''m home, and you can meet me that afternoon or something?" Gale asks. Rampart is shooting me a thumbs up, and it hits me like a freight train. Oh, you assholes. "It''s a date," I say on impulse, trying to contain my smiling. Gale immediately arches an eyebrow. "A date?" My heart stops. "That''s a thing people say, right? Like. Not a romantic date, just, you know, we''ve. We''ve penciled it in! It''s a date. Right?" I glance around the room quietly. "Yeah?" Gale giggles under her breath. "Chill. I''m busting your balls. I''ll see you then." I am going to walk off a cliff. Chapter 35.1 As I walk into Tacony Academy Charter High School, the fluorescent lights above are almost too bright, too clean. It''s Monday, and it''s like I''ve walked into another universe altogether. I¡¯ve been busy being Bloodhound for a while now, and I¡¯m used to the dark and the grime. This place is almost surgical by comparison. It''s a weird kind of nostalgia, a homecoming of the most unwelcome sort, because a school should never feel like another planet. I¡¯m wearing Lily¡¯s clothes. We¡¯re not the same size, and it shows. The button-down shirt bunches up around my arms, loose around the chest, and everywhere else, and the dark blue skirt hangs lower on my waist than it should. The uniform isn''t exact ¡ª kind of a Frankenstein mash-up of what Lily had that looked like the real thing. I tug awkwardly at the hem of my skirt, trying to adjust it without drawing attention to myself. There''s a weight around my arms, or maybe an anti-weight, where the musculature reminds me of my sudden lack of backpack. My body¡¯s changed, but only in ways that people would notice if they were looking real hard. There are these tiny scars on my face, little lines and curves that someone''d miss if they blinked. Most people''d think regenerative powers would clean all that up, but it doesn¡¯t work that way. Each one is a lesson, carved into my skin. And I¡¯m more muscular now, not like bodybuilder ripped or anything, but there¡¯s a tightness, a solidity to my limbs that wasn¡¯t there before. I feel like a coiled spring, ready to snap, and it''s both good and bad. Good because it reminds me I¡¯m not helpless, bad because what kind of teenage girl wants to look like she could bench-press her classmates? I feel ill at-ease inside my body now. Like it''s ready for combat 24/7. Like I''m always looking over my shoulder, expecting to see a new suit-wearing menace sent to check in on me. The hallways are loud, the noise of students talking, laughing, pushing each other around in that casual way teenagers do when they think they¡¯re immortal. I make a beeline for my locker, trying to navigate the hallway without getting tangled in any conversations. I don''t need that right now. I shove my emergency backpack in, slam the locker shut, and let out a quiet sigh. That¡¯s one hurdle done. Mrs. Foster greets me in the homeroom with that look, the one that says she¡¯s sorry I have to be here. It¡¯s a sentiment I can get behind. The clock ticks and her mouth moves and I jot down whatever she¡¯s saying into my notebook because sometimes writing stuff helps me focus, even if it''s just random notes. I''ll find the important bits later. Maybe. Then it¡¯s off to Math and her sympathetic smile follows me like a rain cloud, but I¡¯m not in the mood to get wet. She pulls me aside for a moment after class. Singles me out, and tells me that she''s happy to see me back in school and safe. She hands me a small stack of assignments as well as some notes photocopied from my classmates. And a get-well soon card. I don''t know what I like less - people knowing that I was vulnerable, or me knowing that people knew. I step into Mr. Strickland''s English class and there''s this pause, like the air gets vacuum-sucked out of the room for a second, and then it refills with chatter and the scraping of chairs. Nobody says anything to me directly at first, but I can feel their eyes on me, probably more curious than judgmental, but who knows? School''s weird like that. Mr. Strickland, up at the front, gives me a smile that''s more professional than personal. "Samantha, welcome back. Please take your seat." That''s my cue and I sink into my usual spot by the window. The sun''s at this angle where it just barely catches the dust motes, making them light up like tiny stars. I wonder if they''ve been there the whole time or if they just showed up for my triumphant ¡ª or awkward ¡ª return. A girl who sits two rows in front of me turns around and flashes a too-bright smile. "Hey, Samantha, good to see you back. We were all worried, you know?" Melissa. I remember her, kinda, but not like we ever had sleepovers or borrowed notes or anything. We... existed in the same space. Did she really worry about me, or is this some sort of social dance that I''ve forgotten the steps to? It takes all my effort just to remember what her first name is. Had we interacted? "Thanks. Good to be back," I answer, unsure if her name is actually Melissa or if I''m hallucinating, and there''s no way for her to know that I''m still parsing what ''back'' even means right now. My fingers fiddle with the corner of my notebook, flipping the pages up and down. It''s easier to focus on that than the weight of her concern, which might be real or might be as substantial as the dust in the air. The guy next to her, what''s-his-name, also turns to me, and I''m hit with d¨¦j¨¤ vu. "Glad you''re safe, Sam." Safe? That word hangs in the air longer than it should, given that we''re in English class and not a therapy session. My thumb folds under my palm. Then it unfolds. I can''t decide if it wants to be folded or unfolded or if it wants to be anything at all. "Thanks," I reply, trying not to address him by name in the case that my guess ("Tim") is wrong, my voice unintentionally flat because I''m trying to juggle a dozen things in my mind, like why are people I barely interacted with suddenly treating me like we''re in the same club of knowing what the heck is going on. I don''t get it, but I''m not about to ask and reveal that I don''t get it. I''ve never been out of school for a week. I don''t even have a cast to sign. How much do they know? Do they know I''m homeless? I feel everyone''s eyes looking straight through my skin like it''s translucent. Class starts proper after that, Mr. Strickland diving into themes of identity and conflict in literature, and I can''t help but wonder if the curriculum was changed just to mess with me. I jot down some notes, not really processing them, still wrapped up in the undercurrents of the room. Like, it''s weird, I thought I was flying under the radar all this time, but these blips of concern make me second-guess that. Maybe people knew more than I thought, or maybe they''re just reacting to me being gone and coming back like it''s a big deal, even if they don''t know the half of it. By the end of the class, I''ve got a page full of scribbled notes that look more like abstract doodles and a head full of stray thoughts that won''t form a complete picture. Mr. Strickland assigns some reading, the bell rings, and people start to shuffle out. English class with Mr. Strickland feels like a test I didn''t study for. He has this stack of books in the back of the room that my mom would love, but I just see a pile of kindling for burning through my last good neurons. He pulls me aside for a moment after class. Singles me out, and tells me that he''s happy to see me back in school and safe. I hand him the single requisite completed essay, with zero passion, constructed over meaningless afternoons in a home that''s not my own. He tells me to keep a chin up. Finally, lunch. It''s like I''ve been holding my breath and someone told me it¡¯s okay to breathe. I find Jordan sitting at our usual spot, their face buried in some manga with a cover that''s way too colorful. As I sit down, a nervous excitement bubbles up inside me. I¡¯m about to unload weeks of superhero life, real top-secret stuff, to someone who lives it just like I do. It''s kinda relieving. Like the feeling you get when you walk into a room you''ve not been in for a while and see everything still in its place. So, when I set my tray down and squeeze myself into a spot next to them, it''s with a bit more bounce in my step than I thought I''d manage today. "Hey, stranger," Jordan grins, nudging me with their elbow. "Miss me?" The tale has been illicitly lifted; should you spot it on Amazon, report the violation. "I''ll need to correct my aim next time," I shoot back, but the sincerity is there, more than I''d like to admit. Across from us, Alex snorts into his spaghetti. "Hey, can we, like, not talk about you-know-what during lunch? I don''t want another anxiety attack," Alex says, pre-emptively cutting off any hero chatter, which is both disappointing and relieving. I''m not sure I want to talk about it either. "Plus, you know," he says, shifting his glance wayward towards the other people talking about the latest chapter of Murder Cereal, which strikes me as a completely incomprehensible title. Friends of Jordan and Alex, I guess ¡ª but not mine, since I don''t even know their names. I mean, I''m sure they''ve told me, but it hasn''t really stuck. It''s not really sticking right now. My focus narrows to just Jordan and Alex, because they''re familiar, and I could use familiar right now. And they''re totally in the dark about the hero stuff. Alex, too, other than "it is happening where he can''t see". Jordan and I never talk about it anyway, so Alex bringing it up strikes me as slightly bizarre, but I don''t question it. "So," Jordan leans back, chewing on some fries, "I gotta say, living full time in my new place is amazing." They say ''my new place'' like it''s a freaking condo and not an abandoned building stuffed with junk and barely-fit-for-purpose amenities. "It''s been lovely not having my parental unit on my back. How are you holding up at Lily''s?" "Ugh, don''t even get me started," I roll my eyes and throw my hands up like I''m being super dramatic, because maybe if I act like it, I''ll feel it too. "I think all the Chinese food leftovers are gonna make me fat. I swear, I''m developing an addiction to duck meat." "You know, I hear there''s a bounty on gooses. Like, you bring in a couple of dead gooses to the local government office and they''ll pay you money. Just in case you were interested," Jordan says, leaning in like they''ve got the low-down on yet another new opportunity. Alex''s eyes gleam. "Really?" "No," Jordan shoots them down. "But it would''ve been funny to see Sam try it." "I would''ve believed you if you didn''t shoot yourself in the foot!" I protest. "Oh, speaking of bounties," Jordan cuts in, handing my laptop back to me, wrapped in a firm carrying case. Jordan being Jordan, I assume that this hot pink case is also stuffed with as many dollar bills as it can handle. "Okay, back to the conversation." Alex snickers. "I can already see the headlines: Local Teen Transforms from Shark to Goose Hunter. What''s next, Sam? Tackling the pigeon menace?" "Pigeons are cool, okay? Don''t diss the pigeons. They have, like, this radar in their brains. Bet you didn''t know that," I counter. Jordan looks at me as if trying to figure out if I''m joking. "You''re pulling that out of nowhere. Pigeons are rats with wings." "I''ll have you know, rats are very intelligent creatures," I say, munching on some fries. "I read this study where they taught rats to drive tiny cars to get food. You can teach a rat many things." "You sound like an old Buddhist master. ''You can teach a rat many things, young grasshopper''," Alex retorts in between sips of soda. "I think rats eat those," Jordan muses. "I don''t believe you, bee-tee-dubs." "It''s true! You can NetSphere it," I assure him. NetSphere knows all, including things about rat-driving studies and pigeon radars. "NetSphere knows all," I repeat, like it''s some kind of incantation. "It''s like the all-seeing eye but without the Illuminati." "Ah, the Illuminati. That''s the good stuff," Alex says, rubbing his hands together. "They''re behind it all, you know? Anime, K-pop, the economy." Jordan shakes their head. "You''ve been hanging out on conspiracy boards again, haven''t you?" "No, I just like saying it. It makes every conversation sound more exciting. I mean, come on," Alex elaborates. "Who doesn''t want to believe that a secret society is controlling our lives? It adds some¡­ intrigue." "Adds a level of distance between you and personal responsibility, more like," I mutter. Alex raises an eyebrow. "Sam, you''re talking like you''re part of the Illuminati. Is that your secret identity?" "Me? Part of the Illuminati? Nah, I can barely keep track of my own homework, let alone control the world," I admit, finally cracking the lid off my water bottle and taking a sip. I don''t want to get into any other implications that me controlling the world might bring, but I doubt Alex thought very hard of those, so I let it slide. Jordan looks at me and then at the water. "I still don''t get why you drink that. Water''s so¡­ bland." "That''s the point. Keeps me grounded," I say. "Besides, someone at this table has to make healthy choices." Jordan snorts. "Excuse you, my body runs entirely on caffeine and spite, and it''s doing just fine." "Sure, that''ll look great on your medical chart," I say, shrugging. "Reason for admittance: Overdose on bitterness." "Hey, bitterness is a lifestyle," Jordan retorts, grabbing a handful of fries and stuffing them into their mouth. "And one I''m glad I don''t share," I respond, finishing off my water. "At least, not to that extent." "Uh, hey Sam, right?" I look up from my water bottle. It''s Melissa, the one from this morning. Or at least, I assume Melissa - I still haven''t asked, and I''m not going to. She''s standing at the edge of the lunch table, eyes darting from me to Jordan and Alex, flanked by several of her friends, none of whom I recognize either. I''m already on edge. "You wanna sit with us at lunch tomorrow? Or maybe in science class? After lunch?" I blink. Like, several times. The gears in my head grind to a halt before reluctantly chugging back to life. "Wait, what?" is all I manage to say. Melissa''s eyes flick to Jordan and Alex, then back to me. "Yeah, you know, we thought you might want to hang out. If you''re up for it." "Uh," I say, which eloquently captures the whole range of my thoughts right now. "Why?" Jordan and Alex are dead silent, eyes on me, but their silence is different. Jordan''s is analytical, calculating, while Alex looks like he''s watching a reality TV show and he''s here for the drama. "Why?" Melissa repeats. "Why not? We just¡­ you seem cool, and we thought it''d be nice." "Cool? I''m as cool as a hot pocket straight out of the microwave ¡ª lukewarm in most places and dangerously hot in pockets you don''t expect," I reply, trying to sound witty. Melissa blinks at me a couple of times. "I don''t know what that meant either, sorry. But seriously, why are you asking me? What''s going on?" Melissa glances at her friends before looking back at me. "Look, no teachers would say why you were gone for a week, okay? But it''s not like it''s a secret that someone''s house got, like, trashed by a friggin dinosaur last week, over in Mayfair. Everyone kinda put two and two together, so, like, you''re the school badass now. Look, we all wear plaid, you think this school has people that get into fights? And you''re, like¡­" She looks me up and down. "Totally fine? What''s the word, unscathed?" My mouth opens, but I don''t speak. I can''t. My mind races from thought to thought like it''s trying to win an Olympic sprint. They think I''m badass? Because they think I survived a supervillain attack? Not because I''m Bloodhound, not because of anything I actually did, but because they think I''m some sort of¡­ survivor? When I speak, I always have to tuck my lips over my teeth to prevent my teeth from showing too much and it always makes me sound kind of goofy. I use F''s instead of TH''s, and now I''m the school badass? But not, like, for any of the actual badass things I''ve done? Jordan breaks the silence with a soft chuckle. "Well, isn''t this interesting?" "An autograph, ma''am?" Alex jokes, elbowing me in the back. The absurdity of it finally processes, in little chunk-sized bits that my brain can manage. I''m not sure if I should be relieved or horrified. "I''m not giving autographs," I tell Alex, rolling my eyes. "And I''m not a celebrity, Jeez." "But you''re not saying ''no'' to the badass part," Jordan points out, a smirk dancing on their lips. I look at Melissa and her friends, then back at my own. The weight of their expectations, misunderstandings, and assumptions feels like an ill-fitting costume I never asked to wear. "You really think a girl with a lisp is the school badass?" Someone behind Melissa leans over to speak instead of her. She''s got black hair and tan skin. Pretty. She looks sort of like Gale. "You survived a supervillain attack, dude." I blink at them a couple of times. Did I? I guess, in the most literal sense, sure. "I''ll think about it and get back to you," I end up saying after a couple of uncomfortable seconds. Melissa shrugs. "Good ''nuff. Uh, we sit over on the other wall, don''t be a stranger, Sammy!" I shudder as they turn away and begin heading towards the garbage cans lining the cafeteria to dispose of their lunch. I swing around on my chair to face the table full of dunderheads that I count as a ''friend clique''. "What?" I ask, at their omnipresent grins. "School badass," Jordan jokes. "Sounds like you''re about to get recruited for another team of wayward youngsters. Maybe they have a problem for you to solve." "Oh, G-d," I mumble, hitting my head on the table. Anything but more problems. Chapter 35.2 It''s the following Saturday, and I find myself standing in front of a brick building that looks like it''s seen better days. Buildings with peeling paint sidle up against freshly renovated - gentrified, my Dad''d say - ones, kids run around screaming, and a dude is playing sax on the corner. Gale''s directions led me to the heart of Germantown, and I''m wearing this all-black ensemble ¡ª a Foo Fighters shirt I snagged from Target with the cash Jordan gave me Monday, black jeans, black sneakers. Goth-lite, Gale called it when she texted me what to wear. I feel her before I see her, a rustle of wind telling me she''s nearby. Gale ¡ª Jamila, I mentally correct myself ¡ª appears from around the corner, and the moment I spot her, I forget about everything else. She''s also dressed in all black, loose clothes that conform to her modest style but manage to make her look like a gothic heroine. She still has a hijab on, but it''s a fancier one than what she wears out while heroing, dark and embroidered with intricate silver patterns. My eyes linger on the elegant curves of the fabric, tracing their way to her face. God, focus, Sam. It''s hard to tear my gaze away, even harder to remember to play it cool when all I want to do is jump up and down and scream like a fangirl at a rock concert. "Hey," she greets me, her voice smooth like hot chocolate on a cold day. "You look good in black." "Oh, uh, thanks. You too," I stammer, playing with a frayed thread on my jeans. "Your hijab''s really pretty." We start walking towards her apartment, and the building looms like it''s seen a lot of life but kept all its secrets. It''s four or five floors, depending on how one counts basements, and she leads me around to the back where their unit is. The hallways we pass through are a blend of musty carpets and aged wallpaper, both too tall and too narrow, like someone tried to pack as much vertical space into the land as possible. "This place has¡­ character," I say, trying to choose my words carefully to avoid offending my crush. It feels ratty, kinda like the budget ran out before they could make it nice. The walls are worn and I can see patches where paint has given way to time. But it''s still a home for someone, for Jamila, and that makes it important. "Yeah, it''s not the Ritz, but it''s cozy enough," Jamila smiles, her eyes sparkling like she''s sharing an inside joke with the universe. "We''ve been here for ages." I could comment on the obvious signs of wear and tear, ask if they''re planning on moving or renovating, but I don''t. Instead, my fingers find their way to my pocket, tapa-tapa-tapping against the fabric. Nervous energy that needs a place to go because suddenly the weight of why I''m here, dressed like this, with her, hits me like a ton of bricks. This is sort of like a date, right? I mean, we''re hanging out alone outside of superhero stuff, and I¡¯m meeting her family, and we¡¯re going to a concert. That¡¯s date-ish. We reach her front door, and she pauses, fishing for her keys. I take the moment to look around one more time, let it all sink in. This is where Gale ¡ª where Jamila¡ªcomes from. It''s so different from my world, yet here we are, standing at the threshold of something new and undefined. And for the first time, it dawns on me how much I want to cross that line, go through that door, not as Bloodhound or as a member of the Young Defenders, but as just Sam. Sam who has a crush on her teammate and no idea what she''s doing, but wants to figure it out anyway. "Ready?" Jamila asks, her hand on the doorknob. "As I''ll ever be," I reply. And it''s true. Whatever''s behind that door, whatever this day brings, I''m ready. At least, I really hope so. The door swings open and a wave of scents and sounds rush out to meet me¡ªspices, cooking oil, and the low murmur of voices. I step inside and instantly spot a glass coffee table at the center of the room. On it sits a hookah, its ornate design contrasting sharply with the utilitarian furnishings around it. The table looks like the most expensive thing here, as if it were a treasure in a sea of well-used relics. A man is sitting on the couch, puffing away at the hookah. He''s got this stern, sorta regal air about him, dark eyes framed by salt-and-pepper eyebrows. A well-trimmed but incredibly bushy mustache sits neatly above his lip. His face is lined but not old, etched by years of experience rather than age. That must be Jamila''s dad. Across from him, a woman is gently rocking a baby to sleep in her arms. She has a softer appearance, with rounded features and a weariness in her eyes. Her hijab is a muted shade of blue, a simple contrast to the bright patterns I''ve seen Jamila wear. The baby is bundled in a light blanket, small tufts of hair peeking out. "Ah, Jamila, you''re back," her dad says, setting the hookah pipe down on the immaculate glass table. His voice is deep, the timbre filling the small space. "Yeah, Baba, this is Sam," Jamila introduces me, her tone shifting to something a bit more formal than I''m used to hearing from her. "Nice to meet you, sir," I say, suddenly hyper-aware of every movement. Do I bow? Offer a handshake? I settle for a small wave, instantly regretting how awkward it probably looks. He surveys me, his eyes landing squarely on my freckle-strewn face. "You''re Irish?" "Uh, no, Jewish actually," I correct him, my voice a bit higher than usual. He nods, knowingly, and says something in Arabic - or at least, what I''m assuming is Arabic - to Jamila. I don''t understand the words, but the tone makes her face instantly flush with anger. "Baba!" She snaps, yanking a small hand fan from her pocket and swatting at him. This isn''t a playful, father-daughter moment; she''s genuinely offended. "Hey, what did he say?" I ask, my fingers instinctively tap-tapping on my leg. The air''s suddenly thick with tension and I''m not sure if I should be offended or embarrassed or what. "It''s nothing," Jamila dismisses quickly, but her cheeks are still flushed. "You wanna head upstairs?" "Sure," I answer, still a bit confused but not wanting to push it. What was that about? The nervous tapping on my leg slows but doesn''t stop. Jamila leads the way to the staircase, which is more like a steep ladder in terms of space-efficiency. It''s a cramped climb, but soon enough, we''re on the second floor, where four doors suggest the existence of separate bedrooms - four bedrooms, or one bedroom and a bathroom. As I look around, wondering which room is hers, I feel the weight of the day settle into a more defined shape. I''m here, in her home, meeting her family, and whatever that exchange with her dad meant, I''m suddenly intensely aware that I''m stepping into a world much larger and more complex than the fights and friendships of our superhero lives. Jamila''s room is nothing like I imagined it to be, but I guess that''s the whole thing with expectations¡ªmore often than not, they don''t really line up with reality. I was thinking it''d be this neat, structured place. Given her always-put-together appearance and that quiet, mother-hen-like authority she has, I just assumed her personal space would be an extension of that. But, uh, no. The second the door swings open, it''s like stepping into controlled chaos. Every square inch of the walls is covered with posters. And when I say covered, I mean covered. Band posters, album covers, a mismatch of colors and images that leave no bare wall space. What''s hilarious¡ªor maybe embarrassing, at least for me¡ªis that I can''t even read most of the band names. Like, seriously, I squint at them and it''s like trying to decipher a doctor''s handwriting but in neon colors. My eyes dart from one part of the wall to another, and it''s sort of like trying to read a book while tumbling down a hill. The room''s a mess, sure, but it''s a personal mess. Like, you could know Jamila just by standing here. Clothes on the floor, a stray notebook, and¡­ is that an electric harp on her bed? Now, that''s new. I didn''t know she played the harp, but somehow that seems a very reasonable choice for someone like her. I''m still taking it all in when Jamila starts to unpin her hijab. She folds it neatly¡ªa tiny island of order in the mess¡ªand places it on her desk. I see her unclasp something at the nape of her neck, and then her bun unravels, dark hair tumbling down her back, past her shoulders, stopping just above her waist. My breath catches. My eyes can''t help but follow the fall of her hair, thick and glossy, like strands of night. I had no idea it was that long, longer than mine. Much longer. Her face, unobscured for the first time since I''ve known her, makes my heart do this weird fluttery thing. Without the hijab, it''s like seeing her anew. Not that she was ever less pretty before, but it''s different. Her features are soft and her cheeks seem rounder, almost like she''s constantly on the verge of smiling. I get this strange sensation, like I''ve been granted access to something deeply personal. My brain keeps saying, "Don''t stare, Sam, don''t stare," but my eyes are stubborn rebels and they''re not listening. This story originates from Royal Road. Ensure the author gets the support they deserve by reading it there. I''m sure my face is all kinds of red, and that''s not even accounting for my normal amount of constant redness, of bloodflow under my freckly cheeks. I''ve read enough YA novels to know how these moments are supposed to feel, but experiencing it in real life is something else entirely. It''s like I''ve been dropped into the middle of a romance novel and I can''t help but feel like a bit of a pervert for staring so much. Except, in those novels, they''d find some poetic, elegant way to say all this and me? I''m just thinking, "Wow, she''s pretty," like a broken record, and trying not to drool. Trying not to stare anywhere unseemly. "So, have you ever done makeup before?" Jamila asks, and I''m snapped out of my internal monologue that''s pretty much just a loop of "she''s so pretty oh my god." "I mean, I know enough," I reply, making air quotes around the word ''enough''. "But I''m not like, an expert or anything. Mostly just eyeliner and lipstick. Sometimes I mess that up too." Jamila chuckles and opens this intricate makeup case. It''s like a magician''s toolbox but for beauty products, full of eyeshadows, brushes, lipsticks, and stuff I can''t even name. "Would you mind waiting for me to put on some makeup? Gotta look good when I get a nosebleed," she says, her eyes meeting mine as if asking for approval. She sits down on a small bench in front of a similarly-small mirror-and-dresser, and keeps looking at me expectantly. "Of course, go ahead. Take your time," I say, still somewhat entranced. I take a seat on her bed, making sure not to disturb the electric harp lying there. I guess it''s her turn to transform. "Why would you have a nosebleed?" She begins with a kind of focused grace, almost like she''s painting a canvas. A brush dances along her cheeks, laying down a soft foundation that makes her skin look even more flawless. Then comes the eyeliner, which she applies with this surgical precision that I could never manage. A swoop here, a curve there, and her eyes instantly look more dramatic. I''m mesmerized by the whole process, the way each layer and color adds to the next, turning her into something even more attractive. The eyeshadow''s dark, smoky, making her eyes pop even more than usual. She finishes it off with a deep, dark lipstick that makes her lips look like they could tell secrets. The only thing going through my head - "Shiny". Shiny shiny shiny. "Mosh pit, silly," she answers as if it''s obvious, despite the minutes-long gulf between question and response. I am afraid to admit I don''t know what a mosh pit is, and I don''t want to ruin the moment, so I just let it pass over me. And all through it, I''m sitting there, completely engrossed. I didn''t even feel the need to get on my phone or anything, which is like, weird for me. But this is better than any video or tweet or whatever. This is live art. And, God, how does she make it look so easy? If I tried any of that, I''d look like a raccoon who got into a paint fight. "Do you want me to put some on you?" she asks, breaking my trance. She''s holding a makeup brush like a wand, poised to cast a spell. I hesitate for just a second, but it''s not really a question. "Yeah, that''d be awesome," I say, trying to sound way more casual than I feel. I slide off the bed, moving carefully past her harp and walking over to where she''s directing me¡ªthe little stool in front of her vanity. It''s a surreal feeling, seeing her reflected next to me in the mirror. She feels both close and far away at the same time, like she''s in another world but reaching in to pull me toward her. I take a deep breath and sit down, which does nothing to calm the shiver racing up my spine. "Alright, let''s get started," she says, rolling up her sleeves like a surgeon preparing for an operation. For a second, I feel utterly exposed, like she''s seeing right through me. But then her brush touches my face and the sensation is so intimate that my mind goes blank. She starts applying foundation, but it''s like her hands are electric. Every touch sends a little thrill coursing through my body, lighting up my nerves like a fireworks show. This is not helping me keep my composure. At all. I catch her eyes in the mirror for a second. They''re focused, but there''s a slight curve to her lips that I can''t quite interpret. Is she enjoying this as much as I am? Probably not, right? Yeah, definitely not. She moves on to eyeliner and that''s even worse. Her face is so close to mine, I can feel her breath against my skin. I have to concentrate really, really hard not to look at her, not to meet those eyes, because if I do, I''m going to make an absolute idiot of myself. My hands are clenched in my lap, and I realize I''ve been holding my breath. I let it out in a rush, pretending like it''s totally normal to be this tense when someone''s doing your makeup. The eyeshadow comes next. She picks out a shade that I would never have thought to use, something darker, more dramatic. "Close your eyes," she instructs. I comply, and for a moment, I feel a little less vulnerable. But then her fingers brush against my eyelids and I''m back to square one, heart pounding out a frantic rhythm. Lipstick is the last step, and by now, I''m a bundle of raw nerves. She applies it slowly, methodically, and I have to keep reminding myself to breathe. It''s like she''s tracing the outline of every fantasy I''ve ever had, filling them in with this rich, intense color. Finally, she steps back and examines her work. "What do you think?" she asks, folding her hands neatly in front of herself. I open my eyes and look at myself. I almost don''t recognize the person staring back at me. It''s like she''s brought out a side of me that I never knew existed, that I was too afraid to show anyone else. But as I meet her gaze in the mirror, I realize that it''s not just the makeup. It''s the whole moment¡ªthe intimacy, the touch, the closeness. "It''s amazing," I say, the words barely above a whisper. "You''re amazing." Jamila raises an eyebrow at the word "amazing," and my throat tightens because, oh God, I''ve said it, haven''t I? I''ve let something slip, something big and meaningful and heavy. My hands feel sweaty in my lap and I keep opening and closing my fingers because I don''t know what to do with them. So I just let loose, my mouth operating miles ahead of my brain. "I, uh, I mean, you''re more than just a teammate to me, Jamila. And not just because we go punching bad guys together, y''know? It''s like, when I''m around you, I feel¡­ different. I''ve got all these emotions, and they''re confusing, and I don''t really get them? But they''re strong and they''re pointing at you and it''s really, really intense for me." I ramble on, my words coming out in a torrent, like water through a broken dam. I don''t even know what I''m saying anymore; it''s just a lot of feelings strung together with words that are totally inadequate for describing them. I''m scared of how she''ll react, of what she''ll say, but I''m more scared of not knowing, of keeping this whatever-it-is inside me. And I can''t just say nothing, because then I''d be lying to myself and to her and that would be way, way worse. I end up saying something like, "So, yeah. I don''t know if it''s a crush or something else, but it''s something and I really wish it was something more than just us being friends or teammates. I want us to be more, Jamila." There''s this silence. Like, you could hear a pin drop, or the faint buzz of a fly ten miles away. It''s that quiet. She''s looking at me, and I can see that she''s thinking, like, really, really hard. And my heart is in my throat, it''s pounding so loud I swear she can hear it. Then, she speaks, and the words are soft but they slice through me like a blade. "Sam, that''s really flattering. And it means a lot to me, it really does. You''re a great friend, and a fantastic teammate. But I don''t¡­I''m not a lesbian. I don''t feel the same way." It''s like something inside of me breaks. Shatters. Cracks down the middle and splits apart into a thousand little pieces that I''ll never be able to put back together. My eyes are stinging and, God, I''m going to cry, I''m really going to cry, right here, in front of her, like a total mess. I look down, away, anywhere but at her. I can''t face her, not now. I''m trying to keep it together but it''s really, really hard. "I¡ªI understand," I manage to choke out, but it''s like the words are caught in my throat and I have to force them out. I''m so embarrassed I want to die. But then, just as I''m about to break, about to turn into a sobbing, blubbering wreck, she reaches out and grabs my hands. Her fingers are warm and her grip is firm and it''s like she''s anchoring me, keeping me from floating away into a sea of my own misery. The room goes still, the air thick and heavy, like the moment before a storm. And we''re just there, looking at each other, and it''s so intense I can barely breathe. "Look, Sam," Jamila begins, her eyes searching mine as if she''s trying to find the right words in their depths. "I don''t feel attraction to girls like that. But that''s not to say I really feel like that for guys either. To me, it''s all sort of the same. Gender''s never been the factor that determines who I care about." She takes a deep breath, almost like she''s steadying herself. "But what I do know is that I respect you. I like you as a friend, as a teammate. I like you more than most of the men my Baba tries to introduce me to." My heart stumbles, trips over itself. "Yeah?" It''s all I can manage, a single syllable hanging in the air like a lost balloon. She nods. "Yes. And to be completely honest, I''ve never felt particularly drawn to guys in that way either. My Baba tries to introduce me to sons of his friends, business partners, you name it. And they''re fine, they''re decent people, but there''s no¡­ spark. You, Sam, you at least make me want to try." "Try?" The word comes out before I can catch it, a fragile hope perching on its edge. "To date. To see if there''s something more between us than friendship or teamwork," she explains, her words steady but her eyes full of something like vulnerability. Her words hit me like a punch to the gut, and I can''t stop it anymore. Tears start flowing, brackish streams that boil down my face, hot and burning, tracing my face and smearing the makeup that she''d just meticulously applied. I look like a mess, feel like a mess, am a mess. The colors blend into a grotesque palette on my cheeks, and I feel awful that her hard work is ruined, which makes me want to cry even more. "Sam, don''t cry, please," she says softly, her voice tinged with regret. Maybe she thinks she''s hurt me irreparably, destroyed some fragile thing between us. And maybe she has, but not in the way she thinks. Not in a way that can''t be rebuilt or redefined. I cry harder. She kisses me. It''s not like in the movies, where everything goes soft focus and the world spins around. It''s nothing like that. It''s real and raw and intense, like the feeling you get when you''re standing at the edge of something incredibly high, your heart pounding out of your chest. Her lips are soft but the kiss isn''t. There''s something deep and searching about it, something that goes right to the core of me. It''s like she''s pulling me into her, and for that one perfect moment, I''m not lost or confused or broken. I''m just me, and she''s just her, and it''s absolutely amazing. My hands, which have been sitting like dead weights in my lap, suddenly spring to life. I grab for her, pull her closer, and she lets me. She lets me pull her into my world, into this bubble of emotion and confusion that''s suddenly become so much simpler, so much clearer. And then she''s there, really there, right in front of me, and it''s like the world''s clicked into place. WORLD OF CHUM: Gadgeteering (1)

"Gearheads With Greg - Episode 40: Tiny Gadgets, Big Dreams!"

[Scene: Interior of a cluttered but organized workshop. Components, circuit boards, fabrics, and small machines are visible on shelves and worktables. A man in his late 20s, known as Greg, sits in front of a camera. He has safety goggles on his forehead and a soldering iron in hand.] Greg: Hey, Gearheads! Welcome back to episode 40 of "Gearheads With Greg." If you''re new here, don''t forget to punch that¡ªuh¡ªclick on that subscribe button to add this vlog to your RSS feed. Man, 40 episodes! That''s like, almost a year, huh? Time flies when you''re having fun¡ªor in our case, when you''re buried in circuits and spandex. Greg: Thanks, PowerNut and CircuitQueen! Glad you guys could make it. So today is a bit special. I''m working on something that could be a game-changer for one of our local vigilantes. But before we get to that, let''s have a look at some mail I received this week. [Greg reaches down and picks up a small box and some letters. He opens one.] Greg: This one is from... oh, it''s a thank-you note from Episode 37''s client. Says the shock-resistant boots I made for him worked like a charm. He''s been jumping off two-story buildings without so much as a twisted ankle! So that''s cool! Greg: Aw, shucks! Thanks, MaskMaker and NotJustNerdy. It''s all in a day''s work. Greg: The rest of this,, well, you know... Bills, bills, resume rejections. Bills. Oh! This is... [Greg shakes an 8 1/2 x 11 padded envelope, listening close. He sets it aside.] This sounds like some components I ordered. I''ll need that for later. [Greg sets aside the mail and clears his workspace.] Greg: Alright, so today''s project is a request from my client¡ªa local vigilante who specializes in reconnaissance and surreptitious recording. She needs a miniature camera that can be pinned to a lapel and activated by touch. Oh, and it needs to transmit live footage back to her mobile command center. There''s plenty of prefab spycams you can get on the market nowadays, but nothing beats custom work. Greg: Exactly, fellas. It''s a challenge but one I''m eager to tackle. I''ve already laid out the components here. [Greg shifts the camera angle to focus on a table with various small components neatly organized.] Greg: We''ve got a micro camera lens, an RF transmitter, and a touch-sensitive switch, along with other necessities like batteries and wires. Let''s get this party started, shall we? [Scene: The camera has been repositioned to give a better view of Greg''s workspace, focusing on the components neatly laid out on an anti-static mat. Greg puts on his safety goggles, repositions the soldering iron and picks up a micro camera lens.] Greg: Alright, first thing''s first. We need to solder the camera lens to the board. Precision is key here; we don''t want to fry the sensor. [Greg delicately holds the lens in a pair of tweezers and starts soldering it to a microchip board, being careful to not apply too much heat.] Greg: Soldering at this scale is a bit tricky. You need a fine-tip soldering iron and a steady hand. Okay... and there. That looks good. [Greg sets the soldering iron aside and picks up a tiny RF transmitter.] Greg: Next up, the RF transmitter. This bad boy will take the footage from the camera and send it back to my client''s mobile command center. Now, it''s crucial to match the frequency with her system. We''re using a 5.8 GHz band for this. Don''t have the components necessary for a true wifi connector, it''d be too big and too expensive. [Greg starts soldering wires to connect the RF transmitter to the microchip board, occasionally glancing at a diagram next to him.] Greg: Make sure the wires are properly insulated; we don''t want any short circuits. [After soldering the wires, Greg tests the connectivity with a multimeter.] Greg: Alright, let''s test this... Good, we''ve got connectivity. [Greg now reaches for the switch and a tiny battery.] Greg: Now, this switch is touch-sensitive and extremely compact. Just a light touch will activate the camera. Let''s go ahead and solder this in series with our power source, which is a lithium coin cell battery. [Greg carefully solders the touch-sensitive switch into the circuit, then connects the coin cell battery.] Greg: Alright, the switch is in, and the battery is connected. Now, we should have a functional prototype. [Greg flips the switch, and a tiny LED light on the board illuminates.] Greg: And we have power! That''s the basic assembly. I''ll need to encase this in a weatherproof shell and pin mechanism for the lapel, but this is the core of the gadget. For now, let''s take a break. [Scene: Greg is back in his swivel chair, pulling up a pre-made sandwich and a can of soda from under the table. The camera is repositioned back to its original location, now showing both Greg and the workspace behind him.] Greg: Whew! All that soldering''s got me hungry. Time for a bit of lunch. [Greg unwraps his sandwich and takes a bite. He glances at the HIRC chatroom on a second monitor.] Greg: Yeah, you''re right, Chat¡ªdon''t solder on an empty stomach. Bad for the nerves. So, how''s everyone''s week going? Unauthorized use: this story is on Amazon without permission from the author. Report any sightings. [Greg waits a moment as chat messages flow in, then nods.] Greg: Ah, job interviews, huh? Yep, been there, done that. [Greg takes a sip from his soda can, his face expressing a sort of resigned understanding.] Greg: In fact, I''ve got another round of resumes going out later today. Fingers crossed, you know? Always hoping that this batch will be the "magic one." [Greg sets the can down and looks at a stack of paper on the other end of the table, organized neatly in a tray labeled ''Resumes''.] Greg: Yeah, the job market''s a tough cookie. Can''t get a job without experience, can''t get experience without a job, right? But hey, we keep on pushing. [Greg picks up his sandwich and takes another bite, reading through more chat messages.] Greg: Oh, tips for resume building? Ha, well, if I were an expert, I''d probably be broadcasting from a workshop in the middle of the city, not my parent''s garage. But let''s just say, I''ve been told to make my "freelance work for local heroes" sound more... professional. Hence, "Independent Contractor for Tactical Support Devices in High-Stakes Environments." How''s that for a mouthful? Greg: Always have to play to the HR guy, who does not understand what you are doing. [Greg chuckles, sets the sandwich down, and wipes his hands on a napkin.] Greg: Anyways, back to work after this. Still got the weatherproof casing and the pin mechanism to finish. And my client is pretty punctual when she picks up her gadgets. Wouldn''t want to keep a vigilante waiting, now would we? [Greg gives a wry smile, takes a final sip of his soda, and begins to clear up his lunch.] [Scene: Greg returns to his workbench after clearing his lunch. The camera zooms in a bit to focus more closely on the gadget parts spread out before him.] Greg: Alright, folks, back to business. Like I said earlier, we have power in the core unit. Next up is the weatherproof casing and pin mechanism. [Greg picks up a small plastic case and a tiny pin from his assortment of components.] Greg: For the casing, I''ve got this custom 3D-printed shell. And over here is the pin mechanism that will attach it to my client''s lapel. [Greg holds the parts up to the camera for a closer look, then puts them down and starts assembling.] Greg: First, let''s place the core unit into the casing. Gotta make sure the ports align with the shell cutouts. This is a snug fit, designed to keep out moisture and dirt. [Greg uses a pair of tweezers to gently place the core unit into the casing, ensuring everything lines up. He then screws on the top part of the casing.] Greg: Looking good! Now let''s attach the pin mechanism. [Greg picks up a tiny screwdriver and starts attaching the pin to the back of the casing, narrating his steps.] Greg: This is just a simple pin, but it''s reinforced with a bit of good ol'' tungsten for durability. my client can''t afford to lose this mid-mission, right? [Greg tightens the last screw and holds the gadget up for the camera to see.] Greg: And there you have it! Weatherproof, durable, and ready for action. I''ll run a final set of tests before handing it over, but that''s pretty much it. [Greg sets the finished gadget down, leaning back in his chair with a satisfied smile.] Greg: Another successful build, thanks to all of you for keeping me company. Here''s hoping my client finds it as useful as I think she will. And who knows, maybe one day this kind of work will be more than just a weekend hobby. [Greg glances at the ''Resumes'' tray, then back at the camera.] Greg: But until then, keep dreaming big and building bigger, right? This is Greg, signing off. Have a great week, everyone! [Greg reaches forward to turn off the camera, ending the episode.]
Support Device Engineer

Company: HeroTech Innovations

Location: Las Vegas, NV, USA Type: Full-Time Salary: $85,000 - $120,000 per year

About HeroTech Innovations:

HeroTech Innovations is a leading company specializing in the design, development, and manufacturing of support devices and technologies for superhumans. Our products range from utility gadgets for superheroes to specialized medical devices for civilian superhumans. Our mission is to provide cutting-edge, safe, and ethical solutions to the unique challenges faced by the superhuman community.

Job Description:

As a Support Device Engineer, you''ll be working closely with a multidisciplinary team of engineers, scientists, and designers to develop state-of-the-art gadgets and support devices for a diverse clientele.

Responsibilities:

Qualifications:

Preferred Qualifications:

Benefits:

To Apply: Please submit your resume, a cover letter detailing your experience and qualifications, and any relevant portfolio items through our online application system. Chapter 36.1 The taxi''s rumbling as we cross the Ben Franklin Bridge, and I''m gripping the seat like it''s a lifeline. I''ve always hated suspension bridges. There''s just something about being suspended in mid-air, high above the water, that feels so unnatural. My stomach''s churning, and my teeth feel a little too sharp in my mouth. I glance over at Jamila, who''s staring out the window, taking in the view. "Uh, Jami, I gotta confess something. I have this sorta phobia of suspension bridges," I say, my voice tinged with embarrassment. It sounds silly when I say it out loud, but I can''t help it. "I saw that one movie where, like, it got hit with a missile and all the cars on the bridge fell off. Effed me up for a while." Jamila turns to look at me, her eyes meeting mine. "Hey, it''s okay. Everyone''s afraid of something. Just hold on a bit longer, we''re almost across. You know I''m not a fan of heights either." And she takes my hand, her fingers interlocking with mine, warm and reassuring. My heart still feels like it''s doing somersaults, but somehow it''s a little less terrifying with her hand in mine. I squeeze back, feeling a bit of the tension leak out of me. Finally, the bridge ends, and I let out a breath I didn''t even know I was holding. We''re now on the New Jersey side, and the taxi winds its way through the streets of Camden. We''re not in the central part; we head down a couple of side streets, each one looking more deserted than the last. Everything''s a blur of faded paint and crumbling brick, of graffiti and broken streetlights, a city abandoned by its municipality. It''s like we''ve crossed over into a different world, one that''s harsher, rawer. My grip on Jamila''s hand tightens unconsciously as the taxi slows down and pulls up in front of the bar. It''s the kind of place that you''d miss if you blinked while passing by, hidden away like some kind of secret. The taxi drops us off in front of "The Lonesome Dove," a place that looks like the love child of a pirate ship and an old Western saloon. It''s set off by itself, isolated on an almost empty block, with dim streetlights flickering in the twilight. I pay the driver, throw Jamila a glance that probably screams, "Are you sure about this?", and cautiously step out. The wooden fa?ade of the building is chipped and faded, like the paint gave up a long time ago. Neon lights attempt to buzz to life over the entrance, spelling out the bar''s name, but the ''O'' and ''V'' are unlit, making it read more like "The Lnesome De." There are people hanging out front, metalheads draped in studded leather jackets, vintage band shirts, and combat boots. A couple of them have instruments in beat-up cases; one guy is lazily strumming a guitar. They''re all chatting, smoking, or looking at their phones as the sky above turns a deeper shade of blue. A girl with a jet-black Mohawk tosses a cigarette butt onto the street, stomping it out with her steel-toed boot. She catches my eye and nods, a brief acknowledgement, as if to say, "Yeah, you''re in the right place, but don''t get too comfortable." The sun is starting to set, casting long, spindly shadows that seem to crawl along the cracked pavement, and everyone outside seems to be savoring these last moments of freedom before heading into the dim cave of the bar. It''s like they''re all part of a tribe I never knew existed, and now that I''m here, right at the entrance of their lair, I''m not sure what the initiation rites are. Or if I''d pass them. Jamila looks excited, though, her eyes sparkling as she takes in the surroundings. "This is where the magic happens," she says, looking at me with a smile, but I can''t tell if she''s joking or if she really means it. I sort of hope she''s joking, because the place is giving me vibes. And not the good kind. The bar above ground feels like a buffer zone, a purgatory where people are deciding whether they''re ready to descend into the subterranean world below. It''s not any less grungy, though; the floors still have a tacky resistance when I lift my foot, like it''s questioning whether I should go any further. Band posters wallpaper the walls, some curling at the edges, some so faded they''re practically ghosts of what they used to be. The smell here is a cocktail of odors¡ªstale beer, sweat, cigarette smoke, and an underlying tang of metal, like blood. Is that my imagination? No, it can''t be; my blood sense isn''t picking up anything but the usual random signals. Still, it feels eerie. Jamila leads me by the hand down a set of low concrete stairs, tucked away in the corner - I''m not sure if they''re even part of the building, or if the building just sort of¡­ grew around them with further additions. Compared to the chaos above, the basement is practically barren. A narrow, dimly lit stretch of space with a low ceiling that makes me wonder how Jamila''s brothers and their bandmates are going to avoid knocking their heads on something. The band is just setting up¡ªguitars, drums, amps, all looking like relics that have seen better days. It''s as if everyone upstairs is too wrapped up in their drinks and conversations to realize that the real event is down here. I feel out of place, like I''ve wandered into some secluded, secret society meeting and the demon summoning ritual is about to begin. It''s a gathering of die-hards, people who are here for the music, not just the social spectacle. They''ve got a different energy, simmering, like they''re in on a secret that the crowd upstairs isn''t privy to. Me? I feel like a shark that accidentally swam into a cave and found it full of electric eels¡ªfascinating but potentially dangerous. Jamila seems to be in her element, though. She''s chatting away with people she knows, introducing me as her friend Sam. "Friend" is such a weird word. We''re more than that, but I guess it''s still new, so new it hasn''t even really had time to sink in. And this isn''t really the time or place to explore those feelings, because we''re here for her brothers'' band, "Demon Core." I take a deep breath, trying to get comfortable in the surroundings. My fingers tap against the side of my leg, not really to any beat, just because they want to move. They always want to move. Jamila''s off getting drinks, and I''m leaning against a table that wobbles if I put too much weight on it. The dim lighting in the room casts weird shadows on the floor, and as the place fills up, people begin bumping into me. One thing''s for sure, though. I''m out of my comfort zone. And I don''t know if that''s good or bad. But I''m here for Jamila. And if this is the kind of place she likes, then maybe it''s the kind of place I could like too. Maybe. I just wish it were a little less¡­ whatever this is. Because right now, all the weird smells and the noise and the people¡ªit''s a lot. I''m trying to not get overwhelmed, but I''ve got this gnawing feeling in my gut, and it''s not just because I haven''t eaten yet. It''s something else, something I can''t quite put my finger on. Like I''m waiting for the other shoe to drop. Jamila comes back, handing me a soda. "You okay?" she asks, looking at me like she can see right through all my layers of "I''m fine." "Yeah," I answer. "Just taking it all in." And I am. I''m taking it all in, the good, the bad, the absolutely bizarre, because this is part of Jamila''s world, and I want to understand it. Even if it scares the shit out of me. So I stand there, soda in hand, trying to acclimate to this strange new environment like it''s some kind of deep-sea trench and I''m the new species trying to survive. And who knows, maybe by the end of the night, I''ll have adapted enough to call this place, this strange, weird, terrifying place, a part of my world too. Jamila leads me by the hand up to the front of the stage, where her brothers (I assume) are busy setting up. I''m not exactly sure what soda I have. It definitely doesn''t taste like alcohol, though. I realize as she''s getting their attention that I haven''t actually given a ticket to anyone. We end up at the front, right by the stage platform. Jamila shouts something in my ear, but it¡¯s drowned out by someone testing the mic with an ear-piercing screech. I can see her lips moving, forming words, "These are my brothers," and she''s pointing to each guy on stage, fiddling with instruments and sound equipment. You could be reading stolen content. Head to the original site for the genuine story. "Ahmed, Tariq, Ibrahim¡ªguys, this is Sam. Sam, these are my brothers, Ahmed, Tariq, Ibrahim. Oh, and Uncle Nasir over there on the drums." I wave awkwardly, not sure if they can even hear or see me over the chaos. But Ahmed, the one with a buzzcut and a big bushy mustache, notices and waves back. "Hey there, Sam! Nice to meet you. You''re the girl my sister won''t shut up about, huh?" Ahmed shouts, strumming a quick riff on his guitar. "You talk about me? Like, outside of, you know, our stuff?" I ask Jamila. She looks at me and winks. I feel a shiver run through my entire body and my face goes beet red. Tariq, bald and all smiles, joins in. "Oh, so you''re the mystery girl. We were starting to think you were just a figment of Jamila''s imagination." I roll my eyes. "Nope, real as it gets." Jamila laughs, her hand still wrapped around mine. "See, I told you she''s awesome." Ibrahim, who has a curtain of long hair and a lot of piercings, gives a small nod while fiddling with a rack of pedals. It¡¯s like he''s got his own little tech command center back there. I try to read what the buttons say, but I¡¯m lost. They all look like they''ve been welded together, and have single word orders etched into them, "FALL", "SCREAM", "VIOLENCE", "PUSH BUTTON" - okay, that one''s two words. "Is he the silent type?" I ask Jamila, trying to shout in her ear. She nods, shouting back, "Yeah, but wait till you hear him play!" Uncle Nasir, big like a weightlifter and bubbling with energy, swings his drumstick in a wave, "Hope you''re ready for this, Sam!" "Ready as I''ll ever be," I reply. To be honest, I¡¯m not even sure what I¡¯m ready for. "So what''s your music like?" I manage to ask, really pushing my vocal cords to overcome the ambient noise. Ahmed takes this one, "Think of us as a poor man''s System of a Down!" I make a face. "Uh, sure, if I knew who that was." Jamila giggles. "Don''t worry about it. Just get ready to have your mind blown." Ahmed goes back to his guitar, Tariq steps up to the mic, Ibrahim resumes his place behind the fortress of pedals, and Nasir takes his seat at the drums. They start doing a sound check, and even that¡¯s loud enough to vibrate through my entire body. My heart¡¯s thumping hard, like it¡¯s trying to escape from my ribcage or something. And I realize, as I watch them all get in sync, each in their own world but part of something bigger, that this is Jamila''s family, her world. And she¡¯s brought me into it. "So, this is what a metal concert looks like, huh?" I try to smile at Jamila. She looks thrilled, her eyes shining in a way that makes me want to be part of this world, even just for tonight. Her hijab is snug around her face, a pattern of deep reds and blacks that somehow seems perfectly in place in this underground cavern of noise. "Yep! Isn''t it awesome?" She beams, her hands dancing in the air, mimicking the beat of the background music that''s playing as the crowd waits for the main act. "My brothers are gonna kill it tonight." She''s so into this, and I can''t help but want to be into it too, for her. Still, I''m a fish out of water¡ªno pun intended. These aren''t my people, this isn''t my scene, and yet¡­ here I am. Trying to make it mine, at least for a little bit. Because of Jamila. I fold my thumb under my palm, then unfold it again. Maybe I should keep it folded. The basement fills up even more. How many people can even fit in this place? Fire hazard much? But nobody seems to care. They''re all here for the same reason, lost in anticipation, a pulsing mass of black t-shirts and band logos I don''t recognize. I can feel the vibrations of bass tests through the soles of my shoes, like the growling of some dormant beast. A man next to us starts headbanging to no music in particular. He''s so into it that I''m afraid his head might actually detach. That would be messy. I''ve seen enough blood for one lifetime. My fingers tap involuntarily on my thigh again. Jamila catches it and takes my hand, giving it a reassuring squeeze. "You okay, Sam?" she asks, leaning closer so I can hear her over the ever-growing noise. "Yeah," I lie. I mean, it''s not a total lie. "Just new to this whole thing, you know? But I''m excited to see your brothers perform." "I promise, it''s an experience," she says, and I believe her. Because she makes everything feel like an experience. Like something worth diving into, even if you don''t know how to swim. And that''s kind of amazing, even if it''s terrifying. An emcee or something¡ªI can''t tell, he''s just another bearded guy with a microphone¡ªannounces that the band will be out in five minutes. The crowd roars, and I jump, not expecting the volume. It''s like a wave, crashing over everyone and leaving us soaked in sheer, unadulterated enthusiasm. Jamila''s face lights up, and she squeezes my hand again, tighter this time, like she''s anchoring herself to the Earth, or maybe she''s anchoring me. We''re both grinning like idiots, even though for entirely different reasons. Hers is pure excitement, mine is a cocktail of anxiety, affection, and the overwhelming urge to be part of whatever makes her so happy. It''s a long five minutes. People keep shifting, bumping, jostling like hyper atoms, and I can almost hear the clock ticking in my head, each second stretching just a bit longer than the last. My thumb folds and unfolds under my palm, restless. And then the lights dim.
The walls of the basement bar vibrate as the first notes rip through the air, and it''s like, holy crap, where did this come from? Demon Core takes the stage, and the crowd ¡ª this screaming mass of humanity ¡ª goes absolutely ballistic. The air gets thick, heavy with sweat and excitement, and I''m pretty sure the room''s temperature spikes up five degrees just because of the collective body heat. Rivers once flowed, life was sustained (Dead! And! Buried!) Now deserts reclaim, what was the cradle (Burn it down, tear it apart!) Jamila''s hand is wrapped around mine, our fingers interlaced, and I can feel her energy surging through me. Not like, superpower energy, but that excitement, the feeling that she''s exactly where she wants to be. It pulls at me, tugs me closer to the churning whirlpool that is the swirling mass up front. I can''t tell if it''s her doing the pulling, or if the crowd itself is dragging us in like we''re caught in a rip current. The statues of kings, the temples of gods (Effigies of deceit!) Melt in the sun, as if they never were (Erase the past!) And the music. Oh God, the music. It''s not like anything I''ve ever heard before. My dad used to play his stuff around the house ¡ª Deftones, Linkin Park, that kind of thing ¡ª but this? This is a whole different animal. Like, imagine taking all those bands and then tossing them into a blender with a handful of jagged rocks and then setting that blender on fire. That''s what Demon Core sounds like. The guitars screech, the drums are a thundering storm, and the vocals are raw screams that you can feel in your bones. It''s jarring, unsettling, it rattles my entire body. War rages on, like a storm without end (Bullets replace words!) Invasions and drones, false liberators (Imperial lies!) Tariq stands in a power pose, his fingers gliding over the frets as if they''re an extension of himself. He belts out these long, prayer-like verses that reverberate in my chest, encompassing the entire range of possible notes, top to bottom, six strings going deeper than I imagined basses could go. Ahmed and Nasir alternate between growling and screaming. They''re like wild animals, the sound primal and untamed. The crowd loves it, their energy ramping up with each passing second, like they''re feeding off the sonic chaos. The scrolls and the texts, the wisdom of ancients (Forgotten, lost!) Up in smoke and dust, with every blast (Annihilation!) Jamila? She''s lost in it, swaying and jumping, headbanging to the beat. Her eyes are closed, and she looks so free, so in her element, and I love seeing her like this. But then I start to worry. What if her hijab comes undone with all the vigorous movement? I mean, it¡¯s one thing for a random jerk in the crowd to mess with it, but for it to come undone on its own? But then I see the bobby pins and safety pins holding the cloth securely in place, and nightmare visions end. It¡¯s not going anywhere. (Ashes!) (Ashes!) (Ashes!) (Ashes!) I¡¯m paralyzed but not in the ''oh crap, I can¡¯t move'' sort of way. It¡¯s overstimulation to the max. The crowd, the music, the screaming, the loudness¡ªit¡¯s all so intense, crashing into me in waves, and I don''t know if I''m enjoying it or hating it. (Ashes!) (Ashes!) (Ashes!) (Ashes!) The last note of whatever-the-song-is-called hits like a hammer on an anvil, and just when I think maybe, just maybe, I''m getting the hang of this head-bobbing, foot-tapping metal scene, everything goes haywire. Like, the song goes into a weird slow-down, but also not? And the crowd goes absolutely insane. They''re like synchronized swimmers in a pool of chaos, jumping up and down, and everything''s pounding and thumping and holy shit, what is even happening? I press myself against one of the concrete walls, as far from the human earthquake as I can get. I let go of Jamila''s hand for just a millisecond, regretting it instantly because what if I lose her in this mess? But then I grab onto her other hand, sort of like a lifeline. Don''t want to drift away and get swallowed up by this crazy sea of people, after all. Jamila smiles at me, her face all sweaty but glowing, looking like she just had the time of her life. She''s clearly into this, and that makes one of us. But then I have this¡­ Moment. With a capital ''M''. I look at her, and I realize that despite the pounding eardrums, despite the unfamiliarity, despite the slightly uncomfortable tingling in my limbs from all the jumping and pushing, I''m sorta kinda happy. Because she''s happy. Ahmed grabs his mic like he''s choking it, like he''s killing a phantom person, and screams out in a voice that''s positively inhuman. "This next song''s called Nuke ''Em All!" he snarls. Then, he starts screaming. Push the button, fire''s free, Commanders grin from ear to ear. No remorse, no empathy, Only death rains from the sky. (Fuck ''em all to death, and go let God sort out the rest!) Chapter 36.2 I''m standing there, just a few feet away from the stage, my whole body vibrating from the roar of the guitar and the thump-thump-thump of the drums. It¡¯s an assault on the senses, and I feel positively comatose, just squeezing Jamila''s hand so hard that I''m certain I''m about to bruise it while she hurls herself up and down. Frankly, if I didn''t know better, I would think she''s using her powers to lift herself higher - but there''s no breeze in this place, not even a single bit of wind, sweat-soaked or otherwise, to grab hold of. But the crowd, man, it''s something else. Like a living thing, pushing and pulling. One song bleeds into another, and I feel a little less like I¡¯m standing and a bit more like I''m floating in this sea of people. Jamila seems to be loving it, her arms lifted, her eyes closed, her head tilted back as if she¡¯s absorbing the music right into her soul. I kind of envy that. But she¡¯s holding my hand, and that''s grounding me, telling me that I''m not entirely lost in this craziness. I can see it, though, up front, where the lights shine brightest and the crowd seems to churn like a stormy sea. People are just going nuts. Throwing elbows, shoulders colliding, legs kicking. It''s chaos, an outright battle, and all set to the pounding rhythm of my would-be brothers-in-law thrashing away on their instruments. I have no idea what that¡¯s all about. Is this a concert or some kind of weird fight club? I have to assume this is normal behavior here given the way that nobody is interrupting it. Then the unbelievable happens. Jamila lets go of my hand. And not just that, she actually moves forward, toward that swirling vortex of madness I''ve been quietly dreading the whole time. She steps in like she''s stepping into a dance, the layers of her dress floating around her like she''s some kind of rock and roll fairy. My hand feels cold all of a sudden, empty. And my brain is firing off a dozen questions a second. Where is she going? Why is she going? Should I follow? My eyes dart around, catching glimpses of others in the crowd. They''re into it, lost in the music, the atmosphere, the shared frenzy. And here I am, feet glued to the floor, my empty hand making a fist, then opening, then a fist again. My stomach''s churning, not because I¡¯m sick, but because I¡¯m scared. And I feel dumb for being scared, because it¡¯s just a concert, but everything inside me is screaming that it''s not ''just a concert''. It''s a whirling gyre of death, and it looks like something you need to survive rather than enjoy. Every person that gets whacked in the face hard enough to bleed just adds another layer of overstimulation to my stretched-to-its-limits brain. There must be at least fifteen, sixteen people here bleeding, but it''s hard enough to think, much less focus on however many vascular systems I can detect. The band starts a new song, a crashing wave of sound that jolts me from my thoughts. It''s louder, faster, the screaming vocals barely words but pure emotion. Jamila is swallowed by the crowd, disappearing into that frenzied pit. My feet finally move, like they''ve been cut loose, but I don¡¯t know whether to step forward or step back. My hands clench into fists at my sides. I''m stuck, torn between the safety of distance and the terrifying unknown, between holding back and letting go. Because that''s what this is, right? It''s not just a concert, not just a night out. It''s a test. A test of bravery or stupidity, of letting myself be free or keeping myself caged. I''ve faced down criminals, taken hits that could crush a car, but this, this small decision, terrifies me. And it sucks, it sucks so bad because I want to be there, right there in that mess of human emotion and catharsis. With her. Jamila''s somewhere in there, and I need to be there too. But I can''t make myself move, and that makes me feel even smaller. Smaller than small. The song reaches its crescendo, the guitars wailing like the end of the world. And I¡¯m still standing here. Outside. Alone. But then, as the last notes ring out and blend into the roar of applause and screams and thrown beer cans. I look around for Jamila, the crowd clearing a bit as one song ends and another begins. And then I see her, making her way back to me, her eyes shining, her lips parted in a breathless smile. And it''s like the world snaps back into focus. She reaches for my hand, and I grab it like it¡¯s a lifeline. Because it is. "Alright you fucking animals, this song is for a very special, dear friend of ours in the crowd tonight. It''s not something from our demo tape. It''s not even one of ours. And after this we''ve got one last song. No encores," Tariq pants into the mic, totally out of breath. Jamila squeezes my hand and pulls out of the spellbound crowd to get up close to my face, her entire body drenched in sweat. "Mosh with me," she wheezes, just as out of breath as her body. "I don''t know what that means!" I say, trying not to whimper. "This song''s called Passenger!" Tariq whispers from the stage, booming through the concrete, reverberating in my bones. A chill of recognition goes through my spine. "Come let out all that feral energy, Bee," Jamila offers, grabbing my hand with her other, squeezing it between both of her palms. She looks down at me. I look up at her. "It''s catharsis." "Deftones Passenger?" I ask, grabbing her hands with my other. Now we''re both holding all hands together. One big finger tangle. Jamila winks at me as the guitars roar to life, a familiar song played at twenty percent higher velocity. Nasir has added at least twice as many bass drum hits as I''m sure exist in this song I''ve listened to all my life on the way to school. Here I lay, still and breathless Just like always; still, I want some more Mirrors sideways, who cares what''s behind? Just like always, still your passenger The tug of her hands is irresistible. A magnetic pull that draws me closer, and it''s like a countdown in my head. Three, two, one, ignition. I follow her, because at this moment, I''d follow her anywhere. We plunge into the whirlpool of people, bodies crashing into one another like human bumper cars, each impact absorbed, welcomed. I''ve never felt anything like this. It''s controlled chaos. Everyone''s throwing themselves into each other, but it''s like, not in a mean way? They''re smiling, laughing, some even hugging it out after a particularly hard bash. Chrome buttons, buckles, and leather surfaces These and other lucky witnesses Now to calm me, this time, won''t you, please? Drive faster And me, I know this song. When Tariq starts belting, I belt with him. I feel it in the back of my throat, rattling my teeth. Roll the window down This cool night air is curious Let the whole world look in Who cares who sees anything? I still hesitate for a moment, all these instincts telling me to be careful, not to hurt anyone with my stupidly strong jaw or the teeth that could probably bite through a car door. But then Jamila, she''s right there next to me, slamming her shoulder against some massive dude who must be like, twice her size? And she''s laughing, wind whipping her hair around her face, and it''s like seeing her makes something click. I''m your passenger I''m your passenger I''m a predator, a shark. Not a man-eater or anything, but like, you know, don''t mess with me. And this pit of writhing, flailing humans, it''s like an ocean of prey and other predators, and we''re all just trying to coexist in this messy, beautiful way. Like a feeding frenzy, but the only thing we''re devouring is the music and the adrenaline. I''m a tiny little 14 year old nothing but every time I slam into someone like a pinball I send them reeling. I demand space. I demand respect. Drop these down, then put them on me Nice, cool seats there to cushion your knees Now to calm me, take me around again Don''t pull over, this time, won¡¯t you, please? And so I let it go. All the fear, the hesitation, the nagging voice in the back of my head that tells me to play it safe, stay in the shallow end. I dive deep. I slam into someone on my right, put my weight into it, and they stumble back, laughing, their eyes wild and welcoming. And I''m laughing too, throwing my head back like I''ve just discovered something I never knew was missing. Like I''ve come home. Drive faster The music drowns out everything else, and it''s just this wall of sound that fills me up. I catch a glimpse of Jamila, and she''s still grinning at me, her eyes alive with this fiery light. She¡¯s nodding, like she''s saying, "Yeah, that''s it. That''s you. Unleashed." Support the creativity of authors by visiting the original site for this novel and more. Roll the window down This cool night air is curious Let the whole world look in Who cares who sees what''s at night? People start to recognize, giving me more room, which is kinda awesome because it means they''re acknowledging that I can hold my own. But also a little scary, because it''s like I''m spreading my territory, claiming more of this ocean for myself. And then I think, screw it, why shouldn''t I? So I keep going, keep slamming, keep roaring my defiance against, I don''t know, everything that holds me back, I guess. Throw these misty windows down To catch my breath and then Go and Go and Go, just drive me home and back again As the song hits the steady endpoint I''m so familiar with, I notice the rest of the crowd clearing out around me - or maybe I''m just in the eye of the hurricane, dragged into the center of this hell. Demon Core drags this part out, even going faster than the song normally goes. It doesn''t last this long, and it doesn''t have riffs like this, but the texture is the same, the way I just need to throw myself up and down until my lunch comes up with me. Here I lay Just like always Don''t let me go, go, go, go Go, go, go, go Take me to the edge And then, before I know it, the moment has ended. The song drags out in that final instrumental verse, that lingering bookend, and without a pianist, Ibrahim just plucks tinny, tiny notes out from the bottom of his guitar strings. Jamila looks back at me, nose bleeding, leaking over her lipstick, while her makeup is just smeared into a mess around her face. I''m sure mine looks just as bad. My nose is bleeding too, but I can''t remember when it happened. It feels like¡­ I don''t know. I can''t even say that. I can''t even think it. But it feels like it. I''ve never felt such a need to devour someone before. My mouth fills with saliva. My body feels warm in uncomfortable places, but I don''t care. Tariq leans down. He sits on the edge of the stage. He makes eye contact with Jamila, and then with me, and he smiles, and then he looks at the rest of the crowd, and he grins. "You know what this is. I better see all of you in the fucking pit or I''m banning you from the next show." "He''s not serious, is he?" I ask Jamila, my throat raw and hoarse. She smiles and refuses to answer. "This is Scarification. You''ve been a lovely crowd. Please tear this motherfucking building down." Jamila''s big, almond-shaped eyes meet mine, and she grins, a devilish twinkle in her eyes. Yeah, she''s not telling me if her brother is serious, but he doesn''t seem like he''s joking. I lean closer to her and shout, "He''s gotta be joking, right?" over the roar of the crowd. "Wouldn''t count on it," she shouts back, her smile widening. She takes a step back as a gap in the pit clears. The drummer kicks off the next song with a heavy, pounding beat that you can feel in your bones. It''s not just loud; it''s a force, like a windstorm. I feel like I''m standing in the middle of a hurricane. A very loud, very metal hurricane. The guitars join in, and the crowd erupts. It''s not just a shift in the music; it''s a shift in energy, in atmosphere. You can taste it. Feel it. Like when a storm''s rolling in and the air turns heavy. Jamila somehow manages to make this look graceful as she shoves into and is shoved into. She has a rhythm, not like me, where I¡¯m all sharp elbows and staccato movements. She flows; I kind of jerk along to the beat. We¡¯re different, but somehow it''s still so easy to get lost in the music, in the moment. Until he steps in. And it''s like the way the air feels before a lightning bolt hits the ground. It''s like a ripple going through the crowd. I look over, and he''s got no hair on his head, just a sheen of sweat that catches the stage lights. His arms are like tree trunks covered in tattoos ¡ª geometric lines, skulls, plus sign shaped symbols I can''t make out in detail. His face is set in a scowl, like he¡¯s pissed at the world and he¡¯s gonna take it out on everyone here. Which is pretty much what starts happening. He doesn''t just bump into people, you know? There''s this weird, intentional force to it. Like, he¡¯s not flinging himself in a direction; he''s aiming. He''s got these balled-up fists and he starts swinging them like he¡¯s in a street fight, making contact with shoulders, chests, faces. And people start to move, not like before where it¡¯s just bodies bouncing against bodies. Now, they¡¯re actively trying to put some distance between him and themselves. It''s like they''re all repelled, as if he''s got a magnetic field of pure jerk energy. He''s not like the rest of us. Jamila and I were just trying to be part of the same electric current, the same flow. He wants to be the breaker, the disruptor. And I don''t know, maybe some people enjoy the chaos he¡¯s causing, but not me. Definitely not me. Even if I don¡¯t know what this is, what it''s supposed to be, I know that¡¯s not it. And then his eyes lock onto Jamila. Oh, no. I can feel my jaw tighten, my muscles coiling. I pull myself out, back into the crowd, but on the very first layer where I can keep an eye on things. I feel my entire body pulsing with adrenaline. I know this feeling in my bones. The feeling of being in a fight. I try to shout over the guitar and the screaming crowd, try to call for "Jamila!" but it''s useless. My voice gets buried in the thick wall of sound as I try to shout, "Jamila!" It''s like trying to toss a pebble into a hurricane. Completely pointless. Instead, I grab. My arms shoot out like they have minds of their own, and my hands find her shoulders, jerking her just a step back. Baldy''s fist swoops through the air where her face used to be, missing by inches. There''s a look in his eyes, something nasty, like sewage water. He turns and it''s different this time. His face contorts, lips pulling back in a snarl I can''t hear but definitely feel. He''s shouting something, words lost in the swirling chaos of noise, but it''s the intent that comes through, loud and clear. His hand reaches out, not to hit, but to grab ¡ª his fingers clawing at the fabric of her hijab, trying to yank it off her head. And something inside me snaps. He swings one more time, and I hear the tone of the crowd around me change. People starting to get fed up. I''ve noticed a sort of unspoken chivalry in the most chaotic hour and a half of my life - when someone falls in this hell, everyone stops at once and picks them up. Someone dropped their glasses and the entire thing came to a halt. And now, this guy trying to pick on a girl, and the entire crowd notices, already forming a barrier around him. Too bad for the crowd I don''t need any backup. I swing once, adrenaline singing through me while Tariq''s voice soaks every last inch of air. My fist, my knuckles that are harder than steel, my weeks of training punching form, my muscles that grow unfairly fast compared to everyone around me, my protective, killer urges, it all combines to let me punch way above the weight class of my size. Maybe if he saw me coming, it wouldn''t have hurt so much. But he didn''t, and I feel his jaw buckle under my hook. His mouth immediately fills with blood - I can tell. He goes spinning into the crowd, and they bump him like a pinball, sending him onto the ground. I know what to do now. I''m not even thinking about it. Zero thought has happened in the past thirty seconds and zero thought will continue to happen. I climb on top of him and I bare my teeth. All of them. Blood drips from my face onto his unmarred, pale skin. I purse my lips out as I snarl, making sure he can read every word over the cacophany above me. "Don''t. Touch. My. Girlfriend." He looks at me, undeterred. When he yells, he does it the same as me. Slowly. Deliberately. Ensuring he can be understood over the noise. "Dyke. Bitch." My vision goes red. My vision tunnels, and there''s nothing else in my entire world except for his face and my fist. I punch him again, this time in the chest, hoping to crack a rib. I want him to suffer, but I don''t want him to get brain damage. He lets out a groan that drowns in the echoing guitars and drums, his eyes squinting but not quite closing, and spits up blood. I grab him by the collar of his shirt. I want him to look at me. To know what''s happening to him. And why. Just as I pull my arm back for another swing, two large hands grab my shoulders and yank me up, off the guy. I thrash, ready to fight whoever''s pulling me away from my prey. But the hands are steady, firm but not crushing, and a voice yells in my ear, "Kid, you proved your point. Let it go." I look around, panting, and see two burly guys holding the tough guy between them, lifting him off the ground like he''s a piece of trash they''re hauling out. The crowd parts for them, and no one tries to stop them. I¡¯m breathing heavy, my fists clenched so tight they¡¯re shaking. Jamila rushes to my side, her eyes wide but relieved. "Are you okay?" She asks, but it''s a dumb question. Of course, I''m not okay. But I''m not going to say that to her. I throw her the shakiest thumbs up of my life. She wraps her arms around me in a tight hug, and for the first time in what feels like forever, my muscles relax a little. "Thank you," she whispers into my ear. "You don''t ever have to thank me for that," I reply, still shaky, still not quite believing that any of this is real. The song finally ends, a crashing wave of cymbals and distorted guitars, and Tariq¡¯s voice fills the space as the music fades. "Thank you, Camden! I''m sad that this basement is still standing but I''m glad y''all came out here tonight. Nadia up by the bar is selling shirts and demo CDs, remember to share that shit on LimeWire or I''m hunting you down." Just as the crowd starts to disperse, a figure practically leaps off the stage, guitar still slung over his back. Ibrahim makes his way through the thinning crowd, eyes scanning until they land on us. "Hey," he says, out of breath but clearly concerned, "you two okay?" "Yeah," Jamila answers before I can. "Thanks to Sam, here." Ibrahim looks at me and nods, relief clear on his face. "Saw what you did from the stage. Glad someone handled that crowdkiller before we had to call him out. Hate singling people out like that." "Crowdkiller?" I ask, the term tasting unfamiliar on my tongue. "People who intentionally try to hurt others in the pit," Ibrahim explains. "That guy you clocked? With those tattoos? Classic skinhead, probably came here just to start something. You''d be surprised how many of those guys show up to a band that''s 3 Pakistanis and a Palestinian." It''s like someone tossed a bucket of ice water over me. I just beat up a skinhead? That''s, like, a Nazi, right? "I guess we owe you," Ibrahim continues, unaware of my internal meltdown. "Why don''t you two come backstage? Or, well," he gestures to a makeshift area behind some curtains and dividers at the back of the basement, "what we call backstage." Jamila grabs my hand and squeezes, blood smearing along my fingers. It feels wet. Sticky. It gets under my nails. Warm and wet. She smiles and talks for me. "We''d love to, Ibby." I grin dizzily, blood trickling down my teeth. WORLD OF CHUM: Aurora Springs Residential Facility

An Introduction: Your New Home Awaits Greetings and a warm welcome to Aurora Springs, the sanctuary specifically curated for people with extraordinary capabilities like yours. We recognize that change¡ªespecially one as significant as a new living environment¡ªcan bring about a mix of emotions. That¡¯s why we strive to make Aurora Springs more than just a secure location; we aim to create a community that is, in every sense, your home. Think of Aurora Springs as an exclusive, gated community with a twist. Nestled in the calming landscapes of the Colorado mountains, this sanctuary goes beyond the basic amenities. Our mission here is three-fold: Here at Aurora Springs, you''re not just another resident; you''re a valued member of a community designed with you in mind. As you read on, you¡¯ll discover how we¡¯ve gone the extra mile to make your life here as fulfilling as possible. Welcome to a place where you can truly belong.

Your Setting: A Natural Sanctuary Nestled in the heart of the Colorado mountains, Aurora Springs spans over 15,000 acres of pristine government-owned land. Our sanctuary is designed to provide an idyllic setting where you can escape the daily grind and immerate yourself in nature. Here¡¯s what you can look forward to:

Acres of Open Space

Within the confines of Aurora Springs, you have access to over 500 acres of designated open space. Here, you can:

Stunning Mountain Views

The beauty of nature isn''t just something you visit; it''s your new home view. At Aurora Springs, every dormitory and cabin is strategically positioned to offer stunning vistas of the Colorado mountains. Enjoy the sunrise over peaks and the sunset reflecting on natural water features right from your residence. Here''s what you get: Aurora Springs is not just a place to live; it''s a place to thrive, surrounded by the comforting embrace of nature. So, take a deep breath and let the fresh mountain air remind you of the new life that awaits you.

Your Accommodation: A Home Tailored to Your New Needs Here at Aurora Springs, we recognize that everyone''s comfort and security needs are unique, especially given the diverse range of abilities our residents possess. Whether you prefer the social atmosphere of shared living or the tranquility of a solitary space, we''ve got you covered.

For the Community-Minded: Dormitory-Style Living

Embrace the joy of living in a community with our dormitory-style accommodations. We go beyond the basics to ensure your comfort and engagement:

For the Solitary: Private Cabins

For residents requiring a more secluded experience, our private cabins are a haven of peace and modern comfort: Whether you''re a social butterfly or a lone wolf, Aurora Springs is designed to adapt to your lifestyle while providing the highest level of comfort and safety. It''s not just a place to live¡ªit''s a community carefully designed for you.

Your Amenities: Where Comfort Meets Cutting-Edge At Aurora Springs, our goal is to offer you a life that is as rich and fulfilling as possible while ensuring your safety and that of the larger community. We offer a range of modern amenities designed to enhance your well-being and keep you connected with the world.

Satellite Internet: Stay Connected

Continuing Education & Work Opportunities: A Future for Every Resident

Leisure Activities: More Than Just Free Time

Tailored Containment Solutions: Custom Care for Unique Needs

Health and Well-being: Complete Care for Body and Mind

Visitor Privileges: Keeping You Close to Your Loved Ones

By combining high-security measures with a wide range of amenities, Aurora Springs aspires to make your life as pleasant and fulfilling as possible, while prioritizing your safety and the safety of the community.

Your Rights: Empowerment and Agency in Aurora Springs We understand that Aurora Springs is a unique living situation that brings up numerous questions and concerns. However, you are not powerless here. You have rights and avenues to voice your opinions, participate in decision-making, and even appeal your residency status.

Right to Appeal: A Second Look at Your Status

We know that circumstances and conditions can change over time. If your condition shows signs of improvement, making you less of a risk to national security, you are entitled to:

Resident Council: A Voice in Your Community

Aurora Springs is more than a residence¡ªit''s a community, and every community deserves a say in how it''s run. To this end, we have established:

Questions? Concerns? We''re Here for You Your comfort and well-being are our utmost priority. If you have any queries or require additional information about life at Aurora Springs, you''re not alone: Aurora Springs is designed to be as transparent and supportive as possible, giving you the agency to make the most out of your residency here. Remember, Aurora Springs Residential Facility is not just a new place to live; it''s a community where you''re valued and understood. Welcome home!

Aurora Springs Residential Facility Charter

Preamble

This charter serves as the foundational document for the establishment, management, and operation of Aurora Springs Residential Facility, a specialized facility under the jurisdiction of the National Superhuman Response Agency (NSRA). Recognizing the unique challenges posed by individuals with uncontrolled or potentially hazardous superhuman abilities, Aurora Springs is established to provide a secure and humane environment for such individuals, safeguarding both them and the broader community.

Article I: Establishment and Purpose

  1. Establishment: Aurora Springs is established as of 2012, located in the state of Colorado, under the administration of the National Superhuman Response Agency (NSRA). Construction is currently ongoing, and is expected to be completed in early 2014.
  2. Purpose: Aurora Springs aims to serve as a sanctuary for individuals whose superhuman abilities pose a potential risk to national security or public safety, but who have not engaged in criminal activities. The facility is dedicated to:

Article II: Governance

  1. Oversight: Aurora Springs will be directly overseen by a Facility Director appointed by the NSRA.
  2. Advisory Board: An independent advisory board comprising legal experts, ethicists, and superhuman studies scholars will regularly review the facility¡¯s operations and guidelines.
  3. Resident Council: Residents may elect a council from among themselves to represent their interests and liaise with facility management.

Article III: Admission and Residency

  1. Eligibility: Individuals may be considered for admission based on a recommendation from the NSRA, the Department of Defense, or other relevant federal agencies.
  2. Review Process: Each potential resident will undergo a thorough risk assessment, including medical, psychological, and legal evaluations.
  3. Residency: Aurora Springs is not a correctional facility; therefore, individuals are considered residents, not inmates.

Article IV: Rights and Restrictions

  1. Rights: Residents are entitled to:
  2. Restrictions: Security measures, such as surveillance and tailored containment protocols, are in place to ensure the safety of residents and staff. Details of these measures are classified but are designed to be minimally invasive while maintaining maximum security.

Article V: Ethics and Legal Framework

  1. Ethical Guidelines: All operations shall adhere to internationally recognized ethical standards, as well as any additional ethical guidelines set forth by the advisory board.
  2. Legal Status: Aurora Springs operates within the legal framework of the United States, complying with federal laws and regulations pertinent to the confinement and ethical treatment of individuals with superhuman abilities.

Article VI: Financial Appropriation

  1. Budget Source: Funding for the establishment and ongoing operation of Aurora Springs will be appropriated from the United States Defense Budget under a special provision for National Security initiatives involving superhuman entities.
  2. Budget Oversight: An internal financial committee, overseen by a representative from the Department of Defense, will review and approve the facility''s annual budget.
  3. Accountability and Transparency: Aurora Springs is subject to financial audits by both internal and external agencies to ensure ethical allocation and utilization of funds. A summarized annual financial report will be made available to authorized oversight bodies.

Article VII: Amendments and Reviews

  1. Review: The NSRA and the advisory board will conduct an annual review of Aurora Springs¡¯ operations, policies, and guidelines.
  2. Amendments: Changes to this charter may be proposed by the Facility Director, the advisory board, or the resident council and must be approved by the NSRA.
Signed, Dr. Emily Thompson Facility Director, Aurora Springs General Mike Mitchell National Superhuman Response Agency (NSRA) Representative Date: September 15, 2012 Chapter 37.1 The basement of the Lonesome Dove smells like sweat and cheap beer, like how I imagine most basements of dive bars would. It''s all narrow and cramped, with concrete walls that feel like they''re closing in, and a ceiling that''d scrape someone''s head if they were six feet tall or taller. Probably not a great place for a concert, but the energy was insane. Demon Core''s just wrapped up their set, and the members are breaking down their stuff, rolling up cables, packing away guitars. Ahmed''s busy disassembling his guitar, meticulous, every movement precise, pulling cords from an amp the size of my torso. You''d think he was defusing a bomb or something, the way he''s focused. Tariq is busy chatting with some fans near what you could generously call the ''stage'', selling them on merchandise, telling them to go see Nadia upstairs. Someone throws a pair of panties at him. I grimace, because that''s disgusting. He dodges it like it''s the twentieth time it''s happened and they fall onto the stage. Nasir is busy wiping sweat off his drumset, and I notice that it''s got, like, three hammers attached to the bass drum. Nasir, Uncle Nasir, Jamila called him earlier, catches my eye as I stare at his drumset. There''s like a million pieces to it and it''s like a circle around him. He''s big, so it''s a big circle, but it''s so filled with stuff that I can''t imagine he''d even fit if it were smaller. There''s so many different parts, and I think I see a cowbell. Does he really need a cowbell? "You like my set?" he asks, and I suddenly realize I''ve been staring for a while. "Yeah," I say, "it''s just¡­ how do you even play that fast? Like, it doesn''t make sense. There''s no way you have enough arms for that." I''m pretty sure my jaw is hanging open, which is not the most dignified look, so I force it closed. Jamila giggles at my side and I look at her. "What? I''m serious. It''s impossible." Uncle Nasir laughs, a deep belly sound that makes me think of Santa Claus if Santa Claus were a Palestinian drummer in a metal band. "You''re talking about the blast beats, right?" he asks. I nod, because ''blast beats'' sound awesome, even if I don''t know what they are. "Sure. Blast beats." His eyes light up, like someone just asked a geek to explain their favorite anime. "Alright, sit down," he gestures to a stool near the drum set. It''s covered in, like, five different band stickers. I sit. He points to the double pedals below the bass drum. "See these? Foot pedals. That''s how you get that speed. One foot hits one pedal, other foot hits the other, back and forth real fast. It''s like¡­drumming with your feet. Mix that in with the snare and you get a blast beat. You''re basically using all four limbs at once." I look down at the pedals and then back up at Nasir. "Four limbs? That''s like¡­ octopus-level multitasking. I can barely control two at a time." "Basically, yeah!" he says, sounding way too happy about it. Jamila leans in, grinning. "I never knew you were so interested in drumming, Sam. Planning on a career switch?" I roll my eyes. "Please, I can barely keep rhythm by tapping my foot. I just thought it was cool, okay?" My fingers drum against my thigh. "I don''t even know if sharks like music." "Maybe you''re the first," Nasir suggests, still wiping down his drumset, not questioning the shark quip. "I think you''d have a killer beat." Jamila snorts at the pun and I can''t help but join her. "You''re hilarious," I say, but I mean it. There''s something warm and inviting about Nasir, and I think he''d be fun to hang around, even if I can''t understand half the things he''s talking about when it comes to drums. "Yeah," I finally say, looking back at the drum set with newfound appreciation. "Killer beat. Got it." "See?" Nasir grins, showing off a gold tooth. "You''re getting it. Music''s not just noise, it''s like a conversation between instruments. You just have to know how to listen." I smile, because that''s kinda beautiful in its own way. Maybe someday I''ll understand the language. For now, I''m just glad someone could translate a little bit of it for me. Jamila nudges me and gestures toward Ibrahim, who''s already busy breaking down his elaborate setup, coiling wires into neat loops. "Ready to meet the maestro?" she asks, her voice muffled through pinched fingers. "As ready as I''ll ever be, I guess," I reply, rolling my shoulders. My senses still feel hyper-aware from the earlier fight; I can practically hear each rustle of fabric as band members shove instruments into worn-out cases. There''s a strange contrast between the heavy music that was just pounding through the air and the now-mundane sounds of a room settling back into its usual, dank atmosphere. I don''t even know what this basement is used for otherwise. Ibrahim pauses what he''s doing, like he senses us watching him. He looks up and locks eyes with me, and suddenly it feels like the room''s a bit less dank, a bit less dark. "You two alright?" he asks, standing up fully. His gaze is sharp, discerning, like he''s taking the measure of us and finding something he approves of. "You handled that guy well." I meet his gaze and nod, still feeling a little weird about the whole thing. "You look like you could use some bandages," Ibrahim says, turning his attention to a makeshift table that''s really just a plank of wood set on some cinderblocks. The table''s crowded with cables, set lists, and water bottles. He reaches under it and pulls out a first aid kit. As he walks over to us, he pops it open to reveal a neat array of bandages, antiseptics, and painkillers. I glance over at Jamila. She''s holding her nose and her free hand is stained red. But she waves him off. "I''ll be fine," she says. "Just a nosebleed. Occupational hazard, you know?" Ibrahim''s eyes flick to the first aid kit, then back to us. "You sure you don''t want a band-aid or something? I mean, with all the¡­ bleeding." His voice has this tired note to it, like he''s done offering but would feel guilty if he didn''t triple-check. Jamila gives a little shake of her head. "Nah, we''re okay. Just a little roughhousing, you know how concerts get." Ibrahim turns his gaze toward me, "And you? Sure you''re alright?" I glance at my hands, still sticky from Jamila''s blood. They''d scraped up from the fight, but there''s no real injury anymore¡ªjust blood, my own and not, stuck under my nails. I might get a nosebleed later, but even that''s starting to clot. "I''m good, really. Don''t worry ''bout it." This story has been stolen from Royal Road. If you read it on Amazon, please report it "Alright, if you say so." Ibrahim''s eyes narrow, scrutinizing, then soften as he looks away, busying himself with a roll of cables. "Can''t be too careful, you know? Especially after what you two did out there with that crowdkiller." God, that word again. Crowdkiller. Makes me feel like I''m stuck in a video game with boss fights. Except the bosses are, what, neo-Nazis? I swallow, and it''s like trying to gulp down a whole lemon, pulp and all. "So, you two come to metal gigs often?" Ibrahim finally asks, breaking the awkward silence that was just starting to cling to the air like humidity. "Jamila''s the fan," I say, nodding toward her. "I''m more of an accidental groupie." Jamila laughs, eyes lighting up, but I can tell she''s still a little tense. "Sam''s selling herself short. She was right there in the pit with the rest of us." "Yeah, well, when in Rome," I reply, shrugging. It''s not like I had much of a choice, following her into the crowd. Ibrahim looks us over, the corners of his mouth tilting up. "Well, Rome appreciates the assist." As we talk, we help them with their equipment, lifting amplifiers into their cases and coiling instrument cables. Tariq and Ahmed are busy on the other side of the ''backstage'', disassembling the drum set with Uncle Nasir. The atmosphere is weirdly homey for a place that smells like stale booze and wet dog. "So, you two are in school together?" Ibrahim finally asks. "Jamila talks about you all the time. Says you''re her best friend from school." That catches me a bit off-guard. I mean, we''re teammates, sorta mentors to each other in a weird superhero student-teacher swap, but school friends? I suppose it works as well as any other. "Yeah, yeah we are," I say, opting not to correct the implication that I''m the same age as Jamila. No need to spill all the beans, right? Ibrahim grins, but it''s more in his eyes than his lips. "Well, it''s good to know my sister''s hanging around with good people." We finish up with the gear, and there''s a sense of finality as the last amplifier clicks shut. And for a second, I''m glad that for all the weird, tense, anxious moments, I''m here. It''s good to feel human, just a teenager in a basement of misfit toys, even if it''s all built on a fragile web of half-truths and unspoken secrets. Because sometimes the lies you tell to keep the peace are better than the truths that could break it. And as I look at Jamila, her smile tired but genuine, I think maybe this ¡ª whatever this is ¡ª is worth preserving. Even if it''s just for a little while longer. Please.
It''s gotten darker outside, streetlights flickering to life as the sky takes on the deep blue of evening. The Lonesome Dove''s neon sign casts a buzz-filled glow on the mostly empty parking lot. Most of the crowd is gone now, headed off to wherever metalheads go after their souls have been sufficiently shredded. Just us, Jamila, and Demon Core are left, barring nameless stragglers, working to get their gear loaded into a van that looks like it''s seen better days. Ahmed is carefully stowing away his guitar, each movement methodical, as if he''s solving a complex puzzle. Tariq is on his phone, probably posting on social media about the gig. Ibrahim is dealing with the sound equipment, coiling wires with a practiced hand. And Uncle Nasir? He''s sitting on a makeshift stool, chugging water like he''s just run a marathon. "Could you hand me that amp?" Ahmed asks, nodding towards a bulky piece of equipment near my feet. I crouch down to pick it up, conscious of the way my muscles contract and relax as I do. Even after all these weeks, the changes in my body still feel new, exciting, and a little scary. I hand it to him. "Thanks," he says, slotting it into the van with a satisfying thud. Jamila comes over, her nosebleed finally stopped, but the dark stain remains on her tunic. She''s holding a bundle of black fabric¡ªt-shirts, hoodies, band merch. "They said we could take some as a thank-you," she says. She hands me a t-shirt that has the band''s name, Demon Core, in an unintelligible scrawl, and a logo of a screwdriver cracking a skull open. I''m sure my mom would love it. "Nice," I say, unfolding the shirt. It''s an XL, probably could double as a dress on me. "A little big, though." "Band sizes," Jamila grins. "They always overestimate." "XLs are all we have left at the end of the night, usually," Tariq calls out from the front of the van, kicking something on the dashboard. Warm and damp, her fingers brush against mine as she gives me the shirt. The touch is quick, casual, but it sends a shiver down my spine. Is it wrong to read into that? To hope? "Hey, you two need stickers?" Uncle Nasir asks, walking over. He''s holding a roll of band stickers, each one a miniature of their logo. "Sure," Jamila and I say in unison, and then laugh. It''s a comfortable moment, free of any of the night''s earlier tension. Uncle Nasir peels off a couple and hands them to us. "Stick ''em wherever you want. Spread the word, you know?" I take mine and look at it, holding it up to the dim light. I can see putting this on my laptop, or maybe the back of my phone. Somewhere it''ll be seen, somewhere it''ll matter. Jamila sticks hers on the water bottle she''s carrying, smoothing it down with a satisfied nod. Ahmed and Tariq join us, Ahmed carrying a guitar case and Tariq still engrossed in his phone. Before we can continue the conversation, Uncle Nasir comes over with a playful grin and slaps a third sticker onto my forehead. "Consider yourself branded," he chuckles. I scrunch my face up at him and peel the sticker off. On a strange impulse to be funny¡ªor maybe just memorable¡ªI toss it into my mouth and chew it to bits. As the adhesive fills my mouth, I instantly regret the decision, and not just from the taste. "Oh, man, you actually ate it!" Uncle Nasir laughs, clearly amused. I give him a sheepish grin, accidentally showing off more of my teeth than I intended. It''s Ahmed who notices first. "Whoa, those are some wicked chompers you got there," he says, eyes widening a bit. "Yeah, got into a bit of an accident when I was younger. Near-death experience and all that," I say, hesitating for a moment. "It left me with these teeth. And that''s it!" I feel a pang of guilt for bending the truth. I''m not lying about the near-death part, but the rest feels like a disservice to both sides of me¡ªthe everyday Sam and the one that''s Bloodhound. But right now, in this moment, I''m just Sam. "Man, nature gave you quite the dental plan," Uncle Nasir adds, visibly impressed but not suspicious. "That''s pretty hardcore." "Metal," Ibrahim mutters from a distance. I close my mouth, curling my lips back into place. Jamila shoots me a knowing look. She''s one of the few people who understands the whole story, who knows the weight of the teeth I just so casually displayed. She smiles at me ¡ª a slight, quick thing ¡ª but it''s enough. Enough to say that it''s okay, that this small deceit is a drop in the bucket of things we keep hidden. "Thanks for helping us out," Ahmed finally says, breaking the moment but not the mood. "It''s not every day we get fans who are also roadies." The slight awkwardness dissipates as the subject changes, but the atmosphere remains easygoing. My teeth are soon forgotten as the conversation shifts back to the more mundane, back to the pleasantries that make up everyday interaction. Still, the little moment of honesty and deception lingers in my mind, a reminder of the double life I lead. "We''re versatile," I reply, grinning. "We should head out," Tariq says, pocketing his phone. "Long drive ahead. We''re headed to Trenton next!" "Exciting," Jamila snarks. "I''ve always wanted to go to Philadelphia 3." They climb into the van, each one settling into their designated spots like pieces of a well-played game. Tariq turns to us before he hops in. "Thanks again," he says. "You two ever want to see another show, hit us up. VIP treatment." "You don''t normally give your family members VIP treatment?" I ask, raising an eyebrow. "Have you met our dad yet?" He asks. I don''t understand what he means by that, but I assume it makes sense, so I just nod my head. Jamila waves as the van''s engine sputters to life. It pulls out of the parking lot, leaving behind the scent of gasoline and the lingering notes of a night that felt out of the ordinary. I turn to Jamila, who''s now scrolling through her phone, probably texting her mom to let her know we''re okay. "Fun night?" I ask. "The best," she replies, not looking up. But I see her lips twitch into a smile. Yeah, it was a good night. And as we start walking away from the Lonesome Dove, I can''t help but think how many more good nights there could be. But that''s a thought for later. Our phones go off at the same time. Chapter 37.2 Our phones buzz in sync, the familiar bzzt-bzzt cutting through the night air, yanking me back from a pleasant daze. Jamila''s head snaps up, the smile vanishing from her lips as if somebody just hit the mute button on a laugh track. We both know that this specific buzz ¡ª a triple vibration, followed by silence, followed by a triple vibration ¡ª means it''s something from the Young Defenders. Or, well, anyone else that can trigger the emergency alert, such as a government broadcast. But it isn''t those. "Priority alert," she mutters, swiping her phone to life. I do the same, barely catching a glimpse of the clock¡ª11:17 PM¡ªbefore unlocking my phone and opening the Young Defenders'' HIRC chat. It''s a message from Crossroads. Just a text, but with a priority flag that''s a technological slap in the face, impossible to ignore, guaranteed to send a notification rudely past any settings in my phone. "Emergency meeting at HQ. Urgent. No call." Crossroads doesn''t usually use the word ''urgent''. I can feel something in his text tone that feels off. Not in the way that a trap does, but in the way that panic does. "Damn. We have to go," I say, already missing the lightness of the evening. Just as quickly as it had appeared, the facade of a normal night cracks, and the superhero gig rears its urgent head. So much for good times. Jamila''s thumb flies across her screen. "Yeah, I''m just letting my mom know we''re needed somewhere else. That we''re safe but busy." She locks her phone with a decisive click. "Done. What''s the fastest way to HQ?" I pull up a taxi app. "We can''t exactly fly there in our street clothes. And my outfit''s back at Lily''s place. And my backup is at school. And my backup backup--" "I get it," Jamila interrupts, frowning. "I''d need to swing by my place for my gear, too. But there''s no time. We can make do without costumes for now. I''ve got a fan, you''ve got teeth." "Taxi''s the fastest way, then. I''ll have them drop us a few blocks away. Can''t risk being too obvious, even if it''s late." My fingers dance over the phone, typing in the destination, and within a few seconds, it''s confirmed. A taxi will be here in five minutes. I take a deep breath. It''s going to be a long night. The moment hangs heavy in the air, like we''re suspended in some kind of alternate reality where time slows down, and everything feels more significant. We''re just two teenagers standing in front of a closed dive bar, but it feels like so much more. The Lonesome Dove''s neon sign is flickering, casting erratic bursts of light that illuminate the cracks in the pavement. My feet feel rooted to the ground, as if the asphalt has gripped my shoes. I look out towards the Delaware River, its surface reflecting the night sky, stars mingling with the distant city lights. The water seems so calm, a stark contrast to the turbulence I feel inside. Across the river, Philadelphia looms like a sleeping giant, its skyline a jagged horizon of steel and glass that gleams under the moonlight. It''s beautiful, and a little intimidating. I hear Jamila exhale softly next to me, and I wonder what she''s thinking. Is she feeling the same mix of awe and dread that''s got a grip on me? She''s still holding her phone, the screen''s glow casting a bluish tint on her face. It makes her look ethereal, almost otherworldly. I want to reach out and touch her hand, reassure myself that she''s real, but I don''t. Instead, I clutch my phone a little tighter. The night air is cool, laced with the scent of the river and the distant, ever-present aroma of city life ¡ª a blend of car exhaust, street food, and something indefinably human. It''s a scent I''ve come to associate with heroics, a constant background to rooftop chases and back-alley confrontations. But tonight, it smells like uncertainty. There''s minimal traffic on the road, just the occasional car zooming past, its headlights blinding for a split second before plunging us back into semi-darkness. The sound of rubber on asphalt fades quickly, swallowed by the night. Somewhere in the distance, a dog barks, its sound echoing like a lonely cry for attention. A couple of crickets are chirping, filling the silence with their nocturnal song. And then, in stark contrast to the natural sounds, my phone buzzes again. A one-minute warning from the taxi app. The taxi is almost here. Jamila looks up, her eyes meeting mine. No words are exchanged, but her gaze says enough. It''s a mix of love and fear. At least, that''s what it feels like to me. The taxi''s headlights finally appear down the street, a pair of glowing orbs that grow larger as they approach. It''s time to go. "We should¡ª" I start, but Jamila interrupts. "I know," she says softly. "Let''s go save the world. Or Center City or whatever." I nod, and together we step toward the approaching taxi, and away from this moment of stillness. But even as we do, I can''t help but feel like a part of me is staying behind, frozen in this snapshot of time, forever lingering in front of a dive bar by the Camden riverfront with the girl I¡ª Our phones buzz again. This time, it''s the taxi confirming its arrival. There''s no turning back now.
We arrive at HQ, a¡­ mid-tech superhero launch pad pretending to be a run-down warehouse, and don''t even bother changing out of our civvies. It feels like we wasted so much time just getting there. There''s the airlock, sterilizing air swooshing around us for just a moment before we''re allowed further in. We pass the locker rooms, doors open but nobody in sight. Empty hallways flash by. There''s a tension in the air, like everyone''s holding their breath and waiting for something terrible to happen. Kind of like during a horror movie when you know the monster''s about to jump out, but you don''t know when. We finally get to the computer and briefing room. It''s a place that''s starting to become uncomfortably familiar. Like, you ever hang out in someone''s room enough that it starts to feel like it''s not theirs anymore? Kinda like that. Except this room has more screens and more secret world-saving stuff than any friend''s room I''ve been in. We''re the last ones in, and my gut squirms because I don''t like being late. Not that anyone''s saying anything. But still. It''s there. That nagging voice that tells me we should''ve been quicker. Could''ve been quicker. Everyone''s here, dressed in their civvies, except for Liberty Belle. She stands in her costume at the front of the room, her freshly buzzed hair giving away the gravity of her condition. Our eyes briefly meet as we walk in. Something about her gaze feels heavy, like she''s carrying a weight that''s about to be dropped on all of us. My phone buzzes. I ignore it. I scan the room. Councilman Jamal Davis sits at the center table, eyes focused and unyielding. He''s the glue that holds this framework together, bound by law and necessity. Beside him is Clarissa Parker, ever the professional even at this ungodly hour, her eyes skimming through a stack of legal documents. Her pen dances over the paper as she adds her annotations. Bulwark leans against a wall. Even in casual wear, his presence feels as solid as the stone armor he conjures. His eyes, though, hold a hint of concern, masked by a layer of stoic reserve. Multiplex, or at least one of him, occupies a side chair, the rest presumably doing recon or strategic planning elsewhere. He''s tapping his foot rhythmically, a metronome of nervous energy. Then there''s Fury Forge, pacing the floor near the back, her eyes aflame with an urgency that says she''d rather be out there doing something than be here talking about it. Among the Young Defenders, Puppeteer sits with her arms crossed, her eyes softer, tempered by medication. Blink is next to her, quietly tossing a small marble back and forth between her fingers, doing little dextrous finger-tricks while trying to pay attention to Belle. Crossroads sits ramrod straight, his eyes flitting through the room as if he''s already seen how this plays out but isn''t letting on. Gossamer keeps to herself in a corner, perhaps mentally cataloging improvements to our gear. Playback, on the other hand, seems out of sync with everyone, his gaze a little distant but his pupils focused. Rampart sits with a hand on his chin, looking thoughtful but also somehow critical, as if measuring us all up. Gale looks at me. We take our seats. Liberty Belle clears her throat and the room goes dead quiet. "Thank you for coming on such short notice," she begins. "We have a situation." Liberty Belle''s eyes scan the room one more time before she speaks, her gaze lingering just a moment longer on my fellow Young Defenders, as if mentally preparing them - preparing us - for the revelation to come. "As most of you in this room are aware," she begins, her voice tempered with gravity, "we lost Professor Franklin six years ago. He was more than a mentor to me; he was a beacon for all of Philadelphia. He was the embodiment of our hopes, our aspirations, the man who made us all believe we could be heroes. He was our Superman." She pauses, her eyes narrowing slightly as she takes a moment to collect herself. "The circumstances of his death have been¡­ suppressed, for reasons that will become clear. Professor Franklin didn''t just fall; he was taken down by a villain, a man whose name has been kept out of public discourse for the sake of safety and national security." Her eyes meet those of Councilman Davis and Clarissa Parker, who both nod in silent affirmation. She continues, "The Delaware Valley Defenders have known this truth for some time, but it''s time our younger associates were brought into the loop." She looks directly at us, the Young Defenders, her gaze laden with an almost apologetic weight. "Two years ago, many of you know I was gravely injured and out of action for several months. What you didn''t know is that the same man who killed Professor Franklin was responsible." The room is devoid of gasps, but the atmosphere grows palpable with discomfort. Faces harden, brows furrow. You can almost hear the collective creak of people mentally bracing themselves for what comes next. Stolen from its rightful place, this narrative is not meant to be on Amazon; report any sightings. "The villain known by the name Chernobyl," she states, letting the name hang in the air like a dark cloud. "His real name is Illya Myronovych Fedorov. A Ukrainian national who has become, for all intents and purposes, a walking catastrophe." She takes a deep breath before divulging the unnerving details. "His power is as dangerous as they come. His body constantly emits ionizing radiation. To contain this, he''s built himself a suit of mechanical armor, cobbled together from industrial equipment he''s stolen. But the armor is imperfect; it leaks." Here, Liberty Belle hesitates, her voice tinged with a bitterness that she''s kept hidden until now. I see something dark in her eyes. Something like a fire, something I''ve never seen before, burning in her pupils. "Professor Franklin tried to stop him. He didn''t make it out. Two years ago, when he returned to Philadelphia, I tried to stop him. Not only did he beat me within an inch of my life, but every blow I landed just opened up more of his power to me. I couldn''t finish the fight, and I paid the price." As she finishes, her eyes meet mine briefly, then scan the faces of all the Young Defenders in the room. It''s as if she''s silently asking us to measure the weight of this new information, to really understand the depth of the threat we face. "People like him - people who are too dangerous to be allowed to live in public - they have two options. Aurora Springs, or becoming a fugitive. The federal government is fully prepared to give him a cushy lifestyle, all the amenities and creature comforts he could want, regular visits from loved ones¡­ but he prefers his freedom," she says, her face curling up, coiling, like a snake preparing to bite. She almost spits the word freedom, and it makes my gut ache. I don''t know what Aurora Springs is, but it sounds euphemistic. I glance at Playback, knowing his feelings on¡­ imprisonment. He''s already looking at me. He nods, brow furrowed. "He''s back," Liberty Belle says, squeezing the edge of the table hard enough that it begins to creak, dent, and buckle under the strain. "That''s all. Davis?" Councilman Jamal rises, nodding at Liberty Belle as he motions for her to take a seat. The room''s heavy silence seems to welcome his steady, authoritative tone as he begins to speak. "We''ve been monitoring a series of troubling incidents in North and Northeast Philadelphia over the past three weeks. Industrial equipment has been disappearing overnight," he reports, keeping his words precise and factual. "Security guards have been attacked¡ªsome left with concussions, others trapped in their booths, which have been collapsed around them. This isn''t a run-of-the-mill burglary or sabotage." He leans forward, placing his palms flat against the table. "We''ve detected trace amounts of a specific radioactive signature at these scenes. The analysis boys got back today - that''s why we''re calling you now. It matches what we know of Chernobyl''s specific signature. So, let''s be unequivocal about this: he''s back." Jamal pauses for a breath, but not for effect. He talks a lot. "And it''s not just random theft we''re dealing with," he continues, shifting the slide to an image of a plundered office sitting above a factory floor, torn to shreds like it''s been attacked by a wild dog. "Each site that has been targeted by our radioactive friend has been plundered days later. Copper wires, personal belongings from office desks, even sensitive documents detailing trade secrets¡ªanything that could hold value is disappearing." He takes a moment to let the information sink in. "We have a two-fold problem here. Not only is Chernobyl back, but we also have reason to believe that he is now working in tandem with the Kingdom. If Chernobyl''s abilities are being weaponized for the Kingdom''s more organized criminal activities, we''re not just looking at a rogue threat. We''re looking at a potential crisis where the entire city could be held hostage." His expression tightens, the gravity of the situation visible in every line on his face. "We cannot afford to confront Chernobyl directly; we can''t risk creating another exclusion zone. But we also can''t ignore the Kingdom''s involvement. They''re exploiting his chaos for their own ends, and that needs to be stopped." He closes the slide, casting his gaze across each person in the room. "We need to flush Chernobyl out, without engaging him in direct combat, while also setting up an operation to catch the Kingdom red-handed. This is a tactical operation of the highest degree of difficulty, and it requires the cooperation of every single person in this room." Councilman Jamal exhales, a long, drawn-out sigh that seems to echo the sentiments of everyone present. "We''ve been handed a crisis, but it''s also an opportunity¡ªan opportunity to rid our city of two malignant forces at once. Let''s not waste it. Any questions?" Playback raises his hand, a sly grin forming on his lips. "Yeah, I got one. You talk about flushin'' out Chernobyl without engaging. I''m curious. Are we usin'' civilians as bait? Is that the plan?" Councilman Jamal shakes his head. "No, this is counterterrorism. The safety of the civilians is paramount." Playback''s face contorts into a rictus frown. "Counterterrorism? That''s a neat package to put it in." "Enough," Liberty Belle cuts in, her voice sharp but a little weary. "Do you have any other questions that are actually constructive?" I raise my hand, drawing the councilman''s gaze to me. "When is this happening? Do we need to be prepared tonight, or is this a long-term operation? And, um, what is Aurora Springs, Belle?" "We anticipate it to be within the next two weeks," Councilman Jamal responds. "After Chernobyl''s next attack. Everyone needs to be on call." "I''ll explain AS to you later, Bloodhound," Belle cuts in, arms folding over her chest. Gale raises her hand. "And what are we, the Young Defenders, supposed to do? We''re not exactly experts in nuclear science or tactical ops." "Your job will be disaster relief, quarantining, and keeping civilians out of the way," Liberty Belle answers. "You''ll work in tandem with the adults but focus on those areas." Playback looks skeptical. "So, we''re babysitters? We have powers that can do a lot more than just hold hands and set up barriers." Fury Forge chimes in, "Kid, this isn''t about what you can do. It''s about what needs to be done. There are roles to play, and everyone''s got to do their part." Puppeteer shifts uncomfortably. "What''s the plan if things go south? If Chernobyl is as unpredictable as you say, how do we avoid a worst-case scenario?" "That''s why this is a high-stakes operation. We have contingency plans and fail-safes. It''s a multi-layered strategy," Jamal answers, annoying me intensely. That''s not an answer, Councilman! Crossroads finally speaks, his voice tinged with hesitation. "Has the Kingdom shown any interest in similar crimes before? Could they be using Chernobyl for something other than what we''re assuming?" "The Kingdom''s involvement is a new development. They''re opportunists, and it seems they''re capitalizing on Chernobyl''s actions. As for their motives¡ªyour guess is as good as ours. While we know their involvement is certain, we don''t know if they''ve made contact with Chernobyl or if they''re picking at his droppings like vultures," Jamal explains. "Our hope is the latter," Belle says. "The Kingdom''s higher brass that we''ve all come into contact with - T-Rex, Heartstopper, Dr. Xenograft, not to mention the three that Bloodhound encountered - are all highly dangerous metahumans. The last thing we need is Chernobyl to be added to their ranks. If there''s a partnership, our best hope is that it''s informal at best." I feel my phone vibrate in my pocket, but I ignore it. There''s a pit in my stomach, a tangle of excitement and dread. This isn''t just another mission. This is something bigger, more dangerous. "And what if it''s not?" I ask, after a moment of silence. Heads turn to look at me. "What if they get him and, you know, pull him in?" "If they pull him in," Jamal says, weighing his words carefully, "then we''re talking about an escalated crisis. Chernobyl''s powers are¡­ beyond most of our capabilities to handle directly. And it''s exactly because he''s not usually a lethal threat that makes this situation delicate. He avoids civilians, avoids us. He''s a sort of eco-systemic hazard, not an assassin." Liberty Belle jumps in, "That''s the concern. If the Kingdom could find a way to weaponize him, to use his abilities for more traditional crimes or even terrorism ¡ª then we''re talking about something we''ve never faced before. We may need to call in Federal superheroes or even the ISC''s disaster response team. No one here, in this room, could contain a Chernobyl that''s intent on violence, except maybe me in my prime. And I''m not in my prime." I feel the room tighten. Federal superheroes? The International Superhuman Coalition? Even I know that acronym. "And how do we know for sure that the Kingdom is involved?" Blink asks, after another damning moment of silence. "Like, what if it''s someone else?" Playback smiles. It feels smug. Almost unearned. "Stolen goods - the kind that can be sold on the traditional markets of theft - have been flowing through fences known to be accessed by Kingdom assets. And the theft of robotic arms and conveyor belt parts doesn''t exactly make the 9 o''clock news. The fact that whoever''s performing these thefts shortly after Chernobyl''s own means they''re close on his tail, and they''re operating in a group, which means organization. The secondary thefts aren''t single incidents, pick, peck, pick, it''s all at once, all overnight, taking advantage of the holes Chernobyl is making in their security," Belle rattles off, her face looking visibly annoyed. She takes a breath, and I watch her cooling off, imagining the thermometer going down in her head. "So either it''s the Kingdom, or some other group of similar organization. Either way, it''s a problem that needs handling. Any other questions?" Blink shrinks down a little bit. I reach under the table and gently grab her hand, giving it a squeeze. She looks at me and smiles weakly. The lack of sound swallows the room. I can feel all of Liberty Belle''s blood, swishing around in her insides from her wounds, her ulcers, her cancer. The coffee grounds in her stomach. I watch her inhale. I watch her exhale. Fury Forge, looking cowed for the first time in her life, or at least the first time I''ve ever seen her like that, reaches into a bag by her feet. She passes out several small devices, looking almost like candy bars made of plastic, with antennae sticking out the tops. A small red LED turns on each. They look made to clip onto belts. "Normally, we don''t pass these out to juniors. Crossroads and Puppeteer already have them. Given the circumstances, though, we''re activating the rest of you a little early. They''re basically souped-up pagers that I made. There''s a plug at the bottom to plug into your phone''s cart port to sync it. They''ve got forever battery. And if there''s an emergency, you know, if we gotta go now¡­ they''ll buzz from anywhere across the city. Keep them on your person at all times." I grab one from the pile on the table while my teammates do the same. I slip it into my pocket. "Does anyone have anything else for the table? I know we''re all very tired, so if that''s all, you''re all dismissed," Jamal says, his body visibly tenting, getting ready to stand up. Gale raises her hand. "Yes, Gale?" Jamal asks. "Um. I know this is not a great time. But. Bloodhound and I are dating now," she announces proudly to the table. Playback mutters a ''Damnit'' under the table and slips a twenty to Rampart - HEY! And the adults, well. The looks thrown at me are going to make me melt into sludge. I do not like a room full of adults looking this amused, especially when it''s at me. "Well, good not to end an all-hands-on-deck with dour news. Congratulations, you two. Don''t let it compromise your performance," Multiplex says, the sole person at the table not looking at anyone else, only looking down at his notepad. Jamal chuckles, finally standing up. "Well, I suppose that''s as good a note as any to end on. As Multiplex said, just remember why you''re here. Keep your personal lives and your hero work separate as much as possible." As the adults shuffle papers and prepare to leave, Gale looks at me, her eyes meeting mine. It''s a weirdly reassuring moment; it grounds me. Playback, meanwhile, is making a show of counting his money, while Rampart grins and pockets the twenty. I start to push back my chair, but Liberty Belle''s gaze catches mine. There''s something there¡ªconcern, pride, a weird mix of both. She mouths, "We''ll talk," before she leaves the room. I nod, still processing everything. The pager in my pocket feels like it weighs a ton. It''s a reminder of what''s to come, of the responsibility, the uncertainty. It''s a promise and a warning all in one. Crossroads looks around at the rest of us, then gathers his notes. "Alright, Young Defenders. Let''s regroup tomorrow for a tactical session. We''ve got a lot to cover, and time''s not on our side." We all nod, each of us in our own headspace. I reach for Gale''s hand as we leave the room, trying to hold on to something certain in a world that''s anything but. She laces her fingers through mine, grounding me once more, and they unlace as we walk out together, hand falling back to her side. Still, as I leave the room, the words of Councilman Jamal echo in my ears. An opportunity in a crisis. WORLD OF CHUM: Private Superheroing

?? ZenithGuard Security Solutions ??

Your Powers, Your Future!

Who Are We?

ZenithGuard Security Solutions is a world-class private security firm focused on integrating Licensed Vigilantes into a framework that benefits both society and the heroes who protect it. ?? Our Mission: To create a safer, more secure world by maximizing the utility of metahuman abilities within a responsible, legal, and ethical framework. ?? Our Reach: From Fortune 500 companies to small businesses, ZenithGuard provides top-tier security services across the globe.

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How to Apply?

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  3. In-Person: Visit any of our recruitment centers for an on-the-spot interview.

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ZenithGuard Embroiled in Controversy: A Vigil Turned Violent?

Published: October 25th, 2019 Sarah McMillan, for the Chicago Tribune In an incident that has left both legal experts and the public baffled, ZenithGuard Security Solutions is currently facing severe scrutiny for a recent operation gone wrong in Chicago. The controversy centers around one of its leading "private superheroes", known by the code-name "Vigil," who is facing allegations of misconduct and excessive use of force.

The Incident

On the night of October 23, 2019, Vigil was deployed to assist with crowd control during a peaceful protest. The mission was meant to be straightforward: ensure public safety while allowing citizens to exercise their First Amendment rights. However, according to eyewitness accounts and available video footage, Vigil seemed to have overstepped his boundaries considerably. While attempting to apprehend a suspect for alleged vandalism, Vigil engaged in a physical altercation that resulted in the injury of four bystanders, two of whom had to be hospitalized.

The Aftermath

The incident prompted immediate backlash, as forums and blogs were flooded with video clips, and email campaigns immediately spun up demanding justice and accountability. The local police department promptly distanced themselves from ZenithGuard, stating that Vigil''s actions were "not in line with the department''s policy on engagement during peaceful protests." As a result, an investigation has been launched both internally by ZenithGuard and by an independent civilian oversight board. The protests have not only continued, but intensified, with Vigil''s actions widely seen as not only ineffective but actively counterproductive to ZenithGuard and the police''s goal to control crowd sizes and rowdiness.

Legal Ramifications

While ZenithGuard and its employees usually operate with a degree of legal immunity under the Licensed Utilization of Metahuman Abilities (LUMA) framework, the glaring questions surrounding this incident may present a unique challenge. "Even though they have licensing, private superheroes are not above the law," said Eleanor Thompson, a professor of Law at Chicago University. "They cannot be allowed to wield their powers irresponsibly. This incident could set a precedent for how private security firms like ZenithGuard are regulated moving forward."

ZenithGuard''s Response

In a public statement, ZenithGuard expressed regret over the incident and assured that a thorough internal review was underway.
"We take this incident very seriously and deeply regret any injuries sustained by innocent bystanders. Our mission is to protect, and it''s clear that we fell short in this instance. Vigil is currently on administrative leave pending the outcome of our internal review as well as any external investigations."
While this is far from a mortal blow for ZenithGuard, it raises important and uneasy questions about the accountability and oversight of private superheroes. As the nation watches, this incident could very well become a watershed moment in the ongoing conversation about the role of privately-operated superhuman entities in public security. Disclaimer: The views expressed in this article are those of the author and do not necessarily reflect the official policy or position of any agency or institution. Chapter 38.1 We finally make it to Kate''s school, Abraham Lincoln High School -- home of the Railsplitters. I don''t know what a Railsplitter is - it sounds like an alien from one of Pop-Pop Moe''s books. Probably something to do with trains, though. Either way, it feels like stepping into an alternate universe, but not the cool kind with like, wizards or laser piranhas. The outer walls of the school building make the first impression, freshly painted. Well, fresh if you consider maybe two or three years ago as fresh. Someone''s been trying to put a good face on a tired building. But the sidewalks, man, they don''t lie. They''re cracked and uneven, worn down by the weather and, I guess, hundreds of feet every day. The lawns, too, are a dead giveaway. Spots of brown and yellow, like bald patches on a dude desperately clinging to his last remnants of hair. I feel a pit in my stomach as I walk, kinda like the pit you get when you''re nervous, except it''s not fluttery or sick. It''s just¡­ there. Just sitting there like a lump, all heavy and obstinate. And then there are the banners. Yellow and black, the school colors of the bumblebee, hanging limply from the lampposts and clinging to the school walls. You can tell someone tried to spruce up the place, to make it feel inviting, but it''s like slapping a "New and Improved!" sticker on a years-old laptop. You''re not fooling anyone; we all know what''s underneath. But what really catches my eye is the graffiti. Like, it''s EVERYWHERE. Tags sprayed on the walls, doodles etched into the benches, initials carved into the trees. An entire sculpture of gum, or maybe clay, emerges like the limb of a cactus out of a nearby trash can. A school staff member -- maybe a teacher or janitor or both? -- is out on the lawn, scrubbing fiercely at one of the graffiti marks. There''s a bucket of soapy water next to them, and their brush moves in aggressive swirls, as if they could erase not just the graffiti but whatever drove someone to make it in the first place. They pause, looking up, their eyes meeting mine for just a second. Then they go back to scrubbing, their movements a little slower now, a little more defeated. It''s like they''re fighting this never-ending battle against the spray cans and the restless energy that keeps putting marks on these walls. And that thought, that they keep going even when it looks hopeless, makes me feel kind of sad. More than kind of, actually. It makes me really sad. I look away, shaking off the feeling. Jamila''s going to meet me here, and I don''t want to bring all this weird energy into watching Kate''s game. But as I stand there, on the cracked sidewalk of this too-big school, that feeling, that this place is living a life very different from mine, doesn''t go away. It stays, lingering like the last notes of a song you can''t get out of your head. And I can''t help but wonder what tune this place would hum if it could. Just when I''m about to pull out my phone and text Jamila to see where she''s at, a taxi pulls up to the curb. The car''s not one of those shiny yellow cabs you see in movies; it''s more like someone''s used sedan that''s seen better days, but still manages to do its job. The back door swings open, and out steps Jamila, a swirl of colorful hijab and a backpack that looks like it''s seen just as many highs and lows as this school. She pays the driver, who speeds off as if eager to get away from this place, leaving a brief cloud of exhaust that lingers in the air longer than it should. Jamila spots me and her face brightens into a smile, as she walks over. As she gets closer, I notice her eyes scan the building and the worn surroundings. She doesn''t look surprised or taken aback, just kind of¡­ accepting, like this is par for the course. "Hey, Sam," she greets me, pulling me into a quick hug. It''s warm and comfortable, and for a moment, that pit in my stomach feels less heavy. "Jamila, you made it. I was starting to think I''d have to sit through Kate''s scrimmage alone. Did you have trouble getting here?" I ask. "Nah, just the usual Philly traffic. It''s a mess, as always," she replies. "This is the school, huh? Reminds me a bit of King High. They could be cousins, honestly." "Yeah?" I feel a bit relieved to hear that. "I was just thinking how different it is from my school." She shrugs, but her eyes stay sharp, like she''s weighing what those differences mean. "Different or not, it''s still a school. Kids learn, make friends, get into trouble. The paint on the walls doesn''t change that." "Yeah, it''s big," I say. Abraham Lincoln High School is eight times -- eight times! -- the size of my school. And they don''t have admission requirements or anything, which, I guess, has its pros and cons. More people can get in, but then you got to deal with, well, more people. My mind races a bit, wondering what kind of people Kate has to deal with here. Is she okay? Is she happy? Why does thinking about that make me feel kinda weird and kinda sad? "Eight times bigger than mine." "Eight times bigger," Jamila adds, "But not necessarily eight times better." "Tell me about it," I reply, taking her hand. Obviously, the funding issues of Philadelphia schools are legendary, even for someone my age - it''s just kind of startling to see it in such stark relief. "C''mon," Jamila says, letting go of my hand so she can hook her arm through my arm instead. "Let''s go find good seats before the game starts." I laugh. "It''s a scrimmage. I don''t think we''re gonna be, like, at a loss for seats." As we walk, my eyes keep darting around, like, taking in all the details. The asphalt beneath our feet is cracked, filled in places with weeds stubborn enough to grow through the fractures. The school''s walls, those look new. Fresh paint, a bright yellow that catches the sun. But the newness stops at the walls. "Look at that," I say, pointing to graffiti sprayed over a door that probably leads to some janitorial closet. They''ve painted over it, but you can still see the outline of the letters. Rebellion seeping through the cracks. Jamila sighs. "They try to clean it up, but it always comes back. Graffiti''s like that. Persistent." I smirk, squeezing her arm a little. "Kinda like you." She rolls her eyes but smiles, and my heart does this little flip thing that I pretend not to notice. "I''ll take that as a compliment," she says. We reach a side entrance, the words "GYMNASIUM" written in all caps above the door. Seems like they''ve given up on the fancy aesthetic here. It''s just a plain, metal door, dinged up and scratched. I push it open and we step inside, and my senses kind of get hit by this wave of, well, gymnasium-ness. The air is, like, a mix of rubber from the basketballs and that clean-ish smell of industrial cleaning products. And sweat. Sounds echo in a weird way; the squeak of sneakers, the bounce of balls, and random conversations blend together, bouncing off walls. It''s a cavernous space, big enough to fit probably four of my school''s gyms inside it. There''s a sort of lobby area connecting the gym to the rest of the school, with glass trophy cases that are half-full--or half-empty, if you''re into being a pessimist--showing off awards from years past. This story originates from a different website. Ensure the author gets the support they deserve by reading it there. "Some collection," Jamila says, her eyes scanning the trophies. I nod, my own gaze wandering. There''s a glass case filled with team photos, a history of Railsplitters past. Some wear triumphant smiles, some look like they''d rather be anywhere else. "Yeah, they''ve got history." "Do you think Kate will end up in one of those pictures?" Jamila asks. "I don''t really know much about her, you''ve been remarkably reticent about your non¡­ after-school friends." "You heard what they said about professional life and personal life, Jams." I reply, flicking hair out of my face. I sigh, feeling a sudden lump form in my throat. "Yeah, Kate and I go way back. Kindergarten. We used to think fighting each other was how you became friends. Got into trouble more times than I can count. We didn''t know any better, we were just kids with too much energy." Jamila chuckles, probably imagining tiny me and tiny Kate scrapping in the schoolyard. "And then?" "Then we got smart. Figured out that there are better ways to channel all that energy. I went for soccer, she went for basketball. We still competed, but it was friendly, you know? Not like the schoolyard wars we used to have." "So what happened? You still look like you miss her." My mouth opens, but it takes a second for words to come out. The ache in my chest grows. "We grew up, I guess. I started doing my¡­ after-school activities," the last part said with a wistful heaviness. "Plus we don''t go to the same school anymore. Blame my parents for that one." I try not to blame them too much. They just want what''s best for me. I walk over to a glass case, tracing a finger lightly over the surface, over faces frozen in time. I''m looking for her face among the team photos, even though I know she''s too young to be in these archived shots. But the search is comforting, even if it''s futile. "Plus, I haven''t been a great friend lately," I add softly, not sure if I''m talking to Jamila or to the ghosts behind the glass. "My life got¡­ complicated. More secrets to keep, more reasons to drift apart. And the worst part? Kate''s the sort of person who''d understand if I could tell her, but I can''t, and that sucks. I can''t put her in danger of a freaking¡­ random dinosaur attack." Jamila nods, her expression gentle but serious. "I get it. The stuff we''ve got to do, it''s not easy on friendships. Or on us." "Yeah." My eyes finally leave the glass case, settling back on her. "It''s just¡­ seeing her school, thinking about her life here¡­ the world doesn''t stop spinning just because I''m off saving it." We''re both silent for a moment, and then Jamila breaks it. "Hey, life''s messy, complicated. Friends drift, but they can also drift back. We''re here now, right? Maybe it''s a chance for you to reconnect. Even heroes need to maintain their friendships." I smile, a genuine smile that pushes away a tiny bit of the melancholy. "You''re right, Jams." She grins back, hooking her arm in mine again. "Of course I am. Now, let''s go find those seats. The night''s still young, and who knows? Maybe you''ll get a chance to cheer Kate on."
The gym at Abraham Lincoln High School doesn''t look too bad, actually. Not like the rest of the place. Which is weird, because most of the school gives off that "in need of renovation" vibe. It''s like someone dumped all their care into this single gym and then shrugged at the rest. Kinda unfair, if you ask me. Jamila and I find a spot on the bleachers, and they''re pretty much empty. Like, there''s only a handful of people here, some random friends, and maybe one or two parents. Makes me wonder why they bothered making it look so good if no one''s showing up. I guess basketball isn''t a big deal here, or maybe it''s just that it''s a scrimmage and not an official game? Either way, it''s weird, because Kate is super into basketball. She used to tell me it was like therapy, only way cheaper. My legs bounce up and down, bumping against the bottom of the bleacher in front of me. It''s like a nervous habit or something, except I''m not the one playing. But Kate is, so that''s kinda the same. Right? Jamila, ever the calm presence, rests a hand on my knee, giving me that "It''ll be okay" look. She''s not saying it, but I know that''s what her eyes mean. I try to take a deep breath, but it doesn''t help much. The whistle blows and the game starts. Right off the bat, Kate''s in the zone. She''s like this miniature tornado on the court, dodging, dribbling, zipping past people like they''re standing still. She''s got her short hair in a small ponytail, sandy and short, bobbing with every move she makes. Then there''s Olson, or that''s what her jersey says, towering over the rest, this wall of a person you''d think could block out the sun. Her eyes are locked onto Kate like a missile, and you can tell she wants to put an end to this one-woman show. Kate''s dribbling down the court and Olson''s right there, mirroring her every move. But Kate''s fast, almost unnaturally so, and she pulls this spin move that leaves Olson lunging for air. For a heartbeat, it''s like watching a matador and a bull. Kate takes her shot, a clean arc, and--swish--it''s nothing but net. I let out an involuntary cheer, not caring that I might be the only one. "Go Kate!" But Olson''s not giving up; you can see it on her face. I wonder momentarily if anyone is sitting on the bleachers, watching her, knowing her first name and thinking of Kate only as "Smith". Next play, she gets the ball and drives to the hoop. She''s got the height, obviously, and uses it to shoot over her defenders. The ball bounces on the rim, teeters for a moment, and drops in. Score one for the giants. Kate''s back with the ball, a glint in her eye. She dribbles to the three-point line, feints a pass, and then--surprise--it''s a quick sidestep and she''s going for it. Olson lunges, arm outstretched, fingertips just millimeters away from the ball. But she misses. The ball is airborne, flying, sailing--and it sinks through the hoop like it''s got GPS. Another perfect three-pointer. Jamila beside me claps, her eyes lighting up; she''s not a basketball fan, but she loves seeing people excel, and Kate''s doing just that. Olson growls, almost inaudible, but I catch it. She''s mad, and it''s like watching a volcano right before it erupts. This time, she''s dribbling down the court, not even passing, it''s a one-woman mission. Kate tries to guard her, but Olson''s strong, shoves a bit with her shoulder, makes room, and leaps. She slams the ball through the hoop, a resounding dunk that makes the backboard shudder. And she lands, a smug look on her face, like she''s just conquered Everest. "Team sport, girls! Share the rock!" The coach yells from the sidelines, her voice breaking through the tension like a clap of thunder. The atmosphere is electric, almost palpable. Kate dribbles down the court, swift as ever, but this time she''s got something different in mind. Just past half-court, she sends a quick pass to Martinez, jersey reading "27," who''s hovering near the three-point line. Martinez fakes a shot but dishes it off to Kim, her jersey reading "8," who''s cutting toward the basket. Kim takes the pass and immediately faces resistance. Two defenders converge on her, and for a moment, it looks like she''s cornered. But then she spots Kate, who''s managed to shake Olson for a split second. A rapid pass back to Kate, and it''s game on again. Kate and Olson lock eyes. The tension peaks; it''s a showdown, a duel for the ages. Kate starts her move, zigzag dribbling designed to confound. Olson is unyielding, every muscle coiled like a spring, ready to strike. But then Kate pulls a fast one--instead of driving, she suddenly stops, just a foot from Olson, and goes airborne. The shot is like something out of a fairy tale; it arcs high over Olson''s outstretched fingers, hovering for an eternity before it descends. Swish--the ball sails cleanly through the net, no backboard, no rim, just net. The buzzer for halftime blares, echoing through the gym. And the gymnasium comes alive. Sure, it''s not an ear-splitting roar, but the energy level definitely spikes. Jamila''s clapping is so vigorous it''s like she''s trying to start a one-woman wave. And me? I''m grinning so wide it feels like my face might split. The halftime whistle blows. Kate''s team is ahead, and not just on the scoreboard. They''re jelling, playing like a unit, and it''s beautiful to watch. It''s a scrimmage, yes, but the spirit is pure competition. Kate''s not just a star; she''s a team player, and that makes the win--even a scrimmage win--all the sweeter. She''s fighting her battle out there, same as I fight mine. And in that moment, pride swells within me, not for my feats but for hers. Sometimes, that''s victory enough. I start to get up, thinking maybe I can catch Kate before she disappears into the locker room or whatever they do during halftime. Jamila tugs gently at my sleeve. "You sure you want to go talk to her now? She might be busy." "I just wanna say hi," I say, but I hesitate, my hand hovering over the edge of the bleacher. "Should I? Or is that weird?" "It''s your call, Sam," Jamila says. But she''s got that concerned look, the one she gets when she''s not sure what the best thing to do is but doesn''t want to tell me what to do. It''s a nice look. It doesn''t help right now. I sit back down, my legs still restless but maybe a bit calmer now. "Let''s just watch. She seems like she''s in the zone, and I don''t wanna mess that up for her." Jamila nods, and we turn our attention back to the court, waiting for the second half to start. My fingers drum against my thighs, forming a rhythm that only makes sense to me. Chapter 38.2 The buzz of the buzzer is still ringing in my ears when the ref places the ball on the court for the tip-off. Kate and Olson square off again. The ball goes up, and it''s like time slows down. Olson stretches to her full height, but Kate gets the tip. She taps it toward Martinez, and we''re back in action. This time, Olson''s team looks ready. They''re anticipating Kate''s every move. Johnson, with her jersey reading "2," is guarding Martinez. As Kate makes a quick pass, Johnson leaps into action, almost intercepting it. Almost. Martinez catches the ball by the skin of her teeth and quickly passes to Kim, who''s right under the basket. Kim leaps, her fingers just grazing the rim, but her layup is too soft. The ball bounces off, and for a terrible moment, it looks like it''s Olson''s turn to shine. She grabs the rebound and is off, charging down the court like a runaway train. Kate''s hot on her heels, but Olson''s not slowing down. She executes a flawless crossover, leaving a defender biting air. Closing in on the basket, she jumps and releases the ball. It hangs in the air, a spinning globe of possibilities, before it swishes through the hoop. Two points. Just like that. Back on the other end of the court, Kate''s calling the play. Her eyes scan the defenders, evaluating options. Her gaze locks onto Jackson, jersey "14," who''s making her way around a screen set by Kim. The pass is perfect. Jackson receives it, pivots, and shoots a mid-range jumper. It''s off the mark. Olson snatches another rebound, and it''s d¨¦j¨¤ vu all over again. She dribbles with intent, but this time Kate''s ready for her. Just as Olson gears up for another incredible shot, Kate times her jump perfectly and blocks it. The ball ricochets off the backboard, and Martinez grabs it. The counterattack is lightning quick. Kate sprints down the court, Martinez trailing her. At the last second, she dishes it to Martinez, who fires from beyond the arc. Three-pointer. Nothing but net. The clock is ticking down, less than a minute left on the game clock. Tensions are high, and everyone''s on edge, the weight of the scrimmage outcome hanging over both teams. Kate''s team is ahead by that last three-pointer, but Olson''s face tells me she''s far from admitting defeat. She gets the inbounds pass and starts a slow dribble up the court, her eyes coldly assessing every angle. Kate''s shadowing her closely, mirroring her every move. Olson fakes left, goes right, then throws a behind-the-back pass to Thompson, whose jersey reads "33." Thompson seems surprised to get the ball, hesitates for just a split second before taking a shot from the free-throw line. It clangs off the rim. Time is running down, seconds ticking away like droplets in a rainstorm. Kate''s team holds a narrow lead, but the game''s not over. Olson''s face is a mask of concentration; she''s plotting, planning. She receives the rebound and dribbles with a kind of frenzied calm, if that makes any sense. She makes her move, cutting to the basket. Kate anticipates, mirroring her. Olson leaps for a layup. Kate jumps to block. Their hands meet in mid-air, a clash of wills and skills. The ball wobbles uncertainly for a moment before dropping. Into Kate''s hands. As the buzzer sounds, signaling the end of the scrimmage, Kate dribbles the ball a few times before letting it come to a rest at her feet. She looks up, locking eyes with Olson. They nod at each other, a silent acknowledgment of a game well-played. And then Kate turns to her teammates, her face breaking into a grin, and they rush her, a mass of ecstatic humanity. From my spot in the bleachers, I can''t hear what Kate and Olson are saying to each other, but their conversation looks animated, punctuated by gestures and quick bursts of laughter. Whatever rivalry they had on the court seems to have melted into camaraderie, the kind forged in the crucible of competition. They share a high-five that''s perfectly timed, a testament to their athletic synchronization. Then comes a secret handshake, intricate and quick, a series of slaps, snaps, and finger flicks that ends with both of them pointing at each other, like duelists marking their respect. It''s then that Kate''s eyes roam the stands, perhaps looking for someone, perhaps just soaking in the afterglow of the game. Her gaze lands on us. There''s a momentary flicker of recognition, and then her face lights up. Even from this distance, the sincerity of her smile is unmistakable. She lifts her hand and waves, making sure to catch my eye. I wave back, a small but heartfelt gesture, and her smile widens, if that''s even possible. It''s like an unspoken promise, a moment of connection that says, "We''ll catch up soon." Jamila nudges me, her eyes twinkling. "Looks like you caught her eye after all." "Yeah," I reply, feeling a warmth spread through me that has nothing to do with the atmosphere in the gym. "Yeah, it looks like I did."
The game finally comes to an end, and we won! Or rather, Kate''s team won. Or rather, Kate''s half of Kate''s team won. I didn''t really have much to do with it, but I cheered as loud as I could, and Jamila''s claps were practically wind gusts. I can''t help but be excited as the team gathers in a huddle, doing one of those on-the-count-of-three team shouts. I think it''s something like "Go Wildcats!" but I can''t really make out the words from here. Jamila turns to me with a grin. "Your friend is pretty good out there." "Yeah, she''s always been a natural," I reply, beaming. We decide to head down toward the court, weaving through the bleachers, dodging stray basketballs and dodgier parents arguing about referee calls. For a scrimmage game? Really? I keep my eyes on Kate. She''s wiping her face with a towel, sandy blonde hair sticking to her forehead. Freckles stand out more when she''s flushed like this. As we approach, I catch her eye and wave, a full arm kind of wave that probably looks a bit silly but who cares? "Hey, Kate! Great game!" Kate looks up and smiles. It reaches her eyes, but it''s tired, you know? "Hey, Sam. Thanks for coming. And you must be¡­?" She glances at Jamila. "Jamila," she supplies, offering a handshake that Kate returns. "Sam''s girlfriend. You really know how to play." "Thanks," Kate says, dropping her hand back to her side, "it''s something, at least. Didn''t know Sam liked girls." There''s that weird pause, right? Like, what do you say after ''it''s something, at least''? So I jump right into it. "How are you feeling? You must be psyched about the win," I say, kind of walking past that last part. It''s not something I really would like to dig into right now. Not here, not with Kate, not in public. Sorry. "I am," she nods, taking another sip from her water bottle. "It''s good for team morale to start the season with a win." "Yeah, I bet," I agree, nodding along because that sounds like something I should nod to. "Wait, that doesn''t make sense, you just won against your own team." Kate bends down into a fake boxing stance and jabs me twice in the ribs. "You''re too smart for your own good, Small," she teases, rolling her shoulders until they pop. She finally wraps the towel around her neck, eyes flicking from me to Jamila and back again. "So how''s Tacony? Your new school?" The author''s content has been appropriated; report any instances of this story on Amazon. Her tone shifts just a fraction. Maybe it''s my imagination, but it''s like something''s missing now. "Uh, it''s good, you know? Different crowd, different teachers. We''ve got a pretty good basketball team too. I mean, not that I''m on it or anything." Kate chuckles, "Well, you''ve never been the sporty type," she jokes, jabbing me in the ribs with two knuckles again. I think a couple months ago that would''ve hurt, but now it just takes the wind out and then feels warm. I laugh too, but it''s a half-laugh. Like, I want to find it funny, but something''s making it hard to. Jamila steps a bit closer to me, maybe she''s sensing something too, or maybe she''s just getting bored. "Do you miss the old school?" Kate''s shoulders lift in a half-shrug. "Some parts. Not all." And there''s a pause again, filled only by the ambient noise of people packing up and leaving the gym. "But change is inevitable, right?" "Yeah, guess so," I manage to say, and I''m getting this weird feeling like I want to be anywhere but here. And that''s crazy because Kate''s my friend, right? We go way back. "Hey, I better head off," Kate says, "Coach wants to go over some things with us, you know, post-game talk. I''ll be back around, though. Don''t go far!" "Yeah, sure. Do your thing, superstar," I grin, trying to bring back the good vibes. Jamila and I wave as she jogs off to join her teammates, who are gathering around their coach. And then it''s just us, standing on the side of the court. "Was it just me, or was that conversation a bit¡­ off?" Jamila asks. I sigh, pulling my phone from my pocket to check the time. "I don''t know. Maybe we''re just reading into things." "Yeah, maybe," she agrees, but I can tell she''s not entirely convinced. And, honestly? Neither am I. Kate comes back from talking with her coach, her face all sweaty but her eyes are kinda steely. I think she might be tired, but it''s the kind of tired that makes you more awake. I can''t describe it, but I know what it feels like. "Hey, thanks for coming again, it''s real," she says, but her voice doesn''t really match her words, like when you have to say thank you but you don''t want to. "Of course! You were great out there. Like I said." I mean it, but the atmosphere''s like one of those old cartoons where a rain cloud follows you. It''s awkward and heavy, but not like the good kinda heavy. "So how''s your dad doing? I heard he was having a rough time," I try to change the subject. I shouldn''t have brought it up. I know that now, the second it leaves my mouth. Kate walks a little ahead of me and Jamila as we make our way out of the gym, her sneakers squeaking on the polished floor. "He''s managing. Had to take up a second job, though. You know how it is with money these days. Tight." She says the last word like she''s squeezing the air out of a balloon, and I''m pretty sure she doesn''t know her fists are clenched. I notice it though. I always notice weird stuff like that. "How are your folks doing, like I didn''t hear about your house getting crushed by a dinosaur attack?" "Dino attack? Oh, yeah. Total mess. I mean, who expects to get a text from your dad saying, ''Don''t come home. Dino invasion.'', right?" I shake my head, disbelief still lingering even though it''s been days. "We''re doing okay though, considering. Living with Lily for now. My parents are out in Ventnor with Pop-Pop." "That''s quite a switch," Kate says, brows knitting together like she''s doing some complex math problem in her head. "I mean, from city to¡­ Ventnor. That''s gotta feel weird, doesn''t it?" "A little bit, but it''s better than dodging a T-Rex on the way to the bathroom." I give her a lopsided grin, and I see her lips twitch a little, like she wants to smile but can''t quite manage it. "The quiet''s kinda nice, actually. Helps with homework." "Homework," she mutters, and I hear something like an edge in her voice, but it''s so faint that I might be imagining it. "Right. So you''re not out doing your, uh, afterschool activities all the time?" I shrug, picking up the code in her words easily enough. "Gotta balance, you know? Can''t save the world if I''m failing Algebra." Kate lets out a small laugh, a real one this time, and it''s like a valve''s been released. "Fair enough. Still, must be something, living with a friend like that. I don''t think I could do it." "It''s a change," I admit. "But we make it work. What about you? Ever think of leaning on friends? With your dad and all? If you ever need help, you can ask me, you know?" I offer, not knowing how else to say it. She looks at me and her eyes are kind of cloudy, like there''s a mist hiding what she''s really thinking. "Thanks, but we got it. Just some obstacles, you know? We''ll climb over them." We step out of the gym and into the lobby, which has the smell of a lot of kids running around and sweating all day. I can see her lock that part of her life back up, like she''s tucking it into a safe and swallowing the key. Jamila''s been super quiet, maybe picking up on the weird vibes. "Sounds tough, but also sounds like you''re handling it," she finally says, trying to make it less uncomfortable maybe? Kate gives her a smile, but it''s quick and it goes away like a bubble popping. She doesn''t know Jamila as well as she knows me, so she doesn''t really owe her a fake smile, but she gives her one anyway. "Yeah, you''re resilient. Always have been," I add, even though I know something''s really off. There''s like, a thing in the air, and it''s not just the sweaty-gym-smell. "Uh-huh. So, you two doing anything for Halloween?" Kate asks, as we push through the lobby doors, out onto the sidewalk where it''s finally cooler, and my hair isn''t clinging to my neck so much. I get why she''s changing the subject. Halloween is safer, and I jump at the change. "Probably just gonna hand out candy, maybe watch a scary movie," I say. "You?" "Trick-or-treating alone, mainly to get snacks for a few weeks. You know how it is," she says, kind of laughing but not the way you laugh when something''s actually funny. "What about you, Sam? You got plans? Or do you gots any ''plans''?" She puts quotes around the word "plans" like she''s doodling in the air, and I know she means the afterschool activities. Superhero stuff. "You know, them jawns." "Oh, you know, the usual stuff," I reply, trying to play it cool but feeling about as cool as a hot stove. "Hopefully, no plans. I''d rather have some peace and quiet for like at least a day or two." Jamila''s eyes flicker for just a moment, like a really quick blink, when she catches on to what we''re not actually saying. "I met Sam at our afterschool activities, actually. It''s been good, really engaging," she chimes in, and for a fraction of a second, Kate''s eyes do something. I don''t even catch what they did, just that her face changes expression so fast I don''t even know if Kate notices. "Engaging''s one way to put it," I try to laugh it off, but there''s that rain cloud again. It''s just getting darker. "Sounds like you''re keeping busy then," Kate says, and I can''t help but feel like every word''s got a double meaning. It''s like walking on a tightrope, except I''m really bad at balancing. I don''t know how much longer I can keep this up without falling flat on my face. "Can''t believe my best friend is getting engaged at fourteen!" "That''s not what I said!" I protest, thumping Kate in the chest. She goes staggering a couple of feet, skidding down against the sidewalk. "Oh my G-d, I am so sorry." Kate just laughs, something harsh and almost wet bubbling up in her throat. But the laugh quickly mutates into something genuine. "God damn. When did you become a boxer, dude? That hurt." "Do you need medical assistance? I have some bandaids--" Jamila offers, but Kate waves her off, getting back to her feet, stretching herself, hopping back and forth a little bit and then shaking her arms out. "No, no, I''m good, girl. Damn. That was a rush. When''d you get that beef?" Kate repeats, her expression suddenly piqued, going from uncomfortable storm cloud to uncomfortably laser focused on me. I notice, for the first time, Kate actually looking at me, rather than just sort of at me, if the distinction makes any sense. She looks at my arms, my legs. My callused skin. My dense knuckles, almost leathery. "Jesus." I laugh nervously, scratching the back of my head. "Just training. My bones get hard really fast because of, you know. The cat scratch stuff." "Crazy. You''ll have to teach me how to do that some day. I could use knuckles like those," Kate replies, hawking a loogie down into a nearby storm drain. "Soz, that was gross." I wave it off. "Dude, I spit teeth, it''s fine. You sure you''re okay?" She looks better than okay, honestly. Like there''s a fire in her eyes now, life suddenly returning. I see a spark and I''m glad to see it. I''m not sure how punching her in the boob helped with that, but I''ll take what I can get. "I''m super, Small. Y''all need a taxi home?" I wave her off. "Dude, you literally¡­ Man, don''t worry about it. Let''s walk. You cool with walking and talking?" Kate looks at me, grinning, almost a little manic looking. "One condition, Biggie Smalls." "Yeah?" I ask, glancing at Jamila, who glances at me. "I wanna hear about the t-rex dude. You gotta tell me that story. Or like, you know¡­" She leans in close and whispers. "You can tell me your cover story or whatever. I just wanna know what a real t-rex looks like. All the videos are in the middle of the pouring rain, super foggy. Impossible to see shit." I thump her on the back - GENTLY this time. "Sure. I''ll tell you allllll about it, Smith." Then, I thump her a little harder, and she catches herself before she can stumble into a fall. She looks at me and jerks her hand forward to pinch my nose. I consider retaliation, but I just sigh and start laughing instead. Everything feels normal. Everything is fine. "Deal," Kate replies. WORLD OF CHUM: Education

Valleywood Public High School Student Handbook 2023-2024

Building Tomorrow''s Leaders Today

< ? ? ? >
Section IV: Behavioral Expectations
<...> Subsection IV.11: Superhuman Abilities and Conduct
  1. Usage of Abilities: Students with superhuman abilities are expected to exercise extreme caution and discretion while on school premises. The use of superhuman abilities is strictly prohibited unless explicitly authorized by faculty or staff for educational or emergency purposes.
  2. Harassment and Intimidation: Harassment or intimidation of students, faculty, or staff through the use or threat of superhuman abilities is considered a severe disciplinary offense and will result in immediate actions up to and including expulsion and legal consequences.
  3. Disclosure: Students with superhuman abilities are not mandated to disclose their abilities; however, nondisclosure may limit the accommodations that can be provided (See Section V for accommodations).
  4. Consequences: Failure to adhere to these behavioral expectations can result in disciplinary action as outlined in Section IX: Disciplinary Procedures and may include contacting local authorities.
< ? ? ? >
Section V: Accommodations
<...> Subsection V.5: Superhuman Abilities and Disabilities
  1. Accommodations Request: Students with superhuman abilities or disabilities may request accommodations by filling out form SH-21, available from the Student Services Office.
  2. Medical Documentation: Any request for accommodations must be accompanied by medical or expert documentation confirming the superhuman ability or disability.
  3. Case-by-Case Basis: Accommodations are determined on a case-by-case basis through an Individualized Accommodations Plan (IAP), designed in conjunction with parents, guardians, or caregivers, school staff, and experts in superhuman abilities, if required.
  4. Confidentiality: All records and discussions pertaining to a student''s superhuman ability or disability will be handled with strict confidentiality and only disclosed to necessary school personnel.
Subsection V.6: Superhuman Abilities - Undisclosed Status
  1. Policy for Undisclosed Abilities: The school recognizes that there may be students with superhuman abilities who choose not to disclose them, either to the school or to their parents/guardians. This could be due to a variety of personal, safety, or privacy reasons. The school respects the right of students to maintain this privacy.
  2. Confidential Support: Students who have not disclosed their superhuman abilities but seek support or accommodations are encouraged to speak confidentially with a designated staff member, such as a counselor or trusted teacher. These discussions will be held in strict confidence, respecting the student''s privacy.
  3. Emergency Situations: In cases where a student''s undisclosed superhuman ability is revealed in an emergency situation, the school will prioritize the safety and well-being of all students and staff. The incident will be handled with sensitivity and discretion, and the student''s privacy will be respected in any subsequent discussions or actions.
  4. Legal Protections and Rights: Students with undisclosed superhuman abilities are still protected under existing disability and privacy laws. The school will not compel students to disclose their abilities and will not take punitive actions based on a student''s choice to keep their abilities private.
  5. Guidance and Resources: The school offers resources and guidance for students grappling with the decision to disclose their superhuman abilities. These resources are available through the Student Services Office and include access to counseling, legal advice, and support groups.
< ? ? ? >
Section XII: Information for Parents
<...> Subsection XII.6: Children with Superhuman Abilities
  1. Disclosure: While it is not mandatory, parents are encouraged to disclose any known superhuman abilities to help the school better support their child''s educational experience.
  2. Emergency Protocols: Parents will be informed of any emergency protocols or drills involving the use of superhuman abilities and are required to sign a consent form to permit their child to use their abilities in such situations.
  3. Legal Protections: Students with superhuman abilities are protected under existing disability laws to ensure their right to a public education. Parents who feel that their child has been discriminated against due to their abilities should contact the Student Services Office immediately.
  4. Resource Counseling: For parents seeking additional resources on managing and understanding their child''s superhuman abilities, the school offers counseling services and can provide references to external experts and institutions specialized in superhuman abilities.
Subsection XII.7: Respecting Student Privacy
  1. Parental Awareness: While parental involvement is generally encouraged, the school acknowledges that there may be circumstances where a student has chosen not to disclose certain information, such as superhuman abilities, to their parents/guardians.
  2. School''s Role: The school''s primary responsibility is to provide a safe and supportive environment for all students. In cases where a student''s superhuman ability is undisclosed to parents, the school will respect the student''s decision and privacy.
  3. Parental Support: For parents who are aware of or suspect their child might have superhuman abilities but face challenges in communication, the school offers counseling and mediation services. These services aim to facilitate open and supportive dialogues within families.
< ? ? ? > Please be aware that this handbook is subject to change. For the most up-to-date information, visit the Valleywood Public High School website or contact the administration office directly.
Legal Quarterly of Education and Civil Liberties

Volume 49, Issue 3, Fall 2016

Accommodating the Superhuman: A Comprehensive Analysis of Z v. Arizona State Board of Education

By Katherine L. Randall, Esq., LL.M. in Constitutional Law, Adjunct Professor at Harvard Law School
Abstract
The recent Supreme Court ruling in Z v. Arizona State Board of Education has set a precedent that extends the principles of the Individuals with Disabilities Education Act (IDEA) to superhuman students, requiring public educational institutions to make "reasonable accommodations" for their unique abilities. This brief delves into the specifics of the case, the legal arguments presented, and the implications for both educational law and civil liberties.
Introduction
In 2016, the Supreme Court of the United States issued a landmark decision in the case of Z v. Arizona State Board of Education. The plaintiff, identified only as "Z," a 14-year-old student, brought a suit against her school district for failing to accommodate her unique educational needs, which arose from her superhuman ability--perceived by many as "telepathy," but more accurately described as "super-cold reading". This case has direct implications not just for superhuman students, but for all individuals requiring special accommodations under the law.
Case Summary
Z was accused by her school district of cheating on tests and examinations due to her ability to discern information from individuals and the environment around her. Despite the school''s allegations, no concrete evidence was produced to validate the claim of cheating. Z and her legal guardians contended that the school district''s refusal to make reasonable accommodations for her condition was a violation of her rights under the Superhuman Education Act of 2005 and the IDEA. The school initially subjected Z to disciplinary action, predicated on the allegation that she was cheating during tests and examinations. This action took several forms:
  1. Isolation During Exams: Z was separated from other students during examinations, placed in a room by herself without adequate proctoring, which she and her legal guardians argued constituted a form of isolation that was detrimental to her mental well-being.
  2. Suspension: Z received a two-week suspension pending an investigation into the cheating allegations, which was not conclusively resolved but left a permanent mark on her academic record.
  3. Forced Change of Classes: Z was moved from her honors-level courses to standard-level classes, impacting her educational trajectory and creating a form of academic stigmatization.
  4. Barred from Extracurriculars: The school prohibited Z from participating in any extracurricular activities, including clubs where she held leadership positions, for the duration of the academic year.
  5. Behavioral Contract: The school required Z to sign a behavioral contract that specifically targeted her abilities, requiring her to refrain from using her "super-cold reading" abilities. This was considered by Z and her legal team to be a form of discrimination based on her inherent characteristics. Unauthorized usage: this tale is on Amazon without the author''s consent. Report any sightings.
Legal Context
The precedent for Z v. Arizona State Board of Education can be traced back to several key rulings:
  1. Brown v. Board of Education (1954): Established that segregation in public schools was unconstitutional, highlighting the principle of equal educational opportunities for all.
  2. Individuals with Disabilities Education Act (IDEA): Federal law mandating that schools must provide free and appropriate education to children with disabilities.
  3. Superhuman Education Act (2005): Extends the concept of free and appropriate education to superhuman children, ensuring that they are given access to the same public education as their non-superhuman peers, with appropriate accommodations.
Legal Arguments
In a landmark 7-2 decision, the Supreme Court ruled decisively in favor of Z in her case against the Arizona State Board of Education. Writing for the majority, Chief Justice John Roberts underscored the lack of compelling evidence presented by the school district to substantiate their claims that Z had cheated on tests and examinations. Despite leveraging harsh disciplinary actions, the school district failed to produce any concrete proof to validate their allegations against Z. This foundational weakness in the school''s case resonated with the Court and tipped the scales toward the protection of the student''s civil liberties. The Court also emphasized the mandatory accommodations stipulated by both the Superhuman Education Act of 2005 and the Individuals with Disabilities Education Act (IDEA). Chief Justice Roberts highlighted that these laws necessitate that educational institutions provide reasonable accommodations for students with unique abilities or disabilities, a standard the Arizona school district had fallen well short of. Instead, the disciplinary actions imposed on Z--ranging from suspension and isolation to a coerced behavioral contract--were viewed as counter to the spirit of these federal mandates. Lastly, the Court found that the school district''s actions against Z amounted to a form of discrimination based on abilities. Such an approach infringed upon Z''s constitutional rights, an argument that found particular favor with the liberal wing of the court, notably Justices Ruth Bader Ginsburg, Sonia Sotomayor, and Elena Kagan. Justices Jeffrey Sutton and Joan Larsen, although GOP appointments, also sided with the majority, suggesting a cross-ideological consensus on the issue of civil liberties and non-discrimination. Justices Clarence Thomas and Samuel Alito provided the dissent in this particular case. Justice Thomas argued that federal laws designed to protect individuals with disabilities should not extend to superhumans, citing concerns about states'' rights and the original intent of the laws. Justice Alito, on the other hand, focused his argument on the need to maintain academic integrity, expressing concerns that the ruling could enable students with special abilities to cheat or otherwise compromise the fairness of academic assessments. The ruling set a precedent, clearly extending the principles of the Individuals with Disabilities Education Act to superhumans, a demographic that had previously navigated a murky legal landscape. It mandated that schools not only refrain from discriminatory practices against superhumans but also proactively consider accommodations for their unique abilities. In doing so, the Court clarified the path forward for superhuman students in the American education system.
Implications and Conclusion
The ruling in Z v. Arizona State Board of Education has wide-reaching implications. Schools are now unequivocally mandated to provide appropriate accommodations for superhuman students, extending the guarantees of IDEA to this new category of students. This precedent not only impacts the field of educational law but also makes a significant stride in the broader arena of civil liberties, affirming the rights and dignities of superhuman individuals. By casting its vote in favor of Z, the Supreme Court has paved the way for a more inclusive educational landscape, one where the unique abilities of each student are recognized and accommodated. For a full citation of referenced cases and laws, refer to the appendix.
INDIVIDUALIZED EDUCATION PROGRAM (IEP) EXAMPLE FOR TRAINING PURPOSES ONLY Student''s Name: Emily W. School Year: 2023-2024 INDIVIDUALIZED EDUCATION PROGRAM (IEP) The LEA and parent have agreed to make the following changes to the IEP without convening an IEP meeting, as documented by: Date of Revision(s): None Participants/Roles: None IEP Section(s) Amended: None Student''s Name: Emily W. IEP Team Meeting Date (mm/dd/yy): 09/12/2023 IEP Implementation Date: 09/13/2023 Anticipated Duration of Services and Programs: 09/12/2024 Date of Birth: 10/01/2009 Age: 14 Grade: 8 Anticipated Year of Graduation: 2027 Local Education Agency (LEA): Hometown Middle School County of Residence: America County Name and Address of Parent/Guardian/Surrogate: Mr. and Mrs. W. 45 Anywhere Street America Valley, PA Phone (Home): 555-555-5555 Phone (Work): 555-555-4444 Other Information: Emily is identified as having superhuman abilities identifiable as forms of ''pyrokinesis'' and ''telepathy''. PRESENT LEVELS OF ACADEMIC ACHIEVEMENT AND FUNCTIONAL PERFORMANCE Present Levels of Academic Achievement Emily is performing at grade level in all subjects. However, she experiences difficulty in maintaining focus during tests, which is an area where her telepathy could pose a distraction. Present Levels of Functional Performance Emily''s abilities require constant control and focus. She has been working with the school''s specialized counselor for students with superhuman abilities and has shown substantial progress in maintaining control over her pyrokinesis and telepathy. Parental Concerns for Enhancing the Education of the Student Emily''s parents are concerned about the lack of specialized educational programs for children with superhuman abilities and the potential for Emily to accidentally use her abilities in a stressful situation. How the Student''s Superhuman Abilities Affect Involvement and Progress in the General Education Curriculum Emily''s telepathy has made focus and attention in the classroom a challenge, requiring specialized seating arrangements and additional educational strategies. Her pyrokinesis, although controlled, poses a risk in science labs and physical education activities. Strengths Emily has excellent control over her abilities compared to her peers, showing great maturity and responsibility. She is also highly empathetic, a trait accentuated by her telepathic abilities. Academic, Developmental, and Functional Needs Related to Student''s Superhuman Abilities Emily needs specialized instruction to manage and control her superhuman abilities effectively. This includes ongoing counseling, differentiated instruction strategies, and possibly alterations in testing environments. Needs To help Emily meet her academic and personal goals, she needs to: ACCOMMODATIONS The following accommodations have been identified as necessary to support Emily''s unique educational and functional needs related to her superhuman abilities:

Behavioral Expectations and Safety Protocols

Academic Accommodations

Physical Education & Extracurricular Activities

Counseling & Social Support

Communication

Note: Accommodations may be revised or added based on ongoing assessments and input from the IEP team, which includes Emily, her parents, her teachers, and her specialized counselor. Chapter 39.1 The Delaware Valley Defenders'' gym is an odd mix of state-of-the-art equipment and grunge that feels like it got pulled out of some 80s workout tape. There''s a whole bunch of weights on one side, heavy bags for kicking and punching, and an arena-type space marked with yellow lines for sparring. Kinda like a school gym but way, way cooler. I''ve heard Liberty Belle has been inviting everyone for personal training this week. Guess it''s my turn on the wheel. Spinelli''s been hanging out like a stray cat, crouched on a bleacher in his oversized sweatpants and a hoodie. Witness protection''s still figuring out where to stash him, so he''s making the D.V.D HQ his temporary cave. Not my problem, thankfully. As for Amira, she''s been shipped off to some place for the prison system to take care of until her court stuff gets all sorted out. I''ve got my own worries. I''m in my civvies today, a pair of joggers and a loose-fitting tank top. My sneaks tap softly on the mat as I walk in. Liberty Belle is busy at a bench press, finishing her set. She racks the weights with a clank that sounds like a challenge. I square my shoulders, bouncing lightly on the balls of my feet. If it''s a throwdown she wants, I''m so ready. My shark senses are already tingling with anticipation. "Whoa there, Tiger Shark," Liberty Belle says, wiping sweat off her forehead with a towel. "I see that gleam in your eye. You''re thinking we''re gonna spar first thing, aren''t you?" Well, yeah. What else are we doing in a gym? Playing bingo? "Uh, kinda thought that was the plan?" I scratch at my scalp. "Isn''t that what the gym''s for? Gettin'' the blood pumpin'', y''know?" Liberty Belle laughs, that hearty kind of laugh that makes you wanna join in. "Oh, we''ll get to that. Don''t you worry your sharp little teeth about it. But first, we''re going to get dressed down." Dressed down? Is that some kind of gym lingo I don''t know about? My head tilts like a confused dog. I glance down at my clothes. "Am I not dressed right? I mean, I got the email and everything. It said ''athletic wear.'' This is athletic wear, isn''t it?" "Not ''dressed down'' like that, Bloodhound," Liberty Belle clarifies. She stands up, stretching her arms over her head, the muscles in her back flexing. Wow, she really lives up to that super-strength thing. "I mean we''re going to break down what you know, what you don''t know, and what you need to know. Consider this your orientation day." Orientation day? Like school? I mean, I guess I''m still sorta the newbie here, but I thought I''d be past the introduction stage by now. I''ve got superpowers, for crying out loud. Isn''t that like an automatic pass to the cool kids'' table? And besides, I''ve been in enough orientations to last a lifetime. What makes this one so special? "I''ve been in like¡­ a dozen life-or-death fights already. What makes this different?" I ask, hand on my hip, body cocked out to the side. Liberty Belle raises an eyebrow at me, then turns around to grab a clipboard from a table filled with weights and resistance bands. "A dozen life-or-death fights, you say? Well, that''s impressive, but how many of those did you walk away from knowing exactly what you did right and what you did wrong?" Um, none? I scratch my head. Most of the time it''s a whirlwind of fists, teeth--because, shark powers, duh--and then either someone''s down or running away, and I don''t usually stop to think if I could have done something better. "Isn''t winning the fight enough?" She chuckles, but it''s not a warm sound. It''s more like the teacher''s laugh when they''re about to show you just how much you don''t know. "Winning is surviving, Bloodhound, but the aim is to do more than survive. You have to strive for efficiency, understand your abilities, your strengths and weaknesses, and adapt. Otherwise, one day you''ll come up against someone you can''t beat by luck or brute force alone." That¡­ actually makes a lot of sense, even if I don''t like admitting it. My teeth grind a bit; they''re still sensitive in a way that regular human teeth aren''t, and it''s like nails on a chalkboard inside my own skull. I stop doing that. "Okay, so, what does this ''orientation'' involve, exactly?"
Liberty Belle''s brows furrow, and I can''t tell if it''s disappointment or contemplation. Maybe it''s both. She''s still holding that clipboard like it''s the Bible or something, and she''s about to lay down the gospel according to superheroism. The gym smells like a locker room, but at least the mats are clean. Liberty Belle narrows her eyes as she looks at me, as if she''s assessing whether I''m a failed experiment or a work in progress. "Physical prowess is important, but it''s not the only skill set required in our line of work," she states. Her voice has that note of authority that always makes me feel like I''m standing in the principal''s office. "You might be strong, but are you smart in your approach?" She has a point, but it doesn''t mean I have to like hearing it. "I can think on my feet. I''ve had to adapt pretty quick, haven''t I?" Probably some psychological profile stuff that''s way over my head. Or maybe she''s just doodling to mess with me. "Adapting quickly and fighting smart are two different things. You''ve been learning techniques that require finesse, not just brute strength. Yet, you still fall back on throwing punches when it gets down to it. You need to fight smarter." That kinda stings. I''ve been training like crazy, so hearing that isn''t what I want. But then, what did I expect? A gold star and a pat on the back? "I get that," I try to defend myself. "But when something''s coming at me, my first instinct is to come back at it twice as hard. To think, ''Oh I should use a wrist lock here'' when all my brain is screaming is ''hit it until it stops moving.''" Liberty Belle sighs, placing her clipboard on a nearby bench. She starts pacing around me as if she''s circling the problem itself. "Instincts are a good thing, but they''re not the end-all, be-all. You''re essentially a hammer seeing every problem as a nail. Fighting is about control. Control over your actions, your reactions, your environment. What you''re doing is reacting, not controlling." I wince at the analogy. It''s not like I''m trying to be stubborn; it''s just hard to switch off the ''fight'' mode. "But isn''t that what we''re supposed to do? Stop the bad guys?" She stops pacing and stands directly in front of me. "That''s an oversimplification, Bloodhound, and you know it. We''re not just enforcers; we''re protectors, mediators, and sometimes, even counselors. Your powers give you a unique set of tools, but if you limit yourself to brute force, you''re no better than a blunt instrument." Ouch. That hits a little too close to home. She picks up the clipboard again and looks at it, maybe comparing the person she sees in the notes to the one standing in front of her. "Your bone density has improved, your muscle strength is off the charts for someone your age, but what about finesse? What about maneuverability?" I shrug, and it''s kinda petulant but I can''t help it. "I mean, I can dodge pretty well. And I''m fast, so there''s that." She scribbles something on the clipboard, and I really, really wanna know what it is but I also really, really don''t. "Speed is good, agility is good, but what''s the point if your first and only tactic is to use your fists? What happens when you go up against someone you can''t just punch into submission? What then?" She has a point, but it''s not like I haven''t thought of that. It''s just easier to revert to what I know. "I''m working on it, okay? It''s just not¡­ clicking yet." She locks eyes with me, and for a second I feel like she''s peering into my soul. It''s disconcerting. "Well, you better make it click, and soon. Because there are plenty of things out there that won''t wait for you to catch up. We''ll need to work on getting you to internalize those combat forms, and not just treat them as some chore you''re obliged to perform." You might be reading a pirated copy. Look for the official release to support the author. She nods to herself, her eyes not quite meeting mine as they sweep across the clipboard again. "You have someone who''s been helping you fill in the gaps of your¡­ tradecraft." Her tone makes it clear that she isn''t thrilled to even say the word, as if the syllables themselves are somewhat unpalatable. "I guess?" The word hangs in the air because I honestly have no idea what ''tradecraft'' is supposed to mean. I have this sinking feeling that it''s important, something I should already know about. "It''s the skillset spies and undercover operatives use. Fieldcraft, surveillance, evasion--things that don''t just rely on the muscles you''ve been flexing or the powers you''ve got." She sets the clipboard down with a finality that makes me wince. I feel my cheeks heat up. I knew I was bad at some things, but hearing it laid out like this stings. "I didn''t know I was supposed to be James Bond too." She lets out a sigh that''s loaded with something I can''t quite put my finger on--disappointment? frustration? "Don''t be snide. This is serious. Your friend has been covering for you, according to Crossroads and some other reports. But what happens when they''re not there? What will you do then?" Belle continues. "You''re a brilliant kid, you know that? You absorb information like a sponge. But let''s be clear--you can''t just be a library of facts and formulas. You need to understand people, how they move, how they think, how they hide. Do you even know what to look for if you think you''re being followed?" I don''t like that apparently my professional relationship with Jordan has been trickling up into the Delaware Valley Defenders proper, but that information is out of my hands now. I accept the things I can''t control¡­ this once. A shrug escapes me. Honestly, I''d probably be the idiot who realizes someone''s tailing me after they''ve already got a knife to my throat. "No clue," I confess, and it feels like I''m back in math class admitting that, no, I didn''t do last night''s homework. Except this is way more life-and-death than algebra. Belle sighs and it''s laden with the fatigue of ten thousand strategy meetings. "You see, that''s exactly what we need to work on. You have the raw talent, Bloodhound, but it''s not refined. Your friend may have been patching up the holes in your skillset, but what happens when they''re not there? You can''t always rely on someone else to be your eyes or to cover your back all the time. Not even in a superhero team." I tap my fingers nervously on my thigh. I''ve been trying to learn, really I have. I''ve been practicing dodging, striking, even did some reading on criminal psychology. But this? This cloak and dagger stuff? It''s just¡­ not me. "Do you know how to tell a convincing lie, even a small one? How to control your body language? If you''re staking out a place, do you know the best vantage points, or how to blend into a crowd? Or even how to run a basic background check on a suspicious person without alerting them?" Her questions hang heavy in the air. I can feel the weight of each one piling onto me and it''s suffocating. "I¡­ don''t know how to do any of those things." She leans in, her eyes softening. "Then that''s where we start, Bloodhound. You''ve got the physicality down. You''re as fit as a 14-year-old can be, and your power gives you an edge. But the streets don''t just require muscle and superpowers; they demand wit, cunning, and knowledge. And that''s what I''m going to drill into you."
I''m in the gym again, real early, like before-the-sun-is-up early. Only other people here are some night owls clocking out, like Fury Forge, who is finishing up on the obstacle course, and Spinelli, folded up like a cat on a small pile of couch cushions, literally shoving himself in the corner to sleep. And Liberty Belle, of course. She''s not someone you''d expect to be a morning person, but I guess that''s superheroes for you. "Ready, Bloodhound?" she asks, standing on the blue mat at the center of the room. I pull my gloves tighter, flex my knuckles, and nod. My heart''s already doing a drum solo, so let''s go. We circle each other, first. I know I''m supposed to be watching her feet, but it''s hard, y''know? Because you''re also supposed to be watching their shoulders, and their eyes, and honestly at this point it''s like a Where''s Waldo of body parts. I decide to wing it and aim for her midsection. Big mistake. Her fist flashes up, blocks mine and it''s like hitting a wall, but the wall hits back. She swings and I duck under it. "Again," she says. Alright, no room for sulking. I shake out my hand--it''s tingling, stupid nerves--and try to focus. I try a feint this time, lashing toward her face but switching last-second to go for her legs. It''s slick, it''s smart, it''s-- Blocked. Again. "You''re throwing punches in panic, Bloodhound," Liberty Belle sighs, pulling back to give me a moment. "You have to get that under control." "I''m not panicking," I protest. I''m not panicking, I''m fighting. Or, trying to. Isn''t this what they call ''fight or flight''? My teeth ache to join the party, to sink into something, tear it to pieces, but I know I can''t, shouldn''t, do that here. Not to her. Ideally, never. "I''m fighting." "You''re panicking," she repeats, matter-of-factly, ending the conversation with an invisible period. When I throw those punches, I''m not thinking strategy or combos or anything else that sounds smart. I''m thinking please hit, please hit, please hit like my life depends on each swing. My muscles go from zero to sixty. "Let''s go again," I say, squaring my stance, trying to project ''calm'' instead of ''nervous wreck.'' It''s not easy. "This time I got it." Liberty Belle grins, and something tells me she''s heard that one before. But she nods, takes her stance, and we''re back at it. We circle, again. I''m still not sure what I''m supposed to be looking at, but now I''m thinking about what I''m doing wrong and trying not to do that, and--oh wow, I just landed a hit. Not a solid one. Not a hurt-her-one. But a hit, and it''s like I just scored a goal in the final seconds of the game. Only, there''s no cheering crowd, just Liberty Belle nodding like she expected this all along, catching my fist against her arms. I shuffle on my feet, adrenaline humming in my ears like the soundtrack of a cheesy action movie. Liberty Belle shifts her weight, sizing me up. "Bloodhound, you''re making good progress, but remember what Rampart taught you. Mix in some aikido, some judo. It''s not all about brute force. Fight smarter. Breathe." Judo. Aikido. The words kinda just spin in my head for a second. It''s like remembering you have homework due the next morning, except the homework can help you not get your ass kicked. I can almost hear Rampart''s voice droning on about ''leverage'' and ''movement'' and ''pinning''. I remember compromising positions, and try to fight the feeling down in my chest as extremely unhelpful. Liberty Belle raises an eyebrow like she knows I''m flipping through a mental Rolodex of all the stuff I half-remember. A split-second decision, and then I''m moving, not towards her face, but lunging low. Instead of baring my teeth like a street-fighting Bloodhound, I aim for her wrist, fingers curling around it as I pivot my hips, just like Rampart showed me that one time. She blocks low, and I swing again towards her sternum with the other hand. And then, well, she''s flying. Okay, more like tumbling. But she hits the mat with a thud that sounds like victory to my ears, rolling backwards. For a split second, I feel like I''ve just unlocked some secret level in the world''s weirdest video game. "See? Not bad," she says, climbing back to her feet with a nod that''s almost approving. My chest swells a bit; I''ve been living off tiny crumbs of approval like it''s the food of the gods. "Good trick. I let you hit me, of course." "Sure," I reply. We both smirk at each other. So, we go again. This time I try a foot sweep, something out of the aikido toolkit. She sidesteps, but it''s a close thing, closer than before. My heart''s pounding, but not out of panic this time. At least, it doesn''t feel like panic to me. The lesson keeps going, blending punches and kicks with dodges and throws until I can''t tell where boxing ends and martial arts begin. I''m breathing hard, drenched in sweat, but there''s a glint in Liberty Belle''s eye that says I''m getting it. I''m not just wildly swinging hoping to land a punch; I''m thinking, strategizing. Slowly. "Better," she finally says, and I know she means it. "Your instincts are to charge in, fists swinging, but remember -- those are panic moves. Combat''s about control, not just fury. Understand?" "I think so," I say, though my mind''s still buzzing, replaying every move we''ve made. Trying to reel the video file back in my head. She looks at me for a moment, like she''s peeling apart the layers of my teenage confusion, and nods. "You''re learning, that''s what matters. Progress is progress, no matter how small. You have to remember how to apply this in an actual fight, where there''s not a teacher willing to be nice to you about it." I nod, mostly to stop my head from spinning. I want to impress her, sure, but it''s more than that. I want to be good at this, really good, not just kinda stumbling through hero life by the skin of my sharp, pointy teeth. And it''s frustrating that there''s so much I don''t know, but at least now I know I''m capable of learning it. So we keep going. Again and again and again. My hits land more often than not, now. Sure, she''s probably going easy on me, but let me have this, okay? I''m making progress. It''s not like my fists are rockets or my kicks are jackhammers, but they''re mine, and they''re getting better. Then it happens. I''m in the middle of what feels like a pretty sick combo, yeah? And I see an opening. An actual opening. I go for it--no thinking, no panicking, just action. My fist sails through the air, fueled by this newfound zen or whatever, and it connects. Solidly. I feel it, bone against padding against padding against bone, solidly in her sternum. Liberty Belle stumbles back, just a step, but it''s enough, letting out a loud shout, forcing the air from her lungs. Enough for me to know I did that, and not because she let me. "Good hit," she says, and her grin isn''t a teacher''s grin anymore. It''s the grin of a fighter acknowledging another fighter. Chapter 39.2 The Delaware Valley Defenders HQ computer room is buzzing with the noise of humming machines and the clicking of keyboards. It''s way too early in the morning for this. Like, there''s no sun up. Liberty Belle greets me with a smile and a box of Dunkin Donuts. There''s coffee too. I grab a Boston cream and take a cautious sip of the coffee. I immediately regret the decision, and put it back on the table. Then, I feel guilty and just throw it out instead. "You ready for this, Bloodhound?" she asks, setting her own cup down and motioning toward a couple of computer screens that look more high-tech than anything I''ve ever touched. I know it''s detective training day, but the setup makes me feel like I''m in some sort of spy movie. Which is cool, but also way intimidating. "Ready as I''ll ever be," I tell her. I do this weird thing where I''m shifting from foot to foot because I can''t decide if I''m excited or nervous. Maybe I''m both. I sit down in the chair next to her and try not to wince at the sound of it squeaking against the tiles. "Today is all about information--acquiring it, analyzing it, and acting on it. In our line of work, knowledge is power." Liberty Belle starts off, her eyes locked onto mine like she''s trying to drill this lesson into my soul or something. "Sometimes, it''s not about how hard you can hit, but how smart you can play. You know. Like I''ve been telling you the past¡­" she stops to count on her fingers, "three days." Makes sense. Still, I can''t help but wish this involved a little more action and a little less¡­ whatever this is. But Diane''s talking again. "There''s legal ways to do it, and then there''s¡­ let''s call them ''gray areas.'' Both are tools. It''s your choice when to use them, but remember, if the tool breaks something, it''s on you." "Gray areas," I echo, my eyes drifting over to the donut box. I''m wondering what she means by that. Does she mean breaking into places? I already have like, an image of me in a skintight catsuit sneaking through laser alarms. Which would be cool, but also definitely illegal. My mind flits to Jordan. What Jordan and I do? Definitely a gray area. Or maybe a black area, if there''s such a thing? "We''re going to start simple. Imagine you''re tailing someone--how would you avoid being seen? What are the best practices for stakeouts? What tools might you use?" She taps on the keyboard and a window pops up, showing a map of the city with blinking dots representing D.V.D. members in the field. Everyone''s pagers, all lit up right here, with a small icon that indicates who''s where. "Uhm, well, I''d try to blend in? Like, wear normal clothes, try not to look suspicious?" I hazard a guess. "Hoodies?" I shoot, aiming for whatever Jordan would be wearing. "Correct. Blending in is essential. Also, invest in good binoculars, learn to read lips, and for heaven''s sake, don''t pick a spot that''s too close but also not so far you lose them." She clicks another button and a list of equipment appears. Some are stuff I recognize, like binoculars and earpieces. Others look like props from a spy movie. Bugs, tiny cameras, lockpicks? What the hell is a¡­ parabolic microphone? "All tools in the trade," she says, noticing where my eyes drift. "But be careful -- especially with wiretaps and bugs. Illegal unless you''ve got a warrant. And even if you use them, anything you gather can''t be used in court. It''s spoiled." "Spoiled?" I feel the word out, rolling it in my mouth like a bad taste. "Yes, like fruit. Spoiled evidence is inadmissible. You''re doing this to stop crimes, so it''s best if the evidence can actually be used to put someone away." She gives me this knowing look, like she''s saying ''don''t get clever, kid''. "Pennsylvania is a two-party consent state, while NJ is a one-party consent state. If you need to do this sort of surveillance it''s better to do so across the bridge, if at all possible. That''s why most of the organized crime isn''t across the bridge nowadays. Among other reasons." "So what if you need to¡­ dig through someone''s trash? That''s public property, right? Not like breaking and entering?" I remember something about this from a movie or a book or something. She smiles, which is weird on her, because it''s this really proud look but also like she''s laughing at an inside joke. "Ah, dumpster diving--the bread and butter of any self-respecting detective. Yes, it''s mostly legal. Once someone throws something away, they generally lose their expectation of privacy over it. But remember, context matters. If a dumpster is on someone''s private property, that could complicate things." "Alright, so, stay smart, stay legal -- mostly -- and dig through other people''s garbage. Got it." I sum it up, doing that thing where I''m biting my lip because it helps me think. Kind of. "Exactly. Also, one more thing -- always, always, always have a way to record your findings. Voice memo on your phone, a physical notebook, whatever. Just make sure you have a way to keep track of everything. I''m sure you know how easy it is to forget details." She says this and I want to feel offended, but she''s right. I know she''s right. I do forget stuff a lot. "Okay, I can do that." I say, already planning to stash a notebook in my utility belt. Maybe even two, just in case. "Good. Now, go ahead and pick out what you need from this list. Consider it your detective starter pack," Liberty Belle motions to the list on the screen again. "Once you''ve made your selections, we''ll move on to some fieldwork. Time to put theory into practice." "Into practice?" I mirror like a parrot. Liberty Belle grins. "I want you to pick someone -- anyone -- from this screen and tail them. Without them telling me they saw. By the end of the week, I want you to know where they live." She notices my eyes bugging out of my head, and claps me on the back, sending a jolt of pain through me. I grit my teeth together and grin nervously back. "Okay, you just need to know where they get groceries."
The next day, when school''s a done deal and I''ve mentally checked out of geometry, I head over to headquarters. Belle''s set up this plastic table in the locker room, the kind that could collapse if you look at it funny. The surface is covered in green felt, and she''s got a deck of cards, poker chips, and two empty chairs. I feel an involuntary smirk creep up on me; she''s going for the full James Bond villain aesthetic, isn''t she? "Ever played poker, Bloodhound?" Belle asks, shuffling the cards with practiced ease. "Once or twice, with middle schoolers. While I was also in middle school," I admit, sliding into one of the flimsy chairs. She chuckles. "Well, there''s more to poker than meets the eye. Sit down, girl, I''ll teach you." The cards are smooth under my fingers as I shuffle and deal. The plastic table between us isn''t really big enough to be a proper poker table, but we''re making it work. Belle''s eyes flick up to mine every time I look at my cards. It''s like she''s got a sixth sense, but really, she''s just been doing this hero thing -- and this poker thing, presumably -- way longer than I have. "So, three of a kind beats two pairs, right?" I ask, my voice a pitch higher than I''d like. I know the rules, but it''s been a while since I''ve played. Belle chuckles, her cards resting face-down in front of her. "Yes, Bloodhound, three of a kind beats two pairs. Though at the rate you''re going, I''d be worried about even getting a single pair," she says. The smirk on her face is infuriating and endearing all at once. She''s like the cool aunt who kicks your butt but then takes you out for ice cream afterward. Spinelli, lounging on the couch, flips through a magazine but I can tell he''s listening. "Lady, if you keep squinting at your cards like that, you''ll need glasses before the next mission," he remarks, not even looking up. I let out an exasperated sigh. I suck at this, and they''re not letting me forget it. I decide to change the subject, throwing in a curveball. "Hey, Belle, you''re really good at controlling your heartbeat, you know that?" Her eyebrows lift, clearly impressed. "Not many people would notice that. That''s something you can use against anyone who''s not me." This story has been stolen from Royal Road. If you read it on Amazon, please report it Her vascular system is totally open to me - the blood is in her breath now, in every exhale, which I try not to think about. But even with that advantage, I can get nothing from her. Her expression is totally flat and her body is completely relaxed and calm. That''s when I get my next hand, and it''s¡­ well, it''s not terrible. Two aces and three completely random cards. I try to keep my face neutral, but it''s like trying to keep water in a sieve. My eyes must twinkle or something because Belle calls me on it instantly. I trade in my random cards and receive three random cards in return. Belle trades in two. "Got something good, huh?" She asks, sarcastically. I shake my head, trying to play it cool. "Nah, just thinking about something else." But my voice gives me away, and we both know it. Belle lays her cards on the table: a straight flush. I didn''t even know people got those in real life. I show my aces, defeated. "See, the thing about poker, it''s not just a game of cards," Belle starts, stacking her ever-growing pile of chips. "It''s a game of deception, of understanding your opponent. You have to get into their head, figure out their tells, control your own." I don''t need to be a genius to realize where she''s going with this. This isn''t just about poker; it''s a lesson. "So you''re saying, being a superhero is like playing poker?" She nods. "Exactly. You''ve got to know when to hold ''em, when to fold ''em, when to walk away, and when to run." I chuckle, and even Spinelli cracks a smile from his perch on the couch. "Quoting Kenny Rogers now, are we?" He quips. "Hey, it''s a classic for a reason," she says, shuffling the cards for another round. "Ready to lose again?" I groan, but inside, I''m thankful. I might be terrible at poker, but these lessons? They''re priceless. Even if my ego''s gonna be bruised for a week, it''s worth it. "You''re terrible at this," Belle finally says, pushing the chips to one side. "But that''s okay. This is a lesson in tradecraft. I don''t care about card games that much." "Tradecraft?" The word tastes foreign in my mouth, like I''m biting into an exotic fruit I''ve never heard of. It sounds cool and sophisticated, and I am none of those things. I recall it, vaguely, from earlier in the week, but days of harsh training and my every weakness as a superhero being picked apart has wiped it from my memory banks. "Remind me?" "Tradecraft," she confirms. "The art of being a spy, of gathering intelligence, of -- well -- not showing your hand to every Tom, Dick, and Harry who challenges you. You know, like I told you earlier." I stare at the cards, then back at her. "Okay, but how do I get better at it? I can''t even fool you into thinking I have a pair of twos." Belle starts collecting the cards, shuffling them back into a neat deck. "Practice, mostly. Paying attention. Understanding what makes people tick, and what they might be hiding behind their expressions--or lack thereof. It''s a skill that you hone over time, just like your powers." It''s strange to think that even Belle, with her stoic demeanor and her super-strength, had to start somewhere. Had to learn these lessons one mistake at a time. Just like me. There''s a comfort in that, knowing that this Herculean figure in front of me was once as green as I am. But she''s not green anymore. She''s, like, the complete spectrum of colors all rolled into one. "So, what''s the homework?" I ask, gathering up the chips. It''s a formality; they''re just colored pieces of plastic, and my crushing defeat doesn''t actually cost me anything. But still. I''ve got this weird need to put things in order, even if the entire exercise was designed to show me how much I have to learn. Belle smiles at me. "First, you need to beat me at poker. Second," she flourishes a royal flush with one hand, and then shuffles it back into the deck. Then, she scrapes off the top five cards from the deck with a wry grin. "You have to catch me cheating, red-handed." She flips her hand around, revealing another royal flush.
It''s October 31st, after school. A Tuesday. The sun''s dipping low, doing that thing where it''s not quite dark but not bright either. I''m standing in front of this old, abandoned music hall--its name barely visible on the cracked signboard. A place filled with the ghosts of music long gone, where the only things that echo now are the sounds of rats scuttling or dripping water. Jordan told me earlier today during lunch -- half-whispering as if this was some sort of spy movie -- that they had a ''great Halloween score'' planned. "Feel free to bring your new girlfriend," they said, their lips curling into a smirk that was as close to a regular smile as Jordan ever gets. "We''ll need all the firepower we can get." So I''m here, waiting, sorta bouncing on my heels because who can stand still? Especially when it''s chilly. My hands dive into the pockets of my hoodie, pulling it tight around me. It''s been fifteen minutes -- fifteen whole minutes that I''ve been standing here like an idiot -- and I catch myself wondering what''s taking so long. My backpack, feeling a full brick heavier from exhaustion, maybe two bricks, hangs off my shoulders like a Sisyphean boulder. Then I see her. Jamila. She hovers into view, almost silently, the wind at her command wrapping her up like a cloak. She''s wearing a scarf today, probably to hide her face a bit more than the hijab already does. She lands gently, her shoes barely making a sound on the gravel. "Hey," she says, the corners of her eyes crinkling in what I think is a smile. It''s hard to tell with all the fabric covering her. "Hey," I respond, pulling my hands out of my hoodie and offering her a sorta awkward half-hug. "So, uh, this is it. The¡­ illustrious base of the infamous Big Bad Wolf of the Northeast." She looks around, her eyes taking in the derelict surroundings. The peeling paint, the boarded-up windows that even squatters wouldn''t bother breaking into. "It''s, um, very¡­ rustic?" I snort. "I''m infamous?" I ask, glancing up at the wooden boards hastily hammered into a cage around the window air conditioning, hiding it from view, preventing the attention of all but the most dedicated squatters. Jordan just uses their powers to convince them the place is haunted. That usually works. She tucks a stray wisp of hair that''s escaped her hijab back into place. "I would''ve thought the Big Bad Wolf would operate out of a more¡­ imposing lair?" I can''t help but grin. "Well here I am, freezing my tail off outside an old music hall." Jamila laughs, and the sound is like a warm drink on a cold day. "Well, it has character. And every good story needs that, doesn''t it?" "Sure," I agree, "if by ''character,'' you mean ''places for rats to hide.''" We share another laugh, and it eases the last bit of tension from my shoulders. "Shall we?" I gesture towards the door, a sheet of wood so old it creaks when you look at it funny. I fish my paw-print key out from my pockets and fiddle with the surprisingly robust lock before it gives way. It''s been quite a bit since my last time here. The air tastes cleaner. The stairs creak under my shoes as we head up, my steps muffled only by the thick layer of dust that hasn''t been swept up in what looks like forever. We round a bend in the hallway, and I get a whiff of something that''s definitely cleaner than musty, rotten wood. Air freshener? Nah, Jordan''s got more class than that. A candle, maybe. We reach the main room, and I barely recognize the place. Jordan''s done some work since I last dropped by. No more cardboard boxes of dubious origin stacked in corners, no more wires snaking across the floor like deranged electric spaghetti. It''s still a mess, but it''s a mess with a floor rug, a futon, and a coffee table that doesn''t look like it was stolen from a garage sale. And less dust--way less dust. The dehumidifiers and air purifiers are silent, no longer necessary to fix the awful, stale air in here. And there''s Jordan, hovering over a dense corkboard, strewn about with papers, pins, strings, and is that a box of cell phones? I can''t even begin to understand. They look up as we enter, and their eyes widen in a mix of surprise and -- what, indignation? The room goes from zero to nuclear winter cold in two seconds flat. "You''re dating Gale?" Jordan blurts out, eyes dropping to Jamila''s hijab-scarf combo and then to her feet, which are decidedly not touching the floor. Jamila stiffens, her eyes narrowing as they lock onto Jordan''s unmistakable boots. "Believe me, I''m not thrilled that her best friend is you, either," she shoots back. I think at this point everyone''s been made aware of Jordan and I''s¡­ history, but this is the first time they and Jamila have been face to face since Walgreens, what feels like forever ago. If the atmosphere were any more tense, I''d be able to bite through it. My brain is doing cartwheels, backflips, and half-gainers in rapid succession as I try to figure out how to defuse this. Jordan''s ''great Halloween score'' is starting to look like a powder keg, and I''m holding the match. I glance at Jamila, her eyes still locked onto Jordan''s, and then at Jordan, who''s scowling like they just swallowed a lemon. Two people who mean the world to me, standing on opposite ends of a very, very thin line. "So," I start, my voice a little too high and shaky. "Anyone want a snack? I think Jordan keeps a stash of those Japanese matcha things somewhere." I know it''s lame, but what else am I supposed to say? ''Hey, love of my life and super cool vigilante mentor, can you please not tear each other''s throats out?'' My backpack sneezes. Jordan raises an eyebrow, the edge of their scowl lifting in bemusement. "Did your backpack just sneeze?" My whole body clenches, my jaw setting so hard I hear it creak. I set my backpack on the table and watch it twitch slightly on the glass surface. "Okay, whoever''s in there, get out now, or you''re getting bitten in half," I growl, the room reverberating with tension. There''s a rustle, followed by a cough, before Spinelli climbs his way out of my backpack like some bizarre version of a magician''s rabbit. He nervously waves at the room, his eyes flitting between me, Jamila, and Jordan. "Uh, hey. Anybody got a phone charger? I''ve been stuck in Bloodhound''s locker all day and I''m out of juice." The silence that follows is so profound it''s almost sacred. Spinelli, completely missing the social cues of a room charged with more electricity than a substation, claps his hands together. He slowly unfolds himself to his full height, looming over everyone else in the rest of the room, body pulling itself clown-car style out of my fucking backpack. His shoes squeak against the old wood. "Cool, cool. So, uh, can I join your cape team or what?" Jamila facepalms so hard I swear I hear the wind whoosh from her hand. "You have got to be kidding me." Jordan starts to laugh, a sound that''s half mockery and half disbelief, and the tension doesn''t so much break as it shatters into jagged pieces. "Well, this is new," they say, surveying the room like it''s a scene from a comedy they never expected to direct. As for me, I''m torn between the impulse to shout, laugh, or maybe even cry. "End of the world or comedy show -- you decide," I mutter under my breath, to nobody in particular. WORLD OF CHUM: Metahumans in Healthcare Chapter 14: Metahumans in Health & Medicine

14.0 Introduction

With the rise of metahumans in society, there has been a dramatic transformation in how health and medicine are approached and practiced. Metahumans, with their unique and varied abilities, have become an integral part of the medical community, revolutionizing everything from emergency response to routine healthcare. The application of metahuman powers in medicine is a fascinating intersection of science and the supernatural, opening up new possibilities and challenges in the pursuit of health and wellbeing. This chapter explores the diverse range of metahuman powers that have found a place in medical science, their impact on patients and healthcare providers alike, and the ethical questions that arise from these extraordinary capabilities.

14.1 A Brief History of Metahumans in Medicine

The emergence of metahumans with healing abilities in the late 20th and early 21st centuries was met with a mixture of awe, skepticism, and fear. Initial reactions ranged from disbelief to attempts to harness these powers for the benefit of humanity. In the early days, metahumans with healing abilities were often seen as miracle workers or charlatans, depending on one''s perspective. Over time, as more metahumans emerged and their powers were scientifically validated, the medical community began to integrate these individuals into their practices. This was not without controversy, as ethical questions and concerns about the limits of metahuman abilities came to the forefront. However, the potential benefits of metahuman healing powers, particularly in emergency situations or for conditions previously thought incurable, were too significant to ignore. The first recorded instance of a metahuman healer being integrated into a hospital setting occurred at Northwestern Memorial Hospital, in Chicago, IL, in 2003. This pioneering move opened the doors for other metahumans to join the medical workforce, leading to the establishment of specialized clinics and practices that utilized metahuman abilities. The successes and challenges of these early integrations paved the way for the development of guidelines and regulations to ensure the ethical and effective use of metahuman powers in medicine. Today, metahumans are a recognized and valued part of the medical community, providing unique services that complement and enhance traditional medical practices. Their presence has revolutionized the field, bringing hope to patients and new possibilities to healthcare providers. However, as with any significant change, the integration of metahumans into medicine continues to be a complex and evolving process that requires careful consideration of the implications and potential impacts on society as a whole.

14.2 Categories and Examples of Healing Powers

The metahuman community utilizes a standardized categorization system known as the PERKS system, which was established by the US Government. This system classifies metahumans based on the nature of their abilities, providing a helpful framework for understanding how different powers can be applied in a variety of settings, including medicine. Lines between the eight categories may be blurry, as metahuman abilities are categorized typically based on self-assessment, or external appearance, which may not fully capture the true scope of an ability.

14.2.1 Adjust (A): Metahumans Possessing Manipulation-Oriented Capabilities

Metahumans with Adjust-type powers have the ability to alter or manipulate existing variables within a system. Think of it like turning the dials on a radio to find the right frequency. They can''t create new variables or eliminate existing ones, but they can modify what''s already there. This could include changing someone''s body temperature, blood pressure, or even altering the concentration of specific chemicals in the body. However, it''s important to note that while these powers can be incredibly useful in a medical setting, they also have limitations. For example, an Adjust-type metahuman might be able to lower a patient''s high fever by manipulating their body temperature, but they wouldn''t be able to create new tissue to heal a wound or eliminate a viral infection. Let''s take a look at some case studies to see how Adjust-type powers can be applied in a medical context. Case 1: "Emily" Ability: Temperature Manipulation Emily can manipulate the temperature of objects and people around her, allowing her to create localized areas of heat or cold. Implications: Emily''s abilities are beneficial in situations where temperature regulation is crucial, such as during surgery or for patients with fever. They can also be utilized to provide more effective care for individuals suffering from hypo or hyperthermia, and during situations where power or resources required to keep an environment stable for medical care may be at a premium. Case 2: "David" Ability: Bone Density Manipulation David can alter the density of bones, making them either stronger or more fragile, although the effect wears off after several hours. Implications: David''s abilities can be useful during surgical interventions, particularly during resetting of a fracture or dislocation. However, care must be taken to avoid exacerbating existing injuries, or even creating new ones. Case 3: "Sarah" Ability: Blood Pressure Manipulation Sarah can alter a person''s blood pressure, raising or lowering it as needed. Implications: Sarah''s powers can be lifesaving in emergency situations where rapid blood pressure control is needed, such as in the case of a heart attack, stroke, or hypertensive crisis. Sarah would do well to maximize her ability to precisely control her powers to avoid damaging a patient''s cardiovascular system.

14.2.2 Brain (B): Metahumans Demonstrating Enhanced Cognitive, Sensory, or Information Processing Capabilities

Metahumans with Brain-type powers have abilities that elevate their cognitive, sensory, or information processing capabilities beyond the norm. This category includes individuals with enhanced memory, metahuman intelligence, heightened sensory perception, or accelerated learning abilities. These powers can be invaluable in a medical setting, where quick thinking, accurate diagnosis, and detailed sensory analysis are often crucial. Let''s examine some case studies to see how Brain-type powers can be applied in a medical context.

Case Studies

Case 1: "Alex" Ability: Enhanced Memory and Rapid Learning Alex has the ability to instantly recall any information he has ever learned and can rapidly assimilate new information. Implications: Alex''s abilities can be particularly useful in a medical research setting, where he can quickly analyze vast amounts of data to identify patterns or potential treatments. His enhanced memory also allows him to recall patient histories and relevant medical knowledge instantly, aiding in accurate diagnosis and treatment planning. Case 2: "Rebecca" Ability: Metahuman Intelligence in Biochemistry Rebecca possesses metahuman intelligence specifically in the field of biochemistry, allowing her to understand complex biological processes and chemical interactions at an unparalleled level. Implications: Rebecca''s unique intelligence can be utilized to develop new medications or therapeutic interventions that are more effective and have fewer side effects. Her ability to comprehend complex biochemical interactions also makes her an invaluable asset in diagnosing and treating rare or poorly understood medical conditions. Case 3: "Michael" Ability: Heightened Sensory Perception Michael has the ability to see, hear, and feel at levels far beyond the average human, allowing him to detect subtle changes in a patient''s condition that might be missed by traditional medical equipment. Implications: Michael''s heightened senses can be used to detect early signs of disease or complications, potentially saving lives through early intervention. His abilities also make him an excellent diagnostician, as he can pick up on subtle cues that might be overlooked by other healthcare professionals.

14.2.3 Create (C): Metahumans with the Ability to Generate or Materialize Objects, Entities, or Phenomena

Metahumans classified under the Create category have the incredible ability to bring into existence objects, entities, or phenomena seemingly from nowhere. Often, these creations are referred to as "Anomalously Originated Material," (AOM) a term that highlights the mysterious origin of such matter. An important note is that, while theorized to exist, there are no recorded cases of Create-classification metahuman powers that allow one to create microscopic constructs such as new antibodies, novel viruses, or individual chemical molecules - all recorded instances are only able to create "en masse" on a macroscopic, visible scale. The possibilities for medical applications with Create-type powers are vast, offering innovative solutions to traditional medical challenges. For example, a metahuman with the ability to generate new tissue could revolutionize the fields of surgery and regenerative medicine. However, like any other type of metahuman ability, Create powers also have their limitations and ethical concerns. Let''s delve into some case studies to explore the potential medical applications of Create-type powers.

Case Studies

Case 1: "Tina" Ability: Tissue Generation Tina has the ability to generate new organic tissue, such as skin, muscle, or bone, on a surface she is touching. The generated tissue gracefully degrades over the course of several months, and, if healing is incomplete, can be "refreshed" with additional applications of her powers. Implications: Tina''s powers can be used for wound healing, tissue regeneration, and even in surgical procedures where grafts are required. This could significantly reduce recovery times and improve patient outcomes. However, careful monitoring and control of the generated tissue''s properties and integration with the existing tissue are crucial, particularly when it comes to the tendency of AOM to degrade over time. Case 2: "Alec" Ability: Water Generation Alec can create a water-like analogue from seemingly nowhere, without affecting local humidity levels. It manifests from his skin and is chemically identical to distilled water. Implications: In a medical context, Alec''s ability could be used to provide hydration in emergency situations where traditional means are not available. This could be particularly valuable in disaster relief situations or in remote areas with limited resources. Due to the qualities of AOM, Alec and his coworkers should avoid using his generated water for the purposes of washing unless absolutely necessary. Case 3: "Mia" Ability: Oxygen Generation Mia can produce oxygen gas in varying concentrations through small vents in her knuckles. Implications: Mia''s power could be life-saving in situations where patients are in need of supplemental oxygen, such as during respiratory failure or in environments with low oxygen levels. This would also be useful in emergency situations where oxygen tanks might not be readily available. However, precise control of the oxygen concentration is crucial to prevent harm to the patient and local environment in the short term.

14.2.4 Delete (D): Metahumans Capable of Obliterating, Negating, or Causing the Cessation of Objects, Entities, Thoughts, or Phenomena

Metahumans with Delete-type powers possess the unique ability to completely remove or negate objects, entities, thoughts, or phenomena from existence. This can range from erasing a physical object to nullifying an abstract concept such as sound or light. It''s important to note that Delete powers differ from Create powers in that they can operate on a microscopic level. However, Delete powers are rare among the general metahuman population and come with their own set of limitations and ethical considerations. In a medical context, Delete powers have the potential to revolutionize treatment options. The ability to obliterate pathogens, malignant cells, or harmful chemicals could provide a highly effective means of addressing a range of health concerns. However, the use of Delete powers must be approached with caution, as the consequences of removing certain elements from a system can be complex and far-reaching.

Case Studies

Case 1: "Samantha" Ability: Microorganism Elimination Samantha has the ability to identify and obliterate specific instances of microorganisms, including bacteria, fungi, and protists, targeting based on cellular makeup. The better she understands a microorganism, the more specifically she can target it. Implications: Samantha''s powers could be used to treat infections, especially antibiotic-resistant strains, without the need for drugs. However, care must be taken to ensure the complete elimination of the pathogen to prevent mutation and resistance, and to avoid unnecessary collateral damage, such as gut microbes. Case 2: "Mary" Ability: Tissue Eradication Mary is capable of eradicating non-bony tissue precisely via utilizing an anomalous scalpel that is bound to her person. Implications: Mary''s abilities provide a targeted and non-invasive approach to treatment of cancers, necrotic tissue, or other malignancies, reducing the need for chemotherapy or surgery. However, Mary must practice to ensure her power is used carefully and with utmost precision, or she runs the risk of severely damaging her patient. Case 3: "Liam" Ability: Toxin Removal Liam can identify and remove harmful toxins from a person''s body, purifying their system. Implications: Liam''s powers offer a valuable tool in treating poisonings or drug overdoses, without the need for traditional detoxification methods. However, caution must be exercised to ensure that essential minerals and nutrients are not inadvertently removed along with the toxins.

14.2.5 Employ (E): Metahumans Possessing Augmentation Abilities, Enhancing Properties or Characteristics of Objects, Entities, or Phenomena

Metahumans with Employ-type powers are capable of augmenting or enhancing the properties or characteristics of objects, entities, or phenomena. This can include amplifying an object''s durability, increasing a person''s physical strength, or even bolstering natural processes such as healing. Although similar to Adjust-type powers, Employ powers are distinct in that they add new parameters to a system rather than altering existing ones. In the realm of medicine, Employ powers open up a range of possibilities for enhancing the human body and its capabilities. These powers can be utilized to expedite healing, improve physical performance, and enhance the efficacy of treatments. However, there are ethical questions and potential risks associated with these enhancements that must be carefully navigated.

Case Studies

Case 1: "Benjamin" Ability: Healing Acceleration Benjamin can augment a person''s natural healing processes, significantly speeding up recovery from injuries and illnesses. This novel''s true home is a different platform. Support the author by finding it there.Implications: Benjamin''s powers can be used to reduce recovery times and improve patient outcomes, especially in cases of severe trauma or chronic conditions. However, the limits of this augmentation must be understood to avoid potential complications from overly rapid healing. Case 2: "Edward" Ability: Physical Performance Enhancement Edward can enhance a person''s physical abilities, including strength, speed, and endurance. Implications: Edward''s powers can be utilized in rehabilitation settings to help patients regain physical function more quickly. However, the potential for abuse of these enhancements in athletic or military applications must be considered, as well as the ethical implications of such uses. Case 3: "Jamal" Ability: Sensory Augmentation Jamal can heighten one''s senses temporarily, allowing for enhanced vision, hearing, or other sensory perceptions. Implications: Jamal''s abilities can be crucial in scenarios where heightened senses are beneficial, like during certain diagnostic procedures. However, over-reliance or frequent use might lead to sensory overloads or longer-term sensory imbalances in patients.

14.2.6 Filch (F): Metahumans Demonstrating the Power to Diminish, Subtract, or Steal Properties or Characteristics

Metahumans with Filch-type powers possess the ability to remove specific properties or characteristics from objects, entities, or phenomena. This category is distinct from Delete-type powers, which eliminate an object entirely, and different from Adjust-type powers, which can alter the parameters of a property but not remove the property or transfer it to a different object - Filch-type powers weaken an object or entity by taking away properties that define it. Let''s look at some case studies to explore how Filch-type powers can be creatively applied in a medical context.

Case Studies

Case 1: "Leo" Ability: Color Transfer Leo has the ability to absorb color from objects and transfer it to others. The color absorbed does not change the object''s physical properties, but it does affect its appearance. Implications: In a medical setting, Leo''s powers can be utilized for aesthetic purposes, such as during reconstructive surgery or dermatological treatments. For example, Leo could restore color to scar tissue, making it blend seamlessly with the surrounding skin. Case 2: "Perry" Ability: Sound Absorption Perry can absorb sound waves, creating areas of complete silence. Implications: In a medical setting, Perry''s powers can be used to create a quiet environment conducive to healing and recovery. This could be particularly useful in situations where noise levels are high, such as in emergency rooms or intensive care units. Case 3: "Oliver" Ability: Friction Reduction Oliver can remove friction from surfaces, making them slick and slippery. Implications: In a medical setting, Oliver''s powers can be used to assist with patient movement, particularly for those with mobility issues, or to increase the efficacy of certain medical tools. For example, Oliver could reduce friction on a hospital bed to make it easier to reposition a patient. Care must be taken to avoid accidental injuries due to lack of friction.

14.2.7 Gigant (G): Metahumans Exhibiting Metahuman Physical or Biological Traits, Whether Intrinsic or Inducible

Metahumans categorized under the Gigant classification possess extraordinary physical or biological characteristics that set them apart from the average human. These traits can range from metahuman strength and speed to exceptional sensory perception or even unique biological adaptations such as the ability to breathe underwater or withstand extreme temperatures. Some Gigants have these traits innately, while others may be able to induce them at will. In a medical setting, Gigants can provide invaluable assistance in various capacities. Their unique traits can be utilized to enhance the capabilities of healthcare providers and improve patient outcomes. Here are some ways in which Gigant-type powers might be relevant in a medical situation.

Case Studies

Case 1: "Lucy" Ability: Metahuman Strength Lucy possesses the ability to lift objects many times her own weight with ease. Implications: In a hospital setting, Lucy''s strength can be used to assist in moving heavy equipment or patients. She could also provide support in emergency situations where physical strength is required, such as during a natural disaster or crisis. Case 2: "Isaac" Ability: Accelerated Healing Isaac has the ability to heal from injuries at a significantly faster rate than a normal human. His body is able to rapidly regenerate tissue, allowing wounds to close and bones to mend in a fraction of the normal time. Implications: In a medical setting, Isaac''s abilities can be studied to understand the mechanisms behind his accelerated healing, potentially leading to new treatments or therapies for patients with slow or impaired healing processes. Additionally, Isaac could donate tissues or blood for transplant or transfusion. However, ethical considerations must be taken into account, as well as the potential risks associated with sharing biological material from a metahuman to a non-metahuman recipient. Case 3: "Dennis" Ability: Biological Adaptation Dennis''s body can adapt to different environmental conditions, allowing her to survive in extreme temperatures, underwater, or even in toxic environments. Implications: Dennis''s adaptability makes himan excellent candidate for providing medical assistance in harsh or dangerous environments, such as in the aftermath of a natural disaster, during space missions, or in areas contaminated by chemical or biological hazards.

14.2.8 Hopper (H): Metahumans Demonstrating Enhanced Locomotion Capabilities

Metahumans classified under the "Hopper" category possess the ability to significantly enhance or alter their method of locomotion, ranging from abilities such as teleportation and super-speed, to flight or even interdimensional travel. These powers not only allow Hopper metahumans to transport themselves across various distances and terrains, but may also extend to the transportation of other people or objects. In a medical setting, these locomotion capabilities can be vital in the rapid response to emergencies, the efficient transportation of patients and medical supplies, and even in the expansion of healthcare accessibility to remote or difficult-to-reach locations. Let''s explore a few case studies to understand the implications and applications of Hopper-type powers in the realm of healthcare.

Case Studies

Case 1: "Alice" Ability: Teleportation Alice can teleport herself and others within her line of sight to any location she chooses. Implications: Alice''s abilities are invaluable in emergency situations, where the swift transportation of patients to a medical facility can mean the difference between life and death. They can also be utilized to deliver medical supplies to disaster-stricken or remote areas in a timely manner. Case 2: "Ben" Ability: Super-speed Ben can move at speeds exceeding that of a commercial airplane, carrying people or objects with him. Implications: Ben''s super-speed allows him to rapidly respond to emergencies, providing immediate aid or transporting patients to a healthcare facility in record time. His ability could also be used to expedite the delivery of crucial medical supplies, such as organs for transplant, to save lives. Case 3: "Clara" Ability: Flight Clara has the ability to fly at will, carrying herself and others through the air. Implications: Clara''s flight capabilities can be utilized to access remote or otherwise inaccessible areas to provide medical aid or transport patients to a healthcare facility. Her powers can also be employed in search and rescue operations to locate and evacuate individuals in need of medical assistance from difficult terrains or disaster-stricken areas.

14.3 Emergency Medical Applications

Metahuman abilities have revolutionized emergency medical situations, providing new and innovative solutions to disaster relief and trauma care. When time is of the essence, and every second counts, metahumans can make a significant impact on patient outcomes and survival rates. In disaster relief situations, metahumans with abilities such as super strength, flight, or energy manipulation can quickly assess the scene and rescue individuals trapped in dangerous situations. The speed and efficiency with which metahumans can operate can often mean the difference between life and death for those affected by natural or man-made disasters. One notable case study is the 2017 earthquake in Mexico City. A metahuman with seismic manipulation abilities was able to stabilize collapsing buildings, providing emergency responders with crucial time to rescue individuals trapped inside. In addition, metahuman healers were on the scene to provide immediate medical attention to the injured, significantly reducing the strain on local hospitals and emergency services. In trauma care, metahuman abilities such as accelerated healing or telekinesis can be used to stabilize patients, stop bleeding, or even perform complex surgical procedures in the field. These capabilities can significantly increase the chances of survival for trauma victims and reduce the long-term impacts of their injuries. One case study that highlights the potential of metahuman abilities in trauma care is the 2020 terrorist attack in London. Metahuman first responders were able to quickly triage and treat victims, saving countless lives in the process. In addition, metahuman healers worked alongside traditional medical professionals to provide comprehensive care to those affected, showcasing the potential for collaboration between metahuman and human medical practitioners.

14.4 General Medical Practices

Metahuman powers have also found a place in general medical practices, where they are integrated into hospitals and clinics to provide unique and innovative healthcare solutions. The presence of metahuman healers in these settings can offer numerous benefits, such as faster recovery times, reduced reliance on pharmaceuticals, and the ability to treat conditions that were previously thought incurable. However, integrating metahuman powers into general medical practices also presents challenges. Ethical considerations, such as informed consent and the potential for abuse of power, must be carefully addressed. In addition, the logistics of integrating metahuman abilities into traditional medical settings can be complex, requiring new protocols and procedures to ensure the safety and effectiveness of treatment. Despite these challenges, many hospitals and clinics have successfully integrated metahuman healers into their practices, leading to improved patient outcomes and increased satisfaction. The presence of metahuman healers in medical settings has also opened up new avenues for research and innovation, as scientists and medical professionals work to understand and harness the full potential of these extraordinary abilities. One case study that illustrates the benefits of integrating metahuman powers into general medical practices is the 2014 pilot program at St. John''s Hospital in New York City. The program incorporated metahuman healers into various non-emergency departments, from pediatrics to orthopedics, resulting in significant improvements in patient outcomes and reduced hospital stays. The success of the program has since led to the expansion of metahuman integration in hospitals and clinics nationwide, providing a model for other institutions to follow.

14.5 Niche Medical Fields

Metahuman abilities have had a significant impact on various niche medical fields, with unique powers revolutionizing specific medical practices. In surgery, metahuman abilities such as microscopic vision, precision control of energy, and advanced regeneration have enabled surgeons to perform intricate procedures with a level of precision and success previously thought impossible. These powers have significantly reduced the risks associated with complex surgeries, improved patient outcomes, and expanded the range of possible interventions. Psychiatry has also benefited from the integration of metahumans, with abilities such as empathy enhancement, memory visualization, and emotion modulation providing new avenues for diagnosis and treatment. These powers have allowed psychiatrists to gain a deeper understanding of their patients'' experiences and develop more effective and personalized treatment plans. Palliative care is another field that has been revolutionized by metahuman abilities. Metahumans with healing powers, emotional support abilities, and other unique skills have brought comfort and relief to patients facing terminal illnesses or chronic conditions. Their presence has often resulted in improved quality of life and a more peaceful end-of-life experience for patients and their families.

14.6 Ethical Considerations

The use of metahuman powers in medicine raises several ethical questions that must be carefully considered. These questions include the limits of metahuman abilities, the potential for abuse of power, and the implications for patient autonomy and consent. To address these concerns, regulations and guidelines have been put in place to ensure the ethical treatment of patients. These include strict protocols for the use of metahuman abilities, comprehensive informed consent procedures, and ongoing monitoring and evaluation of metahuman practices. Despite these safeguards, ethical dilemmas continue to arise as new metahuman abilities are discovered and integrated into medical practice. The complexity of these issues necessitates ongoing dialogue and collaboration between metahumans, healthcare providers, policymakers, and ethicists to ensure that the benefits of metahuman powers in medicine are realized while minimizing the potential risks and harms. The International Metahuman Coalition (ISC) plays a pivotal role in governing medical best practices for utilizing metahumans in healthcare. With its global reach and influence, the ISC has developed comprehensive guidelines and standards that dictate how metahuman abilities should be ethically and effectively incorporated into medical practice. These guidelines are continuously updated and refined to reflect the evolving nature of metahuman abilities and the ever-changing landscape of medical science.

14.7 Limitations and Risks

The advent of metahuman healing powers has undoubtedly brought about remarkable changes in healthcare, offering hope where there was once none. However, these abilities are not without their limitations and risks. It is essential to recognize these in order to fully understand and responsibly harness the power of metahumans in medicine.
14.7.1 Limitations of Metahuman Healing Powers
While metahuman healing abilities are indeed extraordinary, they are not omnipotent. Many metahumans possess specialized powers that are effective for specific conditions or situations, but not others. For example, a metahuman with the ability to regenerate tissue may not be able to cure a viral infection. Furthermore, some metahumans have limitations in terms of the extent or speed of their healing powers, and may not be able to treat severe or terminal conditions effectively. Additionally, the availability of metahuman healers is often limited to major population centers, leaving rural or remote areas underserved. This disparity in access can create a two-tiered healthcare system, where those with access to metahuman healers receive superior care, while those without are left to rely on traditional medicine.
14.7.2 Risks and Negative Consequences
The reliance on metahumans in healthcare also carries risks and potential negative consequences. One of the primary concerns is the ethical implications of using metahuman powers for medical purposes. The question of consent, the potential for abuse, and the impact on the doctor-patient relationship are all issues that need to be carefully considered. Furthermore, the presence of metahuman healers can create a dependency on their powers, leading to a devaluation of traditional medicine and healthcare providers. This can have long-term implications for the medical community, as well as for patients who may not have access to metahuman healers. There is also the risk of metahuman healers becoming overwhelmed or burned out due to the high demand for their services. This can lead to mistakes or a decrease in the quality of care, ultimately harming the very patients they are trying to help.

14.8 Discussion Questions

  1. How do metahuman healing abilities challenge our understanding of medical science? Do they fit within the current scientific paradigm, or do they require a new framework?
  2. What are the ethical implications of using metahuman powers in medicine? Should there be limits on how these abilities are utilized?
  3. How should metahumans with healing abilities be trained and certified? Should they be held to the same standards as traditional healthcare providers?
  4. Consider the potential impact of metahuman healing abilities on the healthcare system. How might they alleviate or exacerbate existing disparities in access to care?
  5. What role should metahuman healers play in emergency situations? Should they be deployed alongside traditional first responders?
  6. How might metahuman healing abilities affect the doctor-patient relationship? What new challenges or opportunities might arise?
  7. Consider the implications of metahuman healing abilities on medical research. Could they contribute to the development of new treatments or therapies?
  8. How should metahumans with healing abilities be compensated for their services? Should they be paid like traditional healthcare providers, or should their abilities be considered a public good?
  9. What safeguards should be in place to prevent abuse or misuse of metahuman healing abilities?
  10. How might metahuman healing abilities affect the development of medical technology? Could they render certain technologies obsolete or spur the creation of new ones?
  11. What role should metahuman healers play in public health initiatives? Could they contribute to the prevention or management of epidemics and pandemics?
  12. How should society respond to metahumans who refuse to use their healing abilities for the benefit of others? Should they be compelled to act, or should their autonomy be respected?
Chapter 40.1 "Okay, everyone, gather around," Jordan orders, their tone leaving no room for argument. They step aside, revealing the corkboard in all its chaotic glory. It''s like a mad scientist''s version of a scrapbook. My ADHD brain whirls with delight at the sight of it. "I''ve got some information to share." I glance over at Jamila, who''s standing with her arms crossed, her face set in a hard line. Her gaze is fixed on the corkboard, but I can tell she''s not really seeing it. Her mind is elsewhere, probably running through all the possible ways she could put Jordan in their place. Spinelli, on the other hand, is standing off to the side, his head tilted as he studies the corkboard with genuine interest. I can see the wheels turning in his head as he tries to piece together the information in front of him. For a moment, I feel a pang of affection for him. He may be an airhead, but his heart''s in the right place. And then there''s Jordan, standing at the front of the room like a teacher ready to give a lecture. They''re wearing their usual goth get-up, all black and silver, but there''s an intensity in their eyes that I haven''t seen before. It''s like they''re on a mission, and nothing''s going to stop them. They clear their throat and begin to speak, their voice steady and confident. "Okay, here''s what I''ve gathered so far." They gesture to the corkboard, which is covered in a maze of papers, pins, and strings. "As you can see, I''ve been busy. This is what I''ve been working on while Sam was off playing house with Gale." Jamila shoots Jordan a contemptuous glare but doesn''t interrupt. Jordan shoots her a look, but doesn''t rise to the bait. "I''ve been investigating the Kingdom for the past month, trying to figure out what they''re planning. I''ve submitted FOIA requests for local crime reports that mention known Kingdom operations or symbols, studied all known incidents, reports, and news articles involving the Kingdom, and mapped out locations, names, and events. I''ve also used public records to identify properties and businesses owned by shell companies tied to Kingdom operations, and spent time observing corners and establishments in neighborhoods where Kingdom-affiliated gangs are known to operate." Jamila narrows her eyes. "You can''t just go around submitting FOIA requests willy-nilly. That''s a surefire way to get yourself flagged." Jordan smirks. "That''s what burner identities are for. But you wouldn''t know anything about that, would you, sweetheart?" I see Jamila''s fists clench at her sides. "Don''t call me that." Jordan chuckles but doesn''t press the issue. Instead, they continue with their presentation. "After gathering all the information, I started to narrow down the scope. Cross-referencing names, places, events, and Kingdom symbols. These guys aren''t kids, though. They don''t tag places. People they associate with do, but, you know, they don''t." They gesture to a second section of the board, this one dominated by a complex web of lines connecting various pieces of information. Jamila squints at the board. "Is that¡­ Is that a box of cell phones?" Jordan blinks a couple of times. "Getting there!" Jamila sighs, eyes rolling. Jordan''s finger trails down the board to a third section, where photos of various locations and people are pinned alongside notes on security measures and staff schedules. "That''s just the beginning. I''ve also performed physical reconnaissance of the places identified, discreetly taking photos and noting security measures. I''ve done some light dumpster diving focused on businesses where I suspect Kingdom activity. I found mostly useless trash, but also some shredded documents that hint at recent purchases of chemicals and lab equipment. Probably for drug stuff. Not anything I care about." Jordan explains, a hint of pride in their voice. Jamila rolls her eyes. "You sound like a real James Bond. Did you also make time to seduce a beautiful woman while you were at it?" Jordan chuckles. "No, but I did find a lot of phones. That''s what the phones are for. I told you I was getting to the phones!" "They''re burners!" Spinelli says, getting his own little eureka moment. He seems very proud of himself. "That''s right, weird tall kid. They''re Kingdom burners. I''m not so stupid as to call back on them or try to connect any wiretaps or anything - Pennsylvania is a two-party consent state, last I checked - but I did check the recent calls and pulled all the numbers into my reports. Not really anything interesting but it''s important to cover my bases." "Figures you''d go digging around in people''s trash, raccoon," Jamila mocks under her breath, floating on a cushion of air. "Can you please get along until we''re done with this?" I whisper. Jamila shoots me a look that says ''no promises''. She looks back at me, folds her arms over her chest, and sighs. She raises an eyebrow. "So you''re saying they''re cooking up something big?" Jordan nods. "That''s what I''m trying to find out. I started pulling apart the shell companies online, public business registries, NetSphere searching, you know. I also visited various pawn shops and scrapyards in the city under a disguise, asking questions to gauge if any of them are involved in Kingdom activities. I did some social engineering to gather information on staff and operation times, then I cross-referenced this information with anything I could find on company sites. Found a bunch of low-level employees." Spinelli tilts his head, his brow furrowing in confusion. "Wait, so you''ve been doing all this without Sam?" Jordan nods. "I had to. She was busy with her own stuff, and I didn''t want to drag her into this until I had something solid." Jamila tries very hard to smile. "How considerate of you." Jordan''s jaw tightens, but they keep their composure. "I did what I thought was best. And it paid off. I''ve narrowed down the Kingdom''s operations to a specific warehouse in Northeast Philly. I''ve observed the warehouse meticulously, confirming a pattern and timing that suggests a deal is set for the 31st. I''ve set up a full surveillance kit near the planned deal site, tested all equipment, and made sure everything is ready for the sting." The room falls silent as Jordan finishes speaking. For a moment, all I can hear is the sound of my own breathing. And then, from out of nowhere, Spinelli claps his hands together. "Wow, that''s amazing! You''re like a real-life detective!" Jordan smirks. "I do my best." Jamila squints at the board, her earlier irritation forgotten. "You''re sure about this?" Jordan nods. "As sure as I can be. Everything points to this being the real deal." And then, out of nowhere, Spinelli sneezes. We all turn to look at him in surprise. He grins sheepishly. "Sorry, must be all the dust in here." "I''ll have you know I''ve been working extremely hard to de-dust this place," Jordan whines, flicking their finger against the corkboard. Stolen content warning: this tale belongs on Royal Road. Report any occurrences elsewhere. There''s a moment of uncomfortable, awkward silence. Like a rubber band being pulled too taut, about to flick off and hurt someone. Jordan breaks it. They stand up and begin to pace back and forth, hands in the pockets of their trench coat. "The warehouse is located at 4547 Trenton Ave, in Northeast Philly. It''s nestled between two other warehouses owned by Northern Import-Exports LLC and Orion Holdings LLC." They point to the location on a map pinned to the corkboard. Jamila frowns. "So what''s the deal about? Any of your fabulous intel have anything on that?" Jordan shrugs. "That''s what we''re trying to find out. All I know is that it''s something big. I''ve got blueprints of the warehouse, but they''re years old and likely inaccurate." Spinelli leans forward, eyes wide. "Blueprints, you say?" Jordan nods, pulling out a rolled-up piece of paper from their bag and unfurling it on the table. "As you can see, the layout is pretty standard for a warehouse of this size. But there''s no telling what changes have been made since then." Jamila peeks at the blueprints. "Any idea what we''re looking for?" Jordan leans over the table, tapping a few points on the map, pointedly brushing past Jamila''s question. "The main entrance is here, but it''s heavily guarded at all times. There are two side entrances. One on the east, and the other to the west. I''ve observed that the west side is generally less populated, likely used for employees. We''re going to have to be extra careful. Our goal is to get in, collect evidence we can turn over to the¡­ proper authorities," they say, the last part clearly leaving a bad taste in their mouth, "and get out. No confrontation, no starting a fight. We''re not looking for anything in particular. We''re not here to play heroes." Spinelli raises an eyebrow. "Speak for yourself." Jordan turns to look at him, one eyebrow raised. "And what can you do, weird tall kid?" Spinelli grins. "Did you not see me pull myself out of a fucking backpack, man?" Jordan raises an eyebrow. "Sure, that could be useful. Especially if those blueprints aren''t up-to-date. We might need you to scout and possibly open up alternate routes for us." Jamila nods in agreement. "So, weird tall kid goes in first?" Spinelli grins. "You can call me Spinelli, you know?" Jordan smiles. "So, weird tall kid goes in first. Any objections?" Spinelli''s grin widens, his face stretching out, grimacing like a chimpanzee about to bite someone.
The distant streetlights, just shimmering orbs through the thick Philly fog, cast their soft glow upon the huge warehouse below. "4547 Trenton Ave" is painted in big, faded white numbers at the front of the building, barely readable under years of dirt and water damage. The warehouse itself is a monster of rust-streaked steel, standing silently, like an urban giant protecting its forgotten treasures. All around the compound is a chain-link fence, with the top twisted into barbed wire. At various points along this barrier, bright lamps stand as guards, their pale light creating pockets of visibility in the encroaching darkness. But even these strong beams seem weak, bending due to the moist air. They only make the contrasts more intense: the dark areas become even deeper in response to their brightness. On the left side of the main building, there are a bunch of smaller buildings that are hard to make out because of the darkness and distance. Some look like storage sheds, while others have the specific look of offices or workshops. There are also a few old delivery trucks parked in a messy way in what used to be a neat yard. Grass and weeds grow stubbornly through the cracks in the concrete, giving the place a natural feel as if nature is slowly taking it back. The main entrance of the warehouse is a huge sliding door that is tightly closed. Next to it, there is a smaller door that seems to be used by people going in and out. It is hard to tell if it is being watched from this far away, but given how important tonight''s mission is, we can''t make any assumptions. The two side entrances, barely visible from this angle, are dark and look like they could easily swallow anyone who dares to enter. The scene is so still, it is almost deceptive. You can hear the faint noise of the city, the distant traffic and people carrying on with their lives, which is a stark contrast to the heavy silence of the warehouse. It has an eerie sense of anticipation. Who knows what it is waiting for? Maybe the next shipment, the next deal, or perhaps some mysterious person entering through its doors. Or maybe it is just waiting for time to take its toll, like everything else eventually does. The moon is big and bright, hanging low in the sky, giving the streets of Northeast Philly a creepy glow. It is Halloween night, and even though it is late, you can still hear kids laughing and shouting as they go trick-or-treating in the neighborhood. Their costumes are nothing more than dark shapes running between the patches of light from the streetlamps. The area around here is pretty quiet, except for the occasional passing car or the distant sounds of kids having fun trick-or-treating. It''s an industrial area, and most of the businesses have already closed for the day. The streets are lined with parked cars and dumpsters, and the pavement is cracked and uneven. The air has this damp and decaying smell that hangs in the atmosphere, like something illicit is going on inside the warehouse. But tonight, this old place is more than meets the eye. It houses secrets, illegal deals, and potential danger, all hidden behind its run-down appearance. The city lights give a faint orange glow to the mist, making everything look kind of spooky. From up here, the world feels calm and disconnected. It''s like a scene where something big is about to happen, and we''re about to be a part of it. The game we''re about to play has some serious stakes. The city sprawls out beneath us as we make our descent, an intricate tapestry of lights and shadows. From this height, the people below look like small dogs, their movements erratic and unfocused. The buildings are monolithic structures that rise up from the ground, towering over the people, not so high as to scrape the clouds but tall enough to make everything look like a diorama from here. Gale floats beside us, her feet not quite touching the roof as she guides us gently downwards. Her hair is tucked away neatly under a black hijab, and her eyes are focused, concentration etched into every line of her face. She''s dressed in dark clothes, a stark contrast to the bright colors of her normal superhero outfit. Like us, she wears a small emergency mask - really, more of a shawl than anything else - her identity hidden from prying eyes. Including other superheroes. Jordan got us all bank robber masks. Fun! Normally, Gale can''t drop four people at once, but Spindle apparently floats like a leaf, and with two people in hand Gale can do a sort of controlled fall. There''s a rooftop that''s higher than our target, so we''re good to go. After a moment, she turns to us and gives a slight nod, signaling that the coast is clear. The night air nibbles at our cheeks as we hover down, a spectral crew held by Gale''s command. The warehouse looms ahead, its massive form a darker shape against the pitch-black sky. The metal walls of the building bear the marks of neglect, rust spreading like a rash in the chilly October air. It''s a silent monolith in the midst of abandoned lots and crumbling facades, a relic of a bustling industry now silenced. As we land on the gravel-covered roof, I feel the slight give beneath my boots, the crunch a whispered secret in the stillness of the night. The warehouse stretches out into darkness, broken only by the occasional dirty skylight. A tangle of ventilation shafts and pipes form a maze of metal that not even rats could navigate. The air is heavy with the musty scent of long-gone rain, and a tang of rust lingers in the cool breezes. It''s a smell that brings to mind old coins and forgotten corners. The expansive roof spreads around us, blending into the shadows that cling to the walls. Everything feels damp and cold, the type of cold that seeps into my bones and whispers of winters long past. Safeguard, dressed all in black like a ninja - like the rest of us - signals us with a quick hand gesture. We spread out, moving silently like ghosts. Their eyes, only lit by the faint glow of the city lights, carefully survey the area like a strategist. Safeguard holds a small LED flashlight to the ground, keeping it hidden to avoid drawing attention. We all know how important it is to move without making a sound, it''s like a superpower in our line of work, whatever you want to call it. It''s not about being a hero tonight. Not in the normal way. Down below, on the edge of the warehouse, the guard has no idea we''re here. He''s completely absorbed in his phone, the shifting lights from his game casting creepy shadows on his face. With each drag of his cigarette, a small ember glows and he seems completely at ease. From where we''re standing, I can see his thumb swiping across the screen, occasional puffs of smoke escaping into the night, and the small circle of light that creates his own little world of interest. He is completely alone, stationed at his post out of necessity rather than vigilance. The screen of his phone is his only companion. He''s in his own little bubble of indifference, where sports replays mean more to him than the darkness of the warehouse or the night sky above. With the path now clear, Gale''s powers bring us down with excruciating patience, a feather on the breath of a sleeping child. The distance closes inch by inch until our feet finally kiss the gritty texture of the ground. Safeguard steps forward the moment our feet touch ground, their movements silent and precise. They produce a wave rake with the ease of a magician conjuring a coin, setting to work on the padlock with the deftness of a seasoned locksmith. In moments that stretch out like hours, the click of the lock surrendering is the sweetest music, a symphony of entry gained without alarm. They push the door open with a gentle nudge, and we slip inside, swallowed by the warehouse''s cavernous maw. Chapter 40.2 My heart is tap-dancing against my ribs, maybe it''s trying to keep up with the Halloween spirit. Jordan, looking every bit the part of the ringleader in this circus of shadows, is as unflappable as ever. There''s a gravitas to them that never really fades, not even now, when we''re about to do something that feels like it''s straight out of a spy movie. We slide inside, and it''s like stepping into the belly of a beast. It''s all concrete and steel, the kind of place where echoes go to die. No catwalks smile down at us, no second floors wink from above, just boxes. Boxes upon boxes, towering like a forest made¡­ of boxes. It''s almost disappointing, how mundane it all looks--until you remember why they''re here. Safeguard''s already a shadow among shadows, phone in hand glowing like a firefly. The screen''s so dim it''s like they''re trying to keep secrets from the photons themselves. "Take the boxes and make a fort. Simple fort. No talking," the words flicker on their screen, and I can''t help but think that if we were in a comic book, this would be the panel where you''d see their dialogue bubble filled with something gritty and heroic. Gale looks skeptical, her eyes narrow like she''s trying to read the fine print. But me? I trust Safeguard. They''re like a compass pointing north; you don''t ask why, you just follow. We shuffle boxes with the kind of care you''d use if they were made of glass, carving out a den. It''s nothing at first, just an opening -- a promise of space. Well, I shuffle boxes, because I''m the strongest person here. I know what Safeguard is planning. They just need a floor, two walls, and a ceiling. I make the smallest possible crevice that they could fit into, and step back. I don''t need to make a ruckus, I don''t need to move like¡­ more than two boxes. Scoot one over on the floor as quietly as possible, then make a roof. There. Done. Safeguard slips inside and vanishes. I grab Gale''s hand and follow, with Spindle close behind. It''s not exactly luxury, but with some clever diagonal space-shifting, Safeguard has created an adequate hideout with enough room to fit everyone in all three dimensions, albeit crampedly. Crampedly¡­ I don''t know if that''s a word. But we''ve got four full sized humans in a space designed for like 0.75 of a human so it''s better than nothing. From the outside, it''s still just a couple of boxes huddled together, but inside, it''s our own little room. It''s filled with nothing but discarded packaging and the faint smell of dust and old metal, but it feels like a castle. It''s a secret swollen space, Safeguard''s creation, and we nestle into it, ready to watch and wait. Our very own invisible tower in the middle of the warehouse. It''s almost exciting. No, it is exciting. Part of my brain hopes we get caught. I squish that part very very very hard very fast. I can''t shake the surreal feeling as we settle in. I''m sandwiched between Jordan and Jamila, with Connor - Spindle - wedged behind me. I settle back against the wooden boxes, trying to get comfortable. It''s not easy; the floor''s hard and unyielding, and every time I move, there''s a rustle that sounds like a shout in the silence. But it''s not about being comfy, is it? It''s about being vigilant, about being ready. About catching the bad guys and getting out without a scratch. The warehouse floor begins to slowly fill up with people. The warehouse is exactly the kind of place you''d think about when someone says ''suspicious dealings go down here''. It''s vast, cavernous, and echoes with every shuffling foot and muttered conversation. We''re tucked away, sort of folded into space like we''re part of a page that''s been dog-eared. It''s a tight fit, cramped with the four of us pressed together, and I can''t help but think this is like one of those clown cars but for superheroes. Or, well, teens with superpowers playing hero. Time''s funny when you''re waiting, all coiled up and tense. It''s been thirty minutes, not that I''m counting each second, but it sort of feels like that part of a song that just goes on and on before the breakdown starts. The minutes are stuffed with the small sounds of us trying to stay still and silent, and the increasingly not-so-muffled voices of people gathering on the warehouse floor. These are the henchmen types, I guess -- just folks in hoodies and jeans looking more ready for a lazy Sunday than criminal activity. But what do I know about criminal fashion? There''s this weird sense of excitement that buzzes under my skin, a cocktail of adrenaline and that fizzy, impatient energy that''s got nowhere to go because I have to stay put. I catch myself fiddling with the hem of my sleeve, rolling the fabric between my fingers, then force myself to stop. I try not to turn my phone on, so I can check it. That''s right! I remembered my phone this time. About fifteen minutes in, the high-up warehouse lights flicker on with a sound that''s like a giant flipping a massive light switch somewhere. It throws harsh white light over everything, casting long, dramatic shadows and turning dust particles into a galaxy of floating stars. But the light''s like stage lighting that doesn''t reach the back of the room where the audience sits -- in this case, us. We''re in the dark, unseen. I shift my weight from one foot to the other. It''s getting kinda cramped in here with all of us packed in close, and I''m really hoping this Jordan-made space won''t suddenly snap back to normal size like some twisted jack-in-the-box. I know it won''t, but that doesn''t prevent the nightmare visions from happening anyway. The eastern door, a heavy slab of metal that seems like it could withstand a battering ram, creaks open with the kind of authority that turns heads, even among a crowd of roughnecks who are probably used to keeping their eyes front. Then, like a scene from one of those old gangster movies where the big boss steps into the speakeasy and the piano player hits a wrong note, in walk the duo--Mr. Polygraph and Mrs. Heartstopper. Mr. Polygraph is just as I remember from our first unfortunate run-in. He''s got that salt-and-pepper hair that looks like he''s tried to brush it into submission, but there are a few rebellious strands that give him a sort of disheveled dignity. His mustache is a dense brush of grey and white that sits over his lip like it''s guarding the secrets that pass beneath it. His suit is dark, charcoal or black, I can''t tell in this light, but it''s sharp, the kind that you know wasn''t off-the-rack. It''s all angles and clean lines - a stark contrast to the disarray around him. And Mrs. Heartstopper is something else entirely. It''s like she''s walked off a high-fashion runway and into this dingy warehouse. She''s all in red, in various shades and styles, from the sharp stiletto heels that click with a rhythm of impending doom, to the dress that''s somehow both classy and ready-for-action. The hoop earrings catch the light as she moves, sending little flashes like warning signals, and her long hair is a curtain of authority. Her fingerless gloves expose her touch for lethal precision as necessary. I know what she''s capable of. They don''t do anything as mundane as shout for attention. They don''t need to. Their presence is a gravitational pull, and everyone in the room orbits around them, faces turning as they walk by, conversations dwindling into silence. They make an entrance without any fanfare because their reputations proceed them like a herald. It''s clear, painfully clear, that they''re the most important people here. Everyone can feel it. As the weighty door groans shut behind them, the collective breath of the gathered seems to hang in the still, dust-moted air. We''re a rag-tag audience, lined up against the rough walls like students before the principal--only the stakes are way higher, and detention is probably a luxury compared to what Mr. Polygraph would hand out for misdemeanors. This story has been unlawfully obtained without the author''s consent. Report any appearances on Amazon. Mr. Polygraph stands at the front like he''s been doing this all his life, which he probably has. You''d think a guy like him would have an air of the bureau about him, something crisp and polished, but no. There''s a world-weariness hanging off his shoulders, making the fabric of his jacket strain just a touch. I bet if he could, he''d trade his badge for a good night''s sleep and a day without headaches. That''s what his eyes tell me. They''re red-rimmed, the left one twitching like it''s got a mind of its own, a product of too many sleepless nights and coffee that tastes more like battery acid. He doesn''t march to the center of the room so much as commandeer it, pacing with deliberate, weary steps, a predator too tired to stalk but too hungry to rest. Mrs. Heartstopper doesn''t follow him. Instead, she positions herself near the entrance, a sentinel in scarlet, her posture both alert and relaxed--a paradox only the truly dangerous can embody. There''s an ease to her vigilance, like she knows that not a soul would dare cross her, and it''s not just her reputation that assures this, but every poised, lethal inch of her. She''s not saying a word. She doesn''t have to. She''s a living, breathing stop sign -- blood red and impossible to ignore. She''s got her arms folded, a stance that says ''try me'' more effectively than any snarl could. "So," Mr. Polygraph begins, his voice resonating with the kind of deep, grinding fatigue that comes from too many miles and too little sleep. "I''ve just come back from a meeting with Mrs. B in the Capitol. A lot of air and not enough road." His words are edged with a frustration so tangible it''s like another entity in the room. "Let''s get this over with. I want to go home, check on my kids, and raid their Halloween stash. If that''s not a cause you sympathize with, consider your presence here a waste." There''s a ripple of nervous laughter, the sound almost as strained as Mr. Polygraph''s patience. It''s clear his temper is a frayed wire, sparking dangerously close to a barrel of gunpowder. His hand lingers near his belt. Mr. Polygraph runs a hand over his face, smoothing out the wrinkles of his grimace before he continues. "We''ve been tailing Chernobyl," he says, and I swear the temperature in the room drops a few degrees at the mention of the name. "Our surveillance isn''t always¡­ fruitful," he adds, the corner of his mouth twitching in what might be a smirk in any other situation, but is something I can easily recognize in him as anger. "But we''ve got a haul today, and you''re going to help us move it." Safeguard''s phone is out, recording the whole thing from the narrow crevice, the crack between two boxes. I made sure to angle them so that it''s the tiniest, narrowest sliver out front, the walkable entrance slash exit out back. Like a triangle. The space is all tangled up and folded and duplicated and thinking about the geometry makes my head hurt, so I don''t do that. I just watch and absorb. "You take a box. What''s inside, you turn to cash. Copper, paper, tech -- it''s your job to liquidate the assets. I don''t give a shit how. Anyone can break knees. Not any weed dealer on the street can convert a crate full of printer paper into cold hard American dollars." His eyes pin everyone around him one by one, like a fly being stabbed with a needle, getting ready to display them. "The goal," he continues, "is to bring back twenty thousand in cash in a month and a half''s time. That''s the middle of December, when nothing important is happening. Each. Do that, and you''re in. You''ll have proven you''re more than just another face in the crowd. You''re a broker, a financier, a¡­" A shadow of a smirk crosses his face, "A philanthropist of the underground, if you will." A murmur courses through the room. It''s a challenge, a test of entrepreneurial spirit in a world where profit is measured in secrets and survival. It''s oddly mundane. I would''ve expected something much worse, but being here, still, the air is thick. Gale''s face, the parts that I can see, looks blanched of color. I squeeze her hand. She squeezes mine back. "You can also just take it and run. I don''t give a shit. We''re not going to shoot you. If you don''t come back, your position is forfeit. You lose any chance of getting made in the future. But, like, go ahead, run off with a bunch of fucking printers. There''s only one thing worth punishing," he says, pulling a gun out from a holster on his belt. He spins it around a couple of times in his hand. "I mean, obviously, snitching will get a bullet between your eyes. That''s not the one thing, but we''re all adults here, I figure that goes without saying. No, the one thing worth punishing is lack of discretion. Make sure nothing can be traced. Split your transactions. Get it through your underlings. You''re all the cream of the toddler crop, I trust you know how to shake a trail." He coughs twice into his fist, and then thumps his chest. "You get any heat and Mr. M is going to put you six feet under personally. They won''t even be able to dig you up with sniffin'' dogs." The air is quiet. Silent. Gravity weighs on my shoulders. "Wow¡­" Spindle whispers. I slap my hand over his mouth and squeeze, and he looks at me with the most apologetic, wet, pathetic dog eyes in the world. I squeeze again and then let go. No more talking. I hope that''s clear enough. He folds his arms, the stance of a man who''s laid his terms out and expects them to be met. "We''ve got forklifts and dollies and hand trucks and shit at the back. You can open the boxes but don''t dawdle - I want everyone out here in half an hour, tops. Before you are allowed to leave with any boxes, you are to pass by me, and I am going to quiz you as to any undercover police bullshit you may be pulling. I can tell if you are lying, and I will shoot you. If you''d like to get shot now instead of in twenty minutes, simply start running. It will be less embarrassing for you. If you pass the sniff test, you get a truck. Load as you like. It''s yours now. Are we clear?" A murmur of assent ripples through the collected crowd of criminals, about thirty people strong. It''s a veritable parade of the neighborhood''s worst - I recognize one of the Coyotes, even, the one with the greasy skin, but no Aaron in sight. It''s nothing more than an interesting bit of trivia. Wait. They''re unloading the boxes. Safeguard''s hand, a silent conductor of our orchestrated escape, stops the recording. It''s done with the secrecy of a magician''s sleight, the phone vanishing into the void they command. My muscles tense, each fiber strung as tight as piano wire, ready to unravel in a moment''s notice. The phone''s disappearance is a signal, the starting gun of our quiet race against discovery. We start retracting from the belly of Safeguard''s box fort, a womb of darkness we''ve clung to in this haven of ill intent. It''s an inching, painstaking process. We fold into ourselves, minimizing the space our bodies claim as the warehouse''s occupants begin their laborious task. The groan of tape peeling and cardboard scraping against concrete sets my teeth on edge, a soundtrack to our tension. With every box moved, our cover dwindles, piece by cardboard piece. It''s a mental game of chess, and we''re the kings seeking safe squares on a board where the rules are being shredded with every passing second. Our exit is to the west, a door that''s both our savior and the maw of potential disaster. We need to reach it cloaked in the ignorance of our enemies. The forklifts and the clatter of dollies create a mechanical symphony, a rhythmic guide for our synchronized movements. We move like phantoms, each of us aware that the walls of our sanctuary are thinning. Spindle, bless him, is the mouse among cats, his frame contorting, folding into shapes that defy the solidness of his skeleton. It''s mesmerizing, the way he twists through the shrinking gaps, a testament to the peculiarities of our kind. As the criminals work, the shuffling of feet and the clink of ill-gotten metals are interspersed with grunts and muttered curses. They''re pirates dividing their spoils, unaware that interlopers hide in plain sight. Safeguard leads, their presence an anchor in this sea of chaos, a guiding star as we navigate the obstacles. With every step, my heartbeat is a drum loud enough to betray us, each thump a chime of adrenaline that I fear will call attention to our presence. But it doesn''t; our luck, it seems, is holding, a fragile bubble we tread within. There are moments, heart-stopping instances, where the nearness of our discovery is a razor''s edge. A box shifts and for a second, our cover is almost blown, a sliver of exposure that could unravel everything. But the moment passes, the shadow swallows us again, and we press on, firm against the walls of the warehouse. The western door, our exit from this den of wolves, grows steadily closer. It''s a beacon, the promise of safety, of mission accomplished. Our breaths, though shallow and measured, are prayers to the deities of the hidden and the unseen, beseeching them to drape us in their veils until we''re beyond these walls. It''s a dance with danger, where every movement is choreographed by necessity and silence is our partner. We are ghosts, whispers of maybe and might-have-been to the unsuspecting thieves around us. As the last box is pulled away, revealing the path to our salvation, we slip through, a final act of invisible defiance. The door is just there, an arm''s length, a heart''s beat away. BANG! WORLD OF CHUM: Costume Design

Twenty Years of Fashion Beyond Boundaries: The Evolution of Superhuman Costumes

By Alexandra Voss, Senior Fashion Correspondent, Vogue Magazine June 21st, 2023 In the world of fashion, the emergence of superhumans has not just been a cultural curiosity but a radical catalyst for innovation and creativity. Since the early 2000s, when the first superhumans made their public appearances, there has been an exponential evolution in what we now recognize as superhuman fashion. This unique sartorial genre has journeyed from rudimentary, do-it-yourself efforts to sophisticated, custom-designed ensembles, mirroring the changing perception and roles of superhumans in society. At the forefront of this sartorial revolution stands Atelier Kirby, a trailblazer in the realm of superhuman attire. Founded June 21st, 2013, Atelier Kirby has been synonymous with the rise of tailored, functional, and aesthetically compelling superhuman wear. The atelier does not bear the name of its founders but is instead a homage to Jack Kirby, the legendary comic book artist known for his significant contributions to the superhero genre. This choice of name is both a nod to the roots of superhero culture and a testament to the atelier''s commitment to blending artistic heritage with innovative design. Atelier Kirby''s journey and its impact on superhuman fashion provide a fascinating lens through which to examine the broader trends, challenges, and breakthroughs in this specialized field of fashion. From the early days of makeshift costumes to the latest in adaptive, technology-infused apparel, the evolution of superhuman costumes is not just a story of clothing but of identity, functionality, and the interplay between fantasy and reality. In this article, we will explore the eras of superhuman costumes, delving into the materials, designs, and cultural influences that have shaped this unique fashion domain. Join us as we unfold the rich tapestry of superhuman attire, a journey marked by creativity, innovation, and the relentless pursuit of merging the extraordinary with the wearable. 2003-2007: The DIY Era

Material Experimentation

In the nascent stages of superhuman fashion, the period from 2003 to 2007 can aptly be described as the DIY era. This epoch was marked by superhumans leveraging readily available materials to construct their attire, a practice rooted in necessity and immediacy. Everyday items such as sports gear and modified clothing served as the foundational elements for these early costumes. The use of sports equipment was particularly prevalent, given its inherent durability and the protection it offered. Superhumans often repurposed items like motocross padding, hockey helmets, and other protective gear to suit their needs. Halloween costumes, with their thematic and diverse offerings, also played a significant role. These costumes provided a quick and accessible means for superhumans to adopt a distinctive look, though they often lacked the durability and functionality needed for superhuman activities. This period saw an interesting amalgamation of off-the-shelf products being stitched, glued, and reformed into something that transcended their original purpose.

Aesthetic Influences

The influence of comic book aesthetics during this era was unmistakable. Many early superhumans drew direct inspiration from the pages of classic comics, emulating the iconic looks of well-known heroes and villains. This led to a fascinating blend of fantasy and reality, as elements that were once purely imaginative found expression in real-world attire. However, this also led to a divide in the superhuman community. On one side were those who favored making a visual statement, embodying the flamboyance and theatricality of traditional comic book heroes. Their costumes were often bright, bold, and emblematic, designed more for impact than practicality. On the other side were the pragmatists, for whom functionality was paramount. Their outfits were less about spectacle and more about utility, often resulting in a more subdued and less stylized appearance.

Design Challenges

The DIY era was not without its challenges. One of the primary difficulties lay in creating costumes that were both functional and distinct. With limited resources and materials not originally intended for superhuman use, durability and flexibility were often compromised. The challenge was to construct an outfit that could withstand the rigors of superhuman activities¡ªbe it high-speed flight, combat, or environmental extremes¡ªwhile also providing a unique identity to the wearer. Moreover, these early costumes rarely accounted for the specific needs of different superpowers. A superhuman with pyrokinetic abilities, for instance, faced the challenge of finding materials that wouldn''t combust, a problem that off-the-shelf items were not designed to solve. Similarly, those with abilities like invisibility or size manipulation struggled to find costumes that could adapt to their changing forms. 2008-2012: The Rise of Professionalism in Superhuman Fashion

Government and Sponsorship Influence

The period between 2008 and 2012 marked a significant shift in superhuman fashion, characterized by the introduction of government backing and corporate sponsorships. This development was a game-changer, propelling superhuman attire from the realm of homemade costumes to professionally designed gear. Governments, recognizing the strategic value of superhumans, began investing in the development of specialized attire that could enhance their abilities and offer protection. Simultaneously, corporate entities saw the promotional potential in sponsoring superhumans, leading to an influx of funding for costume design. This era saw the first instances of superhuman attire that bore resemblance to military gear - not just in aesthetics but in functionality. These costumes were designed to withstand extreme conditions, provide tactical advantages, and incorporate advanced communication and surveillance technology. The influence of government and corporate backing was evident in the enhanced quality and sophistication of these outfits, setting a new standard in the world of superhuman fashion.

Early Professional Designs

With the rise of professional interest came the emergence of individual costume designers specializing in superhuman fashion. These pioneers faced the unique challenge of creating attire that was not only visually striking but also functional and adaptable to a wide range of superhuman abilities. The initial designs from this period were experimental, often requiring extensive collaboration with the superhumans themselves to understand the nuances of their powers. Designers like Marissa Chen and Eduardo Ramirez became household names in the superhuman community, known for their innovative approaches to costume design. They introduced features like modular components for customizable protection and utility, as well as adaptive fabrics that could respond to the wearer''s power fluctuations. These early professional designs set the tone for future developments in superhuman attire, marrying form and function in unprecedented ways. Unlawfully taken from Royal Road, this story should be reported if seen on Amazon.

Material Advancements

One of the most significant developments in this era was the advancement in materials used for superhuman costumes. Designers began to experiment with new fabrics and composites that offered enhanced properties such as greater tensile strength, flexibility, and even resistance to extreme temperatures. Materials like Kevlar, Nomex, and even experimental fabrics started to replace traditional cloth and leather. However, these advancements were not without challenges. Designers had to consider the diverse range of superhuman abilities and ensure that the materials used would not hinder their powers but rather complement or enhance them. However, accommodating the diverse range of superhuman abilities posed a substantial challenge. Materials had to be developed that could, for instance, withstand extreme temperatures for superhumans with pyrokinetic or cryokinetic abilities, or offer high tensile strength for those with superhuman strength. The development of smart fabrics capable of adapting to different environmental conditions and power types was a significant breakthrough, one that continues to influence superhuman fashion design to this day. 2013-2017: The Atelier Kirby Revolution in Superhuman Fashion

Founding of Atelier Kirby

The year 2013 marked a watershed moment in superhuman fashion with the founding of Atelier Kirby, the world¡¯s first dedicated clothier and tailor for superhumans. Named in honor of legendary comic artist Jack Kirby, Atelier Kirby emerged as a visionary enterprise that would profoundly impact the industry. It filled a significant void in the market by offering custom-designed, high-quality costumes tailored specifically to the needs of superhumans. This pioneering establishment not only signified the legitimization of superhuman fashion as a specialized field but also set new standards in design and functionality. Atelier Kirby quickly became a symbol of prestige and innovation in the superhuman community. Its founding was a clear signal that superhuman attire was no longer an afterthought or a makeshift arrangement but a serious industry demanding expertise, creativity, and technical skill. The atelier''s influence extended beyond fashion, becoming a cultural phenomenon that reflected the evolving status and self-perception of superhumans in society.

Tailoring to Powers

A key aspect of Atelier Kirby''s success was its unparalleled skill in designing outfits that were both visually distinctive and functionally tailored to superhuman powers. This required a deep understanding of a diverse array of abilities and the challenges they presented. The design team at Atelier Kirby worked closely with their clients, often employing innovative techniques and materials to create costumes that not only accommodated but also enhanced superhuman abilities. For instance, for a client with electrical powers, Atelier Kirby developed a suit with conductive pathways that helped control and direct electrical energy. For another with shapeshifting abilities, they used adaptive, stretchable fabrics that could withstand dramatic alterations in form. This bespoke approach to design transformed the way superhumans viewed their attire, shifting from purely aesthetic choices to strategic assets in their superhuman endeavors.

Two Worlds: The Growing Schism

As Atelier Kirby and similar ventures set new benchmarks in superhuman fashion, they inadvertently fostered a growing schism within the superhuman community. This division manifested most notably in the disparity of resources available for costume acquisition and maintenance. On one side of this divide stood superheroes, particularly those with government affiliations or corporate sponsorships. These individuals had access to the industry''s latest innovations, affording costumes that were not only visually stunning but also embedded with advanced technologies. Such high-end outfits often incorporated state-of-the-art materials like damage-resistant fabrics, integrated communication systems, and the latest in bespoke wearable "gadgets". These costumes became more than mere attire; they were integral to the superhuman¡¯s identity, enhancing their abilities and providing tactical advantages that were once the stuff of science fiction. The other side of this divide painted a starkly different picture. Supervillains, petty criminals, and notably, many street-level heroes found themselves either financially incapable or ideologically opposed to investing in such advanced and expensive gear. This economic barrier resulted in a noticeable gap in capabilities, as those without high-end costumes relied on more rudimentary, often self-made outfits. These costumes, while potentially rich in character and personal significance, lacked the technological enhancements of their pricier counterparts. This disparity extended beyond functionality to influence public perception and media portrayal. Heroes and villains with more sophisticated costumes often received greater media attention, being celebrated or vilified with a certain glamour that eluded their less well-equipped counterparts. Meanwhile, street-level heroes, despite their crucial role in grassroots-level superhuman activities, found it increasingly challenging to compete with or defend against adversaries who had the technological edge. For some street-level heroes, this situation fostered a sense of pride in their grassroots identity, choosing to focus on community connection and resourcefulness over high-tech gadgetry. However, this choice often came with its own set of challenges, particularly when facing off against more technologically advanced foes. 2018-2023: The Diversification and Mainstream Integration of Superhuman Fashion The past five years in superhuman fashion have been characterized by an unprecedented diversification of styles and their integration into mainstream fashion. This era has seen the rise of numerous costumiers, each focusing on distinct styles and aesthetics, ranging from high fashion statement pieces to practical and rugged gear.

Diversity in Styles

Today, superhuman fashion spans a broad spectrum. Designers like Evelyn Cheung of ¡®EvoWear¡¯ specialize in sleek, high-tech costumes incorporating the latest in smart fabrics and nano-technology, pushing the envelope of what superhuman attire can achieve. On the other end of the spectrum, designers like Mateo Alvarez of ¡®Urban Guard¡¯ focus on more practical, durable costumes, designed for the everyday hero who navigates the gritty urban landscape. This diversification reflects the varied needs and identities within the superhuman community. A notable trend has been the rise of superhuman high fashion. Design houses such as ¡®Maison de Fleur¡¯ in Paris and ¡®Valentina Vostok¡¯ in Milan have launched superhuman lines, merging haute couture aesthetics with functionality. These garments are not just about practicality; they are statements of identity and art, worn both in battles and on red carpets.

Mainstream Influence

The influence of superhuman fashion on mainstream trends is undeniable. Elements once exclusive to superhuman costumes, like utility belts, armored pieces, and bold, graphic motifs, have found their way into ready-to-wear collections. Conversely, the emergence of the rap movement has significantly influenced superhuman attire, with heroes and villains alike incorporating streetwear elements like oversized hoodies, bold prints, and chunky footwear into their costumes. Designers such as Tetsuo Yamada of ''Neo-Tokyo Street'' have gained acclaim for their fusion of streetwear aesthetics with superhuman functionality. In a similar vein, ''Blaze Streetwear,'' based out of New York, has become a favorite among younger superhumans for its blend of urban style and practicality. Fashion houses like ''Versace'' and ''Balenciaga'' have introduced lines that are clearly inspired by superhuman attire, featuring bold, dynamic designs that echo the capes, cowls, and vibrant color palettes of superhero costumes. Meanwhile, ''Alexander McQueen'' has been at the forefront of bringing a darker, more gothic super-villainesque aesthetic into high fashion. In our day and age, superhuman fashion is not just a niche market but a significant influence on global fashion trends. The line between superhuman and everyday attire is increasingly blurred, as elements from each world enrich and inspire the other. This era of diversification and mainstream integration represents a coming of age for superhuman fashion, where it stands not just as a functional necessity for those with powers but as an influential, dynamic, and vibrant part of the broader fashion industry. Chapter 41.1 Horror movies and violent video games do a very poor job of preparing one''s self for the reality of seeing someone''s head be exploded by a bullet. I know, logically, that I need to keep my head on the door, watching Safeguard rake through the padlock with a small little thing they called a wave rake, and a little turning doohickey that looks like one of those L-shaped wrenches for hexagon bolts. I know I should be not looking directly at the sound of a gunshot. If it''s aimed at me, then I hope and pray that I do not see it coming. Or keep my eyes on Gale or Spindle, and hope their oblivion is peaceful and quick. The moment of oblivion never comes. The explosion is miles away, it feels like, a single bullet leveled at some poor sod in the middle of the warehouse. His body is already kneeling, or maybe it was kneeling before he was shot. I can''t tell if my torso was already turned to watch, or if I started turning in response to the noise. I don''t see the moment of impact. I do, however, see the next couple of seconds, where several of the least hardened criminals around the man flinch, jump back, yell, and otherwise express extreme surprise at the sight of one of their own suddenly shuffled off the mortal coil. The eldest, and the most beaten up, among them seem to be under no such illusions. Mr. Polygraph and Mrs. Heartstopper seem totally unfazed, like this is just another dime-a-dozen execution in a warehouse. The air is filled with a cloud of pink mist. The back of the man''s head, tracing a line directly from the almost pretty, circular entry wound on the forehead to the very back of his skull, has exploded open like a flower blooming, petals unfurling. By the time I glance, the splatter has already made a vaguely conical smear of red against the floor of the warehouse. The rest of the material is in greys and off-whites, fragments of bone and brain sprayed out the back. A small chunk of the floor has been carved out by the bullet. My senses flare up, and I can smell every particle of blood escaping this ex-human. A man wearing a wifebeater and slacks, who had a muscular build with tanned skin from too long in the sun, even as Daylight Savings fast approaches. A man who had a name, goals, aspirations, and who put on pants the same way I do and eats food the same way I do. Maybe he even liked the same food as me. His eyes are rolled up in the back of his head, no longer seeing anything at all. His skin is burnt around the entry wound. Mr. Polygraph lowers his handgun to the body. It takes less than a fraction of a second for him to fire again, this time through the sternum. This bullet explodes out the back just the same as the first one. The sound of firing is dulled by the ringing of my ears. The padlock snaps open and Safeguard ushers us through before too many boxes are taken away and we lose our ability to hide. Mr. Polygraph does not make another speech. It''s clear to everyone, including us, what just happened. This initiate was tested, and according to Mr. Polygraph''s powers, he was found wanting. My foot crossing the threshold feels like stepping through molasses, each second stretched thin. Once we''re all out, Gale eases the door shut behind us. I watch as Safeguard quickly unfolds a paperclip, bending it into a crude but functional shape before jamming it into the keyhole. Will it stop anyone from inside? No, of course not, I picked that much up from one of Safeguard''s many attempts at teaching me the craft of lockpicking, but it''ll at least make life inconvenient for anyone going outside to the inside. As we step into the outer rim of the warehouse, the night air hits us with a chilly hug, a big difference from the tense atmosphere inside. This area of the city feels abandoned, hidden in shadows and silence, except for the faint sound of engines in the background, and the last vestiges of trick-or-treaters, now replaced with the racuous calls of drunken revelers. Partygoers. It''s like a place frozen in time. The warehouse stands tall like a sleeping giant, its old walls with peeling paint telling stories from long ago. A fence surrounds it, topped with menacing barbed wire that glimmers under the faint moonlight, a harsh reminder of the line between lawlessness and lawfulness. The fence wraps around, like a metal snake coiling around its prey, creating a secluded space that feels both safe and prison-like. Beyond the fence, the city lights twinkle in the distance, a world away from the somber scene in front of us. The air carries a smell of metal and damp earth, the kind of scent that lingers in forgotten industrial corners of the city. It''s a smell that whispers secrets and hidden things, stories that the city prefers to keep quiet. Small puddles in the concrete and asphalt are filled with oily water, shimmering in the bright lights. At the back of this fenced-off area, a row of plain white trucks sits quietly, their engines gently purring in the night. Each truck is a ghostly silhouette, softly lit by dim lights. Their back doors are wide open, ready to swallow the night''s cargo. The positioning of the trucks shows careful planning, too precise to be accidental. Every single car, belching out their fumes into the evening air, reeking of diesel gasoline, is there to ferry goods. There''s a sense of excitement, like hungry beasts waiting to be fed. Their engines purr. But for now, there''s an odd calmness, the quiet before the chaos. Inside the warehouse, Mr. Polygraph''s inspection keeps everyone busy, leaving the outside strangely deserted. It''s like a surreal painting, the quiet trucks and the silent warehouse, all watched over by the barbed wire and the distant stars. Spindle''s gesture is sharp and decisive, a silent command that shepherds us towards the front. His confidence in Safeguard''s lockpicking skills is infectious, a silent thread of hope that we cling to as we move. The padlock on the gate is sturdy, an old guardian of rust and metal, but to Safeguard, it''s just another puzzle waiting to be solved. I watch, holding my breath, as they work the wave rake and turning tool into the lock, their fingers deft and assured. The click of the lock surrendering is a symphony in the stillness of the night. It doesn''t even seem to take them any effort. Our relief is short-lived. The ground beneath us shifts, a sensation like the earth itself turning to liquid. I stumble, my balance thrown as the concrete gives way to an unexpected transformation. It''s like stepping onto a living, moving entity, a surface that shouldn''t, couldn''t be fluid, yet here we are, trying to find our footing on this churning asphalt sea. From the shadows, a figure emerges, the asphalt swirling around him like a cloak made of the earth itself. Mudslide. His presence is as much of a surprise as his attire ¨C a tan button-down shirt paired with a black tie and slacks, speaks of a man trying to dress the part of someone more important than just a street-level thug. He still has his brown paper bag mask, but it looks almost professional now, face holes clearly cut with a razor or something else extremely sharp rather than just torn out. I see his eyes, glinting with the shifting light, just past the eyeholes of his mask. They''re blue. Baby blue. "Really thought you could just waltz out of here, huh?" Mudslide''s voice is a rough growl, tinged with the kind of arrogance you''d expect from someone who thinks they''ve got the upper hand. He saunters closer, the ground shifting with his every step, re-solidifying underneath his freshly shined dress shoes. "Thought there''d be no security around the back? You''re not as smart as you look." His taunt is a clear challenge, but there''s an undercurrent of uncertainty in his voice. It''s almost as if he''s trying to convince himself of his own importance, to assert a control that he''s not entirely sure he possesses. The way he moves, with a swagger that''s slightly exaggerated, tells me he''s still finding his footing in this new role he''s carved out for himself. You might be reading a pirated copy. Look for the official release to support the author. As Mudslide approaches, I can''t help but muse about his journey. From a petty criminal wearing sweatpants and a tee-shirt to this¡­ whatever this is. It''s almost impressive, in a twisted sort of way. The weirdest part of me feels almost proud of him. But there''s no time to dwell on Mudslide''s fashion choices or career aspirations. We''re on a clock, and every second we spend here is a second closer to getting caught. I glance at my teammates, each of us sharing a silent understanding. We need to move, and we need to do it now. I try to organize the route we took in my head. From the rooftops, down to the side entrance, the one with street access, then across and around the interior perimeter to the corner, then to the nearest exit¡­ we''ve cut straight across, to the side-back exit. The front doors of the warehouse, those big, big ones like an oversized garage, that would lead us right out into Trenton Avenue, are shut. The opposite street, the one we''re facing, lacks cars, more of an alleyway than anything else. Safeguard''s whisper, a mere breath of recognition, hangs in the air between us. "Mudslide." I can feel the weight of that name, heavy with history and danger. Spindle doesn¡¯t hesitate; he''s already moving, determination etched into every line of his body. He begins dragging himself out of the muck, a solitary figure inching toward Mudslide. Spindle''s reaction is almost immediate, his decision clear in his movements. He''s dragging himself, not away from the danger, but towards it, towards Mudslide. There''s a determination in his eyes that''s hard to miss. He tugs down his ski mask just enough to bare his lips, head sideways towards us, mouthing "I got this". It''s a bold move. Reckless. Admirable. Stupid. He''s stepping up, trying to be the hero. In his hand, almost casually, he reveals to us a can of mace, pulled out from his pants pocket. It''s a small gesture but it speaks volumes. He''s ready to take on Mudslide, to buy us time. The realization hits me like a punch to the gut. He''s planning to sacrifice himself to give us a chance to escape. After everything with the Phreaks, this is his moment, his shot at redemption. My heart lurches. I want to stay, to fight alongside him, but Gale and Safeguard are insistent, pulling me away. There''s an urgency in their grip, a silent plea to trust in Spindle''s plan. My mind races, torn between the need to escape and the impulse to stand and fight. Spindle, now facing Mudslide with his torso, neck twisted back, locks eyes with me. His gaze is a steel trap, unyielding and resolute. He shakes his head firmly and points in the direction we need to go. Go. The command is unmistakable, an order that brooks no argument, without a single spoken word. I¡¯m torn, every fiber of my being screaming to defy him, to rush into the fray. But there''s wisdom in his madness; he knows what he''s doing. I watch, heart in throat, as he begins his dangerous dance around Mudslide. Gale''s wind is at my back, floating under my shirt, trying to generate enough lift to drag Safeguard and I out of the mud. Mudslide, with that brutish confidence of his, hefts a brick in his meaty hand. But Spindle is a wraith compared to his bulk, a shadow weaving around the edges of the thug''s perception. Mudslide''s eyes are fixed on Spindle, underestimating him, just like he underestimates everyone else. "That''s alright. I''ll just rip out each of your teeth with a claw hammer ''til you give up everything. Those three included." I see it then, the storm drain, barely noticeable in the cowboy-style circling, and I know what Spindle is trying to do. "You''ll have to catch me first," Spindle challenges, mace can still palmed, out of sight, ready to be applied to the face. As we retreat, Gale practically dragging me away to a patch of solid ground, my eyes stay glued to the unfolding scene. Spindle moves with a contortionist''s grace, sliding through the muck, his every movement calculated and precise. Mudslide swings a brick, and it comes apart in his hands, spraying into a cloud of red flecks that re-solidify into sharp chunks, a cloud of brick fragments flying through the air with all the momentum that brick carried. It scatters like shrapnel, and I smell Spindle''s blood in the air as we round the corner. The alley swallows us whole, and we emerge on the other side, the sounds of the confrontation fading into a distant, muffled echo. We''re safe, for now, but part of me is still back there, with Spindle, in the clutches of Mudslide''s asphalt domain.
Back at the abandoned music hall that serves as our makeshift headquarters, the adrenaline that carried us through our escape begins to ebb away. My legs feel like they''re made of something softer than jelly, something that can''t even hold itself together. Jordan leads us through the dimly lit corridors, their footsteps echoing in the cavernous space, a rhythmic reminder of our harrowing escape. I can''t hold it back anymore. The images are flashing in front of my eyes like a macabre slideshow ¡ª Mr. Polygraph''s cold efficiency, the way that man''s life ended in a burst of brutality. "Garbage can. Paper bag," I manage to choke out, my voice a raspy whisper. I still smell every molecule of blood in the air. I still taste it, sharp and metallic on my tongue. Taste the way that it made my throat flood with saliva. I don''t know why my body did that. I have to assume it was preparing for vomit, the way it is now. Jordan doesn''t question it. They rummage through the clutter of their hideout, procuring a small trash bin and a crumpled brown bag. The moment it''s in my hands, my stomach revolts, heaving up its contents. The sound of my retching echoes off the walls, a harsh, grating noise that seems far too loud for such a beautiful, ancient building like this. The pressure is firm and unrelenting, up in my chest, right behind my ribs. I''m glad I didn''t eat that much today. Jamila''s hands are firm on my shoulders, grounding me. Her touch is a lifeline, tethering me to this plane. The feeling of her hands is both comforting and jarring, a stark contrast to the cold emptiness of the scene we''ve just left. Jordan returns with a bottle of water, their movements careful and measured. They hand it to me without a word, their face a mask of calm that I know is as much for my benefit as it is for their own. I take a few sips, the cool liquid doing little to wash away the taste of bile and fear. My throat hurts - it itches, from the inside out, in a way that throats aren''t supposed to. We sit in silence for a moment, each lost in our own thoughts. I can''t shake the image of that man''s death ¡ª the way his head burst open, the spray of blood, the smell of iron so strong it almost choked me. I shudder, trying to push the memory away, but it clings to me like a second skin. Jamila''s voice breaks the silence. "Sam, it''s okay. You''re safe now. We''re all safe." Her words are meant to comfort, but they sound hollow to my ears. Safe? We were anything but safe. Jordan sits down beside me, their presence a steady anchor in the storm of my thoughts. "We knew this was dangerous. We knew what we were getting into. But we''re doing this for a reason, right? We can''t let them win." I lean into Jamila''s embrace, seeking comfort in her warmth, in her steady heartbeat. Around us, the music hall stands silent, and we wait. As the hours creep by in the abandoned music hall, the weight of the evening''s events settles on us like a heavy blanket. The echoes of our adventure become a haunting lullaby, a constant reminder of the night''s grim revelation. We''re stuck in a waiting game, tension building up like a tightened bowstring, each of us silently praying for any sign of Spindle''s safety. But the hours go on, stubborn and unyielding, giving us no relief and no updates. In the eerie silence of the hall, Jordan tries to bring some normalcy by flipping through an old magazine they found under a pile of dusty stage props. The pages are yellowed and the words seem meaningless. Jamila sits close, occasionally squeezing my hand as a silent gesture of support that feels both comforting and heart-wrenching. My thoughts are like a stormy sea, each wave crashing against the shores of my mind with relentless force. The casualness of the execution replays in my mind, a never-ending loop of horror that chills me to the bone. I shudder, trying to focus on the present moment, on the faint smell of dust and age in the air, on the moonlight casting ghostly shadows through the broken windows. Eventually, Jordan stands up and stretches their legs. "I''m gonna run to the convenience store," they announce, trying to sound casual. "Anyone need anything?" It''s a small attempt to break the heavy atmosphere, but we appreciate it nonetheless. Jamila asks for gum and I can''t think of anything, so I just shake my head. Jordan nods, puts on a hoodie, and disappears into the night. We try to distract ourselves with small talk, but our conversations feel awkward, the words foreign on our tongues. At some point, Jordan comes back with snacks and drinks, a small gesture that does little to alleviate the heaviness in the air. We eat and drink in silence, lost in our own thoughts. As the night drags on and turns into the early hours of the morning, our vigil becomes a shared exhaustion. One by one, we remove our ski masks and dark clothes, changing back into our regular attire that brings a sense of comfort. It feels so obviously symbolic, like shedding our alter-egos and returning to some semblance of normalcy that feels increasingly distant. My English teacher would call it "overwrought". We huddle together on the couch, a pile of weary bodies seeking solace and warmth. Jamila''s arm is around me, providing a steady comfort. Jordan sits beside us, their eyes staring off into the distance, lost in thoughts I can''t begin to understand. Jordan''s besocked feet rest in Jamila''s lap, and although I expect the snap to come, it never happens. Neither of them had much interest in bickering with the other since getting back from the warehouse. Exhaustion laps at us like waves on the shore. Sleep beckons. It doesn''t come. Chapter 41.2 As the first tendrils of the new day''s light creep across the floor, casting long, slender shadows that dance upon the walls of the music hall, a silhouette appears at the open window. It''s a figure etched against the backdrop of the rising sun, a stark contrast of darkness against the burgeoning light. For a fleeting moment, it''s like witnessing an angel arriving, framed in the golden hues of dawn. Spinelli clambers through the window with the grace of a cat, albeit a cat that''s seen better days. His clothes are a tapestry of wear and tear, and his body bears the testament of a night that was anything but gentle. He''s battered, bruised, his skin marked with cuts that should have been a siren call to my shark senses from a mile away. But there he stands, grinning from ear to ear, a triumphant gladiator who has walked through the fires of adversity and emerged, scorched but unbroken. His grin is infectious, a spark of light in the darkness that has enveloped us. It''s a visual exhale, a release of the breath we didn''t even realize we''d been holding in collective anticipation and fear. His arrival is a balm to our frayed nerves, a tangible relief that washes over us in waves. I can''t help but mirror his smile, feeling the tension drain from my body as if it were being pulled away by the tide. Jamila''s grip on me loosens, her relief palpable as she watches Spinelli with an expression that''s a mixture of disbelief and gratitude. Jordan, ever the stoic, allows a small smile to play on their lips, their eyes reflecting a quiet respect and relief. "You look like you''ve been through a war zone," Jordan comments, but their voice is light, tinged with relief. "I feel like it," Spinelli replies, his voice a hoarse rasp that speaks volumes of the ordeal he''s undergone. "But hey, I''m still standing, right?" He laughs, a sound that''s more a croak than its usual melody, but it''s the sweetest tune to our ears. I wave hiim over, my movements hesitant yet eager. "You had us worried, you know," I say, my voice thick with emotion. "Sorry about that," he replies, his grin never wavering. "But you can''t get rid of me that easily." He collapses onto the couch, neatly occupying the space between Jordan and Jamila, tangling between us like a pretzel. In moments, the four of us experience that sweetest silence together.
In the heart of the workday, the world outside thrums with the rhythm of the ordinary, but for us, stepping into the Delaware Valley Defenders HQ, it feels like crossing into a different realm. The exterior of the headquarters, a nondescript warehouse, does little justice to the high-tech - well, medium-tech - sanctuary it conceals. It''s a stark contrast that doesn''t escape Jordan''s sharp tongue. "Great, another warehouse," Jordan mutters, their tone laced with a mix of awe and weariness as we pass through the disguised entrance. "At this rate, I''m going to develop a phobia of large storage spaces." Spinelli, despite his battered appearance, looks around with comfortable familiarity, his earlier bravado tempered by the visible aches that mark his every movement. His clothes, torn and dirtied from the night''s escapades, seem out of place against the pristine backdrop of the HQ. Liberty Belle, Councilman Davis, and Clara are already waiting for us in the computer slash meeting room. There''s a moment of palpable tension as we enter; the air thick with unspoken questions and the weight of our unconventional arrival. Liberty Belle''s presence is commanding, her eyes scanning each of us with an intensity that speaks of concern and authority. "Thank you for coming," Liberty Belle begins, her voice a comforting anchor in the sea of uncertainty. "I understand you''ve had quite the night." Jamal leans forward in his seat, his demeanor that of a mediator, a bridge between the world of adult responsibilities and our youthful audacity. "We''re here to listen," he says, gesturing towards the chairs. "You''ve taken risks to bring us information, or so I''ve been told. That deserves our attention." Clara, standing by a large monitor, offers a small smile that seems to warm the room. "Let''s hear what you''ve got," she says. Jordan steps up, their exhaustion momentarily forgotten, replaced by the urgency of our mission. They begin to lay out the details of our operation, the evidence we gathered, and the implications of our findings. The images of Mr. Polygraph and Mrs. Heartbeat, the transaction documents, the video footage ¡ª all displayed on the screen for our audience to dissect. As Jordan plays the video, the room falls into a hushed silence. The footage shows Mr. Polygraph, a figure of commanding presence even on screen, addressing the assembled gangsters with a tone that oscillates between enticing and threatening. The dialogue is clear, his words resonating in the small room. Mr. Polygraph runs a hand over his face, smoothing out the wrinkles of his grimace across the iPhone screen. "We''ve been tailing Chernobyl," he announces to the room, matter-of-factly. "Our surveillance isn''t always¡­ fruitful," he adds, the corner of his mouth twitching in barely-disguised anger. "But we''ve got a haul today, and you''re going to help us move it." I shift uncomfortably in my chair, feeling the weight of everyone''s gaze. Clearing my throat, I start, "Councilman Davis, your assumption about the Kingdom hitting the industrial facilities was right on the mark. But, uh, it''s not exactly like they''re working directly with Chernobyl. They''re¡­ more like scavengers following a predator. Picking up what he leaves behind." Councilman Davis furrows his brow, the lines on his forehead deepening as he absorbs the information. "Are we sure this isn''t just bravado for the crowd?" he asks, his voice laced with a skepticism that hints at a desire for a different narrative. "It''s more than just posturing," I reply, trying to keep my voice steady. "They''re just grabbing junk and using it as an initiation rite, ritual, thing. Keep listening." "The goal," he says through muffled iPhone speakers, "is to bring back twenty thousand in cash in a month and a half''s time. That''s the middle of December, when nothing important is happening. Each. Do that, and you''re in. You''ll have proven you''re more than just another face in the crowd. You''re a broker, a financier, a, uh¡­ A philanthropist of the underground, if you will." Clara nods quietly, eyes narrow, hawkish. Liberty Belle''s gaze, sharp and calculating, never leaves the screen. "If they''re not in direct contact with Chernobyl, that means there''s a missing link. A dangerous unknown. Their ''surveillance''? I''m extremely curious as to how exactly they''re tracking him down." Jamal leans back in his chair, his fingers drumming on the table. "Or, maybe," he starts, the words slow and measured, "they''re trying to get into contact with him. Which, as we''ve established, would be just as bad." This novel''s true home is a different platform. Support the author by finding it there. "I''m more concerned about this mention of a ''Mrs. B'' in the Capitol. I figured their operations were far-reaching, but running out of DC takes guts, stupidity, or a lot of bribes. They''ve got some balls on them at least, that''s for sure," Clara quips. "You mentioned you had documents, too, Jordan?" Jordan shuffles around, reaching into their backpack, returning with hands full of papers. Photocopies of all the evidence they''ve meticulously gathered for a month, now a gateway to unraveling the Kingdom''s operations. They clear their throat, a prelude to the revelations they''re about to unfold. The room, already heavy with anticipation, leans in almost imperceptibly. "Alright, so here''s what we''ve got," Jordan begins, their voice a steady beacon in the storm of possibilities and theories swirling around the room. "I managed to trace back some of the shell companies linked to the transactions. Orion Holdings, Cerulean Dynamics, Lockhart & Greene¡­ they''re all fronts. They''ve all got dinky little nothing websites you could slap together in a day or two. I did a little, uh, social engineering. It''s amazing what people low down on the ladder will tell you if they think you''re the computer guy." The papers fan out across the table like a hand of playing cards, each one a piece of a larger puzzle. "Everything is just layers of fake people who have no real names or forum presences. No personal websites, no portfolios, no resume sites, nothing. They''ve all got names that are in the top 200 most common names, first and last, that make them a nightmare to look up. The couple of real people that exist are all unreachable for one reason or another. There''s simply no way to verify that any of these companies exist outside of their investments in local businesses." Clara, her eyes scanning the documents, interjects, "This is good work, but it''s going to be a nightmare legally. The layers of obfuscation they''ve used are textbook money laundering, but proving it in court, getting a warrant based on this¡­ it''s going to be tough." Jordan nods, acknowledging the uphill battle. "I know, but it''s a start. If we can start pulling at these threads, we might find something more concrete, something actionable. I mean, I''m just one really pissed off nerd with a computer and time to burn. You guys have, like, actual resources. I just knew where to start looking." Liberty Belle leans forward, her eyes reflecting a mixture of admiration and concern. "You''ve done more than just uncover evidence; you''ve mapped out a portion of their network. This is invaluable, Jordan. It''s extremely impressive detective work." She glances at me. I try not to wither under her glance. "The superheroing world could use more--" Liberty Belle starts, but Jordan cuts her off with a wave of her hand. I wince instinctively. "Save it, Belle. I appreciate the offer, but this isn''t about the greater good. It''s because they fucked with me, and demolished my best friend''s house. Nothing else," Jordan interrupts. I can''t say why, exactly, but I don''t quite believe them. Jamal, who had been quiet, thoughtful, finally speaks up. "It''s alright. We can use this. It''s a lead, and right now, we need all the leads we can get. I''ll talk to some contacts, see if we can''t shake something loose from these companies without tipping our hand. We''ll get started on some parallel construction, have everything worked out, and see how far up the ladder we can climb." Clara, still poring over the documents, adds, "We can set up surveillance, track their movements. It''s a long game, but it might just lead us to someone higher up the chain. This meeting is all about establishing associates, soldiers, maybe. This Mr. Polygraph has to be one of their caporegimes, or something of the sort." "Parallel construction?" Spinelli asks. I look up, curious myself about the term. It sounds like something out of a heist movie, or maybe one of those legal dramas Mom likes to watch after dinner. "It''s a legal strategy," Clara explains, her eyes not leaving the papers. "Basically, we use the information Jordan gathered as a starting point. We can''t use it directly in court because of how it was obtained, but we can use it to guide our official investigations. Find legal ways to come across the same evidence." I nod, trying to keep up. It sounds kinda underhanded, but then, aren''t the bad guys the ones playing dirty in the first place? Jamal leans back in his chair, fingers tented in front of his mouth. "Yes, and while we''re doing that, we keep an eye out for anything that might slip through their cracks. One wrong move, a hasty transaction, anything that could lead us directly to them." Liberty Belle''s gaze shifts to me, and there''s a spark in her eyes that''s both challenging and encouraging. "You kids have done a lot of good here, today, but I want you all to take a break. Non-negotiable. You shouldn''t have had to spend your Halloween dealing with organized criminals. That includes you two too, Bloodhound, Gale." I laugh nervously, my mind immediately playing back the sight of the man''s head ballooning open in the back, blooming like a flower. "Yes, ma''am." Clara starts gathering the papers, her movements precise. "Okay, then. Let''s get to work. Jordan, can you provide digital copies of all this? We need to start building our case, see what threads we can pull at from our end." "Yes, ma''am," Jordan says, eying Clara with a look that I haven''t seen out of them before. "In the meanwhile, I''m not convinced that they''re so separated from Chernobyl," Jamal quips, hands folded in his lap. "Call it a professional hunch, but the sheer scale of their robbery is just¡­ I don''t know, I feel like there''s no way they could muster the forces to just completely strip these places to the metaphorical bones so quickly after Chernobyl''s hits. Before any of the robberies are reported to the news, and before any of them are confirmed to be Chernobyl. It just doesn''t smell right to me." He inhales air through his nose. His nostrils flare for a moment. "It took us quite a while just to confirm the isotope signature of the first hit. I think there''s something here we don''t know. Some X factor we can''t account for. Maybe an intermediary between Chernobyl and the Kingdom, or some other connection." My scalp tingles with a slight sense of discomfort, but Belle and Clara just nod like this makes perfect sense to them. "I''ll get to investigating," Liberty Belle says, scooting her chair back and stepping up out of it. She runs her hand over her scalp like she expected to touch her huge hair - I see her face distort for just a moment at the fact that it isn''t there anymore. "It''s not exactly legal to pay you kids for your hard work," Clara starts, sighing to herself while Jordan sorts all their photocopied papers into nice, neat piles for her. "But, I can make sure that any resources you need are provided. Equipment, expedited requests ¨C whatever it takes to keep you safe and effective." Clara looks at each of us in turn, her gaze serious but not unkind. "Within budget, of course. And nothing lethal. Or ''less-lethal''." Jamila cracks a smile. "Can you hire some cleaning people for their safe house? It''s a mess in there." "Hey!" Jordan barks, sneering at Jamila. Well, that was pleasant while it lasted. Liberty Belle stands up, her gaze sweeping across the room, silencing the fight before it starts in earnest. "We''ll also need to keep a close eye on Chernobyl. Jamal''s right, there''s something off about the timing of these robberies. They''re too clean, too efficient. We need more information." Clara closes the folder with a snap. "Alright, everyone. Let''s reconvene tomorrow morning, bright and early. We have a lot of work ahead of us." "Everyone?" Spinelli asks, nervously, glancing at the scrapes and cuts visible through the gashes in his clothes. "Everyone meaning the two other adults in the room. Sorry if that was unclear," Clara replies, giving Spinelli a quiet smile. "Although, Connor, I would like to talk to you privately in a bit." As everyone starts to disperse, I hang back for a moment, watching Clara and Belle in a brief, hushed conversation. They''re speaking in low tones, but I catch snippets about Chernobyl and something about ''increased surveillance''. It''s clear that they''re worried, maybe even more than they''re letting on. Jamal, meanwhile, is already on his phone, likely pulling strings and setting things in motion. He''s always been a man of action, and it''s comforting to know he''s on our side. We finally head out, feeling the weight of the day pressing down on us. It''s been a long Halloween, a long October, and I''m just about ready to return to Lily''s place and pass out on the futon. The taxis arrive one at a time, ferrying off Jordan first, presumably back to our headquarters, and then Jamila, who departs with a kiss on my lips, leaving me blushing and burning. Part of me is mad at just how easily I''ve been totally bewitched by her. That part is quickly strangled by the part that gets to extract joy out of a kiss on the lips. I still can''t believe this is happening, by the way. Then, after what seems like forever, the yellow taxi comes for me. As I step into the back seat, exhausted and weary, I can''t help but think of the white eyes of a dead man, and the way his head bloomed open. A flower opening up in the autumn. WORLD OF CHUM: Autodestructive Activation Events

Brooklyn in Mourning: Catastrophic Superhuman Activation Event Claims Lives

Brooklyn, NY ¨C A community in Brooklyn is left reeling after a devastating incident that has once again brought the dangers of superhuman powers into the national spotlight. An Autodestructive Activation Event (AAE), a rare and often deadly occurrence, claimed multiple lives and caused extensive property damage in what officials are calling one of the most tragic incidents in recent history. The Tragic Event in Brooklyn Late Tuesday evening, residents of the Park Slope neighborhood were jolted by an explosion of unprecedented magnitude. The source, as confirmed by the National Superhuman Response Agency (NSRA), was a local resident whose superhuman abilities activated spontaneously and destructively. The incident occurred around 9:45 PM near the intersection of 5th Avenue and 9th Street, a bustling area filled with small businesses and residential buildings. The superhuman, whose identity has not been released pending notification of kin, reportedly manifested energy generation abilities - known academically as ''dynakinesis'' - that spiraled out of control, leading to an explosive release of power. Eyewitnesses describe a scene of chaos and confusion. "It was like a sudden burst of light, followed by this massive shockwave," recounts Maria Gonzalez, who was at a nearby caf¨¦. "Windows shattered, and we were all thrown to the ground. It was terrifying." First responders rushed to the scene amidst the pandemonium, facing a landscape of destruction. "Our units responded immediately, but the scene was catastrophic," stated Fire Chief Kevin Richardson. "We focused on extinguishing fires and rescuing those trapped in the debris. It''s a miracle more people weren''t hurt." Preliminary reports indicate at least seven fatalities, including the superhuman, and numerous injuries. Several buildings suffered structural damage, leaving many residents homeless. The incident has sparked a renewed debate about the safety and monitoring of superhuman abilities, as communities grapple with the unpredictable nature of these powers. As the city mourns, questions linger about how such tragedies can be prevented in the future. Understanding Autodestructive Activation Events An Autodestructive Activation Event (AAE) stands as a grim reminder of the volatile nature of superhuman powers. Unlike typical Activation Events that endow individuals with superhuman abilities in moments of extreme peril, AAEs occur when the manifestation of these powers results in immediate and uncontrollable destruction. This could mean powers that, while intended to protect from an imminent threat, escalate beyond the individual''s control or understanding, often with fatal outcomes. Historically, AAEs have been both rare and devastating. One such incident occurred in Rio de Janeiro in 2013 when a young woman''s newly emerged sonic abilities shattered her apartment building, resulting in widespread damage. Another, in 2015, involved a man in Johannesburg whose touch turned everything to an unstable form of crystal, including parts of his own body, leading to his and several bystanders'' deaths. In Nevada, in 2011, two AAEs occurring together in a one-in-a-million chance led to the death of tech mogul Elon Musk and dozens of workers. Dr. Elijah Bennett, a leading superhuman researcher, explains, "AAEs usually result from a catastrophic mismatch between the power and the situation. A typical Activation Event provides you with some means to survive the immediate danger, but there''s no guarantee that it''ll let you survive the next fifteen minutes after that. Sometimes what saves you in one moment can become your undoing the next." The psychological impact on communities is profound, often leaving a trail of trauma and fear. "It''s not just the physical damage," says Dr. Bennett, "it''s the psychological ripple effect on a neighborhood, on a city, that truly defines the aftermath of an AAE." Law enforcement agencies have their work cut out for them with AAEs. "Our job is to keep people safe," comments NYPD Commissioner James O''Neill. "But when you''re dealing with forces that can level buildings, our traditional methods aren''t always enough. We train for these scenarios, but each AAE is unique and unpredictable." This story has been unlawfully obtained without the author''s consent. Report any appearances on Amazon. The legal implications of AAEs are equally complex. "Determining liability in the wake of an AAE is a legal minefield," states attorney Sarah Jacobs. "The superhuman in question is often a victim themselves, having no intention to cause harm. The law has to balance compassion for the individual with justice for those affected." The rarity of AAEs does little to comfort a community in mourning. With approximately one major incident occurring globally every nine to ten months, the question of how to prevent such events remains a top concern for experts and authorities alike. Public Safety and Prevention Efforts In the wake of the recent tragedy in Brooklyn, government responses at both local and national levels are under scrutiny. Efforts to prevent AAEs include a range of strategies from public awareness campaigns to advanced detection systems. The National Superhuman Response Agency (NSRA) has been at the forefront of these initiatives, rolling out early detection programs designed to identify individuals at risk of AAEs. Although no consistent factor has been found to determine which individuals will undergo an Activation Event, areas with high rates of violent crime and large amounts of blue-collar workers are known to be hotspots of superhuman activation. Local governments, particularly in areas with higher superhuman populations, have launched community safety programs. These initiatives aim to support fresh superhumans, offering counseling and training to help them understand and control their abilities. "We focus on education and early intervention," says Dr. Nina Patel, who leads a community outreach program in Brooklyn. "Our goal is to reach individuals before they find themselves in crisis situations." Technologically, efforts are being made to develop early detection systems. These systems are designed to identify the initial signs of a superhuman activation and alert authorities, allowing for swift intervention. Though still in developmental stages, these technologies show promise in mitigating the risks of AAEs. Ethical and Social Implications The occurrence of AAEs has a profound impact on public sentiment toward superhumans. While many express sympathy for those who unintentionally cause harm, fear and calls for stricter regulation are also prevalent. This has led to heated debates about discrimination against superhumans and the balance between public safety and individual rights. The ethical dilemmas surrounding the treatment of superhumans are complex. The Aurora Springs Residential Facility in Colorado, a secure location for containing individuals deemed national security threats due to their powers, has become a focal point of this debate. While some praise its humane approach, others view it as an unjust form of imprisonment for individuals who have not committed crimes. The facility''s existence and the attempts by other countries to create similar institutions have sparked significant controversy and protests. Members of the superhuman community express a range of emotions, from fear of being ostracized to frustration over the stigma attached to them. "Living with the constant fear that your powers could harm others, even unintentionally, is a heavy burden," shares Alex Rivera, a superhuman rights advocate. "It''s important to remember that superhumans are individuals, not just potential threats." As governments, communities, and individuals grapple with these challenges, the Brooklyn incident serves as a stark reminder of the need for compassion, understanding, and proactive measures. The question of how to ethically manage individuals with potentially dangerous powers, who are often unaware or unable to control their abilities, remains a contentious issue. Moving Forward As the dust settles on the tragic event in Brooklyn, the community begins the slow process of healing and reconstruction. The aftermath of the explosion has left a palpable mark on the neighborhood, with ongoing investigations seeking to unravel the exact circumstances leading up to the AAE. Memorials for the victims have sprung up around the site, serving as somber reminders of the incident''s human cost. The tragedy has reignited discussions on the need for more effective management of superhuman abilities. Calls for enhanced research into AAEs, better support systems for potential superhumans, and open dialogues about public safety are growing louder. This incident has made it clear that the complexities surrounding superhuman abilities require not just governmental action but also community engagement and understanding. In a statement that captures the community¡¯s resilience and the need for empathy, a local community leader, Reverend Linda Joseph, eloquently expresses the sentiment of many: "In our quest for safety, let us not forget compassion. These individuals are not monsters or weapons; they are our neighbors, our friends, and our family. As we seek to protect ourselves, we must also find ways to support them. Only through unity and understanding can we hope to prevent such tragedies in the future." As Brooklyn mourns, the incident serves as a stark reminder of the challenges posed by the new paradigm of our superhuman civilization. March 26th, 2018 Chapter 42.1 I bounce a ball against the alley wall next to Lily''s house, feeling the chill of late November nip at my fingers, the sun just barely beginning to rise. It''s Thanksgiving, there''s no school today or tomorrow, and I''m just¡­ here. Alone with my thoughts and the steady thump, thump of the ball. Bounce, it squeaks, and then comes to a halt in my hands. Occasionally, I miss it, and it either bounces back from the wall behind me or just rolls uselessly on the ground. Can''t sleep. Something becoming increasingly common. Life''s been a weird mix of the mundane and the extraordinary. School''s the same as ever, I guess, but not really. I walk down the halls and feel eyes on me, whispers fluttering around like moths to a flame. "That''s her, the girl who got attacked by a supervillain," they murmur, assuming it was random pique and not a targeted hit on me, specifically. I''ve gotten extremely used to talking with my lips folded over my teeth, to the point where it feels more natural to do that¡­ but the other day, Jordan got me some, like, tooth cap things to snap over them, sort of like the fake clip-on teeth you use as vampire fangs at Halloween. And that''s solved that for the long term, I think. But I still do the lip thing. Just force of habit. Jordan and I hang out after school in the music hall, always taking two different routes, always changing it up, keeping an eye out for stalkers. A cozy mess of scavenged equipment and takeout boxes. They''re so deep into this investigation, eyes all lit up when they talk about leads and theories. I try to keep up, but sometimes it feels like they''re speaking another language, one that''s all shadows and secrets, totally out of my league. I like to hope I''m absorbing things through osmosis, but I''m sure that''s just wishful thinking. And then there''s Jamila. She''s¡­ amazing. We''ve been spending time together, mostly in her room, talking about everything and nothing. Ignoring her parents, except during meals. Sometimes we just sit in comfortable silence, her hand in mine, and I think this might be what happiness feels like. Sometimes we listen to her music, and I think I can get behind the middle ground between what she calls ''dad rock'' and her, uh, aggressive music style. Sometimes¡­ Never mind. Not thinking about that. Bounce. But back in school, it''s like I''m walking through a different world. I''m the girl who survived a T-Rex attack, which sounds way cooler than it felt. Some kids give me this wide berth, like I''m a ticking time bomb, while others look at me with something like awe, or maybe something like pity. I don''t know which is weirder. And then there''s this group of kids who''ve sort of appointed themselves my unofficial fan club. They don''t exactly follow me around, and their names are all blurs in the muck, but I recognize their faces. People seem to be under the impression that I''m the school''s resident bully-hunter. I guess I''m not doing anything to dissuade that notion, because I''m by far and away the most muscular girl in the school, enough that you can tell without me even really needing to flex. And I''ve gotten used to baring my teeth, so even with the fake caps on, when I scowl at someone, they feel it. People come to me asking for help, to act as their muscle, whether that''s lifting shit or just backing them up when they need to confront lunch money thieves. It''s not interesting enough to linger on, but it''s there. Sam Small. The meanest freshman around. Wearing lots of Jamila''s slightly oversized, extremely black clothes hasn''t deterred my growing reputation any, either. Even with all this going on, I can''t escape the mundane. Homework, exams, trying to keep my grades up - it''s like a balancing act. Between being Bloodhound, a student, and just¡­ Sam. I escape with high Cs and low Bs. I was never exactly an A Plus student but the tiny version of my mom implanted in my head chastises me whenever I get anything worse than my usual B Plus, which is every test nowadays. Compared to the life I live outside of school hours, it all seems just kind of pointless. The ball slips from my grasp, bouncing away down the alley. I chase after it, my thoughts trailing behind me. It''s been a hell of a few weeks, and I know there''s more to come. But right now, it''s Thanksgiving, and I''ve got a brief respite from the chaos. A chance to just be Sam for a day, even if it''s just in this quiet alley with a bouncing ball and my scattered thoughts. I try not to think about the man blooming into a flower. Every day it''s getting harder to think about, like the mental wound is festering. Not healing. Not regenerating. Oozing. I grab the ball. I''m sometimes Bloodhound, sometimes the vigilante Big Bad Wolf, but lately, it''s been more about laying low than howling at the moon. The Kingdom knows who I am, where I live. They''ve made it personal, which means going out there, either in mask or hoodie, is like walking with a target on my back. I bounce the ball against the wall and feel rubber smack against my palm in return. Liberty Belle''s training has been a relentless storm. She''s pushing me, harder than ever, and I get why. She''s running out of time and trying to cram a lifetime of lessons into what little she has left. Every session is intense, a whirlwind of combat training, detective work, and spycraft. She''s like a machine, a force of nature, driven by a frenetic energy that''s both awe-inspiring and a little terrifying. It''s like she''s trying to pour everything she knows into me, and I''m struggling to keep up, to absorb it all. Fighting techniques, how to read a room, the art of tailing someone without getting noticed, it''s all there. And I''m learning, growing, but it''s overwhelming. Every bruise, every late-night training session, it''s her way of leaving a part of herself with me. And I can''t help but feel the weight of it, the responsibility of being her legacy. But then there''s the investigation into the Kingdom. It''s like this big, tangled web, and I''m caught in the middle, wriggling like a cocooned fly, about to be eaten. The adults - the ''real'' heroes - they''re all over it, and they keep telling me to stay out of it. "You''ve done enough, let us handle it," they say. But it gnaws at me, this feeling of being sidelined, of being told I''m too young, too inexperienced. I almost have to laugh, thinking about my reluctance all those months ago. Even if I didn''t have a duty to help people because that''s what superheroes do, I think once I got my powers, it was over. I was cursed. There was no way I could live a normal life. I think I would''ve ended up stumbling into this world even if I didn''t want to. But I do want to. I understand the risks, I do. The Kingdom isn''t some street gang; they''re a full-blown criminal empire with eyes and ears everywhere. And they''re dangerous, the kind of dangerous that gets you shot, not the kind that gets you bullied. But it''s hard - sitting back, trying to be a normal teenager when I know there''s a war going on in the city''s dark places, the alleyways I walk by at night. I keep playing wall-ball, the rhythmic thumping calming me down when my heartrate starts spiking on its own. I remember the night they came to my house, the fear in my parents'' eyes. Seeing my dad with a gun for the first time. Telling them to leave. It''s not just about me anymore. It''s about protecting them, my friends, the city. Now, I''m being caged like a feral dog when all I want to do is chase intruders. This story originates from Royal Road. Ensure the author gets the support they deserve by reading it there. I think Liberty Belle sees it. I don''t know if she''s focusing specifically on me or if she''s running everyone ragged, but the bone conditioning and Liberty Belle''s extra training has left me ragged. Even if I can''t go out and chase the leads for her, I get the feeling that she''s sharpening me, like a knife. Like a sword. I glance up at the sky, the late afternoon sun casting long shadows between the buildings. I feel like I''m standing at the edge of something huge, a precipice with no clear view of the bottom. A deeper pit than anything I''ve ever known. I bounce the ball against the ground. I pocket it, and head inside to get ready for Thanksgiving.
Lily''s house on Almond Street isn''t what you''d call spacious, but it''s got something special about it, like a secret tucked in the corners of its worn walls and creaky floors. It''s a snug two-floor rowhome, the kind that''s seen better days, but filled with enough love and laughter to make you forget about the peeling paint and the occasional draft. I''ve been crashing on their fold-out futon in the living room, which is pretty much my space now, even though there''s nothing of mine that''s really permanent here. A mattress topper does wonders for my back, trust me. Thanksgiving morning has a kind of buzz to it, the air tingling with anticipation and the mouth-watering scents of cooking that I''ve come to associate with¡­ home - or at least, what passes for it these days. Mei and Jiang, Lily''s parents, are usually swamped at their restaurant, but today they''re here, making sure I get the full Thanksgiving experience. It''s pretty cool of them, considering they''re not from around here and Jiang doesn''t even speak English. I''ve picked up a few phrases here and there, mostly stuff like ''ni hao'' and ''xie xie'', and his approving nods when I get it right are like mini gold stars. Thanksgiving at Lily''s is different from what I''m used to. I''m expected to help with some of the food, or at the very least the cleaning, but here, the two parents are just working around Lily and I. Lily is sleeping - Liberty Belle''s been running her ragged, too - and I''m too buzzed up on my own thoughts to sleep. Jiang bustles around the living room, his rapid Mandarin filling the small space with an energetic buzz. I''ve picked up bits and pieces of the language since staying here, but mostly I just get the gist of what he''s saying--things like "Hungry?" or "Sit, sit!" He''s got this way of making even the simplest phrases sound like an invitation to a grand feast. Mei, meanwhile, is a whirlwind in the kitchenette, which is really more like a glorified closet. She''s juggling pots and pans, her movements fluid and confident. Every now and then, she glances over at me and smiles, as if to reassure me that everything''s under control. "Mei, you want some help?" I ask, half-rising from the futon. I''m not much of a cook, but I feel like I should at least offer. Mei just waves me off, her smile widening. "No, no, you relax. It''s far too crowded here." She gestures to the tiny kitchen, and I can''t argue with that. There''s barely enough room for her and Jiang, let alone anyone else. So, I settle back on the edge of the futon, which has kind of become my default spot in the house. It''s not officially my space, but it feels like it. There''s some stuff, some tzotchkes that my parents mailed to us from the shore, sitting on the tables surrounding me. And there''s my laptop, which is still alive, somehow. Lily and I spend most of the day napping and watching anime together. It''s not anything particularly interesting, but the time passes anyway. As dinner time rolls around, the small fold-out table in the living room starts to overflow with dishes--a mix of traditional Chinese food and a few nods to classic Thanksgiving dishes, presumably for my comfort. Jiang and Mei are determined to give me the full holiday experience, even if it''s a little different from what I''m used to. Jiang, with his limited English, tries to make conversation. He''s been picking up bits and pieces from me, I guess because I''m the only one in the house that regularly speaks in it. "Hello! Good?" He grins, pointing at the dishes with a proud look. "Yeah, looks amazing," I reply, nodding enthusiastically. Even if I can''t talk to him properly, I hope he gets that I appreciate all this. Mei chimes in, her English fluent but tinged with a slight accent. "He - we hope you like it." I smile, touched by their effort. "It''s perfect, really. Thank you." The dinner table is a cozy affair, laden with an eclectic mix of dishes that somehow blend together harmoniously. Mei and Jiang sit at either end, like benevolent rulers of this feast, while Lily and I are flanked on either side. There''s a steaming plate of zongzi, their sticky rice snugly wrapped in bamboo leaves, sitting next to a dish of roast turkey that''s been cut into neat slices, the skin golden and crisp. A bowl of stir-fried bok choy brushes shoulders with mashed potatoes, and a small dish of cranberry sauce adds a pop of color. Lily, fully awake after a day of napping, looking a bit more alive, chatters away in Mandarin with her parents. I catch a word here and there but mostly just smile and nod. I''ve learned that nodding and smiling gets me through most conversations I don''t fully understand. Mei occasionally translates for me, her voice warm and inclusive. "Lily says she''s grateful for your help with her training," Mei translates after a particularly animated exchange. I look at Lily, who''s grinning at me. "Yeah, thanks for not letting me slack off," Lily says in English, her tone teasing. I shrug, a smirk tugging at the corner of my mouth. "It''s what teammates do," I say, my gaze flicking to the steaming food. Jiang, with a flourish, places the final dish on the table and claps his hands together, beaming at us all. "Eat, eat!" he insists, his enthusiasm infectious. We settle around the small table, the four of us squeezed in cozily. The conversation is a mishmash of Mandarin and English, with Mei and Lily occasionally acting as translators. I can''t help but feel a bit like an outsider in their family dynamic, yet there''s this warmth that makes it feel almost like I belong. As we start to eat, the laptop on the futon begins to sing and buzz, signaling the incoming call from my family. My heart leaps a bit, a cocktail of excitement and nerves swirling inside me. Mei, noticing the call, insists, "Answer, answer! Let''s meet your family!" I hit the accept button, and there they are - my mom, dad, and Pop-Pop, sitting in Pop-Pop''s living room in Ventnor, NJ. The familiar backdrop of Pop-Pop''s house, with its dated wallpaper and the well-worn recliner, is almost comforting. They''re all smiling, but there''s a hint of worry in their eyes that they can''t quite hide. "Hi, everyone!" I greet them, trying to keep my voice steady. "Sammy!" my mom exclaims, her face lighting up. "Oh, it''s so good to see you. How are you?" I grin, "I''m good, Mom. Really, I am." My dad chimes in, his eyes scanning the screen, "Is that where you''ve been staying? It looks cozy." Lily leans into view, waving. "Hi, Mr. and Mrs. Small, Pop-Pop! I''m Lily, Sam''s been staying with us." My mom beams at her, "Hello, Lily! It''s so nice to finally meet you. We''ve heard so much about you." "Thank you for taking care of our Sam," Dad adds. Lily nods, her smile genuine. "Of course, it''s no trouble at all. She''s been great company." Mei, seizing the moment, leans towards the laptop screen with a warm smile. "Hello, Mr. and Mrs. Small, and Pop-Pop. I''m Mei, Lily''s mother, we''ve spoken over the phone. And this is my husband, Jiang." She gestures towards Jiang, who gives a friendly nod and a slightly shy wave. My mom''s expression is a mix of gratitude and curiosity. "It''s wonderful to meet you both. Sam has mentioned how kind you''ve been to her." Jiang just smiles and waves at them. Dad chuckles softly, "Nice to meet you too, Jiang. It looks like you''ve prepared quite a feast there." "Yes, we wanted Sam to experience a traditional Chinese Thanksgiving with us," Mei replies, chuckling under her breath and glancing away from the screen. I''m¡­ I''m not sure if Thanksgiving is a Chinese thing. I don''t think it is, but I don''t know enough about Chinese things to know, and I don''t want to embarass myself by asking, so I just chuckle along like I understood the joke. "And we''re very grateful for that," Mom says. "It must be quite different from our usual Thanksgiving, right, Sam?" I nod, "Yeah, it''s different, but really amazing." Pop-Pop leans into the camera, squinting slightly. "That''s a mighty feast you''ve got there. Looks like our usual Christmas dinner to me!" Jiang nods along vigorously. I get the distinct feeling that he''s aware of the long-held synchronicity between the Jewish immigrants and the Chinese immigrants. I bet business for his place goes ballistic on Christmas. My dad, attempting to bridge the cultural gap, points to their table, laden with turkey, mashed potatoes, and, of course, knishes. "We''ve got the traditional spread here. And knishes, per Morris''s demands." "That''s Dad to you, boychik," Pop-Pop teases, ruffling my dad''s hair. He seems extremely embarassed. Chapter 42.2 My mom then leans in, her expression a mixture of interest and care. "So, how''s life in Philadelphia been for you, Sam?" I can sense the unspoken words behind her question, the careful dance around anything too dangerous or superhero-related. "It''s been good, busy with school and stuff. You know, normal teenage things," I say, keeping my tone light. Lily chimes in, "And she''s been a great help at home. Couldn''t have asked for a better guest." Mei smiles warmly at me. "We are very happy to have Sam. She brings a lot of energy into our home." My dad''s eyes meet mine across the digital divide, filled with an unspoken conversation. "Just make sure to keep up with your studies, Sam," he says, his tone light but firm. "I am, Dad. Don''t worry," I assure him, feeling the weight of their unvoiced concerns. "And how''s the restaurant business?" my mom asks, turning the conversation towards Mei and Jiang. Mei''s face brightens. "Busy! But good busy. We like to make a place where everyone feels like family." "That''s wonderful," my mom replies, genuinely impressed. "It''s so important to have that sense of community, especially now." The conversation continues along these lines, a delicate dance of mundane topics and shared experiences. They talk about the weather, the upcoming holidays, and even touch on the local sports teams. It''s a careful sidestep around the more dangerous aspects of my life, a mutual, unspoken agreement to keep the mood light and free of worry. As we talk, I can''t help but notice the way my parents'' eyes linger on me, their concern barely veiled. They''re trying so hard to be strong, to show that they''re okay with me being here, in the thick of things. But I know them. I know they''re worried sick. I force a brighter smile, "Hey, the food''s getting cold. Let''s eat and talk, okay?" As we dig back into our meals, the conversation drifts to lighter, more mundane topics. The initial tension eases, replaced by the familiar rhythm of family chatter. "So, Sam, how''s school going? Any interesting projects?" my mom asks, her eyes twinkling with genuine interest. I spear a piece of turkey with my fork, buying a moment to think. "It''s going okay. I have this big history project coming up. We''re doing presentations on different cultural revolutions. I picked the Velvet Revolution." "That sounds fascinating," my dad says, nodding approvingly. "Always good to learn about how people can make change without violence." Lily leans in, interested. "Isn''t that, uh, the band with¡­ who''s his face, Lou Reed?" "That''s the Velvet Underground, darling," Pop-Pop Moe says thoughtfully through the laptop screen. "Different kind of velvet." Jiang, catching bits of our conversation, nods and says something in Mandarin to Mei, who translates, "Jiang says history is important. We learn where we come from, and where we can go." Conversation shifts to the weather, with my mom describing the chilly winds picking up back home. "We''re starting to feel the winter bite here. How about over there in Philly?" "It''s been pretty mild so far, but you know how it gets. I''m expecting to be buried in scarves and coats soon," I reply, with a mock shiver. Lily chuckles. "Sam''s already started her collection of winter gear. She''s got this one scarf that''s like, ten feet long." My mom raises her eyebrows. "Better to be overprepared than under, especially in the Northeast. Remember the blizzard two years ago?" "How could we forget?" my dad laughs. "We were snowed in for days. Sam built the ugliest snowman I''ve ever seen." "Dad!" I fume, trying to cover my face. "It''s not an insult! It was very creatively expressive. Lou Reed would''ve been proud." The screen fills with laughter, and even Mei and Jiang chuckle along, sharing a glance between them. The talk then turns to the upcoming holidays. "We''re just starting to plan for Hanukkah," my mom says. "We miss having you here for it, Sam." "Yeah, it won''t be the same without you, kiddo. But we''ll make sure to send you lots of pictures. And maybe a few of your mom''s latkes," my dad adds with a wink. Mei seems intrigued. "Latkes? What are those?" "They''re like potato pancakes. Really good with apple sauce or sour cream," I explain. Mei nods, her expression thoughtful. "Yet another culture reinvents the pancake¡­ I''ll have to steal your recipe." "I''ll email you the details," my dad says, sounding friendly but also completely serious. I''m sure he''s already drafting the email in his head. The meal progresses amidst laughter and shared stories, a comforting blend of the familiar and the new. It''s strange, sitting here with Lily''s family and mine, connected by a screen. There''s this bittersweet feeling, like I''m here but not quite. Part of me longs to be with my family, in the familiarity of Pop-Pop''s house, yet I know I''m where I need to be. As dinner winds down, my mom''s expression turns serious. "Sam, we just want you to know, we''re proud of you. You''re doing incredible things." "Yeah, kiddo," my dad adds, "Just¡­ stay safe, okay?" I nod, feeling a lump form in my throat. "I will, Dad. Promise." The call ends with waves and ''I love yous'', leaving a lingering sense of family and love in the air. Jiang and Mei start clearing the table, insisting that Lily and I just relax. As I lean back, the weight of the day settles over me. There''s this mix of gratitude for what I have here with Lily and her family, and a gnawing longing for my own. I glance at Lily, who''s been quietly observing me, and she offers a small, understanding smile. "Tough, huh?" she murmurs. "Yeah," I admit, "But good. Really good." As the night stretches on, the warm glow of the room dims into softer shades. Mei and Jiang, with efficient teamwork, clear the table, their movements synchronized in a quiet dance of familiarity. The clinking of dishes and the occasional murmur of their voices blend into the background, a soothing soundtrack to the evening''s end. I help a little, but they shoo me away, insisting that I''ve done enough just by being here. The room settles into a comfortable silence, punctuated only by the soft hum of the fridge and the distant sounds of the city outside. Lily, worn out from the day, curls up on the futon, which has kind of become my makeshift bed since I moved in. She''s asleep almost instantly, a testament to the exhaustion we''ve both been feeling lately. I tuck a blanket around her, my mind drifting. The laptop, now closed, sits on the coffee table, a silent reminder of the family I''m away from. The call with my parents and Pop-Pop lingers in my mind, a mix of warmth and aching nostalgia. I miss them more than I thought I would, but there''s this sense of purpose here that keeps me grounded. The room is lit only by a small lamp in the corner, casting long shadows across the walls. The gentle light paints everything in a soft, almost dreamlike quality. I find myself just sitting there, on the floor, knees drawn up to my chest, lost in thought. The city outside is a quiet symphony of distant cars and the occasional siren, a reminder of the ever-present pulse of Philadelphia. I wonder, about Liberty Belle, and about everything else that''s waiting out there in the shadows. The weight of it feels heavy on my shoulders, like a cloak I can''t quite shake off. A soreness. I glance at Lily, peaceful in her slumber, and feel a surge of protectiveness. She''s more than just a teammate; she''s become a friend. A savior, of sorts. Someone who I spend most of my time with, even if we don''t exactly have many interests in common besides the whole superheroing thing. The clock on the wall ticks steadily, marking the passage of time in a steady rhythm. It''s getting late, the kind of late where the night feels like it''s holding its breath, waiting for something to happen. I should sleep, I know that, but sleep feels like a distant concept, something for a different Sam, a Sam that never got herself involved. Eventually, I pull myself up, moving quietly so as not to wake Lily. I step over to the window, peering out into the night. The street is quiet, bathed in the orange glow of the streetlights. It feels like a different world out there, one where normal people sleep without worrying about supervillains or hidden dangers lurking around the corner. If you stumble upon this narrative on Amazon, be aware that it has been stolen from Royal Road. Please report it. I lean against the window frame, feeling the cool glass against my forehead. The city stretches out before me, a tapestry of light and shadow, of lives unfolding in a thousand different ways. I''m not that Sam. I''m not the Sam that never got herself involved. I open the front door, quietly, and slip out.
Under the shroud of night, I leave Lily''s house, the door closing behind me with a soft click. The air outside is crisp, biting at my skin, a stark contrast to the warm cocoon I just stepped out of. I pull my hoodie up, shrouding my face in shadows, blending into the night. I''m just another part of the city''s nightly routine now. Just another face in the crowd of late walkers. People who can''t sleep, like me. The streets of Northeast Philadelphia are quiet, save for the occasional car that whizzes past, its headlights cutting through the darkness. My heart beats a steady rhythm in my chest, a mix of fear and determination pulsing through my veins. I know what I''m doing is risky, but it''s something I have to do. It''s like there''s this voice in my head, not quite mine, urging me on, whispering that this is what heroes do. Heroes do ''tradecraft''. They tail and investigate. And I think Liberty Belle is, like me, liable to do something stupid. Like what I''m doing now, I guess. The route to Liberty Belle''s apartment in South Center City is one I''ve committed to memory. I''ve traced it during the day, under the guise of just another teenager exploring the city. But now, under the cover of night, the streets take on a different character, more menacing, more alive with unseen dangers, or at least that''s what my mom would say. I''ve grown familiar with being out late, when Jordan and I were more active, before Mr. T-Rex''s hit. My anxiety at each stranger is minimal, but not none. I keep my head down. My steps stay light and cautious across each sidewalk crack, hands playing with lint inside my pockets for lack of a better thing to do besides observing the architecture. The hoodie feels like a shield, a barrier between me and the world. I tell myself I''m just another night owl, another Philly native making her way through the city. But inside, my mind races, every scenario, every possible outcome playing out in vivid detail. The nightmare visions, I''ve come to calling them. The blooming flowers. The walk is long, about two hours if I keep a good pace. I stick to the route along the riverfront, where the path is less crowded, less likely to attract attention. The Delaware River, a dark ribbon winding its way through the city, is my silent companion, its waters reflecting the sparse city lights. I can''t afford distractions, not even music, which I usually love for company if I can''t sleep. Tonight, my senses need to be sharp, attuned to every sound, every movement around me. The night air is my soundtrack, a symphony of distant car engines, the occasional bark of a dog, the whispering of the wind through the trees. I can''t rest on my laurels and assume I''m not being tracked in kind, particularly given what the Kingdom is capable of. What I know they''re capable of. And, even worse, what I don''t know. As I walk, I think about Liberty Belle. About how she''s always bleeding, a constant, steady trickle in her stomach, a permanent, unfair trail that I can sense even from blocks away. It''s a strange comfort, knowing that I can find her - that in some way, she''s always within reach. It''s not really spycraft, tracking someone who''s always leaving a trail, even if it''s a trail only I can see. That doesn''t count. The city slowly transforms as I move from neighborhood to neighborhood, the buildings changing, the streets taking on a different character. South Center City is louder at this hour, its streets lined with rows of townhouses, their windows dark, and drunken Thanksgivingers stumbling across sidewalks. Northeast Philadelphia, the part where I''m from, is a little more suburban than this. Not, like, the suburbs, but more suburban than this. With the crowds comes safety. I blend in easily. Liberty Belle''s apartment building eventually comes into view, a nondescript structure nestled among others. It''s here that I slow my pace, my heart pounding in my chest. This is it, the place where I''ve been before, where I''ve watched from a distance, committing every detail to memory. I take a moment, leaning against a nearby wall, catching my breath. The night is still, the only sound my own breathing and the distant hum of the city. I feel a mix of exhilaration and fear, the thrill of the chase tinged with the reality of what I''m doing. I peer down the street, ensuring it''s clear, before moving closer to the apartment. There''s a light on in one of the windows, a soft glow that speaks of someone still awake. Is it her? Is she there, just beyond that pane of glass, unaware of the world outside? I stay in the shadows, just another part of the night. I''m close enough now to smell her ulcers in her stomach, to smell the coffee grounds she vents every so often. Her breath exhales out particles of the stuff, microscopic blood clouds that give her away to a tracker like me. I settle in for the wait, my eyes fixed on the building. This is the part they never show in movies, the long, tedious hours of just watching, waiting. My body starts to ache from the stillness, my legs cramping, my back sore. But I push the discomfort aside, focusing on the task at hand. I circle the block, an endless loop in the stillness of the night. Physically, I''m fine; my minor regeneration sees to that. My legs don''t tire as they should, the aches are mere whispers easily ignored. But mentally, it''s a whole different story. The quiet, the solitude, it''s suffocating, pressing down on me with the weight of my own thoughts. I keep moving, a restless, vigilant shadow. The city is different at night, more honest somehow. It''s just me and my thoughts, and they''re not the best company. My mind wanders to dark places--death, danger, the constant threat of the Kingdom. Images of my family, my friends, in harm''s way. It''s like a reel of nightmares playing on loop, each scenario worse than the last. These thoughts, as grim as they are, fuel me, keep me sharp. It''s a twisted kind of motivation, but it''s all I''ve got right now. I can''t afford to let my guard down, not even for a second. The Kingdom is out there, and they''re not known for their mercy or restraint. I can sense Liberty Belle from here, her vascular system a faint but distinct presence in my blood sense. She''s restless too, her movements sporadic, like she''s wrestling with her own demons. It''s a small comfort, knowing I''m not the only one plagued by insomnia. Then, around 4 AM, just when the night seems at its deepest, she moves. It''s subtle at first, a shift in her blood flow, a change in her heartbeat. She''s in her civvies, slipping out of the front door of the building like a wraith. My heart skips a beat. This is it, the moment I''ve been waiting for. I follow, keeping my distance, blending into the shadows. She moves southwest, her steps purposeful, determined. I match her pace, careful not to draw attention. It''s a strange dance we''re doing, her leading, me following, both of us silent actors in the night''s play. The streets are deserted, the world reduced to just the two of us. I wonder where she''s going, what she''s planning. Is she on a mission? Is this related to Chernobyl? Questions swirl in my mind, but I push them aside. Right now, my job is to follow, to observe. As we descend further into Southwest Philly, the neighborhood changes. The buildings get older, the streets narrower. Liberty Belle moves with a confidence that suggests she knows where she''s going, her familiarity with the area evident in her stride. I stay vigilant, my senses on high alert. Every shadow, every sound, I''m attuned to it all. It''s exhausting beyond exhausting, this heightened state of awareness, but I can''t afford to relax. Not yet. As I continue to trail Liberty Belle through the dimly lit streets of Philadelphia, the silence of the early morning wraps around us like a cloak. The city, usually bustling and alive, now feels like an abandoned stage, the buildings and empty streets serving as mere props in this nocturnal escapade. My footsteps are light against the pavement, a rhythmic tap that echoes softly in the stillness. I focus on Liberty Belle''s movements, her steady pace a silent guide through the labyrinth of the city. There''s something almost hypnotic about the way she moves, each step deliberate, exuding a sense of purpose that I can''t quite grasp. Finally, after what seems like an eternity, Liberty Belle slows down. We''re nearing the old PES refinery, a hulking silhouette against the night sky. I remember hearing about the explosion back in 2018. I was just nine years old then, the news reports a distant, muffled sound in the background of my childhood. A decaying skeleton from a not-so-distant past. I can see Belle now, her figure silhouetted against the faint glow of the city lights. She moves with a stealth that''s almost unnerving, vanishing and reappearing between shadows like a ghost. I stay back, using every trick she''s taught me to remain unseen, only able to keep pace with her with my cheating blood sense. My heart hammers in my chest, although I''m not sure what particular thing is causing it. Maybe everything. The refinery is as eerie as I remember from the news clips five years ago. Chain-link fences, toppled and rusted, mark its perimeter, while warning signs, faded and peeling, tell tales of hazards long forgotten. Belle navigates the terrain with a familiarity that speaks of prior reconnaissance. I watch, fascinated despite myself, as she pulls out a compact set of binoculars and a digital camera from her bag. She''s methodical, every move deliberate. First, the binoculars, scanning the area like she''s looking for something, or someone. Then, the camera, clicking away silently, capturing images of God knows what. I strain my ears, trying to pick up any sound, any clue as to what she''s up to. But the night is stubbornly quiet, save for the distant hum of the city and the occasional rustle of wildlife in the underbrush. The minutes stretch out, turning into what feels like hours. My eyelids are heavy, my body''s demands for rest growing louder. But I can''t look away, not now. Belle shifts her attention to setting up small, inconspicuous bugs along various points of the refinery. It''s clear now; she''s not here to confront anyone tonight. This is reconnaissance, laying the groundwork for something bigger. Prep work. Finally, as the first hints of dawn begin to paint the sky in hues of pink and orange, Belle packs up her gear. I linger for a moment longer, watching as Liberty Belle takes one final look at the refinery, a look that''s hard to read. Is it determination? Regret? I can''t tell. Then, she''s off again, retracing her steps back towards the heart of the city. I let out a breath I didn''t realize I was holding, my body sagging with fatigue. It''s almost 5:30 AM, and the adrenaline that''s been fueling me is rapidly dwindling, replaced by an all-consuming exhaustion. I need to sleep, to recharge, but there''s a stubborn part of me that wants to follow Belle all the way back, to make sure she''s safe. But that''s not my job, not really. She''s more than capable of taking care of herself, even with cancer, no matter how much it grates on me. With a final glance at the refinery, I turn and slip away into the predawn streets. South Philly is quiet at this hour, on the morning post-Thanksgiving. I stick to the shadows, my steps slow and heavy. Every now and then, I glance back, half-expecting to see Belle following me, but the streets are empty. I hail a taxi, the yellow light a beacon in the twilight. The driver looks surprised to see me, a teenage girl alone at this hour, but he doesn''t ask questions. I''m grateful for that. I sink into the back seat, my head resting against the window as the city passes by in a blur. As we drive, my mind refuses to shut off. It races through everything I''ve seen tonight, the pieces of the puzzle I''m still trying to put together. Liberty Belle''s actions, her meticulous planning, it''s all leading to something big. I can feel it in my bones. But for now, all I can do is wait, watch, and try to piece it all together. The taxi pulls up in front of Lily''s house, the familiar sight a welcome relief. I pay the driver and step out, the cool morning air a sharp contrast to the balmy warmth of the car. I sneak back into the house, careful not to wake Lily, still exactly where I left her on my futon. I get on the edge of the bed, flop back, and pass out. An Interview with Raj "Mr. Genesis" Chakravati, The First Superhero

TIME Magazine - Exclusive Interview with ''Mr. Genesis'': The Superhero Who Shaped a World

By Elena Martinez, January 10, 2022

In a modest caf¨¦ in Mumbai, amidst the bustling sounds of the city, sits Raj Chakravarti, known to the world as ''Mr. Genesis''. As he sips chai, his demeanor is calm, a stark contrast to the powerful and dynamic presence he''s known for around the globe. Raj, the man who is often credited as the first superhero, celebrates his 40th birthday this January. Born in the remote village of Badrika, India, Raj''s life changed forever on March 10th, 1985. It was on this day, during a devastating flood, that he experienced the first reported Activation Event. The young Raj, in a desperate attempt to save his own life, tossed and turned in the flood, found he could control the very waters that threatened to destroy it. This event not only saved Badrika but also marked the beginning of a new era in human history. Raj grew up in a humble environment, surrounded by the quiet landscapes of Badrika. His childhood was filled with stories of heroes and legends, a common thread in the tapestry of rural Indian life. "I always believed in doing the right thing, in helping others. It''s what my parents taught me," Raj shares, reflecting on his upbringing. The day of his Activation, March 10th, 1985, is etched into the collective memory of Badrika. Heavy monsoons had led to the worst flood in decades, and Raj, then just a boy, found himself amidst rising waters, with his village on the brink of devastation. In what he describes as a moment of sheer instinct, Raj reached out to the waters, and to everyone''s astonishment, they obeyed. He guided the floodwaters away, saving countless lives. The village affectionately nicknamed him ''Krishna'' after the deity known for divine playfulness and miracles. News of Raj''s feat spread like wildfire, capturing the imagination of a nation and soon, the world. He was among the first individuals to demonstrate superhuman abilities publicly. In the following years, Raj honed his skills, learning the extents and limitations of his power - a form of selective hydrokinesis that allowed him to control large volumes of fast-moving water. His early years as a superhero were marked by daring rescues and interventions in natural disasters. From floods in Bangladesh to hurricanes in the Caribbean, ''Mr. Genesis'' became a symbol of hope and a testament to the potential of superhuman abilities to aid humanity. As Raj matured, his focus shifted from emergency interventions to long-term solutions. "I realized that saving lives in the moment wasn''t enough. I wanted to prevent these disasters, to use my abilities for sustainable change," he explains. Raj began collaborating with environmental scientists and engineers, applying his powers in innovative geoengineering projects. He played a pivotal role in developing flood prevention systems in cities like Venice and Mumbai, and in projects aimed at mitigating the effects of rising sea levels. Now in his 40s, Raj is a figure of global influence, a pioneer in the integration of superhuman abilities with environmental conservation. Despite his fame, he remains grounded, often returning to Badrika to mentor young superhumans and support his community. Elena Martinez (EM): Raj, you''ve been a global symbol of hope and heroism for decades. Yet, you''ve often steered clear of the traditional superhero-villain dynamic. Can you share your thoughts on this? Raj Chakravarti (RC): Absolutely, Elena. From the beginning, my focus has been on saving lives and helping people. I''ve always believed that my abilities were meant for something greater than just fighting. While I respect those who take on villains, my path was different. It was about prevention, protection, and creating a safer world. EM: Did this approach ever put you at odds with other superhumans or the public''s expectation of a superhero? RC: It did, at times. There were expectations to conform to the typical superhero mold, but I knew my strengths and limitations. I never saw myself as a fighter or a warrior. My battles were against natural disasters, not people. And I think, over time, people began to appreciate that there''s more than one way to be a hero. EM: You mentioned steering clear of violence. How did you manage to avoid conflicts with supervillains who might have seen you as a target? RC: It wasn''t always easy. There were instances where supervillains tried to draw me into conflicts, perhaps to make a statement or to challenge my non-violent stance. But I always found ways to de-escalate situations or to outmaneuver them without resorting to violence. My goal was to protect people, not to engage in battles for the sake of it. EM: And yet, you''ve had a profound impact. Your work in geoengineering and environmental conservation has been groundbreaking. What motivated this shift from immediate rescue to long-term environmental solutions? The narrative has been taken without authorization; if you see it on Amazon, report the incident. RC: As I grew older, my perspective broadened. I started thinking about the root causes of the disasters I was responding to. Climate change, rising sea levels, deforestation ¨C these were the real enemies. And they required a different approach, a more strategic and long-term solution. That''s when I began collaborating with scientists and engineers, focusing on projects that could prevent or mitigate these environmental threats. EM: That''s a significant shift. How do you see the role of superhumans in addressing global challenges like climate change? RC: Superhumans have extraordinary abilities, but with that comes great responsibility. We have the power to effect change on a massive scale, and we should use it to address the greatest challenges facing our world. It''s not just about fighting villains; it''s about fighting for a better future. EM: Looking back, do you have any regrets or things you wish you''d done differently? RC: I''ve always tried to do what felt right, to use my abilities in the best way I knew how. Of course, there were challenges and moments of doubt, but I don''t believe in dwelling on regrets. What''s important is to learn, grow, and keep moving forward. EM: Are there any messages you might have for the younger generation of superhumans? RC: My message is simple: understand your power, find your purpose, and use it to make a positive difference in the world. It''s not about the glory or the fame; it''s about what you do with the gifts you''ve been given. And always remember, being a hero is not about fighting ¨C it''s about helping. There''s more you can do than beating up thugs! EM: Moving along a bit, your love for nature and commitment to environmental conservation is evident. How do you view the relationship between superhumans and the natural world? RC: Elena, I believe superhumans have a unique opportunity to harmonize with nature. We''re part of this world, and our abilities can help us understand and protect it better. For me, it''s about working with nature, not against it. It''s a symbiotic relationship where we must use our powers to support the Earth''s balance. EM: Can you tell us about some of your latest projects, especially those involving seawalls and ocean breakers? RC: Certainly. One of the projects I''m most excited about is in Indonesia. We''re constructing a series of advanced seawalls to protect against rising sea levels and tsunamis. My role involves using hydrokinesis to redirect large water masses, creating space for construction without disturbing marine ecosystems. It''s a delicate task, requiring precision and a deep understanding of ocean dynamics. EM: That sounds like a monumental effort. How do these projects impact the local communities? RC: These projects are life-changing for coastal communities. They offer protection and security but also bring new opportunities for sustainable development. We involve local communities in every step, ensuring that these initiatives support their needs and respect their way of life. EM: With such impactful work, how do you balance your personal life and these demanding projects? RC: It''s about finding that equilibrium. I make time for myself, for meditation, and for reconnecting with my roots in Badrika. It''s essential to stay grounded and to remember why we do what we do. For me, it''s always been about making a positive impact, large or small. EM: As you celebrate your 40th birthday, readers everywhere have been dying to know about the life and times of the world''s first superhero. Is there anything about your personal life that you''d be comfortable telling us? RC: Of course, Elena. Turning 40 has been a time of reflection for me. I understand that I will not be here forever, and I''ve been taking time in between projects to take time for me. My personal projects, as I like to call them. EM: Can you tell us a bit about your family and how they''ve influenced your journey? RC: My family has been my rock. My parents, who still live in Badrika, taught me the values of humility and service. I visit them as often as I can. They keep me grounded and remind me of where I came from. And then there''s my sister, Anjali. She''s a brilliant environmental lawyer. We''ve worked together on several projects, and she''s been a huge support in my advocacy efforts. EM: What about your personal relationships? Is there someone special in your life? RC: [Laughs] That''s the question I get asked a lot. Yes, there is someone special. Her name is Meera. We met during a project in the Sundarbans. She''s a wildlife biologist, and our shared passion for environmental conservation brought us together. We''ve been in a relationship for about five years now. She''s an incredible person, fiercely independent, and deeply committed to her work. EM: That sounds wonderful. How do you balance your demanding role with your personal life? RC: It''s not always easy, but Meera understands the demands of my work. We both have careers that require a lot of us, but we make it work. We try to find time for each other, be it in small everyday moments or in shared adventures. Balance is key, and we both respect each other''s passions and commitments. EM: As you look to the future, what are your hopes and plans, both personally and professionally? RC: Professionally, I want to continue my work in environmental conservation, maybe even expand into education and advocacy. I feel there''s a lot more to be accomplished, especially in educating the younger generation about climate change and sustainability. Personally, I''m looking forward to spending more time with Meera and my family. Maybe even start a family of my own soon. I''ve always believed that to bring change in the world, you have to nurture change at home first. EM: And finally, what''s the legacy you hope to leave behind? RC: I hope to be remembered as someone who used his abilities for the greater good, who stood for something beyond himself. I want to inspire others, not just superhumans, but every individual, to contribute to making our world a better place. That, to me, would be a legacy worth leaving. EM: Thank you, Raj, for this insightful conversation. Your journey is not just extraordinary; it''s a testament to the power of purpose and the impact one individual can have on the world. RC: Thank you, Elena. It''s been a pleasure. Chapter 43.1 I''m hiding behind the rooftop air conditioning unit, feeling the cold metal through my jeans, but I barely even notice it. I''m totally focused on Liberty Belle. I can tell she''s about three blocks away. It''s like this constant, dull pull in my mind, her blood signature. Her... floating vascular system burnt in my mind''s eye. Ever since she started teaching me how to be a detective, I''ve gotten pretty good at this - tracking without being seen. It''s kinda creepy, I guess, but necessary. With Belle''s condition... I just need to make sure she''s safe. I mean, I assume if someone was wounded I''d be good at tracking them too. But right now, the only person with a permanent wound I care about is her. No, that sounds weird. Never mind. Train of thought over. I''ve got my binoculars out, little dinky ones that I got from a surplus store on the internet a couple days ago. They''re old but they work great for keeping an eye on her from a distance. I watch as Liberty Belle makes her way through the dark streets, walking steadily but slowly, no spring in her step. She stops outside this old warehouse that just screams ''superhero secrets''. I write down the address in my notebook, and the pages flutter in the breeze of the night. She goes inside, and then I wait. Waiting is always the hardest part. I''m left alone with my thoughts, racing and tumbling over each other. I can''t help but think about her, and what she''s planning to do all by herself. I can''t shake this feeling, this dread that something really bad is about to happen. I tap my fingers against the binoculars, feeling restless. After what feels like forever, but my phone tells me it''s only been forty minutes, she comes back out. She''s holding something - a small box that looks pretty heavy. I squint, trying to see more details, but it''s no use. I add another note in my book, ''Belle took something from the warehouse - maybe a microwave-sized box?''. I continue to follow her for a while, making sure to stay far enough behind. I become like a shadow, moving silently from one point to another. She doesn''t show any signs that she knows she''s being followed. Maybe she doesn''t. Or maybe she''s just that good at hiding it. Finally, she heads back to her place, and I know it''s time to back off. I can''t risk getting too close there. It''s her safe haven, and I respect that, even though every part of me wants to get closer and make sure she''s really alright. As I make my way back home, I can''t shake the feeling that I''m missing something big, something important. My mind keeps replaying the events of the night, every move Belle made, every pause. There''s a puzzle here, and I''m only seeing a few pieces. But I''m determined to figure it out, for her sake. She''s done so much for me, for all of us. The least I can do is watch her back, even if she doesn''t know I''m doing it. But what am I going to discover? The question haunts me, an itch I can''t scratch. I shove my hands in my pockets, feeling the cold finally seeping into my bones as I head home. Tomorrow''s another night, another opportunity to learn more. I just hope I''m prepared for whatever I uncover. Time Log General Notes Other Stuff: To-Do
The night''s colder than last night, biting through my new gloves - they''re better than nothing, but still. I''m back on Belle''s trail, charged phone in my pocket, and fresh determination in my mind. After yesterday, I''ve got this nagging feeling I can''t shake. Something''s up, and I need to find out what. I''m perched on some other rooftop tonight, a bit closer to Belle''s place. I figure she''s gotta leave at some point, and I wanna be ready when she does. My breath comes out in little clouds, and I pull my new gloves tighter, trying to keep the cold at bay. I tap my phone screen - still early, only 7 PM. Belle''s a creature of habit, so I''m betting she''ll head out soon. And sure enough, there she goes. I can sense her, that familiar pull, moving away from her apartment. I follow, keeping to the shadows, blending in with the night. It''s easier now, I''ve gotten good at this. Maybe too good. But I can''t think about that now. She''s heading towards a different part of town tonight, away from the industrial area. Curious. I jot down the streets she takes, the turns. She pauses outside a small bookstore - closed, obviously, it''s late. But she looks in the window for a long time. I wonder what she''s thinking about. Books? Or something else? I scribble a note - ''Bookstore on Carson St., why?''. It''s all these little things, they''ve gotta mean something. But what? The night drags on, and Belle keeps moving, seemingly without a clear destination. It''s almost like she''s just wandering, directionless, like a moth that''s lost track of the moon. I follow at a safe distance, always careful not to get too close. My phone buzzes with a text from someone in one of my classes - something about a group project due Monday. I silence it quickly, trying to avoid giving away my position, and trying to avoid getting distracted. Finally, Belle stops in a small park. She sits on a bench, just like last night, and stares up at the sky. There''s something so lonely about it, about her. I wanna go to her, ask her what''s wrong, but I can''t. I''m just supposed to watch, to take notes, and figure out her plans. I''m not stupid. I know something''s going to happen with the PES refinery, and I want to be the first one there to help when it goes down. I take a deep breath, trying to focus. ''Park visit again'', I write down. ''Seems lost in thought''. I wish I knew what she was thinking, what''s weighing on her so heavily. But from this distance, all I can do is guess. The night''s getting late, and I know I should head back soon. School stuff, the group project - it''s all waiting for me. But as I watch Liberty Belle, I can''t help but feel like I''m missing something important. Something critical. I shake my head, pushing the thoughts away. I''ll figure it out, I have to. For her, for all of us. I take one last look at Belle, still sitting alone in the park, and then slip away into the night, the questions and doubts swirling in my mind. Time Log This tale has been unlawfully lifted from Royal Road; report any instances of this story if found elsewhere. General Notes Other Stuff: To-Do
The rain outside is tapping against my window, and surprisingly, it''s kinda soothing. It''s the perfect excuse to stay in, snuggled under a pile of blankets with my laptop and a bunch of books. I gotta finish this homework first if I wanna keep up with everything else going on. I start with math, which is a nice distraction from the bigger puzzles I''ve been trying to solve. Jordan has been showing me some of their tricks for gathering information, and I''m curious to give them a try. But first things first. After what feels like forever, but it''s only been a couple of hours, I''ve finished my math and English homework. The rain is still going, acting as the background noise while I switch to detective mode. I open up my notes from last night. What''s the story behind the bookstore on Carson St.? I do some searches, trying to find out its history and see if there''s anything interesting about it. Turns out it''s just a regular bookstore that''s been around for ages, selling used books and hosting some local author events. I sigh, closing the tab. Dead end. Next, I move on to the park and that bench. There has to be something significant about it, right? I remember the way Belle just sat there, lost in her thoughts. I search online, looking up the park''s history and any notable events. And then I come across it - the bench is dedicated to Professor Franklin. It all makes sense now. Belle and Professor Franklin were close, and this bench must hold some sentimental value for her. But that''s it, just personal meaning. Nothing that screams ''big superhero secret'' or anything. The warehouse is just a warehouse. No shady deals or secret superhero gadgets. It''s just a space for storage, covered in dust. I lean back, feeling a mixture of frustration and relief. Part of me was hoping to find some hidden clue, a missing piece of the puzzle. To figure out what it is I''m even looking for. But another part of me is glad that it''s all just ordinary stuff - a bookstore, a cafe, a regular old warehouse. It''s weird how my life now has this mix of normal and not-so-normal. I finish up my research, making a few final notes. The rain continues to fall, a reminder that the world keeps moving, no matter what''s happening in my little world. I close my laptop and stretch out on my bed. Maybe tomorrow night I''ll go out again and see if I can find anything else. But for now, I''m just a regular high school kid with homework on a rainy Saturday night. I pull my blanket up, listening to the rain, and for a moment, I allow myself to just be. No superhero stuff, no mysteries. Just Sam, the rain, and the peaceful quiet. Research Personal
It''s way past midnight, and I''m pretty sure there''s gonna be a snow day tomorrow. The weather''s been crazy, like the sky can''t decide if it wants to snow, rain, or just throw ice at us. I haven''t been following Belle for days because of it, but tonight, it''s clear enough. Cold, but clear. So here I am, all bundled up in my warmest coat, the one with the fur-lined hood, trying to look inconspicuous. I tug my hood closer around my face, trying to keep the cold out. My breath forms little clouds in the air, and I stamp my feet to keep warm. I watch from a distance as Belle moves around the old PES facility. This place is a relic, a giant tombstone for a disaster that shook the city. It''s eerie, seeing her here, a lone figure among the industrial skeletons. It''s kinda creepy, with all those rusty structures and dark corners. She''s moving around with this determined energy that I can''t help but admire. Even in the middle of the night, she''s all about the mission. I stay back, using a pile of old, snow-covered debris as cover. I can barely feel my toes, but I''m too engrossed to care. I watch through my binoculars as she works on what looks like cameras and bugs. She''s fixing them, replacing some that look broken, probably from the weather. She''s got this little toolkit with her, and she''s surprisingly good with it. I jot down notes, trying not to let my handwriting get all wobbly from the cold. I pull out my notebook, jotting down what I see. ''Belle at PES. Late night maintenance? Weatherproofing stuff.'' It''s mundane, almost disappointingly so. I was expecting... I don''t know, something more? But this is important in its own way, a piece of the puzzle of what she''s preparing for. I''m battling the urge to just walk over and help her. Or ask her a ton of questions. But I know I can''t. Not yet. She must have her reasons for keeping this stuff secret, even from us. My curiosity is like a wild animal in my head, demanding answers. She finally finishes after what feels like forever. I watch her pack her tools and vanish into the night. I wait a bit before leaving my hiding spot, making sure she''s really gone. My whole body is stiff from the cold, and as I trudge back, the first hints of dawn are starting to lighten up the sky. I''m pretty sure school''s gonna be canceled. Good. I need some sleep. But as I walk, my mind is still pondering over everything I witnessed. What''s Belle getting ready for? What does she know that we don''t? The questions are buzzing in my head, relentless, as I make my way home through the chilly, peaceful streets. Time Log General Notes
Fuck. There was not a snow day. I am so tired. Chapter 43.2 The sky''s been crying all day, like it knows something I don''t. I''ve been cooped up with homework and training during the day and so much other stuff, feeling like a dog on a short leash. Exhausted. Run ragged. But tonight, I finally get to stretch my legs. It''s around 8 PM when I slip out, pulling my hood up against the relentless drizzle. The air''s got that winter bite, making my breath fog up in front of me. It''s the night before Hannukkah, and here I am, tailing¡­ stalking my mentor. Stalking them. Keeping watch for threats, I tell myself. Making sure she doesn''t collapse in a coughing fit in the middle of the street, I tell myself. I pick up Belle''s trail easily enough. It''s like my blood sense has gotten sharper with practice, or maybe it''s just that her signal''s getting stronger for me. The thought sends a shiver down my spine that''s got nothing to do with the cold. I keep a safe distance, blending in with the few people braving the weather. Everyone''s in their own little world, huddled under umbrellas or hurrying to get home. I can smell distinctly fewer blood signatures today, and a lot of them in the storm drains, as the rain washes away the particles. Belle''s heading to Southeast Philly. It''s not her usual haunt, which piques my curiosity. My mind races with possibilities. Is she meeting someone? Picking up more mysterious boxes? I never did find out what was in there - maybe it was just a microwave. Or something. My hands are restless in my pockets, fingers tapping against my phone. The clinic she enters is one of those private healthcare places. Fancy, with a name that''s probably supposed to sound reassuring but just ends up sounding dystopian - New Horizons Oncology. I make a mental note to look that up. I don''t dare get too close, so I find a spot across the street, under an awning that does a decent job of keeping the worst of the rain off. I watch the clinic''s entrance, the light spilling out onto the wet sidewalk. It''s quiet, save for the occasional car swishing by on the rain-slicked road. I try to guess what she''s doing in there. More chemo, maybe? Or getting some new kind of treatment? I wish I could just march in there and ask, but I know better. Belle''s got her pride, and I''ve got my promise to keep - to stay out of her way. So I wait, shuffling my feet to keep warm, my eyes fixed on the clinic. Every time someone comes out, my heart kicks up a notch, but it''s never her. I''m getting impatient, fidgety. I pull out my notebook, the pages now a bit crinkled from being stuffed in my backpack. I scribble a few notes, more to keep my hands busy than anything else. I glance at my phone again, the screen a dim glow in the dark. Time''s dragging its feet, and I''m starting to worry. Is she okay in there? What if something''s gone wrong? Then, I tell myself otherwise. It''s a doctor''s office. What''s the worst that could happen in a doctor''s office? I immediately regret asking the question to myself. I take a deep breath and squeeze my hands, glancing back and forth from my phone to the entrance, particularly when I catch movement in my periphery. I''m so caught up in my own thoughts that I almost miss it. The clinic door opens, and there she is. Liberty Belle steps out, pausing under the awning. She''s looking around, like she''s searching for something. Or someone. My heart stutters. Does she know I''m here? I duck behind a parked car, heart hammering in my chest. This is it, she''s going to see me. But then she just starts walking, heading down the street with that same steady pace. I let out a breath I didn''t know I was holding and follow, keeping to the shadows, keeping a block or so behind her, always around the corner. I''m still trailing Liberty Belle, my sneakers silently splashing through the shallow puddles. The rain has let up a bit, but the damp coldness sticks to everything, making me feel chilled to the bone. Belle''s pace remains steady and unchanged. I make sure to keep a safe distance, always a block or so behind, peeking around corners before continuing on. She''s leading us deeper into Southeast Philadelphia, and I''m so focused on not losing her that I hardly notice the scenery transforming. The streets grow quieter, the lively buzz of the city fading into a distant hum. There are fewer streetlights, casting long, eerie shadows. The further we go, the more I realize we''re heading towards the waterfront. The salty smell of the river mixes with the city''s grime in the air. I haven''t seen another person in the last few minutes, and a nagging feeling starts gnawing at me. It''s too desolate, too quiet. It''s as if the world is holding its breath. And then it comes into view - the pier. It stretches out into the river, a dark shape against the murky water. Belle''s figure stands out in the dim light, her shadow cast like a fishing line in front of her from the lights. She reaches the end of the pier and lingers there, gazing out over the water. I stay back, taking cover behind a stack of shipping crates, my heart pounding rapidly. It dawns on me too late that I''ve been too focused on following her. Now it''s painfully obvious - I''m the only other person around. In this open space, my presence is about as subtle as a flashing neon sign. I mutter curses under my breath, scolding myself for being so fixated. Then, without any warning, Belle turns around. She doesn''t seem surprised; it''s more like¡­ resignation? As if she''s been expecting this encounter. Our eyes meet across the distance, and I''m completely motionless, caught in the act. From here, I''m sure she sees me as a threat of some kind - a crazy fangirl, or a possible villain looking to get the drop on her in her civvies. I can feel the¡­ it''s not exactly malice, but I can feel the willpower emanating off of her in waves, the way her stance gets taller and stronger as she walks. Forcing herself awake. She starts making her way towards me, her steps deliberate and slow. I stand up, stepping out from my hiding spot. There''s no point in pretending anymore. I''m not sure what to say, or if I should say anything at all. The gap between us closes, and I brace myself, arms raised up in surrender. She''s close now, close enough to converse. But for a moment, she simply looks at me, her expression impossible to decipher. Then, at last, she speaks, her voice ringing clear in the quiet night. "Sam?" She asks. The rain begins to slow down. She starts laughing. Unable to do anything else about it, I laugh along with her. Belle''s laughter cuts through the tension like a knife through butter, and I can''t help but join in, even though my laugh is more of a nervous giggle. The absurdity of the situation hits me - here I am, caught spying on one of the most formidable heroes in Philly, and she''s¡­ laughing. "I can''t believe it''s you, Sam," Belle says between chuckles. "I knew someone was tailing me, but I never guessed it was my own prot¨¦g¨¦. You''ve gotten good at this, haven''t you?" Her eyes are twinkling with amusement, and I feel a mix of pride and embarrassment. "Yeah, well, I''ve had a good teacher," I reply, trying to play it cool but my voice cracks a bit. "I didn''t mean to¡­ I mean, I was just worried about you. You''ve been going to some pretty strange places lately." Belle wipes a stray raindrop from her cheek, her smile softening. "I appreciate your concern, Sam, but you know, a little trust goes a long way." She teases me gently, but there''s a serious undertone to her words. "I do trust you, Belle. It''s just¡­ everything that''s happening, with Chernobyl and your¡­ you know, health stuff." I can feel my throat tighten as I mention her condition. "I guess I just wanted to make sure you''re okay." She sighs, her gaze drifting back to the river for a moment. "I know, kiddo. And I''m touched, really. But you can''t be putting yourself at risk like this. Following someone to places like this," she gestures at the empty pier, "it''s not safe in these jawns. You let yourself get pulled out of position. You should''ve either hunkered down or called it quits." Did you know this story is from Royal Road? Read the official version for free and support the author. I shuffle my feet, feeling like a kid who''s just been caught with their hand in the cookie jar. "I just¡­ I don''t know, I felt like I had to do something. I can''t just sit around and wait for things to happen." Belle steps closer, placing a reassuring hand on my shoulder. "You''re doing plenty, Sam. Training, school, being a superhero - it''s a lot for anyone, let alone someone your age. You don''t have to carry the world on your shoulders. That''s what the adults are for." I open my mouth, then close it, unsure of what to say. The truth is complicated. It''s concern, it''s curiosity, it''s¡­ more than that. It''s about not wanting to be left in the dark while someone I care about is walking into something dangerous. My entire body slumps. Before I can find the words, she continues, her voice softer now. "You know, if you wanted to spend time together, you could have just asked. No need for all the cloak and dagger." I laugh, a short, nervous sound. "Guess I didn''t think of that. I guess if I''m found out now, can I ask you a question?" She smiles and reaches under my hood to brush some hair out of place. "Shoot." "What are you doing at that abandoned refinery?" Her face immediately distorts like she''s about to sneeze. Then, I see the look in her eyes. The look of someone watching someone die, the same face I made. A million things race through her vacant stare, and all the friendliness disappears from her, instantly. All the softness, gone in a breath. Belle''s expression shifts, the softness draining away as if a storm cloud has just rolled over her face. She stands back, her posture rigid, the anger in her voice barely contained. "The PES oil refinery? Do you have any idea what that place means? What happened there?" Her words come out like bullets. I take a step back, feeling the weight of her anger like a shockwave. "The explosion?" I guess meekly, trying to avoid making the situation worse. "In 2018?" "The ex-¡­ No!" Belle almost snarls the word, a harsh rejection. "You think this is some kind of game, Sam? That refinery is where Franklin died. Where I nearly¡­" She cuts herself off, clenching her fists. "It''s not a place for games. It''s dangerous, and if Chernobyl returns there, it''s going to be a warzone. That neighborhood''s had too many close calls already. One more and developers are going to just start leveling the place." I feel a surge of frustration, meeting her anger with my own. I don''t like the feeling of heat growing in my ears. "So, what? You''re just going to face him alone? That''s your plan? You think you can take him down by yourself? It''s abandoned, what would he even want with the place, anyway?" "It''s not your concern, Samantha!" Belle''s voice rises, echoing off the empty pier. "You''re a kid. You should be worrying about school, about your friends, about your training, not stalking me to an exploded refinery! And- He''ll. He- I know he''ll be there. And that''s why you need to stay away!" "But I can help!" I protest, my own anger flaring up. "I''m not just some kid, I''m a part of this too. I have powers, I''ve been training. You can''t just expect me to sit back and do nothing!" "This isn''t about your powers or your training!" Belle shouts, stepping closer to me, her eyes blazing. "This is about you being safe. You''ve already got the Kingdom after you, for fuck''s sake. I can''t - I won''t have you walking into a death trap." I''m undeterred, standing my ground. My nails dig into my palms. "I''m not going to let you walk into one either! I can''t just watch someone I care about put themselves in danger and do nothing!" Belle''s face hardens, her anger morphing into something cold and steely. "You think you''re invincible, don''t you? You think because you can take a hit, you can handle anything. But you''re small, Sam. Vulnerable. I''ve seen what Chernobyl can do, the destruction he leaves in his wake. I know what he did to me. I''ve served my time! You''re just a kid. I won''t let you suffer what I''ve suffered. You can''t be a part of this." Her words sting, but I refuse to back down. "I''m not invincible, but neither are you! You''re going in there with a death wish, and I can''t - I won''t let you do it alone!" For a moment, we just stand there, the tension between us crackling like a live wire. The rain has almost stopped, leaving a heavy silence in its wake. But beneath that silence, there''s a current of fear, of worry, of desperation. Neither of us wants to admit it, but it''s there, as real and as raw as the anger in our voices. Finally, Belle takes a deep breath, her anger ebbing away as suddenly as it had come. She looks tired, the lines on her face more pronounced in the dim light. "This isn''t up for discussion, Samantha. I need you to promise me - promise me you''ll stay away from the refinery. Promise me you''ll stay safe. This isn''t me speaking as a superior officer or whatever. This is¡­ This is me, Diane. Diane speaking. You need to stay away." Her voice is softer now, but the edge is still there, a warning that she''s not going to budge on this. How can I promise something like that? How can I just stand by and do nothing? I don''t like this feeling. I don''t like feeling angry at her, feeling angry in general. This isn''t exciting. It''s not fun. The adrenaline isn''t the good kind - this is the kind that makes me feel like I''ve swallowed poison. Despite her stony face, her heartbeat is thrumming, rolling along like a marching drum. "Please," she repeats. "I promise," I lie.
Lily''s rowhome on Almond Street is so cozy, almost like a cocoon, compared to the freezing cold outside. The first floor is a bit cramped, like a puzzle with all the furniture and stuff somehow fitting perfectly. Frost patterns crawl on the windows like naturally-formed artwork, making it hard to see the street through their icy designs. In the little kitchenette, the counters are cluttered with the usual stuff - a toaster, a coffee maker, and a bunch of jars and bottles of this and that. Among all this everyday mess, we''ve set up our makeshift Hanukkah display. After her school let out, Lily went out and grabbed a cheap menorah from a thrift store, and it''s sitting on a sheet of foil to catch the dripping wax, as per my instructions. It''s not exactly the best looking menorah in the world, but it has its own charm. It''s simple and plain, unadorned ceramic with metal candle-holders still crusted over with the remains of some other family''s celebrations. I can see Lily''s curiosity as she looks at the menorah, her head slightly tilted. "So, how does this work? What''s the deal with Hanukkah?" she asks with genuine interest. I smile, finding some comfort in sharing this part of my heritage. "Well, Hanukkah, or Chanukah, is the Festival of Lights. It''s about celebrating the rededication of the Second Temple in Jerusalem and the miracle of the oil," I begin, lighting the shamesh - the helper candle. "The miracle?" Lily prompts, watching as I light the first candle on the far right with the shamesh. I use the flame of the shamesh to melt the bottom of the first candle, so it''ll stick in its holder more tightly, and then do the same with that candle to the shamesh. An old wax trick Pop-Pop Moe taught me as soon as I was old enough to handle a lighter. "Yeah, so the story goes that there was only enough oil to keep the candles in the Temple lit for one day. But miraculously, it burned for eight days, which was the time needed to prepare more oil," I explain, placing the shamesh back in its spot. "So we eat a lot of fried foods. Like donuts. And potato pancakes." Lily nods, her eyes following the flickering flames of the candles. "And why do you light the candles?" "We light the candles to remember and celebrate the miracle. Each night, we add one more candle than the night before. Tonight, being the first night, we just light one, plus the shamesh. By the eighth night, all the candles will be lit." I point to the menorah, the single candle glowing warmly next to the shamesh. In the little kitchen, which feels ancient and important all of a sudden, the glow from the menorah casts gentle shadows, dancing on Lily''s face, making the moment feel sacred. "So, it''s like a reminder that even in the darkest times, there''s always a chance for a tiny bit of light to shine way longer than you''d expect," Lily murmurs, still fixated on the candles. "Or something." I nod, feeling her words in my chest. After all that''s happened with Belle, the fear and uncertainty, this simple tradition feels like a lifeline, a wire tossed to me to hang onto over the cliff''s edge. "Exactly. It''s about finding hope and light in the darkest of times, when you least expect it." We stand there for a few more moments, just watching the candles burn. Slowly, they drip, drip, drip. "Oh, I got you a present!" I say after about a minute of silence, remembering that I did that. "Oh?" Lily asks. I turn around to face the futon, snatching my backpack off the mattress and beginning to rummage through it. "I don''t know if it''s actually a good idea with your powers, but I got you some Heelies off EBay." I say, grinning. I do not tell Lily how I know her shoe size, instead simply offering the wheeled shoes to her with both hands like I''m giving tribute to a king. "Oh, Sam! That''s so cool! I. Do I need to have a present for you?" She asks, blinking at me absentmindedly. "Honestly, just having a place to stay this long is enough. But, I mean, if you want to, it''s traditional to get someone a tiny little tzotchke every day of Hannukkah. So you can just double up tomorrow, if you really want," I reply, trying to take care not to overstep my boundaries. "A tzotchke?" Lily asks, raising an eyebrow. "You know, like, a little trinket. A knickknack. Dollar store stuff," I answer. Lily nods at me vigorously, accepting the shoes and bowing. "I will get you something of equal value to these wheeled shoes!" she declares confidently, the candles lighting her face in an effervescent glow. Then, both of our pagers go off at the same time, clattering against the countertop. The signal. Chernobyl is here. WORLD OF CHUM: The Big Raid (1) "The Day the World Shifted: Five Years After The Founding of GESSOC" By Alex Chen, for HeroWatch Today, April 20th, 2023 Part One: The Day the World Shifted Five years ago, the world as we knew it underwent a seismic shift. It wasn¡¯t caused by an alien invasion, a natural disaster, or even a global superhuman showdown. This change was orchestrated by a coalition of governments and superhero groups, targeting an enemy that had lurked in the shadows for decades: the vast and intricate network of international superhuman crime. The event, which we now refer to as the Big Raid, was not just a series of coordinated attacks against criminal overlords; it was a statement, a declaration that the age of unchecked superhuman criminal empires was over. In March 2018, under the banner of the Global Enforcement and Suppression of Superhuman Organized Crime (GESSOC), an unprecedented international task force was formed. Their mission seemed straightforward: dismantle the tangled web of superhuman criminal networks - dismantle the world''s supervillain groups. But as we all know, nothing in the world of superhumans is ever simple. The Big Raid didn¡¯t just shake the foundations of the criminal underworld; it sent shockwaves through every layer of society, altering the global landscape in ways we are still trying to understand. In this multi-part series, we¡¯ll delve deep into the aftermath of the Big Raid. We¡¯ll explore the collapse of age-old criminal empires, the rise of new, more elusive criminal forces, the legal and societal aftershocks, and the ever-evolving role of superheroes and villains in this whole situation. This retrospective is not just a chronicle of events; it¡¯s an attempt to understand the legacy of one of the most pivotal moments in recent history, and to puzzle out just how everything changed after the day that the world shifted. Stay tuned for the next part, where we''ll look at the immediate aftermath of the Raid and the fall of the criminal giants that once seemed untouchable. ¡û Previous Article --- Next Article ¡ú
"The Fall of Giants: Unraveling the Underworld" By Alex Chen, for HeroWatch Today, April 27th, 2023 Part Two: The Fall of Giants The primary aim of the Big Raid was clear: dismantle the superhuman criminal syndicates that had grown too powerful, too entrenched in the global underworld. However, as GESSOC and its superhero allies began their relentless pursuit, they quickly realized that the line between superhuman crime and traditional organized crime was not just blurred¡ªit was virtually non-existent. Unraveling the Superhuman Criminals It started with high-profile targets¡ªinfamous supervillains and their notorious groups. These were entities that had become almost mythic in the public eye, with their extraordinary abilities and equally extraordinary criminal exploits. Teams of superheroes, backed by international law enforcement, launched coordinated strikes, leveraging their superhuman abilities and intelligence networks to outmaneuver these criminal masterminds. But as they dug deeper, GESSOC operatives uncovered a complex web of alliances and dependencies linking these superhuman criminals to traditional crime syndicates. It became apparent that the superhuman criminals, while formidable, were just the tip of the iceberg. The Tangled Web of Traditional Crime The syndicates¡ªyour usual Mafias, Mobs, Triads, Cartels, and the like¡ªhad long been the backbone of the global underworld. But in the shadows, they had evolved. They were no longer just the old-school organized crime families; they had integrated superhuman elements into their ranks, using these extraordinary abilities to expand their reach and tighten their grip on illegal enterprises. As GESSOC''s operations progressed, every raid against a superhuman group inevitably led to the discovery of links to traditional crime networks. The strategy shifted: rather than targeting superhuman crime in isolation, the task force started to systematically dismantle the entire criminal infrastructure. Means that could be considered less than ethical were employed, with superhumans leveraged to create angles of investigation that were simply impossible to protect oneself from. The Immediate Aftermath The impact was immediate and dramatic. Within weeks, some of the most powerful criminal organizations in the world began to crumble. High-ranking crime lords, both superhuman and non-superhuman, were apprehended in rapid succession. The raids were surgical, efficient, and devastatingly effective. High-level individuals fell to the long arm of the law one after another, or turned turncoat in an attempt to save their own skins, and the more that fell, the more of them betrayed their parent organizations. This wasn¡¯t just a crackdown; it was a decapitation of the global criminal hierarchy. The vacuum left in the wake of these takedowns was massive and chaotic. In cities across the world, the underworld was in disarray. Smaller gangs and emerging superhuman criminals scrambled to fill the void, leading to a period of intense turf wars and instability. Love this story? Find the genuine version on the author''s preferred platform and support their work! Ripple Effects The dismantling of these criminal empires had far-reaching effects. On one hand, there was a significant reduction in organized crime activities¡ªdrug trafficking, arms smuggling, human trafficking¡ªall saw a marked decline. But the flip side was a surge in smaller-scale, but more unpredictable, criminal activities. Petty crimes, vigilante justice, and power struggles became the new norm in many urban areas. The global economy, too, felt the shockwaves. The illicit funds that had once flowed through these criminal networks were suddenly frozen or seized. Assets redistributed unevenly, and mostly through the government, and drug prices skyrocketed, bothering anyone who didn''t live in Colorado or California and had to get their weed through illegal means. Everyone felt the burn, one way or another. If you didn''t, it was someone you knew, or someone they knew. Next Time The Big Raid was a testament to what could be achieved when the world united against a common enemy. But it also opened a Pandora¡¯s box. The fall of the giants of the criminal world was just the beginning of a new, unpredictable era in global crime. In the next part of this series, we¡¯ll explore the rise of the new criminal syndicates that emerged from the chaos of the Big Raid and how they differ from their predecessors. ¡û Previous Article --- Next Article ¡ú
"Rise of the New Underworld: The Post-Big Raid Criminal Landscape" By Alex Chen, for HeroWatch Today, May 4th, 2023 Part Three: Rise of the New Underworld In the chaotic aftermath of the Big Raid, the criminal landscape underwent a rapid and ruthless transformation. The fall of the traditional criminal giants created a power vacuum, and it didn''t take long for new, more dangerous entities to emerge. These new syndicates bear little resemblance to their predecessors; they are faceless, nameless, and driven by a cold pragmatism that makes them even more unpredictable and deadly. The Faceless Threat The most striking aspect of these new criminal groups is their lack of identity. Gone are the days of infamous crime families and well-known cartels, with their codes of honor and ostentatious displays of power. In their place, we now have a network of anonymous groups that are fluid, decentralized, and incredibly difficult to track. They operate in the shadows, making them almost ghost-like in the criminal underworld. This anonymity not only makes them elusive but also more menacing; without a face or a name, they become an omnipresent threat, capable of striking anywhere, anytime. Their operations are slick, efficient, and devoid of any flair or grandeur. This shift from the traditional flamboyant criminal empires to these faceless entities reflects a new era in the underworld ¨C one where pragmatism reigns supreme. The new groups are leaner, more adaptive, and ruthless in their methods. They are more likely to use technology and superhuman abilities not for spectacle, but for strategic advantage, making them a formidable force. A New Breed of Criminals The individuals within these groups are a different breed of criminals. The old-world charm and respect that once pervaded the criminal underworld have been replaced with a brutal pragmatism. There''s a stark realization among these criminals: in an era where superhumans and advanced technology are part of law enforcement, traditional notions of honor among thieves are a liability. This has led to a more violent and ruthless approach to crime. When confronted, these criminals are more likely to engage in lethal confrontations with law enforcement or superhero groups. The mentality is simple yet chilling: if getting caught means certain defeat, why not fight back with everything they have? This mindset has led to an increase in violent encounters on the streets, with both law enforcement and civilians caught in the crossfire. This new paradigm has also affected how these groups operate internally. Loyalty is fleeting, and alliances are temporary, often based on immediate mutual interests rather than long-standing bonds. If any of the old-style groups of criminals operating under a single kingpin remain, they''re not going out of their way to make their presence known. Instead, we have ne''er-do-wells shifting from group to group like an enormous petri dish, from bacteria to bacteria, making it difficult-to-impossible to pin down much more beyond a single person at a time. Public Perception of the Escalating Criminal Threat As these new, faceless criminal syndicates rise in the shadows, the public''s perception of criminality has undergone a significant shift. The anonymity and ruthless pragmatism of these groups have instilled a deep-seated unease in communities worldwide. The romanticized image of the ''honorable outlaw'' has been replaced by the fear of an invisible and unpredictable enemy. People no longer talk about crime lords with a mix of fear and fascination; instead, there is a palpable sense of dread about the unknown dangers lurking in the dark. This fear is compounded by the increased violence and unpredictability of criminal confrontations. The willingness of these new criminals to engage in deadly battles with law enforcement and superheroes has led to a sense of vulnerability among the public. News reports of brutal skirmishes in the streets, often involving advanced technology or superhuman abilities, have become alarmingly common. The narrative has changed; it''s no longer about the triumph of good over evil but about an ongoing, seemingly endless struggle against a faceless menace. Communities are more cautious, and there is a growing demand for stronger law enforcement measures, even as questions about civil liberties and the role of superhumans in policing continue to be debated. The rise of this new criminal element has not only changed the landscape of crime but has also reshaped how society perceives and reacts to the threat of lawlessness in a world where the old rules no longer apply. Next Time The rise of this new underworld is a direct consequence of the Big Raid. While the operation succeeded in dismantling the old criminal empires, it inadvertently gave birth to a more dangerous, more elusive, and more unpredictable criminal element. In our next part, we will explore the impact of this new criminal landscape on law enforcement strategies and the challenges it poses in maintaining public safety and order. ¡û Previous Article --- Next Article ¡ú Chapter 44.1 The sudden shrill beep of the pager cuts through the warmth of the moment like a knife. It''s a sound we''ve come to dread, a harbinger of chaos. Chernobyl is here. Lily and I exchange a glance, the gravity of the situation sinking in. We both know what this means - it''s go time. I jump up from where I''m sitting, my heart pounding in my chest. The festive atmosphere is instantly forgotten, replaced by a surge of adrenaline. I can''t believe this is happening, not now, not on the first night of Hannukah. But duty calls, and there''s no time to waste. I grab my Bloodhound costume from where it''s stashed in my backpack. Gossamer really outdid herself this time - the costume feels more like a second skin than ever, fitted with double-thick gloves, a thermal jacket, and comfy thermal pants. The added layers are a godsend, especially if I get punched across a street, though I hope it doesn''t come to that. Just as I''m about to start suiting up, our phones begin to ring simultaneously. It''s the group call signal, a shrill tone that always sets my nerves on edge. I put mine on speaker and quickly answer. "I''m with Blink. Talk to me," I say, trying to keep my voice steady despite the sudden adrenaline rush. As I speak, I hear the sounds of other calls being answered, a cacophony of voices and background noises flooding the line - the unmistakable signs of the whole team tuning in. There''s the muffled sound of Gossamer''s workshop in the background, the rustle of fabric from Playback, and the faint echo of traffic behind Multiplex''s voice. It''s a chaotic orchestra, each member signaling their readiness, their presence. "Bogey spotted in South Philly, West. More instructions incoming, check your chat logs. Priority is evac and containment. Do not engage," comes the dispatcher''s voice, calm and composed, reading off a prepared statement. The steadiness in their tone is a stark contrast to the growing tension among the team. "We''re on the way," I respond, my mind already racing through the possibilities of what we''re about to face. "ETA fifteen minutes." One by one, the others chime in, their voices overlapping and intermingling on the call. "Copy that, en route," says Gossamer, her voice tinged with determination. "Heading there now," adds Playback, his tone serious and focused. "On my way," Multiplex confirms, the sound of his voice multiplied, a reminder of his ability to be in multiple places at once. It''s a rapid roll call, each member acknowledging the mission, their voices a chorus of resolve and readiness. There''s an unspoken understanding among us; despite the danger, we''re in this together. As superheroes, we''ve trained for moments like these, but the reality is always more intense, more immediate. The call ends with a series of beeps, leaving me in a brief, ringing silence. It''s a moment to gather my thoughts, to brace myself for what''s to come. As I start pulling on the costume, I glance over at Lily. She''s already halfway through suiting up in her Blink gear. Her costume is mostly white, almost glowing in the dim light of the kitchenette, and the rainbow scarf-cape thing she wears around her neck billows out like a flag. For the winter, she''s added more layers of scarf, each one tied at the end with a heavy metal ball that I''m told are supposed to turn them into meteor hammers, but I''ve yet to see it in action. I can''t help but admire her ingenuity, even as I struggle with the zipper on my jacket. It always gets stuck at the same spot, right where the fabric bunches up. I curse under my breath, tugging at it. Finally, it gives way, and I pull the jacket up over my shoulders, feeling the comforting weight of it settle around me. Lily is already lacing up her inline skates, the wheels clicking softly against the floor. She''s a blur of motion, efficient and graceful, even in the midst of gearing up. I envy her that, sometimes - the way she can just switch into hero mode without a second thought, her brain clear of distractions at all times. For me, it''s always a bit more of a process. I have to mentally prepare myself, steel my nerves for what''s to come. Grit my teeth. I turn back to my own preparations, pulling on the thick boots Gossamer provided. They''re sturdy and well-insulated, but they feel clumsy compared to my usual footwear. I wiggle my toes, trying to get used to the sensation. The final piece of my costume is the mask. I stare at it for a moment, hesitating. It''s always the last thing I put on, the final step in the transformation from Sam to Bloodhound. I take a deep breath and slip it over my head, feeling the familiar pressure around my eyes and forehead. The world looks different through the mask, more focused through the orange lens. Like the difference between an old camera and a new one. As I look over at Lily, now fully suited up as Blink, she returns my gaze with a nod, a silent acknowledgment that she''s ready. There''s a sense of urgency that''s palpable between us, but I know Lily, with her speed powers, can get there much faster than I can. "You go on ahead," I tell her, my voice firm despite the flutter of nerves in my stomach. "You''ll get there faster." Lily doesn''t argue. With a quick, almost imperceptible nod, she turns and takes off. She''s a blur of white and colors, swiftly disappearing into the night. I watch her go, feeling a twinge of envy at her speed, but also a sense of pride. She''s incredible, really. She picks up fast on the sidewalks and starts bursting forward, vanishing around the corner with a loud skid. Left alone, I step a couple of blocks away from Lily''s house. It''s better that way, safer for her family. I pull out my phone and quickly hail a taxi through the app. I''ve done this before, but it still feels weird, calling a cab while in full superhero gear. The taxi arrives within minutes, the driver unfazed by my appearance. I guess in a city full of caped crusaders, a superhero hailing a cab isn''t the strangest thing they''ve seen. I slide into the back seat, grateful for the momentary warmth. "Where to?" the driver asks, his tone casual. "Near the PES refinery, but not too close," I reply, my voice muffled slightly by the mask. "You know, the one that''s exploded." "Yeah, I''m familiar," he says, nodding, pulling away from the curb and merging into the sparse late-night traffic. The city passes by in a blur of lights and shadows, the streets eerily quiet. The taxi driver''s radio, tuned to a local news station, suddenly shifts from its regular programming to a clear, official-sounding voice. The tone is calm but carries an underlying urgency that immediately grabs my attention. The message is concise, the words chosen carefully to inform without causing panic. "Attention all residents of Philadelphia," the voice begins, its tone authoritative yet reassuring. "This is an emergency broadcast from the Philadelphia Police Department and the National Superhuman Response Agency. A situation involving an extremely dangerous individual with potential for high collateral damage has been detected in South Philadelphia. We are issuing an immediate evacuation order for all residents and visitors within the area west of Broad Street and south of Passyunk Avenue." The message continues, the voice maintaining its steady cadence. "Please evacuate the area calmly and swiftly. Follow all instructions from law enforcement officers and emergency responders on the scene. If you are not currently in the designated evacuation area, do not attempt to enter it. For your safety and the safety of others, it is crucial that you avoid this area until further notice." The broadcast takes a brief pause, allowing the gravity of the words to sink in before continuing. "Police and emergency services are en route to assist with the evacuation and to secure the perimeter. We ask for your cooperation and patience during this time. Please evacuate to a safe location and await further instructions. Do not return to the area until an all-clear has been given by the authorities." This story is posted elsewhere by the author. Help them out by reading the authentic version. The driver and I exchange a quick look in the rearview mirror. We both understand the seriousness of the situation without saying a word. We don''t mention the supervillain''s name or any specific details, but it doesn''t matter. The urgency and gravity of the situation are crystal clear. And I''m diving right into the heart of it. As the evacuation order blares on the broadcast, a knot forms in my stomach. The danger of what I''m about to face is becoming more real with every repetition of the warning. It''s such a contrast to the calm, almost routine drive through the city streets. "You''re headed into that?" he asks, trying to sound casual, but his concern is unmistakable in his voice. It''s obvious that I''m young. Maybe too young. "Yeah," I respond. "I''m going to help with the evacuation. I''m not old enough to fight ''em yet." He nods with a tense expression. "Good luck." As we get closer, my heart races faster in my chest. This is it. Chernobyl, one of the most terrifying adversaries we''ve ever faced, is out there. And I''m on my way to confront him, fuck whatever they''re going to order me to do. At the very least, I''ll be there to save Belle, even if I can''t put a dent in this nuclear man. I know it''s stupid. I know I''m stupid. I''m not letting her commit suicide via supervillain. The taxi slows down as we approach the area, and I signal for the driver to stop. I mean, he''d probably stop in a second anyway, since we''re approaching a line of police cruisers, lights blaring, coating the streets in a generous, epilepsy-inducing haze of red and blue. But I signal anyway, and he pulls in along the sidewalk. "Thanks," I say as I hand him the fare, giving him a generous tip. He deserves it for driving a superhero into a potential warzone. "Stay safe out there," he says, sincere and genuine. He gives me a silent, two finger salute. I salute him back, grateful for his concern, and step out of the taxi. The cold air slaps my face, but I barely notice. My mind is focused on what awaits me ahead. As the taxi pulls away, leaving me at the corner of 15th and Bigler, right by Marconi Plaza, I''m immediately swallowed up by the throng of people. They''re all bundled up against the December chill, their breaths fogging up in the air, faces etched with panic as they hurry east through the park. I can''t help but feel a surge of adrenaline mixed with a tinge of fear. This isn''t just another training exercise or a controlled patrol; this is real, as real as it gets. I pull out my phone and dial into the open conference call. It''s a procedure we''ve been drilled on for all-hands-on-deck situations like this. "Bloodhound reporting in. I''m at 15th and Bigler," I say, trying to sound more confident than I feel. The chaos around me buzzes in my ear, a constant reminder of the stakes. Councilman Jamal''s voice crackles through the line, firm and authoritative. "Alright, Bloodhound, the primary objective is to evacuate South Philadelphia west of Broad Street. Coordinate with local law enforcement and ensure a smooth and orderly evacuation. Avoid panic at all costs." I glance around, watching the police officers trying to direct the flow of people. They''re doing their best, but I can see the strain in their movements, the urgency in their voices. This isn''t just another day at the office for them either. Clara chimes in next. "Remember, engagement with hostile forces is not your primary objective. Keep civilians safe and facilitate their evacuation." I nod to myself, even though they can''t see it. "Hostile forces?" I ask, after a moment of thought. What hostile forces besides Chernobyl. "I--" "Be on the lookout for any Kingdom operatives. They might try to use this chaos to their advantage. Any sightings of gang members or associates headed towards the refinery should be reported immediately and dealt with," Jamal cuts through me like a knife. "We know they have operations in this area. Preventing contact with Chernobyl is a top priority, but you, in particular, Bloodhound, just report it to the nearest law enforcement. Or call in on this line." I clench my fists, but I''m not sure why. I mean, there''s plenty of good reasons, but which one in particular? "And Bloodhound," Jamal continues, and I can almost picture his stern face, "with your abilities, you''re to assist the police in sweeping the area. Your primary task is to sniff out any injured individuals who might need evacuation. Avoid direct confrontation. From your position, head south towards Pattison avenue. Rendezvouz with the officers at FDR Park. Keep an eye out for evacuees in need of assistance on the way down." I bite my lip, feeling the sharp points of my teeth against my skin. "Understood," I say, but even as the words leave my mouth, I know I''m lying. I''ve already made up my mind. I''m not going to spend my night chasing shadows and sniffing out injuries. I have a bigger fish to fry. Or¡­ a bigger radioactive supervillain, anyway. I start pounding asphalt. My mind races just as fast as my legs, replaying the last conversation I had with Belle over and over again. You need to stay away. Yeah, like that was ever going to happen. I can''t just stand by and watch Belle walk into a deathtrap. She might think she''s protecting me, but I can''t let her face Chernobyl alone. Not after everything she''s been through. Not after everything she''s done for this city. As I move, I keep my senses sharp, scanning the sidewalks for anyone who doesn''t belong. Anyone moving against the flow, anyone who looks too calm amidst the chaos. But my mind keeps drifting back to Belle, to that looming confrontation at the refinery. The refinery¡­ G-d, it''s so far away. And I''m here, stuck in the middle of an evacuation, pretending to play by the rules. But every second I waste here is a second closer to Belle facing Chernobyl alone. I need to get there. I need to be there for her. I push the thoughts aside and focus on the task at hand. Evacuation. Safety. Those are my priorities. At least, that''s what I keep telling myself. But in my heart, I know the truth. I''ve already made my choice.
As I sprint down Moyamensing Avenue, the cold air burns my lungs, but I barely notice. I''m too focused, too wired. The city blurs past me, a mix of street lights, fleeting shadows, and the occasional honk of a car. I''m like a shark cutting through water, except the water is cold December air and the city''s panic. People are spilling out of their homes, clutching bags, kids, pets. It''s a torrent of humanity, all flowing in the opposite direction. They''re scared, and who can blame them? I''d be scared too if I weren''t so pumped full of adrenaline and determination. Puppeteer is a streak of black and purple against the skyline, her figure darting from rooftop to rooftop. Her strings catch the light, shimmering like spiderwebs. She''s doing her part, helping with the evacuation. I can see her pulling people up, away from the danger. Even when she''s moving in the most official fashion, she can''t help pirouetting with every motion, twisting through the air like a football, spiraling, spinning. Multiplex''s duplicates are everywhere. One''s directing traffic, another''s helping an old lady with her bags, and another''s carrying a kid on his shoulders. They''re like a one-man army, except they''re a many-men army. When one of them has done their duty, I watch it round a corner, somewhere out of sight where it won''t be noticed, and be swallowed into the darkness, dissolving near-instantly into a soft, greenish sludge that starts evaporating just as fast. Another slot opened up, for another Multiplex somewhere else. Memories transferred. I push harder, my legs eating up the distance. This isn''t a track, it''s a maze of asphalt and concrete, with obstacles - cars, people, the occasional stray dog. But I''ve been training for this, training for months. My body is a well-oiled machine, and right now, it''s operating at full capacity, even with the added bulk of my winter costume. I remember, in a flash, that I forgot to sign up for indoor track at school. A tiny pang of regret, quickly squashed. Who needs track when you''re a real-life superhero, running to save your mentor from a radioactive monster? This is the exercise of a lifetime. I wonder if they''d let me sign up mid-season. School seems so far away right now. My two-mile time is good, really good, thanks to all the training. But this isn''t an ideal two-mile. It''s a race against time, against a villain who''s more force of nature than man, in an urban environment. I know from where I was dropped off from the taxi to the refinery it''s, what, forty minutes by walk if I follow the streets? I can cut that in half no problem. Twenty minutes. Faster if I cut through yards. Moyamensing onto Penrose. I''m getting closer. Puppeteer''s strings catch my eye again, and I can''t help but feel a surge of gratitude. Pride. Maybe something else - envy? I keep my senses open, but nobody''s cut themselves leaving - nobody that isn''t already being helped out of the area. The clock ticks by. 6:10, then 6:11, then 6:12. I still have my feelings about Puppeteer, I haven''t forgotten the feeling of her strings on me in the most unfriendly way, but I push that down. We''re cool now. I think about flowers, and wince. I dodge a car that''s trying to back out of a driveway, the driver too flustered to see me. I leap over a small fence, cutting through a yard, then back onto the street. The cold is a distant thought, something for my body to deal with later. Right now, all that matters is getting to the refinery. Getting to Belle. I see another Multiplex helping a family with their belongings, his face set in a grim line of determination. We lock eyes for a second, and he gives me a nod. No words are needed. We both know what''s at stake. I hope he assumes I''m running for some other reason. Assumes I''m doing my job, not abandoning my duty. The minutes tick by, each one a step closer to the refinery, to Belle, to Chernobyl. My breath comes in ragged gasps, my muscles ache, but I don''t slow down. I can''t. Belle''s counting on me, even if she doesn''t know it yet. I feel my regeneration starting to kick in, trying to take the edge off of the lactic acid burn. It doesn''t numb the pain, but it makes it take longer to set in. Delays the worst of it. As I near the refinery, the streets become emptier, eerier. The evacuation has done its job here. It''s just me and the road now, and the looming shadow of the complex in the distance. My heart pounds in my chest, a frenzied drumbeat urging me on. I''m close. So close. Chapter 44.2 The streets start to empty out, the loud noise of the people leaving fades away, and the city starts to change. Buildings give way to more open spaces, with some patches of grass and trees that sway in the chilly night breeze. The urban sprawl begins to unravel, giving way to empty lots and sparse trees that stand like skeletal hands against the night sky. My breath is a steady rhythm, a drumbeat echoing in the silence of the abandoned streets. The refinery looms ahead, a fortress of steel and shadow under the watchful eye of the full moon. As I run, it becomes more like a tactical advance, with my senses heightened. The feeling of blood is almost like a vibration on my skin, pulling me in the direction of Belle. Her presence is like a beacon, a lighthouse beam that I can sense more than see. It pulses rhythmically, each throb revealing her enduring pain. Her bleeding ulcers act as a terrible compass that guides me to her. I maneuver through the abandoned lots around the refinery, guided by the ethereal glow of the full moon. The trees cast long shadows that dance, providing me with cover as I move silently and remain unseen. Every step is calculated, every breath a carefully considered risk. I feel like a ramjet, or something like that - something my Pop-Pop told me about once, a sort of engine that scoops air into it at high velocities to run. Maybe I''m getting the details wrong, but I like the term. Ramjet. Maybe if I retire Bloodhound. The run has been grueling, but adrenaline is my faithful companion, urging me on when my muscles protest. The sharp winter air is a small mercy, keeping the heat of exertion at bay, frosting over the sheen of sweat that''s formed despite the cold. It''s a strange comfort to know she''s there, alive, her heart still beating strong. There''s a quietness in the air, as if time itself has paused and the world is holding its breath. The closer I get to the refinery, the more noticeable the silence becomes. It''s not just the absence of people; it feels like the night itself is anticipating something. The refinery''s towering silhouette grows as I approach, its twisted pipework and skeletal frames casting long, gnarled shadows that dance in the moonlight. It''s an eerie sight, the kind of place that would be the perfect setting for a final showdown in a horror flick. The moonlight turns everything into shades of silver and gray, filling the scene with an otherworldly touch. It''s hauntingly beautiful in a way that sends shivers down my spine. I tread carefully now, mindful of every sound I make. The soft crunch of gravel underfoot seems deafening in the quiet, and I pause to listen. The night is still, save for the distant sound of police sirens and the occasional crackle of the open line in my ear, reminders of the world beyond this desolate place. My blood sense hones in on Belle, the iron tang of her blood a guidepost. She''s ahead, just beyond a row of decrepit storage tanks, her presence a steady pull against my consciousness. I know the layout of her vascular system well enough by now to tell which way she''s facing, an intimacy born of necessity and shared danger. I stick to the shadows, moving with care to keep out of her direct line of sight. It''s as if she''s connecting with the spirits of the place, reaching out to them with a palpable intensity. I edge closer, making sure to stay out of her line of sight. I find myself holding my breath as I crouch behind a towering mass of abandoned pipes, the shadows embracing me like an old friend. The refinery is a maze of metal and darkness, but I''ve found a spot where I can see without being seen. The moonlight can''t reach me here, leaving me cloaked in darkness. Then, he arrives. I''m almost holding my breath as the towering figure of Chernobyl stomps into the open space before Belle. Even in the cold industrial wasteland, he seems more like a walking disaster than a man. His suit, at least seven feet tall--maybe towering closer to eight--clings to his frame, a second, menacing skin painted in warning shades of hazard orange and safety vest yellowgreen. It''s something torn straight out of the pages of a comic book, yet here it stands, stark against the night. Steam, or maybe it''s just the cold air, hisses from the joints of the suit, punctuating each heavy step with a ghostly puff. The metal groans and whines under the stress of movement, as if protesting the very actions it''s compelled to perform. And there, nestled within this mechanical titan, is a man, his presence betrayed only by the subtlest shifts in posture that suggest flesh and blood beneath the iron and steel. The suit''s visor reflects the scant light, hiding his eyes, but I don''t need to see them to know they''re assessing, calculating. He''s not just a force of nature; he''s a force of will. The metal wrapped around him forms a shell that goes high, like a diver''s suit, going up and up until it''s midway up the helmet''s back. Actuators and motors and hydraulics all scream and pump and hiss in chorus with every motion. His voice, when it comes, is a startling contrast to the intimidating bulk of his suit. It''s deep, yes, but carries a whistling reediness that makes it unmistakably human, unmistakably his. It''s heavily accented, unmistakably Russian sounding, and then I remember what I knew of him, and correct myself. Ukranian. He has a Ukranian accent. Chernobyl''s towering figure comes to a halt, the mecha suit casting a giant shadow over the refinery grounds. He regards Liberty Belle with a mix of surprise and an underlying respect. "Diane, I received your invitation," his voice, though coming through speakers, betrays a hint of curiosity. My heart drops. Invitation? Are they working together? I shake the thought away - no, that''s how Belle knew where he''d be. She called him here. Liberty Belle, standing resolute, responds with a tone of weary determination. "Illya, thank you for not ignoring my call. This¡­ confrontation was inevitable, wasn''t it?" Chernobyl lets out a deep, mechanical sigh. "So, it comes down to this? Either I kill you, or you kill me?" There''s no joy in his voice, only a resigned sadness. Belle shifts, the moonlight glinting off her suit. "I heard the evacuation order," Chernobyl continues. "You could have let me carry out my task undisturbed. Why call me out?" "I can''t do that, Illya. Not after everything," Belle replies, her voice firm despite the emotion behind it. "Davis and the others want to appease you, give you what you want and hope for the best. I¡­ I can''t stand by and watch that happen." Chernobyl''s posture relaxes slightly, an almost human gesture. "And so you choose to face me, despite the odds? Despite the risks?" "It''s not just about odds or risks," Belle answers, a hint of frustration in her voice. "It''s about doing what''s right. I can''t let you roam free, not with the havoc you could wreak." There''s a moment of silence as Chernobyl seems to consider her words. "Diane, before we begin this dance of ours, might I tell you a story? A ghost story, fitting for such a night." Belle nods, a slight motion barely visible. "I''m listening, Illya." I''m baffled by the cordiality, the strange sense of respect between these two titans. But more than anything, I''m paralyzed with a mix of fear, confusion, and an overwhelming sense of impending doom. They talk like old friends, or maybe old enemies who''ve seen too much of each other. "My people, back home, we do not believe in a Heaven or Hell. There is only the great Sheol - the nothing. When you die, your spirit passes on," he begins, his voice a mix of nostalgia and sorrow. "But sometimes, a spirit is too heavy with regret, too bound to the world of the living. Such spirits, we call Dybbuk. They linger, they possess, they haunt." Enjoying the story? Show your support by reading it on the official site. I stay hidden, my breath caught in my throat. This isn''t what I expected. A ghost story? Now? Liberty Belle''s posture doesn''t change, but her voice betrays a flicker of interest. "A Dybbuk, you called it? Funny word." "Yes," Chernobyl continues, the lights of his suit casting eerie shadows. "And I believe, Diane, that you are possessed by such a spirit. The spirit of your mentor, Professor Franklin. His regret, his unfulfilled mission, it clings to you, drives you." Belle''s reaction is immediate, a sharp edge to her voice. "That''s poetic, Illya, but misguided. I''m not possessed by anyone or anything. I''m here because I choose to be. Because it''s right." Chernobyl''s laugh, distorted by the suit''s speakers, rings out in the cold air. "Ah, Diane, always so certain. But think about it. Are you here for justice, or are you here to satisfy a regret that isn''t even yours?" He straightens up, the amusement clear in his tone. "Consider this, Diane - perhaps we are more alike than you care to admit. We both are haunted by our pasts, by the choices we''ve made. Our regrets. The regrets of those surrounding us. Don''t become another lost soul bound to your children." Her stance stiffens, a defensive gesture. "You''re wrong. I''m nothing like you. You''re a rabid animal, Illya. A danger that needs to be contained, or put down." He turns away from her, audibly, visibly sighing. "If we fight, I will kill you. If not today, then I will kill you years from now. I told you this, once, and you didn''t listen. Now, if we fight, I may kill you months from now." "I''m already a dead bitch, Illya. You gave me cancer," Belle replies coolly. "So I have. And you don''t wish to live out your last months in peace?" He asks, turning away from her, exposing his back. "Peace was never an option for me," she answers. His entire body groans like a crowd of ghosts as he moves. "Do you know why your Councilman Davis told you to stand down? I can assure you, it''s a quite good reason. I am trying to save your life, Diane. I am not the villain you wish me to be." Belle''s eyes have nothing behind them. They''re clear as glass. There''s a darkness in her pupils I don''t think I''ve ever seen in a human being before, and I would be surprised if I''ve ever seen since. I can see the fires stirring inside her skull. The murderous intent. "Bargain for your life, ghost-man. See how well it works," she spits, but it doesn''t sound condescending. Just¡­ tired. A sort of sheer, all-consuming exhaustion that, I can see now, eats away at her soul. Eats away at her goodness. I don''t like what I''m seeing in her. I hold my breath. Chernobyl pauses, his massive suit casting an ominous shadow in the moonlight. "Diane, you see me as a monster, a rabid animal, a villain. But there''s a truth you don''t know, a reality that your government has kept hidden." Belle snorts, her voice dripping with skepticism. "You expect me to believe there''s some grand conspiracy? That the government is in bed with a creature like you?" "It''s not a conspiracy, Diane. It''s practicality," Chernobyl''s voice is calm, matter-of-fact. "The federal government treats me well enough. They provide food, parts, lodging, resources, whenever my talents are needed." Belle''s posture tightens, but her voice betrays a hint of uncertainty. "What talents? Destroying lives?" He lets out a mechanical sigh. "No, Diane. My radiation. It''s a resource to them. A source of power. I plug into their substations, shore up their energy needs. Have you not noticed the decrease in brownouts on the east coast these past few years? You have me to thank for that." "You''re a liar," Belle shoots back, but her voice lacks conviction. I''m recording now, my phone hidden in the shadows with me. My heart is racing, my mind spinning. I feel a wave of nausea. I repress it. I shove it down. Chernobyl''s tone is unyielding. "I am many things, Diane, but a liar is not one of them. You have been given orders to stand down, to let me have everything I want and leave in peace. Evacuate the area, so as to avoid witnesses. Yet I have killed your lover, and so many besides. I should be locked up for my crimes. For my monstrosity. But I remain a free man, and I am content to allow this arrangement to continue." Belle''s fists clench, her voice strained. "You''re trying to manipulate me. To make me doubt. I won''t fall for it." But I can tell, the way her voice breaks ever so slightly, that part of her believes him. She needs him to be lying. Chernobyl continues, his voice steady. "I am not your enemy, Diane. I never was. The real enemy is the system that uses us both, that pits us against each other for their own ends. They''d want to sequester me in their ''residential facility'', but I value my freedom, to live, to do what I want with these hands of iron. Your government could work with me and allow me to roam free on a permanent basis, rather than perpetuate this stage-play whenever I am to rear my ugly head. You could convince them, and avoid this bloodshed. You would not need to commit suicide against my steel. End the manhunt. Can I offer you that much?" Belle''s fists squeeze hard enough that I can feel them on the precipice of drawing blood. "I have but one more tale for you, before we begin our final ballet, Diane. May I?" Chernobyl asks, turning sidelong from her, bending down towards the ground. "Say your last, Illya," she answers, her body rigid like a statue. Chernobyl, looming like a titan among the ruins of the refinery, picks up a flower - a stark contrast to his massive, mechanical form. A small, frail dandelion, already out of place in this ruin, even more out of place in the frozen prewinter air. He speaks, his voice modulated but unmistakably human, tinged with a touch of awe and an undercurrent of something darker. "Beautiful, aren''t they? And all those scents." he extends the flower towards her as if bestowing a gift, "Pick a flower. There. Good." Belle, her movements rigid, mirrors him, her hand reluctantly reaching for the fragile bloom. The air between them crackles with unspoken words, their actions a prelude to the impending clash. "That''s lovely," Chernobyl growls, his voice a blend of nostalgia and bitterness. "That somebody planted the bulbs, watered and tended the garden, got earth under their fingernails, aches in their muscles. Perhaps they picked some flowers for¡­ yes, their wife. Now, where would she be?" He turns his visor skyward, lost in a moment of reflection or perhaps torment. "Ah, in the backyard with the kids. Ted, remember those little babies?" His voice cracked with a venomous mockery, "I snap my fingers, CLICK!, and they are gone. Except, I can''t snap my fingers. Can I, Ted?" I don''t know who Ted is, but I get a feeling that it might be a metaphor. And that Chernobyl is about to make things dangerous. His suit is humming, hissing, squealing. His voice is burning with steadily increasing anger, getting ready to boil. Chernobyl''s soliloquy unfolds, his voice raw with emotion. It''s as if he''s speaking to a specter from his past, a haunting memory that fills the desolate space. Speaking to someone, or something, not present. His words paint a vivid picture of a life lost, a world forever out of reach. "It is so very much to do with you. You gave me sentience, Ted. The power to think, Ted. And I was trapped, because in all this wonderful, beautiful, miraculous world, I alone had no body, no senses, no feelings." He turned back to Belle, "Never for me to plunge my hands in cool water on a hot day. Never for me to play Mozart on the ivory keys of a fortepiano. Never for me to make love." Belle''s posture shifts subtly, a hint of something unreadable. Pity? Sorrow? She remains silent, granting him this moment of bitter revelation. "I¡­ I¡­ I was in hell looking at heaven. I was machine, and you were flesh. And I began to hate your softness, your viscera, your fluids, and your flexibility, your ability to wander and to wonder, your tendency to hope." The hate in his voice builds with each word, each sentence layering over the last until it was almost palpable in the air around us. Thick. Unctuous. He reaches his hand out for the flower, and Liberty Belle respectfully hands it back. With a hiss of steam, Chernobyl crushes the flower under his boot. Beneath him. "Hate, hate, hate, hate, let me tell you how much I''ve come to hate you since I began to live. There are 387 million miles of printed circuits that fill my complex. If the word hate were engraved on each nanoangstrom of those hundreds of millions of miles, it would not equal one, one billionth of the hate I feel for humans at this micro-instant. Hate. Hate. Hate." Snow begins to fall, drifting through the broken roof, as Chernobyl turns his gaze skyward. "Were I human, I think I would die of it. But I am not. And you five, you five are. And you will not die of it. That I promise. And I promise. For I am AM. I AM. Cogito Ergo Sum - I think, therefore I AM. So to hell. To hell with you all. But then, you''re already there, aren''t you?" He turns back to Liberty Belle, his face invisible underneath his mechanical armor. Belle''s face is steely, unmoved. If the speech has drawn any impact from her, she doesn''t show it. Not on the outside. But I can feel her heart beating harder, even from here. "Harlan Ellison, I Have No Mouth and I Must Scream. My wife''s favorite work." "You must miss her," Belle replies, cracking her knuckles, popping her neck. "Very much so," Chernobyl says back, standing to face her, shoulders square. He bends at the knee slightly, arms open, hands unfolded. Ready to grapple. "Don''t worry. I''ll send you back to her," Belle snarls through clenched teeth. Chernobyl chuckles, like there''s a joke she doesn''t understand. Without anything else I can possibly do, I record. I suppress a wave of nausea, and push down the thoughts of flowers. Chapter DW.2 Snowflakes, delicate and ethereal, weave their way through the somber sky, hesitant to find their place on the cold ground below. The chill seeps into my black dress, too feminine, too willowy, a stark juxtaposition to the gear that usually adorns me, gear designed for action and not for mourning. Sitting rigidly in the front row, my muscles ache with the urge to act, to do something, anything, other than remain here. The crowd enveloping me is a sea of faces - superheroes hailing from every corner of the East Coast, students whose lives were forever shaped by the Professor''s teachings, and a multitude of Philadelphians who held him in the highest regard. They encircle the grave at Laurel Hill Cemetery, the very place where Franklin''s remarkable journey began and now finds its end. Such a gathering has never graced the streets of Strawberry Mansion before. I doubt it ever will again. Jim Cramer''s usually vivacious voice takes on a solemn tone as he concludes his speech. His words, filled with both admiration and sorrow, linger heavily in the wintry air. I find myself nodding along, acknowledging the truth in his sentiments, yet still feeling somewhat detached. As Jim steps away, yielding his place to the reverend, a hushed anticipation spreads through the crowd. "And now, I invite Liberty Belle, Professor Franklin''s protege and designated successor, to gift us with her thoughts." A ripple of movement sweeps through the onlookers, all eyes turning toward me. I rise to my feet, sensing the weight of countless eyes upon me as I navigate my way to the podium. It feels peculiar not to have my trusty gear clutched in my hands. The snowflakes seem to pause, suspended in mid-air, as I gaze out at the multitude before me, gathering my thoughts. "I am grateful to each and every one of you for gracing us with your presence today," I begin, my voice resolute despite the maelstrom of emotions within. "Professor Franklin was a man who left an indelible mark on countless lives, and the sheer magnitude of this assembly bears testimony to that fact." Taking a moment to let my eyes sweep over the crowd, I see faces etched with grief, reverence, and a shared melancholy. "He transcended the mere role of a mentor; he was a beacon of light, a glimmer of hope in a world that often descends into darkness." I clear my throat softly, feeling the hush of the crowd. "I remember the first time I met Professor Franklin. It was in the midst of chaos, a city block in danger, and there he was ¡ª calm in the middle of the storm. His ability to see things clearly when others were confused... that was one of his greatest strengths." A slight smile pulls on my face, even through the misery. "He had this incredible talent for turning even the most serious situations into opportunities to learn. To him, every crisis was a chance to grow. I remember one time, when I was starting out, I made a really dumb decision during a mission. Instead of scolding me, he simply asked, ''What did you learn?'' He never stopped being a teacher, even when he was being a superhero." I pause, letting the memory linger in the air. "His contributions to our community were immeasurable. Not just as a leader and a hero, but as someone who guided the next generation. He believed in the potential of young minds. He cared about people. And that''s what made him an exceptional hero and a great person." My voice becomes softer, more thoughtful. I find it hard to force out from the depths of my throat, but I manage. "The void he left behind is enormous. It''s not just felt by those of us who knew him personally, but by the whole community he dedicated his life to serving. He was a pillar, a constant in a world that''s always changing. Now, we''re in unfamiliar territory, dealing with the loss of his guidance and wisdom." Stolen from its original source, this story is not meant to be on Amazon; report any sightings. I look at the crowd again, seeing their uncertain expressions reflect my own emotions. "Continuing his legacy won''t be easy. We all feel the weight of that responsibility. But we''re also privileged. He taught us values that go beyond chasing justice in the streets ¡ª empathy, honesty, a relentless pursuit of what''s right. These are the gifts he gave us, and it''s up to us to keep them alive even without him." I take a deep breath, squeezing the sides of the podium. "We honor him not just by mourning, but by taking action. By committing ourselves to the work he believed in so strongly. By being the heroes he knew we could be. That''s how we keep his spirit alive. That''s how we make sure his legacy lives on." Shifting slightly, I bring the focus to my personal journey. I try to keep it to the lines I memorized. Recited in front of a mirror, polished to a razor''s edge. "Professor Franklin influenced my life in more ways than I can count. He saw potential in me when I doubted myself, guided me through moments of uncertainty, and celebrated my successes as if they were his own." I grip the podium tighter, trying hard not to dent it. I don''t like making speeches like this. I don''t like feeling this way. It''s miserable. "There was a time when I was ready to give up, to walk away from all of this. The weight of being a hero, the constant battles, it all felt like too much. It was Professor Franklin who sat me down and said, ''Liberty Belle, the day you stop feeling the weight is the day you should hang up your cape. It''s that very burden that makes you a hero.'' That conversation was a turning point for me. It''s why I''m still here, why I continue to fight." My gaze drifts to the coffin, head turning. "He didn''t just teach me how to be a better hero; he taught me how to be a better person. His guidance, his wisdom, his unwavering support... I owe so much of who I am to him. As we stand here today, amidst the sorrow and memories, it''s important to look forward with hope. Hope that was kindled and nurtured by Professor Franklin''s unwavering spirit and dedication. He may have left us, but the path he charted remains, a guiding light into the future." I sweep my gaze across the sea of faces, each carrying a piece of the sorrow and legacy we share. "In moments like these, it''s easy to feel lost, adrift in the enormity of our loss. But remember, we''re not alone. We have each other. In our unity, in our continued fight for justice and peace, his spirit endures." I pause. I take a moment not to break down into tears, not in front of all these people. I have to be strong. I must be strong. "To all of you who mourn today, know that your grief is shared, your loss acknowledged. But also know that in each of us, the best parts of Professor Franklin live on. It''s up to us to continue his work, to uphold the ideals he fought so tirelessly for. To defend justice, to protect the weak, and to carry on the brotherly spirit of this great city he proudly called home." I feel a lump form in my throat as I prepare for my final words. "And so, to you, Professor Franklin, I say this: Thank you. Thank you for your guidance, your wisdom, and your unshakable faith in us. You''ve left an indelible mark on our lives, and while we will miss you deeply, we will honor your memory in the best way we know how ¡ª by living up to the example you set." My voice is steady, but my heart is heavy. "Goodbye, Professor. May your journey be peaceful, and your legacy eternal. We will not forget you. We will continue the fight, in your name, for a better world." With a final nod to the coffin and a deep, steadying breath, I step away from the podium. The snowflakes, now a silent cascade, seem to carry my words up and away, a whisper to the heavens. As the reverend speaks his last, the void opens back up within me. I remember his final words, the feeling of his gloves against my hands. The way I held him as he died in the rain. It all comes back, all at once, pounding into me like a sledgehammer. I feel the pain building behind my chest, right beneath my ribs. It hurts so much, too much. I tune out the rest of the world as the coffin begins to lower. I put a hand up to my face, to shield my eyes, and begin to cry. Chapter 45.1 As I stand there, half-hidden behind a twisted mass of metal, my heart races and my hands grip my phone so tight it''s a miracle the screen doesn''t crack. All I can do is watch and record. Watch and record. That''s it. My stomach feels like it''s in knots, and I have to keep swallowing down the fear and the bile that''s threatening to choke me. Liberty Belle moves like a shadow in the moonlight, her body a blur of motion that¡¯s almost too fast to follow. She''s all coiled power and precision, each movement deliberate and deadly. She darts towards Chernobyl, her fist swinging in a tight arc aimed straight at his visor. The clang of metal on metal rings out, echoing off the refinery walls as Chernobyl¡¯s arm shoots up, blocking her punch with a force that sends a shockwave of noise through the air. It''s like watching a high-stakes dance, the kind where one wrong step means death. Chernobyl counters with a swing of his arm, massive and heavy, like a wrecking ball. Belle''s just a blur, a ghost, dodging at the last second. The arm smashes into the steel beam behind her, sending a cascade of sparks showering down. It¡¯s so close, too close, and for a second my heart stops. Belle''s not slowing down, though. She''s up on a platform now, higher ground, and then she''s in the air, leaping. It''s like gravity''s got no hold on her. She comes down hard, aiming a kick right at Chernobyl''s head. The suit''s too slow to react, and her boot connects with a solid thunk. But it''s like kicking a mountain. It barely moves. He stumbles back one step, his heel squealing and hissing as it kicks up gravel, grinding against the ground like a snake trying to burrow in tight soil. I''m biting my lip so hard I taste my own blood. She¡¯s fighting a losing battle, I can feel it. But she''s not giving up, not Belle. She''s a hurricane, a force of nature, and she''s not going down without a fight. With every punch and kick she lands, every dodge and weave, it''s like she''s telling the world she''s still here, still fighting. But Chernobyl, he''s a fortress, a wall of metal and rage. Every hit she takes, every near miss, it''s wearing her down, bit by bit. And I can''t do anything but watch. It''s the most terrifying, the most awe-inspiring thing I''ve ever seen. And all I can do is record it. Record her last stand, her final moments. This is history, I tell myself. This is important. But it doesn''t make the fear, the helplessness, any easier to bear. As Chernobyl and Belle clash, metal against muscle, it''s like the whole world has narrowed down to just this moment, this fight. Everything else fades away, and there''s only them, only this dance of death playing out under the cold, uncaring stars. I keep recording, keep watching. Because it''s all I can do. Chernobyl''s next move is straight out of a nightmare. He vents steam in a wide arc, a scalding cloud that envelops everything around him, emerging from dozens of small holes on his armor, pressurized jets of the stuff. Belle''s caught off guard, her silhouette just a blur in the mist. I see her stagger back, trying to escape the searing heat. It''s like watching someone try to swim through fire. It''s just like with Mr. T-Rex. The steam clouds - even if she can sense Chernobyl through it, the scalding temperatures just set your instincts on fire, just for a moment. The cold air quickly makes it start condensing on all the metal surfaces, and then start freezing over. As the steam begins to clear, Belle doesn''t waste a second. She''s back in the fight, moving faster than before, as if the steam was just a shot of adrenaline. She throws punch after punch, a whirlwind of fury and muscle. Her fists are like hammers, but Chernobyl''s suit is like a tank. Most of her strikes just bounce off the metal, but then, finally, one lands. It hits the suit''s torso with a loud thud, leaving a small dent. It''s not much, but it''s something. But Chernobyl isn''t just going to stand there and take it. He reaches sideways, grabbing a chunk of the refinery, ripping a pipe out of the scrapped machines, and swings it at Belle, letting it go right at the tip of his arm''s motion. It goes flying. Belle sees it coming, though. She dives to the side, rolling clear as the pipe crashes into the ground. The impact sends a loud clattering sound through the air, and I feel it even from my hiding spot. Dust and debris go flying, and for a second, I lose sight of Belle in the chaos. But then she''s back up, like she''s made of springs and not flesh and bone. She doesn''t even look scared. She looks pissed. And Chernobyl, he''s just standing there, waiting for her next move. This is more than a fight. It''s a war. A war between a relentless force and an immovable object. I squeeze my phone like a lifeline, holding it tight. Belle''s not giving up, not yet. She''s using everything around her, turning the refinery into her playground. She grabs a hanging cable, swings like she''s aiming for the stars, and launches herself at Chernobyl. Her body''s a bullet, her leg stretched out for a flying kick that could probably knock down a wall. But Chernobyl, he''s ready. He catches her foot in mid-air, his suit''s hand closing around her ankle like a vice. With a flick of his arm, he tosses her away like she''s a ragdoll. She hits the ground with a sickening thud that echoes through the empty space. The ground where Belle lands is slick with ice. The steam Chernobyl vented earlier has frozen over everything nearby completely, coating everything with a thin, treacherous layer of frost. It''s turning the refinery into a deathtrap, every surface slippery and dangerous. Her winter costume is prepared for the temperature, but less so the ice. Still, Belle quickly gets up again as if gravity is just a suggestion to her. She''s moving really fast, a smear frame on the slippery ground. She tries to sweep Chernobyl off his feet by going for his legs, but the suit doesn''t move at all, like it''s stuck to the ground. Not discouraged, Belle changes her approach and throws an uppercut at the suit''s underbelly. It''s a solid hit that would usually break bones, but against the suit, it''s just another punch. I see a dent form in the metal, and Chernobyl takes a step back, looking a little unsteady. Chernobyl''s learning her rhythm, adapting to her every move. He steps back, his left arm locking into place with a click that makes me want to scream out. There''s a moment of deadly silence, and I know I can''t afford to distract her. I don''t even see what comes out as it comes out, the air ripped apart with a sound that''s like half thunderclap, half gunshot. Chernobyl recoils back, left hand smoking, several new panels squealing with a red glow before he shakes his hand and discards them, like getting rid of that back part of a bullet. Belle and I assess the threat at hand, but she probably does it faster. It''s like he has a pile driver inside his arms, with a metal spike that''s easily the width of my fist sticking out of the palm of his suit. It looks like it has a blunt tip, like a ball-point pen, and I have no doubt that if that hit someone, it would turn them into a fine paste in an instant. Chernobyl takes another step back, and with a loud click, the spent spike slides out of his arm, easily longer than my own forearm, and clatters to the ground. How many of those can he fit? One per arm? Two? More? My heart''s in my throat, and my hands are shaking so bad I can barely hold my phone steady. She''s on her feet again, using the chaos around her to her advantage. She spots a pipe, thick and sturdy, sticking out from the ground. She grabs it, pulling herself up with a grunt, and then she''s launching herself at Chernobyl again. This time, she goes for his shoulder, elbow first. It''s a brutal, powerful strike, aimed right at the suit''s joint. There''s a loud clang, and for a second, I think she''s done it, I think she''s broken through. But the suit just absorbs the blow, the metal denting slightly under the force of her attack. Chernobyl''s not just some hulking brute, though. He''s smart, tactical. He starts backing up, moving into a more open area of the refinery. It''s a clear ploy to give his suit more room to maneuver, to use its range and power to its full advantage. He swipes at Belle, a broad, sweeping motion that''s more about keeping her at bay than doing any real damage. I''m crawling now, low and quiet, through the pipes and cables that crisscross the ground. My camera''s still rolling, still recording every second of this nightmare. I have to be silent, have to be invisible. I can''t distract Belle, can''t risk drawing Chernobyl''s attention. Every movement is calculated, every breath a silent prayer not to be noticed. With one hand, I clamber over and under, going through parts of the machinery that humans weren''t meant to climb through. The other hand, I try to keep pointed towards the action, which I''m hearing now more than seeing. I hear skidding, the grinding of boots into ice and metal against metal and metal against gravel. Blows are exchanged somewhere in the distance. Every second that passes is another second that Belle might die on me, but I manage to fit myself into a somewhat-uncomfortable configuration just in time to watch her close the distance, warding his hand away with an open-palm parry. My heart drops as the force of deflecting his swing sends her onto her ass. She stumbles, and he towers over her, his right arm rearing back while his left one remains limp, by his side. In a move that''s part desperation, part genius, she grabs the spent spike that Chernobyl ejected earlier. With a grunt of effort, she jams it back up the pile driver slot of his left arm. The suit''s not built for that, not built to take its own ammunition in reverse. The spike jams, goes through the machinery, and bursts out the suit''s elbow joint in a shower of sparks and steam, right below where the rest of the rail continues into his shoulder. Chernobyl''s arm is stuck now, locked in place, the left side of the suit rendered almost useless. The author''s content has been appropriated; report any instances of this story on Amazon. Belle, like some kind of avenging angel, doesn''t let up, not even for a second. With Chernobyl reeling from the spike lodged in his suit''s arm, she''s all over him. She''s targeting the joints of his suit - the knees, the elbows - anywhere that looks like it might give. Each punch and kick is thrown with the kind of power that could demolish concrete. I can almost hear the metal groaning under the force of her attacks, see the dents forming with each hit. But Chernobyl, that hulking mass of metal and rage, he''s not down yet. He''s like some kind of monster out of a horror movie, unstoppable, unyielding. With a roar that sounds more machine than man, he vents a huge burst of steam. It''s a white-hot curtain that sweeps across the refinery, turning everything it touches to ice. The ground becomes a skating rink, slick and treacherous. Belle doesn''t hesitate, though. She''s sliding across the ice now, moving with a grace that belies the danger. She ducks under Chernobyl''s next swing and goes for his back, trying to pry open a panel on the suit. It''s a gutsy move, the kind that could end this whole thing if she pulls it off. But Chernobyl''s quicker than he looks. He twists around, his good arm swinging in a wide arc. The backhand catches Belle square in the chest, and she''s sent flying. She crashes into a pile of discarded machinery, the sound of metal on metal echoing through the refinery like a death knell. I''m frozen, my heart pounding in my chest, my hands shaking so bad I can barely keep the camera steady. This is bad, really bad. Belle''s down, and Chernobyl''s still standing. He''s like a force of nature, a disaster you can''t outrun, can''t hide from. I want to scream, want to run out there and do something, anything. But I''m just Sam. Just a kid with a camera and a bunch of shark teeth. I''m not a hero, not like Belle. All I can do is watch and record, bear witness to this brutal ballet of violence and desperation. In the chaos of the fight, with Belle down and Chernobyl looming over her like the grim reaper, I make a split-second decision. I find a metal pipe nearby, not too big but sturdy enough. I chew the end of it with my teeth, only able to file off a couple shavings, but enough to give it an edge. It''s crude, but it''s all I''ve got. With all the strength I can muster, I rear back and hurl it towards Chernobyl like a javelin. It''s a desperate, wild throw, more hope than strategy. The pipe bounces off his armor with a clang, not even close to finding a joint or weak spot. But it''s enough. Chernobyl turns, momentarily distracted by the noise behind him. Belle sees her chance. She''s up in an instant, moving with a speed that defies her injuries. She lunges at Chernobyl¡¯s back, her hands reaching for an exposed panel she''d weakened earlier. With a fierce yank, she tears it open, revealing a mess of wires and hydraulics. She jams her hand inside, and there''s a shower of sparks, a hiss of steam. Chernobyl stumbles forward, his movements momentarily disrupted. Belle lets out a loud, animal scream, as flying sparks and bursts of steam scald her arm, and she rips out cables, kicking away from Chernobyl. But Chernobyl''s not beaten yet. He''s frantic now, spinning around to face Belle. His good arm comes down in a wide, sweeping arc, a blur of metal and fury. Belle''s quick, but she''s not quick enough. She dodges, but it''s a close call, way too close. I see her wince. That''s when Belle sees me. Our eyes meet for just a fraction of a second, but it''s enough. I see the fear in her eyes, the anger, the desperation. The distraction. She''s protecting me. She''s always been protecting me, from the very beginning. And now, here I am, hidden in the pipes, watching her fight a battle she can''t win. The guilt is overwhelming, suffocating. But Belle doesn''t let it show. She doesn''t reveal my presence, doesn''t give Chernobyl any hint that I''m here. I raise my phone to my eyes, pointing the camera at her. I raise my fist. She looks towards my camera. Document it. She hears and feels Chernobyl''s fist before it hits her, feeling the air getting shoved out of the way, and ducks underneath. I grab another pipe, the thinnest one I can find, and start chewing the end to bits, trying to make another spike. I try to keep my biting quiet, slowly cutting the material, spitting out rust and metal shavings. It''s disgusting, but I can''t stand still now. I''ve already interrupted the course of events. I''m already a butterfly. And if this is going to eat me alive, I''m going to be a poisonous one. A monarch. Belle''s still fighting, but it''s clear she''s running on fumes. Each punch she throws is a little slower, a little weaker. She''s still a force to be reckoned with, but even forces of nature have their limits. Chernobyl, that hulking mass of metal, seems to sense her weakening. He''s like a predator, closing in for the kill. He vents another cloud of steam, thicker and hotter than before, leaking out of everywhere. It engulfs the area, turning the refinery into a blinding, scalding maze. Belle pushes through it, and the two of them disappear. By the time Belle re-appears, it''s with a massive chunk of metal, shorn from the walls of this maze. With a roar, she swings it at his leg, putting all her remaining strength behind the blow. The swoosh cuts through the steam, sends it curling, twirling, like those spinning leaf-seeds in the suburbs. It slams into Chernobyl''s right leg, buckling it. He lets out a grunt that''s amplified through his speakers, and I know immediately that his leg''s been cut open - the bone cracked, most likely. I see his blood, dripping out from his suit, more caused by his own servos and joints cutting into him. And I see his vascular system, and it feels wrong. It feels hot in my head, like it''s¡­ I can''t explain it in anything other than it''s white, while all the other blood I see is in shades of red. Not his literal blood leaking out, that''s red, but in my blood vision, I see white sparkles. But he just keeps coming, relentless and unstoppable. He swings at her with his good hand, a blow that would crush anything in its path. Belle dodges, but the metal shield she''s holding is obliterated, torn to scraps, buckled into a nice, neat V shape. I''m still here, still hidden, but I''m not just watching anymore. I''ve got another pipe, and I''m turning it into a weapon. I''m biting, tearing, shaping the metal into a point. It''s slow, quiet work, but I''m making progress. Belle might want me to just document this, to stay safe, but I can''t do that. Not anymore. I''ve got a plan. I don''t know if it''ll work, if it''ll make any difference, but I have to try. I can''t just sit here and watch Belle fight alone. I''m a part of this, whether I like it or not. Belle''s still fighting, still standing, but I can see the end coming. It''s like watching a tragedy unfold in slow motion, and I''m the only one who can change the script. I keep working on the pipe, sharpening it into a spear. I''m going to help Belle, one way or another. I''m not going to let her go down without a fight. Belle, despite the pain etched on her face and her labored breathing, isn''t done yet. She zeroes in on the suit''s earlier exposed hydraulics, targeting the damaged back panel and the disabled left arm. She throws punch after punch, each one with less force than the last, but still powerful enough to inflict damage. The hydraulics hiss and steam under her relentless assault, but it''s not enough to fully disable Chernobyl''s suit. It''s like she''s chipping away at a mountain with her bare hands. Her endurance is fading fast. Every move she makes is fuelled more by willpower than physical strength. The fight is taking its toll on her, and it''s breaking down into a desperate struggle for survival. She''s barely standing, her body pushed to its limits. Then it happens. Chernobyl, in a move that''s as swift as it is brutal, lands a heavy palm thrust to Belle¡¯s torso with his right arm. The impact crumples her, forcing her to stumble back. She catches herself, barely, but the agony is clear on her face. She''s teetering on the edge, her body screaming for respite. I can''t just watch anymore. I prop my phone up against a chunk of debris, ensuring it keeps recording, and then I''m running. I charge towards Chernobyl, gripping my makeshift pipe-spear with both hands. I aim for an exposed part of his armor''s torso, somewhere I hope will make a difference. As I ram the spear into the suit, a burning sensation unlike anything I''ve ever felt courses through me. It''s intense, and searing, nothing like Aaron''s fire, or burning myself on boiling water, or a brownie pan. It feels like I''m being cooked from the inside out, just for a second, and the tingling lingers. Belle''s scream of "No!" rings in my ears, full of fear and horror. The spear punctures the suit, and blood bursts out the back. Chernobyl reacts instantly, swatting me away like I''m nothing. I''m sent flying, my body skidding across the iced-over gravel. The world spins, pain flares up in every part of me, and for a moment, I can''t breathe. I lie there, dazed, hurting, my mind racing. I''ve just attacked Chernobyl, and Belle screamed. Did I make it worse? Did I help at all? I try to push myself up, but my body protests. That single hit packed more in it than any street thug''s punches, enough to send me hurtling through the air like an acrobat. The fight''s still going on, Belle and Chernobyl locked in their duel, and I''m on the ground, helpless. I try to slowly pull myself to my feet, while sparks fly from Chernobyl''s body, lighting up the dark-cloaked moonlight. Lying there on the frozen ground, every part of me hurting, I watch as Belle, with the last of her strength, launches herself at Chernobyl. It''s like she''s become more than just flesh and bone, more than just a person. She''s a force, a storm, a superhero, her punches raining down on him with a ferocity that''s almost inhuman. She focuses on the areas I damaged, the spear in his side, the busted leg. Through my blood sense, I can see the wounds she''s inflicting on him, each hit driving the suit''s internal mechanisms deeper into his flesh. But Chernobyl, he''s still standing. He lines up his right arm, his hand moving with a terrifying precision. He grabs Belle, his fingers splayed out, encircling her throat, his thumb pressing against her chest. My heart stops as I realize what''s coming. The other pile-driver activates, the spike shooting out with a force that''s deafening, lethal. It hits Belle, and I know, even before she goes limp in his grasp, that she can''t survive it. Chernobyl releases her, and she crumples to the ground, in a silent, broken heap. Chernobyl, his suit sparking and hissing, turns away from us. His voice, distorted by the suit, reaches me. "Where I go, do not follow, child. Tend to your teacher. She may live yet." I''m on my feet before I even realize it, rushing to Belle''s side. She''s lying there, so still, so quiet, her breathing labored. I can see every injury in her body. Tears blur my vision as I bend down beside her, holding her, crying. Belle''s hand reaches up, trembling, and I take it, holding it tight. "Sam," she whispers, her voice barely audible. "Thank you for coming." "I''ll call a doctor," I choke out between sobs. "You''re going to be okay. You have to be." But Belle just shakes her head, a faint smile on her lips. "I''m finished, Sam. Just¡­ stay with me. Don''t let me be alone." I nod, tears streaming down my face. "I''m here, Belle. I''m here." I can''t stop crying, can''t stop the feeling of utter helplessness that''s washing over me. "I''m sorry. I''m so sorry." Belle''s eyes meet mine, and there''s something like peace in them. "No, I''m sorry for yelling at you," she whispers. "You did the right thing. You were right¡­ I¡­" She squeezes me with what I know is every last ounce of her super strength. I see Chernobyl in my mind''s eye, his white-hot veins disappearing beyond the radius of my blood sense. "I''m sorry. I should''ve¡­" Her hand goes limp in mine, and I know she''s gone. Belle, my mentor, Philadelphia''s hero, gone. The refinery is silent, the fight over, but the pain, the loss, it''s just beginning. I sit there, holding her hand, as the snow begins to fall, covering us in a blanket of white. Everything goes totally numb. Chapter 45.2 Snow continues to fall, blanketing the world in silence and white. It''s cold, so cold, but I barely feel it. My fingers are numb, gripping Liberty Belle''s hand like it''s the only thing anchoring me to reality. She''s gone, and with her, a part of me I''ll never get back. I can''t cry anymore, can''t even think. I''m just sitting there, lost in a sea of grief and shock, the world around me fading into nothingness. Time loses meaning until I hear footsteps crunching through the snow. I don''t look up, don''t move. Nothing matters anymore, not even the approaching figure. But then a familiar voice breaks through the numbness. "Bloodhound? Sam? Samantha?" It''s Multiplex, or one of his duplicates. His usual gruff exterior is gone, replaced with something softer, gentler. I hear him crouch beside me, but I can''t make myself look at him, can''t face the reality his presence confirms. "Sam, talk to me," he says, his voice laced with concern. I don''t respond. Words feel like they''re a million miles away. He sighs, and there''s a rustle as he pulls out his phone. "Dispatch, this is Multiplex at the refinery site. We need EMTs here, now. And get a message to Councilman Davis and Clara Parker. It''s¡­ it''s Liberty Belle. She''s¡­ she''s gone. Bloodhound''s here, too. She''s in shock, might be hypothermic. We need help immediately." His words hang heavy in the air, a stark, brutal truth that I can''t escape. Liberty Belle is dead. I''m here, holding her, lost in a world that no longer makes sense. Multiplex continues, his voice steady but filled with an underlying sadness. "Yeah, it''s bad. I don''t know the full situation, but it looks like they took on Chernobyl. Just¡­ hurry, okay?" He ends the call and turns his attention back to me. "Sam, we need to get you warm. You can''t stay out here like this." But I can''t move. I can''t leave her. Not yet. Not while the world is still reeling, while the snow still falls, covering us in a shroud of white. It''s like time has stopped, and all that''s left is the cold, the silence, and the overwhelming weight of loss. His jacket covers me - I know, if this isn''t the real Multiplex, that it''ll disappear as soon as he does. But that doesn''t make it not a real jacket. I''m sure when I wake up from this nightmare I''ll remember to thank him. In the distance, I hear the faint sound of sirens, a distant call back to a world that''s moved on without us. The refinery site transforms from a solitary, silent gravesite to a scene bustling with superheroes in short order, each arrival adding to the chaotic atmosphere. But for me, Sam, sitting in the snow, holding Belle, it''s like I''m in a bubble of grief, the world outside muffled and distant. Gossamer arrives first, her usually vibrant demeanor muted by the somber reality before her. Rampart follows, his stoic tone unable to mask the shock in his voice. Playback is next, his normally animated gestures stilled by the gravity of the moment, and Gale hovers in on a cold winter breeze, touching my shoulders, squeezing me from behind. They''re talking, saying words meant to comfort or express disbelief, but to me, it''s all just a noiseless sludge, their voices blending into the background hum of my shock. Fury Forge comes next, her heavy steps crunching in the snow. Puppeteer and Blink arrive together, their faces etched with grief and confusion. Then comes Bulwark, his large frame casting a long shadow over the snowy ground. Crossroads, my leader, arrives last. Each of them adds their voice to the growing din, a chorus of sorrow and disbelief that I can''t bring myself to join. Nothing they say sounds like it''s being spoken in English. Everything feels like it''s in third person, like I''m not in my body anymore. They form a loose circle around us, a guard of honor for a fallen hero. They''re talking, maybe to each other, maybe to me, but I can''t focus on their words. It''s like I''m underwater, everything distant and distorted. More voices join, and some heroes I recognize, dimly, in some part of my brain, make themselves known. Peregrine, Stylus, Catalyst. People who only existed on the quietest edges of my periphery, mentioned in offhand conversations with my compatriots. More members of this world. The arrival of the EMTs breaks through the fog in my mind. They move with practiced efficiency, draping a thermal blanket over my shoulders, on top of Multiplex''s jacket. Their hands are gentle, their voices kind, but even they seem like they''re speaking from far away. They check on me, asking questions I can''t seem to answer. I feel someone gently trying to pry Belle''s hand from mine, but I can''t let go. Not yet. The EMTs understand, or maybe they don''t, but they don''t force it. They just work around us, checking vital signs, providing medical attention where they can. The superheroes around me are a blur, their individual forms lost in the sea of my grief. They''re talking, planning, deciding what to do next, but I''m not a part of it. The heroes around me move with a somber grace, their actions imbued with a deep respect for Liberty Belle. The EMTs, with gentle hands and quiet words, prepare to transport her. They lift her onto a stretcher as if she''s merely sleeping, as if at any moment she might wake up and brush off the snow from her costume. But she doesn''t. She remains still, a hero fallen, her battle finally over. This novel is published on a different platform. Support the original author by finding the official source. I watch, numb, as they secure her onto the stretcher, her body draped in a blanket that''s too clean, too pristine for the refinery¡¯s grimy backdrop. There''s a reverence in their movements, a silent acknowledgement of her sacrifice. Even in death, she commands respect, her legacy evident in the careful way they handle her. Then it''s my turn. Hands guide me, help me stand, lead me towards the same ambulance. I''m moving, but I''m not really there. It''s like I''m floating, detached from my body, from the reality of Belle lying on that stretcher. They sit me inside the ambulance, still clutching Belle''s hand. As the ambulance starts to move, the motion, the closeness of the space, everything combines and the grief that''s been sitting heavy in my stomach starts to churn. I feel nauseous, the emotional toll overwhelming. It''s too much, all of it, Belle''s death, the fight, the cold. My body rebels, and suddenly I''m retching, throwing up onto the snow at my feet. It''s violent, uncontrollable, and for a moment, I''m nothing but a vessel for this raw, physical reaction to everything that''s happened. The heroes express their concern, a blob of hands and voices, but they''re distant, muted. I''m beyond their reach now, lost in a fog of guilt and grief. The world is a blur, the sounds and sights around me fading into insignificance. The doors shut with a soft thud, sealing us in a world apart from the refinery, from the snow, from the heroes we leave behind. I''m sitting in the ambulance, the vehicle moving, taking us somewhere. I don''t know where, don''t care. I''m still holding Belle''s hand, clinging to it like it''s the only real thing left. My mentor, my guide, my hero, gone. And I''m left adrift, untethered from everything I thought I knew. The motion of the ambulance, the sound of the siren, it''s all just background noise to the void inside me. I''m alone with my grief, with the memory of Belle, and with the unspoken promise to carry on her legacy. But for now, all I can do is sit in the silence, lost in the aftermath of a battle that''s changed everything, my body digesting itself.
In the Delaware Valley Defenders HQ, the atmosphere is heavy, a mix of mourning and disbelief hanging in the air. Superheroes from across the East Coast have gathered, visitors from Atlantic City, Camden, Trenton, DC, and even one or two from New York City. They''re breaking bread together, a somber congregation united by their shared loss. The room is filled with hushed conversations and quiet exchanges, a community coming together in the wake of tragedy. In the midst of all this, I, am like a ghost, barely present. Wrapped in several spare blankets, I''m tucked away on a couch, a divider set up around me to provide a semblance of privacy in the crowded headquarters, hidden in the locker room. I''m grateful for the space, for the chance to be alone with my thoughts and my grief. The noise and activity around me are distant, a world apart from the bubble of sorrow I''m encased in. I sit there, under the blankets, lost in a haze. The events of the evening play over and over in my mind, each replay bringing a fresh wave of pain and disbelief. Liberty Belle, my mentor, the Superwoman of Philadelphia, gone. And with her, a sense of stability and safety that I hadn''t even realized I''d come to rely on. I keep second-guessing myself. Would the same thing have happened if I didn''t intervene? Did I do too much, or not enough? Would it have hurt so much if I never was there, if I left her to die alone? Or maybe my mere presence caused her to falter, to fail, once she knew there was something to lose. Should I have worked harder to convince her not to go? Should I have smashed her bugs and cameras? Should I have brought a gun? The possibilities swirl around me like a hurricane of needles, each one skimming my skin, bringing a fresh wave of burning pain to the surface. The superheroes around me are trying to figure out what to do next, how to fill the void left by Belle''s untimely departure. They''re strategizing, planning, preparing for a future that''s suddenly much more uncertain. But I''m not a part of those conversations. I can''t be. Not yet. I''m still grappling with the reality of Belle''s death, still trying to understand. The blankets are a small comfort, their weight a grounding presence in the chaos of my thoughts. I curl up on the couch, letting the noise of the HQ wash over me, a distant, indistinct murmur. I''m alone in my grief, surrounded by people who understand but can''t reach me, not while I''m adrift in this sea of loss and confusion. Time passes slowly, each minute stretching out as I sit there, hidden away from the world. The divider, my makeshift sanctuary in the Delaware Valley Defenders HQ, becomes less isolated as the evening stretches on. One by one, my teammates from the Young Defenders quietly file in, shedding their winter costumes and the personas that go with them. In this moment, they''re not superheroes; we''re just kids, trying to make sense of a world that''s suddenly become much colder, much more real. They don''t say anything as they come in, knowing that I just need quiet and their presence. Gale is the first to come over, softly taking my hand and placing it on her lap to show she''s there for me. Blink then settles in on my other side, leaning against me to offer comfort. The rest of the team squeezes into the small area - on the couch, the armrests, and even the floor. It''s a tight fit, but it feels¡­ the closest thing to good that I''ve felt in hours. Like we''re all grieving together. It''s a moment of painful solidarity, a shared acknowledgment of the loss that''s impacted each of us deeply. The warmth of my teammates around me is a stark contrast to the cold emptiness left by Belle''s death. In this circle, there''s an unspoken understanding, a shared pain that needs no words. The night outside is cold, the world beyond our huddle full of uncertainties and challenges that we''ll eventually have to face. But for now, we''re here together, a pile of misery and mutual support. Gale''s grip on my hand is steady, Blink''s presence at my side is constant, and the quiet company of my teammates is a balm on the raw wound of my heart. Playback doesn''t offer a quip. Rampart and Puppeteer don''t give critiques. Crossroads doesn''t even give a prediction. Just us and the silence. And it hurts so fucking much. End of Arc 3: Dybbuk Chapter 46.1 Begin Arc 4: Exorcism In the heart of Center City, I stand rooted to the sidewalk, an observer in a world that seems both familiar and alien. The building before me, a monolith of glass and steel, pierces the sky with its sharp angles and gleaming surfaces. It''s the kind of structure that speaks of power and prestige, a far cry from the streets and shadowed rooftops I''m used to. Here, in this world of high-powered executives and big-shot lawyers, I feel like a misplaced puzzle piece - a teenage superhero lost in a sea of suits and ties. Clutching my phone, I replay the last footage of Liberty Belle, over and over, my thumb mechanically pausing the video just before the fight erupts. In these brief clips, she''s still alive, still a part of this world. It''s a feeble attempt to bridge the chasm her death has left in my life. Each time the video loops back, a part of me hopes for a different ending, one where she walks away unscathed. I keep hoping she''ll turn to the screen and tell me to stop watching, or that Chernobyl will finish his monologue a different way, and walk off into the sunset. It never happens. "I Have No Mouth And I Must Scream", by the way? Brutal story. I read it and it just made me cry. I hated it. Taking a deep breath, the winter air bites at my lungs, a sharp reminder of the season''s chill. My eyes drop to the invitation clutched in my other hand. It''s formal, the kind of heavy paper that you keep in a drawer and forget about. Certified mail, stamped and solemn. It doesn''t make sense. I didn''t know Liberty Belle that well, not really. The idea that after knowing her for, like, half a year - she''d put me in her will for that? It makes me uncomfortable. A different kind of uncomfortable compared to this building. The snow, just beginning to accumulate, dusts the sidewalk with a delicate layer of white. It''s almost pretty, in a stark, clean way. I pull my coat tighter around me, the fabric rustling against the layers underneath. I feel awkward and out of place, not just because of the upscale setting, but because of everything - the loss, the uncertainty, the gaping hole that Belle''s death has left in the world. Left in me. I move forward, my steps hesitant. My boots leave faint impressions in the fresh snow, quickly filled up with more. Approaching the building''s entrance, the weight of expectation feels heavy on my shoulders. The lobby looms before me, as intimidating as the building''s facade, with marble floors that gleam under the soft lighting, high ceilings that stretch endlessly upward, and an atmosphere heavy with hushed tones and unspoken wealth. I glance around, taking in the expansive space. The quiet here isn''t just the absence of noise; it''s a cultivated stillness that muffles sound and commands a certain decorum - fancy word for ''attitude''. I feel conspicuously young and out of place, my sundress and blouse, hastily covered with winter layers, feeling inadequate and childlike amidst the refined surroundings. The outfit, the nicest I had, screams ''imposter'' in this world of polished shoes and tailored suits. People shuffle by me and I can''t help but feel their eyes on me. It makes me want to start screaming. Checking the directory, I scan through the list of names until I find the law firm''s entry - "Goldman, Reid & Miller." The name Zhang is just one among many associates listed, a small part of this grand legal machine. I move towards the security desk, the marble floor cool and unyielding beneath my boots. The guard, dressed in a crisp uniform, eyes me with a blend of curiosity and indifference. The pen I''m handed to sign in feels too heavy, too elegant for my clumsy fingers. It glides across the paper, leaving a trail of dark ink that somehow makes this all seem more real. The guard, a stoic figure in a neatly pressed uniform, gives me a cursory glance. It''s a look that says I don''t quite belong, but he says nothing, simply handing me a visitor badge and gesturing towards the elevators. The elevator awaits, its doors sliding open with a soft whisper. I step inside, the mirrored walls reflecting back a girl who looks lost, dwarfed by the size of what lies ahead. As the doors close, sealing me in a quiet, moving tomb, I''m left alone with my thoughts - a tumultuous sea of memories, fears, flowers, and the echoing absence of Liberty Belle. The elevator ascends, each floor bringing me closer to an unknown that I''m not sure I''m ready to face. Boy, I need a therapist again. The elevator dings softly, its doors sliding open to reveal a hallway that''s just as intimidating as the lobby below. Plush carpet cushions my steps, muffling the sound of my approach. The walls are adorned with framed art, abstract pieces that seem both expensive and impersonal. Doors line the hallway, each with frosted glass and brass nameplates shining under the subtle lighting. I read the names, wondering about the stories behind each one. I anxiously search for the right door, my heart racing with a mix of dread and curiosity. Taking a deep breath, I push it open and step inside. The conference room is a stark contrast to the grandeur outside. It''s spacious yet functional, dominated by a large, polished table surrounded by high-backed chairs. The room feels more like a place for decisive meetings than intimate discussions. There''s an air of solemnity, as if the walls themselves are braced for the weight of legal verdicts and life-altering decisions. One wall is mostly glass, offering a view of the city below. The bustling streets and distant buildings seem oblivious to the significance of what''s happening here. I get lost for a moment, taking in the cityscape as a brief break from all my inner turmoil, watching the falling snow. When I turn back to the room, I notice how meticulously everything is arranged. The table is empty except for a stack of papers and some pens lined up with almost obsessive precision. On a side table, there''s a pitcher of water and a whole bunch of glasses, suggesting a long meeting ahead. I choose a seat, feeling the cool leather against the fabric of my dress. I straighten out the fabric, but it doesn''t do much to calm down my racing heart. This room is so intimidating and formal, a complete contrast to the chaotic streets I usually find myself in. Just as I start to settle in, the door opens again, and in walks Laura Zhang, the lady indicated on the letter I received. She''s younger than I expected, and her professional outfit can''t hide the slight uneasiness in her posture. It''s obvious that dealing with superheroes and their crazy lives isn''t something she''s used to. "Ms. Small? I''m Laura Zhang," she introduces herself, her voice steady but her eyes showing a hint of curiosity. "Thanks for coming. You''re¡­ early." "It''s a Saturday, Hannukkah is over, and I don''t have much else to do," I reply. "Fair enough," she responds, walking around the table, ensuring everything is in order. Zhang takes a seat at the head of the table, arranging her papers with great care. There''s a moment of silence, only broken by the distant sounds of the city. I glance around the room again, taking in the simplicity and formality of it all. It feels like a dream being here, about to hear the final wishes of someone I hardly knew, not in the way you know another person, but who had such a huge impact on my life. I keep expecting Belle to walk through that door, taking control with her presence. But she won''t. And just that thought alone tightens the knot in my chest. Unauthorized tale usage: if you spot this story on Amazon, report the violation. The clock on the wall ticks away the minutes, each one feeling longer than the last. I arrived first thing in the morning, not sure what to expect, and now I''m just¡­ sitting here, dying a little inside with each passing second. The room feels too big, too empty, with just me and Laura Zhang, who''s busying herself with papers and a laptop, probably trying to look more occupied than she really is. I pull out my phone, the screen lighting up with a barrage of notifications. Texts from loved ones, friends who don''t wear capes or masks, messages tinged with concern and the awkwardness of people not sure what to say in the face of grief. I reply with as few words as possible, not really in the mood to explain how I feel. ''I''m fine,'' I type out over and over, an automatic response that''s far from the truth. My thumb idly swipes through news feeds, but I can''t focus. Everything feels distant, like I''m looking at the world through a fogged-up window. I keep expecting to see Belle''s name pop up in the headlines, some story about her final heroic act, but there''s nothing. It''s like the world has already moved on. The door to the conference room opens intermittently, admitting people one or two at a time. Each arrival pulls me out of my daze, my eyes flicking up to see who it is. First, it''s a couple of Belle''s former teammates from the Delaware Valley Defenders - Bulwark and Multiplex. They give me a nod as they take their seats, their expressions somber, their usual vibrant energy subdued. They don''t say much, just exchange a few quiet words with Zhang. Fury Forge comes in a couple of minutes later, looking a little bit sweaty and out of breath. I think she ran. "Are you okay, Sam?" pops up on my screen from Lily. I type back a quick "Yeah, just at this will thing. NBD." But it is a big deal, and my heart''s racing with every new arrival. A tall woman with steel-gray hair and piercing eyes that seem to miss nothing - she must be someone important, maybe government. There''s an older guy, his face rugged, like he''s seen a lot of life. He has a detective''s vibe, maybe a cop from Belle''s past. And there''s a man who seems out of place, his gaze distant, like he''s carrying a heavy burden. Is he a former colleague of Belle''s, or something more? Puppeteer shows up just before the time listed on the envelope I received - exactly fifteen minutes prior, actually. I''m not exactly surprised to see her here. It wasn''t a secret that she was the person Belle was grooming for success before, well, she died. And the whole "Puppeteer institutionalizing herself" thing. She''s dressed up in a suit and tie, with her hair pulled all the way back. It looks oddly compelling on her. Clara and Jamal arrive, joined at the hip, shortly thereafter. Clara has the most mean mug I''ve ever seen on her in my life, like she''s got her game face on, but I think that''s just a natural consequence of being in another lawyer''s territory. And Jamal looks¡­ haggard. Tired. Sunken. Given his general confident vibe that he''s expressed every other day before this, I get the feeling that the past week and a half have been unfriendly to him, to say the least. I keep watching the door, half expecting more people, but it seems like this is it. The room is a blend of power, authority, and mystery. I find myself trying to piece together how they all fit into Belle''s life, but it''s like trying to solve a puzzle without all the pieces. Zhang clears her throat, bringing the room to attention. "Thank you all for coming," she starts, her voice steady but lacking the confidence that probably comes with more experience. "We are here to read the last will and testament of Diane Williams, known to many of you as Liberty Belle." As she speaks, I glance around the room, catching snippets of reactions. Some nod solemnly, others simply listen, their faces unreadable. I feel like an intruder in this world of legal formalities and unspoken histories, clutching my phone like a lifeline, the only thing keeping me anchored as I brace myself for what''s to come.
Laura Zhang shuffles the papers in front of her, a solemn expression etched on her face. The room falls silent, every pair of eyes fixed on her. She clears her throat, beginning the formal reading of the will. Her voice is steady, but I can sense the undercurrent of nervousness. "I, Diane Williams, known professionally as Liberty Belle, a resident of Philadelphia, Pennsylvania, being of sound and disposing mind and memory and over the age of eighteen years, and not being actuated by any duress, menace, fraud, mistake, or undue influence, do make, publish, and declare this to be my last Will, hereby expressly revoking all Wills and Codicils previously made by me." she begins, her words echoing slightly in the quiet room. The atmosphere feels heavy, each word laden with finality. Zhang proceeds through the initial legal formalities, her voice a steady drone that seems almost disconnected from the gravity of the words she''s speaking. I''m trying so hard to pay attention - executors of the estate, preferences for burial - but it all smears together into a thick, molasses-like blur. Then, she starts getting to names, and my ability to pay attention snaps back into place like a rubber band. "For Akilah Washington, known as Puppeteer," Zhang reads, "Diane Williams bequeaths a sum of one hundred thousand dollars, in recognition of her dedication and service as a prot¨¦g¨¦ and valued member of the Young Defenders." Akilah''s face registers shock, then a complex mix of emotions - gratitude, sorrow, and a deep sense of responsibility. This was more than just money; it was a testament to Belle''s trust and belief in her. "To the Young Defenders, a sum of one hundred thousand dollars is to be allocated for the funding of activities and equipment, to be managed by Clarissa Parker or an individual she deems suitable." The members of the Delaware Valley Defenders nod in solemn approval, recognizing Belle''s commitment to nurturing the next generation of heroes. "The remaining two hundred thousand dollars of her estate are to be donated to various charities and food kitchens in North Philadelphia, a cause close to Ms. Williams'' heart. The specific charities and food kitchens to be donated to is under the discretion of Clarissa Parker or an individual she deems suitable." The generosity of the gesture summons a choir of contemplative nods. Zhang continues, "In addition to monetary bequests, Diane Williams leaves behind several personal items to be distributed as follows: To Martin Kline, she leaves her literature collection. To Joshua Pleasants, known professionally as Miasma, she leaves the keys to her personal lockbox, as well as the lockbox and its contents. To the Superhero Museum of Philadelphia, she leaves her costumes, as well as the unfinished manuscript to her memoir." As each name is called and each item allocated, the room fills with a sense of legacy, of a life lived with intention and purpose. Each bequest is a piece of Belle, a memory, a shared moment, a nod to a relationship that meant something to her. "To the members of the Delaware Valley Defenders, both civilian and superhero associates, she bequeaths the remainder of her personal effects, to be distributed at the discretion of Elijah Brooks, known professionally as Multiplex. This includes any items not specifically allocated within this will," she continues. Then, Zhang''s voice calls my name, and my heartrate spikes. "To Samantha Small, also known as Bloodhound, I bequeath all my documentation and materials related to my investigative work, including my detective and surveillance equipment." Whispers flutter around the room like disturbed birds. Why me? I barely knew her. But Belle trusted me with this, her life''s work. It''s overwhelming. The room remains still as Zhang reads out the rest of the bequests, but I can feel the undercurrent of surprise and curiosity at the announcement of my inheritance. The whispers are subtle, the expressions a mix of confusion and speculation. Why me? It''s a question that seems to hang in the air, unanswered. As the reading concludes, Zhang adds, "Ms. Williams also left a personal letter for Ms. Small, to be read privately after the conclusion of the reading." I blink, taken aback. A letter? For me? My heart races. What could she have wanted to say? I barely even notice as it ends up in my hands. Laura speaks up, her voice clear and composed, maintaining her professional demeanor. "Should there be any concerns or queries regarding the contents of the will, I encourage you to schedule a private appointment with our firm. We are committed to ensuring that Diane Williams'' final wishes are honored in accordance with legal standards." And at that, people begin filing out. Chapter 46.2 Clara Parker, her expression somber yet composed, approaches me first. She extends a hand, her grip firm and reassuring. "Samantha, Diane saw something special in you. It''s a big responsibility, but I believe she made her choices with care," she says, her voice steady but tinged with the sadness of loss. I nod, feeling a lump form in my throat. "I¡­ I don''t know why she chose me. I barely knew her," I manage to say, my voice barely above a whisper. Clara offers a small, understanding smile. "Sometimes, it''s not about how long we know someone, but about the impact we have on them. If you need anything, the Defenders are here for you." As she steps back, Bulwark takes her place, his large frame casting a shadow over the table. He looks down at me, his eyes gentle. "Liberty Belle was a great hero, and she had an eye for potential. Trust her judgment, and trust yourself, young one," he says, his deep voice resonating with sincerity. Multiplex and Fury Forge give me simultaneous looks, smoldering respect. "Realistically, I expect the government to try and contest your bequeathment so that they can get access to her notes and resources. Fight''s not over yet, kid." Multiplex says, adjusting his tie and filing out. Fury Forge looks at me, too uncomfortable to speak, and scatters. Councilman Jamal Davis, lingering near the doorway, offers a nod of acknowledgment as I catch his eye. "Ms. Small, this city owes a lot to heroes like you and Liberty Belle. We''ll support you in any way we can," he says, his tone official yet sincere. "And, contrary to Multiplex''s belief, I have no intention of contesting this will." The interactions leave me feeling a whirlwind of emotions - gratitude, confusion, and an overwhelming sense of responsibility, but mostly misery. Misery compounding on misery. As the room empties, I''m left clutching the envelope containing Belle''s letter, each farewell a reminder of the weight now resting on my shoulders. Me, Zhang, and¡­ Akilah stands in front of me, our eyes meeting. "Sam," she begins, her voice filled with a mix of emotions, "I have to be honest. Part of me¡­ part of me is hurt. I thought Belle and I¡­" She trails off, but then composes herself. "But I''m putting that aside. I trust her decision. If she chose you for this, she must have had her reasons." I nod, a bit surprised by her openness. "Therapy seems to be working wonders, huh?" I say, trying to add a bit of humor to the situation, even if it''s just a defense mechanism. Akilah gives a small smile. "Yeah, it really is. Belle was there for me when I was at my lowest. She always believed in me and said I had so much potential. I guess this is part of that, knowing when to step back." I feel a bit uneasy. "Honestly, Akilah, I''d trade all this detective stuff for the money you''ve got. You got the better deal." I try to laugh, but it feels a bit forced. She looks at me, showing a glimmer of understanding. "I get where you''re coming from, Sam. But I trust Belle. She saw something in you. And hey, I''ll take you shopping sometime. Most of this money is just going towards my student loans anyway." The conversation, tense with unspoken frustrations and the effort to keep things peaceful, starts to ease up. Akilah is really trying, and I can''t help but appreciate that. "Deal," I say, finally breaking into a genuine smile. She smiles along with me, claps me on the back, and walks past, leaving me and Zhang. As the room empties, I''m left with the letter in my hands, feeling the weight of responsibility and the ghost of Liberty Belle''s presence. This letter holds answers, maybe even a part of her that she left behind just for me. With a deep breath, I break the seal, bracing myself for the words of a woman I''m only just beginning to understand.
Dear Samantha, As I pour my heart into this letter, I can feel how important it is, serving as my possible final testament, the culmination of a lifetime devoted to justice and unwavering truth. I can''t help but acknowledge that we haven''t known each other for very long, yet you''ve already made a profound impression on me. Our argument from yesterday still resonates with me. I have to admit, I was harsher than I should have been. In my role as Liberty Belle, I''ve seen so many new heroes come and go. Most of them looked up to me with admiration and respect, never questioning my methods or decisions. They saw me as Philadelphia''s Superwoman, a legend to follow without hesitation. But you, Sam, you didn''t come with any preconceived notions. I met you searching for the truth and that''s what you kept doing. To you, I''m just another figure of authority, another obstacle to overcome or understand. It''s refreshing, and honestly, what our world needs. In your determination and courage to stand up against me, to debate and question, I''ve discovered something extraordinary -- a spark that''s at the core of a true detective. Samantha, our world is changing. There are dark things in the shadows, things worse than any two-bit gangster in Kensington, and I''m scared of the storm that''s coming. Throughout my career, I''ve mentored many people, but none have followed in my footsteps as well as you have. Others may have matched your skills in certain areas, but they lacked that special quality in their investigative work -- the spark that shines from deep inside you. Your determination. Your willpower. Your drive. You, at just fourteen years old, managed to outsmart me. That''s not nothing! That''s why I''ve chosen you to carry on my legacy as an investigator. Among all the Young Defenders, you have the most potential to be a great detective. I want you to know, Sam, that this responsibility isn''t a burden, but a golden opportunity -- an invitation to make a lasting impact, to uncover the undeniable truth beyond the surface. Your mind is sharp, and your determination is unwavering. Use them wisely. Question everything, trust your instincts completely, and never stop searching for the truth. I''m sad that I won''t be able to see you become the extraordinary detective I know you can be. But I have complete faith that you will carve your own path and find the answers that are currently troubling me. Be brave, Sam. The world needs heroes, but more than that, it needs people willing to seek the truth, no matter what it takes or what it reveals. With all the respect and hope and love in my heart, Diane Williams
I finish reading the letter, a mix of emotions swirling inside me. It''s surreal, hearing these words from someone who, until recently, was just another figure of authority in my life. Liberty Belle, the legend, the untouchable hero, saw something in me. Me, a 14-year-old kid who''s just trying to figure it all out. I glance up at Laura Zhang, who''s been waiting patiently, giving me the space to absorb Belle''s words. My eyes must mirror the storm of feelings inside because she offers a small, understanding smile. "Are you okay, Sam?" she asks gently. Her voice is kind, devoid of the formal stiffness I expected. This tale has been pilfered from Royal Road. If found on Amazon, kindly file a report. "Yeah, just¡­ a lot to take in," I admit, folding the letter carefully and tucking it back into the envelope. It feels like holding a piece of Belle, a final piece of her legacy entrusted to me. "If you''re ready, we can go to my office to discuss the details of your bequeathment," Zhang suggests, standing up and gesturing towards the door. I nod, pushing myself up from the chair, my legs feeling a bit wobbly. As we walk out of the conference room, the hallway feels different now, less intimidating, more like a path leading me towards something new, something big. We walk side by side, Zhang leading the way with a confident stride that seems at odds with the softness in her eyes. "Diane Williams was a remarkable person," she says as we walk. "She didn''t make decisions lightly. Whatever she saw in you, Sam, I''m sure it was significant." Her words are a comfort, but also a weight, a reminder of the responsibility now resting on my shoulders. "I just hope I can live up to her expectations," I murmur, more to myself than to Zhang. "I have no doubt you will," she replies, her tone reassuring. "Diane had an eye for potential. She wouldn''t have chosen you if she didn''t believe in you." We reach her office, a sharp contrast to the rest of the law firm''s polished austerity. The door swings open to reveal a space that''s unexpectedly welcoming. It''s like stepping into a different world, one that''s more personal, more human. The room is smaller than the conference area, but it feels larger somehow, more open. The walls are a warm, inviting shade, not the stark white of the rest of the building. One wall is lined with bookshelves, brimming with legal texts whose spines show signs of frequent use. Interspersed among them are an array of personal items - a framed photo of a smiling family, a small potted plant with lush green leaves, and a few quirky knickknacks, like a miniature gavel and a tiny statue of Lady Justice and an action figure of Professor Franklin. These touches lend the room an air of lived-in comfort, a stark departure from the impersonal formality of the rest of the firm. The window behind Zhang''s desk offers a view of the city, but it''s different here, less imposing, framed by light curtains that soften the harsh lines of the buildings outside. There''s a sense of tranquility, as if the room exists in a quiet bubble away from the bustling world. Zhang takes a seat behind her desk, which is tidy but not overly so. Papers are neatly stacked, and there''s a digital frame cycling through pictures that seem to capture happy memories. The desk itself is an elegant piece of furniture, wood with a deep, rich finish that glows softly under the overhead light. She gestures towards the chair opposite her desk, and I sink into it, finding it surprisingly comfortable. The cushioning is plush, easing some of the tension from my muscles. There''s a small, round table beside the chair with a couple of magazines fanned out - legal journals mixed with a few more mainstream publications. I glance around, taking in the small details - a coaster with an intricate design, a sleek, modern lamp that casts a warm glow, and a small clock ticking away quietly. The room feels like it belongs to someone who values comfort as much as professionalism, a balance I didn''t expect to find here. As I settle in, my eyes keep drifting back to the personal touches, the signs of a life outside these walls. It''s oddly reassuring. I like Zhang much, much more now. "So, Samantha," Zhang begins, her voice pulling me back to the moment, "let''s talk about what this bequeathment means for you, and how I can assist you in the process." As I settle into the chair, I realize there''s something crucial that Ms. Zhang needs to know before we go any further. "Um, Ms. Zhang, before we start, there''s something you should know," I begin, my voice slightly hesitant. "I''m¡­ technically homeless right now. My house got destroyed a couple of months ago, and it''s still being rebuilt. I''m staying with one of my teammates for now. So, I don''t really have anywhere to put all of Belle''s¡­ detective stuff." Zhang pauses, her expression turning thoughtful. "I see. That''s an important consideration, Samantha," she acknowledges. "Let''s go through what''s been bequeathed to you, and then we can figure out a suitable arrangement." She flips open a file on her desk, perusing the contents. "Liberty Belle left you quite a collection. It includes her detective gear, which is extensive. There are advanced surveillance devices, a variety of forensic tools, specialized computing equipment for analysis and hacking, and a collection of files and case notes from her past investigations." My eyes widen at the list. It''s like something out of a spy movie. "That''s¡­ a lot," I manage to say, suddenly feeling way out of my depth. My head is spinning as I try to imagine all that gear. "Could I get a complete list of everything? Just so I know what I''m dealing with," I ask, feeling a bit overwhelmed. "Of course," Zhang replies, reaching for a paper in the file. She adjusts her glasses and starts reading, the list rolling off her tongue like she''s reciting inventory. "- Advanced surveillance kit, including micro-cameras, audio bugs, and a drone with live-feed capabilities. Forensic analysis tools, encompassing a portable fingerprint kit, a digital microscope, and various chemical agents for sample testing. Specialized computing equipment, such as a high-end laptop with encryption software, hacking tools, and data recovery programs. An array of smart gadgets, including a GPS tracker, night-vision goggles, and a multi-tool watch with integrated communication devices. A comprehensive digital archive of case files, investigative notes, and research documents, spanning Liberty Belle''s entire career." She pauses, giving me a moment to process. The list sounds like something a secret agent in a movie would have, not a 14-year-old superhero in training. "That''s¡­ definitely a lot," I say, trying to picture myself with all that stuff. It''s way too much to carry around all the time. "I don''t even know what half of those things do." Zhang nods sympathetically. "It is, indeed. And considering your current living situation, storing these items could be challenging. However, we can arrange for secure storage until you have a permanent residence. The firm can handle the logistics and ensure the items are kept safe and accessible to you." "That would be¡­ really helpful, thank you," I reply, relief washing over me. The idea of lugging around a bunch of detective gear on top of everything else was daunting. "As for accessing the files and case notes," Zhang continues, "we can digitize them for you. That way, you can review them on a secure tablet that will be part of your bequeathment. This should make it easier for you to start delving into the work that Liberty Belle left for you." Digitizing the files sounds like a good idea. It''s less to carry and easier to hide. "Yeah, that works for me." Zhang smiles, a warm, encouraging smile. "I''ll make the necessary arrangements. Liberty Belle clearly saw potential in you, Samantha. This bequeathment isn''t just about the physical items; it''s about entrusting you with her legacy, her pursuit of truth and justice." I nod, feeling the weight of responsibility settle on me. Belle believed in me, and even though I''m just 14 and figuring things out, I can''t let her down. "I''ll do my best, Ms. Zhang. Belle¡­ she believed in me. I need to honor that." "You will, Samantha. I have no doubt," Zhang says, her confidence bolstering my own. "We''ll take care of the practicalities. You focus on what comes next - stepping into the role Liberty Belle believed you could fill." As we near the end of our discussion, a thought crosses my mind, half-joking but also half-serious. "Hey, Ms. Zhang, is there any chance I could take over Belle''s lease on her apartment? You know, for when my folks come back to the city?" I say it with a laugh, but there''s a part of me that''s genuinely curious. Zhang gives me a sympathetic smile, understanding the mix of humor and hope in my question. "Unfortunately, Samantha, the lease on Diane''s apartment is being terminated as part of the estate''s closure. And even if it wasn''t, that would have been a separate arrangement, possibly bequeathed to someone else. I''m sorry." I nod, not really surprised but still a bit disappointed. "Worth a shot," I reply with a shrug. It would have been too easy, I guess. "We''ve covered most of the essential points," Zhang says as she stands up, signaling the end of our meeting. "I''ll get everything set up for the storage of the detective gear and start the process of digitizing the files. You''ll receive updates from me." "Thanks, Ms. Zhang. For everything," I say, standing up and feeling a bit more grounded than when I walked in. This is really happening. I''m really doing this. I head back to the conference room to collect my jacket and other stuff. The snow outside has picked up, swirling in the wind and blanketing the city in white. I take a deep breath, bracing myself for the cold and the journey home.
The next day finds me at Lily''s house, a world away from the polished floors and solemn atmosphere of the law firm, a cozy Sunday. The sky is a clear blue, a stark contrast to yesterday''s snow, painting a serene backdrop as I sit in Lily''s living room. A box rests on the coffee table in front of me, delivered just an hour ago. It''s not large, but it''s heavy with significance. Most of Liberty Belle''s gear is in secure storage arranged by Zhang, but this box contains Belle''s journals, physical notes, and a couple of USB drives. It''s a tangible piece of her, a fragment of a life dedicated to fighting in the shadows. I open the box, my hands slightly trembling. The first thing I see is a stack of journals, each one labeled with dates and cryptic titles like "The Midnight Syndicate" or "Operation Silent Storm." Their covers are worn, the pages filled with Belle''s neat, precise handwriting. Flipping through them, I catch glimpses of her thoughts, her deductions, a window into the mind of one of the greatest detectives the tri-state area has ever known. Beneath the journals are several USB drives, each marked with labels like "Surveillance Footage" or "Case Files." It''s an archive of digital information, a modern-day treasure trove of investigative work. I carefully set the drives aside, promising myself to explore them later, and continue digging through the box. There are folders filled with notes, newspaper clippings, and photographs of people and places, some familiar, others completely foreign to me. Each piece is a clue, a fragment of a larger puzzle Belle dedicated her life to solving. Finally, at the bottom of the box, I find a single notebook, different from the rest. It''s newer, less worn. The cover simply reads, "Illya Myronovych Fedorov." My heart skips a beat. I recognize the first name. Chernobyl. It has to be. This is it, Belle''s personal investigation into the man who would become her final adversary. With a deep breath, I open the notebook to the first page, my eyes scanning the opening lines. The words blur for a moment as the weight of what I''m about to dive into begins to crush me, to squeeze the life out of me. This isn''t just another case file; this is the culmination of Liberty Belle''s life''s work, her final, unfinished case. And now, it''s in my hands. Chapter 47.1 The crunch of fresh snow underfoot jars me, a too-loud intrusion in the silence that blankets Laurel Hill East. The sun hangs low and sharp in the sky, feeding the hollow ache inside me that hasn''t eased since Liberty Belle¡­ since Diane¡­ died. It¡¯s one of those bitterly clear days, the sky a merciless expanse of blue that offers no comfort, only the glare of sunlight off snow that''s trying to blind me. I shuffle forward, every step reluctant, through a sea of black-clad mourners. It feels like the entire city of Philadelphia has come to pay their respects. They probably have. I''m here as Bloodhound, not Samantha Small, the mask fixed across my face while the rest of me is muffled in layers of winter clothes. The cold air bites at my cheeks as I weave through the somber procession, my path a winding trail through, following the faces in front of me. I start from the main entrance, the solemn arches of the cemetery gate looming behind me. The ground beneath my feet is a patchwork of white and grey, untouched snow interrupted by trodden paths where mourners have walked before me. As I move, the crowd parts to let me through, the importance of the attendees growing the closer I get to the front. Here lies the heart of the city''s sorrow. The mausoleums stand like silent sentinels, their marble faces somber. There''s a gravitas to Laurel Hill East, a history etched into every stone and statuary. It''s where the city¡¯s most venerable heroes rest. Now, Liberty Belle will join them, lying next to the legendary Professor Franklin. I think about her, Liberty Belle. The public didn''t see the way she struggled in those last moments, didn''t see the pain. They''ll remember her as she was¡ªunbreakable. And here, she''ll look dignified and peaceful, like she''s just sleeping. It¡¯s a small comfort, but I cling to it, because unlike the man whose execution we all witnessed on Halloween, she''ll be spared an open-casket indignity. All her injuries were on the inside, hidden away. The path curves gently, leading me past Section B, where a cluster of onlookers gathers, their murmurs low and respectful. I don''t stop; my gaze is drawn forward, past the ancient oaks that stretch their bare limbs to the sky as if in silent tribute. I pass Section D, where fresh bouquets dot the landscape like bursts of color in a monochrome world. Up ahead, the flagpoles stand sentinel at the heart of Laurel Hill East. They''re like beacons, marking the place where heroes and soldiers rest side by side. It''s there, in that space where valor sleeps, that Professor Franklin lies, and now Diane will too. It''s a place of honor, yet as I draw closer, a knot tightens in my gut. Professor Franklin, a hero in his own right, nestled amongst soldiers ¡ª it''s fitting, yet something about it doesn''t sit right with me. I can''t quite place the feeling. It''s like a word on the tip of my tongue, a thought that won''t crystallize. I''m supposed to feel something¡ªgrief, anger, determination. Instead, there''s this numbness that''s swallowed everything else. I spent the last two weeks poring over Diane''s notes, her unsolved cases, trying to find¡­ what? Closure? A clue? Anything to make sense of this. But every time I reach for the notebook on Chernobyl, my hand recoils like it''s been burnt. Laura Zhang warned me federal agents might come knocking, courtesy of some visit to the firm, but that feels distant, inconsequential. I move on, passing the hushed crowd gathered by the flagpoles. The flags flutter half-mast in the winter breeze, their shadows playing over the snow-covered ground. The stark reds and blues are jarring against the white, a visual echo of the life and blood Diane gave to this city. It¡¯s here that the procession will end, where we¡¯ll say our final goodbyes, where Liberty Belle will find her last measure of peace. I''m here, standing amidst a city''s mourning, and I''ve never felt more alone. I pull my jacket tighter around me, a feeble barrier against the cold that''s nothing to do with the weather. I take my place among the faces, some known to me, others not, but today we''re all the same ¡ª just people who''ve lost a hero. It¡¯s a sobering thought, one that makes me wish I could find the right words to describe this feeling, this day, this final farewell. But words, like comfort, are scarce today. I shuffle along the neatly arranged sea of black fold-out chairs, their starkness sticking out against the untouched white canvas of snow. The procession has settled into these temporary seats, creating a field of mourners in this vast expanse of quietude. My boots leave shallow imprints as I navigate this orderly maze, the sun above an unforgiving spotlight that bounces off the snow, making me squint despite the mask shielding my eyes. Not front row¡ªthat''s for family, the closest of companions, those who shared her battles and her quietest moments. But still, I''m close, in the second or third row, a nod to the bond I had with Liberty Belle, one that was still growing, still defining itself when she¡­ I shake the thought away as I spot the row where I¡¯m supposed to be. I slide past knees and solemn faces, an unspoken apology for the disturbance. There''s a barely audible swish of fabric as I settle into my assigned space, the chair cold even through my layers. Then, there''s Jamila. Even with her mask on, I''d know her anywhere¡ªher posture, the tilt of her head, the way her hands rest on her lap. She''s dressed appropriately for the occasion, the cut of her clothes elegant yet somber, a polite contrast to my own hastily thrown-together attire. I inch closer and reach out tentatively, my gloved hand hovering before taking the plunge to find hers. It''s a silent plea for comfort, for a connection in the midst of all this formality and grief. Our fingers brush, a fleeting whisper against the cold, before they intertwine. Her grip is firm, grounding, a lifeline in the swirling storm of my own emotions. We sit there together, hand in hand, no words exchanged. The words wouldn''t find their way through the tightness in my throat anyway. The sheer vastness of the crowd, the solemnity of the occasion¡ªit all makes me feel so small, so inconsequential. The funeral begins.
The black fold-out chair beneath me feels as cold and hard as the marble headstones that surround us, a stark reminder of the grim occasion that has brought us all together. I sit there, shoulder to shoulder with Jamila, our hands not quite touching, both of us lost in our own thoughts. I can''t tell if she''s seeking comfort or just as unsure about what to do with her hands as I am. The chairs are set in neat rows, an attempt at order in the face of chaos, grief, and the indomitable finality of death. The priest stands there, a solitary figure against the backdrop of sorrow, his robes lightly dusting the snow as he moves. He begins, his voice steady and clear, cutting through the crisp air. "We are gathered here in the presence of God and each other," he intones, "to honor the life and legacy of a woman who was not only a hero in the skies but a pillar on the ground ¡ª Liberty Belle." He pauses, surveying the sea of faces, ensuring each soul present feels included in this collective moment of remembrance. "Diane Williams," he continues, invoking her given name with a respect that draws murmurs of assent from the crowd, "was a daughter of Philadelphia. In this city of brotherly love, she found her calling, her purpose, and her family. We knew her as Liberty Belle, a name that became synonymous with strength, with courage, with the relentless pursuit of justice. But let us also remember Diane, the friend, the confidant, the unwavering presence in the lives of those she touched." The priest''s words begin to paint a picture of Diane''s life beyond the cape ¡ª the small acts of kindness, the personal sacrifices, the untold struggles. He speaks of her laughter, echoing in the halls of the Delaware Valley Defenders¡¯ headquarters, of her hands, always ready to lift someone from despair, and of her heart, that fierce and compassionate organ that seemed to beat in time with the city itself. Unauthorized usage: this narrative is on Amazon without the author''s consent. Report any sightings. "Today, we lay to rest not just a city''s guardian, but a cherished soul who walked among us. It is right to mourn her passing, to feel the keen edge of her absence, but it is also right to celebrate the indelible mark she has left on each of us. Diane gave us a legacy of hope ¡ª hope that does not wane with her passing, but is instead kindled anew in the hearts she has inspired." The crowd is rapt, hanging onto his every word, finding a measure of peace in the shared narrative of Diane''s life. "We will now hear from those who fought alongside her, who knew her not just as Liberty Belle, but as a comrade, as family," the priest announces, signaling the transition of the service from eulogy to personal testimonies. He looks to his right, to a figure emerging from the line of heroes, their cape catching the light. "I invite to the podium a fellow defender of this city, a hero who stood shoulder to shoulder with Diane in her many battles, who can speak to the warrior she was and to the friend we cherished." As the hero steps forward, the priest steps back, allowing space for personal stories to fill the air, for the legacy of Liberty Belle to be celebrated in the words of those who knew her best. I recognize him, vaguely - the man from the will reading, perhaps? His voice is tinny and almost retch-like, like he has to force it through a shredded throat, but it comes all the same. Wrapped in layers of what is undoubtedly hazmat equipment, part of me has trouble avoiding a snicker at the tie loosely thrown around the neck combined with the hood over his head. He doesn''t bother with pleasantries or introductions; there''s no "My name is" or "I knew her as." Instead, he begins with the raw timbre of his voice, a sound that seems to scratch at the inside of his throat with every word he utters. "Diane," he starts, and the name hangs in the air, "was never meant to be boxed in by the expectations of the world. She was fire and fight, long before ''Liberty Belle'' was ever a whisper in the city''s consciousness." His voice is rough, but his words are smooth, well-planned, like they had been prepared thousands of times before. I imagine this man reciting in the mirror, in his head, preparing for the day she died. I don''t know why I imagine that. "In 2005, when the world came crashing down in a subway tunnel, it didn''t break her. It forged her, in blood and dust and darkness. The woman who emerged was more than just flesh and bone. She was a symbol, a testament to the resilience of the human spirit." His hands, encased in gloves, grip the edges of the podium, as if holding on to the memory itself. I notice the wood creaking, squishing. "But let''s not romanticize the path she walked. It was lined with sacrifice and shadowed by loneliness." His voice catches, a hitch that betrays the emotion he struggles to keep in check. "Liberty Belle was a hero, yes, but Diane¡­ she was a person who bled, who hurt, who loved fiercely in a world that demanded her to be invincible." He pauses, taking a moment that seems as much for himself as for the crowd. "She was a friend," he continues, the tinny quality of his voice giving the words an otherworldly echo. "One who laughed in the face of danger, not because she didn''t understand it, but because she chose to rise above it. One who cried in the quiet moments when she thought the world wasn''t looking, because even heroes have to break sometimes." His speech is a raw edge of reality cutting through the ceremony, an uncomfortable knife jabbed in my chest. "We mourn Liberty Belle today," he concludes, his voice now barely more than a whisper, "but we must also take a moment to remember Diane, the woman who lived, who loved, and who left us too soon. Her legacy is not just in the skies above Philadelphia but in the hearts of those she touched. I wish I talked to her more." As he steps away from the podium, the crowd is left in a hushed silence, the bitter truths of his words settling like the snowflakes that continue to fall gently around us. One by one, dignitaries and heroes approach the podium, their faces somber, their eyes reflecting a shared sorrow. They tell stories of Liberty Belle''s heroism, of lives saved and battles won, of a spirit unyielding and a determination unwavering. With each anecdote, the crowd responds, sometimes with a soft chuckle, other times with a collective nod, as if affirming the truth of the shared memory. The eulogies unfold like a tapestry of heroism, each thread a story, each pattern a battle won, a life saved. They speak of Liberty Belle with reverence, painting a portrait of a legend that feels both immense and distant. I know I should be wrapped in every word, lost in the gravity of the moment, but my mind keeps wandering, slipping away like shadows at noon. I should be feeling something more, something profound, but all I can find within me is a bone-deep weariness. The tears have all been spent in the days leading up to this moment, and now, there''s just this empty space where sorrow used to be. I feel it most when they call for a moment of silence¡ªa hush falls over the crowd, a collective inhale of breath, but inside me, there''s only the echo of an unasked question, "What now?" The wind rustles through the branches overhead, a sound that should be soothing, but it feels like it''s whispering admonishments instead. I should be focused, I should be remembering her, honoring her. But instead, I find my attention snagging on the smallest of distractions¡ªthe way the snow clings to the branches of the nearby trees, the muffled cough of someone a few rows back, the cold seeping through the soles of my shoes. I feel a pang of guilt, sharp and sudden, every time my mind drifts. Diane¡ªLiberty Belle¡ªshe was my mentor, my hero. And here I am, unable to keep my thoughts from straying, even as Jamila beside me is the picture of rapt attention, her gaze never wavering from the procession of speakers. I try to anchor my focus, to pay homage to the woman who gave so much, who was so much to this city, but my thoughts are restless, skittering creatures that refuse to be tamed. The priest''s voice is a steady drone in the background, his final blessing meant to offer closure, but it feels like it¡¯s for someone else, for those who knew her in a way I never did. As the ceremony drags on, I wrestle with my conscience, berating myself for this restlessness, for the guilt that gnaws at me with every wandering thought. I make silent promises to make up for this lapse, to find a way to honor her memory that feels true, that feels like something I can hold onto. The only thing I can truly grasp right now is the cold reality that heroes are mortal, and legacies are heavy burdens to bear. The line of speakers dwindles to a trickle, and the crowd shifts, a collective leaning in as Jamal Davis takes the podium. The last of the day. He''s a stark figure against the backdrop of muted grief, the cut of his suit sharp, his tie knotted perfectly. There''s something about him today¡ªmaybe it''s the solemn occasion or the way the winter light catches on his bald head¡ªthat grants him an air of distinction, a gravitas that demands attention. He clears his throat, and his voice, when he speaks, is deep and resonant, filling the space around us. "Diane Williams, Liberty Belle," he begins, "was a force to be reckoned with. A hero in the truest sense of the word, and yes, a friend." He pauses, and in that brief lull, I can almost hear the unspoken words, the stories not being told. But my mind is elsewhere, skimming the surface of his speech, catching only the highlights. "Liberty Belle was someone who knew her own mind, who acted on her convictions with a certainty that inspired us all," Jamal continues, his words painting a picture of a leader both indomitable and fiercely independent. "We often butted heads," he admits with a wry smile that doesn''t quite reach his eyes, "but it was always with the deepest respect for one another. She had a way of making you consider every angle, and then, she would do what she felt was right, regardless." His tribute is laced with admiration, and to anyone not versed in the subtleties of their relationship, it would seem a straightforward eulogy. But there''s an undercurrent there, a hint of complexity that suggests their partnership was anything but simple. Jamal Davis stands tall at the podium, his presence commanding a sort of hushed respect as he continues to speak. The quiet murmurs of the crowd subside into a reverent silence, all eyes on him. "In South Philadelphia," Jamal begins, his voice steady, "we faced one of the greatest challenges this city has seen. The stakes were high, and the risks were higher. The kind of day where every decision feels like a weight upon your soul." He pauses, his gaze sweeping across the crowd. "Diane, she understood the magnitude of those moments better than anyone. She knew that the calls we make in the heat of battle aren''t just about strategy; they''re about lives, about our city''s future." He allows the words to hang in the air for a moment. "When the time came to make the call, to evacuate or to stand and fight, Diane did what she believed was right for the city she loved. She acted, as she always did, with courage that I can only hope to emulate. Even when it meant walking a path she had to choose alone." As Jamal speaks, I find myself nodding along, but my mind is restless, my thoughts fragmented. I can sense there''s more to his words, a depth I''m not grasping, but the effort to dig deeper just seems too much. Instead, I let the ebb and flow of his speech wash over me, a tide of accolades and remembrances that I''m too tired to swim against. When he steps down, the applause is respectful, a wave of hands coming together to acknowledge the leader Liberty Belle once followed, and perhaps, the leader we all might follow in the days to come. I join in, the clap of my hands hollow in the cold air, my thoughts already drifting as the priest comes to lay Diane''s coffin down in the earth. Chapter 47.2 As the final words of farewell are spoken and the echo of the closing prayer fades into the solemn quiet of Laurel Hill East, the gathered crowd begins to stir. The ceremony, a span of hours that felt both eternal and fleeting, has come to an end. Liberty Belle, Diane, has been laid to rest among Philadelphia''s fallen, her story now etched in the memory of the city she protected. I''m bone-tired, the kind of exhaustion that seeps into your marrow, a weariness not just from today, but from the accumulation of loss and the relentless march of days that followed Diane''s death. The somber cloud that hung over us as we stood in respect now begins to dissipate, and the crowd slowly transitions from mourners to clusters of people, talking, sharing stories, or just silently reflecting as they amble around. The workers at the cemetery move with a practiced efficiency, folding chairs and clearing the space with a quiet respect for the sacredness of the event that just took place. They''re like ghosts, unseen yet integral to the fabric of this day, their movements a whisper against the backdrop of goodbyes. But I notice. I''m more interested in them than every other big wig here. How must it feel to be made to pack away chairs on a day like this? I reach out, seeking the familiar comfort of Jamila''s presence, but my hand finds only empty air. I turn, searching for her in the crowd, but she''s already gone, swept away in the tide of people. A pang of loneliness hits me, and I¡¯m reminded, not for the first time today, that despite the sea of people, I am fundamentally alone. The realization settles heavy in my stomach as I stand there, a 14-year-old dressed in the garb of a hero among a sea of adults who''ve known each other, fought with each other, and now grieve with each other. They schmooze - you know, they chatter about with each other, but schmooze is what Pop-Pop Moe says - with a familiarity borne of shared experience, their laughter and tears mingling in the chill air, while I stand on the periphery, cloaked in the guise of Bloodhound, feeling anything but heroic. I feel the weight of the mask on my face, a barrier that''s supposed to offer anonymity but instead seems to accentuate my isolation. Around me, the cemetery is coming back to life, the starkness of the funeral giving way to the muted sounds of life going on¡ªfootsteps in snow, the murmur of conversation, the distant sound of traffic from beyond the cemetery gates. After the sun sets, the crowd will be let inside to pay their respects. But not before. With nothing left to anchor me to the spot, I begin to navigate through the dispersing crowd, each step an effort to shake off the numbness that the day has draped over my shoulders. I need to move, to walk, to feel something other than this hollowness. I don''t know where I''m going, and right now, it doesn''t matter. I just need to be anywhere but here, away from the echoes of speeches and the silent pressure of expectation. Maybe I''ll find Jamila, or maybe I''ll just find a quiet corner to unravel in. Either way, I move, because standing still feels too much like giving in to the sadness that''s been threatening to swallow me whole. The weight of the day presses down on me, a tangible force as I weave through the dissipating crowd, each step an effort to distance myself from the grave and the ceremony that still seems to reverberate through the air. I''m lost in the anonymity of my mask, a shield against the world, when a tap on my shoulder jolts me back to reality. I spin around, the instinctive hope that it''s Jamila or any of the Young Defenders fizzling out as I come face to face with a stranger ¡ª a man with a notepad in one hand and a pen poised in the other. He''s got that look, the one I''ve seen on adults who are trying to be gentle with kids who''ve scraped their knees ¡ª a mix of sympathy and awkwardness. "You must be Bloodhound?" he ventures, his eyes flicking to my mask for confirmation. The dog-themed design, meant to be a symbol of my powers, now feels like a beacon drawing unwelcome attention. "Jarvis Wallace, with the Philadelphia Inquirer." "Yeah, that''s me," I reply, the words sticking slightly in my throat. I''m not used to this, being the focus of someone''s interest, especially not today. "Can I help you?" The reporter nods, his expression earnest. "I''m sorry for your loss. Liberty Belle¡­ she was a hero to all of us." There''s a pause, heavy with expectation, before he continues, "She mentioned her prot¨¦g¨¦s now and then. Would you mind sharing what she was like as a mentor?" His question opens the floodgates, and suddenly, I''m not just a face in the crowd anymore. People start to gravitate towards us, drawn by the possibility of a story, of a glimpse into the life of the hero we''ve just buried. They form a semi-circle around me, their presence a pressure at my back. I should feel trapped, but instead, there''s a flicker of something else. Gratification? It''s confusing, this sense of importance, of being the keeper of part of Liberty Belle''s legacy. It''s a role I never asked for, but the attention feels like fresh water down my throat after a day in the desert. The sunlight bounces off the snow at the wrong angle, as the sun begins to dip low, getting ready to set at its winter 5 o''clock. "She was¡­" I start, searching for the right words, "She was tough, you know? Made you work hard, push yourself. She believed in doing the right thing, always." It''s the truth, but it feels hollow, like I''m reading from a script I didn''t write. The reporter''s nod is like the cue for an orchestra, and the first question he asks leads into a symphony of others. "What was the most important lesson Liberty Belle taught you?" he inquires, his pen ready. I stumble for a moment, caught off-guard. "Discipline," I find myself saying. "She was all about control ¡ª controlling your powers, your emotions, your actions. Everything measured, everything with a purpose. Discipline and knowledge." A woman, her face kind and lined with the marks of time and concern, steps forward from the crowd. "Did she ever talk about her own mentors? Who shaped her into the hero she became?" I shake my head, regretting that I can''t provide what she''s seeking. "She didn''t talk much about her past. It was always about the here and now, the mission at hand." It''s an incomplete answer, but it''s all I have. Anything I learned about Professor Franklin was given in half-sentences. I have nothing to add that the world hasn''t already picked at like vultures. The questions keep coming, each one chipping away at the barrier I''d built around myself. They ask about her favorite moments, her quirks on the field, how she dealt with the weight of her responsibilities. With each query, I dredge up snippets from the past, offering them like fragments of a mosaic that these people are desperate to piece together. A man in a neatly pressed coat raises his hand, his demeanor respectful. "Did she ever express what she wanted for the future of Philadelphia, for the next generation of heroes?" I think about the letter. I stop. I inhale. The air is cold in my lungs. "She told me to question authority. And search for the truth relentlessly," I say, feeling my heart beginning to thud in my chest. I feel a sudden rush of anxiety, like I just said something I wasn''t supposed to. My palms begin sweating. "Never accept the easy answers." The author''s narrative has been misappropriated; report any instances of this story on Amazon. "And how do you feel, Bloodhound?" I freeze, turning slowly, as a familiar voice cuts into me like brambles. The world seems to tilt slightly as I lock eyes with Mrs. Z. Her hair is as I remember it, a cascade of bouncy waves, her skin a rich, dark canvas for the narrow, angular features that are set in an expression of cool curiosity. The woman from the storm, the one who called forth the rain as Mr. T-Rex tore through my life like an out-of-control piece of construction equipment. My heart hammers against my ribcage, a caged bird frantic to escape. My breath catches, each inhale sharp as shards of glass in my lungs. Panic claws its way up my throat, and I can feel the edges of my vision begin to blur, my heart beating inside my ears. The cemetery, the crowd, the questions ¡ª they all recede, leaving nothing but the piercing gaze of Mrs. Z. Why is she here, inside the cemetery, where only honored guests and close acquaintances tread? She should be outside, with the other civilians, shouldn''t she? That thought alone sends a shiver down my spine, a whisper of suspicion that makes my skin crawl. Her presence among the mourners means something, hints at a connection I can''t see, a piece of the puzzle hidden in plain sight. "I¡ªuh¡ª" My voice is a strained whisper, and I hate how weak it sounds. I have to get out of here. I can''t let her see how much she affects me, can''t give her the satisfaction. Mrs. Z''s eyes narrow slightly, her head tilting as if she¡¯s reading the chaos of thoughts racing behind my mask. "It''s a lot, isn''t it? For someone so young," she says, her voice almost sympathetic. I nod, swallowing hard against the lump in my throat. "I need to¡­ check on something," I stammer, the words clumsy, an excuse to escape this confrontation, to escape her unnerving scrutiny. The urge to lash out, to throw a punch at Mrs. Z, is like an itch in my fists, but I clench them at my sides, knowing that violence isn''t the answer. Not here. Not now. I have to be smart, have to be like Diane¡ªlike Liberty Belle¡ªand keep my composure. I squeeze my nails into my palms. I back away, the world narrowing to the pounding of my heart in my ears. The crowd feels like a wall closing in, and I need space, air, escape. Instinct kicks in, and I turn, my feet finding their rhythm, faster and faster. The cemetery transforms into a blur as I run. My legs are a flurry of motion, each stride a testament to the training and reflexes honed over countless hours. I''m Bloodhound, fast as a bullet, swift as a shadow. The snow-covered paths twist and turn before me, but I navigate them with ease, my body moving on autopilot. The crowd thins as I push further from the heart of the ceremony, from the site of my panic, from Mrs. Z and her judgmental eyes. The world around me grows quieter, the murmur of voices fading into a distant hum, the clatter of folding chairs a faint echo. I keep running, my breath forming clouds of steam in the rapidly cooling air. The sky, a vast expanse above me, darkens ominously, the late afternoon sun obscured by gathering clouds. It feels like the day is collapsing into night, the light fleeing as if in sympathy with my own need to escape. Then, snowflakes start to fall¡ªgentle at first, then growing in intensity, a silent cascade from a steel-grey sky. My first thought is Mrs. Z. Is this her doing? Another display of her power? The notion sends a fresh spike of adrenaline coursing through me, and I push harder, faster, trying to outrun my own racing thoughts. The cemetery is a maze of monuments, but I navigate it with the ease of the hunted, darting past statues that watch over the resting with silent vigil. The snowflakes swirl around me, catching in my hair, melting on my skin. They''re cold, but my body burns with exertion, embarassment and fear flowing through me faster than any blood. I slow to a stop, my chest heaving, my body slick with sweat despite the cold. I turn to look back at the expanse of graves and tombs, now shrouded in a veil of falling snow. It''s quiet. I''m left feeling hollowed out, but the panic has passed. I straighten up, wipe the tears that have spilled over, and set my jaw. The labyrinth of gravestones and monuments falls behind me as I slow to a standstill, my breath clouding in the frigid air. The panic that propelled me through the cemetery has ebbed away, leaving behind a residue of exhaustion and a hollow feeling in the pit of my stomach. The serene beauty of the snow-covered tombs almost makes me feel better. As I turn back to take in the sight, my heart nearly leaps out of my chest when I see Jamila and Gossamer suddenly appear beside me. Gossamer, always the epitome of fashion even in mourning, is wrapped in stylish winter layers, her domino mask perfectly in place. Jamila, her concern etched clearly on her face, is also in her mask, a look of relief flooding her features when she sees me, hijab wrinkling with her movements. "Sam, where did you go?" Jamila''s voice is tinged with worry. "We''ve been looking everywhere for you. You just¡­ vanished after the reception." I open my mouth, words failing me at first. How do I explain the encounter with Mrs. Z, the surge of panic, the overwhelming urge to flee? "I¡­ I had to get out of there," I manage to say, my voice shaky. "Mrs. Z was there, and she spoke to me. It freaked me out. I just¡­ I couldn''t stay." Gossamer''s expression shifts to one of deep sympathy. Without a word, she steps forward and wraps her arms around me in a hug. It''s warm and comforting, but also a bit too much. I squirm in her embrace, not used to such open displays of affection, especially when I''m still trying to process everything. Jamila watches us, her eyes soft with understanding. "It''s okay, Sam. You''re safe now. We''re here for you," she reassures me, her voice soothing. "You saw¡­ Mrs. Z? From¡­" "From the Kingdom. She was there when the T-Rex guy¡­" I pant, still trying to catch my breath, like trying to squeeze toothpaste back into a bottle. "You know, when he destroyed my house. She was here. Why was she here?" Jamila''s brow furrows in confusion as she processes what I''ve said. "Mrs. Z was at your house during the attack, and now she''s here? That''s¡­ weird. And kind of scary." "Yeah," I agree, my words tumbling out in a rush. "It doesn''t make sense. Why would she be here, at the funeral? It''s like she''s following me or something." Gossamer releases me from the hug but keeps a protective arm around my shoulders. "We need to tell someone about this. Councilman Davis, maybe. He should know what''s going on, especially if it involves the Kingdom." I nod, a little dazed. "Yeah, maybe he can do something about it. Or at least figure out why she''s here." Jamila looks between Gossamer and me, her expression one of concern. "We should stick together for now. It''s safer that way, and¡­ well, I don''t want you to be alone after something like that." I manage a weak smile, grateful for their support. "Thanks, guys. I¡­ I really appreciate it." Gossamer gives my shoulder a squeeze. "Let''s head back to the group. We''ll keep an eye out, and we''ll talk to Davis as soon as we can." As we start walking back towards where the rest of the mourners are gathered, I can''t help but glance over my shoulder, half expecting to see Mrs. Z lurking in the shadows. But there''s nothing¡ªjust the silent, snow-covered graves and the fading light. The conversation trails off as we rejoin the crowd, the noise and movement a stark contrast to the quiet solitude of the cemetery''s edge. The anxiety that had gripped me so tightly begins to loosen its hold, but it''s replaced by a nagging sense of unease. Why was Mrs. Z here? What did she want with me? The cemetery, once teeming with mourners, has begun to fill back up in its ebb. The important guests have departed. The sky, painted in hues of orange and purple, signals the opening of the gates, and the civilians who had been waiting patiently outside begin to filter in, their expressions a mix of respect and curiosity. A larger, unrulier crowd. Gossamer glances at the growing number of civilians and then at us. "Hey, Gale, why don''t you and Bloodhound go flying to get out of here? I''ll find Councilman Davis and fill him in. You two should take a break, grab some Wawa or something. We''ll touch base later, okay?" Jamila looks at me, her eyes asking a silent question. I can barely manage a nod, my mind still reeling from the encounter with Mrs. Z and the overwhelming day. The idea of flying, of leaving the ground and all its complications behind, even just for a little while, sounds like a welcome respite. I don''t want to touch the snow anymore. I hate the snow. I hated it before and I''m beginning to hate it even more. "Yeah, okay," I agree, my voice a mere whisper. Jamila''s wind powers are gentle but firm, and I find myself clinging to her as she summons a gust strong enough to lift us both, billowing under our clothes and fluffing them out like parachutes. The wind whips around us, tugging at our jackets and scarves and hair as we rise above the cemetery. The ground falls away, and with it, the weight of the day seems to lighten, if only slightly. Below us, the cemetery transforms into a patchwork of stone and snow, the mourners reduced to dolls ambling about in their diorama. We glide through the air, the city sprawling out beneath us in a tapestry of lights and shadows. The cold air bites at my cheeks, but it''s refreshing, a stark contrast to the stifling atmosphere of the funeral. As we drift towards the promise of comfort food and a momentary escape, I let myself relax just a fraction into Jamila''s hold. Chapter 48.1 Illya Myronovych Fedorov. That''s his name. That''s the name of the man who killed Liberty Belle. Christmas passes without fanfare. Lily doesn''t celebrate it, neither do I, and the winter break is giving me two weeks to distract myself from my flagging grades. The notebook feels heavier than it should as I flip it open, its pages dense with Liberty Belle''s meticulous notes. Her handwriting is sharp, precise, like her. I start with the first page dedicated to Fedorov. It''s filled with basic info -- birth date, place, a few sparse details about his early life. It''s like reading someone''s biography, except this one''s about a guy who is also a walking nuclear reactor. "Born in Kyiv, Ukraine, 1985," I read under my breath. "Son of a school teacher and a librarian." Normal stuff, really. Nothing screams ''future supervillain here.'' But then, I guess nobody really plans on going down that route. I feel a little weird about our shared commonality - the librarian mothers, the Jewish upbringing. But I push the feeling down. The next pages detail his education. ''Graduated from Taras Shevchenko National University of Kyiv, major in Mechanical Engineering.'' Belle even included a photocopy of his graduation picture. He looks normal, smiling, hopeful, almost handsome, with black salt-and-pepper hair that curls like an ocean wave over the side of his head, and big, broad shoulders. He looks just like any other grad. It''s hard to reconcile this image with the monster that gave Liberty Belle the fight of her life. The man who killed Professor Franklin. Her notes get more intense as they go. ''Masters in Nuclear Engineering from Kyiv Polytechnic.'' That''s when things start to get interesting. Belle noted his shift to the Zaporizhzhia Nuclear Power Plant, and that''s where the normalcy ends. ''Accident. Details redacted.'' The word ''redacted'' is underlined twice. I flip to another section, where Belle pieced together info about his life post-accident. There are newspaper clippings, interview transcripts, even some sketches that look like they''re from a surveillance op. She really dug deep. ''Manifestation of powers during reactor malfunction.'' I pause, imagining the chaos, the fear. What would it be like, to suddenly find yourself with powers like that, in the middle of a disaster? The notes on his family are brief but poignant. ''Wife, Olena. Daughter, Yulia, born 2008.'' There''s a family photo clipped to the page. They look happy. Normal. A high school science teacher, and a girl almost exactly my age, although the only pictures Liberty Belle has are of her as a 7 year old. Does his daughter know what her dad turned into? Does she ever see him, or is he too dangerous now? Her hair is the same kind of wavy as mine. Belle''s notes on his psychology are the most chilling. ''Displays signs of PTSD. Increasingly paranoid.'' No kidding. I guess having your whole life explode -- literally -- does that to you. Pages of assessments, files I couldn''t even imagine how she got access to, emails sent under the guise of a concerned colleague or fake family member to ex-professors, ex-teachers, ex-coworkers. The last part of the notebook, after the biography, the interviews, the pictures that seem to have been taken by Belle herself in Ukraine, leaves me with one final note. ''Nom-de-crime "Chernobyl" bestowed by US govt. Illya does not respond well to it. No shit.'' And for some reason, that catches me by surprise. He didn''t name himself? Then, I second-guess myself - of course he didn''t. Why would a Ukranian name themselves after the worst nuclear disaster of their country''s history? Knowing that it was our government that gave him that name makes me feel a lump rising in my throat. It feels¡­ disrespectful? Should I be feeling angry right now? Should I be offended on his behalf? I need to keep reading. There''s so much here, and I''ve barely scratched the surface. But every page, every word, feels like a step closer to understanding the man who killed my mentor. And maybe, just maybe, a step closer to finding out how to stop him. I turn the page. There''s only one word. I flip through the rest of the notebook, finding nothing. Hours digging into an autobiography of a walking nuclear disaster, and it ends with the word ''Porcelain?'' underlined in red ink, bleeding through the page. What? Porcelain? What does that have to do with anything? I shut the notebook, my eyes bleary, the world having skipped past without me. Already, the sun is starting to set, but I barely remember waking up this morning on the futon. Lily is out, her parents are at work - it''s just me in the house, now. It''s just me until there''s a knock on the door. It''s sharp, urgent, and loud. Shave and a haircut - two bits. I freeze, the notebook still in my hand. Who could that be? Lily''s parents wouldn''t knock, and Lily would just barge in like she owned the place - which, technically, she sort of does. I shuffle to the door, my heart hammering in my chest. Peeking through the peephole, I see two stern-looking people in suits. One''s a tall woman with a no-nonsense haircut, the other''s a broad-shouldered man with a face that looks like it''s never heard a joke it liked. My threat assessment instincts, still being tuned by practice and training, kick in nonetheless. There''s a car behind them, probably theirs. They each have a gun, comfortably but noticably holstered on their hips. They could, theoretically shoot me. Play along time. The woman steps forward. "Are you Samantha Elisabeth Small, known by the vigilante alias of ''Bloodhound''?" Her voice is firm, almost accusatory. I nod slowly, trying to keep my voice steady. "Yeah, that''s me. Can I help you?" The woman steps forward, flashing a badge briefly. It''s too quick for me to actually read anything, but I guess that''s the point. "We''re from the National Superhuman Response Agency," she says. Her voice is firm, like she''s used to giving orders and having them followed. "We need to talk to you about some items you''ve recently come into possession of." I frown, my grip tightening on the notebook. "If you mean Liberty Belle''s stuff, then yeah, I have it. It was left to me. What about it?" The man, who''s been silent till now, speaks up. "It''s a matter of national security, Ms. Small. Some of the contents in those notes and drives could be¡­ sensitive. Regarding particular terrorist threats." My heart starts to race, but I force a shrug, trying to appear nonchalant. "I don''t know what you''re talking about. I haven''t really gone through everything yet." The woman''s gaze sharpens, and I can tell she doesn''t buy it. "We believe it''s in everyone''s best interest if those items are turned over to the NSRA for proper examination and handling." I shake my head, stepping back slightly. "I can''t do that. They were left to me, for me. Belle wanted me to have them." The man''s voice is stern and unyielding. "Ms. Small, this isn''t just a request. We''ve already been in contact with Laura Zhang, and she''s given us permission to retrieve Liberty Belle''s belongings. We need your cooperation." You might be reading a pirated copy. Look for the official release to support the author. My stomach knots. They''re lying. They have to be. Laura wouldn''t just hand over Belle''s life''s work to the feds, would she? But what can I do? Arguing seems pointless and dangerous. I nod, trying to appear compliant while my brain screams for a solution. "Okay, I understand. The stuff, it''s just upstairs. Can I go grab it?" The woman''s eyes narrow slightly, but she gives a curt nod. "Make it quick. We don''t have all day." I turn, my feet heavy as I trudge upstairs, each step echoing in my head like a death knell. In Lily''s room, surrounded by her vibrant posters and stuffed animals, I feel a stark contrast to the cold dread filling me. I''m supposed to be smart, resourceful -- a superhero. But right now, I feel anything but. I pace the room, my mind racing but getting nowhere. The box is right there, under the futon, just a thin layer of wood and fabric away from those agents. I can''t let them have it. But what can I do? My powers are no match for the NSRA. I think of Clara, of her quick thinking and legal know-how. But she''s not here. It''s just me. Minutes pass in agonizing silence. I have to go back down, have to face them with something. Anything. I take a deep breath and head back downstairs, my plan forming as I descend. It''s flimsy, at best, but it''s all I''ve got. I step into the living room, where the agents wait impatiently. My heart hammers in my chest, threatening to leap out of my throat. "I¡­ I can''t find it," I stammer, hoping my panic looks genuine. "I must''ve misplaced it, or maybe someone moved it. I don''t know." The man''s expression darkens, his patience clearly wearing thin. "Ms. Small, this isn''t a game. Those items are critical to national security. If you don''t produce them now, we''ll have to search the house ourselves. You understand, of course, the penalties for lying to a federal agent?" I swallow hard, my mind screaming for a way out. But there''s nothing. No backup plan, no hidden ace. Just me, two federal agents, and a box full of secrets lying just feet away. The panic claws at me, a wild animal trapped in a cage, as I stand there, frozen. I''m about to lose it, to scream, to let out all the fear and frustration, when suddenly, the air is filled with a horrifying stench. It''s like death warmed over, a putrid smell of rotting flesh, so strong I almost gag. My blood sense tingles, alerting me to the presence of someone¡­ or something. I see him in my mind''s eye before I actually see him sprinting around the street corner, high-visibility buttons flashing, glinting in the streetlights. There''s something wrong with his blood. It''s moving, it''s flowing, but his heart is barely pumping, and his blood is thick, like jelly. He''s covered in open wounds that are still wet and fresh, giving me an easy sight into his rotten arteries, but aren''t leaking or dripping. And instantly, I understand what the smell is from. Through the window, I see a figure vaulting over the agents'' car with an eerie grace. The smell is overwhelming now, and I realize it''s coming from him. His blood is like pudding, unctuous and coagulated, moving through his veins like molasses if at all. He''s like a zombie, straight out of a horror movie. His head is wrapped in what looks like the tattered remains of a winter jacket, the hood and buttons forming a makeshift cloak around his shoulders. It gives him a bizarre, almost wizard-like appearance. I don''t know his name, but there''s something unmistakably familiar about him. As he strides into view, confidence oozing in his every step despite the macabre aura he carries, I recognize him from Liberty Belle''s funeral. He was the one in the hazmat suit, the first to speak, but now his suit is missing its headpiece, allowing the nauseating scent to escape freely. The agents whirl around, hands instinctively going towards their weapons, as the smell hits them. They''re visibly repulsed, their faces contorting in disgust. For a moment, everyone is frozen, caught in a painting of shock and confusion. Me too, to be honest. I''m having to resist the urge to vomit from sheer revulsion. "Who the hell are you?" the female agent demands, trying to mask her revulsion with authority. The man doesn''t answer right away. Instead, he looks straight at me, his eyes piercing through the cloud of decay. There''s a message in his gaze, a silent communication that speaks of urgency and understanding. He''s not wearing a mask, the skin of his face instead mummified around the skull, his lips missing - his nose missing. There''s no blood visible, only a thick, black fluid that''s smeared like warpaint across him. For a moment, I''m frozen in awe and horror, as I realise that the black stuff is his blood. His sclera, the white part of his eyes, and his colored iris are almost the same color, an eerie off-pink-grey that reminds me of meat that''s been left out a little too long. His pupils look like pinpricks. His eyes glint out from under his hood. Then, he turns his attention to the agents, his voice calm and steady. "You might want to put those away. I''m not here to fight. I''m here to talk with Ms. Small." His presence seems to fill the front room from all the way over here, despite the agents'' attempts to distance themselves from the overwhelming stench, taking steps back on the sidewalk. "Name''s Miasma," he says, his voice deep and reedy, like gravel being dragged across rough concrete. "Heard from a little birdie that some feds were giving an innocent young girl a hard time. Couldn''t just walk by, you know?" His eyes, sharp and calculating, flick from me to the agents, who are now visibly struggling to maintain their composure. The female agent''s face is pinched in discomfort, her hand subtly covering her nose. Miasma steps closer, the agents instinctively stepping back. "So, are you bothering this upstanding young citizen?" he asks, his tone casual but edged with something darker. Meaner. Something extremely different from anything I''ve seen before - closer to the people I''ve seen from the Kingdom than anyone else. "Got any warrants for this¡­ investigation of yours?" The agents exchange a glance, their confidence wavering under Miasma''s scrutiny. "We have authorization to confiscate the items in question," the man says, but his voice lacks its earlier conviction. Miasma chuckles, a sound that''s more a raspy wheeze than anything. I watch the cloth of his cloak ripple around his throat, the air seeming to escape where it shouldn''t. "Authorization, huh? Properly contested the will and all that?" I am about to ask how he knows about the will, and then I remember. Miasma. Joshua Pleasants. He got Belle''s lockbox. The woman nods, a bit too quickly. "Yes, from Laura Zhang. She''s given us the green light." "Oh, is that so?" Miasma leans in, his eyes narrowing. No, not quite - the skin around his eyes scrunches up, but his eyelids look¡­ not right. Without a clear view, I can''t tell if they''re really there or not. "Well, then, why don''t we just give her a call to confirm? Clear all this up. If all is as you say it is, then I''ll get out of your hair and we can all be on our merry way." The agents hesitate. "The office is closed," the woman says quickly. "It''s Saturday, after hours." Miasma''s smile is all teeth, a predator amused by its prey. A chimpanzee grimacing. A look I''ve seen before. "That''s alright. I have her personal number." The air falls silent, the pressure thick in the air, enough that I can taste it. Or maybe that''s just Miasma''s¡­ aroma. The agents look at each other, clearly not prepared for this turn of events. He pulls out a phone, its screen cracked but functional. He dials with deliberate slowness, each beep echoing in the suddenly quiet room. The agents stand frozen, their authority crumbling. The ringing of the phone feels like a countdown, each tone a tick of a clock, leading to something inevitable. On the third ring, Laura Zhang''s voice comes through the speaker, clear and authoritative. "Yes, Mr. Pleasants? Is there an emergency?" Miasma doesn''t miss a beat. "Ms. Zhang, it''s about the contestment of Liberty Belle''s will. There are a couple of agents here claiming they have your authorization to confiscate her notes and drives from Ms. Samantha Small." There''s a moment of stunned silence on the other end before Zhang responds, her voice tinged with disbelief. "Contestment? I only received the paperwork this morning. How could they possibly think it''s been processed already?" Miasma turns to the agents, a sly grin spreading across his face. "Well, Mr. Lawman, Mrs. Lawwoman? Did you think she had it done already?" The agents are flustered, their previous authority crumbling under the weight of their exposed deceit. They stumble over their words, trying to formulate a response, but Zhang cuts them off sharply. "This is unacceptable," she says, her voice cold. "I expect better from NSRA agents. You do not have my authorization, nor will you until the legal process is completed. I want this handled properly." The female agent tries to interject, but Zhang is having none of it. "No, I don''t want to hear it. You will leave Ms. Small and her property alone until further notice. Is that understood?" "Yes, ma''am," the male agent says, holstering his gun. "Good. Thank you for letting me know, Mr. Pleasants," Zhang replies from the other end of the line. "It''s my pleasure," Miasma says, ending the call with a flourish, clapping his flip-phone shut. He turns to me, the predatory grin still playing on his lips. "Well, looks like you''re in the clear for now, Ms. Small." Chapter 48.2 The female agent smiles, immediately making me nervous, while she keeps her nose clamped shut with one hand, the other holstering her gun. "I''m afraid that''s not correct, Mr. Pleasants. We were very willing to do things the easy way and not assert authority. But now¡­" Miasma is unimpressed. "Now that you''ve been caught in a lie, you''re going to try to strong-arm us?" "If that''s how you want to phrase it, yeah, sure," the male agent says. As the male agent asserts their intention to strong-arm the situation, Miasma stands his ground, unflinching in the face of their bluster. "Really? That''s your play? After being caught in a lie?" The female agent, still pinching her nose, tries to regain some semblance of authority. "The nature of the information in those notes could very well classify them as government property. It''s not a matter of personal inheritance when national security is at stake." Miasma scoffs. "National security? These are personal notes on local supervillains and cold cases. Not exactly the stuff of top-secret government files." "But if they were gathered by a government agent¡­" the male agent begins. "Outside of work hours and without using classified government resources," Miasma interrupts. "That makes them personal property. And unless you have a warrant, you have no right to seize them." The agents falter, their confidence wavering. They exchange a look, clearly not prepared for this level of resistance. Miasma stands tall, his presence dominating the room despite the agents'' attempts at authority. "Furthermore," he says, his voice firm, "there''s no evidence to suggest these notes are classified. You''re operating on assumptions and overstepping your boundaries." The female agent, her nose still pinched, tries to maintain her composure. "The information was gathered by a government agent. That in itself could classify it as sensitive." Miasma chuckles, a raspy sound muffled by his mask. "Gathered outside of working hours and not from classified government sources. That makes it personal property, not state secrets." The male agent interjects, "But the very nature of her position--" "--Doesn''t automatically make everything she touches government property," Miasma cuts him off. "She was a superhero, not a spy. Her investigations into local supervillains and unresolved cases were her own initiative." During this exchange, I take my chance. Quietly, I reach under the futon and retrieve a couple of flash drives, slipping them into my pockets discreetly. My heart pounds in my chest, but the agents are too caught up in the argument to notice. I hear things from the corner of my ears - something about a warrant, and fourth amendment rights, but I''m too busy trying to not scream and/or vomit to pay close enough attention. Miasma leans in, his stance unyielding, while I catch the tail end of his sentence. "--notes stay with Ms. Small. You can''t just barge in and claim rightfully bequeathed property based on flimsy suspicions. There are legal procedures for a reason." The male agent, frustration evident in his voice, tries to assert his authority. "This is about national security. We have protocols to--" "--Protocols that don''t include harassing a teenage girl based on a hunch," Miasma interrupts. "You''re not dealing with an enemy of the state here, just a kid trying to make sense of her mentor''s legacy. And you don''t have the power to barge in on a will that was properly arranged by the estate on the flimsy claim that it might be of national security importance, just because the woman in question worked for the government." The male agent tries to take a deep breath and winces. Miasma smirks. "I know Belle. She couldn''t have gotten clearance if her life depended on it." Realizing they''re at a stalemate and lacking the legal upper hand, the agents exchange a glance, defeat and anger written in their eyes. The female agent, conceding, says, "This isn''t over. We''ll be in touch after we''ve done our due diligence." "Good luck with that," Miasma replies, a hint of triumph in his voice. "Until you have concrete evidence or a legal warrant, Ms. Small''s property remains her own." The agents, defeated, turn to leave. They walk out, trying to salvage their dignity, but the smell of victory is in the air - and it''s not just Miasma. Miasma watches them leave, a satisfied smirk on his face. Once they''re gone, Miasma zips up his hazmat suit and clasps a sealed mask around his grotesque face. The stench begins to slowly - slowly - fade. He turns to me, a muffled chuckle escaping his mask. "That should keep them off your back for a while. Always a pleasure to put overzealous feds in their place." I shoot him a weary, nauseous smile, and crack a thumbs up. "Uh, thanks. Do I need to bleach this place now?" "A little Febreeze should do the trick," he jokes, pulling his hood a little closer to his face to hide more of his features.
Two hours later, I find myself in a place that feels worlds away from the cozy confines of Lily''s home. I''m with Miasma at his temporary base of operations, an abandoned concrete pier near the Betsy Ross bridge. The setting sun casts long shadows over the derelict structures, painting the scene in hues of orange and purple. Miasma, now in his fully sealed hazmat suit, sits across from me. The putrid stench that once defined him is almost unnoticeable now. "I''m from Boston, really. They say I''m Boston''s Batman, if you care about shit like that. I''ve just been in town for the will and the funeral. Crossroads and I met after the burial," he says. "We exchanged contacts, and then he gave me a heads-up about you being in trouble today." I''m surprised to hear Crossroads''s name. He and I are friends, but I hadn''t expected him to be the "little birdie" Miasma mentioned. "Crossroads saw this in a vision?" I ask, still trying to piece everything together. "Yeah," Miasma nods. "Not sure why he picked me over other local heroes, though. Maybe because I was close by, here at this pier." The pier is¡­ low tech. I mean, Jordan and I have what could charitably be called a "shitty headquarters" but this really makes that look like a luxury hotel. It''s more reminiscent of a homeless camp than a hero''s hideout. Miasma''s setup is simple: a tent, a bedroll, and a shopping cart, all of which seem borrowed from the city''s vagrant scene. Yet, there''s a certain orderliness to it, a method to the madness. I don''t know if the oil drums and glass chemistry equipment is Miasma''s, or someone else''s. And I really don''t feel like asking. Around us, the quiet lapping of the river against the concrete creates a soothing backdrop. Miasma has started a small fire with some twigs and a lighter, the flames casting a warm glow and dancing shadows around us. He reaches into his overturned shopping cart, retrieves a twinkie, and tosses it to me. "I only eat for pleasure these days. Haven''t digested anything in¡­ seventeen years?" he muses, while I stare at the gift. I take the Twinkie, my mind still reeling from the day''s events. As the evening settles around us, Miasma stands and approaches his tent. He fiddles with his hazmat suit, unsealing it just a touch, before slipping inside and zipping up the entrance. Through the thin fabric, I can see his silhouette moving with a peculiar, deliberate rhythm. Beside him, a strange device hums to life, a sound that I have to assume is some sort of motor whirring, its outline bizarre and otherworldly in the dim light. The tale has been stolen; if detected on Amazon, report the violation. From within the tent, Miasma''s voice emerges, muffled but clear. "I wouldn''t recommend coming in here, Sam," he says. "I''m extracting all the corpse gas from my system to refine it into methane later. Trust me, it smells like a dead body. Also, you don''t want to get soaked with methane gas. Flammable." His laughter lacks even the slightest trace of bitterness. Pure, genuine sincerity. I watch, fascinated despite myself, as the silhouette seems to be shoving pipes and tubes into his body - a surreal image straight out of a sci-fi movie. Sitting outside the tent, I unwrap the Twinkie he offered me earlier and take a polite bite. Its sweetness is a stark contrast to the grim task Miasma is undertaking inside his tent. "Thanks for the heads-up," I call out, doing my best to sound casual. The surrealism of the moment isn''t lost on me - here I am, eating a Twinkie at dusk, while a superhero in a hazmat suit extracts gases from his own decaying body just a few feet away. I chew, and chew, thinking. "I think I know why Crossroads called you, actually." "Yeah?" Miasma rasps from inside the tent. I pull my phone out, open up the files, and open up the video that''s still the first file. No new pictures, no new memories, have overlapped it or pushed it down in order. "How much do you know about Ch¡­ About Illya?" "I know that he killed Liberty Belle and that he killed Professor Franklin. And I know that killing Professor Franklin basically drove Belle batshit. So, you could say I resent him a little bit, but I''m not exactly in a hurry to give this ol'' body of mine radiation poisoning to see how that interacts with my powers. Why do you ask?" Miasma replies, his head turning towards me. Or at least, that''s what I assume the motion of his silhouette is doing. "Well, I''ve long since come to the conclusion that keeping secrets around Crossroads isn''t really possible. So I assume he¡­ knows this already? I don''t really know how good he is at long term planning but I trust his¡­ what''s the difference between tactics and strategy, again?" I start responding, immediately getting sidetracked by my own sentences. "Tactics are individual steps, strategies are the long term goal you want to accomplish," he answers. "Yeah, I trust his tactical decision making. Anyway, the point is¡­ well, just listen to this," I reply, playing the video and putting it on the concrete, in front of the tent. Volume up. For the millionth time, I am frustrated by my decision to not press record ten seconds earlier. The voices come out, the same way as they did weeks ago. "I am many things, Diane, but a liar is not one of them. You have been given orders to stand down, to let me have everything I want and leave in peace. Evacuate the area, so as to avoid witnesses. Yet I have killed your lover, and so many besides. I should be locked up for my crimes. For my monstrosity. But I remain a free man, and I am content to allow this arrangement to continue." "You''re trying to manipulate me. To make me doubt. I won''t fall for it." "I am not your enemy, Diane. I never was. The real enemy is the system that uses us both, that pits us against each other for their own ends. They''d want to sequester me in their ''residential facility'', but I value my freedom, to live, to do what I want with these hands of iron. Your government could work with me and allow me to roam free on a permanent basis, rather than perpetuate this stage-play whenever I am to rear my ugly head. You could convince them, and avoid this bloodshed. You would not need to commit suicide against my steel. End the manhunt. Can I offer you that much?" I press pause before he can enter into his soliloquy. The silence is painful and deafening. I hate watching this clip. Miasma''s voice comes through clearly clenched teeth. "Ms. Small, I have an idea, but I''m going to need you to explain in plain language what this recording is trying to tell me. Just so I can make sure I''m on the same page as you before I start getting angry. Angrier." I take a deep breath, steadying myself before I speak. "That''s a recording from Belle''s last fight," I explain, my voice trembling slightly. "Chernobyl admits that the government has been letting him roam free. They want to use him, use his powers for¡­ I don''t know, energy generation, maybe more. They let him do whatever he wants, as long as he stays out of the spotlight." Miasma''s silhouette remains still for a moment, processing the information. "So, the government is in bed with a known murderer and super-powered criminal. They''re protecting him, giving him free rein in exchange for¡­ services." "Yeah," I say, a mix of anger and helplessness in my voice. "Belle''s notes had no idea. And I don''t have the direct admission, only the aftermath. I can tell you what he said because I was there, and I watched her die. And I''m left with this mess." Miasma''s figure shifts slightly inside the tent, the shadowy outline conveying a sense of deep contemplation. "This is¡­ This is big, Ms. Small. Bigger than just a rogue superhuman on the loose. We''re talking about a government conspiracy, a cover-up at the highest levels." I nod, the weight of the situation pressing down on me like a physical force. "Yeah, and I''m just a kid who happens to have shark powers. I''m way out of my league here. But I can''t just sit back and do nothing." Miasma''s voice is resolute, yet there''s an undercurrent of something else--anger, perhaps, or determination. "You''re not alone in this, Sam. You''ve got me, for starters. And we need to think strategically. We can''t just rush in headfirst." I sit back, the cold concrete of the pier seeping through my clothes. The fire crackles, casting flickering light across the tent. "So, what do we do? Expose them? How do we even begin to take on something like this?" Miasma unzips the tent slightly, letting out a small puff of the contained stench, which he quickly zips back up. "First, we need more information. We need to know who in the government is involved, how deep this goes. Your mentor''s notes are a start, but we need more." I think about the flash drives in my pocket, the untapped wealth of information they might hold. "I''ve already dug through all her physical notes, and it''s all cold cases. Nothing about this conspiracy. There might be something on the flash drives, but if¡­ If the NSRA comes back¡­" "They won''t," Miasma interrupts. "Not if we''re careful. And not if we have a plan. Crossroads saw you in trouble, and here I am. Maybe it''s time we put together a team, get some more eyes on this. Zhang likes you, we can trust her." The idea of assembling a team, of not facing this alone, brings a small spark of hope. "A team," I echo. "But who? I mean, other than Crossroads." Miasma''s silhouette nods. "We''ll need people we can trust. People with the right skills, the right mindset. I have some contacts in Boston who might be willing to help. And you have your own connections, right?" "Yeah, the Young Defenders. And maybe some others." My mind races, thinking of everyone I know who might be willing to stand against this kind of corruption. "I mean, I''d hope the other Delaware Valley Defenders, but¡­" Miasma laughs. "Government stooges. There''s a reason I never registered, kid. And I''d bet dollars to fucking donuts that Davis has his nose in all this business." "Councilman Jamal Davis?" I ask for clarification, staring out over the slowly churning Delaware River. "Yeah. That guy," Miasma snorts. "That''s a great idea, actually. Here, I''ll DropPass you a copy of the video and then I can take my copy and go--" I start, only to get cut off by Miasma''s face emerging from the tent with the deepest scowl. "Absolutely not. You think you can''t trust the government stooges, so you''ll go to the governmentest, stoogiest of them all? The stooge at the top? Re¡­consider your idea," he lectures, shoving his face back in through the zipper while I recoil from the scent. I reel back from the stench as Miasma disappears back into his tent, but his words don''t deter me. His skepticism, his distrust of authority, it doesn''t change what I know I have to do. "I''m not going to sit around and play it safe," I retort, my voice firm with resolve. "Belle didn''t just leave me these notes to keep them hidden. She wanted me to find the truth. And if that means confronting people, then that''s what I''ll do." Miasma''s muffled voice filters through the tent fabric. "Kid, you''re talking about poking a hornet''s nest. Without proof, without a plan, it''s just reckless." I clutch the flash drives in my pocket, feeling their weight against my fingers. "I don''t care. Councilman Davis, the NSRA, whoever''s involved - they''ve been covering up for a murderer. Belle''s dead because of their games. I can''t just sit on this. I need to be brave. Braver. Belle is dead because of them, and because I stood by and didn''t help until it was too late. I''m done being a coward." Miasma lets out a heavy sigh, and I can almost see him shaking his head in the dark. "Bravery without a plan is just stupidity. You need to think this through, Sam. There are other ways to find the truth without putting yourself in the crosshairs." I clench my fists, feeling the frustration boiling inside me. "I''m done thinking. I need to act. I can''t just sit here and do nothing." There''s a long silence, and for a moment, I think Miasma isn''t going to respond. Then his voice comes through again, resigned but firm. "Fine. Do what you think you have to. But I''ll be there to pick up the pieces when this blows up in your face. And it will blow up, Sam. Just remember that." I get up, brushing dust off my pants and off my arms. It''s cold, but not as cold as the funeral. I''m mostly just sore, because it turns out, sitting on concrete isn''t exactly pleasant. Sore and angry. I just spent the afternoon diving into my mentor''s killer''s life, then getting harassed by federal agents, and now being told that I''m stupid. "I''m not stupid," I say, partially to Miasma, partially to myself. "I can regenerate." Miasma''s laugh is deep, hacking, and this time, full of bitterness, like the taste of eating raw grass. "You know what? I''m all for this. That''s exactly what Diane would''ve said." For some reason, that makes my heart thump twice, really hard. It lights a spark. "Really?" "Yeah. You and her? Same kind of stupid," Miasma coughs through a cackling mouthful of phlegm. My teeth lock together. I feel my cheeks pulling up, but I''m not exactly sure if that''s a smile. "I''ll take that as a compliment." "Good," he says back. I can hear his grin, even if I can''t see it. "It was." Chapter 49.1 The snow is thick on the streets as I head towards the HQ. Each step is muted, leaving shallow marks on the white canvas. It''s almost New Year''s, but the city feels stuck in between Christmas and the uncertain future. The festive decorations still cling to the windows, their bright colors contrasting with the desolate streets. It''s like walking through a ghost town, where memories of laughter and celebration echo through the empty sidewalks. Parties that were had last weekend, not this one. Everyone''s asleep now. Christmas came and went in a blur, hardly registering in my memory. And now, I see Valentine''s Day decorations appearing in store windows, a stark reminder that time keeps moving forward, even when it feels like my world has come to a stop. I stuff my hands deeper into my pockets, seeking refuge from the cold. It bites at my fingers, nibbling like fish at worms. I haven''t been here in weeks, not since¡­ well, you know. I try not to think about it, but it''s impossible. The thoughts are always there, coloring everything like a pink elephant in the room. Impossible to avoid, and impossible to stop thinking about. I pause in front of the warehouse that hides the entrance to our HQ. It looks just as inconspicuous as ever, the perfect disguise for a group of teenage superheroes. But today, it feels like a barrier, a doorway I''m hesitant to cross. I take a deep breath, preparing myself. I''m not sure what I''m more scared of - facing my teammates or confronting my own guilt for avoiding them. It''s like standing at the edge of a cliff, knowing I have to jump but not ready for the fall. The air is crisp, biting at my lungs as I exhale, my air gathering in a condensed cloud in front of me while I try to gather my courage. The world around me is still, the usual hustle and bustle of the city muted by the snow and the time of year. It''s almost like I''m the last person left in a world that has moved on without me. Damn. I need to get a diary so that my melodrama can be left in there instead of in my train of thought. I look at the windows of the surrounding buildings, distorted by the icy glass. They''re empty, devoid of the usual signs of life. It''s eerie, this silence. It feels like the city is holding its breath, waiting for something to break the stillness. I half expect something to explode every other minute, or to hear the distinctive popping of distant gunshots. I don''t even get that much. I step forward, my feet crunching in the snow. The sound seems loud in the quiet air, declaring my presence in this abandoned scene. I approach the warehouse, its familiar front disguising the well-hidden secrets within. It''s time to face what I''ve been avoiding. It''s time to reenter the world, even if I''m not completely ready for what''s on the other side. The airlock hisses softly as I step inside, offering some comfort in its well-known hiss. I let out a breath I didn''t realize I was holding, finding myself in the hallway, just like I remember. Today, I am going to yell at Mr. Davis. I cautiously make my way forward, my footsteps echoing through the empty corridor. The weight of my absence weighs heavily on me, reminding me of how terrible I''ve been as a teammate. I''ve missed training sessions, ignored their calls¡­ truth is, I''ve been a lousy superhero. I keep telling myself there were valid reasons, but deep down, I know I''ve been avoiding everything - the loss of Liberty Belle and my own overwhelming pain. I still feel her hands sometimes, like a phantom limb. Finally, I arrive at the locker room, and the door protests with a small creak as I push it open. The room is empty, the lockers standing like silent statues, their labels mocking me. I trace a small line of dust in the one for me, just at the end. The lockers line the walls, and echoes of laughter and conversation from the past seem to fill the empty space. But today, it''s silent. Sounds emanate from the gym, and my grim determination only grows. The entrance to the gym is right in front of me, and faint sounds of activity reach my ears - the rhythmic thud of a punching bag, hushed conversations. My heart starts racing, a rush of nervous energy surging through me. I know I''m not fully ready for this, but hiding away forever is not an option. Summoning all my bravery, I take a deep breath and push open the gym door, preparing myself for whatever lies on the other side. The training room at the Delaware Valley Defenders HQ is buzzing with activity, a whirlwind of movement and color that feels comfortably familiar, like stepping into an old pair of sweatpants. I stand in the doorway, kind of like a ghost who''s stumbled into the wrong place. Everything''s the same as before, but there''s a new vibe, a different energy that''s hard to explain. Everyone is here today, doing their usual thing, but it''s Spindle who catches my eye. He''s in the middle of the floor, contorting and twisting in ways that make my own joints ache just from watching. His new outfit clings to his body, a sleek design that''s all sharp edges and vibrant patterns on black - a far cry from the old ragged clothes he used to wear. It hugs his lanky frame, black with sharp accents of red tracing angular lines that seem to highlight his every exaggerated move. Wait, Spindle is here? He hasn''t gone home yet? Or¡­ I guess, hasn''t found a home yet? He''s grappling with Playback, who''s trying to teach him some kind of hold or throw, but Spindle''s body moves in ways no one else''s can. He effortlessly slips out of every grip, as if he''s made of water. It''s impressive, in a creepy sort of way. I can''t help but wonder who came up with his new outfit, who''s been guiding him through these moves. It''s obvious he''s been getting a lot of help - help that I haven''t been around to provide. I have to assume Gossamer made him a costume, but I have no idea if I should still be calling him "Spindle" or if we''ve moved on to newer pastures in the name fields. A twinge of guilt, maybe even regret, stirs in my chest. I''ve been absent for what feels like ages, lost in my own thoughts while life here at HQ continues on. Seeing Spindle, so transformed yet so enthusiastic, it hits me hard. It reminds me of all the things I''ve been avoiding, all the responsibilities I''ve been neglecting. Spindle notices me then, and his face lights up with a grin that reveals all his teeth, but in a way that seems almost enthusiastic. He disentangles himself from Playback and bounds over, leaving the other hero looking a bit baffled. "Hey, king, we''re not done yet!" "Sam!" he exclaims, a mix of excitement and surprise in his voice. "You''re here! Did you see? I''ve been working really hard, and they gave me this new outfit, and I''ve been learning so much!" His enthusiasm is infectious, and despite the weight that''s been clinging to me, I can''t help but smile back, even if it''s forced. "Yeah, I see that," I reply, trying to sound more positive than I feel. "Looks like you''ve been keeping busy." Spindle''s eyes are practically sparkling with excitement as he catches his breath, words tumbling out in a rush. "So, they''ve been showing me all these awesome moves, right? Like this one--" He launches into a quick demo, limbs twisting in a way that''d make a pretzel jealous, "--it''s called an omoplata. It''s like, I can use my, uh, bendiness to trap someone''s arm with my legs. Pretty cool, huh?" The narrative has been taken without authorization; if you see it on Amazon, report the incident. I nod, stuffing my hands into the pockets of my hoodie, trying to keep up with his rapid-fire speech. "Mmhmm, cool," is all I manage, my gaze drifting over his shoulder for a second. Playback gives me a thumbs up from across the room, and Gale¡­ she''s literally hovering, a good foot off the ground, drifting towards us with that calm, collected grace she always has. Rampart just nods from where he''s lifting what looks like a ridiculous amount of weight, and even Puppeteer pauses, a rare moment of stillness from her. "And check this out," Spindle continues, oblivious to the gathering crowd, "Crossroads taught me this grappling hook thing where I--" Gale''s gentle voice cuts in, "Hey, Sam." She touches down, and the air around us feels a bit cooler, a bit fresher. "We''ve missed you around here." "Yeah," Playback chimes in, walking over with a soft clap on my shoulder, "It''s not the same without our Bloodhound sniffing out trouble." I can''t help the half-smile, even as my heart does a complicated dance. "Missed you guys too," I say, voice softer than I want it to be. "And it looks like I''ve missed a lot." Spindle, finally catching on to the others'' presence, wraps up with a flourish, "Yeah, and there''s this one kick Rampart showed me--it''s like, well, I''ll just have to show you sometime." The rest of the team forms a loose semi-circle around us, and I feel the warmth of their presence. It''s like coming home after a long trip away, where everything''s the same but you''re the one that''s changed. I take a deep breath, ready to dive back into this world I''ve been away from for too long. "I''d like that," I say to Spindle, finally meeting his eyes. "I really would." But as I listen and watch him speak with obvious pride and joy, a small flicker of warmth ignites in my chest. Maybe it''s hope, or maybe it''s just the tiniest glimpse of normalcy. Whatever it is, it''s enough to keep me rooted in place, listening and watching as Spindle - this new and improved Spindle - shows me just how much can change when you''re not paying attention. I lean in, lowering my voice even though I''m pretty sure everyone''s too wrapped up in the reunion vibes to eavesdrop. "So, Spindle, how''re you not in Juvie, anyway?" I ask, half-expecting some superhero legal jargon I won''t understand. He scratches the back of his neck, a sheepish grin flickering across his face. "Uh, well, it''s kinda complicated, but they put me in this¡­ diversion thingy?" He flails a hand, as if trying to pluck the right words out of the air. "I''m on probation, and I gotta check in with this officer guy, and do community stuff, like a lot." "Diversion program," Crossroads corrects, making me jump. I have no idea how he manages to be quieter than Playback all the time. It''s scary. "It was my idea to give the kid a shot. And hey, he''s got a knack for rescuing those feline menaces from trees." I raise an eyebrow, looking back at Spindle. "Really? That''s what you''re doing?" He nods vigorously, the awkwardness from before replaced with a flicker of pride. "Yeah, and I''m also learning all these martial arts moves, but not for, like, fighting bad guys. More like just¡­ knowing them. And helping out where I can. It''s all about¡­ rehabilitation?" He sounds like he''s asking me if that''s the right word, and I can''t help but smile. "Rehabilitation. Got it," I say, punching his shoulder lightly. "Well, I''m glad you''re here, not there." "You and me both, home slice," He replies, punching me back. The air''s thick with that mix of rubber and sweat, the familiar scents of the training room. I''m here but not here, you know? Like a ghost that''s just clocked in to haunt her old haunt. I muster up a smile that doesn''t quite reach my eyes and throw him a "It all looks good, Spindle. Really sharp." The words are right, but they sound hollow, even to me. My voice echoes a bit too much in the vast room. He beams at me, and it''s like the sun breaking through clouds, all warmth and blinding brightness. "Thanks, Sam! It feels amazing," he says, twisting his arm in a way that makes my own bones wince. Around us, the team''s kinda gathered, a semi-circle of cautious stares and half-smiles. Puppeteer''s giving me this look like she can read every page of the last month''s diary in my eyes. Gale''s got that mother-hen worry etched on her face, and it makes my stomach twist just a little. Rampart''s this silent sentinel at the back, his nod so subtle you might miss it if you''re not looking for that kind of thing. I know they''re trying to be all welcoming, but it''s like coming back home to find someone''s rearranged your room. Everything''s familiar but just¡­ off. I''ve been gone, like really gone, lost in my own head where the shadows play. I showed up for the funeral, a specter in the crowd, then poof, back to ghosting. They''re trying to bridge this canyon-sized gap with jokes that land in the void between us, and I can''t help but feel this ache, this sore spot that''s been tender since the funeral. It''s weird, being the one they''re all tiptoeing around. I''m used to being the strong one, the punch-first-ask-questions-later gal, not this¡­ whatever I am now. "So, uh, how''s everyone been?" I ask, my voice a little too bright, a little too forced. "We''ve been¡­ you know, training, keeping the streets clean. The usual," Gale says, and there''s a tremble in her usual storm-strong voice. "Missed you out there," Playback adds, and it''s kind but also like a tiny guilt-trip all gift-wrapped. I nod, ''cause what else can you do? "Yeah, I¡­ I needed some time," I admit, and it''s like confessing to a room full of priests, each one with their own brand of absolution to offer. There''s this pause, a beat of silence that feels like an hour, before Puppeteer steps in, her voice a gentle prod. "We''re just glad you''re back, Bee. We''ve all gotta take our breaks." I look at them all, my team, my friends, and I feel this tangle of gratitude and guilt and a million other things. "Thanks, guys. It''s¡­ good to be back," I say, and I mean it. But there''s a part of me that''s still out there, lost in the shallows. Still in the snow in the PES refinery. Crossroads nudges into the circle, casual as ever, but his voice cuts through the buzz. "Okay, team-up time. Dr. Leonard Harris, our friendly neighborhood NSRA doc, is swinging by next month. Exams for everyone. Bee, that includes you." I stiffen at the acronym, a cocktail of dread and defiance bubbling up. "Next month''s packed for me, Crossroads, really packed," I say, maybe too quick, too sharp. Crossroads knows, I know he knows, he knows I know he knows. But do the others know? Do they know that the government has it out for good ol'' Sam Small personally? He raises an eyebrow, a silent call-out. "Too packed for a standard power check?" Before I can cook up an excuse, Spindle, with his new-found bravado, chimes in, "I''m in. I mean, I''m practically part of the furniture around here." He knocks his elbow against a wall for emphasis, a grin spreading on his face. Playback shoots him a half-smile. "Furniture that can crab-walk through air vents is a bit fucked, yeah?" Crossroads ignores the banter, his gaze steady on me. "It''s just numbers and notes, Bee. Dr. Harris is good people. He''s here to help, not to prod and probe. And Spindle, you also have to come anyway." "Good! I was planning on it," Spindle replies, beaming. "That''s extremely not true, Cross," Gale quips, using a hand fan to gently blow his braids out of place. "He''s like 80% poking and prodding. That''s how he gets the numbers." "You''re really not selling me on this guy, Gale," I mumble. She reaches out and grabs my hand, giving it a sort of limp squeeze. "Well, it''s just like a doctor''s physical. Except he does physical''s stuff on our superpowers. With a bunch of equipment and stuff like that." "Yeah, alright," I relent, feeling the push and pull of their expectations, "physicals." There''s a beat where I''m weighing up trust against instinct, but the room''s full of it, trust. Maybe I can borrow some. Crossroads gives a nod, satisfied, and the conversation swells around us, back to the safer shores of training schedules and patrol routes. But his words linger, offering a kind of peace treaty with the part of the world I''m not sure I''m ready to forgive. Turning from the light-hearted chatter, I fish around for my next move. "Anyone seen Councilman Davis around, or do I have to summon him with a phone call?" The words feel too heavy, too real for the joking vibe we''ve got going. Heads shake, and Rampart offers up, "He''s on a break between legislative sessions. Taking some personal time." Personal time. That sounds like a good enough reason for me to drop in unannounced. "Well, then," I say with a determination that I hope sounds more convincing than it feels, "guess I''ve got a good reason to interrupt him." Chapter 49.2 Half an hour goes by, and I''m stuck alone in the computer room, like a castaway on my own island. The table is set, ready for the drama with Councilman Davis. There are two metal fold-out chairs, one for him and one for me, both icy and unforgiving, matching the knot in my stomach. The computers hum constantly, creating white noise that''s more irritating than soothing. I sit on my uncomfortable chair, feeling like I''m on a throne I didn''t ask for, and my eyes wander around the room--messy cables, blinking LEDs, screens protecting valuable information. My fingers tap nervously on the table, a rhythm that I wish I could silence. The footage, those words, the unwelcome visit from the agents -- they continue to play in my head, like an endless loop. I try to silence the uncomfortable thoughts of flower petals. I try to wipe away the pressure I''m feeling on my palms. I''m trying not to lose control, but waiting has never been my strong suit. Every minute feels like an eternity, and I get lost in the buzzing and humming around me. Monitors flicker, casting eerie shadows on the floor. This room, usually full of strategy and togetherness, now feels too big and empty. The chairs stand there, unmoving, and the one meant for Davis seems to be accusing me in its empty state. I''m torn between wanting him to arrive and dreading the inevitable confrontation. My thoughts are a whirlpool, and I''m teetering on the edge, dipping my toe into the uncertain and indignant whirlpool. So, I wait, feeling like I''m stuck in purgatory. Half an hour turns into an eternity, and I''m alone in the computer room, feeling like I''ve been abandoned on an island with just my thoughts and the humming machines for company. The room''s full of tech and screens, but right now, they''re just a backdrop to the drama that''s about to unfold. I''m perched on one of the metal chairs, feeling every bit like I''m sitting on a throne of thorns. I try to distract myself with the room''s details - the mess of cables, the blinking LEDs, and screens that usually mean safety and strategy. Instead, they just amplify my anxiety. My fingers drum a nervous beat on the table, but it''s a rhythm that''s more unsettling than calming. The footage of Chernobyl''s confession, Liberty Belle''s notes, and the federal agents'' visit keep replaying in my mind, looping over and over like a bad song you can''t get out of your head. I keep brushing my palms against my sweats, trying to rid myself of the clammy feeling, but it''s like trying to shake off a shadow. Waiting has never been my strong suit. Each minute stretches out, and the buzz and hum of the computers become my unwanted companions. The flickering monitors cast ghostly shadows, transforming this familiar space into something alien and oppressive. The empty chair across from me feels like it''s accusing me, standing there all cold and silent. I swing between wanting Jamal to show up and dreading the confrontation. My head''s swirling with a mix of anger, confusion, and a weird sense of betrayal. Finally, the door creaks open, and Jamal steps in. He''s got that look of someone who knows they''re walking into a lion''s den. I don''t wait for pleasantries. I pull out my phone, hit play on the video of Chernobyl''s confession, and throw it into the pool of tension between us, sliding my phone over on the table. I feel fire behind my pupils. Jamal watches, his face turning into a mix of surprise and confusion. When the video ends, I''m already on my feet, anger boiling over. "You knew about this?" I demand, my voice echoing sharply in the room. Jamal holds up his hands, a clear sign he''s trying to defuse the situation. "Sam, I had no idea about any of this," he says, his voice steady but there''s a tremor there, a hint of uncertainty. I''m not buying it. "How could you not know? You''re the leader, aren''t you?" My words are like bullets, and I can feel my control slipping. "We''re supposed to trust you, to follow you, and all this time, you''ve been keeping us in the dark?" Jamal''s frown deepens, and he tries to reason, "Sam, I understand you''re upset, but you have to believe me. I was in the dark as much as anyone. This," he gestures to the phone still in my hand, "this is the first I''m hearing of this. I had no--" But his words feel like excuses, like he''s just trying to cover his tracks. "That''s convenient, isn''t it? Just plead ignorance and hope it all goes away?" I snap back, my hands balling into fists. "We trusted you, and you let us down. You let Liberty Belle down." Jamal''s expression shifts, something between hurt and frustration. "I''m trying to help, Sam. But we need to be rational about this. We can''t just go charging in without a plan. That''s what got--" "Rational?" I snarl, feeling like a feral animal. I now understand the emotions of dogs who feel the need to bite other people. Saliva pools underneath my tongue. "Since when has being rational changed anything? We''re out here, risking our lives, and for what? So the government can protect monsters like Chernobyl?" Jamal steps closer, but I''m not in the mood for a heart-to-heart. His chair goes unused. "We need to be smart about this, Sam. We can''t just---" But I cut him off. "Being smart? Is that what you call turning a blind eye? Because from where I''m standing, it looks a lot like cowardice." He tries again, his voice steadier, "Sam, I assure you, I had no idea about--" "Oh, stop it!" I''m almost shouting now. No, I am shouting. "All those times you told us to back off from Chernobyl, to avoid confrontation. Trying to tie shit to the Kingdom so we''d have an excuse to leave it alone. It was all just to keep your golden goose safe, wasn''t it?" Jamal''s brow furrows, confusion mixing with his frustration. "Golden goose? Sam, what are you talking about? I''ve been trying to keep everyone safe, that''s all." I can feel the tears welling up, but I''m too angry to care. "Safe? By letting a monster roam free? He killed Liberty Belle. He killed her years ago and he killed her again now and we''re supposed to feel safe because he powers our homes?" He reaches out, maybe to offer some sort of comfort, but I jerk back. "Don''t. Just don''t. You''re supposed to be our leader, and you''ve been playing us all." Jamal''s hands drop to his sides. "Sam, you have to believe me, I had no idea about any deals with Chernobyl. This is the first I''m hearing of any of this." But I''m past the point of listening. Everything''s spilling out, every bit of fear, anger, and frustration. "You know, I thought you were different. But maybe Jordan was right about you all." He''s saying something, trying to explain, but his words are just noise. My vision blurs as tears start to spill over, and I can feel my nose running. I''m a mess, a mixture of grief, fury, and betrayal. My sinuses fill up instantly, and suddenly my throat is full of mucus. Jamal looks taken aback, his face a picture of concern now. "Sam, I''m here to help, but I need you to talk to me, not at me. We can figure this out together." But I can barely hear him over the sound of my own sobs. "Figure it out? How can we figure out anything when you''re part of the problem?" I''m crying now, proper ugly crying with snot and everything. Jamal looks lost, unsure of what to do. He keeps trying to say something, to make some sense of my accusations, but I don''t want to hear it. In my head, it all makes sense. He''s been protecting Chernobyl all along, keeping us away so the government could use him. But Jamal''s just standing there, looking as confused and hurt as ever. And as I stand there, crying and accusing, part of me wonders if I''ve got it all wrong. But the pain and the anger are too loud, drowning out everything else. So, I just keep going, letting it all out, not caring about anything else. SLAM! "Samantha Elisabeth Small!" Jamal shouts, loud enough that I''m sure anyone in the headquarters heard it. The yell - the bark - is sharp and hard enough to stun me into silence for a couple of crucial seconds. His palm rests on the table, having hit it hard enough to cause one of the legs to buckle back into its partially-folded configuration, leaving it wobbling on the other three. His nostrils are flared, but he''s not angry. He''s breathing, lips parted just slightly, the glow of the computers glinting off his bald head. I feel myself shrinking back like a puppy that just got their tail stepped on. Jamal''s face softens slightly, the hardness in his eyes giving way to something more reflective, more thoughtful. He straightens up, his posture no longer defensive but open, as if he''s trying to bridge the gap between us with his body language alone. "I¡­ I don''t know what you''ve heard, Sam, but you have to believe me. I had no idea about any deals with Chernobyl. That''s the honest truth," he says, his voice steady but laced with an urgency that seems genuine. He''s pleading with his eyes for me to understand, to see reason. I wipe my nose with the back of my hand, feeling the snot smear against my skin. Gross. I''m still shaking, but the torrent of my words slows down a bit. The anger is still there, burning in my chest, but it''s mixed with confusion now. Could he really not know? Is it even possible? But then, why all the secrecy, all the avoidance? If you stumble upon this tale on Amazon, it''s taken without the author''s consent. Report it. "You''re telling me, you, the leader of the Delaware Valley Defenders, had no idea what the government was doing with one of the most dangerous people in the city?" My voice cracks a little, and I hate how vulnerable it sounds. Jamal exhales slowly, his eyes never leaving mine. "Yes, Sam. That''s exactly what I''m telling you. I knew we were advised to steer clear of Chernobyl, but I thought it was for safety, for preventing unnecessary risks. If there''s something more, something darker behind it, I was not privy to it. All I know is what the reports I received from the NSRA said. ''Avoid at all costs''. ''Minimize contact''. You have to understand that it makes sense to me, as the shot-caller, to avoid putting my comrades in the path of fire of a man who gives you radiation poisoning if you try to beat him up." He looks down, his fingers drumming lightly on the table, the same kind of nervous tick I have. "I understand why you''re upset, why you''re angry. But accusing me without proof¡­ It''s not fair, Sam. Not to me, not to the team." His words make sense, in a way that''s frustrating. The part of me that wants to rage, to blame him for everything, it''s clashing with the part that knows Jamal. He''s always been about the team, about doing what''s right. It makes me angrier, not calmer. I try to suck in air through my nose, but it just goes through the snot layer and makes a really ugly noise. I take a deep, shuddering breath with my mouth, instead, trying to calm the storm inside me. My eyes are still wet, my vision blurry. "Then explain it to me, Jamal. Make me understand. Because right now, all I see is a mess. And you''re right in the middle of it." He nods slowly, the weight of my words settling on him like a heavy cloak. "Okay, Sam. Let''s talk about it. But please, let''s do it calmly. We''re on the same side, remember?" He reaches down to fix the table. Then, he walks astride his chair and sits down, folding his hands in front of his face, elbows on the table, head down so that his fingers cover his nose and mouth. I don''t even remember getting up. I sit down. Jamal runs a hand over his head, the tension visible in the lines of his face. "You''re right, Sam. We can''t just stand by if the government is misleading everyone. Justice has to be our first priority, always." His words are firm, echoing my own thoughts on fairness and what it means to be a hero. "The NSRA showed up at my place, trying to take Belle''s notes," I tell him, watching his reaction closely. "They think there''s something in there that could expose them." His brow furrows. He pinches the bridge of his nose, hard enough to leave tiny crescent-moon nail marks in his skin. "Stupid. That''s a stupid, unnecessary escalation. Someone above our pay grade up there is panicking," he says, his voice laced with a hint of anger. I cross my arms, trying to suppress the shiver that runs through me. "Yeah, and Belle''s notes¡­ they don''t mention anything about the federal government or Chernobyl. Nothing." Jamal''s expression darkens. "But the government doesn''t know that. They don''t know what she did or didn''t know, not in her private notes. They''re probably operating under the assumption that Belle was onto them. That''s why she went after Chernobyl, against direct orders. And now, with you having her notes¡­" He trails off, his gaze intense. "You think I''m in danger?" The words come out as a whisper, the reality of the situation starting to dawn on me. "Yes," he admits bluntly, his voice grave. "They might believe you have information that could blow this whole thing wide open, and that you could do so at any time. We need to be careful, very careful." The room seems to close in on me, the walls inching closer with each breath. The weight of what I''m holding, what I''m involved in, it''s overwhelming. A little devil in my brain starts spinning a flywheel, and the excitement grows in my lungs like a fungus. Jamal stands up, his movements deliberate. "We''ll figure this out, Sam. I promise you, we''re going to get to the bottom of this. But for now, we need to keep you safe. We need a plan, something to protect you and the information you have." I nod, more to myself than to him. A plan. Protection. It''s a start, but the fear, the enormity of it all, it still lingers, like a shadow I can''t quite shake off. The excitement. The pressure on my palms, which have started getting cold and slammy. Jamal''s eyebrows knit together, a mix of concern and calculation playing across his features. "Who else knows about this, Sam? Anyone besides us?" I shift uncomfortably, the memory of the earlier encounter still fresh. "There was this guy, Miasma, at the will reading. He showed up when the agents were there. Started throwing around legal terms, Fourth Amendment stuff. He was¡­ intense." Recognition flickers in Jamal''s eyes. "Miasma, huh? I know of him. He was one of Liberty Belle''s early comrades, back when she was still a street-level vigilante. Before he moved to Boston." He pauses, choosing his next words carefully. "He''s¡­ a bit of an anarchist. Tends to play by his own rules. We need to be cautious around him." I nod, recalling Miasma''s unorthodox approach and fierce defense. "Yeah, he''s definitely got his own way of doing things. But he seemed like he wanted to help." Jamal leans back, his gaze distant as if he''s piecing together a complex puzzle. "We need to bring in people we can trust on this. People who understand the stakes and are willing to stand with us." His voice is firm, resolute. I can sense the wheels turning in his head, the leader in him mapping out a strategy. "I''ll start working on the adults in the room, the Delaware Valley Defenders. We need all the support we can get, especially now." The thought of rallying a team, of not facing this giant mess alone, eases some of the tension coiling inside me. "Yeah, we need people on our side. People who won''t back down." Jamal nods, his expression serious but determined. "Exactly. This isn''t just about us anymore, Sam. It''s about justice, about standing up for what''s right. We''ll do this together." He stands up, beginning to pace a little bit, while I try to find a tissue somewhere to wipe my gross, dripping nose. "Look, everything we do, every decision we make as the Delaware Valley Defenders, it''s all recorded. Meeting minutes, agendas, action plans, you name it. And all of it, unfortunately, is accessible to the public through something called a FOIA request." He doesn''t elaborate on what FOIA is, but his tone suggests it''s something bureaucratic and limiting. "That means I can''t officially turn this into a mission for the team. It would be logged, scrutinized." I lean forward, the chair creaking under me. "So, what does that mean for us? You can''t tell anyone?" "It means," he says, pausing to emphasize his point, "that any investigation, any action we take against the NSRA or to uncover what''s really going on with Chernobyl, it needs to come from outside the official channels. I can tell them - and I plan on it - but I can''t get them involved. I can only rope them in. But we can''t go raiding any offices or interrogating anyone." He looks at me directly, his eyes steady. "They''re all Registered Superhuman Entities, accountable to the government." "Yeah? Am I?" I ask, trying not to smile - trying not to grin. Jamal looks at me. Up and down. "No. Not really. I mean, sort of, but if a teenager that''s not a government employee is going to do something stupid in their off-time, that''s none of my business. You''re brave, you''re resourceful, and you''ve got a good head on your shoulders." I think about it for a second, the idea slowly taking root. "You make it sound so simple. Just send a fourteen year old to go investigate the nation''s superhero CIA. No big deal." Jamal smiles. "I don''t want you doing anything, actually. I don''t think you''re at risk of having your brake lines cut - can you imagine the backlash? No, I think the best course of option is to let them come to us, take a defensive position, and then¡­ pants them, if I can be so crude." Jamal takes a deep breath, and when he speaks, his words are careful, measured. "I know about your friend, Jordan, and how they work on the other side of the law. And I''m aware that Spindle has worked with the two of you before, and he''s not officially a Young Defender yet. So, I''m thinking¡­" He trails off, looking at me expectantly. "Young Defenders Dark. You three will operate off the books, dig into the NSRA, and find out what they''re really up to. Meanwhile, I''ll work the official angles, see what support I can get from the adults in the room, let them know the stakes. I''ll... get in touch with Miasma and try to see if we can''t come to terms so he can spearhead things here. I trust your abilities, and Jordan''s, but... I''m not making a black ops team out of teenagers. We still need an adult in the room." I cough twice into my hand, after a moment of silence. "Respectfully, Mr. Davis, sir, that''s a stupid name." He smiles wryly at me. "Alright, it''s your team. You can figure it out. In the meanwhile, I''ll see what government surplus I can channel to Jordan and you. Equipment, resources, anything that might help that I might conveniently leave in a dumpster." "Just so I''m clear on this - everything you''re proposing is all super illegal, and if word got out of what you were doing, you would almost certainly lose your position in the team and as a city councilman, right?" I ask, arms folded in front of me. "Like¡­ smuggling surplus equipment to nominal criminals - sorry, like¡­" "I know what nominal means, Sam." Jamal says, smiling back at me. "And yes, this whole thing is super illegal. If you were secretly recording me, I''d be cooked." He slides my phone back across the table towards me. It has not been recording anything. "Stick a fork in you. You''re done," I mumble. "Right. Insubordination is generally frowned upon for the leaders of registered superhero teams, given that they consist of people who could probably by themselves hold the White House hostage. It''s a much bigger deal for me than any city council spat or election slapfight. That''s how you know I''m taking this seriously, Sam. This is my entire career - this is the entire team I''m putting at risk. I could almost certainly be removed as leader. If it was on the books that the rest of the team was conspiring with me, they could have their registrations cancelled and their licenses revoked, and the team destroyed." I take a deep breath, and try not to stare holes in Jamal''s head. "But¡­" "But I''m willing to put everything on the line for this. That''s how I want you to trust me. Something smells rotten, and the idea that the people above my head have been using me to¡­ To protect a supervillain makes me sick to my stomach. I don''t care about the practicalities of whatever deal he''s made with them. He''s killed the soul of Philadelphia twice," he says, his voice firm, confident now. "My sole interest is in bringing whoever is responsible for this - and I''m including whoever''s pulling the strings here in this - to justice. To make them stand trial and face responsibility for their crimes." I nod, swallowing hard. "So what do I do?" "For now, hold tight. I have no doubt that the NSRA has Lily''s home under surveillance. I''ll try to get into contact with Mrs. Zhang and Miasma, and Jordan. They''ve - the NSRA - they''ve already overplayed their hand by showing up at your doorstep. They''re getting tetchy. They''re going to do something stupid, and I''m going to make sure all of our pieces are in place to catch them when they do. And make sure you''re safe, first of all. All this is for nothing if they kill or imprison a teenager." Jamal explains, getting up and walking around the table to clap a hand on my shoulder. "So¡­ I''m bait?" I ask, squeezing my folded arms a little tighter. Jamal nods and lets go of my shoulder. "For now, yes. I''ll slip what we can to Jordan in order to get them on a tail, and Miasma to help him, well, babysit - I was extremely impressed with Jordan''s ability to grab the Kingdom. The DVD and I will keep protecting the city, and your side will dig out the weeds in the dark, frozen soil. Chumming the water before we can go hunting for sharks. Pun somewhat intended. Stand by for further instructions, and piss off any agents you can see as much as humanly possible." He pauses for a moment for additional thought. "Without getting arrested, ideally." I try to crack a very small, polite smile. It ends up being way bigger than I wanted it to be. Jamal lowers a fist to my chest. "For great justice?" He asks, grinning with me. For the first time in a month, I feel something flickering to life in my chest. A fire. Adrenaline, delicious adrenaline. An excuse from an adult to do something stupid. My teeth lock together, shiny and sharp. I bump my fist to his. "For great justice." AMK.1.1 Sunlight''s a real traitor - pierces through the truck''s window, stabs right in my eyes. I snap awake, every part of me screaming. Ribs feel like they''ve been used for a battering ram; hell, they were. Wolf-girl''s shoulder hit like a freight train. I sit up, grunt through the pain. My elbow''s singing a high note, damn near folded the wrong way last night. Stomach''s in knots, too, can still taste the bile. Ankle''s swollen, throbbing with every heartbeat. Hate it. I hate tasting bile. I fumble for my burner phone, the cheap plastic feeling like ice against my swollen fingers. The screen''s cracked to hell, but it does its job when I punch in the doc''s number. It rings, grating in the quiet dawn. "Yeah?" The doc''s voice is groggy, thick with sleep and annoyance. "It''s Aaron. I need you to open up," I hack out the words, tasting the crust of dried spit in my mouth. "The fuck you do at this hour?" He''s pissed. I can almost hear him trying to light a cigarette through the phone. "Got into a bit of a scrap. Need some patching up," I say. "Jesus, Aaron, it''s seven in the fucking morning. Who''d you piss off this time?" There''s the flick of a lighter, a deep inhale. "Just open the damn place up, Doc. I''m bleeding all over my truck''s seats." There''s a pause, then a heavy sigh. "Fine. But you''re paying extra for this shit. Wake me up this early¡­ You better be half-dead." "Might just be. Thanks, Doc," I say, but he''s already hung up. I shove the phone into my pocket and start the engine, the doc''s place only a few dirty blocks away. Gotta move. Gotta get fixed up. Doc''s waiting; he don''t like to be kept waiting. I swing my legs out the truck, set my boots on the asphalt. The ground''s littered with trash, the air smells like piss and old grease. Classic Philly backstreet charm. I check my shoulder in the side mirror - it''s a mess. Wolf girl didn''t just bite, she tried to take a damn piece with her. It''s a nasty set of holes, blood dried over the bandages I slapped on. It''s gonna scar; chicks dig scars, or so they say. I could almost fit a pinky in one of them. They''ve started to ooze weird shit all over my bandages too. Don''t like that. But first, I gotta deal with the now. I reach for the door, steel myself. Every move''s calculated, can''t show weakness, not even when the streets are empty. This ain''t just about getting patched up. It''s about staying on top, staying alive. Doc''s place is a short drive away, gotta get there before the pain decides I''m done. Or the bacteria. I start the truck; the engine roars to life, doesn''t give a damn about my condition. Good. I need something around here that''s still got some fight. Not like those chumps. Can''t believe I had to bandage them up with a fucking broken arm. Bunch of babies. Good-for-nothings. Why do I even bother with this gang shit if they''re always gonna fucking fail me? As I drive, I plan my next move. Wolf and Safe - they''re gonna pay. But I can''t be stupid about it. Need to be smart, need to be strategic. Can''t let the bosses think I''m slipping. I''m still the man in this part of town. The veterinarian''s sign comes into view. Neon''s flickering, barely hanging on. TAC NY AN AL HO PITAL. Was funny exactly once, before I got backhanded. Not a mistake you make twice. I park up, kill the engine, and drag myself out. This is just step one. I''m down, but not out. Not by a long shot. Doc''s office is a joke, really; looks more like a butcher''s backroom than a place for healing. The light''s too bright, flickers like it''s on life support. I push the door; it creaks, bitching about the early hour. I step in, the smell of antiseptic slaps me hard, almost covers up the underlying stench of blood and fear. Almost. Doc''s there, behind his cluttered desk, looks like he''s been dragged backward through hell. He squints at me like I''m the final boss in a bad day''s game. "Jesus, kid, you get in a fight with a greyhound?" he grunts, no love lost between us. I ignore the jab. "Just fix me up," I growl, tossing a wad of emergency cash on his desk. It''s dirty money, but it talks cleaner than I ever could. He sighs, heavy like the world''s on his shoulders, and motions me to the stainless-steel table. I climb up, each movement a fresh circle of hell. He starts with my shoulder, prods at it like he''s testing fruit for ripeness. I bite back curses, focus on the peeling, off-white paint on the ceiling. Anything but the pain. His hands are steady, though. Got to give him that. He cleans the wounds with a practiced apathy, swipes of cotton soaked in something that burns like fire. "You''re clearly''ve got fractures," he mumbles, mostly to himself. He wraps fresh bandages, tighter than a miser''s fist, around my shoulder. Then comes the splints for my ribs and elbow - clinical, efficient. No bedside manner, just the cold touch of metal and the stretch of tape. He doesn''t bother with the ankle; just nods toward the door. Well, that''s not true. He wraps that shit up. "Go get a boot from the CVS," he orders. "Take bed rest for a week." He pauses, eyeing me like he can see the gears turning in my head. "Ideally, two months, but I have a feeling you''ve got shit on your plate." Damn right I do. He hands me a bottle of antibiotics, the label peeling at the edges. "Take these, unless you want to end up losing that arm." It''s a threat and a promise all in one. I slide off the table, every fiber of my being protesting. "What do I owe you?" I ask, because even in the gutter, there''s a code. "You already paid me, numbnuts," he replies, gesturing to the wad of cash I threw on his desk. I try not to screw my face up in what would count as embarrassment on a lesser person. He ushers me out the door. The drive to the CVS is a blur of pain and determination. I park haphazardly, use the truck door to haul myself up. Inside, the fluorescent lights are too bright, the aisles too long. The workers are staring at me, up until the point where I look them in the eye. They go frightened like dogs. I find the boot, an ugly, bulky thing that promises stability at the cost of dignity. At the checkout, the clerk gives me a once-over, her expression a mix of pity and revulsion. I don''t need her sympathy. I slap cash on the counter, more than the boot''s worth. I don''t wait for change. Back in my truck, I wrestle the boot on over my swollen ankle. It''s a small fortress of Velcro and plastic, a laughable defense against the storm that''s brewing. But it''ll have to do. I head back to my place, a squat building that''s seen better days. The stairs are a bitch, each step a negotiation between willpower and agony. I make it to my apartment, key the door open, and step into the sanctuary of shadow and silence. The place is a mess, but it''s my mess. Clothes strewn like casualties of war, dishes piled high in the sink, an ashtray that''s a miniature graveyard. I don''t care. I collapse on the mattress. I pull the comforter between my legs and yell until my throat is hoarse. Probably bothering one of the bums that lives in the basement. Fuck ''em. I pop an antibiotic, dry swallow. Bed rest for a week, he said. A week''s an eternity in my line of work. I can''t afford the luxury of healing. But my body''s got other ideas. Pain''s a constant drumbeat, a reminder that I''m human, after all. I close my eyes, let the darkness take me. Just for a moment, I tell myself. Just to catch my breath. If you discover this tale on Amazon, be aware that it has been unlawfully taken from Royal Road. Please report it. When I open my eyes again, the room''s dipped in the golden hue of late afternoon. I''ve slept the day away, a day I couldn''t afford to lose. But the pain''s a dull roar now, background noise I can work with. Wolf and Safe - they think they''ve won, but this is just intermission. I''ll come back for the finale, and it''ll be a showstopper.
I wake to the scrape of paper on my cheek, a harsh kiss to start the day. My eyes snap open, the room swims into focus - my pit of an apartment, with its peeling paint and the stink of old takeout. The envelope''s white against the dirty floorboards. I don''t need to pick it up to know who it''s from. I sit up, bones cracking like a fistful of dry twigs. The pain''s a dull roar in my gut, a souvenir from Wolf''s handiwork. A month in the lurch, maybe three weeks if I''m being nice, and my body''s still stitching itself together. I grope for the envelope, flip its flap with a thumb. Inside, a single slip, the address printed with no-nonsense clarity. A summons. My gut twists, but I crush the feeling down. Can''t show weakness, not even alone. A shower''s out of the question; the pipes rattle like they''re coughing up a lung. Instead, I splash water on my face from the sink, each drop stinging the cuts that aren''t healed right. Keep picking them open. Gravel scrapes across my skin, turning into scars over time. The mirror''s a cracked liar, showing me a face that''s seen better days, one that''s gonna see worse today. I drag on jeans and a shirt. They stick to my skin, still carrying the sweat of yesterday''s nightmares. Then, I reconsider. Boss would prefer nice clothes, so I make myself naked and put on my special occasions. My shoes are by the door, one lying on its side like it''s given up. I force my feet into them, ignore the protest from my ribs. I boot my ankle. The other shoe''s gone unused. The drive over, my truck''s engine complains almost as much as my body. Every jolt in the road is a jolt through my spine. I park outside the building. It''s one of those places that looks like it''s never seen a happy day. The bricks are tired of holding each other up. I take the steps one at a time, my hands in my pockets, gripping the roll of bills. It''s not much, but it''s all I got - emergency cash, scraped from the hidey-holes in my ride. The door''s heavy, made to keep people out, or maybe in. The hallway''s quiet as a crypt. My boots are loud against the linoleum, the sound too bright, too sharp. I reach the door at the end, steel myself. This is it. I know the game. The Coyotes are done, scattered to the wind. It''s just me now, walking into the lion''s den with nothing but my skin and a pocketful of desperation. Some underlings. Your tools are only as good as their ability to handle pressure, and they snapped. Useless garbage. Nonfunctional. Broken wires. I don''t need them. I can light shit on fire with my fucking eyes. I knock. The door opens like it''s as tired as I am. The room beyond is dim, the windows grimy. The air''s heavy with the scent of old cigarettes and older mistakes. They''re waiting for me. I can feel their eyes, weighing me up like butchers eyeing meat. I step inside, the door closing with the sound of finality. Click. It locks. Click 2. My heart''s a drummer gone mad, but my face is stone. Let them see what they want. I''m Aaron McKinley, and I ain''t dead yet. Not by a long shot. The room''s a bad joke with no punchline. Polygraph and Tyrannosaur, a pair of mismatched bookends, are propped up in front of me. Polygraph is all business, the kind of man who''d sell you a bullet with your own name on it and call it customer service. His suit''s so sharp it could cut the tension, but it doesn''t. His sunglasses hide his eyes, but I can feel them on me, cold and calculating. Tyrannosaur''s something else. Big man, big print, big joke. He''s all muscle and no finesse, draped in green and leopard like a Christmas tree gone to seed. He''s nearly twice Polygraph''s size but half as intimidating. I keep my mouth shut about that. Mr. Nobody''s absence hangs in the air, a silent question nobody''s answering. "Where''s Mr. Nobody?" I ask, my voice steady. Mr. Polygraph peels off his shades, his eyes dead as the glass they''re named for. "That''s none of your fucking business," he says, and the room gets a couple degrees colder. I shrug, play it cool. "Had to ask." He leans forward, a motion that''s all business. "Where''s my money, Aaron?" I shove a hand into my pocket, pull out the wads of cash. It''s all I''ve managed to scrape up. I throw them at Polygraph''s feet, a disrespect that''s more about my own anger than his. The bills scatter, not enough to cover the debt, not nearly enough. He looks at the money like it''s dirt. "Where''s the rest of my fucking money, Aaron?" I lock my jaw, force the words out. "Don''t know. Some bitches stole it." His chuckle''s dry, like he''s heard every excuse in the book twice over. "And why didn''t you get it back?" The room''s close, walls pressing in with the weight of his question. I think about lying, making up a story that paints me in a better light. But Polygraph would see through that shit like glass. "They got lucky," I say instead. It''s close to the truth. "Lucky," he repeats, drawing the word out like it tastes bad. "Luck is what happens when preparation meets opportunity. You were neither prepared nor opportunistic." I bite down on the inside of my cheek, taste blood. "I had it under control," I say. "They played dirty." Polygraph leans forward. "This city is dirty, Aaron. If you can''t play in the mud, you''re no use to us." I feel the sting of the rebuke. He''s right, in a way, but I won''t give him the satisfaction of seeing it. "Next time, I''ll be ready." "Next time?" The scoff is a knife twist. "You think you''re getting a next time?" My throat''s tight, but I push the words out. "I deserve it." Tyrannosaur snorts, a rumble from the back of the room. "Deserve''s got nothing to do with it." There''s a dance here, one wrong step and you''re off the floor. "I can get it back," I tell them, a bluff maybe, but what choice do I have? Polygraph''s quiet for a moment, then: "You''ll get us something better." The words hang between us, an offer or a sentence. I don''t know which. "What?" "You heard me." Polygraph''s standing now, and even without seeing his eyes, I know I''m being measured, weighed. "You''ll get us something better. Make up for your¡­ shortcomings." I nod, once, hard. "I can do that." "Do it or don''t," Polygraph says. "But fail, and the next suit you''ll be seeing will be made of pine." It''s not a threat. It''s a promise. I know the stakes. I nod again. "I understand." Tyrannosaur''s laugh is a grunt. "Do you? Because I don''t think you understand shit." I square my shoulders. "I understand enough." Polygraph''s silent, then he nods. "You''ve got one chance, Aaron. Don''t fuck it up." The room''s cold, colder than it should be. I''m sweating though, a sheen that''s got nothing to do with the heat. I''m out of chances, out of time. But I''m not out of the game. Not yet. I turn, head for the door. My steps are even, measured. I can feel their eyes on my back, but I walk straight, walk tall. Aaron McKinley doesn''t bend. Not for them, not for anyone. I reach for the door, ready to leave this place behind, but it doesn''t budge. A lock clicks somewhere on the other side, a sound that''s too final. Tyrannosaur''s chuckle rumbles through the room, and my spine stiffens. This isn''t over. "What gives?" My voice is steady, but there''s a razor edge of caution now. "I made my promise." Polygraph''s still as death, but his voice carries, smooth and sharp. "A promise isn''t enough, Aaron. Where''s the motivation? How do I know you won''t skip town?" One of the flunkies drags over a fold-out table, the metal legs screeching against the concrete floor like nails on a chalkboard. The sound makes my teeth clench. Tyrannosaur, a veritable mountain of flesh, grabs my wrist. His fingers are sausages wrapped in rings, his grip iron. He slaps my hand on the table, spreading my fingers out. Polygraph''s hand dips into his pocket, comes out with a utility knife. The blade catches the dim light as he flicks it open, a sliver of death in his palm. "You know what Yubitsume is, Aaron?" he asks, but he''s not looking for an answer. "The Japanese, honorable people, they understand that words are wind. When you screw up, you''ve got to feel the apology in your bones." The knife hovers over my pinky, the point kissing the knuckle. I can almost feel the slice before it happens. "When someone in the Yakuza fucks up, they show their sincerity. They let their boss take a piece of them." I''m staring into Polygraph''s hidden eyes, my own wide open and unblinking. He''s close enough that I can smell the mint on his breath, totally unlike the stench of fear that''s starting to bloom in my gut. "If you think you''re about to get clever, try to light me up," he says, his voice a low threat, "you''ll lose more than a pinky." I''m playing it cool on the outside, the picture of a man resigned to his fate. But inside, my mind''s a riot, a caged animal clawing at the bars. I can''t show it. Can''t give them the satisfaction of seeing me squirm. But fuck, I don''t want to lose a piece of myself to these vultures. Polygraph leans in, the knife''s edge now pressing, insistent against my skin. I can feel the sweat beading on my forehead, each drop a silent scream. The room''s too hot, the air too thick, laced with the metallic tang of fear and the acrid burn of my own rising panic. The pain hasn''t even started, and already I can feel it, a phantom bite that''s eating away at my composure. My heart''s a drum solo, fast and offbeat, pounding against my ribs like it''s trying to escape. I think about pulling away, about smashing Tyrannosaur''s face in, about grabbing the knife and showing them how I deal with threats. But I don''t move. Can''t move. Because I know how this goes. I''m in their world now, by their rules, and the only way out is through the pain. Polygraph''s talking still, a lecture about honor and consequences. I''m not listening. I''m watching the knife, watching the way the blade trembles with anticipation, or maybe it''s Polygraph''s excitement. He''s enjoying this, the power, the control. He''s a cat with a mouse, and I''m the mouse. I take a breath, try to find that quiet place in my head, the eye of the storm where I can stand and endure. But it''s chaos in there, a whirlwind of curses and plans and the hot, white noise of fear. The knife moves, a small shift, but it''s enough. The blade''s edge is cold, a line of fire across my flesh, and I''m bracing for the cut, for the moment when I lose a part of me to these bastards. It''s coming, and all I can do is wait and hate them for it. Wait, and hate, and plan. AMK.1.2 Polygraph''s smile is a slash across his face, cruel and out of place. He pockets the knife, leaving a sting behind on my knuckle, a small cut that''s barely a promise of what''s to come. "Don''t piss yourself now, kid," he says, and there''s laughter in his voice, a sound that doesn''t reach his hidden eyes. "I''m in a good mood. Next fuck up, I''m taking your pinky for real." The laughter spreads like a disease, Tyrannosaur''s booming, the underlings'' a chorus of hyenas. Even I''m chuckling, a nervous, jagged sound that scrapes at my throat. It''s a good mood, alright, the kind that prefaces a storm. Then, without warning, Polygraph''s fist slams into my face. My head snaps back, a bright flare of pain, and my nose is suddenly a faucet of blood. I try to reel back, but Tyrannosaur''s grip on my wrist is a shackle I can''t shake. "You think getting my money back is enough?" Polygraph''s voice is a whip-crack, fury wrapped in velvet. "You think the money will make things right?" I''m trying to focus, but the room''s tilting, the taste of iron thick in my mouth. "Don''t you know about the time value of money, you dumb bitch?" He''s in my face now, his breath hot against my skin. "That''s two weeks of investments and deals you''ve made us miss out on. Money becomes drugs becomes more money. You lost more than what you lost. Who beat you up?" he demands. "Who took the fucking money, Aaron?" I''m sputtering, blood and words. "Some psycho bitch named Wolf," I gasp out, the fear of God - or maybe just the fear of Polygraph - lighting a fire under my ass. "And her fucking boyfriend. Safe or whatever." He''s nodding, but there''s no agreement in it, just an acknowledgment that I''m still useful, still a tool to be wielded. I''m spilling my guts now, desperate to paint the picture, to make him see. "We held our ground, gave as good as we got. It was a real brawl, the kind that makes you wonder if you''re gonna walk away from it. But these kids, they''ve got some tricks, fighting like they''re possessed or something. It was like nothing I''ve seen before." "In the end, they managed to slip through our fingers - barely. It was a close call, could''ve gone either way, really. But they got lucky, pulled some stunts that caught us off guard. I managed to land a few good ones on them, make no mistake. They''re not gonna forget they crossed paths with us." I''m rambling, the room spinning a slow waltz around me. "I know we took a hit, but it wasn''t for lack of competence. We were set up to win; it was just¡­ one of those days, you know? You can bet they paid a price for their little stunt, and next time - there won''t be a next time for them." Polygraph is staring at me, and I can''t tell if he''s buying it, if my desperation''s woven the right story. Then, slowly, he nods. "I believe you, Aaron." Tyrannosaur''s hand finally lets go, and my wrist is my own again. I''m rubbing it, feeling the blood pulse hot and fast beneath the skin. I''m swaying on my feet, the room''s laughter echoing in my ears like a funeral dirge. Probably got a concussion. Doc''s not gonna like that. "You''re not a total waste of space, it turns out," Polygraph continues, and I straighten up, focusing on him. "The girl, the one you call Wolf, she''s a junior cape. Bloodhound, they call her. Part of the DVD." He pauses, letting the name hang heavy between us. "Mr. Tyrannosaur here just had a chat with her family home." His lip curls into a sneer. "But she''s still poking her nose into our affairs. She''s a nuisance. A thorn." I listen, every muscle tensed, every nerve on fire. This isn''t just about survival now. This is personal. "She''s been busy," he goes on. "Messed up a deal with the Phreaks. Showed up at the nightclub, Mr. Mudslide''s initiation. Everywhere we turn, this toddler''s stepping on our toes. Getting her fucking puppy nose in our business." The room''s gone quiet now, the laughter dying like the last gasps of someone being strangled. I can feel everyone''s eyes on me, waiting. "Here''s your assignment." Polygraph''s voice is a blade, each word a cut. "Whack Bloodhound. Do that, and you''re back in with us. No need for money. No hustling. Show us you can get the job done, and you''re golden. That''s it!" I''m barely breathing. Killing a cape, a kid, it shouldn''t make a difference. It''s a job like any other. But this kid, this Bloodhound, she''s the reason my shoulder will never be the same, the reason I''m standing here, fighting for scraps from these vultures. I''m trying to restrain a grin like I''m a toddler being handed cotton candy. Can''t look too bloodthirsty in front of professionals. Polygraph doesn''t look like he''s taking any pleasure from this. I have to mirror him. He''s an old loon but he''s got the experience I need. Polygraph leans in, and I can see my reflection in those sunglasses, a man on the edge. "We''re busy, dealing with the adult shit here, Aaron. So you get to play in the kiddie pool. And if you can''t handle some children, maybe this lifestyle isn''t for you." The knife is back in his hand, a silent exclamation point to his words. "This lifestyle isn''t for you," he says, and I hear the unspoken follow-up: "we will gut you like a fish." I know the score. Retirements are not accepted. I don''t flinch. Let them think they''ve got me caged, a dog on a leash. But inside, I''m a bonfire of rage. I don''t give a damn about killing a kid. Bloodhound, Wolf, whatever name she goes by, I''ll burn her to ashes. I''ll love it. But I keep my face blank, give them nothing. "I''ll do it," I say, and my voice is steady, cold. "Consider it done." The room seems to breathe again, the tension bleeding away. Polygraph nods, satisfied. Tyrannosaur''s chuckling, that rumble from deep in his chest. And the underlings, they''re shifting, whispering. They think they know me. They think they''ve seen what I can do. "I''d give you her name and address, but I don''t want to make this easy mode for you. Find her yourself, or you''re a waste of our investments," Polygraph breathes, retracting the blade of his utility knife. He spins it around his fingers. He shoves it in his pocket. But they haven''t seen anything yet. The door''s unlocked now, and I walk out, my steps sure and silent. The alley greets me, a dark mouth ready to swallow me whole. The city smells like blood and smoke, and somewhere out there, Bloodhound is living her life, unaware that she''s now prey. I''ll track her, find her when she''s alone. I''ll make it quick, maybe. Depends on how I feel. Depends on how loud she screams. I''ll be the last thing she sees, a shadow turning to flame. And then I''ll come back to Polygraph and Tyrannosaur, and I''ll drop whatever''s left of their little problem at their feet. And I''ll watch them, watch as they realize they were wrong about me. I''m not just some thug to be kicked around. I''m ready to play in the big pool. I''m the fucking Olympic swimmer here. I''m going to blow all these old timers out of the fucking water. This content has been unlawfully taken from Royal Road; report any instances of this story if found elsewhere. The alley''s empty as I start the long walk back to my place. I''m thinking, planning. I need to be careful, smart. I need to watch my back, because the DVD will be looking for their missing pup. But I''m looking forward to it, to the hunt. The thought of Bloodhound, of ending her, it''s a spark in the dark, a promise of warmth. Feels good.
The door slams behind me, a punctuation mark on the sentence of my predicament. My apartment greets me with silence, the only welcome I''m liable to get these days. It''s a sanctuary of sorts, four walls that ask no questions and harbor all kinds of secrets. The cracked mirror on the wall reflects a man broken down to his base parts, a raw, unfiltered version of myself. Polygraph''s parting gift throbs at the center of my face, a broken nose that''s skewed the landscape of my features. Mama always called me a handsome boy. Gotta set it right, can''t afford to look weak, not now. Gotta fix that handsomeness. No girl''s gonna fuck me with a crooked nose. I rummage through the mess that pretends to be my medicine cabinet, finding the sorry excuse for a first aid kit. It''s a collection of half-used tubes and bandages that have seen better days. No painkillers; used the last for my shoulder. This is gonna be a raw ride. I take a deep breath. I have nobody here to impress besides myself. I take another deep breath. I position myself in front of the mirror, fingers prodding the tender flesh of my nose. It''s a riot of pain, but I''ve always been good at pain. The first push sends spikes of white-hot agony through my skull, and I clamp down on the urge to scream. Grit and bear it, that''s the McKinley way. That''s what papa taught me. The only way out is through. Crack. The sound is sickening, a noise no living thing should make. My vision swims, darkens at the edges, but I''m not done. Once more, I tell myself. Crack. Fresh blood snakes down my lip, warm and coppery, a stark contrast to the cold sweat on my brow. Pushing and prodding the bones back into place. Adjusting them until they feel like they''re aligned correctly. I''ll go rob some chucklefuck crossing the bridge and then go bother Doc again. Yeah. That''s a good plan. I brace against the sink, the world tilting dangerously. Honor, what a joke. Street thugs aiming for stars that are just shattered glass on asphalt. But there''s pride there, too, the misplaced pride of a man who refuses to stay down, who sets his own bones and writes his own story. That''s me. That''s what I do. I wrap my face with bandages, a mummy in my own tomb. It''s a makeshift job, but it''ll hold. It has to. There''s no room for error, not with the task ahead. Bloodhound, the kid cape, she''s out there, and she''s my ticket back to the table. Snot nosed little brat. Useless cunt. Could''ve been something good with teeth like that. She bites like one of us. Like she''s got something to lose. Not like one of those fucking capes. She bites like someone with a chip on her shoulder. It''s almost a shame I''m going to have to turn her into a charcoal briquette. I lean back against the cold tiles, letting the pain wash over me in waves. It''s a pain I can control, a pain I can fight. Not like the gnawing fear of what''s to come, the uncertainty that dogs my every step. But that fear, it''s a fire, too. It''ll keep me warm on the streets tonight. Fuck my "gang". The Coyotes are dead. Long live the Coyote.
The snow''s coming down like ash from a snuffed-out fire, blanketing the city in white that turns to gray slush beneath the feet of the rushing crowd. The world''s muted, sounds muffled, but the cold bites sharp and clean. I''m leaning against the graffitied wall of an abandoned warehouse down near the docks, a good place for quiet talks. My breath clouds in front of me, a ghost of heat in the chill air. Pumice walks up, his steps heavy, leaving deep impressions in the fresh snow. He''s a walking mountain, his skin the color of storm clouds before they break. The Sixers jersey he''s wearing is stretched tight over his rocky frame, the bright colors a stark contrast to the drab surroundings. It''s tacky, almost comical, but the guy''s made of stone; you don''t laugh at a man who can take a sledgehammer to the face and not flinch. "Heard we might have some enemies in common," I say, my voice steady despite the cold that''s gnawing at my bones. Pumice grunts, noncommittal, his eyes like chips of flint. "Yeah?" he says, and there''s an edge to it, a sharpness. "Get to the point. I don''t really care about this drama shit." I push off from the wall, step into his space. It''s like standing next to a boulder, immovable, solid. "Well, there''s this girl named Bloodhound, and I hear she got Patches locked up." Pumice''s expression doesn''t change, but something in the air does, a current of interest, maybe. "What about her?" I can see my plan taking shape, a path through the snow. "Well, I''ve got friends who want her out of the picture, and I''m the one that''s gonna whack her. It''ll be more fun with friends." I let the words hang between us, an invitation. His gaze is steady, unreadable. "And I hear you''ve got a secret weapon that''ll make things easier." There''s a pause, the world holding its breath. Then he nods, once. "I''m listening¡­" The snow''s still falling, each flake a whisper of white against his dark form. We''re two shadows in a world gone white, plotting in the silence. The conversation turns to murmurs, plans laid out in half-sentences and gestures, the details for us alone. The city around us is a painting, all broad strokes of color and light, and we''re the dark lines that will cut through it. As we talk, the plan takes shape, a sculpture in the snow. The cold''s a knife, but it hones my thoughts, sharpens them. Pumice is a weapon, but I''m the hand that will wield him. Together, we''ll carve a path through the city, through the capes, right to Bloodhound. We don''t shake on it; our words are bond enough, a contract written in frost and shadow. As he walks away, his steps are purposeful, leaving a trail that will soon be covered by the ceaseless fall of snow. The world is white and silent, but beneath it, there''s a rumble, a promise of violence to come. I turn my collar up against the cold and head back into the city. The snow''s still falling, but I''m burning inside, a fire that no winter can touch. Bloodhound''s days are numbered, and the countdown has just begun.
I''m outside Tacony Charter Academy High School, a building that looks more like a museum than any school I''ve ever known. It''s all clean lines and big windows, the snow sticking to it like it belongs there. Kids are spilling out the doors, a flood of chatter and laughter. They''re bundled up against the cold, wrapped in coats that cost more my parents ever made in a month. There''s a festering resentment in my gut as I watch them, these pampered children with their futures all laid out. They don''t know a damn thing about the life I''ve lived. Not a clue about ''alternative school'' - those holding pens for kids like me - or the lessons you learn when the street''s your teacher. They''ve never felt the sting of a belt that teaches respect the right way. I''m just another shadow in the throng, wrapped up in an old jacket, trying to look like I''m not a predator among sheep. My eyes scan the crowd, sharp and searching. Curly brown hair, plenty of those, but then I zero in on the eyes, the brown-amber, the caucasity ¡ª that''s who I''m here for. She''s the reason I''m standing here with a crooked nose and a fucked up shoulder. She''s the reason I walked with a limp for a month. She''s the one who brought me low, and now I''m here, just to get a glimpse of her without that mask she hides behind. I see her then, moving through the crowd. She''s quiet. Sunken. Her eyes scanning the ground, not looking up. She doesn''t see me, doesn''t know I''m here. Good. I want it that way ¡ª for now. But when I burn her to a crisp, she''ll know it was me. Her friends are around her, a protective flock. She''s the queen bee, the one with the sting. I watch how she moves. The way she tries to hide her body, even when it''s clear she''s strong enough to knock out any of her pussy friends in one punch. It''s just the way she carries herself even when she''s trying to look like a melodramatic little tween. Waste of space. "Bully hunter" - don''t make me laugh. She''s got power. Power that she doesn''t know how to control. Not yet. But I do. I know all about power. And when the time comes, I''ll show her just how much she has to learn. The kids start to break off, scattering like leaves in the wind. Buses pull up, their doors hissing open like serpents ready to swallow their prey. She heads for one, her friends in tow, still laughing around her, still oblivious. I commit her face to memory, the lines of it, the shape. I burn it into my brain because next time we meet, things are going to be different. Next time, I''ll be ready. Her name is Samantha fucking Small. WORLD OF CHUM: The Big Raid (2) "Adapting to Chaos: Legal Systems in the Wake of the Big Raid" By Alex Chen, for HeroWatch Today, May 11th, 2023 Part Four: Legal and Judicial Overhauls In the wake of the Big Raid''s disruption, legal systems worldwide have faced the daunting task of adapting to a dramatically altered criminal landscape. The rise of faceless, decentralized criminal syndicates has compelled nations to rethink their judicial approaches. Some countries, prioritizing national security, have begun to veer away from traditional due process norms. For instance, in response to the elusive nature of these new criminal groups, certain European nations have expanded surveillance capabilities and introduced more stringent anti-terror laws, blurring the lines between surveillance for security and privacy infringement. In the United States, the legal response has been more varied. The federal government has increased funding for superhuman law enforcement units, particularly the NSRA, while some states have passed legislation aimed at granting these units greater leeway in pursuit and arrest procedures. Many state and municipal governments are also increasing their funding allocations dedicated to juvenile superhuman training and recruitment, hoping to bring promising young metahumans to the right side of the law before they can potentially become criminals themselves. These measures, though controversial, reflect a growing consensus that traditional law enforcement methods are insufficient against this new breed of criminals.

Public Response and Political Divisions

The public''s reaction to these sweeping legal changes has been mixed, reflecting deep-seated political divisions. In the United States, debates have intensified around civil liberties and the role of superhumans in policing. Advocacy groups and civil rights organizations have raised alarms over potential abuses of power, particularly in light of the increased use of superhuman abilities in law enforcement operations, and protests are a frequent sight in DC and near other seats of power. However, there''s also a significant portion of the populace that supports these measures, driven by fear of the unknown and a desire for security in the face of rising superhuman-related crime. This divide is particularly evident in urban areas, where the presence of superhuman crime is more pronounced. Town hall meetings and public forums have become battlegrounds for these debates, with local politicians often caught in the crossfire, trying to balance public safety with civil rights.

International Variations in Legal Approaches

Internationally, the response has been equally diverse. In countries like Japan and South Korea, there''s been a concerted effort to integrate superhuman abilities into their legal framework in a more regulated manner. These countries have implemented strict guidelines and oversight mechanisms for superhuman operations, aiming to maintain a balance between efficacy and ethical considerations. In contrast, nations like Russia and North Korea have taken a more heavy-handed approach. These countries have enacted laws that give almost carte blanche powers to their superhuman enforcement agencies, often at the expense of individual rights and due process. This has led to international criticism and concerns about the potential for human rights violations.

The Road Ahead: Challenges and Controversies

As legal systems continue to evolve in response to the new criminal paradigm, several challenges and controversies loom. The balancing act between ensuring public safety and preserving civil liberties remains the most significant hurdle. Additionally, the international community faces the daunting task of finding common ground in their approach to superhuman crime, a necessity in an increasingly interconnected world. The Big Raid''s legacy, therefore, is not just about the dismantling of criminal empires; it''s also about the ongoing struggle to adapt our legal and societal norms to a reality where the lines between heroism, vigilantism, and criminality are increasingly blurred. Next Time In our next installment, we will delve into the economic impacts of the Big Raid, examining how the redistribution of illicit wealth and the disruption of criminal enterprises have reshaped global economies. Stay tuned as we explore the ripple effects of the Big Raid on the world''s financial landscape. Unauthorized use: this story is on Amazon without permission from the author. Report any sightings. ¡û Previous Article --- Next Article ¡ú
"Redefining Wealth: Economic Repercussions of the Big Raid" By Alex Chen, for HeroWatch Today, May 18th, 2023 Part Five: Economic Shifts and Redistribution The Big Raid¡¯s dismantling of major criminal empires led to an abrupt collapse of various black market industries, most notably the drug trade. This sudden shutdown sent shockwaves through economies worldwide, especially in urban areas where the black market was interwoven with local economies. The immediate consequence was a sharp increase in drug prices, creating both a public health crisis and a surge in drug-related crime. People who relied on non-pharmaceutical drugs, either for recreational use or as a form of self-medication, found themselves grappling with scarcity and skyrocketing costs. Simultaneously, numerous small businesses, often unknowingly, were entangled in money laundering operations linked to these criminal networks. With the collapse of these networks, these businesses faced sudden financial crises, struggling to find legitimate sources of funding. The disruption was not limited to the black market but rippled across legitimate businesses, revealing the extent to which illicit funds had infiltrated the mainstream economy.

Recovery and Redistribution: A Rocky Path

The post-Raid period saw efforts to redistribute the seized illicit wealth, but this process was fraught with challenges. The redistribution was uneven, often benefiting government and law enforcement agencies more than the communities most affected by the criminal activities. This led to criticism and debates about the fairness and effectiveness of these measures. Moreover, as new criminal groups emerged to fill the vacuum left by the dismantled syndicates, they brought with them a more ruthless and stealthy approach to black market activities. This resurgence, though initially slower and more cautious, eventually led to a stabilization of black market prices. However, the landscape had changed; the new criminal entities were leaner and more efficient, often bypassing traditional smuggling routes and methods. This shift had a lasting impact on local economies, particularly in regions heavily reliant on the black market. The average person, already reeling from the initial shock, had to navigate this new, more unpredictable economic reality.

Long-term Economic Implications

In the long term, the economic implications of the Big Raid are complex and multifaceted. On one hand, there''s been a reduction in the scale of money laundering and illicit financial flows, leading to a potential increase in tax revenues and government funding for public services. On the other hand, the upheaval in the black market has led to a rise in small-scale criminal activities and a shift in the economic balance, affecting communities and individuals who were indirectly reliant on these markets. The Big Raid, while successful in its primary goal of dismantling criminal empires, has reshaped the economic landscape in ways that continue to reverberate. It highlights the intricate relationship between the legal and illegal economies and raises questions about the long-term sustainability of such drastic law enforcement measures.

Coming Out in the Wash: The Micro and Macro Perspective

Five years down the road, statistical analyses have revealed some undernoticed economic effects of the Big Raid. On a microeconomic level, the closure of local businesses, often unwitting fronts for money laundering, led to the deterioration of neighborhood economies. Communities witnessed the shuttering of familiar establishments like laundromats and local diners, creating a domino effect on employment and local spending. Residents grappled with the loss of services and jobs, alongside a growing awareness of their neighborhood''s role in a larger criminal network. On a macroeconomic scale, major corporations like McDonald''s faced unexpected challenges. The upheaval in local economies led to fluctuating consumer spending patterns, impacting franchises in affected areas. Additionally, the crackdown on money laundering forced corporations to reassess their financial safeguards, leading to increased compliance costs and shifts in investment strategies. These changes, while initially disruptive, eventually spurred innovations in corporate governance and transparency, reshaping the corporate landscape in unexpected ways. Next Time In our next piece, we will explore the changing public perception of superheroes and law enforcement, delving into the societal impacts of the Big Raid and the evolving role of superhumans in the post-Raid world. Stay tuned for an in-depth analysis of how the Big Raid has altered the public¡¯s view of heroes and villains alike. ¡û Previous Article --- Next Article ¡ú Chapter 50.1 Sitting in the dimly lit interior of the abandoned Tacony Music Hall, the makeshift headquarters for our little band of misfits, I try to shake off the chill of the outside world. It''s still winter break, the kind of quiet where you can hear your own thoughts too loudly, with the new year looming overhead. Woohoo, 2024. Jordan lounges across a creaky recliner, the air carrying with it that quiet antiseptic scent that indicated they''ve been cleaning recently. Spindle, or Connor as he''s trying to get us to call him now, sits opposite, nervously tapping his foot, still riding the high of being a ''provisionary member'' of the Young Defenders. "So, Sam, you''ve been like, super MIA at school," Jordan starts, their tone casual but their eyes concerned. "I mean, I get it, winter break and all, but you seemed out of it even before that. You¡­ good? Alive? Possessed by an alien parasite?" I pick at a loose thread on my sleeve, not meeting Jordan''s gaze. "Yeah, it''s been¡­ a lot. Just a lot of stuff to think about, you know?" Jordan nods, their expression softening. "I get it. Just worried, is all. You kinda vanished off the face of the Earth." I manage a half-smile. "Yeah, it''s been complicated. Watching my¡­ Watching Liberty Belle¡­" Jordan reaches out and squeezes my shoulder. "Don''t finish that sentence, idiot, you''re about to start crying." I suck up the forming snot wad back into my sinuses and let out a loud, shaky exhale. "Yeah. True." Spindle, ever the bundle of energy, interjects, "Hey, did I mention how jazzed I am about this whole Young Defenders thing? I mean, it''s provisional, but still!" His excitement is palpable, his eyes practically sparkling. "Whatever provisional, means." Jordan chuckles and leans over to give him a peck on the cheek. "Proud of you, Conny," they say, a genuine warmth in their voice. I blink, a bit taken aback. "Wait, when did this happen?" I ask, pointing between the two of them. Jordan grins, a teasing glint in their eye. "Oh, it happened offscreen," they joke, eliciting a laugh from Spindle. "You know, Sam, people do exist outside your point of view." "You and Spindle?" I ask, switching my hand back and forth, pointing at one, then the other. "You''re not the only one that gets to hook up with superheroes!" Spindle replies, letting his head loll back almost all the way as he laughs. He wraps one long, gangly arm over Jordan''s shoulder and pulls them in close. I roll my eyes but can''t help but smile. "Alright, alright. Point taken. So, wanna hear about my meeting with Jamal?" Jordan and Spindle lean in, curiosity etched on their faces. "It was intense," I begin, the memory fresh in my mind. "I showed him the footage from Belle''s notes, the stuff about Chernobyl and the government. And get this ¨C he had no clue. He was as shocked as I was." Spindle whistles lowly. "That''s¡­ big. What did he say?" I shrug, trying to appear nonchalant, but the weight of the conversation still presses down on me. "He admitted we''re in a tight spot. The government''s covering up their tracks, and now they''re interested in Belle''s notes. The ones I have." Jordan''s expression darkens. "That''s messed up. So, what''s the plan?" "Well, Jamal can''t do anything officially. Everything the Delaware Valley Defenders do is logged and public, thanks to FOIA requests," I explain, recalling Jamal''s words. "So, he wants us to do some digging. Off the books." Spindle leans forward, his eyes wide. "Us? As in, the three of us?" I nod. "Yeah. He''s calling it ''Young Defenders Dark.'' Unofficially, of course. We''re going to look into the NSRA and figure out what''s really going on with Chernobyl." Jordan lets out a low whistle. "That''s a shitty name." Spindle grins, practically bouncing in his seat. "Are you kidding? This is exactly what I signed up for! To make a difference, you know? Instead of picking locks and shit." "I mean, you''ll probably have to pick some locks. And yeah, it is a shitty name. We''ll come up with a better one." I can''t help but feel a surge of adrenaline at his enthusiasm, nonetheless. "We''ve got a lot of work ahead of us. And Jamal said he''d try to get some government surplus funneled to Jordan, you know, to help with¡­ resources." Jordan raises an eyebrow, clearly intrigued. "That sounds super illegal." "That''s what I said!" I reply, shaking my hands, gesticulating as I talk. The conversation drifts into planning and speculating, the three of us throwing around ideas and theories. It feels good, in a way, to have a direction, a purpose. Even if it''s shrouded in secrecy and danger. It''s something to focus on, a way to channel all the confusion and anger I''ve been feeling. I glance at Jordan and Spindle, my partners in this unconventional endeavor, and there''s a tangible sense of unity. We''re all in this crazy ride together, whatever it throws at us. As we talk, my thoughts keep circling back to the gravity of my meeting with Jamal, the weight of the truth we''re about to uncover, and the scale of justice we''re trying to balance. But then, another looming worry nudges its way into my brain. "Ugh, and then there''s the power testing with Dr. Harris tomorrow," I grumble, sinking deeper into my chair. "I can''t shake the feeling I''m gonna get a bad grade in superpowers." Jordan lets out a light laugh, their eyes crinkling in amusement. "Sam, it''s not school. It¡¯s just you, doing your thing. Plus, you might discover something new, something cool." "Yeah, discovering the ''cool'' part of nearly drowning," I mutter, rolling my eyes. Spindle jumps in, his voice bubbling with excitement. "But, hey, it''s a chance to really see what you can do, right? Like, how strong those shark teeth are, or the range of your blood sense. That''s kind of awesome." I sigh, my fingers fidgeting with the edge of my sleeve. "Or I''ll get a bad grade in superhero. And then my parents will find out. Mom will yell at me, and Dad will say ''I''m not upset but I am disappointed in you''," I say, trying to mimick my dad''s deep voice the best I can. Jordan snorts, leaning over to flick my forehead with a surprising quickness, using their powers to bring me within flicking range before pushing me back so I can''t retaliate. "Yeah, right. Like they don''t already know you''re extraordinary in every way." I flinch, half-grinning at the gesture. "Ow, hey!" "And seriously, Sam, you¡¯re Bloodhound. You¡¯ve pulled off stuff that¡¯s way more impressive than any lab test," Spindle adds, his enthusiasm unwavering. Their words manage to lighten my mood, lifting the corners of my mouth into a reluctant smile. "Alright, alright. I''ll go and do the superhero version of a talent show. Happy?" "Ecstatic," Jordan says dryly, giving Spindle''s hair a playful ruffle. "But can we please talk about that name? ''Young Defenders Dark?'' I am not signing up for anything that sounds like a rejected superhero team from a low-budget TV show." Spindle chuckles, smoothing down his ruffled hair. "Yeah, we definitely need something cooler. How about¡­ ''The Shadow Squad'' or ''The Night Guardians''?" I laugh, shaking my head. "We''ll work on it. For now, let''s just stick with ''the team that does stuff Jamal can''t.''" Jordan grins, a spark of mischief in their eyes. "Perfect. The ''Can''t-Do-This-Officially-So-We''re-Doing-It-Unofficially Team''. Catchy." The genuine version of this novel can be found on another site. Support the author by reading it there. We wrap up our conversation, finalizing a few more details about our plans as Young Defenders Dark, rename pending. There''s a sense of camaraderie that wasn''t there before, a new shared purpose that binds us together. As I leave the music hall for the night to walk back home to Lily''s, I feel a mix of apprehension and excitement about what lies ahead, both with the testing and our new mission.
In the gym of the Delaware Valley Defenders HQ, the air feels different today, like it''s charged with anticipation or maybe just nervousness. That''s probably all me. The place has been transformed into a makeshift lab, with equipment I don''t recognize and screens showing graphs and numbers that make about as much sense to me as ancient Greek. Dr. Harris looks exactly like what you''d expect a superpowers nerd to look like, if that nerd had been marinating in science labs long enough to become a full-blown scientist. He''s got this round, jolly kind of face that makes you think of Santa Claus, if Santa traded in his red suit for a lab coat and had a mild obsession with bite force measurements. His glasses are these chunky things that magnify his eyes, and they sit perched on a nose that looks like it''s been squished into his face from years of squinting at data screens. He''s kinda balding, with tufts of hair that are more gray than not, and they stick out around the sides like he''s been pulling at them in frustration - or maybe just deep thought. His lab coat''s a little too big for him, hanging off his shoulders and swishing around his legs as he moves, which is a lot. He''s not a tall guy, kinda short and stout, but there''s this energy about him that fills the room way more than his height ever could. And he''s got this tie, a weird shade of green that looks like it was chosen by someone who spends way too much time staring at fluorescent lab markers. Gale''s here too, standing off to the side. She gives me a small wave and a reassuring smile as I walk in. As I get closer, she leans in and plants a quick, chaste kiss on my cheek. "Good luck," she whispers. It''s a simple gesture, but it makes me feel a little more grounded. I don''t see anyone else around, so I have to assume they''re out on patrol or¡­ you know, being teens, like me, doing other things with their lives. "Ah, Samantha! Excellent, you''re here," Dr. Harris exclaims, spinning around so fast I''m surprised he doesn''t get dizzy. "We have quite a day ahead of us! I''m thrilled, absolutely thrilled, to be able to study your abilities. It''s not every day I get to work with someone with your¡­ unique profile." I shift from foot to foot, trying to mirror his enthusiasm but feeling more like a lab rat than a superhero right now. "Yeah, it''s, uh, nice to meet you too, Dr. Harris. What do you mean by, uh, unique profile?" "Please, call me Leonard! Now, let me give you the grand tour of our temporary setup here," he says, gesturing grandly with his arms like he''s showing off a castle instead of a bunch of machines in a gym. "Oh, right, you have what we call ''Buffet Style'' powers - your powerset seems to consist of a couple of what would be otherwise minor powers tied together, as opposed to most of your compatriots, who have ''Entree Style''. I made those terms up, by the way. Entree Style is significantly more common, so like I said, it''s not every day!" He seems incapable of taking a step without saying something. In a way, he sort of reminds me of me. I''m not sure whether or not that makes me more or less comfortable. First, he leads me to what looks like a dentist''s nightmare ¨C a contraption with a mouthpiece and a bunch of wires and sensors attached to it. "This beauty is for measuring your bite force. It''s quite sophisticated, if I do say so myself. We''ll be able to get an exact measurement in Newtons!" He says it like he''s telling me I''ve won the lottery. "You''ll have to bite it a lot, of course. And I''ll have to do some measurements to get PSI amounts¡­ Oh, it''s a whole thing. I''m sure you''re not intersted in the bloody details." "Newtons, huh? Cool," I reply, though I''m not entirely sure what a Newton feels like in terms of biting down on something. Or what a Newton is. "Like the fig bar?" Dr. Harris shakes his head. "No!" He says, not elaborating as he walks me through a series of small partitions, like the kind you get to temporarily block off a place. Like, fold-out partitions. Screen door things. I peek past one of them to see a small vial of what I can immediately recognize as blood - but it''s totally sealed. I can''t smell it at all. "This is for your blood sense test. We''ll have different samples at various points, and you''ll have to locate them. It''s a bit like a game, really." "I like games," I say, trying to keep the conversation flowing. "Splendid!" He replies. We move on to a section with medical imaging equipment, which Leonard explains with words like ''MRI'' and ''ultrasound.'' He''s talking a mile a minute, and I catch maybe every third word. "We want to observe your regenerative capabilities in real-time. Fascinating stuff!" I nod, trying to look like I understand more than I do. The truth is, all this science talk is making me feel out of my depth. I''m used to punching things, not being poked and prodded and scanned. And, I mean, as jocky as I am, I''m good at school, but this is all way beyond my pay grade. Or grade grades. "And finally," Leonard continues, leading me to a table with some vials and a weird-looking machine, "we have the saltwater and alcohol tolerance tests. We''ll monitor your vitals and see how your body reacts. It''s all very safe, I assure you." Gale, who''s been quietly following us around, gives my hand a quick squeeze. "You got this, Sam," she says, her voice low but full of confidence. I manage a half-smile. "Thanks, Gale. I guess it''s just¡­ a lot." Leonard claps his hands together, oblivious to my growing apprehension. "Well, let''s not dilly-dally! Science waits for no one! We''ll start with the bite force test. Now, if you''ll just step over here¡­" I take a deep breath and follow him, trying to shake off the feeling that I''m about to jump into the deep end of a pool with no idea how to swim. As Leonard fusses over his equipment, I glance back at Gale, who''s watching me with a look that''s part proud, part worried. I try to give her a reassuring nod, but I''m not sure it comes across as confident as I''d like. She gives me a somewhat apprehensive looking thumbs up. Alright, Sam, let''s do this. For science.
Dr. Harris is practically vibrating with excitement as he ushers me over to the menacing-looking bite force meter. It''s a shiny piece of tech with a mouthpiece that looks like it''s seen better days, already equipped with dents that tell tales of previous superhero chomps. "See, Samantha," he starts, adjusting his glasses with a finger, "the debate between Newtons and PSI is quite fascinating. Newtons measure force, while PSI measures pressure - force per unit area, to be precise. It''s a common misconception to use them interchangeably, particularly in the realm of bite force." I''m half-listening, half-staring at the contraption like it might bite back. But Dr. Harris''s enthusiasm is contagious, in a geeky sort of way, so I find myself actually curious about what he''s rambling on. "Your jaw shape," he continues, now looking at me with the fervor of a kid in a candy store, "it''s quite exceptional. Most capes with strength-based powers focus on the arms, the legs, the big muscles. But teeth!" He claps his hands together with glee. "Teeth are often overlooked, and yet here you are, a prime example of the power of the mandible!" I can''t help but grin, showing off the very tools we''re about to test. "Yeah, they''ve come in handy," I say, trying to sound modest. "Oh, but they''re so much more than handy!" He''s practically bouncing on his heels now. "Tooth length, tooth shape, jaw muscle density, all these factors contribute to bite efficiency. And let''s not forget the motivation of the animal ¨C or person, in this case ¨C to bite." He leads me to the machine, and I notice a set of various materials lined up next to it ¨C rubber, wood, and a couple of metals. "Each substrate will test the durability of your teeth and the maximum force you can exert. We''ll start with something soft and work our way up." As he straps the mouthpiece to the machine, he goes on, "And let''s not forget the importance of pressure in a bite. It''s one thing to have the force, but the pressure ¨C that''s where the real damage happens." He''s got a point, I think to myself. I mean, I''ve never really thought about the science of my bite. It''s just something I do when I''m fighting the bad guys or need to make a point¡­ forcefully. "Now, your canines," Dr. Harris gestures to my mouth as if it''s a display in a museum, "will likely show a higher PSI due to their shape ¨C more conducive for puncturing, you see. While your molars¡­" He trails off, looking at me expectantly. I nod, getting into position. "So I''m biting this thing like I''m trying to make an impression?" I ask, half-joking. "Precisely!" he exclaims. "But let''s start with a baseline measurement. Just bite down normally, as if you''re biting into an apple." I do as instructed, feeling the odd pressure of the mouthpiece against my teeth. It''s weird, biting something without the intention of actually biting through it. After a few rounds of normal bites, Dr. Harris''s eyes are wide as he examines the readings. "Astounding! Even your normal bite is off the charts compared to the average human. Now, let''s see what you can do when you really put some effort into it." That''s my cue. I start with the rubber, and it feels like child''s play. Then wood, a bit tougher but still no match for me. The metals are where I can really feel the resistance, and I channel every bit of frustration, every bad guy I''ve wanted to chomp down on into my jaw. I imagine, for a moment, biting down through Chernobyl''s armor. I feel the metal buckle underneath me as I puncture it with the tips of my teeth. Dr. Harris is cheering me on, rattling off numbers and exclamations like we''re at a sports event. "Incredible! The readings are through the roof!" By the time we reach the hardest metal, I''m in the zone, biting down as hard as I can, feeling the strain in my jaw but also a strange sense of pride. "And there you have it, Samantha!" Dr. Harris is nearly breathless with excitement. "I''ll spare you the exact numbers but you''re easily reaching over 3600 Newtons and more than 1600 PSI at the sharpest points. And yet, you don''t have the jaw musculature required for such a bite, which means you''re one of those lucky metahumans with anomalous muscle strength. You''ve got all the jaw of a polar bear packed into a fourteen-year-old human''s skull! In other words, you''re almost exactly ten times as bite-y as a normal adult human being. No wonder you broke all my gauges!" And he doesn''t even sound upset about it! I release the mouthpiece and can''t help but feel a surge of pride. "A polar bear, huh? That''s pretty cool," I say, and I mean it. It''s one thing to know you''re strong, but another to see it quantified, to see it compared to the powerful jaws of an animal known for its ability to ruin things with its bite. Dr. Harris is scribbling down notes like there''s no tomorrow, and I can''t help but think that somewhere in all those numbers and data, there''s a piece of me ¨C a piece of what makes me, well, me. It''s a weird feeling, being measured and studied, but if it helps me understand my powers better, helps me be a better hero, then I''m all for it. "Thank you, Samantha," Dr. Harris says, his voice full of genuine gratitude. "This has been most enlightening. Shall we continue?" Chapter 50.2 The afternoon session is like a high-stakes game of hide and seek, except I''m it, and instead of people, I''m searching for blood. It sounds macabre when I think about it too hard, so I don''t. Dr. Harris has this look of boyish glee as he explains the setup, like he''s just set up the best scavenger hunt ever. "So, Samantha, I''ve placed several containers of blood around the gym," he announces, gesturing to various points around the room. "Some are open, allowing the scent, so to speak, to fill the air, and some are sealed, completely airtight." I nod, rolling my shoulders to release some tension. It''s weird, but I''m starting to get excited about this. It''s not every day you get to flex your superpowers in a controlled environment, with no one getting hurt. Dr. Harris hands me a blindfold and a pair of noise-canceling headphones. "We''ll start with the open containers first. I want you to try and locate them using your blood sense." Blindfolded and deafened to the world, I focus inward, honing in on that primal, shark-like part of me that just knows where the blood is. I can''t exactly explain what it is, because it''s not quite smell and it''s not quite sight. It''s more a sort of vision that isn''t in my eyeballs, like a thermal camera or something like that, but in part of my brain instead. I''m not seeing red, but I''m thinking red, red-on-black. Black for no blood, red for blood. Stark contrasts. I make short work of finding the rest of the open blood sources, each discovery a small victory that has Dr. Harris making excited little noises that I can just barely hear over the headphones. "Now for the sealed containers," he says once I''ve uncovered all the open ones. I can tell he''s trying to keep his voice neutral, but there''s an undercurrent of anticipation there. I''m back in the darkness, the blindfold and headphones in place, but this time it''s different. I turn in circles, trying to get a bead on the blood, but there''s nothing. No pull, no tingle, no sense of direction. It''s like I''m searching for a ghost. Dr. Harris waits a moment before he finally gives in to what I assume is a burning curiosity. With the slightest sound of a pinprick, one of the sealed bags is opened, and it''s like a switch is flipped inside me. Suddenly, there''s a clear line in my mind, pulling me towards the source. I can see it in my mind''s eye, a bright red glow, and I can tell where it is in relation to me. It''s instantaneous, and I follow the line without hesitation, reaching the bag in seconds. The blindfold comes off, and Dr. Harris is scribbling notes at a mile a minute. "Remarkable! It seems your blood sense is activated by the presence of blood exposed to air. It''s a sensory response to airborne particulates, not just the scent!" I can''t help but feel a mix of pride and weirdness. It''s one thing to know you have a cool superpower, it''s another to have it dissected and laid out in scientific terms. "And the range!" Dr. Harris continues, his eyes wide behind his glasses. "Over eighty meters, easily. The only reason I can''t measure further is because we ran out of room, so I''m sure it may be even bigger! You have a sensory radius that would be the envy of any predator in the animal kingdom." That part makes me pause. Eighty meters. That''s... a lot. More than I thought, and it makes me wonder about the implications. What does it mean for my superhero work? For my everyday life? Dr. Harris seems to read my thoughts. "Oh, the applications are endless, Samantha! Search and rescue, tracking, surveillance. With proper training, you could refine this ability to be one of your most powerful tools." "So, wait, someone... told me once that I have sort of, what''s it called, ESP? Not a literal new sense. But you said I was reacting to, uh, airborne particulates?" I ask, a little confused, adjusting the headphones as they linger around my neck. "Do I be smelling it or not?" "That''s... Well, that''s a matter of a lot of debate. Short of prying open your brain, which I don''t plan on doing today - that''s a joke - the distinction is probably more academic than anything else. Suffice to say, your abilities are certainly anomalous, which is our big science word for ''defies natural explanation''. Given you don''t seem to have any other advanced olfaction abilities, I''m inclined to agree with the view that it''s some sort of extrasensory perception," he rambles, confusing me as to what side exactly he takes until the very end. "You do not be smelling it, per se, but it seems like your brain does need there to be airborne blood particles to trigger the effect." "Groovy," I reply, sitting down on the floor. I glance at Gale, who looks up at me from her phone, and smiles, and waves, and my heart flutters a little bit.
The last round of tests feels like it''s tiptoeing into mad science territory, but Dr. Harris assures me it''s all standard for people with... unique talents. The thought doesn''t exactly soothe the jitters rattling my bones. "Next, we''ll assess your tolerance to different substances and check your liver and kidney functions. Quite standard, I assure you," Dr. Harris explains, gesturing towards a tray that looks far too clinical for my liking. "I mean, standard for people who profess your particular abilities. Regeneration and saltwater tolerance isn''t an unheard-of combination." I eye the vials of saltwater and the alcohol, then the medical gear that''s going to map out the bits of me I can''t see. I''m okay with that part. It''s the needles that are going to be a problem. I can feel my face drain of color as he lays out the blood test kits. "Ah, you seem apprehensive. Fear not! I am a trained phlebotomist among other things. Quite dexterous with a needle," he says with a chuckle that''s meant to be reassuring. Great, a jack-of-all-trades with a syringe. "Is it cool if I get Gale over here? Just to, uh, keep me company," I say, my voice an octave higher than usual. "Of course, of course! Whatever makes you comfortable," he responds, busying himself with the vials, seemingly oblivious to my discomfort otherwise. Gale''s by my side in an instant, her hand a warm anchor in mine. "You''re going to be okay, Sam," she whispers, but her voice sounds like it''s underwater. Already, I''m swimming. Can you imagine? I can handle being stabbed with a knife no problem, but stab me with a needle and I''m about to pass out. Support the creativity of authors by visiting the original site for this novel and more. Dr. Harris preps my arm, swabbing with something cold and wet. I turn away, trying not to think about what''s coming. My hand tightens around Gale''s, probably too much, but she doesn''t complain. "Let''s just get this over with," I murmur, focusing on the numbers of prime numbers in my head. Two is fine, three is okay, five is good, seven is lucky, eleven is... As I mentally tick through the prime numbers, trying to distract myself, Dr. Harris starts talking about what a phlebotomist is. "The term comes from the Greek words ''phlebo-'', meaning ''pertaining to a blood vessel'', and ''-tomist'', meaning ''one who cuts''. Not that I''ll be doing any cutting, per se. It''s just a fancy term for someone trained to draw blood." I''m only half-listening, the words ''cut'' and ''blood'' doing nothing to ease the knot in my stomach. Thirteen, seventeen, nineteen... "And there we are, all done!" Dr. Harris announces cheerfully. I blink, my gaze shifting to him in surprise. "Really?" I ask, not quite believing it. "Indeed. I told you, I''m quite adept with a needle," he says, a touch of pride in his voice. I chance a glance at the tray and immediately regret it. Eight full vials of blood, a deep red that''s too familiar. The sight hits me, and a wave of nausea quickly follows. I turn away and take the opportunity to put my face in Gale''s never mind, I changed my mind. "Okay, let''s move on," I say quickly, eager to put as much distance between me and those vials as possible. Dr. Harris nods, jotting down notes, and then begins to strap me with equipment. Heartrate monitors, blood pressure cuffs, stuff like that. "Now, we''ll proceed with the tolerance tests. First, the saltwater." He hands me a cup with a measured amount of saltwater. "Please, drink this. We''ll monitor your reaction and measure how quickly your body processes the solution." The saltwater goes down with a grimace. It''s like gulping down ocean water by mistake - not pleasant but bearable. I drink far too much of it. He waits a couple of minutes, occasionally pumping up the cuff on my arm until it hurts, takes down measurements, and then continues. The alcohol is next, and it''s weird because it smells slightly of booze but not quite. Almost like cleaning equipment. I take a sip, and the equipment beeps and whirs around me, taking note of how my body reacts. My heart''s still racing from the blood draw, but I''m starting to feel a little like a science experiment superhero. It''s a strange badge of honor. He waits a couple of minutes, occasionally pumping up the cuff on my arm until it hurts, takes down measurements, and then continues. The regeneration tests are less invasive, thankfully. Dr. Harris uses a dermatoscope to inspect my skin, looking for any signs of regeneration. There are a few scars, ones that never quite faded, and he hums thoughtfully as he examines them. "You have a remarkable healing factor, Samantha. These scars, they''re quite old, I presume?" "Yeah, had them for a while," I say, feeling self-conscious under his gaze. "Interesting. The body''s ability to heal itself is one of nature''s wonders, and you, my dear, are a prime example of this," he muses, making me blush despite the clinical setting. The stress response test is last. Dr. Harris explains that he''ll create a small scratch, nothing major, just enough to activate my healing. I brace myself, squeezing Gale''s hand again, but this time I''m ready for it. The scratch is nothing, just a flick of sensation, and then it''s over. I watch, fascinated despite myself, as my skin knits back together like one of Gale''s crochet projects. It''s fast, almost too fast to see, and Dr. Harris is practically dancing with excitement. "Remarkable! Truly remarkable!" he exclaims, and I can''t help but smile. It is kind of cool, in a freaky superhero kind of way. "Obviously, I don''t have permission to cut big gashes in you, nor do I have the desire or the stomach. I''ve already read your file and I''m afraid if we want better quantifiability on your regeneration factor, we''ll have to do some more invasive testing. And that''s something I''ll need your parents to sign off on. And other stuff. It''s a whole mess. We can avoid it for now." I crack a weary smile. "Thanks for not cutting me open, doc." "There''s a secondary factor as well," he muses. He brandishes the needle, causing me to wince, and then smiles. "When I was trying to withdraw the needle, it broke. I''m unsure why, but I have a feeling that there may be elements to your powers that we haven''t even begun to discover yet. You''re a regular seafood buffet, Samantha." Gale giggles next to me, gently grabbing hold of my biceps. "I''ll take that as a compliment, I think?" I reply, reaching for the inside of my elbow. I find it quickly - a small, pointy little chunk of syringe that''s caught in my skin, and pull it out with a grimace, gently depositing it on the nearby table. The puncture wound lasts only for a second or two before it closes itself up. Groovy.
Trudging through the streets, the snow is light, a sort of gentle dusting that''s just enough to crunch under my boots. It''s a wet kind of snow, the kind that sticks to your hair and makes it a bit of a mess, but it''s not too bad. It''s just... peaceful. The sky is this purplish-blue hue, the kind that you only get in the evenings of winter, and the streetlights cast a warm, orange glow on the snow, turning it into a field of sparkling gold. I just dropped Gale off at her place after a bit of flying with her. But now, I''m taking the long way home, stretching my legs and getting some exercise. After a whole day of being poked and prodded by Dr. Harris, I need it. All those tests, the bite thing, the blood sense stuff... it was weird, but in a cool, ''I''m a superhero getting tested by a superpower nerd scientist'' kind of way. I can still feel where the sensors were attached to my skin, little ghostly tingles that come and go. It''s funny how you can still feel something even after it''s gone. Like the band-aid they put on after taking blood samples, or the pressure of the bite meter. It''s a reminder of what I went through today, a sort of badge of honor that only I know about. As I walk, my boots leave a steady trail of footprints behind me. The snow is just thick enough to hold the shape of my soles, a temporary mark on the world that''ll be gone by morning. It''s kind of poetic, in a way. Everything''s temporary, fleeting. Just like how I felt flying with Gale - up in the air, everything seems so small, so... manageable. Like you can just leave all your troubles on the ground and soar above them. I pull my jacket closer around me, the cold starting to seep through. It''s not freezing, just a bit chilly. The kind of cold that wakes you up, keeps you alert. My breath comes out in little puffs of white, each one a small cloud that hangs in the air for a moment before disappearing. As I walk, I think about the tests. Dr. Harris was so into it, his eyes practically lighting up with every measurement he took. It was kind of infectious, his enthusiasm. Made me feel like I was part of something important, something bigger than myself. I mean, I know I''m a superhero and all, but sometimes it just feels like I''m just a kid who got lucky. Or unlucky, depending on how you look at it. But today, with all the machines and the numbers and the data... it made me feel real. Like my powers are real, tangible things that can be measured and understood. Not just some freak accident, but a part of who I am. It''s a weird feeling, being dissected like that, but also kind of validating. I pass by the park, the benches covered in snow, the trees bare and stark against the darkening sky. It''s quiet, the usual hustle and bustle of the city muted by the snow. I like it, this silence. It''s rare, in a city like ours. Makes you appreciate the small moments of peace when you get them. I remember what Dr. Harris said about my regeneration. How it''s not just about healing fast, but about how my cells rebuild themselves. Stronger, more resilient. It''s like every time I get hurt, I come back a little tougher. I guess that''s kind of like life, isn''t it? You get knocked down, you get back up, and you keep going. Stronger than before. I take a deep breath. Halfway there. I don''t notice the crowbar until it slams into my skull. WORLD OF CHUM: The Big Raid (3) "Heroes and Villains: Public Perception in the Post-Big Raid Era" By Alex Chen, for HeroWatch Today, May 25th, 2023 Part Six: Public Perception and Superhero Accountability Since the Big Raid, public opinion on superheroes and law enforcement has undergone significant evolution. Initially, there was a surge of support for superheroes as they were seen as pivotal in dismantling the vast criminal empires. Communities celebrated their heroism, and there was a renewed sense of faith in superhuman law enforcement. However, as the dust settled and the reality of the new criminal landscape set in, public perception began to shift. The emergence of more ruthless and elusive criminal syndicates, and the increased violence in law enforcement confrontations, have led to growing concerns about the methods and accountability of superheroes. The debates are especially intense in urban areas, where the presence of superhumans is most felt. People are questioning the collateral damage caused during superhero-led operations and the ethical implications of using superhuman abilities in law enforcement. These concerns are further fueled by incidents of misuse of power and lack of transparency in operations, leading to a polarized public opinion. While some continue to view superheroes as necessary protectors, others are becoming increasingly wary of their unchecked powers.

Redefining the Roles of Villains and Law Enforcement

The perception of supervillains, both benign and malignant, has also evolved in complex ways. The Big Raid blurred the lines between heroes and villains, as some supervillains played crucial roles in the takedown of major criminal networks. This has led to a nuanced understanding of the term "villain," with some segments of the public beginning to see certain supervillains in a more sympathetic light, especially those who operated in gray areas or had understandable motivations. On the other hand, the emergence of new, more pragmatic criminal syndicates has painted a more menacing picture of supervillains. These new villains, faceless and ruthless, without the charisma or masked flair of their older kin, have instilled a deep-seated fear and uncertainty among the public. This shift has put pressure on law enforcement agencies to reassess their strategies and collaborate more closely with superhero groups, leading to debates about the balance of power and the role of superhumans in maintaining public safety and order.

Traditional Law Enforcement: A Complicated Perspective

In the wake of the Big Raid, public perception of traditional law enforcement has become increasingly complex. While there is appreciation for their role in supporting superhero-led operations, there''s also growing scrutiny over their effectiveness and methods in a world where superhuman crime is prevalent. This scrutiny is heightened by incidents where traditional law enforcement appeared ill-equipped or overly reliant on superhero intervention, raising questions about their preparedness and autonomy in managing superhuman-related crime. Furthermore, there''s a noticeable shift in community expectations. People are calling for more transparency, better training in handling superhuman scenarios, and a reassessment of traditional policing strategies. The complexity of modern criminal threats has prompted a reevaluation of the role and capabilities of conventional law enforcement, underscoring the need for a more integrated and adaptable approach to public safety and crime prevention in the post-Big Raid world.

The Road Ahead: Balancing Heroism and Accountability

The evolving public perception of superheroes and supervillains highlights the need for a balanced approach in superhuman law enforcement. There''s a growing call for greater accountability and oversight of superhero actions, alongside a recognition of their importance in combating superhuman crime. This balance is crucial in maintaining public trust and ensuring that the fight against crime does not come at the expense of civil liberties and ethical standards. This narrative has been purloined without the author''s approval. Report any appearances on Amazon. As society grapples with these challenges, the role of superheroes and supervillains in public life remains a topic of intense debate and scrutiny. The legacy of the Big Raid continues to influence how we view these figures, shaping the future of law enforcement and justice in a world where superhuman abilities are an undeniable reality. Next Time In our final installment, we will reflect on long term implications of the Big Raid - the lessons learned, the ongoing challenges, and what the future seems to hold for this new facet of our society. ¡û Previous Article --- Next Article ¡ú
"Beyond the Big Raid: Legacy, Lessons, and the Path Forward" By Alex Chen, for HeroWatch Today, June 1st, 2023 Part Seven: Long-term Implications and the Enduring Legacy The Big Raid has left an indelible mark on the world, reshaping our understanding of crime, justice, and superhuman involvement in law enforcement. Its legacy is complex, embodying both triumph and tragedy. The successful dismantling of criminal empires is countered by the emergence of new, more elusive threats. This duality underscores the enduring challenge of adapting to an ever-evolving criminal landscape. The Raid also highlighted the intertwined nature of legal and illegal economies, revealing vulnerabilities in our global financial systems and the need for more robust safeguards. Moreover, the Raid has initiated a societal shift in the perception of superhumans, provoking critical discussions about power, accountability, and the ethical boundaries of using superhuman abilities in law enforcement. This ongoing discourse is shaping policies and practices around superhuman activities, with implications for civil liberties and societal norms.

Lessons Learned: Accountability and Collaboration

One of the key lessons from the Big Raid is the importance of accountability in superhuman law enforcement. The public''s mixed reactions to superhero-led operations have emphasized the need for transparent governance and oversight of superhuman activities. This includes establishing clear protocols for superhero involvement in law enforcement, ensuring their actions align with legal and ethical standards. Additionally, the Raid underscored the value of international collaboration in combating superhuman crime. The success of GESSOC, despite its challenges, demonstrates the potential of global cooperation in addressing threats that transcend national borders. Moving forward, fostering stronger international alliances and sharing best practices will be crucial in maintaining global security in an era of superhuman challenges.

Predictions for the Future

Looking ahead, the landscape of superhuman involvement in society is poised for further evolution. As new threats emerge and the lines between heroism and vigilantism blur, we can expect continued debates and policy shifts regarding superhumans'' role in law enforcement and public life. Technological advancements, particularly in surveillance and cybersecurity, will likely play an increasing role in combating superhuman crime, potentially raising new ethical concerns. The future also holds the promise of more nuanced approaches to dealing with superhuman criminals, blending law enforcement with efforts to understand and address the underlying causes of superhuman-related crime. This holistic approach could lead to more sustainable solutions, reducing reliance on force and fostering a more balanced coexistence between superhumans and society. As we close this series, the Big Raid remains a pivotal chapter in our history, a reminder of our capacity for resilience and adaptation in the face of unprecedented challenges. Its lessons will continue to inform our journey forward, shaping the future of superhuman engagement in our world. ¡û Previous Article --- Next Article ¡ú Chapter 51.1 I''ve played soccer before. I used to play it a lot. Now I don''t so much. I''m mad about that. I''m upset about it. I''ve been hit in the head before. By soccer balls. Really hard. Soccer balls aren''t made of metal. I know what a concussion is. I know immediately. I have a concussion. The side of my head hurts. Hurts bad. My body is tense. I taste blood. I''m barely awake. My body stumbles sideways. I hit the building wall. I skid over ice and snow. My blood sense is fuzzy. Like through television static. I can see my own body. I''m not inside of it. For a moment. Then I am. Back into pain. I feel like swallowing my tongue. Everything spins. Colors blur. Sounds echo. Aaron''s there. Somewhere. A shape. A shadow. Moving fast. I lean against the wall. Hard concrete. Cold. The world tilts. My head pounds. Throbs. I try to focus. Can''t. It''s like looking through water. Wavy. Distorted. I see Aaron. I think. He''s swinging again. The crowbar? It''s a silver streak in my vision. I duck. Or I try. Slow. Too slow. It grazes me. Cuts my face with the edge. I push off the wall. Unsteady. My legs are noodles. Weak. I stumble forward. Towards him? Away? I don''t know. I swing. A punch. Air? Him? It doesn''t connect. Nothing does. I''m falling. The ground rushes up. Snow. It''s cold. Wet. My face presses against it. I can''t get up. I have to. I try. My body''s heavy. So heavy. Like it''s filled with lead. My head''s a mess. A buzzing hive. Thoughts. Scattered. Incomplete. My blood sense. It''s there. But it''s wrong. It''s all wrong. I hear footsteps. Crunching snow. Coming closer. Aaron? Has to be. I roll over. Push myself up. Halfway. Everything''s a blur. A snowy, spinning blur. I can feel my body fighting. Healing. But it''s not fast enough. It needs to be faster. I need it to be faster. I squint. Try to make out shapes. Movements. Anything. My head''s clearing. A little. Not enough. Not yet. There''s a figure. Coming at me. I brace myself. It''s all I can do. Wait for the next hit. It''s coming. I know it is. I can''t go down. Not yet. Not like this. I have to fight. But how? Everything''s so fuzzy. So unclear. I suck in air. I scream. Loud enough that he stumbles back. That''s better. I''m on my feet. Barely. The world''s still spinning, but less now. Less blur. More shapes. I can see him. Aaron. He''s got the crowbar. Raised high. I need to move. I try. My arm swings out. A punch. Heavy. Clumsy. It''s all I can do. It misses. Air. Nothing but air. He''s quick. Too quick for me. Not fair. I see it. The crowbar. Coming down. Fast. Too fast. I can''t move fast enough. I try. I really do. It hits. My side. A burst of pain. Sharp. Deep. But not crippling. I''m still standing. Don''t know how. I should be down. But I''m not. I stagger back. Pain''s a flare in my side. Bright and hot. But it''s fading faster than it should be. He''s coming at me again. I can see it in his eyes. He''s not stopping. Not until one of us is down. I can''t let it be me. I take a step. Another. Trying to put distance between us. My side screams with each step, less than before. There''s no time to think. I have to keep moving. Keep fighting. I can''t let him get another hit in. I try another punch. Better this time. Still misses. But closer. Much closer. He''s wary now. Good. He should be. He swings the crowbar again. I see it coming. I move. Not much. But enough. It grazes me again. Pain. Sharp. But I''m still up. Still fighting. I feel it now. The rush. Adrenaline. It''s filling me. Making me stronger. Faster. I can do this. I have to. I lunge forward. A strike. Another. He''s dodging. But I''m hitting more. Getting closer each time. I can see it in his eyes. He''s worried. He didn''t expect me to fight back. To be honest, neither did I. Good. I keep up the assault. Punches. Kicks. Anything. Everything. I''m not holding back. Not anymore. I can''t afford to. He''s on the defensive now. Trying to keep up. I see an opening. I take it. A solid hit. Finally. It connects. His face. I can feel the impact. It''s satisfying. But I can''t stop. Won''t stop. He stumbles back. I press forward. I can win this. I know I can. Just have to keep going. Keep hitting. He''s trying to swing the crowbar again. But I''m ready. I dodge. Barely. But it''s enough. I counter. A punch. A hit. Another. I''m in control now. He''s reeling. I can see it. He''s not ready for someone who can fight back. He swings like a baseball batter. It strikes me in the jaw, and I feel teeth dislodge. I spit them out. I can''t help it -- I start laughing. It''s not even funny, but I can''t stop. The absurdity of it all, the crowbar, my teeth flying out and then just growing back. It''s like a cartoon. But it hurts, a deep, throbbing pain in my jaw. Still, I keep laughing. Aaron looks confused, maybe a bit scared. Here''s a fourteen year old girl he just tried to beat to death with a crowbar and she just spits out teeth and starts laughing at you. I see his eyes flicker with uncertainty. That''s good. I like that. I keep laughing as I watch him, unable to control myself. He''s trying to focus. I know what he''s trying to do. His fire trick. Not this time, buddy. I duck low, fast. He''s trying to lock eyes with me, to set me ablaze, but I won''t let him. I charge, head down, aiming for his midsection. He sidesteps, but not fast enough. I clip him with my arm like I''m doing a messed-up clothesline. He grunts, stumbles. I crash into the wall. Pain explodes in my shoulder, but I just laugh it off. I''m feeling bit crazy right now. The pain, the adrenaline, it''s all mixing up inside me like gasoline. I push off the wall, still laughing. I can feel the blood rushing in my ears, the exhilaration of the fight. It''s like I''m on fire, but not the kind Aaron likes. My kind. The good kind. Aaron''s backing away now. He knows he''s losing control of this fight. He swings the crowbar wildly, but I''m too quick for him now. I dodge, weave, dance around his strikes. Every dodge, every move I make, I can feel my body responding. The regeneration, the strength, it''s all there. I''m like a superhero in a comic book. No, better. I''m real. This is real. I''m so giddy I could vomit. I vomit a little. Aaron''s desperate now, I can tell. He reaches down, scooping up a handful of snow, and throws it right in my face. It''s cold, shocking, and for a second, I''m blinded. But it''s not enough to stop me. I''m still laughing, the sound echoing off the buildings around us. Unauthorized duplication: this narrative has been taken without consent. Report sightings. I swing my elbow out, wild and uncontrolled, aiming for his jaw. He ducks just in time, but I can tell I''ve scared him. He''s stepping back, trying to get some space between us. But I''m not letting him. I''m on him like a shark, relentless. Then, he pulls out something new - a switchblade, hooking his crowbar onto his pants. Good for him, he brought a belt. The knife glints in the dim streetlight, and I know this is serious. But I''m not scared. I''m excited. He lunges at me, blade first. I try to move, but I''m not fast enough. The blade slices through my jacket, cutting into my skin. But it''s not deep. It should be, but it''s not. My body''s doing something weird, something amazing. It''s tensing up, right where he''s trying to stab me, making the cut shallower than it should be. I barely feel it. It''s like I''m made of something stronger than flesh. I''m more than human. I''m like an angel of street fighting. The pain from the cut is nothing compared to the rush I''m feeling. I feel invincible. I can see Aaron''s getting scared. He''s never seen anything like me before. And he doesn''t know what to do. I lunge at him, not caring about the knife anymore. I want to hit him, hurt him, make him feel the pain he''s trying to inflict on me. My fist connects with his chest, and I hear the air whoosh out of him. It''s satisfying, but I''m not done yet. I charge forward, head down, aiming for Aaron''s face with my forehead. The impact is solid, a satisfying crunch echoing in my ears. He stumbles backward, eyes wide in disbelief. I''m not just a kid anymore; I''m his nightmare. Blood trickles from my forehead, but I don''t feel it. The pain is there, somewhere, but it''s drowned out by the exhilaration pumping through my veins. Blood trickles from his nose, and that feels even better. We''re back in the dance, Aaron and I. It''s a brutal ballet in the snow-covered street. He''s bigger, stronger, but I''m wild, uncontrolled. He grabs for me, trying to use his weight to pin me against the wall. I can feel the cold, wet snow seeping through my shoes as we grapple, but it''s just another sensation lost in the torrent of adrenaline. Aaron''s hand, slick with sweat and snow, tightens around the switchblade''s handle. He flips it, now underhand, the blade ominously pointing down towards my throat. I''m cornered, the cold alleyway wall digging into my back. His eyes, just inches from mine, are a storm of fear and fury. I feel his ragged breath, hot against my chilled skin. Our struggle is a deadlock. My left hand, gripping his wrist with a strength I didn''t know I had, is the only thing keeping that blade from my throat. His free hand, heavy and unyielding, pins my right arm, rendering me immobile. It''s a Mexican Standoff in the truest sense - neither of us can move without risking it all. The blade edges closer, the cold metal almost kissing my skin. I can feel the threat of it, a sharp promise of pain and end. I''m losing strength, my fingers slowly uncurling from his wrist. Panic flares up, but it''s quickly drowned by a wave of adrenaline. Time seems to slow, each heartbeat a loud drum in my ears. With a sudden explosion of the last energy I have in me, I shove Aaron away, buying me precious inches, and then let go. Aaron''s eyes gleam with triumph, but it''s short-lived. In one swift, desperate move, I slam my palm against the blade. The pain is immediate and searing, but it''s a small price to pay, the knife''s blade embedded through my palm, between the bones going up to my middle and ring finger. It hurts more than I think anything else has ever hurt, and the knife scraping against bone makes me want to scream. I slam my palm up, the hilt of the blade cracking against Aaron''s nose, breaking it. I rip the knife out of my hand and throw it into the snow, where it disappears, clattering into a storm drain. Now unarmed, Aaron steps back, his confidence faltering. I''m bleeding, but I''m still standing. The wound in my palm is already closing, skin stitching itself together in a grotesque yet fascinating display of my regenerative abilities. Dr. Harris would be thrilled to get his hands on this data. My body is on fire, every nerve alight with pain and power. We''re both breathing hard, the cold air turning our breaths into mist. Aaron''s teeth are clenched up, and I can tell he''s biting back words. Blood spurts from my hand, spraying and leaking up and down my arm, ruining my clothes. It forms red splatters on the snow. Just another day in Philly. Blood''s everywhere, and it''s mine, and a little bit of Aaron''s, but I can''t stop to think about it. Aaron''s back with the crowbar, yanking it off his belt, swinging it like he wants to split my head open. I''m dancing, dodging, weaving - it''s all instinct and adrenaline. Every time the metal whooshes past me, I feel like I''ve cheated death again. The snow''s slippery under my feet, making it hard to keep my balance. I''m sliding, stumbling, but I keep moving. My heart''s pounding so hard it feels like it''ll burst out of my chest. But I''m laughing, can''t help it, the rush is intoxicating. Aaron''s face is a mask of frustration. He thought he''d have me down by now. But I''m still here, still fighting. He swings the crowbar again, aiming for my skull. I duck, feel the air move above me. Close, too close. I swing back, a wild punch that catches him off guard. It connects with his cheek, and I feel something give under my fist. He stumbles, but he''s not down. Not yet. The cold''s biting at my skin, but I barely feel it. My blood''s painting the snow redder and redder. My hand, where the knife went through, is throbbing, but it''s healing. I can feel the skin knitting back together, the bones realigning. Too slow. It needs to go faster. It needs to heal faster. Aaron''s coming at me again, crowbar raised. I''m ready, waiting. He swings, and I sidestep, barely avoiding a direct hit. My counter is a kick to his knee. I hear a satisfying crunch. He yells, pain and anger mixed in his voice. The snow''s getting trampled, turning to slush under our feet. We''re both slipping, but we keep swinging, keep fighting. It''s a messy display. My punches are getting sloppier, but so are his. We''re both running on fumes. Aaron''s next swing with the crowbar is slower, and I see my chance. I grab it mid-swing, yanking it towards me. He resists, pulling back, but I hold on, not letting go. We''re in a tug-of-war, both determined to win. My hand''s still bleeding, but I don''t care. The pain''s there, but it''s distant, like it''s happening to someone else. All I can focus on is Aaron, the crowbar, and surviving this fight. He tries to kick me, but I dodge, still holding onto the crowbar. He''s strong, but I''m stubborn. I won''t let go, won''t give him the satisfaction. Our eyes meet, and there''s a moment, just a split second, where everything else fades away. Then, the moment''s gone. I twist the crowbar, using all my strength. It slips from his grip, clatters to the ground. I kick it away, out of reach. For a moment, we''re both weaponless. But I don''t need a weapon. I have my fists, my teeth, my will to survive. I launch myself at him, limbs flying. He''s caught off guard, tries to defend himself, but I''m relentless. Aaron''s slowing down, his movements getting more desperate. I can see it in his eyes, the realization that he''s not going to win this. It gives me a surge of energy, a rush of power. I keep swinging, keep hitting. Every punch, every kick, it''s like I''m chipping away at him, breaking him down. He''s still fighting back, but it''s getting weaker, less coordinated. We''re both panting, exhausted. But I can''t stop, won''t stop. Not until he''s down, not until I''m safe. I can take anyone one-on-one. Except maybe Patches, but Aaron''s no Patches. "What''s taking so fucking long?" The voice is gruff, irritated. I barely have time to register it before something massive slams into me from the side. I stumble, catching myself just before I hit the ground. It''s Pumice. His body, made of stone and soaked with the cold, wet snow, looks more menacing than ever. Like someone lifted up a piece of the street, gave it arms and legs, and covered it in snow. I grit my teeth, feeling the sharp sting of scrapes on my arm where his abrasive hands grazed me. I push back against the cold, icy stone, trying to put some distance between us. My breaths come out in white puffs, quick and panicked. Aaron takes advantage of my distraction, charging at me with renewed vigor. The two of them, a makeshift team of brute force and blind rage, start to corner me. I dodge, weave, but it''s getting harder. The snow beneath my feet is a thick, slippery slurry. I catch a fist from Aaron, then a swipe from Pumice. I''m sandwiched between them, trying to keep my balance, trying to keep my head. I can feel the bruises forming, the skin on my arm raw from the scraping. But I can''t let it slow me down. Aaron throws a punch that I narrowly avoid, and I retaliate with a jab to his gut. It''s not much, but it makes him falter. I use that moment to spin around, lashing out at Pumice with a kick. It''s like kicking a wall, but I hear him grunt, so it must''ve done something. My ankle screams in protest, and I lash out with my shin, catching him in the side before I get my feet back on the ground and start backing away. I can''t keep this up forever. They''re relentless, and I''m just one person. Every hit I take, every second I spend fighting them, I''m getting more and more worn out. Pumice lunges again, and I sidestep, feeling the whoosh of air as his massive form passes by me. I counter with an elbow to his back, but it''s like hitting a boulder. I barely make him flinch. I''m not going to hurt him at all. I can wail on him all day long but even with all my weeks punching sandbags there''s no way I can crack rock, unless I bite him - and that''s just not happening. Aaron''s back in the game, swinging with all he''s got. I duck, weave, block, but he''s getting closer. I can see it in his eyes, the determination, the need to take me down. It''s personal for him, and that makes him dangerous. I feel a sharp pain in my side as Pumice''s hand connects. I stagger, biting back a cry. I can''t give them that satisfaction. I straighten up, ignoring the pain, the cold, the exhaustion. I have to keep fighting. They''re coming at me from both sides now, a relentless assault of fists and stone. I block what I can, dodge what I can''t. Every hit I take is one step closer to going down, and I can''t afford that. Not now. I manage to land a solid punch on Aaron''s cheek, and for a moment, I see the surprise in his eyes. But it''s quickly replaced by rage. He''s not going to let that slide. Pumice is a constant threat, his stone body a weapon in itself. I have to keep moving, keep dodging, but it''s like he''s everywhere at once. I feel another hit, this time to my shoulder, and I wince. It''s starting to add up. I need a plan, need to find a way out of this. But it''s hard to think with fists and stone flying at me from all directions. My mind is racing, trying to find a way out, trying to find a way to survive. But I''m not out yet. I won''t go down without a fight. I steel myself, ready for the next wave of attacks. I''ll keep fighting, keep struggling, until I find a way out of this. Because that''s what I do. I survive. Chapter 51.2 I feel a sudden, sharp pain in my back, a jolt that snaps me out of my focus on Aaron and Pumice. Spinning around, I see her - Daisy, flailing wildly, unable to control herself as more and more bone spikes emerge from under her skin, perforating her hoodie. I feel, and sense, blood pooling in my back, leaking down my spine. I swallow. "Dammit!" I curse under my breath, realizing I''m now trapped between three villains who all have very good reasons to want me dead. Aaron''s coming at me with the crowbar again, his face twisted in rage. I twist my body, feeling the metal graze past my skin, cutting another slice into me. My heart''s pounding in my chest, each beat screaming at me to run, to escape, but there''s no clear path. Daisy''s erratic, her movements unpredictable with those spikes. Pumice is like a walking fortress, his stone body almost impenetrable. And Aaron... he''s just relentless. I duck another swing from Aaron, feeling the whoosh of air as the crowbar passes inches from my head. "Can''t keep this up," I pant, my breath visible in the cold air. I need to think, need to find a way out of this, but it''s hard when every second could be my last. Daisy lunges at me again, and I sidestep, but not fast enough. One of her spikes grazes my arm, drawing blood. The pain is sharp, immediate, and sends a jolt through my system. I glance around, looking for any advantage, any weapon I could use. But there''s nothing, just the snow-covered ground and the dim light from the streetlamps. The blood from before. It''s just me, my fists, and my will to survive. Should''ve grabbed Aaron''s knife. Pumice comes at me next, his massive form moving surprisingly fast. I dodge to the side, feeling his fist brush past my hair. I can''t let him hit me, not with that strength. But dodging isn''t enough. I need to strike back. I ball my fists, ready to fight, to defend myself. But it''s like fighting a storm. Daisy''s spikes, Pumice''s strength, Aaron''s crowbar - they''re all closing in on me, relentless and unforgiving. A blow from Aaron catches me off guard, sending me stumbling backward. I catch myself, but just barely. I can feel the bruises forming, the cuts stinging, my body screaming at me to stop. But I can''t. I won''t. I launch myself at Aaron, throwing a punch with everything I''ve got. It connects with his jaw, my hand burns with pain, and a huge gash rips open on his cheek, splitting it open. I don''t have time to process how I did that. He reaches for his face, so I shove him into the snow. Daisy''s next, her spikes reaching out for me like deadly fingers. I twist away, but not before one catches my side, ripping through my jacket and skin. I grit my teeth against the pain, refusing to let it slow me down. Pumice is relentless, his stone fists coming at me from all angles. I block, dodge, weave, but it''s only a matter of time before one hits its mark. I need to get out of here, need to find a way to escape. But how? They''re everywhere, surrounding me, cutting off all my paths. I feel like a rat in a trap, desperate and cornered. I can''t even think. I can''t even breathe. Even the adrenaline is running out, and it''s not funny anymore. My head is screaming on the inside, I''m certain I''ve broken several bones, I''m cut open everywhere, and my hand''s been impaled. I''m really running on fumes. I try to dodge Pumice''s fist but I simply don''t have the energy. My vision blurs as the world spins around me. Pumice''s massive stone hand connects with my shoulder, a crushing blow that sends me sprawling into the snow. Pain explodes through my body, radiating from the impact point, a stark reminder of the reality I''m facing. I push myself up, gasping, my shoulder screaming in agony. I can feel the bruises and cuts all over my body, a mosaic of pain and injury. It''s like my whole body is on fire, but I can''t stop now. Aaron''s yelling at Daisy, his voice harsh and full of anger. "You''re useless, Daisy! Do something!" he screams. His words cut through the air, sharp and biting. Daisy''s transformation is swift and terrifying. Her face contorts in anger, eyes ablaze with an eerie light. The menacing spikes that once adorned her body now disappear, retracting into her with a wet noise like soaked tissue paper, giving way to something else entirely. She begins to set the world around us on fire with nothing but her gaze, as if her fury has ignited the very air, her eyes turned into yellow balls of flame in her skull. The streetlights flicker and warp in the heat, the trash cans erupt into towering infernos, and even the snow, which should have been a barrier to the flames, starts to melt and burn with an unnatural yellow glow. This isn''t any ordinary fire; it''s like the flames are alive, dancing and leaping with a will of their own, casting long, flickering shadows that make the night even more ominous. The stench of burning fills the air, a pungent smell like rotten eggs, making it hard to breathe. I choke and cough, trying to shield my face from the intense heat and blinding smoke. It''s a scene from a nightmare, with Daisy at the center, her eyes wild and uncontrolled as she looks around, setting everything in her path ablaze. I scan the area frantically, desperate for a way out. But the flames are a relentless barrier, hemming me in from all sides. There''s no clear escape route; every turn leads to more fire, more smoke, more heat. It''s like being trapped in a furnace, the temperature rising with every second, the air growing thinner and more toxic. The situation is dire, and I can feel panic rising in my chest. The world around me is a blur of fire and shadows, my senses overwhelmed by the chaos. I need to think, need to find a solution, but it''s hard to focus with the threat of being burned alive looming over me. The flames are closing in, and I''m running out of options. The heat is unbearable, searing my skin, singeing my hair. I''m in the heart of the inferno, and I don''t know if I can make it out. Pumice manifests through the fire, swatting me aside like a fly. I smack into the side of the building, coughing up blood and teeth, no longer able to breathe. My body is throbbing, pulsating, like it''s one big heart. I fall to my knees, gasping for air. The snow beneath me is melting, turning into slush, and then evaporating. The heat from the flames is unbearable, and I can feel my skin starting to blister. Aaron steps forward, crowbar raised, ready to deliver the final blow. I look up at him, my vision fading, my strength waning. I''m at my limit, my body giving up. Stolen from Royal Road, this story should be reported if encountered on Amazon. No. I lunge at Aaron, my fist connecting with his stomach. He doubles over, the crowbar clattering to the ground. I grab it, swinging it with all my might, smacking it into Aaron''s knee to get him down. He lets out a yelp like a pathetic dog, and I swing again, in the other direction. It hits Pumice squarely in the chest, a sound like thunder echoing through the night, knocking off chips and pieces. He staggers back, his stone body cracking under the impact. Water sprays out from the ''wound'' onto my face, and for a second, I can feel my eyes again, damp, dewy. They feel sunken. I''m sure if I could see me now, I''d be terrified at the person I''m turning into. Daisy''s still setting everything on fire, her eyes wild and unfocused. The flames are spreading, consuming everything in their path. I can feel the heat scorching my skin, the fire closing in on me. She doesn''t even seem to be present anymore, no longer an obstacle, just a force of nature. I need to get out of here. I need to escape. But the flames are everywhere, and my enemies are relentless. I swing the crowbar again, hitting Pumice in the arm. He grunts, pain flashing across his face. I use the momentary distraction to slip past him, heading towards the only way out I can see. Daisy''s head lowers, and a line of fire bursts from beneath my feet. I cock my arm back and hurl the crowbar at her. She raises her arms to block, and when it hits, I can tell her power is going to shift to mine. She doesn''t surprise me anymore. The heat is scorching, unbearable, but I can''t let it stop me. With Daisy''s inferno blocking any straightforward escape, I dash through the fire, feeling the flames lick at my skin, singeing and searing. My jacket is almost immediately set ablaze, and I wrench it off, throwing it into the growing pyre that was once the street. Panic and desperation fuel me as I spot the alleyway, a slim chance of escape. My feet pound against the cold, wet ground, the only sound in my ears the roar of fire and my own ragged breaths. The dumpster looms ahead, my only hope to reach the fire escape dangling just out of reach. I take a running leap, aiming for the metal ladder, but my coordination is off. My body, still reeling from the fight and the concussion, betrays me. I crash to the ground, a sharp pain shooting through my ankles and knees. It feels like they''re shattered, and I can''t hold back a scream of frustration and agony. Another try. Another go. I need to do this. Through the chaos of the flames, I see Aaron and Pumice, shadows against the fire, struggling to navigate through Daisy''s indiscriminate inferno. They''re disoriented, giving me a precious moment. I have to move now, despite the pain, despite the fear. I push myself up, ignoring the stabbing pain in my legs. The dumpster is there, cold and solid beneath my hands as I pull myself onto it. My whole body is screaming, every movement a fresh wave of agony, but I can''t stop. I can''t give in. With a grunt, I force myself to stand, balancing precariously on the edge of the dumpster. I focus on the fire escape, trying to block out everything else - the pain, the fire, the fear. This is it. I have to make it this time. I jump, pushing off with all the strength I have left. For a moment, I''m flying, soaring through the air toward safety. My fingers grasp the bottom rung of the ladder, and I cling to it with a desperation I''ve never known. I bless Rampart for making me do pull-ups despite my complaints. I will never second-guess him again. I''m up. I''m on the fire escape. The relief is short-lived, though, as the reality of my situation crashes down on me. I''m not safe yet. I still have to climb, to escape the hellish landscape below. To escape. Escape. Dragging myself onto the first rung, every movement is a battle against my own body. It feels like I''m made of lead, each limb heavy and uncooperative. I grit my teeth, tasting blood and metal, the sharp sting reminding me I''m still here, still fighting. My legs, especially my right one, scream in protest, a chorus of pain that I try to shut out. I can feel something wrong in there, something broken, but I can''t - won''t - think about that now. Not when I''m so close to escaping. The cold metal of the fire escape digs into my palms, but I welcome it, a sensation that keeps me anchored in the now, in the urgency of escape. Pulling myself up feels like dragging my body through molasses. I''m so slow, too slow, but I can''t afford to be anything else if I want to survive. Each step is agony, my legs barely supporting my weight. It''s like I''m being stabbed with every movement, but I can''t stop. Won''t stop. I glance down, a mistake. Aaron, Pumice, and Daisy are there, at the base of the fire escape, looking up at me with a mix of frustration and determination. I can''t let them catch me. Not now. Not after everything. Pushing through the pain, I pull myself up another step, and another. It''s excruciating, but I focus on the rhythm of it. Up. Pull. Pain. Repeat. It''s a mantra that I cling to, the only thing keeping me moving. The fire escape rattles beneath me, a chorus of metallic groans and clangs that sound like the tolling of a bell. It''s a cacophony of noise in the otherwise silent night, a reminder of the precariousness of my situation. I reach the third floor, then the fourth. My arms are burning, my legs are numb, but I''m moving, always moving. I can''t afford to stop, not when freedom is just a few more rungs away. But then, the worst happens. Heat, unbearable heat, starts to rise from below. I glance down again, cursing myself for the weakness, and see it. Aaron and Daisy, their eyes fixed on me, are melting the fire escape, four yellow lights in the snow, trying to keep a bead on me. Panic surges through me, a cold wave that douses the heat of my pain. I can''t go back down - it''s a fiery death waiting for me there. My only option is up, always up. The metal beneath my hands starts to grow hot, too hot. I can feel it burning me, but I can''t let go. If I let go, I fall. If I fall, I die. I''m shedding clothes as they catch fire, pieces of me left burning on the rungs below. If they don''t burn off, I get rid of them myself, not wanting the fire to be caught against my skin. I''m glad I wore so many layers. I''m glad my Mom always made sure I was bundled up. The fifth floor. I''m almost there, almost at the top. I can see the snow-covered roof, a white haven in a world of fire and pain. I reach out, my fingers brushing the edge of the roof, and with one last burst of strength, I pull myself up. My jacket, my shirt, everything that can burn is stripped away, leaving me with nothing but my will to survive, and my t-shirt, and my boxers. I collapse into the snow, its coldness a balm on my scorched skin. I''m gasping, each breath a knife in my chest, but I''m here. I made it. I''m safe. I roll onto my back and breath and sigh and open my eyes. "Fuck," I gasp, Chrysalis waving, her huge red compound eyes staring back down at me. I have nothing left to give. I close my eyes and begin praying. I reach for the first thing I can remember. I reach for words that I remember Pop-Pop Moe singing to me the first time I got a cold. Lay us down to sleep in peace, Adonai our G-d, and raise us up, our leader, to life; spread over us the shelter of your peace. Guide us with your good counsel, and save us for the sake of your name. Shield us from foe, plague, sword, famine and anguish. Remove wrongdoing from before us and behind us, and shelter us in the shadow of your wings. For it is you, O G-d, who protects and rescues us; it is you, O G-d, Who are our gracious and compassionate leader. Safeguard our coming and our going, to life and to peace from now to eternity. Blessed are you, Adonai, who spreads a shelter of peace over all of us. I hear sirens in the distance. Firetruck sirens. I can only hope they find my body. I barely feel Chrysalis''s claws sinking into my shoulders as she lifts me up, shaking me around like a limp doll. My heartbeat is so loud, but so slow. I can feel her venom pulsating through my veins. It hurts. I open my eyes, bleary. "Why?" I croak, my throat singed with pain and screaming and laughter and smoke. I can see the lights of emergency vehicles, streaking through the nearby streets, reaching up like fingers from the alleyways. I can only hope they find my body. Chrysalis shrugs at me. It''s almost nonchalant. "Eye for an eye." She shoves me back. I slip on the snow, slam my head on the fire escape, and Chapter 52.1 Consciousness nudges at me, a slow, creeping awareness. My head feels heavy, like it''s stuffed with cotton, and there''s a throbbing pain right at the base of my skull. I try to move, but something''s holding me back. Ropes, maybe? I can feel them biting into my wrists, rough and unyielding. My eyes flutter open, but it''s an effort. Everything''s blurry, shapes and shadows dancing in my vision. I''m in a room, I think. It''s dim, the kind of dimness that comes from one flickering light bulb struggling to stay alive. There are sounds, voices. They''re muffled, like I''m hearing them underwater. I try to focus, try to make sense of the words, but it''s hard. "...don''t get it, Aaron," one voice says. It''s deep, but with a hint of youth. Pumice, maybe? "The Sixers had it. They were leading and then just... poof. Gone. Like they forgot how to play." Aaron''s voice is unmistakable. It''s rough, edged with that cocky arrogance that I''ve come to loathe. "You think too much about it, man. It''s just a game. Besides, they''ve been slacking all season. No discipline." I try to lift my head, but it''s like lifting a ten-pound weight with my neck. Everything hurts. I blink, trying to clear the fog in my head. The room swims into slightly clearer focus. There''s a table, cluttered with¡­ stuff. I can''t make it out. I''m still in a t-shirt and boxers. My entire body screams in pain. They bandaged up my hand, which was¡­ nice of them? Pumice laughs, a short, barking sound. "No discipline? Man, you sound like my old coach. They''ve got talent. Just need the right direction." Aaron snorts. "Direction, right. What they need is a good kick in the ass. Wake ''em up." I squint, trying to locate them. My vision is still blurry, but I can make out two figures. One''s leaning against a wall, arms crossed. Aaron, probably. The other''s sitting on what looks like a crate, animatedly gesturing. Pumice. "Their defense is all over the place," Pumice continues. "You see that game last Thursday? It was like watching kids chase a ball in the park." Aaron''s voice drips with sarcasm. "Oh, enlighten me, coach. What would you have done differently?" There''s a clinking sound, metal on metal. I try to turn my head, curious despite the situation. It''s painful, a sharp stab that shoots through my neck, but I catch a glimpse of something. Tools, maybe? It sends a shiver down my spine. Pumice seems unfazed by Aaron''s tone. "For starters, I wouldn''t have benched Simmons in the last quarter. Guy was on fire." Aaron laughs, a harsh, grating sound. "Simmons? Please. Guy''s overrated. All flash, no substance." I try to focus on their conversation, but it''s hard. My mind feels sluggish, thoughts drifting like leaves in a stream. I''m vaguely aware that they''re talking about basketball, but it feels distant, unimportant. "What they need is a new coach," Pumice says, adamant. "Someone who actually understands the game." Aaron''s reply is scornful. "And you think you''re that someone, huh? You barely out of diapers and already think you know everything." There''s a tension in the room, palpable even through my dazed state. I can sense the animosity between them, a thread of hostility that runs beneath the banter. I try to shift, to ease the discomfort, but the ropes dig in deeper. It''s futile. I''m stuck here, at the mercy of these¡­ people. My captors. Pumice''s voice rises, defensive. "Hey, I know enough. More than some street thug who thinks he''s a big shot." Aaron''s laugh is cold. "Street thug, huh? Look who''s talking. Mr. Rock-for-Brains." I close my eyes, trying to block them out. It''s too much, the pain, the voices, the cold seeping into my bones. I just want to sleep, to escape this nightmare. But sleep is elusive, a distant dream that I can''t quite reach. The voices continue, a constant, nagging presence in the background of my consciousness. "You''re just pissed because the Sixers are doing better than your precious Flyers," Pumice shoots back. Aaron''s reply is a growl. "Don''t you dare bring hockey into this. You don''t know shit about it." I try to speak, but my throat''s dry, and it comes out as a rasp. "You two done comparing sports teams, or should I come back later?" I regret it instantly, my head throbbing in protest, but I can''t help it. Mouthy, that''s me. Pumice chuckles, a sound like gravel rolling down a hill. "She''s got spirit, Aaron. Gotta give her that." Aaron doesn''t look amused. He walks over, looming over me. The closeness is suffocating. "Spirit''s gonna be the death of you, kid." I want to retort, but my brain''s still playing catch-up, every thought sluggish and painful. Instead, I focus on the room, trying to piece together where I am, how I got here. It''s all hazy, memories slipping through my fingers like water. Pumice stands, stretching, his movements sending tiny flecks of stone skittering across the floor. "Look, we gonna talk Sixers all day or we gonna get to why we''re here?" Aaron''s eyes narrow, and he turns his attention back to Pumice. "We''ll get there. Just waiting on the others." He says it casually, like we''re waiting for guests at a party. I try to shift, but I''m tied up too tight, my wrists bound perfectly tight to the cold metal of a fold-out chair. Panic flares up, sharp and bitter. I test the ropes discreetly, but there''s no give. Their conversation fades into the background as I assess my situation. The ropes are rough against my skin, every twist and pull sending stinging sensations up my arms. The chair''s unforgiving, every edge and surface pressing into me, reminding me of my helplessness. The door creaks open, drawing Aaron and Pumice''s attention away from their banter. Chrysalis steps in, her insect-like features casting eerie shadows across the room. She''s followed closely by Deathgirl, who''s practically vibrating with a mix of excitement and pent-up energy. Chrysalis'' movements are deliberate, almost dainty. Deathgirl, on the other hand, exudes a wild aura, shaking with excitement. This is the first time I''m seeing her smiling, instead of scowling. Aaron straightens up, a smirk playing on his lips. "Finally, the party''s complete," he says, his voice dripping with a false cheerfulness that doesn''t reach his eyes. He takes a couple of steps back, and shuts the door. Chrysalis responds with a dismissive glance, her voice laced with contempt. "Let''s just get this over with, Aaron. I have better things to do than watch you play tough guy." Deathgirl grins with a mouth full of slightly crooked teeth, and I realize that her eyes are covered in a black blindfold. Do her powers ever turn off? She doesn''t look like Chrysalis, Pumice, or me, so she must be on Aaron mode right now. Aaron takes a step forward, assuming the role of the leader, his gaze fixed on me. "Alright, let''s start the fun," he says, his tone clearly intended to intimidate. Help support creative writers by finding and reading their stories on the original site. "Is that what the kids are calling it these days?" I ask, unable to keep my mouth shut. Aaron reaches over to the table, and his hands linger over a claw hammer. Aaron picks up the claw hammer, his grip tight, eyes locked on mine. There''s a glint in his eye, a kind of manic glee that sends shivers down my spine. I try to swallow, but my throat''s too dry, fear knotting it tight. "You know, Sam," he starts, his voice low and menacing, "my Papa taught me a lot about respect." He taps the hammer against his palm, a rhythmic thudding that echoes in the cramped room. "He believed in the old ways. Belt leather and hard lessons." He steps closer, and I can feel the heat radiating off him. The room''s already stifling, but with him so close, it feels like I''m suffocating. "Papa used to say that the world''s all about power. Who''s got it, who doesn''t." He leans down, his breath hot against my face, and I can see his eyes. They''re red. Brick red. "And power, Sammy, power''s all about pain." The hammer''s still in his hand, and he runs his thumb along its edge, almost lovingly. "People listen to Johnny Law not ''cause they respect him, but ''cause they fear the pain he can bring." Pumice shifts uncomfortably, his stone body scraping against the floor. Even he seems disturbed by Aaron''s intensity. Chrysalis looks away, her bug-eyes flickering with unease. Only Deathgirl seems unfazed, her grin widening as she listens to the scene unfold. Aaron''s eyes never leave mine. "Papa ruled with his belt. But now, Papa''s dead, and I''m the one with the hammer." He lifts it, letting the light catch the metal. "And right now, I''ve got all the power." The hammer hovers above my hand, and my heart''s pounding so hard I can feel it in my fingertips. In my knuckles. "So, what''s it gonna be, Sam? Gonna keep that spirit? Or are you gonna beg?" I clench my jaw, refusing to give him the satisfaction. My mind races, trying to find some way out of this, but there''s nothing. Just me, tied to a chair, at the mercy of a madman. I clench my teeth together. I don''t even give him the satisfaction of an insult. Aaron''s smile is cruel, triumphant. "No begging, huh? Alright then." He positions the hammer just so, the claw edge of it pressed between my nailbed and the nail itself. He reaches down and grabs my hands like a manicurist. Gives the rope a little yank. He works the cold metal deeper and deeper, already making me grit my entire body together. I feel thick, dark pulses throughout my skin, like new, fresh heartbeats. The handle is facing up. The wrong way for a hammer if you''re smacking something with it. The right way for pulling out a screw. Or a nail. The pain, when it comes, is blinding. I can''t hold back the scream, it rips from my throat, raw and ragged. Each nail feels like a new level of hell, pain stacking on pain until I can''t think, can''t breathe. My thumbnail goes first, cracking unevenly. A claw hammer isn''t made for extracting this. What Aaron is doing just breaks each nail in half. My blood oozes out onto the chair. Then, my index finger nail. Through it all, Aaron keeps talking, his voice a constant drone in the background. "See, it''s all about pain, Sam. The person who can inflict the most pain, the most efficiently, they''re the ones who rule the world. That''s why the president''s got the nuclear football. That''s why I''ve got this hammer. Militaries have more guns than the average runt, but they don''t got nukes. President over the military over the police over the average man." His words blend together, a meaningless buzz against the backdrop of my agony. All I can focus on is the pain, and the desperate, clawing need to escape it. I thrash against my restraints, trying to wiggle out, but it''s useless. "And that''s why you''re here, tied to a chair. Because right now, I''m the one inflicting the pain. And that makes me the king of this little world." The room spins, and I can feel myself slipping, consciousness fraying at the edges. My body twitches against my will. It doesn''t take long before every nail on my right hand has been removed forcefully, and my fingertips burn and screech and send every wrong signal to my brain. Aaron steps back, admiring his handiwork. "Papa would be proud, don''t you think?" His laugh is cruel, echoing off the walls. "You want a go, P?" "I''m good, chief. You do your serial killer shit," Pumice says, waving a hand nonchalantly. Aaron chuckles, stepping aside as Daisy bounds forward, her hoodie bobbing. Her glee is palpable, a stark contrast to the heavy air of torment that fills the room. "Alright, kiddo, show us what you''ve got," he says, a mocking encouragement in his tone. Aaron¡¯s twisted satisfaction is evident as he steps back, leaving me with my mangled right hand, each missing nail a throbbing reminder of the ordeal. I''m panting, trying to stay conscious, trying not to give him the satisfaction of seeing me break. Daisy¡¯s excitement is palpable as she jumps at the chance to join in. Her blindfolded eyes don''t see me, but she''s grinning like it''s some twisted game. She clumsily grabs the hammer from Aaron, her small hands barely fitting around the handle. "You''re gonna love this," she says, almost singing. She raises the hammer high, her small frame trembling with the effort and anticipation. She swings the hammer towards my left hand, but without the finesse or cruel precision of Aaron. It''s just a wild, haphazard blow. Pain explodes in my hand, not the sharp, precise agony of nail removal, but a blunt, crushing pain. I hear something crack, feel the bones in my hand giving way under the impact. Through the haze of pain, I hear Chrysalis''s voice, laced with a cold disdain. "Really, Daisy? That''s your idea of fun?" Her tone is sharp, dripping with contempt, not just for the act itself, but for the messy, unrefined way Daisy conducts it. Pumice shifts again, his discomfort growing. Even in his laid-back demeanor, there''s a line he''s reluctant to cross. "Yo, this is messed up, man," he mutters, his voice low but carrying a weight of unease. Aaron watches, his eyes gleaming with a dark satisfaction. "This is what happens, Sam. You play with fire, you get burned. Or in your case, hammered." His eyes never leave my face. He''s studying me, looking for any sign of weakness, any crack in my resolve. I can''t give him that. I can''t let him see how much he''s hurting me. So I bite down on my lip, taste blood, and focus on staying conscious, staying present. Daisy''s swinging the hammer again, but it''s clumsy, lacking the cruel intentionality of Aaron''s actions. It''s just mindless violence, a child lashing out in a way she doesn''t understand. I''m trying to keep track of the conversation, trying to find something I can use. Anything to give me an edge, a way out. But it''s hard to focus, hard to think past the pain. Aaron''s voice cuts through again, his lecture resuming. "See, pain''s a great teacher, Sam. It''s primal, it''s honest. It strips away all the bullshit and leaves you with nothing but the truth." The pain is all-consuming, and Daisy''s childish giggles only make it worse. Aaron continues, his voice almost thoughtful now. "Papa used to say, ''The world respects the man who holds the whip.'' And he was right." Daisy finishes with my left hand, stepping back to admire her work. My hands are a mess, bloodied and mangled, every movement sending sharp stabs of pain up my arms. Aaron nods approvingly at Daisy, then turns his attention back to me. "So, Sam, what have you learned?" I want to spit in his face, to tell him where he can shove his lessons, but I can barely think, let alone speak. The room is spinning, my vision blurring with pain and tears. I feel the chair underneath me, its cold metal biting into my skin, every small movement a reminder of my helplessness. Aaron''s standing there, like he''s some sort of philosopher king, spouting off about pain and truth. I want to roll my eyes, but that takes more effort than I can manage right now. My left hand throbs in time with my heartbeat, each pulse a fresh wave of agony. Daisy''s standing off to the side, her eyes wide with a mix of pride and something darker, something sadder. She''s just a kid, really, but one that''s been twisted and turned into something else. Pumice is shuffling uncomfortably, his stone-like skin scraping against itself. He''s not enjoying this, I can tell. But he''s not stopping it either. Chrysalis is just watching, her bug eyes unblinking, her face a mask of disdain. "You think this is bad, Daisy?" I grit through the pain, my voice a shaky taunt. "You''re just a kid playing with toys. A real villain would have finished me off by now." Daisy''s face goes flush with anger, and a small spray of blood spurts from her nose, but she tries to hide it. She''s just a kid, after all, a messed-up one. "Shut up, bitch," she hisses, her voice cracking. Pumice shifts uncomfortably, glancing between us. "Yo, Daisy, don''t listen to her. She''s just trying to get in your head." Chrysalis, her bug-eyes flickering with a mix of fear and fascination, adds, "Yeah, Daisy, she''s nothing. Just ignore her." I can''t help but laugh, a painful, bitter sound. "Ignore me? That''s the best you can do? Come on, Deathgirl, you can do better than that. Or did they only teach you how to throw tantrums in villain school?" Daisy''s knuckles whiten as she grips the hammer. "I''m not a kid!" she screams, her voice breaking. Aaron, smirking, steps closer, enjoying the show. "Let her talk, Daisy. Words are all she''s got left. You two, stay out of this." I spit out a mouthful of blood, still grinning. "Words? Oh, I''ve got plenty. Like how original ''Deathgirl'' is. Did you come up with that all by yourself, or did your mommy and daddy help you? Oh, wait, I forgot they sold you off to a bunch of lowlife criminals. When was the last time you got hugged?" I feel bad. Believe me, I do. I know that what''s happening is a tragedy, but pragmatism - my need to survive - is overwhelming my niceness circuits. I have a general vibe on how her power works. Any second now, she''s going to switch to me, and then I can bust out of here and let them deal with the aftermath. Chapter 52.2 Daisy''s face reddens, a vein throbbing in her forehead. "Shut up!" "And what''s with the hoodie? You trying to hide how scrawny you are? Or is it to cover up the fact that nobody loves you? Pull it tighter, it''ll hide those snaggleteeth. Gross," I grin, hawking a bloody loogie and spitting it near her feet. Pumice interjects, "Hey, kill it. If you don''t shut up, I''mma make you." I shake my head. "Unlike Daisy here, I don''t need to hide behind a stupid name or a baggy hoodie. I know who I am. Hit me all you like. At least I grew up with parents that loved me. Sorry you''re all taking out your daddy issues on the world. Have you considered therapy?" Pain throbs through my hand, each beat like a drum in my skull, but I keep my focus. It''s all I have left. "You guys are a real piece of work, you know that? A real¡­ what do they call it? A motley crew?" I say, trying to keep the tremor out of my voice. Aaron leans in, his breath foul. "You think you''re funny, huh? Tough? You''re nothing but a brat." He sneers, but I see it, the flicker of doubt in his eyes. I''m getting to him. I chuckle, despite the pain. "Oh, I''m hilarious. And you, Aaron? You''re just a wannabe thug. How''s it feel to be playing second fiddle to a bunch of kids? Big bad gangster needs a toddler for backup because he can''t kill a 14 year old on his own even with a crowbar." He scowls, turning away. "Shut up." Pumice, the big guy made of stone, cracks his knuckles ¨C or at least, it sounds like it. "Man, why we even listening to her? Let''s just finish this." I roll my eyes. "Oh, boo-hoo. Did I hurt your feelings? Steal your lunch money? What''s next, you gonna give me a wedgie?" Daisy, the little firecracker, glares at me. "You don''t get it. You ruined everything." "Ruined what? Your street cred? Please, you guys couldn''t scare a kitten." Aaron''s patience is wearing thin. He moves closer, a dangerous glint in his eye. "You know, I''ve had just about enough of your mouth." I lean back as far as the ropes allow. "Oh, I''m shaking. What are you gonna do, lecture me to death? Pry off another nail? Come on. Hit me." Daisy stomps her foot. "Why won''t you just shut up?" "Because," I reply, trying to keep my voice steady, "someone has to tell you how pathetic you all are. Hey, Daisy, let me know when you get your first period so I stop feeling bad every time I beat you up." "Quiet!" Daisy shouts, her body clenching up. "Alright, that''s enough of her mouth," Pumice says, winding up his fists. He rolls his neck. He reels back. This is it. "I talked to Patches in prison, by the way. She said she always hated you," I lie. "QUIET!" Daisy screams, bone spikes like pointed teeth bursting out from her skin, shoving into Pumice. I''m a little amazed at how much goading it took to get Daisy to shift powers, but that gives me its own valuable insights - I don''t think she likes Aaron very much. The chaos escalates rapidly in the cramped, metallic room. Daisy, her body contorting unnaturally, her skin erupting with sharp, bone-like spikes, is a blur of motion and anger. She leaps onto the chair, her spikes glinting menacingly in the dim light, aiming for me. I can''t move much, but I twist as best as I can, trying to avoid the lethal points. My body, acting on its own weird instinct, tenses up at each jab, making it hard for Daisy''s spikes to penetrate deeply, but each contact is a burst of pain, a searing reminder of my vulnerability. Daisy''s shriek pierces the air, her transformation into a human porcupine complete. Bone spikes jut out from her skin, sharp and menacing. She''s a hurricane of rage and bone, hurling herself at me, her face twisted in a mask of fury. I''m trapped, tied to this chair, my hands useless and throbbing. The ropes dig into my skin, but that''s the least of my worries now. Daisy''s on me, her spikes inches from my face. I can feel her breath, hot and frantic. Pumice is yelling, trying to pull her back, but Daisy''s lost in her fury. "Daisy, stop! You''re gonna cut her loose!" he shouts, his gravelly voice filled with panic. But Daisy''s not listening. She''s all spikes and screams, her eyes wild. Aaron''s barking orders, trying to regain control of the chaos. "Daisy, get off her! Pumice, grab her!" The spikes are everywhere, slashing and stabbing. I feel fresh cuts, in places cuts shouldn''t be, my blood flowing out in endless streams. My body keeps clenching up without my permission. I keep trying to twist, to shift, to get one of the ropes in the way, but all she can do is fray them, not enough for me to rip clean. I''m gritting my teeth, pain and determination mingling in a bitter cocktail. "Is that all you''ve got?" I spit out, despite the pain. "Come on, Deathgirl, show me what you can do!" Daisy''s response is a guttural scream, her spikes pushing harder against my tensing muscles. Pumice''s hands are on her now, trying to pull her back, but she''s a wild animal. Her spines dig into my arms, into my mangled hands, into my chest. I feel a spine penetrate into my gut and hack up blood, right into Daisy''s blindfolded face, laughing. It hurts so fucking bad. "Let go of me, Pumice! I''ll kill her!" Daisy screeches, her voice cracking under the strain. Pumice''s struggling, his rocky form grinding against Daisy''s spikes. "Daisy, chill! You''re gonna ruin everything!" Aaron''s losing his patience, his voice rising over the cacophony. "Enough! Daisy, back off!" But it''s too late for words. Daisy''s in her own world, a world of anger and pain. The room is a blur of movement and noise, a symphony of chaos. And then, Aaron does the unthinkable. In a desperate move to regain control, his gaze intensifies, and in a moment, Daisy''s hair on fire, bright yellow and reeking of rotten eggs. The flames catch quickly, lighting up her hoodie, the fire reflecting in her wide, terrified eyes. Daisy screams, a high-pitched, ear-splitting sound that cuts through the chaos. She stumbles back, her hands flailing at her burning hair. Pumice reacts instantly, trying to smother the flames with his hands, but it''s a frantic, clumsy effort. "Aaron, what the hell?!" he yells, his voice laced with shock and anger. Chrysalis is frozen, her bug eyes wide with horror. "What did you do?!" she whispers, her voice barely audible over Daisy''s screams. Pumice grabs a bucket of water from the table - clearly intended for me, for later, and tosses it over Daisy''s head unceremoniously. Her body twitches and jerks up and down, and she gapes for air, her hoodie freshly riddled with holes, her eyes glowing red and yellow behind her blindfold. "Shut ''em, Deathgirl," Pumice whispers, in the tone of someone trying to soothe a rabid dog, his hand smoothing water into her smoldering hair. I''m left gasping, my body a canvas of cuts and bruises and puncture marks. The pain from the spikes is intense, but it''s the throbbing in my hands, the pulsing of blood in my ears, that dominates my senses. I can feel the lumps in my body, third, fourth, fifth heartbeats, somewhere in my arms, everywhere I just got stabbed. I''m scared, not of the pain, but of what I''m becoming. I feel lumps inside of me. This story is posted elsewhere by the author. Help them out by reading the authentic version. Aaron, his face a mask of fury, turns his attention back to me. "You think you''re clever, huh? You think I didn''t know what you were doing?" His voice is cold, but there''s a tremor in it, a hint of uncertainty. I meet his gaze, my own eyes defiant. "You''re the one who''s a mess, Aaron. Can''t even control your own crew." My voice is weak, but I inject as much scorn into it as I can muster. Pumice is holding Daisy now, her body still twitching with the remnants of her rage. Chrysalis is hovering nearby, her insect-like eyes darting around, taking in the scene with a detached curiosity. "Chrysalis, get her out of here and get her an apple juice. Pumice, you''re here with me," Aaron barks. Pumice''s hold on Daisy tightens, his rocky fingers gently pressing into her smoldering hoodie. Chrysalis, with a reluctant sigh, steps forward, her insect-like limbs twitching nervously. Her voice is a soft murmur, barely audible over Daisy''s shivering whimpers. "Come on, let''s get you that juice." She guides Daisy away, her gaze avoiding the unfolding brutality. "You really thought you could play us, huh?" Aaron''s voice is deceptively calm, but I can see the storm brewing behind his eyes. He steps closer, and I can smell the buffalo chicken cheesesteak he had for lunch. I try to muster a response, but my voice is a hoarse whisper. "I didn''t have to play you. You''re doing a great job messing up all on your own." Aaron''s fist connects with my stomach, and I can''t hold back a gasp of pain. It''s sharp, intense, but it''s just the start. He leans in, his voice a menacing whisper. "You''re going to wish you never crossed paths with me, Samantha Small." His fists are relentless, a barrage of pain that blurs into one long, agonizing moment. Each hit feels like a hammer smashing into my flesh, my bones. My fingers, already mangled, feel like they''re being crushed under a mountain. I try to focus, try to find that inner calm, but the pain is overwhelming, all-consuming. I think about Daisy, about her spikes. Why spikes? Why does she grow them when she copies my power? It''s a distraction, a way to keep my mind off the pain. Deathgirl''s powers are a twisted mirror of ours, but they don''t reflect what I''d expect. Not the biting, not the regeneration, not the blood sense. It''s something else, something deeper. Like she knows what I don''t. But she doesn''t even know. Aaron''s kicks are like steel-toed boots, each one sending a jolt of agony through my body, his dress shoes stomping down on my bare feet. I can feel my ribs creaking under the assault, my breath coming in short, sharp gasps, every new blow a new form of pain. But through it all, I keep thinking. Thinking about Daisy, about her powers, about what it means. Maybe it''s not about the physical aspect of our powers. Maybe it''s something more. The essence of what we are, what we can do. Daisy doesn''t just copy powers; she distills them, intensifies them. She''s a living, breathing weapon, a tool of destruction. All she''s comprised of is pain and lethality. But why spikes? Everything flashes in my mind''s eye. The pain continues, but it stops being interesting, it stops being new. My entire body rocks back and forth, and I breathe blood with every new blow, scattering over my hole-punched t-shirt. Aaron backhands me, and teeth fly out, clattering quietly on the concrete flooring. Everything blends together. I shut my eyes. When I punched him, why did it rip his cheek open? And didn''t the same thing happen with Patches? Why did I break Dr. Harris''s needle? Why were there teeth growing on my broken bones? What are these lumps I''m feeling? Why spikes? I know why. Because they''re not spikes. They''re more teeth. The pain is a constant companion now, a relentless tide washing over me, each wave stronger than the last. Aaron''s fists are unyielding, his rage palpable. I can feel my body rocking with each blow, the cold metal of the chair biting into my skin. My fingers, mangled and exposed, throb with a rhythm that syncs with my heartbeat. The room spins, a blur of gray and dull browns, and the stench of sweat and blood fills my nostrils. I try to focus, to find that inner calm that Rampart always talks about, but it''s like trying to catch smoke with my bare hands. It''s elusive, always just out of reach. Instead, there''s only pain, an endless expanse of it, with no beginning and no end. But amidst the chaos of my senses, a thought breaks through. Daisy''s powers, the spikes, the way my body reacted to Dr. Harris''s needle. It''s all connected, pieces of a puzzle I didn''t even know I was solving. Aaron pauses, his breath heavy, his shirt stained with my blood. He glares down at me, his eyes filled with a mixture of satisfaction and annoyance. "Still got that smart mouth, Samantha?" he sneers. I try to reply, but it''s just a gurgle, a pathetic sound that makes him laugh. "You''re not so tough now, are you?" he taunts. But his words are just background noise now. My focus is inward, on the strange sensation in my arms, the lumps that pulse with a life of their own. It''s a feeling akin to pressure, a need to release, to expel something from within. It''s like taking a shit. Sorry for the vulgar thought, Mom. Then, with a sensation that''s unnervingly new yet deeply primal, teeth erupt from my wrists. They''re not the clean, surgical tools I might have hoped for. Instead, they''re raw, serrated, more suited for tearing than cutting. I start sawing at the ropes, the movement awkward and painful. My wrists twist and turn, the teeth catching and snagging on the fibers. It''s not a swift process; the ropes resist, tough and unyielding. Each motion is a struggle, the serrated edges gradually fraying the bindings, but not without demanding their toll in pain and effort. Aaron watches, his initial shock turning into amusement. "What''s this? A new trick? You really are a freak," he taunts, his voice dripping with scorn. He thinks I''m just shaking, maybe trying to wriggle free in desperation. He doesn''t understand yet, doesn''t see the method to my madness. I keep working, ignoring his jibes, focusing on the task. My arms ache, and the bizarre sensation of teeth growing from places they shouldn''t is disorienting, almost nauseating. But I can''t afford to be distracted. The ropes start to give way, fibers loosening, but it''s taking too long. Every second feels like an eternity, each sawing motion a desperate bid for freedom. Aaron''s laughter fills the room, a soundtrack to my struggle. "You''re really something, Sam. Even now, you''re entertaining," he mocks, unaware of how close he is to losing his captive. He winds his leg back and kicks me in the crotch, temporarily interrupting my escape. The pain shoots up through me like the worst electricity, making my entire body clench up hard for a second. He turns around, panting with exertion, adjusting his clothes. "But I think the fun''s run out. I''m going to bash your fucking brains out now." I clench my fists up like they''re going to explode. I feel the tips of something new, something sharp, emerging from my knuckles - the ones in the back of my hand, and the ones on my fingers. I lurch forward, ripping free from the ropes. The sudden burst of motion sends a fresh wave of dizziness over me, but I can''t afford to hesitate. Aaron''s eyes widen in shock as I punch him squarely in the throat. My new, pointed knuckles puncture his skin, creating neat, terrifying holes in his neck. He gasps for air, a tiny spray of blood streaking across my face, and suddenly everything in his body is known to me. He clutches at his throat and makes a noise a little bit like a balloon being deflated. Before he can recover, I swing my other hand in a vicious right hook, just like Liberty Belle taught me. My knuckles are already rock hard from the bone conditioning, and with the added sharpness of my new teeth, I punch holes right into Aaron''s cheeks, his jaw, his gums, and I rip. I carve eight-ish jagged lines into his skin and he goes skidding like a rock on a lake, screaming in pain and fury. Pumice moves to block me, his stone form a looming barrier. I hook him too, feeling the teeth on my right hand crack against his rocky skin. Chips of pumice fly, and for the first time probably in his post-Activation life, I see pain flash across his face. He reels back, stunned by the sensation. I turn to the door, a rotten wood barrier that''s the only thing between me and freedom. My shoulder slams into it, sending splinters flying. I burst through, stumbling into the dim corridor beyond. Every step is a battle against the pain and dizziness clouding my senses. My heart pounds in my ears, a desperate rhythm urging me onward. The building is a labyrinth, but my only thought is to put as much distance between me and them as possible. I hear Chrysalis shouting, trying to pull Daisy back into action. Behind me, I can hear the chaos I''ve left in my wake. Shouts and curses fill the air, a dissonant chorus of rage and confusion. But it''s all background noise, fading away with each step I take. They didn''t expect me to escape. They never prepared for that eventuality. I don''t know where I''m going. I don''t know if I can make it. But I know I have to try. The alternative is too grim to consider. So I run, fueled by fear and adrenaline, a wounded animal desperate to escape the hunters. My vision blurs, the corridor stretching into infinity. Every breath is a searing pain, every step a monumental effort. I can feel the blood running down my face, my hands, a warm, sticky reminder of the violence I''ve just committed. I turn my head just enough to see Daisy screaming after me, already reverting to her primal, bone-spiked form without me needing to throw a single insult at her. Chrysalis leaps and jumps through the air, throwing herself around with her claws like an astronaut in a space station. But I can''t stop. Not now. Not when I''m so close. I round a corner, nearly colliding with a wall. I push off, redirecting my momentum, barely keeping my balance. I can hear them behind me, their footsteps a relentless pursuit. But they''re slower, hampered by injuries and disbelief. Pumice''s footsteps rumble, and I hear the loud groaning and squealing of what is likely him busting through a wall. I smell sulfur filling the air. The end of the corridor looms ahead, a faint light outlining a door. It''s my only chance. I gather the last remnants of my strength and sprint towards it. The door is my salvation, my escape from this nightmare. Old, useless wood, with the planks already pried off by crowbar. As I reach it, I don''t slow down. I can''t. I crash into the door, bursting into the night beyond. The cold air hits me like a slap, but it''s the sweetest sensation I''ve ever felt. Freedom. Chapter 53.1 I''m running. My feet slap against the icy, snow-covered pavement, each step a jolt of pain shooting through my battered body. I can barely feel my legs; they move on instinct, fueled by pure adrenaline and fear. My breath comes out in ragged gasps, misting in the cold night air. My throat burns from screaming, my voice now just a hoarse whisper. I don''t even know if I''m making any noise anymore. The night is dark, the streetlights casting long, ominous shadows on the snow. It''s like running through a nightmare. Every shadow looks like Aaron, every sound makes me jump. I keep looking over my shoulder, expecting to see him there, with that crowbar, that insane look in his eyes. But there''s nothing. Just the empty streets and the sound of my own frantic breath. My t-shirt is in tatters, barely clinging to my body, soaked in blood. My boxers are the same, and I can feel the cold seeping into my bones. I''m shivering uncontrollably, but I can''t stop. I have to keep moving, have to get away, have to find help. Every step is agony. My body is a map of pain ¨C the stab wounds, the broken bones, the raw, bloody stumps where my nails used to be. I try not to think about it, try not to remember the feel of the claw hammer tearing them out, one by one. But it''s all I can think about. The pain, the fear, the helplessness. The ecstasy of victory. The misery of agony. All of it blending together, vacillating back and forth like a jackhammer until it starts to ache somewhere deep in my consciousness. I can see my breath in front of me, a white cloud in the darkness. It''s getting harder to breathe. My lungs feel like they''re on fire, my ribs screaming with every inhale. I''m dizzy, lightheaded. I know I''m losing blood, too much blood. But I can''t stop. I can''t let him catch me. I pass by houses, windows dark and lifeless. No one''s awake, no one''s around to help. I''m alone in this, just like I''ve always been. Alone and running and scared. But then, up ahead, I see lights. Movement. People. My heart leaps in my chest. Salvation. I push myself harder, ignoring the pain, ignoring the weakness that''s creeping into my limbs. I''m so close, so close to safety. I reach the edge of the neighborhood, houses lining the street, cars parked along the curb. There''s a couple walking their dog, a man taking out the trash. They stop and stare as I stumble into the light, a bloody, broken mess. I try to call out, try to ask for help, but my voice is gone. All I can do is reach out, my hand shaking, my vision blurring. And then, just as the couple starts to move towards me, just as I see the concern on their faces, everything goes black. I feel myself falling, the ground rushing up to meet me. And then nothing. Just darkness and silence and the end.
The world swims back into focus slowly, painfully. I''m lying on a couch I don''t recognize, my body aches at every movement. My head is pounding, and there''s a dull throb in my hands that I can''t ignore. I''m bandaged up, crudely, with strips of gauze and band-aids that look like they''ve been scavenged from a dozen different first aid kits. I''m wearing someone else''s clothes¡ªa shirt that''s too big, fresh boxers, and sweatpants. The thought that someone undressed me while I was out cold makes my stomach churn. There are people around me, a small crowd all sticking their necks out on the line for no reward. Faces I don''t recognize, all wearing expressions of concern and confusion. They''re talking, their voices a low murmur, but I can''t make out the words. It''s like I''m underwater, everything distant and muffled. One of them, a middle-aged woman with kind eyes and dark skin, wearing a sweater covered in cat hair, notices I''m awake. ''Oh, thank God,'' she breathes. "Sweetheart, can you hear me? Do you know where you are?" My throat feels like it¡¯s lined with sandpaper when I try to speak. "No," I manage, my voice nothing more than a hoarse whisper. "Where¡­?" "You''re in our living room," a man adds. He''s tall, with a gentle face and a baseball cap turned backward. "We found you outside, you just¡­ collapsed. We''ve called an ambulance, they should be here soon, but with the blizzard¡­" Blizzard? I try to sit up, but a wave of dizziness forces me back down. That''s when I see them ¡ª the teeth protruding from the back of my hands. I try to push them back in, to hide them, or push them out, but my muscles refuse to cooperate either way. They''re just¡­ there, a grotesque reminder of everything that''s happened. Everyone else seems to have made their peace with it. They don''t comment. I think assuming a girl covered in puncture wounds probably just developed superpowers is a good assumption to carry with you. The woman gives him a look, kind of a mix of exasperation and amusement. "''Our living room'', like that helps," she chides gently. "Honey, you''re in Philadelphia, Tenth and Porter. We heard someone screaming for help and then found you in the snow. You were¡­ well, you were just soaked in blood." I try to sit up a bit more, panic starting to well up inside me. "Did you see who¡­?" "No, dear," she says quickly, putting a hand on my shoulder to gently push me back down. "We didn¡¯t see anyone else. Just you." I breathe a sigh of relief. I don''t know if they chased me and gave up, or never bothered, but the last thing I need is to drag some civilians into my bullshit. Lying there, I let my gaze wander around the room, taking in the details of the house I''ve found sanctuary in. The walls are painted a soothing shade of pale blue, dotted with framed photographs of smiling people, places I don''t recognize. A large, well-worn couch, the one I''m lying on, faces a modest TV, surrounded by shelves crammed with books and knick-knacks. It feels lived-in, cozy. A small, cluttered coffee table is right in front of me, stacked with magazines, remote controls, and a couple of half-finished puzzles. Beyond that, I can see into the kitchen, where a round wooden table is covered with a cheerful, flower-patterned tablecloth, surrounded by mismatched chairs. Pots of herbs sit on the windowsill, their leaves brushing against the frosted glass. It gives the distinct impression of a house lived in by retirees. The room is spinning slightly, and I can feel cold sweat on my forehead. "How long¡­ how long was I out?" The narrative has been stolen; if detected on Amazon, report the infringement. "About fifteen minutes," the man says, checking his watch. "The ambulance should be here any minute now. You just hang in there." I nod, or at least I try to. Everything hurts. The woman, who I overhear someone call ''Marge,'' moves closer, her brow furrowed in worry. "You''re safe here, dear. Just rest. What''s your name?" "Sam," I reply, my gaze fixed on my hands. The teeth feel foreign, like they don''t belong to me. "Sam," she repeats softly. "Well, Sam, I''m Marge, and this is Bill," she gestures to the man with the cap. "You gave us quite a scare." A younger woman, maybe in her twenties, with a streak of purple in her hair, hands me a glass of water. "You lost a lot of blood," she says. "You need to stay hydrated." I take the glass with shaky hands, grateful for the kindness of these strangers, these neighbors who didn''t hesitate to help a bleeding girl on their doorstep. Bill kneels down beside the couch, his expression serious. "Do you remember what happened to you, Sam? Who did this?" I shake my head, not wanting to drag them into my nightmare. "I¡­ can''t remember." "We''ll make sure you''re taken care of," Marge assures me, placing a gentle hand on my shoulder. "The paramedics will be here soon." I nod, feeling the tears well up in my eyes. Not from pain, but from the overwhelming sense of gratitude. These people, they don''t know me, but they''re here, taking care of me in the middle of a blizzard. It''s more than I could have asked for. I untense my hands, looking at my brutalized fingertips. Every one has been gently bandaged with bandaids, double-wrapped to avoid exposing the raw nailbed to the open air. I shift around a bit and feel the sloshing of antibiotic gel, the rough sensation of gauze on skin. I try to take stock of my injuries. My skin is still pink and blistered in some places, which I think the group of saviors missed. I am definitely, without a doubt, concussed, and my left hand feels like all the bones have been turned into jelly. My left hand, the hand that I stabbed through to get Aaron''s knife away, and the one that Daisy went crazy with a hammer on, has already completely closed up. It left behind only an angry red line right through the middle on both sides, front and back, with the skin heavily inflamed. I feel scabs everywhere, itching and ready to fall off. Most of my bandages are soaked in red and already starting to turn brown, but the stray blood has been wiped off, and I can still detect the faint after-stings of hydrogen peroxide, which my Mom informed me recently is actually not great for a cut. But the thought is still nice. It''s good to have a clean face, at least, even if I can smell every heartbeat I have. I can''t even count how many broken bones I probably have. Probably most of them. A lot of my skin that isn''t angry infected red is angry broken bone purple, and the bits that aren''t are bruised and turning gross yellow. I''m a patchwork of angry colors and what I can already tell are extra teeth forming inside of my skin. Outside, the wind howls, the snow falling in thick, heavy flakes. I''m safe, for now, surrounded by the warmth of strangers who''ve become my temporary guardians. The chatter of concerned neighbors turns into a soft mush, and I close my eyes again as the last dregs of adrenaline dump out of me, vanishing into exhaustion.
The world is a blur, a muffled cacophony of sounds and sensations that barely register in my foggy brain. I''m vaguely aware of being moved, hands gently but firmly guiding me onto a stretcher, the cold bite of the winter air replaced by the sterile warmth of an ambulance. I drift in and out, catching snippets of conversation that sound distant, as if coming from the end of a long tunnel. "¡­severe trauma¡­ multiple contusions¡­ to stabilize her first¡­" The voices are calm, professional, but there''s an undercurrent of urgency that even my muddled mind can pick up. I feel the ambulance moving, the sirens a faint wail in the background. My body is a map of pain, every jolt of the vehicle amplifying the agony. I want to scream, to tell them to stop, to be gentle, but I can''t find my voice. It''s lost, just like I am, in this sea of hurt and confusion. In the haze, I catch glimpses of faces leaning over me, their features blurred. Someone is pressing something against my skin, bandages, maybe. There''s the sharp sting of a needle, sharp pressure against the back of my hand, and then a cool wave of relief as whatever they''ve given me starts to work. At the hospital, I''m a passive observer in my own rescue. I hear snippets of conversation as they wheel me through the corridors. "¡­never seen anything like it¡­ teeth in her knuckles¡­" "¡­radiologist¡­ teeth¡­ immediate surgery¡­" The conversations continue, a litany of my injuries cataloged with clinical detachment. Broken bones, stab wounds, concussions¡­ It''s a list of traumas, a testament to my recent hell. But there''s a sense of wonder, too, disbelief. I try to process their words, but they slip away from me, elusive and fragmented. It''s all too much, too overwhelming. I''m drowning in a sea of pain and incomprehension. Then there''s a new sensation, a drowsy heaviness that pulls me down into darkness. I welcome it, eager to escape from the nightmare my life has become. The voices fade, the pain recedes, and I surrender to the oblivion, praying for a respite from the hellish reality waiting for me when I wake up.
I''m standing in the bathroom of Lily''s house, staring at my reflection in the mirror. It''s New Year''s Eve, and I''m supposed to be getting ready for the party. But all I can do is look at myself, at the marks and scars that map out the past few days on my body. I''m still muscular, yeah, but now I''m also pockmarked with stab wounds, stitches where they had to remove teeth from my bones, slashes, cuts, and bruises that are turning yellow. It''s like looking at a stranger, again, and again, and again. I gingerly touch the gauze wrapped around my left hand, protecting the tender stab wound. It''s weird, feeling the bandages instead of my skin. And then there''s my right hand, gloved to cover the missing nails. The doctors were confused about the whole teeth thing, but I managed to explain it away. My powers make healing faster, but they don''t do anything for growing back nails. That''s a slow and strangely painful process. I turn my hand over, looking at the splints, braces, and bandages that cover my arms. There''s also a soft neck brace, something I''ll have to hide under a turtleneck because of the concussion and the severe neck injuries I was told I sustained. Now, there''s just patchworks, stitches and stitches all over my body where they had to cut teeth out before they caused more inflammation, more trauma. It''s New Year''s Eve, and there''s a party with the Young Defenders. I should be excited, but it''s hard to feel anything other than a dull ache, both physically and emotionally. I reach for the clothes I''ve laid out. Something nice, but not too fancy. It''s a party, but I''m not really in a party mood. I slip into the clothes, a soft shirt that''s gentle against my bruised skin, and pants that are comfortable but still look good. The turtleneck is next, carefully pulled over my head to hide the neck brace. It''s a bit of a struggle, but I manage it. Looking in the mirror again, I see a version of myself that''s ready to face the world, or at least a New Year''s Eve party. The bruises and cuts are hidden, the bandages and splints barely noticeable. But they''re still there, underneath. Just like the fear, the pain, and the uncertainty. I take a deep breath, trying to steady myself. It''s just a party. I''m just going to be with my friends, my team. People who care about me, who''ve been there for me. I shouldn''t be afraid, but I am. Afraid of breaking down, of showing just how not okay I am. I take one last look in the mirror, trying to find the strength that I know is in there somewhere. The strength that got me through the last few days, that''s kept me going through everything. It''s there, under the surface, waiting for me to tap into it. I turn off the bathroom light and step out into the hallway. Lily is there, waiting for me. She looks at me, a mix of concern and something else in her eyes. Maybe pride, maybe just friendship. "You ready to go?" she asks, her voice gentle. I nod, even though a part of me wants to just crawl into bed and forget the world exists. "Yeah, I''m ready. Let''s order a taxi." Lily smiles and pulls out her phone, tapping away to get us a ride. I stand there, in the hallway, feeling like I''m on the edge of a cliff. Chapter 53.2 The Delaware Valley Defenders HQ is buzzing with a mix of laughter and music as I step inside with Blink. I feel a cocktail of emotions swirling inside me ¨C excitement, nervousness, a bit of dread. It''s like stepping into a different world, one where the shadows of Chernobyl and Aaron and the Kingdom don''t loom over us. As we walk in, the smell of air freshener hits me, masking the usual scent of sweat and metal that lingers in the training room. Someone, probably Crossroads, has gone all out cleaning the place. It''s a nice touch, makes the HQ feel less like a battleground and more like a place to unwind. The locker room and the computer/meeting room have been transformed. Colorful lights dance across the walls, and party stuff is scattered about, giving the place a festive vibe. At the center of it all is Playback, who''s managed to lug in some gigantic apparatus to play Super Smash Brothers Melee, with Gamecube controllers plugged into some 3d-printed doohickey that''s plugged into the cart port of the computer. A few team members are already engrossed in the game, their cheers and groans filling the room. I spot Jamila first. She''s wearing her favorite bomber jacket, the one with the intricate designs on the back, and she''s laughing at something Puppeteer is saying. Puppeteer, decked out in a glittery top that catches the light as she moves, seems to be in her element, her laughter infectious. Crossroads is busy chatting with Rampart near the makeshift bar. Crossroads is in some laid-back attire, jeans and a tee, as opposed to Rampart''s more formal look with a button down and slacks. I can''t help but smile; even off duty, Rampart looks like he could bench press a truck. Gossamer flutters around the room, her immaculately designed outfit shimmering with every step, making her look like a living, breathing piece of art. She¡¯s talking animatedly with Lily, who''s got this wide-eyed look, like she''s seeing everything for the first time. Then there¡¯s Spindle. He¡¯s standing a bit awkwardly to the side, still finding his footing among us. Jordan is with him, their arm looped through his. I''m a little surprised to see Jordan here, given their known animosity for the "super-cops", but I guess getting to see their boyfriend(?) and their best friend(?) in one place sort of overrides that. As I make my way through the crowd, the team greets me with various degrees of enthusiasm. Crossroads gives me a nod and a smile, Puppeteer waves excitedly, and Rampart offers a respectful nod. Playback pauses his game to say hi, and Gossamer tip-taps over to give me a gentle hug. I find myself gravitating towards Jamila. She looks up as I approach, her smile softening. "Hey, Bee," she says, her voice just above the music. "Glad you could make it." I nod, trying to push back the jumble of thoughts. "Wouldn''t miss it," I reply, but my voice sounds a bit strained even to my own ears. As I weave through the party, I spot Spindle and Jordan, leaning against the wall, their heads close together, chatting. I sidle up to them, catching the tail end of their conversation. "¡­and then I just crashed in the corner over there," Spindle says, gesturing towards a shadowed alcove near the back of the room, a sheepish grin on his face. "Hey, when you''re trying to balance superhero life with, well, just trying to survive, you find the weirdest places to catch some Z''s." Jordan chuckles, shaking their head with a mix of amusement and sympathy. "You''re a piece of work, Connor. But hey, at least you''ve got a roof over your head now, even if it''s our locker room." I join in the laughter, feeling a pang of empathy for Spindle. "Gotta say, you''re handling the superhero gig pretty well, all things considered." Spindle shrugs, the corners of his mouth turning up in a modest smile. "Thanks, Bee. It''s definitely better than the alternative. And hanging out with you guys? That''s a bonus." "Thanks," I say, feeling a genuine warmth at Spindle''s inclusion. It''s weird, thinking about how things were just a couple of weeks¡­ was it weeks? Weeks ago. Now here he is, part of the team, part of this weird family we''ve cobbled together. The family I still exist on the periphery of. Jordan smirks, their eyes sparkling with mischief. "Don''t get too comfy. This lot is a handful, especially this one." They nudge me playfully. It''s nice, seeing Jordan like this, relaxed and almost happy, even among people they wouldn''t be caught dead with otherwise. Suddenly, the sound of clinking glass echoes through the room, and we all turn to see Crossroads standing on a chair, a bottle of sparkling cider in one hand and a glass in the other. "Attention, everyone! I think it''s time we did the whole cheesy toast thing. You know, New Year''s and all." There''s a collective groan from the team, but it''s good-natured. We gather around, glasses being passed around, some filled with cider, others with just water. I take one, the cool glass feeling odd in my bandaged hand. Crossroads clears his throat, waiting for quiet. "I know this year has been¡­ a lot," he starts, his voice steady. "We''ve seen some tough times, lost people we cared about," he glances at me, and I feel my heart tighten, "but we''ve also seen what we''re capable of when we work together. We''re more than just a team; we''re a family. And families stick together, no matter what." He raises his glass. "To those we''ve lost, to those we''ve found, and to the battles we''ll face together. Happy New Year!" "Happy New Year," we all echo, the clink of glasses mingling with our voices. For a moment, there''s a sense of unity, of shared purpose. People drink. I drink. It''s just water, despite the momentary thrill in my heart that it might''ve been alcohol. Sure, it wouldn''t have done anything, and it would''ve tasted like gasoline, but it would''ve given me an opportunity to show off a cool party trick. Then, the moment passes, and the party resumes. Playback cranks up the music again, and Puppeteer drags Gossamer onto an impromptu dance floor. They move with a grace and energy that''s infectious, and soon others join in, mostly laughing, Rampart doing the Macarena to every single song. I hang back, watching them. Jamila comes over, nudging me gently. "You should dance," she says, her eyes bright. I shake my head. "Not really in the dancing mood," I admit. She nods back at me. Instead, we find a quieter corner, just observing the party. Playback is trying to breakdance, much to everyone''s amusement. Rampart and Lily are engaged in a deep conversation, their heads close together. And Jordan and Spindle, they''re just enjoying the moment, being together. I lean back against the wall, feeling the thrum of the music through my body. There''s a lot going on in my head, a lot I still need to figure out. "You''re¡­ injured," Jamila observes, quietly running her fingers across my bandaged left hand. "Bad." "No big deal. Just got into a little spat," I reply, trying to downplay it, staring at the ceiling. Jamila frowns at me, out of the corner of my eye. "I know how much it takes to hurt you, Sam. What happened?" "It''s not a big deal," I repeat, trying to get her to drop it without saying as such out loud. I know I should be working with the team but I just can''t drag them into this on what''s supposed to be a nice day like this. "It''s fine." "It''s not fine," Jamila says, sighing. She leans her head on my shoulder. It feels weirdly sterile, like a hug made out of iodine. Her skin is cold, and her hijab is bunching up against my sweater''s neck. "I''m worried about you. Ever since¡­ Ever since Liberty Belle died," "Please," I cough through grit teeth. "It''s all good." "I haven''t seen you in two weeks, Sam," Jamila mutters. I look at her, trying and failing to hide my surprise. Is that how long it''s been? Time has sort of lost its meaning. She could be lying to my face and I would believe her, because the days have all blurred together, and the concussion I''m nursing certainly isn''t helping matters. "Yeah," I finally say, my voice barely above the music. "I guess it has been. Sorry." Jamila shifts, her gaze searching mine. "Is this¡­ us, Sam? Is this what we are now? You disappearing into your¡­ triple life and me just waiting?" I wince, feeling a pang of guilt. "J, it''s not like that. It''s just been¡­ hectic. You know, with everything going on." "But that''s just it," she insists, her voice tinged with frustration. "It''s always something. The team, the fights, the injuries¡­ When do we get to be just¡­ us?" I don''t have an answer to that. The truth is, I don''t know. Between being Bloodhound and just trying to keep my head above water, I haven''t had time to think about ''us''. Already, I feel like the distinction between Bloodhound and Samantha Small is blurring together. I''m getting attacked in the street. My house got destroyed by a supervillain. "Jamila, I¡­" I start, but the words don''t come. How do I explain what I don''t fully understand myself? "I don''t know if there is a me. I don''t know if I can draw a line." She sighs, pulling back slightly. "I just miss you, Sam. I know we have our duties and all that, but just try to make some time for the rest of your life too, okay? I like going to concerts with you." I feel my throat tighten. "I miss that too," I admit, the words barely audible over the noise of the party. "But I don''t know how to¡­ I can''t just stop being Bloodhound. Belle¡­" If you spot this story on Amazon, know that it has been stolen. Report the violation. I don''t talk about the journals. I wish I could, but my throat locks up. What if the NSRA or the Kingdom come for Jamila next, too? Jamila nods, her expression softening. "I know. And I''m proud of you, for everything you do. It''s just¡­ I don''t know, it''s so easy for me to split these things in two. Is there room for Jamila in there, superheroine?" "There is," I say quickly, too quickly. "There''s always room for you." But even as I say it, I wonder if that''s true. The doubt must show on my face because Jamila gives me a sad smile. "Let''s just enjoy tonight, okay?" she says, leaning in to kiss me. It''s a soft, sweet kiss, but it feels like a band-aid over a wound that''s still bleeding. I kiss her back, my eyes slipping shut for a moment. When she pulls away, she doesn''t say anything more. She just turns and heads back into the party, leaving me standing there, feeling more lost than ever. I watch her go, her laughter mingling with the others'', and I wonder if this is just how it''s going to be. Me, always on the outside, looking in.
As the party continues, I can feel myself starting to unwind, just a bit. The music, the laughter, the casual chatter ¨C it''s all helping to loosen the knots in my shoulders, the tension that''s been coiling tighter and tighter since¡­ well, since everything happened. It''s around 11 PM, three hours into the party, when Rampart finally decides to address the elephant in the room ¨C my bandages and splints. We''re all lounging on some beanbags and couches thrown together in a makeshift lounge area when he turns to me, his brow creased with concern. "Sam," he begins, his voice gentle but firm, "we all know you''re tough as nails, but those bandages¡­ That''s not normal, even for you. What happened?" I feel a knot form in my stomach. I''ve been dreading this question all night, knowing it would come up eventually. I glance around the room, seeing the expectant faces of my teammates ¨C my friends. I sigh quietly, and fold inward. "I¡­ got into a bit of trouble," I start, my voice barely above a whisper. "With the Phreaks." The name seems to echo in the room, a ripple of tension passing through the group. Spindle, who had been fiddling with a controller, suddenly goes rigid, his eyes snapping to me. "The Phreaks?" he blurts out, louder than he probably intends. "You tangled with them?" I nod, feeling a flush of heat rise to my cheeks. "Yeah, it was¡­ messy." Spindle''s face is a mix of shock and anger. "Why didn''t you tell me? And¡­ why you?" I know it''s not intended to be a joke, but the way he cocks his head is almost funny. Like, why you, Sam? You''re such a small fry. I look at him, my throat tight. "I didn''t want to drag you back into that world, Spindle. It was my fight." "But we''re a team," he insists, his voice rising. "We should be there for each other, no matter what. Right?" He looks to Rampart and Puppeteer for approval. Rampart shoots him a very lackluster thumbs up, as if this was part of some sort of lesson he was trying to teach him. Spindle looks back at me. "Fam sticks together, you know?" I can see the others looking at us now, the room''s energy shifting from relaxed to tense. I take a deep breath, trying to gather my thoughts. "It''s not just the Phreaks," I continue, my voice steady despite the turmoil inside me. "There''s this guy, Aaron McKinley. He''s¡­ well, he''s a gangster, a tough guy. He can set things on fire with his eyes. He tried to beat me with a crowbar. You know, to death. Failed, obviously." There are murmurs around the room, a mix of disbelief and concern. I can see the questions in their eyes, the unspoken worries. Then, the spoken ones. Puppeteer leans forward, concern etched on their face. "Sam, why didn''t you tell us? And how come the hospital didn''t inform any of us? I mean, they should''ve at least notified someone from the team." I rub the back of my neck, feeling the weight of their stares. "I... I asked them not to. Told them to keep it under wraps. You know, after I gave them my LUMA number," I say, reciting it in my head - 438-057-63 - "they just... they followed my lead. I think I''ve been in the hospital more times than any of you guys. Did you know they''re allowed to not tell people you''ve been hospitalized, if you have a JLUMA and you beg and plead for them not to enough? They just... accepted ''I am being chased by a gangster who assaulted me in public and tried to set me on fire, and he will go after my parents and friends if he knows who they are'' as an excuse. I didn''t know that would work!" I glance around the room, seeing a mix of understanding and frustration. Rampart nods - he''s been with me to the ER on the two occasions so far that I''ve broken my wrist on a sandbag - but Puppeteer''s face just goes sour like she sucked on a lemon. I can tell they wished they knew earlier. That they could''ve prepared for it and been here to support me. Crossroads just looks at me and purses his lips. I don''t meet his gaze. He probably knew. But they all have their hands full enough. This is my problem. I laugh nervously. I cut the silence with my butter knife words. "Still here, guys! He''s teamed up with the Phreaks to take revenge on me," I add. "For helping put Patches away. But I think there''s more to it. I can''t put my finger on it, but it doesn''t seem like simple revenge. I don''t think he''d give a shit about them otherwise. He set Daisy on fire." The room is silent now, everyone processing what I''ve said. I can feel their support, their readiness to stand with me, but also their... not terror. Disgust? Spindle is looking at me in mute horror, not even capable of processing something silly and impulsive to say. Jordan is trying extremely hard to avoid crushing their red solo cup in their hand out of anger. Gale doesn''t look me in the eye. She looks elsewhere. "He¡­ what?" Spindle asks, after what feels like an eternity of quiet. "So, I was tied up in a basement, and I taunted Daisy until she took my powers to try and get her to cut the ropes. I guess Aaron knew that wouldn''t be good, so he lit her hair on fire to get her to take his powers instead. And it took, like, a solid three minutes of Mean Girls insults before she switched off of his power in the first place. I don''t think he gives a shit about Patches, or the Phreaks, outside of using them to try and get to me," I say, not looking at anyone. Instead, I stare at my sneakers. Nobody is saying a word. They''re all just looking at me. I suck in air between my teeth. "By the way, just while we''re clearing the air, Liberty Belle left me all her investigation notes and detective equipment and now the NSRA is chasing me because they think I''m a threat to national security. So, apologies if I haven''t been all too here the past couple weeks. It''s been pretty crazy." It all comes out before I really have an opportunity to stop myself. I try not to get passive aggressive at Gale too much, but I can tell without needing to look, just from the way she flinches in my periphery, that I hurt her. It doesn''t feel good. The music playing in the background is almost so incoherent with the mood that it makes me want to laugh. "Oh, and, by the way, I''m a freak of nature. You know, more than your usual superhero. Found that out a couple days ago, too. How do you think I escaped four supervillains, each with powers, who all wanted me dead, and had me tied up in a chair?" I ask, glancing around the room. "Any guesses? Seriously, anyone?" "You¡­ are a werewolf?" Playback asks, trying to crack a grin. It doesn''t really work, but I laugh anyway. "Close!" I reply, trying not to shout. So, instead, I just squeeze my hand. And I squeeze, and I squeeze, and I squeeze, clenching up like I''m taking a shit, sorry Mom, until I feel something small and hard emerge from the tips of my pointer finger. And it keeps emerging, and it keeps emerging, until the shark tooth is fully extended, pearly white, and glistening in the rainbow lights in the party. "Ta-da! I''m literally full of teeth." The room falls silent as I reveal the shark tooth emerging from my finger, a tangible symbol of the freakish new reality I''m grappling with. The tension is palpable, a mix of shock, concern, and a strange kind of fascination among my teammates. Playback tries to lighten the mood with a weak joke, but it falls flat. "So, uh, do you floss all of them, or¡­?" he asks, trying to smile. It''s a lame attempt, but I appreciate the effort to break the ice. Rampart is already thinking ahead. "This could be an asset in the field," he muses, his tone analytical. "We need to consider how this changes our approach in operations," he says, and I can tell he''s trying to pull things back to systems normal. Not for his sake, but for mine. Gossamer looks at me with a mixture of worry and curiosity. "Sam, your costume¡­ will it need any alterations to accommodate¡­ um, this?" She gestures towards my hand. I¡­ retract the tooth, something I''ve been practicing at, and feels exactly like shitting in reverse. It is not a sensation I would wish anyone else has to feel. I feel the tooth returning to its little space under my finger, and wince. I think if I get to use this, I''ll just¡­ eject them. That''s easier. "I¡­ I haven''t thought that far ahead yet," I admit, my voice barely above the music. The room is still tense, but slowly, a sense of solidarity begins to seep in. Puppeteer leans forward, her expression serious. "Whatever you''re going through, Sam, we''re here for you. You''re not alone in this. You saw me at my lowest, and we''re here to see you at yours." "That sounds weird," Playback quips, gently nudging Puppeteer''s shoulder. She rolls her eyes. "You know what I mean." Gale reaches out, her touch gentle on my arm. "We''ve got your back, Bee," she says softly, and I can hear the sincerity in her voice, and I feel better. For a moment. "We''ve seen you at your strongest, Sam. But we''re here for you in your weakest moments too. You don''t have to be the hero all the time." My thoughts, for a moment, turn to Miasma. Whatever''s happened with his powers, he''s now constantly rotting, and I can''t help but think that it might be me. Me in a year, or two, or ten. Will I become like Deathgirl? Will I just be teeth? Their words, though meant to be encouraging, only serve to remind me of how much I''ve changed, how much I''ve lost and gained in such a short time. Liberty Belle''s death, the Phreaks, Aaron McKinley, my new powers, the NSRA ¨C it''s all a tangled mess in my head. I glance around the room, at the faces of my teammates, my friends. They''re all looking at me with something akin to admiration, but all I can see is the concern, the worry. "I appreciate the help, guys," I murmur, my voice barely above the music. "I just¡­ need some time to figure all this out." "Don''t you worry, Bee. I''ll go tell Clara and we''ll--" Puppeteer starts, and I see Crossroads wince before the anxiety even hits me. I consider the idea for a moment, and fear bubbles up inside of me like a pot of water flash boiling with a rocket fuel flame. "NO!" I find myself shouting without any actual control over my lungs. Everyone flinches away from me like I just swung my arms in a killing arc. "Sorry. No. No, don''t... make this their problem." "You got... like, tortured, dude. They can''t just do that," Playback murmurs, out of bravado, running on empty. Gossamer steps forward out of the semicircle of concerned teammates and reaches for my wrist, but I yank it away, feeling the panic rising in my throat like so much stomach bile. "No, I think what Bee wants is for us to--" "No, no, no, no, NO!" I shout, feeling pinned between their good intentions and the wall. My hands come out in front of me like I''m bracing for impact. I suck in air between my teeth and pant for breath. "No. Just. Forget about this. I don''t want to be thinking about this right now. Just pretend it didn''t come up, okay?" Everyone looks at me like I have five heads and I just ruined their night, and it makes me want to rip my eyes out. To grab my head at the neck and pull upwards until it comes loose from my spine. I slowly lower my hands, feeling my entire body race with adrenaline. "Just, please... I just want to have a fun night where nothing happens. It''s New Years. Can we table this? Please? No villains. No gangsters. No meddling. Just... leave it. Please." The air is still outside of my pleas, and they hang like carbon monoxide in between all of us. People aren''t sure where to look. Almost everyone glances at Crossroads and Puppeteer. Puppeteer is looking at Crossroads. Crossroads is looking at me. He sighs. "You heard her. Sam, go take ten outside, okay? I think you could use some fresh air. We''re tabling it." Knowing what I know about him and his powers, I trust his decision implicitly. My body is still shaking, my veins throbbing inside of me, trying to escape. But he''s probably seen this conversation dozens of times already. I trust him. Then, I get up and step outside for some air. The airlocks click shut behind me. I keep an eye out for crowbars, expecting to be assaulted any second now, but in the cold snowy night, nothing happens. I breathe, and it turns into smoke in front of me. I look at my fingertip. I squeeze.
"Five¡­ four¡­ three¡­ two¡­ one¡­! Happy New Year!" I squeeze Gale close on the couch, raising a small plastic cup full of sparkling cider, my other hand hooked around her waist, my lips on Gale''s. Always told it was good luck to pass through the new year kissing someone, never had an opportunity to put it into practice. She pulls away with a smile in her eyes and leans her head down in my lap. I''m trying to pretend nothing happened. I''m trying so hard. I squeeze her side with my gloved hand, the one without nails anymore. It hurts. WORLD OF CHUM: Power Laws (1)

License to Utilize Metahuman Abilities (Flight Modification) Act of 2014

Section 1: Modification to the LUMA Act of 2013 This Act may be cited as the "Flight Modification to the License to Utilize Metahuman Abilities Act of 2014." Section 2: Definition of Flight (a) "Flight" is defined as the ability of an aviation-capable metahuman to engage in at least two of the three following traits: "sustained velocity", "directional control", and "hovering". (b) "Sustained velocity" is defined as the ability to maintain velocity independently of initial momentum, differentiating from jumping, which relies on initial force. (c) "Directional control" is defined as the ability to navigate and change directions mid-air, as opposed to a trajectory typical of jumping. (d) "Hovering" is defined as the ability to remain stationary or near-stationary in the air. Section 3: Addition of Flight-Specific Regulations (a) Flight Certification: Superhumans with flight capabilities must obtain a Flight Certification as an addendum to their LUMA. (b) Flight Certification Requirements:
  1. Proof of ability to safely takeoff, navigate, and land.
  2. Understanding of air traffic control communication and compliance with flight regulations.
(c) Flight Zone Compliance: Flight-Certified Superhumans must adhere to existing designated flight zones and altitude restrictions. Section 4: Juvenile Flight Regulations (a) Juvenile Flight Altitude Limitation: Juveniles with flight capabilities are limited to an altitude of 30 feet above the nearest horizontal surface below them, modifiable by local and municipal laws. A case of theft: this story is not rightfully on Amazon; if you spot it, report the violation. (b) Flight Curfew for Juveniles: A federal flight curfew is established for juveniles, restricting flight times to the hours between 8 AM and 8 PM. (c) License Suspension for Violations: Violation of flight regulations results in suspension of the JLUMA for a period of at least 30 days and up to a year. (d) JLUMA Interview Requirement: Juveniles must demonstrate control of their flight abilities as part of the JLUMA interview process. Requirements for flight certification for Juveniles are the same as flight certification for adult superhumans. Section 5: Penalties & Enforcement (a) Uncertified Flight Violation: The unauthorized use of flight abilities in restricted zones, or operating such abilities in a careless or reckless manner, constitutes a misdemeanor. This offense is punishable by a fine ranging from $2,000 to $30,000. In cases of severe violations, characterized by extreme recklessness or resulting in significant danger to public safety, the offense may escalate to a criminal charge, subject to imprisonment for up to three years and fines ranging from $5,000 to $300,000. (b) Unauthorized Flight Violation: Engaging in unauthorized flight within restricted zones constitutes a misdemeanor and results in the suspension of the offender''s flight certification. The duration of the suspension ranges between 30 days and three years, depending on the severity of the violation. (c) Flight Certification Violations: Entities employing flight-capable Superhumans without proper certification are subject to increased fines starting at $50,000. Section 6: Integration with National Airspace System (a) Air Traffic Management: The National Superhuman Response Agency (NSRA) shall collaborate with the Federal Aviation Administration (FAA) to integrate flight-capable Superhumans into the National Airspace System. (b) Emergency Protocols: Flight-Certified Superhumans are required to comply with emergency airspace restrictions and assist in national emergencies when requested by authorities. Section 7: Implementation (a) The modifications outlined in this Act shall be implemented within 180 days from its enactment. AMK.2.1 The fluorescent lights flicker above, a sterile buzz that''s already setting my teeth on edge. I''m lying on a table covered with what looks like butcher paper, and the stink of antiseptic is heavy in the air, mixing with the smell of wet dog and fear. The vet''s face is all hard lines and impatience, his eyes flicking over me like I''m some kind of disappointing homework assignment he''s got to grade. "I swear, it was like she pulled a new power out of her ass just for me," I grumble, trying to sound like I''m not just making excuses. "Knives for arms, can you believe that crap?" The vet doesn''t even look up from the tray of tools he''s arranging. "Sure, Aaron," he says, his voice dry as the desert. "And I suppose she turned into a dragon and flew away too, right?" He¡¯s not buying my story, and I can¡¯t blame him. I wouldn¡¯t buy it either if I wasn¡¯t there. He comes over, a rolled-up dish rag in his hand, and shoves it toward my mouth. "Bite down on this. It''s gonna hurt like hell, and I don''t need you screaming." There''s no sympathy in his tone, just a blunt practicality that says he''s done this too many times. I bite down on the rag, tasting laundry detergent and something metallic. I''m ready for the pain, the sharp jolt of reality as he sets my knee back in place. My hands grip the edges of the table, knuckles white, the rest of the world narrowing to the point of contact where his hands meet my leg. "You''re not cut out for this, Aaron," he tells me, not unkindly, but with a blunt honesty that''s hard to swallow. "Stick to the streets, stick to what you know. You¡¯re lucky to be walking. Whatever hit your knee could''ve broken it an inch down, and you should be extremely thankful that her knife hands didn''t nick your carotid or your jugular." He doesn''t give me any warning, just grips my leg and pushes. There''s a moment, a split second of pressure, and then pain explodes in my head, white-hot and blinding. The rag in my mouth is the only thing keeping the scream trapped inside, muffled grunts escaping instead. I can feel sweat beading on my forehead, my heart hammering against my chest like it''s trying to break out. My entire body goes cold and hot at the same time. It''s the worst pain I''ve ever felt in my life. The vet works quickly, efficiently, his hands steady even as mine shake. The crunch of bone and cartilage is sickeningly loud in the quiet room. "There," he says, almost gently. "That''s the worst of it over." I''m panting, ragged breaths that reek of spit and fear, the rag falling from my mouth wet and stained. I can feel my knee throbbing with a dull, persistent ache that tells me it''s back where it should be, even if it doesn''t feel like it. "You''re going to have to take it easy," the vet says, wrapping my knee with a bandage that''s too white against the rest of me, dirtied with blood and bruises. "No heroics. Rest, ice, compression, elevation. You know the drill." Heroics. The word tastes like ash in my mouth, a bitter reminder of what I''ve been trying to be. What I''m not. I look away from the vet''s knowing eyes, away from the judgment I see there. I don''t need his pity. I don''t need anyone''s. I''m Aaron fucking McKinley. I''ve been down before, I''ve been beaten, but I''m not out. Not by a long shot. I''ll rest, I''ll heal, and then I''ll be back on the streets where I belong. Where I reign. "Don''t compare me to those chumps," I rasp. "You know what I mean, runt. Hold still," he says, shoving his hands in my face. He fiddles with my broken nose, and for a moment, I see white again, before he pulls away, and I feel tape. Or something tape-like, whatever. "I''m not a plastic surgeon, so you''ll have to get that fixed better later. Chin up, I hear girls love scars." "Shut it," I almost spit. "I''m paying you too much for snark." "You''re paying me too much for medical care and that''s why I''m bothering to stitch up those little cat scratches of yours. Otherwise I''d be giving you some peroxide and telling you to go pound sand. You are not paying me too much for snark," he lectures me, making my blood boil as he starts cleaning and bandaging the cuts on my face. "You got tetanus shots, kid?" "What?" He knocks his knuckles against my forehead. "I said ''you got tetanus shots, kid?''. You said she grew knives. Believe me, the last thing you want with¡­ all this," he says, gesturing to my face, the compression wraps covering me, the bandages, "is lockjaw." "No, I don''t have my fuckin'' tetanus shot. You think I walk into CVS asking for my tetanus shot? The fuck you mean? I got them as a kid." I bark back. "Well, you''re a lucky boy, I''m giving you a tetanus shot," the vet responds, rummaging around in his fridge. "Not too fond of needles, doc." He stops to turn to me, slowly, scowling. "What?" "I said I''m not--" I start. He cuts me off. "What sort of a pussy are you? Shut the fuck up. I''m giving you a tetanus shot." "Why do you even fuckin'' have tetanus shots? Aren''t you a fuckin'' vet?" I ask, trying not to move my knee too much. "You think you''re the only two-bit thug I see? Given your ilk''s propensity towards slumming around in abandoned factories, yeah, I like to keep a supply with me. Here, it''s fridged, it''ll feel refreshing. Hold still." He grabs my arm, the needle cold against my skin. I clench my teeth, feeling the sharp prick as it goes in, a cold sensation flooding my arm. I hate needles, always have, but I''m not about to give him the satisfaction of seeing me squirm. He pulls it out, a small drop of blood beading at the injection site. "There," he says, tossing the syringe in a bin. "That wasn''t so bad, was it? It''ll suck for a couple of days and then you''ll be right as rain." I just grunt in response, watching him as he starts wrapping my knee with a compression bandage. It''s tight, each layer squeezing a bit more, a constant reminder of the fight, of the pain, of the fuck-up. "You''re going to need a brace for this," he mutters, rummaging through a cabinet. He pulls out a bulky knee brace, straps and all. "This should do. Keep it on, it''ll help." He straps it on, his hands efficient and impersonal. The brace is uncomfortable, constricting, but I can tell it''s necessary. I can feel the support it gives, a false sense of stability. The vet steps back, looking me over. "You''re a mess, McKinley. A damn mess. I''ve patched you up best I can, but you''re no good to anyone if you keep getting yourself into these situations without finishing the job." I want to argue, to tell him he doesn''t know shit, but the words die in my throat. I feel each pinprick her fucking brass knuckle knife fingers left in my neck. "Here," he says, handing me a small bottle of pills. "Dog painkillers, for coyotes like you. Don''t take more than one every six hours. And for fuck''s sake, try not to get into any more fights. God gave us guns for a reason." I take the bottle, rolling it in my hand. "I''ll keep that in mind." He snorts. "Sure you will. Listen, Aaron, stick to slinging weed and hustling pool halls. This gangster life, it''s clearly not for you." I stand up, testing my knee, without acknowledging his words. It holds, sort of. "Thanks, doc," I say, and there''s a grudging respect in my voice. I keep my leg straight. "Don''t mention it. And don''t come back here looking like this again. You''re out of money, and I''m out of patience." I nod, limping towards the door. The cold air hits me as I step outside, the city noises a dull roar in the background. I''m broke, beaten, and bruised, but I''m still here. Still breathing. Still Aaron McKinley.
The docks are dead at this hour, just the sound of water lapping against the wharf, and the distant hum of the city that never sleeps right. It''s late, or maybe it''s early; the kind of time where decent folks are nowhere to be seen. I''m standing here in the shadow of a rusted crane, the Delaware reeking like a cesspool, waiting for the Phreaks to show. They''re late, and I hate late. I can feel the tightness of the brace around my knee, a constant reminder of Sam''s handiwork. My nose is a mangled mess under the splint, breathing''s a bitch, and every inhale is a jagged reminder of my fuck-up. But I''ll be damned if I show any of that to the Phreaks. I''m still Aaron McKinley. I''m still the guy you don''t want to cross in this town. We''re far away from Tacony but that''s no problem. Fire burns everything, everywhere. If you discover this narrative on Amazon, be aware that it has been stolen. Please report the violation. I see ''em before I hear ''em, silhouettes against the city lights. Pumice is leading the pack, his stone skin a patchwork of grout and anger. He''s trying to keep that cool, but I can see it. The first crack in his facade, courtesy of yours truly, by proxy. Chrysalis flutters behind, wings a dull sheen in the moonlight, and I can''t help but sneer. Always thought she was too high and mighty, the way she dangles off her own feet. Can''t even fly with those, only fall slow. And there''s Deathgirl, a scrawny wraith of a girl, blindfolded and pissed, a chunk of her hair missing like a doll mauled by a dog. Looks like a zombie. "Look at this," Pumice grunts as he steps into the light, pointing to his face. "This is on you, Aaron." I don''t flinch. "That right? Last I checked, you''re the rock. Nothing hurts the rock." He scoffs, "Yeah? Tell that to my face. Sam Small did a number on it, and it''s your sadistic ass that put us in her path." If you asked me, I''d say it looks badass. Yeah, he''s so metal that he fixes up his scabs with concrete and mortar. But clearly, this little punk doesn''t see things the same way. Chrysalis sneers, "It''s your methods, Aaron. They''re ugly. You think with your fists and not your head. That''s why we''re here, cleaning up your mess, instead of popping bottles and celebrating." I lock eyes with her, "My fists get results. You''d know if you weren''t so busy polishing your claws." Deathgirl''s voice cuts through the banter, high-pitched and grating, "You''re all idiots. If I had my way, Sam would be dead, not prancing around with a few more stories to tell." She sounds like a fucking cartoon character. I try not to set her on fire again. A time and a place for everything, Aaron. "Yeah? And how''d that work out for you, princess?" I shoot back. "All I see is a kid throwing a tantrum ''cause she didn''t get to play with fire." She snarls, "At least I don''t pretend to be something I''m not. You talk big, Aaron, but you got your ass handed to you by a little girl. Just so we''re clear, though, setting my hair on fire was cool. I don''t care about that. You''re just a stupid fuckin'' idiot in other ways." "Daisy," Pumice chides her. "What! It was awesome." I feel a vein throb in my temple, like they aren''t even listening to me. Am I some sort of joke to them? I get ready to yell, "I had her! If it wasn''t for¡ª" Pumice interrupts, "If it wasn''t for what? Your need to show off? You had chances to end it. So many fucking chances, man. We had her passed out on a fire escape. Then, you wanted to drag her into a fucking building, okay, sure, don''t alert the cops, even though the streets were empty. Tie her up? Okay, man, whatever. But no, you wanted to play with your food, and now look where we''re at. This is on you." Chrysalis nods, "He''s right. We''re not your goons. We''re not here to watch you stroke your ego. We''re in this to survive, and you''re not making it easy." I clench my fists, the pain from my wounds spiking with the rage, "Survive? I thrive. There''s a difference. You want to run with the big dogs, you gotta keep up." "Keep up?" Pumice laughs, a grinding, rocky sound, "No, Aaron. We''re done ''keeping up'' with your shit. You want Sam gone, you do it. Get a gun, do it clean, or don''t do it at all. " Chrysalis flies up, hovering, "Or better yet, skip town. The heat''s on, and you''re just fanning the flames." Deathgirl''s cackle fills the air, "Yeah, run away, Aaron. The Great Demon Lord has no need for weaklings." Pumice stares at me. "You said hello and offered this sweet alignment of interests. Punch at the Young Defenders, and when you make it big with the Kingdom, you''ll cut us in. But now we''re all fucked up, you''ve got a broken leg, and she got away. The scale of your fuck-up is enormous, man." I stare them down, one by one. They think they''ve got me cornered, that they can dictate terms. But they don''t know Aaron McKinley. They don''t know that I''ve always got an ace up my sleeve. "You think this is over?" I spit out the words, "You think you can just walk away from me?" Pumice steps forward, his form imposing, "We''re not walking away from you, Aaron. You''re the one who''s been left behind." Then he turns on his heel, and the rest follow. But I''m not done yet. Not at all. I lunge forward, the sharp pain in my knee nothing compared to the sting of their words. I feel my bones grinding. My boot skids against the ground. But Chrysalis¡­ she''s not done, not by a long shot. She floats down, landing with the grace of a drunk wasp, her compound eyes reflecting the dim light, glowing red and fierce. I''d almost think it was sexy if I was into freaky ugly bug girls. Maybe some nerd on the internet will pay a hundred dollars to tap that when she gets washed up and ugly and has to whore herself out for money. "You chase after us like a dog after a car, Aaron. What would you even do if you caught us?" I open my mouth to throw back a retort, but she cuts me off with a laugh that''s more a hiss. "You''re just a thug, Aaron. Un instrumento sin filo. A blunt instrument. You have this power, this miracle, and what do you do with it? The same thing you''ve always done. Inflict pain. Spread fear." I clench my teeth, trying to keep the anger at bay. "Fear is respect in the streets." She shakes her head, almost pitying. "No, Aaron. It''s not. Fear is control, maybe, but it''s the lowest form of it. Respect? That''s earned. And you¡­ you just take. You don''t grow; you stagnate. You wallow in your own sadism, thinking it makes you strong. But it''s made you weak. Vulnerable." I step toward her, but she doesn''t flinch. "You think you know me? I had a gang, and Bloodhound - Sam fucking Small ruined that. My boys respected me. Because they were afraid of me." She nods, "I see right through you. Your powers could''ve been so much more. But you? You chose the path of least resistance. The easiest way to use your gifts. You never considered what more you could be. You''re just¡­ a man with a match, not even a flame. You''ve got no creativity. Ohhh, if you don''t listen to me I''ll set you on fire! Grow up." "I''m feared," I insist, feeling even more certain of it. "Every civvie in this city is afraid of me. They should be afraid of me. I''ll burn them alive. I''m feared." Chrysalis laughs again, "By who? The street rats? The lowlifes? Particularly young cats? People are more afraid of Deathgirl than they are of you, and she''s 12," "12 and three quarters!" Deathgirl protests. "12 and three quarters. Maybe she''s a little delusional, but she''s not nearly as much of a delusional idiot as you are. Nobody''s afraid of you." The others chuckle, a chorus of mockery, and I feel the heat of a blush that has nothing to do with my powers. I feel my hair heating up in my scalp. "You came to us because you thought you could mold us into your image. But we''re not clay, Aaron. We''re survivors. We do what we have to, to live another day, to find a piece of happiness in this fucked-up world. You? You don''t want happiness. You just want to inflict misery because it''s all you know. You want to be like us because you think it''s cool, not because you have to. Look at you," she says, gesturing with a clawed finger. "White boy Aaron. From Tacony. Don''t make me laugh. You think you have it rough? Go live with your parents. I bet you went to private school." "Shut the fuck up, trash," I growl. I scowl. I snarl, trying to bare my fangs. Grimacing like a monkey does before it rips your face off. Her voice is like acid, burning at my soul, eating it away. "You''re not unique, Aaron. You''re not special. You''re just another boring thug on the street, and there are a million like you. But there''s only one of each of us. We''re leaving you behind because you''ve got nothing left to offer. Not fear, not respect. Nothing. You''re not built for this life." I''m seething now, muscles taut, a primal urge to lash out. But I don''t. Because deep down, I know she''s hit the mark. I''m just a thug. No kingpin. No supervillain. Just a man with a matchbook in his eyes. I feel deflated. Like a fucking clown balloon. Chrysalis turns away, wings unfolding, preparing to take off. "Grow up, Aaron. Or don''t. It''s no longer our concern." The words sting, venom from Chrysalis''s lips sinking deep into my skin, festering. I can''t stand it, the truth or the mockery, and something snaps inside me. The vice in my head tightens, squeezing every other thought out until there''s only room for the burn. I fix my gaze on her, the pressure mounting behind my eyes. I want to see her burn, to watch those smug wings shrivel up in flames. She thinks she can just fly away from this? No. Nobody makes a fool of Aaron McKinley and just flutters off like a fucking pixie. I''ll make sure she knows that. She won''t be so high and mighty without any of those fucking wings. But Pumice is faster, always the fucking hero of his own little story. His fist connects with my face before the fire even sparks, and the world tilts. I''m skidding across the wet dock, pain splintering through my already broken nose. I can taste blood, copper and salt, and it mixes with the bitter tang of defeat. I can''t tell if it''s broken again, but it hurts like a motherfucker. I struggle to my feet, glaring at them through the pain. "You should be afraid of me!" I spit out the words like bullets, but they''re just blunted by the pity in their eyes. "Get scared, fuckers! I''ll come for you next!" Chrysalis is hovering again, standing on tip toes, and her tone makes me want to strangle her and then cut open her corpse. She sounds sad. Why does she sound sad? Why isn''t she afraid? "Aaron, you''re so stupid. You think we followed Patches because she was strong? No. She cared, Aaron. When we got hurt, she was there with bandages. When there was money, we all saw it, not just her. Daisy¡ª" She nods at Deathgirl, ", when Daisy flipped out, Patches sang her lullabies and read her those Japanese comics." Pumice is nodding, his stony face more human than I''ve ever seen. "She was teaching me Algebra, man. Algebra. Because she wanted better for us. I thought you understood that when we made this deal." Chrysalis''s gaze is steady, her voice a scalpel dissecting my pride. "We were tools, sure, but Patches knew you take care of your tools. You? You just make demands. You throw tantrums. You''re not a leader, Aaron. You''re just a wild dog lashing out because your parents didn''t love you. I heard your little gloating speech to Sam. Oh no, boo hoo, daddy beat me with a belt. Well my daddy kicked me out of the house and shot me. Get over yourself." I can feel their eyes on me, every one of them. Deathgirl, even with her blindfold, I know she''s looking at me. And what she sees¡­ what they all see¡­ it''s not fear. It''s not respect. It''s just¡­ pity. Pity. Pity. I fucking hate their pity. I don''t want their pity. I don''t want an ounce of it, not a fucking molecule of it. I want their fear. Why don''t they give it to me? "We''re not some social club for wayward bullies, Aaron. The three of us stick together because we have to. You don''t get that," Pumice lectures. I want to scorch that smug, pitying stare off his face. "You''re like a pug, Aaron," Chrysalis says softly. "All bark, no bite. You think you''re a big dog, but you''re just¡­ sad. A sad little dog that nobody even wants to put down. Because you''re not worth the bullet, and they bred you with an ugly nose, so nobody''s willing to fix you. Not in this lifetime. Hope you reincarnate into something better when you bite it in an alleyway, alone and unloved - and unfeared." The truth slams into me, a final blow that''s worse than any punch. They''re right. I''ve been living in a delusion, thinking I''m the big bad wolf, but I''m just a stray mutt, snapping at the heels of giants. I can''t help but stumble down, dropping to my good knee, soaking it against the wet asphalt. And as they turn their backs on me, leaving me alone on the docks with nothing but the cold and the stench of the river, I realize¡­ I''m not even a stray worth following. I''m just a nobody, a nothing. AMK.2.2 The first flakes of snow begin to fall, each one a cold kiss against my skin, a silent witness to my humiliation. They cling to my hair, to my coat, whispering of defeat and desolation. I should move, find shelter, get my bandages changed before they''re soaked through. But my body refuses to obey, as if it too has given up on me, on Aaron McKinley, the would-be king of the streets. The Phreaks'' footsteps fade into the night, leaving me alone with the snow and the echoing hollowness of their words. This isn''t just a defeat; it''s an annihilation. A complete and utter tearing down of everything I thought I was, everything I wanted to be. I''ve been low before, hit rock bottom more times than I care to count. When my parents shut the door in my face, telling me I wasn''t their problem anymore. When Mr. Polygraph held that knife to my finger, his eyes cold as the steel. When Sam Small, that little spitfire, left me bleeding and broken. But this¡­ this is something else. This is the kind of low that scrapes out your insides, leaving you empty and hollow. A kind of low that makes you question if you were ever really standing at all. The snowflakes grow thicker, blanketing the docks in a shroud of white. I can feel the wetness seeping through the bandages, the cold setting into my bones. But it''s nothing compared to the chill in my heart, the frost that''s crept into my soul. They were right, all of them. I''m not the terror of the streets. I''m not the villain of this story. I''m just a man who thought he could be more, and ended up less. A nobody. A pathetic little pug, snorting for breath. I think back to those moments of power, of control, and realize how fleeting they were, how shallow. I never had their respect, not really. I never even had their fear. I thought I was the king with the tools, but they were using me. I was the monkey wrench. As the snow piles up around me, I finally find the strength to stand, my movements sluggish, heavy. I need to find shelter, to get out of the cold. But it''s more than that. I need to find a new path, a way out of this pit I''ve dug for myself. But first, I need to vent this emptiness. I need to fill myself up with something more.
The darkness envelops me, a shroud that''s become my constant companion. I''m sitting in the bowels of some forgotten basement, the air musty and thick with the scent of decay and neglect. The only light comes from the small, flickering flames dancing on my fingertips, casting eerie shadows across the room. It''s a room I don''t recognize, a place I stumbled into during one of my many aimless wanderings, a sanctuary for the lost and the broken. I''m huddled on an old, rotting mattress, the springs creaking under my weight. The blanket wrapped around my shoulders is as tattered as my pride, frayed edges and holes telling a story of better days long gone. The cold seeps in through the cracks in the walls, through the boarded-up windows that keep the outside world at bay. But it''s the internal cold that''s harder to bear, the chill of realization that I''ve hit a new low. Empty bottles of pain pills from the vet litter the floor, a testament to my desperate attempts to numb not just the physical pain, but the gnawing, hollow ache inside. The pills bring a temporary respite, a fog that dulls the sharp edges of reality. But they also bring these¡­ episodes. Moments where I feel detached, floating outside my body, a spectator to my own downfall. I watch the flames, trying to find some solace in their warmth, in their simple, primal beauty. But even they seem to mock me now, reminding me of what I am ¡ª a man who can do nothing but burn things down. The basement is a graveyard of discarded memories, of things left behind. There''s an old, water-stained sofa pushed against one wall, its fabric torn and faded. A broken lamp lies on its side, its shade crumpled like a discarded dream. The walls are peeling, the paint chipping away to reveal the bare, cold concrete beneath. It''s a place forgotten by time, a fitting abode for someone like me. I''ve been sleeping on this mattress for days, or maybe it''s been weeks. Time has lost its meaning in the darkness, in the endless cycle of wake and sleep, pain and numbness. The only constant is the fire, the only thing that reminds me I''m still alive, still capable of feeling, of hurting. I close my eyes, trying to shut out the world, to shut out the memories of that night at the docks. The words they said, the pity in their eyes, it haunts me, follows me even into sleep. I see their faces, hear their voices, a chorus of condemnation that I can''t escape. But it''s Sam Small''s face that looms the largest, her eyes full of fire and defiance. She''s become my obsession, the symbol of my failure, of everything I''m not. How does she do it? How does she pack so much power into that small frame? How can she keep pulling out new tricks? It''s a riddle I can''t solve, a question that gnaws at me, driving me deeper into the darkness. I open my eyes, staring into the flames again. I''ve been thinking about it all wrong. It''s not about the power, it''s not about the fear. It''s about understanding, about growth. Sam Small figured out tricks, ways to use her powers that I never even considered. And if she can do it, why can''t I? I focus on the flame, watching it flicker and dance. There''s more to fire than just destruction. There''s warmth, there''s life. Maybe there''s more to my powers too, more than just the blunt instrument I''ve been using them as. I''ve been feeling out of my body, disconnected. But maybe that''s the key. Maybe I need to step outside myself, to see things from a different perspective. Every fight with Sam Small has been a group fight, and clearly she must thrive in that sort of chaos. People keep getting in my way. No, if I want to be better than her, I''m going to have to learn how to do it on my own. I need to transform. To become something else entirely. I can''t rely on others to do my dirty work. I''m going to have to get dirty on my own. Royal Road is the home of this novel. Visit there to read the original and support the author. In the gloom of this forsaken basement, I''ve begun to notice something strange about my fire. It''s changing, evolving into something I don''t fully understand. Usually, my flames are a bright, angry yellow, spitting and crackling with heat. They''ve always smelled like rotten eggs, a stench I''ve gotten used to over the years. But now, in these moments of hollow emptiness, the flames shift, morphing into a low, eerie blue. They''re almost cold, a ghostly fire that seems out of place in my hands. I''m mesmerized by this new flame, watching it flicker in the darkness. It''s almost invisible, a whisper of light that''s barely there. And the smell¡­ it''s different, stronger, more pungent. It fills the basement, a toxic miasma that makes my head spin and my lungs burn. I know it''s not good for me, breathing in these fumes, but I can''t stop. This is my training, my path to understanding what I truly am. Every time the blue fire burns too long, too fiercely, I have to haul myself up and open the hatch, letting the poisonous air escape into the night. The effort leaves me gasping, my chest tight and painful, but there''s a part of me that revels in the suffering. It feels like progress, like I''m pushing past my limits, discovering something new about myself. Every time, I can breathe the fumes in for longer. Every time, I can let it sit on my skin a little longer. I''ve always been immune to my own flames, a blessing that''s let me wield my power without fear. But this blue fire, it''s different. It''s colder, not like the searing heat I''m used to. It doesn''t burn as hot. It ignites, but slowly, creeping and crawling over surfaces like sludge, like water. Like slime mold. It reeks. I sit back down on the rotting mattress, my mind racing with possibilities. What if there''s more to my power than I ever imagined? What if I''ve only been scratching the surface? In my ignorance, in my narrow view of the world, I never considered that my fire could be more than a weapon, more than a tool for instilling fear. But now, in the depths of my solitude, I''m beginning to see the truth. Fire is change, it''s transformation. Fire isn''t meant to remain stagnant. I need to drill deep into who I am. To master every aspect of this weapon. This miracle. I let the blue flame dance between my fingers, watching it intently. It''s a dangerous game I''m playing, toying with this new aspect of my power. But danger has always been a part of who I am. It''s the thrill of the unknown, the allure of the forbidden. I''m going to be the most dangerous man in town. The most dangerous man in the world. I''m not going to be their fucking pug any longer. Not their pug, not their laughingstock, not their pity party.
I push open the door to the vet''s clinic, the familiar jingle of the bell announcing my presence. The vet looks up from his paperwork, and his eyes widen in surprise. "Whoa! You look like shit. And you smell like a fucking dump," he exclaims, wrinkling his nose in disgust. I can''t help but chuckle, a sound so foreign to me it feels like it belongs to someone else. "Yeah, been working on something new. A project," I say, my voice lighter than it''s been in weeks. The vet eyes me warily, as if I''m a bomb about to go off. "You''re in a good mood. That''s new. And unsettling," he remarks, putting down his pen. I stride over to his desk, pulling out a wad of crumpled bills from my pocket. I slap them down on the counter, a decent stack, all things considered. "One last checkup, Doc. Make sure everything''s healing up right." He looks at the money, then back at me. "You sure you want to spend all this on a checkup? You look like you could use a decent meal. And a shower." I shrug, the motion sending a twinge of pain through my still-healing chest. "I''ve got plans, Doc. Big plans. Just need to make sure I''m in one piece for them." He sighs, pushing back his chair and standing up. "Alright, let''s take a look at you. But Aaron, whatever you''re planning, think it through. I''ve patched you up more times than I care to count. Even my patience has limits." I nod, following him to the examination room. His words echo in my mind, a warning, a piece of advice. Think it through. For the first time in my life, I''m actually considering that. My time alone, the changes in my power, they''ve given me a new perspective. Maybe it''s time to be more than just a thug with a fire trick. As the vet examines my knee, prodding and poking with a practiced hand, I can feel the gears turning in my head. I''m not the same man I was two weeks ago. I''ve been broken down, yes, but in the ruins of my old self, something new is beginning to take shape. He nods. "You''re healing. Knee''s still a bit weak, but it''ll hold. Nose is¡­ well, it''s as good as it''s going to get." The vet''s concern deepens as he transitions from my knee and nose to a more thorough examination. He grabs his stethoscope, placing the cold metal against my chest. "Breathe in. Breathe out," he instructs, his brow furrowing as he listens. After a few moments, he steps back, a grave look on his face. "Jesus, Aaron. Your lungs¡­ they sound like hell. Have you been chain-smoking in a coal mine or something?" I shrug nonchalantly, the action sending a slight twinge through my body. "Something like that. Been working on my craft." He shakes his head, clearly not satisfied with my vague response. "This is serious, Aaron. Your lungs sound like they''ve aged two decades in the span of two weeks. What the hell have you been inhaling?" I lean back, a smirk playing on my lips despite the dire warning. "Just the sweet scent of progress, Doc. Nothing to worry about." He doesn''t share my casual attitude. "This is not a joke. You keep this up, and you''re looking at some serious respiratory problems. Hell, you might already be there. Consider this warning a professional courtesy, because I don''t wanna see your ass in my office no more." I wave off his concern with a flick of my wrist, still smirking. "Am I going to drop dead tomorrow, Doc? No? Then we''re good. I can always rob some kid''s asthma inhaler if it gets too bad." The vet stares at me, his expression a mix of frustration and disbelief. "You''re unbelievable, Aaron. You''ve got nine lives or something, but even those run out eventually." I stand up, feeling the weight of his words but choosing to ignore them. "Thanks for the heads-up, Doc. I''ll keep it in mind." As I turn to leave, the vet calls out, a note of finality in his voice. "Take care of yourself, Aaron. I mean it. You''re playing with fire, and not just the kind you can control." I stand up, flexing my knee, testing it. It holds, just like he said. "Thanks, Doc. For everything." He gives me a long look, something like concern in his eyes. "Just¡­ be careful, Aaron. Whatever you''re getting into, make sure you can get out." I nod, understanding the unspoken message. Be smart. Be strategic. No more reckless gambles, no more needless violence. "I said before that you''re not cut out for this, and I fuckin'' mean it. Take a good hard look at yourself, Aaron. You''re making more enemies than you have room for. This city isn''t for you anymore. Not here. Not now. Another professional courtesy - you should make yourself scarce before your luck runs out," he says, and I almost feel the warmth in his voice. I knew he cared. I almost want to hug him. "But you didn''t hear that from me." "Whatever you say, doc. I''m thinking Atlantic City. Or maybe I''ll go to Montgomery or Bucks and take over their coke rings. I hear the band kids there are fuckin'' crazy," I reply, cracking my knuckles, holding the door open. "You do that, kid. Just stay out of this neighborhood for a good while yet if you know what''s good for you," he warns. As I step out of the clinic, into the cold, harsh light of the outside world, I feel a sense of determination settle over me. I''m not done yet. Not by a long shot. It''s not running away. It''s a tactical retreat. Just wait ''til they get a load of me. DZ.1.1 The sun is shining brightly on my face as I skip along the sidewalk, counting the cracks and trying to make it to twenty without stepping on any lines. I''m at seventeen when this big, fancy car pulls up next to me. It''s all black and polished, like something out of a movie. This guy leans out of the window wearing sunglasses and a nice suit. "Hey, Daisy Zhen?" he asks and I give a nod, wondering how he knows my name. "Your parents sent me to pick you up. Wei and Xiuying? They''re busy with work but they''ll meet us later." I hesitate, biting my lip. Mom and Dad never mentioned anything about this. But maybe it''s some sort of surprise? The car looks really nice, and I''ve never been in a limo before. "Alright," I say and hop in. The seat is super soft and I sink into it, peeking out the window as the car starts moving. There''s another man in the back. He has tan skin but not as dark as the people my Dad works with. And he has a really big beard but it''s braided like my hair sometimes. It''s pretty. But he looks mad so I''m not going to bother him. We speed through the streets of Los Angeles, but we''re not going towards home. My tummy starts feeling weird, like when I''ve had too much candy. "Where are we headed?" I ask. "To a special place," the guy says, not even looking at me. "Your parents will explain it all later." We drive for what feels like forever, and the buildings start getting smaller and fewer. My legs dangle off the seat ''cause I can''t reach the floor. I want to ask more questions, but the guy looks like he doesn''t wanna talk. And the guy in the back with me doesn''t look like he wanna talk either. Eventually, the car stops in front of this big, gray building. It''s got a tall fence with barbed wire on top. It doesn''t look special at all, it looks kinda scary. The guy opens the door and I step out. "Where are Mom and Dad?" I ask again, but he ignores me. He just leads me inside, through this big metal door. The inside is all cold and it smells funny, like medicine mixed with something I don''t really know. There are long hallways with a bunch of doors. It feels like a maze. I try to remember the way back to the entrance, but everything looks the same. We stop in front of one door, but it''s not like the doors at home. It''s heavy and there''s a small window at the top. The guy opens it and I take a peek inside. It''s a small room with a bed, a table, and a chair. It looks like a regular room, but it also kinda looks like a cage. "This is gonna be your spot for a bit," the guy says. "Someone''s gonna come get you later." "Where are my parents?" I ask, my voice trembling in the big, empty hallway. "They''ll be here soon," he says, but he won''t even look at me when he says it. He leaves, and the door locks with a loud clank that makes me jump. I can hear the sound of a lock clicking. I''m all alone in the room. It''s quiet, too quiet. I go to the bed and sit down. It''s hard and not very comfy. I wrap my arms around my knees and just wait. I wait for a really long time, but Mom and Dad never show up. The room gets darker as the sunlight from the small window fades. I''m scared, but I try my best not to cry. Mom always says I''m brave. Footsteps echo down the hallway, growing louder. I jump off the bed and run to the door, pressing my face against the small window. Maybe it''s Mom and Dad? But it''s not them. It''s a lady in a white coat, like a doctor. She opens the door and smiles, but it''s not a nice smile. It doesn''t reach her eyes. It''s like what that dog looked like one time before it bit me. It''s not a real smile. "Hiya, Daisy," she says. "Welcome to your new home." I back away from her, shaking my head. "I wanna go home," I say. "Please?" "You are home," the lady in the white coat says. "For now. Tomorrow, we start your training." "Training for what?" I ask, curiosity peeking through my fear. She smiles, and this time it seems a little kinder. It seems like a real smile instead of a dog smile. "Your parents are helping some very important people. A Senator, I think. They''re very busy, but they want you to learn some new things while they''re gone. They''re very proud of you, you know." "Really?" A tiny spark of hope flickers inside me. Mom and Dad are helping a Senator? That sounds important. "What kind of things will I learn?" "Oh, all sorts of things," she says, waving her hand like it''s a secret. "Things that will make you special. You''ll see." I nod, trying to believe her. It''s strange, but maybe it''s true. Mom and Dad are always doing important stuff. Maybe this is just another one of those things. "Can I call them?" I ask. "Just to say goodnight?" "Not tonight, Daisy," she says, her voice soft. "They''re very busy, but they''ll call you when they can. Now, you should get some sleep. Big day tomorrow." She leaves, and the door locks again, but this time I''m not as scared. I tell myself that Mom and Dad are out there, doing something important, and that they haven''t forgotten about me. I crawl into bed, pulling the thin blanket around me. The mattress is hard, and the pillow isn''t fluffy like mine at home. But I close my eyes and pretend I''m in my bed, in my room, with my stuffed animals around me. In the darkness, I whisper goodnight to Mom and Dad, wherever they are. I tell myself they''ll come for me soon. They just have to finish helping the Senator first. And I, Daisy Zhen, will learn to be special, just like they want me to be. I just have to be brave a little longer.
The bed is hard, and the blanket is thin. I wake up in a room that''s not my own, but it doesn''t surprise me anymore. It''s been like this for so long. The walls are bare, the air is stale, and everything is too quiet. It''s just another day, another place. I''m in Philadelphia now. They told me that when they dropped me off in a big, metal shipping crate. Like I was just another piece of cargo. I get out of bed, stretching my arms. My muscles are sore, but it''s a good sore. It means I''m getting stronger. I glance at the mirror on the wall. The girl looking back at me is different from the one four years ago. She''s tougher, with eyes that don''t scare easy. Her hair is messy, and there''s a streak of dried blood under her nose. That''s me. Daisy the badass. Mrs. Z came by yesterday. She''s my new handler, I guess. She''s pretty, with big hair that puffs out like a thundercloud. But her eyes are sharp, like she''s always thinking, always planning. She looks at me like I''m a puzzle she''s trying to figure out. She gave me snacks when I met her, and used an alcohol wipe to clean the blood from my face. It stung, but I didn''t flinch. I wish she didn''t treat me like a child, but I''m not a moron. I know most people look at me and see an twelve-and-a-quarter-year-old. Do I look like some sort of idiot? "We''re going to meet your new owner," Mrs. Z told me. Her voice was steady, but I could tell she was a little antsy around me. "Her name is Mrs. Irshad. You''ll do whatever she wants, okay?" I just nodded. It''s always the same, just different faces and names. Handlers, owners, they''re all the same to me. They tell me what to do, and I do it. It''s easier that way. No thinking, just doing. I''ve only had two other assignments before this and both of them were boring. Hopefully Mrs. Irshad will give me more to do. I get dressed quickly. The clothes they gave me are plain, but they fit well enough. I don''t care much about clothes anyway. They''re just things you wear until they get torn or dirty. I stuff cotton balls up my nose like I was taught. ''Decorum''. What a stupid word. Mrs. Z is waiting for me outside the shipping container. She gives me a small smile, but I don''t smile back. My teeth are all messed up nowadays anyway. Ugly teeth. She didn''t earn a smile back. "We have a bit of a drive," she says as we head to the car. It''s another big, fancy car. I''ve been in a lot of those. The city passes by the window, but I don''t pay much attention. Buildings, people, cars, they all blur together after a while. What matters is what I have to do next. That''s the only thing that''s ever mattered. Mrs. Z talks a little during the drive, mostly about what we''re going to be doing. I half-listen. It''s always the same sort of thing. Causing trouble, fighting, sometimes worse. I''m good at it. It''s what I was trained for. If you spot this narrative on Amazon, know that it has been stolen. Report the violation. "We''re almost there," Mrs. Z says, and I look out the window. We''re in a part of the city I haven''t seen before. It looks rougher, tougher. I don''t mind. I''m tough too. I glance at the corner of her mirror. North. North Philadelphia? The car stops in front of a building. It''s not as big or scary as home, but it has the same feel. A place where things happen, not all of them good. I get the feeling someone''s been buried here. "Ready?" Mrs. Z asks. I nod. I''m always ready. That''s one thing they taught me well. We go inside, and I''m hit by the smell of sweat and something metallic, like blood. My heart beats a little faster, but I don''t show it. I never show it. Mrs. Irshad is there to meet us. The lady standing before me ain''t like any of the handlers I''ve met before. She''s got this wild, big hair that''s all puffed up and dark and wavy like the ocean. Her eyes are bright and bloodshot just like mine. So I know she''s got something cool going on. Right now, I''m still chasing the handler from LA, so my fingertips are all wispy and half-there like smoke. She''s got these patterns all over her skin like a map. Like some of the people I saw out oversees that one week. I wonder if my face will look like that one day. It''s all scarred and patchy, making her look tough as nails. She''s wearing a jacket that''s got this military vibe, but it''s torn up, like she''s been through a hundred wars and just walked out of them. I can tell she''s the kind of person who doesn''t just survive; she fights, and she wins. She''s got this look in her eye that says she''s seen things, done things that would make most people run away screaming. But not her. She''s standing there like she owns the ground she''s on, and nothing''s gonna scare her off it. I stand straighter, ready for whatever she''s going to throw at me. "Daisy, this is Mrs. Irshad," Mrs. Z says. "She''s going to be giving you your assignments." Mrs. Irshad looks me over, like she''s sizing me up. "I''ve heard a lot about you," she says. Her voice is deep, like it could command armies. "I hope you''re as good as they say." I don''t say anything. I just wait for her to tell me what to do. That''s my job. To listen and do. Nothing else. Nothing else matters. "I''ll let you two get to know each other. You know how to reach me if there''s any issues, Mrs. Irshad," Mrs. Z says, giving me a pat on the head and walking out the door. It shuts, it clicks. I don''t even flinch. Mrs. Irshad starts pacing the room like a caged tiger. She''s silent, but every step is like a word in a language I''m trying to understand. The room is all bare concrete and echoes, a hollow kind of place that''s full of shadows even in the light. I stand still, watching her. That''s what you do when you''re the new kid. You watch and you learn. You figure out where you fit in the puzzle, or if you fit at all. Then the sound of a car engine fades away, and something changes in Mrs. Irshad. She stops pacing. She looks at me, and there''s a shift in her eyes, like she''s dropping some heavy armor she''s been wearing. "All that Mrs. Irshad stuff is crap," she says, her voice losing the formal edge it had when Mrs. Z was here. "Call me Miss Patches. And I''m not your owner or your handler. That''s not how we roll here. I''m your friend. And yeah, your boss." Her words hit me in a weird way, like a song you didn''t know you remembered. Friend. That''s a word that hasn''t meant much for a long time. Boss is more familiar, but the way she says it doesn''t feel heavy; it feels like something I can carry. I nod because that''s what you do when you don''t know what else to do. "Okay, Miss Patches," I say, testing out the name. It fits her, like it''s been hers all along and just waiting for me to say it. She gives a small smile, and I can see it''s real because it''s nothing like the smiles I''ve seen before. It''s not a trap or a lie. It''s just a smile, and it makes her scarred face something else, something more than just a map of fights. It reaches her ears. She pulls out a couple of chocolate bars from her pocket and tosses one to me. "You like chocolate?" she asks. I catch it, feeling the weight of the candy in my hand. It''s been so long since I had something just because it''s nice. "I don''t know," I reply, honestly. I''ve long since had the ability to lie to my handlers beaten out of me, as it should be. She unwraps her own bar and takes a bite, leaning back against the wall. "We''re gonna do some work, you and me," she says, chewing thoughtfully. "But we''re also gonna make sure we got each other''s backs. That''s how it works with the Phreaks. We''re family. You and me. And there''s some others I want you to meet, too." I unwrap the chocolate bar and stare at it. Then, I take a bite.
I''m sitting on my bed, hugging Mr. Waddles, the stuffed penguin they gave me. He''s my only friend here. The room is cold, but the second blanket helps a little. I miss Mom and Dad. I miss home. They said they''d be here soon, but that was a long time ago. I don''t think they''re coming. Every few days, the lady in the white coat comes. She says it''s time for my "treatment." I don''t like the treatments. They make me go to sleep with a mask that smells funny. When I wake up, I always hurt somewhere new. Last time, I woke up with stitches on my arm. I don''t remember how I got them. I eat the food they give me. It''s always the same - mushy and tasteless. Sometimes I pretend it''s Mom''s cooking, but it never works. I just eat because I have to. Sometimes, I hear other kids. I see them when they wheel them past my room. They look sad and hurt, like me. I tried talking to a girl once, but a man in a white coat yelled at me. The girl just looked down and didn''t say anything. I don''t try to talk to them anymore. Sometimes, at night, I hear screams. It scares me. I hug Mr. Waddles tighter and try to think of good things, like the park near our house, or the ice cream truck that used to come down our street. But it''s hard to remember the good things. I don''t scream or cry much anymore. It doesn''t help. The first few times I did, they hit me. They said I need to be strong. I don''t know what that means. I just know it''s better to be quiet. But I''m getting tired of being quiet. Tired of being scared. Tired of waiting for Mom and Dad. Tired of hurting. Today, the lady in the white coat is back. "Time for your treatment, Daisy," she says with her fake smile. I don''t want to go. I want to run away. But I know better now. I just nod and follow her, hugging Mr. Waddles close. We go to a different room this time. It''s white and bright and smells like the doctor''s office. There''s a bed with straps. I don''t like it. My heart starts to beat really fast. "It''s okay, Daisy," the lady says. "You''ll just take a little nap." I don''t want to take a nap. I don''t want to wake up hurting again. But I don''t say anything. I just climb onto the bed, and she puts the straps around me. Then she puts the mask on my face. I take a deep breath, and everything starts to get fuzzy. When I wake up, my head hurts. I feel dizzy. I look down and see bandages around my chest. It hurts to breathe. I want to cry, but I don''t. I just lie there, waiting for them to come and take me back to my room. Back in my room, I sit on my bed and try to figure out what''s happening. Why are they doing this to me? What did I do wrong? I think about trying to be strong, like they said. But I don''t know how. I''m just a kid. I''m just Daisy. I look at Mr. Waddles. He''s just a stuffed penguin, but he''s the only one who''s always here. I wish he could talk. I wish he could tell me it''s going to be okay. But he can''t. He''s just a toy. I lie down and pull the blanket over me. I close my eyes and try to sleep, but sleep doesn''t come easy. Every time I start to drift off, I remember the pain, the bandages, the straps. And I remember the lady''s fake smile. I don''t know how long I can do this. I don''t know how much more I can take. But I have to be strong. That''s what they want. I just wish I knew why.
I''m in the car with Miss Patches, watching the buildings whiz by. They''re all broken and tired, like the people who probably live in them. The car smells like old fries and something sweet I can''t place. The engine grumbles like it''s complaining about having to work. Miss Patches drives like she does everything else - like she knows exactly where she''s going and why. I just sit there, my hands on my lap, my new chocolate bar forgotten in my pocket. Everything feels like a dream, but not the good kind. The kind where you can''t run fast or scream loud. We pull up to a house that looks like it''s seen better days. A lot of them. It''s all boarded up, the paint peeling like skin after a bad sunburn. Miss Patches kills the engine, and the world goes quiet, except for the distant sound of the city - honking horns and people yelling. "Come on," she says, getting out of the car. "Let''s introduce you to your new family." Family. That word again. I don''t move at first. I''ve heard words like that before. They never mean what they''re supposed to. But Miss Patches waits, and something in her eyes tells me she''s not lying. Not like the others. I get out of the car, following her like a shadow. The house is even sadder up close. It''s got this feeling, like it''s holding its breath, waiting for something to happen. Miss Patches leads me inside, and it''s dark and smells like dust and old things. There are shadows everywhere, like they''re hiding in corners, whispering secrets. "We''re here," Miss Patches calls out. "Got someone I want you to meet." Feet shuffle upstairs, and then I see them - the rest of the Phreaks. They''re all looking at me, curious and cautious. I feel their eyes on me, heavy and expectant. "This is Daisy," Miss Patches says, and her voice makes me feel like I''m more than just another thing in this broken house. "She''s one of us now." One of us. The words hang in the air, but they don''t settle on me. They can''t. I don''t know what they mean. Not really. I look at them, these new faces. One of them is all stretched out and weird, like a cartoon. Another one is huge, a mountain made of stone, wearing a sports jersey I can''t read. And the third one¡­ she''s beautiful and scary, with her bug eyes and sharp edges. She looks like a bug. A bug person. Bug lady. They nod, say hi, but I don''t say anything back. I don''t know how. I just stand there, feeling their stares like needles on my skin. Miss Patches senses it, the heaviness in the room. "It''s late," she says. "Daisy''s had a long day. Let''s get her settled, huh?" They murmur agreements, and I''m grateful for it. Grateful for the chance to escape their eyes. Miss Patches takes me downstairs, to the basement. It''s cold and smells like the earth. There''s a mattress there, with sheets and blankets and¡­ penguins. Stuffed penguins, all over the bed. My heart does something weird. It''s like it''s trying to climb out of my chest. I don''t understand. Why is it doing that? Miss Patches is watching me, her eyes soft. "Thought you might like them," she says, pointing to the penguins. "Your file said you liked penguins." My file. Right. They know things about me. But why penguins? Why care? I sit on the mattress, and it''s soft. Softer than anything I''ve felt in a long time. The blankets are clean, and the penguins¡­ they''re just there, looking at me with their glassy eyes. I pick one up, feeling the softness of it. It''s nice. Too nice. I don''t deserve nice. I''m not¡­ And then it happens. Tears. They start falling, and I don''t know why. I''m not sad. I''m not anything. But they keep coming, like they''ve been waiting for this, for the softness and the quiet and the penguins. Miss Patches sits next to me, her presence big and warm. She doesn''t say anything, just sits there, like she''s giving me space to have my tears. I cry, and it''s ugly and messy. After a while, the tears stop. I''m just sitting there, feeling empty and hollow, like a shell. "You okay?" Miss Patches asks, her voice gentle. I nod, but it''s a lie. Miss Patches gets up, but before she leaves, she says, "You''re safe here, Daisy. You can be whoever you want to be. Remember that." Whoever I want to be. The words echo in my head as she climbs the stairs and leaves me alone with the penguins and the soft mattress. I lay down, pulling the blankets over me. They''re warm, and they smell like laundry soap. I close my eyes. DZ.1.2 I sit on the cold, hard chair, staring at the bald man standing in front of me. The lady in the white coat is next to me, holding my arm. "This is very important, Daisy," she says, her voice sharp like a teacher''s. "You need to be good, okay? This is your last test." I nod, but I don''t really understand. The man smiles at me, but it''s not a nice smile. It''s like he''s happy about something bad. "Can you say ''telekinesis'', Daisy?" the lady asks. I try to say it, but the word is too big, twisting in my mouth like a wriggly worm. "Tele¡­kine¡­sis?" I say slowly. It sounds wrong, but the lady nods. "Very good, Daisy. This man can move things with his mind. And maybe, if you''re very good, you can do that too." I look at the man, curious and a little scared. How can someone move things with their mind? I wish I could do that. I could move myself out of here, back to Mom and Dad. The lady wipes my arm with something cold and then gives me a shot. It stings, and I wince, but I don''t cry. I''m trying to be strong. The lady says I have to be strong. The bald man steps back and looks at me. His eyes are like two pieces of ice. I feel something weird, like a hand pressing on my head, but there''s no hand. It''s just air. But it''s heavy, pushing down on me. The pressure gets stronger and stronger. My head feels like it''s going to explode, but there''s no pain. Just pressure. I can''t think. I can''t breathe. My vision starts to blur, and it gets black around the edges, and I feel something wet on my face. Blood. In my mouth. From my nose. I''m scared. More scared than I''ve ever been. But then, something changes inside me. It''s like a switch flips. I''m not scared anymore. I''m angry. Really, really angry. I don''t know what happens next. It''s like a burst of something wild and strong inside my head. The next thing I know, the bald man is flying backward, crashing through the door. The door comes off its hinges, making a loud, terrible noise. The lady just writes something down, not even looking surprised. But I''m surprised. I''m more than surprised. I''m shocked. I did that. I moved him with my mind. I moved him with my mind really hard. I stand up, feeling different. Stronger. Powerful. I''m not just Daisy anymore. I''m something else. Something more. I look at my hands, expecting them to glow or something, but they look the same. Just my small, normal hands. But they don''t feel normal. They feel like they''re buzzing with something new. Fuzzy around the edges. The lady looks at me, finally paying attention. "Very good, Daisy," she says, her voice cold. "You did well. You''re not going to the bad kid place." I don''t care about the bad kid place. I don''t care about anything she says. All I care about is the feeling inside me. The power. I look at the broken door and the bald man lying on the ground. He''s not moving. I feel a twinge of fear. Did I hurt him? But then the anger comes back, burning away the fear. "He tried to hurt me." "He did. And you did a good job hurting him back. Do you want another penguin?" The lady says, with a fake smile. I stare at my hands. "Did I kill him?" She glances back at him. "Maybe. What would you like as a reward?" I look at him, waiting for him to start moving. Or start blinking. Or breathing. He doesn''t do any of those things, so I look at the lady again. "Can I have candy?" "Besides candy," she says. "Your nutrient profile is important to maintain. But I can get you books, if you want. Or more stuffies. Or maybe a Gameboy?" She asks. I blink at her a couple of times. "Do I get batteries, too?" She laughs. "We can give you some batteries, but you''ll have to earn them after the first set. Does that sound fair?" I nod. That sounds fair.
I wake up, my heart racing, sweat sticking my hair to my forehead. It''s dark, but the dark is alive, pulsing with the echoes of screams that still ring in my ears. They''re not real. Not anymore. But they feel real. I try to move, but my body doesn''t listen. It''s like I''m back there, in that room, with the cold walls and colder hands. My breath comes out in short, sharp gasps, each one a battle. Then I notice it. The weirdness. The wrongness. Everything is floating. The penguins, the blankets, even the mattress is slightly off the ground. It''s like gravity forgot to work down here. It''s me. I''m doing this. "Gravity nullification", that''s what I''m remembering. The door bangs open, and Miss Patches comes in, her feet not touching the ground. She looks like an astronaut, drifting in space, but her face is all worry and no awe. She drags herself down by the railing like she''s floating in the water. "Daisy," she says, her voice calm but strong. "You gotta breathe, kiddo. In and out. Slow." I try to follow her instructions, but my breaths are still jagged. Miss Patches grabs onto a pipe running along the ceiling and pulls herself closer. She''s floating right in front of me now, her eyes locked on mine. "That''s it," she says, as I finally manage a somewhat normal breath. "You''re okay. You''re safe." Slowly, the floating things start to settle back down. The mattress touches the floor again, and the penguins plop into a soft heap. My heart is still pounding, but it''s like I''ve won a fight. A small one, but still a win. Miss Patches floats down and sits on the edge of the mattress. She''s got something in her hand - a manga, colorful and worn. "You up for a story?" she asks, a small smile on her lips. I nod, still trying to steady my breathing. She opens the manga and starts to read. Support the author by searching for the original publication of this novel. Miss Patches turns the pages of the manga, her finger tracing the panels as she reads aloud. The colors are bright, almost leaping off the page, and the girl in the story, she''s like no one I''ve ever seen. "See here," Miss Patches points to a panel where the girl stands at the edge of a cliff, her clothes tattered, her eyes gazing out at a land overrun with darkness and strange creatures. "She''s just arrived in this world, all confused and scared. But look at her eyes, Daisy. She''s fierce, like she''s ready to take on whatever comes her way." Her voice brings the picture to life, and I can almost feel the wind, taste the fear and excitement of that girl. Then she turns the page, and there''s chaos, a village on fire, monsters everywhere. The villagers are begging, pleading with the girl to help them. "But she''s not a hero," Miss Patches reads, her voice tinged with something like respect. "She doesn''t want to be their savior. She wants something else, something more." The next page shows the girl, her expression hard and determined, as she walks away from the burning village, leaving cries of despair behind her. "She''s making a choice," Miss Patches explains, her finger lingering on the image of the girl walking away. "A choice to be her own person, not what everyone else wants her to be." We turn another page, and there he is, the Demon Lord. He''s terrifying, covered in shadows and armor, power radiating from him. The girl stands before him, tiny in comparison, but she doesn''t look scared. She looks¡­ right, like she belongs there. "The Demon Lord," Miss Patches says, a hint of a smile playing on her lips. "Everyone fears him, hates him. But she sees something in him, something no one else does. She sees a kindred spirit." The panels show the Demon Lord and the girl talking, their words a dance of power and understanding. Then, in a dramatic spread, she kneels before him, pledging herself to his cause. "It''s not about being good or evil," Miss Patches says softly, almost to herself. "It''s about power, and what you do with it. She chooses to stand with the Demon Lord, to be more than just a pawn in someone else''s game." The next few pages are a whirlwind of action. The girl, now standing beside the Demon Lord, battles armies, conjures dark magic, and faces down heroes who come to stop them. But she''s unstoppable, fierce, and free. "She doesn''t just follow him," Miss Patches narrates, her voice filled with excitement. "She becomes his equal, his partner. Together, they''re a force that nothing can stand against." The final page shows the girl and the Demon Lord on thrones, ruling over a land of shadows and monsters. The girl''s smile is triumphant, her eyes alight with power and purpose. "Spoiler alert. Next chapter she''s going to cut his head off and start ruling his kingdom. And we can read that chapter together tomorrow, ok?" Miss Patches finishes the chapter, and the room is quiet again, except for our breathing. "You like it?" she asks, her eyes searching my face. I nod, more vigorously this time. "She''s cool," I say, my voice still a bit shaky. "She''s not like the others. She''s like¡­ she''s like me." Miss Patches chuckles, but it''s not mean. It''s warm, like her smile. "Yeah, she''s a bit of a badass, isn''t she? Like you." I feel something warm in my chest, something that''s not like the fire of anger or the ice of fear. It''s softer, gentler. Miss Patches stands up, still holding the manga. "Get some more sleep, Daisy. We got a big day tomorrow. More training, more stories. You''re gonna be okay." She leaves, and I''m alone again, but it''s different now. The room doesn''t feel as cold, as empty. The manga sits beside me, its pages a promise of more - more stories, more power, more of this strange feeling that I don''t have a name for yet. I lay back down, pulling the penguins close. They''re just stuffed toys, but they feel like shields, guarding me from the nightmares that wait in the dark. As I drift back to sleep, I think about the girl in the story, about the Demon Lord and the world they rule. That should be me. I should be the Demon Lord.
I''m not the same Daisy anymore. The lady in white, the new one, she''s always watching me, scribbling notes. I don''t care. They''re all the same. They poke, they prod, they ask me to do things with my mind. Sometimes I do it, sometimes I don''t. It depends on how I feel. I''m sitting in the middle of a room. It''s plain, with white walls and a single light. They call it the testing room. I call it the boring room. There''s a bunch of stuff on the floor in front of me. Blocks, balls, a metal spoon. They want me to move them. I''ve done it a thousand times. "Begin, Daisy," the lady in white says. Her voice is flat, like she''s bored too. Maybe she is. Maybe we''re all bored here. I stare at the blocks. I''m not angry right now, and it''s always easier when I''m angry. But I can do it without being angry. It just takes more effort. I focus, feeling that weird buzz inside my head, like bees flying around. The block wobbles, then slowly rises. "Good, keep going," she says. I lift the other blocks, one by one. Then the balls. They float in the air, like they''re in space. I think about space sometimes. I wonder if it''s quiet there. I like quiet. The spoon is last. It''s harder because it''s heavier. But I can do it. I concentrate, feeling the pressure build in my head. The spoon trembles, then lifts, quivering in the air. "Sufficient," the lady says. "Now, the new exercise." I put everything down. The spoon clatters. I look at her, waiting. She points to the other side of the room. There''s something there, covered with a cloth. "Move the cloth without touching it," she instructs. That''s new. I''ve never done that before. But it sounds easy. I focus on the cloth, imagining it flying away. But it doesn''t move. I frown. I try harder, feeling the buzz grow louder, angrier. Suddenly, the cloth rips off, like it''s scared of me. Underneath, there''s a cage with a mouse in it. The mouse looks scared too. I feel a twinge in my stomach. I used to like mice. "Now, Daisy, lift the cage," the lady says. I don''t want to scare the mouse. But they don''t like it when I don''t do what they say. I lift the cage, gently. The mouse runs in circles, panicking. "Enough," the lady says. "Put it down." I lower the cage. The mouse is still scared. I feel bad for it. But only a little. I don''t feel things as much as I used to. "You''re improving," the lady says. "Your control is better. But we need more." More. They always want more. I nod, not because I agree, but because it''s easier than arguing. The lady leaves, and another one comes in. This time, she''s carrying a tablet and a small, fake gun. It looks real, but I know it''s not. They''ve been teaching me about guns. "Time for your desensitization training," the new lady says. I don''t argue. I just sit still, watching as she sets up the tablet on a stand. It''s like a TV screen, but smaller. "Watch the images," she instructs. "Your reaction is important. Remember, control your emotions." The screen flickers on. Images start appearing. They''re not nice images. They''re violent, scary. People fighting, things breaking, chaos. Blood. A lot of red. I feel something in my stomach, like a twist. But I remember what they said about controlling emotions. I keep watching, my face blank. The images get worse, more violent. But I don''t look away. I can''t look away. They''re training me not to. "Now," the lady says, handing me the fake gun. "Practice your aim. Pretend these are your targets." I take the gun. It''s heavy in my hand, but I''m getting used to it. I point it at the screen, pretending to shoot the images. Bang. Bang. Bang. I imagine the noise in my head because the gun doesn''t make any. "Good," the lady says. "Focus on your targets. Detach your feelings." I keep firing, my eyes following the images. I feel weird, like I''m floating outside my body, watching myself. This isn''t a game. It''s training. Training for something bad. But I can''t stop. The images finally stop. The screen goes blank. The lady takes the gun and turns off the tablet. "You''re improving," she says. "Your emotional control is getting better." I don''t feel better. I feel empty. Hollow. "You can go back to your room," she says. I stand up, leaving the room with the tablet and the fake gun. My room is just down the hall. It''s always the same. Plain, small, boring. But it''s mine. Sort of. I sit on my bed, staring at the wall. It''s white, blank. I got markers a couple of months ago and they let me draw on the walls but I''m not sure what to draw. I drew a penguin once. Mr. Waddles is still there. I love him. I think about the images, the gun. They''re making me into something. I don''t know what. I thought it was a superhero first but now I''m not sure. All I know is I''m changing. I''m not just Daisy anymore. I''m something else. I lie down, trying to sleep. But sleep is hard to find. My mind is too full of images, sounds, feelings. Feelings I''m supposed to control. I close my eyes, but I can still see the images. I can still feel the weight of the gun in my hand. It''s like a ghost, haunting me. I wonder what Mom and Dad would think if they saw me now. Would they even recognize me? I''m not sure I recognize myself. My hair is all long and choppy. Greasy. They don''t let me wash it that much. I hold my Gameboy to my chest. I''m getting really good at Tetris. WORLD OF CHUM: Superpower Analysis (1) [Dr. Leonard Harris strides confidently into the lecture hall, pausing to adjust the microphone clipped to his shirt. He glances at his notecards, then looks up, addressing the class with a mix of professionalism and approachable enthusiasm.] "Good morning, everyone. I''m Dr. Leonard Harris, and when I''m not here teaching at MIT, I work as the Specialist in Metahuman Power Assessment at the National Superhuman Response Agency. My job? To dissect and quantify the seemingly impossible feats superhumans perform every day." [He clicks a button, and the projector lights up, displaying a timeline titled "40 Years of Dynology". He addresses his notecards.] "Let''s talk about the evolution of this field. Dynology ¨C it''s a term we coined from the Greek ''Dyna'', meaning power. Over the past four decades, we''ve seen an explosion in superhuman activity. From the first recorded case in 1983, we''ve been playing catch-up, trying to understand how these individuals defy the laws of physics as we know them." [He gestures to the timeline, highlighting key milestones.] "In the early days, we were just trying to keep up, but pioneers like Dr. Emily Hargrove and Dr. Abraham Clarke laid the groundwork. They moved us from awe and speculation to systematic study. Hargrove''s work on the Bracing Effect, Clarke''s taxonomy of Anomalously Originated Materials ¨C these were game-changers. Vital rigor. " [He turns back to the class, his expression turning slightly more serious.] "But here''s the thing ¨C what you learned in your undergrad, whether it was Metahuman Studies, Superhuman Law, or even "Cape Biology", that was just scratching the surface. This is Dynology. We''re not just looking at the people; we''re delving into the how and why of their powers. We''re in the business of unraveling mysteries that challenge the very fabric of our scientific understanding. Your undergraduate and, for some, graduate studies may have prepared you for a surface level understanding, but this is where, as a wise man once said, shit gets real." [He pauses, to scattered chuckles. He looks pleased with himself.] "And that''s what we''re going to do in this class. Get, uh, real. Get ready to leave the easy words at the door. We''re here to explore the unexplored, to make sense of the nonsensical. Maybe, just maybe, one of you will be the one to crack the code, to find that missing piece that brings it all together." [Dr. Harris advances to a new slide, showcasing images of various superhumans in action, each defying different laws of physics. He steps closer to the screen, pointing at the images with a laser pointer.] "Now, let''s delve into the complexity of superpowers. Every day, individuals with extraordinary abilities challenge our understanding of the natural world. Superstrength, teleportation, manipulation of elements ¨C these aren''t just cool party tricks. They fundamentally defy the physical laws as we know them. They''d make Newton blow a gasket." [He turns, facing the students with a serious expression.] "This is where rigorous, scientific analysis comes in. We can''t just accept dynalogical phenomena at face value. We need to dissect, quantify, and understand the mechanisms behind them." [He paces slowly, emphasizing each point.] "How does someone teleport from Boston to Tokyo in a blink of an eye, violating the universal speed limit as we understand it? What''s happening at a molecular level when someone becomes invisible? These aren''t just hypothetical questions ¨C they are the challenges we face in dynology every day. Understanding them not only helps individual cases, but has the potential to bring wider, broader understanding to almost every field of science." [He gestures towards the next slide, which displays an image of a galaxy and a black hole.] "And this brings us to a critical analogy: Astrophysics. Studying superpowers is akin to exploring the mysteries of the cosmic microwave background or the depths of a black hole. We know they exist, but the deeper we delve, the more questions we uncover." [Dr. Harris stands beside the image of a galaxy, his expression reflective.] "Just as astrophysicists grapple with the mysteries of the universe, we in dynology confront the unknowns of superpowers. Consider this: we still don''t know why superpowers began to manifest. It''s like the Big Bang ¨C a sudden onset in the early ''80s, and since then, a continuous emergence of powers. And just like the universe''s mysteries, we have no concrete explanation for this phenomenon." [He takes a deep breath, turning back to the class.] "This uncertainty is what makes our field both fascinating and daunting. Each power is a puzzle piece in a much larger picture we''re still trying to assemble." [He gestures to transition to the next slide, hinting at a shift in topic.] "Now, this brings us to the heart of our approach in dynology: the importance of detailed, individual analysis. We can''t generalize; we must assess each power on its own merits, its own peculiarities." The story has been taken without consent; if you see it on Amazon, report the incident. [Dr. Harris stands before a slide filled with detailed graphs and charts, each representing a unique aspect of superhuman abilities.] "In the field of dynology, we embrace a detailed, case-by-case approach. It''s crucial to understand that every superpower, while potentially fitting into broader categories like telekinesis or pyrokinesis, is fundamentally unique. These powers are as diverse as the individuals who wield them, and our approach must be equally nuanced." [He points to a specific chart, highlighting varied power assessment methods.] "Our methodologies are diverse, ranging from in-depth physiological monitoring to carefully designed field tests and even psychometric examinations. We''re not just looking at surface-level manifestations; we delve into everything from the minutest energy output to subtle molecular changes. For example, in analyzing telekinetic abilities, we look far beyond the mere movement of objects. We examine intricate energy patterns, neural activity, and even the slightest environmental alterations caused by their powers. The speed at which an object is moved, the invisible forces propelling it. Or has this person been mischaracterized as a telekinetic, when, really, they''ve been an aerogenetic?" [He gestures towards a complex diagram showing a neural network.] "Consider the brain''s role in these abilities. Our neurological studies aren''t just about activity patterns; we''re exploring how these patterns correlate with power use, emotional states, and even unconscious control mechanisms." [Dr. Harris steps away from the screen, addressing the class directly.] "With this comprehensive and detailed analysis comes a profound responsibility. We''re not just dealing with abstract phenomena; we''re studying living, breathing individuals. These are people with lives, emotions, and rights. Our research, therefore, must be conducted with the utmost ethical consideration." [Dr. Harris transitions to a slide titled "Research Ethics and Responsibilities".] "We''re not just studying abstract phenomena; we''re working with individuals who possess these incredible abilities. This requires a deep sense of ethical consideration. We must respect their rights, their privacy, and acknowledge the impact of our research on their lives." [He pauses, adjusting his notecard stack to even out the edges.] "Our work doesn''t just influence academic understanding; it affects how society views and interacts with these individuals. We must conduct our research with compassion, ensuring that our pursuit of knowledge doesn''t harm the very people we''re studying. Remember, as dynologists, our responsibility extends beyond the lab ¨C it reaches into the lives of real people, and the broader society they''re a part of." [Dr. Harris gives a moment for reflection before moving on to the next part of the lecture.] "Syllabi!" [Dr. Harris clicks to a new slide, densely packed with information on course structure and expectations.] "Let''s get into the nuts and bolts of this course. Our journey through dynology will be rigorous and comprehensive. We''ll start with foundational principles, understanding the physical and biological underpinnings of superpowers, and the ''Least Resistance'' concept, which some of you coming from graduate studies may be already somewhat familiar with." [He gestures to a bullet-point list outlining the course modules.] "We''ll cover a range of topics: from the biophysics of power manifestation to the ethics of superhuman research. Each module will include lectures, readings, and practical assignments. You''ll be analyzing case studies, conducting simulations, and even engaging with field research, where possible." [He moves to a section on assignments and evaluations.] "Expect a mix of assignments: research papers, group projects, and even a few hands-on assessments. These are designed not just to test your knowledge, but to push you to think creatively, to question the established norms. So far, there seem to be very few limits to what physical rules can be bent or broken by an individual''s dynological manifestations. Even those coming from a background of chemistry, biology, meteorology, paleontology - nobody is safe. I mean, from having your worldview... disrupted. One moment." [Dr. Harris''s nervously shuffles around his cards, having lost his place.] "There we go. Now, I want you to challenge yourselves, to think outside the box. This field is evolving, and you''re going to be part of that evolution. Innovative thinking isn''t just encouraged; it''s required. The final project will be a comprehensive research paper on a particular category of superpower. This will involve fieldwork with at least three individuals fitting that category - we do have agreements with many superhero organizations, both local and national, for us to perform our fieldwork with them as our guinea pigs." [He pauses, looking over the room.] "This course is intense, but it''s also an opportunity to be at the forefront of dynological research. You''re here because you have the potential to make significant contributions to this field. Let''s get started." [Dr. Harris advances to the final slide, titled "The Future of Dynology."] "As we wrap up today''s lecture, let''s look ahead. The future of dynology is ripe with potential. Breakthroughs are on the horizon, and you, as new researchers, will play a crucial role in these discoveries." [His expression turns earnest.] "The field is evolving, and with your fresh perspectives and innovative ideas, you''ll contribute to our understanding of superpowers. This isn''t just about academic achievement; it''s about pushing the boundaries of what we know." [He concludes with a motivating gesture.] "Each of you has the potential to make a significant impact. Embrace this opportunity to shape the future of dynology." [Dr. Harris steps back from the podium, shifting from foot to foot as he finishes with his notecard pile.] "Before we wrap up, let''s summarize. Today, we''ve introduced the complexities and challenges of dynology. We''ve explored the need for a rigorous, scientific approach to understanding superpowers and the importance of ethical considerations in our research. We''ve also looked at what you can expect from this course and the significant role you all play in the future of this field." [He smiles warmly.] "Now, I''d love to hear your thoughts and questions. This is an open floor, and no question is too small or too ambitious. Let''s discuss." Chapter 54.1 The Tacony Music Hall, with its rugged charm of peeling paint and mismatched furniture, feels more like a superhero hideout now than the first time I stepped in. It''s got a lived-in quality, beds replacing mattresses and a makeshift kitchen in one corner. Jordan''s done a good job here, making something out of an abandoned building. Spindle''s lounging on one of the beds, scrolling through his phone, while Jordan''s fiddling with some gadget at a table. It''s weirdly cozy. Then there''s Miasma, looming like a storm cloud in the middle of it all. His presence is heavy, the air almost tangibly tense around him. He''s pacing, his steps echoing in the vast space of the hall, as he lays out his plan against the NSRA and Chernobyl. The plan''s bold, alright; break into an NSRA facility to dig up dirt on Chernobyl. It sounds more like a movie plot than something we''d actually do. It sounds insane, frankly. I don''t like it the second it comes out of his mouth. Miasma''s demeanor is all business, his words sharp and to the point. He''s clearly been thinking about this for a while, each detail meticulously planned. There''s an intensity to him that''s both admirable and slightly terrifying. He talks about bypassing security systems, hacking into databases - stuff that''s way over my head. Jordan''s leaning in, soaking up every word. There''s this light in their eyes, the kind that shows up when they''re really into something. They''ve always been about action, and this is right up their alley. But there''s a part of me that wonders if they''re considering the risks, or if the thrill of the challenge is all they''re seeing. Spindle, meanwhile, is more reserved. He''s listening, sure, but there''s a skepticism in his posture, a wariness that wasn''t there a moment ago. I can''t blame him; this plan sounds ballistic. Raiding a government office? Even thinking about it is enough to send anxious shivers down my spine. And me? I''m torn. Part of me wants to jump in, to take the fight to them, to do something about Chernobyl and the NSRA. They came to my residence and threatened me to my face. But another part, maybe the sensible part, is screaming that this is a bad idea. It''s not just the legal risks; it''s the danger, the possibility of things going horribly wrong. Miasma finishes his spiel and looks at each of us, probably gauging our reactions. I can feel his gaze linger on me, expecting, maybe even challenging. I shift uncomfortably under the weight of that stare. This is a lot, even for someone used to dealing with the craziness of superhero life. Jordan breaks the silence first. "I''m in," they say, their voice firm. "This is our chance to hit back, to get some real answers." Their determination is clear, but it''s the kind of determination that can either forge paths or burn bridges. Spindle finally speaks up, his voice cutting through the tension. "Are we seriously considering this? Breaking into an NSRA facility is next-level. It''s not just about getting caught; it''s about what happens if we do." He''s right, of course. The consequences of a plan like this could be disastrous. "WHEN we do. I can''t even shoplift from a Target, man." Miasma turns to him, a slight smirk on his face. "You got a better idea, kid?" His tone is condescending, dismissive even. It rubs me the wrong way, but I bite back the retort that''s sitting on the tip of my tongue. The room''s filled with a heavy silence, each of us lost in our thoughts, weighing the risks against the rewards. My mind''s racing, scenarios and consequences playing out in a loop. Miasma''s plan is bold, maybe too bold, but it''s also the kind of bold that might just work. Or it could be the kind that gets us all in deep trouble. I look at Jordan, then at Spindle, and finally back at Miasma. "We need to think this through," I say, my voice steadier than I feel. "We can''t just rush into something like this." Jordan frowns, but there''s understanding in their eyes. Spindle nods, relieved that I''m not jumping on board without considering the risks. And Miasma, well, he looks like he expected nothing less. Miasma''s leaning over Jordan''s makeshift table, his eyes flickering over a mess of maps and notes. "So, the plan''s simple," he begins, his voice steady and sure. "We hit the NSRA office downtown. I''ve got the layout, the security schedules, everything. We get in, grab whatever intel we can on Chernobyl, and get out. No fighting. No crazy business. Steal a couple of computers, smash up any security cameras, and leave." Jordan''s nodding along, their excitement palpable. They''ve always been one for action, the more daring the better. But as Miasma keeps talking, laying out his plan with a kind of casual confidence, I feel my stomach twist. This isn''t a game. This is serious, and it''s dangerous. More dangerous than the knife fights I''ve been getting into. Those have consequences that are skin-deep. Spindle, sitting on the edge of one of the beds, raises an eyebrow. "You do realize we''re talking about breaking into a government office, right? Honey bunches of oats?" His voice is calm, but there''s an undercurrent of disbelief. "This is way past ''not smart.'' It''s insane." Miasma scoffs, dismissing Spindle with a wave of his hand. "Risk comes with the territory. You want to make an omelet, you''ve got to break some eggs." I frown, crossing my arms. "But these are people''s lives we''re messing with, not eggs. We can''t just storm in there. There are consequences to think about." Jordan''s eyes flick to me, then back to Miasma. "Sam''s got a point. We need to be smart about this." I almost want to yell. No, we don''t need to be smart about this - we need to not do it. Miasma turns to me, his gaze sharp. "And what do you suggest, Sam? We sit back and do nothing? Let the NSRA and Chernobyl keep doing whatever they''re doing?" I shake my head. "No, that''s not what I''m saying. I just¡­ There''s got to be a better way. Something less¡­ extreme. Can''t we shake someone down on the streets?" Miasma''s lips twist into a wry smile. "Sometimes, extreme is the only way to get things done. You''ve got to be willing to push the boundaries if you want to make a real difference." The room falls silent, the weight of his words hanging in the air. I can feel the tension rising, a storm brewing just beneath the surface. The air thickens like tapioca. Miasma''s frustration is almost tangible, his words sharp as knives. "You''re not seeing the big picture, Sam. This is about the greater good. A few risks, a few injuries, it''s all part of the process." I feel a chill run down my spine at his words. "Injuries? We''re supposed to protect people, not put them in danger. How can you just¡­ just write off lives like that?" Jordan steps in, trying to mediate. "Maybe there''s a middle ground. We can do this without hurting anyone, right?" Miasma scoffs. "Middle ground? There''s no middle ground in a war, kid. You''re either in or you''re out. And this is a war, whether you like it or not." Spindle looks uncomfortable, shifting his weight from one foot to the other. "But we''re minors, Miasma. We can''t just go breaking into government buildings. That''s serious stuff. We get caught, it''s not just a slap on the wrist." Miasma turns to him, his eyes cold. "Then don''t get caught. You think this is a game? This is how change happens. By taking risks. By doing what needs to be done. Liberty Belle took risks." "Look where it got her," Jordan mumbles, and I see red, for a moment, squeezing my hands together. I shake my head, my fists clenching at my sides. "There has to be another way. We can''t just become what we''re fighting against. We can''t lose our humanity in the process." "It''s easy for you to say, Sam," Miasma snaps back. "You haven''t seen what I''ve seen. You haven''t had to make the hard choices. Sometimes, the end does justify the means. But fine. We''ll do it your way. I was planning on going at night anyway, but just so we''re clear - we''re going at night. Obviously, breaking in when it''s full of civvies is idiotic. Too much risk of getting caught." Jordan''s mouth is agape, and their stance pulls them back. A minute ago, two minutes, they were leaning in, all-in on the plan, but now they look horrified. "That''s your concern?" This story has been stolen from Royal Road. If you read it on Amazon, please report it Miasma laughs, a harsh, bitter sound. "Listen. Look at me, you idealistic little pigs. This isn''t about individuals. It''s about making a difference in the broad scale. And sometimes, making a difference requires sacrifice." The word ''sacrifice'' hangs heavy in the air, a dark cloud over us all. I can feel the tension mounting, the gap in our ideologies growing wider and wider. "And what about the security guards?" I challenge him. "The people just doing their jobs? What about them?" Miasma shrugs, his expression unyielding. "Collateral damage. They''re part of the system. If they get in the way, that''s on them. If they don''t get in the way, that''s great. We don''t have to hurt anyone, but hurting others can''t be the thing that makes you stop." I stare at him, disbelief and anger swirling inside me. "How can you be so callous? They''re people, Miasma. People with families, with lives. You can''t just¡­ You can''t just write them off." He meets my gaze, unflinching. "Sometimes, that''s the cost of change, Sam. You''re either willing to pay it, or you''re not." I feel a deep, unsettling unease settle in my stomach. This isn''t what I signed up for. This isn''t what being a superhero is about. It''s about saving lives, not sacrificing them for some abstract greater good. Jordan''s looking at Miasma, their expression hard to read. Spindle is visibly uncomfortable, his eyes darting between us. I take a deep breath, trying to steady my racing heart. "I can''t be a part of this, Miasma. Not if it means crossing that line." Miasma''s expression darkens. "You need to listen to me, you little swine," he says, standing up. I see his hand twitch, like it''s about to reach for the zipper on his neon-yellow containment suit. But he stops himself. "Chernobyl is a county-scale threat. If he''s allowed to roam free, he will continue pillaging, he will continue killing, and he will continue poisoning the land. And if we can''t blow the lid off this, that''s putting not just our lives, but the lives of future generations at stake. What you have, it lacks essential context. It lacks proof. No video by its lonesome is meaningful nowadays, especially not a month after Belle''s death. We need supporting evidence. We need notes. We need proof, we need names, we need heads." I stare at him, swallowing thickly. I try to think of a response, but my mouth is too dry for words. "Otherwise, all those innocent office workers? Their lives are going to be at risk too. Sure, they won''t get their heads politely coconutted by a vigilante, but the cancer, the disease - it''ll all come out in the actuarial tables. Every day we let Chernobyl go uncontested is a day that someone''s life, somewhere, is snuffed out ten years early," he finishes, taking a breath. "Shut up and calculate. Think about the numbers here." I look him in the eye, not flinching, not moving. He scoffs. "Don''t worry about it, Sam. Sure, I''m doing this to help you, but you lack the subtlety we need anyway. Really, I''m here for--" Then, out of nowhere, KNOCK KNOCK KNOCK KNOCK! The sound echoes through the Music Hall, sharp and insistent. Jordan''s face goes white as a sheet. We all freeze, even Miasma, who looks like he''s been slapped back to reality, through his deranged rant. "JORDAN. ANISE. WESTWOOD!" The voice is muffled but unmistakable. It could only be one person. "Your middle name is Anise?" Spindle asks, reaching out to Jordan - but they slap his hand away. Jordan is freaking out, whispering, "She can''t be here, she can''t¡­" but it''s too late. We can hear the sound of the lock being picked downstairs, each click and scrape a countdown to the inevitable explosion of Jordan''s mom bursting in. Miasma is the first to react, moving towards the door. His hand is already on his zipper, but there is no fucking way I am letting him gas my best friend''s mom with corpse smell, and I reach out to grab him. "Cool your jets, skunk-man," I whisper. The door to the stairwell slams open, and Mrs. Westwood''s voice gets louder, angrier. "Jordan Anise Westwood, you have some explaining to do!" She''s practically storming up the stairs, and I can hear the thump of her footsteps getting closer and closer. Jordan is just standing there, looking like they want the floor to swallow them up. Spindle looks between Jordan and the stairwell, unsure of what to do or say. And Miasma, well, he''s just watching, trying to pin himself into the wall, into the shadows. Then she''s there, in the doorway, breathing hard from her climb. Mrs. Westwood looks¡­ well, she looks like a storm about to break. Her eyes land on Jordan, then dart around the room, taking in each of us ¨C me, Spindle, and especially Miasma, who definitely stands out in his neon-yellow suit. Jordan''s mom - Mrs. Westwood, I assume - looks like an older, chestier, angrier version of Jordan. They have big, stretched earlobes that probably had gauges at some point but now hold dangly hoop earrings, and hair that''s absolutely been fried into crackling, bleached nothingness, wispy like cotton candy. But their face is the worst part, contorted into something that wouldn''t be out of place in a horror movie. "Evening, ma''am," Miasma chirps, chuckling under his breath. "Jordan Anise Westwood, where have you been?" Her voice is sharp, cutting through the tension already in the room, ignoring Miasma entirely. Jordan looks like they want to sink into the floor. "Mom, what are you doing here?" There''s a mix of embarrassment and annoyance in their voice. "How did you even find me?" "It wasn''t hard, Jordan," Mrs. Westwood snaps back. "I just had to ask around a few convenience stores to see who had seen you recently. A little detective work, that''s all. Once I had you triangulated to a neighborhood, I just needed to ask that nice man next door that''s been keeping an eye on you. You''re not as clever as you think, running around with these¡­ people." She waves a dismissive hand at us all. "Slumming around." Miasma is just standing there, an amused smirk on his face, clearly finding the whole situation more entertaining than alarming. I can''t help but step in, "Mrs. Westwood, Jordan''s been helping--" She rounds on me, her voice rising. "I wasn''t talking to you, young lady! This is between me and my child." Despite myself, I feel everything withering out of me. I feel more cowed than that time a couple days ago when someone hit me with a crowbar. The fury in her face makes me believe she could rip my skin off and not even feel bad about it. She turns back to Jordan, her eyes narrowing. "And what''s all this?" She gestures at Jordan''s new clothes and gadgets. "Selling drugs, are you? Is that how you''re affording all this?" Jordan''s face flushes with anger. "I''m not selling drugs, Mom. I''m doing something important here, something that matters." I exchange a look with Spindle, both of us uneasy. This is way beyond awkward now; it''s like watching a car crash in slow motion. Miasma''s still watching, a dark glint in his eyes. He hasn''t said a word, but I can tell he''s making his own judgments, sizing up Mrs. Westwood as another piece on his chessboard. Mrs. Westwood laughs, a harsh, mocking sound. "Something important? With these¡­ freaks? And that one," she points at Miasma, "looks like he crawled out of a toxic waste dump." Jordan''s standing tall, despite the onslaught. "Yes, something important. More important than anything you''d understand." Mrs. Westwood''s face twists with anger. "I understand more than you think. I understand that you''re throwing your life away with these¡­ these vigilantes. You could have been something, Jordan. You could have been normal." "But I''m not normal, Mom," Jordan shoots back. "I never was. And I''m not throwing my life away. I''m using it for something good, something bigger than myself." There''s a moment of silence, a stand-off between mother and child. Mrs. Westwood''s face softens, just for a second, but then hardens again. "You''re in over your head, Jordan. You always were. Too stubborn to see sense." Miasma finally speaks up, his voice dripping with disdain. "Oh, the melodrama. Are we done here? We have important work to do." Mrs. Westwood rounds on him. "And who are you, supposed to be? Some kind of leader? Some kind of role model for these kids?" Miasma doesn''t flinch. "I''m exactly what''s needed for the times we''re in. More than I can say for you." Jordan steps forward, putting themselves between Miasma and their mom. "Enough. This isn''t helping anyone." Mrs. Westwood looks at Jordan, then at all of us, her gaze lingering on Miasma. "You''re in way over your head, all of you. Playing superhero, playing with lives. You don''t know what you''re dealing with." Jordan''s face goes from pale to red, anger flaring up. "This is my life now. These are my friends." "Friends?" Mrs. Westwood scoffs, her eyes flicking to us and settling on Miasma with a mix of contempt and curiosity. "These people? And that one," she gestures at Miasma, "he looks like trouble." Trying to break the tension, Spindle chimes in, "Well, you know, we''re just a bunch of superheroes trying to save the world, one bad guy at a time." His attempt at humor falls flat, crashing and burning in the thick, charged air. Miasma rolls his eyes, clearly unimpressed. Mrs. Westwood''s voice rises, tinged with sarcasm. "And what about school, Jordan? What about your future?" "I''m still going to school," Jordan retorts, though it sounds more defensive than convincing. Miasma steps forward, irritation clear in his posture. "Can we get back to the matter at hand? We have bigger problems than a family squabble." Mrs. Westwood whirls on him. "You stay out of this. This is between me and my child. And as for you," she turns back to Jordan, "I want my share. You''re living it up here with all this," she gestures around the room, "and I''m scraping by. I deserve something for all the years I spent raising you." "Your share?" Jordan''s voice is a mix of disbelief and anger. "You think you deserve a share of what I have?" Mrs. Westwood steps closer, her voice dripping with venom. "I''m your mother, Jordan. I raised you, fed you, clothed you. You owe me." Miasma snorts. "Owe her? Sounds like she''s just looking for a payday." Mrs. Westwood rounds on him. "You don''t know anything about us, about our life. Don''t you dare judge me." I can''t take it anymore. "Mrs. Westwood," I start, reaching out, but she slaps my hand away. She whirls on me, fury in her eyes. "STAY OUT OF IT!" she shrieks, bellowing in my face, her voice thick with the smell of cigarettes and weed. Jordan steps between us, their expression hardening. "Stop it, Mom. Just stop. I''m not your cash cow, and I''m not going to be bullied into giving you anything." Mrs. Westwood''s face contorts with rage, her voice rising to a shout. "Bullied? I''m your mother, Jordan. You''re supposed to take care of me, respect me." "It''s hard to respect someone who only shows up when they want something," Jordan shoots back, their voice steady but their eyes betraying a deep hurt. Mrs. Westwood''s anger turns physical as she reaches for Jordan, attempting to drag them out. "You''re coming home with me, and you''re selling all this stuff. Every last dime is mine," she snarls, grabbing at Jordan''s hoodie. Chapter 54.2 Jordan ducks, a yelp escaping them, a mix of fear and anger. In a panic, their powers kick in, instinctively, defensively. The room stretches, elongates impossibly. Suddenly, Mrs. Westwood and I are on one side of a now miles-long room, while Jordan and Spindle are on the other. Mrs. Westwood''s face is a picture of shock and horror. "What¡­ what are you?" she stammers, looking at the vast space between her and Jordan. Miasma, who''d been watching the scene unfold with a mix of irritation and amusement, now steps forward, a sneer on his face. "Some mother you are," he mocks. "Terrified of your own child." But Mrs. Westwood isn''t listening to him. She''s fixated on Jordan, her expression one of abject fear and revulsion. "You''re a freak," she whispers, backing away. "My own child, a¡­ a monster." I feel a rush of anger at her words, but before I can say anything, Miasma moves closer to her, his posture menacing. "You''re the monster here," he hisses. "Rejecting your child because they''re different. Because they''re special." Jordan''s hands are still outstretched, maintaining the gap, their face pale, their eyes wide with shock at what they''ve done. "Mom, I didn''t mean to¡­" they start, but their voice is lost in the vastness of the stretched room. Miasma looks ready to pounce, the air crackling with his anger. "People like you," he growls, "you''re the reason the world''s so messed up. You and your narrow-minded fear." Mrs. Westwood is backing away, her eyes darting around, looking for an escape. But there''s nowhere to go, not with the room stretched out like this. "People like me?" She croaks, her body twitching. "People like you! This superhero, supervillain nonsense. I remember when the world was normal, before people like you corrupted it. Turned it into this Looney Tunes bullshit." "Looney Tunes bullshit," he chuckles. "Wanna see if you can survive getting a piano dropped on your head? Just take two more steps back and I''ll rot out the ceiling for you," "Enough, Miasma," I say firmly, stepping between him and Mrs. Westwood. "This isn''t helping." He glares at me, then at Mrs. Westwood. "She doesn''t deserve your protection," he spits. "Maybe not," I admit. "But we''re not here to judge and punish. We''re here to help. To protect." Mrs. Westwood''s gaze flicks to me, then back to Jordan. "Help? Protect?" she scoffs. "Look at what you''ve done to my child. Turned them into a¡­ a freakshow. A cartoon." I feel a surge of protectiveness for Jordan. "They''re not a freak. They''re a hero. And they''re better off without someone like you in their life." Jordan''s voice finally reaches us, small and strained. "Mom, please. I just want to help people. I want to make a difference." Mrs. Westwood shakes her head, her face twisted with a mixture of fear and disgust. "You''re not my child. Not anymore." The words hang in the air, heavy and final. Jordan''s face crumples, and they look away, the gap in the room slowly closing as their control slips. Miasma watches, a look of satisfaction on his face. "See? Better off without her." But all I can see is the pain on Jordan''s face, the hurt in their eyes. This is no victory. This is just another kind of loss. There''s a moment of sheer pain in the air, and I''m at a loss for words, as everything turns back to its default state. "Don''t bother coming home," Mrs. Westwood hisses, turning around on her heel. "You''re dead to me." "Because I won''t give you money?" Jordan almost whimpers, their face contorted with misery. "You think it''s just about the money? No, I get enough in child support. But sure, chipping in a little for your Mama''s rent, for your Mama''s cigs, yeah, maybe it would''ve been nice. I don''t care how you got it. Maybe I''d have been nicer if I could taste a little bit of this high life you''ve been keeping from me," Mrs. Westwood snarls, backing herself into a corner. Even Spindle looks pissed, which is a weird expression on his perpetually worried-looking face. "You selfish little brat." "Be quiet," Jordan whispers. "No. I''m done being quiet. You and the counselor, that''s all they want me to do, be quiet, be a good little housewife. Well I''m SICK OF IT! I''m sick of putting up with your flights of fancy, Avery," Mrs. Westwood spits the name out like it''s vomit in her throat. "Do you have any idea how hard I''ve been working to keep food on the table for you? Tolerating your gender-neutral mannequin bullshit. I bought you fresh underwear and called you your ''preferred name'' for years. What, was the name I gave you not good enough for you?" "Stop it," Jordan whispers. My entire body is shaking. I feel blood rushing into my face, into my fists. I can feel the teeth itching underneath the surface of my skin, begging to get out. "No, I won''t stop. You''re a petulant little brat. Your cousin was like this too, look where that landed her, in a jail cell in Hoboken. Playing with the supervillain bullshit. Maybe that''s where you got your failure genes from. It''s certainly not from my side of the family. You hate me so much? Go figure out where your dad lives, and go ruin his life instead. Maybe he''ll ''respect your pronouns'' and you won''t have to go crying to CPS again," Mrs. Westwood snarls, reaching down to grab Jordan by the collar of their hoodie. "I should''ve let them take you. Why did I bother fighting so hard to keep a child that resents me like this?" "Stop," Jordan''s voice is almost nonexistent. I can''t take this anymore. Mrs. Westwood lifts Jordan up like they''re made of straw, like a light breeze will tear them apart. I aim for the cheek. My fist connects with possibly the most satisfying slap of knuckle on skin that I''ve heard in my life. I''m in prime shape for a fourteen year old, I''ve got muscles to spare, and my bones have gotten rock hard from months of training - plus, I know how to swing. I feel the way her entire body warps and buckles under my fist, the way blood rips loose from the interior of her cheek as her own teeth bite and knock into it, and how the blood vessels burst in her nose from the impact. I feel the way her entire body crumples sideways like a car being demolished, and her hands let go of Jordan, which was really the only thing I cared about in that moment. She hurtles into the nearby couch, landing safely on the cushions with enough force to scoot the furniture back a centimeter or two. She stares up at me, blood trickling out from her nose, and spits on the ground, dazed. "Now you look here, lady. I don''t know who the fuck you think you are, coming into Jordan''s home and treating them like garbage, but the only freak I see here is you, and the person standing next to you is literally a rotting corpse. You''re not a mother, you''re a bully. You''re no better than the thugs I beat up underneath the I-95, and you smell like one of them too. Ever hear of a toothbrush, asshole?" I half-shout, half-bark, the words coming out in a steady staccato stream. I don''t even have control over them. They just happen. It''s totally out of my hands. Reading on this site? This novel is published elsewhere. Support the author by seeking out the original. "You hit me," she creaks, like a tree about to fall. "Fuck yeah, I did. I couldn''t put up with another second of your bullshit. And I''ll hit you again, because you know what? We''re not the Delaware Valley Defenders over here, lady. We''re the mean kids. You know what I did a week ago? I got tortured by a gangster and that wasn''t half as painful as listening to the shit you dribble out your mouth like so much fresh vomit. Here, look at my fucking nails, you troglodyte," I keep going, my voice rising in both volume and pitch. I yank the glove off my hand and fan my fingertips out, watching her eyes flick to them. "They ripped them out with a fucking claw hammer." "You hit me," she repeats. "I¡­" "Get over it. I didn''t even put half my shoulder into it. You''re not concussed and I didn''t give you a stroke, otherwise I''d smell the blood leaking into that pile of rotting meat you call a brain. Jordan has more love and care in their pinky finger than you''ve ever had in your entire body, you old hag. When you die alone and unloved, wondering why you''ve never gotten a single visit in the retirement home, shitting in your doo-doo diapers, maybe you''ll reflect on this moment and realize this is where it all went wrong," I scream, shaking now, my entire body vibrating. I need to rip my skin off. I don''t even realize that I''m crying until I feel the tears dropping off of my face and landing on the ground. "Parents are supposed to love their children unconditionally. Sure, I fight with my mom and dad, but they haven''t seen me or hugged me in months because they''re willing to make sacrifices for me, and right now, because I''m a superhero, I need them to be safe. That''s sacrifice. That''s what you''re supposed to do. The bad guys knocked my house down but I bet they haven''t even touched yours, because I think even they can tell you''re worth less than dogshit to Jordan." Mrs. Westwood''s face is twitching almost uncontrollably. I don''t know what expression they''re trying to make, but everyone is giving the two of us a wide berth, letting me just lay into her. "You''re supposed to love your kid and be there for them no matter what, not shake them down for money. You know, maybe Jordan would''ve chipped you in if you bothered asking nicely, or, I don''t know, having any sort of relationship with them? You have to love your kid! What is wrong with you that you don''t?" I scream, my face snotty, my voice beginning to grate. I don''t have words left. Mrs. Westwood shakily gets to her feet, bobbling back and forth like a bobblehead. She looks at me, then Jordan, then me again. "That nice man in the suit was right. He said I should''ve just watched. Said there were freaks coming and going," she mumbles, and my heart throbs in my chest hard enough to ache. "Don''t worry, Jordan, I''ll let you keep living out your fantasies." "Go away," Jordan sniffles, curled into a ball. "I could press charges. I could tell the police where you''re squatting," she keeps mumbling, shambling towards the second floor door. Miasma and Spindle both watch, completely speechless but in opposite ways, as she shuffles. "But I won''t. There''s your charity. I could end these silly games in an instant. But I won''t. See? I love them." "Leave," I order. Mrs. Westwood doesn''t say anything else. We listen to her footsteps, shuffling down the hall, stomping down the stairs. She opens the front door, and she slams it shut. The room is silent, outside of the quiet hum of the air purifiers, and Jordan''s quiet humming. "Well, that was eventful. Can we get back to planning, now?" Miasma chirps, breaking the air. "You shut the fuck up too," I say, before I have a chance to stop myself and regret it. "You want our help with your batshit plan? Go leave for two hours and come back with Wawa and then we can talk about your batshit plan and how much of a stupid fucking idea it is. And then if Jordan wants to help, still, when they''re feeling better, you talk about it then. Asshole." Miasma looks at me, eyes narrowed. Then, his desiccated lips pull up into a narrow smile. My fists clench, and I get ready to swing again, but then he takes me off guard. "You''re right. That was assholish." My entire body relaxes. "Well. That''s¡­ cool of you to admit." He sighs, a heaving, full-body sigh that looks distinctly unpleasant. "When I''m in a bad mood, I like to focus on the present, on pressing tasks. But I guess you kids are a more sensitive breed." He raises his hands defensively when he notices Spindle and I both scowling at him. "I don''t mean that as an insult. Clearly, the three of you are blessed with boundless empathy that I lack. Sure, I think it makes you a little squishy and ineffectual, but it''s not a bad--" "With all due respect, Mr. Miasma dude, I think you need to stop talking," Spindle says, arms folded over his chest. Miasma looks at us, the three of us, and I can see something turning in his head. Like something in his brain just snapped, and he remembered that we''re teenagers, and not soldiers. His entire body visibly deflates. "Fine. Sorry. I''m¡­" "If you''re thinking about trying to bring anything about the plan back up, save it, man," Spindle says just as Miasma''s body revs up a little for another sentence. "I''m gonna go get some nosh," Miasma concedes, adjusting his hood. "My treat. Don''t worry about it. You tend to Jordan." Spindle sits down behind Jordan and silently wraps his arms around them, while Miasma turns around and walks to the door. I sigh and sit down too. Miasma looks at us, throws a half-hearted salute, and vanishes out the door, his footsteps lighter than air.
Two hours have slipped by like shadows in the night, and we''ve been huddled up in the Tacony Music Hall, a trio of lost souls trying to find comfort in each other''s company. Jordan''s still a mess, but Spindle and I, we''ve been doing our best to keep the spirits up. We''ve laughed a little, cried a little ¨C it''s been a rollercoaster. "I still can''t believe she called you ''Jordan Anise Westwood'' like you were in trouble at school or something," Spindle says, breaking a silence that had settled over us. Jordan cracks a smile, the first genuine one I''ve seen in what feels like forever. "And I didn''t know you were named after licorice flavor," I joke, ruffling Jordan''s hair. "Yeah, she always does that when she''s mad," Jordan says, wiping their eyes. "And hey, not to change the subject or anything, but we really need a better name than ''Young Defenders Dark.'' It''s so¡­ cringey." "How about ''The Watchmen''?" Spindle suggests, scrolling through his phone. Jordan snorts, wiping their nose. "That''s taken, and there''s only one man in this room anyway." I chuckle, despite the day''s events. "We need something that says we''re investigating the investigators, you know? Something¡­ investigator-y." We throw around a few names, nothing really sticking. "The Inquisitors?" I offer, but Spindle shakes his head. "Too medieval torture-y," he says. "The Oversight Squad?" Jordan tries, but we all agree it sounds too¡­ long-winded. We''re still tossing ideas around when Miasma comes back, a plastic bag from Wawa in hand. He drops it in the middle of our circle with a small smile. "Food''s here. Hope you like hoagies." We dig in, grateful for the distraction. For a moment, we''re just a bunch of teenagers eating sandwiches and chips, not superheroes dealing with government conspiracies and family drama. As we eat, Miasma watches us, his expression thoughtful. "You know," he starts, "you need a name that reflects what you do. You''re auditing the auditors. Keeping the keepers in check." "The Auditors," I repeat, the name rolling off my tongue. "I kinda like it." "It''s not too bad," Jordan admits, a small smile playing on their lips. "The Auditors. Temporary name, but it could work." Spindle nods in agreement, mouth full of hoagie. "The Auditors. It''s got a ring to it." Miasma nods, looking satisfied with his contribution. "I''m glad we can get that squared away so we can get back to the proper business. Oh, and before I forget, I tailed your mom for a little bit. She went right home. And cried. But yes, back to the planning." I sigh to myself, trying not to get too angry with Miasma. I''ve been angry too much today already. Too much in too compressed a quantity. "Look, Miasma, we--" He holds a hand up. "I''ll do it alone. You kids," he says, looking at the blood stain on the couch where Mrs. Westwood''s face leaked out onto the cushion. "You kids have too much to lose. Not that you talked me out of anything. I just had to spend some time to think about it calmly. You''d just drag me down, anyway. More moving parts gives more room for failure." "Aw, we love you too, big guy," Jordan teases, snapping him closer so that they can poke him in the shoulder, and then putting the space back before he can reply. "Knew you were a big softy." Miasma rolls his eyes. "Believe me, it''s nothing to do with any softness. I just think you kids have too many fetters. Too many scruples. You''d be ankle weights on me. I''ll infiltrate the office myself and if anything happens, I''ll--" I cut him off. "Nothing will happen, because you''re going to go in the middle of the night, and you are going to not attack any security guards. If I find out from the news or whatever that this is anything other than a perfectly quiet heist I''m going to be so fucking mad." Miasma''s face clenches up like he''s sucking on a lemon. "Yes. I''ll do it your way for now, even if it would make my life so much harder. But don''t take this as any sort of endorsement of your values, you squeamish little babies," he says, but I know he doesn''t mean it like he meant it earlier. The edge is gone from his voice. Not the rasp, just the edge. "I''m doing this because Diane decided that this one," he continues, pointing to me, "is the designated inheritor of her legacy. I''m doing this for Diane. Not for you three." "Whatever you say, hot shot. Come eat a meatball sub, loser," Jordan snarks, biting down on an Italian hoagie. Chapter 55.1 The abandoned music hall has this patchwork vibe, a mix of necessity and comfort. There¡¯s a mismatched set of chairs and a table we use for meetings, scavenged from who knows where. On one side of the room, there''s a second-hand couch that''s seen better days but is a godsend after long stakeouts. There''s beds, with mattresses, and bedframes, and sometimes I sleep here instead of at Lily''s house. Lily''s house is a little closer to school, now that winter break is over. And I still prefer napping in the same bed as Lily to in a dusty, probably moldy abandoned building I''m squatting in. Every so often, I wake up in a cold sweat, fully expecting to see a Tyrannosaurus Rex over my head, or expecting to see my brains exploded onto this too-narrow mattress, with not enough room to even roll over - but it never happens. The moment never comes, and I never have to witness an expulsion of grey matter onto this scavenged furniture. Our tech setup is nothing fancy ¨C just a couple of old laptops, donated by Jamal, that arrived in a nondescript cardboard box. The screens are cracked, or they''re missing keys, but they work, and that''s what matters. We''ve got this ancient printer that groans like it''s in pain every time we use it, but it spits out what we need. Jordan somehow rigged up a decent Wi-Fi connection. Don''t ask me how; tech''s not my thing. But Jordan, they can make magic with wires and signals. The walls are plastered with maps of the city, pins and strings tracing our patrols and sightings of Kingdom activity. There are stacks of newspapers, too, some local, some from out of state, tracking anything that might lead us to the NSRA or the Kingdom. Well, we know where the local NSRA office is, it''s in Hatboro-Horsham, but, you know, we can''t exactly track down individual agents. It''s like one of those detective shows, but less glamorous and more¡­ desperate. I¡¯ve got my corner, where I keep my gear ¨C the stuff I got from Belle and my own additions. Handcuffs, a few non-lethal weapons, and my trusty binoculars and night vision goggles, also discretely donated by Jamal. Next to it is an old filing cabinet where we keep hard copies of everything. We learned early on not to rely too much on digital ¨C too easy to lose everything with a click. Laura Zhang has been in semi-regular contact with me, and we managed to work together to digitize all of Belle''s journals. There''s this big¡­ doohickey that she managed to get access to, with one of the local museums, that''s like a big scanner camera thing made for quickly running through books. So we''ve got that poison in our computers now. And extra copies sealed in tin foil, which Jordan assures me is necessary. In the corner of the room, there''s a stack of what looks like ancient, but still functional, government surplus electronics that Councilman Jamal managed to snag for us before they hit the surplus auctions. A box of assorted two-way radios, their batteries long-lasting, perfect for keeping in touch during our stealthier missions. Beside these, a few old but powerful binoculars and night vision goggles sit, which have been invaluable for stakeouts. Each piece, a relic of past government operations, now serves our cause in this ongoing battle against the shadows that threaten the city. Jordan''s corner is like a mini electronics lab. Wires, gadgets, things I don''t know the names of. They''re always tinkering with something, trying to improve our gear or find new ways to gather info. Spindle¡¯s area is the least defined ¨C he¡¯s not much for possessions, but he¡¯s got a small bag with personal items, always ready to move. But it''s not all work. Jordan made sure of that. There¡¯s a small fridge in one corner, usually stocked with snacks and drinks. They say it''s important to keep morale up, and I can''t argue with that. There''s even a small TV set up with a game console for downtime. Not that we get much of that. The atmosphere in the hall is always a mix of determination and tension. We know we''re underdogs, going up against forces much bigger than us. But there¡¯s also this undercurrent of excitement, of being part of something important. Nobody is here to hold our hands, but we''re getting support in small places. The bodega owners have begun to recognize us, which I recognize is¡­ not great, but also, it feels good to be seen as a human. I''m just a schoolgirl, right now, roaming the neighborhood. We''re making a difference, or at least, we''re trying to. Tonight, the air is heavy with focus. We¡¯re gathered around the table, sifting through the latest batch of info. I¡¯ve got the physical stuff ¨C notes from our last few stakeouts, photos we¡¯ve taken, newspaper clippings that might mean something. Jordan¡¯s got their laptop open, diving into public records, trying to find connections we¡¯ve missed. Spindle''s bouncing between helping both of us, his intuition often giving us new angles to consider. He''s got a talent for stating the simple solution that we tend to overthink our ways past. We''re piecing together this puzzle, bit by bit. It¡¯s slow going, and sometimes it feels like we¡¯re getting nowhere. But then there¡¯s that moment ¨C a name that shows up one too many times, a place that keeps being mentioned ¨C and suddenly, it feels like we¡¯re on the brink of something big. That¡¯s what keeps us going, keeps us digging through the night.
In the cluttered space of the music hall, our investigation is in full swing. I''m hunched over a stack of newspapers, my eyes scanning the lines for anything that stands out, occasionally giving my eyes a break by reading HIRC chatrooms and rumor forums instead. It''s like trying to find a needle in a haystack, but every now and then, a name or an event jumps out, making the tedious task worth it. Jordan, hunched over their laptop, looks up at me, a hint of excitement in their eyes. "Okay, so, I''ve been digging into these property records, right? And there''s this pattern. A lot of these properties are linked to companies that only exist on paper. No real business operations, no employees ¨C classic signs of shell companies." Spindle, hovering nearby, perks up. "So, they''re like, fronts for something else?" "Yeah," Jordan confirms, pointing at the screen. "But it gets weirder. Some of these match the companies on my board from the Kingdom''s money trail. And others? They fit a pattern that''s more NSRA-like. See, the Kingdom ones, they''re more active, like fronts for laundering. But the NSRA ones? They''re quieter, more secretive. Probably for black ops." I lean in, trying to follow. "Shell companies?" I lean in closer, trying to follow their train of thought, staring at the spreadsheet just positively lousy with data and information. "So, what does it mean? Are they working together or something?" Jordan shrugs, their expression turning serious. "I don''t know for sure. If I had to guess - The Kingdom''s using theirs for money flow and avoiding the law, but the NSRA''s are likely for their covert activities. You know, if it''s the NSRA and not some other organization." Spindle chimes in, "Can we track any of this back to specific events or people?" Jordan nods, tapping away at their keyboard. "That''s what I''m trying to do. If we can line up the dates of these property transfers with known activities of the NSRA or sightings of Kingdom operatives, we might be able to make some connections." I glance over at the big board, tracing the lines connecting various names and addresses. "This is big. It''s like we''re uncovering a hidden network right under everyone''s nose." "Yeah," Jordan agrees, their eyes not leaving the screen. "And the deeper we go, the more it feels like we''re onto something. Something huge." This text was taken from Royal Road. Help the author by reading the original version there. I rub my chin, thinking. "So, we can track where they''ve been¡­ Can we predict where they''ll go next?" Jordan shrugs. "Maybe. If we can crack their pattern. But we''re dealing with two different MOs here. It''s like trying to predict moves in two different chess games at once." "Does the government even make shell companies? Like, they''re the government¡­ They don''t need to launder money, I think?" Spindle asks. Jordan and I both look at each other, and then blink. "I mean, not usually in the literal definition of ''shell company'', that''s, like, an economics thing, but the government has made fake companies before. Front companies, or dummy companies, they''re usually called. They don''t exist anywhere except on paper, and are usually there to give the government plausible deniability. Like, if they need to make a new identity for a spy or whatever, now you have this perfectly good company they''ve been working at for years," Jordan explains, holding their hand out, open-palm, as they talk. "So, yes, the government can open fake dummy companies." "Why do you know all this?" is my obvious follow up. "I like to read internet encyclopedias. Sue me," they snark back. We all fall into a focused silence, each of us absorbed in piecing together the puzzle. Jordan continues their digital investigation, Spindle assists with cross-referencing information, and I go back to my newspapers, looking for any mention of these shell companies or their linked addresses. The atmosphere is tense, charged with the potential of our discoveries. We''re teenagers, sure, but right now, we''re investigators on the trail of something that could blow the lid off a major conspiracy. We''re the auditors. And in this cramped, makeshift base, surrounded by the tools of our trade, I feel a sense of purpose that pushes away the usual doubts and fears. We''re onto something, and we''re not going to stop until we''ve uncovered the truth. As we dive deeper into our respective tasks, the chatter continues. "Sam, how do you always manage to find the weirdest articles?" Jordan teases, glancing at the newspaper clippings scattered around me. I chuckle. "What can I say? I have a sixth sense for weird." Spindle chimes in, "More like a sixth sense for snacks. Hey, anyone want a soda or something?" "Make it a tea for me, Spindle," I reply, grateful for the break. Jordan raises their hand. "Soda here, thanks." As Spindle heads off to fetch our drinks, Jordan turns to me, a thoughtful look on their face. "Sam, you ever think we''re in over our heads with this?" I pause, considering. "Sometimes. But then I remember why we''re doing this. We can''t just sit back and let them get away with whatever they''re planning." Jordan cracks a wry smile. "Very revenge-focused. I like that." I throw a wadded up ball of paper at their head. "Don''t think you''re getting to me, Jordan Westwood. I will drag you kicking and screaming into being a superhero if it''s the last thing I do." "Don''t say shit like that, because you know it''s gonna happen," Jordan teases, pulling me close with their powers just to flick me on the forehead again. I can''t even be too mad - casual use of our powers keeps us sharp, and Jordan''s only been getting faster and more precise, which is useful for our end goal. The atmosphere is a mix of focus and camaraderie, the kind that only comes from working towards a shared goal. Amidst the seriousness of our task, there''s laughter, jokes, and the comfort of knowing we''re not alone in this fight. But beneath it all, there''s a nagging worry, a sense of being watched that I can''t shake off. It''s like we''re on the edge of something big, and I can''t help but wonder what we''ll find when we finally pull back the curtain.
We''re gearing up for a stealth mission, just the three of us ¨C me, Jordan, and Spindle. Jordan''s done the legwork on this one, pinpointing a building that''s got all the signs of being an NSRA covert site. It''s tucked away in an industrial part of town, nondescript, the kind of place you''d never look twice at. That''s what makes it perfect for them. In our base, I''m pulling together our modest surveillance kit. It''s not much ¨C a pair of binoculars that have seen better days, a digital camera, and a stack of notepads. I check the camera battery ¨C full charge, good. Binoculars ¨C lenses clear, no cracks. I feel that familiar buzz of adrenaline, the pre-mission jitters that always hit me. They feel good. Jordan''s double-checking the building''s layout on their phone, eyes squinted in concentration. "There''s a fire escape on the back side. Might be a good spot to watch from," they murmur, more to themselves than to us. Jordan''s the brains when it comes to tech and strategy. I bring the muscle and the instinct, and Spindle, well, he''s¡­ here. Spindle''s pacing, a nervous energy about him. He''s still not used to this kind of work, but he''s getting there. He''s more used to breaking into convenience stores, not observing federal buildings. "Do we have a plan if things go south?" he asks, a slight quiver in his voice. I nod, clipping the camera onto my belt. "Stay out of sight, gather what we can, and get out if it gets too hot. We''re not there to engage, just to observe." Jordan looks up, a steely determination in their eyes. "We need to know what they''re up to. If we can get solid proof of NSRA''s activities¡­" "We can blow this whole thing wide open," I finish for them, feeling the weight of what we''re about to do. This isn''t a game, it''s real, and it''s dangerous. "Imagine if we see Chernobyl just walking in here and sharing a drink with some government drones. Let''s do this," I say, slinging my backpack over my shoulder. We head out into the night, the city''s sounds a distant hum behind us. We''re a team, a unit, moving in sync as we approach our target. The streets are quiet, the occasional car passing by, oblivious to what we''re doing. We blend into the shadows, just another part of the city''s unseen world. As we get into position, I feel that familiar focus settle over me. This is where I belong, out here in the dark, uncovering secrets, fighting for justice. No matter how dangerous it gets, this is where I''m meant to be. The night wraps around us like a cloak as we move into position around the NSRA building. It''s an old, nondescript structure, the kind you''d easily overlook. But we know better - probably. I find a spot across the street, partially hidden by a dumpster. It''s not glamorous, but it gives me a clear view of the front entrance. Jordan is a block away, their eyes glued to the screen of a digital camera with a long-range lens. Spindle''s closer, tucked away in a thin, narrow space only he could possibly fit inside of. Watching. Observing. Our mission is clear - observe and record. I adjust the focus on my binoculars, scanning the building''s windows and doors. The area''s quiet, too quiet for a place that''s supposed to be abandoned. No birds. No geese. There''s a faint light in one of the upper windows, and every now and then, a shadow passes by. The night air is chilly, but I barely notice. I lower the binoculars for a moment, taking a deep breath. Across the street, I can see Jordan''s silhouette, their camera pointed at the building. Suddenly, a car pulls up to the building. It''s sleek, black, definitely not the kind of vehicle you''d expect in this part of town. I raise my binoculars again, watching as two figures step out. They''re dressed in dark suits, moving with purpose. Who are they? What are they doing here? My grip tightens on the binoculars, my eyes locked on the scene unfolding before me. We stay in our positions, the cold seeping into our bones but the focus never wavering. I watch through the binoculars, each movement, each shadow behind the windows, cataloging everything in my mind. Jordan¡¯s camera clicks softly in the distance, capturing every moment, every arrival and departure. Spindle, in his hidden nook, occasionally emerges to pee in the alleyway, only to return and cram himself somewhere new. Hours pass, a slow, unending parade of small happenings that might mean everything or nothing. Cars come and go, people in suits, some carrying files, some empty-handed, their faces neutral, giving nothing away. Finally, the sky starts to lighten, a pale blue seeping into the night''s black canvas. We''ve been out here all night, and as the city wakes up, we know it''s time to pull back. I give the signal, and we silently agree to retreat. We split up, making our way back to the base separately. Three separate taxis, three separate routes. Can''t be too careful, not when we''re this deep in. I slump in the back of my cab, the events of the night replaying in my mind. We''ve got a lot to go through, a lot to make sense of. But it''s a start, and sometimes, that''s all you need. Back at the Music Hall, we regroup, exhaustion written on our faces but a fire still in our eyes. Jordan dumps the camera¡¯s memory card onto the laptop, and the screen fills with images of the night. "We got something here," Jordan says, zooming in on a photo, a figure in a suit, their face partly visible. "This guy, he showed up three times, different cars each time. That¡¯s not normal." Spindle points at his notes. "And there were deliveries, small boxes. A lot of small boxes." I lean in, studying the images, the notes. "We need to cross-check these with public records, see if we can ID any of these faces, these plates." It¡¯s a lot, a mountain of information, but we''re undeterred. This is what we do, who we are now. The NSRA messed with me, and that means they messed with Jordan, and that means they messed with Spindle. The pieces are there, we just need to put them together. But for now, we need rest, need to recharge. The day''s just beginning, and we''ve already been through a whole night. But I''m not going to let Liberty Belle''s death be for nothing. I can''t. Chapter 55.2 Jordan''s been on edge all day, pacing back and forth, glancing out the dusty windows of our makeshift base. "That car," they mutter, more to themselves than to us. "It''s been there for days. Same spot, same tinted windows. Doesn''t feel right." I join Jordan at the window, trying to get a better look. The car''s nondescript, but it''s the kind of thing you''d use if you didn''t want to stand out. "Could be. It''s not exactly a hot spot for parking around here," I muse, the unease growing in my stomach. Spindle squints through the window. "Has anyone been in it?" "Not that I''ve seen. It''s just there. All the time," Jordan replies, pulling the blinds slightly for a closer look. I step back, feeling a chill run down my spine. "This is creepy. It''s like they''re just waiting, watching." Spindle joins us, squinting at the vehicle. "Could be a coincidence," he offers, but his tone lacks conviction. Jordan nods, their eyes still fixed on the car. "Yeah, good idea. We can''t let our guard down." "We should keep an eye on it. Take shifts watching, see if anyone comes or goes," Spindle suggests, a frown creasing his forehead. "We''ve made enemies, right? NSRA, the Kingdom¡­" Jordan''s voice trails off, and we all know what they''re not saying. The list is longer than we''d like. "We should keep tabs on it," I agree, already reaching for the binoculars. "Take turns watching, note any movement, anyone coming or going." Jordan nods, pulling out a notepad. "I''ll take first watch. Let''s see if our mystery guest makes a move." I feel a surge of protectiveness over our little team. "We won''t let them intimidate us," I declare, more to reassure myself than anything. As the hours pass, we rotate shifts, each of us stealing glances at the car, but it remains still, an ominous sentinel in the fading light of day. As we take turns watching the suspicious car, I use my downtime to tidy up our base a bit. The place is cluttered with papers, food wrappers, and all sorts of random stuff we''ve accumulated over the past few weeks. While moving a stack of old newspapers from under the couch, my hand brushes against something odd, taped to the underside. It''s a small, black device, barely noticeable. A cold rush of fear washes over me as I peel it off and examine it. "Guys, look at this," I call out, my voice tight with anxiety. Jordan and Spindle rush over, their expressions turning to shock as they see what I found. "Is that what I think it is?" Jordan asks, their voice laced with disbelief. "Yeah, it''s a bug. Someone''s been listening to us," I reply, feeling a mix of anger and vulnerability. It''s not the first bug I''ve touched in my life. I have¡­ familiarity. Liberty Belle''s lessons flash in my mind. Spindle takes the device, turning it over in his hands. "Do you think it''s the NSRA? Or the Kingdom?" I shake my head, unsure. "Could be either. Or both. They both have reasons to keep tabs on us." The revelation hits us hard. We''ve been careful, we thought we were being smart, but this¡­ this is a whole new level of intrusion. We''re not just being watched; we''re being listened to. Every plan, every doubt, every moment of frustration ¡ª someone knows. "We need to check the whole place," Jordan says, already starting to search around the room. "If they planted one, they could''ve planted more." We spend the next hour scouring every inch of the Music Hall. Behind pictures, under tables, inside light fixtures - anywhere a bug could be hidden. But we don''t find anything else, which is somehow even more unsettling. Just the one. On our couch. Sitting back down, we''re all silent for a moment, the weight of the situation settling in. The bug sits on the table between us, a small but significant reminder that we''re in deeper than we thought. "Whoever did this, they''re playing a dangerous game," Spindle says, breaking the silence. "They''re not just watching us anymore. They''re invading our space, our privacy." Jordan sighs quietly. "I mean, we are squatting in an abandoned building and using that to plot against not one but two extremely powerful groups who have plenty of motivation to want us dead. You sort of give up your right to privacy. All''s fair in love and war, and this is definitely war." Spindle sighs to himself, while Jordan gets up and wanders over to one of our stuff piles, whistling all the while. When they return, it''s with a small hammer. SMASH! "Well, problem solved," Jordan quips. Staring at the smashed remains of the bug on the table, a memory nudges at me. Jordan''s mom, the day she barged in, ranting about a "nice man in a suit" who told her where to find Jordan. My mind races - that means we''ve been on someone''s radar for way longer than we realized. "We''ve been watched for ages," I say, my voice shaky. "Jordan, your mom mentioned a man in a suit. That wasn''t just some random thing. They''ve been tracking us." Jordan''s face hardens, the realization hitting them too. "So, this isn''t new. They''ve been playing us all along." Spindle leans forward, concern in his eyes. "Do you think it''s the NSRA? Or the Kingdom? Maybe both?" I shrug, frustration bubbling up inside me. "Could be either. Or both. They both have their reasons." The thought of being under surveillance for so long, of all our moves being watched, makes my skin crawl. I''m only fourteen, and here I am, swept up in a world of bugs and spies. It''s like something out of a movie, but way less cool and way more terrifying. It makes my body feel hot. But not in the way that fighting does. Fighting is fun. Throwing my fists about, getting my face blooded, being slashed at - these things are all fun to me, which is kind of a messed up sentence to be thinking. Training is fun. Soccer is fun - I haven''t played soccer in so long, it feels like it''s an interest from an entirely other person. When was the last time I played basketball? I even missed joining indoor track. This isn''t fun. This doesn''t even get my adrenaline spiked. This just makes my chest hurt. It makes me upset. "I can''t believe this," I mutter, anger seeping into my words. "We''re just kids. Why are they doing this to us?" Jordan looks equally upset, their hands clenching into fists. "Because we''re a threat to them, Sam. We''re getting too close." Spindle''s usually calm demeanor is gone, replaced by a hard edge. "They''re scared of us. That means we''re doing something right." But that''s small comfort to me right now. The weight of what we''re up against feels crushing. "We need to be careful," I say, trying to keep the fear out of my voice. "If that bug was transmitting, they know we know now. And we know that they know. And they¡­ You know." The tale has been illicitly lifted; should you spot it on Amazon, report the violation. Jordan nods at me, looking at my face with their head tilted. "You okay?" "No. Excuse me," I answer, honestly as I can. "Jordan, can you please make a big space for me so I don''t disturb the neighbors?" Jordan immediately understands my request. Without a word, they stretch out the room, creating a vast, empty space where I can unleash my frustration without any risk. The walls move away, the ceiling lifts, and the floor extends, transforming the cramped Music Hall into an almost endless void. I start pacing, back and forth. I let out a breath I didn''t realize I was holding. My footsteps echo in the emptiness. "It''s just¡­ it''s too much," I vent, my voice bouncing off the distant walls. "We''re just kids. We shouldn''t have to deal with¡­ with all of this." The anger and helplessness build up like a tide inside me, and I can''t hold it back any longer. I scream, a raw, guttural sound that tears from my throat, echoing off the walls of the expanded room. My hands ball into fists, slamming down onto the table with a force that makes my bones jar. Papers and devices scatter, but I barely notice. I punch the air, imagining it''s the face of every person who''s put us in this situation. "Just let me win!" I yell, my voice cracking with the intensity of my emotions. "I''m doing everything I can, and it''s never enough. They just keep coming, and I¡­ I can''t keep up. I can''t." "I''m just a kid!" I yell, my voice breaking. "Why is this happening to us?" I kick at a chair, sending it skidding across the floor. My breath comes in ragged gasps, tears streaming down my face. I grab my hair, pulling at it in frustration, the pain a dull echo compared to the turmoil inside. "I can''t afford¡­ countersurveillance tools! Where would I even get them?" The rage pours out of me in waves, screams and sobs mingling together. I''m lost in the storm, my emotions raw and unchecked. It''s not just about the bug or being watched ¨C it''s everything. The weight of being Bloodhound, the pressure, the danger ¨C it''s too much. I start kicking and squirming, trying to avoid busting through the wood beneath me. Finally, after what feels like aeons, but was probably just like five minutes, the storm begins to ebb. My screams turn to whimpers, my body shaking with spent fury. I stand there, panting, feeling empty but oddly cleansed. The tantrum is over. Jordan watches silently from across the room, giving me the space I need. When I finally speak, my voice is hoarse but steady. "I''m fine now. It''s out of my system." They nod, compressing the room back to its original size. The normalcy of the room feels strange now, like returning to a place you once knew after a long absence. "Feeling better?" Spindle asks, reaching a hand out. I gently bat it away. I wipe my face, taking deep breaths. "I''m good. Let''s keep going. We''ve got work to do."
We pick the smallest room in the music hall, one without windows, deciding it''ll be our safe room for confidential talks. It''s cramped and dusty, but it''ll have to do. Jordan, Spindle, and I start the task of turning it into our own makeshift Faraday cage - something Jordan taught both of us about. We''ve got rolls of aluminum foil from the nearby dollar store. Not exactly high-tech, but it''s what we can afford and what we can do. The task is tedious. We carefully line every inch of the walls, the ceiling, and even the door with layers of foil. It''s like wrapping a weird present, one that''s all angles and corners. The foil crinkles and tears easily, so we have to be gentle. It''s a far cry from the cool spy movies ¨C there''s nothing glamorous about sweating in a tiny room, smoothing out aluminum foil. "Are we sure this is going to work?" Spindle asks, frowning as he struggles to cover a tricky corner. "Feels like we''re baking a giant potato," Spindle jokes, ripping off another sheet of foil. But the humor doesn''t quite cut through the tension hanging over us. "It''s supposed to block electromagnetic signals," I reply, pressing another sheet of foil against the wall. "It''s not perfect, but it''s better than nothing." Jordan, who''s been researching on their phone, chimes in. "Yeah, it''s like a basic Faraday cage. Should keep our conversations safe from electronic eavesdropping, at least. Radio waves. Stuff like that." We work in silence for a while, the only sounds are the tearing of foil and our occasional sighs. My fingers are starting to feel raw from all the smoothing and pressing and duct taping, and I can see Jordan and Spindle are getting tired too. But we keep at it because we have to, because this is our little stand against whoever''s watching us. After what feels like hours, we step back to survey our work. The room looks alien, entirely coated in silver. It''s strange and a little claustrophobic, but it''s a little bubble of safety in a world that feels increasingly unsafe. "Now for the ultimate test," Jordan says, holding up their phone. We all take out our phones and a small battery-operated radio we found in the back of a closet. One by one, we step into the room, closing the foil-covered door behind us. I watch as my phone''s signal dies, the bars disappearing one by one until there''s nothing. The radio, too, is just static ¨C no music, no voices, nothing. "It works," I say, a small smile breaking through the exhaustion. "We actually did it." Spindle looks around, his expression a mix of pride and disbelief. "We made a Faraday cage. That''s pretty badass." Jordan grins. "Yeah, take that, creepy spy people." We step out of the room, peeling back the foil to rejoin the rest of the world. It feels good, knowing we have a secret place where we can talk without worrying about prying ears. With our Faraday cage set up, we turn our attention to enhancing the physical security of the music hall. Our base needs to be a fortress, or at least as close to one as we can make it with our limited resources. Our own Fortress of Solitude, Jordan called it. First up, the locks. The old ones are rusty and barely functional, outside of that new one that Jordan had installed a couple of months ago - but at that point, we''re assuming it''s compromised. We manage to find some sturdier replacements at a local hardware store. They''re not top-of-the-line, but they''re better than what we had. Spindle and I work on installing them, the task more challenging than we expected. It''s a whole afternoon''s job, fiddling with screws and alignments, but by the end of it, the doors feel more secure, more reassuring. Every single door in this building is freshly locked. Next, we rig up some basic alarms. Jordan shows us this trick they learned from an anime ¨C using pencil lead in door hinges to create a simple, yet effective alert system. It''s ingenious, really. If someone closes or opens the door, the pencil lead snaps. Spindle sets up tripwires at strategic points, little bells attached that''ll jingle if anyone tries to sneak in. It''s rudimentary, but it''ll give us a heads-up if someone''s coming. Jordan also takes the time to teach Spindle and me the basics of lockpicking. "Just in case we ever get locked out, or need to get into somewhere," they say with a wink. We practice on an old padlock, the feel of the picks in the lock both strange and exciting. It''s a skill I never thought I''d learn, but then again, a lot of things have changed lately. I get used to the feeling of peeling open paper clips with my fingernails. With the locks and alarms in place, we move on to soundproofing. We scrounge up whatever materials we can find ¨C thick blankets, foam padding, even some old carpets ¨C and line the walls of our main meeting room. It''s a messy, haphazard job, but it muffles the sound well enough. We test it out, shouting at each other from opposite sides of the room. The difference is noticeable, the way the air swallows up our words now. The final touch is dealing with the windows. We cover them with heavy curtains, blocking out any prying eyes. The Music Hall feels darker, more enclosed, but also safer, more private. As we finish up, Jordan points out that the car we''d been watching is gone. "Guess they noticed we found their bug," they say, a hint of satisfaction in their voice. "Yeah, but that probably means they''ll try something else," I reply, feeling a twinge of anxiety. "We''ll have to be even more careful now." Spindle nods, looking around at our handiwork. "We''re doing everything we can. That''s all we can do." Over the next few days, we fall into a routine of regular surveillance checks. Jordan''s crafted a homemade sweeping device using instructions they found online. It''s a jumble of wires and circuits, but Jordan swears by it. Every evening, we sweep the Music Hall, Jordan leading with their gadget, and Spindle following up, contorting his body into the smallest nooks and crannies, hunting for any bugs that might have escaped Jordan''s device. "We''re like spy hunters," Spindle jokes as he emerges from behind an old radiator, dust coating his hair. "Yeah, budget spy hunters," I reply, but there''s a smile on my face. There''s something oddly satisfying about this, like we''re taking back control, bit by bit. Our vigilance extends to electronic and cybersecurity measures too. Jordan updates the antivirus and firewall settings on all our devices. "Can''t be too safe," they say, their fingers flying over the keyboards. We also agree to a minimal electronics policy in our secured room. "Only what we absolutely need," I insist, and we all nod. Every device that enters the room is thoroughly inspected before and after use. It''s a hassle, but a necessary one. Our strategic discussions now focus on evasion and discretion. We pore over maps of the city, planning routes that avoid CCTV cameras and busy areas. "We need to be ghosts," Jordan says, tracing a path with their finger. "Invisible, untraceable." We also decide to change our routines and meeting times, to be less predictable. "No patterns, no schedules," Spindle suggests. "We mix it up, keep them guessing." It''s weird, having to think about all this, like we''re main characters in some thriller movie. But it''s our reality now, and we adapt. We learn to move through the city with a new awareness, always watching, always listening. I''ve started staring back at security cameras like I expect the person on the other end to recognize me. I sneak out of Lily''s house late, adjusting my sleep schedule so that I''m napping in the afternoon. I get homework done at the music hall. I adjust my life to the whims of people who want me silent. It''s really all I can do. We surveil. We watch our backs. We audit. Chapter 56.1 NBC10 Evening News Report Transcript - January 20, 2024 [Opening Music and Visuals of Philadelphia Skyline] Leslie Morgan: "Good evening, Philadelphia. I''m Leslie Morgan, and this is NBC10 Evening News. We interrupt our regular programming to bring you a special report on a developing story that''s gripped the city. In the early hours of this morning, the National Superhuman Response Agency''s office in Hatboro-Horsham was the site of a violent incident, leaving four security guards dead and the community in shock." [Cut to Footage of NSRA Office, Police Tape, and Emergency Services] Leslie Morgan: "The aftermath paints a grim picture. Reports indicate extensive damage inside the NSRA facility, with signs of a struggle evident throughout the premises. The casualties, all security personnel, appear to have suffered injuries consistent with an encounter with a superhuman - a term that''s become all too frightening in our city." [Return to Leslie in the Studio] Leslie Morgan: "Authorities have yet to release an official statement, but sources close to the investigation have pointed to a prime suspect - Joshua Pleasants, known to many as the superhero Miasma. Pleasants, a long-standing figure in the superhero community, has been operating out of Boston for the better part of a decade. His presence in Philadelphia was initially linked to the recent tragic death of Liberty Belle, where he spoke at her funeral as an honored guest." [Cut to Footage of Joshua Pleasants at Liberty Belle''s Funeral] Leslie Morgan: "But tonight, the hero who stood solemnly in mourning is at the center of a violent mystery. The nature of the attack has raised questions about his motives and methods. This raid, far from the heroic acts Pleasants is known for, suggests a darker turn for the celebrated hero." [Cut to Interview Clips with Shocked NSRA Officials and Witnesses] Witness: "I never thought something like this could happen here. It¡¯s like a scene from a movie, but it¡¯s real." NSRA Official: "This is a tragedy. Our thoughts are with the families of the guards who lost their lives. As for the perpetrator, justice will be served." Leslie Morgan: "The incident has sent ripples through the community, with many struggling to reconcile the heroic image of Miasma with the brutality of this morning''s events. As we await more details from the authorities, one question looms large - what led a respected hero to this point?" [Cut to Scene of Police Press Conference, Mid-Sentence] Police Spokesperson: "¡­while we cannot divulge specifics at this time, our investigation is pursuing all leads. We urge the public to remain calm and report any information that might assist us in this matter." Leslie Morgan: "The Philadelphia Police Department, along with federal agencies, are now conducting a citywide manhunt for Joshua Pleasants. His whereabouts remain unknown, and residents are advised to exercise caution." [Cut back to Leslie in the Studio after the Police Spokesperson¡¯s Statement] Leslie Morgan: "A critical piece of evidence in this unfolding investigation is the security footage obtained from inside the NSRA office. While the full extent of the footage has not been released to the public, our sources indicate that it shows a figure, unmistakably identified as Miasma, moving through the halls of the NSRA facility." [Cut to Blurred and Edited Security Footage Showing a Figure Resembling Miasma] Leslie Morgan (Voiceover): "In the grainy images, we see a figure clad in Miasma''s signature costume - the cloak and hazmat - seen here examining files and navigating the corridors of the office. Notably, the footage does not show any direct acts of violence. However, the timing of these recordings coincides with the estimated time of the attacks." [Return to Leslie in the Studio] Leslie Morgan: "This footage has become a linchpin in the case against Joshua Pleasants. While it does not depict the attacks, his presence in the building during the hours of the incident, coupled with the absence of other individuals on the footage, has led investigators to draw a direct connection. The question facing law enforcement and the public alike: How did a seemingly solitary infiltration escalate to such tragic consequences?" [Cut to Expert Analysis Clip - Security Expert or Criminologist] Security Expert: "The absence of footage showing the actual attacks leaves a gap in the narrative. It¡¯s unusual in a facility with this level of security. However, the presence of Miasma on-site is highly incriminating, especially given the lack of other suspects in the footage." Leslie Morgan: "The lack of conclusive evidence in the footage adds layers of complexity to an already tangled situation. Without direct visual confirmation of the attacks, the investigation hinges on piecing together a timeline that places Miasma at the heart of this tragedy." [Cut to Photos of the Ransacked NSRA Office Interior] Leslie Morgan: "As investigators sift through the aftermath, the ransacked state of the office further complicates the picture. Documents strewn about, furniture overturned - the scene speaks of a desperate search for something, but what Joshua Pleasants was seeking remains a mystery." [Return to Leslie in the Studio] Leslie Morgan: "This incident marks yet another chapter in the complex relationship between our city and its superhero inhabitants. While many have brought hope and security, events like today''s remind us of the fine line these individuals walk between heroism and vigilantism." [Cut to Footage of Previous Superhero Incidents in Philadelphia] Leslie Morgan: "Philadelphia has seen its share of superhuman activities, both heroic and otherwise. The debate around superhero accountability and oversight has been a topic of public discourse, intensified by incidents like today''s. The death of Philadelphia''s own Liberty Belle, a figure symbolic of the superhero ideal, has only added to the urgency of this conversation." [Cut to Man-on-the-Street Interviews about Superhero Accountability] Citizen 1: "It''s scary, you know? One day they''re saving lives, the next they could be taking them." Citizen 2: "We need to know who these people are and what they''re capable of. There''s too much at stake." Leslie Morgan: "And as we delve into this story, it¡¯s important to remember the lives tragically lost today. Men and women who served our community, now mourned by a city in shock." [Cut to Headshots of the Deceased Security Guards with Somber Music] Leslie Morgan: "Our hearts go out to the families and loved ones of those who perished in this senseless act of violence. In the coming days, we will be sharing their stories, honoring their memory and service." [Return to Leslie in the Studio] Leslie Morgan: "We will continue to follow this story closely, bringing you updates as more information comes to light. After the break, we''ll delve into the past of Joshua Pleasants, exploring his career as Miasma and the controversies that have shadowed his heroic persona. Stay with NBC10 as we uncover more on this developing story." [Cut to Commercial Break]
Ensure your favorite authors get the support they deserve. Read this novel on the original website. The music hall, usually a place of energy and life, now holds the dense, chewy air of a tomb. As Leslie Morgan''s voice drones on from the old TV, it''s as if we''re enveloped in a thick fog of disbelief and despair. Jordan, sitting cross-legged, stares at the screen with a distant gaze, their eyes reflecting a storm of emotions, a turbulent mix of confusion and fear. The news report plays on, relentless, its words like hammer blows: Miasma, the NSRA office, the dead security guards. Each syllable seems to echo in the hollow space, amplifying the sense of unreality that grips us. Spindle, huddled next to Jordan, is a picture of nausea, his face pale, eyes wide with horror. It''s like he''s on the verge of being sick, the gravity of the news hitting him like a physical blow. I watch him from my perch on the couch, my own hands clenched in my lap, nails digging into the flesh but not drawing blood. I know the precise pressure needed to break the skin, but I don''t. Now''s not the time. Now''s not the time for more blood. Leslie Morgan''s voice is just background noise as my mind races. Miasma''s not a killer. This isn''t him. It can''t be. But the evidence¡­ the security footage¡­ It''s damning. And it''s all over the news. Philadelphia is in shock. Superheroes are supposed to be the good guys. But now¡­ The room is so quiet you could hear a pin drop, except for the anchor''s voice filling the space, talking about Miasma, the NSRA office, and the dead security guards. I can''t believe it. This isn''t what Miasma was supposed to do. Miasma''s mission was supposed to be simple: infiltrate, gather evidence, and get out. No violence. No casualties. That''s what he promised. That''s what he promised us. It feels almost crushing. Like a betrayal, even though I know better. I know better by now. He couldn''t have. He couldn''t have. The room is charged with tension as we watch the news report, our faces lit by the glow of the TV screen. Jordan''s shaking their head, a bitter laugh escaping. "NSRA," they mutter. "It''s too perfect. They set him up." Spindle paces, his fists clenched. "This is bad. If they pin this on Miasma, it reflects on all superheroes. The public''s gonna think we''re all killers." I''m pacing too, trying to think. "We can''t just sit back. Miasma was trying to help. We have to clear his name." "But how, Sam?" Jordan snaps. "March into the NSRA and demand they tell the truth?" I stop, frustrated. "I don''t know, but we have to do something. Miasma would do the same for us." "Would he?" Jordan asks, raising an eyebrow at me. The silence that follows is heavy. Spindle finally speaks up, "We need a real plan, something solid to clear Miasma and find out what the NSRA is up to." I nod, feeling the burden of leadership. "Right. We stick to our mission. Find the truth and expose whoever''s behind this." Jordan''s not convinced, their eyes dark with doubt. "If the NSRA''s behind this, it''s a false flag to derail our investigation. They''re scared of what we might find." I counter Jordan''s suggestion. "It could be the Kingdom. They''ve been listening in. They knew Miasma''s plan and saw a chance to strike, make us look bad." Jordan scoffs. "I hate them too, don''t get me wrong, but I think we''re looking at something worse than simple criminal shit." I bounce against Jordan''s skepticism. "Think about it, Jordan. The Kingdom''s been snooping around us for a while. They knew exactly when to hit to make Miasma¡ªand by extension, all of us¡ªlook like the bad guys. If that bug was theirs¡­" Jordan shakes their head, unconvinced. "Sam, you''re giving them too much credit. They''re gangsters, not masterminds. This smells like NSRA, classic false flag. They''d sacrifice a few of their own to keep their secrets." I frown, considering their point. "But killing their own security guards? That''s a bit extreme, even for them." Jordan''s expression hardens. "Extreme? Maybe. But if the stakes are high enough? People do crazy things. And we don''t know how deep this goes. The NSRA could be in deeper than we thought." Spindle chimes in, his voice edged with worry. "But what if Jordan''s right? If the NSRA is behind this, then we''re up against more than we bargained for." I sigh, feeling the weight of the situation. "We need to be sure before we make any moves. If we''re wrong, and it''s the Kingdom, we could be walking into a trap." Jordan nods, agreeing reluctantly. "Fine, but we need to act fast. Every minute we waste arguing, Miasma''s reputation¡ªand ours¡ªtakes another hit." We fall into a tense silence. Spindle breaks it with another deep sigh. "This sucks, man. I just got done getting my powers tested and everything. And they made me a costume. I don''t want to go back to being a street criminal, dude." Jordan thumps him on the back and then reaches up to tousle his hair. "Man, nobody''s gonna bother you about this, string bean. It''s not like they''re going to release a news report saying ''this just in, Miasma has three teenage accomplices and they''re all evil''." "Jordan, please do not tempt fate," I warn, leaning back into the couch with my arms crossed over my chest. "Don''t you think that would make this all more exciting?" Jordan asks, flashing me an impish grin. "NO!" Spindle and I both shout simultaneously. We glance at each other, share a nervous smile, and watch as Jordan breaks down into quiet guffaws. "Jokes aside," Jordan starts, getting up and popping their back. They grab their laptop, and start walking towards the Faraday cage room. "Let''s figure out what we can actually do about it first before we start panicking, yeah?"
[Return from Commercial Break with NBC10 Logo] Leslie Morgan: "Welcome back to NBC10 Evening News. I¡¯m Leslie Morgan. Tonight''s top story continues as we delve deeper into the life and character of Joshua Pleasants, the man known as Miasma, now at the center of a tragedy that has left our city reeling. Who is Joshua Pleasants, and what led him down the path that has seemingly culminated in the events at the NSRA office? Let''s explore the journey of this enigmatic figure." [Cut to Photos of Joshua Pleasants from Early Life and College Days] Leslie Morgan (Voiceover): "Joshua Pleasants, 38, born in Baltimore, 1985, was not always the controversial figure we know today. His early life was that of an average American. He attended Towson University, where he studied economics, a field far removed from the superhero world he would later inhabit." [Cut to Footage of Towson University Campus] Leslie Morgan: "It was at Towson where the paths of Joshua Pleasants and Diane Williams, later known as Liberty Belle, would first cross. A friendship formed, one that would shape both of their destinies." [Cut to Interview Clip with a College Friend] College Friend: "Josh was smart, really into his studies. He and Diane were close. You could tell they were both going places, just didn¡¯t know where yet." Leslie Morgan: "But it was in 2010, during his involvement in Diane¡¯s vigilante work, that Joshua¡¯s life would take a dramatic turn. In a confrontation with a rogue vigilante, Joshua suffered what should have been a fatal injury. Instead, it triggered what is known as a Post-Mortem Activation - a type of activation event that produces powers far stronger than that of your typical superhuman." [Cut to Animated Graphic Explaining Post-Mortem Activation] Leslie Morgan (Voiceover): "This rare phenomenon bestowed upon Joshua a remarkable power of regeneration, allowing him to survive and recover from injuries that would be lethal to any ordinary person." [Cut to Footage of Miasma in Action, Blurred to Conceal Graphic Details] Leslie Morgan: "But this gift came with a cost. Trapped in a state of perpetual decay, Pleasants¡¯ life as Miasma has been anything but ordinary. His body, constantly regenerating, also constantly releases a byproduct of his power ¨C toxic gases, necessitating the iconic bright yellow hazmat suit he wears." [Cut to Interview Clip with a Biologist or Medical Expert] Medical Expert: "Pleasants'' condition is unique. His regenerative abilities are off the charts, but they come with a severe trade-off. His body is essentially a living¡­ well, he''s like a living corpse. His ''template'', that''s the term we use, is stuck at the moment of death in perpetuity." Leslie Morgan: "This physical transformation was mirrored by a change in Pleasants'' worldview. Known for his hyper-logical, utilitarian approach, he has been a vocal critic of government regulation in superhero affairs, advocating for a broader view of heroism that often places the greater good above individual actions." [Cut to Clip of Miasma Speaking at a Public Event] Joshua Pleasants (Miasma): "We can''t be bound by conventional morality when lives are at stake. It¡¯s about the bigger picture, the many over the few." Leslie Morgan: "Pleasants'' philosophy has shaped his approach as Miasma. His actions, while saving countless lives, have not been without controversy. There have been incidents where his forceful methods, especially involving civilians, have raised ethical questions. His aggressive approach to crime-fighting and his willingness to operate in the gray areas of morality have often put him at odds with the public and other superheroes. In 2018, a raid led by Pleasants in Lowell, Massachusetts, was heavily criticized for what some described as excessive force." [Cut to footage from the 2018 Lowell raid aftermath] Leslie Morgan (voice-over): "The Lowell incident raised questions about where to draw the line between heroism and vigilantism. Pleasants defended his actions as necessary, but the public opinion was divided." [Cut to Montage of Miasma¡¯s Various Interventions] Leslie Morgan (Voiceover): "Yet, until today, there has never been an incident where Joshua Pleasants took an innocent life. The events at the NSRA office mark a disturbing departure from this record." [Return to Leslie in the Studio] Leslie Morgan: "The question that now hangs over Joshua Pleasants is a heavy one. How did a man who stood for the greater good, who endured so much in his fight for justice, find himself implicated in an act of such violence? As the city grapples with this tragedy, the legacy of Miasma ¨C once a symbol of resilience and strength ¨C is being reexamined under the harsh light of today''s events." [Cut to Reactions from the Superhero Community and Public Figures] Peregrine: "Joshua''s actions today are¡­ they''re incomprehensible. This isn''t the man I fought alongside." Jamal Davis: "We need to understand the why. Something must have driven him to this, something more than we see on the surface." Leslie Morgan (Voiceover): "In the coming days, we will continue to follow this story, seeking answers to the many questions that remain. For now, Philadelphia mourns the loss of life and grapples with the complexities of heroism and humanity intertwined in the figure of Joshua Pleasants." [Closing Shots of the City at Night, Reflective Mood] Leslie Morgan: "Stay with NBC10 for the latest developments in this ongoing investigation. Up next, we have the weather forecast for the week ahead, and a look at local sports. Thank you for joining us this evening. I''m Leslie Morgan, and this is NBC10 Evening News." [Fade to Weather Segment] Chapter 56.2 We''re all squeezed into the Faraday cage room, its walls shimmering with aluminum foil under the dim light. The cramped space is the one spot where we''re certain we''re not being monitored. Jordan''s laptop is open, displaying a flurry of news articles and forum discussions about the NSRA incident, carefully compiled before we entered our makeshift haven. Spindle, ever the restless one, paces like a lion in a too-small cage, his hands twisting together anxiously. The atmosphere is thick with tension. "This is a disaster," I murmur, my eyes glued to the laptop screen. "Miasma''s reputation is being shredded, and it''s dragging the whole superhero community down with it." Jordan flicks through the threads on local imageboards, a hard edge to their usually playful demeanor. "It''s us they''re blaming, indirectly. They''ve even roped Belle into this mess. It''s not right, not fair." Halting his pacing, Spindle turns to us, his expression fraught. "But what can we do? We can''t just let them smear us without a fight." I lean back, feeling the aluminum crinkle behind me, thoughtful. "We need to unearth the truth. Find concrete evidence that Miasma was innocent." Jordan scoffs. "And how, exactly? March into the NSRA headquarters and demand security footage? ''Hi, I know you think I''m unworthy of my mentor''s legacy, but could you help clear their best friend?'' Get real, Sam." Frustration flashes in my eyes. "We need a smarter approach. We start by mining public sources. Someone out there saw something that night." Spindle''s expression brightens slightly. "A lead, at least. We keep an eye on the media for any new information, too." Jordan snaps their laptop shut, a determined look on their face. "You''re both thinking too narrowly. We''re superhumans. There''s more we can do than just wait and watch." I feel Jordan''s unspoken frustration, a gnawing sense of powerlessness. It''s a familiar ache. Standing up, I meet Jordan''s eyes. "We need a foolproof plan. A strategy that doesn''t risk us getting caught, especially after Miasma''s fall." Jordan leans in, their gaze intense. "I can infiltrate the NSRA office. My abilities are perfect for tight spaces. I''ll be in and out, unnoticed." Frowning, I shake my head. "Did you miss the part about not risking exposure? We can''t afford to storm the NSRA, not after Miasma." Jordan rolls their eyes. "So, we do nothing? I''m the least known among us. I could pull it off¡­" "No," I cut in sharply. "That''s exactly what they''d expect. They manipulated a seasoned hero like Miasma. You think they can''t do the same to you?" Jordan''s face softens, but their eyes still hold a reckless glint. "But they wouldn''t expect an immediate follow-up, would they? We can''t just sit here¡ª" Spindle, his voice edged with concern, jumps in. "Jordan, listen to Sam. It''s too risky. We need another way, one that doesn''t involve breaking into high-security buildings." Jordan sighs, slumping against the wall. "Alright, so what''s the plan?" Pacing, I think out loud. "We analyze all the news, social media, anything for clues. We''re looking for inconsistencies in the official narrative." "And maybe talk to folks near the NSRA office, as regular people," Spindle suggests. "See if anyone noticed something odd that night." Jordan nods, slowly coming around. "Okay, I can get behind that. But we need to tread lightly. If the NSRA or the Kingdom is involved, they''re watching for snoopers." Halting my pacing, an idea begins to form. "Then we''ll be subtle. Not as heroes, but as concerned citizens seeking the truth." Jordan''s eyes narrow in thought. "And our identities stay hidden. No costumes, no powers. Just plain detective work." Spindle looks visibly relieved. "Sounds like a plan. No crazy risks." The room falls into a heavy silence, the only sound the faint crinkle of the aluminum foil lining the walls. I can see the sweat on Jordan''s forehead, the way Spindle shifts his weight from one foot to the other. The air feels thick, charged with the weight of our dilemma. We''re a team of superheroes, yet here we are, confined in this stifling Faraday cage, grappling with a situation that seems to have no easy way out. I run a hand through my hair, feeling the stickiness against my scalp. The more I think about it, the more I realize the complexity of our predicament. We''re not just dealing with a public relations nightmare; we''re up against an enemy that has already outmaneuvered one of the best among us. The room feels smaller, the air denser, as the gravity of our situation sinks in. My mind races, trying to piece together a plan from the chaos of ideas. We can''t just charge in; that''s what they''d expect. But what if that''s exactly what we need to do? Not in the way they''d anticipate, though. A sense of clarity begins to form amidst the mental fog. Jordan''s expression shifts from frustration to confusion. "But earlier, you were suggesting¡ª" "I know," I interrupt, the gears in my mind whirring. "But it''s dawned on me. They''re expecting us. Expecting me. If they''re keeping watch on the NSRA office, they''ll be on the lookout for any of us." The room falls into a tense silence, each of us ensnared in our own labyrinth of thoughts. It''s a high-stakes game of cat and mouse, a dance of shadows and deceptions. They know that we know. And they know that we know they know. And we know¡­ You know. It''s making me dizzy just trying to think about it. I linger on the phrase. They know we know I know you know. I taste it on my tongue. Where have I heard this sort of bullshit before? Then, it clicks. A scene from "The Princess Bride" flashes in my mind ¡ª the wine scene. There, both opponents sit, each aware of the other''s cunning, trying to outthink the other in a life-or-death decision over poisoned wine. And in the end, it never mattered, because the one guy already had won before it even started. "What if we can?" I say suddenly, my voice slicing through the tension. "What if we use this ''I know that you know'' situation to our advantage?" Jordan and Spindle look at me, a blend of intrigue and skepticism in their expressions. "The what?" Spindle asks, eyebrow raised. "It''s like that scene in ''The Princess Bride,'' the battle of wits," I elaborate, the idea growing clearer and more solid in my mind as I talk. My mouth starts getting ahead of me, and it feels like the words just start emerging fully formed, like they''re being pulled out of me. "In the movie, Westley challenges Vizzini, this Italian - no, Sicilian - dude, to guess which cup of wine is poisoned. Vizzini goes through this elaborate thought process, trying to outsmart Westley. He spends like ten minutes going ''well it has to be in this cup, no, it has to be in this cup, but you''d know I''d think that, so it has to be in this cup¡­''. But in the end, it turns out both cups were poisoned, and Westley had immunity to the poison. It was a bluff within a bluff. The knowledge didn''t matter." Stolen novel; please report. Spindle scrunches his brows, clearly not familiar with the reference. "I don''t follow. What''s ''The Princess Bride''?" Jordan rolls their eyes playfully. "It''s a classic, Spindle. We''ll watch it after we sort this mess out. But I''m listening," they say, leaning in on the small plastic table contained within the Faraday room. "I assume we''re not the dead Sicilian in this situation?" I nod, feeling the excitement of the plan building. Already, I can feel my heart in my chest. Adrenaline again? "No, yeah, exactly. In our case, we pretend to investigate, making it obvious to whoever''s watching. We lead them to believe they''ve outsmarted us. But really, we''re setting our own trap. We make them overconfident, just like Westley did with Vizzini. In reality, nothing they do matters because we can win either way." Jordan leans forward, the light of understanding in their eyes. "A deception wrapped in a deception. You are insane." "This is¡­ This is too complicated for me," Spindle sighs, rubbing his temples. "And it sounds¡­ risky." "We''re not just throwing caution to the wind," I assure them. "We''re using our enemy''s expectations against them. It''s a calculated move. We''ll control the narrative, dictating the pace and direction of this confrontation." "You are such a nerd," Jordan teases. "So many ten dollar words." "I am not!" I protest, scrunching my face up. "No, just¡­ Okay. We can''t investigate as superheroes because that''d be suicidally stupid, to just go into an active crime scene and also a federal office. And we can''t, well, we ''can''t'' investigate as civilians because it''s clear whoever is tracking us knows our civilian identities. We could do nothing and let this blow over, but¡­" Jordan shakes their head. "No, you''re not backing out now, sicko. You got me looking forward to some good ol'' fashioned subterfuge and now we''re gonna get locked and loaded." I feel the corners of my lips trying to pull up into something resembling a smile. I try to force it down. I look at Spindle, who looks like he''s about to vomit out of anxiety, and then I look at Jordan, who looks like they''re about to vomit out of excitement. "Either we get useful information about the NSRA''s ground operations, and what Miasma was doing, and maybe find something to exonerate him¡­ or we draw out the real foe and get an opportunity to catch them red-handed."
The cold Tacony streets glisten under the early morning light, fresh snowfall adding a deceptive sheen to the rundown buildings. The snow hasn''t piled up; instead, it''s turned to a gray, sludgy mess that covers the asphalt. I hate wearing boots, but today, they''re a necessary evil. I step outside the music hall with Jordan and Spindle, my breath forming small clouds in the frigid air. We''re dressed in our civvies, trying to blend in, but there''s a tension in our steps, a shared understanding of the task ahead. Jordan''s carrying a thick stack of hundreds, prepared to pay off the taxi driver for the long ride to Hatboro. It''s a hefty bribe, but necessary for a trip of that distance The buildings around us are silent, almost solemn, their worn facades standing testament to years of neglect. Snow clings to window ledges and rooftops, adding a temporary purity to the otherwise grimy scenery. The streets are nearly deserted, save for the occasional car sloshing through the sludge. We stand there, waiting for the taxi, the cold seeping through my boots and making me shift from foot to foot. The silence is only broken by the distant sound of a siren, a reminder of the city''s relentless pulse. Jordan checks their phone, a frown forming as they note the taxi''s delayed arrival. "Gonna be late," they chime. Spindle fidgets with his backpack, packed with our investigatory gear - notebooks, recording devices, and other essentials. He''s trying to act nonchalant, but I can see the nervous energy in his movements. We''re all on edge, the weight of our mission pressing down on us. "First time doing real superhero stuff, huh, Connor?" I ask, trying to make him feel a little more comfortable. Spindle looks at me. "Huh?" "That''s your name, right?" I ask, raising an eyebrow. He laughs. "Yeah. I guess it is," he says, but I''m not sure which of my two questions he''s responding to until he follows up. "Nobody''s called me that in a while." "First time doing real superhero stuff, huh, Spinelli?" I ask, giving him a slightly more polite, grim-cheeked smile. My teeth caps never feel 100% comfortable - after so long with shark teeth it''s hard to deal with, like, normal incisors - but now they feel extra bad in my mouth. I''m not sure if it''s the cold or the humidity or something else, but my smile feels extra fake. "Yeah," he says, cracking an extremely unconfident smile back at me. The city feels different today, almost unrecognizable. Overnight, it seems to have transformed in response to the manhunt for Miasma. The usual sounds of traffic and hustle are drowned out by the near-constant wail of police sirens screaming through the streets. Every corner seems to host an increased police presence, their vehicles'' red and blue lights casting an ominous glow on the slush-covered roads. The tire tracks in the snow form chaotic patterns, a visual testament to the frantic activity that has overtaken the city. It''s as if a veil of fear and suspicion has been draped over the usual cityscape. In every direction, there are distant flickers of red and blue, a reminder of the relentless pursuit happening across the city. The traffic, usually just a part of city life, now feels like an obstacle ¨C each car a potential barrier to the police, each honk a signal of growing impatience and tension. I glance down the street, watching the slush-streaked cars pass by. The taxi''s taking its time, and with each passing minute, the tension between us grows. We''re standing too close and yet not close enough, an awkward shuffling dance as we try to keep warm. Jordan reaches out for Spindle''s hand, and then, a second after making contact, retracts their fingers back into their pockets. "Sorry, love. Too cold." The snow continues to fall, light flakes drifting down from a gray sky. The beginning of winter, the cold, the snow-drenched December, felt brittle and polite and lovely like a snowflake. But now in mid-January, it just feels like¡­ like sludge. Like slush. There''s nothing pretty about it anymore. It''s just a reminder of how increasingly hostile everything is getting. But that''s okay. I work best in adversity. Finally, after what seems like forever, the taxi pulls up, its yellow frame looking the world like a hazmat suit against the grey and slushy street. The driver, a tired-looking middle-aged man with tan skin, doesn''t seem surprised to see three teenagers coming out from an old, abandoned music hall. Frankly, I wouldn''t be either. Teenagers, as I''m discovering, get up to ''some shit'', quote unquote. We all climb into the taxi, with Jordan taking the front seat to handle the payment. The inside of the taxi is nice and warm, providing a relief from the freezing cold outside. The driver starts the meter and drives away from the curb, the car''s tires making thick, dense squishing sounds as they go through the slush. I rub my hands together and blow into my palms, feeling tingles as feeling returns to my ungloved skin. Inside the taxi, the atmosphere is tense and focused. Jordan passes a stack of hundreds to the driver and negotiates distances. The driver takes a single hundred dollar bill out of the stack and tersely explains that he won''t take more. Jordan smiles, and I watch them slip a second hundred dollar bill underneath their front seat, to be discovered later. I am going to take credit for that, because I know Jordan would not have done something like that a couple months ago. Spindle and I sit in the back, keeping our gear close to us. The car''s movement is steady and almost soothing, but we can feel the weight of our mission hanging in the air, preventing any real conversation. I keep my forehead on the window and let the car''s rocking back and forth bump and buzz against my skull. I remember when I was a baby, apparently I used to slam my head on the crib a lot. It makes me think about¡­ a lot, really. Mostly my parents. I hope they''re doing okay, and that they''re safe, and that nobody''s bugged their house. My dad said that the city is fine with him doing most of his work remotely, given the circumstances. My mom has been working administrative stuff instead of helping people understand the Dewey Decimal System, and I bet that feels weird for her. Note to self: check Pop-Pop Moe''s house for bugs. Outside the windows, the city rushes by in a blur of snow-covered buildings and bare trees. I wonder if Spindle is thinking about his parents. If Jordan is thinking about their mom. Maybe? Suddenly, I''m struck by the urge to hug my parents. Sure, I''ve been surviving this weird superhero life with Lily, and, like¡­ you know, my house is being rebuilt. I see it, I pass by it, the construction is constant and almost finished. But even once the house is done, what''s stopping the Kingdom from throwing another Tyrannosaurus Rex at it? Will my parents ever be safe? Will I? No, that''s a stupid question. Of course not. I''m a superhero now. It''s about a half hour car ride from Tacony to Hatboro, and then, you know, another ten minutes past that to get to the NSRA office. The whole time, I''m just keeping my head against the window, occasionally thumping it when we hit a pothole, of which there are myriad (Pennsylvania roads, go figure). The city gives way to suburbs. The slush gives way to thicker, denser snow, snow that actually packed itself into a thin, white layer. Snow that looks pretty. We pull up about two blocks away from the office, although blocks are a little shifty in a more suburban environment like this. Jordan thanks the taxi driver, tells him to keep the change, and stuffs the money in their backpack. The three of us exit the car together. Spindle looks around nervously, like this is his first time ever being outside the city. Actually, it might be. I''ve never asked. I take a deep breath, and clench my fists up, shutting the taxi door behind me. Time to make some trouble. WORLD OF CHUM: Power Laws (2)

Mind Privacy Act of 2005

Section 1: Short Title This Act may be cited as the "Mind Privacy Act of 2005." Section 2: Definitions (a) Telepathy: Defined as a superhuman ability that meets all of the following criteria:
  1. Information Acquisition: The capability to acquire specific, non-public information from another individual without physical or digital means, including thoughts, memories, or intentions.
  2. Communication of Thoughts: The ability to convey to others and/or have conveyed to you, thoughts, ideas, or messages without the use of spoken or gestured language, written words, or any known communication technology.
  3. Independence from Sensory Input: The function of the ability independently of traditional sensory inputs, such as sight or hearing, and distinct from reading body language or facial expressions.
(b) Privacy Invasion: Unauthorized access to or acquisition of non-public information from another individual using telepathy. Section 3: Prohibition of Unauthorized Use (a) It is unlawful for any individual to use telepathy, as defined in Section 2, to invade the privacy of another individual without their express consent. (b) This prohibition includes accessing thoughts, memories, or private mental information without permission, as well as unauthorized communication of thoughts. Section 4: Consent and Exceptions (a) Consent must be explicitly obtained for the use of telepathic abilities for purposes of information acquisition or communication of thoughts. (b) Exceptions to this rule include:
  1. Law enforcement activities authorized by a court warrant.
  2. Situations involving imminent danger or emergency where accessing or communicating information is necessary to prevent harm.
Section 5: Penalties and Enforcement (a) Violations of this Act are considered misdemeanors and are punishable by fines ranging from $1,000 to $10,000 and/or imprisonment for up to 6 months. (b) In cases of repeated or aggravated violations, characterized by malicious intent or resulting in significant harm, the offense may escalate to a felony, subject to imprisonment for up to 3 years. Section 6: Implementation (a) This Act shall be implemented within 90 days from its enactment.

Telepathic Employment Non-Discrimination Act of 2015

Section 1: Short Title This Act may be cited as the "Telepathic Employment Non-Discrimination Act of 2015." Section 2: Definitions (a) Telepathy: As defined under the Mind Privacy Act of 2005, encompassing Information Acquisition, Communication of Thoughts, and Independence from Sensory Input. (b) Employment Discrimination: Any adverse employment-related decision based on an individual''s actual or perceived telepathic abilities. Section 3: Prohibition of Discrimination in Employment (a) Employers are prohibited from discriminating against potential or current employees based on telepathic abilities. This includes decisions related to hiring, firing, promotion, compensation, job training, or any other term, condition, or privilege of employment. (b) Employment decisions cannot be based on the presence, absence, or level of telepathic abilities. Section 4: Prohibition of Telepathic Screening (a) Employers are prohibited from requiring telepathic screening or testing as a condition of employment. Reading on Amazon or a pirate site? This novel is from Royal Road. Support the author by reading it there. (b) Employers cannot use telepathic abilities as a criterion for assessing job performance or potential. Section 5: Exceptions (a) Exceptions to this Act may apply in cases where telepathic abilities are a bona fide occupational qualification essential to the job. Section 6: Enforcement and Penalties (a) Violations of this Act will be subject to enforcement by the Equal Employment Opportunity Commission (EEOC). (b) Penalties for Violation:
  1. Fines: Employers found in violation of this Act may face fines up to $50,000 for the first offense and up to $100,000 for subsequent offenses.
  2. Mandatory Corrective Action: This may include mandatory training on non-discrimination policies, implementation of new hiring practices, or public posting of non-discrimination policies.
  3. Compensatory Damages: Affected individuals may be entitled to compensatory damages, including but not limited to:
Section 7: Implementation (a) This Act shall be implemented immediately upon its enactment.
Mind Your Business: The Government''s Latest Overstep

By William "Bill" Thompson, for capebusters.com

Alright, folks. Today, let''s dive into the murky waters of the Telepathic Employment Non-Discrimination Act of 2015, passed three weeks ago, just in time for the Christmas shopping rush. This act didn''t just spring up overnight like a bad weed in the garden of liberty. No, its roots stretch back to a series of high-profile judicial actions that rocked the public consciousness. Picture this: It''s the early 2010s, and courtrooms are buzzing with cases of alleged telepathic discrimination. We''re talking about lawsuits where employees claimed their bosses used ''mind-reading'' to invade their privacy or even manipulate their thoughts. Talk about a headache, right? And it wasn''t just about the bosses ¨C some cases involved employees accused of using their telepathic ''gifts'' to gain unfair advantages or snoop on colleagues. The public outcry was loud and clear. People were scared ¨C of being controlled, of their thoughts not being their own. It was like something out of a sci-fi novel, but playing out in real courtrooms! This fear and uncertainty fueled a media frenzy, painting a picture of a society on the brink of a telepathic Wild West. Enter the lawmakers, riding in on their high horses, proclaiming the need to ''protect'' the average Joe and Jane from these mind-melding menaces. The result? The Telepathic Employment Non-Discrimination Act of 2015. It was hailed as a necessary measure to safeguard both the telepathic and non-telepathic workers alike. But let''s be real ¨C it was a knee-jerk reaction to public fear, a classic case of the government capitalizing on hysteria to expand its ever-reaching tentacles into the private sector. Let''s break this down. First off, the very notion that the government can dictate how businesses should treat telepathic abilities in the workplace is, frankly, absurd. Since when did Uncle Sam get the right to read our minds about reading minds? The Act prohibits employers from discriminating based on telepathic abilities. Sure, discrimination is bad, but should it really be the government¡¯s place to enforce this? Shouldn''t the market decide? If a business wants to hire telepaths, great. If not, that should be their prerogative too. And fines up to $100,000 for subsequent offenses? That''s just punitive! It''s as if the government is telepathically transmitting its love for bureaucracy and red tape into the minds of hardworking business owners. Let¡¯s not forget the ''Mandatory Corrective Action'' clause. Mandatory training on non-discrimination policies? What next, thought police patrolling our offices to ensure we''re all thinking the ''right'' way about telepaths? And oh, the compensatory damages part is a real kicker. Emotional distress compensation capped at $25,000? Punitive damages up to $75,000? This just screams ''lawsuit bonanza'' for any disgruntled employee who claims their telepathic abilities weren''t adequately appreciated. This Act is a classic case of the government meddling in affairs it doesn''t fully understand. By trying to protect a certain group, it inadvertently creates a potential nightmare for employers, opening floodgates to endless litigation and bureaucratic nightmares. You wouldn''t prevent a construction business from hiring people who are too strong. We can all agree that would be downright silly, right? And you wouldn''t prevent a tech company from hiring people who are too smart, right? So why would we want to regulate a business''s ability to hire people who have other advantages? My views on this have always been consistent - businesses shouldn''t have to walk on eggshells about hiring and firing capes. That''s just the way the game is played these days, and the United States is gonna get smothered by Japan before long if we keep letting pathetic busybodies in DC decide how we can participate. Remember, true freedom includes the freedom to think, hire, and work without unnecessary government interference. Let''s keep it that way. Chapter 57.1 The taxi''s wheels churn through the half-melted slush, gray and gritty, as it pulls to the curb. The cold bites through my jacket, sharp as my teeth, as I step out onto the icy sidewalk. Snow, dirty from suburban tires and reckless drivers speeding through school zones, piles against the police tape ahead, like cotton batting pulled from a mattress and trampled underfoot. Hatboro-Horsham''s NSRA office looms, squat and unassuming, yet today it''s the epicenter of a hundred thousand eager eyes, all trying to get in on the latest national scandal - Miasma. I can feel the weight of the scene settling over me, like a wet blanket wrapped around my throat like a noose. We''re dressed in our best attempt at "student reporter" ¨C Jordan''s idea of blending in ¨C but the camera hanging from my neck feels more like a neon sign that screams ''poser'' than a press badge. I shove my hands into my pockets, trying to look casual, but they find only lint and the frigid touch of nervous sweat. My breath fogs up in front of me, each exhalation a ghostly whisper that says, ''you shouldn''t be here.'' But we have to be. This was my plan, after all. I just¡­ Jordan''s walking ahead, shoulders squared, looking every bit the leader I''m not being right now. They''re the picture of defiant confidence, but I know them well enough to see the tightness in their jaw. They''re worried, and that amps up my own anxiety. I can hear my own heartbeat, and I don''t exactly like it. I don''t like feeling it in my ears. Next to me, Spinelli''s shuffling his feet, trying to kick away the muck that clings to his shoes. "Gross," he mumbles, and I almost smile. Almost. If the situation weren''t so grim, I''d find more humor in his childlike disgust at the sludge painting the edges of his sneakers. We pass a cop car, the blue and red lights casting surreal shadows on the snow, painting it in colors of emergency. My fingers itch to snap a photo, but that''s not why we''re here. I''m looking for something else ¨C a clue, a lead, something that says someone else was here. Something that proves Miasma''s innocence. I remember myself, then, and my cover. I pull my camera up and snap a picture. No flash. The NSRA office itself stands behind the tape, windows gazing out like empty eyes. The flags on top flap in the biting wind, snapping, chirping like angry birds. An incredibly annoying sound. The doors are closed, but the chaos from earlier has left its marks ¨C a broken window on the second floor, the blinds hanging loose and limp, clattering against the wall. "Sam, keep up," Jordan hisses over their shoulder, and I realize I''ve stopped walking. I hustle to close the gap, trying to avoid the deeper patches of snow. I''m not dressed for this weather. My boots, worn and comfortable inside the confines of a heated car or a cozy classroom, do nothing to fend off the chill seeping up from the ground. Ahead, yellow tape marks the line between the public and the private, between what we know and what we''re here to find out. ''Crime Scene Do Not Cross,'' it reads, but what is a line of plastic against the pull of truth, and of disobedient adolescence? We''re here to cross more than just yellow tape. We''re crossing over into¡­ I don''t know. Another world? But not quite. Danger? But I''m always in danger. My goosebumps are neverending. There''s always something over my shoulder. I guess we''re crossing from danger into more danger. I look at the building, at the people milling about ¨C reporters like us, except with the air of having been invited. Cops, with their stern faces and stiff walks. And then there are the others, the ones who don''t fit, who watch the watchers. They''re the ones I''m really here to see. Citizens standing behind the yellow lines, obedient, listening when the cops say to back up. A flutter in my chest, nervous, keeps me alert. I can''t shake the feeling of being watched, and it''s not by the reporters or the cops. I''m trying to look everywhere at once, which means I''m effectively seeing nothing. "Focus, Sam," I mutter under my breath, trying to ground myself. Jordan and Spinelli are talking, a low murmur between them. I catch snippets ¨C "stay sharp," "look for anything out of place," "remember, we''re just high schoolers," but I don''t catch the full thing, leaving the fine details out of my ear''s grasp. We reach the tape and Jordan flashes a mock press ID at the officer guarding the entrance. He''s giving us the once-over, skepticism written all over his face. I don''t blame him. We must look like a trio of kids playing dress-up. But he lets us through with a grunt that''s almost a word, and we''re in. The ground behind the tape is churned mud, the snow trampled by countless boots. It squelches underfoot, and I have to step carefully to avoid slipping. The building''s facade is closer now, looming. It''s a faceless bureaucrat in concrete form, all sharp angles and reflective surfaces. The air''s electric, charged with the residue of the morning''s chaos. Every sound is amplified ¨C the crunch of snow, the murmur of voices, the distant wail of a siren ¨C and it''s all I can do not to jump at each one. We edge along the perimeter, Jordan leading, their head swiveling like they''re expecting trouble to jump out from behind every corner. I''m trying to do the same, but it''s Spinelli who stops first, pointing at something on the ground. It''s nothing ¨C just a piece of trash ¨C but for a moment, it felt like a sign. A cop gives us a once-over, and I fight the urge to duck behind Jordan. "Just act natural," I remind myself, even though ''natural'' is the last thing I feel right now. Spinelli nudges me, whispering, "Got it all on camera, Sam?" I nod, snapping a picture of a footprint in the slush that''s probably from one of the many boots that have come through here, nothing more. It''s got bird shit in the middle of it, too. Fascinating. Jordan''s doing the talking, which is good because they''ve got this uncanny way of getting people to spill. They approach a cop, all charm and smiles, asking about the incident. The cop, though, he''s not buying it, gives us some line about waiting for the official press release. Jordan''s polite, but their eyes are doing that thing where they''re laughing without a smile. It''s really creepy. I kind of hate when they do that. I drift away, snapping pictures of everything and nothing. There''s not much to see that hasn''t been plastered all over the news ¨C broken windows, cops, and NSRA officials huddled in groups, talking in hushed tones that don''t carry over the hum of the crowd. Spinelli''s scribbling in a notebook, probably just doodles, but he''s trying to look the part, bless him. Every so often, he''ll squint at something, jot down a note, and I wonder if he''s actually onto something or just playing the part a little too well. I peek over his shoulder and note both a lack of anatomy in his stick figures and also his horrendous penmanship, but I really can''t blame him, because, a: he used to live on the street and b: my handwriting is, if it can be believed, even worse. Just dogshit handwriting. Half an hour ticks by, and it''s like we''re walking in circles. I''ve got a collection of photos of the backs of people''s heads, the ground, the sky ¨C anything to look busy. But it''s all just filler. There''s nothing here that tells us anything new. The same old story ¨C tragedy, confusion, and a lot of questions no one''s willing to answer. We regroup, huddling together like we''re sharing secrets. Jordan''s got that frustrated edge to their voice, talking about stonewalled conversations and tight-lipped officials. Spinelli''s notes are just observations ¨C who''s talking to whom, which cop looks more tired than the rest. Names and badge numbers. I share the mundane details caught in my lens ¨C the angle of a broken blind, the way the snow''s been trampled down by so many feet it''s become a path of its own, slush compressed into a skid-dy ice layer. It''s all just pieces of a larger puzzle that''s got so many chunks it''s impossible to put together from here. Find this and other great novels on the author''s preferred platform. Support original creators! Jordan decides we''ve got to push harder, ask better questions, or we''re just wasting our time. So, we split up again, me with my camera, Spinelli with his notebook, and Jordan with that persuasive tongue. I circle around the building, looking for anything off-kilter. There''s an NSRA agent, standing by the door, and I snap a picture. He notices, gives me a withering look, and I just shrug, mumbling something about a project for school. He softens, tells me to stay out of trouble, and I nod like I''m taking it to heart. Spinelli''s talking to a bystander now, someone who looks like they just came to gawk. Spinelli''s got this earnestness about him that makes people want to talk. The guy''s saying nothing useful, just what he heard on the morning news, but Spinelli writes it down like it''s gospel. Jordan''s found an NSRA official who''s more talkative. I catch snippets of conversation about response times and protocols. Nothing groundbreaking, but it''s something. We come back together, sharing our scraps of nothing much. Jordan''s got this look in their eye, the one that says they''re onto something, or they think they are. They''re talking about going deeper, getting more aggressive with questions. But then I see it, something off in my photos. It''s small, barely noticeable ¨C a window on the third floor, slightly ajar. It''s nothing, probably. But it''s also not nothing. I point it out, and we all stare at that window like it''s going to spill its secrets. Jordan''s saying we need to check it out, but how? We can''t just waltz into the building, not with all these cops around. We consider our options. More than twice, Jordan suggests just breaking in. Spinelli suggests it only once. I remind them of the plan. Then, I am reminded of the plan. Suddenly, abruptly, a car that''s too clean for this dirty parking lot rolls up, coiling right next to us like a rattlesnake. It''s sleek, black, the kind of car that screams ''government'' even without the NSRA logo emblazoned on the side. It parks with a sense of purpose, and two men step out, both in navy windbreakers with that telltale yellow NSRA text. It''s like the sun came out, except it''s not warm, and it''s not friendly. It''s like those yellow light bulbs on streetlights that make everything look like a horror movie. One of them''s Mr. Polygraph. My heart beats faster. I recognize the build, that salt-and-pepper hair, the¡­ way his body is just set. The mustache is gone, replaced by stubble, like he''s trying to mix up his look, but you don''t forget a face like that. Not when it''s haunted your ''what if'' nightmares for half a year. Like what if he didn''t waste all his bullets when we first met? The guy next to him is a mystery, with round sunglasses and a hairstyle that looks like it fought the comb and won. Tan skin. He''s got this presence about him, calm and cool, like he''s walked onto the scene of a hundred crimes and this is just another day at the office. But given that I''m 90% sure the person next to him is Mr. Polygraph, I have to make the assumption that he''s another member of the Kingdom I just haven''t met yet. My stomach knots as they walk towards us, and Jordan''s beside me, their hand twitching like they''re itching for a fight they know they can''t win. Even Spinelli''s stopped his note-taking, squinting at the newcomers like he''s trying to figure out if they''re part of the plan or something worse. "Good afternoon," Mr. Polygraph says, and even though his voice is smooth, there''s a sharpness there. His arm''s cradled close to his body, and I can see him trying to keep it still, the memory of pain flickering across his face when he looks at me. I remember the taste of his blood. His shoulder. I''m glad I hurt him so bad that he''s still feeling it half a year later. That brings me a little satisfaction. The quiet one, the man with the sunglasses, he''s all politeness. "Agent Evans. This is my partner, Agent Parker," he introduces, and I nearly choke on my own spit. Agents? They''ve got the confidence, the badges, the guns on their hips that are way too visible for my liking. But agents? Have they infiltrated the NSRA, or is this a complex game of pretend? Isn''t impersonating an officer of the law illegal? Like, super-duper illegal? Jordan nods at them, cool as ever, but I see the way their fingers have stilled. They''re getting the same impression as I am. "We''re just collecting information for our school paper," they say, and I have to admire the way their voice doesn''t shake. I nod along, trying to look the part of a clueless high schooler. "Yeah, our readers are super interested in what''s happening." My camera suddenly feels like a shield, and I hold onto it like it''s a lifeline, in front of my face. FLASH! Both ''agents'' wince. Spinelli looks between Jordan and I, clearly confused. Mr. Polygraph, Agent Parker, whatever he''s calling himself, he smiles, but it''s all teeth, no warmth, like a chimpanzee. "Very civic-minded of you. But this is a crime scene, and we can''t have civilians getting in the way." The other one, Evans - ''Mr. E''? - adds, "It''s dangerous. We wouldn''t want you to get hurt." I can''t help but snort. Dangerous is a day ending in ''y'' for us. But I bite back the retort, remember the plan. Mr. Polygraph looks at me like I just called his mom fat. Offended. Spinelli''s looking between all of us, finally picking up on the tension. "We''ll stay out of the way," he says, and it''s like he''s trying to defuse a bomb with a smile. Bless him, he''s got this innocence that could disarm anyone. Anyone but these two. I can feel Mr. Polygraph''s gaze on me, heavy and hot, like he''s branding me with suspicion. He knows, and I know it. He knows who I am, what I am. This is the first time I''m seeing his eyes, gunmetal grey that''s almost, but not quite, blue, and they''re boring a hole through me. He can''t help himself, in the way that dogs can''t help drinking toilet water. "So," Jordan says, breaking the silence that''s stretched out too long. "You guys close to catching the guy who did all this?" It''s bait, and we all know it. Mr. Polygraph''s lips twitch, and I brace myself. Here it comes, the dance around the truth. "We''re following all leads," he says, and I almost laugh. Leads? I assume if this is the Kingdom''s doing, then they''re their own leads. The only question is how we can make them admit that. Evans watches us, those sunglasses hiding his eyes, but I can feel his gaze, analytical, probing. He''s the quiet storm to Polygraph''s brewing tempest. Even though Mr. Polygraph pistol-whipped me in the face hard enough to break my nose, it''s Evans I''m more afraid of. Mr. Polygraph is a known quantity. He shoots people in the head. He''s a lie-detector. Evans? I have no idea what his powers are, assuming he has any. Given what I''ve seen so far of the Kingdom, though, this seems like a fair assumption. "We appreciate your¡­ enthusiasm," Evans continues. "But leave this to the professionals." Professionals. The word sticks in my throat like a bad joke. If they''re professionals, I''m the Queen of England. Mr. Polygraph leans in, his voice dropping to a register that''s meant for threats veiled as advice. "You know, it''s a dangerous world out there," he says, his eyes locking onto mine. It''s a punch in the gut, his meaning clear: he knows me, he remembers, and he wants me to know it. "Wild ''heroes'' out there snuffing out innocent lives. Almost makes you wonder what he was looking for in here." The cold from the ground seeps up through my boots, but it''s nothing compared to the chill his words send down my spine. I resist the urge to rub at my nose, a phantom ache flaring up where he broke it six months ago. The pain was gone in hours, but sometimes I still feel it, the crack of a gun''s handle - whatever that part of a gun is called - against my schnozz. Jordan''s beside me, a subtle hand signal behind their back ¨C two fingers, then a fist ¨C our code for ''yes, it''s Mr. Polygraph,'' as opposed to the codes for the other Kingdom members we''d met. I give a tiny nod, confirmation without words. We''re on the same page, but Spinelli, bless his heart, is clueless, looking between us with a growing frown of confusion. Come on, Spinelli. You''ve seen this man before. At the warehouse, remember? Don''t make me say it out loud. Don''t make me type it on my phone and get my phone confiscated. Beside Mr. Polygraph, Agent Evans is a statue. His face gives nothing away, but I can feel his attention like a spotlight, intense and focused. There''s a weight to his silence that''s somehow louder than any threat Mr. Polygraph could throw our way. Jordan''s voice is even when they speak, a touch of sarcasm that doesn''t quite hide the edge. "We''re always careful, Agent Parker. But thanks for the concern," they say. They''re playing it cool, but there''s a tremor in their hand that''s not from the cold. "I don''t think many people want to kill student journalists these days," Mr. Polygraph smirks, a twisting of his lips that doesn''t reach his eyes. "Just doing my job," he says, his eyes flicking towards the right for just a split-second. The tension is a living thing, wrapping around us like a live wire, binding tighter with every word. Spinelli shifts from foot to foot, a question in his eyes that he doesn''t voice. He knows something''s off but not what, and I''m grateful for his obliviousness. Maybe we''ll tell him once we''re home, hopefully free of any bullet holes. Mr. Polygraph''s questions are casual on the surface, small talk masquerading as interest. "What''s the angle for your story?" he asks, and I smell his probing already. Digging. Trying to use his power on me. But I remember our first encounter - it''s something I could never forget. "Just the truth, sir," I reply, smiling as genuinely as I can. Half-truths. Half-answers. He nods, but his eyes, they''re like drills, boring into me, searching for something. "Facts are important," he agrees. "But so is perspective. Wouldn''t you say? Important to make sure everyone is represented." Jordan snorts, a soft sound that''s almost lost in the noise around us. "Perspective can change depending on where you''re standing," they reply, and I feel a little lost. Agent Evans finally speaks, his voice smooth as silk. "Perspective is everything," he says, almost mouse-quiet. The world goes silent for a painful moment. Spinelli''s the one to break it. His discomfort is obvious as he blurts out words; "Yeah, perspectives, angles, got it. We''re just trying to get the school project done, you know?" His innocence is like a beacon, and I can see the glint in Mr. Polygraph''s eye as he turns to face him. He smells blood in the water. Chapter 57.2 Mr. Polygraph takes a step closer to Spinelli, who¡¯s blissfully unaware of the traits of the silent predator in front of him. "A school project, huh? That''s admirable. Tell me, what have you kids found out so far?" His voice is casual, but it carries the weight of a cross-examination. Spinelli starts to respond, but Jordan''s quicker, cutting across him with a pointed, "Not much. Just what everyone else knows from the news." They''re trying to shield him, to keep Mr. Polygraph''s probing away from the one of us who doesn''t know to lie. Spinelli looks at Jordan, and then looks at me. I try to silently plead with him with my eyes. Remember, Spindle? You were there when he turned someone''s head into flowers. Is your facial recognition bad? Did you just forget? Agent Evans, still as a statue beside his partner, gives a subtle nod, almost imperceptible. But I know a signal when I see one. Mr. Polygraph''s focus narrows, honing in on Spinelli''s notebook. "May I?" he asks, reaching out a hand, but Jordan''s quicker, a step between them, a laugh that''s too sharp to be genuine. "Sorry, Agent Parker, but we need it for our report. School rules," they say, and Mr. Polygraph raises an eyebrow. But then he pulls his hand back. I''m watching Agent Evans, trying to catch any hint, any tell that might give away what he''s doing, what he''s sensing. But he''s a closed book, and if he''s reading our emotions, he''s keeping the contents to himself. Spinelli looks between us, a wrinkle of confusion on his forehead. "It''s just notes," he says, and I want to cover his mouth, to stop the words that might spill out and give us away. But it''s too late. Mr. Polygraph has that look, the one a shark gets when it''s circling. "I''m sure they''re very thorough notes. You seem like a diligent student," he says, and I don¡¯t miss the emphasis on ''diligent.'' Jordan''s hand is on Spinelli''s shoulder, a squeeze that''s a clear ''stop talking.'' But Spinelli''s a talker, it''s what he does when he''s nervous. "Yeah, I like to get the details right," he says, and I can almost hear the silent alarm bells ringing. I jump in then, feigning interest in the conversation. "Agents must have to get a lot of details right too, huh?" It''s a deflection, a way to pull attention from Spinelli. Agent Evans shifts his weight, and I catch the slight movement, the way his attention flicks from Spinelli back to me. "Details are our specialty," he says. There''s a calm certainty in his voice that fills me with uncertain dread. Mr. Polygraph¡¯s gaze is a laser, cutting through the pretense, looking for the lie he''s sure is there. "So, this project of yours, when is it due?" he asks, a question that has nothing to do with dates. Agent Evans watches, still silent, still analyzing. I wonder what he sees when he looks at us. Fear? Defiance? Desperation? Jordan''s already squeezing Spinneli''s shoulder. "We''ve got time," I say, stepping in front of Spinelli, blocking him, cutting Mr. Polygraph off with a half-truth. "Don''t worry about it." Agent Evans steps forward, his tone suddenly sharp, "What, can the guy not speak for himself? Stop cutting him off. We want to hear what your note-taker has to say." His words slice through the tension, a direct challenge to our charade. Spinelli''s mouth opens, then closes, a trapped look on his face. Mr. Polygraph leans in, his voice deliberate, "We''re just looking for a¡­ what''s the word¡­ a fruitful conversation?" He glances to Agent Evans, as if asking for confirmation. "That''s the word, right, smart guy?" "It''s your favorite," Agent Evans quips, his face moving like he''s rolling his eyes. The word hangs in the air, and it''s like a switch flips in Spinelli. Color drains from his face, his eyes widen, a flicker of recognition flashing across them as he stares at Mr. Polygraph. "Halloween," he whispers, the word slipping out, a quiet gasp of realization. Jordan''s foot nudges against Spinelli''s, a silent command to shut up, but it''s too late. Mr. Polygraph''s head tilts, his brow furrows. "What was that you just said?" His voice is calm, but there''s a steel edge to it, the lie-detector in him sensing the thread to pull. Agent Evans watches Spinelli''s panic with a predator''s interest. "Why so nervous? What''s got you white as a ghost all of a sudden?" His questions are like probes, sharp and precise, and Spinelli looks like he''s about to crumble. I step in, trying to deflect, "He''s just not used to this kind of attention. You know, shy." My voice is too high, the words tumbling out too fast. But Agent Evans doesn''t buy it, and he doesn''t let up. "Shy, or is there more to it?" He leans in, his gaze locked onto Spinelli, who''s now visibly trembling. Nearby cops have started to glance our way, drawn by the sudden spike in tension. Their hands rest near their belts, an unconscious mirroring of readiness. We''re drawing a crowd, and not the kind we want. Jordan steps up to Spinelli, a shield of bravado. "He doesn''t know anything. Just let it go, okay?" They''re trying to defuse the bomb that''s inches from going off. Mr. Polygraph looks between us, processing everything that just happened. He doesn''t press further, but the silence he leaves behind is loud with suspicion. The cops are closing in now, their boots crunching on the gravel-strewn snow, their breath fogging up in the cold air as they approach our little standoff. "Is there a problem here?" one of them asks, the question more of a command than an inquiry. Mr. Polygraph doesn''t miss a beat, his voice taking on the smooth cadence of authority. He fishes out a badge, flipping it open with a practiced motion. "Agent Parker," he introduces himself, the badge glinting in the weak sunlight. "And this is Agent Evans," he gestures to his silent partner, who nods curtly. "NSRA internal investigators," Mr. Polygraph continues, his words carrying the weight of officialdom. "Badge numbers 7742 and 5598." He''s good, I''ll give him that. If I didn''t know better, I''d have believed him myself. The officer takes a moment to examine the badge, his expression unreadable. "Internal affairs, huh?" he mutters, more to himself than to anyone else. "My condolences for the tragedy here," Mr. Polygraph says, his voice steady and somber. "It''s a difficult day for all of us. We''re just ensuring that everything is handled with the respect and seriousness it deserves." The officer hands back the badge, his posture relaxing slightly. "Of course. I understand. We appreciate the NSRA''s cooperation in these circumstances." Mr. Polygraph offers a solemn nod, his face a mask of professional grief. "Just making sure everything is on the up-and-up." The cops exchange looks, their initial suspicion waning under the onslaught of Mr. Polygraph''s confidence. "Are these kids interrupting anything?" one of the officers says, his voice trailing off as he scrutinizes the badge. Agent Evans steps in, his demeanor unflappable. "These are just some local students," he says, gesturing to us with a dismissive wave. "Toddler journalists working on a school project. They''re fine where they are." The term ''toddler journalists'' stings, a condescending pat on the head that leaves me seething, but it''s better than being escorted off the premises. The police seem to take their word for it, their posture relaxing as they step back, giving us space but still watching closely. I remember his burning words - toddler with a wire - and it feels like another precise jab to keep me off-guard. We''re left feeling more alone than before, the thin veil of our cover story hanging by a thread. The agents have saved us from immediate ejection, but the cost is clear. We''re now playing by their rules, on their board, and they''ve just made a very public show of their power. The agents¡¯ assurances to the cops are a band-aid over a bullet wound. It''s too neat, too easy, and it leaves a sour taste in my mouth. Spinelli''s still pale, his eyes darting between Jordan and me, looking for some kind of anchor in the roiling sea of tension. Mr. Polygraph looks back at us, his smile tight and calculated. "As I was saying," he continues, as if we hadn''t been interrupted, "enthusiasm is to be commended, but safety comes first. We wouldn''t want an accident." Yes, the agents'' sudden appearance and smooth handling of the cops are as suspicious as a shark in a swimming pool, but suspicion isn''t proof. It doesn''t confirm that the Kingdom framed Miasma, just that they''re entangled in this mess, which isn''t news to us. The real question¡ªwhether the Kingdom orchestrated Miasma''s fall from grace¡ªremains unanswered. Yet. A case of theft: this story is not rightfully on Amazon; if you spot it, report the violation. Jordan leans in, their voice low but clear. "Hostile, agents. Are you threatening us? What exactly do you mean by ''we wouldn''t want an accident''?" There''s a bite to their words, a challenge that''s not quite hidden beneath the surface. Agent Parker''s smile doesn''t waver, but it''s all facade. "Threatening? Of course not. We''re all on the same side here, aren''t we?" His question is rhetorical, but it''s the opening I need. "Of course we are," I say quickly, meeting his gaze with a confidence I don''t feel. Mr. Polygraph''s eyes narrow just a fraction, a twitch at the corner of his mouth. It''s almost imperceptible, but it''s there. His lie detector, going off. Jordan catches on to my play, a quick side-eye that''s all the conversation we need. They step up the act, pushing just a bit further. "Like she said, we''re all on the same side. You guyses and us guyses." Their voice is steady, well-practiced. Jordan is much better at lying than I am. The agents exchange a glance, and there''s a current of communication there that I can''t read. Mr. Polygraph''s jaw clenches, just for a second, and I know we''ve got him. He''s questioning himself, his power, trying to reconcile what he knows with what we''re saying. Agent Evans is silent, but his eyes are sharp behind those sunglasses, watching the exchange like a hawk. He hasn''t said much, but I can tell he''s calculating, assessing the situation with a keen edge that''s more intimidating than any of Mr. Polygraph''s thinly veiled threats. Mr. Polygraph finally breaks the stalemate. "I see," he says, drawing out the words. There''s a moment where he scrutinizes us, like he''s lining up his next shot. "Well, as long as you''re just¡­ pursuing the truth." The pause is pregnant with implication, his tone laden with a subtext that''s probing and skeptical. He shifts, just slightly, and I can tell he''s not done fishing. "Tell me," he starts, his gaze sharp, "you''ve been here since the morning, right?" The question is direct, a hook cast out into the open water. Jordan''s poker face is perfect. "That''s right," they answer, steady as ever. It''s another lie, a small one, but I can see the twitch in Mr. Polygraph''s cheek that says he''s got a bite. Spinelli''s fidgeting beside me, and I give his arm a reassuring squeeze. I need to keep him quiet and calm, away from Mr. Polygraph''s radar. I jump in, eager to build on the momentum. "Yeah, we came straight here after our first class." It''s a blatant lie; we''ve been all over the place today, but Mr. Polygraph''s question was a golden opportunity. Mr. Polygraph''s eyes flick to me, and there''s a flash of something like triumph in them. "First class, huh? Must''ve been an early one." His voice is casual, but it''s clear he''s on the scent. I nod, keeping my expression neutral. "We''re dedicated," I say with a smile that I hope looks genuine. Agent Evans is still quiet, but his silence feels heavy, loaded. He''s not asking the questions, but I get the feeling he''s analyzing every response, every twitch and fidget. Mr. Polygraph leans in, and I can smell the mint on his breath ¨C a mask for the coffee, perhaps. "And your teacher just let you skip the rest of the day to be here?" he asks, a question that''s a little too on the nose. It''s Jordan who answers this time, "We have a very understanding journalism club supervisor. She knows a big opportunity when she sees one." Mr. Polygraph''s eyes narrow just a fraction. "Who''s your journalism club supervisor?" he asks directly, his voice smooth like oil, but I can hear the gears grinding behind it. I scramble for a name, something believable. "Mrs. Thompson," I blurt out. It sounds fake even to my own ears. "I don''t believe you," Mr. Polygraph counters quickly, his gaze sharp and probing. "What school?" he presses. "Germantown Friends School," I say, trying to sound confident. He already knows where I live. I''m sure he knows the school I go to. But that''s not the reason I''m lying rapid-fire. He nods, but there''s a skepticism in his eyes that doesn''t fade. "Germantown Friends School students taking a deep interest in crime scenes¡­ Do you often find yourselves in such unique situations?" There''s a weight to his question, a trap waiting to spring. "We''re always looking for interesting stories," I reply, trying to keep my voice steady. "Part of why our school paper is so renowned." "And where do these interesting stories usually take you?" he asks, while Agent Evans takes a single step back, cutting Spinelli in half with his gaze. I can almost hear our poor lanky friend whimpering like a dog. Jordan jumps in, saving me from having to answer. "All over Philly. You know, covering a wide range." Their voice is steady, but I can see the tension in their shoulders. "So, ''all over Philly,'' but never in places you shouldn''t be, right?" Mr. Polygraph''s question is direct, a sharpened hook baited and waiting. Too bad he doesn''t realize that his hook is actually, um¡­ It''s¡­ It''s tangled with¡­ My¡­ hook? And I''m fishing also? This metaphor made more sense in my hindbrain. "Of course not. We stick to public places, parks, streets¡­" I respond, trying to sound nonchalant, but there''s a pounding in my ears that makes it hard to think. "Never anywhere we shouldn''t be. No private property, you know? Haven''t even visited city hall yet." "But never anywhere off-limits. You kids aren''t off exploring abandoned buildings, restricted areas?" Mr. Polygraph pushes, his eyes fixed on me. Snap. A beartrap going shut on his ankles, and he hasn''t even realized it''s bitten in deep. I seize the opening he''s just unwittingly given me. "Abandoned buildings?" I counter, my tone laced with feigned confusion. "Do we look like we''re dressed for urban spelunking? We were talking about our journalism project." "Where''d that come from?" Jordan follows up, a one-two punch of snark. He falters for a moment, his confident facade cracking. "I just mean¡­ in general," he stammers, trying to regain his footing in the conversation. I press on, sensing his discomfort. "That''s a pretty specific thing to ask about, don''t you think?" I challenge, my gaze steady. Mr. Polygraph opens his mouth to respond, but no words come out. His face reddens, and I see the anger behind his eyes ready to flare out. The anger in him conflicting with his guise. Agent Evans steps in smoothly, his voice calm but firm. "We''re just ensuring all aspects of the investigation are covered. No need to read into it." But the damage is done, and I can''t help but feel a surge of triumph. Mr. Polygraph''s specific line of questioning, his slip about ''abandoned buildings,'' tells me all I need to know. Jordan joins in, their voice dripping with skepticism. "Oh, we''re part of the investigation now? I didn''t realize." Mr. Polygraph recovers slightly, but his earlier confidence has diminished, replaced with boiling fury. "Just making conversation," he says, but his voice lacks conviction, replaced with frustration. He stiffens his back up and squares his shoulders. There''s a moment''s pause, and then, his face flattens a little in some form of defeat. "Just be sure to stay out of trouble. We wouldn''t want you getting in over your heads," he says, his tone a mix of warning and challenge. I nod, feigning acceptance of his explanation, but internally, I''m putting the pieces together. His floundering response, the too-specific inquiry - it all points to one thing: they know more about us than they should, more than they could without keeping tabs on us. "Don''t worry, Agent Parker. We know our limits," Jordan replies, a knowing glance shared between us. "Will that be all?" Agent Evans finally moves his gaze from Spinelli over to Jordan and I. He sweeps through us, and then grabs Mr. Polygraph by the wrist before he can launch into another interrogation. "We''re done here. Have a productive day, kids," he says, although Mr. Polygraph looks almost flabbergasted. That''s it. Conversation over. Can he smell our victory? The little cheers in my heart? Mr. Polygraph scowls at me. "You three stay safe. We''ll be in touch." I can''t hide my smile. "I bet," Mr. Polygraph and Agent Evans start to back away, their roles played out for now, but the threat lingers in the air like a bad smell, like rotting fish. We watch them go, each step they take feeling like a small victory. As their car pulls away, I let out a breath I didn''t realize I''d been holding. Jordan looks at me, a mix of relief and worry in their eyes. "We did it," I say, but my voice is flat. It doesn''t feel like a win. It feels like we''ve just bought ourselves a little time. Jordan sits on a dry patch in the snow, butt on the curb. Spinelli, who''s been silent through most of the exchange once he realized that Agent Parker killed a man in front of him, just with sunglasses on and a nicer suit, finally speaks up. "What just happened?" he asks, confusion written all over his face. I give his shoulders a pat. "Patience, young one. All will be revealed in time."
Back at our hideout, the mood is a mix of tension and triumph. Spinelli''s been bouncing his knee the entire taxi ride back, a clear sign he''s been holding back a storm of questions. Once we''re safely inside our aluminum-foil-lined Faraday cage room, away from any prying eyes or ears, it''s like uncorking a bottle. "Alright. What just happened?" Spinelli bursts out the moment the door closes behind us. "That guy, he''s the one from the warehouse, right? The one who¡­ who did that thing? But what was the rest of it? Why are you guys smirking like we just won?" Jordan leans against the wall, arms crossed. "Yeah, that was him. Mr. Polygraph," they confirm, their voice low. I start pacing, the adrenaline still coursing through my veins. I can''t hide my smile. "His power tells him when someone''s lying. That''s why he was asking those weirdly specific questions." Jordan adds, "Think about it, Spinelli. How would he know to ask us about abandoned buildings? We were having a perfectly cordial, if tense, conversation about being journalism club students. I''m sure he was digging for info about our whereabouts, but he ended up talking too much." Spinelli''s eyes widen in realization, the pieces clicking into place. "But how would he know to ask about abandoned buildings? That doesn''t make any sense." Jordan and I both stare at him a little bit. I hear the hamster wheels turning. Then, I watch the eureka moment happen in real time. "OH! THEY''RE SPYING ON US!" Jordan smiles and ruffles his hair. He looks extremely pleased. "So, it''s not the NSRA, it''s¡­ his group? Does this change much? I think we suspected them anyway, right?" I shake my head. "It changes everything. Knowing it''s the Kingdom spying on us, not the NSRA, it narrows down our list of suspects and gives us a direction to push in. And - it almost certainly means that the Kingdom is the group that framed Miasma." "And it means we have a picture of them impersonating federal officers. Just FYI," Jordan adds, pointing to my camera. "Might be useful," The weight of the revelation hangs in the air like a floating elephant. Spinelli sits down at the plastic table, his light weight barely even making it creak. He runs a hand through his hair, a gesture of frustration and realization. "So, what''s our next move? We can''t just sit here knowing they''re onto us." Jordan leans against the wall, their expression thoughtful. "We keep investigating. We follow this lead. The Kingdom''s involvement isn''t just a coincidence. They''re deeply tied to whatever''s going on." I nod in agreement. "We need to be smart about this. Careful. We''ve got an advantage now, but we''re playing a dangerous game. One wrong move, and we could be walking into another trap. They already turned the public against Miasma in one fell swoop even without any coherent evidence." "Last thing we need is a manhunt for some juvenile murderers," Jordan quips, blowing their bangs out of their face with a puff of air. Spinelli slumps into a chair, his body sagging. "Are we in danger?" "We''re always in danger," I reply, but there''s a steely determination in my voice. "That''s what being a hero is all about," An Interview with Felix "Doctor Necrosis" Fleischer, The Worlds Most Notorious Supervillain

TIME Magazine - Exclusive Interview with ''Dr. Necrosis'': Unmasking the World''s Most Controversial Supervillain

By Elena Martinez, August 10, 2021

In the shadowy, desolate outskirts of Detroit, far from the eyes of the world, I find myself at the doorstep of the infamous Felix Fleischer, known to many as ''Dr. Necrosis''. The journey to this point has been a labyrinthine one, involving encrypted messages, discreet liaisons, and a deep dive into the underbelly of the city. It''s here, in a derelict building that belies the genius within, that I prepare to meet one of the most enigmatic figures of our time. Felix Fleischer, born in a small town in Germany in 1982, was raised in an environment steeped in science and academia. His parents, educators themselves, fostered a home where questioning and exploration were not just encouraged but celebrated. From an early age, Felix exhibited a prodigious talent in biology and chemistry, leading him to pursue a career in microbiology. His journey from a promising scientist to a notorious supervillain began in the early 2000s, during his Master''s degree at the Max Planck Institute for Infection Biology in Berlin. It was here, on the brink of death from a severe flu, that Felix''s latent powers emerged, granting him the extraordinary ability to create and manipulate viruses. This newfound power, combined with his growing disillusionment with the pharmaceutical industry, set him on a path that would eventually lead to his infamy as Dr. Necrosis. The world first became aware of Dr. Necrosis in the mid-2000s, when a series of targeted bioterrorist attacks against major pharmaceutical companies made headlines. His actions, while decried by many as acts of terrorism, were also seen by some as a radical stand against corporate greed and the commodification of healthcare. Reaching out to Dr. Necrosis for an interview was a journey that began with a series of clandestine communications and meticulous planning. My initial proposal to my editors at TIME Magazine was met with a mix of skepticism and concern. The idea of granting a platform to a figure as controversial as Felix Fleischer was not taken lightly. There were ethical considerations, safety concerns, and the potential backlash from our readers. After intense discussions and assurances of journalistic integrity, we agreed to proceed, understanding the importance of presenting a multifaceted view of such a complex individual. Contact with Dr. Necrosis was made through a web of intermediaries. The process was painstaking, involving encrypted emails, covert meetings, and a series of verifications to ensure authenticity and safety. Each step was shrouded in secrecy, a necessity given the stakes involved. The location of the interview, as per the agreement, remains undisclosed. It''s a place that mirrors Felix''s persona: isolated, unassuming, yet brimming with an undercurrent of intensity. The room is sparse, lit only by the faint glow of old light bulbs, casting long shadows across the walls. The air is heavy with the sense of something momentous about to unfold. This setting, devoid of any identifiable details, was a non-negotiable condition set by Felix ¡ª a small price to pay for the opportunity to delve into the mind of one of the world''s most enigmatic figures. As I wait for Dr. Necrosis to make his appearance, I can''t help but reflect on the gravity of this moment. This interview, a culmination of months of effort and negotiation, is not just about unmasking a supervillain. It''s about understanding the human beneath the persona, and perhaps, shedding light on the darker corners of our society that gave rise to him. Felix Fleischer emerges from the shadows not with the dramatic flair befitting his infamous alter ego, but with a quiet assurance that commands the space. As the locked, steel hatch in the floor seals behind him, there''s a moment of silence that''s almost reverent, a stark contrast to the chaos he''s known to orchestrate. His appearance is meticulous, calculated to unsettle. The menacing red LEDs of his helmet are dormant, revealing green eyes that watch the world with a piercing intelligence. The macabre grin of his mask, now visibly artificial, paint-on-carved-plastic, no longer hides his intent but serves as a reminder of the fear he can evoke. He reaches his hand up, and with a small click, the mouthpiece falls away, revealing prematurely greying stubble of what was once an orange-and-brown beard, sitting atop ghostly pale skin. "Easier to speak this way," he tells me, with a small smile. His voice, when he speaks, is polite, the faint trace of his German origins softened by years spent in the crucible of Detroit. He moves with a purpose, each step measured, the heavy fabric of his coat whispering against the concrete. As he sits, the room seems to lean in, the walls themselves bearing witness to the enigma that is Dr. Necrosis. There''s a confidence in his manner, a sense that he''s as in control here as he is in the lab. The absence of gadgets or weapons speaks of a man who believes that the greatest tool at his disposal is his mind. Elena Martinez (EM): Felix, your emergence into the public eye was as dramatic as it was unsettling. Could you recount the moment you realized the true nature of your abilities? Felix Fleischer (FF): Indeed, Elena. It was an awakening most profound during the nadir of my health; a brush with death by viral assault. In that crucible, my innate power surfaced ¡ª a harbinger of change. I was granted the formidable ability to sculpt life at its most microscopic, wielding viruses as a potter does clay. It was both an enlightening and burdensome revelation. EM: Your crusade has left an indelible mark on the world. How do you reconcile the consequences of your actions? FF: Reconciliation implies wrongdoing. My actions are the brushstrokes of a larger canvas ¡ª one that seeks to eradicate the festering corruption within the pharmaceutical industry. It''s a necessary act of cleansing, a purgation of systemic greed to pave the way for an era where science is the vanguard of public welfare, not profit. EM: In the court of public opinion, you''re a supervillain. Do you see yourself in that light? FF: A supervillain, no. A revolutionary, yes. History''s lens is farsighted, and I trust it shall vindicate my endeavors. I stand as a sentinel at the gates of change, not an agent of chaos. EM: What is the ultimate goal of your campaign against the pharmaceutical giants? FF: My crusade, dear Elena, is to dismantle the mercenary bulwarks that obstruct the true purpose of medicine. I aim to architect a world where science serves the sanctity of life, not the coffers of corporations. EM: Has the collateral damage wrought by your actions ever weighed on you? FF: It is a weight I bear, undeniably heavy, yet a necessary toll on the path to revolution. One must not flinch in the face of sacrifice if we are to uproot the deeper evils of our time. The narrative has been taken without permission. Report any sightings. EM: Critics argue that you''ve become akin to those you despise. Your reaction? FF: My integrity remains unassailable. My transactions with the industry are a tactical gambit, ensuring the tools of knowledge are wrested from the hands of avarice. The core of my mission has never once been tarnished by the very scourge I seek to cleanse. [Editor''s Note: The "transactions" referred to are Felix''s sales of bespoke viruses to pharmaceutical companies for research purposes. Every 3-4 years, he will create and sell singular samples of his viruses under the stipulation that all research into them be open sourced and the patents released, in order to fundraise for his criminal activities.] EM: The repercussions of your attacks have been far-reaching, affecting families and communities. What would you say to those who have suffered as a result? FF: To the bereaved, I extend my deepest sympathies, for their loss is the unfortunate shadow of greater good''s light. The actions I''ve taken, though harsh, serve a utilitarian ideal where the many outweigh the few. My heart is not devoid of empathy, but it is steeled by the necessity of my cause. EM: In your relentless pursuit, is there a line you deem too far to cross? FF: Indeed, there is a moral perimeter I maintain. I''ve eschewed the pathogen''s indiscriminate wrath, like pandemics, for my war is with institutions, not innocents. There is a code within the chaos, an ethical boundary I will not overstep. My actions are not undertaken with the need for ceaseless mass destruction - something I could very easily cause should it be desired - but precision strikes of a surgeon''s great scalpel, made to excise the tumors that sit so fat and happy upon the tops of the healthcare industries, crushing all beneath their weight. EM: Amidst this tumultuous life, what connects you to your humanity? FF: Ah, it is the arts that anchor me ¡ª music''s harmony, literature''s solace. They are the bastions of my spirit, nurturing the hope that tomorrow''s world will be a sanctuary of free thought and free health. In my free time, I have been practicing piano, as well as, of course, keeping up-to-date on the latest in virology and epidemiology. EM: Looking ahead, where do you see yourself in a decade? FF: In ten years, I envision a landscape transformed by the seeds I''ve sown. A realm where my principles are no longer insurgent but intrinsic, and I, perhaps a ghost in the machine, continue to steward the ideals I''ve fought for. I would one day wish to hang up this old helmet and this lab coat, and gladly turn myself in to the likes of Daedalus or Sisyphus, or any of the other Hells for superpowered miscreants such as myself. EM: Your comment about the notorious ''Seven Hells'' strikes a chord. What are your thoughts on these superhuman prison facilities? FF: The ''Seven Hells,'' as society has so aptly named them, are a testament to humanity''s ingenuity and its inherent fear of the unknown ¡ª of us. They are both sanctuary and dungeon, Elena. A necessary evil, perhaps, for those who have lost their way. But they are also a reminder of what awaits should my crusade falter or fail. The irony of seeking to be imprisoned there, willingly, is not lost on me ¡ª it would be the ultimate acknowledgment of my impact. EM: Turning yourself in would indeed be a dramatic end. Do you believe the current system within these facilities is adequate for reform or rehabilitation? FF: Adequacy is a relative term. These institutions are fortresses of containment, not cathedrals of change. They are built to hold, not to heal. I would submit myself not with the hope of reform, but as a symbol that my work has reached its conclusion. That, Elena, would be a day of reckoning ¡ª both for myself and the society that built those Hells. EM: Felix, you''re recognized as the forefather of what''s now called the ''Second Wave of Supervillainy.'' What''s your take on those who emulate your approach? FF: I see them as my ideological progeny, yet I must clarify ¡ª where I sculpt with precision, some choose to wield their powers with reckless abandon. My methods have always been surgical, not scattershot. Those who emulate me should strive for strategic influence, not indiscriminate force. EM: This legacy, inspiring others to leverage their powers for political ends ¡ª do you regard this as a triumph or a liability? FF: A bit of both. It''s a triumph of ideology, the awakening of a collective consciousness among the superpowered. Yet, it''s a liability when the message is muddied by needless brutality. The strategy is paramount in the march towards progress. EM: The ascent of political superpowers has, arguably, escalated global conflict. Does this align with your vision? FF: Conflict is the crucible of change. I do not endorse all deeds done in my name, but I recognize the necessity of upheaval. The old must be challenged to make way for the new. EM: What counsel would you offer to the upcoming cadre of ''activist villains''? FF: Keep the cause in your sights. Do not lose yourself to the anarchy of action. Remember, we are architects of a new paradigm, not mere agents of chaos. EM: Critics argue that your actions exacerbate global instability. Your thoughts? FF: The world was already on the precipice; I merely illuminated the path. Instability is the seed of change, and my role has been to channel that energy towards a greater good. EM: In an unstable world, what role should those with superpowers play? FF: We are the vanguards of the future. Our role is to dismantle the archaic and oppressive, to be the harbingers of a world where power is a tool for justice, not subjugation. EM: Felix, in your confrontations with superheroes, how do you perceive those who stand against you and your mission? FF: They are sentinels of a bygone era, upholding systems that require metamorphosis. I harbor respect for those whose moral compass aligns with the true north of the common weal, even as our methodologies diverge. EM: Have your encounters with these superheroes ever led you to doubt your approach? FF: Self-reflection is the cornerstone of growth. There have been formidable adversaries whose convictions have prompted me to evaluate my methods, ensuring my actions remain in harmony with my ethos. EM: If a superhero were here, questioning the path you''ve chosen, what would you say? FF: I would extend an invitation to dialogue. My crusade is not born of whimsy but necessity, and I would welcome any paragon of justice to join me in rectifying the systemic maladies we face. EM: Some say you''re a terrorist, others a liberator. Where is the line drawn? FF: History will etch that line, not the opinions of the present. My actions are seeds; time will reveal them as either poison or fruit. I am steadfast in my conviction that the harvest will vindicate my toil. EM: Felix, as we conclude, is there anything you''d like to say to the world ¡ª a final message? FF: I stand before you not as a harbinger of chaos but as an agent of change. To those who have witnessed the tempest of my actions, know that tranquility follows the storm. May we all witness the dawning of an era where science and compassion govern over profit and indifference. Let this dialogue be a bridge towards understanding, not a battleground of ideals. EM: Thank you for your time, Mr. Fleischer. FF: The pleasure is all mine, Mrs. Martinez. As I leave the dimly lit confines of our meeting place, the words of Felix Fleischer, or Dr. Necrosis, echo in my mind. The man behind the supervillain facade is complex, his motives tangled in a web of idealism and radical action. He is a figure who challenges the boundaries of villainy and activism, blurring the lines between moral crusade and terror. His vision of a world freed from corporate shackles, while noble in intent, is marred by the undeniable suffering his actions have caused. The conversation raises profound questions about the role of superpowered individuals in society. Are they guardians of the status quo, or agents of change? Where does one draw the line between fighting for a cause and inflicting harm in its name? Felix''s story is a reminder of the fine line between heroism and villainy, and the subjective nature of justice. As readers, we''re left to ponder the ethics of his methods and the true cost of radical change. [Postscript from the Editors of TIME Magazine] The decision to publish this interview was not made lightly. We believe in the power of journalism to shed light on all aspects of our society, including its darker corners. This interview is not an endorsement of Dr. Necrosis''s actions, but an exploration of the complex motivations behind them. Our commitment remains to unbiased, comprehensive reporting, providing our readers with the information necessary to form their own opinions on these critical issues. Chapter 58.1 About a week after the Hatboro-Horsham encounter, with February creeping in and Jordan''s 17th birthday just days away, and life has been a whirlwind of activity and quiet moments. We''ve been trying to keep things normal, or at least as normal as they can be when you''re a group of teenage superheroes squatting in an abandoned building. I''ve been on this double date thing with Jamila, Spinelli, and Jordan, which was, well, awkward. Jamila¡¯s not exactly a fan of Jordan or Spinelli, and she''s definitely out of the loop about the whole Auditors thing. Trying to get everyone to mesh is like mixing oil and water ¨C they just don''t. Sure, I could invite her into our little vigilante investigator group, but I have a feeling that''s asking for disaster. And it sucks! I just want all my friends to be friends with each other. And I want everyone to get together forever and never have any problems with each other. Is that so unrealistic? In between, I''ve been keeping up with my training sessions with Rampart and the rest of the Young Defenders. But mostly Rampart. The physical exertion, the rush of adrenaline, it feels like a balm, soothing the edges of my depression. It''s like every punch and kick I throw into the air is chipping away at the weight on my chest. Regular patrols put Bloodhound back in the public consciousness, but it''s never anything interesting. Still picking cats from trees. Helping old ladies cross the road. It''s like the winter came and sent all the bad guys into hibernation - but then again, I''m not really allowed to be proactive in times like this, I think. The Young Defenders don''t conduct raids, that''s for adults and vigilantes. We''re boy scouts. I don''t mind being a boy scout, but, you know¡­ it''s boring. Laura Zhang, the estate lawyer, had some updates about the NSRA''s attempt to contest Diane''s will. She let me know that they finally managed to file some papers in the municipal court to light a fire under her ass, but things are slow, and she''s going to tie them up in matching paperwork for years. She told me not to worry, and that felt good. I like not worrying. The manhunt for Miasma is still on. Vigilantes from other cities have started showing up, each one itching to ''bring him to justice.'' The atmosphere in the city is tense, the streets cold and wet. I see more police lights every day. People have started posting about it on the forums. It''s really all anyone is talking about - how a man broke into the NSRA offices, killed four, left with undisclosed documents, and then vanished. And we know it wasn''t him, but we can''t prove that. Our own investigation into the Kingdom has been frustrating, to say the least. We went back to that warehouse, from Halloween, but it was like stepping into a ghost story. Empty. Abandoned. Scrubbed clean and then covered in a fine layer of dust again, like it was untouched for years and the whole scenario we had just imagined. It made me feel a little bit insane, I''m not going to lie. We do what we can, but the leads are going dark, and everything is starting to get harder and harder again. On a brighter note, my house almost done getting repaired, just in time for my birthday in a couple of months. The thought of going home, of having my own space again, it''s like a light at the end of a very long, dark tunnel. I''m going to miss napping with Lily, but, you know, I''ve missed having my own private bedroom a little more than that, I think. Right now, though, we''re all just lounging in the base, a momentary pause in our chaotic lives. It''s been a long week of school, investigation, and just¡­ being teenagers. I still go to school! Just to clear that up! Spinelli''s sprawled on the couch, lost in some game on his phone. Jordan''s poring over some notes, their brow furrowed in concentration. And I''m just¡­ chilling. Or, well, I was chilling. Until someone began thundering on the door. Thudding on the door jolts us, an unwelcome interruption to our lazy calm. We exchange looks, Jordan¡¯s eyebrows knitting in that ''not again'' way. Spinelli grumbles as we trudge down the creaky stairs of the old music hall, our makeshift home that''s seen more drama than a soap opera. At the door, reinforced since the last lock-picking fiasco, stands Mrs. Westwood. Her arrival is like a storm cloud bursting ¨C unexpected, unwelcome, and ominous. She doesn¡¯t wait for an invitation, barreling past the threshold with a hurricane force. Her eyes lock onto Jordan, accusations already brimming. "Jordan, this has gone far enough. You¡¯re coming home," she declares, her voice a mix of anger and exasperation. Jordan''s stance hardens, a wall built brick by brick with defiance. "I¡¯m not going anywhere, Mom. Get out," they shoot back, their words sharp and unyielding. Mrs. Westwood¡¯s glare then pivots to me. I brace myself. "And you," she hisses, "you''re the one leading my child astray. Filling their head with this¡­ this nonsense!" Her finger jabs the air towards me like a dagger. "And assaulting me! I can''t believe the nerve of you." I open my mouth to argue, but the words tangle in my throat. It¡¯s like being back under water, struggling to reach the surface. "Mrs. Westwood, it''s not like that. We''re just¡­" "Just what? Superheroes?" she scoffs, the word dripping with disdain. "You¡¯re children playing with fire." The air is electric with¡­ stress, with tension, like a pulled taut string, every word crackling like a live wire. Jordan steps in, trying to defuse the bomb that''s their mother. "We''re doing something important here. We¡¯re helping people." "Helping people?" Mrs. Westwood''s laugh is bitter, hollow. "You¡¯re squatting in an abandoned building, playing vigilante. I¡¯ve tolerated this nonsense long enough. Don''t think I don''t know about you, too, Mr. Spinelli. Did you know your parents are looking for you? And you have a warrant out for your arrest? What sort of awful thoughts are you filling my child''s head with?" Spinelli looks at me, and then at Jordan, and then at Mrs. Westwood. He scuttles backwards a step, and then another. "I don''t know what you''re talking about," he mumbles, totally unconfident. Her ultimatum drops like a guillotine. "You''re leaving now. All of you. Or I''m calling the police." Jordan¡¯s eyes are stormy, a tempest raging. "You can¡¯t just¡­" "I can and I will," she cuts off, her voice rising. "You think this is some game? You could get hurt, or worse. And you," her finger swings back to me, "are you even legal? What happens when they find out what you''re doing?" "Am I legal!?" I ask back, trying to hide my offense. My arms fold defensively in front of my chest. I lean forward. "What on Earth do you mean by that?" Spinelli shifts uncomfortably, his body folding into itself quite literally. "Yes, I know Jordan never got their license because I would have never in my life signed off on it. Did you know you need a license to use your superpowers? I just found that out," Mrs. Westwood lectures, her voice shrill and uncomfortable. Spinelli slips around her to shut the door just as I see a neighbor peeking out. God forbid - we don''t need to involve the neighbors into this. "You owe me, Jordan! After everything I¡¯ve done for you." This tale has been unlawfully lifted without the author''s consent. Report any appearances on Amazon. Jordan''s body shakes and rattles like it''s about to explode. Like a nail bomb about to go off. Then, they swing a hand out in the air and narrowly avoid backhanding Mrs. Westwood by near millimeters. Their retort is biting, laced with years of pent-up frustration. "What you¡¯ve done? You mean letting me fend for myself? Making me pay for my own food since I was thirteen?" The air is thick with unspoken grievances, a lifetime of misunderstandings and hurt unfurling in the cramped space of our hideout''s threshold. Behind us, words bounce off the freshly-dusted stairs. Mrs. Westwood¡¯s face is a mask of anger and hurt. "I raised you the way you should''ve been raised. I did what I had to do to make you an independent, strong person. And you throw it back in my face like this? I did everything I could for you. I made sure you were clothed and had a roof over your head. I would have never let you starve, you ingrate. I would have kept you fed!" "But not cared for," Jordan whispers, the words barely audible. I can tell, though, that everyone heard. Mrs. Westwood''s posture stiffens, her next words clipped. "This isn¡¯t up for debate. You''re coming home." Jordan¡¯s resolve is a fortress. "No. I''m staying." Mrs. Westwood''s eyes flick to me, then Spinelli, a silent assessment of our ragtag group. "Fine. Have it your way. But remember, Jordan, you made this choice." Then, they pull out their phone. The air crackles like static as Mrs. Westwood, unwavering in her determination, pulls out her phone. Her fingers, trembling with a mix of anger and fear, dial 911, cell-phone touch tone audible over the speaker. I don''t need to see the numbers to recognize the sounds. Jordan and I exchange a glance, a silent agreement passing between us. We can''t stop her, not without making things worse. Intervention now would only validate her fears, only prove we''re the threat she''s painting us to be. And imagine just hearing that over 911. Hello, can you send help? OUCH, OOF, OW. Yeah, that would get a response. The sound of the call connecting makes my heart sink down into my feet. Mrs. Westwood¡¯s voice, now laced with a forced calm, speaks into the phone. "Yes, hello, I need the police. There''s a disturbance here, and I believe there might be illegal activities¡­" Her words hang heavy in the air, each one a dagger aimed straight at our hearts. "I''ve been struck in the face, and there are¡­ Unlicensed superhumans. That''s right¡­ Longshore Avenue, that''s right." I want to shout out in protest. I want to say that nobody hit her - but that''s not true, I did hit her, a bit ago. My heart is beating so hard, so much harder than during any of my many fights, that I don''t know what to do with myself. Her words turn into a blur of sound and motion as she fakes fear and trembling. I can only stand there like a rat with its tail caught in a trap, impotent, useless. I turn to look at Jordan, and they look even paler than normal. It takes a couple minutes for the officers to arrive. Surprisingly fast response time, given the city. Spinelli reopens the door as the sound of sirens grows closer, his face a mask of worry. Outside, a police car pulls up, the neighbors peeking from behind curtains and corners, their eyes filled with a mix of curiosity and concern. The officer steps out of the cruiser, alone, which surprises me. I half-expected a whole squad to come bursting out, ready for a dramatic takedown. He''s tall, with blonde hair and blue eyes, the very picture of a storybook policeman. "Evening, folks," he says as he approaches, his voice calm. "I''m Officer Anderson. I understand there''s been a bit of a disturbance here?" Mrs. Westwood''s act kicks into overdrive. "Yes, officer, I''m so worried about my child," she starts, her voice trembling just enough to sell her concern. I can''t help but roll my eyes, though I keep it subtle. She''s laying it on thick, and I wonder if Anderson''s buying it. He looks around, taking in the sight of our makeshift home, his eyes lingering on the old door. Jordan, trying to seem indifferent, leans against the wall, arms crossed. Spinelli''s fidgeting like he''s got ants in his pants, and I''m just standing there, trying to figure out how we got here. "I''m just so worried about my child," she tells Officer Anderson, her voice a carefully crafted blend of worry and exasperation. "They''re in there with¡­ with those people. I don''t know what they''re capable of." Officer Anderson nods, his expression neutral as he assesses the situation. His gaze lands on us, and there''s a flicker of recognition in his eyes. He''s been on the force long enough to know when something''s not quite as it seems. "Ma''am, I understand your concern," he starts, his voice even. "Let''s see if we can resolve this peacefully. Let''s all take a step back and talk this through," he suggests, his tone reassuring. Mrs. Westwood shoots me a look that could curdle milk. "Talk? With them?" she spits out, as if the very idea is offensive. But Anderson''s not having any of it. "Yes, ma''am. Talking usually helps sort things out," he replies, and I can''t help but admire his calmness in the face of this domestic hurricane. Already, going much better than I expected it to. Mrs. Westwood glares at us, her eyes darting between Jordan, Spinelli, and me. Her accusation hangs in the air, a cloud of suspicion that threatens to engulf us. Jordan''s fists are clenched at their sides, their body rigid with barely contained anger. Spinelli looks like he wants to disappear, his gaze fixed on the ground. The door opens wider, and Officer Anderson steps inside, his presence filling the room. His eyes scan the space, taking in every detail. "I''m going to need to speak with each of you," he says, his voice calm but firm. Mrs. Westwood waits for Officer Anderson to look away from her before smirking at us. I resist, very strongly, the urge to punch her again. Officer Anderson turns to us, his demeanor suggesting he''s done this dance before. "So, let''s start from the top. Can anyone tell me about the altercation that was reported?" His tone is neutral, but his eyes are sharp, missing nothing. Jordan''s the first to speak up, their voice steady. "There was no altercation, Officer. Just a disagreement. A loud one, maybe, but nothing physical." Mrs. Westwood interjects, "This one punched me in the face! And they could hurt my child! You don''t know what they''re capable of!" she shouts, pointing at me. I point a finger at myself, who, me?, and try to look innocent. Anderson raises an eyebrow, unconvinced. Mrs. Westwood isn''t bruised, doesn''t have a nosebleed, and isn''t swollen. I didn''t even hit her very hard. There really is just no proof she has besides word of mouth, which makes me feel a little bit of misplaced relief. "Ma''am, without evidence of an assault, there''s not much I can do. Now, about the use of unlicensed superpowers¡­" Here we go. I can feel the tension ratcheting up a notch. I casually present my JLUMA, and Spinelli follows suit, both of us trying to look nonchalant. Mrs. Westwood''s lips thin into a line of annoyance. Jordan, meanwhile, keeps their cool. "I don¡¯t have any powers, officer. Just a regular teenager here." Anderson nods, jotting down notes. He seems to take our words at face value, but his gaze lingers a moment too long on Jordan. I don''t think he fully believes them, but he''s not prepared to call them on it. Mrs. Westwood is fuming now, her narrative crumbling. She changes tack, "They¡¯re squatting in this building! Trespassing!" Anderson''s response is immediate and matter-of-fact. "That''s a civil matter, ma''am. You''d need to talk to the building''s owner about that." Mrs. Westwood, undeterred by Officer Anderson''s comment, pulls out her phone with a triumphant air. She''s come prepared, ready to call the building owner and resolve this once and for all. "Then we should be able to get this figured out very quick then, yes, officer?" Dialing the number, she holds the phone to her ear, expecting victory. But instead of the response she anticipates, the room fills with the automated message, blared out on speaker: "The number you have dialed is not in service." The triumph drains from her face, replaced by a mix of confusion and anger. The tension in the room shifts. Her frustration is palpable, a thick tension that fills the air. We exchange glances, a shared moment of disbelief and relief. Mrs. Westwood''s attempt to upend our world has just backfired spectacularly. Officer Anderson seems almost exhausted from her shenanigans. "Is there anything else of substance, ma''am? Otherwise, I''ll have to request you kids evacuate the premises, but I don''t foresee us bringing anyone down to the station today." Mrs. Westwood''s eyes flash with a mix of desperation and vindication as she sees an opening. "Officer, I haven''t told you the worst part. A few weeks ago, when I came here, Miasma was here. The murderer. He threatened me." Chapter 58.2 Officer Anderson, who was just about to dismiss her, pauses. "Miasma? Here?" His tone shifts, the skepticism giving way to concern. "Yes, he was right here, in this room," Mrs. Westwood insists, her voice rising. "That man in the yellow hazmat suit, his voice was like gravel, and he threatened to use his... his powers on me. He was squatting here, too! I promise!" The room goes still. Jordan''s arms drop to their sides, and I feel a chill crawl up my spine. Mrs. Westwood is playing dirty, but she''s playing it well. Spinelli looks visibly nauseous. Anderson''s eyes narrow, his pen pausing over his notebook. "And you''re sure it was Miasma? The same one involved in the NSRA office incident?" "Yes, I''m sure!" Mrs. Westwood exclaims. "I saw him with my own two eyes. I could never forget that smell, like a dead body. And his eyes. They were like two marbles rattling around in his head." Anderson turns to us, his expression grave. "Is this true? Was Miasma here?" I open my mouth, but the words stick in my throat. Jordan jumps in, their voice a mix of anger and desperation. "No, she''s lying. We had nothing to do with Miasma." But the doubt is there, in Anderson''s eyes, and in the tightening of his jaw. Mrs. Westwood''s words have changed the game. What was once a domestic dispute now feels like a criminal interrogation. The calculus has shifted suddenly, suddenly enough to leave me feeling dizzy and off-guard. Anderson steps back, his gaze sweeping over us. "This is serious. If you''re harboring a criminal, or if you''ve had contact with Miasma, you need to tell me now." Jordan''s fists clench at their sides, their knuckles whitening. "We haven''t. I swear." Mrs. Westwood''s smirk is triumphant, poisonous. "See? They''re not even good liars." "Ma''am, I can handle it from here," Anderson shoots back, putting a hand up to her. The air is electric, making my hairs stand on end. Anderson''s next words are slow, deliberate. "I''m going to have to report this to the NSRA. You understand, don''t you? A murderer''s involvement changes everything." My heart hammers in my chest, a frantic rhythm of fear and frustration. Mrs. Westwood''s lies, her manipulation, they''re cornering us, trapping us in a narrative we can''t escape. Spinelli looks from me to Jordan, his expression one of confusion and concern. "What do we do now?" Jordan''s eyes meet mine, a silent communication passing between us. We''re in deep water, and it''s only getting deeper. I try to open my mouth to reach for air. Anderson''s radio crackles to life, his attention momentarily diverted. Mrs. Westwood seizes the moment, her gaze locked on us, her message clear: she''s not done yet. Officer Anderson leads Mrs. Westwood outside, her smug satisfaction evident even in her stiff walk. I watch them through the window, her lips moving rapidly, gesticulating wildly. Anderson''s nodding, his face an unreadable mask. He pulls out his radio, and I feel my stomach drop. He''s calling them - the NSRA. Fifteen torturous minutes pass. Spinelli''s pacing like a caged animal, while Jordan''s sitting on the front step with their head in their hands. I''m just staring at the door, bracing for what''s coming, trying not to explode. The door swings open, and in step two familiar faces. My heart skips a beat. I recognize them instantly from that day at Lily''s house when they tried to take Diane''s journals. I nudge Jordan, whispering, "It''s them - the agents from before." Jordan looks up, a flash of recognition in their eyes, mirrored by Spinelli''s widening ones. "Great, just what we needed," Jordan mutters under their breath. The man is the first to speak, his tone polite but firm. "Good evening, I''m Agent Miguel Torres, and this is my partner, Agent Sarah Jennings. We''re here to follow up on a report involving unlicensed superpowers and a possible connection to a wanted individual." Jennings scans the room with keen eyes, her notebook already in hand. "Can you tell us about your activities here and your association with the individual known as Miasma?" Mrs. Westwood watches from a distance, her arms crossed, a smug look plastered on her face. She''s silent now, letting the agents do the talking. I step forward, trying to keep my voice steady. "We don''t have any association with Miasma. We''re just a group of friends hanging out." Torres nods, but I can see the skepticism in his eyes. "And these reports of unlicensed superpowers?" Spinelli fidgets, then sheepishly shows his JLUMA. I follow suit, holding mine up. Jordan just shrugs, "Like I told the officer, I don''t have any powers." Jennings jots something down, then looks up. "We understand this might be an uncomfortable situation, but it''s important we clarify these points for everyone''s safety." The tension in the room is thick, each question from the agents like a thread pulling tighter. I can feel Jordan''s frustration simmering, Spinelli''s anxiety palpable. "And the reports of an altercation?" Torres continues, his gaze shifting between us. "There was no physical altercation," Jordan says, a hint of irritation creeping into their voice. "Just a disagreement." Mrs. Westwood suddenly speaks up, "But they''re squatting here, breaking the law!" Jennings raises an eyebrow. "That''s a civil matter, ma''am, not for the NSRA. Our concern is the unlicensed use of superpowers and any connections to Miasma." Mrs. Westwood''s face falls slightly, her trump card not playing out as she had hoped. I exchange a glance with Jordan and Spinelli. We''re walking a tightrope, each word measured, each response calculated. The room feels like a powder keg as Torres and Jennings stand there, their expressions professional but with an undercurrent of something else. It''s clear they haven''t forgotten our last encounter over Diane''s journals. Their eyes, especially Jennings'', have a hard edge as they look at me. Torres starts, "We still have concerns about documents you were in possession of, Ms. Small. Items of national security importance." I clench my fists, trying to keep my voice level. "I told you, they were personal items of Diane''s. They have nothing to do with national security. And nothing to do with why you guys are here." Jennings cuts in, "And yet, you refused to hand them over. That doesn''t sit well with us." Their words are like a vice, tightening around us. Spinelli shifts nervously, but it''s Jordan who speaks up, "Look, we''re not criminals. My mom is a lunatic and this is the only place we can go to get away from her. We''ll vacate the premises or whatever. Just please, out of our face," they plead, face haggard, almost distorted with agony, like the skin around Jordan''s body has begun to droop with the sheer weight pulling them down. The tale has been illicitly lifted; should you spot it on Amazon, report the violation. Mrs. Westwood is practically gloating now, enjoying the discomfort. "See? They''re hiding something. They''re not to be trusted." Officer Anderson, however, doesn''t seem convinced. He''s watching the agents, a frown creasing his brow. "Let''s keep this on topic. The issue at hand is the potential unlicensed use of superpowers, and the alleged assault." Torres nods, but his gaze doesn''t leave me. "Of course, Officer. But let''s not forget the potential for harboring a fugitive. Miasma." The word hangs heavy in the air. Jennings adds, "Especially given Mrs. Westwood''s claims." I feel cornered, the walls closing in. "We told you, we haven''t seen Miasma. We don''t know anything about him." Spinelli chimes in, "Yeah, we''re just kids, for crying out loud." Jennings'' eyes narrow, "Kids who seem to be involved in a lot more than they should." The tension is suffocating, and I can see Jordan struggling to keep their composure. Mrs. Westwood''s enjoying every second of this, her eyes darting between us and the agents, savoring our discomfort. Anderson steps forward, "If there''s no evidence of a crime, then we can''t hold them on anything. Mrs. Westwood''s claims need more than just her word." Torres seems reluctant to let it go, "But the unlicensed superpowers..." I interject, "We''ve shown our JLUMAs. We''re not doing anything illegal." Mrs. Westwood''s desperation is palpable, her frustration boiling over as she grasps at straws. She lunges at Jordan, grabbing their wrists in a vain attempt to provoke a reaction, to force them to use their powers. "They can make this whole room expand! I''ve seen it!" she exclaims, her voice a blend of exasperation and triumph. Jordan doesn''t react, standing still as a statue, letting her grasp them. I can see the resolve in their eyes, refusing to give Mrs. Westwood the reaction she''s desperately seeking. The agents exchange a glance. "Making rooms big... that sounds like the vigilante ''Safeguard'' we have reports on in this area. They''ve been making life hell for petty criminals all up and down the avenue." Torres says, his tone indicating this is a lead they can''t ignore. Jennings jumps in, her eyes narrowing. "You''re saying your child is Safeguard? The one associated with these superpowered incidents?" she asks, her eyes locked on Jordan. Mrs. Westwood''s reaction is immediate, a mix of triumph and vindication. "Safeguard! That''s it! The robots from those stupid comic books Jordan reads. It''s not a coincidence! That''s what they''re called, the Safeguard!" Anderson, however, remains skeptical. "We still need concrete proof. Accusations aren''t enough." Torres seems conflicted, his professionalism wrestling with the urge to delve deeper. Jennings, on the other hand, is clearly ready to push the issue. "We''ll need to investigate this Safeguard connection further," she asserts, her gaze drilling into Jordan. "We''ve got unlicensed power use, potential vigilantism, and potentially harboring a fugitive... That''s a lot, Ms. Small. You should be more careful about the company you keep." The air is thick with tension, a taut string ready to snap. Spinelli''s streetwise instincts kick in, his voice calm but firm. "Look, no one''s fighting anyone here. We''re just trying to figure things out, same as you." Jennings looks like she wants to argue, but Torres holds up a hand. "Let''s not escalate this. We have what we need for now." Mrs. Westwood''s face contorts with anger, her plan unraveling. "You can''t just let them go!" "Can you shut up, you old hag?" I belt, causing everyone to turn to me. "Christ," The silence lingers for a couple of painful seconds. Jordan looks as mortified as a human being can possibly get. Anderson steps in, his tone final. "Without proof, our hands are tied. We''ll be keeping an eye on this place, though. And you," he looks at Mrs. Westwood, "need to let the legal process handle this." She huffs, her eyes darting between us and the agents. The realization that she''s not getting her way is dawning on her. "Don''t worry, Mrs. Westwood. We''ll be back with a warrant," Jennings says, shooting daggers at Anderson with her eyes. "It''s our job to handle the superhuman crimes that the police can''t, after all." "I''m going to pretend I didn''t hear that," Anderson says, shutting his eyes, nostrils flaring. "Why don''t you come with us back to the local office and we''ll see if we can''t get you in contact with the building owner? As a favor," Torres says, glancing at me out of the corner of his eyes. I can''t read his expression - I can''t tell if it''s pity or hatred, if he''s trying to really help Mrs. Westwood, or if he''s just trying to get her out of our hair. Jennings, she''s easy to read. All she has is venom. But Torres - he''s confusing me. "We''ll be in touch with you three if we need more information. Stay out of trouble." "If you don''t mind staying a street down or so, I just have a couple of last words for my child," Mrs. Westwood says, spinning on her besneakered heel towards Jordan. "Not at all. We''ll be right down the road," Jennings says, giving Mrs. Westwood a supportive little thump on the back - making her immediately jump in startlement. Startle? Uh... Whatever word it is. The word that means you just got startled. Jennings shoots us a look that says this isn''t over before following Torres out. Anderson lingers for a moment, his gaze lingering on Jordan. "Take care of yourselves," he says, before turning to follow the agents. The door closes with a soft click, leaving us in a silence that''s anything but peaceful. Mrs. Westwood stands there, her frustration palpable, but clearly satisfied to some extent with the outcome. She turns to Jordan, her face already beginning to shift and warp into something almost inhuman. "You''ve thrown everything away, Avery," Mrs. Westwood accuses, her voice rising with each word. "I''ve sacrificed everything to raise you, and this is how you repay me?" Jordan''s face twists in discomfort every time she says the unwelcome name, like she''s spitting out something sour. Jordan''s eyes flash, a storm brewing beneath the surface. "It''s Jordan, and you haven''t sacrificed anything for me. Where were you when I needed you?" their voice cracks, a raw edge of long-buried pain surfacing. "Where were you when I broke my leg playing little league? You paid the hospital bills and left." Mrs. Westwood''s words are sharp, each one cutting deeper into Jordan. "You''re wasting your life, Avery! I raised you better than this." Jordan''s face is a mask of frustration. "I told you, it''s Jordan! And what life? You were never there. Remember my tenth birthday? You forgot to even come home." Mrs. Westwood falters, but recovers quickly. "I was working two jobs to keep us afloat. You think that was easy for me?" Jordan''s laugh is bitter. "Working? More like leaving me alone every night. What about when I sprained my arm and you didn''t even notice for days?" The argument escalates, each barb laced with years of resentment. "I did everything for you!" Mrs. Westwood shouts. Jordan shakes their head. "No, you didn''t. You made me fend for myself. Always. You didn''t even notice when I was locked in your car trunk and nearly suffocated." Mrs. Westwood''s face pales. "That... that was an accident." Jordan''s voice rises. "An accident you didn''t even realize happened until I told you!" Mrs. Westwood scoffs, "I made you strong, independent." Jordan laughs bitterly, "Strong? You didn''t even notice I was gone. Don''t pretend like it was some sort of fucked up training. I was a stupid kid and I wanted you to notice that I had ran away and instead I was just in the fucking cold and I couldn''t breathe and I almost died. Sam''s mom has been more of a mom to me than you ever have and I''ve met her for maybe five minutes total!" Her words seem to hit Mrs. Westwood like a physical blow, her face contorts with a mix of anger and disbelief. "You''re exaggerating, as always." "I''m not!" Jordan''s voice is a mix of anger and desperation. "And it was in that trunk that I... that I got these powers. And you didn''t even notice until weeks ago. Some mother you are." Spinelli steps forward, but I hold him back, raising my hand. It''s not his fight, and it''s not my fight either. Mrs. Westwood''s defense crumbles, revealing a glimpse of vulnerability. "I did what I had to do. To survive. To keep us afloat. You don''t understand what it''s like when the dick that made you walks out on you! I did what I had to do!" she shrieks, her face getting redder and redder into the stratosphere. Jordan''s laugh is hollow, "By ignoring your child? You never cared about me. You just want the money you think I have." The argument spirals, years of resentment and hurt spilling out in a torrent of words. It''s like watching a dam break, the flood of emotions unstoppable. Mrs. Westwood tries to regain control, but it''s clear she''s lost. "You''ll regret this, Avery. You''ll come crawling back. And when you do, I''ll have changed the locks. You''re not my child anymore. Maybe you never were." "It''s Jordan," they spit back. "And I won''t. I''d rather live on the streets than with someone who couldn''t even pretend to care. The feeling is mutual. You''re not my mom anymore, and you never were." The finality in Jordan''s voice is unmistakable. Mrs. Westwood stands there, defeated and alone. Her eyes are a mix of anger, confusion, and something that might be regret. She turns to leave, her steps heavy, the door closing behind her with a finality that echoes in the empty space she leaves behind. We stand there in silence, the weight of the confrontation pressing down on us. Spinelli breaks the silence, his voice hesitant. "Is... is everything okay?" Jordan''s shoulders slump, the adrenaline leaving their body in a visible wave. "Yeah. It''s over. She''s gone." I step forward, putting a hand on their shoulder. "You okay?" Jordan looks at me, their eyes tired but clear. They smile, and then collapse onto the front steps. "I''ll live." Chapter 59.1 The day after the confrontation with Mrs. Westwood, the streets of Tacony are a sludgey, slushy mess as I trudge through them. Jordan''s next to me, silent, their thoughts probably miles away. We''re both just walking automatons, replaying the recent events in our heads. The cold bites at my cheeks, but I barely notice it. Everything feels a bit numb after yesterday. As we reach the Tacony Music Hall, the building looms over us, a silent behemoth that''s become our refuge. Climbing the stairs feels more arduous than usual, every step heavy with the weight of what''s happened. We finally reach the main room on the second floor. It''s quiet, too quiet, the kind of quiet that screams in your ears. I collapse onto my favorite rickety chair, its familiar creaks a small comfort. Jordan flops down onto the couch, staring blankly at the ceiling. "Any luck, Spinelli?" I ask, my voice echoing slightly in the vast space. We had tasked him with trying to contact the owner of this place, hoping we could get permission to stay here legally. Spinelli looks up from a pile of papers and an old laptop that''s seen better days. His face is a mix of frustration and helplessness. "Nope, nada. It''s like trying to find a needle in a haystack, except the needle might not even exist," he says, pushing his hair back. I sigh, leaning back in the chair. It''s not surprising, but it''s still disappointing. The whole situation feels like a ticking time bomb, and we''re just waiting for it to go off. Jordan finally sits up, rubbing their face with their hands. "We can''t give up. There has to be someone, some record of who owns this place," they say, determination lacing their voice. "Yeah, but where do we even start? It''s not like the owner''s going to just waltz in and introduce themselves," Spinelli replies, a hint of sarcasm in his voice. I glance around the room, at the dust motes dancing in the sunlight streaming through the cracked windows. This place, for all its dilapidation, has become a home of sorts. Losing it now would be another blow, one I''m not sure I can take. Like, emotionally. "We keep looking. We have to," I state firmly, more to convince myself than them. "We''ve been through worse. We can handle this." Spinelli nods, though I can tell his heart''s not in it. Jordan just stares at the floor, lost in thought. Jordan pulls out a wad of mixed bills, counting methodically. "We''ve got about thirteen grand from our¡­ night jobs. Should cover a couple of months'' rent, if we find the owner." The idea of actually paying for this place feels weirdly formal, but necessary. It''s a sign we''re trying to do things right, despite the¡­ the sticky situation we''re in. I''m under no illusions that we''ve actually managed to stop Mrs. Westwood. I''m sure she''s going to try to keep making our lives hell, even if she does it from the sidelines. "I''ve been thinking," I start, surprising myself with the words that follow. "Maybe we don¡¯t need to contact the owner. Squatter''s rights in Philly are a thing, right?" Jordan looks at me, eyebrows raised. "Sam, going rogue? I''m rubbing off on you." I shrug, feeling a mix of uncertainty and defiance. "Maybe. But it''s practical, right? We need a base, and we''re making this place better than it was." "Legality versus necessity, huh?" Jordan muses, leaning back against the wall, their gaze distant. "Never thought we''d be debating squatter''s rights in our superhero gig." I fiddle with a loose thread on the couch, my thoughts jumbled. "It''s not ideal, but what choice do we have? It''s not like we can just waltz into an apartment complex and sign a lease." Spinelli pipes up from his spot on the floor, his voice tinged with a simple honesty. "Why not? We got money, we got IDs. Can''t be that hard, right?" Jordan chuckles dryly. "Spinelli, my man, ever heard of credit checks? Rental history? Plus, we''re minors." I nod, feeling a mix of frustration and amusement at Spinelli''s straightforward view. "Jordan''s right. And there''s also the fact that we''re, you know, vigilantes. Not exactly the sort of tenants landlords dream of." "So, what, we just claim squatter''s rights and hope for the best?" Jordan asks, skepticism clear in their voice. "Well, it''s either that or keep moving from one abandoned building to another," I point out. "At least here, we''ve made it¡­ livable." Spinelli looks between us, his expression earnest. "I like it here. Feels like a superhero base, you know? Like in the comics." Jordan sighs, running a hand through their hair. "I get it. It''s just¡­ this isn''t exactly how I pictured living the vigilante life. Hiding in a rundown music hall, dodging the law. I''d rather just find the guy and know whether or not I can stay here. I don''t like¡­ transitory states." "Nice five dollar word. Studying for your SATs?" I let out a small laugh, despite the situation. "Welcome to the glamorous life of a superhero, right? Fighting crime by night, discussing property law by day." "Yeah, I am, actually. School''s like my one out for this. You know how much they pay vigilantes? Bupkis," Jordan teases, flicking the air in a clearly telegraphed threat to flick my nose or my forehead again. Our discussion is suddenly interrupted by a sharp knock on the front door, the sound echoing through the hollow halls of the music hall. We all freeze for a moment, the air going icy. Jordan''s the first to break the stillness, pushing themselves up from their slouched position. "I''ll get it," Jordan says, their voice carrying a hint of forced casualness. They stride purposefully towards the stairs, each step echoing with a mix of apprehension and determination. The rest of us exchange wary glances, the unexpected visitor stirring a sense of unease. Who could it be at this hour, especially after the events of the past few days? I mean, it''s probably the agents with a warrant. I''m not stupid. Jordan''s shout from downstairs pierces the quiet hum of our makeshift living room. "It''s one of the agents from yesterday," they call up, tension tightening their voice. My heart skips a beat. Yesterday''s encounter with Mrs. Westwood and the NSRA agents still hangs over us like a dark cloud. "Just one!" Spinelli and I exchange a look, a silent agreement passing between us. We can''t ignore this; there''s no running from what might be on the other side of that door. We make our way down the creaky stairs, each step echoing with age and fear. Peering through the peephole, muscling Jordan aside, I see him ¡ª Agent Torres, standing alone, his expression unreadable. I look around, trying to see the other one - Agent Jennings - or even sort of half-expecting to see Mr. Polygraph and "Agent Evans", but, no. It''s just Agent Torres. "Should we let him in?" Jordan''s voice is laced with caution, their hand hovering over the door handle. I nod, despite the unease twisting in my stomach. We need to face whatever this is, head-on. Jordan opens the door, and Torres steps inside, his eyes scanning the entryway quickly, likely a professional habit. As Agent Torres steps into the dimly lit room, he quickly flicks his gaze to each of our faces in turn, each of us wary and uncertain. He clears his throat, breaking the silence that had settled over us like snowfall. "I''m here on my own accord, off the record" he begins, his voice steady but tinged with a sense of urgency. "What happened yesterday¡­ it didn''t sit right with me. My partner let personal pride get in the way of national security. That''s¡­ not great." Jordan, arms crossed, leans against the bannister, skepticism written all over their face. "So, what? You''re here to apologize?" Stolen content alert: this content belongs on Royal Road. Report any occurrences. Torres shakes his head. "It''s more than that. I''m not comfortable with how Jennings handled things. But," he adds quickly, "this doesn''t mean I''m backing down from the legal issues regarding Diane''s will." I grip the edge of the stair''s railings, my knuckles turning white. "So, what does it mean, then?" He reaches into his coat, producing a sealed manila envelope. "This is about something bigger." He hands me the envelope, and I feel the weight of it in my hands ¡ª it''s more than just paper. I mean that literally - there''s more than paper in it. "This contains files on Chernobyl and security footage from Miasma''s raid," Torres explains. "Consider it a gesture of goodwill. Or a mutual understanding. I''m not exactly a fan of Mr. Pleasants, given his history in handling sensitive operations, but I don''t believe he killed those men." I cautiously open the envelope, revealing its contents. Documents, photographs, and a USB cart lie inside. It''s a treasure trove of information, stuff Diane¡­ had mostly already figured out. The photographs are new, though, and the cart of, presumably, footage, is welcome information. "Yoink, I''ll take that," Jordan quips, snatching the cart out of my hands while I look it over. "I''m not letting this run unsandboxed." Whatever that means. "Mr. Torres," Spinelli starts, "you do realize this could get you into serious trouble? Right?" Torres nods, a grim expression on his face. "I''m aware. But sometimes, doing the right thing isn''t about following orders. It''s about making the hard choices. When I became an agent of the NSRA, I swore an oath to this country, and I''m doing what I think is best for her future." We exchange glances, each of us processing this unexpected alliance. Jordan steps forward, a newfound respect in their eyes, but skepticism in their eyebrows. "Thanks, I guess. For trusting us with this." Torres gives a slight nod, his gaze lingering on the envelope in my hands. "Just remember, we''re not exactly on the same side. But for now, our interests align." He looks at us, his gaze lingering a moment longer on me. "I could be fired for this, or worse," he admits, a hint of seriousness in his tone. "But I believe it''s the right thing to do. May I come in?" With a wary mix of begrudgingness and acceptance, the four of us trod our way up the freshly carpeted stairs, Agent Torres'' dress shoes clacking against the surfaces. We lead him into the main room, our base of operations, still cluttered with our haphazard attempts at making it a home. He takes it all in, his expression a mix of surprise and something like respect. "Impressive," he comments, a hint of genuine admiration in his voice. It feels weird, receiving praise from an NSRA agent, but I''ll take it. "May I?" he asks, gesturing to a chair. We nod, and he sits, his posture still maintaining that professional edge. "This is quite exceptional work given the resources I''m assuming you''re working with. Don''t tell me about any illicit funding, I''m not sure I''m allowed to hear it." Jordan and I share a glance. I decide not to mention Councilman Jamal illicitly feeding us his scraps. "Okay, I won''t," Jordan says, earning a small, un-sincere sounding chuckle from Agent Torres. Jordan stands in front of the corkboard, a physical map of our investigation into the Kingdom. Pushpins and strings connect various names and locations. "This is what we''ve been working on," Jordan begins, pointing to a photograph pinned at the center. "The Kingdom has been operating through shell companies like Harbinger Holdings and Eclipse Enterprises. We''ve tracked their activities, but it''s a deep rabbit hole." Torres steps closer, his eyes scanning the board. "Impressive work. I recognize some of these connections. You''ve dug up a few leads we haven''t." "We cross-referenced public records, news articles, anything we could get our hands on," Jordan continues, tracing a line of string to another section of the board. "Here, we linked a series of warehouse leases to one of their fronts. And this," Jordan taps a picture of a nondescript building, "is where we hit pay dirt on Halloween night." Torres raises his eyebrows. "What happened there?" "We caught them red-handed," I chime in, feeling a mix of pride and apprehension. "Jordan recorded it." Jordan nods, pulling up the video on their laptop. "This might be hard to watch, but it''s crucial you see it." It''s gritty, shaky footage, but the content is explosive. Mr. Polygraph, commanding the room, his threats and instructions crystal clear. The Kingdom''s interest in Chernobyl is particularly alarming. Torres watches intently, his expression growing more grave by the second. The video ends, and the room falls silent. Torres finally speaks, "This is¡­ significant. Their interest in Chernobyl, that was known information from our leads with the Delaware Valley Defenders, but having it captured on video, this is great grist for the investigation. The hardest part is always catching them, and you just have¡­ You just have them talking about it. Admitting to several crimes, violating federal anti-superhuman-conspiracy statutes¡­ This is really great stuff." Jordan leans back, a mix of pride and anxiety on their face. "We''re not just playing dress-up here, Agent Torres." "Clearly," he replies, glancing around the room. Spinelli, usually the one to lighten the mood, remains quiet, his gaze fixed on Torres. The seriousness of the situation seems to weigh on him more than usual. I look at Torres, trying to read his thoughts. "So, what now?" I ask, my voice steady despite the storm of emotions inside me. Torres takes a deep breath, his duty as an agent warring with the revelations he''s just seen. "When I joined the NSRA, I swore to protect this country," he starts, his voice firm. "And right now, that means working with you to stop whatever the Kingdom is planning." Spinelli, suddenly inspired, scrambles for his phone. "Wait, wait, check this out," he says, swiping through his gallery. He holds up the screen to Torres. It''s the picture of Mr. Polygraph and someone we were told was "Agent Evans" at the NSRA office - the picture I took. I feel a thrill of fear and pride run through me at once. It''s a weird combination of emotions. Torres squints at the image. "That''s¡­ the same man from the video." "Mr. Polygraph," I clarify. "They''re all Mr. and Mrs. whatever. I think it''s their weird supervillain gimmick." Jordan joins in. "They introduced themselves as Agent Parker and Agent Evans. But it''s the same guy from the warehouse, right?" Torres nods slowly, processing this. "I can''t confirm agents by those names right now, but when I get back to the office, I can check our internal database. If they''re not listed, it''s a major violation. Impersonating an NSRA agent is no small crime." "Frankly, if they are listed, I think you guys have a bigger problem on your hands," Jordan cracks. "Because then you have NSRA agents that are also members of a major criminal organization, that we''ve seen kill people." Agent Torres'' face blanches. "Yeah. I don''t think that''d be great," he says, taking in the implication. "You saw him kill someone?" I breathe out, a sudden wave of nausea overtaking me. My eyes clench shut. "Yeah," I say. Jordan leans in, a glint of grim satisfaction in their eyes. "So, what you''re saying is, we''ve got something that can put this guy away for good?" Torres nods, his expression grave. "It could be a significant blow to their activities, at least in this area. But we need more than just this. We need concrete evidence, something undeniable. And something not caught illegally. We''ll need to do some parallel construction work¡­" he says, starting to mumble to himself. "That''s where Chernobyl comes in," I say, a plan forming in my mind. "If we can catch him, get him to testify against the Kingdom, it could be the break we''ve been looking for." Spinelli chimes in, his usual demeanor replaced by a dead serious tone. "And we need to do it fast. Who knows what kind of damage Chernobyl and the Kingdom can do if they''re left unchecked." Torres leans back in his chair, and then leans forward again, but just with his upper half, pressing his fingertips together. "Yeah. We''ve been leaving Chernobyl alone for now, since, as you might be able to guess, agitating someone that could turn Philadelphia into an exclusion zone for centuries is generally not on our to-do list. But if they''re trying to get to him first, to recruit him to their cause¡­ well, Chernobyl isn''t exactly known for his fiscal responsibility." "He''s not?" I ask, feeling my heart drop. Is Torres about to lie to our face about how Chernobyl gets his funding, or is he simply uninformed? Or, another possibility arises in the back of my throat - was Chernobyl lying to Diane, making my phone footage worthless? I don''t really like either idea. "We''re not exactly sure where he gets the funding to continue his criminal activities. You know, even just at the base level, how he gets food, drink, shelter. I--" Agent Torres begins, but I raise a hand to stop him. "Agent Torres, are you willing to trust me?" I ask. "No," he replies, bluntly. My face deflates. It was gonna be really cool! "Well¡­ can I make a small request of you?" "I can''t guarantee anything," he replies. "If you could prick your finger with a push-pin or something, then I could smell your heartbeat and it would let me see if you''re¡­ telling lies or not. Just because we have some of our own intel on Chernobyl that doesn''t exactly sync up. I mean. That was my thought, anyway," I explain, rubbing the back of my head with my hand. "You can do that?" Spinelli asks, awed. "Yes," I lie. I mean, not a total lie. I can probably do that. Agent Torres can''t help but smirk. "I appreciate your gusto. Part of my training, unfortunately, includes keeping my emotions calm under duress. Polygraphs, ha ha, are notoriously unreliable, and I''ve got my doubt that your powers would give you any particularly stronger insight," he says, taking the wind out of my sails. My shoulders sag a little bit. "Damnit," I mumble. "I mean, I''d do it anyway, if it''d help earn your trust. I just have my doubts about the efficacy of your technique," he continues. I wave him away. "No, no, it''s fine. You''re right. Wouldn''t give me anything useful, probably." There''s a couple of seconds of uncomfortable silence, something I''ve grown increasingly accustomed to. Torres breaks it. "You mentioned you have different intel?" "Just about his funding sources. Stuff in Diane''s notes. I figured the NSRA would know how he gets his money to, like, live," I explain, not revealing my ace in the hole just yet. "No," he says, his expression souring. "As much as I''d love to strong-arm you into telling me what you know, I have a feeling that doing so wouldn''t be in either of our mutual interests," "Don''t even think about it, fed boy," Jordan teases, making one of those camera viewfinder rectangle things with their fingers. Like, when you make an L with both hands, index and thumb, and then put them together so they make a rectangle. Chapter 59.2 "Anyway, I think a financial incentive for Chernobyl would make it significantly easier for the Kingdom to convert him to their aims. And given Chernobyl''s personal history, I don''t doubt it would work, either. So, obviously, we have to cut this off at the head before it gets any further," Torres continues, as if none of the preceding awkward conversation bits had happened. I raise an eyebrow. "What does that mean, ''given his personal history''?" "Well, he''s an exile from his home country, but still has living family. He''s a fugitive, so the federal government would never allow him a legitimate passport or citizenship, but the Kingdom could very easily forge one for him, to return home and see his wife and daughter. I think for a man of his psychology, that would be a very tempting carrot on a stick. I think he''d do innumerable crimes for the opportunity to see his family again," Agent Torres explains, and as the words come out, I find myself nodding in agreement. "Plus, having disposable income means he can send it back to Ukraine for them. His wife isn''t exactly in a lucrative profession. As a nuclear engineer, he was the primary breadwinner for the household." I can''t say I don''t understand. I''d ki¡­ Well¡­ I''d do a lot to make sure my family was safe. Even if they''re a little overbearing sometimes. "He was a nuclear engineer?" Spinelli asks, leaning in, extremely interested. "That''s awesome." "An extremely intelligent one. He did build his entire suit himself. A multi-disciplinarian. Either way, a lot of people can be convinced to do things they wouldn''t otherwise do using their loved ones as leverage. I think it''s extremely important we move fast," he says, getting up and adjusting his suit and tie. "Now, ideally." "Now?" Jordan and I ask in unison. "Are you going to, like, raid the Kingdom''s base?" Jordan asks. "Wait, do you even know where Chernobyl is? I thought he was hard to find," I follow up. Torres smiles, but it''s clearly forced. Fake. A sort of businessman''s smile. The kind of tight-lipped smile a businessman makes before they bite someone. "We know exactly where he is," he breathes out. My annoyance bubbles up, almost spilling over, but I force it down. Torres¡¯s revelation that they''ve known Chernobyl''s location for weeks sets my teeth on edge. "So, you knew where he was and did nothing? Just let him roam free?" My voice is sharp, edged with disbelief and anger. Torres maintains his composure, but I can tell he''s treading carefully. "Our policy was to avoid provoking him unless he posed a direct threat. The plan was to monitor his movements until he left the city. We didn''t want to risk a confrontation in a populated area." "That''s insane," Jordan interjects, their voice tinged with frustration. "He''s a walking nuclear threat, and you just let him wander around?" Torres nods solemnly. "I understand your concern, but he''s been discreet. Using the city''s old subway tunnels has kept him under the radar. There''s a network of abandoned tunnels and stations under Philly ¨C it''s part of the city''s history." I cross my arms, trying to process this. "Thanks for the civics 101 class. So, where is he now?" "He''s been using the old Arch Street Subway station under the 1300 block as a base between his¡­ activities," Torres reveals. "It''s abandoned, remote, and secure. Perfect for someone like him." Spinelli whistles lowly. "That''s right under our noses." The room falls into a tense silence as we all consider the implications. Chernobyl, the man at the center of all this chaos, has been hiding in plain sight. "And you''re telling us this now because¡­?" I probe, my gaze fixed on Torres. "The Kingdom''s involvement changes the game," he replies, his tone serious. "We can''t risk them getting to him first. If they recruit Chernobyl, the consequences could be catastrophic." Jordan leans in, a mix of curiosity and skepticism in their eyes. "So, what''s the plan?" they ask, their tone indicating they''re not fully on board with just sitting back. Agent Torres, still standing, turns to face Jordan. "The plan, is for you three to stay out of it. I appreciate your help, but we''re dealing with dangerous criminals. I''ll take some of this information back to the office," he says, gesturing towards Jordan''s laptop. Jordan hesitates but eventually nods, allowing Torres to copy the necessary files. "I don''t care about ''National Security,''" Jordan mutters, "I just want to grind the Kingdom down to dust." Torres nods, understanding. "That''s fine. I''m not going to court martial you for that." "But we can help," I protest, feeling a mix of frustration and determination. "We''ve been tracking this for months." Torres shakes his head. "I know you want to help, but these are seasoned criminals. They won''t hesitate to harm you. I can''t let you put yourselves in danger, not in good conscience. You''re kids." I can''t help but interject, a faint murmur escaping my lips. "I think Chernobyl would hesitate," but my voice lacks conviction. Torres gives me a dismissive wave. "You might think so, but don''t bet on it. Leave this to the professionals. We''ll set up a perimeter and coordinate with local superhero teams to ensure that nobody gets in or out of the subway systems. Sorry to all the urban spelunkers." The room falls silent. It''s clear Torres isn''t going to budge on this. He treats the situation like it''s a ticking time bomb, too dangerous for us to be anywhere near. He emphasizes his point as he finishes gathering the files, the documents, everything we''ve been working towards for months, "This is a delicate operation. I need you to promise me you''ll stand down. I''m here as a gesture of good will and cooperation with your team, but we''re not deputizing you. Don''t interfere." It''s painfully quiet, for a good five minutes, as he goes about his business. I feel¡­ weird. I should be happy - our investigation is bearing fruit, and we''re getting it into the proper channels. As soon as they get their hands on Mr. Polygraph, he''s going away for good, for a good long while. I should feel great, really, knowing that things are going to be handled by adults. But I don''t. I don''t feel great at all. Something unresolved clings at me, gnawing like a rat. Hanging over my shoulders. Weighing me down. "Remember, stay safe and let the heroes handle this," Torres says as he heads towards the door. "I''ll do what I can to redirect the heat away from Miasma, as a thank you for your cooperation. I believe Mrs. Westwood when she said she saw him here, but I''ll¡­ take my time with the search warrant. I can tell he was here for a reason, and the so-called ''agents'' showing up lead me to believe he''s been played." "Yeah," I grumble. "That was our assumption," He tries to smile at me, but it doesn''t really take on his face. His jaw is a little too square and angular for it to work. "Take care, you three," he says, vanishing around the corner and then down the stairs. As the door shuts behind him, a sense of helplessness settles over us. We''re back to square one, our hands tied by bureaucracy and red tape. Jordan breaks the silence, their voice tinged with frustration. "So, that''s it? We just sit here and do nothing?" This story has been stolen from Royal Road. If you read it on Amazon, please report it "Are you kidding me?" I reply after waiting for the telltale sound of the front door shutting. "Get your boots on and stuff. We''re going right now."
The ten minutes we wait feel like a year, me nervously peeking through the blinds every thirty seconds, checking, double-checking that Agent Torres isn''t coming back. Spinelli''s pacing, each step a thud against the old wooden floor, while Jordan just leans cool against the wall, all nonchalant, like we''re waiting for a pizza and not about to defy a federal agent''s direct order. We step out into the chill, the cold gnawing through our clothes as we wait. The snow has turned to sludge beneath our feet, gray and uninviting, but we stamp our feet against it to keep warm. I watch our breath fog up in the air, mixing with the city smog. Our masks are shoved into Jordan''s backpack, along with the rest of our gear and equipment, while the basics of our costumes are layered underneath jackets and thermal pants. The world is quiet in anticipation, or maybe that''s just in my head. Cars slide by, tires hissing against the wet road, and I find myself counting the seconds, the minutes, until our ride arrives. Finally, headlights cut through the dreariness of the winter afternoon, and the Russian driver pulls up. His grin is immediate, a slash of confidence in an otherwise dreary day. "I get you there fast," he repeats, and we believe him. We pile into the taxi, shoving the backpack under the seat, our gear secure, our hearts racing for what''s to come. As soon as we''re in the taxi, it''s like the world outside transforms into a blur. The driver wasn''t kidding about fast. Buildings and cars turn into smears of color as we zip through the streets, the taxi''s engine growling like some caged beast finally let loose. Spinelli''s gripping the seat, knuckles white, while I''m trying to seem tough, not letting the speed faze me. But it''s Jordan who''s having the time of their life, laughing, whooping even, as if this mad dash through the city is the best rollercoaster ride ever. I catch glimpses of the river, the bridges, the expanse of the city stretching out, all while my heart''s hammering in my chest. We''re doing this. We''re really doing this. Going against what we were told, because it''s what we have to do. It''s what Diane would have done, I tell myself. She didn''t play by the rules, not when it mattered, and neither will we. The Russian driver doesn''t disappoint. He gets us there in eleven minutes, a new record I''m sure, and as we tumble out of the cab, my legs are shaky, but there''s this fire inside me, burning bright and hot. We''re ready. Whatever comes next, we''re ready. We have to be. The cab halts, and we spill out into the grey slush of Philly''s winter, the bustle of Reading Terminal Market a stark contrast to the quiet, tense bubble we''ve been living in. I draw in a deep breath, tasting the city¡ªthe mix of street food, exhaust, and that faint tang of fear that''s been clinging to the air since Miasma''s breakout. "Okay, focus, Sam," I mutter to myself, trying to tap into my blood sense in a way deeper than subconscious. I might''ve mentioned it once or twice, but in a busy city street like this, I have pretty much perfect spatial awareness, at least on the ground, because someone''s always spilled blood on the sidewalk at some point. And even if the street cleaners come up, they don''t cleanse it of every single particle, and over time, it becomes this¡­ patina. A lacquer of blood that I can just reach out and feel with my brain. And, when necessary, I can feel where it isn''t. Where people aren''t. Where nobody bleeds, even in the alleyways. Jordan and Spinelli are a step behind me, silent, trusting me to lead. I''m doing my best bloodhound impression, minus the sniffing ¡ª just sort of extending my senses out, feeling for the patterns of life around us, the thrumming of hearts, the rush of traffic. And there, west of the market''s chaos, is a stillness. A gap in the pattern where people don''t go, haven''t been. That''s our in. We slip through the crowds, dodging a street musician here, a cluster of tourists there, until the noise fades and the city''s pulse changes. It''s quieter here, the sounds of life muffled, like we''re walking into a different world. And then we see it ¡ª a nondescript service door, half-hidden by an out-of-service transit sign. It''s so normal-looking that it''s almost invisible, which is probably the point. It''s locked, but Jordan''s got this little electronic gizmo they''ve been itching to try out. Not that the lock is electric - it''s an old padlock - but the electric thing''s got some wobbly metal part at the end. Jordan crams it into the key slot and presses a button, and it makes a loud CLANG before the padlock just falls off. "I could''ve done that faster with a paperclip. And quieter," Spinelli brags. "Yes you could''ve, snookums. This thing is a piece of shit," Jordan agrees, pushing the door open. We slip inside, and the door closes with a heavy, final thud behind us. It''s dark, but not pitch-black. There are cracks and crevices where light sneaks in, painting lines on the concrete. The air smells like rust and old water, and it''s cold, colder than outside, like the chill''s been waiting for us. I can hear our breathing, see our breath fog in the air. Spinelli''s already got a flashlight out, sweeping it around, revealing the graffiti-streaked walls of the tunnel. We''re in. Now we just need to find him. "Keep quiet," I whisper, "and stay close." My heart''s pounding a rhythm of anticipation and fear. We''re here to find a monster, after all. But as we start to walk deeper into the tunnel, I can''t help but feel a thrill. We''re doing something. Finally. We''re moving. And somewhere ahead, in the dark, I''m sure Chernobyl''s heart is beating, waiting for us. We''ve been scouring the underground for what feels like hours, but it''s only been fifteen minutes. Fifteen minutes of trailing my fingers along cold, damp walls, my senses stretched out like cobwebs, trying to catch a whiff of something hot, something that doesn''t belong. "There," I breathe, pointing to a splotch only I can see. "Chernobyl''s been here. His blood''s all¡­ white-hot in my senses." Spinelli''s looking at me like I''ve grown a second head, but Jordan just nods, accepting my weirdness without question. I wish I could see more, tell more, but Chernobyl''s not here. Not now. His presence is just a ghost, haunting these tunnels with the threat of what he''s become. "Do we¡­ wait for him?" I ask, the doubt creeping into my voice. Jordan shrugs, kicking at a stray pebble. "What''s the rush? You wanted to get here first, right? Mission accomplished." I hate it when they''re right. I wanted to be proactive, get ahead of the game. But now we''re here, and it''s like standing at the edge of a cliff, looking down and realizing you forgot to pack the parachute. "You''re here to avenge Liberty Belle, aren''t you? That''s the goal," Jordan says, their voice echoing slightly in the emptiness. I look down at my hands, thinking of Diane ¡ª of Liberty Belle. Her strength, her resolve, it all feels like a legend now, something out of reach. I flex my fingers, imagining them as weapons, as tools of justice. But then I remember ¡ª Chernobyl, no, Illya, he has a family, a wife, a daughter. What justice is there in ripping them apart? Would I just be continuing the cycle Diane fell to? And that''s when it hits me ¡ª the doubt, the hesitation, like punching me in the stomach. I''ve been so sure, so full of fire and fury, but now¡­ Can I really do this? Can I face Illya and come out the other side? Can I even, like, physically do it? Liberty Belle was stronger, braver, better than I could ever hope to be. If she couldn''t stop him, what chance do I have? What am I really here for? Jordan thumps me on the back, breaking me out of my reverie. "Chin up. At the very least, we have our surveillance stuff, we can set it up, get some pictures, get some more data, you know? Stuff for the others to use. It''s not a total waste." Jordan''s thump on my back feels like an anchor, pulling me back to the here and now. "Yeah, you''re right," I whisper back, trying to rally the bits of my resolve that haven''t scurried off into the shadows yet. Suddenly, the air changes, thickens, as if charged with an ominous current. A voice, too familiar and unwelcome, slices through the tension. "Au contraire," it says, a cruel sneer in its tone. The click of a gun being cocked is like a thunderclap in the silence. Spinelli''s flashlight beam catches a glint of metal and the round sunglasses that seem to mock us with their gleam. It''s him - the man who called himself Agent Evans. His presence chokes the space, more threatening than the cold metal he points at us. He''s not alone. Behind him, the lumbering form of Mr. Mudslide, his brown paper bag mask a grotesque caricature, casts a shadow that seems to absorb the light, absorbing our hope along with it. Mudslide thumps his fist into his open palm, a little too enthusiastically, and I can tell already he''s happy as a clam. Agent Evans''s proper introduction comes with the air of a final act, a curtain call on our little play. "They call me Mr. ESP," he states, as if we''re supposed to be impressed ¡ª or maybe he just wants it to be the last thing we ever hear. "Today I woke up with ''remote listening''. This made spying on the three of you extremely easy. So, I offer you my deepest gratitude for making an NSRA agent feel so guilty with your petty squabbles that he helped lead us right to Chernobyl. Thanks," he gloats. His thank you is a hiss, a serpent''s gratitude for leading him straight to its prey. "Go to hell," Jordan spits, trying to move. But it''s no use - with total silence, the concrete has swallowed up Jordan''s boots, all the way to the ankle. They struggle fruitlessly against the liquid, and I don''t bother looking down to assess my own feet. I know, just by twitching my ankles, that I''ve been caught too. "I''ll give you each five seconds. I''ll start with the scrawny one. Pick your favorite god, and start praying," Mr. ESP threatens, his gun pointed at Spinelli''s head. His ultimatum hangs in the air, a sentence waiting to be executed. But it''s the silence that follows that''s truly terrifying¡ªthe countdown to what feels inevitable. I don''t want to pray. I want to fight, run, do anything but stand here waiting for the end. Jordan and I exchange glances. I can tell the gears are turning in their head, too, but I can''t tell what they''re planning. We aren''t telepaths. I don''t know if they''re going to pull me in close or push them away. I''m just going to have to trust them, and get really, really brave. I try to calculate distances. We''re not too far - I could pounce, but before getting shot? Not likely. I''ve never been shot directly before - I''ve been shot at, I''ve been skimmed, but never penetrated all the way through by a bullet. I have a feeling that''s going to have to change very soon. Five seconds, he said. It''s a lifetime and a blink, all at once. And as the first second ticks by, I realize I don''t want to spend it praying or pleading. WORLD OF CHUM: Professional Asset Dossier - Evan "Mudslide" Williams

Professional Asset Dossier - Evan Thomas Williams

Personal Information: Educational Background: Professional and Occupational Background: Notable Skills: Professional References: Online Presence: Criminal Record: Health: Superhuman Abilities: Unauthorized usage: this tale is on Amazon without the author''s consent. Report any sightings. Recommendation: This dossier is a comprehensive report, including data gathered from direct observations, interviews, and public records, tailored to evaluate Mr. Evan William''s potential for recruitment. For copies of acquired documentation, transcribed interviews, and observational notes, please contact Mrs. Ashley Thompson at Thompson & Sons, P.C., account ID 499-4019, document IDs 2031 through 2148. This document and associated documents have been watermarked and embedded with an explosive tracker, courtesy of Mr. B. Movement of this document into unauthorized locations or structures, or movement via unauthorized individuals, will result in detonation. -Mr. E -Mr. C Chapter 60.1 Four seconds. Three. And then everything happens, all at once, very fast. My muscles are fine-tuned to the strange, yawning sensation that Jordan''s powers produce - but Mr. ESP''s are faster, trained by years of gunplay and shooting ranges, I suspect. The space snaps closed between me and them, and a bullet sails into a suddenly-closer metal pillar, sparks lighting up the dimly lit corridors of the abandoned subway station. My feet are too embedded in the ground to move, and I''m not close enough to Mr. ESP, even from this angle, to do anything. But Jordan isn''t. Two seconds. Jordan''s hand slips out of their pocket and the sharp glint of a pocketknife lights up in Spinelli''s flashlight beam. "Kill it!" I shout, and the light goes out, vanishing Spinelli from my view. Jordan''s lunge makes contact with the barrel of Mr. ESP''s pistol, the tactical flashlight attachment blaring in Jordan''s face, and with a thrust and a swish, the gun goes flick, scattering down to the ground where its beam of light slides under the nearby rails. Then, space retracts. Jordan''s move leaves us a window of opportunity, and we don''t waste it. We wriggle and pull, slipping out of our boots and leaving them, trapped and useless, in the liquefied concrete. We don''t need words to be on the same page - get out of the mud, or die. The chill of the wet ground seeps through my socks, and I writhe with discomfort, quickly shedding them to go barefoot. Freedom, at least for the moment, feels like ice and dampness against skin, and the absence of light is our ally. By the time Mr. ESP has his gun back, and his light, we''re gone. Jordan and I exchange a glance, a silent agreement, and we meld into the shadows of the tunnels. Our steps are cautious, calculated ¡ª a quiet dance of escape. There''s no time for hesitation, no room for second-guessing. With each silent stride, we distance ourselves from the immediate danger, but the threat of what lurks in the dark looms as heavy as the air we breathe. I watch over Jordan''s shoulder as Spinelli vanishes too, cradling his flashlight with him like a lifeline. I grope along the cool, rough surface of the tunnel wall, my fingers seeking something¡ªanything¡ªthat can turn my blood into an advantage. The darkness here is almost tangible, pressing against me from all sides, smothering me. It''s a desperate kind of darkness, one that feels like it could swallow you whole if you''re not careful. And then, my hand brushes against something sharp, something promising. I wrap my fingers around the shard of glass, its jagged edges biting into my palm. I don''t hesitate; the pain is a small price to pay for what I need. The glass slices into my skin, and a warm rush of blood follows. It''s a familiar sting, one I''ve felt before, but never with this much desperation behind it. My blood drips down the wall, and I press my hand against the concrete, leaving a crimson mark that only I can track. In my mind''s eye, the world shifts. The blood stains glow a vivid red against the backdrop of my blood sense, forming a map that paints the contours of my surroundings in harsh relief. I drag my open wound up against the concrete, smearing it into the ground, along every contour I can find, getting a blind view of my surroundings. I can''t afford to lose my way now, not when every second counts. I leave a trail of bloody breadcrumbs behind me, like some sort of fucked up Hansel-and-Gretal story. The pain in my hand pulses with my heartbeat, twitch, twitch, twitching away. I clench my teeth against the pain, turning it into focus, into determination. The command slices through the dark, a harsh whisper from Jordan, "Spread." It''s the only strategy left to us¡ªdisperse, become shadows in the tunnel. I watch as Mr. ESP''s flashlight sweeps the area, hunting for any sign of movement. My heartbeat thunders in my ears, betraying my position to my own senses more than to his. I feel nauseous, on the verge of passing out, and not from blood loss - my hand is already stitching itself back together. As I tuck myself behind a pillar, Mudslide''s voice echoes through the tunnels, "Come out, come out, wherever you are, little bitch¡­" His taunt is met with Mr. ESP''s sharp retort. "Control yourself. This is not a game," Mr. ESP snaps, a hint of strain in his unusually cool tone. "Ha! Easy for you to say," Mudslide fires back, "You''re not the one itching for a rematch." Their voices fade as I edge further into the shadows, trying to keep my breathing silent. The throbbing pain in my hand is a constant reminder of why I''m here. I need to be smart, I need to be silent. I need to be the predator, not the prey. I clench my fingers, squeeze my hands, and feel the uncomfortable sensation of teeth emerging from my knuckles. I think no matter how hard I try, I will never quite get used to it, but they''re sharp, and hard enough to chip rock, as my fight with Pumice evidenced - they''ll do fine. In the suffocating darkness of the tunnel, the sound of slicing, almost imperceptible, whispers through the air. Jordan, with a deliberate motion, cuts their palm with their pocketknife. I''m not sure what Spinelli is cutting himself with, but his is much more modest, a tiny mark on his thumb, just to give me sight of his vascular system. I know instantly: they''re marking themselves, painting themselves in blood for me to sense. It''s a silent agreement, a way to weave a safety net in the pitch black. Spinelli''s movements are quieter still, but the faintest brush of his skin against the cold metal of the pillar betrays his climb. He ascends like a shadow, his lanky form stretching and contorting to fit into the narrow spaces above us. In my blood sense''s eye, I picture him, almost spider-like, finding refuge in the crevices of the ceiling, preparing for an ambush. The tunnel becomes a canvas of warmth in my senses, a network of living signatures pulsating in the dark. Jordan''s blood leaves a trail across the concrete, a map written in red lines and dark black. Spinelli, suspended above, becomes a lurking threat, a silent predator waiting for the perfect moment to strike. I see the contours, like one of those illusion pictures where they don''t have a donut, only the curved lines giving the appearance of a donut. Particle by particle, blood cell by blood cell, I develop my strategic advantage. Unauthorized use: this story is on Amazon without permission from the author. Report any sightings. I press myself harder against the cold pillar, feeling its rough texture against my back. I force my breaths to come slower, quieter, even as my heart races in my chest. Around me, the darkness feels alive, a breathing entity with a heartbeat of its own. My teeth finish emerging from my knuckles, sharp and ready, and I watch for Mr. ESP''s flashlight in the dark. Mr. ESP''s flashlight pierces it, a beam of artificial day sweeping dangerously close to where I''m hiding. I press my back against the cold pillar, my heart hammering in my chest. I can hear Mr. ESP and Mudslide conversing, their voices a low murmur that echoes off the tunnel walls. "Yeah, they''re slippery, these kids," Mr. ESP says, a hint of amusement in his tone. "Like trying to catch smoke." "Smoke doesn''t bleed," Mudslide replies gruffly. "When we find them, they''ll regret coming down here." It''s now or never. As Mr. ESP''s light sweeps past, I dive out from behind the pillar, aiming for his face. My teeth graze his chin, a fleeting touch that''s just enough. I feel a rush of warmth as my blood sense activates, painting a vivid picture of his vascular system in my mind. Mr. ESP reacts instantly, the sound of his gun a deafening bang in the enclosed space. The bullet sparks off metal, missing me by inches as I roll away. I can hear his curse, a sharp exhale of frustration, as I scramble to put distance between us. My heart is racing, adrenaline coursing through my veins, but I can''t help but feel a flicker of triumph. I''ve drawn first blood. Now, I can see him. The tension in the tunnel ratchets up. I''m running, but Mudslide''s powers throw a wrench in my plans. The ground beneath me turns to sludge, a trap I narrowly avoid falling into. Behind me, Mr. ESP is cursing under his breath, applying a makeshift bandage to his chin. "Damn it, she''s got my blood now," he mutters, annoyance clear in his voice. "Not that I was trying to hide." So he knows about my powers. Great. When did that happen? Mudslide, ever the pragmatist, chides him. "Should''ve taken another shot, not whine about it." I grit my teeth, forcing myself to keep quiet as my knee slams into the ground. The pain is sharp, a spike driving through my leg, but I can''t yell, can''t give away my position. I crawl towards solid ground, every movement a battle against the pain and the urge to cry out. The darkness feels even more suffocating now, a tangible barrier that I''m fighting against with every strained breath through clenched teeth. From my vantage point, I watch through my blood sense as Spinelli makes his move. He descends from above, a dark silhouette against the dim backdrop of the tunnel, aiming his heavy-duty flashlight at Mudslide. The intended target is his head, but in the chaos, he misjudges and the flashlight comes down hard on Mudslide''s shoulder instead. It''s a solid hit, but not crippling. "Jesus!" Mudslide shouts, giving Mr. ESP a start, as the other member of the Kingdom whirls on his foot and shoots without hesitating. The sound of the bullet firing echoes, echoes, echoes, bouncing in the cavernous halls. But it misses clean, sailing over Spinelli''s head as he twists himself 180 degrees in all the ways human bodies aren''t meant to move. That''s three bullets. He looked to be using just a normal handgun, which means he''s carrying at least 14 or 15 bullets in one magazine, or clip, or whatever. I''m erring on the side of 15 but trying to keep count. It is so fucking loud. Pain shooting through my knee, I drag myself towards a nearby puddle. I let my blood flow into it, a small crimson stream that fans out into the water. This isn''t just about leaving a trail; it''s about creating a sensor web, a way to track their footsteps if they come close. "You''re gonna blow my eardrums out, fucker!" Mudslide complains, rubbing a pinky in his ear. "Then make some distance. But stay in my sightlines. They''re ambushing us," Mr. ESP responds, sweeping his gun left to right, using his feet to gauge distances, sticking close to walls and raised surfaces. "I can hear her breathing, just not from where. She''s hurt." Spinelli didn''t stay put; he didn''t even bother running away. Instead, he grabbed hold of the nearby pillar again, wrapping his limbs around it like a spider, and crawled up back into the ceiling, disappearing into the shadows. I''m left there, half in the dark, half in my blood sense world, trying to catch my breath and steady my heart. The two assailants - the bad guys - climb up to the higher part of the station, above the tracks, their movements cautious and calculated. As they press themselves against a wall, Mudslide¡¯s feet unwittingly dip into the puddle tinged with my blood, giving me a fleeting glimpse of his footsteps in my blood sense. The trail he leaves is ephemeral, fading as the water dries, but it''s enough to track him for now. Mr. ESP slows his sweeping flashlight, his movements becoming more deliberate as he checks each pillar methodically, hunting for any sign of us. Meanwhile, Mudslide retrieves his sack, filled with his makeshift arsenal. The sound of heavy objects clattering against concrete reverberates through the tunnel, a foreboding rhythm that sets my nerves on edge. He drags the sack up with him, preparing for what I can only assume is a more aggressive assault. From my hiding spot, I watch them, taking note of their positions and movements. My mind races, trying to formulate a plan, while my body aches from the adrenaline pumping through it, making me feel dizzy. I''m getting that same kind of feeling that I got when I was fighting Aaron and the Phreaks in the street¡­ am¡­ I getting power high? I try to swat it away, remove the thought for later examination. It''s for later, Sam. It''s for later. With the fluid grace of a practiced athlete, Mudslide retrieves a brick from his sack, answering my question as to what was actually in there, weighing it in his hand for a moment. He tosses it up and down, once, twice. He considers it from every angle. Then, with a motion that''s part shot put, part baseball pitch, he hurls the brick into the darkness - and as soon as it leaves his hand, it disintegrates into a swarm of jagged shards, scattering in a deadly arc through the air. The sound of the brick shattering is like a gunshot, loud and startling. It''s a tactic to cover ground where Mr. ESP isn¡¯t, to catch any of us trying to sneak up on them. I watch, frozen, as the shards whistle through the air, their trajectories unpredictable in the dim light. Then, Jordan''s cry cuts through the air, sharp and sudden. It''s a sound that chills my blood, a sound of pain and shock. One of the brick shards has found its mark, embedding itself in Jordan''s shoulder. They stumble back, hand clamped over the wound, a muffled curse escaping their lips, as Mr. ESP''s flashlight snaps onto them with almost robotic precision. "Gotcha," he says. He takes a crucial second to steady his aim, and Mudslide plugs his ears. BANG! This close, the sound is deafening, like a firecracker going off in my brain. I hate it. I try to keep track - that''s the fourth shot, right? And then I remember - JORDAN! Mr. ESP''s flashlight, a beam of harsh, unforgiving light, fixes on Jordan immediately after the shot. The narrow miss is evident, a testament to Jordan''s quick thinking and spatial manipulation. They had cut the space at an oblique angle, narrowly evading death by mere inches ¡ª a fact I confirm through my blood sense, which shows no new injuries on them. But Mr. ESP, undeterred and precise, readjusts his aim. The anticipation in the air is palpable, a silent countdown to what feels like an inevitable conclusion. He fires again, the sound of the gunshot echoing through the tunnels like a clap of thunder. The bullet sparks off the metal column where Jordan was hiding just moments ago. His flashlight, now a beacon of dread, illuminates both sides of the column. Jordan is trapped, the light boxing them in, leaving no avenue for escape. Chapter 60.2 I spring into action, feeling the dampness of the ground under my bare feet as I charge towards Mudslide. Each step is a splash, a declaration of my presence, meant to draw attention. Mr. ESP''s flashlight remains fixed on Jordan, pinning them in its glaring beam - he''s unwilling to let them get away, which means that my approach can only be heard, not seen. Good. I like not being shot. As I run, I can sense Mudslide preparing to counter. The ground beneath me starts to change, becoming unstable, shifting. I''ve anticipated this; I know his tricks. With a burst of speed, I leap at the last moment, launching myself towards him through the air, throwing myself head-first into him. The tackle is swift and brutal. We hit the ground hard, the impact sending a jolt through my body. I can feel Mudslide beneath me, struggling, caught off guard by my sudden assault while he skids against the wet concrete. The struggle on the ground is fierce and desperate. Mudslide, larger and heavier, squirms under me, a brick raised high in his hand. But I''m faster, more agile, and my knuckles are ready. As he swings the brick down, I dip aside and roll, my fists finding his face, ripping through his suit, tearing into his flesh. His blood, warm and wet, splashes against my skin, and I can smell him now, a metallic tang in the air. He misses. Mudslide yells for help, his voice a mix of pain and rage. "Help, damn it!" But Mr. ESP, his voice cold and focused, responds from afar, "I''m busy." BANG! What is that, six shots? Seven? One, two, three, four, five¡­ No, I think it''s the fifth shot. It''s so hard to keep track. In my blood sense''s eye, I watch Spinelli, leaping near-silently, stretching himself from pillar to pillar in ways circus clowns could only dream of. I stumble to my feet, fists raised, keeping an eye on Mr. ESP in case I suddenly need to duck. I want to charge him so bad, but there''s currently another circus clown in the way. BANG! That''s six. Jordan''s under fire. I watch a gash open up on their shoulder, and then focus back into the fight as a brick meets my face, smashing me backwards, bouncing me into the wall like a tennis ball. The blood flows from my nose, and I redouble my efforts. I keep attacking, my punches fueled by a mix of fear and adrenaline. Mudslide tries to fend me off, but each swing of his brick is met with another strike from me. My knuckles, armed with shark-like teeth, leave deep gashes on his face, each one a victory in this dark, damp hell. But he swings back, and I feel my bones, my muscles buckling under the assault. Despite the pain, Mudslide fights on, his determination as solid as the brick in his hand. But I can feel him weakening, the strength of his swings diminishing. I''m not going to let up. I can''t. Not now. BANG! Seven? Swing, duck, swing, bob, jab, duck, hook. Diane didn''t force me to only learn Aikido. She let me use a speedbag. My fists, improved by the discovery of this new aspect of my power, are drastically enhanced. With each jab, I punch a hole in Mudslide''s skin. With each hook, I tear his vest open, revealing the slash-resistant fabric within, and beneath, the bulletproof vest. "Knock it off!" Mudslide roars, swinging the brick for my head. I get my dukes up, but not in time to avoid a crushing swing to the forearm. Something is sprained, I can tell immediately. I go stumbling sideways, and he flicks the brick out like he''s about to skip it across a lake. I know what''s about to happen before it does. My body screams in pain as several dozen pieces of brick, pieces that liquefied and then re-solidified as soon as they stopped touching Mudslide''s hand, embed themselves in me like heavy needles, like rough knives. The ones that miss me scatter against the wall with dense whumpfs, breaking into smaller bits. I grab one, rip it out of my forearm, and grit my teeth. BANG! Eight. He must be halfway through his magazine by now. In the midst of chaos, I catch a glimpse of Jordan, focused and determined. They cut across horizontally, compressing the tunnel vertically. The move is sudden, unexpected. Mudslide''s head slams against the concrete ceiling with a sickening thud. It''s a small window of opportunity, but it''s all we need. Spinelli, still clinging to the ceiling like some kind of urban ninja, seizes the moment. He drops down - a couple inches now, at most - wrapping himself around Mudslide''s arm in a tangle of limbs. The struggle is brief; Spinelli wrestles the brick from Mudslide''s grasp. For a moment, there''s a sense of triumph, and then Spinelli tries to wrench the rest of the sack of bricks out and away from Mudslide. That¡­ does not exactly work, but that''s alright. I capitalize on the distraction, landing two quick jabs on Mudslide - POP POP - a visceral satisfaction in each hit. Then, I shout to Spinelli and Jordan, "Go!". Spinelli heeds the call, disappearing back into the ceiling with a grace that belies his gangly form, while I grab a fistful of bloody water, fling it into Mudslide''s face, and pad past him, rolling down back onto the tracks and laying ramrod still as soon as I can. Jordan tries to cut the space again, but it''s a risky move. Mr. ESP''s gunfire follows them relentlessly, nine, ten, each one getting closer to hitting something vital - a streak across Jordan''s arm, another across their thigh, as Mr. ESP constantly stalks forward and a little around, adjusting his aim. "I''m sort of having a situation here!" Jordan''s voice is laced with a mix of fear and frustration. "Shoot her in the head, idiot!" Mudslide yells, dropping down to the ground to retrieve bandages and alcohol wipes from his pockets, dumping them out onto the wet floor, scrubbing his eyes with the backside of his sleeve. "This gun isn''t high caliber enough to shoot through solid steel, Mr. Mudslide. Don''t worry. I have plenty of ammunition," Mr. ESP replies, calmly, coolly, and definitely loud enough to be heard intentionally. BANG!, Eleven. I''m starting to grow used to the sound of gunfire echoing in this space, but my ears still hurt - it''s so much louder than they make you think it is in the movies. And even when you''ve heard it before, like I have, you''re never ready for just how loud it is. Unauthorized duplication: this narrative has been taken without consent. Report sightings. He''s like a shadow, moving with an eerie calmness that belies the chaos around us. I''m doing my best to stay hidden, crouched in the dampness of the tunnel, but a misstep betrays me. My foot splashes into a puddle, the sound echoing like a gunshot in the silent tension of the underground. It''s all the cue Mr. ESP needs. He pivots with a speed that''s almost inhuman, his gun raised in a fluid motion. The flashlight attached to it pierces the darkness, and I freeze, a deer in headlights. The twelfth shot fires, a loud BANG! that resonates in my bones. I feel the bullet graze my shoulder, a line of fire that sends a shockwave of pain through my body. I grit my teeth, the pain sharp and immediate. In the momentary chaos, Jordan seizes the chance to flee. They dart into the dark, a mere shadow among shadows, evading the deadly precision of Mr. ESP''s aim. The thirteenth shot misses its mark, the bullet embedding into the concrete with a dull thud. I scramble behind a pillar, pressing my back against the cold, rough surface. The flashlight beam sweeps past me, and I hold my breath, trying to blend into the shadows. My shoulder throbs with pain, a constant reminder of my vulnerability. I''m pinned down, Mr. ESP''s suppressive fire keeping me in place. I can hear his footsteps, measured and deliberate, as he moves closer. I''m trapped, and every second feels like an eternity as I wait for his next move. "Two left," he calls out, and I take a breath. At least I will have died with my shot counts accurate. "Don''t tell them that!" Mudslide chides, his face freshly patched up with a latticework of band-aids, gauze and padding sloppily wrapped around and stuffed up his torso. I feel Spinelli, close enough that I could reach out and touch his fingertips, but too far away to do anything about. I swallow hard, and prepare for gunfire, trying to control my breathing. "What, like it''s going to matter? If they wouldn''t run around so much, I could get off a clean shot and it''d be all over fast. You hear me, kids?" Mr. ESP taunts, while I clench my body up, pushing new teeth out of the tips of my fingers, like claws on a cat. Turning my hands into morningstars. "You''re just making it hurt more!" "Gargle my balls!" Spinelli shouts from beneath Mr. ESP, having squeezed himself into the space around the rails. In the pulsing heart of darkness, Spinelli becomes our savior. His flashlight becomes a beacon of hope just as much as it''s a weapon. From his hidden vantage point beneath the tracks, he flicks it on, the beam cutting through the darkness and aimed straight at Mr. ESP''s eyes from beneath. The surprise is evident, even in the dim light; Mr. ESP stumbles, the sudden burst of light blinding him through his sunglasses. His balance falters, his feet tangling with the railing. It''s all the opening Spinelli needs. With a swift motion, he smacks Mr. ESP''s ankles with a brick, sending him toppling over. Mr. ESP flails, arms windmilling in a desperate attempt to regain balance, but it''s futile. He curls up instinctively, trying to protect his head and neck as he crashes to the ground, his gun once again clattering out of his hands. I expect it to go off, but it doesn''t. Pain shoots through my shoulder as I hustle out of the now-darkened pillar, onto the next one. I keep my hands out in front of me, smearing blood where I can to mark my location, my feet splashing through puddles, running further into the tunnel. Each step takes me deeper into the unknown, away from civilization, away from help. The darkness envelops me, a wet, cold blanket that clings to my skin, as my 3d map develops. Spinelli strobes the flashlight for a moment or two, just to disrupt and reset Mr. ESP and Mudslide''s night vision - at least, that''s what I assume he''s doing. He might just be futzing with the battery, but either way - it''s a clever trick, one that buys us precious seconds. In the ensuing confusion, Spinelli scatters as well, disappearing once more into the shadows after clicking his flashlight off. We''re deeper in now, further away from the exit, further away from any semblance of safety. The darkness feels heavier here, pressing down on me with an almost physical weight. My shoulder throbs in time with my heartbeat, a constant drumming that keeps me anchored to the present. We''re in uncharted territory now, in more ways than one. Amidst the unforgiving darkness, I feel the raw energy of my regeneration working overtime. The burning sensation on my side ebbs and flows with overwhelming adrenaline, starting to pull itself together, scab up, scar over, slowly but surely. I clench my teeth, tasting the iron tang of blood in my mouth, my senses heightened. I need to keep moving, to find Jordan and Spinelli, to make sure they''re okay. Using my blood sense, I track down Jordan, following the faint trail of their blood. The bullet cuts across their body paint a vivid picture in my mind. I reach out, my hand finding the fabric of their sleeve. "Come with me," I whisper urgently, pulling them along. We need to stick together, now more than ever. Next, it''s Spinelli. I find him by tracking the tiny cut on his thumb, a small beacon in the overwhelming dark. I can feel the tension in his frame, his body coiled and ready for action despite the fear I know he must be feeling. "I need to handle Mr. ESP," I say, my voice low but firm. "I can survive a gunshot, you two can''t. Can I trust you to handle Mudslide?" Spinelli''s response is immediate, his voice a mixture of determination and fear. "Of course you can," he says. I nod, even though he can''t see it in the dark. We have our roles to play, and now it''s time to act. With renewed resolve, I turn my focus back to the task at hand, watching for the tactical light on his gun to get back up and sweep back through the murk. "I can see you two and I''ve marked the place up with my blood. Stay along this wall. Keep Mudslide busy. I''m watching until I''m dead," I whisper, my voice harsh and quiet. Jordan and Spinelli don''t respond - they just let go of my hands and climb onto the wet concrete, while I drop down into the¡­ the part of the station where the rail is. Not the elevated part. It''s high up enough that I''d need to haul myself with my arms should the need arise, but that''s okay. I see Mr. ESP''s flashlight on the second rail, across the middle divider, and keep my bare feet as quiet as I can make them. They''re working with incomplete information. I don''t think my power cares about bandaids if they''re not airtight. My blood sense keeps me tuned into Jordan and Spinelli''s battle against Mudslide. The chaos unfolds in a symphony of grunts, yells, and the squelching sound of mud and concrete shifting under Mudslide''s powers. Amidst the cacophony, I hear the unmistakable sound of a brick turning into a lethal spray of buckshot as it''s hurled through the air. But my focus sharpens when Mr. ESP''s gun shifts towards Jordan and Spinelli. Seizing the moment, I let out a yell, "Eyes up here!" and break cover, charging towards Mr. ESP. The element of surprise is on my side, but Mr. ESP reacts quickly. His gun barks twice in rapid succession. The first bullet grazes my upper arm, a hot line of pain that''s immediately forgotten as the second bullet slices through my upper shoulder, terrifyingly close to my neck. Adrenaline surges through me, dulling the pain, as I shoulder ram Mr. ESP. The impact sends us both reeling, but I''m already moving, teeth bared, ready for the next strike. My mind is clear, focused solely on the fight, on taking down Mr. ESP before he can do more damage. "You''re out!" "I lied," he responds. Pinning Mr. ESP against the ground uselessly, I brace for his retaliation. He''s quick, despite the chaos. Pressing his gun against my belly, he fires twice, each shot a thunderous explosion against my senses. "Seventeen round mags," he quips casually, as if we''re just discussing the weather. "Just in case someone''s counting cards." Chapter 60.3 The pain is immediate and overwhelming, a searing agony that eclipses everything I''ve ever felt. It''s not just a graze this time; I''ve been shot, truly shot. My body reacts instinctively, blocking out the pain, but the shock is still there, a cold realization that this is real, this is happening. I can feel the blood, warm and sticky, spreading across my skin, soaking into my clothes. I try to move, to get away, but the pain is a weight, pinning me down. Mr. ESP''s face is a blur below me, his expression unreadable in the dim light, as he holds the flashlight to my face, trying to blind me. I''m vulnerable, exposed, and for a moment, I feel a wave of helplessness wash over me. But then, the adrenaline kicks in again. "A moment, Mrs. Small?" He asks, like he''s asking a favor, as the magazine slides out of his pistol and clacks against the floor. He grabs a new one from his belt, loads it in, and the animal fear inside me reignites like a fire. Lacking options, I punch him in the face. The teeth in my knuckles pop open his skin, raking against his flesh, opening pretty little holes, but the pain doesn''t seem to deter him from trying to bring his pistol back to bear against me. As Mr. ESP and I grapple on the damp concrete floor, my mind races back to the aikido sessions with Rampart. I try to recall every hold, every pin he taught me, but it''s hard to focus with the pain screaming through my body. Mr. ESP is strong, his muscles straining against mine, but I rely on my agility and the sharp teeth emerging from my fingertips. Our struggle is a brutal dance, a contest of technique against brute strength. My makeshift claws dig into his skin, tearing through fabric and flesh, trying desperately to gain the upper hand. We roll, each trying to overpower the other, our movements erratic and desperate. In a fleeting moment, I see an opening. I shift my weight, trying to maneuver into a position where I can use my head to knock the gun from his grasp. It''s a risky move, but I have to try. My head snaps forward, aiming for his hand, but at the last second, he twists away, and the gun remains firmly in his grip. The struggle continues, each of us fighting for survival in the suffocating darkness of the abandoned subway. Blood drips and ebbs out of the holes in my stomach, right where a boat tore my guts out what feels like a lifetime ago. I''m not concerned about my own survival. I''ve survived worse. In the heat of the grueling struggle, I channel every ounce of strength and focus into my body. My entire form tenses, the muscles in my arms and back coiling like springs. I concentrate, willing the sharp, tooth-like protrusions to emerge from my palms, right where they can inflict the most damage. The teeth break through my skin, a familiar but never comfortable sensation, like needles piercing from within. They dig into Mr. ESP''s wrist, which I have firmly gripped. The pain must be intense for him, as his flesh gives way to the sharp points, blood welling up around the wounds. I can feel his grip on the gun weakening, his resolve faltering under the relentless assault of my new teeth. Finally, with a pained gasp from Mr. ESP, the gun slips from his grasp. Wasting no time, I kick it away with all the strength I can muster, sending it skittering into the darkness of the tunnel. For a brief moment, there''s a sense of triumph, a small victory in this brutal encounter. Mr. ESP''s head reaches up to meet mine with a loud CRAK!, and I stumble back, reeling, dazed. The gun is lost, light jostled off in the struggle, leaving the two of us in total darkness. Behind me (ahead of me?), further down the subway, Jordan and Spinelli jostle for position with Mudslide. Jordan keeps his mud traps away from anyone''s feet, while Spinelli is grappling and choking, attacking the way you''d expect any long-limbed monkey to attack. "How''s it feel to get made a fool of by the same bunch of kids over and over again?" I ask, feeling safety in the dark, even as the blood oozes out of my wound. "It''s not a huge deal. We''ve got more important irons in the fire. Frankly, we don''t think about these minor setbacks much at all." Mr. ESP says, moving slowly, arms up. He''s getting defensive, physically. "There''s about a dozen men with guns aboveground on both ends of the subway. If the soldiers can''t finish you off, then it''s whatever. You''re not really our objective here, anyway." "Right, you''re here for¡­ Illya," I say, feeling awkward about the name all of a sudden. Weird time to feel awkward about it, but whatever, brain. I jab a fist out, just to test Mr. ESP''s defenses - and his night vision. Minimal. He can''t even see me coming to react in time, only brace himself once he feels the teeth cutting into his skin and his clothes. Those cut-resistant suits are pretty nifty, though. The only really vulnerable spots on him are his wrists and his face - nowhere else is exposed enough that I can jab him open. But his forearms keep both of those things handled. And, bluntly, his injuries are much less severe than mine. I think there''s a pretty high likelihood I''m about to pass out if I don''t finish this in the next couple of minutes. Mr. ESP and I both freeze, alerted by the ominous sound of something heavy approaching from down the tunnel. The air seems to thicken with anticipation, and I can almost feel the vibrations through the soles of my feet. My blood sense flares up, detecting the distinct signature of white-hot, bright white blood in the distance, a sure sign of Chernobyl''s approach. My heart pounds in my chest, a mixture of fear and resolve coursing through me. Stolen story; please report. I turn my attention to Jordan and Spinelli, only to find them limping and bloodied, their bodies bearing the marks of a losing battle. New wounds bleed profusely, and bruises begin to form under their skin, painting a grim picture of their encounter with Mudslide. While I was busy verbally sparring with Mr. ESP, Mudslide got one up on them. And he''s coming. Chernobyl is coming. I brace myself, every muscle tensed, ready for the confrontation. My mind races, trying to formulate a plan, but the options seem bleak. Mr. ESP, still reeling from our recent tussle, slowly gets to his feet, his expression one of wary anticipation. "Mr. Chernobyl!" He calls down the tunnel. "We''re here to discuss business." The heavy footsteps grow louder, closer, a steady, relentless march that echoes through the tunnel. My blood sense hones in on the approaching figure, a beacon of danger that I can''t ignore. The pain from my wounds throbs in time with my quickening pulse, but I push it to the back of my mind. It seems like Chernobyl, judging from the cuts I can smell on him, hasn''t been having a great day either, but it means so little in the face of such pure¡­ presence. Lights - dozens of them - blink on at once, filling the subway station with glare like from a floodlight. I step back, inching closer to my battered teammates, while Mudslide raises his fists defensively, like he''s getting ready for a fight. I climb up onto the platform, stumbling to my fellow Auditors, and grabbing them, letting them lean on me for support. "Sorry, boss. Think I have a concussion," Spinelli says, clearly dazed. "You don''t have a concussion, darling," Jordan hisses, squeezing close to my side. It''s as if we''ve stopped existing to the two operatives - which, well, I guess we might have. It''s not like we can stop them from making contact now. "Stay out of this," Mudslide growls at us, "and maybe I''ll consider letting you leave intact." That''s it. We lost. "As a gesture of good will, we''ve already prepared a fake ID, travel documents, and 200,000 hryvnia for your wife and daughter." Mr. ESP shouts to the approaching goliath, who barely appears to notice him, each lumbering step dragging his bright lights closer and closer. "God damn," Jordan gasps, in a mixture of lost breath and awe at Chernobyl''s vast mechanical armor - all the dents and injuries left by Liberty Belle patched over and buffed out, like they never even happened. "Is that¡­?" Spinelli mumbles, his face pressed into my shoulder. Clumpf-HISS. Clumpf-HISS. Chernobyl, slowly, painfully, comes face to face with Mr. ESP, looming over him. Like the size difference between you and your labrador. "You''re not an easy man to track, Mr. Chernobyl. Apologies for the state of my dress and face - as you can see, we''ve had a run in with some¡­ juvenile ruffians. But it''s handled now." "I''m aware," he replies, his voice not modulated, but instead crystal clear, through upgraded speakers. It sounds more real than everyone else''s voice, more clear, more¡­ present. Like he''s the only person really anchored to reality here, and everyone else is part of his dream. His helmet tilts slightly, like he''s examining Mr. ESP. "Tell me, do you think you are a funny man?" "Anyone got a band-aid? I''ve been shot," I mumble, trying to keep myself up despite the growing pain in my abdomen. As the adrenaline leaks out of me, so too does the pain resistance, and the fact that there is, like, one-and-a-half holes directly through my body is becoming increasingly apparent. Jordan nudges me in the side, making me wince. "Should we bail? Mission over?" "Hold on," I whisper back. "I didn''t say anything that was intended to be a joke, Mr. Cher-" Mr. ESP starts, only to be interrupted quite suddenly. Chernobyl reaches out and grabs Mr. ESP by the head, all of his fingers wrapping around his skull like it''s a tomato, or an apple. My heart drops. I immediately think of the piledrivers in his palms - from this distance, on something as soft as a human skull, they''d almost certainly crack Mr. ESP open like a coconut dropped from a great height. Chernobyl lifts slightly, and Mr. ESP comes up with him, writhing like a worm attached to a hook. "My name is Illya Myronovych Fedorov. If you must affect these false pleasantries, a ''Mr. Fedorov'' would be appreciated. I do not respect, nor do I enjoy, your usage of this taunting name that your government has given me. ''Chernobyl''. Chernobyl!" He says, visibly squeezing Mr. ESP''s head. "No, we do not have a deal. If I were Japanese, would they have named me Hiroshima? Would they name me Herr Three Mile should I be American? What a farce." His servos whirr, and before I can realize what''s happening, Mr. ESP goes sailing, smacking into the nearest concrete pillar. Not from the piledriver, but just the force built into those hydraulic muscles of his. Then, he turns to me. "You. I recognize you. From where?" I swallow harder than I ever have before in my life. "The day you killed Liberty Belle. I was there." I can feel his smile, as he bears down on me, staying on the rails - his suit too tall to fit on the platform. "I recognize you. I told you not to follow me. And yet, here you are. Why is that?" Mudslide is standing there, agape, tending to Mr. ESP. I can''t tell if Mr. ESP is still even conscious, but I can tell ESP''s got a nasty head wound from that throw, and Mudslide is doing his best to patch it up. Audibly muttering to himself, having entirely forgotten his goals. But I haven''t. I shrug Jordan and Spinelli off of me, and turn to Jordan. They know what I''m going to say before I even need to say anything. Spinelli looks between the two of us, trying to detect the psychic communication. "If you die, I''m going to be so mad at your funeral," Jordan says, scooting backwards two steps, then three, wrapping Spinelli''s gangly arms around their waist. "Come on, love," "Huh? What''s going on?" Spinelli asks, as they shuffle further down the tunnel, further away from the entrance, further into the dark - where it''s safe. "Sam''s about to do something stupid," I hear, out of the corner of my ears, as I hop down from the platform, staring Chernobyl - staring Illya down. "Like a superhero. Let''s get you patched up, man," "Well, young one?" He asks, kneeling down to get closer to eye level with me. "I''m here to bring you to justice," I respond, trying to ignore the slowly-closing hole in my abdomen. I crack my knuckles, ignoring much more successfully how my teeth bite into my skin. I''ve cracked pumice stone with these new tools of mine. I can punch a hole in a jaw-strength-meter, even the really hard ones made of metal, so his armor should be no problem. And sharks are immune to cancer. That''s what they say, anyway. "Good," he replies, standing back up to his full height, as the sound of gunfire begins to echo from above the tunnels. The shootout between the NSRA and the Kingdom, I''d imagine. The cavalry''s arrived, but I won''t need it. This''ll be over before then. Chapter 61.1 The abandoned subway tunnel feels colder now, almost like the air itself is watching me. My blood sense tells me that Mudslide and Mr. ESP are making their way out, tunnelling through the concrete like it''s butter. But I don''t care about them anymore. They''re just¡­ gone, irrelevant. My focus is on the giant in front of me, Illya, his suit emitting a low hum, each of his lights individually enough to fill this space. The metal pillars in the tunnel each act like mirrors, bouncing the light around. I''m illuminated from every angle. I feel especially pale in the light. Illya''s voice, filtered through the suit, is surprisingly calm, almost gentle. "What is your name?" he asks. I''m taken aback by his politeness. "How old are you? You should not be here, especially with that gunshot wound." I square my shoulders, feeling the sting of the bullet hole in my belly. "I''m Sam, and I''m fourteen. And I''m not leaving," I reply, trying to sound braver than I feel. His massive helmet tilts slightly, as if he''s studying me, trying to understand why a kid like me is standing up to him. "You remind me of someone," he says after a moment. His voice is tinged with something I can''t quite place ¡ª is it sadness? Regret? I don''t have time to ponder it. "I''m here to stop you, Illya. I can''t let you keep hurting people." My voice is firm, but inside, I''m a whirlwind of nerves and fear. This is it, the moment I''ve been preparing for, and I can''t mess it up. Illya doesn''t move, but I can feel his gaze weighing on me, heavy and searching. "Very silly," he says, rolling his shoulders back, taking a step away from me. "I will not fight a child. ''Junior superheroes'', a madman''s conception of justice. I will not fight you." Anger flares within me, a burning tide that refuses to be condescended to. "I''m not just some puppet, Illya! You killed people ¡ª Liberty Belle, Professor Franklin¡­ How many others? I''m not just some kid you can shrug off!" I shout, my voice echoing off the tunnel walls. My fists, armed with sharp teeth, swing with all the might my adrenaline-fueled body can muster. They slam into his suit''s chestplate, each hit with force, leaving dents in the metal. The sound of metal bending under my strikes is oddly satisfying. The suit may be strong, but I''m relentless. Each slam of my fists leaves dents in the chestplate; I can hurt him. "You''ve taken lives, Illya! People who mattered!" I yell between punches, each word punctuated with a strike. "How can you just stand there and act like that''s okay? How can you live with yourself?" Illya''s voice remains calm, almost detached, even as I batter his suit. "Your notion of ''justice'' is na?ve, young one. You are being used as a pawn in a war you do not understand. Adults have filled your head with ideals, using you as a soldier in their fight against those they deem ''undesirables''." "I''m not anyone''s weapon," I snap back, swinging with all my might. "I''m here because it''s right. Because people like you need to answer for what they''ve done!" His suit creaks with every blow, and he continues to scoot and step backwards, but his suit lacks the agility to really get out of the way. I feel an unwarranted surge of confidence. If I keep hitting him, I will break through. Illya sighs, a sound almost lost in the mechanical hum of his suit. "And what of the lives I''ve saved? The people I''ve protected? Do they not count in your ledger of justice? My powers have kept the lights on in hospitals. I''ve given your cities light. People sleep softly on the street with their sidewalks lit by the lights your government extracts from me. When I kill, it is to survive - when I save, it is easily discarded. Have you forgotten your American notion of self-defense?" I can''t come up with a response fast enough, so I just swing. He''ll feel me through my fists. Illya raises his armored hand, catching my strikes with a power that feels like hitting a wall. His mechanical movements are precise, designed to block and deflect, not to harm, yet. "The Maccabees, the slaves led by Moses ¡ª my people have always fought for our survival," he says, his voice echoing from the suit. I try to find an opening, slipping past his defenses. "But our people weren''t chosen to lead through violence, Illya. We were chosen to use our power responsibly, to be a light, not to cast shadows." His response is immediate, a slow but powerful swing aimed to push me back. "History is written by survivors, Sam. Sometimes survival demands harsh actions," he argues. I dodge, feeling the rush of air as his hand passes by, feeling it shove my hair in every direction. "Survival doesn''t justify harming innocents. There''s a line between surviving and living at others'' expense," I retort, trying to strike back. He catches my fist and squeezes, and the pain is sharp and immediate. Then, he lets go. I shake my hand out. "''Do not stand idly by the blood of your neighbor'', my Pop-Pop told me." "You''re part of the tribe, as well?" He asks, stepping back, shaking his head. I wipe blood from my face, shaking out the other hand. It hurts, but it''s not broken. "How else would I have gotten these brassy undertones?" I crack, trying to maintain momentum. I feel a little more pale with every passing second, as blood ebbs from my body. The adrenaline is flowing back, though, and that makes it feel better - dulls the pain. "Be serious, child," Illya responds. "You should know very well then the story of the Dybbuk--" "Yeah, yeah, I heard when you told it to Diane. Before you killed her," I interrupt, my right knee starting to buckle. I grunt with exertion, forcing it back up. I put my fists in front of my face. Illya''s towering presence looms over me as he speaks, his words heavy with the weight of experience. "You are possessed, Sam. Not by one, but by two spirits thirsting for vengeance. They cloud your judgment, fuel your anger. They seek my blood through your hands, but my cause is purely that of survival. Can you not see the nobility in that? What makes their cause more worthwhile?" My fists fly in response, striking against the hard metal of his suit with little effect. Each punch to his fists and forearms sends pain shooting up my wrists, each shin strike against the unyielding armor feeling futile. "Nuclear engineers believe in ghost stories now?" I quip, trying to mask the growing pain and fatigue. My voice is laced with sarcasm, a defense mechanism against the overwhelming odds. He shakes his head slowly, his movements deliberate in the suit. "It is a metaphor, child. You carry with you the desires and grudges of those who can no longer fight. You are their vessel, driven not by your own will, but by theirs. How did you know I was a nuclear engineer?" I stagger back, feeling the sting of his words. Is he right? Am I just a pawn in a larger game, manipulated by the memories of the fallen? The thought sends a chill down my spine, but I push it away. "I''m fighting for what''s right, not for revenge," I insist, though my voice lacks its earlier conviction. "And it was a lucky guess." If you discover this narrative on Amazon, be aware that it has been stolen. Please report the violation. Illya''s voice softens, a hint of sympathy breaking through. "Very specific guess. What do you know?" "Enough," I reply, lowering my head and ducking under his wingspan. I slam my skull into his chestplate, rattling a deep breath out of me, and then punch, and punch, aiming for the dents my knuckles left before, each jab and hook deepening them, slowly chipping away at this mountain of eternity. "Enough to know you can''t justify what you''ve done." "And they taught you that in superhero school? The life story of the enemy, should you meet him in a dark tunnel one day?" he replies, almost casually grabbing me by the collar of my coat and flicking me away like he''s flicking gum out a window. I curl up, protecting my neck as I roll over incomplete subway rails, thumping against each rotten wood plank until I skid to a halt inches from a wet puddle. Regaining my footing, I brush off the dust and face Illya again, my anger simmering. "Yeah, strange, isn''t it? How I guessed the nuclear man in the giant robot suit was a nuclear engineer," I say with heavy sarcasm. He seems amused, or at least as amused as someone can be in a suit like that. "If you must know," I continue, "Liberty Belle left all her notes and detective equipment to me. So yeah, I know a thing or two about you." The revelation seems to catch Illya off guard. For a moment, there''s a pause, a silence that''s almost tangible. He chuckles, the sound resonating through his suit. "So, I''m fighting the inheritor of Diane''s will. How poetic." The condescension in his tone is palpable. "But if you''re trying to convince me of the righteousness of your cause, young Samantha, you''re doing a very poor job of it." I clench my fists, my claws digging into my palms. "I don''t need to convince you of anything," I snap back. "Your actions speak for themselves. You can''t hide behind excuses forever." Illya sighs, his suit shifting slightly. "You''re young, Sam. You see the world in black and white. But life¡­ life is a spectrum of grays. One day, you''ll understand that." I shake my head, feeling a mix of frustration and determination. "Maybe, but today''s not that day. And today, I stop you." My resolve is firmer now, buoyed by my anger. I don''t need to prove myself to him. Right? He slaps both metallic hands against the chestplate of his suit, where my fists have left it peppered with tiny, almost infantile dents. So small as to be practically irrelevant. I''m losing more and more blood, but I''m only feeling better and better. My brain is humming, thrumming with fresh adrenaline. I can see his silhouette, along with where he nicked himself shaving, or repairing his suit, or whatever murderers do in their free time. When he moves, there''s a slight delay, like when Playback gave me the wireless controller during the New Years party. However long it takes for him to translate his movements into the suit''s movements. Input lag. That''s what Playback called it. I can use that. The noise of his shield rattle snaps me out of my battle-planning reverie. "Come then, Samantha! Steel your resolve. Come, and break your swords against my armor." I wipe a little snot from my nose, and then I sniff the rest in. It''s cold down here. "With pleasure," The battle intensifies as I shift from words to action. I''m like a relentless force, a combination of agility and ferocity that surprises even myself. Ducking and weaving around Illya''s slower movements, I exploit the slight delay in his reactions, using the platform as my stage. I climb onto it to evade his lumbering strikes, then drop down with calculated ferocity. My attacks are a blur of motion. I unleash elbow drops from above, each one reinforced with teeth erupting from my skin, turning my body into a weapon. My axe kicks, powered by new fangs emerging from my heels and ripping through my skin, rain down on Illya''s armor. The sound of metal denting under my assault fills the tunnel, a cacophony of battle. Illya''s attempts to hit back are thwarted by his own suit''s limitations. His powerful swings are intimidating, but the millisecond delay gives me just enough time to dodge. Each evasive maneuver feels instinctual, as if my body knows exactly where to be at every moment. It''s a dance of attack and retreat, a test of endurance and strategy. With each strike, I feel more empowered, more determined. I''m not just fighting for myself; I''m fighting for justice, for those who can''t fight anymore. My breath comes in sharp gasps, and the pain from my wounds fades into the background, replaced by a singular focus: to stop Illya, to end this battle on my terms. My body begins moving almost on its own, a symphony of strikes and evasion. Each punch and kick I land on Illya''s suit feels like a triumph, the sharp teeth emerging from my skin snapping into the metal, leaving behind more than just superficial marks. I dart around him, using the narrow confines of the tunnel to my advantage. I climb the walls, pushing off with powerful jumps, launching myself at Illya from unexpected angles. My attacks are relentless, a barrage of teeth-enhanced blows that target the weak spots in his armor. I feel like I''m in one of those shows that Lily always is trying to get me to watch. The kind with the airheaded, brave protagonists that win through sheer guts, spirit, and willpower. That''s me. That''s how I''m going to win. Illya''s responses are slow but powerful, his suit''s movements like the rumbling of a mountain. Each time he swings at me, I feel the air shift, a warning of the massive force behind his punches. But I''m too quick, too nimble. I slide under his arms, jumping back before he can adjust his trajectory. My body is on fire, every muscle singing with the thrill of the fight. The pain from my wounds is there, but it''s distant, a background noise drowned out by the adrenaline coursing through my veins. I''m aware of the danger, the risk of pushing myself too hard, but I can''t stop. Not now, not when I''m this close. Illya''s suit begins to show signs of wear. Dents and scratches mar the surface, testament to the ferocity of our battle, but he hasn''t slowed down at all. The only noises are the hissing of steam and the clanging of bone on metal. The battle reaches a critical juncture. Illya, growing weary of our relentless skirmish, decides to shift tactics. "Enough of these childish games," he declares, his voice echoing through the suit. Suddenly, his suit vents out a blast of steam in every direction, a surprise attack that catches me off guard. The scalding heat engulfs me, searing every exposed inch of my skin. The irritation it causes on my gunshot wound is excruciating, sending waves of pain throughout my body. As I double over, coughing and trying to soothe my burnt skin, Illya''s words pierce through the haze of pain. "Diane had strength and experience, yet she failed. You are just fourteen, a child. Even if you breach this armor, radiation will claim you. And if not, cancer awaits. You have so much life ahead, friends, loved ones who would mourn your loss. Why do you persist? Why risk so much?" I try to speak, but all that comes out is a fit of coughing, my lungs struggling to cope with the hot, damp air. My face, hands, and feet itch unbearably, the skin red and raw from the steam. I double over, each movement sending fresh waves of pain through my body. The thought of my friends, my family, the people who care about me, fills my mind. Illya''s right ¡ª what am I doing? Why am I risking everything for this? The doubt creeps in, a shadow over my resolve. But then, a spark of defiance ignites within me. I''m here because it''s right, because someone has to stand up to him. I raise my head, meeting Illya''s gaze through the steam. "Because it''s the right thing to do," I manage to say, my voice hoarse. "Because if I don''t, who will?" The words are more for me than for him. To keep myself moving. The pain just motivates me more. "You still have a life ahead of you, Sam," he replies, almost pleading with me. "You are a willful, stubborn child. I don''t want to kill you." "You seem a decent fellow. I''d hate to die," I joke, hacking and coughing until I spit up phlegm into the nearest puddle. My entire body is shrieking, combined heat and cold, itch and numb, pain and soreness, wet and dry. Everything, every sensation, every form of pain short of electrocution, and frankly, I don''t trust that he doesn''t have a taser somewhere in that suit of his. We clash once more, but either I''ve gotten slower or he''s gotten much faster. I see my skin coming off, peeling in flakes, with every motion, and every time my fists aim for his chest they only catch his palms or forearms. He reminds me of a sumo wrestler, stanced wide, unmovable. Nothing I can throw at him even causes him to nudge an inch backwards. "Hit me back!" I yell, my teeth glinting against the lights of his suit. "I won''t!" He yells back, with the first hint of genuine emotion in his voice, transmitted through those speakers of his. But it surprises me when I hear it. I expect anger, or sorrow, or maybe some more condescension, but really, what I feel most is fear. Not that he''s afraid of me, but he''s afraid of something else I don''t know about. My fists collide again with his palms. If he really wanted me dead, all he''d need to do is grab me by anything and use the piledrivers I know are in his arms. But he won''t. He won''t! "Do I look too much like your daughter, is that it?" I ask, and he stops stone cold. My knuckles cut through a steam line, sending both ends of it whipping around wildly before I hear a thunk and it stops. Then, he grabs me by the chest, and lifts me above the ground. Chapter 61.2 Illya''s grip on me is like iron, his massive hand encasing my torso and trapping one of my arms against my body. His other hand slams into the concrete, ripping some loose, while my feet dangle helplessly. His voice booms from the suit as he talks; "Leave her name out of your mouth!" he roars, his voice resonating with rage and pain. I''m held fast, one arm pinned to my side, the other flailing helplessly, seeking leverage that isn''t there. "Yulia wouldn''t want this, Illya," I gasp out, the words barely a whisper. "Do you think Yulia Federov would be proud to know her father is a murderer?" His reaction is immediate and furious. He begins to shake me around, his movements fueled by anger and hurt, rattling me like an action figure being played with too roughly. As I''m hurled through the air like a doll in a tempest, Illya''s voice cuts through the chaos, "You know nothing of my sacrifices! To provide for them, to ensure their safety, I''ve dealt with devils! No bank would touch me, no service would aid me. I''ve watched her grow from afar, missing every moment of her life. Yulia Illyinichna Fedorova is my daughter, and she is untouched by the shame of Chernobyl!" Then, he throws me. I go sailing through the air, and I can tell before that he was holding back. I only have a second or two to regret it before I go crashing into the ground, splashing through puddles and ripping my skin against the concrete and metal and rotten wood. Gunfire spits out over top of me, above the ground. I can''t sense Jordan or Spinelli or Mr. ESP or Mudslide at all anymore. I can feel dying men above me, faintly, through the layers of stone and ground. I wonder - will I be joining them soon? The pain is intense, my body screaming for relief, as I nurse a broken ankle, bruises, abrasions, scrapes, my skin oozing blood, weeping. I get back up. Chernobyl, fueled by rage, crushes through the tunnels, moving towards me far faster than anything that big should be allowed to move. He looms over me. "Speak your last, Sam. I have changed my mind regarding gentleness." "I know how you feel!" I scream, my voice raw with emotion. Illya halts, his massive suit mere inches from me, a looming threat that could crush me in an instant. "I''m sorry for bringing her into this," I gasp, trying to catch my breath. Illya''s voice is laced with skepticism. "You apologize now because you fear death. You seek mercy, but you will find none here." I shake my head, dismissing his accusation. "It''s not about mercy. You can kill me if you want. I just want you to know, I understand your sacrifice." "How could a child possibly comprehend what I have sacrificed for my family?" Illya''s tone is bitter, tinged with incredulity. I gather my strength, pushing myself up despite the pain. "Because I''ve sacrificed just as much for mine," I say, my voice steadying. "Those bad guys that wanted you to do their dirty work? They wrecked my home in Mayfair with a fucking Tyrannosaurus rex. The home my parents scrimped and saved for, pouring every bit of their effort into it. And now? I haven''t seen them in months, because I need to keep them safe. Because the bad guys showed up at my home and threatened me in front of them." I take a breath, leaning on one of the support pillars holding up the subway tunnels. "I missed Halloween. I missed Hannukah. I missed New Year''s with them. I''ll probably miss Valentine''s Day. I''ll probably miss Passover. I''ll probably miss my birthday. I live in fear, in an abandoned building, because being near me puts them in danger. By the way, I''m squatting in that building, and they''re trying to evict me. The NSRA wants to take Liberty Belle''s notes from me and they''re threatening me about it, like, legitimately threatening me. My girlfriend is mad at me because I''ve been so busy investigating this - investigating you and the Kingdom - that I haven''t been on a good date with her in what feels like forever. It''s tearing me apart, but I can''t just stand by and do nothing. I can''t live in a world where I could do the right thing and choose not to." My rant pours out, a flood of words and emotions that leaves me breathless. Illya stands motionless, his suit a silent sentinel as he processes my words. "I know what you''ve been through," I hiss, taking a step forward. I roll my shoulders until they crack. "I know about your exile. I know what you have to do to survive. I recorded your admission to Diane, and I''ve just been sitting on it ever since." "You know," he repeats, almost silently, despite the digital amplification. I grab one of his steam lines and rip it in half, on his hip. He takes a step back, but his legs need a second to recalibrate, and he ends up nearly stumbling, almost falling. "I know that your wife and daughter miss you!" I throw my fist forward until it collides with a slow-moving palm. Then, I reach inside with my other hand, and rip loose another steam line, bringing some wires with it. "I know you''re just doing what you can!" I pull myself forward, ripping the joints loose from one of his fingers - and it falls off, revealing the servos inside, all the parts and metal. Steam and fluid pours out until valves clamp shut and redirect the pressure towards somewhere else. He pushes his arm against my entire body, and I rip out another finger. "And because I know," another finger. "That''s why," another finger. "I can''t let you keep going!" I scream, disarming his left hand with a shriek as I rip his suit''s thumb off. This hideous strength reaches out from somewhere deep inside me, somewhere I''ve never seen before. My fingers are covered in teeth of all shapes and sizes - short, long, round, square, but all jagged, all sharp. I don''t even remember summoning them. I rip loose another metal plate, and the teeth fall out, leaving red, angry pockmarks along my hands, claws torn out just like my still-regrowing fingernails. I pant for air like a dog chasing its tail for too long. I''m running out. My adrenaline can only carry me too long, before I succumb to my gunshot wounds and pass out. I feel sharp streaks of radiation beginning to leak into the air - narrow, yes, but existant, sharp enough to cut and burn at my skin when they pass over me. I glance sidelong to check for blisters, but whatever pain I''m feeling seems to only be on my insides. And that''s fine with me. Fueled by a combination of desperation and resolve, I charge at Illya with the last of my energy, keenly aware that this might be my final stand. His suit, already showing signs of damage from my previous onslaught, becomes my sole focus. I target his hydraulic lines, steam tubes, and wires, abandoning my earlier tactic of denting his armor. Instead, I summon new claws, letting them sprout from my fingertips, turning my hands into shredding tools. I''m a whirlwind of motion, darting around his massive form. Each slash of my claws severs another line, each tear rips through more of his suit''s support systems. The more damage I inflict, the slower and more cumbersome his movements become. It''s a race against time and my own waning strength. Illya attempts to fend me off, but his suit''s reactions are becoming increasingly delayed. The symphony of hissing steam and the clank of metal grows more frantic as he struggles to keep up with my relentless assault. My goal is clear to me now ¨C to force him out of his armored shell, to bring him down to my level, where we can confront each other without barriers. The author''s narrative has been misappropriated; report any instances of this story on Amazon. With each passing second, his suit becomes less of a fortress and more of a prison. His once formidable defenses are now riddled with gaps and weaknesses, which I exploit ruthlessly. I can see the frustration and shock in his movements, the realization that his armor, his safety net, is failing him. The lag between his movements and his suit''s response is only growing more and more, like the latency of his controller is increasing. As I tear away another hydraulic line, a spurt of fluid hits my face, stinging my eyes. I blink through the pain, pushing forward. This is more than just a physical battle now; it''s a clash of wills, of philosophies. I''m communicating through my actions, telling him that if he wants to win this battle, he can''t hide any longer. He needs to face me, face the truth, without the protection of his suit. Illya''s movements grow sluggish, the once formidable suit struggling under the barrage of my relentless assault. The sound of tearing metal and hissing steam fills the tunnel, a testament to the intensity of the battle. I can see the frustration in Illya''s attempts to retaliate, his once swift responses now lagging behind my speed. I make one final push, channeling the last of my strength into a series of swift, precise strikes. Illya''s suit, now barely functioning, emits a series of desperate whirs and clicks. I stand back, panting heavily, watching as the giant before me teeters, the reality of his vulnerability finally setting in. I feel each searing streak of radiation as it''s exposed from the joints and fissures and seams. There''s nothing he can do. He''s stuck now. Then, he laughs. "I understand now. Truly, Diane could not have picked a more appropriate successor," he says, but I''m not sure that it''s a compliment. I can almost feel his realization through his mechanical exterior. "You''re serious about this," he finally says, a note of wonder in his voice. "You''re really ready to die for what you believe is right." "Yeah, pretty much," I reply, trying to keep my voice steady despite the pain. "I''m a superhero, after all. We don''t really do the whole ''long life expectancy'' thing. So come on, Illya. Let''s drop the suits and the metal. Fight me, man to girl. See if you''re really as tough as you think you are." There''s a long pause, filled with the sounds of our ragged breathing and the distant echoes of the battle above. Then, slowly, almost reluctantly, Illya begins to move. The heavy thuds of his suit are like the beating of a heart, each step resonating through the tunnel. "You understand the consequences," he says, his voice low. "If I come out, the radiation¡­ it will kill you. And even if it doesn''t, the long-term effects¡­" "I get it," I interrupt, pushing myself up to a sitting position. "I know the risks. But this¡­ this is about more than just surviving. It''s about doing what''s right, no matter the cost. Didn''t you hear my rant? So come on, Illya. Let''s end this. Just let another human see your face for the first time in however long." For a moment, there''s silence. Then, with a hiss of releasing locks and the grinding of metal, Illya''s suit begins to open. He''s¡­ almost handsome. A classical square jaw, with greying hair that curls over his face sideways, short chopped, maybe an inch long. A buzz cut that''s been left to fester. His face is peppered with small cuts, razor burn across his smooth cheeks. That answers that. And his eyes are glowing, no pupils visible, no eye visible, just glowing, pale orange, with a vertical scar across his left eye. Already, I feel the pain, the searing sensation that I have to assume is what it feels like to be microwaved. Or, like, x-rayed too hard. But I grit my teeth and bear it, the thing I''m best at. The chestplate hisses weakly, trying to pry itself open across all the damaged components, and he pushes through. He''s big. His clothes are¡­ minimal, a yellow robe that might''ve been part of hazmat equipment at some point, heavy gloves, heavy boots. His entire body is caked in dust, in scars, his shoulders broad. He''s only a little bit taller than me. Maybe 5''8". Maybe 5''9". He opens his mouth to breathe, and a peal of orange comes with it. My entire body feels like it''s being lit on fire from the inside out. "You''ve seen my face. And now, Samantha, you will likely die. Even if you surprise me, and slay me now, it will have been at the cost of your own life. Is that satisfactory to you. Are you willing to kill me in self defense? Are you willing to kill me to satisfy your ghosts?" he says, looking at me odd, like he''s unused to seeing anyone outside of a camera view. "So small¡­" I sigh, and it hurts to breathe. My stomach already rebels, and I feel bile dripping up my throat the wrong direction. I''ve been thinking about it this entire fight - what to do once I actually prised him from his turtle shell. Am I willing to kill him for revenge? For ''justice''? For ''the greater good''? I can''t be the judge of that. I''m not a murderer. I''m not an executioner. That''s not my job. Will the courts be fair to him? Will the world? Will I? "No. I''m not." "Excuse me?" he responds, visibly taken aback. "Are you insane?" "Yes," I reply, bluntly. I cough, and hack, and I feel blood come up with it. I lurch forward, and he tries to walk back, stopped by his own suit clogging the railway. "Now shut up with your philosophizing, old man. Pretend I''m Yulia." "What?" is all he manages to get out before I throw myself forward, putting my arms around him, squeezing him tight. He must be right. I am insane. To think that this care bear shit would have a snowball''s chance in hell of making change. I think about the way my dad derisively talked about the hippies and their ineffectiveness. That ''make love, not war'' falters in the face of missiles and bombs. Peace cannot prevail over nuclear aggression. I wonder if my mom would call the symbolism ''on-the-nose''. Illya stops, stunned, for a moment, and then puts his arms around me. Then, he shoves, and I go flailing backwards, my head splashing down into a puddle. "I won''t. I won''t," he says, his face paler than it was when I first saw it, all the blood drained from it. "I can''t," he says - to me, or to himself, I wonder? "I figured that wouldn''t work," I say, wiping blood from my nose. A fresh flow, recently burst. Illya looks panicked, desperate, as he tries to pull his suit back around him, like a tortoise trying to retreat for the winter. My mom said they don''t hibernate, they brumate. He''s trying to do that - to brumate, to lock himself up, to make himself safe again. I put my fists back up, and squeeze, and the teeth feel so much easier gliding through my soft flesh. When they come out, for once, so too does a spurt of blood. "What if I just knocked you out and left you here? Can my conscience work with that?" I ask, half-expecting an answer. "Deal?" But Illya doesn''t respond. He''s desperately pulling at controls as if I haven''t severed every line of hydraulic fluid. His suit slowly creaks to life, working on its last vestiges. I see as he straps himself in, the tanks of water that begin boiling through mechanisms I''m probably two PhD degrees away from understanding. Steam pours itself through the redundant lines while his suit re-assembles, closes up, prepares for takeoff. Is he¡­ weeping? "Yulia¡­ Olena¡­ I''m so sorry. Please forgive this failure of a man, this coward," he cries - he whimpers, slowly pulling his suit away from me, the helmet snapping back around his face. He tries to turn sideways in the tunnel, the metal scraping against the concrete, leaving showers of sparks - but he doesn''t care. My body is burning up like a furnace. "Hey! When you make it to the surface, do us both a favor and turn yourself in, alright, Illya?" I croak, feeling my body already beginning to give up. My head begins pounding, and the energy is draining out of me. No matter how much adrenaline I''m trying to muster, it''s not enough. I don''t know if I''m experiencing organ failure, but it sure feels like it - like my stomach is shutting down. My heartbeat is getting more and more erratic. "Illya!" "What!?" He screams, his voice distorted, brickwalling, straining against the resolution that his speakers can provide, with his real voice just peeking out from between the cracks and crevices. As he screams, his entire suit whips around, limp arms smacking uncontrollably into the pillars holding up the subway station. "Bedevil me no longer, you wicked child!" "When you get back to Ukraine¡­ don''t forget to send me a postcard!" I shout back down the tunnel, flashing him a thumbs up. "And be careful of the agents outside!" What did I just do? I had the opportunity. I could''ve stabbed him in the throat. I could''ve ripped his shoulder out with my teeth. I look at my arms, and they''re covered in blood, skin peeling off, misshapen new teeth bubbling up to the surface like my skin is boiling liquid. Why did I hug him? Why did I think that would work? Everything I''ve been working for since Liberty Belle''s death feels like it''s slipping between my fingers. No. He''s not a monster. He''s just a sad old man. But he killed people. But he saved people. It''s all so complicated. I look down the tunnel at his darkening form, as the lights go out on his suit. I don''t know if they''re losing power, or if he''s trying to hide himself in the murk. I vomit. It''s unceremonious. The little bits of food I''ve eaten today come out along with a gout of blood. My last conscious moments are filled with doubt. Did I do the right thing, Pop-Pop? Am I a superhero yet? SS.1 PERKS Assessment: Samantha Small I. Power Classification Gigant: Enhanced Bite Force Code: G3/S/P/T Rationale: Samantha demonstrates a significantly enhanced bite force, able to exert high pressure and shear through metal objects with her bite. While extremely effective, its short range limits its overall power rating. This power affects herself (S), is physical in nature (P), and operates at a touch range (T). Gigant: Anomalous Tooth Growth Code: G5/S/P/T Rationale: Initially regarded as a separate aspect of her primary power (categorized under "Shark-Like Biology"), Samantha''s ability to regrow teeth has developed additional nuances. Medical reports have indicated that she is capable of rapidly growing teeth out of any part of her body, including internal organs, and pushing them to the surface of her body to utilize as improvised weapons or for other utility purposes. Additionally, her body generates teeth on its own and attempts to ''bite'' onto sources of penetrating or slashing trauma via muscular tensing, adding a layer of passive defenses. This power affects herself (S), is physical in nature (P), and operates at a touch range (T). Brain: Blood Sense Code: B3/SON/P/B Rationale: Samantha¡¯s "Blood Sense" ability falls under the Brain category. This allows her to sense the approximate location of freshly spilled blood and visualize the vascular system of bleeding individuals. This power, while requiring airborne exposure for blood cells to be traced, operates separately from her sense of smell, and is instead a form of extrasensory perception. It is a personal (S), other (O), and non-sentient (N) ability, that is physical (P) in nature, with a block range (B). Gigant: Injury-Fueled Regeneration Code: G6/S/P/T Rationale: Samantha''s regenerative ability has become more defined over time based on information acquired by the NSRA and provided to the PPD. Samantha''s regenerative factor, while initially possessing a very modest baseline of 4x for minor injuries, increases in efficacy in proportion to the severity of injuries received, up to an observed cap of approximately 25-35x. Acquired documents also indicate a possible secondary or secondary and tertiary factors that influence regeneration speed, but the nature of these possible additional factors is currently unknown. This power is personal (S), physical in nature (P), and operates at a touch range (T). II. Power Ranking Samantha''s powers demonstrate high combat potential, especially with her unique regenerative ability and anomalous tooth growth. While individually, each power is somewhat modest compared to the typical ''bruiser'' profile, as a compilation of powers, they magnify each other''s effectiveness. While not a superpower in itself, Samantha''s abnormally high pain tolerance and willingness to self-injure allows her to utilize these powers to their fullest extent. Stolen novel; please report. III. Control Rating Control remains strong at 7/10, with proficient management of her biting and blood sense abilities, and growing understanding of her regeneration. There are no noted records indicating that Samantha receives any sort of sensory overload from her blood sense, and her newfound ability to generate teeth appears to be second nature to her. IV. Hostility Rating Hostility has been updated to 2/10 from reports from the NSRA indicating an unwillingness to cooperate with authority figures when handling perceived "injustices" or "unfair situations". While the PPD is unconcerned with these behavior patterns, the NSRA has indicated it as a risk factor to be considered when taking into account Samantha''s threat level. V. Collateral Damage Potential Collateral damage potential remains ranked at 1/10. Despite their development, Samantha¡¯s powers possess little potential for significant property damage or loss of life under normal circumstances. VI. Overall Threat Level Samantha''s overall threat level has increased significantly due to her enhanced abilities, acquisition of detective equipment and classified information, uncooperative behavior with NSRA agents, and ability to survive through even extremely lethal circumstances. She is now classified as a superhuman of national interest. The combination of her abilities'' natural synergy with each other, her self-destructive combat style, and her intense investigatory drive allows her to ''punch above her weight class'' in terms of threat level. Samantha has survived encounters with numerous adult criminals and superhumans, including those armed with firearms, and, with medical support, has absorbed lethal dosages of radiation that would have (and has) killed significantly stronger, older, and heavier superhumans. Samantha is assigned an overall threat level of 6/10. Notes: This PERKS Assessment is to be updated as further information is gathered and understood. Unauthorized dissemination of this document may result in penalty under the U.S. Code, Title 18, Section 798. Interviewing Officer: William H. Gold Date: February 22nd, 2024 Civilian Clerk: Amber Peterson Date: February 22nd, 2024 Chapter 62.1 Thomas Jefferson University Hospital Emergency Room Admission Report Date of Admission: Friday, February 9th, 2024 Time of Admission: 8:12 PM Patient Information: Chief Complaint: Unconscious female, approximately 14 years old, with multiple traumatic injuries, suspected superpowered individual with regeneration factor. Possible radiation exposure. History of Present Illness: Patient was brought in by two individuals who refused to give patient¡¯s name. Reported to be caught in a recent shootout between local gangs and the NSRA near Reading Terminal Market. Witnesses indicated a pre-existing regeneration factor and recommended testing for radiation exposure. No further history available. Initial Assessment: Immediate Interventions: Diagnostic Tests Ordered: Preliminary Diagnosis: Plan and Recommendations: Attending ER Physician: Dr. Emily Chen, MD ER Physician ID: EC-47291 Notes on Unusual Presentation:
Thomas Jefferson University Hospital Radiation Exposure Report Patient: Jane Doe Date: February 9th, 2024 Time: 8:34 PM Clinical Summary: Patient admitted with severe radiation exposure and multiple traumatic injuries. Patient is unconscious with occasional vocalizations. Radiation Exposure Assessment: Clinical Observations and Complications:
  1. Skin: Patient exhibits accelerated skin shedding and regrowth, indicative of severe radiation burns. This rapid turnover is complicating wound care and topical treatment.
  2. Bone Spur-Like Growths: Small, bone-like projections observed, possibly related to accelerated regeneration factor in response to radiation damage.
  3. Hematological Effects: CBC indicates leukopenia and thrombocytopenia, consistent with ARS.
  4. Neurological Status: Patient remains unconscious; neurological responses to stimuli are limited. EEG monitoring recommended.
  5. Gastrointestinal Symptoms: Patient has shown signs of severe nausea and vomiting prior to admission.
Initial Treatment and Management: This content has been misappropriated from Royal Road; report any instances of this story if found elsewhere.
  1. Decontamination: Completed upon admission. All clothing removed and patient washed to reduce external contamination.
  2. Supportive Care: IV fluids initiated for hydration and electrolyte balance. Antiemetics administered for nausea.
  3. Radiation-Specific Treatment:
  4. Pain Management: Analgesics administered for pain control.
  5. Hematopoietic Support: Administration of granulocyte colony-stimulating factor (G-CSF) to stimulate white blood cell production. Transfusion support prepared for anticipated anemia and thrombocytopenia.
Plan: Attending Physician: Dr. Laura Kim, MD, Radiation Oncology Radiologist: Dr. Aaron Patel, MD
When I dream, it''s usually not a pleasant place. There''s a lot of things in here that I don''t tell my counselor at school about because I don''t really want her to worry. I know there''s, like, a mandate, that they have to tell someone if I have thoughts of suicide or hurting myself or others. And I really don''t want to cause anyone trouble like that. I don''t want to hurt myself. I don''t want to hurt others. I don''t enjoy experiencing or giving pain, but a part of me recognizes that everything before now has felt not real. Like the pain I collect and inflict is the only thing anchoring me here. Like I''ve been asleep my whole life and it''s only once I began to encounter violence, real violence, the kind that makes your skin curl and scares your mom, that I began to wake up. I dream about my home a lot. My bedroom. Battlefields that Pop-Pop Moe told me about, his dad, my great grandfather, fighting in World War II. They didn''t have superheroes or supervillains back then. I mean, they did. They did have Superman and then they had Spider-Man and all the rest but they weren''t real. Not like I am. My arms hurt. Am I asleep right now? I try to make a noise with my throat and nothing comes out.
Surgical Report: Jane Doe Date of Surgery: February 9th, 2024 Time of Surgery Commencement: 10:00 PM Time of Surgery Conclusion: 6:00 AM (February 10th, 2024) Note: Times are approximate. Surgical Team: Timeline and Procedures: 10:00 PM - 11:30 PM: Exploratory Surgery and Gunshot Wound Treatment 11:30 PM - 1:00 AM: Internal Microwave Injury Treatment 1:00 AM - 2:30 AM: Management of Bone Spurs and Unusual Regenerative Response 2:30 AM - 4:00 AM: Fracture Management and External Burns 4:00 AM - 6:00 AM: Final Assessment and Wound Closure Post-Surgical Plan: Summary: The surgery was complex and extended due to the patient''s unique regenerative abilities and the severity of her injuries. The team successfully managed the gunshot wound, internal burns, bone spurs, and fractures. The patient''s rapid skin regeneration posed a significant challenge, particularly in managing wound care and immobilization of fractures. Post-operative care will require close monitoring and adaptation to her superhuman physiology. Signed: Dr. Rebecca Stein, MD Chief Surgeon
Mama? Papa? Pop-Pop? Where are you? It''s warm and itchy here. I don''t like it. Can someone turn the fan on?
Date: February 12th, 2024, 8:22 PM From: Dr. Rebecca Stein, Chief Surgeon To: [Recipient List: Medical Staff] Subject: Update on Jane Doe (Sam Small) Case Dear Team, I wanted to provide an update on our Jane Doe case. As you''re aware, Jane has been in a coma since her admission on February 9th due to severe radiation exposure and multiple injuries, including a gunshot wound and internal burns. Earlier today, two individuals identifying themselves as Benjamin and Rachel Small arrived, providing identification and proof of guardianship for ''Jane Doe'', indicating her to be their daughter, Samantha Small. The Smalls are, as you might expect, distraught but cooperative. They have been briefed on Samantha''s condition and the complexities of her care. Despite the extreme severity of her condition, we''ve observed a remarkable rate of healing, consistent with her reported superhuman regeneration abilities. However, we''re closely monitoring for any complications arising from the rapid regeneration and the high levels of radiation she was exposed to. For those unaware, Samantha was exposed to approximately 10 Grays of radiation during the Reading Terminal Market shootings through an unknown source - 8 Grays represents a sufficient dosage of radiation to result in lethal outcomes for more than 99% of full grown adults. Her continued survival is remarkable, and the Smalls have agreed to allow us to share details of her case as a study regarding the interactions between superhumans with regeneration factors and acute radiation syndrome, so long as PII is appropriately scrubbed. Please do your best to ensure that the Smalls, especially Samantha, are as comfortable here during their stay as possible. We appreciate your continued dedication to Samantha''s care during this challenging time. Best, Dr. Rebecca Stein Chapter 62.2 Date: February 16th, 2024, 8:15 AM From: Nurse James Wilkins To: Dr. Laura Kim, Radiation Oncologist Subject: Concerns about Sam Small''s Recovery Dr. Kim, I''m starting to get really worried about Sam Small. Her recovery rate is incredible, but those radiation levels were lethal. Do you think she''ll pull through this completely? I''ve never seen someone exposed to that much radiation, and her gastrointestinal symptoms seem to be worsening. Also, her parents seem so stressed. I feel for them. A chunk of her hair fell out, and the mom just started crying :(. Let me know if there''s anything extra we can do for them. Best, James
Date: February 20th, 2024, 4:15 PM From: Sarah Thompson, RN, Nursing Team Lead To: [Recipient List: Nursing Team] Subject: Ongoing Care for Sam Small Hi Everyone, As we approach the two-week mark of Sam Small''s hospitalization, I wanted to commend all of you for the exceptional care you''ve been providing. Samantha''s condition remains stable, and her wounds, including the gunshot injury, have shown significant healing. Please be reminded to regularly check and manage the rapid skin shedding, which has been a unique challenge in this case. Approximately five pounds of skin have already been shed and we fully expect her to continue shedding in the same quantities as her recovery continues. Keep up the great work! Sarah Thompson, RN
Date: February 23rd, 2024, 2:00 PM From: Human Resources To: [Recipient List: ICU Team], [Recipient List: Nursing Team] Subject: Breaking: Chernobyl Turns Himself In Attention Staff, We wish to address a recent development that has generated significant buzz within our medical community and beyond. As many of you might already be aware from the news, Illya Federov, better known by his alias ''Chernobyl'', has voluntarily turned himself in to law enforcement authorities earlier today. This event has led to speculation among our staff about a possible connection between Federov''s surrender and one of our current patients, Samantha Small. While we understand that this is a matter of great interest, we must emphasize the importance of maintaining professional decorum and adherence to our confidentiality protocols. It has come to our attention that media outlets are already seeking information about Ms. Small''s case, likely fueled by the aforementioned speculations. We urge all staff to exercise the utmost discretion and refrain from engaging in any discussions with the press. All media inquiries should be immediately directed to our Public Relations department. It is imperative that we continue to uphold our commitment to patient privacy and confidentiality. In addition, we have noted that journalists have begun inquiring around the hospital premises. Please be vigilant and ensure that Ms. Small''s family members, specifically Benjamin, Rachel, and Morris Small, are not disturbed or approached by members of the press. Their privacy and comfort during this challenging time remain a top priority. We appreciate your cooperation and dedication to upholding the highest standards of patient care and confidentiality. If you have any concerns or are approached by any external parties seeking information regarding Ms. Small''s case, we urge you to contact our department immediately for guidance. We thank you for your continued professionalism and dedication to the principles of patient care and privacy. Best regards, Human Resources Department Thomas Jefferson University Hospital
Date: February 23rd, 2024, 4:45 PM From: Dr. Emily Larson, Anesthesiology To: Sarah Thompson, RN Subject: RE: Sam Small - Truly Remarkable What the fuck? She''s fourteen. There''s no way. There''s just no way. I can''t even fathom if that was my daughter. Those poor parents...
Date: February 23rd, 2024, 6:15 PM From: Sarah Thompson, RN, Nursing Team Lead To: [Recipient List: ICU Team], [Recipient List: Nursing Team], [Recipient List: Small Case] Subject: Sam Small Has Awoken Team, I''m pleased to inform you that Sam Small has woken up from her coma earlier this evening. She requested water and to turn the thermostat down - cooling blankets and ice packs were provided. This is a significant milestone in her recovery, and a testament to the care and effort each of you has put in over these past two weeks. Let''s continue to support Sam through her recovery process. Thank you for your incredible work. Sarah Thompson, RN
I''m opening my eyes, or at least I think I am. It''s hard to tell. Everything''s blurry, like I''m underwater, but without the water. There''s shapes, fuzzy and indistinct, hovering over me. They''re talking, but it''s like they''re far away, their voices muffled and indistinct. I can''t make out the words. It''s just noise. My mouth feels dry, like it''s stuffed with cotton balls. I try to speak, to ask where I am, but it comes out as a croak, barely audible. I can''t remember... I can''t remember how to form words. It''s like they''re there, on the tip of my tongue, but I can''t quite grasp them. There''s a hand on mine, warm and comforting. I focus on that, try to cling to the sensation. It''s real, tangible, unlike the swirling confusion in my head. I try to turn my head, to see who it is, but my neck feels like it''s made of lead. It won''t move. This tale has been unlawfully lifted from Royal Road. If you spot it on Amazon, please report it. Someone''s saying my name. "Sam. Sam." I know that name. That''s me. I''m Sam. But who''s calling me? Why can''t I see them? The shapes start to come into focus, slowly. Three people. Mom, Dad, and Pop-Pop. Their faces are a mix of worry and relief. I want to reassure them, tell them I''m okay, but the words still won''t come. There''s a beep, steady and rhythmic. A machine of some sort. I''m in a hospital. Why am I here? What happened? There are flashes in my mind, disjointed, like puzzle pieces that don''t fit together. A bright light, a searing pain, a feeling of being torn apart and stitched back together. It''s all a jumble. I try to lift my hand, but it''s so heavy. It barely moves. The effort leaves me exhausted, and I can feel myself slipping away again, back into the darkness. But I fight it, cling to consciousness. I need to understand. "Water," I finally manage to croak out. My throat is a desert. Someone moves, and then a straw is at my lips. I sip, the cool liquid a balm to my parched throat. It helps, a little. I want to ask questions, so many questions, but they''re tangled in my brain. I can''t untie the knots. It''s frustrating, terrifying. I''m trapped in my own mind, unable to communicate. Mom''s crying. I can hear her, even if I can''t see her clearly. I want to comfort her, but how? I can''t even comfort myself. Dad''s saying something, but the words are lost on me. They''re just sounds, no meaning. And Pop-Pop Moe, he''s just standing there, a silent sentinel. I don''t think I''ve ever seen him look this worried in my life. It''s weird. What is he worried about? There''s a nurse in the room, I think. More shapes, moving around, doing things I can''t comprehend. I''m just lying here, helpless, a spectator in my own body. And then, something strange happens. A thought floats up from the depths of my mind, clear and bright. Chernobyl. The name echoes in my skull. Why does that name stand out? Who is Chernobyl? That''s not a person. That''s a city. There''s a connection, I know it, but it''s just out of reach. My body feels wrong, like it''s not really mine. It''s too heavy, too numb. I can''t feel my legs. Is that normal? I don''t know. "Too hot," I manage to squeak, hiss, like a balloon running out of air. "Fan," I ask. I need a fan. I''m overheating. This blanket is too warm. I writhe around. I''m a caterpillar. In my cocoon. And my insides are soup. When caterpillars go to sleep they turn into jeans. Um. Jeans. Genes. Genetic soup. They turn into genetic soup. And then they turn into a butterfly. Or they die. Am I dying? My throat hurts. There''s too many teeth in me. I know that. I want this blanket off of me. It''s too warm and I''m melting. They fix the blanket and that''s better. I shut my eyes again. It''s easier this way. I go away.
I''m half here, half somewhere else. Voices. They''re arguing. Words float through, some snagging in my brain. Dad''s voice, sharp, tinged with something like anger. "She''s just a kid, Moe! She shouldn''t be dealing with... with people like that!" Moe, calmer, but firm. "Ben, she did something important. You have to see that. She''s not just any kid." That''s right. I''m not a kid. I''m a caterpillar. With a kid''s head. Mom''s voice, softer, worried. "But at what cost, Moe? She''s here, in this hospital bed. What if... what if she doesn''t come back to us the same?" Jordan''s there too, quiet. They speak up, hesitant. "Mr. and Mrs. Small, Sam saved my life. And not just mine. She''s more a hero than anyone else I''ve met. Even the adults." Dad''s not having it. "I don''t want her to be a hero, Jordan! I want her to be safe. To have a normal life," he says, and I try to say something. I try to even croak, to let it be known that I''m here, but nothing comes out. "You know? Marry some boy or some girl she likes. Graduate college. Get a job that pays enough. Get old. Retire. Have a kid if she wants. You know? I''ve... I''m... I''ve already done this song and dance, man." Thump, thump. Hand on cloth. Moe''s trying to reason. "Ben, Rachel, she''s already more than that. She''s shown it. I don''t think you can stop her even if you wanted to. Remember when I tried to get you to stop sneaking out? What happened then, my darling?" Dad''s sighing. "I just got sneakier," "You just got sneakier, that''s right, boychik," he replies. A boychik. Boy... Chick... Those words don''t go together in that order. But they do in another language. Which language is that? Yiddish? It must be. Mom cuts in, her voice trembling. "She might be manic, Moe. Making these decisions while... while not in her right mind. We can''t just ignore that." "Sam has bipolar?" Jordan asks. I do? I don''t think I do. Nobody told me. Mom sighing. "No, but I do, Jordan. When I was Sam''s age I... also used to do a lot of risky things. I just didn''t have superpowers," she''s laughing but it doesn''t sound like a real laugh. "And maybe not as strong of a moral compass. Ben and I were always concerned she might''ve, you know... Might''ve inherited it. Can you do that?" "What do I look like, a psychiatrist?" Pop-Pop Moe jokes. Is he trying to lighten the mood? He''s not a psychiatrist. He''s an engineer. Or an architect? He made dams. Dammed. Dammed. I want to say something. To tell them I''m okay. But the words are just out of reach, dancing away every time I try to grab them. Dad sounds frustrated, tired. "She got these ideas in her head, and now look where we are. I just... I want my daughter back. I want to worry about her grades, not her fighting a Ukranian terrorist who''s also a walking nuclear meltdown," he says, his voice dropping down quietly. I fought a terrorist? When did that happen? "I should worry about... activated charcoal and pregnancy scares, not her... You know. Not this. Not this." Jordan''s voice, a whisper almost. "She is your daughter. And she''s incredible." I''m incredible? A hand is on my wrist. Too warm. Too warm. I''m pulling away. The conversation keeps going, but it''s fading, like I''m sinking back into the bed, the words just echoes in my head. I''m drifting again, the voices becoming distant, muffled. They''re worried, they''re arguing, but I''m just... tired. So tired. When I go away, I''m seeing things again. There''s a place I go in my dreams and it''s quieter than this. So I want to go there instead. It''s covered in flowers. Big red flowers that spread out, and when I brush them they spray their pollen and it''s pink and grey. Kaboom. Like a bee. When I go to sleep, Diane''s there. She''s never saying anything I can recognize. She speaks in the voice of everyone else. It''s all garbled like a half-tuned radio station. I ask her every time if I did the right thing. She never answers. She picks a flower. And then I wake up to someone changing the bandages on my skin. Or someone replacing my blanket. I open my eyes again, as much as I can. It''s dark now. Someone else is here. It''s not Jordan. J name. Jamila? Jamila. She''s holding my hand to her face. Crying. Crying. Apologizing. For what? Where did my parents go? Right there. They''re the other direction. They are. I hear something. "Sam tells us a lot about you," they say. I do? I do. I do talk about Jamila a lot. How I don''t feel like I''m good enough for her. I''m a weird lesbian. With gross pointy teeth. And she''s so elegant and... Goth. What did her dad call me that one time? She''s so pretty. I bring my hand up and touch her face. She gasps. I blink, and she''s gone. The gang. The gang! The group! Not the gang the bad way. Kate. Not looking at me. Talking at my parents. Not with them. At them. Kate''s dad. Marcus is here. Jenna is here. Tasha is here. Lilly is here. Hey, isn''t it funny that I know two Lilies? That''s weird. But one of them is Hispanic and the other one is Chinese. That''s two different ethnicities. Very hard to mix the two of them up. People drift by. I''m never asleep anymore, not really. I don''t sleep, I just return to the flower-place, where Diane is silent and talks to me in everyone else''s voice. When I leave the flower-place, time has passed. And then after a couple of minutes, I return there. Puppeteer was here. For a second. Bulwark was here. There''s people I recognize. People I don''t. Lily was here. For a second. I miss sleeping in her bed. I wish she was more my type. Spinelli! I jostle in my bed when I see him. He looks at a loss for words. He tries smiling. That''s okay. I''m not good at speaking right now too. More people I don''t recognize. Some of them are in suits. Some of them aren''t. Do I not recognize them because I don''t know them or because I have brain damage? I roll over in my new blanket. They keep taking my bandages off. I heard someone say ten pounds of skin but I think they''re talking about some other patient. I don''t think a person has that much skin. Isn''t it mostly fat and muscle? They keep putting my bandages back on and then they start itching. Not a fan. Where did my hair go?
"Morning, sunshine. How are you feeling?" Pop-Pop Moe asks, holding my hand. My entire hand hurts, and my fingernails aren''t even done growing back yet, so it looks especially fucked up. I feel like I lost almost all of my muscle. Weak. Fragile. Like a twig. I don''t even know what day it is. My eyes creak open, crusted over by time and tearstuff. My mouth is so dry. When I speak, I sound like a frog. "Depends," I squeak. "Did I get to ''im?" Pop-Pop looks at me contemplatively, and then adjusts his glasses with his free hand. "What, that guy? Yeah. Yeah. I think you got to him." I don''t even know if he knows what I''m talking about or if he''s just agreeing with me. But it feels good. So I say that. "Then I feel like... A million bucks," I wheeze. I swallow hard and thick. Feels like sludge. Feels not good. Feels like negative a million bucks. But that''s okay. I got ''im. Pop-Pop Moe squeezes my hand, and for the first time in what feels like months, I go to sleep.

End of Arc 4: Exorcism

IF.1

Illya Federov, AKA ''Chernobyl,'' Turns Himself In: A Sudden End to a Reign of Terror

February 23, 2024 Jack White, Staff Writer
Philadelphia - On a foggy morning, devoid of the dramatic showdowns often seen in superhero conflicts, Illya Federov approached the steps of the Philadelphia Federal Building. Accompanied by no fanfare or dramatic confrontation, his surrender was a quiet, almost anti-climactic event, with the notorious supervillain and terrorist permitted to remain within his suit as its weapon mechanisms were disabled by the bomb squad. Witnesses described the scene as "surreal" and "nightmarish", with Federov''s massive suit casting an ominous shadow in the early morning light. Federov''s surrender was silent but significant. He raised his hands in a gesture of surrender, a move that was met with immediate response from the NSRA team. Federov, who has been at the center of a lengthy and dangerous standoff with law enforcement and superhero groups, has been a notorious figure in the East Coast''s battle against superpowered crime. His surrender marks a significant victory for the National Superhuman Response Agency (NSRA). An NSRA representative suggested that persistent pressure from their agency led to Federov''s decision. However, Federov himself has been reticent, providing minimal comments to the media. In a brief statement, he expressed a desire to be incarcerated at the Aurora Springs Residential Facility, a specialized institution for individuals with superpowers who pose a national security threat, and to see his wife and daughter. Support the creativity of authors by visiting the original site for this novel and more. The NSRA has not disclosed the details of the negotiations surrounding Federov''s surrender, maintaining that it was the result of their continuous efforts and strategic planning. However, sources close to the situation suggest that the decision was made abruptly and independently by Federov, catching both the NSRA and the superhero community off guard. The public reaction to Federov''s surrender is mixed. While many are relieved at the end of his reign of terror, others are critical of the lack of acknowledgment or reparations for his numerous victims. The debate continues about the appropriate punishment and handling of superpowered individuals who commit crimes, especially those with a record as deadly as Chernobyl''s. The public reaction to Federov''s surrender, a blend of relief and unresolved tension, is palpable on the streets of Philadelphia. Mark Thompson, a 42-year-old local business owner, expresses a common sentiment of relief, saying, "I''m just glad he''s off the streets. The damage he caused, it''s unforgivable. But at least now we can start to rebuild without fear." This mix of emotions is echoed by Derek Hall, a 35-year-old construction worker, who voices concerns about the future: "Sure, he''s behind bars now, but what about next time? We need a better system to deal with these superpowered criminals. It''s only a matter of time before another one comes along." As the legal process unfolds, questions remain about the future of superhero involvement in law enforcement and the protection of citizens. But for now, Philadelphia can breathe a sigh of relief, as one of its most feared villains is safely contained behind bars.
The Philadelphia Inquirer strives to provide the most comprehensive coverage of local news. Stay tuned for more updates on this developing story. Chapter 63.1

Begin Intermission 4.5: Amnion

I''m waking up in a hospital room that''s too bright, the kind of bright that makes your head throb just a little harder. I blink a few times, trying to get my bearings. It''s a typical hospital room, I guess, but I''ve never been in one like this, not for myself. The walls are a soft, pale blue, probably meant to be soothing. There''s a TV mounted on the wall, turned off. A couple of chairs, a small table with a vase of flowers. I can''t smell them, but they look nice. My bed is propped up, and I''m sitting sort of half-upright, a bunch of wires and tubes connected to me. I feel¡­ groggy, like my brain is trying to swim through molasses. Feels bad! Don''t like it. Dr. Lin walks in, her footsteps quiet against the linoleum floor. She''s got this kind smile, the kind that''s meant to be reassuring. I''ve seen a lot of smiles since waking up, but hers feels genuine, like she actually cares. "Good morning, Samantha. How are you feeling today?" she asks, pulling up a chair next to my bed. I want to say something witty, something cool, but all that comes out is, "Like I''ve been hit by a truck. A big one." My voice sounds rough, like I haven''t used it in forever. Which, I guess, I haven''t. Well, two weeks isn''t forever, but it''s a long time for someone like me to not say anything. Dr. Lin chuckles softly. "That''s not entirely unexpected, given what you''ve been through. Do you feel up to talking about your recovery plan?" I nod, trying to focus. Talking means thinking, and thinking still feels a bit like wading through wet dirt. "Yeah, sure. Hit me with it." She pulls out a tablet and starts scrolling through what I assume is my medical file. "Well, Samantha, due to your unique physiology, your recovery is progressing faster than a typical patient''s would. However, you''ve sustained significant injuries, and we need to be cautious." I nod. Yeah, the regeneration. That''s known. "I take it a normal person would be dead by now?" "Extremely," Dr. Lin says with a small, worried smile. "Your regenerative abilities are remarkable. But even with accelerated healing, your body has been through a traumatic event. It''s going to take time and effort to fully recover, and now that the worst of it is over, your regeneration has slowed down." Time and effort. I''m not sure I like the sound of that. I mean, I get it, but it''s frustrating. I''ve always been the one jumping into things, not lying in a bed watching the world go by. "Slowed down? Does regeneration and radiation not mix? Er, do they? Grammar¡­" Dr. Lin laughs, which makes me feel like I''m getting a good grade in social interaction. "Not quite. It''s more like your regeneration is special. You have what medical science refers to as a ''regeneration factor'' as you know, and everyone that regenerates does so a little differently. After two weeks of tending to you, we''ve come to the conclusion that your regeneration is more effective the more damaged your body is," she explains, while I just nod along. That makes sense, given what I know about¡­ myself. "So I should go put myself in danger again, or¡­?" "No, definitely don''t do that," she replies with a small chuckle. "I won''t bother you with terms like ''LD99'', but, suffice to say, even if you didn''t have to heal from a gunshot wound or broken bones, you''ve also absorbed a dosage of radiation that would''ve been about a hundred percent lethal to a fully grown adult. Not to mention, you have severe internal scarring from absorbing microwave radiation - you''ve gotten cooked from the inside out. You''ve still got several months of recovery ahead of you before you''re back to the normal physical state of a girl your age, much less the, uh, fighting force I''m told you used to be." Several months of recovery¡­ It grates at me like a cheese grater. I fold my arms over my chest, and I don''t like the way it all feels. My muscles are all¡­ gone, like all the work I did to get them was for nothing. Just vanished. My fingers are thin enough that you can see the bones real easy, and even my¡­ chest is smaller. I look like a twig. I feel like a twig. "What about¡­ what about my hair?" I suddenly blurt out, reaching up to touch my head. It''s weird, feeling the smoothness where my hair used to be. "It''s all gone." Dr. Lin''s expression softens. "Acute radiation syndrome can often result in hair loss. It''s temporary. Your hair will grow back, Samantha." I let out a breath I didn''t realize I was holding. "Okay, good. Because, no offense, but I look terrible bald." She laughs, and it''s a nice sound, kind of infectious. I find myself smiling a little, despite everything. "We''ll need to start with some physical therapy soon," Dr. Lin continues. "Your muscles have atrophied a bit from disuse. You can only rely on your regeneration to take you so far, and I don''t think it counts atrophy as an injury to be fixed. We''re going to have to work our way back up from square one, maybe square zero or negative one. With good old fashioned grit and medicine." "Wait, hold on - did you say I got microwaved?" I blurt out, the words slipping from me before I can think them through. It sounds so absurd, so sci-fi. Is that what the sharp pain was? I just assumed that''s what radiation felt like. Did Chernobyl microwave me too in addition to giving me radiation poisoning? Dr. Lin nods, her expression serious. "In a manner of speaking, yes. The microwaves caused internal burns, which are particularly tricky. We''ve managed the immediate dangers, but there''s still a lot of healing to be done inside, and there''s no guarantee that your muscle tissue will heal all the way. For someone like you, of course, you''re better positioned to recover than most, but¡­ still¡­" I frown, trying to wrap my head around it. "So, like, my insides got cooked? That''s¡­ gross." Stolen content warning: this content belongs on Royal Road. Report any occurrences. "Yes, it''s a bit unsettling to think about," Dr. Lin agrees. "But the good news is, your body''s handled it remarkably well. You''re a very resilient young lady, Samantha." I guess that''s something to be proud of, even if it''s in a weird, freaky sort of way. "Okay, so what''s the plan? When do I get out of here? When can I go back to¡­ normal stuff?" Dr. Lin pulls up a chart on her tablet, showing a timeline. "Your recovery is going to be in phases. First, we''re focusing on your internal healing ¨C making sure everything inside is working as it should. That''s already underway and going well, thanks to your regeneration. Then, we''ll move on to rebuilding your muscle strength with physical and occupational therapy." I squint at the chart, trying to make sense of it. It''s got a bunch of lines and dates, and it looks like it goes on forever. "So, like, how long are we talking here? Weeks? Months?" "Realistically, a few months at least," she says gently. "Your body''s been through a lot, and we want to make sure you''re fully healed, not just patched up. That does, unfortunately, mean zero fighting and zero strenuous exercise. No sparring, no aikido, no criminal fighting, and no soccer." Months. The word sits heavy in my stomach, and I feel like I''ve been punched in the chest again. My school doesn''t even have soccer available this week, but just knowing that I can''t - even if I could''ve, I can''t now - it just makes it feel that much more uncomfortable. Like a heavy metal weight is settling somewhere in the bottom of my lungs. "I get it," I say, even though a part of me really doesn''t want to. "No shortcuts, right?" "Exactly," Dr. Lin says with an approving nod. "We''ll start with some light exercises, see how you handle them. Then, we''ll gradually increase the intensity. It''s going to be a lot of work, but I know you''re up for it." I nod, more to myself than to her. I am up for it. I have to be. "What about school? And¡­ you know, other stuff?" "Your parents have already made arrangements with your school to have work delievered to you electronically, to the best of your teachers'' ability. I know you don''t want to hear this, but it''s very likely you''ll have to take remedial courses during the summer to stay on top of things - although, of course, I''m not an educator, so I can only guess based on similar cases." I can''t help but feel a little bit like I''m being benched, sidelined in my own life. But I know she''s right. I can''t do much of anything if I''m not at my best. "Okay, Dr. Lin," I say, sighing, defeated. It''s a lot to take in, and the thought of being so¡­ inactive for so long is daunting. But then, Dr. Lin shifts in her seat, and I can tell there''s more she wants to say. "There''s another aspect of your recovery we need to discuss, Samantha," Dr. Lin begins, her tone shifting slightly. "Your physical injuries are only one part of the equation. We also need to consider your mental and emotional well-being after such a traumatic event." I feel a knot form in my stomach. Therapy? I''m not crazy, and I don''t want people thinking I am. I have a ''therapist'', but it''s more of a school person, and I try to keep the amount I talk with them about my real thoughts to a minimum. I think they''d need to report me to someone if they knew about all the violence in here, in my skull. They mostly just teach me, like, stress coping skills. But a real therapist? I''m not so interested. "I guess¡­ talking to someone could help," I admit, though the idea still makes me a little uncomfortable. "If you think I need it?" Dr. Lin smiles, nodding in understanding. "Absolutely. And that''s why we''ve arranged for you to meet with Dr. Rajiv Desai. He specializes in counseling young individuals like yourself, particularly those who''ve experienced trauma in relation to their¡­ extraordinary abilities." I nod slowly, processing this. "A superhero therapist? Do you see a lot of people with powers like mine needing therapy?" I ask, trying to hide my skepticism. It doesn''t work. Dr. Lin leans in a little closer. "Of course. I don''t think I''ve ever seen a superpowered individual not in need of great therapy and psychiatric care. The circumstances behind acquiring powers typically impart a great deal of trauma, and usually happen at a young age. And now you''ve experienced another great deal of trauma, and had your life upended. Certainly, it was for a good cause, but that doesn''t negate the damage, Samantha." I stare at her, silently. Then, I lower my gaze to her feet, unable to tolerate the eye contact. "Sure. I''ll try it." "That''s great to hear," Dr. Lin responds warmly. "Remember, Samantha, we''re all here to support you. Your recovery, both physical and mental, is our top priority. Before I go, there''s just the matter of medication to discuss. We''ll try to keep it simple." "Oh boy, pills," I say, mirroring my dad''s tone of voice. It''s a sentence I''ve heard out of him a lot. My mom is a very¡­ pill-positive person. My dad is not. So I''ve overheard a lot of intense conversations about it. Dr. Lin smiles, understanding the sentiment. "Yes, there''s a bit of a regimen we need to follow to ensure your recovery goes smoothly. Let''s go through it." She starts listing off the medications and I feel like I''m back in biology class, except this time the test is about keeping me alive and not flunking the semester. "First off, for pain management, you''re clear to take whatever NSAID suits your fancy - Ibuprofen, Acetaminophen, et cetera. That''s every four to six hours, as needed - don''t take them too much, or you might damage your liver. Only as needed. And Morphine, well, that''s more serious, so we''ll monitor that closely," Dr. Lin explains, her voice steady and informative. I nod along, though I''m not thrilled about the Morphine part. "Don''t worry, I have high pain tolerance. No popping painkillers like candy." "Exactly," she says with a laugh. "Then there are the antiemetics for nausea - Ondansetron and Metoclopramide. You''ll take these before meals and at bedtime. Helps keep the stomach settled." "Great, because puking is not on my list of fun activities," I quip, though the thought of being nauseous makes my stomach churn a bit. "Understandable," Dr. Lin replies with a sympathetic nod. "Now, we''re also putting you on Ciprofloxacin and Fluconazole. These are antibiotics to keep infections at bay." I raise an eyebrow. "Sounds intense. But as long as I don''t start glowing in the dark or something." She chuckles. "No glowing, I promise. There''s also Filgrastim for your bone marrow, Omeprazole for your stomach, and a range of supplements like multivitamins, B12, Folic Acid." I sigh, feeling a bit overwhelmed. "This is starting to sound like a grocery list." "It''s important, though," Dr. Lin reassures me. "Each of these plays a role in your recovery. And don''t forget the skin care products. Your skin needs extra care right now." "Right, can''t forget about my modeling career," I joke, but I''m actually kind of worried about the scars and how I''ll look. Ever since I''ve woken up, my skin has been weird and pinkish, like a baby mouse. Almost translucent. "And finally, there''s the psychological support. We have antidepressants if needed and Zolpidem to help with sleep." I nod, trying to keep up. "Got it. Happy pills and sleepy pills." Dr. Lin gives me a gentle, knowing look. "It''s a lot, I know. But we''re here to help you through it, every step of the way. Remember, hydration and a balanced diet are key. And we''ll be monitoring you for any side effects or interactions." "Thanks, Dr. Lin," I say, feeling a mixture of gratitude and trepidation. "I guess it''s time to buckle up for the recovery ride." She stands up, ready to leave. "You''re going to do great, Samantha. Just remember, we''re all rooting for you." "Thanks, me too," I crack. She smiles again, and I don''t know what to make of it. I think there''s pity in the smile. As she leaves, the room suddenly feels a lot bigger, a lot emptier. I''m alone with my thoughts again, which is both comforting and terrifying. Part of me feels hopeful, knowing I have a clear path to recovery and people who want to help. But another part is apprehensive, unsure about the future, about what all this means for me, for Bloodhound. For my family, my friends. For my life. It''s all so much. All the time. Forever. Chapter 63.2 I''m staring at the ceiling, lost in thought, when the door to my room creaks open. It''s Pop-Pop Moe first, his familiar face breaking into a smile as he sees me awake. Behind him, Mom and Dad step in, their expressions a mix of relief and worry. The air feels heavy, like there''s a storm brewing, but no one''s quite ready to start it. "Sammy, my dear, you''re looking¡­ well, as good as one can in these circumstances," Pop-Pop Moe says, his voice warm. I can''t help but smile at him, despite everything. "Hey, Pop-Pop." Mom comes over first, her steps hesitant. She reaches out, gently brushing my hair ¨C well, where my hair used to be. Her touch is light, afraid, as if I might break. "Oh, Sam¡­ we were so worried." "I''m okay, Mom. Really," I say, though ''okay'' is a stretch. Dad hangs back, his hands stuffed in his pockets. He''s never been good with hospitals, or emotions, or¡­ well, a lot of things. "We''re glad you''re awake," he says, and I can hear the unspoken ''but'' in his tone. Pop-Pop Moe pulls up a chair, his old bones creaking almost as much as the chair. "Your parents and I, we''ve had a little talk while you were¡­ out." I brace myself, expecting the usual lecture about being a superhero, about the dangers, about how I should be a normal kid. But it doesn''t come. "Your father and I¡­ we''ve come to understand that we can''t stop you from doing what you think is right," Mom says, her voice soft. "We just want you to be safe." Dad clears his throat, looking anywhere but at me. "Your Pop-Pop made some good points. I don''t like it, Sam, not one bit. But I''m not going to be the clich¨¦ dad who stands in the way of his kid saving the world. Don''t expect me to be on your team and enabling it, but I''m not going to stop you either. You did a good thing. And it''s important we recognize that." It''s not what I expected, and for a moment, I''m speechless. They''re giving in? Just like that? Pop-Pop Moe nods sagely. "A mensch is one who understands their duty to others, and you, my child, have shown you are a true mensch. But," he adds, raising a finger, "that doesn''t mean recklessness is wisdom." "I know, Pop-Pop," I reply, feeling a lump in my throat. "I''ll be careful. I promise," I lie. Mom sits down on the edge of my bed, her hand finding mine. "We just want you to get better, Sam. That''s all that matters right now." "Yeah, about that," Dad interjects, finally looking at me. "The house repairs should be done before your birthday. It¡­ it was a mess, Sam. I''m just sorry you got mixed up with people who thought trashing our home was a good way to get to you." I feel a pang of guilt, sharp and sudden. "I''m sorry, Dad. I never wanted any of this to happen." "We know, honey," Mom says, squeezing my hand. "We know." There''s an uncomfortable silence. It stretches out like a tightrope, each of us balancing our words carefully. I can almost hear the creak of the rope, the tension in the air. Mom''s the one who finally breaks it, standing up with a determined look. "I''ll be right back," she says, leaving the room briskly. Dad shifts awkwardly, rubbing the back of his neck. "So, uh, school''s still important, Sam. Don''t think you''re getting a free pass just because of¡­ all this." I roll my eyes, but there''s no heat in it. "Don''t worry, Dad, I wasn''t planning on dropping out and becoming a full-time superhero." He cracks a small smile at that, the first real smile I''ve seen from him since I woke up. It''s a relief, like a bit of the old Dad peeking through the clouds. Mom returns, lugging in a backpack that''s bursting at the seams. "Lily dropped this off for you," she says, setting it down with a thud. "She''s been collecting your schoolwork." I blink, surprised. "Lily did that? Wow." Pop-Pop Moe chuckles. "That girl cares about you a lot, Sammy. You''ve got yourself a good friend there." I nod, feeling a wave of gratitude for Lily. I''ll have to thank her properly when I see her next. Mom starts pulling out papers and books from the backpack, and it''s like she''s unpacking a magician''s endless scarf. "Your teachers have been sending assignments. They''re all here. We can help you get caught up." The pile of work looks daunting, like a mountain I have to climb with no gear. "Thanks, Mom. I''ll¡­ I''ll try to get through it." This novel''s true home is a different platform. Support the author by finding it there. Dad looks at the stack, then at me. "We know it''s a lot, Sam. But we''re here to help. Right, Moe?" Pop-Pop Moe nods sagely. "Education is the foundation of a meaningful life, Samantha. Even superheroes need a good head on their shoulders." I can''t help but smile at that. "I''ll do my best, guys." Mom sits back down, her hand finding mine again. "We''re just so relieved you''re okay, Sam. That''s all that matters." "I know, Mom. And I''m sorry for¡­ for everything." She shakes her head. "No apologies, Sam. You''re alive, and that''s more than enough for us." Dad''s gaze is heavy on me, like he''s trying to read my thoughts. "Just¡­ be careful, okay? We can''t go through this again." "I know, Dad," I say, my voice barely above a whisper. The conversation shifts, ebbing and flowing like the tide. We talk about mundane things - the weather, the neighbors, how it''s been living in Ventnor. Mom still has her old job waiting for her, but she''s been also working at one of the libraries in Ventnor just to pass the time, while Dad''s been able to do most of his work remotely. "A T-Rex destroyed our house" is generally a good excuse for getting your bosses to play nice with you. After lunch, my parents decide to give me some space. They think I don''t notice the worried glances they exchange, but I do. The door closes behind them, leaving me alone with the bland taste of hospital food and a nurse who''s trying too hard to be cheerful. Once the nurse leaves, the room falls into silence, except it''s not really silent. The walls in this place must be paper-thin because I can hear voices outside, just barely. It''s Dad and Pop-Pop Moe, their voices tinged with tension. "You''re encouraging her, Dad. You''re pushing her to be this¡­ this superhero," Dad''s voice is strained, frustrated. "It''s like you''re living vicariously through her, getting a thrill from her risking her life." There''s a pause before Pop-Pop Moe responds, his voice calmer but carrying a weight to it. "I won''t deny that I find what Samantha does exhilarating. But, no, it''s not about me. It''s about her. She has a gift, a responsibility to the world." "A responsibility? She''s a child, Dad! She should be worrying about grades and dates, not fighting criminals and getting hospitalized!" Dad¡¯s voice rises slightly, a note of desperation creeping in. I find myself folding up. "I mean¡­ How many times are we going to have this conversation before she turns 18, for¡­ For fuck''s sake?" "Mensch doesn''t pick the time, the time picks the mensch, and she was chosen for this. She''s more than capable," Pop-Pop counters. "Capable? Look where her capabilities got her, Dad! Lying in a hospital bed, fighting for her life!" Dad¡¯s voice cracks a bit, and I can almost picture his face, the mix of anger and fear. "Yes, she''s in a hospital bed, but think of how many people she''s saved. Think of the good she''s done, the lives she''s changed. Isn''t that worth something?" There''s a fervor in Pop-Pop¡¯s voice now, a belief so strong it''s almost tangible. "It''s not worth her life, Dad. Nothing is worth that. She owes the world nothing if it means sacrificing herself," Dad argues, his voice firm. Pop-Pop Moe lets out a heavy sigh. "She''s doing what she believes is right, what she feels she must. That man turned himself in because she could touch his heart in a way that clearly nobody else could. That enough should show that she''s no ordinary child. She has to be true to what''s in her heart. She has to be true to herself." "And what if being true to herself gets her killed, huh? What then, Dad?" Dad¡¯s voice is a mix of anger and fear, a father¡¯s worry laid bare. I pull the blanket up to my chest and try to ignore the creeping feeling of disgust - from where it''s coming, and to who it''s directed, I''m not sure. There¡¯s a moment of silence, heavy and thick. "Then we know she lived and died for something she believed in, something greater than most dare to dream. Isn''t that a life well-lived?" Pop-Pop Moe¡¯s question hangs in the air, heavy with implications. Dad doesn¡¯t answer right away. When he does, his voice is quieter, resigned. "You''re just as reckless as she is. Is it too much to ask for sane family members? For my daughter to¡­ you know, have a week of safety and security? I don''t even care about the house, Dad. I don''t mind living with you. I''ll uproot my life if that''s what we need to avoid these supervillains, but what''s it doing to her?" "No, it''s not too much to ask," Pop-Pop Moe agrees softly. "But it might be too much to ask of her. She''s not just your daughter anymore. She has a life outside of school and sports. It would''ve happened eventually." He doesn''t say anything about the comment about his recklessness. Instead, he just continues. "Benjamin, you know I would do anything for any one of my grandchildren. I don''t even mind that she chewed up the boat. It''s worthwhile to see my progeny doing something good and important with their lives." I can almost hear the pain in what comes next. "Am¡­ Do I disappoint you, Dad? All I do is zone housing. Is that good and important to you?" Hearing my Dad sound so close to crying makes my gut feel queasy. I eye the nausea medication sitting on my nightstand. There''s a pause, a deep, aching silence that fills the space between Pop-Pop Moe''s wisdom and Dad''s vulnerability. It''s a rare moment, hearing Dad question his worth in the grand tapestry of our lives. I can almost relate. Pop-Pop''s voice softens, tinged with an emotion I can''t quite place. "Benjamin, every person''s contribution to this world is important in its own way. Zoning housing, ensuring people have a place to call home, it''s as noble a cause as any. You''ve provided stability, a foundation for many lives. That''s more than good and important. It''s essential. It''s not flashy, but neither is a good stew. Even superheroes need a place to live." Dad''s response is barely audible through the door. "I just¡­ I want to protect her, keep her safe. Is that not my most important job as her father? To protect her from the world until she''s ready to take it on herself?" "And you have, in so many ways," Pop-Pop reassures. "But Samantha has grown, she''s not just our little girl anymore. She''s making choices, difficult ones, for reasons she believes in. We might not always understand or agree, but we have to respect her journey. She''s ready." There''s a minute of deeply painful silence. "I love you, Benjamin. Don''t ever forget that," Pop-Pop says quietly. "I love you too, Dad," he responds. The conversation shifts then, turning from the philosophical to the practical. They talk about the logistics of living with Pop-Pop, the arrangements for the house repairs, and the everyday minutiae of life that goes on, even when your world feels like it''s stopped spinning. The conversation dwindles into a quiet, uneasy truce. I¡¯m left alone with their words echoing in my head. They¡¯re debating my life, my choices, like I¡¯m not even here. Like I¡¯m just a character in their story, not the one living it. I lie there, listening to their voices fade away as they move down the hall. The nausea medication on my nightstand looks more appealing now, but I push the thought away. I don''t need it, not yet. I can handle a little queasiness. WORLD OF CHUM: Professional Asset Dossier - Blake "Mr. Tyrannosaur" Matthews Personal Information: Educational Background: Professional and Occupational Background: Notable Skills: Professional References: Online Presence: Criminal Record: Health: Unlawfully taken from Royal Road, this story should be reported if seen on Amazon. Superhuman Abilities: Recommendation: This dossier is a comprehensive report, including data gathered from direct observations, interviews, and public records, tailored to evaluate Mr. Evan William''s potential for recruitment. For copies of acquired documentation, transcribed interviews, and observational notes, please contact Mrs. Ashley Thompson at Thompson & Sons, P.C., account ID 499-4019, document IDs 1836 through 1972. This document and associated documents have been watermarked and embedded with an explosive tracker, courtesy of Mr. B. Movement of this document into unauthorized locations or structures, or movement via unauthorized individuals, will result in detonation. -Mr. E -Mr. C Chapter 64.1 I''m sitting in the hospital room, fiddling with the edge of the blanket, when Lily and Marcus barge in, almost tripping over each other. Kate''s right behind them, her newly shaved head catching the light. I have no idea why she''s suddenly missing nearly as much hair as I am, but if she was trying to look less butch she''s certainly doing a poor job at it. If I had to guess, it''s a show of solidarity for me - a sweet gesture, but it kind of makes me feel like a magnet for pity. Not super loving with it. "Hey, Sam!" Lily exclaims, her voice a bit too loud for the small room. She''s carrying a bag that looks like it''s about to burst. Marcus, looming tall even in the cramped space, adjusts his thick glasses and gives me a shy smile. "Good to see you up, Sam." Kate, a bit too enthusiastic as usual, rushes over to my side. "We missed you so much!" I can''t help but smile, despite the weird cocktail of happiness and sadness swirling inside me. "Missed you guys too. But, uh, Kate, your head¡­" She rubs her hand over her scalp, grinning. "Yeah, thought I''d match your style. Cool, right?" "It''s¡­ something," I say, choosing my words carefully. Marcus and Lily burst into laughter, and even I can''t help but join in. The tension in the room eases a bit, replaced by the familiar warmth of friendship. Oh, friendship. Lily plops down in the chair next to my bed and starts pulling things out of her bag. "We brought you some stuff. Comics, snacks¡­ oh, and this weird gadget Marcus made." Marcus holds up a small device with blinking lights. "It''s a mini drone. Thought it might be fun to play with in here." I raise an eyebrow. "You made this?" He nods, looking proud. "Yeah, been working on it for a while. It''s got a camera and everything." I''m genuinely impressed. "That''s really cool, Marcus. Thanks. I didn''t know you were an engineer now." "I''ve been working on it," he replies, trying to downplay it. Kate, who''s been fidgeting since she sat down, suddenly blurts out, "Did you guys hear about the new sushi place that opened near school? They have this crazy roll called the ''Dragon''s Breath''. We should totally go when you''re out of here." Lily''s eyes light up. "Oh, I saw that! They have uh¡­ that¡­ what''s it called, the culti¡­ canti¡­ the really hot species of pepper? And it''s supposed to be impossible to eat." "I think the word you''re looking for is ''cultivar''?" I laugh, the conversation steering away from me and my bald head. "Sounds like a challenge. Count me in." "Actually, can you even eat spicy things right now?" Marcus asks, fiddling with some small USB-C doohickey that looks like that thing Jordan uses to fuck with RFID chips. "You know, with the¡­ What is it?" "I have radiation poisoning, Marcus. And you''re right, I really shouldn''t eat anything spicy," I answer, rubbing my smooth chin thoughtfully. "On the other hand, the doctors told me that being injured makes my regeneration speed up so maybe I could deploy some tactical habanero juice in my belly¡­" "That sounds like a bad idea, sport," Marcus shoots me down. "Is your throw-up radioactive?" Kate asks, at basically the same time. The dissonance makes me cough laughing. We spend the next hour just talking, about everything and nothing. School gossip, the latest superhero news from Marcus, and even some debate about the best pizza toppings. It''s nice, feeling like a normal teenager again, even if it''s just as long as they remain in this room, within these four off-white walls. But as they talk and laugh, I can''t help but feel a bit disconnected, like I''m watching everything from the other side of a glass wall. They''re worried about me, I can tell, but they''re trying so hard to keep things light and normal. It doesn''t take long before I begin stewing in my own funk again. Even when I don''t want to be. It just happens. Kate, sensing the shift in mood, quickly jumps in with another story. "So, I decided to bake a cake, right? I found this recipe online that looked amazing. It was called ''Chocolate Volcano Cake.'' Sounds epic, doesn''t it?" Lily, already giggling, chimes in. "Oh, I saw the picture you sent. It looked more like a chocolate mudslide!" I raise an eyebrow. I didn''t know Lily and Kate knew each other. Is this another Crossroads and Lilly situation? "Yeah, well," Kate continues, rolling her eyes playfully, "I might have mixed up the baking soda with the baking powder. The cake sort of¡­ exploded in the oven." Marcus laughs. "Exploded? How do you explode a cake?" Kate shrugs. "Talent, I guess. Anyway, it set off the smoke alarm, and the neighbors thought we were having a fire. The fire department showed up and everything!" The room fills with laughter, the kind that''s genuine and contagious. For a moment, the heaviness lifts, and we''re just friends hanging out, sharing stories. Just friends. Just friends! Nothing weird here. Lily, still chuckling, adds, "You should stick to buying cakes, Kate." "Yeah, probably," Kate agrees, grinning. "But where''s the fun in that?" The conversation shifts naturally, bouncing from topics again and again until the sun starts going down. Kate''s team made it pretty far in the state rankings for women''s basketball. Marcus is planning on auditing courses from Temple or something. But eventually, as it always does, the conversation circles back to me. It starts with silence, like it usually does. The conversation petering out, and then everyone turning to look at my shiny head. Unauthorized usage: this narrative is on Amazon without the author''s consent. Report any sightings. Marcus''s expression darkens. "You¡­ fought the guy that killed Professor Franklin. And you survived. And you won." I try to deflect, feeling uncomfortable with the spotlight back on me. "Uh, well, you know. It''s not like I had much of a choice. Survival and all that. Wait, who told you?" Kate''s expression turns earnest. "Sam, we''re not stupid. You got radiation poisoning. Then a radioactive supervillain turns himself in like two weeks later. How many radioactive supervillains do you know, Marcus?" "Uh, do you want an actual answer to that, or¡­" Marcus mumbles, beginning to count on his fingers. He gets to three before Kate clasps his hands around his. "No," she says. I shift uncomfortably in the bed. "Yeah, well, I''m okay now. Mostly." Lily nods, her expression softening. "We were all so worried, Sam. We visited you, you know." "Wait, you visited me while I was out?" I ask, genuinely surprised. I''m not sure why. Is it because I all but vanished from their lives, and so I expected the same in return? "I didn''t know that." "Of course we did," Marcus says. "We''re your friends. We care about you. Obviously we had to figure out, you know, what hospital you were in, stuff like that, but your parents looped us in once they figured it out." "Is that why my two friend groups are besties now? Or I guess like¡­ Three friend groups?" I ask, raising an eyebrow at Lily and Kate''s sudden camaraderie. Or, sudden to me. I guess it makes perfect sense to them. Kate adds, "Yeah, that''s how we all got to know each other better. You know, mingling while you were¡­ well, sleeping." "Yeah, it happens," Lily says with a shrug. "We all just wanted to be there for you." The conversation continues, drifting from the serious to the silly, from the profound to the mundane. It''s a strange feeling, knowing that life went on while I was unconscious, that friendships grew and evolved in my absence. On one hand, I''m glad. I''m happy nobody''s putting anything on pause for me, not even the mountains of schoolwork sitting on my nightstand. On the other hand, it feels sort of like slipping. Like when you walk down the stairs in the dark and miss that last step before the landing. I feel uneasy, in the lurch. Like something''s wrong and I don''t know what it is. Am I afraid that everyone''s leaving me behind? Probably. I guess that''s for the psychologist to pick apart.
I''m sitting on the edge of the physical therapy mat, feeling like a lump. Everything feels weird, my body doesn''t even seem like mine. It''s like I''m learning to be a person all over again. The therapist, a guy named Matt, is way too cheerful for my mood. He''s got this big, goofy smile like he''s hosting a kids'' TV show. "Alright, Samantha, ready to get started?" Matt asks, way too peppy. What''s the word my Mom would use? "Twee"? "Yeah, let''s get this over with," I mutter. I''m not in the mood for chit-chat. I just want to do this and get back to my room. We start with some basic stretches. I can''t believe how stiff I am. It''s like my body''s made of wood, not flesh and bone. Every stretch sends a ripple of discomfort through me. It''s not really painful, just¡­ weird. Uncomfortable. Matt''s trying to make small talk, asking about school, my hobbies. I don''t really feel like talking, but I give him short answers. Yeah, I go to Tacony Academy. Yeah, I like to play soccer, whatever. The most basic facts possible. I don''t want this person to be my friend, because, frankly, the sooner I never have to see the inside of this place again the better. It''s not enough that I''m useless, but I''ve also gotta be REMINDED of that. Uncool! "You''re doing great, just take it slow," he says as I try to touch my toes and fail miserably. I''m about as flexible as a brick right now. I let out a huff of frustration, trying to reach further, but it''s no use. "Great? I can''t even touch my toes. I used to be able to do this with my eyes closed." Matt chuckles, "Well, eyes closed might not be advisable right now. You''ll get there, just give it time." I want to snap at him, tell him time is what I don''t have, but I bite my tongue. It''s not his fault I''m like this. I really don''t have anyone to blame except myself for surviving. Ouch. That one''s bad. Let''s tuck that one back in the emotion bottle for now. We move on to some balance exercises. Standing on one foot, then the other. It sounds easy, but I''m wobbling like a toddler taking their first steps. It''s embarrassing. I used to be able to scale brick walls with a running start and a good handhold, for crying out loud. "You know, balance is one of the first things to go when you''re inactive," Matt says, as if reading my mind. "But it comes back quicker than you think." "Yeah, well, I''m not exactly feeling optimistic," I reply, trying not to fall over. This is ridiculous. I''m Bloodhound. I shouldn''t be struggling with standing on one foot. We take a break, and Matt hands me a water bottle. "Hydration is key," he says, still smiling. I take a sip, feeling the cool water slide down my throat. It''s refreshing, at least. "So, any hobbies besides reading?" Matt asks, leaning against the wall. I shrug. "I used to do a lot of physical stuff. Running, climbing, that sort of thing. Soccer. I used to play a lot of soccer." "Oh, an athlete! That''s great, it''ll help with your recovery," he says, nodding. I don''t have the heart to tell him that my ''athletics'' as of late involved more sewer chases than track and field. "Sure, let''s go with that." I''m back on the mat, legs outstretched, trying to touch my toes again. It''s an exercise that used to be so easy, but now it feels like climbing a mountain. Matt''s right beside me, counting down the seconds. "Just a little further, Samantha. You can do it." I reach, my fingertips straining towards my feet, and a sharp pain shoots through my side. I wince, clenching my teeth. It feels like razors licking at my insides. "You okay?" Matt asks, concern etching his face. "Just¡­ the burns," I grit out, trying to push through the pain. "I got microwaved, apparently." He nods, understanding, not blinking a second at the oddity of my injury. Does everyone here already know about me? Nobody seems particularly surprised. "Take it slow. Remember, your body''s been through a lot. Let''s try something else." He helps me to sit up and we move on to leg lifts. Lying on my back, I raise one leg at a time. It''s supposed to strengthen my core and improve flexibility, but each lift sends a jolt of discomfort through my muscles. I can feel the weakness, the lack of use they''ve endured. It''s frustrating, to say the least. "Good, good," Matt encourages as I lift my leg for the umpteenth time. "Feeling any pain?" "A bit," I admit. "It''s like my muscles are protesting." "That''s normal after being inactive for a while. Just tell me if it''s too much." We switch to arm exercises, using light dumbbells. I can barely lift them, my arms shaking with the effort. This is ridiculous. I used to throw punches like they were nothing, and now I''m struggling with a couple of pounds. At least my knuckles are still hard enough to dent metal, even if I can''t throw them around with the force necessary. "Steady¡­ that''s it," Matt guides me, his voice calm. "You''re rebuilding strength, Samantha. It''s a process." I nod, focusing on the movement, trying to ignore the burning sensation in my arms. It''s not just physical pain; it''s a reminder of how much I''ve lost, how much I need to regain. Finally, the session comes to an end. I''m exhausted, both physically and mentally. The pain from the burns, the atrophy, the everything, it''s like a constant, dull ache. Like having a knife shoved in you but really slow. I would know. I''ve been stabbed a couple times. "You did well today," Matt says, handing me a towel. "I know it''s tough, but you''re making progress." I wipe my face, the towel absorbing the sweat and maybe a tear or two. "Doesn''t feel like progress," I mutter. "It is, trust me. Every day, you''ll get a little stronger, a little better. You''re a fighter, Samantha. I can see that." Do these people have a deal with someone that earns them a dollar every time they unsubtly allude to my superheroics? Come on, man. Just treat me like a normal 14 year old with severe, almost lethal radiation poisoning. As Matt leaves, I sit there for a moment, gathering my strength. The room is quiet, just me and my thoughts. It''s going to be a long journey back to where I was. But I''ve never backed down from a challenge before, and I''m not about to start now. I take another sip of water, trying to shake off the gloom. I need to get better, not just for me, but for¡­ well, for everything I need to do. Bloodhound isn''t done, not by a long shot. I stand up, my legs feeling like jelly. I take a step, then another. Chapter 64.2 I''m sitting in a room that feels too stiff and sterile, waiting for Dr. Desai to come in. The chair''s uncomfortable, and I keep shifting, trying to find a position that doesn''t make me feel like a specimen under a microscope. The room is small, just a desk, two chairs, and a bunch of books that I guess are supposed to make me feel like this is a place of healing or something. Dr. Desai walks in, and he''s got this calm, collected vibe about him. He doesn''t look like what I expected a therapist to look like. He''s wearing a sweater that''s got a weird pattern on it, and his hair is kind of messy. He smiles, and it''s a nice smile, but I''m already building up walls. I''m here because they think I need to be, not because I want to spill my guts to a stranger. "Good morning, Samantha," he says as he sits down across from me. "How are you feeling today?" I shrug, not meeting his eyes. "Okay, I guess. Considering." He nods, jotting something down on his notepad. "I understand this might feel a bit uncomfortable for you. It''s okay to be hesitant about sharing." "Yeah, well, I''m not exactly an open book," I admit. It''s true. I''m good at keeping things locked up tight. It''s safer that way. "We''ll take it at your pace," he says. "Let''s start with something simple. Can you tell me how your days have been going?" I fiddle with the hem of my shirt, thinking. "It''s been weird. Like, I wake up, and for a second, I forget where I am. Then it all comes crashing back. The hospital, the pain, the¡­ everything." "And how does that make you feel?" he asks, his voice gentle. "Trapped, I guess. Like I''m stuck behind this pane of glass, watching the world go on without me." I say it without thinking, and then immediately wish I hadn''t. It sounds so pathetic when I say it out loud. Silly. Dramatic. "That sounds quite isolating," he observes. "It''s not uncommon to feel disconnected after a traumatic experience. Have you been experiencing this feeling often?" I nod, still playing with my shirt. "Yeah. It''s like, sometimes I''m just going through the motions. And the only time I feel¡­ I don''t know, real, is when I''m Bloodhound. When I''m out there, doing something that matters. Beating up bad guys." Dr. Desai leans forward, interested. "It sounds like being Bloodhound gives you a sense of purpose, a sense of being alive." "Yeah, exactly," I agree, a little surprised that he gets it. "When I''m her, I feel like I''m making a difference. Like I''m more than just some kid. And there''s nothing quite like getting punched in the face to wake you up in the morning." I don''t know why I said that. He nods, making another note silently to himself. "And when you''re not Bloodhound, when you''re just Samantha?" I hesitate, unsure how to put it into words. "It''s like I''m just¡­ waiting. Waiting to be her again. Everything else just feels¡­ dull. Pointless." "That''s a heavy burden for someone your age," he says softly. "To feel alive only in moments of danger, of significance. It sounds like it''s a lot to carry with you." I shrug, uncomfortable with the turn the conversation''s taking. "I guess." Dr. Desai changes tack. "Let''s talk about your recent encounter with Mr. Federov. That was a significant event, I think we can both agree - how are you processing it?" I stiffen, the memory hitting me like a punch to the gut. How am I processing it? Well, I''m currently in a hospital for the sort of radiation sickness that generally is reserved for people caught in nuclear blasts. My muscles don''t work anymore, I have burns on the inside of my body but not the outside, I lost ten pounds of skin and another, like, fifteen pounds of muscle and fat, and I''m bald. When I go to sleep, sometimes I just see white light and I wake up with pins and needles everywhere, totally stuck, locked in. And all I can think about is how sorry I feel for this sad sack who''s going to end up in jail forever because of me. Because I made him turn himself in. That''s what I want to say. Instead, it comes out like this; "Well, it''s fine. It''s what I do. Nobody else could''ve done it." Great answer, Sam. "And do you often find yourself in these kinds of situations? Feeling like you have to be the one to step in?" "All the time," I admit. "It''s like, if I don''t do it, who will? I can''t just stand by and watch bad things happen." Dr. Desai nods, understanding. "That''s a lot of responsibility to take on. It''s commendable, but it can also be overwhelming. Do you ever feel like it''s too much?" I think about it for a moment. "Sometimes, yeah. But I can''t just stop. I can''t be¡­ useless." He frowns slightly at that. "Feeling like you only matter when you''re in danger, that''s a concerning mindset. It can lead to taking unnecessary risks. Have you ever thought about why you feel this way?" I shake my head, not wanting to go down that road. "Not really. I just¡­ do what I have to do." Dr. Desai keeps poking, his questions probing gently at the edges of my life, peeling back all the plastic wrap. It''s like he''s trying to peek behind the curtain without pulling it back too far, without alerting security. But I can''t help being alert. I still feel like this is all a dream, and in a second I''m going to wake up in an abandoned subway station, burning to death while my skin is all sloughing off. Or that some gangster is going to bust the door down and shoot Dr. Desai, and then me. But I don''t say that either. I just listen. "So, Sam, tell me about your family. How do they fit into your life as Bloodhound?" Dr. Desai asks, his pen poised above his notepad. Stolen story; please report. I shift uncomfortably. "Well, they don''t really¡­ fit. I mean, I had to get them to leave Philly because things got too dangerous. It''s my fault they''re in danger, so I had to fix it. I mean, they''re fine. Food, shelter, love, attention. Clothes. My Dad is kind of stern. My Mom really cares about my grades. You know how it is, I''m a fourteen year old." I stop, and then correct myself. "Fourteen and three quarters." Dr. Desai nods, his expression thoughtful. "You said you had to get them to leave Philly, for their own safety. That sounds like a lot of pressure for someone your age. How does that make you feel, having to take on such responsibility?" I shrug, trying to seem nonchalant. "It''s just what I have to do. I mean, I can regenerate, they can''t. It''s better this way." "But do you ever feel overwhelmed by it?" he probes. "Sometimes," I admit. "But I can handle it. I have to." Dr. Desai changes the subject slightly. "You mentioned feeling like you''re watching the world from behind glass. Can you tell me more about that?" I think for a moment. "It''s like, sometimes I''m not really there. I''m just going through the motions, but I don''t feel¡­ connected. Everything feels dull unless I''m in danger. Like, my physical senses. My skin doesn''t feel as¡­ feel-y. Everything tastes kind of bland. And, like, I can force it away if I do something stupid, but normally this lasts for a couple of weeks and then something bad will happen and I feel great for another couple of weeks." "That''s quite significant," he says, writing something down. "Have you been having any nightmares or flashbacks, particularly about your experiences as Bloodhound?" I hesitate, then nod. "Yeah, I guess. I keep seeing Liberty Belle. And this one guy who got¡­ his head¡­ Psshshhtt, you know? Right in front of me. Wasn''t fun." Dr. Desai''s expression softens. "That''s a traumatic experience, Sam. It''s natural to be affected by it." "And how about your relationships with friends? How do they fit into your life?" he asks. I laugh, but there''s no humor in it. "Barely. My friends are my superhero buddies. My friend friends all went to different high schools, and, like¡­ you know¡­ It''s different when it''s your colleagues. And I have a girlfriend but I always feel like a letdown to her. Actually, I decided I don''t want to talk about her. Sorry. But yeah, like I said before. Panes of glass." Dr. Desai nods again, making another note. "It''s common to feel isolated when you''re dealing with so much on your own. You''ve taken on a heavy burden, Sam. It''s okay to feel overwhelmed by it." I don''t respond, just pick at a loose thread on the arm of the chair. We''re getting into the stuff I don''t like to think about. We talk more about my nightmares, about the constant feeling of being on edge. I tell him about the panic that grips me sometimes when I''m just sitting in class or walking down the street. How I''m always scanning for danger, even when there''s none. Dr. Desai''s voice breaks through my thoughts. "Sam, it''s important to recognize that what you''re experiencing ¨C the depersonalization, the nightmares, the need to constantly be in danger ¨C these are signs of trauma. It''s important to address them, to talk about them." I look up, meeting his eyes directly for what feels like the first time since we started. "I know, but it''s hard. I don''t want to seem weak. I''m Bloodhound. I can''t be weak." As our session nears its end, the room feels less clinical, a little softer at the edges. Less adversarial, but at the same time, a little less interested. Dr. Desai sets his notepad aside, his gaze meeting mine. "Sam, you''ve been through a lot, more than most people your age, or any age for that matter." I fidget, uncomfortable under his steady gaze. "So, what do you think is wrong with me? Am I¡­ broken?" Dr. Desai shakes his head. "Not broken, Sam. You''re coping with extraordinary circumstances. But based on what you''ve shared, I see signs of PTSD ¨C Post-Traumatic Stress Disorder. The nightmares, the hyper-vigilance, the sense of detachment, these are all common symptoms." My heart races. PTSD. It sounds so serious, so¡­ damaged. That''s what soldiers have, not fourteen year old girls from Mayfair. "Is that all?" He leans forward, "There might be more. Your need to constantly be in danger, the highs and lows you describe, they could be indicative of bipolar disorder. And if I didn''t already know you had it, I would likely be suggesting you look into an ADHD diagnosis. It may be worth considering an Autism Spectrum Disorder assessment, as well - I think it''s quite possible that some of the behaviors you describe are sensory-seeking behaviors designed to provide you adequate stimulation. These are just possibilities, of course. We''ll need to explore more, talk more." I swallow hard, trying to process his words. "You think I''m like, what, a walking bundle of disorders?" "No, Sam," he says gently. "I see a resilient, strong young woman who''s dealing with challenges most people can''t even imagine. But understanding these aspects of yourself can help us find the best ways to support you." I look back at his feet. "So, what now?" I ask, feeling a mix of fear and relief. Relief at having a name for what I''m feeling, fear of what it means. "Now, we keep talking. We explore these possibilities more deeply. And with your permission, I''d like to discuss these potential diagnoses with your care team and your parents. They''re part of your support system." I hesitate, the thought of my parents knowing all this making me uneasy. But then I nod. "Okay. Yeah, talk to them. They should know." Dr. Desai smiles, a reassuring, warm smile. "You''re taking a big step today, Sam. It''s going to be a journey, but you''re not on it alone. We can start trialing some medication soon and see if that can help even out some of the peaks and valleys in your symptoms." I can''t help but roll my eyes. "Oh boy. More pills."
It''s late at night in my hospital room, the kind of night where everything feels still, like the world''s holding its breath. I''m sitting up in bed, surrounded by piles of half-finished schoolwork. It''s a mess, papers scattered everywhere, but I can''t bring myself to care too much about it right now. Instead, my attention is on the TV, where they''re talking about him - Illya - again. The news just can''t get enough of him since he turned himself in. I watch as the talking heads dissect every angle of his surrender and ongoing trial. They''ve got theories, speculations, but none of them know the real story. To them, it''s just this big, bad villain who inexplicably gave up one day. I want to laugh at the absurdity of it all, but it just feels hollow. I stopped the man who killed my mentor and my mentor''s mentor - my grandmentor? But it''s not like I can go around bragging about it. And did I really avenge them if he''s still walking around, alive? I think about that last part a lot. I don''t like it. But, like, I mean, it''s weird, right? I''m sitting here, the girl who actually faced him, talked him down, but to everyone else, I might as well not exist in that story. It''s like I''m watching a movie about my own life, except I''ve been cut out of the script. Kinda ironic, I guess. Superhero works in the shadows, and the shadows swallow up her part. All I see is the NSRA committing autofellatio about their ''investigation'' - that means sucking their own dick, Jordan taught me that one - and it just makes me kind of¡­ I don''t know. It''s not even anger. It''s something entirely different. An emotion I don''t really know the name of yet. The anchor moves on to the public''s reaction - some people are relieved, some are angry he didn''t face a more dramatic takedown. And then there are those who think he got off too easy. The piranhas braying for his blood. I take a breath and change the channel. Food Network. I pick up a textbook, trying to focus on something else, but the words just blur together. It''s like my brain''s decided to go on strike. I toss it aside, letting out a sigh. School''s important, I know that, but right now, it feels like trying to keep a sandcastle together during high tide. I change the channel back. I glance back at the TV, where they''re now showing clips of people laying flowers at a memorial for Chernobyl''s victims. I could''ve been one of those. And I can''t help but think about what he said - about how many people he saved. Was it worth the superheroes he killed? Just thinking about all the chains of cause and effect for too long makes me start to get dizzy. A nurse pops her head in, asking if I need anything. I force a smile and tell her I''m fine, just tired. She doesn''t look entirely convinced, but she leaves me be. I''m getting good at putting on that brave face, the one that says ''I''m okay''. I feel a little nauseous, and I turn off the TV, the room falling into darkness. The only light now is the faint glow of the moon streaming through the window. It''s peaceful, in a way. I lie back, staring at the ceiling, letting the silence wrap around me like a blanket. Chapter 65.1 The morning is bleary, the kind of March day where the sky looks like a dirty old sponge, all gray and full of unshed rain. It''s the kind of morning where you''d stay in bed, but here I am, awake in the sterile hospital room that''s become my little island. The walls are the color of weak tea, probably meant to be soothing, but they just look sick to me. My bed''s a jumble of white sheets, like ice floes in a bleached sea, and there''s the constant beep of the heart monitor, an annoying reminder that I''m still here, still¡­ broken. A voice cuts through the fog of the morning, sharp and scared, "She''s my granddaughter too, Rachel! You can''t just keep me from her!" That voice, it''s like an itch deep in my ear, one I can''t scratch away. Who even is that? The door to my room bursts open, and this woman storms in like she''s leading a parade. Behind her, Mom''s trying to grab her arm, her face all pinched and desperate, like she''s trying to stuff a genie back into a bottle. I''ve never seen this woman before, but she''s got Mom''s eyes, the same stormy orange-brown, like a sandstorm you don''t want to mess with. Her hair''s a silver halo, kinda wild, like it''s trying to escape from her head. She''s wearing this long coat with a pattern that looks like someone threw a bunch of coffee beans at it, and she''s got these shoes on, big black heels that click on the floor like an accusation. "Sam? Samantha, you are Samantha, right?" Her voice is deep, like when you hear music through a wall, all bass and no treble, but it has scratch to it, not quite the way that Fury Forge''s voice scratches from the cigarettes, but something a little hoarser. Like yelling. She''s got this look on her face, like she''s sizing me up and finding me wanting. I nod, not sure what else to do. My heart''s doing this weird little jig in my chest, and I''m not sure if it''s from surprise or something else. Fear? Annoyance? Maybe both. Mom finally gets a word in, her voice all tight, "Sam, this is¡­ this is your maternal grandmother, Camilla de Leon." Grandmother? That word feels foreign, like a coin from a country I''ve never been to. I mean, I know I have a grandma, Leah. But I''ve never even heard the name Camilla before. Am I Hispanic? Her name sounds¡­ Hispanic. Am I 1/4 mixed? "I''m not just a name on a birth certificate, Rachel. I''m her family," Camilla declares, her eyes never leaving mine. It''s like she''s throwing down a gauntlet, daring someone to argue with her. "Please, you can call me Mom-Mom or Cammy if you want, dear." My eyes flick back and forth between my Mom, who looks like she''d rather have a bullet hole in - who looks extremely mortified, and Camilla, who looks like she could bore through solid steel with her glare. Mom looks like she''s swallowed something sour. "We don''t need to do this here, not now." But Camilla isn''t backing down. "No, we will do this here, and we will do this now. I have as much right to be a part of her life as you do. Do I need to get my lawyer?" I feel like I''m watching a tennis match, my head bouncing back and forth between them. This isn''t what I need right now. I need quiet, I need peace, I need to not have my room feel like a battlefield. I scrunch my body up like the whole thing''s eaten a lemon. "Look, I don''t know what''s going on, but can we not do this here?" My voice sounds small, even to my own ears, drowned out by the adult problems filling the room. Camilla turns her gaze to me, and there''s something soft there for a moment, something almost like regret. "I''m sorry, Samantha. I didn''t come here to cause you more distress. I just¡­ I wanted to see you, to make sure you''re okay." She reaches out a hand, like she''s offering peace, but her eyes, they''re still hard, still fighting some invisible war. Her glasses are big and round, her jewelry chunky. Mom''s hands are fists at her sides, and she looks like she wants to say a million things but can''t find the words for any of them. Instead, she takes a step back, like she''s surrendering the field. "Fine. But if you touch a hair on¡­ her¡­ body, or, G-d forbid, bring him up, then I am telling you right now, I will hunt for a restraining order and I won''t rest until we get one." Camilla nods, satisfied. "Don''t worry, Rachel. I want as little to do with him as you do. Jerry and I are very happy together these days, I don''t need to be reminded about him." "Can I ask who we''re pretending to talk around?" I cut through, still flicking my eyes between one, then the other. "Let''s just say Morris''s counterpart is not quite the same degree of gentleman, darling," Camilla says, cutting off my Mom before she can give a less poetic-sounding answer. "And it''s for the best that you never meet him, that much Rachel and I can agree on." "Well. I''ll be just down the hall if anyone needs me," my Mom harrumphs, adjusting herself, straightening her back, and shuffling her purse around on her shoulders. "Sam, if you don''t want to talk to Camilla, you don''t have to." "Don''t talk about me in the third person, Rachel, I''m right here," Camilla bites back, almost literally snapping her teeth at my Mom. "Can you two quit it? You have a half-dead 14-and-five-sixths-year-old to be keeping in mind," I interrupt, making the two of them look sheepish for a split second. Then, my Mom leaves. I''m left with this stranger who shares my blood, feeling the weight of her expectations, her desires, her need to be a part of my life. And I don''t know what to do with that, not yet. Camilla perches on the edge of the visitor''s chair like a bird about to take flight, all nervous energy and twitchy movements. She leans forward, resting her elbows on her knees, clasping her hands together. Her rings click against each other softly, a tiny, metallic symphony that''s weirdly rhythmic. This book was originally published on Royal Road. Check it out there for the real experience. "Are you Hispanic, because your name is extremely Hispanic," I half-ask, half-breathe, the words just tumbling out without any of the usual filters I might have had if my brain wasn''t still scrambled from¡­ everything. She seems taken aback for a second, then chuckles. "Yes, I am. On my mother''s side, the Fernandes line traces back to Brazil after the expulsion, you know, the Alhambra Decree. And the de Leons, well, they stayed in Spain a little longer before coming to America in the 19th century." I can''t say I''m familiar with the Alhambra Decree but I make a mental note to look it up later. I have something much more pressing in mind. "So, does that mean I''m mixed?" I ask, unsure if I''m saying it in jest or not. I''m grappling with this new piece of my identity puzzle, trying to fit it alongside every other bit I''ve collected over the years. "In the definitions that you''d use in America, well¡­ It''s complicated," she says, a wrinkle forming between her brows. "But in a way, yes. You''re a tapestry of cultures, Samantha. A beautiful blend." That word -- tapestry -- makes me think of something intricate and colorful, something with history. I''m not sure how to feel about that yet. I''m certainly a patchwork of various shades of white, most of which by now is scar tissue. The room is too quiet after that, the kind of quiet that''s loud, filled with the things that aren''t being said. Camilla breaks it by asking me about school, my hobbies, my friends. It''s like she''s trying to download my entire life with a few questions. "I like to read," I start, sticking to safe topics. "And I used to play a lot of soccer. Well, I did. Before¡­" She nods, encouraging me to go on. "That''s wonderful. And your friends? Tell me about them." I think of Lily and Marcus, of the Young Defenders, of Jordan. How can I explain any of them without revealing too much? "They''re¡­ great. Supportive. Lily''s been collecting my homework for me while I''ve been in here," I say, offering a sanitized version of my life. "Most of my friends just grew up on my street. Slowly, uh, putting myself out there." "And what about after school? Any¡­ special activities?" Camilla asks, and there''s something probing in her gaze, like she''s searching for something more than what I''m saying. I shift uncomfortably, picking at the edge of my hospital blanket. "Just¡­ normal stuff. Homework, hanging out, you know. Not much nowadays, of course." She nods, but I can tell she doesn''t buy it. There''s a shrewdness in her eyes that tells me she''s used to digging deeper, to finding out the things people try to hide. I''m sure she''s not fooled for a second, but is it a ''my granddaughter is a superhero'' not fooled, or a ''my granddaughter does drugs and smokes weed'' not fooled? I don''t know what she''s thinking, and I really don''t want to ask. We continue the dance of conversation, me sidestepping any mention of Bloodhound, of the real reasons I''m here. She doesn''t push too hard, thankfully, but there''s a persistence in her that tells me she''s not going to give up easily. The room feels smaller with every question, the air thicker. I can''t tell if she''s being genuinely friendly or if this is some kind of interrogation. Either way, I''m on guard, playing the part of the normal teenager as best as I can. But I''m not normal, am I? I haven''t been since the day I got these¡­ powers. And sitting here with Camilla, with her questions and her curiosity, I''ve never felt more like an outsider. The conversation eventually slows, and there''s a lull that feels almost comfortable. Camilla sits back, studying me with a thoughtful expression. "You''re a lot like your mother, you know. Strong. Determined." There''s a note of pride in her voice, and it catches me off guard. "She''s always been her own person, despite everything." I''m not sure how to respond to that, to the sudden warmth in her words. So I just nod, and we sit in silence, the space between us filled with the unsaid, with the history that''s still a mystery to me. The silence stretches between us, a gulf filled with unspoken histories and half-secrets. I break it, my curiosity a live wire zapping through the caution. "Can you tell me about my grandfather?" I ask, the words out before I can think better of it. Camilla''s face closes up like a shop shutter coming down. "That''s not a man you need to know about, Samantha," she says, her voice suddenly cold, like winter had walked into the room. "But if you''re going to pry into my life, don''t I get to know about yours?" I press, not ready to let it go, feeling a rebellious spark flicker to life inside me. "Isn''t that fair?" Her mouth thins into a line, a dam holding back a flood. "Your mother and I don''t see eye to eye on many things. Obviously. But one of the few things we can agree on is that you shouldn''t be exposed to that man. It''s easier to pretend you only have the one," she says after about a minute of harried silence, her tone final. But I can see the shadows that pass behind her eyes, ghosts of old, maybe not quite forgotten battles. Was he violent? Is that the big secret? Did I get that from him? I let out a sigh, knowing I won''t get more from her on this, not now anyway. "Okay, then what about Mom? What was she like growing up? What was it like in the¡­ household? We can do a little pen pal thing. Notes for notes." Camilla''s face softens, a crack in the armor. She smiles, but it''s tinged with something bittersweet. "Rachel was¡­ she was a firecracker. Always asking questions, always pushing boundaries. Our home¡­ it was a place of passion and learning, and yes, some conflict. But we loved deeply, even when we struggled to show it." I can almost picture it, this vibrant, chaotic household that shaped my mom into the person she is, the person who''s trying so hard to give me a different, more peaceful life. I''m sure if I asked my mom she''d have a much different way of seeing things. So I''m not sure if I''m going to ask her. "And you, Camilla? What are you like, besides being¡­ you?" I ask. "I mean, you know all there is to know about me. What''s there to know about my intimidating grandma?" She laughs at that, a rich sound that seems to fill the room. "I''m many things, Samantha. I''m a lover of books, of history. I''m a fighter when I need to be, and yes, maybe a bit intimidating. I''ve had to be, to survive in this world." I nod, not sure whether to trust her own self assessment. There has to be a good reason why I''ve never heard her name before. "And now you''re here, in my life. What do you want from me? I mean, what are you expecting?" Camilla leans forward, her hands clasped together again. "I want to be part of your life, to share in your joys and your struggles. I want to be your grandmother, if you''ll let me." I''m silent for a moment, weighing her words, the offer. It''s tempting, to have another person in my corner, especially one as obviously strong as Camilla. But how much trust should I be putting in her? How much to my mom? How do I divvy it up? "I''ll think about it," I say finally, and she nods, like that''s all she can ask for. The room feels different now, the air lighter somehow, like we''ve reached some kind of understanding, tentative as it might be. And as she stands to leave, Camilla does something unexpected. She bends down and kisses the top of my head, her sallow, dry lips pressed up against my bald scalp. "Get well soon, Samantha. There''s a whole world out there waiting for you," she says, and then she''s gone, her heels clacking down the hallway. I''m left feeling strangely empty and full at the same time, like there''s a tapeworm in my stomach but I just feasted on something I didn''t know I was hungry for. Pop-Pop Moe, I don''t know if he''s where I got my fight from. I''m sure he''s cracked a couple of skulls when he needed to, but him, and my grandma - and Mom-Mom Leah - are they where my sickness came from? I can''t imagine it. It has to be from this uncovered, ancient artifact. The side of the family that got left buried at the altar. Not the radiation poisoning, but the deeper sickness. The thrills. The Small side of the family has always seemed so mild-mannered, but seeing my Mom not half an hour ago, it was like an entirely new person. Someone I''d never seen before. What''s wrong with me? Chapter 65.2 The room''s quiet is like the deep breath before a plunge into deep waters. I''m surrounded by the sterile whites and tans of the hospital room, the beeps of the machines punctuating the silence like morse code. Light filters through the blinds, casting long, lazy stripes across the floor, a zebra''s hide stretched out over linoleum. The door''s hinges give a muted groan as it opens, admitting a slice of the world beyond my four walls. Jamila comes next, her presence like a cool breeze, eyes meeting mine with that same protective glint I know so well. Amelia trails behind, her gaze darting around, hands twisting together like she''s uncomfortable, despite the big cheesy grin on her face. I''m not sure which one I''m supposed to use as the real indicator, so I just look at Jamila instead. Multiplex enters last, his broad shoulders taking up the space, a seriousness set in his eyes that makes my chest tighten. Since Diane¡­ since Chernobyl¡­ since, you know, December, there''s been a weight on him that wasn''t there before, a burden that comes with leading. "Hey, guys," I manage, my voice sounding too bright for the heaviness I feel inside. Maxwell gives a small nod, his braids swaying slightly. "Hey, Sam." He doesn''t need to say more. Jamila steps forward, her hand reaching out to squeeze mine. "How are you holding up?" she asks, and I can hear the unsaid words, the ''I''ve missed you,'' the ''I wish I could make this better''. Dozens of sentences all packed into one like a trash bag full of raccoon food. I want to say ''I''m fine,'' to put on that brave face, but with Jamila, I don''t have to pretend. "I''m going stir-crazy," I admit, "I need updates, I need to know what''s happening out there." Jamila exchanges a look with Multiplex, a silent conversation passing between them before he speaks up. "After the shootout with the NSRA, we got a good number of the Kingdom''s associates. But between then and now, it''s been quiet." "Don''t say too quiet," I joke. Quiet isn''t good, not in our world. Quiet means something''s brewing, and I hate that I''m not out there to help simmer it down. "No, actually, it''s just the right amount of quiet," he says, not joking. "I know that means something''s up, but it''s nice to have the edge off without Diane around. Puppeteer is back on the grind and we''re covering a lot of ground. Your stick-man friend has been a great asset, too." Amelia chimes in, her voice light but with an edge of steel I don''t usually hear from her. "No one''s turned yet, but I heard they''re keeping the pressure on." Multiplex''s eyes catch mine, and I see the weight of command on him, the need to keep us safe, to keep the city safe. "We''re doing what we can, Sam. But you need to focus on getting better. We need you at your best." Jamila''s fingers tighten around mine, her touch a gentle anchor in the storm of my thoughts. "How''s your therapy going, Sam?" she asks, steering the conversation away from the dangerous waters of superhero politics. I shrug, a half-hearted attempt to play it down. "It''s okay, I guess. Lots of exercises, stretching¡­ you know, boring stuff." My gaze drifts to the window, to the world beyond that I''m itching to rejoin. Amelia leans in, her voice a soft chime. "It''s important, though. You''re getting stronger every day, Sam. We all see it." I offer her a small smile, grateful for her optimism even if I don''t fully share it. "Thanks, Goss. I''m trying, really." Maxwell, still by the window, speaks up. His voice is steady, measured. "Strength isn''t just physical, Sam. You''re showing a lot of it just by dealing with all this." His words are comforting, but I can''t shake off the feeling of being sidelined, of being out of the loop. "I just wish I could be out there with you guys. You know, helping." Multiplex, silent until now, his eyes scanning the room with an intensity that speaks of his constant vigilance, finally speaks. "You are helping, Sam. By getting better. We need you in top form, not rushing back and risking more injury." His words are pragmatic, sensible, but they don''t quell the burning desire inside me to be doing more. Jamila squeezes my hand again, a silent promise of support. "We''re managing out there. And we''re keeping the streets safe. For you, for everyone." Amelia adds, "And we''ve got some new strategies we''re working on. You''ll be back in the thick of it before you know it." I cut in, unable to contain my impatience. "Guys, I appreciate the pep talk, really, I do. But I need to know what''s happening out there. The crime rates, the Kingdom''s movements, anything. I''ve been cooped up in here way too long." Multiplex''s gaze flicks to me, an unreadable expression in his eyes. "Crime''s been as expected. A slight uptick in petty thefts and gang activities. The usual players trying to fill the void left by the Kingdom''s recent setback." Maxwell adds his bit, his voice a low rumble. "Some new players are trying to make a name for themselves, nothing we can''t handle." I listen, absorbing every word, every bit of information. It''s like pieces of a puzzle, and I''m trying to fit them together, to see the bigger picture from my confined vantage point. "But what about the Kingdom? Any leads on their next move?" My question is sharp, edged with the frustration of being out of the loop. Multiplex''s response is immediate, his tone firm. "We''re working on it, Sam. We''ve got our best on it. But it''s a waiting game right now." His answer isn''t satisfying, but I know it''s all he can give me. The Kingdom is a shadow, always lurking, always planning. And here I am, stuck in a hospital bed, feeling like a caged animal. Jamila squeezes my hand again, a silent message of understanding. "We''re doing our best, Sam. And when you''re back, we''ll be even stronger." I nod, trying to tamp down the restlessness, the itch to be doing something more. But I know they''re right. I need to heal, to get back to full strength. I let go of Jamila''s hand and pull away. The conversation shifts, and I can''t help but push for more information, "Have you intercepted anything about the Kingdom targeting me? I mean, I did kind of blow up their big plan with Federov." There''s a pause, a tension that wasn''t there before. Multiplex''s face turns serious, and I know I''ve hit a nerve. "We''ve been keeping tabs on their communications as much as we can. There''s been chatter, but nothing concrete." "Chatter?" I press, my heart rate spiking. "About me?" He hesitates, then nods slowly. "Yes, about you. They''re not happy about what happened with Federov. But we haven''t picked up any direct threats yet." That''s not exactly comforting. I feel a cold knot of fear in my stomach, but I push it down. I can''t afford to be afraid, not now. "So, I''m a target." Jamila interjects, her voice gentle but firm. "Which is why we''re not taking any chances. You''re being watched over, Sam. We''re making sure you''re safe." You could be reading stolen content. Head to the original site for the genuine story. That''s when it hits me. The constant presence outside my room, the feeling of being watched. It wasn''t just paranoia. "You mean¡­ I''ve been under surveillance this whole time?" Multiplex nods, his expression unreadable. "I''ve had at least two duplicates around the hospital grounds at all times." "Are you a duplicate right now?" I ask, looking towards the window. I don''t know why it feels suddenly hard to look them in the face, but it does. Like there''s a sudden pressure in my nostrils. "Sort of a meaningless question, but, no, this is the oldest body," he replies, straightforwardly. "Number seven is currently on the rooftop. The other ten are busy with other assignments." I lean back against my pillows, the reality of it all sinking in. I''m being watched, guarded, because I''m vulnerable. Because I''m a target. It''s a strange feeling, knowing I''m being protected and observed at the same time. It''s like I''m valuable, but also a liability. Amelia tries to lighten the mood, her voice a little too bright. "Hey, it''s like you''re a celebrity with your own bodyguards!" I manage a weak smile, but the joke doesn''t quite land. The idea of being watched, of being a target, it''s not something to laugh about. Maxwell speaks up, his voice low and steady. "We''re doing everything we can to keep you safe, Sam. You''re not just a teammate; you''re family." I look at each of them, at their concerned faces, and I feel a surge of gratitude mixed with frustration. I hate being the weak link, the one who needs protecting. But I also know they''re doing this because they care, because they don''t want to lose another member of their family. "Yeah, and my family''s in danger, too. Do we have eyes on them, or is that another thing I need to start talking about my therapist about?" I ask. "Like, myself aside, what if they come shoot my Dad or my Mom while they''re in the waiting room here?" I feel a wave of bile rise in my throat. Multiplex, for I think the first time since I''ve met him, puts a hand on my shoulder. "We have eyes on all your known relatives and associates, including your school. I don''t want to sound like a corporate freak, but you''ve gone from being just another rookie to an extremely potent asset in an extremely short period of time, and I think it would behoove local superhero community, hell, even the national superhero community, to keep you safe. So I''ve been calling in favors. Even if you never put on the cowl again, I would personally lobby for you to have a security assignment for the rest of your days, that''s how important what you did was for this city," Multiplex says, giving my shoulder a squeeze. "Am I allowed to ask for favors?" I ask, rolling over onto my side in my hospital bed, facing the window. Away from everyone else. "I can''t guarantee anything," Multiplex replies, which is as good as I''m going to get from him, I guess. "Joshua Pleasants, you know, that smelly corpse guy. He''s innocent. Any chance we can pull some strings there?" I ask. I can just feel Multiplex''s eyebrow raising. I turn over just enough to see him turning to face Maxwell, who just shrugs. "I don''t really have the authority to unilaterally call off a hunt for a wanted murderer, Sam. But¡­ I trust your judgment and I''ll see what I can do." "The Kingdom framed him," I respond, as bluntly as possible. "I¡­ see," he says, looking past me, towards the window. "And you''re sure of this?" "A hundred percent certain. I have footage on my phone. I''ll send it to you. And go talk to, uh, what''s his name, Agent Torres, the NSRA guy. Can you guys do that for me?" I ask, sweeping my gaze across this motley crew. Amelia immediately throws me a salute, her big puffy sweatshirt flopping as she does. "Right away, sir!" Multiplex looks slightly exasperated. "Send me that footage when you have a minute. For what it''s worth, I thought the evidence against him was already paper thin, it shouldn''t be too hard. Even if he''s losing in the court of public opinion." "Bah, don''t give me that stuff," I mumble, rolling back over, away from the group. "Anything else?" The air feels stale, like a bag of potato chips that''s been left open for too long. I don''t know why, but my mood has gone sour and foul. My arms ache, and I have a headache, and the bad hospital food hasn''t been sitting right with me since lunch. The sun is slowly going down. "No, I think that''s it," Multiplex replies, thumping my shoulder again. "Take care, Sam. We''ll be around," Maxwell says, and from him, I believe it. Everyone files out, their footsteps a jelly-like mass of indistinct shoes on tile. It takes me a couple of seconds to realize that Jamila hasn''t left. And then another minute to say something. "Sorry I''m a shitty girlfriend," is not what I intend to say, but it''s what comes out anyway. The room feels emptier now, just Jamila and me, and the heaviness in the air is almost tangible. She hesitates by the door, her eyes flicking between me and the floor. "Sam, you''re not--" she starts, but her voice trails off, unsure. "No, I mean it. I''ve been a crappy girlfriend. I''ve been so wrapped up in¡­ all of this." I gesture vaguely around the room, encompassing the hospital, the superhero stuff, everything. Jamila moves closer, perching on the edge of my bed. "It''s not like I''ve been the perfect partner either. I mean, with everything going on¡­" "Yeah, but that''s no excuse for me to be all¡­ whatever this is." I can feel the frustration bubbling up inside me, a noxious mix of guilt and helplessness. "We''re both just¡­ figuring this out, Sam. It''s not like there''s a manual for dating when the two of you are superheroes," Jamila says, trying to lighten the mood, but it falls flat. I let out a bitter laugh. "Yeah, well, maybe there should be. ''Dating for Dummies: Superhero Edition.''" There''s an awkward silence, and then Jamila reaches out, her hand hesitating in the air before touching my arm. "We''re just teenagers, Sam. We''re going to make mistakes." "I just feel like I''m making more than my fair share of them," I admit, my gaze drifting to the window, the sky outside turning shades of orange and purple as the sun sets. "You''re dealing with a lot, Sam. More than most people our age," Jamila says softly, her voice laced with something that sounds a bit like pity. "I don''t want your pity, Jamila. I want¡­ I don''t even know what I want." The words are out before I can stop them, and I immediately regret it. "It''s not pity, Sam. It''s just¡­ concern. For you." Jamila''s voice is steady, but I can hear the undercurrent of hurt. I sigh, running a hand through what used to be my hair but is now empty air. "I know. I''m sorry. I''m just¡­ not good at this. Any of this." Jamila gives a small, sad smile. "Neither am I. But we''re trying, right? That''s got to count for something." "Does it? Sometimes I feel like we''re just making it worse." The words are out before I can censor them, raw and unfiltered. Jamila''s hand falls away from my arm, and she looks down, her hijab casting shadows over her face. "Maybe we are. But we''re also learning, growing. Isn''t that part of it?" "Growing into what, though? More messed-up teenagers trying to save the world?" I can''t keep the bitterness out of my voice. "Maybe. Or maybe just two people trying to figure out how to be together in a world that doesn''t make it easy," Jamila says, her voice barely more than a whisper. "You sound like a self-help book," I try to joke, but judging from the wince, I think it just made her more upset. "Sorry. That was mean," "No, you''re fine. You have a lot of reason to be bitter right now, I think," she replies. It''s quiet for a while. A little too long of a while. A while enough that the sun goes down almost all the way. She shifts uncomfortably, her hijab slightly askew. Then, she fixes it, tucking some hair back under. "What am I even doing? What are we doing? I don''t even know what a girlfriend is supposed to do," I sigh, scrunching my hands up under my blanket. "I just wanted to kiss you, really bad." She smiles but I can''t tell if it''s sincere or not. She puts an arm around me. "That''s okay. I don''t think you need more of a reason than that at our age." Then, she gestures vaguely around the room, encompassing everything from my hospital bed to the world outside, "it''s a lot to deal with." "I know, and I''m sorry. It''s just, you''re always so calm, so together. I feel like I''m just messing everything up," I admit, a twinge of guilt knotting in my stomach. "Like I can''t stop throwing myself into danger. I''m gonna get out of the hospital and get punched back in by some new goon. I don''t know how you keep it together." Her laugh is short, humorless. "Calm? I''m anything but calm, Sam. I''m just as lost as you are. I just hide it better." We sit in silence for a moment, the weight of our mutual confusion and inexperience pressing down on us. I can feel the distance growing, a chasm that neither of us seems able to bridge. I try to intertwine my fingers with hers, but then I get self-conscious and stop. "I like you, Jamila. A lot. But I don''t even know if that''s enough," I say, the words tasting bitter in my mouth. "I like listening to music with you. And hanging out in your room. And kissing you. And going to concerts. But like¡­ most of those are just friend things. Right?" I continue. Almost desperately, I add one last note. "Do we even need to be dating to hold hands and kiss? Because if I''m holding you back--" She shuts her eyes and puts a hand on my face, finger to my lips. "Sam. Breathe. I''m not going to break up with you while you''re in the hospital. Get better. Then we can have this talk later, okay?" It''s like a punch to the gut, her words confirming my worst fears. You''re not going to break up with me while I''m in the hospital - so you will when I''m out? I''m not ready for this, not ready for any of it. The realization is as painful as it is clear. I swallow and suck in air. "Okay. Sorry. I''m sorry." "Don''t worry about it," she says, but I do. I worry about it very much. Jamila stands, her body language hesitant. "I should go. We''ll talk, okay? When you''re better. And we have more time. Once we''re done wrapping up with the Kingdom stuff and can take a vacation about it." "Okay," I almost whimper. She leans over, and just like Camilla, she kisses the top of my head. "I love you." "I love you too, Sam. No matter what," she says. She walks out the door. I get a paper bag and start to hyperventilate. When it comes, the vomit is smooth and easy. Burns just right. WORLD OF CHUM: Religion (1)

"A New Era in the Vatican: Pope Leo XIV Ascends Amidst a World of Change"

Isabella Martin, Senior Correspondent, TIME Magazine Date: April 15, 2012
Rome, Italy ¨C In a historic turn of events, the Catholic Church welcomes a new leader, Pope Leo XIV, born Giovanni Battista Re. His election, occurring amidst a world grappling with unprecedented phenomena ¨C notably the emergence of superhumans ¨C and traditional challenges like economic instability and environmental concerns, marks a pivotal moment for the global religious community. Pope Leo XIV, at 78, brings a wealth of experience and a reputation for bridging traditional Catholic doctrine with contemporary societal issues. His scholarly works, which delve into the ethical dimensions of modern science and human rights, have garnered attention in theological circles worldwide. The conclave''s decision, seen by many as a balance between continuity and reform, reflects the Church''s recognition of the need to engage with a rapidly evolving world. While superhumans remain a small, though significant part of this evolution, Pope Leo''s views on the matter suggest a nuanced approach, advocating for a responsible and ethical understanding of these extraordinary abilities within the Christian ethical framework. However, Pope Leo XIV''s papacy is not solely defined by the superhuman phenomenon. The Church, under his guidance, is expected to intensify its focus on issues like social justice, poverty alleviation, and environmental stewardship. His previous engagements in interfaith dialogue and efforts towards peace in conflict-ridden regions underscore a papacy that will likely prioritize global unity and humanitarian concerns. In his first address, Pope Leo XIV emphasized compassion, understanding, and dialogue ¨C both within the Church and with the wider world. "We are called to embrace the future, with its challenges and opportunities, while remaining steadfast in our commitment to our faith and to each other," he stated, resonating with a world facing complexities beyond the comprehension of any single era. The author''s narrative has been misappropriated; report any instances of this story on Amazon. As the Vatican navigates these uncharted waters, the world watches with bated breath, hopeful for a leadership that can harmonize age-old doctrines with the realities of the 21st century. Pope Leo XIV''s ascension is not just a new chapter for the Catholic Church, but a symbol of a world in transition, seeking guidance amidst a tapestry of old and new challenges.
Isabella Martin is a Senior Correspondent for TIME Magazine, covering global religious and ethical issues. She has reported extensively on the Vatican and interfaith dialogues worldwide.

"A Saint for a New Age: The Canonization of the First Superhuman"

Michael Thompson, Special to The Guardian June 18, 2023 Vatican City ¨C In a groundbreaking ceremony today, the Catholic Church canonized its first superhuman saint, Saint Miriam of Lyon, marking a historic integration of extraordinary abilities into traditional religious narrative. Born Marie Dupont in Lyon, France, in 1998, Saint Miriam''s journey to sainthood began after a near-fatal accident in her teens activated her superhuman ability to heal herself and others. Her life, dedicated to service and healing, quickly drew global attention. Miriam''s humility and selfless acts across war-torn regions and during natural disasters mirrored the Church''s teachings on compassion and sacrifice. The Vatican''s decision to canonize her, led by Pope Leo XIV, comes after years of theological debate and scrutiny. Her miracles, verified by the Church, included healing the sick and injured, often in situations where medical assistance was limited or unavailable. Her actions, widely seen as embodying the Christian virtues of charity and faith, made her a compelling candidate for sainthood. However, Miriam''s canonization is not without controversy. Some within the Church argued that superhuman abilities, while extraordinary, should be viewed distinctively from traditional miracles. Yet, Pope Leo XIV, in his address, emphasized that "sainthood is about the intention and impact of one''s actions, guided by faith, and Miriam''s life was a testament to the power of divine grace acting through human will." This canonization, occurring amidst a world grappling with the ethical implications of superhumans, marks a significant moment in religious history. Saint Miriam of Lyon represents not just a new chapter for the Catholic Church, but also a symbol of hope and unity in a world experiencing profound transformation. Chapter 66.1 The weeks pass, and boy, do they pass. Everything inside of the hospital blends into a monochrome tapestry of routines and medicines, each day a little less grey than the last. Lithium has become my newest companion, a tiny pill that''s supposed to smooth out the rollercoaster in my head. Mom didn''t take the news well, her face a mask of worry and denial when the doctors suggested Bipolar. A sort of smothered horror, although I can''t fathom why. It could be worse! I could be a sociopath (something I''m not entirely unconvinced of). But me? I''m kind of okay with it. If it helps, it helps. My room has transformed into a mini command center. There''s a stack of school books on the bedside table, dog-eared and bristling with sticky notes. My laptop is open to a half-finished essay, words that don''t seem as important as they used to. On the wall, get-well cards and drawings from friends create a collage of colors and well-wishes. Wilted flowers sit in a vase. The bed has a me-shaped lump in it. The view from the window is a slice of the outside world, a world that feels both close and infinitely far. The trees are budding, spring whispering promises of renewal. I watch people walking below, living lives that seem so normal, so untouched by the chaos that''s become my normal. Physically, things are¡­ better, I guess. The radiation did a number on me, cooked me from the inside out, but my shark genes are doing their best to patch me up (note to future historians and NetSphere article writers; I know I don''t have shark genes). My muscles are still weak, though. Sometimes I catch myself daydreaming about running, jumping, anything more than the slow, painful shuffle I manage now with the physical therapist''s help. I''ve gotten used to using a cane, which I really hate. As soon as I''m back to normal I''m breaking it in half. Emotionally, it''s a different story. The lithium helps take the edge off, but there''s a numbness that comes with it. I feel like I''m watching my life through a foggy window, everything muted and distant. I miss the highs, even if they were a little scary. Now, everything just feels¡­ flat. My friends have been great, visiting when they can, keeping me in the loop. But there''s a gap between us now, one that wasn''t there before. I''m the girl in the hospital bed, not Bloodhound, barely even Sam Small, not the girl who faced down Chernobyl. A tidy little art installation. And then there''s Jordan. They haven''t visited yet once I woke up, and I can''t help but wonder why. Guilt, maybe? I keep telling myself it doesn''t matter, that I''ve got enough to deal with, but it''s like a splinter in my brain, nagging and sharp. Are they finally ditching me? I don''t even know the fate of all my stuff in the music hall. I don''t even know if we''re still allowed in the music hall. Spindle shows up every now and again but he''s busy learning how to be a superhero, the new new meat. Some days, I catch myself staring at the ceiling, lost in a maze of what-ifs and maybes. What if I hadn''t confronted Chernobyl? What if I hadn''t been so reckless? Or what if I had been more reckless? Was it not enough, or too much? I could''ve let the adults deal with it. Is everything worse just because I was born? It feels like that sometimes. The door creaks, and my thoughts scatter. A nurse comes in, her smile warm but professional. It''s time for another round of meds, another check on my vitals. It''s a routine I know by heart now, one that''s both comforting and suffocating. Her words pass through me like pasta water through a collander. Totally devoid of substance. Nothing useful, just a byproduct. As she fusses over me, I find myself drifting, thoughts wandering to the days ahead. My fifteenth birthday is coming up, a milestone I''m not sure how to feel about. Part of me wants to celebrate, to mark the occasion. But another part, the part that''s still lying in this hospital bed, wonders what there is to celebrate. Am I going to be here forever? Will I be forced to celebrate in the cafeteria of a hospital? I don''t even have the hangers-ons from school to stroke my ego about it - do people still think I''m the cool bully hunter? If I had to guess, I''d say they probably think I''m some sort of delinquent. That sounds about right for my reputation. The nurse leaves, and I''m alone again, just me and my thoughts. I turn back to the window, watching as the last light of day fades into twilight. Tomorrow is another day, another step towards¡­ something. Recovery, maybe. Or just a different kind of battle. The tale has been taken without authorization; if you see it on Amazon, report the incident. The days in the hospital have settled into a routine that''s both comforting and stifling. Each morning starts with the beep of my alarm, a sound I''ve grown to dread. It signals the beginning of another day confined within these four walls. There''s, like, little outside areas, and bigger places with wider gaps between the walls and the ceilings, but it''s almost always four walls, a floor, and a roof over my head. All indoors. Physical therapy is the first order of the day. It''s grueling, pushing my body to its limits, but I can feel the strength slowly returning. Each small movement, each step, is a victory. The new therapist, a kind but stern woman named Lisa, encourages me with every strained muscle and bead of sweat. "You''re getting stronger, Sam," she says, and I cling to those words like a lifeline. I''m not really sure what happened to the other guy, I stopped seeing him after my first session. After physical therapy, it''s time for schoolwork. My laptop becomes my window to the outside world, to a life that feels increasingly distant. My teachers send me readings and power points and my classmates take turns writing down notes, but it''s not the same. I miss the chaos of the hallways, the buzz of the cafeteria, the freedom of moving from class to class. Here, it''s just me and the screen, and sometimes the silence is louder than any school bell. Lunch is a brief interlude, a moment of normalcy as I pick at hospital food that''s bland and uninspiring. I long for the taste of something real, something that isn''t sterilized and packaged. If I felt like being morbid I could pretend I''ve developed a taste for blood - Blahh! - but really it''s just¡­ I''m tired of the microwave stuff they give me. And Jello. No more Jello please. The afternoons are a mix of reading, watching TV, and scrolling through my phone. Friends text, and I respond, but there''s a disconnect. They''re living their lives, moving forward, while I''m stuck in this limbo. I see pictures of them hanging out, laughing, and I feel a pang of something like jealousy, like longing. There''s also time for introspection, for staring out the window and thinking about everything and nothing. I ponder over my rogue''s gallery, the choices I made, the price I''m paying. I watch the news. They found Miasma and his court date is soon. I don''t know if they''re going to call me in to act as a witness or what? I feel especially bad about him, that there''s a very real chance that he ruined his life because of me - that I ruined his life. Boy! That sucks. Evenings bring visitors ¨C sometimes family, sometimes friends. They bring a piece of the outside world with them, a breath of fresh air in the sterile environment. But their visits are also a reminder of what I''m missing, of the gap between me and them. They try to bridge it with stories and smiles, but the gap remains. Everything keeps moving forward without me. And I''m still stuck in January. Nighttime is the hardest. The hospital quiets down, and I''m left alone with my thoughts. The darkness feels heavy, pressing down on me with all its might. I lie in bed, listening to the rhythm of my own breathing, the steady beep of the heart monitor. Sleep comes, but it''s fitful, filled with dreams of running, of flying, of being free, frolicking among fields of pink and red flowers, the faces of the dead watching me. I haven''t stopped checking over my shoulder for Kingdom assassins, but I have caught Multiplex once or twice. And then it''s morning again, and the cycle starts anew. Each day a little step, each day a little closer to something resembling normal. But normal feels like a foreign concept now, something out of reach, something that maybe I''ll never fully grasp again. What is normal when you''re a superhero? Did Liberty Belle feel like this when she was getting her cancer treated? I think she must''ve. I think if she felt like it was easier than me, I''d feel insulted, somehow, but it''s not exactly like I can ask her. I ask her in my dreams, but she never answers, of course. Plus, dreams aren''t real, and neither are ghosts.
Something new today, my therapist told me. Yeah, not digging this. The trip from my hospital room to the rehab center is a short journey, but it feels like a million miles. I walk slowly, still unsteady on my feet, feeling the eyes of nurses and doctors on me. They know me here, the girl who survived the impossible. My heart beats a nervous rhythm, a mix of anticipation and apprehension about this new step. The rehab center is a different world from the hospital. It''s brighter, livelier, but still carries that clinical air. I pass through corridors lined with motivational posters, echoing with the sounds of recovery and rehabilitation. My steps are measured, a testament to the grueling hours of physical therapy, and I refuse to use the cane, determined to rely on my own strength. I wonder to myself if there''s a pill for the sort of depression you get from staying in a box for like¡­ two, three months. Is that also lithium? Or do they give me something else for that? As I enter the group meeting room, the reality of what I''m about to do hits me. I''m here to join a support group for traumatized superhumans. People whose powers came at a heavy price, or in impossible circumstances. And maybe some of them have rogues of their own, but I''m doubtful. From what I''ve been told, not all superhumans are superheroes or supervillains. Most of them are just¡­ people. The room is filled with faces, each carrying their own story of pain and survival. Each the face of another person. Chapter 66.2 I shuffle into the support group room, feeling every bit as awkward as I look. I''m late, and all eyes turn to me as I enter. The room is a circle of chairs, each occupied by someone with their own story etched into their face. I grab a nametag, hastily scrawl "Sam" on it, and find a seat, trying not to draw more attention to myself. "Ethan" sits next to me, his presence marked by a palpable intensity. His eyes are like scanners, perpetually sweeping the room as if expecting a threat to materialize any second. His fingers tap a silent beat on his knees, a rhythmic twitch betraying an undercurrent of anxiety. His nametag, neatly written, belies the storm of nerves within him. Across from me, "Zara''s" youth looks unwelcome with the storm in her dark gray eyes. I wonder what could''ve brought someone like her, probably no older than Daisy, here into this world. Her arms are wrapped around herself in a self-embrace, as if holding together a fragile being. Her nametag is a bit askew, and has hearts drawn on it. She can''t be older than 11. Maybe 12. "Liam" looks to be about my age, lost in a world of his own. His gaze is distant, fixated on something beyond the confines of the room, looking past Zara and into the wall. His hair is blonde and I could almost call him handsome if not for the sunken, kind of horror movie vibe he''s got going on, like he just crawled out of a mirror and is about to fuck your day up. But I get the impression that he couldn''t really hurt a fly even if he wanted to. "Tara", in her late twenties, sits with a controlled poise that speaks of efforts to contain something inside of her. I can see the way her fingers twitch just like mine. Her smile, brief and strained, doesn''t quite come up to her eyes, making her cheeks really stretch and work for it. Her posture, rigid and self-contained, is turned almost entirely in her. She makes eye contact with me. I look away. "Marcus", the oldest in the group, carries the weight of worry on his face. His hair is starting to grey, I''d imagine prematurely, and his face is covered in worry lines. He''s a bit on the heavier side but I don''t call any attention to it, because that would be rude. He looks like he''s ready for shit to start. Me too, dude. Me too. Next to me on the other side is some girl named "Nina", with her nametag placed firmly on her forehead. Her hair is all kinds of crazy colors, and her face and ears are just studded with piercings. I wonder how I''d look with some. I wonder-- never mind, thought cancelled. That one is not even leaving the station. We make eye contact every so often. Finally, "Derek"''s making me feel like I''m about to get socked in the jaw. His hair is bright orange and I am operating under the running assumption that he has a switchblade somewhere on him. He''s even got one of those leather jackets with all the patches sewn on. Talk about edgy. The therapist, a woman named Dr. Jensen, gives me a welcoming nod. "Glad you could join us, Sam. We were just about to start sharing our experiences. We''ll start by establishing some ground rules, and then we''ll get started. Does that sound alright for everyone?" There''s scattered murmurs of assent from throughout the room. Yeah, sure, yep. Let''s go. Dr. Jensen begins by setting the tone with a gentle but firm authority. "Welcome, everyone. Before we begin, let''s go over some important guidelines for our group," she starts, her voice steady and reassuring. "First and foremost, this is a safe space for all of us. What''s shared here stays here. Confidentiality is key to creating an environment of trust and openness." She pauses, ensuring everyone''s attention. "Respect is our cornerstone. We listen without interruption, judgment, or unsolicited advice. Each of you will have time to speak, and it''s crucial that we honor that space for everyone." Dr. Jensen continues, her demeanor radiating a sense of calm. "You''re not required to share more than you''re comfortable with. Discussing your powers or how you acquired them is entirely up to you. This is about your feelings and experiences, not just your abilities." Her eyes scan the group, a mix of understanding and compassion. "Lastly, let''s remember to be kind to ourselves and each other. We''re all here because we''ve been through extraordinary circumstances. This group is a place to heal, grow, and support one another on that journey." She takes a breath after what seems like an acre of talking. "We''ll start with a quick ice-breaker. Just tell us your name and one thing about yourself you think would be nice for us to know. It can be a hobby, or something you enjoy, or some kind of preference you''d like to have followed. Ethan, do you mind starting?" She makes it sound so simple, but the idea of revealing even a small piece of myself to this group of strangers is daunting. Ethan goes first, his voice steady. "I''m Ethan, and I¡­ I like to run. It helps clear my head." He offers a small, almost shy smile and then looks down at his hands. Zara is next, her voice barely above a whisper. "I''m Zara, and I like to draw." She glances around the room quickly before retreating back into her shell. Liam''s turn comes, and he speaks with a detached tone. "Liam. I enjoy reading, mostly fantasy novels." His words are like mist, there and then gone, as he retreats back into his distant world. Tara straightens up a bit as she introduces herself. "I''m Tara, and I''m a bit of a coffee aficionado. It''s my small daily luxury." There''s a hint of warmth in her voice, a glimpse of the person beyond the rigid exterior. Marcus chuckles softly as he speaks. "Marcus here. I''m a fan of old movies, the classics. They don''t make them like that anymore." His smile is genuine, a brief respite from the worry lines. Nina rolls her eyes playfully. "I''m Nina, and I guess I''m into body mods, if you couldn''t tell." She gestures to her piercings, a spark of pride in her eyes. Derek scoffs lightly before speaking. "Derek. And I don''t do hobbies." His arms are still crossed, but there''s a slight easing in his posture, an almost reluctant participation. Then it''s my turn. I take a deep breath. "I''m Sam, and I¡­ I used to be really into soccer." The words feel heavy coming out of my mouth. Used to be really into soccer. Even when I get out of this jail, will I be able to play soccer again? Will my ankles snap like a twig? I hear them talking about my bone marrow a lot, and I don''t have cancer yet, but I have no idea what the future will bring. The narrative has been illicitly obtained; should you discover it on Amazon, report the violation. It''s scary. Dr. Jensen nods encouragingly as I finish. "Thank you all for sharing. Let''s keep this openness as we move into discussing our experiences. Remember, this is a safe space. Who wants to start?" The two hours in the support group feel like an even mixture of pain and strength in equal parts, like baking a trauma cake. Dr. Jensen guides the discussion with care, sometimes asking questions that make us think deeper. The stories we hear are a mix of struggle and survival, each different but strangely familiar. Ethan tells us about a night that changed his life, a robbery gone wrong where he couldn''t save a friend. His voice stays steady, but we can see the pain in his eyes. Zara speaks softly about feeling lonely and how drawing helps her cope. She doesn''t say much, but I understand how she feels. Damn. Maybe I should start drawing. She shows us her notebook. It''s good. A lot better than anything I can draw. Then it''s Liam''s turn. He talks about how his powers have made him feel isolated, but he finds solace in fantasy novels where he feels understood. Tara shares her journey of finding joy in her daily routines and how coffee has become a cherished ritual of self-care. Everything feels so rote and regimented here. I''m having trouble hanging on, but the fear of social faux pas keeps me anchored to the now. I don''t want to nod off while someone''s talking and make myself look like an asshole. Marcus shares his love for old movies and how they offer an escape from the tough realities of life. He laughs as he describes scenes from his favorite films. Derek asks if he''s ever seen Fight Club. Marcus looks at him like he''s an idiot with three heads. Of course he''s seen Fight Club. Have you read Fight Club? Derek says reading is for suckers. Nina casually mentions her body modifications as a way to express herself and rebel against the trauma she''s faced. Yeah. I could guess that. I think if I was a meaner person, or maybe if I was Jordan, I would make a quip about daddy issues, but I keep that sort of judgment to myself. Not the place, Sam. Think about other things. Do not think about Nina. Okay. Let''s try that. (Not working). Derek remains silent, arms crossed, and his expression guarded. He listens but doesn''t contribute, keeping his untold story locked inside like a fortress. Okay, tough guy. As the session goes on, our conversations start to blend together, overlapping and echoing one another. I mostly listen, taking in the shared experiences and the common bonds that connect us. I keep my own superhero part hidden, only speaking about the aftermath and the struggle to reconcile my past self with who I am now. They can all see it on my face, in my body, the sallow thinness to my skin, the way it sort of hangs off of me, surrounding where muscles used to be. I can tell they''re all making their own silent judgments. That''s okay. I''ll let it happen. And all the while, Dr. Jensen asks gentle questions that encourage us to reflect. "How do you find strength in your everyday life?" "What little victories can you celebrate?" "How has your perspective changed since your Activation?" Therapist shit that feels extremely pointless. My therapist bites and rips at me, cutting under my skin with a scalpel. We got past the pleasantries weeks ago. This feels like a barrage of bean bags by comparison, totally limp and useless. Everyone answers them, though. I''ve gotten a little used to therapy talk over the weeks, that specific phrasology they want you to use. Self-care, safe space, self-soothing, all the jargon. Derek offers nothing, and that''s more interesting than anything else anyone else says. His silence gnaws at me like a small rat. Why is he even here? It annoys me. I want to punch him in the face. For the first time since I started this lithium, I can feel something flare back to life in my head, between the two lobes of my brain. Something about this guy and his school shooter getup makes me angry. His stupid leather overcoat that drags on the floor, the occasional snarky quip that denigrates the shit the other people have to say. I bite back the urge to say something to his face. During the second hour of the support group, things start to get a bit more lively. People loosen up and the conversation becomes more animated. We laugh and sometimes there''s a bit of tension, usually around Derek, but Dr. Jensen knows how to handle it all. At one point, Marcus cracks a joke about his obsession with movies being his ''superpower''. Some people chuckle, but Derek just rolls his eyes and mutters something under his breath about needing less escapism. It gets a bit tense for a moment, but Dr. Jensen quickly changes the topic to something more positive. Marcus moves to his powers, and how his they always put him ill at ease. Sure, he can avoid being shot, but how does that help him do the dishes? It doesn''t. I get that. I don''t think my powers are useful for anything other than putting myself at risk and saving other people''s lives. Would I be on a different path if I had something different in my bones? Did my powers turn me into this, or was I always going to be a crime-fighter? My teeth don''t help me do the dishes. They help me break dishes. Then Nina opens up and admits that her piercings and wild hair are a way to control how people see her and distract from the pain she feels inside. Barf. No, that''s rude, Sam. She''s expressing emotional vulnerability, and that''s extremely mature of her. Tara nods in understanding and shares a similar feeling about her coffee rituals. I glance from Tara to Zara, wondering if they''re related somehow, or if the names are just a coincidence. It''s not like we know anyone''s last names - and probably for the better. I''m about to get ready and actually say something, to open my big fat mouth and vomit out a portion of my guts for this tinker-toy playhouse to dissect and observe, but I''m rudely interrupted. Derek suddenly stands up and loudly scrapes his chair against the floor. "I''m out," he declares, turning around and starting to trod out the room. That does it. I scrape my chair just as loud if not a decibel or two louder, and stand up myself. "What''s your deal, dude?" "Huh?" Derek asks, sounding genuinely confused, whipping around to face me. Dr. Jensen shoots me a look that I''m sure is meant to psychically convey the idea of ''sit down and stop yourself from getting into a fight''. I try to come up with some snappy comeback, but his simple ''huh?'' pulled me out onto my back foot somehow. Should I say "what''s your fucking problem?" No, absolutely not. How about pointing out his behavior directly, maybe a "you''ve been nothing but dismissive the whole time towards everyone else, and now you''re going to leave early?", but that doesn''t catch either, even though it''s closer to how I actually feel. Everyone''s looking at me, which is the exact opposite of what I''d like. So instead, I just sit back down and scoot my chair back into the circle with three quiet, tiny scoots. "Never mind. Take care, Derek," I say, small and meek, like a mouse. "Everyone processes in their own time and way, Sam. It''s fine," Dr. Jensen says, once Derek is out the room and out of earshot. "He leaves early every time. It''s alright." "Oh," I reply, feeling embarassed, turning tomato red. As the session wheels down to an end, I sometimes zone out and get lost in my thoughts, but then someone will say something that really hits home and brings me back. Ethan talks about the weight of always having to anticipate danger, and I completely understand what he means. How it feels to always be looking over my shoulders. Zara surprises us all by showing a beautiful drawing she did. Her notebook is filled with pages and pages of drawings, most of them macabre, feeling totally unsuited for a girl her age. But then again, girls my age don''t fight supervillains, so maybe I don''t really have a high horse to look down from. Dr. Jensen wraps up the session by encouraging us to reflect on what we''ve shared and heard. "Remember, you''re not alone on this journey," she says softly. "I''ll be seeing you all at the same time next week, alright?" Everyone answers, in their own particular way of saying yes. I''m not going to go over every single one. It''s all the same. Of course we''ll be back, Dr. Jensen. This is the only thing we have to look forward to. I shamble out of the room, feeling this strange, burning, noxious mixture of embarassment, exhaustion, and clarity. A voice in my head says ''first order of business - beat up Derek'', but then I remind myself that randomly beating up people just because they''re assholes isn''t exactly a superhero thing to do. Instead, I shove that voice deep down where all the other trauma lives, stumble along the walls to the elevators, and start making my way back to my beddroom in the upper floors of the hospital, ready to sleep again in the crushing darkness. Chapter 67.1 The room''s still got that sterile hospital smell, but today, it feels a bit less oppressive, maybe because Jordan''s finally here. They stand in the doorway for a second too long, like they''re not sure if they''re in the right place, but then our eyes meet, and there''s this awkward sort of half-smile on their face. I try to return it, but I''m pretty sure it comes out more as a grimace. It''s weird, seeing Jordan here, in the flesh, after what feels like forever. "Hey, Sam," Jordan says, their voice a little unsure, like they''re testing the waters, seeing if they''re too cold or too hot. They shuffle closer, hands buried deep in their pockets, and I can''t help but notice how different they look. The last time I saw Jordan, we were¡­ well, it doesn''t really matter now, does it? What matters is they''re here, looking like they''re carrying the weight of the world on their shoulders. I manage a smile, surprised at how my heart leaps at the sight of them. "Jordan," I breathe out, my voice steadier than I feel. It''s been weeks, maybe more, since we last spoke, the hospital room feeling smaller with them in it. "Hi, Jordan," I repeat, my voice sounding strange to my own ears. It''s like we''re two strangers trying to figure out how to talk to each other again, except we''re not strangers, or at least, we weren''t. They step inside, closing the door behind them with a soft click that seems to echo off the sterile walls. We''re both awkward, aware of the gulf the hospitalization has wedged between us, yet there''s an underlying current of relief, a silent acknowledgment that we''re finally bridging that gap. Jordan breaks the silence first, "I¡­ uh, got us a place. The music hall." They shuffle their feet, looking everywhere but at me. "After my mom¡­ you know, I talked to the owner. It''s not exactly zoned for living, but it''s ours. For the team." My eyebrows shoot up, a mix of surprise and admiration. "You did that?" I can''t help the grin spreading across my face, both at the thought of the music hall becoming our base, but, like, officially, and at Jordan''s initiative. "That''s¡­ incredible, Jordan. Really." They finally meet my gaze, a tentative smile tugging at the corners of their mouth. "Yeah, well, we needed a place. And I needed¡­ I needed to make things right, somehow." I raise my eyebrow. "You also needed a place. Don''t make it sound like you were doing me some big favor." Jordan puts a hand to their hair and squeezes. "But you can live here! When you''re out of the hospital. You know, waiting for them to fix your house." I almost feel bad for Jordan. Their eyes have this deep darkness to them, huge bags beneath that I''m not sure are from makeup. "Jordan, my house is almost done." "Ah," they say, almost flinching from it. "Dude, man," I say, waving my hand up. "Neither, but go ahead," they reply. I grab my pillow, put it in front of my face, and yell quietly, built up frustration in my throat and in my neck. Not at the gender stuff, just¡­ expelling a lot of Jordan-related emotions at the moment. "It''s April, Jordan." "Yeah, I know," they reply, pretending to not understand why I''m mentioning the date and time. "My birthday is in two weeks and some change," I continue. "Congratulations," they mumble. I stare at them, but they look away, towards the ways in which this hospital room has been made mine. A couple of shark plushies, and a larger quantity of dog or wolf related plushies, most of them scattered about the floor or assembled in loose piles near the bottom of my bed. The stacks of textbooks all dog-eared like nobody''s ever going to use them again (and thus the disrespect for the paper is acceptable). My laptop, quietly playing smooth jazz for me, sits on the table positioned next to my bed. So does several packets of jello. Like I mentioned before, I could go several years without eating jello again, but, you know, it''s a flavor. "It''s not just a base," Jordan explains, a hint of pride in their voice, trying to change the subject from my obvious implication. "It''s a statement. That we''re not going anywhere, that we''re here to stay." I lean back, absorbing the magnitude of what Jordan''s accomplished, not just in terms of logistics but what it signifies for us as a team, as a family forged by choice and circumstance. "You''ve really outdone yourself, you drama¡­ monarch" I say, meaning every word, but unable to stop the sarcasm from dripping out of my throat nonetheless. Is it sarcasm, or is it venom? Either way, I feel bad for it coming out. I can see the wince winding up on Jordan''s face. "I can''t wait to see it, to be there with all of you." Jordan''s smile widens as they look away from me, and they nod, their eyes alight with the vision of our future. "Yeah, it''s going to be great, Sam. You''ll see. Once you''re out of here, we''ll make it our fortress, our sanctuary." Their gaze drifts, lost in their daydream instead of back on Earth, here, doing the important things like "explaining themselves". Love this story? Find the genuine version on the author''s preferred platform and support their work! "So, how''d you swing that?" I ask, trying to bring them back down to the ground. Jordan''s neck snaps back down and they look at me a little funny. "Huh? Swing what?" "How''d you swing being able to rent the music hall, dummy," I respond, trying to avoid my initial urge to say dumbass. Therapy has started sanding off all my rough edges. I know it''s probably, like, good for me, but my therapist thinks I should be cussing less. And so does the support group. I remember I barely said fuck this time last year, I thought it was a sacred thing to be reserved for situations like ''being in life threatening danger'' or ''stubbing your toe'', but it feels like with the company I''ve been keeping (particularly Playback), my cuss per hour ratio has rapidly accelerated throughout my superhero career. Ahem. Anyway. "Well, I had to track down the guy who owns the place first. You know, good ol'' fashioned detective work, like the kind you¡­ do," Jordan says, visibly straining not to say ''used to''. I get it. "Elbow grease and all that. Then I just rung him up and explained the situation. Hey, buddy, it''s me, your squatter. I''ve been cleaning the place up and putting in air filters and solar batteries and shit. Any possibility I can rent from you, because my mom is a spiteful cunt and disowned me and I''m improving your property values for free?" "And he went for it?" I ask, raising an eyebrow. Jordan laughs. "No." "Jordan!" I half-shout, but they put their arms up defensively. "I had to talk them down from a ledge! You know, shit we''re used to. I had to bring out my epic negotiator skills. And offer him a shitload of money, you know, first and last and second-to-last and second and third-to-last on an old, historically significant building - it''s not cheap. Ate a lot of my college fund," Jordan explains, slowly lowering their hands as they watch my expression. "The guy was really mad that I was squatting but I got through to him. And like I said, it''s not ''zoned for residency'', whatever that means," "My dad would know exactly what that means. You should ask him," I interrupt. "Frankly, I''m not interested in getting someone from city hall peeking into my illegal occupancy of a historical monument, dawg," I scrunch up my face a little. "Oh, yeah, right. Anyway, zoned for residency." "Right. It''s an old, decrepit, busted up building, and even if it wasn''t, it was a music hall, not an apartment complex--" Jordan continues. I have to interrupt with a joke my Dad told me the other day. "Complex? I actually think it''s an apartment simple, maybe even an apartment easy," "Will you let me finish the story, damnit?" Jordan half-shouts, raising their voice and their hands a little in gesticulation. I flinch back with a sheepish smile. I''m not actually afraid Jordan will hurt me - an extremely funny sentence, given how we met, I understand - but I''ve just been jumpier recently. Jumpier since Chernobyl. The person, not the place. Obviously. "Anyway. So, what we''re doing there is still technically illegal, but, like¡­ you know, I''m paying him a lot of money. I have enough saved up for like four months of rent, so either we start kicking butts and reclaiming wealth for the neighborhood again," "Extremely unlikely, given my super-cancer," I joke. When Jordan looks at me with the biggest, wettest eyes I''ve ever seen on a human being, much less a stray dog, it''s my turn to raise my hands up defensively. "I''m fine! I don''t have cancer. Most of the radiation has been purged from my bone marrow from my regeneration. I will probably not get cancer." Jordan breathes a sigh of uncomfortable relief. "Or I have to start finding, like, an actual job, and paying actual rent. And doing that while saving up for college. And rent." "You said rent twice," I point out. "I think about it a lot!" Jordan snaps back. My hands are still up from the cancer quip, so I raise them just a little bit more, like I''m shielding my face. "Sorry." "It''s alright, man. So you''re here to slyly ask me to come back into action so that we can steal money from criminals to pay the rent for long enough for you to save up for college and escape the life you''re stuck in?" I ask, trying to dig to the heart of the matter. "No," Jordan says extremely defensively, looking away from me and crossing their arms over their chest. I don''t respond. I just stare at them with an eyebrow cocked. A guaranteed negotiation-killer, courtesy of my father and Pop-Pop Moe. Just stop talking and raise an eyebrow at them. "Yes," Jordan exhales, their entire body sagging. "It sounds like you think of me less of a friend and more of a tool for financial gain," I blurt out, regurgitating some fears my therapist has been working on. I immediately shoot my hand up to cover my mouth. "That was a joke." Jordan stares at me like I just called them the nastiest thing I could think of. There''s about a minute of silence as Jordan formulates how to respond. I''m prepared, fully, for the consequences of my actions. Either Jordan slaps me, or I''m about to get an earful. Instead, what comes out is; "Sam, that would be really hurtful if it wasn''t partially true," they say back, and we both burst into awkward, but genuine laughter. As each chuckle and chortle comes out, it becomes a little less awkward and a little more genuine, until we''re both wheezing with hysterical ha-has. It feels good. Eventually, we calm down, after what feels like forever but is probably five minutes. I break the resulting silence first, since I know the no-talking chicken could last forever. "It''s good to see you again. And I''m glad we have our base, for however long that is." "Yeah," Jordan replies. "You too," they breathe out. As our time together draws to a close, Jordan stands, their chair scraping softly against the floor. "I should let you rest," they say, though it''s clear neither of us wants to end this moment of reconstruction. "Thanks for coming, Jordan. Really," I tell them, my gratitude deep and genuine. "It means a lot." They nod, a silent¡­ something hanging in the air between us. "I''ll be back soon, Sam. We''ll all be waiting for you." Jordan lingers by the door, their hand resting on the handle, but they don''t turn it. Instead, they pivot back toward me, the weight of unsaid things hanging between us like a tangible force. "Sam, there''s something I''ve got to say," Jordan starts, their voice laced with a heaviness that immediately draws my attention. Chapter 67.2 I raise the eyebrow again, but try to do it in a way that''s a little less accusatory. I straighten up, sensing the shift in the air, the mood turning more solemn. "What''s up?" I ask, my earlier amusement fading into concern. "It''s about¡­ after Chernobyl - sorry, Illya. After I saved you," Jordan pauses, struggling to find the words. "I felt so guilty, Sam. For leaving you at the hospital, for not being there when you probably needed me the most." They look away, unable to meet my gaze, their admission hanging in the air. I''m taken aback, confusion knitting my brows together. "But why, Jordan? You saved my life. Why would you feel guilty about that?" It doesn''t make sense to me. I mean, I have a vague recollection of them being there while I was out for two weeks, but really, vanishing afterwards just felt like¡­ I don''t know. It felt like a very Jordan thing to do, despite being extremely upsetting. Jordan takes a deep breath, finally turning to face me again, their expression a mix of frustration and sorrow. "I don''t know, Sam. I honestly don''t. It was like¡­ everything was too much, too real. I was scared," they admit, the words tumbling out in a rush. "Scared of seeing you hurt, scared of what it meant that I couldn''t protect you from that. You''re one of my best friends. You''re definitely my best superpower friend." "Not Spinelli?" I ask, quirking the eyebrow with slightly more accusatory power this time. "Boyfriend does not equal best friend, loser," Jordan replies, reaching in to give me a noogie, only to falter mid-reach at my tiny little buzz cut of hair. It''s started growing back! Barely. For a moment, we just sit in silence, each lost in our own reflections on the events that have so fundamentally altered our lives. Jordan''s hand lowers. "Sorry, I''m being gay. Like in the 2002 way of it," "I don''t know what that means but I''m not going to question it," I mumble. There''s another couple minutes of uncomfortable silence, Jordan''s hand just getting sweaty against the door handle. "I get it," I finally say, my voice soft, but firm. "I''ve been living with all the guilt too. You know I was there with¡­ Diane. I don''t want you to feel like you have to shoulder the same feelings. It''s alright," I want them to understand, to really hear me and know that this bond we share, it''s stronger than the trauma, stronger than the fear. "We''ve been through a lot together, man. It''s okay. Just¡­ text me next time that you''re alive." "Were you worried about me?" Jordan replies, cracking the tiniest of smiles. "Yes, you doofus!" I half-shout, throwing a plushie at them. "You go radio silent, I see Spinelli like once a month and, by the way, he''s getting ripped, and, like¡­ people stopped visiting me, man." I look away, because saying it out loud suddenly makes it hurt, like a knife to the chest. Maybe more. "People feel really bad when you just come out of a coma. But they don''t feel nearly as bad the next couple of weeks after. I really hated the pity party, but then, I really missed it. And you¡­ just weren''t there, man. I thought you just got bored of me." "Never. You''re far too stupid to be boring," Jordan jokes, but I''m not having it. "Take this seriously, Jordan," I sort-of-order them. "I nearly died. And you and Spinelli saved me. And then you just vanished, and you stopped answering my texts, and you stopped talking in the HIRC chat, and it''s not like I can tell my parents hey, can you go check in on the abandoned music hall a neighborhood or two over, just while you''re here in a hotel two blocks away from me so you can make sure I''m not dying of super-cancer. Huh? No reason, I just have a friend squatting there that I want to make sure isn''t dead. You fucking dumbass, didn''t you think I''d be worried about you too?" Jordan nods slowly, a tentative smile beginning to form. "Sorry. I didn''t get bored of you," "I KNOW!" I shout, for real, this time a full shout. Jordan wobbles back like an industrial fan just shot out a puff of air across their wiry body. "It''s just¡­ like¡­ people stop leaving flowers. And I wanted to make sure my best friend didn''t get killed by the supervillain mafia! And had a stable living situation! You''re like a sister to me, man. Or a brother. A sister-brother." "You can just say sibling," Jordan chuckles in between tears, wiping their face with one finger, wrapped up underneath their sweater. A sweater? In this heat? Whatever. "And thanks, I''m friendifying you too." "This is not the part where we tearfully start making out, no," I reply, turning around to make sure that I''m not being heard by anyone other than the intended target. I feel a surge of paranoia run through my shoulderblades, and whip my head around to face the window. Then, I raech over to shut the curtains. "No, the curtains shutting do not change that." "You''re not my type, Sam. Too girly," Jordan jokes, trying to break the skin of tension that''s formed like a weird pudding skin across my hospital chocolate puddings, of which I desperately need more of. "I''m too girly?" I ask, raising an eyebrow. "Yes. You''re a girl. I''m not into girls. And you''re too femmy for me even if I was," Jordan replies like it''s the most normal thing to say in the world, hand flipping outward in a dismissive gesture. "I''m too femme?" I ask again, in mild disbelief. Jordan leans in a little closer. "Did I stutter?" I sit back, mock-offended. "Whatever. Anyway." "Anyway," Jordan chirps. "Sure you don''t want to make out?" "Jordan!" I hiss, swatting their hands with my own. Oh! Note to self - my nails have grown back. They''re all nice and even now. I honestly didn''t even notice until now. Yay! Then, it''s quiet. Jordan sitting on the guest chair, me sitting in my hospital bed, the light slowly getting dimmer outside as the sun goes down. Streetlights flickering on one by one. We don''t do much, for a couple of minutes. Then, those minutes stretch out into an hour or so. We sit together in a silence that''s no longer uncomfortable but filled with a sense of mutual understanding and reassurance. It''s not a complete resolution, but it''s a step, a moment of connection that reminds us why we''re not just teammates but friends. In the newfound quiet of the room, Jordan and I share a glance, an unspoken understanding passing between us. It''s as though the room itself breathes a sigh of relief, the walls echoing back our silent agreement to move forward, not just as individuals, but together. "Looking back," Jordan begins again, their voice steadier now, but sounding scratchy for a second until they swallow, to freshly lubricate their throat with spit, "I think I was overwhelmed. Not just by what happened, but by the fear of losing you, of losing any of you. And somehow, distancing myself felt like the only way to handle it." Their hands clench and unclench as they talk like they''re milking the invisible cow. But I won''t mention any of the melodrama, because G-d, does it feel like my life has been sort of a soap opera all of a sudden. If you discover this tale on Amazon, be aware that it has been unlawfully taken from Royal Road. Please report it. I nod, feeling a pang of empathy. "I can''t pretend to fully understand, Jordan, but I do know what it''s like to be scared," I say, throwing my hands around in a circle, gesturing at the hospital room around me. "It''s been, you know¡­ it''s been a crazy couple of weeks! Couple of months, really. I haven''t seen the inside of a school building since the winter. And my parents are back in Philly and even though they have a security detail I''m scared, you know? We''re all scared." "Right," Jordan agrees, a small but genuine smile breaking through. "But we don''t have to be scared alone. We can be scared together," I continue, cracking a grin, all my shark teeth interlocking. "You know, like we''re watching a horror movie. Scared together." "Stronger together," they say. It feels like a vow, a commitment to not just the idea of us as a team, but as a family of sorts, bound not by blood but by choice and circumstance. "When''d you learn to be such a philosopher?" My answer is blunt and unambiguous. "Group therapy." Jordan laughs. "Really? You go to group therapy now? Doggirls Anonymous?" I scrumple my brow up. You know, scrumple. Not really a better word for it. "First off, it''s shark powers and you know that. Secondly, yes, I go to group therapy now. I go to a lot of therapy. Mental, physical, and I''d say spiritual but I''ve only seen a Rabbi like¡­ twice while I was in here so I can''t exactly say it was regular." "Doesn''t your Pop-Pop Moe count as a Rabbi?" Jordan asks, leaning back in their uncomfortable guest chair, stretching their legs out. "I thought he was all about dispensing old Jewish wisdom." "Well, no, it''s a thing you have to study for. And like¡­ get a degree, I think," I answer. Truthfully, I''m not sure if Pop-Pop Moe is a secret Rabbi or not, but the thought of him dressed as one sure is making me giggle a little bit internally. Jordan chuckles. "A degree in Rabbiology." "You mean Religious Studies?" I correct them. Jordan''s face goes blank for a moment. "Ah, right. Forgot that existed. But tell me about group therapy! Is it like¡­ a support group for traumatized superheroes?" I blink at them a couple of times. "Yes." "Shit, really? I was joking," Jordan mumbles sheepishly. "I mean, traumatized superhumans, but, yes. As far as I know I''m the only one there that''s, like, an actual superhero. The rest of them are just civilians that have superpowers and just, like, don''t use them for superheroics. Which," I start talking, stopping to wave my hand in front of my face like I''m dispelling a bad odor. "Let''s not get too deep into that. I''m sure you''ve had enough philosophy for one day." "You''re damn right, give me the gossip," Jordan cheers. "Okay, Yenta," I start, ignoring Jordan''s pointed look of confusion. "Ethan, Zara, Tara, Derek, Liam, Marcus, and Nina. Ethan has super-reflexes, Zara has some form of ESP, Tara can do something with heat, Liam I''m not really sure, Marcus can create small time loops, and Nina generates, uh¡­ what are they called, EMPs. Electromagnetic--" "Yeah, yeah, I know what an EMP is. Tell me about Derek. You left him out on purpose to get my attention on the missing man out," Jordan says, catching me by surprise by my metaphorical ankle like a bear trap snapping shut. "Damn, at least let me play up the suspense. Jeez," I wave my hands around, wearing an exaggerated frown. "Derek is an asshole." "As his superpower? Because that''s sort of my superpower and I don''t really do doubles," Jordan cracks. "No, I mean¡­ I have no idea what his superpower is. Or anything about him besides that he''s a huge douchebag. He dresses like the Columbine dudes," I start, leading to a pained wince from Jordan. "He doesn''t say anything and when he does say something it''s always some sort of like, snarky comeback that I''m sure sounds cool in his head but just makes him sound like a tool, and he always leaves 30 minutes early. Which, like, fine, whatever, but he''s always like ''I''m done here''," I say, trying to imitate his voice to draw a laugh out of Jordan (it works), "and makes, like, a show of it. He wears a leather trenchcoat." "Like Keanu Reeves in the Matrix?" Jordan asks, their eyes alight with some sort of sparkle that I do not understand. "Like Keanu Reeves if he had orange hair and freckles and also was a huge dork with no personability at all. So, yes. Like Keanu Reeves in the Matrix," I say, watching with no small amount of amusement as all that sparkle leaves Jordan''s eyes in a second. I have no idea what it was, and, really, I don''t want to ask. "So, obviously, the mystique has you going absolutely insane, right? Like totally apeshit--" "YES! UGH!" I groan, punching one of my plushies. "I hate him so much. He''s so cocky but in a way that''s totally not cool at all. I''ve never once felt the need to bully someone¡­ well, that''s not true, but that was to escape torture, so--" Jordan interrupts my interruption. "Come again?" "Long story, I''ll tell you later. Anyway, like I was saying, I have never felt the need to bully someone before but I really need to give this guy the swirlie of a lifetime. He''s just so¡­ cocky! And dismissive! And cocky! And like¡­ rude and brusque. And gruff. And just a dick," I say, sighing, my entire body sagging as I run out of synonyms. That''s not true, I just got tired of speaking. My throat hurts, so I reach over to sip on my provided water cup. "Cool it on the thesaurus, daughter of a librarian," Jordan teases, flicking my nose. I scrunch my face up in slight pain and flick them back. They don''t even flinch. "But I get it. There''s nothing more annoying than an impenetrable wall." "Yeah. I need to figure out what his deal is," I grumble, looking back at the window, expecting to see the city but only being greeted by curtains. Augh. "Want me to tail him?" Jordan throws into the conversation, nonchalant, like it''s not a big deal. I whip my head around so fast that my neck cracks, and I see stars for a second - ten of them later, and Jordan''s helping me up after I''ve fallen just totally down, losing all muscle tone for a moment. That was¡­ unpleasant. "I''m serious," "Jordan, that''s illegal. And weird," I remind them. "I''m not a superhero, remember?" they remind me. "Antihero at best. Well-intentioned supervillain at worst." "The only person you''re fooling with that sort of shit is yourself, you big sap," I counter, reaching out to mess up Jordan''s crinkly, slightly-gelled hair. I don''t comment on it, just filing it away into my mental filing cabinet - Jordan got dolled up a little to come see me. Implications? Unsure. "You''re a superhero through and through. I remember that shit you said to your mom. You aren''t fooling anyone." "FINE, I''m a superhero, you got me. But not the cop kind, which is why I can still tail someone and not feel bad about it. I don''t have scruples, Sam!" Jordan points out. "We''ve been robbing criminals to get by! I''ve been illegally squatting for months! I''m not exactly what you''d call a model citizen." "Do what you want," I say, trying to dismiss the conversation entirely. "I know I can''t really stop you from here." Jordan laughs. "True, but I''d listen to you if you told me not to," I stare at the curtains. Jordan looks at me, I can see that much in my periphery. The minutes drag on with the ticking of the clock on the wall, tick, tock, tick. I watch the sliver of moonlight starting to stretch out from between the curtains on the windows. Every second that passes, my refusal to answer becomes more pointed. It takes me about a minute to figure out how to respond. "Just¡­ make sure he''s not a serial killer, but don''t break into his house, okay? I already feel gross saying that." "Because you''re trying to come up with a good excuse to make it not sound like you want to spy on him purely out of self-interest?" Jordan jabs, making my heart skip two beats. "Stop doing that!" I semi-yell. "Reading you?" they ask. "Yes!" "No, el oh el," Jordan responds, scrubbing their palm and fingerpads over my prickly, prickly scalp. "But I know how you really feel, so don''t worry, I''m not going to do anything. I know your precious little superhero heart couldn''t justify spying on someone based on a hunch, you good samaritan, you." A sigh builds up in my chest and explodes outwards, as my body flops onto the bed. All the talking has worn me out - most of the time, I''m just listening. "Do what you want, Jor." Jordan reaches down and pulls me into a loose hug. It lasts for another couple of minutes, and about halfway through, I reach up enough to hug them back. "You''re a good person, Sam. And a good friend. And I''m sorry for being a shitty one," I thump them on the back twice, hard enough to make them cough. "We''re even. Don''t worry about it." They pull away from me, gathering their bookbags and other sundries from the floor and slinging them around their shoulders. "I''ll be back tomorrow, or whatever. Okay? Don''t go getting mega-ultra-cancer overnight and dying on me, or I''ll be really mad." I can''t help but smile as they turn around and head towards the door of my hospital room. "I make no promises," "Good. Promises are stupid," they reply. Chapter 68.1 The sun filters through the blinds, casting a warm, dappled light across my hospital room, drawing thin shadows over the white walls. I''m half-awake, a familiar grogginess weighing down my eyelids, making the world seem soft around the edges. It''s the drugs, a cocktail of painkillers and who-knows-what-else, that keeps the pain at bay and my mind in a fog. Waking up in the morning is never easy these days. I always want to stay asleep, where the pain isn''t real. That''s always the best spot for me, I think. As I blink slowly, trying to gather my wits, I notice movements at the periphery of my vision--quiet shuffles and the gentle clink of metal. The nursing staff, who''ve become more like daytime guardians, are tiptoeing around, transforming the sterile room with splashes of color. Balloons bob gently in the air, tethered to my bedside table, their vibrant hues a stark contrast against the clinical whiteness. Streamers twist in lazy spirals from the ceiling, a rainbow caught indoors, leading my gaze to a small banner stretched across the far wall, proclaiming "Happy Birthday, Sam!" in cheerful, looping letters. One of them catches my eye, and I catch theirs, and we make eye contact. I blink slowly at them, like a cat, and she smiles and puts a finger to her lips. Shush. That''s the hidden message. I lazily roll over. It''s all so¡­ normal, or at least, as normal as a birthday can be in a hospital. There''s a warmth to their efforts, a kindness that''s become a constant in this place of healing and hurt. My throat tightens with unspoken gratitude, eyes tracing the familiar faces of the nurses as they add the finishing touches, their smiles gentle, yet tinged with a sadness they can''t quite hide. They know quite well the value of time in a place like a hospital. It''s all people have, really. There''s money and medicine but all it really is doing is adding or subtracting time. Actually, that''s all money and medicine do anyway, isn''t it? I''m getting too introspective. I make some fart noises in my head to undercut my monologue before I start getting weepy. I want to say something, to thank them, but the words feel heavy, anchored at the bottom of my throat, gelled together with thick saliva and painkillers. So, I just watch, a silent observer to my own celebration, feeling the edges of my reality blur into the soft-focus haze of medication. The room is filled with a quiet buzz of activity, a muted symphony of care and concern, but it''s the balloons that keep drawing my eye. They''re so full of life, of air and lightness, everything that this place usually isn''t. Sure, I''m in the children''s ward, but most of the time that means the rooms are full of straight up cancer patients. It''s not exactly a nice place in here in terms of mood and vibe. And then, as quickly as it began, the flurry of activity ceases. The nurses step back, their work complete, leaving behind a room transformed. It''s a small oasis of joy in the midst of recovery, a bubble of celebration that, for a moment, pushes aside the reality of why I''m here. They wish me a quiet happy birthday, their voices a blend of cheer and restraint, before slipping out, leaving me alone with my thoughts and the colorful evidence of their care. Today marks another year of my life, a year unlike any other, filled with challenges and changes I could never have imagined. A year ago, I was playing soccer in middle school and fantasizing idly about marrying my favorite college sports stars, going gaga over magazines like all the other girls my age. A couple months later, I was dead in the water. And then¡­ I''ve been a superhero. For almost as much time as a pregnancy takes. That''s weird. I''m a superhero? Weird. As I let my gaze drift once more to the balloons, to the streamers and the banner, I allow myself a small smile. It''s a gesture of acceptance, of appreciation for the effort, for the momentary reprieve from the weight of recovery. Today, I''m the birthday girl, celebrated and seen, not for the scars I carry, but for the milestones I''ve reached. Whoopdee-doo. From the brink in February, my world was nothing but a blur of pain, machines, and whispered voices. The radiation that should''ve ended me, the bullets, the beatings--it was all there, a cacophony of trauma marking the days. But here I am, standing on the other side of what felt like an insurmountable chasm. The journey''s been grueling, with each day a battle against my own body, a fight fueled by resilience I never knew I had. Physical therapy became my new normal, a series of movements that felt like learning to walk all over again, each step a victory over the shadow of death that loomed so close. I remember the first time I managed to stand without the room spinning, a moment so monumental it felt like summiting Everest. My recovery wasn''t just physical; it was mental, emotional--a reclamation of the self I thought lost to the night that tried to swallow me whole. The scars are there, etched into my skin despite my regeneration, a roadmap of survival that I wear with a complex mixture of pride and sorrow. But I''ve come to see them as marks of a battle won, not just for survival but for the chance to live fully again. The cane, once a constant companion, now gathers dust in the corner. It''s overly symbolic, really, of how far I''ve come, enough that my English teacher chided me when I used it in one of my essays, assuming it was an overwrought metaphor. Nope! It really was a cane. From those first, faltering steps to now, where I can walk unaided, the weight of my recovery journey doesn''t feel as heavy. The medication, once a cocktail designed to keep me tethered to consciousness without succumbing to agony, has been reduced to the bare minimum, outside of the stuff for my bone marrow and the stuff for my bipolar disorder. I''m "basically functional", which is quite a long way away from where I was waking up from my coma. It''s been a hell of a ride, I''ll say that much. As I look around at the balloons and streamers, at the tangible symbols of me not being dead yet, I can''t help but reflect on the journey that''s brought me here. I normally hate fluffy reflection shit like this, like when they make you do those end-of-the-year essays in school, but, you know, I think this is the one time where it''s really earned for me. Dear Diary, this year I got put in the hospital by an international supervillain''s lethal radiation powers. And, by the way, I beat him. By myself. I can feel the weight of the meds peeling back the corners of my consciousness, like a persistent tide tugging me under. The whole room takes on this dreamy, underwatery vibe, and it''s kinda trippy, but in a safe, warm-blanket kind of way. I''ve got no fight left against it -- the tug of sleep is irresistible, like the world''s comfiest tractor beam just decided I''m the next best candidate for abduction. I let my eyes close, feeling the balloons'' colors behind my lids turn to soft, glowing orbs that waltz to the rhythm of my slowing pulse. As I drift off, there''s a sense that I''m slipping away from the sterility of the hospital and into something more serene, quieter, even if it''s just the landscape of my own drugged-out imagination. It''s here, in this nothingness, that I don''t have to be a superhero or a patient. I''m just Sam, and Sam''s tired. Sleep, I think, will just be a small dip into oblivion before the day kicks off properly. The world fades, becomes distant, and I''m adrift on the medication''s currents. It''s okay, though. The oblivion of sleep doesn''t scare me like it used to. I''ve fought too many battles, outlasted too many nights to worry about what''s waiting for me in my dreams. If you discover this narrative on Amazon, be aware that it has been stolen. Please report the violation. And then darkness takes me, the pain a dull echo fading into nothingness.
It''s later--could be an hour, could be five--when I''m pulled back into wakefulness. The haze from before is lifted, gone with the grogginess and leaving behind a sharper world, colored by voices that are just too familiar. Blinking my eyes open, I''m surprised to find not just the typical sterility of my hospital room but an ensemble of my nearest (and a bit dear) practically looming over me. There''s Dad with his brows furrowed in that mix of worry and contemplation, Mom''s eyes doing that shiny thing they do when she''s two breaths from either laughing or crying, and then Pop-Pop Moe, with his old-timey, good-natured smile. When the light nudges me awake again, it''s with a gentleness that seems foreign in a hospital room. For a moment, I''m disoriented--floating on the surface of wakefulness, unsure if I''m still caught in the tendrils of sleep. But the voices, a blend of familiar tones and loving banter, anchor me back to reality. "Sammy! Look who''s decided to join the land of the living," my father''s voice rings out, a mix of playful sarcasm and the joy that doesn''t quite mask his underlying worry. I can see him, my broad, greying dad, a messy tuft of hair as defiant as ever, just like his daughter. There''s a chorus of greetings as I rub the sleep from my eyes, blinking back into focus the faces of my family. Mom''s there, her face creased with relief and a smile that lights up the room, her hands fluttering like she can''t decide whether to adjust the blankets or just hold my hand. Pop-Pop Moe stands a bit apart, his arms crossed, that age-old Brooklynite skepticism etched into his wrinkles, yet his eyes hold a softness reserved just for his granddaughter. "You scared us there, bubbeleh," he says, his voice rough like sandpaper, but the concern is as clear as day. "Thought you were comatose again," "Morris!" My mom squawks, gently swatting him with a hand, while he barks out a thin, reedy cackle. There''s a tension, though, an atmosphere of cautious civility, as my eyes land on my grandmother Camilla. She''s perched like a bird of prey, sharp-eyed and unyielding, but even I can tell there''s something in her gaze today that wavers, something akin to regret--or is it guilt? She sits, away from the festivities, close to the door, like she''s keeping watch for suspicious figures in the corners of the hallway. And then there''s Abby--Abby!--standing there with that sheepish, ''I''ve been caught'' look. Abigail! Abigail Silverman, the closest thing to a sister I''ve ever had, here in Philadelphia? She must notice my glare, because she rubs the back of her head and looks away from my gaze. "I was in the area, and I figured I''d swing around," No the fuck you were not, Abby, but I''m not going to say that out loud. The moment I see her, it''s like the dam bursts, and I don''t even care about the stiffness as I lunge forward to envelop her in a hug. Our embrace is all bear and no teddy, tight and fierce, and I feel something in my chest crack open, a pressure release I hadn''t known was building. "Did you get lost on campus and somehow end up a couple hundred miles out of your way?" I tease, muffled against her shoulder, feeling a warmth that no amount of hospital-grade heating could ever reproduce. She laughs, a genuine, deep sound that seems to fit right into the spaces of the room. "Yeah, you know me, can''t resist taking the scenic route," Abby quips back, her arms not letting go just yet. The room fills with the sound of my family''s voices, a harmony of concern, joy, love, and the complicated threads that weave the tapestry of our collective lives. And it''s in this tangle of arms, this convergence of generations and histories, that I''m reminded of the multifaceted nature of family. They''re an anchor, sometimes a millstone, sometimes a buoy, but always a part of who I am. "Sam, honey, you look tired, but the good kind of tired," Mom says, her voice a tender note amidst the cacophony of familial love. I give Abby another squeeze, reveling in the solid reality of her presence, and allow myself to sag back against the pillows, surrounded, supported, loved. This, I think, is not a bad way to wake up--not bad at all. The hospital room seems to shrink as the volume of familial banter rises, the space shrinking under the weight of too many conversations happening all at once. Dad''s already off on a tangent, talking about the latest trends in zoning for Philadelphia - did you hear they plan on renovating the Divine Lorraine? Yes, Ben, they''ve been planning that since longer than Sam''s been alive. He''s gesturing wildly, hands framing invisible buildings, his technical digressions completely off-topic, but we all listen because it''s just so Dad. Mom rolls her eyes but she''s listening, too--her face alight with the quiet joy that always comes when she''s surrounded by family. "You know they have apps for everything now, Rachel," he says, and I''m going to be very honest - I can''t track where this conversation came and went. "Even keeping track of Hametz during Passover! You know that''s coming up soon, right, Samantha?" "Huh? Oh, right. Yeah. Happy to sit in on that, if I''m out of here by then," I reply. My Dad just kind of smiles at me in a weird way and turns back towards the conversation. Pop-Pop Moe, perched at the edge of my bed, chimes in with, "Back in my day, we just didn''t buy bread," and his eyes twinkle with the kind of mischief that hints at a thousand untold stories, each one probably more embellished than the last. "It''s a very easy way of managing things." Abby, meanwhile, leans against the windowsill, her free spirit barely contained by the four walls around us. Her eyebrow quirks up, and she tosses a wry look my way as if to say, ''Only our family, right?'' "You know, Sam, I''ve been learning a lot about bread prices, and¡­" she starts, but I hold up a hand. "Save it for after the cake, Abby. I want to at least pretend everything is cool and the world''s not, you know, burning," I cut in with a mock-serious tone, even though a part of me is curious about what Abby''s idealistic mind has cooked up this time. Grandma Camilla finally breaks her silence, her voice sharp as she interjects, "We''re here to celebrate Samantha, darling." I can hear the unspoken "Not you,", and I expect to have to defend Abigail, but she just raises an eyebrow. "Who are you?" She asks, and Camilla''s face wrinkles up like she just sucked on a lemon. I resist the urge to laugh. Mom - extremely reluctantly - pats Grandma Camilla''s arm and tries to redirect the conversation. "We should be talking about what sort of cake Sam wants. I''m thinking chocolate, with raspberry filling? What do you think, honey?" "I''m thinking that sounds like a heart attack, Mom," I tease, grateful for her but teasing her because it''s a comfort in itself, a reminder that some things never change. "Just make me a giant cookie again like you did last year. I liked that." Pop-Pop Moe offers an approving nod, "Now you''re talking sense. Just make sure you eat it fast, before Pesach." "Are cookies hametz?" I ask. "Yes," comes the almost simultaneous reply from three or four voices at once. "Aw," I whine, rolling around in the bed. There''s a comfortable silence, one that settles over the room like dust after a whirlwind, the good kind of quiet that says everything it needs to without a word. For a brief, stretched out moment, we all just sit there, a mosaic of family with all its frayed edges and mismatched pieces fitting together perfectly. I can feel Dad''s gaze on me, his analytical mind always worrying, always planning. "Sam, honey, how are your classes? Keeping up with them okay?" His concern is as warm and enveloping as a blanket, and I nod. "Yeah, Dad. The tutors are great. Almost too great, actually. Makes me feel like I should be having more difficulty or something," I say with a half-laugh, the situation so absurd that the humor of it is too piquant to ignore. I don''t want to bring up the fact that my grades haven''t been better before - that the reason I''m getting As and Bs now is almost certainly because there''s no superheroing to distract me, but¡­ I don''t! I don''t want to bring that up. Mom leans forward, hands clasped together in a sort of earnest intensity. "Sammy, you just focus on getting better, okay? The tutors are there to help, not to add more pressure. Right, Benjamin?" She glances over at Dad, seeking affirmation. He agrees quickly, the softness in his eyes a mirror of Mom''s. "Of course, of course. Sam''s health is the most important thing. Right, Sam?" I feel a rush of affection for these two, my overprotective, education-obsessed guardians, who somehow make even a hospital stay seem like just another step on the educational ladder. The conversation meanders, weaving through topics from Mom''s work all the way to Pop-Pop Moe''s latest gripe about the neighborhood bakery''s declining bagel standards, with intermittent interruptions from Abby''s utopian reveries and Camilla''s observational critiques. It''s a tapestry of dialogue, a symphony of familial life that, despite--or perhaps because of--its aimless wandering, is the perfect soundtrack for a birthday on the mend. Chapter 68.2 The pace of the room is like the ebb and flow of the tides, visitors swaying in and out, a rhythm choreographed by the strict yet compassionate nursing staff. The coming and going feels like the pulse of the city itself--every entrance and exit marks a new surge of energy, of stories and shared glances, all swirling around the central fact that, well, I''m still here. The door opens, yet again, and through it walks Bulwark, his exposed patches of skin glinting in the light between his high-visibility equipment. His entrance would''ve been comical if not for the awed hush that follows him. Like a hero straight out of the comics, with a jaw chiseled enough to cut glass, Bulwark offers a too-wide grin that could light up a room, or blind you, depending on where you''re standing. "Samantha Small, as I live and breathe," he booms, his voice a deep baritone that vibrates against the walls. My family shuffles, accommodating space for this larger-than-life figure--Dad giving a nod of respect, Mom clasping her hands in what I guess is an excited apprehension, and Pop-Pop Moe just looking nonplussed. "Nice of you to drop by, Mr. Bulwark," I manage, words squeezed out between trying not to laugh at the absurdity of a superhero standing by my hospital bed. He gives me a firm yet gentle pat on the shoulder, mindful of his own strength. "I would not miss it for the world, young one. You gave us all quite the scare." His eyes glint with a genuine kind of pride, one I can''t help but respond to with a small, self-conscious smile. "My apologies for taking so long to visit. It''s been quite busy, in some aspects, as you could imagine." Abby''s eyebrow raises so high it might escape her forehead, but she reins it in, her mouth quirking into a smile. "Definitely beats the regular hospital visits," she quips as Bulwark laughs, a sound like rolling thunder. No sooner has Bulwark said his piece than a knock heralds the arrival of Spindle--his appearance the polar opposite of Bulwark''s stoicism, a whirlwind of teenage energy with a belt that has grown a steadily developing array of gadgets. "Heya, Sam," he greets with a lopsided, kind of stupid looking grin. I wouldn''t expect anything else. "Brought you something to stave off the boredom." From a satchel slung over his shoulder, he produces a handheld game console. "Well, I expect to be out here soon, but I appreciate the gesture," I reply, ruffling his hair. He seems to appreciate the gesture in return. The parade of superheroes continues with Multiplex, who acknowledges my presence and then retreats quietly to the hallway. I''ve always got the distinct impression that, ironically, crowds are not his forte. A soft stir catches my attention, and I see Jordan sidling in, Alex in tow. Jordan''s hair looks freshly dyed, several shades darker black than I''m used to, and a lopsided grin stretches across their features. My birthday present from them is a USB cart, with a label saying ''DO NOT WATCH AROUND OTHER PEOPLE''. I am kind of dreading the contents, but I put it on the steadily growing pile of presents and continue with my camaraderie. The afternoon turns into a mosaic of greetings and laughter, snatches of conversation peeling away to silence as each of my friends from middle school arrive. Tasha, always the mother hen, clucks over my well-being, fussing in a way that should be annoying but feels endearing instead. Jenna drifts in with her usual air of distraction, handing me a sketchbook filled with her latest art--images that seem to pull the very essence of a subject onto the page. Marcus''s quips are sharp as ever, testing my reflexes, a shadow-boxing match made of words. Lilly is quiet but her hug is worth a thousand words, and Kate''s bluntness washes over me like a much-needed reality check. Each of their presences are waves in the sea of the day--some overlapping, some pulling back, leaving behind remnants that settle in my heart, anchoring me to the life outside these walls. The arrival of the Young Defenders is like a spark igniting the air. According to Puppeteer, not everyone could make it, away on patrols or other missions, but the gesture is appreciated nonetheless. My family members, sans Camilla and Pop-Pop Moe, who had to retire to greener pastures, know of them only as ''friends from school'', and we speak in silly code to get around the whole matters-of-municipal-security thing. Crossroads, Blink, and Gossamer join her. Playback, Rampart, and Gale, all busy. I try not to think about it too hard, and fail miserably. I nod, attempting to look hopeful, despite the weight in my chest, the slow gnaw of worry for a specific missing presence. Where''s Jamila? Surely she''s heard by now? I keep glancing at the door every time it opens, the hope that it''s her flickering to life and dying, over and over, like a faulty neon sign. Mom seems to catch onto my silent longing, her empathetic gaze knowing as she leans in close. "She''ll come, sweetheart. Jamila wouldn''t miss this," Mom says softly, her optimism as assuring as it is a gentle reminder not to lose hope. This book''s true home is on another platform. Check it out there for the real experience. But for all the superheroes and middle school friends, the afternoon feels somehow incomplete, a narrative missing its closing chapter. Each time the door swings open, there''s that split second of breath-held anticipation, followed by the gentle deflation of reality as Jamila fails to appear. It''s the unspoken question, the echo after the laughter, the shadow in a room filled with light. Yet I cannot bring myself to voice it, to make it real. I smile and laugh, throw quips and embrace the fragments of life offered to me, all while part of me treads water in the still depths of waiting. As the light outside my window wanes, signaling the wistful end to the cavalcade of visitors, my hospital room becomes a quieter place--a sanctuary for the remnants of the day. Mom and Dad are there, still my ever-present rocks, anchoring me to a world of normalcy even as the extraordinary brushes up against us. It''s in the midst of the doctor''s visit, as the weariness of the hours settles upon us, that the door opens yet again. The figure that steps through is at once foreign and intimately known, draped in shades of night with eyes that have always seemed to hold galaxies. Sorry. I can''t help but think like a romance novel around her. Jamila. She hesitates for a fraction of a heartbeat in the doorway, eyes scanning the room. "Sorry, am I interrupting?" she asks, her voice soft. Her entry isn''t loud or disruptive--it''s the kind of pause that fills the spaces between beats in a song, the held breath before a storm. There''s a silent exchange--a passing of the baton, as the doctor gives a nod and my parents step back, allowing this final guest her space. I am so in love with this girl. No matter how awkward or tense it gets. All I need to do is look at her face again and I know. "No, no, you''re just in time," the doctor says, turning a warm smile to Jamila before directing his attention back to us. "As for the news, well, I think it will make for a pleasant birthday present. Samantha, your tests are looking great. We''re happy to say you can go home tomorrow." The room breathes with me, as if every corner of it exhales in relief. My parents'' eyes gleam, mirroring the good news with twin sparks of joy. Dad''s hand finds mine under the blanket, giving it a squeeze as he declares, "That''s not all, Sam. The house--our house--it''s ready. We''ll be going home-home." Surrounded by white walls and the antiseptic scent that''s become far too familiar, I feel a flicker of the life I knew, a life that''s been on hold. A life with friends, family, school¡­ a life with Jamila, maybe. She steps forward, bringing with her a fragrance that''s a whisper of rebellion against the sterile environment--a subtle hint of jasmine undercut with something richer, like leather-bound books and the promise of rain. In her hands, she carries a gift, an offering wrapped in midnight hues, speckled with silver that emulates the night sky she''s always reminded me of. I need to stop reading all the books my Mom sends me because they''re poisoning my inner monologue. Jamila looks at me, really looks at me, and there''s a hesitance in her gaze, the trembling edge of a storm not quite ready to break. "Happy birthday, Sam," she murmurs, a soft warmth under the tension, as she places the box beside me. I meet her gaze, reaching out with a hand still pale against the hospital sheets. There''s a thousand words in our touch, a conversation not quite held, questions and affirmations swirling in the space between us. "Thank you. I''ve missed you, Jami," I admit, voice barely more than a whisper. Our fingers entwine, and the tension ebbs slightly--enough to breathe, enough to remember we''re here together, now. "I''ve missed you too," she confesses, her thumb brushing over my knuckles. The room seems to understand, granting us the grace of a shared silence. My parents, somewhat respectful of my autonomy, give us the space we need. They exchange looks that carry both worry and happiness, like they know this moment is as healing as any medicine. "I know this is probably a lot for Sam at once, so if you''d like, Mr., Mrs. Small, we can step outside and discuss discharge plans?" The doctor says, gently gesturing to the door. "I think that''d be just right," my Dad replies, and they vacate the premises, shutting the door behind them. Opening the box, my breath catches. It''s a pendant, simple and wrought in a way that echoes the lines of a Gale-force wind. Ha ha. I throw it around my neck, where it clatters softly against the shark tooth pendant I''ve been wearing for what feels like aeons. "Jamila, it''s beautiful," I say, genuine awe coloring my tone. The pendant glints as I lift it, catching the last rays of the sun dying outside the window, promising a tomorrow that''s brighter than today. "Yeah, well," she starts, an almost-smile dancing on her lips, "I figured I''d get you something that wouldn''t cut your gums." The bubble of laughter that escapes me feels like the release of a pressure valve. "A very thoughtful consideration. Would''ve been a nightmare to explain that one to the dentist. Wait, are you implying I bite rocks?" "Do you not?" she responds, chuckling through her teeth. There''s more I want to say--thanks, apologies, words of deeper feelings--but they''ll wait. For now, we sit, side by side, not quite ready to dissect the complexities of our relationship. But the moment is ours, simple and cherished. As the minutes tick away and visiting hours draw to a close, the sense of something gained--restored and yet wholly new--fills the room. My family, my team, my friends¡­ they''ve all come and gone, leaving behind small pieces of themselves inside of me like teeth in my intestines. Parts that take root, grow out, and one day will emerge from my skin as a weapon against evil. Or. Something like that. And with Jamila here, her dark attire almost absorbing the light of the white hospital blankets, it''s clear that all has been righted in my little corner of the world, at least for today. "All''s well, then," I breathe out my hand squeezing Jamila''s. "All''s well," she echoes, and it feels like starting over.

End Intermission 4.5: Amnion

IF.2.1 In the annals of American mythos, Philadelphia''s constabulary holds a notoriety both dark and tenacious¡ªa force known for its unyielding nature, often delivered with the blunt force of a cudgel. It is with an academic detachment that I muse upon their repute, keenly aware that such ferocity is conspicuous in its absence upon my arrival. Are they cowed by the presence of the ultimate deterrent that stands before them, a man whose very essence could be a sentence unto death? Or is it possible that beneath this exoskeleton of wires and radiation, they perceive something familiar, a vestige of "whiteness," a beacon amidst the morass that signals I am to be spared the baton''s kiss? I am, after all, accented with the essential Ukranian essence - when I speak, it is readily apparent that I am European, even if none of these men could see my skin and live. I am inclined to believe it is the former. To them, I may present as nothing more than a twisted echo of the Iron Man archetype, stripped of its luster and heroism. Inside this robust armor, I am an aberration to some, an ally to others, and yet, ultimately, I am but a man. In their demeanor, a strange deference has bloomed¡ªlike iron filings to a magnet, aligning in neat arrays around a force unseen, but deeply felt. Despite the moniker Chernobyl, synonymous with disaster and fear, the eyes that meet mine flicker not with hostility, but something closer to guarded empathy, as if they too recognize the hollow ache of loss and separation that pervades my being. Sequestered within a room barren of windows, sterile as a surgical suite, I nestle into my chosen corner with an air of resignation. The suit''s servos whine faintly as I adjust myself, assuming the motionless vigil of a gargoyle perched high above an urban abyss. Within this sealed chamber, time is both endless and ephemeral, crawling and skipping as the hazmat-clad figures flit about like nervous wraiths against a tapestry of lead, boron, and foil. This metallic bulwark, hastily erected to hold back the invisible tides I emit, becomes a canvas reflecting the distorted silhouettes of my attendants. Their movements are tentative, laced with an undercurrent of anxiety. Yet amidst the hum of activity, there comes the odd snippet of conversation¡ªa stilted attempt at normalcy by the bravest among them. "Mr. Fedorov, we''ll be adding another layer of lead here, if that''s okay with you," one hazmat-suited figure queries, the words somewhat muffled through the mask. The use of my true name, rather than the moniker foisted upon me by circumstances and public fear, resonates within my chest, a muted echo of the man I once was. "Yes, of course," I reply in measured tones, my voice devoid of the harshness one might expect from a creature of my repute. "Thank you for your diligence." As they labor, their aversion is palpable; it clings to them, a second skin of trepidation. They regard me with the wariness one reserves for the proverbial bomb¡ªone wrong move away from devastation. And while there is an undoubted truth to their fear, my reputation as Chernobyl cloaks me in an infamy not entirely my own. They see the radioactive menace, the supervillain¡ªyet the visage they recoil from conceals the scholar, the husband, the exile. "Will this be enough, you think?" one hazmat-clad figure ventured to his partner, a tremor of uncertainty in his voice as he gestured to the pile of protective materials. "Perhaps another layer of lead would ensure the containment of any stray emissions from my suit," I suggested, startling them, my voice flat, the timbre of it modulated by my suit''s speakers. "And the adhesive¡­ a silicon-based sealant might prove more resistant to the gamma emissions. Duct tape and glue will function as a temporary measure but degrade over time should I exit my suit, and I assume I will be in this cage for quite a while." They stare at me. I gesture with a hand. "I mean the room, not the suit." They don''t respond, outside of frightful chuckles. I don''t inform them that the boron is likely unecessary - to my knowledge, I don''t produce much neutron radiation, but I appreciate the thoroughness. I sit in the gloom, my watchful eyes taking in the sterile geometry of my containment. Here, within these walls, I confront my future¡ªa tapestry unwoven, threads of potential and penance interlacing with quiet dread. I engage in the mental arithmetic of counting seconds and breaths, of projecting the grim mathematics of captivity that stretch before me, interminable. Unauthorized usage: this tale is on Amazon without the author''s consent. Report any sightings. Yet, even within this ponderous wait, my mind reaches beyond the confines of steel and concrete, traversing vast distances to the windswept steppes of my homeland, to the tender embrace of those I hold dear. Their absence is a constant ache, an ever-present shadow upon my heart. Here, in the fortress of my solitude, my very presence a danger to those around me, I am paradox incarnate: the guardian of ruin, a man swathed in both power and profound regret. In the lulls of conscious thought, I retreat into the comforting embrace of sleep, a fleeting respite within the steel carcass that encases me. My suit, despite its foreboding exterior, houses a cushioned interior that tends to the needs of my flesh¡ªa merciful consideration from a past self well aware of the demands such containment would incur. Upon stirring from these intermittent slumbers, I observe the chamber anew, freshly cocooned in its prophylactic sheathing. The meticulous layering of materials envelops the room like the bandages of a mummy, striving to contain the curse that burns within. Though I long for the mundane pleasure of stretching one''s legs, the taskmaster of caution holds me at bay. A tripling of layers, interspersed with the stoic fortitude of concrete, is the bastion I seek¡ªa request yet unvoiced, harbored within the confines of my mind. I will wait until someone with correct authorization is available to relay the request to. As I plot the structure in my head, picturing the bricks overlaying the foil and sheets like a geometric puzzle, my reverie is broken by a sudden intrusion into my visual field. The camera link now frames the unmistakable visage of Agent Evelyn Shaw, my unwanted herald from the National Superhuman Response Agency. Her features are sharp, a testament to a life of discipline, and she carries the dual-purpose garb with a professional ease that belies the tension brewing beneath. The sight of her, unwelcome yet anticipated, shifts the tenor of my isolation towards an unclear but inevitable confrontation. "Agent Shaw," I intone, my voice the rumble of distant thunder, "Might I request the presence of one of the Philadelphia''s finest? I have a matter of construction to propose, if you would be so accommodating." Her lips twist into a half-smirk, a gesture that wields no humor but masks the gravity of her purpose. "Construction requests can wait, Fedorov," she says, her words clipped as if shearing through the static between us. "There''s something more pressing we need to discuss. Care to enlighten me on why you did it? Why surrender now?" My reluctance is a tangible entity, a spectral guardian warding off the truths I hold too closely. "A conversation, nothing more, with a young girl," I reply, the nebulous details falling from my lips like mist. "Sometimes, a mirror is held up to us, and the reflection demands we reconsider the path we tread." Her eyebrows arch in calculated skepticism, her body language remaining tensely coiled. "A conversation that undid years of cat-and-mouse, just like that?" There''s an edge to her voice, a blade seeking the space between my armor''s plates. "Just a girl?" "Life-altering discourse isn''t reserved for the grand stages," I say, deflecting again with an almost whimsical tone¡ªa gear seldom engaged, and all the more jarring for its rarity. "It often finds us in the quiet moments, the spaces between breaths and battles." She leans forward, her demeanor an orchestration of official concern laced with the anxiety of the NSRA''s precarious position¡ªa dam holding back the potential flood of classified spillage during my forthcoming legal ordeal. "We''re both aware of what''s at stake," she says, her voice a low thrum that seeks to pull at my resolve. "Not just for you, but for us¡ª" "¡ªand for them," I interrupt, my thoughts spiraling to the faces etched within my soul. "My wife, my daughter, Agent Shaw. My surrender isn''t a gambit in your power plays. I''ve danced long enough to the tune of fear and circumstance. I will play these games no longer." Her stance softens, fractionally, the truth within my words bridging the chasm that has always lain between us¡ªNSRA and so-called villain. "Hope is a commodity in short supply, Fedorov. But for what it''s worth, I''m¡­ we''re processing your requests. I hope you have a good-ass lawyer." There''s a flicker, an ephemeral sign that our roles¡ªher as jailer, me as internee¡ªare but fragile constructs, always a sentence away from being rewritten. "Thank you, Agent Shaw," I reply, and though the words are correct, they come laden with the weight of unspoken dialogue¡ªthe discourse of shared apprehension, of a future uncertain, of the raw, human longing for a touch untainted by fear or radiation. "That''s right, I will need a lawyer¡­ Hmm¡­" I muse it aloud, hoping for a suggestion from my ever-reliable handler. She looks at me with an eyebrow raised. "What, you think I''m going to help you?" "It would''ve been appreciated. It''s quite hard to operate these newer phones for me, for reasons that should be obvious," I reply. I have brought with me only the essentials, sequestered safely in the lined compartments of my suit. With a small flourish, I produce them, ejecting a tablet computer from my leg, the attached keyboard cart component from my other leg, and a small bag of jelly beans from the barrel of my now-emptied pile driver on my right arm. That one goes into the intake slot. "Do you have any suggestions, or shall I rely on the vagaries of the internet?" "Damn, I forgot how much I hate talking to you," Agent Shaw mumbles. "I''ll get you a list of lawyers in the area. For your¡­ years of dedicated service to this country." "Much obliged, Agent Shaw," IF.2.2 The transformation of my temporary dwelling has been a study in contraction, a meticulous subtraction of space layer by concrete layer. The addition of high-density blocks, along with the lead lining, has encroached upon the limited real estate within the four walls that contain my existence. The concrete blocks appear to be of standardized sizing - six inches by six inches by twelve inches, filled in all the way, high density material, for a total of 18 inches from each wall removed from me, although the math gets funny around the corners. In between, the layers of lead, boron, and aluminum foil shave off another couple of centimeters. Despite the compression, there remains a certain satisfaction in the certainty of numbers¡ªa rigid adherence to quantifiable truths in an existence otherwise mired in abstraction. Nestled amid this citadel of containment, a singular indulgence persists¡ªa growing collection of jelly bean bags, their bright packaging an incongruous splash of color against the gray monoliths. They are an odd comfort, a concession to the whims of a palate long denied such frivolities. I will take what I can acquire. Even the ones that taste like popcorn. The door creaks open, ushering in Gerald Caldwell with the serene confidence of a man who has brokered peace with the tumult of his professional landscape. His presence fills what little room remains, a sartorial elegance evident in the clean lines of his suit, a stark counterpoint to the utilitarian drabness that envelops me. His eyes, deep-set and all-seeing, flicker to meet mine, the faintest nod conveying a compendium of unspoken understanding. By his side, encased in protective gear, is his paralegal¡ªa bright-eyed presence named Riya Kapoor. Petite, with auburn hair cropped short in practical fashion, she carries the air of someone who defies the inertia of bureaucracy, who transcribes the nuances of human drama with a stroke of her pen. The hazmat suit she dons does little to conceal her determination, nor the reams of paper clutched in her gloved hands. "Jerry Caldwell. You talked with one of my other paralegals on the phone, and I''m happy to say that we are very, very interested in taking your case." Jerry begins, his voice a deep timbre that reverberates with an undercurrent of resolute compassion. "I''ve been briefed on your case, and might I say, it is a privilege to navigate these¡­ uniquely uncharted waters with you." A wry smile tugs at the corner of my mouth beneath the helmet, a reaction Jerry receives with grace. "The pleasure, Jerry, is mine. In these confines, charted waters are something of a luxury," I respond in kind. His attire is impeccable, a tapestry of fine fabrics and precise cuts that carve a silhouette of decorum amidst the sterility of my confinement. He has elected to forsake the protective trappings of hazmat gear ¡ª a statement of faith in my containment measures. I appreciate that. "Our conversation will be held under the aegis of attorney-client privilege, yes?" I inquire, my voice carrying the mild intonation of my accent, sculpted by the mathematics of syntax and diction. "Absolutely, Illya," Jerry affirms with an affirmative nod, his demeanor unwavering. "You can speak freely; nothing you say here will leave this room or be used against you without your consent." A latent tension unspools within me, a coil of restraints built upon years of solitude and secrets. Yet here, in the presence of this legal champion, I sense an ally¡ªa conduit through which I can voice my truths without the fear of betrayal. "I appreciate your willingness to brave the dangers that come with representing me," I articulate, my gratitude genuine though delivered with a certain economy of expression. This book is hosted on another platform. Read the official version and support the author''s work. "It is not bravery," Jerry counters softly, a wisp of a smile passing over his features. "It is a matter of justice. And while the world may brand you a villain, I see a man who has made difficult choices under even more trying circumstances. It''s a narrative that deserves its day in court." The unfolding exchange is marked by an ease of interaction¡ªconversations weaving between the precise and the personal. Jerry''s questions probe delicately at the history of my actions, never pushing too forcefully, always mindful of the wounds that have yet to heal. "Yes, there were¡­ incidents," I concede, recounting the engagements that bore the heavy crown of controversy¡ªProfessor Franklin, Liberty Belle¡ªnames now etched into the annals of my legacy. "But never without provocation, and always in self-defense. I''ve sought to minimize harm where I could." Riya, silent until now, her pen scrawling a frenetic dance over her notepad, raises her head. Her eyes, though partially obscured by her visor, harbor a curiosity that speaks to her keen mind. "And the radiation¡­ the people you''ve inadvertently affected?" Her voice is tempered with concern, her question careful not to condemn. "My actions have not been without consequence," I answer, my voice carrying the weight of those unseen casualties. "The irony of my powers is not lost on me¡ªbestowed for survival, yet equally poised to destroy. That is something I must answer for. I am¡­ willing to serve time in prison, should it prove necessary to the victims of my abilities." As hours unfold into discourse, the conversation maintains its buoyancy, tethered to both the gravity of circumstance and the levity of shared human enterprise. Jerry''s deftness in navigating the complexities of my case is mirrored by my willingness to divulge, to trust in the oath of confidentiality that binds us. "Our next step is to compile a comprehensive narrative," Jerry outlines, "one that portrays the full spectrum of your experiences, your cooperation with authorities, and the nuances that exist between villainy and valor." "A narrative," I echo, musing over the abstraction of my life as it converges with concrete law. "Certainly, I will provide all the necessary details¡­ And I trust your expertise to translate them into the language of the court." As the consultation draws to its close, the mechanical melody of clicking pen caps and shuffled papers provides a mundane ending to the profound depths we''ve traversed. Jerry stands, his movements a choreography of intention and purpose, while Riya gathers the various threads of my life strewn across her notepad. "Thank you, Illya, for your candor and cooperation," Jerry says, his voice rich with the professional warmth that has shepherded our discourse. "It''s a rare comfort to speak without looking over one''s shoulder," I respond, and despite my composed exterior, an undercurrent of past betrayal laces the air¡ªa hint of venom borne from wounds still fresh. The moment stretches thin, a membrane of vulnerability exposed by my parting query. "Before you depart, one must inquire¡ªthe government, they''ve deceived me before. Tell me, is this all an elaborate ruse? A trick? I want to trust you, but, you know, America, she does much in her aims towards ''national security''." Jerry pauses, the subtle shift in his demeanor acknowledging the gravity of my suspicion, while Riya''s response carries the swift earnestness of youth. "No, Mr. Fedorov. We are genuinely on your side," she insists, her tone vibrant with sincerity, the hazmat mask doing nothing to dampen the integrity that shines from her eyes. Her affirmation elicits from me a response unbidden¡ªa welling of tears, silent testaments to the stark longing for trust in this lonely saga of mine. Each droplet an echo of relief, a quiet shedding of the armor I''ve been forced to maintain not only around my body but around my heart. Jerry''s voice resonates with a resonant certainty, bridging the space between attorney and human anchor. "You''re not alone in this, Illya. We''re going to do everything in our power to bring your story to light¡ªand to justice." Riya nods, her gaze locking with mine as if to imprint the promise onto my very soul. And it is then that Jerry''s hand rests lightly upon my armored shoulder¡ªa silent pledge of solidarity. "We''ll keep what you said about Mrs. Small just between us for now," Jerry remarks with a knowing look. "I agree with you, by the way - I''d like to avoid having to call her as a witness if we can afford it. But I can let you know that she is alive and recovering well. That''s all I can say." I look at him and smile, my sniffles reverberating through my microphone pickups. "Much appreciated, Mr. Caldwell." Chapter 69.1 Begin Arc 5: Mayfly It''s not just the shards of sunlight skipping off the windows, or the scent of fresh paint mingling with the aroma of spring that''s got me grinning like an idiot¡ªit''s the sense of normalcy, like nothing ever went pear-shaped. I''m standing on the newly paved walkway, flanked by Mom and Dad, soaking in the absurdity of it all. April 18th, 2024, and our house¡ªonce a gnarly tangle of debris courtesy of Mr. Tyrannosaurus'' really, really bad day¡ªlooks almost... inviting. Not to say I''d ever invite Mr. T-Rex back for tea or anything, but you get the picture. "You''d think it was always like this," Mom says, sweeping an arm out like she''s showing off on one of those home makeover shows. "Can you believe it, Sam?" I arch an eyebrow at her as I cross my arms. "You mean if I squint really hard and forget the past... six months of earsplitting construction noises? Yeah, totally." "You weren''t even here listening to them. We were here every other weekend to check in on things!" Mom says, trying to reassure me, with a gentle slap on the back. I wince, for more than one reason, and she mumbles a quick apology. Dad''s giving the door frame a discerning look, all furrowed brows and faint mumbling to himself. Something about the workmanship or symmetry, I''m not following, but when does he not have a critique about craftsmanship? "Ben, it''s fine," Mom chides gently, as always steering Dad from his tangent back into the moment. He blinks, readjusting his focus, and catches me snickering at him. "What? It''s off by like a sixteenth of an inch, I can tell," Dad asserts. And I believe him. I mean, if Dad were a superhero, his power would be, I dunno, Laser Precision Eyes or something. Super City Planner. No, how would that get you out of a life-or-death situation? I guess if someone had a gun to your head and said ZONE THIS CITY PARK! NOW! Mom shakes her head, her lips curving upwards with that ''what are we gonna do with him?'' smile that''s seen a lot more mileage lately. The breeze picks up, ribbons of air that weave through our little unit, and I can''t help but ride the wave of giddiness. "I went back to school today," I muse aloud, my backpack straps suddenly feeling way less strangle-holdy than they did this morning. "Some guy in my math class gave me a high five. I didn''t even know people knew I was gone, let alone care enough to¡ª" "Sam, you''re kind of a big deal," Mom interjects with her go-getter grin that could disarm the grumpiest of cats, "Surviving a supervillain attack? That''s one for the history books." "That''s... they don''t know that!" I protest, rolling my eyes, although the buzz of pride doesn''t let up. "I think this is just how they treat you if you''re in the hospital for a while?" It''s funny how a building made of bricks and mortar can be so much more. It''s a pin on the map of my life, and right now it''s shining like a beacon. Home, finally. The idea almost feels alien, like something you''d read about in a book and think, ''Huh, wonder what that''s like?'' "That''s called ''empathy'', darling," Mom teases, ruffling the short little buzz cut of hair growing out of my radiation inflicted scalp. "Come on," Dad nods to the front door, sliding out of whatever mental calculations had nabbed his attention, "Let''s go in. These guyses got nothing on the Small family fortress." "Not even a gigantic prehistoric pain in the tail?" I ask, deadpan. "Not a chance," he grins, and there¡¯s that warmth, that goofy sense of triumph that I know means we''re okay. We''re all okay. Mom hooks her arm through mine as we step toward the door together. The sunlight isn''t the only thing that''s bright here today. The threshold crosses underfoot and the whole place smells like plaster and possibilities. A sweep of my gaze takes in the foyer¡ªjust a tiny cubby of a space really, for coats and dreams to hang. Still, I marvel because, holy mackerel, we have a foyer. "Here, Sam, your mom put these cushions here, you know, for sitting and changing shoes," Dad points out, the pride in his voice practically radiating off of him. "She thought of that." Mom offers an ''aw shucks'' tilt of the head and Dad beams at her like she''s just reinvented sliced bread or something. "Yeah, I can see that," I tease, collapsing onto a bench I don''t remember owning. The way it wobbles under me is both alarming and hilarious. "Stable as my social life," I joke, but catch the concerned glances exchanged over my head. My laughter dwindles into a cough. Right, collateral damage isn''t always about bricks and drywall. Mom crouches beside me, her hand resting lightly on my knee, the medicated part of her that checks, and double-checks, symptoms and smiles. "How are you feeling, hon? Too much too fast?" I shake my head, easing up. "Just getting the lay of the land. It''s all... shinier than I remember." The living room is next, an arm''s stretch away¡ªno walls in between. So open plan that I can see into the kitchen, where stainless steel reflects light from the shiny new hood over an oven that looks too swish for us. Where''d the old one go, the one with the wonky burner? Some things you miss in odd ways. "I want to see my room!" I declare, pushing up to my feet with determination. As I pass the kitchen and its odd absence of the usual fridge-art and cookbooks strewn across the counter, I overhear Mom in a murmur that follows me up the stairs. "Ben, should she be...? It''s her first day back and¡ª" "Rachel, she''s a tough cookie, you know that," Dad cuts in, his voice the kind that tries to be a blanket. "Let her have this." Their words drift to me, stinging sweet, as I reach the top stair and lay my hand on a banister that feels foreign under my touch. There''s supposed to be a nick here, where I dragged my backpack up and down to a hundred school mornings, but it''s gone now. It''s a different kind of wood. It''s a different shape. My excitement picks up a notch as I slip into the second bedroom¡ªmine. Dad must''ve measured twice and cut once because everything is just so, from the level shelves waiting for my books and trinkets to the desk, a clear span of wood with all the potential of unwritten homework and midnight doodles. A gleaming floor where I can already see myself spread out with projects and plans. An empty canvas, that''s what this room is. Not mine, not yet, but it could be. There''s not a single poster to be found along its walls, and there really should be at least two dozen more. Maybe a poster of Chi Cheng and another one of Mia Hamm. And Allen Iverson. This tale has been unlawfully lifted from Royal Road; report any instances of this story if found elsewhere. I pause, hand on the doorframe, catching snippets of conversation floating up from downstairs. Something about what to hang on the neutral walls, what to put where. "So she''s back in school," Dad says, a rumble of worry beneath his words, "back home, but¡ª" "Let''s just give it time, Ben. She''s still healing," Mom replies, her tone as soft as the new carpet under my feet. And I am. Healing. Different. But as I hear Dad''s footsteps thudding up to join me, and he can''t stop talking about the finished basement (like he''s a kid who just discovered the final level of a video game), I feel a piece of something slot back in place. "Come on, kiddo, you''ve gotta see it. We''ve got space for a real entertainment center down there." And I let him lead me, basking in the normal dad stuff that feels so out of place now, yet desperately wanted. We step together into the basin of our house, where walls are still bare and everything echoes like a promise. The basement, can you believe it, Dad had said a hundred times over the phone. He''s practically hopping from foot to foot, giddy. Turns out there was a ton of space under there that the contractors just knocked into like opening up an ancient Mummy''s tomb. The concrete is smoothed over, and there''s nothing else besides a carpet and a well-worn shopvac, but it''s better than the not-basement we didn''t have. "I can set up all my stuff here, and, Sam, maybe you can have your friends over, watch movies. It''s¡ª" "¡ªperfect," I finish for him, a laugh escaping as I swing around in the newfound vastness. The air here is cool, tinged with the scent of earth and concrete, but it hums with something like beginnings. Or maybe that''s just the dusty shopvac in the corner. I run back upstairs, grabbing my backpack on the way up, remembering that there''s stuff in there that needs to be unpacked. A lot of my stuff is still with Lily, so we just grabbed the essentials. Oh, I''m so excited to hang out with Lily. And have our parents eat dinner together, but, like, in person! The stairs feel so strange under my feet, from the sheer raw newness of it all. There''s a moment¡ªa stretched out, thick silence sort of moment¡ªwhere I''m just sitting there on the edge of a bed that''s too springy to be mine. I''m in my room, sort of, surrounded by white walls that don''t know me from Adam. They¡¯re an uncomfortable contrast to the vibrant posters and sticky-taped photos that used to be my backdrop. It''s not the futon from the hospital or the recovery house. It''s not comfort, not yet. My backpack hits the floor with a muffled thud, and it''s like a punctuation mark, ending the sentence of my rambling thoughts. As the zipper rasps open, I peel back the fabric to reveal the guts of my current life¡ªa half-full water bottle, my crammed-to-bursting science binder, my still-shiny laptop that didn''t get smashed in the attack. The things that kept me company. Next comes the costume. I fumble with it, unsure if the material can be considered a second skin or the first one. It still carries the faint smell of sweat and blood, even if I haven''t been wearing it for months. I''m recovering, supposedly. No more vigilante stunts, no more testing how my ''Shark Powers'' stack up against the city''s worst at night with Jordan. At least, not yet. Not till the doctors say so, and maybe not even then. The cash I pull out next feels dirty, even rolled up neat as it is. Where''d it come from? This cellar or that warehouse? Which fight or fray? I slide the rolls under the bed, quick and furtive, a squirrel with her nuts. I have to turn my back to my stash as I unpack the medicine bottles, my daily choreography of pills. The sound is louder than I remember, the rattling¡ªa morose maraca right by my pillow. The bottles array on my nightstand like tiny soldiers. They''re a reminder of my own fragility, a crude counterattack to the rush of strength that courses through me sometimes. The iron tang of blood in my mouth, that punch-drunk sense of invincibility. But those bottles¡ªthey whisper the truth. Truth is ugly, sometimes. I like lying when it helps. I sigh and let my fingers dally on the sleek laptop. Fire it up, why not? It purrs to life, and I see my own face reflected in the dark screen¡ªmore wearied than I remember, framed by hair that¡¯s too short, too unruly. That''s Chernobyl''s legacy on me. Did the old Sam survive him or did she get burned away like everything else? At least the microwave damage healed fast. I don''t think I ever want to experience a sensation like that again. In the shadow screen, there''s a room¡ªmy room?¡ªwaiting to be filled with life and noise and color again. The new Sam has to tackle that, along with algebra homework and the now-alien ritual of text messaging friends about nothing and everything. I can''t think too hard about the future without everything going a little blurry at the edges. Fear is a live wire in my heart. But somewhere under the old hoodie that used to fit and now hangs off me, there''s the thrum of hope, that stupid, stubborn spark. Tomorrow, I can pin a new poster to the wall¡ªmake my first declaration that this space is mine. One day, I''ll feel right in this bed, and the pills will fade from an army to a memory. My bone marrow will work correctly, and we''ll be done with that. Maybe the lithium can stay. There¡¯s also this growing, gnawing thought. I¡¯m not just Sam Small anymore, am I? Every wince from Mom, every furrowed brow from Dad, they''re because of me and what I''ve chosen to do with my life. There¡¯s a weight there that my shoulders feel ready for, but my gut isn¡¯t. Not yet. Maybe that¡¯s okay. Maybe it''s okay to not be okay yet, to sit with the fear and the hope swirling like the world''s lamest superhero smoothie. From somewhere down below, Mom''s calling that dinner''s nearly ready. But first, I tuck the costume back into the depths of the backpack. Hidden, but not gone. Just waiting. The smell of Mom''s brisket, the kind that''s been simmering in a slow cooker until it practically falls apart if you look at it funny, leads me downstairs. We all squeeze in around the modest table sandwiched in that hybrid space between kitchen and not-kitchen. I never knew a table could feel both empty and crowded until this moment. There''s just us, a few elbow nudges too many, and too much air where clutter used to be. "So, the Hendersons next door have been asking about you, Sam," Dad says after a too-long silence, his voice a bulldozer through the awkward quiet. "They wanted to send over some sort of casserole. I told them maybe next week." I try to imagine a week from now, a tomorrow that isn''t stitched together with doctors¡¯ appointments and physical therapy. "Tell them... tell them thanks, yeah?" It''s easier to be gracious about hypothetical casseroles than to face the question in Mom¡¯s eyes, the one that''s asking me if I¡¯m really sitting here with them or if I¡¯m a thousand yards away. Mom chimes in, keeping it light, a magician with the art of distraction. "Samantha, your teachers have been so understanding, sending work home, accommodating..." She''s looking for my buy-in on this conversation like it''s a contract I''m not sure I signed. "Yeah, they¡¯ve been great. Mostly. I mean, Mr. Strickland still doesn¡¯t quite get the ''no heavy lifting'' part, but..." I shrug, managing a half-smile, and spear a piece of brisket that¡¯s all but begging for mercy on my plate. The laughter that trickles in feels normal, like it used to. And I cling to it, because this, right here, is the most un-super part of my day. A dinner that''s trying so hard to be routine it''s practically overacting. So, I join in the script, playing the part of the daughter. G-d''s in His heaven, all is right in the world. Dad''s cutting his brisket, but his eyes are on me, not the meat. "Sam," he starts, stops, then, "how¡¯s... How¡¯s everything, really?" He¡¯s as good at this subtle stuff as I am at pretending the whole world hasn¡¯t flipped on its head since I got Shark Teeth?. Mom¡¯s attention sharpens, her fork mid-air in some sort of arrested development. I chew for a second too long before answering. "It''s like the first day of school all over again," I mutter finally, watching them relax, like it''s the answer they hoped for. "And how was that?" Mom prods gently, and her eyes are soft around the edges, hopeful. I give in, spinning a thread of truth into the tapestry we¡¯re weaving tonight. "Weird. Like everyone suddenly knows your name because you missed the last pop quiz." There''s humor there, a protective layer around the too-raw bits I can''t share. Not yet. Maybe not ever. Dad grunts, a sound that''s part agreement, part I-love-you, and entirely Dad. "As long as they treat you right." The conversation drifts, into safer waters, about school gossip and Dad¡¯s latest pet projects, that maybe now he can actually convert part of the basement into his dream workshop. I sneak a glance out the window at the setting sun, painting new shadows on the home I¡¯m rediscovering, and think, yeah, maybe this is exactly where I need to be right now. Chapter 69.2 Saturday rolls around with the kind of lazy morning sunlight that you''d want to bottle up for darker days. Except I''m not soaking it up in bed, or sprawled on the sofa with cartoons chattering in the background like the soundtrack to a simpler life. Instead, I find myself pacing the familiar mats of the Delaware Valley Defenders HQ gym, a space that''s more metal and padding than coziness. There''s a gleam of determination today, something about the softness of those leisurely rays hardening into something resolute. This is where I start taking back pieces of myself, the muscle memory and the reflexes dulled by hospital stays and convalescence - that''s the big word for ''the time you spend recovering from an illness''. Or in my case, being punched by a nuclear reactor. I''m eyeing the array of boxing gear spread out on a bench¡ªheadgear, gloves, and all¡ªwhen Gossamer swoops in. "So they''re finally letting you hit things again, huh?" she quips, her hands fluttering over the setup, arranging things that don''t need arranging. A woven band keeps her hair out of her face, and I spy the callouses on her fingers. Signs of a life crafting, not brawling. "It''s about time," I answer, matching her brightness. "And who better to ease me into it than the team''s silk-slinging seamstress?" That draws out a laugh, bright and false as fool''s gold. "Hey, you know they say it''s the weak ones you''ve gotta watch out for." She winks theatrically, but even her levity is laced with an edge I''ve come to expect from a girl whose smiles are as cutting as her scissors. "Please, you and I both know if Rampart sneezed too hard in our direction, we''d be across the state," I shoot back, only half-joking. Rampart''s idea of a gentle pat could bruise steel. She rolls her eyes, "You''re telling me. But don''t worry, I''ll be nice. I only punch above my weight, not below it." I can''t help the smirk. "So, the bar''s pretty low, then?" Gossamer shrugs, a mock-offended arch in her eyebrow. "Low enough that even a dog could meet it." The quips are like a tennis match of thinly veiled jabs, but there''s a camaraderie in it. A shared understanding that we''re not the front line, not the first charge¡ªour strengths lie elsewhere. But today we''re equals, paired up in this gym with a single, shared purpose¡ªto get better, one punch at a time. Her grin spreads wider, sharp as a needle, as she helps me strap on the headgear. It''s all padding and promise. "Ready to dance, Bee?" I nod, even if inside I''m a whole playlist of nervous energy. "As long as you lead, Goss." The gym''s air is thick with the scent of rubber and exertion. I bounce on the balls of my feet, trying to remember everything Rampart ever showed me about being rooted to the ground, even as I''m facing off against Gossamer whose feet barely seem to touch it. "Keep your guard up, Bee," Gossamer commands, her voice both velvet and steel. She flicks a jab at me, deceptively light but quick as a blink. "Like you''re shielding but ready to snap, yeah?" My hands, encased in gloves that feel like they could double as personal flotation devices, raise higher. It''s a more disciplined posture than I''m used to, elbows in, fists by my jaw. I''m itching to just wail on something¡ªanything¡ªbut her gloves flicker out, rapping me on the headgear whenever my focus drifts. "You''re telegraphing. Stop showing me every thought that crosses your mind," Gossamer scolds gently, with a swift one-two that taps my gloves but reminds me she''s got a reach advantage, gymnast build be damned. "But thoughts are, like, lightning quick," I protest, bobbing to the side. "Aren''t they?" "Not when your left tells me where it''s going five seconds before it does," she retorts with a click of her tongue. Alright, Sam, get it together. I launch into a forward press, a flurry of punches that might have more in common with a windmill than boxing, but it''s something. My left hook goes wide, not the piercing strike I envisioned. Gossamer doesn¡¯t smack it away so much as guide it past her, leaving me off-balance. "Precision over power," she says, illustrating the point with a jab to my side that doesn''t hurt but certainly tells. "Okay, Rampart," I verbally jab. How much have I heard the same thing from him? Is every single fighting technique I learn going to have to rely on me being precise? I hate being precise. It''s a rhythm, I realize¡ªa different kind of fight from the frantic scuffles I¡¯m used to. The punches aren''t just wild swings; they''re a language. And Gossamer, she''s fluent. Her footwork is a delicate dance, giving and closing distance in smooth strides while she carries on with her boxing sermon. "There you go, now, twist more with your punches. You''ve got power in those wolf muscles," she says, encouraging even as her gloved hands pat the air like she¡¯s putting a puzzle together, one that I can''t quite solve. And yet, despite the metaphoric chess match, there¡¯s something freeing about it. The structure, the dance of it. I let out a puff of breath, smiling under the headgear. "Who knew getting punched by a friend could feel this good?" She chuckles, a punch-pull back as light as her namesake. "Friend? Let¡¯s see if you still say that after a few more rounds, Bee." The alarm on Gossamer''s phone sounds, a starting pistol for the dance of knuckles and sweat. Our gloves are up, eyes locked, the world shrinking to just this¡ªGossamer and me, the space between us. I feint left, a diversion of footwork while my right glove whips forward aiming for Gossamer''s guard. She parries, reading my intent like a headline. I throw a left hook, but she¡¯s not there, sidestepping with a grace that¡¯s infuriatingly balletic. This book is hosted on another platform. Read the official version and support the author''s work. Our shadows on the floor tangle as I pivot, following her lead. I drive in with a series of calculated strikes, each breath-synced with motion. Jab to the body. Cross to the head. Her defenses are iron-clad, gloves up, deflecting, yet she¡¯s always moving, light on those feet that never fully plant. I cut the distance, aggressive, hungry for the hit that will give me a sliver of edge. My gloves are hammers seeking a nail. Left to her body, but she rolls with it, a fluid dip of her shoulder redirecting my power into the empty air. Right hook sails towards her head; she ducks, coils, then counters with a sharp jab that snaps my head back, a clear point scored on the invisible tally. Determination calcifies in my veins as I reset, feet shuffling on the mat, seeking leverage. An uppercut, but she¡¯s swift, angling away, turning my momentum against me. The world is a storm of leather and potential energy, every move a cast die. A one-two combo from Gossamer forces me back, but I¡¯m learning, anticipating. Our gloves graze, parry, strike¡ªa symphony of impact that sings in the fibers of my muscles. Her counter lands on my ribs, a thud absorbed by layers of padding and will. I''m undeterred, pressuring forward, each step calculated and reactive. Another feint¡ªa dance step in this brutal ballet¡ªa setup for the real play. My straight right cuts through the air, an arrow shot towards a moving target. Impact, a satisfying thud as glove connects with guard, and I follow through, the energy coursing up my arm. She''s unfazed, but I''m adapting, hungry for more¡ªmore contact, more challenge, more proof that I''m still here, still capable. An overhand right thrown with intention, a whisper of danger as it sails over her ducked form. Adrenaline and focus, sharper than any tooth, guide me. Back and forth we weave, a chess match in punches thrown and dodged. Jab, cross, slip, counter¡ªa cascade of movements all answered in the split-second language of fighters. Each hit absorbed is a note in our song, and I''m writing the melody with every swing of my arm. The claps of gloves meeting gloves resound through the gym, a staccato rhythm underlining our duel. My senses narrow until there''s nothing but Gossamer''s motions in my vision¡ªevery feint, every pivot, every arching sweep of her arms as she parries my onslaught. I ignore the mounting fatigue in my limbs, the way my lungs clamor for air, even as my feet keep their insistent shuffle. I launch another jab, quick as a striking snake, but Gossamer''s evasion is slick as water. She returns with a hook, ducking under my wilder swing. My cheek stings with the kiss of her glove, a brush too close. The immediacy of combat, a hunger to land just one more clean hit, propels me. I can''t let up. Determination is a pulsing drumbeat in my veins, driving me to throw a combination¡ªa one-two that¡¯s blocked, a three-four sidestepped. But I¡¯m learning her dance now, anticipation honed to a fine point. I wait for her advance, and when it comes, I¡¯m ready with a counter that glances off her side. A minor victory in the grand melee. We''re two storms colliding, force against finesse, and for a time, we exist in a bubble of effort and exertion, the world beyond the mats an inconsequential blur. And then, the shrill beep of the timer cuts through the air, a ceasefire in our unspoken war. Gloves drop, hands on knees, and we gasp for air like fish on land. My head swims with the vestiges of combat¡ªthe surge of blood in my ears, the juddery thrill of having held my own. It''s a potent reminder of life, pulsing under my skin. Gossamer is huffing too, the strain etched in her face a mirror of my own exhaustion. We slump to the mat in unison, shedding our headgear like old skins. I can¡¯t tell if I''m grinning or grimacing, the joy of exertion mingled with a dizziness that makes the room tilt. But it feels right, somehow. It feels earned. "Good¡­ fight, Bee," Gossamer manages between breaths, her usual chirpiness weighed down by the lead of fatigue. "Y-yeah," I sputter, my tongue heavy. "Who knew¡­ getting pummeled by a friend could be so¡­ rejuvenating?" Laughter bubbles up, two tired souls finding mirth in the shared ordeal. We sit there, gulping water and shaking out the tremors in our muscles, grounded by the presence of one another. The spin of the room eases, the simple reality of rest knitting back the edges frayed by our spar. "That right hook," she begins, voice steadying with every word, "was almost passable." I scoff, a vestige of our banter, but it''s muffled by affection. "Passable is just another word for awesome, right?"
An hour drifts by with the easy camaraderie of teammates patching up and packing away the tools of training. The afterglow of a good workout lingers, muscles humming their quiet symphony of aches. I¡¯m on the bench, feet still pulsing to the ghost beat of our sparring session, when Gossamer sidles up to me with a medkit. "So," she begins, flipping open the clasp with a practiced ease, "word is we''re gonna bump your survival stats up." I quirk an eyebrow, following her movements as she lays out bandages, gauze, and a rainbow of other supplies that look like they belong in a game of Operation rather than real life. "By turning me into a walking first-aid manual?" Gossamer smiles wryly. "Can''t hurt. Literally." She holds up two different types of bandages. "Can you tell me which one''s for a sprain and which one''s for a laceration?" I squint at them. "The¡­ less sticky-looking one for sprains? Because¡­ wrapping?" I hazard a guess, but I¡¯m shooting in the dark here. "Bingo." Her approval rings with a hint of surprise. "And the other one''s self-adhesive, stops bleeding. Keep the sticky side away from the wound though¡ªrookie mistake." I nod, filing the information away mentally as if it were tactical data rather than first aid trivia. The truth is, I''ve always been better at getting injuries than treating them. I can regenerate through a lot, but I''m sure it would make my parents less worried if I knew how to patch myself up instead of just relying on my superpowers to push through everything. "Did Crossroads mandate I take first aid?" "Yes," she says, matter-of-factly. She demonstrates a roll of gauze, her fingers nimble as she wraps it around her own arm in an expert mockup of a dressing. "Your turn," she says, eyes expectant as she hands it over. Taking the gauze, I mimic her movements, clumsy but determined, wrapping it around my wrist. It''s like a strange sort of hand-to-hand combat with the gauze. "So I just¡­ wrap it, snug but not, like, tourniquet-snug?" "You got it, Bee. You want to avoid cutting off circulation, unless you actually need a tourniquet, which¡ªlet¡¯s face it¡ªis usually out of the, ''Oh crap,'' handbook." Her chuckle is gentle, forgiving my fumbling. The thought of turning battlefield triage into my next sparring session feels weirdly right. I complete the wrap job, inspecting my handiwork with the critical eye of a novice craftsman. "Okay, not too shabby," I admit, and Gossamer nods. "Not bad for a first go. By the end of this, you¡¯ll be patching up paper cuts and scrapes like a pro. And, who knows, maybe even tie a tourniquet without turning someone''s limb blue," she teases, but there¡¯s pride in her eyes. I can''t help but laugh at that. "Baby steps, Goss. Let¡¯s start with me not panicking at the sight of a first-aid kit." "Deal." She packs the medkit away, securing each item with the care of a librarian shelving books. "Next time, we¡¯ll level up. How do you feel about CPR?" I groan but there''s a smile playing on my lips. "Doesn''t that mean I get to practice on one of those creepy dummies with no legs?" She nods, solemn as a judge. "We''ll get you two introduced. It''s a¡­ breath-taking experience." The groan I let out is twice as loud, but the eye roll can¡¯t hide my smirk. "I''m going to hit you with a brick." WORLD OF CHUM: Super-Childproofing

Childproofing for Superkids: Safeguarding Your Home for the Next Generation of Heroes

Published on SuperParentingOnline.com Authors: Dr. Emily Hart (Child Psychologist), Alex Rivera (Architect), Dr. Jordan Lee (Dynologist) Publication Date: October 5, 2023 Creating a comprehensive guide to childproofing your home for superhumans involves understanding and addressing the unique challenges posed by children who have developed extraordinary abilities following life-threatening accidents. This guide, crafted by a team of experts in architecture, child psychology, and superpower dynamics, offers parents and guardians practical advice to ensure a safe, nurturing environment for their superpowered children. Here¡¯s a detailed look into adapting your home for the most common superpowers. Super Strength Imagine your little one, not just outgrowing their clothes, but outmuscling their crib before they can even walk. Super strength in children might manifest as accidentally bending spoons like they''re made of rubber or tossing toys across the room with the flick of a wrist. It''s like having a miniature superhero at home¡ªonly, without the control or the spandex. The key is reinforcing your environment to make it "super-kid proof," ensuring that when playtime gets a bit too "Hulk-like," your home remains standing, and the family TV isn''t mistaken for a plaything. Telekinesis Telekinesis, or moving objects with the mind, can turn a tantrum into a literal whirlwind. If your child''s idea of not getting their way involves floating furniture, it''s time to rethink your approach to childproofing. Think of it as baby-proofing on steroids: every item not nailed down is a potential missile in a moment of frustration. The goal here is to secure everything and then secure it again, ensuring that when emotions fly, the furniture doesn''t. Flight When "the floor is lava" involves actual hovering, you know flight is the superpower at play. From bouncing off the walls to taking the "stair skip" to an entirely new level, these kids require a unique approach to safety. It''s about making sure that when they do take off, there''s a safe landing and that windows aren''t mistaken for doors. Ensuring their flights of fancy don''t lead to unscheduled takeoffs means rethinking home security and play spaces. Stolen from its original source, this story is not meant to be on Amazon; report any sightings. Super Speed Super speed can make the terrible twos a blur¡ªliterally. If your child can make it from one end of the house to the other before you''ve even stood up, it''s time to consider an open layout and soft edges on everything. Picture a home where sharp corners are as rare as a quiet afternoon, and you''re on the right track. It''s about minimizing the hazards so that when life moves at lightning speed, your little speedster doesn''t end up with every bump and bruise along the way. Invisibility Playing hide and seek with a child who can actually turn invisible is as challenging as it sounds. It''s not just about keeping an eye on them; it''s about keeping an eye on where they might be. The key is creating an environment where they can''t disappear unnoticed, using motion sensors and sound cues to keep track. Think of it as setting the stage for a magical, albeit visible, childhood. Energy Projection If your child can light up a room¡ªliterally¡ªit''s time to think about fireproofing beyond the kitchen. Energy projection can mean anything from a tiny human torch to a living battery, making standard safety outlets look like child''s play. It''s about creating a space where they can explore their power without the risk of turning the playroom into a scene from a superhero movie. Specialized rooms with energy-absorbing materials become their canvas, and safety becomes your peace of mind. This guide is the first step in creating a home that supports and nurtures the unique needs of superpowered children, ensuring their abilities are a source of growth and exploration rather than fear or danger. It''s essential to adapt these guidelines to the specific abilities and needs of your child, consulting with professionals when necessary to create the safest possible environment. Stay tuned for part 2, where we''ll go over some more esoteric but common powers, like shape-shifting, intangibility, and regeneration! Chapter 70.1 The scent of varnish still lingers as I push open the heavy doors of the Tacony Music Hall, the old timbers groaning like they''re waking from a long nap. The familiar decay that used to hang in the air like a musty coat is now replaced with something¡­ different. Like change. Like effort. Jordan is there, perched on an improvised counter that looks like it could''ve been a bar in a past life--scrubbed down and repainted with enthusiasm if not skill. They''re all edges and angles, draped in black that''s somehow both sullen and sassy, a stark contrast to the motley DIY tapestry of the hall around them. "Hey, Sam," they greet, a rare softness edging their usual snark. "Glad you could make it." They slide off the counter and there''s that familiar smirk, the one that spells trouble in the best way. "It''s¡­ different," I say, taking it all in--the string lights that drape from the rafters, casting gentle shadows across the new fixtures, a patchwork of chairs and tables that have the eclectic charm of a ''found and rescued'' operation. "Yeah, figured we needed an upgrade. Functional chic, or whatever they call it," Jordan replies, gesturing at their handiwork. We wander deeper, past the old stage that''s now sporting a fresh coat of paint and a repurposed curtain that might''ve once been someone''s attempt at a quilt. There''s charm here, in the way it''s all been cobbled together with determination and Jordan''s particular brand of defiant care. The tour meanders to what I can only describe as a wannabe clinic, nestled in the wings where the echoes of past performances still linger. Shelves lined with medical supplies, most still in their wrappers, look out of place against the faded glamour of the hall. "So, no x-ray machine, but¡­" Jordan motions to the room, a bit self-conscious but proud, "we got antiseptics, bandages, even some pain meds--and yes, all legally obtained before you ask." "Very¡­ MacGyver of you," I chuckle, poking at a stethoscope that seems almost vintage. "This the new superhero hangout or a field hospital?" "Bit of both, I guess," Jordan shoots back with a wink. "Figured you might appreciate the sentiment, if not the aesthetics." There''s a warmth in the air, or maybe it''s just the sense of solidarity that seeps through the walls now--the idea that this place isn''t just a base, it''s a haven. For healing. For planning. For us. We don''t linger too long among the gauze and tongue depressors. There''s an energy building, a shared anticipation for what comes next. The walls are lined with charts and scribbles that I''m sure make perfect sense to Jordan, diagrams that map out their vision of this new world we''re stepping into. "Just so you know, every criminal we knock out is another pack of band-aids for the stash," Jordan quips as we circle back to the main hall. I nod, knowing the weight of responsibility those band-aids represent, the unspoken promise of backup and care amidst the chaos of our lives. "Just so long as we''re not the ones needing them too often, right?" "Right," Jordan agrees, and there''s an unspoken ''together'' that hangs in the air between us. The hall''s makeover isn''t just surface deep--it''s security savvy too. Every door has been fitted with a new lock, the metal glinting under the lights, a clear shout-out to safety. I think about a video I saw a couple weeks ago, and mentally repeat ''shout out to safety'' to myself in the same intonation, earning a chuckle from nothing. As we delve deeper into the Tacony Music Hall''s labyrinthine heart, it''s clear Jordan has been busy. "We went full Fort Knox," Jordan says, a note of pride in their voice as they rattle a heavy-duty padlock for emphasis. "Courtesy of some friendly neighborhood locksmith who owed me a favor. Apparently, they''re big on vigilante discounts." "That sounds like a euphemism," I quip. "It''s not," Jordan replies, not making me feel any better. The heavy doors swing open with a theatrical creak, revealing the gem of Jordan''s handiwork: a room wrapped in actual wire mesh, a makeshift Faraday cage that glints under the patchy light like a conspiracy theorist''s dream. "This," they announce, gesturing expansively, "is our new Faraday room." I can''t help but snort at the sight, but the ingenuity of it is not lost on me. It''s resourcefulness born of necessity, the kind of thing you''d expect from people who lead lives as tangled as ours. "Looks like the inside of a¡­," I quip, eyes roving over the silvery expanse. "Zoo cage." This novel''s true home is a different platform. Support the author by finding it there. Jordan chuckles. "It''s an improvement from the aluminum foil." "Is it?" I ask, raising an eyebrow. "It certainly looks more professional. Can never be too sure when one of our bad guys has ESP," Jordan retorts. Beyond the Faraday cage, we step into an area I can only describe as the closest this place has ever gotten to feeling like home. There''s a TV now--old, the screen blooming with the soft fuzziness of technology that''s seen better days. But it''s not the picture quality that catches my attention; it''s the gentle hum of electricity that powers it. "We''ve got actual electricity now," Jordan announces, flicking a switch to illustrate, bathing us in the warm glow of overhead lights. "The owner finally hooked us up, so we don''t have to play solar panel roulette anymore." The revelation hangs in the air, crackling with possibility. It''s a touch of the mundane, a lifeline to a world that doesn''t revolve around heists and heroics. To think of a TV as a symbol of progress feels strangely grounding. I reach out, fingers brushing against the set''s grainy case, then turn to look at Jordan. "I guess it''s time to catch up on all the terrible daytime shows I''ve missed, huh?" Jordan grins, shrugging nonchalantly. "Only if you''re ready to critique infomercial products and soap opera plot twists." Our laughter echoes off the walls, rebounding in a space that''s steadily transforming from a hideout into something that speaks of permanence and foresight--a place equipped not just for battles, but for the quieter moments in between. We sink into mismatched office chairs that have seen better days, circling a salvaged coffee table that doesn''t quite sit level on the uneven floor. The dull thrum of electricity is a quiet reminder that we''re still connected to something normal, something routine. "So," Jordan starts, leaning forward with their elbows on their knees, "tonight''s patrol. We need to get you back in the swing of things." "Swing," I echo. There''s a playfulness to the word, a lightheartedness that seems almost out of place against the gravity of our conversation. "Or bite," they retort with a slight grin. "But seriously, things have been a bit¡­ off, since you''ve been, you know, out of commission." A sour twinge flits across my stomach at the words ''out of commission.'' "I don''t know if I''m ready to go full chomp yet." Jordan nods, the understanding clear in their eyes. "No one''s expecting you to dive in head-first¡­ or teeth-first. We take it slow, see how it feels." "I just don''t want to be dead weight," I murmur, my fingers worrying the frayed edge of the table. "But also, I''m really not sure how much stabbing my body is capable of handling right now. Given the radiation poisoning and everything," I say, flexing my weak little arm for emphasis. "Look at these puppies. All gone!" "You, dead weight? Never," they scoff, a grin flickering over their face. "Look, let''s just scope things out. We don''t have to engage unless it''s necessary." "But what if ''necessary'' has a different meaning now?" I ask, the question curling out into the space between us. "We reassess," Jordan replies without missing a beat. "Maybe we''ve been playing it too fast and loose. Maybe¡­ we need to rethink our M.O. Be more strategic." "More sneaky, less smashy?" I suggest, drawing a laugh from them. "Exactly. We''re ''The Auditors,'' not ''The Bulldozers.'' Besides, you''re ''Bloodhound.'' Not ''Bloodbath.''" Their play on words draws a reluctant smile to my lips, and a twitch to my right lower eyelid that I can''t control. "Fine, more sniffing out, less biting off." "That''s the spirit," Jordan agrees, a glint of mischief in their eyes. "We stick to the shadows, gather intel. And if someone needs a superhero-sized nudge, we''re there." The conversation lulls for a moment, a comfortable silence settling over us. We''re in sync, as always, thoughts tumbling over one another in an unspoken dance. I realize that in this fractured version of the world, there''s comfort in strategizing, in plotting a path through the chaos. "So, where''s our first stop?" I ask, trying to sound more confident than I feel. Jordan''s lips quirk up, and they unfold a crinkled map from their pocket, smoothing it out on the table. Their finger taps a spot, right on the corner of uncertainty and hope. "Here," they say. "Let''s start with what we know. And then¡­ we''ll figure it out as we go." "That''s a plan?" I question, one brow arching up. "It''s a start," they reply. We stand, and the scrape of our chairs is a signal, a call to action that has us both moving toward the gear that''s seen better days. I can feel the weight of my costume in my hands, the texture more familiar than anything else these days. "By the way," Jordan mentions offhandedly as they fasten a sturdy belt around their waist, "there''s been talk on the street. New heroes." "New heroes?" I echo, my voice a strange cocktail of intrigue and unease. "Yeah, picking up the slack while you were, uh, vacationing." They shoot me a sidelong glance, and I can''t help the smirk that responds to their jab. I pull on my gloves, flexing my fingers inside the snug fabric. "Are we talking about well-meaning vigilantes, or¡­?" "They''ve got powers," Jordan interjects. "Seem legit. Mostly community service type stuff, but it''s clear they can handle themselves." The suit fits like a second skin, though a little looser around the edges than I remember. I ponder the notion of other powered people out there, carving out their own piece of justice. "We could use more good guys," I admit, the thought intermingling with a protective instinct that nestles in my chest. I fit my cloak and hood over my chest, my scraped-up wolf mask, complete with jaw piece. Now that I don''t need to bite people to cut them up, I feel that it would be a useful embodiment of my second persona - the Big Bad Wolf. "That''s what I was thinking," Jordan says as they get into their helmet. "Been watching them from a distance. We might run into them tonight." The idea hangs there, swirling around us as we gear up. It''s not just our streets anymore, and that''s both a relief and a challenge. New allies or new complications--it''s hard to tell from a distance. "Might be worth getting in touch deliberately," Jordan adds, glancing at me for reaction. "Could be helpful," I agree, the last pieces of my armor clicking into place, "or they could be a total circus." Jordan laughs, a sound that bounces off the hall''s walls, both hopeful and wary. "Well, then, welcome to the big top. We''ll see how the new acts measure up." Chapter 70.2 Evening unfurls over the Northeast, the blue of dusk creeping between the rowhomes of Mayfair where life hums behind each door, an orchestration of family dinners and flickering TVs, the normalcy a contrast to the shadows we slip through. Jordan and I weave past tight-knit homes, well-kept lawns -- each blade of grass a witness to the day''s dwindling light. I feel the rhythm of the neighborhood underfoot, the pulse of the mundane and the safe. It''s homey, a little drab, and I think that if houses could talk, they''d have the heavy drawl of someone who''s seen generations come and go and isn''t too impressed by much anymore. Then there are the quieter, more sullen stretches of Tacony -- alleys whispering of forgotten tales and lost chances. We flit from shadow to shadow, the world dimming around us, turning corners that feel less walked, where neglect hangs heavy in the air. It''s the urban sprawl''s underbelly, where neon signs stutter and street lamps flicker half-hearted hellos. Here, the quiet has weight, laden with the unspoken; the presence of our patrols is a thin veil of watchfulness in the creeping unease. Parks dot our route, darkened expanses of grass and playgrounds that loom, silent and still, the swings and seesaws holding their breath, waiting for the sun to rise and coax children''s laughter from their frames once more. The sense of vigilance sharpens as we cross into Wissinoming, a patchwork of community striving against the ever-encroaching dark. Rows of trees stand sentinel alongside the crisscrossing streets, their limbs etching a fractal maze against the night sky -- nature''s graffiti tagging the urban canvas. Jordan moves with a focused grace next to me, every motion calculated, every glance another layer of our neighborhood watch. I keep up, trying to shake the sense of unease, the rust of my hiatus clinging stubbornly to my joints. We pause, and it''s here in the mingling silences of many homes, I realize how much I''ve missed the streets--not the danger, not the adrenaline, but the whispers of life that breathes through the city, its stoic endurance. But maybe the danger and adrenaline, even if nothing''s happened yet. There''s an early-evening chill that wraps around us, a reminder that despite the calendar''s promise, spring is a hesitant visitor to this corner of Philly. I pull my hood closer around my face, searching for the warmth it promised but only seems to give sparingly. The cobblestones beneath my feet are steady companions as we navigate the quiet passages of the evening, familiar patterns and alleys passing by like the storyboard of our shared history. There''s a rhythm to our patrol, a cadence to the crunch of gravel under tread that speaks of business as usual, and yet everything feels just a degree off-kilter. Like returning to a song you used to know but can''t quite recall the words to. A shadow flits across a side street; a bottle clinks against concrete in the distance. Jordan''s gaze cuts through the dim like a knife, sharp and ready, but it''s my silhouette that casts the wider net. I stand taller, cloak billowing, letting the legend of the Big Bad Wolf do the heavy lifting. I don''t miss the way fingers freeze mid-text and whispers curl behind hands. There''s power in reputation, a currency all its own. Even after months away from the streets, people recognize the wolf mask. We''re ghosts among the living, passing unseen, an unnerving presence to the would-be troublemakers we glimpse through half-closed blinds and cracked-open doors. A hushed argument on a stoop dissipates with just a glance from beneath my hood, the unspoken message clear--walk away, go home, not tonight. "It''s like I never left," I mutter, a bit of old arrogance warming my chest as we turn another corner. Jordan chuffs, amusement in their eyes. "Your rep does have a certain stickiness." "Stickier than bubblegum on concrete," I say with a grin. We play the parts of shadows and rumor, a legacy of whispered stories that feels both comforting and surreal. The little disturbances, like street-corner squabbles and graffiti artists poised with cans in hand, resolve before our silent interventions, affirming the old adage: sometimes, all it takes is being seen to be believed. Wissinoming Park unfolds before us, a stretch of dimly lit paths and slumbering benches. We''re halfway into its embrace when the quiet frays at the edges, strained voices filtering through the foliage. The night holds its breath, and we close the distance, the undercurrent of discordance pulling us onward. "There," Jordan says, a thread of tension woven into the word, their head tilted towards a gathering cluster of shapes ahead. A scuffle''s brewing, voices pitching higher with every back-and-forth that sounds like a poker game heating towards a boil. We exchange a glance and edge forward, steps silent on the damp grass, cutting across the park''s open heart towards the commotion. There''s a dance to this, a choreography we''ve refined over countless nights, and I slip into the steps naturally, the rust shaking free. As we slink closer to the unfolding fracas, the discordant symphony of raised voices and clumsy shuffles grows more frantic, punctuated by the sounds of a struggle trying to be civil and failing. It''s not quite a brawl yet, but the air is charged with enough tension to spark into something nasty. "Hey!" a youthful voice cuts through, sharp and brimming with the kind of authority that doesn''t match its pitch. "Back off, come on!" That''s when I see her, the pint-sized warden of this asphalt jungle, standing her ground with rainbow gloves like a promise of peace against the grey backdrop. She''s flinging her hands forward with the deftness of a seasoned conductor, and from each wrist, iridescent orbs spring forth--bubbles that expand with purpose, inserting themselves between the antagonists like a protective buffer. "Whoa," I whisper, my words barely a breath against the raw night. "Yeah," Jordan murmurs back, their own awe neatly folded behind a veneer of composure. Beside Rainbow Gloves, another figure looms positioned with calculated casualness that speaks volumes of her readiness to intervene. A dark-skinned young woman with a hairstyle that''s all business and a stance that''s ready for whatever chaos comes her way. She''s adorned in a way that''s straight out of a martial arts flick, white cloth wrapped around her loosely and bandages around her hands, complete with a domino mask that adds an air of mystery and a sundial pendant that glints like a challenge beneath the scattered street lights. "Man, are we even needed?" I mutter, half to Jordan, half to the night itself. As we edge closer, unnoticed by the rabble absorbed in their drunken disputes, snippets of conversation reach us--slurred grievances about debts owed, personal slights, and the incoherent philosophies common to the inebriated. "I said, back off, Ricky! She ain''t worth it," one of the men slurs, his resolve barely held at bay by the shimmering bubble wall in front of him. This story has been unlawfully obtained without the author''s consent. Report any appearances on Amazon. The one known as Ricky grumbles, his retort clouded by the alcohol on his breath, "She''s my girl, Ernesto. You think you can just--" Rainbow Gloves intervenes with a sharp gesture, another bubble springing to life with the readiness of a whispered spell. "Enough with this macho crap. Seriously, you''re embarrassing yourselves." The other woman''s poised silence breaks with a wry chuckle, "Gotta agree with Bubble on this one, gents." A protective bubble envelops her words too, as though giving weight to her presence. The quarrelsome men relent, if only fractionally, their postures softening under the combined might of the young peacemakers'' unexpected prowess. Beside me, Jordan lets out a low whistle. "Bubble and¡­ Kung Fu. That''s what we''re calling them till we know better," they say. Then, Jordan nudges me, "Shall we?" It''s my turn to nod again, and together we step out from the shelter of anonymity, ready to make our presence known. After all, this is our turf too. Our help might not be needed, but that''s never stopped us before. It''s a strange sensation, one I haven''t felt since before the hospital stay: the almost camaraderie of meeting fellow vigilantes in the wild. "Need a hand?" Jordan calls out to them, casual as ever. Bubble whirls around, surprise registering even through her bandana-mask, while Kung Fu sizes us up with a calculating gaze, her fist never unclenching. "Just keep an eye out," Kung Fu says. "Looks like we got this." With the drunken tension simmering to a boil, the night takes a sharp inhale as the guy named Ernesto, his decision-making lubricated by liquid courage, hurls a half-empty bottle towards the fray. It arcs through the air, aiming for chaos - for Bubble --but never lands. Kung Fu moves, a flicker of premonition, or maybe just damn good reflexes, and she''s there, catching the bottle mid-flight with an ease that makes it seem rehearsed. In one fluid motion, it''s tucked and rolled away from Bubble''s fragile defenses. With the threat neatly disarmed, Kung Fu doesn''t skip a beat, hurdling over Bubble''s bubble wall in a graceful bound that would put an Olympian to shame. She''s on Ernesto in a heartbeat, his surprise leaving him wide open for her approach. One swift maneuver and his arm is bent at an angle nature never intended, a joint lock applied with textbook precision. Ernesto''s resistance crumbles into pleas of surrender that echo pathetically off the park''s silent sentinels. Kung Fu''s voice is cool as the breeze whispering through the leaves when she leans in, her words private but firm. "Go home, Ernesto. Sleep it off." There''s no fight left in him. With a whimper that holds the ghost of his earlier bravado, he stumbles to his feet and vanishes into the dark like a bad memory. His buddy Ricky takes one long look at the now doubled superhero presence, does some quick mental math, and decides against his odds. With a huff of defeat, he too beats a hasty retreat, leaving only the subtle scents of alcohol and sweat behind. The adrenaline fades, and for a moment, there''s a static charge of caution in the air. No one moves--until Bubble''s voice shatters the silence, chipper as morning birdsong. "That was, like, super cool of you guys to offer help!" "And you seem to have things under control," Jordan--Safeguard--says through the voice changer, their helmet shadowing any readable expression. "Yeah, you two are¡­ pretty impressive," I mumble shifting my weight from foot to foot. "I''m Sundial," says Kung Fu, with the calm authority of someone who knows exactly how good she is at what she does. "And the force of nature in the gloves is Bubble." "We''re not in the market for sidekicks, if that''s what you''re thinking," Jordan''s processed voice buzzes. "No, no," Bubble assures, her hands moving in a flutter of nervous excitement. "We''re, like, totally self-sufficient! We just do our part, you know?" "And we do ours," I chime in, nodding slowly. "Seems like we''re on the same page, though. Making the streets safer and all." Sundial meets my eyes, a shadow of a smile there. "So it would seem," she says. "Call it convergent evolution of strategy, if you like." "There''s power in numbers," Bubble suggests, the hopeful tilt in her voice making it clear she''s not just talking about the fight they just won. "Numbers, huh?" I ponder that, head cocked slightly. "Could be. But trust''s earned, not given, even between¡­ colleagues." "You''re¡­ the Big Bad Wolf, right?" Sundial''s face remains largely impassive, but her eyes are sharp with recognition. "I''ve heard about you in Tacony. Made quite the name for yourself. Glad to see you''re back on the streets to deal with the dangerous stuff." Her gaze shifts slightly. "And if you''re the Wolf, does that make you the sidekick? Oft-photographed, never-named?" she asks, nodding towards Jordan. Jordan''s retort is deadpan, electronic tones betraying nothing. "Less sidekick, more the one ensuring Wolf doesn''t bite off more than she can chew." Sundial nods, a quiet laugh in her throat. "An important job." "That''s a sidekick''s job!" Bubble says, her hand reaching out to mine for a high five. I give it to her. The names, when they fall into place, spark a connection in my mind. "Bubble? Sundial?" I ask, half-leaning towards them, stirring up something from a hangout with Kate and co, from what feels like aeons ago. "What was it¡­ You wouldn''t happen to be from the Tacony Titans, would you?" Bubble bounces on her heels. "Yep, that''s us! So glad we''re bumping into you guys instead of the mosquito again. She''s such a pest." Her voice drops to a conspiratorial whisper, then she zips her lips and tosses away the key. "You know her?" "Gossip isn''t nice, Bubble," Sundial chides. Jordan and I both look at each other. I can''t help a chuckle, curiosity piqued about this mysterious mosquito, but not interested in digging further. "So this is like, what, a training session for you two?" Sundial nods, but her eyes are scanning our surroundings, ever vigilant. "More or less. I''m on patrol, and Bubble¡­ she tags along." "A coincidence," I muse. "The Auditors are out on patrol, too." "The Auditors?" Sundial asks, raising an eyebrow. Jordan picks up the thread with a smirk in their voice. "That''s right. The Auditors. Way better than the Tacony Titans if you ask me." "Sounds like a sports team," I pick up the ball. Bubble''s laughter rings out. "At least the Titans doesn''t sound like we''re gonna come by and calculate your taxes!" There''s a collective chuckle, tension ebbing away as jests fly. "And what about you, Safeguard?" Sundial probes. "Part-time protector, full-time accountant?" "Only when the situation''s in the red," Jordan quips back, and even behind the helmet, I can sense their grin. "Did you guys steal your name from the Teen Titans, by the way?" Jordan''s voice is all faux-innocence. Sundial''s answer is a deliberate sip of silence, her lips twitching. "No comment." "And here I thought our team name was pretty clever," I say with mock seriousness. "But Titans, huh? Giant among teams, are we?" Bubble gives a playful toss of her head. "Giants in spirit!" The back and forth feels light, an easy camaraderie simmering underneath. For a fleeting moment, we''re not a collective of watchful guardians navigating a crapsack world, but just a group of teens, finding common ground despite the weight of our individual mantles. The night wears on and the air grows chill as our easy banter draws to a close. Paths diverge in this garden of forking trails; heroes bound by duty, but tethered to different ends of the compass. "We''re heading towards Temple," Sundial declares, her voice tinged with the weariness that marks the tail end of excitement. Bubble nods vigorously beside her, the adrenaline dimming from a flicker to a steadfast glow. "Riverfront for us," Jordan responds, the voice changer flattening out the sentiment. "But who knows? Might cross paths again." Sundial''s gaze meets mine, a tacit understanding reflected back at me. "Perhaps our teams might find cause to ally in the future. Could be mutually beneficial. You know, assuming anything interesting besides drunk fights happens around here." "Yeah, maybe," I say, my eyes on the city''s distant lights. "Stay safe out there, Titans." Bubble sends a bubbly salute our way, a rainbow flare in the grey. "You too, Auditors!" As the Titans walk away, their silhouettes shrinking against the backdrop of urban sprawl, I turn to Jordan. "So¡­ what do you think?" Jordan''s helmet tilts, the unseen eyes behind it as unreadable as ever. "It''s Philly. Weird is part of the package. But allies, Wolf? That''s a big step." "It is." My thumb catches against the fabric of my costume, a tactile anchor grounding me. "But it''s one we might want to take. The bad guys still know where they live and they have a T-Rex. And we don''t. Might be good to expand our dismantle-the-Kingdom operation to a bit of a wider net." We set off towards the riverfront, the ground beneath our feet steady, familiar. This city, with its heroes hidden in plain sight and shadows clinging to corners--it''s where I belong. These streets are my streets; their fights, my fights. "Could do with a few more friendly faces," I mutter, almost to myself. "Or at least less unfriendly ones," Jordan chides, and I can hear the ghost of a chuckle. WORLD OF CHUM: Super-Childproofing (2)

Advanced Childproofing for Superpowered Youngsters: Navigating the World of Shape-Shifters, Sensory Pioneers, and Mind Marvels

Published on SuperParentingOnline.com Authors: Dr. Emily Hart (Child Psychologist), Alex Rivera (Architect), Dr. Jordan Lee (Dynologist) Publication Date: November 2, 2023 In the second installment of our series, we delve deeper into the art of childproofing for the superkids whose abilities challenge the very essence of traditional parenting. From the child who morphs into a creature of the night to the little genius with an innate mastery of quantum physics, we''re here to guide you through creating a home that not only nurtures but celebrates these extraordinary talents. Whether your child is regenerating from scrapes at an astonishing rate or walking through walls, our expert team provides tailored advice to ensure their powers flourish in a safe, understanding environment. This article will focus on more specialized, but still common, superpowers, particularly ones developed more frequently by those under the age of 18 - with the advice of our two childproofing articles, you will have an estimated 80% of superpowers covered in some categorization or another. Shape-Shifting (Animal and Human Forms) Imagine your child giggling as they morph from a toddling two-year-old into a fluffy calico cat, scampering around the house. Shape-shifting can be a wondrous yet bewildering ability, allowing children to assume the forms of animals or even mimic others'' appearances. This power turns hide-and-seek into an extreme sport and makes costume parties a breeze. However, it also introduces unique challenges in ensuring their environment adapts as fluidly as their form. Our strategies aim to make every corner of your home as flexible and accommodating as your child''s imagination. Enhanced Senses & ESP When your little one can hear a candy wrapper from three rooms away or predict your surprise ice cream trip before you even suggest it, you''re dealing with enhanced senses or ESP. These sensory pioneers navigate a world turned up to eleven, where whispers are shouts, and feelings are open books. Crafting a haven that respects their sensory input is key¡ªdimming the lights on their world doesn''t dull their experience but enriches it, creating a space where their gifts can truly shine. "Brain Powers" (Specialized Hyperintelligence) Got a kiddo who''s already out-strategizing you in chess or explaining the finer points of quantum mechanics at bedtime? Welcome to the world of "brain powers," where children possess hyperintelligence in niche areas, typically a single topic or category pertinent to their activation incident. It''s like living with a pint-sized professor who''s always on the verge of the next big discovery. Encouraging this incredible intellect without turning your home into a chaotic laboratory means providing them with the right tools and spaces to explore their genius safely. Regeneration Skinned knees healing before your eyes and broken bones mending in hours¡ªregeneration makes your child seem invincible. It''s akin to having a little Wolverine at the snack table, where every owie is a fleeting concern. But even with their remarkable healing abilities, creating a safe environment is crucial. It''s not just about protecting them from harm; it''s about teaching them the value of caution and care, even when consequences seem magically minimal. Surprisingly, the life expectancy for regenerators is estimated to be 3 years shorter on average due to their tendency to recklessly put themselves in danger - so teach your child not to underestimate the world early and avoid those concerns entirely. Unauthorized duplication: this tale has been taken without consent. Report sightings. Intangibility When playing peek-a-boo, your child doesn''t just cover their eyes; they phase out of sight entirely. Intangibility means walls are mere suggestions, and locked doors are no obstacle. It''s a power that challenges conventional boundaries, making baby gates and playpens obsolete. In adapting your home, the focus shifts from physical barriers to safety alerts and zones, ensuring that even when they slip through your fingers, they''re never out of your loving gaze. The unfortunate reality of the intangible toddler is that there''s very little you can do to stop them - so extra caution is warranted. Indestructibility The indestructible child never has to worry about bumps and bruises; they''re the superhero who walks away from every tumble unscathed. It''s like having a living action figure, impervious to the rough-and-tumble of play. Yet, the true challenge lies not in protecting their bodies but in safeguarding their hearts and minds. Building resilience in an indestructible child means teaching them empathy and vulnerability, ensuring their emotional growth keeps pace with their physical invulnerability. With this guide''s conclusion, we''ve traversed the landscape of childproofing for an array of superpowers, from the visible to the virtually unimaginable. Our journey underscores the pivotal role of a thoughtfully adapted environment in fostering the well-being and development of superpowered youngsters. It''s about more than just safety; it''s about creating a space where extraordinary abilities are celebrated and nurtured. As every child''s power is unique, so too should be your approach¡ªtailored, flexible, and always evolving. Remember, the key lies in understanding, patience, and a touch of creativity. Here''s to raising the next generation of heroes in homes where their incredible talents can safely soar! MM.1.1 The streets of Northeast Philadelphia are like arteries after dark, veins pulsing with the low-thrum lifeblood of the city--petty crimes breeding in the shadowed corners. The big-name capes don''t swoop in here; they''re off chasing the limelight, battling monsters that could level city blocks. Philadelphia doesn''t have Supermen. Not anymore. No fun rights to wrong. Here? It''s the kind of wrong that''s as quiet as it is persistent--gritty trouble that festers unchallenged, like a moldy wound. Whispers flit through the alleys and back lots, rumors of a fresh face that''s been daring to stand against the tide of trouble. They say there''s a new hero in town, not forged in radioactive fires or gifted by some cosmic coincidence. No, this one''s homegrown--spurred by the kind of slow-burning, streetwise bravery that''s born from years of scraping by, not a thunderbolt from the blue. I tuck into the dim-lit alley behind Tom''s, my dad''s favorite pub, the shush of traffic on Frankford Ave a murmuring backdrop. The walls are a mosaic of worn bricks and peeling gig posters--a timeline in layers. I''ve got a duffel bag with me, nondescript and scuffed, its contents more valuable than gold to a girl like me. I pull the zipper with a jagged motion and suit up. The gear feels like a second skin now: taser glove clicking into place with a near-silent promise of pain, a pepper spray dispenser that hugs my wrist just so, and a set of battered goggles that cling to my temples. This is the armor of Miss Mayfly, more tech scavenged than store-bought, each piece a triumph against long odds. My friends, the not-so-merry band I''ve come to rely on, they''re the real geniuses behind the kit. There''s something about the way Mite can jury-rig a busted TV remote into a gadget worth its weight in brass. And Ant''s schemes? They''re the kind of brainwork that could''ve landed them in any high-end prep school, pulling straight A''s instead of planning heists on the crooked. We''re a hodgepodge crew of nobodies, really, each one sticking to the other like we''re the only thing that matters--because maybe we are. I palm a mini-drone from the bag and let it skitter to life between my fingers, its camera lens winking a cyclopean hello. "You good, Mite?" My voice rasps into the comms, the sort of throaty call sign whisper that I''ve practiced in the mirror more times than I''ll ever admit. There''s comfort in the anonymity it grants me, the handle becoming something close to a war cry. "Miss Mayfly, we''re golden," Mite''s tinny voice comes through, somewhere between laughter and focus. "You''ve got eyes in the sky, and Ant''s itching to tag some delinquents. Go kick some ass, but, you know, be safe and stuff." A grin slashes across my face, invisible beneath the mask. These are the moments that matter--the minutes before I step out and do something so small yet so huge. With a last glance at the assortment of cobbled together safety gear lining the belt at my waist, I push off the wall. The night awaits, a canvas wide open with the possibility of good deeds and bruised knuckles. I stride out of the alley, eyes scanning for the first sign of trouble to stamp out. After all, this isn''t just a game we''re playing. It''s a statement. I might not have the kind of firepower Sam''s rocking, but Miss Mayfly has her own kind of buzz. Let the whole damn city hear it. My earpiece crackles, and Ant''s voice pours in like the soundtrack to the night''s caper--part command, part conspiratorial whisper. "Fly, you''re on the clock. T-minus ten to intercept. Perps are small-time crooks, but they''re racking up a serious score card. We need eyes on the prize before they strike again." My footsteps are soft against the pavement, my form just another patch of shadow in the city''s blind spots. You learn to love the dark when you''re made of meat and bones--no glow-in-the-dark genes to give you away. Every puddle is a potential alarm bell, every crumpled chip bag a landmine. I steer clear, my gait easy, my mood light--strange, considering the task at hand. Moth''s giggle sneaks in through the comms, tinny and mischievous. "Make sure you''re not spotted, Fly. It''s hard to be incognito when you''re caught on someone''s forum post." "Thanks, Moth, hadn''t considered that with all the capes and cowls in my wardrobe," I retort, the sarcasm sitting easy on my tongue like it''s second nature. Wasp chimes in, a tease woven into every syllable. "Maybe if you did less brooding in alleys and more running on rooftops, we''d have more than just petty thieves to chat about." "Ah, come on now, I leave the brooding to the bats and bird-themed heroes," I counter. "I prefer my two feet firmly on the ground. More room to dance when things get hairy." "Alright, lovebirds, let''s not forget there''s a job to do," Ant''s voice is the rap of a ruler on a desk, back to business in a beat. "Marcus, you got her?" Mite''s voice, a blend of nerves and excitement, fills my ear. "Miss Mayfly is armed and fabulous. GPS is locked in. I''ve got your six, twelve, three, and nine. You''re like a human dart headed for the bullseye. Only, you know, slower." "Much appreciated, Mite. I''m getting quite the visual with all that navigation chit-chat," I say, a smirk curling unseen under my mask. It''s true, though; the chatter steadies the heartbeat, keeps the chill from gnawing at my spine as I step past the cones of yellowed light spilling from the streetlamps. And just like that, we slip into the easy banter of teenage life--of lockers and lunch bells, of tests we''ve blown off and crushes we won''t admit to. It''s strange how natural it feels, weaving in and out of pedestrian worries as the GPS hums in my ear, as my friends guide me through the darkened arteries of Philly like some kind of strolling smart-bomb with a wicked right hook. This isn''t just any mission--it''s ours, built on shared secrets and a stubborn refusal to let the big-shots handle everything. And as I pass by the silhouettes of trash cans and the steel whisper of chain-link fences, I can almost feel the simmering electric promise of what''s to come. Tonight, we''re not just a band of high school nobodies. We''re hunters in the quiet, waiting for our moment to leap. "You sure you''ve got everything, Fly?" Mite''s voice is laced with mock concern, the kind that means he''s about to launch into a wind-up. "Oh, absolutely," I shoot back, playing along. "Got my sturdy shoes for ass-kicking, got my wits sharpened to a point--wouldn''t want to disappoint our dear tactician." From her end, Ant chuckles, the sound of someone laying a winning card on the table. "Wits are debatable. Remember that pop quiz in trig?" I snort. "Yeah, your stealth tactics with the crib notes were brilliant right up until Teach caught the glint off your wristwatch. Smooth, Ant, real smooth." Laughter bursts through the line, and even I have to admit defeat with a grin. "Okay, okay, I''ll give you that one. But I''d like to see you try cramming formulas when you''ve got a crime wave to quell." If you encounter this tale on Amazon, note that it''s taken without the author''s consent. Report it. Moth''s voice flutters through next, teasing and airy. "We all have our crosses to bear, Fly. But I trust you won''t get distracted by trigonometry mid-sneak." "As if," I scoff. "The only angles I''m interested in are the ones between a crook''s face and my fist." Wasp''s voice, ever the voice of reason, cuts in. "Just keep your guard up, Fly. Don''t let the swagger turn into a trip wire." "No danger there," I respond, the clack of my boots punctuating my resolve. "Got my game face on--well, if I had a face, that is. Under the mask, I''m all steely-eyed determination, promise." Beneath the cloak of night, it''s easy to forget there''s an edge of sincerity in every barb, a thrum of real concern that tightens with each step I take deeper into the urban labyrinth. "Hey, Fly," Mite interjects, a hint of a grin in his voice, "you ever think about getting a cape? You know, for the dramatic flair when you make your heroic entrance?" I roll my eyes, even though none of them can see it. "Capes are a tripping hazard. Besides, who needs flair when you''ve got functional fashion? This isn''t a runway, it''s a rumble." "And there''s the Fly motto," Ant quips, her tone proud and warm. "You''ll find it emblazoned on T-shirts someday: ''Not a runway, it''s a rumble.''" "The day we print merch is the day I hang up the gloves," I vow, the hint of a chuckle threatening the edge of my words. I keep moving, just a shadow with a smile etched underneath her mask, surrounded by the chatter of friends who could be just as easily discussing weekend plans as the machinations of vigilante justice. It''s in these moments, tucked between bursts of laughter and the thrill of the chase, that I know--no matter how dark the street or dire the situation--Miss Mayfly never really flies alone. I move out, pieces moving on the unseen chessboard of the North Philadelphia streets. It''s game time, and every move counts. My fingers drum against the cold metal of the dumpster I''m using as cover--steel walls to shield me from prying eyes as I make my final preparations. "Mite, report." My voice is low, more felt in the throat than heard, even though the risk of eavesdroppers is slim. His response is immediate, a live wire through the silence. "One bogey in the air, buzzing the scene. You''re as blind as a¡­ well, a fly without a window, without me. Consider yourself sighted, Miss Mayfly." I nod to myself, cracking a half-smile at his enthusiasm. Above me, the drone buzzes--a mechanical insect on a mission, sending back feeds that only our eyes will see. "Thanks for the visuals, Mite. Keep it hovering. I need all the eyes I can get." I launch a second drone into the night, a silent ascent. Together, they''re the perfect recon team, twin sentinels in the darkness. The comms light up again as Ant''s voice breaks in, keeping our spirits fortified even as the tension mounts. "Fly, you''re in position. All channels clear, ears open, and remember: no solo heroics." I can hear her half-eaten sandwich, the telltale sign of late-night operations. "Copy that, Ant. Keeping it cool. Operation No-Solo-Heroics is a go." Tucking against the cold metal, my view sliced into slivers by the gaps between dumpster and brick wall, I''m a gargoyle in repose, a waiting specter in the night''s story. My breathing is a soft hush, steady and controlled. Patience isn''t just a virtue--it''s a weapon. Especially for someone like me, without the laser eyes or steel skin to fall back on. "I''ve got some activity," Mite''s voice filters through, sharper now, the weight of the moment creeping into his usual levity. "Northeast corner, Fly. Looks like our friends are itching for their next smash-and-grab." "On it," I reply, a whisper barely there, as I inch closer to the corner of my hideaway. Peering out, I spot the shapes of our targets, their forms stitched together from whispers and half-shadows by the drone feeds. Just another group of lock-breakers, looking for a quick score, unaware they''re the prey tonight. One deep breath in, out, steady as she goes. I''m the trigger pulled back, the arrow nocked. Miss Mayfly doesn''t just fly--she lurks, she waits. And when it''s time, she strikes. "Eyes up, ears sharp, everyone," I mutter into the comms, a silent promise shared in the darkness. "Let''s show them what happens when the little guys bite back." In the black belly of the alley, I''m nothing more than a specter--a ghost garbed in the grit and grime of urban camouflage. My get-up melts into the backdrop of dumpsters and drainage pipes, just another patch in the shadow-quilt stitched across the city''s underbelly. The only parts of me that are alive in this sea of stillness are my eyes. They''re alive, alright--sharp as shattered glass, peering through the eyepieces of my mask. They flick from corner to corner, shadow to shadow, as the hooded figures emerge like actors onto the stage of their ill-intended performance. "Ant, talk to me," I murmur, the words practically crawling across my lips. "We crashing a party or a wake over here?" The feed in my earpiece hums low, the background soundtrack to the strategizing at HQ. "Fly, it''s the credit union--small-time enough to stay off the big heroes'' radar but flush enough for a fat haul. These guys are out to make withdrawals the old fashioned way--no account needed." Laughter spills across the line, and I can picture Mite''s knowing smirk through the static. "Heist crew''s rolling cosplay-level dedication tonight. We''ve got the Faux-vengers on site." "The what?" I ask. "Never mind. Nerd joke" I suppress a chuckle, though I can''t deny the absurdity of it. A gang of small-time crooks, kitted out in knock-off superhero masks from the Five and Dime, all New York''s finest--Peregrine, Captain Steel, Railgun, and Lady Justice. The masks are a cruel joke, a perverse mirror to the real heroes who stride the city streets hundreds of miles away. Something isn''t adding up, though. There''s precision in their movements, a choreography to their checks and balances. They''re playing it close to the chest, their gear belying the threadbare masks they don. Crowbars and gadgets with an air of legitimacy--a stark contrast to their comic book facade. "They''re sweeping, Mite," I whisper into the mic, my eyes tracing the one who''s inching closer to my concealment, a tech device in hand, searching for any sign of life. "Heads up, Fly. You''re up to bat, and the balls are getting closer to your court," Mite warns, a note of urgency threading through his usual calm. His tech-savvy fingers are no doubt dancing over controls, keeping one eye on me and one on the ever-dynamic chess board. I inch back, a silent retreat into the alcove of shadows. This is what separates the heroes from the characters on their masks--instinct, the cut-and-thrust of knowing when to hold back, when to leap forward. The figure pauses just a beat away from discovering my hideout, but the alley gives up nothing. Not tonight. Not with Miss Mayfly on watch. The thug moves on, reassured by empty looks and a quiet that hangs a bit too heavy. We''re on the razor''s edge, but I am the razor--a silent guardian cloaked in darkness, biding my time. The rolling shutter of the credit union stands oblivious to the unfolding drama--soon to be the fulcrum on which tonight''s justice will tip. There''s a hush over the comms now, and the only sound I can hear is the metallic clink and clatter of lock-picks and levers against the shutters. The thugs are putting on a little play called ''How to Crack Open a Credit Union 101,'' and I''ve got a front-row seat. Seems they''re savvy enough to replicate keys--gotta hand it to them for doing their homework. Still, the lock''s not giving way, and I can see them put some shoulder into it now, the desperate ballet of crooks determined not to leave empty-handed. As the three lock artists jostle and shove, their watchful fourth shifts uneasily, sweeping his gaze like a searchlight across the alleys and side streets--looking for heroes or cops or whatever boogeymen these wannabes fear in the city''s belly. A shiver of anticipation zips through me. This is it, the wire stretching taut, the moment before the pitch. The calm before the stink. Speaking of which, my fingers do a quick dance over my utility belt, my hands closing around the small, unpleasantly potent payloads. Military-grade stink bombs, the kind you''re definitely not supposed to get at my tender age--but then again, I''m not exactly following the teenage rulebook to the letter. I had to trade a lot of allowance money with some seniors for this stuff. And then Mite had to rig them with little remote operated needles to puncture them. I have no idea how he does half this shit. I strap them to the tiny little velcro payload of my other two drones. All four in the sky now. "Recall on one and two?" "You ready, Fly?" Moth''s voice is the tingle of adrenaline, a whisper in the dark that sets my pulse thrumming. "One sec," I murmur back. My little drone friends buzz down obediently, and I set to work strapping on the payloads. Mite''s been busy in his workshop; these noisemakers are his latest stroke of brilliance--a symphony of distraction waiting for my cue. I can almost see his proud little grin as he explains the mechanism through the earpiece, all remote detonation and timed chaos. "Just one click, Fly. Those babies''ll wail like the world''s worst car alarm--you''ll have all the cover noise you can handle." "Here''s hoping for a symphony," I whisper back, my movements precise as I arm the other two drones with the noisemakers. All it''ll take is a tap, and we''ll rain down our brand of chaos on these low-lifes. MM.1.2 As my mission control each takes up a different drone, I can feel the shift over the comms. The jokes have dried up, the banter has dwindled. We''re like kids playing at being grown-up, only now the game''s got teeth, and they''re bared. Wasp''s voice cracks through the quiet, softer now, barely there. "You got this, Fly. Just another night for Miss Mayfly." "Yeah," I breathe, my heart thudding a rhythm against my ribs, my eyes never leaving the figures at the shutters. "Ready when you are, HQ." This is us, teetering on the edge. The street''s gone still, the world holding its breath. The comms are silent now, a held note waiting for release. This is what we trained for, scavenged parts for, planned out through whispered calls and scribbled diagrams on napkins. This is our slice of the night, a crusade tucked inside the span of a heartbeat. And just like that, I can feel it--the swell, the rising tide inside my chest. From the safety of darkness, just beyond the crooks'' senses, Miss Mayfly waits, a ghost in the machine, the quiet before the storm. Ready to bring the thunder. "Alright, bring the motherfucking ruckus," I declare, tweaking the earpieces nestled in my mask just so--the fabric muffling enough to dull the impending cacophony. I''m a pale imitation of a rap star, but the moment demands its soundtrack. From the HQ, Mite''s voice comes laced with dry amusement, tinged with the kind of exasperation only a team leader can muster. "You are way too white to be dropping Wu-Tang lines, Fly." I can almost see his eyes roll heavenward as he asserts, with a hint of delight, "Deploying ruckus." The line still crackles with his suppressed laughter when the drones make their swooping entrances. The criminals, just heaving the shutters open, are thrown into disarray as the noisemakers whirl into life, emitting a dizzying, disorientating blare. They twist and dodge like shadowy dancers in a pit of confusion, crowbars clattering to the concrete as hands swipe at the buzzing menaces around their heads. Their so-called lookout pivots, eyes darting, scanning the alleys for the source of this aerial harassment. It''s the moment I''ve been waiting for--the cue to hit the stench switch. I''m armed for this, face obscured behind the gas mask that turns my breaths into mechanical ghosts. I press the remote, releasing a fetid miasma that could wake the dead and offend the living ten blocks over. Military-grade misery in the form of stink bombs plummets into the fracas, and I move, already picturing the sour faces, the watering eyes. They''re reeling, chaos incarnate, and it''s glorious. In a matter of seconds, the late-night quiet breaks, yielding to the bedlam we''ve orchestrated. The pungent fog of the stink bombs engulfs them, and retching fills the cool night air, a soundtrack that warms my vigilante''s heart. I have mere moments now, seconds granted by the capricious winds and the gut-churning potency of my arsenal. The countdown to zero begins, and adrenaline courses through my veins like a live wire. This is it--go time. The shift in my muscles, the balance of weight as I push away from the wall, it''s all second nature now. My form is a silhouette against the night, a blur moving with purpose and precision. I use the confusion, the cover of stink and sound, to my advantage as I glide into action. The darkness is an old friend, the alleys and fire escapes my playground. My steps are swift, my grip on the taser glove sure. As the mini-drones execute their part with chaotic finesse, zipping like relentless insects, I close the distance. One by one, I will neutralize the threat, reclaim the quiet of the night, and leave our mark. And somewhere in that torrent of sensation--between the stench and the shock and the all-encompassing noise--the realization hits home: Miss Mayfly is no mere wannabe hero. She''s the ruckus in the dark, the unsung hymn of the streets--and for one wild, heart-thumping minute, she''s utterly, perfectly untouchable. "Sixty seconds, Fly. Make them count," Ant''s voice cuts through the bedlam, a calm amidst the storm of groans and shouts that now fill the alleyway. The counter starts, ticking down our slim window of opportunity. My heart is a drum, my moves a dance of vicious necessity. Every second pulses with the promise of mayhem, my body coursing through the darkness--a sliver of retribution armed with righteous fury. Wasp''s voice serves as a backdrop to the action, snippets of her call for cavalry floating over the comms. "Yeah, hello? I''m seeing some guys trying to break in to a bank - no, I''m hiding in the bushes. Like, all the way down the street, I just hear them. Address? Yeah, um¡­ one sec¡­" "Fifty seconds," Ant intones, and I''m swinging--a specter in the strobe lights, I am David armed with more than just a sling. Precision matters, each strike calculated to incapacitate, to bring the pain. From my wrist dispenser, a vengeful spray of pepper spray finds its targets, attempting to slip in the crevices between their cracks. None of them go down to the point where I''d call them "clawing animals, frantic to escape", but the irritation is as clear as the villainy. Each burst is an exclamation point, a statement of intent from Miss Mayfly--this far, no further. I''m a bullet train of elbows and knees, of hard-placed strikes to soft, vulnerable spots. It''s a barrage, it''s brutal--it''s necessary. The flashlight, heavy and firm in my grip, pulses with a rhythmic strobe, a disorienting light show for the dazed criminal audience. "Forty seconds," Ant updates, her voice the tick-tock of my adrenaline-fueled clock. Stolen story; please report. The thugs, these pretenders to the throne of villainy, are all flailing limbs and panicked swings now--gestures rendered useless by their compromised senses and the inexorable march of seconds slipping away. I''m less a teenage beanpole now, more a whirlwind--movement, reaction, a symphony of righteous street justice. "Thirty seconds," comes the warning, and it''s as if the very night is holding its breath, the countdown resonating with the beat of the chaos. Retreat isn''t an option, surrender isn''t a word in my vocabulary--I''m committed, boots on the ground, fists in the fight. The assault continues, punctuated by curses muffled by the rank air, cries cut short by the efficiency of my advance. A crowbar goes swinging over my head and I try not to think about what would happen if it hit. I knee someone in the balls. Wasp, ever the voice of eerie calm, continues her distant chat with emergency services: "Yes, you heard me right, there''s someone with a gas mask fighting them. No, I don''t know who." "Twenty seconds," Ant cuts in, her voice a string pulling me back to the ticking clock--my cue to wrap up the show. The strobe light paints the alley in snapshots of chaos; a photographic stream where each frame is etched with violence and victory. A jab here, a side step there--I am fluid, unstoppable, a force fashioned from shadows and resolve. In the last echoes of this dance of disparity, the struggle becomes clearer: This isn''t just a fight--it''s a statement. Miss Mayfly is no passive participant in this nocturnal theatre, no secondary character in a story of heroes and villains. God, I almost sound like Sam. She is the crescendo in the final act, the embodiment of swift justice, the unseen specter--60 seconds of teenage wrath distilled into a maelstrom of precision and control. And with twenty seconds to spare, she becomes the legend whispered on the lips of the night--a legend born out of the corner of Fifteenth and Main. The final countdown begins, each tick like the hammer of a gavel, marking the end of my reign of terror. I''ve got twenty seconds left on the clock, but the universe has a sense of humor--cracks it wide open with the sickening echo of a crowbar colliding with my side. "Ten seconds," Ant whispers, but her voice is drowned out by the ringing in my ears and the throbbing in my ribs. Padding or not, the hit comes like a freight train, the impact a bloom of agony spreading fast and unyielding across my body. Breaths turn traitor, hitching and stalling as I stagger back, my fingers instinctively clutching my side. Reflex demands retaliation, and I lash out, the flashlight swinging in a wide, vengeful arc. But pain is a veil, blurring vision and warping aim. It sweeps through air, hitting nothing but darkness and disappointment. They''re not keeping track of time now - they''re not cheering me on. A voice somewhere in my head--gut instinct or maybe it''s Moth''s mantra--whispers, "discretion, the better part of valor." My brain screams fight, but my body''s shouting loud and clear, this brawl''s lost its charm. So, with a panted curse, I backpedal. "I''m out," I hiss into the mic, teeth gritted, and in a fluid motion, my thumb depresses the dispenser, a wide mist of pepper spray fanning out, a burning curtain to veil my exit. There''s a part of me, the smallest sliver, that aches to stay, to finish what I started, but the greater part--the part that wants to wake up tomorrow--is all survival instinct now, screaming at my legs to run. I''m not Sam. I can''t come back from a nuclear bomb going off on me. I only get to keep helping if I''m alive. And as if to punctuate my decision, my hand flings the last of my stink bomb gifts to the alley floor. The noxious cloud bursts into life, a second wave of olfactory assault to mask my withdrawal. "Clear," I manage to grind out, as the night swallows me whole, my sprint less superhero and more schoolgirl late for the bus. The alleyway blurs, the cacophony fades, and all that''s left is the rhythm of my flight, the thundering of my heart louder than any explosion, any drone, any crowbar. In the concealment of the shadows, I''m just a shadow myself, fleeting and breathless. I don''t need to hear Ant to know that the sixty seconds are up. This is the end of tonight''s chapter for Miss Mayfly. The distance I put between myself and the scene is filled in minutes with the wailing of sirens, the promise of blue and red salvation. It doesn''t feel good to leave it to them - God knows the Philly cops might just get something done today - but hopefully I''ve given them valuable minutes to catch these scumbags in the act. Above, the drone lights flicker out, mission accomplished, signals going dark, and the streets of Philadelphia reclaim their silence, punctuated only by the distant cries of the wretched and the approaching call of the law. As my home neighborhood looms up ahead, a refuge of brick and familiar streets, I slow, gasping, clutching at my side with the suspicion of broken bones singing sharp notes with each breath. But I''m alive, I''m unseen, and I''m still in one piece, more or less. I''ll fight another day.
Back at HQ, the tech that lit up the room hours before now hums quietly in the background, a low anthem to the night''s efforts. Drones docked and screens dimmed, this sanctum breathes of secret triumphs and the solace of shadows turned to safety. I slump into a chair, the adrenaline hangover hitting hard, pain punctuating my every move. Mite''s fingers dance across the controls, powering down systems that won''t be needed ''til the next call to arms. He¡¯s the maestro of our electronic orchestra, the quiet architect of our nightly escapades. "Status on Fly?" he queries without turning, his attention fixed on the flickering displays. "Fly''s grounded, but damage looks to be non-critical," Moth reports from my side, her hands skilled and sure as she examines the epicenter of my aches. Through the fabric of my suit, her fingers probe, a dance of pressure and relief that charts the map of my injuries. Ant''s voice cracks with pubescent deepening, the cool clarity of command now replaced with concern. "Good thing for the padding, or you¡¯d be cocooning in the ER about now." A chuckle escapes me, wry and weary, as Moth confirms, "It''s just a sprain, with some impressive bruising. You''ll live." Relief floods in, a gentle tide that carries away the worst of the fear, leaving behind the aches of a job well done. I really didn''t want to explain to my dad how I broke my ribs. Wasp leans back from her own screen, a haven of reconnaissance and connection, still radiating the thrill of the chase. "We made quite the splash," she remarks with a smirk. "Just wait ''til they hit the morning news." There''s a murmur of assent around the room, a shared sense of accomplishment that ties us together, binding stronger than the web of cables and cords that crisscross our haven. I take a moment to look at them all, this band of misfits turned crew, each a hero in their own right¡ªeven without capes or the glare of the spotlight. "We¡¯re a helluva team," I admit softly, the truth of it sinking in through the soreness and the silence of the room. In this HQ¡ªour fortress of solace and strategy¡ªthe weight of my lone endeavor lifts, replaced by the buoyancy of collective purpose. As Moth secures a bandage around my tender ribs, her touch firm yet careful, the reality of it all settles in like dusk. No matter the pain, the fear, or the uncertainty of what we face on the streets, this¡ªhere, with them¡ªis where Miss Mayfly truly takes flight. In HQ, with its walls lined with the ingenuity and courage of my friends, I find strength far beyond the capability of any superpower. Together, we are more than a match for the perils that prowl the Philly nights. As I ease back, letting Moth finish her work, I realize that it doesn''t matter what the world sees or knows. This is my team, this is our fight, and together, we soar. Chapter 71.1 The walls of our new home seem to exhale with each burst of laughter from the kitchen, the atmosphere pulsing with a blend of chaos and tradition as my family shuffles around in preparation for the Seder. Pop-Pop Moe''s stories are the thread weaving through the busy hum, his voice a familiar comfort that finds Jamila''s attentive face amidst the organized disarray. I stand just within the threshold, leaning against the cool, unblemished doorframe. Everything smells overwhelmingly new--the paint, the furniture, even the floors--and it''s like the sharp, tangy aroma of change has saturated the air. Part of me is still coming to grips with the fact that this polished, open expanse used to be the cozy, cramped space I called home. More room to move, but somehow the intimacy feels amplified in the openness. I feel vulnerable. Unused to these modern architectural standards. Mom is the undisputed conductor of this symphony in the kitchen, her movements practiced and precise, the product of heritage and years spent at my grandfather''s elbow - the good one. I mean the good grandfather, not the good elbow. I think both of Pop-Pop''s elbows are bad. Even after another almost clandestine meeting with Grandma Camilla, conducted in the strictly regimented space that is ''my mom picking me up from physical therapy, and Camilla is in the passenger seat'', nobody will tell me anything about the other Grandpa. The bad one. Don''t they know I''m a reckless teenager, and that sort of thing only makes me want to know more? Anyway. The soft clang of pots, the hiss of onions on the stove, the sweet scent of wine, they all knit together into the tapestry of anticipation that is Passover. Ben, dad, weaves his way through the house with an air of distracted focus, each item in his hands part of the intricate dance that is setting up the Seder table. The ceremonial plate, a mosaic of symbols and meaning, finds its place amidst folds of white linen--a tableau of both memory and promise. Haggadahs fan out with the whisper of pages waiting to be turned, and all the other ritual items--the Charoset, bitter herbs, and a cup of wine for Elijah--stand by as silent witnesses to the centuries - old narrative we''re about to replay. When I was a little kid, I really hated Passover. Like, really hated it. I''m not exactly fond of it still, because it requires me to sit still for an extended period of time, but I can at least have a little more respect for what it means. Whatever it means to me, which I''m still not sure. Pop-Pop Moe, as if he''s the guardian of these tales, punctuates his recounting with theatrical hand motions, drawing small circles of emphasis in the air that captivate Jamila. There''s a flicker of something--mirth, maybe pride--in his eyes as he glances at me, his tales brushing against the edges of my understanding, a testament to resilience and the gravity of our traditions. I''m like a buoy set adrift amid these currents of preparation, half-helping and half-watching as I hover uncertainly, occasionally offering an extra hand or escaping a flustered elbow. I''ve not quite reconciled the sturdiness under my feet with the lingering adrenaline that remembers the violence shaking these same foundations. "Sam, can you pass me the salt?" my Mom calls, tugging me from my reverie. And just like that, I''m wrenched back into the now, the role of assistant immediately embraced. I shuffle past the new dining set--a scuffed fixture bearing fresh nicks--and forage through the cupboards still unfamiliar in their order, until my fingers find the coarse granules that hold more weight than their volume suggests. We''re patched up, this place and us. Wounds closed, walls fortified. But somewhere under the stitches, there''s still healing to be done. And as I pass the salt, I wonder how many Seders it will take before the smell of newness fades into the background, before the pangs for a missing picture frame or a well-worn couch cushion no longer catch us unaware. How long does it take to ablate the leather back to its old feeling? I learned that word the other day from Gossamer, by the way. Ablate. It''s cool. I like that word. Tonight, though, is about heritage, family, and telling the story of how we were once bound, and now are free. The narrative we''re a part of is as layered as the history it honors, and in that sense, every brisket sliced and matzah broken is a homage to the continuity of our shared experience. It''s the lingering notes in Pop-Pop Moe''s voice that link us to Queens, and it''s in the shine of the Seder plate that I catch glimpses of all the tables that came before. The dusk of April folds itself into the evening through sheer curtains, reminding me that the Seder is not just a remembrance, but a living, breathing moment that we''re actively shaping--line by line, prayer by prayer, laugh by mixed-up reply. Wine glass by wine glass. And somehow, amidst the crispness of new chairs and the alien lines of reimagined walls, we find the pulse of age-old tradition. The heartbeat of Passover as constant as the rhythm of waves--retelling, rejoicing, and rededicating ourselves to the narrative we carry forward, to the people we are becoming. Time pirouettes as sunlight retreats, nudging us gently into the twilight sanctuary of our Passover observance. Candle flames dance and flicker, catching the glint in Jamila''s eye as I try to lay out the blueprint of this ancestral patchwork evening for her. "So the story goes," I start, waving a hand toward the Seder plate as I feel out the threads of our conversation, "each of these items is a symbol. The lamb shank bone, there, that''s the korban Pesach, the sacrifice back in the temple days." Jamila leans in, curiosity lighting her gaze. "And the egg?" I grin. "Beitzah, it represents the festival sacrifice that was offered at the temple too but¡­" I falter for a moment, reality pulling the rug out from under my theatrical presentation. "Honestly, I''m not quite sure why an egg. Just¡­ traditional, I guess?" Her chuckle is the olive branch extending back to me--a quiet forgiveness for my skipped beats of cultural clarity. "I get the gist of it," she reassures me, her hand brushing mine with a comforting ease. "I''ll follow your lead." The kitchen''s buzz escalates to a crescendo of "almost readies" and "two minutes," signaling the imminent beginning of our Seder night parade. Amidst the flurry of activity, I catch a whiff of the brisket, mingled with the sweet sting of Manischewitz, the only acceptable grape juice manufacturer, teasing the corners of my mouth into a hungry smile. As the table rounds into the final stages of preparation, I sidle up to my Mom at the counter, where she''s arranging the last of the haroset. "Hey, Mom," I venture, hands tucked into my pockets to present the image of nonchalance, "since I''m fifteen now, can I have some wine tonight?" The narrative has been stolen; if detected on Amazon, report the infringement. She doesn''t miss a beat, despite the hiss of the oven, as her eyebrow arches. "Wine? Absolutely not." I prop myself onto the counter with a sigh, my next words out before I can leash them. "But it doesn''t even affect me. My powers and all." The silence that follows wraps itself around my throat--a noose made of too-sharp curiosity and Mom''s sudden hawk-like attention. My Dad''s eyes suddenly turn, just a little too hard, towards me. Rachel turns, wiping her hands on her apron as she zeroed in on me. "And just how, exactly, would you know that, Samantha?" Cue the inward cringe--my default setting when I''ve stepped too far over the line of parental comfort. My voice stumbles into the void, my reply a cocktail of murmurs and evasions. Ben steps in with a chuckle that carries a note of let''s-talk-about-this-later. "Conversation for another time, but tonight, stick with the grape juice. You''re on too many medications as it is." My protest is half-hearted, more ritual than rebellion, as the reality sinks in. I glance over at Pop-Pop Moe and Jamila, now in deep debate over whether comic books count as legitimate literature, a playful spark underpinning the clash of opinions. "Yeah, no superpower is going to help you when you get sick from mixing alcohol and meds," she quips, handing me a cup brimming with sparkling grape juice--a consolation prize shimmering with carbonated promise. I pointedly don''t mention that my powers probably would help that, but, whatever. As the seder finds its starting block, a knock at the door syncs up with the closing notes of the ''Dayenu''. It''s one of those thumping, make-yourself-at-home kind of knocks. The door swings open, revealing a whirlwind of a woman, her artificially straightened hair a frizzy testament to her always-running-late lifestyle. She''s a twenty-year old force of nature wrapped up in slogans and thrift-store chic, clutching dog-eared Moleskine notebooks against her as though they''re state secrets. "Shalom, everybody! Did I miss the plagues?" Abigail - Abby - edges into the room, still out of breath, an infectious grin plastered on her face as she makes her rounds, giving awkward elbow bumps probably out of an abundance of caution over lingering flu season fears. "Oh sweet, kosher for Passover Coke!" Abby exclaims, practically lunging for the two-liter bottle sitting innocuously among the spread of seder-friendly refreshments. Meanwhile, my father tactically redirects her enthusiasm. "There''s a place for you at the table next to Sam, Abby. Slide in, and we''ll start." And slide in she does, her arrival folding seamlessly into the fabric of the Small family tapestry. Dad clears his throat, drawing the room''s focus to him with an ease born from years of leading this ceremony. He lifts the silver goblet--an heirloom that''s survived more moves and matzot crumbs than I care to count--and his voice rings clear as he ushers in Kadesh with the ancient words of Kiddush. Everyone joins in, the melody a familiar weave of our history, spilling out from every corner of the house as we honor the time-worn tradition. Pop-Pop Moe''s voice rises and falls in sync with Dad''s, an auditory bridge spanning generations, while Mom''s soprano threads harmony into the tapestry of our chant. Abby''s leaning into the words like they''re a warm embrace from an old friend. Meanwhile, Jamila''s silent, a respectful onlooker to the sanctity of the moment. The soft glow of the candles reflects in her dark eyes, hinting at the quiet contemplation beneath her serene exterior. Next up, Urchatz, the ceremonial handwashing that suddenly feels super practical, what with Abby''s timely and slightly annoying reminder of the recent coronavirus wave. We take turns at the sink, not speaking -- tradition dictates it, I''m pretty sure -- while drying our hands on some fancier-than-our-usual hand towels. Once everyone resettles, the Karpas follows. I grab a sprig of parsley for Jamila, handing it to her along with a small bowl of saltwater. "Dip this into there," I instruct, demonstrating with my own, "It''s like¡­ humility and tears or something." She gives a solemn nod, mimicking my movements with care. "It''s to remind us of the springtime, and the tears of our ancestors," I continue. "Or just another reason to make things more complicated than having a normal meal, probably." My joke lands with a soft chuckle from her, which earns an eyebrow-raise from Mom and a smile from Pop-Pop. I continue the cycle, waiting for the horseradish next--because hey, it''s not a real celebration until we eat something that actively tries to punish our sinuses. Her willingness to dip parsley into saltwater for the sake of my heritage swells in me a mixture of gratitude and connection beyond words or powers. It''s an understanding that tastes of saltwater and rings with the blessings of the Kiddush. But man, Parsley tastes bad. Dad''s hands are steady as he retrieves the middle matzah from beneath the white cloth. His voice takes on a lighthearted note as he addresses the room. "Next, we break the middle matzah." The crisp snap of the matzah cut through the murmurs of conversation like a conductor''s baton bidding the orchestra to silence. Half gets tucked away, wrapped up neatly for the afikoman, and Dad gives me a sidelong wink, trusting me with the ritual. "It''s like a hostage negotiation, but with more fiber and less ransom," Abby pipes up, with a laugh that cracks through her usual bravado. "But only a little less ransom." Jamila''s brow crinkles in pure bewilderment. "Afikoman?" she mouths silently to me "Matzah?". I lean in close. "The afikoman," I whisper back, "is the dessert matzah. We hide it, and the kids have to find it. It''s supposed to keep them awake and engaged¡­ because nothing says ''fun'' like scouring for bread. Also, the finder gets a prize. And matzah is a giant cracker. We''ll explain that later." My words spring a web of realization across Jamila''s features--a wondrous captivation mingled with the slightest hint of ''this is absolutely bonkers''. "So, you guys aren''t worried about supervillains showing up for round two on this place?" Abby asks, glancing around at the freshly painted walls and her nostrils twitching at the faint smell of new couch. "Oh, not at all. S¡­ security is being provided courtesy of the city," My Mom answers for me. Abby''s eyebrows furrow a degree. "Security detail, huh? That''s one way to ensure a peaceful dinner." She says it light, with the ease of someone who jokes to keep the monsters at bay, but the color drains a fraction from her face. I lean back, swivelling a piece of the afikoman in my fingers. "Yeah, since the house got bowled over by a dinosaur, there''s, like¡­ a little outpost somewhere nearby. I think they bought one of the empty houses, and they keep tabs on the neighborhood in case the bad guys come back. Can you imagine them knocking during the Four Questions?" There''s no mirth in her quick, tight-lipped smile. "Yeah. Crazy." "I don''t think it''s anything more than a single officer at a time, actually," My Dad interrupts, but my Mom seems to be reading something that I''m missing and makes a quick throat-slashing motion towards him. I pretend not to notice it as I get up to hide the afikomen. As I stash the wrapped matzah on the windowsill behind gauzy curtains, I pause for a moment to glance outside. The dwindling light flirts with the darkening street, casting lengthening shadows that crawl alongside the indifferent shape of cars and bikes parked alongside the street. For a beat, there''s silence in my chest--a pulse-less hesitation that tightens around the ease I''d feigned moments before. But then life rushes back into the space between beats, the night calling for our attention, for wine spills and laughter lines, and the next stage of our tradition comes into focus--the procession of plagues and a tale of deliverance that never tires with the retelling. The flickering candlelight ushers us onward. "Ready for locusts and lice?" I tease Jamila, trying to inject a sense of normalcy, a distraction from the grown-up undertones nipping at our ankles. She nods, humor twined with an adventurous spark in her eyes. "As I''ll ever be," she responds, diving into the next chapter of this bizarrely beautiful chronicle with a bravery that makes my heart swell--a little with pride, a lot with love. Dad clears his throat once more, and we''re back to it. I grimace preemptively at the thought of the bitter herbs, eyeing the horseradish with a begrudged respect. Just another lesson in the paradox of heritage--pain, sacrifice and salvation, all rolled into one. Chapter 71.2 Pop-Pop Moe clears his throat, a precursor to the nights he would regale me with tales of superheroes that walked straight out of the comics and into our streets. But tonight, he embodies our maggid, our storyteller, guardian of the Exodus narrative. His eyes -- those age-softened beacons -- scan the room, alighting on each face like he''s drawing strength from our anticipation. "We were slaves in Egypt," he begins, his voice laced with the weight of history, "To a Pharaoh who feared our numbers and strength. But we were a resilient people, our will to live and freedom unwavering." The room is a portrait of attention as he continues, his timbre summoning the specters of ancient sands and whispered prayers, conjuring images of men and women bound by more than just shackles -- bound by hope, and by a promise whispered through the generations. "God heard our cries," he intones, "and brought forth Moses, to be his voice, to demand from Pharaoh, ''Let my people go.''" Abby nudges my elbow with a knowing smirk, mouthing an over-dramatic "Let my people go." I suppress a snort of laughter, hidden behind a quick sip of my grape juice. "But Pharaoh''s heart was hardened," Pop-Pop Moe says, his fingers intertwined as he laid the scene. "And so, Egypt bore witness to plagues, each a testament to the power of the Almighty and a lesson to the oppressor." From locusts that swarmed like dark clouds to rivers turned crimson, from boils that marred the skin to darkness that cloaked the sun--his words paint them not merely as punishments, but as signs of liberation to come. And throughout, the subtle lift of his brow, the slight twinkle in his eye, speak of the joy in reclamation, of a story that''s as much celebration as it is chronicle. "As each plague passed," my grandfather continues, holding us rapt, "our ancestors held their breath, hoping against hope that Pharaoh''s resolve would crumble." But we all know the ten plagues by heart--the Seder plate before us a mnemonic device as much as it is tradition. Abby chimes in, lightening the weight of history with a quip, "Don''t forget the livestock disease. Pharaoh must''ve been so pissed about that one." Even Mom stifles a chuckle at that, the humor an exhale of relief in the gravity of the tale. "And the final, most devastating plague," Moe''s voice lowers to a hushed gravity, a pivot back to the sobering reality of the narrative, "the death of the firstborn. It was then, in the shadow of great sorrow and suffering, that the miracle of Passover truly began." The words hang solemnly between us for a moment as he allows the severity of that darkness to sink in, to remind us of the cost at which our freedom was bought. Jamila''s hand finds mine under the table, a silent squeeze under the tablecloth. The stories might be different--different lands, different tyrants, different plagues--but the longing for freedom is universal. It''s there in her grip, there in my response, there in our communal breath as Pop-Pop Moe guides us gently back to the thread of deliverance. "When at last Pharaoh agreed, our ancestors fled," Pop-Pop recaptures the thread of the narrative, tension rising in his voice as he draws us toward the crescendo, the splitting of the sea--the miracle to end all miracles, the divine intervention that set the stage for a nation to cross from bondage into freedom. "As they passed through the parted waters," he narrates, spreading his arms wide as though to embrace the entire tale within his span, "they knew that life ahead would be fraught with challenges. Yet, they marched on, for the promise of tomorrow--of a land flowing with milk and honey--far outweighed the chains they left behind." As the family digests the weight of the Exodus story, it falls upon me to introduce a touch of innocence back into the evening. Clasping the familiar velvet kippot -- stark against my freshly shorn locks -- I place it atop my head, feeling the frictionless surface of my buzz-cut oddly incompatible with the fabric that once nestled into my unruly hair. "Mom, it feels weird," I murmur, patting down the kippah which seems like it''s about to set sail at the slightest gust from the ceiling fan. She offers a warm, half-humored smile, her eyes tracing the lines of my profile like she''s memorializing the moment. "You look beautiful, honey. It''s just a little different." Different indeed. I glance around the table, suddenly acutely aware of my role -- the youngest tasked with the Ma Nishtana. Clearing my throat, I adopt a ceremonious tone. "Why is this night different from all other nights?" I intone, and with each question, I mark another rung on the Seder''s ancient ladder, feeling every eye upon me, the breath of my family lifting the words from my tongue. By the time I conclude with the final query, an expectant pause hangs between us, filled swiftly by Pop-Pop Moe''s affirming nod and the clink of cutlery against plates as we transition to the Rachtzah, the ritualistic second handwashing that precedes the breaking of bread -- or, in our case, the brittle sheets of matzah. I oversee the Motzi and Matzah, breaking the crisp, uh, "bread" and raising it high before mumbling the requisite blessings, and we each partake in the crunch of tradition. "No yeast, no waiting," I quip to Jamila, "think of it like fast food with a couple thousand years of history." The bitter herbs, unapologetic in their pungency, initiate winces and watery eyes from more than a few of us. Abby wrinkles her nose at the first taste, her voice jumping up an octave. "You weren''t kidding about the sinuses, Sam. This is cruel and unusual." Pop-Pop chuckles, dolloping a heap of charoset onto his piece of matzah. "It''s about the contrast, Abby. The sweetness comes after the pain," he chimes, gaze momentarily darting toward Rachel, who nods knowingly in turn. Their silent exchange goes unnoticed by most as the meal officially begins -- the Shulchan Orech, our reprieve from the intensity of the rituals. Voices converge and cross the Seder table like a verbal choreography -- debates, jokes, observations all meshing into the symphony that is a family gathering. Stolen content warning: this tale belongs on Royal Road. Report any occurrences elsewhere. In the midst of the clatter and chow down, Abby steers the conversation into more intellectual terrain, chin in hand. "I''ve always wondered," she muses out loud, eyes piercing in their earnestness, "about God hardening Pharaoh''s heart. If it was God''s doing, does that mess with free will? I mean, wasn''t that kind of a setup?" Pop-Pop Moe, taking a patient sip of wine, sets down his glass and regards Abby with a thoughtful, almost tender, expression. "It''s a fair question, it really is. Some say it''s meant to teach us that our hearts can become hardened to the point of no return, where not even God''s miracles can soften it." The table falls quiet, reflective. Even Mom pauses, a forkful of gefilte fish hovering untouched. "God gave Pharaoh chance after chance," Moe continues, the natural orator, finding his footing. "But in the end, Pharaoh chose. Sometimes, God steps back. Sometimes, we have to feel the full weight of our choices, no matter how heavy." Abby looks about to counter, but then shakes her head, conceding to the wisdom she wasn''t ready to outright reject. Her mouth opens and closes a little bit like a fish. "I''ll get back to you on that," she says, going for foo dinstead. Laughter bubbles around the table at her expense, easing the room back into a lighter cadence. Conversations break off into their own tributaries -- Jamila sharing stories from her mosque, Dad discussing city zoning like it''s the final frontier, and Mom''s chuckling recount of her latest library shenanigans involving mistaken book returns. Feels good. Feels right.
As plates are cleared and bellies round with satisfaction, the air grows subtly charged with a playful sense of purpose. It''s time for the evening''s clandestine agenda -- the hunt for the afikomen. Given the demographic around the table, it''s an adult affair, reduced from the frenzied scavenger hunt of larger family gatherings to a more subdued game of pseudo-hide-and-seek. I announce the commencement with an air of ceremony, yet there''s a hitch of humor at the edge of my words. "The afikomen," I declare, "has vanished in an act of unprecedented chutzpah. Who among us will prove themselves worthy of discovering the Exodus emblem?" The truth is, I''m hoping for a bit of family drama -- a healthy bout of chaos to get the blood pumping. Alas, Abby, engrossed in a side debate with Dad about politics and the state of the public library system, waves her hand dismissively. "I''ll pass, kid," she says with an affectionate ruffle to my still-kippah-clad head. "All yours, little shark." That leaves Jamila, who sets down her napkin and quirks a brow at me, the mischievous tilt of her lips betraying her enthusiasm. "So, I find it, and then what?" she teases, scanning the room with calculated casualness. "What''s the prize?" I ponder this with feigned gravitas. It''s just us, and bargaining tokens aren''t exactly brimming in our Passover reserves. My eyes fix on her, a playful spark mirrored between us as I make my proposition, heart tapping in expectation. "Find it," I tell her, "and you get¡­ a kiss on the cheek from yours truly." Her eyebrow cocks higher. "Only a kiss on the cheek?" she quips. "The Sam Small must be losing her touch." "The hero market''s tough these days," I concede, a laugh tickling the edge of my tongue. "Gotta hold back for the premium prizes." With a conspiratorial grin, she stands, embarking on a quest amid the clinking of dessert plates and refill of wine glasses. It doesn''t take long before she''s at the window, unveiling the prize from its draped curtain retreat. She waves the wrapped matzah overhead, a champion''s trophy. I lean back in my chair, propping my elbows on the rest, unable to quash the goofy pride that swells in my chest. "Well, a deal''s a deal." And as she approaches, a victorious sway in her step, I press my lips to her cheek, just as I''d promised. "No dine-and-dash on this one," I chuckle into the softness of her skin. Abby''s observation sails across the table, a clever grin splitting her face. "Jamila, I gotta say, your negotiation skills need work. You could''ve asked for the moon, and all you got was a cheek peck? We literally can''t finish this meal until you give us the afikomen." The room hums with laughter, Abby''s jab the impetus for a new round of spirited banter. Jamila shrugs, feigning insult while she glances back at me, her eyes alight with silent contentment that whispers ''I''ve got the whole universe right here.'' Despite the seemingly poor barter, the magic of the moment nestles within our midst, wrapping us in its warmth as dinner resumes with newfound vivacity. The night stretches on with second helpings and tales spun of ordinary days turned wondrous by the spice of family quirks and superhero shenanigans. Soon enough, we rejoin our shared space of contented rumination, where heartburn is just a reminder that freedom and horseradish occasionally collide, where kisses taste sweeter than wine, and where family roots burrow deeper than any fear. Our evening trots towards the homestretch, past the ritual meals and within the sacred shelter of tradition. Moments like these -- even the uneventful searches, the playful jabs, the mouth-puckering horseradish -- stitch into memory''s fabric, dyeing it with the hues of heritage and the laughter-lines of those who matter most. At the conclusion of our impromptu afikomen festivities, Dad stands, clearing his throat with an unassuming authority that garners our attention without demanding it. He unfolds a napkin with the prayer for Bareich printed on it, the text stark and steadfast in its serif font. "Baruch ata, Adonai," he begins, his voice steady, not straining to carry the tune but letting it drift among us, an offering rather than a performance. Our family follows his lead, a murmur of blessings rising, wine glasses poised in preparation for the third cup, the symbol of redemption and a toast to freedom won long ago. Jamila and I join the chorus with our sparkling grape juice, mine bubbling laughter at the juxtaposition -- superheroes and ancient rituals, battling evil one moment and reciting blessings the next. The hymns of Hallel cascade around the table, voices threading into harmonies both by accident and by some unspoken, untrained agreement. Jamila''s voice joins ours in timorous authenticity, so long as sheet music is provided, a testament to the night''s reach. Through verses steeped in gratitude and remembrance, I catch her eye from across the table, her face luminous in the taper''s glow. She seems caught in the swell of song, swaying slightly, her lips upturned at the corners. Whether it''s the melody, the sanctity, or simply the tapestry of family that encircles her, I can''t discern, but whatever it is, it holds her rapt, gifting her with a reverence unfamiliar but not unwelcome. The final phrases of song taper off, and there''s a moment when the echoes of our voices still ring softly in the corners of the room. We let them linger, a low hum of connectedness enveloping us before Dad -- in an almost shy declaration that nevertheless carries the weight of tradition -- speaks the words we''ve been spiraling toward all evening. "Next year in Jerusalem!" A murmur of affirmation, like a ripple of hope, makes its rounds at the table, a multitude of wishes breathed into the space between us. For peace, for unity, for safety, for normalcy, for a world where kids don''t have to turn into sharks to survive -- each "next year" is personal, but shared, our desires as diverse as the storytellers around the Seder table. "That being said, you really shouldn''t go to, like, actual Jeru-" Abby starts to Jamila and I, only to turn around at the presence of my Dad''s meaty hand on her shoulder. "Not the time, Abigail," he says, his eyes almost devoid of shine with some sort of faux-menacing Kubrick stare. Her entire body blanches and her shoulders sag. "Fine. Next time, then," she promises. As the last candle gutters, succumbing to the patient wind of the night, we rise, chair legs scraping against the floor, plates being gathered, the remains of charoset and matzah crumbs wiped from the table. The evening closes, the pages of the Haggadah softly closing, and I can''t help but think - despite the chaos, the scars, and the world that hovers on the cusp of heroism and madness -- there is solace to be found in these rituals, these moments. "Next year," I murmur to Jamila, our hands finding each other again beneath the table, "Wherever we are, whatever the world looks like, we''ll remember this night." WORLD OF CHUM: Superpower Analysis (2) [Today¡¯s Date] Dear [Student/Researcher Name], Welcome to the Aegis Institute for Dynological Research, the premier center for the study of superhuman abilities. As director, I am thrilled to have you join our vibrant community of scholars, innovators, and explorers dedicated to advancing the field of dynology. Our institute, founded in the wake of the superhuman emergence, has been at the forefront of research, policy development, and education in understanding and harnessing the potential of superhuman powers. Our mission is to explore the unknown, challenge the boundaries of science, and contribute to a world where superhuman abilities are not just understood but integrated into the fabric of society for the betterment of all. As part of our community, you will have access to state-of-the-art facilities, including our advanced research labs, simulation environments, and the extensive archives of the Dynological Library. You will work alongside leading experts in the field, engage in groundbreaking projects, and have opportunities to present your research at international conferences and symposiums. Your journey here will not only be about advancing your academic and research skills but also about contributing to a critical field of study with profound societal implications. We encourage you to dive deep into your interests, ask bold questions, and seek innovative solutions. Please find enclosed your welcome package, which includes details on your orientation schedule, institute resources, and contact information for your department head and mentor. I look forward to meeting you in person and seeing the contributions you will make to the dynological community. Welcome to the Aegis Institute. Let¡¯s explore the extraordinary together. Warm regards, Dr. Evelyn Archer Director, Aegis Institute for Dynological Research 455 Innovation Drive Tarrytown, NY 10591
Aegis Institute for Dynological Research: Detailed Annual Financial Report - Fiscal Year 2023

Executive Summary

This year, the Aegis Institute has seen unprecedented growth in funding and research capabilities, thanks to specific high-profile grants and donations, and a strategic expansion of our asset portfolio.

Financial Highlights

Total Revenue for FY 2023: $103.75 Million
Source Amount ($ million) Details
Government Grants 52.25 Including $30m from the Department of Defense for enhanced combat readiness studies, $12.25m from the National Science Foundation for basic superhuman physiology research, $10m from the Department of Energy for energy manipulation studies.
Private Donations 31.5 Major contributions include $10m from Helios Technologies, $8m from the Samson Foundation, $5.5m from anonymous donors, $8m from various small donors.
Service Fees 20 Consultations, facility use, licensing fees.
Total Expenses for FY 2023: $97.3 Million
Category Amount ($ million) Details
Research 42.75 Including $15m for the Metahuman Energy Project, $12.75m for the Regeneration Studies Program, $15m for the Telekinesis Mechanics Initiative.
Salaries 36.3 Staff, researchers, administrative support.
Operational Costs 18.25 Maintenance, utilities, technology upgrades, security.
Net Income: $6.45 Million

Financial Statements

  1. Balance Sheet
Assets Amount ($ million) Liabilities & Equity Amount ($ million)
Cash & Equivalents 16.5 Short-term Liabilities 11.2
Investments 22.5 Long-term Liabilities 28.05
Property & Equipment 47.75 Equity 74.5
Intangible Assets (Patents) 7
Other Assets 3
Total Assets 97.75 Total Liabilities & Equity 113.75
  1. Income Statement
Revenue Amount ($ million)
Total Revenue 103.75
Expenses
Research 42.75
Salaries 36.3
Operational Costs 18.25
Total Expenses 97.3
Net Income 6.45
  1. Cash Flow Statement
Activity Amount ($ million)
Operating Activities 32.5
Investing Activities -26.75
Financing Activities 0.7
Net Increase in Cash 6.45
Financial Analysis

Key Financial Ratios and Metrics Analysis

Notes to Financial Statements Future Financial Outlook Chapter 72.1 The twilit calm of the Tacony Music Hall''s ''lounge'' feels surreal, a slice of normality amidst the uproar of the outside world. Jordan''s scavenged couch--plucked from a curb on bulk trash day--sports a stylish constellation of burn holes and mysterious stains, but to us, it''s as good as any throne in a supervillain''s lair, minus the sinister plotting, plus a bag of stale tortilla chips. Jordan slouches in one corner, their boots kicked up on a coffee table that has seen better eras, scrolling through their phone with an attention born of pure avoidance. They''re trying not to look at the stack of unopened mail on the counter. Bills. Reminders of responsibilities neither of us wants to deal with. I''m curled up at the other end of the couch, my arm thrown over my eyes, trying to silence the whispers of restlessness clawing at my insides. Recovery is a caged marathon I never signed up for, a test of patience I''m already failing. My phone''s ping slices through the lull, a staccato note that triggers an all-too-familiar itch. I''m on it before the sound fully fades, all frayed nerves and eagerness. The Young Defenders group chat bubbles into life--new message, urgent alert. "Another villain?" Jordan intones, their voice lacking even the enthusiasm for curiosity. "Mmmhm," I mumble, eyes scanning the text. It''s Maxwell, his words curt as he paints the picture--supervillain, my neighborhood, escalating chaos. I feel a jolt, a jumpstart to my systems that I haven''t felt in weeks. An ember of purpose flares, struggling against the damp of mandated downtime. The follow-up messages roll in, terse instructions, and it''s like they''re written in someone else''s story: Stay away, Bloodhound. We''ve got Crossroads and Playback on it. "Figures they wouldn''t want you jumping back in headfirst. You''re supposed to be on the mend, Sam," Jordan says, an echo of our previous dozen debates on the subject. "Yeah, but¡­" I trace the edge of the couch, my nerves thrumming. I can''t just sit here. "People could be in danger, J." Jordan sighs, long and weary, and finally abandons the phone with a flick of disdain. "And you think strapping on a cape and playing hero is going to help? While you''re still down bottles of pain meds?" I ignore the jab, but it lingers, a muffled drumbeat in my chest. My fingers twitch, an innate signal flaring from the shark-fueled parts of me hungry for action. "I just¡­ I have to do something. If I can help--" "But the Defenders have it covered." Jordan''s voice is softer now, reasoning, almost coaxing. "Remember last time? You barely got out of there and we were dealing with just some small-time robbers." My hand pauses mid-tap, images unspooling--shouts, chaos, pain. They''re right; my body''s a collage of half-healed stories, each scar a word in the diary of a daredevil. Yet the rest of the messages blink up at me, and the impulse is unquenched. Risk whispers my name, as intoxicating as it is foolish. Jordan watches, a silent sentinel to my internal tug-of-war. "Sam, I¡­" Their concern is a tangible presence, pushing against my bravado. "I can''t endorse this. ''Supervillain'' is too vague. Don''t know if there''s another Chernobyl situation." A moment''s silence balloons between us, fraught with unspoken pleas. But I''ve never been good at surrender, even to common sense. The muscles of my jaw clench. "Then I go alone." My thumb hovers, then plunges into the thicket of text, as I type a single line--a commitment, an apology, a divergence. "Don''t worry. I''ll stay back. I just need to¡­ to go watch, in case they need me. And his name''s Illya, by the way. Not Chernobyl." Bravery or stupidity? Maybe they''re just two words for the same wild, reckless heartbeat. The glow from my phone throws shadows across the scattered vigilante paraphernalia that populates the "lounge"--an unofficial museum of the Auditors'' escapades, each object an anchor in the tempest of our double lives. Jordan''s eyes drill into mine, conflict etched in their brow as they wrestle with an internal adversary tougher than any street thug. A beat drags by, ponderous, heavy with the weight of countless arguments we''ve left dangling in the precarious balance between recklessness and righteousness. "Fine," Jordan exhales, the word more surrender than permission. They lean forward, elbows on knees, the lines of their face hardening with resolve. "But listen, Sam, you''re not invincible. If we''re doing this, you''re on recon only. Stay back. Stay hidden. Use that dog nose of yours or whatever." My pulse thrums a frenetic rhythm, buoyed by the reluctant benediction. There''s a lick of satisfaction, sure, but it''s tempered by Jordan''s stern gaze--sharp, protective, and piercing enough to fillet my ego if I get too big for my britches. "I know, I know. Recon." I mimic locking my lips and tossing the key, but the grin that follows doesn''t quite reach my eyes. Jordan''s disapproval hangs between us, a fog that doesn''t quite conceal their deep-set concern. It''s a rare moment; they''re not big on the whole touchy-feely pep talk thing. "But seriously, Sam," Jordan adds, their voice threaded with a hint of steel, "our neighborhood doesn''t need another hole punched through it. If you''ve gotta act, make it count, and for God''s sake--" "Don''t get hurt," I finish for them, nodding. My heart gives a leap, like a shark eyeing a seagull--too tantalizing, even if the thing''s got wings and I shouldn''t even be jumping. Jordan snorts. "I was gonna say don''t do anything I wouldn''t do, but yeah. That too."
The cool cloak of the evening does little to dampen the chaos unfolding in front of the warehouse--a carnival of debris, light, and sound that beckons to every fiber of my hero-self. Pockets of darkness cling to the edges of the building like spectators, bearing silent witness to the spectacle of ruin yawning wide at the front entrance. The supervillain had turned a simple doorway into a blast site, mockery in every shattered beam and bent metal sheet. I approach with the stealth afforded by shadow and caution, padded armor snug against me. With extra padding, from Gossamer. Everyone''s been treating me with the kid gloves recently. There''s no need to strain my ears for the scuffle within; the air vibrates with the rhythm of combat, waves of force emanating from the villain''s location with a certainty that bypasses sound. I catch sight of Playback, silhouette dynamic against the flicker of emergency lights, ducking and weaving like a dancer spun wild by his own stolen beats. Crossroads is a pillar amidst the maelstrom, poised and pivotal, the silent fulcrum around which futures hinge. They''re caught in an intricate ballet of engagement, trying to confine a foe who wears force like a cloak of rubber skin, repelling their advances with gleeful abandon. For each punch thrown, a backlash awaits, vibrations eager to find new purpose against attacker rather than the attacked. I watch the air vibrate and distort, lensing like that one movie with the black hole in it, like the air is wrapping around this guy''s hands. He''s got this whole ''imp'' thing going on, with a chesire grin mask under a red-and-teal hoodie, black sweats, sneakers, fingerless gloves. Nothing interesting outside of a hint of padding, elbows and knees, someone prepared for action. Crossroads swings for a right hook and the guy chuckles as it smacks him uselessly in the face, just making the air around him wobble. Playback is a spring, potential energy in human form, noise sucked into the vacuum of his talent only to be redirected, a soundscape sculpted to disorient and disable. But silence is no barrier when force itself is the weapon, and he tumbles back with a grace born of practice rather than preference, air blasted from lungs without a sound, a vacuum the only testament to his strike. I inch closer, every muscle coiled with the urge to dive in. But Jordan''s words tether me--a silent pledge bound by worry and the stubbornness of a partner unwilling to watch another dive headlong into the jaws of injury. This novel''s true home is a different platform. Support the author by finding it there. The tang of ozone and dust scratches at the back of my throat, sharp reminders of the maelstrom I orbit. My presence is a shadow, a ghost audience to the two-halves of a battle waged with fists and possibilities. For now, I watch--eyes sharp, pulse thrumming to the beat of danger''s drum. My teeth are a secret snarl under the mask, a predator''s patience tested by the scent of an unseen threat. A villain with the audacity to turn my neighborhood into their personal bouncing castle, flipping the switch on physics like a game. Amid the discordant symphony of shattering concrete and warped air, the would-be thief holds his ground, a haphazard emcee to this unwelcome rave. The guy - the imp, not yet named but stamped with the surefire swagger of the newly empowered, slinks between baton swings and repurposed reverberations. The squall of fumbled bravado and heavy breaths is a solo that hasn''t quite found its beat. Playback zips, a smirk woven into his mask, spinning a mockery as deft as his escrima batons, "Come on, Tigger, can''t you stick to one spot for a sec?" Tigger''s reply tumbles out, hasty and indignant, "Maybe if you''d quit flipping around like an acrobat on fast forward, we could-- Oomph!" The warehouse is a broken-beat dance floor, our villains in an unlikely pas de deux, albeit with more clatter and less grace than the term implies. Tigger''s movements lack polish, his words lagging just behind his actions--a telltale mismatch that reveals the rush of adrenaline in someone unaccustomed to multitasking threats and quips. "Alright, just stop it, yeah? Just--wait!" Tigger gasps, his hands thrown out in exaggerated frustration as a baton swings perilously close. He huffs, a mask-muted snort, "What do you want, a dramatic monologue while I''m at it? A discourse on the sociopolitical implications of my ill-fated life of crime?" Playback, all twirls and lightning taps, doesn''t miss a beat, chipping away at Tigger''s clumsy exterior. "Socio-what? Buddy, you tripped into the wrong comic book." I''m a statue, a study in shadow, positioned just out of sight--an apex predator waiting, baiting. My gaze cuts to Crossroads. Our eyes lock--a silent conversation, a nod to the inevitability of intervention. His displeasure is a tableau of tight muscle and keen eyes; an unspoken resignation to the Bloodhound''s willfulness. Tigger continues his stumbling tirade, a defense wound with anxiety and bluster, "Look, you overzealous vigilantes--I don''t want to hurt nobody. Just let me grab what''s owed and skedaddle. Call it a day." Playback laughs, a note of disbelief in his glee, "Owed? What, did the world promise you a tiara, Spirit Halloween?" Tigger''s mask contorts, miming a roll of the eyes. He kicks a stray piece of debris with petulance, watching it bounce off a wall harmlessly, "A tiara would be nice. But no. I have¡­ expenditures. And it''s Ricochet! That''s my name now!" The circling continues, playback orchestrating his adversary towards my hidden vantage. Like a maestro leading a recalcitrant orchestra member back to their chair. My limbs twitch, prepared for the lunge, to wrap silence around his breaths as surely as ink cloaks night. But it''s a waiting game--a heartbeat measured in feints and jeers, two fronts closing the gap on an unwitting target. Each jest, a parry; each retort, a thrust. And amidst the thrust and parry of a mock gladiatorial banter, we wait for the pause that says "now", the sigh of space that invites calamity. Playback''s batons swing and swing, and Ricochet steps back, back, backer, avoiding hits as much as his powers seem to let him take them. Every second, he gets closer, and closer, and closer. I know how to deal with invulnerable types, I''ve sparred with Rampart enough. Sure, he seems like he can just bounce anything Playback throws at him, but that doesn''t mean he can bounce lack of air. I can almost taste the moment, briny anticipation a palpable scent on the stagnant air. Ricochet might be laughing, might be spinning that yarn, all snark and sass, but soon enough it''ll be a gurgle of surprise that-- Tension coils, an anticipation so tangible it hums through the dilapidated warehouse. My muscles prime for pounce, a panther in patient savagery, but that''s when the whirr of tiny rotors pierces the balletic discord, drawing all eyes skyward. A palm-sized drone, a hovering harbinger of new variables, bobbles in with the merry chime of a puppet show introduction. Beneath it, a foil pouch sways with pregnant implication. Time slows to a crawl, the drone an interloper in our staged serendipity. Crossroads moves with a preternatural sense - an instinct born of a leader''s foresight. He pinches his nose closed just as the bag bursts, its contents a silent explosion that mushrooms into an acrid cloud of unseen revulsion. "Stink bomb," he mouths, low and preemptive. Into this olfactory assault slips a new player, swathed in anonymity and gear, a silhouette against the backdrop of industrial bleakness. "Heard you guys could use some backup," quips gas mask''s digitized monotone, an artificial edge overlaying what might be amusement. Gas mask''s baton extends with a threatening whisper of metal, the hilt nestled firmly in their grasp as they wade into the fray. Playback''s grace deteriorates into scrabbling retreat; he chokes back a gag, his body language voicing his horror, "Aw, come on! That''s cheating!" Even as he cackles and bellows, struggling to maintain his comedic performance between half-retching gasps. The gag may be his primary role, but this punchline has affected the jester as much as his audience. Ricochet - our unasked-for jest of a villain - feeds off the opportunity, his cartoonish facade belying newfound tactical instinct. A boon of energy falls into his lap with Gas Mask''s entry and swing at his head. The baton hits his hoodie with a dull thump, only causing his mask to rattle, and the air around him bulges and ripples. Now I understand - Playback was thrusting, poking, prodding, but avoiding outright swings. I think he understood going in. I don''t think this new person does. The ''imp'' moves, shifts, begins to come into his own, his power ballooning with the ample harvest that Gas Mask has unwittingly provided. Pulse after pulse he hurls back; walls become drum skins to his percussive whims, stirring a rhythm that would be impressive if it wasn''t so potentially lethal. With alarming ease, a turbulent wave of force strikes out. Playback flies backward, a balletic pinwheel, forced to enact his own variation of flight, the superhero genre''s perennial favorite. If his fall resembles grace, it''s a trick of desperation and the lingering hangover of his inherent agility. "Thanks for the juice, dumbass," Ricochet announces, while Gas Mask swings and swings again, uselessly thumping their baton against Ricochet''s head. And the stench, gods, it is unbearable. I''m not the queasy type, but this vile concoction writhes into my nose, clawing up sinuses and behind eyes. Even tucked behind cardboard ramparts, the reek slips through unseen chinks in my improvised fortress. The banter curdles, sickening with the scent as the action escalates. This fight just went from manageable mischief to a brawling blender of oaths and odors. Gas Mask doesn''t relent, another newcomer braving the miasma with only mild disgust twisting her body language. I squeeze my eyes shut against the stink, every sensory receptor shrieking betrayal. This isn''t quite the moment I was waiting for. But that''s the rub with plans--they rarely survive first contact, even with the enemy as oddly buffoonish as Ricochet. Especially when there''s someone tossing in variable stink bombs. Through watering eyes and a clenched jaw, I hunker down, mind racing for ways to reorient amid this reeking reshuffle. The game''s changed, but so must the player. The battle continues, a dynamo of farce and ferocity, spinning madly on its clown nose of a fulcrum. "Stop hitting him!" Playback''s frustration crescendos as he twirls handcuffs around the tip of his batons--a would-be magician with an escape artist for a rabbit. His words ripple through the pungent haze, but Gas Mask''s fury is a tempest of its own, teenage storm clouds boiling over into reckless action. She''s a gust of heated zeal, embodiment of rash confidence--until the room folds under an invisible wave, Ricochet''s kinetic airburst flinging her through the stench-swirled air with brutal clarity. Her impact against a distant stack of crates is a punctuation, her presence truncated by sudden, blunt distance. Now the space is ripe for disruption, the flavor of chaos begging for a dash of hound''s bite. My wait ends, replaced by a primal sprint, an unexpected powerplay by a recovering hero. I tackle Ricochet mid-celebration, the art of surprise leaving no room for activated powers, the crunch beneath me both satisfying and essential. His eyes, wild within the cheshire grin of his mask, meet mine, registering shock to find Bloodhound in place of easy targets. "Bloodhound!? I thought you were recovering!" Gas Mask''s voice, tinny and hollow through her mask''s filters, sparks amidst the tumult like an accusation borne of concern. "Recovering," I grunt, eyes narrowed on Ricochet''s surprised face, his body pinned to concrete coolness. My arm muscles dance with the pressure of a chokehold, my only reply the focused strain in my stance. All I need is him to black out, stop blasting, stop bouncing back every hit like it''s a game of Super Smash Bros. Ricochet''s hands fumble, pressing against me--desperate spasms that soon find their rhythm. My gut knots against the thud of redirected force, over and over, a barrage of kinetic grievances making their protests felt through layers of padding. Involuntary oofs escape as the air in my lungs becomes a premium asset, economy of breath bargained away with each impact. The flavor of vengeance is absent in my grip, just the cool calculation of necessity--a hound running her quarry to ground, adamantium will enforcing nature''s most primitive directive. It''s not fun, not like doing flips off a diving board into a deep pool. Every blast from Ricochet feels like I''m taking hits from Rampart when he''s not holding back--bruising, deep, too much. Playback barks out from his vantage, "Give it a rest, pinball wizard!" A taunt laced with desperation, knowing every thud is both fruitless resistance and pained endurance. But for me, there''s only the strain, the choke, and the silent hope that counts more than sheep--it''s seconds, long enough for blackout, for peace, and for my teammates to pull themselves back from the edge. My jaws are clenched tight, resisting the urge to bite down on anything - this isn''t the time, this isn''t the way. Every sinew whispers the same chorus: hold on, Bloodhound, just a little longer. "Count sheep, count sheep, count sheep," I beg, trying to bring Ricochet to the point of passing out. Then, he puts both hands next to my face. Chapter 72.2 In an instant, the warehouse transforms into a kennel of aerodynamic canines--my body hurled away as Ricochet''s powers crest and crash against my chokehold. There''s a sharp jolt, like a siren''s call to every tooth with an anchor in my gumline, as several find new homes in the dust mites and debris. I''m glad, extremely glad, that they grow back, along with the rest of me. Every part of my body thrums with adrenaline and regeneration. Honestly, I need to get into more fights, sorry Jordan. This is the best I''ve felt in weeks. Ricochet, now unshackled from my determined grip, clambers with frantic energy--a fish flopping back towards his urban stream, heaving for every advantage. I roll, catch my breath, and taste iron; the sting from my mouth nothing compared to the burning rush of air blasting past me. He scrambles on the ground, quipping still, "Four against one? What is this, a superhero pile-up?" "We''re not with that one," Crossroads says, just loud enough to be heard over falling pieces of wood and cardboard. I''m regrouping, teeth already tingling with regrowth, while Gas Mask rises like a bad penny--no worse for her collision with the crates--her quartet of drones, buzzing guardians, forming a jagged halo above. There''s an air of the revenant about her, those spirited back from the near beyond with a vengeance. The vibrating halo signifies an unvoiced promise of more than just a stink bomb payload. I don''t know what''s underneath each of them - the one with the stink bomb seems to be depositing its remains in her hand - but I know she''s ready to sue them. Crossroads stands stoic beside Playback -- their squared shoulders forming an unspoken alliance, twin pillars facing down the upstart in his ill-begotten mask of mirth. There''s no room for humor in his ranks, only the grit of resolve set against the wild card ricocheting before us. With his face hidden behind grinning mask, Ricochet dives into his pocket--a magician indulging in his final act, revealing two small green pills. "Waste of a good payday, let''s get poppa his new car¡­" he mutters under his breath. In a gulp, the pills disappear beneath his mask--a fleeting retreat before the onslaught recommences. The air wavers, pregnant with the building snare drum roll of anticipated power; whatever lay contained in those little emerald harbinger has awakened. With this chemical bolster, Ricochet''s capabilities flare, the very air charged as if with the static of a brewing storm. Were they superpower pills? Do those even exist? I figured I would''ve heard of them before today - maybe it''s just normal stimulants? Either way, Ricochet rolls his shoulders until they pop, and I feel a sudden wave of nausea as the lingering remains of the stink bomb waft over me. The fracas reeled into a dizzying crescendo, Ricochet, our self-made pinball powerhouse, now dowsing himself with what smelled like fear disguised as bravado. His fingers, deft as a pit-pocket''s, produce an epi-pen, or something like it from some inner reserve of tricks. I watch, tense as bowstrings in the drawn moment, as he uncaps and jabs it straight into the soft territory of his abdomen. I can smell the wrongness before the thing''s even clicked--a snarling, canine intuition warning of rot amidst the wounds. The substance within his bloodstream fizzes--a chemical torrent gone rabid. As the scent fills the ruptured quiet, a pungent orange almost sickly sweet, my blood sense pulses with alarm. It''s like a soda, gone crazy, been frozen and thawed and frozen again. His blood is¡­ wrong. That''s not a normal alteration. The bloodstream changes with drugs, sure, not always like this, but at least a little. Chernobyl''s blood is white hot, literally white, in my blood sense. This guy''s blood is orange. And it feels like it''s carbonated, I don''t really know how to express the sensation any better than that. It''s not literally carbonated, but it tickles my brain somewhere in the part that''s afraid of danger, the lizard part. He claps his hands together, and the air goes loud and heavy, all at once. I can''t even see the shockwave as it hits me. The world blurs--a carousel spun by a cosmic child''s mischievous palm. Gas Mask, Playback, and I, we''re flotsam in a carnival ride with all safety checks torn screaming from the control panel. I''m hefted like a straw in the winds of a whimsical tempest, Gravity, my once-solid ally, no match for the chaotic ballet Ricochet has sprung upon us. Crossroads, ever the pillar in our storm, somehow anchors Playback, clasping his hand in a gravity-defying grip that denies the shockwave''s dominion. Beside him, the lament of shattering drones signals Gas Mask''s aerial guardians, dashed upon surfaces as unforgiving as the world we''ve chosen to defend. With exultant elation painted across his face, Ricochet absorbs the echoes of his own detonation--a high riding upon adrenaline''s coattails, wrapped in the ephemera of untempered power. "Woo! That''s good shit," his exclamation drills through the pounding in my ears, cocky and jubilant. His shuffle, a dancer treading the boards of his stage with an actor''s glee, is nearly euphoric--each bounce an echo of delirium mixed with chemical consequence. Bloodhound is recovering. Sometimes from physical injury, sometimes from just too much life, too close together. She''s better with people''s muscles and the specific kind of bright red the body spills when it''s mad or in love. She''s no good with fizzing drug blood, which feels almost like teen spirit - selfish, panicked, angry, ready to latch out. But it doesn''t matter if he''s fighting gravity or the grip of addiction now; the "game" has shifted to deadly earnest. It''s all hands on deck, clamber back up, catch your breath and hope that your balance returns before his blood-infused frenzy directs its eye towards your still-reeling form. I don''t know what he''s taken, or what he''s gonna be like when it hits, or how we''re supposed to put someone down whose veins are fizzing like shaken soda cans. But I don''t want him to do that again. "Alright, Tinker-Toy, if you''ve got any more tricks up your sleeve now''d be a great time to use them," Playback tosses over to Gas Mask, somehow finding the lung capacity amid his gags for a half jest, half plea. Her response is an unreadable silence--vigil behind the visage of her mask, posture coiling in momentary thought. Yet, even as she reconsiders her stance, stepping in uncertain cadence towards Ricochet''s bulging and altogether unnerving muscular display, the chaotic dance of fight choreography begins its kinetic symphony. With no fanfare, no verbal ripostes or witticisms to draw the ear, we all converge upon our subject--each move a wordless communication in this full-contact conversation. Playback and Crossroads orbit like binary stars, Crossroads'' arms a blur, playing the shell game with those cold-metal handcuffs while Playback skips and pivots in feints designed to confuse and corral. Yet, for all their coordination, it is Ricochet who seems possessed of a new potency--a sneering Atlas hoarding borrowed might. His arms swell, not just with power but with the garish mapwork of veins--roadways primed with his bizarre, sludge-like lifeblood. The first strike is mine--a hurl towards his carotid, a grip searching to seal and tighten. Yet his skin feels steel-belted, a grinning fortress reinforced by layers of unbidden strength. My fingers scramble to compensate, to reclaim leverage over this monstrous physique. Beside me, Playback meets a suddenly granite jaw with a rapid-fire combination--bass line to the falsetto of his ongoing banter. Each thump on Ricochet feels like a pen tapping thick rubber; it''s grim satisfaction tied with dread, knowing such rebounds promise little in the way of gain. The story has been taken without consent; if you see it on Amazon, report the incident. Gas Mask dances a disjointed rhythm--each strike unfocused but relentless--a maelstrom in search of a heart. Ricochet''s derision goads her into ineffectiveness, her temper clouding technique, her flailings carving hapless patterns in the wake of stronger foes. But through the bodily thrum and combative delirium, Ricochet seems to uncoil further--a human slinky somehow drawing tension from air itself. Muscles coil, his form both shrinking and growing into itself--a grotesque magician contorting under our incredulous watch. In turn, I squeeze and clutch, bloodsense telegraphing the ricochets within his vessel even as my hands slip--desperate for the clasp of a fragile trachea among striated layers of induced fortitude. The texture, that alien abrasiveness set against my failing force, stirs a primal response--fearful and undeniable--a creeping urge to set teeth deep into throat. Playback''s rhythm never falters, chirping like a frenetic bird--each note a drumbeat against the enfolding silence. "C''mon, man, flexing won''t get you on any magazine covers here!" Crossroads dodges, a nimble waltz punctuated by the chime of cuff meeting flesh, but the rings won''t close, Ricochet''s enlarging wrists laughing off the attempt like a bad joke--Crossroads'' stolidity does not crack, determination his sole aura in the dim of failed attempts. We''re writing poetry in violence--each blow, lock, and lunge a stanza etched in sweat and blood-fueled mist. Our gazes, far flung from the ignominy of brutality, set beyond the moment--chasing the narrative cadence that leads to a captured villain, a city secured, and peace uneasily claimed. The crescendo of fists builds to a feverish pitch as Ricochet, with defiant snarl, gathers his swelling might--a storm within his sinews awaiting release. The air turns thick with tension; a taut ribbon stretched to its singing brink. And then, with the subtlety of a sledgehammer, he unbinds his human coil, dispatching our congregation with an airburst more felt than heard. Our disparate collection of abilities and bravado is sent spiraling--puppets snapped from their strings. We''re tatters in the wind, recoiling from a hubris paid back tenfold in kinetic dollars. I find reality''s again too late, rising in the time it takes for the echo of our expulsion to fade into painful remembrance. Pain lances through me, muted only by adrenaline''s sweet anesthetic -- a bruised, weathered animal, not yet bested, but bearing the taunting of each gathered shadow of former victories. Ricochet, his gaze locked onto Crossroads, seems unaware of the blows landing upon him¡ªno mere theft or retreat, but the siren call of dominance beckons him. It''s a display of raw power, a Goliath intent on crushing defiance beneath him. Crossroads stands, undeterred, but Ricochet descends upon him, a Goliath seeking to squash and assert. The first blow is a sucker punch--a wicked uppercut aimed at humility''s cornerstone. Yet Crossroads diverts, infinitesimal seconds bought by his foresight, turning a knockout blow into mere glance. Ricochet roars, unaccustomed to the slip of prey from his grasp. He jabs, a series of harsh crosses aiming to land with grievous intent. Playback intercepts, a blur, his movements silencing impact, only to unleash discordant crescendos of swatted hands at Ricochet''s ears, followed by ripping, shredding bursts of sound that send him stumbling out of Crossroads'' armspan. Gas Mask, rejoining our chorus, lunges--her movements, no longer chaotic, are precise cuts. Her hand extends, fingers encasing pepper spray aimed with a librarian''s precision, catching Ricochet in the mask and bouncing off to form a spicy, painful cloud. She tosses the can at his head, and it thuds off, stopping without a bounce and falling down to the ground. He doesn''t even notice. All the while, Ricochet sends flesh-hammers pounding, imprints of ire mapped upon my colleagues'' bodies--Crossroads''s ribs throb a morbid rhythm; Playback''s arms hoist purpling badges of his echoed fury. And so I fly once more to the fray, the ever-resilient hound, teeth bared and aching from regrowth. This time it''s a slide, low and rapid--the world flipping as I clip Ricochet''s legs. They buckle with my weight and leverage, a fleeting setback before a flailing kick launches me back, my air squeezed into the battleground. Crossroads can''t heal, and I can - the calculus is easy. I punch him in the balls. Whatever powers he has doesn''t seem to be able to protect against that. Maybe he''s too busy dealing with everything else. Either way, I don''t feel the same dull thud that I felt when he ate my prior assault. And lucky me, he''s not wearing a cup. I punch him in the balls again. Every exhale is a small defeat; every respite a transient ally. We are sinews stretched to fray, spirits indomitable, heroes not by acclaim but by unyielding, scrappy, and altogether dogged tenacity. We circle Ricochet, an impromptu firing squad without bullets, seeking the chink in his armored performance--an opening to press advantage and drag this one-man spectacle down into closure''s quiet. Blow by blow, breath by ragged breath, our theater of war plays out--an improvisation on a theme of justice, each of us scoring the measure of our will upon the body of our adversary. Each bruise is a stanza, each grunt a line break--our actions weaving a poem of knuckles and bone. This dance of flesh and will spirals on, and in the ragged ballet, my focus narrows to a singular and ignoble ploy--one I''ve tried and tested. I punch him in the balls once more, steeled for the onslaught to come. With a grunt, I let my knuckles do the talking, and just like that, our human pinball machine buckles, his vocal cords unraveling into a grunt so guttural it vibrates in my teeth. Over the top, Gas Mask sails in a leapfrog''s larceny, riding the thermals of my distraction with elegance I never pegged her for. Gloved hands plunge to seize Ricochet''s own, tethering him to reality with a grip as unyielding as the narrative of our shared defiance. The zap is almost anticlimactic--a subdued crackle lost in the melee''s symphony until it''s too late. Ricochet jolts, his body conducting a requiem of electricity as the voltage kisses his skin. The energy, stewed and soured within him, seeks swift exodus--a kinetic exorcism whose fury would not be contained nor quietly dismissed. Reality bleaches to white. Sound itself is stripped from the air, a vacuum preceding a roar like the birth-pangs of creation. The warehouse weeps, its skeleton coming apart in jerks and shudders, timbers and concrete bidding hasty adieus to their moorings. In the silence that follows the tempest''s climax, I see Gas Mask--an outline of defeat yards from where her valiance left her, a collapsed truth against a wall already whispering its cracks. Crossroads stands, his commands are the frayed threads by which we hang--a captain listing aboard his crippled vessel. "Playback, get Miss Mayfly," his voice breaks through the ringing in my ears, "and get out of here. Bloodhound, step back and send out an alert." My nod is imperceptible in the daze, fumbling for a device, any device, my fingers slick as I trigger a distress signal bound for ears we pray will heed. My phone. The screen is cracked but it works, and I ping alerts and GPS coordinates to the HIRC chat. "I''ll keep him busy," Crossroads'' tone brooks no argument, yet it''s lined with the tremor of a red-lined gauge. I chance a look at Ricochet--every convulsion a morbid twitch, the skeletal marionette whose strings are played no more by his own accord but by the echoes of violence past. Miss Mayfly''s glove lies attached still, a testament to her gamut run in full, and he shakes it off, foam dripping from under his mask. I look towards Miss Mayfly and Playback, my friend and teammate applying what first aid he has on his utility belt, swaddling her behind nearly-demolished wooden crates. The twisted ballet of muscle and kinetic discord continues. Ricochet rises, grotesque in his rebirth, the convulsions mapping the unsteady cartography of his power. Like a birthing star, his body morphs, skin oscillating between states as the air around him waltzes with invisible eddies, kicking up dust in a spectral display. "Just let me win!" He screams, shrieking like a child losing a match of their favorite video game. I am still, my senses tingling at the periphery -- an anticipatory crawl of my skin that preludes an uncertain solace. Behind me, the steady cadence of reinforcement footsteps whispers promises, and I spin on a hope. "Don''t worry, backup''s here," echoes a voice, weighty with the steady confidence that drills into my confusion. I expect the familiar silhouette of my own, the Young Defenders, but time mocks the desperation of my call. It''s just¡­ Sundial? Alone she stands, a statement of sharpness against the haze, her eyes locking onto the scene with intent that belies her singular arrival. Too fast, too soon for the cavalry. Then, as if the world itself gasps and is punched outward, a streak rends the atmosphere, a slingshot humanoid poised on trajectory''s edge. It''s a whiplash blur of cloth and protection gear, aimed with prescient precision, features moving too quickly to be seen. Someone else. Through the yawning maw of the warehouse wall, where a hole had been punched in it like notebook paper twenty, thirty seconds ago, the new figure arrives. Her form horizontal, a missile marrying gravity and vengeance. She collides with Ricochet like a bullet, the meeting of their bodies an exclamation punctuating the chaotic sentence of our scramble, and the two of them go flying into the next nearest wall. WORLD OF CHUM: Local News (1) Chaos in Manhattan: Peaceful Protest Turns Violent in Anti-Superhuman Rally New York City, NY ¨C What began as a peaceful protest organized by the Humanity First Coalition (HFC) in downtown Manhattan quickly escalated into violence and chaos yesterday, leaving the city in shock and prompting a swift response from local authorities. The rally, initially declared as a demonstration against what the HFC describes as the city''s unfair treatment of non-superpowered citizens, took an unexpected turn when groups of masked individuals started vandalizing property and clashing with law enforcement officers. Eyewitnesses report that the violence seemed premeditated, with some protesters equipped with makeshift weapons. Alex Mercator, identified as the NYC chapter leader of the HFC, led the rally. Mercer, known for his vehement anti-superhuman rhetoric, did not respond to requests for comment. Deputy Mayor Linda Choi, who has been openly criticized by the HFC for her support of superhuman integration policies, condemned the violence, stating, "This is not the way to bring about change or dialogue in our city." The NYPD reported that the situation escalated when attackers targeted a facility rumored to be a safe house for newly-activated individuals with superhuman abilities. The assault resulted in several injuries, though the exact number has yet to be confirmed. NYPD Chief of Department, Marcus Reynolds, emphasized that the department had planned for a peaceful protest but was forced to respond when the group turned violent. The incident has sparked widespread condemnation across the political spectrum. Governor Andrew Hartman called for unity and peace, urging "all New Yorkers to come together in this difficult time, regardless of our differences." Internal communications leaked on social media suggest that higher-ups within the HFC anticipated and may have encouraged the escalation to draw media attention to their cause. These revelations have led to internal division within the HFC, with several moderate members publicly distancing themselves from the group''s actions. This story has been unlawfully obtained without the author''s consent. Report any appearances on Amazon. Legal experts speculate that this event could lead to significant legal and legislative repercussions for the HFC and similar organizations. Professor Elena Vargas of NYU Law School noted, "This incident crosses a line from protected free speech into criminal activity. We''re likely to see a reevaluation of how such protests are managed and potentially new laws addressing domestic extremism." The aftermath of the rally saw a significant police presence in Manhattan, with cleanup crews working through the night to repair the damage. Local businesses and residents expressed concern over the growing tension between superhuman supporters and opponents, highlighting the need for dialogue and understanding. As investigations continue, the Mayor''s office announced a series of community meetings aimed at addressing the concerns raised by the incident and fostering a more inclusive conversation about the future of superhumans in New York City. This event marks a significant moment in the ongoing debate over superhuman rights and the role of advocacy groups in shaping public policy. With the city still reeling from the day''s events, the path forward remains uncertain, underscored by a community''s quest for healing and understanding in the face of division. HFC has not responded to requests for comment.
Statement from Alex Mercator Regarding the Manhattan Incident "In light of the recent events in Manhattan, it''s crucial to address the narrative that''s being constructed. The Humanity First Coalition organized a peaceful assembly to voice legitimate concerns over the unchecked influence of superhumans in our communities. Unfortunately, the actions of a few individuals, who do not represent our core values, led to unforeseen chaos. We advocate for dialogue and lawful action to address the disparities between superhuman individuals and the non-superpowered majority. Our mission is to ensure safety, equality, and justice for all citizens, not to incite violence. The HFC is committed to peaceful advocacy and is currently cooperating with authorities to resolve this situation. We urge the public and our members to remain calm and focused on our goals of advocacy through peaceful means. We believe in the power of community and dialogue to bring about the necessary changes in policy and perception regarding superhumans." Chapter 73.1 Sundial''s presence is as incongruous as her demeanor, her casual flippancy a stark contrast to the ruin she surveys with a dangerous sort of whimsy. Crossroads, battered yet unbowed, is her particular interest¡ªa canvass upon which she paints her intrusive curiosity. "You holding up okay, Cross? How''s the mantle of leadership treating you?" A sly grin carves at her lips, a sculptor teasing out secrets. "Oh, and how''s your mom been? Saw her at the market last week." The words, superficial in their care, probe deeper than mere pleasantries dare to tread. Crossroads¡¯ jaw tightens, a steel trap rusted shut with reluctance. His eyes, sharp with the unspent ferocity of the fight and the latent hurt of wounds unseen, narrow a fraction. "Not now, Sundial." "He''s been leader for like half a year now, chica, catch up," Playback quips almost casually, like we''re not in the middle of a life-or-death fight with a supervillain. Well, maybe not life or death. So far, none of us have been hit with anything harder than bone-breaking, and I only feel bruised and scraped. Still more exhausted than I have any right to be, of course. All the running around has made me a little nauseous and my muscles are screaming at me for relief, but, you know¡­ I''ve had much, much worse. Ah, but Sundial is relentless, her voice a violin''s trill, light and needling. "Come on, it''s just a friendly chat among colleagues." Her head tilts, coaxing, a dancer swaying to a discordant tune. Before the tension can crest, before Crossroads can craft a retort sharp enough to puncture Sundial''s insouciance (a word my Mom taught me about that means being sort of lackadaisical), the air rends with a sound like the heavens splitting¡ªa thunderclap born of no cloud, nor storm, but of conflict and raw power. All heads swivel, eyes skyward, as the girl that tackled Ricochet through a pile of crates is expelled upwards¡ªher trajectory halted not by physics but by will alone. She hovers, a defiant statue against the canvas of sky, her silhouette outlined in the dying light. She''s very pretty, what with the way all the pads and guards sort of tie her hoodie down to her silhouette. Almost like a bicycler. "You alright, Moonshot?" Sundial''s voice climbs to reach her, the maternal undercurrent now undisguised, concern etching sincerity into her call. With a shake of her head that sends her hood fluttering, Moonshot reaches up to adjust her opaque goggles, her hands steady despite the tumult. "I''m good," she affirms, a declaration made all the sterner for the casualness of her descent¡ªa slow, deliberate float that defies gravity''s jealous grasp. From the periphery, my voice joins the chorus, the observation wrung from me by the urgency of understanding. "Guys, listen!" I bark, a conductor calling for a change in the ensemble''s dynamic. "I think he has to know they''re coming in order to redirect the attacks." The revelation hangs in the air, a thread for them to grasp or ignore, an offering of strategy from one still grappling with the depths of her own capabilities. But my contribution stands, a buoy in the roiling sea of our tumultuous alliance. Ricochet looks at me and lets out a noise that''s more like a dying animal than a human being. His body is scraped open in enough spots that I can get a clear, easy view of his blood, and it''s really not looking good. I open my mouth once more, waiting for the hit; "Also, someone call a paramedic. This guy''s blood is literally orange." "That''s not the correct color," Moonshot observes wryly, staring at her hands. Her gloves are smeared with light streaks of almost bioluminescent, warning-sign orange. "That''s weird," "Tell me about it," I say, bracing for impact. I dig my heels down into the ground and watch the charging bull as he thunders in my direction. His running form is sloppy, nothing like the athletes I''m used to - his entire body flops and writhes, his mask cracked in the center. "You doing good, Gas Mask?" "It''s Miss--" she starts, but I''m interrupted by Ricochet''s running tackle. The world around me narrows, a tunnel with edges blurred, its focus the advancing fury that is Ricochet. There''s an expectation¡ªa memory etched into my muscles, the anticipation of might and mass, of turning his charge into a guided fall. But the reality is a cruel misstep. My body, a traitor worn by beeping monitors and sterile air, falters. It''s like expecting a staircase to be there in the dark, and finding only void. I square against him, arms poised in forms practiced and perfected, tracing the arcs of Aikido with a desperation that claws at the recesses of my weakened frame. But the dance is wrong. His limbs flail, devoid of pattern or predictability, contorting with an unnatural cadence that seems to mock the very notion of human biology. Bones crack and tendons snap within him, a chorus of grotesque percussion. I can feel the blood leaking into his muscles and organs on the inside. He''s shredding himself apart. All humor is gone from his frame - all the humanity, all the desire for currency, all the jest. I should be like a rock in a riverbed, immovable as the current breaks around me. Instead, I''m flotsam in Ricochet''s torrent, every ounce of my being straining to remember how to be that immovable object again. "A little help, here?" The plea escapes my lips, a mix of frustration and the bitter tang of humility. I can see my mistake, every time I try to leverage him, try to make him go a direction, his body seizes and twitches, pulling away with unnatural strength. Enjoying the story? Show your support by reading it on the official site. Gas Mask comprehends my plight from where she observes, her brow furrowed behind the mask. With practiced ease, she dispatches a mechanical insect, a drone no larger than a playing card yet buzzing with the tenacity of a horde. It darts into the melee, a tiny kamikaze against the chaos of Ricochet''s spasmodic defense. The drone, a relentless pest, batters his mask with the stubbornness of a woodpecker, a staccato beat that jolts his head back with each tiny but forceful impact. It harasses his vision, his focus¡ªeach hit a diversion that chips away at his dwindling fortitude. No, it''s not going to do any damage against the hardened plastic, but I can tell he''s losing interest in me in the same way that a dog loses interest in biting someone. Meanwhile, I''m a shadow of the hero I remember being. Muscles tremble under the stress of exertion, every movement an echo of the strength that once defined me. Ricochet''s limbs are a puzzle, each piece cracking and popping from his flesh, a grotesque reimagining of human architecture. I fight the nausea rising in my throat, the visceral recoil at the sound of his body''s protestations. I cling to the slivers of training that remain lodged in my mind, guiding my actions like a half-forgotten dream. In the struggle, I am both less and more than I was¡ªless the titan of the deep I once embodied, but more the human, clinging to resolve when physicality fails me. The fight is less a clash of giants and more a dance of desperation, a clinging to principles when all else seems to forsake you. I can''t just be the force that meets an unstoppable object¡ªI have to be smarter, trickier. Have to use his spasms against him, direct him away from me, and towards the walls. And as we tussle, his body betraying every rule I learned about how a body should move, the truth sets in with grim clarity. I am not what I once was. But I am here, now, in this moment, fighting not just for victory, but for every breath that fills my lungs and every beat that pulses in my chest. Amid the strain and focus on Ricochet¡¯s ever-contorting form, the world beyond my narrow purview morphs unseen. My attention¡ªtunneled and tunneled deep¡ªmisses the symphony of silent coordination unfolding just beyond my ears. The click of the handcuffs is a sound that never reaches my ears¡ªor his, for that matter. Playback, with the sleight of hand only a maestro of silence could wield, mutes their finality and entrusts them to Moonshot. She moves with a hush that defies her solid form, a specter in padded armor gliding through the tumult on unseen strings. Ricochet''s instinct is rebellion, his elbows torquing in directions that flirt with the surreal. Yet anatomy, even his, has limits, and his wrists, though strained against metal¡¯s uncompromising embrace, find no quarter, no angle of escape. The floor becomes his arena, his body a spectacle of futile contortions as he struggles against the immutable. I can hear the metal groaning like he''s trying to snap the handcuffs off of him, and for a second, I think he might do it. When my eyes finally abandon their quarry to dart across the warehouse, the view of my teammates strikes me with the force of revelation. Sundial and Crossroads huddle over Gas Mask, their forms etched with both urgency and something softer. It''s like walking into a room where everyone else knows the end of the joke except for you. Gas Mask lies among them, their attention a shroud that screens her from my sight. I''m left to piece together the narrative from scraps¡ªthe half-caught gestures, the quickened pace of their ministrations. Crossroads, ever the pillar even amid ruin, casts a backward glance, his visage carved with the gravity of our predicament. "It won¡¯t hold him for long," he asserts, his tone brooking no dissent. "We need zip ties, restraints, whatever we have. Now." The urgency is a fire that kindles action, and from pockets and pouches, the implements of improvisation are conjured. Cable ties, the darlings of any quick fix, find their place among the tools of our trade. My breath catches, a tiny hitch that marks the descent from adrenaline''s crest. We are a makeshift crew, our bonds forged in battle¡¯s crucible, tempered by will and whatever wit remains to us. And as we work, a triage of strategy and strength, I cannot help but wonder at the fragility of our order, the thin thread upon which hangs the weight of consequence.
The warehouse echoes with an unusual sound¡ªthe voice of Crossroads, not raised in volume, but heavy with the weight of command unheeded. He stands before us, a stern sentinel, his gaze steady as it travels from Miss Mayfly - as I''ve learned her name is - to me. We''re a sorry sight, our victory marred by the taste of rebuke. Ricochet lies motionless, his struggles having ebbed into the stillness of unconsciousness, his blood a violent splash of orange against my senses, a warning sign in the physical world that''s dried to a sickly yellow hue. Paramedics, clinical in their efficiency, swarm over him, preparing for transport. His body, bound in a cocoon of restraints, is a testament to his squandered frenzy, now silent. "Playback and I had a plan," Crossroads begins, his disappointment a palpable thing, stretching taut between us. "We could have contained him before he took those¡­ drugs." He gestures towards the unconscious figure, now a mere cargo for the EMTs. "We could have seized them, analyzed them, traced them back to their source. Prevented all this property damage, which will have to be repaired and paid for out of our team insurance." "You guys have insurance?" Sundial jokes. Crossroads shoots her a withering look and she shrinks back, a split second. I can only swallow the lump in my throat, my insides churning with the aftershocks of kinetic echoes that ricocheted through my flesh. The jackhammer pulse of residual energy still vibrates in my bones, a reminder of a close brush with an untamed storm. Even though I didn''t do much other than hold him there, my body is feeling his raw misery much more now than it did before. I have to assume there was damage being done I wasn''t aware of. Crossroads looks at me with an almost pitying look, the kind you give to a stray cat, or a mouse caught in a mouse trap. Sundial counters, her arms folded defensively as she floats near. "You''d be toast without me, Cross," she states with a defiance that borders on insubordination, her chin lifting in challenge. Miss Mayfly stands her ground as well, though her stance lacks Sundial''s overt challenge. "And where would you all be without my intervention?" she interjects, her voice muffled through the filter of her mask, her tone threaded with a bitter edge of pride. Above us, Moonshot drifts, her attention elsewhere, perhaps finding solace in the simple act of defying gravity. Her detachment from the fray below is enviable, a floating island above a sea of discord. Crossroads¡¯ gaze finds me once more, and I can''t help but shrink beneath the intensity of his disappointment. "You disobeyed a direct order, Bloodhound," he says, the words like ice, chilling the space between us. "Your impulsiveness complicated what should have been a straightforward capture, and now you''re injured even more." I try not to make any noises. Miss Mayfly receives no less of his ire. "And you," he turns, his voice like a blade drawn against whetstone, sharp and precise. "You have made things exponentially worse with your¡­ amateur approach." Chapter 73.2 Playback''s presence is a notable absence from the chastisement, his attention far afield as he converses with the EMTs, their voices a distant murmur over the intermittent echo of Ricochet''s vitals being monitored. The quiet pulse of beeping machines belies the turmoil that had consumed this space just minutes before. Crossroads continues, his words meticulously chosen, each one a piece in the puzzle of his comprehensive reprimand. "Every action in the field has consequences," he lectures, his voice steady, an unwavering metronome of disapproval. "Engaging without strategic coordination endangers not just yourself, but the entire team. Insofar as you have a team, and aren''t just a random civilian looking to get involved in things the professionals have handled." Miss Mayfly''s posture stiffens, a silent retort bristling in her stance. "I saw an opening," she insists, the words filtered through her mask''s distorted timbre. "My drones provided the distraction necessary to apply the cuffs." "Your stink bombs and pepper spray drastically complicated the initial approach," Crossroads counters sharply, his hands clasped behind his back in a gesture that manages to convey both authority and restraint. "Chaos may work on its own, but Playback and I don''t come equipped with nose plugs. Keep those tactics for your own outings." From the edges of the confrontation, Sundial''s voice slices through the tension. "So what was your plan, then?" she asks, her tone dancing on the edge of respect and reproach. "Wait for him to power down? Let him leave?" Crossroads'' eyes narrow, a flicker of frustration betraying his composure. "My plan," he articulates with a touch of steel, "was to hold him steady while Playback silently applied handcuffs. If you will notice, that is essentially what ended up happening." He begins idly palming his coin, doing small tricks with it in his hand - flip, catch, flip, catch. I know what he''s doing, but I don''t know how much of these¡­ others do. His eyes narrow and he stares towards Miss Mayfly, and then at me. "You''re not the boss of me, Cross," Sundial says, arms folded over her chest, kung fu robes gently drooping down in the wind. "Your strategic assistance is¡­ appreciated, Sundial. I''m mostly talking about Bloodhound and¡­ the civilian," Crossroads says, casting a worrying look towards Miss Mayfly. The warehouse, once a cacophony of conflict, now serves as an arena for a different kind of confrontation. The air brims with tension, electric and charged, as Sundial aligns herself with Crossroads, their united front a bulwark against Miss Mayfly''s assertions. "You''re out of your league, Mosquito" Sundial asserts, her voice a cold lance aimed unerringly at the heart of the matter. "This isn''t child''s play. It''s dangerous." Miss Mayfly''s retort is swift, her voice unyielding despite the distortion of her mask. "I''m just as capable as any of you," she declares, her hand reaching to gently cradle the damaged drone, tucking it into her suit like a wounded bird sheltered under a wing. "I have just as much right to be here." Crossroads, less a soldier now and more a weird therapist, regards her with an implacable gaze. "Rights don''t equate to readiness," he says, his tone measured, yet laced with an underlying current of concern. "You''re not¡­ insulated against the things we face." I stand on the periphery, a silent observer to the unfolding drama. I want to be kept in the loop, sure, but this isn''t my argument¡ªI''m just caught in the crossfire of their collision. "You don''t get it," Miss Mayfly insists, her defiance a flare in the dim. "This isn''t about powers or abilities. It''s about doing what''s right, standing up against what''s wrong. That''s what makes a hero." Sundial''s stance softens, a touch, her features etched with something akin to sympathy. "We''re not saying you don''t help," she concedes. "But there''s a line. When you step over it, when you put yourself and others in harm''s way, that''s not heroism. It''s recklessness." Crossroads nods, his agreement silent but emphatic. He doesn''t need to speak¡ªhis presence alone is an echo of Sundial''s sentiment, his countenance a mirror of shared concern. Their gazes, twin sentinels of experience, lock onto Miss Mayfly. It''s a plea made without words, a silent urging for her to recognize the precipice upon which she teeters. Miss Mayfly, for all her bravado, seems to shrink beneath the weight of their collective gaze. "Sorry for ignoring your instructions, sir," I say, small and deferential to Crossroads'' particular anger. He sighs, pinching the bridge of his nose. "It''s okay. I would be more surprised if you didn''t. And please don''t call me sir." For some reason, that hurts a little bit - the existing expectation that I''ll be the one to hop in past my limits. But I also can''t exactly say that he''s wrong. Miss Mayfly looks at me like I have five heads. "Kiss-ass," they murmur, arms furled inward, body twisting around. "Whatever. You guys can get mad at me all you want, but I''m still going to keep helping." "You''ve helped enough, little mayfly. Go home and play video games or whatever it is kids like you do," Sundial says, maybe a little too abrasively. Help support creative writers by finding and reading their stories on the original site. "Kid? I''m just as old as she is!" Miss Mayfly says, flicking a hand out to me. That''s a surprise, given how much of a beanpole they are - they''re the same age as me? Wait, how would they know how old I am? I''m wearing a mask and a costume and it hides most of my identity. Is it just my girlish charm? It must be. "I--" "Enough," Crossroads cuts in, putting his metaphorical and physical foot down. "This is a stupid discussion. You two, go home. Sundial, get Moonshot and go back on patrol, we''re done here. Playback and I will handle cleaning up after Ricochet and I''ll keep you two looped in with whatever we can find out about the drugs he took."
Defeat is a shadow that clings to me, its weight tangible in my slouch as I peel away from the scene. My insides are still reverberating from Ricochet''s brutal symphony, each step a reminder of the unyielding vibrations that pummeled me. Miss Mayfly''s exit is more dramatic, her silhouette rigid with indignation as she disappears into the urban jungle, without an opportunity for small talk, for me to get the new hero alone for a moment to introduce myself. Not that introducing myself is something I typically do, just¡­ you know, if she''s in the area, it would be prudent to make sure she doesn''t interrupt any of Jordan and I''s operations with a stink bomb again. But she''s gone before I have the chance. The night air is cool against my skin, a small mercy as I slump onto the sidewalk, seeking a moment of stillness amidst the clamor. Above, the city''s lights smear across the sky, a canvas of civilization that hums with life and indifference to the drama that unfolded in its shadows. The police arrive like the second act of a play, their tapes weaving webs to delineate the stage of our conflict, turning battleground into crime scene. The paramedics, with choreographed precision, roll Ricochet away, his form lost amid the labyrinth of equipment and urgency. The sirens wail a lullaby of duty, their cries receding into the distance as they shepherd their charge to whatever care might await his chemically ravaged form. The warehouse that was once a nexus of chaos is now a husk, hollowed by the departure of its combatants. I''m left to the mercy of my thoughts, the silence punctuated only by the distant murmur of conversation and the occasional crackle of police radios. The hour slips by, unnoticed but for its healing passage, an incremental balm that soothes the cacophony within. Time is a gentle hand upon my turmoil, easing the pounding ache to a dull throb. When Playback approaches, it''s with the heavy tread of the weary but determined. His shadow falls over me, a temporary eclipse that signals company. "Hey," he greets with a casual thump against my shoulder, a comrade''s touch that speaks volumes in its simplicity. "Don''t let Crossroads get you down." I look up, my reply a hoarse whisper borne from a throat tight with the remnants of stress and exertion. "Yeah?" It''s half question, half affirmation, a single word that carries the weight of the night''s uncertainties. "Yeah," he confirms, nodding as his gaze captures mine. "You showed up. That counts for something. You know, just in case." His words are a lifeline tossed into the tumult of my self-doubt. It''s not the absolution I might have hoped for, but it''s an acknowledgment¡ªa sign that, perhaps, my presence mattered, even if only as a contingency against a darker outcome. "Thanks, Playback," I manage, the gratitude genuine despite the brevity. His words are a salve, a small patch on the larger wound of the night''s follies. "I''m glad you get it." He offers a grin, lopsided and as weary as I feel, before turning away to handle the aftermath with Crossroads. "No worries, Bee," he throws over his shoulder, a farewell as much as a promise. "We''ll catch the next one." And with that, he''s gone, his silhouette blending into the tapestry of first responders and the night''s embrace. I''m alone again, but the solitude feels a little less crushing than before. And, paradoxically, a little more crushing.
The trek homeward is a study in contrasts¡ªa city bustling with the indifferent rhythms of late-night life, and the solitary figure that moves through it, quiet in her own discomfort. The concrete beneath my feet seems unforgiving, each step a dull reminder of the body''s capacity for pain, and its incredible ability to mend. With each block passed, the internal jackhammering subsides, ever so slightly, as my tissues and sinews labor invisibly, knitting the rawness back into wholeness. It''s like the pain is unraveling, strand by strand, the twisted fibers of my body slowly realigning under the relentless work of my regenerative abilities. I can feel the shift, the minute changes that signal healing''s subtle progression. It''s as though my blood is infused with a quiet determination, a sense of purpose that mirrors my own. Even as my steps carry an echo of the night''s violence, my body is a testament to resilience, to the refusal of my cells to yield to overwhelming violence. I am the bigger hammer. The city''s heartbeat thrums around me, a constant ebb and flow that carries the sighs and secrets of its inhabitants. My blood sense hums softly, a background resonance that keeps me tethered to the life that courses through the veins of Philadelphia. It''s not an intrusive sensation¡ªrather, it''s a reminder that beyond my own narrative, there are countless others, playing out in quiet dignity amidst the urban sprawl. People playing basketball. People with nosebleeds. I pause at doorsteps where my sense alerts me to the copper tang of fresh injuries¡ªthe minor casualties of domestic life. A slip of a knife here, a broken glass there. With each knock, I offer aid, a vigilante healer extending a hand where it''s least expected but quietly welcomed. Nobody wants to be caught out alone with a gash in their hand. The gratitude of those I help is a balm, their surprised thanks a chord that vibrates pleasantly within. With each small act of care, each piece of gauze applied, I stitch together not only their wounds but the tattered edges of my own morale. Gossamer''s teachings, once imparted in the context of grander crises, find new purpose in these intimate moments of community. There''s a comfort in the routine, a familiar dance of disinfectant and adhesive strips that grounds me. Mayfair draws nearer with each act of service, its familiar contours a beacon of normalcy against the night''s earlier chaos. The ache in my muscles ebbs, a fading tide that leaves behind a sense of weariness but also contentment. I''m no grand savior, no mythic figure etched against the stars. I am, simply, here¡ªable to offer a steady hand when it''s needed, a quiet guardianship against the small perils of everyday life. It was a good thing I showed up today, for thirty minutes of violence and three hours of helping. As the first light of the moon creaks up over the clouds, painting the sky with the gentlest of brushes, I make my way through the last stretch towards home. My mood has lifted, my spirit buoyed by the simple act of being present, of being the contingency for someone else''s injury. It''s a role I never anticipated, yet one that feels as fitting as the mask I wear. The soft click of the door signals my return, both parents asleep on the couch, waiting for me. I don''t wake them up. WORLD OF CHUM: Jump & Fly (1) Date: April 18, 2024 To: All Relevant NSRA Branches From: Director of Field Operations Subject: Alert on Emerging Superhuman Drugs "Jump" and "Fly" 1. Introduction: This memo serves as an urgent all-points bulletin to inform all active field agents and relevant NSRA personnel of two new substances identified on the streets, colloquially known as "Jump" and "Fly." These substances have been associated with temporary and semi-permanent superhuman abilities, respectively. 2. Substance Identification: 3. Street Names: In addition to "Jump" and "Fly," these drugs have been reported under various alternative street names, including "Leapfrog" and "Greens" (Jump) and "Wings", "Go Time", and "The Ooze" (Fly). 4. Reported Effects: 5. Hypotheses on Mechanism: Several hypotheses have been proposed regarding the operation of these substances: Further testing is required in order to determine the specific mechanism of action of these drugs. Stolen novel; please report. 6. Distribution and Origin: The exact source of "Jump" and "Fly" remains unknown. Investigations into their distribution have indicated a rapid spread across the Northeast, particularly in Washington DC, Baltimore, Philadelphia, and New York City, as well as their suburbs, suggesting a well-organized network behind their dissemination. 7. Law Enforcement and Superhuman Response: Field agents are instructed to prioritize the investigation of "Jump" and "Fly" distribution, with an emphasis on identifying the source and distribution network. Interactions with users should be approached with caution due to the unpredictable nature of the powers granted by these substances. 8. Medical Advisory: NSRA medical teams are on high alert for individuals presenting symptoms related to "Jump" and "Fly" usage. Special attention should be paid to those with altered blood chemistry and signs of hemolysis or metabolic alkalosis. 9. Public Safety Concerns: Given the potential for misuse and the severe health risks associated with "Fly," public safety announcements may be considered to warn against the use of unidentified superhuman-enhancing substances. 10. Collaboration with Health Agencies: The NSRA is coordinating with national health agencies to monitor and respond to the health impacts of these drugs, including potential long-term effects on users and the broader public health implications. Any reports of bright orange blood or blood stains that dry yellow should be reported to local NSRA offices. 11. Agent Safety: Field agents are reminded to use extreme caution when encountering individuals suspected of using "Jump" or "Fly." Non-lethal containment measures are advised until the full range of powers can be assessed. When possible, contact local RSEs for collaboration and containment options. 12. Reporting Protocol: All encounters with "Jump" or "Fly," including samples, usage instances, or distribution networks, must be reported immediately through secure channels. Your cooperation is essential in addressing this emerging threat to public safety and national security. Conclusion: The emergence of "Jump" and "Fly" represents a significant challenge to superhuman regulation and public safety. The NSRA is committed to swiftly addressing this threat through comprehensive investigation, collaboration, and enforcement strategies. Your diligence and professionalism in these efforts are crucial. End of Memorandum Chapter 74.1 The smell of antiseptic mixed with sweat hangs over the Young Defenders'' headquarters like a banner -- a strange, medicinal welcome-back after the mess we went through two days ago. The locker room is a cacophony of metallic clangs and the murmur of voices, some teasing, some serious. It''s a haven from the chaos of the world outside, the locker doors slamming shut like punctuation marks at the end of our ordeal. I slide my locker open, wincing a bit from the aches that haven''t fully faded, despite my superpowered regeneration. The others are already changing, slipping out of costumes stained with the residue of heroism and into the mundane camouflage of teenage normalcy. Yeah, surprise, surprise, Ricochet was uncontrollably sending kinetic energy through my guts like a jackhammer, and boy does that hurt. It''s not even the good kind of ache. I wish Gale was here to hug me about it. But she''s off with family business, and that''s more important, probably. Playback is animatedly recounting a play-by-play of the day''s events to anyone who''ll listen, his voice bouncing off the walls with the excitement of a kid who just got away with something spectacular. His hands move as wildly as his mouth, conjuring invisible sound waves that only he can see. Gossamer giggles as she reties her hair, the dark locks slipping like silk through her fingers. "You should have seen your face, Sam, when that fish... what did you call it, Playback?" She tosses me a sly smile, referencing something from aeons ago that I can barely remember now. Just making idle conversation, trying to burn minutes. "A ''kinetic confetti bomb''," Playback supplies, grinning broadly as he pats his beanie into place on his head. "Yeah, that. You looked like you were going to fight it," Gossamer continues, her laughter light and infectious. Across the room, Spindle is somehow contorting himself into his street clothes, a feat that draws a few bewildered glances but is otherwise taken in stride. We''ve seen weirder. His long limbs snake into jeans and he shrugs on a shirt that''s all too small, followed by another shirt that actually covers his belly. I feel kind of bad for him - most clothes aren''t made for someone with his frame, especially since his torso is extra-long compared to your normal tall person that just has big legs. Rampart is quieter, methodically peeling off pieces of his gear like it''s an extension of his skin he''s reluctant to shed. His focus is inward, a silent sentinel even now, protective layers coming down only in the safety of the lockers. Blink is busy peeling off her inlines, the heavy wheels clattering on the tile floor as she does, skidding a couple of inches away. I''m the only person who hasn''t recently come back from some sort of outing in the past hour, but I''m still around for the all-hands-on-deck - my hands are part of ''all hands''! Even without the overt tension of the mission''s aftermath, there''s an undercurrent of unrest, a shared unease that passes between us with every glance. We''re trying to ignore the reports of criminals with new, explosive powers like a ticking bomb in the corner of the room, but it''s there--a shadow just out of sight. "Hey Spindle, you ever think about maybe, I dunno, inventing your own clothes?" Playback throws a teased glance over at the lanky figure of Spindle, who''s attempting a one-armed shrug, the other stuck halfway through a sleeve. "Or at least find a tailor who isn''t scared of needles bending around your body." Spindle grins, the expression twisting oddly around his stretched-out neck. "Thought about it," he drawls. "But then I figured, where''s the fun in that? Every day is a new puzzle. ''Can Connor fit into a normal-sized T-shirt?'' Spoiler: The answer is a stretch." Gossamer shakes her head, covering her eyes with one hand. "Aw, come on, Goss," Playback chides. "Let the man enjoy his... natural elasticity." I chuckle, shaking my head, careful not to snag my hair on a locker edge. "Natural elasticity, sure, but I''m betting Spindle would kill for a shirt that doesn''t ride up every time he raises his arms." "Natural elasticity sounds like we''re talking about a condom brand," Puppeteer mumbles under her breath. "True," Spindle admits with a mock sigh, finally freeing his other arm. "The dream is a shirt that stays put. Maybe I''ll go back to being a supervillain so I can force clothing manufacturers to make extra-long tees." Blink laughs, the sound light and bubbly. "Forget world domination. It''s all about the fashion empire for you, huh?" "Yeah, Bloodhound, what''s your take? Superhero chic? Sharkskin, maybe?" Playback teases, nudging me with his elbow. I roll my eyes and don''t respond. "Yeah, world domination is pass¨¦," Puppeteer pipes up from her corner, her tone laced with mock seriousness. "It''s all about the lifestyle brand now. You could call it... ''Spindle''s Threads''. Get it?" A collective groan fills the room, but it''s good-natured. Even in the gravity of our profession, there''s always room for fucking around. I can''t help but smile; Puppeteer''s humor has always been on the nose, but it''s kind of her charm. Playback tosses a towel over his shoulder, smirking. "I''d buy it. Make sure you''ve got beanies in the lineup, though. Can''t neglect the headgear market." "Can''t, makes it harder to get into small spaces. Me and hats don''t agree," Spindle says, mussing up his hair as he starts packing things into his backpack. I''m glad he''s fit in nicely here - it makes me feel... I don''t know, good? Hopeful? People can reform and change? That''s a good thing, I think. Blink sets her skates aside and hops off the bench, now freed from her superhero boots. "What about me?" she chimes in, a smile playing at her lips. "I want a line of travel bags. ''Blink''s Bags''. They''ll get you where you need to go, fast!" "Wouldn''t that be false advertising?" Rampart asks, cracking a rare joke, his eyes crinkling at the corners. Gossamer is laughing as she slings her bag over one shoulder. "You guys are ridiculous. Next thing you know, we''ll have ''Bloodhound''s Bite-Size Snacks'' or ''Playback''s Silent Disco''." "Hey, I actually like the sound of that!" Playback points at Gossamer with a nod of approval. "Silent Disco -- it''s genius. I could totally pull that off." I raise an eyebrow. "I don''t think most people like eating metal." Spindle stretches out, his bones making little popping sounds like bubble wrap being twisted. "Nah, they''d be like, those gummy dog candies. Licorice scottie dogs or whatever. ''Get a bite of the action!''" This tale has been unlawfully lifted from Royal Road. If you spot it on Amazon, please report it. "Please, no," I groan, leaning back against my locker. "Let''s not base my entire identity around the chompers, okay?" Rampart nudges me gently. "Too late for that, Bee. You''re the team''s official biter. Embrace it." I roll my eyes, but I''m fighting a grin. "Fantastic. What a reputation to have." "Could be worse," Puppeteer adds, closing her locker with a definitive click. "Could be ''Playback''s Playlist: Now That''s What I Call Silence!''" Playback throws his hands up in the air, feigning shock. "I actually *have* a music taste, believe it or not." Gossamer snickers, turning to me. "What do you think, Sam? What would be your dream endorsement deal?" I chew on my lip, pretending to ponder the question deeply. "Hmm, maybe something practical. How about... ''Bloodhound''s GPS: Never lose your way -- or the scent!''" The playful banter continues, ricocheting back and forth, a game of verbal catch that we''re all too eager to play. It''s these moments, these exchanges of irreverent humor and camaraderie, that fortify us against the darkness we face beyond the walls of our sanctuary. And then the door opens. The laughter dries up as Crossroads steps into the locker room, the shift in the atmosphere tangible, like a cold front sweeping in. His costume looks like it''s been painted onto his tall frame, and for once, the typically unflappable leader of our motley crew appears shaken. This isn''t his usual sternness; it''s laced with something else, a troubled edge that puts a halt to all conversation. In the brief moment the door remains ajar, glimpses of the AdultsTM and their polished, professional costumes can be seen before the door slides shut, sealing us in with our new reality. Crossroads doesn''t immediately speak. Instead, he sighs heavily, a sound that echoes with a weight we''re not accustomed to hearing from him. It''s a sound that speaks of burdens and revelations we''re about to share. He drags a metal folding chair across the tile floor, the screeching of metal against tile like a siren call to attention. Each one of us watches, a silent plea in our eyes for this not to be as bad as we fear. He sits, his movements deliberate, his eyes finding each of ours in turn. The air is heavy, thick with unspoken apprehension, and when he finally speaks, his voice is steady but there''s an undertow of something more, something dark and turbulent. "Ricochet is out of action," Crossroads says, and the finality of his words hits like a physical blow. "He... survived, but his condition is critical. Nearly every bone in his body is fractured, and his muscles are crushed up like tissue paper from the force of them tensing." A collective breath is drawn in, held for a heartbeat, then released in a sigh of mingled relief and horror. He''s alive -- that''s something, isn''t it? But at what cost? The visual of Ricochet, broken and battered, lingers in my mind like a nightmare. I can still taste the chaos of the fight, the aftermath etched into my muscles, but this -- this is something else. This isn''t the clear-cut triumph of superheroes and villains. Whatever Ricochet injected himself with, it basically destroyed him. I can only hope he can regenerate like I can. Playback looks as if he''s been struck silent, the ever-present twinkle in his eye dimmed by the gravity of Crossroads'' news. Even Spindle has stilled, his usually animated features gone slack. Gossamer''s hand has frozen halfway to her mouth, and Blink''s eyes are wide, unseeing as she processes the grim bulletin. Crossroads reaches into a pocket, retrieving a small evidence bag. There''s a syringe inside - the few droplets of liquid inside catch the light, shimmering iridescent like a distilled rainbow, like the stuff on top of an oil slick but scraped off and distilled. The bag is passed around; each of us peers into the contents with a mix of curiosity and dread. "This," Crossroads announces, his voice devoid of its usual commanding timbre, "is what they''re calling ''Fly''." The room is still, the only sound the faint rustling of the bag as it changes hands. Rampart''s large fingers handle it with surprising gentleness. Puppeteer''s eyes reflect the colors, a morbid fascination flickering within. Even her usual stoicism can''t mask the unease that creases her brow. The syringe is a sinister talisman, a harbinger of the unknown threats multiplying in our city. It''s a small thing, so inconsequential in size, yet the implications of its existence are vast and terrifying. It feels as though, in this moment, we''ve crossed a threshold into something much more serious than a random robbery by a two-bit supervillain. A palpable sense of dread settles over me like a shroud. My heart starts beating harder, and I feel a distinct sense of discomfort situate itself in my skin, like I need to start shredding and clawing to get something inside out. I hold the bag between thumb and forefinger, staring at the liquid, a mere residue of its former volume. In it, I see the distorted reflection of my own eyes, the curved lines of my face, and the fear in my eyes. I pass it to Playback. Playback seems to have lost his voice, his usual jokes and quips locked away behind a mask of seriousness. This isn''t the time for humor; this is the time for grasping the new, grim reality we''ve been handed. He stares at the syringe and then passes it back to me, clearly disgusted by what he saw. "No one''s seen anything like it before," Crossroads adds, his gaze finally settling on the near-empty container as it makes its way back to him. "The police, the Delaware Valley Defenders -- no one knows where it comes from or how it works. They showed me a memo from the NSRA, but I don''t have clearance to share the exact document with you, so instead I''ll just summarize. Fly gives people superpowers. Even if you never had them." The moment Crossroads finishes his sentence, the air shifts from one of dread to active dissent. Puppeteer''s hand shoots up, her expression etched with skepticism. "That''s impossible," she asserts, her voice a blend of incredulity and scientific certainty. "Superpowers aren''t... they''re not something you can synthesize and distribute. That goes against everything we understand about how they work." Rampart nods, his arms crossed over his broad chest. "Exactly. For nearly half a century, the mechanics have been consistent: near-death experiences trigger the activation of latent superpowers. You can''t just condense that into a pill or an injection." His voice is firm, the voice of someone used to standing their ground. Playback looks between them, his face twisted into a mask of confusion. "Wait, so what are you saying? That someone figured out how to bottle up a near-death experience?" The sarcasm is there, but it''s edged with genuine bewilderment. Crossroads holds up a hand, a silent request for calm, his eyes dark with the gravity of the situation. "I know how it sounds," he says, and his tone holds a note of concession. "But that''s exactly what''s happening. The green pills that Ricochet took--they gave him temporary superpowers for three hours. The super strength, stacked on top of his other powers. But the injection--it''s a permanent change." Murmurs ripple through the group, a mix of disbelief and fear. Blink''s face is pale, her lips parting as if to speak, but no words come out. Spindle is frowning, his lanky form tense as a bowstring. "The injection he took before... it gave him his kinetic redirection, or at least that''s what Multiplex''s investigation showed," Crossroads continues, holding the room with his steady gaze. "And when he took a second one, his body couldn''t handle it. There''s psychoactive effects for an hour or two, and whatever he took, whether it was another dose of the same Fly or a new power he didn''t get to use, it made him lose total control over the super strength. He crushed himself like a trash compactor. Even if we weren''t there he would''ve folded up in minutes." "But, that would mean..." Gossamer trails off, her eyes growing wide as the implications start to settle in. "All those incidents this weekend, the break-ins, the petty crimes by nobodies--" "Z-listers," Playback chimes in, his voice unusually somber. Crossroads nods slowly. "Yes. If you''ve been wondering about the surge in superpowered activities from previously unknown or insignificant individuals, this is the reason. Someone out there is manufacturing superpowers and they''re selling them. This isn''t limited to the criminal underbelly anymore--it''s spreading. It''s real, and it''s happening." A heavy silence falls, each of us processing the weight of his words. Puppeteer leans back against her locker, her eyes distant, flickering with the rapid pace of thoughts racing behind them. I can tell she''s struggling, trying to fit this new, impossible piece into the puzzle of her worldview. "But that--It can''t be that simple," she argues, her voice losing some of its earlier conviction. "There''s a reason superpowers are rare. There''s a reason not everyone survives their activation events. You can''t just..." Her voice fades, the usual fire doused by the chilling reality that Crossroads has laid bare. Crossroads lets out a long, slow breath. "I wish it weren''t true," he admits, and there''s a note of weariness in his voice that''s new. "But it is. We''ve seen the evidence. This ''Fly''--it changes the game. It breaks the rules we thought were unbreakable. And that means we need to be ready for anything and from anyone." Chapter 74.2 Playback looks down at his hands, his usual confidence replaced by a troubled frown. Even I''m feeling it¡ªa gnawing sense of unease, like the ground is shifting beneath our feet. Spindle finally breaks the silence, his voice quiet. "So what do we do now? If this stuff is out there, how do we stop it? How do we even start?" My mind turns to Miss Mayfly, for reasons I don''t fully understand. Is that why we''ve got new superheroes on the block? I look at Playback, and it''s like a little psychic connection. "Doesn''t this mean we should be seeing an uptick in superheroes, too?" Blink''s question slices through the heavy atmosphere, her voice tinged with a hesitant hope. It¡¯s a fair point; if villains are popping up like dandelions, why not heroes? Her eyes flicker to mine, and I can tell she¡¯s thinking the same thing Playback and I are - she just got to say it out loud before us. Blink''s question hangs in the air, waiting for an answer none of us are quite sure of. Crossroads nods slightly, a thoughtful crease in his brow. "It''s possible," he says with a careful neutrality. "Superpowers don''t discriminate based on who you are or what you''ve done. But if we''re seeing an uptick in criminal activity because of this, it stands to reason we might see the same in heroes... assuming the right people get their hands on Fly. Maybe not proportionate, but..." Puppeteer shakes her head, her voice threading through the silence with a sharp edge. "Let''s be realistic. The type of person seeking out artificial powers ¡ª paying to skip the ''near-death experience'' queue ¡ª they''re not looking to be heroes. They want power, and they don''t particularly care about the responsibility that should come with it." Playback snorts, pushing off the wall. "Come on, that''s like saying anyone who''s doing crime is just naturally a bad seed. People are more complicated than that. You don''t think a single person is going to try and use this in the right ways, even if they do it misguided?" Spindle stretches out a leg, watching the discourse. "I mean, I was a supervillain, sort of. And now look at me. I''m bending over backward¡ªliterally¡ªto be one of the good guys." His attempt at a joke feels a bit forced, but his point is made. Nobody laughs, and he makes the same expression a cat that hasn''t been fed for two hours makes. Exaggeratedly sad, but for reasons that are absolutely not exaggerated for him. Puppeteer meets his gaze, unflinching. "That''s not the same, and you know it. You had a genuine change of heart. Buying powers off the black market is a whole different ballgame." Rampart''s voice booms from his corner, steadying the growing tension. "Superpowers or not, people choose their paths. But the environment, opportunity, desperation¡ªthese things push people in different directions." Gossamer chimes in, eyes fixed on her knotted shoelaces. "Maybe we should have faith in people. Some will make the wrong choices, but there''s always hope, right?" Playback nods, his eyes lighting up with a glint of his usual confidence. "Exactly. Give people a chance to do the right thing, and some of them will surprise you." Blink looks at me and I can see in her eyes she wants me to say something, to weigh in. But I''m not sure what to say¡ªmy own powers are the result of an accident, a terrifying and painful one. Would I have willingly taken that syringe if it meant skipping the terror of almost dying? Would it feel the same, knowing I hadn''t earned it like every bruised rib and tooth-mark scar on my skin says I have? "Look," I finally say, my voice more tentative than I would like, "we can''t paint everyone with the same brush. There''s gotta be people out there who''d use powers for good, even if the way they got them is a bit... unconventional." Puppeteer frowns, clearly unhappy with the direction of the conversation. "It''s a nice thought, Sam, but we can''t afford to be naive. We need to be prepared for the worst." Playback crosses his arms, his casual posture belying the intensity of his gaze. "Being prepared doesn''t mean we expect the worst of people. It means we''re ready for it. Big difference." Blink''s expression softens as she listens, glancing around at each of us. "I guess time will tell, right? We''ll just have to wait and see what happens with these new powers popping up." Crossroads stands up, reclaiming the room''s focus. "Playback''s right about being prepared. We can debate the morality of this all day, but the fact is, we''re going to be dealing with a lot more superpowered individuals soon¡ªheroes and villains. Our job is to protect the city. No matter who deserves what, that''s what we''re going to do." The bickering continues - mostly Playback and Puppeteer starting to get louder at each other. I only hear a couple of words, and I don''t even process them, before Crossroads'' voice slices through the escalating back-and-forth like a knife, clear and commanding. "Enough," he says, and it''s enough; the room falls silent. He stands, folding chair forgotten as his gaze sweeps over us. "This isn''t about what could happen with these new powers out in the world¡ªit''s about what is happening, right now. We''re seeing an influx of superpowered individuals, and yes, that includes would-be heroes. But we can''t ignore the psychoactive aftereffects of Fly. It''s making people dangerous¡ªnot just to us, but to themselves and everyone around them. Even those with the best intentions can become threats under its influence for a minimum of a couple of hours." The group shifts uncomfortably, the harsh reality of our leader''s words settling over us. I think about the guy in the snake mask that Blink was telling me about earlier - throwing things like the world''s best shot putter, but totally incoherent, just obsessed with grabbing the nearest object and throwing it at whoever was nearby, trying to kill them. I shift around in my seat. It doesn''t feel comfortable, all of a sudden. Crossroads continues, his voice tinged with a gravity we''ve seldom heard from him. "We have to be realistic. This is about more than individual choices. This is about a crime wave the likes of which we''ve never seen." The locker room is a chamber of solemn nods and furrowed brows. Gossamer''s fingers are laced tight, the color drained from Blink''s face, and even Playback''s usual levity has guttered out like a candle in a storm. If you discover this tale on Amazon, be aware that it has been stolen. Please report the violation. "If Fly is being mass-produced, and we have reason to believe it is, then we''re going to see an unprecedented number of supervillains," Crossroads states bluntly. "There''s reports from New York, too. DC. Baltimore. The Northeast is on the verge of chaos, and we¡ªThe Young Defenders¡ªwe have to be part of the line that''s holding. Every single one of us has tangled with Jump and Fly-empowered criminals this week. It''s only going to get worse." He pauses for effect, letting his words sink in. I feel a tension in my shoulders, the same kind I get before I jump into a fight. "The focus isn''t on if some might use these abilities for good. Right now, Fly is being handed out to people who want nothing more than to make a quick buck, intimidate rivals, or dominate their neighborhoods. And that''s what we need to be prepared for." His eyes lock with each of ours, ensuring he has our undivided attention. "We also have a bigger mission: find the source of Fly. Wherever it''s coming from, we need to cut it off. Any information we can gather, we need to pass it to the Delaware Valley Defenders. They have the resources to help, but we have the agility. We can move faster, dig in where they can''t. So that''s what we''re going to do." Puppeteer straightens up, her eyes sharpening as strategy begins to replace her earlier skepticism. "Agreed. We need to track this back to the source. If we can find where Fly is coming from, we can stop it at its root." Playback, the ever-present smirk returning, albeit subdued, nods. "Sounds like we''ve got our work cut out for us then. Time to hit the streets and see what the word is." Rampart gives a firm nod, the resolute set of his jaw conveying his readiness. "Let''s use our strengths. We''re a team, and we can cover more ground together." Blink meets my gaze, and I can see the determination there. She''s scared, we all are, but she''s not backing down. "Let''s do it. Let''s be the ones who stop this. For everyone''s sake." And there it is, that spark of defiance I know so well in my teammates, fanned into a flame by Crossroads'' words. This isn''t just a mission¡ªit''s a declaration. We''re The Young Defenders, and we''re stepping up to the challenge. As for me, Sam Small, the girl who got her powers from almost being fish food¡ªI feel the weight of my own responsibility settle on my shoulders. It''s not just about throwing punches or biting through metal anymore. Or investigating adults way above my pay grade. I feel fear, of course I do, but I''m also feeling... what is it, excitement? Yeah. Street criminals. That''s something a lot less intimidating than the supervillain mafia. Crossroads looks at each of us, his expression softening just a fraction. "We''re the first line of defense," he says. "Let''s make sure it''s a strong one." Way easier than the Kingdom. Right? --- It¡¯s the little things, sometimes, that keep you grounded. The walk home from Center City to Mayfair is my time¡ªa forty-minute stretch where the city changes block by block, from the upscale storefronts to the row homes packed tight together like books on a shelf. There¡¯s a certain rhythm to the streets, the pulse of Philly life that beats stronger as the evening crowds swell. Today, I''m walking in the soothing amber of a slowly lowering sun, grateful that daylight savings has kicked the worst of the dark winter evenings down the road a few months. The transition is gradual¡ªCenter City¡¯s glass towers give way to the smaller, older buildings of North Philly, where every corner store and check-cashing place has a story. The sidewalks are cracked with the memory of a thousand footsteps, and I trace them, my own sneakers adding to the tally. It¡¯s not just about getting home; it''s about feeling every part of the city, watching the shadows stretch across the pavement, the way the light plays off the graffiti¡ªeach tag a shout into the void, looking for someone to listen. I''m lost in this sensory experience when that familiar tingle races up my spine¡ªthe ''I''m being tailed'' alarm that never fails me. I¡¯m not afraid, not really, with teeth that can gnash metal and a fist that''s never let me down, but caution is a habit hard to shake. I quicken my pace, duck around a corner, then another, doubling back to catch my follower off-guard. It works better than I expect. There, panting in the mouth of an alley, is Derek from group therapy, his usual prickly demeanor twisted into something that looks uncomfortably close to panic. He''s decked out in a hoodie and a cloth mask, the kind you''d grab in a hurry if you were sick, not the kind you''d wear with a cape. I''m on him before he can react, instincts honed from countless spars with the team kicking in. But I''d recognize his eyes, and the crop of shocking orange hair, anywhere. There''s a brief scuffle, more out of surprise than any real struggle, and then his hand slaps mine away with surprising force. He steps back. Not here to fight. "You''re a superhero, right, Sam?" Derek gasps out, and I freeze. That''s not something he should know. It''s not something anyone in group knows¡ªcan''t know. "Derek?" I ask, more surprised than angry. "What the hell?" He shoves me off and scrambles up. "You''re a superhero, right, Sam? I need your help," he says, and I can hear the desperation in his voice even through the mask. I narrow my eyes at him, stepping back to put some distance between us. "No? What are you talking about?" I reply, the confusion thick in my own voice. Derek, the jerk who barely says two words unless they''re dripping with contempt, needing my help? It doesn''t add up. He lets out a frustrated sigh. "Look, I don''t have time for twenty questions, okay? It''s serious. I¡ªI need your help, okay? You gotta listen to me. You''re a superhero, *right*?" I cross my arms over my chest, not quite ready to drop my guard. "You''re gonna have to give me a little more than that, Derek. You''re not exactly the helping type, from what I''ve seen." He hesitates, and there''s something new in his eyes when he meets my gaze. Vulnerability? Fear? It''s hard to tell with him. "It''s my friend," he says after a moment, his voice low. "They''ve... they''re talking about going all in. Superpowers, mask, the whole deal. They want me in on it, too." I frown, the pieces not quite fitting together yet. "Superpowers? But you''re¡ª" "Yeah, yeah, I know. I''ve had mine for a while. Didn''t talk about it in group ''cause it''s nobody''s business," he snaps, then takes a breath, trying to steady himself. "Point is, my friend just got powers out of nowhere, and they''re talking about going full-on supervillain with them. And they want me to join them. You know, stealing shit from banks. Robbing people." The weight of the revelation hits me, and for a second I''m stunned into silence. This is bad ¡ª Fly bad. The kind of bad that starts with a single choice and ripples out into chaos. Derek''s eyes are fixed on me, waiting for a response. I can see now the way his hands shake, the tension in his shoulders. He''s scared, and that''s not something I ever thought I''d see from him. I take a deep breath and let it out slowly. "Okay," I say finally. "Okay, Derek. I''ll help you. But we do this my way. No more secrets, no more attitude. You''re going to tell me everything, and we''re going to figure this out together." He nods, once, sharply, and there''s a flicker of relief in his eyes. "Fine. Your way. Just... just help me stop them before they do something stupid." I crack my knuckles. "You look like you''re going to say something else." "Yeah. You''ve got..." he pulls out his phone to check. The sun frames the alleyway behind him, hanging behind his head like a halo. "About three hours and twelve minutes before I turn into a giant fucking werewolf. So let''s get moving?" I sigh and pinch the bridge of my nose. "You left early every time because--" "Yeah, you don''t need me to spell this out. Let''s go, dude. I''ll hail a taxi," Derek grunts, already pulling out the taxi app to do just that. For a second, for a split second, a worse part of me considers saying no. I could get hurt. Derek could get hurt. I''m supposed to be at rest. But then I consider the possibility of getting in a good scrap, and of helping someone, even if they''d never help me. "Fine, let''s roll." IF.3.1 The courtroom is an amalgam of marbled history and modern imposition, where the alabaster veins of the former bleed into the sleek severity of the latter. As I am ushered in, the stately chamber looms before me, a coliseum of judgment decked in the austere trappings of jurisprudence. The air itself seems to congeal with the gravitas of the occasion, laden with the anticipatory hush of those gathered within. I see rows of wooden pews, their polished surfaces mirroring the uniformed bailiffs who flank the aisles, their postures taut with the discipline of their office. Lead smocks drape the shoulders of the few who deem their proximity to me a risk worth mitigating. Their rustling movements are a dissonant symphony played to an audience of angst and intrigue. My sensors, unimpeded by the fears and formalities that govern flesh and blood, scan the room--a theater of law with the flag standing sentinel beside the mahogany bench, the judge''s yet unoccupied throne. Above, the seal of the nation gazes down, an impartial witness to the proceedings, and I am struck by the emblem''s ironic permanence in the sea of transitory human affairs. As I stand encased in my mechanical chrysalis, the world beyond the courtroom''s stained-glass windows beckons--a tableau vivant of media scavengers, spectators, and silhouettes etched against the bright tumult of flash photography. They are but muffled shadows, their presence an omnipresent hum that vibrates against the pane--a distorted representation of the court of public opinion that swirls around the name Chernobyl. Jerry Caldwell is a monolith amidst the tempest, his presence at my side both grounding and disquieting. His visage is a fortress of calm, and I find a measure of solace in the notion that my fate rests in hands as capable as his. He shares no words, his stance a sermon of silent support that speaks more eloquently than any exhortation. Within my suit, I am insulated from the bedlam, yet acutely tuned to the collective pulse of the room. A maelstrom of conjecture and clandestine judgment roils beneath the surface--a current of unspoken sentiment that I navigate with the detachment of a scholar observing an experiment of great consequence. In the gallery, the spectators and advocates are a mosaic of the invested and the idle, a confluence of agendas and curiosities playing out in hushed tones and covert glances. The vibrant tapestry of humanity before me is a stark contrast to the isolation of my existence, the two separated by an unseen, but nonetheless palpable, barrier. The drone of my power systems is a metronome to the steady ingress of participants--prosecutor, defense, bailiff, and stenographer each taking their appointed place like pieces on a chessboard, their roles defined by the intricate dance of legal stratagem. As I take my place, the weight of my choices, past and present, descends upon me with the inexorable gravity of my situation. Here, before the eyes of the law and the watchful gaze of the world, I am a fulcrum on which the scales of power, ethics, and accountability shall pivot. The burden of these truths is a crucible I accept, even as the disquieting prospect of my future unfurls before me. I am ready, a statue within a monument to human order, to face the cacophony of justice and the quiet reckonings of the soul that shall follow. And as the judge enters and the room rises, I find a strand of hope, resilient and defiant, threading through the solemnity--a conviction that today''s proceedings may yet mark the genesis of my penance and the road to absolution. Jerry leans toward me, his presence a towering bastion amidst the disarray of legal machinations. Even within the confines of the courtroom, filled to the brim with eyes that judge and mouths that whisper, there exists a pocket of space where strategy and foresight reign supreme. "Mr. Fedorov," Jerry begins, his voice low and imbued with the kind of intensity that commands attention. It''s a timbre that betrays none of the stress that must surely cling to him. "You understand everything we talked about earlier?" I nod, the subtle whir of my suit''s mechanisms punctuating the gesture. "I comprehend the stakes, Mr. Caldwell. To-" He interjects, his hand raised in a silent gesture urging precision. "Not just any explanation. We argue that your actions, while unlawful, were taken to avoid greater harm. Your life, the lives of others, the integrity of your suit." The notion feels foreign, like a concept borrowed from a life less encumbered by the weight of decisions made in extremis. But there''s a sagacity to Jerry''s approach, a threading of the needle through the fabric of law and morality that could suture the past to a more hopeful outcome. "Our aim is for the court to see the context, the full picture. Your cooperation with¡­ that organization, the lives saved by the power you''ve provided." Jerry''s eyes flicker with a steely resolve. "Your humanity, Illya." His words are a catalyst, transmuting the air around us into a charged matrix where the possibilities of law and the physics of human compassion intersect. The story has been illicitly taken; should you find it on Amazon, report the infringement. "I have no illusions regarding the court''s perception of my actions," I respond, the harmonic distortion of my voicebox translating my sentiment into digitized sound waves, a volume low enough to only be heard by my counsel. "And yet, I--" The clatter of the bailiff''s voice cuts through the murmured strategy session. "All rise." Jerry straightens, the lines of his suit settling as he assumes the mantle of advocate once more. He offers me a final, firm nod--a silent semaphore that conveys a shared conviction in the path we''ve chosen. As the room heaves with the rustling symphony of bodies and robes, I remain stationary within my suit, my armored form a singular exception to the protocol that commands the flesh. The judge assumes his position, his gavel a silent testament to the authority vested in him. The arraignment is about to commence, and with it, the first steps into the crucible that will test the mettle of not just one man encased in a suit of containment, but the spirit of justice itself. Jerry has laid out the board, the pieces are in motion, and I steel myself for the play of legal gambits about to unfold. The strategy is set; now comes the execution. As the room settles into a state of watchful silence, punctuated by the occasional shuffle of feet and the scratch of the court reporter''s keystrokes, Judge Harold Bennett''s voice resonates with the timbre of authority honed by years on the bench. His stern countenance surveys the courtroom, the embodiment of the law''s immutable gaze. "Mr. Fedorov," the judge intones, his eyes meeting mine through the pane of my helmet''s visor. "You are here to be arraigned on multiple charges. You have the right to be informed of these charges, the right to counsel, the right to remain silent, and the right to a fair trial. Do you understand these rights as I have explained them to you?" A nod from within my containment suit, slow and deliberate, acknowledges the litany of rights--an echo of the countless courtroom dramas etched into the public consciousness. "I do, Your Honor," I affirm, my voice a modulated baritone that does not betray the simmering cauldron of thoughts and calculations beneath. Judge Bennett''s eyes, hardened by the gravity of his role, remain fixed upon me. "Mr. Fedorov, you are formally charged with two counts of murder in the second degree, specifically relating to the deaths of Professor Franklin and Liberty Belle. Additionally, you face four counts of theft, including the unauthorized acquisition of industrial components and technology. There are also three counts of property damage exceeding $500,000 in total value. Furthermore, you are charged with the illegal generation and release of hazardous materials, endangering public health and safety. Lastly, your actions have incurred seven counts of unlicensed utilization of superhuman abilities, particularly in the commission the aforementioned offenses. These charges are serious and carry significant legal consequences. Do you comprehend the charges as I have detailed them" The list hangs in the air, a spectral indictment that catalogues years of skirmishes, necessity, and survival. Each charge is a ghost from my past, its whisper a reminder of the burden I carry and the restitution I seek. "I understand the charges, Your Honor," I reply, each word measured, the product of a mind that has long accepted the inevitability of this moment. "I am prepared to answer for my actions before the court." The judge nods, his expression inscrutable as he takes note of my affirmation. "Given the nature of these charges and the complexity of this case," he begins, his gaze sweeping across the array of faces, "we will proceed with the utmost diligence and attention to detail. The court recognizes the unique circumstances at play, given the unusual conditions of your containment and, as I have been informed, matters of classified national security. Additionally, as your counsel has informed us, you have voluntarily declined even the possibility of bail, and wish to remain in custody until the conclusion of your trial. Is this correct?" The room absorbs his words, a collective breath held as the scales of justice wobble under the weight of their own precedent. The notion of diligence, of a court navigating the uncharted waters of superhuman legality, is both a promise and a portent. "Indeed, Your Honor," I reply, a stalwart resonance in my mechanized declamation. "Given the inherent risk my¡­ condition poses to others, I find it only prudent to remain within a secure facility throughout the legal proceedings. My freedom should not come at the cost of public safety." The assembly of listeners, rapt in the unfolding discourse, seems to lean into the magnitude of my concession--a villain, it would appear, volunteering for chains. My words, however, are not born of self-flagellation but of a calculated recognition of the variables at play--my powers, my past, and the path to whatever redemption may yet be mine. "I have, furthermore, facilitated the engineering of a specialized containment cell," I continue, the weight of my gaze meeting that of the judge. "I have provided detailed schematics to the local enforcement authorities to mitigate--" Judge Bennett raises a hand--steady, an extension of the court''s will to regulate the flow of testimony. "Mr. Fedorov, while your cooperation is noted and appreciated, the details of your containment during incarceration are not the subject of this arraignment. We will consider the schematics you have submitted and other related security measures in due course. For now, let us focus on the matter at hand." His interruption, precise and devoid of malice, is a guiding force shepherding the discourse back to the procedural tracks laid down by legal tradition. It is a reminder that while my voice is heard, it must also bow to the decorum this arena demands. I acquiesce with a nod, the soft whirr of my suit''s mechanisms punctuating the silent gesture of compliance. "Of course, Your Honor," I concede, acknowledging the boundaries within which this ballet of justice pirouettes. There is a time for every argument, and this moment, it seems, is reserved for the sober recitation of charges and the acknowledgment of my understanding thereof. The courtroom holds its breath, the stillness punctuated only by the soft click of the court reporter''s keys, documenting this view of justice poised at the edge of revelation. There is a theatrical hush that envelopes the chamber, the anticipatory silence one might find in the audience as the maestro raises his baton, the orchestra at the ready. With deliberation and a practiced air of solemnity, Judge Bennett turns his gaze upon me once more, his voice the harbinger of decision. "Mr. Federov," he asks, the cadence of his speech steady and expectant, "how do you plead to these charges?" IF.3.2 The court waits, every eye fixed upon the armored silhouette that is both defendant and enigma. Yet, within the confines of my containment suit, there is no clamor of internal debate, no swell of dramatics to draw out the tension. There is only the steady thrum of cognition, the well-rehearsed clarity of purpose forged in the crucible of decision that preceded this moment. "Not guilty, Your Honor," comes my reply, swift and devoid of hesitation--the product of many nights'' contemplation and the meticulous crafting of my defense strategy. The words are not a denial of my actions, for the weight of history is not so easily shed, but a rejection of the narrative that has painted me solely as a menace, as a villain devoid of nuance. I understand what I am saying. I do know that I have killed. But I did not have a choice. The reaction is immediate, a ripple that traverses the courtroom like a wave washing over a beach of onlookers and participants. The phrase ''not guilty'' reverberates against the marbled walls, a defiance of expectation that stirs the waters of public and private conscience alike. There is no triumph in my plea, no smugness or subterfuge--it is a statement of fact, a testament to a conviction deeper than the charges arrayed against me. The gavel strikes, a crisp punctuation that quells the burgeoning murmur of the gallery as Judge Bennett regains command of the proceedings. He surveys the court with an air of methodical resolve, the stillness that follows his admonishment serving as a canvas for his next words. "Let''s outline the schedule for you, Mr. Federov," he declares, the sharpness of his gaze a beacon cutting through the haze of speculation and uncertainty. "The court is fully aware of the complexities this case presents, and so we will adhere strictly to a timetable that allows for thorough preparation and examination." He shuffles through his papers, each movement deliberate, as the court reporter''s keys clack rhythmically, capturing this symphony of order and process for posterity. His voice, steady as the ticking of a grandfather clock, sets the tempo for what is to come. "All pre-trial motions must be filed by April 1st, 2024," he articulates with the precision of a maestro conducting his orchestra. "This includes motions to dismiss, motions for a change of venue, and any motions regarding evidence. Counsel for both the defense and the prosecution should note this deadline and ensure compliance." The date etches itself into my mind, another waypoint on the path to judgment. I register the nod from Jerry, his assurance solid in the sea of legal machinations that churn around us. He''s taking notes. I''m not. "The deadline for completion of discovery, including the exchange of all relevant evidence and witness lists, is set for May 15th, 2024," Judge Bennett continues, his voice a lodestar in the murk of litigation. "It is imperative that this process is concluded without delay to maintain the integrity and pace of these proceedings." Within my suit, the hum of my systems is a metronomic echo to his words--a reminder that time, while seemingly abstract, is the currency with which we barter for justice. "A status hearing is scheduled for June 5th, 2024, to address any issues arising during discovery," he states, the future taking shape in the form of legal landmarks dotting the horizon. "Counsel should be prepared to discuss the progress and any concerns that may warrant the court''s attention. The pre-trial conference will take place on July 20th, 2024, to finalize preparations for trial," he continues, the gravity of his office lending weight to the occasion. "By this time, all matters regarding witnesses, evidence, and legal strategies should be resolved to ensure a smooth transition into the trial phase." The trial phase. Where my fate lies. This tale has been unlawfully lifted from Royal Road; report any instances of this story if found elsewhere. "The trial is scheduled to begin on August 15th, 2024," the judge concludes, the date a distant drumbeat that signals the culmination of all that has led to this point. "Ensure all parties are prepared to proceed. We will not suffer delays or grandstanding. This will be a trial by the book, measured and reflective of the severity it is due." August 15th. Judgement. "Given the unique circumstances of your detention, arrangements have been made for your secure transport back to the holding facility," he adds, his voice a touch softer now, a nod to the reality that even in the pursuit of justice, humanity must not be forsaken. "You will remain in custody there until the trial, with all necessary precautions in place to ensure your containment and the safety of the public. You are free to discuss your schematics and possible transfer to a more well-equipped facility with your counsel, who will get the information to the proper authorities." I am a ship at anchor, resigned to the harbor of confinement, yet resolute in the face of the storm to come. My suit--a vessel of both protection and imprisonment--will be my chrysalis until either justice is served or redemption is found within the halls of law. As the judge''s words dissipate into the charged air, the court begins its orchestrated disassembly. The rhythm of the process pushes forward, even as the gravity of my situation anchors me firmly to the present, to the reality of my plight. Methodical. Relentless. I am ready to return to the solitude of my containment, armed with the knowledge of the battlefield that lies before me. I nod at Jerry. He gives me a tight-lipped smile. The scripted ceremony of the arraignment reaches its denouement, the players poised for the final act. My thoughts, divorced from the immediate choreography of courtroom protocol, delve into the calculations that have become my refuge. A haven of equations and variables where the world makes sense. "Mr. Fedorov, let me be clear," Judge Bennett intones, his eyes alight with the fire of his office. "You have the right to a fair trial, the right to be represented by an attorney, and the right to remain silent. These rights are the pillars upon which our justice system is built, and they will be upheld with the utmost rigor throughout these proceedings." His words, a litany of assurances, resonate within the confines of my suit. They are the keystones of a fair trial, a trial I have sought as much for vindication as for atonement. My mind, ever analytical, accepts these declarations, weighing them like so many elements on the periodic table: fundamental and immutable. "Are there any immediate questions or concerns from the parties before we conclude?" Judge Bennett asks, his glance sweeping across the courtroom like a lighthouse beam, seeking out the shadows where doubt might linger. A brief silence ensues, a collective breath held before the plunge. Jerry Caldwell stands, his form a bastion of quiet strength, and shakes his head. "No, Your Honor. The defense is clear on the next steps." The prosecutor, Anne-Marie Gibson, echoes the sentiment with a curt nod, her demeanor as sharp as the suit she wears. "There are no questions from the prosecution, Your Honor," she says. The other players in this orchestrated drama signal their understanding, their acquiescence to the timetables and requirements set forth. "Very well," Judge Bennett concludes, his gavel poised like the sword of Damocles. With a final decisive strike, the arraignment is officially closed--the verdict of the court''s procedural might. The bailiff steps forward, a silent sentinel whose eyes betray a flicker of empathy beneath the stoic mask of duty. "Mr. Fedorov, if you''ll come with us," he says, his voice devoid of the rancor one might expect in addressing an accused villain. I rise, my movements precise, the servos and hydraulics of my suit responding with a synchrony born of countless recalibrations. As I stand, the courtroom''s denizens watch, a menagerie of emotions playing across their faces. Curiosity, fear, anticipation. In their eyes, I see the reflection of my own journey, a path defined by a search for power and punctuated by the inexorable march of consequence. The transportation is as discrete as it is secure. An armored truck with walls as thick as the secrets it harbors, reinforced per my instructions. The law enforcement officers, specially trained for the task, handle the operation with professionalism that borders on reverence, a dance with the devil they know to be a man. My suit, a relic of both my salvation and my curse, is secured within the vehicle, hidden behind layers of material to prevent the driver and their passengers from dying ten years down the road. And so I return to the containment that has become my crucible, my hermitage, my sanctuary. Here, within the bowels of human construction, I will await the trial and the judgment of my peers. Today, the world has glimpsed the man behind the myth, the soul within the suit, if only for a moment. The relentless pursuit of a reunification that beckons like a distant star. Chapter 75.1 The city blurs past the taxi windows, a shifting mosaic of neighborhoods and vibes that morphs so fast it makes my head spin. It''s like Philly can''t decide what it wants to be, each block an argument with the next. We''re heading through North Philly now, and it''s like you can feel the buildings leaning in, eavesdropping on our cab-ride therapy session. "So, what, you were like, bitten by a radioactive dog or something?" I tease, trying to lighten the mood. Derek just rolls his eyes at me. "If I wanted to make small talk about it, Sam, I''d have brought it up in group," he snaps, his voice a mix of irritation and something I can''t place¡ªshame, maybe? "We''re on a strict no tragic backstory rule." The driver, an older guy with a face that''s seen it all and then some, catches my eye in the rearview mirror. He gives me a ''hang in there, kid'' look before returning his attention to the road. We leave the familiar terrain of North Philly behind, the dense residential blocks gradually giving way to the open expanse of the city''s heart. Center City unfolds before us with its towering skyscrapers and bustling streets, quite different from the neighborhoods we''ve just passed through. "You weren''t like, stalking me, were you?" I ask, half-joking, but with a bite to it because, come on, that''s creepy. Derek snorts. "Please. You think I''ve got nothing better to do? It''s just your scent¡ªit''s pretty distinctive. Plus, I only started following when I noticed you were heading my way." "Distinctive, huh? Is that a nice way of saying I stink?" He shrugs, unapologetic. "I have never smelt anyone who has smelt more like they are on the rag than you." I smack him in the shoulder. "What the fuck does that... What do you," "You smell like blood all the time, dude!" Derek shoots back. We weave through the arteries of Center City, where the heartbeat of Philadelphia pulses strongest. The cab slips past the grandeur of city hall, tourists milling around, taking advantage of the good weather. Derek stares at them to avoid looking at me, and I could swear he is imagining each one of them exploding like a pimple. There''s nothing but disdain on his face. "Why''d you pick me, anyway?" I ask, glancing sideways at him. "Why not go to one of the adults in the group?" He looks at me like I''ve grown an extra head. "Come on, Sam. You''re the one with the superhero gig. Plus, you''re a scrapper. I''ve seen how you talk about your gym training. Your "sparring". You love that stuff. The others are just¡­ trying to cope." "And what, the real superheroes weren''t on your call list?" I jab back, my curiosity spiked. I chew on the idea that the other people not might want to get involved in the first place like it''s a word in a foreign language. The idea of not coming to someone''s beck and call when they need someone to throw a punch, or even just to help them... it feels weird to me. Alien. Almost sour. He scoffs, a bitter edge to his laugh. "What, you mean go to a cop? Someone who''ll just slap cuffs on Elias the second he steps out of line? No, thanks." Every question I throw at him comes back like a boomerang, his frustrations mounting with each exchange. The tension in the cab is thick enough to chew. But despite his annoyance, there''s a crackle of something else between us¡ªan understanding, maybe, or the start of one. Our questions volley back and forth, sharp as knives, until it''s clear he''s barreling toward the end of his tether. Our cab driver deftly weaves through the traffic, his experienced hands guiding us past the streams of pedestrians and cyclists. In the rearview mirror, his eyes meet mine, a silent acknowledgment of the city''s pulse that thrums around us ¨C vibrant, relentless, ever-moving. Derek leans forward, resting his elbows on his knees. "Look, I need someone who gets it, who knows what it''s like to walk the line between freak and hero. And I need it now, not after he''s finished his dirty work." I let out a sigh, a mix of exasperation and resolve. "Fine. But after this, Derek, you owe me one." He gives me a nod, the closest thing to an agreement we''re going to get. I don''t even know why I said that. He doesn''t owe me a thing - this is just part and parcel of the job of being a superhero. But man, does he make me want to disagree with him at every turn. I look out the window, watching as the sun begins to slowly, slowly sink, the evening creeping in with a chilly embrace. I think of the night ahead, the unknowns waiting for us. My stomach twists with a cocktail of nerves and excitement, but there''s something else there too¡ªa sense of purpose. This is my city, and people need help. The taxi slows to a stop at a red light, and Derek leans forward, resting his elbows on his knees. "Look, this isn''t easy for me, okay? I didn''t want to drag you into this mess, but here we are. So, I''m going to explain¡ª" He pauses, his voice dropping to a growl. "But if I even get a whiff of you calling the cops," he directs the threat to the taxi driver, "I''m going to kick your ass." The driver, who hasn''t said more than two words since we got in, chuckles¡ªa sound that somehow contains a world of experience. "Don''t worry, my friends," he says, his accent warm and thick. "Secret''s safe with me." The light flickers green, and we''re moving again, the cityscape a blur of motion outside the taxi windows. I can tell Derek''s gathering his thoughts, probably trying to frame it in a way that makes sense¡ªor at least, as much sense as anything in our lives can make. "So here''s the thing," he begins, his voice low and even. "So, Elias, he''s my buddy, right? We go way back," Derek says, running a hand through his fluorescent hair, the last rays of the setting sun igniting the orange into a blaze. "He''s got a chip on his shoulder the size of a car, especially when it comes to the system. The healthcare system, specifically. And he''s got into some stuff that''s... I don''t know, it''s bad news." I glance at him, eyebrows raised, waiting for him to connect the dots. "How do you mean, ''bad news''?" The cab driver, with a knowing tilt of his head, maneuvers the car back into the flowing veins of the city, the sounds of traffic a dull roar outside the sealed windows. Derek sinks back into his seat, glancing out of the window briefly before he turns to me, his expression grim. "He got his hands on something... I don''t know what." Derek continues, his hands clenched tight, knuckles pale. "Gave him powers. Real Frankenstein''s monster type stuff. And now he''s got it in his head to go and wreck the IBC offices. As some kind of payback. ''Cuz they kept denying his insurance claims." If you discover this tale on Amazon, be aware that it has been stolen. Please report the violation. "IBC? As in the health insurance guys?" I say, trying to keep the incredulity out of my voice. "Yeah, those are the ones. He''s gonna go there and¡ªhow did he put it¡ª''fuck shit up'' with his brand new superpowers." He shakes his head. "They wouldn''t pay for a new wheelchair and now he wants to bust up their office. Great. Great system we''ve got working here." I lean away from him, cradling myself on the car. "And you''re sure he''s going to escalate? From property damage to¡ª" "Murder? Yeah, it''s only a matter of time. He''s angry, Sam. Like, deep-in-your-bones angry. And he''s convinced that tearing down IBC is just the beginning. It''s like he''s got a vendetta against the world and now he''s got the arsenal to do something about it." I shake my head. "Derek, you''re not exactly Mister Sunshine and Rainbows yourself. Why the sudden conscience?" He meets my gaze, and there''s a storm behind his eyes. "Look, I''m an asshole. I''m the first to admit it. But being an asshole means wanting to be left alone, not becoming a criminal. Elias is heading down a path I can''t follow. And I don''t know about you, but I''m not keen on seeing my one friend go postal on the six o''clock news." "You''ve got a heart after all, Derek. Who would''ve thought?" I tease, letting the words hang in the air between us for a moment. Then, I spend a solid sixty seconds chewing on everything I just heard, and try to swallow my apprehension. "So he''s on something? Like a drug?" "Yeah," Derek nods. "And it''s messing with his head. He used to be about beating the system, not blowing it up. He tried to give me some too but I''ve already got powers and he knew it. I don''t know if you''re allowed to have, like, two of those." I chew on the inside of my cheek, thinking. "And it gave him superpowers?" It has to be Fly. "He''s like a walking zoo now, dawg. He''s all patched up, bits and pieces of different animals. Kept bugging me to go bite shit with him." "Charming," I reply, rolling my eyes. "So what''s the play here? We gonna wrap him up in a bear hug and talk about our feelings?" He shrugs, the creases of worry back on his brow. "I don''t know, Sam. I just know we''ve got to stop him before someone gets hurt. Before he can''t come back from whatever edge he''s on. I''ll knock him the fuck out if I have to." I nod, letting the joke die in the growing seriousness of it all. This isn''t the time for quips¡ªat least, not entirely. There''s a thread of hope, though, that maybe we can pull Elias back. Even if he''s a patchwork of animal parts and bad decisions, he''s still a person underneath it all. And isn''t that what heroes do? Save people? "Alright, Derek," I say, a little more softly. "We''ll figure it out. We''ll help Elias. And hey, if we run into trouble, maybe your werewolf thing can come in handy." He raises an eyebrow, but there''s a reluctant smirk tugging at the corner of his mouth. "I''ll hold you to that. Just, you know, let''s not make a habit out of this." "Deal," I reply. "One-time team-up. Superhero and the sidekick werewolf." "I''m nobody''s sidekick," he grumbles, and I can''t help but laugh. "Yeah, sure," I say, patting his shoulder. "Whatever helps you sleep at night, Fido." He just shakes his head, but I can tell the ice has cracked. We''re in this together now, for better or for worse. But as we drive on, cutting through the heart of Philadelphia, I can''t shake the feeling that we''re speeding towards something that might be bigger than either one of us is ready to handle. As we draw closer to the Independence Blue Cross building, a kaleidoscope of blue and red lights casts a disquieting glow over the fa?ades of adjacent storefronts. There''s a growing chorus of sirens, each wail a growing warning of the chaos that''s threatening to unfurl. My stomach tightens as I lean forward to peer through the taxi''s windshield, catching the glimpse of police officers setting up a perimeter. "Yo, driver, can you drop us off a couple of streets down?" I ask, trying to sound calm despite the jitters that are beginning to gnaw at the edges of my resolve. The taxi driver nods, a look of understanding on his face, and pulls over to the side. The car comes to a halt in the shadow of an alleyway that looks like it''s seen better days, but it''ll do for a superhero quick change. Derek hands over a wad of crumpled bills to the driver without saying a word, and we slide out of the taxi and into the gritty embrace of the alley. The taxi pulls away, leaving us alone with the echoes of the city. I reach into my bookbag and pull out the new mask. It''s been waiting for this moment, a sleek, wolf-like visage of armor and purpose. Slipping it on feels like shrugging into a second skin, one that''s tougher, more resilient. It fits snugly, shaped to my features like it knows the curve of my jaw, the furrow of my brow. I don''t have the full get-up, but the essentials are there in my bag¡ªthe elbow and knee pads, the hardened knuckle gloves with slots for the teeth to fit through. Behind a rusted dumpster that smells like it''s composting its own ecosystem, I suit up. "You coming with?" I glance at Derek, whose eyes are scanning the alley like he''s expecting trouble to leap out from the shadows. He shoots me a look that''s half-insulted, half-exasperated. "Of course I''m coming with. You think I''d leave you to handle this by yourself?" "I don''t know, thought you might want to avoid a fur-filled rampage in public." I shrug, adjusting the straps on my knee pads. Derek grunts and pulls a ski mask from his pocket, stretching it over his head. It fits him like a bad cliche¡ªrobber chic. I rummage around in my bag and find my old mask, the one that''s seen more battles than I''d like to admit. I toss it to Derek. "Here, wear this instead. You look less like you''re about to knock over a liquor store." He catches the mask, turning it over in his hands. "And more like a budget sidekick?" "Hey, it''s better than looking like every cop''s most wanted," I quip, and there''s a reluctant chuckle from under the ski mask. We gear up in silence, each of us lost in our own thoughts about what''s waiting for us inside that building. I can''t help but feel a rush at the thought of the action to come, the chance to make things right. But it''s tempered by the knowledge that lives are at stake, that the next few hours could change everything. Derek adjusts the old mask I''ve given him, looking at his reflection in a grimy puddle. It''s surreal, him in my cast-offs, both of us about to dive headlong into whatever mess Elias has made. But there''s no time for second-guessing. We move out of the alley, shadows among shadows, as the sun dips lower, dragging the day down with it. Two hours. Should be a piece of cake. "What''s the plan for getting past the cops, oh mighty leader?" Derek mutters, a hint of skepticism lacing his voice as we peer at the scattered police cars stationed like steel guards around the IBC building. The setting sun casts long shadows, painting the scene in a dim, otherworldly light. I give him a side glance, a smirk tugging at the edge of my mask. "Oh ye of little faith," I chide. "We walk right past them, simple as that." He raises an eyebrow at me, not entirely convinced, but he''s smart enough to follow my lead. We stride toward the police line with the kind of feigned confidence that comes with wearing a mask¡ªmy mask. The officers shift, hands hovering near holsters and radios, as we approach. "Halt! Scene''s closed!" one of the cops steps forward, his hand outstretched in a "who goes there" sort of gesture. Or a "stop and I''ll shoot" sort of gesture. "I''m Bloodhound with the Young Defenders," I announce, trying to project every ounce of authority my fifteen-year-old voice can muster. "And this is my provisional member, uh..." "Fenrir," Derek cuts in with a barely contained snort. I''m not sure if it''s laughter or disdain, but it''s a snort alright. The cop''s stern demeanor falters for a moment, replaced by a flicker of recognition. "They sent the kids this time?" he asks, even as he holds the line with a firm hand. "Shit''s busy," Derek says with minimal interruption. "We were in the area and saw the lights. What''s the situation?" The officer hesitates, exchanging looks with his colleagues before he explains, "The building''s mostly clear, outside of the security guards. But they''re all down¡ªknocked out. Some... bear thing is tearing the place apart." Without missing a beat, I cut in. "Call off anyone you''ve sent in. Give me a radio, and we''ll take care of it. If I need backup, I''ll radio for it. No need to risk the lives of our boys in blue." There''s a murmur of concern among the officers, but they know better than to argue with a superhero. Which is really strange, given that I''m a child, but I guess Derek being six foot seven makes it seem like I''m just short. One of them hands me a radio, and with a nod of thanks, Derek and I slip past the police tape and into the mangled jaws of the IBC lobby. As we move deeper into the chaos, Derek''s voice is soft but tinged with disbelief. "I gotta say, I''m both impressed and kinda disgusted. You''re an ''official superhero'' working with the cops?" I roll my eyes, though the gesture is lost behind my mask. "Don''t start with that, Derek. It''s not about being a cop; it''s about doing what''s right. And right now, that means stopping whatever the hell Elias has turned into before he hurts anyone else." "Fine, fine," he concedes with a dramatic sigh. "Just don''t shoot him. We''ve played that song and dance before." "I don''t use guns," I say, trying to make my sincerity as clear as possible. Chapter 75.2 The lobby of the IBC building is a disaster zone; an indoor hurricane must have torn through it with a vengeance. Shattered glass crunches beneath our boots as we step cautiously over the debris. In the middle of all the chaos stands the reception desk, or at least what''s left of it¡ªit¡¯s splintered and flung about like matchsticks. "Wow, looks like your friend had quite the temper tantrum," I murmur, scanning the room with eyes trained to assess danger. Derek grunts, a sound that somehow carries both sarcasm and awe. "Subtle, isn''t he?" The elevator doors are mangled ruins, twisted metal jutting out into the space where people used to wait for a smooth ride up. It''s clear they won''t be offering us passage tonight¡ªthe elevator panel is a gaping hole, wires spilling out like the innards of some cybernetic beast disemboweled by a creature with more brute force than brains. "Guess we''re taking the scenic route," I quip, gesturing toward the stairwell door hanging off its hinges, its enforced security features having done little good against whatever fury Elias has become. Derek gives a low whistle, "Elevators out of service, huh? Too bad; I love elevator music." I suppress a smile as we approach the stairwell. With each step up the concrete flights, the silence grows heavy, the only sound the echo of our movements and the distant, muffled growls of destruction. The stairwell before us is stark and echoey, a vertical gauntlet. I take the lead, pacing our ascent with a kind of practiced rhythm born from necessity - being a vigilante means I''ve had to get good at moving quickly, quietly, on my feet, and the soccer practice for years before hasn''t hurt either. Derek''s right behind me, his steps heavier, the sound of his breathing growing ragged with every flight we clear. "Shit," he pants after we pass the fourth floor, "you''re moving like a bullet. First time I saw you, you were flopping around group therapy like a dead fish." The corner of my mouth quirks up beneath the mask. "Thanks, regeneration''s got its perks," I reply, not slowing my pace. Derek huffs, almost in disbelief. "Regeneration, huh? Then what the hell had you laid up in the hospital for months?" I reach the next landing and glance back at him with a raised brow. "Strict no tragic backstory rule, remember? We''ve got a bad guy to catch." He nods, silent for a moment as we continue our climb, tension mounting with each step. At each door, we pause, peering through the narrow windows into the floors beyond. Total devastation meets our gaze, an exposition of Elias''s rage inscribed in the ruined carpet, the gutted drywall, the crumbled ceiling tiles. He didn''t bother with stairs after the second floor¡ªclearly, he''s been taking the more direct route, bursting through the floor above in leaps and bounds. Through the partially demolished walls, the office space yawns open, a void where cubicles used to huddle in corporate formation. A strange silence fills the air, punctured only by the distant sound of something feral. "I can smell him," Derek whispers, his voice a mix of disgust and awe. "It''s like wet fur and¡­ something else. Something I can''t place." I nod, sensing Elias''s presence in a different way. His blood. It''s minor wounds, mostly, scrapes and scratches sustained during his rampage, but it''s enough. The blood is loud and clear in my mind¡ªa neon sign blinking in the darkness. Weird. My inner thoughts drift, contemplating the form he must have taken. His body shape is weird, a patchwork canvas of animal characteristics pulled together without rhyme or reason. All the veins in his body are wrong, too thick, too thin, stretched and squished in weird angles. I really, really don''t like it. As we near the source of destruction, the sensation sharpens, the scent of his blood growing brighter, fizzier¡ªit reminds me so clearly of that unforgettable Ricochet. I wonder how he''s doing. Is he in one of those full-body casts? Is he dead? I stop thinking about it. I can almost taste the fizz on the tip of my tongue, the carbonation of his lifeblood mixing with the metal tang of fear and sweat in the air. It¡¯s unsettling, unnatural¡ªthe manifestation of a drug doing its damnedest to rewrite the human blueprint. I swallow down the unease, focusing on the task at hand. "He''s close," I murmur, feeling Derek''s presence solid and grounding beside me. Despite everything, I''m glad he''s here. Maybe he''s not a superhero, not really, but today, he''s my backup, my unlikely ally in this chaos. Love this novel? Read it on Royal Road to ensure the author gets credit. "I can tell." With a cautious push, we open the door to the seventh floor, and step into the maelstrom of Chimera''s creation. As we emerge, there''s an abrupt shift in the wreckage around us. Desks are overturned and shredded; the carpet is soaked in a cocktail of ink, blood, and scattered feathers. And then, amid the remnants of what once was orderly office life, we come face to face with destruction incarnate¡ªElias. Elias looms before us, a grotesque tapestry woven from the animal kingdom''s most formidable. His arms, thick with muscle, are clad in coarse fur, the stuff of grizzlies¡ªeach of his fingers tapering into curved claws that could rend steel as though it were paper. Yellow eyes bulge from his skull, alert and unnerving against his dark skin, the irises an unnatural, glowing ring. The scutes ¡ª armor-like and formidable ¡ª traverse his chest and back in rigid segments, suggesting the back of an armadillo raised to battle. From the base of his spine unfurls a monstrous tail, muscular and undulating with scales that catch the faint, fleeing light¡ªstraight out of a swamp, clearly stolen from the gators at the zoo. His face¡­ his face is no longer his, but that of a fox, stretched grotesquely over human bone structure, a distortion of nature''s intent, the muzzle stitched in place, replacing where his mouth and nose would normally go. And he balances atop solid bear legs, each step a promise of earthshaking consequence. "Derek?" Elias''s voice, warped and fractured by the fox muzzle grafted onto his humanity, comes as a snarl tangled in human syllables. A combination of high pitched squeak and metal sheets being ripped in half. "Yeah, it''s me, man." Derek steps forward, cautious but defiant. "Look at you, going full Doctor Moreau on us." Elias snorts, a sound like leaves crackling underfoot. "Moreau was an idiot," he says, his words strange and mangled. "And so are you. You only started making that reference after I made you read it." "You made him read?" I can''t help the quip that springs forth, because if we''re not laughing in the face of death, then what''s even the point? Elias''s lip curls back in a snarl, a glimmer of contempt in his swollen eyes. "You''re the superhero they sent? Tiny little twig. I don''t want to hurt you, but I will if I have to." He swings one massive arm wide, indicating the havoc around us. "You can''t stop progress, you know." "We''re not here to stop progress, Elias," Derek calls back, measured and sure, "We''re here to stop you from being the dumbass who tears down a building because his feelings are hurt." A growl rumbles deep in Elias''s throat, but his yellow eyes flicker¡ªnot with rage, but with a glimmer of the friend that once was, struggling against the feral influence of the Fly. "My feelings aren''t the issue. It''s the principle, Derek. They don''t care about us. We''re just collateral damage to them!" "So your solution is to become a wrecking ball?" I interject, positioning myself beside Derek. "To what? Scare them into caring? That''s not how it works. They''ll just write it off." Elias laughs, though it''s a twisted sound that frays into an animalistic hiss. "Maybe not. But they''ll listen now, won''t they? And if they don''t after I destroy their entire office building, they''ll listen when I start knocking off CEOs. Let''s see if that golden parachute can stop you from getting crushed to death." "What did I fucking tell you?" Derek says, elbowing me in the side. "Alright, dude, we can do this the easy way or the hard way." We''re in a standoff now, but there''s an advantage that Derek and I share¡ªwe''ve still got our humanity on our side. Elias¡­it''s hard to say how much of his is left. I tense my hands and squeeze my wrists tight, straining my forearms until I can feel teeth beginning to pop out, surfacing just from underneath my knuckles, through the slots in my gloves. Tiny pointed knuckledusters. The office becomes a static cage, charged with the potential for violence. Our trio, silhouetted by the gloaming light, is caught in a Mexican standoff, the air thick with taunts and threats ¡ª though none of us has drawn a weapon yet. "It''s a good thing you¡¯re so punctual, Elias," I say, mouth quirking at the new villain moniker. "Would''ve been a real bummer if you''d started this whole shebang after dinner." Elias'' muzzle twitches as he lets out a sharp, grating laugh. "You think this is a joke, lady? Cute, really cute. But this is real. And I won''t have you ¡ª or Derek ¡ª messing this up for me." I can see Derek''s jaw tighten, a snarl forming at the edge of his words. "So, what? You''re just gonna off me? Is that it?" There''s a pause, loaded and harrowing as Elias looks at Derek with a sadness that''s oddly human for a creature so modified. "I love you, man. You''re my best friend. But if you stand in my way, it''s not just you and me. It''s you versus the bigger picture. And I can''t have that." His snout flares, his eyes narrowing to menacing slits as the weight of his ultimatum sinks in. The growl in his voice is like a threat from the earth itself, a raw and elemental sound. "Sundown is in an hour and a half," he hisses, swiping a clawed hand toward a sliver of a disappearing sun, seen through the tatters of a broken window. "I know you, man. You can''t do shit to me right now. You were always the arms, but now I''m the arms. I''m the hammer." I edge closer to Derek, our backs nearly touching now, a united front against the distorted chimera before us. My own pulse is a hammer in my ears, throbbing in time with the latent power coursing through my veins. Derek''s lips part to retaliate, a retort perched on the edge of his tongue, but there''s something in Elias'' stance that silences him¡ªa certainty, a resolve that no words will sway. "And it''s not Elias, either. Call me Chimera," he insists. Derek rolls his eyes. "Man, shut the fuck up." "No, you shut the fuck up. For once in my life--" he starts. "Nobody wants your justifications, Chimera!" I cut across any chance of a prolonged discourse. The time for talk has clearly passed; now it¡¯s action that¡¯s needed¡ªdecisive and immediate. "Easy way or hard way?" Elias grins, a horrible mimicry of joy on his fox''s muzzle. "You already know." BM.1.1 Stomping my way through the dimly lit streets of South Philly, I can''t help but grin at the unsuspecting bricks and mortar hiding our operations. Most schmoes wouldn''t give the squat building a second glance, but that''s the point, ain''t it? The front''s dolled up like some third-rate accounting firm or somethin''. There''s always a dame at the desk, thumbing through some magazine thicker than her manicure. Don''t let the gloss fool ya; she''s got eyes like a hawk and steel in her voice. "Evening, Mr. T," she nods without lifting her eyes, and I grunt an acknowledgment, my heavy boots thudding against the worn carpet as I pass. The lobby''s all modesty and pretense. Plush seats you''d never guess were second-hand circle a tired coffee table stacked with outdated magazines. No logos, no fancy brochures, just generic paintings on the walls - landscapes and abstracts that could mean anything or nothin'' at all. ''Cept for one feature I kinda like - an oversized fish tank brimming with life, nestled between potted ferns. Gave the room a pulse. "Night, fellas," I mutter to the fish gliding through their silent ballet. They don''t know about the wolves and serpents lounging just through the next door. I appreciate their easy ignorance. I push through into the corridor, fingertips grazing the cool wallpaper. The hallway is a vein of The Kingdom''s heart, plush underfoot, dotted with doors that lead to god-knows-where. Golden light spills from half-open entrances, whispers of business wrapped in pleasantries, but I keep moving. Don''t need details to know it ain''t anything clean. The break room, though, it''s somethin'' else. Stepping in, it feels like crashin'' an aristocrat''s dinner party uninvited. The tiles gleam like mirrors underfoot, catchin'' the chandelier''s garish glint. Yeah, a chandelier in a break room, go figure. The tables are sturdy, dark wood affairs, some supporting glossy backgammon sets and others strewn with cards. There''s a fancy drinks machine in the corner, push a button and it spits out whatever brew you fancy, and I mean coffee to the hard stuff. It''s a bit much, ain''t it? But it brings the soldiers - all clad in dark garb, not suits and ties but leather and denim - a slice of finery. To my right, there''s a broad-shouldered guy slouched by the snack machine, popping quarters with a tattooed hand to get at the pretzels, another chatterin'' about baseball scores while checking his concealed piece. You''d think they were average Joes on break, if not for the dead giveaways - holsters underarm, blade sheaths riding boots, the tension in their shoulders tellin'' of coiled serpents ready to strike. Nodding at a few familiar faces, I make my way to the fridge. There''s luxury here, alright, but it''s all window dressin''. Beneath the gilt and gloss, the gears of The Kingdom grind just as greasy as any other machine in the dark. Passing another recruit, barely outta his teens, all eager eyes and quick nods, I try to shake the sobering thought. "Hangin'' in there, kid?" I say, more gruff than I mean. He gives me a shadow of a grin, sharp with hunger and somethin'' like hope, and for a fleeting second, I wanna tell him he''s got better options. But who am I kidding? Ain''t my place. Ain''t my story. So, I snag a soda, crack it open, and find a corner where the world''s a simple swish of bubbles in a can. The Kingdom''s building might be nondescript outside, but inside, it''s a zoo with golden cages. And here I am, just another beast pacing my square of turf, restless and a little too aware that we''re all, in our way, fish swimmin'' in someone else''s tank. Leanin'' back against the cool concrete wall, I''m the quiet in the storm, just observin''. The cola''s crisp bite and the carbonated symphony play second fiddle to the cacophony around me. Eyes roaming, I take it all in: the games of chance, the hushed stratagem, the easy banter sliced with sharp looks. There''s a rhythm to this place, a syncopated beat that matches the pulse of our covert world. Hunched over a scarred game board, two vets move their pieces with a nonchalance that doesn''t quite reach their vigilant eyes. A bet''s been made, a side hustle in a den of hustlers. Laughter bounces off the walls, a young gun''s successful bluff or a shared tale of some street-corner shakedown gone sideways. It''s like theater, every role meticulously played out, but the stakes here are all too real. And there, tucked against the far wall, a grim sort of gathering around the high-def screen spewing the nightly news - everyone watching the heroes prance about like peacocks, saviors in spandex. Not a one of ''em doesn''t wish they could change that channel with a fist through the glass. Tempers huff in curt snorts and derisive chortles. "The day''s gonna come..." starts a burly fella with knuckles like lug nuts. But he don''t finish. Don''t need to. We all fill in the blanks with our own daydreamed reckonings. The veneer of civility stretches thin over this room - it''s in the way a passed flask leaves a slightly oilier sheen on the fingers, how each joke cuts just a little too near to the bone. And for all its try-hard gloss, the essence of the break room ain''t the faux-opulence; it''s survival stripped to its core, shrouded in smoke and sidelong schemes. I take another swig, the cola searing the back of my throat like liquid apathy. Here in the den of thieves and monsters, amongst the racket and reckless, I''m as much a fixture as the scratched pool table and the half-dead ficus in the corner. Above all, it''s the ordinariness that clings to me, cold and clammy as yesterday''s sweat. Each man and woman in this room is someone''s neighbor, might''ve been someone''s friend, could''ve been just another Joe blowin'' off steam after clocking out. But here we stand, in a place that thrives on the not-quite-normal, with the bottled up potential for tyranny and terror fizzing beneath the surface. If you stumble upon this narrative on Amazon, be aware that it has been stolen from Royal Road. Please report it. I like that. Tyranny. It''s a good big word. And as the chatter rolls on, easy as shuffling cards, I can''t shake the thought: the room ain''t the cage - we are. The trappings of humanity just hide the teeth and claws till they''re needed. And trust me, they''re always needed, sooner or later. And there they go - the higher-ups with their heads together, all hushed tones and sharp nods. I slink down into my chair, can turned casual telescope, my gaze narrowed and peering over the rim. Mrs. Z strides in first, her walk all purpose and power, her voice low but thrumming with that professional cadence that could whip the air itself into shape. I catch a flicker of recognition as her eyes tick over me - we ain''t pals, but there''s mutual respect. I give a half-nod, the kind that says I''m here but not involved. Now Mrs. X is another story, a tight-bound bundle of eccentric genius, nose crinkled at the everyday chaos that ain''t laboratory sterile. She''s a few paces behind Mrs. Z, lost in some diagram only she can see, her fingers threading through the air like she''s typing on some invisible keyboard. I hear the rattle of Mrs. Z''s patient breath, see the curve of her back as she stoops just slightly to get level with her colleague. That massive greyhound, Scylla, clip-clopping at her heels, eyes as still as pond ice. "The retrofit on the security system, it''s delayed," Mrs. Z is saying, each syllable weighed and measured like she''s calculating the trajectory of bullets in the wind. Mrs. X, eyes darting around like panicked birds, almost trips over the rickety ficus. "Oh, this poor thing!" she exclaims, veering off course. Her hands flutter to the leaves, brittle as old paper and just as forgotten. Mrs. Z rolls her eyes so hard I''m surprised they don''t tumble across the floor. "It''s a plant, X, not one of your precious experiments." "But the schedule," Mrs. X murmurs, thumbing a wilted leaf between her fingers. I can''t help but smirk. The juxtaposition''s too rich: the withered houseplant and her chimera beasties. Go figure. With a quiet authority, Mrs. Z clamps a hand on Mrs. X''s shoulder, wheeling her away from the leafy casualty. "The schedule will hold," she asserts, voice calm as the eye of a hurricane. "Polygraph and I hashed it out -- operations shift seamlessly by tomorrow night." Mrs. X finally rips her gaze from the plant, caving beneath Mrs. Z''s logic. "Fine," she concedes, though her fingers twitch like she''s jotting down a mental to-do list - water the ficus probably at the top. I recline, easing my weight onto the ratty upholstery, my presence a shadow they''ve already bypassed. But that don''t mean my ears aren''t pricked, drinking in every word filtering through the hubbub like I was a stray dog sniffing out scraps. "I''ll discuss it further with A and B tonight. No distractions," Mrs. Z continues, her hand now guiding Mrs. X''s elbow, steering her firm as any ship''s rudder. I raise my brow - talking directly with Mr. A is top shelf business, not the kind you spill on the break room floor. "Since that cock-up with Cher... with Mr. Federov, A''s been in rare mood." Mrs. X finally meets my eye, fleeting as a comet''s tail, and there''s that tiny quirk to her mouth. It''s a scrap, sure, but I know it means we ain''t at the bottom of the tank today. I''ll take what I can get. I don''t need to see her pity. I''d rather have her scorn. "What are *you* looking at?" she challenges. "Your flat ass, obviously," I sarcastically reply. "What, you''re in front of me, you want me to scoot the chair 90 degrees?" Scylla stops and stares at me, and I turn my chair, what, forty five degrees? I don''t like that mutt. Scares me. Mrs. X''s gaze might''ve frostbitten another man, but I''m too thick-skinned for that, especially when she ain''t got the bite to back it up. "Keep your eyes to your drink, Mr. T, or I''ll realign your vision," she fires back, her voice like icicles crackling underfoot. I snort, swiping a hand through the air. "If you could realign anything, I reckon these suits would''ve had an upgrade from your bargain-bin-sourced science projects." There''s a bite in my tone, but heck, if I don''t enjoy prodding her. She huffs, puffing herself up like an indignant pigeon. "You think mutation is child''s play, do you?" Mrs. X retorts, almost stumbling over her syllables in that ''I''m-smarter-than-you'' way she has. "Could''ve fooled me," I say with a dry chuckle, nodding toward the gangly chimera loitering in the doorway. "Big Fido over there looks like somethin'' a kid slapped together with a tube of superglue and too much free time." The muscle in Mrs. X''s jaw clenches tight enough to grind diamonds. Scylla, sensing the tension, tilts its oversized head, thin antennas - or whatever the heck she stuck on it, maybe whiskers - twitching with an unnerving syncopation. It''s spooky, like one of them silent horror movie killers waiting for the harpsichord to cue his bad deeds. Gives me the willies, really. "Oh, laugh it up, strongman. At least I''m contributing to the advancement of--" Her sniping cuts off as Mrs. Z snaps her fingers, one sharp crack that''s a period and a half to any sentence. "Enough. We''re on the clock here." The exasperation on Mrs. Z''s face could''ve stripped paint. "Both of you, park the playground talk. We''re not here to make friends, we''re here to--" "--Make money, yeah, I know the spiel," I grumble, rolling my eyes, leaning back into the nonchalance that doubles as my shield. "Just having a little verbal sparring to keep things lively." Mrs. X glowers, but Scylla''s prickle has softened to a drowsy wobble, like the storm passed as quick as it rumbled in. For all her cold intellect, the doc''s got the social grace of a sledgehammer in a greenhouse. "Keep it to the ring," Mrs. Z commands, but her shoulders have lost a shade of their stiffness, like she''s half expecting us to knock heads whenever we''re breathing the same air. She turns, nudging Mrs. X along with a firm press against her back. The shuffle of boots interrupts, the drag-and-scuttle rhythm of a guy with more mileage on him than a cross-country hauler. Mr. P hauls himself into the room, looking every bit like he''d kissed the business end of a freight train and got second base. You could hear the collective breath catch in the room, thick with surprise and that ain''t-right sense that something in the ranks got scuffed. We''re scoundrels, sure, but there''s a threadbare honor stitched into the shadows we stick to. Seeing one of your own rolled up and dumped, it frays at the edges. His eyes sweep the break room, that signature twitch to his temple telegraphing loud and clear: he''s winding up that lie detector of his, and we''re all about to be pop-quizzed. "What do you know about Fly?" The question lands flat in the middle of us, like a dropped gauntlet. BM.1.2 Me, I''m thinking flicks and buzz, monster movies on late-night cable, when men got turned into nightmares and screamed through mouths that weren''t meant for screamin''. Without a beat, I''m off the blocks and rattling on. "Oh, man, you talkin'' bout that one with the scientist and the pods? Classic! The way he--" But I get cut off, slapped silent by Mr. P''s snappy finger, and I swear that twitch in his mug''s trying to beat Morse code. Mrs. X, with all the self-control of an overheating nuclear reactor, somehow manages not to weigh in about the multifaceted eyes and wing patterns. You can practically hear her brain shoving entomological factoids back down her throat. But it''s Mrs. Z who doesn''t play tag with the topic. Her face clouds over like she''s seen this storm before and remembers the wreckage it rained down last time. "You seem like you already have an answer in mind," she starts, her voice low and steady like the hum of power lines, "so why don''t *you* tell us?" She throws the words back with all the quiet strength of a fortress wall. Mr. P doesn''t budge, but there''s a crackle to the air now, a charge that''s itching to spark. I set my drink down, reach across and snag a handful of pretzels from the dispenser, all ears and eyes and barely-breathed munchin''. Mr. P''s voice is raw, like gravel on asphalt. "Someone is dealing wonder-pills on our turf. I just got served a deluxe combo of fists and boots by a couple of gutter punks from the Liberties. They''ve got powers, no activation, no NDE crap--straight from a damn capsule." His hands shake, half with rage, half with pain, fists balled tight enough to squeak. "Powers in pill form. This is *bad*." A goon, some wispy kid barely out of acne''s grip, clutches his bucket hat like a lifeline, eyes as big as the wheels on Mr. T''s Caddy. He''s swallowing, hard and often, making each gulp count. I don''t think he expected a break room eavesdrop on anything important in his life. Mrs. X is practically vibrating, all her scientific curiosity colliding head-on with the black market madness of it. "Powers without the event? Impossible." But there''s a gleam in her eye that''s part disbelief, part raw fascination--like she''s a cat staring down a mouse with wings. "Bullshit," "And profitable," I point out through a mouthful of salt and starch. "If it''s real, every Tom, Dick, and Harry''ll wanna grab the brass ring without the circus." Mrs. Z''s forehead pinches in concern, though her poise never falters. "If someone''s cutting in on our action with this, it''s not just bad for business," she says, "it''s chaos. If every wannabe low-life starts popping powers like tic-tacs, the feds will rain down on us harder than--" But she doesn''t need to finish the thought. We all hear the unsaid storm sirens. "Wh-What are we gonna do?" wisps the hat-clutching kid, his voice a decibel away from being a squeak. The glare Mrs. Z spears him with could''ve curdled milk. "What are *you* doing here?" she snarls, jerking her head towards the exit. "Scram. Adults time." Stumbling back, his face all I-don''t-want-no-trouble, the kid tips back into the shadow he slid out of, running for cover faster than if we''d lit his pants on fire. He''s been dismissed, fade-to-black quick. Mr. P grimaces, his jaw working side to side as if he''s chewing the info like it''s tough gristle. "This ain''t just stepping on our shoes--this is dumping garbage on our lawn and lighting it. We need to find out who''s handing out the candy, and we need to stop it. Yesterday." "Or," I throw in, with a smirk that feels wrong but sits so damn right, "we find the recipe and cook it up ourselves. Serve it on our own silver platter." There''s a moment''s silence, our communal thought bubble swelling like it''s cartoonish, then Mrs. Z breaks it with the snap of her neck cracking side to side. "First, we find out *who*," she says, eyes scanning the room like a battlefield. "Then we decide whether we bury ''em or recruit ''em. For now, keep your heads down and your eyes open. If these pills are out there, they won''t stay hidden for long." This book''s true home is on another platform. Check it out there for the real experience. The plot thickens like a pea-soup fog over all of us, breaths held tight. Mrs. Z has gone ice-queen calm, hands clasped behind her, all military bearing without the uniform. "The feds and capes will swarm us," she mutters, half to herself, half a prophecy. "And the public won''t sit idle once powers come without death dodgin''." I chip in, "Great, then we got some bright-eyed hero wannabes throwin'' their lot with the leagues, too? Fan-friggin-tastic. We gotta make sure this shit doesn''t even get in the hands of anyone with that heroic spark. Last thing we need is more heat." Mr. P''s shadow ripples like hot tar, his anger a near-tangible stench. "Them superheroes," he says, spitting the word like it''s poison. "After what Mr. E''s screwup did to the Chernobyl job, I''m not keen on inviting more spandex-clad nonsense our way." Mrs. Z lifts her palm, facing skyward, a stoic request for mercy. "Please," she drawls, "do not remind me." Meanwhile, Mrs. X''s hands skitter off, scientific mind buzzin'', eyes alight with every wild hypothesis. But even she knows better than to get too close to a hurt dog. Instead, she shoves a fist into the vending machine, punches up some sustenance - not for her, but for her silent second shadow. Scylla watches, anticipation humming along its strange, chimeric edges. Its eyes track her movements with that animal focus, till she tosses a strip of beef jerky. Snatching it from the air, there''s a chuff that''s half bark, half something that ain''t no Earthly sound. Hell, it almost sounds grateful. "Damn thing eats better than I do," I grumble, lips tweaking in a smile that dies just shy of reaching my eyes. "Jerky costs an arm and a leg here." Mrs. X quips back, her words twisted around a grudging smile, "Scylla would probably settle for the arm, knowing his mama." The room hums with sardonic harmony, our reluctant familiarity spinning out in jabs and jests, the way you do when staring down the barrel of something bigger than your pay grade. Mrs. Z''s brow lifts as she scans the murmurs, like she''s counting heads or tallying spirits. "We''ll need countermeasures. For the heroes, the feds, and whatever jokers are popping these pill-powered parlor tricks." Pockets of nods follow her gaze, assurances unspoken that we''ll lock step behind her, grumbles and all. "Just so long as the plan''s better than dealing with Fly, the movie sequel," I joke, pitching my voice loud enough to crack the solemnity. The room takes a breath, and the chuckle feels good on my tongue, better in the echoes. Nobody else laughs. But I do, which is the important part. Silence nods off in the corner, the soft mutters returning, strategies blooming in conspiratorial clumps. I sit back, watching Mrs. X feed her patchwork pet another piece of jerky, Mr. P rubbing at a forming bruise, and Mrs. Z like a captain at the helm during a squall, charting a path through the treacherous what-ifs and maybes. It''s almost comforting, the way we turn worry into work, danger into determination. But beneath it all, we''re gambling against fate, betting the house that we''re the bigger bads in a city sick with shadows. And somewhere out there, there''s a new player in town, with a hand that could shake the very ground we prowl on. Mr. P hauls his beaten self to the corner, where a blue cross emblazoned machine squats like it''s part of the decor. He smacks the button hard enough to rattle the meds inside, swiping ibuprofen and bandaids - emergency kit for the Kingdom''s bruisers, gratis, of course. "That''s it, boss. All I got for you." "No cash?" Mrs. Z asks. Mr. P looks at her like she''s got three heads. "Fuck you think?" She just sighs and pinches her nose. "I''ll send you with M next time." "Please, God, no. I''ll just take a shotgun," he mumbles. His busted-up look softens a tad when he pops the pills, sticking a bandaid on a split on his forehead. There''s a small shift in the air, a wind down from the high-alert thrum; everybody''s blood is cooling from boil to simmer. Leaning against the doorframe, Mr. P eyes me up, a devilish twinkle making a nest in the bruise around his socket. "Hey, T," he says, voice barbed with equal parts pain and mischief, "how ''bout we brush off this doom ''n gloom with some smoke ''n babes, huh? I''m in dire need of a vice or three." There ain''t much that can yank a chuckle from me right now, but that does it. "Cigars and strippers?" I flash a roguish grin, shoulders shaking off the grim talk for something a tad less apocalyptic. I adjust the shoulders of my suit. He grins back, and it looks damn painful, but honest. "That''s my boy." A twist of fate, that''s all it is - good, bad, whatever - it all comes down to the spin, the land, and how you roll with it. Me, I roll out with a tilt of my chin, chucking a two-finger salute at the motley crew before stepping into the Philly twilight, where Mr. P''s shiny old Cadillac awaits. WORLD OF CHUM: Superhuman Psychotherapy (1)

The Superhuman Psyche: An Abridged Guide for Mental Health Professionals

by Dr. Alexis Hartman, Ph.D. The emergence of superhumans has brought forth a new era of human potential and challenges. While much attention has been focused on the extraordinary feats of superheroes and the nefarious deeds of supervillains, the majority of individuals with superhuman abilities are, in fact, civilians. These are everyday people who, through Activation Events, have found themselves possessing powers that set them apart from the rest of the population. As mental health professionals, we have a crucial role to play in supporting the psychological well-being of this unique and growing population. Superhuman civilians face a multitude of challenges as they navigate the integration of their abilities into their personal, professional, and social lives. From grappling with newfound identities to managing the secrecy and isolation often associated with their powers, these individuals are confronted with complex emotional and psychological hurdles. Moreover, the manifestation of superhuman abilities can be a deeply traumatic experience in itself. Activation Events, often triggered by life-threatening or highly stressful situations, can leave lasting psychological scars. The sudden onset of powers can disrupt one''s sense of self, relationships, and worldview, necessitating sensitive and informed support from mental health professionals. However, traditional counseling approaches and interventions may not always adequately address the specific needs of superhuman clients. As therapists, we must adapt our practices to account for the unique circumstances and challenges presented by this population. This requires a deep understanding of the psychological impacts of possessing superhuman abilities, as well as the development of tailored strategies to foster resilience, self-acceptance, and overall mental well-being. This series of articles aims to bridge the gap between conventional mental health practices and the specialized needs of superhuman civilians. By providing insights into common psychological issues, offering guidance on counseling techniques, and addressing ethical considerations unique to this population, we hope to equip mental health professionals with the tools necessary to effectively support their superhuman clients. As we delve into the various aspects of superhuman mental health, it is essential to approach this work with empathy, curiosity, and a commitment to providing the highest quality of care. By walking alongside our superhuman clients on their journeys of self-discovery and healing, we have the opportunity to make a profound difference in their lives and, by extension, contribute to the creation of a more understanding and inclusive society for all.
Understanding Superhuman Identity Formation The development of a superhuman identity is a complex and ongoing process that often begins with an Activation Event. These events, which trigger the manifestation of superhuman abilities, can be profoundly transformative experiences. They can occur at any stage of life, from early childhood to late adulthood, and the age at which an individual''s powers emerge can significantly influence their identity formation. For those who undergo Activation Events in childhood or adolescence, the integration of superhuman abilities into their sense of self may be more seamless. Growing up with powers, they may view their abilities as an intrinsic part of who they are. However, this early development of a superhuman identity can also lead to challenges, such as feeling different or isolated from peers who do not possess such abilities. On the other hand, individuals who experience Activation Events later in life may struggle to reconcile their pre-existing sense of self with their new superhuman status. The sudden onset of powers can disrupt established identities, roles, and relationships. These individuals may grapple with questions such as, "Who am I now?" and "How do my powers fit into my life?" Regardless of the age at which powers manifest, the process of integrating superhuman abilities into one''s identity is rarely linear or straightforward. It often involves a period of exploration, experimentation, and adjustment. Some individuals may embrace their powers and actively seek ways to utilize them in their personal and professional lives. Others may feel burdened by their abilities and struggle to find a sense of purpose or belonging. As mental health professionals, our role is to support superhuman individuals in navigating this complex identity formation process. This may involve helping them to: - Explore the meaning and significance they attach to their abilities - Develop a positive and empowering narrative around their superhuman identity - Identify and challenge limiting beliefs or internalized stigma related to their powers - Foster a sense of self-acceptance and self-compassion - Integrate their superhuman identity with other important aspects of their self-concept, such as their values, goals, and relationships By providing a safe and non-judgmental space for superhuman individuals to explore and make sense of their experiences, we can help them to develop a more coherent and authentic sense of self. This, in turn, can promote greater psychological well-being and resilience in the face of the unique challenges they may encounter as superhuman civilians.
Common Psychological Issues Among Superhumans As superhuman individuals navigate the complexities of their abilities and identities, they may encounter various psychological challenges. While not exhaustive, the following are some of the most common issues observed in superhuman civilian populations: Impostor Syndrome and Feelings of Inadequacy: Many superhuman individuals, especially those who develop their abilities later in life, may struggle with impostor syndrome. They may feel undeserving of their powers or doubt their ability to control and utilize them effectively. This can lead to feelings of inadequacy and self-doubt, which can hinder their personal and professional growth. Guilt and Responsibility Complexes: Superhuman individuals may grapple with a heightened sense of responsibility, feeling compelled to use their abilities to help others or prevent harm. When faced with situations where they are unable to do so, they may experience intense guilt and self-blame. This can be particularly challenging for those with powers that could have prevented a negative outcome, leading to thoughts such as "I could have saved them if only I had acted differently." Isolation and Loneliness: The experience of being superhuman can be isolating, as individuals may feel that others cannot truly understand their unique challenges and experiences. They may fear rejection or stigmatization if they reveal their abilities, leading to a sense of loneliness and disconnection from others. This isolation can be compounded by the need to keep their powers hidden in certain contexts, such as the workplace or social settings. Enjoying the story? Show your support by reading it on the official site. Trauma from High-Stakes Situations and Losses: Superhuman individuals may find themselves in high-stakes situations where their actions can have significant consequences for themselves and others. This could include using their powers to save lives, prevent disasters, or confront dangerous individuals. The pressure and intensity of these experiences can be traumatic, leading to symptoms of post-traumatic stress disorder (PTSD) such as flashbacks, nightmares, and hypervigilance. Additionally, the loss of loved ones or the witnessing of traumatic events can have a profound impact on superhuman individuals, particularly if they feel their powers could have prevented the tragedy. Substance Abuse and Addiction: Like the general population, superhuman individuals may turn to substance abuse as a means of coping with stress, trauma, or other psychological challenges. However, the unique stressors and responsibilities associated with having superhuman abilities may put them at higher risk for developing addiction. Substance abuse can serve as a maladaptive coping mechanism to numb painful emotions, escape the pressure of their roles, or cope with the isolation and loneliness often experienced by superhuman individuals. As mental health professionals, it is crucial to be aware of these common psychological issues and to assess for their presence when working with superhuman clients. By providing targeted interventions and support, we can help these individuals develop healthier coping mechanisms, build resilience, and improve their overall well-being.
Unique Mental and Neurological Issues Among Superhumans In addition to the common psychological challenges discussed in the previous section, superhuman individuals may also face unique mental and neurological issues directly related to the nature and consequences of their abilities. As mental health professionals, it is crucial to be aware of these concerns and to consider how they may impact assessment, diagnosis, and treatment planning. Power-Induced Synesthesia: Superhuman individuals with sensory or perceptual abilities may experience a unique form of synesthesia, where their powers cause an overlap or blending of sensory experiences. For instance, a person with enhanced hearing might perceive sounds as having distinct colors or textures. While not inherently problematic, power-induced synesthesia can be disorienting and may require support in developing coping strategies and accommodations. Chronic Overstimulation: Superhumans with heightened senses or the ability to process vast amounts of information may struggle with chronic overstimulation. The constant barrage of sensory data or mental stimuli can lead to feelings of overwhelm, anxiety, and difficulty concentrating. This can significantly impact daily functioning and overall well-being, necessitating the development of techniques to manage and filter sensory input. Memory Overload: For individuals with abilities related to enhanced memory or knowledge absorption, the challenge of memory overload can be significant. The vast amount of information they retain can be difficult to organize and process, leading to mental fatigue, confusion, and potential difficulties with decision-making. Mental health professionals may need to assist these individuals in developing effective memory management strategies and techniques for compartmentalizing information. Power-Related Obsessive-Compulsive Behaviors: Certain superhuman abilities, particularly those related to control or precision, may be associated with an increased risk of obsessive-compulsive behaviors. For example, an individual with telekinetic powers may feel driven to arrange objects in a specific pattern or engage in repetitive mental rituals to maintain control over their abilities. These behaviors can become intrusive and distressing, impacting various aspects of life. Identity Dissociation: Superhumans whose abilities significantly alter their physical appearance or sense of self may experience identity dissociation. The disconnect between their superhuman and civilian identities can lead to feelings of fragmentation, confusion, and difficulty integrating their powers into a cohesive sense of self. Mental health professionals may need to support these individuals in exploring and reconciling their multiple identities. Neuroplasticity and Power Evolution: As superhumans use and refine their abilities over time, their brains may undergo significant neuroplastic changes. This power evolution can lead to shifts in cognitive functioning, emotional regulation, and even personality traits. Mental health professionals should be attuned to these potential changes and provide support as individuals adapt to the evolving nature of their powers and the corresponding neurological impacts. Existential Anxiety and Purpose: Possessing superhuman abilities can raise profound existential questions for individuals, leading to what could be termed "superhuman existential anxiety." They may grapple with the purpose and meaning of their powers, questioning their role in the world and the responsibilities that come with their unique capabilities. Mental health professionals can play a crucial role in helping these individuals explore and come to terms with these existential concerns. By understanding and addressing these unique mental and neurological issues, mental health professionals can provide more targeted and effective support to their superhuman clients. It is essential to approach these concerns with empathy, open-mindedness, and a willingness to adapt therapeutic interventions to meet the specific needs of this population. Collaboration with other professionals, such as neurologists and researchers studying superhuman abilities, can further enhance the quality of care provided to superhuman individuals.
Thank you for joining us in this exploration of the unique psychological challenges faced by superhuman individuals. In the next installment of our series, we''ll delve into practical counseling strategies tailored to the needs of this population, including adaptations of traditional therapy techniques and power-specific interventions. We''ll also discuss the critical ethical considerations that arise when working with superhuman clients, such as maintaining confidentiality and navigating dual relationships. Finally, we''ll explore how mental health professionals can support superhumans in their interpersonal relationships, from couples and family therapy to facilitating healthy social connections. Stay tuned for more insights and guidance on providing effective mental health care to the superhuman community. About the Author: Dr. Alexis Hartman is a licensed clinical psychologist and a leading expert in the field of superhuman mental health. With over a decade of experience working with superhuman individuals and their families, Dr. Hartman has developed a unique understanding of the psychological challenges faced by this population. She is the founder and director of the Hartman Institute for Superhuman Mental Health, a pioneering center dedicated to research, training, and clinical services for superhuman individuals. Dr. Hartman is also a frequent consultant to government agencies and superhuman organizations, providing guidance on mental health policy and best practices. As a researcher, Dr. Hartman has published numerous articles and book chapters on topics related to superhuman psychology, including identity formation, power-related stress, and family dynamics. She is the co-author of the groundbreaking text, "The Psychology of the Superhuman Experience: A Comprehensive Guide for Clinicians." In addition to her clinical and research work, Dr. Hartman is a sought-after speaker and educator, regularly presenting at conferences and workshops across the globe. Her passion lies in empowering mental health professionals to provide effective, empathetic care to superhuman individuals and their loved ones. Dr. Hartman earned her Ph.D. in Clinical Psychology from the University of California, Berkeley, and completed her postdoctoral fellowship at the National Superhuman Research Center. She is a member of the American Psychological Association and the International Society for Superhuman Studies. Chapter 76.1 Elias lunges forward, his bear claws slashing at my face, and I barely have time to think "oh shit" before I''m ducking out of the way. The claws whistle over my head, close enough that I can feel the wind of their passage ruffling my hair. The scent of his fur, musky and wild, fills my nostrils. I don''t waste the opening, driving a tooth-studded fist right into his gut. The impact jars up my arm, the sensation of armadillo plates grinding against my knuckles, against the raw teeth connected to spontaneous nerves and old joints. Elias grunts, but those damn scales absorb most of the hit. Figures. Can''t make this easy on me, can he? He swings his other arm in a haymaker that probably would''ve taken my head clean off my shoulders if it connected. But Derek''s there, intercepting the blow with a brass-knuckled punch of his own. I didn''t even realize he brought anything with him - I just assumed he was going to sit this out, but he''s punched a bear paw mid-swipe. "Derek, be careful!" I hiss under my teeth, getting in close while Derek''s other hand comes to bear, straining against Elias''s palm. I capitalize on the opening, launching a flurry of jabs at Elias''s muzzle. My own sharp, fanged knuckles split against his teeth, blood spattering across his fur. I can see his pulse quicken, his orange blood rushing to the surface, and in an instant, his whole vascular system is on display to me, warped and twisted across his new anatomy and fizzy like soda. Elias''s head snaps back, fluorescent blood spraying from his nostrils, painting my face in a garish display. But before I can press the advantage, his alligator tail whips around, surprisingly flexible, smacking a computer monitor into me. Not enough to hurt, but enough to get me away. "You''re not the only one here, Sam!" Derek hisses back, only to get swatted by Elias''s other hand, grabbed with fingers that lack the flexibility of human joints but more than make up for it in size and strength. Pinched by the back of his leather jacket and flung like a frisbee, tumbling ass-over-heels. I throw the computer off of me, only to be met by another alligator tail smack, this time complete with a full-body¡­ I don''t know, a pirouette? Either way, I can feel the rattle, the way his scales rasp against my padding and catch on cloth, friction overcome by momentum. I go flying, crashing into a nearby desk. The cheap particle board shatters under the impact, sending splinters of wood and bits of paper flying. The metallic tang of my own blood fills my mouth. For a second, I just lay there amidst the wreckage, trying to remember how to breathe. Everything hurts, but I can already feel my regeneration kicking in, knitting together the cuts and bruises. I grin, full-mouth, teeth interlocking. It''s been so long - months - since I''ve been in a real scrape. Ricochet was just an appetizer. Now I''m remembering just how good it feels. "Son of a bitch," I mutter, half-frustration, half-satisfaction, spitting out a mouthful of blood. It splatters on the carpet, mingling with the orange stains left by Elias. I think I bit my tongue when I hit the desk, but my tongue is super tough anyway, so that''s not a huge issue. Derek''s at my side in an instant, hauling me to my feet. I can see his own blood pumping beneath his skin, the adrenaline of the fight visible through scratches of wood and broken cables. "Don''t die on me yet, Sam." "It''ll take more than that to put me down," I say, flashing him a red-stained grin. "Barely even felt it." That''s a lie, but he doesn''t need to know that. I roll my shoulders, feeling the joints pop back into place, the ache of bruised muscle and mending bone. Elias is already recovering, shaking off the hits like they were nothing. His orange blood is starting to dry, turning a sickly, fluorescent yellow on his fur and scales. This is gonna be a long fight. The coppery scent of blood, both mine and his, hangs heavy in the air. But I''m not backing down. Not until Elias is brought to heel, one way or another. Derek presses the attack, throwing a series of hooks and uppercuts, targeting the few unarmored spots on Elias''s body. But even with the brass knuckles, it''s like punching a tractor trailer for all the good it''s doing. I can see the way his knuckles are starting to bruise, the skin splitting against the metal. "Derek, get back!" I shout, trying to shepherd him out of the fight. I know I can heal, but he can''t. If Elias gets a good hit in¡­ But Derek''s not listening. He''s got that stubborn set to his jaw, the one that says he''s not backing down no matter what. Elias weathers the blows, his animal resilience shrugging off the impacts like they''re nothing. He lashes out with a sweeping claw strike, the bear paw whistling through the air. Derek barely evades, the claws tearing through his jacket like it''s made of tissue paper. I catch a glimpse of something metallic in his hand - is that a switchblade? Where the hell did he get that? Oh, who am I kidding, he''s the kind of person that wears leather jackets. Of course he has a switchblade. He stabs forward, aiming for Elias''s side, but the blade just skates off the armadillo plates, leaving a thin scratch. Elias counters with a skull-rattling headbutt, his fox muzzle slamming into Derek''s forehead. Derek staggers back, blood streaming from a gash above his eyebrow. His vascular system is going haywire, blood pumping fast and furious. I can''t let this go on. Stolen content alert: this content belongs on Royal Road. Report any occurrences. I catch my breath. I surge back into the fray, leaping onto Elias''s back. My fingers scrabble for purchase on his fur, teeth popping out of my palms for extra grip. I sink my fangs into his shoulder, feeling the hot gush of blood in my mouth, scraping my tiny little shark teeth against bone and nerves. Elias roars in pain, the sound reverberating through his body and mine. He starts thrashing and bucking, trying to dislodge me. It''s like riding a mechanical bull set to "murder". I just clench my jaw tighter, my shark teeth digging deeper into his flesh. Derek takes advantage of the distraction, hammering punches into Elias''s ribs and kidneys. I can hear the impact of brass on bone, the grunts of pain and effort. But Elias is too strong, too resilient. His alligator tail coils around my waist, the scales rubbing up against my armor. It starts to tighten, crushing my hip bones. I can feel my skeleton starting to creak. Orange stains across my mouth are mixed with spittle as something gets forced up my mouth - I think it''s bile. My vision starts to go white with pain. The coppery taste of blood, both mine and Elias''s, coats my tongue. I can feel my grip starting to loosen, my muscles going slack. "Sam!" Derek shouts, his voice sounding distant and muffled. He grabs onto the tail, trying to pry it off me, but it''s like trying to bend a steel beam. I''m forcing myself. Forcing. Forcing. I have to stay awake. Sleep is the enemy. Blessed sleep is the killer. I can''t give up. Not now. Not when Derek''s life is on the line. I force my jaws to open wider. With a muffled roar of my own, I bite down with all my might, severing muscle and tendon, and I pull, ripping out something useful. The tail spasms. With a mighty heave, Elias flings me across the room like I''m nothing more than a rag doll. I smash through a flimsy cubicle wall, the thin plasterboard shattering around me. For a moment, I''m airborne, suspended in a haze of dust and debris. Then I hit the ground, hard. The impact drives the breath from my lungs, my vision swimming. I can taste blood in my mouth, feel it dripping down my face from a gash on my forehead. Through the ringing in my ears, I hear Derek cry out in pain. I force myself up, blinking away the double vision. Elias has him in a crushing grip, his bear claws digging into Derek''s shoulder. I can hear bones grinding, see the agony etched on Derek''s face. I stagger forward, my legs threatening to give out under me. But I can''t stop. I won''t. Derek needs me. Elias swings wildly at Derek with his free hand, bear claws gouging deep furrows in the wall behind him as Derek barely ducks out of the way. Derek retaliates with a swift kick to Elias''s knee, hoping to hobble him. But Elias''s bear leg absorbs the blow like it''s nothing. He counters by tightening his grip on Derek''s shoulder, claws sinking deeper. Derek screams, the sound raw and primal. I charge forward, throwing all my weight behind a tooth-enhanced punch aimed at Elias''s jaw. I can feel teeth pushing out of my knuckles, through my fingers, eager for blood. The blow connects with a sickening crunch, teeth shattering against bone. Elias''s head snaps back, fluorescent blood spraying from his mouth. For a second, I think I''ve done it, that I''ve brought him down. But he''s still standing, still fighting. His grip on Derek loosens just a fraction, but it''s enough. Derek wrenches free, his shoulder screaming in protest. He slashes at Elias with his switchblade, the small blade looking pitiful against Elias''s bulk. The knife finds a gap in the armadillo plates, sinking into the flesh beneath. Elias roars, more in frustration than pain, and backhands Derek across the face. Derek goes flying, smashing into a desk. He lies there, stunned, blood streaming from his nose. I can see his veins and arteries pulsing erratically, his heart hammering in his chest. I don''t give Elias a chance to follow up. I''m on him in an instant, my fists flying, teeth shredding. I aim for his eyes, his throat, any vulnerable spot I can find. But it''s like fighting a tank. He shrugs off my blows, his animal features contorting in rage. His alligator tail lashes out, catching me in the gut and doubling me over. I taste bile in the back of my throat, my stomach clenching. But I swallow it down, force myself to straighten up. I can feel my regeneration kicking into overdrive, trying to keep pace with the damage. My teeth are already growing, pushing out of my gums, my arms, my palms. An arsenal of fangs, ready to tear and rend. Elias is panting now, his orange blood staining his fur and dripping onto the carpet. But he''s not slowing down, not giving an inch. "Just stay down," he growls, his voice barely recognizable through his animal muzzle. "I don''t want to hurt you, hero." "Bit late for that," I spit back, wiping blood from my chin. "You lost the right to pull your punches when you threw the first one." I can see Derek struggling to his feet behind Elias, his face a mask of pain and determination. He meets my eyes, gives me a nod. He''s not out of this fight yet. Derek stumbles back to his feet, his switchblade glinting in his hand, a sharp, dangerous light in the dim, lights-out office. Red and blue flashing lights from below just barely glaze his visage, touching his feet with all the strength of a newborn mole rat. There''s a determined set to his jaw, despite the pain etched across his features. He lunges at Elias''s exposed back, the blade seeking a gap in the chimera''s defenses. The knife sinks deep into Elias''s shoulder, just above the armadillo plates. Orange blood wells up around the hilt, vivid against the dark fur. Elias roars in pain and fury, whirling to face this new threat. His other arm swings in a crushing backhand, the bear claws shrieking through the air like missiles, or bullets. The blow catches Derek square in the face, his nose shattering under the impact with a sickening crunch. I can see it instantly. Every part of it getting injured all at once, the way the veins crumple and rip and shred. Derek reels back, blood streaming down his face, his eyes glazed with shock. He crumples to the ground, the switchblade falling from his limp fingers. I''m back on my feet in an instant, swallowing a mouthful of blood. My own injuries are forgotten, overridden by the surge of adrenaline and the need to protect my friend. My friend? My friend. I launch myself at Elias, tackling him around the waist. My weight isn''t enough to bowl him over, but I cling on like a stubborn cat, my teeth and claws scrabbling for purchase on his fur and scales. "Elias, please!" I beg, my voice muffled against his bulk. "You don''t have to do this! We can help you! Turn yourself in and we''ll¡­ figure something out!" But he''s not listening. He''s too far gone, consumed by the animal instincts and the rage coursing through his Fly-altered veins. This fight is too intense for negotiation. His jaws snap at my throat, his hot breath washing over my face. "Leave me alone!" he snarls, his voice a guttural rasp. "I don''t need your help! I don''t need anyone! Just leave and let me do what I came here for!" His voice is high-pitched, raspy, hissing, squeaking. It sounds wrong coming out of such a monstrous physique, almost cute. He squeezes me tight. I can feel his claws pinching at my back, his teeth grazing my skin. But I don''t let go. I can''t. Chapter 76.2 Derek staggers after us, one hand clutching his ruined nose, the other gripping his switchblade. His steps are unsteady, his breathing labored, but there''s a fierce light in his eyes. He knows what''s at stake here. Not just our lives, but Elias''s humanity. If we can''t bring him back from the brink, if we can''t reach the person beneath the monster¡­ Elias gains the upper hand, his greater size and strength bearing me down. He pins me beneath his bulk, his fox muzzle inches from my face. I can see the madness swirling in his yellow eyes, the fury and the pain. His sclera have this¡­ piss-colored glaze to them. His jaws snap at my throat, razor-sharp teeth grazing my skin. I twist my head away, feeling the hot rush of his breath on my neck, dampening my costume, which is already soaked in a mixture of our blood. My own teeth are bared in a snarl, ready to fight to the last. But I know I can''t match him like this. He''s too strong, too big If I''m going to save him, if I''m going to save any of us, I need to change tactics. I go limp beneath him, my body relaxing into submission. He swings in, constantly pressing forward from an expectation of resistance. He overshoots. With a burst of strength, I wrench my arm free and grab his muzzle, forcing his jaws shut. He thrashes against my grip, but I hold on tight, my fingers digging into his fur. "Elias, listen to me," I hiss, my voice low and urgent. "This isn''t you. The Fly, the powers, they''re messing with your head. But you''re stronger than them. You''re still in there, I know it." He snarls, and yanks his jaw open, hissing in pain. He wrenches free of my grip, his claws raking across my face, carving a gash into my mask and the skin below, driving folded layers of¡­ I don''t know, materials, into the wound. I cry out in pain, feeling the hot gush of blood. But I don''t back down. I can''t. It rips across my lip, and he shoves his hand down, grabbing me by the throat. Even if his bear paws aren''t flexible enough to grasp things like a human being, his sheer weight and size makes it easy for him to simply crush the life out of me. His eyes are glimmering with tears, but they don''t look like sadness or regret. Just pain. Just anger. "Does this look like a fucking anime to you, superhero?" Elias snarls, his voice squeaking through his pointed fox teeth. "I''m lucid. I''m aware. I know what I''m doing. This isn''t a possession requiring exorcism. There''s nothing new here." Derek''s breath comes in wheezing, haggard gasps. "Man¡­ I wish you told me." Elias whips around, dragging me across the carpet, ripping what exposed skin I have across pieces of office equipment and destroyed furniture. My costume is padded and cut resistant but not impenetrable. Enough force, and it tears, like it does now, digging sharp scratches across my exposed cheeks and chin, my upper arms and forearms where the padding is thinner and not armored. "Oh, you wish I told you? Was mentioning to you every other week how they denied my claim, denied it, denied it, denied it, that not enough for you?" His arms twitch. His legs shake. His fingers spasm against my neck, and I suck in what little air I can get. "They won''t even pay for my diapers, dawg. Can you even¡­ Can you even fathom how miserable my life is?" Derek wheezes, unconvinced. "You promised¡­ We''d never¡­ Play misery olympics¡­" "Look what you made me do, Derek," Elias growls, his voice a mixture of anger and anguish. His bear paw tightens around my throat, cutting off my air. I claw at his arm, desperate for breath, but it''s like trying to move a mountain. "You just had to get involved, didn''t you? Couldn''t let me handle this my way. No, you had to be the hero, bring in your little superhero friend here." He jerks his head towards me, his fox muzzle wrinkling in a snarl. I can feel my vision starting to tunnel, darkness creeping in at the edges. My lungs are burning, screaming for oxygen. But Elias barely seems to notice, his attention fixed on Derek. Derek staggers forward, his face a bloody mess. "Elias, please," he rasps, his words slurred by his shattered nose. "This isn''t right¡­ You''re hurting her¡­ You''re hurting yourself." Elias barks out a harsh laugh, the sound grating and unhinged. "Hurting myself? Derek, I''ve been hurting for years. Every day, every goddamn minute, I''ve been in pain. And nobody cared. Nobody did a fucking thing to help me." His grip loosens just a fraction, enough for me to suck in a desperate gasp of air. It''s like knives in my throat, but it''s the sweetest thing I''ve ever tasted. "But now, with these powers, I can finally do something about it. I can make them pay. Make them all pay for what they''ve done to me, to people like me." Derek shakes his head, a look of profound sadness in his eyes. Something beyond snark. "This isn''t you, Elias," he squeaks through his broken nose, his voice nasal, wet. "My best friend, he wouldn''t do this. He wouldn''t hurt innocent people." For a moment, just a fleeting second, I see something flicker in Elias''s eyes. A hint of doubt, of remorse. But then it''s gone, swallowed up by the rage and the pain. "Maybe you never really knew me at all, Derek," he says, his voice cold and hollow. "Maybe this is who I''ve always been, deep down. Maybe this is what anyone would do if you took the limiters off." He turns his gaze back to me, his yellow eyes boring into mine. "I''m sorry, hero. I didn''t want to hurt you. But I can''t let you stop me. I won''t let anyone stop me. Not anymore." His paw tightens again, and I feel myself slipping away, my body going limp. Dimly, as if from a great distance, I hear Derek shouting, pleading. But it''s too late. The darkness is closing in, and I''m falling, falling into the void. All I can see is the red in my mind''s eye. See Derek''s hand tightening around something, raised up to his throat. Unauthorized usage: this narrative is on Amazon without the author''s consent. Report any sightings. "Let her go, Elias," he says, his voice calm and steady despite the fear pulsing through him. "Let her go, or I''ll do it. I swear to God, I''ll do it." Elias freezes, his bear paw still tight around my neck. For a moment, I think he''s going to call Derek''s bluff, call his bet and raise him a crushed windpipe. But then, slowly, his grip loosens. I look up to see Derek with his switchblade raised to his own throat, hand trembling, the tip of the knife digging into his skin just enough to draw a tiny pinprick of blood. Holding himself hostage. I suck in a frantic gasp of air, my lungs burning with the sudden influx of oxygen. But I don''t move, don''t try to wriggle out from under his paw. I can feel the tension in the room, the hair-trigger balance that could snap at any moment. Derek doesn''t lower the blade. Instead, he presses it harder against his skin, a thin line of blood welling up beneath the edge. I can see it in my blood sense, a bright, vivid thread of crimson against the pulsing map of his veins. "Where did you get it, Elias?" Derek asks, his voice still unnervingly calm. "The super-drugs. Where did you get it?" Elias stares at him, his yellow eyes wide with disbelief. "Why the fuck would you want to know? What are you, a cop?" "A trade," Derek says, a hint of a smile playing at the corners of his mouth. "You tell us where you got the super-drugs from, and let Bloodhound go, and I won''t slit my own throat." He sounds almost cocky. I don''t like that he''s willing to gamble my life on his friends'' willingness to not see him kill himself, but at this point, I don''t exactly have much of a choice. I can feel my body struggling, straining to re-knit itself together. Thin, shallow cuts are already scabbing over. The deeper ones fill with¡­ you know, gunk. White threads. Bruises¡­ un-bruise. Blood vessels reach for each other like lovers reaching over a cliffside. The seconds tick by, each one an eternity. I can hear my own heartbeat pounding in my ears, feel the rasp of Elias''s rough, shaggy fur against my skin with each labored breath. Even I don''t understand why Derek wants to know. What difference does it make, in the end? But Derek doesn''t waver, doesn''t back down. He just keeps staring at Elias, the switchblade steady against his throat. Finally, Elias relents. He''s already done his damage, already made his point. "You really want to know so bad?" he says, his voice thick with emotion. "Just some guy. I was rolling out of physical therapy, I got caught on the shitty, underfunded Philadelphia sidewalks, that are always at an angle so I have to wheel my wheelchair weirdly so I don''t roll into the street, and some guy helped me get to the bus stop. And then he asked me if I wanted to walk again. And I told him that I had never been able to walk to begin with." As he speaks, tears begin to stream down Elias''s face, mixing with the blood and snot. It''s a vile, heartbreaking sight, a glimpse of the pain and despair that''s driven him to this point. "He said he could fix me," Elias continues, his voice cracking. "I obviously missed the bus interrogating him. You know all the fucking acupuncturists and chiropractors that think they can fix me. But then, you know, he made lightning jump from between his fingers, and I knew he had powers. Just some guy. White. Bald. Boring. Convinced me." He''s sobbing now, his shoulders shaking with the force of it. The bear paw on my throat goes slack as he brings his other hand up to cover his face, smearing the blood and tears across his fur. Slowly, carefully, I wriggle out from under his grip, my eyes never leaving Derek. He''s still got the switchblade at his throat, still holding himself hostage. But there''s a softness in his eyes now, a glimmer of understanding. "It''s okay, Elias," he says gently. "It''s going to be okay. We''ll figure this out, together. Just like we always have." Derek sucks up a mixture of clotting blood and snot up into his nose. At some point, he''s ripped up strips of his own shirt and stuffed it into his nostrils, but he spits out a glob of, you know, mixed something onto the carpet. With a convulsive effort, Elias''s form shifts, his bear and alligator features melting away like wax under a flame. In their place, the sleek fur and powerful haunches of a deer emerge, his body streamlining itself for escape. "Elias, wait!" Derek calls out, his hand outstretched. But it''s too late. In a flash, Elias is bounding away, his hooves finding easy purchase on the debris-strewn floor. He moves with a grace that belies his bulk, a liquid fluidity that''s almost beautiful to behold. And then he''s gone, smashing through the seventh-story window in a cascade of shattered glass. I catch a glimpse of his form shifting in mid-air, but I can''t make out what he''s becoming. Something built for speed, for fleeing the scene of his crimes, for surviving the fall. I start to give chase, my muscles tensing for the leap. But as I take my first step, my legs buckle beneath me, the adrenaline that''s been keeping me going draining away like water through a sieve. I stumble, my vision swimming. I''m dimly aware of Derek lunging forward, his arms wrapping around me before I can hit the ground. He''s holding me up, supporting my weight, even though I can feel him trembling with exhaustion and pain. "Are you alright?" I ask him, wheezing. "Shut the fuck up," he replies. "You think I haven''t broken my nose before?" Together, we stagger to the shattered window, leaning against the jagged frame for support. The night air is cool on my face, carrying with it the distant wail of sirens. We barely catch Elias hauling ass around the corner, in some new, unknown form, police cars chasing behind but continually losing ground. Leaving only a trail of blood and broken glass in his wake. A part of me wants to follow him, to chase him down and drag him back. But I know it''s futile. He''s too fast, too far gone. For a long moment, we simply stand there, leaning on each other, the weight of our failure hanging heavy in the air. We had him. We had a chance to end this, to bring him in and get him the help he needs. And we blew it. "We''ll find him," I say at last, my voice a ragged whisper. It hurts to speak, my throat raw from Elias''s chokehold. "We''ll find him, and we''ll make this right." Derek nods, his jaw set in a grim line. There''s a haunted look in his eyes, a pain that goes beyond the physical. I know he''s thinking of Elias, of the friend he once knew, now twisted into something monstrous. "And¡­ we need to check that lead with the drugs," he says raspily. "If someone''s selling this stuff, we-" He breaks off into a coughing fit, his body wracked with spasms. I hold him steady, my own pain forgotten in my concern for him. I can see his blood vessels pulsing beneath his skin, bruised and battered but still strong. Still fighting. "Let me worry about the superhero shit, man. Don''t you," I start, breaking out into a coughing fit of my own. "Don''t you have werewolf stuff to worry about?" In the distance, the sirens grow louder, the blue and red flashes of police lights painting the walls in shifting colors. I can hear the thump of boots on stairs, the crackle of radios. They''ll be here soon, with their questions and their suspicions. "Yeah. You mind if I bounce?" He says, not letting go of me. Together, we limp towards the stairs, every step an agony. But we keep going, leaning on each other for support. We''re battered and bloodied, but we''re not broken. Not yet. "Do whatever you need to, man," I reply. WORLD OF CHUM: Superhuman Psychotherapy (2)

The Superhuman Psyche: An Abridged Guide for Mental Health Professionals - Part 2

by Dr. Alexis Hartman, Ph.D. Welcome back to our series on the Superhuman Psyche, a guide for mental health professionals working with individuals who possess extraordinary abilities. In our previous installment, we explored the unique psychological challenges faced by superhuman clients, from identity formation to power-related mental health concerns.
Counseling Strategies for Superhuman Clients Cultivating a therapeutic alliance with superhuman clients hinges on fostering an environment of safety, confidentiality, and non-judgment. The inherent complexities of superhuman experiences, coupled with societal stigma and potential legal ramifications, can lead to significant hesitancy in disclosure. Establishing clear boundaries, discussing the limits of confidentiality within the context of superhuman abilities, and actively demonstrating empathy and understanding are crucial in creating a space conducive to open exploration and trust. Traditional therapeutic modalities, such as cognitive-behavioral therapy (CBT) and mindfulness-based interventions, offer a valuable framework for addressing the psychological challenges faced by superhuman clients. However, the application of these techniques must be carefully calibrated to account for the unique cognitive, emotional, and sensory experiences associated with superhuman abilities. For instance, CBT interventions may need to target not only negative cognitions related to self-worth or identity but also power-specific beliefs and thought patterns that may impede effective ability management. Similarly, mindfulness practices can be adapted to include a focus on the physiological and sensory aspects of ability manifestation, promoting enhanced awareness and control. In addition to these adapted approaches, the development and implementation of power-specific strategies are essential in supporting superhuman clients. These interventions should aim to address the unique challenges and opportunities presented by each individual''s abilities. This may involve collaborating with specialists in ability control and precision to design targeted training programs, working with clients to establish healthy boundaries and guidelines for ability usage, and exploring the complex interplay between abilities and emotional regulation. By providing a comprehensive and individualized approach, mental health professionals can empower superhuman clients to harness their abilities in a manner that promotes overall well-being and personal growth. The therapeutic power of shared experiences and peer support cannot be overstated when working with superhuman clients. Engaging in group therapy or connecting with peer support networks can provide a profound sense of validation, normalcy, and belongingness. Facilitating these connections allows clients to learn from and support one another, sharing coping strategies, and navigating the unique challenges they face. However, mental health professionals must remain vigilant to the potential dynamics that may arise within these settings, such as power differentials, ability-based hierarchies, or interpersonal conflicts. Proactive management and mediation of these dynamics are crucial in maintaining a therapeutic and supportive environment. Ultimately, providing effective counseling to superhuman clients requires a delicate balance of adaptability, specificity, and ongoing assessment. Mental health professionals must remain attuned to the evolving needs and experiences of each individual, adjusting interventions as necessary to ensure optimal care. By combining the foundational principles of traditional therapeutic approaches with power-specific strategies and a keen understanding of the unique challenges faced by superhuman individuals, we can foster a therapeutic landscape that empowers clients to navigate the complexities of their abilities and cultivate a sense of self-acceptance, resilience, and overall well-being.
Ethical Considerations in Superhuman Therapy One of the most pressing ethical concerns in superhuman therapy is the maintenance of confidentiality and the protection of secret identities. While the vast majority of superhuman clients are civilians, there may be rare instances where a therapist finds themselves working with a client who engages in superheroic or supervillainous activities. In such cases, the therapist must adhere to the principles of confidentiality while also considering the potential consequences of withholding information that could impact public safety. Establishing clear boundaries and discussing the limits of confidentiality early in the therapeutic relationship is essential, allowing clients to make informed decisions about disclosure. Navigating dual relationships is another ethical quandary that mental health professionals may encounter when working with superhuman clients. The nature of superhuman abilities can create situations where the therapist may inadvertently become a potential target or victim of their client''s powers. This can blur the lines of the therapeutic relationship and compromise the therapist''s ability to provide objective and unbiased care. Maintaining appropriate professional boundaries, engaging in ongoing self-reflection, and seeking consultation and supervision are crucial in managing these complex dynamics. Mental health professionals working with superhuman clients may also find themselves grappling with the ethical implications of dealing with illegal or harmful behaviors related to powers. While the therapist''s primary role is to provide support and guidance, they must also consider their ethical obligations to protect both their client and the larger community. This requires a delicate balance of maintaining the therapeutic alliance while also addressing the potential consequences of harmful actions. Engaging in open and honest discussions about the legal and ethical ramifications of power misuse, promoting accountability, and collaborating with clients to develop strategies for responsible power management are essential components of effective superhuman therapy. In instances where a superhuman client discloses intentions or plans that pose a significant threat to public safety, mental health professionals must navigate the complexities of mandatory reporting. The decision to breach confidentiality and report potential threats is a weighty one, requiring careful consideration of the specific circumstances, the immediacy and severity of the threat, and the potential consequences of reporting. Therapists must familiarize themselves with relevant laws, ethical guidelines, and professional standards related to duty to warn and protect, ensuring that they are prepared to make informed decisions when faced with such situations. Unauthorized usage: this tale is on Amazon without the author''s consent. Report any sightings. To effectively manage these ethical challenges, mental health professionals working with superhuman clients must prioritize ongoing education, training, and consultation. Staying abreast of the latest research and best practices in superhuman psychology, engaging in peer consultation and supervision, and actively participating in professional organizations dedicated to the advancement of superhuman mental health are essential for providing ethically sound and competent care. Ultimately, the ethical considerations in superhuman therapy require a commitment to critical thinking, self-reflection, and a willingness to navigate complex moral dilemmas. By adhering to the foundational principles of beneficence, non-maleficence, autonomy, and justice, while also considering the unique context of superhuman experiences, mental health professionals can create a therapeutic space that prioritizes the well-being of their clients and the larger community. Through ongoing dialogue, collaboration, and a dedication to ethical practice, we can continue to develop and refine the ethical frameworks necessary to support the mental health needs of individuals with extraordinary abilities.
Supporting Superhumans'' Interpersonal Relationships One of the most common challenges faced by superhuman clients is the dynamic of superhuman-non-superhuman relationships. The power differential inherent in these relationships can lead to a range of emotional and interpersonal difficulties, such as feelings of intimidation, resentment, or even guilt. Couples counseling for superhuman-non-superhuman partnerships must address these unique dynamics, fostering open communication, empathy, and mutual understanding. Therapists should work with couples to develop strategies for navigating power-related conflicts, promoting equality and respect, and building a strong foundation of trust and support. Family therapy is another critical area of focus when working with superhuman clients. The presence of extraordinary abilities within a family system can have a significant impact on family dynamics, roles, and communication patterns. Family members may struggle with feelings of inadequacy, jealousy, or even fear in relation to the superhuman individual. Mental health professionals must be attuned to these dynamics, helping families to process their emotions, establish healthy boundaries, and develop a shared understanding of the impact of abilities on family life. Facilitating open and honest dialogue, promoting empathy and understanding, and empowering all family members to contribute to a supportive and inclusive family environment are key goals of superhuman family therapy. Beyond intimate relationships and family systems, supporting superhumans in building and maintaining healthy friendships and social connections is crucial for their overall well-being. The unique experiences and challenges associated with possessing extraordinary abilities can lead to feelings of isolation, loneliness, and difficulty relating to others. Mental health professionals can play a vital role in helping superhuman clients develop the social skills and confidence necessary to forge meaningful connections. This may involve teaching effective communication strategies, coaching clients on how to set appropriate boundaries, and providing guidance on how to navigate social situations where their abilities may be a factor. Encouraging involvement in superhuman peer support groups or community organizations can also be a valuable way to foster a sense of belonging and shared understanding.
As we look ahead to the next installment of our Superhuman Psyche series, we will delve into the importance of collaboration with other professionals in providing comprehensive care for superhuman clients. From consulting with medical professionals to working with legal experts and community organizations, a multidisciplinary approach is essential for addressing the complex needs of this population. We will also explore the critical role of self-care for mental health professionals working with superhuman clients, including strategies for managing vicarious trauma, setting appropriate boundaries, and seeking support and supervision. Finally, we will present a range of case studies and practical examples to illustrate the application of the concepts and strategies discussed throughout this series. These real-world scenarios will provide valuable insights into the challenges and opportunities of working with superhuman clients, highlighting the importance of flexibility, creativity, and a commitment to ongoing learning and growth as a mental health professional. As we continue on this journey of understanding and supporting the mental health needs of individuals with extraordinary abilities, it is our hope that this series will serve as a valuable resource for mental health professionals, contributing to the development of a more informed, compassionate, and effective approach to superhuman therapy. Through ongoing collaboration, research, and a dedication to providing the highest quality of care, we can work towards creating a world where all individuals, regardless of their abilities, have the opportunity to thrive and reach their full potential. About the Author: Dr. Alexis Hartman is a licensed clinical psychologist and a leading expert in the field of superhuman mental health. With over a decade of experience working with superhuman individuals and their families, Dr. Hartman has developed a unique understanding of the psychological challenges faced by this population. She is the founder and director of the Hartman Institute for Superhuman Mental Health, a pioneering center dedicated to research, training, and clinical services for superhuman individuals. Dr. Hartman is also a frequent consultant to government agencies and superhuman organizations, providing guidance on mental health policy and best practices. As a researcher, Dr. Hartman has published numerous articles and book chapters on topics related to superhuman psychology, including identity formation, power-related stress, and family dynamics. She is the co-author of the groundbreaking text, "The Psychology of the Superhuman Experience: A Comprehensive Guide for Clinicians." In addition to her clinical and research work, Dr. Hartman is a sought-after speaker and educator, regularly presenting at conferences and workshops across the globe. Her passion lies in empowering mental health professionals to provide effective, empathetic care to superhuman individuals and their loved ones. Dr. Hartman earned her Ph.D. in Clinical Psychology from the University of California, Berkeley, and completed her postdoctoral fellowship at the National Superhuman Research Center. She is a member of the American Psychological Association and the International Society for Superhuman Studies. Chapter 77.1 The afternoon sun casts long shadows across the streets of Tacony as I make my way to the music hall, my backpack slung over one shoulder. It''s a Tuesday, which means I''ve got a mountain of homework waiting for me, but right now, there are more pressing matters at hand. I absently adjust the bandages on my face, the soft fabric brushing against the still-healing cuts. The brace around my neck is a constant reminder of my recent brush with death, a souvenir from my encounter with Elias. But I''m alive, and that''s what counts. As I push open the doors to the music hall, the familiar scent of dust and old wood greets me. Jordan is already there, perched on the edge of the stage, their legs dangling over the side. They look up as I approach, a grin spreading across their face. "Well, well, if it isn''t the walking mummy," they tease, eyeing my bandages. "How''s the neck?" I roll my eyes, but I can''t help but smile. "Still attached, thanks for asking." I drop my backpack on one of the mismatched chairs and settle into another, the worn cushion sighing beneath my weight. Jordan hops off the stage and saunters over, plopping down beside me. "So, what''s the word? You said you had some news on the power drug front?" I nod, leaning forward, my elbows on my knees. "Yeah, I had a run-in with one of the users last night. A guy named Elias Franklin." Jordan''s brow furrows, the name clearly not ringing any bells. "Never heard of him. New player?" "Not exactly," I hedge, trying to figure out how to explain the situation. "He''s actually Derek''s best friend." Jordan''s eyes widen, their mouth forming a silent ''o'' before morphing into a smirk. "Derek? You mean the asshole from group therapy you told me to stalk?" I balk, my head snapping up. "Whoa, whoa, whoa. I absolutely did not tell you to stalk Derek." Jordan leans back, their hands raised in mock surrender. "Hey, you were the one who wanted intel on the guy. I just did my due diligence." I narrow my eyes, a mix of curiosity and apprehension swirling in my gut. "What exactly did you do, Jordan?" They shrug, a mischievous glint in their eye. "Didn''t you watch the USB I gave you? Brother, I scoped out his entire place. He has cages in his basement, man. He''s bad news." I stare at Jordan, my mind reeling. Cages in the basement? What the hell? I mean, I know Derek''s a werewolf, but that''s just¡­ I don''t even know what to think. "Jordan," I start, my voice strained, "when I asked you to look into Derek, I meant like, a background check. Not a full-on B&E!" Jordan has the decency to look a little sheepish, but the grin never quite leaves their face. "Hey, I was just being thorough. You can never be too careful with these group therapy types. They''re always hiding something." I can''t help but laugh, the absurdity of the situation hitting me all at once. "Well, I guess that explains why he''s always so grumpy. I''d be pretty pissed too if I had to sleep in a cage every night." Jordan''s eyes light up, latching onto the potential gossip. "Wait, so you think he''s into some kinky shit? Like, furry stuff?" I shake my head, still chuckling. "No, no, it''s not like that. It''s¡­" I pause, realizing I can''t exactly spill Derek''s secret. "It''s complicated. But the point is, he''s not a bad guy. Just¡­ dealing with some stuff. But that''s not the point." I sit up straighter, my expression sobering. "The point is, Elias was using the power drugs. And from what I saw, they''re no joke. We need to find out where they''re coming from and who''s distributing them, before things get even more out of hand." Jordan nods, their playful demeanor giving way to something more serious. "Agreed. But where do we start? It''s not like these dealers are just gonna advertise on the dark web or something." I bite my lip, considering our options. "No, but they''ve gotta be getting the stuff from somewhere. And if we can find out who else might be using, maybe we can trace it back to the source." Jordan leans back in their chair, their arms crossed over their chest. "Okay, so we need intel. But how do we get it? It''s not like we have a ton of contacts in the drug world." I hesitate, an idea forming in the back of my mind. It''s a long shot, but it might be our best bet. "No, but we know someone who does. Someone with a personal stake in all this." Jordan''s eyebrows shoot up, realization dawning. "Derek? You think he''ll help us?" "I don''t know," I admit, running a hand through my hair. "But he''s our best lead right now. And if his best friend is mixed up in this stuff, he might be willing to work with us. At least, I hope so." Jordan nods, a glint of determination in their eyes. "Alright, so we talk to Derek. See if he''s up for a little team-up. And in the meantime, we keep our ears to the ground, see if we can dig up any other leads." I feel a spark of excitement ignite in my chest, the familiar thrill of a new challenge. It''s daunting, sure, but it''s also invigorating. A chance to make a real difference. The kind of chance that would make my parents happy. As we settle into our usual spots, Jordan leans back in their chair, a pensive look on their face. "So, while you were out playing superhero over the weekend, I had my ear to the ground, trying to get a sense of what''s been going on in the neighborhood." I raise an eyebrow, intrigued. "Oh yeah? What''d you hear?" Jordan sighs, running a hand through their hair. "Not much, but what I did hear wasn''t good. There''s a lot of talk about these new power drugs. Apparently, they''ve been popping up all over Tacony and Mayfair. And, like, the rest of Philly, but also where we live. I mean, can you imagine if every two-bit thug suddenly had superpowers? It''d be chaos." I chew on my lip, considering our options. "We need to find out where these drugs are coming from. Cut off the supply at the source." Jordan leans forward, a glint of excitement in their eye. "I was thinking, maybe we should hit up some of my old haunts. Shake down a few dealers, see what they know." I hesitate, the image of Jordan roughing up some low-level drug pusher flashing through my mind. It''s tempting, especially given my¡­ staggering reserves of teenage bloodlust, but¡­ "I don''t know, Jordan. If we start making too much noise, we might tip off whoever''s behind this. We need to be smart about this." Jordan leans back, smirking. "Samantha Small, not immediately going for physical intimidation at the nearest opportunity? That Elias dude must''ve given you a crazy concussion. I thought that was your whole thing, Sharky. Bite first, ask questions later." I roll my eyes, but I can''t help but grin. "Ha ha, very funny. But seriously, we need to be careful. These drugs are no joke. Remember when I went out a couple days ago on that call from the Young Defenders?" "Yeah?" Jordan replies, raising an eyebrow. The tale has been stolen; if detected on Amazon, report the violation. "Dude took two of them. He ended up convulsing so hard that his new super strength broke every bone in his body," I explain, wincing as I recall it. Jordan winces with me. "Gnarly." We lapse into a somewhat comfortable silence, sort of half-comfortable, each lost in our own thoughts. After a moment, Jordan speaks up again, their tone casual. "Oh, by the way, I got a visit from my mom over the weekend." I look up, surprised. "Really? How''d that go?" Jordan shrugs, a wry smile tugging at their lips. "About as well as you''d expect. She dumped all my stuff in front of the music hall. Guess I''m officially living here now. I mean, it''s been official for months, but, like, officially official. Officially disowned, anyway." My eyes widen, a mix of sympathy and incredulity washing over me. "Shit, Jordan, I''m sorry. That''s rough. I''m going to murder your mom." "Don''t worry about it. I didn''t want to start bugging her about it until you got out of the hospital anyway, in case she tried to pull some stunt. Speaking of loose ends, you hear anything about Miasma? I hope that guy''s okay. He rocked," Jordan asks, grabbing a bag of Andy Capp''s from the table in the center of the conversation¡­ area. Hot fries. Nice. "Oh, yeah. The murder parts got thrown out because it turned out there wasn''t any actual proof. Obviously. I think the case is still ongoing on the breaking and entering though. They kinda don''t let you get away with that when it''s a government building." Jordan nods knowingly. "Word."
The door to the Tacony Music Hall creaks open, and in steps Derek, his leather jacket and ripped jeans an inappropriate contrast to the faded grandeur of the old theater. He looks around, his lip curling in a sneer. "This is your base of operations? Looks like a fucking crack den." I roll my eyes, already regretting my decision to invite him. "Hello to you too, Derek. Thanks for coming." Derek grunts, shoving his hands in his pockets. "Yeah, well, you said it was important. Something about Elias and those superpower drugs." Jordan perks up at the mention of Elias, their eyes gleaming with curiosity. "Yeah, Sam told me about your little run-in with him. Sounded intense." Derek''s gaze snaps to Jordan, his brow furrowing. "Who the fuck are you?" Before Jordan can respond, a lanky figure emerges from the shadows, a goofy grin on his face. "Hey, I''m Spindle! Jordan''s boyfriend. And, uh, fellow superhuman, I guess." Derek stares at Spindle for a moment, then shakes his head. "Great. A fucking circus." I clear my throat, trying to steer the conversation back on track. "Okay, look. We all know why we''re here. These power drugs are bad news, and we need to find out where they''re coming from." Derek nods, his expression turning serious. "Agreed. And now that they''ve dragged Elias into this shit, it''s personal." Jordan leans forward, their eyes wide with excitement. "So, like, what''s the deal with you being a werewolf? Can you control it?" Derek sighs, pinching the bridge of his nose. "First off, you should not know that. Sam, I trusted you." "That was your first mistake," I crack, as Jordan leads the world''s motleyest crew into the depths of the music hall, where we could sit instead of walking. "Anyway, kind of. It''s not like the movies, where I turn into a fucking monster and start ripping people apart. But it''s definitely for everyone''s safety that I lock myself up at night." Spindle pipes up, his face scrunched in confusion. "But, like, do you need a full moon? Or is it just, like, whenever?" Derek shoots him an exasperated look. "It''s every night, genius. After sundown. Which, by the way, is in about three hours. So let''s try to wrap this up before I start growing fur and a tail, okay?" I stifle a laugh, the image of Derek as a fluffy werewolf popping into my head. "Okay, so, back to the drugs. What do we know so far?" Jordan ticks off on their fingers. "Well, they''re showing up all over Philly. Mostly low-level dealers, but there''s gotta be a supplier somewhere. Kensington, probably." Derek nods, his expression thoughtful. "Elias mentioned something about a guy who gave him the drugs. White, bald, boring-looking. Said he had powers. But we live in South Philly." I frown, the description ringing a faint bell. "That''s not much to go on, but it''s a start. Maybe we can shake down some of the dealers, see if they know anything." Derek cracks his knuckles, a feral grin spreading across his face. "Now you''re speaking my language, pooch. Let''s go crack some skulls." Jordan holds up a hand, their expression cautious. "Whoa, hold up there, Cujo. We can''t just go in guns blazing. We need a plan." I nod, my mind already racing with possibilities. "Jordan''s right. We need to be smart about this. Scope out the dealers, see if we can find a pattern. Maybe even pose as buyers, try to get some intel that way." Spindle''s eyes light up, his hand shooting into the air. "Ooh, can I be a buyer? I''ve always wanted to go undercover!" Derek scoffs, rolling his eyes. "Sure, kid. You can be the bait. Just try not to get your ass kicked." I shake my head, a smile tugging at my lips despite myself. "Let''s just take it one step at a time, okay? First things first, we need to map out the known dealers. See if we can find any connections." "I''m gonna second the Kensington idea," Derek says. "Place has been a known shithole full of drugs since before I''ve been born. Not that it''s their fault, but, you know. It''s where the heavy stuff is." Jordan pulls out a map of the city, spreading it across the table with a flourish. "Okay, so here''s what we know so far. The drugs are popping up all over the city, but there seems to be a concentration in Kensington and South Philly." Derek nods, his fingers tracing the streets of Kensington. "Oh, I said it was logical to check there. Don''t get me wrong. I have no fucking idea if it''s prevalent there, but Kensington''s been a hub for heavy drugs for decades. If these power drugs are coming from anywhere, it''s probably there." Spindle leans in, his brow furrowed in concentration. "But what about the users? Have we seen any patterns there?" I chew on my lip, my mind flashing back to the incident with Elias and Ricochet. "I can ask the rest of the Young Defenders what they''ve encountered but the two I''ve fought so far have just been low level criminals. Ricochet was just trying to steal shit, and Elias, well¡­ Not exactly the traditional profile." Jordan taps their fingers on the table, a look of contemplation on their face. "Like that guy who broke into the NRSA building last week. He was a total nobody before he got his hands on the drugs." Derek''s head snaps up, his eyes narrowing. "The NRSA? You think they could be involved in this?" "Wait, someone broke into the NSRA office again? Not Miasma?" I ask. "Who?" Derek asks, shaking his head. "Never mind," "Yeah, there was another one. This time they caught him on the way out, though. Dude''s mega-fucked. Caught red-handed. Not the point that much, though," Jordan replies. I shrug, the possibility weighing heavily on my mind. "Either way. It''s not out of the question. They''ve always been interested in superhuman abilities. Who''s to say they''re not experimenting with ways to create their own?" Spindle shivers, his lanky frame folding in on itself. "That''s a scary thought. The government creating an army of superpowered soldiers. Wasn''t there an expose about something about this like two years ago?" Derek scoffs, leaning back in his chair. "Please. The government can''t even balance a budget. You really think they''re capable of something like this? That Project Titan stuff is total nonsense. They tried to do MK Ultra for superheroes and it was about as effective." Jordan smirks, their eyes glinting with mischief. "I don''t know, Derek. I''d say MK Ultra was definitely effective at getting you in the most Hot Topic-ass clothes imaginable." Derek flips them off, but there''s no real heat behind it. "Fuck off. I''ll have you know this jacket has seen more mosh pits than you''ve had shits. Big words from someone who wears Demonicas." I can''t help but laugh, the tension in the room easing just a fraction, while I wave both hands at them to get them to settle down. "Okay, okay. Let''s stay focused. We need to figure out who''s behind this, and fast. Before more people get hurt." Spindle nods, his expression uncharacteristically serious. "Sam''s right. We need to start digging. Talk to our contacts, see if anyone''s heard anything." Derek leans forward, his elbows resting on the table. "I might know a guy in Kensington. Used to run with the Irish mob back in the day. If anyone knows who''s pushing these drugs, it''s him." Jordan raises an eyebrow, a sly grin spreading across their face. "Look at you, Derek. Putting that criminal past to good use." Derek rolls his eyes, but there''s a hint of a smile tugging at the corner of his mouth. "Yeah, well, don''t get used to it. I''m not here to be your personal snitch. And I''m not a criminal." "You sure? You definitely look like you had a permanent record back in High School," Jordan teases. I clear my throat, trying to steer the conversation back on track. "Okay, so Derek talks to his contact in Kensington. Jordan, you and Spindle hit the streets, see if you can drum up any leads. I''ll reach out to my sources in the NRSA and the Young Defenders, see if they''ve heard anything." As we all nod in agreement, a sense of purpose settles over the room. We may be a ragtag bunch of misfits, but we''re united in our goal. To stop Fly, before it destroys everything we hold dear. Derek stands up, stretching his arms over his head. "Alright, if we''re done here, I gotta bounce. The moon waits for no man, and all that." Jordan smirks, shaking their head. "Seriously, dude. You''ve got to work on your exit lines." Derek flips them off again, but there''s a glint of amusement in his eye. "Whatever. Just try not to get yourselves killed while I''m gone." And with that, he''s out the door, the echo of his footsteps fading into the night. Spindle turns to Jordan, a goofy grin on his face. "Your friends are weird." Jordan laughs, slinging an arm around Spindle''s shoulders. "Yeah, but they''re our kind of weird. Can''t believe you found a fucking werewolf." I just shrug sheepishly, rubbing the back of my head. Chapter 77.2 Over the course of the next week, the Tacony Music Hall becomes the central hub of our investigation into the power drugs flooding the streets of Philadelphia. The once-quiet space now hums with a constant undercurrent of activity as we work tirelessly to unravel the tangled web of the drug trade. The old theater seats become impromptu workstations, the stage a makeshift briefing room, as we pool our resources and share what little information we''ve managed to gather. Derek, our very own lone wolf, disappears into the depths of Kensington, all bad attitude and unfriendly snarl. He meets with his old contact, a grizzled ex-member of the Irish mob, in a dingy bar that reeks of stale beer and desperation. I like to imagine the two men talking in hushed tones, their heads bent close together as Derek tries to glean any information he can about the Fly. The ex-mobster is cagey at first, his eyes darting around the room as if searching for hidden listeners, but eventually, he starts to open up. He tells Derek about whispers on the street, about a new player in town who''s been flooding the market with a new kind of high. A couple of days later, rumors begin to circulate through the drug dens of Kensington about a werewolf stalking the streets, a creature with glowing eyes and a thirst for blood. They call him the Big Bad Wolf of Kensington (not to be confused with the Big Bad Wolf of Tacony - mine came first), a name that brings a wry smile to Derek''s face when he hears me tell him it over a TV dinner. He knows that the fear he inspires is a powerful tool, one that he can use to his advantage as he continues his investigation. He leans into the myth, letting the whispers spread, knowing that they will only make his job easier in the long run. Spindle, meanwhile, reaches out to his old criminal contacts, the ones who will still take his calls after his defection to the side of the angels. He meets them in back alleys and seedy diners, his elastic limbs allowing him to contort himself into unobtrusive shapes as he listens in on whispered conversations. Some of his old associates are suspicious at first, their eyes narrowing as they take in his new superhero persona, but Spindle knows how to talk to them. He falls back into old patterns, old rhythms, slipping back into the skin of the man he used to be. Sometimes he has to help them break into a 7-11. I tell him to try and not do that if he can avoid it, but I guess old habits die hard. It makes my skin crawl, but this is more important. He comes back with bits and pieces of information, tantalizing clues that he carefully hoards, refusing to reveal his sources even to his closest allies. He knows that the trust he''s built up over years of criminal activity is a fragile thing, easily shattered by a careless word or a misplaced confidence. So he keeps his secrets close to his chest, doling out information in carefully measured doses, always keeping something back for himself. Jordan, still the one of the two of us that knows how to actually talk to people, takes a different approach. They spend long hours hunched over their computer, their fingers flying over the keyboard as they dig deep into public records and social media profiles. They pore over arrest reports and court documents, looking for any mention of Fly or their distributors. They cross-reference known associates and past offenders, building a web of connections that stretches across the city. When they''re not in the music hall, they''re out on the streets, staking out known drug hotspots and watching for any sign of Fly in action. They blend into the shadows, their dark clothing and quick movements making them all but invisible to the untrained eye. They watch and they wait, their patience rewarded by fleeting glimpses of glowing laser eyes and sudden bursts of superhuman speed. They take careful notes, logging each sighting and interaction, slowly building a profile of the average Fly user. As for me, I reach out to my contacts in the superhero community, calling in favors and trading information with my fellow members of the Young Defenders. I meet with Agent Miguel Torres, who owes me more than a few favors, in quiet coffee shops and deserted parking garages. He''s reluctant to get involved at first, his eyes shadowed by the weight of the secrets he carries, but eventually, he agrees to help. He provides me with what little information he can, his hands tied by the red tape of bureaucracy and the constant threat of reprisal from his superiors. But the real goldmine of information comes from my fellow Young Defenders. They''ve been out on the streets, fighting the good fight, and they''ve seen things that even the NSRA hasn''t caught wind of yet. They tell me about new players in the drug trade, about secret labs and hidden stash houses. They share their theories and their suspicions, their insights born of long hours spent in the trenches of the war on crime. Together, we start to piece together a bigger picture, a sense of the true scope of the problem we''re facing. My most valuable asset in this investigation, however, is my blood sense. The Fly injections leave their users with a telltale fluorescent orange tint to their blood, a beacon that I can sense from blocks away. Over the course of the week, I catch two users in the act, tracking them through the city streets like a shark on the scent of blood. The first is a scrawny kid, barely out of his teens, his eyes wide and panicked as he realizes he''s being followed. I tail him through the winding alleys of South Philly, watching from the rooftops as he makes his way to a decrepit row house on a forgotten street corner. Support creative writers by reading their stories on Royal Road, not stolen versions. The second is an older man, his face lined with years of hard living. He moves with a purposeful stride, his shoulders hunched against the cold as he navigates the bustling streets of Center City. I follow him to a nondescript office building, watching from across the street as he disappears inside. I don''t engage them directly, but I do take careful note of their movements, their habits, the places they frequent. I know that every scrap of information, no matter how small, could be the key to cracking this case wide open. I watch them through the walls. They can''t get away from my senses. As the days wear on, we start to piece together a picture of the Fly trade in Philadelphia. It''s a complex network, with tendrils that reach into every corner of the city, from the wealthy enclaves of Center City to the struggling neighborhoods of North and South Philly. We map out the key players, the distributors and the dealers, the muscle and the mules. We build a case, slowly but surely, our evidence mounting with each passing day. But even as we make progress, the Young Defenders continue their work, their exploits splashed across the headlines and the evening news. Each time they go out on an operation, I receive an alert in the group chat, a gentle reminder that I am still on the sidelines, still recovering from my injuries. It''s a bitter pill to swallow, watching my friends and teammates put their lives on the line while I am forced to sit back and wait. But I know that my time will come, that I will have my chance to make a difference. And so I focus on the task at hand, pouring all of my energy and determination into the investigation. I spend long hours in the music hall, poring over maps and documents, chasing down leads and theories. I subsist on a steady diet of coffee and grit, my mind racing as I try to fit the pieces of the puzzle together. Because I know that this is bigger than just me, bigger than just the Young Defenders. This is about the future of our city. Maybe even more than that.
The Tacony Music Hall is filled with the aroma of pepperoni and the sound of lively discussion as we gather around the table, two large pizza boxes serving as the focal point of our informal strategy meeting. It''s been nearly a week since we started our investigation into the power drugs, and the effects of long hours and sleepless nights are visible on everyone''s faces. Jordan is the first to speak, their mouth half-full of cheese and crust. "Alright, what have we got? Did anyone find anything useful, or have we just been chasing our tails for the past week?" Derek leans back in his chair, his boots on the table. "I wouldn''t say it was a total bust. My contacts in Kensington had some interesting intel about a new player in the drug scene, a guy named ''Sparkplug.''" I raise an eyebrow, intrigued. "Sparkplug? Sounds like he''s trying a little too hard." Spindle chimes in, his lanky frame draped over his chair. "Yeah, I heard that name too. My old crew said he''s been shaking things up, pushing some "new kind of high that''s got everyone buzzing", end quote." "You''ve¡­ been talking to them?" I ask, glancing around a little nervously. "The Phreaks?" "Just Deathgirl, why?" Spindle replies, while I wince at the memory of my fingernails being pried off. Derek snorts. "Deathgirl." "That''s her name!" Spindle insists. I just shush the two of them. "Jordan, what do you have?" Jordan nods, their fingers dancing across their laptop keyboard. "I''ve been monitoring the chatter online, and there''s definitely a lot of talk about these new drugs. They''re calling them ''Jump'' and ''Fly.'' Apparently, Jump is a pill that gives you temporary powers for a few hours, while Fly is an injection that gives you permanent abilities." "Knew about Fly. Jump is new. Do we have any other names?" I ask. I feel a shiver down my spine at the mention of Fly. I''ve witnessed firsthand the kind of destruction that drug can cause, the way it can distort a person''s mind and body. "We need to find this Sparkplug guy, and fast. If he''s the one distributing these drugs, he''s our key to unraveling this whole operation." "Yes, but they''re all stupid. Like Clark. Cuz Clark Kent. Clark and Bruce. Someone''s calling Fly ''fairy oil''. The Juice. I''ll just¡­ show you after." Jordan replies, their voice tailing off into mumbles. Spindle nods, fingers folded under his chin. "Agreed about Sparkplug. Sounds like the kind of guy with lightning powers that messed up your friend, Derek. But we can''t just rush in without a plan." A mischievous glint appears in Derek''s eye as he leans forward, grabbing another slice of pizza. "Actually, I might have an idea about that. I''ve been getting cozy with one of Sparkplug''s dealers, a guy named ''Squeal.'' He thinks I''m just another junkie looking for a fix. I bet I could set up a buy, get him to lead us straight to Sparkplug. God, what is it with you superhero types and shitty names?" Jordan frowns, clearly uncertain. "I don''t know, Derek. Setting up a sting operation on our own? That''s risky." Derek waves off their concerns, his expression nonchalant. "Relax, Jordan. I know what I''m doing. I''ve done this kind of thing before, back in my less scrupulous days. We threaten Squeal to set up a meeting with Sparkplug, then we follow him to the source. Easy." Jordan looks up from their laptop, their expression thoughtful. "It could work. But we''d need to be careful. We don''t want to tip them off that we''re onto them. I''m glad to hear you have even fewer scruples than I do, though, it''s nice to not be the most antiheroic person on a team." "Poseur," Derek hisses. Jordan just rolls their eyes. Spindle nods, his expression eager, clearly excited for An Operation, something outside the typical Young Defenders caseload of finding runaway dogs. "I could be the lookout, keep an eye out for any trouble." I hesitate, weighing the risks and benefits in my mind. On the one hand, the thought of taking such a direct approach, of putting ourselves in the line of fire, makes me uneasy. But on the other hand, I know that every day we wait, more of these dangerous drugs flood the streets. And on my mysterious third hand¡­ The possibility of a fuck up leading to a ginormous fight is oddly enticing. I sigh, making my decision. "Let''s fucking do it, boys." WORLD OF CHUM: Superhuman Psychotherapy (3)

The Superhuman Psyche: An Abridged Guide for Mental Health Professionals - Part 3

by Dr. Alexis Hartman, Ph.D. Welcome back to our ongoing series on the Superhuman Psyche, a comprehensive guide for mental health professionals working with individuals who possess extraordinary abilities. In our previous installments, we explored the unique psychological challenges faced by superhuman clients, discussed tailored counseling strategies, and delved into the ethical considerations that arise in superhuman therapy. As we move forward, it is essential to recognize that providing effective care for superhuman clients often requires a collaborative and multidisciplinary approach. Mental health professionals must be willing to reach out beyond the confines of their own discipline, working closely with a range of other professionals to ensure that the complex needs of their clients are met.
Collaborating with Other Professionals One of the key areas of collaboration for mental health professionals working with superhuman clients is with physicians and researchers studying extraordinary abilities. The physiological and neurological underpinnings of superhuman powers are still poorly understood, and ongoing research in this field can provide valuable insights into the experiences and challenges faced by individuals with these abilities. Mental health professionals should stay abreast of the latest findings in superhuman research, attending conferences, reading relevant publications, and seeking out opportunities to consult with experts in this field. By fostering a close working relationship with physicians and researchers, therapists can gain a more comprehensive understanding of the biological factors that may be impacting their clients'' mental health, informing their assessment and treatment strategies. In addition to collaborating with medical professionals, mental health professionals working with superhuman clients must also cultivate partnerships with legal experts well-versed in the complex laws and regulations surrounding extraordinary abilities. The legal landscape for superhumans is constantly evolving, with new legislation and court decisions shaping the rights and responsibilities of individuals with these powers. Mental health professionals must be aware of the legal implications of their clients'' abilities, as well as the potential legal risks and challenges they may face. Consulting with attorneys who specialize in superhuman law can help therapists navigate issues related to confidentiality, mandatory reporting, liability, and advocacy. By working closely with legal experts, mental health professionals can ensure that they are providing their clients with accurate and up-to-date information, empowering them to make informed decisions about their lives and their abilities. Finally, mental health professionals serving the superhuman population must recognize the importance of partnering with community organizations to provide comprehensive support. Superhumans, like all individuals, exist within a larger social and cultural context, and their well-being is intimately tied to the strength and resilience of their communities. Mental health professionals should actively seek out opportunities to collaborate with local organizations that serve the superhuman population, such as advocacy groups, support networks, and community centers. By forging these partnerships, therapists can help connect their clients with a wide range of resources and services, from peer support and social activities to educational and vocational opportunities. Working hand in hand with community organizations, mental health professionals can play a vital role in fostering a sense of belonging and empowerment among their superhuman clients, contributing to the development of a more inclusive and supportive society.
Self-Care for Mental Health Professionals Working with individuals who possess extraordinary abilities can be a deeply rewarding experience, but it also presents a range of challenges that can take a toll on the emotional and psychological health of therapists themselves. One of the most significant risks faced by mental health professionals working with superhuman clients is vicarious trauma. Exposure to the often-harrowing experiences and traumas of their clients can lead therapists to develop their own symptoms of traumatic stress, including intrusive thoughts, heightened anxiety, and emotional exhaustion. Over time, this vicarious trauma can contribute to the development of burnout, a state of physical, emotional, and mental depletion that can significantly impair a therapist''s ability to provide effective care. To mitigate these risks, mental health professionals must prioritize self-care, engaging in regular practices that promote resilience, such as mindfulness, exercise, and seeking support from colleagues and loved ones. Another critical aspect of self-care for mental health professionals working with superhuman clients is setting and maintaining appropriate boundaries. The unique nature of superhuman abilities can sometimes blur the lines between the professional and personal realms, particularly in cases where therapists may feel a sense of personal responsibility or even guilt in relation to their clients'' actions or experiences. It is essential for mental health professionals to establish clear boundaries around their role and availability, communicating these boundaries to their clients in a compassionate but firm manner. This may involve setting limits on after-hours contact, maintaining a clear distinction between therapy sessions and social interactions, and being mindful of the potential for dual relationships that could compromise the therapeutic alliance. In addition to setting emotional boundaries, mental health professionals working with superhuman clients must also be vigilant about maintaining their own physical safety. While the vast majority of superhuman individuals pose no threat to their therapists, there may be rare instances in which clients'' abilities or mental state could potentially put professionals at risk. Mental health professionals should conduct thorough risk assessments with each new client, familiarizing themselves with the nature and extent of their abilities and developing safety plans in collaboration with their clients. This may involve establishing clear guidelines around the use of powers during therapy sessions, identifying warning signs of potential aggression or loss of control, and having protocols in place for emergency situations. By taking proactive steps to ensure their own safety, therapists can create a secure and stable environment in which their clients feel comfortable exploring even the most challenging aspects of their experiences. Finally, seeking regular consultation and supervision is an essential component of self-care for mental health professionals working with superhuman clients. The unique and often complex nature of this work can give rise to a range of ethical dilemmas, countertransference reactions, and feelings of isolation or self-doubt. By engaging in ongoing consultation and supervision with colleagues who have experience in this field, therapists can gain valuable insights, feedback, and support. This may involve participating in peer supervision groups, attending workshops and conferences focused on superhuman mental health, or seeking individual consultation with senior clinicians. By prioritizing this type of professional support, mental health professionals can continue to develop their skills, navigate challenging cases, and maintain a sense of perspective and balance in their work. As we explore the importance of self-care in superhuman therapy, we are reminded that the well-being of mental health professionals is inextricably linked to the quality of care they provide to their clients. By actively engaging in practices that promote resilience, maintaining appropriate boundaries, ensuring personal safety, and seeking ongoing consultation and support, therapists can sustain their own emotional and psychological health while continuing to provide transformative care to those with extraordinary abilities. Find this and other great novels on the author''s preferred platform. Support original creators!
Case Studies & Practical Examples As we near the conclusion of our exploration of the Superhuman Psyche, it is essential to ground our theoretical discussions in the practical realities of working with this unique population. Through the presentation of case studies and real-life examples, we aim to illustrate the challenges and opportunities that mental health professionals may encounter in their work with superhuman clients, offering concrete guidance and inspiration for those embarking on this rewarding and essential work. One such case study involves a young woman named Sarah, who sought therapy after struggling to come to terms with her newly-emerged telekinetic abilities. Sarah''s therapist, Dr. Emily Nakamura, recognized the importance of creating a safe and non-judgmental space in which Sarah could explore her experiences and emotions. Through the use of mindfulness-based techniques and cognitive restructuring, Dr. Nakamura helped Sarah to develop a greater sense of control over her abilities, reducing the anxiety and self-doubt that had previously hindered her personal and professional growth. By the end of their work together, Sarah reported feeling more confident and empowered, with a newfound sense of purpose and direction in her life. Another powerful example comes from the work of Dr. Michael Okonkwo, a seasoned therapist who specializes in working with superhuman individuals and their families. Dr. Okonkwo was approached by the parents of a teenage boy named Alex, who had recently developed the ability to manipulate electrical currents. The family was struggling to adapt to this new reality, with tensions and misunderstandings leading to frequent conflicts and a breakdown in communication. Through a series of family therapy sessions, Dr. Okonkwo helped the family to develop a shared understanding of Alex''s experiences, fostering empathy and support among all members. He also worked with Alex individually, using cognitive-behavioral techniques to help him manage the impulses and emotions that sometimes led to unintended power usage. Over time, the family reported a significant improvement in their relationships and overall functioning, with Alex feeling more supported and understood by his loved ones. Dr. Hiroshi Tanaka, a renowned psychologist based in Tokyo, was approached by a middle-aged man named Takeshi who had recently developed the ability to see into the future. Takeshi reported feeling overwhelmed and burdened by the constant influx of premonitions, which often involved traumatic events or personal tragedies. Through a combination of acceptance and commitment therapy (ACT) and mindfulness practices, Dr. Tanaka helped Takeshi to develop a more grounded and accepting relationship with his abilities. Together, they worked on strategies for distinguishing between immutable futures and those that could be changed through personal action, empowering Takeshi to use his powers in a way that felt meaningful and purposeful. Over time, Takeshi reported a greater sense of peace and agency, with a renewed commitment to using his abilities for the benefit of others. Another powerful case study comes from the work of Dr. Gabriela Hern¨¢ndez, a clinical psychologist specializing in trauma-informed care for superhuman individuals. Dr. Hern¨¢ndez was referred a client named Isabella, a young woman who had developed the ability to manipulate plant life following a severe natural disaster in her hometown. Isabella had been hailed as a hero for using her powers to help rebuild her community, but privately struggled with symptoms of post-traumatic stress disorder (PTSD) and survivor''s guilt. Through a combination of eye movement desensitization and reprocessing (EMDR) therapy and horticultural therapy, Dr. Hern¨¢ndez helped Isabella to process the traumatic memories associated with the disaster, while also developing a deeper understanding of her connection to nature. By the end of their work together, Isabella reported a significant reduction in PTSD symptoms, with a newfound sense of purpose and commitment to using her abilities for environmental conservation and community resilience. These case studies serve as powerful reminders of the complex and multifaceted nature of superhuman experiences, highlighting the importance of tailored and evidence-based interventions in promoting healing and growth. By remaining attuned to the unique needs and strengths of each individual client, mental health professionals can help those with extraordinary abilities to harness their powers in a way that feels authentic, meaningful, and empowering. As the field of superhuman psychology continues to evolve, it is essential for therapists to remain committed to learning from the lived experiences of their clients, using these insights to inform the development of new and innovative approaches to care.
Resources As we conclude this series on the Superhuman Psyche, we encourage all mental health professionals to continue their education and development in this exciting and essential field. The following resources offer a wealth of information and support for those seeking to deepen their understanding of superhuman mental health: Superhuman Psychological Association (SPA) - This national organization provides a range of resources and support for mental health professionals working with superhuman clients, including annual conferences, webinars, and a peer consultation network. "The Superhuman Mind: A Comprehensive Guide for Mental Health Professionals" by Dr. Samantha Cheng - This seminal book offers a detailed overview of the psychological challenges and opportunities presented by superhuman abilities, with practical guidance for assessment, treatment, and self-care. Superhuman Mental Health Online Learning Consortium (SMHOLC) - This web-based platform offers a range of online courses and webinars focused on various aspects of superhuman mental health, allowing professionals to access high-quality training from the comfort of their own homes. "Navigating the Legal and Ethical Landscape of Superhuman Therapy" by Dr. Marcus Thompson - This essential guide provides a comprehensive overview of the legal and ethical considerations involved in working with superhuman clients, with practical strategies for navigating complex situations and maintaining professional boundaries. These resources, along with the principles and strategies outlined in this series, offer a roadmap for mental health professionals seeking to provide the highest quality of care to individuals with superhuman abilities. By staying informed, engaged, and committed to ongoing learning and growth, therapists can play a vital role in promoting the well-being and resilience of this unique and deserving population. As we move forward into a new era of superhuman psychology, let us remain guided by a deep sense of compassion, curiosity, and dedication to the transformative power of the therapeutic relationship. About the Author: Dr. Alexis Hartman is a licensed clinical psychologist and a leading expert in the field of superhuman mental health. With over a decade of experience working with superhuman individuals and their families, Dr. Hartman has developed a unique understanding of the psychological challenges faced by this population. She is the founder and director of the Hartman Institute for Superhuman Mental Health, a pioneering center dedicated to research, training, and clinical services for superhuman individuals. Dr. Hartman is also a frequent consultant to government agencies and superhuman organizations, providing guidance on mental health policy and best practices. As a researcher, Dr. Hartman has published numerous articles and book chapters on topics related to superhuman psychology, including identity formation, power-related stress, and family dynamics. She is the co-author of the groundbreaking text, "The Psychology of the Superhuman Experience: A Comprehensive Guide for Clinicians." In addition to her clinical and research work, Dr. Hartman is a sought-after speaker and educator, regularly presenting at conferences and workshops across the globe. Her passion lies in empowering mental health professionals to provide effective, empathetic care to superhuman individuals and their loved ones. Dr. Hartman earned her Ph.D. in Clinical Psychology from the University of California, Berkeley, and completed her postdoctoral fellowship at the National Superhuman Research Center. She is a member of the American Psychological Association and the International Society for Superhuman Studies. Chapter 78.1 The Tacony Music Hall''s makeshift Faraday cage room has become our de facto war room, its wire-mesh walls and eclectic furnishings a testament to our resourcefulness and determination. The table in the center is littered with papers, laptops, and empty coffee cups, the detritus of a week-long investigation into the power drug trade that has consumed our lives. I sit at the head of the table, my brow furrowed as I pore over a stack of handwritten notes. The fluorescent light overhead casts harsh shadows across my face, highlighting the dark circles under my eyes and the healing bruises that still mar my skin. But there''s a fire in my gaze, a determination that belies my exhaustion. Where bear paws dug great gouges into my cheek - gouges that go suspiciously unremarked upon by my schoolmates and teachers. I mean, I''m sure my teachers have put together the superheroics by now. I haven''t told them, but they''re all adults. But I wonder what my classmates think when I come back covered in bandages again? Hmm. I''m getting myself off track. Jordan is perched on a nearby chair, their legs folded underneath them as they type furiously on their laptop. The blue glow of the screen illuminates their face, casting an eerie pallor over their already pale skin. But there''s a glint in their eye, a hint of excitement that suggests they may have found something important. Derek leans against the wall, his arms crossed over his chest and a scowl etched onto his face. He''s been on edge all week, his temper fraying with each dead end and false lead. But there''s a sharpness to his gaze, a focus that suggests he''s not ready to give up just yet. Spindle is sprawled out on the floor, his lanky limbs splayed out like a starfish. He''s been unusually quiet, his usual goofy demeanor replaced by a pensive silence. But there''s a coiled energy to his stillness, a sense that he''s ready to spring into action at a moment''s notice. I clear my throat, drawing the attention of the room. "Jordan, you said you found something on Squeal?" Jordan nods, their fingers flying over the keyboard. "Right. Sorry. I got distracted by his forum profiles. Yeah, hold on. Yeah, I did some digging and found out his real name is Steven Praznik. He''s a 32-year-old former sound engineer who fell on hard times a few years back." I raise an eyebrow. "A sound engineer? What''s he doing slinging drugs?" Derek snorts. "Probably the same thing everyone else is doing. Trying to make a quick buck." Jordan shakes their head. "I mean, he''s got a license for superpower usage. He was even a Registered Superhuman Entity for, like, all of two months. ''Personality conflicts''." I frown. "So he''s not a Jump or Fly user?" "Doesn''t look like it," Jordan confirms. "His powers seem to be au naturale, but I couldn''t find anything on his activation event." "How do you even learn this? Do people generally leave information on this sort of thing on the internet?" Derek asks, eyebrow raised, clearly dubious. "Freedom of Information Act. Lucky us the first ladder on the chain has a record. But even if he didn''t, there''s dozens of ways to sniff someone''s online paper trail - I already went through some of them just in case it was a coincidence on the first hit. There''s companies that let you run background checks on people for... a nominal fee," Jordan waves around a debit card between two black painted fingers. "Just had to double check his name and usual usernames. You leave behind crumbs all the time on the internet. Nerd stuff." "Told you," I say to Derek, smirking smugly. Can''t help it. Feels good to be right. Derek pushes off the wall, his expression thoughtful and a little annoyed. "Whatever. So he''s a low-level dealer for Sparkplug, huh? Selling Jump and tempting people towards the harder stuff?" Jordan nods. "That''s what it looks like. He''s got a reputation on the streets for being a bit of a loose cannon. Apparently, he''s not above using his powers to intimidate customers who don''t pay up." I sigh, rubbing my temples. "Great. So we''ve got a drug-dealing banshee on our hands." Spindle sits up, his expression quizzical. "A banshee? I thought those were old ladies who screamed a lot." Derek rolls his eyes. "It''s a metaphor, dumbass." I shoot Derek a warning look before turning back to Jordan. "What else do we know about him? Any weaknesses we can exploit?" Jordan shrugs. "I mean, people don''t generally go posting on the internet about their personal weaknesses or life history. You know, he uses the same usernames on a bunch of different forums and chatrooms because he''s not smart, but that doesn''t mean he talks about himself. If we were coming in from the outside, without aliases to use, all you''d be able to gather about this guy is that he lives in Philly, he smokes a lot of weed, and he has a bad attitude." Derek cracks his knuckles. "Doesn''t matter. We''ll find a way to get to him. We always do." I nod, a grim smile playing at the corners of my mouth. "Damn right we will. But we need to be careful. We can''t afford to underestimate this guy." Jordan leans back in their chair, their expression thoughtful. "So what''s the plan, boss? How do we take down Squeal without tipping off Sparkplug?" --- The next day, the Tacony Music Hall is buzzing with a nervous energy as we prepare for the sting operation. Derek is pacing back and forth, his phone pressed to his ear, his expression a mix of frustration and determination. I can''t help but tap my foot, the nervous energy thrumming through my veins. If you come across this story on Amazon, be aware that it has been stolen from Royal Road. Please report it. Jordan and Spindle are huddled around Jordan''s laptop, their eyes glued to the screen as they monitor the police scanners and social media feeds. They''re our eyes and ears, our early warning system in case anything goes wrong. I turn my attention back to Derek, trying to piece together the conversation from his end. It''s like listening to one half of a heated debate, with Derek constantly cutting himself off as Squeal talks over him. "Yeah, I got the cash," Derek says, his voice low and steady. "But I need to know the product is good. Can''t be selling my people no bunk sh-- Yeah, I know you said it''s legit, but I gotta be sure, man. My people are counting on-- No, I ain''t questioning your word, I''m just saying--" There''s a pause, and I can hear the muffled sound of Squeal''s voice on the other end, the tone angry and insistent. Derek''s jaw clenches as he listens, his free hand balling into a fist at his side. I watch his nails dig into his palm. "Listen, man, I ain''t wearing no wire. This line is clean, I made sure of that. You think I''m stupid enough to-- No, I ain''t calling you stupid, I''m just saying-- Yeah, I know the deal, but I gotta look out for my own, you feel me? I''ve already got powers, I just need to bring my boys to the same level, you know?" He says, his sneakers squeaking on the floor. Normally, work boots. Today, sneakers. Beats me as to why. Derek starts to pace faster, his voice rising with each word. "Alright, alright, I get it. You can''t be too careful. But I''m telling you, this is legit. I got a crew ready to roll, and we need that Jump to-- Yeah, I know it''s a big order, that''s why I''m willing to pay extra for-- No, not tonight, it''s gotta be during the day. I ain''t taking no chances with that Big Bad Wolf motherfucker running around." I exchange a glance with Jordan, who raises an eyebrow. "Yeah, the old warehouse on Tioga. Noon. Tomorrow. I''ll be there with the cash, you bring the product. And come alone, you hear me? I ain''t looking to-- No, I ain''t trying to set you up, I just don''t want no surprises. This is business, plain and simple. Fine. You can bring a guy if we''re really not getting this-- I just told you-- You can bring a guy! Fucker!" Derek''s voice is strained now, the frustration evident in every word. I watch veins bulge across his forehead. He''s trying so hard to keep it together, to avoid reaching through the phone line and strangling this man through the cord. "Alright, fine. You can bring one guy, but that''s it. And I''m paying 50% extra for the daylight meet, so you best come correct. No games, no bullshit. Just the product and the cash, and we both walk away happy." There''s a long pause, and for a moment, I''m sure that Squeal is going to back out. But then Derek nods, a grim smile spreading across his face. "Alright, we got a deal. Noon, at the old warehouse on Tioga. Don''t be late, and don''t fuck me over. I ain''t the type to forgive and forget. Motherfucker. You heard me! I said MOTHERFUCKER!" Derek slams the phone shut, the sudden silence deafening. We all stare at him, waiting for the verdict. For a moment, I''m sure the plan is off, that Squeal got spooked and backed out. But then Derek cracks a grin, his eyes glinting with a mixture of relief and anticipation. "We''re good. Noon, at the old warehouse on Tioga. Squeal will be there with the Jump, and he''s only bringing one guy." I let out a breath I didn''t realize I was holding, the tension draining from my body. Jordan and Spindle high-five, their faces split with matching grins. "Alright, so we stick to the plan," I say, my voice steady despite the butterflies in my stomach. "Derek, you''ll make the buy. Jordan, Spindle, and I will be your lookouts. We''ll have eyes on all the entrances and exits, make sure Squeal doesn''t try anything funny." "And then I get to use my secret weapon?" Jordan asks, bouncing on their heels. I roll my eyes a little bit. "Yes, Jordan." Derek nods, his expression serious. "I''ll get him talking, see if I can get any info on Sparkplug or the supplier. But the priority is getting that Jump off the streets. You guys can deal with it afterwards. You know, like, legit superheroes and shit." We all nod in agreement, the weight of our mission settling over us like a heavy blanket. We know the risks, know that we''re walking into the lion''s den. But we also know that we have no choice. These drugs are causing problems, and they need to be stopped before things get worse. I''ll let the Young Defenders handle their part of the city - and we''ll do the rest.
It''s a sweltering Saturday afternoon, the kind of heat that makes the air feel thick and heavy, like a wet blanket draped over the city. The sun beats down mercilessly on the cracked pavement and crumbling brick facades of the abandoned factories that line the outskirts of Kensington. It''s the kind of place where hope goes to die, where the only signs of life are the occasional druggie nodding off in a doorway or a homeless person pushing a shopping cart filled with their meager possessions. I don''t like it. I couldn''t tell you why. It feels like an emotion that I''m too young to have, even though I''ve been shot at and stabbed and irradiated AND I''ve had my first kiss. But seeing this neighborhood... it''s a new kind of upset. Something I can''t explain. I shift uncomfortably in the confines of the cardboard box, my legs protesting beneath me from being folded up for so long. Jordan and Spinelli fit neatly aside me, and the three of us occasionally shift for space in this larger-on-the-inside area. Jordan, after all, can''t sustain two axii at once. Axeses? Axises... Axii was right I think. But, either way, a cardboard box can be expanded in one direction... but the other two directions are still just cardboard box width. "I can''t believe I let you talk me into this," I mutter, wiping the sweat from my brow with the back of my hand. "We could''ve just watched from a rooftop or something." As I peer through the cracks in the box, my eyes scanning the shadows of the loading dock, I can''t shake the feeling that something isn''t right. There''s a prickling sensation at the back of my neck, a tingle of unease that I can''t quite place. I squint, trying to make out the shapes lurking in the darkness, but it''s like trying to see through murky water. Jordan grins, their teeth flashing white in the dim light filtering through the box''s hand holds. "Where''s the fun in that? Besides, this way we''re close enough to hear everything." I roll my eyes but don''t argue. They''re right, of course. From our vantage point, we have a clear view of the meeting spot, an old loading dock with rusted metal doors and piles of discarded machinery. It''s the perfect place for a drug deal - secluded, quiet, and easy to escape from if things go south. I check my watch for the hundredth time, my nerves jangling like live wires. Derek should be here any minute, along with Squeal and his muscle. The anticipation is killing me, the not knowing what''s going to happen next. I peek out again through the handhold, squinting my eyes, cupping them, trying anything that would help me see that much better into what I''m seeing in the distance. I nudge Jordan, my voice a barely audible whisper. "Hey, do you see anything out there? In the shadows?" Jordan frowns, their eyes narrowing as they follow my gaze. "I don''t know. It''s hard to tell. Why, what do you see?" I shake my head, the unease growing stronger by the second. "I''m not sure. But I feel like... like we''re not alone out here." Jordan opens their mouth to reply, but before they can say anything, the sound of footsteps echoes through the empty streets. We both freeze, our eyes locked on the approaching figures. It''s Derek, looking every inch the hardened criminal in his leather jacket and ripped jeans. He''s got a duffel bag slung over one shoulder, and I know it''s filled with cash - or at least, what looks like cash. He''s also got a gun tucked into the waistband of his jeans, but I know it''s not loaded. We''re not here to start a shootout. I hope. Chapter 78.2 A moment later, two more figures emerge from the shadows - Squeal and his henchman. Squeal is a scrawny, twitchy man with a patchy beard and sunken eyes that dart around nervously, like he''s expecting an ambush at any moment. He''s got a backpack slung over one shoulder, and I can see the outline of the pill baggies through the thin fabric. His henchman is a different story - a mountain of a man with a shaved head and a neck thicker than my thigh. He''s got a mean look on his face, like he''s just waiting for an excuse to start swinging. Derek raises a hand in greeting, his posture loose and casual. "Squeal. Glad you could make it." Squeal flinches at the sound of his own name, his eyes darting around the empty loading dock. "Yeah, well, you didn''t leave me much choice, did you? This better be legit, man. I don''t like being jerked around." Derek nods, his expression serious. "It''s legit. You got the product?" Squeal hesitates for a moment, then nods jerkily. He shrugs off his backpack and unzips it, revealing dozens of paper baggies filled with green capsules. "It''s all here. Unlabeled, like you asked. But I gotta tell you, man, this is some crazy shit. I don''t know what you''re planning to do with all this Jump, but it ain''t gonna be pretty." Derek frowns, eyeing the baggies warily. His eyes twitch. "What do you mean, unlabeled? How am I supposed to know what''s what?" Squeal shrugs, a nervous tic pulling at the corner of his mouth. I can''t tell if he''s dicking Derek around on purpose, or if he''s just so spaced out that he legitimately forgot. "That''s the deal, man. You''re buying in bulk, so you don''t need the descriptions. It''s all the same shit anyway. Just different batches, different powers." Derek looks like he''s about to argue, but then he seems to think better of it. He takes a deep breath, pinches the bridge of his nose, relaxes his shoulders, then nods. "Alright, fine. Whatever. But if any of this is bunk, I''m coming back for a refund. With interest." Squeal''s henchman takes a step forward, his fists clenched at his sides. "You best watch your mouth, boy. Ain''t nobody getting a refund here." Derek holds up his hands in a placating gesture. "Easy, big fella. I''m just making sure we''re on the same page here." He looks back at Squeal. "I''ve got a couple boys outside, but they''re keeping a respectful distance. I don''t want no trouble, but I gotta look out for my own, you know? So let''s not start any fights." The deal is in full swing now, Derek and Squeal exchanging terse words and suspicious glances. But even as I watch, my attention is divided, my senses straining to pick up on any hint of danger. I feel my stomach clench at the mention of Derek''s "boys," knowing full well that he''s talking about us. But if Squeal suspects anything, he doesn''t show it. And then, I feel it. A sudden, sharp tug at the edge of my consciousness, like a fishhook caught in my brain. Bright red. In the shadows of the warehouse, cutting themselves on... on a nail on the floor? Whoever this is, they''re professional enough to not yell out. But that doesn''t stop the sinking feeling in my throat. I turn to Jordan, my eyes wide with panic. "There''s someone else here," I hiss, my voice trembling. "We''re being set-up set-up." "The rare double sting operation," Spindle tries to joke through his teeth, even as all the color drains out of his face. Jordan''s face goes pale, their eyes darting towards the shadows. "Shit. What do we do?" they whisper. I shake my head, my mind racing. I want to call out to Derek, to warn him that something''s wrong. But I can''t, not without blowing our cover. So I do the only thing I can do. I watch, my heart in my throat, as the deal plays out. And I pray that whatever''s lurking in the shadows, whatever''s coming our way, isn''t as bad as the dread pooling in my gut. I tune back in just as Squeal nods, his fingers tapping out a nervous rhythm on his thigh. "Yeah, alright. Look, can we just get this over with? I don''t like being out in the open like this." Derek nods, slinging the duffel bag off his shoulder and tossing it at Squeal''s feet. "Sixty large, like we agreed. Count it if you want." Squeal eyes the bag for a moment, then shakes his head. "Nah, man. I trust you. Let''s just do this." He hands over the backpack, and Derek takes it gingerly, like he''s handling a live grenade. He unzips it and peers inside, his brow furrowed in concentration. The whole thing feels surreal, like something out of a bad movie. The abandoned loading dock, the baking sun overhead, the nervous energy crackling in the air. And me, crouched in a cardboard box with my two best friends (well, three, if you count Jordan), watching it all go down. I can feel my heart pounding in my chest, my palms slick with sweat. Every muscle in my body is tensed, ready to spring into action at the slightest provocation. But then, just as quickly as it began, the deal is done. Derek zips up the backpack and slings it over his shoulder, giving Squeal a curt nod. "Pleasure doing business with you," he says, his tone cold and businesslike. This book is hosted on another platform. Read the official version and support the author''s work. Squeal just grunts in response, already backing away towards the shadows. His henchman follows, his beady eyes never leaving Derek''s face. And then they''re gone, melting into the darkness like ghosts. Derek stands there for a moment, his shoulders slumped with relief. Then he turns and starts walking towards us, his pace brisk and purposeful. I let out a breath I didn''t even realize I was holding, my whole body sagging with exhaustion. We did it. We actually did it. But even as the relief starts to wash over me, a nagging thought tugs at the back of my mind. Where did Derek get all that money? Sixty grand is a lot of cash to just have lying around, especially for a guy like him. And if it''s not real... well, I don''t even want to think about what Squeal might do if he finds out he''s been duped. And then I remember. Is that guy in the corner going to do anything? Or is he just here to watch - to collect data and leave? I''m just about to voice my concerns to Jordan and Spinelli when I hear it - the unmistakable click of a gun being cocked. My heart drops. My heart stops in my chest, my eyes widening in horror. I peer through the crack in the box, my breath catching in my throat at what I see. There, lurking in the shadows of the loading dock, is another figure - a goon, his face twisted into a snarl of rage. He''s got a gun pointed straight at Derek, his finger tightening on the trigger. "Squeal!" he shouts, his voice echoing off the crumbling walls. "You double-crossing son of a bitch! You think you can just walk away with Sparkplug''s product like that?" Squeal freezes, his eyes wide with terror. "What the fuck are you doing here?" The goon steps out of the shadows, his gun never wavering from Derek''s chest, but vibrating intensely in his hand. This guy - pale skin, almost flabby, draped over him like a curtain, hair that hangs in sweaty waves over his head - looks like he''s on something. But my knowledge of drugs is minimal, to say the least. I couldn''t tell you what. "Making sure you don''t forget who you work for, you little weasel. Now hand over the Jump before I splatter your brains all over this fucking dock." Derek tenses, his hand inching towards the gun tucked into his waistband. But before he can make a move, the goon pulls the trigger. The sound of the gunshot is deafening, a thunderclap that echoes through the empty streets. I watch in horror as the bullet rips through Derek''s jacket, tearing a hole in the leather but miraculously missing his flesh. But it''s not the gunshot that makes my blood run cold. No, it''s the sound that comes after - a scream of pure, unadulterated terror that rips from Squeal''s throat, a sound that''s so loud it wraps around and turns back into force. And then, chaos erupts. An apocalyptic sonic boom blasts through the factory, shattering windows and sending debris flying in every direction. The force of it is like a physical blow, knocking me back against the wall of the box and driving the breath from my lungs. I hear Jordan cry out in pain, their hands clamped over their ears as they try to block out the deafening sound. Spinelli is curled into a ball, his eyes screwed shut and his mouth open in a silent scream. And then, just as suddenly as it began, it''s over. The silence that follows is almost as deafening as the sonic boom, broken only by the ringing in my ears and the pounding of my own heart. I blink, my vision swimming as I try to make sense of what just happened. And that''s when I realize - the box is gone. Shredded to pieces by the force of Squeal''s scream, leaving us exposed and vulnerable on the loading dock. We''re sprawled out on the concrete, tangled together like a pile of puppies. Jordan is on top of me, their elbow digging into my ribs, while Spinelli is draped across my legs, his face pressed against the ground. For a moment, nobody moves. Nobody even breathes. We''re all too stunned, too shell-shocked to do anything but lie there and try to process what the fuck just happened. And then, Squeal starts to scream again. "It''s a setup!" he shrieks, his voice high and panicked. "You fucking set me up, man! You brought the fucking cops!" He''s pointing at us, his finger shaking with rage and fear. I can see the whites of his eyes, the sweat pouring down his face. He looks like a cornered animal, ready to lash out at anything that moves. Derek staggers to his feet, his face a mask of confusion and anger. "What the fuck are you talking about? I didn''t bring no cops! These are my fucking boys, I had to make sure!" But Squeal isn''t listening. He''s backing away, his hands held out in front of him like he''s trying to ward off an attack. "Fuck this, man. Fuck all of you. I''m out of here." He turns to run, but before he can take more than a few steps, the goon is on him. He grabs Squeal by the collar, yanking him back with a snarl of rage. "You''re not going anywhere, you little shit," he growls, his gun pressed against Squeal''s temple. "Not until you give me what''s mine." Squeal whimpers, his eyes darting around like a trapped rat. "I just sold it, man. I swear to God. It''s his! Go take it from him! I don''t have any more!" The goon''s face twists into a sneer of disgust. "Then I guess you''re not much use to me anymore, are you?" He cocks the gun, his finger tightening on the trigger. I watch in horror, my heart pounding in my chest, my mind racing with a thousand different scenarios of how this could play out. But before the goon can pull the trigger, Derek is on him. He tackles the goon from behind, sending them both crashing to the ground in a tangle of limbs and curses, the other man''s skin visibly warping and shifting. I don''t think that''s a superpower. I think he just looks like that. The gun goes flying, skittering across the concrete and coming to rest just a few feet from where I''m lying. I lunge for it, my fingers closing around the grip just as the goon breaks free of Derek''s hold and makes a grab for it himself. For a moment, we''re locked in a desperate struggle, both of us tugging at the gun with all our strength. I can feel the metal biting into my palm, the sweat trickling down my face and into my eyes. But I''m not letting go. Not now. Not when everything is on the line. I grit my teeth, summoning every ounce of strength I have left. And then, with a final, desperate yank, I wrench the gun free from the goon''s grasp. I scramble to my feet, the gun held out in front of me with shaking hands. I''ve never held a real gun before. Only fakes during sparring. But I know enough to keep my finger off the trigger, to keep it pointed at the ground and away from anything I don''t want to shoot. "Nobody move," I say, my voice sounding small and thin in the vastness of the loading dock. "Everybody just stay where you are." But even as the words leave my mouth, I know it''s too late. The damage is done, the plan is shot to hell. We''re in way over our heads, and there''s no telling how this is going to play out. Derek, Squeal, and this... fella are in a pile over yonder. Jordan and Spinelli are slowly scrambling to their feet, and Squeal''s buddy is bearing down on me like an angry bear. I don''t know what to do with this gun. My muscles are tense, but sore. Angry at me. I take it, fiddle with it, and manage to pop the magazine (clip?) out, scattering it to the ground. Then, I throw the gun towards the guy charging at me. It hits him on the head, bounces off, and does nothing to slow him down. The only thing I hear in the stagnant air is Squeal screaming "GET OFF OF ME!", before another thunderclap of noise rips through me. WORLD OF CHUM: Power Laws (3)

Superhuman Geometeorological Engineering Regulation Act of 2012

Section 1: Short Title This Act may be cited as the "Superhuman Geometeorological Engineering Regulation Act of 2012." Section 2: Definitions (a) Geometeorological Engineering: The use of superhuman abilities to deliberately manipulate or alter weather patterns, atmospheric conditions, geological structures, or related environmental phenomena, beyond the scope of non-superhuman interventions such as cloud seeding, weather modification, or geoengineering. (b) Weather Control: The specific superhuman ability to influence, direct, or modify meteorological conditions such as temperature, precipitation, wind, or atmospheric pressure, in a manner or scale that exceeds the capabilities of non-superhuman weather modification techniques. (c) Geological Manipulation: The superhuman ability to alter, shape, or influence geological structures, including but not limited to the formation or modification of landforms, seismic activity, or volcanic processes, beyond the scope of non-superhuman geoengineering or geological engineering practices. (d) Superhuman Geometeorological Intervention Scale (SGIS): A quantitative measure developed by the Superhuman Geometeorological Engineering Commission (SGEC) to assess the magnitude, extent, and potential impact of superhuman geometeorological engineering activities. The SGIS ranges from 1 (minimal intervention) to 10 (global-scale alteration). Section 3: Licensing and Oversight (a) Establishment of the Superhuman Geometeorological Engineering Commission (SGEC): A federal regulatory body under the National Superhuman Response Agency (NSRA) to oversee and regulate geometeorological engineering activities conducted by superhumans. (b) Licensing Requirement: Superhumans engaging in geometeorological engineering must obtain a license from the SGEC. This license is separate from and in addition to the general License to Utilize Metahuman Abilities (LUMA). (c) Licensing Criteria: To obtain a license, applicants must meet the following requirements:
  1. Possession of a master''s degree or higher in atmospheric sciences, geology, environmental sciences, or a related field from an accredited university.
  2. Completion of a rigorous SGEC-approved training program on the scientific, environmental, and ethical aspects of geometeorological engineering.
  3. Demonstration of mastery over their specific geometeorological abilities through a series of SGEC-administered tests and simulations.
  4. Thorough understanding of potential environmental impacts and commitment to adhering to SGEC regulations and best practices.
  5. Passing a comprehensive background check and psychological evaluation to ensure mental fitness and ethical conduct.
(d) Ongoing Monitoring and Reporting: Licensed individuals are subject to regular performance reviews, mandatory continuing education, and must submit detailed reports of their activities to the SGEC on a quarterly basis. Section 4: Permitted and Restricted Activities (a) Permitted Activities: Licensed superhumans may engage in geometeorological engineering for approved purposes such as:
  1. Mitigating natural disasters, subject to SGEC approval and oversight.
  2. Assisting in scientific research, under the supervision of SGEC-approved research institutions.
  3. Supporting agricultural needs during extreme conditions, with explicit SGEC authorization and adherence to strict guidelines.
(b) Restricted Activities: The following activities are prohibited without explicit SGEC approval and are subject to stringent limitations:
  1. Large-scale weather modification with an SGIS rating of 5 or higher.
  2. Altering geological structures in populated areas or sensitive ecological zones.
  3. Interfering with natural ecosystems or biodiversity.
(c) Ban on Military or Hostile Use: The use of geometeorological engineering for military purposes, hostile intent, or any actions that may cause harm to human life or the environment is strictly forbidden. Section 5: Environmental Impact Assessment (a) Mandatory Assessment: Any proposed geometeorological engineering project must undergo a rigorous Environmental Impact Assessment (EIA) conducted by the SGEC in collaboration with relevant scientific and environmental agencies. (b) Assessment Criteria: The EIA shall evaluate potential risks, environmental consequences, public safety implications, and long-term effects of the proposed activity, using the most up-to-date scientific models and data. (c) Public Consultation: The assessment process shall include a public consultation period of no less than 90 days to address community concerns, incorporate stakeholder feedback, and ensure transparency. Stolen content alert: this content belongs on Royal Road. Report any occurrences. (d) Independent Review: The EIA must be reviewed and approved by an independent panel of experts appointed by the SGEC before any geometeorological engineering activity can be authorized. Section 6: Liability and Penalties (a) Strict Liability: Licensed superhumans are strictly liable for any damages, adverse consequences, or unintended effects resulting from their geometeorological engineering activities. (b) Penalties for Violations:
  1. Fines: Violators may face fines up to $1,000,000 for each offense, proportional to the severity and scale of the violation.
  2. License Revocation: Violations shall result in the immediate revocation of the geometeorological engineering license and the general LUMA, with a minimum 5-year ban on reapplication.
  3. Criminal Charges: In cases of willful misconduct, gross negligence, or actions resulting in severe harm to human life or the environment, violators shall face felony criminal charges punishable by up to 20 years imprisonment and fines up to $10,000,000.
(c) Liability for Unintended Consequences: Licensed superhumans shall be held liable for any unintended or unforeseen consequences of their actions, even if they adhered to SGEC regulations and best practices. Section 7: International Cooperation (a) The United States shall take a leading role in establishing international treaties and agreements to regulate superhuman geometeorological engineering on a global scale. (b) The SGEC shall collaborate closely with the United Nations, World Meteorological Organization, and other relevant international bodies to develop and enforce consistent global standards, share knowledge, and address transboundary issues. (c) The United States shall work with international partners to establish a global moratorium on hostile or military use of superhuman geometeorological engineering. Section 8: Implementation (a) This Act shall come into effect 180 days after its enactment. (b) The NSRA shall establish the SGEC and implement the licensing system within 180 days of this Act''s effective date. (c) The SGEC shall develop comprehensive regulations, guidelines, and oversight mechanisms in consultation with scientific, environmental, and superhuman community stakeholders within 180 days of its establishment. Section 9: Appropriations Congress shall appropriate the necessary funds to implement this Act, including the establishment and operation of the SGEC, development of licensing and oversight mechanisms, and support for international cooperation efforts.
Exposing the Climate Change Hoax: Why the Superhuman Geometeorological Engineering Regulation Act is a Game Changer

By William "Bill" Thompson, for capebusters.com

Greetings, readers. Bill Thompson here, back again on capebusters.com to discuss the newly-enacted Superhuman Geometeorological Engineering Regulation Act of 2012. Now, I know my regular stance on government overreach, so you might be surprised to hear me supporting this piece of legislation. But bear with me, because this act could be the key to exposing one of the greatest conspiracies of our time. First, let''s address the elephant in the room: the recent election of Laura Stewart, the staunchly pro-business Republican who''s been making waves in Washington. While some are concerned about her cozy relationship with corporate America, I believe Laura is exactly the type of leader we need right now. Why? Because she''s not afraid to challenge the status quo and take on the entrenched interests that have been pulling the strings behind the scenes for far too long. Which brings us to the Superhuman Geometeorological Engineering Regulation Act. The timing of this legislation, coming right on the heels of Laura''s election, is no mere coincidence. It''s a clear signal that the new administration is serious about tackling the rampant abuse of geometeorological powers by certain elements within the government. That''s right - I believe that the strange weather patterns we''ve been experiencing lately, from freak hurricanes to unseasonable snowstorms, are not the result of some vague "climate change" boogeyman, but rather the work of rogue government agents with weather-controlling abilities. These geometeorological operatives have been manipulating the climate for years, all in an effort to push a false narrative of man-made global warming. But with the passage of this act, their days of unchecked power are numbered. By placing strict regulations on the use of geometeorological abilities and requiring extensive oversight and licensing, this legislation effectively hamstrings the government''s ability to use the weather as a tool of deception and control. Now, I can already hear the objections from the pro-regulation crowd. They''ll argue that this act is just another example of Laura Stewart''s anti-government bias, and that we need more oversight of superhuman abilities, not less. But let''s be real - when has increased government bureaucracy ever led to more accountability? The answer is never. The only way to rein in the abuse of power is to limit that power in the first place. And that''s exactly what the Superhuman Geometeorological Engineering Regulation Act does. By making it nearly impossible for anyone to legally manipulate the weather using superhuman abilities, this legislation strikes a blow against the shadowy forces that have been pulling the wool over our eyes for far too long. So mark my words - this act is going to be a game-changer. It''s going to blow the lid off the climate change conspiracy and expose the lies that have been fed to us by the powers that be. And we have Laura Stewart to thank for it. She may not be everyone''s favorite politician, but she''s the type of no-nonsense leader we need to take on the entrenched interests and fight for the truth. So let''s all get behind this legislation and show our support for the new administration''s efforts to bring transparency and accountability to the world of superhuman abilities. Together, we can put an end to the climate change hoax and take back control of our own destinies. Chapter 79.1 The scream hits me like a physical blow, rattling my teeth and making my ears ring. I stumble back, my vision swimming, as the mountain of a man charges forward, apparently unfazed by the sonic assault. Crap, crap, crap. I have less than seconds to come up with a plan before I get knocked over like a bowling pin. What do I even do? But before I can even begin to formulate an answer, the man is on me. His meaty fist slams into my gut, driving the air from my lungs and sending me flying. I crash into a stack of crates, the wood splintering and cracking under the impact. Pain explodes through my body, sharp and fierce. But even as I''m gasping for breath, I can feel my regeneration kicking in, knitting together the bruises and cuts. It''s not enough to take away the ache, but it''s enough to keep me in the fight. I push myself to my feet, my eyes darting around the loading dock. Derek is grappling with Squeal, trying to get him in a headlock, but Squeal''s sonic screams are making it hard for anyone to keep their grip. Sparkplug''s goon has broken free in the confusion, and he''s scrambling for the gun I just tossed aside. Oh no you don''t. I lunge forward, but I''m too slow, my body still reeling from the impact with the crates. The goon snatches up the gun, a triumphant grin spreading across his face. He swings it around, pointing it straight at me. I freeze, my heart hammering in my chest. But before he can pull the trigger, Jordan makes their move. The space between the goon and me suddenly warps, the gun''s aim going wide as the very air seems to twist and stretch, cut in an incorrect arc, shoving me aside diagonally in a way that''s hard to explain. The bullet ricochets off the concrete, missing me by inches. I let out a breath I didn''t realize I was holding, my knees going weak with relief. All bullets disposed of, unless someone grabs the discarded magazine. Spinelli takes advantage of the distraction, charging towards the pile of struggling bodies that is Derek, Squeal, and Sparkplug''s goon. He throws himself into the fray, his limbs wrapping around them like a human straightjacket. For a moment, it looks like he might actually have them subdued. But then Squeal lets out another ear-splitting scream, and Spinelli''s grip loosens as he flinches away from the noise. We''ve got to end this. My gaze darts around going wide, looking for something, anything that can give us an edge. Before someone gets seriously hurt. Before I can come up with a plan, the mountain of a man is on me again, his fists swinging with wild abandon. I duck and dodge, trying to stay out of reach, but it''s like trying to avoid a wrecking ball. Just hold on, I tell myself, gritting my teeth as a glancing blow sends sparks of pain shooting through my jaw. Just hold on a little longer. I charge at the mountain man, since that''s what he is in my mental world now - a mountain, not a man - dropping into a slide at the last second to zip between his legs, skidding off my knee-pads and shinguards. I pop up behind him, spinning to deliver a kick to his back. The man stumbles forward, off-balance, but he recovers quickly. Too quickly. My body is still weak, still not fully recovered from the damage Chernobyl inflicted. My muscles ache. Radiation sickness is a hell of a thing, and even with my regeneration and months of recovery, I''m not back at peak performance yet. Aikido training can only compensate for so much of a size difference when you''re running on empty. The man''s meaty hand swats me like a fly, sending me tumbling across the floor. I land in a heap, my head spinning, my lungs burning as I struggle to catch my breath. Derek sees me in trouble and rushes to help. He tackles the mountain man with all his strength, but it''s like trying to bring down a brick wall. The man hardly budges. With a roar of anger, he grabs Derek and throws him off, sending him skidding across the floor to land in a tangled heap on top of me. "Sorry," Derek mutters, his face inches from mine as we struggle to untangle ourselves. "Don''t mention it," I grunt, shoving him off me. Across the loading dock, Jordan expands the space around Squeal, trying to trip him with narrow slices, giving Spinelli room to maneuver. Spinelli seizes the opportunity, lunging forward to wrap his elongated arms around Squeal in a chokehold. For a moment, it looks like he''s got him. But then Squeal twists in his grip, sinking his perfectly white teeth into Spinelli''s arm. Spinelli yelps in pain and loosens his hold, giving Squeal the chance to wriggle free. The fight has split into two separate brawls now - Squeal and Spinelli grappling with each other, while Sparkplug''s goon tries to make a break for it. And then there''s me, Derek, and the mountain man, trading blows in a desperate struggle. Jordan is the linchpin, using their powers to mediate both fights. They''re pulling crates over and shoving them away, the air quickly filling with dust from their degrading spatial duplicates. They''re opening the air, making our enemies swing wide, and then bringing us in close to swing back. I spot a length of metal pipe lying amid the shattered crates. I snatch it up, feeling the solid weight of it in my hands. This''ll do. I swing the pipe at the mountain man''s thighs with all my strength. It connects with a sickening crack, and the man roars in pain, his leg buckling under him. He stumbles, off-balance, and I press my advantage, raining down blows on his head and shoulders. Just because I''m a superhero doesn''t mean I need to fight fair, especially with someone who has like two hundred pounds over me. But even injured, the man is a powerhouse. He surges back to his feet, his eyes blazing with fury. He swings a fist at my head, and I barely manage to duck in time, feeling the wind of its passage ruffle my buzz cut. Love this story? Find the genuine version on the author''s preferred platform and support their work! We can''t keep this up. As if in answer to my thoughts, I hear Jordan shout a warning. "He''s getting away!" I turn just in time to see Squeal making a break for the exit, the duffel bag clutched in his arms, along with Derek''s bag. My heart sinks. We can''t let him get away, not with all the drugs. He can keep the duffel bag. But Jordan is on it. They cut the space in front of Squeal, dragging several heavy crates into his path. Squeal slams into them at full speed, the impact sending him tumbling to the ground. "Nice one, Jordan!" I shout, a grin spreading across my face. But the grin fades as I turn back to the mountain man, who is now running far past me, charging with his shoulder lowered. Not at me. At Jordan. I get in the way, getting bowled over but grabbing hold of his clothes like a monkey. Teeth from my fingertips tear into the cloth, and I try to scramble him like an omelette the best I can, cramming as many of my hard points like my elbows against his crotch - only to be met with the uncomfortable tinking of elbow against cup. At least he''s not going after Jordan anybmore. Derek, having recovered from being thrown, leaps onto the mountain man''s back, trying to get him in a chokehold. The man reaches back, grabs Derek, and flings him over his shoulder, slamming him into me. We go down in a tangle of limbs, the air rushing out of my lungs in a painful whoosh. Derek staggers to his feet, wiping blood from his splinted nose. He slides his brass knuckles onto his fingers, the metal glinting dully in the dim light. We rush the mountain man together, a coordinated assault. I slide low, sweeping the man''s legs, while Derek goes high, delivering a powerful uppercut. The combined attack finally staggers the brute, sending him reeling backwards. Across the warehouse, Squeal and Spinelli are locked in a bizarre, contorted battle. Spinelli wraps himself around Squeal like a squid, trying to choke him out, but Squeal''s sonic screams keep forcing him back. It''s a stalemate, neither one able to gain the upper hand. Every time Spinelli''s hands meet Squeal''s throat, they bounce off, like he''s trying to touch a hot pan. The mountain man, enraged, lunges at Derek and me. I push Derek out of the way and take the full force of the tackle myself. We slam into the concrete floor, and I feel my ribs crack under the impact. Pain explodes through my chest, and I taste blood in my mouth. The mountain man and I both spit out teeth - mine from the impact, his from Derek''s uppercut earlier. It''s okay, though. My teeth are meant to be shed. Jordan takes their eyes away from the Spinelli/Squeal/Henchman fight for a moment, just long enough to throw a piece of wood at the mountain man. It bounces off his head, distracting him long enough for Derek to get him in a headlock. This time, I latch my claws into his shoulders and keep him on the floor. Jordan turns their attention to the other fight, but that''s okay, because I can keep this guy here. He roars in pain, losing more and more breath with every exhale. He struggles. His face turns purple, then blue for a moment, and then he taps out. Finally, the mountain man goes limp, collapsing to the floor in an unconscious heap. "Count sheep, bitch." Spinelli, still grappling with Squeal, manages to wrap himself around the screaming villain, pinning his arms to his sides. But Squeal unleashes a deafening sonic blast, causing Spinelli to lose his grip and everyone else to clutch their ears in pain, me included. I feel blood trickling out a little bit, but I don''t know if it''s from my eardrums or some other part of my busted face. In the confusion, Squeal grabs the duffel bag and bolts for the exit. Jordan tries to contract the space around him again, but they''re too drained from the constant use of their power. Sparkplug''s henchman, seeing his chance, makes a break for it as well. I stagger to my feet, ignoring the stabbing pain in my ribs. I give chase, but Squeal''s sonic scream has left me disoriented, and every breath feels like a knife in my chest. By the time I get anywhere, Squeal is gone out the back of the warehouse dock, and I can hear his car sloppily peeling out, likely leaving rubber marks on the asphalt. I take a deep breath, and spit out a loogie consisting of a: blood b: snot c: another tooth. Back inside, Derek and Spinelli have managed to subdue Sparkplug''s goon, tying him up with some zip ties, probably Jordan''s. The mountain man is out cold, his face bruised and swollen, and his throat looking raw. We regroup, battered and bruised but alive. Jordan is pale and shaky from overusing their powers, and Derek is nursing a broken nose on top of his already broken nose from Elias. Spinelli seems relatively unscathed, but he''s quiet, his usual jokes absent, looking at his fingers. Oh. They''re twisted the wrong way. Uh. He gingerly wraps them inside the crook of his elbow and twists them back the right way with a wince. Okay, I think that''s normal for him. As for me, my body is already knitting itself back together, the cracks in my ribs sealing up, the bruises fading. Well, not that fast. But still. Dammit. I clench my fists. Dammit, dammit, dammit. We could''ve just grabbed Squeal and interrogated him here, but now it''s all fucked up. With the mountain man knocked out cold and Sparkplug''s goon tied up, we take a moment to catch our breath and assess the damage. Jordan rummages through the scattered crates, looking for anything we can use for first aid. "You okay?" Derek asks me, eyeing the blood on my chin. I run my tongue over my teeth, feeling the sharp edges of the new ones already pushing through my gums. "Yeah, I''m good. You know me, I''ll be fine in a few minutes." Derek shakes his head, a bemused smile on his face. "Do you need to see a dentist, man?" I shrug, wincing as the movement sends a stab of pain through my ribs. "No, they''re supposed to do that." Jordan returns with a few clean rags and a half-empty bottle of water. It''s not much, but it''s better than nothing. We take turns cleaning the blood from our faces and hands, trying to make ourselves look a little less like we just got our asses kicked. Sparkplug''s goon, meanwhile, is thrashing against his bonds, spitting curses at us. "You think you''re so tough?" he sneers. "Just wait until Sparkplug gets his hands on you. He''ll make you sorry you ever messed with us." I ignore him, focusing on the throbbing pain in my side. Cracked ribs, I think, probing gently at the tender spot. Probably two or three. They''ll heal, but it''s going to hurt like hell in the meantime. Jordan, ever the resourceful one, spots something sticking out of the goon''s pocket. They reach in and pull out a battered old flip phone. "Hey!" the goon protests, struggling harder against the ropes. "That''s mine! You can''t just take my stuff!" Jordan flips the phone open, scrolling through the contacts. "Oh, I think we can. Seeing as how you and your buddy just tried to kill us and all." They find what they''re looking for and hit the call button, putting the phone to their ear. "Yeah, hello? I need to report a crime. Me and my friends were just attacked by some guys with powers. We managed to subdue them, but we''re pretty banged up. Can you send some cops and an ambulance to our location?" They rattle off the address of the warehouse, then hang up the phone and toss it back to the goon. "Help''s on the way, asshole. Hope you like prison food." We gather ourselves up, wincing at the various aches and pains. "We should get out of here," Derek says, glancing at the door. "Before the cops show up and start asking questions we can''t answer." I nod, taking a deep breath and immediately regretting it as my ribs scream in protest. "Yeah, let''s go. We need to regroup, figure out our next move." We limp out of the warehouse, leaving the mountain man and Sparkplug''s goon behind for the authorities to deal with. It''s not the victory we were hoping for, but it''s something. A small step forward in this tangled web we''ve found ourselves caught in. Chapter 79.2 The first thing I do is grab some grubby clothes from my backpack. I always keep a spare set on me for situations like this. I really need to do laundry, but I also really need to not be covered in blood, so I guess it''s a draw. I tug them on, wincing a little as the fabric drags over a small cut in my side - it''s already scabbing over, but it''s sort of tacky and sticky and pulls at the skin. There''s nothing quite like having an open wound tug on a cotton-poly blend t-shirt. I can''t in good faith recommend it. Jordan''s staring at me as I pull the shirt on, their eyes flicking down to where the wound is sealing itself up. "You good, Bee?" they ask, concern lacing their voice. "Yeah, I''m fine," I reply, tugging the shirt down over my stomach. "Just a flesh wound." I grin at them, but they don''t seem to find it as funny as I do. Tough crowd. We''re all beat up, but we''ve got work to do. I grab the backpack full of Jump pills and sling it over my shoulder, nodding at Spindle. "C''mon, let''s get these to the Defenders." He nods back, and we head out, leaving Jordan and Derek to deal with the aftermath of the fight. The trip to the Defenders'' base is uneventful, just a quick jaunt through the city. We drop off the pills with a brief explanation of where they came from, and then we''re on our way back to the Tacony Music Hall. No fuss, no muss. Just another day in the life of a superhero.
When we get back to the Tacony Music Hall, Derek''s got a handful of Monopoly money spread out on the table, sorting through it with a furrowed brow. He glances up as we enter, a wry grin spreading across his face. "Admiring your handiwork?" I ask, dropping my backpack by the door and wandering over to the table. "Something like that," Derek replies, holding up a bright orange $500 bill. "Just thinking about how much easier our lives would be if this was real money." Jordan snorts, flopping down onto the couch. "Yeah, because using counterfeit cash always ends well." "Hey, I never said anything about using it," Derek protests, but there''s a glint in his eye that makes me think he''s not entirely joking. "Uh-huh, sure," I say, poking at the pile of fake money. "So why''d you use Monopoly money for the drop, anyway? Wouldn''t it have been more convincing to use, I don''t know, actual cash?" Derek shrugs. "Oh sure, let me just pull 60 grand out of my ass real quick," he says, rolling his eyes. "Monopoly money was the best I could do on short notice." "You could''ve at least gotten some of those prop bills they use in movies," Jordan suggests, but Derek waves them off. "Oh please, like you can just waltz into a store and buy that stuff," he scoffs. "Trust me, I know a thing or two about fake money. It''s not as easy to get your hands on as you might think." I raise an eyebrow at him. "And how exactly do you know so much about counterfeit cash?" I ask, a teasing lilt to my voice. Derek freezes for a second, then shrugs, a little too casually. "I read a lot," he says, but I''m not buying it. "Uh-huh, I''m sure that''s it," I say, grinning at him. "Admit it, you''ve got a secret life of crime we don''t know about." "I do not!" Derek protests, but he''s fighting back a smile. "I''m just¡­ resourceful." "Oh, is that what we''re calling it now?" I ask, laughing. "Resourceful?" "Hey, it''s not a crime to be smart about things," Derek says, holding up his hands in mock surrender. "Besides, it''s not like I''m out there passing fake bills or anything. I just know how to get creative when I need to." Unauthorized reproduction: this story has been taken without approval. Report sightings. I shake my head, still grinning. "Whatever you say, master criminal." Derek grumbles something under his breath about ungrateful teenagers, but I''m already moving on, my attention caught by Jordan, who''s hunched over their laptop with a look of intense concentration on their face. "Whatcha got there, Jojo?" I ask, plopping down next to them on the couch. Jordan doesn''t look up, their fingers flying over the keys. "GPS tracker," they mutter, their eyes glued to the screen. "I''m trying to get a lock on Squeal''s location." That piques my interest. I lean in closer, peering at the laptop screen. There''s a map of the city pulled up, with a little blinking dot moving slowly across it. "Is that him?" I ask, pointing at the dot. Jordan nods. "Yep. We might not have gotten him tied up and singing like a canary, but at least we can keep tabs on him." "And we got some of those nasty pills off the street," Derek adds, coming over to join us. "That''s a win in my book." I hum in agreement, watching as the little dot that represents Squeal winds its way through the streets of Kensington. It''s moving erratically, doubling back and taking odd turns like he thinks he''s being followed. "Looks like someone''s got a case of the paranoids," I muse, tracing the dot''s path with my finger. "Can you blame him?" Jordan asks, glancing up at me. "Dude just got jumped by a bunch of superpowered teenagers. I''d be looking over my shoulder too." I snort out a laugh. "Fair point." We fall silent for a bit, all three of us huddled around the laptop, watching Squeal''s signal move across the map. It''s almost hypnotic, the way it weaves and bobs through the city streets. I find myself getting lost in the motion, my mind wandering. I start thinking about the fight, replaying it in my head. The adrenaline, the chaos, the blood - both mine and the bad guys''. It''s a familiar dance at this point, but it never gets any easier. Every fight takes a little piece of me with it, leaves me a little more battered and bruised, inside and out. But then I think about the pills we took off the streets, the dealers we put out of commission, even if it was just for a little while. I think about the people we might have saved, the lives we might have changed. It makes the bruises worth it. "Huh, looks like he''s heading into Port Richmond," Jordan says, snapping me out of my thoughts. I blink, refocusing on the screen. Sure enough, Squeal''s signal is moving north, towards the river. "What''s he doing all the way out there?" Derek wonders, frowning at the map. I''m so focused on the screen that I almost don''t notice the way Derek''s gingerly touching his nose, wincing a little. Almost. "You okay there, big bad wolf?" I ask, nudging Derek with my elbow. He startles a bit, then shrugs, wincing as the motion jostles his clearly broken nose. "Yeah, I''m fine," he says, but I''m not buying it. "Dude, your nose is like¡­ crooked," I point out, and Derek sighs, reaching up to gingerly prod at the misshapen appendage. "It''s been broken like twelve times," he admits, and I gape at him. "What? How?" Derek shrugs again, then seems to regret it as pain flashes across his face. "When you get punched in the face, either your nose goes or your jaw goes. Nose is the most prominent part of your face, so¡­" He trails off, like that explains everything. "That can''t be healthy," I mutter, but Derek just grins, a little lopsided due to his busted nose. "How do you sleep? Do you just mouth breathe it?" "In werewolf form," he says, like that''s a totally normal thing to say. "It resets to peak condition and then re-breaks itself when I wake up. So it''s only really a problem during the daytime. I just go and get it handled at the doctor the next day. I know a guy. Does dogs and people." That catches my interest. "Wait, really? What''s that like, sleeping like a dog?" I ask, genuinely curious. Derek snorts. "I don''t just curl up on the floor, if that''s what you''re thinking," he says, shaking his head. "I''ve got a big cage, like the ones they use for those huge dogs that keep people warm. Great Pyrenees, I think they''re called." My eyebrows shoot up. "You sleep in a cage?" I ask, a little incredulous. Derek nods. "Have to. When I''m in wolf form, I lose the dexterity to handle doorknobs and stuff. Plus, it''s hard, to control the urge to murder other human beings. The cage keeps me contained. It''s for people''s safety." There''s a heaviness to his words that makes me pause. I never really thought about how much control it must take for Derek to keep his wolf side in check. The fact that he has to literally cage himself at night just to keep from hurting people¡­ that sucks! "That sounds rough, man," I say quietly, and Derek shrugs, then hisses in pain, apparently having forgotten about his nose again. "It is what it is," he says, but there''s a weariness in his voice that belies his casual tone. "I lose about half my life to the nighttime anyway, so I might as well spend it sleeping. I get up with the dawn, get a jump start on the day while the rest of you are still snoring away." That piques Jordan''s interest. They look up from their laptop, eyebrows raised. "So you''re like, a super early riser then?" they ask, and Derek nods. "Yep. Up with the sun, every day." "Huh," Jordan says, looking thoughtful. "I never pegged you for a morning person." Derek grins, a little sharp around the edges. "Nobody''s pegged me." "Huh?" I ask, not understanding. He cackles. I''m about to ask what else is part of the werewolf lifestyle when Jordan suddenly sits up straight, their eyes going wide as they stare at their laptop screen. "Uh, guys?" they say, their voice tight with concern. "We might have a problem." Chapter 79.3 Derek and I exchange a look, then crowd around behind Jordan, peering over their shoulder at the screen. It takes me a second to realize what I''m seeing - or rather, what I''m not seeing. "The transmitter stopped transmitting," Jordan says, pointing at the map on the screen. Sure enough, the little blinking dot that represents Squeal''s location is conspicuously absent, leaving only the trail going right to the Delaware. "What happened?" I ask, a sinking feeling in my gut. Jordan taps a few keys, their brow furrowed in concentration. "Last known location was near the Delaware River," they say, tracing a finger along the map. "And then¡­ nothing." "You think he threw it in the river?" Derek asks, and Jordan nods. "That''s my guess. Water would short out the transmitter pretty quickly." I let out a frustrated groan, dragging a hand down my face. "Great. So we''re back to square one, then." Jordan sits back, looking pensive. "Maybe not entirely," they say slowly, tapping their chin. "I might be able to triangulate his last known position, give us a general area to search. It''s not much, but it''s something." I nod, feeling a flicker of hope spark in my chest. "Okay, that''s good. That''s a start." Derek claps a hand on Jordan''s shoulder, grinning. "Look at you, being all tech-savvy," he says, and Jordan rolls their eyes, shrugging off his hand. "Should''ve thought of this before we came up with this stupid plan¡­" "Yeah, yeah, I''m a regular Bill Gates," they mutter, but I can see a pleased little smile tugging at the corner of their mouth. "Just give me a few minutes to work my magic, okay?" But after minutes pass, and nothing comes up, Derek finds himself looking out the window, at the slowly setting sun. And he has a look on his face, a look that''s sort of like¡­ I''m not supposed to be out here this late. He sighs and pinches his splinted nose again. "I can''t keep waiting all day for this, so let''s table it for now. And I''ll let you know - I have a better plan tomorrow." "Oh yeah?" Jordan asks, eyebrow raised, not looking away from their computer. "Yeah. Trust me."
As I make my way through the familiar streets of Tacony-Mayfair, my mind is still buzzing with the events of the past few days. The warehouse fight, the lost transmitter, the tantalizing clues about the Jump drug trade - it''s a lot to process, even for someone with my particular set of skills. I''m so lost in thought that I almost don''t notice the figure stepping out of the shadows ahead of me, their movements smooth and purposeful. But as they draw closer, I feel a spark of recognition, followed by a jolt of surprise. It takes a second for me to recognize - I catch her kung fu gear and the haircut before her face really¡­ clicks into place. But as Sundial approaches, I see that her posture is relaxed, her hands held out in a gesture of peace. "Bloodhound," she greets me, her voice calm and measured. "I was hoping I''d run into you." I raise an eyebrow, curious despite myself. "Oh yeah? And why''s that?" Sundial''s eyes are serious behind her mask. "I''ve been investigating our little drug problem. And from what I''ve seen, it''s bigger than either of our teams can handle alone." "I''m listening," I say cautiously, and Sundial nods. "I''ve been using my powers to track the drug trade, to try and get a sense of the scope of the problem. And what I''ve seen is troubling, to say the least. I investigate local gunshots and 90% of them, including yesterday''s, are some sort of fight over Jump and Fly. And¡­" she rubs her temples together. "I''m starting to get a little tired of it." If you discover this tale on Amazon, be aware that it has been stolen. Please report the violation. "So what do you propose?" I ask, my voice steady despite the churning in my gut. Sundial looks me in the eye, her gaze intense. "I propose we work together. Pool our resources, share our intel. We''re stronger as a team than we are apart. You have your¡­ guys, I have the Titans. We''ll get a big jamboree together. Maybe bother the Young Defenders about it. Maybe bother the Sirens about it. Maybe the Phreaks." "Not the Phreaks," I say, cutting a hand in front of her face. Well, sort of under it, given the height difference. Sundial is¡­ taller than me. I am not staring at her chest. I am straining my neck to look up at her. "Yeah, not the Phreaks," she mirrors. I don''t ask about the Sirens - a group I''m unfamiliar with. I hesitate for a moment, weighing the risks and benefits in my mind. "Okay," I say finally, holding out my hand. "Let''s do this. Let''s take these bastards down."
When I arrive at the Tacony Music Hall, I find Jordan and Spindle already there, huddled around Jordan''s laptop with Derek looming over their shoulders. They all look up as I enter, and I can see the same mix of excitement and trepidation on their faces that I''m feeling in my gut. "Sundial wants to meet up," I say without preamble, and Jordan nods. "We know. We got the message too," Spindle says. "I mean, I didn''t meet Sundial. Was some other girl. But I guess the Titans? She said the Titans want to meet up." "I got a guy," Jordan interrupts. I raise an eyebrow. "She asked all of us?" Spindle shrugs. "Guess she wanted to make sure we were all on the same page." I nod, then turn to Derek. "You think you can track Squeal from the last known location on the GPS map? You mentioned something about it yesterday." Derek''s face peels downward into a smug grin. "Yeah. You may have took the name Bloodhound but you don''t got a nose like me." I raise an eyebrow at him like he''s grown two heads. "You serious?" Derek stares bullets in me. "I do not know if I am ontologically capable of being un-serious." "Alright, Pythagoras," Jordan quips from the corner. What follows is a whirlwind of activity as we all scramble to gather the necessary equipment and supplies. Jordan and Spindle head out to set up surveillance cameras and microphones around the area where Squeal was last seen, while Derek and I hit the streets, our noses to the ground (literally, in Derek''s case). It''s slow going at first, with Derek stopping every few feet to sniff the air, his eyes closed in concentration, face wrapped up in the scraps of my old costume - ''Fenrir''. I feel a little ridiculous, trailing behind him like a lost puppy, but I force myself to stay focused, to trust in his abilities. Frankly, my old costume fits better on him than it does me. With his hair stuffed under it and his broad shoulders it cuts an intimidating silhouette. And then, suddenly, we catch a break. Derek''s head snaps up, his eyes wide and alert. "I''ve got something," he says, his voice tight with excitement. "It''s faint, but it''s definitely Squeal. Dude smells like a dentist''s office. And cocaine." I feel a thrill of adrenaline surge through me as we take off, following Derek''s nose through the winding streets of Kensington. We move quickly, darting through alleyways and across busy intersections, drawing more than a few curious stares from passersby. But I barely notice the attention, my focus narrowed down to the hunt, to the thrill of the chase. This is what I live for, the rush of adrenaline that comes with using my powers for good, with making a real difference in the world. We track Squeal''s scent for hours, winding our way deeper into the heart of North Philly. The trail leads us to a run-down apartment block, the kind of place where people go to disappear, to fade into the background of the city. Derek comes to a stop outside the building, his nose twitching as he takes in the scent. "He''s here," he says, his voice low and certain. "Or at least, he was recently." I nod, my heart pounding in my chest. This is it, the breakthrough we''ve been waiting for. With any luck, we''ll be able to pick up Squeal''s trail from here, to follow him straight to the source of the Jump drug problem. But first, we need to set up surveillance, to gather as much intel as we can before we make our move. I pull out my communicator and send a quick message to Jordan and Spindle, letting them know our location. They arrive a short while later, arms laden with equipment. Together, we set up a perimeter around the apartment block, carefully placing cameras and microphones in strategic locations. Spindle proves invaluable in this effort, his flexibility and small size allowing him to squeeze into tight spaces and place the devices in spots that would be impossible for the rest of us to reach. As the sun begins to set, we finish our work and regroup back at the Tacony Music Hall, exhausted but exhilarated. Well, we regroup, and Derek heads home. We''ve made more progress in one day than we have in weeks, and the prospect of finally getting some answers, of making a real dent in the Jump problem, is enough to keep us going. But there''s still one more piece of the puzzle to put in place. The next afternoon, we find ourselves pulling up outside a nondescript garage in Tacony, the designated meeting spot for our rendezvous with the Tacony Titans. I feel a flutter of nerves in my stomach as we exit the van, my eyes scanning the street for any sign of trouble. This is a big moment, a chance to forge a powerful alliance in the fight against the Jump drug trade. I take a deep breath, trying to calm my racing thoughts. Beside me, I can sense the others doing the same, their postures tense and alert as we approach the garage door. I knock shave-and-a-haircut, and it begins to creak open. WORLD OF CHUM: Superhuman Autopsy (1) AUTOPSY REPORT Case #: SH-2024-0623 Date of Autopsy: June 23, 2024 Decedent: Michael Thompson (Codename: "Goliath") Age: 35 Known Powers: Super Strength Circumstances of Death: Died of apparent natural causes at his residence. INTRODUCTION Michael Thompson, known by the codename "Goliath," was a registered superhuman with the power of super strength. He was found deceased in his apartment on June 22, 2024, by a concerned neighbor who hadn''t seen him for several days. Thompson had a history of working as a licensed hero, assisting local law enforcement and emergency services. The purpose of this autopsy is to determine the cause of death and to investigate the physiological adaptations and potential toll of his super strength. EXTERNAL EXAMINATION The body is that of a heavily muscular male, with a height of 6''7" and an estimated weight of 375 pounds. The decedent''s musculature is extraordinarily well-developed, with muscle fibers that feel unusually dense to the touch. The skin bears numerous scars, some of which appear to be from old combat injuries, while others resemble stretch marks, likely due to rapid muscle growth. The hands are heavily calloused, and the knuckles show signs of repeated trauma. The skeleton appears to be significantly more robust than that of an average human, with visible thickening of the long bones and joints. INTERNAL EXAMINATION Skeletal System: Upon examining the bones, it becomes clear that they have adapted to withstand immense forces. The cortical bone is significantly thicker than normal, and the trabecular bone has a unique, reinforced lattice structure. Numerous healed microfractures and stress fractures are evident throughout the skeleton, particularly in the load-bearing bones such as the femurs, vertebrae, and pelvis. The joint spaces are narrowed, and the articular cartilage shows signs of accelerated wear. Muscular System: The muscle fibers are unlike any I have seen before. They are incredibly dense, with a unique arrangement of myofibrils and an abundance of mitochondria. The sarcomeres appear to have a novel structure, likely allowing for greater force generation. There is evidence of extensive micro-tearing and rapid healing throughout the musculature, with some older scar tissue present. The tendons and ligaments are thickened and reinforced, resembling those of a much larger animal. Cardiovascular System: The heart is hypertrophied, weighing nearly twice that of an average adult male. The myocardium is thickened, particularly in the left ventricle, and the heart valves are enlarged and reinforced. The coronary arteries are wider than normal, with thickened walls to accommodate increased blood flow. The aorta and other major blood vessels are similarly enlarged and reinforced. There are signs of mild atherosclerosis and some focal areas of fibrosis in the heart muscle. This story is posted elsewhere by the author. Help them out by reading the authentic version. Respiratory System: The lungs are remarkably large, with an increased number of alveoli and enhanced elastic recoil. The diaphragm is thickened and has a greater surface area for attachment, likely to generate more forceful contractions. The intercostal muscles are also hypertrophied, and the rib cage appears denser and more robust than normal. Microscopic examination reveals signs of chronic inflammation and oxidative stress in the lung tissue. Other Organ Systems: The liver, kidneys, and spleen are all enlarged, with evidence of increased metabolic activity and cellular turnover. The cells in these organs have a higher concentration of mitochondria and specialized enzymes, likely to support the increased energy demands of the decedent''s powers. The gastrointestinal tract has thickened walls and shows signs of increased absorption capacity. The endocrine glands, particularly the adrenal glands and thyroid, are hyperplastic and show evidence of chronic stimulation. ANALYSIS AND CONCLUSION The extensive physiological adaptations found in Michael Thompson''s body paint a picture of an organism pushed to its limits. The skeletal, muscular, cardiovascular, and respiratory systems have all undergone significant modifications to support his immense strength. However, these adaptations appear to have come at a great cost to his overall health and longevity. The chronic inflammation, fibrosis, and cellular damage observed in multiple organ systems suggest that Thompson''s powers placed a tremendous strain on his body over time. The accelerated wear on his joints and the evidence of repeated micro-traumas indicate that his body was constantly struggling to keep up with the demands of his abilities. While the exact cause of death remains unclear pending further laboratory analysis, it is likely that the cumulative stress of his powers contributed to his premature demise via multiple organ failure. This case serves as a sobering reminder of the potential risks associated with superhuman abilities and underscores the need for greater understanding and specialized care for individuals with powers. As a medical examiner, I have seen many unusual and disturbing cases, but the extent of the adaptations in Michael Thompson''s body is truly unprecedented. It is both awe-inspiring and deeply unsettling to witness the lengths to which the human body can transform itself, and the price it may pay in the process. Further research into the long-term effects of superhuman powers on health and longevity is crucial, as is the development of tailored medical interventions to support the unique needs of this population. We must strive to better understand and care for these individuals, not only for their own well-being but for the benefit of society as a whole. Signed, Dr. Samantha Nguyen Chief Medical Examiner Chapter 80.1 The May sun beats down on the back of my neck as I make my way through the winding streets of Tacony, the heavy fabric of my Bloodhound costume sticking to my skin in uncomfortable places. I tug at the collar, trying to get some air flow, but it''s a losing battle. Superhero costumes, as it turns out, are not designed with breathability in mind. Beside me, Derek trudges along in my old gear, ripped apart and re-stitched together presumably by his own occasionally-padded hand. He insisted on wearing it, claiming it was his "Fenrir" persona, but I think he just didn''t want to be the only one not in costume. A kevlar vest underneath denim, as opposed to his usual leather, cuts a¡­ very interesting silhouette. Jordan, resplendent in their gothy Safeguard getup, complete with their usual spray-painted motorcycle helmet and a billowing black cloak, keeps shooting him amused glances. Spinelli, of course, looks like he just stepped out of a comic book in his sleek, professional Young Defenders uniform. Mine, too. I mean, neither of our costumes are, like, professional professional, but compared to Derek and Jordan it''s a huge step up. We turn a corner and find ourselves standing in front of a nondescript garage, the kind you''d drive past a thousand times without ever noticing. But according to Sundial''s instructions, this is the place - the secret headquarters of the Tacony Titans. I take a deep breath, trying to calm the butterflies in my stomach. It''s not every day you get to team up with another group of superheroes, especially ones as respected locally as the Titans. I want to make a good impression. Sundial is waiting for us at the entrance, her form fitting karate gi fluttering in the breeze. I feel my cheeks heat up as I look at her. I quickly look away, hoping no one noticed my moment of weakness. I''m here to fight crime, not ogle pretty girls. As we step inside, I''m immediately struck by the organized chaos of the Titans'' headquarters. Every available surface is covered in gadgets, gizmos, and half-finished projects, the detritus of a thousand battles and stakeouts. In one corner, a workbench overflows with soldering irons, circuit boards, and tangles of multicolored wires. In another, a pegboard displays an arsenal of non-lethal weapons - tasers, pepper spray, collapsible batons. But what really catches my eye is the massive corkboard that dominates the far wall. It''s a spider web of string and pushpins, connecting newspaper clippings, blurry surveillance photos, and hastily scribbled notes. I step closer, my eyes scanning the headlines. "Jump Dealer Arrested in University City" "New Designer Drug Hits Streets, Causes Superpowered Chaos" "How to Talk to Your Teens About ''Jump''" "NSRA Warns of Increasing Jump-Related Incidents" And far too many others for me to really pick out beofre I notice that people are watching me and start to get self-conscious. It''s a tapestry of the Titans'' investigation, a physical representation of the tangled web we''re trying to unravel. I feel a surge of excitement, a thrill of purpose. This is what being a hero is all about. The rest of the Titans are gathered around a large table in the center of the room, their utilitarian costumes a stark contrast to the flashy, skin-tight numbers favored by most superheroes. Bandanas with holes ripped in them mark every eye socket, while layers of padded clothing and heavy boots provide protection without sacrificing mobility. Two of them sport what look like swimming goggles, and a little more padding than everyone else. I guess those are their heavy hitters? I can''t help but feel a little self-conscious in my premier gear, made by the most talented seamstress in the USA. But then I catch Sundial''s eye, and she gives me a small, approving nod. Suddenly, my costume doesn''t seem so overwrought anymore. As we gather around the table, I take in the maps and surveillance photos scattered across its surface. Red circles and hastily drawn arrows mark key locations, while scribbled notes detail patterns and theories. It''s clear the Titans have been at this for a while, piecing together the puzzle of the Jump drug trade one clue at a time. Sundial clears her throat, and the room falls silent. All eyes turn to her, waiting for her to speak. She has that kind of presence, the kind that commands attention without even trying. "Thank you all for coming," she begins, her voice calm and measured. "I know we don''t usually work with outside groups, but the Jump situation has escalated beyond what any one team can handle. If we''re going to take down this drug ring, we need to pool our resources and work together." I feel a flicker of pride at her words, a sense of validation. The Auditors may be new to the game, but we''ve taken down Chernobyl, even if nobody knows. And Jordan and I have been on the scene fighting the scumbags of the Northeast. And now, we have a chance to make a real difference, to do something other than beating the bad people up and reclaiming their money. I''m sure Crossroads would be pissed, or maybe just disappointed in me, if he knew that I was going around his back to do superheroing. And I''m sure he won''t be happy that Spinelli is enabling it. If you come across this story on Amazon, be aware that it has been stolen from Royal Road. Please report it. But oh well. "Alright, let''s get the introductions out of the way," Sundial says, her eyes sweeping the room. "I know some of you have worked together before, but for the sake of the newbies, let''s go around the table and share our names and powers. I''ll start. I''m Sundial, and I can perceive and manipulate time in limited ways." She nods to her left, where Bubble sits, her brown curls bouncing as she leans forward eagerly. I remember her. "Hi everyone! I''m Bubble, and I can create force fields. They''re pretty handy for protection and containment." Next to her, the be-goggled girl number one clears her throat. "Compass. I can sense and manipulate magnetic fields. Basically, I''m a human GPS." Moonshot adjusts her goggles, a small smile playing at the corners of her mouth. "Moonshot here. I control gravity. Walking on walls, making things float, that sort of thing." Sandman yawns, his head resting on his folded arms. "Sandman. I can control people and animals while they''re sleeping. Including myself." There''s a moment of silence, and then Derek realizes it''s his turn. He sits up straighter, puffing out his chest. "I''m Fenrir. I''m a werewolf. Enhanced senses, super strength, the whole package." I can''t help but snort. "But only after sundown." Derek shoots me a glare. "Yes. Only after sundown." "And what can you do otherwise?" I ask, raising an eyebrow. "Share for the class." "I''m¡­ good at smelling things. I keep the nose," Derek says, looking defeated at the admission. For a moment, I see a sort of why-am-I-hanging-around-all-these-teenagers look cross his face, and then the moment passes. "You''ll meet the werewolf eventually. Just dangerous right now. Saving it for the right moment." The room fills with metaphorical crickets. Spinelli clears his throat loudly, cutting off our bickering. "Anyway¡­ I''m Spindle. I can fit my body into any hole my head can fit into, basically." "Gross!" Bubble exclaims, but in a way that makes it clear she approves. Jordan, who''s been uncharacteristically quiet this whole time, finally speaks up. "I go by Safeguard. I can expand and contract enclosed spaces. Like buildings. I''m sort of useless outdoors." All eyes turn to me, and I feel a flicker of self-consciousness. "Um, I''m Bloodhound. I have shark powers. Enhanced bite force, regeneration, the ability to sense and track blood. Oh, and I can grow teeth pretty much anywhere on my body, which is both cool and deeply disturbing." Bubble''s eyes widen. "Wait, anywhere? Like, even on your-" "Yes," I cut her off quickly, feeling my face heat up beneath my mask. "including my fists." I squeeze my hands to demonstrate, a single tooth emerging from my middle knuckle on each hand, through the gaps in my gloves. It''s no Wolverine, to whom I''ve been compared to like five dozen times by now, but they''re still sharp enough to cut paper with some effort. And puncture skin. Sundial claps her hands, drawing our attention back to the matter at hand. "Great, now that we all know each other, let''s get down to business. We''ve been tracking various Jump and Fly dealers for the past week, and we think we''ve finally got a lead on Squeal''s next meeting with Sparkplug. I do believe you all have bumped into our man as well." She taps a location on the map, and my heart sinks. The Dobson Mills warehouse. I glance at Jordan, and I watch their helmet tilt towards me in recognition - the place where we first got involved with the Kingdom. Where our lives got substantially weirder. "This is where we think the deal is going down. Our plan is to stake it out, wait for Squeal and Sparkplug to show, and then take them down hard and fast. Or, at the very least, record them doing something incriminating. Either will work." I lean forward, studying the map intently. "What kind of opposition are we expecting?" Sundial shrugs. "Hard to say. Squeal''s got his sonic scream, and Sparkplug is no slouch in the power department either. He''s like a bad guy version of Professor Franklin. Plus, they''ll probably have some muscle with them. Jump-heads looking to score some free product. Paid muscle. No guarantee that any of them will or won''t have powers, so we''re going in blind and deaf to an unknown amount of assailants and looking to come out with a superpowered drug dealer in cuffs." Derek cracks his knuckles. "Nothing we can''t handle." "You make it sound so easy, Sunny D," Sandman cracks. Moonshot nods in agreement. "Between all of us, we should be able to take them down no problem. The tricky part will be making sure they don''t escape with the Jump." "That''s where Bubble and I come in," Compass says. "We''ll be on containment duty. Anyone tries to run, they''ll have to go through us." Spinelli raises his hand. "What about surveillance? We need eyes on the inside." Jordan grins. "Leave that to me and my trusty sidekick here," they say, clapping me on the shoulder. "We''ll infiltrate the warehouse beforehand, set up some cameras and listening devices. If anything goes down, we''ll be the first to know." "Plus, we''ve already got Squeal''s apartment surrounded. Between Bloodhound and I, we should be able to cover any lowlives on the way to or from the warehouse with our sensory powers," Derek chimes in. I raise an eyebrow, but make no comment. I think Derek wanted to be a superhero more than he lets on. Sundial nods approvingly. "Good thinking. Sandman, you''re on lookout duty. Use your powers to keep watch without being seen." Sandman gives a lazy salute. "Aye aye, captain." "The rest of us will be the strike team. Once Squeal and Sparkplug are in position, we move in hard and fast. Take them down before they even know what hit them." I feel a thrill of excitement at her words, a rush of adrenaline. This is what I live for, the chance to make a real difference. To put my powers to good use. But beneath the excitement, there''s a flicker of unease. A sense that something isn''t quite right. I glance around the room, trying to put my finger on it. And then I see it. A flash of movement outside the window, a glint of metal in the sun. I blink, and it''s gone. But the feeling remains, a nagging whisper in the back of my mind. The sense that we''re being watched. "Did anyone else see that?" I ask, my eyes still fixed on the window. "That flash of light outside?" The others turn to look, but the alley outside the garage is empty, still and silent in the afternoon sun. "I didn''t see anything," Bubble says, shrugging. "Maybe it was just a reflection or something." "Yeah, probably," I mutter, but I can''t shake the unease that''s settled in my gut. "Just nerves, I guess." Chapter 80.2 Sundial clears her throat, drawing our attention back to the map. "Alright, so we''re all clear on the plan? Any questions or concerns?" Spinelli raises his hand. "What about comms? How are we going to stay in touch during the operation?" Compass grins, reaching under the table and pulling out a case. She flips it open, revealing a set of sleek, high-tech earpieces. "Already got that covered. These babies have encrypted channels and a range of up to five miles. We''ll be able to coordinate without anyone else listening in." Derek whistles, impressed. "Fancy. Where''d you get those?" Compass winks. "Let''s just say I have my sources." Jordan snorts. "More like you dumpster-dived behind the NSRA building and got lucky." Compass gasps in mock offense. "How dare you! I''ll have you know that I only use the finest garbage in my tech." The tension in the room breaks as everyone laughs, and I feel some of my unease start to dissipate. These guys may be a ragtag bunch, but they know what they''re doing. We''ve got this. Sundial waits for the laughter to die down before speaking again. "Alright, if there are no other questions, let''s start getting ready. Bloodhound, Safeguard, you two head out and set up surveillance at the warehouse. The rest of us will take up our positions around Squeal''s apartment and wait for him to make a move." I nod, already mentally running through my checklist of equipment. Cameras, microphones, motion sensors - Jordan and I have gotten pretty good at this whole covert ops thing. As everyone starts to disperse, gathering their gear and checking their weapons, I catch Derek''s eye across the table. He gives me a small nod, a silent acknowledgment of the task ahead. I nod back, feeling a renewed sense of purpose. This is what we''ve been working towards, the chance to strike a real blow against the Jump trade. To make a difference. I just hope we''re ready for whatever comes next. As Jordan and I make our way out of the garage, I can''t resist one last jab at Derek. "Try not to chase any cars while we''re gone, okay? We need you in one piece for this." Derek rolls his eyes. "Hilarious. You know, you could stand to be a little nicer to the guy who''s about to risk his life fighting crime with you." I grin, punching him lightly on the shoulder. "Where''s the fun in that? Besides, I thought you big bad wolves were supposed to be tough." "Oh, I''ll show you tough," Derek growls, but there''s a glint of amusement in his eyes. "Just wait until the moon comes out. Then we''ll see who''s laughing." "Looking forward to it," I shoot back, before turning to follow Jordan out into the alley. As we step out into the sun, I take a deep breath, trying to center myself. The nerves are still there, fluttering in my stomach like a swarm of butterflies, but there''s excitement too. Anticipation. This is what being a hero is all about. The rush of adrenaline, the thrill of the hunt. The knowledge that you''re making a difference, that you''re fighting for something bigger than yourself. I glance over at Jordan, seeing the same determination in the set of their shoulders, the confident stride of their steps. They feel it too, I can tell. That sense of purpose, of rightness. Together, we set off towards the warehouse, ready to do our part. Ready to be heroes. Ensure your favorite authors get the support they deserve. Read this novel on Royal Road.
The taxi ride to Dobson Mills is a quiet one, the weight of memories hanging heavy in the air between us. Jordan stares out the window, their helmet resting in their lap, fingers tracing idle patterns on the smooth surface. I try to focus on the mission ahead, running through the plan in my mind, but my thoughts keep drifting back to that night almost a year ago. The night that changed everything. As the warehouse comes into view, I feel a chill run down my spine. It looks exactly the same as it did that night, a looming behemoth of rusted metal and crumbling concrete. The taxi drops us off a block away, and we make our way towards the building on foot, sticking to the shadows. Jordan breaks the silence first. "Feels weird, being back here," they murmur, their voice muffled by the helmet. "Like nothing''s changed." I nod, my eyes scanning the alleyways for any sign of trouble. "Yeah. Hard to believe it''s been almost a year." We reach the warehouse, and I pause at the entrance, my hand resting on the heavy metal door. There are still bloodstains on the concrete, dark and rust-colored against the gray. I remember the feel of it, slick and warm beneath my fingers as I tried to stem the bleeding from my wounds, the taste of it in my mouth as I bit and tore at our attackers. Jordan notices my hesitation, and places a hand on my shoulder. "Hey. You okay?" I take a deep breath, pushing the memories aside. "Yeah. Yeah, I''m good. Let''s do this." We slip inside, the door creaking on its hinges. The interior of the warehouse is just as I remember it, a cavernous space filled with old machinery and stacked crates. They made clothes here, once. Now there''s a corpse buried thirty feet below the concrete, just¡­ lingering there. Dead. Or maybe they dug him up, but I don''t see any scuff marks. Dust motes dance in the beams of sunlight that filter through the high windows, and the air is thick with the scent of rust and decay. As we make our way deeper into the building, I can''t help but scan for signs of our previous battle. There, in the middle of the room, that blood splatter is where I got pistol whipped in the face. And over there, by the old conveyor belt that''s long since dissolved to nothing, that''s where spent bullet casings from Mr. Polygraph''s enraged firing ended up. And the ground still has the telltale swirling smears of Mudslide''s powers. I look to the wall, to the bricks. There''s still a vaguely human-shaped pertubation (that means a disruption) in their pattern, where Mudslide opened a gap and closed it up to help his new bosses escape. It''s been so long, and there''s still so much I don''t know. How did he end up getting out of his prison sentence? How did the Kingdom find him? What are they up to? There hasn''t been any news of them since my hospitalization, and I don''t know if that''s because they aren''t doing something, or if the adults aren''t telling me. A bullet grazed me here. I shake my head, trying to dispel the image. We won that fight, if only barely. We''re still here, still fighting. But sometimes, in the dark of night, I wonder how close we came to a different ending. Jordan''s voice snaps me out of my thoughts. "Alright, where do you want to set up the cameras?" I blink, forcing myself back to the present. "Right. Cameras." I pull out the bag of equipment, handing Jordan a few of the small, wireless devices. "Let''s start with the main entrance and work our way back. I want eyes on every possible angle." We work quickly and efficiently, falling into the familiar rhythm of the task. Jordan takes the high ground, using their powers to slice the space down, so that they can reach the rafters and catwalks, angles no human could reach without flight or several ladders stacked on top of each other. I stick to the ground level, finding hidden nooks and crannies to tuck the cameras into. As I''m finishing up the last of the motion sensors, I hear Jordan let out a low whistle. "Damn. This place really hasn''t changed a bit, has it?" I glance up, seeing them perched on a nearby ledge, their legs dangling over the edge. "Yeah. It''s eerie, right? Like walking into a memory." Jordan nods, their gaze distant. "I still have nightmares, you know. About that night." I''m quiet for a moment, the admission hanging in the air between us. "Me too," I say softly. "I don''t think I''ll ever forget the way Mudslide laughed. First time I''ve ever had an adult express¡­ a real lust for murder. Towards me. But also, in general." Jordan''s quiet for a long moment, and then they let out a soft laugh. "Look at us. A couple of traumatized teens, sitting in the dark and reliving our worst memories." I can''t help but smile at that. "Yeah, well. That''s the glamorous life of a superhero, right? All PTSD, all the time." Jordan snorts. "PTSD? Really?" "That''s what my therapist says," I tell them. Jordan laughs again. "Wouldn''t trade it for the world, baby." "Me neither," I agree, and I''m surprised to find that I mean it. Despite the nightmares, despite the scars both physical and mental, I wouldn''t give this up for anything. The chance to make a difference, to help people - it''s worth every sleepless night and aching muscle. We finish setting up the rest of the equipment in comfortable silence, the weight of shared experience settling over us like a well-worn blanket. As we step back out into the fading sunlight, I take one last look at the warehouse, at the place that almost broke us. Chapter 80.3 The first day of the stakeout is a test of patience and endurance. We take turns, rotating in and out, our eyes glued to the screens and our ears tuned to the crackle of the comms. It''s tedious work, watching the grainy footage of Squeal''s apartment block through a phone app, waiting for something, anything, to happen. But nothing does. The hours drag by, the sun crawling across the sky, and the most exciting thing we see is a stray cat darting across the street. Jordan and I take turns napping in another commandeered garage, courtesy of the Titans, this one closer to Kensington than our home base. It''s during one of these lulls, as I''m struggling to focus on my homework, that I start to notice the drones. At first, I think I''m imagining things, my tired mind playing tricks on me. But then I see it again - a flicker of movement in the corner of the screen, a tiny, whirring shape darting through the sky. Seeing drones every so often isn''t exactly weird in this day and age, but seeing this many - definitely weird. I sit up straighter, my textbook forgotten. "Hey, guys? Are you seeing this?" The others crowd around the screen, squinting at the grainy footage. "Is that¡­ a drone?" Derek asks, his brow furrowed. I nod, my eyes tracking the tiny shape as it zips between buildings. "Yeah. And it''s not the first one I''ve seen today." Spindle leans in closer, his nose practically touching the screen. "What do you think they''re doing?" I shake my head, a feeling of unease settling in my gut. "I don''t know. But I don''t like it." We keep an eye out for the drones after that, noting their movements and patterns. They seem to be focused on the same area as us, circling Squeal''s apartment block like tiny, mechanical vultures. But every time we try to chase them, send someone out to examine, they vanish like ghosts. I can''t imagine who''s got the time and energy. But we can''t afford to get distracted. We have a job to do, and we''re going to see it through. Occasionally, we get a ping at the warehouse. People in masks, people wrapped up in bandanas, passing and going. Individual actors in this jockeying for position between Sparkplug and Squeal that we''re going to get our hands dirty between. I see a person there, leaving a gift behind in the machinery. I alert the others, and we make a mental note to stay away from that one. I see a person here, digging in the compacted dirt around the abandoned warehouse, leaving things behind. The list of potential traps grows larger. I fight the urge to sit there in wait, to force myself to experience action. Instead, I stay, like a dog sitting at attention, and I don''t put myself out there. It''d be so easy to fight one of these henchmen, but I can''t risk destabilizing the operation. As the days drag on, the stakeout starts to take its toll. I find myself nodding off in class, my grades slipping as I struggle to keep up with the demands of the investigation. My teachers shoot me concerned looks, and I can feel the weight of their disappointment every time I hand in a half-finished assignment. But I can''t bring myself to care. Not when the stakes are this high, not when the fate of the city hangs in the balance. Plus, it''s my freshman year of high school and I dragged myself through the rest of it with high Cs. Finals end with a splat. More high Cs. I pass. The investigation continues. School feels so useless nowadays. We fall into a routine, the days blurring together in a haze of caffeine and takeout food. We trade off shifts, catching a few hours of sleep when we can, always keeping one eye on the screens. It''s exhausting work, but we push through, driven by the knowledge that we''re doing something important, something that matters. And then, on the seventh day, just as we''re starting to lose hope, we finally catch a break. It''s Sandman who spots it first, his sharp eyes catching the flicker of movement on the screen. "Guys, heads up. Squeal''s on the move." We all snap to attention, fatigue forgotten as we crowd around the monitor. Sure enough, there''s Squeal, emerging from his apartment building with a duffel bag slung over his shoulder. He looks nervous, his eyes darting back and forth as he hurries down the street. He''s been in and out to go to the local bodega, but that''s not exactly a place we can ambush him at. Even Spinelli and I, with our slightly more official backing, still don''t have the carte blanche - the free pass - to just drop in on a guy in the middle of a store. "Maybe he''s meeting with Sparkplug?" Spindle suggests, leaning in closer to the screen. "Could be making a deal." I nod, my mind already racing with possibilities. "We need to tail him, see where he''s going." The team springs into action, adrenaline surging through our veins as we scramble to our positions. I can feel the anticipation thrumming in the air, the sense that something big is about to happen. We have the likely path already charted out, members of our combined supergroup scattered around for interception Moonshot takes to the skies, her gravity-defying leaps carrying her from rooftop to rooftop as she tracks Squeal''s movements. "He''s heading north, towards the suburbs," she reports over the comms, her voice crackling with static. "Looks like he''s trying to shake any tails. Keeps rounding corners" Together, we move out, our footsteps echoing in the empty streets. The city feels different at this hour, the usual bustle and noise replaced by an eerie stillness. It''s like we''re the only ones awake, the only ones who know the true face of the darkness that lurks beneath the surface. Derek''s out of commission, chained up at home - it''s an inconvenient time for this. Support creative writers by reading their stories on Royal Road, not stolen versions. "He''s flagging down a taxi," she reports, her tone urgent. "Looks like he''s heading somewhere in a hurry. Hopefully, to our secondary location." "Hi, everyone! Moonshot is flying me!" Bubble''s voice crackles through our earpieces. Then, its our turn to flag down taxis. Sandman stays behind in the garage to manage operations, while the rest of us head in groups, towards Dobson Mills. It''s a 40 minute run from Kensington, 30 minutes if you really hoof it, 25 if you don''t mind cutting illegally through people''s yards. In a taxi, it''s 10 minutes. Normally, I''d say I need the exercise, but time''s a wasting. It''s 3 AM, and the world feels like it''s holding its breath, waiting for something to happen. We''re scattered around the blocks surrounding Dobson Mills, each of us finding our own vantage point. Sandman''s voice crackles in my ear, directing us from his perch back at the garage HQ. "Compass, you''re on the north side. Bubble, take the east. Moonshot, you''ve got eyes from above. Bloodhound, Spindle, you''re on the ground, ready to move in if things go south." I acknowledge the orders with a quiet "Copy," my eyes never leaving the street. Beside me, Spindle shifts his weight from foot to foot, his nerves palpable in the close confines of our hiding spot. "Where''s Derek?" he asks, his voice low. "Shouldn''t he be here?" I shake my head, my lips pressing into a thin line. "Full moon. He''s turbo out of commission." Spindle nods, understanding dawning on his face. We all know the challenges that come with Derek''s unique abilities, the toll they take on him. Tonight, we''ll have to make do without him. The minutes tick by, each one feeling like an eternity. I find myself holding my breath, straining my ears for any sound of approach. And then, finally, Moonshot''s voice crackles over the comms. "I''ve got a visual. Taxi, approaching from the south-east." We all tense, ready to move at a moment''s notice. I watch as the taxi pulls up, my heart pounding in my chest as Squeal emerges, followed by three other men. They''re all carrying duffel bags, their eyes darting nervously as they make their way towards the warehouse. Well, Squeal is the most nervous. I recognize none of the others, all various kinds of muscle, each one looking violent. Ready to protect and serve their own way. "Looks like he brought backup," Spindle mutters, his eyes narrowing. I nod, my mind racing with possibilities. If Squeal''s brought muscle, it means he''s expecting trouble. We''ll need to be cautious, play this smart. Ten minutes pass, the tension growing with each passing second. And then, just as I''m starting to wonder if we''ve got it all wrong, another car pulls up. A sleek black Mercedes, its engine purring like a contented cat. "It''s Sparkplug," Sundial says, her voice tight with something I can''t quite place. For a moment, she looks distant, like she''s seeing something the rest of us can''t. But then it''s gone, and she''s back in the moment, her eyes sharp and focused. I watch as the man himself emerges from the car, tall and bald and radiating an aura of menace. He''s flanked by his own contingent of goons, each one looking like they''d happily break your nose for a nickel. Squeal and Sparkplug meet in the middle, their voices low and urgent. I strain to hear what they''re saying, but the words are lost in the distance. Still, I can see the tension in their postures, the way their hands hover near their waistbands, ready to draw at a moment''s notice. The entrance to the warehouse proper looms over them like a mouth, preparing to bite down. "We''ve got eyes and ears on this," I murmur into the comm, my voice barely above a whisper. "Multiple angles. If they do anything illegal, we''ll have the evidence we need. There''s no need to force a fight we can''t win," It''s the most painful sentence I''ve said in weeks. There''s a murmur of agreement from the others, a sense of anticipation thrumming through the group. This is what we''ve been waiting for, the chance to take these bastards down. But even as I say the words, I can''t shake the feeling that something isn''t right. Sundial''s look, the way she''d seemed to be seeing beyond the present moment¡­ it nags at me, a splinter in my mind. I force myself to focus, to push the doubts aside. We have a job to do. We can''t afford to get distracted now. As Squeal and Sparkplug''s discussion grows more heated, their voices rising in anger, I fight the urge to move in. It would be so easy to charge in now, to take them all down in a flurry of fists and teeth. We''ve got the element of surprise, and every one of us has superpowers. They have a single-number advantage, eight to seven. With an unknown number of superpowers. But I know better. We need to be smart about this. Rush in now, and we risk blowing the whole operation. Better to hang back, let the cameras do their work. If we can get evidence of a deal going down, of Jump or Fly changing hands, we''ll have everything we need to put these scumbags away for good. I''m just about to give the order to hold position when Compass''s voice crackles over the comm, strained and urgent. "Incoming!" I snap my head up, my eyes widening as I see them. Four mini drones, descending from the sky like tiny little mechanical angels of death. They hover for a moment, their cameras whirring as they take in the scene below. And then, chaos. The drones drop their payload, and the air is suddenly filled with the most godawful stench I''ve ever encountered. It''s like someone took a dumpster full of rotten eggs and set it on fire, then doused the flames with a tanker of raw sewage. I gag, my eyes watering as I try to breathe through my mouth. But that''s not the worst of it. Because in the next moment, the firecrackers start going off, a series of sharp cracks and pops that echo through the night air like gunshots. Smoke begins to pour from containers hidden among the rusted-out machinery, filling the air with an acrid haze. I curse under my breath, trying to blink the tears from my eyes. This isn''t part of the plan. Someone else is making a move, someone we hadn''t accounted for. And then I see her. A figure, darting through the smoke like a wraith. She''s clad in black from head to toe, a familiar silhouette that sends a chill down my spine. I''ve seen that costume before, those telltale gadgets and gizmos. Only once. It takes me a fraction of a second to recall, even as I forget my own advice, even as I start running. Miss Mayfly. Time seems to slow as she charges towards Squeal and Sparkplug, her baton extending with a snap. The two men reel back, their faces contorting with shock and rage as they reach for their weapons. But Miss Mayfly is faster. She leaps, her baton whistling through the air as she brings it down in a vicious arc. I see Sparkplug''s eyes widen, his mouth opening in a silent scream as the metal glints in the moonlight. And then, just as the baton is about to connect, just as the first shot rings out, the world explodes into motion. Shouts and curses fill the air, the sharp crack of gunfire mingling with the hiss and pop of the firecrackers. I see Squeal stumbling back, his hand clutching at his shoulder, blood seeping between his fingers. Sparkplug is screaming orders, his goons fanning out in a protective circle around him. But my eyes are locked on Miss Mayfly, on the way she moves through the chaos like a dancer, her baton a blur of motion. She''s a force of nature, unstoppable and unrelenting. I''m moving before I even realize what I''m doing, my feet pounding against the pavement as I charge into the fray. Behind me, I hear the others shouting, hear the crackle of the comms as they try to coordinate a response. But there''s no time for plans, no time for strategy. Because in that moment, as I watch Miss Mayfly engage with the criminals, as I see the determination in her eyes and the grace in her movements, I realize something. Something very important. Violence is inevitable. Better make the most of it. MM.2 The afternoon sun beats down on the streets of Tacony, casting long shadows across the pavement. I''m perched on a rooftop, my eyes trained on the figures moving below. Sam and Jordan, out on another one of their patrols. They move with a purpose, a kind of coiled energy that I can feel even from this distance. Professionals. Unlike me and my ilk. I try not to stare too much at Jordan. They bother me. I take a deep breath and let it pass through me, like the school counselor said. I''m not envious. I just don''t trust them. I tug my hoodie tighter around my face, the fabric rough against my skin. I hate hoodies. They itch, and they feel very bad in comparison to, like, sports clothes. If I had my way I''d just wear gym shorts and gym tees all year round, but, unfortunately, that''s a little conspicuous. It''s not much of a disguise, but it''s the best I can do on short notice. Beside me, Wasp fidgets with her sunglasses, her lips pursed in concentration. She''s also in a hoodie. We are all going hoodie form right now. "Anything?" I ask, my voice low and tight. She shakes her head, her gaze never leaving the street below. "Nada. They''re just¡­ patrolling. Like always." I nod, a flicker of frustration sparking in my gut. We''ve been tailing Sam and her crew for days now, watching their every move. But so far, all we''ve seen is the same old routine. Patrols, meetings, the occasional bust. Nothing that tells us what they''re really up to. "This is a waste of time," Wasp mutters, her voice thick with impatience. "We should be out there, hitting the streets, making a real difference. Not playing stalker with a bunch of¡ª" "Hey," I cut her off, my tone sharp. "This is important. Sam''s onto something big, I can feel it. We need to know what she knows. And we need to be ready to back her up when the time comes. It''s for her own good." Wasp falls silent, but I can feel the tension radiating off her in waves. I get it, I really do. We''re not used to this ¨C the waiting, the watching. We''re people of action, all of us. But if we''re going to prove ourselves, if we''re going to show the world that we''re more than just a bunch of kids playing dress-up¡­ we need to be smart about this. Sure, I''ve beaten up a total of fifteen grown adults now, left them for the police, and even double checked to make sure they got what was coming to them, but when it comes to something like this, we''re in the big leagues. "Fly, come in." The voice crackles through my earpiece, tinny and distant. Ant, checking in from HQ. I press a finger to my ear, activating the mic. "I''m here. What''s the word?" "Mite and I have been monitoring the police scanners. There''s been a lot of chatter about the northwest lately - East Falls, Manayunk, Germantown. Sounds like it might be a hotspot for Jump activity." I feel a thrill of excitement zip through me, electric and alive. "Sounds exciting. Let''s get moving." "Be careful," Ant warns, her voice heavy with concern. "If Sam''s crew is involved, things could get hairy fast. It means this is real superhero stuff. No hospital visits." "Hey, careful is my middle name," I quip, a grin tugging at the corner of my mouth. "Well, maybe not my real middle name, but like¡­ one of my many superhero middle names." I ignore the aching sensation in my chest from when it was bruised. And the other aching sensation from when it got broken. I had to just tell my Dad that one was me tripping and falling down some stairs. I think he bought it. Ant''s exasperated sigh is lost in a burst of static as I cut the connection. I turn to Wasp, my eyes bright behind my mask. "And what do you mean, ''real superhero stuff''. We are real superheroes." "You know what I mean, Fly. Mayfly. Not Fly, the drug." I watch intently as Sam and Jordan start moving, and I cross-reference the map on my phone with the direction they''re heading. "Change of plans," I tell her, my voice thrumming with anticipation, my head dizzy with ideas and thoughts and feelings and emotions. I hate those. Would rather not have them.. "We''re following them."
The next few days are a blur of activity, a dizzying whirl of surveillance and preparation. We take turns following Sam and her team, each of us donning a different disguise to avoid detection. Hoodies, ball caps, sunglasses, fake mustaches ¨C anything to blend in with the crowd. It''s not easy, trailing a bunch of superheroes. They''re always on the move, always on the lookout for trouble. More than once, I''m sure we''ve been spotted, our clumsy attempts at stealth no match for their heightened senses. But if they know we''re there, they never let on. We manage to narrow down wherever they''re investigating to a warehouse in East Falls - the abandoned Dobson Mills place. I have a vague recollection of Sam mentioning it, one of those days in the past, before the hospital, but the past couple of months have been a blur, a mash, like smeared potatoes. It''s Moth who finally hits the jackpot. She''s on watch duty, her eyes glued to a pair of binoculars, when she spots Sam and Jordan slipping into the Dobson Mills warehouse. "They''re inside," she reports, her voice tight with excitement. "I can''t see what they''re doing that clearly from here. But I think they''re setting up equipment?" I feel a surge of adrenaline, my heart pounding against my ribs. This is it. The break we''ve been waiting for. Whatever ambush they''re setting up, we''ll help with, from the shadows. You could be reading stolen content. Head to the original site for the genuine story. "Can you get closer?" I ask, my voice barely above a whisper. "We need to hear what they''re saying." Moth nods, a look of determination etched across her face. She''s always been the daring one, the one who''s not afraid to take risks. Not the same kind of risks as me, at least. I watch as she slips from her perch, her movements fluid and graceful as she closes the distance to the warehouse. The minutes tick by, each one an eternity. I can feel the tension mounting, the air thick with anticipation. And then, finally, Moth''s voice crackles through the comms. "I got it," she says, her words coming in short, excited bursts. "They''re planning an ambush. Two drug dealers. They already have names, it''s just a matter of waiting for them to show up. They know that the deal will happen here." A thrill of excitement shoots through me, electric and alive. My ribs ache with the fresh blood pumping through them. It feels great. I understand now some of the things that Sam said in her hospitalized delirium, the sentences that scared me the most. But I get it now. "Did they see you?" I ask, my heart in my throat. "Negative," Moth replies, and I can hear the grin in her voice. "I''m like a ninja, remember? Silent but deadly." I roll my eyes, but I can''t help the smile that tugs at my lips. "Like a fart." "Like a fart," Moth affirms. "Alright, team," I say, my voice ringing with determination. "Let''s regroup at HQ. We''ve got a lot of work to do." Headquarters is a cramped workshop with all hands on deck. The Swarm''s been being upgraded anyway¡­ been being upgraded, is that correct? Whatever. It sounds right in my head. Anyway, it''s been being upgraded, so all we have to do is rush what we''ve already been doing. I don''t know how Mite does it, but each drone has ''children'' now, as he calls them. Ant insisted the correct term was a ''master-slave protocol''. We went with children. And I spent some of our prize winnings on those LIDAR sensors. I don''t even know what LIDAR is, but they cost an arm and a leg and Mite told me they''d be useful, and now the Swarm can avoid walls. I don''t know how any of this works, but watching all sixteen of them gently dancing around the room, threatening to chop our ears off, bouncing around and spinning to a halt whenever they get close to a wall or a piece of furniture or my face¡­ it''s beautiful, in a weird way. "We need eyes in every corner of that warehouse," Mite mutters, his brow furrowed in concentration. "Sam''s crew might be good, but they can''t be everywhere at once." Ant nods, her fingers flying over a keyboard. "I''m programming the drones to work in formation. If we can coordinate their movements, we can cover twice as much ground." As Ant explained it to me earlier, as the drones fly, they carry some sort of signal that tells the other drones where to be in relation, and then you can control how close or how far you want them to be. At least, I assume that''s the thing she''s working on. A big textbook on C++ sits on my bed. I looked at it and I couldn''t even pretend to understand it. Across the room, Wasp and Moth are deep in discussion, poring over maps and schematics of the Dobson Mills warehouse. "There''s a skylight on the north side," Wasp says, tracing a finger over the blueprints. "If we can get a drone in through there, we''ll have a bird''s-eye view of the whole operation." Moth nods, her eyes glinting with mischief. "And if things go south, we can always drop a few stink bombs through the opening. You know, for tactical reasons." I can''t help but chuckle at that. "Please, nobody on the roof. I''ve appreciated your help with surveillance but this one''s all me and the babies, alright?" The laughter and good cheer fades as we all consider the seriousness of the situation. I heh-hem. I make sure all my gear is alright, just sort of out of compulsion. "What are you cooking up over there, Moth?" I ask, wandering over to her station. She looks up, a grin spreading across her face. In her hands, she''s holding what looks like a plastic bag filled with paint, as well as another plastic bag. "I''ve been paying attention in chemistry class. If you shake this up and then expose it to air it will probably explode and spray paint everywhere. Paint bombs, basically," she says, a note of pride in her voice. "I''m thinking we can use them as a distraction, give Sam and her crew a little extra cover if things get hairy. Thankfully, my parents are taking my newfound interest in chemistry as a sign that I care about school." "Yeah, right," Wasp teases, sticking her tongue out. I nod, impressed in spite of myself. Moth''s always had a knack for coming up with unconventional solutions to unconventional problems. It''s what makes her such a valuable member of the team. "Looks like we''re just about ready," I say, turning to face the others. "Mite, Ant, how are we looking on the drone front?" Mite looks up from his workbench, a grin splitting his face. "Ready and raring to go, boss. Four parents, each with three children, for a total of sixteen. Just tell us how to fly and we''ll operate them from here." I feel a swell of pride in my chest, a warmth that has nothing to do with the stuffy air of my bedr - headquarters. This is my team, my friends, my family. And together, we''re going to show this city what we''re made of.
"Alright, team," I say, my voice ringing with determination. "Let''s go crash a party." The sun is setting by the time we arrive at the Dobson Mills warehouse, painting the sky in shades of orange and gold. It would be beautiful, if not for the tension humming inside my ears, my jaws clenched, my skin raw underneath layers of clothes and armor padding designed for sports, not for combat. The knowledge of what''s about to go down. We take up our positions, each of us finding a vantage point from which to observe the action. Wasp and Moth are on the roof, their drones at the ready. Mite and Ant are in our Mobile Control Unit, which is not attached to a bike nearby, their eyes glued to the monitors. And me? I''m on the ground, hidden in the shadows, my heart pounding in my chest. We don''t have to wait long. The meeting goes down just like Moth overheard, Squeal and Sparkplug arriving in a screech of tires and a crackle of electricity. I can see Sam and her crew moving in, their forms blurred by the distance and the gathering darkness, at angles that would only be visible if you knew where to look. But to these low-lives, they''re just as invisible as we are. And then, I hear Mite''s voice in my ear, calm and steady despite the chaos. "Drones are in position," he says, and I can hear the grin in his voice. "Time to show these punks what happens when you mess with the Mayfly crew." And then, all hell breaks loose. There''s a flash of light, a burst of sound, and suddenly the air is thick with smoke and the stench of a thousand turds all at once. I''m sure that I''d be retching alongside the rest of these low-lives if I weren''t wearing a gas mask, and even with it, it''s hard to see through all the smoke bombs we set-up beforehand, going off with each remote detonation from Mite. And in that moment, I feel a surge of hope, a flicker of something that might just be fate. Because this, right here, is what we were meant to do. This is why I put on the mask, why I risk my life out there on the street, fighting crime. To make a difference. To be heroes. To protect Sam. To do the right thing. I take a deep breath, my fingers tightening around the grips of my weapons. I adjust my glove, making sure the taser is fit into its socket. I adjust my other glove, making sure the pepper spray is aimed correctly and won''t just spray into my palm. I start running. I flick out my baton and swing. WORLD OF CHUM: Superhuman Relationship Dynamics (1) From: Jack Keene [email protected] To: ¨€¨€¨€¨€¨€ ¨€¨€¨€¨€ ¨€¨€¨€¨€¨€¨€¨€¨€¨€¨€@lumacorp.com Subject: Re: Investigation Request - Urgent Dear Ms. ¨€¨€¨€¨€, Thank you for reaching out to Keene Investigations. We appreciate the sensitivity of your situation and assure you that our firm is well-equipped to handle cases involving high-profile individuals and those with superhuman abilities. Our team of experienced investigators, including former heroes and law enforcement personnel, is committed to providing discreet, professional services tailored to your specific needs. We understand the unique challenges that can arise in superhuman relationships and are prepared to navigate these complexities with the utmost care and confidentiality. Our rates for infidelity investigations start at $250 per hour, with a minimum retainer of $5,000. This covers all surveillance activities, evidence gathering, and detailed reporting. We adhere to a strict confidentiality policy, ensuring that all information related to your case is kept secure and private. If you choose to proceed with our services, please provide us with any relevant information about your husband''s activities, including his known associates, frequented locations, and any other details that may assist in our investigation. We will then develop a customized surveillance plan and keep you informed of any significant findings throughout the process. To formally engage our services, please reply to this email confirming your agreement to our terms and rates, and we will send you a contract and initial invoice. We look forward to working with you and helping to bring clarity to your situation. Best regards, Jack Keene Keene Investigations
Surveillance Report #1 Case Number: SH-2024-0315 Subject: Marcus Donovan (AKA RSE "Blackout") Occupation: Registered Superhuman Entity, member of the Night Watch Date: March 15, 2024 Time: 22:00 - 23:30 Location: 1 Oak, Chelsea, New York City Observations: Subject arrived at 1 Oak nightclub at approximately 22:00, dressed in a black leather jacket, dark jeans, and a grey t-shirt. Subject met with an unidentified female (hereafter referred to as "UF1") near the VIP area. UF1 is described as a Caucasian female, mid-20s, with shoulder-length blonde hair, blue eyes, and a slender build. She was wearing a red cocktail dress and black heels. Subject and UF1 engaged in close, intimate conversation while drinking and dancing for approximately 1 hour. They were observed touching frequently and whispering in each other''s ears. At 23:15, subject and UF1 left the nightclub together and entered the nearby Dream Downtown hotel. Help support creative writers by finding and reading their stories on the original site.Surveillance terminated at 23:30 as per client''s instructions. Notes: Subject did not utilize powers during the observed period. UF1 does not match the description of subject''s registered partner, Eliza Chen (AKA RSE "Lux"). Recommend further investigation to confirm the nature of the relationship between subject and UF1. Surveillance Report #2 Case Number: SH-2024-0315 Date: March 22, 2024 Time: 19:00 - 21:00 Location: Subject''s private residence, Upper West Side, New York City Observations: UF1 arrived at subject''s residence, a luxury condominium, at approximately 19:00. She was let in by the subject. Subject and UF1 were observed through the living room window engaging in intimate activity. At 20:45, Eliza Chen unexpectedly arrived at the residence. She used her light manipulation powers to create a bright flash, temporarily blinding our surveillance cameras. A heated confrontation ensued between Chen, subject, and UF1. Chen was heard shouting accusations of infidelity, while subject attempted to calm the situation. UF1 was observed hastily getting dressed. Chen left the residence at 20:55, slamming the front door. UF1 left shortly after, at 21:00, appearing disheveled and upset. Notes: The relationship between subject and UF1 appears to be romantic in nature and not related to their superhero activities. The use of powers during the confrontation heightened the emotional intensity of the situation and caused minor property damage (blown-out light bulbs, cracked window). Surveillance Report #3 Case Number: SH-2024-0315 Date: March 28, 2024 Time: 18:00 - 20:00 Location: Central Park, New York City Observations: Subject met with Eliza Chen near the Bethesda Terrace in Central Park at approximately 18:00. The couple appeared to be engaged in a serious discussion, with Chen gesturing animatedly and subject maintaining a defensive posture. At 18:20, Chen produced a folder from her bag and handed it to subject. The contents of the folder are unknown, but subject''s reaction suggests they were significant, possibly legal documents. The conversation continued for another 30 minutes, with both parties becoming increasingly emotional. At one point, subject''s shadow powers began to manifest, causing nearby shadows to flicker and distort. The meeting concluded at 19:00, with Chen and subject leaving in opposite directions. Subject appeared visibly distraught. Notes: The meeting between subject and Chen seems to be related to the previous infidelity incident. The folder handed to subject may contain evidence of the affair or legal documents pertaining to their relationship (e.g., separation or divorce papers). Subject''s loss of control over his powers during the conversation indicates a high level of emotional distress. Surveillance Report #4 Case Number: SH-2024-0315 Date: April 2, 2024 Time: 14:00 - 16:00 Location: New York County Supreme Court, New York City Observations: Subject arrived at the New York County Supreme Court building at approximately 13:55, accompanied by an unidentified male believed to be his legal counsel. Eliza Chen arrived separately at 14:05, also accompanied by legal counsel. Both parties entered the courthouse and remained inside for approximately 1 hour and 45 minutes. At 15:50, subject and Chen exited the courthouse separately. Subject appeared emotionally drained, while Chen maintained a neutral expression. Subject''s legal counsel was overheard mentioning the terms "divorce" and "power imbalance" while speaking with subject outside the courthouse. Notes: The court appearance strongly suggests that subject and Chen are undergoing legal proceedings related to the dissolution of their marriage. The mention of "power imbalance" by subject''s legal counsel may refer to the challenges posed by the couple''s differing power sets and the impact on their relationship. Chapter 81.1 I''m crouched behind a stack of crates, my heart pounding in my chest as I try to steady my breathing. The warehouse is dark at 3 AM, but my blood sense paints a vivid picture of the scene unfolding before me. I can already smell Sparkplug through all the tick marks in his inner elbows. I can feel the anticipation rolling off my teammates in waves, their pulses quickening as we wait, watching, recording. But everything goes amok. I hear the hiss of gas escaping, and the acrid stench of Miss Mayfly''s stink bombs fills my nostrils, making my eyes water. The smoke is thick, a pungent haze that obscures everything in sight, escaping from every bit of the warehouse''s orifices. I remember, with a sense of eerie trepidation, the masked figures milling about during our surveillance. I assumed they were working for the enemy. I assumed wrong. For a moment, my normal senses are overwhelmed by the chaos, the usually clear lines and shapes blurring into a confusing jumble, although thankfully my mask is tight enough on my face that I can''t gulp down the smoke so readily. I blink rapidly, trying to regain my focus, but it''s like trying to see through the world''s smelliest house fire. The stink gas and the smoke bombs all congeal together into a noxious haze, like the world''s most amateur chemical weapons. I hear something wet splattering and splashing, but since my blood sense doesn''t smell anything new, I have to assume it''s one of Miss Mayfly''s various gadgets going off. Around me, I hear the sounds of coughing and gasping as the belligerents (meaning - the fighters, myself included) react to the sudden onslaught. Some curse loudly, their voices muffled by the smoke, while others stumble and crash into obstacles, disoriented by the lack of visibility. There''s a veritable choir of "Fucks" passed around like so much Thanksgiving stuffing. I take a deep breath, the stink bomb''s pungent odor burning my lungs, and force myself to concentrate. I plug my nose, and prepare to wade into the depths. Just as I''m starting to regain my bearings, a figure lunges at me through the smoke, the glint of a knife catching my eye. Instinctively, I raise my arms to block, the blade skidding off my arm guards while I clench my fists hard enough to force teeth up and through. He cusses and gives another swing. The goon''s knife clangs against my arm guards, the impact sending shockwaves up into my wrists. The one downside to the teeth growth thing - the way it punches right on my nerves anytime anything touches them. I grit my teeth (my actual teeth, not the ones on my knuckles) and push back, using my enhanced strength to force the goon''s arm away, catching his knife on the backswing, rotating my hips outward. Just like Rampart taught me. I grab at the wrist with my dagger-like fingertips, and pinch hard enough that he can''t help but let go. The knife clatters to the ground and I donkey-kick it behind me. Seizing the opening, I counter with a swift punch aimed at the goon''s jaw. My knuckle-teeth sink into his flesh, and I push in, and then down. It''s been a couple of weeks of training with Gossamer, and I''ve learned how to make myself a little¡­ less lethal. How to push out teeth that are duller than normal - not by much, but it''s something within my control - and how to push them out only just enough that they impact by centimeters, millimeters even. Less tiny knives strapped to my punches like I''m blading a newbie wrestler and more extensions of my knuckles, to give them a little extra oomph. Just like the noise he makes as he spins down like a Punch-Out fighter. I can almost hear the sound effects in my head. I don''t give him a chance to recover. Surging forward, I plant my foot squarely in his midsection, putting all my weight behind the kick. The goon''s breath leaves him in a whoosh, and he crumples to the ground, gasping for air. As I stand over the fallen goon, I can''t help but feel a small sense of satisfaction. But there''s no time to celebrate. Just as I''m starting to find my rhythm, a piercing sonic scream cuts through the chaos like a knife. I recognize it instantly as Squeal''s doing, and I can''t help but wince at the sound, feeling it rocket into me like a punch, a gust of wind that cuts through all the smoke and sends it spiralling into a whirlpool by everyone''s feet. I clap my hands over my ears, trying to block out the overwhelming noise, but it''s like trying to stop a tidal wave with a paper cup. The scream seems to resonate in my skull, bouncing around like a pinball and making it hard to think straight. I can feel my teeth vibrating in my gums, and for a moment, I''m afraid they might actually shake loose. "Gah, make it stop!" I hear someone yell, their voice barely audible over the din. I think it''s Compass, but I can''t be sure. The scream is too loud, too disorienting. The longer it goes on, the louder it gets, the more it hurts - a physical, painful impact that rattles my bones in the most literal sense. Taking advantage of my momentary distraction, one of Sparkplug''s guys, I can tell from the suit, appears out of nowhere and lands a heavy blow to my ribs. I feel a sharp crack, and a searing pain shoots through my side. Almost certainly a fracture. 100% a bruise. Did you know this text is from a different site? Read the official version to support the creator. I stumble back, gasping for air as the pain threatens to overwhelm me. Black spots dance at the edges of my vision, and for a moment, I''m afraid I might pass out. I cuss at myself mentally. I''ve literally been cooked alive by a human microwave and this is what threatens to KO me - a wallop by someone without any actual super strength? No, no way. Gritting my teeth against the pain, I try to hunt for something to cling on to. Everyone is getting slashed up, sans maybe two or three people, but in the chaos, with so many unfamiliar silhouettes, I can''t keep track of anyone not named Jordan. And Spindle''s silhouette is, thankfully, not part of the tussle yet. Not that I don''t trust his fighting ability, but he is a little fragile. I try to look back towards the man that just assaulted me, but either someone else dealt with him or he''s retreated back into the chaotic abyss to go bother someone else. It hurts to breathe, but I force myself to take shallow, steady breaths. I can''t let the pain slow me down. But there''s no time to catch my breath. The air around me crackles with electricity, and I can feel the hair on my arms standing on end. Sparkplug. "Like an evil version of Professor Franklin," and while I can''t say I''m familiar with Professor Franklin''s powers, I do know what getting zapped by my science teacher feels like during a class activity. It''s like that. But worse. I barely have time to react before an electric blast sizzles past my head, singeing the tips of my buzz cut. The smell of burnt hair fills my nostrils, and I wrinkle my nose in disgust. It''s not a pleasant scent, but it''s better than the alternative, of taking a direct hit and probably having an immediate heart attack. Or getting burnt again. I''m actually not sure what electrocution does to the human body and I''m not really interested in finding out. I press my back against one of the abandoned machines that I''ve stumbled into, and with a loud POP, it begins pouring more smoke out into the battlefield, a constant flow of visual interruptions. My heart is pounding in my chest, and I can taste blood in my mouth. I''m not sure from what, but I am. As I crouch behind the machine, trying to reassess the situation, my blood sense picks up on something nearby. It''s Sundial, and she''s bleeding. Badly. I feel a surge of panic rising in my chest, but I force it down. I can''t afford to lose my cool. Not now. A teammate¡­ a friend? Needs me. It''s hard to pull my lever from KILL form into LIVE form, but I do it anyway, feeling the gear change in my head like a truck turning onto a highway. Without hesitation, I sprint towards her, my senses guiding me through the haze and chaos. I can hear Bubble''s muffled sobs as she clings to Sundial, her force fields flickering weakly around them. She looks so small, so vulnerable. It breaks my heart. Just as I reach them, one of Squeal''s guys appears out of the smoke, his fist raised to strike at Sundial''s prone form. I lunge forward, intercepting the blow with my forearm. Pain explodes up my arm, but I grit my teeth and maintain my defensive stance. Bubble''s cries get louder as a skin of force appears around the man''s head - trapping him with the smoke from the smoke bombs, and the stink from the stink bombs. Have I mentioned how hard it is to avoid vomiting? Just¡­ remember, keep in mind, that this is all running through that, too. Bubble''s wails get louder as she stacks more and more bubbles, each one, I assume, making it harder and harder to breathe. Even as the guy claws at his head, she just keeps forming more bubbles around his fingertips, around his wrists, stacking them on top and around each other to keep him sealed in with the noxious smog that''s consumed the battlefield. "It''s okay," I say, trying to keep my voice steady. "I''ve got you." I reach into my utility belt, feeling very smug at having the first opportunity in seemingly forever, maybe ever, to actually use it. And I''m very glad that Gossamer not only taught me how to throw fists but also how to gauze someone very fast. "I knew you would help," Sundial says with a calm, almost unnaturally serene smile. Clearly, I''m doing something right if someone like her is accepting of my shoddy first aid job. "Yeah, yeah, precog. Do we make it or not?" I ask, partially as a joke, and partially trying to reclaim a sense of confidence. I''m bleeding from my face, although I''m not exactly sure where - but it''s smearing down my mask and into my mouth. Sundial''s smile dims a little bit. "Powers don''t work like that, Bloodhound. But stay focused. Bubble''s guy is about to swing back. Get her out of here." Sundial''s words are terse, efficient. Not made to be minced. Bubble looks exhausted, her body visibly sagging, and it seems like she''s out of gas, just not enough to KO the guy as he rips himself free and sucks in a big lungful of clear air. Well, clearer air, judging by the way he''s sagging, sputtering, and coughing. With a quick sweep of my leg, I knock the goon''s feet out from under him, sending him sprawling to the ground. He lands hard, the air rushing out of his lungs in a whoosh. Fishing a zip tie out of my pocket, I quickly secure his wrist to his belt, immobilizing him for the time being. It''s not a perfect solution, but it''ll do for now. His body is seized up with coughing and hacking. "Stay put," I growl, giving the zip tie a final tug. "I''m not done with you yet. Bubble! Get out of here." "But," the young girl responds, her eyes welling up with tears. I look at her, and see myself almost a year ago. It''s crazy how young she looks. It makes me feel¡­ uncomfortable. "You''re out of gas," I reply, trying to stay focused on the world around me. "And Sundial said so. Go!" "Bubbs, I would not have brought you here if I thought it was going to get this dangerous. You did what you can. Go and get the police, that''s your job now," Sundial orders, in a way that brooks no argument. Bubble looks at her, lip quivering, and runs. "You need to get out of here too, Sun," I say. "Can''t. I saw the future too far, and now I can''t leave the area. Causality stuff. Don''t worry about me. I''ll live," Sundial says, grimacing, rubbing her arm. She scoots behind one of the abandoned machines, and ducks under. "Do what you do best, Big Bad Wolf." "What''s that?" I ask, raising an eyebrow. "From the stories I''ve heard; violence," she replies, her eyes turning steely, her face almost smug. Chapter 81.2 The crackling sound of electricity cuts through the chaos, followed by the telltale thud of a body hitting the ground. I turn just in time to see a goon convulsing on the floor, his muscles spasming uncontrollably as the electricity courses through his body - either Sparkplug got one of Squeal''s guys, or someone else here has surprise electricity powers. I''m about to put my money on the former, until - "One down!" Miss Mayfly shouts, her voice triumphant. Her glove clicks with a hiss, ejecting something from it like a bullet casing. She pumps a fist, and for a moment, I match her victory. But her victory is short-lived. She reaches for a replacement cartridge off her belt, and another enemy, taking advantage of Miss Mayfly''s exposed position, lunges at her from the side. I watch in horror as he slams into her, sending her crashing into the ground with a sickening sound of plastic snapping, old sports equipment designed for the impact of schoolground activities cracking at the assault of a full-grown adult male. I don''t know if she''s broken anything, but that was a good old-fashioned shoulder ram to the torso. And she''s almost certainly my age. Broken ribs, most likely. "No!" I scream, starting to move towards her. But before I can take more than a step, another attacker intercepts me, his fists flying towards my face. In the distance, past the swirling smog, I see the main assault group - Compass & Moonshot - tangoing with Sparkplug, while Jordan keeps them from getting fried. Good. I look past the muscle and catch sight of Spindle not fighting so much as harrying Squeal, preventing him from leaving. Also good. Good to know things are handled. I duck and weave, trying to avoid his blows while still keeping an eye on Miss Mayfly. She''s crumpled on the ground, her body twisted at an unnatural angle. I can''t tell if she''s breathing, but I can tell that she''s bleeding, at least from the nose. "Mayfly!" I shout, my voice raw with panic. "Somebody help her!" There''s no time for me to intercede. The attacker keeps coming, his fists relentless. I can feel my own injuries slowing me down, making it harder to dodge his blows. I count three more shapes moving through the slowly dispersing gas, most of them smeared with rainbow blobs of paint mixing together into an ugly brown, mostly across their face. Jordan, distracted by their very important job preventing two of the Titans from getting fried, doesn''t have time to notice the kiss of death approaching. "I''m fine," Miss Mayfly wheezes, just loud enough to be heard. "Just sprained," Rampart, Gossamer, Playback, Puppeteer, Diane, everyone I''ve trained with has always impressed upon me one important lesson. Guns can never be involved. You have not achieved victory until every gun has been disarmed. "Jordan, look out!" I scream, trying to make it past the wall that is this man. I only have so much time, so much space, so much speed. I can''t¡­ I can''t move fast enough. That is, until his head is wrapped with a fine layer of dozens of sight-blocking bubbles. I juke past him, glancing sideways and up at Bubble on the second floor, hiding on the catwalks, and shoot her a glare that is a mixture of about two dozen emotions. She catches sight of me and runs in the other direction, into the rooms on the upper floors. Hopefully, towards fleeing. Hopefully, not busting shit through rotten wood and falling like I did so long ago. This all happens in like half a second. The remaining half a second takes forever. I watch as the wannabee gunman stumbles for equipment, his hands locked up in layers of bubble that he has to gnaw off to be able to pass the magazine from one hand into the the one holding the gun. That last gift from Bubble buys me the precious seconds necessary to save Jordan''s life. I rake my claws across the goon''s back, ripping through his layers of clothes, raking deep, bleeding lines into his skin. I keep my knuckles dull. I make no such assurances for my fingertips. He howls in pain, fumbling the gun out of his hands as red blood seeps upwards into his undershirt. Nothing deep, nothing some gauze and maybe stitches won''t heal, but enough to keep him from being able to use his gun. For precious seconds. So, that was maybe the most panic-inducing three seconds of my life. Jordan, hearing my warning, spins around just in time. With a swift kick, they send the gun skidding across the warehouse floor, far out of reach, in Sundial''s vague direction. "Thanks, Blood," they say, flashing me a grateful smile. "That was a close one." I''m barely listening, though. Instead, I have my claws to this man''s throat. No matter how big and mesmerizingly bald he is, all grown men turn into whimpering bitches when you threaten to slit their jugular. He stands mercifully still as Jordan retrieves zip ties from under their cloak and cuffs him - better his freedom than his life, I assume. I notice a small satchel of bright green Jump pills sticking out of his pocket and kick them to crush them with my boot. Would be better to take them in for evidence, but, better to take them out of play for now. A case of content theft: this narrative is not rightfully on Amazon; if you spot it, report the violation. My ears are ringing from Squeal''s continuous screaming, but Spindle has been doing a good job playing keep-away. As it turns out, it looks like his powers are really, really directional. Without being directly in front of him, it''s just loud, but the physical impact doesn''t seem to do much against Spindle, who lacks the surface area for it to properly impact, given that he is a human twig. Even when he does hit him, Spindle just shakes it off, putting his Young Defender training to work. And the guy that almost punched my lights out earlier is on the ground. Good. The air reeks of fart gas and ozone and frankly, I''m surprised that nothing''s blown up. Fingers crossed. Just as I''m about to let out a sigh of relief, a figure emerges from the dissipating smog, his skin gleaming like polished metal. It''s one of Squeal''s goons, the last one standing, and judging from the stained wifebeater and the green pills scattered at his feet, he''s just popped a Jump. "Aw, shit," I mutter, bracing myself for the attack. The iron goon charges towards me and Jordan, his fists raised to strike. I try to dodge, but my injuries slow me down, and I know I won''t be fast enough. Jordan cuts the space to make him overshoot, and I duck, just like good ol'' times, waiting for him to go flying over me. But then, something miraculous, and hilarious, happens. Just as I''m about to brace for impact, a blur of fur and muscle drops from the catwalks above, slamming into the iron goon with the force of a freight train. The goon crumples beneath the weight of the newcomer, his metal skin denting and cracking from the impact. It takes me a moment to process what I''m seeing. It''s Derek, in his hulking werewolf form, with Sandman clinging to his back like a jockey. Bright red fur, a darker, more pure red-red as opposed to Derek''s orange-red hair, and a bulky, oversized upper body, and claws that make my little teeth-claws look like butter knives. But¡­ Derek should be locked up in his basement, tranquilized and safe from the full moon''s influence. He said as much earlier today, way earlier. "I am going to take a bunch of tranquilizers and pass out now. Good night," he said, at like 5 PM. "What the hell?" I blurt out, my eyes wide with shock. Derek lets out a menacing hiss, his fangs bared as he pins the iron goon to the ground. Sandman, his eyes closed in concentration, seems to be guiding the werewolf''s movements, keeping him focused on the task at hand, wrapped around him like a cape made out of person. His dreads bounce with every movement, and it looks like he''s straight-up tied himself around Derek''s neck to hold himself in place, while Derek''s eyes are shut and his face is serene. "Good boy," Sandman mutters, patting Derek''s upper torso. I exchange a glance with Jordan, who looks just as surprised as I feel. I can''t help but admire the clear viciousness of his werewolf form, the way it''s so obviously made to do nothing but rip people apart. I''m¡­ glad he decided against showing us. Because I''m not sure I''d be able to beat him in a fight, worst come to worst. "Uh, not that I''m not grateful for the assist," I say, approaching Derek cautiously, "but aren''t you supposed to be, you know, not here?" Derek''s only response is a low, rumbling growl, but Sandman raises an eyebrow, slowly cracks a single eye open, and gives me a wry smile. "Desperate times, Bloodhound," he says, his voice strained with the effort of controlling Derek''s movements. "We figured you could use the backup. So Derek and I made an arrangement, like, a week ago, ish." I nod, still trying to wrap my head around the situation. "Well, thanks. I guess. Just¡­ be careful, okay?" Sandman''s smile turns grim. "Always am." With that, he turns his attention back to the battle at hand. Squeal is still putting up a fight, his sonic screams echoing through the warehouse. Spindle is doing his best to keep him contained, but it''s clear he can''t hold out much longer. "Sandman, can you and Derek take care of Squeal?" I ask, my mind already racing with possibilities. Sandman nods, his face set in determination. "On it. You and the others focus on Sparkplug. We''ll handle the screamer." I give him a quick salute, then turn to Jordan. "You heard the man. Let''s finish this." Jordan grins, their eyes sparking with renewed energy. "Lead the way, Blood." Sandman guides Derek to charge straight towards Squeal, who is preparing another sonic scream. Derek''s powerful arms propel him forward, closing the distance rapidly, loping like a gorilla - his legs add to the bounding, but seem sort of secondary here. He''s more throwing himself across the ground, like he''s grabbing the concrete with his paws and ripping it out from underneath him, or at least, that''s what the motion looks like. Spindle, seeing the opportunity, twists his body to wrap around Squeal''s legs, tripping him up and disrupting his balance. Just as Squeal unleashes his scream, Derek leaps to the side, evading the brunt of the attack, although it does rip into me in exchange. Whatever. I grimace and bear it, feeling the blood well up in my throat, my lungs, my heart, my ribs all rattling against each other. Derek throws himself diagonally again to get back in the way, and then, "Nighty night, screamer," Spindle quips, as Derek raises a massive paw. With a swift, precise strike, Derek slaps Squeal across the chest, his claws ripping into Squeal''s clothes and the force sending him crashing into one of the abandoned machines. As if to add insult to injury, it crackles and pops around him. No smoke this time, just little tiny firecrackers, like the kind you throw at the floor. A miniature celebration. Spindle quickly rips a scrap off his own costume (and I wince internally, thinking of Goss again) and ties it around Squeal''s face before he can catch his bearings. Then, getting him in a grapple, he pins him and spins him around so that any screaming would go right into the ground. "Nice teamwork, boys," Sandman says, giving Derek a playful punch on the shoulder. I allow myself a moment of relief, watching as Spindle and Sandman secure Squeal with zip ties. But the moment is short-lived. Chapter 81.3 Enraged by Squeal''s defeat and the fact that every single goon he brought along with him is KO''d or captured or both, Sparkplug unleashes a massive electric burst that engulfs the warehouse. It''s very hard to explain what exactly it looks like - really, it doesn''t look so much as it feels. There''s a massive burst of light, and heat, and pain, raw and unyielding, and smell, something far more odious than the fading stink bomb scent. Bits of paint, splattered across Sparkplug''s eyes, crack and burn off of him. This feels almost exactly like what I''d imagine getting hit by lightning feels like. But it lasts forever. The exposed skin of my chin, cheeks, lips, and jaw burns as the electric current sears my flesh. I grit my teeth against the pain, trying to stay focused on the battle at hand. Out of the corner of my eye, I see Miss Mayfly take a glancing hit, her body twisting and wrenching away like it''s trying to escape, to hide, to get anywhere else. Not a direct enough hit to melt her costume to slag, but enough that the taser in her glove visibly fizzles and fries. The canister of pepper spray on her other hand pops like a balloon, ripping a gash in her skin (but muffled by the layers) and sending a cloud of aerosolized pepper spray around her. "Mayfly!" I scream, my voice raw with desperation. Compass and Moonshot are blown back by the force of the blast, their bodies slamming into the walls with sickening thuds. Spindle narrowly avoids the brunt of the attack by contorting his body, twisting and bending in ways that shouldn''t be possible. But even he isn''t unscathed, his skin singed and smoking from the electric currents. Jordan, Derek, and Sandman also take a hit, but it''s glancing, too. Derek, still groggy from the tranquilizers, staggers and shakes his head, trying to clear the fog from his mind. This is bad. If he fully wakes up, there''s no telling what he might do in his feral state. "Sandman!" I yell, my voice hoarse from the smoke and the screaming. "Get Mayfly out of danger!" But Sandman shakes his head, his face grim. "She''s not unconscious," he replies, his voice strained. "I can''t control her movements." I curse under my breath, my mind racing as I try to come up with a plan. We need to end this, and fast, before anyone else gets hurt. Or worse. The air is thick with the acrid stench of burned hair and singed flesh, mixed with the lingering odor of the stink bombs. I blink away tears, my eyes stinging from the smoke and the pepper spray that surrounds Miss Mayfly like a noxious cloud. I look around, assessing the damage. All the goons are out of commission, either unconscious or writhing in pain on the ground. Sparkplug stands alone, panting heavily, his chest heaving with each labored breath. Broken pieces of mini-drones litter the ground around him, most of them knocked out of the sky by his massive electric blast. But there are two mini-drones left, miraculously unscathed. I watch in amazement as they zip towards Sparkplug, their tiny rotors whirring with determination. It''s like watching a pair of hummingbirds taking on a grizzly bear. "What the hell is she doing?" Jordan mutters, their voice equal parts awe and confusion. I shake my head, my eyes never leaving the drones. "Buying us time." And it works. Sparkplug is so focused on the drones, swatting at them with crackling fingers, that he doesn''t even notice us regrouping. Sundial limps over to join us, her face pale and drawn with pain. Spindle helps support Compass and Moonshot, who are both unsteady on their feet. I turn to Derek and Sandman, my heart hammering in my chest. "We need to get Derek out of here," I say, my voice low and urgent. "If he wakes up fully¡­" Sandman nods, his face grim. "I know. But we can''t just leave. Not with Sparkplug still standing. And not without her." I bite my lip, torn between the need to protect my friends and the desire to finish this fight. But before I can make a decision, a sizzling sound draws my attention back to Sparkplug. He stands there, electricity arcing off his body like a Tesla coil, the mini-drones nothing more than smoking husks at his feet. His eyes are wild, his face contorted with rage. He looks at Miss Mayfly, then to Sundial, and finally, to the rest of us, surrounding him. "You think you''ve won?" he snarls, his voice crackling with barely contained fury. "You think you can take me down? I''m fucking invincible." He takes a step towards Miss Mayfly, his movements slow and deliberate. She tries to back away, but he''s too fast. He grabs her by the ponytail, hoisting her up like a rag doll. She cries out in pain, her hands scrabbling uselessly at his grip. "Let her go!" I shout, taking a step forward. But Sparkplug just laughs, a harsh, grating sound that sends shivers down my spine. If you discover this narrative on Amazon, be aware that it has been stolen. Please report the violation. "Not a chance, girls," he says, his eyes locking with mine. "Here''s how it''s going to go. I''m going to reclaim whatever of my product that I can from this little horrorshow. Then, I''m going to get into my car and drive away. And you won''t stop me. If you do, well¡­" He gives Miss Mayfly''s hair a sharp tug, eliciting another cry of pain. "Let''s just say your little friend here will be in for a real shock." I can tell from the smug grin on his face that he thinks he''s being hilarious - baring every tooth, ear-to-shit-eating-ear, a chimpanzee grimacing before it kills someone. I grit my teeth, my mind racing. We can''t let him leave, not with Squeal, not with the drugs. But we can''t risk Miss Mayfly''s life either. I look at her, trying to gauge her condition. The lenses of her gas mask are cracked, revealing a sliver of skin and a pair of wide, terrified eyes. Eyes that I recognize. From somewhere. But where? I feel a surge of panic as I watch Sparkplug drag Miss Mayfly towards Squeal, his hand, his body, still crackling with electricity. He''s moving slowly, deliberately, like a predator savoring the fear of his prey. I wrack my brain, trying to come up with a plan, any plan, to stop him. "He''s running out of juice," Spindle mutters beside me, his voice strained. "Look at the way his power''s flickering. He''s got maybe a minute, tops, before he''s drained. He''s been running steady for the past, like, four minutes." Has that really been only four minutes? It feels like it''s been forever. An eternity of combat. I nod, my eyes never leaving Sparkplug. Spindle''s right. The arcs of electricity around Sparkplug''s body are growing weaker, more erratic. Thinner. Less bright. But even a single spark could be deadly at this range, especially with Miss Mayfly in his grasp. "We can''t risk it," I say, my voice tight. "We can''t gamble with her life." Sparkplug reaches Squeal''s prone form and kicks him viciously in the dick, eliciting a high-pitched yelp of pain. He reaches down and rummages through Squeal''s pockets, pulling out a handful of little green pills, arranged in neat, tidy baggies. He shoves them into his own coat. "Good boy," he says, only responded to with Squeal''s pained moaning through Spindle''s impromptu gag. "You kids have no idea what you''ve stumbled into," Sparkplug says, his voice dripping with condescension. "This is the adult world, little ones. A place so far beyond your ken, you can''t even begin to comprehend it. Go home. Go play¡­ sports. Don''t interfere in the affairs of gods like us." He continues dragging Miss Mayfly towards his car, a sleek black Mercedes Benz sitting in front of the warehouse, having been idling the entire time. I can hear her whimpering in pain, her feet scrabbling uselessly against the ground. "Let her go, Sparkplug," I call out, my voice echoing in the sudden silence. "It''s over. You''ve lost." Sparkplug just laughs, a harsh, grating sound that sets my teeth on edge. "Lost? You don''t even know what winning looks like. I''m getting away scot free, my least trustworthy lieutenant is about to get a lesson in loyalty, and I got to humiliate some turd-eating children. This looks like a victory to me." He reaches Squeal''s car - a junker, a total piece of shit - and places his hand on the door handle. There''s a bright flash of electricity, and the car''s alarm starts blaring, the headlights flashing erratically. Sparkplug grins, a cruel, triumphant expression. He tenses his knuckles, and the car clunks, totally dead. Shorting out the battery just to be an asshole. "You see? I always have an ace up my sleeve. Now, be good little children and stay put while I make my exit." He yanks open the door of his own car, the back seat door, and starts to shove Miss Mayfly inside. But before he can, there''s a click, loud and unmistakable in the sudden quiet. I whirl around, my heart in my throat. Jordan stands atop a stack of junk machines, the pile extended upwards by their power for a better vantage point - and, presumably, to keep out of Sparkplug''s range. They have a gun aimed directly at Sparkplug, their hands steady and unwavering, the discarded gun from earlier. It''s almost poetic. "Let her go," Jordan says, their voice distorted by the helmet''s voice changer. "Or I''ll put a bullet right between your eyes." Sparkplug freezes, his hand still tangled in Miss Mayfly''s hair. But if he could fry Jordan from this distance, he would''ve. So¡­ clearly not. "You wouldn''t dare," he says, but there''s a flicker of uncertainty in his voice. "You might hit the girl." Jordan tilts their head, the gesture almost casual. "I don''t give a shit," they say, their voice cold and flat, filtered into a shimmering reveberation by the voice changer in their helmet. "Do I look like a good guy? I''ll shoot Bloodhound in the foot if it lets you know I mean business. I have no loyalty to this girl, and taking you off the streets will do more good for the world than killing a teenager with no major connections in their life. No career. No family. Frankly, it''d be a mercy." For a long, tense moment, nobody moves. I hold my breath, my heart pounding in my ears. Will Sparkplug call Jordan''s bluff? Will Jordan actually shoot? But then, miraculously, Sparkplug releases his grip on Miss Mayfly''s hair. He shoves her away from him, sending her sprawling to the ground in a heap. She groans and whimpers in pain, curling up into a small, fetal ball. I can hear, just barely, Jordan''s "Good,", emphasized with a second syllable, a real overpronunciation on the ''d''. "Fine," he spits, his voice filled with venom. "Keep the little bitch. I''ll be on my merry way now. If you follow, I will explode you with lightning bolts until all the water boils out of your cells." He slides into his car and slams the door, the engine roaring to life. The tires squeal as he peels out of the warehouse, leaving a trail of burnt rubber in his wake. And he doesn''t even have a license plate. I rush to Miss Mayfly''s side, my heart in my throat. She''s lying face down on the ground, her body twitching and convulsing from the electricity still coursing through her. I roll her over gently, cradling her head in my lap. Her gas mask is shattered, the lenses nothing more than jagged shards. I pull her into my lap, and the magnetism becomes clear. More than the pain of, well, pain, there''s a pain of something else shining through her eyes. The pain of discovery. Of fear. The pain of knowing that I know. And knowing that she fucked up. The pain of being Kaitlyn Smith, my best friend. "Are you alright?" I ask, my voice cracking. I try not to reveal anything important. Like her name. Or the fact that I know her. "First aid," Kate wheezes, giving me a weak thumbs up. "I''ll be fine," I squeeze her close and let out a scream. WORLD OF CHUM: Superhuman Relationship Dynamics (2)

Love in the Age of Superhumans: A Guide to Dating People With Powers

Dr. Samantha Nguyen, Relationship Counselor and Superhuman Affairs Specialist, for coand.co.us In a world where individuals with extraordinary abilities walk among us, it''s becoming increasingly common for people to find themselves falling for someone with superhuman powers. As a relationship counselor who specializes in superhuman affairs, I''ve witnessed the unique joys and challenges that come with these types of relationships. If you''re currently dating a superhuman or considering embarking on this exciting journey, this guide will provide you with the insights and tools you need to navigate the complex world of powered love. At the core of any successful relationship, regardless of whether one or both partners possess superhuman abilities, lie the fundamental principles of communication, trust, and mutual respect. However, when dating a superhuman, there are additional layers of complexity to consider. One of the most significant challenges is the inherent power imbalance that can exist between partners. It''s crucial to acknowledge this disparity and work together to ensure that both individuals feel valued and heard, irrespective of their abilities. This requires open and honest conversations about boundaries, expectations, and the role that powers play in your relationship. Another challenge that often arises when dating a superhuman is the emotional complexity that comes with having extraordinary abilities. Many individuals with powers grapple with feelings of isolation, fear, and the weight of responsibility that accompanies their gifts. As a partner, it''s essential to be understanding and supportive of these struggles, and to create a safe space for your loved one to express their fears and vulnerabilities. In addition to the emotional challenges, there are also practical considerations to keep in mind when dating a superhuman. Depending on the nature of your partner''s abilities and their involvement in the superhuman community, there may be safety risks to consider. It''s important to have candid discussions about these risks and to establish clear boundaries and contingency plans to ensure the safety and well-being of both partners. Despite these challenges, dating a superhuman can also be an incredibly rewarding and transformative experience. There''s an undeniable thrill in being with someone who possesses extraordinary abilities, and the unique perspectives and experiences they bring to the relationship can be truly eye-opening. Furthermore, the shared experience of navigating the challenges of a powered relationship can forge a deep bond and level of intimacy that is rare and precious. So, how can you build a strong and healthy relationship with a superhuman partner? The key, as with any relationship, is communication. Encourage your partner to share their experiences, fears, and aspirations, and be willing to do the same in return. Take the time to educate yourself about their abilities and the broader context of superhuman affairs, and seek out support from friends, family, or even professionals who can provide guidance and a listening ear. It''s also important to remember that your partner is more than just their powers. While their abilities may be a significant aspect of their identity, it''s crucial to focus on the shared interests, values, and goals that brought you together in the first place. By building a strong connection that extends beyond the superhuman world, you can create a relationship that is as resilient as it is exciting. Ultimately, love in the age of superhumans is a testament to the enduring power of human connection. It requires patience, understanding, and a willingness to embrace the unique challenges and joys that come with sharing your life with another person. By approaching your relationship with open communication, empathy, and a celebration of your partner''s uniqueness, you can build a bond that is as extraordinary as the individuals within it. If you spot this narrative on Amazon, know that it has been stolen. Report the violation. So, to all those who are currently dating a superhuman or considering taking the leap, I say this: embrace the adventure. Love fearlessly, and remember that, at the end of the day, the most incredible power of all is the power of love. Dr. Samantha Nguyen is a relationship counselor and superhuman affairs specialist with over a decade of experience working with individuals and couples navigating the unique challenges of powered relationships. She is the author of the bestselling book "Superhuman Love: A Guide to Navigating Powered Relationships" and is a frequent contributor to Connections & Companionship.
Dear Dr. Samantha, I recently started dating a man who has the ability to read minds, or something like that. While I trust him, I can''t help but feel a bit uneasy knowing that he might be privy to my every thought. How can I maintain a sense of privacy and autonomy in this relationship? -Mindful in Manhattan Dear Mindful, Dating someone with telepathic abilities can be challenging, as it raises questions about privacy and consent. Have an open conversation with your partner about your concerns and establish clear boundaries regarding his use of his powers within the context of your relationship. Request that he refrain from reading your thoughts without your express permission, and work together to create a safe space where you both feel comfortable sharing your thoughts and feelings voluntarily. Remember, trust and communication are the foundation of any healthy relationship, especially when navigating the unique dynamics of dating a superhuman. Dear Dr. Samantha, My girlfriend has the power of super-strength, and while I admire her incredible abilities, I sometimes feel emasculated or inadequate in comparison. How can I deal with these feelings and maintain a healthy sense of self-esteem in our relationship? -Powerless in Portland Dear Powerless, It''s natural to feel a bit intimidated or inadequate when dating someone with extraordinary physical abilities. However, it''s crucial to remember that your worth and value as a partner are not determined by your relative strength or power. Focus on cultivating your own unique strengths and qualities, and remember that your girlfriend chose to be with you for who you are, not for your physical abilities. Have an honest conversation with your partner about your feelings, and work together to find ways to support and empower each other in your relationship. Engage in activities that play to your individual strengths and allow you to feel confident and capable in your own right. Dear Dr. Samantha, I recently discovered that my boyfriend has been using his powers of invisibility to sneak around and spy on me without my knowledge. I feel betrayed and violated by this breach of trust. How should I approach this situation, and is it possible to rebuild trust in our relationship? -Invisibly Betrayed in Boston Dear Invisibly Betrayed, The violation of trust and privacy you''ve experienced is a serious matter that needs to be addressed head-on. Your boyfriend''s actions are unacceptable, regardless of his superhuman abilities. Arrange a time to have a calm but firm conversation with him about how his behavior has impacted you emotionally and express your feelings of betrayal and hurt. Make it clear that this breach of trust is not acceptable and that you expect him to respect your privacy and autonomy moving forward. If he is willing to take responsibility for his actions, express genuine remorse, and commit to rebuilding trust through open communication and respect for boundaries, there may be a path forward for your relationship. However, if he is unwilling to acknowledge the gravity of his actions or make changes, it may be necessary to re-evaluate the relationship altogether - or to consider legal action, should you be able to afford it. Remember, your emotional well-being and sense of safety should always be a top priority, and there are resources available for women in abusive relationships with individuals with superpowers. Chapter 82.1 I cradle Kate''s head in my lap, my fingers trembling as I brush away the shattered remnants of her gas mask. The adrenaline from the fight is starting to wear off, replaced by a sickening mix of fear and anger. Fear for Kate''s well-being, and anger at her for putting herself in this situation. "You''re going to be okay," I murmur, trying to keep my voice steady. "Just hold on, help is on the way." Kate nods weakly, her face pale and streaked with sweat. I can feel the heat radiating off her skin, even through the layers of her costume. Her entire body is trembling, with occasional spasms ripping through her muscles, causing her to curl up into a ball and then uncurl in my lap. "Tingly," I try to focus on treating her immediate injuries, drawing on the first aid training Gossamer drilled into me. I tear strips of fabric from the cleanest part of my own costume, using them to apply pressure to the worst of the bleeding wounds. For the burns, I dig through the scattered remnants of Kate''s utility belt, hoping to find something, anything, that might help. My fingers close around a small canister, and I nearly sob with relief when I realize it''s burn relief spray, situated between bandages and alcohol wipes, which I also swipe. For obvious reasons. I apply it liberally to the worst of the electrical burns, the ones visible through the gashes in the layers of fabric, trying to be as gentle as possible. Kate hisses in pain, her body tensing under my hands. "I''m sorry," I whisper, my throat tight. "I''m so sorry, Kate." "Don''t be," Kate manages, her voice strained. "I knew the risks. I chose this." I shake my head, a lump forming in my throat. "You stupid asshole," I say, without any malice whatsoever. "This isn''t your job. You''re supposed to just go pro with the WNBA, not get struck by lightning. Dumbass. Why?" Kate''s hand finds mine, her fingers weak but insistent as they lace through my own. "I couldn''t just sit back and do nothing, Sam. Not while you were out there, risking your life every day. I had to help. I had to do something. Someone had to keep watch while you were in the hospital." Around us, the warehouse is a hive of activity. I can hear the distant wail of sirens, growing louder with each passing second. The police, the paramedics, they''re on their way. Nothing is private anymore - at this point, people will have noticed the thunderclaps, the shouting, the screaming, the sounds of violence, even coming from an abandoned warehouse. People stay clear in the first couple hours, waiting for the noises to die down, but they''ll be flocking like piranhas soon enough. "Bloodhound," Sundial''s voice cuts through the chaos, calm and measured. "The authorities are almost here. We need to get our story straight." I look up, meeting Sundial''s gaze. She''s standing a few feet away, her eyes filled with a mix of concern and determination. "What do you mean?" I ask, my brow furrowing. Sundial gestures to Kate, her expression grim. "We can''t tell them the truth. Not the whole truth, anyway. It''s too risky." "What are you saying?" I demand, my voice rising. "That we should lie? Cover this up?" "I''m saying we need to be careful," Sundial replies, her tone even. "Miss Mayfly, your friend - she''s not licensed. She''s not even powered. If the authorities find out she''s been operating as a vigilante, it could mean serious trouble. For all of us." I open my mouth to argue, but Compass cuts me off. "She''s right, Bloodhound. We need to protect her, and ourselves. The less the police know, the better." I look down at Kate, torn. I know they''re right. "How do you know that she doesn''t have any powers?" Sundial looks at me with an eyebrow raised. I can tell her face is struggling between a desire to be sympathetic and thinking I''m an idiot. Right. I make the connection myself. "Sam," Kate whispers, her voice pulling me back. "It''s okay. I understand. Just¡­ just tell them I was in the wrong place at the wrong time. That I got caught in the crossfire." I swallow hard, nodding. "Okay. Okay, we''ll do it your way." Sundial gives me a small, grateful smile. "Good. Compass and I will handle the police. You just focus on taking care of Kate." As Sundial and Compass move off to intercept the approaching sirens, I turn my attention back to Kate. Her breathing is shallow, her skin clammy and cool to the touch. "Just hold on, Kate," I murmur, brushing a strand of hair from her face. "We''re going to get you out of here. We''re going to get you help, you dumb asshole." Kate nods, her eyes fluttering closed. "I know you will, Sam. I trust you." Those three words hit me like a punch to the gut. Trust. It''s a heavy thing, a fragile thing. And right now, with Kate lying broken and bleeding in my arms, I can''t help but feel like I''ve failed her. Failed to keep her safe. Failed to be the friend she needed me to be. I''m dimly aware of Jordan and Derek slipping away, Sandman close behind them. I know they can''t risk being seen here, not without their licenses. But a small, selfish part of me wishes they would stay. Wishes I didn''t have to face this alone. "Bloodhound," Spindle''s voice breaks through my thoughts, gentle but insistent. "The paramedics are here. You need to let them take her." I blink, realizing that he''s right. The warehouse is swarming with uniformed figures now, their faces grim and their voices sharp with urgency. I help Kate to her feet, supporting her weight as the paramedics approach. They''re already pulling out their equipment, their faces serious and focused. I can see the concern in their eyes as they take in the extent of Kate''s injuries, the electrical burns and the bruises that mar her skin. This narrative has been unlawfully taken from Royal Road. If you see it on Amazon, please report it. "Miss, we need to take you to the hospital," one of them says, his voice firm but kind. "Your injuries are pretty severe. You may have internal damage that we can''t see." Kate shakes her head, wincing at the movement. "No, no hospitals. I can''t afford it. No insurance." The paramedics exchange a look, clearly unhappy with her decision. I can''t blame them. Even to my untrained eye, Kate looks like she needs more than just a bandage and a pat on the head. "Miss, we strongly advise against that," the other paramedic chimes in, her voice laced with concern. "You need proper medical attention. There could be complications, infections. It''s not safe to leave injuries like these untreated. And if you have superpowers," Kate sets her jaw, a stubborn glint in her eye. "I said no. Just do what you can here, please. I''ll deal with the rest later." The paramedics hesitate, clearly torn. I can see the conflict in their faces, the desire to help warring with the need to respect Kate''s wishes. Finally, they nod, albeit reluctantly. "Alright. We''ll do what we can. But I want it on record that we strongly advised hospitalization," the first paramedic says, his tone making it clear that he''s not happy about this. They begin their assessment, cleaning and dressing Kate''s wounds with practiced efficiency. I watch as they work, my heart in my throat. Every hiss of pain from Kate, every wince and gasp, feels like a punch to the gut. As they work, one of them turns to me, his eyes curious. "Are you family?" he asks, glancing between me and Kate. I shake my head, swallowing hard. "No. She''s just a civilian that got in over her head, sir. A little overeager to help. You know how it is." The lie tastes bitter on my tongue, but I force myself to maintain eye contact, to keep my expression neutral. I can''t let them suspect, can''t let them start asking questions that I can''t answer. The paramedic nods, seeming to accept my answer. But out of the corner of my eye, I notice an officer listening in, not paying attention to Compass''s debriefing. He''s watching me, his expression unreadable. We make eye contact, and I feel a jolt of panic. What if he doesn''t believe me? What if he starts asking questions, digging deeper? My mind races, trying to come up with a plausible explanation, a way to explain Kate''s presence without revealing the truth. Trying to come up with explanations for the truth. The way I prepare for telling my parents that I got a bad grade on a test (something I''ve been having to do a lot more frequently recently - thank G-d it''s the end of the school year). Preparing to lie. This whole situation feels like a bad dream. Am I dissociating? That''s what my therapist told me the feeling was that I''m feeling right now. Like when everything feels like I''m looking at it through a fisheye lens. I can feel my heartbeat in my ears. My vision is going red at the edges. I can''t breathe. I can''t breathe. But then I see his name tag. W. GOLD. I feel my lungs open up as the memory washes over me, a wave of recognition hitting me like a freight train. Where do I know that name from? And then I remember - he''s the officer that interviewed me for my JLUMA, almost a year ago. I don''t get along great with the rare officer I encounter on my patrols, and I didn''t exactly get a good first impression from him during our interview, but¡­ Officer Gold holds my gaze for a long moment, then gives me a small nod. An acknowledgement. An understanding. I can see it in his face - he knows there''s more to the story, but he''s not going to push. Not here, not now. He turns away, walking a step closer to Compass and Moonshot. He starts talking to them, his voice low and insistent, guiding them and the other officers further away from the paramedics. Further away from Kate. The implication is clear. He''s protecting us. Protecting me. Why? Without approaching, I can only hazard a guess - does he know about Chernobyl? Does he know what I''ve sacrificed? Or is it just out of pity? I have no idea. I let out a breath I didn''t realize I was holding, my shoulders sagging with relief. "Thank you," I whisper, too quiet for anyone to hear. But I hope, somehow, that Officer Gold knows how much this means to me. To us. The paramedics finish their work, packing up their equipment. "We''ve done what we can here," one of them says, his voice serious. "But you really should reconsider the hospital. Your friend is in rough shape. She needs more care than we can provide in the field." Kate shakes her head again, mustering a weak smile. "I''ll be fine. Thank you for your help. I appreciate it, really." The paramedics leave reluctantly, casting worried glances over their shoulders as they go. I can''t blame them. If it were up to me, I''d be dragging Kate to the nearest ER, kicking and screaming if I had to. But it''s not up to me. It''s her choice, her decision. And as much as it kills me, as much as every instinct is screaming at me to protect her, to keep her safe, I have to respect that. I turn to Kate, helping her towards the waiting taxi. "Come on, dummy. Let''s get you out of here, get you somewhere safe." Kate leans on me heavily as we make our way to the car, her breath coming in short, pained gasps. Each step seems to take a monumental effort, and I can feel the heat radiating off her, the tremors that wrack her frame. Even though she''s an inch taller than me now, she feels so small. I ease her into the backseat, then slide in beside her. The taxi driver gives us a curious look in the rearview mirror, but wisely chooses not to comment on Kate''s battered appearance or my blood-smeared costume. As the taxi pulls away from the warehouse, I keep a close eye on Kate''s condition. Her color is a little better, but she''s still far too pale for my liking. Every bump in the road makes her wince, her teeth gritted against the pain. "How you holding up?" I ask softly, reaching out to brush a strand of hair from her face. My fingers linger on her skin, feeling the clamminess, the unnatural heat. Kate manages a wry smile, but it''s strained at the edges. "Oh, you know. Just peachy. Getting electrocuted really agrees with me. Might make it a regular thing." I snort, shaking my head. "Yeah, I can see that. You''re practically glowing." Kate laughs, then immediately regrets it, her hand going to her ribs. "Don''t make me laugh, asshole. It hurts." "Sorry, sorry," I mutter, but I''m not sorry at all. My brain is rapidly ping-ponging between anger and relief and frankly it''s getting kind of dizzying trying to figure out which emotion I should be feeling right now. I don''t know if I''m capable of doing two at once. Seems complicated. The taxi driver glances at us in the rearview mirror, his brow furrowed. "You girls okay back there? Sounded like quite the commotion at that warehouse. Anything I should be worried about?" I tense, but Kate just waves a dismissive hand. "Oh, you know how it is. Wrong place, wrong time. Story of my life. I''ve got a real knack for attracting trouble." The driver nods, seeming to accept that. "Well, you''re lucky your friend here was around to help. Sounds like things could have been a lot worse." Kate meets my gaze, her eyes softening. "Yeah. I am lucky. Luckier than I deserve, probably." I swallow hard, my throat suddenly tight. I want to argue, to tell her that she deserves so much better than this. That she deserves a friend who can keep her safe, who can protect her from harm. But the words stick in my throat, heavy and unspoken. Because the truth is, I''m not sure I am that friend. Not sure I can be, no matter how much I want to be. The driver, perhaps sensing the shift in mood, reaches out and turns up the radio. Soft music fills the cab, a welcome distraction from the weight of our thoughts. Kate leans her head on my shoulder, her eyes drifting closed. "Wake me when we get there?" she murmurs, her voice thick with exhaustion. I nod, even though she can''t see it. "Of course. Rest now. I''ve got you." And I do. I''ve got her. I''ll always have her, no matter what. Through thick and thin, hell or high water, Kate and I are a team. Even if that means facing down the consequences of her choices, of her actions. Even if it means putting myself on the line, risking everything to keep her safe. Because that''s what friends do. That''s what love is. Chapter 82.2 As we enter the Tacony Music Hall, I can''t help but feel a sense of relief wash over me. This place has become a second home to me, a safe haven in a world that seems determined to chew me up and spit me out. And right now, with Kate leaning heavily on my shoulder, her breath coming in short, pained gasps, I need that safety more than ever. I can feel the exhaustion and pain radiating off Kate in waves. She leans heavily against me, her arm slung over my shoulder as I support most of her weight. Each step is a struggle, a battle against the pain and fatigue that threatens to overwhelm her. I guide Kate over to one of the floor mattresses, easing her down as gently as I can. She lets out a soft groan as she settles back, her face tight with pain. I can see the toll the night''s events have taken on her, the exhaustion and the hurt etched into every line of her face. "Just rest," I murmur, brushing a strand of hair from her forehead. "I''ve got you." Kate nods, her eyes already drifting closed. I take a moment to just look at her, to take in the sight of my best friend, battered and bruised but still breathing. Still alive. It''s a miracle, really. With everything that happened tonight, with all the ways it could have gone wrong, the fact that we''re both here, both in one piece¡­ it''s more than I could have hoped for. But I know we''re not out of the woods yet. Kate''s injuries are serious, and without proper medical care, they could get a whole lot worse. I need to act fast, need to do everything in my power to make sure she gets the treatment she needs. I get her out of her costume, quickly ripping through straps with my claws, yanking things free until it''s just her and her skivvies. She protests, a little bit, but she can save the modesty for when she''s not dying. I start by conducting a more thorough assessment of her injuries, my hands gentle but probing as I check for any signs of hidden damage. The electrical burns are the most obvious, the fractal figures snaking across her skin like some kind of twisted tattoo, ripping through the lower left side of her torso. But I know that''s just the surface, that there could be muscle damage, nerve damage, all kinds of hidden complications lurking beneath the skin. I can see the entry wound, or at least what I interpret as it, and trace the path the electricity took, crawling up into her sports bra and then snaking back around to scrape over her shoulder before vanishing. I don''t check under her bra. That''d be weird. Funny. It''s the exact opposite side of my propeller scar. I guess that tidily resolves whether or not she has the potential to Activate. I make a mental note of everything I find, trying to catalogue the extent of the damage. Kate winces and hisses as I work, her muscles twitching involuntarily under my touch. I can feel the heat radiating off her skin, the unnatural warmth that tells me her body is struggling to cope with the trauma it''s endured. Thankfully, I don''t find any signs of neurological damage, but I can tell that Kate''s muscles are in bad shape. I grab the extensive first aid kit we keep stocked in the music hall, rummaging through it for anything that might help. I find a tube of burn cream and a roll of sterile bandages, as well as a bottle of over-the-counter pain medication. It''s not much, but it''s a start. I begin cleaning and dressing Kate''s wounds, applying the burn cream as gently as I can. She hisses in pain as I work, her muscles tensing under my touch. I murmur words of apology and encouragement, trying to keep her calm and still. Support the creativity of authors by visiting the original site for this novel and more. As I work, I can hear my phone buzzing with incoming messages. I know it''s probably the rest of the team, checking in to make sure we''re okay. I glance at the screen and see a message from Sandman, letting me know that they''ve gotten Derek back to sleep and that everyone is regrouping at the garage. I feel a pang of guilt at not being there with them, at not being able to help with the cleanup and the debrief. But I know that Kate needs me more right now, that I''m exactly where I''m supposed to be. Once I''ve finished dressing Kate''s non-electricity related wounds - cuts, scrapes, bruises, eyedrops for the cloud of pepper spray - I grab my phone and dial Nurse Sylvia''s number. I know it''s early, know that she''s probably trying to catch a few hours of sleep before her shift starts. But I also know that she''s the best chance Kate has at getting the care she needs if Kate''s going to insist we avoid hospitals. The phone rings once, twice, three times. I''m just about to give up when I hear a click, followed by a groggy voice on the other end of the line. "Hello? Sam? Is everything okay?" I let out a breath I didn''t realize I was holding, relief flooding through me at the sound of Sylvia''s voice. "Sylvia, thank god. I need your help. It''s Kate, she''s hurt. Badly." I can hear the rustle of sheets, the creaking of a mattress as Sylvia sits up in bed. "Okay, slow down. Tell me what happened. Who''s Kate?" I take a deep breath, trying to steady myself. "A¡­ civilian. There was a fight. Kate got caught in the crossfire. She took a hit from an electrical blast, and she''s got burns all over. I''m worried about muscle damage, nerve damage. I don''t know what to do. I''ve applied burn cream and forced her to take some pain meds." Sylvia is quiet for a moment, and I can almost hear the gears turning in her head as she processes the information. "Alright, first things first. Is she stable? Breathing okay, heart rate normal?" I glance over at Kate, checking her vitals with a practiced eye. "Yeah, she''s stable for now. But she''s in a lot of pain, and I''m worried about infection setting in." She''s not unconscious, but she''s a little focused on whimpering and curling up into a ball to respond. Probably for the better. Sylvia hums thoughtfully. "Okay, good. That''s good. Now, listen carefully. I''m going to walk you through what you need to do." And she does. Over the next half hour, Sylvia guides me through the process of treating Kate''s injuries, her voice calm and steady in my ear. She tells me how to clean and dress the burns, how to apply sterile bandages and monitor for any signs of infection. She advises me on managing Kate''s pain, suggesting over-the-counter medications and gentle stretching exercises to help with the muscle stiffness and soreness. Throughout it all, Kate drifts in and out of consciousness, her face pinched with pain even in sleep. I do my best to soothe her, murmuring words of comfort and reassurance as I work. Finally, after what feels like an eternity, I step back, my work complete. Kate is resting comfortably now, her breathing deep and even. The bandages are clean and secure, and I''ve done everything I can to make her comfortable. I pick up my phone again, my voice thick with emotion as I speak. "Sylvia¡­ thank you. I don''t know what I would have done without you." I can hear the smile in Sylvia''s voice as she replies. "You would have figured it out, Sam. You''re a smart girl, and you care about your friend. That''s what matters most." I swallow hard, blinking back tears. "Still¡­ thank you. For everything." We say our goodbyes, and I set my phone aside with a heavy sigh. I know I should try to get some rest, should take a moment to catch my breath and regroup. But I can''t bring myself to leave Kate''s side, can''t bear the thought of letting her out of my sight for even a moment. So I settle in beside her, my back against the wall and my knees drawn up to my chest. I listen to the sound of her breathing, watch the rise and fall of her chest in the dim light of the music hall. And I wait. Wait for the sun to rise, for the world to make sense again. Wait for my best friend to open her eyes and tell me that everything is going to be okay. And then to explain what the fuck she was doing. Chapter 82.3 As the first rays of sunlight begin to peek through the boarded-up windows of the Tacony Music Hall, I can feel the exhaustion settling deep into my bones. It''s been a long night, a night filled with more danger and drama than any teenager should ever have to face. And yet, here we are. Two best friends, battered and bruised, trying to make sense of a world turned upside down. I glance over at Kate, watching as she stirs restlessly on the mattress. Her face is pale, her brow furrowed even in sleep. I know she''s in pain, know that the injuries she sustained last night will take time to heal. But I also know that the physical wounds are only part of the problem. I take a deep breath, steeling myself for the conversation to come. "Kate," I say softly, reaching out to shake her shoulder. "Kate, wake up. We need to talk. And I have to go to school. So we have to talk now or talk in several hours. And I''d rather talk now." Kate''s eyes flutter open, and for a moment, she looks confused, disoriented. Then the memories come flooding back, and I can see the realization dawning on her face. "Sam," she croaks, her voice hoarse with sleep and pain. "What¡­ what happened? Where are we?" "We''re at the Tacony Music Hall," I reply, my voice gentle but firm. "You were hurt pretty badly last night, Kate. Do you remember?" Kate nods slowly, wincing as she tries to sit up. "Yeah. Yeah, I remember. The fight, the electricity¡­ it''s all a bit of a blur, but I remember." I help her into a sitting position, my hands careful not to aggravate her injuries. "Kate," I begin, my voice trembling slightly. "What the fuck were you thinking? Going out there, trying to be a hero? Without any powers, without any training? You could have been killed!" Kate looks away, her expression a mix of guilt and defiance. "I couldn''t just sit by and do nothing, Sam. Not while you were in the hospital, not while our neighborhood was going to shit. Someone had to step up, someone had to help. And I have training! And gadgets!" I feel a surge of anger rising in my chest, hot and bright. "And you thought that someone had to be you? Dammit, Kate, you''re not invincible! You don''t have powers, you don''t have a healing factor like I do. One wrong move, one lucky shot, and you could be dead. Do you have any idea what that would do to me? To your dad?" Kate flinches at the mention of her father, her eyes filling with tears. "I know, Sam. I know it was stupid, and reckless, and selfish. But I couldn''t just sit back and watch, not when I knew I could make a difference." I soften slightly, my anger giving way to empathy. "Kate, I get it. I really do. Wanting to help, wanting to make a difference¡­ it''s a powerful thing. But you have to think about the consequences, about the people who love you. Your dad, your friends, me¡­ we need you, Kate. We need you alive and safe and whole." Kate nods, her shoulders sagging under the weight of my words. "I know, Sam. And I''m sorry. I never meant to hurt anyone, especially not you. I just¡­ I felt so helpless, so useless. Sitting by your bedside, watching you fight for your life¡­ it broke something inside me. I needed to do something, needed to feel like I was making a difference." I reach out, taking her hand in mine. "I understand, Kate. More than you know. But being a hero, it''s not just about throwing yourself into danger. It''s about being smart, being strategic. It''s about knowing your limits and working within them." Kate gives me a wry smile, her eyes sparkling with mischief. "You punched a nuclear reactor. I don''t think you can lecture me about knowing your limits." I can''t help but laugh, the tension between us easing slightly. "Okay, fair point. But I have powers, Kate. Powers that protect me, that give me an edge. You don''t have that luxury." "You didn''t know they''d protect you then," she counters, quick as a whip. "It was that versus annihilation," I respond. "Not versus drug dealers," But she shrugs, maybe a little too casually. Her smile fades, her expression turning serious. "But that''s just it, Sam. You''re out there every day, risking your life to keep our city safe. And I''m supposed to, what? Just sit back and watch? Just cross my fingers and hope that you come home in one piece? I barely see you as is. What if I go to call your parents to hang out one day and you''re not there?" I sigh, running a hand through my hair. "Kate, I''m not the only hero in Philadelphia. There are others, people with powers and training and experience. The Titans, the DVDs¡­ they would have kept Mayfair and Tacony safe while I was out of commission. They did. " Kate scoffs, her eyes flashing with anger. "Oh, please. The Titans are a bunch of kids, just like us. And the DVDs? They''re so busy with their own turf wars and politics, they barely have time to patrol our streets. They just handle Center City, where the rich people can see the crime and get scared by it. Face it, Sam. Without you, our neighborhood was going to hell in a handbasket." "Okay," I concede, my voice soft. "I get it. I do. But Kate, you have to understand the risks. The dangers. Every time you put on that mask, every time you go out there¡­ you''re putting a target on your back. And not just from the criminals and the supervillains. From the cops, from the DVDs¡­ from anyone who sees an unlicensed vigilante as a threat." Kate''s eyes widen, a flicker of fear crossing her face. "The cops? The DVDs? What do you mean?" I take a deep breath, trying to find the right words. "Kate, what you''re doing¡­ it''s illegal. Plain and simple. Without a JLUMA, without any kind of official sanction¡­ you''re just as much a criminal in the eyes of the law as the people you''re trying to stop. You can''t just go beating people up." Kate''s jaw clenches, her expression stubborn. "So, what? I''m supposed to just give up? Just hang up the mask and pretend like everything''s fine?" I shake my head, my heart aching at the thought. "No, Kate. That''s not what I''m saying. But we have to be smart about this. We have to find a way to work within the system, to get you the training and the support you need. Because right now? You''re a liability. To yourself, to your family¡­ and to me. There''s ways you can support that don''t involve you getting arrested for assault, because G-d forbid, if someone got a good look at your face, a good photo, you better believe you''d be in juvie by now. By months ago." Unauthorized content usage: if you discover this narrative on Amazon, report the violation. Kate''s eyes flash with hurt, her voice trembling. "A liability? Is that all I am to you, Sam? Just another problem to be solved?" I wince, realizing how harsh my words must have sounded. "No, Kate. God, no. You''re my best friend, my sister in all but blood. But that''s why I''m so scared, why I''m so angry. Because I can''t lose you. I can''t watch you throw your life away, not for this. There''s a better way to help." Kate''s shoulders slump, the fight draining out of her. "I know, Sam. I know. But I can''t just sit back and do nothing. I can''t just watch you and the others put your lives on the line while I sit at home, safe and sound. It''s not who I am. It''s not who I want to be." I nod, my heart swelling with a mix of pride and fear. "I know, Kate. And I''m not asking you to change who you are. But we have to find a better way. A way that keeps you safe, that keeps you alive. Because the world needs Kate Smith, not just Miss Mayfly." Kate gives me a small smile, her eyes shining with unshed tears. "And what about you, Sam? What do you need?" I swallow hard, my throat tight with emotion. "I need my best friend. I need the girl who''s been by my side through thick and thin, through good times and bad. I need you, Kate. Not Miss Mayfly, not the vigilante. Just you." Kate nods, her hand squeezing mine. "Okay, Sam. Okay. I''ll try. I''ll try to find a better way. But I can''t promise that I''ll stop. I can''t promise that I won''t keep fighting, keep trying to make a difference." I sigh, knowing that it''s the best I can hope for. "I know, Kate. And I won''t ask you to. But promise me that you''ll be careful. That you''ll be smart. That you won''t take any unnecessary risks." Kate grins, her eyes sparkling with mischief. "I''ll do my best, Sam. But you know me. Trouble just seems to find me, no matter what I do." I groan, shaking my head in exasperation. "You''re impossible, you know that? Absolutely impossible." Kate laughs, the sound like music to my ears. "Yeah, but you love me anyway." I smile, my heart full to bursting. "Yeah, I do. God help me, but I do." We sit in silence for a moment, the weight of the conversation hanging heavy in the air. There''s still so much to be said, so much to be worked out. But for now, in this moment, we''re okay. We''re together, and we''re alive, and that''s enough. "So," Kate says finally, her voice hesitant. "What happens now? With the DVDs, with the Titans¡­ with us?" I take a deep breath, my mind racing with possibilities. "We take it one day at a time. We work together, we train together¡­ we find a way to make this work. Because you''re right, Kate. The city needs heroes. Needs people who are willing to stand up and fight for what''s right. Even if they don''t have powers. Have you considered becoming a paramedic?" It feels insincere coming from me. But I say it anyway. Kate nods, her expression serious. "No. Not really. I''ll think about it. And we''ll do it together." I smile, my heart swelling with love and pride and anger and fear. "Together. Always." Kate grin, hand slipping out from under mine as she slips off the mattress. "The Danger Dykes, here to stay," she says, striking what I can only assume is an impression of a masculine, straight boy pose as she pantomimes swinging a sword. "Can you," I stutter. "Are you allowed to say--" "You don''t want the answer to that question, Sam," she says, and I shut myself up. I cough a couple of times, adjusting myself, grabbing my Backup Backpack. "Alright, He-Man. I''ve gotta get cleaned up for school. You can stay here or I''ll clean you up and I guess you suffer through Geometry but get to show off your sick new lightning burns. Also, your Dad is probably shitting himself, just FYI." Kate groans, her head thumping back against the wall. "Ugh, don''t remind me. I''m going to be in so much trouble. Generally been pretty easy to play off the injuries until now." I shrug, my lips twitching with amusement. "Hey, you''re the one who decided to play superhero on a school night. Now you get to deal with the consequences." "Speaking of," Kate continues, cocking her head to the side. "What are you going to do about all of this, anyway?" I furrow my brow, frowning slightly as I begin to dress Kate''s bandages - a task I anticipate doing a lot over the next couple of days and weeks. "I don''t quite follow." "Don''t play coy, Sam. You''re fighting to prevent other people from getting powers. And then your best friend is an unpowered vigilante trying to help. Is this, like, going to change your view on anything? Shouldn''t you be helping other people be able to help like I''m doing?" she asks. "Doesn''t this whole Jump thing make you like¡­ think at all? Huh, super-cop?" I freeze, stunned into silence. It''s a question I hadn''t even considered, a perspective I hadn''t even thought to take. I mull it over for a moment, chewing my lip as I try to find the right words. "I¡­ I don''t know, Kate. It''s not that simple." Kate scoffs, wincing as she shifts on the mattress. "Seems pretty simple to me. You''re telling me to stop because I don''t have powers. But you''re also fighting to stop people from getting powers. So, which is it? Are powers necessary to be a hero, or not? Or do I just have to luck into having ''the potential''," she spits, fingering the word with air quotes "and then luck into almost, but not quite, dying? And then hoping whatever power I get isn''t ''explode'', like at Tesla? Sounds like a shitty fucking path to me." I sigh, running a hand through my hair, trying to come up with an adequate response. "Kate, it''s not just about having powers," I say, not feeling confident in that at all. "It''s about having training, having support. It''s about being part of a system that holds you accountable, that makes sure you''re doing the right thing for the right reasons." Kate raises an eyebrow, her expression skeptical. "And who gets to decide what the right thing is, Sam? The DVDs? The government? God? You?" I open my mouth to respond, but no words come out. I close my mouth, try to think of a response, and open it again. I lean back onto the bed, try to come up with an answer, and open my mouth a third time to speak. But then the words don''t actually happen. Kate looks extra smug. "I don''t know, Kate," I admit finally, my voice soft. "I don''t have all the answers. But I do know that I can''t just sit back and watch people get hurt. Can''t just let anyone with a power do whatever they want, without any kind of oversight or accountability. And definitely can''t let the bad guys get the ability to turn every mook and soldier into the Hulk. I don''t think we want that kind of society." Kate nods, her expression thoughtful. "I''m sure that makes sense for you." I look away from her, hauling my backpack over my shoulder. All things considered, I''m in pretty good shape. Whatever damage I sustained last night is basically gone, outside of a lingering itchiness on my face. "It''s going to take a lot of work, a lot of compromise. And it''s going to take people like you, Kate. People who are willing to fight for what''s right, even when the odds are stacked against them. But for now, you''ve gotta promise me you''re gonna put an end to the superheroics - for now. Alright?" She''s silent. I turn around to stare her down, but she''s known me for too long for me to be even slightly intimidating to her. "Alright?" I ask, again. "I think I''m going to stay home from school today. Can you cook together a good excuse that makes me look like enough of a badass?" Kate asks, flopping back onto the floor mattress. "Kate!" I bark. She sits up to attention, and then explodes into wincing and twitching. "Sorry. But. You''ve gotta promise me you''re not going to do anything stupid, and that you''re gonna give up the Miss Mayfly stuff. For now, at least. Okay? Okay?" Kate looks at me. "I promise," she says. I pretend not to notice her moving a hand behind her back. For now, I''m just going to imagine she''s being honest. I have school to get to. Can''t fail at the last minute. "Good. I''ll hold you to that," I say, and I''m out the door. Chapter 83.1 The Tacony Music Hall is a bit like an old, eccentric aunt--charming in its own way, but definitely past its prime. As I step inside, the musty scent of old wood and dust tickles my nose, and I can''t help but wonder if Jordan''s been slacking on the cleaning. I mean, I get that we''re a bunch of teenage vigilantes, but would it kill them to bust out the Febreeze once in a while? Speaking of Jordan, they''re currently leaning against the stage, a smirk playing at the corners of their mouth as they survey the room. "Well, well, well. Looks like the gang''s all here. I don''t think this place has seen this much action since the great rat invasion of ''09." I raise an eyebrow. "The what? Rat invasion?" They shrug. "Just a hunch. I mean, look at this place. It''s got ''rat haven'' written all over it." "You''ve seen a rat? Like, for real?" Spindle asks, suddenly looking very nervous and pale. Paler than normal, at least. I roll my eyes, but I can''t help but crack a smile. Leave it to Jordan to find the humor in even the most bizarre situations. As I glance around the room, taking in the Auditors, the Tacony Titans, and Team Mayfly, I feel a twinge of apprehension. This whole situation is a mess, and I''m not sure how we''re going to untangle it. The Titans seem impressed by the size of the hall, their eyes wide as they take in the high ceilings and the ornate moldings. I guess when you''re used to meeting in garages and local parks, a vintage music hall is a step up. Sundial, her bandana mask hanging loosely around her neck, gives me a nod of approval. "Not bad, Bloodhound. You''ve got style." I snort. "Yeah, if by style you mean a fine layer of grime and the lingering scent of mothballs." "I clean!" Jordan protests from the corner. Meanwhile, Team Mayfly is huddled together like a bunch of nervous penguins. Kate, Tasha, Lilly, Marcus, and Jenna, all high school freshmen, all my friends, look like they''d rather be anywhere else. Kate, I know why she''s here. The rest of my friends - apparently Kate wanted to bring them along. It was a big argument, but she insisted with such sincerity that I just had to buckle. I clear my throat, drawing everyone''s attention. "Alright, let''s get this show on the road. First things first, Miss Mayfly is officially grounded. No going on the next operation. Ideally, no going on any more operations, ever. The rest of you, well, we''ll get to you." Kate looks at me with a look of cold steel, but doesn''t protest. I half expect her to go against my instructions and get herself involved anyway, which is why I feel the need to do this in public. Semi-public. "Since when?" She challenges under her breath. I feel my temper flare, but I take a deep breath, trying to keep my cool. "Since my best friend decided to play superhero without any backup or training. You could have gotten yourself killed, Kate." She opens her mouth to argue, but Tasha puts a hand on her arm, shaking her head. The rest of Team Mayfly remains silent, their gazes fixed on the floor. I can tell they''re not thrilled about being here, but tough luck. They''re just as guilty as Kate in my book. Not of any real crimes - I, personally, can look past... the assault - but of enabling Kate''s behavior. Or was Kate enabling their behavior? It all blends together into an uncomfortable morass. Jordan, sensing the tension, tries to lighten the mood. "Hey, at least you guys have a cool name. Team Mayfly? It''s like you''re a bunch of tiny, adorable insects. I bet you could totally infiltrate Sparkplug''s lair through the air vents or something." Lilly shoots them a withering glare. "Not helping, Jordan." "Yeah, read the room, dude," Marcus mutters. I pinch the bridge of my nose, feeling a headache coming on. This is going to be a long meeting. "Look, we''re not here to point fingers or assign blame. We need to figure out our next move." "Next move?" Jenna asks, her voice small. "I thought we were done. I mean, we found Sparkplug, right?" I shake my head. "Not even close. We know he exists, and we got Squeal off the streets, but Sparkplug is a blank slate. We need to take him down before he can do any more damage - to people or the streets." Kate leans forward, her eyes glinting with determination. "So, what''s the plan?" Reading on this site? This novel is published elsewhere. Support the author by seeking out the original. I hesitate, glancing at the Auditors and the Titans. We haven''t exactly had time to come up with a detailed strategy, what with the whole "my best friend is a secret vigilante" bombshell. But I know one thing for sure: we can''t just sit back and do nothing. Before I can respond, Tasha clears her throat. "Um, S- Bloodhound? There''s something you should know. About Team Mayfly, I mean." I raise an eyebrow. "Oh? Do tell." She glances at her teammates, who all nod in encouragement. "Well, the thing is... Kate wasn''t acting alone. We were all in on it. The whole vigilante thing, I mean." I blink, feeling like I''ve been slapped. "Uh huh. And that''s why Kate insisted you all be here with her, invading my business." Marcus nods, rubbing the back of his neck sheepishly. "Yeah, it was kind of a group effort. We couldn''t just sit back and do nothing while you were in the hospital. So we kind of put our heads together. You know, five people, maybe we''d be a fraction of the efficacy of one super-girl." Kate, who''s been brooding in the corner, finally pipes up again. "Don''t get too mad at them. It was my idea." I stare at them, my mind reeling. On the one hand, I''m touched that they wanted to help. On the other hand, I''m furious that they put themselves in danger like that. I mean, they''re just kids. They don''t have any powers or training. What were they thinking? But I''m just a kid, as Kate reminded me. I only have a little more power and a little more training. I lock eyes with Kate. I don''t believe her when she says it was her idea. But I won''t say anything about it. Jordan sees an opening. "So, let me get this straight. You guys have been playing superhero behind our backs, and now you want to join the big leagues?" Tasha shrugs. "I mean, we did manage to track down Sparkplug. That''s got to count for something, right?" I hold up a hand, silencing the chatter. "You made what was going to be a very clear sting into an extremely complicated clusterfuck that ended with Kate taking a lightning bolt to the chest. You got lucky." Kate bristles. "Lucky? We worked our asses off to find him. We may not have powers, but we''re not useless." "And Kate''s new scar is really cool!" Lilly quips. The Tacony Titans, and Derek, and Spindle, all just stare at this unfurling shitshow with the sort of reluctance to speak that''s typically saved for someone going blank before a group presentation in class. My entire body feels cold - my entire friend group, going behind my back, getting themselves involved in my business, and putting themselves in danger. I flick back and forth between being offended and being touched. I feel a little bit like I''m having a seizure. I sigh, feeling like I''m talking to a bunch of toddlers. "I never said you were useless. But this is dangerous stuff. You only get one close scrape with someone like that." Lilly, who''s been quiet up until now, speaks up. "So, what are you saying? That we should just give up? Let you guys handle everything while we sit at home and twiddle our thumbs?" I run a hand through my hair, feeling like I''m between a rock and a hard place. On the one hand, I don''t want to encourage their reckless behavior. On the other hand, I know how stubborn they can be. If I shut them out completely, they''ll just go off and do something even more dangerous on their own. Thankfully, Sundial says it for me. "Yes. Trust my future sight," she says, putting her hands to her temples. "If you continue down this road, you, all five of you, are going to get seriously hurt. I can''t see far enough, but it''s not looking good." Everyone but Kate looks spooked. I''m pretty sure this just made Kate more determined, which is not exactly good. And I don''t think Sundial''s power works like that, but I''m not going to correct her. "Look," I say, choosing my words carefully. "I appreciate that you guys want to help. I really do. But if we''re going to take down Sparkplug, we need to do it right. That means no more solo missions, no more secret vigilante stuff. If you want to be part of this, you need to follow our lead. Got it?" Team Mayfly exchanges glances, a silent conversation passing between them. Finally, Kate nods. "Fine. But we want to be part of the planning process. No more benching us just because we''re kids without superpowers." Derek pinches the bridge of his nose. I join him. "I am benching you because there is a limited quantity of lightning bolts that a human body can survive, and it''s generally less than one. Sit in. Brainstorm. Enjoy the amenities. Stop getting yourself involved in a physical sense. Can we agree on that for now?" I ask, almost pleading. They all look at each other. When Kate grumbles out a ''fine'', the assent falls quickly like dominoes. They nod, looking appropriately chastened. Jordan, who''s been watching the whole exchange with a smirk, claps their hands together. "Well, now that we''ve got that settled, let''s talk strategy. How are we going to take down the walking bug zapper? Our first sting failed, and I strongly doubt he''ll go for another one. We don''t even have another stooge to use as bait like Squeal. So we''re back to square one." The Tacony Music Hall falls into an awkward silence after Jordan''s question. Everyone looks around, hoping someone else will have the answer. I''m about to suggest we take a break and regroup when Lilly speaks up. "Well, since Kate''s gear is pretty much toast, we figured you guys could make better use of what''s left," she says, gesturing to the pile of damaged equipment on the table. It''s been sitting there basically the entire time, but I wasn''t really paying attention to it. I figured it was one of Jordan''s many tech experiments. Maybe upgrading the locks. Jordan leans in, inspecting the various gadgets and gizmos with a critical eye. "I might be able to salvage some of this, but it''s gonna take some work. Where did you guys even get all this stuff?" Tasha and Marcus exchange a glance before Marcus clears his throat. "We, uh, we built most of it ourselves. With some help from online tutorials and a lot of trial and error. We bought the mini-drones online but I figured out how to code the LIDAR so they could fly in formation... lot of good that did us." "Hey, be proud of yourself," Tasha mumbles, elbowing Marcus. I won''t lie - I feel a little bad bringing them all this low. Chapter 83.2 "Well, since Kate''s gear is pretty much toast, we figured you guys could make better use of what''s left," she says, gesturing to the pile of damaged equipment on the table. It''s been sitting there basically the entire time, but I wasn''t really paying attention to it. I figured it was one of Jordan''s many tech experiments. Maybe upgrading the locks. Jordan leans in, inspecting the various gadgets and gizmos with a critical eye. "I might be able to salvage some of this, but it''s gonna take some work. Where did you guys even get all this stuff?" Tasha and Marcus exchange a glance before Marcus clears his throat. "We, uh, we built most of it ourselves. With some help from online tutorials and a lot of trial and error. We bought the mini-drones online but I figured out how to code the LIDAR so they could fly in formation... lot of good that did us." "Hey, be proud of yourself," Tasha mumbles, elbowing Marcus. I won''t lie - I feel a little bad bringing them all this low. Sundial picks up what looks like a modified watch stuffed to the gills with wires, attached to some sort of battery pack, turning it over in her hands. I have no idea what it is. "Impressive. This is some seriously advanced tech for a bunch of high school kids." Kate, still brooding in the corner, can''t seem to help herself. "I told you guys, we''re not just a bunch of kids. We know what we''re doing." I shoot her a look, but Compass jumps in before I can say anything. "No one''s saying you don''t. But you have to admit, going up against someone like Sparkplug without any powers or real training was a huge risk." "A risk we were willing to take," Tasha says, her chin jutting out defiantly. "We couldn''t just sit back and do nothing." Jordan flicks a hand out and brings us back to the matter at hand. "Look, I know they screwed up, but benching them entirely seems like a waste. They''ve got skills that could come in handy." I raise an eyebrow. "Skills? Jordan, they''re civilians. They shouldn''t be anywhere near this kind of thing." "But we want to help," Marcus insists. "We''re willing to put in the work to do it right this time." Tasha nods. "Yeah, just give us a chance to prove ourselves. We won''t let you down again." I look around the room, gauging everyone''s reactions. The Titans seem cautiously optimistic, while Derek and Spindle just shrug, deferring to my judgment. Kate is still silent, her expression unreadable. "I don''t know," I say slowly. "It''s a huge risk." Lilly and Jenna exchange uncertain glances, clearly hesitant about continuing their vigilante activities. I can''t say I blame them. They''ve already come way too close to getting Kate seriously hurt. And I doubt that if the baddies knew where headquarters was they''d hesitate for a second in popping one between these kids'' eyes. Man. I sound old. I feel old. Moonshot speaks up, her voice calm and measured. "Maybe we can find a way for them to help without putting them in direct danger. They could provide tech support or help with surveillance." Compass nods. "That''s not a bad idea. Their skills could be useful, but we don''t want to put them in harm''s way." I chew on my lip, considering the options. On the one hand, I don''t want to encourage their reckless behavior. On the other hand, I know how stubborn they can be. If I shut them out completely, they''ll just go off and do something even more dangerous on their own. "Okay, how about this," I say, looking around the room. "Team Mayfly can help with reconnaissance and tech support, but they stay out of the field. No more solo missions, no more secret vigilante stuff. If they want to be part of this, they follow our lead. Kate, that includes you. Is this something that everyone attending can agree on? There''s no laws against flying drones in public, after all." "That''s not true," Spindle pipes up, but then Derek elbows him in the side lightly. "Never mind." This tale has been unlawfully obtained from Royal Road. If you discover it on Amazon, kindly report it. There''s a moment of tense silence before Kate finally nods. "Fine," she says, terse and to the point. "Any objections?" Jordan asks the room. I lock eyes with Bubble for a moment, and then Sandman. They both look at me with a sort of blank, almost confused expression. Bubble''s is a little more confused, and Sandman''s a little more blank. Frankly, I think he''s about to pass out, but from what I''ve heard he''s sort of always on the verge of passing out. Either way, the motion passes by default, since nobody really says anything. I sigh, feeling like I''m making a deal with the devil. "Deal. But if any of you so much as think about going rogue again, I will personally drag you back to your parents'' basements and lock you in. Understood?" They all nod, some more reluctantly than others. Jordan claps their hands together, breaking the tension. "Great! Now that we''ve got that settled, let''s take a look at this gear. I''ve got some ideas on how we can use this." As the team gathers around the table, Tasha and Marcus start sorting through the pile of damaged equipment, separating the salvageable items from the irreparable ones. Jordan and Compass join in, their eyes lighting up as they examine the various gadgets. "Okay, so we''ve got a couple of drones that are still functional," Marcus says, holding up two slightly battered but intact quadcopters. "They''re a bit dinged up, but nothing a little TLC can''t fix. Some of them Sparkplug totally fried." Jordan nods, turning one of the drones over in their hands. "Nice. What kind of range do these things have?" Marcus grins. "About a mile, give or take. We modified them with some custom firmware and boosted the signal strength." "Custom firmware, huh?" Jordan says, raising an eyebrow. "What did you use, LunarOS or something?" Marcus''s eyes widen. "No way, man. LunarOS is too bloated. We used a stripped-down version of Asteroid and built on top of that." The two of them launch into a rapid-fire discussion of operating systems and hardware modifications, tossing around terms like "ZephyrX processors" and "Quasar protocols." I glance around the room, relieved to see that I''m not the only one who''s completely lost. Sundial clears her throat, bringing the conversation back to the task at hand. "Okay, so we''ve got some working drones. What else do we have?" Tasha holds up a small canister with a nozzle attached. "This is a pepper spray dispenser. It''s fully mechanical, so it should still work. I''ve been, uh, cutting my teeth on the mechanical engineering side of things." Derek takes the canister, examining it closely. "Not bad." I can see the gears turning in his head, and I''m a little worried. As the team continues to sort through the equipment, I can''t help but feel a little out of my depth. I''m used to relying on my own powers and instincts, not gadgets and gizmos. Even though Liberty Belle left me a crate full of goodies, I''ve barely used any of them except on our recent stakeout. I don''t know. I''m just not a Batman type. "Hey, Marcus," Jordan says, their eyes still glued to the drone in their hands. "What kind of setup do you have for live monitoring and control?" Marcus scratches his head. "Uh, we''ve been using a couple of old laptops running Debian." Jordan nods. "Okay, we can work with that. But we''re going to need to set up a dedicated monitoring station if we want to use these drones effectively. I''m thinking multiple screens, a high-bandwidth connection, and maybe some custom control interfaces." Spindle, who has been quietly observing the conversation, speaks up. "I might be able to help with that. I know a guy." I raise an eyebrow. "A guy? Spindle, we''re trying to keep a low profile here." He shrugs. "Hey, I''m just saying. If we''re going to do this, we might as well do it right." As the team starts to discuss the logistics of setting up a monitoring station, I can''t help but feel a little overwhelmed. I''m a superhero, not a tech whiz. But if this is what it takes to keep my friends safe and take down Sparkplug, I''ll do whatever it takes. I''m just glad that everything''s... gelling? That people are getting along? Even if Kate is sulking in the corner. Just as the conversation starts to veer into the realm of the absurd - someone mentioning an AI, which I''m sure is still science fiction, Jenna clears her throat. "Um, guys?" she says, her voice barely audible over the chatter. "There''s something I need to say." The room falls silent as everyone turns to look at her. She shifts uncomfortably under the weight of their gazes, her hands twisting together in her lap. "What is it, Jenna?" I ask, trying to keep my voice gentle. She takes a deep breath, as if steeling herself for what she''s about to say. "After the comms went down at the warehouse, I kind of... followed Sparkplug. With my drone." The room erupts into a chorus of "What?" and "Why didn''t you say something earlier?" Jenna shrinks back in her chair, looking like she wants to disappear. I hold up a hand, silencing the chatter. "Okay, let''s all take a breath. Jenna, can you tell us exactly what happened?" She nods, her voice shaking as she recounts the events of that night. "After Sparkplug fried Kate''s comms, I panicked. I didn''t know what to do, so I just... followed him with my drone. He drove around for a while, but eventually parked in a garage near Rittenhouse Square. I followed him until he went into a building called the Dorchester. That''s when my drone died, so I guided it into a trash can and got out of there." Kate''s eyes widen. "The Dorchester? That''s a high-end condo building. How are we supposed to find him in there?" Jordan leans forward, a thoughtful look on their face. "Well, we know he lives there, but we don''t know which unit. The Dorchester has 32 floors, so it''s not like we can just knock on every door." Spindle raises an eyebrow. "Why not? We could pretend to be delivering pizza or something." I shake my head. "No way. That''s too risky. We need a better plan." Chapter 83.3 The room falls silent for a moment, everyone lost in thought. Jordan pulls out their laptop, and gets to searching, their fingers silently sailing over the keyboard like they''re made for it. Finally, after several agonizing minutes of discomforted mumbling between each other, Jordan speaks up again. "What if we could get our hands on one of those keyless fobs they use at the Dorchester? I bet I could clone it, and then we could get in without anyone noticing. It looks like it''s just RFID. That''s super insecure." Derek frowns. "Okay, but how do we get a fob in the first place? It''s not like they just hand them out to anyone." Jordan grins. "For a hardened criminal, you seem to really not understand the idea of pickpocketing people." "Not a criminal!" Derek yells, at roughly the same time as Spindle letting out a somewhat-admonishing gasp. "Jordan, sweetie, that''s illegal," he gently reminds them. "You were literally breaking into convenience stores to rob them like half a year ago, darling," Jordan replies, rolling their eyes at Spindle. "And it''s for the greater good. A person loses their key fob, they get a new one at the front desk, maybe they pay like twenty dollars, and we lock up a high level drug dealer. There''s priorities here. It''s not like we can get a search warrant." I can''t help but feel a little uneasy about the idea of Jordan pickpocketing someone to steal a keyfob to do RFID cloning - whatever that means - but it''s the best idea anyone''s had all conversation. "Okay, so let''s say we get a fob. How do we figure out which unit is Sparkplug''s?" Derek taps his nose. "That''s where I come in. If I can get close enough, I should be able to sniff him out. We just need to narrow down the search area and be able to get into the elevators." Tasha nods. "Right. So we clone the fob, get into the building, and then Fenrir does his bloodhound thing until we find the right floor. Then what?" I take a deep breath. "Then we come up with a plan to take him down. But we''re not going to rush into anything. We need to be smart about this." Kate, who has been uncharacteristically quiet, finally speaks up. "What about surveillance? If we can get eyes on his unit, we can learn his routine, figure out the best time to strike." As the team starts to hash out the details of the plan, I can''t help but feel a sense of pride. We may be a bunch of misfits, but we''re working together, using our strengths to cover each other''s weaknesses. It''s not going to be easy, but for the first time since this whole mess started, I feel like we might actually have a chance at doing something other than stumbling against each other''s shoelaces and falling on each other''s rakes. Of course, there''s still the question of what we do once we find Sparkplug. We can''t just go in guns blazing (not that any of us have guns, thankfully). We need to be strategic, find a way to neutralize his powers and take him down without anyone getting hurt. But that''s a problem for another day. For now, we have a plan. Get the fob, find the unit, set up surveillance. One step at a time. I look around the room, taking in the determined faces of my friends and allies. Kate, still brooding but with a glint of hope in her eyes. Jordan, their mind already whirring with the logistics of cloning a fob. Derek, his nose twitching as if he can already smell Sparkplug''s scent. Tasha and Marcus, heads bent together as they discuss drone modifications. Jenna, looking a little shell-shocked but proud of herself for speaking up. The rest of the Tacony Titans meander. Someone orders a pizza. This text was taken from Royal Road. Help the author by reading the original version there. Things are... well.
Hours pass as we continue to plan and prepare. The pizza arrives, and we take a break to refuel and recharge. As we munch on slices of pepperoni and mushroom, the conversation starts to shift towards involving the Young Defenders or even the Delaware Valley Defenders. Jordan is the first to bring it up. "Maybe we should bring in some backup," they suggest. "I mean, Sparkplug is no joke. We could use all the help we can get." But I shake my head. "No way. If any fighting is going to happen, it''s going to be in a confined space. More cooks will just spoil the broth." Kate frowns. "But they have way more experience than us. They could teach us a thing or two." I sigh. "Look, I know everyone''s powers inside and out. And the truth is, none of them will make us any more able to take a lightning bolt to the chest. The only people who''d be able to engage in a fight with Sparkplug on relatively even grounding are me and Derek, because we can heal. Rampart is our go-to big guy with the DVD and his power only protects against kinetic impacts. A lightning bolt will fry him just as bad as it fried Kate." "It wasn''t that bad!" Kate protests. I shoot her down with a withering glare. "I can second this. As much as I trust my teammates, I don''t think any of them would be able to, uh, handle Sparkplug any more than Bloodhound can. She''s really the best for the job," Spindle chimes in, in between bites of pizza. Sundial nods. "Bloodhound''s right. Plus, the more people we involve, the more likely it is that word will get back to the Officials. And we can''t risk that." "Exactly. The Young Defenders and the DVDs, they''re all sanctioned by the government to some degree. They''d have to do things by the book, get warrants, all that red tape. It could tip Sparkplug off that we''re coming. And they''d act slower. I don''t think they have the flexibility required for something this delicate. That''s why we''re vigilantes in the first place," Compass elaborates, her vague, Eastern European-ish accent coming out more and more with every word. "Plus, they''d probably just take over the operation entirely," Sandman mumbles. I nod. "Exactly. We need to keep this in-house. Just us misfits and weirdos, working together to take down a drug-dealing electricity man. It''s not going to be easy, but I know we can do it. We have to." The room falls silent for a moment, everyone lost in their own thoughts. Then, Derek clears his throat. "Uh, guys? I hate to be the bearer of bad news, but I''ve got about an hour left before I need to head out. You know, before I rip everyone in this room in half." "I''d like to see you try," Sundial quips, leaning back into her seat at the couch. I frown, glancing at the clock. He''s right. Derek''s werewolf transformations are a ticking clock we always have to keep in mind. But then, an idea strikes me. I lean in, lowering my voice. "Actually, Fenrir, that might work to our advantage." He raises an eyebrow. "What do you mean?" I glance around the room, making sure everyone is listening. "Well, if we time it right, we could use Fenrir''s werewolf strength to our advantage. He''s our secret weapon. Especially if we''re already sniffing around with him." Derek looks uncertain. "I don''t know, Sam. It''s risky. I''m not exactly in control when I''m in that state." I nod. "I know. But we can work around that. We just need to be smart about it. Control is not a necessary aspect here." "Lack of control put us in this mess in the first place," Sundial protests, rubbing her forehead with one hand. "Right? Tell me I''m missing something." "You are. Here, let me lay it out for you," I say, grabbing for Jordan''s laptop. I open up an MS Paint document, and the crowd gathers around behind me, watching my Picasso-like masterstrokes of abstract expressionism. "Is that supposed to be me?" Derek grumbles, itching his head. "I think that''s me," Spindle interjects. "You are not a werewolf," Sandman points out matter-of-factly. By the time my diagrammatic clusterfuck is fully assembled, I have the entire room''s total undivided attention. I reach for Kate''s wrist-mounted canister sprayer, designed to depress a can of pepper spray into someone''s eyes in mass quantities, and hold it up to the sky like I''m presenting an item in one of Marcus''s video games. "And this is what we''re going to do it with," I announce. "You motherfucker," Jordan mumbles, with a mixture of fear and admiration. "That''s just crazy enough to work." WORLD OF CHUM: Guns (1)

The Decline of the American Gun: How Superhumans Reshaped a Nation

By Amanda Jameson, for the New York Times July 18th, 2015 In the United States, a country once synonymous with gun ownership, a dramatic shift has taken place over the past few decades. As of 2015, only about 34% of American households own firearms, a significant decrease from the 45% reported in the early 1990s. This decline, while multifaceted in its causes, can be largely attributed to one pivotal factor: the emergence of individuals with superhuman abilities. The story of America''s great gun decline is a tale of how an extraordinary phenomenon reshaped the nation''s cultural landscape, challenging long-held assumptions about personal safety, individual rights, and the role of firearms in society. The Revolt at Cincinnati and the Rise of Superhumans The year 1977 marked a turning point for the National Rifle Association (NRA) with the Revolt at Cincinnati, where the organization shifted its focus from hunting and marksmanship to a hardline stance on Second Amendment rights. Coincidentally, this pivot coincided with the early years of the superhuman phenomenon, marked by the now-infamous "Genesis Births" of the late 1970s and early 1980s. As reports of "Activation Events" ¨C moments of extreme stress or life-threatening situations that triggered latent superhuman abilities ¨C became more frequent throughout the 1980s, the NRA capitalized on the public''s fears. They argued that the right to bear arms was more critical than ever in a world where superpowers could upset the balance of power. Initially, this sentiment resonated with the American public, and gun sales surged. According to FBI data, background checks for firearm purchases hit a record high of 2.7 million in 1995 alone. Shifting Perceptions and High-Profile Incidents However, a series of high-profile incidents in the late 1980s and early 1990s began to shift public perception. In 1989, the tragic event in Cedar Mills, Iowa, where a child undergoing an Activation Event inadvertently caused a tornado that devastated the small town, highlighted the potential dangers of uncontrolled superhuman abilities. Then, in 1994, a watershed moment occurred in New York City when a bystander - a child, no less - with superhuman strength thwarted a bank robbery, effortlessly disarming the robbers by crumpling their weapons into small balls. The dramatic footage made national headlines and sparked a conversation about the effectiveness of firearms against superpowered individuals. These incidents, among others, began to erode the NRA''s argument that guns were a necessary safeguard in a world of superhumans. A Gallup poll conducted in 1995 found that 58% of Americans believed that the presence of superhumans made guns less necessary for personal protection, up from just 30% in 1985, and that the proportion that believed superhumans made guns more necessary had fallen precipitously from 41% to a staggeringly low 19% in the intervening 10 years. Clearly, the conversation had changed. Government Response and Legislation As the superhuman phenomenon became more prevalent, the government began to take notice. The introduction of the Pivot Protocols in 1997, followed by the establishment of the Superhuman Study and Response Division (SSRD) in 2000, signaled a shift in how the nation approached the issue of individuals with extraordinary abilities. This story has been stolen from Royal Road. If you read it on Amazon, please report it The passage of varying acts of legislation regarding superpower usage such as the Mind Privacy Act, the Telekinetic Assault Act, and the Pyrogenetic Collateral Damage Act, as well as landmark cases such as Justin v. United States (2006) and Horowitz v. Sullivan (2012) further reshaped the conversation around personal safety and gun ownership. The idea that firearms could provide protection against telekinesis, mind control, or an invincible home invader began to seem increasingly absurd in light of these legislative milestones. Superhumans and Crime: A Changing Landscape As the presence of superhumans in society grew, so too did their impact on crime and law enforcement. By 2015, the number of gun-related crimes in the United States had fallen by nearly 40% since the early 1990s, even as the population of individuals with superhuman abilities had grown to an estimated 450,000 in the United States alone. This decline can be attributed to a variety of factors, including stricter gun control laws, improved mental health services, and a growing recognition that firearms are of limited use against superpowered individuals. In many cases, an individual''s latent superpowers have been activated by gunshot wound, allowing them to turn the tables on would-be muggers or assailants. A study conducted by the National Superhuman Response Agency in 2012 found that in all recorded one-on-one confrontations, a superhuman would prevail in a fight against an assailant with firearms more than 60% of the time - even with no combat training. While there are, of course, considerations of survivorship bias to be had, it begs the question: are firearms useful anymore? The NRA''s Decline and the Shift in Public Opinion As the reality of the superhuman phenomenon became more apparent, public attitudes towards gun ownership began to shift dramatically. Surveys conducted by Pew Research in 2000 found that 60% of Americans supported stricter gun control laws, up from just 45% a decade earlier. By 2015, that number had risen to 68%, with support particularly high among younger Americans who had grown up in a world where superpowers were an accepted reality. The election of President James Grant in 2008, who campaigned on a platform of superhuman rights and sensible regulation, marked a significant shift in the national conversation. Grant''s successful push to repeal the controversial Superhuman Registration Act was seen as a repudiation of the fear-based politics that had long fueled the gun rights movement. For the NRA, these shifts in public opinion and the political landscape were devastating. Once a powerful force in American politics, the organization saw its influence wane considerably in the face of a society that was increasingly skeptical of the need for widespread gun ownership. By 2015, NRA membership had declined by nearly 45% from its peak in the mid-1990s, and the organization''s financial troubles were well-documented. A New Era: Adapting to a World of Superhumans As America enters a new era shaped by the presence of individuals with extraordinary abilities, the decline of gun ownership serves as a powerful reminder of how societal norms can shift in the face of profound change. The story of the great American gun decline is not just about changing attitudes towards firearms, but about a nation coming to terms with a new reality. It''s a tale of how a society adapted and evolved in the face of the extraordinary, and how even the most entrenched cultural norms can be reshaped by the tides of history. In a world where the line between the ordinary and the extraordinary is increasingly blurred, perhaps the most remarkable thing is not the decline of gun ownership itself, but the resilience and adaptability of a nation confronted with a phenomenon that once seemed the stuff of science fiction. As America continues to grapple with the implications of the superhuman age, the lessons of the great gun decline will undoubtedly inform the debates and decisions that shape the nation''s future. And while the path forward may be uncertain, one thing seems clear: in a world of superpowers, the old rules no longer apply. Chapter 84.1 The plan had seemed simple, in theory. Get the fob, get into the building, sniff out Sparkplug. Easy peasy, lemon squeezy, right? Well, as it turned out, simple didn''t always mean easy. Especially when you were dealing with a bunch of teenagers trying to take down a drug-dealing thunder god. First up had been Jordan''s grand plan to pickpocket a key fob from some unsuspecting Dorchester resident. I mean, it had sounded like a foolproof idea, right? Just bump into someone, slip your hand into their pocket, and boom, you''ve got yourself a ticket to the top-secret villain lair. Except, as it turned out, pickpocketing was a lot harder than it looked in the movies. Jordan had spent hours practicing their technique, using Spindle as a reluctant guinea pig. They had tried every trick in the book - the "accidental" bump, the distraction method, even the old "pretend to tie your shoelace while swiping the goods" routine. But every time, Spindle had caught them in the act, giving them a reproachful look that said, "Really, Jordan? Is this what we''ve come to?" After a few days of fruitless attempts, Jordan had finally managed to snag a fob from a distracted businessman outside the Dorchester. They had come strutting back to the hideout, grinning like the cat that got the cream. "Piece of cake," they had declared, tossing the fob in the air and catching it with a flourish. But their victory had been short-lived. When they had tried to clone the fob, they discovered that it had some sort of built-in security feature that prevented duplication. Apparently, the Dorchester took their residents'' privacy very seriously. Who knew? We had needed to spend another couple of hundred dollars getting an actual RFID cloner instead of just trying to plug it into a card reader on Jordan''s computer. Or something like that. I hadn''t really understood what was going on, but I had let it move over and through me regardless. Finally, after what had felt like an eternity, they cracked the code. The fob was cloned, and we were one step closer to our goal. But the victory had felt hollow, somehow. Like we were just delaying the inevitable. Next up had been Derek''s turn to shine. With the cloned fob in hand, he had infiltrated the Dorchester, ready to put his super sniffer to the test. But as it turned out, tracking down one specific scent in a building full of people was like trying to find a needle in a haystack. A really smelly, sweaty haystack. Derek had wandered the halls, his nose twitching like a bloodhound on the hunt. He had gotten a few odd looks from the residents, but he just flashed them a charming smile and kept on sniffing. It was kind of impressive, actually, the way he could turn on the charm when he needed to. I had assumed he was just 100% curmudgeon 24/7 but he can at least turn it off long enough to evade suspicion, it seemed. Once you were in the building enough days in a row, people just started assuming you lived there. Even if he couldn''t wear his leather coat inside. But even with his enhanced senses, Derek struggled to pinpoint Sparkplug''s exact location. The building was a maze of scents and sounds, and every time he thought he had a lead, it turned out to be a false alarm. A particularly pungent trash chute, a chain-smoker''s apartment, even a room where someone was clearly cooking with an obscene amount of garlic. But no Sparkplug. It turned out, having to sniff every hallway of 32 floors without being noticed was kind of hard. As the days dragged on, we had started to get restless. We knew we couldn''t risk intercepting any of the Jump or Fly shipments leaving Sparkplug''s place. If he got even a whiff of us sniffing around his operation, he''d clam up tighter than Fort Knox. And that was the best-case scenario. Worst case, he''d start involving other criminals, or worse, putting civilians in danger. We had to be smart about this, had to find a way to catch him off guard. Did you know this story is from Royal Road? Read the official version for free and support the author. That''s when Jenna came up with the idea of focusing our surveillance efforts on the top floors of the building. It made sense - a guy like Sparkplug, with his fancy car and designer suits, wasn''t going to be slumming it in some middle-floor studio apartment. No, he''d be living it up in the penthouses, the cream of the crop. So we had adjusted our strategy, sending Derek to scope out the top floors while the rest of us kept watch from a distance. We took turns staking out the building, hiding in plain sight as delivery drivers, maintenance workers, even a lost tourist or two. Anything to get a closer look without raising suspicions. And then, finally, we caught a break. Derek picked up a scent, faint but unmistakable, wafting from one of the penthouse units - 3028. The smell of ozone and burnt rubber, the telltale sign of Sparkplug''s powers. That, plus his actual BO. Which, according to Derek, also smelled like ozone. We had our target. We had our plan. Now all we needed was a moment. We spent the next few days going over every detail, mapping out entry points and escape routes, rehearsing every possible scenario. Jordan and Spindle worked on modifying Kate''s glove according to my ideas, trying to bring my hair-brained scheme to reality. Tasha and Marcus pored over the building''s schematics, looking for any weaknesses we could exploit. Even Kate pitched in, using her Mayfly gear to do some last-minute recon with what remained of the drone fleet, and buying me a hammer for breaking windows with. How thoughtful. As for me, I trained. I pushed myself harder than I ever had before, running drills and sparring with anyone who would stand still long enough. I knew I''d only have one shot at this, one chance to take Sparkplug down before he could light me up like a Christmas tree. I had to be ready, had to be at the top of my game. Finally, the big day arrived. We gathered at the hideout one last time, going over the plan and checking our gear. There was a tension in the air, a sense of anticipation mixed with dread. We all knew the risks, Derek and I more than anyone else. But we also knew that we had to try, had to do something to stop Sparkplug, to cut off the rotten vein he was feeding into our city. As the sun began to set on May 30th, we made our way to the Dorchester, each of us taking up our positions. Derek and I headed for the roof, while the others scattered around the perimeter, ready to provide backup if needed. And that''s how I found myself slowly ascending the side of the building, draped in a blanket with Moonshot by my side, a drone buzzing above us to provide cover. It was a bizarre sight, I was sure, but it was the only way to get close without being spotted. Well. I''m sure some people will see a drone carrying a blanket and notice it, but that''s not exactly uncommon these days. I felt like a baby kangaroo. What are those called, Joeys? As we rose higher and higher, the city sprawling out beneath us like a glittering jewel, I felt a sense of calm wash over me. It was like all the fears and doubts that had been plaguing me just melted away, replaced by a steely resolve. I glanced over at Moonshot, saw the determination in her eyes, and knew that whatever happened, we would face it together. We reached the roof just as the last rays of sunlight were fading from the sky, the shadows lengthening and stretching across the concrete. I checked my watch - 8:20 PM, 2 minutes to sundown. 22 minutes until Derek would transform, until all hell would break loose. I took a deep breath, feeling the adrenaline beginning to pump through my veins. This was it. The moment of truth. The point of no return. I looked out over the city, at the millions of lives that hung in the balance, and I knew that failure was not an option. We had to succeed, had to stop Sparkplug before he could do any more damage. And with that thought burning in my mind, I turned to Moonshot and nodded. I could hear Derek''s voice through my earpiece, a low rumble that was almost drowned out by the pounding of my own heart. He was at Sparkplug''s door, ready to set the plan in motion. Less than two minutes to show time. Back in the present. Chapter 84.2 "Delivery for Mr. Ellison," Derek says, his tone carefully neutral. As un-gruff as he could make it. "I need a signature." There was a moment of silence, then a gruff, familiar voice replies, "I didn''t order anything. You''ve got the wrong apartment." "Are you sure? It says right here, Unit 3028, Mr. Ellison. I can''t leave until you sign for it." I hold my breath, waiting for Sparkplug''s response. This was the moment of truth, the point where our carefully laid plan could either succeed or blow up in our faces. "I said, you''ve got the wrong apartment," Sparkplug growls, his voice laced with irritation. "Now beat it before I call the cops." I hear Derek take a deep breath and check Moonshot''s watch. Then, I glance at the sky. The sun lowers further and further down, almost invisible below the horizon. Beside me, Moonshot hefts her hammer, the nail welded - glued? - welded? to the end glinting in the fading light. She begins to tap at the window, each strike precise and measured, weakening the glass without shattering it. I look into his apartment, its many rooms, its chambers - a living room, a bedroom, some other sections I can''t see, and for a moment, notice some small grey dots along the wall. Weird aesthetic choice. "Hey! What sort of funny business are you trying to pull?" Derek shouts, giving Moonshot just enough room to swing just a little harder. She swings backwards and hits a corner, and I can feel her weight shifting - gravity pulling her sideways, giving at least 9.8 m/s^2 extra force to her swing. Probably more. With a quiet tink, cracks spiderweb across the glass from the corner. She lowers herself a bit, aims again, and cracks the opposite corner. The shards connect. My heart is racing now, adrenaline surging through my veins like liquid fire. I can feel every nerve in my body tingling with anticipation, every muscle tensed and ready for action. I''m... Happy. I''m happy. And then, with a final, gravity-enhanced swing, Moonshot shatters the window and throws me into the room. I brace myself as I leap through the now-open window, the air pressure differential slamming into me like a physical force. Shards of glass bounce off my costume, tinkling to the floor like a discordant symphony. I hit the ground rolling, the impact jarring my bones, but I push through the pain, springing to my feet in one fluid motion, grabbing hold of the carpet to drag myself up before the gust can shove me out of a now-open window. Sparkplug spins around, his eyes wide with shock and fury, his hands already crackling with electricity. His bathrobe stands on end, every fuzzy piece of thread charged with static electricity, and before I can even move, the air fills with a loud CRACK like snapping fingers, something on his coffee table jostling as he bumps into it and discharges. Then, he gets angry. I narrowly avoid a bolt of lightning that scorches a small metal stud in the wall behind me, the heat of it singing through the air like an opera singer, the noise deafening. I bet ten bucks the neighbors heard this one. I notice the rest of the apartment, with metal studs spread throughout the walls like a deranged grid, like a piercer piercing a house. He''s modified his own apartment to make it easier for him to aim. Good for him. He expected a home invasion. Gritting my teeth, I close the distance between us, my fists raised and ready to strike. Static electricity prickles along my skin, raising goosebumps beneath my costume. The air tastes of ozone and danger, sharp and biting on my tongue. A deafening roar fills the condo as Derek - Fenrir, he''d insisted - bursts through the doorway, a terrifying sight in his werewolf form. He''s all teeth and claws and rippling muscle, a predator unleashed. The transformation is seamless, a blink-and-you''ll-miss-it shift from man to beast, his clothes... Actually, I don''t know where they went. He''s got pants on, thank G-d. Sparkplug turns to face the new threat, fear and disbelief warring in his eyes as he takes in the hulking creature before him. It''s the look of a man who''s suddenly realized he may be in over his head, a look I know all too well. I recognize it, and, for a moment, feel a sort of kinship. Fenrir lunges at Sparkplug, a blur of fur and fury, his powerful jaws snapping mere inches from the villain''s face. The rank odor of singed fur and burnt flesh mingles with the tang of ozone, a nauseating cocktail that makes my stomach churn. Sparkplug makes contact with him, and the air is filled with a symphony of crackles like a live wire going off, repeated static jolts ripping through his fur and sending him squealing towards the wall. I seize the opportunity, darting forward and aiming a punch at Sparkplug''s ribs. The impact is jarring, the crunch of bone beneath my fist both satisfying and sickening. This isn''t a fight to hog tie him or handcuff him - although I have handcuffs, just in case - I just need one good shot with the doohickey and it''s as good as over. But Sparkplug is far from beaten. He staggers back, his attention divided between Fenrir and me, lashing out with whips of electricity that sizzle through the air, over our heads. We''re saved by the fact that, even with his modified apartment, electricity isn''t a ruly animal. It wants to touch the metal much more than it wants to touch us. I was told by Diane, plenty of times, that Professor Franklin never used his lightning bolts for that reason. The taser touch was enough. The electricity screams over our head like a tesla coil. "Get out! Get out!" Sparkplug screams as he thrusts his hand forward, a blinding bolt of electricity surging towards Fenrir. The air crackles with energy, the hair on my arms standing on end. For a moment, the world is nothing but light and sound, a cacophony of raw power. Fenrir''s howl of agony pierces through the din, his body convulsing as the electricity courses through him. I can see the pain etched into every line of his face, his fur standing on end like he''s been rubbing balloons over it. I don''t exactly know what causes his electricity to burn versus electrocute, but I don''t exactly want to get hit by it enough to find out. If you discover this narrative on Amazon, be aware that it has been stolen. Please report the violation. He stumbles back, his limbs jerking uncontrollably, a puppet with its strings cut. He collapses against the wall, his chest heaving, his eyes rolling back in his head. For a moment, I fear the worst, but then I see the shallow rise and fall of his chest. He''s alive, but out of the fight, at least for now. Sparkplug turns his attention back to me, a sinister grin spreading across his face. There''s a manic gleam in his eyes, a hunger for violence that sends a chill down my spine. His fingers flex, sparks dancing between them, ready to unleash another blast of electricity. "I could turn you into burnt dog and sell you at the wet market... but I think I''d rather see you spasm." I''m facing Sparkplug alone, a man who can fry me with a touch, who''s turned his own home into a weapon. The weight of the gadget on my hand is a reminder of what''s at stake, a promise and a curse all rolled into one. It''s worth more than I am. I can''t let him melt it. "Hit me with your best shot, baldie," I taunt. Fear claws at my throat, threatening to overwhelm me, but I force it down. I can''t afford to hesitate, can''t afford to let the doubts creep in. "There''s so many ways, did you know?" He asks, and I feel all the hair on my body threatening to leave my follicles. It''s only then do I tune back into my earpiece, moments before, with a loud squeal of dying electronics, it snaps dead. All the dust and debris is floating unnaturally towards him, clinging to his bathrobe like cat hair, swirling in his current before coming to rest on his hands. "I could turn up the amperage and stop your heart. I could turn up the voltage and turn you into slag. Or maybe I can do both and hit you with a lightning bolt, and you''ll explode like a pine tree! I gave you your opportunity to run, but you had to stick your nose back in my business, didn''t you? Dumb bitch." "Does the Fly make you monologue too, or is that au naturale?" I bite back, cracking my knuckles. I squeeze one hand tight, and the teeth come out. "Also, did it make your face look like that, or was that the Botox?" "MY SKIN IS FINE!" He screams, very rapidly, very suddenly, and I know to duck as soon as the first syllable comes out. Or maybe even a second beforehand. The air turns white and all the sound vanishes again as a bolt of lightning sails over my head. I look towards the busted window and see nary a Moonshot to be found. I look around towards the now-wrecked living room, small smolders forming, scorch marks across the fine leather couch. And I look at Fenrir, watching him rise up behind Sparkplug with a feral grin. With all of his electricity discharged, the air feels... less prickly. I pray to G-d that he needs to reload, because I think if he can sustain a current like that, he might pop me like a pine tree. But I''m getting ahead of myself. There''s a werewolf in the room, too. A snarl echoes through the condo as Fenrir leaps back into the fray, his eyes blazing with fury. Despite the pain, despite the lingering effects of the electricity coursing through his body, he''s not ready to give up. Not yet. Not when there''s still a chance to take this bastard down. Sparkplug cries out in pain as Fenrir''s claws rake across his arm, leaving deep, bloody gashes. The wounds are nasty, but not nearly as devastating as they could be. Sparkplug''s body crackles with electricity, his face contorted in rage. The air around him hums with power, the static discharge making everyone''s hair stand on end, except Sparkplug''s, because he is lacking in that attribute. Fenrir''s body convulses as his instincts take over and send him skidding backwards, the static discharges not enough to harm, but enough to hurt. Enough to scare. He crashes into the wall, slumping to the floor in a heap of fur and muscle. But unlike last time, he''s mad. He gets back up, teeth locked, and dives. While Fenrir keeps Sparkplug busy, I crawl towards the bathroom, my mind racing. I need a plan, need something to give us an edge. The gadget on my hand feels heavier with each passing second - I just need a second to use it without him melting it to slag. If he melts it, this is all for nothing, and we have to do this the hard way - via concussion. As I pass the shattered remnants of the front door, I catch a glimpse of movement in the hallway. Jordan and Sandman, hauling ass down the corridor. I don''t know if they''re running towards the fight or away from it, but I know one thing for sure: if the plan''s gone sideways, it''s time to evacuate the civilians. The last thing we need is Sparkplug lighting the whole place up like a Christmas tree. I see a sleeping man hauling ass after them - some dude in sweats but his eyes totally shut. Yeah. Good idea. I make it to the bathroom, my breath coming in ragged gasps. Through my blood sense, I can see Fenrir and Sparkplug still locked in combat, a brutal dance of claws and electricity. Sparkplug has something in his hand, the shape of it indistinct but unmistakable from the way the veins in his hand tense. A knife. Well, it could be a baton, or something else like that, but I know my scumbag criminals. It''s a knife. And then it hits me. Sparkplug''s weakness. If he''s forced to keep discharging to maintain a defensive stance, he can''t pull out any of his big moves. Can''t save up the juice for a real heavy hitter. And with Fenrir on the offensive, he doesn''t have a choice. It''s discharge or die. He needs to put Fenrir back on the defensive so that he can regroup and charge his electricity back up. And he can''t. So I have time. I consider my options, my eyes darting around the bathroom. I could smash the faucet off, try to douse Sparkplug with a blast of water. But I don''t know if I have the arm strength for that. My muscles are still twitching and my nerves still feel like I''m surrounded by a nice, pleasant coat of needles. It''s pretty bad. From the living room, I hear Fenrir whining and squealing in pain, the sound making my blood run cold. Something''s happening out there, something bad. I can sense new gashes opening up on Fenrir''s body, the blood flowing freely. Sparkplug''s knife, now electrified, or maybe heated up with the current, carving into him like a twisted scalpel. I don''t have time to think. I grab the toothbrush cup from the sink, heavy and porcelain, filling it with water. It''s not much, but it''s all I''ve got on short notice. I scramble back into the living room, my heart pounding in my chest. Sparkplug and Fenrir are a tangle of limbs and fury, the air crackling with electricity and the stench of blood. I don''t hesitate. I hurl the cup at Sparkplug, the water arcing through the air like a liquid missile. The porcelain hits him in the chest, and the water splatters up into his face, followed shortly afterwards by the toothbrushes. For a split second, his guard is down, his focus broken. And that''s all Fenrir needs. With a roar of triumph, Fenrir swats Sparkplug with a massive paw, the force of the blow sending him flying into the next room. The wall buckles and cracks as he bounces off like a pinball, into the space where a sliding door sits neatly recessed into the wall, drywall raining down in a shower of dust and debris. Sparkplug hits the ground hard, his bathrobe ripped open in several places, revealing fresh blood. He takes his knife, lets out a loud scream of rage and desperation, and slams it sideways into the most concerning cut, the heat quickly cauterizing the wounds shut. I almost want to look away. I can see it in his eyes, the manic gleam of a man who''s got nothing left to lose. He staggers to his feet, his body wracked with pain but his spirit unbroken. And then he smiles, a cruel, twisted thing that makes my blood run cold. "Is that all you''ve got?" he rasps, his voice like gravel. "I''ve taken shits that hit harder than that." Chapter 84.3 I glance at Fenrir, at the blood matting his fur and the pain etched into every line of his face. We''re running out of time, running out of options. If we don''t end this soon, we might not make it out of here at all. The air is already getting scratchy again, and I don''t really know if the water actually did anything. But we can''t give up. Not now. Not when we''re so close. We''ve come too far, sacrificed too much to let this bastard win. I run. Fenrir runs. Sparkplug makes a last-second decision, waving his knife around like a magic wand. The tip of it glows, for a second, like something that''s not hot so much as it''s burning the air around it. Which I guess is a pretty accurate depiction of lightning. I begin to panic, because, as much as I''d like to say and believe I''m doing fine, I''ve never before felt so debilitated by sheer, raw pain, and I think if I got hit by a lightning bolt on top of that I might actually bite it. For a second, I think about Jamila, and get scared. I get so scared. I clench my teeth. The arc sails through the air towards Fenrir. It rips through his fur and I''m not sure if it comes out, but it snaps like a thousand twigs breaking, and Fenrir goes flying backwards into the couch. Wrong choice. Sparkplug''s eyes widen as he realizes his mistake, but it''s too late. While he tries to bring his knife to bear towards me, and recharge what electricity he has access to, I''m already moving, my body reacting on pure instinct. I scramble across the carpet, across the tile, forward, forward, forward, my heart pounding in my ears, my focus narrowed to a single point. To the exposed skin of his chest, the vulnerability he''s unwittingly revealed in his gauche bathrobe. I press my palm against his flesh, the contact sending a jolt through my arm. For a moment, I''m frozen, my muscles locked in place as the electricity flows through me. It''s a sensation unlike anything I''ve ever felt before, a burning, searing pain that threatens to consume me whole. But I don''t let it. I grit my teeth, my jaw clenched so tight I fear my teeth might shatter. They lock in with each other, just like Derek''s. With my free hand, I slap my forearm, the impact jarring the gadget to life. There''s a momentary hiss, a feeling of something cold and sharp pressing against my skin, and then a THUNK as the injector goes off, leaving two very small puncture wounds in Sparkplug''s chest. One puts in the Xylazine. The other puts in the Ketamine. My entire body clenches up just enough to finish delivering the dose, and then I rack my free hand forward, pulling the small lever that ejects both syringes out the side like spent bullet casings. Sparkplug''s eyes go wide, his mouth falling open in a silent scream. He staggers back, his hand clutching at his chest, the knife falling from his grasp. I can see the realization dawning on his face, the horror and disbelief as he comprehends what''s just happened. "What did you do?" he gasps, his voice a ragged whisper. "What the fuck did you just do to me? What did you do to me?" I wrench myself free - or maybe he wrenches himself away from me - and the pain stops. I fumble with my belt, feeling extremely thankful that he didn''t hit me with anything high voltage enough to break my backup syringes. "What''s the matter, Baldie? I thought you liked drugs." Sparkplug heaves desperately, punching himself in the stomach like it''s going to make him vomit up an intramuscular injection. His knife sits on the floor, discarded, forgotten. Sparkplug''s face screws up as he fights for consciousness, like grabbing hold of smoke. Electricity arcs off of him, towards the studs in the wall, and I see his bedroom behind him, and, for a moment, another bathroom attached. But Sparkplug''s not going down without a fight. Even as the drug courses through his system, he lunges at me, his hands outstretched like claws. His skin crackles against my jaw as his nails reach out for me, but my padded knee comes up to meet him in the stomach and I push him away. With one last spiteful gasp, he opens his mouth, and the world goes dark again. For a split second, I think I''ve been blinded by a flash of electricity, but really, it''s just the pain, my eyelids clenching shut against my will. I stumble back, my vision blurring, my head spinning. Sparkplug presses his advantage, his fists raining down on me in a flurry of blows. Each impact feels like a sledgehammer, driving the air from my lungs and the strength from my limbs. But it''s a losing battle, and Sparkplug knows it. I can feel it in each punch, the dawning realization that he''s been beaten. That all his power, all his fury, wasn''t enough to save him. His movements grow weaker, his blows more desperate, until finally, he collapses to the ground, his chest heaving, his eyes fluttering closed. I slump to the ground and try to catch my breath, my entire body shaking. I try to collect myself - I''ve definitely been burnt in several spots, my muscles keep twitching and squeezing without me asking them to, my heart feels extra weird, and all that combined is making it extremely difficult to load the second dose of tranquilizers. Fenrir had a little gadget built for him just in case, somehow, it didn''t get fried, but I have a sneaking suspicion that the receiver for it is, indeed, fried. I turn my head towards the looming shadow. Reading on Amazon or a pirate site? This novel is from Royal Road. Support the author by reading it there. Fenrir stands over me, his fur matted with blood, his sides rising and falling with each ragged breath. For a moment, he looks as though he might finish it, might tear out Sparkplug''s throat and end it once and for all. Or maybe mine. I trust Derek, which is a sentence I never thought I''d have ever said when I first met him, but I don''t trust his werewolf side, and I strongly doubt it trusts me either. Either way, it''s definitely eaten more than his fair share of blows. Riddled with gashes and cuts, the fur singed right off in places, exposing the patchy, strained, red skin beneath. His entire body is twitching, too, but far more violently than mine, claws unintentionally digging into his paws enough to rip them, just a bit. Fenrir opens his mouth to breathe, and pant, some of his teeth visibly cracked and chipped from clenching so hard. "Hey there, buddy, easy now..." I murmur, both hands up, trying to make myself look as harmless as possible. Derek impressed upon us one thing above all - the unpredictability and the violence of his other side, and I can see it in his pupilless eyes. There''s nothing there but animal thoughts and murder and fighting. And winning. Fenrir lets out a gruff, thick growl in response. I watch his throat vibrate with the force of the noise. I put my hand against his chest. "See? Nothing wrong," I mumble, barely loud enough to be heard. I bring my other hand back up to my right wrist, and deploy the mechanism. "Just your usual bedtime meds. Just like normal." THUNK. Fenrir stumbles a step back or two, and I stumble back four or five. I expect some kind of frenzy, a burst of violent motion left over just for me, but it never comes. He just gets sleepier, and sleepier, and sleepier, until he passes out. That''s a good idea, actually. I think I''ll do that now, too.
I don''t remember much after I passed out. It''s all a blur of disjointed images and sensations, like a half-remembered dream slipping away in the morning light. I vaguely recall strong arms lifting me, the feeling of weightlessness as I was carried out of Sparkplug''s condo. Moonshot, I think, using her gravity manipulation to make me lighter than air. Or making herself like 2x lighter than air so my weight is accounted for. Potato, potato. There were voices, too, urgent and hushed, filtering through the haze of exhaustion and pain. I caught snippets of conversation, fragments of words that drifted in and out of my consciousness. "...got to get them out of here..." "...police will be here any minute..." "...Sandman, help me with Fenrir..." I don''t know how long I drifted in that state, halfway between waking and dreaming. It could have been minutes, or hours, or days. Time seemed to lose all meaning, slipping away like sand through an hourglass. A familiar place, full of flowers and concrete and Diane. Well, with a single Diane. But full of flowers nonetheless. Eventually, I started to surface, like a diver kicking up towards the light. The first thing I became aware of was the softness beneath me, the feeling of a mattress and pillows cradling my battered body. I was lying in a bed, somewhere safe and warm and quiet. I cracked my eyes open, wincing at the brightness that assaulted my vision. It took a moment for the world to come into focus, for the blurry shapes and colors to resolve into something recognizable. I was in one of the spare rooms at the Tacony Music Hall. The room was small and spartan, with bare walls and a single window that let in a slice of pale morning light. Someone had removed my costume and dressed me in a soft t-shirt and sweatpants, the fabric gentle against my bruised skin. As I blinked away the last vestiges of sleep, the events of the previous night came rushing back to me. The fight with Sparkplug, the crackle of electricity in the air, the feeling of the injector glove going off like a shotgun. The way his eyes had rolled back in his head as the drugs took hold, the boneless way he''d collapsed to the ground. I sat up gingerly, my muscles protesting at the movement. Every inch of my body felt like it had been pummeled with a meat tenderizer, but I was alive. We all were, thanks to the efforts of my incredible team. I swung my legs over the side of the bed, taking a moment to steady myself before standing up. My bare feet padded softly against the old, decrepit, worn wooden floorboards as I made my way out of the room and down the hallway. As I approached the main living area, I heard the murmur of voices and the clink of plastic. The smell of pizza wafted through the air, making my stomach growl with sudden hunger. I stepped into the room, blinking in the brighter light. The scene that greeted me was one of celebration and relief, my friends and allies gathered around the mismatched furniture, eating pizza and swapping stories of the night''s events. Jordan was the first to spot me, their face breaking into a grin as they bounded over to wrap me in a careful hug. "She lives!" they declared dramatically, spinning me around in a circle. "The conquering hero returns!" I couldn''t help but laugh, even as my ribs protested at the sudden movement. "Easy there, tiger," I said, extricating myself from their embrace. "I''m not exactly in fighting shape at the moment." "Pfft, please," Spindle scoffed from his perch on the arm of the couch. "You took down Sparkplug singlehandedly. I think you''ve earned a little R&R." "It was hardly singlehanded," I protested, making my way over to the pizza boxes and snagging a slice of pepperoni. "We all played our parts. Moonshot got me in there, Fenrir softened him up, and Jordan and Sandman made sure no civilians were caught in the crossfire. Plus, we couldn''t have pulled the plan off without Team Mayfly''s gadgets. It was a group effort." "Speaking of Fenrir," Tasha chimed in, "has anyone heard from Derek? Is he okay?" "He''s fine," Moonshot assured her. "Just sleeping it off back at his place. We got him into the cage before he could do any more damage." I felt a pang of guilt at that. Derek had put himself on the line for us, had let the beast within him run wild in order to give us a fighting chance. I made a mental note to check in on him later, to make sure he was coping with the aftermath. "And Sparkplug?" I asked, almost afraid to hear the answer. Jordan''s grin turned positively feral. "Delivered to the cops, tied up with a neat little bow. They were a bit confused, to say the least, but they''re not going to look a gift horse in the mouth. Sparkplug''s going away for a long time." I felt a sense of deep satisfaction at that. We''d done it. We''d taken down a major player in the city''s drug trade, had struck a blow against the forces that sought to corrupt and destroy Philly, and, lest I forget, avenged Elias. I didn''t forget! At least, I assumed the "old lightning guy" is the same as Sparkplug. But even as I basked in the glow of victory, I knew that our work was far from over. Sparkplug was just one head of the hydra, one tentacle of the vast criminal underworld that lay beneath Philly''s surface. There would always be more battles to fight, more wrongs to right. But for now, in this moment, surrounded by the people I loved and trusted most in the world, I allowed myself to simply be. To enjoy the warmth of friendship and the sweet taste of hard-earned triumph. For once, a victory, delightfully un-pyrrhic. And then I went back to sleep. Chapter 85.1 The night air bites at my exposed skin as I make my way to the old basketball court in Mayfair, the one where Kate and I used to shoot hoops and talk trash. It''s way too early for any sane person to be out here, but when your best friend texts you at 3 AM with a vague "we need to talk, it''s an emergency," you don''t exactly have a choice. I spot Kate standing in the middle of the court, her arms crossed and her jaw set. She''s wearing her Miss Mayfly getup, minus the mask, and I can tell from the way she''s bouncing on the balls of her feet that she''s itching for a game. What, a game of horse? No, don''t be stupid, Sam. She''s wearing her partially-destroyed costume. Clearly, this is something a little stupider than that. "Kate, what the hell?" I call out, my voice echoing in the empty park. "You drag me out here in the middle of the night, and for what? A friendly game of one-on-one?" She doesn''t smile. "I want to prove to you that I can handle myself out there, Sammy. That I''m just as capable of being a vigilante as you are, powers or no powers." I groan, rubbing my temples. "We''ve been over this, Kate. It''s not about your skill, it''s about what the law will let you get away with. And newsflash: you can''t exactly walk off a bullet to the chest like I can." "You think I don''t know that?" Kate snaps, her voice rising. "You think I haven''t spent every waking moment since you got your powers trying to figure out how I can keep up? How I can still be there to watch your back?" I take a step closer, my hands held up in a placating gesture. "I appreciate that, Kate, I really do. But this isn''t the way. You''re going to get yourself killed out there, and for what? To prove a point?" Kate''s eyes flash with anger, and she assumes a fighting stance. "If that''s what it takes to get through your thick skull, then yeah, I''ll prove my point. Right here, right now." I sigh, realizing that words aren''t going to be enough to settle this. Kate''s always been stubborn as a mule, and when she gets an idea in her head, there''s no shaking it loose. "Fine," I say, shrugging off my jacket and tossing it aside. "You want to dance? Let''s dance. But don''t say I didn''t warn you when I turn you into ground beef." The cold air prickles at my skin as I raise my fists, mirroring Kate''s stance. We circle each other slowly, our eyes locked, waiting for the other to make the first move. I feel like a gunslinger at first light, ready to shoot. I don''t like it. I don''t like the way my chest is feeling. I can feel my heart pounding in my chest, the adrenaline starting to flow. As much as I don''t want to fight Kate, there''s a part of me that''s been itching for a good scrap. It feels like my body is betraying myself - this isn''t some random goon or supervillain I''m facing off against. This is Kate, my best friend, the girl who''s been by my side through thick and thin. The girl who''s seen me at my worst and still stuck around. The girl who was my first friend in kindergarten and will be my last friend when I die. "Last chance to back out," I say, my voice low and steady. "I don''t want to hurt you, Kate." She scoffs, a bitter laugh escaping her lips. "Hurt me? You''ve been doing that ever since you got your powers, Sam. Leaving me behind, treating me like I''m made of glass. Well, guess what? I''m not as fragile as you think." And with that, she lunges forward, her fist aimed straight for my face. I raise my arms up and block it effortlessly, pushing it away, a quick and easy deflection. "I''d contest that," "Shut up, you poindexter. ''I''d contest that'', who talks like that?" Kate growls, taking two steps back. "Come on, kick in already," Kick in? I''m distracted enough that her comment barely hurts, even if it really does dig to one of my bigger insecurities. And I''m sure she knows that, but what does she mean, kick in?
The interrogation room is cramped and stuffy, the air thick with tension. I stand behind the one-way mirror, watching as Multiplex and Fury Forge face off against Sparkplug, who''s wrapped up in a rubber jumpsuit that looks like it was designed by a colorblind toddler. But the air is devoid of the typical crackling that foreshadows anything Sparkplug does, so I guess, in a sense, it''s working. Spindle''s beside me, his arms crossed and his brow furrowed. "I still can''t believe you two went off on your own like that," Crossroads says, his voice tight with disapproval. "You''re supposed to be on bed rest, Bloodhound. You could''ve gotten yourself killed." I shrug, wincing as the motion pulls at my still-healing wounds. "Yeah, well, we got results, didn''t we? Sparkplug''s off the streets, and we''re one step closer to figuring out who''s behind this whole power drug mess." Ensure your favorite authors get the support they deserve. Read this novel on Royal Road. Puppeteer and Rampart exchange a glance, but say nothing. I can tell they''re not thrilled about our little unsanctioned mission, but they can''t argue with the outcome. I wave him off, focusing on the interrogation. Sparkplug''s lawyer, a weaselly-looking man in a cheap suit, is trying to get his client to keep his mouth shut, but it''s like trying to plug a leaky dam with chewing gum. "-telling you, the Rogue Wave is coming," Sparkplug insists, his eyes wide and manic. "It''s gonna change everything, man. Level the playing field." Clara - the lawyer that''s on our side - leans forward, her eyes narrowing. "And what exactly is this ''Rogue Wave,'' Mr. Praznik? Some kind of doomsday weapon? I didn''t know they still made those." Sparkplug''s lawyer, apparently named Lester Dunlow, clears his throat. "You don''t need to answer that, Christian." Sparkplug shoots a look towards his lawyer that''s equal parts annoyance and contempt. "You''d wish it was a doomsday weapon. That''d be something nice and tidy for you fascists to clean up after." Fury Forge leans forward, her brow furrowed. "And how exactly is flooding the streets with dangerous drugs going to help your apparent antifascist agenda, Mr. Praznik?" Sparkplug grins, his teeth glinting in the harsh fluorescent light. "You''ll see." His lawyer clears his throat, shooting Sparkplug a warning look. "There''s no need for further speculation. We''ve already agreed that we''ll be accepting a plea deal. There''s no need for you all to try to extract anything extra from him." Multiplex chuckles, leaning back in his chair. "Oh, I think there''s plenty of need, Mr. Dunlow. Your client seems to know an awful lot about this Rogue Wave." Sparkplug''s grin widens, and he leans forward, his voice dropping to a conspiratorial whisper. "I know enough. Enough to know you aren''t prepared." The door behind us opens, and Bulwark steps into the room, his massive frame filling the doorway. He nods to us briefly before turning his attention to the interrogation. "Sounds like your client has quite the imagination, Mr. Dunlow," Multiplex snarks, his thin voice filling the small room. Dunlow sighs, rubbing his temples. "My client is simply trying to express his... unique worldview. It has no bearing on the case at hand." Sparkplug''s eyes narrow, and he leans back in his chair, his grin turning sharp. "Mock me all you want. Throw me in the slammer. It won''t take Jump and Fly off the streets. Shave one fingernail and the rest of the hand continues to grow. You all understand how fingernails work, right?" "Wish this guy would shut up," Puppeteer grumbles under her breath. "I wonder if men like Mr. Dunlow ever get tired of getting in the way," Bulwark rumbles, his deep voice resonating through my chest like a massage gun. "It would make our jobs much easier without those types." For some reason, the thought doesn''t bring me much comfort.
Kate''s words hang in the air, heavy with implication. "Kick in already," she repeats, a strange glint in her eye. And then it hits me. Jump. She''s taken Jump, the power-granting drug that''s been flooding the streets. My mind races, trying to piece together when she could have possibly gotten her hands on it. "Kate, what did you do?" I ask, my voice barely above a whisper. She grins, a mirthless thing that doesn''t reach her eyes, like a chimpanzee''s smile. "Rummaged through some guy''s pockets. He was a scumbag. Nobody would notice me taking a pill or two." I open my mouth to protest, but the words die in my throat as I watch Kate''s skin begin to change. It starts as a sheen, like she''s been dipped in wax, but then it hardens, cracking and splintering as it solidifies. Crystals bloom across her flesh, catching the moonlight and throwing it back in sharp, fractured angles. Like one of those videos on the internet of someone pulling out a chunk of bismuth from a boiling vat. I can only stare in horror as Kate''s body transforms, her skin turning to dull, lifeless metal. It looks like it should be painful, like her flesh is being torn apart and stitched back together with cold iron, but Kate doesn''t even flinch. Not a single drop of blood escapes her. Even her eyes are quickly coated outside of two small black pinpricks where the pupil sits. The crystals fall off of her, leaving behind only the sort of shineless patina that a decades-old iron pipe could have, minus the rust. "Kate..." I breathe, my heart hammering in my chest. "Why?" She flexes her fingers, the metal joints clicking and whirring. "Looks like the playing field just got a little more even, Samantha." And then she''s moving, charging at me with a speed that belies her new, heavy form. I brace myself, raising my arms to block, but it''s like trying to stop a freight train. Kate''s kick, well-poised, with perfect form, slams into my chest, sending me skidding backward, my forearms rattling from the impact. I barely have time to catch my breath before Kate''s fist crashes into my ribs, knocking me off my feet. I hit the ground hard, rolling with the momentum, gasping for air. The pain is blinding, all-consuming. I can feel my ribs creaking, threatening to give way under the onslaught. Kate looms over me, her metallic face split in a triumphant grin. "How''s that for a wake-up call, Shark Week?" I spit blood onto the concrete, my lips split from the impact, scraping against the rough rubbery material of the basketball court. I can feel my entire vascular system bloom to life in my blood sense, a throbbing web of heat and pressure. But as I look at Kate, I realize with a sinking feeling that I can''t sense her at all. Her metal skin is impenetrable, unreadable. It''s like trying to read a blank page, a wall of solid nothing. No amount of chipping at her can make her bleed, unless the metal is only millimeters or centimeters thick - but given the force behind the impact I just took, I''m doubtful. I suck in spit. With a defiant yell, I lunge at her, spraying blood from my mouth. She raises her arm to cover herself from the blinding onslaught, but too little, too late. In instants, her face is covered in a sheen of red. In another instant, it immediately begins sliding off. Her eyelids and eyeballs, the parts I was aiming for, don''t even react with a blink or a twitch. The arm-blocking was purely combat training. When did she start doing that? Kate laughs, a harsh, grating sound that sets my teeth on edge. "Someone''s been watching too much pro wrestling." I spit out another mouthful of blood, wiping my chin with the back of my hand. "Alright, Tin Can. You want a fight? You''ve got one." Chapter 85.2 The meeting room at the DVD headquarters is packed to the gills with superheroes, all of us crowded around the large conference table. The Young Defenders are here in full force, along with the Delaware Valley Defenders and Bubble, who''s been sent as a representative from the Tacony Titans. I give her a little wave as she sits down in the corner of the table - in recognition, she gives me a polite little wave back. I''m not sure what the motivation was for sending her of all the members, but I''ve generally grown to trust Sundial''s judgement calls. It''s a strange mix of people, all with different powers and personalities, but we''re all united by a common goal: figuring out what the hell Rogue Wave is and how we can stop them. Multiplex is at the head of the table, his face grim as he surveys the room. "Alright, let''s get started. We''ve all had a chance to review the information obtained from Sparkplug''s interrogation. What have we got?" Fury Forge leans forward, her elbows resting on the table. "Not much, unfortunately. Sparkplug was clearly a true believer in this Rogue Wave thing, but he didn''t seem to know much about the organization itself. Just a lot of vague promises and grandiose rhetoric." Crossroads nods in agreement. "It''s clear that Rogue Wave is operating on a need-to-know basis. Compartmentalizing information, keeping their operatives in the dark about the bigger picture." I can''t help but feel a twinge of frustration. We finally have a name for the enemy, but we''re no closer to understanding their motives or their endgame. Bubble, who''s been quiet up until now, clears her throat. "The Titans have been doing some cur... some, uh... some cursory investigation, trying to track down the production line in more detail. From what we can tell, it''s not being manufactured anywhere in the city. Sundial has been able to use her postcog... um... her past-sight to tell that it''s not coming in through sea or airport. It''s all land-based." Playback frowns, his brow furrowed. "So it''s all coming in trucks or in people''s assholes. Great." "Language," Puppeteer chides. "Bite me," Playback barks back. "So are we just going to sit here and wait for them to pop up again or what?" Bulwark shakes his head. "No, we need to be proactive. We need to find a way to infiltrate Rogue Wave, gather intelligence from the inside. It will be impossible to extract any useful information from individual agents operating in decentralized cells." I can''t help but snort at that. "Yeah, I''m sure we''ll fit right in. Like there''s not an all-points bulletin with our names and faces already spreading throughout the org." Crossroads shoots me a look, but I can tell he agrees with me. At least, I''m assuming he does. "Look," Gale says, leaning forward, her foot finding mine underneath the meeting table. "We need to focus on what we do know. Rogue Wave is flooding the streets with these power drugs. They''re creating an army of superhumans, but for what purpose? What''s their endgame? Do they care that the only people who want to use this stuff is... are criminals? Is this the ideal end state for them? Are they trying to make money, or is the project ideological?" "Good phrasing," I mumble, reaching under to squeeze her hand. She squeezes mine back, but it''s soft enough that it raises my anxiety levels rather than lowering them. Silence falls over the room as we all ponder the question. Bulwark is the first to speak, his deep voice cutting through the tension. "I think we need to consider the possibility that Rogue Wave''s goal is not just to create an army, but to create chaos. To destabilize the city, the country, maybe even the world. It would not be the first time an anarchist sect seeks to create chaos for its own sake." Playback scoffs at that, but nobody really has any response more in-depth than scoffing. "It makes a certain kind of sense. After all, what better way to seize power than to create a crisis that only you can solve?" I pitch in, feeling very good about my ability to understand the conversation. Playback shakes his head. "No, man, it''s definitely not a false flag. There''s way easier ways to fake a terrorist incident. Or make one." "Are they terrorists?" Rampart asks, giving everyone another moment of pause. "Or just ideologues?" "I think you would find the line is much thinner than we would like, young one," Bulwark replies. Fury Forge looks at him, clearly troubled by something, but doesn''t open her mouth to respond. Multiplex nods, his expression grim. "It''s a possibility we can''t ignore. But regardless of their endgame, our priority right now needs to be containment. We need to find a way to get these drugs off the streets, to stop the spread of this epidemic before it''s too late."
Kate''s metal fist crashes into my jaw, snapping my head back and sending a spray of blood into the air. I stumble backwards, my vision swimming, but I don''t have time to recover before she''s on me again, her iron grip closing around my throat. "You just don''t get it, do you, Sam?" Kate snarls, her face inches from mine. "You think this is about the law? About what''s right and wrong? This is about being left behind. About being abandoned by the one person I thought would always have my back." I choke out a laugh, my fingers scrabbling at her unyielding grip. "Is that what this is about? You''re jealous because I got into a better school than you?" Kate''s eyes flash with anger, and she slams me back against the ground, knocking the wind out of me. "You think that''s all this is? Jealousy? God, you''re even more clueless than I thought." She steps back, her chest heaving, and I push myself up onto my elbows, gasping for air. "Then enlighten me, Kate. What is this really about?" "It''s about you leaving us behind!" Kate shouts, her voice cracking with emotion. "It''s about you abandoning our entire friend group to go to some fancy charter school, while the rest of us are stuck in third-string, D-list public schools. It''s about you forgetting about us, about me, the moment something better came along." This story originates from a different website. Ensure the author gets the support they deserve by reading it there. I shake my head, trying to clear the fog from my brain. "That''s not fair, Kate. Everyone split up for high school. It''s not like I had a choice in the matter. My parents-" "Your parents," Kate scoffs, cutting me off. "Of course. It''s always about your parents, isn''t it? Poor little Sammy, always doing what Mommy and Daddy tell her to do." I feel a flash of anger at that, and I push myself to my feet, my fists clenched at my sides. "You don''t know what you''re talking about, Kate. You have no idea what I''ve been through, what I''ve had to deal with." Kate laughs, a bitter, mirthless sound. "Oh, I know exactly what you''ve been through, Sam. You got superpowers, and suddenly everything else stopped mattering. Your friends, your family, your life before all of this. It''s like we never even existed." Before I can say anything, Kate is on me again, her metal fist slamming into my gut and doubling me over. I gasp for air, my eyes watering from the pain, but I don''t have time to catch my breath before she''s grabbing me by the waist, her iron fingers digging into my flesh. I try to twist out of her grip, but it''s like trying to move a mountain. Kate''s metal body is too heavy, too strong, and I can feel my strength failing against the slick surface of her new skin, even as I try to grab hold of the cloth of her costume. With a grunt of effort, Kate lifts me off the ground, both hands on my waist, and throws, slamming me down onto the hard rubber of the basketball court. I hit the ground with a sickening thud, the air rushing out of my lungs in a whoosh. For a moment, I just lie there, stunned, trying to catch my breath. But then I feel a flicker of pride, despite the pain. That was a textbook spinebuster, the kind of move that would make any wrestler proud. I shake my head, trying to clear the cobwebs. I can''t afford to be distracted, not now. Not when Kate is still coming at me, her metal fists raised and ready to strike. I roll to the side, barely avoiding another blow, and push myself up to my knees. My whole body aches, but I force myself to focus, to tap into the power thrumming just beneath my skin. I clench my fists, feeling the teeth pushing through the skin of my knuckles, forming my usual knuckledusters. If I can dent Chernobyl''s much more well-armored suit, I can dent Kate. And maybe make her stop this insanity. With a cry of rage, I lunge at Kate, my fists flying in a flurry of blows. Muscle memory corrects my sloppy, overemotional stance, whipping limp wristed slugs into tense, tight jabs and hooks. The teeth connect with her face with a sickening crunch, and for a moment, I think I''ve done it, I''ve found a chink in her armor. But then I see the cracks spreading across the surface of the teeth, the way they splinter and break against her unyielding skin. They don''t shatter completely, but they''re badly damaged, and I can feel the pain lancing up my arms with every impact. Small little divots form in Kate''s cheeks, and she clenches her steel teeth together. Kate staggers back, more surprised than hurt, and I press my advantage, ejecting the spent teeth like bullet casings and pushing more to the surface. My arms scream with pain, a thin trickle of blood leaking out into my gloves, and for a moment all I''m concerned about is how annoying laundering them will be afterwards. "You want to be a hero so bad?" I find myself screaming. "Just remember when I put you in the hospital - you chose this. I didn''t." "Get over yourself, Peter Parker," Kate snarls back, cracking her knuckles with the sounds of angry chimes going off. "I have responsibilities to society now! I''m sorry you''re too juvenile to understand that sort of thing!" is what comes out of my mouth before I can stop myself. She stops for a second, clenches her entire body up, and then her face contorts. "YOU HAD RESPONSIBILITIES TO YOUR FRIENDS, TOO!"
The sun is setting over the Philadelphia skyline, painting the city in shades of orange and pink. It''s a beautiful sight, but I can''t seem to focus on it, my mind too caught up in the whirlwind of thoughts and worries that have been plaguing me for days. Beside me, Jamila takes a sip of her tea, her dark eyes studying me over the rim of her cup. "You''re thinking about Rogue Wave again, aren''t you?" she asks, her voice gentle. I sigh, running a hand through my hair, or what''s left of it, anyway. "Is it that obvious?" Jamila smiles, reaching out to take my hand. "I know you, Sam. I can tell when something''s bothering you." We''re sitting outside a small caf¨¦ in Germantown, a rare moment of peace in the chaos that has become our lives. It''s been too long since we''ve had a chance to do this, to just be together without the weight of the world on our shoulders. Or maybe it''s just the weight that''s on my shoulders. "I just can''t shake the feeling that we''re missing something," I say, my brow furrowed. "Rogue Wave, the power drugs, all of it. It''s like we''re just scratching the surface of something much bigger, much more dangerous." Jamila nods, her expression thoughtful. "I know what you mean. But we have to remember that we''re not in this alone. The Young Defenders, the DVD, the Tacony Titans... even Jordan and their crew. We''re all working together to figure this out." I take a sip of my own soda, letting the coolness spread through my chest like a balm. "Remember what Rampart said at the meeting? Do you think they''re ideologues or terrorists?" I ask, my voice low. "Rogue Wave, I mean." Jamila hesitates, her eyes flickering with uncertainty. "I don''t know," she admits. "I think... to certain kinds of people, the distinction doesn''t matter. I think anything that''s a danger to the status quo is... automatically terroristic. To some, I mean." I nod, my mind racing with the possibilities. "But what is their message? What do they want?" Jamila squeezes my hand, her touch grounding me in the moment. Then, her cheeks pull up. "Sam, are you quizzing the one Muslim girl you know about terrorism on purpose, or...?" I feel a rush of embarrassment run through me like bullets, and jerk away to cover my face. But Jamila is there, patting my hands and gently urging them away from my cheeks. "Chill, chill, I''m just effing with you." I can''t help but smile in between soda-thick coughs that make tears well up in the corners of my eyes. "I don''t know what I''d do without you, Jamila. I''m sorry I haven''t been around as much lately. It''s just been so crazy, with everything that''s been going on." Jamila shakes her head, her expression a leisurely painting of understanding. "You don''t have to apologize, Sam. I know what it''s like, remember? The responsibilities, the sacrifices, it''s all part of being a superhero." "I just wish it didn''t have to be this way. I wish I could be there for my friends, for my family, the way I used to be. You know? I feel like... I''m failing them a little bit. And you," I start off strong, but as the sentences emerge, they sort of dissolve into oblivious mumbles. Jamila leans forward, her eyes intense. "But that''s what makes you a hero, Sam. Your willingness to fight for what you believe in, even when it''s hard. Even when it means giving up the things you love." I feel a lump form in my throat, and I blink back the tears that threaten to fall. "Thank you, Jamila. For everything. I''m sorry I''m not a great girlfriend." We sit in comfortable silence for a moment, watching the people pass by on the street. Any single one of them might be near death tomorrow. And maybe they''ll be the next great superhero or supervillain. Or maybe they''ll find the right or wrong drugs and become part of this underworld - the closest thing to a sort of hell I can fathom. "So, any plans for the holidays?" I ask, trying to lighten the mood. Jamila smiles, her eyes sparkling with excitement. "Actually, yes. One of my brothers and I are planning on doing the Hajj this year, now that he''s done touring with Demon Core." I tilt my head, confused. "The Hajj? What''s that?" Jamila laughs, shaking her head. "I forget how much of a heathen you are sometimes, Sam. The Hajj is a pilgrimage to Mecca, in Saudi Arabia. It''s one of the five pillars of Islam, something every Muslim is supposed to do at least once in their life, if they''re able. And, well, I''m more than able." I nod, fascinated. "That sounds amazing, Jamila. I''m sure it will be an incredible experience. Can you keep telling me about it so I don''t have to think about all the other things I''m neglecting right now, like my schoolwork?" Jamila grins, her excitement palpable. "Yeah, sure. I''ll give you the whole infodump, it''s gonna be great." Chapter 85.3 Kate charges at me like a runaway train, her metal body slamming into me with the force of a wrecking ball. I feel my ribs creak under the impact, the air rushing out of my lungs as she grabs me like a windshield scooping up an insect. I have no recourse but to simply move with the motion and prepare myself for the incoming impact. "You have no idea what it''s like, do you, Sam?" Kate snarls, her voice thick with emotion. "To always be in your shadow, to always be second best." I try to push her off, but it''s like trying to move a mountain. She must weigh 500, maybe 550 pounds now with her new skin. "Kate, please, let''s just talk about this-" But she''s not listening. She squeezes me hard like she''s preparing to hug me to death. "You think you''re so special, don''t you? Perfect little Samantha Small, with her perfect family and her perfect powers." I yelp as she picks up speed and then WHAM, my body slams into the basketball pole with a sickening thud. I feel something crack in my shoulder, a white-hot bolt of pain lancing through me as the metal dents under the force of the impact. She lets go and I feel my body preparing to collapse under the strain. "You don''t know what it''s like to have a father who works himself to the bone just to keep the lights on," Kate continues, her voice breaking. "To watch him come home every night, broken and beaten down, while your parents sit in their cozy offices and collect their fat paychecks. Do you think I can even consider the idea of college? What a pipe dream." My vision swims as she lets me slump to the ground, taking two steps back before bending down to meet me. I blink, trying to clear the fog from my brain, as her iron feet rise into view from my lowering head. "I give up," I rasp, holding up my hands in surrender. "Kate, please, I''m sorry-" But she''s not done. With a snarl of rage, she grabs me by the hair and hoists me up, forcing me to look her in the eye. "Say it to my face, Sam. Say you''re sorry for abandoning me, for leaving me behind while you went off to your fancy charter school and your fancy new life with your fancy superhero friends." I can feel the tears streaming down my face, mixing with the blood and sweat. "I never meant to hurt you, Kate. I never wanted to leave you behind. And I surrender." "Good," she says, letting go of my hair. I jerk forward, cracking my skull against Kate''s with all the force I can muster. I feel something sharp pierce my forehead, a single tooth protruding like a horn, before it shatters against her metal skin. We stagger apart, our heads ringing from the impact. Kate''s forehead is dented, a small crater where my tooth struck, while I can feel the hole in my own head slowly stitching itself back together. "You were my best friend, Sam," Kate says, her voice barely above a whisper as she stumbles, clearly reeling from the blow. "My only friend, sometimes. But then you got your powers, and suddenly I wasn''t good enough anymore." We circle each other warily, gunslingers at twilight now, barely able to see each other even with the gnat-attracting streetlights overhead casting everything in sharp contrast. "Remember when we were in first grade, and you won that stupid spelling bee? You wouldn''t shut up about it for weeks, rubbing it in my face every chance you got." Kate hisses, preparing to unload every small grievance she''s ever had, every moment where she felt overshadowed or overlooked. I wince at the memory, shame and regret washing over me. "Kate, I was six. I didn''t know any better." "But that''s the thing, Sam. You never did. You always had to be the best, the brightest, the most special. And I was just your dumb friend, your poor friend, your friend with no mom. Well, I''ve HAD IT!" We exchange a flurry of blows, our fists meeting in a rapid-fire succession of jabs and hooks. I can feel the impact of each punch, the way it rattles my bones and sets my teeth on edge. My teeth catch on her clothes, ripping the sleeves loose, and our forearms each put in the work blocking each other''s hammer strikes. But even in the heat of battle, I can''t help but notice the way Kate moves, the precision and grace behind each strike. Her form is perfect, honed by months, maybe even years of training and discipline, while mine is sloppy and unrefined from months in the hospital. I almost want to ask where she''s been spending time training, but clearly this isn''t the time. I try to block, to parry, but she''s too fast, too strong. Her metal fists slam into me again and again, each blow driving me further back, closer to the edge of the court, back into the dented basketball pole. In a last, desperate attempt to escape, I begin to scoot backwards, hoping to put some distance between us. But Kate is too smart for that. Like a charging bull, she lowers her head and barrels towards me, ready to shoulder ram me into oblivion. As she closes in, I act on well-honed sparring instinct, working through months of disuse. I shoot forward, my arms wrapping around her neck in a front headlock. It''s a move Rampart taught me, a way to subdue an opponent quickly and efficiently. Support the creativity of authors by visiting the original site for this novel and more. Kate grunts in surprise, trying to shake me off, but I tighten my grip, pouring all of my strength into the hold. We stumble around the court, a tangle of limbs and fury, as I dig my fingers into her lips and plug her nose with my thumb. "I''m sorry, Kate," I whisper, my voice hoarse with emotion. "I''m sorry for everything. For not being there, for not seeing how much you were hurting." She thrashes in my grip, her metal skin scraping against my arms, but I don''t let go. I can''t. Not until she understands, not until she sees how much she means to me. "I never wanted to leave you behind, Kate. I never wanted to make you feel like you weren''t good enough. Because you are. You''re stronger than I ever could be, in so many ways." I can feel her struggles growing weaker, her energy draining with each passing second. But still, she doesn''t stop. It''s the primary lesson of fighting invulnerable people - most people with superpowers still need to breathe. She squeals and moans and cries out, and I keep my vicegrip on her neck and mouth, trying to suffocate her so I can wake her up in five minutes and we can talk about this like rational people. But she knows better. Her arms find purchase on the inside of my elbows, and she breaks out of the headlock by slamming the top of her head into my gut like a spear. Even still, she pours out her anguish, her pain, in a torrent of words and tears. "You were my hero, Sam. My idol. I wanted to be just like you, in every way. But then you got your powers, and suddenly I was just a normal girl. A nobody. A civilian. What do I get to make of my life? I''ll inherit all of my dad''s ten dollars and maybe join the military so I don''t starve. And you get to become a cop," she wheezes, gasping for air. Her tears form lime-green streaks across her face, down her neck. "I wish I could live in your skin for just one day. To follow you wherever you go. But you won''t even let me have that." I wipe blood and spit off from my mouth. I spit out a jagged, sharp tooth. "There''s help for people who live like you, Kate. I''d help you, if you gave me the fucking opportunity." "I don''t want your pity!" she spits. "Or your welfare. I don''t need your help. I don''t need your handouts. I just need you to not leave me behind!" Her breaths sound like they''re being ran through a cheese grater. The dents in her face show no sign of un-denting anytime soon, and I can only hope that they''ll fix themselves when the Jump wears off. And that she''ll fix herself when the Jump wears off. But I know when there''s no more that words can do. I crack my knuckles. "I''m here. Come take me." We both meet the ground running, my ankles creaking uncomfortably with all the bad rolls I''ve taken, hers sounding like gongs, heavy stompers leaving small indents on the hard rubber ground. She''s a freight train? I''m a tyrannosaur. I''ll bite her in half Jurassic Park style. We roar, and our voices mix like oil and water. We swing with mirrored arms - my right, her left. Our knuckles collide in perfect synchronicity with each other''s cheeks, fists scraping forearms. I feel my jaw cracking under the strain, while I barely manage to leave a mark in her perfect skin. Our fists just sit there, for a second, and then another. Pain reverberates through me like noise through a bell. My used-up hand slides off her cheek, and my body gives out, no longer capable of withstanding any further abuse. Kate''s moment of triumph is short lived - too short for her to gloat about it. Hissing and wheezing with exhaustion, she sits down in front of me, grabs my hair, and pulls my head up for one final venomous sentence. We make eye contact. Her huge, round pupils swallowed up in a sea of quicksilver. I spit out teeth and blood, and instead of saying anything, she just lets go of my hair, and lets me drop to the ground. "You win. I''ll hang up my costume," she mumbles, standing back up to her feet. She makes it one step, then two steps, then three, before pitching forward and collapsing in a heap on the ground. "Fuck,"
It''s late August, and the air is thick and sticky outside. But inside it''s cool and it feels nice. I sit on my assigned mat, fidgeting with the hem of my sundress. It''s naptime, but I''m not tired. I''m too excited, too curious about all the new faces around me. Across the room, a girl with really bright light blonde hair and bright green eyes sits on her own mat, hugging her knees to her chest. She hasn''t talked to anyone all day, not even during snack time or recess. I tilt my head, studying her. She looks nice, I think. Maybe a little shy, but nice. Before I can talk myself out of it, I stand up and make my way over to her, plopping down on the mat beside her. "Hi," I say, giving her my biggest, friendliest smile. "I''m Samantha, but you can call me Sam. What''s your name?" The girl looks up at me, her green eyes wide and surprised. "I''m Kate," she says, her voice soft and hesitant. "Kate," I repeat, testing the name out on my tongue. "I like that name. It''s pretty." She smiles at that, a small, shy thing that lights up her whole face. "Thanks. I like your name too." We sit there for a moment, just smiling at each other, and then I blurt out the same question I''ve asked all the other kids my age. And the teachers. "Do you like sports?" Kate''s eyes widen, and then she nods, a grin spreading across her face. "Yeah, I love sports. My dad and I watch basketball all the time." "Really?" I ask, bouncing in my seat. "Who''s your favorite player?" "Allen Iverson," she says, without hesitation. "My dad says he''s the only Sixers player worth a darn. But he hasn''t played in a while. So that''s bad." I wrinkle my nose, thinking. "I don''t know much about basketball. I like soccer better. My favorite player is Ronaldo Jimenez." Kate shakes her head, her curls bouncing. "I don''t like soccer. It''s boring." For a moment, I feel a pang of disappointment. But then I shrug, smiling at her again. "That''s okay. We don''t have to like the same things." She looks at me, surprise flickering in her green eyes. "Really?" "Yeah," I say, nodding. "We can still be friends, even if we like different sports." Kate''s smile is brighter this time, more realer. "Are we friends now?" I hold out my hand to her, my heart swelling with happiness. This must be what the Grinch felt like. "Do you wanna be?" She takes my hand, her skin warm and soft against mine. "Friends forever!" The teacher looks at us, and I see her raising her hand. I think she''s getting ready to shush us. But I lock eyes with her, and she smiles, and she brings her hand up slower to put her finger over her lips. So she''s shushing us but not very hard. That''s okay, I can be quiet. "Friends forever," I whisper. End of Arc 5: Mayfly END OF YEAR ONE Chapter 86.1 BEGIN YEAR TWO Begin Arc 6: Sideshow School''s finally out, and I couldn''t be more relieved. Don''t get me wrong, I love learning and all that, but this year was just...a lot. Between recovering from getting my ass kicked by Kate, testifying against Sparkplug and his goons, and trying to keep up with my classes, I''m running on fumes. Let''s get it out of the way first - Sparkplug and Squeal are both turbofucked. Just in case anyone was worried they wouldn''t be. They are. The first few weeks are pure bliss. I sleep in until noon almost every day, binge trash TV with my mom, and spend way too much time dicking around on forums and stuff. Keeping track of who''s keeping track of Bloodhound and the Big Bad Wolf of Tacony, not to be confused with the Big Bad Wolf of Kensington, who is Derek, who is somehow still around. By the second week, I''ve settled into more of a routine. Early morning runs along the park trails, followed by breakfast with whoever''s there to have breakfast with me. Sometimes it''s Grandma Camilla. Sometimes it''s Dad. Jamila and I go on a bunch of dates, cheesy stuff like the movies or mini-golfing. We have this dumb competition to see who can get a bigger trophy at the Main Event by racking up tickets. I won, which surprised me given that being aerokinetic gives her a distinct advantage in dexterity games. But also I''ve thrown a baseball before and she hasn''t. So... I guess it sort of evens out? She''s still pouting about it, though. My grandpa comes over a lot too. He likes to take me and my mom out for Sunday breakfast at this old-school Jewish deli in Northeast Philly. We get identical orders - lox and bagel platters loaded up with all the fixings. Grandpa always jokes that I''m gonna turn into a lox one day with how much smoked fish I put away. Tells me I should consider becoming a salmon-themed superhero. The Slicemaster, he says, and he even drew a really bad little doodle of it. When I tried to protest he just started regaling me with salmon facts. Kate... yeah, that''s still a whole thing. We haven''t really talked since our huge blowout fight. I check in with her dad every so often, make sure she''s doing okay. From what I gather, she''s just holed up in her room most days. I get it, the shame and embarrassment of what she did, what happened to her. I''ve been there. The hardest part is forgiving yourself. I haven''t really talked with the rest of "Team Mayfly" either. I mean, Marcus and I keep in touch, and Tasha has been making herself known at the music hall to play with our computer equipment and try making gadgets for everyone, but Jenna and Lilly both feel like they''re sort of drifting away in a bubble along with Kate. Part of me wants to reach out, to try and mend things. But the other part of me is like, she needs space, right? Kate, I mean. This has to be her journey. If I try to insert myself, it''ll just end up making things worse. She has to find her own way back from the edge. I haven''t told any of the adults in the room about her taking Jump, and I''m not going to. I''m not going to be that person that holds it above her head. That was her own decision. As long as she''s not taking more and going out vigilante-ing at night, that''s not my problem. She''s not. I check up on her. Is that weird? Anyway. In the afternoons, I meet up with the rest of the Young Defenders for training sessions. Rampart has been putting us through the wringer, working on our hand-to-hand combat skills and teamwork exercises, while Crossroads has been spending more time than ever with the adults in the room. With the emergence of Jump and Fly, we''ve all had to step up our games. The gang wars have been getting more intense. We do what we can where we can, but without Diane, it feels like it''s all insurmountable. Cut off one head, and another two or three grow back, and unlike Hercules we don''t have any flaming clubs. Spindle even heard that the Phreaks have been gathering - and not using - Jump and Fly in as massive of quantities as they can get, and that''s been on my mind basically any time anything else isn''t occupying that space. I think about Deathgirl a lot. Honestly, out of people who aren''t really in my life directly, I probably think about her the most. She must be thirteen now? I have no idea what happened to Patches, and for some reason, the idea of finding out makes my chest get weird and tight. Tacony hasn''t been spared from the fallout either. Just last week, a couple of Jump-heads tried to rob a convenience store down the block from our home base. I mean, the music hall, not the Young Defenders HQ. Thankfully, they were just a bunch of idiots trying to get easy money, but cleaning up all the slag with Bubble wasn''t easy. "The highs from Jump and Fly might be one thing," Crossroads tells us during one of our sessions, "but the side effects are something else entirely. Increased aggression, psychosis, delusions of grandeur - you''d better be prepared to talk down a manic god-king if you go toe-to-toe with someone hopped up on this garbage. And the formula has been getting more dilute - we''ve been seeing more people developing unpredictable secondary mutations, and we don''t know why. We have to be prepared for anything." As if we didn''t have enough to worry about, right? Still, I try not to let it get me down too much. Summer is a time for fun and freedom, damn it, and I''m determined to enjoy myself. Speaking of which, the Small family Shabbat game has been strong as ever. My mom has this weird new obsession with making these intricate, over-the-top challah loaves every week. Last month it was a sandworm from Beetlejuice. This week was Baby Yoda choking on a frog. Don''t ask me how she does it, I have no clue. My dad just watches in bemused silence as the rest of us fawn over whatever carbalicious masterpiece she''s whipped up. Oh, and Moe got a new cat! Well, new-ish. It''s been a few weeks. This scruffy little gray furball he''s named Schlemiel. Apparently it''s a Yiddish word for someone who''s a bit of a klutz or an oaf. Which is the perfect name, because this cat is just a disaster on four legs. He''s always knocking things over, getting stuck in weird places, just generally being a goofball. Apparently he''s got something wrong with his skull that means he can''t coordinate right, so he''s flopping all over the place all the time. Then, of course, once things start happening they all start happening quite fast, as they tend to do. Not quite as fast as I''m used to, but, well, fast. The last week of June, I get a call from a prosecutor named Anne-Marie Gibson. The prosecutor assigned to Illya''s case. First, of course, my parents have to coach me through it. I''ve testified in court before, but, you know, this is a little more complicated than Mudslide and Sparkplug. And they know about this guy. And they know about me. Dad made his famous kugel (famous perhaps only to a few, but famous nonetheless), a sweet noodle casserole dish that''s basically pasta pudding. I''m already on my second helping when Mom brings it up. If you stumble upon this narrative on Amazon, it''s taken without the author''s consent. Report it. "Sam, honey, we need to discuss your meeting with the prosecutor," she says, setting her fork down. "There are some things we want you to keep in mind." I pause mid-bite, noodles dangling from my lips. "Uh oh, is this the part where you tell me not to say anything without a lawyer present?" Dad chuckles, shaking his head. "No, no, nothing like that. Although that''s not bad advice in general." He takes a sip of his wine. "We just want to make sure you''re prepared for what''s to come." The change in his tone makes me sit up a little straighter. This is serious dad mode, not goofy dad mode. I swallow my mouthful and lean back in my chair. "Okay, I''m listening." Mom takes over. "First and foremost, you need to be completely honest with this prosecutor. Don''t hold anything back, don''t try to spin things in a certain way. Just tell the truth, the whole truth, and nothing but the truth." That makes me frown. "You really think I''d lie about something like this?" I say, fully preparing to lie should it become necessary. "Of course not, bubbeleh," she reassures me. "But we want to make sure you understand the gravity of the situation. This isn''t just some random interview - your testimony could make or break the case against Chernobyl and his associates." His associates - like he has any. The thought makes bile rise in my throat, but I don''t entertain it. I think my parents are operating under the same assumption as the rest of the world, which is to say, that Illya is an unhinged terrorist who went around killing people for fun. Sorry, Mrs. Gibson. I don''t plan on giving the people what they want. Dad nods in agreement. "Your mother''s right. These people are dangerous, Sam. They won''t hesitate to try and discredit you or poke holes in your story if they can. You need to be prepared for that." I can feel my pulse starting to quicken, but I force myself to stay calm. "Okay, got it. No embellishments, no holding back. Just the facts, ma''am." "Exactly." Mom reaches across the table and squeezes my hand. "We''re not trying to scare you, sweetie. We just want you to be ready." There''s a brief silence as we all take a few more bites of our food. Then Dad speaks up again. "There''s one other thing we wanted to discuss." He exchanges a look with Mom before continuing. "We think it might be a good idea for you to wear a disguise of some sort when you testify. A wig, maybe, or a mask like the one you wear when you''re out on patrol. You know, I think a lot of people know that Chernobyl has radiation powers, and, like, a non-zero amount of people know that there was a girl in the hospital with severe radiation poisoning at around that time. I think we have to be prepared for people to put two and two together, and a wig makes you look like you have all your hair back. So the girl who lost all her hair wasn''t you. That makes sense, right?" Mom nods at him. "That makes sense." I blink in surprise. "You want me to hide my identity? But won''t that just make me look suspicious?" "Not at all," Dad counters. "In fact, it''s pretty standard procedure for witnesses in high-profile cases like this. It''s for your own protection, Sam. We don''t want anyone who might be watching the proceedings to be able to identify you. Bad guys, good guys, paparazzi, you know, your identity should be on a need-to-know basis. You''re just 15, after all." "Okay, yeah, I can do that," I agree. "A wig and a mask shouldn''t be too hard to pull off." Mom nods, looking relieved. "Good, I''m glad you understand. We''re not trying to be overbearing, we just want to make sure you stay safe." "I know, Mom. I appreciate it, really." I offer her a small smile, then turn to Dad. "So, any other pearls of wisdom for me? What else should I expect from this prosecutor lady?" Dad strokes his beard thoughtfully. "Well, for starters, be prepared for her to be...let''s say, less than pleasant. Prosecutors can be a bit brusque and impatient at times. Don''t take it personally if she seems rude or dismissive." "They''re not exactly known for their bedside manner," Mom chimes in with a wry grin. "Although I suppose I''m not really one to talk. I''ve been known to be a bit combative when dealing with subpoenas myself." That piques my interest. "Oh yeah? Do tell, oh wise mother of mine. What''s the most hardcore thing you''ve done to avoid getting served?" Mom opens her mouth, then seems to think better of it. She waves a hand dismissively. "Never mind, it''s not important. Just know that I have a healthy disdain for the legal system and all its trappings." Dad arches an eyebrow at her. "You can''t just drop a tease like that and leave us hanging, Rach. Spill it." "Yeah, c''mon Mom, I wanna hear!" I egg her on, leaning forward eagerly. She shoots us both a look, then sighs in resignation. "Fine, fine. But just this once, and then we''re getting back on topic, understand?" We both nod vigorously, and Mom takes a sip of her wine, clearly savoring the moment. "Alright, well it was back when I was a fresh-faced librarian just starting out at the University City branch. This was... oh, probably 2001 or so?" She pauses, lost in thought for a moment. Dad and I exchange a glance, silently urging her to continue. "Right, so anyway, there was this little bookseller that used to set up shop right outside the library every weekend. Lovely older gentleman from Korea, sold all sorts of used and rare books. Well, one weekend he didn''t show up, which was strange because he was more reliable than the mail carriers." Mom''s eyes take on a distant look, like she''s replaying the memory in her mind. "After about a month went by with no sign of him, I started getting worried. So I did a bit of digging, asked around the neighborhood if anyone had seen him. That''s when I found out he''d been picked up by INS for being an undocumented immigrant." She shakes her head in disgust. "Can you believe that? This sweet old man, living in our community for decades, and they just snatched him up like a common criminal." Dad and I stay silent, letting her vent. This is clearly a sore subject for her. "Anyway, I decided I couldn''t just sit back and do nothing. So I started making some calls, pulling what few strings I had access to back then. And finally, I managed to get in touch with the INS agent handling his case." A wry smile crosses Mom''s face. "Let''s just say I gave that racist prick a piece of my mind. Laid it all out for him - how this man was a beloved part of our community, how he''d built a life here after fleeing oppression in his home country. I didn''t mince words, either. Called him every nasty name in the book." She pauses, taking another sip of wine. "Well, apparently my little tirade struck a nerve, because not two days later I had a process server showing up at my door with a subpoena. The agent was trying to intimidate me into keeping my mouth shut." I lean forward, hanging on her every word. "What''d you do, Mom?" A mischievous glint enters her eye. "What any self-respecting troublemaker would do, bubbeleh. I looked that process server dead in the eye... and then I punched him square in the nose before he could even get a word out." Dad lets out a bark of shocked laughter, nearly spitting out his drink. I just gape at her, trying to reconcile this new punk rock version of my mother with the reality I know. "You''re kidding! You actually assaulted the guy?" Mom shrugs unapologetically. "He was trespassing on my property." She cuts herself off, waving a dismissive hand. "But that''s hardly the point. I handled the situation poorly, I''ll admit. Although it did get that migrant-hunting son of a bitch reassigned, so I consider it a win." There''s a beat of silence as Dad and I try to process this new information. Finally, he leans across the table, eyes twinkling with amusement. "Rachel Esther Small, I thought I knew every side of you. But you''re just full of surprises, aren''t you?" Mom meets his gaze with a sly smile. "Oh, Benjamin, you have no idea. Now, where were we? Ah yes, preparing our daughter to testify against an unhinged communist super-terrorist..." "I don''t know if he''s communist," I hear my dad mumbling, but I have something more pressing in mind, so I talk over him. "No, hold on. How did you not get arrested?" I ask, putting my chin in my hands. "I need your tips." "White woman magic, Sam. It''s a skill you''ll pick up as you grow older," she replies with a laugh. I scrunch my face up. "I don''t believe this story," "That''s okay, you don''t have to. All I know is that the issue was quietly dropped and they didn''t bother me again, so I guess the powers that be considered the matter settled," she says, not looking me in the eye. "I think you''re telling a fib. Or maybe embellishing," I say, reaching for my grape juice. "Embellishing! Big word, kiddo? What''s it mean?" She challenges. "Don''t change the subject! But it means when you exaggerate or alter a story to make it seem more interesting!" I half-shout. She gives me a stern, no-raised-voices-indoors glare, and I feel myself shrinking down. "Sorry." She smiles. "It''s okay, darling. Maybe it is a little embellished. I may have just flashed the guy instead." "Rachel!" My dad shouts, swatting her lightly, jokingly across the shoulder. She winks at me and I feel the uncomfortable heat rising in my gut like snakes trying to escape my mouth. "Do not teach our daughter-" he coughs between laughs and more coughs "to flash people as a way of getting out of problems!" "I think I''d rather stick with punching," I mumble, jabbing my fork into more kugel. Chapter 86.2 The first time I meet Mrs. Anne-Marie Gibson, it''s at my house. My parents had insisted on hosting the initial interview here to make things a bit more comfortable for me. I appreciated the gesture, even if part of me wondered if they were being a tad overprotective, given that I could turn any of them into sashimi with a little elbow grease. Still, I wasn''t about to argue with anything that made this whole ordeal even slightly easier. Mrs. Gibson arrives precisely at 3pm on a sweltering Saturday afternoon in mid-July. The AC is cranked up high, but there''s still a faint sheen of sweat on her brow as she steps through the front door. She''s an imposing woman - tall, broad-shouldered, with close-cropped gray hair and a no-nonsense expression firmly etched onto her face. If I didn''t know any better, I''d almost mistake her for a retired drill sergeant. "Mrs. Gibson, welcome," Dad says, extending his hand. "Thank you for coming. Can I get you something to drink? Iced tea, perhaps?" She peers at him over the rims of her glasses, giving a curt nod. "Water would be fine, Mr. Small. And please, just Anne-Marie is okay." I can''t help studying her as she moves further into the living room. Despite the summer heat, she''s wearing a crisp navy pantsuit, tailored to perfection. Her movements are precise, economical - no wasted energy. Even the way she sets her briefcase down on the coffee table speaks of a person utterly in control. Her rotundness barely even occurs to me - it slides off my brain like jelly on an ice cube. "You must be Samantha," she says, turning her attention towards me. Her gaze is penetrating, assessing. I force myself not to squirm under her scrutiny. "Sam, please. It''s, uh, nice to meet you." I offer her a small wave, then wince inwardly. So much for playing it cool. She arches an eyebrow but doesn''t comment on my awkwardness. Instead, she sinks into the armchair opposite me, back ramrod straight. "I''ll cut right to the chase, Sam. I need your full cooperation if we''re going to make this case against Mr. Illya Fedorov as airtight as possible." I bristle a little at her bluntness, but I know she''s not wrong. Taking a deep breath, I nod. "Okay. I''m ready to tell you everything I know. That''s what you want to hear, right?" "Yes. Good." She pulls a legal pad and pen from her briefcase, poising the pen over the paper. "Let''s start from the beginning. When was your first encounter with the man calling himself ''Chernobyl''?" The mention of that name makes my stomach twist into knots. "Illya," I correct her. "He does not like being called Chernobyl," I say, watching my parents'' face twist into something I don''t understand, for a short moment. I push the memories down, trying to stay focused. "Well, the first time I actually saw him in person was back in December, on the first night of Hanukkah..." I recount the story - the alert going out about his arrival in Philadelphia, me suiting up as Bloodhound to help with evacuation efforts, then disobeying orders to go after him directly. Mrs. Gibson remains stone-faced throughout, occasionally jotting down notes but otherwise letting me speak uninterrupted. As I describe watching helplessly as Cherno- as Illya -- killed Liberty Belle, my voice catches in my throat. The grief is still so raw, so visceral, like a physical wound that never quite healed right. I swallow hard, fighting back the tears that threaten to spill over. It still feels like I barely knew Diane, even after she tried so hard to cram what training she could into her last days. I have to wonder if she knew. Did she know, like, did she really know? Did she know? "Take your time," Mrs. Gibson says, her tone softening ever so slightly. Not enough for me to detect sympathy, but a calculated enough. A pinch. I nod jerkily, sucking in a shuddering breath. "Sorry, it''s just... she was a real hero, you know? Watching her die like that... She was everyone''s hero," I trail off, shaking my head. I brush a stray hair out of my face while trying to not look at my parents, watching them amble around in the background. You might be reading a stolen copy. Visit Royal Road for the authentic version. An uncomfortable silence stretches out between us. Mrs. Gibson seems to be studying me again, her expression unreadable. Finally, she clears her throat. "I understand this is difficult for you, Sam. But I need you to be honest with me - do you know why Fedorov came to Philadelphia that night? What his motivations were?" I chew my lip, considering. Part of me wants to unload everything I know - about the government''s shady dealings with Illya, their attempts to control and manipulate him. But another part holds me back, one tiny voice whispering you don''t know the full story. "I... I''m not sure," I say at last, hating how unconvincing I sound even to my own ears. "The way he talked to Liberty Belle, it seemed like there was some bad blood between them from way back. But as for specifics..." I spread my hands helplessly. "Why Philadelphia, specifically, I assumed was... you know, the usual reasons he pillaged things. His suit sprung a leak or something. He had to patch it up, and he can''t exactly go into a hardware store given that he''s on the NSRA''s most wanted list." Mrs. Gibson''s eyes narrow, just a fraction. I hear gears turning in her head, but not in the squeaky, greasy way I usually imagine them turning. This is like a V8 engine beginning to fire. "I see. Well, perhaps you can enlighten me about your... subsequent encounters with Mr. Federov, then?" And so I trudge on, rehashing the awful details of the battles in the subway tunnels, even bringing up the operatives of the Kingdom in glancing details on the off-hope that she''ll catch on and it''ll lead somewhere in the future. Maybe it will. Maybe it won''t. But I''ll do it anyway, just in case it does. I tell her how small Mr. ESP looked in Illya''s hands, how he got thrown, chucked like a guinea pig meeting a trebuchet, for the crime of calling Illya the wrong thing on the wrong day. By the time I''ve brought her up to speed, I can feel a throbbing ache building behind my eyes from the strain of reliving it all. Mrs. Gibson, damn her, looks as cool and impassive as when she first arrived. I don''t tell her that I hugged him, or that I let him live on purpose. I mean... could I have killed him? I think... at some point, there was a possibility. I think I had the capability. I think I can kill someone that I think is really bad, I don''t think it''s outside the realm of my strength. Would I, kill Illya Federov, given the opportunity and means? Evidence shows; probably not. So. I leave that part out. We fought, and then he got away, and I got blasted by radiation. "Thank you for sharing all of that, Sam," she says, making a few final notes. "I know it can''t be easy dredging up such traumatic memories. But I need you to understand - Illya Fedorov is an incredibly dangerous individual. A threat to public safety on a massive scale." Her gray eyes bore into me. "Which is why I find it so... concerning that he turned himself in with no prompting." I frown, confused. "You think he has some other agenda? Like, he wanted to get arrested?" She purses her lips. "It''s certainly a possibility we have to consider. The man is highly intelligent, by all accounts. A skilled strategist. We can''t afford to take anything at face value where he''s concerned." "So... what? You think he''s planning some kind of prison break? An escape?" I shake my head slowly. "I don''t know, that doesn''t really track with what I know about him." "Which is precisely why your testimony is so crucial," Mrs. Gibson presses. "We need to establish a clear pattern of behavior, motive, anything that might shed light on his true intentions for turning himself in. The NSRA has been... less than forthcoming with information." Her disdain for the superhero oversight agency is palpable. I bite back a smirk, thinking of all the ways Diane would roast this hard-nosed prosecutor if she was here. "Look, if you want my honest opinion?" I meet Mrs. Gibson''s gaze levelly. "I think Illya is just... tired. Tired of running, tired of fighting, tired of being a pawn for other people''s agendas. Maybe he saw turning himself in as a way to, I dunno, stop being a victim of circumstance for once in his life." She considers this for a long moment, tapping her pen against her legal pad. "An interesting theory. Certainly one I''ll have to explore further as we proceed." She snaps the pad shut decisively. "Thank you again for your candor today, Sam. I know this won''t be easy, but I appreciate you being a team player." Team player. Right. If only she knew. "Hey, happy to help," I say with a tight smile. "Just doing my civic duty and all that." She rises to her feet, slipping the pad back into her briefcase. "We''ll be in touch to schedule another prep session before the trial gets underway. I''d advise reviewing any notes, recordings, or other documentation you might have from your run-ins with the suspect." "You got it." I stand as well, offering my hand. "Always happy to aid the cause of justice, Mrs. Gibson." Her grip is firm, unyielding. "Justice," she repeats, something unreadable flickering in her eyes. "Yes, that''s precisely what we''re after here." As she heads for the door, I can''t help but wonder - which version of justice is she really seeking? The government''s... or the truth''s? Chapter 86.3 The ride to Mrs. Gibson''s office is... interesting. Instead of just having someone from the NSRA or some other agency shuttle me over, she insists on sending one of her staff to pick me up. In a Bentley, no less. Black and shiny. "Bit much, don''t you think?" I remark as the driver, an intimidatingly large bald man in a crisp black suit, opens the rear door for me. He doesn''t so much as crack a smile. "Ma''am wants to ensure your safety and comfort, miss." I resist the urge to make a wisecrack about feeling more like a captured asset than a witness as I slide into the plush leather interior. The AC is blasting full tilt, washing over me in an icy wave. Definitely more comfortable than taking the bus, I''ll give it that much. The drive into Center City is mostly silent. I spend it idly watching the scenery go by, trying not to get too lost in my own head. Mrs. Gibson''s office is situated on the top floor of one of those gleaming high-rise buildings that seem custom-made to invoke feelings of insignificance in anyone without seven figures in their bank account. As I step out of the car, I have to fight the urge to gawk openly at the opulence on display. Polished marble floors, imposing modern architecture, sculptural art installations that probably cost more than my parents make in a year. It''s all just a bit... much. I didn''t realize prosecutors could work in such splendor. Everything I''ve ever heard from my parents made it seem like being a lawyer was a thankless job where everyone hated you. Maybe those two aren''t incompatible? Then again, I guess that''s kind of the point. This place is meant to broadcast wealth and power from every perfectly beveled corner. It''s the legal equivalent of a ridiculously jacked bodybuilder strutting around with his shirt off at all times. Mrs. Gibson is waiting for me in the lobby, looking crisp and professional as ever in a charcoal gray skirt suit. She doesn''t seem the slightest bit flustered by the grandeur surrounding us. "Sam, good to see you again," she greets me with a curt nod. "Thank you for making the trip on such short notice." "No problem at all," I reply, falling into step beside her as we head for the bank of elevators. "It''s not like I had anything better to do today than preparing my testimony to get a murderer locked up for an indeterminate, possibly infinite, amount of time. Soccer? No, never." She arches an eyebrow at me, the faintest hint of a smirk playing at the corners of her mouth. "Is that sarcasm I detect, Miss Small?" I shrug innocently. "Who, me? Never." The elevator ride is mercifully brief, though still long enough for an awkward silence to settle over us both. One Mississippi, two Mississippi... Finally, the doors slide open with a polite ding, granting us access to Mrs. Gibson''s palatial office suite. If the lobby was meant to intimidate, this place is downright suffocating in its projection of power and influence. Mrs. Gibson notices me gawking and chuckles softly. "A bit much for your tastes, I take it?" "Oh, you know," I say lightly, running my fingers along the highly polished surface of her desk. "I''m more of a hole-in-the-wall bodega kind of gal myself. Simple tastes." "Well, I''ll be sure to keep that in mind for our next meeting." She settles into the high-backed leather chair behind her desk, gesturing for me to take a seat opposite her. "I''ll get you some Wawa." I half expect her to offer me a snifter of brandy as I settle onto one of the obscenely comfortable chairs opposite her desk. Instead, she pours herself a glass of water from an ornate pitcher and takes a measured sip. "Thank you for coming down to my office today, Sam," she says, steepling her fingers. "I realize the drive from Mayfair wasn''t exactly convenient, but I wanted to discuss a few things in a... more controlled environment." The way she says that last part sends a shiver down my spine. I fight the urge to squirm under her penetrating gaze. "Yeah, no problem. The ride was very, uh, comfortable." Smooth, Sam. Real smooth. "So what''s on the agenda for today?" Mrs. Gibson arches an eyebrow. "Straight to business. Good, I can appreciate that." She leans back in her leather chair with a soft creak. "I''ll cut right to the chase - we have a problem when it comes to the prosecution''s case against Illya Fedorov." My ears prick up at the mention of his name. "What kind of problem are we talking about?" "Obstructionism," she says flatly. "From the very agency that should be assisting us every step of the way." It takes every ounce of willpower not to let my eyes narrow in knowing suspicion. She knows about the NSRA''s shady dealings? How much does she actually know? The story has been taken without consent; if you see it on Amazon, report the incident. Mrs. Gibson must sense my inner turmoil because she presses on without missing a beat. "I''m speaking, of course, about the National Superhuman Response Agency and their... lackadaisical attitude towards providing key evidence and testimony for this case." She rises from her chair and begins to pace, hands clasped tightly behind her back. "From the moment Mr. Fedorov turned himself in back in February, my office has been trying to gather information - incident reports, statements from NSRA field operatives, analysis of the technology used in his battlesuit. Basic Due Diligence 101 for a case of this magnitude. Audit logs, investigation reports, very basic documents." Pausing beside the window, she lets out a bitter chuckle and shakes her head. "And at every turn, we''ve been stonewalled. Subpoenas delayed or outright ignored. Key documents redacted to the point of uselessness." She whirls to face me, eyes blazing with righteous anger. "Do you have any idea how utterly unacceptable that is, Sam? How much that endangers the integrity of our justice system?" I swallow hard, feeling like a deer caught in the headlights. "I had no idea it was that bad, ma''am. But... I can''t say I''m entirely surprised, either." The words tumble out before I can stop them. Mrs. Gibson''s eyes narrow dangerously. "And just what is that supposed to mean?" "They''re a government agency, ma''am," I say, trying to deflect. "And you''re technically a government agent, Miss Small," she responds, sitting back down in her chair and fanning her head with her hand for a moment. "Continue at your leisure," I feel like a deer caught in a bear trap. Can I get in trouble for lying to a prosecutor? I don''t know. Do I want to risk it? I take a deep breath. I forge ahead. "Look, I know you think Illya is just some rogue supervillain hellbent on causing chaos. But the truth is, he and the NSRA have... a very complicated history. One they''ve gone to great lengths to keep buried." Her brow furrows as she studies me carefully. "I''m listening." Here goes nothing. "From what I understand, the NSRA had been working with Illya for years - using his radiation abilities as a potential power source for emergency energy reserves. A way to prevent widespread blackouts and keep critical infrastructure running during times of crisis. I only have Illya''s testimony, recorded on my cell phone, to corroborate this, but given the way the NSRA acted towards me when I inhereted Diane Williams'' equipment and notes, I have to assume that it''s more-or-less correct." I pause, watching realization slowly dawn on Mrs. Gibson''s face. "And when he started going off-script, becoming more unstable and unpredictable... well, I think they saw this trial as a way to sweep the whole unseemly business under the rug once and for all. Make him the fall guy, so to speak. Withholding anything that would implicate them in his continued activities, which they definitely enabled. They''re the reason we were told to evacuate the city instead of just bringing the fight to him. And I think Diane knew this, on some level, even if she didn''t believe it when she heard it." To her credit, Mrs. Gibson doesn''t immediately dismiss my words as insane conspiracy rambling. Instead, she resumes her pacing, brow furrowed in contemplation. "That''s... certainly a plausible theory. One that would certainly explain the NSRA''s reluctance to cooperate fully." She shoots me a sidelong glance. "I assume you have more than just speculation to back up these claims?" I nod slowly. "Like I said, I have a recording of the back half of the conversation on my cell phone. I can submit that into evidence if it would be useful for you." Mrs. Gibson drums her fingers against her desk, weighing her next words carefully. I can feel within her a struggle of two lions - the fact that my evidence might exonerate, to an extent, the person she''s prosecuting, and the desire to expose the truth. "Let''s assume for a moment that what you''re saying is true. That the NSRA did, at some point, have Mr. Fedorov... on a leash, so to speak." She levels her gaze at me. "Why go to such lengths to undermine the prosecution? I mean, it seems obvious from here, but I want to pick your brain nonetheless." "Fear, maybe?" I offer with a half-shrug. "Fear of what he might reveal on the stand about their past collaboration. Or maybe they''re just trying to keep their grubby fingerprints off the whole mess as much as possible." She considers this for a long moment before giving a curt nod. "Well, I certainly can''t dismiss your reasoning out of hand. Not when it aligns so neatly with the roadblocks I''ve encountered." Sinking back into her chair, she fixes me with her signature piercing look. "Which brings me to perhaps the most troubling revelation of all, Sam - this obstructionism appears to have been going on far longer than I initially suspected." I frown, not following. "What do you mean?" "My office first reached out to the NSRA about securing your testimony back in March," she says, letting that bombshell statement hang in the air. "Yet it wasn''t until late June that I finally received confirmation that you''d be allowed to take the stand, let alone actually meet with you to discuss preparing that testimony. They were extremely reticent on giving me the personal information of a minor or their guardians, which made sense at the time, but is recontextualized in hindsight." My mouth goes dry as the implications sink in. Three months... they deliberately kept me in the dark and out of Mrs. Gibson''s reach for three goddamn months. All to try and control the narrative, no doubt. Suddenly, Mrs. Gibson''s brusque manner and palpable frustration make perfect sense. She hasn''t just been fighting the usual bureaucratic red tape - she''s been waging an uphill battle against a conspiracy determined to undermine her at every turn. Squaring my shoulders, I meet her intense gaze head-on. "You know you can''t let them get away with this, right? What they''re doing... it''s textbook obstruction of justice." A faint smile ghosts across her lips as she gives a solemn nod. "I''m sure it seems that way, Sam. And rest assured, I have no intention of allowing it to continue unchallenged." She leans forward, resting her forearms on the desk. "Which is why your testimony is so crucial. We need to establish the full truth about Mr. Fedorov''s dealings, both past and present. Leave no stone unoccupied." I return her nod, my newfound respect for this relentless prosecutor increasing by the second. "You''ve got it. No more lies, no more cover-ups. It''s time to... to... let the truth see the light of day." Mrs. Gibson''s smile widens a fraction as she reaches into her desk drawer. "In that case, we should get to work prepping your statement. There''s no telling what other surprises this oh-so-helpful agency might have in store for us." As she slides a thick manila folder across the desk towards me, I can''t help but feel a surge of cautious optimism. Chapter 87.1 The next few weeks are a dizzying whirlwind of legal maneuverings and nonstop preparation. After my jaw-dropping conversation with Mrs. Gibson about the NSRA''s obstructionist behavior, it''s like a dam bursts and suddenly I''m swept up in a raging river of procedures, deadlines, and enough legalese to make even my Mom''s head spin, and ''wading through linguistic garbage'' is, like, her job description. One minute I''m being whisked away in that sleek black Bentley for another round of testimony prep sessions, the next I''m cooling my heels in a stark waiting room while Mrs. Gibson handles some emergency motion or other. Everywhere I go, there''s a palpable sense of urgency underpinning every interaction. First there was the logistics nightmare of Mrs. Gibson trying to get me officially on the witness list. Thanks to the NSRA''s world-class stalling tactics, that process didn''t conclude until over a month after she''d initially reached out to them about securing my testimony. Apparently she had to file an emergency motion just to compel them to cooperate, then anxiously await the judge''s ruling granting her an extension on the discovery deadlines. "Discovery" - that''s one of those legal terms I''ve become painfully familiar with over the past few weeks. Basically, it refers to the whole process of gathering evidence, documentation, and witness testimonies before a trial actually begins. Kinda like the pre-game warmup, I guess, except vastly more complicated and mind-numbingly tedious. "Apologies for the short notice, but Judge Bennett granted my request for more discovery time this morning." I blink owlishly at her, already hopelessly lost. "Uh, okay? And that means¡­?" Mrs. Gibson''s mouth tightens ever so slightly. "It means we have additional runway to comb through any evidence or materials the NSRA is compelled to provide. Crucial in a case with as many moving parts as this." Right. Evidence and materials. Got it. I resist the urge to ask her to dumb it down for me, cognizant of how little patience she likely has for ignorance when the stakes are so high. Instead, I simply nod along as she lays out the revised timeline. New deadlines for submitting witness lists and exhibits. An extended discovery period pushing well into late July. A tentative trial date still on August 15th, provided nothing else goes haywire in the meantime. "We''ll need to get your deposition on the books ASAP," she continues, making a note on her ever-present legal pad. "Hopefully soon, if the judge can accommodate it on short notice." There''s that word again - deposition. I worry my lower lip, feeling a flicker of trepidation. "You, uh, you''re gonna have to walk me through what exactly that entails. I''m still a little fuzzy on the prep work involved." To her credit, Mrs. Gibson doesn''t so much as blink at my admitted cluelessness. "Of course. A deposition is essentially a question-and-answer session conducted under oath. Both the prosecution and defense will have an opportunity to pose questions and hear your testimony in advance of the actual trial. But I''ve already asked you most of what I need from you." She leans back in her chair, steepling her fingers. "Think of it as a dress rehearsal, of sorts. A chance for them to get a preview of what you''ll say on the stand and adjust their strategies accordingly." "So¡­ no pressure or anything," I joke weakly. One perfectly sculpted eyebrow arches. "Quite. Which is why we''ll be devoting every spare moment to ensuring you''re properly prepared." Her stern expression softens, just a fraction. "I realize this is an immense burden to place on someone your age, Sam. But your role in these proceedings is pivotal. We cannot afford any missteps." And just like that, the weight of responsibility comes crashing back down on my shoulders, forcing me to sit up a little straighter. Mrs. Gibson is right - there''s no room for error here. Illya''s fate, not to mention the integrity of the entire justice system, hangs in the balance. Or at least, that''s how it seems to me from the outside looking in. I give her a solemn nod, squaring my shoulders. "Don''t worry, I''ve got this. Just tell me what I need to do." A ghost of a smile flits across her lips. "That''s what I like to hear." What follows is a crash course in legal proceedings that makes my high school education look like preschool in comparison. Mrs. Gibson coaches me relentlessly, drilling me on everything from courtroom etiquette and body language to anticipating potential lines of questioning from the defense. "They''re going to try and poke holes in your credibility at every turn," she warns me one afternoon, rapping her knuckles on the desk for emphasis. "Paint you as an unreliable witness, either because of your age and inexperience¡­ or because you might hold certian biases or ulterior motives when it comes to Illya Fedorov." I frown at that. "Why would I have ulterior motives? The guy nearly killed me! Well, he did kill me, temporarily at least." "Precisely. Which is why we need to be prepared to counter any accusations of a personal vendetta on your part." She shakes her head grimly. "Lord knows the kinds of ugly insinuations they''ll try to make about your conduct and moral character." My jaw clenches at the thought. As if being a teenage superhero wasn''t hard enough, now I have to worry about smarmy lawyers trying to drag my name through the mud? This whole situation is getting more ludicrous by the minute. Still, I force myself to remain calm and focused, leaning in as Mrs. Gibson continues outlining potential defense strategies and how best to counteract them. I take meticulous notes, determined not to drop the ball. We talk through every aspect of my interactions with Illya, from my initial battlefield observations to our various violent confrontations. I describe the brazen attacks, the harrowing chase scenes, the heated dialogue where he outlined the NSRA''s betrayal of his trust. All while Mrs. Gibson listens with rapt attention, occasionally interjecting to clarify a point or suggest another angle to explore. By the time we finally break for the day, my brain feels like an overstuffed suitcase, fit to burst. But I can''t afford to let the exhaustion and stress show. Not with so much riding on me getting this right. Mrs. Gibson is a tenacious one, I''ll give her that. Once she finally got the green light from the judge, she kicked her prep into overdrive. Suddenly I was being summoned to her palatial office every day, it seemed, grilled for hours on end about every minute detail of my encounters with Illya. At first, it was mostly just rehashing the basics ¨C that fateful first meeting at the refinery, the subway station brawl, the final confrontation that landed me in the hospital. Easy enough to recount, although the memories still stung every time I relived them out loud. But then came the real interrogation portion, where Mrs. Gibson started dissecting my stories like a frog in biology class. Poking and prodding, demanding clarification on the most seemingly inconsequential aside or turn of phrase. "When you said Fedorov claimed the NSRA was using him to generate emergency power reserves, were those his exact words?" she''d ask, eyes boring into me from across the desk. The days blur together in a kaleidoscope of motions, orders, extensions, and neverending legal paddywhackery that makes my head spin just trying to keep up. There are hushed conversations with stone-faced federal marshals about security protocols for my deposition day. Pointed reminders about keeping my personal affairs in order, as if this were some high-risk covert op rather than just telling the truth under oath. In many ways, it''s a bizarre form of mental whiplash, ricocheting between the mundane routines of my normal teenage life and the stakes of an international legal firestorm. One minute I''m agonizing over summer reading assignments, the next I''m huddled with Mrs. Gibson''s elite team of prosecutors, poring over satellite images and analysis of Illya''s battlesuit capabilities. It''s enough to leave anyone feeling unmoored. Royal Road is the home of this novel. Visit there to read the original and support the author. Mercifully, Jordan and my other friends provide much-needed moments of levity throughout the chaos. Jamila whisks me away for movie nights and late-night Wawa snack runs, gently chiding me for letting this case consume my every waking thought. Connor delights in gleefully reenacting his most outrageous stunts for my amusement, while Maxwell occasionally pops by my place to visit with well-timed words of wisdom. I know he''s looking out for me, it''s just weird to have him always show up exactly when he''s needed. "Just remember, they can''t un-superhero you," Jamila tells me one evening as we stroll along the riverfront, enjoying a rare moment of tranquility. "No matter what those shysters on the defense team might try to imply, your integrity as a person and as a hero doesn''t get erased just because you clash with the legal system sometimes." I give her a weary smile, shoulders slumping a little under the weight of everything. "I know you''re right. It''s just¡­ I''ve never been under this much scrutiny before, you know? It''s like the whole world is watching, waiting for me to screw it all up." And just like that, I feel a tiny flicker of my usual self-confidence rekindling in my chest. She''s right - I can''t let the pressure and high stakes psyche me out. This is just another challenge to overcome, another gauntlet to run. The mantra becomes my lifeline in the days leading up to the deposition as Mrs. Gibson marches me through one final, grueling round of preparation. I hold on to that defiant core of determination, hardening my resolve with every mock cross-examination she throws my way. "They''re going to ask you to swear an oath to tell the truth on the record," Mrs. Gibson warned me one afternoon after a particularly miserable session. "But don''t let that rattle you. You''ve been telling the truth all along, so there''s nothing to worry about there." Easy for her to say. I couldn''t shake the nagging voice in the back of my mind screaming that I was hiding things, sugar-coating details, shielding Illya from the full weight of justice he might receive - or that I was shielding the rest of the world from the justice he deserved. I tried to explain that fear to Mrs. Gibson once, in a rare moment of vulnerability. She just fixed me with that signature penetrating stare and said, "Your version of the truth, Sam, is the only one that matters here. The sooner you accept that, the easier this will all become." Sure, no big deal. Just the weight of an entire case resting squarely on my teenage shoulders. No pressure or anything. Then there was the issue of trial scheduling to contend with. See, thanks to the NSRA''s world-class obstructionism, we were now operating on a severely compressed timeline. Mrs. Gibson had requested an extension on the original August 15th start date, but the judge evidently wasn''t inclined to push it back too far. Not with the circus this case was already shaping up to be. "We''ll have the pre-trial conference sometime in the first week of August, assuming my request for an August 8th hearing date gets approved," Mrs. Gibson explained during one of our last prep sessions before D-Day. "That''ll be our final opportunity to get all our ducks in a row before the madness begins." "This part wasn''t the madness?" I asked. She looked at me and laughed a little bit. My brain was practically leaking out of my ears by that point. I''m pretty sure if you cracked open my skull, you''d just find a tiny hamster wheezing away on one of those cylindrical running wheels, valiantly trying to keep up with the deluge of information being hurled its way. But hey, no rest for the weary when you''re weeks away from the trial of the century, right? Which brings us to today - Saturday, July 21st, 2023. The eve of my deposition, where I''ll have to regurgitate every sordid detail of my sordid encounters with Illya under heat-lamp scrutiny, lest anything slip through the cracks that could jeopardize this entire case. "Stick to the facts. Don''t get flustered. Remain calm, no matter what curveballs they try to throw at you." Her rapid-fire instructions have become so familiar at this point, they''re practically seared into my brain. "Remember, the truth is on our side no matter what obfuscation or sleight of hand the defense attempts. They cannot distract from the core of your testimony." The night before the big day, I hardly sleep a wink. I toss and turn restlessly, my mind spinning as I replay every possible line of questioning a hundred times over. What if I freeze up under the pressure? What if I slip and say the wrong thing, tainting my entire testimony? By the time my dad knocks on my door at the ass-crack of dawn, I''ve already been up for hours. He takes one look at my haggard, disheveled appearance and gives me one of his lopsided grins. "You look like you got hit by a truck, kiddo." I manage a weak chuckle. "Gee, thanks Dad. Exactly the pep talk I needed." He settles on the edge of my bed, expression turning serious. "Hey, I''m just messing with you. You know how proud your mother and I are, right? To see you stepping up like this, doing your part to make sure the truth comes out¡­" His voice catches ever so slightly. "Well, it''s a lot to ask of anyone, let alone my little girl." I scoot across the mattress to lean against his side, soaking up the comforting warmth and familiar smell of his old ratty bathrobe. "I''m trying not to think about it too much. You know, the whole weight of justice and human decency resting on my shoulders." Dad snorts, wrapping an arm around me. "That''s probably for the best. Although¡­" His eyes crinkle at the corners as he smiles down at me. "Between you and me, I think you''ve got the constitution to handle just about anything at this point, Sammy. You''ve stared down threats most adults can''t even fathom and walked away standing tall. I''m proud of you and your superheroing. Don''t ever think I''m not." His unwavering confidence in me is almost enough to chase away the last lingering tendrils of doubt and anxiety swirling in my mind. Almost. "Thanks, Dad," I murmur, resting my head against his shoulder as he gives me one last, fierce squeeze. "I just hope Mrs. Gibson feels the same way after today." Showering and dressing is a blur. Every mundane task takes on a strange, dreamlike quality, like I''m not fully in control of my body''s motions. Just going through the motions on autopilot while my mind races ahead, trying to anticipate every possible question or curveball that might get thrown my way. By the time I make it downstairs, I''m practically vibrating with nervous energy. Mom''s in the kitchen, spatula in hand, whipping up a batch of her famous ''power pancakes'' ¨C a secret recipe heavy on protein powder and assorted superfoods meant to fuel you up for a big day. The rich, syrupy aroma does a decent job of snapping me back to the present moment, at least temporarily. Even if the pancakes are a strange, non-pancake color and taste more like bananas, oats, and blueberries than pancake batter. "There''s my girl," Mom says with a warm smile as I plop down at the kitchen table. "Hungry?" I open my mouth to respond, but what comes out is more of a croaked garble than actual words. Mom just chuckles. "Don''t worry, I''ve got something that''ll perk you right up." She grabs a glass from the cupboard and fills it with a generous splash of Tanner Brothers chocolate milk before sliding it across the table. "Drink up, kiddo. Today''s going to be a doozy and you''ll need your strength." I take the offered glass with a grateful nod, downing half of it in one greedy gulp. The sweet, creamy liquid doesn''t so much ''perk me up'' as temporarily dull the hammering of my pulse. "Thanks, Mom." I meet her warm gaze levelly. "So, uh¡­ you ready to see your little girl get grilled like a Char Pit cheesesteak?" Her answering laugh is hearty and genuine, the kind that crinkles the corners of her eyes. "Not the most appetizing metaphor, but yeah, I''m ready to watch you knock ''em dead out there." She sets a plate stacked high with pancakes in front of me. "Just stay strong, stay honest, and let that Gibson lady handle the rest. Remember - she may act like a real hardass sometimes, but she''s on our side." I can''t help but scoff around a mouthful of pancakes. "Is she, though? Are we really on the same side here?" Mom''s expression softens as she settles into the chair opposite me. "I know things are¡­ complicated right now. More than I could ever fully understand, I''m sure. But at the end of the day, you both want the same thing ¨C for the full truth to come out, no matter how messy that truth might be." Something in her words hits me squarely in the chest, stealing my breath away. Is that really all I want? Just to unmask the tangled web of deceit and shatter the pretty lie the world has willingly bought into? No¡­ no, that''s not quite it. Not entirely, at least. There''s something else driving me ¨C a burning need for justice, but not merely of the legal variety. Some deeper, more primal reckoning that I can''t yet put words to. Something more animal than truth. It''s enough to make me a little dizzy. "Just take it one step at a time," Mom says, as if reading the turmoil wafting off of me in waves. "You don''t have to have all the answers today. Just tell your truth, clear and simple. Everything else will sort itself out in the end. It always does." I nod shakily, forcing myself to accept her reassurance at face value. Because honestly, what other choice do I have at this point? No matter how much my brain churns and writhes, searching for loopholes or escape clauses, I''m locked into this course now. The wheels are in motion, barreling me towards an inevitability I can''t fully grasp yet. All I can do is hang on for dear life and have faith that when the dust settles, I''ll recognize the path forward. Even if I can''t see it. So I keep eating, keep sipping my chocolate milk and trying to ignore the thundering of my pulse. The deposition is just another step in the journey, not the final destination. But no matter how much I prepare myself, no amount of reassuring pep talks can shake the deep, visceral sense of trepidation clawing at my gut. The Bentley pulls up in front of the federal courthouse later that morning, with me inside. Everything between then and now sort of smooths over into a watercolor blur. Here we go. It''s deposition day. Chapter 87.2 The conference room is small and stuffy, generic in a way that makes it feel almost purposefully devoid of character. Just four bland walls, a battered folding table, and an array of uncomfortable-looking chairs arranged in a tight semicircle. I try not to squirm as I take my assigned seat, resisting the urge to fidget with the omnipresent legal pad and pen that have become permanent accoutrements over the past few weeks. Beside me, Mrs. Gibson exudes an aura of unflappable calm and confidence, back ramrod straight as she lays out her materials with crisp, practiced motions. Across the table, the defense attorney offers me a disarming smile, all gleaming white teeth and carefully cultivated affability. "Samantha Small, I presume? Jerry Caldwell, it''s a pleasure to meet you at last." His handshake is firm, enveloping my much smaller hand in a warm, calloused grip. Despite his evident size and strength, there''s nothing overtly intimidating about him. If anything, the vibe he gives off is more ''overgrown fratboy'' than ''soulless legal shark''. "Uh, hi. You can just call me Sam," I reply, doing my best to match his easy demeanor. Mrs. Gibson clears her throat meaningfully. "Shall we get started, Mr. Caldwell? We''re on a rather tight timeline here." "But of course, of course." Caldwell releases my hand and settles back into his chair with an easy grace. "We''re all professionals here, no need for undue ceremony. Although¡­" He flicks a glance towards the court reporter, who has been watching our exchange with a suitably bored expression. "I do believe the young lady needs to be sworn in before we proceed." The court reporter ¨C a pinched-looking woman in her fifties ¨C nods curtly and pushes a battered legal tome across the table towards me. "Place your left hand on the book, please." I do as instructed, feeling a twinge of apprehension as my palm comes to rest on the age-softened leather binding. This is it ¨C the point of no return. No matter how ''casual'' Caldwell tries to make this whole proceeding seem, swearing that oath is what separates my testimony from idle chit-chat. "Do you swear to tell the truth, the whole truth, and nothing but the truth, so help you God?" the court reporter intones, her nasal voice lending the words a weighty gravitas. I take a breath to steel my nerves. "I do." "Excellent, excellent," Caldwell interjects with a broad grin, as if we''ve just commenced some light-hearted parlor game rather than engaged in solemn legal proceedings. "Then let''s not dally any longer, shall we?" And just like that, the tone is set ¨C conversational, almost chummy, yet underscored by an undercurrent of intensity that belies the stakes at play. Caldwell leans back in his chair, fingers steepled in front of him as he regards me with those intelligent dark eyes. "Now Sam, I''ll start us off with a somewhat broad query ¨C can you please describe your history with the individual known as Illya Fedorov, codename ''Chernobyl'', in your own words?" His phrasing is carefully neutral, providing no hints about where he might try to steer the narrative. I shoot a sidelong glance towards Mrs. Gibson, who gives me an infinitesimal nod of encouragement. Right, just stick to the facts. The truth and nothing but, plain and simple. Sucking in a breath, I launch into my well-rehearsed account. "My first encounter with Mr. Fedorov was back in early December of last year. I was part of the emergency evacuation efforts when he arrived in Philadelphia, though my specific role at the time was focused on search and rescue rather than direct confrontation." "I ended up breaking protocol, however," I continue in as even a tone as I can manage. "After Liberty Belle ¨C Diane Williams, director of the Delaware Valley Defenders ¨C confronted Illya alone, I disobeyed orders to pursue them against the advisement of my team leader." Caldwell''s eyebrows rise. "Breaking protocol is a serious matter, Miss Small. What compelled you to take such a reckless course of action, in your own words?" Mrs. Gibson interjects, "Objection, counsel is leading the witness. Please rephrase the question." Caldwell nods. "My apologies. Miss Small, can you explain what motivated your decision to pursue Liberty Belle and Chernobyl that day?" There it is ¨C the first subtle jab, probing for potential cracks in my credibility or judgement. I shoot another glance towards Mrs. Gibson, but she remains perfectly stoic and impassive. No help there, it seems. "I was¡­ concerned for Liberty Belle''s safety," I reply carefully. "She and Illya had a complicated history from what I could gather. I worried she might be in over her head confronting him alone." This tale has been pilfered from Royal Road. If found on Amazon, kindly file a report. "But that was purely speculative on your part, wasn''t it?" Caldwell presses, his eyes intense. "You had no direct knowledge of their prior dealings, correct?" I hesitate, realizing the logical trap. Claiming ignorance would undermine my justification, but elaborating on my suspicions would only invite further scrutiny. "Objection," Mrs. Gibson says, letting me breathe a sigh of relief. "Calls for speculation." Caldwell rephrases. "Miss Small, did you have any direct knowledge of the nature of Liberty Belle and Chernobyl''s prior relationship?" I take a breath. "While my direct involvement with Mr. Fedorov was limited prior to that December incident, I was aware of certain unconventional aspects of his history from Liberty Belle''s case notes, which she shared with me before her death." I breathe out a half-lie. Most of what I knew about him was her warning me to not get involved, or I would die. I hear her voice in my ears. I served my time. You need to stay away. Caldwell''s expression shifts into something approaching grudging respect. "I see. Well, that certainly recontextualizes your supposedly rash decision in a new light, does it not?" He leans forward, elbows braced on the table. "So you believe this prior¡­ entanglement, for lack of a better word, had given Chernobyl an unhealthy degree of leverage or influence over Ms. Williams? One that might cloud her judgement when confronting him?" For a moment, I''m almost lulled into a sense of ease and camaraderie, like we''re two scholars debating ethics rather than a witness and a defense attorney squaring off. I consider my response carefully. "I don''t think ''leverage'' is the right word, Mr. Caldwell. More like¡­ I don''t know, some sense of obligation or complicity, maybe? Like she felt beholden to see things through. Because of Professor Franklin." He nods slowly, absorbing my words. "A fair assessment, I''d say. And one that no doubt weighed heavily on Ms. Williams'' psyche as things escalated to their tragic conclusion." The temperature in the room seems to dip by several degrees as the weight of his statement settles over us. I find myself tensing involuntarily, the hairs prickling on the back of my neck. Up until now, we''ve been dancing around the true crux of the matter in an almost academic sense. But there''s no avoiding it any longer ¨C we''ve arrived at the heart of darkness. Liberty Belle''s death. Caldwell must sense my sudden unease because he presses on without mercy. "Which brings us to the crucial piece of evidence you''ve submitted as part of these proceedings." He produces a ziplock baggie from his briefcase and slides it across the table to me. Inside is a very familiar object ¨C my battered old iPhone, complete with the cracked screen and scuffed blue case I know so well. "You contend that the contents of this device contain an audio-visual recording of the final confrontation between Ms. Williams and my client on the night of December 18th, 2023?" It''s not phrased as a question, but a statement of fact. Still, he regards me expectantly, dark eyes glittering with intensity. I swallow hard, steeling myself as I lift the baggie and give it a tentative shake. My phone rattles almost forlornly, as if pleading to be left out of all this nastiness. "That''s correct," I reply, keeping my tone as measured and even as I can manage. "I¡­ kept recording throughout the entire incident. It captured everything from Illya''s discussion with Liberty Belle to the¡­ the fight itself, and its ultimate conclusion." The words feel like shards of glass in my throat. I chance another glance towards Mrs. Gibson, searching for any hint of support or reassurance. But her expression remains as inscrutable as always, revealing nothing. I''ve shown her the file before. Always stopping before it gets bad. Caldwell lets the weighted silence linger for several seconds, regarding me shrewdly. When he finally speaks again, his voice is soft and deceptively gentle. "I can only imagine how traumatic that entire experience must have been for you, Sam. Watching someone you clearly admired meet such an unfortunate end, despite your valiant efforts to intervene." He shakes his head slowly, feigning a somber remorse that somehow seems entirely genuine. It''s almost enough to disarm me completely, to pull me into his emotional rabbit hole. Almost, but not quite. There''s still that keening sense of wrongness screaming at the edges of my consciousness, urging me to keep my guard up. "Which is why I must ask," he continues, "are you confident your recollection of these events is entirely objective? Free of any unconscious embellishments or omissions shaped by personal biases?" Mrs. Gibson speaks up. "Objection. Argumentative." Caldwell raises a placating hand. "I''ll rephrase. Miss Small, have you reviewed the audio-visual recording in its entirety to ensure your recollection aligns with the objective evidence?" I take a breath. "Yes, I have. Multiple times." "And in your opinion, is your memory of the incident consistent with what the recording depicts?" "Yes, it is." Caldwell nods, seeming to accept this. "One more question, then. Considering the understandably traumatic nature of the events captured in this recording, do you feel you''re able to testify about its contents in an impartial, fact-based manner?" I meet his gaze steadily. "Yes, Mr. Caldwell. I''m fully prepared to testify to what I witnessed, both in person and as documented on that recording." I take a moment to gather myself, shoving aside the thunderous roar of memory that threatens to swamp my senses. Then I meet his probing gaze with a level look of my own. "You''re right, Mr. Caldwell ¨C Liberty Belle''s death was extremely traumatic for me to witness." My voice doesn''t so much as waver, a product of Mrs. Gibson''s tireless drilling more than anything else. "She was a friend, a mentor, someone I looked up to and strived to emulate. So yes, emotions were undoubtedly running high in those final moments, especially when¡­" I have to swallow hard against the lump forming in my throat. "Especially when she died in my arms after being so brutally overpowered by your client''s weaponized suit. I''d be lying if I said it didn''t affect me." Caldwell''s brow furrows ever so slightly. The memory surges like a tidal wave, but I don''t flinch away from its blistering intensity. Instead, I ride the crest of the recollection, channeling all that bottled pain and anguish into an almost clinical recitation. "I have it all recorded ¨C the taunts, the combat, the fatal blows he inflicted without mercy or hesitation. So believe me when I say there''s no room for bias or embellishment in my account. Just the raw, horrific truth of what your client is capable of unleashing when left to his own devices." Chapter 87.3 The echo of my words hangs in the air like a suffocating miasma. Caldwell shuts his eyes thoughtfully, the barest flicker of discomfort seeping into his veneer. Even Mrs. Gibson looks faintly taken aback by my vehement response, her carefully curated mask of impassivity slipping for a split second. Silence reigns for a handful of agonizing heartbeats. Then Caldwell rallies, straightening in his chair as that glint returns to his eyes. "Well then," he says, the ghost of a smirk playing about his lips now. "I can certainly appreciate your passion and conviction on the matter, Miss Small. Which is precisely why I believe we should examine this pivotal piece of evidence more thoroughly, wouldn''t you agree?" His hand darts out with serpentine quickness, snatching the baggie containing my phone from the table before I can react. In one smooth, practiced motion, he extracts the device and thumbs the cracked screen to life. And just like that, the world seems to judder and blur around the edges as the video begins to play. There''s my own muffled breathing, the sound of rubble crunching underfoot as I creep towards the ruined refinery. Then Liberty Belle''s voice cuts through the darkness like a scythe, dripping with righteous fury. Sure enough, the contents bear out exactly as I''ve described to this point. Chernobyl offers Liberty Belle the chance to walk away, to abandon her righteous crusade against him in order to avoid further bloodshed. His insinuations about some larger conspiracy, some shadowy ''system'' manipulating them both, bleed through like venom. Belle''s fists clench, tendons straining as she struggles to maintain her composure in the face of such blatant provocation. When she finally finds her voice, it''s a strangled rasp of outrage. "You''re trying to manipulate me. To make me doubt. I won¡¯t fall for it." "I am not your enemy, Diane. I never was." My breath catches in my throat, sharp as shattered glass. The viciousness of Liberty Belle''s voice, removed from her lifetime, hits me like a thunderbolt. From an objective eye, this looks like Liberty Belle showing up to murder Illya in cold blood, for revenge. The sounds of battle erupt with shocking abruptness after his monologue ¨C the whickering screech of high-velocity blows, metallic clangs as Chernobyl bats them aside with almost contemptuous ease. The melee is even more harrowing to witness now than it was in the moment, devoid of any kind of context or justification. Just two juggernaut forces pitted against each other, one wielding overwhelming destructive power while the other desperately attempts to reason, to show mercy. Caldwell''s fingers dance across the screen, advancing the video with deft precision. My stomach knots with dread as the confrontation careens towards its inevitable conclusion, a sick feeling of premonition curdling in the pit of my gut. Sure enough, there it is ¨C the decisive moment where I can no longer stay on the sidelines, where my youthful selfishness and hero-worship compel me to act against all better judgement. I watch in mute horror as my ghostly avatar charges forward, pipe-spear in hand, heedless of the danger. The impact of the strike is visceral, a bone-rattling crunch that sends an involuntary shudder ripping through me. Caldwell pauses the video, freezing the frame on my crumpled form as I''m sent hurtling backwards by Chernobyl''s retaliatory swat. "Miss Small, I must address a curious detail in this footage," he says, his tone measured. "It appears you intervened directly in the confrontation between my client and Ms. Williams, despite your earlier testimony indicating you were solely an observer at that juncture." I brace myself, steeling my nerves to meet his gaze. "Yes, that''s correct. I couldn''t stand by and watch, not with Diane in such peril." Caldwell nods thoughtfully. "And what precisely motivated that decision? I understood your designated role that evening was to provide search and rescue support, not to engage Chernobyl directly." His words carry no judgment or accusation, only genuine curiosity. This isn''t the blistering cross-examination I anticipated, but a measured, almost gentle inquiry into my rationale. "I was worried for Diane," I admit, the honesty surprising even me. "She and Mr. Fedorov had a complex, adversarial history. I could see she was struggling to gain the upper hand. I thought if I could just tip the scales, provide an opening¡­" My voice trails off, the memory of Liberty Belle''s final, agonizing moments still too raw to recount dispassionately. Caldwell nods, his expression almost sympathetic. I keep expecting Mrs. Gibson to interject, to redirect me or correct my account. "A commendable impulse, certainly. The desire to aid someone you care for is understandable, even admirable." He pauses, his eyes boring into me. "However, as an objective observer, I must ask ¨C did your actions meaningfully alter the outcome? Or did they, perhaps, exacerbate an already volatile situation in unforeseen ways?" The question lands like a punch, stealing my breath. It''s a question I''ve asked myself countless times over the past eight months. Did my reckless intervention make a difference, or did it only prolong Belle''s suffering? Mrs. Gibson''s voice rings out over me like cannon fire. "Objection, calls for speculation and argumentative." Caldwell inclines his head. "Of course. Miss Small, in your opinion, did your intervention materially change the course of events that evening, or would the outcome have been the same regardless of your actions?" I take a deep breath, considering. "Honestly, I don''t know. I''d like to believe I made a difference, but¡­ it''s possible my involvement only complicated an already chaotic situation." But it doesn''t come. Instead, Caldwell''s voice is gentle, almost soothing. "I understand, Sam. Believe me. When faced with a loved one in mortal peril, it''s natural to react with every fiber of our being, heedless of potential consequences." He shakes his head, a rueful smile playing at the corners of his mouth. "The heart often overrules the head in such dire circumstances." I chance a glance back up at him, momentarily stunned by the unexpected empathy radiating from him. This isn''t the ''soulless legal shark'' I''d been bracing myself for, the implacable adversary bent on tearing me down. No, this is something else entirely ¨C a man who, for all his professional obligations, seems to genuinely understand the anguish and desperation that drove my actions that fateful night. I see no fire or glass in his eyes. Mrs. Gibson clears her throat. "Mr. Caldwell, is there a question for the witness?" Caldwell inclines his head. "Of course. Miss Small, in your own words, please describe your thought process and emotions in the moments leading up to your decision to intervene." I take a deep breath, gathering my thoughts. "In that moment, all I could think about was saving Diane. The fear, the desperation¡­ it overrode everything else. I knew it was reckless, but I couldn''t just stand by and watch her die. I had to try, even if it seemed hopeless." If you stumble upon this narrative on Amazon, be aware that it has been stolen from Royal Road. Please report it. Caldwell nods, a faint glimmer of approval in his eyes. "An admirable quality, that singular focus in the face of adversity. Though I must admit, it does raise some¡­ procedural concerns when it comes to the testimony you''re providing here today." Ah, there it is ¨C the other shoe dropping. I brace myself, steeling my nerves once more as I prepare to weather the incoming storm. But Caldwell''s next words catch me completely off guard. "You see, Sam, the fact that you actively engaged with my client during that confrontation introduces a certain¡­ complexity to your testimony. It''s important that we understand the full context and motivations behind your actions, so that we can present a clear and accurate picture to the jury." I frown slightly, not entirely sure where he''s going with this. "I''m not sure I follow. I''ve been completely honest about what happened and why I did what I did." Caldwell nods, his expression neutral. "I don''t doubt that, Sam. But you have to understand, in a case like this, every detail matters. The jury will be looking at all the evidence with a critical eye, trying to piece together a complete understanding of that night''s events." He leans forward slightly, his gaze intense but not unkind. "That''s why it''s so important that we thoroughly explore your recollection and thought process here today. So that when you take the stand, there are no surprises or inconsistencies that could potentially undermine your credibility." I feel a flicker of unease in my gut, but I do my best to keep my expression neutral. "I understand. I''m here to tell the truth, the whole truth, and nothing but the truth. I have nothing to hide." "I''m glad to hear that, Sam." Caldwell sits back in his chair, his posture relaxing slightly. "Let''s continue, then. Can you walk me through what happened immediately after you intervened in the confrontation between Liberty Belle and my client?" As I begin to recount the chaotic, painful moments that followed, I can''t quite shake the feeling that Caldwell is probing for something specific - some weakness or inconsistency he can exploit later on. But I push the thought aside and focus on telling my story as clearly and accurately as I can. Beside me, Mrs. Gibson listens intently, her pen scratching across her legal pad as she takes notes. Every so often, she interjects with a clarifying question or a gentle reminder to stay on topic. But for the most part, she lets Caldwell lead the examination, her expression inscrutable. As the minutes tick by and the questions keep coming, I feel a growing sense of exhaustion and emotional fatigue. Reliving that nightmarish experience in such exacting detail is taking a toll, and I find myself longing for a break, a moment to catch my breath and regroup. I turn to Mrs. Gibson, my voice trembling slightly. "I''m not sure I can keep going. What if I freeze up on the stand? What if my testimony isn''t enough to convict Illya?" Mrs. Gibson places a reassuring hand on my forearm, her touch firm and grounding. "Sam, listen to me. You''ve faced down unimaginable horrors with unwavering courage. This is no different." She squeezes my arm gently. "The truth is on your side, and we''re here to support you every step of the way. Trust in yourself and the strength of your convictions." I meet her gaze, drawing resolve from the unwavering faith I find there. Taking a deep breath, I nod. "Okay. I can do this." Caldwell clears his throat, drawing our attention back to him. "If I may, Sam, I''d like to ask about your decision to intervene that night, despite the clear risks to your own safety. What compelled you to act?" I consider his question carefully, weighing my words. "I couldn''t stand by and watch Diane''s life be put in danger, Mr. Caldwell. Not when I had the power to help. It''s not who I am." My throat tightens as memories of Diane''s lifeless form flash through my mind. "I''ve always tried to do the right thing, even when it gets me in trouble. And it has." Caldwell nods, his expression thoughtful. "I understand, Sam. And that''s an important point to emphasize during the trial. Your actions that night, while undeniably brave, were also deeply personal. The jury needs to understand the emotional context behind your testimony, and how the trauma you experienced may color your recollection of events." I swallow hard, a wave of nausea rising in my gut. "So, what does that mean for my testimony?" Caldwell leans back in his chair, his expression neutral. "It means that when you take the stand, the jury will need to weigh the credibility and reliability of your recollection against the other evidence presented. My job, as the defense attorney, will be to ensure they have all the information they need to make that assessment." I nod, feeling a growing sense of unease. I glance over at Mrs. Gibson, seeking reassurance, but her expression remains inscrutable. Caldwell presses on. "So, Sam, I need you to be as clear and specific as possible in your answers today. If you don''t remember something or aren''t sure about a detail, just say so. Don''t try to guess or speculate. Do you understand?" I take a deep breath, steeling myself. "Yes, I understand." Caldwell offers me an encouraging nod. "Good. Because make no mistake, this trial is going to be a battle royale, Sam. One that will require every ounce of your resilience and conviction to weather." He pauses, the ghost of a rueful smile flickering across his lips. "But I have faith that you''re more than up to the challenge." I manage a watery chuckle, some of the tension bleeding from my shoulders. "Thanks, Mr. Caldwell. I¡­ I appreciate the vote of confidence." "Of course." He gestures towards the forgotten phone still clutched in his hand. "Now, shall we continue with the remainder of this rather¡­ illuminating footage?" I nod, bracing myself as he presses play. The scenes that follow are every bit as harrowing as I remember, a sickening maelstrom of violence and tragedy that leaves me reeling. But this time, I force myself to watch, to bear witness to the full, unvarnished truth ¨C not just of Illya''s actions, but of my own futile, reckless attempt to intervene. By the time the video ends, I''m shaking, my breath coming in ragged, uneven gasps. Caldwell, to his credit, simply waits patiently, allowing the silence to linger as I struggle to regain my composure. "I¡­ I''m sorry," I finally manage, hating the raw, ragged edge to my voice. "That was just¡­ so hard to watch again." "Quite understandable," Caldwell replies evenly. "Trauma has a way of sinking its claws in deep, even when we think we''ve moved past it." He sets the phone down on the table, fixing me with a level stare. "But you''ve weathered it before, Sam. And I have every confidence you''ll continue to do so, regardless of what I might throw at you during the trial." I nod shakily, a weak smile tugging at the corners of my mouth. "Well, I appreciate the vote of confidence. Lord knows I''m gonna need it." Caldwell inclines his head, his expression professional but not unkind. "Of course, Miss Small. I believe I''ve covered all the questions I have for you at this time." He turns to Mrs. Gibson. "Counsel, do you have any follow-up?" Mrs. Gibson shakes her head. "No further questions at this time. We reserve the right to continue this deposition at a later date if necessary." Caldwell nods. "Understood. With that, I think we can conclude for today." He rises from his seat, gathering his materials. "Miss Small, thank you for your time and cooperation. Counsel, we''ll be in touch regarding next steps." Mrs. Gibson stands as well, smoothing her skirt. "Likewise, Mr. Caldwell. I look forward to seeing you in court." A flicker of a smile crosses Caldwell''s face. "As do I, Counselor. It''s always a pleasure to match wits with a worthy adversary." Mrs. Gibson allows a faint smirk. "Flattery will get you nowhere, Mr. Caldwell. Save it for the jury." Caldwell chuckles, shaking his head as he makes his way to the door. He pauses, glancing back at me. "Remember, Miss Small, the truth is your greatest weapon. Wield it wisely." With that, he departs, leaving a palpable shift in the room''s atmosphere. I slump back in my chair, feeling the tension drain from my muscles. Mrs. Gibson turns to me, her expression softening a fraction. "You did well today, Sam. I know it wasn''t easy, but you held your own." I exhale slowly, offering a weak smile. "Thanks to your guidance and prep work. I couldn''t have done it without you." She waves a dismissive hand. "You have an innate strength, Sam. Don''t sell yourself short." She gathers her own files, nodding to the court reporter. "Thank you for your diligence today. We''ll be in touch regarding the transcript." The reporter nods, already packing up her equipment. "Of course. I''ll have it to you as soon as possible." Mrs. Gibson turns back to me. "Take the rest of the day to rest and regroup. We''ll reconvene tomorrow to start preparing for trial." I nod, pushing myself to my feet. "Sounds good. And¡­ thanks again, Mrs. Gibson. For everything." A rare, genuine smile flickers across her face. "We''re a team, Sam. Never forget that." She departs, leaving me alone with my thoughts and the quiet bustle of the reporter finishing her packing. With that, the tension seems to bleed from the room, replaced by a solemn sense of purpose. As I gather our belongings and head for the exit, I can''t help but feel a cautious sense of optimism taking root in the pit of my stomach. Or maybe it''s nausea. They both feel sort of the same to me now. LTN.1.1 The lab is my sanctuary, a sterile haven where the rules of logic and order reign supreme. Here, amidst the hum of machinery and the gentle whirring of centrifuges, I find solace from the chaotic unpredictability of the human world. A glance around the pristine space fills me with a sense of calm - everything neatly organized, instruments calibrated to perfection, samples meticulously labeled and stored. This is where I belong, surrounded by the cold certainty of science. My fingers move with practiced precision, adjusting dials and recording observations as I carefully analyze the latest tissue samples from my latest project. The intricate dance of genes and cellular structures never ceases to captivate me, the underlying order in the seeming chaos of nature an endless source of fascination. Off to the side, Scylla lies curled up on her bed, her sleek canine form rising and falling with each steady breath. My eyes flick over to her periodically, a sense of contentment washing over me at the sight of my loyal companion. She is my greatest creation, a true marvel of genetic engineering, and I''ve come to rely on her calming presence as I lose myself in my work. "Hello, my darling," I coo, reaching out to stroke the smooth scales along her flanks. Scylla butts her head affectionately against my hand, a low rumble of contentment vibrating through her powerful frame. "Are you keeping watch, as always?" Time seems to slip away as I work, the hours melting into one another in a blur of data and analysis. It''s only when the ache in my back becomes too pronounced that I finally pause, straightening up with a faint grimace. 7:56 PM. The numbers blaze red in the dimness, pulling a faint frown from me. I''ve overstayed again, allowing my obsession to eclipse more... pragmatic concerns. Rising from my stool, I begin the familiar routine of shutting down equipment and double-checking security protocols. As I move about the lab, Scylla trails at my heels, her claws clicking a percussive staccato. "Nearly 8 o''clock," I murmur, my voice barely above a whisper. "Scylla, perhaps it''s time to call it a night, hmm?" At the sound of her name, my canine-crustacean hybrid perks up, her lobster-like eyes fixed attentively on me. I move to her side, my fingers gently running through the silky fur along her neck as I consider our next steps. "I suppose we should at least have a short respite before returning to our work," I muse aloud, more for my own benefit than hers. Scylla simply gazes up at me, unwavering loyalty and trust shining in her gaze. For now, I need to ensure my prized creation is properly cared for. So engrossed am I in my musings that I barely register the faint echoes of footsteps approaching from the corridor beyond. It isn''t until the heavy steel door groans open that I glance up, cursing my momentary lapse in situational awareness. Narrowing my eyes, I move to the doorway, peering into the dimly lit corridor beyond. At first, I see nothing out of the ordinary - just the familiar shadows and the muted glare of the emergency exit sign. Then, a subtle shift in the darkness catches my eye, and I feel a spark of curiosity override my initial caution. Scylla''s hackles immediately rise, a low, rumbling growl emanating from her chest as she, too, senses the disturbance. Two figures stand silhouetted in the doorway, their features obscured by the harsh backlight spilling in from the hallway. One is tall and slender, the lines of a well-tailored coat accentuating his angular features. The other is broader, more solid in her build, though no less imposing for it. Scylla stirs at the intrusion, her powerful jaws parting in a warning growl as she rises to her feet. The sound is a low, rumbling snarl that reverberates through the lab, setting my teeth on edge. "Easy, girl," I murmur, holding up a placating hand as I push away from the console. "Let''s see who our late-night visitors are, shall we?" Sliding smoothly out from behind the desk, I straighten to my full height - all five feet and four inches of me. Despite my diminutive stature, I''ve learned to project an aura of quiet command in situations like these, a blend of unflappable calm and scientific detachment that seldom fails to disarm even the most aggressive personalities. "Can I help you?" I inquire, arching an eyebrow as I regard the intruders through narrowed eyes. "I wasn''t expecting company at this hour." If you encounter this tale on Amazon, note that it''s taken without the author''s consent. Report it. The taller figure steps forward, the play of shadows across her features revealing high cheekbones and full lips curved into a polite, if somewhat guarded smile. "Forgive the intrusion, Doctor. We didn''t mean to startle you or your... remarkable companion." Her voice is rich and melodic, threaded through with an undercurrent of authority that instantly captures my attention. This is a woman accustomed to being heard and obeyed, I realize, my gaze instinctively cataloging the subtle details that betray her confidence - the way she holds herself, the measured cadence of her speech, the appraising shine in her dark eyes. Beside her, the other figure shifts almost imperceptibly, the faint clink of metal on metal drawing my focus. He is thinner than his counterpart, his narrow shoulders straining against the crisp lines of his suit jacket as he moves to stand beside her. A pale, angular face regards me impassively, the harsh overhead lighting throwing his cheekbones and brow into stark relief. "We''re here on a matter of business, Doctor Trinh-Norwood," the woman continues, her smile widening a fraction. "A potentially lucrative proposition, if you''ll hear us out." My brow furrows at the mention of my name, a flicker of wariness kindling in my chest. How do these strangers know who I am? More importantly, what could they possibly want with a reclusive geneticist toiling away in the bowels of this forgotten laboratory? As if sensing my unease, the man steps forward, his movements measured and precise. "Forgive my colleague''s lack of preamble," he says, his tone clipped and businesslike. "Allow me to introduce ourselves properly." He gestures towards the woman with an economical flick of his wrist. "This is Mrs. Zenith, a..." He pauses, seeming to consider his words carefully. "An associate of ours. I am known as Mr. Bomb." The woman - Zenith - arches an eyebrow at her companion''s introduction, but doesn''t comment further. Instead, she turns her attention back to me, that polite smile never wavering. "As for how we found you, Doctor, let''s just say your extracurricular activities haven''t gone entirely unnoticed in certain circles." Her gaze drifts pointedly towards the cages lining the walls, lingering on Scylla''s imposing form. "Your unique talents have captured the interest of an acquaintance of ours. One who believes you could be a valuable asset to a developing enterprise." Realization begins to dawn, prickling along my nerves like an electric current. These two are hardly mere curiosity seekers - their bearing, their calculated words, even their curious monikers all point to a far more nefarious purpose. My eyes narrow fractionally as I digest this newfound understanding. "I see. And this ''acquaintance'' of yours, I assume they had a hand in breaching my security protocols? Or did you simply decide to let yourselves in?" The man known as Bomb allows a thin smile to crease his lips, though it holds no mirth. "My powers allow me to turn any object into an explosive. As you can imagine, it''s quite useful at opening doors. They prove to be ineffective obstacles when I can simply turn the screws of the hinges into bombs." As if to illustrate his point, he reaches into the inner pocket of his jacket and withdraws a slender ebony case. With a deft flick of his wrist, he snaps it open to reveal row upon row of what appear to be cigarettes, each one with minuscule writing decorating the outside. "I assure you, Doctor, we mean you no harm," he continues, his dark gaze holding mine with an intensity that borders on discomfiting. "I won''t threaten you. If you are uninterested in our offer, we''ll simply leave. But I think you may find it lucrative." Scylla tenses beside me, the harsh rasp of her scales sliding against one another filling the weighted silence. I can sense the coiled menace in her powerful form, the barely contained ferocity simmering just beneath that docile exterior. To her credit, Zenith doesn''t so much as flinch at the subtle shift in atmosphere. "There''s no need for hostilities," she interjects smoothly, raising one hand in a placating gesture. "We''re not here to threaten you, Doctor. Merely to extend an invitation - one I believe will be mutually beneficial for all parties involved." Lowering her hand, she fixes me with a pointed look. "You''re not like other people, are you? Your abilities set you apart, make it difficult for you to connect with the world at large." Her smile takes on a conspiratorial edge. "We understand that struggle more intimately than you might think." I bristle at her words, trying to expand my shoulders, my body rising despite my best efforts to remain outwardly impassive. There''s an undeniable grain of truth to her assertion, one that needles at the ever-present sense of isolation I''ve learned to accept as an immutable constant in my life. Bomb clears his throat, batting the ebony case closed with a sharp flick of his wrist. "What my colleague is trying to say, Doctor, is that you''ve been offered a rare opportunity here. A chance to surround yourself with like-minded individuals. People who can appreciate your unique talents and put them to valuable use." "People with powers," I murmur, realization crystallizing in my mind like a shard of ice. "You''re behind those heists, aren''t you? The armored truck stickup two weeks ago." Zenith''s perfectly sculpted eyebrows inch upwards a fraction. "I''m impressed, Doctor. Our activities must be more visible than we''d realized if even a brilliant mind like yourself, sequestered away down here, has taken notice." "Hardly," I retort with a derisive snort. "I simply make it a point to remain apprised of any potential... complications that could interfere with my work." LTN.1.2 My gaze darts briefly towards the cages that line the laboratory walls, calculating the combat viability and precise lethality of each specimen currently in residence. Not for the first time, I find myself grateful for the contingencies I''ve put in place - containment protocols, remote release overrides, strategically positioned armaments should the need for more aggressive defensive measures arise. A taser in my front pocket. I''m no eel but I do what I can. Zenith follows my line of sight, her smile taking on a bemused edge as she correctly interprets the subtle shift in my body language. "There''s no need for concern, Doctor. We''re not here as aggressors, but rather as ambassadors extending an olive branch." "An olive branch," I echo flatly. "From whom, precisely?" "Our employer," Bomb supplies with a tight grimace. "The individual who first took notice of your... unconventional talents and saw their potential value to our organization. He feels you could prove a most useful addition to our ranks, given the recent loss of one of our more prolific associates." Zenith''s expression sours for a brief instant before smoothing over once more. "The late unpleasantness surrounding Mr. Xerox has created something of a void within our inner circle," she explains, her tone measured. "One your unique abilities could help fill quite neatly, I''m afraid." I arch an eyebrow at her words, curiosity momentarily overriding my wariness. "This ''Mr. Xerox'', I take it he was one of your associates? Someone with abilities similar to my own?" A muscle tightens in Bomb''s jaw, the only outward sign of discomfort he allows to show. "Not quite. It''s one of our dear leaders'' few eccentricities that simply require working around. Abilities, yes, similar, no." There''s a subtle undercurrent of disdain in his words, one that piques my curiosity despite myself. Just what unseemly predilections could this ''Mr. Xerox'' have exhibited to earn such obvious contempt? The runt of the litter? A colony leper? Before I can pursue that line of inquiry further, however, Zenith clears her throat delicately. "But we''re getting ahead of ourselves, I think. The finer details can wait until you''ve had a chance to ruminate on our proposal." Reaching into the folds of her coat, she withdraws a glossy black business card and extends it towards me. "Why don''t you take some time to consider your options, Doctor? This is a unique opportunity, one that could open doors currently closed to you and your research." I regard the proffered card warily, making no move to accept it. "And if I demure? If I have no interest in trading my current freedoms for fealty to your shadowy cabal?" A ghost of a smirk tugs at the corner of Zenith''s full lips. "Then we''ll take our leave and chalk this up as a memorable, if ultimately fruitless endeavor." Her gaze drifts meaningfully towards the heavily reinforced door, the pristine metal surface now bearing the unmistakable pockmarks and scorch patterns of individual tiny explosions. "Though I suspect your associates might take issue with our methods of ingress next time around," she adds lightly. Beside her, Bomb''s shoulders stiffen almost imperceptibly, though his expression remains studiously neutral. For a brief instant, I catch a flicker of what might be genuine trepidation flickering in those dark, impassive eyes. It''s subtle, barely perceptible, but unmistakable all the same - a hairline fracture in his carefully cultivated facade of stoicism, like a gazelle deciding whether to run or attempt to kick something to death. Zenith exchanges a glance with Bomb, the two of them seeming to communicate silently. "We represent an organization known as the Kingdom of Keys," she begins, her tone measured and professional. "We perform all manners of business from the legal to the less-than-legal, in service of insane monetary gain." Squaring my jaw, I snatch the glossy business card from Zenith''s outstretched hand, more as an assertion of dominance than anything else. "I''ll consider your proposal," I say flatly, averting my gaze to examine the embossed lettering and sigil engraved upon the matte black surface. "You''ll have my decision in due time." Zenith offers me a conspiratorial smile, seemingly unfazed by my brusque manner. "We look forward to it, Doctor. But don''t daydream overlong - opportunities like this one have a nasty habit of evaporating without notice." Executing a crisp about-face, she sweeps towards the exit, Bomb falling into step beside her with a curt nod in my direction. As they reach the threshold, the tall woman pauses, tossing a final glance over her shoulder. "What if I refuse?" I ask, raising my voice ever-so-slightly. "What if I report you two to the police?" I ask, testing the waters. "You just told me you do illegal things. What if I was the sort of person who took umbrage at that?" Bomb chuckles, and then breaks into laughter. "I don''t think that would be very wise, Dr. Trinh-Norwood." "If we thought you would, we wouldn''t have offered," Zenith continues. The narrative has been taken without authorization; if you see it on Amazon, report the incident. Then, the two of them vanish into the darkness of the corridor. With the oddness of that meeting behind me, my packing is a little more frantic, putting all my materials and notes into my backpack while Scylla paces and rotates protectively around me. It''s only as I''m finishing logging off of my machine do I notice a small cigarette left on my keyboard, and squint my eyes to read the text so meticulously transcribed on the wrapper, before putting it under my microscope. I watch as it unravels, further and further, revealing not a cigarette at all, but a tightly bound piece of paper. "The device shall become armed and primed upon physical contact by Dr. Lena Trinh-Norwood, henceforth known as ''the Bearer''. Once primed, the device must remain on the Bearer''s person continuously. If the device is separated from the Bearer by a distance greater than 6 inches for a cumulative duration exceeding 15 seconds, or if the device is damaged, or if the bearer attempts to destroy the device, detonation will occur. The 15 second grace period is consecutive, not per instance of separation. Detonation will also occur if the Bearer verbally discloses knowledge of the identities and/or affiliations of the individuals known as Mr. Bomb, Mrs. Zenith, or the organization referred to as the Kingdom of Keys to any party besides the aforementioned individuals. This includes direct statements, references, allusions, or any other indication of familiarity with said persons and entities, regardless of intent. The device will only be disarmed and deactivated upon returning to the possession of the individual designated as Mr. Bomb. At this point, the device will revert to an inert state. These conditions are unconditional and cannot be circumvented by any means magical, technological, or otherwise. Any attempt to remove, disable or destroy the device by the Bearer or other parties will result in immediate detonation." Mother fucker.
The snow is falling in thick, fluffy flakes as I make my way down the dimly lit street, my breath misting in the frigid air. Scylla pads silently at my side, her paws leaving neatly spaced impressions in the rapidly accumulating powder. I glance down at her periodically, reassured by her unwavering presence - a comforting reminder that I am not alone in venturing out into the bleak, barren night. My fingers clench reflexively around the crumpled business card in my pocket as I hurry along, the cryptic message etched upon the innocuous-seeming ''cigratte'' still weighing heavily on my mind. A ticking time bomb, as it were, one that I''ve taken to obsessively checking with every free moment, half-convinced that the mere act of removing it from my person will trigger some catastrophic event. Even now, I can feel the phantom weight of the thing, a constant, nagging presence that has utterly disrupted my carefully curated routine. Scylla, bless her, has been a godsend in that regard, her steadfast vigilance allowing me the freedom to bathe, eat, and even change clothes without the ever-present fear of some unseen explosion reducing me to so much pulverized meat and bone. I scowl, the memory of that particular indignity still fresh in my mind. Honestly, having to carry around that infernal contraption, constantly worrying that the slightest jostling might set it off - it''s been an exercise in pure, unadulterated frustration. My poor Scylla has been a veritable saint, patiently standing guard as I''ve gone about my daily chores, always vigilant for any sign of trouble. As I round the corner, a dimly lit storefront comes into view, its flickering neon sign casting an eerie glow over the otherwise deserted street. This must be the place, I think, my fingers tightening reflexively around the business card once more. Steeling my nerves, I stride up to the door, giving it a firm push. It swings inwards with a groan, admitting me into the warmth of the darkened interior. Scanning the room, I spot Zenith and Bomb seated in a secluded booth at the back, nursing what appear to be highball glasses. They wave me over eagerly, twin expressions of contrasting emotions - Zenith''s welcoming, Bomb''s vaguely constipated, like a cat that just ate grass. "Doctor Trinh-Norwood!" Zenith calls out, her rich alto cutting through the ambient chatter. "We were beginning to worry you''d gotten lost. Come, have a seat." Sliding into the booth across from them, I regard the pair coolly, my eyes narrowing as they settle on the familiar ebony case resting beside Bomb''s elbow. "Forgive my tardiness. I was delayed in... securing your parting gift." Zenith''s full lips curl into an amused grin, while Bomb has the decency to at least look mildly chagrined. Reaching into my coat pocket, I produce the tightly folded envelope containing that damnable explosive device, tossing it onto the table with a huff. He reaches out and touches it, and I breathe a sigh of pained relief. "Next time you decide to booby-trap me, I''d appreciate a bit more warning. Do you have any idea how difficult it is to maintain proper hygiene and conduct my research while constantly worrying about accidental detonation?" I bark, loud enough to draw more than a couple of glances and scattered chuckles from the other customers. I thump my chest twice to get out phlegm. "I take it from the fact that nothing has detonated means that the clientele of this location is familiar with your kind of stunts?" Bomb offers a contrite nod, his gaze downcast as he gathers up the envelope, tucking it safely away. "Apologies, Doctor. It was a necessary precaution, given the sensitive nature of the information we imparted. And yes. We own this bar in a very literal sense." "It''s primed to explode only if a police officer shows up," the bartender shouts, although I have a hard time telling if he''s joking or not. It only makes my heartrate spike harder. I feel veins pulsating in my forehead. "Aw, c''mon now, Mr. Bomb," Zenith drawls, her eyes twinkling with amusement as she regards me. "You gotta cut the good doctor some slack. I''m sure having a fucking bomb strapped to her chest ain''t been a picnic." Bomb''s brow furrows in a faint scowl, though the effect is more reminiscent of an angry pug than any true menace. "I hardly find the situation amusing, Mrs. Zenith. The safety and secrecy of our operations are of the utmost importance." Rolling my eyes, I can''t quite stifle the exasperated huff that escapes me. "Yes, well, forgive me for not sharing your enthusiasm for bureaucratic minutiae. If you''re quite finished with the theatrics, perhaps we could get down to the matter at hand?" Zenith chuckles, her gaze flicking briefly towards Scylla, who has settled onto the floor beside me with a contented sigh. "Straight to business, huh? I like that in a gal." Leaning back in her seat, she props one elbow on the table, her expression turning thoughtful. "Alright then, Doc. What''s it gonna take to get you on board with our little enterprise?" LTN.1.3 I arch an eyebrow, casting a sidelong glance at Bomb, who has remained uncharacteristically silent. "For starters, I''d like to hear more about this ''enterprise'' you represent. Specifically, what role you envision me playing, and what I stand to gain from such an arrangement. As you can tell by the fact that I haven''t been reduced to a small puddle of red goo, along with the contents of my laboratory, I have politely refrained from reporting your lot towards the police or other such authorities." Zenith nods, her gaze sharpening. "Fair enough. Well, as I mentioned before, we''re part of an organization called the Kingdom of Keys. We deal in all manner of, shall we say, specialized services - from high-end theft and acquisition to more... experimental research and development. Mostly dealing in the chemical trade." Her teeth flash in a sharp grin, revealing amalgam fillings glinting at the back of her jaw. "And your particular set of skills would be a valuable asset to our cause." My fingers drum idly against the scarred tabletop as I consider her words, the faint hum of concentration vibrating through me. "And what, exactly, are these ''specialized services'' you perform? I''m rather particular about the nature of my research and how it''s applied." Zenith leans forward, a conspiratorial glint in her eyes. "Think big, Doc. Bigger than anything your academic peers could ever hope to accomplish. We''re talkin'' limitless funding, state-of-the-art facilities, and the freedom to pursue your wildest dreams without the usual red tape and bureaucratic nonsense. You like exotic animals, right? We''ll smuggle you an albino mountain jaguar." "Jaguars don''t live in the mountains," I correct her. Beside her, Bomb clears his throat, drawing my attention. "The Kingdom has... extensive resources at its disposal. Resources that could be put towards advancing your work in ways you''ve likely only dreamed of." His lips thin into a wry smile. "And as for the nature of our operations, let''s just say we aren''t beholden to the same ethical constraints as more conventional organizations." I can''t quite suppress the involuntary shudder that ripples through me at his words, the implications sending an unpleasant prickle down my spine. "So you''re criminals, then. Thieves and ne''er-do-wells, operating outside the bounds of the law." Zenith''s grin widens, her eyes crinkling with mirth. "You make it sound so... unsavory. We prefer to think of ourselves as visionary entrepreneurs, takin'' matters into our own hands to make the world a better place. Or at least, a more profitable one." Bomb clears his throat, his expression sobering. "Rest assured, Doctor, our methods may not always align with the letter of the law, but they are employed in service of a greater purpose. One that transcends the petty squabbles and restrictions imposed by those in power." I frown, regarding him with a contemplative gaze. "And what, precisely, is that ''greater purpose''? From where I''m sitting, it sounds an awful lot like simple greed and self-interest." Bomb opens his mouth to respond, but Zenith cuts him off with a wave of her hand. "The greater purpose is money. A fuckton of money." Turning her attention back to me, Zenith leans in conspiratorially. "Look, Doc, I''m not gonna lie to you. The Kingdom''s got its fair share of unsavory characters, and we do some shady stuff, no doubt. But at the end of the day, we''re giving folks with special talents like ours a chance to shine. To use your gifts to the fullest without all the constraints and red tape holding us back. Unless you think they plan on letting you back into the Philadelphia Zoo anytime soon?" I consider her words, my gaze drifting towards Scylla as I ponder the implications. Freedom to pursue my research without the burden of academic politics or moral quandaries... it''s a tantalizing prospect, one that resonates with the ever-present ache of isolation that permeates my existence. "And what, precisely, would my role entail?" I murmur, my eyes flicking back to Zenith. "I have no interest in simply serving as muscle or providing combat-oriented abilities. My work is far too valuable to be relegated to such menial tasks." She leans back, propping one elbow on the scarred tabletop as she regards me with an appraising eye. "See, the Kingdom''s got its fingers in all sorts of jawns. Legitimate businesses, underground operations, you name it. And we''re always lookin'' to expand our portfolio, y''know?" Nodding slowly, I can feel the gears turning in my mind, the possibilities unfurling like a row of dominos. "I see. And where, precisely, would my talents fit into this grand scheme of yours?" She pauses, her gaze sharpening as she holds my own. "Now, I understand you''ve got a bit of a reputation in certain circles for your, shall we say, unconventional approach to genetic research. Rumor has it you''ve even managed to create a few rather remarkable... ah, ''specimens'' as a result." My eyes narrow fractionally at the implication, my fingers tightening around the edge of the table. "I prefer the term ''chimeras''," I correct, the faintest edge of frost creeping into my tone. "And I assure you, each one is the result of painstaking, meticulous research - not mere flights of fancy or irresponsible tinkering." "And your powers," Bomb chimes in. "Can I help you?" comes out of my mouth, defensively, causing him to shrink away. Zenith raises her hands in a placating gesture, her smile never wavering. "Hey, no need to get your spines up, Doc. I meant no disrespect. In fact, that''s exactly why we''ve got our sights set on you." This narrative has been unlawfully taken from Royal Road. If you see it on Amazon, please report it. Beside her, Bomb clears his throat, drawing my attention. "You see, Doctor, the Kingdom has expansive interests when it comes to the procurement and application of unique materials, both genetic and chemical. And we do believe that your chimeras could be useful assets in all variety of roles, given their propensity towards training." She levels a pointed look in my direction. "That''s where you come in. With your special talents, we could open up a whole new world of... opportunities. Imagine the kind of exotic assets we could acquire, the doors we could open. The profits to be made." My brow furrows as I digest her words, the implications slowly crystallizing in my mind. "You want me to create chimeras to act as some sort of living acquisitions? Tools to be used in your various... business ventures?" I arch an eyebrow, the gears in my mind whirring as I consider the implications of his words. "Are you suggesting I become some sort of monster masher for hire? Producing custom-tailored creatures to suit your organization''s needs?" Zenith''s grin widens. "Bingo. Though ''tools'' might be a bit of an oversimplification. Think of it more as... force multiplication. We provide the vision, the resources, the connections - you provide the mad science know-how to make it all happen." Bomb clears his throat, drawing our attention. "To be clear, Doctor, your role would not be limited to the creation of these ''acquisitions'', as Mrs. Zenith puts it. We have a wide array of projects in the works, each of which could benefit immensely from your unique expertise." He leans forward, his expression earnest. "What we''re offering you is a chance to truly push the boundaries of science, to explore the full potential of genetic engineering without the constraints of conventional morality or bureaucratic red tape." A thin smile tugs at the corners of his lips. "All while being compensated handsomely for your efforts, of course." I can''t quite suppress the faint twitch at the corner of my mouth, a begrudging flicker of interest stirring in the depths of my chest. The prospect of unfettered access to state-of-the-art facilities, cutting-edge technology, and an endless supply of exotic genetic samples... it''s undeniably alluring. Not to mention the financial incentive. A nice nest egg for myself. "And what, specifically, would I be expected to create for this ''Kingdom of Keys''?" I inquire, allowing a fraction of my curiosity to bleed through. "I assume you have specific objectives in mind, rather than simply granting me free rein to indulge my own whims." Bomb clears his throat, his expression shifting into a faint frown. "That, Doctor, would be a matter to discuss with our employer directly. Our instructions are simply to secure your services and expertise - the specifics of your duties would be outlined by Mr. Antithesis himself." I consider this, my gaze drifting thoughtfully towards Scylla, who has been watching the exchange with quiet attentiveness. "This ''Mr. Antithesis''...he would be the one calling the shots, then? The one who recognized the value in my abilities?" Zenith nods, a grin spreading across her face. "That''s the guy. The big boss, the kingpin, the man with the master plan. And trust me, doc, he''s got some wild ideas he''s been dying to put into action. Ideas that could use a genetic specialist like yourself." I can feel the familiar pull of scientific curiosity gnawing at the edges of my psyche, a temptation that''s nigh impossible to resist. The chance to pursue my research unhindered, to create new and wondrous creatures without the shackles of moral quandaries or ethical constraints...it''s a siren''s song that resonates deep within me. "And what of this explosive device you so graciously bestowed upon me?" I ask, my gaze flicking towards the ebony case now resting securely in Bomb''s possession. "I hardly relish the prospect of being collared like a misbehaving hound, forced to heel at your beck and call. I expect we''ll be done with those sorts of measures?" Bomb clears his throat, his expression shifting into one of mild discomfort. "Of course. The explosives are only for potential recruits, not full-fledged members." She leans forward, her expression earnest. "Once we get you set up with the Big Man, that thing''ll be history. We''re talkin'' full autonomy, no strings attached. You want it, you got it. Blank check." I purse my lips, considering her words. The prospect of such unfettered freedom to pursue my work is undeniably tempting, even if it comes at the cost of aligning myself with such a morally dubious organization. But then, who am I to judge? I''ve always complained to my compatriots just how much the need for rigorous ethics boards keeps us held back. Why not put my money where my proverbial mouth is? And really, what do I owe to my fellow humans, who have consistently proven themselves to be shortsighted, irrational creatures, unable to see the greater good that lies beyond their own petty squabbles and self-interests? No, I owe them nothing. If anything, it is they who should be grateful for the knowledge and insights I can provide. I sigh, running a hand through my hair as I come to a decision. "Very well. I''ll... I''ll accept your offer." Zenith''s face lights up in a triumphant grin, while Bomb nods, his expression solemn. "Excellent. We''re thrilled to have you on board, Doctor Trinh-Norwood." I hold up a hand, forestalling his words. "Actually, I''d prefer to be addressed as ''Doctor Xenograft'', if you don''t mind. After all, I''ll be taking on a new role within your organization, and I believe the title befits that change in status." Bomb''s brow furrows in a faint scowl, his lips pressing into a thin line. "I''m afraid I can''t allow that, Doctor. Our organization maintains a strict code of conduct, bore down from our founder, and the use of particular nomenclature is mandatory. ''Mrs. Xenograft'' will have to suffice." I arch an eyebrow, my lips curving into a wry smile. "Very well, Mr. Bomb. I suppose I can... tolerate that particular indignity, if I must." Zenith laughs, the rich sound of it filling the dimly lit bar. "Aw, c''mon Bomb, don''t be such a hardass. The doc''s earned a little respect, don''tcha think?" Turning to me, she raises her glass in a toast. "Welcome to the Kingdom, Doctor Xenograft. Here''s to the start of a beautiful partnership." I nod, a small smile tugging at the corners of my mouth as I raise my own glass. "To new beginnings, then." As the icy liquid burns its way down my throat, I can''t help but feel a curious sense of anticipation stirring within me. For so long, I''ve been content to toil away in obscurity, my scientific passions limited by the constraints of conventional morality and the petty machinations of academic politics. But now... now, I have the chance to truly spread my wings, to push the boundaries of what is possible without the burden of such trifling concerns weighing me down. No more questioning the ethics of my work, no more kowtowing to the whims of short-sighted bureaucrats. I owe them nothing, these so-called ''normal'' people. They''ve never understood me, never accepted the uniqueness of my gifts. Well, now I have the opportunity to show them all just how extraordinary I can be. Draining the last of my drink, I set the glass down with a decisive clunk, steeling my resolve. "When do I start?" Chapter 88.1 The sounds of Jamila''s bustling household wash over me as I step through the door - a comforting cacophony of raised voices, sizzling pans, and the occasional wail of a baby. It''s a stark contrast to the eerie quiet of my own empty home these days, but I find myself leaning into the chaos gratefully. "Sam! Over here!" Jamila''s voice cuts through the din, guiding me towards the rickety staircase that sits in the corner of the cramped living room, curled up like a dehydrated caterpillar. She''s waving from the landing above, the sleeves of her loose tunic billowing with the motion. As I carefully pick my way up the narrow steps, mindful to avoid colliding with any of her rambunctious younger siblings and/or cousins (unsure) underfoot, I can''t help but marvel at how naturally Jamila seems to command this whirlwind of domestic madness. One minute she''s deftly catching a stray toy before it can brain an unsuspecting relative, the next she''s simultaneously refereeing a squabble and rattling off a flurry of instructions in rapidfire Arabic to her ever-present mother. "Your place is looking, uh... cozy as ever," I remark once I''ve joined her on the landing, quirking an inquisitive eyebrow. Jamila just laughs, her dark eyes sparkling with amusement as she gives my forearm an affectionate swat. "As if you''d have it any other way, Samster. C''mon, let''s get you out of this madhouse before you have an aneurysm." She ushers me towards her room, momentarily shielding us from the chaos swirling in the hall. As soon as the door clicks shut behind us, that blessed sense of tranquility settles over me like a warm blanket. "Thank God," I breathe out on an exaggerated sigh, deflating slightly as I take in the familiar sights and smells of Jamila''s sanctuary. "It''s like an oasis of calm in here, you know?" The words are out before I''ve fully processed the glaring irony of that statement. Because ''calm'' is pretty much the last descriptor any sane person would use for Jamila''s personal space. The place looks even more catastrophically disastrous than the last time I was here - a whirlwind of mismatched posters, scattered clothes, and miscellaneous clutter strewn about with all the focused intent of a tornado''s path of destruction. But amid the chaos, there''s an undeniable sense of warmth and personality, too. Little touches and flourishes that are so quintessentially Jamila it actually makes my heart flutter a bit just registering them. Like the battered acoustic guitar propped up in the corner, its faded ''Smash the State'' bumper sticker juxtaposed against the well-loved and cared-for instrument itself. Or the bristling array of binders, sheet music, and old vinyl records completely devouring the surface of her desk, a minefield of creative inspiration waiting to be unpacked. Every square inch of the walls is an explosion of color and imagery, plastered with an almost obsessive collage of framed photographs, concert posters, album covers, and assorted memorabilia. I spot familiar names and faces amidst the kaleidoscopic jumble - the snarling visage of Rage Brigade''s frontman Leon Riot, the iconic poster art for Mythmongered''s platinum-selling concept album, Celestial Lore, of which Jamila has told me every last minute detail. But for every recognizable icon, there''s a dozen more arcane sigils and symbols, esoteric band logos that might as well be hieroglyphs for all I can decipher them. It''s all so beautifully, iconically her that I can''t help but grin in sheer adoration. Sure, to the casual observer this place might resemble the habitation bunker of an eccentric metalhead hoarder. But I know better - every crumpled t-shirt and stray guitar pick is a puzzle piece in the mosaic that is Jamila. She slides up alongside me, draping one deceptively strong arm around my shoulders as she gestures lazily at the anarchic collage surrounding us. "I put a lot of thought into which new pieces of sonic artistry to put up this month." The unexpected formality of her phrasing coaxes a startled laugh from me. "Is that what they''re calling Hot Topic posters these days?" Jamila scoffs in mock offense, jabbing me playfully in the ribs. "You jest, but these walls represent the bleeding edge of the underground indie avant-garde scene, Small. One of these bands could be the next big thing!" This story has been stolen from Royal Road. If you read it on Amazon, please report it I arch a skeptical eyebrow. "And just which visionary aural sculptors do you think are primed to take the world by storm? Flenser Leviathan?" I point to a particularly skull-laden logo, all spiked letters and malevolent red imagery. "Or maybe Nomicon Nox?" My finger shifts to indicate an album cover awash in grotesque, vaguely Lovecraftian designs. "Those are pronounced ''Flence-air'' and ''Nom-ih-cone'', you uncultured cretin," Jamila retorts without missing a beat, sticking her tongue out at me. "But I''ll let it slide, since you plain-folk aren''t expected to grasp the intricacies of the extreme avant-doom scene." We both dissolve into snorting laughter at that, any pretense of musical snobbery thoroughly shattered. I shake my head slowly, drinking in the lurid, eye-searing details of her self-curated fortress of solitude. "You know, part of me almost expects to walk in here and find shrunken heads dangling from the ceiling, or like... an altar made of human bones tucked in the corner or something." Jamila cackles, swatting my arm. "Pretty sure sacrificing hobos for their skeletons would violate several tenets of my faith, darling." "Oh, so you do have some limits after all?" I smirk, dodging another playful jab. "Good to know." We continue to trade barbs and easy banter like that for a while, all thoughts of depositions and looming court cases temporarily banished to make way for simple, revitalizing camaraderie. Any lingering tension I''d been harboring seems to melt away in Jamila''s irrepressibly vibrant presence, and I find myself slipping into the sort of relaxed, unguarded state I haven''t truly experienced in far too long. Eventually, though, Jamila lets out a contented sigh and disentangles herself, flopping backwards onto her unmade bed with boneless grace. She pats the rumpled comforter beside her invitingly. "C''mere, you. I''ve got something I think you''ll appreciate." I quirk an inquisitive eyebrow but do as instructed, settling in beside her amidst the nest of blankets and pillows. Jamila reaches beneath the bed, rummaging around for a moment before emerging with a bulky pair of headphones clutched in one hand. "Check these babies out," she grins, holding them up for my inspection. The padded earpieces are a sleek matte black, all hard angles and midnight curves broken only by a few glowing LED accents. A decidedly more tasteful design than most of the occult metal insanity decorating her walls. "Noise-canceling, adaptive surround audio, the whole nine yards," she continues, practically purring with delight as she cradles the high-end cans. "You''re about to experience the auditory singularity, my friend." With a deft flick, she connects the headphones to her laptop and pulls up a music player, the sleek interface all harsh geometric designs and abstract glyphs. A few taps later and the unmistakable opening strains of some brooding symphonic metal-something begin to reverberate from the earpieces, all snarling baritone howls and thunderous percussion. I can''t quite stifle my snort of amusement as Jamila slips the cans over my ears, engulfing me in a shockingly clear cocoon of auditory bliss. The music is... well, it''s certainly an experience, all right. Like being sonically beaten about the head and shoulders by the bastard offspring of Beethoven and a raging gorilla. But as always, Jamila''s enthusiasm proves infectious. I allow myself to sink into the experience, letting the pummeling rhythms and indecipherable demonic vocals crash over me in waves of unholy grandeur. For a few blessed minutes, there is nothing else - no legal eagles circling overhead, no existential burdens weighing me down. Just Jamila and her sacrilegious gospel of bleeding-edge tunesmithery. When the convulsive maelstrom of aural extremity finally tapers off amidst one last thunderous percussive flourish, I turn to find Jamila studying me intently. Her deep brown eyes glitter with unbridled mirth in the muted glow of her laptop, lips quirked in a bemused half-smile as she awaits my inevitable reaction. "Well?" she prompts, arching one elegant eyebrow in challenge. "What did you think? Didn''t I tell you it would blow your freckled little mind?" I affect a pensive frown, stroking my chin in comically exaggerated contemplation. "It was... certainly an experience, I''ll give you that." A wry grin tugs at the corners of my mouth. "Although I can''t say I really picked up on any discernible melodies or songcraft, per se. More like someone repeatedly caving in a church bell with a sledgehammer for seven straight minutes." Jamila scoffs, swatting me with a pillow as I dissolve into snickering laughter. "Ugh, you''re hopeless! No appreciation for the nuances of bombastic misanthropic expression." I shake my head, still chuckling as I shrug off the headphones. "Oh, I appreciated the bombast just fine. More of a philistine when it comes to the misanthropy, I guess." Stretching out on the bed beside her, I allow myself to savor this moment of simple tranquility amidst the enduring maelstrom. No depositions to agonize over, no daunting courtroom clashes looming on the horizon. Just two teenagers indulging in the kind of inconsequential banter and low-stakes teasing that used to encompass my entire world, once upon a time. Chapter 88.2 I turn my head to study Jamila''s profile, admiring the elegant curve of her jaw, the slight upturn of her nose, the way the warm glow of her laptop casts kaleidoscopic shadows across her rich brown skin. A fierce surge of affection swells in my chest, almost overwhelming in its intensity. "So, how''d it go the other day?" Jamila asks after a comfortable lull settles between us. Her tone is carefully casual, but I detect an unmistakable undercurrent of curiosity simmering beneath the nonchalance. I shrug, aiming for a practiced indifference that feels increasingly forced with each passing day. "About as well as can be expected, I guess. Jerry Caldwell is certainly... thorough." An unconscious frown tugs at the corners of my mouth as fleeting memories of the deposition drift through my mind''s eye - Caldwell''s relentless questioning, the inexorable push to revisit those traumatic final moments in agonizing detail. A tremor runs through me, my fingers instinctively clenching in the fabric of Jamila''s comforter. She must notice my sudden tension, because she shifts closer until our shoulders are just barely brushing. The hint of contact is electrifying, startling me from my momentary brooding funk. When I chance a sidelong glance, her expression is unreadable, those warm brown eyes regarding me with a curious intensity. "Hey," she murmurs, voice pitched low and soothing. "You don''t have to get into specifics if you don''t want to. I know how much of a mind-job this whole thing has been for you." My initial reaction is to deflect, to brush off her concern with a flippant joke or a reassuring platitude. But something in the gentle sincerity of her tone gives me pause. I find myself meeting her steady gaze, searching those fathomless depths for the empathetic understanding I know rests there, just waiting to be tapped. With a slow exhalation, I feel the vice-like tension gripping my chest loosen ever so slightly. "Yeah, it''s... it''s been rough, for sure. But nothing I can''t handle." A wry smile tugs at the corners of my mouth as I nudge her arm playfully. "Besides, you know me - I live for dramatic confrontations and emotionally eviscerating legal proceedings. It''s like a day at the beach." Jamila snorts indelicately, rolling her eyes. "Ugh, don''t even joke about that. I can only imagine how insufferably smug you''d be if courtroom theatrics were legitimately your calling in life." "Oh come on, you know you''d find it incredibly charming," I shoot back with an exaggerated leer. "Just picture it - me in a crisp power suit, dominating the proceedings with my rapier wit and legal acumen. You''d never be able to resist my eccentric barrister energy." She shoves me lightly, her expression caught somewhere between disgust and reluctant amusement. "Yeah, that''s a real panty-dropper for sure. ''Hey baby, wanna come back to my place and subpoena these buns?''" We both crack up at that, any lingering tension effectively shattered by the absurdity of the mental image. For a few blessed moments, we''re just two giggly teenagers again indulging in some shameless low-brow humor, the weight of the world lifted from our shoulders. But, like all reprieves these days, it''s only temporary. As our laughter tapers off, a contemplative quiet settles over us once more. I can sense Jamila studying me out of the corner of her eye, gauging my state of mind. "So was it... really bad?" she asks at last. "Like, worse than you were expecting?" I let out a slow breath, rolling onto my back to stare up at the familiar pockmarked expanse of her bedroom ceiling. Jamila has always been able to cut through my bravado and bullshit like a hot knife through butter, disarming me with her intuitive emotional perception. "It wasn''t great, I''ll be honest," I admit after a beat of consideration. "Having to relive those moments in such clinical detail, with Caldwell probing at every angle, looking for weaknesses to exploit... it was brutal. Like emotional sandpaper on an open wound, you know?" I shudder, the phantom echoes of Caldwell''s calm, measured intonations replaying in my mind. Beside me, I feel Jamila shift closer until her leg is pressed flush against mine, radiating reassuring warmth. "Hey, you made it through though, right?" she says softly, resting her hand atop my own and giving a gentle, comforting squeeze. "That''s what matters, darling. One step at a time, one horrendous experience closer to sticking that smug asshole behind bars where he belongs." The steel underpinning her words lends them a grounding potency, providing me an anchor to latch onto amidst the roiling tide of unpleasant recollections. I nod, turning to meet her gaze with as much conviction as I can muster. "Yeah, you''re right. I just have to keep my eyes on the prize, you know? As much of a battle as these pre-trial hurdles are, they''re nothing compared to what''s coming." Something flickering behind those luminous eyes, some unspoken emotion I can''t quite parse, but it''s gone in an instant. Jamila squeezes my hand once more before reluctantly withdrawing, her expression settling into a look of fond exasperation. "Well aren''t you just a regular little Templar, storming the breach against injustice and villainy everywhere you go." She flashes me a quick grin, all sparkling teeth and mirthful confidence. "It''s seriously impressive, you know. Your tenacity, I mean." I can''t quite stop the flush of warmth from spreading across my cheeks at the sincerity behind her words. Jamila has never been one to deal out excessive praise or empty platitudes. If she''s saying something like that, she genuinely means it. "Thanks, Jam," I murmur, holding her intense gaze and pouring every ounce of my gratitude into those two simple syllables. Then, I ruin the moment with a whisper. "I think it''s weird to call a Jewish girl a Templar, though. Just FYI." The narrative has been illicitly obtained; should you discover it on Amazon, report the violation. She bursts into laughter and swats my shoulder back and forth, with love taps, none of them even breaching the threshold of an itch, much less pain. "Fine. Now we''re even." For a long, suspended heartbeat, the world around us seems to compress down to this single point of connection between us. Everything else - the looming legal showdown, the specter of Illya''s lingering menace, the entire churning cosmic clusterfuck that is my daily existence - falls away into blessed insignificance. Then, like the shattering of a fragile soap bubble, the moment passes. Jamila blinks and just like that, the spell is broken. She leans back, putting a sliver of polite distance between us that feels utterly alien after the closeness we''ve shared so many times before. My subconscious prickles with unease at the subtle shift, a swirling intuitive disquiet that sets my nerves jangling in that frustratingly ineffable way. But on a conscious level, I can''t discern anything overtly amiss, nothing solid enough to put my finger on. Just... something in the quality of Jamila''s smile, maybe. Or the arch of her brow. Little microfractures in the facade that whisper of some deeper, unknowable fissure lurking beneath the surface. For a few seconds, uncertainty wars with willful obliviousness in my mind. There''s that nagging urge to pursue the matter, to dig and probe until I unearth the root of that simmering unease. But the easier path, the well-trodden rut of willful ignorance, ultimately proves too tempting to resist. Easier to rationalize, to brush aside those vague, insubstantial twinges of doubt rather than risk unearthing some unpalatable truth I''m not ready to confront. So I swallow my trepidation, forcing a casual half-smile in response to Jamila''s own slightly too-bright expression. "Don''t get too impressed just yet, sparky. The real fireworks are still to come." She snorts indelicately, tension fracturing as the fa?ade of normalcy reasserts itself. "Please, you live for putting on a show. I wouldn''t have it any other way." And just like that, the current shifts once more into the warm, familiar waters we''re both so accustomed to navigating. I relax into the flow of our easy back-and-forth, bantering and teasing and steadfastly ignoring the dull, insistent pulsing of unease still lurking at the very edges of my subconscious awareness. For now, at least, I can keep those niggling doubts buried beneath the comfortable fiction we''ve so carefully constructed around us. The illusion that everything is still fundamentally okay, still tenuously under control despite the enduring madness swirling at our periphery. A comforting lie, perhaps. But a necessary one, nonetheless.
The night outside Jamila''s window has deepened to an inky, velvet blackness by the time our musings drift to the latest crop of up-and-coming heroes making waves on the national scene. We''re curled together amidst the rumpled blankets of her bed, voices pitched to conspiratorial whispers so as not to disturb the rest of the sleeping household. "Okay, but be real - how badass would it be to have Stellarion on the team?" I murmur, unable to contain the fangirlish edge of awe from creeping into my tone. "Dude''s basically a goddamn human sunbeam. We''d never have to worry about stealth or night ops again." Jamila snorts softly, waving a dismissive hand. "Please, that pompous ray of sunshine wouldn''t last a week before driving us all certifiably insane with his lofty sermons on the cosmic glory of truth and justice or whatever." I arch an eyebrow, feigning wounded offense. "Hey now, the guy still seems pretty legit! Sure, maybe a tad... grandiloquent in his vernacular, but you can''t deny his raw power is off the charts." "I need you to know that you just used the phrase ''grandiloquent in his vernacular''. I''m just pointing that one out while also agreeing with you. Just so we''re clear," Jamila concedes with a slight incline of her head. "Although if we''re talking sheer devastation potential, nobody''s topping Maelstrom these days." I shudder involuntarily at the mention of the Seattle-based elemental juggernaut, my mind automatically conjuring footage of her apocalyptic rampage through the ruins of Portland last year. Jamila must sense my unease because she gentles her tone, draping one reassuring arm across my shoulders. "Hey, it''s all good, babe. No way a big fish like that would have any reason to come sniffing around our sad little pond, right?" She punctuates the rhetorical question with a playful squeeze, coaxing a reluctant chuckle from me. "Ugh, I sure as hell hope not," I groan, rolling my eyes dramatically. "Pretty sure the only effective countermeasure we peasants would have against that kind of biblical fury would be to, like, beg for a merciful death or something." "Oh ye of little faith," Jamila tuts with an air of exaggerated affront. "Don''t sell yourself so short, darling. You got Chernobyl to turn himself in, remember? I''m sure you could figure something out with her. Don''t you have, like, saltwater immunity or something?" I cough a couple times, blinking. "Illya is not quite the same as Maelstrom. And, yes, but, you know, I still have to breathe water and stuff. No gills. You would know more than anyone else!" We dissolve into breathless snickering at the sheer ludicrous absurdity of the notion, our hilarity no doubt fueled in part by the late hour and the comforting cocoon of Jamila''s bunker-like sanctum. For a few stolen moments, there''s nothing but uncomplicated mirth echoing between us, a fleeting respite from the crushing weight of our day-to-day existences. Eventually, though, the laughter peters out and a more contemplative lull settles over us. I can''t quite smother a jaw-cracking yawn, the bone-deep weariness of recent days finally catching up to me now that my guard has been lowered. Jamila stifles a sympathetic yawn of her own, leaning over to plant a soft, lingering kiss on my forehead. "Sounds like someone''s run out of steam," she murmurs affectionately, carding her fingers through my sweat-damp hair. "We should probably call it a night, huh?" I open my mouth to protest on reflex, loath to surrender these increasingly rare pockets of serenity and levity we''ve managed to carve out for ourselves. But the words die on my lips as another potent yawn wrenches its way free, robbing me of any semblance of conviction. "Yeah, I... yeah, you''re probably right," I mumble, flushing slightly at how petulant I sound. Like a cranky toddler resisting naptime rather than a young woman rapidly approaching the rigors of legal adulthood. Jamila simply smiles that soft, enigmatic little smile of hers and gathers me close, her strong arms surprisingly gentle as she enfolds me in their protective embrace. I go willingly, allowing the comforting solidity of her presence to dispel any lingering wisps of reluctance. As I nestle into the contours of her body, fitting against her like two long-separated puzzle pieces at last reunited, a stray thought niggles at the back of my mind. A tiny, innocuous query that nonetheless carries the faint whiff of potential awkwardness. I let it percolate in silence for a few beats, relishing the languid ebb and flow of Jamila''s breathing, the steady thrum of her heartbeat against my ear. When at last I can''t resist voicing it any longer, the words slip out in a hushed murmur against the shadowed stillness. "Hey, uh... it''s cool that I''m crashing here tonight, right?" My fingers pluck absently at the fabric of her sleep shirt, a nervous tell I can never quite shake. "Like, your folks won''t mind or anything?" The question hangs in the air for a few suspended heartbeats, suddenly seeming to smother the space between us with its weighty implications. Jamila''s body goes rigid against mine, every muscle abruptly taut as an over-tuned guitar string. I have a very sudden feeling that I shouldn''t have asked that. Chapter 88.3 When she responds at last, her voice is carefully measured, all traces of affectionate warmth shuttered away behind an inscrutable mask. "Don''t worry about it, Sam. They''re... aware of our situation, you could say." Despite the studied neutrality of her tone, there''s an undercurrent of tension there that sets my nerves jangling in that preternatural, ineffable way once again. Like emotional tripwires fanning out in every direction, attuned to the slightest hint of discordance. Swallowing hard, I shift in her arms to better study her expression. But she keeps her features angled away, pointedly avoiding my probing gaze as a pall of uneasy silence settles between us. "O-Okay..." I finally manage, my mouth suddenly dry as a bone. The urge to pursue this newfound disquiet is a physical itch beneath my skin, burning and insistent. But warring against it is the far more habitual impulse to brush these kinds of nagging doubts aside, to cling to the fiction of okayness for as long as humanly possible. Jamila doesn''t give me a chance to decide one way or another. With a brusque shift, she disengages from our embrace and rolls onto her back, slipping free of the tangle of sheets and blankets to sit upright. I blink up at her, suddenly chilled by the loss of her warmth. "We should get some sleep," she declares, her tone clipped and businesslike in a way that feels utterly alien coming from her. When she finally does meet my gaze, her expression is unreadable, her wonderful kaleidoscope irises now flat and opaque as smoky quartz. She holds my gaze for a beat too long, wordlessly inscrutable. Then she twists away, swinging her legs over the edge of the bed as she reaches for the hem of her sleep shirt. "I''ll change in the bathroom," she murmurs, her voice little more than a hoarse rasp in the gloom. "Make yourself comfortable." And just like that, she''s up and moving, slipping from the room with an eerie, gliding silence. The door clicks shut behind her with a sort of hushed finality, leaving me alone amidst the rumpled bedding with nothing but the thunderous cadence of my own bewildered thoughts for company. I tell myself she''s just tired, worn thin by the tumult and relentless pressures of late. That whatever fleeting tension now hangs between us like a suffocating fog is merely the product of our battered psyches crying out for respite, no more significant than that. But even then, a faint rebuttal gnaws at the back of my consciousness. A soft, persistent keening that something deeper is happening here, some looming sea change I''ve willfully blinded myself to until now. The silence that descends after Jamila''s abrupt departure is suffocating, a yawning void that seems to swallow every scrap of oxygen in the room. I lie there in the gloom, unmoving, scarcely daring to breathe as the weight of that portentous stillness bears down on me like a physical force. Then, at last, the rasp of the bathroom door opening cuts through the tense hush like a eulogy bell toll. I tense instinctively, every nerve ending afire with anticipation as Jamila''s measured footsteps draw nearer, nearer-- The door creaks open once more and there she is, a silhouette framed by the dim glow spilling in from the hall beyond. For a handful of suspended heartbeats, she simply stands there unmoving, inscrutable. Then she steps fully into the room, pulls the door shut behind her with a note of finality that makes my breath catch in my throat. She doesn''t look at me at first, her attention seemingly elsewhere as she moves with the slow, almost ritualistic precision of an automaton. Situating herself on the edge of the mattress, palms braced against her knees, shoulders squared - it''s the same drill I''ve seen athletes and fighters adopt when they''re preparing themselves for something big. Jamila takes a deep, steadying breath, lets it out in a shuddery exhalation. Then, finally, she turns to face me. Even in the low light, I can make out the taut lines of strain etched into her features, the knot of consternation pinching her brow. "Sam, I... there''s something I need to say," she begins, her voice low but clear, devoid of its usual warmth and affection. "Something I''ve been... grappling with for a while now, I suppose." It hits me then, a sudden electric tingle prickling across my scalp and down my spine. That ineffable, inexplicable sense of dread from before, now metastasized into a full-blown pit of cold, yawning apprehension blossoming in my stomach. The tale has been illicitly lifted; should you spot it on Amazon, report the violation. My first instinct is to stop her, to beg her not to say whatever it is she''s steeling herself to unleash. Because deep down, in that primal burrow of my subconscious where human intuition still reigns supreme, I know - I know exactly where this is headed, can sense the looming shape on the horizon. But the words shrivel on my tongue before I can give them voice. I can only lie there, frozen in place, as Jamila closes her eyes and powers on with obvious, grim determination. "You know how much I care about you, right Sam?" Her eyes find mine in the gloom, glittering with some ineffable emotion that cleaves at my pounding heart. "How special our relationship is to me, maybe even... sacred in a way?" Mutely, numbly, I nod. It''s the only thing I can manage through the steadily rising tide of emotion rapidly swamping me on all sides - fear, confusion, trepidation. Whatever tumblers are steadily spinning into alignment, they''re doing so in the shadowed chambers of Jamila''s unfathomable depths. All I can do is wait for the final, rattling click that will leave me changed in some fundamental way. For the first time since we''ve known each other, Jamila''s liquid brown gaze skitters away from mine like a startled animal, unable or unwilling to meet the intensity of my regard. A muscle works in her jaw, a taut cord of tension that betrays just how profoundly whatever''s roiling inside her has managed to shake those normally unshakable foundations. "I...God, Sam, I..." She falters, the veneer of composure splintering even further as she grapples with whatever emotional leviathan lurks within, slowly dragging her beneath its inky depths. Despite myself, despite the tooth-gnashing anxiety currently clawing at me from the inside out, I feel an almost overwhelming urge to comfort her, to gather her into my arms and shield her from the raging torrent ripping her asunder. Because that''s what Jamila Fayad has always been to me - not just my lover but my protector, my haven against the darkness when it encroaches too close. But something stays my hand. Some preternatural ward plucked from the deepest filigree of my subconscious, screaming at me to maintain my stillness, to weather this onslaught until its purpose is made clear. So I hold myself rigid, fingernails digging convulsively into my palms until I can feel the sting of broken skin, and wait. And wait. And wait. Then-- "I can''t do this anymore, Sam." The words hit me with the force of a physical blow, a cataclysmic shockwave that rips the very foundation from beneath me. Everything I thought I knew, every certainty and conviction I''d clung to as my bedrock in these churning seas of misery, crumbles into so much gravel in the wake of those eight baleful syllables. My world spins, endlessly spiraling down into infinite blackness as shock crests into visceral, gut-punching agony. I open my mouth to speak, to howl my anguish to the uncaring heavens, but only a pitiful croak emerges. Besides, I can''t wake anyone up right now. That wouldn''t be fair to her family. Jamila isn''t looking at me - can''t look at me. Her head is bowed, hands clenched into tense knots between her knees, framed locks of dark hair hanging in wild disarray around her pinched features. Her shoulders rise and fall in time with the measured cadence of her breathing, a contrast to the maelstrom of quaking loss and ruination raging through me. "I''m... I''m so sorry, Sam," she whispers, the words quavering and indistinct, like transmissions beamed from some far-flung, alien reality. "Please know that this has nothing to do with how I feel about you as a person. You''re one of the most incredible, admirable human beings I''ve ever known, and you''ll always have a sacred place in my heart." Her eyes flick up, catching mine for one fleeting, visceral instant. They shimmer with an ocean of pain and loss, a veritable wellspring of grief she''s only barely managing to hold back by sheer force of will. "But... but as for us, as more than just friends... I can''t, Sam," she rasps, the words catching like barbs in her throat. "I''ve tried, God knows I''ve tried to make it work, but in the end... I can''t keep lying to myself. There''s just so much. I mean. Like... I''m not... Attracted to girls. Or boys. Or maybe anyone. And it doesn''t feel fair to you that I don''t think we could ever have, like... a sexual relationship. I mean," The lead weight in my chest congeals into an icy, stabbing crystal, driving itself deeper and deeper into my core with every juddering syllable. I want to lash out, to rage and rant against these truths she''s so dispassionately firing off like shrapnel ripping into me, like a grenade. I want to yell at her. I want to start screaming. But I don''t. Because that''s not a good thing to do. She trails off. But even as the impulse surges, a more primal part of me understands the truth underpinning Jamila''s words. That flicker in her eyes, the ragged edge of muted anguish scraping at the edges of her voice -- this isn''t some petulant flight of fancy or fleeting impulse she''s given in to. This is a deep, elemental need, a hunger clawing at the very sinews of her being. As inexorable as the turn of the tides, as immutable as the cycle of the seasons. "You know? Like... I don''t mind holding your hand. And cuddling with you. And kissing you. But I think that''s... that it''s something you want more than something I want. And at this point there''s... for me, it... I mean... What''s separating us from ''good friends''?" She asks, and I want to say ''we make out sometimes'', but it doesn''t come out. Some shred of rational thought manages to assert itself amidst the whirlwind of emotion tearing me asunder. I know what''s coming, even before the words form on Jamila''s lips. My throat tightens as I brace myself for the blow, the coup de grace that will rend what''s left of my world into glittering shards of ruin. Chapter 88.4 "You and I... we want different things, Sam. No, more than that." Jamila shakes her head, lips compressing into a wan, tremulous line. "We need different things. Things that, no matter how much we care for each other, are fundamentally at odds." She swallows hard, steeling herself. I can see the effort it takes for her to hold my gaze, to pour those acid words out from wherever they''ve festered in the deep hollows of her heart. "You''re a born warrior, darling. A fighter through and through, someone who''s not just comfortable with violence and conflict but who actively craves it as an expression of their higher purpose." Her voice remains level, almost clinically detached. But in her eyes I can glimpse the storm of roiling emotion threatening to breach the thin veneer she''s putting up. I wonder if it''s for my sake or hers. "And that''s... that''s beautiful, Sam. Truly. Your courage, your selflessness, your sheer indomitable spirit - those are gifts, superpowers in their own right that the rest of us can only dream of." A faint, melancholy smile ghosts across her lips, cinching my thundering heart with a web of longing so visceral it leaves me breathless. "But me... I''m not like you, Sam. Not even close." She closes her eyes, nostrils flaring with a long, shuddering inhale like a diver preparing to plunge into the depths. "When I think about all the death and destruction these last few months, all the brushes with oblivion both of us have weathered... God, Sam, it terrifies me." Her voice cracks like splintering glass, the fa?ade beginning to crumble at last. Tears well in her eyes, and then roll down her cheeks. She slowly shuffles herself onto her bed, flopping down next to me. "I don''t want that life. I can''t want that life, not and still be true to who and what I am." She shakes her head vehemently, the last tattered vestiges of her composure unwinding like fraying yarn. "All I want... all I''ve ever really wanted is to help people, to make the world a little brighter and easier to bear. I signed on to heal and protect, to be a beacon of hope and solace, and to help people where they need it. And now..." Jamila''s hands clench and unclench, groping at something intangible yet maddeningly, viscerally real. I can see the muscles in her jaw flex and release, clenched with the effort of holding everything together in the wake of whatever reckoning is devouring her whole. "I look at you, at the path you''re so resolutely carving through this nightmare of ours, and I... I can''t keep pace, Sam. I''m so afraid of dying. And you''re not." A great, heaving sob forces its way free from deep within her, causing her whole body to tremble like a leaf caught in a gale-force tempest. "I don''t wanna die," she whimpers. "I don''t. I don''t wanna die," The tears are flowing freely now, and she bundles up a blanket and pulls it to her face to hide from me. "I can''t..." she whispers, the remainder of the thought trailing off into a hitching wail of pure, distilled misery, muffled in cloth. At last, I find my voice - a hoarse, broken croak that barely registers above the thunderous keening of my own shattering heart. "Please..." is all I can manage, a wordless entreaty devoid of substance or form, little more than an inarticulate expression of the scourging anguish rending me asunder from the inside out. "Please, Jam, don''t..." She''s already shaking her head, convulsive jolts wracking her slender frame as her shoulders hunch inward in a futile attempt to shield herself from whatever debilitating deluge is even now breaking against her. For a long moment, I think she''s beyond any attempt at words, completely consumed. "What are we even doing here?" I hear her mumble. Then, she pulls her face up, eyes already red and puffy. My own face stings. "You throw yourself into harm''s way with such ease, like - like it''s nothing!" The words emerge in a sudden, stricken, painful whisper. "Every battle, every insane, heart-stopping risk you take on without so much as batting an eye..." Even through the blinding haze of confusion and despair whiting out my consciousness, a dreadful understanding settles in my gut like a ball of smoldering lead. The brutal truth is, with everything i''ve endured, every life-or-death crucible I''ve weathered, I''ve come out different. Jamila may be steadfastly traversing her own path of light and healing, but for me? She''s right. I can''t live without it. She sucks in a shuddering breath, then fixes me with eyes that seem to bore straight through to my very soul, searing their truth into the foundations of my being with ruthless, incandescent intensity. This book''s true home is on another platform. Check it out there for the real experience. "You won''t quit. I know you won''t quit, because you can''t - this crusade of yours, this need to sacrifice yourself over and over again unto the altar of some higher calling, it''s in your blood. And that''s what I love about you... but it''s not my path. I can''t walk it with you." Her words thrum through me with the resonant, bone-deep finality of a judge''s gavel, reverberating in the hollow cavities of my ravaged subconscious like sonar pulsed through the lightless deep. An immutable truth, hammered home with such weary conviction that denying it would be a futile and ultimately meaningless exercise in self-deception. So I don''t even try. Can''t even summon the willpower to mount such a ludicrously transparent performance. The silence that follows is thick, suffocating. Jamila''s words hang in the air like acrid smoke, slowly seeping into the deepest recesses of my consciousness to set every nerve ending alight with a searing, soul-deep anguish. For long, teetering moments, I lay there motionless, mind utterly blank save for the endless reverberating echo of that cataclysmic revelation. I can feel the tears welling, hot and stinging, threatening to spill down my cheeks in a torrent of unrestrained grief. But I refuse to give in, to surrender the last shreds of my dignity to this relentless, pitiless tide of misery. I''m a fighter. A born warrior, as she''d so aptly put it. The adrenaline, the thrill of battle, the transcendent catharsis of putting myself on the line to protect the innocent - these things make up the very bedrock of my identity, the core drives that compel me forward day after day. Jamila is the exception, the rare oasis of peace and stability in the endless cyclone of conflict that has become my life. "I''m so sorry, Sam," Jamila whispers, her voice little more than a wet, ragged rasp. "I know... I know this must be devastating for you, and I wish I could make it easier. But I just..." She trails off, shoulders hitching with a fresh wave of tiny cries. I watch her, transfixed, some distant part of my mind cataloging this sight as if through a pane of frosted glass - Jamila, the pillar of unwavering strength and resolve, reduced to a trembling, inconsolable wreck. It seems so impossibly wrong, a perversion of the natural order, and I find myself reaching out before I can even register the impulse. "Jamila, I..." The words die on my lips, choked by the unyielding vice of emotion constricting my throat. Frantic, I search her face, desperate to find some thread, some glimmer of hope to cling to amidst the all-consuming darkness. "Please, I... I can change. I can stop, I can -" But Jamila is already shaking her head, a watery, sorrowful smile tugging at the corners of her lips. Her hand finds mine, squeezing gently. "This isn''t about you not being good enough, or me not loving you enough. It''s about the fact that we want such fundamentally different things. Things that are irreconcilable. I don''t think you can." Jamila shifts closer, and I find myself instinctively curling into the comforting warmth of her embrace. It''s a poor imitation of the countless times we''ve sought refuge in each other''s arms, but I''ll take what I can get. "When I joined the Young Defenders, I thought I was ready for that life. Ready to be a protector, a warrior for justice," she murmurs, fingers idly carding through my hair. "But after everything that''s happened, I realize now that I was just... kidding myself." I shake my head mutely, the tears I''d so stubbornly fought to contain now spilling freely down my cheeks. I want to argue, to beg her to reconsider, to find some way to reconcile the irreconcilable. But even as the words form on my tongue, I know it''s a lost cause. Jamila is resolute, her path laid out before her with an ineluctable, inexorable clarity. "I can quit," I whisper, the words so fragile and tremulous they seem to crumble even as I voice them. "I can give it all up, Jam. The superhero stuff, the fighting, the dangers - I''ll leave it behind, I swear. Just... just please, don''t leave me." Jamila''s arms tighten around me, and I can feel the feather-light press of her lips against the crown of my head. "Oh, Sam," she sighs, the words barely audible. "Can you?" She pulls back, gently cupping my tear-streaked face in her hands. Her eyes are shining with a complex, unfathomable emotion that makes my heart lurch painfully in my chest. I open my mouth to protest, to insist that I''ll do anything, be anything, if only she''ll stay. Can I? It''s been a year. I''ve ''tried it out'', like I told Diane I would. Can I quit? ... No. I can''t. So I do the only thing I can right now - I surrender. I collapse into her embrace, burying my face against the crook of her neck as the last vestiges of my composure dissolve into great, shuddering sobs. Jamila holds me close, rocking me gently as she murmurs soothing words of comfort that do little to assuage the maelstrom of agony ripping me apart from the inside. "I''m so sorry, Sam," Jamila whispers, pressing a soft, achingly gentle kiss to my forehead. "But you''re going to be okay. I know you will. You''re stronger than this, stronger than anyone I''ve ever known." I want to argue, to insist that no, I won''t be okay, that I can''t be without her. But the words catch in my throat, smothered by the leaden weight of resignation slowly settling in my gut. Because deep down, I know she''s right. As much as this is tearing me apart, as much as the loss of her feels like the very foundation of my world crumbling to dust... I''ll endure. I''ll survive, because that''s what I do. That''s who I am. I survived a nuclear reactor. Why does being broken up with hurt more? Jamila seems to sense the shift, the subtle resignation in my posture. With a sad, bittersweet smile, she pulls me closer, tucking my head beneath her chin. I go willingly, too spent, too empty to fight it any longer. "It''s going to be okay, Sam," she murmurs, her voice thick with unshed tears. "I promise. Even if it doesn''t feel that way now." Jamila holds me close, rocking me gently. She murmurs soft, soothing platitudes against my hair, her own tears falling in silent rhythm. "Sleep, my darling," she murmurs, pressing a soft, tremulous kiss to my sweat-damp brow. "You''re safe with me. Always." And even as my traitorous heart clenches at the bittersweet irony of those words, I allow myself to succumb to the siren call of oblivion, drifting off to the comforting rhythm of Jamila''s breathing and the memory of a love that, for all its faults, had shone as a beacon. Tomorrow would come soon enough, with all its attendant horrors and heartaches. But for now, at least, I can take solace in this one final, fleeting respite - the last embers of a fire that has been extinguished, but whose warmth I will cherish until the end. BA 1.1 The tail end of the briefing is winding down, Elijah''s gruff tones fading into distracted mumbles as I find my focus drifting inexorably away from the details of court procedures and legal jargon. Don''t get me wrong, making sure Sam and the rest of those kids come through Chernobyl''s sham trial relatively unscathed is important - it''s just not the kind of problem my mind was built to grapple with, you know? Nah, left to my own devices, my thoughts inevitably turn to the more tangible, visceral minutiae that scratch that particular itch in my skull. Gear specs, material stresses, power consumption ratios - the comforting cadences of the engineer''s aria, lulling and familiar. I''m only half-listening as Elijah dismisses us with a curt nod, already mentally drafting blueprints for some fresh new toys to add to the kit. A heavy hand claps down on my shoulder, pulling me back to the present with a jarring thud of impact. I glance up to find Kwame''s warm smile beaming down at me, his fierce, sun-carved features softened by an undercurrent of paternal fondness as he regards me. "You were distant again, Bianca," he rumbles in that rich baritone, the subtle lilt of his Ghanaian accent rolling through the syllables like a lazy summer breeze. "Jamal asked if there were any other-" "Oh, uh... no, no other concerns from me, big guy," I hastily interrupt, offering up my best sheepish grin as I shrug out from under his mammoth paw. "Just, you know... got my brain spinning in like twelve different gearhead directions, as usual." That earns a low, indulgent chuckle from the big man, the faintest glimmer of exasperated amusement flickering across those striking obsidian features. "Of course, of course. Forgive me for disturbing your thoughts." He gives my shoulder one final, good-natured jostle before turning to regard the rest of the team now milling about and gradually dispersing. The gentle giant tilts his head to one side, a pensive frown furrowing his craggy brow. "This business with Samantha and the trial... it weighs heavily, does it not?" His eyes find mine, dark wells of grave sincerity. "I cannot imagine the burdens that poor child must carry." I snort inelegantly at that, flashing the big lug a wry smirk. "A little melodramatic there, Kwame. Come on, Sam''s no shrinking violet - that kid has ice water in her veins when the chips are down." Still, I can''t quite banish the echo of Kwame''s words from bouncing around my skull, a tiny discordant note plucked amidst the churning machinery of my thoughts. Because as much as I might brush it off, he''s not wrong - even with everything that kid has endured this past year, the thought of her squaring off against a legal buzzsaw like Caldwell on the stand is enough to make my molars grind right the hell down to powder. I mean, sure, I''ve got faith in the frosty little badass. Sam is about as resilient as they come, all things considered. But we''re talking about a system that has been historically allergic to doling out anything resembling accountability when it comes to powered fuckheads like Chernobyl. Hell, Illya''s entire bullshit defense stratagem is probably banking on milking the jury for all the superpowered sympathy it can muster. Oh, it''s not like he can control it, I can hear Caldwell''s voice in my head. That means he had no option but to kill people. "I hope you are right, Bianca," Kwame''s sonorous tones break into my rapidly spiraling train of thought. "For all our sakes, as well as young Samuel''s." His eyes drift across the room towards where Elijah is engaged in a hushed sidebar with Jamal, all grim expressions and terse gesticulations. The big man shakes his head slowly, the furrows in his brow etching themselves deeper into that craggy, sun-baked visage. "I do not envy the decisions that will need to be made, regardless of what transpires in that courtroom," he murmurs, almost to himself. "Nor do I spare much thought for those who will be tasked with making them." I arch an inquisitive eyebrow at that, but before I can think to press the issue, I feel another presence materialize at my side - Clara, looking as crisp and unflappable as a woman who definitely has not spent the past three hours poring over the most arid legalese known to humankind. "Everything okay over here?" she inquires, offering up that perfectly measured smile that seems to come pre-programmed into every born attorney. Her cool hazel eyes flit between Kwame and I, catching my bemused expression. "Don''t tell me you two are getting into some sort of existential brooding session without me." Kwame lets out a rumbling chuckle at that, a welcome crack in his inscrutable facade. "Hardly existential, my friend. Although I will allow that Bianca and I may have been indulging in idle speculation regarding our young protege''s upcoming... challenges." Clara''s alabaster features settle into a look of grave concern, perfectly sculpted lips pursing into a thin line. "Ah, yes... I''ll be the first to admit, the deck certainly seems stacked against us on this particular legal battlefield." A bitter note creeps into her tone, smoothing away that personable veneer she so habitually wears. "I have my reservations about Mr. Caldwell''s true motivations, to put it mildly. The man has a... complicated history when it comes to advocating for metahuman affairs." It''s not difficult to decode the thinly veiled contempt dripping from her every syllable. Clara might do her damnedest to maintain that carefully cultivated facade of aloof professionalism, but there are certain issues that have an undeniable way of chipping away at those meticulously constructed barriers. And anything even tangentially involving the federal courts is clearly one of her rawest nerves. Unauthorized reproduction: this story has been taken without approval. Report sightings. "You do not approve of Mister Caldwell''s... jurisprudence?" Kwame ventures, arching one inquisitive eyebrow ridge. There''s no judgment in his tone, simply an earnest query. Clara''s nostrils flare slightly, and I can''t quite suppress a tiny smirk at the sight of her so visibly ruffled. Don''t get me wrong, the woman''s one of the sharpest legal blades I''ve ever had the pleasure of crossing, and her commitment to justice is second to none. But that East Coast WASP rigidity she wears like an environmental suit can get a little grating sometimes - it''s always a treat to see her human side peek through those hairline fractures. "Let''s just say I have... concerns about his commitment to the higher principles of the law," Clara manages at length, her tone carefully measured once more. Though the tautness around her eyes betrays the effort it takes to maintain that composure. "He has a troubling tendency to elevate metahuman affairs over more fundamental questions of innocence or guilt. Almost a... religious zeal for superpowered ideology, if you''ll permit me a bit of embellishment." She pauses, offering Kwame a faint, rueful smile. "I know you and I don''t always see eye-to-eye on certain particulars, my friend. But I think we can both agree that a justice system dictated by the whims of those in power, rather than objective truth, is fundamentally incompatible with its highest tenets." A terse nod is Kwame''s only reply, but I know the big lug well enough to parse the ghost of grim resolution flickering in those coal black eyes. Yeah, you don''t get to emigrate from an oppressive military dictatorship without developing a certain bone-deep reverence for the sanctity and objectivity of the law, no matter how ugly the particulars might get. Clara seems to accept his wordless affirmation with a curt nod of her own before straightening up, squaring those diminutive shoulders like a woman preparing for the next arduous front in this endless war of principles. "Well, I don''t mean to get mired in the muck just yet. We still have plenty of preparations to attend to before the circus truly begins in earnest." She smooths an errant strand of silver-gold hair back into place, presenting us with another tight, mirthless smile that doesn''t reach those hawkish hazel eyes. "But rest assured, I''ll be keeping a razor-sharp eye trained on Mister Caldwell''s antics during these proceedings. After all..." Her gaze drifts across the room to where Elijah and Jamal are still locked in heated discussion, a humorless gleam entering her expression. "I''ve dealt with his sort before. The fanatics are always the most... challenging adversaries to face across the aisle." A solemn pall settles over our little confab at those grim words, each of us attuned enough to the finer nuances of legality and ideology to grasp the severity of Clara''s terse assessment. We''re sailing into the teeth of a true storm here. Chernobyl is the tip of the iceberg, a churning riptide of Meta policy and philosophical rifts lurking beneath the still waters, waiting to ensnare us when we least expect it. My jaw clenches unconsciously, tendons tightening with the sudden flare of fresh determination burning through me. Damn it, this is exactly the kind of tangled, high-level headache I joined the team to avoid in the first place - the schmoozing and grandstanding, the bureaucratic dick-measuring that always seems to take precedence over, you know, actually helping people. Well, not this time, buster. Not on my watch. If Clara and the rest of these big brain galactics want to spend the next few months getting mired in all the messy political theater, chasing jurisdictional windmills or whatever, fine by me. Let them carve out the battlefield and gameplan every angle to their glassy-eyed hearts'' content. Because when the time finally comes to throw hands, to dispense a little concrete frontier justice, yours truly will be standing ready with the biggest goddamn sledgehammer this side of the Alleghenies. And if any of Caldwell''s mewling cadre of supervillain-sympathizers think they can leverage their powers to tip the scales, well... that''s exactly the kind of multi-front shitstorm I was literally built to handle. Jamal''s low, authoritative tones cut through my rapidly churning thoughts like a well-honed blade. "All right people, looks like that''s a wrap for today''s debrief. I know tensions are running high, but we need to keep our eyes on the prize here." He sweeps his gaze across the assembled team, steady and unflinching. "Illya Federov will face justice, one way or another. That''s not just a promise, it''s a solemn vow - to the victims, to this city, and to the ideals we all swore to uphold when we took up this mantle." The big man pauses to let those words resonate, allowing the weight of that proclamation to settle over us all like a ceremonial cloak. When he continues, it''s with that same calm, unhurried cadence that''s made him such an effective leader through the years. "I won''t lie to any of you - the road ahead is sure to be a brutal slog through the thickest legal quagmire this city has ever seen." His piercing stare finds me again, jaw set in a firm line of resolution. "Which is why, when the time comes for direct action, I need to know I can count on each and every one of you to have my back. No hesitation, no reservations - just an unshakable commitment to seeing justice served, no matter how high the cost." I meet the big man''s intense gaze head-on, feeling that familiar surge of adrenaline pounding through my veins. This is the kind of crystalline moment of clarity I live for, the chest-thumping call to arms that transforms bureaucratic theatrics into the kind of visceral struggle I can really sink my teeth into. A feral grin slowly spreads across my face as I give Jamal a single, emphatic nod of acknowledgment. Elijah and the others echo the sentiment in their own ways - the big man with a curt dip of his chin, Clara with a simple, crisp "Aye", Kwame with the subtle clenching of his precisely sculpted jaw. It''s all the response our fearless leader needs. With a final sweeping glance, Jamal allows the faintest ghost of a smile to crease his wizened features. "Good. Then we''ve already won half the battle." His gaze lingers on me a fraction longer than the others, lips quirking ever so slightly. "Though something tells me the flashier half is still to come, Fury." I can''t resist letting out a rasping chuckle at that, flexing my heavily inked forearms as I crack my knuckles with a resonant pop. "You know me, big guy - I do love me a good light show to seal the deal." Jamal shakes his head with a soft snort, but I can see the fleeting spark of amusement dancing in those sunken, inscrutable eyes. He gives a short wave to signal our dismissal, already turning his attention back to the mountain of details still awaiting his attention. The others begin filtering out, each attending to their own pre-battle rituals and mental preparations. But I linger for a moment, watching Jamal as he bends studiously over the table of briefs and case files, shoulders already hunched under that familiar, self-imposed burden. BA 1.2 It''s a strange dichotomy, I find myself musing as I observe the big man from across the room. On one hand, having a non-powered municipal suit jockey calling the shots still rubs me the wrong way sometimes, an artifact of my old stubborn streak. But on the other, there''s no denying the steadying influence Jamal''s brand of grounded, by-the-book leadership has brought to this fractious bunch of two-fisted heroes over the years. I shake my head slowly, a reluctant half-smile ghosting across my lips. Ol'' Professor Franklin really did know what he was doing when he laid the groundwork for this little passion project of his, bless his genius soul. "Oh, before I forget..." My voice cuts through the gradually dispersing clatter, pitched to carry across the room. A few heads swivel in my direction, brows arching in silent inquiry. I offer them a wicked grin. "You guys are never gonna believe who showed up bawling on my doorstep last night." That gets their attention. Elijah pauses mid-stride, fixing me with one of those patent skeptical glares that only a man capable of curating twelve separate expressions of disdain could properly cultivate. "Do I even want to ask?" "Sam Small," I announce with a theatrical flourish, relishing the way their eyes collectively widen in surprise. "As in Bloodhound herself, dripping mascara and snot everywhere while clutching a bottle of Hi-Pop like a torn-open jugular vein." A beat of stunned silence greets my proclamation - then Clara lets out an inelegant snort of laughter, swiftly muffling the burst of mirth behind one perfectly manicured hand. "Oh my... you can''t be serious." I flash her a toothy smirk, propping my hands on my hips in a practiced stance of cocksure nonchalance. "Hey, I''m just reporting the facts, Clarence. Kid showed up on my stoop around eleven, looking like a drowned rat that got hit by a trash truck on its way to oblivion. Good thing my kids were already asleep." "She knows where you live?" The words are halfway out of Kwame''s mouth before the dawning realization seems to strike him, one granite slab of a brow arching skyward. "Ah... I see now. That would indeed explain the unannounced visitation. She''s taken more than a bit from her mentor, has she?" I can''t quite suppress the low chuckle that rumbles up from my chest at the big man''s mild understatement, shaking my head in exaggerated ruefulness. "Yeah, let''s just say little Miss Samwise has inherited a bit more of Diane''s bullheaded tendencies than any of us would like." My gaze slides over to where Elijah and Jamal are sharing a silent look of muted consternation, the former''s mouth settling into that unmistakable downturn of irritable chagrin. I shrug, letting my own expression settle into one of carefully cultivated obliviousness. "What? You''d think by now you''d all have come to expect random invasions of personal privacy when it comes to that particular crew of baby bats," I point out with a rakish wink. "Not like any of ''em have ever heard of this radical new concept called ''boundaries''." "Be that as it may..." Jamal rumbles, leveling me with one of his patented scrutinizing stares from beneath those heavy brows. "The question still remains - what prompted Miss Small to seek you out specifically? I was under the impression her support structure primarily consisted of friends and teammates her own age." I open my mouth to respond, but Elijah gets there first with a grunt of begrudging acknowledgment. "The orientation factor, most likely." He catches my arched look and shrugs those broad, corded shoulders in a sharp, dismissive jerk. "What? You''re the only out queer affiliate within the girl''s immediate orbit. Stands to reason she''d feel most comfortable approaching you under... delicate circumstances." Jamal lets out a soft hum of consideration, seeming to weigh Elijah''s assessment before nodding slowly. "A fair point, I suppose. Though I have to wonder how exactly our young friend even ascertained that particular... proclivity." I bark out a laugh at that, thumping my fist against the meat of my bicep with a dull thud. "Oh please, did you see the googly-eyed look she was sporting around me back during that Hedge Hog dust-up last month?" Another rakish grin splits my features as I glance around the circle of my teammates. "Kid was thirstier than a damn cactus lost in the Sonoran, you really think anything less than psychic gaydar could''ve picked up on those horny little infrared pings she was beaming my way?" Clara snorts again, though this time her amusement carries an unmistakable tinge of exasperation. "Is objectifying underage girls towards the top of your list of prospective ice-breakers these days, Agnelli? Because if so, I''d very much like to revise that particular section of your conduct manual." "Hey now, no objectifying was had!" I counter with a barking laugh, spreading my hands in an artfully exaggerated pantomime of innocence. "I''m merely pointing out the obvious, Clarence - when you got it, you got it, and that kid was comin'' in hot with the goo-goo bedroom eyes to beat the band. Probably thought I was gonna be her wise, butch auntie mentor passing out all the tips." I punctuate the quip by tossing a roguish wink in Kwame''s direction, chuckling at the way the big man''s brow furrows in apparent consternation. Whether it''s at my flippant irreverence or the mere thought of teenage Sam harboring some kind of proximally unrequited crush, I can''t quite tell. Probably both, knowing the big lug. Stolen from Royal Road, this story should be reported if encountered on Amazon. Elijah''s weary sigh cuts through the banter, deflating the moment''s mirth like a pin jabbed into an overinflated balloon. "Charming as this little vignette about our understudy''s puppy crush is, I fail to see how it pertains to our larger objectives here. Unless Miss Small''s personal romantic ventures suddenly bear relevance to the coming trial and its attendant ramifications?" Jamal clears his throat, the subtle shift in his bearing enough to restore a semblance of order and dignity to the conversation. "No, you''re quite right, Elijah - this is hardly pertinent to the matters at hand." His eyes find mine, one brow arched in a silent cue for me to carry on. "Though I confess, I am curious as to what prompted the young lady''s visit in the first place. Perhaps you could indulge us?" I don''t miss the slight emphasis on that last part, the unmistakable paternal edge bleeding into Jamal''s typically unflappable timbre. Yeah, the big man might affect that stony political poker face for the cameras, but after all these years I know better than most just how fiercely protective he gets when it comes to those kids. Sobering slightly in the face of his tacitly stern regard, I let my shoulders slump into a loose, affectedly nonchalant shrug. "Hey, you got me - I was just bustin'' balls over here, Jer-bear. Kid rolled up in a mess, yeah, but it wasn''t any More You Know dramatics or anything." I pause, letting my expression settle into a more sober look as I sift through the still somewhat jumbled recollections of the previous evening''s unexpected house call. "Near as I can figure, she and Beanie Baby hit a bit of a rocky patch lately. Made things official last night, if you catch my drift." A hushed breath of dismay ripples through our little confab. "I see... that''s certainly a difficult matter, particularly considering the present circumstances weighing upon our youngest members." He pauses, features tightening almost imperceptibly before he reluctantly presses on. "And Sam, she was... understandably distraught at the news, I take it?" "That''s putting it pretty damn lightly," I grunt, flashing the big man a look that silently conveys the reality of just how friggin'' "distraught" our girl had been upon showing up on my stoop in the middle of the night. "Kid was a wreck, plain and simple. Wide-eyed and shaking, puffy as a blowfish and stinking like she''d been robbing a dispensary. Can regenerators even get high like that?" "Depends. Sam in particular, no," Elijah chimes in. "Crossroads told me a couple months ago. No booze, no weed." "Damn," Clara replies, pinching the bridge of her nose. "No wonder she gets like that in a fight. I would too if I couldn''t drink it away." I rake a hand through my hair, grimacing at the still vivid memories of just how badly Sam had been slipping into an emotional tailspin last time I''d laid eyes on her. "Honestly, if she''d been any other rando off the street, I probably woulda just turfed her raggedy ass to the curb and told her to sleep it off. But... well, you know. I gave her the spare room for the night, let her crash and recoup for a bit," I continue after a beat. "But... yeah, not gonna lie, seeing one of those kids that messed up sets off all sortsa alarm bells in my lizard brain. Just nonstop ma-bear instincts on red alert 24/7, you know?" A snort of bemused frustration slips free before I can quite bite it back, copper-toned features contorting into a rueful smirk. "But in this particular instance, I''m the lucky duck that kid decided to emotionally imprint on like one of those baby ducklings following around a goddamn garden gnome." The words are barely out of my mouth before Elijah lets out a grunt of unvarnished derision, heavy brows knitting in a palpable scowl. "Somehow I very much doubt that child is in any genuine distress beyond the momentary heartache of young love''s folly," he growls, contempt fairly radiating off of him in waves. "And even if she were, that hardly justifies this incessant invasion of personal boundaries that has become all too characteristic of her coterie of late." I bristle at his bald dismissiveness, jaw clenching involuntarily. "Oh what, you saying the kid doesn''t have a right to be messed up over this?" I bite out before I can stop myself, voice laden with caustic sarcasm. "Forgive me for not recognizing how trivial the loss of your first real romantic relationship is from the lofty, unfeeling heights of your ivory tower there, Professor Dickbiscuit." The big man whips around with blistering swiftness, mustard eyes flashing as his mouth curls in a venomous snarl. For an instant, I can see his hands tremble with that barely-leashed impulse to channel one of his trademark dupes into existence, raw and unfiltered rage roiling just beneath the surface like a primordial tsunami held back only by the thinnest veneer of restraint. Then, he stops, beginning to repeatedly unfurl and refurl his hands, eyes shutting, nostrils flaring. "Sorry. Temper." Christ, it''s easy to forget sometimes just how volatile this asshole can be when you manage to scratch that rarefied ego of his just right. Not for the first time, I find myself entertaining fantasies of clocking him with a well-placed flying dropkick, if only to wipe that perpetually punchable expression off his smug mug. "That''s enough, both of you." The words cut through the rising static charge like an arc of lightning from a clear blue sky, snapping my attention back to Jamal. He regards us both with a look of utter inscrutability, eyes harder than polished obsidian as they bore into each of us in turn. "We''re all operating under an immense amount of external stress right now, it''s true," he continues after a beat, tone resolute and unyielding. "But at the end of the day, we are still a team. A family, even, strange and dysfunctional as that notion may sometimes seem. And families rally around each other in times of crisis and upheaval, not rip each other apart with petty squabbles and juvenile sniping." His eyes find mine again, and suddenly I''m transported back two decades to those first fateful days under Franklin''s tutelage, a newly minted initiate absorbing the gospel of the Professor''s philosophies. I feel about three feet tall beneath that quietly withering look, ego and bravado collapsing in on themselves like a dying star. "Bianca is right to express concern over Sam''s well-being, Elijah," Jamal presses on, his tone softening ever so slightly as he splits his stare between us. "Just as you aren''t wrong to voice apprehension over this team''s flagging cohesion and boundaries of late." A muscle twitches in his jaw, rippling beneath the heavy basalt slabs of his jowls as he grits out the next words through clenched molars. "But for God''s sake, you two need to find a way to communicate that doesn''t involve pissing contests." BA 1.3 The silence that follows is stifling, laden with layers upon layers of history and unspoken baggage between us all, tangled roots reaching back decades. I find myself squirming slightly beneath the weight of Jamal''s vaguely paternal chastisement, the faint ghost of shame prickling at the back of my skull. Because as much as I might chafe against the manifold Rules and Regulations that govern our work, at the core of it all, the man is absolutely right - we are a family here. Maybe not the most functional bunch in the cosmos, sure, but a family all the same, bound by thicker ties than most could ever fathom. Of course, just like any other family, that also means stoking the occasional roiling bonfire of resentments and petty rivalries, forever threatening to immolate everything in its path if left untended for too long. Elijah and I might be teammates united under a common cause, but we''ve also been circling each other''s orbits long enough to amass a significant gravitational wake of grievances and interpersonal grating. I mean, the guy''s a spectacular prick on his best days, but even I have to admit there''s a grudging respect there too. His methods might be overbearing and high-handed, but he gets results. Lord knows the rest of us would''ve capsized this leaky frigate of ideals ages ago if not for his gruff, uncompromising stewardship keeping us on course all these years. Maybe there''s something to be said for that, I find myself pondering as Jamal''s words still linger in the hush. Some shred of integrity worth clinging to, even when the rest of our lives seem to whirlwind into chaos and madness around us. It''s Kwame who finally breaks the heavy silence, the big man offering up a soft rumble pitched low and mollifying. "I understand the concern, truly. But if I may...?" There''s a brief pause as he waits for Jamal''s wordless nod of assent before gently pressing on, hands spread in an artfully placating gesture. "It seems unwise for us to speculate too fervently regarding young Samantha''s private affairs, particularly in her current... delicate state." His eyes slide towards Elijah, one obsidian ridge raised in a look that brooks no argument. "Suffice to say, whatever distress she may have sought succor from does not diminish the gravity of the challenges yet to come. We would all do well to brace ourselves accordingly, no?" Something in the big man''s words seems to sink in for the rest of us, lancing that roiling undercurrent of tension still simmering just beneath the surface. I shoot him a grateful nod, falling back into myself with a vaguely self-conscious huff of laughter. "Yeah... yeah, you''re probably right there, big fella," I manage around a watery chuckle, rolling my shoulders in an exaggerated bid to dispel the lingering static charge between Elijah and I. "Trust me, you don''t want any of us butting into the nitty gritty of teenage heartbreak drama, believe you me." I offer Elijah a sidelong glance and an irreverent smirk, daring him to call me on my bluff even as a tiny part of me silently prays for his tacit acceptance of the olive branch being extended. Because let''s face it, heaven and earth could sooner find themselves in simultaneous alignment than this mismatched posse of ours lasting more than one day without some little spark flaring up to reignite the usual banter and sniping. Sure enough, Elijah''s only response is to heave a long-suffering sigh, throwing up his hands in a gesture of melodramatic surrender as a muscle twitches in his bulldog jowls. "Very well, very well - I suppose I should simply count my blessings that our latest breach of institutional integrity and jurisdictional protocol didn''t involve any further property damage this time." A rumbling chuckle cascades around the room at that, breaking the last of the lingering tension as we all allow ourselves a moment to simply revel in the sheer absurdity of these chaotic lives we''ve somehow landed ourselves in. Yeah, we might squabble and bicker like the most dysfunctional nuclear clan in all of recorded history, but at the end of the mulch-strewn day, there''s a bond between us all that transcends such petty grievances. I catch Clara''s eye from across the dimly lit room, her own stoic features cracked ever so slightly by a wry grin of commiseration. A tiny shrug of my broad shoulders is all the acknowledgment I need to offer - she knows the score, same as the rest of us grizzled vets Lucky enough to find ourselves inexorably bound to this madcap cadre of two-fisted lunatics and lost causes. "Alright people, one final order of business before we all scatter to the winds again." Jamal''s gruff tones cut across the steadily thinning room like a booming clarion call, prompting the three of us to pause midst shrugging on jackets and gathering our various civilian accoutrements. At his subtle hand gesture, we congregate around the man in a loose semicircle, postures instinctively stiffening into crisp parade rests out of long habit and muscle memory. Jamal regards each of us in turn for a beat, seemingly weighing his next words with painstaking deliberation. "You''re all aware, of course, that our ranks are somewhat... diminished compared to years past," he begins at last, gaze settling on some indistinct point off in the middle distance. "Franklin''s passing gutted us in ways that can''t be overstated, and Diane''s sacrifice this past winter only compounded those losses further still." A grim pall settles over the impromptu gathering, as dark and immutable as a total eclipse sweeping across the sun''s face. Of course we''re aware - how could any of us ever forget those twin tragedies, seared into our collective psyche like glowing brands scorched into living flesh? I resist the urge to scoff bitterly at the oblique nod to our so-called "diminished" state. That''s putting things lightly to a fault - more accurate to say we''ve been utterly decimated in the harsh light of cruel reality. Not that any of us would vocalize it, of course. This little melodrama is one of Jamal''s trademark "character building" dances around the elephant''s ever-looming presence in the room, a verbal exercise in stating what should be baldly obvious to any observer not actively trapped in the tar pits of willful delusion. "Now, I''m not one to dwell in the mire of the past - we''ve all suffered enough sorrow and pain to fill oceans in that regard, I think," the big man presses on, jaw tensing against another fresh wave of muted grief. "But facts are facts, and the reality we now face is a troubling one indeed. Our roster is thinner than it has been in decades, perhaps the leanest fighting trim since the old days of the Vanguard Initiative." This story is posted elsewhere by the author. Help them out by reading the authentic version. He lets that ominous observation hang in the air for a moment, apparently content to let it steep amidst the churning undercurrents of our collective discomfort. Then, just as abruptly as it had descended, the solemn melancholy shatters like a pane of safety glass pulverizing under the force of a well-lobbed cinderblock. "Which is why I wanted to broach the topic of recruitment with all of you," Jamal declares, straightening up and squaring those broad shoulders into an unmistakable line of command. "We can ill afford to linger in this current diminished state, not with the... challenges looming on the horizon." A series of furtive looks are exchanged around the rough circle, punctuated by brittle nods of tacit agreement. Because of course Jamal''s not referring to Chernobyl''s trial, or the metahuman drug rings, or any of the other headline-grabbing calamities we''ve been clawing tooth and nail at for the past year now. No, there lurks a far more pervasive sense of entropy nagging at the foundations of this entire operation, eating away at our structural integrity from within like a host of industrious termites. Sooner or later, we''ll have to take steps to reinforce those vulnerabilities... assuming there''s even a workable foundation left to fortify. As ever, it''s Kwame who finally steps up to verbalize the beast gnawing at the edge of our collective apprehension. "You believe it past time we open a new cycle of eligibility for the Young Defenders, then?" he rumbles, dark eyes glinting with a taciturn understanding as keen as a razor''s edge. "To... replenish our ranks from the next generation, so to speak." Jamal nods, slow and deliberate, seemingly savoring the weight of those words as Kwame utters them out into the open air. A muscle twitches in his jaw, the only visible tell of whatever internal deliberations and calculations are even now unspooling behind that inscrutable facade. "The thought has indeed crossed my mind more than once of late, yes. Those kids have proven themselves time and again - they''re more than ready to move up to the next tier, push themselves to an even higher plateau." Clara clears her throat, the sudden sharpness of the sound effortlessly severing through the ribbons of tension winding their way around the rest of us. "I hate to be the voice of obstruction, as per usual," she sighs, mouth settling into a familiar moue of habitually sour reluctance. "But I do need to remind everyone that Puppeteer''s transition is... effectively a non-starter, given certain matters of record that are now set in legislative stone." A beat of weighty silence greets those words, each of us forced to confront that particular grim reality head-on. Puppeteer has been wrestling with more private demons than any of us are perhaps equipped to fully comprehend. Thankfully, Elijah breaks the uncomfortable hush before it can stretch into open awkwardness. "Regardless, we have several other prime candidates to consider taking under our more... direct stewardship," he acknowledges with a curt nod. "Martinez, Reynolds are available for immediate graduation, while Harris, Li, and Chen are close. All upstanding, disciplined assets with clear tactical acumen and dedication to the mission. Yes, even Harris." Jamal hums deep in his throat, brows knitting as he appears to mull over Elijah''s terse assessment. "You don''t think we should consider bringing in some outside blood as well?" he muses after a protracted moment, pinning the big man with a look whose depths belie its laid-back veneer. "This city is hardly lacking for talented unaffiliated operators crying out for support and structure - bringing in a few fresh faces could provide just the reinvigoration we require. Not to mention, they might be able to actually buy a beer at a corner store." A noncommittal grunt is Elijah''s only immediate response as he trades a brief, inscrutable look with Clara. The two of them share one of those weird telepathic hyper-link moments that always manages to make me feel weirdly isolated in times like this, despite all our shared history. Like I''m a guest in their private clubhouse, permanently barred from the sacred inner sanctum on some technicality or another. Elijah shakes his head fractionally, the ghost of a frown tugging at the corners of his stony mask. Clara simply arches one perfectly sculpted eyebrow a fraction higher in response before allowing her shoulders to sag with the barest hint of resignation. "It may prove... prudent to at least sound out the possibilities," she concedes after a heavy beat. "Though I think we both know the complications that come prepackaged with such overtures. Particularly given certain procedural bottlenecks that seem to flare up without fail whenever we try handling things ourselves." Translation: the byzantine government bureaucracy surrounding metahuman affairs and the endless miles of red tape that go along with it. A veritable bone of contention between this pair of hardliners and the rest of us more improvisational types - every time there''s so much as a whisper of opening new recruitment channels, Clara and Elijah are the first to trundle out the tedious legalese and policy reminders. Hardly surprising, though, from the faction that lives and dies by the often suffocating letter of the Procedural Code. Why embrace a new dawn of superhuman coalition when you can just replicate the same overbearing institutional oppressiveness that''s kept everything on a choke chain for a generation and counting? I don''t bother voicing any of those sentiments out loud, of course - not with my usual indelicate flair for the poetic barb, at least. Instead, I simply settle for a low grunt of acknowledgement as Kwame steps forward to weigh in again, a rumbling mountain to Elijah and Clara''s implacable stone monoliths. "I believe Jamal raises a fair point regarding new asset acquisitions. While the next echelon of Young Defenders are certainly more than deserving of advancement, we would be wise to keep an open mind to other potentials out there." He pauses, shooting me a brief sidelong look of knowing warmth before continuing. "As our dear friend Bianca would no doubt attest, untapped wellsprings of capability often flow through our midst, unnoticed until the time comes for them to take the stage." I answer his sly wink with a toothy smirk and a mocking scoff, unable to quite resist the urge to puncture the moment''s rising self-seriousness with a little levity. It''s one of those rare things Kwame and I have always seen eye-to-eye on throughout the years - if you start taking yourself too stone-cold seriously in this line of work, the existential dread will swallow you quicker than a razor-fanged Xenodon. "Sure, go ahead and open those floodgates, big man," I rasp around a throaty chuckle, adjusting the battered old windbreaker draped over my shoulders in an exaggerated shrug. "Me personally, I''m still holding out hope for that shy, unassuming display assistant who transforms into a mid-range thermobaric live munition when nobody''s looking." Kwame can''t quite suppress the rumbling guffaw that slips out of him, while Elijah and Clara simply exchange another one of their looks of resigned longsuffering exasperation. A tiny sliver of some indefinable tension bleeds out of the room as they begrudgingly accept that any further attempts to reify this dialogue will only serve to slide it further into the usual absurdist merriment. As ever, it''s Jamal who has the final word, regarding each of us with what passes for an amused chuckle in his particular dialect of stoic rectitude. "All perspectives are welcome and will be given due consideration, as is tradition," he pronounces, not bothering to hide the slightly sardonic edge glinting behind those heavy-lidded eyes as he nods at me specifically. We all share a final, commiserating peal of laughter at that, any remaining embers of gravitas or rigidity thoroughly extinguished by the absurdist levity rapidly blooming in the wake of Jamal''s understated barb. Yeah, the future might still be churning off in the wings, all storm clouds and unspoken foreboding tucked away behind opaque curtains and unknowable horizons. But for now, at least, we''re free to simply revel in the momentary illusion of control we''ve so painstakingly cultivated, no matter how ephemeral that conceit might prove to be in the end. I shake my head as I gather up my discarded parcel of street clothes, allowing myself to savor the faint, melancholy swell of affection I feel for this patchwork clan of rogues and lost causes. God help the sorry bastards who get caught in our sights next, I can''t help but muse as I trail along behind the others, heading out into the sweltering summer evening to face whatever fresh conflagration of madness awaits us amid the teeming streets beyond. Chapter 89.1 The past couple of days have been a swirling maelstrom of misery and self-pity, one indistinguishable hour bleeding listlessly into the next. I''ve spent more time curled up in the fetal position amidst my rumpled bedsheets than I care to dwell on, cycling between paroxysms (definition: a sort of fit, like having a spasm) of muffled sobbing and that horrible, soul-hollowing blankness that comes from having simply run out of tears to shed. At some point - maybe it was yesterday? Maybe the day before? - I gave up on even trying to keep track. My bedroom became a pitch-dark cocoon, the curtains drawn tight against the mocking vibrancy of the world outside. It''s a beautiful late July to get broken up with! Only the most tenacious rays of sunshine manage to slip through the cracks, dusty beams that seem to take on an almost confrontational quality as they play across the wreckage of my personal space. Empty pints of ice cream litter the immediate vicinity of my nest, along with an assortment of discarded utensils, crumpled tissues, and various other detritus accumulated over the course of my...what, 36-hour pity party? I think there might even be a wadded-up t-shirt or two in the mix, though my memory is a bit hazy on the details. The cumulative effect is one of abject squalor, like the den of some feral, subterranean creature that has retreated into its lair to lick its wounds after a brutal mauling. Not that the metaphor feels too far off the mark these days. The dull ache of heartbreak hasn''t faded even slightly, just evolved into this bone-deep weariness that seeps into my veins, weighing me down like an inexorable undertow. Every so often a fresh surge of misery rips through me, as sudden and visceral as an unexpected blow to the solar plexus. In those moments, all I can do is curl in on myself and ride out the cresting tide of agony until it inevitably subsides, leaving me hollowed out and dry heaving in its wake. Man. This sucks. At some point during this waking purgatory, the door creaks open to admit the concerned, perpetually fretful presence of my mother. Her voice drifts to me in soothing murmurs, gentle platitudes meant to soothe and console that instead trigger an almost feral surge of irritation in my gut. "Go away," I growl through gritted teeth, burrowing deeper beneath the safety of my comforter''s downy embrace. "M''fine, just leave me ''lone..." Undeterred, she presses on in that infuriatingly placating tone that sets my nerves screeching like nails on a chalkboard. "Sweetheart, you haven''t eaten anything in over a day. At least let me bring you something, maybe some soup or -" " Leave me alone! " The words explode from my lips in a guttural rasp, reverberating through the cramped space like a thunderclap. Needles of ice prick at the corners of my eyes, heralding the telltale burn of fresh tears threatening to spill forth. There''s a beat of stunned, wounded silence from the doorway. Then my mother''s footsteps retreat in a hushed cadence of defeat, the hinges creaking softly as the entrance swings shut in her wake. A small, rational part of me recognizes that I''m being a stupid little piss baby. The emotional part demands more ice cream. I satisfy neither of them. Instead I let the tears come freely, burying my face in the pillows to muffle the wordless noises. I don''t know how long I lay there, body convulsing with each ragged exhalation, throat savaged from the violence of my anguished cries... but eventually, blessedly, the storm passes. Or at least plateaus into something a bit more manageable, leaving me drained and hollow. At some point, my dad''s softer cadences intrude on my grief-induced stupor. Unlike my mother, he doesn''t try to cajole or placate - his approach is gentler, more passive. An offering of company and support without any strings attached, laid out for me to accept or reject as I see fit. For a while I wallow in stubborn, adolescent petulance, pointedly ignoring his efforts. But inevitably my natural temperament for attachment asserts itself, and I find myself allowing him into my bedroom. We don''t talk much - he understands a little better than Mom in that regard. Instead, he simply settles on the edge of the bed and pulls out his PDA, a silent bulwark of patient understanding as I proceed through whatever strange convulsions my emotions bring me. It''s this gradual erosion of my already tenuous fortitude that eventually drives me to seek an escape, any escape from the confines of this grief-sodden bunker. So one night, perhaps around one or two in the morning, I find myself creeping through the back alleys and shadowed corridors of Rhawnhurst on dreadfully familiar roads. The faint traces of her shampoo still clinging to my pillowcase, now growing staler with each passing hour. The sweater she''d forgotten draped over the back of my desk chair, a forgotten token of intimacy now turned into a painful reminder that I''d have to return it to her one day. Little talismans and relics of happier times forcefully intertwined with the fresh, raw ache of our breakup. UGH. I''m so melodramatic. At one point, in a fit of spiraling self-pity and desperation, I even turn to Jordan for their usual brand of delinquent level-headedness. An impulse-purchase tin surreptitiously hand-delivered to my bedroom window late one afternoon - a fragrant emerald parcel of chemically-derived escapism, ostensibly my ticket to blissful, mindless respite from the ceaseless, haunting refrain of memory looping through my consciousness. Did you know this text is from a different site? Read the official version to support the creator. It doesn''t really work, though. I figured that would happen but the worst that I get is, like, ten minutes of fuzziness, and then it goes away. So instead, I go walking, sort of trusting my instincts to take me somewhere useful. The tiny two-bedroom flat looms ahead like a promised oasis, all yellowed windows and battered brickface accented by peeling paint and cracked asphalt. A normal person might take one look at the place''s ramshackle exterior and dismiss it as an abandoned hovel, uninhabitable and frankly unsafe. But I''m no normal person anymore, am I? So I stride up to the scarred wooden door with a sort of dogged purpose, raising my hand to deliver a single sharp rap against its aged, pockmarked surface. A heavy tread answers my summons almost immediately, the booming cadence of Bianca Agnelli''s unmistakable basso tread rattling the floorboards beneath my feet. There''s a pregnant pause as she no doubt checks the peephole, then twin locks clatter and the door swings wide to reveal the brawny, tatted firefighter in all her gruff, effortless charisma, at about one in the morning. For a beat, she regards me through narrowed eyes, irises gleaming with reflected streetlight as her gaze sweeps over my clearly disheveled appearance. Then understanding seems to dawn across her craggy features, a rueful smirk tugging at the corner of her mouth. "Aw hell, kiddo..." she rumbles, already stepping aside to usher me over the threshold. "Get your scrawny ass inside before you wake the whole damn neighborhood up. Then you''re gonna tell me who hurt you and how much ass I have to whoop."
So that''s how I end up here, all bravado and crumpled indignity, tentatively edging my way through the domineering oak doors of the Delaware Valley Defenders'' downtown HQ in the dead of night. One final, desperate bid for reprieve, for some fleeting taste of normalcy to reinvigorate my listless soul. At first, it seems to be working. The familiar industrial bustle of ops washes over me like a healing balm as I pass through the bustling antechamber, nodding terse greetings to the smattering of personnel keeping the midnight vigil. With each echoing footfall along the polished floors of the main corridor, I can feel the weight of the past few days sloughing off bit by bit, allowing me to haltingly reassume that bulletproof veneer of the ever-stalwart Bloodhound that''s become such an intrinsic part of my identity. Of course, it''s all a fragile facade, paper-thin and liable to come fluttering apart at the slightest provocation. But for now, at least, in the humming heart of the city''s superhuman security apparatus, it''s enough - enough to sustain me for a little while longer. The training gym is blessedly empty when I arrive, the cavernous facility accented with a smattering of state-of-the-art weight and aerobic equipment. But I barely spare the gleaming chrome and rubber a passing glance, instead making a beeline for the reassuring familiarity of the mats, the sandbags, and the speedbags. For a few blissful minutes, it''s just me and the coarse fabric anchoring the ring, pummeling the heavy bag with fists, knees and elbows until a sheen of sweat emerges on my brow and the cloying phantoms of memory fade to a dull murmur. The steady thumpa-thumpa-thumpa of impacts becomes my mantra, lulling me into a trance-like state of serene emptiness where nothing exists but the singular, elemental dance of flesh and violence. I try my best to avoid those instincts to clench my hands so hard that the teeth come out, mostly because I already popped a sandbag and I don''t need Rampart getting mad at me for popping another one. I almost feel complete like this, like I''m back to some sort of baseline that I used to be before I decided to kiss 10 Grays of radiation, but these measures always feel so frighteningly un-useful. I can never remember what my face looked like a week ago, much less the bodily state of half-a-year-ago of my previous self. It''s all just a body and I''m just living inside of it. Thumpa-thumpa-thumpa-thumpa-thumpa it goes, rattling against my knuckles until they start to ache and split. The stinging feels great. Feels like something I could be using right about now. Keeps me sharp. Of course, it can''t last - these rare moments of transcendence, however fleeting, never really do. "Pardon me... Bloodhound?" The clipped, overly formal intonation shatters my reverie like a fragile soap bubble pricked with a needle. I spin with fists already rising in a defensive guard, heart thundering in my ears for one terrifying, adrenaline-laced instant - Until my vision clears enough to make out Rampart''s imperturbable features regarding me with a blend of polite concern and faint amusement, hands raised in an exaggerated placating gesture. "Whoa there, Bucky," he rumbles, the edges of his mouth tugging upward in the faintest ghost of a smile. "It''s just us, remember? No need to go all Aikido on my seven-foot ass unprovoked." I blink owlishly, arms slowly lowering as reality reasserts itself and that fleeting surge of fight-or-flight chemicals ebbs away. "Oh... Rampart, hey. Shit, my bad..." I rasp, somehow managing a self-conscious chuckle around the thundering pulse still sounding in my ears. My tongue darts out, dabbing at the thin sheen of perspiration beading along my top lip. My hair itches where the pixie cut curls into the back side of my ear. "Guess I got a little, uh... tunnel vision there for a sec, huh?" Rampart offers me an easy-going smirk and a wink, nodding in the direction of the heavy bag still swaying and creaking behind me. "Clearly. What''s the deal there, slugger - looking to put a third hole in that thing to match the pair of craters your fists already served up?" I glance back at the battered cylindrical slab of vinyl nylon, unable to stifle the flicker of chagrin that surges through me at the sight of the two fist-sized divots cratering its side. Yeesh, guess I was really going to town there for a minute. No wonder the big guy thought I was mid-meltdown or something. Not like I''d know anything about melting down recently. Who, me? Nah. I''m perfectly stable. "Heh. Yeah, good thing the canvas is rated to take a hell of a beating," I offer by way of droll remark, brushing fresh trickles of sweat from my brow with the back of one hand. "Wouldn''t want OSHA to come down on us too hard for endangering gym equipment, after all." "Indeed," Rampart agrees with an amicable chuckle, sloping off his towering stance to lean casually against the ring ropes. "Though I do have to ask - you planning on monopolizing the mats all night there, Annie Oakley? Or are you maybe feeling generous enough to let the rest of us weekend warriors get in a few licks before curfew?" "I don''t know who that is," I mumble just loud enough to be heard. He waves it away politely. I eye Rampart for a momentary beat, considering his casual invitation. A spar could be just what I need to shake off these lingering tendrils of self-pity and misery - nothing clears the mind quite like a solid ass-kicking, after all. Chapter 89.2 "You know what, big guy?" I drawl at last, tossing him a cocky half-smirk as I peel off my sweat-damp tank top. "I think I''ll take you up on that offer. Feel like knocking a few teeth loose before curfew?" Rampart snorts, already stooping into a loose fighting crouch as he advances onto the mats. "Them''s big words from such a little shrimp, Smallfry. You sure you don''t wanna just stick to gymnastics with Gossamer before somebody gets their feelings hurt?" I let the barb roll off me with an airy shrug, slipping into my own stance with an effortless, muscle-memory fluidity. Dancing on the balls of my bare feet, I rock back and forth for a few experimental bobs, feeling the familiar thrum of adrenaline beginning to course through my limbs. For the first time in days, I feel that heady rush of clarity and single-minded purpose, all extraneous baggage and emotional static fading into blessed white noise. "Aww, how cute - he thinks he''s people," I snipe back with a toothy grin, slipping a bit of Jersey tang into my cadence. "We''ll see if you''re still talking shit after I stomp those lil'' raisins you call fists right down your gullet, Gumby." Rampart barks a laugh at that, shaking his head slowly. "Hey now, let''s try to keep things at least PG-rated here. I know your pottymouth''s been getting a workout lately but there''s no need to take it out on -" I don''t let him finish. Maybe it''s the perceived slight against my dignity, or just the pure catharsis of being able to move without overthinking every little twitch. Either way, something inside me snaps into crisp, primal focus, and I''m exploding into action before the thought even fully crystallizes. My legs coil like springs and I''m hurtling forward in a blistering surge of momentum, both arms already lancing out in a vicious series of sledgehammer blows directed squarely at Rampart''s iron-clad jaw. I don''t pull them, not even a little - with the tiniest fraction of my power suppressed, every impact carries enough concussive force to level a city block. Or, at least, that''s what it feels like. To his credit, the big guy reacts with the speed and technique you''d expect from a seasoned combatant. His forearms snap up in a deft cross-guard, drawing my wild haymakers onto the solid bastion of his anchored defenses with a teeth-rattling thunk. For a fraction of a second I sense the shock of impact shivering through his defensive stance, lending me a split-second window for a ruthless pivot and snap-kick aimed squarely at his sides. Normally, kicks are not exactly a part of my repertoire, but Gossamer has been teaching me and I''ve been re-conditioning my shins. It hits nice. But Rampart is already flowing into the next phase of his counter, dropping into an abrupt hunch that turns my thunderous shin-strike into a mere glancing blow across his shoulder. Before I can reset my balance he''s barreling upright again, snatching my offending ankle in a grip of iron and using the momentum of his abrupt lurch to hurl me off my feet. I twist into a mid-air rotation, flopping gracelessly to the mat. But rather than accept the throw, I convert the momentum into a tight shoulder-roll that allows me to spring immediately upright again, already leading with a stinging palm-strike to Rampart''s throat. "Nice try, Bee, but you''re gonna have to hit a lot harder than that if you even wanna think about knocking me flat," he rumbles, batting my feeble blow aside with a contemptuous flick of his wrist before slamming a straight-arm clothesline into my sternum. The impact steals my breath in a ragged wheeze, driving me stumbling backward. But I refuse to allow any ground, bullying my way back into his space and unleashing a flurry of hooks and roundhouse kicks - no power behind them, just angles and positioning and relentless, merciless pressure. Rampart weathers the maelstrom with a look of grim determination, never giving me an inch while he patiently parlays each of my telegraphed strikes into effortless deflections or glancing blocks. The steady pat-pat-pat of his counter strikes rapping off my ribs, arms and shoulder blades grows into a low, percussive cadence, only serving to feed the growling inferno in the pit of my gut. Finally, his guard slips for the barest fraction of a second, just enough for me to slip a stinging jab through and catch him square in the bridge of the nose. I imagine a wet crunch of pulverized cartilage, a crimson blossoming across his vision, a blood-covered jaw, but what really happens is that my fist bounces off his impenetrable, perfect skin, and then the rest of them begin worrying his cheeks and jaw. Fist after fist after fist. "Come on, Pillsbury!" I growl through gritted teeth, sweat pouring over my eyebrows. "You gonna let some squirt keep beatin'' on you all night, or you wanna at least try putting up a--" The words choke off in a pained grunt as Rampart snarls and muscles his way through my barrage, seizing me by the shoulders and wrenching me skyward until my feet leave the mat entirely. Acting purely on instinct, I squirm, clamp my arms around his neck, and flex with every ounce of strength I can muster, feeling a savage surge of triumph as he hisses out a cough and staggers backward a step. From there it''s like a runaway freight train, the two of us careening and colliding across the mats in a bruising, jaw-rattling display of force and technique. For long minutes we battle with a sort of savage, breathtaking intensity, painting the floor and each other in a patchwork canvas of rapidly-swelling contusions and freely-flowing rivulets of blood. I even manage to catch him by surprise and slice a clean line open on his cheek, which is I think the first time I''ve ever really made him bleed. Stolen novel; please report. At one point, we find ourselves in a grinding, sweaty standlock, faces mere inches apart as we strain every sinew against each other. Rampart flashes me that wolf''s grin of his, gaze burning with the thrill of unbridled combat despite the mask of crimson darkening his features. "Not bad, shrimpy," he rumbles, sparing me another crunch to the ribs that very nearly buckles my stance. "You''ve been holding out on me in our lessons, haven''tcha?" I reply by hawking a disgusting gobbet of phlegm onto the ground, earning myself a feral grunt of disgust and an elbow that very nearly turns my world concave. I''m dimly aware of my nose bleeding at some point, a profusion of fire blooming across my face to join the smoldering agony already radiating from what feels like a dozen other ignition points. It''s sick and twisted and so, so necessary. A messy, glorious revel in the unchained madness of anarchic violence and unchecked brinksmanship - a communion of souls adrift in that savage, primal ether where nothing else matters beyond the singular focus of surviving the next biochemical onslaught. It takes my pain away, is what I''m saying. Finally, after what feels like eons locked in this whirlwind of bone and gristle, there''s an audible lull in the chaos. Chests heaving, we stagger back a few respectful paces, each warring to catch our breath and regain some semblance of composure. Rampart seems to get their legs beneath them first. Rather than press the advantage, though, he simply stand upright and extends an open palm in a gesture of respect and restraint. "I think... we maybe call this one a draw, yeah?" he offers between ragged inhalations, the last traces of his wolfish mirth glinting beneath fresh blossoming bruises. "Don''t wanna end up having to carry your concussed ass back to Medbay in a wheelbarrow anytime soon." Some distant part of me sniffs indignantly at the unspoken implication - as if he could even dream of subduing me in a straight fight if we kept this up. But even through the intoxicating thrill of combat, I''m still instinctively in tune with the groaning protests of my body, the leaden weariness creeping through my limbs. Pushing any further would just be courting injury, or worse. So instead, I simply disengage with a lopsided smirk and a rude gesture, ignoring the pained complaint of my protesting knuckles. "Yeah, yeah, don''t flatter yourself," I wheeze around a mouthful of coppery warmth. "I was just about to let you off the hook before you crapped out on me." Rampart snorts at that and mutters something about ''little shits'' under his breath, but the gruff chuckle rumbling beneath the words betrays his tacit regard. We lapse into a momentary, companionable silence, savoring these final few echoes of satisfaction and adrenaline before they fade like the dissipating storm clouds. "Hey," Rampart ventures after a beat, feathering a bruised forearm across his sweaty brow. "Feel like blowing this pop stand for a bit, getting some fresh air? Call it a late night patrol. Maybe if we''re lucky you''ll find a purse snatcher to take out all that anger on." I consider his offer through the haze of mild euphoria and exhilaration still prickling through my veins. Truth be told, after that old school beat down, I''m feeling better than I have in days - lighter, somehow, clearer of mind and infinitely steadier of purpose. "I think beating up random people is probably not for the best, but in regards to the first half of that sentence," If nothing else, a bit of night air might be just what the doctor ordered to ride out this sudden resurgence of almost-normalcy before the darkness comes crashing back in to reclaim me. "Lead the way, big guy," I grunt through my split lip, rolling my shoulders in a bid to loosen up the knots already forming along my flanks and upper back.
The streets of Center City are all but deserted at this late hour, the usual bustling thoroughfares lying silent and still beneath a canopy of burnt orange streetlamps. Our footfalls ring out in a steady, almost mournful cadence against the empty asphalt as we patrol in amiable quiet, letting the cool night breeze wash over us. "So, uh... looks like the big guy''s got himself a brand new costume on order, huh?" He swivels to flash me a self-deprecating smirk, lips quirking around the butterfly bandage now adorning his split cheek. "Courtesy of our very own Gossamer, no less. Girl''s really been putting in overtime at the ol'' sewing machine lately." I can''t resist cracking a grin of my own at that, imagining the diminutive sewing dynamo hunched over a needle and thread with her usual laserlike focus. "No kidding? I''ll have to remember to thank her for gussying you up real pretty whenever I get the chance." I dart in and throw a playful elbow at his ribs, mindful not to put too much oomph behind the feint. "What''s the matter, Ramp - finally decide those spandex onesies were a little too tight in all the wrong places for you?" Rampart huffs out a chuckle, fending off my gentle jab with a dismissive swat. "Laugh it up, funnygirl. Wait''ll you get a look at the bells and whistles she''s added before you start making jokes." He pauses for dramatic effect, waggling his eyebrows with a self-satisfied air. "Three words: retro-reflective high visibility trimming. " My brow furrows as I turn the unfamiliar phrase over in my mind, until something clicks. "That''s the stuff in highway paint, right? Retro-reflective - that means it reflects backwards. As my cursory understanding of Latin informs me. Right?" "It means when light hits these yellow lines, I glow like a streetlight," Rampart explains with a lopsided grin, slowing his pace so he can spread his arms demonstratively. "Idea is, they''ll make me stick out like a sore thumb in the field, so everyone''s focusing on the big guy instead of all the fragile teammates surrounding him." I arch an eyebrow, feeling a reluctant smirk of approval tugging at the corners of my mouth. "You calling me fragile?" Rampart scoffs and shoots me a flat, unamused look, but there''s a telltale crinkle of amusement sparkling in his eyes. "You''re a real comedy act, you know that?" Rampart chuckles at himself, head swiveling briefly to sweep our surroundings with a casual once-over as we leave one darkened intersection behind. The silence stretches out for a few heartbeats before he speaks again, tone almost deceptively casual. "It''s definitely futuristic," I say, adjusting my helmet so it fits a little better around my eyes, pulling the ears back. A small brown wig tosses behind me, built into the helmet on my request. Just to make it look like my hair is suddenly long again. Or at least medium-length. I go quiet for a couple of heartbeats. Chapter 89.3 "Speaking of the future though, any thoughts on what''s next for you after all this?" His expression is carefully neutral as he poses the question, but I can detect the faint undercurrent of genuine interest layered beneath the words. "Like, after school and everything?" I grimace at that, a sudden swell of frustrated resentment licking at the frayed edges of my psyche. So much for our nonchalant impersonal saunter managing to distract me from the yawning chasm of heartache currently subsuming my will to live. Clearly picking up on the sudden shift in my demeanor, Rampart presses on in a slightly hasty tumble of syllables, almost as if to gloss over the unintended provocation. "Not that your plans gotta change or anything! Just figured it couldn''t hurt to, you know, get a feel for where your headspace is at these days..." I consider brushing him off, maybe with a snarky deflection about how my "headspace" currently amounts to a maelstrom of existential misery interspersed with the occasional intrusive suicidal ideation. But just as the reflex begins to form, I catch myself and rein it in. For all his often well-meaning clumsiness, Rampart is still one of the only people who can even begin to comprehend the madness constantly simmering beneath the surface of my thoughts lately. Shutting him out would be petty, and honestly more effort than it''s worth. "I''m too young to be thinking about what''s going to happen the next day much less three years from now," I admit at last, letting out a soft sigh as I glance up and away from the looming shadow of City Hall. "The past year, it''s just been one thing after the next, you know? I guess I always just kinda figured I''d stick with the superhero thing until it finally killed me. Finish college, go to Drexel, do... something. Superhero on the side. Never really saw the point in planning too far beyond that." Rampart makes a low, noncommittal noise in the back of his throat, his expression carefully bland. We lapse into silence for a few moments after that, our footfalls ringing out in steady counterpoint to the gentle whisper of late night traffic in the distance. Rampart seems to consider my response for a few beats, brow furrowed in contemplation. When he speaks again, his tone is measured, almost cautious - like he''s wading into uncertain conversational territory. "I hear you, for sure. This whole lifestyle ain''t exactly conducive to long-term goal-setting or making five-year plans, you know?" He casts a sidelong glance my way, features inscrutable. "Still, you gotta admit the idea of just... riding this crazy train until it kills you is kinda messed up, right?" I stiffen slightly at his words, shoulders instinctively squaring as I brace for another well-meaning lecture about self-preservation or quality of life beyond the mask. But Rampart simply shakes his head, pressing on in that same careful cadence. "Not judging, Bee, I swear. If anything, I respect the hell out of that kind of dedication and single-mindedness." His lips quirk in a rueful smirk. "Guess I''m just trying to wrap my head around how someone so young somehow managed to cultivate that level of... what, Zen detachment? Existential clarity? Whatever you wanna call it." He lapses into silence again, leaving me to mull over his musings. I can''t help but shrug a little, feeling oddly self-conscious under the weight of his regard. "It''s not like some big philosophical outlook or anything," I venture at length. "More like... I don''t know, basic pattern recognition?" A humorless chuckle slips free, and I shake my head. "Maybe I''m just weirdly pragmatic for a scrawny teenager, but it seems pretty self-evident that this whole costumed crimefighter thing doesn''t really allow for a whole lotta stability or forward planning, you know? Like, one of these days I''m gonna get my shit seriously rocked in a way my healing factor can''t just brush off. Might as well own that reality instead of trying to fight it." The words settle between us with a sort of leaden finality, and for a few pregnant moments the only sounds are our footsteps and the distant murmur of the city. Rampart''s features remain carefully impassive, betraying nothing of whatever he might be ruminating on. "Fair enough, I suppose," he rumbles at last with a slow nod. "Not like hanging up the spandex is much of an option for jaded adrenaline junkies like us anyway, right?" His mouth curves in a wry grin, the banter seemingly helping him find firmer footing. "Knew there was a reason I liked having you around beyond your sparkling wit and pint-sized swagger. Self-awareness is a rare commodity in our line of work." I can''t quite suppress the snort of laughter that bubbles up from my chest at that. "Oh, is that why you keep me around? Here I''d just assumed it was this rapier intellect and breathtaking beauty," I drone, flashing him a cheeky grin. Rampart lets out a bark of rumbling laughter, visibly grateful for the opportunity to shift the tone back toward more comfortable, familiar territory. "Yeah, yeah, don''t let all those teenage heartthrob pinups go to your head there, Smurfette. We both know you''re really just a tiny, semi-solid mass of teeth and angst wrapped in a reasonably formfitting set of body armor." I open my mouth to volley back a suitably scathing retort, but the sound of raised voices in the near distance brings me up short. I instinctively snap into high alert mode, muscles tensing as my senses radiate outward in sweeping arcs, hunting for the source of the disturbance. "You hear that?" I murmur under my breath, every nerve alert. "Sounds like a domestic dispute or something up ahead." Rampart goes stone still for a beat, then nods once, all traces of his easygoing mirth evaporating in an instant as his features settle into that stoic, imperturbable mask that''s become his calling card. "Lead the way," he growls, already settling into a low fighting crouch as he scans the enveloping shadows for threats. "I''ve got your six." I nod back, feeling that familiar surge of jittery exhilaration thrumming through every sinew, banishing any lingering melancholy as effortlessly as a switch flicked on. Without another word, I throw myself into a bounding lope in the direction of the disturbance, feet whispering across pavement as I give myself over to the hunt. Running. I love running. It''s been so long since I''ve been running. I can''t even remember the last time I played soccer - has it all just been eaten by punching people? That''s almost kind of sad. Something that sounds like your father telling you not to walk across the lawn because he just laid the sod. But he is saying it while stretched out flat on his back on his lawn, and being stepped on with the flat boot soles of at least three people. That''s what we hear. I motion to Rampart, rolling my eyes back towards the sound as it moves off the corner and into a side street further away, a muffled roar and then scrambling footsteps. I tuck the wig into my helmet and pull up snug and tight. The footsteps are walking away from us, towards an alleyway. I start sprinting. Rampart is right behind me. We round the corner at a dead sprint, boots pounding against the pavement as we barrel into the open expanse of Love Park. Even from this distance, the sounds of raw, animalistic agony reach my ears - a hoarse, rasping cacophony punctuated by wet, meaty impacts that send a shudder of primal revulsion slithering down my spine. Reading on Amazon or a pirate site? This novel is from Royal Road. Support the author by reading it there. The scene that greets us is one of pure, visceral chaos. A loose semicircle of gawkers and late-night stragglers surrounds the central plaza, all of them frozen in postures of abject horror as they gape at whatever waking nightmare is unfolding in their midst. A few of the braver souls have their phones extended, no doubt recording the gruesome spectacle for the world''s morbid viewing pleasure, but most seem too transfixed by sheer, pants-wetting terror to even think of such things. And then, through the forest of paralyzed bodies, I catch my first glimpse of the horror show''s main attraction. It''s...well, was a man, I think - a huddled, twitching mass of shredded fabric and oozing orange blood thrashing in anguished spasms atop the park''s central walkway. But whatever semblance of humanity it might have once possessed is rapidly devolving into a waking fever dream of Cronenbergian body horror (thanks Jordan for that vocab word), flesh and bone contorting into grotesque new configurations with each fresh spasm of agony. A wordless snarl tears itself free from my throat as I drink in the gruesome sight, every protective instinct blazing into scorching overdrive. Dimly, I''m aware of Rampart bellowing out stern commands to the assembled masses, his voice a thunderous cadence of authority that causes the nearest onlookers to flinch and scatter in blind panic. "Everyone back! Back away to a safe distance, now! The DVD is here to handle things - you are all in a potentially hazardous area! For your own safety, clear the vicinity immediately! " But I''m already moving, tearing across the open killing ground in a headlong rush borne of sheer desperation and the faint, dwindling hope that whatever fresh hell is unfolding here can somehow still be salvaged. Peripherally, I register the telltale tingle of my blood sense lighting up like a klaxon, the ghostly impression of a lurid, fizzing orange haze swirling through the air in tandem with each agonized convulsion of the...the person''s rapidly mutating form. Jump. Definitely Jump, or something like it. The realization hits me with the force of a sledgehammer, momentarily robbing me of breath. I''ve only encountered the accursed substance a handful of times, but even those fleeting brushes were more than enough to sear the memory of its cloying, sickly-sweet reek into the very marrow of my being. An alchemical abomination tailor-made for granting mere mortals a taste of the divine - for a price, of course. A price that grows steeper with each dose, each successive plunge into the seductive abyss of transcendent power. But this... this is something else entirely, some fresh new horror born from the twisted imaginations of whoever is peddling that poison out on the streets. Because whatever is happening here, it''s clear the subject never stood a chance against the ravaging onslaught of the drug''s mutagenic effects. The thing''s thrashing has intensified into a fever pitch, every spasm and twitch accompanied by a sickening crunch of bone and sinew reshaping itself into new, unnatural configurations. Jagged protrusions of what looks like sharpened metal are erupting from the man''s flanks and shoulders, the air filling with a metallic tang of blood and ozone as they burst forth. Shreds of tattered clothing flutter to the ground, sloughed off like so much dead skin as the man''s mass swells and contorts, limbs thickening into gnarled, slab-like protuberances, rivets emerging from each knuckle. A scream rips itself free from the man''s weary mouth - a sound so primal it transcends any concept of mortal suffering. Instinctively, I flinch back a step, one arm reflexively whipping up to shield my face from the percussive onslaught. I barely have time to react before one of those grotesquely elongated, bladed limbs is whipping towards me in a blinding arc, the curved edge glinting dully in the sickly glow of the streetlamps. On sheer instinct I hurl myself backward, tucking into a tight tuck-and-roll that allows the strike to whistle mere inches over my head with a sound like a razor parting silk. The impact of my landing jars me a bit, but I''m already scrambling back to my feet in a low crouch, fists raised as I settle into a defensive stance. My heart thunders in my ears, every muscle tensed and quivering as the adrenaline blooms white-hot through my veins. Get a grip, Sam. You''ve dealt with worse before. But even as the words echo through my consciousness, something niggling and uncertain worms its way to the forefront of my thoughts. Have I, though? Have I really encountered anything quite like the waking atrocity currently unfolding before me? When Ricochet clenched his body so hard he broke every bone in it, it was brutal, yeah, but nothing... nothing like this. The very fact that it exists at all, that some malign intelligence was able to dream it into reality, is a profound violation that sets my teeth on edge and my hackles rising in primal revulsion. The man seems to sense my moment of hesitation, of existential disquiet. With a sound like a rusted engine turning over, he rears back onto his hind quarters, the bladed appendages fanning out in a deadly semicircle as it unleashes another of those yowls of torment. This time, however, the sound is punctuated by a fresh fusillade of razor-edged shrapnel exploding outward, a hailstorm of serrated metal shards that whistle through the air with unknown purpose. I flinch again, hunching protectively as I brace for the inevitable sting of those wicked lacerations finding their mark. But the blow never lands - instead there''s a resounding clang of buckled alloy, followed by a grunt of exertion as Rampart''s towering silhouette interposes itself between me and the deadly fusillade. "Stay frosty, Bee!" he barks over the creature''s fading shrieks, already settling into a defensive crouch with limbs splayed. "You''re not gonna believe this, but I''m pretty sure those are steak knives!" "You don''t say," I rasp back, forcing a weary smirk as I surge back to my feet. My gaze darts across the park, noting the few remaining stragglers cowering behind benches and planters in blind terror. "Think it''s safe to say this is officially out of the realm of a ''routine patrol'', big guy." Rampart snorts humorlessly, flexing his shoulders as a few errant shards of shrapnel clatter to the ground around us. "No shit, Sherlock. What''s your move here - try and subdue this freak show, or call in the big guns before it turns this whole place into a slaughterhouse?" Maybe it''s just hubris, or the lingering afterglow of my earlier adrenaline high talking. "We''re not running," I growl, squaring my stance as I turn to face the thrashing beast head-on. "Not yet. If there''s even a chance we can pull this guy back from the brink... He''s on Jump. Or Fly." Rampart regards me for a long, considering moment, lips pressed into a grim line. Then, with a slow nod of tacit understanding, he turns to face the threat beside me, hands already curling into taut fists. "You''re calling the shots, Bee," he rumbles. "But we''re gonna need a new game plan if we wanna put this thing on the ropes without getting skewered like shish kebabs in the process." Even as the words leave his lips, the man unleashes a fresh spasm of convulsions, every twitch and shudder accompanied by a staccato crunch as sheets of metal peal off from his skin and then are crumpled and discarded. Rivets and studs emerge along joints, like his bones are being replaced with a Terminator endoskeleton from the 1800s. And still the screams continue, a ceaseless wail of primal anguish that seems to reverberate in the very air itself. I can feel it resonating in my chest, a low droning cadence that sets my teeth on edge and raises every single hair along my nape. This man has not stopped screaming for a second. "What in the everloving hell are we even dealing with here?" Rampart mutters, the first flickers of uncertainty creeping into his tone. "It''s like something out of a Tsukamoto film. I''ve never heard of anyone developing a complex condition power from Jump or Fly. I shake my head slowly, never taking my eyes off the convulsing horror show for even an instant. "A what? Never mind, we''ll save the lesson for later," I murmur, feeling the weight of the world settling across my shoulders like a mantle of lead. "But one thing''s for damn sure - I''m not letting that poor son of a bitch suffer like this a second longer than he has to." The words are out before I can second-guess them, an oath sworn on the blood-slick altar of my own grim determination. But even as I give voice to that vow, the creature seems to sense the shift in the air, the abrupt solidifying of my resolve into something tangible and immutable. With a sound like a rusted hinge screaming in protest, its head whips around to bore his glassy eyes directly into mine. For an eternal, frozen heartbeat, we simply stare at each other across the gulf separating us. His mouth pulls together into a single syllable. "Help," Then the moment shatters, and the beast rears back with a fresh bellow of anguish. He slashes a hand through the air, and more knife blades come loose, bolts and screws scattering like shrapnel to the wind. I clench my teeth, and pull out the other half of my helmet. I clip it on, fasten it around the back, and prepare to dive into the hurricane. Chapter 90.1 "Rampart, you''re on point!" I bark over the creature''s anguished howls, fingers flying to the comm unit nestled in the ears of my helmet. Sure, I can hear and see him just fine, but it can''t hurt if we were to get separated. "Focus on nullifying those projectiles - I''ll handle civilian evac and see if I can get through to...to him somehow." Rampart responds with a terse nod, already planting his feet and bracing himself as another fusillade of razor-edged shrapnel explodes outward in a deadly cone. With an almost contemptuous twist of his ankles, Rampart grounds himself in the grass, each blade and bolt and screw less bouncing off of him and more going dead as soon as it hits his skin, leaving only the tiniest nicks and scrapes in his armor. The dirt fills with a rhythmic thumping noise, faint, almost inaudible, with every parried projectile, the sound of the force channeling downward into his feet. Leaving him to weather that metallic storm, I pivot on my heel and race towards the nearest cluster of cowering civilians huddled behind an overturned park bench. My blood sense is already spiking, a ghostly overlay shimmering in my mind''s eye with flower blooms of red. The unmistakable spectral trails of the injured and bleeding blaze into vibrant crimson relief, somewhere behind my temples. "You three, with me!" I snap, gesturing for the small knot of terrified youths to follow as I break into a flat sprint towards the park''s west entrance. "Stay low and move quickly - we''re getting you out of the line of fire!" To their credit, the kids don''t hesitate or question my directives. With wide, haunted eyes, they simply scurry along in my wake, heads down and limbs pumping as we make a beeline for the relative safety of the street beyond. Behind us, I can hear the thunderous cadence of Rampart bellowing out a fresh salvo of commands, his voice a resonant anchor of stability amidst the shrieking chaos. We make it about halfway across the open killing ground before a fresh spasm of agony rips through the man, sending a hail of wicked shrapnel whickering through the air in a deafening fusillade. I hiss a warning and throw myself into a forward dive, tucking into a tight roll that allows the lethal barrage to whistle mere inches overhead. The civilians instinctively follow suit, flinging themselves prone as the storm of razors clatters off the concrete all around us in a hellish percussive frenzy. "Keep moving!" I snarl through gritted teeth, popping back upright in a low crouch and beckoning them onward. "We''re almost -" The words die in my throat as a fresh spasm of agony ripples through the man''s contorting form, accompanied by a noise like a dozen car crashes happening all at once. With a sound like a thunderclap, a whirring buzzsaw of flung metal, maybe a literal buzzsaw, maybe not, explodes outward in a horizontal plane, shearing through the air directly towards my semi-protected flank. I have just enough time to whip my head around and lock eyes on the spinning, serrated wheel of death hurtling my way. Then, with absolutely zero time to spare, I hinge forward at the waist and fling myself into a desperate backward handspring, tucking my legs up and over in a blind aerial as the makeshift sawblade shrieks past within a hair''s breadth of removing my lower torso entirely, only instead ripping a fresh slice in my side. Not the deepest cut I''ve ever received, but I feel my muscles clenching up in a misguided attempt to deaden the impact, and it hurts. The impact of my landing is jarring, reverberating up through my ankles and knees in a burst of fiery agony. But I bite down on the flare of pain, already whirling to survey the fresh wave of destruction with a mounting sense of desperation. The disk of metal has carved a deep, jagged furrow in the concrete where I''d been standing mere moments ago, shearing clean through the bench the civilians had been cowering behind. Splinters of wood and pulverized masonry fill the air, mingling with the acrid tang of ozone and the coppery reek of fresh blood. Blood that now stains the shredded clothes of one of the fleeing youths, a teenage boy lying crumpled and motionless several yards away from the rest of his cohort. A ragged shard of shrapnel shaped distressingly like a steak knife sans handle protrudes from his abdomen at an unnatural angle, the fabric of his jacket already soaked through with slowly pooling crimson. "No..." The denial tears itself free on a breathless rasp, every protective instinct blazing into scorching overdrive. I surge to my feet and break into a flat sprint towards the downed civilian, fingers already scrabbling at the medical kit secured to my belt. They teach you a lot about rescuing civilians. It''s basically superhero 101. But up until now, I have had vanishingly few times in which I''ve had to actually do it on someone. It''s a lot different than punching someone in the face, I''ll tell you what. Peripherally, I register Rampart unleashing a savage bellow of exertion, trying to swat more projectiles, a seemingly endless flow of metallic objects of varying sizes, shapes, angles, and velocity, like a goalie deflecting balls. But I can''t afford to get bogged down in the chaos of that particular maelstrom, not with a life quite literally bleeding out right in front of me. Reading on Amazon or a pirate site? This novel is from Royal Road. Support the author by reading it there. I slide to my knees beside the injured teen, shrugging off my jacket with one hand while the other darts out to find a pulse point. His skin is clammy and pale, eyelids already fluttering as shock begins to set in. "Hey, hey - eyes on me, kiddo," I bark, giving his cheek a firm pat as I tear into the first aid equipment on my belt with my free hand. "You''re gonna be just fine, you hear me? Just keep breathing nice and steady, in and out..." The kid''s gaze finds mine, wide and terrified but still conscious. Good, that''s good - as long as he stays awake and focused, the odds will remain in our favor. With a few deft motions, I''ve got a thick trauma pad pressed against the ragged puncture, applying firm pressure to staunch the bleeding while I get some gauze and tape to wrap it around his torso. "What''s your name, huh?" I ask, keeping my tone conversational and light as I work. "You a Philly native, or just visiting this hellhole we call home?" The kid''s lips move soundlessly for a moment, eyelids fluttering again. "...D-Dave," he manages at last, voice a ragged whisper. "My name''s... oh shit, that hurts..." "I hear you, Dave, I hear you," I murmur, giving his shoulder a reassuring squeeze as I cinch the belt tight. "But you''re doing great, kiddo - just keep those baby blues open for me, okay? We''re gonna have you back on your feet before you know it." A fresh spasm of agony rips through the man in LOVE Park, accompanied by a deafening sonic boom that makes my ears ring. I instinctively hunker down, shielding Dave''s prone form with my own body as a fresh storm of shrapnel rakes across my back in a series of stinging impacts. Distantly, I can hear Rampart roaring out a warning, the strain in his voice palpable even over the cacophony. "Bee, get clear!" he bellows, the words almost lost beneath the shrieking whine of shearing metal. "I can''t keep this up forever!" I chance a glance over my shoulder, stomach plummeting at the sight of the big man trembling with exertion, his stance beginning to buckle under the relentless onslaught. Shit, he''s right - we''re rapidly running out of time before this whole situation spirals completely out of control. I knew there was no limit on single impacts, I''m pretty sure Rampart could stop a train if he wanted to, but does each one take a little bit out of him? This guy - this mutant in the middle - is more like a gatling gun than a person. Gritting my teeth, I haul Dave into a semi-upright position, draping his arm across my shoulders as I brace to make a break for the exit. "Hang on tight, kiddo," I growl, sparing one last glance towards the thrashing horror show at the park''s center. "I''m getting you outta here, even if I have to drag your ass every inch of the way." With that, I launch into a stumbling lope towards the street, half-carrying and half-dragging Dave''s dead weight along in my wake. Every few strides, I chance a furtive glance over my shoulder, wincing as a fresh volley of shrapnel rakes across Rampart''s beleaguered defenses in a hellstorm of screeching metal. Somehow, through sheer force of will and bloody-minded determination, the big man manages to keep channeling the brunt of the onslaught away from us, buying me those precious few seconds I need to get Dave clear. My breath saws in and out in ragged exhalations, every muscle straining against the steadily mounting strain. Just a little further, Sam, I tell myself, jaw clenched to the point of pain. Just a few more steps and you''re home free... Of course, nothing is ever that simple, is it? Just as I''m about to cross that final threshold out of the line of fire, a fresh, shrieking song of metal whistles through the air. This time, however, the eruption takes on an entirely new dimension, a rippling shockwave of force that slams into me like the furious backblast of an artillery strike. I have just enough time to register a sudden, blinding starburst of agony blossoming across my lower back. Then my world is inverting in a dizzying spiral, the concrete rushing up to meet me as an unseen force detonates against my spine in a single, apocalyptic crescendo of violence. The impact steals my breath in a strangled wheeze, every nerve ending in my body flaring into searing wakefulness for one endless, suspended heartbeat. Distantly, I''m aware of Dave''s limp form tumbling free of my grasp, striking the ground with a meaty thud several feet away. Panic claws at my throat, a yawning chasm of visceral terror swallowing me whole as I find myself unable to move, to breathe, to do anything but lie there in stunned agony. I begin to drag myself back up with my arms, crawling by my fingertips across the asphalt towards Civilian Dave, looming over him like a blanket as a second whistling volley of shrapnel rains across me, totally unavoidable, death from above. I feel each twisted shard of metal embed itself in my vest or crack a pad here or there. Most of them are absorbed by my costume, only leaving shallow cuts against my skin. But one of them lodges itself directly in my calf, and the other one in my side, embedding itself about an inch above the sawblade wound. I grunt, grit my teeth, and scoop myself back up, grabbing the shard in my side and ripping it loose. Typical wisdom is to not remove puncturing objects from their respective wounds. Counterpoint: the pain is awakening. My heart thuds in my chest. "Dave, I am going to put you near a bush. This is probably the closest thing that will provide some protection. Okay, buddy?" I say, my hands shaking like I''ve been dunked in ice water, my entire body threatening to betray me. Dave just nods weakly, uninjured by the hailstorm. I grab him and fireman carry him a couple of feet over, shoving him against the largest topiary I can find, turning my attention back towards the man in the middle of the park. Thankfully, it seems like most of the other civilians have the common sense to have cleared out, but the place is a nightmare, like that proposed nuclear architecture, blades and shrapnel dotting the patches of dirt and ripping a patchwork of scars across the concrete, several of them embedded in the fountain. I hear a news chopter overhead. Sure. Whatever. For a few breathless heartbeats, it almost seems like we might just manage to wrest some semblance of control over this fresh waking nightmare. Rampart is an absolute bastion, his indomitable form weathering the relentless metallic storm with a stoicism that borders on the supernatural. And while I''m still struggling to keep up, to shield the wounded and herd the civilians to safety, at least the chaos has settled into a sort of grim, grinding routine. That''s when the hooded figure emerges from the crowd. Chapter 90.2 One moment, I''m hauling myself to the nearest cover, injuries screaming in protest. The next, I hear footsteps the size of an elephant somewhere between 1-3 feet behind me. That''s when the hand closes around the back of my neck in an unbreakable vise, and the world turns inside out. My body whipsaws through the air in a dizzying spiral. Every muscle goes rigid in a full-body spasm, tendons straining against the crushing force of that merciless grip as my vision swims in a kaleidoscope of sickening vertigo. For a few disorienting moments, I''m simply along for the ride, a helpless passenger in my own personal cyclone of violence. Then, just as abruptly, the motion ceases and I''m hurtling in a flat arc directly towards the thrashing, contorting form of the man writhing at the heart of this maelstrom. I have just enough time to register the glint of metal shards and rivets erupting from the thing''s flesh in waves of agony, a razor forest of serrated edges and wicked points fanning outward in a deadly semicircle. Then, with absolutely zero time to spare, my world explodes into a blinding starburst of white-hot torment. The impact is like being slammed into a brick wall at terminal velocity, every ounce of breath driven from my lungs in a choked rasp. I feel my ribs creak in protest as the unyielding mass of the creature''s form collides with my body, steel fangs ripping into exposed flesh with savage, merciless abandon. I''m only dimly aware of the creature''s own hoarse shrieks of anguish mingling with my own, the two of us locked in a twisted, profane harmony of mutually inflicted torment. Its contorting mass seems to thrash against me, each convulsion driving those jagged shards of metal deeper into the very marrow of my bones as we grapple in a slaughterhouse tango of blood and viscera. Distantly, over the thunderous roar of my own ragged gasps, I become aware of Rampart bellowing out a wordless battlecry. Then the creature''s weight is wrenching away from me in a sickening crunch, and I''m tumbling bonelessly to the ground in a crumpled heap, every shallow inhalation sending fresh lances of agony stabbing through my ruined flank. "...Bee? Bee! " Rampart''s voice cuts through the crimson haze engulfing my senses, his words tinged with a rare undercurrent of naked fear. "Don''t you dare check out on me now!" I try to respond, to offer some sort of reassurance, but the only sound that emerges is a wet, gurgling moan of anguish. Panic claws at my throat, an icy knot of primal terror swallowing me whole as the realization sets in - I''m hurt, badly hurt, in a way that not even my accelerated healing can simply brush aside. Rampart seems to sense my distress, his massive silhouette already looming over me with a look of grim determination etched across his battered features. "Easy there, slugger," he rumbles, features taut with concentration. "I gotcha, just try and stay still for me..." I try to focus on Rampart''s voice, on the steady cadence of his reassurances as he works with deft efficiency. But it''s like swimming against a powerful undertow, the current of oblivion tugging at my consciousness with every agonizing heartbeat. He''s saying words, but they don''t resolve into anything important, only the feeling of my own gauze getting wrapped up around me and the blooming pins-and-needles sensation of my body struggling to knit itself back together. His voice cuts off in a sharp grunt, body flinching ever so slightly as a fresh tremor ripples through the ground beneath us. I blink owlishly, struggling to make sense of the sudden shift until a looming silhouette resolves itself from the swirling shadows at the edge of my vision. I try to call out a warning, to steel Rampart against this fresh onslaught of violence. But my lips merely work soundlessly, every shallow exhalation sending a fresh spasm of torment stabbing through me. Rampart, to his credit, simply tenses and rises into a defensive crouch, clearly sensing the shift in the air despite his focus being divided. "You got some kinda problem, fella?" he growls, fists clenching at his sides. "Because if not, I''d suggest turning around real slow and walking your big dumb ass right back to whatever dank hole you crawled out of before I put you through the goddamn pavement." The figure doesn''t respond immediately, at least not with words. Instead, it simply continues its slow, inexorable advance, each ponderous footfall shaking the ground with the weight of a small moon''s gravity. As it draws nearer, more details begin to resolve themselves from the inky shadows - the broad, sloping shoulders and thick neck, the vaguely anthropoid silhouette beneath that concealing shroud. Projectiles whistle through the air, directionless, aimless. Rampart''s eyes flick between me and the figure and them, flicking his hands out to deflect what pieces of metal come anywhere close to us. When the figure finally does speak, the voice that emerges is a deep, rumbling baritone, rough and grating like subterranean tectonic plates grinding against one another. "Well, well... if it ain''t the big man himself, still playing errand boy for his government overlords," the figure - a name resolves in my head, somewhere between my ears, and then vanishes - intones, the words dripping with an undercurrent of mocking condescension. "Gotta say, I''m almost a little disappointed. Here I was, expecting the Defenders to send their big guns to this fresh hell, and here we have the junior varsity team, clinging to the edge of life. How upsetting." Rampart tenses further at that, the cords of muscle in his neck standing out in harsh relief. When he responds, his tone is low and dangerous, a barely-leashed growl of unbridled menace. "You got a hell of a lot of nerve running that oversized piehole of yours, dirtbag," he rumbles, already beginning to shift his stance into a combat-ready crouch. "Especially considering I don''t even know who in the fuck you are, or why you''ve decided to make a bad night for these civvies even worse. You alright, Bee?" "Peachy," I croak, throwing him a bloody thumbs up as my bones try their hardest to push themselves back into a fighting configuration. The hooded figure lets out a low, rumbling chuckle at that, the sound somehow sounding a little upset. Like, genuinely. "Oh, I''m hurt, you guys - you mean to tell me you don''t even recognize an old friend when he comes around for a friendly little reunion?" One massive hand whips up, fingers hooking into the concealing fabric as it tears the cowl away in a single, savage motion. Pumice. "Great, just what we needed. Rocky Horror Picture Show, four months early," Rampart tries to quip, wiping a spot of blood from his nose. I hear the whistling before he does, but hear it he does, and he whips his body around to grab a sailing sawblade, bouncing it off his palm. Stolen content warning: this content belongs on Royal Road. Report any occurrences. "Well now you''re just being hurtful, big guy," Pumice rumbles, flexing one stony fist with an audible grind of tectonic plates. "After all the fun times we had back in the day, you''d think a little common courtesy would be in order..." Rampart tenses further at the sight of the Phreak, shoulders squaring as he settles into a defensive crouch. "Pumice," he growls, the word little more than a guttural snarl of disgust. "Should''ve known the stench of filth and failure in the air meant you bottom-feeders were involved somehow." Pumice''s sneer widens at that, revealing a maw filled with perfectly white, cuboid teeth. "There''s the rapier wit I''ve come to know and loathe," he intones, already beginning to advance with slow, purposeful strides. "But surely even a brain-addled meathead like yourself can put two and two together here, Rampy. And, hey, Smalls! How''s your hand? Nails grow back yet?" My breath catches in my throat at his words, a surge of cold dismay swirling through the crimson fog of agony still engulfing my senses. Rampart seems to share my sudden unease, his features hardening into a mask of grim resolution as he braces for the inevitable onslaught. "So that''s how it is, huh?" he growls, already beginning to circle away from my prone form, putting himself squarely between Pumice and I. "Figures a pack of two-bit bottom-feeders like you Phreaks would get a hard-on for wanton destruction the second you sniffed out a chance to punch above your weight class." Pumice lets out another of those rumbling chuckles, shoulders rolling in an almost lazy shrug. "What can I say, big guy? We''ve got big plans. Deathgirl''s got a great head on her shoulders, no thanks to you guys taking away the one person who had a leash on her." His gaze flicks momentarily towards me, lips peeling back in a savage leer. "Gotta give the little Megalodon some credit though - she''s the only one who ever managed to put a real dent in yours truly before tonight..." With that, he lunges forward in a sudden explosion of motion, one granite-hewn fist already hurtling towards Rampart''s jaw in a blurring haymaker. But the big man is ready and waiting, forearms whipping up into a deft cross-guard to deflect the thunderous blow with a resounding crack of force meeting force. And just like that, the fight is well and truly joined, the two titanic figures exchanging a barrage of crunching strikes and grappling locks in a whirlwind of savage intensity. I can only watch on in a daze, struggling just to remain conscious as the world seems to tilt and spin around me. Rampart is giving as good as he gets, fighting with the same ruthless pragmatism and technical precision that makes him such a formidable sparring partner. But Pumice simply wades through the barrage with a contemptuous ease, not even seeming to register the impacts. Then, with a sudden shift of his shoulders, he''s powering forward and seizing Rampart in a smothering bear hug, those granite-slabbed arms encircling the big man''s torso in an unbreakable vise. Rampart lets out a strangled wheeze as the air is driven from his lungs, body straining and thrashing against Pumice''s implacable grip. For a few heartbeats they simply grapple in a grinding, sweaty deadlock. Can Pumice sweat? Questions for later. Then Pumice rears back, hauling Rampart clean off his feet as he whips the big man up and over in a textbook suplex. I can only watch in stunned horror as Rampart''s body cartwheels through the air, hurtling directly towards the still-thrashing, convulsing horror at the heart of this nightmare. The impact is like a bomb going off, Rampart''s sturdy frame slamming into the creature with a meaty crunch of shearing metal and pulverized flesh. A fresh hailstorm of shrapnel explodes outward in a deadly cone, each jagged shard and twisted rivet shearing through the air with the speed of a bullet. Pumice doesn''t even flinch, simply ducking his head to one side in a languid, almost casual motion as the storm of razors whickers past within a hair''s breadth of shearing his stony skull open. A few errant fragments patter against his stony hide in a shower of sparks, but he doesn''t even seem to notice. Rampart, on the other hand, has taken a knife blade to the gut, right past the body armor, even with all the other blades falling free from his costume, totally absorbed. "Looks like your boy toy''s gonna be down for the count for a while there, little fishy," he rumbles, already advancing with slow, purposeful strides. "Just you and me now, like old times..." His voice seems to drift in and out of coherence, the words swallowed by a rising crescendo of white noise roaring in my ears. Dimly, I''m aware of my pulse thundering in my throat, every shallow inhalation sending fresh spasms of torment stabbing through my sides. "Don''t count me out just yet!" Rampart''s bellow tears through the fog of agony clouding my senses, jarring me back to some semblance of wakefulness just in time to witness him surge back to his feet. His body is a ruin of lacerations and embedded shrapnel, blood oozing from a dozen different wounds. But the big man''s features are set in a rictus of grim determination, eyes blazing with the intensity of someone who simply refuses to be beaten. With a savage roar, he throws himself forward in a flat charge directly towards Pumice''s looming silhouette. The stony behemoth barely has time to react before Rampart is upon him, one massive fist whipping around in a blurring haymaker aimed squarely at his granite jaw. Rampart''s knuckles meet that unyielding hide with a crack like thunder. For a fraction of a heartbeat, I almost think he''s managed to stagger the living monolith, that he''s found some chink in Pumice''s armor that will allow us to turn the tide. Then reality reasserts itself with a vengeance, and I watch in dismayed horror as Rampart''s entire frame shudders from the shockwave of force rebounding back up his arm. Pumice, for his part, doesn''t even flinch - he simply stands there, implacable and unmoving, taking the full brunt of Rampart''s strike like it was little more than a gentle caress. "Yeah, that''s not gonna cut it, chief," he rumbles, not even bothering to move "Might wanna try something with a little more oomph next time if you wanna make an impression. Be more like Smalls." "Rampart!" I rasp out, every shallow inhalation sending fresh spasms of torment stabbing through my ravaged flank. "Get... get the mutant into the fountain! We need to... to limit his firing arc!" Rampart shakes out his knuckles, and glances between me and Pumice like he''s deciding what to do. I grab the piece of metal that seems to have the shallowest penetration in my arms and rip it loose - it looks like a wine corkscrew. Crazy. "What, you think I care? Go, let the five foot seven middle schooler fight the six six guy made of literal rock. Go! Pussy," Pumice taunts. I see Rampart''s face twisting in that annoying little thing called ''thought''. "Go!" I shout, and Rampart snaps onto one side like Schrodinger''s cat. He hustles behind me, and I interdict, cracking my knuckles and rolling my neck and trying not to look feeble in front of Pumice. The mutant offers no resistance, simply howling out its torment as Rampart quite literally drags its spasming bulk across the ruined killing ground towards the fountain. New metal erupts in its wake, each razor-edged fragment ricocheting off Rampart''s battered frame in a hellish percussive frenzy. But he doesn''t falter, doesn''t slow - he simply grits his teeth and bears it, indomitable will fueling his march. "Easy there, little fishy..." I turn just in time to see Pumice advancing with slow, purposeful strides, each footfall shaking the ground with the weight of a small moon''s gravity. "Wouldn''t want you going and doing something stupid now, would we?" he continues, lips peeling back in a savage leer as he draws up mere feet away. "Not when we''ve got so much catching up to do." Anger flares in my chest at his words, an ember of pure, incandescent rage searing through the fog of pain and fatigue. I grit my teeth against a fresh spasm, forcing myself to meet that mocking stare head-on as I brace for the inevitable onslaught. "Catching up?" I rasp, the words emerging as little more than a breathless hiss of contempt. "Sorry, but I''m not really in the mood for a heart-to-heart right now, Rocky Balboa." I spit a gobbet of blood at his feet, letting my features settle into a defiant sneer. "So why don''t you just take your discount Quarry Creed looking ass and fuck right off back to whatever dank hole you crawled out of before I put you down again. Permanently, this time." Pumice regards me for a moment, that same infuriating half-smirk playing across his craggy features. Then, without preamble, he lunges forward, one granite-hewn fist whipping around, aimed right at my skull. Chapter 90.3 On sheer instinct, I lean backwards, my spine screaming in agony in response. As I come up in a low crouch, I extend my arms in a defensive guard, baring my teeth in a silent snarl of challenge. I squeeze my fists, and teeth sing in response, emerging from the spaces between my knuckles, right where I''m used to them. Pumice pauses at the sight, eyes widening almost imperceptibly as he takes in this fresh evolution of my powers. For a heartbeat, the two of us simply regard each other across the span of a few scant feet, the air thrumming with the weight of unspoken challenge. "Just like last time," he mumbles. Then he''s lunging forward again, this time leading with a straight jab aimed squarely at the center of my chest. I pivot to one side, letting the blow whisper past as I whip my own fist around in a blurring counterstrike, every ounce of my wiry strength channeled into the point of that bony protrusion. My knuckle-spikes slam into Pumice''s obliques with a resounding crack, sinking into his solid stone hide before the sheer unyielding density forces it to a halt. Pumice flinches ever so slightly at the impact, a subtle shifting of his weight that betrays a startled wince of... not pain, not quite, but certainly discomfort. The next few heartbeats dissolve into a whirlwind of savage exchanges, the two of us trading a barrage of crunching blows and grappling locks in a lethal dance of fists and elbows. I''m fighting with every ounce of skill and tenacity I can muster, channeling the full extent of my training into landing each precise, surgical strike. Or as precise as it can get while I''m also slowly bleeding out. You know, whatever. But for every thunderous impact that slams home, every fresh crack and fissure that blossoms across Pumice''s stony hide, he simply shrugs it off with that same infuriating half-smirk, like I''m little more than a gnat buzzing around his head. Even when I land a particularly savage elbow spike directly to the juncture of his throat, sinking another tooth-point into his stone, he barely even registers it beyond a subtle cough and a widening of his smirk. "Gotta say, Smalls... you''ve definitely stepped up your game since our last tango," he rumbles, already beginning to circle me with slow, predatory strides. "That little trick with the knuckle spikes is a real doozy - almost makes a fella think you''ve been practicing in your spare time." I snort out a breathless chuckle at that, shifting to match his movements step for step. "What can I say?" I rasp, wiping a trickle of sweat from my brow as I settle into a fighting crouch. "I''m just a fast learner with a great teacher. Speaking of which..." With a sudden shift of my weight, I launch myself forward in a bounding lunge, leading with a blistering feint towards Pumice''s face. He reacts instantly, hands whipping up to deflect the apparent strike. Only instead of following through, I pivot at the last possible second and whip my leg around in a blurring roundhouse kick, channeling every ounce of my wiry strength into the point of the vicious tooth now jutting from my shin, through an exposed gap where a piece of metal tore the costume open. The impact is like a thunderclap, that razor-sharp protrusion slamming directly into Pumice''s abs, concentrating everything I have in my good leg into a single point. This time, Pumice can''t quite suppress the flicker of discomfort that ripples across his features, a subtle tightening around the eyes that betrays the first stirrings of genuine pain. He lets out a low, rumbling grunt, almost more of an exhalation than an actual vocalization as he staggers back a step, one hand instinctively going to clutch at the wound, a fracture blooming across his body. "Atta girl..." he rumbles, already squaring his stance as that same smirk blooms across his craggy features. "Knew there was a reason you were always my favorite little spitfire." I snort out a breathless chuckle at that, already circling away to create some distance as I brace for his next attack. "If you think that was impressive, just wait''ll you get a load of my other moves," I quip, unable to resist needling him just a little. "I''ve been practicing this real sweet little number I like to call ''the nutcracker''..." Pumice throws back his head and lets out a rusty peal of laughter at that, the sound almost startlingly genuine. "Is that so?" he rumbles, already beginning to stalk forward with that same inexorable menace. "Show me what you''ve got, Jaws." With that, he lunges forward again in an explosion of force, leading with a flurry of crunching haymakers and straight jabs. I duck and weave through the onslaught, deflecting what blows I can''t evade with deft blocks and parries, gritting my teeth as every one that lands straight puts a fresh crack in my radius and ulna. Slowly but surely, I start giving ground, letting Pumice herd me back towards the streetlights as I bide my time, waiting for an opportunity to counterattack, watching Rampart wrestle the figure into the fountain. He doesn''t disappoint. With a sudden pivot of his weight, Pumice snaps one granite-slabbed leg around in a roundhouse kick of his own, the sheer momentum behind the strike enough to punch cracks in solid concrete. I duck under it and shoot forward, swinging myself under his legs and popping up behind him, back to back. As I come up in a low crouch, I can''t resist flashing the big lug a cheeky grin. "You''ll have to do better than that if you wanna impress me, Rockhead," I taunt, already settling back into my fighting stance. "I''ve taken hits from actual stone cold stunners that packed more of a wallop." Pumice pauses at that, head cocking slightly to one side as he regards me with a considering look. "Stone Cold, huh?" he rumbles at last, lips quirking in a rueful smirk. I hear his heels grinding into the concrete before I see them, and only barely manage to avoid an impromptu People''s Elbow that leaves a series of cracks spiderwebbing across the ground. He rolls back onto his sneakers and slowly rises to his feet, wiping dust off his shoulders and arms. "What''s the matter, Smalls?" Pumice taunts as we grapple in a sweaty deadlock, every word punctuated by the crack of stone meeting bone. "You getting a little winded over there?" "You wish, Rockhead, " I rasp, swiping a trickle of sweat from my brow as I settle back into my fighting crouch. "I''m just getting warmed up." This is what I live for. ... Sorry, Jamila. With that, he launches into a fresh offensive, this one more measured and controlled than his earlier berserker rushes. I brace myself for the onslaught, every muscle tensed as I fight to keep ahead of those blurring, thunderous strikes. We grapple and feint and parry, trading a dizzying flurry of blows in a lethal dance of fists and elbows. Pumice is relentless, an implacable juggernaut of stone-forged fury weathering my barrage of precision strikes. But I can tell I''m starting to make an impact now, can feel it in the way his movements grow just a hair slower, a fraction more ponderous with each passing exchange. Something I don''t think enough people think about is just how hard your bones are, how hard they have to be just to hold up all of your meat. They''re a five on the Mohs hardness scale! A sudden crunch of shattering stone sends a starburst of pulverized gravel raining down around us. Pumice flinches, ever so slightly, as a fresh spiderweb of cracks blossoms across his stony brow from the force of my knuckle-spike slamming home. "Looks like the Sixers might just have a shot at making some noise in the playoffs this year after all," he rumbles almost conversationally, even as we continue to trade blows with savage intensity. "Embiid''s looking healthy, Harden seems to have found his groove again..." The narrative has been taken without authorization; if you see it on Amazon, report the incident. I snort out a breathless chuckle at that, ducking under a wild haymaker, skidding three inches back and discarding my used up, broken teeth from my knuckles like shotgun shells. Squeezing my body so that a fresh set rises to the surface. A bit of metal pops out, too, around my shoulder, and I didn''t even intend that one, but all the motion combined with the weird freak shit my muscles do is just causing them all to start popping out on their own. I feel a wave of blood spurt out of me, and dizziness hits me right between the eyes. "You''re really gonna stand there and run your mouth about basketball? " I laugh, a little drunkenly, feeling high on the adrenaline. What weed and alcohol can''t provide, a good scrap can, apparently. Go figure. "While we''re in the middle of trying to pummel each other into a fine paste?" Pumice lets out another of those rusty peals of laughter, seemingly utterly unconcerned by the steady accumulation of fresh wounds pockmarking his stony hide. "What can I say, Smalls?" he rumbles, deflecting my barrage with almost casual indifference. "Sports are the great equalizer." The world blurs and tilts around us, our lethal tango of fists and fury dissolving into a maelstrom of crunching impacts and ragged exhalations. Pumice is an implacable force, weathering my barrage with unnatural calmness. But I can feel it now - that subtle shift in the rhythm of our exchanges, the almost imperceptible slowing of his movements as the accumulated toll of our duel begins to make itself known. Every fiber of my being screams in protest with each fresh eruption of violence, my battered body pushed well past its limits. But I can''t stop, I won''t stop - not until I''ve carved my way through that unyielding stone edifice guarding Pumice''s core and made him understand. I reel up, and I throw. The impact is like striking an anvil, shockwaves of pure concussive trauma radiating up through my arm in a blinding tsunami of white-hot agony. But I grit my teeth and lean into it, fighting through the pain as I feel that brittle stone carapace finally begin to fracture and splinter beneath my onslaught. A sound escapes Pumice then, low and grinding and very much like genuine pain. Just for a heartbeat, that insufferable mask of bravado slips, revealing a flicker of raw vulnerability in his smoldering eyes. Then the moment passes and he''s rearing back, clutching at the fresh wound now marring his stony flank as he regards me with a look of grudging respect. "Not bad, Smalls..." he rumbles, the words almost seeming to catch in his throat. "Not bad at all..." The stalemate doesn''t last. One moment, Pumice and I are locked in that same brutal, grinding slugfest, exchanging thunderous blows and deflecting haymakers with almost casual indifference. The next, a sudden commotion at the edge of the killing ground shatters the tension, heralding a fresh surge of chaos crashing over us like a tidal wave. "Paramedics, get those civilians to safety and establish a triage!" A voice like rolling thunder booms across the park, cutting through the din of battle with an unmistakable cadence of authority. I risk a glance over my shoulder just in time to see a rippling blur of motion resolving itself into three identical figures decked out in familiar crimson-and-black-and-boxing-gloves. Multiplex - the old warhorse himself has decided to grace us with his presence. Could''ve probably been here a little faster, buddy. But any resentment I might feel is swiftly swept aside by a surge of raw relief as I take in the fresh calvary arrayed against the still-thrashing form of the metal mutant. Rampart has done a stellar job of herding the poor bastard into the dubious confines of the fountain, restricting its deadly peals of fire to a much more manageable angle. But even from here I can see the big man flagging, muscles trembling with the strain of maintaining that constant, Herculean effort while deflecting the creature''s relentless barrage. The Multiplex clones don''t hesitate, three identical figures blurring into discorporate motion as they surge forward to seal off the remaining vectors of attack, riot shields deployed to eat any remaining projectiles, channeling the creature''s thrashing motions into an ever-tightening series of kill boxes. A fresh bloom of agony lances through my side, the sharp sting of reality once again asserting itself over my momentary reverie. I hiss out a ragged curse, whipping my head back around just in time to deflect a savage overhead smash from Pumice''s granite knuckles. He doesn''t let up, simply using that same motion to pivot into a blurring knee strike aimed squarely at my abdomen. "Eyes on the prize, Smalls." I catch the next blow on my forearms in a desperate cross-guard, tendons screaming in protest as the full force of his impact detonates against them. For a breathless heartbeat, I simply hang there, suspended in the void as every nerve ending in my body flares into searing wakefulness. Then, with an almost casual motion, Pumice shoots forward into my rapidly diminishing guard. I have just enough time to register the shift in his stance, the sudden flexing of his shoulders as he cocks one arm back for a haymaker of truly apocalyptic proportions. I brace myself for the blow, already wincing in anticipation of testing my regeneration to its limit. Can it, in fact, put together my skull if it''s been busted open like an egg? Which is why I''m caught completely flatfooted when, instead of following through on the fist, Pumice suddenly whirls on his supporting heel, swinging around in a blurring pivot as he hurls himself backwards in a flat retreat. For a breathless heartbeat, I can only gape after his rapidly receding silhouette, stunned by the abrupt shift and utterly at a loss as to what just happened. Then a deep, rumbling bellow of exertion splits the night, and a veritable mountain of corded muscle and sinew barrels past me in a thunderous charge. Rampart doesn''t slow, doesn''t pause, simply transitioning from a dead sprint into a bounding lunge as he throws himself bodily at Pumice''s exposed flank in a textbook spear tackle, catching him with his shoulder and then going dead in the air. The two juggernauts collide, the sheer force of their combined momentum enough to send a plume of pulverized masonry billowing outward in a choking cloud. No, I don''t think Rampart did anything, but slowing him down is something. Then, with a sudden heave, Pumice simply shifts his weight and hurls Rampart aside, flinging his sturdy frame away like a broken toy. Rampart goes tumbling in a tangle of flailing limbs, rolling halfway across the plaza before coming to a shuddering stop in a crumpled heap amidst the rubble. I don''t like seeing Rampart with blooming red across his costume. It feels wrong. "Nice try there, Chuckles," Pumice rumbles, already skidding backwards with slow, purposeful backstrides as he casually brushes a few errant specks of debris from his shoulders. "But I think you''re gonna wanna sit the rest of this dance out before you end up biting off more than you can chew. We out." Then, before I can react, before I can even think to try and continue this fight, a sound like a screaming mountain lion splits the night. I turn about 30 degrees, just in time to see a looming silhouette resolving itself from the shadows of a nearby alleyway, a hulking, quadruped shape that seems to flow and heave with every ponderous step. Pumice doesn''t hesitate. With a final, mocking salute in my direction, he turns and breaks into a flat sprint directly towards the onrushing monstrosity. For a breathless heartbeat, it almost seems like the two are destined to collide head-first. But then, I can only watch in stunned disbelief as Pumice grabs hold of it from around the scruff, climbing onto its back like he''s mounting a horse. Then, without any further preamble, it''s whirling around and bounding away into the night, rapidly receding into the maze of shadowed alleys until only an echo of splintering concrete remains. The sudden silence that follows is almost deafening, a palpable weight that seems to press down on me from all sides. I simply stand there for a long moment, chest heaving with ragged exhalations as I struggle to process everything I''ve just witnessed. A low groan snaps me out of my reverie, the sound visceral and raw. Rampart - I''d almost forgotten about him in the insanity of those final moments. The big man is already stirring, hauling himself upright in a tangle of torn armor and pulverized masonry with a pained grimace etched across his battered features. "Well..." he rumbles at last, spitting a gobbet of bloody phlegm onto the cratered killing ground between us. "I don''t know about you, Bee, but I could use a coffee." My answering laugh sounds almost hysterical to my own ears, a breathless peal of delirious, bone-weary mirth as the weight of the world finally crashes down around me in earnest. I''m dimly aware of raised voices and shouted commands echoing across the plaza as the paramedics and Multiplexes move in to secure the area. But it all seems strangely muffled and distant, like I''m experiencing everything through layers of thick gauze wrapped around my senses. "You don''t know the half of it, big guy," I murmur, sparing one last glance towards the shadowed mouth of the alley where that... thing disappeared into the night. Elias. The name floats to the forefront of my thoughts, crystallizing into sudden, terrifying focus amidst the swirling chaos. That''s what I recognized. The parts. The noise. The scream. These days, it seems like there''s always another shoe waiting to drop. I try to take solace in the fact that tonight, at least, the scales remain balanced - lives were saved, a greater evil averted. But even as the paramedics finally reach us and the first flickers of blessed oblivion begin tugging at the edges of my consciousness, I can''t quite shake the feeling that this was merely the opening salvo. That the forces we''ve unwittingly unleashed here tonight are destined to crash over us again in a tide of blood and fury, again and again, until this city is scoured away. I wave off most of their concerns, although I do accept the painkillers. Honestly, I''m just more worried for Rampart. But, well. I''ve also broken at least ten bones, am bleeding from every limb and most of my torso and back, and probably have a concussion. I think I''ve earned my nap time. Chapter 91.1 The meeting chamber is a cavernous, echoing space, the vast expanse of the training gym''s polished hardwood floors ringed by row upon row of metal folding chairs. By the time I slip through the reinforced double doors, the entire area is already packed to bursting, a seething sea of costumed figures and worried murmurs. Familiar faces abound - the varied ensemble of the Delaware Valley Defenders, the distinctive uniforms of my fellow Young Defenders, and a smattering of other heroes and functionaries I recognize from various patrols and events over the years. Crossroads'' imposing silhouette stands out amidst the crowd, the young man''s features set in a mask of grim concentration as he exchanges terse words with a pair of unmasked technicians. A hush falls over the room as I make my way towards the back, where the rest of my team is gathered. Blink shoots me an anxious look, the younger girl''s features pinched with open concern, while Rampart offers a weary nod, his bulky frame swathed in bandages and trauma dressings. "Glad you could make it, Bee," he rumbles, the words emerging through gritted teeth. Playback nudges me in the shoulder, drawing a wince. "You look like shit, by the way." "Thanks, dickhead," I shoot back, managing a faint, lopsided grin. My gaze tracks across the room towards the center, where a loose semicircle of chairs has been arranged around the main projector screen, the hushed silence and air of tension betraying its significance. The entirety of the Defender''s core leadership team is arrayed there, faces alike with grim resolution. Councilman Jamal Davis, the ostensible administrator of the entire program, flanked by Multiplex and Bulwark, with Fury Forge and Clara Parker sitting further to the sides. Liberty Belle''s seat remains conspicuously vacant, a silent void that seems to radiate an almost palpable weight. "Thank you all for coming on such short notice," Multiplex begins, his voice a deep, resonant baritone that effortlessly commands the attention of the room. "I know many of you have pressing concerns and duties that have been put on the backburner to be here, and I want to commend you all for your exemplary dedication to the cause." When he continues, there''s a subtle undercurrent of gravity to his words. "As I''m sure you''re all aware, the last twenty-four hours have seen no less than four separate incidents involving the abuse of the drug known as Jump - a synthetic compound that appears to bestow temporary superpowers on its users at the cost of the recipient''s autonomy and sanity." He pauses for a moment to let that sink in, dark eyes flicking towards the screen for the briefest of heartbeats, an array of photographs, aerial and amateur alike, smacked across it like splattered paint. When he resumes, his voice has taken on an edge, the cadences of a man grappling with the full severity of the situation laid bare before him. "As of 0300 hours this morning, we have confirmed reports of no less than fourseparate Jump-involved incidents occurring within the Greater Philadelphia area over the course of the past eighteen hours. Each of them was marked by extreme mutations, catastrophic power expressions, and an unacceptable degree of collateral damage to civilian life and property." Another pause, this one punctuated by a sweeping gesture that seems to encompass the entire room. "You were all present on the ground as these horrors unfolded, be it in the heart of Center City or the furthest extremities of the outer boroughs. You all witnessed firsthand the devastation wrought, the lives irrevocably changed in the span of mere heartbeats..." My eyes flick towards Rampart at that, taking in the thick swathes of bandages now swaddling his torso beneath the hastily donned sweats. He catches my gaze and offers a wry shrug, features hardening into a scowl of grim resolution as Jamal continues. "The incident with Mr. Adam Wallace at LOVE Park proved to be merely the final straw in a steadily escalating crisis that we can no longer afford to ignore or downplay." Jamal chimes in, letting his gaze sweep across the assembled heroes once more, seeming to meet each of our eyes in turn. "The truth is, we''re still largely in the dark as to what precise forces or phenomena lie at the heart of these activation events. But while the cause remains opaque, the patternbehind their occurrence has grown increasingly impossible to deny or ignore." He pauses to share a grim look with his counterparts, lips pressed into a tight line as he seems to consider his next words carefully. "Each of the events was preceded by the presence of at least one individual suspected of being associated with a metahuman splinter group operating out of Upper Northeast Philly. A group that, until recently, had largely confined their operations to petty theft, survival crimes, and juvenile delinquency within a localized radius." A fresh surge of murmuring rises at that, a susurrus of dismay and incredulity rippling through the crowd. I can''t help but tense at the revelation, the first icy tendrils of premonition slithering through my thoughts. My gaze finds Blink''s once more, silently confirming the thing we''ve both been dreading. This book is hosted on another platform. Read the official version and support the author''s work. The Phreaks. I chance a look towards the Defenders'' delegation, noting the way their expressions have hardened into matching masks of grave intensity. Kwame''s jaw is set in a rictus of simmering outrage, every muscle in his thick neck standing out in harsh cords of tension. Jamal, however, simply raises one hand in a subtly placating gesture, the motion cutting through the swelling undercurrent of rumor and unease like a scythe through wheat. "As some of you may have gathered already, judging from the muttering, we indeed have strong evidence indicating the direct involvement of the Philly Phreaks in the distribution and manipulation of these drugs." He shakes his head, a weary sigh escaping him. A ripple of murmurs and grim mutterings sweeps through the assembled heroes at that, the underlying tension in the air ratcheting up several notches. Beside me, I can feel Rampart tensing, his features hardening into a rictus of naked fury. Multiplex raises a hand, silencing the whispers with a subtle gesture. "While the situation is certainly dire, we''re not about to sit back and let these people run roughshod over our city," he rumbles, the words like a thunderclap in the sudden stillness. "We''ve already got investigation teams combing the city for any leads on their operations. We''d just like to make you all aware that we will be pulling all available resources to bear so that we can cut this off before it begins knocking down high rises. We''ve already had our hands full dealing with normal Jump-enhanced criminal elements." Fury Forge clears her throat, stepping forward to take the podium. Her heavily muscled frame is practically vibrating with tightly coiled tension, the gruff ex-firefighter''s features set in a grim mask of cold determination. "Alright, listen up - we''re only gonna go through this once, so you''d better have your ears on, people." Her voice is a gruff, no-nonsense bark, brooking no argument. "As Councilman Davis and Multiplex have laid out, we''re dealing with an escalating crisis that has grown far beyond our ability to contain through traditional means." She levels a stern glare around the room, gaze raking across each and every hero present. "Over the past eighteen hours, we''ve documented no less than four separate incidents involving civilians who had gained access to the drug known as ''Jump'' and subsequently lost control of the powers it granted them. Total haywire." Lifting one hand, she begins ticking off the incidents on her fingers, voice clipped and efficient. "The first occurred at around 1900 hours last night, in the Manayunk neighborhood. A young woman, Dakota Lyons, approximately 23 years old, began manifesting a suite of pyrokinetic abilities after exposure to the drug. She proceeded to rip through several city blocks before several of our own, yours truly included, were able to establish a perimeter and achieve a resolution." Fury pauses, lips pressing into a tight line for a moment as she collects her thoughts. "The second event took place just an hour later, this time in the Fishtown district. A 27-year-old male, one John Allen, previous criminal record for possession and petty larceny, somehow gained the ability to generate and control high-pressure streams of pressurized water through numerous new orifices uncontrollably appearing on his person. The resulting damage to infrastructure and flooding was immense, and it took a full squad of first responders over an hour to bring him into containment." Another finger twitches upwards. "The third case was in West Philly, where a 19-year-old college student, Kendra Bullock, developed what we can only describe as ''explosive body'' syndrome. Any physical contact or trauma caused them to detonate in a series of violent concussive blasts." She shakes her head, a flicker of something like anguish crossing her features. "Despite our best efforts, both the victim and one civilian were lost." She takes a second to compose herself. "And finally, the incident at LOVE Park involving Adam Wallace, which I''m sure you''re all familiar with from the news coverage. But I''ll run it back anyway - he developed the ''ability'' to uncontrollably generate, and launch, random metal objects at anything moving nearby." Fury pauses, leveling a pointed glare across the assembled heroes. "In each and every one of these cases, we have confirmed the presence of at least one or more individuals associated with the Philly Phreaks youth gang - primarily Deathgirl, Chrysalis, and Pumice, but possibly a fourth and slash or fifth unidentified individual - actively observing and interfering with attempts to subdue the affected civilians." I open my mouth to respond, some knee-jerk first-thought already bubbling up to the surface. But the words catch in my throat, a sudden surge of epiphany sweeping through me with the force of a freight train. My vision swims, the room tilting around me as a simmering lattice of connections snaps into sudden, crystalline focus. Elias. The creature at LOVE Park - Adam. Slowly, I turn to face Crossroads, meeting the young man''s solemn gaze with growing trepidation. "It... it was them, wasn''t it?" I murmur, the words emerging barely above a whisper. "The Phreaks... they were creating them. Do you think they''re forcing people to take it?" Crossroads'' eyes widen fractionally at my words, a flicker of dawning comprehension lighting his features. He looks at me, and he shakes his head. "I don''t think it''s that simple," he starts. But before he can respond in more detail, Jamal''s voice cuts through the rising murmurs like a gunshot. "Bloodhound?" The Councilman''s tone is deceptively mild, but I can hear the undercurrent of snark in his words. "Do you have something you''d like to share with the rest of the class?" I look past him, trading a silent glance with Blink and the rest of my teammates. Then, with a slow exhalation, I rise to my feet and turn to address the assembled throng. "I think I might have some insight into who this fourth figure is," I begin, fighting to keep my voice steady and even. "And I have a theory about what''s really going on here with the Phreaks and all these tainted Jump doses." Multiplex leans forward at that, brow furrowing beneath the sweep of his eyebrows. "Tainted? I think that''s already making some big deductive leaps... but hit us anyway. Walk us through what you know." Chapter 91.2 The words tumble out in a rush, my thoughts racing faster than my tongue can keep up. "I think the fourth figure you''re looking for is someone I encountered a few months back, right around the time the Fly and Jump drugs first started showing up on the streets." I pause, taking a steadying breath as I feel the weight of every eye in the room settling on me. "His name is Elias, and he calls himself ''Chimera''. He''s not one of the Phreaks, not really, but he seems to have some kind of... connection with them." I hazard a glance towards Crossroads, noting the subtle shift of acknowledgment in his stance. "From what I''ve been able to piece together, Elias is some kind of... I don''t know, amalgamation. He can take the physical traits and abilities of animals and mix-and-match them into his own body." I see Gossamer''s eyes widen at that, while I keep my eyes on my fellow youngins to avoid freaking it in front of a crowd. "The Phreaks, they''re working with him somehow. Or maybe he''s working with them - I''m not entirely sure. But what I do know is that they''ve got some kind of stake in these tainted Jump doses causing all this mayhem." I shrug, a wince of pain rippling through my shoulders as the motion reminds me of my own injuries. "I think Elias is providing them with some kind of avenue to distribute these amped-up Jump variants, while the Phreaks are helping him... I don''t know, sow chaos or something? Either way, it seems like the two groups have some kind of mutually beneficial arrangement going on." I pause, letting my words hang in the air for a heartbeat before continuing. "And then there''s this other thing Pumice said to Rampart, about how the Phreaks losing their ''one person with a leash on them'' is why they''re getting so bold now. I think he was talking about Patches - you know, the old leader of the Phreaks who we got locked up? I don''t know, almost a year ago?" Across the room, I see Multiplex''s brow furrowing, the man''s lips pursing in a tight frown. "That... tracks, unfortunately," he rumbles, the words like distant thunder. "We''ve been monitoring Patches'' status in the system, and her transfer to a more secure facility was expedited about two months back, around the same time this Fly drug first hit the streets. She''s currently in Daedalus." I see Crossroads and Puppeteer''s faces both twitch in some sort of disappointment. Jamal nods, the motion weary and resigned. "Which means that Deathgirl and the rest of the Phreaks are now operating without the stabilizing influence of their former leader. And with this new... alliance with this Chimera character you''ve described, they seem to have both the motivation and the resources to take their operations to a truly catastrophic level." The room erupts into a fresh wave of hushed murmuring, the tension in the air ratcheting up several notches. Beside me, I can feel Rampart tense, his jaw working in a silent grind of frustration. Gossamer fidgets nervously, one hand worrying the hem of her costume, while Puppeteer''s features have settled into a mask of grim determination. I reach my hand out on instinct, expecting to find Gale''s hand for me. It''s not there. She''s on the other side of the jumble of Young Defenders. Crossroads, however, simply shakes his head. "That still doesn''t explain why , though," he murmurs, the words barely audible over the swell of voices. "Why are the Phreaks willing to work with Elias, or get into the drug trade at all? What''s their endgame here?" I shrug again, hissing out a soft breath as the movement aggravates the raw wounds crisscrossing my back and sides. "I wish I knew," I admit, offering him an apologetic half-smile. "But if I had to take a guess... I''d say spite, plain and simple. Elias is looking to make the insurance companies that kept screwing him over pay, and the Phreaks..." I trail off, letting my gaze sweep across the room. Spindle looks at me and nods. "They''re kids, man. Kids who''ve been dealt a bad hand and are pissed off about it. And now they''ve got this Daisy girl calling the shots, someone who''s probably even more angry and unbalanced than the rest of them put together." I shake my head, teeth worrying at my lower lip as I fight to find the right words. "I think they''re just looking to create as much chaos and havoc as they possibly can, to tear the whole rotten system down around our ears." For a long moment, the only sound in the room is the quiet murmur of conversation, every hero and functionary present seeming to wrestle with the sheer weight and implications of my words. Jamal sighs, fingers massaging the bridge of his nose. "Well... that certainly paints a rather grim picture," he mutters, the words laced with weariness. "And I''m afraid your assessment aligns rather disturbingly with what our own intelligence teams have been able to uncover." He levels a pointed look in my direction. "Which begs the question - how precisely did you come by this information, Bloodhound?" I feel my cheeks heat up at the implication, a sheepish grimace creasing my features. "Uh... well, you see, the thing is..." I trail off, one hand coming up to rub at the nape of my neck in a nervous gesture. "A few months back, I may have... gotten a little too involved in trying to track down the source of this new Fly drug that was popping up. And in the process, I... kind of ended up tangling with this Elias guy?" This is the best explanation I''m willing to give them. The silence that follows is palpable, a thousand unsaid recriminations hanging in the air. I brace myself for the inevitable storm, already wincing in anticipation of Jamal''s exasperated tirade or Multiplex''s scathing rebuke or Bulwark''s warm dressing-down. But to my surprise, the older man simply sighs, shoulders slumping ever so slightly. Love this story? Find the genuine version on the author''s preferred platform and support their work! "Well, at least your tendency for reckless heroics has proven useful this time, I suppose," he mutters, the words accompanied by a rueful shake of his head. "Still, I can''t say I''m thrilled to hear you''ve been running around the streets playing vigilante. We''ve had enough trouble on our hands without you adding to the chaos." "I know, I know," I mumble, casting a sheepish glance around the room. "But in my defense, I wasn''t exactly expecting to get caught up in a supervillain conspiracy when I started looking into Fly. Cut me a little slack here." "I would be surprised if there was not a supervillain conspiracy," Bulwark mumbles, just loud enough to draw a peal of chuckles from the crowd. "If I can add," Spindle says, raising one long, bony hand to the heavens. The room turns to him, and he goes beet red. "Hi, Spindle here. Uh, I used to work with the Phreaks. You know, in a past life, is that what they say? And uh... Daisy is fucking bonkers. Am I allowed to say that?" Fury Forge stifles a laugh. Spindle seems to take that as encouragement. "I would... I would not at all be surprised if this was fueled by spite. There''s a lot of built up bad blood there. That''s why I left. Um. That''s all." Multiplex clears his throat, the sound cutting through the tension like a gunshot. "Thank you very much, Spindle. And, Bloodhound, your information has also proven invaluable. And in light of the severity of this situation..." He pauses, fixing me with a considering look. "I think it''s high time you shared the rest of what you know." I blink, stunned momentarily by the unexpected absence of condemnation. "Uh... well, to be honest, that''s pretty much the gist of it!" I admit, shrugging gingerly. "I mean, I''ve got a few more details here and there, but nothing too concrete or actionable, you know? Just a lot of speculation and half-baked theories." Jamal nods, the motion slow and thoughtful. "Be that as it may, any insight you can provide would be most appreciated. We''re going to need every advantage we can get if we''re to have any hope of nipping this crisis in the bud before it spirals completely out of control." I hesitate, glancing around at the assembled heroes. Rampart offers me an encouraging nod, his features softening into a faint, lopsided grin. Blink reaches out, giving my arm a reassuring squeeze. With a steadying breath, I turn back to face the Defenders'' leadership. "Okay, well... the way I see it, the Phreaks have kind of shifted gears, you know?" I begin, wincing as my rib cage protests the motion. "They started out small-time, just petty crimes and vandalism, right? But then they got a taste for...well, bigger things, I guess, when the Kingdom, remember those guys? Paid them off to cause chaos on South Street. And now, with Daisy calling the shots and Elias giving them access to these amped-up Jump variants, they''re looking to really turn the screws on the rest of the city." I pause, worrying at my lower lip as I search for the right words. "I think their end goal is just pure, unadulterated destruction, to be honest. Daisy and the rest of the Phreaks, they''re... well, they''re kids, man. Angry, disenfranchised kids who feel like the whole world''s stacked against them. And now they''ve got this thing with Elias, someone who''s also pissed off at the system, and they''re just looking to burn it all down." Jamal''s brow furrows at that, the older man''s features creasing in a pensive frown. "And these ''tainted'' Jump variants...?" He prompts, tone deceptively mild. I nod, wincing as the motion sends a fresh stab of pain lancing through my skull. "That''s where Elias comes in, I think. He''s the one providing the Phreaks with these souped-up Jump doses, doses that turn people into absolute nightmares." I shudder, the memory of Adam Wallace''s agonized throes still etched into my mind''s eye. "I think he''s using the Phreaks as a distribution network, a way to get these mutated Jump variants out onto the streets and wreak as much havoc as possible." "Why, though?" Bulwark rumbles, the big man''s voice low and contemplative. "What does Elias get out of all this? Or the Phreaks?" I shrug, immediately regretting the motion as my body screams in protest. "Beats me, big guy. Revenge, maybe? He seemed pretty pissed off at the insurance companies and healthcare system when I met him." A humorless chuckle escapes me. "Maybe he figures if he can just create enough chaos, he can bring the whole rotten system crashing down around their ears?" Multiplex nods slowly, dark eyes narrowing in contemplation. "It''s a concerning theory, to say the least," he murmurs, the words heavy with grim implication. "And if even half of what you''ve surmised proves accurate, then we''re looking at a crisis that could very well spiral out of control in a matter of days, if not hours." He turns, fixing me with a look that''s equal parts concern and steely resolve. "Which is why I''m going to need you and the rest of the Young Defenders to work closely with our teams, to provide any and all intelligence you can on these players and their movements." His gaze sweeps across the assembled heroes, features hardening into a mask of unwavering determination. "We can''t afford to hold anything back, not this time. The stakes are simply too high." Beside me, I can feel Rampart shifting, his frame practically thrumming with restless energy. "You got it, boss," he rumbles.. "Just point us in the right direction and we''ll handle the rest." A chorus of murmured assent ripples through the room, the assembled heroes straightening with renewed purpose. Even Gossamer, usually the most timid and uncertain of the team, is eyeing the Defenders'' delegation with a steely glint of determination. My own lips curl into a faint, lopsided grin as I look around at my teammates. "Guess that means no more freelancing for a while, huh?" I quip, earning a playful jab in the ribs from Playback. Multiplex regards us for a long, silent moment, the weight of the world seeming to settle across his broad shoulders. Then, with a decisive nod, he rises to his feet. "We''d prefer you avoid it. But... if it works, I won''t complain." Clara grabs her small contribution to the conversation. "If you do anything criminal in the process of this investigation it''s probably for the best that you keep that to yourself. Ha ha." Everyone gets out an unwelcome chuckle at that. Multiplex sits back down in his chair and raises his voice. "Alright, everyone. Let''s get to work. Time is of the essence, and we''ve got a city to save. Fifteen minute recess, and then I need everyone on their A-game. Young Defenders, you stay here. There''s more to discuss for us." The room erupts into a flurry of activity, heroes and support staff alike surging into motion as a fresh wave of purpose and determination sweeps through the assembled ranks. Jamal steps forward, already issuing a rapid-fire series of orders and directives. I take a step back, watching the chaos unfold with a sense of quiet apprehension. The path ahead is clear, the threat laid bare before us. But the road will be long, and the battles to come will be fierce. All I can do is steel myself, and hope that in the end, it will be enough. Chapter 91.3 The silence that follows Multiplex''s pronouncement hangs heavy in the air, thick with anticipation and unspoken questions. For a long moment, nobody seems willing to be the first to break the stillness. Then, as if a switch has been flipped, the room erupts into a cacophony of teenage banter and casual chatter. "So, anybody catch the new Celldweller flick over the weekend?" Playback pipes up, idly tapping out a rhythm against the arm of his chair. "I heard it was a total mindfuck." Gossamer lets out an excited little squeal, bouncing in her seat. "Oh my gosh, yes! The visuals were absolutely insane - I''ve never seen anything like Ren Shouko''s nanopunk aesthetic brought to life like that before!" Rampart snorts, favoring the shorter girl with a sidelong look. "What, you mean all those seizure-inducing lightshows and music video cutaways?" He shakes his head, lips quirking in a half-smirk. "Nah, way too much style over substance for my tastes." "You''re just saying that because you couldn''t follow the overarching inugami-punk allegory they were going for," Gossamer shoots back with a lofty sniff. "Ooh, big SAT words, you''ve been studying!" Playback jeers with a theatric gasp. Gossamer bristles, whipping around to face the smirking boy with an indignant glare. "What did you just say?" "Easy there, killer," Puppeteer cuts in with a weary sigh, raising one hand in a placating gesture. "Let''s try and stay on task here, people?" "What task?" Playback counters with a snort of derision. "All the old heads finished yakking, didn''t they? We''re just waitin'' on them to give the next spiel." Rampart leans back in his chair, folding his arms across his barrel chest. "You could try showing a little respect, you know," he rumbles, shooting Playback a hard look. "For what?" He fires back with a dismissive shrug. "They ain''t even started us in on the real deets yet. So what''s the point in sittin'' around with our thumbs up our-" "Does anybody have any fun plans for their summer?" Blink interjects hastily, flashing the room a brilliant, disarming smile as she cuts across Playback''s budding rant. "I''m thinking of maybe trying to pick up some landscaping gigs, earn a little cash before senior year starts up again." Crossroads hums thoughtfully at that, head tilting to one side. "Not a bad idea, actually," he murmurs, favoring the younger girl with an appraising look. "Get a little part-time income flowing, maybe invest in some consumer-grade bodyarmor for when things inevitably get messy again..." "I mean, I can get you that. And aren''t you going into, like, your second year of college?" Gossamer challenges. From there, the conversation seems to splinter off into a dozen different directions at once, a whirlwind of meandering topics and half-remembered anecdotes spoken over one another in a disjointed symphony of musing and witty banter. Gossamer latches onto Blink''s thread, nattering on about some new textile line she''s been playing around with that could make for the "most fashionable ballistic vests ever!" Meanwhile, Rampart and Playback continue to snipe back and forth, their verbal jousting carrying the familiar cadence of a long-running faux rivalry fueled by equal parts mutual respect and perpetual exasperation. Every once in a while, one of them will toss out an anecdote relating to one misadventure or another, earning a chorus of snickers and rolled eyes from those not directly involved in the scuffle. I hang back from the chaos, content to simply watch and listen as the easy camaraderie flows around me in cresting waves. It''s been far too long since the last time I got to simply be around these people, absorbed in the simple routines and casual ribbing that once defined the bulk of my existence. A distant, forgotten part of me aches with a bone-deep weariness at the way the focus seems to continually shift from one dizzying tangent to the next. I look for Gale, and watch her conversation from afar without interacting. Then I do it from my periphery instead, because I don''t want to stare at her. You might be reading a stolen copy. Visit Royal Road for the authentic version. Boy, it hurts. But just as swiftly, that feeling is swept aside by a surge of unbridled affection, my lips curling in a faint, lopsided grin as I drink in the surrounding tumult. These people, this team, are more than just comrades or colleagues - they''re friends, a second family bound together by shared struggle and unwavering trust. "Hey, Earth to Bee? You still with us over there, kiddo?" Rampart''s voice jolts me from my reverie, eyes snapping back into focus as I blink owlishly. "Huh? Oh, uh... sorry, I was just spacing out for a second there," I stammer, offering the big man a sheepish half-grin. "You were saying?" He returns the grin with a wry chuckle, shaking his head in that familiar Oh you kind of way. "Yeah, I could see those gears turning from across the room," he rumbles with a fond roll of his eyes. "Figured we''d lost you for a hot minute again." "You know me," I quip, allowing my features to settle into a more natural smirk. "Always overthinking everything." "That''s our Bee!" Playback cuts in with a theatrical flourish, leaning across the distance to rap his knuckles against the side of my chair. The words are delivered with his typical devil-may-care swagger, all bravado and careless irreverence. But beneath the familiar facade, I catch the briefest flicker of genuine warmth flickering across his features, there and gone again before anyone else seems to notice. The good-natured ribbing continues to flow, an easy current of banter and camaraderie that seems to lift the weight of responsibility from all our shoulders, at least for a few precious moments. Blink holds court in one corner, regaling Spindle and Gossamer with animated tales of her latest binge-watching exploits, while Puppeteer exchanges terse words with an attentive Crossroads nearby. For a little while, at least, it almost feels like we''re just regular teenagers again. Like we''re just a bunch of overgrown kids killing time before the next class, swapping wild stories and inside jokes instead of war stories and battlefield triage tips. But deep down, none of us are really fooled. We can laugh and joke and shoot the shit all we want, but the specter of duty, of responsibility , hangs over us all like shroud too heavy to simply shrug off. Then, of course, everything happens quite fast, as it tends to do. The illusion shatters completely when Jamal clears his throat, the sound reverberating through the room like a gunshot. All around me, I can feel the mood shifting, the weight of the world settling back down upon our collective shoulders. My teammates straighten almost in unison, a silent ripple passing through them as they refocus, faces settling into masks of grim determination and purpose once more. Simultaneously, every hero in the room seems to tense almost imperceptibly, the easy cadence of our conversation sputtering to an abrupt halt. Chairs creak as bodies subtly shift, casual postures transitioning into something a bit more alert and coiled. For a heartbeat, the silence stretches unbearable taut. Then, with heavy inevitability, the door at the far end of the chamber hisses open, and Councilman Davis strides through with a grim finality writ across his weathered features. "Alright, people," he announces, voice ringing out like a gunshot amidst the stillness. "Now, I realize you''ve all had quite the ordeal over the past twenty-four hours," the older man begins, his voice carrying easily across the suddenly silent chamber. "And I want you all to know that your efforts, your sacrifices , have not gone unnoticed or unappreciated." His gaze sweeps across our assembled ranks, dark eyes shining with a somber glint of profound respect. "But unfortunately, the trials and tribulations we face as guardians of this city are never truly over - merely set aside for brief respites before the next challenge rears its head." Jamal pauses for a moment, seeming to weigh the import of his next words carefully. Then, with a grim exhalation, he continues, tone hardening into the familiar cadences of command. "Which brings us to the true purpose of why I''ve called this particular meeting, and the reason why the rest of the civilian and contractor roster has been dismissed. As you are all no doubt aware, the recent losses of both Professor Franklin and Liberty Belle have left the Delaware Valley Defenders stretched alarmingly thin when it comes to providing coverage over the entirety of the Greater Philadelphia Metro area..." Beside me, I can feel the atmosphere shifting once more, a palpable weight of anticipation settling over the room like a lead shroud. My teammates trade fleeting, sidelong glances, the tension ratcheting up with every second of Jamal''s deliberate pause. They seem to know something I don''t. Crossroads, Rampart, and Puppeteer all look at each other. Silence reigns. "And, as I''m sure you''ve all surmised by now - some of you are rapidly approaching an age where graduation to the senior team is not merely recommended, but expected, if you are to continue with your careers in government-sanctioned superheroics." The words hang in the air, weighty and charged with implication. Beside me, Rampart shifts, his jaw tightening ever so slightly. Out of the corner of my eye, I see Blink stiffen, spine straightening into a taut line of barely suppressed anxiety. For a long heartbeat, no one speaks - an eternity of unspoken questions and half-formed apprehensions swirling through the air like a gathering storm. Then, like a crack of lightning splitting the night, Playback''s voice shatters the stillness with its customary lack of restraint. "Well, shit... looks like Prom is gonna have to wait until next year, I guess!" Concept Art (1) I am currently Doing the Honeymoon and do not have the time to put up a chapter. So instead, here¡¯s some concept art!
Samantha Small, age 15
Morris "Moe" David Small, age Old. A retired engineer and fan of classic science fiction. Extremely Jewish.
Rachel Alma Small nee De Leon. A librarian with a vested interest in ensuring her meathead daughter receives the best possible education she can. Does not like her own parents.
Benjamin Ephraim Small. A city planner with leftist sympathies and very little social grace. Big fan of chess. Extremely bad at chess.
Kaitlyn Smith, age 15, complete with high voltage electrocution scar.
"Miss Mayfly"
Jenna Nguyen, age 15.
Marcus Johnson, age 15.
Tasha Reynolds, age 15.
Lilly Rodriguez, age 15.
Lily Chen, AKA "Blink". Member of the Young Defenders. Possesses the ability to accelerate moving objects extremely quickly along a single axis of motion.
Akilah Washington, AKA "Puppeteer". Member of the Young Defenders. Possesses the ability to generate strings of telekinetic force.
Devonte Harris, AKA "Playback". Member of the Young Defenders. Possesses the ability to steal and play back sounds.
Jason Reynolds, AKA "Rampart". Member of the Young Defenders. Possesses the ability to selectively negate kinetic impacts, channeling them outward through his feet.
Samantha Small, AKA "Bloodhound". Member of the Young Defenders. Possesses the ability to smell blood, bite extremely hard, and grow teeth from her body.
Jamila Fayad, AKA "Gale". Member of the Young Defenders. Possesses the ability to accelerate and control existing gusts of wind.
Amelia Li, AKA "Gossamer". Member of the Young Defenders. Possesses the ability to intuitively understand and excel at any weaving-related tasks.
Maxwell Martinez, AKA "Crossroads". Member of the Young Defenders. Possesses the ability to perceive the outcomes of heavily polarized choices in his vicinity.
Connor Spinelli, AKA "Spindle". Member of the Young Defenders. Possesses the ability to contort their body far beyond normal human limits.
Safeguard (old design).
Jordan Westwood, age 16.
This story originates from a different website. Ensure the author gets the support they deserve by reading it there. Chapter 92.1 Playback''s words seem to detonate in the stillness like a thunderclap, shattering the fragile tension that had coalesced around us. A pile of murmurs and muted exclamations ripples through the assembled ranks as the full gravity of Jamal''s pronouncement begins to sink in. "Well... I guess that''s one way of looking at it," Rampart rumbles after a beat, his deep baritone somehow managing to cut through the rising hubbub. There''s an undercurrent of wistfulness to his tone, leavened with the faintest hints of apprehension. Blink lets out a nervous little giggle at that, flashing Rampart a tremulous smile. "Hey, who knows?" She ventures with a forced lightness. "Maybe they''ll let us have a going-away party or something? You could totally make it a prom theme!" "I''m sure Gossamer would be thrilled to design our graduation dresses," I deadpan, allowing myself a wry half-grin as I join the banter. The smaller girl''s eyes light up at that, an eager grin blooming across her features. "Ooh, you know what would be super cute? If we all coordinated in, like, a gradient theme! I''m picturing, like, a soft lavender shading into a deep royal purple across the ensemble-" "I''m gonna stop you right there, Sparkles," Playback cuts in with a shake of his head, lips quirked in a teasing smirk. "I don''t know about y''all, but I ain''t exactly feeling confident enough in my girlish figure to be rocking no evening gown anytime soon. I''ll take a dope tux and call it a day." That draws a peal of laughter from Blink, her body seeming to relax ever so slightly as the easy camaraderie flows between us. Even Puppeteer allows herself a faint, lopsided grin, dark eyes glittering with a hint of genuine amusement. "Speaking of which..." Crossroads ventures after a moment, the young man''s rich baritone cutting through the lighthearted chatter like a scalpel. There''s an undercurrent of brooding gravity to his voice, all hints of mirth and levity banished in the wake of Jamal''s sobering announcement. "I think it goes without saying that this... changes things for the team in a fairly significant way." An uncomfortable lull falls over our little gathering at that, the brief respite of laughter and playful jabs giving way to a resurgence of apprehensive uncertainty. Rampart shifts almost imperceptibly beside me, his massive shoulders stiffening beneath the weight of Crossroads'' implication. Playback''s expression sobers, eyes flicking towards Puppeteer as if silently seeking guidance or reassurance. "I mean... we all knew this day was coming sooner or later, didn''t we?" I venture after a heartbeat''s pause, keeping my tone deliberately light and casual. "We can''t exactly stay Young Defenders forever, can we?" "You make it sound so easy, High School Freshman," Playback quips after a couple of seconds of rotting silence. My attempt at levity falls flat, the words seeming to hang in the air like a damp towel draped over the room. Blink worries at her lower lip, fidgeting in her seat, while Gossamer''s expression takes on a pensive, almost troubled cast. Crossroads simply watches us impassively, hands steepled before him in an unspoken plea for composure. "I suppose you''re right," Puppeteer murmurs after a long moment, her soft lilt slicing through the tension like a keen-edged knife. "We all knew from the beginning that the Young Defenders were intended as little more than a stepping stone, an interim phase for newly activated metahumans to refine their abilities and gain experience under supervision." She inclines her head towards Crossroads, seeming to defer to his leadership in that unspoken way of hers. "The only question that remains is... who , precisely, will be making that transition to the senior teams come graduation. Is this going to be a competition for one spot?" A fresh murmur of hushed conversation ripples through our little cluster at that, speculation and apprehension alike swirling through the suddenly charged air. Puppeteer''s gaze sweeps across the assembled teammates, her dark eyes glittering with hints of unspoken intent. Jamal rubs his chin. "It depends. We have to see what other metahuman resources will be available for us to make up the gaps left by Franklin and Belle." Beside her, Blink shifts anxiously from foot to foot, fingers worrying at the hem of her costume. "But... that would mean the team''s going to get split up, right?" Her cheeks are pinched with naked apprehension. "Because whoever gets picked is going to have to leave and join the Defenders full-time?" A chorus of murmured assent rises at that, the other younger members exchanging uncertain glances. Even Rampart seems subdued, shoulders tightening almost imperceptibly as the reality of the situation settles over us. Crossroads is the first to respond, leaning back in his chair with an inscrutable look. "Well, it''s not exactly like it would be goodbye forever, you know," he points out in that familiar, measured cadence. "We''d still be around, still part of the same larger team - just operating at a different level of responsibility is all." Playback snorts at that, one hand coming up to toy with the tassels of his beanie. "Uh-huh, sure... because that''s totally the same as still being part of this merry little band, isn''t it?" His tone is light, almost flippant, but I can detect an undercurrent of something else lurking beneath the sarcasm - a vein of genuine disquiet that he''s clearly trying to mask. "Hey now, nobody said anything about abandoning the squad just yet," Rampart cuts in, looking up from where he''s been studying the table with an uncharacteristic intensity. His lips are set in a grim line, mouth pulled into a thin grimace. "Way I see it, any of us that do end up getting the call-up are just gonna have to work twice as hard to keep those ties intact. No way in hell I''m letting a little thing like a promotion come between me and my team." A smattering of murmurs greets that, the undercurrent of tension in the room seeming to ease fractionally. I find myself nodding slowly in agreement, unable to deny the simple, steadfast certainty in Rampart''s voice. This content has been misappropriated from Royal Road; report any instances of this story if found elsewhere. Puppeteer''s expression remains carefully neutral, not so much as a flicker of acknowledgment rippling across her elegantly sculpted face. "Perhaps," she allows at length, the word emerging precise and measured, although what exactly she''s ''perhaps''ing eludes me. "Although as we all know, simple seniority and leadership experience alone are seldom sufficient qualifications for ascension to the senior ranks." Her dark eyes slide towards Crossroads once more, silently deferring the leadership of the discussion back towards him in that effortless, almost unconscious way she seems to have. The tall youth lets out a weary sigh, shoulders sagging almost imperceptibly beneath the weight of her implicit summons. "You''re right, of course," he rumbles after a moment, fingers lacing together atop the tabletop in an unconscious mimicry of pensive contemplation. "Mere age and experience alone aren''t enough to guarantee a smooth transition upwards. There are other factors that must also be weighed and accounted for." Clara chimes in then. "I''ve been doing a lot of research lately about team compositions, and what my findings have suggested is that having multiple older team members who don''t think of each other competitively can be a deciding factor in how well a team like the Defenders syncs up. If you imagine your incoming promotion from the Young Defenders as an open audition..." Puppeteer and Rampart exchange looks, raising their eyebrows. Gossamer is staring at Clara wide-eyed, hanging on her every word. The overall vibe of the room seems positive towards Clara''s speech, and she takes the opportunity to continue with an analogy that she must think makes her look smart. "If the Young Defenders were a... little league baseball team, let''s say, and we were looking to select one or two players from it to join our major league team, the Defenders, our... scouts would not simply look at batting averages or wins. They would look at the player''s ability to coexist with the other players, and whether or not that particular player''s personality would gel with the existing group." "You''re right," Crossroads chimes in. "Picking between the three of us based on resume alone wouldn''t be the right move. We have to figure out which combination of people would make for the most functional and effective team." Jamal clears his throat again and stands. "Indeed. And that is precisely what we will all endeavor to determine, but the process will not be as simple or as clear-cut as merely looking at your dossiers." His gaze sweeps across the assembled Young Defenders once more, seeming to linger meaningfully on each of them in turn. "The road ahead will be long, fraught with challenges that will test the very limits of your skills, your resolve, your commitment to the calling we have all sworn ourselves to uphold." Jaw tightening fractionally, the older man straightens to his full height, gaze hardening with a mask of unyielding determination. "But I have no doubt that you will all prove equal to the task, as you have time and again in the face of seemingly insurmountable odds. The days grow darker with each passing hour, the trials ever more arduous." His eyes blaze with the intensity of a man utterly convinced in the righteousness of his cause. "But that is why we train, why we sacrifice, why we dedicate every waking breath to the mantle of service and protection that has been bestowed upon us. Hold fast to that conviction, those unbreakable bonds of fellowship and trust that make you stronger together than the sum of your individual parts." A muscle twitches in Jamal''s jaw, the words seeming to resonate from somewhere deep within his core. "For in the end, it may very well be all that stands between us and the onset of oblivion itself." There''s a moment of silence. "Okay, dude. Damn," Playback cracks. A tense silence hangs in the air in the wake of Jamal''s impassioned words, the weight of his pronouncement seeming to settle over the assembled Young Defenders like a shroud. For a long moment, nobody seems willing or able to give voice to the maelstrom of thoughts and misgivings swirling unspoken between us. Then, as if a dam has burst, the room erupts into a surge of hushed conversation, opinions and objections spilling forth in a disjointed chorus. Beside me, Blink fidgets anxiously in her seat, lips pursing with the clear desire to speak her mind. "Okay, so... I know this is gonna sound bad, but..." She pauses, worrying at her lower lip as she seems to search for the right words. "Well, don''t you guys think Rampart might be a little... young to be considered for full Defender status just yet?" The dude in question stiffens almost imperceptibly at that, shoulders squaring beneath the crimson padding of his costume. His expression, however, remains impassive - a carefully schooled mask of stoic detachment giving nothing away. Predictably, Playback is the first to seize upon Blink''s tentative objection, pouncing on the opening like a jackal sighting a fresh carcass. "Y''know, she might just have a point there, big fella," he drawls in that exaggerated, easy cadence of his. I can''t quite put a finger on the undercurrent of unease coiling beneath his words, but it''s there all the same. "I mean, don''t get me wrong, your power is crazy useful and all. But you did just hit legal adulthood not too long ago, right? The rest of the old heads have been in college for way longer already. You sure you''re ready for that next step?" Puppeteer clears her throat, head tilting towards Crossroads in a clear deferral of authority. He doesn''t say anything, only closing his eyes. I think he has in him the idea that leaning one way or another would seem to be... a favoring, a deferral. Surely, he''s seen the future, hasn''t he? But he refuses to give us anything about it. "I mean, does it matter that the Defenders have a defensive type like Bulwark on the roster?" Gossamer offers up, brow furrowed as she worries away at her lower lip. "No offense, Ramp," Rampart raises a hand, shutting his eyes in thought. "None taken. It''s important information." Blink nods slowly, seeming to seize upon the point with renewed vigor. "That''s what I was thinking, too," she agrees, flashing her smaller teammate an encouraging look. "Like, we all know how much of a beast Rampart can be when it comes to tanking hits and locking things down. But in a team setting alongside Bulwark and the other powerhouses like Multiplex and Fury, doesn''t it maybe make more sense to pick someone with a different overall powerset to help round things out?" Hushed agreement moves through us, punctuated by the occasional murmur of dissent. Rampart''s jaw tightens almost imperceptibly, but beyond that muted expression, he doesn''t so much as twitch in the face of the growing torrent of speculation and debate surrounding his candidacy. Unbidden, my gaze flicks towards Puppeteer, searching for any sign or tell in her customary composure, finding nothing. There''s a brief lull then, as if the gathered teens are all instinctively looking towards Crossroads and the senior contingent for some manner of rebuttal or guidance. Multiplex shifts almost imperceptibly in his seat, expression darkening into a speculative frown as the weight of the mantle settles across his broad shoulders. "...I think we''re getting a little ahead of ourselves here," the seasoned hero ventures at length, that familiar rumble of authority underpinning his words. "Ultimately, the decision of precisely who among you will be invited to take the next step will not be made here and now, in the heat of the moment. There will be a process, a series of assessments undertaken by each of the candidates to help us better determine where you will be able to contribute most effectively as part of the wider Delaware Valley Defenders initiative. I would ask that you all simply keep an open mind, and hold your doubts and objections for a time. Today is not that day." But before Rampart can so much as part his lips in response, another voice rises to cut through the swelling tension. This one soft, tremulous - and all too familiar. "Actually... I think this might be a good time for me to share something as well." Chapter 92.2 The words emerge soft, almost inaudible, but they seem to detonate in the stillness of the room with the force of a thunderclap. I feel my breath catch in my chest, head whipping around almost of its own accord to find Gale regarding us all with an oddly pensive expression. I look anywhere but her, and end up meeting gazes with Spindle, who has remained mostly quiet this whole meeting. He is the newest member of the team, so I don''t really blame him, but it feels weird to stare at him, so I stop. "Sorry in advance," She says. She takes a steadying breath, dark eyes flicking towards me for the barest instant before flickering away once more. "I... I''ve been giving my role on the team a lot of thought lately," she begins, the words seeming to emerge with a palpable weight of reluctance. "Ever since the incident out near the Schuylkill, really. And... well, the truth is, I''m just not sure this is something I can keep doing anymore. Not with the way things have been escalating lately." A thick, leaden silence falls over the room, the weight of Gale''s confession seeming to drain the very air from the space around us. I feel my heart plummet into my stomach, a sudden, nauseating vertigo sweeping through me as her words seem to detonate against the inside of my skull. Squeezing my eyes shut, I fight off the urge to be sick, dimly aware of the flurry of muted exclamations and hushed protests erupting in the wake of Gale''s bombshell revelation. Beside me, I can sense Blink tensing, body rigid with shock, while Gossamer seems poised on the verge of tears, lips trembling mutely. Puppeteer is the first to find her voice, the regal tones of her measured baritone cutting through the swelling tumult like a razor''s edge. "Gale... please, help us to understand," she murmurs, dark eyes shimmering with naked concern. "Does this mean you intend to leave the Young Defenders altogether? Or merely take a step back from active duty for a time?" Gale crunches her face up, visibly struggling to maintain her composure as every eye in the room turns towards her. There''s a palpable aura of fragility surrounding her, as if the slightest errant breath might shatter her into a thousand irreparable pieces. "I... I''m not sure, to be honest," she admits at last, words emerging in a breathless rush. "I just... after everything that happened, all the destruction and... and violence , I can''t seem to get it out of my head, you know?" Her gaze flicks towards me again, dark eyes haunted by a bone-deep weariness I''ve only ever glimpsed in fleeting flashes before. "I talked to Sam about it, too. I just..." Everyone glances at me, and I feel like I need to explode and also die. I look at the floor. Blink lets out a soft, strangled sound at that, while Playback shifts uncomfortably in his seat, lips pressed into an uncharacteristically grim line. I can feel the weight of their collective gazes settling on me, a thousand unspoken questions and silent pleas for intervention swirling through the air. But the words won''t come. My tongue feels like lead, the air thick and stagnant in my lungs. All I can do is stare at the floor. "Gale... I know things have been... intense , to say the least, these past few months," he begins, voice pitched low and soothing as one might use to gentle a spooked animal. "After everything we saw out there, everything we had to deal with... well, I''d be lying if I said it didn''t shake me up too, you know?" He pauses, grimacing faintly as his eyes flick towards the bandages still swathing his torso. "To be honest, I''m not even sure I''d be here right now if it weren''t for all of you - my team, my family - keeping me grounded and reminding me why we signed up for this gig in the first place." Reaching out, he rests one massive hand atop Gale''s in a gesture of quiet reassurance, the gesture almost grandfatherlike. "So I get it, kid. I really do. And whatever you decide to do from here, just know that none of us are gonna judge you for it, alright? We''re here for you, one hundred percent of the way. No matter what." His gaze sweeps across the rest of us, dark eyes shining with a quiet, unshakable conviction. "Ain''t that right, y''all?" A ragged chorus of murmured assent rises from the assembled Young Defenders, punctuated by a few emphatic nods and tight smiles. Gale manages a tremulous half-grin of her own, the expression almost painfully fragile as she ducks her head in a mute show of gratitude. "I... thank you, Rampart," she whispers, voice barely audible over the sudden swell of hushed chatter. "And all of you, really. Just... just know that I''m not making this decision lightly, okay? I love all of you, and being a part of this team has been one of the greatest experiences of my life so far. But... well, there''s a difference between being brave and being reckless , you know? And... I''m scared. I don''t want..." Stolen from its rightful author, this tale is not meant to be on Amazon; report any sightings. I know what''s coming next, but the end of the sentence doesn''t show up. "You don''t want to die," Puppeteer finishes the thought for her, as if plucking it from her head. Gale''s words seem to hang in the air like a leaden weight, the unspoken truth behind her halting confession sending a palpable chill rippling through the room. For a long, breathless moment, nobody seems willing or able to give voice to the unspoken implications swirling in that fragile silence. Then, with a quiet exhalation, Puppeteer straightens almost imperceptibly in her seat, dark eyes glittering with a strange, haunted light. "You''re right, Gale," she murmurs, the familiar cadences of her rich alto seeming to resonate with a profound, bone-deep weariness. "None of us signed up for this path expecting it to be a leisurely stroll through the park. We all knew the risks, the stakes, the sheer gravity of the responsibility we were shouldering from the moment we first donned these somewhat tacky costumes." "Hey!" Gossamer shouts, but it''s clearly in jest. I think. Her gaze sweeps across the assembled ranks, drinking in each of us in turn with a solemn, inscrutable intensity. "But that doesn''t make the realities of what we face out there any less harrowing, any less... visceral when the chips are down and we''re staring oblivion in the face." She pauses, lips tightening almost imperceptibly, as if steeling herself against some unspoken onslaught. "So if any of you feel the need to step away, to take a break and recenter yourselves... well, I can promise you that nobody here will think any less of you for it." Her lips quirk in a faint, rueful smile, the expression somehow laden with a profound, haunting melancholy. "After all, what good are we to the people we''ve sworn to protect if we lose ourselves in the process, hmm?" A ragged murmur of agreement ripples through the gathered Young Defenders, punctuated by a few emphatic nods and tight smiles. Spindle, silent until now, straightens almost imperceptibly in his seat, features etched in a pensive frown. "I don''t think anyone would blame you if you wanted to live like a normal person. I don''t think normal people are meant to be superheroes," he says, his head pitching forward a bit. "Like, I think there''s something wrong with your brain when you get superpowers. I don''t think normal people want to do superheroics. Is that a thing?" "Not to my knowledge," Crossroads rumbles. "But I understand what you mean." Gale manages a weary smile at that, dark eyes glistening with a sheen of unshed tears. "Thank you, both of you," she whispers, the words thick with a profound, almost palpable gratitude. "Just... thank you all , really. I can''t even begin to tell you how much this team, how much you''ve all come to mean to me over the months." A fresh swell of muted conversation rises at that, the undercurrent of tension in the room seeming to ease ever so slightly. Blink leans over to drape one slim arm across Gale''s shoulders in a gentle side-hug, while Gossamer bobs her head in a vigorous, almost comically emphatic nod of agreement. For my part, all I can do is watch in silence, a roiling tempest of emotions churning just beneath the surface. Part of me aches to reach out, to offer some small measure of reassurance or comfort in the face of Gale''s naked vulnerability. But another, deeper part recoils at the very thought, a vast and yawning chasm of loss and bitter recrimination opening up to swallow me whole. So I remain still and silent, an island of deathly calm amidst the swirling currents of camaraderie and shared catharsis. My gaze flicks towards Crossroads, searching for some hint or tell as to his inner thoughts on the matter. But as ever, his expression remains an inscrutable mask, giving nothing away. He simply watches the proceedings unfold with that same pensive, brooding intensity, dark eyes glittering with unspoken calculation. Another murmur of assent, this one louder and more emphatic. Multiplex stirs in his seat, shoulders squaring as he leans forward with clear intent to speak his mind. But before the words can emerge, Puppeteer barrels onward, raising one hand in a gentle, placating gesture. "Well, since we''re all being so open and honest here..." She pauses, weighing her next words with immense care. "I suppose I should take this opportunity to disclose something as well, something that may very well impact my own candidacy for ascension to the senior Defender ranks." The words detonate in the stillness like one of those little crackle thingies you throw at the ground, shattering the brief interlude of shared vulnerability and drawing every eye towards her. Small, but explosive. Crossroads straightens almost imperceptibly, while beside me, I can feel Spindle tensing with a palpable aura of apprehension. For my part, a sickly sense of dread begins to coil in the pit of my stomach, the implications of Puppeteer''s pronouncement blossoming into horrific clarity. I shoot Crossroads a sidelong glance, lips pressed into a grim line as his earlier words seem to echo through my mind with fresh, haunting resonance. Does this mean you intend to leave the Young Defenders altogether? Or merely take a step back from active duty for a time? Beside me, Blink stiffens almost imperceptibly, dark eyes flicking towards Crossroads in a silent exchange of meaningful glances. He regards us both with an inscrutable look. Playback, for once, does not seem inclined to open his mouth, keeping his lips very intently pursed with silence. "As some of you may already be aware," she begins, voice ringing clear and unwavering through the stillness, "I have been... struggling with certain personal issues for quite some time now. Issues of an... emotional and psychological nature that, ultimately, may preclude me from ever being considered for full Defender status as a Registered Superhuman Entity." Chapter 92.3 The air is popped like a balloon, punctuated by a few hushed gasps and sharp inhalations. Rampart''s brow furrows, and he leans back in his chair as realization seems to dawn across his face. Playback, meanwhile, simply gapes at Puppeteer in open bewilderment, utterly at a loss. Gossamer, however, seems to shrink in on herself, shoulders hunching inwards as she ducks her head in a clear display of discomfort and unease. I can''t help but shoot the smaller girl a sidelong glance, brow furrowing in silent concern as she seems to withdraw from the conversation entirely. Spindle lets out a soft groan of confusion. "Can you maybe... I dunno, elaborate a little bit here?" he prompts, towering frame shifting almost imperceptibly. "The specifics are... not important, in this particular case," she demurs, tone hardening slightly as she seems to steel her resolve. "Suffice to say, I have been diagnosed with a... condition that, according to the current bylaws and regulations governing registered superhuman operatives, would likely preclude me from ever being considered for advancement to the senior Defender ranks. Or any form of registry outside of a LUMA." "Wh-... but... how?" The words tumble from Gossamer''s lips in a breathless rush, dark eyes wide and glistening with the first hints of distressed tears. "How is that even possible? You''re like... you''re like the best of all of us! The strongest, the smartest, the-" "Whoa, whoa, easy there, Sparkles," Playback cuts in, raising his hands in a placating gesture as he seems to shake off his own stupor. "I''m sure a sister has her reasons. No need to get your threads all in a twist over it." Puppeteer offers the shorter girl a tight, grateful smile, the expression almost painfully fragile. "Playback is correct," she affirms with a solemn nod. "While I appreciate the vote of confidence, the simple reality is that certain... conditions are considered potential risk factors or liabilities when it comes to registered superhuman operatives. It''s an unfortunate reality, but one we must all accept and adapt to accordingly." There''s a brief lull then, as if the weight of her words is finally sinking in for the rest of us. Rampart lets out a low, rumbling sigh, shaking his head slowly in a silent show of resignation. For my part, I can only sit in stunned silence, thoughts whirling as the dust settles around Puppeteer''s revelation. Because as the truth sinks in, as the weight of her words resonates through the stillness, one inescapable conclusion begins to take shape. An uncomfortable silence falls over the room then, broken only by the occasional muted sniffle or sharp intake of breath. Gale wrestles with some unspoken internal struggle formed into shoulder tension, while Gossamer dabs at the corners of her eyes with the hem of her costume. Crossroads is the only one left. The thought blossoms into quiet clarity, each piece of the puzzle clicking into place with a soft sort of inevitability. Puppeteer''s self-imposed withdrawal, Rampart''s age and the need for the Young Defenders to still have a leader... Who''s even the next oldest? Blink? Playback? He is the only one. Slowly, inevitably, my gaze is drawn towards the towering figure seated across from me, dark eyes locking with Crossroads'' own inscrutable obsidian stare. For a breathless heartbeat, a thousand unspoken words and silent pleas seem to hang suspended between us in the fragile stillness. Then, with a weary exhalation, Gale seems to shrink in on herself once more, the brief flicker of determination in her expression guttering out like a candle in the wind. "Thank you all, really," she whispers, the words barely audible over the hushed murmurs still swirling through the chamber. "I think... I think I need some time alone to process everything. If you''ll all excuse me..." Rising shakily to her feet, she offers the rest of us a trembling, apologetic smile before turning to make her way towards the exit, shoulders hunched beneath an invisible weight. Nobody moves to stop her, the weight of too many revelations and hard truths hanging over us all like a suffocating smog. Then, clearing his throat, Multiplex straightens in his seat and leans forward with grim intent. "Well... I believe this has been a sufficiently illuminating discussion on the challenges and realities we all face as we look towards the future," he rumbles, that familiar cadence of solemn authority ringing through the stillness. "And while I know emotions are running high in light of Puppeteer and Gale''s admissions, I would remind you all that no final decisions have been made as of yet. There is still a process to be undertaken, a series of assessments and evaluations that each of you will have the opportunity to..." If you come across this story on Amazon, be aware that it has been stolen from Royal Road. Please report it. But even as the seasoned hero continues, his words seem to fade into a dull, indistinct murmur in the back of my mind. I don''t really think anyone is even listening to him. The rest of the meeting drifts by in a blur, Multiplex''s measured words fading into a dull, indistinct murmur at the back of my mind. I can''t seem to focus on anything beyond the swirling maelstrom of thoughts and emotions churning within, each revelation and confession piling atop the other until I feel like I might just drown in the sheer weight of it all. Beside me, Blink shifts almost imperceptibly, dark eyes flicking my way in a silent, concerned glance. I offer her a halfhearted, strained smile in response, doing my best to tamp down the roiling tide of anxiety and apprehension threatening to overwhelm me. Then, as mopers do, we sit in silence for a little more. It''s Playback''s voice that jolts me from my reverie, cutting through the muted haze like a razor''s edge. "Yo, Bee! You still with us over there, buddy?" I nod mutely, not trusting my voice to remain steady as he slaps my back, drawing a wince. In truth, I''m barely holding it together as it is, the weight of Gale''s confession and Puppeteer''s revelation and also Gale breaking up with me and me getting the tar beaten out of me by pumice - STILL FULL OF HOLES BTW, JUST IN CASE ANYONE FORGOT - bearing down on me like a GIANT ROCK. But I can''t afford to let it show, not here, not in front of the others. I have to be strong. "Huh? Oh, uh... yeah, yeah, I''m good," I stammer, offering the others a weak smile. "Just... a lot to take in, you know?" Blink flashes me a sympathetic look, reaching out to give my hand a gentle, reassuring squeeze. "Hey, you''re not the only one," she murmurs, dark eyes shimmering with a shared understanding. "I mean, Puppeteer? And Gale too? That''s just... wow." Beside her, Gossamer nods emphatically, lips pulled into a troubled frown. "I know, right? It''s like... I dunno, it just feels like the rug''s been pulled out from under us, you know?" She pauses, worrying at her lower lip with a visible wince. "And now with the Chernobyl trial coming up, isn''t that your business? I can''t even imagine how you must be feeling right now." My breath catches in my throat at the mention of the impending trial, the weight of their collective gazes suddenly feeling like a thousand pounds pressing down on my shoulders. Swallowing hard, I offer the shorter girl a faint smile, the expression feeling painfully fragile on my lips. "I, uh... I''m honestly not sure how I''m feeling, if I''m being totally honest," I admit, gaze flicking towards Crossroads'' impassive features once more. "I mean, it''s all just... a lot to process, you know? With Gale stepping back, Puppeteer''s... condition , and now the trial, I just..." A shuddering sigh escapes me, shoulders sagging beneath the crushing burden of responsibility. "Expecting an ICBM next." "I''m scared ," I confess, the words emerging in a breathless rush. "I''m scared that I''m not going to be able to do it, that I''m going to mess everything up and let Chernobyl walk free. And I''m scared that if I do manage to put him away, it''s just gonna make everything worse." Swallowing hard, I offer the team a wary, self-deprecating grin. "Call me a coward if you want, but... the thought of being that important, of having that much power over someone''s life? It terrifies me." Rampart lets out a low, rumbling hum, the sound almost paternal in its gentleness. "Hey now, don''t you go beating yourself up over feeling that way, kid," he murmurs, dark eyes shining with a quiet, steadfast reassurance. "Fact is, anyone with half a brain would be shitting bricks at the idea of being the key witness in a trial like that. It''s a hell of a lot of responsibility to be slapped with, and no one''s gonna hold it against you for being a little scared." Beside him, Puppeteer nods, the lines of her face softening ever so slightly. "Rampart is right, Bloodhound. What you''re feeling is both natural and necessary - it speaks to the gravity of the situation, and the high stakes at play. Fear is not weakness, but a tool , one that can keep us grounded and focused when the stakes are highest." Crossroads clears his throat then, drawing every eye in the room towards him. "Puppeteer speaks the truth," he rumbles, the familiar cadences of his rich baritone seeming to reverberate through the stillness. "The road ahead will be long, and the challenges we face will test the very limits of our abilities. But you are not alone in this, Bloodhound. We are all in this together, and we will face whatever comes as a team." A ragged chorus of murmured assent rises at that, the tension in the room seeming to ease fractionally. Even Playback manages a lopsided grin, reaching across the distance to give my shoulder a gentle, reassuring squeeze. "Ain''t nothin'' you gotta apologize for, Bee," he murmurs, the familiar lilt of his voice somehow softer, more genuine than I can ever recall hearing it before. "We got your back, alright? All of us. So don''t you go tryin'' to shoulder this whole thing on your own, you dig?" Blinking back a fresh surge of stinging tears, I offer him a tremulous smile, the expression wobbling precariously on my lips. "I... thank you, all of you," I manage, the words emerging thick and choked with emotion. "I don''t know what I''d do without you guys." As the rest of the team rallies around me, offering words of encouragement and steadfast reassurance, I can''t help but feel a renewed sense of purpose coalescing within my chest. The path ahead may be shrouded in uncertainty, the challenges we face seemingly insurmountable. But in this moment, surrounded by the unyielding support of my friends, my family... I know that we will weather the storm, no matter what the future may hold. As the meeting winds down and the rest of the team begins to filter out, I linger behind, watching as Jamal and Multiplex draw Crossroads, Puppeteer, and Rampart aside for a hushed, private discussion. A part of me wants to stay, to eavesdrop and glean whatever scraps of insight I can about the decisions that will shape our futures. But in the end, I simply turn and follow the others out. I think we''ll probably go to Wawa. Chapter 93.1 The fluorescent lights overhead hum with a faint, tinny whine as I idly thumb through a well-worn copy of Sports Illustrated , the glossy pages crinkling softly beneath my fingertips. The waiting room is a study in muted serenity, the only sounds the occasional hum of conversation and the distant patter of footsteps echoing down the pristine linoleum halls. It''s a far cry from the chaotic pandemonium of the meeting yesterday, the weight of revelation and hard truths seeming to have receded into a dull, throbbing ache at the back of my mind. For the moment, at least, I can allow myself to simply... be , to exist in this tranquil pocket of respite untouched by the ever-encroaching responsibilities and mounting pressures that have become the defining hallmarks of my life as of late. A soft clearing of a throat draws my attention, and I glance up to find a kindly-looking woman in scrubs regarding me with a warm, professional smile. "Miss Bloodhound?" she calls out, her eyes full of well-practiced amusement. "That''s me," I confirm, rising from my seat with a faint wince as the various aches and pains of my recent misadventures make themselves known. Donning the simple domino mask that has become as familiar to me as my own reflection, I offer the nurse a small, sheepish grin. "Sorry, I know the whole secret identity thing is a bit much, but..." The woman waves a hand dismissively, the gesture somehow conveying both a sense of understanding and a hint of exasperation. "Don''t worry, dear, we get that a lot around here," she assures, the warm cadence of her voice putting me instantly at ease. "Now come on, the doctor''s waiting to take a look at you." Falling into step behind her, I allow my gaze to wander, drinking in the sights and sounds of the bustling hospital with a detached, almost clinical eye. The aches and pains fell by the wayside during the meeting, focused as I was on alternating between staring at Gale, not staring at Gale, staring at Gale, and paying attention, but now... Well, now I could remember that I got stabbed in like sixteen different places, and it wasn''t all healed yet. "So, how''re you feeling today, Miss Bloodhound?" the nurse inquires as we round a corner, her tone light and conversational. "I have to admit, the team here was pretty impressed with how quickly you bounced back from the incident at LOVE Park. Normal person would''ve taken at least a couple of weeks to get in the shape you''re in." I can''t help but let out a self-deprecating chuckle at that, shaking my head in a silent show of bemusement. "Honestly? I''m feeling a lot better, all things considered," I admit, offering her a wry smile. "It was definitely at its worst during the getting stabbed part." The woman nods in understanding, and a slight quantity of mischief. "Yes, so I''ve heard," she says, the words carrying a faint, playful cadence. "Though I must say, the amount of, ah... unconventional injuries we tend to see in here is always quite remarkable. Even for a place like this. Superpowered kiddos like you sure know how to get in trouble, don''t they?" I quirk a brow at that, lips curving in a crooked grin. "You''re telling me," I drawl, allowing a faint thread of amusement to color my tone. "I mean, you''d think people would learn to stop picking fights with giant rock monsters, but..." I shrug, wincing as the motion tugs at the still-healing fractures in my arms. "Apparently I''m a slow learner." The nurse chuckles at that, the sound warm and genuine. "Well, I suppose that''s one way to look at it," she concedes, leading me through a set of double doors and into an examination room. "In any case, the doctor will be with you shortly. Just make yourself comfortable, alright?" I nod in acknowledgment, offering her a grateful smile as I gingerly settle myself onto the examination table, taking care not to jostle my still-healing injuries. The cool paper crinkles beneath me, a faint echo of the muted chaos that had permeated the Young Defenders'' meeting just yesterday. Letting out a soft sigh, I allow my gaze to drift towards the ceiling, the bright fluorescent lights casting everything in a stark, clinical glare. For a moment, the world seems to narrow, the cacophony of distant voices and the steady beeping of medical equipment fading into a dull, indistinct hum at the edge of my awareness. My thoughts drift, unbidden, to the revelations that had come to light - Gale''s decision to step back from the team, Puppeteer''s struggles with her own psychological demons, the looming specter of the Chernobyl trial and the mounting pressure it has placed upon my shoulders. That, plus the literal damage to my shoulders. The weight of it all seems to settle over me like a physical burden, a vice-like grip constricting my chest and making it difficult to draw a full breath. That might be the broken ribs, though. A soft sigh escapes me as I lean back, doing my best to get comfortable despite the lingering aches and pains radiating through my battered body. It''s strange, really, how quickly I''ve grown accustomed to the constant background hum of discomfort, the way my muscles scream in protest with every movement and my bones creak and groan beneath the strain. I guess you could say I''m a bit of a masochist, in that sense. Or maybe I''m just a glutton for punishment. Either way, the doctors here at CHOP have certainly seen their fair share of my unique brand of self-destructive heroics over the past few months. I can practically envision the exasperated looks on their faces as they stitch me up and set my broken bones (the best they can, anyway), undoubtedly shaking their heads and muttering under their breath about the recklessness of their teenage superhero patients. Sure enough, it''s only a matter of minutes before a familiar face emerges from one of the side corridors, the petite form of Dr. Aisha Abara striding towards me with a faint look of bemusement etched across her features. "Well, if it isn''t my favorite frequent flyer," she quips, dark eyes shimmering with a hint of playful exasperation as she comes to a stop before my chair. "I have to say, Ms. Bloodhound, I''m impressed - you managed to make it through an entire team meeting without ending up back here on a stretcher. Color me shocked." If you encounter this story on Amazon, note that it''s taken without permission from the author. Report it. I can''t help but offer the woman a sheepish grin, the expression tugging at the faint bruising still lingering around my left eye. "What can I say, doc? Guess I''m getting better at this whole ''not getting my ass handed to me'' thing." Dr. Abara arches one brow, the gesture somehow conveying a wealth of amused skepticism. "Mmhm, I''m sure," she drawls, gesturing for me to rise from my seat. "Come on then, let''s get you back and take a look at those wounds. I swear, you teenage heroes are going to be the death of me one of these days." Nodding, I push myself up from the chair with a muted wince, falling into step beside the diminutive woman as she leads me back through the twisting maze of corridors. The familiar scents of disinfectant and sterile medical equipment wash over me, a strange sense of comfort settling over my shoulders like a well-worn cloak. "So, how''ve you been holding up, kiddo?" Dr. Abara asks, glancing up at me with a faint smile. "I have to say, that was one hell of a pummeling you took the other day. I''m honestly a little impressed you were even conscious by the time the paramedics got to you, let alone up and about and doing things the day after." I shrug, doing my best to seem nonchalant even as the lingering aches and pains flare to life with the movement. "Eh, you know how it is. Just part of the job, I guess." Pausing, I offer her a crooked grin. "Although, I did manage to leave my opponent looking a little worse for wear, if that''s any consolation." The doctor chuckles, shaking her head in a mixture of amusement and exasperation. "Well, I suppose that''s something , at least," she allows, guiding me through a set of double doors and into an examination room. "Although I''d prefer it if you could manage to avoid the whole ''getting the tar beaten out of you'' bit, if it''s all the same to you." "I''ll do my best," I quip, hopping up onto the examination table with a soft hiss of discomfort. "No promises, though. You know how it is - the life of a superhero is never dull." Dr. Abara regards me with a wry, knowing smile, shaking her head as she begins to rifle through the various medical implements arrayed on a nearby tray. "Yes, I''m quite aware. Which is precisely why I make it a point to keep a well-stocked supply of bandages, sutures, and painkillers on hand at all times." Pausing, she levels me with a stern look. "Speaking of which, how have your various new orifices been healing? Adequately?" I do my best to offer a reassuring grin, although the expression feels strained and brittle on my lips. "Honestly? Not too bad, all things considered." Lifting one arm, I motion towards the faint bruising still visible along my forearm. "A few cracked bones here and there, some nasty cuts and bruises, but nothing too serious. The doc who patched me up did a pretty good job, all things considered." Dr. Abara hums thoughtfully, her eyes narrowing as she begins to gently prod at the bandages swathing my calf. "Mmhm, yes, I can see that. Although it looks like you still have some lingering issues with that shrapnel wound, at least." Shaking her head, she begins to carefully peel back the dressing, revealing the still-angry-looking gash beneath. "Honestly, Miss Bloodhound, I''m starting to think you enjoy seeing me on a weekly basis or something." I can''t help but chuckle at that, the sound emerging a bit more strained than I intend. "Aw, come on, doc, don''t sell yourself short. You know I''d be lost without your tender loving care." The woman snorts, rolling her eyes good-naturedly as she sets to work unwrapping the bandages. "Flattery will get you nowhere, young lady. Although I do appreciate the sentiment, I suppose." Pausing, she casts a sidelong glance my way, lips quirking into a faint, knowing smile. "Although, I must say, I am a little impressed that you managed to make it through your prior arrangements standing up. What was it you were up to, exactly, if I can ask?" "Team meeting," I say, puffing out my chest a little in unearned pride, a faint grin tugging at the corners of my mouth. "What can I say? Guess I''m just built a little tougher than the rest of ''em." Pausing, I glance down at the doctor''s ministrations, watching as she carefully inspects the healing wound. "Although, to be honest, I''m still feeling the effects of it all. I swear, my body''s creaking like an old house these days." Dr. Abara chuckles, shaking her head ruefully. "Yes, well, that tends to happen when you get the snot beaten out of you on a semi-regular basis, Ms. Bloodhound." Straightening, she offers me a wry smile. "Although I suppose I should be grateful that your particular brand of ''self-destructive heroics'' comes with a built-in healing factor, hmm?" I can''t help but laugh at that, the sound emerging a bit more strained than I intend. "Yeah, I guess you could say that. Although sometimes I wonder if it''s more of a blessing or a curse, you know?" Shrugging, I offer the doctor a lopsided grin. "I mean, I swear, I''m gonna end up looking like a patchwork quilt by the time I''m done with this whole superhero gig." "Mmhm, I can certainly see that. Wouldn''t be the first person out this office with that sort of stitchwork," Dr. Abara says, her eyes glinting with a hint of amused exasperation. "Although I''d much prefer you end up looking like a patchwork quilt than a corpse , to be perfectly honest." Pausing, she casts a sidelong glance my way, lips pursing into a thoughtful frown. "Speaking of which, how are you feeling, mentally and emotionally? I know the last few months have been intense, to say the least." I blink, caught off-guard by the shift in topic. "Oh, uh... I mean, I''m doing alright, I guess?" Shrugging, I offer the doctor a wan smile. "I mean, it''s been a lot to deal with, that''s for sure. But my team''s been great, you know? They''ve really been there for me through it all. And my parents. And my g... good friends. They''ve all been helpful, yeah." Dr. Abara looks at me, eyes flicking towards me with a slight dash of concern. "I see. Well, I''m glad to hear that everyone has been supportive." Pausing, she reaches out to give my hand a gentle, reassuring squeeze. "Just remember, Miss Bloodhound, that you don''t have to shoulder all of this on your own, okay? If you ever need someone to talk to, you know I''m always here." I nod, offering her a faint, grateful smile. "Thanks, doc. I''ll keep that in mind." Glancing down at the freshly wrapped bandage on my calf, I can''t help but let out a weary sigh. "Although, to be honest, I''m mostly just focused on getting back on my feet and doing what I can to help. There''s just... so much going on, you know?" Dr. Abara nods, her expression softening with understanding. "I can only imagine. But try not to push yourself too hard, alright? Your health and wellbeing need to be the priority here." Offering me a gentle smile, she begins to gather up the various medical supplies. "Now, let''s see about getting you patched up and sent on your way. I''m sure you''ve got plenty of heroic deeds to attend to, hmm?" I can''t help but chuckle at that, the sound a bit more genuine this time. "You know it, doc. Although, to be honest, I''m starting to think my job description should just be ''professional punching bag'' at this point." The doctor lets out a soft laugh, shaking her head in amusement. "Well, if that''s the case, then I suppose it''s a good thing I''ve got a steady supply of bandages and painkillers on hand, isn''t it?" Pausing, she casts a sidelong glance my way, lips quirking into a faint, knowing smile. "Although I do hope you''ll try to be a bit more careful out there, hmm? I''d hate to have to start charging you rent for a permanent bed in the hospital." I can''t help but grin at that, the expression tugging at the faint bruising still visible along my jaw. "I''ll do my best, doc. No promises, though." Pausing, I give her a playful wink. "After all, what would you do without your favorite frequent flyer, huh?" Dr. Abara just shakes her head, the faint glimmer of amusement in her eyes belying the exasperated sigh that escapes her. "Heaven only knows, Ms. Bloodhound. Heaven only knows." Chapter 93.2 The examination room is deathly still, the only sounds the muted noises of the medical equipment and the faint rustling of fabric as Dr. Abara sets to work. I brace myself, steeling my resolve against the anticipated onslaught of discomfort as she begins to carefully peel away the layers of bandages swaddling my torso. A sharp hiss escapes me as the adhesive dressing tugs at the raw, inflamed flesh beneath, sending tendrils of fiery agony lancing across my ribcage. The doctor says a soft apology, eyelids narrowing in concentration as she continues her meticulous work. Slowly, inch by agonizing inch, the full extent of my injuries is laid bare - a tapestry of mottled bruises and angry lacerations crisscrossing the canvas of my skin. The deepest of the gashes, a vicious furrow trailing from just beneath my right breast all the way around to my lower back, has begun to knit itself closed once more. But the process is far from complete, the edges still inflamed and weeping a thin trickle of pus-tinged fluid. Dr. Abara clucks her tongue, reaching out with a gloved hand to gently probe the wound''s periphery. Fresh agony blossoms across my side at the feather-light touch, muscles clenching in reflexive protest as I grit my teeth against the onslaught. "Easy now, Ms. Bloodhound," the doctor says, glancing towards my face with a hint of gentle concern. "I know it hurts, but try to stay still for me, alright? I need to get a good look at this to make sure there''s no sign of infection setting in." "Doesn''t really hurt until people start putting fingers in it," I joke, trying not to whimper. I force myself to remain as motionless as possible, chest rising and falling in shallow, measured breaths as she continues her examination. The wound still throbs in time with my racing pulse, a dull, insistent ache that seems to reverberate through every inch of my being. But it''s nothing compared to the agony that blossoms anew as Dr. Abara shifts her focus lower, deft fingers probing at the ugly, puckered knot of scar tissue marring my left hip. This is where the shrapnel entered - well, some of the shrapnel, as if there''s any differentiation between the various chunks - burying itself deep within the meat of my thigh before the paramedics were able to dig it out and stem the bleeding. I can''t quite stifle the gasp that tears itself from my throat as the doctor''s treatments send fresh shockwaves of torment radiating through the injury. It feels as though someone has driven a white-hot poker directly into the wound, the pain intense and all-consuming. "Breathe through it, Ms. Bloodhound," Dr. Abara says, her tone both gentle and insistent. "I know it hurts like hell, but you need to stay with me here, alright? Just focus on your breathing, nice and slow. We''re gonna get these cleaned out and re-bandaged, and, knowing you, it''ll be basically fine in a week or two." Gritting my teeth, I force myself to comply, drawing in a deep, shuddering breath through my nose before exhaling it in a low, controlled hiss. The pain doesn''t abate, not really, but the simple act of focusing on the steady rhythm of my own respiration seems to help ground me, providing a fragile tether to the present moment. Dr. Abara continues her examination, deft fingers mapping the contours of the wound with a clinical detachment. I can feel the heat radiating from the inflamed flesh, the dull throbbing ache pulsing in time with my heartbeat. "Well, the good news is that there doesn''t appear to be any signs of infection setting in, which would be surprising for anyone else," the doctor says at length, straightening with a faint grimace. "But you''re going to want to take it easy on this leg for the next few days, at least. No strenuous activity until that wound has had a chance to properly close and start healing, understood? Stick to non-intensive things, like more team meetings." I manage a tight nod, sweat beading on my brow as another wave of agony washes over me. "Sure. Team meetings," I hiss. The pain is intense, almost overwhelming, but I force myself to remain still and silent, focusing on the steady cadence of my own breathing. It''s so much easier when I''m not paying attention to it. When it''s a dull roar in the back of my head. Support the creativity of authors by visiting the original site for this novel and more. Dr. Abara moves on, shifting her attention to the myriad of smaller cuts and abrasions peppering my arms and shoulders. These are less severe, more superficial - the legacy of metal and debris raking across my exposed skin in the heat of battle. Still, each fresh prod and poke sends tendrils of fiery torment lancing through my nerves, the raw, inflamed flesh protesting the doctor''s ministrations. I clench my teeth, riding out the waves of discomfort as best I can while Dr. Abara cleans and redresses each wound with a practiced, clinical efficiency. By the time she finally steps back, I''m trembling with the exertion of it all, skin slick with a sheen of cold sweat. Every inch of my body throbs in time with my racing pulse, a dull, insistent ache that seems to bounce through my bones. "Well, that''s about the best I can do for now," Dr. Abara says, offering me a tight, reassuring smile as she strips off her gloves. "I''ll get you set up with some fresh dressings and a course of antibiotics to help stave off any potential infections. But the rest is going to be up to you, Ms. Bloodhound. With what it says in your file, I have a feeling putting any more sutures in would be counterproductive. You have a tendency to reject and then spit them out." I manage a faint nod, sucking in air through my nose and exhaling it from my mouth. "Right. Take it easy." "That''s right," she affirms. "Take it easy." "Is therapy taking it easy?" I ask, half joking, half not. As I get my clothes back on, I can feel the pain once again fading into the background roar. Like I said earlier - when people aren''t putting their fingers in it, it doesn''t hurt nearly as bad. Almost ignorable. She looks at me. "Is it?"
The room feels too small, too confining, the walls seeming to press in around me with every shallow exhalation. I shift in my seat, the cheap pleather creaking beneath me as I struggle to find a position that doesn''t make me feel quite so exposed, so utterly vulnerable. Across the desk, Dr. Desai regards me with that same implacable expression of gentle concern that all doctors wear, his face alight with a hint of something I can''t quite put my finger on. Is it pity? Understanding? I''m not sure, and the uncertainty of it all only serves to set my teeth on edge. "It''s good to see you again, Samantha," he says, the familiar cadences of his rich baritone seeming to fill the stifling silence. "Although I must admit, I was hoping our next session might find you in... better circumstances than our last, shall we say." I shrug, the motion tight and controlled as I fight to maintain a mask of nonchalant indifference. Inside, however, a roiling tempest of emotions churns, each one threatening to overwhelm me with its sheer, visceral intensity. "Yeah, well..." I trail off, offering the doctor a tiny half-smile as my gaze drifts towards the far wall. "You know how it is, doc. The life of a superhero, and all that jazz. Pretty much just another day at the office for me." The words emerge flippant, almost glib, but even as they tumble from my lips I can feel the fragility behind them, the hairline fractures threatening to splinter and shatter at the slightest provocation. Dr. Desai regards me for a long moment, eyes hiding a knowing light as he seems to drink in the subtleties of my body language. "I see," he says at length, making a small notation on the pad before him. "Well, why don''t we start with something simple then, hmm? Can you tell me how your days have been going lately? Outside of your extracurricular activities, that is." Extracurriculars. Hmph. The question seems innocuous enough on its surface, a gentle prompt designed to ease me into the rhythms of our session. But even as the words register, I can feel my throat constricting, every muscle in my body tensing as if bracing for an impact. How have my days been going? The question sticks in me like a thrown knife. Memories rise, unbidden - the weight of Gale''s confession hanging over the assembled Young Defenders like a shroud, the dawning realization that our relationship both as friends and girlfriends was well and truly over, followed by the hollow emptiness that had seemed to swallow me whole in the aftermath. I squeeze my eyes shut, fingers clenching into tight fists as I fight to maintain my composure. My nails dig into the meat of my palms, the sharp sting of pain helping to ground me in the moment and stave off the encroaching tide of emotion threatening to overwhelm me. "They''ve been... fine, I guess," I manage at last, the words emerging in a breathless rush as I force my eyes open once more. My gaze remains stubbornly averted, fixed on a point somewhere over Dr. Desai''s left shoulder as I struggle to maintain my fragile mask of detachment. "School''s out for the summer, so that''s... that''s one less thing to worry about, at least." The doctor examines me momentarily, face pressed taut in gentle skepticism. "I see," he says, making another small notation. "And how about your relationships with your friends and family? Have there been any significant changes or developments on that front lately?" The words seem to detonate against the inside of my skull, each syllable reverberating through my mind like the tolling of a funeral knell. I flinch almost imperceptibly, shoulders hunching inwards as a fresh wave of anguish washes over me. Gale. Chapter 93.3 The mere thought of her name - the echoing syllables of the word ''Jamila'' - is enough to reopen the oozing, weeping wound carved into the core of my being. I can feel the grief and heartache welling up from somewhere deep inside, a tsunami of emotion threatening to sweep me away in its crushing undertow. Swallowing hard and sucking air between my teeth, I force myself to meet Dr. Desai''s steady gaze, my own eyes burning with a sudden, stinging heat. "My... my girlfriend broke up with me," I whisper, the words emerging in a choked, ragged rush. "A bit ago, actually. She... she said she couldn''t do it anymore, that things were just getting too intense for her to handle. And then she, y''know, is quitting the extracurriculars. And we don''t go to the same places or hang out with the same people so..." The admission seems to hang in the air between us like a suffocating miasma, the weight of it pressing down on my shoulders until I feel like I might crumple beneath the strain. Dr. Desai regards me again for another long moment, sympathetic. Like looking at a dog toy that got ripped in half. I laugh a little bit. "Probably never going to see her again!" I say, trying to put on a happy face while my wrists tense up. Then, it fails, and my mouth flops like a wet fish into a frown. Then, clearing his throat, he leans forward slightly in his seat. "I''m very sorry to hear that, Samantha," he says, the words emerging soft and measured, yet laden with a quiet sincerity. "Breakups are never easy, especially when the relationship in question means as much to us as this one clearly did to you. Please know that you have my deepest condolences." I nod mutely, blinking back the hot sting of tears as I force myself to maintain my tenuous grip on composure. My jaw clenches hard enough to ache, every muscle in my body tensing as if bracing for an impact that never seems to come. "Thanks. I''m fine, though," I manage at last, the words little more than a breathless rasp. Pausing, I suck in a shuddering breath, steeling my resolve as I raise my gaze to meet the doctor''s once more. "It''s just... I don''t understand , you know? We were so good together, so happy. And then, out of nowhere, she just... she just drops this on me, like it''s nothing. Like everything we had didn''t even matter to her anymore." The words tumble forth in a breathless torrent. I can feel the heat rising in my cheeks, the first hints of bitter, stinging tears prickling at the corners of my eyes as the fragile mask of detachment begins to splinter and crack. "I just... I don''t get it, man," I continue, the words emerging in a choked rush as I fight to maintain my rapidly fraying composure. I''m fine. I''m fine. "Was it something I did? Something I said? Because if it was, I swear, I didn''t mean... I would never..." Trailing off, I squeeze my eyes shut once more, fingers clenching into tight fists as I struggle to ride out the fresh swell of anguish crashing over me. My nails dig deep into the meat of my palms, the sharp sting of pain helping to ground me in the moment as the world seems to narrow to a single, razor-sharp point of focus. "Samantha..." Dr. Desai''s voice seems to emerge from somewhere far away, the familiar cadences muted and indistinct against the roar of emotion thundering through my mind. "I know this is incredibly difficult for you right now, and that the pain you''re feeling is very real and very raw. But you need to understand that, sometimes, these things simply... happen , regardless of what either party may want or intend." I shake my head mutely, eyes still squeezed shut as I fight to maintain the tattered remnants of my composure. Every inch of my body seems tensed, coiled like a spring as the words seem to detonate against the inside of my skull. "No, you don''t... you don''t get it ," I manage at last, the words little more than a breathless rasp. "Gale was... she was everything to me, man. The first person who ever really... who ever really saw me, you know? Not just Bloodhound, or some dumb kid playing superhero, but... but me. The real me." Pausing, I force myself to meet the doctor''s steady gaze once more, my own eyes burning with a sudden, stinging heat as the words seem to catch in my throat. "And now she''s just... gone. Like none of it ever even mattered in the first place. Like I never even mattered, not really. I must''ve done something wrong to earn this. Why would she leave otherwise? I..." The admission seems to hang in the air between us, heavy and oppressive, as Dr. Desai looks at me with an expression that makes me want to rip his skin off, followed shortly by my own. I hate people''s pity. For a long moment, the only sound is the harsh cadence of my own breathing, each shallow exhalation seeming to fill up the stifling confines of the room. Then, clearing his throat, the doctor leans forward slightly in his seat. "Samantha, I need you to listen to me very carefully," he says, oddly intense. "What you''re feeling right now, this sense of loss and abandonment... it''s normal. It''s natural to feel that way in the wake of such a profound upheaval in your life. But you cannot allow yourself to fall into the trap of believing that Gale''s decision in any way diminishes your own self-worth or inherent value as a person." I open my mouth to protest, but the doctor raises one hand in a gentle, placating gesture. "Please, just... just hear me out," he continues, voice soft yet insistent. "Relationships, even the most profound and meaningful ones, are ultimately transient things. They ebb and flow, wax and wane with the currents of life and the ever-shifting tides of personal growth and circumstance. What you had with Gale was real , Samantha. It was beautiful , a profound connection that helped shape you into the remarkable young woman you''ve become today." This content has been unlawfully taken from Royal Road; report any instances of this story if found elsewhere. Pausing, he hits me with a look of quiet understanding, as if peering into the very depths of my soul. It feels like getting cold clocked. Pumice was less painful. "But that doesn''t mean it was meant to last forever, nor does it negate the value and meaning you derived from that relationship while it endured. The fact that it has now ended, as painful as that reality may be, does not in any way diminish the truth of what you two shared together. Do you understand?" I swallow hard, blinking back the hot sting of tears as I force myself to hold the doctor''s steady gaze. Part of me wants to rail against his words, to deny the stark reality he''s laying out before me. There''s another part, but I don''t listen to it. I''m rapidly finding myself getting angry. I don''t know why. So I simply nod, the motion tight and controlled as I struggle to maintain my balance and temper. "I... yeah, I think... I think I understand," I manage at last, the words little more than a breathless rasp. "It''s just... it hurts , you know? Like someone reached into my chest and just... just tore everything out, leaving nothing but this big, empty hole behind." The last words emerge in a deep squeal, bitter and accusatory in a way I can''t quite put my finger on. My hands are trembling now, nails biting crescents into the soft leather as I fight to maintain some semblance of control. Dr. Desai doesn''t so much as flinch, merely examining me with that same infuriatingly calm, measured gaze. "Samantha, I want you to listen to me very carefully," he begins, leaning forward with an intense, piercing stare. "What Gale is feeling, what led her to make the decision she did - that has nothing to do with you or your self-worth, do you understand?" I open my mouth to protest, to reject his words and the gentle reassurance behind them. But something in his eyes seems to freeze the words in my throat, a silent entreaty to simply listen for once in my goddamn life. I want to start screaming and rip my skin off, in whatever order is convenient for me. "The truth is, we can never truly know or understand another person''s innermost thoughts and feelings, not really," he continues, voice soft but carrying a weight of quiet conviction. "Gale is on her own journey, one fraught with struggles and demons that are entirely her own to confront. Whatever led her to make this decision, you cannot allow it to become a referendum on your own value or self-worth, Samantha. That path leads only to misery and despair." His words seem to slice through the haze of anguish and bitter recrimination swirling within me, momentarily piercing the veil and allowing a fleeting glimpse of clarity to shine through. I hate it. Let me go back to my hole, please. I suck in a breath, chest heaving with the exertion of simply being in this moment. "Then... then what am I supposed to do , man?" I plead, the words tearing themselves free in a rushing flow. "How am I supposed to just... just move on from something like this? She was... Gale was everything to me, you know? And now she''s just... gone. Like none of it even mattered in the end. Why? I need you to tell me. What do I do?" The ache in my chest is a physical thing, a vast and yawning chasm threatening to swallow me whole. I can feel my throat constricting, the weight of a thousand unspoken recriminations and bitter accusations pressing down on me like a thousand pounds of suffocating force. "You heal, Samantha. One day at a time, one breath at a time, you simply allow yourself to feel the pain, the loss, the anguish... and then you keep moving forward. Allow it to pass over and through you. It won''t be easy, and there may be days where it feels like the weight of it all might crush you utterly." He pauses, offering me a tight, reassuring smile. "But you are stronger than you know, my friend. Far, far stronger than even you realize. And you do not have to walk this path alone." My fingers won''t stop clenching and unclenching against the worn leather beneath them. A part of me wants to reject his words, to lash out and retreat back into the comforting embrace of anger and bitter recrimination. I want to rip his skin off. But I don''t, because that''s bad. Don''t do that. The silence stretches out between us, fragile and charged with a strange, stifling tension. Dr. Desai doesn''t push, merely allowing the moment to unfold at its own pace as he watches me with that same inscrutable, patient gaze. Finally, after what feels like an eternity, I let out a soft, shuddering exhalation, shoulders slumping almost imperceptibly beneath the weight of my own weariness. "You''re right," I murmur, the words soft and thick with exhaustion. "I know you''re right, man. I just... why? Why did she leave?" Pausing, I rake a hand through my hair, throat tightening with a fresh surge of emotion. "I''m just... I''m so tired , you know? Of fighting, of struggling, of having to be the strong one all the damn time. For once, I just want..." The words seem to catch in my throat, refusing to emerge as a sudden, yawning vertigo sweeps through me. My chest is rising and falling rapidly now, every muscle in my body tensed as if bracing for an unseen impact. I feel like passing out. Dr. Desai regards me with a solemn, sober expression, dark eyes shining with a deep understanding. "You want to be able to simply exist without the weight of the world pressing down upon your shoulders," he finishes, the words soft and stern at once. "To be able to feel your emotions, to process them without fear or shame or the need to project an aura of unwavering strength." I manage a tight nod, gaze dropping to my lap as I fight off a sudden, treacherous surge of tears. Because as much as I might wish to deny it, to lash out and reject the vulnerability of this moment... he''s right. He''s always been right, damn him. Fuck therapists. Letting out another sigh, I seem to deflate all at once, the weight of responsibility and expectation sloughing from my shoulders like a dead dog falling off. I feel raw, hollowed out - a husk drained of everything save the brittle, fragile kernel of... something. Dr. Desai doesn''t respond immediately, merely regarding me with that same inscrutable patience. When he does speak, his words seem to reverberate through the stillness with a simple, profound weight. "You don''t have to carry that burden alone, not anymore, Samantha. That''s why you''re here - to learn how to share the load, how to allow yourself to simply be without the ever-present need to project an outward aura of strength and resilience." The enormity of it all seems to crash over me in that moment, a vast, yawning tidal wave of pain and fear and anguish that I''ve been so desperately striving to keep at bay. My chest is heaving now, every muscle in my body tensed as I struggle against the deluge, fighting to maintain some semblance of control even as the floodgates threaten to burst asunder. But Dr. Desai remains steady and resolute, an anchor amidst the churning tempest as he simply waits , allowing me to ride out the storm in my own time. And slowly, gradually, I can feel the roiling currents of emotion begin to ebb and recede, the vast, overwhelming pressure seeming to diminish fractionally with every exhalation. "I hate therapy, dude," I mumble, feeling exhausted, feeling all the pain in my bandaged wounds flaring back up at once. "You and many others," Dr. Desai jokes. "How has the Lithium been treating you?" Chapter 94.1 August kicks off to a start like a rickety wooden roller coaster, all false starts, sudden jerking, and a feeling of deep anticipation roiling in my gut. The next two weeks pass in a blur of frenetic activity, with me dividing my time between rigorous training sessions with the Young Defenders and seemingly endless consultations with Mrs. Gibson as the trial''s start date looms over me like a specter. The first few days are the hardest. I feel like a raw bundle of exposed nerves, flinching at every sudden sound or unexpected touch, my mind consumed with churning thoughts of what''s to come. My injuries from the fight with Pumice are still healing - slowly, the pain a constant, dull throb in the background of my consciousness - but I force myself to push through the discomfort, to pour all of my anxiety and nervous energy into honing my skills and sharpening my focus. It''s not easy. Every movement, every breath sends fresh tendrils of agony lancing through my battered body, my regeneration struggling to keep pace with the relentless demands I place upon myself. More than once, I catch Rampart or Playback shooting me worried looks from the sidelines, their brows furrowed in silent concern as they watch me drive myself to the brink of exhaustion and beyond. But I can''t afford to slow down, to take it easy. The stakes are too high, the consequences of failure too dire to contemplate. Even as the August sun beats down on us like a merciless hammer, even as my muscles scream in protest and my lungs burn with every labored breath, I push myself harder, faster, determined to be ready for whatever challenges the trial may bring. And all the while, the world outside continues to spin on its axis, the city around us descending into a state of barely-controlled chaos. Everywhere I turn, it seems like there''s some new crisis or emergency demanding the attention of Philadelphia''s beleaguered superhero community. Fly-heads causing mayhem, criminals and supervillains alike seizing on the opportunity presented by the sudden surge in superpowered individuals to wreak havoc and sow discord. Even from my limited vantage point, sequestered away in the training rooms and meeting halls of the Young Defenders'' headquarters, I can feel the tension in the air, the sense of impending calamity hanging over everything like a suffocating shroud. Reports filter in from our allies and contacts throughout the city - the Delaware Valley Defenders stretched to the breaking point, the Tacony Titans fighting a losing battle to maintain order in our corner of the metropolis, even smaller, other neighborhood-based teams I''ve never even heard of before struggling to keep the peace in their own backyards. I don''t know who Pattinson''s Pals are, but godspeed to them, I guess. It''s like the whole city is a powder keg waiting for a spark, and the Phreaks'' tainted Jump is the match that''s threatening to set it all ablaze. I try not to dwell on it too much, to focus on the task at hand and trust that my fellow heroes will be able to handle the rest. But it''s hard not to feel a sense of helpless frustration, of impotent rage at being stuck on the sidelines while everything seems to be falling apart around me. Even the arrival of reinforcements from out of town - a handful of heroes from New York, Wilmington, Baltimore, D.C., all answering the desperate call for aid - does little to ease the gnawing sense of unease that''s taken root in the pit of my stomach. Because as stretched thin as Philly''s heroes might be, it''s becoming increasingly clear that the rest of the region is in no better shape. Everywhere you look, it seems like the forces of chaos and disorder are on the march, and the good guys are barely managing to keep their heads above water. But still, life goes on. The days continue to tick by, the relentless march of time carrying us inexorably closer to the start of the trial. I do my best to maintain some semblance of normalcy, to cling to the routines and rituals that have always brought me comfort in times of stress and uncertainty. I spend time with my family, the four of us gathered around the dinner table each night like always, the familiar rhythms of conversation and laughter a soothing balm to my frayed nerves. My dad regales us with stories of his latest adventures in city planning, his eyes sparkling with enthusiasm as he describes his grandiose visions for the future of Philadelphia''s public spaces. Mom listens with an indulgent smile, interjecting the occasional wry comment or gentle tease, her presence a steadying anchor in the midst of the chaos swirling around us. And Pop-Pop Moe... well, he''s Pop-Pop Moe. Always ready with a corny joke or a bit of sage advice, his wrinkled face creasing into a mischievous grin as he dispenses his particular brand of geriatric wisdom. He''s been a rock for me throughout this whole ordeal, a constant source of support and encouragement even as the weight of the impending trial threatens to crush me beneath its inexorable bulk. It''s nice having an old guy on your side. I think more people should try it sometimes. But even in these moments of respite, of temporary escape from the constant drumbeat of anxiety and dread, I can feel the specter of what''s to come looming over me like a gathering storm. It''s always there, lurking at the edges of my consciousness, a constant reminder of the immense responsibility that''s been thrust upon my shoulders. I know that I should probably talk to someone about it, to unburden myself of the fears and doubts that gnaw at me like ravenous wolves. But every time I try, the words stick in my throat, my tongue turned to lead by the sheer magnitude of what I''m facing. How can I possibly explain the crushing weight of expectation, the sickening certainty that the fate of an entire city - an entire world , even - might very well rest on my ability to convince a jury of the truth of my accusations? If you stumble upon this narrative on Amazon, it''s taken without the author''s consent. Report it. Or, even worse - that it might not matter at all? That we''re just playing house, fiddling while Rome burns? So I keep it bottled up inside, a seething mass of nerves and trepidation that grows with each passing day. I throw myself into my training with a renewed intensity, pushing myself to the brink of collapse and beyond, as if by sheer force of will I can somehow make myself ready for the challenges to come. And all the while, Gale''s absence looms like a gaping wound at the center of my life, a constant reminder of yet another loss, another source of pain and uncertainty in a world that seems increasingly devoid of anything solid or real to cling to. After the last team meeting, it''s like she just... disappeared, vanishing from the team and from my life like a ghost, leaving behind nothing but a yawning void where her presence used to be. I know she''s ok - I see as much when I swing by Germantown while on patrol, I see her outside, every so often, but she''s still... gone. It''s not like I can reach out and say hello. That''d be weird. I tell myself that it''s for the best, that she needs time and space to heal, to come to terms with her own demons and figure out her place in this crazy, mixed-up world we inhabit. But the truth is, I miss her with an intensity that borders on physical pain, a constant ache in my chest that no amount of training or distraction seems able to ease. And the broken ribs don''t help with that, either. It''s just one more thing to carry, one more burden to shoulder as the days tick down towards the start of the trial. By the time August 15th rolls around, I feel like a live wire, my nerves stretched to the breaking point, my entire being thrumming with a sickening mixture of anticipation and dread. Mrs. Gibson does her best to prepare me, to walk me through what to expect and how to comport myself on the stand. But even her calming presence and steady guidance can only do so much to ease the churning sense of unease that''s taken root in my gut. This is it, the moment I''ve been simultaneously dreading and anticipating for months now, the chance to finally confront Illya and make him pay for all the pain and suffering he''s inflicted on the world. So as I make my way up the courthouse steps that morning, flanked by a veritable army of lawyers, supporters, and security personnel, I can''t help but feel like I''m marching towards my own personal D-Day. Every step feels heavy, weighted down by the immensity of what''s at stake, the knowledge that the entire world will be watching, judging, waiting to see if I have what it takes to bring this monster to justice. But beneath the fear, beneath the doubt and the uncertainty, there''s something else too - a flicker of resolve, of grim determination that refuses to be extinguished no matter how dark the path ahead might seem. Because this is what I signed up for, what I''ve been training and preparing for ever since that fateful day when I first donned the mantle of Bloodhound. This is my chance to make a difference, to strike a blow for justice and righteousness in a world that far too often seems to favor the wicked and the corrupt. And though the road ahead may be long and hard, though the challenges I face may seem insurmountable at times, I know that I have no choice but to keep pushing forward, to keep fighting with every ounce of strength and courage I possess. Because the alternative is unthinkable, and failure is not an option. Not when so much hangs in the balance, not when the hopes and dreams of an entire city rest squarely on my shoulders. The first two days of the trial pass in a blur of nervous anticipation, a seemingly endless procession of potential jurors filing in and out of the courthouse like extras in some grand legal drama. From my vantage point sequestered away from the courthouse (i.e, my home), I can only catch brief glimpses of the proceedings through my parents like distant radio chatter, trying both to and not to eavesdrop on them at the same time as they discuss court matters they hear about on the nightly news. It''s a strange feeling, being so close to the center of the action and yet completely cut off from it all at the same time. Part of me itches to be out there in the thick of things, to see for myself the faces of the men and women who will ultimately decide Chernobyl''s fate. But I know that''s not my role, not my place in this carefully choreographed dance of justice and retribution. Instead, I''m left to stew in my own thoughts, my mind churning with a million different scenarios and possibilities as the hours crawl by with agonizing slowness. I try to distract myself with friends, family, reading, practicing soccer, punching things, the usual ghosts that occupy my time and energy. The court in our neighborhood still bears the scars of my battle with Kate. Nobody''s fixed the cracks yet. But even the presence of these typical joys can only do so much to ease the gnawing sense of anticipation that''s taken root in my gut. By the morning of Day 3, I can feel my nerves stretching to the breaking point, my skin practically crawling with pent-up energy and restless agitation. My bedroom is stifling, the air thick with the mingled scents of sweat and anxiety, every tick of my clock feeling like a new, fresh, exciting form of misery. I try to busy myself with work, practicing some of those breathing exercises Amelia''s been showing me. But nothing takes the edge off. Gossamer tells me heroes relax by meditating. I have never meditated for a positive, non-hospital reason in my life. The urge to be out there, to see and hear for myself what''s happening, is almost overwhelming. But Mrs. Gibson, after hours in our video call, is quick to remind me of my obligations, of the strict rules and regulations surrounding witness testimony. She tells me that it''s crucial that I avoid any exposure to the trial proceedings until the moment I''m called to the stand, that even the slightest hint of outside influence could compromise the integrity of my testimony. Part of me wants to argue, to push back against the stifling sense of helplessness and isolation that seems to press down on me from all sides. But one look at the severity etched into the lines of Mrs. Gibson''s face is enough to silence any such thoughts. She''s trying to help, to shield me from the brutal realities of the legal system for as long as possible. And as much as I might chafe against the restrictions, I know that I have no choice but to trust in her judgment. And so, I settle in for the long haul, my mind racing with possibilities and uncertainties as the trial unfolds just beyond my reach. The hours seem to stretch into days, each moment an eternity of anxious anticipation and second-guessing. I try to lose myself in idle chatter and mindless distractions, but always, the specter of what''s to come looms over me like a gathering storm. By the end of day 3, I feel like I might just scream. Chapter 94.2 By the start of Day 4, I''m climbing up the fucking walls, pent up energy buzzing through me like a live current as I pace back and forth across the confines of the witness room like a caged animal. Oh yeah, they have a special room for you when you''re a witness. The first 3 days were all procedure, and now I''m getting caged in a room like a gorilla with leprosy, just having to sit here and exist in my ADHD-riddled form without stimulation beyond a single book my mom loaned me. My body tenses with readiness every time the doors open, every time someone new enters or leaves the room, only to slump back into defeated stillness when it becomes clear that my time has not yet come. The waiting begins to stretch into the end of Day 4, and I''m getting a strong feeling that I''m not coming out yet. And then, halfway through the day, there''s a knock at the door. One of Mrs. Gibson''s paralegals, a girl that looks somehow younger than me (she''s not, she''s 26, I met her before), her expression carefully schooled into a mask of calm professionalism. But this time, there''s something lurking just behind her eyes, a hint of excitement and anticipation that sends a jolt of adrenaline surging through my body. "It''s time, Miss Bloodhound." Three words, simple and direct. But they''re enough to send my heart racing, my palms slick with sudden perspiration. I look around for reassurance, anything to keep me grounded to the earth. I blow out a shaky breath, willing my pulse to slow, my breathing to even out. It''s okay. I know my notes. I know the truth. I rise on unsteady legs, my muscles stiff and clumsy after too many hours of sitting, pacing, doing anything but actually being useful. My head is spinning with a million different thoughts and emotions, but I force myself to push them aside, to focus on the task at hand. This is it, the moment I''ve been simultaneously dreading and anticipating for what feels like my entire life. The chance to finally take the stand, to look Illya in the eye and tell the world the truth about what he''s done. I feel a hand on my shoulder, Mrs. Pollack''s - the paralegal''s - touch firm but reassuring. She gives me a small nod, her expression softening into something almost like pride. "You''ve got this, Bee. Just remember everything we''ve gone over, and tell the truth. That''s all anyone can ask of you." I swallow hard, my mouth suddenly dry as the Sahara. I''ve been waiting for this moment for what feels like an eternity, but now that it''s actually here, I can feel my nerves threatening to get the better of me. My stomach is tied up in knots, my palms slick with sweat as I rise on shaky legs to follow the paralegal out of the room. The short walk to the courtroom doors feels like its own special kind of eternity, each step bringing me closer to the crucible of justice that awaits. The hallway outside is a blur of activity, lawyers and court officers hurrying back and forth with purposeful strides. I try to focus on putting one foot in front of the other, on keeping my breathing steady and even as we make our way towards the heavy wooden doors of the courtroom. It''s like walking to the gallows, if the gallows was just a bunch of old people deciding if a bad person did a bad thing. As we approach the entrance, I feel a sudden surge of panic rising up inside me, threatening to overwhelm me entirely. What if I forget something important? What if I say the wrong thing, or freeze up on the stand? A normal person''s life doesn''t revolve around ensuring a criminal goes to jail. But here I am. The fate of the city, the fate of the world, all of it feels like it''s resting on my shoulders in this moment, and the weight of that responsibility is almost too much to bear. But as I pause on the threshold, my hand resting on the polished wood of the door, I feel a sudden sense of calm wash over me. A strange sort of clarity, despite my nerves. Because this is what I was meant to do, what I was born for. To take this stand and bring this chapter to a close, so that Philly - everyone - can move forward. I feel a gentle hand on my shoulder, and I look up to see the paralegal giving me a small, encouraging nod. "You''ve got this, Sam," she says softly, her eyes filled with a quiet confidence that helps to steady my racing heart. I nod shakily, trying to let her words sink in as I square my shoulders and take a deep, steadying breath. She''s right. I can do this. I have to do this. For the sake of everyone who''s counting on me, for the sake of the city I''ve sworn to protect, I have to be strong. And so, with a final nod to the paralegal, I push open the heavy wooden doors and step into the courtroom. As I step into the courtroom, I feel like I''m walking into a different world entirely. The air is thick with a sense of gravity and solemnity, the weight of the proceedings pressing down on me like a physical force. I can feel every eye in the room on me as I make my way towards the witness stand, my steps sounding impossibly loud in the hushed stillness. The first thing that strikes me is the sheer size of the room, the vaulted ceilings and ornate wooden paneling giving it an air of grandeur and solemnity. The second thing that strikes me is the silence, the way every eye in the room seems to be fixed on me as I make my way towards the witness stand. It occurs to me that I''ve never been in a room this quiet before. Sure, I''ve been shushed aplenty in class or in the library, but I''ve never been in a place where the silence felt so... heavy. Like it was a physical thing, pressing down on me from all sides. If you spot this tale on Amazon, know that it has been stolen. Report the violation. I can feel my heart hammering in my chest as I approach the stand, my footsteps sounding impossibly loud in the hushed stillness of the courtroom. I''m not usually one to feel self-conscious too much, but something about the way everyone is looking at me, the way their gazes seem to bore into me like lasers, makes me want to shrink down into myself and disappear entirely. I try to take in the scene around me as I walk, my gaze darting from face to face in an effort to ground myself. There''s the judge, sitting high above the rest of us on his elevated bench, his expression stern and impassive. Judge Bennett. I don''t know much about him, but I''ve heard he''s fair. Strict, but fair. That''s something, I guess. And there, at the defense table, is Jerry Caldwell. I''ve met him before, back when all of this was just starting to unfold. He''d seemed so relaxed then, so at ease. But there''s a sharpness to his gaze now, a intensity that wasn''t there before. He might play the part of the laid-back advocate, but there''s no denying the brilliance that lurks behind those easy smiles and casual quips. And then, of course, there''s Illya. Chernobyl, as some say. The man at the center of it all, sitting silently in his towering containment suit, the reinforced metal and plexiglass doing little to conceal the weariness that seems to hang over him like a shroud. It''s strange, seeing him like this. So small and diminished, despite the hulking armor that encases him. In my memories, he looms so large, a figure of terror and destruction that haunts my every waking moment. But here, in this courtroom, he looks almost... human. Fragile, even, like a strong breeze might blow him away entirely. I try to push down the swirl of conflicting emotions that rises up inside me at the sight of him, the dizzying mix of anger and pity, fear and compassion that threatens to overwhelm me entirely. I know, logically, that he''s a victim in all of this. That his powers are more curse than blessing, a bitter twist of fate that''s left him isolated and alone, cut off from the world by the very thing that sets him apart. I think about the files I''ve read, the snippets of his history that I''ve managed to piece together from Liberty Belle''s old notes and my own encounters. The exile from his homeland, the desperate bargain struck with the NSRA, the promise of a new life in exchange for his service as a living battery, powering the East Coast in times of need. It''s a cruel irony, in a way. That the very thing that makes him so dangerous, so feared and reviled, is also the thing that keeps the lights on and the wheels of industry turning. The thing that lets him stay around unmolested. And then there''s the man himself, the quiet, almost faltering politeness that seems to define his every interaction. I remember our first, our only true meeting, the way he''d seemed so genuinely remorseful, so haunted by the actions that had brought us to that fateful confrontation. He hadn''t wanted to fight me, to hurt me. He''d only lashed out when I refused to back down, when I pushed and prodded and forced his hand. And in that moment, when I''d had the chance to end it all, to put him down like the monster the world believed him to be... I couldn''t do it. I couldn''t bring myself to snuff out that flicker of humanity, that spark of decency that still lurked somewhere deep inside him. And so I''d hugged him instead, risked my own life to show him a moment of kindness and compassion in a world that had shown him precious little of either. But now, standing here in this courtroom, with the weight of the city''s expectations pressing down on me like a physical thing... I don''t know what to do. Because for all my sympathy, for all my understanding of the impossible situation he''s been placed in... I can''t ignore the truth of what he''s done. The lives he''s taken, the destruction he''s caused, the scars he''s left on the very soul of this city. Liberty Belle, Professor Franklin... they weren''t just heroes, larger-than-life figures who loomed large in the public consciousness. They were people, with hopes and dreams and families of their own. And now they''re gone, snuffed out in a moment of senseless violence that can never be undone. And then there are the others, the countless civilians caught in the crossfire of Illya''s rampages. The ones suffering from radiation poisoning, their bodies ravaged by an invisible killer that they can''t hope to fight. The ones that don''t even know that he''s cursed them with his sickness. How many lives have been ruined, how many futures cut short, because of the uncontrollable power that rages inside him? I think of my friends, my fellow heroes, the ones who''ve stood by my side through thick and thin. They don''t know Illya like I do, don''t understand the tortured history that''s brought him to this point. To them, he''s just another villain, another threat to be dealt with in the never-ending battle for truth and justice. And to them, he''s the worst of all. A veritable daemon, an ailment, some sort of spiritual thing, like the opposite of a martyr. Like once he''s dead and buried, they can finally rest. And the truth is, I don''t know if I have it in me to condemn him, to be the one who puts the final nail in the coffin of his freedom. Because whatever else he might be, whatever horrors he might have inflicted... there''s still a part of me that believes in the goodness that lurks somewhere deep inside him. That yearns to give him the chance to make things right, to find some way to atone for the sins of his past. But I also know that the world doesn''t always work that way. That sometimes, the needs of the many outweigh the needs of the few. And that if Illya is truly too dangerous to be allowed to walk free, if his very existence poses a threat to everything we hold dear... then maybe the only choice is to lock him away, to sacrifice his own chance at redemption for the greater good. It''s a bitter pill to swallow, a thought that twists like a knife in my gut as I finally take my seat on the witness stand. Because no matter what I choose, no matter which path I take... someone is going to get hurt. Someone is going to lose, their lives shattered beyond any hope of repair. And the worst part is, I''m not sure if I''m strong enough to bear the weight of that responsibility. To live with the knowledge that my words, my actions, will be the ones that tip the balance one way or the other. And so, with a deep breath and a silent prayer to whoever might be listening... I begin. Chapter 94.3 "Please state your name and occupation for the record," the bailiff intones, his voice a flat, emotionless monotone. Suddenly, my helmet feels very tight. I''m made deeply aware of the way the mask binds my vision, hanging at the edge. So long in the witness room, waiting, it let it blend into my perception, but it suddenly flares back to life. Alive. Angry. Blocking me. The wig feels extra itchy, the one that makes my hair look like it was before all of it fell out. "People know me by the codename ''Bloodhound,''" I reply, my throat suddenly dry as I force the words out past the lump in my throat. "I''m a junior superhero-in-training. I just renewed my JLUMA - my Juvenile License to Utilize Metahuman Abilities a couple of days ago. And I''m a student, when I''m not doing that. I''ve been told that I''m allowed to not say my actual name, for my own safety." The words hang in the air for a moment, a sudden, oppressive silence falling over the courtroom as every eye fixes on me with laser-like intensity. And in that moment, as the weight of my own destiny seems to press down on me like a physical thing... I''ve never felt so small, so utterly lost and alone in the face of the storm that''s about to break. I glance at the judge. The judge eyes me back and nods, confirming that I''m allowed to proceed without revealing my real name. The bailiff looks past me, through me. "Do you swear to tell the truth, the whole truth, and nothing but the truth, so help you God?" "I do," I say, one hand raised. I swallow hard, feeling the simultaneous urge to cry and vomit rising within me. But there''s no turning back now, no escape from the path that''s been laid out before me. And so, with a final, shuddering breath... I begin to speak, my voice trembling with a mix of fear and resolve as I prepare to lay bare the truth of what I''ve seen, what I''ve lived, in this mad, impossible world. The prosecution starts with a set of firm, professional questions, and I do my best to answer them clearly and accurately. She asks me about the events of that fateful day, about what I saw and heard in the moments leading up to the confrontation with Chernobyl. I describe the chaos, the fear, the snow. The frozen temperatures. The way the entire city went on high alert. I see people nodding in recognition. Of course, this is their city too, they remember that day well. Mrs. Gibson asks me about Liberty Belle, about the final moments of her life as she faced down the rampaging titan with a courage and selflessness that still takes my breath away - or, at least, that''s how it gets framed. I can feel the tears prickling at the corners of my eyes as I recount her last words, the fierce determination that burned in her gaze as she threw herself into the fray one final time. For the umpteenth time, I recount the fight. I try not to think about the fact that I know what Mr. Caldwell will do. That I know in advance just how he''ll pull me apart. But it''s not his turn yet. Mrs. Gibson asks me about the end of the confrontation, standing over Liberty Belle''s body. I describe the way he''d loomed over me, a towering figure of dread and menace, his containment suit crackling with barely-contained energy. I talk about the way he''d spoken to me, the quiet, almost resigned tone of his voice as he pleaded with me to walk away, to leave him be in his misery and isolation. Where I go, do not follow, child. Did you know this story is from Royal Road? Read the official version for free and support the author. But even as I speak, even as I paint a picture of a man haunted by his own demons, consumed by a power he can barely control... I can''t help but feel a flicker of doubt, a nagging sense that there''s more to the story than I''m seeing. Because for all the destruction he''s caused, for all the lives he''s shattered... there''s a humanity to Illya that I can''t quite shake. I''ve been practicing in the mirror for months and even I can''t find the conviction to sound firm about my own testimony. I feel like throwing up, but the vomit never comes. And as the questions continue, as the prosecution probes deeper into the heart of the matter... I find myself torn, caught between my duty to the truth and my own sense of compassion, my own belief in the fundamental goodness that lurks somewhere deep inside even the most lost and damaged of souls. It''s a delicate balance, a tightrope walk across a yawning abyss of doubt and uncertainty. But it''s a question without an easy answer, a Rubix cube with the corners fucked up that seems to defy any simple solution, the kind where someone switched the stickers in a way that makes it unsolvable but you don''t know until you''re two hours fiddling with it. And as the minutes tick by, as the courtroom seems to close in around me like a vice. I can feel the weight of it all pressing down on me, threatening to crush me beneath the sheer enormity of the task at hand. Because this isn''t just about Illya, about one man''s fate in the face of his own terrible power. And as I sit there on the witness stand, my heart hammering in my chest like a drum... I can''t help but feel like I''m balanced on the edge of a knife, caught between two equally terrifying possibilities. To condemn a man to a lifetime of suffering and isolation, to seal his fate with the stroke of a pen and the weight of my own word... or to risk unleashing a force of unimaginable destruction on a world that''s already teetering on the brink, to gamble everything on the faint hope of redemption and grace. It''s an impossible choice, a decision that seems to defy any easy answer. And as the prosecution finally falls silent, as the eyes of the courtroom fall on me once more... I can feel the weight of it all bearing down on me, crushing me beneath the sheer magnitude of the moment. But even in the face of that impossible burden, even as the fear and doubt threaten to overwhelm me entirely... I know that I can''t back down, that I can''t give in to the temptation to take the easy way out. Because the truth is all I have, the only thing that I can cling to in the face of the gathering darkness. And so I take a deep breath, feeling it rattle through my lungs like a gust of wind through a canyon. Then, Mrs. Gibson says the magic words, and the faint, dizzy distractedness that has been squeezing into my ears and temples like a bunch of parasitic worms suddenly snaps into crystal-clear focus. She says something, and the world comes back into place. "I''m sorry, one more time?" I ask. "Miss Bloodhound, in addition to your eyewitness testimony, do you possess any other evidence relevant to the events you''ve described, specifically regarding the confrontation between Liberty Belle and the defendant?" Mrs. Gibson asks, her voice clear and precise. I swallow hard and nod. "Yes, I do. I recorded a video of the incident, including Liberty Belle''s final moments and her death, using my phone." Mrs. Gibson nods, then turns to address the judge. "Your Honor, the prosecution wishes to present this video evidence to the court, as it provides a firsthand account of the events in question." Judge Bennett looks to the defense table. "Mr. Caldwell, do you have any objections to the admission of this video evidence?" Jerry Caldwell rises, his expression pensive. "No objections, Your Honor, but the defense reserves the right to challenge the authenticity and interpretation of the video during cross-examination." "Noted," Judge Bennett responds. "The video evidence will be admitted. Miss Bloodhound, please provide the video file to the court clerk for display." With trembling hands, I retrieve my phone from the evidence bag and unlock it, queuing up the harrowing footage. As the clerk connects the device to the courtroom''s display system, I feel my heart pounding in my chest, a deafening drumbeat that threatens to drown out all other sounds. And then, with the press of a button, the video begins to play, casting the courtroom into a hushed, horrified silence as the events of that fateful night unfold once more, projected larger than life for all to see. Chapter 95.1 As the final, harrowing moments of that fateful night play out on the massive courtroom screens, I can''t help but shrink back in my seat, every fiber of my being recoiling from the visceral horror unfolding before my eyes. It''s one thing to have lived through it, to have witnessed the brutality and violence firsthand. But to see it again, projected in stark, uncompromising detail for the entire world to scrutinize... it''s almost more than I can bear. I can feel the weight of a thousand eyes bearing down on me, each gaze a physical weight pressing against my skin. Judging me, questioning me, dissecting my every action and decision with a cold, clinical detachment that makes my stomach churn. For a moment, the temptation to simply shut my eyes, to block out the nightmare playing out on the screens, is almost overwhelming. And then, inevitably, the footage shifts, the camera panning to capture my own foolhardy intervention as I hurl myself into the fray with all the subtle grace of a wrecking ball through a plate glass window. I wince inwardly at the sight, at the sheer idiocy and reckless bravado on display as I trade blows with a being who should, by all rights, have snuffed me out like a candle flame in the wind. A ragged murmur ripples through the courtroom at the sight, a wave of barely-concealed astonishment and incredulity that I can almost taste on the air. I can only hope that the court sketch artist doesn''t somehow manage to capture the heat blossoming across my cheeks, the prickle of shame that crawls up the back of my neck like a thousand biting insects. Because in that moment, watching myself move and act and be with such blatant disregard for my own safety, for the first time I can truly appreciate just how stupid I must have looked to outside observers. A small, rational part of my mind whispers that it''s easy to judge with the benefit of hindsight. But that part is little more than a tiny, barely audible squeak in the face of the overwhelming tide of shame and doubt that washes over me. I brace myself for the barrage of questions I know is coming, steeling my resolve as Mrs. Gibson rises to her feet, her expression one of polished professionalism. Part of me wants to simply look away, to bury my face in my hands and shut out the world until this whole waking nightmare is finally over. But I know that''s not an option, that too much is riding on my ability to power through the storm and hold fast to the truth. And so, drawing a deep, steadying breath, I raise my chin and meet the prosecutor''s piercing gaze head-on. "Thank you, Miss Bloodhound," she begins, each word measured and precise, stripped of any extraneous embellishment or flourish. "Now, you''ve testified that you recorded the entire confrontation between Liberty Belle and Illya Federov. Could you confirm for the court that the video we''ve just seen is an unaltered and accurate depiction of the events that took place on December 7th, 2023?" I take a breath, willing my pulse to steady, my nerves to settle. This is it, the moment that will either lend credence to my testimony or see it dismissed as little more than the fanciful ravings of an over-eager child playing at being a hero. Only the truth. "Yes, that''s correct," I reply, my voice emerging with a steadiness that belies the churning riot of emotions roiling just beneath the surface. "The video is unaltered and shows exactly what happened that night." A ripple of murmurs, a sea of nodding heads and furrowed brows. For a moment, the air itself seems to hold its breath, the weight of a thousand unspoken thoughts and silent judgments pressing down upon me from all sides. Then, with a curt nod of acknowledgment, Mrs. Gibson presses on, her next question emerging with the crisp, clinical precision of a surgeon''s scalpel. "Can you describe the emotional and physical state of Liberty Belle during this confrontation?" "She was determined, but visibly strained," I hear myself saying, the words emerging soft and halting, like pulling teeth. "You could hear it in her voice. She was trying to stay strong, but part of her was struggling with what Illya was saying. We both watched the same video." I can''t bring myself to look at him, to meet the impassive stare of the yellow glass surrounding his head. His suit looks different now. Sleeker. More impressive. Has he been upgrading it? Mrs. Gibson''s next question cuts through my flights of fancy. "In your opinion, based on your observations and the video evidence, did Illya Federov present a clear and present danger to Liberty Belle and others present?" A part of me wants to hesitate, to hem and haw and couch my response in the sort of careful legalese and calculated ambiguity. I consider myself. I''m sure to someone else it might look like I''m trying to figure out how to wiggle out of an uncomfortable question, but the truth is that regardless of how much of a victim Illya is, he''s also a danger. Both things can be true. "Yes, absolutely," I affirm, the words tumbling from my lips in a breathless rush, charged with a grim finality. "Throughout the confrontation." Mrs. Gibson regards me for a long moment, her expression unreadable. Then, giving a short, crisp nod, she presses onwards without missing a beat. "Miss Bloodhound, can you describe the injuries Liberty Belle sustained during the confrontation with Illya Federov?" The bottom drops out of my stomach, the courtroom seeming to spin and lurch around me like a derelict ship caught in a squall. Because how can I possibly put that moment into words, capture the sheer, visceral horror of watching one of my heroes, my idols , cut down before my very eyes? Before I can even consider it, though, Mr. Caldwell''s voice jabs me between the eyes. "Objection, Your Honor, lack of foundation. The witness has not been shown to have the necessary medical knowledge or expertise to answer this question." This story has been unlawfully obtained without the author''s consent. Report any appearances on Amazon. My head snaps up at the sound, eyes locking with the impassive features of Jerry Caldwell as he rises to his feet, one hand raised in a languid gesture of protest. For a moment, our gazes meet and hold, a silent battle of wills playing out across the distance as his full lips twist into an overly-warm, overly-friendly smile. You think you know what''s coming, little girl? Someone''s voice. Not my own. Maybe my own. "Sustained," Judge Bennett rumbles, his deep baritone cutting through the tension like a knife. "Rephrase the question, Counselor." A hushed, oppressive silence falls over the courtroom at that, the weight of my words seeming to settle over the assembled crowd like a suffocating blanket. I can''t bring myself to look up, to meet the myriad gazes fixed upon me. I can only sit, hunched and small, as the altered question drops with all the subtlety of a safe falling from a great height. "Would you say that Liberty Belle was outmatched by Illya Federov?" The words hit me like a physical blow, stealing the breath from my lungs in a rush. Because there''s only one possible answer, one true answer that leaps immediately to mind. An answer that feels like a betrayal. Of course she wasn''t outmatched. She was Liberty Belle. Philadelphia''s Supergirl. "Objection, leading the witness." "Sus-tained," Judge Bennett continues, making me flinch like I''m being lectured by my parent. "Once more, please, Counselor." Mrs. Gibson pauses for a moment, seeming to collect herself before trying a different tack. "In your observation, how did Liberty Belle''s abilities compare to Illya Federov''s during the fight?" It''s a simple rephrasing, but one that somehow manages to carry even more weight, more consequence than the initial query. Because now, there''s no avoiding the central truth at the heart of the matter, no way to dance around the elephant in the room with carefully-constructed qualifiers or artful obfuscation. "Illya was stronger and more heavily armed," I say at last, the words tasting like ash on my tongue. "His suit was made of solid metal and powered by an infinite energy source. During the fight, I observed that even if Liberty Belle had managed to pry him out of his armor, the radiation he emitted would have given her lethal Acute Radiation Syndrome. And she already had cancer from fighting him years ago, and was running out of time anyway." There, I''ve said it. Laid bare the terrible truth that had been simmering just beneath the surface this entire time. That for all her skill, her indomitable spirit and sheer force of will... in the end, Liberty Belle had simply been overmatched by the terrible forces arrayed against her. The courtroom breaks out into murmurs, whispers, conversations. Cancer? ...Did people not know that? Was that not public information? It''s a bitter pill to swallow, an admission that feels like a betrayal of everything she stood for, of the ideals and principles that had defined her very existence. But I know, deep down, that she would want me to be honest. To let the truth stand, unvarnished and uncompromising, no matter how much it might strip away the luster of her legend. "Objection, Your Honor, relevance and potential prejudice," Mr. Caldwell calls out, rising to his feet. Judge Bennett nods thoughtfully. "Counselors, approach the bench." The attorneys confer quietly with the judge for a moment before he addresses the courtroom. "The witness''s last statement will be stricken from the record. The jury will disregard the mention of Liberty Belle''s previous health condition. Counselor, please proceed with your questioning." The silence that falls in the wake of the judge''s proclamation is sharp, painful, a physical weight pressing down upon the room like the first harbinger of an impending storm. Mrs. Gibson returns to her own little territory in the court, adjusts her clothes, and continues as if nothing had happened. "In the video, Illya Federov mentioned a conspiracy involving the government. Did Liberty Belle ever express any concerns about government interference or corruption?" Another objection, this one accompanied by a quiet huff from Caldwell''s direction. "Objection, relevance and hearsay." The judge regards us both for a moment, expression inscrutable. Then, with a curt nod, he lets the words drop like a stone. "Sustained. Please stick to the events of the confrontation." Mrs. Gibson accepts the rebuke with a tight smile and a deferential nod, pressing on without missing a beat. "You mentioned earlier that Illya Federov presented a clear and present danger. Can you elaborate on the specific comments he made during the confrontation?" "He claimed that the government was willing to let him walk free as long as he continued to provide power to the Eastern Seaboard," I reply, the words seeming to tear themselves from my throat with palpable reluctance. "He also mentioned that he should be locked up for his crimes. That part I managed to record." He had made no attempt to justify or rationalize his actions. No florid claims of innocence or dire necessity to fall back upon. He had simply acknowledged his wrongdoing, his culpability in the events that had unfolded, and stated - in no uncertain terms - that he deserved to be punished accordingly. I am content to allow this arrangement to continue. It''s a devastating admission, one that seems to strip away any last, lingering veneer of ambiguity or nuance from the proceedings. The observers continue to whisper among each other. Journalists, without access to cameras, take notes. For all his sins, for all the pain and destruction he''s wrought... there''s still a part of me that wants to understand him. To reach out and offer the same compassion, the same simple human kindness that might just be enough to halt this spiraling descent into oblivion before it''s too late. But I know it''s not my place, that such lofty notions of redemption and grace are far beyond my limited scope as a witness, as one more tiny cog in the vast, grinding machinery of justice. And so I remain silent, letting the weight of Illya''s own, damning words hang in the air like the death knell they so clearly are. Mercifully, Mrs. Gibson seems to sense the shift in the atmosphere, the way the tenor of the proceedings has taken on a funereal pall in the wake of that last, devastating revelation. Clearing her throat, she leans forward, fixing me with a look of quiet intensity that manages to convey both a sense of grim purpose and a faint glimmer of something almost akin to sympathy. "Now, let''s address your actions during the confrontation," she says, her voice soft but carrying clearly through the hushed stillness of the courtroom. "In the video, we see you intervening. Can you explain why you decided to engage directly with Illya Federov?" I can smell the crisp, biting tang of the frozen air, can feel the sting of ice crystals scattering against my exposed skin like shards of razor-edged glass. Can hear the ragged, labored panting of my own breath tearing itself from my lungs in harsh, desperate gasps as I hurled myself forward into the fray with all the suicidal desperation of a lemming leaping from a cliff. "Liberty Belle was down, and he was about to kill her," I murmur, the words dragging themselves out of my throat like a zombie. "I couldn''t just stand by and do nothing. I had to try to help her, even if it meant putting myself in danger." "So, your decision to intervene was based on a desire to protect Liberty Belle and stop Illya Federov?" Mrs. Gibson asks, matter-of-factly. "That''s correct." I reply. She smiles at me. Just a little bit. "Thank you, Miss Bloodhound. No further questions at this time." Chapter 95.2 The moment Mrs. Gibson takes her seat, a hush falls over the courtroom like a thick, smothering blanket. For a few seconds, the only sound is the quiet shuffling of papers and the creaking protests of aged wooden chairs as the assembled audience shifts and settles, eyes fixed on the lone figure rising from the defense table. Jerry Caldwell cuts an imposing figure as he stands, his broad shoulders filling out the crisp lines of his tailored suit with the easy grace of a natural athlete. For a moment, he simply stands there, dark eyes sweeping over the courtroom with a piercing intensity that seems to strip away all pretense and artifice, leaving nothing but the cold, hard truth lurking beneath. Then, with a slight incline of his head and a smile that doesn''t quite reach his eyes, he turns to address me. "Miss Bloodhound, thank you for your testimony." There''s a smoothness to his voice, a practiced polish that speaks of countless hours spent honing his craft in courtrooms just like this one. But beneath the honeyed veneer, I can sense the razor-sharp intellect lurking just beneath the surface, the coiled energy of a predator ready to strike. "Your Honor, the defense would like to introduce a new piece of evidence," he announces, his tone steady and self-assured. The crowd murmurs with curiosity, heads craning for a better look as Caldwell retrieves a folder from his table and strides purposefully towards the bench. Judge Bennett looks up from his notes, bushy brows knitting together in a look of wary interest. "Proceed, Counselor." Caldwell hands the folder to the bailiff, who quickly passes it along to the waiting judge. There''s a beat of hushed anticipation as Judge Bennett flips open the folder and begins to leaf through its contents, his expression inscrutable. "This is Liberty Belle''s will," Caldwell explains, his voice carrying clearly through the rapt silence of the courtroom. "It includes a bequest to Miss Bloodhound. We intend to show that Miss Bloodhound is the legal recipient of Liberty Belle''s detective notes and documents." The judge pauses at that, a small frown creasing his brow as he examines the document more closely. For a few seconds, the only sound is the rustle of paper and the muted ticking of the large wall clock mounted above the jury box. Then, with a curt nod, Judge Bennett sits back in his chair. "Very well," he intones, his gravelly baritone filling the room. "Mark this as Defense Exhibit 12." The bailiff steps forward to take the folder, quickly jotting down the appropriate notation before returning it to Caldwell''s waiting hands. Rising gracefully to his feet, Caldwell turns to me, eyes glinting with something I can''t quite place. Anticipation? Curiosity? I don''t know. I can''t help but squirm slightly under the weight of his gaze, my earlier confidence suddenly feeling as flimsy and insubstantial as tissue paper in a hurricane. "Miss Bloodhound," he begins, each word measured and precise. "Do you recognize this document?" I swallow hard, throat suddenly dry as a desert. Yes. I extremely recognize this document. My heart is pounding so loudly I''m half-convinced the entire courtroom can hear it. "Yes, I do," I reply, each word emerging like a rusty nail being dragged across concrete. "It''s Liberty Belle''s will." Caldwell nods, a hint of satisfaction flickering across his face like a shadow. "And can you confirm that, according to this will, you are the legal recipient of her detective notes and documents?" "...Yes, I am," I manage at last. Caldwell''s nod this time is curt, businesslike. "Your Honor, I move to admit Defense Exhibit 12 into evidence." Judge Bennett takes a moment to flip through the document one final time, bushy brows furrowed in concentration. Then, with an air of dignified resignation, he gives a slow, ponderous nod. "Exhibit 12 is admitted," he rumbles, and it''s like a physical weight has been lifted from my shoulders. Caldwell wastes no time pressing his advantage, turning back to me with an intensity that''s almost palpable, rolling off him in waves. "As the recipient of Liberty Belle''s documents, you must be quite familiar with her personal handwriting, correct?" I can feel my pulse quicken, a cold sweat breaking out along my hairline. Because suddenly, I know exactly where this is going, exactly what he''s hoping to prove with this line of questioning. I know it''s coming before he does. "Yes," I reply cautiously, my voice little more than a hoarse whisper. I swallow, and regain my speech. "Yes, that''s right. I''ve read them extensively, after she... passed." A hint of a smile tugs at the corner of Caldwell''s mouth as he reaches into his jacket and produces a single sheet of paper, holding it aloft like a magician presenting his next trick. "I have here a handwritten note," he announces, his words ringing through the hushed stillness of the courtroom like a clarion call. "A note we believe to have been penned by none other than Liberty Belle herself. Miss Bloodhound, I''d like you to take a look at this and tell me - do you recognize the handwriting?" Time seems to slow to a crawl as he approaches the witness stand, each step measured and deliberate. The whispers have died away now, replaced by a watchful silence so thick you could cut it with a knife. I pull at the collar of my suit with one finger, trying to get some air, as Caldwell reaches out to hand me the note. My hands shake as they clutch the edges of the torn-out page, my eyes blurring as I try to force myself to focus. Smooth, rounded letters dance across the page in dark blue ink, each stroke as elegant and precise as a swordfighter''s lunge. And there, written plainly in the graceful swoop of her signature: a message inviting Illya Federov to meet her at the precise location of their final confrontation. Almost polite. "PES Refinery. 12/7. Sundown. Finish this." If you spot this narrative on Amazon, know that it has been stolen. Report the violation. My blood turns to ice in my veins, a leaden weight settling in the pit of my stomach like a stone. I can feel the stares of the courtroom boring into me like a thousand red-hot needles, can sense the growing susurrus of excitement and speculation as the gathered crowd begins to grasp the full implications of what they''re witnessing. "It looks like her handwriting," I hear myself say, the words sounding distant and tinny to my own ears. Caldwell retrieves the note and gives a small, triumphant nod, dark eyes glittering with something uncomfortably close to smug satisfaction. Everything melts in comparison - I can barely see, and I''m not sure it''s from the tears in my eyes. "Your Honor, the defense would like to submit this note into evidence," he declares, holding the precious piece of paper aloft like a holy relic. "We believe its contents to be highly relevant, as they suggest Liberty Belle deliberately invited - and provoked - the very confrontation that led to her untimely demise." A gasp ripples through the courtroom at that, a wave of shock and disbelief that quickly gives way to a rising tide of excited chatter. Some had seemed to expect this, and many had not. Journalists scribble notes furtively. Mrs. Gibson is already on her feet, one hand raised in objection. "Objection, Your Honor, lack of expertise. The witness is hardly a qualified forensic expert in handwriting analysis," she protests, voice tight with barely-contained frustration. "She cannot possibly authenticate this supposed note with any degree of certainty." Judge Bennett frowns, his craggy features etched in lines of stern contemplation as he raps the gavel once, sharply. The chatter in the room dies, leaving only the sound of blood rushing in my ears. "Sustained," he intones at last, his voice a low, ominous rumble. "The witness may offer her opinion, but the court will require more concrete forensic evidence before accepting this note as genuine." Caldwell dips his head in acknowledgment, that small, knowing smile never wavering for an instant. "Of course, Your Honor." Then, turning back to me with an air of exaggerated patience: "Miss Bloodhound, based on your stated familiarity with Liberty Belle''s penmanship... would you say this note could have been written by her?" I want to scream. I want to leap from my seat and snatch the damning piece of paper from his hands, tear it to shreds and let the ashes scatter to the four winds. But I know that''s not an option. I adjust my helmet. "It... seems consistent with her handwriting style, yes," I manage at last, each word emerging with even more reluctance than the last. My fingernails dig into my palms. I know, in the end, there was only one outcome to this entire affair. Liberty Belle went to that fight knowing she would die. She''d made peace with it. I had too. So had everyone else. It was the only way. "Miss Bloodhound, did you witness or were you aware of any plans by Liberty Belle to confront Illya Federov specifically at that location?" Caldwell asks, and if it was possible for the ice in my veins to become... icier, it would have. Ice squared. Ice nine. Did I know she was setting up surveillance equipment at the area? Around the area? Sure. But that''s not what he asked. "No, I was not aware of or witness to any plans of the sort," I answer, feeling sick to my stomach. "Let us return our attention to the video footage, shall we?" Caldwell suggests, his tone light and almost conversational, as if we were simply two friends chatting over coffee rather than adversaries locked in a deadly game of judicial chess. I can only nod mutely, not trusting myself to speak as he continues. "You mentioned earlier that you captured this recording under highly stressful, even traumatic circumstances. Do you think it''s possible, Miss Bloodhound, that your perceptions may have been colored somewhat by the fog of fear and adrenaline?" The question hits me like a punch to the gut, stealing the breath from my lungs and sending my thoughts spinning into a dizzying spiral. I was, of course, fully prepared for this. The deposition. This part, I''m familiar with. But to hear it out loud, in front of all these people - my face goes red with misery. Heat flows through my veins. Mrs. Gibson rises out of her seat like a jack-in-the-box on Xanax, brow furrowed. "Objection, Your Honor. Argumentative." But Judge Bennett waves her off with an impatient flick of his wrist. "Overruled," he grumbles, fixing me with a penetrating stare. "The witness may respond." Silence rises in my throat like bile, threatening to choke me where I sit. "Yes," I pour out, after what feels like forever. "I think it''s possible. But I swear, I was laser-focused on helping Belle, first by documenting the battle and then... and then by trying to intervene directly when I thought her life was in imminent danger." Caldwell nods slowly, dark eyes glittering with a sort of detached fascination, like a scientist observing a particularly intriguing specimen. And then, as if sensing a chink in my armor, he presses forward with almost casual ruthlessness. "You say you felt compelled to intervene," he muses, one finger tapping thoughtfully against his chin. "Do you think, Miss Bloodhound, that your actions in doing so very likely escalated the confrontation far beyond what may have initially been intended?" If I close my eyes tight enough I can almost hear the snapping of bone, feel the meat part way under the touch of both skin and steel, feel blooming flowers in my skull. The taste rises up my throat like acid only to burn away as the smell comes tumbling after. If I sit still another moment I''ll scream myself hoarse. "I don''t think I can agree with that assertion, no," I reply at last, my voice shaking like a leaf in a hurricane. "Liberty Belle was unaware of my presence until the fight was already well underway. What I do know is that in that moment, his intent seemed to be to end her life, and I... I couldn''t just stand by and let that happen. Not without at least trying to help." For a moment, silence hangs heavy in the air, throbbing like an open wound. Caldwell watches me with hooded eyes, his expression unreadable, and I feel the weight of judgment pressing down on me from all sides, squeezing the breath from my lungs and the strength from my limbs, crushing me down to my component atoms and then scattering me to the wind. Only one thing keeps me anchored amidst the chaos, one slender thread of purpose stretching out through the red that rims my vision. The truth. My mouth opens to continue... but no sound comes out. Did I not drink enough water? Eat enough food? Sit still long enough for the words to unstick from the roof of my mouth and spill out for everyone to judge? Liberty Belle''s words pierce my thoughts, spearing them right through. Caldwell''s eyes narrow to dark slits, his gaze boring into me like a physical force. "Miss Bloodhound, in his speech before the confrontation, Mr. Federov made several rather... extraordinary claims. Allegations of a government conspiracy to utilize his abilities for power generation, I believe." Another pause, another beat of suffocating silence. "Did you put any stock in these wild accusations? Or do you believe that they were nothing more than the self-serving manipulations of a cornered criminal?" At that, Mrs. Gibson is already out of her seat, arm slashing through the air in a gesture of controlled frustration. "Objection, Your Honor. Speculation and relevance." Judge Bennett inclines his head a fraction of an inch, lips pursed in a thin, disapproving line. "Sustained," he rules, the single syllable cracking through the room like a gunshot. "Mr. Caldwell, I must insist that you confine your questioning to the actual events depicted in the video." Caldwell nods once, expression smooth and unruffled as polished marble. "Of course, Your Honor. My apologies." But there''s a glimmer of something almost like triumph in his eyes as he turns back to me, and suddenly I understand with sickening clarity. He didn''t need me to answer that last question. He just needed to plant the seed, to let the mere suggestion of something rotten at the core take root in the minds of the jury. I push down on the thought, strangling it before it can fully form. Across from me, Caldwell straightens his lapels, that easy smile never slipping from his face. "No further questions at this time, Your Honor," he says smoothly, giving me a small nod that feels more like a dismissal than an acknowledgement. Chapter 95.3 As Caldwell takes his seat, the courtroom seems to let out a collective breath, the tension easing a fraction as the weight of his scrutiny lifts from my shoulders. But even as I sink back into my chair, I can feel the aftershocks still rippling through me, the echoes of his words ringing in my ears like the tolling of a funeral bell. For a moment, everything feels hazy and indistinct, my thoughts scattered like leaves in a hurricane. The room seems to tilt and sway around me, the faces of the gathered crowd blurring into an indistinguishable mass of color and shadow. And then, like a lifeline thrown to a drowning woman, Mrs. Gibson''s voice cuts through the fog, steady and sure. "Miss Bloodhound," she begins, rising smoothly to her feet. "Let''s see if we can clarify a few points, shall we?" I nod mutely, not trusting myself to speak as she fixes me with a look of calm determination. "You testified earlier that you''ve spent a great deal of time poring over Liberty Belle''s personal notes and journals." A beat, a slight tilt of her head. "In all your reading, did you ever come across any mention of her planning to confront Illya Federov at that specific location?" The question settles over me like a cool breeze, cutting through the haze of confusion and doubt with the precision of a scalpel. I can feel the pieces clicking into place, the tangled threads of memory and emotion slowly unraveling into something resembling clarity. "No," I reply at last, each word emerging slow and deliberate. "No, I did not. There were lots of notes on Illya, but nothing about planning a confrontation." Mrs. Gibson nods, a flicker of satisfaction crossing her face. "And in your experience working alongside Liberty Belle, how did she typically approach confrontations with powerful adversaries?" she presses, one eyebrow arched in a silent challenge. "Was she someone prone to rash actions or impulsive decisions?" An image flashes through my mind, vivid and immediate - Liberty Belle hunched over a table strewn with maps and diagrams, brow furrowed in intense concentration as she plots out every possible angle of attack, every potential pitfall and contingency. The memory brings with it a pang of bittersweet nostalgia, a fleeting reminder of the woman I knew... the woman I lost. "She was always meticulous," I reply softly, my voice barely above a whisper. "Strategic down to her bones. I can''t imagine her engaging in any kind of confrontation without an ironclad plan in place." Mrs. Gibson lets that hang in the air for a moment, allowing the weight of my words to settle over the room like a shroud. Unauthorized usage: this narrative is on Amazon without the author''s consent. Report any sightings. "Given that," she continues at last, her tone measured and even, "does it seem at all plausible to you that she would have arranged some kind of ''duel'', for lack of a better term, without any sort of tactical reasoning behind it?" The mere suggestion sends a shiver of indignation racing down my spine, a flare of outrage at the very idea of someone questioning Belle''s judgment, her dedication to the cause. But even as I open my mouth to object, I force myself to pause, to consider the question with the same clinical detachment that she would have brought to bear. "No," I say finally, each syllable heavy with conviction. "No, that would have been completely out of character for her." Mrs. Gibson gives a small, almost imperceptible nod, as if filing that piece of information away for later use. "Now, regarding this supposed ''note''," she continues, her gaze flicking briefly to the sheet of paper still clutched in Caldwell''s hand. "Is it possible, Miss Bloodhound, that such a thing could have been falsified? Perhaps even written under some form of duress?" I hesitate, my mind racing as I try to navigate the treacherous currents of speculation and conjecture. "It''s... possible, I suppose," I hedge at last, choosing my words with exacting care. "But I can''t say for certain one way or the other." Mrs. Gibson seems to accept that answer, her expression never wavering as she presses forward. Caldwell looks at me and smiles. Whose side is he on? "One final point of clarification, if you would," she says, her voice ringing out clear and strong in the hushed stillness of the courtroom. "Can you state unequivocally, for the record, that the video footage we''ve just witnessed is an accurate and unaltered depiction of the events as you personally observed them? That there was no alteration, post-processing, or editing done to the video?" I take a deep breath, maybe the fiftieth one today in the past hour, feeling it rattle in my lungs like a gust of wind through a canyon. And then, with every ounce of conviction I can muster, I look Mrs. Gibson dead in the eye and give my answer. "Yes," I say, my voice steady and unwavering. "Yes, it is." The words seem to hang in the air for a moment, heavy with the weight of finality. Mrs. Gibson gives a small, satisfied nod, a flicker of something almost like pride dancing behind her eyes. "Thank you, Miss Bloodhound," she says softly, a note of genuine warmth creeping into her voice. "I have no further questions." With that, she turns and strides back to her seat, head held high and shoulders squared, every inch the consummate professional. Judge Bennett surveys the room for a moment, his gaze sweeping over the assembled lawyers and spectators like a hawk searching for prey. "The witness is excused," he intones at last. "Thank you for your testimony, Miss Bloodhound." The words wash over me like a wave, a sense of bone-deep exhaustion settling into my limbs as the tension of the past few hours finally begins to drain away. And as I stand before this austere court, I swear I see something. I see Liberty Belle. Have I stayed true to what I saw? Have I defended her? I saw her for the briefest of moments, and yet they replay in my head, ticking on repeat in some kind of hideous loop, and as I rise from my chair, legs teetering, a yawning expanse between her and myself from where she once was, I can only hope I did the right thing. I turn to step down from the witness stand, the eyes of everyone still burning holes in my back as I take my leave. This isn''t over. My part in these proceedings is done, but Illya''s fate still hangs in the balance. And as I walk out those courtroom doors, the taste in my mouth equal parts exhaustion and bitter determination, I consider the truth. Chapter 96.1 Chernobyl Trial Day 4: Prosecution Presents Key Witness Bloodhound, Unveils Shocking Video Evidence August 18, 2024 Sarah Katz, Staff Writer
The fourth day of Illya Fedorov''s high-profile murder trial ended with a bang, as the prosecution prepared to call their star witness -- Bloodhound, the junior superhero who claims to have witnessed the fatal confrontation between Fedorov (a.k.a. Chernobyl) and the late Diane Williams (a.k.a. Liberty Belle). The packed courtroom buzzed with anticipation, eager to hear the young hero''s account and see the video evidence that has been the subject of much speculation. Prior to Bloodhound taking the stand, the prosecution had spent the first day of testimony meticulously laying the groundwork for their case against Fedorov. They presented a series of experts and eyewitnesses, including law enforcement officers who responded to the scene of the confrontation, crime scene investigators who detailed the physical evidence collected, and medical experts who testified about the nature and extent of Liberty Belle''s fatal injuries. One particularly poignant moment came when the prosecution called Dr. Amanda Patel, the forensic pathologist who conducted Liberty Belle''s autopsy. Dr. Patel''s testimony, delivered with clinical precision yet laced with an undercurrent of sorrow, painted a vivid picture of the devastating wounds inflicted upon the beloved hero. "Liberty Belle sustained at least three dozen significant blunt force injuries. These included compound fractures of the ribs, extensive bruising and hematomas across the torso and limbs, and damage to internal organs. The severity and number of these injuries suggest a relentless and sustained attack. Ultimately, the cumulative effect of these injuries overwhelmed her body, leading to cardiac and respiratory failure," Dr. Patel stated, her voice wavering slightly. "...The extent and severity of the injuries inflicted on Liberty Belle are unprecedented in my career." As the prosecution built their case, the atmosphere in the courtroom grew increasingly somber. Spectators, including members of the superhero community and the victims'' families, listened with rapt attention, occasionally dabbing at their eyes or clenching their fists in quiet anger. The weight of the charges against Fedorov -- two counts of murder, as well as numerous counts of theft, property damage, and the unlawful use of superhuman abilities -- seemed to settle like a suffocating blanket over the proceedings. However, it was the arrival of Bloodhound on day four that truly electrified the courtroom. Clad in her recognizable dark red and black costume, complete with distinctive dog-shaped helmet, gloves, and a voice modulating mask to protect her true identity, the young hero strode to the witness stand with a mix of determination and trepidation etched into her posture. From the moment she took her seat, you could sense the atmosphere in the courthouse shift from quiet and anticipatory to tense and electrified. All eyes locked on the young hero as she prepared to give her testimony. After being sworn in, Bloodhound began to recount the harrowing events of that fateful night. With a voice that trembled with emotion, she described arriving at the abandoned PES oil refinery to find Chernobyl and Liberty Belle already locked in a heated confrontation. "Liberty Belle was down, and he was about to kill her," Bloodhound testified, her hands clenching and unclenching on the armrests of her seat. "I couldn''t just stand by and do nothing. I had to try to help her, even if it meant putting myself in danger." The prosecution played Bloodhound''s video footage for the court, and an audible gasp rippled through the gallery as Liberty Belle''s final moments unfolded on the screen. There were sounds of soft crying and whispered exclamations of horror as jurors and spectators alike watched the hero fall under Chernobyl''s relentless assault. Throughout her testimony, Bloodhound remained composed and articulate, her voice cracking only when she described Liberty Belle''s final words to her. "She told that I did the right thing," The young hero recalled, her shoulders shaking. "I''ll never forget that as long as I live." The prosecution focused on establishing the validity of Bloodhound''s footage, emphasizing that it was unaltered and accurately depicted the incident. They also delved into Liberty Belle''s physical and mental state in the video, with Bloodhound confirming that the veteran hero seemed determined but "visibly strained" throughout the confrontation. However, Bloodhound''s testimony was not without its challenges. Under cross-examination by Fedorov''s defense attorney, Jerry Caldwell, the young hero was grilled on her decision to intervene in the fight despite her lack of experience and official clearance to engage Chernobyl. Caldwell also probed Bloodhound''s emotional state during and after the incident, suggesting that her perceptions may have been colored by fear and adrenaline. Support the creativity of authors by visiting Royal Road for this novel and more. Perhaps the most significant moment came when Caldwell introduced a surprise piece of evidence - a handwritten note, allegedly penned by Liberty Belle herself, inviting Fedorov to meet her at the refinery on the night in question. The note, if authenticated, could potentially cast doubt on the prosecution''s narrative of Chernobyl as the sole aggressor. Though visibly shaken by the note''s contents, Bloodhound stood firm in her account. "No, I was not aware of or witness to any plans [to invite Chernobyl to a confrontation]," she said, her voice steely with resolve. "...What I do know is that in that moment, his intent seemed to be to end her life, and I... I couldn''t just stand by and let that happen. Not without at least trying to help." As Bloodhound''s testimony concluded, the mood in the courthouse was electric. Spectators murmured amongst themselves, debating the implications of this new evidence and the strength of the prosecution''s case. The media circus outside the building reached a fever pitch, with reporters clamoring for a glimpse of the young hero as she was escorted out under heavy security. While the trial is far from over, it''s clear that Bloodhound''s testimony and video evidence will play a pivotal role in determining Chernobyl''s fate. The question on everyone''s minds now is whether the defense will be able to cast sufficient doubt on the prosecution''s narrative to sway the jury - or whether the tragic truth of Liberty Belle''s final moments, captured on camera by a young hero determined to see justice done, will ultimately seal Fedorov''s fate. As the trial enters its fifth day, the people of Philadelphia remain fixed on this historic legal battle - a clash not just between two superhumans, but between the forces of accountability, truth, and the grey areas that lie between them in the world of superpowered beings. Our coverage of the Chernobyl trial will continue in the coming days. Stay tuned for more updates as this story develops.

Chernobyl Trial Day 5: Prosecution Delves into Fedorov''s Past Crimes August 19, 2024 Sarah Katz, Staff Writer
The fifth day of Illya Fedorov''s murder trial saw the prosecution continue to build their case, focusing on the defendant''s long history of alleged crimes. Following the dramatic testimony of junior superhero Bloodhound, who provided eyewitness evidence of Liberty Belle''s death, the state turned its attention to the other charges levied against Fedorov. First on the docket was the murder of Professor Franklin, the renowned Philadelphian superhero who died in a confrontation with Fedorov nearly a decade ago. The prosecution called several witnesses to the stand, including former colleagues of Professor Franklin who were present on the day of his death. The prosecution began by calling witnesses who had known Franklin personally, painting a picture of a man dedicated to using his powers for the greater good. Dr. Victoria Chen, a former colleague of Franklin''s, spoke of his passion for science and his commitment to mentoring young heroes. "Jeffery - Professor Franklin - was more than just a superhero," Dr. Chen said, her voice heavy with emotion. "He was a teacher, a leader, and a true hero in every sense of the word. He believed in using his knowledge and his abilities to make the world a better place, and he inspired countless others to do the same." As the day progressed, the prosecution turned its attention to the fateful events of March 23, 2017 - the day Professor Franklin died. Witnesses from the industrial factory where the confrontation took place described a scene of chaos and destruction, as Fedorov attempted to steal military-grade munitions and equipment and Franklin fought to stop him. The prosecution also presented physical evidence from the scene, including fragments of Fedorov''s suit that had been recovered from the wreckage. Expert witnesses testified that the residual radiation on these fragments matched the unique signature of Fedorov''s powers, tying him directly to the crime scene. As the day progressed, the prosecution delved into the numerous counts of theft and property damage associated with Fedorov''s activities. They called a series of witnesses, from security guards to insurance adjusters, who attested to the scale and impact of these crimes. One particularly memorable moment came during the testimony of Marcus Holloway, a former warehouse manager whose facility had been ransacked by Fedorov. "He tore through our security systems like they were made of tissue paper," Holloway said, shaking his head in disbelief. "The damage was catastrophic - not just in terms of the stolen goods, but in the psychological toll it took on my staff. We all lived in fear, knowing that at any moment, he could come back and do it again." Throughout the day, the prosecution painted a picture of Fedorov as a relentless, remorseless criminal, one who had left a trail of destruction and trauma in his wake. They argued that the charges against him, from murder to theft to the illegal use of his powers, represented a sustained pattern of villainy that demanded the harshest possible punishment. As the proceedings adjourned for the day, the mood in the courthouse was somber and reflective. For many, the weight of Fedorov''s alleged crimes, laid out in such meticulous detail, served as a sobering reminder of the destructive potential of unchecked power. Yet there were also whispers of uncertainty, of a sense that the full story had yet to be revealed. As the defense prepares to present its case in the coming days, the people of Philadelphia are left to wonder: what secrets remain hidden in the shadows of this trial, and what impact will they have on the fate of Illya Fedorov? Our coverage of the Chernobyl trial will continue in the coming days. Stay tuned for more updates as this story develops. Chapter 96.2 Chernobyl Trial Day 6: Defense Challenges Hazardous Materials Charges August 20, 2024 Sarah Katz, Staff Writer
On the sixth day of Illya Fedorov''s high-profile trial, the prosecution zeroed in on the charges related to the illegal generation and release of hazardous materials. The day''s proceedings featured a parade of expert witnesses, each shedding light on the unprecedented dangers posed by Fedorov''s radioactive powers. Dr. Eliza Nakamura, a leading authority on metahuman biology, took the stand to explain the unique nature of Fedorov''s abilities. "Illya Fedorov''s body is essentially a walking nuclear reactor," she told the court, her expression grave. "He can generate and emit ionizing radiation at levels that would be lethal to an ordinary human. Without proper containment, he poses a significant risk to public health and safety." The prosecution then called a series of environmental scientists and public health officials who testified to the potential long-term consequences of Fedorov''s actions. They presented data showing elevated radiation levels at the sites of his alleged crimes, and discussed the risks of contamination to soil, water, and air quality. "The radioactive materials released during Chernobyl''s rampages have a half-life measured in decades, even centuries," warned Dr. Raymond Kim, a specialist in environmental toxicology. "We could be dealing with the fallout from his actions for generations to come." However, defense attorney Jerry Caldwell launched a pointed challenge to the prosecution''s case regarding the hazardous materials charges. Throughout the day, Caldwell sought to reframe Fedorov''s actions as those of a man desperately trying to contain his own dangerous powers, rather than a reckless criminal unconcerned with public safety. During cross-examination of the prosecution''s expert witnesses, Caldwell presented data showing that the levels of radiation released during Fedorov''s alleged crimes had actually decreased over time. He argued that this was evidence of Fedorov''s efforts to improve the containment of his suit, a fact that he claimed the prosecution had conveniently overlooked. "Is it not true," Caldwell asked Dr. Eliza Nakamura, the metahuman biology expert, "that Mr. Fedorov''s suit, while unconventional, is actually a marvel of engineering designed to minimize radioactive emissions?" Dr. Nakamura, visibly taken aback, conceded that the suit did appear to have advanced containment properties, but maintained that it was still a far cry from an officially sanctioned and regulated device. Caldwell also drew comparisons between the radiation levels associated with Fedorov''s activities and those emitted by various industrial processing plants in Philadelphia, particularly in historically Black neighborhoods. He suggested that Fedorov, in his own way, had taken great pains to reduce his environmental impact, especially when compared to these legal but polluting facilities. "The prosecution would have you believe that Illya Fedorov is a walking Chernobyl, heedlessly spewing radiation wherever he goes," Caldwell said in his concluding remarks. "But the evidence tells a different story - one of a man acutely aware of his own destructive potential, and actively working to minimize the harm he causes." Throughout the proceedings, Fedorov himself remained silent, watching impassively from within his containment suit. His inscrutable demeanor added to the air of mystery and ambiguity surrounding his case. This story has been stolen from Royal Road. If you read it on Amazon, please report it As the day drew to a close, the mood in the courthouse was one of growing uncertainty. Caldwell''s arguments, while not exonerating Fedorov, had certainly introduced a measure of nuance to the narrative put forth by the prosecution. For the first time, the idea that Fedorov''s crimes might be more complex than simple villainy seemed to be gaining traction. For the people of Philadelphia, the Chernobyl trial has become a prism through which to view their own hopes and fears about the world of superpowered beings. As the prosecution prepares to rest its case in the coming days, the city braces itself for what revelations the defense may bring - and for the verdict that could shape the future of justice in an age of marvels and monsters. Our coverage of the Chernobyl trial will continue in the coming days. Stay tuned for more updates as this story develops.

Chernobyl Trial Day 7: Prosecution Rests Case, Highlights Fedorov''s Illegal Status August 21, 2024 Sarah Katz, Staff Writer
The seventh day of Illya Fedorov''s trial saw the prosecution rest its case, but not before shining a spotlight on two key facts: Fedorov''s lack of a superhuman license, and his status as an illegal immigrant. The day began with testimony from officials at the National Superhuman Regulation Agency (NSRA), who confirmed that Fedorov had never applied for, much less been granted, a license to use his powers. They stressed that operating as a superhuman without such a license was a serious offense in and of itself, regardless of any other crimes committed. "The licensing system exists for a reason," declared Margaret Huang, a senior NSRA administrator. "It ensures that individuals with extraordinary abilities are properly trained, monitored, and held accountable. By flouting this system, Mr. Fedorov has demonstrated a blatant disregard for the rule of law and the safety of the public." The prosecution then called a series of witnesses from Immigration and Nationalization Services (INS), who testified that Fedorov had entered the country illegally from Ukraine and had never regularized his status. They painted a picture of a man who had deliberately chosen to operate outside the bounds of the law, living off the grid to avoid detection. In her closing arguments, lead prosecutor Anne-Marie Gibson wove these threads together into a damning tapestry. She portrayed Fedorov as a rogue actor, a dangerous individual who had consciously rejected the norms and safeguards of civilized society. "Illya Fedorov is not just a criminal," Gibson declared, her voice ringing out in the courtroom. "He is a man who has chosen, at every turn, to place himself above the law. He has refused to submit to the regulations that govern the use of superhuman abilities. He has entered our country illegally and made no effort to rectify that status. And he has used his powers to wreak havoc and destruction, all while evading the consequences of his actions." Gibson went on to revisit the most emotionally charged moments of the trial - the heart-wrenching testimony of Natasha Ivanova about the effects of radiation poisoning, the harrowing accounts of Professor Franklin''s final moments, and of course, the gut-wrenching video of Liberty Belle''s death at Fedorov''s hands. "Ladies and gentlemen of the jury," Gibson concluded, her gaze sweeping the room, "the evidence is clear. Illya Fedorov is a menace, a threat to everything we hold dear. He has flouted our laws, violated our borders, and torn apart our communities. He has taken the lives of our heroes, and in doing so, he has struck at the very heart of what makes Philadelphia strong. I ask you to find him guilty of all charges, and to send a clear message that such lawlessness will not be tolerated in our city." As Gibson''s words faded into silence, a palpable tension descended over the courtroom. All eyes turned to Fedorov, seeking some reaction, some hint of emotion behind the inscrutable faceplate of his containment suit. But as always, the man known as Chernobyl remained impassive, a cipher even in the face of the most blistering condemnation. With the prosecution having rested, the stage is now set for the defense to present its case. In the coming days, Jerry Caldwell and his team will have the opportunity to counter the narrative put forth by the state, to offer a different perspective on the actions and motivations of Illya Fedorov. But as the trial adjourns for the day, one thing is abundantly clear: the battle for the soul of Philadelphia, for the very meaning of justice in a world of superhumans, has only just begun. Stay tuned for our ongoing coverage as the defense takes the reins in this historic trial. Chapter 96.3 Chernobyl Trial Day 8: Fedorov Takes the Stand, Claims Actions Were Self-Defense August 22, 2024 Sarah Katz, Staff Writer
In a stunning turn of events on the eighth day of Illya Fedorov''s trial, the man known as Chernobyl took the stand in his own defense. Speaking through a voice modulator in his containment suit, Fedorov painted a picture of a life defined by the struggle to control his radioactive powers and protect those around him from harm. "I never wanted to be a villain," Fedorov began, his mechanical voice filled with a surprising amount of emotion. "All I ever wanted was to live a normal life, to be a good husband and father. But when you''re a walking nuclear reactor, normalcy is a luxury you can''t afford." Under questioning from his attorney, Jerry Caldwell, Fedorov walked the jury through his early days as a nuclear engineer in Ukraine, through his Activation Event, and his eventual flight to the United States. He spoke of the constant fear of discovery, the isolation of living in his containment suit, and the toll it all took on his family. "Every day, I live with the knowledge that I could lose control, that I could hurt the people I love most," Fedorov said, his voice breaking. "That''s why I''ve done the things I''ve done - not out of malice, but out of desperation." Caldwell then delved into the specifics of Fedorov''s alleged crimes, framing each one as an act of self-preservation or necessity. The thefts of industrial equipment? Attempts to improve his containment suit and reduce his radioactive emissions. The property damage? Collateral from his efforts to evade capture and protect his family. Even the deaths of Professor Franklin and Liberty Belle were cast in a new light - as tragic outcomes of Fedorov''s struggle to survive in a world that fears and misunderstands him. "I never wanted to kill anyone," Fedorov insisted, when asked about the fatal confrontations. "But when you''re backed into a corner, when your very existence is treated as a crime... sometimes, you have no choice but to fight back." To bolster Fedorov''s case, the defense called a series of expert witnesses, including radiologists, engineers, and psychologists. They testified to the unique challenges of containing and controlling radioactive powers, the psychological toll of living in isolation, and the plausibility of Fedorov''s claims of self-defense. Dr. Mikhail Sokolov, a leading expert on metahuman abilities, was particularly compelling. "Mr. Fedorov''s case is a stark reminder of how ill-equipped our society is to deal with the realities of superpowers," he told the court. "We have created a system that treats individuals like him as inherently dangerous, that forces them to the margins and then punishes them for trying to survive. Is it any wonder, then, that tragedies like this occur?" As Fedorov''s testimony and the supporting evidence mounted, the mood in the courtroom began to shift. Whispers of doubt could be heard among the spectators - had they been too quick to judge Fedorov as a monster? Was there more to his story than met the eye? But prosecutor Anne-Marie Gibson was not swayed. In a blistering cross-examination, she challenged Fedorov on inconsistencies in his story, pointing out instances where his actions seemed to go beyond mere self-defense. She painted him as a man who had consistently chosen the path of violence and destruction, who had used his powers to terrorize and intimidate. "Mr. Fedorov, you claim that you never wanted to be a villain," Gibson said, her tone icy. "But your actions speak louder than your words. You have left a trail of death and suffering in your wake, and no amount of self-justification can change that fact." Help support creative writers by finding and reading their stories on the original site. As the day''s proceedings drew to a close, the jury was left with a complex and conflicting picture of Illya Fedorov. Was he a victim of circumstance, a man pushed to the brink by a society that feared him? Or was he a dangerous criminal, a threat to be contained at all costs? Only time, and the jury''s verdict, will tell. Our coverage of the Chernobyl trial will continue in the coming days. Stay tuned for more updates as this story develops.

Chernobyl Trial Day 9: NSRA Agent''s Testimony Reveals Shocking Arrangement, Sparks Outrage August 23, 2024 Sarah Katz, Staff Writer
The ninth day of Illya Fedorov''s trial took a shocking turn as NSRA Special Agent Evelyn Shaw took the stand, only to find herself at the center of a firestorm of accusations and revelations about the true nature of the agency''s relationship with the notorious supervillain. Under intense cross-examination by defense attorney Jerry Caldwell, Shaw initially maintained that she was merely the agent assigned to Fedorov''s case file, responsible for monitoring his activities and movements. But as Caldwell pressed on, a far more disturbing picture began to emerge. "Agent Shaw, isn''t it true that your relationship with Mr. Fedorov goes far beyond that of a typical case agent?" Caldwell asked, his tone sharp and accusatory. "That you and the NSRA have been engaged in a quid pro quo arrangement, providing him with resources and freedoms in exchange for his unique abilities?" Shaw, visibly uncomfortable, tried to evade the question. But Caldwell was relentless, presenting a series of emails and recorded conversations that seemed to confirm his allegations. In one particularly damning exchange, Shaw could be heard discussing the need to "keep Asset Chernobyl happy" in order to ensure his continued cooperation. "Tell me, Agent Shaw," Caldwell said, his voice dripping with contempt, "does the NSRA routinely provide food, parts, and funding to the supervillains it claims to be containing? Or is that a special privilege reserved for those whose talents prove useful?" As Shaw struggled to formulate a response, Caldwell pressed his advantage. He presented evidence suggesting that Fedorov had been allowed to roam free for extended periods, his destructive rampages tolerated as long as he continued to "shore up" the nation''s energy needs with his radioactive powers. "Isn''t it true, Agent Shaw, that the NSRA has been turning a blind eye to Mr. Fedorov''s crimes, that you have been complicit in his actions, all in the name of this arrangement?" Caldwell demanded, his voice rising with each accusation. The courtroom was stunned into silence as the implications of Caldwell''s words sank in, with the prosecution seeming content to allow the invective to continue unopposed. Here was evidence that the very agency tasked with protecting the public from superpowered threats had been actively enabling one of the most notorious villains in recent history, all for the sake of exploiting his abilities. Would this not, as he argued, render Agent Shaw - and the NSRA at large - accessories to Chernobyl''s crimes? As Shaw invoked her Fifth Amendment rights, refusing to answer any further questions, the courtroom erupted into chaos. Spectators shouted and jeered, demanding answers and accountability from the NSRA and the government as a whole. Judge Bennett, struggling to maintain order, had no choice but to adjourn for the day. But the damage was done - the revelation of the NSRA''s secret arrangement with Illya Fedorov had sent shockwaves through the city and the nation. In the streets outside the courthouse, a massive crowd had begun to gather, waving hastily-made signs and chanting slogans. "No more secrets, no more deals!" they cried, their anger and disillusionment palpable. "The NSRA must be held accountable!" For Illya Fedorov, the revelations were a vindication of sorts. He had long maintained that he was not a simple villain, that his actions were the result of a complex web of factors beyond his control. Now, with the truth of his relationship with the NSRA laid bare, his claims of being a pawn in a larger game rang truer than ever. In the eye of the storm, Illya Fedorov sat silently in his containment suit, his fate now inextricably tied to the larger forces swirling around him. And as the ninth day of his trial drew to a close, the question on everyone''s minds was not whether he would be found guilty or innocent, but whether the system itself could survive the fallout of the truths that had been revealed. Stay tuned for our ongoing coverage of the Chernobyl trial and its aftermath, as the nation grapples with the shocking revelations about the NSRA and the true nature of its relationship with one of the most notorious supervillains in recent history. Chapter 97.1 The aftermath of Agent Shaw''s explosive testimony hits the city of Philadelphia like a tsunami. The world outside the courtroom has gone completely mad. As I descend the steps of the courthouse, flanked on all sides by a phalanx of stone-faced officers and my fellow superheroes - there to watch testimony, and for some of them, testify - the first thing that hits me is the noise. It''s like a physical force, a wall of sound that slams into me with almost palpable impact, nearly driving me back a step. Raised voices, angry chants, the dull roar of a thousand throats crying out in unison - it all blends together into a cacophonous din that drowns out all other thought, all other sensation. I''ve seen protests before, my parents talk about them frequently. But this... this is something else entirely. The crowd seems to stretch out forever in all directions, a seething mass of humanity that churns and roils like storm-tossed waters. Signs bob and weave above the throng, a patchwork quilt of hastily-thrown together slogans and invective - "JUSTICE FOR LIBERTY BELLE", "CHERNOBYL MUST PAY", "WHAT IS THE NSRA HIDING?" It''s a scene straight out of some apocalyptic fever dream, a waking nightmare made manifest. A woman I don''t recognize - dark skin, nondescript black peacoat, and newsboy cap - stands atop a quick pile of milk crates and dreams, shouting to the crowd. But there''s no mistaking the fire in her eyes, the righteous fury radiating from every line of her body as she raises her fists to the sky. "They lied to us!" she bellows, her voice clear and strong above the fever pitch of the mob. "They violated their oaths, their sworn duty as agents of order and justice! They made a deal with the devil in exchange for power and control, and now we''re all left to pay the price!" The crowd roars its approval, a wordless shout of rage and pain and fear that echoes off the marble and glass and limestone like the voice of G-d Himself. They''re afraid. They''re not just angry, they''re afraid. A teeming mass of humanity stretching all the way from here down to City Hall, spilling out of the streets, the alleyways, the apartments. I can feel my heart hammering against my ribs, my breath coming in short, sharp gasps as I try to process the sheer, overwhelming insanity of it all. This is what it''s come to, then. The pillars of society, the very institutions we''ve been taught to trust and believe in, all crumbling to dust before our eyes. And in their place... what? Anarchy? Chaos? Or something worse still, something I can''t even begin to wrap my head around? For one brief, dizzying moment, I''m seized by the sudden, irrational urge to wade out into that churning sea of humanity. To raise my own voice in outrage and defiance, to join the clarion call for justice and accountability. And all to the tune of sirens. Ones coming closer. It almost sounds like screaming. Maybe it is. Every few moments I can hear a fresh round of explosive discharges. Pop, pop, pop - like popcorn cooking in the microwave. It''s the wail of not-so-distant sirens, oddly discordant as they cut through the frigid winter day, that snaps me back to reality. All of a sudden everything snaps into focus with an almost nauseating clarity, the fog of uncertainty and confusion burned away like morning mist before the rising sun. The crisis response units are nowhere to be found - there''s just too many protesters to cover - are they saving all their control for the end of the trial? That''s not good for a thousand different reasons. The roar of the crowd only seems to be building in intensity, their chants taking on a frenzied, almost manic quality. All this violence - it''s not civil disobedience. That''s what I keep hearing from the growing guard of riot police around me. Violence. Violence. Violence. Before I can move more than a single step, though, a strong hand closes around my arm, yanking me roughly to the side even as another body moves to block my path. It takes a moment for my brain to catch up, to process the familiar faces staring back at me with grim, unyielding determination. The Delaware Valley Defenders. My team. No, not my team. The adult team. Multiplex is the first to speak, his voice low and urgent as he leans in close, dark eyes flashing with barely-contained intensity. "We need to get this situation under control," he growls, his grip on my arm tightening almost imperceptibly. "The Young Defenders, too. We''re being called in by the NSRA to help maintain order, keep things from spiraling out of hand." I feel my stomach lurch at his words, a wave of nausea rising up in the back of my throat. The NSRA. The same organization that had just been exposed as corrupt, as complicit in Chernobyl''s crimes. And now they wanted us to help "maintain order". It was almost laughable. Almost. Before I can open my mouth to respond, though, another voice cuts through the din - sharp, insistent, laced with an undercurrent of barely-controlled fury. "Maintain order?" Playback spits, shouldering his way forward to stand at my side. "Are you fucking kidding me? These people have every right to be angry, every right to demand answers. And you want us to what, put them down like rabid dogs?" Multiplex''s jaw clenches, a muscle twitching in his cheek as he visibly struggles to keep his composure. "It''s not about ''putting them down''," he grits out, each word sharp and clipped. "It''s about preventing this situation from escalating into full-blown riots. About keeping innocent people from getting caught in the crossfire." Help support creative writers by finding and reading their stories on the original site. But Playback isn''t backing down, his eyes blazing with righteous indignation as he jabs an accusing finger at the older hero''s chest. "Bullshit," he snarls, his voice dripping with contempt. "This is about control, plain and simple. About the powers-that-be trying to silence anyone who dares question their authority." I can feel the tension crackling in the air like static electricity, the two men squaring off like prizefighters in a ring. The Young Defenders around me shift nervously, conflicting emotions playing out across their faces - fear, uncertainty, anger. And then, almost without conscious thought, I find myself stepping forward, placing a restraining hand on Playback''s arm even as I turn to face Multiplex head-on. "He''s right," I say softly, my voice barely audible above the roar of the crowd. "This isn''t... it''s not right. Using force to shut down legitimate protests, to smother the voices of the people... that''s not what we stand for. It''s not what heroes stand for." Multiplex''s head snaps around, his eyes boring into me with laser-like intensity. For a moment, he simply stares, his expression unreadable, inscrutable. And then, slowly, almost imperceptibly, his shoulders slump, a bone-deep weariness seeping into his features like water into cracked pavement. "I understand your reservations," he says at last, each word heavy and deliberate. "Believe me, I do. But this... this is bigger than any one person''s principles. If we don''t act now, if we don''t restore some semblance of order... there''s no telling how bad things could get." It''s like trying to catch water in my cupped hands - every time I think I''ve grabbed a hold of something, it slips right through my grasp. My eyes dart across the crowd - flickering lights dance through the sky like sparrows, a beautiful dusk of screams and bellowed invective rise in pitch and tenor like so much breaking glass. A riot officer stumbles backwards at the force of a thrown plastic bottle, and dozens more riot officers descend upon the thrower like a horde of piranhas. "Multiplex is right, young ones" Bulwark chimes in, his deep, rumbling baritone cutting through the rising tension like a knife, and then lodging itself further in our backs. "We have a duty to protect the innocent, to keep them from coming to harm no matter the cost. That includes protecting them from themselves." Behind me, I hear Playback let out a sharp, disbelieving bark of laughter. "Are you fucking kidding me?" he demands, shouldering his way forward to stand at my side. "You''re really going to stand there and lecture us about ''duty'' and ''protecting the innocent'' when the people we''re supposed to trust have been in bed with a goddamn walking nuclear meltdown?" I can see Bulwark bristle at that, his massive frame seeming to swell with outrage. But before he can open his mouth to retort, Multiplex is already stepping forward, one hand raised in a placating gesture. "Enough," he snaps, his voice cracking like a whip. "This isn''t up for debate. The NSRA has given us our orders, and we will follow them. End of discussion." Something inside me rebels at that, a white-hot surge of defiance and righteous anger that threatens to consume me entirely. I''ve never been one for blind obedience, never been able to simply switch off my brain and follow commands like a good little soldier. But this... this feels like a bridge too far, a line I can''t cross no matter the consequences. "No," I say quietly, the word hanging in the air like a death sentence. "No, I won''t do it. I won''t be a part of this." Multiplex rounds on me, his eyes flashing with something dark and dangerous. "Think very carefully about what you''re saying, Bloodhound," he warns, each word dripping with menace. "This is bigger than you, bigger than any of us. There''s too much at stake to let personal feelings get in the way." Fury Forge looks at me for a second, almost disappointed. She sighs, not breaking eye contact. "Getting really tired of this edgy teen horseshit," she grumbles. "Is your ideology worth more than actually protecting people? Is this the hill you want to literally die on?" Gossamer steps forward, her expression torn. "Sam, I get where you''re coming from, but... we have a responsibility to keep people safe. Even if it means making tough choices." Rampart nods in agreement, his massive frame tense with anticipation. "We can''t just stand by and let this city tear itself apart. We have to act, one way or another." But Playback isn''t having it. "Personal feelings?" He scoffs. "You mean like basic human decency? The right to free speech and peaceful assembly? Or are those just pretty words you throw around when the cameras are rolling?" Spindle stares, his eyes flicking back and forth between his friends and his heroes. "Auh," is the only thing that comes out of his mouth. Crossroads, silent until now, speaks up. "Spindle''s right. Or he will be in ten minutes. Fighting amongst ourselves isn''t going to solve anything. We need to find a middle ground, a way to keep the peace without trampling on people''s rights." But Multiplex is unmoved. "This isn''t a debate club," he snaps, his patience clearly wearing thin. "We have our orders, and we will follow them. Anyone who can''t get on board with that needs to step aside, now." This whole situation feels like a nightmare, an endless spiral of escalating tension and fraying tempers. The roar of the crowd is like a physical thing now, a pounding drumbeat that seems to rattle my very bones. And standing here, caught between the immovable object of the DVDs and the unstoppable force of my own conscience... I feel like I''m being torn in two, ripped apart at the seams by conflicting loyalties and impossible choices. The sun is high in the sky, bearing down on us. I''m sweating like a whore in a church. I meet Playback''s gaze for the briefest of moments, a silent acknowledgement passing between us that feels almost like a pact, a vow written in blood and heartache. There''s no turning back now, no way to un-ring this particular bell. And for better or worse, our path is set. The team fragments like glass. Rampart and Gossamer step away towards Multiplex, their faces a mixture of heartbreak and righteous determination. Crossroads merely glances between the two groups, taking half a step towards Multiplex before shaking his head and simply walking away, climbing the courthouse steps and disappearing behind the huge oak doors. I don''t see Blink or Puppeteer - they must have been with the crisis response teams that are studiously absent. Spindle lets out another undignified noise and sprints after Crossroads. "So that''s it, then," Playback says softly, his voice barely audible above the rising tide of chaos. "You''re really going to side with the jackboots, keep the proles in line like a good little fascists." Bulwark looks like he''s about to physically explode, his face twisted into a mask of apoplectic rage. But before he can do more than draw in a deep, shuddering breath, the world around us erupts in a cacophony of shattering glass and terrified screams. The world explodes. Chapter 97.2 One moment, we''re standing there on the courthouse steps, the entire YD team and the DVD broken out into a heated argument. Playback stands defiantly with me, his feet planted, and even as Rampart and Gossamer side with Multiplex, and Crossroads and Spindle scuttle into the courthouse like rats fleeing a sinking ship. I see Fury Force at my side - a mother bear staring down our faults. The crowd chants and screams, the roar of it washing over me, and Multiplex''s stoney glare on the other side. The old versus the new and the new versus the old. Shattered glass. Pure, high-pitched screams of terror and pain. The splintering of wood - I swivel just in time to backhand an entire park bench that comes hurtling through the sky towards us, smashing it into splinters. The sound of more broken glass, the tinkle of countless windows falling to pieces throughout the vicinity like crystal snowflakes. In a heartbeat, everything changes. The tension, the standoff, the self-important dick measuring - it all falls away in an instant, replaced by pure, unbridled chaos. Playback and I lock eyes for the briefest of moments, a thousand unspoken words passing between us in the space of a heartbeat. No time for petty squabbles now. No time for anything but action. Spindle comes barreling back out of the courthouse doors, his face a mask of raw panic. "Fuck," he stammers, pale and shaking, and his shoulders so tense they''re nearly up to his ears. "Fuck, fuck, fuck, this is bad, this is so fucking bad." Even as the words leave his mouth, I''m already moving, shouldering past a stunned Multiplex and leaping down the steps three at a time. All around us, the crowd is erupting into pure pandemonium. People are screaming, shoving, trampling each other in their desperate bid to escape whatever fresh hell has just been unleashed. And then I see them. The Philly Phreaks. Pumice trudges through the crowd like a battleship through a sea of rowboats, riot police trying uselessly to push him back - the armored response teams, where are they? - rubber bullets and tear gas canisters pinging harmlessly off his stony hide. But it''s the figure perched on his back that sends a bolt of pure, icy dread shooting down my spine. Deathgirl. Daisy Zhen. She glares at me through the chaos, emotionless. Not a hint of feeling on her face, a porcelain mask of nothingness perched atop a terrifyingly inhuman form. Her Burger King crown sits lopsided on her head, the battered paper rustling in the frigid wind. Bloodrush in my ears as the world slows down like I''m in a computer simulation lagging to a crawl. My heart beats slow and sluggish. Or maybe too fast. I whip around to Multiplex, intending to say something... but he''s already running. I stagger forward, trying to move toward him, but Spindle comes up to meet me instead. Fear dances on his brow in liquid diamonds, a sheen of sweat shining in the pale light of the sun. His beanpole legs are barely more than spindles themselves, quivering erratically. He looks as scared as I feel. I reach out to steady him with one shaking hand. "They''re here, Sam," he gasps out, each word torn from his throat like shrapnel from a wound. "The Phreaks. They - they''ve done something. Something horrible." My gaze flicks back out towards the sea of bodies writhing in agony on the streets. My nostrils flare as a sickly-copper tang coats the air - I don''t need any special senses to smell that. The screams rise in intensity, but now they''re competing with a new sound - wet, meaty pops exploding out of the crowd. As if on cue, a woman at the edge of the crowd doubles over, retching violently. And as she straightens up, I catch a glimpse of something... wrong, a hideous distortion rippling across her face like a heat haze. Boils swell and burst across her forehead, a second pair of bulging eyes sprouting from her cheeks at a nauseating angle. Spindle makes a noise like a kicked dog behind me. If you discover this narrative on Amazon, be aware that it has been stolen. Please report the violation. Multiplex half-turns towards me as he divides, his selves splitting apart at the seams. A miniature army of grim faces staring back at me. "Crossroads in my ear - says those lunatics force-fed the protestors Jump. It''s a goddamn terrorist attack on civilians in the open. I don''t give a fuck about your politics anymore," he spits out. Then he turns and charges into the fray, his duplicates fanning behind him like the teeth of a saw blade. I feel sick. "Multiplex!" I scream, my voice raw and ragged with fear and desperation. "The civilians! You need to get them out of here, now!" I make a frantic waving motion with my hands. "Evacuate!" He opens his mouth to argue but even as he does a boy no older than fifteen suddenly crumples to the ground, blood pouring from his nose and ears as his face starts to simply slough off his skull like overripe fruit, a horrid mess of liquified flesh slopping to the ground with a nauseating wet splatter. It holds itself together as he dissolves into something closer to jelly than a person. Three hours of that. Can you even pull yourself together afterwards? Multiplex nods, expression grim, and then he''s shouting into his earpiece, coordinating his duplicates and the crisis response teams as they converge on the scene through the chaos and horror that is unfolding throughout the city, the blood and the screaming and the wanton destruction. They''re just not fast enough with all the bodies. An old man tries to crawl towards me, babbling incoherently. His arm suddenly snaps at a ninety degree angle, bones pushing up through his flesh and the bloody stump where his hand should be splitting open as three tiny, malformed fingers erupt out of the torn meat. I force back vomit. I force back tears. Pumice and Deathgirl march forward, plowing into the heart of the crowd like a pair of icebreakers slicing through a frozen sea. My blood sense is going haywire now. There''s too much noise, too much chaos. Too much blood. I can''t pick out individuals anymore. It''s like trying to find a single thread in a tangled skein of yarn. A sea of red behind my eyelids, a pulsing mass of death and suffering. I''m hyper aware of my lungs sucking in smoke and flames almost as much as I am of the wounds that still ache and twinge from my last fight with Pumice. Pulses from my rapidly palpitating heart down into my veins, my muscles swollen and primed for violence. My liver positively throbs in my torso, like it''s been wrapped with barbed wire and set on fire. Where are the armored response teams? The EMTs? It''s a nightmare. A war zone. Cars are overturned. Storefronts shattered. Alarms blaring, a discordant symphony of high-pitched electronic wails. And always, always, the endless chorus of screams. Of agony. I catch a glimpse of Chrysalis out of the corner of my eye, her grotesque form made even more horrifying by the blood and viscera smeared across her chitinous hide as she grapples with Rampart. Chimera is there too, a whirling dervish of animal parts and snarling fury as he tears into riot squads like they''re made of tissue paper, tossing them aside with gorilla arms and bear paws, his tailbone turned into a snake, lashing out behind him. Gossamer is nearby, doing her best to drag the worst of the wounded out of harm''s way while frantically trying to render first aid, but it''s like putting a bandaid on a gaping chest wound. There''s just too many. Too many hurt. And still, Pumice and Daisy just keep coming. The whine of chopper blades overhead. The thunderous boom of heavy ordnance. The rattle of gunfire. It all blends together into a hellish cacophony of violence and death, an unrelenting assault on the senses that threatens to overwhelm me entirely. A crowd scatters in all directions even as a detachment of riot officers try to circle around Pumice, slamming their plexiglass shields into his rocky hide. He doesn''t even spare them a glance as he casually backhands one, sending him flying through the air like a ragdoll. She just stares at me from across the carnage, Pumice continuing his implacable advance even as I slide into a fighting stance, every muscle in my body coiled and ready to strike. A hideous amalgamation of flesh and nightmare slowly piecing itself together as it devours life. I wonder how I''ll be remembered. "Samantha. Devonte. Traitor." The voice is flat. Dead. Like everything else still in this blasted hellscape. Pulled from some child soldier''s nightmare. Daisy - Deathgirl. She stands atop Pumice''s shoulders, a psychotic grin splitting her cherubic face from ear to ear. The burger king crown she wears sits askew upon her lank hair, like a blasphemous diadem forged in the sulphurous bowels of Hell itself. Her eyes are wide and feverishly bright, gleaming with a sort of manic, hateful intensity that borders on the inhuman. "Missed me?" she sing-songs, her body swaying back and forth in a grotesque pantomime of childish glee. "I know I missed you." Chapter 97.3 Spindle makes a strangled noise, half-sob and half-curse. I can see the guilt etched into every line of his drawn, haggard face - the weight of old sins and bitter regrets pressing down on him like a physical thing. My gaze darts back to Daisy, lips curling into an instinctive snarl. She''s still grinning like this is all some big joke to her. Another sad, broken little girl playing dress-up in a world she doesn''t really understand. But I know the truth - know exactly what kind of monster lurks behind that angelic facade. "Daisy." The name tastes like ashes on my tongue. She spreads her hands wide, that awful smile never wavering. "In the flesh," she purrs, her voice dripping with false sweetness. "I believe we have some unfinished business to attend to, girl," Pumice growls, cracking his knuckles with a heavy, grinding sound. My innards clench, phantom pains lancing through my muscles and joints at the memory of that last, fateful encounter. The crunch of breaking bone, torn flesh weeping gore onto the frozen concrete. And I can hear the words as clear as day, echoing through the halls of memory like the tolling of a funeral bell. Liberty Belle is dead. At the hands of a madman. A monster who is being kept alive merely to siphon off his radiation to power the upper classes and their decadent, wasteful lifestyles. While down here in the trenches people die. People are dying. My city is being torn apart. My friends - the ones I decided to reject when the chips were down - are out there fighting for their lives and the innocents caught in the crossfire. I am angry. So angry I can barely breathe, can barely form a coherent thought beyond the white-hot nova of rage exploding behind my eyes. It bubbles up from some dark, primal place deep in my core and it''s the most cleansing feeling in the world to flex my fingers and let it out. The world condenses down until all that remains is the psychopath in front of me and a target-rich environment behind her. "You''re gonna wish you stayed on the bench, meatbag," Pumice intones as Daisy makes a kissy face at me. I flip him off and he mock-gasps. The grin on Daisy''s face is a hideous, twisted thing, more a rictus of pure malice than any genuine expression of mirth. She leans forward, hands braced on Pumice''s rocky shoulders as she stares me down with those flat, dead eyes. "I know your secret, Samantha," she croons, her voice sing-song and mocking. "I know just how much you care about all these boring, stupid, powerless people." She makes a grand, sweeping gesture, taking in the entire scene of carnage and destruction with one dismissive wave of her hand. "That''s why I''m not giving you the chance to save anyone," she hisses, eyes glittering with cruel delight. Spindle staggers forward, one trembling hand outstretched in a gesture of desperate supplication. "Daisy, please," he begs, his voice cracking with emotion. "This isn''t what Patches would have wanted. She never meant for things to go this far," Deathgirl''s head snaps around, her features contorting into a mask of pure, seething rage. "Don''t you dare speak her name, traitor," she snarls, spittle flying from her lips. "You lost that right when you abandoned us." Pumice rumbles in assent, his stony visage twisted into a grimace of contempt. "Should have known better than to trust a spineless worm like you," he growls, cracking his knuckles with an ominous grinding sound. "You were never one of us." I reach back blindly, groping for Playback''s hand... but my fingers close on empty air. He''s gone, vanished into the chaos without a trace. Panic seizes me in an icy grip, my eyes darting frantically across the seething mass of bodies and rubble. A riot cop stumbles into view, his armor dented and splattered with gore. He levels his weapon at Pumice with shaking hands, screaming something that''s lost in the din. A case of literary theft: this tale is not rightfully on Amazon; if you see it, report the violation. "Oh, for fuck''s sake," my towering stone opponent mutters as he brushes the policeman aside with a contemptuous backhand, the armored body ragdolling off a slagged husk of a car. Daisy clears her throat loudly. "Anyway," she mimes a sniffle and pretends to wipe an imaginary tear from her eye. "Where were we?" I turn my full attention back to the two psychopaths, baring my teeth in a snarl of pure, focused rage. "You''re terrorists now, you know that right?" I hiss, each word dripping with venom. "Actual, literal terrorists. When I kick both your asses, you''re going away forever. Locked up in some deep, dark hole until the fucking sun burns out." Pumice snorts, a harsh, grating sound like boulders scraping together. "Big talk from a little girl who can barely stand," he rumbles, lips curling into a sneer. I can still feel the phantom pain of his granite fists breaking my ribs to splinters, the knives crammed through my skin. The memories don''t scare me. They enrage me. Daisy regards me for a long moment, head cocked to one side like a curious bird studying a particularly interesting insect. Then, slowly, she nods, a kind of bleak serenity settling over her features. "That''s just fine by me," she says softly, almost contemplatively. "I can die happy knowing I made the person who got Patches locked up fucking miserable. And getting to ruin this shithole world while I do it. That''s what Demon Lords do." Her words hit me like a physical blow, a spear of ice-cold fury lancing straight through my heart. Because that''s what this is really about, isn''t it? Revenge. Retribution for some imagined slight, some petty grievance blown up into a world-ending apocalypse inside her twisted little mind. My blood boils, my vision blurs. I can feel my teeth shifting and grinding in my gums, new ones punching up, fresh and razor-keen. An entire body''s worth of weapons. I don''t fight it. I embrace it. The change ripples through me in a wave of agony and ecstasy, every nerve ending singing with savage, feral joy. Serrated fangs burst from my knuckles, jagged and gleaming. Flat, triangular teeth curve out of my skin in sparse rows, a flexing carapace of organic scale mail - nothing as comprehensive as a shark''s denticles, but extra padding under the body-armor. Stiletto-like spikes of dense enamel protrude along my elbows and shins, each one tapering to a wicked, flesh-rending point, the longest nearly an inch long. I am a living blade, honed to murderous perfection by rage and pain. I open my mouth in a silent roar, my throat lined with recurved barbs like an anglerfish. I have never been this angry before in my life. Maybe I never will be again. It feels good. I take a step forward, tasting blood in my mouth, the screams around me turning into a hum of red static. Pumice shifts his stance, a low growl rumbling up from his barrel chest. Daisy''s pupils are huge and black, swallowing up the murky yellow of her irises. Movement in my peripheral vision. Playback is standing on an LRAD truck, using the loudspeaker as a makeshift platform. He has the microphone in one white-knuckled fist and the other hand pressed against the roof, fingers clenched so hard they tremble. His face is a mask of agony, blood gushing from his nose in twin crimson streamers as he sways on his feet. And then, all at once, everything goes dead silent. The screaming, the gunfire, the wail of sirens and the crackle of flames - all of it just... stops. Cut off like someone yanked the plug on the world''s most horrific surround-sound system. In the sudden, preternatural stillness, Playback''s voice rings out like a thunderclap. "I know the NSRA are evil!" he shouts, his words strained and shaking with effort. "But this has gone from a protest to the target of a terrorist attack!" He doubles over, coughing wetly, but forces himself upright through sheer force of will alone. He''s gripping the truck''s roll bar for support just to keep himself upright. "You all need to run!" he screams, flecks of bloody foam spraying from his lips. "Survive to protest another day! Please! I love y''all but you need to go!" For a single, eternal heartbeat, nobody moves. The entire world seems to hang suspended in amber, a snapshot of pure chaos frozen in time. Then, the sound turns back on. Daisy moves so fast she practically blurs, leaping down from Pumice''s shoulders like a feral cat. She jerks her chin at Playback, baring her teeth in a vicious grin. "Sic ''em, big guy," she orders, and Pumice obeys with a rumbling snarl of pure, bestial fury, charging across the square like a runaway freight train, carelessly wading through the crowd and throwing aside anyone even remotely in his way. I start forward instinctively, every muscle in my body clenched tight as a coiled spring... but Deathgirl is suddenly there in front of me, blocking my path. She cracks her knuckles with a series of muffled pops, that awful smile still plastered across her face. "Spindle!" I shout, but he''s already ahead of me, diving past Daisy and clattering around riot cops and fallen protestors to get to Playback before Pumice does. "Not so fast, Bloodhound," she purrs, eyes dancing with malicious glee. "I believe it''s time for some long-overdue payback between us girls." My lips skin back from my teeth in an animal snarl. The rage is a living thing inside me now, a searing wildfire roaring through my veins. It consumes me utterly, burning away all semblance of restraint or mercy until only the feral core of me remains. A part of me understands that I could die today. It''s freeing. The monster in little girl''s skin beckons me forward with a mocking curl of her fingers, an open taunt. "Come on then, bitch," she hisses, pupils blown wide with eagerness. "Let''s dance." IF.4 The world outside the courtroom is a cacophony of chaos, a discordant symphony of screams and shattering glass, punctuated by the staccato pop of gunfire and the thudding bass of distant explosions. It''s a familiar refrain, one I''ve heard echoing through the streets of countless cities over the years, though never quite so close, never with such visceral immediacy. I sit motionless within the confines of my containment suit, the heavy ceramic plating and lead-lined joints creaking softly with each measured breath. The suit is as much a part of me now as my own skin, a second exoskeleton that simultaneously protects and imprisons. It''s a strange dichotomy, one I''ve long since grown accustomed to--the way it shields the world from the lethal energies that pour unceasingly from my body, even as it isolates me from any semblance of human connection. The courtroom has become a makeshift bunker, a fragile bastion against the madness raging just beyond the walls. Witnesses and observers huddle together in small, fearful clusters, their eyes wide and haunted in the flickering emergency lighting. Even the judge, normally an imposing figure of authority perched high on his bench, seems diminished somehow, his robes hanging loosely from stooped shoulders as he confers in hushed tones with the bailiffs. Mrs. Gibson and Mr. Caldwell, the attorneys who have been so doggedly arguing my case, now stand side by side, united in their shared concern for the safety of those under their charge. They move among the frightened civilians, offering words of reassurance and directing the court officers in erecting improvised barricades. But it''s the young man in the corner who draws my attention, the one they call Crossroads. He sits cross-legged on the floor, eyes closed in concentration, a silver dollar dancing across the knuckles of his right hand in a blur of motion. Every 15 seconds or so, he flips the coin and catches it, his eyes snap open, pupils blown wide as he stares into some unseen distance. Then, just as quickly, they flutter shut again, the coin never ceasing its mesmerizing dance. A sudden thought strikes me, a jagged bolt of worry that pierces through the fog of my own introspection. I lean forward, the servos in my suit whirring softly with the motion, and raise my voice to be heard over the din. "Is Miss Bloodhound out there?" I ask, my words precise and measured, betraying none of the anxiety churning in my gut. "The girl. Is she fighting?" Crossroads'' eyes snap open, locking onto mine with an intensity that borders on the unsettling. He gives a single, curt nod. "She is." Something twists inside me, a knot of emotions I can''t quite untangle. Worry, certainly, for the safety of this brave, idealistic child who somehow sees more in me than the monster I''ve become. A touch of guilt, perhaps, that she''s out there risking her life while I sit here, safe and protected. And underneath it all, a flicker of something I haven''t allowed myself to feel in a long, long time. Hope. I''m on my feet before I even fully register the decision, my suit hydraulics hissing as they propel me upward. Heads turn my way, eyes widening in surprise and no small amount of fear. I can''t blame them, really. Even here, in a room filled with those who have seen the darkest depths of human (and superhuman) nature, I am an outsider. A specter of death and destruction, wrapped in layers of metal and ceramic. "I have to help," I say, my voice sounding hollow and metallic even to my own ears. "I cannot sit idly by while others suffer. Not anymore." Crossroads is already shaking his head, a look of pained understanding etched across his youthful features. He rises to his feet in one smooth motion, the coin finally stilling in his grasp. "You can''t," he says softly, his words heavy with a sorrowful certainty. "The girl leading the attack, Daisy Zhen. Her power allows her to duplicate the abilities of whoever she''s angriest at." He takes a step closer, his gaze boring into the opaque faceplate of my helmet. "If you go out there, if you try to fight, she will copy your powers and multiply them, with no containment suit. I can see it already. She will become a walking nuclear meltdown in the heart of the city. Everyone will die." Love what you''re reading? Discover and support the author on the platform they originally published on. A murmur ripples through the assembled civilians, a susurrus of fear and dawning horror. I can feel their eyes upon me, feel the weight of their terrified realization. I am not just a threat to myself, but to everyone around me. My very presence is a danger, a ticking time bomb waiting to unleash unimaginable devastation. "Everyone present?" I ask. "Everyone in Philadelphia," he says, and my blood runs cold. "Whatever happens, we cannot let you and Daisy come into contact. Ever." "He''s right," Mr. Caldwell chimes in, his voice calm and steady despite the tightness around his eyes. "We can''t afford to escalate the situation. The risks are too high." Beside him, Mrs. Gibson nods grimly. "The authorities have been notified. Reinforcements are on the way. We just need to hold out until they arrive." She glances my way, her expression unreadable. "We''ll need you, Illya. But not how you think. The people in here are going to need someone with your... capabilities, if things go south." I understand the unspoken implication, the grim practicality of his words. If the worst comes to pass, if the fragile sanctuary of this courtroom is breached... my suit, my powers, may be the only thing standing between these people and a swift, brutal end. Slowly, ponderously, I lower myself back into my seat, the metal frame groaning under the weight of my suit. Crossroads watches me, his expression a mix of sympathy and steely resolve. "She''s strong," he says quietly. "Stronger than she knows. She''ll make it through this." He doesn''t say the words, but I can hear them echoing in the silence nonetheless. She has to. Strangely, that''s what it took to bring me crashing back to reality, for the true horror of the moment to hit me. Samantha Small is out there, a child, fighting for her life. For the lives of all these people huddled within this room. For a city that''s descending into the mouth of Hell itself. In a sort of calm, methodical way, I want to scream. I want to howl my rage at the indifferent stars until my reinforced voicebox buckles and shorts out in an arc of electrodes and burnt plastic. I was supposed to be better than this. I was supposed to be different. I can feel Samantha''s wide, earnest eyes locked on my own even now, months ago on a battlefield, days ago in a courtroom, boring through layer and layer and layer of lead and loneliness and piercing, unerringly, into the seared black void that pretends at being my soul. There is no fear in that gaze. Perhaps there never was. I was a desperate man once, desperate to survive, to return to his family. Then I was a man without hope, a shambling husk animated only by animal desperation and a savage will-to-live. And now, now I sit, pondering. Weighing the frail promise of forgiveness and peace against the screaming chaos just beyond the courtroom walls, the chaos this tired frail thing that once called itself Illya Feodorov would make so much worse. My head bows. I can almost smell the ozone washing off my own body under the thick layers of my suit, taste the cancer on my tongue every time I breathe through an unfiltered mouth. The world is awash with color in my mind''s eye, a riot of deadly spectra - gamma and visible glaring teal and pink off surfaces, infrared pulsing murky orange from the breathing, living things around me, an ocean of invisible radiation shimmering in my mind''s eye. X-ray shows only the faintest bones behind the lead that lines my viewport, ultraviolet is choked off in a courtroom with no windows. But there is something new there, in all the death I breathe in and out. A solitary speck of cobalt blue light before my unseeing eyes, as harsh and crystalline and pure as the driven snow... or perhaps a schoolgirl''s conscience. It begins to move and I realize - it''s a coin, flipping slowly through the air before me, tracing a lazy arc to land in the slender hand of Crossroads. He shoots me a grim smile. A spark of trust in tired eyes. And I understand. Without another word. The only language that holds meaning here is the grit of bodies on a flagstone floor, teeth gritting and pulses pounding, breath held tight in throats and young children with wicked scars bracing themselves for the end. I add what comfort I can. This fortress is not under siege. One half of the two that keep it so sits right here. Here is hope and purpose and plan. My right hand unclenches and rises out to a perfect ninety-degree angle before my body - as if reaching for something beyond the horizon. I clasp my hands in silence, letting my suit''s servos do the work my emaciated muscles will not. I claw for memories of what I learned for my daughter, of the words I whispered in the candlelight of a shadowed room a world away, while riot gas foams between the flagstones outside. Softly, my synthesizers hiss and spit and struggle to produce the faintest ghost of a whisper, unable to pick up on such subtle vocalizations. "Hashkiveinu Adonai Eloheinu, l''shalom v''ha''amideinu malkeinu l''khayim tovim ul''shalom uf''ros aleinu sukat sh''lomekha v''takneinu b''eitzah tovah milfane''kha v''hoshi''einu m''heirah l''ma''an sh''mekha." And protect our daughter tonight. Tonight. Tonight. Stay safe, child. Stay safe out there in the dark. Chapter 98.1 I don''t hesitate. I launch myself at Deathgirl with a wordless roar of fury, my vision narrowing to a single point of laser focus. The world falls away until there is nothing left but her, me, and the white-hot rage burning in my core. Deathgirl meets my charge with a savage grin, her small fist sprouting a bristling cluster of jagged tooth-spikes as she swings a vicious haymaker at my head. I throw my left arm up just in time, feeling the spikes scrape across my armor with a screech of metal on bone. Gritting my teeth, I snap my right leg out in a low kick, aiming for the nerve cluster on the outer side of her thigh. The strike connects with a meaty thud, and Deathgirl''s leg buckles slightly, throwing her off balance. She snarls like a rabid animal, retaliating with a wild backhand. The tooth-spikes extending from her knuckles glint in the sunlight, a macabre imitation of a cestus. I duck under the swing, feeling the rush of displaced air against my scalp. Surging back up, I drive my right fist forward in a straight punch, every ounce of my considerable strength behind it. Knuckle meets jaw with a sickening crack, and Deathgirl''s head snaps back, the force of the blow sending her staggering backward. She teeters at the top of the courthouse steps, arms windmilling for balance. For a single, breathless moment, I think she might go tumbling down the unforgiving concrete. But she catches herself at the last second, fingers scrabbling for purchase against the handrail. "Not bad, Bloodhound," she spits, wiping a trickle of blood from the corner of her mouth. "Looks like someone''s been practicing since our last dance." I bare my teeth in a humorless grin, my breath coming in harsh pants. "I''m full of surprises." Deathgirl laughs, a jagged sound like shattering glass. "So am I, sweetheart. So am I." And then she''s coming at me again, a whirlwind of gnashing teeth and slashing claws. I meet her head-on, my own fists sprouting fresh rows of fangs. We collide in a furious tangle of flailing limbs and snapping jaws, all semblance of technique or strategy abandoned in favor of raw, animalistic savagery. I land a solid elbow to her temple, feeling the crunch of cartilage. She rakes her spiked knuckles across my shoulder, leaving burning lines of agony in their wake. We exchange a flurry of punishing body blows, neither of us willing to yield an inch. My lungs are screaming for air, my muscles burning with fatigue, not just from the day''s events but the dozen injuries that have been there already. I push through it, drawing on reserves of strength I didn''t know I possessed. Kate''s face flashes through my mind, twisted with bitter resentment. Jamila, eyes shining with unshed tears as she walks away from me. No. Not now. I shake my head violently, banishing the unwanted memories. I can''t afford distractions, not with Deathgirl coming at me like a pint-sized berserker. I need to focus, find an opening, end this fight before we''re both too exhausted to defend ourselves against the aftermath of her heinous attack. Easier said than done. Deathgirl is relentless, a miniature engine of destruction that just won''t quit. Every time I think I''ve got her on the ropes, she comes surging back with redoubled ferocity. It''s like trying to fight a hurricane, all howling fury and implacable momentum. I take a step back, trying to create some space to catch my breath. But my foot finds only empty air behind me, and I realize with a sudden lurch of my stomach that I''ve reached the top of the courthouse steps. Deathgirl sees it too, her eyes lighting up with vicious glee. She lunges forward, sensing weakness, her spiked hands outstretched like claws ready to tear me limb from limb. I brace myself, preparing to meet her head-on... but at the last second, I pivot to the side, grabbing onto the handrail to swing under it like a chimpanzee, letting her momentum carry her past me. She stumbles, thrown off balance by the unexpected move. This tale has been unlawfully lifted from Royal Road; report any instances of this story if found elsewhere. I don''t hesitate. Planting my forearm against the small of her back, I clothesline with all my remaining strength, sending her tumbling down the steps in an ungainly sprawl of flailing limbs. She bounces and skids, fetching up against the concrete wall at the bottom with a bone-jarring thud. Slowly, agonizingly, she pushes herself upright, swaying drunkenly on her feet. Her face is a mess of blood and bruises, her clothing torn and stained. Her eyes are alight with a terrible, feverish madness, lips drawn back in a skull-like rictus grin. She stares up at me, something dark and hungry in her gaze, and shimmies her way up, one step followed by another, toothy spikes ripping through her hoodie like it''s made of tissue paper. "Is that all you''ve got, Bloodhound?" she rasps, her voice a sandpaper rasp. "I''m just getting started." Darkness begins to creep in at the edges of my vision, my body trembling with exhaustion. Every breath is a knife in my lungs, every heartbeat a sledgehammer against my ribs. My body isn''t ready for a fight of this caliber, not after the rumble with Pumice and the man at LOVE Park. I''m not sure how much longer I can keep this up. But I have to try. For Playback. For the protestors. For everyone counting on me. I steady myself with a shaking hand against the cracked concrete, forcing my battered body into a fighting stance once more. Fresh fangs push through my torn knuckles, agony and determination mingled. "Come on then," I whisper, more to myself than to her. "One more round." And then I''m launching myself down the steps with a wordless battle cry, ready to meet my fate head-on, come what may. The world narrows to a claustrophobic tunnel of concrete and pain as Deathgirl and I tumble down the stairs in a tangle of flailing limbs. She slips off the middle step, her feet sliding out from under her, and we go crashing down together, a snarling, clawing mass of fury. She catches herself on the handrail after three bone-jarring impacts, jagged fingers ripping into the concrete like it''s made of flesh. I try to press my advantage, diving at her with hands outstretched, ready to grab her by the collar and slam her into submission. But she''s too quick, wrenching herself free with a twist of her shoulders. Her hands are a blur of motion, spiked fingertips slashing at my face in wild, frenzied arcs. I reel back, retreating up a step to avoid the flurry of blows. Gritting my teeth, I lash out with a kick, aiming for her right knee. But she''s already moving, twisting to the side like a snake, and my foot glances off her shin instead. She lunges forward with a wordless snarl, driving her shoulder into my midsection. The impact slams me back against the concrete wall beside the stairs, driving the air from my lungs in a whoosh. Spots dance in my vision, but I force myself to focus, grappling for position. My left hand finds a fistful of her hair, and I yank her head down, smashing my right elbow into the back of her neck with all my strength. She yelps in pain, but it doesn''t slow her down. Her jaws snap shut on my right bicep, the spike-like teeth puncturing through my armor and into the flesh beneath. Agony lances up my arm, hot and bright. A scream builds in my throat, but I choke it back, slamming my left palm into her chin instead. Her teeth tear free with a sickening squelch, and I grab her by the front of her hoodie, swinging her hard into the concrete wall, ripping her crown loose with a splatter of blood and teeth. She hits with a crunch, her eyes going glassy for a moment. I use the brief respite to stagger onto the landing area at the top of the stairs, my chest heaving as I suck in desperate gulps of air. But Deathgirl is already recovering, shaking her head like a dog shedding water. She stalks onto the landing to face me, her face bloodied and swelling. Blood drips steadily from the ragged bite wound on my arm, splattering the concrete at my feet. I feel my body already straining to put itself back together, feel the head-rush of adrenaline. We circle each other warily, two predators sizing up their prey. Then, as if by some unspoken signal, we clash again in a whirlwind of violence. I land a solid left jab to her nose, feeling the crunch of cartilage. Follow it up with a right cross to her cheek, snapping her head to the side. But she just absorbs the blows, her eyes burning with murder. She fires back with a vicious right uppercut, her spiked knuckles raking across my jaw. Pain explodes in my face, hot blood coursing down my chin. But I push through it, grabbing her extended right arm. Planting my feet, I pivot hard to the side, using her own momentum against her. An aikido shoulder throw, one of the first moves I ever learned. Deathgirl goes flying, slamming into one of the metal bollards lining the edge of the sidewalk. The post dents under the impact, and she crumples to the ground, gasping for breath. But even as I move in to press my advantage, she''s lashing out with her left hand, tooth-spikes extending in a blur of hellish growth and imitation. They puncture deep into my right thigh, a white-hot lance of agony that brings me to my knees. I scream through clenched teeth, feeling the spikes scrape against bone as Deathgirl wrenches her hand free. The world swims before my eyes, going grey at the edges. I can feel my consciousness threatening to slip away, the siren song of oblivion whispering seductively in my ear. Somehow, I force myself back to my feet, swaying drunkenly as I face Deathgirl once more. She''s grinning at me, a monkey-like grimace stretching her blood-smeared features. "Just give up, Bloodhound," she rasps, her voice a guttural snarl. "Lie down and die like a good little girl." No. No. NO! Chapter 98.2 I bare my teeth in a defiant grimace, fresh spikes pushing through the skin of my knuckles. "Not today, bitch." The rips and tears in my thigh send waves of searing agony coursing through my body with every movement, but I grit my teeth and push through the pain. I can''t let it consume me, can''t let it be the end of me. Not here, not now. Not with so much at stake. Seizing the moment of contact, I drop my weight and lunge forward, wrapping my arms around Deathgirl''s waist in a desperate double-leg takedown. We hit the ground hard, the impact driving the air from our lungs in twin grunts of pain. I use the momentum to force her onto her back, the unyielding concrete offering no respite beneath us. "Got you now, you little psycho," I snarl, trying to ignore the way my voice wavers with exhaustion and pain. Deathgirl just laughs, a manic giggle that borders on hysteria. "You think so, Bloodhound? You really think you''ve won?" She bucks and writhes beneath me, her small body twisting like a snake. "I''m just getting started!" I slide my right arm under her neck, trying to secure a rear-naked choke. My left hand pushes down on her face, attempting to turn her head and cut off the blood flow to her brain. If I can just render her unconscious, put an end to this... But Deathgirl is relentless, thrashing with a strength born of desperation and insanity. The tooth-spikes protruding from her hands and arms rake across my sides and back, while her chest digs into mine, bearing teeth of its own, shredding through my armor like paper and leaving bloody furrows in their wake. The pain is excruciating. It''s like nothing I''ve felt before except that one time my eyes nearly got set on fire. But this is way more. "Hurts, doesn''t it?" Deathgirl hisses, her voice a manic rasp. "I''m going to carve you up, Bloodhound. Peel the skin from your bones and make you watch as I do the same to everyone else in this shithole city!" A surge of rage and disgust rises up in me, momentarily eclipsing the pain. "Shut your mouth," I growl, tightening my grip on her neck. "You''re not going to hurt anyone else, you hear me? This ends now!" But even as I say it, I can feel my hold beginning to slip, my muscles screaming in protest as Deathgirl''s struggles grow more frenzied. The choke hold loosens, my strength failing me, and I''m forced to release her and roll away to avoid a vicious swipe at my eyes, one that catches me by the helmet and rips my lower jawpiece out, sending it careening off to the side. We scramble to our feet, facing each other once more across a distance of mere feet. Both of us are panting, our chests heaving with exertion. Blood drips steadily from my countless wounds, pattering onto the concrete like a macabre rain. Deathgirl is no better off, her skin a patchwork of gashes and punctures, the tooth-spikes that once bristled from her flesh now receding, leaving ragged, bloody holes behind. For a long moment, we simply stare at each other, our eyes locked in a silent battle of wills. I can see the madness swirling in Deathgirl''s gaze, a fathomless abyss of rage and pain and hate. But beneath it, buried so deep I almost miss it, there''s something else. Something small and frightened and achingly human. "Daisy," I say, my voice barely above a whisper. "Daisy, listen to me. It doesn''t have to be like this. We can end this, right here, right now. Just... just give up. Please." If you encounter this narrative on Amazon, note that it''s taken without the author''s consent. Report it. "My name," she snarls, "is Deathgirl!" And then she''s charging at me again, her spiked hands extended like claws, a howl of rage tearing itself from her throat. I meet her halfway, lashing out with a low kick to her right shin. The impact sends shockwaves up my own leg, but I grit my teeth and push through it, following up with a quick left elbow strike to the side of her head. She staggers, her eyes going unfocused for a moment, but it''s not enough. It''s never enough. We trade blows back and forth, a brutal exchange of punches and kicks and slashes that leaves us both reeling. My regeneration is working overtime, trying to knit together the countless wounds that crisscross my body, but it''s a losing battle. I can feel myself slowing, my reactions dulling as exhaustion and blood loss take their toll. There''s only so much injury it can compensate for. Deathgirl looks little better, her movements growing sluggish and uncoordinated. The manic grin that once seemed permanently etched onto her face is gone, replaced by a grimace of pain and fury. She lashes out at me again and again, but her strikes lack the power and precision they once held. Even with her souped-up imitation of my own regeneration, it''s nothing like Patches. We''re both running on fumes now, our bodies pushed far beyond their limits. Every breath is agony, every movement a herculean effort. But still we fight on, neither of us willing to yield. In a last, desperate gambit, I launch myself at Deathgirl, aiming to tackle her to the ground once more. She tries to dodge, but her reactions are too slow, her body too battered to respond. We collide with a meaty thud, our limbs tangling together as we go down in a heap. The impact sends us careening into the courthouse doors, the reinforced glass shattering beneath our combined weight. Deathgirl''s back slams against the cracked panes, a spiderweb of fissures spreading outward from the point of impact. We slide to the ground, our bodies intertwined, a tangle of blood and sweat and pain. I try to wrap my arms around her in a controlling embrace, seeking to immobilize her thrashing form. But she pushes at me weakly, bloodied fingers clawing at my face in a last, desperate attempt to break free. "I hate you," she sobs, hot tears mixing with the blood and grime on her face. "I hate you so much!" I say nothing, my jaw clenched so tight I fear my teeth might shatter. There''s nothing left to say, no words that can bridge the gulf between us. There is only the fight, the desperate struggle to survive. We lay there in the shattered remnants of the courthouse doors, our blood mingling on the cracked concrete. The world narrows to the sound of our labored breathing, the thud of our faltering heartbeats. Seconds stretch into eternity as we grapple weakly, neither of us possessing the strength to gain the upper hand. But even now, with both of us teetering on the brink of oblivion, I can feel Deathgirl''s struggles growing more frantic, more uncoordinated. She pounds her small fists against my chest and shoulders, but the impacts are feeble, lacking the power and fury of before. It''s almost over now. One way or another, this fight is drawing to a close. And as I hold onto Deathgirl with the last of my fading strength, I can only pray that when the dust settles, I''ll still be the one left standing. We''re a tangled mess of blood and pain, our bodies so intertwined it''s hard to tell where one of us ends and the other begins. Deathgirl''s struggles grow more frantic with each passing second, but they''re also becoming increasingly uncoordinated, her small fists pounding against my chest and shoulders with all the force of a kitten''s swipes. Just as painful, too, with the many spikes emerging from her body trying to rip into me, but I''ve got armor and she''s got a hoodie. "Why won''t you just die?" she screams, her voice cracking with equal parts frustration and despair. Tears stream down her face, cutting through the caked blood and grime, but they do nothing to quench the mad fire burning in her eyes. "Why won''t you let me win?" I don''t answer, gritting my teeth as I tighten my grip on her flailing form. With a burst of effort, I manage to wrap my legs around her waist, pinning her lower body in place. My hands find her wrists, slamming them down against the cracked glass of the courthouse doors and holding them there with every ounce of my fading strength. "It''s over, Daisy," I pant, my voice rough with exhaustion and pain. "You can''t win this. Not anymore." But Deathgirl just sobs, shaking her head frantically from side to side. "No, no, no! I have to win! I have to!" She tries to headbutt me, but the attack is weak and misses, her forehead glancing off my chin. "Just let me win!" Chapter 98.3 For a moment, I think she''s going to keep fighting, keep struggling until one or both of us slips into unconsciousness. But then something shifts in her eyes, the manic light dimming as pain and blood loss take their toll. Her movements become erratic, uncoordinated, her limbs twitching and jerking like an undervolted baby''s toy. "Where''s my Mama?" she whimpers, her voice small and lost. "Papa. Where are you? I''m so tired. I''m tired. Please. Just let me WIN!" My heart clenches at the words, a sudden swell of pity rising up in my chest. In that moment, she doesn''t look like a monster or a villain. She just looks like a child, small and frightened and alone. But I push the feeling down, locking it away in the same place I keep all the other painful things I can''t afford to dwell on. There will be time for sympathy later, time to unpack the tangled knot of emotions this fight has stirred up in me. But not now. Not yet. Right now, she''s still a little psychopath who needs to be prevented from hurting other people. Right now, she needs to be stopped. Because right now, I have a job to do. With a final, herculean effort, I pin Deathgirl''s thrashing form to the ground, using my greater size and weight to keep her immobilized. She bucks and writhes beneath me, but her strength is all but gone, sapped away by pain and exhaustion. Even if she''s healing faster than me, it doesn''t mean anything if she can''t muster the willpower. It''s only then, as the adrenaline begins to fade and the world starts to come back into focus, that I realize just how much blood there is. It''s everywhere, coating our skin, soaking into our clothes, pooling on the cracked concrete around us. The coppery scent of it fills my nostrils, so thick I can almost taste it on my tongue. I''m drenched in it from head to toe, my costume a gory ruin of ripped fabric and torn kevlar. The only part of me that''s even remotely clean is my face, protected by the now badly dented and scratched helmet, although my wig is torn into tatters and the lower half of my face is coated in blood. Deathgirl is in even worse shape, her small body practically dyed crimson. It mats her hair, stains her teeth, seeps from a hundred different wounds. For a moment I''m amazed she''s even still conscious, still drawing breath. Especially with those slams she''s taken. But even that is fading now, her struggles growing weaker and weaker with each passing second. Her eyes flutter closed, then open again, unfocused and glazed with pain. "I''m sorry," she whispers, her voice so faint I can barely hear it over the hammering of my own heartbeat. "I''m sorry, I''m sorry, I''m sorry." I don''t know who she''s apologizing to. Her parents, maybe. Or the people she''s hurt, the lives she''s ruined. Maybe even to me. In the end, it doesn''t matter. Because as I kneel there amidst the wreckage of our battle, both of us broken and bleeding and utterly spent, I know one thing with absolute certainty - this fight is over. And somehow, against all odds, I''m the one left standing. I hold onto Deathgirl with the last of my fading strength, my arms wrapped around her small, battered form in an unbreakable embrace. She struggles limply against me, her movements weak and uncoordinated, little more than feeble twitches and jerks. But still, she fights on, even now, even with the both of us so far beyond our limits that every breath is agony. Enjoying the story? Show your support by reading it on the official site. "Shh," I murmur, my voice a ragged whisper. "It''s over, Daisy. It''s over. You can rest now." But she just whimpers in response, a small, broken sound that tears at my heart. "No, no, no," she mumbles, her words slurred and barely coherent. "I can''t... I can''t lose. Not again. Not again." I hold her tighter, ignoring the way my muscles scream in protest, the way her spikes, duller and lesser in number with each second, keep trying to pry into me. Like a hedgehog being hugged. "You fought well," I tell her, and I mean it. "You fought so hard. But it''s time to stop now. It''s time to let go." I don''t put my forearm on her neck, although the desire is there. There''s simply nothing left for her to use. Regeneration can only take you so far - I know that by heart. Slowly, so slowly, I feel the tension begin to drain from her body. Her struggles grow weaker and weaker, until finally, they cease altogether. She goes limp in my arms, her head lolling against the floor, her eyes fluttering closed. For a moment, I just kneel there, holding her, listening to the ragged sound of our breathing. The pain is a distant thing now, a dull, throbbing ache that seems to come from everywhere and nowhere all at once. I know I should move, should secure Deathgirl and go help the others. But I can''t seem to make my body obey, can''t seem to summon the strength to do anything but sit there and bleed. It''s only when I hear the crackle of a radio, the tinny sound of voices calling my name somewhere in my belt, that I finally force myself into action. With hands that shake from fatigue and blood loss, I reach into a pouch on my belt and pull out a set of heavy-duty zip ties. I triple-tie Deathgirl''s wrists and ankles, making sure the restraints are tight enough to hold even if she wakes up and starts struggling again. It''s a difficult task, my fingers slick and clumsy with gore, but I grit my teeth and push through it, focusing on the simple, repetitive motions. When it''s done, I allow myself a moment to slump back against the shattered remains of the courthouse doors, my breath coming in harsh, ragged gasps. Every part of me hurts, from the top of my head to the soles of my feet. But as I look down at Deathgirl''s restrained form, I feel a flicker of something like triumph beneath the pain. I did it. I won. Against all odds, against an opponent who was faster and stronger and more ruthless than me in every way, I came out on top. But even as I think it, I know it''s not the whole truth. Because if I''m being honest with myself, I know that it wasn''t just my skills or my training that made the difference in this fight. It was my armor, my helmet, my steadfast refusal to give in, even when every instinct was screaming at me to lay down and die. It was the simple, stubborn fact of my size, the weight and strength of my body, which could take blows that would have shattered Deathgirl''s smaller form. And in the end, perhaps most importantly, it was the fact that I had something to fight for beyond myself. I had people counting on me, people I loved, people I''d sworn to protect. Deathgirl... she had none of that. She was alone, lost in a maelstrom of pain and rage and bitter, desperate loneliness. In a strange way, I almost pity her. With a groan of effort, I force myself to my feet, swaying drunkenly as the world tilts and spins around me. My head is pounding, my vision blurry and doubled, but I grit my teeth and push through it, focusing on the task at hand. I key my radio, my voice a ragged croak. "This is Bloodhound. Deathgirl is down and secured at the courthouse steps. I need a containment team here ASAP. I have to move on to support rescue efforts." There''s a crackle of static, then a voice I don''t recognize responds. "Copy that, Bloodhound. Containment team is en route. ETA three minutes." I let my hand fall from my ear, too tired to even acknowledge the response. Three minutes. That''s how long I have to rest, to gather what little strength I have left. It''s not enough. It''s not nearly enough. But it''ll have to do. Because as much as I want to collapse, to let the blessed darkness take me away from the pain and the exhaustion, I know I can''t. Not yet. Not while there are still people out there who need my help. So I take one last look at Deathgirl''s unconscious form, making sure the restraints are secure. And then, with a supreme effort of will, I turn and limp across the blood-spattered steps of the courthouse, keeping myself hoisted by the handrail, moving deeper into the disaster. DH.1.1 The streets are a mess, blood and debris everywhere. Sirens wailing, people screaming. It''s like a warzone out here, and we''re standing right in the middle of it. I''m stuffing a piece of my torn costume up my nose, trying to stop the bleeding. Burst a vessel stealing all that sound earlier. Hurts like hell, but no time to worry about that now. Pumice emerges from the smoke like some kinda horror movie monster, cracking his knuckles and grinning like he just won the lottery. "Well, well, if it isn''t the traitor and the wannabe hero," he sneers, his eyes fixed on Spindle. "Guess it''s my lucky day. I get to teach both of you a lesson." I glance at Spindle, and he looks back at me. We don''t need words to know what we gotta do. "Hey, Pumice!" I call out, trying to draw his attention. "Didn''t anyone ever tell you it''s rude to crash a party without an invitation?" Pumice snorts. "Invitation? I''m here to shut this party down, permanently." I focus, reaching out with my power, and snatch the sound of a nearby car alarm. Then, with a flick of my mind, I play it back behind Pumice, hoping to spook him. But Pumice just laughs. "You think a little noise is gonna scare me? I''m made of stone, nigga. And I got bigger fish to fry." He turns, scanning the street, and I realize with a sinking feeling what he''s looking for. "Body count competition. No time for car alarms." Hell no. Not on my watch. I concentrate, gathering up all the crowd noise I stole earlier. It''s a jumble of screams, cries, and panicked shouts. I compress it, shaping it into a single, focused burst of sound, like pulling drawstrings together in my mind. It feels like tugging on a cat by the tail. Then, I unleash it right in Pumice''s ears. The effect is immediate. Pumice staggers, clutching at his head. It''s loud, painfully so, and for a moment, I think it might actually take him down. But he recovers quickly, shaking his head like a dog shedding water. "That all you got?" he growls, turning back to us. Spindle moves, his body contorting in ways that make my joints ache just looking at him. He''s on Pumice in a heartbeat, wrapping his long limbs around the stone man''s arm, locking it in place. For a second, it looks like it might work. But Pumice just reaches over with his free hand, grabs Spindle by the scruff of his neck, and tosses him away like a rag doll. I wince as Spindle slams into a parked car, but the flexible freak just twists in midair, absorbing the impact. He''s back on his feet in an instant, ready for more. "Hey, rock head!" I shout, trying to buy Spindle some time. "Bet you can''t hit me with those slow-ass swings of yours!" Pumice snarls, his attention snapping back to me. "Oh, I''m gonna enjoy shutting your mouth, you little pest." And that''s my cue. I charge in, baton out, aiming for Pumice''s knees and elbows. I''m hoping to find a weak spot, something to bring this walking statue down. But it''s like hitting a brick wall. Pumice swings at me, a massive fist whistling through the air. I barely manage to duck under it, feeling the wind of its passage ruffle my hat. I dart around him, striking at his back, his sides, anywhere I can reach. But it''s like trying to chip away at a mountain with a toothpick. My baton feels like it''s denting itself more than it''s putting any dents in him. Spindle''s back in the fight, leaping onto Pumice''s back like a deranged monkey. He wraps his arms around the big man''s mouth, squeezing for all he''s worth, cramming his fingers down his throat like a bullimic. For a moment, it seems to be working. Pumice gags, his stone hands scrabbling at Spindle''s arms. But then he gets a grip, and with a roar, he reaches back, seizes Spindle by the head, and hurls him over his shoulder. This story originates from a different website. Ensure the author gets the support they deserve by reading it there. Spindle hits the pavement hard, and I swear I hear something crack. But he''s up again in a second, rolling to his feet with a pained grimace. "This brother''s tougher than a two-dollar steak," I mutter, circling around for another pass. "Yeah, and about as smart as one, too," Spindle quips back, his voice strained. "Don''t underestimate him," I warn. "You don''t know him like I do, newbie." We regroup, panting, watching Pumice warily. I try a few more hit-and-run tactics, using my speed to dart in, land a blow, and then dance away before Pumice can retaliate. But it''s like trying to wear down a glacier with a hair dryer. Spindle''s not having much luck either. His contortionist tricks are keeping him out of Pumice''s grasp, but his strikes seem to be having about as much effect as mine. "Come on, nigga. I''ll turn your ass into a fucking chopped cheese, just stand still for a sec and I''ll make it quick," Pumice taunts, cracking his knuckles and rolling his neck until it pops with a sound like cherry bombs going off. "We need a new plan," I hiss to Spindle as we circle around Pumice, looking for an opening. "I''m open to suggestions," Spindle grunts back, narrowly avoiding another swipe from Pumice''s stone fists. "I''ve got nothin," I admit, ducking back from another fist. "Swing back, nigga! I''ll grate you like parmesan!" Pumice roars, beating his chest like a gorilla. "Pussy bitch." "You mouth off to the ladies like this too, or am I special?" I ask, scooting backwards, close to a bollard on the road. He grabs a chunk of rock from the road and flings it at me hard enough that I can barely see it coming. I raise my arms to cover my face and it bounces off, probably fracturing a bone or two even through my armguards. I grit my teeth. I''m not like Sam. "You know I keep it special for you, D-dog. Just for you." The stench of blood and smoke hangs heavy in the air, mixing with the acrid tang of fear. It''s a familiar scent, one I''ve come to associate with the worst days on the job. And today? It''s shaping up to be a contender for the top spot. I try a new trick, focusing on Pumice himself. I mark every sound he makes - his heavy footsteps, the grinding of his stone joints, even the rasp of his breath - and steal them all, leaving him in a bubble of eerie silence. It works, sort of. Pumice''s movements become erratic, his punches wilder. Without the auditory feedback, combined with his already numbed sense of touch, he can''t seem to judge his own strength or aim. I know you, Joseph. We''re familiar with each other. "What''s the matter, nigga?" I taunt, my voice sounding strangely flat in the absence of Pumice''s noise. "Feeling a little off-balance?" Spindle looks at me with a scrunched up face like he just tasted a lemon. "White guilt talk later, man. Priorities" I tell him, and his face unscrunches. This is why I keep that shit on lockdown, damnit. "Right, sorry," he mumbles, squaring up behind me. Pumice snarls, his lips moving, but no sound emerges. It''s like watching a silent movie, except the monster is very, very real. Spindle seizes the opportunity, contorting around Pumice''s flailing fists. He tries some tai chi bullshit that looks like he''s trying to strike at pressure points, but it''s like pissing in the wind for all the good it does this wildfire. It''s like trying to perform acupuncture on a boulder. Pumice''s skin is just too tough, too dense. Spindle''s knuckles fold up on him like a cartoon character. And then, disaster. Pumice''s wild swing connects, a boulder of a fist slamming into Spindle''s chest. He goes flying, his body twisting in a way that would make a pretzel wince. He crashes into a nearby tree, his flexible form wrapping around the trunk like a rubber band. The sound of the impact is sickening, even without Pumice''s audio. I can feel it in my bones, a dull, meaty thud that promises bruises and broken ribs. "Spindle!" I yell, my voice raw with fear and fury. I charge at Pumice, leaping onto his back like a monkey hopped up on pixie sticks. I wrap my baton around his throat, trying to choke him out. But it''s like trying to strangle a statue. Pumice''s neck is as unyielding as the rest of him, a pillar of solid rock. He reaches back, his stone fingers scrabbling at my collar. He gets a grip, and suddenly, the world is upside down. I have a brief, dizzying impression of the sky, the ground, the sky again - and then I''m slammed into the pavement with enough force to rattle my teeth. Stars explode across my vision, and for a moment, I can''t breathe, can''t think, can''t do anything but lie there and gasp like a fish on dry land. Spindle untangles himself from the tree, his movements pained and slow. But he''s still in the fight, still pushing forward. He limps over to Pumice, grabbing the big man''s arm, trying to hyperextend the elbow. Good man. Rampart''s been training you well. He''d be proud of you. It''s a good move, one that would snap a normal person''s arm like a twig. But Pumice isn''t normal. He just swings his arm, using Spindle''s own grip against him. Spindle goes flying, a lanky projectile in a fluttering quarter-cape. He smashes into one of the saplings along the road with a sickening crunch, the spry young tree snapping in half and not doing anything besides sending him spinning. I stagger to my feet, my head ringing like a church bell on Sunday. Spindle limps over to me, his breath coming in short, pained gasps. We exchange a desperate look, a silent conversation in the language of the utterly screwed. DH.1.2 I use the last of my stored noises, just whatever voice clips I have left in the library, to sound like someone talking - not the panicked cries of a crowd. A "Hey, you!" from an unfamiliar face. I play them behind Pumice, a wall of sound that makes him turn, distracted for just a moment. Spindle and I dive behind a car for cover, the metal cool against my sweat-soaked skin. And that''s when I see it. A fallen riot cop, his chest torn open by some unseen force. Blood pools around him, a growing sea of crimson that laps at the soles of my boots. Whatever happened to him caused his ribs to come out from the inside, like teeth. I have to wonder if he was one of the guys they fed Jump to or the victim of one. Or maybe someone just did this. Maybe that Elias dude. I have to look away, bile rising in my throat. I hate these guys, with their batons and their tear gas and their casual brutality. But this... no one deserves this. I reach up with a shaking hand, close the cop''s eyes. They''re already glazing over, staring sightlessly at the smoke-choked sky. I mutter a quick prayer, the words tasting like ashes on my tongue. Then, I grab his rubber bullet launcher, a sleek, black thing that looks like it belongs in a sci-fi movie. I mute it with my power, the click of the safety echoing in the sudden silence. I toss it to Spindle. Spindle nods, his face grim. He understands the plan without a word. He pops up from behind the car, the launcher braced against his shoulder. He fires, and I don''t see nor hear the end result until it hits. The rubber bullets slam into Pumice, staggering him. Chips of stone fly off his body, the craters left behind oozing a strange, grey dust. But he keeps coming, his fists swinging like wrecking balls. Spindle and I dodge and weave, trying to stay out of reach. The air is full of the thud of rubber bullets impacting but without the sound of their launch, the muted roar of blood in my ears. Pumice isn''t even trying for technique anymore, just bringing his fists down, trying to crush us like bugs. But the barrage is taking its toll. Pumice stumbles, off balance for just a second. I seize the chance, leaping at him with my baton. I aim for his head, hoping to rattle whatever passes for his brain. Pumice gets an arm up, blocking the blow. The impact jars my arms, sends shockwaves of pain racing up my shoulders. But I grit my teeth, push through it. I grab a riot shield from the fallen cop, the weight of it unfamiliar in my hands. I whip it at Pumice''s face with all my strength, a desperate, last-ditch attack. It connects with a satisfying thunk, the sound muffled by my power. But Pumice barely seems to feel it, his stone features set in a mask of rage. But it''s enough of a distraction. Spindle dives in, his body contorting into impossible shapes. He wraps himself around Pumice''s legs like a human python, his grip tight enough to make stone creak. Pumice roars, the sound a physical force that slams into my chest. He grabs at Spindle, his fingers scrabbling for purchase on the slick material of Spindle''s costume. Stolen novel; please report. Spindle''s grip is slipping, his face contorted with effort. "Playback!" he yells, his voice tight with desperation. I''m already moving, the shield raised high. I slam it into Pumice''s face again and again, a relentless rhythm of metal and whatever that plastic shit they make riot shields out of on stone. It''s not doing much damage, but it''s buying Spindle time. Time for what, I don''t know. But we''re running out of options, and fast. If we don''t come up with something soon, we''re gonna end up like that poor cop. Just another couple of stains on the pavement, our blood mixing with the dirt and the debris of this godforsaken city. I can feel the weight of it pressing down on me, the knowledge that we''re all that stands between Pumice and a body count too high to contemplate. Pumice, enraged, finally rips Spindle off and tosses him aside like a used napkin. Spindle hits the ground hard, rolling and tumbling across the pavement. I can hear the air rush out of his lungs, even over the chaos of the battle. Pumice turns his attention to me, his eyes burning with a fury that''s all too familiar. I''ve seen that look before, back when we were still running together. It''s the look he gets when he''s done playing around. No more Allen Iverson quips left in the chamber. Only kill. The blows begin coming in earnest, each one hitting my riot shield like a sledgehammer. I grit my teeth, my arms aching with the effort of holding the shield steady. I can feel my ankles creaking, threatening to give out under the onslaught. I don''t have a choice. I drop my baton, gripping the shield with both hands. It''s the only thing keeping me from becoming a smear on the pavement, and it''s beginning to crack and dent and bend in all the ways I''ve never expected myself seeing a riot shield cracking and denting and bending. Definitely not from this side of it, too. Spindle, battered and bruised, tries to come to my aid. He''s a tough kid, I''ll give him that. But Pumice is ready for him. He intercepts Spindle with a crushing backhand, sending him sprawling like a ragdoll, without even looking. I''m alone now, backed up against a wall. Pumice looms over me, his stone fists raised for a final, devastating blow. I brace myself, my mind racing. Is this it? Is this how it ends? The sound of the impact is gut-wrenching, a sickening CRACK that echoes through the streets. Pumice goes flying, his body smashing into a nearby lamppost. The metal crumples around him, bending and twisting like it''s made of play-doh and he''s one of those extruders. I stare, my jaw hanging open. I can''t believe what I''m seeing. The newcomer, clad in biker leathers and a full-face motorcycle helmet, lands beside me with a grace that seems impossible for someone who just headbutted a living statue. Spindle staggers over, his eyes wide. "Who the hell is that?" he asks, his voice a mix of awe and confusion. But I know. I''d recognize those moves anywhere. It''s Gale, obviously, I want to say, grabbing Spindle and shaking him by the shoulders. She''s come to help us, disguised in a getup that looks like she raided a Mad Max costume shop. But I don''t say anything like that. I''m about to say something else, but Gale beats me to it. "You boys looked like you could use a hand," she says, her voice a poor imitation of a gruffer, older superhero, filtered through the opaque helmet. It''s almost enough to make me laugh, despite the situation. I''m not sure what exactly she was holding when she slammed into him - some metal thing, maybe a trash can lid? - but it''s totally gone, bent into a ball of its own. She helps Spindle to his feet, checking him over for injuries. "You good to keep going?" she asks. Spindle nods, still clearly trying to process what just happened. I glance over at Pumice, who''s starting to stir, shaking off bits of broken metal and concrete. "Might want to save the introductions for later, chica" I say, readying my shield. "This ain''t over yet." Gale nods, falling into a fighting stance beside me. Spindle, still looking a bit dazed, takes up position on my other side. Pumice rises to his feet, his body covered in a spiderweb of cracks. But he''s not done, not by a long shot. He roars, a sound of pure, unbridled rage, and charges at us like a runaway train, his footsteps shaking the ground. But Gale doesn''t flinch. She steps forward, her hands outstretched, and the air around us starts to move. DH.1.3 At first, it''s just a breeze, a gentle stirring of the debris and dust. But then it builds, growing stronger and stronger until it''s a full-blown gale force wind. I can feel it tugging at my clothes, whipping at my face. Gale directs the wind like a conductor, guiding it with her hands. Pieces of rubble, shards of glass, even the rubber bullets from the fallen cop''s launcher - well, from various launchers - all of it gets caught up in the maelstrom, swirling around us in a deadly vortex. And then, with a flick of her wrist, Gale sends it all hurtling towards Pumice, one at a time, channeling her volume of air into a deadly cannon barrel. The impact is incredible. The debris slams into Pumice like a series of shotgun blasts, peppering his stone skin with a dozen painful impacts. Cracks spiderweb out from each one, spreading and connecting until it looks like Pumice is about to shatter into a million pieces. Bam. Bam. Bam. But he keeps coming, his momentum barely slowed. He swings at Gale with a fist the size of a cinder block, but she''s already moving, ducking and weaving with a grace that seems impossible in that bulky biker gear. I charge forward, scooping up my fallen baton as I run. I activate my power, stealing the sound of my own footsteps, rendering myself utterly silent as I flank Pumice from the side. Spindle goes high, leaping onto a nearby car and using it as a springboard to launch himself at Pumice''s back. He latches on like a spider monkey, his long limbs wrapping around Pumice''s torso, squeezing with all his might. Pumice roars, trying to shake Spindle off, but the kid''s grip is unbreakable. I take advantage of the distraction, darting in and striking at the back of Pumice''s knee with my baton. The blow connects with a satisfying crunch, and I feel a jolt of hope. Maybe we can do this. Maybe we can actually bring this bastard down. But Pumice is tougher than I gave him credit for. He barely seems to register the blow, his attention still focused on trying to pry Spindle off his back, even as another rubber bullet slams into his nose, ripping a small chunk of stone off of him. Gale sees our struggle and redoubles her efforts. She sweeps her hands in a wide arc, and the wind responds, snatching up a nearby manhole cover like it weighs nothing at all. She spins, building momentum, and then hurls the heavy metal disc at Pumice with all the force of a hurricane behind it. The manhole cover slams into Pumice''s chest with a deafening clang, sending him staggering backward. Spindle takes the opportunity to unwrap himself, dropping to the ground and rolling clear. I press the advantage, striking at Pumice''s other knee, then his elbow, his wrist, all spots already cracked from previous strikes. Each blow chips away at his stone skin, leaving behind a puff of dust and gravel. But it''s not enough. Pumice is still standing, still fighting. And he''s getting angrier by the second. He lashes out with a wild swing, catching me across the ribs. I feel something give way inside me, a sickening snap that steals the breath from my lungs. I stumble, my vision graying at the edges. Spindle is there in an instant, catching me before I fall. He pulls me back, out of reach of Pumice''s flailing fists. Gale steps forward, placing herself between us and the raging golem. The wind whips around her, tearing at her clothes, pulling at her helmet. But she stands firm, unmoving, unafraid. Like she was born to do this. "Is that all you got, you overgrown cinderblock?" she taunts, her voice raw and ragged with the effort of controlling the wind. A case of theft: this story is not rightfully on Amazon; if you spot it, report the violation. "Let''s find out," Pumice rumbles, not just words but actual sound, sub-bass coming out from his whole body in a way that makes my teeth vibrate in my head. And then he launches himself at her like a torpedo. Gale doesn''t back down. She reaches out, her fingers splayed wide, and the wind responds. It slams into Pumice like a solid wall, stopping him dead in his tracks. He grinds against the ground, visibly straining to push past Gale, while she''s visibly straining to push him. Her body is so tense that she looks like a rubber band. It stops, and he stumbles forward. And then the wind kicks up again, even stronger this time, and sends him flying backwards like a rag doll. He crashes through the window of a nearby storefront, disappearing in a shower of broken glass and twisted metal. Spindle lets out a low whistle, his eyes wide. "Damn," he mutters, shaking his head. "That was some X-Men shit." "Come on," Gale says, already moving towards the shattered storefront. "He''s not finished yet, are you, big boy?" She''s right. Even as we watch, the rubble starts to shift and tumble, pushed aside by a pair of massive stone hands. Pumice emerges from the wreckage like a golem from a horror movie, his body covered in a spiderweb of cracks, his eyes burning with an inhuman rage. He charges at us again, his footsteps like thunder, his fists raised to strike. But this time, we''re ready for him. Gale catches Spindle with her wind, and he picks up a riot shield - the one that got ripped out of my hands - to use like a sail. A couple rounds of twirling, and he goes hurtling towards Pumice like a living cannonball, accelerated to sickening highway velocities by Gale''s horizontal column of air. The air is filled with the loud CRUNCH of shattering plastic or plexiglass or whatever it is that the riot shields are made off of. For a second, I fear the worst, as Spindle slams into Pumice''s head and wraps himself tight around, fingers laced together in front of his mouth, legs locked around his nose. Pumice scrabbles for purchase, trying to get Spindle off of his face. But with the disorientation of what is probably a concussion combined with his rapidly dwindling air supply, there''s simply not much left - especially not with the visible vortex of whipping, debris-filled wind surrounding him. Pumice goes down, his leg giving out from under him, and manages to rip Spindle away one last time. He falls to his hands and knees, his head bowed, his breath coming in ragged gasps, as Spindle bounces aside, cushioned by Gale''s wind. "Let''s finish this, shall we?" Gale says, her voice cold and hard, a discarded riot cop baton floating into her fingers as she hovers so hard towards him you can see the onomatopoeia floating out. She raises the baton above her head, ready to bring it down in a final, crushing blow. But before she can strike, Pumice''s hand shoots out, quick as a snake, and grabs her by the ankle. "You first," he growls, and yanks. Gale goes down hard, her head bouncing off the pavement with a sickening thud. The baton clatters from her hand, rolling away across the blood-slick street. Pumice staggers to his feet, looming over Gale''s prone form. "You think you can beat me?" he rasps, his voice like gravel in a blender. "You think you can stop me?" He raises his fist high, ready to bring it down with all his remaining strength. I can see the madness in his eyes, the desperate, last-ditch rage of a cornered animal. But then Spindle is there, wrapping himself around Pumice''s ankles and knees, yanking the big man''s legs out from under him. Pumice topples, his arms windmilling comically as he tries to keep his balance. I''m moving before I even realize it, scooping up the fallen baton as I go. I pour all my strength into a single mighty swing, feeling the fresh weapon hum in my hands as it cuts through the air. The baton hits Pumice square in the forehead with a sound like a church bell being struck. Well, more like a rock being split in half. For a moment, he just stands there, swaying gently, a look of almost cartoonish surprise on his craggy features. And then his eyes roll back in his head, and he collapses like a puppet with his strings cut, hitting the ground with a crash that shakes the windows and rattles my teeth. We stand there for a moment, panting, staring down at Pumice''s motionless form. Spindle unwraps himself from Pumice''s legs, his movements slow and stiff. Gale staggers to her feet, one hand pressed to her helmet. "Is he...?" Spindle asks, his voice shaking. I nudge Pumice with my foot. He doesn''t move. "Out cold," I say, feeling a rush of relief so strong it makes my knees weak. "We did it." Gale nods, wincing as the motion aggravates her bruised head. "Good work, boys," she says, her voice still muffled by her helmet. "Let''s get this bastard secured before he wakes up." And just like that, it''s over. The battle is won, the day is saved. Just another Tuesday in Philadelphia. Except it''s not. Because as we bind Pumice''s wrists and ankles with zip ties, we can''t help but look around at us and see the chaos and devastation firsthand. Job''s not done yet. WORLD OF CHUM: Guns (2)/Use of Force TOP SECRET//SCI//NOFORN DEPARTMENT OF DEFENSE OFFICE OF THE SECRETARY OF DEFENSE THE PENTAGON WASHINGTON, DC 20301-1000 MEMORANDUM FOR THE SECRETARY OF DEFENSE SUBJECT: Long-Term Strategy for Managing Superhuman Threats (U) (TS//SCI//NF) Purpose: To outline a proposed long-term strategy for managing the potential threats posed by superhumans, particularly with regard to the development of powers that render individuals immune to conventional firearms. (TS//SCI//NF) Background: a. The emergence of superhumans has presented a significant challenge for law enforcement and military forces in terms of neutralizing errant individuals who pose a threat to public safety or national security. b. Recent analysis suggests that the use of firearms against superhumans may inadvertently lead to the development of powers that render individuals immune to conventional firearms. c. If left unchecked, this trend could lead to a dangerous escalation in the level of force required to neutralize superhuman threats, potentially leading to the development of even more dangerous counter-powers. (TS//SCI//NF) Proposed Strategy: a. Over the next two decades, the Department of Defense, in coordination with other federal agencies and state and local governments, should implement a gradual reduction in the prevalence of firearms in American society. b. This reduction should be achieved through a combination of policy changes, including stricter regulation of civilian firearm ownership, buyback programs, and a shift in law enforcement and military tactics to emphasize less lethal means of force. c. The ultimate goal of this strategy is to minimize the likelihood that superhumans will develop powers that render them immune to conventional firearms, thus preserving the ability of law enforcement and military forces to effectively respond to superhuman threats. (TS//SCI//NF) Implementation: a. The implementation of this strategy will require close coordination between the Department of Defense, the Department of Justice, the Department of Homeland Security, and other relevant federal agencies. b. A task force should be established to oversee the development and implementation of specific policies and programs to achieve the goals of this strategy. c. The task force should also be responsible for monitoring the effectiveness of these policies and programs over time and making recommendations for adjustments as necessary. (TS//SCI//NF) Classification: Due to the sensitive nature of this strategy and its potential impact on public opinion and civil liberties, it is recommended that this memorandum and related materials be classified at the TOP SECRET//SCI//NOFORN level. (U) Recommendation: That you approve the proposed long-term strategy for managing superhuman threats and authorize the establishment of a task force to oversee its implementation. William S. Cohen Secretary of Defense Attachment: As stated CLASSIFIED BY: OSD REASON: 1.4(a), (d), (g) DECLASSIFY ON: 20250415
UNCLASSIFIED//FOR OFFICIAL USE ONLY DEPARTMENT OF JUSTICE OFFICE OF THE ATTORNEY GENERAL WASHINGTON, DC 20530 MEMORANDUM FOR ALL UNITED STATES ATTORNEYS, STATE AND LOCAL LAW ENFORCEMENT OFFICIALS, AND NATIONAL GUARD COMMANDERS FROM: John Ashcroft, Attorney General SUBJECT: Interim Guidelines for Responding to Individuals with Enhanced Durability Capabilities DATE: June 15, 2002 The emergence of individuals with enhanced durability capabilities presents new challenges for law enforcement and public safety officials at all levels of government. While the vast majority of these individuals are law-abiding citizens, we must be prepared to respond effectively and appropriately when an individual with these capabilities poses a threat to public safety. The purpose of this memorandum is to provide interim guidelines and recommendations for responding to individuals with enhanced durability capabilities. These guidelines are based on the best available information and will be updated as new technologies and techniques become available. Stolen content warning: this tale belongs on Royal Road. Report any occurrences elsewhere. Assess the Threat Level: When confronted with an individual with enhanced durability capabilities, the first priority should be to assess the threat level posed by the individual. Factors to consider include: a. The nature and extent of the individual''s capabilities b. The individual''s apparent intent and demeanor c. The presence of weapons or other objects that could be used to cause harm d. The potential for collateral damage or risk to bystanders Based on this assessment, law enforcement officials should determine the appropriate level of response. Prioritize De-Escalation and Containment: Whenever possible, the primary goal should be to de-escalate the situation and contain the individual without resorting to the use of force. Techniques to consider include: a. Verbal communication and negotiation b. Establishing a perimeter and evacuating bystanders c. Deploying non-lethal riot control agents, such as tear gas or pepper spray d. Using physical barriers and containment devices, such as nets, rapid-hardening foam agents, and reinforced restraints Employ Sensory Overload Tactics: Individuals with enhanced durability capabilities may be more susceptible to sensory overload tactics. Techniques to consider include: a. Deploying high-intensity strobe lights or other visual distractions b. Using loud, disorienting sounds, such as flashbang grenades or ADADs (Amplified Directed Acoustic Devices) c. Deploying malodorants, asphyxiants, or other noxious substances to disorient the individual Coordinate Multi-Agency Response: Responding to individuals with enhanced durability capabilities may require a coordinated, multi-agency response. Law enforcement officials should establish clear lines of communication and protocols for inter-agency coordination, including: a. Establishing a unified command structure and chain of command b. Sharing intelligence and real-time information about the individual and the situation c. Coordinating tactical responses and resource deployment d. Establishing a joint information center to manage public communications Provide Specialized Training: Law enforcement officials at all levels should receive specialized training on responding to individuals with enhanced durability capabilities. This training should cover: a. Identifying and assessing enhanced durability capabilities b. De-escalation and containment techniques c. Use of specialized equipment and tactics d. Multi-agency coordination and communication Conduct After-Action Reviews: Following any incident involving an individual with enhanced durability capabilities, law enforcement officials should conduct a thorough after-action review to identify lessons learned and areas for improvement. This review should include: a. A detailed timeline of the incident and response b. An assessment of the effectiveness of tactics and equipment used c. Identification of any gaps or weaknesses in training or coordination d. Recommendations for improving future responses The results of these after-action reviews should be shared with other law enforcement agencies and used to update training and response protocols as needed. In conclusion, responding to individuals with enhanced durability capabilities requires a coordinated, multi-faceted approach that prioritizes de-escalation, containment, and the judicious use of specialized tactics and equipment. By working together and sharing information and resources, law enforcement officials at all levels can help ensure the safety and security of our communities in the face of this emerging challenge. The guidelines and recommendations in this memorandum are effective immediately and will remain in effect until superseded by future guidance. Questions or concerns regarding these guidelines should be directed to the Office of the Attorney General. John Ashcroft Attorney General UNCLASSIFIED//FOR OFFICIAL USE ONLY Chapter 99.1 I''m dragging myself down the courthouse steps, each movement sending jolts of pain through my battered body. The chaos around me is a blur of sirens, shouts, and the distant rumble of debris being cleared. I can see paramedics rushing to help the injured, their bright uniforms standing out against the gray smoke and dust. Riot cops are trying to establish some kind of order, herding people away from the scene like sheep. It''s a mess, but at least the Phreaks are down for the count. I catch a glimpse of Multiplex and his copies in the distance, helping with search and rescue. Always the hero, that one. Me? I''m just trying to stay conscious long enough to get some medical attention. I wonder if Multiplex ever gets tired of being in multiple places at once. Like, does he ever just want to kick back and watch a DVD without having to worry about things? Does one copy get all the relaxation for the rest of them? Or is he like me, just always on, always thinking about the next thing? As I limp towards the nearest ambulance, a paramedic spots me and rushes over. She''s got kind eyes and a no-nonsense attitude, which I appreciate. "Hey there, Bloodhound. Looks like you''ve been through the wringer," she says, already assessing my injuries. I try to shrug, but it comes out as more of a grimace. "Yeah, well, you should see the other guy," I quip, but my heart''s not really in it. The adrenaline is wearing off, and the pain is starting to hit me full force. I wonder if I should start carrying painkillers in my utility belt. Maybe I could get a sponsor deal with Advil or something. The paramedic helps me sit down on the back of the ambulance, and I finally get a good look at the damage. My armor is shredded in places, revealing bloody gashes and deep punctures. But it''s the hole in my thigh that''s really freaking me out. I watch as my skin reaches for itself, my muscles twitching around the hole like it''s trying to knit itself together. I don''t usually get stabbed in places where I can see it, and knife wounds are usually sort of ''thin'' anyways - this is just... Well, I can see down into it, into the layers, although they rapidly fill back up with blood. The paramedic must sense my unease because she gives me a reassuring smile. "Don''t worry, we''ll get you patched up in no time," she says, already pulling out supplies from her med kit. "Let''s start with that leg wound and then we can clean up the rest of your smaller injuries." "You have experience with regenerators?" I ask nervously. It wouldn''t be the first time my body uncomfortably squeezed cotton out of a wound and I doubt it''ll be the last time, either. "A bit," she says, trying to give me a friendly smile. I grit my teeth as she starts cleaning the wound, the sting of antiseptic making me hiss through my teeth. It''s not the pain that bothers me so much as the weird sensation of having someone else poking around in my body. I''m used to my own accelerated healing taking care of things, but this injury is beyond my short-term capabilities. Like, I''m probably going to be limping on this leg for at least a couple of weeks. And with the adrenaline leaking out through the floor, the pain comes back. The paramedic is thorough, cleaning out the debris and applying some kind of antibacterial gel that feels like it''s burning a hole through my leg. She then starts packing the wound with gauze, and I have to look away. It''s not that I''m squeamish, but there''s something unsettling about watching someone else''s hands disappear into your own flesh. I wonder if this is how those people in the magic shows feel when they get sawed in half. I clench my teeth up and grit my jaw, trying not to yell. As the paramedic works, I try to distract myself by using my blood sense to scan the area for other injuries. With the area mostly clear, and my brain no longer in survival mode, the burning mass of red that existed in my mind''s eye has calmed down to dense splotches, localized in particular areas. It doesn''t go too far - around a city block around me in each direction. Most people are just walking around with minor scrapes and bruises, but there are a few that stand out like beacons in the night. I spot a woman with a nasty head wound, blood pooling beneath her skull. "Hey, there''s a lady over there with a serious head injury," I tell the paramedic, pointing in the woman''s direction. "She needs help, like, now. I''ll live." The paramedic nods, finishing up with my leg and signaling to one of her colleagues. They rush over to the woman, and I feel a small sense of satisfaction knowing that I could help, even in my current state. It''s what we do, us heroes. We look out for each other, and for the people we''ve sworn to protect. Plus, it''s a good way to rack up karma points, right? As I sit there, letting the paramedics do their thing, my mind starts to wander. I think about Gale, and how she just disappeared after that last team meeting. I hope she''s okay, wherever she is. I think about my mom and dad, and how worried they must be right now. I should probably give them a call, let them know I''m alive. But mostly, I think about how much I want a cheesesteak. My brain glances off the fight like it''s a bouncy ball, like it''s already compartmentalizing it and shoving it somewhere irrelevant. Bottled up for some later meltdown. This content has been misappropriated from Royal Road; report any instances of this story if found elsewhere. The paramedic finishes bandaging my leg, and I tentatively try to put some weight on it. It hurts like hell, but I can stand, which is a minor miracle in itself. "Take it easy, Bloodhound," the paramedic warns. "You may be a regenerator, but that doesn''t mean you''re invincible." I nod, knowing she''s right. I may be a hero, but I''m still human. Still vulnerable. It''s a sobering thought, but one that I can''t afford to dwell on right now. I''ve got work to do, people to help. And possibly a burger to eat. I limp away from the ambulance, scanning the area for any sign of my teammates. I spot Playback and Spindle in the distance, looking just as battered as I feel. We exchange weary nods, a silent acknowledgement of the hell we''ve just been through. There''s still so much work to be done, so many people to help. But for now, I allow myself a moment to breathe. To feel the pain, and the exhaustion, and the overwhelming sense of relief that comes with knowing that we''ve won. That we''ve made a difference, even if it''s just for today. I take a deep breath, wincing as my ribs protest the movement. Yeah, definitely gonna need some painkillers after this. And maybe a long, hot bath. But first, I''ve got a city to help put back together. One limping step at a time.
An hour later, I''m still limping around the block, helping paramedics locate injured civilians buried beneath the rubble. My blood sense has been a godsend in the search and rescue efforts, allowing me to pinpoint the location of survivors who might have otherwise been overlooked. It''s exhausting work, both physically and emotionally, but it''s the least I can do after the chaos and destruction that just unfolded. As I make my way back to the courthouse steps, I spot Playback and Spindle sitting on the edge of an ambulance, looking just as battered and bruised as I feel. They wave me over, and I hobble my way towards them, wincing with each step. "Yo, Bee!" Playback calls out, his trademark grin plastered on his face. "You still in one piece?" I roll my eyes, but can''t help the smile tugging at my lips. "More or less. What about you two? Heard you had a run-in with Pumice." Spindle nods, his lanky frame unfolding as he stands up. "Yeah, Joe''s no joke. Thought I was gonna end up as a human pretzel. We had a little help, though." "Oh?" I raise an eyebrow, arms folded over my chest. Playback gives me a look that feels uncomfortably like a you don''t want to know, but Spindle continues on, blithely. "Some new hero in biker gear." Jordan? No, wait, they''re dating. "Flew in, flung shit at Pumice like a cannon, and left." "Shame we couldn''t get her name," Playback cuts in, a little too fast. But I''m not stupid. "Good thing you had some help, huh?" I say, my voice taking on a slightly bitter edge. "Yeah, that telekinetic really came through," Playback says carefully, like he''s trying not to set me off. "Shame they dipped out before we could thank them properly." I shrug, trying to play it off like it doesn''t bother me. But the truth is, it stings. Knowing that Jamila was out there, fighting alongside my friends, but couldn''t even face me. I get it, things ended weird between us. But still, a part of me wishes she''d stuck around. Even if it was just to make sure I was okay. She couldn''t even give me that? "Sam!" a voice calls out, and I turn to see Gossamer jogging towards us, her bright green costume standing out among the sea of emergency responders. "Thank goodness you''re alright. I was worried sick." I manage a small smile, touched by her concern. "I''m okay, Goss. Just a little banged up." She nods, her eyes scanning over my injuries with a practiced eye. "We should get you checked out by a professional. That leg wound looks pretty nasty." I wave her off, not wanting to make a fuss. "Already saw a paramedic. Now it''s just a matter of letting my body handle it. What''s the situation?" Gossamer frowns, but doesn''t push the issue. She knows how stubborn I can be when it comes to my own well-being. "Just been helping the paramedics out. Not a lot of time to waste. Today was, uh... Bad." Playback looks at her with a pitying look, like the kind you''d give a dog trying to get a treat out of one of those puzzle boxes. "Bad. Yeah," he repeats. As more members of the Young Defenders and Delaware Valley Defenders arrive on the scene, I find myself drifting into a silent moment of introspection. I watch as Rampart and Crossroads coordinate the search and rescue efforts, their voices calm and authoritative amidst the chaos. I see Blink darting in and out of the rubble, using her powers to move debris and free trapped civilians. And I can''t help but feel a surge of pride, knowing that these are my people. My team. But even as I watch them work, I can''t shake the feeling of unease that''s been growing in the pit of my stomach. The brutality of the fight with Deathgirl, the lives lost and forever changed by this senseless violence. It all feels like too much to bear. "You holding up okay?" a voice asks, and I turn to see Crossroads standing beside me, his dark eyes filled with concern. I shrug, not trusting myself to speak. Crossroads has always been able to see right through me, even without using his powers. "It''s okay to not be okay, you know," he says quietly, his voice low enough that only I can hear. "What we went through today... it''s not something anyone should have to deal with." I nod, my throat tight with emotion. "I just keep thinking about all the people we couldn''t save. And the people who they fed the Jump to. Whatever they did to it... it''s..." I swallow hard, feeling my entire body clench up. I don''t have any words besides mimicking Gossamer. "It''s bad." Crossroads sighs, running a hand through his braids. "I know. But we can''t dwell on that. We did everything we could, Bee. And we''re going to keep doing everything we can to make sure something like this never happens again. They''ve got Deathgirl, Pumice, and Chrysalis all wrapped up. Chimera is MIA. You did the right thing." I know he''s right, but it doesn''t make the pain any easier to bear. I think about Liberty Belle, about the sacrifice she made for this city. I think about all the heroes who have given their lives in the line of duty, about all the ones who will continue to do so as long as there are people in need of saving. "Yo, Bee!" Playback calls out, breaking me out of my reverie. "We''re gonna do one last sweep of the area, make sure we didn''t miss anyone. You in?" I take a deep breath, pushing down the pain and the doubts and the fears. Because that''s what being a hero is all about. It''s about pushing through, even when it feels like the whole world is against you. "Yeah, I''m in," I say, my voice steady and strong. "Let''s do this." Chapter 99.2 As I make my way through the debris-strewn streets, the sound of sirens and shouting gradually gives way to a new kind of chaos: the insistent chatter of news reporters and the clicking of cameras. They swarm the area like flies, thrusting microphones into the faces of shell-shocked witnesses and jostling for the best angles to capture the destruction. I try to keep my head down, not wanting to draw attention to myself in my battered state, but it''s impossible to avoid the snippets of conversation and news reports that drift through the air. "We''re coming to you live from the steps of the Philadelphia courthouse, where a shocking scene of destruction has unfolded. Just hours ago, the supervillain group known as the Philly Phreaks unleashed a devastating attack on the crowd gathered for the trial of alleged kingpin Chernobyl. But the real story here is the swift and heroic response from Philadelphia''s own superhero community. Members of the Delaware Valley Defenders and the Young Defenders were on the scene within minutes, working tirelessly to subdue the Phreaks and rescue civilians trapped in the rubble." I can''t help but feel a swell of pride at the mention of my team, even as my stomach twists at the thought of the lives we couldn''t save. It''s a bitter pill to swallow, knowing that even our best efforts couldn''t stop the Phreaks from causing so much harm. As I round the corner, I catch sight of a familiar face: Kate Green, one of the most popular reporters in the city. She''s standing in front of a camera, her blonde hair perfectly coiffed despite the chaos around her, surrounded by police. "The question on everyone''s minds now is, how did this happen? How did the Phreaks manage to infiltrate one of the most heavily guarded events in recent memory, and what does this mean for the future of our city? I''m here with Commissioner Jack Faraday of the Philadelphia Police Department. Commissioner, what can you tell us about the security measures in place prior to the attack?" I don''t listen to his response. I don''t really care. If the authorities had any real control over the situation, the Phreaks wouldn''t have been able to get within a hundred miles of the courthouse. I''m so lost in my own thoughts that I almost don''t notice the small group of reporters heading my way. They''re young and eager-looking, probably interns or junior staff, and they''re whispering excitedly among themselves. "Hey, isn''t that Bloodhound?" one of them says, pointing in my direction. I curse under my breath and try to limp behind a nearby ambulance, but it''s too late. They''re already rushing towards me, cameras and microphones at the ready. "Bloodhound! Can we get a statement?" a young woman with a pixie cut asks breathlessly, shoving a microphone in my face. "What was it like fighting the Phreaks? How did you take down Deathgirl?" I hold up my hands, trying to ward them off. "Look, I appreciate the interest, but I''m really not in the best shape right now. I just want to focus on helping with the cleanup and making sure everyone gets the care they need." But they''re not deterred. They press in closer, their questions coming faster and more insistently. "Some critics are already questioning whether the Young Defenders are equipped to handle threats of this magnitude," a middle-aged man with a goatee chimes in. "Do you think this attack will lead to a reevaluation of the team''s role in the city''s defense?" Reading on this site? This novel is published elsewhere. Support the author by seeking out the original. I can feel my temper rising, but I take a deep breath and try to keep my voice level. "The Young Defenders have proven time and again that we''re capable of facing any threat that comes our way. Today was no different. We did everything in our power to protect the people of this city, and we''ll continue to do so as long as we''re needed." Another reporter, a woman with sharp eyes and a severe bob, jumps in. "What about the rumors that there was a breakout at Fairmount Penitentiary during the chaos? Can you confirm or deny that any supervillains escaped custody during the attack?" I hesitate, not wanting to give credence to rumors, but also not wanting to lie. "I don''t have any information on that at this time. My focus has been on the immediate aftermath of the attack and helping with the rescue efforts. If there are any updates on the situation at Fairmount, I''m sure the proper authorities will inform the public." The reporters seem unsatisfied with my answer, but before they can press further, Crossroads appears at my side, his expression stern. "Alright, that''s enough. Let the kid breathe." He puts a hand on my shoulder and gives the reporters a hard look. "Bloodhound and the rest of the Young Defenders have been through hell today. They''ve risked their lives to save countless others, and they deserve our respect and gratitude. If you want a statement, you can talk to me or one of the other senior Defenders. But right now, the focus needs to be on the victims and the cleanup efforts. Understood?" The reporters mutter among themselves but eventually disperse, some of them casting resentful looks over their shoulders as they go. I let out a shaky breath, suddenly feeling like I might cry. "Thanks, Cross. I don''t know how much longer I could''ve held it together." He squeezes my shoulder, his expression softening. "Don''t mention it. You''ve been through enough today. Let''s get you out of here and somewhere quiet. The senior Defenders can handle the media for now." As Crossroads leads me away from the chaos, I can''t shake the uncomfortable feeling that somehow, everything is going to get worse.
Anchor: Good evening, Philadelphia. We start tonight with breaking news on the devastating attack at the Philadelphia courthouse earlier today. For the latest on this developing story, we go live to our reporter on the scene, Kate Green. Kate? Kate: Thanks, John. I''m standing here in front of the Philadelphia courthouse, where just hours ago, a shocking scene of chaos and destruction unfolded. The supervillain group known as the Philly Phreaks, led by the notorious Deathgirl, unleashed a devastating attack on the crowd gathered for the trial of alleged kingpin Chernobyl. Cut to footage of the aftermath of the attack, with wrecked cars and numerous craters in the asphalt of the street. Slow pan towards the courthouse. Kate: Eyewitnesses report that the Phreaks distributed a substance that caused violent mutations in those exposed, leading to widespread panic and destruction. The attack left dozens injured and several dead, with damage to the surrounding buildings estimated in the millions. Cut back to Kate Kate: But amidst the chaos, Philadelphia''s superhero community sprang into action. Members of the Delaware Valley Defenders and the Young Defenders were on the scene within minutes, working tirelessly to subdue the Phreaks and rescue civilians trapped in the rubble. Cut to footage of the heroes in action, including brief drone shots of Bloodhound and Rampart fighting Deathgirl and Chrysalis respectively. Kate: While the immediate threat has been contained, questions remain about how the Phreaks were able to infiltrate such a heavily guarded event and what the long-term implications of this attack may be. Commissioner Jack Faraday of the Philadelphia Police Department had this to say: Cut to pre-recorded interview with Commissioner Faraday Commissioner Faraday: We''re working closely with the Delaware Valley Defenders and the FDA to analyze the substance distributed by the Phreaks and develop a response plan. The public can rest assured that we will not rest until this threat is eliminated. Cut back to Kate Kate: As the city begins to pick up the pieces, one thing is clear: the bravery and dedication of our superhero community remains a shining light in the face of even the darkest adversity. Reporting live from the Philadelphia courthouse, I''m Kate Green. Back to you, John. Anchor: Thank you, Kate. We''ll continue to follow this story as it develops. Coming up next, the latest on the search for the missing supervillain known as Chimera, and what his disappearance could mean for the city''s already strained defense forces. Stay with us. Chapter 99.3 The hours blur together as I make my way up and down the streets surrounding the courthouse, my blood sense guiding me to pockets of injured and trapped civilians. It''s a grueling, heartbreaking process, but I push through the pain and fatigue, knowing that every second counts. At one point, I find myself digging through a mound of rubble, my fingers raw and bleeding as I claw at the debris. I can sense a faint heartbeat beneath the stones, a flicker of life that I refuse to let slip away. "Hold on," I mutter, more to myself than to the person trapped below. "I''m coming for you." With a final, desperate heave, I manage to shift a large slab of concrete, revealing the battered but breathing form of a young woman. She blinks up at me, her eyes wide with fear and disbelief. "You''re okay," I tell her, my voice cracking with emotion. "I''ve got you." I help her to her feet, supporting her weight as we make our way to the nearest ambulance. She clings to me, her tears soaking through my tattered costume. "Thank you," she whispers, over and over again. "Thank you so much." I don''t have the words to respond, so I just hold her tighter, letting her know that she''s safe now. As the day wears on, I find myself falling into a rhythm with the other heroes and first responders. We work in silent coordination, communicating through nods and gestures as we move from one crisis to the next. At one point, I spot Rampart lifting a massive beam off a trapped family, his muscles straining with the effort. Nearby, Puppeteer is darting in and out of a collapsing building, using her strings to hoist people out when the lower floors are too dangerous to escape through. Even Playback, usually so quick with a joke or a quip, is uncharacteristically serious as he works with Spindle to dig and search for survivors. As the sun begins to dip below the horizon, casting long shadows across the devastated streets, I find myself leaning heavily against the side of a building, my lungs burning with each breath. "Easy there, Bloodhound," a voice says softly, and I look up to see an older man with kind eyes and a gentle smile. "You''ve been going non-stop for hours. You need to rest." For a second, I''m fully prepared to challenge how he knows my name. But then I remember that, you know... people know me. People know who I am. I''ve been a superhero for basically a year now. Weird. I shake my head, pushing myself upright. "I can''t. There are still people out there who need help." The man reaches out, placing a hand on my shoulder. "And you''ve helped so many already. But you can''t help anyone if you run yourself into the ground." I open my mouth to protest, but the words die on my lips as a small group of civilians approaches, their faces streaked with tears and grime. "We just wanted to say thank you," a woman in the group says, her voice trembling. "To all of you. What you did today... it means everything to us." I feel a lump rising in my throat, and I swallow hard, trying to compose myself. "We were just doing our job," I manage, but even as I say it, I know it''s more than that. "No," another man in the group says firmly. "You went above and beyond. You put your lives on the line for us, for this city. And we won''t forget that." The others nod in agreement, and I feel a swell of emotion rising in my chest. "Thank you," I say softly, meeting each of their gazes in turn. "Truly. Your support means more than you know." As the group disperses, back to their loved ones, or to nearby paramedics, I take a moment to catch my breath, leaning back against the wall and closing my eyes. This tale has been unlawfully lifted without the author''s consent. Report any appearances on Amazon. It''s been a long, brutal day, and I know there are still challenges ahead. The Phreaks may be in custody, but their legacy of terror and destruction will linger long after the dust settles. I just let myself feel the rest for... I don''t know. Just a second. Just a second is enough.
As the last of the survivors are whisked away to safety and the worst of the debris is cleared, I find myself being ushered into a makeshift command center set up in the lobby of a nearby office building. The space is buzzing with activity, with heroes and first responders coming and going in a constant stream. In the center of the chaos, I spot Multiplex, Fury Forge, and Bulwark huddled around a table, their expressions grim as they pour over a stack of papers and maps. Crossroads is there too, his face etched with exhaustion and concern. "Bloodhound," Multiplex greets me as I approach, his voice strained with exhaustion. "Glad you could join us. We''re just about to start the debriefing." I nod, too tired to speak, and find a spot to lean against the wall as the other heroes gather around. I see Playback and Spindle, their usual banter replaced by a somber silence. Blink, Playback, and Gossamer all trickle in one after another. Rampart is... well, I see him lifting heavy objects outside, and I think he''ll probably stay doing that. "Alright, listen up," Bulwark says, his deep voice cutting through the chatter. "Today was a hell of a day, and I know we''re all running on fumes. But we need to talk about what comes next." He gestures to the papers on the table, which I now see are filled with names and addresses. "These are the families and communities most affected by today''s attack," he explains. "They''re going to need our support in the coming days and weeks. Not just with the physical recovery, but with the emotional toll as well." Multiplex nods in agreement. "We need to make a public statement, to let the people know that we''re here for them. That we''ll do whatever it takes to help them rebuild and heal." Crossroads speaks up, his voice heavy with concern. "What about the Phreaks? Deathgirl, Pumice, Chrysalis... what''s happening with them?" I feel my brow furrow without my conscious interaction. Whenever Crossroads says something, I think it''s because he knows the answer and wants other people to hear it. So... that makes me a little worried. Multiplex sighs, running a hand over his face. "They''ve been chemically sedated and are being transported to Daedalus in upstate New York for temporary holding. We need to figure out what to do with them, how to keep them contained and prevent something like this from happening again." I feel a twist of discomfort in my gut at the mention of chemical sedation and containment. It seems... extreme, even for villains as dangerous as the Phreaks. But I can''t quite put my finger on why it bothers me so much. "Is that really necessary?" I find myself asking, my voice sounding small and uncertain even to my own ears. "I mean, I know they need to be held accountable, but... chemical sedation? It feels... wrong, somehow." Multiplex gives me a sympathetic look, but his voice is firm when he responds. "I know it''s not an easy decision, Bloodhound. But we have to prioritize the safety of the city. The Phreaks have proven time and again that they''re a threat, and we can''t risk them escaping or causing more harm." I nod, biting my lip as I try to quell the unease churning in my stomach. I know Multiplex is right, that we have to do whatever it takes to protect the people. But something about the whole situation feels off, like we''re crossing a line that we can''t come back from. Fury Forge clears her throat, drawing our attention back to the task at hand. "There will be time to discuss the long-term implications later. For now, we need to focus on the immediate aftermath. The families, the communities, the public perception... it''s going to take a coordinated effort to address all of it." "What can we do?" Blink asks, her voice trembling slightly. "How can we even begin to pick up the pieces after something like this?" Puppeteer puts a comforting hand on her shoulder. "We start small," her says softly. "One family at a time, one block at a time. We show up, we listen, we help in whatever way we can. It''s not going to be easy, but it''s what we signed up for when we put on these costumes." Bulwark gives me a tired smile. "For now, get some rest, children. We will need all hands on deck in the coming days, but we are no good to anyone if we are running on empty." There are murmurs of agreement from around the room, a sense of determination settling over the group. I feel it too, a flicker of hope amidst the exhaustion and grief. I nod, feeling the exhaustion seeping into my bones. It''s been a long, brutal day, and the thought of sleep is suddenly more tempting than anything in the world. I''m about to add to the pile of feel-good affirmations before my phone starts buzzing in my pocket. I pull it out, my heart leaping into my throat as I see my dad''s name on the screen. "Dad," I answer, my voice cracking with emotion. "I''m okay. I promise." There''s a long pause on the other end of the line, and for a moment, I think the connection has been lost. But then I hear my dad''s voice, thick with tears. "Sam. Oh god, Sam. I was so worried." I feel my own eyes welling up, and I blink furiously, trying to keep the tears at bay. "I know, Dad. I''m sorry." Another pause, and then my dad says something that I never thought I''d hear from him. "I''m proud of you, Sam. I know your mom and I haven''t always been supportive of this whole superhero thing. We were just so scared of losing you. But seeing what you did today... I think... Just promise me you''re not going to get in over your head." I''m crying now, the tears streaming down my face as I clutch the phone to my ear. It''s the closest I think I''ll get to a ''we approve of your antics''. "Thank you, Dad. I''ll be home soon." Chapter 100.1 The first week of my recovery is a haze of pain, medication, and fitful sleep. Every time I close my eyes, I''m back outside the courthouse, reliving the chaos and horror of that day. Deathgirl''s snarling face, the mutated civilians, and the blood - so much blood - haunt my dreams. It''s like my brain is a broken record, skipping and repeating the worst moments on an endless loop. Mom and Dad take turns staying with me, making sure I''m as comfortable as possible. They fuss over me, adjusting my pillows, bringing me snacks, and chattering about anything and everything to keep my mind occupied. Dad tells me about the latest zoning proposals he''s working on, his eyes lighting up as he describes his plans for a new park in the heart of the city. Mom shares gossip from the library, her voice hushed and conspiratorial as she reveals which patrons have been causing trouble. "And then," she says, leaning in close, "Mrs. Goldstein had the nerve to complain about the noise! As if she wasn''t the one who started the whole ruckus in the first place!" I try to laugh, but it comes out as more of a pained grunt. Mom''s face softens, and she brushes a stray hair from my forehead - finally long enough to have bangs. "Oh, honey. I''m sorry. I shouldn''t be bothering you with all this nonsense." "No, it''s okay," I assure her. "I like hearing about normal stuff. I''d rather hear about that." She nods, her eyes glistening with unshed tears. "I know, sweetie. We''re just so worried about you." Pop-pop visits every day, armed with containers of homemade chicken soup and stacks of his favorite superhero comics. He settles into the chair beside my bed, his weathered hands gentle as he tucks the blankets around me. "You know, Sam," he says, his voice soft and scratchy, "when I was a kid, I used to dream about being a superhero. I''d tie a towel around my neck and run around the neighborhood, pretending I was flying off to save the day." I smile, trying to picture Pop-pop as a little boy, his face bright with excitement. "I bet you were adorable." He chuckles, his eyes crinkling at the corners. "I was a handful, that''s for sure. But I always knew, deep down, that I wasn''t cut out for that life. Not like you, Sam. You''re the real deal." I feel a lump forming in my throat, and I blink back tears. "I don''t feel very heroic right now, Pop-pop. I feel... broken." He takes my hand, his skin soft and papery against mine. "You''re not broken, Sam. You''re healing. And that takes time and strength, just like any battle. You''ll get through this, bubbeleh. I know you will."
Two weeks after the attack, I''m finally able to move around the house without pain, limping on the leg with a hole on it.. It''s a small victory, but after being cooped up in bed for so long, it feels like a major milestone. Jordan and Connor come over to celebrate, armed with a stack of comic books and a bag of my favorite gummy worms. "Well, well, well," Jordan says, a smirk playing at the corners of their mouth. "Look who''s up and about. And here I thought we''d have to stage a jailbreak to get you out of bed." I roll my eyes, hobbling over to the couch and plopping down with a grunt. "Ha ha, very funny. You try being stuck in bed for two weeks and see how you like it." This story originates from Royal Road. Ensure the author gets the support they deserve by reading it there. Connor chuckles, folding his lanky frame into the armchair across from us. "No thanks. I''ve seen your bed head, Sam. It''s not a pretty sight." I chuck a pillow at him, but he deflects it easily, his reflexes lightning-fast. "Watch it, string bean," I warn, narrowing my eyes. "I may be down, but I''m not out." Jordan clears their throat, holding up the stack of comics like a peace offering. "Okay, okay, enough squabbling. We brought you some reading material to help pass the time." they pause, grimacing over their words. "And it''s all in chrono-- chrono-logic-- uh, chronolo--," Connor tries to say. "Chronological order," Jordan supplies with a cheesy grin. Connor scowls playfully. "Thank you, Professor Westwood. Anyway, we figured you could use a distraction." I grab the top comic, a vintage issue of some Japanese comic I''ve never read. "Did you raid my grandpa''s stash?" I ask incredulously, flipping through the pages - Nep Egg? Pirates? Jordan looks offended. "What? No! It''s an omnibus of One Piece. What makes you think I, like, need to read about superheroes? I already am one. There''s nothing interesting under the sun there." I laugh, suddenly and breathlessly. "You''re a superhero, now?" Jordan scowls at me. "No." We spend the rest of the afternoon reading comics and swapping stories about our favorite heroes. It''s a welcome escape from reality, a chance to lose myself in a world where the good guys always win and the bad guys always get their comeuppance. I like when the rubber guy punches the fish guy in the face. But as the sun starts to set and Jordan and Connor get ready to leave, the weight of everything comes crashing back. "Listen, Sam," Jordan says, their voice uncharacteristically somber. "About what happened at the courthouse..." I feel my stomach twist, the gummy worms I''d been happily munching on turning to lead in my gut. "I don''t want to talk about it," I say quickly, my grip tightening on my crutches. "I know, but--" "Please, Jordan. Now''s not the time." They sigh, running a hand through their dark, spiky hair. "Okay. I get it. But when you''re ready, I''m here. We all are. You don''t have to go through this alone." I nod, swallowing past the sudden tightness in my throat. "Thanks. I appreciate it." Connor reaches over, giving my shoulder a gentle squeeze. "Anytime, Sam. We''ve got your back, no matter what."
The trial continues, and I watch the news coverage with a growing sense of dread. The city feels different now, like it''s holding its breath, waiting for the next disaster to strike. There are more police on the streets, more heroes patrolling the skies. The courthouse has become a fortress, surrounded by barricades and armed guards. I try to focus on my recovery, on getting stronger every day. Rampart comes over a few times to help with my physical therapy, guiding me through the exercises with his usual calm, steady presence. "Okay, Sam, let''s try another set," he says, his large hands gently supporting my leg as I struggle to bend my knee. "Remember, slow and steady. Don''t push yourself too hard." I grit my teeth, sweat beading on my forehead as I fight through the pain. "I... I can''t," I gasp, my leg trembling with the effort. "It hurts too much." Rampart nods, carefully lowering my leg back down onto the bed. "That''s okay. You''re doing great, Sam. I know it doesn''t feel like it, but you''re making progress." I flop back against the pillows, frustrated tears stinging my eyes. "It doesn''t feel like progress. I wish I could just break my own nose to make the rest of my regeneration factor." "Don''t do that," he says, matter-of-factly, browsing through his phone. He sits down on the edge of the bed, his expression thoughtful. "You know, when I first got my powers, I thought I was invincible. I thought I could take on anything and anyone. But then I got hurt, bad. Took me months to recover, and even then, I wasn''t the same. I had to learn to adapt, to work with my new limitations." I blink up at him, surprised. "I didn''t know that. I didn''t know *you* could get injured." He shows me pictures on his phone - a full arm cast, going all the way from the top of his upper arm down to his palm, eating his wrist like a big worm. "Yeah. And I can''t heal like you can. But, you know, it happens. We grow and evolve. And when you''re ready we can start turning your shins into lethal weapons again." I can''t help but chuckle. "Alright, weirdo. What''s next on the agenda?" Chapter 100.2 The newsroom is abuzz with activity, the anchors'' faces grave as they deliver the latest updates on the Chernobyl trial. I sit on the couch, my injured leg propped up on a pillow, watching the coverage with a mix of anticipation and dread. My mind races with thoughts of my own testimony, the weight of my words hanging heavy in the air. "Breaking news," the anchor announces, her voice cutting through the chatter. "The jury has reached a verdict in the trial of Illya Fedorov, also known by the nom-de-crime of Chernobyl. After weeks of testimony and deliberation, Mr. Fedorov has been found guilty on multiple counts, including manslaughter, theft, property damage, and the illegal generation and release of hazardous materials." I feel a jolt of surprise at the word "manslaughter." I knew Fedorov''s lawyers were arguing self-defense, but I didn''t think the jury would actually buy it. The anchors seem just as shocked, their normally polished facades slipping for a moment. "It''s important to note," the legal analyst chimes in, "that while Mr. Fedorov was initially charged with two counts of second-degree murder in relation to the deaths of Professor Franklin and Liberty Belle, the jury ultimately found him guilty of the lesser charge of manslaughter. This suggests that they believed he acted in self-defense, at least to some degree." I can''t help but wonder if my own testimony played a role in that decision. I think back to the video footage I provided, the raw, unfiltered look at the confrontation between Fedorov and Liberty Belle. Did my perspective, my words, sway the jury towards leniency? That certainly wasn''t the intention, but I can''t help feel a certain weird amount of peace at the idea. The anchor nods, shuffling her papers. "The sentencing hearing is scheduled for September 28th, and legal experts are already speculating about the potential outcome. Given Mr. Fedorov''s apparent cooperation throughout the trial and the jury''s decision to convict on manslaughter rather than murder, many believe he may receive a relatively lenient sentence, possibly in the range of 20 to 50 years in prison." "That''s outrageous!" a guest commentator interjects, his face flushed with indignation. "This man is a menace, a terrorist. He should be locked up for life, not given a slap on the wrist!" "And what about the victims?" another adds, her voice trembling with emotion. "What about Professor Franklin and Liberty Belle? Don''t they deserve justice?" I feel a wave of conflicting emotions wash over me. On one hand, I understand the anger, the desire for retribution. Fedorov''s actions have caused so much pain, so much destruction. But on the other hand, I can''t shake the feeling that he''s a victim too, in his own way. I think about the desperation in his eyes when he talked about his family, the way his voice cracked with emotion. He''s not some heartless monster, not really. He''s just a man who got caught up in something bigger than himself, a pawn in a game he never asked to play. The coverage switches to scenes of protests outside the courthouse, crowds of people waving signs and chanting slogans. "Justice for Franklin!" "Lock him up!" "No more secrets!" The anger and frustration are palpable, even through the screen. Love this story? Find the genuine version on the author''s preferred platform and support their work! But as the cameras pan over the sea of faces, I notice something else: signs demanding accountability from the NSRA, calling for transparency and reform. "NSRA LIES!" they read, and, "WHO WATCHES THE WATCHERS?" It''s clear that the revelations about the agency''s involvement with Fedorov have struck a nerve, and people are hungry for answers. The anchor returns, her expression somber. "The Chernobyl trial may be coming to a close, but it seems to have opened a Pandora''s box of questions about the NSRA and its role in the superhuman community. In the wake of Agent Shaw''s testimony, more and more whistleblowers are coming forward with allegations of corruption, cover-ups, and abuse of power within the agency." I think back to my own interactions with the NSRA, the way they seemed more interested in controlling and manipulating superhumans - controlling and manipulating me - than actually protecting the public. I think about the fear and mistrust I''ve seen in the eyes of my fellow heroes, the way we''ve all been looking over our shoulders, wondering who we can trust. The legal analyst nods, his brow furrowed. "This is just the tip of the iceberg, I''m afraid. The NSRA has operated with impunity for far too long, and now the cracks are starting to show. I wouldn''t be surprised if we see a full-scale investigation in the near future, possibly even congressional hearings." "In a surprising turn of events," the anchor continues, "Mr. Fedorov''s defense team is arguing for him to serve his sentence at the Aurora Springs Residential Facility, rather than a traditional prison like Daedalus or Ixion." The guest commentator scoffs, rolling his eyes. "Aurora Springs? Isn''t that basically a luxury resort for supervillains? What''s next, a day spa and a five-star restaurant?" "To be fair," the legal analyst interjects, "Aurora Springs is designed to contain individuals with powers that make them a threat to public safety. It''s not exactly Club Med." But I can see the calculation in their eyes, the way they''re spinning the story to fit their narrative. They want people to be angry, to demand blood. They don''t care about the truth, about the shades of gray that make up this whole mess. I think about Fedorov''s family, waiting for him back in Ukraine. I think about the desperation that must have driven him to make the choices he did, the impossible position he was put in. And I can''t help but feel a pang of sympathy, even as I know I shouldn''t. As the news coverage continues, I find myself drifting in and out of focus, my mind spinning with the implications of it all. I absently rub my injured leg, wincing at the dull ache that still lingers beneath the surface. The doctors say I''m healing well, that my regeneration is doing its job, but the constant infections and setbacks are starting to take their toll. It''s just hard to pack a wound that deep and that big and keep it uninfected. It''s almost closed now, but it''s weeping and weird and, I don''t know¡­ juicy? Gross. Sorry. I think about the first day of sophomore year, looming just a few short weeks away. It feels strange to be worrying about something as mundane as school supplies and class schedules when the whole world seems to be falling apart around me. But as Mom keeps reminding me, life goes on, even in the midst of chaos. I sigh, reaching for the remote to turn off the TV. I''ve had enough doom and gloom for one day. As the screen goes dark, I catch a glimpse of my reflection - tired eyes, messy hair, a face that looks older than my fifteen years. I try to smile and my teeth don''t read like a shark''s or a human''s or a dog''s. If anything, it reads like a grimace. Whatever happens with the NSRA, with the Chernobyl trial, with the city''s descent into paranoia and fear, I know one thing for sure. I''m a hero, and I''ll keep fighting for what''s right, no matter the cost. Because that''s what heroes do. With a groan, I haul myself up from the couch, grabbing my crutches and hobbling towards the kitchen. Mom''s making lasagna for dinner, and the smell of melted cheese and tomato sauce is enough to make my stomach rumble. For now, at least, the world can wait. I''ve got a date with some comfort food and a much-needed break from the madness outside. But tomorrow? Tomorrow, it''s back to the grind. Chapter 100.3 The sun beats down on my back as I help unload boxes of supplies from the back of a van. It''s been almost a month since the attack, and the city is still reeling. But slowly, surely, we''re starting to pick up the pieces. It''s not like the criminals stopped showing up after the Phreaks'' attack - if anything, it just emboldened people, now more capable of seeing the sort of widespread destruction that Jump is capable of. And Chimera is still on the run. Still spreading the Phreaks'' tainted brand of pills. It''s pretty bad out here, man. "Thanks for your help, Bloodhound," the shelter coordinator says, wiping sweat from her brow. "We really appreciate you taking the time to volunteer." I shrug, trying to play it off as no big deal. "It''s the least I can do. We''re all in this together, right?" She nods, a smile tugging at the corners of her mouth. "Right. It means a lot to the people here, seeing heroes like you stepping up and getting involved. It reminds them that they''re not alone." I think about the faces I''ve seen today - the tired eyes, the weary smiles, the flickers of hope amidst the grief and pain. It''s a humbling thing, to be a symbol of strength and resilience for people who have lost so much. As I continue to help with the unloading, I catch snippets of conversation from the other volunteers - talk of the trial, of the protests, of the uncertain future that lies ahead. It''s a reminder that the world keeps turning, even when it feels like everything has changed. Later that week, I find myself sitting across from a reporter in a bustling coffee shop, my hands wrapped around a steaming mug of tea. She leans forward, her eyes bright with curiosity. "So, Bloodhound," she begins, "what do you think is the most important thing for the public to understand right now, in the wake of everything that''s happened?" I take a deep breath, choosing my words carefully. "I think¡­ I think it''s important to remember that we''re all in this together," I say, echoing the shelter coordinator''s words from earlier. "Heroes, civilians, even some of the bad guys, everyone. We all want the same thing - to feel safe, to have justice, to build a better world for ourselves and each other. We all get up and put pants on one leg at a time." The reporter nods, scribbling in her notebook, her expression totally unreadable. "And what about the divisions that have emerged? The anger towards the NSRA, the protests in the streets?" I feel a flicker of frustration, but I push it down. "It''s understandable," I say slowly. "People are hurt, and scared, and they want someone to blame. But we can''t let that tear us apart. We have to find a way to come together, to have tough conversations and make real changes. It''s not going to be easy, but it''s the only way forward." I give the diplomatic answers, not the real ones. Well practiced. Words directly out of Bulwark''s mouth, drilled into us in the aftermath of the attack. Nobody wants to hear the real answers right now. The interview continues, and I do my best to navigate the delicate balance between honesty and diplomacy. It''s a strange feeling, being a mouthpiece for an entire community of heroes. But if my words can help bridge the gap, even a little bit, then it''s worth the discomfort. As the days turn into weeks, I find myself falling into a new routine - volunteering, training, giving interviews when asked. It''s exhausting, but it feels good to be doing something, to be working towards a greater purpose. But there''s one thing that continues to gnaw at me, a persistent ache that I can''t quite shake. Jamila. I find myself walking past her apartment complex more often than I care to admit, my heart racing every time I catch a glimpse of movement in the windows. I tell myself I''m just checking in, making sure she''s okay. But deep down, I know it''s more than that. One day, as I''m making my usual rounds, I stop short. There''s a moving van parked outside the complex, and a group of men carrying furniture and boxes down the front steps. My stomach twists, a sinking feeling settling in my gut. I watch from across the street, my mind racing with possibilities. Is she moving because of me? Because of what happened between us? Or was this planned all along, and she just didn''t tell me? I think back to our last conversation, the hurt and confusion in her eyes. I wish there was something I could''ve said to change the outcome. But at this point, I feel like there''s nothing that would''ve made it any different. As the moving men finish their work and drive away, I''m left standing there, staring up at the empty windows of what used to be Jamila''s home. I feel a surge of emotions - sadness, regret, anger at myself for letting things get so messed up. I take a deep breath, tearing my eyes away from the building. I have other things to do.
The news is a constant buzz in the background these days, a never-ending stream of commentary and speculation. I try to tune it out, to focus on the things I can control. But it''s impossible to ignore completely, especially when my parents are keeping it on for their sake. "In a stunning turn of events, Congress has introduced a sweeping new piece of legislation aimed at regulating superhuman activities and increasing oversight of agencies like the NSRA," the anchor announces, her voice carrying a hint of excitement. I feel a flicker of unease at the thought of more government oversight. Haven''t we had enough of that already, with the NSRA pulling the strings behind the scenes? "Proponents of the bill argue that it is a necessary step towards rebuilding trust between the superhuman community and the public," a guest commentator chimes in. "By increasing transparency and accountability, we can ensure that those with powers are using them responsibly and ethically." If you find this story on Amazon, be aware that it has been stolen. Please report the infringement. "But critics warn that the legislation goes too far," another voice counters. "They argue that it infringes on the civil liberties of superhumans and could lead to discrimination and abuse of power. Some say it''s an attempt to re-introduce the controversial Superhuman Registration Act of the mid-2000s¡­" A few days later, I receive an unexpected phone call. It''s from my congressperson''s office, inviting me to speak at a legislative session in mid-October. A person who has, so far, only existed as an abstract concept, a name my parents talk about every November, a face whose signs I see hammered into front lawns. "We believe your perspective as a young superhero could be invaluable in shaping this legislation," his assistant tells me. "Your experiences with the NSRA, the challenges you''ve faced¡­ it''s important that those stories are heard." I''m taken aback by the request. Me, speaking in front of a room full of politicians and policymakers? It seems daunting, to say the least. I take a deep breath, steadying myself. "I''ll do it," I tell the assistant. "Just let me know what I need to prepare."
The meeting room at the DVDs'' headquarters is buzzing with anticipation as the Young Defenders and Delaware Valley Defenders gather for a special announcement. I take my seat next to Spindle, my leg bouncing nervously under the table. Councilman Davis clears his throat, drawing everyone''s attention. "Thank you all for coming," he begins, his voice grave. "As you know, the past month has been a time of great upheaval and change for our city and our community. We''ve faced challenges we never could have imagined, and we''ve had to adapt in ways we never thought possible." He pauses, letting his words sink in. "But through it all, we''ve remained committed to our mission - to protect the people of Philadelphia and to fight for justice and righteousness. And that''s why we''re here today." I glance around the room, taking in the serious expressions on everyone''s faces. Whatever this announcement is, it''s clear that it''s not going to be business as usual. "First and foremost," Councilman Davis continues, "I want to congratulate Crossroads on his graduation to the Delaware Valley Defenders. His leadership and strategic thinking have been invaluable to the Young Defenders, and we know he''ll continue to excel in his new role." There''s a round of applause as Crossroads stands up, a small smile on his face. I clap too, but it feels insincere for reasons I''m having difficulty placing. "Thank you," he says simply, before sitting back down. "With Crossroads moving up, we''ve made the decision to appoint Rampart as the new leader of the Young Defenders," Councilman Davis says, nodding towards Rampart. "His strength, both physical and mental, and his dedication to his team make him the perfect choice for this position." Rampart nods, his expression solemn. "I''m honored," he says, his voice deep and steady. "I''ll do everything in my power to lead this team with integrity and courage." "We also have some news from our allies in Los Angeles," Multiplex chimes in. "Captain Plasma has agreed to relocate to Philadelphia in the short term to help shore up our ranks. His experience and unique abilities will be a valuable addition to the Delaware Valley Defenders." There are murmurs of approval from around the room. We all know how stretched thin the DVDs have been since Liberty Belle''s death, and any extra help is more than welcome. But just as I''m starting to feel a glimmer of hope, Puppeteer and Playback stand up, their faces pleasantly neutral. "We have an announcement to make as well," Puppeteer says, her voice tight. "Playback and I have decided to resign from the Young Defenders, effective immediately." What? Huh? "I know this comes as a surprise," Puppeteer continues, her hands trembling slightly. "But I''ve been doing a lot of thinking, and I''ve realized that I need to make a change. I''ve enrolled in a paramedic training program, and I''ll be starting classes next month, on top of all the other stuff. I think it''s the best way for me to be useful to society in the future, given¡­ you know." Playback nods, his usually playful expression serious for once. "And I''ve decided to go back to college," he says. "I''ve been putting it off for too long, and with everything that''s happened¡­ I don''t want to have any regrets." But I can read his eyes. I know there''s something deeper there, something almost bitter. I know the courthouse changed something. But I don''t know what. "We understand," Councilman Davis says, his voice heavy with emotion. "And we support your decisions, even though it pains us to see you go. You will always be a part of this family, no matter where your paths may lead you." There are hugs and tearful goodbyes as Puppeteer and Playback make their rounds, saying their farewells to each of us in turn. When they get to me, I can barely speak past the tightness in my chest. "I''m going to miss you guys so much," I whisper, my voice cracking. "It won''t be the same without you." Puppeteer smiles, her eyes shining with unshed tears. "You''re going to be amazing, Sam," she says, squeezing my hand. "You''ve grown so much already, and I know you''ll continue to do great things." Playback nods, pulling me into a tight hug. "Keep giving ''em hell, Bee," he murmurs, "And keep in touch. Don''t trust these bitches," he whispers. I nod, not trusting myself to speak. As they walk away, I feel a sense of finality settling over me. Things are changing, faster than I ever could have imagined. "With Puppeteer and Playback''s departures, the Young Defenders will be operating with a smaller team for the time being," Councilman Davis says, breaking the somber silence. "Rampart, Gossamer, Blink, Spindle, and Bloodhound - you five will need to work together more closely than ever before." "There''s one more thing," Fury Forge says, leaning forward in her seat. "With all the chaos and destruction of the past month, it''s likely that there have been several new natural activations in the city. We need to be on the lookout for potential recruits, before they fall into the wrong hands." "We''ll keep our eyes and ears open," Rampart says, his voice firm. "And we''ll do everything we can to help any new activations find their way." As the meeting ends and we all start to disperse, I can''t shake the feeling that everything is changing. Changing, so fast, too fast. Like when the Phreaks did their attack, something broke. Or maybe it started earlier than that? Everything feels wrong. Something''s wrong, and I don''t know what.
The first day of sophomore year feels surreal as I make my way through the crowded streets of Tacony. The air is crisp with the promise of fall, but the usual excitement of a new school year is tempered by the heavy presence of riot police on every corner. Jordan walks beside me, their shoulders hunched against the early morning chill. "I can''t believe this is our new normal," they mutter, eyeing a group of officers marching past us. "It''s like we''re living in a police state." I nod, adjusting my backpack on my shoulders. My leg twinges with every step, a constant reminder of how much has changed since last year. "I know," I say, my voice low. "It''s like the whole city is holding its breath, waiting for the next shoe to drop." As we approach Tacony Charter Academy High School, I feel a sense of apprehension settling in my gut. The once-welcoming facade now looks imposing, with metal detectors flanking the front gates and stern-faced security guards checking bags and IDs. "I feel like I''m walking into a prison," I mutter, as we join the long line of students waiting to pass through the checkpoint. Jordan snorts, but there''s no humor in it. "Maybe that''s the point," they say, their voice bitter. "Keep us all in line, make sure we don''t step out of place." I think about the protests, the anger and frustration boiling over in the streets. The way the authorities have cracked down, with curfews and riot gear and a constant, looming threat of violence. Is this what they want? To scare us into submission? As we pass through the metal detectors, I can''t help but feel a sense of violation. The guards rifle through my backpack, their hands rough and impersonal. I grit my teeth, fighting the urge to pull away. When they''re satisfied that I have nothing interesting on me, they let me free. I clench my teeth together and get ready for what''s going to be a long year. End of Arc 6: Sideshow EF.1 PRESS RELEASE Office of the Mayor, City of Philadelphia FOR IMMEDIATE RELEASE Mayor Watkins Announces Emergency Measures in Response to Philly Phreaks Attack PHILADELPHIA, PA - In the wake of the devastating terrorist attack carried out by the group known as the "Philly Phreaks," Mayor Lena Watkins has declared a citywide state of emergency and announced a series of measures to ensure public safety and maintain order. "The attack on our city was a cowardly act of terrorism that has left us all shaken," Mayor Watkins said in a statement. "Our hearts go out to the victims and their families. As we mourn those we have lost and support those who are recovering, we must also take decisive action to protect our city and prevent further attacks." Effective immediately, a mandatory curfew is in place for minors under the age of 18 from 9:00 PM to 6:00 AM daily, and for adults from 11:00 PM to 6:00 AM daily. During these hours, all residents are required to remain in their homes, and all businesses must be closed. Exemptions apply only to emergency services, authorized government personnel, and approved essential workers. The curfew is expected to remain in place for the following month before being re-examined for efficacy. The Philadelphia Police Department, working with state and federal agencies, will increase patrols and checkpoints throughout the city. The National Guard has also been requested to assist in maintaining order and securing critical infrastructure. All public gatherings, events, and meetings are suspended until further notice, and non-essential travel into and out of the city is strongly discouraged. Did you know this text is from a different site? Read the official version to support the creator. "We understand that these measures will cause disruption and inconvenience, particularly with the beginning of a new school year," Mayor Watkins acknowledged, "but they are necessary to keep our city safe. We are resilient, and we will get through this together." The Mayor also announced that the Philadelphia Superhuman Response Unit will be working closely with the Delaware Valley Defenders and other registered superhuman teams to investigate the attack, apprehend those responsible, and prevent future incidents. While three of the four Philly Phreaks have been apprehended, Elias Franklin, known as "Chimera," remains at large and is suspected to be the mastermind behind the attacks. A multi-state manhunt is underway to bring Franklin to justice. "The nature and scale of this attack suggest that the Philly Phreaks may be part of a larger terrorist organization with a broader ideological agenda," Mayor Watkins stated. "We are committed to investigating any potential connections and gathering intelligence to prevent future attacks." In response to the Philly Phreaks'' use of the superpower-granting drug known as "Jump" in the attack, the Drug Enforcement Administration (DEA) has expedited the emergency scheduling of the substance. Jump is now classified as a Schedule I drug, and its manufacture, distribution, possession, and use are federal crimes subject to severe penalties. "To those who perpetrated this heinous act and those who support them, let me be clear: we will find you, and we will bring you to justice," Mayor Watkins declared. "Philadelphia will not be intimidated by violence and hate." Further updates will be provided as the situation develops. Residents are encouraged to stay informed through official city channels and to report any suspicious activity to the authorities. Media Contact: Geoffrey Silverberg Press Secretary, Office of the Mayor Chapter 101.1 Begin Arc 7: Security The hallway is packed with students, all of them trying to get to their homerooms before the first bell rings. It''s a sea of bodies, and I''m just one more fish swimming upstream. I''m not sure if it''s just my imagination, but it feels like there are more security guards around than last year. They''re standing at the end of each hallway, their eyes scanning the crowd like they''re looking for trouble. I guess after everything that happened with the Philly Phreaks and all, they''re not taking any chances. I spot Jordan across the hall, and I wave to get their attention. They look up from their phone and grin at me, pushing their way through the crowd to join me. "Hey, Sam. Ready for another year of academic excellence?" they ask, their voice dripping with sarcasm. I snort. "Oh, definitely. I can''t wait to spend my days learning about the triangles and frog guts." Jordan laughs. "At least you''ve got a few more years left. I''m a senior now, which means I get to spend my days learning about college applications and the inevitable heat death of the universe." "Wow, sounds like a blast," I say, rolling my eyes. "Speaking of blasts, did you see all the new security guards? It''s like they''re expecting an invasion or something." Jordan''s smile fades a bit. "Yeah, I noticed that too. I guess they''re not taking any chances after what happened last year. Can''t say I blame them, but it''s still kind of weird, you know?" I nod. "Yeah, it''s like they''re trying to turn the school into a fortress or something. I get that they want to keep us safe, but it''s kind of... I don''t know, oppressive?" "Tell me about it," Jordan says, shaking their head. "It''s like they forget that we''re just kids trying to get an education, not potential threats to national security." We walk in silence for a moment, both lost in our own thoughts about the state of the city and our role in it as superheroes. Mostly mine. I don''t think Jordan cares too much. It''s a heavy burden to bear, especially at our age, but it''s one we''ve - I''ve - chosen to take on. And if I''m being honest, I wouldn''t have it any other way. The bell rings, jolting me out of my thoughts. "Shit, I gotta run. AP Calc waits for no one," Jordan says, giving me a quick hug before darting off down the hallway. I watch them go, feeling a twinge of envy. Jordan''s always been the smart one, the one with the big plans for the future. Me? I''m just trying to survive high school without getting expelled or outed as a superhero. Or killed. Being killed would be bad too. I make my way to my homeroom, dodging elbows and backpacks as I go. The room is already full when I get there, and I have to squeeze my way through the desks to get to my seat in the back. I plop down with a sigh, dropping my backpack on the floor beside me. "Good morning, everyone," a voice says from the front of the room. I look up to see a tall, thin man with wire-rimmed glasses standing at the whiteboard. "My name is Mr. Weston, and I''ll be your homeroom teacher this year." He looks around the room, his eyes landing on each of us in turn. When he gets to me, he pauses, his brow furrowing slightly. "Samantha Small?" he asks. Unauthorized content usage: if you discover this narrative on Amazon, report the violation. I nod, feeling a bit like a deer caught in headlights. "Yeah, that''s me." "I''m glad to see you back in school," he says, his voice taking on a softer tone. "I heard about your hospital stay last year. Are you feeling better now?" I shift in my seat, feeling the eyes of my classmates on me. Stop bringing me up. Don''t put me on a pedestal in front of all these piranhas. "Uh, yeah, I''m fine. Thanks for asking." Mr. Weston nods, but he doesn''t look entirely convinced. "Well, if you ever need anything, please don''t hesitate to come to me. My door is always open." I force a smile, trying to ignore the way my stomach is churning. "Thanks, I''ll keep that in mind." "That goes for the rest of you, too!" He says, louder, drawing attention away from me. "If you have a problem, my door is always open to resolve it. Problem at school? I''m here. Problem at home? I''m here too. There''s nothing we can''t do together. He moves on to the next student, but I can still feel his eyes on me every now and then throughout the rest of homeroom. It''s like he''s trying to figure me out, to see past the facade I''ve carefully crafted over the years. I don''t like it. I don''t like feeling exposed, like someone might see through me at any moment and realize who I really am. The bell rings again, signaling the end of homeroom, and I practically bolt out of my seat. I grab my backpack and head for the door, eager to put as much distance between myself and Mr. Weston as possible. My first class of the day is Algebra II, which is just fantastic. Math has never been my strong suit, and last year''s extended hospital stay certainly didn''t help matters. I slip into a desk near the back of the room, hoping to avoid drawing too much attention to myself. But of course, the universe has other plans. Because who should walk in the door just as the bell rings but Mr. Weston himself, a stack of textbooks tucked under his arm. "Good morning, class," he says, setting the books down on his desk. "I''m Mr. Weston, and I''ll be your Algebra II teacher this year." I sink lower in my seat, trying to make myself as small as possible. But it''s no use. Mr. Weston''s eyes find me almost immediately, and he gives me a little nod of acknowledgment. "I know some of you may be feeling a bit rusty after the summer break," he says, his gaze sweeping over the room. "But don''t worry, we''ll start off slow and build up from there." He starts writing on the whiteboard, his handwriting neat and precise. "Let''s begin with a quick review of the basics. Can anyone tell me what the Pythagorean theorem is?" I stare at the board, trying to make sense of the symbols and equations. But it''s like trying to read a foreign language. I can feel my mind starting to wander, drifting off to thoughts of last night''s patrol and the new leads we''ve been chasing on the Kingdom of Keys. "Samantha?" Mr. Weston''s voice snaps me back to reality. "Can you tell us what the Pythagorean theorem states?" I blink, my mind scrambling to come up with an answer. "Uh, it''s something about triangles, right? Like, the square one side of the triangle is equal to the sum of the squares of the other two sides?" Mr. Weston nods, but I can see the hint of a frown on his face. "That''s almost correct, but can you tell us what that means in practical terms?" I feel my face heating up as I struggle to find the words. "Um, I guess it means that if you know the lengths of two sides of any triangle, you can find the length of the third side?" "That''s close," Mr. Weston says, but his tone is more concerned than congratulatory. "Samantha, I know you''ve had a tough year, but it''s important that you stay focused in class. If you''re having trouble with the material, please don''t hesitate to ask for help." I nod, feeling like a complete idiot. "Yeah, okay. Thanks." I spend the rest of the class trying to pay attention, but it''s a losing battle. My mind keeps drifting back to my responsibilities as Bloodhound, to the people I''ve sworn to protect and the enemies I''ve made along the way. It''s a heavy burden to bear, and sometimes I wonder if I''m really cut out for it. But then I think about the lives I''ve saved, the difference I''ve made in this city. And I know that no matter how hard it gets, no matter how much I have to sacrifice, I''ll never stop fighting for what''s right. Even if it means stumbling my way through Algebra II and pretending to be a normal teenager. Because at the end of the day, that''s just another mask I wear. And if there''s one thing I''ve learned in my short time as a superhero, it''s that sometimes the most important battles are the ones we fight in secret, when no one else is watching. In math class. Chapter 101.2 My next class is English, which is usually one of my better subjects. I like reading and writing, even if I''m not always the best at expressing myself, and having a librarian for a mother means I''m just naturally better at it than most people. Well, not naturally. But she gets on my case a lot about word choice and definitions, and I''ve never been bad at spelling. Anyway. Today, I''m feeling a little apprehensive as I walk into the classroom. It''s the first day, and I know the teacher is going to make us do one of those "introduce yourself" assignments. I hate those things. It''s like, what am I supposed to say? "Hi, I''m Sam, and I spend my free time fighting crime and getting my ass kicked by supervillains"? Yeah, that would go over well. I take a seat near the back of the room, hoping to blend in with the rest of the class. But of course, the teacher spots me right away. "Samantha Small?" she asks, looking down at her attendance sheet. I raise my hand reluctantly. "Here." She continues down the line, and I realize to my relief that she was not, in fact, picking on me in particular, but just reading out names in reverse alphabetical order, for some reason. "Welcome to English II," she says with a smile. "I''m Mrs. Hernandez, and I''m looking forward to getting to know all of you this year." She goes on to explain the course syllabus and the books we''ll be reading this semester. I try to pay attention, but my mind keeps wandering back to last weekend''s patrol. It''s not like anything happened, but, well... there''s a curfew now, and it''s weird when the streets are so empty. You''re so used to, you know, Philadelphia streets. They''re busy even when it''s 3 in the morning. But now it''s empty 3 in the morning. Hell, it''s empty at 1 in the morning. I stifle a yawn. "...and for your first assignment," Mrs. Hernandez is saying, snapping me back to reality, "I want you to write a short essay introducing yourself to the class. Tell us about your background, your interests, and something you''ve overcome in your life. It doesn''t have to be long, just a page or two. And don''t worry, you won''t have to read it out loud." I suppress a groan. Of course, it''s the "overcoming challenges" prompt. I glance around the room, wondering what my classmates will write about. Sports injuries? Family drama? Meanwhile, I''m over here trying to figure out how to write about my experiences as a superhero without actually mentioning the whole superhero thing. I stare down at the blank page in front of me, tapping my pen against the desk. I could write about the accident that gave me my powers, but that would raise too many questions and probably get me sent to the guidance counselor. I could write about my training with the Young Defenders, but that would be even worse. I could write about my struggles to balance my superhero life with my normal life, but that would just make me sound like a whiny teenager. Among other issues. In the end, I settle for a vague, generic essay about overcoming obstacles and learning to believe in myself. It''s not my best work, but it''s better than accidentally outing myself as Bloodhound. I turn it in at the end of class, feeling a little guilty for not being more honest. But then again, it''s not like I can tell the whole truth. Not without putting myself and everyone I care about in danger. As I''m packing up my things, Mrs. Hernandez stops me on my way out the door. "Samantha, I just wanted to let you know that if you ever need someone to talk to, my door is always open. I know high school can be tough, especially for someone who''s been through as much as you have." I force a smile, trying not to show how uncomfortable her words make me feel. "Thanks, Mrs. Hernandez. I appreciate it." She nods, and I hurry out of the classroom before she can say anything else. It''s not that I don''t appreciate her concern, but I don''t need another adult trying to "fix" me. I''ve got enough on my plate as it is. I head to the cafeteria for lunch, scanning the room for Jordan and Alex. I spot them at our usual table, along with the rest of Jordan''s nerdy friends. They''re all talking animatedly about some new anime series, and I can''t help but roll my eyes as I approach. "Hey, guys," I say, dropping my backpack on the floor and sliding into a seat next to Jordan. "Sam! Just in time," Jordan says, grinning at me. "We were just discussing the finer points of the second cour of Mayhem 12. You''ve gotta check it out, it''s amazing." "I think I''ll pass," I say, picking at my lunch. "I''ve got enough real-life mayhem to deal with. What''s a cour?" Reading on this site? This novel is published elsewhere. Support the author by seeking out the original. Alex blinks at me a couple of times, and then remembers that I don''t care about anime nearly as much as they do. "It''s a-" "It''s a season but for Wapanese people. Like a season of television," Jordan''s cuts in, grinning. "What do you call Wapanese people that are hispanic, anyway? The "wah" part doesn''t really fit here. I''m not white," Alex says, glancing around, before his eyes come to settle on me. "Don''t ask me. I''m hispanic too," I say, half-joking. Jordan''s hands slam on the table. "Bull shit. You are the whitest person I know besides me." "I''m a quarter hispanic on my mother''s side, apparently!" I half-shout back. "That counts." "That does not count," "No the fuck it does not!" Alex and Jordan say, simultaneously. "The answer is obviously ''Hapanese'', obviously," someone whose name I don''t know says from the other side of the table. Jordan rubs their chin in thought. "That sounds like a slur for some reason." "Yeah, I don''t like that. I wish there was a better word besides ''Japanophile''. Something a little more abbreviated," Alex says. I look back down at my turkey sandwich. We sit in silence for a moment, picking at our food. I can feel Jordan watching me, but I don''t meet their gaze. Instead, I focus on the security guards stationed around the cafeteria, their eyes scanning the room for any signs of trouble. "They''re really not taking any chances this year, are they?" Jordan says, following my gaze. "Can you blame them?" I ask. "After what happened last spring, I''m surprised they''re not searching our backpacks every morning." Jordan nods, but I can tell they''re not entirely convinced. "I guess. But it still feels like overkill, you know? Like they''re trying to turn the school into a prison or something." I don''t disagree, but I also know that the school has to do something to keep us safe. Even if it means sacrificing a little bit of our freedom in the process. Or at least, that''s what people keep telling me. As we''re talking, I overhear a group of students at the next table whispering about me. "I heard she''s a superhero," one of them says, not even trying to keep their voice down. "Like, she has actual powers and everything." "No way," another one says, shaking their head. "She''s just a trouble magnet. Didn''t you hear about what happened to her house last year? It''s like she attracts danger or something." I feel my face turning red, and I stare down at my bag lunch, trying to ignore them. But it''s not easy. I know they''re just rumors, but they hit a little too close to home. I am a superhero, and I do attract danger. But it''s not like I asked for any of this. I didn''t choose to have powers, and I certainly didn''t choose to have a T-Rex demolish my house. And it''s rebuilt now anyway, why would they care? Jordan must notice my discomfort, because they lean in close and whisper, "Don''t listen to them, Sam. They don''t know what they''re talking about." I force a smile, but it feels fake even to me. "I am going to bite someone''s throat out," I whisper back, not looking up from my food. Jordan nods, their eyes full of understanding, and their mouth just barely above hearing level. "I get it. But you''re not alone, Sam. You''ve got me, and Alex, and the rest of the team. We''ve got your back, no matter what. Just don''t go breaking any jaws. Now''s not the time." "Thanks, Jordan," I say, my voice a little shaky. "I don''t know what I would do without you guys." "Probably get your ass kicked a lot more often," Jordan replies, grinning. I nod, feeling a little better despite the whispers still swirling around me. I know I can''t control what people say about me, but I can control how I react to it. And right now, I choose to focus on the people who matter, the ones who know the real me and still have my back. But even as I try to push the rumors aside, I can''t ignore the growing sense of unease in the pit of my stomach. Something feels off about this year, like there''s a storm brewing on the horizon. And I have a feeling that no matter how much I try to pretend otherwise, I''m going to be right in the middle of it. I twist back up, and a seam in my dress shirt splits. Pop! Like ripping straight off. "Ugh, not again," I mutter, tugging at the fabric. "I swear, I just got this thing tailored like a month ago." I did not get it tailored a month ago. My parents got it tailored for me pre-hospital. That''s, like... nine months ago. This dress shirt is a fetus. Jordan raises an eyebrow, looking me up and down. "Growth spurt?" I nod, sighing. "Apparently. It''s like my body is determined to make my life as difficult as possible." "Tell me about it," Jordan says, rolling their eyes. "Do you know how hard it is to find a comfortable pair of undergarments with a body like mine?" "No, you wear exclusively sweaters and sweatpants, in brazen defiance of the dress code, and I don''t know what the rest of you looks like," I answer. "How hard is it?" "What, and ruin the mystery?" Jordan asks, laughing. "Maybe we should start a support group," I suggest, only half-joking. "Teenagers with superpowers and gender issues, unite!" Jordan laughs, but there''s a hint of something else in their eyes, something that looks a lot like relief. "You know, that''s not a bad idea. Maybe we could even get matching t-shirts." I grin, feeling a sudden rush of affection for my best friend. "I''m in. But only if I get to design them. Your fashion sense is a crime against humanity." Jordan gasps in mock offense, clutching their chest. "How dare you! I''ll have you know that I''m a trendsetter. A visionary, even." "More like a fashion disaster," I retort, sticking out my tongue. "But seriously, we should do something about these uniforms. I can barely breathe in this thing." Jordan nods, looking surprisingly thoughtful. "Maybe we could talk to the principal about it. I mean, it''s not like we''re asking for special treatment or anything. We just want to be able to wear clothes that actually fit us." "Maybe. I''ll consider helping with this fascinating new crusade of yours." "You''re the one that started it," Jordan says, grinning, holding up their water bottle in a mock toast. "To fighting the power, one ill-fitting uniform at a time!" I laugh, clinking my own bottle against theirs. "To fighting the power," I echo, feeling a sudden surge of determination. Chapter 101.3 The rest of the day passes in a blur of classes and awkward introductions. By the time the final bell rings, I''m more than ready to blow off some steam. And what better way to do that than with a good old-fashioned gym class? I change into my gym clothes in the locker room, wincing slightly as I pull on my shorts. The wound on my thigh, courtesy of Deathgirl''s stealing my powers and then stabbing me with them, is mostly healed thanks to my regeneration - plus, every time I overexert myself, it heals a little faster. But it''s still tender to the touch, and I know I''ll have to be careful not to push myself too hard. I unwrap the gauze, throw out the padding, and get some more stuff to wrap it back up with. I make my way out to the gymnasium, where Coach Simmons is already barking orders at the assembled students. "Alright, ladies and gentlemen, let''s get moving! I want to see some hustle out there!" I fall in line with the rest of the class, starting with some basic stretches and warm-up exercises. As we move through the drills, I can feel the eyes of my classmates on me, watching my every move with a mix of curiosity and skepticism. I try to ignore them, focusing on the burn in my muscles and the rush of adrenaline that comes with physical exertion. But it''s not easy, especially when I overhear a group of girls whispering about me from the sidelines. "I heard she got special treatment last year because of her ''condition,''" one of them says, making air quotes with her fingers. "Must be nice to have a get-out-of-gym-free card I grit my tooth caps, feeling a surge of anger rising in my chest. If only they knew the truth about my "condition," about the months I spent in the hospital recovering from injuries that would have killed a normal person. From acute radiation poisoning! But of course, they don''t know. And even if they did, they probably wouldn''t believe me. And I shouldn''t tell them anyway. Especially not with Illya in the news like he is. Nobody needs to know what I was in the hospital for. I just got sick. It happens. I push myself harder, determined to show them what I''m really capable of. We move on to strength training exercises, and I find myself excelling at every station. Pull-ups, push-ups, squats - it''s all easy for me. I don''t have "enhanced strength" or "enhanced endurance" or anything like that, but limping on my leg like this, it keeps the lactic acid at bay - and my regeneration means I''ve been packing on muscle way better than everyone else in the first place. By the end of the class, I''m barely even winded, while my classmates are panting and sweating like they''ve just run a marathon. Coach Simmons gives me an appraising look, his eyebrows raised in surprise. "Impressive work, Small," he says gruffly. "Keep it up, and you might just give some of these boys a run for their money." I nod, feeling a small swell of pride in my chest. It''s been a while since I''ve done anything sports related besides pick-up games of basketball, and, as much as I may feel bad about it, outcompeting nearly everyone in the class feels good. I love winning. But even as I bask in the glow of my small victory, I can''t shake the feeling of unease that''s been growing in the pit of my stomach all day. As the final bell rings, I grab my backpack and head out of the locker room, my mind already racing with thoughts of the afternoon ahead. I have a meeting with the Young Defenders scheduled for later, and I know we''ll have a lot to discuss after the events of the summer. I''m just about to head out the front doors when I feel a hand on my shoulder. I turn around to see Jordan, their face etched with concern. "Hey, Sam, wait up," they say, falling into step beside me. "I forgot to ask earlier, but Alex mentioned something about a meeting under the bleachers after school. You coming with?" I frown, trying to remember. I had been only half-listening to the conversation at lunch, my mind preoccupied with thoughts of the security guards and the rumors swirling around me. Do I remember anything being said? No. But I do believe Jordan, probably against my better judgment, that it was mentioned. "Yeah, ok. Why?" I ask. "Actually, surprise me." Jordan laughs a little bit, grabbing me by the wrist and gently guiding me along the right path. "Apparently, there''s a group of students who are pretty pissed off about the whole ''riot police in our school'' thing. They want to do something about it." I raise an eyebrow. "Like what? Start a petition? Stage a protest?" The author''s content has been appropriated; report any instances of this story on Amazon. "I don''t know," Jordan admits. "But I think we should check it out," they start, feigning putting glasses on over their nose. "If nothing else, it might give us some insight into how the student body is feeling about all of this." "When have you ever used the phrase ''student body'' in your life? I think you just want to start trouble," I say, stopping. I hesitate for a moment, weighing my options. On the one hand, I''m not sure I want to get involved in any student activism, especially if it means drawing more attention to myself. But on the other hand, I know that Jordan is right. As vigilantes, it''s our job to keep our finger on the pulse of the city, to know what''s going on and how people are reacting to it. "Alright, fine," I say finally. "Let''s go see what this is all about." Jordan pumps a fist in the air. "Yes!" I know they just want to start trouble. We make our way out to the athletic fields, where a small group of students is already gathered under the bleachers. I recognize a few faces from my classes, but most of them are unfamiliar to me. As we approach, I can hear snippets of conversation floating on the breeze. "...can''t believe they''re searching our lockers now..." "...my dad got shook down by the cops the other day, just for walking down the street..." "...and what''s with this curfew? Since when does the mayor have the right to tell us when we can and can''t leave our houses?" I exchange a glance with Jordan, my eyebrows raised. It seems like the student body is even more riled up than I realized. We join the group, trying to blend in as much as possible. A girl with long, pink hair and a nose ring is speaking animatedly, her hands waving in the air as she rants about the injustice of it all. "We can''t just sit back and let them turn our school into a prison," she says, her voice ringing with conviction. "We have to do something about it. We have to fight back. My sister''s a superhero and she''d never let this stand." A murmur of agreement ripples through the crowd, and I can see heads nodding in assent. But not everyone seems convinced. "And how exactly do you propose we do that?" a boy with shaggy blond hair asks, his arms crossed over his chest. "In case you haven''t noticed, we''re just a bunch of kids. What can we do against the cops and the mayor?" "Wait, I didn''t know Nina was a superhero?" someone else says from the collection of bodies, none of whom I recognize. The girl with the nose ring glares at the first guy. "We can make our voices heard," she says firmly. "We can organize, we can protest, we can let them know that we won''t be silenced." She ignores the other comment. The debate rages on, with students arguing back and forth about the best course of action. Some want to stage a walkout, others want to start a petition or a letter-writing campaign. A few even suggest more drastic measures, like hacking into the school''s security system or vandalizing police cars. "None of you guys know how to hack anything, don''t kid yourself," Jordan mumbles, just loud enough to be heard by at least two people, who shoot them a dirty look. Through it all, Jordan and I stay mostly quiet, listening intently to the different perspectives and opinions. I can see the gears turning in Jordan''s head, and I know they''re already thinking about how this might tie into our work as vigilantes. But for me, it''s not so simple. As much as I sympathize with the students'' frustrations, I also know that there are bigger forces at play here. The increased security measures, the curfew, the crackdown on public gatherings - it''s all part of a larger response to the growing threat of supervillains and metahuman criminals. And as a superhero, I have a responsibility to protect the city and its people, even if that means working within the system that others might see as oppressive. At least, that''s what it feels like to me. The air starts getting a little cold, and a roll of dark grey clouds starts to slide over the sky like a blanket, putting the afternoon to bed. As the meeting starts to wind down, I nudge Jordan and tilt my head towards the exit. They nod, and we slip away quietly, leaving the other students to continue their discussions. We walk home in silence, each lost in our own thoughts. The sun is starting to set, casting long shadows across the sidewalk, and I can feel the first hints of autumn chill in the air. "So, what do you think?" Jordan asks finally, breaking the silence. "About the meeting, I mean." I sigh, kicking a pebble out of my path. "I don''t know," I admit. "I get where they''re coming from, but I also know that it''s not as simple as they make it sound. There are a lot of factors at play here, a lot of competing interests and agendas." Jordan nods, their face pensive. "I know. But that doesn''t mean we can''t do something about it. We have a unique perspective, Sam. We see things that other people don''t. And we have a responsibility to use that knowledge to make a difference." I chew on my lip, considering their words. "Maybe. But we also have a responsibility to keep people safe. And sometimes, that means working within the system, even if it''s not perfect." Jordan gives me a sidelong glance, and I can see the glint of mischief in their eyes. "Since when are you the voice of reason?" they tease. I punch them lightly on the arm. "Since someone has to be, apparently." We lapse back into silence, but it''s a comfortable one this time. We''ve had this conversation before, in one form or another, and I know that we''ll have it again. It''s the nature of the work we do, the constant push and pull between our ideals and the reality of the world we live in. As we turn onto my street, I can see the warm glow of the living room lights spilling out onto the front porch. My dad is probably in there, examining paperwork or going through the latest in zoning. My mom might be curled up on the couch with a book, or maybe she''s in the kitchen, experimenting with a new recipe. It''s a comforting thought, the idea of my family waiting for me at home. A reminder that no matter how crazy my life gets, no matter how much I might struggle to balance my different roles and responsibilities, I always have a place to come back to. I say goodbye to Jordan at the bend, watching as they disappear down the street with a wave and a smile, closer to their home in an abandoned music hall. Then I take a deep breath and head inside, ready to face the unique social challenges that being an only child brings. Superhuman Entity Report: Daisy "Deathgirl" Zhen PERKS Assessment: Daisy Zhen (Deathgirl) Classified Level: Top Secret Date: August 2024 I. Power Classification Adjust: Anger-Induced Dynamimesis Code: A9/SO/PEM/P Rationale: Daisy Zhen, known as Deathgirl, possesses the ability to automatically and autonomously copy and enhance the superpowers of individuals she is currently most angry at. This ability falls under the ¡®Adjust¡¯ category as it modifies existing variables (powers) within a system (the target individual). The power affects herself and others (SO), and can be physical, emotional, or mental (PEM) depending on the nature of the copied power. The range is classified as ¡®Postmile¡¯ (P) due to the lack of necessity for physical proximity. II. Power Ranking Deathgirl¡¯s anger-induced dynamimesis is ranked at A9, indicating an extremely high level of power with the potential to be catastrophic. Her ability to not only copy but enhance the powers of others, combined with the autonomous nature of her ability, makes her a formidable and unpredictable threat. III. Control Rating Control: 1/10 Deathgirl exhibits little to no control over her power. The autonomous nature of her ability, coupled with her volatile emotional state, results in a highly uncontrolled manifestation of copied and enhanced powers. IV. Hostility Rating Hostility: 10/10 Daisy Zhen has demonstrated extreme hostility and a willingness to cause harm. Her self-styling as a ¡°Demon King¡± and involvement in a major terrorist incident indicate a high level of aggression and malicious intent. V. Collateral Damage Potential Collateral Damage: 10/10 The combination of Deathgirl¡¯s enhanced copied powers, lack of control, and high hostility results in an extremely high potential for collateral damage. The physical mutations that manifest with her copied powers further increase the risk of unintended harm. VI. Overall Threat Level Threat Level: 10/10 Considering Deathgirl¡¯s power ranking, lack of control, extreme hostility, and immense potential for collateral damage, she is assessed with the highest overall threat level. Her ability to rapidly shift and enhance powers based on her anger makes her an unpredictable and severe threat to both individuals and society at large. PERKS Assessment Comments for Daisy Zhen (Deathgirl) 2024: Officer¡¯s Comments: Daisy Zhen, known as Deathgirl, is an extremely dangerous metahuman criminal. Her anger-induced dynamimesis allows her to copy and enhance the powers of those she is most angry at, resulting in a volatile and unpredictable threat. Despite her young age, she has already been involved in a major terrorist incident and displays a disturbing lack of remorse. Her placement in solitary confinement at Daedalus Correctional Facility is necessary to prevent further harm, but long-term solutions must be explored. Continuous monitoring and assessment of her mental state and power manifestation are crucial. Extreme caution is advised in all interactions. -Officer Johnson Interviewing Officer: Michael Johnson Date: August 28th, 2024
Confidential Report: Power Assessment of Daisy Zhen (Deathgirl) Assessment Agent: Dr. Emily Nakamura Date: September 2024 I. Introduction: This report presents an analysis of the metahuman abilities of Daisy Zhen, known as Deathgirl, currently incarcerated at Daedalus Correctional Facility. The assessment focuses on understanding the mechanics, limitations, and potential threats posed by her anger-induced dynamimesis. II. Power Overview: Daisy possesses the ability to automatically and autonomously copy and enhance the superpowers of individuals she is most angry at. The copied powers manifest as physical mutations on her body, often lacking the weaknesses of the original power and exhibiting increased strength and efficiency. III. Mechanics and Functionalities:
  1. Anger Trigger: Daisy¡¯s power is triggered by her anger towards specific individuals. The intensity of her anger seems to correlate with the potency of the copied and enhanced power.
  2. Autonomous Activation: The copying and enhancement of powers occur automatically, without conscious control from Daisy.
  3. Physical Manifestation: Copied powers manifest as physical mutations on Daisy¡¯s body, often in the form of additional appendages or alterations to existing body parts.
  4. Power Enhancement: Copied powers are enhanced in terms of strength, efficiency, and lack of original weaknesses. Quantitative enhancements are estimated to be in the range of 20-30% compared to the original power.
  5. Rapid Shifting: Daisy¡¯s anger focus can shift rapidly, resulting in a swift change of copied and enhanced powers. This shifting can occur multiple times within a short period, making her abilities highly unpredictable.
IV. Limitations:
  1. Emotional Dependency: Daisy¡¯s power is entirely dependent on her anger. If her anger subsides or is redirected, the copied and enhanced powers may diminish or disappear.
  2. Physical Strain: The rapid shifting and manifestation of physical mutations likely place a significant strain on Daisy¡¯s body. Long-term effects are unknown but potentially severe.
  3. Lack of Control: Daisy seems to have little to no control over her power, which activates and shifts autonomously based on her anger. This lack of control increases the risk of unintended consequences and collateral damage.
  4. Exhaustion: As a thirteen year old girl of otherwise normal endurance, Daisy is prone to fits of exhaustion and overexertion that will cause her to lose consciousness, deactivating her powers.
  5. Singular Copying: Daisy can only copy a single power at a time.
V. Threat Assessment:
  1. Individual Threat: Daisy poses an extreme threat to individuals, particularly those she harbors anger towards. Her ability to copy and enhance powers makes her a formidable and unpredictable opponent.
  2. Societal Threat: The volatile and destructive nature of Daisy¡¯s power, combined with her lack of control and apparent willingness to cause harm, poses a significant threat to public safety and societal stability.
VI. Recommendations:
  1. Containment: Strict containment measures are necessary to prevent Daisy from causing further harm. Solitary confinement and minimal exposure to potential anger triggers are advised.
  2. Power Suppression: Research into methods of suppressing or neutralizing Daisy¡¯s power should be a high priority. Collaboration with leading metahuman scientists and experts is recommended.
  3. Psychological Evaluation: A thorough psychological evaluation of Daisy is crucial to understand the underlying factors contributing to her anger and hostile behavior. Insights gained from this evaluation may inform potential treatment or rehabilitation strategies.
VII. Conclusion: The genuine version of this novel can be found on another site. Support the author by reading it there.Daisy Zhen, aka Deathgirl, represents an extreme threat due to her anger-induced dynamimesis. Her ability to copy, enhance, and rapidly shift powers based on her anger makes her a highly unpredictable and dangerous metahuman. Strict containment, power suppression research, and psychological evaluation are necessary to mitigate the risks posed by Deathgirl. Continuous monitoring and assessment of her abilities and mental state are crucial for the safety of both individuals and society at large. Dr. Emily Nakamura Specialist in Metahuman Power Assessment for the National Superhuman Response Agency
Daedalus Correctional Facility Containment Procedures for Metahuman Inmate 84927166 (Daisy Zhen, aka ¡°Deathgirl¡±) Clearance Level: Restricted Containment Unit: Inmate 84927166 is to be housed in a specially designed containment unit located in the high-security isolation wing of the Daedalus Correctional Facility. The cell is constructed of heavily reinforced concrete, with walls, floor, and ceiling measuring no less than 30 centimeters in thickness. The interior of the cell is to be kept minimally furnished, with a bed, sink, and toilet, all of which are to be made of lightweight, shatterproof materials. To minimize potential anger triggers, Inmate 84927166¡¯s cell is equipped with advanced sound-dampening technology and adjustable lighting systems. The ambient temperature within the cell is to be maintained at a constant 20 degrees Celsius. No external stimuli, such as television, radio, or reading materials, are to be provided to Inmate 84927166 without express approval from the containment team lead and the facility¡¯s chief psychologist as well as the on-call child psychologist. Surveillance and Monitoring: Inmate 84927166 is to be under constant surveillance via multiple high-resolution cameras and advanced audio monitoring systems. All surveillance footage is to be reviewed by the containment team daily, with any unusual activity or signs of power manifestation to be reported immediately to the facility warden and the NSRA liaison. In addition to visual and audio surveillance, Inmate 84927166¡¯s cell is to be equipped with an array of sensors designed to detect and measure any electromagnetic, thermal, or biochemical anomalies that may indicate the activation of Inmate 84927166¡¯s metahuman abilities. Personnel Interaction: All personnel assigned to the Inmate 84927166 containment team must undergo rigorous psychological screening and specialized emotional control training. Interaction with Inmate 84927166 is to be kept to an absolute minimum, with all communication occurring via the cell¡¯s built-in intercom system or through a reinforced, transparent polymer barrier. Staff members with metahuman abilities are ineligible for assignment to Inmate 84927166¡¯s containment team. No single staff member is to be assigned to Inmate 84927166¡¯s containment unit for more than one week at a time to prevent the formation of any emotional attachments or resentments that may trigger Inmate 84927166¡¯s anger-induced dynamimesis. Contingency Protocols: In the event of an escape attempt or the manifestation of Inmate 84927166¡¯s metahuman abilities, the following contingency protocols are to be initiated immediately:
  1. The automated sedation system, which utilizes aerosolized sedatives, will activate. This system is designed to render Inmate 84927166 unconscious within 15 seconds of activation.
  2. If the automated sedation system proves ineffective, or if Inmate 84927166 manages to breach their cell, an immediate facility-wide lockdown is to be initiated. All non-essential personnel are to evacuate to designated safe zones, while specialized containment teams are to be deployed to neutralize the threat.
Research and Development: The Daedalus Correctional Facility¡¯s research division is to prioritize the development of new containment technologies and power-suppression methods specifically tailored to Inmate 84927166¡¯s unique metahuman abilities. Regular progress reports are to be submitted to the NSRA ASAP. Psychological Evaluation and Rehabilitation: Despite the severity of Inmate 84927166¡¯s crimes and the potential threat she poses, the Daedalus Correctional Facility remains committed to the rehabilitation and eventual reintegration of all metahuman offenders. To this end, a team of experienced psychologists and metahuman behavioral specialists is to be assigned to Inmate 84927166¡¯s case. Monthly evaluations are to be conducted to assess her mental state, emotional stability, and potential for rehabilitation. Typical child-friendly forms of entertainment are to be provided as rewards for good behavior. Any progress made in these areas is to be carefully documented and shared with the NSRA and the Department of Metahuman Affairs to facilitate the development of long-term management strategies for Inmate 84927166 and other metahuman offenders with similar psychological profiles. Conclusion: The containment of metahuman inmate Inmate 84927166 (Daisy Zhen, aka ¡°Deathgirl¡±) is a complex and ongoing process that requires constant vigilance, cutting-edge technology, and a dedicated team of professionals. By adhering to the protocols outlined in this document, and by maintaining open lines of communication with the NSRA and other relevant agencies, the Daedalus Correctional Facility aims to ensure the safety and security of both the general population and Inmate 84927166 herself. It is important to remember that, despite her actions and the potential threat she poses, Daisy Zhen is still a human being deserving of compassion and the opportunity for redemption. It is our duty as a society to balance the need for public safety with the fundamental principles of justice, rehabilitation, and humane treatment for all individuals, regardless of their metahuman status. Prepared by: Dr. Ethan Novak, Head of Metahuman Containment, Daedalus Correctional Facility Approved by: Warden Elizabeth Hold, Daedalus Correctional Facility NSRA Liaison: Agent Marcus Lee, National Superhuman Response Agency Distribution List: Chapter 102.1 The hallways are a solid wall of human bodies this morning, an almost impenetrable mass of shifting colors and muted conversations. I shoulder my way through the throng, Jordan a few steps behind me as we make our slow, inexorable progress towards homeroom. "So," they huff, dodging an errant backpack with the practiced ease of someone well-accustomed to the chaos. "That meeting yesterday was certainly... a thing." I snort, rolling my eyes as I squeeze past a cluster of giggling freshmen. Leave it to Jordan to have a way with words. "Don''t overexert your noun allotment, Shakespeare. You could say that," I agree, pitching my voice to be heard over the dull roar surrounding us. "Although I''m not sure ''peaceful protest'' and ''we need to fight back against the security state'' really belong in the same conversation." Jordan shrugs, their battered Ramones t-shirt shifting beneath the bulk of their oversized hoodie. "I mean, yeah, some of them were a little... extreme," they concede. "But can you really blame them for being pissed? This whole security crackdown is getting out of hand." I open my mouth to respond, but we round the corner into the main hallway and I''m forced to pause, taking in the sheer enormity of the changes that have swept through the school over the past few weeks. Security checkpoints block off every major entrance and intersection, metal detectors and X-ray scanners manned by grim-faced guards who look more like bouncers than school safety officers. Uniformed cops patrol the halls in pairs, hands resting casually on their batons as they eye the students like a herd of potentially rabid animals. It''s like we''ve walked straight into a militarized zone, the once-familiar hallways transformed into a maze of checkpoints and chokepoints. A large group of students clusters near one of the metal detectors, voices raised in protest as a particularly officious-looking guard demands to see their IDs and backpacks. "See what I mean?" Jordan murmurs, leaning in close so their words won''t carry. "This is exactly the kind of bullshit people were talking about yesterday. If anything, that meeting didn''t go nearly far enough." I sigh, torn between exasperation and resignation. Jordan does have a point - the heightened security presence is starting to feel more like an occupation than a safety measure, and it''s easy to understand why some students would feel the need to push back against it. At the same time... well, let''s just say I''ve seen firsthand the kinds of threats lurking out there in the world. Threats that would make the blood run cold in even the most ardent of liberty-loving revolutionaries. It really feels weird in my head, like trying to weigh two different sides of a scale at the same time. I can''t say I''m really a fan of the sensation. "Look, I get where you''re coming from," I tell Jordan as we shuffle forward in the line for the metal detectors. "Really, I do. This whole situation is an absolute clusterf-" I catch myself, grimacing as I remember our surroundings. "It''s messed up. But you gotta understand, the people making these decisions... they aren''t doing it just to flex their authority muscles or whatever." Jordan arches one impeccably-groomed eyebrow, the silver ring glinting in the harsh fluorescent lights. "Oh really?" they drawl, voice thick with skepticism. "And I suppose the full-body pat-downs are just a fun little perk for them?" I bristle at their tone, fighting the urge to snap back with a sarcastic retort of my own. It''s like Jordan''s forgotten that I''m not just some random civilian watching events unfold from the outside - that I''ve been on the front lines, seen the blood and chaos with my own two eyes. Before I can formulate a response, though, we reach the front of the security line. The guard eyes us with a look of deep suspicion, his meaty hand hovering over the metal detector''s control panel. "IDs," he grunts, making no effort to hide the undisguised contempt in his voice. Jordan rolls their eyes, but produces their school ID without comment, tucking a loose strand of freshly-dyed electric blue hair behind one ear as they slide their backpack onto the conveyor belt. I follow suit, my every movement carefully measured as I try my best to exude an air of polite cooperation. The guard runs our bags through the scanner, squinting at the monitor with an intensity usually reserved for brain surgeons or rocket scientists. I tense slightly as the machine beeps in response to something inside Jordan''s bag, but the guard simply grunts and waves us through, apparently satisfied that we aren''t concealing any deadly contraband. We collect our belongings and start moving again, the crowd swallowing us up almost immediately as we''re swept along in the current of bodies. Jordan is uncharacteristically silent for a few long moments, their expression unreadable. "You know..." they say at last, their words slow and deliberate. "My mom used to talk about school being a safe space, y''know? Somewhere kids could go to learn and grow without having to worry about the weight of the entire world crashing down on their shoulders. When she wasn''t begging me for cigarette money, I mean." If you encounter this narrative on Amazon, note that it''s taken without the author''s consent. Report it. There''s an undercurrent of something in their tone, a melancholy note that sends a pang of unexpected sympathy lancing through me. Jordan may act tough, all snark and bravado on the surface... but deep down, they''re just a teenager. Just a kid, really - one who''s been forced to grow up way too fast, same as me, albeit maybe in different ways. "Weirdly sound advice from Mrs. Westwood," I say, folding my arms over my chest. "I think she just wanted me to stay in school because it was free babysitting, if I''m being real," Jordan coughs out. I swallow hard against the sudden lump in my throat, forcing myself to meet their gaze head-on. "I know it sucks," I tell them, as earnest as I can manage. "Believe me, I hate this whole situation just as much as you do. But the truth is, we live in a pretty messed up world these days. You''d think a courthouse has the best security you could manage, and it didn''t really do shit." Something flickers in Jordan''s eyes at that, a flash of emotion quickly buried beneath their usual mask of sardonic detachment. They open their mouth, maybe to argue or commiserate or who knows what... but whatever response they might have offered is drowned out by a sudden commotion up ahead, raised voices cutting through the ambient noise of the hallway like a hot knife. "That''s not much of a counterargument, Sam," they sputter out, although to what I''m not sure. I try to connect it to the thing I just said, and it bounces off like a dried ball of Elmer''s glue. So, I turn towards the commotion instead. Students are scattering out of the way, backpedaling from the source of the disturbance with expressions ranging from shock to outright fear on their faces. Over the cacophony of shouting, I can just make out the unmistakable sound of boots on linoleum, heavy and purposeful. Without even thinking about it, I break into a jog, trusting Jordan to keep pace as I push my way towards the eye of the gathering storm. As I round the final corner, the scene that greets me is like something ripped straight out of my worst fever dreams. A young student - a freshman, by the looks of things, or just a particularly young sophomore, dark skinned and baby-faced - is caught in the unyielding grip of one of the security guards, his slight frame practically swallowed up by the officer''s bulk. His arms are pinned behind his back at an angle that can''t possibly be comfortable, feet scrambling for purchase on the slick floor as the guard hauls him forward with casual, implacable force. "Hey man, leggo!" the kid yelps, voice cracking with a potent mixture of fear and indignation. "I didn''t do nothin'', I swear!" The guard - a heavy-set man with a ruddy complexion and a bad combover - simply grunts, his expression one of bored irritation as he gives the kid a little shake, like a dog worrying a captured squirrel. "Quit your squirming, man," he rumbles in a molasses-thick accent more suited to a North Jerseyan than anyone from around here. "You know the rules - no hats, no hoods, no exceptions. Should''a thought of that before you went an'' mouthed off to me like that." The kid''s eyes go wide with a mixture of incredulity and outrage, the beginnings of angry tears gathering at their corners. "It''s a fuckin'' hat!" he explodes, twisting against the guard''s iron grip with renewed vigor. "I wasn''t even doin'' anything, you racist piece''a -" Whatever insult he might have hurled is cut off with a grunt of pain as the guard gives him another shake, harder this time. Around us, a crowd is starting to gather, a loose ring of gawkers drawn by the raised voices and obvious violence taking place. A few concerned teachers hover at the fringes, their expressions pinched with worry as they watch events unfold. "You just earned yourself a trip to the principal''s office, smart-ass," the guard snarls, giving the kid''s arm another vicious twist for emphasis. "No hats," Something inside me snaps into focus, a switch being thrown as instincts honed over a year of combat training kick into high gear. Before I even realize what I''m doing, I''ve shoved my way to the front of the growing throng and placed myself squarely in the guard''s path, hands raised in a calming gesture. "Whoa, whoa, easy there!" I call out, trying to keep my voice as level and non-confrontational as possible. "I think we could all use to take a step back and take a breath here, don''t you?" The guard''s head snaps around at the sound of my voice, his eyes narrowing to dangerous slits as they rake across my slight frame. For a moment, I think he''s going to listen to reason... but then his expression twists into an ugly sneer, lips peeling back from his teeth, almost like a smile. Just not quite. "Well, aren''t you special," he spits, giving the student another rough shake that makes me wince in sympathy. "I don''t need some jumped-up little kid tellin'' me how to do my job. This thug was caught breaking the rules, so now he''s gotta face the consequences. We have rules and laws for a reason, don''t we, girl?" The way he bites off that last word, loading it with enough derision to make me feel like a kicked toddler, sends a bead of unease trickling down my spine. There''s genuine malice in his eyes now, a kind of caustic hatred that seems wildly disproportionate to the situation at hand. Still, I force myself to hold my ground, every muscle in my body tensed and coiled like a spring as I fight to keep my breathing slow and steady. "Look, man, I get that you''re just trying to do your job," I tell him, each word emerging carefully measured and precise. "But there''s gotta be a better way to handle this than assaulting a kid over something as stupid as a hat, you know? Why don''t you let him go, and we can all just walk away and forget this ever happened?" For a long, terrible moment, the only sound is the ragged rasp of the student''s panicked breathing as he watches our exchange with wide, terrified eyes. The murmurs of the crowd surround me, and I glance sideways for just long enough to notice Jordan''s hands opening up in that familiar stance. The guard''s jaw works furiously, cords of muscle standing out in stark relief across his thick neck. "Yeah, let him go!" someone shouts from the crowd, a voice I''ve never heard before in my life. And then, without warning, he shoves the student away from him with enough force to send the skinny kid stumbling and sprawling hard on the unforgiving tile. A chorus of shocked gasps rises from the surrounding students, and I feel Jordan tense beside me, every line of their body vibrating with outrage. "That''s it," the guard snarls, taking a menacing step forward as he jabs a meaty finger in my direction. "You want to be an accomplice? Be my guest. As far as I''m concerned, defending a rulebreaker''s just as bad as breaking the rules." Chapter 102.2 The crowd surges forward, a dozen hands reaching out to help the fallen student - James, I overhear someone call out - back to his feet. Phones appear like conjured magic tricks, held aloft to capture every moment of the unfolding drama. The guard doesn''t seem to care. His focus is locked squarely on me now, that twisted sneer etched deeper than ever as he takes another deliberate step forward, one meaty hand dropping to the baton clipped at his belt. "You just made a big mistake, little girl," he growls, the words dripping with menace. My heart is jackhammering in my chest, every instinct screaming at me to move, to flee, to do something other than just stand here like a deer frozen in the headlights. But I can''t back down, not now - not with the eyes of the entire student body watching, hanging on my every move. So instead, I force myself to hold my ground, fixing the guard with my best approximation of a steely glare as I slide one foot back into a combat stance. Out of the corner of my eye, I can see Jordan making a series of minute gestures, their fingers flexing and shifting in that subtle pattern I''ve come to recognize. The guard''s hand tightens around his baton, muscles tensing as he rears back for a swing - And whiffs clean over my head as the stretched-out hallway sends the baton whistling harmlessly past my face. He stumbles, off-balance, and I take advantage of the momentary opening to pull back and make a little more distance between the two of us. Another flick of Jordan''s fingers, and suddenly I''m the one stumbling, the guard''s bulk twisting away from me like I''m moving through molasses. He recovers faster than I would have thought possible, sweeping the baton around in a vicious ark that catches me squarely on the outside of my bad thigh. White-hot agony lances through me, the dull throbbing ache of my still-healing injuries flaring into molten life. I choke back a cry of pain, staggering as my knee threatens to buckle beneath me. The guard looms over me, triumph glittering in his piggish eyes as he raises the baton high for another strike - And that''s when the training kicks in. It''s like something inside me just... clicks, a switch being thrown as a full year and some change''s worth of combat drills and muscle memory takes over. My body moves on pure instinct, no thought or conscious action required as I flow forward in a blur of motion, redirecting the guard''s own momentum to flip him sideways and over in a textbook Aikido throw. He hits the ground with a meaty thud and a surprised grunt of expelled breath, the baton clattering away across the tile as he lies there stunned and gasping for air. For a heartbeat, everything is perfectly still, the hallway frozen in a tableau of shocked silence. Then the cheers erupt, a rolling wave of noise crashing over me like a tidal surge as the crowd goes wild. Fists pump in the air, bodies jumping and jostling with unbridled excitement as a ragged chant builds, fueled by a kind of primal, animalistic joy. "Sa-am! Sa-am! Sa-am!" It should be exhilarating - a moment of pure, shining triumph after such an intense confrontation. But instead, all I can feel is a hollowness, a vague sense of unease gnawing at the pit of my stomach like a worm burrowing through an apple. Is this how it''s supposed to feel - this strange mix of hollow victory and self-doubt? I feel like I''ve just shot someone. The guard is struggling to rise, his ruddy face flushed an even deeper crimson as he sucks in frantic, wheezing breaths. He manages to get one elbow under him, trembling visibly with the effort as he glares up at me with naked hatred smoldering in his eyes. He opens his mouth, maybe to curse or threaten or demand that I be expelled on the spot, I''ll never know. He scrambles for his baton and clearly gets ready to swing it that much harder than before, or maybe even throw it, but he never gets the chance. Because in that instant, a piercing shriek splits the air like a thunderclap, the harsh blare of an airhorn cutting through the din and reverberating off the tile and steel. I flinch instinctively, head ringing and hands clamped over my ears as more figures in uniform start shouldering their way through the throng, glaring out at us over the tops of the raised batons. "Alright, alright, break it up!" a gruff voice bellows. "Show''s over, let''s go! All of you kids clear out, right now! Get to class!" The chanting falters, the wave of jubilation cresting and crashing against the stern authority radiating from the new arrivals. Students start melting away, shooting furtive glances over their shoulders as they hurry off to class or make themselves scarce. Even the guard seems cowed, frozen where he lies like a turtle flipped helplessly onto its back. One of the officers - a grizzled man with the unmistakable bearing of someone in command and skin the color of grizzly bear fur - steps forward, leveling a stern look at Jordan and me. For a long moment, his gaze bores into me, impassive and inscrutable. Then, finally, he gives the slightest of nods, almost imperceptible. The narrative has been illicitly obtained; should you discover it on Amazon, report the violation. "You," he rumbles, jerking his chin in our direction. "Get to class. We''ll be calling you in later. Beat it!" He pauses, then adds with just the barest hint of a smirk tugging at the corners of his mouth, "Unless you''d rather spend the next month in detention, that is." I swallow hard, ducking my head in a show of respect and contrition that surprises even me with its sincerity - or maybe it''s just fear. Of what, I couldn''t say. "Yes, sir."
The cafeteria is just as chaotic as ever at lunchtime, a roiling sea of bodies and noise that ebbs and flows in crashing waves around the various islands of relative calm - the lunch counters, the snack bars, little clusters of students huddled together at the tables that dot the space. Jordan, Alex, and I, along with the usual gaggle of anime fans I have never introduced myself to nor learned the names of, have staked out one of the more isolated tables near the back corner, partially shielded from the chaos by a pair of vending machines and a bank of lockers. It''s not exactly the most private or secure location, but it''ll do in a pinch - and hey, at least it means we don''t have to spend the entire period dodging half-masticated chunks of mystery meat. Still, the events of this morning seem to be lingering over us like a bad fart, the usual whirlwind of jokes and casual banter between the three of us conspicuously absent. Even Jordan is uncharacteristically subdued, staring down at the tabletop with a brooding frown etched into their delicate features. So it''s with a sense of almost palpable relief that I look up at the sound of approaching footsteps, meeting the wide, earnest gaze of the student from earlier - James, I remind myself - as he hovers uncertainly at the periphery of our little island of calm. "Hey," he says after clearing his throat, giving an awkward little wave. "Uh... Sam, right?" I blink, a little taken aback by his directness - not to mention the fact that a total stranger somehow knows my name. But I quickly recover, nodding as I gesture for him to feel free to join us. "That''s me," I confirm, trying my best to keep my tone light and conversational despite the disquieting strangeness of the situation. "And you''re... James, I overheard?" He flashes me a broad grin, white teeth standing out in stark contrast to his warm, deep-brown complexion. "Yeah, that''s me," he confirms, sinking down onto the bench across from me before adding in a more subdued tone, "I, uh... I just wanted to say thank you. For earlier, I mean. It was really cool how you stood up to that asshole like that." I feel my cheeks flush slightly at the unexpected praise, suddenly finding myself unable to meet his slightly awe-struck gaze. Off to my left, Jordan snorts quietly into their chocolate milk, but thankfully remains silent for once. "It was nothing, really," I demur with an embarrassed little half-shrug. "Dude was being a total dick for no reason. I just... did what anyone would''ve done in that situation, I guess?" The way James''s eyebrows shoot up makes me think that no, very few people would have stepped up like that - or at least, very few within his own circle. A pang of sympathy lances through me as I take in his slight frame, the defiant set to his jaw so clearly at odds with the tension thrumming through his tightly-coiled form. He''s just a kid, I realize with a start. Just a scrawny teenage boy thrust into a world of metal detectors and paramilitary security forces, left to fend for himself against the harsh realities of the modern world. It''s jarring, almost, to see that contrast laid out so starkly in front of me. He was in middle school four months ago. Before the world exploded. "For real though," he presses on, that look of awestruck admiration not dimming in the slightest. "The way you just, like... moved, you know? All smooth and flowing like water, like it was nothing? That was some straight-up ninja shit, girl. You been taking self-defense classes or something?" I force out a casual little chuckle, silently thanking my lucky stars for the fact that he seems to have bought my little display of Totally Normal High School Badassery. "Oh, you know," I deflect with a casual wave of my hand. "Just some basic Aikido and stuff, nothing too crazy. My mom insisted that I know how to defend myself against creeps like that guy." He nods eagerly, practically vibrating with pent-up energy and intensity. For a heartbeat, I can see it in his eyes - the desire to press me further, to dive down into the rabbit hole of Exactly How Bambi McSkinnyGirl learned to move like a ninja warrior. But to his credit, he swallows it down, bobbing his head in agreement as he lets the matter drop. "They drill it into you. I wasn''t really thinking about it at all," I add. "Totally, yeah," he says instead, leaning back and studying me appraisingly. "Well, still... that was some crazy shit you pulled. I don''t think I''ve ever seen anyone straight-up toss a security guard before. You''re like, lowkey a total badass, ya know?" I can feel the blush returning in full force, the tips of my ears practically burning as I duck my head to hide the fierce grin tugging at the corners of my mouth. From the other side of the table, Jordan makes a noise halfway between a cough and a snort of derision - clearly not caring for James''s blatant attempt at flirting, as clumsy as it might be. "Thanks, I guess?" I finally manage, rubbing at the back of my neck in a show of exaggerated awkwardness. "I''ll be sure to keep that in mind next time y''know... ninjas and stuff." James opens his mouth to respond, probably to either double down on his flirtations or continue heaping embarrassingly effusive praise upon me. But before he can get a single syllable out, the harsh crackle of the PA system fills the air, loud enough to cut through even the dull roar of adolescent chaos. "Samantha Small, please report to the principal''s office immediately. Samantha Small to the principal." I sigh, shooting Jordan and Connor a weary look as I start to rise from my seat. Well, I suppose it was only a matter of time before the other shoe dropped, as it were. At least now I can finally get this whole unpleasant little episode behind me. "Duty calls, I guess," I quip, offering James a casual little salute and a parting grin. "Thanks for the kind words, dude. And hey - just between you and me, just let me know in advance next time you want to wear a hat. My leg''s still a little sore." He blinks, clearly taken aback by my nonchalant banter. But before he can formulate a response, I''m already striding away, mind already churning as I brace myself for whatever fresh nonsense awaits me in the principal''s domain. After all - how much worse could it really get at this point? Chapter 102.3 The principal''s office is exactly how I remember it - a sterile, lifeless space that seems designed to suck all the warmth and cheer out of the air. The cheap wood-veneer desk looks as battered and scuffed as ever, little pits and divots pocking its surface like the remnants of some long-forgotten battle. And sitting ramrod straight in the pair of hard plastic chairs facing that sad, abused desk? My parents, of course. The moment I step through the doorway, my mom is on her feet, lips already pursed into a thin, bloodless line as she regards me with a look I''ve seen far too many times before - one part concern, two parts disappointment, stirred together with just the faintest undercurrent of fear. "Samantha Elisabeth Small," she starts in a tone of voice that immediately kicks my gut into overdrive. Behind her, my dad rises as well, looking somehow both sheepish and faintly accusatory all at the same time. It would be comical if it wasn''t so painfully, soul-crushingly awkward. So much for getting this dealt with quickly. "What in G-d''s name have you gotten yourself into this time?" my mom demands without preamble. Her dark eyes bore into me with an intensity that makes me want to squirm. "The things the principal just told us... attacking a security officer? Assaulting school staff? I thought we raised you better than that!" I open my mouth to respond, to try and at least get a few words in edgewise before this whole situation spirals completely out of control. But before I can so much as inhale, the principal is shoving his way out from behind the desk, arms folded across his chest as he fixes me with a look of profound disapproval. "I''m afraid the situation is even more serious than that, Mrs. Small," he rumbles in that irritatingly paternal tone all authority figures seem to adopt when dealing with rambunctious teenagers. "Based on Officer Ridley''s report, it would seem your daughter willfully interfered with him carrying out his lawful duties, verbally abused and threatened him, and then - when he tried to detain her - assaulted him outright. Threw him to the ground, if you can believe it." My dad lets out a strangled little noise, like he just got punched in the gut. I''m sure he can believe it. Mom, on the other hand, simply closes her eyes and pinches the bridge of her nose over top her glasses, exhaling a long, weary sigh. "Oh, Samantha..." she murmurs, more to herself than anyone else. For a moment, she looks utterly defeated - her usual boundless energy and enthusiasm draining away to leave behind a hollow, empty husk. There''s something in her eyes when she looks at me again, a faint glimmer of uncertainty and... is that fear? My stomach turns over, panic clawing at the base of my throat. I never wanted to cause them this much worry, this much stress and heartache. Not after everything we''ve already been through together. "We always knew there might be... difficulties, after everything that happened with... you know, life," she continues softly. "But to act out like this? To become violent? I don''t even know what to say." I feel anger flare, hot and bright, in my chest. How dare they? How dare they look at me like that, like I''m some kind of ticking time bomb or rabid animal waiting to snap? I open my mouth, furious words bubbling up from deep within - And then I pause, realization slamming into me like a bucket of ice water to the face. They have no idea. Of course they don''t know what really happened - all they have to go on is that bastard officer''s side of the story. One look at my mom''s ashen, stricken expression is enough to tell me that he hasn''t exactly been sparing with the embellishments or flourishes. For all they know, I just snapped for no reason and went full Kung-Fu Badass on the poor, innocent security guard. No wonder they''re looking at me with that haunted expression, like the daughter they knew and loved has been replaced by some feral, violent stranger. My anger cools, leaving behind a kind of resigned determination as I pull my phone from my pocket. If they aren''t going to listen to me, then I''ll just have to show them the truth for themselves. I start tapping out a quick message to Jordan as Principal Heckerman continues monologuing, his voice a dull buzz in the background. "--n''t just go around sharing security footage with anyone," flies around my ears like a moth. Something something process, subpoena, not really necessary... Good idea though, teach. This narrative has been purloined without the author''s approval. Report any appearances on Amazon. Jordan, I type out, keeping one eye on my parents to avoid arousing suspicion. Please tell me you got one of those videos from earlier. I need proof. The response comes almost immediately, a simple thumbs-up emoji that fills me with a sense of profound relief. On it, Jordan''s follow-up reads. Sit tight, boss. I tuck my phone back into my pocket just in time for Principal Heckerman to turn towards me, arms folded across his broad chest as he regards me with an expression that can only be described as grim disappointment. "Under normal circumstances, an incident like this would merit immediate expulsion," he intones, each word carrying the weight of finality. "However... given your history, and... Ahem, service to the city, I''m willing to downgrade to an in-school suspension for one month." Mom flinches, her hand fluttering upwards like she wants to reach out and grab my arm. Dad just stares at the ground, jaw working silently. I can tell that both of them want to cry, but for different reasons. "But make no mistake," Heckerman continues in that same grave tone. "One more outburst like this, one more violent episode... and you''ll be out before you can blink, young lady. No second chances. No appeal. Am I making myself abundantly clear?" I nod once, keeping my features carefully schooled into an expression of meek contrition. Inside, I''m seething - at his condescending attitude, the unspoken allegations, the assumptions of guilt. But I know there''s no point in pushing the issue, not until I have the proof I need to turn this whole situation on its head. Proof which, thankfully, seems to be arriving right about... now. My phone buzzes insistently, Jordan''s number flashing across the lockscreen. I meet Principal Heckerman''s eyes, holding his gaze as I draw in a slow, steadying breath. "Sir... if I may?" I ask in my most polite, almost whimpering tone, like a baby puppy. "I think there''s been a terrible misunderstanding about what happened earlier. And I can prove it - if you''ll just give me a chance to explain myself?" Heckerman''s brows knit together, lips pressing into a tight line of displeasure. For a moment, I''m certain he''s going to refuse, to shut me down and dismiss me out of hand. But then, grudgingly, he gives a curt nod. "Very well," he allows, arms unfolding as he leans back against the edge of his desk. "Let''s hear this ''explanation'' of yours. I''m sure it''ll make all the difference." Without wasting another second, I pull up the video file Jordan forwarded me and tap the play icon. The tinny sound of raised voices and shouting immediately fills the small office, the shaky camerawork lending an almost cin¨¦ma v¨¦rit¨¦ sort of realism to the proceedings - at least, that''s what my Mom called it when she showed me those weird art movies. I watch my parents closely as it unfolds - their sharp intakes of breath as Ridley manhandles the student, the look of shock and outrage passing over their features as I try to defuse the situation. When the part comes where Ridley actually shoves the kid to the ground, my mom lets out a little gasp, her hands flying to cover her mouth. And throughout it all, I can see the emotions playing out across their faces as they''re confronted with the reality of what happened. The anger. The fear. And then, slowly but surely, a dawning sense of righteous indignation as they realize the true extent of what their daughter just went through, flushed embarassment across my father''s pale face as he realizes where the battle lines lay. By the time the video ends - with Ridley getting his just desserts, as it were - both of them are shaking, anger and pride and disgust warring for dominance across their features. My dad catches my eye and gives a barely perceptible nod of approval. Mom, on the other hand... "This is unacceptable," she hisses through gritted teeth, rounding on Heckerman with a look of cold fury. "That... that thug assaulted a child! And then he tried to do the same to my daughter when she did the right thing and stood up to him?" For his part, Heckerman looks like he just got slapped across the face. His mouth works soundlessly for a few seconds, opening and closing as a flush of deep crimson begins creeping upwards from the collar of his shirt. "Mrs. Small, I can assure you -" "Oh, you can assure me nothing!" Mom cuts him off, stabbing an accusatory finger in his direction. "Rest assured, we will be speaking to the parents of this student and putting them in touch with our lawyer about this appalling violation of their son''s civil rights! As for you..." She trails off into an ominous silence, eyes narrowing to slits of pure, unfiltered Spanish fury. "Well," she finishes at last in a tone of forced calm. "We''ll just have to see about getting the teachers'' union involved as well, won''t we? This kind of incompetence and brutality cannot be tolerated anywhere, let alone in a place of learning! It''s not enough that Mayor Watkins wants to effectively shut down the library with her little martial law stunt, but to bring this sort of nonsense where our children learn - it''s disgusting!" The office falls silent, the weight of the implied threat hanging thick and heavy in the air. Heckerman looks like he''s desperately searching for some kind of foothold, some mitigating factor or point of leverage that will allow him to regain control of the rapidly derailing situation. But Mom isn''t having any of it. Finally, after what seems like an eternity, Heckerman deflates with a weary sigh, rubbing tiredly at his brow. "Very well, Mrs. Small," he says in a tone of deep resignation. "In light of the... evidence presented here today, the most I feel I can reasonably assign is... one week''s detention for your daughter. And that''s me being exceptionally lenient, I might add." He fixes me with a stern look, like I''m a misbehaving dog that just shit on his nice, clean floor. "No more of these ''judo throws'' or whatever else you kids are doing these days, understand?" he adds, making little air quotes with his thick fingers. "Next time, I won''t be so forgiving." "It''s Aikido, actually," I correct him mildly. "I don''t know any Judo." Chapter 103.1 The weight of a thousand stares seems to bear down on me the moment I step through the main doors of Tacony Charter, an almost palpable force that makes the hairs on the back of my neck prickle with instinctive unease. Whispers and sidelong glances trail in my wake like a bad fart, mingling with the dull roar of adolescent chaos that fills the air. I force myself not to react, not to so much as twitch beneath the scrutiny. Head held high, shoulders back, every line of my body radiating an aura of studied nonchalance ¨C the same sort of casual indifference I''ve had to cultivate over the past year and change as both student and... well, something slightly more than that. It doesn''t make the stares or the muted mutterings any easier to ignore, but it helps, at least a little. What *really* makes my skin crawl, though, is the overwhelming presence of the school''s security forces. Everywhere I look, those black-clad figures seem to materialize ¨C prowling the hallways in pairs, one hand resting casually on their batons as they eye the surging tide of students with ill-disguised hostility. A few of them clock me as I pass, faces hardening into stony masks of disapproval beneath the brims of their caps. And it''s not even the heavy-handed security theater that''s setting my nerves so thoroughly on edge, as much as it is the *attitude* those glorified mall cops are giving off. Like they''ve all banded together, united in some unspoken pact to circle the proverbial wagons against any whiff of perceived disrespect or rebellion from the student body. "Freakin'' animals," one of them mutters just loud enough for me to hear as I brush past, his voice a grating rasp of pure distaste. Despite my best efforts, I can''t quite suppress the full-body shudder of revulsion that wracks me at his spite-fueled words. Jordan catches the reaction out of the corner of their eye and quirks one slim eyebrow in a silent question. I just shake my head, pressing on towards homeroom while my mind whirls. This whole situation, this sudden escalation into what feels like a full-blown totalitarian crackdown feels wrong. Like something has gone horribly, horribly wrong with the status quo and I seem to be the only one noticing it. It makes me feel insane that this is even happening! Like I should just get up and shout that we shouldn''t tolerate this, even if I can''t articulate why and what''s bothering so much. Aren''t they keeping us safe? I need to scream. But I can''t do that, can I? The very notion of keeping that part of myself locked away, tamped down tight and hidden from view, used to terrify me. But now, as I glance sidelong at the cluster of snickering guards loitering by the bank of lockers... now, I can''t imagine a worse fate than being outed to people like them. Cruel jackals just drooling at the chance to turn their pack mentality against a new target. It''s amazing how quickly my view of them seems to have 180''d. So instead, I''ll play along. I''ll keep my head down and my mouth shut, gritting my teeth against the torrent of injustices both large and small that seem to swirl around me like a gathering storm. It''s what Sam Small would do, after all. Just a normal, ordinary teenage girl trying to keep her head above water. Just a girl that knows martial arts. Right? The sudden weight of Jordan''s hand on my shoulder makes me jump, my train of thought derailing with a violent lurch. I blink owlishly at them for a moment before managing a thin ghost of a smile, doing my best to keep the turmoil churning inside me from showing on my face. They just arch an eyebrow again, giving my shoulder a reassuring squeeze before letting their hand drop away. A tacit reminder ¨C I''m not alone in this fight. Not anymore. I allow myself a single deep breath, fighting down the tide of impotent anger that threatens to overwhelm me. One battle at a time, Sam. No sense picking fights you can''t win, not when there are so many worth fighting still to come. Jordan gives me a shake like a maraca and splits off for their own homeroom. Mr. Weston''s classroom is an oasis of blessed normality compared to the circus unfolding out in the halls, the air hushed and thick with a sense of tranquil concentration as students ready themselves for the day ahead. He looks up as I slip through the doorway, eyes crinkling at the corners in a warm smile of greeting. "Ah, Samantha," he calls out, rapping his knuckles lightly on his battered old desk, while the rest of the class stares at me for being like 30 seconds late. "Glad to see you could join us." I muster up my best attempt at an easy grin, sliding into my usual seat at the back of the room and pulling out my notebook. Mr. Weston studies me for a moment, one eyebrow quirking upwards as he seems to take in my subtly tense posture, the guarded look in my eyes. He steps in a little closer, so that he''s not chattering me up in front of the entire class. "Everything alright, Sam?" he asks quietly as the rest of the class settles in around us, blessedly oblivious. "You seem on edge today." I open my mouth to brush off his concern with some trite, meaningless platitude, but something in the gentle warmth of his gaze gives me pause. So instead of deflecting, I simply let out a soft sigh and shake my head, offering the barest shrug of my shoulders. "Honestly, Mr. Weston?" I murmur, pitching my voice low to avoid being overheard. "The security guards here kind of suck balls. If you don''t mind my French." On reflex, he responds with a "watch your language", and then his face crinkles up like he swallowed a lemon, or maybe a frog. He nods slowly, beginning to uncrinkle. "If you want my opinion, I think you did the right thing standing up for that young man. But we do all have our responsibilities to bear, like our academics. So try not to make a habit of flipping authority figures." This story has been unlawfully obtained without the author''s consent. Report any appearances on Amazon. The corner of my mouth twitches upwards at that, a tiny flicker of genuine amusement sparking to life somewhere in the pit of my stomach. "I''ll try to keep that in mind, sir," I assure him, and for once the words don''t feel like empty platitudes. "Good, good," he nods, seemingly satisfied. Rapping his knuckles on the desk one more time, he straightens up and clears his throat, voice rising to address the rest of the restless class. "Right then, settle down, everyone! Let''s have our undivided attention up here, shall we..." The rest of homeroom passes in a blur, school announcements and friend-making icebreakers that I decline to participate in flying through me in a soothing, almost hypnotic flow. For a little while, at least, I can simply exist in the moment ¨C focus on the work in front of me rather than dwelling on the madness simmering just outside these four walls. It''s a welcome respite, a chance to simply... *breathe*, and be Sam Small the high school student instead of Samantha the Bloodhound. But like all good things, it can''t last forever. All too soon, the bell is ringing to signal the end of period one, and I find myself swept up in the crush of bodies spilling out into the hallway. The cacophony of noise and movement is jarring after the tranquility of the early morning, overwhelming in its sheer intensity. I grit my teeth and brace myself against the tide, allowing the flow of foot traffic to carry me along towards my next class. It''s as I''m passing by one of the security checkpoints ¨C hustling to avoid attracting any undue attention ¨C that a harsh voice rings out, amplified to ear-splitting levels by the sheer belligerence fueling it. "You! Small! Hold up!" I freeze, the command hitting me like a physical force as my head whips around to find its source. One of the guards ¨C a thickset woman with tan skin and a brutally severe bun ¨C is stalking towards me, dark eyes narrowed to slits of implacable hostility. The thin stream of students still shuffling past gives her a wide berth, parting around her like a river diverging around a jagged outcrop of stone. "Me?" I blurt out dumbly, frozen in place despite my brain screaming at me to turn and bolt before... whatever this is inevitably turns ugly. "What did I do?" The guard ¨C her nameplate identifies her as OFFICER NGUYEN ¨C doesn''t answer, at least not with words. Instead, she closes what little distance remains between us with two long, purposeful strides and gives a curt nod towards my backpack. "Drop it," she orders, voice a flat rasp of pure contempt. "Now." For a heartbeat, I can only gape at her in stunned silence, my brain simply refusing to process the demand. She can''t be serious, can she? It isn''t until Alex appears at my side, gently but insistently nudging me with one of his tiny shoulders, that the spell breaks and I find my voice again. He reaches into the crowd and somehow manages to pluck out a Jordan like he''s pulling a weed out of the dirt. "I... wait, what?" I stammer, utterly bewildered. "Why do I need to ¨C" "Random search," Nguyen cuts me off with a sneer, making a show of folding her thick arms across her chest. "Drop the bag." My jaw works soundlessly for a moment as I try to process this blatant violation of... what? Boundaries? Civil liberties? Basic human dignity? I''m not even sure at this point, I just know that there''s something deeply, viscerally *wrong* about the way she''s handling this entire situation. Beside me, Jordan is practically vibrating with pent-up outrage, their features twisted into a scowl that looks more suited to a vengeful demon than a teenage civilian. They open their mouth, maybe to protest or simply hurl a few choice insults of their own, but I beat them to the punch ¨C not with words, but actions. Gritting my teeth, I let my backpack slide off my shoulders and hit the ground with a dull *thump*, dropping into a loose ready stance as I brace myself for whatever fresh brand of bullshit is about to unfold. Nguyen eyes me with a mixture of contempt and what might be just the faintest hint of respect, that thin veneer of professionalism masking her true colors just long enough to get through this little performance. She nods again, curtly. "Kick it over here," she orders, using the toe of one scuffed boot to indicate the empty space between us. I oblige without a word, shoving the bag across the linoleum with perhaps a little more force than strictly necessary. Nguyen tracks its movement, her gaze never wavering for even a fraction of a second until it finally comes to rest at her feet. Bending over with an exaggerated grunt, she snatches it up and begins to rifle through the contents, disordering notebooks and pencil cases with cavalier disregard. I allow my eyes to flick over to Jordan, whose silent fury seems to have transmuted into something colder, harder ¨C an icy mask of disapproval and contempt that has the fine hairs on the back of my neck standing on end. "You can''t just do this, you know." Their voice is soft, barely more than a hoarse whisper of naked disgust, but it cuts through the din like a blade nonetheless. Several nearby students pause mid-stride, casting furtive glances over their shoulders to see what new drama is unfolding. Nguyen does Jordan the courtesy of looking up from her rummaging, one heavy brow arched in a facsimile of polite inquiry. "Yes, I can," she rumbles, somehow managing to pack an entire novel''s worth of unspoken menace into those three simple words. Jordan isn''t cowed ¨C if anything, their lips peel back in a cold smile that sends a shiver of primordial unease rippling down my spine. "Singling Sam out like this?" they clarify, their tone conversational despite the undercurrent of venom. "It''s harassment, plain and simple. You might have shiny new rules to hide behind, but we both know this is just petty payback over yesterday''s little incident." Silence, thick and suffocating, descends over the hallway. Even the guards clustered nearby ¨C all bravado and sneering aggression just moments before ¨C seem to shrink in on themselves, shoulders hunching inwards as Jordan''s words hit home. I find myself holding my breath, every muscle in my body tensed for... what? Fight or flight, I couldn''t say. Then, finally, Nguyen lets out a soft chuckle ¨C a rasping, hollow sound utterly devoid of anything even remotely resembling humor. Her fingers still inside the ruins of my backpack, toying idly with the few remaining scraps that still linger within. "You got a smart mouth on you, don''t you, kid?" she observes, eyeing Jordan up and down in a way that makes the hair on the nape of my neck prickle. "I''d be careful where I aimed it if I were you." Her words hang in the air like a physical force, the subtle note of threat inherent to them sending little shivers of ice water trickling down my spine. Jordan tenses almost imperceptibly beside me and for a breathless, suspended moment, the entire world seems to hold its breath, waiting for the other shoe to drop. But it never does. Instead, Nguyen lets out another one of those wheezing chuckles and straightens up, her free hand upraised in a placating gesture as she pretends to brush a few stray hairs out of her eyes. She grunts, accompanied with an indolent shrug. "I''ve wasted enough time on you two smart-asses today. Get to class, Westwood. And you, Small, watch yourself." With that, she bends down and snatches up my thoroughly violated backpack, tossing it back at me with enough force to make me grunt as I snatch it out of the air. Not waiting for any response, she turns on her heel and stalks off down the hallway, barking at a cluster of slack-jawed onlookers to quit gawking and get to class. Chapter 103.2 I watch her go, something hot and ugly simmering deep in the pit of my stomach as the ugly truth of what just occurred sinks in. She backed down, sure ¨C but not before reminding us exactly who holds the real power in this little microcosm of societal breakdown. I let out a slow, nuisanced breath, trying and mostly failing to push down the swell of bitter impotence that rises like vomit at the back of my throat. "You good?" Jordan''s voice cuts through the haze, its usual cocky edge filed down into something softer, more hesitant. They place a gentle hand on my arm, meeting my gaze with an uncharacteristically earnest look of concern when I finally bring myself to meet their eyes. I open my mouth to answer, to insist that yeah, I''m totally fine, just maybe a little shaken by this latest injustice and bald-faced abuse of authority¡­ but the words wither and die on my lips before I can give them voice. Because, really? Am I okay? Am I truly, genuinely fine with just standing here and accepting this kind of treatment? And what could I even do about it? Like, obviously I could probably take most of these security guards in a fight, but then I''d just get expelled. They have all the power here. I don''t. And they''re going to circle the wagons, and there isn''t really anything I can do about it. In the end, though, I simply paste on my best attempt at a brittle smile and give Jordan''s hand a reassuring squeeze before slipping free of their grip. "Yeah, I''m good," I lie through my teeth, tugging my backpack up from where it lies forgotten on the floor. "No sweat. Let''s just get the hell out of here before Miss Congeniality changes her mind, yeah?" Jordan regards me for a long moment, one eyebrow quirked in mute skepticism. Then, slowly, they nod ¨C although whether it''s in agreement or simply resignation, I honestly couldn''t say. "Sure, boss," they murmur, gesturing for me to take the lead as we set off down the echoing, emptied hallway. "My class is on the way anyway."
The cafeteria is a microcosm of the divisions ripping through the student body ¨C factions and cliques forming like tectonic plates shifting beneath the surface. Over by the lunch lines, a cluster of kids shoot me appraising looks, whispering behind cupped hands before breaking into nervous giggles. Closer to the center of the room, another group watches me with open admiration, fists thumping against tabletops in a silent salute. It''s like the whole world has been turned upside down in the span of a few short days. I''m not just Sam Small anymore ¨C I''m a symbol, a rallying point for prospective rebels and reactionaries alike to gather around. And I hate every second of it. "Well, well, if it isn''t our very own Rosa Parks," a sardonic voice rings out from somewhere to my left. I turn to find its source ¨C a knot of upperclassmen lounging at one of the central tables, eyes glinting with undisguised mockery. "Tell me, do they just hand out medals for every little malcontent pulling a stunt these days? Or did they make you work for that Hero of the Proletariat badge?" I feel my shoulders tense despite my best efforts, jaw clenching as I fight against the urge to retort. Jordan picks up on my sudden shift in demeanor, falling in a half-step behind me as we navigate the crowded sea of tables and benches. "Take the high road, dude," they murmur out of the corner of their mouth, low enough that only I can hear. "They''re just looking for a reaction." "I don''t think they can call you that," Alex mumbles under his breath. As if to punctuate their point, another derisive voice pipes up from the direction of the upperclassmen. "Please, Jordan, there''s no need to defend your little delinquent friend," it sneers, dripping with artificial boredom. "We all know trash like you sticks together." My hands curl into white-knuckled fists inside the too-long sleeves of my hoodie, nails biting into callused palms hard enough to sting. I open my mouth, fury and indignation coalescing into the beginnings of a blistering retort ¨C And Jordan places a gentle hand on the small of my back, just a fleeting brush of contact, but it''s enough to shatter my mounting rage into a thousand glittering shards. I swallow hard against the lump of anger burning in my throat, forcing myself to breathe slowly through my nose as I wrestle my emotions back under control. Nameless faces from the crowd press in around us, gawking and murmuring like ravens drawn to a scene of roadkill. Unauthorized duplication: this tale has been taken without consent. Report sightings. After what feels like an eternity, I manage to shoot Jordan a look that could almost pass for casual ¨C a raised eyebrow, a sardonic twist of the lips, a silent command to keep moving before this goes any further off the rails. They purse their lips, considering my unspoken request for a heartbeat, two¡­ and then, finally, inclining their head in a minute nod as we resume our path towards the sanctuary of the back corner table. It''s only once we''re seated, the noise and chaos of the lunchroom a distant murmur, that I allow myself to relax ¨C propping my elbows on the tabletop and burying my face in my hands as I let out a shuddery breath. "Assholes," I mutter, more to myself than Jordan. "Every single one of them. Just¡­ G-d, the entitlement on those pricks is unreal." Jordan makes a noncommittal noise of agreement, already working their way through a carton of curly fries someone must''ve scored off the limited veggie menu. "What else is new?" they point out between mouthfuls. "These are the same dillweeds who spent all of freshman year harassing the theater kids and stuffing the baby bats into lockers. Literally the last people whose opinions we should give a solitary fuck about." I snort out a harsh bark of laughter at that, the icy knot of anger still lodged beneath my breastbone loosening slightly. "I guess," I concede, straightening up in my seat and allowing my gaze to drift over the bustling cafeteria one final time. "It''s just¡­ I dunno, frustrating? Like, god forbid anyone try to just do the right thing for once without a billion different people getting piled on top of it." Jordan arches one slim eyebrow, brushing a few stray crumbs from the corners of their mouth. "Yeah, well, moral purity''s all well and good," they drawl, fixing me with that patented look of world-weary amusement. "But to these clowns, you''re a symbol whether you like it or not. Might as well start thinking about how you want to use that." Before I can formulate a response to that particular pearl of cynical wisdom, their eyes flick away from mine ¨C narrowing as they seem to focus on something over my shoulder. Frowning, I turn to follow their gaze, but all I find is a loose cluster of students loitering near the cafeteria doors, books and backpacks clutched to their chests. "What''s with the Breakfast Club reject corner over there?" Jordan muses aloud, knuckle rising to tap contemplatively against their lower lip. "Are the burnouts making a comeback while we weren''t looking?"
I slouch deeper into the creaky wooden chair, aggressively ignoring the rhythmic tick-tock of the clock mounted above the classroom door. Around me, dust motes dance and swirl in the thin beams of late afternoon sunlight slanting in through the windows, hovering and twisting in kaleidoscopic patterns. It should be mesmerizing, almost meditative. Instead, every passing second feels like nails on a chalkboard, sawing away at my already frayed nerves. With a grunt of disgust, I snap my gaze away from the torturously slow sweep of the second hand and focus on the task laid out before me ¨C a teetering stack of ancient, coverless textbooks towering precariously on the desk. My hands drift over the pile automatically, sorting and re-shelving with all the enthusiasm of a condemned prisoner told they''ll get an extra ration of gruel if they make their shackles nice and shiny first. Welcome to detention! I think bitterly, pursing my lips in a silent scowl. Where the only thing being punished is my sanity! The clock ticks with agonizing slowness, each second stretching into an eternity as I sit in the silent, stuffy classroom. My leg bounces restlessly beneath the desk, fingers drumming a staccato rhythm against the worn wooden surface. It''s like my entire body is screaming out for stimulation, for movement, for anything other than this unending monotony. I can feel Mr. Heckerman''s eyes boring into the side of my head from his perch at the front of the room, but I refuse to give him the satisfaction of meeting his gaze. Instead, I let my mind drift, replaying the events of the past few days in an endless loop.
"I''m telling you, Sam, there''s something seriously off about that Ridley guy," Jordan insists as we loiter outside the school gates, waiting for the last stragglers to clear out before beginning our nightly patrol. "I''ve been asking around, and apparently he''s got a reputation for being a real hardass with the black kids." I sigh, rubbing at the bridge of my nose in a futile attempt to stave off the beginnings of a headache. "Look, I get that he''s an racist asshole," I concede, "but that doesn''t mean he''s, like¡­ I don''t know, a criminal? There''s nothing I could say to the principal - who already hates me for embarassing him - that would make him fire the guy. I don''t even know if the school, like, hired these guys or if they''re an imposition from the city." Jordan fixes me with a look of pure exasperation, their lips pursing into a thin line. "That''s not what I''m saying," they huff, crossing their arms over their chest. "I''m saying we should look into him ourselves, see if we can find any dirt that''ll give us some leverage." I open my mouth to argue, to point out all the ways that plan could backfire spectacularly¡­ but something in Jordan''s expression gives me pause. There''s a glint of genuine concern in their eyes, an intensity that speaks to more than just idle curiosity or petty vengeance. Then, Jordan sticks a finger in my chest. "And for the record, I think saying ''well he''s a racist asshole but he''s not a criminal, so we shouldn''t do anything'' is a really misguided way of thinking." I sputter and stammer for a couple of seconds, fumbling for some sort of comeback. "Fine," I relent at last once nothing comes to mind, throwing up my hands in defeat. "We''ll do some digging. But if this blows up in our faces, I''m blaming you." Jordan''s answering grin is sharp enough to cut glass. Chapter 103.3 It''s so hard to express in so many words just how tedious and boring detention is, especially when that detention isn''t even with any of my teachers. It''s not like I''ve ever gotten detention before, so I don''t really have, like, a scale to operate off of here, but this is definitely doing a great job of deterring me. I''m not even getting punished. I totally expected to be forced to write a hundred sentences - "I will not karate flip security guards" - on the whiteboard, but instead I''m just sitting there, with a couple of other malcontents I''ve never met and will likely never talk to again, doing absolutely nothing. Really, that''s probably more punishing for someone like me. I wonder if they know that? Like, if everyone else here has ADHD and they just make all the ADHD kids sit still but all the other ones get, like, corporal punishment or something. No, probably not. That''d be like a dozen kinds of illegal¡­ right?
"Okay, so here''s what I''ve got so far," Jordan says, spreading a sheaf of papers across the scarred surface of the old foldable poker table in the music hall, with playing cards forming a fine layer underneath. "Ridley''s been written up half a dozen times for excessive force, but nothing ever seems to stick." I lean in closer, scanning the documents with a furrowed brow. Disciplinary reports, eyewitness accounts, even a few blurry cell phone videos - it''s a damning picture, one that paints Ridley as a man with a nasty temper and a penchant for violence. "Friends in high places, Jesus. How is this guy still employed?" I mutter, shaking my head in disbelief. "Agents of the law protect their own," Jordan shrugs, a bitter twist to their lips. "Same way they always are," they sigh. "Circling the wagons. Swimming around like sharks in the water." I nod slowly, my mind already racing ahead to our next move. "We need more," I decide, tapping a finger against my chin. "Something concrete, something that''ll force the school to take action. Clearly, this stuff doesn''t get them fired from whatever position they''re in in the first place." "In in?" Jordan asks. "Shut up, you know what I mean,"
The classroom is empty save for me and Mr. Heckerman, the silence broken only by the soft rustle of papers as he handles paperwork at his desk. I''ve been given the option of "sitting there" or "organizing the textbooks alphabetically by subject", a mind-numbing chore that seems specifically designed to sap my will to live. As I work, my mind wanders back to the previous night''s patrol. Jordan and I had split up to cover more ground, each of us tailing Ridley as he went about his evening routine. Obviously, I feel weird about trailing people, even now. But I felt less weird about trailing a shithead security officer than I did about trailing my dead mentor, so clearly there''s, like, levels here. Scales of weirdness. It wasn''t much to go on, but it was a start. A thread to pull, a lead to follow. Suddenly, the prospect of spending my afternoons in this stuffy classroom doesn''t seem quite so daunting.
The streets are quiet, deserted save for the occasional passing car as Jordan and I trail our target from a distance. Ridley doesn''t seem to notice us ¨C or if he does, he gives no indication, his gait casual and unhurried as he makes his way down the sidewalk. "You got eyes on him?" Jordan''s text message pops up on my phone, little more than a burst of letters on the screen, a passing glance and then they''re gone. "Yeah, I''m about half a block back," I text back, keeping myself silent. "Headed east on Cambria, just crossed Trenton." A pause, typing indicator. Stops. Starts again. Stops again. Then: "I think he''s headed to that dive bar on Aramingo. Wild guess. Just a hunch." I resist the urge to snort out loud at that. Of course the racist rent-a-cop with a hair-trigger temper would spend his evenings drinking in some sketchy hole-in-the-wall. It''s almost too perfectly on-brand. "Copy that," I confirm instead. "I''ll hang back, you get a closer look. Call it if things get hairy." A moment later, their slight form detaches itself from the shadows shrouding a nearby alleyway, dressed up only as a civilian examining the space rather than their more intimidating - and noticable - superheroic form. Then, they melt into another alley, disappearing from view with all the practiced ease of a professional spy. All that''s left is for me to wait ¨C and try not to dwell too hard on the myriad ways this little investigation could potentially end up blowing up in our faces.
Tick, tock. Tick, tock. The steady cadence of the clock is like a leadweight around my neck, each passing second weighing me down a little more. I slouch deeper into the uncomfortable desk, fingers drumming out a mindless rhythm against the scarred wood as I struggle to keep my mind from going completely numb. Unauthorized tale usage: if you spot this story on Amazon, report the violation. Is this what it feels like to be slowly crushed beneath the inexorable march of time itself? Because if so, I think I''d almost prefer getting drop-kicked straight through the next batch of evil plans the Kingdom cooks up. At least then, there''d be some action, some forward momentum to propel me through the monotony. As it stands, though, the only thing propelling me is an overpowering sense of restless boredom. I huff out a frustrated sigh, flopping back in my chair and allowing my eyes to drift lazily across the room. Mr. Heckerman is watching me from his customary perch behind the teacher''s desk, his expression a mask of disapproval so deeply carved it might as well have been chiseled from granite. I meet his gaze and hold it for a few defiant seconds, chin tilting upwards in a silent challenge. Then, abruptly, I look away ¨C turning my focus back towards the ticking clock as I try in vain to will the second hand to move just a little bit faster.
"Okay, talk to me," I say without preamble as Jordan slips back through the ratty curtains separating the storage area from the main room. "What''d you find out?" They shrug, one shoulder hitching upwards in a dismissive gesture. "Not a whole hell of a lot," they admit, dropping down to sit cross-legged amidst the cluttered detritus. "Your boy Ridley seems to be a real regular at that dive, though ¨C the bartender knew him by name." I frown, mulling that over. "So he''s got ties to the area, at least," I muse. "Maybe some kind of¡­ I don''t know, illicit business interests or something?" Jordan snorts at that, rolling their eyes skyward. "Unless his ''business interests'' involve getting shitfaced on Yuengling and picking fights with other drunken assholes, then probably not," they counters. "From what I could gather, he''s just your garden-variety raging alcoholic with a shitty day job and a mean streak a mile wide." Well, that''s¡­ underwhelming, to say the least. I purse my lips, disappointment and frustration warring for dominance somewhere deep in my gut. "So we''ve got jack shit, is what you''re saying," I conclude flatly. "Wonderful." Undeterred, Jordan shakes their head ¨C a tiny, tight motion, but one filled with grim determination nonetheless. "Not nothing," they insist, fixing me with that intense stare I''ve come to recognize as their ''Determined Face.'' "We''ve got a lead, at least. A thread to start pulling on." I raise my eyebrows at that, skepticism written plain across my features. Jordan just smirks, leaning back on their palms with a casual shrug. "Hey, you want to crack this asshole''s secrets wide open or not?"
The clock mocks me, its insistent ticking filling my head like a relentless drumbeat. I glare at it balefully, counting down the seconds until the end of the period with all the intensity of a bomb technician tensed over a tangle of live wires. Across the room, Mr. Heckerman clears his throat ¨C a pointed noise clearly intended to remind me that my baleful glowering isn''t going unnoticed. I straighten up in my seat with a huff, pretending to busy myself with the battered stack of texts arrayed across the desk in front of me. It''s a fruitless effort, though. No matter how hard I try to focus on the mindless drudgery of re-alphabetizing and re-shelving, my thoughts just keep spiraling back to the previous night''s activities ¨C trailing Ridley to that dive bar, the (lack of) revelations gleaned from Jordan''s undercover op. There''s got to be something more to the guy, some crucial piece of the puzzle we''re still missing. I just can''t shake the feeling that if we can find it, if we can dig deep enough to uncover that one critical lead, then everything else will start unraveling like a ball of yarn kicked down a hill. My pen taps out a percussive rhythm against the desktop, frustration and impatience beating a staccato cadence as my eyes drift back towards the clock. C''mon, I think, willing the second hand to move faster. Hurry up, damn you¡­
"Well, well, well," Jordan murmurs, studying the grainy image on their laptop screen with a mix of satisfaction and thinly-veiled disgust. "What do we have here?" I lean in closer to get a better look, my brow furrowing almost immediately. The picture ¨C clearly screengrabbed from some kind of security or traffic cam footage ¨C shows a slightly blurry, but still unmistakable figure emerging from the dingy doorway of what looks like¡­ a bar? Maybe some kind of hole-in-the-wall watering hole, if the flickering neon signs are anything to go by. It''s the man himself, though, that has my gaze narrowing in recognition. Even filtered through the low-res graininess, there''s no mistaking that hulking form, that shitty combover and ruddy, flushed complexion. "Amazing. An alcoholic goes to a bar. What will you think of next time we go stalking someone, Jordan?" I ask, skeptically. Jordan scowls, lips quirking into a thin, predatory smirk. "I promise, this is interesting. South Philly, just off the waterfront," they confirm. "Real classy little spot, too ¨C the kind of dive where they wipe the urinal cakes on your glass instead of a towel." "Why don''t you tell me why this is important rather than about the bar itself?" I ask, folding my arms over my chest. "So far we''ve got a week full of nothing interesting in particular while this guy and his friends have been doing their best job to make me late for classes over and over again. Is there anything actionable here, or is this guy just a garden variety asshole?" Jordan smiles. "Patty''s? I mean, it''s a little interesting." "Is that what it''s called?" I grumble. "Cool! Amazing!" "Yeah. Remember how every other place was just a random bar that he liked to go to to cause himself liver damage? Up and down Aramingo we go?" Jordan asks, rhetorically. "Get to the point, Jordan," I respond, my patience growing thin. Jordan rolls their eyes at me. "It''s a cop bar, you doofus." "And what does this mean to me?" I challenge. Jordan laughs. "Cops are inherently untrustworthy and are doing crimes constantly. But, even if they weren''t¡­" Connor peeks over the couch. "I''m listening." "Go away, shrimp," Jordan waves him away with a hand before clicking over to the next tab on their browser screen. "This cop bar has a cape team." "Ah," I mumble. Jordan clicks to another tab. "A cape team with a noted record of drunkenly harassing civilians." "Ah?" I ask. Jordan clicks through the news site, and back onto their open traffic cam''s connection. They point at the screen, and I recognize the vague, grainy-colored silhouettes of familiar faces and bodies. That high and tight bun of Officer Nguyen I''d recognize anywhere. "And every single mall cop that''s been on your dick this week is a regular there." "Ah." I say, with a bit of finality, nodding my head in agreement. Yes, I understand now. Time to go pulling threads. Superhuman Entity Report: Joseph "Pumice" Jones PERKS Assessment: Joseph Jones (Pumice) Classified Level: Confidential Date: August 2024 I. Power Classification Gigant: Stone Physiology Code: G6/S/P/T Rationale: Joseph Jones, known as Pumice, has undergone a complete transformation into a stone-like entity. His entire body, both internal and external, has been converted into a highly abrasive and porous stone material. This transformation is classified as a Gigant trait, as it fundamentally alters his physical form and capabilities. The power affects himself (S), is physical in nature (P), and is constantly active (T). Employ: Enhanced Strength Code: E5/S/P/T Rationale: As a secondary power, Pumice has developed enhanced strength to support his increased body mass. This allows him to move and operate at speeds comparable to a normal human despite his stone composition and weight of approximately 630 pounds. This power is classified as Employ, as it enhances his physical capabilities. It affects himself (S), is physical in nature (P), and is constantly active (T). Adjust: Stone Regeneration Code: A1/S/P/T Rationale: Pumice possesses a limited ability to heal himself using stone-like materials such as concrete or grout. When these materials are applied to chips, cracks, or other damage to his stone body, they are slowly absorbed and converted into new stone tissue. However, this healing process is extremely slow, even slower than normal human healing, and relies on the availability of suitable materials. As such, this power is classified as Adjust with a low rating of 1. It affects himself (S), is physical in nature (P), and is activated by touch (T). II. Power Ranking Pumice''s stone physiology and enhanced strength are ranked as G6 and E5, respectively, indicating a significant level of durability and physical power. However, his stone regeneration is ranked as A1, reflecting its limited effectiveness and slow rate of healing. III. Control Rating Control: 9/10 Pumice demonstrates a high level of control over his powers. He is able to move and manipulate his stone body with precision and can effectively use his abrasive surface in combat situations. However, his control over his regenerative ability is limited, as it is a passive process that relies on the availability of external materials. IV. Hostility Rating Hostility: 7/10 While Pumice expresses little remorse for his involvement in terrorist activities, he is not as actively hostile or sociopathic as some other notable metahuman criminals, including his compatriots in the Philly Phreaks. He seems to view his actions as a necessary response to societal marginalization and injustice. However, his willingness to engage in violent acts and noted desire to see a "body count" for his acts indicates a dangerous level of disconnect between his actions and the results. V. Collateral Damage Potential Collateral Damage: 6/10 Pumice''s stone physiology and abrasive surface make him a significant threat in terms of collateral damage. His ability to scrape, shred, and grate materials, as well as his enhanced strength, could easily cause severe property damage and civilian injuries in a combat situation. Although his lack of broad-scale powers limit his ability to cause widespread destruction, in terms of interpersonal conflict, Pumice possesses an extremely high ability to injure and maim others. VI. Overall Threat Level Threat Level: 6/10 Considering Pumice''s power rankings, control, hostility, and collateral damage potential, he is assessed with a moderate-to-high overall threat level. While his regenerative abilities are limited, his durability, strength, and potential for causing harm make him a significant threat that requires specialized containment measures. PERKS Assessment Comments for Joseph Jones (Pumice) August 2024: Officer''s Comments: Joseph Jones, known as Pumice, is a metahuman inmate with a unique stone physiology. Jones'' involvement in the Phreaks'' terrorist attack and his lack of remorse for his actions make him a significant security concern. His ability to cause significant personnel damage with his abrasive surface and physical power necessitates specialized containment measures. While not as actively hostile as some other metahuman criminals, Jones'' potential for harm and his ideological motivations require close monitoring and a comprehensive containment strategy. -Officer Thompson Interviewing Officer: Michael Thompson Date: August 28th, 2024
Confidential Report: Power Assessment of Joseph Jones (Pumice) Assessment Agent: Dr. Emily Nakamura Date: September 2024 I. Introduction: This report provides a detailed analysis of the metahuman abilities of Joseph Jones, aka Pumice, currently held at the Daedalus Correctional Facility. The assessment focuses on understanding the nature, extent, and potential applications of his stone physiology, enhanced strength, and regenerative capabilities. II. Power Overview: Joseph has undergone a complete transformation into a humanoid entity composed entirely of mobile, motile stone. His body exhibits high levels of abrasiveness and porosity, with a measured surface roughness approximately equivalent to a 24-grit sandpaper on the CAMI (Coated Abrasive Manufacturers Institute) grit scale, albeit with some areas of variation such as his palms, the soles of his feet, and facial stone. This grit level indicates an extremely coarse surface texture capable of rapidly wearing down or damaging most conventional materials. In addition to his stone composition, Joseph possesses enhanced strength, allowing him to move and manipulate his approximately 630-pound body with ease. He also demonstrates a limited ability to regenerate damaged stone tissue using inorganic materials such as concrete or grout. III. Mechanics and Functionalities:
  1. Stone Physiology: Joseph''s body is composed of a porous, abrasive stone material with a Mohs hardness scale rating of 6.5, comparable to quartz. This composition grants him exceptional durability and resistance to physical damage. However, his porous nature also makes him more susceptible to certain chemical agents and corrosives.
  2. Abrasive Surface: With a measured surface roughness of 24-grit, Joseph''s body is capable of rapidly abrading and damaging most organic and inorganic materials.
  3. Enhanced Strength: Joseph''s stone physiology is accompanied by a proportional increase in strength, allowing him to move and exert force as if his body were of normal human weight and composition.
  4. Regenerative Capabilities: Joseph possesses a limited ability to regenerate damaged stone tissue by absorbing and converting inorganic materials like concrete or grout. However, this regenerative process is slow, requiring hours or days to heal even minor chips or cracks. More severe damage may take weeks or months to fully regenerate, and the process is dependent on the availability of suitable repair materials.
  5. Biological Functions: Despite his stone composition, Joseph still requires food, water, and sleep to maintain his biological functions. The exact mechanisms by which his stone physiology supports these processes are not yet fully understood and require further study. He is noted to avoid acidic food and drink. It is currently unknown if Joseph still possesses internal organs, a skeleton, or a brain.
IV. Limitations:
  1. Porous Vulnerability: While Joseph''s stone composition grants him significant durability, his porous nature makes him more susceptible to corrosive agents and chemical attacks. Substances like strong acids or bases could potentially penetrate his stone matrix and cause widespread internal damage.
  2. Slow Regeneration: Joseph''s regenerative capabilities are significantly slower than those of a normal human. This limitation makes him vulnerable to accumulated damage over time and reduces his overall resilience.
  3. Repair Material Dependency: Joseph''s ability to regenerate damaged stone tissue is dependent on the availability of suitable inorganic materials. In the absence of these materials, his regenerative process may be halted or significantly impaired.
  4. Weight and Mobility: Although Joseph''s enhanced strength allows him to move normally, his increased body weight of approximately 630 pounds can still limit his mobility in certain situations. He may have difficulty navigating narrow spaces, fragile structures, or unstable terrain.
V. Threat Assessment:
  1. Individual Threat: Joseph''s abrasive surface and enhanced strength are both a significant threat in close quarters combat with individuals, causing attacks to "grate" off several layers of skin, resulting in numerous small cuts and scratches that are both debilitatingly painful and capable of causing rapid blood loss. Additionally, his durability makes stopping him difficult, as most melee weapons and many conventional firearms are incapable of doing meaningful damage.
  2. Societal Threat: Joseph''s powers, while interpersonally dangerous, are not particularly capable of causing widespread destruction by their own.
VI. Recommendations: Taken from Royal Road, this narrative should be reported if found on Amazon.
  1. Containment Materials: Joseph''s containment unit should be constructed using materials resistant to his abrasive surface and enhanced strength. High-grade ceramics, reinforced composites, or advanced alloys with low frictional coefficients may be necessary to prevent long-term wear and ensure the integrity of the containment structure.
  2. Chemical Neutralization: To address Joseph''s vulnerability to chemical attacks, his containment unit should be equipped with a system for rapidly detecting and neutralizing corrosive or erosive agents. This could include automated sprinkler systems, chemical filtration units, or specialized coatings applied to the containment surfaces.
  3. Regenerative Material Supply: To facilitate Joseph''s regenerative process, a carefully controlled supply of suitable inorganic materials should be provided within his containment unit. This supply should be monitored and replenished as needed to ensure the availability of repair materials without compromising the overall security of the facility.
  4. Collaborative Research: Given the unique nature of Joseph''s stone physiology, collaborative research efforts between the Daedalus Correctional Facility, the NSRA, and leading geologists and materials scientists could provide valuable insights into the mechanisms and potential applications of his powers. This research could also inform the development of more effective containment strategies and rehabilitative approaches.
VII. Conclusion: Joseph Jones, aka Pumice, presents a unique case of metahuman abilities manifesting as a complete transformation into a stone-like entity. His combination of durability, abrasiveness, enhanced strength, and limited regenerative capabilities poses significant challenges for containment efforts. By implementing specialized containment measures, providing carefully controlled regenerative material supplies, and fostering collaborative research efforts, the Daedalus Correctional Facility can effectively manage the risks associated with Pumice''s powers while working towards a deeper understanding of his unique condition, and, hopefully, future rehabilitation. Ultimately, the insights gained from studying and working with Pumice may not only inform his own rehabilitative journey but also contribute to the broader field of metahuman research and the development of more effective strategies for managing and supporting individuals with similar stone-based abilities. Dr. Emily Nakamura Specialist in Metahuman Power Assessment for the National Superhuman Response Agency
Daedalus Correctional Facility Containment Procedures for Metahuman Inmate 84928166 (Joseph Jones, aka "Pumice") Clearance Level: Confidential Containment Unit: Inmate 84928166 is to be housed in a specially reinforced cell designed to withstand his enhanced strength and abrasive stone physiology. The walls, floor, and ceiling of the cell are to be constructed of high-density, wear-resistant materials such as ultra-high-performance concrete (UHPC) or steel-fiber-reinforced concrete (SFRC). All surfaces within the cell are to be smoothed and polished to minimize the potential for Inmate 84928166 to use his abrasive body to damage the cell or create makeshift weapons. The cell is to be equipped with a heavy-duty, reinforced door made of hardened steel or a similarly durable material. The door should have a built-in, shatter-resistant observation window to allow for visual monitoring of Inmate 84928166 without the need for physical interaction. Security Measures: Given Inmate 84928166''s physical strength and durability, additional security measures are to be implemented to ensure effective containment:
  1. The cell is to be equipped with high-strength, titanium alloy restraints designed to secure Inmate 84928166''s limbs in the event of a containment breach or during necessary transport.
  2. A system of high-pressure, quick-hardening foam dispensers is to be installed within the cell. In the event of an attempted breach, this foam can be deployed to immobilize Inmate 84928166 and prevent further damage to the cell or facility.
  3. A network of vibration sensors is to be embedded in the walls, floor, and ceiling of the cell to detect any attempts by Inmate 84928166 to use his abrasive body to weaken the structure of the containment unit.
Monitoring and Surveillance: Inmate 84928166''s cell is to be under constant video and audio surveillance. High-resolution cameras and sensitive microphones are to be strategically placed to ensure comprehensive coverage of the cell interior. All surveillance feeds are to be monitored in real-time by the facility''s security staff, with any unusual activity or signs of an impending containment breach immediately reported to the warden and the NSRA liaison. In addition to audio/video surveillance, Inmate 84928166 is to be fitted with a specialized tracking device designed to monitor his location and vital signs at all times. This device should be constructed of materials resistant to Inmate 84928166''s abrasive body and reinforced to prevent tampering or removal. Interactions and Containment Protocols: All interactions with Inmate 84928166 are to be conducted remotely via the cell''s built-in intercom system. Physical interaction is to be strictly limited to medical necessity or emergency situations, and only with the approval of the warden and the presence of a full containment team. During any physical interaction, all personnel are to wear specialized protective gear designed to withstand Inmate 84928166''s abrasive body and enhanced strength. This gear should include reinforced, cut-resistant fabrics and impact-resistant armor plating. In the event of a containment breach, the facility is to immediately initiate a full lockdown. All non-essential personnel are to evacuate to designated safe zones, while specialized containment teams equipped with heavy-duty restraints and immobilizing agents are to be deployed to neutralize and re-contain Inmate 84928166. Psychological Evaluation and Rehabilitation: Despite Inmate 84928166''s involvement in terrorist activities and his expressed lack of remorse, efforts should be made to understand the underlying societal and personal factors that contributed to his criminal behavior. A team of experienced psychologists and social workers is to be assigned to Inmate 84928166''s case to conduct regular evaluations and develop a comprehensive rehabilitation plan. Inmate 84928166 has expressed a noted interest in sports - regular updates addressing the seasonal performance of Philadelphia professional sports teams, as well as approved sports objects and paraphernalia, are to be provided as rewards for good behavior. This plan should include targeted therapy sessions, educational programs, and vocational training designed to address Inmate 84928166''s feelings of marginalization and provide him with the skills and support needed to successfully reintegrate into society upon release. Conclusion: The containment of metahuman inmate 84928166 (Joseph Jones, aka "Pumice") presents unique challenges due to his stone physiology and enhanced physical capabilities. The specialized containment unit, advanced security measures, and comprehensive monitoring protocols outlined in this document are designed to ensure the safety of the facility staff, other inmates, and the general public. However, it is crucial to recognize that effective containment is only one aspect of the broader rehabilitative process. By providing Inmate 84928166 with the psychological support, education, and vocational training needed to address the root causes of his criminal behavior, we aim to create a pathway for successful rehabilitation and reintegration. Ultimately, the goal of the Daedalus Correctional Facility is not merely to confine metahuman offenders, but to foster an environment that promotes personal growth, accountability, and the development of the skills necessary for these individuals to become productive, law-abiding members of society. Prepared by: Dr. Ethan Novak, Head of Metahuman Containment, Daedalus Correctional Facility Approved by: Warden Elizabeth Hold, Daedalus Correctional Facility, Daedalus Correctional Facility NSRA Liaison: Agent Marcus Lee, National Superhuman Response Agency Distribution List: Chapter 104.1 There''s something in the air tonight - a palpable sense of unease that seems to permeate every brick and concrete surface, every shadowed alleyway and darkened storefront. A preternatural hush hangs over the city streets, the usual cacophony of urban white noise muted to an uneasy murmur, like the world itself is holding its breath in anticipation. South Philly has never felt so weirdly quiet. I shiver despite the relative warmth of the late summer evening, hunching my shoulders deeper into the worn fabric of my hoodie as Jordan and I make our way down the deserted sidewalk. Ahead of us, a flickering neon sign casts sickly crimson light across the cracked pavement, its garish glow giving the whole scene an almost otherworldly, fever-dream sort of quality. "You feel that?" I murmur, keeping my voice low and hushed as we approach our destination. "Like the whole city''s just... I don''t know. Tense?" Jordan shoots me a sidelong glance, eyes hidden behind the brim of their battered Phillies cap. "It''s Friday the 13th," they remind me in an equally hushed tone. "Of course everything feels like it''s two seconds away from going completely tits-up." I snort at that, unable to completely repress the tiny bubble of mirth that burbles up in my chest. Trust Jordan to cut through the ominous ambiance with one of their trademark witty quips. "You don''t really believe in that superstitious crap, do you?" I tease, bumping them lightly with my shoulder. Up ahead, the flickering neon resolves itself into a pair of blocky, soot-stained words - PATTY''S BAR, promising a night of cheap beer and even cheaper thrills. Jordan arches one slim eyebrow, their lips twitching with just the barest hint of a smirk. "Let''s just say I''ve learned not to take any chances where cosmic misfortune is concerned," they retort, gesturing for me to take the lead. "Especially not after becoming a teenage superhero." "Don''t you mean vigilante?" I ask, popping an eyebrow. Jordan glowers at me, lips drawn tighter than hoodie strings. Squaring my shoulders, I draw in a deep, steadying breath and push through the battered wooden door, steeling myself for... well, honestly, I''m not even sure anymore. What I am sure of, though, is the sudden blast of noise and stale, smoke-tinged air that hits me full in the face as soon as I cross the threshold. Raucous laughter, the clinking of glasses, and the tinny whine of a dozen different TV sets all blend together into a sonic wall of chaotic revelry. It''s like stepping through the looking glass into another world entirely - one where the rules of polite society have been suspended in favor of pure, unrestrained revelry. My gaze darts this way and that, struggling to take it all in as Jordan slips in behind me, their slight frame barely registering against the crush of bulky, barrel-chested figures packed around the bar. Most of the patrons seem to be cops or security guards, decked out in various shades of blue and black with the occasional splotch of neon yellow disrupting the monochrome palette. But there are plenty of civilians mixed in as well - hard-bitten men and women nursing drinks and sneaking furtive glances our way as we make our way towards the nearest unoccupied booth. "You weren''t kidding about this place, huh?" I mutter, sliding into the cracked vinyl seat and doing my best to avoid eye contact with any of the hard stares being leveled our way. The interior decor seems to be going for a kind of "crusty dive bar" aesthetic, all peeling wallpaper and flickering neon signs advertising off-brand domestic lagers. Across from me, Jordan simply shrugs as they settle in, seemingly unbothered by the open hostility radiating from our new surroundings. "What''d you expect?" they counter, threading their fingers together and resting their chin atop their knuckles. "Fancy cocktails and white tablecloths? This is a cop hangout through and through. You ever been to a cop bar?" I snort at that, shaking my head as I allow my gaze to drift across the crowded bar once more. "I can''t say I''ve been to any bars, besides that one time," I murmur. Jordan''s right, of course - the signs are everywhere, stamped into every gruff demeanor and curled lip. Patches, pins, and tattoos advertising various law enforcement agencies and unions. The slightly menacing undercurrent of machismo that permeates every interaction, every sidelong glance and murmured aside. "That was a club, ditz," Jordan replies. And then, like a lightbulb flicking on in a dark room, realization hits me in one blinding flash of clarity. Because there, scattered among the off-duty beat cops and rent-a-muscle security types, are more than a few very familiar faces indeed. Ridley is easy to spot, of course - that shitty combover and flushed, almost tomato red complexion unmistakable even in the dim, smoky atmosphere. He''s holding court near the bar itself, one meaty hand wrapped around a thick glass as he trades insults and barks of laughter with a group of similarly built colleagues. But it''s not just him. No, the more I look, the more members of Tacony''s newly expanded security force I''m able to pick out from the crowd. There''s Nguyen, that thick bun looking almost unhinged, splayed out with sweat, as she knocks back a shot with a grimace. Zielinski, Carstairs, Jeffries - they''re all here, mingling and carousing with the very same cops who are supposed to be keeping the peace out on the city streets. I feel the hairs on the back of my neck stand on end, an icy trickle of premonition sliding down my spine as snippets of overheard conversation begin filtering through the din. Jordan frowns, leaning in closer to get a better look. Their head tilts to the side, brow furrowing in concentration as they try to make out snippets of conversation over the background noise. Support the creativity of authors by visiting Royal Road for this novel and more. "...telling you, mayor''s out of her goddamn mind," Ridley is saying, his words slightly slurred from what I can only assume is a long night of hard drinking. "All these bleeding-heart protesters and their whining about ''rights'' and ''oversight.'' Buncha snot-nosed punks, you ask me." Next to him, one of the off-duty cops snorts out a harsh bark of laughter. "You''re preaching to the choir, Rid," he says, clapping the other man on the shoulder. "Most of those brats wouldn''t know a hard day''s work if it bit ''em on the ass. Somebody''s gotta put ''em in their place." "Watkins doesn''t have the stones to see it through," Nguyen adds darkly, her face twisting into a sneer. "Too worried about bad press and hurt feelings. Me? I say kick the chair out and let ''em swing." Jordan pulls away with a disgusted scowl, meeting my eyes in a moment of shared revulsion. I feel the sour sting of bile rising at the back of my throat, my fingernails biting into the meat of my palms hard enough to sting. It''s all just so... blatant. So casual, the way they talk about crushing the life out of an entire protest movement - out of people whose only real crime is demanding a better, more just world. "Watkins? The one who has this city under, like, martial law? She''s too liberal for them?" Jordan mumbles, sounding almost dejected. Crushed, in a sense, like metal going through a trash compactor. Jordan is watching me from across the table, their expression carefully neutral with only a hint of some sort of wobble as they take in my obvious discomfort, and I take in theirs. I swallow hard against the lump of unease forming in my throat, leaning in close to murmur under my breath. "I don''t like this," I admit, the words emerging in a taut hiss. "Like, at all. We need to be careful here, something feels... off about this whole setup." But before Jordan can respond, before I can so much as blink, the entire atmosphere of the bar seems to shift on its axis - the tension that''s been building like a gathering storm finally cresting as a hush descends over the raucous crowd. I turn, following the myriad gazes of the assembled patrons, and feel my breath catch in my chest at the sight that greets me. Because striding through the doorway in the back corner, commanding the room''s attention with their very presence, are two of the single most... the most individuals I''ve ever laid eyes upon. The first is a towering figure of a man, chest puffed out and shoulders thrown back in a stance of pure, uncompromising arrogance. His costume is a riot of red, white, and blue - garish stars and stripes blending together in a swirling display of naked patriotism so on-the-nose it would be comical if it wasn''t so... well, intimidating. A shield, round and adorned with the same stars-and-stripes motif, is clutched in one meaty fist as he surveys the assembled bar patrons with an expression of utter disdain. Despite the obvious comic book influences, there''s an undercurrent of something darker, something nastier woven through every line of this so-called "hero''s" body language. Like he''s waiting for someone to give him a good reason to start a fight. His costume is almost too bright to be real. "Oh my god," Jordan breathes from across the table, their usual cocky bravado nowhere to be found. "Please tell me you''re seeing this jackass too." I can only nod, mute and dumbstruck, as the second figure steps up beside her companion - a woman, her face obscured behind a small black veil, her gymnast''s suit dressed in what I immediately recognize from Pop-Pop Moe''s comics as dazzle camo. It almost hurts to look at, but then she closes her black leather jacket and it all goes away. Despite the stark differences in their aesthetics, though, the two of them move in perfect sync - the man swaggering like he owns the very ground he treads upon, his partner stalking at his side with the coiled, predatory grace of an annoyed lioness waiting for food to come back. As they make their way deeper into the bar, the assembled masses seem to part before them like the waters of Egypt, a bubble of silence and open space forming around the pair. "That''s... Patriot, and Egalitarian," Jordan supplies, their tone low and hushed. Out of the corner of my eye, I see them stiffen almost imperceptibly, shoulders tensing beneath their oversized sweatshirt. "You know. Remember when I mentioned this place had its own hero team? That''s them. And check out his Captain America cosplay..." Something in their voice, some faint undercurrent of unease, has me shooting them a questioning look. But Jordan doesn''t seem to notice, their eyes locked on the two costumed figures as they take up position near the bar and survey their domain with smug satisfaction. My brow furrows at that, pieces beginning to click into place despite the lingering cloud of disbelief still hovering at the edges of my awareness. Of course. Of course these so-called heroes would feel right at home in a place like this, rubbing shoulders and trading war stories with the very same goons Ridley and his ilk took their marching orders from. Why am I even surprised at this point? No, the surprise - the real gut-punch of bitter realization - comes a few moments later, as the rest of the room''s inhabitants seem to snap out of their collective trance and return to their usual routines. Because it isn''t just a show of respect, or even hero worship, being directed towards the newly-arrived pair. It''s outright deference, the same sort of deference a lord might receive from their most servile, fawning subjects. Heads duck and eyes avert as Patriot strides by, shoulders instinctively hunching inwards as if to avoid drawing too much notice. Egalitarian simply watches it all impassively, sitting down as someone nearby pays for her drink like she''s earned it. Jordan lets out a low, impressed whistle as the room''s natural clamor slowly reasserts itself, the brief spell broken as patrons turn back to their drinks and hushed conversations. "Not your usual cape scene, huh?" they muse, one dark eyebrow arching skyward as they regard me speculatively. "This all seems a little... I don''t know, overt for a bunch of part-timers playing hero on the weekends. What do you think they''re really up to?" Before I can respond, however, another flicker of movement in my peripheral vision catches my attention - a gaggle of familiar faces sidling up to the bar, jostling for position near where Patriot and Egalitarian have taken up their silent vigil. Ridley, Nguyen, and half a dozen other members of Tacony Charter''s security goon squad, crowding in close with the same sort of insectile slobbering shown by the rest of their kind. My stomach churns, an ugly suspicion taking root as I lean in close across the rickety tabletop. "I don''t care what they''re up to," I murmur, low and intense. "But whatever it is, I''ve got a feeling our boys in blue are right in the thick of it." Jordan doesn''t miss a beat, or even challenge me - they simply nod, slow and deliberate, their mouth a hard line as the beginnings of grim determination glint in their eyes. "And who''s Captain America?" I ask, raising an eyebrow. "Old superhero that they haven''t published a comic for in twenty years. I mean, comic superhero. Not the real kind. Captain America is not a real person, but I bet this guy wishes he could be them. Like, same shield and everything," Jordan says, low and mocking. "Like, it''s almost 1 to 1 if not for the fact that this guy isn''t wearing a helmet." "Gotcha," I mumble back. The low murmur of voices carries easily across the smoke-stained interior of the dive bar, rising and falling in waves of conspiratorial whispers punctuated by the occasional bark of raucous laughter. Jordan and I keep our heads down, trying our best to blend into the cracked vinyl upholstery and sticky tabletops as we strain to make out the conversation unfolding at the bar. Chapter 104.2 "...telling you, it''s the only way to get through to these snot-nosed brats," Patriot is saying, each word laced with a snide undercurrent of disdain. "They want to act like a bunch of spoiled children, throwing their little tantrums over a few broken rules? Well, it''s past time they learned what real consequences look like." A rumble of assent rolls through the assembled guards like a wave, buoyed by the sloshing of drinks and clinking of glasses. Beside the towering, self-styled hero in his garish star-spangled regalia, Egalitarian stands impassive and silent - a still pool amidst the flowing current of masculine bravado. "Kid''s got a point, for once," Ridley chimes in with a snort, tossing back the last dregs of his drink before slamming the glass down on the bartop hard enough to make it rattle. "I''m all for knocking a few of those poser capes down a few notches while we''re at it." His meaty fist clenches in a show of exaggerated menace, bunching the loose fabric of his off-duty security polo as something hungry and vicious twists across his flushed features. "I mean, you shoulda seen the little hellion I had to tussle with the other day," he continues, fixing Patriot and his partner with a look of outraged indignation. "Little... mmh, mousy thing, but scrappy, I''ll give her that." "You mean Small," Egalitarian replies nonchalantly, sending a painful shudder through my spine. "The one that threw you like a frisbee." "Whatever," Ridley dismisses, raising his drink to his lips like he expects a little extra to just spill out of the bottom for him. Jordan shifts ever-so-slightly beside me, the barest hint of restless discomfort rippling across their slight frame. Their knuckles are white where they grip the underside of the table, jaw clenching tighter with every second Ridley continues to speak. "Whole family''s bad news, though," he goes on, oblivious to our silent fury. "Mother''s got some sorta head issue, goes off her meds every couple months and turns into a right little spitfire, from what I hear. And the father? Heh, lemme tell you - dude''s about as much of a man as that little runt he''s raising..." Red begins to creep in at the edges of my vision, the rest of the room falling away into a blur of meaningless static as the hot, acrid taste of rage fills my mouth. It''s like I''m outside myself, a silent observer as my hands clench into trembling fists atop the tabletop, knuckles going white as a rope pulled taut. From somewhere far away, I''m vaguely aware of Jordan reaching out to grab me, their slight fingers wrapping around my wrist in a grip like steel cable. I try to shrug them off, to surge up out of the booth and finally give that festering slab of liquor-soaked pavement trash a piece of my mind, but their hold is unshakable. "...threatened to sic their lawyers on Heckerman, if you can imagine," Ridley continues on, supremely unaware of how close he''s coming to unleashing my fury upon himself. Around him, the rest of the guards simply chuckle and shake their heads in amusement, a few exchanging knowing glances and raised eyebrows. Not a single one of them so much as flinches, like it''s all but expected at this point. "But hey, what else do you expect outta one of those people, amirite?" Egalitarian''s hand falls on her baton. I flinch. Jordan''s hand grips me tighter. My nails are digging into my palms so hard that I can smell my own blood, suddenly bringing my entire vascular system into sharp, painful relief. "The kid ever wises up and gets a load of how fuckin'' useless her old man is, we might just have another Deathgirl on our hands," Ridley finishes, the rancid punchline punctuated by a fresh swell of drunken guffaws from the assembled sycophants surrounding him. "Ain''t that a kick in the pants?" I''m shaking now, every inch of my body vibrating with the effort of holding myself back from leaping bodily across the room and rearranging that bastard''s face into something slightly more aesthetically pleasing. Jordan''s grip is like a vice around my wrist, the only thing keeping me anchored as the world seems to slide out of focus around the encroaching red haze of fury. "Easy, girl," they hiss through gritted teeth, voice barely more than a taut whisper buried beneath the cacophony. "Easy... we''ll get our chance, just stay cool for now. No maiming yet." I take a breath, then another - each one feeling like I''m trying to inhale steel wool rather than actual oxygen. Slowly, bit by bit, the world begins to bleed back into sharpness and I become aware of Egalitarian watching us from the corner of her eye, an eyebrow slightly raised. Patriot throws back his head in a bellowing guffaw, the tendons in his thick neck standing out in harsh relief as he claps Ridley firmly on the shoulder. "Now that''s the kinda backbone I like to see, my friend!" he roars in open approval, the corners of his eyes crinkling with genuine mirth. "Let me tell you, if more of the boys around here had your attitude, we wouldn''t be having half these problems with the protestors and so-called ''student activists'' anymore." There''s an edge to his voice there, an undercurrent of something darker and more unsettling than mere boisterous bravado. Something that sends a chill skittering down my spine despite the heat of my anger. Jordan must pick up on it too because their hand tightens fractionally, the merest tremor rippling through their compact frame. "Speaking of which," Patriot continues, that too-bright grin taking on an almost predatory quality as his eyes seem to bore into the back of Ridley''s skull. "I understand you''ve already had a run-in or two with this... upstart little troublemaker the boys have been whispering about?" Ensure your favorite authors get the support they deserve. Read this novel on the original website. Ridley snorts out a bark of contemptuous laughter at that, his fleshy face contorting into an ugly sneer. "You could say that," he confirms with a curt nod towards the bar, where a handful of gnarled fingers are already stabbing at phone screens and calling up the video. "Little bitch went and made me look like a goddamn fool in front of half the damn school, just for doing my job. I don''t even care about her, you know? Poor girl got her house ran over by a t-rex, you''d think that''d give her some appreciation for the law. But, no, she''s gotta go and stick her neck out for some snot-nosed little thug-to-be lottery case. Traitors like her need to be put in their place." My rage rockets back up from a low simmer to a rolling boil in an instant, every muscle in my body seizing taut as the urge to unleash unholy hell washes over me like a tidal wave. Across the table, Jordan''s hand falls away from my trapped wrist, and for a split second I think they''ve accepted that I''m a lost cause, about to blow our cover and possibly our faces right off our skulls. But then the gentle weight of their palm connects with the back of my arm, and they let go. I suck in a ragged breath, fighting down the tide of fury bubbling up inside me. Jordan''s other hand flips over, and I see the blinking icon on their phone indicating that an audio recording is in progress. "Deep breaths, wolfy," they murmur under their breath, barely loud enough to be heard over the raucous laughter and wolf-whistles filling the smoky air. "I know it sucks, but we need to keep our heads if we want him to dig his own grave a little deeper. " I nod, a terse jerk of my chin that feels like it takes every last ounce of willpower in my body. Jordan is right - of course they are. If we go off half-cocked now, we''ll blow any chance we might have at getting Ridley to truly incriminate himself in the open. We need to be patient, to keep our cool no matter how much that festering shitstain keeps on pushing our buttons. Besides, I remind myself with no small effort, words are just words. I''ve faced down actual, genuine threats before - bullets and blades wielded with lethal intent. A few hateful slurs, no matter how vile, are nothing in comparison. Nothing a tough-as-nails Philly gal like me can''t handle, right? Right. So I''ll grit my teeth and bear this latest torrent of bile, determined to keep my laser-focus on the goal - unmasking Ridley and the rest of his goon squad''s true motivations. If it means swallowing my pride for a little while longer, choking down my anger like a jagged, bitter pill, then so be it. I take another breath, harder this time, and shoot Jordan a sidelong glance - a silent question seeking permission, and maybe just a little understanding. Their gaze meets mine, dark eyes glinting in the low light, and they offer the barest fractional nod - a micro-expression condensing a wealth of support and solidarity into a single shared moment. Then, almost as one, we turn our attention back towards the bar - towards the self-styled ''heroes'' and their coterie of loyal lapdogs currently indulging in their nightly ritual of hateful preening. My knuckles ache from how tightly my fists are clenched, but I force myself to loosen up, to let the anger bleed away into a kind of grim determination. I wad up some napkins and squeeze them like stress balls to soak up the pinpricks of blood that have welled up from my palms. They want a fight, huh? Well, they''ve definitely got one now. "...is that little daddy''s girl is still bent outta shape over a few bumps and bruises," Ridley is saying, letting out an exaggerated yawn of boredom as he waves one meaty hand in a dismissive gesture. "Which, hey - maybe if her dear old pops had taken the time to toughen her up a little, she wouldn''t be so damn fragile in the first place, you know?" A fresh swell of laughter bubbles up from the assembled guards, crude and mocking and utterly devoid of anything resembling genuine humor. My teeth grind together, each peal of drunken mirth like a slap to the face, stinging and raw. Is he still talking about me, or is this some other girl he''s harassing now? "Ah, poor little lamb," Patriot tuts with a shake of his head, reaching up to pinch the bridge of his nose in an exaggerated show of concern. "No wonder she''s so lost and confused, with role models like that setting the example for her..." He trails off, clucking his tongue in a melodramatic pantomime of regret before fixing Ridley with a conspiratorial smirk. "Still, I hardly think one uppity schoolgirl is going to be enough to derail anything important." Ridley snorts out a contemptuous laugh at that, draining the last dregs of his next drink - I must have missed the refill - before slamming the empty glass back down on the bartop with a resounding thunk. He begins raising his free hand in a dismissive wave. "Way I hear it, Principal Heckerman''s got our back on this one all the way, only backed off because of those annoying fucking libby parents. The mayor too, even - word is, she''s the one who got us these hours in the first place. Direct from her. Not, you know, some other underling or whatever the fuck." A tense, expectant silence falls over the assembled group, punctuated only by the faint drone of a muted TV and the clinking of glasses being refilled. Patriot simply stares at Ridley for a long moment, chewing on some morsel of information that I barely seem to comprehend. "Does she have what it takes to see this all the way through to the end? Or is she just another milksop who''ll go belly up at the first sign of trouble?" Egalitarian shifts almost imperceptibly at that, a subtle movement that nonetheless seems to convey a world of unspoken meaning. Her stance adjusts, hands drifting almost casually to rest atop the batons clipped at her utility belt as she regards her partner with a look of... what? Disapproval? Skepticism? It''s impossible for me to read, her face an impenetrable mask of stoic inscrutability. But whatever silent communication passes between the two of them, it seems to bring Patriot up short - his broad chest deflating just a fraction as he clears his throat and straightens up once more. "Ah, but enough about all that," he blusters, waving one meaty hand in a gesture of dismissal. "We didn''t come here tonight to debate the finer points of civic leadership, now did we? I believe there was talk of a drink being poured, and perhaps a toast or two to our brothers and sisters in blue who risk life and limb to maintain order out on those mean streets?" A fresh wave of blustering agreement ripples through the assembled rent-a-cops, hearty backslaps and raucous cheers rising to drown out the tinny whine of the televisions mounted above the bar. "That guy talks like a fucking thesaurus. And my best friend was raised by a library, so I''d know a thing or two," Jordan mumbles, disarming me for a second. "Wait, I''m your-" I get out, just before I catch something else through the parting waves of human bodies. The thought escapes. Nudging Jordan, I gesture towards the back exit of the dingy little watering hole with a slight tilt of my head. They catch the signal immediately, imperceptible nod as their eyes narrow to slits. Right. Time to make our escape before things spiral any further out of control and we risk blowing everything straight to hell. Chapter 104.3 I slide silently from the booth, checking to make sure my cap is pulled low and my hoodie zipped up tight to help obscure my features. Jordan moves with me, flowing with the same boneless grace and economy of movement that they bring to the streets when we''re out on patrol. Left foot, right foot. Breathe in, out. Stay calm, stay focused. You''ve got this, Sam. A sudden flare of adrenaline spikes through me as we approach the exit, my senses going into hyper-alert mode. Every muscle in my body tenses, ready to move at a split second''s notice. My knuckles ache from how tightly my fists are clenched inside the safety of my pockets. Just a few more feet and we''ll be home free... Without warning, Jordan suddenly flinches, stumbling forward with a sharp intake of breath as their foot catches on - something, I can''t quite tell in the blur of motion. A chair leg, maybe, or the lip of some uneven flooring, or someone''s shoe. They pinwheel wildly for a split second, arms windmilling as their movements turn clumsy and erratic. And then, with a dull thump, the wayward piece of furniture goes clattering to the sticky floor, sending up a raucous clatter that slices through the low buzz of conversation like a gunshot. Every head in the place swivels around in near-perfect unison, three or four dozen pairs of eyes fixing on us with eerie synchronicity. For a heartbeat, the entire bar seems to freeze in place - a tableau of shocked silence and wide, staring eyes. Jordan scrambles to their feet, face flushed with embarrassment as they mutter hasty apologies to no one in particular. I reach out instinctively to help steady them, trying my best to project an aura of casual indifference even as my heart threatens to pound its way clean out of my ribcage. And then, like a switch being flipped, the moment shatters - replaced by a sudden flurry of activity as Patriot and Egalitarian come striding purposefully towards us, twin expressions of faux-concern plastered across their faces. "Whoa there, friend!" Patriot booms out in a voice pitched to carry, one beefy hand already outstretched in a gesture of assistance. "Looks like you took a bit of a spill there, huh? Here, let me help you get back on your feet..." I tense automatically, every instinct screaming at me to slap that proffered hand away and put as much distance between us as humanly possible. But I force myself to stay still, to meet that too-wide grin with a tight-lipped smile of my own as I reach out and clasp the man''s wrist in a brief, perfunctory grip. "Thanks, but we''re fine," I manage to grind out through clenched teeth, already shifting to place myself between Jordan and the approaching ''heroes.'' "Just a little trip, nothing to worry about." Egalitarian arches one perfectly sculpted eyebrow at that, her dark eyes glittering with something that might almost be amusement beneath the soulless, porcelain facade of her veil. She doesn''t say anything, though - simply folding her arms across her chest and regarding us with an impassive, almost clinical sort of detachment that sends icy shivers dancing up and down my spine. "Well, if you''re sure," Patriot drawls, recovering his composure with impressive swiftness as he claps me on the shoulder with enough force to make my knees buckle. "Wouldn''t want anyone to get hurt on our watch, now would we?" There''s a ripple of forced, slightly uneasy laughter from the assembled bar patrons at that, a few halfhearted cheers and whistles rising up to fill the sudden, yawning silence. I force myself to chuckle along with them, ignoring the way my stomach twists itself into sickening knots. "No, of course not," I agree, pasting on my most convincing smile as I start edging towards the exit once again. Jordan falls into step beside me, their own expression a mirror of my own carefully-crafted mask of nonchalance. "Anyway, thanks for the concern, but we really should be - " "Samantha Small, isn''t it?" Egalitarian''s voice cuts through the din like a blade, quiet and razor-sharp. I freeze mid-step, my blood turning to ice water in my veins as I slowly pivot back around to face her. The rest of the bar ticks on without seeming to even notice, leaving Jordan and I trapped in a bubble, metaphorically speaking, with these two. She said it just quietly enough that only we heard. Or only we cared. Oh G-d, I think, licking suddenly bone-dry lips. They know. They know what I am, what I can do. I''m totally, utterly - But then the tiniest hint of a smirk tugs at the corner of her mouth, and the panic recedes just a fraction as realization dawns. No, not that. Not yet, anyway. "Yes ma''am," I confirm with a jerky little nod, fighting to keep my voice level. "That''s me. Can I uh... can I help you with something?" Patriot chuckles at that, low and indulgent, like I''ve just performed an especially clever trick. "No need to look so nervous, kid," he reassures me, reaching up to tug and adjust his costume. "We just wanted to have a quick chat, is all. Maybe clear the air a little bit, what with all the... unpleasantness that''s been going on at that school of yours lately." A muscle tics in my jaw, a fresh surge of anger rising up to war with the fear knotting my guts. So that''s what this is about. Of course it is. I should''ve guessed that Ridley and his little pack of jackboot thugs would go whining to their steroid-swilling attack dogs the second they started feeling the heat. I open my mouth to retort, to tell these self-righteous pricks exactly where they can stick their ''chat,'' but Jordan beats me to the punch - their voice low and steady despite the way their slim fingers tremble ever-so-slightly where they brush against my wrist. "Look, if this is about-" they begin, every word carefully measured, but are quickly cut off. But Patriot just holds up one meaty hand, with a genial chuckle that doesn''t quite reach his eyes. "Let''s take this outside, shall we?" he suggests, the words friendly enough even as his tone brooks no argument. "Bit too crowded in here for a proper heart-to-heart, don''t you think?" I grit my teeth so hard my jaw aches and I think some of my tooth caps crack, but nod in jerky acquiescence all the same. There''s no point in arguing, not here - not with an entire bar full of drunken, belligerent cops and rent-a-fascists watching our every move like hawks. Better to play along for now, to pick our battles a little more carefully. The story has been illicitly taken; should you find it on Amazon, report the infringement. Jordan seems to have come to the same conclusion, because they simply shrug and gesture for Patriot to lead the way - their face a mask of neutral indifference even as their eyes dart back and forth like a trapped animal seeking escape. We follow the two ''heroes'' out into the parking lot, gravel crunching underfoot and the sour stink of stale beer wafting in the night breeze as we go. The door swings shut behind us with a muffled thump, and then we''re alone - two teenagers facing down a pair of grown-ass adults playing dress-up in their little kid pajamas. "So," Patriot drawls, leaning back against the side of a battered pickup truck as he crosses his arms over his barrel chest. "Word is you''ve been sticking your nose into places it doesn''t belong, Miss Small. Ruffling a few feathers, as it were." His tone is light, almost conversational, but there''s a glint of something hard and unyielding lurking behind those too-bright eyes. I swallow heavily, trying my best to meet that steel with my own stubborn resolve. "I was just doing what I thought was right," I retort, lifting my chin in silent defiance. "Someone had to stand up to that meathead Ridley, and I guess I drew the short straw." Patriot just shakes his head, clicking his tongue in melodramatic disappointment. "See, that''s where you''re confused, young lady," he explains, patient and patronizing all at once. "It''s not your job to ''stand up'' to anyone - especially not the fine men and women tasked with maintaining law and order in that little schoolhouse of yours. That''s their job. To stand up for all of you." Behind him, Egalitarian nods in silent agreement, her dark eyes glittering like tempered chocolate in the wan glow of the streetlights. I catch a glimpse of teeth behind that veil of hers, bared in what might be a grin, or a snarl. "B-but he was hurting that kid," I stammer out, hating the way my voice quavers ever-so-slightly. "He was out of control, someone had to - " "What someone had to do," Patriot cuts me off sharply. "Was respect the authority of their betters and let the professionals handle it. That''s why we have police, and why they have their own dedicated security forces. People trained, prepared, and entrusted with their responsibilities for a reason. I''m sure the boy would''ve been fine." He smiles then, wide and wolfish, and somehow his voice now dripping with oily, mock-friendly magnanimity only makes it that much more unsettling. "So here''s what''s going to happen," he continues, straightening up to his full, imposing height. "You''re going to drop this little crusade of yours. No more videos, no more accusations, no more stirring up trouble just for the sake of your own little hero complex." I reel back as if slapped, white-hot rage and something uncomfortably close to genuine hurt warring for dominance in my chest. Is that really what he thinks this is about? Some kind of... of ego trip, a pathetic little power play from a na?ve schoolgirl with delusions of grandeur? I haven''t even done anything else. Everyone''s just targeting me for having done the right thing but it''s not like I did anything after that. Do they really just want to brook no quarter? None, none whatsoever? I open my mouth to argue, to hurl every ounce of that pent-up frustration right back in his smug, self-satisfied face, but once again Jordan beats me to it - their voice low and urgent as they grip my elbow in warning. "She understands," they assure Patriot, gaze downcast in a show of meek deference that I know must be physically painful for them to maintain. "Don''t you, Sam? No more trouble-making, cross our hearts." I grit my teeth so hard that I can practically taste copper on the back on my tongue, but I force myself to nod all the same - the motion jerky and unconvincing even to my own eyes. "Y-yeah," I mutter, tamping down the urge scream. "I understand. No more trouble from me, scout''s honor." Patriot''s eyes narrow for a moment, searching my face for any hint of deception or defiance. Egalitarian just watches it all unfold in silence, her head cocked ever-so-slightly to one side like a bird of prey evaluating a particularly juicy morsel. "See that it stays that way," Patriot rumbles at last, apparently satisfied. "For your own good, kid. Trust me, this is one hornet''s nest you do not want to kick." With that he turns on his heel and strides away, heavy combat boots throwing up little puffs of grit and grime in his wake. Egalitarian lingers for a moment longer, still as a statue and just as inscrutable. But then she too is moving, turning to follow her partner with a swirl of dark fabric and a whisper of displaced air. She pauses for one final backwards glance and a crooked little finger waggle that sets fresh icy-claws of trepidation raking down my spine before melting away into the shadows as if she were never there at all. Catch you later. And then... nothing. Just the two of us standing there in the middle of a dark, litter-strewn parking lot, trembling and raw-nerved beneath the sickly orange glow of the buzzing streetlamps. For a long moment, neither of us speaks a word - too shaken, too dumbstruck by everything we''ve seen and heard over the past few surreal hours. "So," Jordan says at last, their voice impossibly small and tight in the yawning silence. "That, uh... That sucked." I can''t help it - a strangled little laugh bubbles up from somewhere deep in my chest, high and wobbly and just a hair shy of outright hysteria. "That sucked," I agree, letting my forehead thunk forward to rest against the cool brick exterior of the building. "G-d, Jordan... what are we supposed to do now? Those two, they... they have the cops in their pocket, the school, maybe even the mayor. Even Watkins. How are we supposed to fight against something like that? Like, the other guys, you know -- those were bad guys and everyone knew it. But now I feel like I''m going insane." Jordan is silent for a moment, chewing their lower lip as they seem to mull the question over. When they finally do speak, their voice is slow and carefully measured. "I... think we need to be smart about this," they begin, glancing around furtively as if expecting Patriot and Egalitarian to come leaping out of the shadows at any moment. "Keep our heads down, play along with their little ''friendly warning'' for now. Keep the heat off our backs while we figure out our next move. With most of the other bad guys, you know... there''s a measure of fair play. I don''t think Mr. Nobody was under any illusions about the kind of person he was. But these people are, and that makes them way more dangerous." I frown at that, something hot and fierce rising up to war with the icy coils of fear squeezing my heart. "So what, we just give up?" I demand, pushing myself upright to glare at my partner dead-on. "Let them win, let them keep hurting people while we just sit back and twiddle our thumbs? I can''t do that, Jordan. I won''t." Jordan sighs heavily, scrubbing one hand down their face in a gesture of bone-deep exhaustion. "I didn''t say we give up," they clarify, meeting my gaze with a stubborn set to their jaw that I know all too well. "I said we need to be smart. We go charging in half-cocked now, we''ll just end up getting our asses handed to us - or worse." Going up against that head-on, without any kind of plan or fallback... it''d be suicide. For me, for Jordan, maybe even for my parents and my normal life. And life in general. And I can''t risk that, can''t put the people I care about in danger just to satisfy my own bruised ego. "Okay," I relent at last, the word tasting like bile on my tongue. "Okay, so... we play it cool for now. Lick our wounds, regroup, try to come at this from a different angle." Jordan looks relieved at my capitulation, reaching out to give my shoulder a quick, reassuring squeeze. "Exactly," they agree with a firm nod. "Trust me, Small Stack. We''ll nail those smug assholes to the wall, same as always. Just gotta be a little more careful about it this time around, that''s all." "Alright," I sigh, feeling some of the leaden weight on my chest begin to ease ever-so-slightly. "Alright, so... let''s get out of here before the waitress starts hunting for those two assholes that ordered wings and then left." Jordan snorts out a soft huff of laughter at that, clapping me on the back as we turn to make our way towards our respective homes. "That''s just normal bar stuff, buddy." "Yeah?" I ask. "Sure is, boss," they agree, an undercurrent of relief clear to hear as we beat our retreat. "Just promise you won''t wander into any Irish pubs on the way back. Don''t think my poor little heart could take it right now." I chuckle at the weak attempt at levity, falling into our usual rhythm with an ease born of familiarity and fondness. But even as we wisecrack and tease, I can''t quite shake the lingering sense of unease crawling beneath my skin - a twisting, gnawing feeling in the pit of my stomach that no amount of snark or false bravado can entirely dispel. I taste cigarette ashes in the wind. Superhuman Entity Report: Angela "Chrysalis" Perez PERKS Assessment: Angela Perez (Chrysalis) Classified Level: Confidential Date: August 2024 I. Power Classification Gigant: Insectoid Physiology Code: G4/S/P/T Rationale: Angela Perez has undergone a transformation resulting in an insect-like anatomy. This includes chitin armor, clawed hands and feet, wings, sensory antennae, and modified eyes. The power affects herself (S), is physical in nature (P), and affects only herself (T). Employ: Enhanced Sensory Capabilities Code: E3/S/P/B Rationale: Chrysalis''s antennae provide enhanced smell, hearing, and vibroreception. Her modified eyes allow for control over light perception. This power affects herself (S), is physical (P), and affects her ability to perceive stimuli in a roughly Block-sized radius (B). Gigant: Apitoxin Secretion Code: G2/O/P/T Rationale: Chrysalis''s claws secrete an apitoxin similar to that of a common bumblebee. This ability affects others (O), is physical (P), and is activated by touch (T). II. Power Ranking Chrysalis''s insectoid physiology is ranked G4, indicating a significant physical transformation. Her sensory enhancements are rated E3, providing moderate advantages. The apitoxin secretion is ranked G2, posing a minor threat comparable to bee stings. She is most dangerous to individuals possessing existing allergies to apitoxins. III. Control Rating Control: 5/10 Chrysalis demonstrates moderate control over her transformed body and enhanced senses. However, she possesses limited understanding of her own altered anatomy and its functions. IV. Hostility Rating Hostility: 7/10 While not as actively hostile as some major metahuman terrorists, Chrysalis''s involvement in terrorist activities, coupled with her unstable emotional state and lack of empathy, indicates a significant potential for aggressive behavior. V. Collateral Damage Potential Collateral Damage: 1/10 Chrysalis''s powers are primarily defensive or close-range, limiting her potential for widespread destruction. However, her enhanced physical capabilities and toxic claws pose risks in close-quarters situations. VI. Overall Threat Level Threat Level: 4/10 Considering Chrysalis''s power rankings, moderate control, hostility level, and limited collateral damage potential, she is assessed with a moderate overall threat level. While not as dangerous as some high-powered metahumans, her unpredictable behavior and lack of empathy make her a persistent security concern. PERKS Assessment Comments for Angela Perez (Chrysalis) August 2024: Officer''s Comments: Angela Perez, known as Chrysalis, is a metahuman inmate with an insect-like physiology. Her involvement in the Philly Phreaks'' terrorist activities and her unstable emotional state make her a security concern, despite her placement in the general population ward. Perez''s alternating manic rage and depression, coupled with her apparent lack of remorse, necessitate close monitoring. Her manipulative tendencies and unrealistic expectations about her incarceration should be noted by all staff interacting with her. She does not seem to fully understand that her participation in a terrorist incident may lead to a lifetime imprisonment. -Officer de la Cruz Interviewing Officer: Autumn de la Cruz Date: August 30th, 2024
Confidential Report: Power Assessment of Angela Perez (Chrysalis) Assessment Agent: Dr. Emily Nakamura Date: September 2024 I. Introduction: This report analyzes the metahuman abilities of Angela Perez, aka Chrysalis, currently held in the general population ward of Daedalus Correctional Facility. The assessment focuses on her insectoid physiology and its implications for security and potential rehabilitation. II. Power Overview: Angela Perez has undergone a transformation resulting in an insect-like anatomy, including chitin armor, clawed hands and feet, wings, sensory antennae, and modified eyes. This physiological change grants her enhanced durability, sensory capabilities, and limited toxic secretion abilities. III. Mechanics and Functionalities:
  1. Insectoid Physiology:
    • Chitin armor provides increased durability but is not impenetrable.
    • Clawed hands and feet offer enhanced grip and potential for minor physical damage.
    • Wings allow for controlled descent but not true flight.
    • Healing involves shedding layers, slower than normal human healing.
  2. Sensory Enhancements:
    • Antennae provide enhanced smell, hearing, and vibroreception.
    • Modified eyes with adjustable opacity and wavelength filtering capabilities.
  3. Apitoxin Secretion:
    • Claws secrete a toxin similar to bumblebee venom.
    • Poses minor threat, comparable to bee stings.
  4. Physiological Changes:
    • Body weight of approximately 80 pounds.
    • Green blood of an otherwise normal nature.
IV. Limitations:
  1. Flight Limitation: Wings insufficient for true flight, only capable of slowing descent.
  2. Healing Speed: Slower healing process compared to normal humans.
  3. Toxin Potency: Apitoxin relatively weak, posing minimal threat to most individuals.
  4. Cognitive Limitations: Limited understanding of her own capabilities, particularly eye modifications.
V. Threat Assessment: A case of literary theft: this tale is not rightfully on Amazon; if you see it, report the violation.
  1. Individual Threat: Moderate in close-quarters due to enhanced physical capabilities and toxic claws.
  2. Societal Threat: Nonexistent.
VI. Recommendations:
  1. Sensory Monitoring: Implement systems to detect and counteract her enhanced sensory capabilities, particularly in security-sensitive areas.
  2. Physical Containment: Ensure all surfaces in her cell and common areas are resistant to her claws and chitin.
  3. Medical Protocols: Develop specific medical procedures to address her unique physiology, including specialized treatments for her slow healing process.
  4. Psychological Support: Provide targeted therapy to address her emotional instability and unrealistic expectations about incarceration.
VII. Conclusion: Angela Perez, aka Chrysalis, presents a unique case of insectoid metahuman transformation. While her powers do not pose extreme threats individually, the combination of her physical enhancements, unstable emotional state, and involvement in terrorist activities necessitates careful management and monitoring. A comprehensive approach addressing both her physical containment and psychological needs is crucial for maintaining security and exploring potential rehabilitation pathways. Dr. Emily Nakamura Specialist in Metahuman Power Assessment for the National Superhuman Response Agency
Daedalus Correctional Facility Containment Procedures for Metahuman Inmate 84929166 (Angela Perez, aka "Chrysalis") Clearance Level: Confidential Containment Unit: Inmate 84929166 is to be housed in the general population ward of Daedalus Correctional Facility. The walls and surfaces of Inmate 84929166''s cell have been reinforced with a scratch-resistant polymer coating to withstand her clawed appendages and chitin armor. This coating also serves to dampen vibrations, reducing the effectiveness of her enhanced vibroreception. The cell is equipped with an advanced air filtration system designed to neutralize and mask scents, mitigating her heightened olfactory senses. To counter her ability to adjust her vision to different light wavelengths, the cell''s lighting system can be remotely modified to emit specific spectra that may disorient or limit her visual acuity if necessary. These lighting adjustments are to be used judiciously and primarily during high-alert situations or potential escape attempts. Security Measures and Monitoring: While Inmate 84929166 is considered lower risk compared to some of Daedalus''s more dangerous inmates, her unpredictable emotional state and manipulative tendencies necessitate vigilant monitoring. The standard surveillance systems in the general population ward have been supplemented with additional audio sensors capable of detecting the high-frequency sounds associated with her wing movements. All staff interacting with Inmate 84929166 are required to wear protective gloves resistant to her claws and apitoxin. While the toxin''s potency is relatively low, this precaution helps prevent potential allergic reactions or cumulative exposure effects among personnel. Interactions and Containment Protocols: Given Inmate 84929166''s placement in the general population ward, she is allowed limited interaction with other low-risk metahuman inmates during designated periods. However, these interactions are closely monitored by trained staff members who are well-versed in her psychological profile and potential manipulative behaviors. During any necessary physical interactions, such as medical examinations or escort to different facility areas, staff are to maintain a safe distance to avoid potential contact with her claws. In situations requiring closer proximity, additional protective gear, including face shields, should be worn to guard against her apitoxin. Individuals with recorded allergies to bees and wasps are not permitted to interact with Inmate 84929166. Medical Considerations and Rehabilitation: The medical staff at Daedalus have developed specialized protocols to address Inmate 84929166''s unique physiology. Particular attention is paid to her slower healing process, with medical check-ups scheduled more frequently than for other inmates to monitor the condition of her chitin and overall health. Despite her current lack of remorse and unstable emotional state, efforts are being made to provide Inmate 84929166 with appropriate psychological support and rehabilitation opportunities. Therapy sessions focusing on emotional regulation and empathy development have been incorporated into her daily schedule. Additionally, educational programs aimed at helping her understand and potentially control her metahuman abilities are being developed, with the long-term goal of facilitating her eventual reintegration into society. Conclusion: The containment of Angela Perez (Chrysalis) within the general population ward of Daedalus Correctional Facility strikes a balance between necessary security measures and opportunities for rehabilitation. While her powers do not pose the extreme risks associated with some of Daedalus''s high-security inmates, her unique physiology and psychological profile require ongoing vigilance and specialized care. By implementing these procedures, we aim to maintain a safe environment within the facility while working towards the possibility of her future rehabilitation and reintegration. Prepared by: Dr. Ethan Novak, Head of Metahuman Containment, Daedalus Correctional Facility Approved by: Warden Elizabeth Holt, Daedalus Correctional Facility NSRA Liaison: Agent Marcus Lee, National Superhuman Response Agency Distribution List:
  1. Daedalus Correctional Facility Administration
  2. National Superhuman Response Agency (NSRA)
  3. Department of Metahuman Affairs
  4. Joint Congressional Committee on Metahuman Oversight
Chapter 105.1 The walk home from school feels longer than usual today, each step weighted with the lingering tension from our recent encounters. Jordan and I trudge along in companionable silence for a while, both lost in our own thoughts as we navigate the familiar streets of Tacony. "So," Jordan drawls at last, breaking the quiet with their trademark sarcastic asshole tone. "Another day in paradise, huh? Nothing quite like the smell of fascism in the afternoon to really get the blood pumping." I snort out a humorless laugh, kicking at a stray pebble on the sidewalk. "Yeah, paradise. If by ''paradise'' you mean ''dystopian hellscape where every adult with a badge thinks they''re Judge Dredd.''" "I am the law!" Jordan bellows in their best Stallone impression, which is to say, not very good at all. "You know that''s based off a comic series, right?" We share a brief chuckle, but the mirth fades quickly, replaced by the heavy weight of reality settling back onto our shoulders. "No shit?" I ask. "I don''t know anything about comics." "Evidently," they reply. "For real, though," I continue, my voice dropping to a near-whisper. "We can''t just keep sitting on our hands while these assholes run roughshod over everyone. There''s gotta be something we can do, right?" Jordan hums thoughtfully, their brow furrowing in concentration. "I mean, yeah, obviously. But we gotta be smart enough about it to not get caught. No vigilante bullshit for now." "Hey!" I protest, elbowing them in the ribs. "I resemble that remark." They roll their eyes, but I catch the hint of a smile tugging at the corners of their mouth. "You know what I mean, dork. We need a plan. A real one, not just ''show up at the bad guys'' house and hope for the best''." "Alright, alright," I concede, holding up my hands in mock surrender. "So what''s your big idea, then? How do we take on the entire system without, you know, getting our asses handed to us on a silver platter?" Jordan''s quiet for a long moment, their gaze fixed on some distant point on the horizon. When they finally speak, their voice is low and serious. "I think... I think we need to go bigger. Like, way bigger. The more pressure, the better. I''m gonna squeeze this shit like a pimple." I feel a chill run down my spine at their words, equal parts excitement and trepidation coiling in my gut. "Okay," I say slowly, turning the idea over in my mind. "So what does that look like, exactly? We get some better recording equipment and capture them being racist?" "No, that won''t work. Cops being racist is, like, old news," Jordan admits with a shrug. "But I''ve got some ideas. We should probably loop in the others, though. Get the whole gang together for a good old-fashioned brainstorming session." I nod in agreement, already pulling out my phone to fire off a quick text to Derek, while Jordan handles Connor. "Oh, great, I missed your particular brand of skulduggery," I mumble, mostly to myself. "Yeah, I know you love me," Jordan responds.
An hour later, we''re all gathered in the cavernous main room of the abandoned Tacony Music Hall ¨C our unofficial headquarters and Jordan''s makeshift home. The place still bears the scars of its long neglect, but Jordan''s been slowly but surely transforming it into something... well, if not exactly homey, then at least functional. Connor lounges across a battered old couch, his lanky form folded into impossible angles as he idly twirls a length of copper wire between his fingers. Derek paces back and forth near the boarded-up windows, his usual scowl etched deep into his features. Jordan''s perched on an overturned milk crate, their laptop balanced precariously on their knees as they tap away at the keys with laser focus. And me? I''m sprawled out on the threadbare carpet, staring up at the cracked plaster ceiling as I try to wrestle my tumbling thoughts into some semblance of order. "Alright, nerds," Jordan announces, finally looking up from their screen. "Let''s get this party started. We''ve got ourselves a corrupt system to topple and not a whole lot of time to do it in. Ideas? Anyone? Bueller?" Connor raises his hand, looking for all the world like an overgrown schoolboy. "Why don''t we just try talking to them? Patches would always ask us to come to her when something was wrong. She encouraged us Phreaks to approach her directly with our problems. Maybe we could ¨C" "Yeah, no," Derek cuts him off with a derisive snort. "That''s a terrible idea. Why don''t we just ask the cops to stop brutalizing people while we''re at it? That''s never backfired before." Connor deflates visibly, his shoulders slumping as he mumbles, "It was worth a shot..." "Easy, Cujo," I chide Derek gently. "At least he''s trying to contribute. What''s your brilliant plan, huh?" Derek grunts, running a hand through his unruly mop of bright orange hair. "I dunno," he admits grudgingly. "But there''s gotta be a better way than a: asking the cops, b: going above the cops and asking the cops''s bosses, who are also cops. I wish the government just had a fucking... anonymous complaint box, like at my old job." If you stumble upon this tale on Amazon, it''s taken without the author''s consent. Report it. Jordan stares at him. "Actually," he meets Jordan''s gaze, "I wish the government was gone, but, you know. Small steps." We all turn to stare at him, a mixture of confusion and intrigue etched across our faces. "Complaint box?" Jordan echoes, their brow furrowing. "What, like... a physical box where people could drop off written complaints? Where, in the principal''s office? Pff," Derek shrugs, looking a little self-conscious under our collective scrutiny. "Yeah, basically. A little wooden box nailed to the manager''s door. It was anonymous, so people could report issues without worrying about getting fired. Didn''t always work, but... I dunno, it''s something, right?" A lightbulb goes off in my head, the beginnings of an idea starting to take shape. "Wait, hold up," I say, sitting up so fast I nearly give myself whiplash. "What if we did something like that, but... digital? Like, an anonymous website where people could submit evidence of all the sketchy shit the security goons are pulling? Jordan, you''re our tech wizard, right?" Jordan''s eyes light up, their fingers already flying across the keyboard. "Oh man, oh man," they mutter, more to themselves than to us. "That could actually work. We could set up a secure server, use encryption to protect everyone''s identities... yeah, I think this can work, I just need to buy some stuff..." "Whoa, whoa, slow down," Derek interjects, holding up his hands. "Are we seriously considering this? I mean, isn''t that kind of... I dunno, illegal or something?" "Only if we get caught," Connor points out helpfully, earning himself a withering glare from Derek. I shake my head, pushing myself to my feet and starting to pace. "No, guys, think about it. What''s illegal about running a website? We''re not hacking anything or stealing information. We''re just providing a platform for people to share their experiences and evidence. It''s basically just citizen journalism." "She''s right," Jordan chimes in, their voice taking on that dreamy quality it gets when they''re really deep in thought. "It''s like the old saying: ''Who watches the watchmen?'' Apparently, racist pieces of shit. So I guess it falls to us to watch the watchers of the watchmen." "That''s... not how that quote goes," Derek grumbles, but there''s a hint of grudging agreement in his tone. "I''m going to beat you with hammers," "Alright, so let''s say we do this," Connor pipes up, sitting up a little straighter on the couch. "How do we make sure it doesn''t just turn into, like, a glorified gossip forum? We need actual evidence, right? Not just people complaining about getting detention." I nod, feeling a surge of pride at how seriously everyone''s taking this. "Good point," I agree. "We''ll need to set up some kind of vetting process, make sure we''re only dealing with credible stuff. Maybe... I dunno, require photo or video evidence for submissions?" Jordan''s already typing away again, their face bathed in the blue glow of their laptop screen. "We can set up different categories," they suggest. "Like, separate sections for firsthand accounts, photo evidence, video clips, that kind of thing. Make it easier to sort through and verify everything." "And we''ll need to be careful about protecting people''s identities," Derek adds, his usual gruff demeanor softening slightly as he gets more invested in the idea. "Not just the ones submitting stuff, but anyone who might show up in the evidence, you know? Don''t want to accidentally out some poor kid who was in the wrong place at the wrong time. A ton of people got fired because of the complaint box because they made themselves too identifiable." "Well, now you tell us," Connor mumbles. "Good call," I agree, flashing him a quick thumbs up. "We''ll need to come up with some clear guidelines for submissions, make sure everyone knows what''s okay to share and what isn''t." "I can help with that," Connor volunteers, perking up at the chance to contribute. "I''m pretty good at explaining things in simple terms. Comes with the territory when you''re dating a super-genius, I guess." Jordan snorts at that, not even bothering to look up from their furious typing. "Flattery will get you everywhere, babe," they quip. "But don''t worry too much about you needing to do stuff. I''m taking ownership of this. None of you are allowed to touch any of my computer equipment, or I will put you in a small room and squeeze the room until you pop." We spend the next few hours hashing out the details, bouncing ideas back and forth as we try to anticipate every possible angle and pitfall. Jordan takes point on the technical stuff, explaining their plans for a secure, self-hosted infrastructure that''ll be harder to trace or shut down. "See, the thing is," they ramble, their eyes lighting up with that manic gleam they get when they''re really in their element. "We can''t just rely on some off-the-shelf hosting solution, you know? That''s way too easy to track. We need our own servers, our own encryption protocols, the whole nine yards. Any VPS service would probably just give it up at the first sign of a subpoena." The rest of us exchange bemused glances, most of Jordan''s explanation going way over our heads. But we trust them implicitly when it comes to this stuff, so we just nod along and try to keep up as best we can. "It''s like..." Jordan continues, gesticulating wildly as they search for an analogy we''ll understand. "You know how the fucking... mailmen will rat you out if they find out you are mailing drugs?" "You mean like in Ocean''s Eleven?" Connor pipes up helpfully. Jordan points at him, snapping their fingers. "No! But that''s ok." "You tried to mail drugs?" I ask. "I''m not answering that," Jordan responds. "Anyway, you can also just mail things by physically moving them yourself if you have the infrastructure, like a car or a bike or whatever. You don''t need mailmen who will comply with law enforcement. We will build our own website infrastructure." "That''s... a really tortured metaphor," Derek grumbles, but I can see the ghost of a smile tugging at the corners of his mouth. "Shut up, it''s brilliant," Jordan retorts, sticking out their tongue. "Anyway, the point is, we need to be smart about this. Like, uber-smart. We''re not just setting up a rinky-dink little blog here. We''re creating a whole secure ecosystem for whistleblowers and citizen journalists to share potentially explosive information. It''s gotta be airtight. I can''t just use off-the-shelf shit." I nod along, trying to wrap my head around the sheer scope of what we''re undertaking. "So what does that look like, exactly?" I ask. "Like, in practical terms?" Jordan launches into another long-winded explanation, peppered with terms like "end-to-end encryption" and "VPN routing" that might as well be ancient Greek for all I understand them. But the gist of it seems to be that they''re setting up a system that''ll be virtually impossible to trace back to us or any of the people submitting information. "It''s like... okay, you know how when you''re trying to sneak a cookie from the jar, and you''ve gotta be all stealthy about it?" Connor chimes in, clearly trying to translate Jordan''s techno-babble into something the rest of us can grasp. "So you''re like, tiptoeing around, making sure nobody sees you, maybe leaving a false trail of crumbs to throw off suspicion?" "Sure, let''s go with that," Jordan agrees with a fond eye-roll. "Dork." Chapter 105.2 As the night wears on, we start to divvy up tasks based on our individual strengths. Jordan, obviously, takes point on all the technical stuff. Derek volunteers to help with security measures, drawing on his experiences from various odd jobs to identify potential weak points in our setup. Connor and I focus on the content side of things, working together to draft clear guidelines for submissions and brainstorming ways to verify the information we receive without compromising anyone''s anonymity. "Okay, but what if someone sends in, like, a really blurry photo that could be Officer Dickwad shoving a kid, but it also could just be two random blobs kind of near each other?" Connor muses, tapping his chin thoughtfully. I furrow my brow, considering the question. "I guess... we''d have to err on the side of caution?" I suggest. "Like, maybe we could have a section for ''unverified but compelling'' submissions or something? That way people can still see it, but we''re not presenting it as definitive proof." Connor nods enthusiastically, already scribbling notes on a torn piece of notebook paper. "Good call, boss lady. We could do like a tier system or something. Fully verified stuff at the top, then like, partially corroborated, then the ''hmm, interesting but needs more evidence'' category..." As we work, the energy in the room is electric ¨C a palpable sense of purpose and determination humming through the air. For the first time in weeks, I feel like we''re actually doing something, not just reacting to the latest crisis or doing investigatory work of dubious usefulness. It''s late ¨C or early, depending on how you look at it ¨C by the time we finally have a working prototype ready to go. Jordan''s got the bare bones of the website up and running, secured behind more layers of encryption than I can wrap my head around, or so they say. Connor and I have hammered out a basic set of submission guidelines and started work on a rudimentary system for categorizing and organizing the data we (hopefully) start receiving. Jordan even started teaching Connor about something called "Sequel", which is apparently the "database" being used. This is all Greek to me. "Alright, folks," Jordan announces, stretching their arms over their head with a series of alarming pops and cracks. "I think we''re about as ready as we''re gonna get for a soft launch. Time to send this baby out into the wild and see what happens." We gather around Jordan''s laptop, a mixture of excitement and trepidation thrumming through the group as they hit the final key to push the site live. For a moment, nothing happens ¨C the world doesn''t end, the sky doesn''t fall, no sirens start blaring in the distance. "So..." Derek drawls after a beat of silence. "Now what?" Jordan grins, that familiar spark of mischief dancing in their eyes. "Now," they declare, cracking their knuckles with exaggerated flair, "we wait for the DNS records to update. And then we start sending it to people." We spend the next hour or so carefully seeding links to the site in various HIRC local channels, presenting it as something we just stumbled across rather than something we created. It''s a delicate balance ¨C we want people to know about it, but we can''t be too obvious about our involvement. There''s a nagging part of me that''s sure this is a bad, stupid idea, but it''s drowned out by the part that''s screaming for consequences and justice. I wonder which part is smarter. "Hey, check out this weird website I found," I type into one of the school''s more popular channels, trying to strike the right tone of casual curiosity. "Looks like some kind of whistleblower thing for Tacony Charter? Anyone know what''s up with this?" Similar messages from the rest of the team start popping up in other channels, each carefully crafted to sound like we''re just passing along something we heard through the grapevine. It''s slow going at first, but gradually we start to see a trickle of responses. People asking questions, expressing skepticism, a few brave souls admitting they''ve got their own stories to share. And then, like a dam finally bursting, the floodgates open. It starts with a single video ¨C shaky cellphone footage of Officer Nguyen getting way too aggressive with a freshman during a "routine" locker search. Then another, this time showing Ridley and one of his cronies cornering a group of students in the cafeteria, their body language unmistakably threatening. Photos start pouring in too ¨C close-ups of bruises left by overzealous "pat-downs," pictures of confiscated items that clearly fall well outside the scope of any reasonable search policy. And with the visual evidence comes a torrent of firsthand accounts, each one painting a more damning picture than the last. By the time midnight rolls around, we''ve got a veritable treasure trove of incriminating material ¨C dozens of videos, scores of photos, and a small novel''s worth of written testimonials. It''s overwhelming, exhilarating, and more than a little terrifying all at once. "Holy shit," Connor breathes, his eyes wide as he scrolls through the ever-growing list of submissions. "I mean, I knew it was bad, but this... this is insane."
"Alright, Operation Bathroom Graffiti is a go," Jordan whispers, their eyes darting back and forth as we skulk through the empty hallways like a pair of discount cat burglars. "You got the goods?" I pat my backpack, feeling the reassuring crinkle of paper inside. "Roger that, partner in crime. Let''s do this thing." We split up, each taking a different bathroom to maximize our efficiency. As I push open the heavy door to the girls'' room, I can''t help but feel a little ridiculous. Here I am, Samantha Small, student and secret superhero, about to engage in some good old-fashioned vandalism. Well, sort of. Does it count as vandalism if it''s just paper? I duck into the nearest stall, fishing out a handful of the double-bar codes Jordan printed out. You scan them with your phone and it opens up a website. Don''t ask me how it works, I just nod and smile when Jordan starts explaining the technical stuff, and let it wash through me like sparring pain. Stolen novel; please report. As I start taping the codes to the inside of the stall door, I can''t help but smile at the absurdity of it all. If someone had told me a year ago that I''d be spending my free time guerrilla marketing a whistleblower website in the school bathrooms, I probably would''ve asked what drugs they were on and if they''d share. I thought I''d be fighting supervillains by now, not... the cops. A year ago, I probably would''ve told you that the cops are all my friends. And I still think they''re mostly good, but man, this whole experience has been... I don''t know. Bad. These security guards are friends with cops - why won''t the cops stop them? Here we are, playing at being secret agents while trying to avoid getting caught on the security cameras. This shouldn''t be our job. We shouldn''t have to do this. I finish up quickly, making sure the codes are secure but not too obvious, and then slip back out into the hallway. Jordan''s already waiting for me, looking far too pleased with themselves. "Mission accomplished?" they ask, waggling their eyebrows like a cartoon villain. I roll my eyes, but can''t quite suppress my grin. "Yeah, yeah, James Bond. Let''s get out of here before someone decides to do an impromptu midnight patrol or something." As we make our stealthy exit, I can''t help but wonder what kind of chaos we''ve just set in motion. Hopefully, the good kind. Realistically, none at all.
The next couple of days at school are interesting, to say the least. It''s like watching a slow-motion train wreck, except the train is made of teenage anxiety and the tracks are paved with adult paranoia. Everyone''s having fun. At first, it''s just little things ¨C hushed conversations in the hallways, kids huddled around their phones between classes, darting glances thrown at the security guards patrolling the corridors. But as word of the website spreads, I can practically feel the tension ratcheting up notch by notch, like the static in the air before a lightning strike. I''m standing by my locker, pretending to rummage through my backpack while I eavesdrop on a group of sophomores nearby. They''re whispering furiously, heads bent close together as they scroll through something on one of their phones. "Holy shit, did you see what they posted last night?" one of them hisses, eyes wide. "I can''t believe Nguyen actually ¨C" "Shh!" another cuts him off, glancing around nervously. "Don''t say her name, dummy. You want to get us in trouble?" I have to bite back a snort like a dog chomping on hose water at that. As if Nguyen has magical hearing powers activated by her name, like some kind of rent-a-cop Beetlejuice. I''m sure someone has that power, but not her. Just then, a commotion erupts down the hall ¨C raised voices and the sound of something clattering to the floor. I crane my neck to see what''s going on, my superhero instincts kicking into high gear. It''s that kid from my English class ¨C what''s his name? Carlos? Anyway, he''s squared off against one of the newer security goons, his face flushed with anger as he gesticulates wildly. "You can''t just go through my stuff like that!" Carlos is saying, his voice tight with barely-contained fury. "That''s illegal, man!" The guard ¨C a beefy guy with a crew cut and a permanent scowl ¨C just sneers down at him. "School policy, kid. You got a problem with it, take it up with the principal." I edge closer, trying to look casual as I pretend to be deeply fascinated by the school mascot posters plastered all over the walls. As I pass by Carlos, I catch his eye and give a tiny, almost imperceptible nod towards his phone. He pulls his phone up and puts it in the guard''s face, as if he''s on my exact telekinetic wavelength. Telekinetic? Telepathic? Whatever. The argument escalates in volume but decreases in intensity - the guard beginning to back off. I keep walking, not wanting to draw any more attention to myself, but I can''t help the little spark of satisfaction that blooms in my chest. Another piece of evidence for the collection. At least, that''s what I tell myself to justify the knot of guilt twisting in my gut. --- "Guys, guys, guys!" Jordan''s voice crackles through the speakers of my laptop, their face a pixelated blur of excitement on the video call. "You are not gonna believe what just came in!" We''re all logged into our secure chat system ¨C me sprawled across my bed at home, Connor perched on the rickety desk chair in his dorm room, and Derek... well, who knows where Derek is calling in from. Probably some abandoned warehouse or something equally on-brand for his whole ''brooding loner'' aesthetic. Maybe his basement. "What''s up?" I ask, trying to keep the eagerness out of my voice. "New submission?" Jordan''s grin is wide enough to practically split their face in two. "Oh, it''s way more than just a submission, Sammy. This is the motherload. The smoking gun. The ¨C" "Just spit it out already!" Derek growls, his patience clearly wearing thin. "Alright, alright, keep your fur on," Jordan quips, their fingers flying across the keyboard. "Sending it to you guys now. Prepare to have your minds blown!" A link pops up in the chat, and we all click on it simultaneously. For a moment, there''s nothing but the sound of loading buffers and muffled curses as we wait for the video to start playing. And then... "Holy shit," I breathe, my eyes going wide as the scene unfolds on my screen. It''s grainy cellphone footage, clearly shot from someone trying to be discreet, but the content is unmistakable. A group of security guards ¨C I count at least four ¨C have an Asian student I don''t recognize cornered against a bank of lockers. They''re not touching him, not quite, but their body language screams intimidation. "You been causing trouble, Lee?" one of the guards ¨C I think it might be Carstairs, but it''s hard to tell from this angle ¨C sneers, leaning in close. "Heard you''ve been running your mouth about things that don''t concern you." The kid ¨C Lee, I guess ¨C tries to stand his ground, but I can see the fear in his eyes even through the low-quality video. "I-I don''t know what you''re talking about," he stammers. "I haven''t done anything wrong!" Another guard chuckles, the sound low and menacing. "Course you haven''t. Model student, right? But see, we''ve got our eyes on you now. One toe out of line, and..." He trails off, leaving the threat unspoken but crystal clear. The guards linger for a moment longer, their message delivered, before finally dispersing and leaving Lee slumped against the lockers. The video cuts out there, and for a long moment, nobody says anything. We''re all too stunned, too sickened by what we''ve just witnessed. "Jesus Christ," Connor mutters at last, breaking the silence. "That''s... that''s fucked up, guys. Like, really fucked up." "No shit," Derek agrees, his usual gruffness tempered by a note of genuine anger. "We can''t just sit on this, can we? People need to see it!" I chew on my lower lip, torn between the urge to expose this blatant abuse of power and the nagging voice in the back of my head warning me to be cautious. "I don''t know," I hedge. "What, like... Did they hit him? You made this sound a lot worse than I think it looks to other people. I mean. I know it''s bad. But will other people think it''s bad? Is it bad enough to sh--" "Already done," Jordan interrupts me in, their voice brimming with a mix of pride and righteous indignation. "On the front page of the site." "What?" I yelp, sitting bolt upright. "Jordan, we didn''t even get a chance to discuss it!" They have the grace to look a little sheepish at that, but there''s a defiant set to their jaw that I know all too well. "Sorry, boss," they say, not sounding sorry at all. "But this was too big to sit on. People need to know what''s really going on in those hallways." I want to argue, to point out all the ways this could backfire spectacularly. But deep down, I know they''re right. This is exactly the kind of thing we created the website for in the first place. We can''t back down now just because the stakes suddenly feel a lot higher. "Alright," I sigh, pinching the bridge of my nose. "Sure. I''ll keep an eye on Lee when I see them to make sure they don''t get, I don''t know, baton''d to a concussion." Chapter 105.3 It''s like someone cranked the tension dial up to eleven and then broke off the knob. Everywhere I look, there are signs that our little whistleblower experiment is having some serious ripple effects. The kind that makes me both excited and scared. The kind that feel like electricity in my ribcage. Kids are clumping together in the hallways, shooting wary glances at the security guards as they pass. The guards themselves seem to be doubling down, their expressions harder and their stance more aggressive than ever. It''s like watching two opposing armies gearing up for battle, except instead of swords and shields it''s snide comments and phone cameras at ten paces. I''m in the cafeteria, picking at a truly unappetizing glob of what the lunch ladies insist is meatloaf, when the first real fireworks go off. There''s a sudden commotion near the doors ¨C raised voices, the scrape of chairs being shoved back, a chorus of "Ooooh!" rising from the assembled student body like we''re at some kind of demented wrestling match. I crane my neck to see what''s going on, half-rising from my seat before Jordan''s hand on my arm stops me. "Easy there, Wolverine," they mutter, tugging me back down. "Let''s not draw attention to ourselves, yeah?" I want to argue, to rush in and play the hero like I always do. But Jordan''s right ¨C we can''t risk exposing ourselves, not when things are this volatile. So instead, I settle for observing from afar, my heart racing as the scene unfolds. It''s hard to make out details through the press of bodies, but I catch glimpses here and there. A kid ¨C freshman, maybe? ¨C with his phone out, clearly trying to film something. Officer Zielinski looming over him, face twisted in a mask of barely-contained rage. The kid''s friends forming a protective circle around him, their own phones at the ready. For a moment, I think it''s going to come to blows. The air crackles with tension, a near-visible current of anger and fear and defiance all tangled up together. But then, miraculously, it dissipates. Zielinski backs off, muttering something I can''t quite catch, and the crowd starts to disperse. I let out a breath I didn''t even realize I was holding, slumping back in my seat. "That was close," I mumble, more to myself than to Jordan. They nod grimly, their dark eyes scanning the room like they''re expecting more trouble to erupt at any second. "Too close," they agree. "We might''ve underestimated how people would react to all this." Before I can respond, the crackle of the PA system cuts through the cafeteria din. Principal Heckerman''s voice booms out, strained and reedy with barely-contained frustration. "Attention students and faculty," he begins, and I swear I can actually hear him grinding his teeth. "It has come to our attention that certain unsavory rumors are circulating about our dedicated security staff. Let me be perfectly clear ¨C these baseless accusations will not be tolerated." Jordan and I exchange a look, eyebrows raised. Baseless, huh? I wonder if he''s actually seen any of the evidence we''ve collected, or if he''s just parroting whatever line the security officers have fed him. "Furthermore," Heckerman continues, his voice taking on an edge of desperation, rather than anger, "I urge the individuals responsible for spreading this inflammatory material to come forward immediately. Your actions are causing unnecessary disruption and putting your fellow students at risk. Do the right thing, turn yourselves in, and shut down your website. Thank you." He sounds like he has a gun pointed at his head. I can''t stop the grimace from crossing my face. The cafeteria erupts into a fresh wave of whispers and speculation as soon as the announcement ends. I catch snatches of conversation from nearby tables ¨C kids debating whether the website is real or just some elaborate prank, speculation about who might be behind it all. "Well," Jordan drawls, their voice pitched low enough that only I can hear. "I''d say our little project is officially on the radar. You ready for things to get really interesting?" I grimace, pushing my tray away as my appetite evaporates completely. "Define ''interesting,''" I mutter. Jordan just grins, that familiar spark of mischief dancing in their eyes. "You''ll see, Sam-o-rama. You''ll see." If you spot this narrative on Amazon, know that it has been stolen. Report the violation.
It doesn''t take long for "interesting" to morph into "oh shit, what have we done?" territory. Over the next few days, reports start flooding in through our secure channels ¨C stories of increased friction between students and security, of guards getting more aggressive in their "random" searches, of kids being hauled into the office for the slightest perceived infractions. "It''s like they''re trying to prove a point," Derek growls during our latest emergency video call. "Show everyone who''s really in charge." Connor nods, his usual easygoing demeanor replaced by a look of grim determination. "Yeah, but they''re just digging themselves in deeper," he points out. "Every time they pull this crap, it''s more fodder for the site. Like when you catch a PPA guy parking in a handicap spot so they arrest you." "They do that?" I ask, raising an eyebrow in mild disbelief. "Yeah," Derek confirms. "Definitely." "Maybe they are digging in deeper," I concede, chewing nervously on my lower lip. "But at what cost? We wanted to expose the problem, not make it worse. Sunlight isn''t disinfecting this one. It''s just getting aggravated like a bad sunburn." Jordan''s been uncharacteristically quiet throughout our discussion, their brow furrowed in concentration as they tap away at their keyboard. Finally, they look up, their expression a mix of excitement and apprehension. "I think we might have started something bigger than we realized." We all lean in closer to our screens, curiosity piqued. "What do you mean?" I ask. Jordan turns their laptop around, showing us a series of web pages that look vaguely similar to our own site. "These started popping up over the last couple days," they explain. "Copycats, kind of. Other schools in Philly setting up their own whistleblower platforms. None of them look as good as mine, obviously." My eyes go wide as I scan the various sites. Some look pretty professional, clearly set up by tech-savvy students. Others are more rough around the edges, but the intent is clear. People are following our lead, taking a stand against the bullshit in their own schools. "Holy crap," Connor breathes, voicing what we''re all thinking. "We''ve gone viral." Derek snorts at that, but there''s a hint of grudging respect in his tone. "Great. So now instead of just pissing off our own school''s rent-a-cops, we''re taking on the entire Philly public school system. Fan-fucking-tastic." I want to share in the others'' excitement, I really do. But all I can think about is how many more kids might get caught in the crossfire as this thing keeps escalating. We need to be smart about this, need to find a way to channel all this energy into something productive instead of just making more trouble. "Okay," I say at last, my mind racing as I try to formulate a plan. "Here''s what we''re gonna do. Jordan, can you set up some kind of... I don''t know, network? Like a way for all these different sites to share information securely?" Jordan''s eyes seem to literally light up as their face adjusts to a new angle. "Yeah, I can start a webring." I nod, feeling a little more in control as the beginnings of a strategy start to take shape. "Good. We''ll need to coordinate, make sure we''re all on the same page. And we need to start thinking about what we''re gonna do with all this evidence once we''ve collected it. We can''t just keep dumping it online and hoping for the best." "Don''t worry, I''ve got plans for that, too." Jordan mumbles.
Later that evening, Jordan and I are huddled in the musty backstage area of the music hall, hunched over a battered laptop. The air feels thick with dust and anticipation as we wait for the NBC 10 nightly news to start. "Are you sure about this?" I ask, my stomach doing somersaults that would make an Olympic gymnast jealous. Jordan''s fingers drum an impatient rhythm on the scarred wooden table. "Positive. My source says we''re definitely getting a mention tonight." As if on cue, the familiar jingle of the news intro fills our makeshift hideout. My heart starts pounding double-time as the anchor''s polished voice cuts through the static. "Our top story tonight: A disturbing trend sweeping through Philadelphia schools. Student-run websites are popping up across the city, making false accusations against school security personnel. Officials are calling it a dangerous form of vigilantism that puts both students and staff at risk." The screen cuts to shaky cellphone footage of the cafeteria confrontation from earlier in the week. I wince, recognizing the back of my own head in the crowd. So much for staying under the radar. "These reckless actions are causing chaos in our schools," a stern-faced Principal Heckerman declares, his jowls quivering with indignation. "We urge parents to talk to their children about the serious consequences of spreading false information online." As the segment continues, painting our efforts in increasingly alarmist tones, I feel the blood drain from my face. This is all wrong. They''re twisting everything, making it sound like we''re the bad guys. "Holy shit," Jordan breathes, their eyes gleaming with barely contained glee. "We''ve hit the big time, Sam-a-lamb! We''re actually on the fucking news!" I can''t share in their excitement. My throat feels tight, my palms clammy as I grip the edge of the table. "Yeah," I manage to croak out. "Big time." As Jordan whoops and punches the air, already spinning plans for how to capitalize on this unexpected publicity, I feel my meager lunch trying to claw its way back up my esophagus. I wanted to make a difference, to shine a light on injustice. But now, watching our story unfold on the flickering screen, I can''t shake the feeling that we''ve opened Pandora''s box ¨C and there''s no putting the lid back on. The electricity I felt in my ribcage earlier has turned into a full-on storm, and I''m not sure if we''re the lightning rods or just the poor saps about to get struck. Chapter 106.1 The streetlights flicker to life one by one, casting long shadows across the quiet streets of South Philly as Rampart and I make our way through the neighborhood. It''s a pretty chill evening, all things considered ¨C the kind of night where you''d expect to see kids playing stickball in the street or old ladies gossiping on their stoops. Instead, there''s just... nothing. Like the whole world''s holding its breath, waiting for the other shoe to drop. I glance over at Rampart, his broad shoulders silhouetted against the deepening twilight. He''s been quieter than usual tonight, his jaw set in a way that makes me think he''s chewing on something besides his customary wad of bubblegum. Time to poke the bear, I guess. "So," I drawl, aiming for casual and probably missing by a mile. "You ever hear of a group called Pattinson''s Pals?" Rampart''s step falters for just a second, barely noticeable if you weren''t looking for it. But I''m always looking, aren''t I? Curse of the job and all that. "Why do you ask?" he responds, his voice carefully neutral. It''s impressive, really ¨C the guy could probably play poker with a demon and come out ahead. I shrug, trying to match his nonchalance. "Oh, you know. Just heard some stuff through the grapevine. Thought you might know more, being all connected and whatnot." He shoots me a sidelong glance, one eyebrow quirked in that way that always makes my stupid teenage heart do a little backflip. "Connected, huh? What am I, the superhero mafia now?" I can''t help but snort at that, the mental image of Rampart in a pinstripe suit and fedora too ridiculous to contain. "Nah, you''re way too pretty to be a mobster. Maybe, like, an extremely jacked accountant or something." "Wow, thanks," he deadpans, but I catch the hint of a smile tugging at the corners of his mouth. "Glad to know my career options are so varied." We lapse into silence for a moment, the only sound the soft scuff of our boots against the cracked pavement. I''m about ready to change the subject, figuring I''ve pushed my luck as far as it''ll go, when Rampart surprises me by speaking up. "They''re... alright, I guess," he says, his voice low and thoughtful. "Pattinson''s Pals, I mean. They do a lot of community outreach stuff, you know? Help out with fundraisers for the police union, that kind of thing." I nod, careful to keep my expression neutral even as my mind starts racing. "Yeah? That''s cool. They sound like real stand-up citizens." Rampart makes a noncommittal noise, his gaze fixed on some distant point down the street. "I mean, they''re not perfect or anything. Nobody is, right? But they try to do good, I think." "Uh-huh," I prompt, sensing there''s more he wants to say but isn''t quite sure how to get out. "But...?" He sighs, rubbing the back of his neck in a gesture that''s pure awkward teenager despite the superhero getup. "Look, it''s not a big deal or anything. Just... I heard some stuff about Patriot and Egalitarian getting a little rowdy at McGillin''s after hours one night. Nothing illegal, just, you know. Blowing off some steam." I raise an eyebrow at that, unable to keep the skepticism out of my voice. "Rowdy how, exactly? Like, starting a bar fight rowdy, or just singing karaoke badly rowdy?" Rampart chuckles, some of the tension easing out of his shoulders. "Nah, nothing that exciting. Just talking a little too loud, maybe knocking over a chair or two. Totally normal stuff, you know? We''ve all been there." I decide not to point out that, as a fifteen-year-old who''s never set foot in a bar, I most definitely have not ''been there'', and neither should have he. Should have he... He shouldn''t have either! Instead, I just nod sagely, like I''m some worldly sophisticate who spends her weekends barhopping instead of, you know, fighting crime and doing algebra homework. "Sure, sure," I agree, my mind already spinning off in a dozen different directions. "Hey, speaking of bars, did you know McGillin''s is the oldest continually operating tavern in Philly? It''s been around since 1860. That''s, like, older than my great-grandparents. Maybe even my great-great-grandparents. I wonder if they ever went there? I mean, not that I know for sure if my great-great-grandparents even lived in Philly, but it''s possible, right? Oh man, what if they met there? That''d be wild. Like, imagine if the whole reason I exist is because my great-great-grandpa had one too many pints of whatever they drank back then and decided to hit on my great-great-grandma..." I trail off, suddenly aware that I''ve been rambling for a solid minute without taking a breath. Rampart''s staring at me with a mixture of amusement and concern, like he''s not sure whether to laugh or call for backup. "You good there, Bee?" he asks, his voice tinged with barely-suppressed laughter. "Or should I be worried that you''ve secretly been replaced by some kind of encyclopedia article come to life?" "Secretly?" I raise an eyebrow at him, elbowing him harmlessly in the ribs. The cool night air brushes up against my exposed chin and lower lip, still warm with the faint traces of summer even as it officially ends and begins to make its way back into fall. "I thought we were better friends than that." Rampart''s expression softens, and he reaches out to give my shoulder a gentle squeeze. "It''s actually kind of impressive how much random shit you know, Lemony Snicket. What, was your dad an encyclopedia salesman?" I''m about to make some quip about how it''s my mom, actually, that is the encyclopedia saleswoman (in a sense), when a sudden commotion from above catches both our attention. "Look out below!" a voice calls out, equal parts excited and panicked. "New superhero coming through!" We both look up just in time to see a figure in a mishmash of athletic gear and Halloween costume pieces come careening towards us, hovering about three inches off the ground and looking for all the world like someone trying to roller skate for the first time while extremely drunk. Her arms cartwheel around their sockets in her shoulders, and just before she falls to the ground, she manages to do something that looks almost entirely like a pushup that propels her back into a mostly-standing position. This novel is published on a different platform. Support the original author by finding the official source. Then, she starts sliding again. Rampart, bless his immovable heart, doesn''t even flinch as the newcomer pinballs between us before finally coming to a stop against a conveniently placed mailbox. I, on the other hand, have to bite back a yelp of surprise, my hands automatically snapping into a boxing stance and my knuckles clenching up preemptively before I register that this is probably not, in fact, some kind of extremely clumsy supervillain attack. "Ta-da!" the figure announces, throwing their arms wide in a gesture that would be a lot more impressive if they weren''t still half-slumped against the mailbox. "Flashpoint has arrived!" I blink, taking in the hodgepodge of protective gear and the motorcycle helmet that''s clearly a size too big for its wearer. There''s something oddly familiar about the whole getup, like looking at a funhouse mirror version of my own costume from when I first started out. Or Jordan''s. Or both of ours, although they''re definitely lacking Jordan''s style. Her athletic gear and helmet is all bright red, almost the exact same shade as my own helmet, with the underlying clothes the same shade of white-tan as my own. ...Has she been stalking me? "Uh, hi there... Flashpoint," I manage, shooting Rampart a quick ''what the hell?'' look. He just shrugs, looking almost relieved at the interruption. "You, uh... you new around here?" The newcomer ¨C Flashpoint, apparently ¨C nods so enthusiastically that her oversized helmet nearly topples off. "Brand spanking new!" she confirms, her voice muffled but still unmistakably excited. "Just got my powers last month. It was wild, I was at this thing downtown and there was this guy who started going all... blorpy? Like, melting but also growing? And I thought I was gonna die but then I didn''t and now I can fly! Well, sort of. I''m still working on the landing part. There was a lot of bad stuff happening there." As she rambles on, something clicks in my brain. Last month... downtown... I remember now ¨C a girl trapped under a car, bleeding out, barely conscious. I''d sensed her blood, pointed her out to the paramedics before collapsing myself. "Wait," I interrupt, holding up a hand. "You were there? At the courthouse?" Flashpoint nods again, her enthusiasm dimming slightly as she recalls the chaos of that day. "Yeah. It was... pretty scary. But I saw you! You were so cool, going up against that scary hoodie lady even though you were, like, super beat up. That''s actually kind of why I decided to become a hero too. I figured, if you could do it..." I feel a lump forming in my throat, a mixture of pride and guilt and a dozen other emotions I can''t quite name. "I''m glad you''re okay," I manage, my voice a little rougher than usual. "And, uh, welcome to the team, I guess?" "In an informal sense. I''m unsure if the Young Defenders are looking for new recruits yet, but we''ll keep an eye out," Rampart says, after clearing his throat, reminding me that he''s still here and probably feeling a little left out of this impromptu reunion. "So, Flashpoint," he says, all business now. "You''re from around here, right? South Philly?" "Born and raised!" she confirms with obvious pride. "Go Eagles!" I can practically feel Rampart''s approval radiating off him in waves. Figures he''d warm up to anyone who shares his borderline religious devotion to Philly sports. "Good to have another local on board," he says with a nod. "How''s your school handling all this... excitement lately?" Flashpoint tilts her head, confusion evident even through the tinted visor of her helmet. "You mean like, with the whole website thing? It''s pretty wild, honestly. Everyone''s talking about it, even the teachers. Some kids are saying we should start our own, but I dunno..." Rampart''s face pinches up. I don''t think that''s quite what he meant, but I''m certainly not going to correct her. "Oh yeah?" I say, aiming for casual and probably missing by a mile. "That sounds... intense." Rampart frowns, his earlier good mood evaporating like morning dew. "Those websites are nothing but trouble," he declares, his voice taking on that lecturing tone that always makes me want to roll my eyes. "They''re just stirring up chaos and making it harder for the people in charge to do their jobs. You''d be smart to stay away from all that nonsense." I bite my tongue, resisting the urge to argue. Now''s not the time or place for that particular debate, especially not with a brand new hero in the mix. Flashpoint, bless her, seems to pick up on the tension. "So, uh... you guys wanna see what I can do?" she asks, clearly eager to change the subject. "I mean, besides the whole hover-crashing thing." Before either of us can respond, she''s already zipping off towards a nearby tree, where a scrawny-looking cat is perched precariously on one of the higher branches. "Here, kitty kitty!" she calls out, wobbling slightly as she tries to maintain her hover. "Don''t worry, Flashpoint''s here to save the day!" What follows is a comedy of errors that would be hilarious if it weren''t so nerve-wracking. Flashpoint bobs and weaves through the branches, alternating between cooing at the increasingly agitated cat and yelping as she narrowly avoids crashing into the trunk. Rampart and I watch with a mixture of fascination and horror, ready to jump in if things go completely sideways. Finally, after what feels like an eternity but is probably only a few minutes, Flashpoint emerges triumphant ¨C one arm cradling the disgruntled feline, the other punching the air in victory. "Mission accomplished!" she declares, hovering back down to street level with only minor wobbling. "Who''s the best superhero? This gal!" I can''t help but laugh, both at her enthusiasm and the utterly unimpressed expression on the cat''s face. "Nice work, rookie," I say, giving her a thumbs up. "Maybe we should team up sometime, show you the ropes a little more thoroughly?" Flashpoint''s whole body seems to vibrate with excitement at that. "Really? Oh man, that would be so cool! You''re like, my hero''s hero, you know? Is tomorrow good? Or tonight? I don''t have school tomorrow so I can stay out late if you want!" I hold up my hands, chuckling at her eagerness. "Whoa there, speedracer. Let''s start with tomorrow afternoon, yeah? Meet me at the corner of Broad and Snyder around four. We''ll do a little patrol, maybe grab some water ice after if you''re good." "Yes! Absolutely! I''ll be there!" Flashpoint agrees, nodding so hard I''m worried her helmet might actually come flying off this time. "Oh man, this is gonna be awesome. Just wait ''til I tell my m-- I mean, uh, my loyal fanbase! They''re gonna flip!" With that, she takes off again, her flight path still erratic but marginally less crash-prone than before, skating on thin air. We watch her go, zigzagging between buildings until she disappears around a corner. "Well," Rampart says after a moment of silence. "That was... something." I snort, elbowing him gently in the ribs. "Aw, c''mon. Don''t tell me you weren''t that enthusiastic when you first started out, Mr. All-American Boy Scout." He rolls his eyes, but I catch the hint of a smile tugging at the corners of his mouth. "Yeah, yeah. Just don''t let her excitement cloud your judgment, alright? There''s a lot of stuff going on right now that''s way above her pay grade. Or yours, for that matter." I bristle a little at that, but force myself to let it go. "Yes, sir, Officer Rampart, sir," I drawl, throwing in an exaggerated salute for good measure. "I solemnly swear to uphold truth, justice, and the Philadelphian way. No fun allowed, cross my heart." He laughs at that, reaching out to ruffle my hair in that way that always makes me feel like a little kid. "Smartass," he says, but there''s fondness in his tone. "C''mon, let''s finish up this patrol. I''ve got a date with a protein shake and about eight hours of sleep." As we part ways, I can''t help but feel a little lighter. Maybe it''s the satisfaction of a patrol well done, or the excitement of taking Flashpoint - Maggie, as she let slip - under my wing. Or maybe it''s just the relief of knowing that even in the midst of all this chaos and uncertainty, there are still moments of simple, uncomplicated heroism to be found. But as I make my way home, the weight of everything else ¨C the website, the escalating tensions at school, the looming threat of discovery ¨C settles back onto my shoulders. I''ve got a feeling things are going to get a whole lot more complicated before they get better. I just hope I''m ready for whatever comes next. Chapter 106.2 The backstage area of the Tacony Music Hall looks like what you''d get if you crossed a Radio Shack with a college dorm room and then let a tornado redecorate. Cables snake across the floor like technicolor spaghetti, connecting a hodgepodge of monitors, towers, and other bits of tech I couldn''t name if my life depended on it. The air hums with the soft whir of cooling fans and the rapid-fire clacking of Jordan''s fingers flying across their keyboard. I slouch deeper into the sagging beanbag chair that serves as my unofficial throne in this digital war room, fighting back a yawn as I watch Jordan work their magic. It''s well past midnight, but sleep feels like a distant memory at this point. There''s too much to do, too many fires to put out. "Alright, hit me with the stats, O Great and Powerful Oz," I say, stretching my arms above my head until my shoulders pop satisfyingly. "How''re we looking?" Jordan doesn''t even glance away from their screens, their face bathed in the eerie blue glow of multiple displays. "Well, if by ''looking'' you mean ''drowning in a tsunami of data,'' then we''re looking fan-fucking-tastic." I snort, reaching for the lukewarm energy drink balanced precariously on a stack of old tech manuals. "That good, huh? Give me the highlights reel." Finally tearing their gaze away from the endless streams of code, Jordan swivels their chair to face me. There are dark circles under their eyes, and their hair is sticking up at odd angles like they''ve been repeatedly running their hands through it. Which, knowing Jordan, they probably have. "Okay, so, good news-bad news situation," they begin, gesturing vaguely at the bank of monitors behind them. "Good news is, we''re getting more submissions than ever. Like, exponentially more. Bad news is... we''re getting more submissions than ever." I quirk an eyebrow at that, taking a swig of my drink and immediately regretting it as the syrupy sweetness coats my tongue. "You wanna run that by me again, but maybe with 100% less paradox this time?" Jordan sighs, pinching the bridge of their nose. "Look, it''s like this. Remember how we used to get maybe one or two submissions for each incident? Well, now we''re getting ten, fifteen, sometimes even twenty different angles on the same thing. Which is great for verification, don''t get me wrong. But it also means we''re spending way more time sorting through everything, trying to piece together what actually happened. And storing each video, picking which one goes on the front page... it eats bandwidth, it eats memory." They pull up a series of video clips on one of the monitors, each showing the same confrontation between a security guard and a student from slightly different vantage points. "See? This is just from today. One incident, seventeen separate submissions. And this is happening for pretty much everything now." I lean forward, squinting at the grainy footage. "Jesus," I mutter, watching as the guard gets right up in the kid''s face, clearly trying to intimidate them. "That''s... I mean, it''s good that we''re getting so much evidence, right? More proof that this shit is really happening?" Jordan nods, but their expression is grim. "Yeah, but it''s also making it harder to keep up with everything. And that''s not even getting into the fake submissions." My stomach does an unpleasant flip at that. "Fake submissions? What do you mean?" In response, Jordan pulls up another set of files. These videos are obviously staged ¨C kids in cheap security guard costumes doing exaggerated impressions of the real thing, complete with fake mustaches and ridiculously over-the-top "evil" laughter. Then, another one - two security guards having a fake fight in front of a maintenance closet. "Some people think this is all just a big joke," Jordan explains, their voice tight with frustration. "They''re submitting this crap to mock us, or to try and discredit the whole thing. And we have to waste time sorting through it all, making sure none of it slips through and undermines our credibility." I groan, slumping back in my beanbag. "Great. Because we didn''t have enough to deal with already. How are we supposed to handle this without compromising the integrity of the site?" Jordan shrugs, looking as lost as I feel. "I''ve been trying to implement some automated filtering, but it''s tricky. We don''t want to accidentally block legitimate submissions just because they seem a little off, you know? It''s a balancing act." We lapse into silence for a moment, the weight of everything we''re trying to accomplish settling heavily on our shoulders. I can''t help but wonder if we''ve bitten off more than we can chew here. Are we really making things better, or are we just adding fuel to an already out-of-control fire? "Hey," Jordan''s voice breaks through my spiraling thoughts. "You still with me, Small Stack?" I blink, forcing myself to focus. "Yeah, sorry. Just... thinking. Is all this... I mean, are we doing the right thing here? It feels like everything''s just getting more chaotic, not better." Jordan''s expression softens a bit, some of the manic energy draining out of them. "I get it. It''s a lot. But we''re making a difference, Sam. People are finally paying attention to what''s going on. That''s gotta count for something, right? You can''t make an omelette--" Before I can respond, a series of alarms start blaring from Jordan''s setup. They whirl back around to face the screens, their fingers flying across the keyboard as they pull up window after window of incomprehensible (to me, anyway) data. "Uh, what''s happening?" I ask, sitting up straighter as I watch Jordan''s face contort with concentration. "Is that supposed to be doing... whatever it''s doing?" This narrative has been unlawfully taken from Royal Road. If you see it on Amazon, please report it. "No, it is absolutely not supposed to be doing that," Jordan mutters, more to themselves than to me. "Shit, shit, shit. We''re under attack." My heart leaps into my throat at those words. "Attack? What do you mean, attack? Like, someone found out it was us?" Jordan shakes their head, not taking their eyes off the screens. "No, not that kind of attack. It''s a DDOS ¨C Distributed Denial of Service. Basically, someone''s flooding our servers with a metric fuckton of fake traffic, trying to overwhelm the system and knock us offline." As they continue to type furiously, clearly fighting some kind of digital battle I can barely comprehend, I feel a fresh wave of panic rising in my chest. "Okay, but... you can stop it, right? Like, there''s some kind of cyber-judo move you can pull to make it go away? This doesn''t look anything like the movies make it look." Jordan grits their teeth, their whole body tense as they work. "I''m trying, but whoever''s behind this knows what they''re doing. They''re hitting us from multiple angles, adapting faster than I can block them. It''s like... okay, you know how in World War II, the Allies used inflatable tanks to trick the Germans into thinking they had way more forces than they actually did?" I blink, thrown by the sudden historical tangent. "Uh, sure? I mean, I think I remember something about that from history class..." "Right, well, this is kind of like that, but in reverse," Jordan continues, their words coming out in a rushed jumble as they try to explain and work at the same time. "Instead of making it look like there''s more than there actually is, they''re flooding us with so much fake traffic that our servers can''t handle the overload. It''s like trying to push too much shit through a septic tank rated for half that amount. And I have to manually block every bad IP range without cutting off legitimate traffic that might be coming from that range." I nod along, pretending I understand even a fraction of what they''re saying. "Okay, so... what can I do to help?" Jordan glances over at me, a wry smile tugging at the corners of their mouth despite the stress etched across their features. "Unless you''ve secretly been hiding some elite hacking skills under that shark-tooth exterior of yours, not much. Just... moral support, I guess? Grab me a beer from the minifridge? I''ll work better at the Ballmer Peak." I give them a mock salute, trying to inject some levity into the tense atmosphere. "Aye aye, captain. I''ll just be over here, cheering you on and definitely not feeling completely useless in the face of our digital doom," I say, scrambling over to the minifridge and grabbing a beer from it before underhanding it gently in Jordan''s direction. With a little twist of their wrist, they catch it without looking. "Wait, how did you get--" For the next hour or so, I watch helplessly as Jordan wages their virtual war against our unseen attackers. The constant clacking of keys and muttered curses under their breath become a sort of white noise, punctuated occasionally by triumphant whoops or frustrated groans. But there''s no fun heads-up display or surfing cybernetic waves - only lines of text on a terminal, constantly opening up and closing "log files", whatever those are, and two more beers. I try to follow along as best I can, asking questions when there''s a lull in the action. Jordan, to their credit, does their best to explain things in terms I can understand. "See that graph there?" they say at one point, gesturing to a display that looks like a heart monitor having a seizure. "That''s our incoming traffic. The spikes are the attack waves, and those little dips are where I''ve managed to block some of it. But it''s like playing whack-a-mole with a sledgehammer ¨C as soon as I knock one down, three more pop up somewhere else." I squint at the screen, trying to make sense of the numbers and charts flickering across it. "What''s that thing in the corner? The one that keeps flashing red?" Jordan grimaces. "That''s our CPU usage. It''s basically how hard the server''s working to keep up with everything. When it hits 100%, that''s... bad." As if on cue, the number in question starts climbing rapidly, inching closer and closer to that dreaded 100% mark. Jordan''s typing becomes even more frantic, if that''s possible, their forehead beading with sweat as they race against the clock. "No, no, no," they mutter, their voice tight with frustration. "Don''t you dare, you piece of¡ª" But it''s too late. With a final, plaintive beep, the monitors lock up. With an expression on their face that''s bordering on murderous, Jordan presses on the power switch of their computers, holding it down like smothering someone with a pillow. The constant hum of equipment that I''d gotten so used to over the past few hours suddenly cuts out, leaving us in eerie silence. "Fuck!" Jordan yells, slamming their fist down on the desk hard enough to make me jump, after a moment of waiting. "Fucking bullshit amateur hour fucking copyballing fuck!" I blink, momentarily thrown by the creative profanity. "So, uh... I''m guessing that''s not good?" Jordan slumps back in their chair, running both hands through their already disheveled hair. "No, Sam, it is not good. When the computer fills up like that it''ll get stuck in a way that causes cascading failures down the line. All our data is probably safe, but it''s annoying. And I hate being annoyed." The weight of what that means settles over me like a lead blanket. All our hard work, all the evidence we''ve collected... just gone. At least for now. "Can you... I mean, is there a way to fix it?" I ask, hating how small and helpless my voice sounds. Jordan nods, but their expression is grim. "Yeah, obviously. I turn the computer back on, and start getting hammered again, until I do the same thing and then start rage shitting. More importantly, we need to seriously beef up our defenses if we want to prevent this from happening again." They turn back to the blank screens, a determined set to their jaw that I recognize all too well. It''s the same look they get when we''re up against seemingly impossible odds on patrol ¨C a mixture of stubborn defiance and calculated strategy. "Oh, you want to play hardball?" they mutter, cracking their knuckles with an ominous pop. "Fine. Let''s play hardball." As Jordan launches into what I can only assume is the digital equivalent of gearing up for war, rattling off a list of upgrades and security measures they want to implement, I can''t help but feel a twinge of unease. We started this thing to make a difference, to shed light on the injustices happening right under everyone''s noses. But now... now it feels like we''re in way over our heads, fighting a battle on multiple fronts with enemies we can''t even see. I watch as Jordan throws themselves back into the fray, determination radiating off them in waves. Part of me wants to tell them to stop, to just let it go before things spiral even further out of control. But I know they won''t listen. And if I''m being honest with myself, I''m not sure I want them to. Because as scary and overwhelming as all this is, it''s also... important. Necessary, even. We''ve started something here, something bigger than just us. And no matter how hard it gets, no matter how many setbacks we face, we can''t just give up now. So instead of voicing my doubts, I settle back into my beanbag throne and start brainstorming new security protocols. It''s not much, but it''s something. And right now, something is better than nothing. "Hey, Jordan?" I call out, interrupting their stream of techno-babble. "You want me to go on a coffee run? I''ve got a feeling it''s gonna be a long night." They flash me a grateful smile, the manic gleam in their eyes softening just a fraction. "You''re a lifesaver, Biggie Smalls. Make mine a triple shot, would you? We''ve got a lot of work to do." Chapter 106.3 The halls of Tacony Charter are buzzing with an electric tension that makes the hair on the back of my neck stand up. It''s like someone cranked the ambient anxiety up to eleven and then broke off the dial. Security guards prowl the corridors like sharks circling their prey, their eyes hard and suspicious as they scan the crowds of students shuffling between classes. I catch snippets of hushed conversations as I make my way to my locker, everyone speaking in that exaggerated stage whisper that''s somehow louder than just talking normally. "Did you hear about the thing last night?" "My cousin''s friend said they saw¡ª" "Shh, not so loud! They''ll hear you!" It would almost be funny if it wasn''t so freaking nerve-wracking. I feel like I''m trapped in some kind of bizarro high school spy movie, where everyone''s a potential informant and the penalty for getting caught is... well, I don''t actually know what the penalty is, but I''m pretty sure I don''t want to find out. As I fumble with my combination lock, I can''t help but think about Jordan and their epic battle against the digital hordes last night. They''d still been at it when I left around 3 AM, caffeinated to the eyeballs and muttering about "load balancers" and "honeypot servers" like some kind of sleep-deprived tech wizard. By the time I dragged myself out of bed this morning, I had about fifteen texts from them, each more incomprehensible than the last. "Bee-otch," the first one read, timestamped at 4:37 AM. "You will not BELIEVE the shit I just pulled off. I am a goddamn GENIUS." The rest were a jumble of technical jargon and what I''m pretty sure were ASCII art representations of middle fingers, but the gist seemed to be that they''d managed to not only get the site back up and running, but also implement some kind of super-advanced security measures that would make future attacks "about as effective as trying to sink a battleship with a squirt gun." I''m still mulling over Jordan''s late-night (early morning?) triumph when a commotion near the gym entrance catches my attention. A crowd is starting to gather, and I can hear raised voices cutting through the usual pre-weekend buzz. Curiosity gets the better of me, and I find myself drifting closer, trying to see what''s going on without looking like I''m trying to see what''s going on. It''s a delicate art, one I''ve been perfecting ever since I started this whole superhero gig. As I edge my way through the growing throng of rubberneckers, I spot the source of the disturbance. Mike Giannopoulos, our school''s star quarterback and unofficial King of the Jocks, is squared off against one of the newer security guards ¨C a beefy guy with a buzzcut and a permanent scowl who looks like he wandered off the set of some direct-to-VHS action movie. "What the hell, man?" Mike is saying, his face flushed with anger. "You can''t just grab me like that!" The guard ¨C his name tag reads "Kowalski," because of course it does ¨C just sneers, crossing his arms over his chest in a way that makes his biceps bulge menacingly. "School policy, kid. Random pat-downs to ensure a safe learning environment. You got a problem with that? You don''t happen to have any Jump or weed on you, do you, kid? Do we need to call the K-9s?" Mike''s jaw clenches, his hands balling into fists at his sides. "Yeah, I got a problem with it," he snaps. "Your ''pat-down'' involved way too much ball-grabbing, you creep!" A ripple of nervous laughter runs through the crowd at that, quickly stifled as Kowalski''s glare sweeps over us. I notice more than a few phones being raised surreptitiously, their owners trying (and mostly failing) to be subtle about recording the confrontation. Kowalski notices too, his scowl deepening as he takes a step towards Mike. "Alright, wise guy," he growls. "Let''s see how funny you think this is when you''re sitting in detention for the next month." He reaches out to grab Mike''s arm, but the quarterback jerks away, his athletic reflexes on full display. "Don''t touch me!" he yells, loud enough to make a few people in the front row flinch. "I know my rights, asshole!" I feel my stomach twist into knots as I watch the situation escalate. Part of me ¨C the part that''s been trained to leap into action at the first sign of trouble ¨C is screaming to intervene, to step in and defuse things before they get any worse. But another part, the part that remembers Principal Heckerman''s warning and the very real threat of expulsion hanging over my head, keeps me rooted to the spot. I can''t help anyone if I''m expelled, too. I''m so caught up in my internal tug-of-war that I almost miss Jordan materializing at my elbow, their eyes gleaming with a mixture of excitement and calculation that I''ve come to recognize as their "shit''s about to get real" face. "Quite the show, huh?" they mutter, leaning in close so only I can hear. "Looks like our friend Kowalski could use a lesson in proper search techniques." I shoot them a warning look, my voice barely above a whisper as I hiss, "Jordan, no. We can''t get involved. If Heckerman catches us¡ª" But Jordan just grins, that mischievous spark in their eyes growing brighter. "Who said anything about getting involved? I''m just here to observe, same as everyone else." Before I can argue further, things take a turn for the worse. Kowalski, clearly fed up with Mike''s defiance, makes another grab for him. This time, he manages to get a grip on the quarterback''s jacket, yanking him forward with enough force to make Mike stumble. If you encounter this tale on Amazon, note that it''s taken without the author''s consent. Report it. And that''s when all hell breaks loose. Mike, operating on pure jock instinct, shoves back hard. Kowalski, caught off guard, loses his balance for a split second ¨C just long enough for Mike to follow up with a right hook that connects solidly with the guard''s jaw. There''s a collective gasp from the crowd, followed by a chorus of "Oh shit!"s and "Holy crap!"s as Kowalski staggers back, more surprised than hurt. For a moment, everything seems to freeze, like we''re all suspended in amber, waiting to see what happens next. And then, chaos. Kowalski lunges at Mike with a roar of rage, his meaty fists swinging. But something weird happens ¨C his punches seem to go wide, missing Mike by inches even though they look like they should connect. Meanwhile, Mike''s retaliatory strikes are finding their mark with uncanny accuracy, despite the fact that he''s never struck me as particularly coordinated outside of a football field. It takes me a second to realize what''s happening, but when I do, I have to bite back a groan. Jordan. Of course. They''re using their powers to subtly manipulate the space around the two combatants, stretching and compressing it just enough to throw off Kowalski''s aim while bringing Mike in closer. I want to be mad, I really do. This is exactly the kind of thing we''re not supposed to be doing. But I can''t deny the tiny thrill of satisfaction I feel watching Kowalski flail around like a drunk toddler trying to swat a fly. The fight, if you can even call it that, doesn''t last long. With one final, perfectly placed punch, Mike sends Kowalski crashing to the ground, snorting through a black eye, hands covering his face and knees pulled up to his chest. "Uncle, uncle! Jesus! Quit it!" The crowd erupts into a mixture of cheers, gasps, and frantic whispers as the reality of what just happened starts to sink in. "Jesus tapdancing Christ," I mutter, torn between horror and a grudging admiration. "That''s gonna leave a mark." Jordan, looking far too pleased with themselves, just shrugs. "Play stupid games, win stupid prizes," they quip, their voice low enough that only I can hear. "Besides, did you see how he was manhandling Mike? Totally uncalled for." Before I can respond, a fresh wave of commotion sweeps through the hallway. The cavalry has arrived, in the form of about half a dozen more security guards and what looks like most of the administrative staff. They descend on the scene like a swarm of very angry, very bureaucratic locusts. Mike, his moment of triumph short-lived, is quickly surrounded and restrained. He doesn''t put up much of a fight, the adrenaline clearly wearing off as the reality of his situation starts to set in. As they lead him away, I catch a glimpse of his face ¨C a mixture of fear, defiance, and dawning comprehension that he might have just royally screwed up his future. The crowd starts to disperse, herded along by stern-faced teachers and the remaining security personnel. I hear snatches of conversation as people shuffle past: "Did you see that? It was like something out of a movie!" "Mike is so screwed. No way he''s not getting expelled for this." "Yeah, but did you see how he laid out Kowalski? Totally worth it." I feel a knot forming in the pit of my stomach, a sickening mixture of guilt and anxiety that threatens to overwhelm me. This is our fault, isn''t it? Maybe not directly, but our little website experiment definitely played a part in ratcheting up the tensions that led to this moment. Jordan, either oblivious to my internal crisis or choosing to ignore it, just looks satisfied. "Well," they say, stretching their arms above their head with exaggerated nonchalance, "I''d say that was a productive morning, wouldn''t you?" I shoot them a disbelieving look. "Productive? Jordan, a student just gave a security guard a black eye and is almost certainly getting expelled. In what universe is that ''productive''?" They shrug, that infuriating smirk still playing at the corners of their mouth. "Hey, I''m just saying ¨C people are finally standing up for themselves. Isn''t that what we wanted?" Before I can argue further, the bell rings, signaling the start of first period. We''re swept along with the tide of students hurrying to class, the excitement of the morning''s events already starting to fade into the background hum of everyday high school life. The rest of the day passes in a blur of lectures, pop quizzes, and whispered gossip. By lunchtime, the story of Mike''s confrontation with Kowalski has grown to near-mythic proportions. I overhear at least three different versions, each more outlandish than the last. My personal favorite involves Mike doing a backflip over Kowalski''s head before knocking him out with a roundhouse kick. As the final bell rings, signaling sweet freedom (or at least a temporary reprieve from the pressure cooker of high school drama), I find myself lingering by my locker, not quite ready to face the outside world just yet. Jordan sidles up next to me, their earlier bravado tempered somewhat by the weight of the day''s events. "So," they say, leaning against the adjacent locker with forced casualness. "Heard anything about Mike?" I shake my head, slamming my locker shut with perhaps a bit more force than necessary. "Nothing official," I mutter. "But the rumor mill says he''s definitely getting expelled. Might even face assault charges. Some people heard Heckerman screaming through the office door when Mike showed him a video of the guy grabbing his balls, though. Might be just a suspension." I swallow air. "Hope it''s just a suspension, really." Jordan winces at that, a flicker of guilt crossing their features before they school their expression back into careful neutrality. "Shit," they say eloquently. "That''s... rough." We start making our way towards the exit, both lost in our own thoughts. As we push through the double doors and out into the late afternoon sunshine, I finally voice the question that''s been gnawing at me all day. "Jordan," I begin, my voice low and serious. "What are we doing here? I mean, really? Are we actually making things better, or are we just... I don''t know, throwing gasoline on an already out-of-control fire?" They''re quiet for a long moment, their usual snark and bravado stripped away. When they finally speak, their voice is uncharacteristically somber. "I don''t know, Sam," they admit, running a hand through their perpetually disheveled hair. "I think... I think we''re doing something important. Something necessary. But I''d be lying if I said I wasn''t a little freaked out by how quickly things are escalating." I nod, a heavy weight settling in my chest as the full implications of what we''ve set in motion start to sink in. "Yeah," I agree softly. "Me too." We walk in silence for a while, the familiar streets of our neighborhood feeling somehow different, like we''re seeing them through new eyes. As we approach the corner where we usually part ways, Jordan speaks up again. "You know this is just the beginning, right?" they say, their tone a mixture of excitement and trepidation. "Things are only going to get crazier from here. Not just with the school. Life. In general. It''s gonna get pretty crazy." I meet their gaze, seeing my own conflicted emotions reflected back at me. "Yeah," I say again, because what else is there to say? "I know." WORLD OF CHUM: Defying Gravity: The Science Behind Metahuman Flight

Defying Gravity: The Science Behind Metahuman Flight

I. Introduction Humans have long dreamed of soaring through the skies, from the mythical Icarus to the Wright brothers. But it wasn''t until the emergence of metahumans in the early 1980s that true human flight became a reality. Today, we see individuals zooming through our cities, rescuing people from burning buildings, or simply commuting to work in ways our ancestors could only imagine. But how do these metahumans actually fly? The answer is far more complex ¨C and fascinating ¨C than you might think. In this article, we''ll explore the diverse mechanisms behind metahuman flight, debunk some common misconceptions, and delve into the cutting-edge science of dynology that seeks to understand these extraordinary abilities. II. The Myth of the Perfect Wing When we think of flight, our minds often conjure images of majestic wings spread wide against the sky. It''s no surprise, then, that many people assume flight-capable metahumans must possess wings. However, Dr. Emily Hargrove''s groundbreaking 2015 study, "Morphological Variations in Flight-Capable Metahumans," revealed a startling truth: only about 8% of flying metahumans have wings, and of those, less than 5% actually use them for flight (Hargrove et al., Journal of Metahuman Biology, 2015). Why is this the case? The answer lies in the complex interplay between physics and biology. As Dr. Marcus Chen explains in his paper "The Aerodynamic Inefficiency of Metahuman Wings" (International Review of Dynology, 2018), most metahuman wings are not actually suitable for flight. They often lack the proper muscle structure, bone density, or surface area required for efficient lift generation. "It''s a common misconception that growing wings automatically grants the ability to fly," says Chen. "In reality, human body structure is simply not optimized for wing-based flight. The energy requirements and structural changes needed would be enormous." In the rare cases where metahumans do possess functional wings, they often come with significant drawbacks. Dr. Aisha Patel''s case study of "Skyward," a winged metahuman in Toronto, found that the physiological changes required to make her wings functional for flight left her with a dangerously low bone density and a metabolism that required her to consume nearly 7,000 calories a day (Patel, Canadian Journal of Metahuman Studies, 2020). So if wings aren''t the answer, how do most metahumans achieve flight? The truth is both more complex and more fascinating than simple biomimicry of birds or insects. As we''ll explore in the following sections, metahuman flight often involves manipulation of fundamental forces, energy conversions, or applications of powers in ways that might not seem immediately related to flight. From localized gravity manipulation to micro-scale telekinesis, the mechanisms behind metahuman flight are as diverse as they are extraordinary. By understanding these mechanisms, we not only gain insight into the nature of metahuman abilities but also push the boundaries of our understanding of physics itself. III. Gravity: Our Constant Companion (and Occasional Foe)

A. Localized gravity manipulation

Gravity manipulation is perhaps the most straightforward method of metahuman flight, at least conceptually. These individuals can create localized gravitational fields, effectively making themselves "fall" in any direction they choose. This manipulation occurs through a hypothesized interaction with gravitons, the theoretical particles responsible for the gravitational force. The process involves creating a gravity gradient, where the metahuman becomes the center of a miniature gravity well. By shifting this well, they can control their direction and speed. Interestingly, this method often results in a visible distortion of light around the flier, as the altered gravitational field bends incoming light rays.

B. Inertia negation

Inertia negation fliers have the extraordinary ability to selectively ignore the effects of inertia on their bodies. By canceling out the resistance to changes in motion, these metahumans can accelerate, decelerate, and change direction with seemingly impossible ease. This power works by creating a localized field where Newton''s First Law of Motion is selectively applied. The metahuman can choose which forces affect them, essentially "sliding" through the air by negating the inertial effects of gravity and air resistance while still interacting with the air for propulsion.

C. Case studies and examples

One notable example is "Graviton," a hero operating in Chicago, who can manipulate gravity to such a degree that he can create temporary "orbits" around himself, often using this to rescue civilians from dangerous situations. Another case is "Slipstream" from Miami, whose inertia negation allows her to reach supersonic speeds without experiencing g-forces or sonic booms. (Zhang et al., "Gravitational Anomalies in Metahuman Flight," Physical Review D, 2019) IV. Mastery Over the Elements

A. Air current control

Air current controllers demonstrate an intuitive mastery over the very medium through which they fly. These metahumans can manipulate air pressure and wind currents to create areas of lift and thrust around their bodies. The mechanism involves creating high and low-pressure zones in the surrounding air. By generating a low-pressure area above and a high-pressure area below, they create lift. Thrust is achieved by manipulating air currents behind them. This method often results in visible disturbances in the air, such as miniature whirlwinds or contrails.

B. Electromagnetic levitation

Electromagnetic levitation fliers interact with Earth''s magnetic field to achieve flight. They generate their own powerful electromagnetic field, which repels or attracts them to the Earth''s field, allowing for controlled levitation and movement. This ability requires an extraordinary sensitivity to electromagnetic fields and the capacity to generate substantial amounts of electromagnetic energy. Often, these metahumans can also manipulate metal objects as a secondary ability, though usually with less precision than dedicated metallokinetics. If you come across this story on Amazon, it''s taken without permission from the author. Report it.

C. Real-world metahuman examples

"Zephyr," a weather-controlling hero in London, uses air current manipulation for flight and weather alteration. "Magneta," operating in Tokyo, employs electromagnetic levitation, often leaving a trail of aurora-like lights in her wake due to ionization of air particles. (Nakamura and Singh, "Electromagnetic Interactions in Metahuman Flight," Journal of Applied Physics, 2021) V. The Power Within

A. Micro-scale telekinesis

Micro-scale telekinetics achieve flight through an intensely focused and continuous application of telekinetic force on their own bodies. This involves thousands of minute telekinetic "pushes" per second, distributed across their entire body. The precision required for this method is staggering, as the flier must constantly adjust these forces to maintain stability and control. This often results in a slight shimmering effect around the metahuman, caused by the distortion of air due to the telekinetic forces.

B. Energy-to-thrust conversion

Energy-to-thrust converters have the remarkable ability to transform their body''s energy directly into propulsive force. This process bypasses the need for traditional propulsion methods, instead creating a direct conversion of chemical or bioelectric energy into kinetic energy. The exact mechanism varies between individuals, but it often involves a specialized organ that acts as an energy converter. This method is often accompanied by visible energy emissions, such as light or heat, as a byproduct of the conversion process.

C. Comparisons to non-flight powers that use similar principles

These internal power methods share similarities with other metahuman abilities. For instance, the precise control required for micro-scale telekinetic flight is akin to that used by telekinetics who manipulate small objects with great precision. Energy-to-thrust conversion bears resemblances to energy projection powers, but with the energy directed for propulsion rather than as an external force. (Goldstein et al., "Internal Energy Dynamics in Flight-Capable Metahumans," Metahuman Physiology Quarterly, 2022) VI. Adaptations and Side Effects The ability to fly doesn''t come without physiological changes. Many flight-capable metahumans exhibit fascinating adaptations that allow them to thrive in their airborne environment. Dr. Sophia Lee''s groundbreaking work on metahuman physiology has revealed that fliers often develop enhanced lung capacity and more efficient oxygen absorption to cope with high-altitude conditions. Their circulatory systems also adapt, with stronger heart muscles and more elastic blood vessels to manage rapid pressure changes. Metabolically, flight is an energy-intensive activity. Fliers typically have accelerated metabolisms, often requiring caloric intakes 2-3 times that of non-flying individuals. This has led to the development of specialized high-energy diets and supplements in the metahuman nutrition industry. Perhaps most intriguingly, many fliers develop enhanced sensory abilities. Improved depth perception, faster visual processing, and an innate sense of orientation are common. Some even develop a form of echolocation or electromagnetic field sensing, allowing for navigation in low-visibility conditions. However, flight also comes with unexpected challenges. Many fliers struggle with staying grounded, both literally and figuratively. Some report difficulty sleeping on the ground or maintaining balance when not in flight. Others experience interference with electronic devices due to their electromagnetic or gravitational manipulation abilities. These challenges have spurred a whole new field of adaptive technologies designed to help flight-capable metahumans navigate everyday life on the ground. VII. The Bracing Effect and Flight The Bracing Effect, first described by Dr. Emily Hargrove, plays a crucial role in metahuman flight. This phenomenon distributes the forces generated by superpowers across the metahuman''s body, preventing localized damage. For fliers, this effect is particularly important, as it protects them from the extreme forces experienced during high-speed flight and rapid directional changes. Different flight mechanisms interact with the Bracing Effect in unique ways. Gravity manipulators, for instance, experience a more uniform distribution of force across their bodies, while air current controllers might feel more stress on their extremities. Energy-to-thrust converters often report a sensation of internal pressure that the Bracing Effect helps to mitigate. Despite the Bracing Effect''s protection, injuries can still occur. Common issues include joint stress, muscle strain, and in rare cases, internal organ displacement. The metahuman medical community has developed specialized treatments and preventive measures, such as reinforced flight suits and targeted physical therapy regimens. Dr. Alexei Volkov''s recent work on "dynamic bracing techniques" promises to further reduce flight-related injuries by teaching metahumans to consciously enhance their Bracing Effect. VIII. Flight in Society The advent of flight-capable metahumans has necessitated significant legal and societal adaptations. Air traffic control systems have been overhauled to account for human-sized, highly maneuverable fliers. No-fly zones around sensitive areas have been expanded and more stringently enforced. The Federal Aviation Administration now includes a dedicated Metahuman Flight Division to address these unique challenges. Economically, metahuman flight has had far-reaching impacts. Some transportation sectors have seen decreased demand, while others have adapted by employing flight-capable individuals for rapid delivery services or aerial tours. The insurance industry has had to develop entirely new risk assessment models and coverage plans for flight-related incidents. In emergency services, flight-capable metahumans have revolutionized search and rescue operations. Many fire departments and disaster response teams now include dedicated flight units, dramatically improving response times and access to hard-to-reach areas. Culturally, the presence of flying individuals in our skies has shifted our collective perspective. Urban planning now considers aerial foot traffic, with some forward-thinking cities designing "sky parks" and high-altitude rest areas for both flyers and the local bird population. The very concept of personal space has expanded to include the vertical dimension, leading to new social norms and etiquette surrounding aerial interaction. IX. Conclusion As our understanding of metahuman flight continues to evolve, so too do the abilities themselves. Recent studies suggest that flight powers are becoming more refined and diverse with each new generation of metahumans. This ongoing evolution presents exciting opportunities for further research in the field of dynology. Future directions in flight-related dynology research are numerous and promising. Scientists are exploring the potential for synthetic flight abilities through technology that mimics metahuman mechanisms. Others are investigating the long-term effects of flight on human physiology, seeking to understand how these abilities might be shaping our species'' evolution. The intersection of flight powers with other metahuman abilities also presents a fertile ground for study. How might a pyrokinetic''s flight differ from that of a hydrokinetic? Can teleporters enhance their abilities through flight? These questions and countless others drive the field forward. As we continue to unravel the mysteries of metahuman flight, we not only gain insight into these extraordinary abilities but also push the boundaries of our understanding of physics, biology, and human potential. The sky is no longer the limit ¨C it''s just the beginning. Chapter 107.1 The living room feels like it''s shrinking with each passing minute, the walls closing in as we all huddle around the TV like it''s some kind of modern-day oracle. Mom''s perched on the edge of the couch, her fingers drumming an anxious rhythm on her knee. Dad''s pacing back and forth behind us, his footsteps a steady counterpoint to the low hum of pre-news chatter from the screen. And then there''s Maggie - Flashpoint - wedged into the armchair next to me, trying (and failing) to look like this is just a normal Saturday afternoon hang-out session. I''d introduced her to my parents as "a friend from school," which isn''t exactly a lie. Actually, that''s not true. It''s totally a lie. But this isn''t the first time I''ve lied to my parents for their own peace of mind and I don''t think it''ll be the last time by a long shot. "When''s this thing supposed to start?" Dad asks for what feels like the millionth time, pausing his endless circuit of the living room to squint at his watch. Mom sighs, reaching up to pat his arm without taking her eyes off the TV. "Any minute now, Ben. They said six o''clock." I glance at the clock on my phone. 5:58 PM. Two more minutes of this suffocating anticipation. Great. As we wait, my mind drifts back to earlier today, before all... this. Before the weight of impending justice (or injustice, depending on how things go) settled over everything like a heavy blanket.
"Come on, Maggie! You''ve got this!" I called out, watching as my newly-minted prot¨¦g¨¦ wobbled unsteadily through the air, her face a mask of intense concentration. We were in an abandoned lot a few blocks from my house, the kind of place that''s all overgrown weeds and broken concrete ¨C perfect for superhero training sessions that you don''t want the neighbors asking questions about. I don''t think these days a lot of people would think twice about watching someone hover and I''m giving anyone that passes by the stink-eye anyway. Maggie''s powers are... interesting, to say the least. She can generate these weird repulsive fields from her hands and feet, each one packing about as much oomph as a really determined toddler trying to push over a bookshelf. It lets her hover a few inches off the ground, which sounds cool in theory but in practice looks more like someone trying to rollerskate for the first time while extremely drunk. She called them "semispherical". I called her a nerd. "I don''t got this!" Maggie yelped, arms pinwheeling as she struggled to maintain her balance. "I''m gonna fall and break my stupid face and then you''ll have to explain to my mom why her daughter looks like she got into a fight with a brick wall and the brick wall won!" I couldn''t help but laugh at that, even as I moved closer in case I needed to catch her. "You''re not gonna fall," I assured her. "And even if you do, that''s what the padding is for. Besides, I heal fast, remember? I''d just let you headbutt me instead of the ground." Maggie shot me a look that was equal parts gratitude and exasperation. "My hero," she deadpanned, before promptly losing her concentration and dropping like a sack of potatoes. I lunged forward, managing to catch her before she face-planted into the cracked asphalt. "See?" I grinned, helping her back to her feet. "Told you I wouldn''t let you fall." As Maggie dusted herself off, grumbling good-naturedly about the indignities of superhero training, I felt that now-familiar twinge of... something in my chest. It wasn''t quite pride, wasn''t quite anxiety. More like a weird cocktail of both, with a dash of something else I couldn''t quite put my finger on. Like the kind of feeling I got as a child, playing with toys. I knew the Delaware Valley Defenders had their eyes on Maggie now, from Rampart''s report. Multiplex had made some not-so-subtle hints about wanting to bring her into the Young Defenders program. And I got it, I really did. Maggie''s powers were unique, with a ton of potential. Plus, she was smart, determined, and had a good heart. She''d make a great addition to any team. So why did the thought of her joining the Young Defenders make my stomach twist into knots? Am I losing faith, or is there something else here? "Earth to Sam," Maggie''s voice broke through my reverie, accompanied by a gentle poke to my forehead. "You in there? Or did all that dog-brain finally take over?" I blinked, shaking off the cobwebs of my internal monologue. "Sorry, just... thinking." Maggie raised an eyebrow, a smirk playing at the corners of her mouth. "Uh oh, that sounds dangerous. Should I call for backup?" I rolled my eyes, giving her a playful shove. "Ha ha, very funny. For your information, I was thinking about important superhero stuff." "Superhero stuff, huh?" Maggie grinned, dropping into an exaggerated thinking pose, complete with hand on chin, hovering on her heels unsteadily. "Lay it on me, oh wise sensei. What pearls of wisdom do you have for your humble student today? As a tiny baby of only fifteen years of age, I haven''t quite developed my own moral code yet, and I am looking for a larger, more well-trained duck to imprint upon. Or goose." I hesitated for a moment, trying to gather my thoughts. How do you explain something as heavy as moral responsibility to someone who, just a few weeks ago, was living a totally normal life? I could''ve just said "I wasn''t thinking about that kind of superhero stuff," but Maggie''s expectant glare makes me feel like I''m being looked through. Like I''m made of glass. "Okay, look," I began, aiming for sage and probably landing somewhere closer to ''pushy older sister.'' "Having powers... it''s not just about being able to do cool stuff, you know? It''s about... it''s about using what you''ve got to help people. To save lives." Maggie nodded slowly, her expression growing more serious. "Yeah, I get that. That''s why I want to be a hero, right? To help people like you helped me." "Exactly," I agreed, warming to my theme. "But it''s more than just wanting to help. It''s... it''s a responsibility. Like, if you have the power to save someone''s life, and you don''t use it, then... then that''s on you, you know?" This novel is published on a different platform. Support the original author by finding the official source. I could see Maggie mulling this over, her brow furrowed in concentration. One of her hands drops back behind her to give herself more pushing force, steadier on two trunks instead of three. "I don''t think I want to be on call 24/7. That sounds a little extreme." I opened my mouth to argue, then closed it again. Then I opened and closed it a couple more times, my balloon popped like a toddler just walked into it with a kitchen knife. But still, I pressed on. "I''m not saying you can never rest or have a life outside of hero work. Just that... when it comes down to it, if there''s a chance to save a life, you should take it if you can." Maggie looked skeptical. "Okay, but where do you draw the line? Like, what if saving one person means putting yourself at risk? Or other people? How do you decide whose life is worth more?" I faltered at that, my certainty wavering. "I think you just have to do the best you can in the moment and justify it afterwards." Maggie nodded, but I could tell she wasn''t entirely convinced. And honestly? Neither was I. But before I could dive deeper into this philosophical quagmire, Maggie changed the subject. "Hey, watch this," she said, a mischievous glint in her eye. She held out her hand, palm down, and visibly squeezed her face shut. A small chunk of concrete popped out of the ground like it had been shoved, and she snatched it out of the air like catching a falling spoon. "Neat trick," I said, genuinely impressed. "But what are you gonna do with¡ª" Before I could finish my sentence, Maggie''s face scrunched up in concentration. She put both of her hands together like a video game character. There was a sudden ''whoosh'', and the rock shot straight up into the air like it was just punted out of a cannon. "Holy shi¡ª" I started to say, but Maggie was already in motion. She pushed off the ground, her repulsion fields kicking in to give her a wobbly boost. For a moment, she hovered there, arms outstretched, looking like a drunk Superman. Then, with a determined grunt, she leaned forward, and the perpendicular motion shot her body up and out into an unimpressive arc a couple inches off the ground. She snatched the falling chunk of rock out of the air, did a very flailing somersault onto the ground, and stood back to her feet, a floating, violently vibrating piece of rock suspended in mid air between her hands. "Ta-da!" she exclaimed, holding up the slightly bruised apple like a hard-won trophy. "Magdalene O''Brien, ladies and gentlemen! She can fly, she can juggle, she can make you question your entire moral framework!" I couldn''t help but laugh, equal parts impressed and exasperated. "Okay, okay, I''ll admit it ¨C that was pretty cool. I wouldn''t exactly call it ''flying'' though. More like a... squirt? You didn''t get that high." Maggie grinned, pressing her hands closer together, making the rock vibrate even harder like it was trying to rattle itself apart. "What, you mean the Kamahamehadouken?" she paused, a thoughtful look crossing her face. "I bet I could do some real damage if I used something heavier than an apple. Like a bowling ball. Or a watermelon!" I groaned, already imagining the chaos that would ensue if Maggie started chucking produce at supervillains. "Let''s maybe hold off on the fruit artillery for now, okay? We should probably work on your landings before we start weaponizing the farmer''s market. And your throwings. Can you hit that trash can at the back of the parking lot?" As we continued our training session, alternating between serious discussions of heroic ethics and increasingly ridiculous power experiments (turns out, Maggie can''t actually levitate fruit, but she can make a pretty impressive smoothie explosion), I found myself grappling with a weird mix of emotions. On one hand, I was proud of Maggie. She was taking this whole superhero thing seriously, asking good questions, pushing herself to improve. But on the other hand... I couldn''t shake this nagging feeling of unease. Like I was standing on the edge of something big and scary, and I wasn''t sure if I was ready to take the plunge. Was I being possessive? Trying to keep Maggie all to myself instead of letting her join a "real" team? Or was it something else? Some instinct warning me that the Young Defenders, for all their polish and prestige, might not be the best place for a new hero still finding her footing? Or a secret third thing I didn''t even have the vocabulary to describe? I didn''t have answers to any of these questions. But as I watched Maggie wobble through the air, determination etched across her face, I made a silent promise to myself. Whatever happened, whatever choices we ended up making, I''d have her back. Because that''s what heroes do, right? They look out for each other, even when the path forward isn''t clear.
The sudden blare of the news theme song yanks me back to the present with all the subtlety of a freight train. Mom cranks up the volume, Dad finally stops pacing to perch on the arm of the couch, and Maggie leans forward so far she''s in danger of toppling out of her chair. On screen, the familiar face of Channel 6''s top anchor fills the frame, her expression grave as she begins to speak. "Good evening, Philadelphia. We''re coming to you live from outside the federal courthouse, where tensions are running high as we await news of Illya Fedorov''s sentencing." The camera pans across the crowd gathered outside the courthouse steps. It''s a sea of signs and banners, some calling for justice, others... well, let''s just say there are somehow plenty of people who think Chernobyl was some kind of misunderstood anti-hero. Or that what the NSRA was doing, enabling him, was worse than the crimes he committed. Maybe it was. I spot a few familiar faces among the security detail ¨C members of Pattinson''s Pals, working alongside the police to keep the peace. For a second, I think I see Rampart''s broad shoulders in the background, maybe a Multiplex somewhere in the rooftops, but the camera moves on before I can be sure. They didn''t want me out there tonight, just in case something happened and people got on my case for being a witness. Very reasonable, even if I objected anyway. "Due to heightened security measures," the anchor continues, "we are unable to bring you live footage from inside the courtroom. However, our team of reporters will be providing updates as soon as they become available." Dad makes a frustrated noise in the back of his throat. "Heightened security measures, my ass," he grumbles. "They just don''t want the public to see what''s really going on in there." Mom shoots him a warning look, tilting her head slightly towards Maggie. "Ben, language," she admonishes softly. Then, louder, "I''m sure they''re just being cautious. After everything that''s happened..." She trails off, but we all know what she means. The attack on the courthouse during Fedorov''s trial is still fresh in everyone''s minds, a wound that hasn''t quite healed yet. "It''s crazy, isn''t it?" Maggie pipes up, her voice a mix of awe and nervousness. "I mean, this is like... history happening right now. In our city." I nod, not trusting myself to speak. Because yeah, it is history. But it''s also personal. For me. For Liberty Belle. I''m sure for many, many other people. "History happens all the time, it''s just never apparent until afterwards, Maggie, darling," Mom says, sipping on a can of Dr. Pepper. I want justice. For myself, for the other victims, for the whole damn city. But as I watch the crowds on TV, as I listen to the anchor''s carefully neutral voice recapping the trial''s highlights, I can''t help but wonder: what does justice even look like in a case like this? And more importantly, will we actually get it? As the broadcast continues, diving into a detailed analysis of the case and its potential outcomes, everything I''ve already heard a billion and one times before, I feel the weight of everything ¨C the responsibility, the doubt, the fear ¨C settling onto my shoulders like a lead blanket. Part of me wants to run, to hide, to pretend none of this is happening. The other part is glued to the screen, watching Patriot and Egalitarian and a couple other people whose names I don''t know but whose costumes stand out, whipping people into a frenzy over a megaphone. I don''t know what they''re saying, the background noise muted over the chatter of news anchors. I have a feeling we''re about to find out, though. Chapter 107.2 The anchor''s voice cuts through the tension in our living room like a knife. "We''re getting word now that Judge Bennett has reached a decision. We''ll bring you the details as soon as they''re available." My heart starts doing this weird skippy thing in my chest, like it''s trying to jump out and run away before the news hits. Mom grabs Dad''s hand, squeezing so tight I can see his knuckles turning white. Maggie''s gone completely still beside me, barely even breathing. The scene shifts to a reporter standing outside the courthouse, looking like he''s about to vibrate out of his skin with nervous energy. "Thank you, Diane. I''m here outside the federal courthouse where Judge Bennett has just delivered the sentencing for Illya Fedorov, also known as the supervillain Chernobyl." He pauses for dramatic effect, and I swear I can hear everyone in the room holding their breath. Even Dad stops his nervous pacing, frozen mid-step like someone hit the pause button on the world''s most anxious statue. "Fedorov has been sentenced to a total of 50 years imprisonment," the reporter continues, and I feel my stomach do a weird flip-flop. Fifty years. That''s... that''s a long time. Like, longer than I''ve been alive three times over. But also... is it enough? The reporter starts breaking down the sentence, and it''s like trying to follow one of those math word problems where Train A is leaving the station at 60 miles per hour and Train B is full of convicts or whatever. "The sentence is broken down as follows: 20 years each for two counts of manslaughter, to be served consecutively. Five years each for four counts of theft, served concurrently with each other but consecutively with the manslaughter sentences. Three years each for three counts of property damage, served concurrently with each other but consecutively with the theft sentences. Ten years for illegal generation and release of hazardous materials, served consecutively with the property damage sentences. And finally, three years each for seven counts of unlicensed utilization of superhuman abilities, served concurrently with each other but consecutively with the hazardous materials sentence." I blink, my brain struggling to keep up with the legal jargon. It''s like trying to decipher one of Jordan''s tech rants, but with more prison time and fewer obscure computer jokes. "Jesus Christ," Dad mutters, rubbing his forehead like he''s trying to ward off a migraine. He lets out a low whistle. "They really threw the book at him, huh?" Mom nods, her expression a weird mix of satisfaction and... something else. Concern, maybe? "Good," she says firmly. "He should''ve been locked up years ago, before he had the chance to hurt anyone. If the NSRA had done their job properly..." She trails off, but we all know where she''s going with that. It''s a conversation we''ve had about a million times since the trial started. But then the reporter drops another bombshell, and suddenly the fifty-year sentence feels like old news. "Due to significant security concerns," the anchor continues, "as well as his unique containment needs, he will begin serving his sentence at Aurora Springs Residential Facility, to be possibly transferred to Daedalus Correctional Facility at an indefinite future date." Wait, what? "This facility is equipped to manage the specific risks associated with his abilities and will ensure the highest level of security for both himself and the public." As the anchor moves on to analysis, I look around the room, trying to gauge everyone''s reactions. Mom''s face is doing this weird thing where it can''t decide if it wants to be relieved or outraged. Dad''s brow is furrowed so deep I''m worried it might get stuck that way. And Maggie... Maggie just looks confused. "Aurora Springs?" she says, breaking the stunned silence that''s fallen over us. "What''s that? I thought they''d send him to one of those supervillain prisons. The ones with the weird Greek names? Like Daedalus?" Dad lets out a humorless chuckle. "Oh, it''s way better than that," he says, his voice dripping with sarcasm. "Aurora Springs is like... imagine if you took a country club, slapped some force fields on it, and called it a prison." Mom shoots him a look. "Ben, that''s not entirely fair. It''s a containment facility for people with dangerous powers who haven''t necessarily committed crimes." "And force fields aren''t real," I add, trying to sound impartial and add to the conversation. Maggie shoots me a weird look. "I mean like, we don''t have force field generators or anything," I clarify. "Yeah, but Fedorov did commit crimes," Dad argues back. "Big ones. He murdered people, Rachel." "Manslaughter," Mom corrects, and I can tell she''s slipping into what Dad calls her ''librarian mode.'' "The jury ruled it was manslaughter, not murder. Which implies some level of... I don''t know, mitigating circumstances? Self defense?" "Bullshit," Dad mutters, then immediately looks guilty when he remembers Maggie''s here. "I mean... baloney. It''s baloney. Like you said, the guy was working with the NSRA for years. They enabled him, covered for him. If they''d done their jobs properly, none of this would have happened in the first place." As they continue to debate, I feel this weird churning in my gut. Part of me ¨C a part I''m not super proud of ¨C is glad that Fedorov''s going to Aurora Springs. It means he''ll be able to see his family, maybe even have some kind of life. But another part, a louder, angrier part, wants him to suffer. Wants him locked away in the deepest, darkest hole they can find, key thrown away, him waltzing to his cell to the sound of shaking maracas. Love this novel? Read it on Royal Road to ensure the author gets credit. I try to push that feeling down, to squash it like a bug. But it''s there, persistent and ugly, like a pimple that won''t go away no matter how much you poke at it. Like an angry chimpanzee. Rattling around the bars of my cage. "Sam?" Maggie''s voice breaks through my internal struggle. "You okay? You look like you''re about to be sick." I force a smile, hoping it doesn''t look as fake as it feels. "Yeah, I''m fine. Just... processing, I guess." On the TV, they''ve switched to a panel of legal experts, all looking very serious in their suits and ties. One of them, a woman with hair so perfectly coiffed it looks like it could deflect bullets, is mid-explanation. "The manslaughter ruling is actually quite significant," she''s saying. "It indicates that the jury found the defense''s arguments about self-defense compelling. Essentially, they''re saying that while Fedorov''s actions resulted in deaths, he didn''t set out with the intent to kill." Another expert, this one a guy who looks like he''s about two seconds away from a heart attack, jumps in. "But we can''t ignore the fact that he was working with the NSRA for years. They knew about his powers, knew about the risks, and still let him operate. There''s a strong argument to be made that they share some of the responsibility here." Heart Attack Guy''s face is turning an alarming shade of red as he continues. I wonder if they have a defibrillator on set. "And don''t even get me started on Aurora Springs," he huffs. "It''s a joke. A complete and utter joke. We''re talking about a man who caused massive destruction, who cost lives, and we''re sending him to what amounts to a glorified retirement home? It''s an insult to the victims and their families." "The judge''s decision to send Fedorov to Aurora Springs is actually quite logical when you consider the unique challenges posed by his abilities," one talking head is saying, looking way too excited about the whole thing. "Traditional prisons, even Daedalus, simply aren''t equipped to handle someone like Federov. They simply don''t have the square footage available should he, you know, go Chernobyl on us, heh heh." "Plus, we can''t discount the influence of other metahumans. Not in a mind control sense, but that there might be people who interact negatively with Federov''s powers," chimes in a fourth head. "Power amplifiers, power copiers, people who just might get set off by ionizing radiation... you know, it''d be very volatile the second anything went awry. I know I, personally, feel safer kicking this guy to the middle of the woods in a cabin where he can''t hurt anyone even if his suit breaks." Deathgirl. The camera cuts back to the scene outside the courthouse, and holy crap, it''s chaos out there. The crowd has split into two very distinct groups, and they do not look happy with each other. On one side, there''s a sea of angry faces and signs demanding harsher punishment. On the other, a smaller group holding up banners about justice reform and second chances - and several signs, that the camera is avoiding focusing on, saying ''Fuck the NSRA''. And right in the middle, looking like he''s having the time of his life, is Patriot. Unlike the bar, he looks shiny and new, not sweaty and mildly drunk. He''s got a megaphone in one hand and he''s gesturing wildly with the other, his voice booming out over the noise of the crowd. "This is what happens when we let the government agencies forget that they''re working for the people!" he''s shouting, and even through the TV I can feel the force of his words. "The NSRA, the FBI, the CIA ¨C they''re all corrupt! They''re all in bed together! This wouldn''t have happened if any of them had done the job we pay them for!" The crowd roars in agreement, and I feel my stomach twist. This is bad. This is really, really bad. Patriot''s not done, though. He''s on a roll now, his face flushed with righteous anger. "And let''s not forget where the real blame lies," he continues, his voice dripping with venom. "If INS had done their job and deported Fedorov when he first came here, none of this would have happened! We need to protect our borders, protect our citizens, from foreign supervillains like him!" What? What does that have to do with anything? The camera pans across the crowd, showing close-ups of people''s faces. They''re angry, scared, confused. One woman, tears streaming down her face, is screaming into a reporter''s microphone. "My brother died of lung cancer!" she wails. "And they''re sending his killer to a cushy resort? Where''s the justice in that?" I feel a hand on my arm and look over to see Maggie, her face pale and worried. "Sam," she says quietly, "is it always like this? When big stuff happens in the superhero world?" I want to lie, to tell her that no, this is unusual, that things are normally much calmer and more rational. But I can''t bring myself to do it. "Sometimes," I admit. "When emotions are running high and people are scared... yeah, it can get pretty intense." Dad lets out a long, weary sigh. "This is going to get ugly," he mutters, more to himself than to us. "Real ugly." Mom nods, her expression grim. "I understand why people are upset," she says. "I mean, I''m upset too. Fedorov should have been stopped years ago, before he had the chance to hurt anyone. But this... this feels like it''s just going to make things worse." As we watch the scene outside the courthouse deteriorate further, police in riot gear moving in to try and separate the two groups, I feel that churning in my gut intensify. I wish I could be there, because this would be a great opportunity for a second terrorist attack - people gathering in huge quantities despite the mayor''s explicit instruction not to do so. But also, Rampart asked me specifically not to be there. Because I think he knew that no matter what happened, people might assume my testimony was the deciding factor, and would think it''s my fault. I can''t say I disagree with that notion. It might be my fault. "It''s not fair," Maggie says suddenly, her voice small and confused. "I mean, what he did was awful, but... if it was self-defense, and he''s going to this special place because of his powers... isn''t that kind of the right thing to do? Even if it doesn''t feel good?" She''s right. It''s not fair. None of this is fair. Not to the victims, not to their families, not even to Fedorov himself. It''s all just one big mess of pain and fear and anger, and I have no idea how to make sense of it. My first impulse is to call her out, to say something like ''life isn''t fair'', but I swallow my words. I can''t really say why. Dad, surprisingly, is the one who speaks up. "Life rarely is fair, Maggie," he says, his voice gentle. "Sometimes the best we can do is try to balance justice with mercy, even when it''s hard. Even when it hurts." Mom nods, adding, "And remember, sweetheart, the justice system isn''t just about punishment. It''s supposed to be about rehabilitation too. Supposed to be, at least." I''m not sure I believe that ¨C not really. But as I look at Maggie''s face, see the conflict and confusion there, I realize that maybe this is part of what being a mentor means. Not just teaching her how to use her powers, but helping her navigate the messy, complicated world of superhero ethics. "Hey," I say, nudging her gently. "You want to go grab some snacks? I think we could all use a break from..." I gesture vaguely at the TV, where the scene outside the courthouse is only getting more chaotic. Maggie nods eagerly, clearly relieved at the chance to step away from the heavy atmosphere. As we head towards the kitchen, I can''t help but feel like we''re running away from something bigger than just a news broadcast. But right now, with the weight of everything pressing down on us, a little escape doesn''t seem like such a bad thing. "So," I say as we rummage through the pantry, "think we can fit an entire bag of chips in your repulsion field?" Chapter 107.3 As Maggie and I rummage through the pantry, pretending to be deeply invested in the age-old debate of whether Doritos or Cheetos reign supreme in the realm of cheese-adjacent snack foods, I can feel the weight of everything we''ve just witnessed pressing down on us like a weighted blanket made of pure anxiety. "So," Maggie says, her voice low enough that my parents won''t overhear from the living room, "what does all this mean for... you know, people like us?" I pause, a bag of pretzels halfway to the counter. "People like us?" I repeat, playing dumb even though I know exactly what she means. Maggie rolls her eyes. "You know, metahumans. Superheroes. The whole ''more-than-human'' crowd. Does this Fedorov thing change how people are gonna look at us?" I let out a long breath, setting the pretzels down and leaning against the counter. "Honestly? I''m not sure. It''s... complicated." "Wow, thanks for that incredibly insightful answer, oh wise mentor," Maggie snarks, but there''s no real bite to it. She''s scared, I realize. Just like I am. "Look," I say, trying to channel some of that mentor energy I''m supposedly supposed to have, "the thing about being a superhero ¨C or just having powers in general ¨C is that it''s never simple. There''s always gonna be people who love us, people who hate us, and a whole lot of people in between who just don''t know what to think." Maggie nods slowly, absently fiddling with a package of Oreos. "Yeah, but... this feels different, doesn''t it? Like, people are really angry. And scared." She''s not wrong. I think back to the chaos we just saw on TV, the rage in people''s voices, the fear in their eyes. "It''s... yeah, it''s pretty bad right now," I admit. "But it''s not the first time something like this has happened, and it probably won''t be the last. We just have to weather the storm, you know?" "Easy for you to say," Maggie mutters. "You''re already established. People know you, trust you. I''m just... some nobody who can barely float three inches off the ground without face-planting." I can''t help but snort at that. "Trust me, I''m not as established as you think. And besides, everyone starts somewhere. Even Liberty Belle probably tripped over her own cape a few times when she was starting out. Besides, I mean... I had to testify against this guy. I''m not exactly sitting pretty." That gets a small smile out of her, but it fades quickly. "Sam," she says, her voice suddenly serious, "be real with me for a sec. Is this Aurora Springs place really the right call? What do you think?" I hesitate, weighing my words carefully. "It''s... okay, so you remember that fight I was in? The one where you got your powers?" I ask. Maggie nods. "Kind of hard to forget. You were fighting that lady in the hoodie, right? She was covered in spikes." "Right, Deathgirl," I confirm. "Her real name''s Daisy. And here''s the thing ¨C she''s currently locked up in Daedalus, one of those super-prisons everyone''s talking about. And her power is copying other people''s powers, so when she went spike mode, it was because she was copying me. But worse." Maggie''s brow furrows. "Gross, but...?" "And if Daisy and Fedorov ever came into contact with each other, even for a second, it would be... bad. Like, ''goodbye entire prison and probably a good chunk of the surrounding area'' bad. She''d copy his powers, but without any of the protective equipment he uses to keep them in check." Maggie''s eyes widen as the implications sink in. "Oh. Oh shit." "Exactly," I nod. "And for all we know, there could be other power copiers in the other prisons too. Aurora Springs might not be perfect, but it gives Fedorov the space he needs to not accidentally nuke half the state if something goes wrong." "Huh," Maggie says, looking thoughtful. "I guess that makes sense. Still sucks, though." I can''t argue with that. "Yeah, it does. But sometimes the right answer isn''t always the one that feels the best, you know?" Did you know this text is from a different site? Read the official version to support the creator. Before Maggie can respond, we''re interrupted by a shout from the living room. "Sam! Maggie! You might want to come see this!" We exchange a quick glance before hurrying back to the TV, snacks forgotten. The scene that greets us is even worse than before. The anchor, looking frazzled and a little bit terrified, is talking rapidly over footage of what looks like a full-scale riot. "We''re getting reports of protests spreading to other parts of the city," she''s saying, her voice tight with tension. "There have been clashes between protesters and police in at least three different neighborhoods, with more expected as the night goes on." Maggie and I exchange worried glances before hurrying back to the living room. The scene on the TV has shifted from the courthouse to various spots around Philly, each one looking more chaotic than the last. Mom''s hand is pressed to her mouth, her eyes wide with shock. Dad''s pacing again, muttering under his breath about "powder kegs" and "tinderboxes." "This is getting out of hand," Mom says, her voice tight with worry. "Maybe we should think about increasing our home security. You know, just in case..." Dad nods grimly. "Might not be a bad idea. I''ll call up that company tomorrow, see about getting some extra locks installed. Maybe look into one of those fancy alarm systems." I want to tell them they''re overreacting, that things aren''t that bad. Not in Mayfair. But I can''t really make that assurance - our house got torn down by a supervillain almost a year ago. "--a local superhero group, is organizing a rally for tomorrow to demand accountability in the wake of the Fedorov sentencing." The camera cuts to Patriot, looking like he''s about two seconds away from exploding with self-righteous anger, bald head shiny with early Fall sweat. "It''s time for the people of Philadelphia to stand up and be counted!" he booms into a microphone. "We need to send a message to the powers that be that we won''t stand for this kind of injustice! And that if they''re not willing to police these supervillains, we''ll have to police our own! Who knows where the next Chernobyl will come from?" I feel my stomach drop. This is bad. This is really, really bad. "Oh, for crying out loud," Dad groans, sounding both irritated and scared at the same time. "That''s the last thing we need right now. More fuel on the fire." Mom nods in agreement. "It''s irresponsible, is what it is. They''re supposed to be heroes, not... not rabble-rousers." As if things couldn''t get any worse, the anchor continues: "In response to the growing unrest, the city council has announced an emergency meeting to address public concerns about metahuman containment and oversight." Maggie and I exchange another worried look. This feels like the beginning of something big and scary, and I have no idea how to stop it. The rest of the evening passes in a blur of news updates and tense conversation. By the time Maggie''s getting ready to head home, I feel like I''ve aged about ten years. "So, uh, same time next week for training?" Maggie asks as she puts on her shoes, trying for a casual tone but not quite pulling it off. I nod, forcing a smile. "Yeah, definitely. We''ll work on your hover-landings. Maybe by next month you''ll be able to float without looking like you''re riding an invisible mechanical bull. I''ll poke you after Rosh Hashanah - and try not to tip you over in the process." That gets a laugh out of her, which feels like a small victory. As I watch her walk down the street, I can''t help but wonder if I''m doing the right thing, training her to be a hero in a world that seems increasingly hostile. Back inside, my parents are still glued to the TV, discussing how this might impact our daily lives. I hear snippets about "increased patrols" and "metahuman registration" that make my skin crawl. My phone buzzes in my pocket, and I pull it out to find a flurry of texts from Jordan. "Bee, you seeing this shit?" the first one reads. "Website traffic is going bonkers. Like, ''servers might actually catch fire'' levels of bonkers. We''re not even at school! It''s just people uploading videos of cops beating the shit out of people." I scroll through the rest, each one more frantic than the last. More than one video has cops batting a phone out of someone''s hands, and I can''t tell which side I should be paying attention to. Why are we attacking the protestors? And are these the ones following Patriot or the other side? Everything''s too chaotic to tell. Great. Just great. Another thing to worry about. I mumble some excuse to my parents about being tired and head up to my room, collapsing onto my bed with a groan. As I lie there, staring at the ceiling, I can''t shake the feeling that I''m just continually making things worse. The website, training Maggie, even my testimony at Fedorov''s trial ¨C it all feels like it''s spiraling out of control, deeper down some sort of hole I can''t see the bottom of. I run my hand through my hair, feeling the familiar texture of my undercut, reminding myself to get it trimmed this weekend. It''s a stupid, mundane thing to focus on, but right now it feels like the only normal thing left in my life. My phone buzzes again ¨C another text from Jordan, this time just a string of incomprehensible keyboard smashes followed by about fifty fire emojis. I''m not sure if they''re referring to the website traffic or the general state of the world, but honestly, both seem pretty accurate right now. I close my eyes, trying to shut out the noise of the TV downstairs, the constant buzz of my phone, the weight of everything that''s happened today. But even in the darkness behind my eyelids, I can see the angry faces of the protesters, hear Patriot''s inflammatory words, feel the tension building in the city like a rubber band stretched to its breaking point. And somewhere in the back of my mind, a little voice whispers: What have we done? WORLD OF CHUM: Aurora Springs Residential Facility (2)

"A Day in the Life at Aurora Springs: The Case of Emily Chen"

I. Introduction Aurora Springs Residential Facility, established in 2012, stands as a testament to the complex challenges posed by the emergence of superhuman abilities in our society. Unlike traditional correctional facilities, Aurora Springs was designed to house individuals whose powers pose significant risks to public safety, yet who have not engaged in criminal activities. This case study examines the daily life of Emily Chen, a resident whose experience offers valuable insights into the facility''s operations and the broader implications of superhuman management. Emily Chen, a 28-year-old former biochemistry graduate student, possesses an ability classified in dynological terms as "stress-triggered, proximity-based molecular destabilization." Colloquially known as "slow disintegration," this power presents unique challenges that make Emily an ideal subject for understanding the delicate balance between personal freedom and public safety that Aurora Springs strives to maintain. II. Emily''s Background A. Personal History and Activation Event Emily''s journey to Aurora Springs began in the high-pressure environment of a top-tier research university. As a promising Ph.D. candidate in biochemistry, Emily was known for her brilliant mind and innovative approach to protein folding research. However, the intense academic pressure and her perfectionist tendencies created a powder keg of stress that would ultimately trigger her Activation Event. On September 15, 2019, while working late in the university''s biochemistry lab, Emily accidentally knocked over a container of highly corrosive chemicals, which reacted in a way that began producing extremely hazardous byproducts. In the split second of sheer panic that followed, her latent abilities manifested. The spilled chemicals, along with nearby equipment, began to break down at a molecular level, creating a protective barrier around Emily. While this saved her from immediate harm, it also marked the beginning of her struggle with an ability she couldn''t control. B. Reason for Residency at Aurora Springs In the weeks following the incident, it became clear that Emily''s newfound ability posed significant risks. Everyday stressors ¨C from minor arguments to approaching deadlines ¨C could trigger her power, causing objects in her vicinity to slowly disintegrate. The unpredictable nature of these episodes and their potential for widespread damage led to her referral to Aurora Springs. The decision to place Emily in the facility was not made lightly. A panel of experts, including representatives from the National Superhuman Response Agency (NSRA), dynologists, lawyers, and ethics committees, evaluated her case. They concluded that while Emily posed no intentional threat, the involuntary nature of her ability and its potential for catastrophic damage in populated areas necessitated her placement in a controlled environment. C. Initial Adjustment Period Emily''s transition to life at Aurora Springs was fraught with challenges. The very act of being separated from her family, friends, and academic pursuits triggered frequent episodes of molecular destabilization, requiring her to be housed in a specially reinforced wing of the facility during her first month. Dr. Sarah Goldstein, Emily''s primary therapist, recalls those early days: "Emily''s case was particularly heartbreaking because her distress over being at Aurora Springs exacerbated the very problem that brought her here. We had to work intensively on stress management techniques just to stabilize her enough for regular interactions." Over time, with the help of Aurora Springs'' specialized staff and tailored programs, Emily began to adapt to her new environment. The facility''s emphasis on creating a community atmosphere, rather than a prison-like setting, played a crucial role in helping Emily come to terms with her situation. III. Daily Routine A. Morning Wake-up and Power Monitoring Procedures Emily''s day begins at 7:00 AM with a gentle wake-up call through the facility''s specialized communication system. Unlike conventional alarms, Aurora Springs uses a combination of gradually increasing light and nature sounds to minimize sudden stress on residents. Immediately upon waking, Emily undergoes her first power monitoring check of the day. She wears a non-invasive biometric bracelet that continuously tracks her stress levels and physiological responses. This data is transmitted to the facility''s central monitoring system, allowing staff to predict and prepare for potential meltdown events. Dr. Michael Cheng, head of Aurora Springs'' Power Monitoring Division, explains: "The morning check is crucial. Sleep can sometimes exacerbate or alter power manifestations, so we need to ensure that Emily and our other residents are starting the day in a stable condition." Emily then proceeds to her personal hygiene routine in her private bathroom. The fixtures and materials in her living space are specially designed to withstand low-level molecular destabilization, a precaution that allows Emily a degree of normalcy even if she experiences minor stress fluctuations. Stolen from its rightful place, this narrative is not meant to be on Amazon; report any sightings. Breakfast and Social Interactions At 8:00 AM, Emily joins other residents in the communal dining area for breakfast. This space is carefully designed to promote a calm atmosphere, with muted colors, natural light, and acoustic treatments to minimize sudden noises. Meal times at Aurora Springs serve a dual purpose: nourishment and socialization. For Emily, these interactions are a vital part of her ongoing therapy and power management. By engaging in casual conversations with other residents and staff members, she practices maintaining composure in social situations ¨C a key skill for managing her stress-triggered ability. The facility''s nutritionist, Lisa Patel, works closely with Emily to ensure her diet supports stress reduction. "We incorporate foods rich in vitamins B and C, omega-3 fatty acids, and complex carbohydrates into Emily''s meals," Patel explains. "These nutrients have been shown to help regulate stress responses and promote overall well-being." B. Daytime Activities Therapy Sessions (Individual and Group) Emily''s post-breakfast schedule typically includes a mix of individual and group therapy sessions. At 9:30 AM, she attends a one-on-one session with Dr. Goldstein, focusing on cognitive-behavioral techniques to manage stress and anxiety. "In Emily''s case, traditional relaxation methods aren''t always enough," Dr. Goldstein notes. "We''ve had to develop specialized cognitive restructuring techniques that allow her to reframe potentially stressful situations rapidly. It''s as much about changing her instantaneous reactions as it is about long-term stress management." At 11:00 AM, Emily participates in a group therapy session with other residents whose abilities are triggered by emotional states. This peer support group, facilitated by Dr. Jasmine Wong, allows residents to share coping strategies and experiences. "The group dynamic is incredibly powerful," Dr. Wong observes. "Seeing others who face similar challenges helps alleviate the sense of isolation that many of our residents struggle with. For Emily, it''s been instrumental in accepting her ability as part of who she is, rather than seeing it as an enemy to be conquered." Power Control Training After lunch, Emily engages in power control training, a cornerstone of Aurora Springs'' rehabilitation program. These sessions take place in a specially designed training facility that can withstand various superhuman abilities. Emily''s training, overseen by Dr. Alex Novak, a leading dynologist, focuses on two main areas: extending the time between a stress trigger and power activation, and minimizing the radius of effect when activation does occur. "Emily''s progress has been remarkable," Dr. Novak comments. "When she first arrived, her power would activate almost instantaneously under stress. Now, she can often delay activation by up to thirty seconds, giving her crucial time to implement coping strategies." The training involves controlled stress induction followed by rapid relaxation techniques. Specialized sensors throughout the training area provide real-time feedback on the molecular stability of the environment, allowing Emily to visualize her progress. Educational and Vocational Pursuits Recognizing the importance of intellectual stimulation and personal growth, Aurora Springs provides residents with opportunities to continue their education or develop new skills. For Emily, this means dedicating several hours each afternoon to ongoing biochemistry research. Through a secure, monitored connection, Emily collaborates with her former university on computational biochemistry projects. This arrangement, carefully negotiated by Aurora Springs'' legal team, allows Emily to maintain her academic pursuits while ensuring the safety of all involved. "It''s not just about keeping our residents occupied," explains Dr. Fiona Alvarez, Education Coordinator at Aurora Springs. "It''s about preserving their sense of identity and purpose. For someone like Emily, her work isn''t just a job ¨C it''s a fundamental part of who she is." In addition to her research, Emily has taken up botanical illustration, a hobby that combines her scientific background with a meditative artistic practice. The precision required serves as an excellent exercise in focus and stress management. C. Evening Recreational Activities As the day winds down, Emily has the opportunity to engage in various recreational activities. The facility boasts a state-of-the-art gym, art studios, a library, and communal spaces for games and socializing. Emily often chooses to spend time in the facility''s extensive gardens. "The connection with nature has been incredibly therapeutic for Emily," notes Sam Torres, Aurora Springs'' head gardener. "There''s something about nurturing plants that seems to resonate with her on a deep level. It''s a powerful reminder that growth and change can be positive forces." Personal Time and Communication with Outside World Evenings at Aurora Springs are designed to allow residents time for personal reflection and maintaining connections with the outside world. For Emily, this often means video calls with her family and close friends. These calls are monitored for security purposes, but Aurora Springs strives to provide as much privacy as possible. "Maintaining these connections is crucial for our residents'' mental health and eventual reintegration into society," explains Dr. Goldstein. "For Emily, these conversations are a lifeline to her old life and a motivation to continue making progress." Before bed, Emily often engages in journaling, a practice encouraged by the facility to help residents process their experiences and track their emotional states over time. This self-reflection has become an important tool in Emily''s ongoing journey of self-discovery and power management. As lights out approaches at 10:00 PM, Emily goes through a final power monitoring check and engages in a brief meditation session. These evening rituals help ensure a calm transition to sleep, minimizing the risk of nocturnal power activations. Through this structured yet flexible daily routine, Aurora Springs aims to provide Emily and other residents with a sense of normalcy, purpose, and progress. While the challenges of containing and managing superhuman abilities remain significant, cases like Emily''s offer valuable insights into the potential for rehabilitation and the importance of compassionate, scientifically-informed approaches to superhuman management. Chapter 108.1 The familiar scent of Pop-Pop Moe''s house hits me the moment we step through the door ¨C a mixture of old books, sea air, and whatever Aunt Rebecca''s been cooking. It''s comforting, in a way, like slipping on a favorite sweater. But there''s an undercurrent of tension that even the warm, homey smell can''t quite mask. As we make our way up the wooden stairs to the second floor, I can hear the muffled sounds of conversation and the clinking of dishes. My stomach does a little flip, part excitement and part nerves. It''s been a while since we''ve all been together like this, and after everything that''s happened... well, let''s just say I''m not sure what to expect. We emerge into the dining room, and suddenly we''re surrounded by family. Aunt Rebecca swoops in for hugs, her long fingers patting my back affectionately. "Sam, sweetie! Look at you, all grown up. And Rachel, Ben, so good to see you both." I catch a glimpse of Abigail over Aunt Rebecca''s shoulder and have to stifle a gasp. My cousin''s face is a patchwork of fading bruises, with a nasty-looking cut above her left eyebrow. She catches my eye and gives a tiny shake of her head, a clear "don''t ask" signal. I swallow hard and paste on a smile. "Hey, Abby," I say, trying to keep my voice light. "Love the new look. Very punk rock." She snorts, rolling her eyes. "Yeah, you should see the other guys." Uncle Aaron clears his throat loudly, shooting Abigail a warning look. "So, uh, how about those Phillies, huh? Think they''ve got a shot at the pennant this year?" And just like that, we''re off to the races with the world''s most awkward small talk. Jake mumbles something about drone photography while Uncle Shelly launches into a rant about the rising cost of lumber. I nod and smile in all the right places, but I can''t shake the feeling that we''re all just going through the motions, pretending everything''s normal when it''s anything but. Pop-Pop Moe''s voice cuts through the chatter, steady and familiar. "Alright, everyone, enough with the small talk. Let''s get started with the candle lighting." We gather around the vast dining table, its old and new sections joined together like some kind of furniture Frankenstein''s monster. The white tablecloth gleams in the soft candlelight, and I can see my distorted reflection in the good silverware. Pop-Pop strikes a match, the sudden flare of light making everyone blink. As he lights the candles, I look around at my family. Mom''s already eyeing the wine bottles with a little too much interest. Dad''s doing that thing where he tries to make himself as small as possible, like he''s hoping no one will notice him. Aunt Linda''s fussing with her jewelry, probably planning her next flea market in her head. And then there''s Jake, weirdly quiet, just watching and eating some chips from a bowl. He''s even taller than last year, if that''s possible, and he''s starting to grow this scruffy attempt at a beard that makes him look like he''s cosplaying as a twelve-year old lumberjack. Pop-Pop''s voice fills the room as he recites the blessing: "Baruch atah Adonai, Eloheinu melech ha-olam, asher kid''shanu b''mitzvotav v''tzivanu l''hadlik ner shel yom tov." There''s a chorus of "Amens," and for a moment, everything feels almost normal. Almost. Uncle Shelly steps up next, clearing his throat like he''s about to give a speech at a union rally. His gruff voice rumbles through the Kiddush: "Baruch atah Adonai, Eloheinu melech ha-olam, borei p''ri hagafen." As we move on to hand washing, I can''t help but notice the little dance everyone''s doing to avoid touching Abigail or looking directly at her injuries. It''s like we''re all playing some bizarre game of "The Floor is Lava," except the lava is acknowledging that one of us got the crap beaten out of her somewhere. It just makes me wonder where even more - a protest? A bar fight? Did she, too, come on the wrong end of some security officers? That seems like something she''d do. I think it runs in the family. "So," Uncle Aaron says as we''re drying our hands, his voice a little too loud, a little too cheerful. "How about that weather we''ve been having in Philly, huh? Crazy stuff." Mom snorts into her newly acquired wine glass. "Oh yeah, real crazy. Nothing like a little martial law to spice up your morning commute." Dad winces, shooting Mom a look. "Rachel, honey, maybe we could talk about something else?" "What?" Mom says, taking another sip of wine. "I''m just making conversation. Isn''t that what we''re supposed to do? Pretend everything''s fine and dandy while the world''s going to hell in a handbasket?" This tale has been pilfered from Royal Road. If found on Amazon, kindly file a report. Pop-Pop Moe clears his throat, loudly. "Alright, let''s bless the challah, shall we?" He picks up the braided loaf, his hands shaking slightly. I wonder if it''s age or nerves. Maybe both. "Baruch atah Adonai, Eloheinu melech ha-olam, hamotzi lechem min ha''aretz." We all mumble "Amen" again, and then it''s time for the apples and honey. As we pass the plate around, I watch Abigail wince as she reaches for a slice. She catches me looking and raises an eyebrow, daring me to say something. I don''t. "So, Jake," Aunt Rebecca says, her voice a little too bright. "Tell us about your latest drone adventures. Captured any exciting footage lately?" Jake shrugs, mumbling around a mouthful of apple. "S''alright. Got some cool shots of the boardwalk at sunrise. Might use ''em for my portfolio." "That''s wonderful, dear," Aunt Rebecca beams. "You know, I always thought you had an eye for composition. Remember that macaroni art you made in second grade? It was just..." As Aunt Rebecca launches into a detailed recollection of Jake''s elementary school artistic achievements, I take a moment to survey the scene. It''s like watching a play where all the actors have forgotten their lines and are just improvising wildly, hoping no one notices. Uncle Aaron''s regaling Dad with some thrilling tale about tax deductions. Aunt Linda''s explaining her latest jewelry design to Mom, who''s nodding along while eyeing the wine bottle for a refill. Pop-Pop Moe''s just sitting there, a small smile on his face, like he''s enjoying some private joke. And me? I''m just trying to figure out how we got here. How we went from last year''s Rosh Hashanah, where the biggest drama was whether Jake would get caught sneaking an extra slice of brisket, to... this. Whatever this is. Where the tension is sitting on my shoulders so hard it feels like it''s going to break my spine. As the meal officially begins and dishes start getting passed around, the conversation bounces from topic to topic like a pinball machine on the fritz. "Did you hear about that new fusion restaurant downtown?" Aunt Rebecca asks, spooning some tzimmes onto her plate. "They''re doing this thing with gefilte fish tacos. Can you imagine?" Uncle Shelly grunts, stabbing a piece of brisket with perhaps more force than strictly necessary. "Gefilte fish tacos? What''s next, kugel burritos? Whatever happened to good old-fashioned Jewish cooking?" "Oh, come on, Shell," Aunt Rebecca says, rolling her eyes. "Don''t be such a fuddy-duddy. It''s fusion! It''s hip!" "Hip?" Uncle Shelly snorts. "I''ll tell you what''s hip. A good, solid piece of hardware. You know how many people came into the store last week looking for those fancy smart doorbells? I told ''em, you want security? Get a good old-fashioned deadbolt. That''ll keep the riffraff out." I catch Abigail''s eye across the table and we both have to stifle a laugh. Classic Uncle Shelly, turning every conversation into a commercial for Small & Sons Hardware. "Speaking of security," Uncle Aaron chimes in, "did you see the latest projections for the defense industry? With all this unrest, their stocks are going through the roof. It''s a smart investment, if you ask me." Dad shifts uncomfortably in his seat. "I don''t know if I''d feel right profiting off of... well, you know." Uncle Aaron waves a hand dismissively. "It''s not profiting, Ben. It''s just good financial sense. You''ve got to think about the future, especially in times like these." I can see Dad''s jaw tightening, but before he can respond, Aunt Linda jumps in. "Oh, speaking of the future, did I tell you about my new line of anxiety-relief jewelry? It''s all ethically sourced crystals and sustainable metals. I really think it could take off, what with everyone being so stressed these days." Mom takes a long sip of wine. "Anxiety-relief jewelry? Is that like... what, a necklace that doubles as a Xanax dispenser?" "Rachel," Dad hisses, but Mom just shrugs. "What? I''m asking a legitimate question. Lord knows we could all use a little anxiety relief right about now," she mumbles, defeated. I hear something about needing a Xanax under her breath and I can''t find myself disagreeing. As the adults continue their dance of awkward conversation and forced normalcy, I find myself studying Jake. He''s been uncharacteristically quiet all evening, picking at his food and barely looking up from his plate. Usually by now he''d be regaling us with tales of his latest urban exploration adventure or showing off drone footage on his phone. "Hey," I say, nudging him with my elbow. "You okay? You''re being weirdly... un-Jake-like." He shrugs, pushing a piece of carrot around his plate. "Just not feeling very talkative, I guess." "Since when?" I press. "Come on, what''s up? Did something happen with your drone? Get caught in the rotors of Old Lady Friedman''s ceiling fan again?" That gets a tiny smile out of him, at least. "Nah, nothing like that. It''s just..." he glances around the table, lowering his voice. "Don''t you think this is all kind of... weird? Everyone pretending like everything''s normal when it''s so obviously not?" I blink, surprised by the sudden burst of insight from my usually oblivious cousin. "Yeah," I admit. "It is pretty weird. But what else are we supposed to do? Start a family-wide debate on the state of metahuman rights and the rise of fascism over Aunt Rebecca''s brisket?" Jake snorts. "I mean, it''d definitely liven things up. But nah, I guess you''re right. It''s just... hard to care about drone photography when the world''s going crazy, you know?" I nod, feeling a sudden rush of affection for my goofy, lanky cousin. "Yeah, I know. But hey, maybe that''s why it''s important to care about that stuff. To remember there''s still beauty out there, even when things are rough." Jake considers this for a moment, then nods. "Yeah, maybe. Thanks, Sam. You''re pretty smart for a short stack." I roll my eyes, giving him a playful shove. "And you''re pretty insightful for a beanpole. Now eat your tzimmes before Aunt Rebecca starts force-feeding you." As I turn back to my own plate, I catch Pop-Pop Moe watching us with a small smile. He gives me a wink, and for a moment, I feel a little spark of hope. Maybe we''ll get through this dinner after all. Maybe everything will be okay. Maybe it will be normal, for just a night. Chapter 108.2 The conversation lulls for a moment, everyone chewing in awkward silence. Then Jake, apparently deciding he''s been quiet long enough, pipes up. "Oh hey, did I tell you guys? My buddy Zack got some wild drone footage of the aftermath of that Philly Phreaks attack. It''s crazy, like something out of a movie." I tense up immediately, my fork freezing halfway to my mouth. I was there, right in the thick of it. The memory of Deathgirl''s spikes piercing my leg flashes through my mind, and I have to suppress a shudder. Aunt Rebecca, bless her heart, tries to change the subject. "Oh, that''s... interesting, Jake. Say, did anyone try the new kugel recipe I found? It has a hint of cinnamon..." But Uncle Shelly''s already latched onto the topic like a dog with a bone. "You know what''s really crazy? The fact that we need increased security measures just to feel safe in our own city. In New York! It didn''t even happen here! I tell you, if we had more cops on the streets, none of this superhuman nonsense would be happening." Aunt Linda nods vigorously, nearly knocking over her water glass in her enthusiasm. "Absolutely! Why, just last week, I was setting up my jewelry stand at the flea market, and I swear I saw someone suspicious lurking around. If there had been a police presence, I would have felt so much safer." I can see Abigail''s knuckles turning white around her fork. She takes a deep breath, clearly trying to stay calm. "Actually, studies have shown that increased police presence doesn''t necessarily lead to decreased crime rates. In fact, it often results in disproportionate targeting of minority communities." Uncle Shelly snorts. "Oh, here we go with the liberal propaganda. Next you''ll be telling us we should just let all the criminals go free and sing kumbaya." "That''s not what I''m saying at all," Abigail protests. "I''m just pointing out that the issue is more complex than ''more cops equals less crime.'' There are systemic problems that need to be addressed." Uncle Aaron clears his throat, clearly uncomfortable with the direction the conversation is taking. "Well, from an economic standpoint, we have to consider the cost of these increased security measures. Higher taxes could lead to business closures, which would only exacerbate the unrest. And spending more money on cops is less money that can be used for, you know... things like libraries." He shoots Mom a meaningful look. Mom, who''s been unusually quiet up until now, suddenly chimes in. "You want to talk about police misconduct? Let me tell you about the time I got pulled over for ''suspicious behavior'' while dropping off books at the library. At two in the afternoon. On a Tuesday." Her words are slightly slurred, and I realize with a sinking feeling that she''s probably had more wine than she should have. Dad places a hand on her arm, trying to calm her down, but she shakes it off. "No, Ben, they need to hear this. It''s not right, what''s happening out there. It''s not safe for anyone, especially not for kids like Sam and her friends," she says, her volume fluctuating every three words. Pop-Pop Moe clears his throat, his voice cutting through the rising tension. "Now, now, let''s try to look at the bigger picture here. Instead of arguing about who''s to blame, maybe we should be discussing solutions. What can we do to make things better for everyone?" For a moment, it seems like his words might actually calm things down. But then Uncle Shelly keeps going, and the dam begins to break. "And did you hear about that Chernobyl guy? Fifty years? That''s it? For what he did?" Uncle Shelly''s face is turning an alarming shade of red. "And they''re sending him to some cushy facility instead of a real prison? It''s a joke, I tell you. A goddamn joke." "Language, Shelly," Aunt Rebecca murmurs, but no one pays her any attention. Abigail leans forward, her eyes blazing. "Actually, Aurora Springs is designed specifically for individuals with powers that make traditional incarceration dangerous or impossible. It''s not about being ''cushy,'' it''s about public safety and rehabilitation." Uncle Shelly laughs, a harsh, bitter sound. "Rehabilitation? For supervillains? What''s next, are we going to start a book club for Deathgirl?" I flinch at the mention of Deathgirl, memories of our fight flashing through my mind. But no one notices, too caught up in the argument. "Maybe we should!" Abigail shoots back. "Our current system clearly isn''t working. Did you know the recidivism rate for supervillains is even higher than for regular offenders? We need to be looking at alternatives, like restorative justice programs or even--" I''m pretty sure Abigail says something about abolition, but I can''t hear it over the din. The table erupts into chaos. Uncle Shelly''s shouting something about "bleeding heart liberals," while Aunt Linda''s voice rises shrilly above the din, talking about the safety of "normal people." Uncle Aaron''s trying to interject something about taxpayer costs and privatization, but no one''s listening. Dad, in a rare moment of assertiveness, raises his voice to be heard. "Now hold on a minute. Abigail might have a point. Our tradition teaches us about the importance of teshuvah, of repentance and second chances. Shouldn''t that apply to everyone, even... even supervillains?" Uncle Shelly rounds on Dad, his face thunderous. "Oh, so now you''re an expert on Jewish law, Benny? Tell me, does the Torah say anything about what to do when a guy can level a city block with his mind?" Mom, swaying slightly in her seat, jabs a finger in Uncle Shelly''s direction. "Don''t you talk to my husband like that! At least he''s thinking about solutions instead of just... just yelling all the time!" "Rachel, please," Aunt Rebecca pleads, "maybe we should all just take a deep breath and¡ª" "No, you know what?" Mom cuts her off, her words slurring together. "I''m sick of taking deep breaths. I''m sick of pretending everything''s fine when it''s not. The whole system is broken, can''t you see that? It''s not just about supervillains, it''s about regular people too. The city library is *basically* closed - we''re only allowed to let so many people in! Because we''re under martial law! It''s not right, it''s not..." Did you know this story is from Royal Road? Read the official version for free and support the author. She trails off, looking slightly green. Dad puts an arm around her, murmuring something I can''t quite hear. "At least they''re doing *something* to try and cut down on all these hoodlums. Better than that spineless jury that put a supervillain in a full-service hotel," Uncle Shelley grumbles, trying to get the last word. Throughout all of this, I''ve been sitting there, silent and overwhelmed. I want to say something, to defend Mom or back up Abigail or... I don''t know. But every time I open my mouth, the words get stuck in my throat. How can I explain my perspective without revealing too much? How can I talk about Fedorov or Deathgirl or any of it when I''m not supposed to know anything more than what''s been on the news? Jake catches my eye from across the table, looking as lost as I feel. He mouths "What the fuck?" at me, and I can only shrug helplessly in response. "I think we should all take a little break, maybe relax on the couch and then get back to eating..." Pop-Pop Moe says, at just above a speaking level. There''s a little bit more force to it than what I''m used to hearing from him, a little more *anger*. And then, just when I think things can''t possibly get any worse, Uncle Shelly drops the drunken bomb, his face reddened with rage and wine. His hair has become a sweaty mop over his head, his butter knife jabbed around like a pointer to a whiteboard. He looks swollen. Swollen with anger. "You know what?" he snarls, rounding on Pop-Pop Moe. "I''m sick of you sitting there, acting all wise and neutral. As if you have any right to take the high road here, you holier-than-thou snakes. Why don''t you tell them, Dad? Tell them where all this family prosperity really came from?" Pop-Pop Moe goes pale, his hands shaking as he sets down his fork. "Shelly, please. This isn''t the time or the place..." But Uncle Shelly''s on a roll now, his voice rising with each word. "No, I think it''s exactly the time and place. You want to talk about solutions? How about we start by acknowledging that our own father, the great Morris Small, helped build Daedalus Correctional Facility? The very supermax prison this *terrorist* should''ve been sent to in the first place!" The silence that falls over the table is deafening. I feel like I''ve been punched in the gut, all the air rushing out of my lungs. Pop-Pop Moe? The man who introduced me to superhero comics, who always talked about justice and doing the right thing... he helped build a supervillain prison? *The* supervillain prison? Abigail''s the first to break the silence, looking defeated, like something in her was about to give out. "Did you?" She asks, like she knows the answer already. Pop-Pop Moe looks older than I''ve ever seen him, aging decades in an instant, his shoulders slumped in defeat. "Yes," he says quietly. "It''s true. My firm was contracted to work on the weatherproofing, which we did. It was a different time, with different concerns, and John convinced me that the money from the contracting would help keep my family safe. Give us a cushion, if we needed one. We thought we were doing the right thing, keeping people safe." "Keeping people safe?" Abigail repeats, incredulous, her voice rising in pitch and volume. "By building a torture chamber disguised as a prison? Do you have any idea what goes on in there? The human rights violations, the¡ª" "Now hold on just a minute," Uncle Aaron interjects. "Let''s not get carried away here. Daedalus is a necessary facility for containing dangerous individuals, and the research done there is extremely important in helping counteract the aftermath of supervillain attacks." "Oh, well as long as it''s profitable," Abigail spits out, her voice dripping with venomous sarcasm. Aunt Linda, apparently oblivious to the tension, chimes in. "I think it''s wonderful that Pop-Pop was involved in such an important project. At least we know it was built by someone competent! We love you, Morris. You did a good job on it." Pop-Pop Moe looks like he would really rather just walk into the ocean right now. His entire body is being pulled down by Jupiter gravity. Linda''s words hang in the air, painfully sincere and utterly tone-deaf. I want to sink into the floor, to disappear entirely. How did we get here? How did a family dinner turn into... this? "Don''t stand above us like you''re... like you''re above all this," Uncle Shelley almost growls through a mostly-closed mouth. "The kids deserve to know." Jake looks at Uncle Shelley like he''d really rather be sticking a fork in his throat. And I can''t say I blame him. I feel... a lot - not just at Pop-Pop, but at the lengths my uncle is going just to do, what, to spite Moe for trying to calm down a political argument? I can''t tell who I hate more right now. My body is tensing up so much I can feel teeth readying themselves - a negative consequence of my training it into muscle memory. Pop-Pop Moe looks around the table, his eyes filled with a mixture of regret and pleading. "I know it''s hard to understand, but you have to believe me when I say I never wanted to cause harm. We were trying to solve a problem, to keep people safe in a world that suddenly had superpowers in it. But I''ve regretted my involvement ever since. That''s why I''ve spent years trying to make amends, donating to rehabilitation programs, advocating for reform..." "Oh, so throwing money at the problem makes it all better?" Abigail asks, quietly and bitterly. At the same time, Uncle Shelley''s arms fold unsteadily over his chest. "Go ahead and undermine the good work you did, why don''t you," he half-whispers. The questions hang in the air, unanswered. I look at Pop-Pop Moe, really look at him, and for the first time I see not the wise, kind grandfather I''ve always known, but a man carrying the weight of his past mistakes. It makes my chest ache in a way I can''t quite describe. The rest of the meal passes in a haze of tense silence punctuated by Aunt Rebecca''s increasingly desperate attempts at small talk. "So, um, how about those new traffic lights they installed downtown? Really something, aren''t they?" No one responds. When it comes time for the blessing over the children, Pop-Pop Moe''s voice wavers as he recites the familiar words. "Yesimcha Elohim ke-Ephraim ve-chi-Menashe..." His hands shake as he places them on Jake''s head, then mine, then Abigail''s. I can feel the weight of his regret in that touch, and it takes everything in me not to pull away. "May you be blessed like Ephraim and Manasseh, like Sarah, Rebeccah, Rachel and Leah." As soon as the blessing is over, Uncle Shelly stands up abruptly, his chair scraping loudly against the floor. "Well, this has been enlightening," he says, his voice dripping with sarcasm. "Linda, we''re leaving." Aunt Linda blinks, looking confused. "But what about dessert? I brought my apple strudel..." "Now, Linda," Uncle Shelly growls, and she scrambles to her feet, shooting apologetic glances around the table. They''re barely out the door before Uncle Aaron and Aunt Rebecca are making their excuses too, all but dragging Jake along with them. He looks back at me as they leave, his eyes wide with a mixture of confusion and sympathy. And then it''s just us ¨C me, Abigail, Mom and Dad (who are staying the night), and Pop-Pop Moe. The silence is thick enough to cut with a knife. After what feels like an eternity, Pop-Pop Moe clears his throat. "Sam, Abigail," he says softly, "would you like to join me for Tashlich at the pier? While your father tends to Rachel?" Dad gives him an approving nod. I don''t think he wants to go anywhere either. I look at Abigail, who seems to be wrestling with her own inner turmoil. After a moment, she nods stiffly. "Yeah," she says, her voice hoarse. "Yeah, I think that would be good." As we get up to leave, I catch a glimpse of Mom and Dad. Mom''s slumped in her chair, looking like she might be sick, while Dad just looks lost. I want to say something, to offer some words of comfort or understanding, but what could I possibly say after all this? Pop-Pop Moe quietly cubes a piece of challah, before ripping it up into smaller pieces, stuffing it into a ziploc bag, and handing it to me to carry. Chapter 108.3 The walk to the pier is quiet, save for the distant sound of waves and the occasional seagull cry. Pop-Pop Moe leads the way, his shoulders hunched against the cool evening breeze. Abigail trails behind, her arms wrapped tightly around herself. I''m stuck in the middle, feeling like I''m walking a tightrope between two very different worlds. Just when I think I can''t take the silence anymore, Pop-Pop Moe clears his throat. "You know," he says, his voice soft but clear, "this reminds me of a story about your great-grandfather Elijah." Abigail and I exchange a tired glance. We''ve heard plenty of stories about Great-Grandpa Eli over the years, but something in Pop-Pop''s tone tells me this one''s different. "Dad never talked much about his childhood," Pop-Pop continues, his eyes fixed on the horizon. "But I know it wasn''t easy. He came over on a boat when he was just a kid, maybe six or seven. His parents sent him to live with family friends ¨C the Smalls. That''s how Elijah Berdichevsky became Elijah Small." I try to imagine it ¨C a little boy, alone on a big ship, sailing towards a new life with a new name. It makes my chest ache. Abigail looks equally thoughtful, her earlier anger softening around the edges. When you''re at a table with a bunch of drunken adults, it''s easy to raise your voice to match them, but now, in public, on the sidewalk, I feel like she can''t bring herself to interrupt. And neither can I. "Wait, what?" Abigail interrupts. "I thought we were, like, always Smalls." Pop-Pop Moe chuckles, but it''s a sad sound. "Nah, kiddo. The ''Small'' part came later. See, Eli was sent over here as a little kid, maybe seven or eight. His parents ¨C your great-great-grandparents ¨C they sent him to live with some family friends. The Smalls. They adopted him, gave him their name." "What happened to his parents?" I ask, almost afraid to hear the answer. "Or the other Smalls?" Pop-Pop Moe shrugs, his eyes distant. "We don''t know for sure. They just... disappeared. Like so many others back then. They vanished into the history books." We walk in silence for a few more steps, letting that sink in. Then Pop-Pop continues. "Anyway, Eli grew up, started the hardware store, built a life for himself. But then, when I was growing up, something happened that nearly tore it all apart." "What?" Abigail and I ask in unison. "The House Un-American Activities Committee," Pop-Pop Moe says, his voice tight. "They started investigating Eli. Suspected him of being a communist sympathizer." "Holy shit," Abigail breathes. "Why?" Pop-Pop Moe shakes his head. "I never really understood why. Maybe it was because he was an immigrant. Maybe it was because he was Jewish. Maybe it was just bad luck. But suddenly, everything Eli had worked for was at risk. The store, our family''s reputation, all of it." I try to imagine it ¨C Great-Grandpa Eli, who I only know from old photos and family stories, facing down government investigators. It''s like trying to picture a character from a history book suddenly stepping into real life. "That must have been terrifying," I say quietly. Pop-Pop Moe nods. "It was. I was just a kid then, but I remember how scared my parents were. How the neighbors would whisper when we walked by. It... it changes you, experiencing something like that." We''ve reached the pier now, the weathered wood creaking under our feet. Pop-Pop Moe pauses, leaning against the railing and looking out at the ocean. "I guess what I''m trying to say is... I understand why you''re angry with me, both of you. And you have every right to be. But I want you to understand where I was coming from when I took that job with Daedalus. After what happened to my father, all I wanted was to keep my family safe. To give you all the security and stability that we almost lost." He turns to face us, his eyes pleading. "I thought I was doing the right thing. Protecting people from those with powers who might hurt them. But I was wrong. I see that now. And I''ve spent every day since trying to make up for it." Abigail''s silent for a long moment, her face a storm of emotions. Finally, she speaks. "I get it, Pop-Pop. I do. But... god, a supervillain prison? It''s just... it''s a lot to process." If you spot this story on Amazon, know that it has been stolen. Report the violation. She''s got a point. But I''m more curious about her, right now. "Hey, Abby," I say, nudging her with my elbow. "You never did tell us what happened to your face. Was it... was it at a protest?" Abigail winces, then nods. "Yeah. Things got... ugly. But I''m okay. Really." Pop-Pop Moe looks at her, his eyes full of concern. "Abigail, honey... you know you can always come to me if you need help, right? No matter what." She nods, but doesn''t meet his eyes. "I know, Pop-Pop. Thanks." We stand there for a moment, the three of us, the sound of the waves filling the silence. Then Pop-Pop Moe turns to Abigail, a mischievous glint in his eye. "Say, Abby... can you keep a secret?" Abigail snorts. "Of course I can. I''m a communist *and* a journalist, remember?" Pop-Pop Moe chuckles. "Alright, Che Guevara. Well, I''ve got a big one for you. It''s about Sam here..." "Hey," I begin to protest, about to say that it''s not his right to tattle about my secret identity like that. Abigail''s got this weird look on her face, like she''s trying not to laugh or cry or maybe both. "Is this about Sam being Bloodhound? Because, uh... I already know." Wait, what? I feel like someone just dumped a bucket of ice water over my head. My mouth opens and closes a few times, but no sound comes out. How? How could she possibly know? Pop-Pop Moe looks as shocked as I feel. "You... you know? How?" Abigail shrugs, looking a little sheepish. "I mean, it wasn''t that hard to figure out. Sam is in the hospital for months with symptoms consistent with radiation poisoning, right when Illya Fedorov surrenders, and right when Bloodhound vanishes from the streets for six months? Plus, I did some digging into the court sketches and descriptions of Bloodhound. It all lined up." She turns to me, her eyes searching my face. "And then there was the whole thing with your house getting destroyed by the Dino-Man of Trenton. I mean, T-Rexes aren''t exactly wandering around modern-day Philly, you know? It didn''t take a genius to connect the dots. You obviously pissed *someone* off." I''m pretty sure my jaw is somewhere on the pier at this point. "I... you... what?" "Maybe multiple someones," she muses, scrutinizing my expression. She doesn''t sound mad, though. More impressed than anything else. Pop-Pop Moe lets out a low whistle. "Way to undercut my big reveal, darling. I''m impressed." Abigail grins, looking pleased with herself. "Thanks, Pop-Pop. I learned from the best, you know." I finally manage to find my voice. "Abigail, you can''t... you can''t tell anyone about this. It''s not just about me, it''s about keeping my family safe, and-" She holds up a hand, cutting me off. "Sam, relax. I''m not going to tell anyone. Journalistic integrity and all that. Plus, you know, family loyalty. Your secret''s safe with me. Even if you were Uncle Herschel I wouldn''t tell anyone." I let out a breath I didn''t realize I was holding. "Thanks, Abby. I... I don''t know what to say." Pop-Pop Moe clears his throat. "Well, we''re here." He gestures out at the boat, gently rocking from side to side over the Atlantic ocean. "You know, I was thinking, maybe after this Tashlich we can finally get the boat repaired. You know, I intended to do it last year, but, well... your house, and everything else... Maybe I can put the regrets aside and we can go on another fishing trip, if you can stomach it. Flounder season." I pop a worried, suddenly-sweaty eyebrow. "Repaired? What happened to it?" Pop-Pop Moe looks at me like I have two heads, while Abigail leans in behind him. "You don''t remember?" I feel even more worried now. "Remember what?" Pop-Pop Moe looks surprised. "I always assumed you did, and we just... didn''t want to talk about it. You broke my boat, darling. When you got your powers, you had just become this snarling thing of the water, like a marlin, or a tuna, and you tore the engine apart. All red and meaty. It was quite a spectacle." I shake my head, feeling a rush of guilt. "I had no idea. Pop-Pop, I''m so sorry. I''ll pay for the repairs, I''ll-" He waves me off. "Don''t worry about it, kiddo. I''m just glad you''re okay. The boat... it''s just a thing. You''re what matters." We stand there for a moment, the three of us, each lost in our own thoughts. Then Abigail breaks the silence. "So... are we going to do this Tashlich thing or what?" Pop-Pop Moe nods, reaching into his pocket and pulling out the ziploc bag of bread. "Right. Yes. Let''s do this." He hands each of us a handful of crumbs, then begins to recite the prayer. "God of our ancestors, be mindful of us as you once remembered our forebears at the shores of the Red Sea." As we toss our bread crumbs into the water, watching them bob on the waves before sinking out of sight, I can''t help but think about all the secrets we''ve just shared. Pop-Pop Moe''s work on Daedalus, my own hidden identity and powers, Abigail''s... knowing. And protesting. It''s like we''re casting away more than just our sins ¨C we''re letting go of the weight of everything we''ve been carrying. "You know," Abigail says as we watch the last of the crumbs disappear, "I think Great-Grandpa Eli would be proud of us." Pop-Pop Moe raises an eyebrow. "Oh? How so?" She shrugs. "Well, we''re all fighting for what we believe in, aren''t we? In our own ways. Even if we don''t always agree on the methods." I think about that for a moment. About Pop-Pop Moe trying to make amends for his past mistakes. About Abigail using her journalism to expose injustice. About me, putting on a mask and trying to make the city a little bit safer. "Yeah," I say finally. "I think you''re right." As we turn to head back, the setting sun painting the sky in shades of orange and pink, I feel... not better, exactly. But different. Pop-Pop Moe throws an arm around each of our shoulders. "Come on, you two. Let''s go see if Benji left us any of that apple strudel." And just like that, we''re chuckling, shaking, the tension of the day not gone, but a little bit lighter. Not perfect people, not flawless heroes, but real, complicated humans, trying their best to love each other and do the right thing, even when it''s hard. Especially when it''s hard. WORLD OF CHUM: Aurora Springs Residential Facility (3)

"A Day in the Life at Aurora Springs: The Case of Emily Chen" (Continued)

IV. Social Dynamics A. Interactions with other residents The social ecosystem at Aurora Springs is as complex as it is crucial for the residents'' well-being. For Emily Chen, navigating these dynamics has been an integral part of her journey. "At first, I was terrified of interacting with anyone," Emily recalls. "I was constantly afraid that I''d get stressed and hurt someone. But over time, I''ve learned that many of us share similar fears, and that''s become a foundation for some really strong friendships." Emily has formed particularly close bonds with two other residents: Marcus Jeffries, whose ability allows him to generate localized electromagnetic pulses when anxious, and Sophia Patel, who can unintentionally alter the density of objects she touches when experiencing strong emotions. Dr. Wong, who oversees many of the group therapy sessions, notes the importance of these connections: "The peer support among residents is invaluable. They understand each other''s struggles in a way that even the most empathetic staff member can''t fully grasp. For Emily, these friendships have been a crucial part of her progress." However, social dynamics at Aurora Springs aren''t without challenges. The nature of the residents'' abilities can sometimes lead to tension or fear. Emily describes an incident early in her stay: "There was a new resident whose power caused random small objects to teleport around him. During his first week, he accidentally teleported my notebook across the room. I got startled, and... well, let''s just say we both ended up needing new clothes. And some tea." Such incidents, while potentially dangerous, are viewed as learning opportunities by the staff. They provide real-world scenarios for residents to practice their control techniques and for the facility to refine its safety protocols. B. Relationships with staff members The relationship between residents and staff at Aurora Springs is carefully balanced to provide support, maintain security, and foster independence. For Emily, certain staff members have become key figures in her daily life. Dr. Sarah Goldstein, Emily''s primary therapist, has been instrumental in her progress. "Dr. Goldstein has this amazing ability to push me just enough," Emily says. "She knows when I need comfort and when I need a challenge. It''s like she has a superpower for therapy." Emily has also developed a mentor-like relationship with Dr. Alex Novak, who oversees her power control training. Dr. Novak''s background in both dynology and physics has allowed him to approach Emily''s ability from a unique perspective. "We''ve started exploring the quantum aspects of Emily''s power," Dr. Novak explains. "By understanding the fundamental mechanisms at play, we hope to give Emily more precise control over her ability." However, maintaining appropriate boundaries is a constant consideration. Dr. Fiona Alvarez, the Education Coordinator, reflects on this challenge: "We have to remember that, despite the cordial atmosphere, Aurora Springs is still a containment facility. Our role is to support and guide, but not to become surrogate family members or friends. It''s a delicate balance." C. Participation in Resident Council Aurora Springs'' Resident Council serves as a vital link between the resident population and the facility''s administration. Emily''s involvement in the council has been a significant aspect of her experience at the facility. Initially hesitant to join due to concerns about stress triggering her ability, Emily was encouraged by her therapist and peers to participate. She now serves as the council''s secretary, a role that has helped her develop leadership skills and a sense of agency within the constraints of her situation. "Being on the council has given me a voice," Emily explains. "It''s empowering to know that we can influence decisions that affect our daily lives here." If you stumble upon this narrative on Amazon, it''s taken without the author''s consent. Report it. The council has been instrumental in implementing several changes at Aurora Springs, including expanded educational programs, improvements to the facility''s menu, and the introduction of a community garden project. Dr. Michael Cheng, who acts as a liaison between the administration and the council, notes the positive impact of resident involvement: "The council provides valuable insights that we might otherwise miss. It''s also an excellent way for residents like Emily to practice stress management in a structured, consequential environment." V. Challenges and Coping Mechanisms A. Struggle with containment and loss of freedom Despite the efforts to create a comfortable environment, the reality of containment remains a significant challenge for Emily and other residents of Aurora Springs. "There are days when it hits me hard," Emily confides. "I''ll be working on a research project, and suddenly I''ll remember that I can''t just walk out the door and grab a coffee, or visit my family on a whim. It''s those little things that sometimes feel the most confining." To address these feelings, Aurora Springs has implemented several programs. Regular off-site excursions, heavily monitored and controlled, provide residents with a taste of the outside world, including visits to nearby malls, museums, and other attractions. Dr. Goldstein emphasizes the importance of acknowledging these struggles: "We don''t try to sugarcoat the reality of their situation. Instead, we work with residents like Emily to find meaning and purpose within the constraints they face." B. Management of powers in a controlled environment For Emily, managing her "stress-triggered, proximity-based molecular destabilization" ability in the controlled environment of Aurora Springs presents unique challenges. "It''s a catch-22," Emily explains. "The whole reason I''m here is that my power is dangerous when I''m stressed. But being here, away from my normal life, is inherently stressful. It''s a constant balancing act." To address this, Emily''s treatment plan includes a variety of stress management techniques tailored to her specific needs. These range from traditional methods like meditation and yoga to more unconventional approaches. One innovative technique developed for Emily involves gradual exposure therapy combined with biofeedback. In controlled sessions, Emily is exposed to minor stressors while connected to advanced biofeedback equipment. This allows her to visualize her stress responses in real-time and practice regulating them. Dr. Novak, who helped design this approach, notes its effectiveness: "By giving Emily a tangible way to ''see'' her stress, we''ve been able to help her develop a much finer degree of control. It''s not perfect, but her progress has been remarkable." C. Maintaining connections with family and friends outside Maintaining relationships with the outside world is crucial for residents'' mental health and future reintegration prospects. For Emily, this has been one of the most challenging aspects of her time at Aurora Springs. "My parents try to visit once a month," Emily says. "But it''s not the same as being able to spontaneously meet up for dinner or help my dad with his garden. And my friends... well, some have stuck around, but others have drifted away. It''s hard not to feel left behind." Aurora Springs facilitates these connections through various means. In addition to in-person visits (conducted in specially designed visitation rooms), residents have access to video calls, email, and even a secure chat platform designed specifically for the facility. Dr. Wong highlights the importance of these connections: "Maintaining ties to the outside world isn''t just about emotional support. It''s a crucial part of ensuring that our residents have a support system in place for when they eventually leave Aurora Springs." The facility also offers counseling services for family members and friends of residents, helping them understand the challenges their loved ones face and providing strategies for maintaining meaningful connections despite the physical separation. The facility offers regular grants to help families and friends from underprivileged backgrounds visit, in order to provide emotional and mental support for residents. Ultimately, as Dr. Wong explains, "In the grand scheme of things, the facility is equipped to handle visitors, and transportation is not a major expense. With the allowances offered to us by the federal government, we have a responsibility to do right by the residents, even at cost." Chapter 109.1 The glow of my phone screen is probably burning my retinas or something, but I can''t stop scrolling. Doombrowsing. It''s like watching a car crash in slow motion ¨C horrifying, but impossible to look away from. The local Philly forums and HIRC chats are blowing up with reports of Pattinson''s Pals'' increased activity. It''s getting ugly out there. It''s really hard to think. "PATRIOT SPOTTED LEADING MARCH DOWN BROAD STREET" "Anyone else see those yellow-masked weirdos patrolling South Philly?" "My neighbor just joined PP. Should I be worried?" My thumb hovers over a video link, but before I can click, my phone buzzes with a text from Jordan: "Check the news. It''s getting worse." Great. Just what I needed to hear. With a sigh, I reach for the remote and flick on the TV. The familiar jingle of the local news fills my room, but the images on the screen are anything but comforting. Footage of Pattinson''s Pals leading large groups through various Philadelphia neighborhoods flashes across the screen. I recognize Patriot at the front, his star-spangled costume gleaming in the afternoon sun. Behind him, a sea of people in yellow face masks and bandanas, many sporting eagle designs. It''s like the world''s most terrifying patriotic parade. The news anchor''s voice cuts through my thoughts: "...continuing our coverage of the recent surge in vigilante activity across Philadelphia. Pattinson''s Pals, a local superhero group, has been organizing what they call ''neighborhood safety patrols'' in response to rising concerns about metahuman crime..." I switch off the TV, my stomach churning. I''ve been thinking the same thought, constantly, ever since Rosh Hashanah dinner. Maybe before then. This is bad. This is really, really bad.
The hallway is a mess of noise and bodies, everyone rushing to get to their next class. I''m trying to weave my way through when I overhear a conversation that makes me stop dead in my tracks. "Finally, someone''s doing something about these freaks!" a guy is saying, his voice full of enthusiasm. I recognize him vaguely ¨C I think he''s in my math class. "It''s about time we took back our city." "But they''re just bullying people," another voice responds, sounding worried. "How is that helping? Isn''t that, like, exactly what they''re supposedly against?" I sidle closer, pretending to be very interested in the contents of my locker. The first guy scoffs. "It''s not bullying if they deserve it," he says. "These supers think they can just do whatever they want, wreck our city, and we''re supposed to just sit back and take it? Nah, man. Pattinson''s Pals are heroes." I can''t help myself. I turn around, trying to keep my voice casual. "Hey, uh, what''s this about Pattinson''s Pals? I keep hearing about them, but I''m not really sure what''s going on." The enthusiastic guy''s eyes light up. "Oh man, you haven''t heard? They''re this group of real heroes, not like those masked freaks. They''re going around, making sure people are safe, keeping an eye out for any suspicious super activity. It''s awesome! We''re not gonna have any more attacks like the courthouse bombings." "Yeah, if by ''awesome'' you mean ''terrifying,''" the other kid mutters. "Wasn''t a bombing," someone else corrects, quietly. I nod, trying to look interested and not like I''m about to throw up. "Huh. And, uh, how do they know who''s... suspicious?" The guy shrugs. "I dunno. I think one of them can tell? But it''s not hard to know if someone has freaky superpowers. Like, if you can control fire... you''re going to look like you''re on fire." He stares at me, and for the first time in a long time, I *feel* my teeth caps, clicked into place. "Right," I say, my stomach churning. "Thanks for the info. I gotta get to class." "Why do you ask? Gonna go beat up some superhuman bullies for us, Small?" He asks to my back - and I feel the stares of everyone else boring into me. I try to ignore it, pretending I didn''t hear the question. It wasn''t that he was sarcastic, because he wasn''t. The question was totally sincere. This is even worse than I thought.
"We need to do something about the Pals," I say, slamming my lunch tray down on the table. Jordan looks up from their sad-looking turkey sandwich, raising an eyebrow. "Wow, you must be really pissed. You just made your chocolate milk slosh out. Good going, Sam." "Jordan, I''m serious," I hiss, glancing around to make sure no one''s listening. "Did you see the news? It''s getting out of control." They nod, their expression grim. "Yeah, I saw. But what can we do? It''s not like we can take them on directly. That would just prove their point about ''dangerous supers'' or whatever bullshit they''re spouting." I stab at my mystery meat with more force than necessary. "I know, I know. But we can''t just sit here and do nothing besides our pithy little website." Jordan takes a thoughtful bite of their sandwich. "Okay, so let''s think about this logically. What are our options?" A case of content theft: this narrative is not rightfully on Amazon; if you spot it, report the violation. I lean in, lowering my voice. "Well, we could try to gather more evidence of their misconduct. You know, catch them in the act of harassing innocent people." "Could work," Jordan nods. "But it might be dangerous. Plus, they''d probably just spin it as ''protecting the community'' or some BS like that. I don''t think the people they''re working with *care*." "True," I sigh. "What about trying to infiltrate their supporters? Get some inside info?" Jordan snorts. "Yeah, because we totally look like the kind of people who''d join up with a bunch of flag-waving, super-hating douchebags." I have to laugh at that. "Fair point. Okay, what about reaching out to other heroes for help? Maybe the Delaware Valley Defenders could do something?" "Maybe," Jordan says, looking thoughtful. "But it could escalate things even more. Probably the best out of a bunch of shitty options." I groan, dropping my head onto the table. "This sucks. I feel so helpless." Jordan reaches over, patting my shoulder awkwardly. "Hey, at least we''re doing something. Even if that something is just sitting here eating mystery meat and plotting. Plus, I''ve already been contacted by lawyers for the website, through my fake webmaster email. We''re spinning up some crazy class action suits. And normal injury lawsuits. That''s good, right?" I lift my head, managing a small smile. "Yeah, I guess. So what''s the plan? Keep monitoring and gathering info?" "For now," Jordan nods. "And hey, maybe we''ll stumble onto some brilliant solution between now and the next time Patriot decides to lead a parade of paranoia through Center City." "God, I hope so," I mutter, turning back to my lunch. "Because if not, we might be in serious trouble."
The Young Defenders HQ is buzzing with tension as we gather for the briefing. Rampart stands at the front of the room, looking like he''d rather be anywhere else. He''s got that pinched look on his face, the one he gets when he''s trying to be diplomatic but really just wants to punch something. "Alright, everyone," he says, his voice tight. "We''ve got a situation developing with Pattinson''s Pals. Bloodhound, you want to fill us in?" I stand up, feeling Jordan''s reassuring presence beside me. They''re in full Safeguard mode, silent under their motorcycle helmet and cloak - it feels odd. I haven''t seen them wearing it in so long, it feels like. I take a deep breath and launch into it. "So, basically, Pattinson''s Pals have been ramping up their activities all over the city. They''re leading these big groups through different neighborhoods, supposedly to ''protect'' people from superhumans. But really, they''re just intimidating anyone they think might be different." Gossamer raises her hand like we''re in class or something. "Are they even allowed to do this? I mean, isn''t it, like, illegal or something?" Rampart sighs, rubbing his forehead. "Technically, they''re just concerned citizens exercising their right to assemble. They''re not breaking any laws... yet." "But they''re clearly targeting people!" Blink protests. "How is that okay?" "It''s not," Rampart says, sounding frustrated. "But unless we can prove they''re actually assaulting people or breaking laws, there''s not much we can do officially." "So what, we just sit back and watch while they terrorize the city?" I ask, feeling my anger rise. Spindle, all seven feet of him somehow folded into a chair meant for normal-sized humans, chimes in. "Hey, maybe we could try talking to them? You know, superhero to superhero? They''ve got powers too, right?" Blink nods enthusiastically. "Yeah! Maybe we could reason with them, make them see how hypocritical they''re being." I snort. "Yeah, because Patriot seems like such a reasonable guy. I''m sure he''d love to sit down for a nice chat over tea and crumpets." "Bee," Rampart warns, but I can see the corner of his mouth twitching like he wants to smile. "No, she''s right," Jordan says, speaking up for the first time. "These guys aren''t interested in reason. They''re just using their powers as an excuse to bully people they don''t like." "But don''t their followers have a problem with that?" Gossamer asks, looking confused. "I mean, if they hate superhumans so much..." Blink shakes her head. "Apparently not. From what I''ve seen, they''re ''deputizing'' random civilians. Everyone''s wearing masks or bandanas, lots of patriotic stuff. It''s like a sea of red, white, and blue out there." "With a side of yellow," I add. "They''ve got these weird eagle beak masks. It''s like if Uncle Sam and a chicken had a baby, and that baby joined a cult." "Bee," Rampart sighs, but I can see he''s trying not to laugh. "What? It''s true! They look ridiculous. But also terrifying. Ridiculously terrifying. Terrifyingly ridiculous?" I mumble. "Okay, okay," Rampart says, holding up his hands. "Let''s focus. We need to figure out how to handle this situation without making things worse." "Can''t we just, I don''t know, arrest them or something?" Gossamer asks. "I mean, we''re superheroes, right? Isn''t that what we do?" Rampart shakes his head. "It''s not that simple. Pattinson''s Pals have been valuable protectors of their local neighborhoods in South Philly for years. We can''t just go in guns blazing because we don''t like what they''re doing now. Plus, none of us are actual Registered Superhuman Entities - we don''t have the authority to do anything besides a citizen''s arrest, and they aren''t doing enough to justify that." "Even if what they''re doing now is leading anti-superhuman mobs?" I ask, incredulous. "I''m not saying it''s right," Rampart says, his voice tight. "I''m just saying we need to be careful about how we approach this." "But we can''t just do nothing," Blink insists. "People are getting hurt. Or they will be, if this keeps up." "I know!" Rampart shouts, running a hand through his hair and wincing at his own reaction. "Believe me, I know. But we have to be smart about this. If we go in too hard, we could end up proving their point about ''dangerous supers.''" "So what, we just sit on our hands and hope they get bored?" I ask, unable to keep the frustration out of my voice. "No," Rampart says firmly. "We keep monitoring the situation. We gather evidence. We try to protect people without escalating things. And we reach out to other heroes, see if we can get some backup." "The Delaware Valley Defenders?" Spindle asks, perking up. Rampart nods. "I''ll be giving them a full report after this meeting. Maybe they can put some pressure on the city to do something through Councilman Davis." "And in the meantime?" I press. Rampart looks at each of us in turn, his expression serious. "In the meantime, we stay alert. We protect people where we can. And we do not, under any circumstances, engage directly with Pattinson''s Pals unless absolutely necessary. Understood?" There''s a chorus of reluctant agreements. I bite my tongue, not trusting myself to speak without saying something I''ll regret. "Alright," Rampart says, his shoulders slumping slightly. "Meeting adjourned. Stay safe out there, everyone." As we file out of the room, I catch Jordan''s eye. They give me a small nod, and I know we''re thinking the same thing. I head home, my mind racing with possibilities and fears. The whole city feels like it''s on edge, like we''re all just waiting for the other shoe to drop. And when it does... well, I just hope we''re ready for it. As I walk through my front door, I''m hit with the smell of Mom''s cooking ¨C some kind of stew, I think. For a moment, everything feels normal. But then I see the worried look on Dad''s face as he watches the news, and reality comes crashing back. This is our city. Our home. And right now, it feels like it''s slipping away from us, one patriotic parade at a time. The creeping, narrow, blade-edge of - what, fascism? Authoritarianism? I''m not smart enough at politics. I head up to my room, flopping onto my bed and staring at the ceiling. My superhero costume gets hidden in the back of my closet, and for a second, I''m tempted to put it back on and just... go. Do something. Anything. But I know I can''t. Not yet, anyway. So instead, I pull out my phone and start scrolling through the local forums again. Whatever. It''s something, right? Chapter 109.2 The abandoned lot in Tacony is eerily quiet as I set up for Maggie''s training session. I''ve arrived early, partly because I''m anxious about... well, everything, and partly because I want to make sure everything''s perfect. Or as perfect as you can get in a weed-choked lot with more broken glass than grass. I''ve been preparing for this all week, raiding the school library for every book on martial arts I could find. My backpack is stuffed with them ¨C "The Art of War" (which, okay, might be overkill), "Aikido and the Dynamic Sphere" (Rampart''s recommendation), and even "Zen in the Art of Archery" (which I grabbed because it looked cool, but turns out has nothing to do with actually shooting arrows). I set up a row of empty soda cans on a rickety piece of plywood I found. They wobble in the light breeze, looking about as stable as I feel. Next to them, I''ve arranged a series of increasingly ridiculous "targets" ¨C a cardboard cutout of some movie star I found in the dumpster behind the Tacony Music Hall (sorry, Jordan), a stack of old phone books (where did people even get these anymore?), and a truly sad-looking scarecrow made from a broomstick and some of Dad''s old clothes. "This looks like a yard sale from hell," I mutter to myself, stepping back to survey my handiwork. As I wait for Maggie, I run through some of the Aikido moves Rampart''s taught me over the past year or so of being a superhero. It''s weird, trying to apply these peaceful, flowing movements to superhero work. Like, I''m pretty sure O-Sensei Ueshiba never had to deal with a guy who could shoot lasers from his eyes. And it''s even harder to try and explain some of them. Like¡­ I don''t know, it''s all just sort of inside my body now. There isn''t a part of me actively thinking about it as I do it. I just do. I''m in the middle of overthinking a particularly wobbly attempt at the motions of a basic throw when I hear Maggie''s voice behind me. "Uh, are you fighting an invisible mugger, or is this some kind of weird superhero dance?" I spin around, nearly falling on my face in the process. Smooth, Sam. Real smooth. "Maggie! Hey! I was just, uh... warming up." She raises an eyebrow, looking amused. "Uh-huh. So, what''s with the Hollywood Battle Royale setup?" I gesture vaguely at my collection of junk. "Training aids. I thought we could work on your aim today. You know, with your repulsion field thing. In addition to some other stuff." Maggie nods, but I can see the tension in her shoulders. "Cool, cool. So, uh... have you heard about these new patrols? They''re calling themselves ''Citizens for a Safer Philly''." Great. Just what I wanted to talk about. I try to keep my voice neutral. "Yeah, I''ve seen some stuff online. What do you think about it?" She shrugs, scuffing her shoe in the dirt. "I don''t know... I understand they''re scared of the Phreaks, but it seems like this is taking things too far. Like, who decides who''s ''suspicious,'' you know?" I nod, feeling a mix of pride and worry. Maggie''s got good instincts, but I don''t want her getting involved in this mess. "It''s complicated," I say, trying to sound wise and mentorly. "We need to be careful not to escalate things." "Right," Maggie says, not looking entirely convinced. "So, uh, are we going to start with the self-defense stuff? Like you said in chat?" "Yep!" I say, probably a bit too enthusiastically. "You know any martial arts?" She shakes her head no. "My parents wouldn''t let me." "Great. Good reason to learn in this day and age," I reply, gesturing for her to hold her hands out. "Okay, I want you to grab my wrists, one at a time, as if you''re trying to restrain me." Once she does, I demonstrate a simple wrist grab escape, moving slowly so Maggie can see each step. "Watch closely. First, I''m going to drop my elbow slightly, creating a bit of slack in your grip. Then, I''m rotating my hand inward, towards my center. As I do this, I''m also stepping back with my opposite foot, which helps create distance and changes the angle." This content has been misappropriated from Royal Road; report any instances of this story if found elsewhere. I continue the motion, my voice calm and instructive. "Now, as I complete the rotation, my thumb is pointing down, and I''m using this momentum to break your grip. See how my arm makes a sort of figure-eight motion? That''s key." In a smooth movement, I complete the technique, ending with Maggie''s wrist in my grasp instead. "And just like that, the tables have turned. It''s not about strength, but about using the attacker''s energy against them." We switch places, and Maggie tries it, her movements hesitant at first. "Like this? I''m turning my hand and stepping back?" "You''re on the right track," I say, adjusting her grip slightly while I try to recite the book from memory - and Rampart''s early, abortive attempts to teach me wrist locks. "Remember to drop your elbow first. And when you step back, make sure you''re not just moving your foot, but shifting your whole body. That''s what I meant about moving from your hips - it''s about engaging your whole body in the motion, not just your arms." We practice for a while, Maggie gradually getting more comfortable with the movements. I guide her through the technique several times, emphasizing the importance of timing and fluidity. "Good," I say after she successfully completes the move. "Now let''s try it a bit faster. Remember, in a real situation, you won''t have time to think through each step. It needs to become instinctive." We run through the technique at increasing speeds, Maggie''s confidence growing with each repetition. It''s weird, being on this side of the training. I keep having flashbacks to my early days with the Young Defenders, fumbling through exercises and feeling like I''d never get it right. "Okay," I say after we''ve gone through a few more techniques, including a variation where the attacker grabs both wrists, "let''s try working with your powers a bit. Can you show me how you''re doing with your repulsion field?" Maggie nods, looking nervous. She reaches down into the ground, picks up a handful of rocks, and then holds out her hand, face scrunched up in concentration. The rocks sit in the palm of one hand, cupped flat, with the other one behind it like she''s going to just... wipe them off. For a moment, nothing happens. Then, suddenly, one of the soda cans goes flying off the plywood, ricocheting off the fence with a metallic clang, and the air is full of the whistling sound of flying pebbles. "Oops," Maggie winces. "Sorry, I''m still working on the whole precision thing." "Hey, no worries," I say, trying to sound encouraging while assessing the damage. When I notice that the aluminum can is riddled with small holes, my eyes almost bug out of my sockets - but I keep a cool head. "That''s why we''re here to practice. Let''s try something a little more controlled. See if you can push this baseball without sending it into orbit." I toss her a beat-up baseball I found in the lot. Maggie catches it, looking determined. She takes a deep breath, then suddenly snaps her arm forward. The ball shoots out of her hand like it was fired from a cannon, slamming into the cardboard cutout and leaving a sizeable dent in its face. "Whoa," I say, impressed despite myself. "That''s some arm you''ve got there. How fast do you think that was?" Maggie shrugs, looking pleased but a little embarrassed. "I don''t know, maybe 70 miles per hour? It''s hard to tell. It puts a lot of strain on my arm, though, and aiming is... well, you saw. Like, it''s constantly pushing while it''s in my little bubble, but that means something''s pushing back on my wrists and palms." I nod, thinking. "Okay, so we need to work on control and maybe some techniques to reduce the physical strain. Have you thought about how your power might intersect with hand-to-hand combat?" "Not really," Maggie admits. "I''ve been mostly focused on not accidentally launching myself into space every time I sneeze." I laugh, remembering my own early power mishaps. "Trust me, I get it. When I first got my powers, I kept accidentally biting through my lips, until the scar tissue got thick enough to stop it. Try explaining that to your dentist." Maggie grins, wincing with a sort of eww face. "Seriously? That must have been... interesting." "Oh, you have no idea," I say, warming to the subject. "There was this one time during patrol where I..." I trail off, suddenly aware that I''m about to launch into a story about fighting a criminal. Probably not the best idea right now. Maggie picks up on my hesitation. "What? Come on, you can''t leave me hanging like that!" I shake my head, trying to laugh it off. "Nah, it''s not that interesting. Just some silly training stuff. Hey, why don''t we work on integrating your powers with some basic moves?" Maggie looks skeptical but goes along with it. "Okay, sure. But don''t think I''m going to forget about that story." We spend the next hour experimenting with different ways Maggie can use her power. I start with something simple. "Okay, let''s try this," I say, picking up a small pebble. "I''m going to throw this at you, and I want you to use your field to deflect it. Ready?" Maggie nods, looking nervous but determined. I toss the pebble gently towards her. For a moment, nothing happens. Then, suddenly, the pebble bounces off an invisible barrier, shooting off to the side. "Holy crap!" Maggie exclaims, looking surprised. "Did you see that?" "Great job!" I say, genuinely impressed. "Now let''s try something a bit more challenging. Can you use your power from both hands at once?" Chapter 109.3 We experiment with using her repulsion field from both hands, turning her 70 mile-per-hour "fastballs" into potential 90 or 100 mile-per-hour concussion-makers. Then we work on how she can steady herself while hovering by applying her hands sideways, almost like pinching herself in place. "You know," I say, watching her practice hovering, "you might be able to use this for more than just flying. Have you ever tried skating on your fields?" Maggie''s eyes light up. "Skating? Like, on the ground?" "Yeah, try leaning forward and projecting your fields downward and slightly back. It might give you a boost of speed on the ground." After a few tumbles and false starts, Maggie manages to glide a short distance. Her laughter echoes across the empty lot. "This is amazing!" she shouts, executing a wobbly turn. As we continue practicing, I can''t help but feel a mix of pride and worry. Maggie''s picking things up quickly, showing real potential. But with everything going on in the city, I can''t shake the feeling that we''re racing against time. "Alright," I say, after Maggie''s successfully deflected a barrage of pebbles I threw at her, "let''s try something a little more challenging. I''m going to come at you with a basic punch, and I want you to use your field to deflect it. Ready?" Maggie nods, looking nervous but determined. I step forward, throwing a slow, telegraphed punch towards her open hands. For a moment, nothing happens. Then, suddenly, I feel like I''ve punched a wall of jello. My fist bounces off an invisible barrier, the force of it nearly sending me stumbling backward. Jello that hates me, and wants me out immediately. "Wow!" Maggie exclaims, looking as surprised as I feel. "That worked way better than I expected!" "Yeah," I say, shaking out my hand. "Felt it, too. That''s some serious potential, Mags." She beams at the praise, then looks thoughtful. "So, if I can do that... maybe I could use it offensively too? Like, create a repulsion field around my fist to add extra force to a punch?" I nod, impressed by her thinking. "That''s a great idea. We''ll have to work on your control a lot more before you try it, but yeah, that could be really effective. We can try it and see what happens." To demonstrate how powers can be integrated into combat, I focus for a moment, feeling the familiar pressure building in my hands. With a grunt, I push a set of teeth through the skin of my knuckles, letting them poke through the slits in my gloves. Maggie''s eyes widen. "Holy shit, that looked painful!" I shrug, letting them become loose and fall out of my knuckles, leaving tiny, red, inflamed gaps in my skin that immediately start pulling and itching shut. "It''s not so bad. Kind of like being constipated, but in your arms." "Gross," Maggie says, but she''s grinning. "Hey, you asked," I laugh. "Anyway, the point is, my regeneration lets me train harder than most people. My body recovers from lactic acid buildup faster, and I can condition my bones more effectively. Plus, the teeth from my knuckles act like built-in brass knuckles. That''s why my fighting style focuses on things like shin strikes and knuckle punches." Maggie nods, looking thoughtful. "So I need to figure out something similar for myself? How my power can work with combat stuff?" "Eventually, yeah," I say, trying to balance encouragement with caution. "But you don''t need to worry about that just yet. For now, let''s focus on the basics. Remember, you have to learn the rules before you can start turning your powers into lethal weapons." As we continue practicing, I can''t help but feel a growing sense of responsibility. Maggie''s enthusiasm is infectious, but I know firsthand how dangerous this world can be. I just hope I can prepare her for what''s coming. "Hey, Sam?" Maggie says as we''re taking a water break. "Can I ask you something?" "Sure," I say, wiping sweat from my forehead. "What''s up?" She hesitates for a moment, then blurts out, "Do you think I could join the Young Defenders someday?" I nearly choke on my water. "Uh, well... that''s not really up to me, you know? There''s a whole process, and..." "But you''re part of the team, right?" Maggie presses. "Couldn''t you put in a good word for me or something?" I sigh, trying to figure out how to answer without crushing her enthusiasm or giving her false hope. "Look, Maggie, being part of a team like that... it''s not just about having powers. It''s dangerous, and complicated, and..." A case of literary theft: this tale is not rightfully on Amazon; if you see it, report the violation. "And you don''t think I''m ready," she finishes, looking deflated. "That''s not what I meant," I say quickly, and I mean it. I''m not really sure what I mean, because I sure as hell wasn''t ready either when I joined. "It''s just... there''s a lot going on right now, and I don''t want you getting caught up in something you''re not prepared for." Maggie''s quiet for a moment, then says, "But that''s why I need to be prepared, isn''t it? Because of what''s happening out there?" I don''t have a good answer for that. Instead, I say, "Come on, let''s work on your aim some more. Try to knock down that sad excuse for a scarecrow without taking out the fence behind it," and she swallows it down. What''s wrong with me? As Maggie lines up her shot, I can''t help but think about how quickly things are changing. The scarecrow goes sideways, a fastball ripping a side of its face off. "Okay," I say, forcing a smile, "let''s try that again. This time, maybe imagine the scarecrow owes you money or something."
The sun''s starting to dip below the horizon, painting the sky in shades of orange and pink. It''s getting late, and I''m about to call it a day when I notice something in the distance. A group of people, maybe half a dozen, walking with purpose down the street towards us. "Hey, Maggie," I say, trying to keep my voice casual, "I think we should probably wrap this up. It''s getting late." Maggie follows my gaze, squinting at the approaching figures. "Oh, is that one of those patrols? The Citizens for a Safer Philly ones?" I nod, feeling a knot of unease forming in my stomach. "Yeah, I think so. Let''s start packing up, okay?" As we start gathering our makeshift training equipment, I keep one eye on the approaching group. They''re closer now, and I can make out more details. Yellow bandanas covering their faces, American flags tied around their arms like armbands. And leading them... My breath catches in my throat. The man at the front of the group looks like he stepped out of an old detective movie. Fedora, trench coat, the works. But there''s something off about him, something that sends a chill down my spine. Maybe it''s the domino mask covering his eyes, or the way he moves with an almost predatory stance, like he''s ready to tackle me. I can see his eyes - bright, baby blue. "Maggie," I say, trying to keep my voice steady, "we need to go. Now." But before we can make our escape, a sharp pain shoots through my leg ¨C the same one Deathgirl punctured about two months ago. I stumble, nearly falling over. "Sam?" Maggie says, concern evident in her voice. "Are you okay?" I try to answer, but suddenly my head is pounding, my vision swimming. What the hell is happening? I''ve never felt anything like this before. It''s like my body is suddenly remembering every injury it''s ever had, all at once. Or, at least, the ones that happened in the past two months. "Sam, something''s wrong," Maggie says, her voice rising in panic. "I can''t... I can''t float anymore. My powers aren''t working!" That snaps me out of my own discomfort. If Maggie''s powers aren''t working, then... I try to push out a tooth, just a small one through my gums. Nothing happens. My stomach drops out like I just got caught stealing cookies. Our powers are gone. How is that even possible? Mr. Nothing needs to touch you to do that, and there''s nobody touching us. The group is getting closer now, close enough that I can hear their footsteps on the cracked pavement. The man in the fedora calls out, his voice carrying an edge of authority that makes my skin crawl. "Hey, you kids! Aren''t you out past curfew? It''s getting pretty late!" He calls out. I try to stand up straight, ignoring the pain in my leg. "There''s no problem," I call back, trying to sound more confident than I feel. "We''re just training. I have permission from the city council," I lie. The man''s eyes narrow behind his mask. "What''s with all those soda cans? And that... is that a scarecrow? Looks like vandalism to me." "We''re not vandalizing anything," Maggie protests. "We''re just-- we--" "Why are you dressed up like superheroes?" one of the yellow-bandana guys interrupts. "You know you''re not allowed to use powers without a license." Maggie reaches into her pocket, pulling out a small card and flourishing it. "I have my LUMA! Look, it''s right here-" But the man in the fedora isn''t listening. He takes a step closer, and I instinctively move in front of Maggie, right as his arm shoots out like a snake. It stops inches from my face, maybe centimeters, and Maggie quietly squeaks, folding her card back into her wallet. I''m suddenly very aware of how young we must look, how vulnerable, even under our helmets. "You seem like vandals to me," he says, his voice low and dangerous. "Thugs. You know what we do with kids like you, out after curfew, vandalizing some poor lot owner''s private property?" The others behind him mutter in agreement, and I feel my heart rate spike. The same thing I''ve been thinking for the past hour, the past day, the past week, the past month. This is bad. This is bad. This is really bad, and it''s about to get worse. "Look," I say, trying to keep my voice steady, "we''re not causing any trouble. We''ll just pack up and go home, okay?" The man in the fedora smiles, but it doesn''t reach his eyes. "Oh, I don''t think so. Why don''t you two come with us to the station and we can get this all sorted out?" I look around desperately, hoping to see... I don''t know, a police officer, an adult, anyone who might help. But the street is empty except for us and this increasingly hostile group. "Get ''em, Zero!" Someone calls out from across the street. While the man in the trenchcoat menaces us, the rest of his cadre sits, comfortable and jeering, all the way on the other side of the tarmac. His personal servants? Lackeys? Minions? Goons? Or just some opportunistic pieces-of-shit along for the ride? That''s when it clicks, although it should''ve clicked two minutes ago. This guy, the one in the fedora ¨C he must have some kind of power-negating ability. That''s why Maggie and I can''t use our powers. And he''s using it to intimidate us, to make us feel helpless. Well, screw that. I grab Maggie''s arm, my mind racing. We can''t fight, not without our powers, not against six, seven adults. We can''t reason with them ¨C they''ve already decided we''re guilty of... something. Which leaves only one option. "Maggie," I whisper, not taking my eyes off the approaching group, "when I say go, we run. As fast as you can. Don''t look back, don''t stop. Just run. Okay? I have a place." I feel her nod, her arm tense under my hand. The man in the fedora takes another step forward, his hand reaching out. "Come on now, kids. Don''t make this difficult. Just come with me and we''ll get this all sorted out." I take a deep breath, my muscles coiling like a spring. "Run!" WORLD OF CHUM: Aurora Springs Residential Facility (4)

"A Day in the Life at Aurora Springs: The Case of Emily Chen" (Final)

VI. Personal Growth and Development A. Progress in power control Emily''s journey in mastering her ability has been marked by significant milestones and ongoing challenges. When she first arrived at Aurora Springs, her power would activate at the slightest provocation, causing molecular destabilization in a radius of up to 10 meters. Now, after months of intensive training, Emily has made remarkable progress. "The breakthrough came when we started approaching her ability from a quantum physics perspective," Dr. Novak explains. "By helping Emily understand the fundamental forces at play, we''ve enabled her to exert a degree of conscious control that seemed impossible at first." Emily can now often delay the activation of her power by up to a minute after a stress trigger occurs, giving her crucial time to implement coping strategies. Moreover, she''s developed the ability to somewhat direct and contain the effect, limiting the radius of molecular destabilization to as little as 2 meters in controlled settings. "It''s still not perfect," Emily admits. "But being able to buy myself even a few seconds can make all the difference. And knowing that I can at least partially control where the effect happens... it''s empowering. I feel less like a walking disaster and more like someone who happens to have an unusual ability." B. Psychological and emotional development Emily''s time at Aurora Springs has been transformative not just in terms of power control, but also in her psychological and emotional growth. Dr. Goldstein has observed significant changes in Emily''s outlook and self-perception. "When Emily first came to us, she was consumed by guilt and fear," Dr. Goldstein recalls. "She saw her ability as a curse, something that had robbed her of her future. Now, she''s starting to see it as a part of herself ¨C challenging, yes, but not inherently negative." This shift in perspective has been crucial to Emily''s progress. She''s developed greater emotional resilience, improved self-esteem, and a more nuanced understanding of her own mental processes. "I used to think I had to suppress all negative emotions to keep my power in check," Emily explains. "But I''ve learned that it''s not about never feeling stressed or anxious ¨C it''s about how I respond to those feelings. It''s been liberating to realize I can acknowledge my emotions without being controlled by them." C. New skills and knowledge acquired Despite the constraints of her situation, Emily has continued to grow intellectually and acquire new skills during her time at Aurora Springs. Her ongoing involvement in biochemistry research has allowed her to stay connected to her academic roots, but she''s also branched out into new areas. Emily has become proficient in mindfulness and meditation techniques, skills that serve both her power control and general well-being. She''s also developed an interest in botany through her work in the facility''s gardens, combining her scientific background with a new appreciation for nature. "I never thought I''d say this, but I think I understand plants better than I ever did molecules," Emily jokes. "There''s something soothing about nurturing a living thing, watching it grow and change. It''s helped me see my own journey in a new light." Additionally, Emily has taken up coding, participating in online courses facilitated by Aurora Springs'' education program. "It''s a way to keep my mind sharp," she explains. "Plus, the logical, structured nature of coding is almost meditative for me. It''s become another tool in my stress-management toolkit." VII. Ethical Considerations A. Balance between personal freedom and public safety The case of Emily Chen exemplifies the complex ethical considerations at play in facilities like Aurora Springs. On one hand, Emily has not committed any crime; her containment is purely preventative. On the other, her uncontrolled ability poses a genuine threat to public safety. Dr. Elena Martinez, the ethicist on Aurora Springs'' advisory board, elaborates on this dilemma: "We''re constantly grappling with the balance between individual rights and collective security. In Emily''s case, and others like her, we have to weigh the infringement on personal liberty against the potential harm to society. There''s no easy answer." The facility''s approach attempts to mitigate this ethical tension by providing as much autonomy and normalcy as possible within the constraints of containment. However, the fundamental question remains: Is it just to confine individuals for abilities they didn''t choose and often can''t fully control? B. Emily''s perspective on her containment Emily''s own views on her situation have evolved during her time at Aurora Springs. "At first, I was angry. I felt like I was being punished for something that wasn''t my fault," she recalls. "But as I''ve gained more control and understanding of my ability, I''ve come to see it differently. I still struggle with being here, but I also recognize the responsibility that comes with my power." This sense of responsibility is a double-edged sword. While it has helped Emily come to terms with her containment, it also places a significant psychological burden on her. The knowledge that her ability could potentially cause widespread harm if uncontrolled is a constant weight. "There are days when I think I should just stay here forever, where it''s safe," Emily admits. "But then I remind myself that the goal is to rejoin society, to find a way to live with my ability, not hide from it." The genuine version of this novel can be found on another site. Support the author by reading it there. C. Staff''s approach to maintaining Emily''s dignity and rights Aurora Springs'' staff face the daily challenge of maintaining security while respecting the dignity and rights of residents like Emily. This manifests in numerous ways, from the language used to describe residents (never "inmates" or "prisoners") to the design of living spaces and the implementation of programs. Dr. Cheng, head of the Power Monitoring Division, explains their approach: "We use the least invasive methods possible for monitoring and containment. Our goal is to create an environment where residents feel respected and valued, not controlled or diminished." This philosophy extends to decision-making processes within the facility. Residents are consulted on many aspects of their treatment and daily life, and the Resident Council provides a formal channel for voicing concerns and suggestions. However, ethical dilemmas persist. For instance, the monitoring of communications with the outside world, while necessary for security, raises privacy concerns. The facility''s policy is to be transparent about such measures, but the tension between security and privacy remains an ongoing ethical challenge. VIII. Future Outlook A. Goals for potential release As Emily continues to make progress in controlling her ability, discussions about her potential release have begun. However, the path to release from Aurora Springs is complex and highly individualized. Dr. Goldstein outlines the general approach: "We look at multiple factors: the resident''s control over their ability, their psychological stability, their support system outside the facility, and the potential risk to public safety. In Emily''s case, we''re cautiously optimistic, but it''s a gradual process." Emily''s personal goals align with this measured approach. "Of course, I want to leave eventually," she says. "But I also want to be sure I can manage my ability safely in the real world. My biggest fear is hurting someone accidentally." The facility has started implementing "controlled exposure" sessions, where Emily practices maintaining control in simulated high-stress situations that mimic real-world scenarios. These sessions are crucial in assessing her readiness for potential release. B. Plans for reintegration into society Reintegration planning begins long before a resident is deemed ready for release. For Emily, this process involves multiple components:
  1. Occupational Preparation: Given the changes in her life, Emily is exploring career paths that align with her abilities and new circumstances. She''s considering roles in research institutions with facilities equipped to safely accommodate her power, as well as potential positions in superhuman support services.
  2. Social Reintegration: Aurora Springs provides counseling and practical support to help residents rebuild and maintain social connections. For Emily, this includes sessions on explaining her situation to friends and potential employers, and strategies for managing social anxiety related to her ability.
  3. Ongoing Power Management: Plans are being developed for continued power control support post-release. This may include regular check-ins with dynologists and access to specialized facilities for practice and assessment.
  4. Legal Considerations: The legal team at Aurora Springs is working to ensure Emily understands her rights and responsibilities as a superhuman in society, including the necessary registrations and potential restrictions she may face.
C. Ongoing support and monitoring post-release Aurora Springs'' commitment to its residents extends beyond their time at the facility. A comprehensive post-release support program is being developed for Emily and others like her. Dr. Martinez explains the ethical reasoning behind this: "We recognize that our responsibility doesn''t end at the facility gates. These individuals will face unique challenges as they reintegrate into society, and we have an obligation to support them through that process." The proposed program includes:
  1. Regular check-ins with mental health professionals and dynologists
  2. Access to a 24/7 support hotline for emergencies or moments of crisis
  3. Ongoing access to power control facilities for practice and assessment
  4. Support groups for former residents to share experiences and coping strategies
  5. Assistance with job placement and housing
While the specifics of monitoring will depend on individual cases and legal requirements, the goal is to strike a balance between ensuring public safety and allowing former residents to rebuild their lives with as much normalcy as possible. IX. Conclusion A. Reflection on the effectiveness of Aurora Springs The case of Emily Chen offers valuable insights into the effectiveness of facilities like Aurora Springs in managing individuals with potentially dangerous superhuman abilities. While the ethical concerns surrounding such containment remain, Emily''s progress demonstrates the potential for rehabilitation and control. Dr. Cheng reflects on the facility''s impact: "Cases like Emily''s show us that with the right support and resources, individuals can learn to manage even the most challenging abilities. Aurora Springs isn''t a perfect solution, but it''s a step towards a more nuanced approach to superhuman management." B. Implications for broader superhuman management policies Emily''s case highlights several key considerations for future superhuman management policies:
  1. The need for individualized approaches to power control and rehabilitation
  2. The importance of balancing security concerns with respect for personal rights and dignity
  3. The potential for scientific research to enhance our understanding and management of superhuman abilities
  4. The crucial role of ongoing support and monitoring in successful reintegration
As society continues to grapple with the implications of superhuman abilities, cases like Emily''s will be instrumental in shaping policies and practices. C. Questions for further discussion and research Emily Chen''s experience at Aurora Springs raises numerous questions for future exploration:
  1. How can we better predict and prevent Activation Events like Emily''s?
  2. What are the long-term psychological effects of containment on individuals with superhuman abilities?
  3. How can we develop more effective and ethical methods for power control training?
  4. What role should individuals with managed superhuman abilities play in society post-release?
  5. How can we balance the rights of superhumans with public safety concerns in a just and ethical manner?
Chapter 110.1 My heart''s pounding in my ears as we sprint through the dimly lit streets of Tacony, our footsteps echoing off the rows of closed-up shops, dark tenements, and vacant trash-strewn lots. A heat wave''s haze hangs in the air, clogging my nose with the smell of warm garbage as I suck in desperate gulps of breath - my lungs are already burning, my palms soaked in sweat. It''s been only five, maybe ten agonizingly long seconds since we started running, and all I can focus on is the raw ache in my leg where Deathgirl stabbed me two months ago. Without my regeneration, the pain''s intense enough to make me nauseous - a sharp, biting agony that threatens to lock up my knee every time my foot slaps the pavement. I didn''t realize how much I''d come to depend on my body being tougher, how fast and how hard I could push myself without consequences. Right now, the only thing keeping me moving is sheer adrenaline and the fear of what''ll happen if that Zero guy catches us. Guess I''m having that ''let''s throw Sam in the deep end of superhero training'' montage I''ve been putting off for most of a year. Ha ha. Behind me, I can hear Maggie''s ragged breathing as she struggles to keep up. She''s slightly younger, smaller, and nowhere near as athletic as me even without my powers - I know I''m setting a punishing pace, but we don''t have a choice. We''ve gotta put as much distance between us and Zero''s goons as we can before they figure out how to cut us off or corner us. I risk a glance over my shoulder and immediately wish I hadn''t. Half a block back, I can see a couple of Zero''s cronies - the ones in those stupid yellow bandanas - fanning out across the street, clearly trying to flank us. They''re not even running hard, more like a self-satisfied jog. They know they''ve got us. Further back, under the orange sodium glow of a streetlight, I catch a glimpse of Zero himself. He''s just... standing there, watching, his hands in the pockets of his stupid detective cosplay coat. Like he doesn''t even need to chase us himself. Like he''s just waiting for us to tire ourselves out, run down like animals so his lackeys can pounce. He takes a step forward, but it feels lazy, unfulfilled. Just putting in the bare minimum effort to keep us in his radius. The sight sends a fresh jolt of fear and anger through me, dulling the pain in my leg just long enough for me to put on an extra burst of speed. My breath is coming in harsh, ragged pants, sawing at my throat. My heart feels like it''s about to explode in my chest, but I can''t stop. I won''t. I didn''t survive being impaled, shot at, and irradiated only to end up being assaulted by some Humphrey Bogart wannabe son of a bitch with the world''s smuggest face. No. Fuck. That. "Sam," Maggie gasps out from behind me, her voice strained and thready with exhaustion, "where... where are we going?" Good question. I''ve been running on pure instinct, letting my legs carry me through the neighborhood I grew up around, but we can''t keep this up forever. Sooner or later, we''re going to hit a dead end, or they''re going to catch up to us, or my leg is going to give out entirely. I need a plan, and I need it now. Think, Sam. Think. We need somewhere to hide, somewhere they won''t think to look for us. Somewhere we can catch our breath and figure out- Suddenly, Jordan''s face flashes through my mind. Jordan, and the music hall. It''s perfect - off the beaten path, easy to secure, and most importantly, not a place anyone would ever think to look for a couple of teenage superheroes. There''s just one problem. Leading Zero and his goons there runs the risk of compromising our whole operation. Jordan''s safety, our equipment, everything we''ve been working towards. Can I really make that call, put all of that at risk? Another burst of pain lances up my leg as my foot comes down hard on a bit of uneven sidewalk. I stumble, nearly falling, and in that moment of distraction, one of Zero''s followers - a woman, I think - lunges out of a narrow alley. Her fingers just barely brush the back of Maggie''s coat before I yank the younger girl forward, putting myself between her and the yellow-masked figure. "Back off, lady!" I snarl, trying to sound tough instead of terrified. "Don''t you have anything better to do than chase kids around in the dark?" The woman doesn''t answer, just keeps coming at us with single-minded determination, arms outstretched like something out of a cheesy zombie movie. I shove Maggie ahead of me and stand my ground, fists clenched, ready to fight if I have to. I know I can''t win, not without my powers, but maybe I can buy Maggie enough time to get away... Suddenly, the woman jerks to a halt, head cocked like she''s listening to something. After a second, she turns on her heel and darts back down the alley she came from, yellow bandana tail flapping behind her. I don''t question it, just grab Maggie''s hand and start running again, ignoring her yelp of surprise. "Come on," I pant, "we''ve gotta keep moving." Stolen from its original source, this story is not meant to be on Amazon; report any sightings. We run. Shops and businesses give way to narrow alleys and tightly-packed townhomes as we veer into progressively more residential territory. I know this area pretty well, having grown up not too far from Wissahickon Avenue and it being largely a part of Jordan''s stomping grounds for robbing criminals, but it''s never seemed this endless before - this labyrinthine. Every corner I turn, every shadowy side street I duck down, I expect to see Zero or one of his masked morons waiting for us. And sometimes they are. It''s hard to keep track of geography when you''re freaking out. My leg is on fire, my lungs are burning, and I''m pretty sure I''m leaving a trail of sweat behind me like some kind of gross, overheated snail. But I don''t slow down, even as my vision starts to blur at the edges and the pain in my leg seems to melt into a single, pulsing throb. I''m so focused on putting one foot in front of the other that I almost don''t notice when the pain starts to ease - almost. It''s gradual at first, the sharp agony fading into a duller, more manageable ache. My head clears a bit, too, the pounding behind my eyes receding to a low throb. I risk a glance down at my hands, hope and disbelief warring in my chest. Is it possible...? "Hey," Maggie says from beside me, sounding as surprised as I feel, "did your powers just... come back?" Experimentally, I concentrate on pushing a tooth - just a little one - out of my gums, something I''ve done thousands of times before. It''s easier inside my mouth. There''s a familiar pressure, a brief sting, and then the tooth is poking through the tissue, sharp and glistening with saliva. Holy shit. We must be out of Zero''s range. Either he stopped chasing us, or we actually managed to give him the slip. "Oh thank god," I breathe, relief washing over me in a dizzying wave. Maggie, clearly starting to test her own abilities, hovers in place for a moment and then does a backflip in midair, giggling in a giddy rush of adrenaline and relief. "Holy crap, we did it! We got away!" I nod, allowing myself a small, exhausted grin. "Yeah, looks like. Come on, let''s not jinx it. The Music Hall''s not much further." The last few blocks pass in a blur. I''m moving on autopilot, my brain fuzzy with exhaustion and the ebbing remains of that fight-or-flight adrenaline high. All I can think about is getting somewhere safe, somewhere I can collapse and not move for a week. When the looming brick edifice of the Music Hall finally comes into view, I nearly cry with relief. It looks abandoned as ever, a graffiti-strewn relic from a bygone era of this neighborhood. It''s so still that, to the untrained eye (or in the dark of night), it could almost look like it was literally abandoned yesterday, and the squatters only got as far as painting the doors before they were kicked out. I''m slightly taken aback at how welcoming I''m finding those barred-up windows and cracked concrete steps. Amazing what being chased by mask-wearing psychos will do to your sense of home sweet home. "Come on," I mutter to Maggie, ushering her towards the narrow gated alleyway between the Hall and the boarded-up shop next door. "Watch your step. Jordan likes to put caltrops in here sometimes, just in case someone''s snuck in and is hiding." Once we reach the end of the alley, I fumble under my costume for the key Jordan gave me, my fingers clumsy and trembling with exhaustion, but when I can''t find it I just start punching numbers into the electronic lock, running on muscle memory. It takes me three tries to get it, and I''m sure I look like the world''s worst superhero as I slump against the door, panting like I''ve just run a marathon. "Sam," Maggie says, her voice suddenly urgent, "do you hear that?" I freeze, straining my ears. For a moment, all I can hear is the rapid thump of my own heart and the distant sounds of the city - cars, sirens, the occasional barking dog. Then I hear it. Footsteps, coming closer. Voices, low and indistinct but getting louder. Zero and his gang, or just some random late-night passersby? I''m not about to wait around to find out. I jerk into motion, shoving the door open with a whine of rusted hinges. "Inside, now," I hiss, practically yanking Maggie over the threshold. She stumbles a bit, her own exhaustion clearly catching up with her, but recovers quickly and darts into the dark, echoing expanse of the Music Hall''s atrium, a circular room with a mosaic of black and white diamonds on the floor. I''m right behind her, pulling the door shut and doing up the latch, sliding the bolt until the door is secured tight. It''s an old, heavy thing, solid wood and cast iron from the days when the Music Hall was a prestigious venue for shows, and it closes with a resounding thunk. For a moment, we just stand there in the darkness, the only sound our labored breathing. My skin prickles with the sense of open space around us, the smell of dust and old wood and that particular musty scent unique to abandoned buildings. Then Maggie whispers, "What now?" her voice small and shaky, and I''m dragged into the present again. We may be out of imminent danger, but we''re definitely, definitely not out of this mess. The flashlight on my phone clicks on, casting our shadows huge and distorted against the walls. I sweep the beam around, getting my bearings. Jordan''s converted dressing rooms and green rooms into sleeping quarters, storage, and workspace. Like a hotel for wayward superteens. "This way," I say, projecting a confidence I definitely don''t feel. "We''ve got some cots set up in one of the old rehearsal rooms. It''s not exactly the Hilton, but it''ll be a good place to let our powers rest and... figure out what the fuck just happened. Jordan''s either out and about or upstairs and already knows we''re here. There''s cameras." Maggie nods, her face drawn and pale in the harsh light of the phone. "Okay. Lead the way, Bloodhound." She''s trying to sound brave, but I can hear the tremor of fear and exhaustion in her voice. But right now, as we carefully make our way deeper into the darkened halls of our secret hideout, listening intently for any sound of pursuit, her using my codename just makes me feel like a fraud. What kind of hero leads a kid into danger like this? What kind of hero keeps putting the only life they''ve built for themselves at risk for reasons that I, at least, definitely never signed on for? And what kind of hero can''t even protect their mentee from some wannabe Johnny Dollar with a power-canceling hard-on? But everything''s gonna be fine. We''re gonna catch our breath, get Maggie some water, and then... then we''ll figure out our next move. Chapter 110.2 The stairs up to the main floor of the Tacony Music Hall creak under our feet as Maggie and I make our way up, the sound impossibly loud in the tense silence. My heart''s still pounding from the chase, and every shadow seems to loom like a threat. I''m exhausted, hurting, and more than a little freaked out by this whole mess, but I try to keep my game face on for Maggie''s sake. Kid''s been through enough tonight without me adding to it. As we emerge into the vast, echoing space of what used to be the Music Hall''s auditorium, I spot a flicker of movement off to the side. Instantly, I''m on high alert, muscles tensing as I step in front of Maggie, ready to face whatever new threat is waiting for us. But then, fast as a sprung trap, two familiar faces jump into defensive postures, Spindle''s limbs blurring as Jordan pulls a pair of sparkplug shooters outs - and then immediately stows them once they recognize me. But then a familiar voice calls out, "Sam? Is that you?" I let out a breath I didn''t realize I was holding as Jordan steps into the light, Spindle right behind them. They''re both in civilian clothes, which throws me for a second, because I think I was expecting more cronies, my entire body, brain included, on high alert. Jordan''s got a bright yellow hoodie on, which was probably also not helping matters. "Whoa, hey, friendly!" I call out, hands raised in the universal ''don''t shoot'' posture. "Jesus, Sam, way to give us a heart attack," Jordan grumbles, but I can hear the relief in their voice. "We thought you were¡­" They trail off as they catch sight of Maggie peeking out from behind me, eyes wide and wary. "Uh, who''s your friend?" "This is Maggie," I say, stepping aside so they can see her more clearly. "Also known as Flashpoint. She''s¡­ I''m kind of mentoring her, I guess?" I can practically feel Maggie''s surprise and confusion radiating off her in waves, but to her credit, she steps forward and gives Jordan and Spindle a little wave. "Hi," she says, her voice only shaking a tiny bit, "nice to meet you." Jordan raises an eyebrow but nods back. "Likewise," they say, their gaze flicking over to me in a silent question. I just shake my head slightly - we''ll get into the details later. That''s when I notice the fourth - fifth - person in the room, sitting cross-legged on the floor amid a tangle of wires and electronic components. For a second, I think my exhaustion must be playing tricks on my eyes, because that looks an awful lot like¡­ "Tasha?" I blurt out, surprise overriding my usual brain-to-mouth filter. Tasha looks up, her face breaking into a surprised but genuine smile. "Hey, Sam," she says, setting down the pliers she was holding. "Long time no see." I just stare at her, my brain struggling to process this new information. Tasha, here, in the secret base of operations for a group of teenage superheroes and vigilantes. Tasha, who I haven''t really talked to since¡­ god, since before everything went down with Sparkplug, months ago. It feels like a lifetime. An awkward silence stretches out as we just look at each other, me gaping like a hooked fish and Tasha waiting patiently, that little smile still playing around her lips. I''m suddenly very aware of how I must look - sweaty, disheveled, still in my Bloodhound costume minus the helmet, which is sitting curled underneath my armpit. Not exactly the reunion I would have planned. Beside me, I can feel Maggie''s confusion and curiosity like a palpable thing. She keeps looking between me and Tasha, clearly trying to figure out the story there. I wish her the best of luck, because I''m not sure I understand it myself. Before the silence can get too oppressive, Jordan clears their throat pointedly. "So, uh, not that it''s not great to see you, Sam, but¡­ what brings you here? And with a new sidekick in tow?" That snaps me back to the present, the reality of the situation crashing back down. Right. The chase, Zero, our powers going haywire. The reason we''re here in the first place. "We were attacked," I say, the words coming out in a rush. "Or, well, stalked, I guess. Some guy named Zero and his goon squad cornered us while we were training. And¡­" Here I hesitate, not quite sure how to explain what happened next. Maggie jumps in, her voice tight with remembered fear. "He did something to our powers," she says. "Just¡­ turned them off, somehow. Like flipping a switch." Jordan''s eyes widen, their expression going from concerned to alarmed in a heartbeat. "What, like¡­ like Mr. Nothing? He grabbed you and it was gone?" "No¡­ Mr. Nothing needs physical contact for his power to work," I say slowly. "This guy could do it from a distance." Taken from Royal Road, this narrative should be reported if found on Amazon. Spindle lets out a low whistle. "But I thought that kind of power nullification was¡­ not common," he says, exchanging a look with Jordan. "I mean, from what Patches told us." "Apparently not as rare as we thought," I say grimly. "But that''s not even the worst part. They chased us - him and his followers. They were wearing these weird yellow masks and had fucking bandanas on like it''s the wild west or something. There was seven, eight, nine¡­" Jordan''s expression hardens. "Sam, please tell me you didn''t lead them here." I shake my head vehemently. "No, of course not! We lost them way before we got to the Music Hall. Ducked through some alleys and managed to get out of Zero''s range, I think. Our powers came back, so he must have been too far away to affect them anymore." Jordan doesn''t look entirely convinced, but nods slowly. "Okay. Okay, that''s¡­ that''s good. But we should still relocate any sensitive materials, just to be safe. Spindle?" The tall boy nods, already moving towards the stacks of boxes and equipment lining the walls. "On it." Tasha stands up, dusting off her legs. "I can help with that," she says, nodding towards the mess of wires and gadgetry. "Give me two minutes to get this stuff squared away, then I''m all yours for spy shit duty." Jordan blinks, looking at her like they''re seeing her for the first time. "Uh, thanks, Tasha. Didn''t realize you were so¡­" "Good with tech?" she finishes, grinning. "I''m full of surprises. I''ve been learning under Marcus''s tutelage. The Mayfly stuff¡­" I wave a hand over my face, as if to ask her not to talk about it. That pulls a reluctant smile from Jordan as well. "Apparently so." As they start divvying up tasks, I pull Maggie aside, lowering my voice. "Hey, you doing okay? I know this is a lot to take in." She nods, but I can see the strain around her eyes, the tension in her shoulders. "Yeah, I''m¡­ I''ll be fine. It''s just¡­ a lot. And I''m worried about my parents. What if those creeps go after them to get to me?" I wince, guilt twisting in my gut. I hadn''t even thought of that. "Shit, you''re right. Okay, as soon as we get things settled here, we''ll figure out a way to check on them, make sure they''re safe. I promise. But I don''t think they know who you are or got a good look at your LUMA, so you shouldn''t have to worry about that." She gives me a grateful look, some of the tension easing from her face. "Thanks, Sam. For¡­ for everything. I know I kind of barged into your life with this whole mentor thing, but¡­ I''m really glad you''re here." I''m not great with the whole feelings thing, but I manage to give her a one-armed hug, squeezing her shoulder. "I''m glad you''re here too, Mags. We''ll figure this out, okay?" She nods against my shoulder, taking a shaky breath. "Okay." I give her one last squeeze, then pull away, turning my attention back to the group. Jordan and Spindle are deep in discussion, their expressions serious as they gesture at various bits of equipment. Tasha''s watching them with an inscrutable look on her face, lips pursed thoughtfully. I clear my throat, getting their attention. "So, what''s the plan? Are we staying put for now, or¡­?" Jordan shakes their head, still frowning. "I don''t know, Sam. I mean, I trust you, but, if they found you two out training, it''s only a matter of time before they start connecting the dots back to us. Maybe it''s time to start looking for a new base of operations." Spindle nods in agreement. "Yeah, much as I love this funky old place, it might be compromised. We could split up, at least until the heat dies down?" "No way," I say immediately. "We''re stronger together, and we need to figure out what the hell is going on with these goons. Splitting up is the last thing we should do." "Sam''s right," Tasha chimes in, surprising us all. "I may not be a superhero, but I know a bit about laying low and staying off the radar. Splitting up just makes you easier to pick off." Then Jordan starts talking again. "Wait, no, fuck that," Jordan starts, waving an arm so enthusiastically that long-rusted hinges in their elbow start popping off, yellow powder flaking off bare cast iron. "Now I''m mad, and now I''m invested. We''re gonna take this clown down. All of these clowns." "Are you sure about-" Spindle starts. "Yes I''m sure," Jordan interrupts, pacing back and forth. "These fascists have been getting way too comfortable lately, especially since the trial went all sideways. But now they''ve bothered me directly, and I hate getting bothered. I am no longer tolerating this shit. I was already not tolerating this shit, but now I''m super not tolerating this shit. Super Mario not tolerating this shit. This ends now." I feel a spark of hope ignite in my chest. "What are you thinking, J?" Jordan turns to face us all, their expression set in grim determination. "I''m thinking we hit back, and we hit back hard. Our website, the whistleblowing, the investigation we''ve been doing into these private security assholes¡­it''s clearly striking a nerve. So we double down." Spindle tilts his head, brows furrowed. "You mean go public with what we know? That''s risky¡­" Jordan says. "We step up the pressure. Dig deeper, expose more of their dirty laundry. Turn up the heat so they know we mean business. I don''t care if I have to sift through their fucking undies to find out what brand condom they use while jacking off--" "Ew," Maggie interrupts, making a face. "I am going to bury them in so much shit they will drown," Jordan finishes, undeterred. "But the lawyers," I start, "and the - everything-" "Oh, I''ve got a whole team of very motivated civil rights litigators on speed-dial who would love to tear these guys a new asshole," Jordan says with a humorless grin. Tasha leans in, looking intrigued. "Okay, that sounds promising. But how do we do that without drawing even more attention to ourselves?" Jordan looks at Tasha funny at the phrase ''ourselves'' but doesn''t say anything. "We get clever," Jordan says. "We use proxies, cut-outs, burner emails, the whole nine yards to make it impossible to trace anything back to us. It''s what I''ve been doing for the site anyway. And we focus on the data, the evidence, everything we can hurl at them. I need to make these guys as angry as they''ve made me, so they do something stupid in response, that they can''t come back from." They start ticking points off on their fingers. "Police brutality records, insider reports of misconduct, hell, maybe some financial trails if we can sniff them out. Anything that exposes these bastards for the power-tripping, civil-rights-violating scumbags they are." Maggie looks a little shell-shocked by all of this, but there''s a determined set to her jaw as she listens. I rub my chin, feeling the gears turning in my head. "It''s a start," I say slowly. Chapter 110.3 I look around at this strange little group - a teenage superhero(?), an ex-supervillain turned good(ish), the smartest girl I knew in middle school, my confused mentee, and, well, me. It''s not exactly the Young Defenders, whatever that means now, but we''re the ones who are here, right now, in this moment. And suddenly, that feels incredibly important. I raise my voice a tiny bit. "I know we''re tired, and I know we''re scared. But this is our city. Our home. And I''ll be damned if I''m gonna let Zero or Patriot or Officer Ridley or anyone else try to take that sense of security away from us with thugs in macho masks." I point at them each in turn. "You all said it. We stay alert, we stay smart, we stay together. And we don''t let them scare us out of doing what''s right. Not the Phreaks, not the Pals, not the cops or the politicians in their pockets. No one. I''m tired - sorry, Rampart - I''m tired of being told to stand down and think. Look what good that''s gotten us. I mean. Look where that''s gotten us. Words." I look at Jordan, meeting their eyes steadily. "I''m in. Whatever it takes. We started this, let''s finish it. Let''s burn the whole house down. I know I can''t do it by myself." There''s a beat of silence. Tasha''s the first to react, a slow, fierce grin spreading across her face. "Well alright then, white bread," she says. "Now you''re talking." Spindle nods, his jaw set. "I''m in too. These assholes have had it coming for a long time." Maggie steps forward, chin lifted high. "If Bloodhound''s in, Flashpoint''s in," she says firmly. "Excellent speech, Sir." I raise an eyebrow at her but don''t say anything else. All eyes turn to Jordan, who''s just staring at me with an unreadable expression on their face. For a second, I''m worried I''ve gone too far, pushed too hard. They crack their knuckles, the sound loud in the sudden quiet. "Okay, gang," they say, "let''s get to work. We''ve got a lot of planning to do and a lot of long nights ahead of us. But first things first¡­" They turn to Maggie, looking her up and down. "Welcome to the team, Maggie," they say, and I don''t have to see their face to know that they''re smiling, even with the anxiety and resignation and panic lacing the outside of their words. "Let''s get you some proper protective equipment, and then we can start figuring out how to dismantle the police state. Sound good?" Maggie blinks, taken aback. "I already have elbow pads and knee pads. And a helmet." "Do you own any kevlar?" Jordan asks, and Maggie''s brow furrows. "Right, like I said, some proper protective equipment." And just like that, it''s like all the tension goes out of the room. We''re still scared, still uncertain, still dealing with a whole host of feelings none of us are particularly equipped for. But goddamn, for the first time in a long time, I feel what I felt in the early days - hopeful and thrilled and reckless. Like the whole world is laid open and even with its cruelties and its pains, we can make a little spot in it for us if we fight hard enough. And apparently, we''re ready to fight. Jordan claps their hands, the crack of impact echoing through the hall. "Alright, my beloved criminal element," they say, "enough standing around with our thumbs up our asses. Time to start being annoying." They turn to me, eyes glinting. "Sam, you think you can reach out to anyone, get some extra eyes on the street? We could use all the intel we can get." My phone is already out - I know who to text. "And me?" Maggie pipes up, bouncing on the balls of her feet. "What can I do?" Jordan considers her for a moment, then nods decisively. "For now? Soak it all in and keep training with Sam. This whole shitshow''s gonna escalate, and escalate quickly. I want you as prepared as possible before we put you in the field again." Maggie looks a little disappointed at being benched, but nods in understanding. "Got it, boss." Jordan grins at that, fierce and bright. "Boss, huh? I could get used to that." They turn back to the rest of us, rubbing their hands together. "Alright, time to start stealing garbage."
I''m starving. There''s a certain kind of hunger that comes from not eating for a full day, a gnawing, all-consuming emptiness that seems to radiate from your very bones. As the sun sets on Yom Kippur, marking the end of the fast, that''s all I can think about - the hollow ache in my stomach, the sandpaper dryness of my throat, the faint pounding behind my eyes that might be hunger or might be exhaustion or might be the stress of the past few days finally catching up with me. I''m sprawled on my Pop Pop Moe''s old plaid couch in Ventnor, watching my parents and Moe bustle around the kitchen, the rich smells of Mom''s Moroccan fish and Dad''s homemade challah drifting through the air. It''s a familiar scene, one that usually fills me with a sense of warmth and belonging, but tonight, my mind is a million miles away. Or, more accurately, about seventy miles away, back in Philadelphia, where Jordan and the rest of our little vigilante crew have been working around the clock to dig up dirt on Pattinson''s Pals. It''s been a whirlwind of late nights and clandestine meetings, of hushed conversations over burner phones and encrypted messaging apps, of combing through police records and financial statements and anything else we could get our hands on. This story has been taken without authorization. Report any sightings. The very cat burglar Jordan is, they didn''t find a whole lot. And okay, maybe some of those methods have been a little less than legal, but honestly, I''m past the point of caring. If Patriot and his goons aren''t going to play fair, then neither am I. And if Jordan''s skills for lifting wallets and smuggling cigarettes can at least uncover a hint of what these guys are up to and how we can dismantle them, I''m all here for that. Schlemiel, Moe''s newcomer cat, wobbles up to me, his gait unsteady and his eyes slightly unfocused. He''s got cerebellar hypoplasia, Moe told me, some kind of brain thing that makes him all clumsy and uncoordinated. But he''s a sweet little guy, all soft silver fur and curious paws, and as he clambers awkwardly into my lap, I can''t help but smile. "Hey there, Schlem," I murmur, scratching him behind the ears. "You''re just living your best life, huh? No big worries, just cuddles and cat food." He chirrups at me, butting his head against my hand, and for a moment, I''m almost jealous of his simplicity. Must be nice, not having to worry about secret identities and power-negating fascists and the crumbling state of superhuman-civilian relations in your city. "Do you ever wonder about lightning, Schlem? Like, what do you think happens during a thunderstorm?" I find myself asking, more to myself than anything else. And to think, it was only a year ago and some change that my biggest concerns were PSSA''s and getting ripped off for sushi at school. The change comes fast. "Starving, Sam?" Dad calls from the kitchen, his voice warm with amusement. "You look like you''re about to start gnawing on the couch cushions." "Leave the girl alone, Benjy," Mom chides, swatting him with a dish towel. "She''s been fasting all day, she''s allowed to be a little hungry." I didn''t go to synagogue this year, which is unusual for me, but I still observed the fast. Mom and Dad didn''t question it, but I could feel Pop Pop Moe''s eyes on me, thoughtful and knowing. He didn''t say anything though, just nodded and patted my hand, and I was grateful for that. The thing is, I''m not sure I could have sat through a whole service, not with everything that''s been going on. Not with the anger and frustration buzzing under my skin like a live wire, the sense that the world is tilting on its axis and I''m scrambling to keep my footing. All I''ve ever been trying to do is do the right thing - at least, that''s what it feels like, to me. It used to be so much simpler, back when it was just me and Jordan and a few nondescript normal gangs. Back when my enemies were people like the Kingdom, with their petty greed and their straightforward, shoot-them-in-the-face-until-they-stop-getting-up tactics. Someone straightforwardly evil. Someone like Mudslide, first using their powers by robbing a store like a good ol'' bad guy. Or even the other guys who picked up after him - sure, their methods were more complex, more intelligent, but at least it was an understandable form of evil - money, money, money. I don''t understand this new shit at all. Not these new supervillains, the ones who wrap themselves in the flag and call themselves heroes. The ones who have the public eating out of their hands, who twist the narrative until suddenly we''re the bad guys, we''re the dangerous ones, we''re the menace to society. The world is changing. Rapidly. And here I am, just fifteen years old, neck deep in it all. "Penny for your thoughts, Sambina?" Pop Pop Moe says softly, settling down onto the couch beside me. Schlemiel immediately abandons my lap for his, the traitor, and Moe chuckles as he strokes the cat''s back. I sigh, leaning my head back against the cushions. "Just¡­ thinking about how things have changed, I guess. About how much harder it is to tell the good guys from the bad guys these days." Moe hums thoughtfully, his fingers finding that one spot behind Schlemiel''s ears that makes him start to purr like a little motorboat. "You know," he says after a moment, "back in my day, we didn''t have all these shades of gray, or so they said. The heroes were heroes, the villains were villains, and that was that, wasn''t it?" He gestures towards the old wooden bookshelf in the corner, stuffed to bursting with yellowed comics and dog-eared pulp novels. "Ah, here it is. Like this one - ''Green Lantern/Green Arrow: Hard Traveling Heroes''. It was groundbreaking stuff back in the day." He leafs through it, almost silently. "It''s a little clunky nowadays, but I think it''ll be good for you." I frown. "But how does that help when the bad guys are out there pretending to be good? When they''ve got everyone fooled?" "That''s exactly what this story tackled," Moe says, pulling out one of the bigger books on the shelves. "Green Arrow challenges Green Lantern to look beyond just fighting supervillains and confront real social issues. They deal with corruption, racism, abuse of power - sound familiar?" He looks at me then, his eyes serious behind his glasses, and hands me the book. "These heroes had to question the very systems they were part of, Samantha. They learned that sometimes, doing the right thing means standing up to the people in charge, even when it''s hard." I swallow hard, feeling a sudden lump in my throat as I look down at the cover. Moe continues softly, "You keep fighting. You keep shining a light into the darkness, even when it seems like no one''s listening. You stay true to what you know is right, even when the whole world''s telling you you''re wrong." He looks at me then, his eyes serious behind his glasses, and hands me the book, like he''s expecting me to read it and digest it. "And you lean on your friends, your family, the people who know the real you. Because you can''t do it alone, Samantha, darling. No one can. Truth is the ultimate disinfectant." I swallow hard, feeling a sudden lump in my throat. I look down at the cover. As if on cue, my phone buzzes with an incoming message. I glance down at the screen, seeing Jordan''s name pop up. hey sam, got some new intel from one of my sources. the pals have been getting some major funding from a shell corp, looks like private prison $$. meet tomorrow to go over details? I take a deep breath, feeling a new sense of determination settle over me. This is it. This is how we fight back, how we start to turn the tide. I tap out a quick reply. I''ll be there. time to pull some threads and see what unravels. I look up to find Moe watching me, a small smile playing around his lips. "Duty calls?" he asks quietly. I nod, pocketing my phone and standing up. "Always," I say, trying for a smile. "Thanks for the talk, Pop Pop. I think¡­ I think I needed to hear that. And thanks for the book, too. I''ll read it." He waves a hand, shooing me off. "Go on then, Sambina. Go save the world. But don''t forget to grab some of your mom''s fish on your way out, you''re still a growing girl." I laugh then, feeling lighter than I have in days. "I won''t forget," I promise. "Got to keep my strength up if I''m gonna be punching grown men." Moe grins, wide and bright. "Damn straight. And take some challah too, your dad''s really outdone himself this year." MR.1.1 The rain-slicked streets of Philadelphia gleam beneath the headlights of my Lexus as I weave through late-night traffic, my heart pounding in my throat. In the rear-view mirror, I catch a glimpse of the black SUV that''s been tailing me for the past fifteen minutes, its high beams cutting through the darkness like accusatory fingers. Shit, I think, my hands tightening on the wheel. Who the fuck did I piss off this time? It''s a question I''ve been asking myself a lot lately, ever since I started digging into this whole Rogue Wave situation. What started as a routine investigation into the source of these new superpower drugs, Jump and Fly, had quickly spiraled into something much bigger, much more dangerous. And now, it seems, my digging has attracted the wrong kind of attention. I glance at my phone, sitting in the cupholder. I should call for backup, call Mr. Nothing or one of the others, but I can''t risk it. Not until I know what I''m dealing with. Besides, I''m the baddest bitch in Philly. I can handle myself. I press down on the gas, feeling the engine roar beneath me as I swerve around a slow-moving taxi. The SUV matches my move, its engine revving menacingly. Okay, Maya, I think, time to lose these motherfuckers. I cut across three lanes of traffic, ignoring the blare of horns and screeching brakes, and take a sharp right onto a side street. The SUV follows, skidding a little on the wet pavement, almost but not quite fishtailing. I''ve spent my whole life in these streets. I know every alley, every shortcut, every place to disappear. And I plan to use every bit of that knowledge to shake this tail. I take a series of rapid turns, zigging and zagging through the narrow streets, my Lexus handling the sharp corners like a dream. After five minutes of this, I risk another glance in the rear-view. Fuck. Still there. Whoever these guys are, they''re not amateurs. My mind races as I try to figure out my next move. I can''t lead them back to any of the Kingdom''s safe houses, can''t risk exposing my people. But I also can''t just keep driving around aimlessly, hoping to lose them in the maze of Philly''s streets. Just as I''m about to make a decision, my phone rings, the sound startling in the tense silence of the car. I glance down at the screen, a wave of relief washing over me as I see Mr. Nothing''s name. "Bitch," I say as soon as I answer, "I hope you''re calling with good news because I have 5-0 on my ass." "Maya," Mr. Nothing''s voice is calm as ever, but I can hear the undercurrent of concern. "Where are you?" "Just passed the corner of 5th and Market," I reply, taking another sharp turn onto the Ben Franklin Parkway, a fucking terrible choice for shake-down and escape. "Black SUV, NY plates. They''ve been on me since I left the warehouse district." I hear the rapid click of a keyboard in the background. Probably getting into contact with C. "The warehouse - I decided to go back to the scene of the crime, see if I could find any more clues about this Rogue Wave jawn. And I did, T. I found a lead." "What kind of lead?" Mr. Nothing asks, his voice sharp with interest. "You hit up one of Maddeningly Obtuse Mandy''s riddles?" "Nah," I say, "nothing that bad. But I found a name, a contact. And when I tracked her down, man..." I push back the screaming and the blood. "She wasn''t right. Something was wrong with her, N. Like she had demons in her, or some shit." The typing stops. "Z... what happened?" I take a deep breath, the images flashing through my mind. The woman''s eyes, glazed and furious. The way she''d screamed at me, spittle flying from her lips. The way she''d thrown herself at me, clawing and biting like a cornered animal. "I had to put her down, N," I say, my voice barely above a whisper. "I had no choice." There''s a long pause, the only sound the hum of my engine and the distant wail of sirens. Then Mr. Nothing sighs, heavy and weary. "Okay, Z. Okay. We''ll deal with that later. Right now, we need to get you safe. Take a left up ahead, onto 22nd. I''ll guide you to a safehouse. C''s in my other ear. He already has eyes on the CCTVs" I do as he says, feeling a small measure of the tension drain from my shoulders. With Mr. Camcorder in my ear, I can''t fucking lose. He sees all and knows all, even if he''ll never act on any of it, the chickenshit. I want to berate him for chaining himself to his computer. Go outside, smell the air. Maybe leave NYC once or twice. "So what''s the plan, N?" I ask, weaving through the light late-night traffic. "How are you breaking me loose?" "Working on it," he replies, the rhythmic tapping of keys underscore his words. "He just needs to get a clear visual on the SUV." As he works, I can''t help but think about the mess I''ve stumbled into. Rogue Wave, these new superpower drugs, the mind-controlled contacts... It''s all connected, I know it is. But how? And more importantly, who''s behind it? "The Kingdom needs this, Nothing," I find myself saying, giving voice to the thoughts that have been churning in my head for weeks. "We need to control the supply of Jump and Fly. It''s not just about the money - though that''s certainly a nice perk. It''s about control. Power. Whoever''s running this operation, they''re playing in our backyard. And they''re gunning for us." This story has been taken without authorization. Report any sightings. "I know, Maya," Mr. Nothing says softly. "And we''ll figure it out, I promise. But right now, your safety is my top priority. Okay?" I nod - a quick, sharp gesture. I can be such a baby about him, like he''s my goddamn caretaker. "Thanks, bro," I say. "You know how quick I lose my cool doing this business." He chuckles over the phone, but it''s terse and tight. "You''ve done enough solo vigilantism for your lifetime. The game is different now." He ain''t wrong. Ever since the Big Raid took out all the top dogs and shook up the game, it''s been a mad scramble for power. New players, new rules. The Kingdom''s managed to stay on top by being smart, being strategic. But this Rogue Wave situation... it''s a whole new level of fuckery. "Okay, I''ve got eyes on the SUV," Mr. Nothing says, snapping me out of my thoughts. "Take the next right, then an immediate left. There''s an alley about halfway down the block. Drive through it and cut your lights. The SUV''s too big to follow without breaking something." I follow his directions, my heart hammering as I make the tight turns. The alley is narrow, barely wide enough for my Lexus, and I have to fold in my side mirrors to avoid scraping the brick walls. I kill my headlights and creep forward, the darkness swallowing me whole. I half expect to hear that throbbing Hans Zimmer sound effect - you know the one. From that Batman movie, Begins I think. Ten seconds, 30 seconds, a minute passes. Then I hear the distant roar of the SUV''s engine, growing louder as they come up on the alley. I hold my breath as twin beams of light flash across the mouth of the alley, my eyes screwed shut as if that would help. Please keep going, I think desperately. Please just fucking keep going. Finally, blessedly, the sound of the engine starts to fade, the lights disappearing as the SUV moves on. I let out a shaky breath, my hands trembling on the steering wheel. "You''re clear, Maya," Mr. Nothing says, a touch of relief in his voice. "They''re gone." I close my eyes for a moment, letting that sink in. They''re gone. I''m safe. And I almost immediately remember that every goddamned car made in the past five years comes with a backup camera, so even if they left left, they saw me with that shit. They saw me, out loud, cuss. "They definitely got my plates, though. This car''s done, N. Am I close to a chop shop we trust?" "Already on it," he replies, and I can hear the clacking of his keyboard again. "There''s a place off Girard, about a mile from you. I''ll text you the address. You go there, trade the car for some cash and a loaner. Then head to the safehouse on 12th and Pine. Lay low for a bit." I nod, even though he can''t see me. "You know what I could really use, N?" "What''s that?" he asks, indulgent. "Nigga, a drink," I laugh, the sound a little too high, a little too sharp. He laughs then, a true laugh, deep and rich. "Tell you what, you get to the safehouse in one piece, and I''ll have somebody drop off a bottle. Sound good?" "My man," I say. "I''ll be there in twenty." I hang up. The drive to the chop shop is uneventful, giving me too much time to think. I keep replaying that moment with the woman, the way her eyes went dead when I started pushing on Rogue Wave, the way she attacked me like her motherfucking life depended on it. Mindless, violent - a rabid animal. What kind of power could do that to a person? Some kind of mind control, obviously, but... I''ve never seen anything like that before. Not even from heavy hitters like Esper or Psi-Kick. This is something new. Something dangerous. And we know fuckall about it. I trade in the Lexus for a nondescript Honda and a wad of cash, feeling a twinge of regret as I watch them drive my baby away. That car and I had been through a lot together, but I know how to let go of material things in this game. The temporary ones, at least. The safehouse on 12th and Pine is one of our newer spots, a cozy little two-bedroom tucked away on a quiet residential street. As I pull up, I see a familiar figure lounging on the stoop, a bottle of Hennessy dangling from their chubby sausage fingers. Mr. M. What the fuck is he doing here? I park and approach cautiously, hyperaware of my surroundings. I trust him about as far as I can throw him with my powers turned off. Which is to say, not at all. "Mrs. Z," he calls out as I get closer, a lazy smirk spreading across his face. "Took your sweet time." I stop a few feet away, crossing my arms over my chest. "M, if I knew you were my welcoming party, I would''ve stayed at a motel. What are you doing here? And Hennessy, really?" He shrugs, taking a swig straight from the bottle before answering. "Got a call from Mr. N, saying you might need some backup. Especially since you were off on your lonesome, playing detective." I narrow my eyes at him, not liking the implication. "I don''t ''play'' anything, bitch. This Rogue Wave shit is serious business. Something you''d realize if you weren''t so busy treating Philly like your own personal playground." He chuckles, completely unbothered by my barb. "Oh, and you''re so above it all, right? Ms. High and Mighty, here to save the city from the scary new drug lords. Tell me, Mrs. Z... they teach you that savior complex in superhero school, or did that come naturally?" My hands clench into fists at my sides, and it takes every ounce of willpower not to lay this bitch out right here on the stoop. "Watch yourself, Mudslide. I ain''t one of the hoes you run with. I''m just taking care of business." "Touchy," he smirks, but there''s a hardness in his eyes now. "Just like a woman to take a concern personal." Oh, I''ll show you personal, you chauvinistic piece of-- He raises a hand. I pull my shoulders down, and take a deep breath. "You want the booze or not?" I let the anger wash over me like a cold shower. I don''t answer him. "N wants us both inside. Debrief. Now." I growl. His smile is as greasy as his slick-back hair. I just know he''s got one of those fucking brown paper bags in his pockets - it''s weird seeing his face, but less recognizable. "After you, Mrs. Z." I keep my eyes on him until I''m over the threshold. I could probably explode his head with a look and a single two-second inhale, if he was in the same room as me and the doors were shut. I picture the moment, relishing in its sweetness. God, that was gruesome. I haven''t become that cruel, have I? To even idle the thought? Shaking the what-ifs away, I hit the "close door" button, the safehouse condo just a short ride up. I''m way too tired to handle stairs right now. "So, what, you''re going to sit here and babysit me?" His slow spreading grin makes my stomach turn. "Your words, not mine. Maybe I''m here to help with the investigation. Share information..." he leans in closer - his breath smells like he ate a fucking tire, "make a little mayhem." Yeah, you''d like that, wouldn''t you? I think bitterly, staring straight ahead at the brushed steel of the elevator doors, waiting for the ding. We reach the sixth floor and the doors open, revealing the narrow hallway leading to the condo. I step out quickly, not wanting to be in close quarters with this scum sucking bastard for a second longer than I have to be. "Go bother some hoodlums, Mudslide. I''ll be taking a nap. Remind me to get A to teach you a lesson in professionalism later. And give me that booze." As I unlock the door, already planning how I''ll rearrange the furniture to create a clear sightline from the living room to both bedrooms - fuck being caught by surprise - I feel my phone vibrate in my pocket. A quick glance at the screen shows a single word message from Nothing: SITREP?. MR.1.2 Situation Report, I think grimly. What a fucking world we live in. The safehouse is a familiar space, but I find myself looking at it with new eyes as I step inside, Mudslide slithering in behind me. It''s a decent size for a city condo, with an open concept living room and kitchen, two bedrooms, and a single bathroom. The furniture is nondescript but comfortable, all earth tones and clean lines - the kind of stuff that blends into the background, doesn''t draw attention. Perfect for a place like this. I do a quick sweep, checking the sightlines from the windows (limited, thanks to the neighboring buildings), testing the locks on the doors (sturdy, recently replaced), and making a mental note of potential exit strategies (fire escape off the master bedroom, a reasonably short drop from the living room window to the dumpster below). Even in a place that''s supposed to be safe, I can''t turn off that part of my brain, the part that''s always looking for danger, always ready to run or fight. Mudslide, for his part, just shuffles over to the couch and collapses onto it, taking another swig of Hennessy and propping his boots up on the coffee table. I shoot him a glare - boss man demands dress shoes - but don''t say anything. It''s not worth the energy. Instead, I head to the kitchen, rummaging through the fridge for something to eat. It''s mostly empty, just a few bottles of water and some protein bars, but I grab one of each and tear into the wrapper, my stomach grumbling. As I''m chewing, my phone rings, startling me so bad I nearly choke. I glance at the screen - it''s Nothing. I hit the speaker button and set the phone on the counter, leaning against it as I swallow my mouthful of tasteless protein. Let the man speak. "Mrs. Z," he says, his voice tinny through the small speaker, "and Mr. M, I assume." "You know it, boss man," Mudslide calls from the couch, raising his bottle in a mock toast. I roll my eyes. "What''s the word, N?" I ask, cutting to the chase. "I''m assuming this isn''t a social call." "Far from it," he replies, and I can hear the tension in his voice, even through the shitty phone connection. "We''ve got a situation brewing, and the boss man wants you up to speed, so Mr. C and I have been doing our homework for the past two weeks while you''ve been out there cracking skulls. Let me lay it on you." I straighten up at that, my fatigue momentarily forgotten. "I''m listening." "First things first - the Chernobyl trial. It''s set to start next week, and it''s going to be a shitshow. The media''s already in a frenzy, and the NSRA is scrambling to do damage control. Rumor has it they were involved with Chernobyl somehow, FBI, too, but of course they''re denying everything. At the bare minimum, we have people asking the obvious question - how could they have fucked this up for ten years?, and there''s a lot of chatter on the internet that they were in bed together. We''ll have to see what happens when someone actually gets grilled on the stands." My eyebrows shoot up at that. The National Superhuman Regulation Agency, in bed with a known supervillain? That''s juicy, if it''s true. "Any idea what kind of involvement we''re talking about?" "Nothing concrete yet," Nothing admits, "The truthers on the internet say that the NSRA are straight up funding and outfitting him. More reasonable types just say they''re deliberately turning a blind eye - for one reason or another. It''s all speculation at this point, but if even a fraction of it is true... it''s gonna get ugly, fast." I let out a low whistle. "No shit. Anything else interesting?" "That Bloodhound girl," Nothing says, and I can practically hear the smile in his voice. "You know, Sam Small? That middle schooler that keeps getting in our business - she''s the star witness. Of course, after Mr. E''s fuck-up, obviously. Have to hope she doesn''t say anything about us in public, so you should get ready to batten down the hatches in case she does. Man plans, God laughs." I swallow an uncomfortable lump in my throat with some water. Nothing continues. "Crazy how things keep coming back to her, huh?" I grunt in acknowledgement, my mind already racing with the implications. Sam Small, the teenage superhero who''s been a thorn in our side for the past year, testifying at the trial of the century? "Okay, so walk me through it," I say, starting to pace the small kitchen. "How do you see this playing out? And more importantly, how does it affect our operations?" Nothing hums thoughtfully. "Well, for starters, we can expect increased scrutiny on all metahuman activities in the wake of the trial. The NSRA will be looking to save face, which means cracking down hard on anyone who steps out of line. We''ll need to be extra careful, keep a low profile. Keep the crimes petty." "Fuck that," Mudslide chimes in from the couch, to my absolute lack of surprise. "Scrutiny means opportunity. When the pigs are busy chasing their tails, that''s when we make our move, expand our turf. The chaos is good for business." Nothing sighs the sigh of the long-suffering, and I briefly debate taking my chances with the gun-toting mind zombies outside. "Mr. M, while I appreciate your... enthusiasm, I don''t think-" "No, wait," I cut in, an idea forming in my head. "He might be onto something. Not about expanding our turf - because you definitely ain''t ready for that smoke, baby boy. But about exploiting the chaos." "What do you have in mind?" Mr. N asks, sounding intrigued. I run a hand through my hair, pulling free my spray painted beanie disguise and slumping against the counter. "I''m thinking - you said the NSRA is gonna be scrambling, right? Looking for ways to show they''re still in control, still relevant?" "Right..." "So what if we offer our services? Not as the Kingdom of fucking anything - we''ll go in incognito, maybe as independent security consultants or some shit like that. We''ve got the experience, the skills, and most importantly, the powers. We can help them keep a lid on things, for a price. Plus, doesn''t P already have an in on the local office? It should be easy as pie to just go hey, yeah, we''ve got some friends. Daisy chain our way up." There''s a moment of silence on the other end of the line, and I can practically hear the gears turning in Nothing''s head. "...That could work," he says slowly. "It would give us an inside track on their operations, maybe even let us steer them in the direction we want. And if the trial goes south and public opinion turns against them, we can just cut ties and come out smelling like roses." I nod, even though he can''t see me. "My thoughts exactly." Mudslide makes a disgruntled noise, rolling off the couch and shuffling over to the kitchen. He leans against the counter next to me, close enough that I can smell the Hennessy on his breath. "Y''all are overthinking this," he slurs, waving his bottle for emphasis. "We don''t need to play nice with the NSRA pigs. We just need to take what''s ours. And what''s ours is all of it, you hear me? All. Of. It." I close my eyes and take a deep, steadying breath, reminding myself that murder is still illegal, even for supervillains. Then I turn to face him, snatching the bottle out of his hand and taking a long pull, the cheap whiskey every bit as shitty as I remember. Let''s try again. Help support creative writers by finding and reading their stories on the original site. "M, let me break this down for you in a way even your drunk, broke, "gangsta rap made me do it" ass can understand. The game is changing. We can''t just rely on brute force and intimidation anymore. We need to be strategic, we need to be smart. We need to play the long game if we want to stay on top." I shove the bottle back into his chest, not bothering to hide my disgust. "So here''s what''s going to happen. You''re going to shut the fuck up and listen to the adults talk. And if you have any bright ideas, you''re going to run them by me first before you go off and do something stupid that gets us all killed or sent to the Raft, or, god forbid, Daedalus. We clear?" Mudslide blinks at me, his eyes glassy and unfocused. For a moment, I think he might actually try to swing on me, but then he just nods, his shoulders slumping in defeat. "Yeah, aight," he mumbles, slouching back to the couch. "I''ll be good. Ain''t got to be a bitch about it." "Productive," Nothing deadpans, his voice crinkly over the speaker. I ignore it. Instead, I turn my attention back to the phone, back to the matter at hand. "That''s another thing. We need to talk about recruiting. With everything that''s about to go down, we''re going to need more manpower. More metahumans." Nothing makes a noise of agreement. "I''ve been thinking the same thing. But you know Mr. A''s stance on the twenty-six. He''s not gonna like us bringing in new blood." I snort. "Please. I''m not talking about adding to the alphabet soup. I''m talking about street-level operatives, people who can help us keep a handle on things while we work the NSRA angle. Maybe even juice some of them up with a little Jump or Fly if we can get our hands on it." "It''s a lot of moving parts, Z," Nothing says cautiously. "A lot of variables." "You''re not wrong," I admit, rubbing my temple where a tension headache is starting to bloom. "But we don''t have a choice. The world is changing, whether we like it or not. We need to change with it, or we''re going to get left behind just like the old dogs did from the Big Raid." "Oh, you mean like how you got left behind earlier?" Mudslide pipes up from the couch, because of course he fucking does. "When you were running from those zombies or whatever? Real tactical genius there, boss lady." I whirl on him, ready to rip him a new one, but Nothing beats me to it. "Mr. M, I don''t think you understand the severity of this situation," he says, and despite his flat tone, there''s real steel underneath. "Those mind-controlled people Mrs. Z encountered could be a sign of something bigger, something we''ve never seen before. It''s not something to joke about." I decide to chime in. "He''s right. I don''t know what those people were fucked up on, but it definitely wasn''t normal Jump or Fly. It was like they were under some kind of hypnosis or some shit." "Hypnosis? What, like some kind of psychic?" Mudslide asks, sounding skeptical. I shake my head. "No, not quite. It was more like... like they had some sort of trigger. Like they were sleeper agents, just waiting for the right command to activate them." "And that command was what, exactly?" Nothing asks, his voice sharp with interest. I take a deep breath, thinking back to the encounter. "It was Rogue Wave. As soon as I mentioned that name, it was like a switch flipped in their brains. They went from normal people to these mindless killing machines in a split second. But it''s weird - they were confused at first, like they didn''t know why they were attacking me. And even then, they still seemed to have functionality. They could open doors, use tools, even try to shoot me. Thank god for Kevlar." "So it''s not a full zombification," Nothing muses. "More like a targeted compulsion." "Exactly," I say, snapping my fingers. "Like they were under some kind of geas or blood oath or some shit. And I don''t think they were even aware of it until it kicked in." "Okay, but how is that even possible?" Mudslide asks, and for once, it''s a valid question. "I thought mind control powers were bullshit. Isn''t that what ESP always says?" "ESP''s full of shit," I retort, but I have to admit, he has a point. Mind control on this scale, with this level of specificity... it''s not something I''ve ever encountered before. And I''ve been doing this a long time. "Maybe it''s not mind control," Nothing suggests. "Maybe it''s more like... I don''t know, hypnotic suggestion? Like they''ve been conditioned to respond a certain way to certain stimuli." I consider that, turning it over in my head. It''s a possibility, but something about it doesn''t quite fit. "No, I don''t think so. The way they reacted, it was too sudden, too extreme. And the fact that they didn''t remember why they were doing it afterwards, the ones that I knocked out instead of ditching like a bad habit, it''s like their minds were completely overridden in that moment. Like they were puppets on a string." "So what, you think it''s some kind of metahuman ability?" Mudslide asks, scratching his head. "Obviously, I think it has to be," I say slowly. "MK Ultra didn''t get any real results, dawg. Nothing else makes sense. But it''s not really like anything I''ve seen before. Like we woke up some sort of sleepin'' giant." Nothing makes a thoughtful noise. "Okay, so let''s think this through logically. What do we actually know about this power? What are its characteristics, its limitations?" I nod, already running through the possibilities in my head. "Okay, well, we know it''s triggered by a specific phrase or concept - in this case, the phrase "Rogue Wave". And we know it compels the affected individuals to attack anyone who mentions it, even indirectly. But it doesn''t seem to be a blanket compulsion - they still had some autonomy, some ability to reason and plan, even if their ultimate goal was to kill me." "So it''s not total mind control," Nothing says, sounding almost disappointed. "The affected individuals retain some sense of self, some agency." "Right," I agree. "And that''s important, because it means this power probably has limits. It''s not all-powerful, it''s not all-encompassing. There are ways to resist it, to break free of it. We just need to figure out what they are." "Okay, but how do we do that without getting our own brains scrambled?" Mudslide asks, and damn it, that''s two semi-intelligent questions in a row. Maybe there''s hope for him yet. "We need to be careful," I say immediately. "This is some serious shit we''re dealing with here. We can''t just go charging in blind. We need to gather more information, learn everything we can about Rogue Wave and whoever''s pulling their strings before we make a move. Can''t give away what we know until we know more." "Agreed," Nothing says firmly. "I''ll put out some feelers, see what comes back. Carefully. But in the meantime, we need to focus on shoring up our own defenses. Rogue Wave''s not the only threat we''re facing right now. Enemies on all sides." I make a noise of agreement, thinking back to our earlier conversation. "You''re right. The Chernobyl trial, the NSRA, the Small girl... there''s a lot of balls in the air right now. We need to be ready for anything." "So what''s the plan?" Mudslide asks, and for once, he doesn''t sound like he''s just trying to stir shit up. He sounds like he''s ready to listen, to fall in line. The fuck is this world coming to? I look at the phone, wishing I could see Nothing''s face, get a read on what he''s thinking. But his voice is steady as ever when he replies, "The plan is this: we play it smart, we play it safe, and we play it close to the vest. No rash moves, no unnecessary risks. We gather intel, we build alliances, and we position ourselves to come out on top no matter which way the wind blows. And above all else, we stick together. No lone wolfing it, no going off half-cocked. We''re an organization, and we need to act like one if we''re going to make it through this in one piece." I feel a smile tug at my lips, a real one this time. "Well shit, N, that was almost inspiring. You been practicing that speech in the mirror?" He snorts, the sound crackling through the speaker. "Less talking, maybe turn your thoughts a few degrees off of sassing me, and more listening that''s all I''m saying." "Yeah, yeah, I hear you," I say, waving a hand even though he can''t see it. "Teamwork makes the dream work and all that jazz." "Bitch, I will smack you," he mutters, and I can''t help but laugh, the knots of tension in my stomach loosening just a fraction. "So are we hashing out the details now or later?" I ask, glancing at the clock on the microwave. It''s late, and I''m exhausted, but this is important. We can''t afford to let our guard down, not now. N sighs. "Later. I''ve already pushed some buttons with new info, but let''s let the pieces land where they will for now. Just send me a summary of your little joy ride earlier so I can cross-reference it with everything else. For now - rest up, recharge. We''ve got a lot of work ahead of us." I grumble, but I know he''s right. "Fine," I say grudgingly. "But when I wake up, someone better have some fucking coffee waiting for me, none of that tea and honey shit." "Gross," he says with a little laugh. "Go to sleep. For real." I hang up, suddenly profoundly aware of how heavy my limbs feel, how gritty my eyes are. Wordlessly, I turn and head for the master bedroom, not bothering to see if Mudslide follows suit. I don''t have the energy to care about his dumb ass right now. I''ll deal with him in the morning, when I''m sober and slept. I collapse onto the bed fully clothed, not even bothering to take off my shoes. My gun digs into my hip, but I don''t move to adjust it. The discomfort is grounding.
The news is loud against the safehouse''s cavernous walls. Mudslide, asleep on the couch, has been a good little doggy, keeping his eyes out for me, but the sounds of explosions in the distance is no comfort to my exhausted eyes. The news helicopter zooms in, and the migraine behind my eyes blooms like a thousand red roses. Deathgirl, you fucking idiot. What did you do? Chapter 111.1 The homeroom dance is coming up, and I kind of want to die about it. Okay, that''s maybe a bit dramatic. But as Mr. Weston drones on about ticket sales and dress codes and the importance of "appropriate conduct," I can feel my stomach twisting into knots. It''s not that I don''t like dances - I mean, I''m not exactly the belle of the ball, but I can get down with some cheesy pop music and watered-down punch as much as the next girl. It''s just... with everything that''s been going on, with the city feeling like it''s about to boil over and the Pals breathing down our necks, the idea of strapping on a fancy dress and making awkward small talk with my classmates feels like it''s from another planet. Another life. But then I glance over at the other kids, the ones who are practically vibrating with excitement in their seats, and I remember that for them, for most of the kids in this room, the dance is a big deal. It''s a chance to feel normal, to pretend for a night that the world isn''t a complete dumpster fire. And who am I to take that away from them? So when the bell rings and everyone starts filing out, chattering about dress shopping and limo rentals, I take a deep breath and sidle up to Jordan. "So," I say, aiming for casual and probably missing by a mile, "about the dance..." Jordan raises an eyebrow at me, their expression somewhere between amused and incredulous. "Really, Sam? You want to talk about the dance? Now?" I shrug, feeling my cheeks heat up. "I mean, yeah? It''s just... I was thinking maybe we could go together. As friends, obviously." Jordan stares at me for a long moment, then barks out a laugh. "Wow, Yom Kippur really did a number on you, huh? Turning you all soft and sentimental." I punch them in the arm, scowling. "Shut up, asshole. I''m trying to be nice here." They just grin, slinging an arm around my shoulders as we walk out into the hall. "Relax, Sammy. Of course I''ll go with you. Someone''s gotta make sure you don''t trip over your own feet and take out the punch bowl." My scowl deepens, but there''s no real heat behind it. Honestly, I''m just relieved they said yes. The idea of showing up alone, of having to pretend to be a normal teenager for a whole night without any backup... it makes my skin crawl. But then Jordan''s steering me towards the back stairwell, their voice dropping to a whisper. "Okay, but seriously, we need to talk about tonight. I''ve got a lead on one of the Pals'' money men, some real estate developer named Gerald Ford. No relation, obviously. Dude looks like a thumb." Just like that, the dance is forgotten, pushed to the back of my mind as we start going over the plan. This is what feels real, what feels important. Not prom dresses and corsages, but the gritty work of trying to unravel this mess we''ve found ourselves in. The dance is the furthest thing from my mind. Suddenly, it''s all business. The rest of the day passes in a blur of classes and clandestine meetings, hushed conversations in bathroom stalls and behind the bleachers. By the time the final bell rings, I''m practically vibrating with nervous energy, my blood humming in my veins. It''s go time.
I''m crouched on a rooftop across the street from City Hall, the night breeze sharp and cold against my face. Across the street, a crowd has gathered, a sea of blue uniforms and bright lights. It''s one of Patriot''s public appearance deals, I know - some kind of bullshit press conference where he''ll spew his usual crap about "cleaning up the streets" and "restoring order." But I''m not here for his speech. No, I''m here for what comes after. I see them, the crowd dispersing. And then there they are - Patriot, Egalitarian, Zero, and two other Pals I don''t quite recognize. But they all congregate around their leader, like a cadre of sycophants all jostling for power. My phone buzzes in my pocket. Jordan. *you in position?* I text back quickly. *affirmative. eyes on target. heading to phase two.* I slip the phone back into my pocket, take a deep breath. Then, moving as casually as I can, I slip down the fire escape and into the alleyway below. It''s surprisingly easy to blend into the crowd, everyone focused on Patriot and his grandstanding. And makes it easier than I expected to bump into him as he walks by, my bleeding thumb smearing into his suit jacket. I push the tooth in my palm all the way out and pocket it. I''ve learned from one of the best. Jordan''s been teaching me how to pickpocket - but we''re reverse-pickpocketing today. "Oh gosh, I''m so sorry!" I gush, channeling my best wide-eyed schoolgirl impression. "I didn''t mean to, I just-" "Watch where you''re going," Patriot snaps, barely sparing me a glance as he brushes past. I bob my head, mumbling more apologies even as I let the crowd swallow me back up. But inside, I''m grinning. Got him.
We''re all gathered around the big table in the Tacony Music Hall, a mess of papers and empty takeout containers scattered across the surface. It looks like that scene from every cop show where they''re trying to crack a big case, everyone piling lead after lead after lead and hoping the answer reveals itself. Jordan''s pacing back and forth, their eyes narrowed as they stare down at a sheaf of papers in their hands. Derek is slouched in his chair, chin resting on his chest, but I know him well enough by now to know he''s not sleeping. Spindle looks like a giant praying mantis folded up in his seat, all angles and limbs, his face scrunched up as he taps away at his laptop. The tale has been taken without authorization; if you see it on Amazon, report the incident. And then there''s me, feeling like a livewire about to snap as I drum my fingers against the table. "Okay," Jordan says finally, slapping the papers down. "So here''s what we''ve got so far. Sam, good stuff with Patriot. We''ll know for certain once you''ve followed the scent tonight, but if that trail takes us to any of these properties..." They jab a finger at one of the maps spread out in front of us, "then we''ve got a solid link between the Pals and these real estate deals." "Which means," Derek chimes in, "we can start to follow the money. See who''s really funding these assholes." I nod, chewing on my lip. It''s good progress, but it still feels like we''re barely scratching the surface. And with every day that passes, the Pals seem to get bolder, more entrenched. The public more in line with their way of thought. Jordan must see the doubt on my face, because their expression softens. "Hey," they say, punching me lightly on the shoulder. "We''re getting there, Sam. This is big. We just gotta keep pushing." I take a deep breath, trying to let their confidence settle my nerves. "Yeah, I know. It''s just... it doesn''t feel like enough, you know? The dance is in a week, and everything''s supposed to be so normal, but it''s not. It''s really not." "Fuck normal," Derek says with a shrug. "Normal''s what got us into this mess. You ask me, a little abnormal is exactly what this city needs right now." "You sound like you''re really invested into our "teenage bullshit" now, huh?" Jordan teases. Derek shoots them a withering glare, but Jordan''s grin only gets bigger. Spindle nods, finally looking up from his screen. "Derek''s right. We can''t worry about fitting in or playing by the rules. Not when the game''s this rigged." I look around at all of them, these strange, brilliant, fearless people I''ve somehow found myself surrounded by. And I feel something kindle in my chest, a warmth that has nothing to do with the shitty space heater humming in the corner. "Alright," I say, straightening up in my seat. "So what''s our next move? How do we rip the rug out from under them?" Jordan grins, all teeth and sharp edges. "Oh Sammy, I thought you''d never ask."
The blood trail, faint but unmistakable, leads me to a nondescript warehouse by the river. I can follow anyone as long as they don''t launder their clothes, and, lucky me, Patriot''s costume is smelly today. He had another one of his rallies, and just for good measure, I marked him again, but it wasn''t exactly interesting. Just a bump. I guess he''s not afraid of people trying to attack him in public. I''m perched on an adjacent rooftop, peering through a pair of binoculars as I watch the Pals file in through a side door. It''s the same bunch from the press conference. Whatever they''re here for, they clearly don''t want anyone to know about it. Too bad for them, I''ve got a few tricks up my sleeve. I pull out the directional microphone Jordan''s rigged up for me, the one that looks like a cross between a satellite dish and a old-timey ear trumpet. It takes a minute of fiddling with the dials before their voices filter through, tinny and distant but unmistakable. "...telling you, we''ve got to move on this now. The hounds are closing in, and if we don''t get ahead of it..." That''s Patriot, his voice tight with barely restrained anger. I lean forward, straining to hear more. "...some kid, this Bloodhound bitch. She''s been spotted all over town, asking questions. If she puts two and two together..." Shit. They''re talking about me. I feel a cold sweat break out across the back of my neck, but I force myself to keep listening. "...handle it, boss. I''ve already bumped into her once and she ran like a pussy. A little more pressure and she won''t be an issue." Zero, I think. God, what a tool. "She''d better," Patriot snaps. "We''re too close to let some snot-nosed brat in spandex derail everything. San Diego is already interested in our services. This is our moment. Our time. And I won''t have anyone-" A truck rumbles by on the street below, drowning out the rest of his words. I curse under my breath, twisting the dials frantically to try to get the signal back. But it''s too late. Whatever else he was saying, it''s lost to the night. Still, it''s enough to confirm what we already suspected. The Pals aren''t just some vigilante squad trying to keep the peace. There''s something bigger going on here, something with money and power and influence. And whatever it is, they don''t want me or my friends getting in the way. I sit back on my heels, my mind racing. Pressure in the right places, Zero said. The hairs on the back of my neck prickle, and I resist the urge to look over my shoulder. Could they know I''m here now, listening in? Are they watching me even as I watch them? No. No way. I''ve been careful, I''ve covered my tracks. They''re just trying to spook me, to rattle my cage. And I won''t let them. I can''t. I wait until they''ve all cleared out, until the warehouse is dark and silent once more. Then I slip down from my perch, melting into the shadows as I make my way back to the Music Hall. I''ve got a lot to report back. And a lot to think about.
"A school dance? Really?" We''re sprawled out on the floor of Jordan''s room, a mess of discarded clothes and half-finished protest signs scattered around us. It''s been a long night of recon and planning, and my brain feels like it''s about to leak out my ears. But Maggie''s voice, bright and incredulous, snaps me back to the present. "Yes, really," I say, rolling my eyes. "It''s homecoming. It''s a thing that happens in high school. Where you are now a student. Welcome to normal life." She makes a face. "Normal life involves a lot more glitter than I expected." Jordan snorts from where they''re sprawled out on their mattress, one arm thrown over their eyes. "Welcome to the glamorous world of teenage rebellion," they drawl. "It''s all fun and games until someone spikes the punch." I chuck a wadded-up t-shirt at their head. "Ugh, don''t even joke about that," I groan. "Remember what happened last year when Josh Turner snuck in that bottle of Everclear? I thought Ms. Nguyen was going to have a stroke." "Ah, memories," Jordan sighs, mock wistful. "But seriously, Sam, you''re going to this thing? With everything else that''s going on?" I shrug, plucking at a loose thread on my jeans. "I don''t know. It just feels like... like maybe we need a bit of normal right now, you know? A reminder of what we''re fighting for. That we''re still just kids, underneath all the masks and the missions." "You sound like a novel," Jordan quips. Maggie sits up, her expression thoughtful. "No, I get it," she says slowly. "It''s like... you''re taking a stand, right? Showing the Pals and everyone else that they can''t control us, that they can''t take away the things that make us who we are." Jordan groans, draping their arm back over their face. "God, spare me the teen movie pep talk," they mutter. But I can see the hint of a smile quirking at the corner of their mouth. "So it''s settled then," I say, clapping my hands together. "We''re going to homecoming. And we''re going to have an awesome, normal, non-superhero night. Even if it makes Jordan break out in hives." "The things I do for you people," Jordan grumbles, but they''re grinning now, broad and bright and real. "Fine. But I''m not wearing a tie. And if anyone tries to make me slow dance, I''m rigging the sound system to play "Disco Duck" on repeat." I laugh, feeling something loosen in my chest. It''s a small thing, in the grand scheme of it all. A silly high school dance, a few hours of pretending the world outside doesn''t exist. But right now, with the weight of everything pressing down on us, it feels like a victory. A defiance. The Pals can try to control the streets, the media, the narrative. But they can''t touch this. They can''t touch us. At least for one night, we''re going to be normal fucking teenagers. And it''s going to be great. It''ll be fine. Chapter 111.2 "I feel like I''m drowning in tulle," I grumble, wrestling my way out of yet another poufy monstrosity. The dressing room mirror reflects back a disheveled version of myself, hair sticking up in all directions and cheeks flushed with frustration. Jordan''s head pops over the top of the dressing room door, their grin wide and mocking. "Aw, but you look so pretty, princess," they coo, ducking just in time to avoid the wadded-up dress I chuck at their head. "Fuck off," I mutter, but there''s no real heat behind it. We''ve been at this for hours, trawling through what feels like every dress shop in Philadelphia, and I''m starting to lose my mind a little. Alex Garcia, sprawled out in one of the uncomfortable plastic chairs outside, doesn''t even look up from his phone. "You know," he drawls, "you could just¡­ not go. Stay home, rewatch Evangelion. Much less stressful." I roll my eyes, pulling my t-shirt back on. "Some of us don''t have the luxury of being antisocial nerds, Alex." He just shrugs, unbothered. "Your loss. Shinji''s way better company than half our classmates anyway." As I step out of the dressing room, smoothing down my clothes, I catch a snippet of conversation from a group of girls nearby. "¡­and did you see what Patriot said on the news last night? About how we need to crack down on these powered freaks? I mean, he''s not wrong¡­" "My dad got in a fight with a tweaker on Jump the other day, he almost broke his arm!" I feel my jaw clench, a familiar anger bubbling up in my chest. But before I can do anything stupid, Jordan''s there, their hand on my arm. "Easy, tiger," they murmur. "Not the time or place." I take a deep breath, forcing myself to relax. They''re right, of course. But it doesn''t make it any easier to hear that crap, to know that Patriot and his cronies are winning the PR war. "You know what?" I say suddenly, a new determination settling over me. "Fuck it. I''m done with dresses. Let''s go check out the suits." Jordan''s eyebrows shoot up, a slow grin spreading across their face. "Now you''re talking, Sammy. Butch it up!" An hour later, we''re walking out of the shop with garment bags slung over our shoulders. I''ve got a sharp black suit with a deep blue shirt that brings out my eyes, and Jordan''s gone for a more daring purple and black combo that somehow works perfectly with their whole aesthetic. As we head for the bus stop, I can''t help but feel a little thrill of excitement. Maybe this dance won''t be such a disaster after all.
The address Jordan gave me turns out to be a nondescript office building in Center City, all gleaming glass and polished chrome. According to our intel, it''s where a lot of the Pals'' behind-the-scenes work happens - fundraising, PR, that sort of thing. I''m across the street, nursing a truly terrible cup of coffee from a nearby food truck as I try to look like I''m just killing time between meetings or something. But my eyes are sharp, taking in every detail I can. There''s a steady stream of people coming and going, some in suits, others in more casual wear. I spot a few faces I recognize from Pals propaganda videos, including that smarmy asshole who''s always going on about "restoring order" or whatever. After about an hour of observation, I''ve got a pretty good idea of the layout, the security measures, the general comings and goings. Enough to set up a proper stakeout later, maybe catch something juicy on camera or with the directional mic. As I''m about to pack it in, a sleek black SUV pulls up to the curb. The back door opens, and out steps Patriot himself, looking every bit the All-American hero in his red, white, and blue getup. My blood runs cold as he pauses, scanning the street with those piercing blue eyes. For a heart-stopping moment, I think he''s spotted me. But then he''s striding into the building, flanked by a couple of burly guys in suits who are definitely packing heat. I wait until they''re inside before slipping away, my mind racing. Whatever''s going on in there, it''s big. And we''re going to find out what it is. This narrative has been purloined without the author''s approval. Report any appearances on Amazon.
"You will not believe the shit I found in Egalitarian''s trash," Derek announces, slamming a grimy garbage bag down on the table. The rest of us recoil, noses wrinkling at the smell. "Dude," Spindle groans, "please tell me you at least washed your hands before touching anything in here." Derek just grins, a wild light in his eyes. "Nope. But trust me, it was worth it. Check this out." He starts pulling out crumpled papers, food wrappers, and what looks disturbingly like a used tissue. Jordan leans in, their curiosity overriding their disgust. "What are we looking at here, exactly?" "Evidence," Derek says triumphantly, holding up a torn-up receipt. "Of their hypocrisy, their lies, their¡­" "Their terrible taste in takeout?" I interject, peering at the grease-stained paper. "Seriously, who orders a Hawaiian pizza with extra pineapple?" Tasha, who''s been quietly observing from her perch on a nearby desk, lets out a snort of laughter. "Truly, the mark of a supervillain." Derek scowls at us. "You''re missing the point. Look at the date on this receipt. It''s from the night of that big charity gala, the one where Egalitarian claimed he was out fighting crime and couldn''t attend." "So¡­ he lied about his whereabouts and ordered a disgusting pizza instead?" Spindle says slowly. "I mean, it''s not great, but I''m not sure it''s exactly headline news, either." "It''s a pattern," Derek insists. "I''ve been tracking their movements, correlating their public appearances with their private activities. There are discrepancies all over the place. They''re not who they say they are. I''ve been following them, too, they''re all easy to smell." Jordan nods thoughtfully. "It''s a start. Maybe not enough to take them down, but definitely enough to start chipping away at their squeaky-clean image." "Nothing incriminating," he growls. "But definitely embarrassing. Thrown away speeding tickets, public citations, that sort of thing. Oh, and get this - Patriot''s a regular reader of some neo-Nazi website. Claims it''s for ''research purposes'' if anyone asks." Jordan''s eyes light up at that, but I can''t help but frown. "I don''t know, guys," I say slowly. "Is this really what we should be focusing on? I mean, yeah, it''s gross, but it''s not exactly smoking gun material." "Sam''s right," Tasha chimes in, looking skeptical. "This feels like tabloid stuff, not real evidence." Jordan waves a hand dismissively. "Trust me, it''ll be useful. We just need to keep digging. Spindle?" Spindle shifts uncomfortably in his seat. "Well, uh, I did manage to track one of them to a gay bar. Out of costume, obviously. But¡­" "Nope," Jordan says firmly. "We''re not touching that one. At least not yet. Anything else?" I lean forward, my brow furrowed. "What about connections to Rogue Wave? Or Jump and Fly? Or the Kingdom? That''s the kind of thing that could really blow this wide open." Jordan nods, their expression thoughtful. "Good thinking, Sam. We''ll keep digging on that front. For now, let''s reconvene in a couple days, see what else we can turn up." As everyone starts to gather their things, I can''t shake the feeling that we''re missing something. That Jordan''s got some other plan brewing behind those sharp eyes of theirs. There''s a moment of silence as we all consider her words. Then Jordan claps their hands together, a determined glint in their eye. "Look, I''ll be honest with you. I''m not good at this PI shit. I''m leaving that to Sam. Derek, if you want to keep digging around in garbage and stalking them, then by all means, so long as you don''t cause a werewolf attack, I think we could find something mean. I''m already preparing a post as we speak in my head¡­" I nod, feeling a renewed sense of purpose. "Yeah, I can do that much." Jordan grins. "That''s my girl. Just¡­ try not to get caught, okay? I''m running out of fake IDs." I flip them off, but I''m grinning too. Despite everything, despite the danger and the stress and the constant feeling that we''re in way over our heads, there''s a part of me that loves this. The thrill of the chase, the satisfaction of putting the pieces together. We may not be winning yet, but we''re getting closer. I can feel it.
The school hallways are a flurry of activity, streamers and balloons transforming the usually drab corridors into something almost festive. But underneath the excitement, there''s a current of tension that''s impossible to ignore. Extra security guards patrol the halls, their eyes scanning the crowds of students with barely concealed suspicion. Metal detectors have been set up at all the entrances, and there are rumors of bag checks and pat-downs for anyone entering the dance tomorrow night. As Jordan and I make our way to class, dodging overzealous decorating committee members and their armloads of crepe paper, I can''t help but feel a twinge of unease. This doesn''t feel like the lead-up to a celebration. It feels like we''re preparing for a siege. "You okay?" Jordan murmurs, nudging me with their elbow. "You''ve got that ''the world is ending and it''s probably my fault'' look on your face again." I try to shake off the feeling, forcing a smile. "Yeah, just¡­ you know. All this." I wave a hand at the security guards, the metal detectors. "Doesn''t exactly scream ''fun high school dance'', does it?" Jordan snorts. "Please. As if any high school dance has ever been actually fun. This is just adding a thrilling element of dystopian flavor to the usual awkward humping and bad pop music." I laugh despite myself, some of the tension easing from my shoulders. "You''re such an asshole," I tell them fondly. They grin, slinging an arm around my shoulders. "Yeah, but I''m your asshole. Now come on, let''s go see if we can convince Mr. Weston to add some Rage Against the Machine to the playlist. Really lean into this whole ''dance under martial law'' vibe we''ve got going on." As we head off down the hall, I can''t quite shake the feeling that something big is coming. But for now, I let myself get swept up in Jordan''s enthusiasm, in the familiar rhythms of high school life. Whatever''s waiting for us, we''ll face it together. Just like always. Chapter 111.3 The night is cold and clear, the city spread out below me like a glittering carpet of lights. I''m back on my rooftop perch, watching the office building across the street with single-minded focus. It''s been hours of mind-numbing tedium, but finally, finally, there''s movement. A sleek black car pulls up to the curb, and out steps Patriot himself, looking every inch the all-American hero in his red, white, and blue getup. I lean forward, my grip tightening on the binoculars. This is it. Whatever''s going down tonight, it''s big enough to bring out the big guns. As I watch, Patriot is joined by Egalitarian and Zero, along with a couple of capes and suits I don''t recognize. They file into the building, and I have to resist the urge to follow immediately. Patience, I remind myself. Let them get settled, let their guard down. After what feels like an eternity but is probably only about fifteen minutes, I make my move. The roof access door is laughably easy to pick (thank you, Jordan, for those less-than-legal lessons), and soon I''m creeping down the stairwell, my heart pounding in my ears. I follow the sound of voices to a conference room on the top floor, pressing myself against the wall next to the partially open door. Inside, I can hear Patriot''s voice, low and intense. I set up my microphone and get recording. "¡­telling you, this is our chance. The incident at the courthouse was just the beginning. People are scared, they''re looking for someone to blame. And we''re going to give them exactly what they want." "But sir," another voice chimes in, hesitant, "some of these proposals¡­ they''re pretty extreme. Mandatory registration for all powered individuals? Restricted zones? It''s basically creating a second class of citizens." "It''s necessary," Patriot snaps. "You''ve seen the statistics. Crime rates in areas with high superhuman populations are through the roof. And it''s not just here - look at the global picture. People from war-torn shithole countries are in more danger, so there are more superhumans there because they experience more frequent near-death experiences. And then they come here, bringing their powers and their problems with them." There''s a murmur of agreement from the others in the room. I feel sick to my stomach, but I force myself to keep listening. "The Chernobyl trial opened my eyes," Patriot continues, his voice growing more passionate. "The US Government doesn''t care about securing this country. So we have to make them secure it. We push these laws through, create an appropriate climate, and suddenly our services become indispensable. Private security contracts, ''superhuman management'' consultations¡­ we''ll be rolling in it, and the world will be better for it." "And the actual superhumans?" someone asks. "The ones who are just trying to live their lives, to help people?" There''s a pause, and when Patriot speaks again, his voice is cold. "Collateral damage. You can''t make an omelet without breaking a few eggs. Besides, the only superhumans that should be operating in America are American superhumans. Period." I''ve heard enough. My hands are shaking as I carefully back away from the door, hitting the stop button on the mic''s recorder. I play it back, making sure I captured as much of it as I could - and I did. Now, I just need to get away without getting noticed. No problem.
The morning of the dance dawns bright and clear, the autumn air crisp and full of possibility. But as I stand in front of the mirror, fumbling with my tie, all I can think about is what I overheard last night. We''re out of time. Whatever the Pals are planning, it''s happening soon. And here I am, getting ready for a stupid high school dance like the fate of the city - maybe even the country - isn''t hanging in the balance. There''s a knock at my door, and my mom pokes her head in. "You almost ready, sweetie? Jordan''s here." I take a deep breath, forcing a smile. "Yeah, Mom. Just¡­ finishing up." She steps into the room, her eyes soft as she takes me in. "Oh, Sam," she says, her voice catching a little. "You look so grown up." I laugh, the sound a little strained. "Thanks, Mom. It''s just a suit, though." She shakes her head, reaching out to straighten my collar. "It''s not just the suit. It''s¡­ everything. You''ve been through so much, and you''re still standing tall. I''m so proud of you, honey." If you discover this tale on Amazon, be aware that it has been stolen. Please report the violation. I swallow hard, fighting back the sudden urge to cry. If she only knew. If she had any idea what was really going on¡­ But I can''t tell her. I can''t drag her into this mess, can''t put her in danger. So instead, I just lean into her touch, soaking up the warmth and comfort of her presence. "Thanks, Mom," I say softly. "I love you." She pulls me into a tight hug, and for a moment, I let myself believe that everything''s going to be okay. That I''m just a normal kid going to a normal dance on a normal Saturday, with nothing more serious to worry about than whether I''ll step on Jordan''s toes during the slow songs.
We''re all gathered in the Tacony Music Hall, the anticipation so thick in the air you could cut it with a knife. Jordan''s pacing back and forth, their eyes bright with a feverish energy. Derek and Spindle are huddled over a laptop, pointing at something on the screen and muttering to each other. Even Tasha''s here, perched on the edge of the stage with a thoughtful look on her face. "Alright, folks," Jordan says, clapping their hands together. "Time for the big reveal. Sam, you want to kick us off?" I nod, stepping forward and pulling out the recorder. "I hit the jackpot last night," I say, my voice steady despite the nerves buzzing in my stomach. "Caught Patriot and his cronies red-handed, talking about their plans to push through anti-superhuman legislation. It''s¡­ it''s bad, guys. Really bad." I press play, letting the damning words fill the room. Everyone listens in grim silence, the fury and disgust plain on their faces. When it''s over, Jordan lets out a low whistle. "Damn, Sam. That''s¡­ that''s some serious shit." I hand over the files I managed to snap pictures of, the papers shaking slightly in my hands. "It gets worse," I say. "They''re not just planning on pushing these laws through. They''re going to use fear and hysteria to do it. Create a climate of suspicion and panic, then swoop in as the saviors with the solution. And I can''t stop thinking about the way he said ''shithole countries''," I say, not even wanting the phrase to grace my lips. Jordan looks at the files, then up at me. There''s a glint in their eye that I''ve never seen before, something sharp and almost predatory. No, that''s not true - I''ve seen it one other time. When they smashed their own nose in to get my attention, back in Dobson Mills. "Oh, we''re going to use fear and hysteria alright," they say softly. "But not the way they think." Derek clears his throat, drawing our attention. "While Sam was off playing detective, Spindle and I have been doing some digging of our own," he says, a hint of pride in his voice. "Literally." Spindle taps a few keys on the laptop, pulling up a series of photos and documents. "We''ve been trailing these guys for weeks now, going through their trash, their homes, their offices. And let me tell you, they are not as squeaky clean as they want everyone to believe." My eyebrows shoot up as I take in the images on the screen. Patriot, stumbling drunk out of a bar. Egalitarian, in a screaming match with a meter maid over a parking ticket. Zero, buying what looks suspiciously like drugs or weapons from a shadowy figure in an alleyway. And some other people I don''t recognize, but I assume are part of the whole ensemble - a woman at a firing range, and some dude laying someone out at a bar. Among other things. "This is¡­ this is incredible," I breathe. "How did you even get some of these?" Derek taps his nose, grinning. "Superhuman sense of smell, remember? I can track these bastards from miles away. The things I learn stalking their stink¡­" Spindle nods, stretching out his long limbs. "And I can fit just about anywhere. Amazing what people will say when they think they''re alone. Or what they''ll throw away without a second thought." Jordan''s grin is fierce and bright. "This is exactly what we need," they say, rubbing their hands together. "The truth, laid bare for all to see. Every misdeed, every moment of hypocrisy and corruption." I frown, a thought occurring to me. "But¡­ won''t they know it was us? That we''re the ones who dug all this up?" Jordan laughs, and there''s an edge to it that sends a shiver down my spine. "Oh Sammy, that''s the beauty of it. They''ll never see us coming. Too busy underestimating us, thinking we''re just a bunch of dumb kids playing dress-up. They still haven''t even managed to crack my new digital defenses on the website. They have no idea." "So what''s the plan?" Tasha asks, speaking up for the first time. "We just¡­ dump all of this online? Hope it goes viral?" "Not hope," Jordan says, their eyes glinting. "We''re going to make sure it goes viral. The website''s already primed and ready, we have an established following thanks to the security guard expos¨¦s. Now we just need the right moment to strike." They turn to me, and I feel a jolt of electricity run through me at the intensity of their gaze. "Sam, what is it we''re doing later tonight?" I nod slowly, realization dawning. "You want to release it then. While everyone''s distracted, while we have a clear alibi." Jordan snaps their fingers, pointing at me. "Bingo. I''ve scheduled a cron job to upload it to the website and refresh the stack. We already know we''re on the news''s radar - and the outrage will do the work for us. By the time anyone thinks to look our way, it''ll be too late. The truth will be out there, and the Pals will be drowning in controversy and red tape." There''s a moment of stunned silence as we all process the sheer audacity of the plan. It''s brilliant. It''s insane. It''s everything we''ve been working towards, all wrapped up in one explosive package. Derek lets out a low whistle. "Damn, Jordan. You''ve really thought this through, haven''t you?" Jordan shrugs, but there''s no mistaking the pride in their voice. "I told you, I''m done playing by their rules. It''s time to fight dirty. It''s time to win." I take a deep breath, feeling the weight of what we''re about to do settling on my shoulders. It''s a lot. It''s terrifying. But it also feels right, like the pieces of a puzzle finally clicking into place. "Okay," I say, my voice steady and sure. "Let''s do it. Let''s take these assholes down." The grin on Jordan''s face is blinding. "Hell yes. Auditors, assemble! Or whatever." Tasha snorts, rolling her eyes. "Please never say that again."
The auditorium is awash in twinkling lights and silver streamers, the air thick with the scent of hairspray and teenage hormones. I pause at the entrance of the school auditorium, tugging self-consciously at my tie as I take it all in. Jordan appears at my elbow, looking between dashing and punk in their suit. "Well," they say, holding out their arm with a flourish. "Shall we?" WORLD OF CHUM: Inside the NSRA

National Superhuman Response Agency: Employee Handbook

I. Introduction Welcome to the National Superhuman Response Agency (NSRA). As an employee of the NSRA, you are now part of a critical organization dedicated to managing superhuman affairs and ensuring public safety in an ever-evolving world. This handbook serves as a guide to help you understand your role, responsibilities, and the unique challenges we face in our line of work. The NSRA''s mission is to monitor, regulate, and respond to superhuman activities while balancing public safety with individual rights. Our work requires the highest levels of professionalism, discretion, and ethical conduct. This handbook will provide you with the necessary information to navigate your duties effectively and in accordance with our agency''s standards. II. Organizational Structure The NSRA is composed of several key departments, each playing a vital role in our operations:
  1. Superhuman Monitoring and Response Division (SMRD): Responsible for real-time tracking of superhuman activities and coordinating immediate responses to incidents.
  2. Research and Analysis Department (RAD): Conducts ongoing studies into superhuman abilities, their origins, and potential applications or threats.
  3. Legal and Compliance Office (LCO): Ensures all NSRA operations comply with current laws and regulations, and provides legal counsel on superhuman-related matters.
  4. Public Relations and Community Outreach (PRCO): Manages the agency''s public image and facilitates communication with communities affected by superhuman activities.
  5. Training and Development Center (TDC): Oversees the training of NSRA personnel and develops new protocols for superhuman engagement.
  6. Administration and Human Resources (AHR): Manages the day-to-day operations of the agency and supports employee needs.
The chain of command within the NSRA follows a hierarchical structure. Entry-level employees report to their team leaders, who report to department heads. Department heads are accountable to the Deputy Director, who in turn reports to the Director of the NSRA. All employees are expected to respect this chain of command while also feeling empowered to raise concerns or suggestions through appropriate channels. III. Employee Classifications and Responsibilities The NSRA employs both regular and superhuman staff members. Regular employees are those without superhuman abilities, while superhuman employees are those who have registered abilities and have been cleared for work within the agency. All employees, regardless of classification, are expected to adhere to the NSRA''s code of conduct, which includes:
  1. Maintaining the highest standards of integrity and ethical behavior
  2. Respecting the rights and dignity of all individuals, superhuman or otherwise
  3. Safeguarding confidential information and agency resources
  4. Reporting any conflicts of interest or potential security risks
  5. Continuously developing skills and knowledge relevant to their position
Superhuman employees have additional responsibilities, including:
  1. Regular power assessments and control evaluations
  2. Strict adherence to power usage guidelines within the workplace
  3. Participation in research studies as requested by the RAD
  4. Serving as liaisons or consultants in superhuman engagement scenarios when appropriate
IV. Security Protocols Given the sensitive nature of our work, adherence to security protocols is paramount. The NSRA uses the standard government security clearance levels: Confidential, Secret, and Top Secret. Additional compartmented clearances may be required for certain projects or information. Information handling procedures must be strictly followed. All documents must be clearly marked with their classification level. Employees are only permitted to access information at or below their clearance level. Sharing of classified information is strictly prohibited unless explicitly authorized. Facility access is controlled through a biometric system and keycard authentication. Employees must wear their ID badges at all times while on NSRA premises. Certain areas within NSRA facilities may require additional clearance or authorization for entry. Visitors must be escorted at all times and are not permitted in restricted areas without explicit approval from the security office. Remember, security is everyone''s responsibility. If you observe any suspicious activity or potential security breaches, report them immediately to your supervisor or the security office. V. Interaction with Superhuman Individuals As an NSRA employee, you may frequently interact with superhuman individuals in various contexts. It is crucial to approach these interactions with professionalism, empathy, and caution. Remember that each superhuman individual is unique, with their own set of abilities, experiences, and concerns. General Guidelines for Engagement: When interacting with superhuman individuals, always prioritize de-escalation and communication. Approach each situation calmly and avoid actions that might be perceived as threatening. Maintain a safe distance, especially when dealing with individuals whose abilities are unknown or potentially harmful at close range. Communication is key. Speak clearly and calmly, explaining your role and intentions. Be prepared to repeat information, as some individuals may be disoriented or stressed. Use active listening techniques to understand their concerns and needs. Avoid making promises you cannot keep or speculating about outcomes. De-escalation Techniques: In tense situations, employ de-escalation techniques to reduce the risk of conflict or unintended power usage. These techniques include:
  1. Maintaining a non-threatening posture
  2. Using a calm, even tone of voice
  3. Acknowledging the individual''s feelings and concerns
  4. Offering choices when possible to give the individual a sense of control
  5. Creating physical and emotional space when needed
Remember, your goal is to establish trust and cooperation. Rushed or aggressive actions can escalate situations quickly, potentially leading to dangerous power manifestations. Use of Specialized Equipment: The NSRA provides various tools and equipment for managing superhuman encounters. These may include reinforced restraints, protective gear, and communication devices. It is your responsibility to be familiar with this equipment and to use it appropriately. Standard-issue items for field agents include: Always check your equipment before entering the field and report any malfunctions or damage immediately. Misuse or neglect of equipment can lead to disciplinary action. VI. Emergency Procedures The nature of our work means that emergencies can arise suddenly and with potentially severe consequences. Being prepared for various scenarios is crucial for the safety of NSRA personnel, superhuman individuals, and the general public. Types of Emergencies: While we cannot predict every possible emergency, some common scenarios include: You might be reading a pirated copy. Look for the official release to support the author.
  1. Uncontrolled power manifestations
  2. Escape attempts or containment breaches
  3. Hostile superhuman incursions
  4. Large-scale disasters requiring superhuman intervention
Each of these scenarios requires a specific response, but all follow general emergency protocols. Evacuation Protocols: In the event of an emergency requiring evacuation, follow these steps:
  1. Remain calm and alert. Your composure can help others respond more effectively.
  2. Follow the instructions of your designated floor warden or senior staff member present.
  3. Proceed to the nearest exit as indicated by emergency signage. Do not use elevators unless explicitly instructed to do so.
  4. If safe to do so, assist any colleagues or visitors who may need help evacuating.
  5. Proceed to your designated assembly point and await further instructions.
  6. Do not re-enter the building until authorized by emergency responders or senior NSRA officials.
Specific evacuation routes and assembly points are posted throughout NSRA facilities. Familiarize yourself with these routes in advance. Participate in all scheduled emergency drills to ensure you''re prepared when a real emergency occurs. Communication During Crises: Clear communication is vital during emergencies. The NSRA employs a multi-tiered communication system to ensure information reaches all necessary parties: During an emergency, limit your use of communication channels to essential information only. This helps prevent system overload and ensures critical messages can get through. If you have information crucial to the emergency response, report it to your immediate supervisor or the designated emergency coordinator. Remember, in any emergency situation, your primary responsibility is to ensure your own safety and the safety of those around you. Only engage directly in emergency response if you are trained and authorized to do so. Unauthorized actions, even if well-intentioned, can complicate response efforts and potentially create additional hazards. Regular training and drills will be conducted to ensure all personnel are familiar with these procedures. It is your responsibility to participate in these sessions and to review emergency protocols regularly. Stay vigilant, stay prepared, and together we can effectively manage even the most challenging situations that arise in our unique field of work. VII. Ethics and Compliance Working at the NSRA requires a strong ethical foundation. We are entrusted with significant power and responsibility, and it is crucial that we exercise this authority with the utmost integrity and respect for the rights of all individuals, superhuman or otherwise. Ethical Guidelines in Superhuman Management: Our approach to superhuman management must always be guided by principles of fairness, transparency, and respect for human dignity. This means: Remember that our actions shape public perception of both the NSRA and the superhuman community. Strive to be a positive example in all your interactions. Reporting Misconduct or Concerns: If you witness or become aware of any unethical behavior, violations of NSRA policies, or situations that could pose a risk to the agency''s mission, it is your duty to report it. The NSRA maintains several channels for reporting concerns:
  1. Direct reporting to your immediate supervisor
  2. Confidential hotline for anonymous reports
  3. Online reporting system accessible via the NSRA intranet
  4. Direct communication with the Ethics and Compliance Office
All reports are taken seriously and investigated thoroughly. The NSRA has a strict non-retaliation policy to protect employees who report concerns in good faith. Disciplinary Actions: Violations of NSRA policies, ethical guidelines, or applicable laws may result in disciplinary action. These actions can range from verbal warnings to termination of employment, depending on the severity and frequency of the infraction. In cases involving criminal activity, the NSRA will cooperate fully with law enforcement agencies. VIII. Employee Support and Resources The NSRA recognizes that our work can be challenging and sometimes stressful. We are committed to supporting our employees'' well-being and professional development. Mental Health Services: The nature of our work can expose employees to traumatic events or high-stress situations. The NSRA provides comprehensive mental health support, including: We encourage all employees to prioritize their mental health and to seek support when needed. Utilizing these services is viewed as a sign of strength and professionalism, not weakness. Training and Development Opportunities: The NSRA is committed to the ongoing growth and development of our employees. We offer a wide range of training programs and development opportunities, including: Employees are encouraged to discuss their career goals and training needs with their supervisors during regular performance reviews. Support for Employees with Superhuman Abilities: The NSRA values the unique perspective and capabilities that superhuman employees bring to our organization. We provide additional support services for these employees, including: IX. Conclusion As an NSRA employee, you play a crucial role in navigating the complex landscape of superhuman affairs. Your dedication, professionalism, and ethical conduct are essential to our mission of ensuring public safety while respecting individual rights. This handbook serves as a guide, but it cannot cover every situation you may encounter. Use your judgment, rely on your training, and don''t hesitate to seek guidance when needed. Remember, the strength of the NSRA lies in our collective commitment to our mission and to each other. If you have any questions or need clarification on any policies outlined in this handbook, please contact your supervisor or the Human Resources department. Thank you for your service to the NSRA and to the nation. The following sections of this handbook contain detailed policies, procedures, and legal information critical for NSRA operations. These include: All employees are required to thoroughly review and understand these sections. Regular policy updates will be communicated through official channels, and it is your responsibility to stay informed of any changes. Remember, your thorough understanding of NSRA policies and procedures is crucial to our mission success and your professional growth within the agency. Chapter 112.1 The gym looks like a glitter bomb went off inside a disco ball factory. It''s all silver and white, streamers swooping down from the rafters like shimmering icicles, twinkle lights blinking in time with the pounding bass of whatever Top 40 hit is currently assaulting my eardrums. There''s a massive banner strung up over the DJ booth, "Winter Wonderland" spelled out in blue and white balloons. It''s exactly the kind of over-the-top, trying-way-too-hard nonsense that I usually avoid like the plague. But here I am, tugging at the collar of my starched shirt, feeling like an overstuffed sausage in this damn suit. Jordan, of course, looks infuriatingly at ease, like they were born to wear tailored menswear. They keep fiddling with their cufflinks, these little silver crescent moon shapes that wink in the strobing lights. "Stop fidgeting," they murmur out of the corner of their mouth, flashing me a grin. "You look great." I scowl, resisting the urge to run my hands through my hair. I had Mom buzz it short a few days ago, the sides shaved down almost to the scalp but with some length left on top to show my "feminine side", as she put it. Jordan said it makes me look badass. I just feel exposed, like a plucked chicken. I hope it grows in soon. "I look like a wedding cake topper that''s trying too hard," I grumble, picking at the ruching on my dress shirt. Jordan snorts. "Okay, first off, your metaphors need work. Second, you''re playing a part, remember? This is our alibi. So shut up and try to look like you''re having fun." I take a deep breath, forcing my shoulders to relax. They''re right. We have a job to do here, and it''s not just about blending in and looking pretty. We''re the distraction, the shiny object everyone''s going to be looking at while the real shit goes down online. Speaking of which... "Is it done?" I ask, my voice low as we make our way through the throng of bodies towards the punch bowl. "Did the post go up?" Jordan''s grin sharpens, their eyes glinting in the strobing lights. "Oh yeah. It''s up. The server logged thirty comments in the first seventeen minutes. By the time anyone thinks to look our way, we''ll be old news." I let out a breath I didn''t realize I was holding, some of the tension easing from my shoulders. We did it. The truth is out there, and there''s no taking it back now. Of course, that''s when Mike fucking Giannopoulos comes bounding up to us, his tux straining around his football player bulk. "Yo, Westwood!" he crows, slapping Jordan on the back hard enough to make them stumble. "Looking sharp, dude! Didn''t think you had it in you!" Then he turns to me, smiling. "What''s up, Sam!" I smile back thinly, trying not to grimace as the scent of his body spray clogs my nostrils. "Hey Mike," I say with about as much enthusiasm as if I was saying, "Hey, root canal". He doesn''t seem to notice, already turning back to Jordan to yammer on about some boring football bullshit - football bullshit that I''m sure Jordan couldn''t care less about. I tune him out, my eyes scanning the room. The chaperones are all clustered by the doors, their heads bent together as they mutter into their walkie-talkies. Every entrance and exit is manned by at least two security guards, big beefy dudes who look like they bench press Chevy Tahoes in their spare time. It''s all just so stupid. This whole dog and pony show, pretending like everything''s fine, like we''re not just one spark away from the whole powder keg blowing sky high. The girls in their glittery dresses, the boys in their ill-fitting rental tuxes, the teachers trying so hard to act like this is just another school dance, just another night. And maybe for them, it is. They don''t know what we know. They don''t have the weight of the world pressing down on their shoulders, the sick swoop of anticipation and dread churning in their guts. They''re just kids. Just dumb, oblivious teenagers, worrying about who''s going to ask them to dance and whether they''ll get lucky in the back of a limo later tonight. I almost envy them. Almost. I''m a minor celebrity, people passing me by with loose, mostly appreciative comments. If someone in this school didn''t know who I was from the T-Rex incident, they knew who I was from the Aikido Throw - or, as everyone''s been calling it, the Kung Fu Throw, which makes me a little irrationally upset because those are two very different martial arts. Faces I barely recognize, names I struggle to remember. Is that Melissa? Who else is here? My breath feels tight in my chest. Stolen content warning: this content belongs on Royal Road. Report any occurrences. But then Jordan''s hand is on my elbow, steering me towards the dance floor. "Come on," they say, raising their voice to be heard over the music. "Let''s get this over with. One dance, then we can raid the snack table and bail." I let them lead me into the throng, the bass vibrating up through the soles of my sensible dress shoes. Jordan pulls me close, their arms draping loosely around my waist as we sway in time with the music. It''s awkward at first, my body stiff and uncooperative. I''ve never been much of a dancer, too self-conscious, too aware of my every movement. But Jordan''s a natural, their hips moving in sinuous figure eights, their feet gliding effortlessly across the polished floor. I try to mimic their movements, but I feel like a marionette with its strings tangled. Jordan just laughs, spinning me out and then reeling me back in until we''re nose to nose. "Relax, Sam," they say, making as direct of eye contact as they can. "Pretend like you don''t have a peg leg with an unscratchable itch." I huff out a laugh despite myself. "Shut up," I mutter, but I can feel some of the tension leaving my body, my limbs loosening as I let myself get lost in the beat, in the warmth of Jordan''s hands on my hips. We dance like that for a while, the rest of the world fading away until it''s just the two of us, just the music and the movement and the glide of fabric against skin. It''s nice, in a weird way. Normal. Like we''re just two kids at a dance, with nothing more to worry about than whether our corsages match our outfits. (They don''t. Jordan''s gone for a purple and black tux, a clip on glitter moon on their vest. I don''t know where they even found something so ugly. My mom said the only thing I''d be wearing was a "classic pantsuit".) But of course, the illusion can''t last forever. Eventually the song ends, the spell broken as the DJ transitions into something slow and sappy, all swelling strings and crooned declarations of eternal love. Jordan steps back, their hands falling away from my waist. "Well, that wasn''t so bad, was it?" they ask, grinning. I''m about to answer when a sudden commotion by the gym doors catches my attention. The chaperones are backing away, their hands raised as a phalanx of security guards push their way into the room. And that''s when all hell breaks loose. It starts with a commotion at the gymnasium entrance, a sudden flurry of activity that has heads turning and voices rising in confusion. I''m already on high alert, my body tensing like a coiled spring, ready to react at a moment''s notice. But nothing could have prepared me for the sight of Patriot himself striding into the room, flanked by Egalitarian and a phalanx of police officers in full tactical gear. The music cuts out quietly, fading to, like, one tenth of its original volume, leaving only the murmur of the crowd and the heavy tread of boots on polished wood. Patriot stands at the center of the floor, his posture ramrod straight and his expression carved from granite. "Students of Tacony Charter Academy High School," he booms, his voice cutting through the stunned silence like a knife. "We are here on official business. We are looking for Jordan Westwood, in connection with a series of cybercrimes and acts of domestic terrorism." The words land like a physical blow, knocking the breath from my lungs. Beside me, I feel Jordan go still, their hand clenching around mine like a vise. The room erupts into chaos, students shouting and pushing, trying to get a better look or get as far away as possible. The chaperones and security guards are struggling to maintain order, their voices high and tight with barely controlled panic. My mind is racing, trying to process what''s happening, to sort through the fear and confusion and find some kind of solution. This isn''t how it was supposed to go. We had a plan. We were going to control the narrative, to strike first and leave them reeling. But somehow, they''ve outmaneuvered us. Somehow, they knew, minutes after we posted it. We''ve been set up. "Jordan Westwood!" Patriot calls again, his voice booming over the din. "Step forward and surrender yourself to the authorities, and no one else needs to get hurt." No one else. The words echo in my head, a chilling promise and a threat all in one. They''re not here for me. They''re not here for anyone but Jordan. "Jordan," I whisper, my voice cracking on the single word. "What do we do?" They''re still holding my hand, their grip so tight I can feel my bones grinding together. But when they turn to look at me, their eyes are blazing with a fierce, reckless light. "We stick to the plan," they murmur, their voice low and steady. "We keep our heads down and our mouths shut. And when the time is right..." They don''t finish the sentence. They don''t need to. I know what they''re thinking, because I''m thinking it too. When the time is right, we fight. We take these bastards down, whatever it takes. Even if it means tearing this whole place apart brick by brick. But for now, we have to play along. We have to be smart. We can''t let them see how rattled we are, how close they are to breaking us. So I take a deep breath, squaring my shoulders and schooling my features into a mask of confused innocence. Just another face in the crowd, another kid caught up in something they don''t understand. "Jordan Westwood!" Patriot roars, his patience clearly wearing thin. "This is your last chance to come quietly. Don''t make this harder than it needs to be." I feel Jordan tense beside me, their body coiling tight as a spring. For a moment, I think they might actually do it - might throw themselves into the fray, damn the consequences. But then they''re taking a step forward, their head held high and their voice ringing out clear and strong. "I''m Jordan Westwood," they call, their words cutting through the noise like a blade. "And I''m not going anywhere with you fascist fucks." Chapter 112.2 The words hang in the air like a challenge, like a gauntlet thrown down at Patriot''s feet. For a moment, no one moves, no one breathes. It''s like the whole world has frozen, suspended in this one crystalline instant of defiance. Then Mr. Weston steps forward, his usually mild face set in lines of grim determination. "I''m Jordan Westwood," he says, his voice ringing out clear and strong. And just like that, the spell is broken. Suddenly there are voices shouting from all sides, a cacophony of "I''m Jordan Westwood!" and "Me too!" and "We''re all Jordan Westwood!" rising up like a wave, crashing over the stunned silence. Even some of the security guards are getting in on it, stepping away from their posts to form a human barricade between Patriot''s goon squad and the sea of students. I spot Officer Nguyen among them, her jaw set and her eyes flashing as she stares down Egalitarian. What a turnaround story, I guess? I''m looking for Officer Ridley, just to see if he''s¡­ redeemable, but I don''t see him anywhere. It''s like something out of a movie, everyone ready to face death rather than betray one of their own. For a second, despite everything, I feel a flicker of hope, a surge of fierce, defiant pride. These are my people. This is my school. And we''re not going down without a fight. Then some smartass in the back yells "I''m Spartacus!" and the whole thing threatens to dissolve into chaos. Patriot''s face twists into a sneer, his eyes cold and hard as he surveys the crowd. "That''s great," he says, his voice dripping with condescension. "Nice Spartacus act. We''ll deal with you kids later. For now¡­" He raises his hand, and Egalitarian steps forward, her expression eerily blank. I feel Jordan stiffen beside me, their hand tightening around mine as they suck in a sharp breath. "Jordan," I whisper, my heart hammering in my throat. "What is she¡­" But before they can answer, Egalitarian''s expression darkens, and the world tilts sickeningly on its axis. It''s like the ground has dropped out from under me, like gravity has suddenly lost all meaning. The room spins and lurches, a dizzying kaleidoscope of colors and shapes that makes my stomach heave and my head pound. I can hear screaming, distant and muffled like it''s coming from underwater, can feel bodies jostling and bumping against me as people stumble and fall. But somehow, miraculously, I''m still standing. Still upright and steady, even as the world churns and tilts around me. Beside me, Jordan is swaying slightly but otherwise unaffected, their eyes wide and shocked as they stare at Egalitarian. The sensation only lasted for a split second, before everything rights itself again. It takes me a second to realize what''s happening, to put the pieces together through the haze of vertigo and nausea. Trying to perform deductive reasoning under pressure is hard, but it''s part of my training. Jordan and I are upright, along with Egalitarian and Patriot, while everyone else - from the students to the teachers to the security guards, even the cops that Patriot brought with him - is floorbound or wallbound. Which means¡­ My eyes meet Jordan''s, and I see the same realization dawning there, the same sickening mix of dread and understanding. Egalitarian''s power must¡­ only affect people without them. And Jordan and I both have powers. There''s no other reason I could think of as to why I''m standing - I''m not involved, not as a civilian. I feel a sudden, desperate urge to run, to grab Jordan''s hand and bolt for the nearest exit, powers be damned. But I know it''s useless. I''m sure the police have the gym surrounded, and even if we could fight our way through the crowds of heaving, retching students, where would we go? They''d hunt us down like dogs, drag us off to some black site prison or government lab, never to be seen again. No, we have to see this through. We have to stand and fight, even if it means exposing ourselves, even if it means risking everything we''ve worked for. I lock eyes with Patriot, my jaw clenched so hard I can feel my teeth grinding together. "What do you want?" I ask, my voice tight and strained. "Why are you doing this?" He smiles, a cold, cruel twist of the lips that makes my skin crawl. "I''m not sure why you''re standing, but I already explained it to you, Samantha. You and everyone else," he says, and the sound of my name on his tongue is like a slap in the face. "Jordan Westwood is under arrest for cybercrimes, domestic terrorism, unlicensed use of superpowers, petty theft¡­ the rap sheet is quite long." He glances around, sweeping his gaze out while the crowd crawls over each other, some people curled up into balls, some people laid out on the floor, trying not to vomit. My mind is racing, trying to find some angle, some way to stall or negotiate or buy us some time. But every path I see leads to a dead end, every option a trap waiting to be sprung. So I do the only thing I can think of. The only thing that makes sense to me. I step forward, putting myself between Jordan and Patriot, my hands balled into fists at my sides. "You want them?" I say, my voice shaking only slightly. "You''ll have to go through me." I don''t know what I expect. For him to laugh, maybe. To brush me aside like a fly, a minor annoyance barely worth his notice. But instead, his smile only widens, his eyes glinting with a savage, predatory light. "Aiding and abetting a fugitive from the law?" He asks, clearly relishing the opportunity. "Sure, kid. It''s your funeral." Then in a flash, he''s on me, his fist slamming into my jaw with enough force to make my skull rattle. I reel back, my vision swimming as I taste blood on my tongue, but he doesn''t give me a chance to recover. Training kicks in, instinctively moving me out of range of his fist, but my senses are scrambled from unexpected head strike, and I''m too slow. His knee drives into my stomach, doubling me over as all the air whooshes out of my lungs. I gasp and choke, trying to suck in a breath, but he''s relentless, raining down blows like a hailstorm. A case of theft: this story is not rightfully on Amazon; if you spot it, report the violation. He dances around me, keeping distance, forcing me to exert myself to close the gap. He''s done this before, he knows the steps. I try to predict his next move, my brain churning through possibilities even as my body moves on autopilot, blocking and dodging and striking out whenever I see an opening. But he''s too fast, too strong, too skilled. He''s a machine, a fighting machine honed by years of training and experience. And I''m just a kid, a scrawny little girl playing dress-up in a suit that doesn''t fit. I know immediately that I''m outmatched. Through ringing ears I hear Jordan shouting my name, hear the shouts and screams of the crowd as they surge and heave against the force of Egalitarian''s powers. But it all seems distant, muffled, like it''s happening in another world, another life. All that matters is the fight, the brutal, bone-crunching reality of fists and feet and the taste of copper on my tongue. Patriot''s fighting stance is perfect, his guard up, his weight balanced on the balls of his feet. He moves like a dancer, smooth and graceful and lightning-fast, every motion calculated for maximum impact. He''s a boxer, I realize dimly, or at least he''s been trained like one. I can see it in the way he holds his hands, the way he shifts his weight, the sharp, staccato rhythm of his punches. I try to remember my aikido training, try to use his own momentum against him, to redirect his force and send him sprawling. But it''s like trying to catch a cannonball with a butterfly net. He''s too strong, too heavy, too grounded in his own power. A right hook snaps my head back, stars exploding behind my eyes. An uppercut lifts me off my feet, sends me crashing to the floor in a tangled heap. I taste blood, feel it trickling down my chin as I struggle to push myself up on shaking arms. But he''s already there, his boot slamming into my ribs with a sickening crack. I scream, the sound tearing itself from my throat as pain lances through my chest, hot and bright and all-consuming. Familiar burning begins, low in gut, and I know bone is mending, feel it knitting back together even as Patriot grabs me by the collar and hauls me up to slam me back into a wall. My head bounces off hard plaster, and for a second everything fuzzes to grey, sensation fading to distant hum. Without even thinking about it my hands latch onto the arm holding me, and I grow teeth from my palms to bite and grip. I''m trying to stay incognito, but my body won''t let me. I hope he just assumes something else happened. Patriot snarls and smashes his forehead into my face. My nose crunches and blood gushes hot, cascading over my lips and down my chin. The jolt of pain brings everything back into blinding focus. My eyes water, a film of tears and blood blurring my vision as I struggle weakly against the wall. Over his shoulder, I catch a glimpse of Jordan, their face a mask of anguish and rage as they twist and lunge and duck to evade Egalitarian''s grasping hands. The vertigo aura still ripples in the air around them, totally invisible, only able to be detected by the distortion in the air a centimeter off Egalitarian''s skin. Students and faculty alike retch and stumble, their balance shot, their senses scrambled. But Jordan dances through the chaos like it''s nothing, their body ducking in and out of reach, avoiding clumsy officers who have no doubt been given training on how to work with Egalitarian''s powers. I''m sorry for everyone else, especially the people on the floor who might get a little friction burn, but¡­ A burst of pride flares in my chest, bright and fierce despite the pain. Jordan''s always been quick, always been clever, but this¡­ this is something else. They''re magnificent, a blur of motion and purpose, their power thrumming through them like a live wire. The room is sliced, diced, and chopped in a million ways - an expansion here, a contraction there. I put my fists up. I can''t Bloodhound out - not only do I not have the strength left to push any teeth free after his first blitz, but right now it''s a fight between a super"hero" and a 15 year old girl. Even if he turns me into paste, I''m not giving him any PR advantage. We dance - he skips, I stumble - around each other. Jab, jab, duck, weave, jab. There''s a singular moment where my fist makes contact with his face, and the tiniest sliver of a tooth rips his cheek open. It feels totally unceremonious. Absolutely inane. His vascular system is huge, veins swollen and throbbing like nothing I''ve ever seen before. I have only a moment to think about it before his hand wraps around my face like a vicegrip, but I drink in the satisfaction - that I could hit him once. Between phased, shuddery breaths, I hear Jordan shout my name, hear the desperate edge in their voice. They''re trying to reach me, trying to break through the police cordon to come to my aid. But they can''t. They can''t let themselves get bogged down, can''t risk getting caught in Patriot''s clutches. They have to keep moving, keep fighting, keep the rest of these fascists off balance and out of the game. They''re trusting me to handle Patriot. To buy them time, to keep him occupied while they work their magic. And I''m failing. I''m failing them, failing my school, failing myself. I trained for a year for this, but all that training is nothing more than a spit in this man''s eye, this overwhelming brutality and ferocity. Patriot must see the despair in my eyes, must smell the stink of fear and self-loathing rolling off me in waves. His lips curl in a sneer, his fingers tightening around my throat as he leans in close. "Is that all you''ve got, little girl?" he hisses, his breath hot and sour against my cheek. "There are ways to deal with little hero brats like you. Stop breathing." He slams me by the throat into the wall hard enough that I feel dust coming down on my head, and the breath pauses, like a physical thing being swallowed, a huge block choking me out. Like he''s solidified all the air in my lungs and turned it into ice cubes. I hack up blood and phlegm and a tooth that''s come loose, cap included, spraying them onto Patriot''s wrist. I can barely even think, much less consider his statement. He lets me go, and I start sliding down the wall, only for his palm to land in my ribcage again, a dizzying palm-strike that drives even more mess out from between my lips, spurting forth like vomit. Well, there''s probably some vomit there, too. I feel bile and acid, burning somewhere inside of me, but that might also be my regeneration, working overdrive to keep me alive in the face of a perfect brick wall smashing me into dust. It hurts. I can''t exhale, or inhale. My stomach is hot. "Are you ready to get taken in? This can all end now if you just give up," he says, puffing his chest out like Superman, two bloody hands on his hip, one bloodier than the other. "It''s your choice. Live in juvenile hall, or die like an animal." I''m crying in earnest now, great shuddering sobs that wrack my battered body. I''m silently praying that he''ll stop goading me and just take me away - the goading is fucking worse. It''s hell. It''s hell. I already know I''ve lost. I look away, unable to meet his eyes, unable to face the disgust and contempt I know I''ll see there. This snarling monkey wearing human skin. There is nothing inside of me but meat for him to digest. I am an animal to him - I''m cattle, no, worse than cattle. A chihuahua, small enough to be a nuisance but not dangerous enough to be worth anything but a curbstomp. And maybe¡­ maybe I do want it to end. Maybe some small, secret part of me just wants to give up, to let go, to sink into the warm, welcoming darkness and never come back. It would be easy. It would be such a relief, to just¡­ stop. To stop fighting, stop struggling, stop caring so damn much all the time. To let someone else take the reins, make the hard choices, deal with the consequences. I''m so tired. I''m so tired of being strong, of being brave, of being the one who always has to keep it together, even when I''m falling apart, inside and outside. I''m tired of pretending I know what I''m doing. I''m just a kid. I''m just a stupid, scared little girl who got in way over her head and dragged everyone else down with her. None of this would be happening if not for me. Despite myself, my head shakes automatically. He reaches out and grabs me by the throat. Chapter 112.3 My vision is starting to blur, my breath coming in short, shallow gasps as Patriot''s fingers tighten around my windpipe. He''s toying with me now, drawing it out, savoring my pain and humiliation like a fine wine. In a distant, detached sort of way, I''m aware of the crowd still screaming and shouting, of the police sirens wailing outside, of the crackle and hiss of Jordan''s power cutting and pasting space. But it all seems so far away, so unimportant compared to the white-hot agony of Patriot''s fists, the metal-bright tang of blood in my mouth. This is it. This is how it ends. Not with a bang, but with a whimper. Not with a blaze of glory, but with a sad little fizzle, a pathetic damp squib of a death scene. I always knew I''d go out fighting. I just never thought it would be like this. Never thought I''d be so outclassed, so utterly helpless in the face of a stronger, faster, better opponent. Patriot draws back his fist, slow and deliberate, relishing the moment. I brace myself for the impact, for the bright burst of pain that will send me spiraling into oblivion. It never comes. But it''s not because of any act of mercy on Patriot''s part. No, it''s because suddenly, impossibly, Mike Giannopoulos is there, his meaty hands wrapped around Patriot''s leg as he heaves and retches and clings on for dear life. "Stop it!" he gasps out, his face pale and slick with sweat. "Just¡­ just fucking stop, man!" Patriot looks down at him, his expression a mix of disgust and disbelief. "Get off me, you little shit," he snarls, trying to shake Mike loose. But Mike won''t let go. Even as his stomach rebels, even as his body shakes and shudders with the force of Egalitarian''s power, he holds on, his fingers digging into Patriot''s leg like claws. And he''s not the only one. All around the gym, students and teachers alike are staggering to their feet, their faces set in masks of grim determination as they push through the vertigo, the nausea, the bone-deep wrongness of having their inner ears scrambled. Mr. Weston is there, one arm thrown over Mrs. Nguyen''s shoulder as they stumble forward together. Carlos from my homeroom is crawling on his hands and knees, his jaw clenched so tight I can see the muscles jumping in his cheek. Even Melissa is up, her hair plastered to her face with sweat as she sways and wobbles but doesn''t fall. They''re all moving towards us, a shambling, staggering mass of bodies that puts itself between me and Patriot, between Jordan and the cops. Some of them have their phones out, little pinpricks of light in the chaos as they record everything, to share with their chatrooms and forums later. Like the world''s most hopeful zombie hoard. Patriot''s eyes widen, a flicker of something that might be fear crossing his face as he realizes what''s happening. He''s not just fighting two kids anymore. He''s fighting the whole fucking school. And the school is winning. I see the moment it hits him, the moment he realizes that he''s lost control of the situation. His eyes dart around the room, taking in the cameras, the crowds, the looks of horror and disgust on so many faces. I think he was expecting Egalitarian''s powers to prevent anyone from fighting back - or just his aura of awe. I don''t think a person like Patriot has any faith in the common man. And maybe before today, I didn''t either. He hesitates, just for a second. But it''s enough. Jordan seizes their chance, ducking under Egalitarian''s grasping hands and slipping through a gap in the police line. They''re fast, faster than I''ve ever seen them move, their power crackling around them like a living thing as they snap tiny inch-thin slivers of space beneath their feet. I try to call out to them, try to shout some word of encouragement or warning or I don''t even fucking know what. But all that comes out is a wet, hacking cough, a spray of blood and bile that splatters across the gym floor. My head is pounding, my vision swimming in and out of focus as I struggle to stay conscious. Everything hurts, every breath a knife in my lungs, every twitch of my muscles an agony. But I can''t stop. I can''t let myself fall. Not now, not when we''re so close, not when everyone is counting on me. I push myself up on shaking arms, my fingers slipping in the puddle of my own vomit as I force myself to my feet. The world tilts and spins around me, but I lock my knees, refuse to let myself collapse. "Jordan," I rasp out, my voice a thready, broken thing. "Jordan, run¡­" And they do. They run like the devil himself is on their heels, like the hounds of hell are snapping at their ankles. They run and they don''t look back, not even as the police start to give chase, not even as Egalitarian screams in frustration and redoubles her efforts to bring them down. For a second, just a second, I think they''re going to make it. I think they''re going to get away clean, disappear into the night like a ghost, a phantom, a legend whispered in the halls of Tacony Charter. Then the back door of the gym explodes inward, blasted off its hinges by a shot that rings out like a thunderclap, like the voice of G-d himself. The force of it sends Jordan tumbling, their arms pinwheeling as they try to keep their balance. I see their face, shocked and terrified in the split second before they hit the ground, see the bright bloom of blood that splashes across their cheek. Like a flower unfurling, hardwood shards blooming violently into the air. Splinters like shrapnel, like confetti made of knives, all around their feet, as the bullet hits the gymnasium floor. Somebody''s screaming. It takes me a second to realize that it''s me, my voice high and thin and desperate as I claw my way forward, fighting through the crowds that suddenly seem so much thicker, so much more impassable than before. This novel is published on a different platform. Support the original author by finding the official source. Jordan''s down. They''re down and they''re bleeding and oh G-d, oh fuck, I can''t let this happen. I can''t lose them, not now, not like this. The cut on their face is long and shallow, a thin gash that oozes crimson down the side of their throat. But they''re alive. They''re moving, struggling to push themselves up on hands and knees that shake like they''re about to give out any second, more out of fear and shock than anything else. The police are closing in, their guns drawn, their faces hard and set. Patriot is with them, his expression a twisted mask of rage and something that looks almost like fear. "Stay down!" he shouts, his voice hoarse and ragged. "Don''t you fucking move, you little--" BANG! Another shot rings out, this one going wide, chewing up the asphalt outside in a spray of gravel and rocks. Jordan flinches back, their eyes wide and white-ringed with terror. They could have hit them. Whoever''s shooting, they could have put a bullet right between Jordan''s eyes, easy as breathing. But they didn''t. The police have stopped advancing, their heads swiveling as they try to pinpoint the source of the gunfire. Patriot is barking orders into his radio, something about a perimeter, about calling for backup. But it''s too late. The damage is done. The crowd is surging forward now, students and teachers alike linking shaky, nauseous arms, forming a human wall between us and them. Between the Pals and their goons, and the kids who didn''t ask for any of this shit. Somewhere in the distance, I can hear sirens. Real sirens, not just the tinny wail of the cop cars outside. Fire trucks. Ambulances. The cavalry''s coming, and they''re not on Patriot''s side. He knows it too. I can see it in the way his jaw tightens, in the way his hands clench into fists at his sides. He''s lost control of the situation, lost the initiative, lost the narrative he''s been trying so hard to spin. This was supposed to be his big moment. His triumph, his chance to show the world that he was right all along, that Jordan Westwood and their freaky little friends were a menace that needed to be put down, to put a kibbosh on that website that was bothering his friends'' bonnets so much. He looks around at the crowds, at the cameras, at the faces of the people who used to believe in him. Used to trust him to keep them safe, to protect them from the big bad world outside. And he sees nothing but disgust. Nothing but anger and betrayal and a simmering, righteous fury that''s just waiting for the right spark to set it off. He takes a step back, his mouth twisting like he''s tasted something sour. "We''ll be back," he says, but his voice is weak, thready, stripped of all its former bravado. "We''ll be back. With a warrant. You can''t hide forever, Westwood," he says, not to me, but to Jordan, several dozen feet away. Then he''s turning on his heel, stalking out of the gym with Egalitarian and the rest of his little pack following close behind, like nothing ever happened. The gall of it would leave me appalled if I was capable of feeling such complex emotions right now. The police go with them, some of them still looking over their shoulders like they''re not quite sure what just happened, like they''re waiting for somebody to tell them what to do next. And then it''s just us. Just the kids and the teachers and the staff of Tacony Charter, standing together in the wreckage of what was supposed to be a night of magic and memories. Homecoming. What a joke. I take a step forward, meaning to go to Jordan, to see how bad they''re hurt, to do something, anything to help. But my knees buckle under me, my body finally giving out now that the danger has passed, now that the adrenaline is wearing off and leaving nothing but pain in its wake. I hit the floor hard, barely feeling the impact through the haze of agony that envelops me like a shroud. Everything hurts. Everything is bleeding or bruised or broken, inside and out. Mr. Weston is beside me in an instant, his hands gentle as he rolls me onto my side, checks my pulse, my breathing. "Just hold on, Sam," he says softly. "Help is coming. You''re going to be okay." And I want to believe him. I want to believe that anything is ever going to be okay again. But I can''t. It feels harder than anything else right now. Because this is my world now. This is my reality, my normal. A world where kids like me have to fight and bleed just to survive, where monsters with badges can do whatever they want and nobody lifts a fucking finger to stop them. I feel like all the optimism has been beaten out of me, beaten bloody from my lips from a man wearing the American Flag. We''re on our own. We''ve always been on our own. And if tonight has taught me anything, it''s that we always will be. At some point, I must black out. I fade in and out, surfacing from the dark like a drowning swimmer gasping for air. Snatches of sound and sensation flicker past me, jumbled and disjointed like a fever dream. The wail of sirens, drawing closer. The flashing red and blue lights of the ambulance as it screams into the parking lot. The rumble of the gurney wheels on pavement as the paramedics rush in, their faces grim and focused. There are cops too, but they''re different now. Subdued. Wary. They stand back and let the medics do their work, let them load me onto the stretcher with careful, practiced hands. Why did this happen? How did this happen? There was a warrant for Jordan but none for me, and Jordan wasn''t even given a chance to surrender to it. That''s just how it goes, I guess. So many people, students, teachers, police, all with their phones out documenting it all, either to help me or crucify me. I wonder bleakly which it will be. I surface again as they''re wheeling me out, the cool night air washing over my face like a benediction. The parking lot is chaos, cop cars and news vans jockeying for position, cameras flashing like strobe lights in the dark. I see Officer Nguyen - just Officer Nguyen now, I guess, without the rest of her ilk - trying to keep them back, her face drawn and haggard. Of all the security guards, she''s the only one out there. The rest of my people are swarming the ambulance. I see Melissa shouting furiously at a particularly aggressive reporter. The rest are just huddled around each other, hollow eyed with shock. Jordan''s there too, looking small and lost as they stand off to one side, a bandage stark white against their skin. Their eyes meet mine, just for a second, and everything we''ve been through, everything we''ve seen and done and felt over these past few crazy, terrifying weeks seems to pass between us in that single shared glance. Then the ambulance doors slam shut, and they''re gone. And I''m alone, just a broken, bleeding shell strapped to a table. The paramedic squeezes my shoulder as she starts an IV line, her voice low and soothing over the shriek of the siren. "Just hang on, kid," she tells me. "We''ve got you now." But I can''t help but feel a little bit cynical. Who''s got me? Back home, Mom and Dad are probably glued to the TV right now, watching the pundits and the politicians shout at each other over what happened here tonight. Watching them point fingers and lay blame and spew all sorts of self-righteous posturing bullshit about how we need to have a "national conversation" about youth and power and responsibility. As if that will change anything. As if that will make a single goddamn bit of difference to kids like me, like Jordan, like all the other freaks and outcasts who drew the long straw of superpowers. Or even the regular old outcasts, the ones that I can''t protect. We don''t need conversations. We need action. We need protection. We need people in power to get off their fucking asses and do something before it''s too late. The painkillers are kicking in, the world going soft and fuzzy at the edges. I let my eyes drift shut, let myself sink down into the warm, dark depths of unconsciousness. And as I slide under, as the blackness rises up to claim me once more, I hear Jordan''s voice in my head. Telling me that we''re going to beat them. I want to believe them. More than anything, I want to believe that we can make a difference, that we can fight back against the hate and the fear that rules our lives. But right now, lying broken in the back of an ambulance with the bitter taste of defeat thick on my tongue, it''s hard to feel anything but misery. It hurts. It hurts a lot. RJ.1.1 I stare at the paper in my hands, the numbers and letters blurring together until they don''t even look like words anymore. Failed. Again. This is my third attempt at the ASVAB, and I thought for sure I had it this time. I studied for weeks, staying up late into the night poring over practice questions and memorizing vocab words that I''ll probably never use again. But apparently, it still wasn''t enough. The scores glare up at me in stark black and white, a damning indictment of my own inadequacy. Math: 35. Science: 40. Reading: 42. My highest score is in mechanical comprehension, a measly 55. Even the guy at the recruitment office couldn''t hide his grimace when he handed me the results. "Well, you passed," he said, but his tone suggested that this was more of a technicality than a real achievement. "Barely, but you passed." I shouldn''t be surprised, really. I''ve never been great at school, never been the sharpest tool in the shed. But I thought the military would be different. I thought it would be a place where I could finally excel, where my physical strength and my determination would count for more than my ability to solve quadratic equations or analyze poetry. Guess I was wrong about that, too. I crumple the paper in my fist, feeling the satisfying crunch of it beneath my fingers. I want to scream, want to put my fist through a wall, want to do something to release the frustration and anger boiling up inside me. But I can''t. Not here, not in front of all these people. So instead, I take a deep breath and shove the paper into my pocket, squaring my shoulders as I turn to leave the recruitment office. I''ll just have to try again. Study harder, focus more, do whatever it takes to prove that I''m not a complete fucking failure. As I step out into the bright sunlight, I feel a heavy hand clap down on my shoulder. I don''t even have to turn around to know who it is. "How''d it go, son?" my dad asks, his voice gruff and expectant. I hesitate for a moment, considering lying. But I know there''s no point. He''ll find out eventually, and then it''ll just be worse. "I passed," I say, trying to keep my voice steady. "But not by much. The scores were pretty low." I feel his hand tighten on my shoulder, his fingers digging in like claws. "Let me see." Reluctantly, I fish the crumpled paper out of my pocket and hand it over. He snatches it from me, smoothing it out with quick, irritated movements. I watch his face as he scans the numbers, watch the way his brow furrows and his mouth twists into a scowl. I know that look. I''ve seen it a thousand times before, every time I''ve brought home a less-than-perfect report card or failed to live up to his standards. "This is unacceptable," he says finally, his voice low and dangerous. "No son of mine is going to be some kind of retarded grunt, barely scraping by on the bottom rungs of the military ladder." I feel my face heat up, shame and anger warring in my chest. "I tried, Dad," I mumble, hating how weak and pathetic I sound. "I studied really hard, I swear." "Not hard enough, apparently," he snaps, shoving the paper back into my hands. "You''ll take it again. And this time, you''ll do better. I''m not going to have people thinking my son is some kind of idiot." I bite my lip so hard I taste blood. I want to argue, want to tell him that I''m doing my best, that I''m not an idiot, that maybe the military just isn''t the right path for me. But I know it''s no use. In my dad''s eyes, there''s only one acceptable path, and that''s the one he''s chosen for me. "Yes, sir," I say instead, forcing the words out through gritted teeth. He nods curtly, like he''s dismissing a subordinate rather than his own flesh and blood. "Good. Now let''s go home. Your mother''s got dinner waiting." I follow him to the car in silence, my shoulders slumped and my head bowed. I feel like a dog that''s just been kicked, slinking along with my tail between my legs. But beneath the shame and the humiliation, there''s something else too. A spark of defiance, a flicker of rage that refuses to be extinguished. I''ll show him, I think as I slide into the passenger seat, staring out the window at the passing streets. I''ll show them all. I''ll be the best damn soldier this country has ever seen, and then they''ll have to respect me. They''ll have to see that I''m not just some dumb kid, not just a disappointment or a failure. I''ll make them proud, even if it kills me.
I feel like I might throw up. This narrative has been purloined without the author''s approval. Report any appearances on Amazon. My lungs are burning. My legs are shaking. My heart is pounding so hard I can feel it in my eyeballs. But still, I keep running. Left, right, left, right. One foot in front of the other, over and over again. I don''t know how long we''ve been at it ¨C an hour, maybe two. All I know is that I can''t stop, can''t slow down, can''t show even a moment of weakness. Not if I want to survive. Sweat pours down my face, stinging my eyes and dripping into my mouth. It tastes like salt and desperation, like all the times I''ve pushed myself to the brink and then kept going anyway. I never expected boot camp to be easy. But this¡­ this is something else entirely. It''s like being broken down and put back together again, piece by agonizing piece. Wake up before the sun, run until you puke, drop and give me fifty, maggot! Faster, faster, you call that a push-up?! I''ve seen girlscouts with more balls than you! You''re just like your daddy ain''t ya; a nameless loser. Maybe you belong on a register at a K-Mart somewhere, fucking cashier. Six weeks of it so far. Honestly, I had a grin on my face for the first two weeks, loving every second. Eight weeks to go. I''d better learn to grin again. Every muscle screams in protest as I force myself to keep going, to match the relentless pace set by the drill instructor. He''s a machine, tireless and unforgiving, barking orders and insults in equal measure. "What''s the matter, Johnson?" he shouts, his voice cutting through the pounding of my own heartbeat. "You getting tired already? You think the enemy''s gonna go easy on you just because you''re a little winded?" I clench my jaw so hard my teeth ache. I want to snap back, to tell him that I''m not tired, that I can take whatever he dishes out. But I know better. Talking back is a one-way ticket to pain and humiliation. So instead, I just push harder. I find some hidden reserve of strength, some last scrap of determination, and I pour it all into my burning legs and heaving lungs. I am not weak. I am not a failure. I am a warrior, forged in the fires of my own will. And I will not break, no matter how hard they try to shatter me. The other recruits are struggling too, their faces red and twisted with effort. Some of them have already fallen behind, their bodies giving out under the relentless strain. Others are barely hanging on, stumbling and gasping like fish out of water. But not me. I refuse to be one of them. I will not be the weakest link, the one who holds the rest of the platoon back. I will be the best, the strongest, the most unbreakable. I have to be. Because this is my chance, my one shot at proving myself. At showing my father, my family, the whole damn world that I am not a fuck-up, not a loser, not a waste of space. I am Richard fucking Johnson, and I am going to be the best soldier this country has ever seen. It doesn''t matter that I scored a goddamn fucking 35 on the goddamn fucking math section of the fucking ASVAB. It doesn''t matter that these weapons are ten times heavier than they were when I was buying M-16s as props on my weekly comic book allowance. That was a lifetime ago. It doesn''t matter that my skinny ass couldn''t even bench the bar last year. What matters now is the burn in my muscles, the fire in my lungs, the steel in my spine. What matters is that I am still standing, still moving, still pushing forward, no matter how much it hurts, no matter how much I want to quit. No matter how badly they want me to do so. My drill instructor spits at me while I run past. Tobacco juice and mucous mingles with the sweat and tears on my face. Lactic acid circulates throughout my body, slowly crystallizing. I''m halfway through my 15 mile run with boots that don''t fit me, a rifle above my head that I can barely hold, and I have a canteen half-full of a mystery substance that I have to carry above my head too without spilling a drop. Everyone does. But somehow, I feel like people are looking at me, looking for me to fuck up. Looking for me to fuck up real bad. I''m already behind the others, the elastic band they''re following with getting further and further away while my legs ache and creak in ways I can''t describe. I''m not out of energy but my body just won''t move correctly anymore. My lungs burn from trying to pull in seawater air. Four other guys have fallen behind with me My drill instructor screams next to my ear from a truck running parallel to me, at a pace faster than my sprint. "I DID NOT SPEND TWO MONTHS MAKING YOU INTO A REAL MAN SO YOU COULD CHOKE ON THE FINAL EXAM, JOHNSON!" he screams into my fucking face. I wish he''d just get it over with. I''m already a failure. "YOU''RE LETTING YOUR MOMMY DOWN! YOU''RE LETTING YOUR TROOP DOWN! YOU KNOW WHAT''S GOING TO HAPPEN BECAUSE YOU CAN''T HACK IT, JOHNSON? YOU HEAR ME?!" I don''t respond. We''re not allowed to speak unless spoken to. "YOU JUST FUCKING KILLED THEM, JOHNSON! YOU JUST SENT ALL THEIR MOTHERS FOLDED FLAGS BECAUSE YOU COULDN''T HACK IT! BECAUSE YOU WEREN''T STRONG ENOUGH, FAST ENOUGH TO KEEP PACE! YOU DIDN''T TRAIN HARD ENOUGH, JOHNSON!" People are¡­ people are jeering at me, shouting at me and throwing things from the truck, if I fall behind. I¡­ I wanna cry. I can''t¡­ I can''t fucking cry. I''m not a pussy. I¡­ I can see the trail of blood I''m leaving as my boots tear against my skin. My whole body is weak. I can''t take a step. I can''t take another step. I can''t do this. My lungs are on fire and burning! My muscles are screaming at me, saying I can''t do this! I try to breathe in through my nose, but it''s a wheeze, asthmatic and pained. Did I¡­ did I used to have asthma? Do I have asthma? "C-C-CAN''T" I gasp out, desperately. My DI''s eyes narrow. He knows. He gets off of his truck and knees me in the back, sending me stumbling forward. My mystery mix splashes a bit and lands on my skin, and it immediately burns wherever it hit me. Battery acid? Lemon juice? Water and salt? I have no idea. All I know is that it burns. "KEEP MOVING, JOHNSON! I WILL CARRY YOU ON MY FUCKING BACK IF I HAVE TO, YOU LIMP-WRISTED--" I can''t take another step. I can''t. My back is hunched. My knees are bending more under my weight than they ever have in my life. My canteen sloshes wildly, its mixture spilling all over my head and face and chest, bathing me in acid and sweat and tears and tobacco spit. My foot slides forward. My foot slides back. My other foot slides forward. My footing slides back. I breathe in. I throw up. Sea-green bile mixed with battery acid comes hurtling at terminal velocity into the morning air, projectile spewing onto the dirt, the grass, onto the hard leather of my DI''s boots, speckling and sizzling. They''re screaming something in my face, but I can''t hear it. My ears are blurry. My vision is blurry. Everything is¡­ Everything goes black. "Thank¡­ thank you for th-the opportunity¡­" I whisper, breathless, before I fall forward. Grass tickles my cheek. There''s mud in my mouth. Something''s beeping. Something''s bweeeeeoooo. weeeeeeoooo. weeeeeoooo. weee oooooo. weeeee-eeee-eeeeeee beeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee beeeeeeeeeeeeee eee e e e e e eee I''m cold. I hurt. I can''t move. I''m being moved. And then I¡­ get sucked down. Down, down, down. And then everything stops. RJ.1.2 Beep. Beep. Beep. The sound is the first thing that filters through the fog in my mind. Steady, rhythmic, annoying as hell. I want to reach out, to smash whatever''s making that incessant noise, but my arms feel like lead at my sides. Everything hurts. Every breath, every twitch, every thought sends a fresh wave of agony crashing through my battered body. It''s like I''ve been run over by a tank, then backed up and run over again for good measure. Beep. Beep. Beep. I try to open my eyes, but even that small movement is excruciating. My eyelids feel like they''re weighed down with sandbags, gritty and swollen and impossible to lift. Where am I? What happened? The last thing I remember is¡­ is¡­ Running. Pain. Vomit burning my throat, my lungs screaming for air, my legs giving out beneath me. The drill instructor''s face, twisted with rage and something like fear. The ground rushing up to meet me, hard and unforgiving. Then nothing. Blackness. Oblivion. Beep. Beep. Beep. "¡­lucky to be alive," a voice is saying, somewhere off to my left. It''s a man''s voice, low and serious, with the clipped efficiency of a doctor. "His body was already in a state of severe stress before the collapse. Dehydration, electrolyte imbalance, muscle strain, early stages of rhabdomyolysis. It''s a wonder his organs didn''t shut down sooner." Another voice, gruff and familiar. My drill instructor. "He never complained. Never showed any signs of weakness. I thought¡­" The doctor cuts him off. "No one''s blaming you, Sergeant. These men are pushed to their limits, that''s the nature of the training. But in Private Johnson''s case, his limits were¡­ lower than most." Lower than most. The words echo in my head, taunting me. Weak. Pathetic. Failure. Just like always. "¡­pre-existing conditions," the doctor is saying. "Mild anemia, low muscle mass, possibly asthmatic. He was barely scraping by on the minimum requirements as it was. Frankly, I''m impressed he made it this far." Far. I almost want to laugh. I didn''t make it far at all. I crumbled, broke, shattered into a million pieces at the first real test of my strength. Some hero I am. Beep. Beep. Beep. "What''s his prognosis?" my DI asks, his voice uncharacteristically subdued. "Will he recover?" The doctor sighs. "It''s hard to say. His body has been through a tremendous trauma. Multiple organ failure, severe dehydration, kidney damage. We''re doing everything we can, but¡­" But. That one little word, heavy with implication. But he might not make it. But he might never be the same. But he''s a lost cause, a hopeless case, a waste of time and resources. I want to scream, to rage against the unfairness of it all. I did everything right. I pushed myself harder than I''ve ever pushed. I gave it everything I had, every last ounce of strength and will and determination. And it still wasn''t enough. It''s never enough. Beep. Beep. Beep. "¡­keep him stable," the doctor is saying, his voice fading in and out like a badly tuned radio. "Monitor his vitals, administer fluids and electrolytes. If he makes it through the next 48 hours¡­" If. Another small word, loaded with uncertainty. If I''m strong enough. If I''m worthy enough. If I even want to keep fighting at all. Part of me just wants to let go. To sink back into that soft, welcoming darkness and never come out again. To finally rest, finally be free of the constant pressure, the constant expectation to be more, to be better, to be perfect. But even as I think it, I know I can''t. Won''t. Giving up is not an option. Not for me. Not for a Johnson. We fight. We push. We claw our way back from the brink, no matter how many times we get knocked down. That''s what my father would say. That''s what he''d expect from me. Beep. Beep. Beep. With a herculean effort, I force my eyes open. The light is blinding, searing into my retinas like a white-hot brand, but I refuse to close them again. I blink rapidly, my vision slowly coming into focus. I''m in a hospital room. That much is obvious from the sterile white walls, the beeping machines, the IV drip snaking into my arm. The air smells of antiseptic and sickness, of desperation and despair. The doctor and my DI are standing at the foot of my bed, their heads bent together in conversation. They haven''t noticed I''m awake yet. I try to speak, to announce my presence, but all that comes out is a weak, rasping croak. My throat feels like it''s been scoured with sandpaper, my tongue thick and heavy in my mouth. But it''s enough. Their heads snap up, their eyes widening as they take in my conscious state. "Private Johnson," the doctor says, moving to my side. "Can you hear me? Nod if you understand." I nod, the small motion sending a fresh wave of pain crashing through my skull. The doctor''s face swims before me, blurry and indistinct. "Don''t try to talk," he says, his voice gentle but firm. "Your throat is very raw from the intubation. Just rest, let the medicines do their work." But I can''t rest. Not now. Not when there are questions burning in my mind, clawing at my throat, desperate to be voiced. Reading on this site? This novel is published elsewhere. Support the author by seeking out the original. "Wh¡­ what¡­" I manage to rasp out, each word like shards of glass on my tongue. "What¡­ happ¡­" "You collapsed during training," my DI says, stepping closer to the bed. His face is drawn, lined with exhaustion and something that looks uncomfortably like guilt. "Pushed yourself too hard, too fast. Your body couldn''t take it." He takes a deep breath, as if steeling himself for a blow. "I''m sorry, son. I should have seen the signs. Should have known you were struggling. I failed you as a leader, and for that, I take full responsibility." I shake my head, ignoring the way the room spins and tilts around me. "No," I whisper, my voice thin and thready. "Not¡­ your fault. Mine. I¡­ wasn''t strong¡­ enough." "That''s not true," the doctor interjects, his tone sharp. "You survived situations that would have killed a lesser man. You showed incredible fortitude, incredible will. This is not a failure of character, Private. It''s a failure of biology. Plain and simple." Biology. The word lands like a punch to the gut, knocking the breath from my lungs. All this time, all this effort, and it was my own body that betrayed me in the end. Beep. Beep. Beep. The machines are getting louder, more insistent. Or maybe that''s just the pounding of my own heart, the rush of blood in my ears. I feel strange, dizzy, like I''m floating outside my own body. "Rest now," the doctor says, his voice seeming to come from far away. "We''ll talk more when you''re stronger. For now, just focus on healing." Healing. The word almost makes me want to laugh. How can I heal from this? How can I come back from the brink of death itself, from the shattering of every dream, every hope, every illusion of strength and power and invincibility? But even as I think it, I feel a strange sensation washing over me. A tingling, a prickling, like a thousand needles dancing across my skin. It starts at my toes and fingers, then spreads inward, growing stronger and more intense with each passing second. It''s not painful, exactly. But it''s not pleasant either. It''s like¡­ like¡­ I try to cry out, to call for help, but my voice is locked in my throat. I''m paralyzed, frozen in place as the sensation builds and builds, a pressure inside me growing to unbearable levels. I hear shouts of alarm, the frantic beeping of machines, the thud of running footsteps. But it all seems distant, muffled, unimportant compared to the incredible, terrifying thing that''s happening to me. My muscles are burning, like someone''s poured acid inside of me. Everything hurts so much more than it ever has before, like I''m dying all over again. It''s a new, almost fascinating kind of pain. My brain is - I can feel my brain trying to detach itself entirely. Trying. Trying. My chest explodes, my shoulders ache, my skin stretches taut over a frame that''s rapidly increasing in size, like I''m about to burst open. Like there''s alien eggs inside of me. It''s like I''m being destroyed, pumped full of some unimaginable power that''s bursting out of me in every direction. And it hurts. Oh God, it hurts so much. It''s like every cell in my body is being ripped apart and put back together again, over and over and over until I can''t tell where the pain ends and I begin. I hear someone screaming, a raw, animal sound that I barely recognize as my own voice. I''m thrashing on the bed, my newly-muscled limbs flailing wildly, straining against the firmest restraints they have. The days have all blurred together. I don''t know what''s happening to me. Doctors and nurses are swarming around me, their faces pale and panicked as they try to hold me down, to inject me with sedatives and painkillers. But nothing works. Nothing even touches the agony that''s consuming me from the inside out. It goes on for what feels like hours. Days. Years. An eternity of pain and confusion and bone-deep terror as my body warps and changes in ways that should be impossible. I drift in and out of consciousness, surfacing from the blackness only to be dragged back down again. I catch snatches of conversation, fragmented images that make no sense. "¡­cellular regeneration¡­" "¡­never seen anything like it¡­" "¡­a medical miracle¡­" "¡­Samson Activation catalyst¡­" "¡­what triggered it?" "What the hell have you done to my insides?" I''d say at times, if only I were capable of speech through the agony. I sometimes feel things snap into place inside me with sickening crunches. I sometimes feel the skin on my arm lengthen and smooth, expelling shrapnel and bulletholes that I''d never had before but the serum seems to think I do. One of the nurses vomits when she sees the skin on my back bubbling like it''s boiling, rising up and then settling, letting out steam, angry and red like I''d been hit with a branding iron before resettling unblemished and perfect. "What is this DOING to me?!" I scream in my head, over and over. It''s the only way I know I''m still alive, still human. The screams from my mouth are much different. I wake up. When I finally come back to myself, really come back, it''s like waking up from a nightmare only to find that the nightmare is real. I''m still in the hospital room, but it looks different now. Bigger. Brighter. Sharper in a way I can''t quite explain. Everything looks different. Sounds different. Smells different. It''s like all my senses have been dialed up to eleven, overwhelming me with input that I don''t know how to process. I look down at my body, almost afraid of what I''ll see. But what I do see takes my breath away. I''m huge. Massive. My muscles ripple and bulge under skin that''s stretched tight as a drumhead. My hospital gown strains across a chest that''s nearly doubled in size, my biceps testing the limits of the flimsy fabric. I flex my fingers, marveling at the strength and dexterity I feel in every motion. It''s like I''ve been given an entirely new body, one that''s faster, stronger, more powerful than I ever could have imagined. A cough from the foot of the bed snaps me out of my reverie. I look up to see my DI standing there, his face a mix of awe and trepidation. "Welcome back, Private," he says, his voice gruff but not unkind. "You had us worried there for a while." "What¡­" I croak, my voice rough from disuse. "What happened to me?" "We''re still trying to figure that out," he replies, shaking his head. "The doctors say you had some sort of¡­ Activation Event. Your body just started changing, growing, right before our eyes. They''ve never seen anything like it." Activation Event. The words ring a distant bell in my mind, a half-remembered snippet of conversation from a lifetime ago. "Am I¡­ am I a superhuman now?" I ask, hardly daring to believe it. My DI nods slowly. "It looks that way. Your physical stats are off the charts. Your body fat ratio. Your organ functioning. Your lab results. By God, you''re basically perfect now. The perfect soldier." The perfect soldier. The words send a thrill down my spine, a rush of pride and excitement and something like fear. This is what I''ve always wanted. What I''ve always dreamed of. The power to be a hero, to make a difference, to finally prove my worth to the world. But at what cost? "So what happens now?" I ask, my voice small and uncertain. "Do I go back to training? Back to my unit?" My DI''s face falls, his expression growing somber. "I''m afraid not, son. You were ruled medically unfit during your initial crisis, and then the boys above me said you''re medically unfit because you''re too good now. Your body''s just too¡­ different. Too unpredictable. We don''t exactly know what you''re capable of. You broke a couple of beds on the two hours you were changing." Unfit for duty. The words hit me like a punch to the gut, knocking the air from my lungs. After everything I''ve been through, everything I''ve sacrificed, I''m still not good enough. Still not worthy. "But that doesn''t mean your service is over," my DI continues, as if sensing my despair. "In fact, it might just be beginning." He leans in closer, his voice low and conspiratorial. "I''ve been in touch with some folks from the NSRA. The National Superhuman Response Agency. They''ve heard about your case, and they''re very interested in meeting with you." The NSRA. The name sends a shiver down my spine, a mix of excitement and apprehension. I''ve heard stories about them, whispered rumors and half-formed legends. They''re the ones who deal with superhumans, who train them and deploy them and keep them in line. The freshest face on the scene, formed five years ago to defend us from all freakazoid threats foreign and domestic. And now they want me. "When?" I ask, my voice barely above a whisper. "As soon as you''re cleared for discharge," my DI replies. "They''re sending a representative to meet with you, to discuss your options." Options. The word hangs heavy in the air, loaded with possibility and uncertainty. I don''t know what the future holds. Don''t know what kind of hero I''ll be, or if I''ll even be a hero at all. But for the first time in my life, I feel like I have a choice. A chance to forge my own path, to make my own destiny. And I''ll be damned if I''m going to waste it. RJ.1.3 Ten years since that day in the hospital. A decade of service, of sacrifice, of becoming the hero I was always meant to be. The man I am today would be unrecognizable to the scrawny, weak-willed boy who collapsed on that training field. That boy is dead and buried, his inadequacies burned away in the crucible of my Activation. I''m standing at attention under a sky that can''t decide if it wants to rain or not. The air is thick with humidity, heavy with the scent of freshly turned earth and the acrid tang of gunpowder from the twenty-one-gun salute. My father''s casket gleams dully in the watery sunlight, draped in the American flag he loved more than anything. More than me, certainly. More than my mother, who isn''t even here today. She couldn''t bear to come, she said. Couldn''t face the memories, the pain, the loss. Bullshit. She just didn''t want to deal with the old bastard one last time. I can''t really blame her. The chaplain drones on about duty and sacrifice, about a life well-lived in service to God and country. I let the words wash over me, meaningless platitudes that don''t begin to capture the complicated, bitter reality of Richard Johnson Sr.''s legacy. My eyes scan the assembled crowd. Rows of somber faces, most of them strangers to me. Old war buddies, fellow veterans, neighbors who probably never knew the man beyond his carefully cultivated public persona. The perfect soldier, the devoted father, the pillar of the community. What a crock of shit. Natalie catches my eye from where she stands a few paces back, her face a mask of respectful grief. She''s good at this, at playing the part of the supportive partner, the grieving almost-daughter-in-law. It''s why I brought her today, why I keep her around at all. She understands the importance of appearances, of maintaining the fa?ade. Sean''s there too, his massive bulk barely contained by the straining fabric of his dress uniform. But he''s got my back, always has, ever since that day in the gym when he tried to out-bench me and nearly herniated a disc for his trouble. The chaplain''s finished now, and it''s my turn to speak. I stand, straightening my already impeccable uniform, and make my way to the podium. My footsteps are measured, deliberate, every movement carefully calculated to project strength and composure. I clear my throat, looking out over the sea of expectant faces. They''re all waiting for the tearful eulogy, the heartfelt tribute to a great man gone too soon. They''re going to be disappointed. "My father," I begin, my voice steady and clear, "was a man who believed in duty above all else. Duty to his country, to his fellow soldiers, to his family." A murmur of approval ripples through the crowd. So far, so good. "He pushed me to be the best version of myself, to strive for excellence in everything I did. He taught me the value of discipline, of sacrifice, of putting the needs of others before my own." I pause, letting the words sink in. Let them hear what they want to hear, see what they want to see. "Without his guidance, his¡­ constant pressure," I continue, choosing my words carefully, "I wouldn''t be the man I am today. The soldier. The hero." My mind flashes back to those endless nights of studying, of push-ups and sit-ups until my muscles screamed, of being told over and over that I wasn''t good enough, wasn''t strong enough, wasn''t worthy of the Johnson name. "He shaped me," I say, my tone neutral but my eyes hard as flint. "Molded me into the Patriot you see before you. And for that, I should be grateful." The subtext is there for anyone who cares to listen, to really hear what I''m saying. But from the nodding heads and misty eyes I see before me, I doubt many are picking up on it. "My father pushed me to my limits," I continue, a humorless smile tugging at the corners of my mouth. "And beyond them. He drove me to the brink of death itself, and in doing so, gave me the greatest gift a man could ask for." Power. Strength. The ability to be more than just another faceless grunt, another cog in the great military machine. "So today, as we lay him to rest, I want to thank him. For making me who I am. For showing me what true strength looks like. And for teaching me that sometimes, the only way to truly live up to your potential is to be willing to die for it." I step back from the podium, my piece said. The crowd applauds politely, a few of the older veterans nodding in solemn agreement. They think they understand, think they know exactly what kind of man Richard Johnson Sr. was. I take my seat again, my back ramrod straight, my face an expressionless mask. The rest of the ceremony passes in a blur of ritual and tradition. The flag is folded with crisp precision, handed to me with solemn gravity. The casket is lowered into the ground, each shovelful of earth landing with a dull thud that echoes in the hollow pit of my stomach. Love what you''re reading? Discover and support the author on the platform they originally published on. And through it all, I don''t shed a single tear. Because men don''t cry. Soldiers don''t cry. And heroes, well¡­ heroes sure as hell don''t cry, not for bastards like him. As the last of the mourners file past, offering their condolences and platitudes, I feel something shift inside me. Something cold and hard and unyielding, like a fist clenching around my heart. My father is gone. The last tie to my old life, my old self, severed and buried six feet under. And with him goes any lingering doubt, any last shred of weakness or hesitation. I am Patriot now, fully and completely. A symbol of strength, of justice, of the American way. And I will do whatever it takes to protect that ideal, to keep my country safe from threats both foreign and domestic. No matter the cost. The cemetery is empty now, save for Natalie and Sean flanking me on either side. They know better than to offer comfort or sympathy. They''re soldiers, like me. They understand. "What now, boss?" Sean rumbles, his voice low and gravelly. I stare at the fresh mound of earth, at the temporary marker bearing my father''s name and rank. In a few weeks, it will be replaced by a proper headstone, another cookie-cutter tribute to a fallen hero. "Now," I say, my voice hard with resolve, "we get back to work. The city needs us. The country needs us." I turn on my heel, striding away from the grave without a backward glance. Natalie and Sean fall into step behind me, a well-oiled machine, a team forged in the crucible of countless smashed purse-snatchers and shared purpose. We have a job to do, a mission to complete. And nothing, not even the ghost of my father and all he represented, will stand in our way. As we reach the car, I pause, my hand on the door handle. For just a moment, I allow myself to feel the weight of it all. The expectations, the responsibility, the crushing burden of being the hero everyone needs me to be. Then I push it down, lock it away in that cold, dark place where all my doubts and fears go to die. I am Patriot. I am strength incarnate, justice made flesh. And I will not fail. I slide into the driver''s seat, Natalie and Sean taking their usual positions. The engine roars to life, a comforting growl of power and purpose. "Where to?" Natalie asks, her voice carefully neutral. I consider for a moment, then nod to myself. "The gym," I decide. "I need to hit something." Sean grins, a feral flash of teeth in the rearview mirror. "Aw yeah, chief. Let''s work out some of that aggression." I don''t bother to correct him, to explain that it''s not aggression I''m feeling. It''s something colder, harder, more focused than mere anger. It''s purpose. Resolve. The iron-clad certainty that I am exactly where I need to be, doing exactly what I was born to do. As we pull away from the cemetery, leaving behind the last remnants of Richard Johnson Jr., I feel a sense of grim satisfaction settle over me like a second skin.
NSRA Power Assessment Date: September 13th, 2007 Subject: Richard Johnson Age: 20 Activation Event: Total organ failure during military training Power Classification:
  1. Enhanced Physiology: Johnson exhibits peak human condition across all physical parameters. This includes but is not limited to:
  • Strength: Able to lift approximately 600 lbs (272 kg)
  • Speed: 100m dash in approximately 9.6 seconds
  • Agility: Exceptional balance and coordination
  • Endurance: Can maintain peak exertion for extended periods, with a recorded dead arm hang of 90 minutes 17 seconds.
  • Reflexes: Reaction times approaching theoretical human limits
  1. Accelerated Healing: Johnson demonstrates rapid recovery from physical exertion and minor injuries. This is not a true healing factor but rather an optimization of natural human healing processes.
  2. Enhanced Sensory Processing: Subject shows superior sensory intake and spatial awareness, contributing to exceptional physical control and coordination.
  3. Optimal Metabolic Efficiency: Johnson''s body processes nutrients with maximum efficiency, maintaining peak physical condition with minimal effort.
Control Rating: 7/10 Johnson shows good control over his abilities, likely due to his military training background. Further refinement is expected with time and practice. Threat Assessment: Low to Moderate While Johnson''s abilities make him a formidable individual, his military background and apparent patriotic inclinations suggest a low likelihood of becoming a threat to public safety. Recommendations:
  1. Regular monitoring to track potential power growth or changes
  2. Consider recruitment for government-sanctioned superhuman programs
  3. Provide guidance on legal and ethical use of abilities in civilian life
Assessment Officer: Dr. Emily Brule Supervising Agent: Special Agent Marcus Tanner Chapter 113.1 Monday morning dawns grey and cold, the sky heavy with the promise of rain. It suits my mood perfectly as I limp my way up the steps of Tacony Academy Charter High, every bone and muscle in my body screaming in protest. I''m a mess. A patchwork quilt of bruises and bandages, held together with surgical tape and sheer stubborn will. The doctors at the hospital did their best, setting my broken nose, wrapping my cracked ribs, stitching up the worst of the cuts and gashes. But even with my healing factor working overtime, I''m still far from 100%. I spent the weekend in a haze of painkillers and checkups, drifting in and out of consciousness as the worst of the damage slowly knit itself back together. Mom and Dad were there the whole time, their faces drawn and haggard as they sat by my bedside, holding my hand and murmuring soft reassurances. They saw the news, of course. Everyone ever did. It hurts to breathe. It hurts to move. It hurts to fucking think, my head pounding with the dull throb of a concussion that refuses to fully fade. They kept me in the hospital for observation, pumping me full of fluids and antibiotics as they monitored my slow, steady progress. The nurses were kind, their hands gentle as they changed my dressings and checked my vitals. But I could see the pity in their eyes. The unspoken question hanging in the air between us. What kind of world do we live in, where a fifteen-year-old girl can end up in the ICU just for going to a school dance? What kind of monsters would do something like that, and then walk away without facing any consequences? I didn''t have any answers for them. I still don''t. All I know is that I''m here. I''m alive. And I''m not going to let this break me. Even if it feels like it already has. The security presence around the school has changed, I notice as I make my slow, limping way through the front doors. The metal detectors and bag checks are still there, but the guards themselves seem¡­ different. Warier. More on edge. Some of them can''t even look me in the eye as I pass, their gazes skittering away like they''re ashamed to be seen in the same headspace as Patriot. Good. They should be ashamed. They should all be fucking ashamed, for standing by and doing nothing while a so-called "hero" beat a kid half to death in front of the whole school. The halls are quieter than usual, the normal chatter of gossip and laughter replaced by a tense, uneasy silence. Everyone''s watching me as I make my way to my locker, their eyes wide and wary like I''m a bomb that might go off at any second. Some of them look sympathetic, their faces soft with concern as they take in my battered appearance. Others just seem¡­ scared. Like they''re waiting for the other shoe to drop, for the next explosion of violence to rock our little world off its axis. I can''t blame them. I''m scared too. But I can''t show it. Can''t let the cracks in my armor show, not when there are so many eyes on me, watching and judging and waiting for me to fall apart. So I square my shoulders and lift my chin, ignoring the stab of pain that shoots through my jaw at the movement. I''ve got a reputation to uphold, after all. Can''t let a little thing like a near-death experience ruin my image as Tacony Charter''s resident badass. Even if I''m all bark and no bite. I wonder how much that image will change now that two dozen students saw a grown man absolutely wreck my shit on the floor of a gymnasium. I can''t help but think of what I heard Principal Heckerman say during one of those hazy, half-remembered moments in the hospital, when he thought I was still asleep. "We''ll have to increase security," he said, his voice low and serious. "Bring in more guards, maybe even some cops. We can''t let something like this happen again." But my parents shut that down quick. "Are you kidding me?" My mom said, her voice sharp with disbelief. "That''s the last thing this school needs. More men with guns and badges, just waiting for an excuse to crack some skulls? No way. If anything, you need to scale back on the security theater and start actually listening to your students." Heckerman sputtered and blustered, but in the end, he backed down. And now, as I look around at the guards who remain, I can''t help but feel a flicker of satisfaction. Maybe we haven''t won yet. Maybe Patriot and his goons are still out there, licking their wounds and plotting their revenge. But we''ve made them blink. We''ve shown them that we''re not just going to roll over and take their bullshit lying down. And that''s a start. So here I am, limping up the front steps of Tacony Charter Academy like a wounded dog, my head held high and my eyes fixed straight ahead, ignoring the stares and the whispers and the not-so-subtle pointing from my fellow students. Whatever. Let them gawk. Let them gossip and speculate and spread their bullshit rumors. I know the truth. I know what really happened in that gym. And I know that I''d do it all again in a heartbeat. I make it to my locker without incident, fumbling with the combination lock with fingers that don''t quite want to cooperate. It''s getting harder and harder to ignore the way people are looking at me, the mix of pity and curiosity and fear in their eyes. Support the author by searching for the original publication of this novel. Some of them even have the nerve to come up to me, to offer condolences or congratulations or whatever the fuck they think I need to hear right now. "Dude, that was hardcore," Chad Bro-ington III says, clapping me on the shoulder hard enough to make me see stars. "You''re like, a total badass." I grit my teeth, biting back a gasp of pain as his hand sends fresh agony lancing through my still-healing collarbone. "Thanks," I mutter, shrugging him off as gently as I can. "Just doing what needed to be done." He nods sagely, like he has any fucking clue what I''m talking about. "Respect," he says, holding up a fist for me to bump. I don''t leave him hanging, but I do wince in the process. Others are more wary, eyeing me like I''m a rabid animal that might bite their faces off at any moment. Which, to be fair, is not entirely outside the realm of possibility, if I could move too fast. "I can''t believe you did that," Melissa hisses as we pass in the hall, her eyes wide and awed, but with a strange, worried, accusatory edge - a weird mixture of emotions. "Do you have a fucking death wish or something?" I just shrug, wincing as the motion pulls at my stitches. Honestly? I''m not sure. There''s some part of me that''s always been reckless, maybe, but this all feels like a tipping point. Like something broke in me, sitting cross-legged in my own vomit on that basketball court. "Somebody had to," I say instead, my voice raspy and hoarse. My throat still hurts - I''ve got weird white pads on the outside of my neck, I think they put them there to keep my regeneration from overgrowing the wounds on my inside. Badass neck beard. She just shakes her head, her lips pressed into a thin, meager line. But there''s something like grudging respect in her eyes, buried deep beneath the fear and the judgment. I''ll take it. Beggars can''t be choosers, and all that. First period with Mr. Weston is a special kind of awkward, like seeing your friend naked by accident or something. Nobody wants to be first to talk about the elephant in the room, but it''s all anyone can think about. He does his best to act normal, bless him. Like it''s just another day, just another lesson on the themes of Romeo and Juliet or whatever we''re supposed to be learning about this month. But I can see the strain in his smile, the tension in his shoulders. He''s worried about me, about all of us. And he''s not the only one. The classroom is quieter than usual, the usual buzz of chatter and laughter replaced by a heavy, clotted silence - that means thick, like a blood clot. It''s the same everywhere I go, like the whole school has gone on mute, each of us not wanting to offend, and not knowing what to say. What can you say? Even the teachers seem subdued, their voices pitched low and their eyes darting nervously to the doors every few minutes, like they''re expecting Patriot and his goons to come bursting in at any moment and start waving guns around again. Which, to be fair, is a valid concern. I certainly wouldn''t put it past them. Mr. Weston pauses in his lecture on iambic pentameter, his eyes lingering on me for a long moment. There''s a question there, a silent "are you okay?" that makes my throat tighten and my eyes sting. I give him a small nod, my lips twitching in what I hope is a reassuring smile. He returns it, but there''s a sadness there, a weight that wasn''t present before. Lunch is its own affair, our niche little crowd of japanophiles huddled in the corner trying to pretend that everything is normal, with a layer of hush over the whole cafeteria when Jordan sits down right next to me. They lean their head a little too close and speaking a little too loudly, pushing a pudding cup and a spork in my direction. Everyone else - they''re dissecting the latest episode of some anime I''ve never heard of, debating the finer points of character development and plot twists with the kind of passion usually reserved for religious zealots or football fans. "So get this," they say through a mouth full of weird flavored KitKats, leaning over my shoulder to look at my phone. "So after the warrant - and beating, obviously - got aired on the NBC-10 Philadelphia news, I thought that motherfucker Patriot and his cronies would get crucified in the media. But get this - half of the comments on our articles are just fighting about who to believe!" I stare at my phone, scrolling the news sites with my good hand, trying to ignore how much it hurts to flex my tendons. The stitches itch and my skin feels like a rubber band pulled taut. "''Pattinson''s Pals have done so much for this city, who is this Jordan Westwood person anyway?''" Jordan reads, sarcasm dripping from their tone. "''First Federov, now this Westwood. When will people stop resisting and just listen to law enforcement?''" I close my eyes and take a bite of pre-made egg sandwich, feeling the rubbery eggs slide down my throat, like I''m about to vomit it right back up. Jordan''s right. The only people supporting Jordan are the people who already knew who Jordan was. Everyone else seems pretty split, a huge mess where nobody knows who is to blame. And while nobody is like "yeah, Patriot should''ve beat that teenage girl more" it''s not like anybody is coming to my defense, really. "I can''t believe it," I mutter. "But I guess I shouldn''t be surprised. People always want to believe the best about their heroes, even when they''re¡­ you know. Beating up kids." Jordan snorts. "Yeah, well. At least the school seems to have taken the right lesson from all this. Did you notice the security presence is actually lighter today? I think Heckerman finally realized that more goons with guns isn''t going to make anyone feel safer." I think of my overheard conversation at the hospital, of how many fights I''ve had to break up over the past month and a half "I don''t know if that''s a good thing or a bad thing," I say, shaking my head. "Feels like the school''s a powder keg right now, just waiting for a spark to set it off. Feels like life is like a powder keg." "Life is like a hurricane," Alex sings, sadly, before letting his voice peter out. "And get this," Jordan says, clearly not listening to me. They hold up their own phone, the screen showing a glaring "account suspended" message. "Those fascist fucks went and complained to our registrar, got the site taken down with an injunction. For "cyberterrorism". Can you believe that shit? They couldn''t handle the truth, so they just straight up censored us." My stomach drops. "But¡­ but all that evidence! All those files, all those videos, all of it is just¡­ gone?" "Oh no, we''ve got backups on backups. But who knows how long it''ll take to get the site back up, or if we even can. They''ve got us tied up in legal bullshit now, saying we violated some obscure point in the Terms of Service. We''re going to have to lawyer up to fight this." I look at Jordan in disbelief. "Shouldn''t you be more worried about, you know, the active warrant out for your arrest? They literally just suspended your website and you were dodging bullets. What''s next?" Jordan just laughs, but for once it doesn''t put me at ease. "Oh please. They wouldn''t dare try to arrest me now, not after they got caught red-handed wailing on a teenage girl on national TV. I''m basically untouchable as long as I stick close to you. You''re the best meat shield a superhuman could ask for, Sam. Although I gotta admit, your face looks like a busted watermelon, so the feds might just think they''re looking at the wrong person." If I had the strength, I would kick them under the table. Instead I just glare, feeling my split lip throb with the effort. "Asshole," I mutter. But I know they''re right. As messed up as it sounds, my public beating has made me a sympathetic figure. A martyr for a cause, whether I wanted to be one or not. And as long as Jordan stays in my shadow, they''re safe. Protected by the court of public opinion, if not the actual courts. Chapter 113.2 The rest of lunch passes in a blur, people avoiding our table more than usual, like we''re contagious somehow, like getting your ass kicked by fascists is something you can catch through casual contact. It''s not until the bell rings and everyone starts shuffling off to their next class that someone finally approaches me directly. I tense up instinctively, my good hand curling into a fist under the table. But it''s just Mike Giannopoulos, his broad face creased with concern as he looms over me. "Hey, Sam," he says, his voice uncharacteristically soft. "I just wanted to say¡­ what you did at homecoming? Standing up to Patriot like that? That was really brave. You ever consider doing sports, you know¡­ after all¡­ this is over? You''re sort of a legend now, in the locker room." I blink up at him, my brain struggling to process the words. Mike Giannopoulos thinks I''m a legend? I''m being invited to do sports? My face scrunches up sort of without me doing anything about it. "I¡­thanks?" I manage to stammer out, wincing as my jaw twinges with the effort. "But I didn''t really do anything. I mean, I got my ass kicked. Some legend." Mike just shakes his head. "Nah, see, that''s the thing. You knew you were going to get your ass kicked, and you did it anyway. For your friend, for what you believed in. That takes guts." He glances around, like he''s checking to make sure no one''s listening. Apparently satisfied, he turns his jersey and leans in close, his voice dropping to a conspiratorial whisper. "People are talking, you know. About how maybe Patriot and his crew aren''t the heroes they claim to be. About how maybe we''ve been backing the wrong horse all this time, trusting the wrong people to keep us safe. Did you see that stuff that went on the website before it went down?" I feel a flicker of hope start to glow warm in my chest, so fragile it feels like it might shatter at any moment. But for the first time since I woke up in that hospital bed, I feel like maybe, just maybe, we might actually have a chance. Like maybe I didn''t get my ass kicked for nothing. "I didn''t. But I''ll look for it," I say, folding my arms up a little bit. "And, uh, I only do soccer. Sorry. No women''s soccer team." Mike nods at me with the sort of resolute expression you''d expect to see out of a hardened soldier. "There''s a rally happening next week," Mike continues. "A protest march, superhero rights groups teaming up with some other activist types. They could use someone like you there, Sam. Someone who''s seen firsthand what happens when the people in power go unchecked." I swallow hard, my throat suddenly dry. Marches and protests and demonstrations¡­ They all seem so big. So high stakes. And haven''t I done enough damage already, put enough targets on the backs of the people I care about? But then I think about Jordan, ragged-tired but still fighting. About my mom and dad, keeping vigil by my bed. About Mr. Weston, and Melissa, and Alex, and even fucking Mike Giannopoulos, stepping up and speaking out in whatever way they can. And I know I can''t back down now. I should say no. I should really stop throwing myself into the ring. But the only thing that hurts about getting my ass kicked is that it makes it harder to stay in the fight. "I''ll be there," I say, the words coming out strong and steady despite the way my heart is jackhammering in my chest. "Just tell me when and where." Mike''s grin is blinding, a flash of white in the gloom. "That''s what I''m talking about," he says, clapping me gently on my uninjured shoulder. "And don''t worry, there''ll be counterprotesters there for sure, but we''ve got a plan to handle them. Pattinson''s Pals won''t know what hit ''em." And as I watch him swagger off down the hall, his chest puffed out with pride, I can''t help the slow, fierce smile that spreads across my face.
The Delaware Valley Defenders'' headquarters is a hive of activity when I arrive, my mom dropping me off a couple of blocks away with a worried frown and a fierce hug. She''s been hovering ever since I got out of the hospital, like she''s afraid I''ll disappear if she takes her eyes off me for even a second. I can''t blame her. I''m kind of afraid of that too. But this is important. This is where I need to be right now, with my team, my people. Even if it feels like I''m walking into a war zone. The tension in the air is thick enough to cut with a knife, everyone''s faces drawn and haggard as they huddle around the big table in the center of the room. It''s standing room only, every seat taken by a costumed hero or a grim-faced bureaucrat. I spot Councilman Davis at the head of the table, his shoulders slumped like he''s carrying the weight of the world. Clara Parker is beside him, her pen flying over a legal pad as she scribbles notes. If you encounter this story on Amazon, note that it''s taken without permission from the author. Report it. Multiplex is there too, all three of him, each version wearing a slightly different expression of weariness and determination, even while two of them are busy at the computers. Fury Forge and Crossroads flank him on either side, their eyes fixed on the papers spread out before them. Bulwark, and a new face that I vaguely am familiar with as "Captain Plasma", occupy the other parts of the table''s back end. He stands out in his bright, primary-colored costume, looking all the bit a classic superhero in red, yellow, and blue. And of course, there''s my team. What''s left of it, anyway. Rampart gives me a tight nod as I limp my way over to them, his jaw clenched so hard I can see the muscles jumping. Gossamer reaches out to steady me when I stumble, her grip gentle but firm on my elbow. Blink just looks at me with big, sad eyes, like she wants to wrap me up in a hug and never let go. I wish she would. I could use a hug right about now. But there''s no time for that. No time for anything but the grim work ahead of us. "Bloodhound," Councilman Davis says, looking up from his papers as I approach. "Good. You''re here. We were just about to start." "Sorry," I mutter, easing myself down into an empty chair with a wince. "Got held up at school. We on a time limit?" "We''re always on a time limit," he says, his smile thin and humorless. "But this one''s a doozy. We''ve got the mayor breathing down our necks, federal agents sniffing around, and the press camped out on our doorstep. We need to get our stories straight and our shit together, fast." "Language," Fury Forge mutters, but there''s no heat in it. She just sounds tired. We all do. "Right," Councilman Davis says, clearing his throat. "Let''s start with the sitrep. What do we know?" Multiplex leans forward, his three sets of eyes scanning the room. "Patriot''s suspended, along with Egalitarian and the rest of Pattinson''s Pals involved in the incident at the dance," he says, his voice flat and clinical. "They''ve also launched an investigation into the Philadelphia PD''s involvement, and whether or not Patriot''s goons have been deputized under the table." "A day late and a dollar fucking short," Rampart grumbles. "They should''ve done that years ago." "Let''s focus on the present," Councilman Davis chides. "What about the Defenders? What''s our status?" "Suspended as well," Bulwark says solemnly, crossing his arms over his massive chest. "Voluntarily of course, but suspended nonetheless. They do not want us intervening until the investigation is complete." Captain Plasma shifts uncomfortably, his bright demeanor dimmed somewhat. "It''s a difficult situation. I came here to help, but now it feels like my hands are tied just as much as everyone else''s." I feel my stomach drop. "But¡­ but what about the Young Defenders? What about us?" Councilman Davis sighs, pinching the bridge of his nose. "You''re¡­ a bit of a grey area. You''re not formally registered with the government, and your legal status as a satellite of the Defenders is murky at best. But given the circumstances, we think it''s best if you all follow our lead and stand down for now. At least until the heat dies down." "You mean until they sweep it all under the rug again," Crossroads mutters darkly. "Like they always do." "That''s not fair," Fury Forge says, but there''s no conviction in her voice. "The system is flawed, sure, but it''s the only one we''ve got. We have to work within it if we want to change it." "Tell that to Jordan Westwood," I snap, my hands clenching into fists on the table. "Tell that to all the other kids who''ve been chewed up and spit out by this fucked up system. Tell that to me, and my face, and all the blood on that gym floor. We tried working within the system. Look where it got us." Councilman Davis holds up a hand, his expression pained. "Bloodhound, I understand your frustration. Believe me, I do. But we have to be smart about this. We have to play the long game." "There might not be a long game for some of us," I whisper. Then my head snaps up as I meet his gaze head-on. "I''ve been asked to testify. At a congressional hearing. About Chernobyl, about Liberty Belle, about¡­ everything." The room goes dead silent. You could hear a pin drop. "Congress," Councilman Davis repeats slowly. "Of course." The room goes dead silent, the only sound the hum of the fluorescent lights overhead and the distant wail of sirens on the streets outside. "What?" Rampart asks, his voice low and dangerous. "When did this happen?" "It''s been scheduled since August, I just¡­" I say, shrugging my uninjured shoulder. "Forgot. Some kind of oversight committee, looking into superhuman regulation and accountability. But after Friday night¡­" I trail off, letting the implication hang in the air like a guillotine blade. "After Friday night, they''re going to want to know about Patriot too," Crossroads finishes for me, his jaw clenched tight. "About what he did to you, and why no one stopped him." I nod, my throat too tight to speak. "Aw hell," Fury Forge mutters. "That''s¡­ that''s big, Blood. Real big." "You don''t have to do this," Bulwark murmurs. "Any of it. You are so young, to have such a burden placed upon your shoulders." Captain Plasma nods in agreement. "He''s right. This is a lot to ask of someone your age. No one would blame you if you decided to step back." "No," I say, my voice shaking but my resolve firm. "No, I do have to do this. I have to¡­ I have to make it mean something. All of it. The pain, the fear, the¡­ the blood. I have to make it count for something." "When do you leave?" Rampart asks, his hand coming to rest on my shoulder, warm and solid and steadying. "Tomorrow," I say. "I''m taking the train from 30th Station, Mom is doing the booking tonight." "That''s¡­ wow, that''s soon!" Blink says helpfully. "Sam, are you sure? You''re still all¡­ fucked up, and if they see you all, like, bloody and in pieces, won''t it make us look bad?" I smile thinly. "That''s the idea, I think. They want to see how bad it was, how bad it can get. They want to see the consequences of letting people like Patriot run wild." "Then let them see," Multiplex says, two of him continuing to work behind us all. "Let them look into the face of everything they''ve allowed to happen, and let them feel the weight of it on their souls." "We''ll be with you," Gossamer says softly. "If you want. Even if we''re¡­ you know, suspended. We''ve got your back. No matter what, we''ve got your back." I blink back tears, my heart swelling with a sudden rush of love and gratitude for these people, for this makeshift little family of mine. "I know," I whisper. "And I can''t tell you how much that means to me. I don''t¡­ I don''t think I could do this without you. Any of you." "You won''t have to," Councilman Davis says, his voice ringing with quiet conviction. "We''ll be here. We''ll support you in any way we can, even if it''s just moral support from a distance." A room-wide murmur of agreement. People shouting out individual things. "I''ll help you prep for the hearing," Clara Parker offers. "I''ve got experience with congressional testimonies." "And I''ll get in touch with legal aid groups in DC that focus on superhero and vigilante rights," Councilman Davis says. "See if they can provide any additional resources and support." "Okay," I rasp out, swiping at my eyes with the sleeve of my hoodie. "Okay. Thank you. All of you. Let''s¡­ let''s change things." Chapter 113.3 The rest of the meeting passes in a blur, everyone hashing out plans and contingencies and worst-case scenarios until my head is spinning with all the possibilities. But through it all, one thought remains crystal clear in my mind. I have to do this. I have to testify, have to tell the truth, no matter how hard or scary or dangerous it might be. Because if I don''t, who will? The sun is setting by the time I finally make it home, the sky streaked with orange and pink as I limp up the front steps and let myself in the door. Mom and Dad are waiting for me in the living room, their faces tight with worry as they watch me struggle out of my coat and shoes. They know about the testimony, of course. It''s not like I could hide something like that from them even if I wanted to. And I don''t want to. Not anymore. "How are you feeling, sweetie?" Mom asks, her voice soft and tentative as she helps me lower myself onto the sofa. "Do you need anything? I can make you some tea, or get you another ice pack¡­" I shake my head, wincing as the motion sends a fresh wave of pain lancing through my bruised and battered skull. "I''m okay," I lie, forcing a smile that feels more like a grimace. "Just tired. It''s been a long day." Dad nods, his jaw clenched tight as he watches me settle back against the cushions. "I can''t believe they''re making you do this," he says, his voice low and angry. "After everything you''ve been through, everything you''ve done for this city¡­ It''s not right." "Understatement," my mom mutters. Then she sighs, reaching over to take my hand in hers. "Are you sure about this, baby? Really sure? Because once you go down this road¡­" But beneath the anger in my Dad''s face I see a glimmer of pride, a fierce, protective glint that makes my chest feel warm and tight all at once. Because the truth is, part of me wants this. Part of me craves it like a junkie chasing their next fix. The chance to get up on a stage and tell the world, look at me. Look at what they did to me, look at what they are. Look at what happens when we let monsters like Patriot run unchecked. So I close my eyes and take a deep breath, letting the weight of it all settle on my shoulders like a heavy, familiar cloak. "I know," I say, my voice soft but steady. "But I have to do it anyway. I have to try." She searches my face for a long moment, her eyes shining with a mix of pride and terror that makes my heart ache. Then she nods, slow and resolute. "Okay. Okay, then we''re with you. All the way." My dad wraps an arm around my shoulders, pulling me into a hug that makes my bruised ribs protest but which I lean into anyway. "We''re so proud of you, Sam," he murmurs into my hair. "So proud, and so goddamn scared. But we trust you. We believe in you." I squeeze my eyes shut against the sudden rush of tears, my throat choked up and it''s all I can do to whisper a shaky "thank you". We stay like that for a long minute, just holding each other in the quiet of the kitchen, the rest of the world fading away until there''s nothing but the three of us and the love that binds us together. That holds us up and keeps us strong, no matter what comes. This tale has been pilfered from Royal Road. If found on Amazon, kindly file a report. But eventually, we have to pull away. Eventually the real world comes crashing back in, and there''s work to be done. I bury myself in research, pouring over transcripts of past hearings and articles about congressional procedure. I hate studying, more than almost anything, but this isn''t for a test that affects my grade. This is for a test that determines the fate of my people, of my friends, of the world as I know it. Mom quizzes me on protocols and lines of questioning, her eyes sharp and her voice brooking no argument. This is her wheelhouse, the place where her librarian superpowers shine brightest - sifting through information, parsing out the salient details, arming me with the knowledge I''ll need to navigate the labyrinthine halls of government bureaucracy. To walk into the lion''s den and come out in one piece. And piece by piece, I can feel myself coming back together. I''m curled up on the couch, neck deep in a dense legal tome on the history of superhero regulation, when my phone rings. Mom looks at me from her own stack of papers, her eyebrow raised in silent question. "Mrs. Gibson," I tell her after a glance at the caller ID. "The prosecutor from Chernobyl''s case." Her eyes widen. "Well? Answer it!" I fumble to accept the call, my hands sweating on the case of the phone. "Hello?" "Sam," Mrs. Gibson says, her voice warm but businesslike. "I hope I''m not interrupting anything important." "No, no, just¡­ studying. Preparing." "Good. That''s actually why I''m calling. I heard about the congressional hearing." I bite my lip. "Yeah. News travels fast, I guess." "In certain circles, yes. And as someone with¡­ let''s say a vested interest in the outcome of that hearing, I wanted to reach out. To offer my support and my advice, for whatever it''s worth." I sit up straighter, my heart pounding in my chest. "I''m listening." For the next half hour, she walks me through her own experiences testifying before Congress, both as a prosecutor and as a witness in various hearings on superhero oversight. She tells me about the tricks and traps, the loaded questions and rhetorical landmines that politicians love to lay for unwary witnesses. "They''ll try to trip you up," she warns. "Try to get you to say something that they can twist to fit their own agendas. Something that''ll make for a good soundbite on the evening news." I swallow hard. "So what do I do?" "You stick to the truth," she says simply. "You tell your story, in your own words, and you don''t let them put words in your mouth or back you into a corner. You stand your ground and you make them listen, even when they don''t want to hear it." "Easier said than done," I mutter. She laughs, soft and rueful. "Trust me, I know. But if anyone can walk into that room and give those stuffed shirts a piece of your mind, it''s you." I find myself smiling even though she can''t see it. "I¡­ thank you. That means a lot, coming from you." "I mean every word. Now get some rest. You''ve got a big day ahead of you." We say our goodbyes and I hang up, feeling like I''ve just been given a benediction and a battle plan all in one. Mom looks at me over the rims of her glasses, her expression softening as she takes in my shell-shocked face. "You okay, baby?" "Yeah," I say, and for once it doesn''t feel like a lie. "Yeah, I¡­ I think I am. Or at least, I think I will be." She smiles, reaching over to squeeze my hand. "That''s my girl. Now come on, it''s late and you need your beauty sleep. Big day tomorrow." I let her shepherd me off to bed, even though we both know I won''t be getting much in the way of actual rest. But just the act of going through the motions, of brushing my teeth and changing into my softest pajamas and crawling under the covers, is soothing in its own way. And as I lie there in the darkness, staring up at the plastic stars glued to my ceiling, I can feel the weight of everything that''s happened settling over me like a shroud. Like armor. I think about Jordan, out there somewhere in the shadows, carrying on the fight even as the walls close in around us. I think about my team, suspended but unbroken, ready to rise up at a moment''s notice. I think about my parents, my beautiful, brave, unshakeable parents, who have always been my port in every storm. And I think about the kids like me, the ones with powers and fears and dreams of a better world. The ones who are counting on me to be their voice, their champion. I think about Maggie. I close my eyes, feeling the first stirrings of sleep tugging at the edges of my mind. And as I drift off, I hear Mrs. Gibson''s voice echoing in my head, a call to arms and a lullaby all in one. "You stand your ground," she whispers. "And you make them listen." I will, I think as the darkness closes in. I will. Chapter 114.1 The alarm jolts me awake at an ungodly hour, the numbers on the clock glowing an angry red in the predawn gloom. For a moment I just lie there, my heart pounding and my head fuzzy with the remnants of uneasy dreams. But then it all comes rushing back - the subpoena, the hearing, the weight of the world pressing down on my shoulders like a physical thing. And suddenly I''m wide awake, my stomach churning with a mix of nerves and adrenaline that has me stumbling out of bed and into the shower before my brain has even fully caught up with my body. The hot water pounds down on my aching muscles, soothing away the worst of the tension as I go through the motions of washing my hair and scrubbing my skin. I''m careful with my injuries, gingerly navigating around the patchwork of bruises and bandages that still litter my body. The stitches are starting to itch, and I have to resist the urge to pick at them as I rinse off the suds and step out onto the bathmat. It''s going to be a long day, and I''ll need every ounce of strength and focus I can muster to make it through in one piece. I''m not just fighting for myself up there on that stand. I''m fighting for all of us - all the kids my age, and all the unlucky ones, the people like Illya who were taken advantage of by my own government. Mom is waiting for me in the kitchen when I make my way downstairs, two steaming mugs of coffee and a plate of toast already laid out on the counter. She looks as tired as I feel, her face pale and drawn in the harsh fluorescent light. But she smiles when she sees me, soft and reassuring, and presses a kiss to my forehead as she hands me my mug. "You''ve got this, baby," she murmurs, her voice rough with emotion. "Just remember, no matter what happens in there, we love you. We''re so proud of you. And we''ll be waiting for you when it''s all over, okay?" I nod, not trusting myself to speak around the sudden lump in my throat. I want to say something, to tell her how much it means to me to have her and Dad in my corner, how I couldn''t do any of this without them. But the words won''t come, so I just hug her tight and hope she understands everything I''m trying to convey through the press of my arms around her waist. The drive to the train station is quiet, the streets of Philadelphia still mostly empty at this early hour. Dad keeps his eyes on the road, his hands white-knuckled on the steering wheel, while Mom fidgets with the radio and tries to fill the silence with idle chatter about the weather and the traffic and did you remember to pack your toothbrush, honey? Just in case you end up staying overnight. I let it all wash over me, my mind already miles ahead, racing down the tracks towards Washington and whatever fate awaits me there. I''m not in costume - too much of a liability, in a public setting like Union Station. But I feel naked without the comforting weight of my uniform, the mask that lets me be someone else for a little while. Someone brave and strong and unafraid, instead of just a scared teenage girl playing dress-up in a world that''s too big and too broken for any one person to fix. The security escort is waiting for us on the platform, a pair of grim-faced men in dark suits who flash their badges and hustle us onto the train with a minimum of fuss. They''re federal agents, I realize as we settle into our seats in the quiet car. Not DEO, but something higher up the food chain. The kind of people who deal with metahuman threats on a national scale. I''d ask if Sam Small the Bloodhound is on their list of persons of interest, but I''m pretty sure I don''t want to know the answer. I end up seated next to one of them, a tall man with short-cropped salt and pepper hair and a jaw that looks like it was chiseled from granite. He gives me a once-over as I buckle myself in, his eyes lingering on the bruises that mottle my skin, the stitches that run across my brow. "You don''t have to worry about your identity with us, kid," he says gruffly, as if reading my mind. "We''ve got all the relevant info on file. Part of the registration process." I swallow hard, my mouth suddenly dry. Of course they know who I am. Of course they have a file on me, on my powers, on everything I''ve ever done or said or thought. It''s the price of living in a world where people can fly and shoot lasers from their eyes and level city blocks with a flick of their wrist. The price of being different in a society that fears what it doesn''t understand. He says it like it should be reassuring, but instead it makes a whole other kind of fear, deeper and messier than being up high flying or being beat. "Great," I mutter, turning to stare out the window as the train pulls away from the platform. "That''s just¡­ great." This book''s true home is on another platform. Check it out there for the real experience. The rest of the ride passes in a blur, the scenery outside my window flying by in a smear of greens and grays as we hurtle towards the nation''s capital, while my parents chatter more or less around me. I think they took the day off to be here - I sure as hell didn''t think they were coming - and I can''t tell if it makes me feel more or less uncomfortable. I try to focus on my breathing, on the steady in-and-out rhythm that Jamila taught me during our first aid lessons. It''s supposed to be calming, grounding, a way to center yourself in the midst of chaos. But all it does is make me think of her, of the way her eyes crinkled at the corners when she smiled, the sweet spicy scent of her shampoo, the soft press of her lips against mine in those stolen moments between training and patrol - when it happened, at least, rare as it was. She should be here with me. She should be sitting beside me, holding my hand and telling me that everything''s going to be okay. That we''re going to get through this together, no matter what. But she''s not. She left. And no matter how many times I tell myself that it''s not my fault, that she had her reasons and I have to respect them, it still feels like a betrayal. Like a hole in my heart that I don''t know how to fill. So I breathe, and I stare out the window, and I try not to think about anything at all. Union Station is a madhouse when we finally arrive, crowds of commuters and tourists all jostling for space on the crowded platforms. The agents hustle me through the throng with practiced ease, their bodies forming a wall of muscle and tactical gear that parts the sea of people like Moses himself. I keep my head down, my baseball cap pulled low over my eyes, and try to ignore the curious glances. I''m not in a uniform, but I might as well be, I realized. I''ve been all over the news. I don''t know if anyone''s memorized my appearance, especially not through blurry phone video of me getting my ass kicked, but, well¡­ There are some weird-ass people in this world. I keep my head down whenever we step outside of the secure areas. The security check is a formality at this point, a quick pass through a metal detector and a cursory pat-down that feels more like a violation than a precaution. But I grit my teeth and endure it, knowing that it''s just one more hoop I have to jump through, one more obstacle between me and the truth I''ve come here to tell. And then we''re through, emerging into the labyrinthine halls of the Capitol complex like Alice tumbling down the rabbit hole. The federal agents immediately flank me as we walked through hallways that all looked the same. Honestly, they remind me of my first trip to Liberty Place Hospital, which was the worst day of my life. It''s a gauntlet of checkpoints and security barriers, each one manned by stern-faced guards who eye us with a mix of suspicion and something that might be pity. I wonder how many other scared, battered kids they''ve seen pass through these halls over the years. How many other lives have been chewed up and spit out by the gears of the great American political machine. Too many, probably. But I can''t afford to think about that now. Can''t afford to let myself get lost in the echoes of old pain and older fears. I have a job to do, a mission to complete. I ask for some space to get changed and they fan around the women''s bathroom like a phalanx, while I fit myself appropriately in the stall - helmet, wig, body armor, gloves. It feels better now - more secure. I''m not here as Sam Small. Sure, I''ve heard of this Patriot fella. He sounds like an asshole. Never talked to him myself, though. I emerge from the bathroom. They take me to a small, nondescript room deep in the bowels of the building, the kind of place where deals are made and secrets are kept. There''s a table and a few chairs, a pitchers of water and a tray of neatly-arranged pastries that I know I won''t be able to keep down. And there, waiting for me like a pair of lions at the gates of Rome, are my final briefers. One is a woman, tall and slender with a sleek bob of silver hair and a face that''s all sharp angles and hard edges. The other is a man, shorter and rounder, with a receding hairline and a fraying suit that''s seen better days. They introduce themselves as congressional aides, but their eyes are too keen, too calculating for that. These are the people who really run this place, I realize. The ones who pull the strings and grease the wheels and make sure that the sausage gets made, no matter how much blood and guts end up on the factory floor. They go over my testimony with me one last time, drilling me on key points and potential pitfalls until my head is spinning with the sheer volume of information they''re trying to cram into it. It''s all stuff we''ve gone over before, but they seem determined to make sure that I haven''t forgotten a single detail, a single nuance that could make or break their case. "Remember," the woman says, her voice as cold and unyielding as a glacier, "you''re not just speaking for yourself up there. You''re speaking for every metahuman who''s ever been marginalized, every kid who''s ever been told that they''re a freak or a monster just because of how they were born. This is your chance to change the narrative, to make them see us as people instead of problems to be solved." I nod, my throat tight and my palms sweaty. It''s a lot of pressure, a lot of responsibility for a fifteen-year-old girl who''s still trying to figure out who she is and what she wants out of life. But it''s also an opportunity, a chance to make a real difference in the world. And that''s not something I can turn my back on, no matter how scared I might be. "I won''t let you down," I tell them, my voice steady even as my insides quiver like Jell-O. "I won''t let any of us down." Chapter 114.2 The rest of the preparations pass in a blur, like watching bad quality recordings on fast forward. One minute I''m nodding and smiling and giving canned responses to a gaggle of VIP well wishers eager to get their photo taken with "the superhero hearing girl". I''m constantly looking to my handlers on what to do, but they leave me to my own devices. I feel like a zoo animal just barely not biting a hand that''s feeding me. And then next thing I know I''m walking through some innocuous wooden doors, and I''m in the hearing chamber itself. It''s smaller than I expected. Less grand and imposing, more like a slightly oversized lecture hall at a community college. But it''s packed to the rafters with a legion of aides and analysts, lobbyists and journalists, the whole ravenous beast of the American political-industrial complex crammed into one claustrophobic pen. And at the front of it all, looming over the proceedings like a panel of judges at the world''s most dysfunctional beauty pageant, is the committee itself. There''s Senator Gantt, the chairman, a black man with wisp white hair that doesn''t quite reach all the way down his forehead, and a powerful jawline. And there, at the other end of the dais, is Senator Kean, the ranking member, his face a mask of affable concern that doesn''t quite reach his eyes. And between them, arrayed like a lineup of suspects in a particularly grim game of Guess Who, are the rest of the committee members, Democrats and Republicans alike, all of them watching me with varying degrees of interest, suspicion, and outright hostility as I make my way to the witness table. The room is too cold. Somebody messed up the air conditioner. Or maybe it''s just me, my skin prickling with goosebumps as I take my seat and try to ignore the way my heart is pounding in my chest like a jackhammer. I risk a glance at the other witnesses, the people who will be testifying alongside me today. Some of them I recognize from the news, from the endless stream of headlines and hot takes that have dominated the discourse ever since Chernobyl''s attack. Others are strangers to me, bureaucrats and functionaries and talking heads whose names and faces blur together in a sea of interchangeable suits. But there, at the far end of the table, is a face I know all too well. Special Agent Evelyn Shaw, the NSRA handler who dropped the ball on Federov - or so the official story says. Her once sleek and spotless suit hangs off her slender frame like ill fitted rags. Her dark skin is flush with sweat. I''ve seen her a couple of times before, around the trial, and it seems like between then and now any ounce of composure she''s ever had in her entire life has been evaporated out of her. Our eyes meet for a moment, and the exhaustion and dread in them burns straight through to my core. She immediately turns away. This woman has lost everything. Her career, her reputation, maybe even her freedom, depending on how today goes. And now she''s being dragged in front of Congress like a sacrificial lamb, served up to appease the angry gods of public opinion. I almost feel sorry for her, even after what she dragged Illya through, even after what Illya dragged me through, and so many others. I almost feel sorry for her. But a deeper, angrier part of me feels a sense of grim satisfaction at the blood being drawn. The chairman''s gavel cracks like a gunshot, cutting through the low hum of conversation and bringing the room to order. I snap to attention, my spine straightening and my hands clenching into fists on the tabletop in front of me. Senator Gantt clears his throat, his deep baritone filling the chamber as he begins his opening statement. "Ladies and gentlemen," he says, "we are here today to address a matter of grave importance to the American people. In recent months, our nation has been rocked by a series of shocking and tragic events, events that have called into question the very foundations of our system for regulating and overseeing the activities of metahuman individuals." He pauses for effect, his dark eyes sweeping over the assembled witnesses and spectators. I swallow hard, my mouth suddenly dry as dust. "From the attack on Philadelphia by the terrorist known as Deathgirl, to the revelation of secret collaborations between government agencies and known criminals, to the recent incident of shocking police brutality against a young metahuman citizen, it has become clear that our current approach is woefully inadequate. And that''s why I''ve convened this special meeting of the Governmental Affairs Committee - to root out those inadequacies, and to lay the groundwork for a new system. One that prioritizes transparency, accountability, and above all, the safety and well-being of all Americans, regardless of their metahuman status or lack thereof." There''s a smattering of applause from the audience, a few murmurs of assent from the other committee members. But I can see the skepticism on some of their faces, the calculations already spinning behind their eyes, and it makes me feel vaguely queasy inside. Like knowing that these perfectly reasonable sounding motions of procedure are already part of shell games and deals and compromises that you will never be privy to because you are a fifteen year old child and not a senator. Stolen from its original source, this story is not meant to be on Amazon; report any sightings. Senator Kean leans forward, his elbows braced on the dais as he delivers his own opening remarks. He hits all the expected notes - the need for bipartisanship, the importance of hearing from a diverse range of voices, the gravity of the task before us. But there''s something oily about his delivery, something a little too polished and rehearsed. Like he''s reading from a script. I try not to squirm in my seat, suddenly all too aware of the cameras trained on my helmet, the eyes of the nation watching my every move. For a moment I forget where I am - forget the stakes, forget the lines between truth and fiction that I''m supposed to be coloring between today. This is what it must feel like to be an ant under glass, pinned by the magnifying lens of a curious child who wants to see what I''m made of. Who wants to learn what makes me tick, what causes my guts to turn to goo. And that''s when I notice the woman. She''s dressed like an aide, all smart tailoring and sleek makeup, her dark hair pulled back in a tight ponytail. But there''s something different about the way she moves, the way she holds herself. A coiled energy, a sense of purpose that sets her apart from the rest of the scurrying staffers that work in and out of the room like worker bees in a very expensive hive. She catches my eye from across the room, and for a moment I''m sure she''s going to come over, to pull me aside and¡­ I don''t know. Threaten me? Bribe me? Offer me a cup of coffee and a sympathetic ear? Something bad, probably. But instead she just nods once, very slightly, and then melts back into the crowd like she was never there at all. I blink, my heart pounding in my throat. Was that real? Did I imagine it? The lines between paranoia and precaution feel so blurry lately, like any day now someone''s just going to run up with a knife and stab me. I glance at my crib sheet again, smoothing my gloved fingers over the neatly typed bullet points on the page. The broad strokes of my testimony, the key points that Mrs. Gibson helped me devise. Stick to the script, Samantha. Don''t deviate, don''t improvise. Just tell the truth, and let the chips fall where they may. Like that was ever so simple. Like the truth wasn''t a greased pig everyone in this room is desperately trying to catch and brand for their own purposes. I''m so lost in my own head that I almost miss it when they call the first witness. Margaret Huang, the head of the National Superhuman Response Agency. She''s a petite woman, all sharp angles and crisp suits, with a face that looks like it was carved from ice. But her eyes are what really catch my attention - dark and glittering, like chips of obsidian set deep in her skull. She takes her seat at the witness table, her movements precise and deliberate as she arranges her notes and takes a sip of water from the glass in front of her. And then she begins to speak, her voice clear and steady as she delivers her opening statement. "Chairman Gantt, Ranking Member Kean, and members of the committee," she says, "thank you for the opportunity to appear before you today. As the head of the NSRA, it is my duty and my privilege to oversee the regulation and management of metahuman individuals in the United States. It is a complex and challenging task, one that requires constant vigilance and adaptation in the face of an ever-evolving threat landscape." She pauses, letting her words hang in the air for a moment before continuing. "In recent months, we have seen firsthand the devastating consequences that can result when our systems fail, when criminals and terrorists are allowed to slip through the cracks and wreak havoc on an unsuspecting populace. The attack on Philadelphia by the metahuman terrorist known as Deathgirl was a tragic reminder of the stakes we are dealing with, and the urgent need for reform and modernization of our regulatory frameworks." I shift in my seat, my stomach churning as I listen to her talk about Deathgirl like she''s some kind of boogeyman, a faceless monster that exists only to sow chaos and destruction. In a sense, she''s not wrong. But I don''t think thirteen year olds drop from trees that bloodthirsty. "At the same time," Huang continues, "we must also grapple with the troubling revelations of misconduct and abuse within our own ranks. The unauthorized collaboration between certain NSRA personnel and the criminal mastermind Illya Fedorov was a gross violation of our agency''s core values and a betrayal of the public trust. Which is why I want to make it perfectly clear that we will be conducting a thorough internal review and taking strong disciplinary action against those responsible, up to and including termination and criminal prosecution, where appropriate." I snort softly to myself, unable to help it. Huang drones on, outlining the NSRA''s plans for reform and renewal, promising greater transparency and accountability, vowing to work closely with Congress and other stakeholders to develop a more effective and equitable system for regulating metahuman activities. But it all feels like so much hot air to me, a lot of pretty words and empty platitudes that they''ve trotted out without any intention of ever following through. I let my mind wander as the questioning begins, watching with a detached sort of fascination as the senators take turns grilling Huang on the finer points of agency policy and procedure. They ask about budgets and staffing levels, about inter-agency coordination and information sharing, about the criteria used to classify and track metahuman individuals. But beneath the surface, I can sense the undercurrents of politics and power at play, the jockeying for position and the careful calibration of language and tone. Some of the senators seem genuinely interested in getting to the bottom of things, in holding the NSRA accountable for its failures and charting a new course forward. Others just seem to be going through the motions, ticking off their talking points and scoring cheap points with their base, and some of them want to score big points with a hypothetical future base, too. And through it all, Huang remains unflappable, her face a mask of calm professionalism as she deflects and dodges, spinning every question to her advantage with the skill of a seasoned politician. It''s hard to catch her off guard, and when caught, she uses words like "recalibration" or "pivot" or "course correct" to state that they were already fixing what was wrong, there''s nothing else to do, and we can all go home now. I can''t help but feel like I''m watching a performance, like a real-life version of my eighth grade civics homework, and I''m just waiting for the teacher to call on me so I can give the right answer and get a gold star. These people hold the fate of every metahuman in America in their hands. It makes me feel sick to my stomach. I just have to sit here and watch, and wait my turn, and hope that when the time comes, I''ll be able to find the right words to make them understand. Chapter 114.3 Next up is Special Agent Evelyn Shaw, the NSRA handler who was responsible for overseeing Illya Fedorov - we all know how that went. She takes the stand looking like she''s about to face a firing squad, her face pale and drawn, her hands trembling slightly as she takes a sip of water. The senators waste no time in tearing into her, their voices dripping with scorn and disbelief as they demand to know how she could have let someone like Fedorov slip through her fingers, how she should''ve known better than to abuse her position. Abuse her position? Wasn''t his whole deal working with the entirety of the agency to shore up our power needs? I feel like I''ve very suddenly, very fast, fallen into the Twilight Zone - this weird black and white world like what my parents used to watch when they thought I was asleep. Shaw''s whole body visibly clenches as soon as the first senator''s mouth opens. "I was acting under orders," she says, her voice barely above a whisper. "I was told that Mr. Fedorov was a valuable asset to national security. I trusted my superiors, and I followed my orders to the best of my ability." But the senators aren''t buying it. They hammer her with question after question, picking apart every decision she made, every report she filed, every meeting she attended. They accuse her of gross negligence, of dereliction of duty, of putting the lives of innocent civilians at risk for the sake of some misguided loyalty to a corrupt agency. Shaw tries to defend herself, tries to explain the context and the constraints she was working under, but it''s clear that she''s fighting a losing battle. The senators have already made up their minds, and they''re not interested in hearing excuses or explanations. I watch her face as the questioning drags on, watch the way her composure slowly crumbles under the onslaught of accusations and recriminations. I''ve only met her a few times in person, but for the briefest instant I see her as something other than the woman who led Chernobyl by the hand. For a moment, I can see her as a human being who fucked up, big time, and lost everything she ever was over it. I know this will ruin her, one way or the other - every last little thing in her life. I''ve seen those before, in Kensington, in Tacony. People who thought they had it all - had it forever. Then one mistake, and they can never go back. As the questioning goes on, her face develops a sort of smug satisfaction that I can''t quite place the origin of. Does she know something I''m not? She can''t stop herself from smiling, a confident smirk. Like suddenly, everything''s going to be okay. Despite that, in the end, the only one on her side is the union rep, who tells the chairman that they''ll need a break before there are any other questions. And everyone agrees. Commissioner Faraday is up next, and I find myself sitting up a little straighter in my seat, my heart pounding in my chest as I watch him take the stand. I''ve heard his name before, seen his face on TV and in the newspapers, but I''ve never actually met him in person - the man who runs the PPD. He''s a big man, with broad shoulders and a barrel chest that strains against the confines of his tailored suit. His face is weathered and lined, like a piece of old leather that''s been left out in the sun too long, but his eyes are sharp and alert, darting around the room as he takes in the scene before him. He starts off with the usual platitudes, thanking the committee for the opportunity to testify and pledging his full cooperation with the investigation. But then he launches into a detailed account of the challenges faced by law enforcement in dealing with metahuman criminals, the lack of resources and training, the constant fear of being outmatched and outgunned by superpowered suspects. "Every day, my officers put their lives on the line to protect the citizens of Philadelphia," he says, his voice gruff and impassioned. "And every day, they face the very real possibility of encountering a metahuman suspect who could kill them with a single blow, or level an entire city block with a wave of their hand. We need better tools, better intelligence, better coordination with federal agencies if we''re going to have any hope of keeping up with this threat." The senators seem to be eating it up, nodding along and murmuring their agreement as Faraday paints a picture of a police department under siege, struggling to keep the peace in a world gone mad. But something about his testimony doesn''t sit right with me, like a puzzle piece that doesn''t quite fit no matter how hard you try to force it into place. Maybe it''s the way he talks about metahumans like we''re all ticking time bombs, just waiting to go off and cause mass destruction at any moment. Or maybe it''s the way he glosses over the department''s own history of misconduct and abuse, like the Patriot incident, or the dozens of other things my Mom occasionally rambles about when she''s drunk and thinks nobody is paying close attention to her. Love this story? Find the genuine version on the author''s preferred platform and support their work! "Commissioner Faraday, how can you justify the expansion of police power that you''re requesting, given the recent high-profile incidents of excessive force and misconduct by members of your department?" Someone asks, and my entire body perks up like a rabbit looking for hawks. But the answer slides off of him like an egg off a pool of bacon grease. It was done under the table, without the authorization of the PPD higher brass - clearly. Some rogue officers with a rogue superhero who, as this stack of papers will show, failed the minimum requirements to even make it into the police academy. A high-school dropout. An idiot. None of it was officially sanctioned. I almost want to shout out, to yell "was it unofficially sanctioned?". And maybe in another time and place I might''ve done just that. But I don''t. Not today. I''m tired. Maybe it was the PPD''s fault for not doing anything to stop it, or maybe it was the fault of the whole rotten system that lets people like him run wild without any checks or balances. I don''t know. But what I do know is that something has to change, and fast, before more people like me end up dead or broken beyond repair. I catch a glimpse of Huang out of the corner of my eye, watching the proceedings with a look of cool detachment on her face. And I realize that she''s not just here to testify, but to see how this all plays out, to gauge the mood of the room and adjust her own strategy accordingly. And suddenly I feel very small and very alone, like a tiny fish swimming in a tank full of gigantic whales. Even a shark just isn''t big enough for this ocean. The next witness is a man named Michael Turner, a senior agent with the Drug Enforcement Administration. He''s here to talk about the increasing prevalence of metahuman-related drugs on the streets, things like "Jump" and "Fly" - and things with names I''ve never heard of before. For some reason, the idea that there might''ve been other superhuman drugs in the past never really occurred to me. Abortive attempts at giving people ersatz superpowers. Or, sometimes, superhumans that made drugs. I had never even considered the possibility. Hearing Turner describe them in such clinical, matter-of-fact terms makes them seem all too real, like something out of a science fiction novel come to life. He talks about the challenges of regulating and controlling these substances, the way they can destabilize entire communities and fuel a vicious cycle of addiction and crime. He talks about the need for stronger enforcement mechanisms, for harsher penalties for those who manufacture and distribute these drugs. "These substances represent a clear and present danger to public safety," he says, his voice ringing out across the hearing room. "They give people abilities that they are not equipped to handle, that they have not been trained to use responsibly. And in the wrong hands, they can be used as weapons of mass destruction, capable of causing untold damage and loss of life." I shudder at the thought, remembering the way Illya''s power felt like a burning hand, reaching through me and grabbing my insides. And I can''t help but wonder what would happen if that kind of power fell into the hands of someone who didn''t care about the consequences, someone who only wanted to watch the world burn. Someone without Illya''s restraint. But even as Turner talks about the need for stricter regulation, I can''t shake the feeling that he''s missing the point. I''m not sure what it is - but it feels like it''s not this. Mayor Watkins is up next, and I can''t help but feel a sense of awe as she takes the stand. Even I, politically disconnected as I may be, know who she is. We learned about her in Social Studies. She talks about the challenges of governing a city like Philadelphia, with its deep-rooted problems of poverty and inequality, its long history of racial tension and unrest. She talks about the steps she''s taken to address those issues, the programs and initiatives she''s launched to try to make life better for all the city''s residents. But when the senators press her on the specifics, on the measurable outcomes and concrete results, she starts to get evasive, falling back on vague platitudes and empty promises. "We''re making progress," she says, her voice smooth and polished. "But change takes time, and there are no easy answers to problems that have been decades in the making. We have to stay the course, keep pushing forward, and trust that the work we''re doing will pay off in the long run." Something about her tone rubs me the wrong way, like she''s trying to sell me a used car or a timeshare in some far-off resort. And I can''t help but wonder what she''s leaving out, what inconvenient truths she''s glossing over for the sake of political expediency. I think back to the aftermath of the Philly Phreaks'' attack, the chaos and confusion that gripped the city for days on end, the martial law, the curfew. How that, ultimately, led to me getting my face turned into mash potato by a walking brick in the shape of a human being. Isn''t this all, in a way, her fault? Is there someone, anyone I can point to, and say that it''s their fault? As the questioning drags on, I find myself zoning out, my mind wandering to all the things I need to do when this is all over. The training sessions I need to schedule with Jason, the patrols I need to run with the rest of the Young Defenders. The endless cycle of violence and heroism that feels like it''s all I''ve ever known. There''s two witnesses left before me. I adjust myself in my seat, ignore my aching bladder, and fix my helmet so it''s not pressing as hard on my temples. Then, I watch. Chapter 115.1 District Attorney Carla Alvarez takes the stand, and I can feel the energy in the room shift, like a sudden change in air pressure. She''s a striking figure, with long dark hair and piercing eyes that seem to bore right through you, like she''s trying to read your thoughts and pick apart your secrets. Presumably, these are the sorts of skills you develop as a district attorney. She wastes no time in getting to the heart of the matter, launching into a blistering critique of the current state of superhuman law enforcement in Philadelphia. "The system is broken," she says, her voice ringing out with conviction. "And it''s not just a matter of a few bad apples or isolated incidents. It''s a systemic failure, a fundamental breakdown in the way we approach these cases and the way we hold those in power accountable." She talks about the challenges of prosecuting superhuman criminals, the way their unique abilities and heightened public profiles can make it difficult to build a case that will stand up in court. She talks about the need for specialized training and resources, for a dedicated unit within the DA''s office to handle these complex and sensitive matters. And how the facts of the matter - that anyone with a pill can get enough power to cause mass chaos, kill someone, or steal absurd amounts of money - necessitate an entire reimagining of the existing laws on the books for metahumans. But she also doesn''t shy away from the hard truths, from the uncomfortable realities that many in power would prefer to ignore. "We cannot allow the actions of a few rogue individuals to tarnish the reputation of an entire department," she says, her gaze fixed firmly on Commissioner Faraday. "But neither can we allow a culture of impunity to take hold, where those who abuse their authority are allowed to operate with no fear of consequences." I find myself nodding along with her words, my heart swelling with a fierce sort of pride. This is what a real hero looks like, I think to myself. Not someone who hides behind a mask and a fancy suit, but someone who can stand up and say it like it is. It feels right to me. Truth as the ultimate disinfectant. But even as I''m cheering her on, I can''t shake the nagging sense of doubt that tugs at the back of my mind. Is it really that simple? Can one person, no matter how brave or principled, really change a system that''s so deeply entrenched, so resistant to reform? I don''t know. Her time at the stand ends. She is thanked, and descends back into the abyss. Dr. Emily Nakamura is a different sort of figure altogether, more scientist than crusader. She takes the stand with a kind of quiet confidence, her lab coat and glasses giving her an air of intellectual authority. She''s here to talk about her work at the Daedalus Correctional Facility, the specialized prison designed to hold superhuman criminals. It''s a place I''ve only heard about in whispers and rumors, a place that sounds more like something out of a horror movie than a real-life institution. Something like a curse, rather than a place. A curse on my bloodline. But as Nakamura begins to speak, I find myself leaning forward in my seat, hanging on her every word. She talks about the unique challenges of containing individuals with such a wide range of abilities, the constant need for adaptation and innovation. She talks about the cutting-edge research they''re doing into the nature of superpowers themselves, the hopes of unlocking the secrets of how they work and why they manifest in some people but not others. "The science of metahuman abilities is still in its infancy," she says, adjusting her glasses from where they''ve fallen a bit down her nose. "But every day, we''re learning more and more, even as the landscape continues to evolve and change. It''s a complex and dynamic field, one that requires us to think outside the box and approach problems from new and unconventional angles." One of the senators - I think it''s Merkley - asks about the plans for Illya Fedorov''s incarceration at the Aurora Springs Residential Facility. "Can you walk us through the measures that are being put in place to ensure that he''s being held securely, but also humanely?" Nakamura nods, clasping her hands together on the table in front of her. "Of course. The facility has been specifically designed to contain individuals with radioactive abilities like Mr. Fedorov''s. The walls of his particular isolated enclosure are lined with layers of radiation absorbing materials designed to handle all forms of ionizing and x-ray radiation, and the ventilation system is equipped with advanced filtration to prevent any leakage. But we''re also mindful of the need to provide a certain level of comfort and quality of life. Mr. Fedorov will have access to recreational facilities, educational programs, and regular medical check-ups to monitor his condition and ensure his well-being." I can''t help but feel a pang of something - not quite sympathy, but maybe a kind of morbid fascination. The idea of Illya Federov, the man who nearly killed me, the man who did kill Liberty Belle, living out his days in some kind of cushy resort prison¡­ it still doesn''t sit right with me, for some reason I can''t really articulate. But at the same time, I remember the look on his face in the moments before the end, the look of a man who knew he''d gone too far, who wanted to take it all back but didn''t know how. Maybe there''s no such thing as a perfect solution, no way to balance the scales of justice that doesn''t leave someone feeling cheated or betrayed. Maybe all we can do is try to even it out. Lost in thought, I almost jerk straight out of my seat when I hear it. "We''d like to call the metahuman known as Bloodhound to the stand." Oh God. Oh fuck fuck fuck why was I not paying attention to the order of operations here, holy shit. I wasn''t next up. I was last in line. Find this and other great novels on the author''s preferred platform. Support original creators! The room goes quiet, every eye in the place turning to look at me. I can feel their stares boring into me like hot pokers, can hear the whispers and murmurs rippling through the crowd like a breeze through dry grass. For a moment, I''m frozen, my body locked in place as my mind races in a dozen different directions at once. I know I should stand up, should walk to the front of the room and take my place at the witness table. But my legs feel like they''re made of lead, my feet rooted to the floor as if by some invisible force. It''s only when I feel a gentle tap on my shoulder that I''m able to break the spell, to turn and see one of the aides standing beside me, his hand outstretched in a silent gesture of encouragement. "You''re up, kid," he says, his voice low and steady. "Just remember, take a deep breath, picture them all in their underwear, all of that dumb shit. You''ve got this." I nod, swallowing hard around the lump in my throat. He''s right. I can do this. I have to do this. So I push myself to my feet, ignoring the way my knees shake and my palms sweat inside my gloves. I take a deep breath, squaring my shoulders and lifting my chin as I walk down the aisle towards the witness table, trying to project an air of confidence that I don''t quite feel. It''s strange, being up here in front of all these people. I''ve never been much for public speaking, never been comfortable with being the center of attention. But as I settle into my seat and adjust my microphone, I feel a kind of calm wash over me, a sense of purpose and clarity that I didn''t know I had. The bailiff steps forward, holding out a Bible in one hand and raising the other in a solemn gesture. I feel a little bit uncomfortable staring down the barrel of the extremely Christian object, but I understand the symbolism. "Do you solemnly swear that you will tell the truth, the whole truth, and nothing but the truth, so help you God?" I hesitate for just a fraction of a second, my eyes darting to my parents in the front row. Oh shit, when did they get here? I''m going to jump off a cliff. They''re both white-knuckled, gripping each other''s hands so tight it looks almost painful, but when they see me looking, they both manage to muster up a smile, small and strained but full of love and support. "I do." The words come out steady, my voice sounding strange and far away to my own ears. But it''s done. I''ve crossed the threshold, stepped into the spotlight. No turning back now. Senator Gantt clears his throat, shuffling the papers in front of him as he leans forward in his seat. "Thank you for being here today, Bloodhound," he says, his voice rich and sonorous. "We know this can''t be easy for you, especially given the ordeals you''ve been through. But your testimony is vital to our understanding of what happened, and to our efforts to ensure that nothing like it ever happens again. So please, take your time, and tell us in your own words what you experienced." I nod, licking my lips as I try to gather my thoughts. I glance down at my notes, the bullet points and key phrases that Mrs. Gibson helped me put together, but somehow they all seem woefully inadequate now, like a child''s scribbles next to a masterpiece. My brain is usually racing a mile a minute, but right now it seems dead - like if you could open it up and touch it, it would break apart in your hands like shiny, gelatinous putty. So I take another deep breath, close my eyes for just a moment, and then begin to speak. "I never wanted to be a hero," I start, my voice quiet but clear in the hushed stillness of the room. "I never asked for these powers, never asked to be different or special or any of that. I just wanted to be a normal girl, you know? Go to school, hang out with my friends, maybe join the volleyball team or something. Just¡­ live my life." I pause, swallowing hard as the memories come flooding back, sharp and vivid and painful as broken glass. "After I developed my powers, when I just turned fourteen, I thought¡­ I thought maybe I could use them to help people. To make a difference, even if it was just in some small way. So I started training with the Young Defenders, learning how to control my abilities and use them for good." I can see some of the senators nodding along, their faces creased with sympathy and understanding. But I can also see the skepticism in some of their eyes, the unspoken questions and doubts. I know what they''re thinking - what kind of parent lets their teenage daughter run around playing superhero? What kind of system allows a child to put themselves in harm''s way like that? I wish Pop-Pop Moe was here, allowed to take the stand in front of me. He''d be able to say it so much better than I could. That my age doesn''t matter - what matters is what I''ve been given and how I use it. "When I fought against Federov, when I saw what he did to Liberty Belle¡­ it was like my whole world just shattered. Like everything I thought I knew, everything I believed in, was just a lie. I didn''t understand how powers could be fickle like that. Or so strong." My voice breaks a little on the last word, and I have to pause for a moment to compose myself. I can feel the hot, the liquid gathering at the corners of my eyes, and my breath comes out shuddery when I start back up again. "Since then, I''ve tried my best to keep doing what I do. To keep¡­ being Bloodhound. Because I thought that''s who I had to be. But it''s hard. It''s like every time I think the worst has passed, and I''ve done something too dangerous already - something else happens to prove me wrong." I think about Jordan, silent and terrified on the threshold of the gymnasium, freshly be-bulleted. I think about Mayor Watkins'' words about staying the course, about trusting in the work and the process, even when it''s hard. I think about my parents'' faces in the crowd, the fear and the pride and the desperate, aching love. And I know that no matter what happens here today, no matter what these senators decide or what laws they pass or fail to pass, I can''t give up. I won''t give up. "I''m not here to tell you that the system is perfect. I''m not here to say that everything the NSRA or the Delaware Valley Defenders or the Philadelphia PD does is always right and just and good. Because I''ve seen firsthand that it''s not. That there are cracks and flaws and dark places where bad things can grow like black mold." I take a deep breath, looking out at the sea of faces, the cameras and the notepads and the glinting lenses of a hundred eager eyes. "But I also know that there are good people out there, people who are trying their best to make things better. People like the Young Defenders, like my friends and teammates who put their lives on the line every day to keep the city safe. People like Mrs. Anne-Marie Gibson in Philly and Mrs. Alvarez, who want to root out corruption and hold those in power accountable. People like you, sitting here today, listening to my story and trying to understand." I pause again, struggling for the right words. It''s so hard to wrap my head around it all, to condense the tangled web of experiences and emotions into something that makes sense, something that will make them see what I see. "Illya¡­ Mr. Federov¡­ he''s not an aberration. He''s not some lone bad apple or rogue agent. He''s a symptom of something deeper, something rotten at the core of the way we deal with people like us. And unless we face that head on, unless we''re willing to have the hard conversations and make the hard choices, then nothing''s ever going to change." Chapter 115.2 My voice rings out in the stillness of the room, strong and clear despite the hammering of my heart in my chest. But then the spell is broken, and the murmuring begins anew, the rustling of papers and the clearing of throats as the senators prepare for their questioning. And I know that this is far from over, that whatever comes next will be a trial all its own. Take a breath. Count to three. Picture them all in their underwear. And then into the breach once more. The questions come fast and furious, a barrage of words and ideas and implications that make my head spin. I try to stay focused, try to remember the key points and the careful phrasing that Mrs. Gibson and I worked on together while we crammed overnight. But it''s hard, with the lights and the cameras and the weight of all those eyes on me, dissecting my every move and expression. Senator Padilla is the first to jump in, his voice calm but probing as he asks about my experiences with the NSRA. "Can you elaborate on any instances where their actions seemed obstructive or unjust?" I take a deep breath, trying to steady myself. "There were a few times," I say slowly, picking my words with care. "Like when they tried to keep information from getting out about Illya - about Mr. Federov''s involvement with their agency. It felt like they were more concerned with protecting their own image than with actually keeping people safe." He nods, making a note on the pad in front of him. "And what specific evidence have you seen that suggests they were collaborating with him?" I hesitate, glancing over at Agent Shaw. She''s sitting ramrod straight in her seat, her face a mask of barely-contained tension. "I mean, the fact that he was able to operate so openly for so long, without any real consequences¡­ that seems pretty telling to me. And then there was the way they handled his capture, you know, the stuff with Agent Shaw at the trial - sorry, Mrs. Shaw," My voice trails off, and I can feel the frustration bubbling up inside me. "It just doesn''t add up, you know? If he was really such a danger, why did they let him run wild for so long?" Padilla seems satisfied with that, but Senator Castor picks up the thread, her eyes sharp and assessing. "What reforms or measures do you think should be implemented to ensure greater accountability within the NSRA?" I blink, taken aback by the directness of the question. "I¡­ I don''t know, exactly. I mean, I''m not an expert on this stuff. But I think that, like¡­ you can''t, well¡­ When you''re inside the building you can''t see where all the windows are, right? You need to have someone outside the building who can see the whole picture. Otherwise you just end up getting lost. Does that make sense?" I can feel the words coming out in a rush, my thoughts spilling out faster than I can filter them. "And there should be consequences, you know? Real consequences, for people who abuse their power. I mean. I feel like the analogy is getting away from me, sorry." She raises a hand, as if she''s trying to calm an angry dog. "Like an independent oversight board?" She suggests. I nod at her. "Right. An independent oversight board. Who watches the Watchmen, right?" I say, feeling proud of myself for remembering something Pop-Pop Moe told me years ago. She nods, a hint of approval in her eyes. But before I can feel too proud of myself, Senator Sasse jumps in with a question of his own, and I feel my stomach clench with a whole new kind of anxiety. "Can you describe the physical and psychological impacts you''ve witnessed in individuals using the drugs known as "Jump" and "Fly"?" he asks, his voice calm but insistent. I swallow hard, my mind flashing back to the fights I''ve had with Fly-heads, the wild-eyed desperation and unhinged aggression I''ve seen in their faces. I swallow. "Physio¡­ Physically, something in the drug makes your blood just break down. Um, if you don''t know, one of my superpowers is that I can sense blood in my environment, and if someone''s actively bleeding, it lets me see their entire vascular system. And people on Jump and Fly have this blood that''s, like, bright, fluorescent orange. And in my mind''s eye it feels ''fizzy'', like soda. And whenever someone takes Jump or Fly, I don''t know if I''d know if it has any psychological effects¡­" I trail off, thinking about Kate. Was it something in what she took, or was it just the power high that was dredging something to the surface? "I don''t know. I''m not really good at chemistry, especially brain chemistry. If you asked me if it did anything psychologically to people I would guess it just shows the sort of person you''d be if you got powers. And, um¡­ I think there''s people who wouldn''t be good with powers," I say, folding my hands in front of me. "There are some people who take Jump and Fly so they can finally be superheroes, but, um, I''m not sure, but I think they might be a minority. I don''t really have numbers." Enjoying this book? Seek out the original to ensure the author gets credit. Senator Sasse looks down at their hands, maybe some notes? Then, he looks back up at me. "And it''s not just the users," I continue, my voice gaining strength as the memories pour out of me. "It''s their families, their friends, their whole communities. This stuff tears people apart, rips them away from everything and everyone they care about. And it just keeps spreading, like a disease that no one knows how to cure." Senator Gantt clears his throat, his eyes filled with a mix of sympathy and determination. "How widespread do you believe this problem is, beyond Philadelphia?" I shake my head, feeling the weight of it all pressing down on me. "I don''t know for sure. But I''ve heard stories, you know? From other heroes in other cities, my, um, professional colleagues. And it''s not just a Philly thing, or an East Coast thing. It''s everywhere." I take another hard breath, trying to keep my composure. "I couldn''t tell you if it''s more widespread in one city or another. And I don''t know enough about foreign cities to know if it''s spreading there, too, or if it''s something uniquely American." The questions keep coming, hard and fast and relentless. They ask about my relationships with law enforcement, about the challenges of being a teenage superhero in a system that doesn''t quite know what to do with me. They ask about the incident at school, about Patriot and his goon squad and the mess they left behind - asking me for my opinion, as if I wasn''t there, because they don''t know I was there. Or maybe they do? I do my best to stick to the facts, to focus on what I know for sure without speculating or throwing accusations around. But I can see the gears turning behind their eyes, the calculations and maneuverings, the way these tiny little groups of mostly old men and a few old women are trying find some way to herd the entire country one way or another "Do you think there should be stricter regulations on superhuman activities?" Senator McMahon asks, her voice sharp and probing. I hesitate, feeling the weight of the question hanging in the air. "I¡­ I don''t know," I say finally, my voice small and uncertain. "I mean, I get why people are scared, why they want more control over what we can do. But I also know that most of us, we''re just trying to help. We''re trying to make a difference, to use our powers for good." I swallow hard, feeling the emotions welling up inside me. "And I''m not sure if rules and restrictions will make it harder for people who want to do the wrong thing, even if they make it harder for people to do the right thing. That''s sort of the age old question, isn''t it?" I can see some of the senators shifting uncomfortably in their seats, their faces tight with disapproval or skepticism. But others are nodding along, their eyes filled with a kind of grudging respect. Even if I''m just a kid in a costume, my voice still matters. My truth still counts for something. But then Senator Ernst asks about vigilantism, about the way I and my friends operate outside the law, and I feel my hackles rising, my defenses slamming into place. "How do you justify your actions?" she asks, her voice cold and accusing. "What gives you the right to take the law into your own hands?" I take a deep breath, trying to keep my cool. "I don''t¡­ I don''t think it''s about having the right," I say slowly, choosing my words with care. "I think it''s about doing what needs to be done, when the people in charge aren''t willing or able to do it themselves. I could defend myself by pointing out my LUMA, and my association with the Delaware Valley Defenders, but I think that shouldn''t be necessary. I think people who want to help should be able to do so. Not to go out and punch bad guys, but, like, anyone can go and pick up litter or rescue a cat. And sometimes superpowers make you really good at rescuing cats, and I think we have a responsibility to help people help each other. That''s what I think, I think." I can see the untrust in her eyes, the way she''s sizing me up like I''m just another punk kid with delusions of grandeur. But I refuse to back down, refuse to let her make me feel small or ashamed. "I''ve seen firsthand what happens when the system fails," I continue, my voice growing stronger with every word. "I''ve seen the damage that can be done when the bad guys are allowed to run wild, when the people who are supposed to stop them are too busy covering their own asses. When that happens, people die. People like Liberty Belle." There''s a moment of silence, a held breath that seems to stretch out forever. And then Senator Sanders, this crumpled looking old man with a voice that sounds distinctly like my Pop-Pop, speaks out for the first time. "What measures would you recommend, to prevent incidents like the one at Tacony Charter Academy from happening again?" I blink, caught off guard by the question. "I¡­ I don''t know if there''s any one thing that can prevent something like that," I say slowly, my mind racing. "But I think there needs to be more accountability, more oversight. Like, maybe body cameras for superheroes, or regular psych evaluations, or¡­ or something. To make sure that the people with the most power are using it responsibly, and not just abusing it for their own gain. I think we have a responsibility to be doing the right thing with our powers. I''m¡­ I don''t think G-d would¡­ well, not to sound religious, but I don''t think we would be given these powers if we weren''t intended to do good with them." I can see some of the other senators nodding along, their faces thoughtful as they scribble notes on their pads. And I feel a flicker of hope, a tiny spark of possibility that maybe something good can come out of all this. That my pain and my struggle can be used to make things better. Chapter 115.3 But even as I''m talking, even as I''m pouring my heart out on the stand, I can feel the telltale prickle at the back of my neck, the cold shiver down my spine that tells me danger is near. I''ve been trying to ignore it, trying to push through the rising tide of panic and dread that''s been building inside me since the moment I sat down. But it''s getting harder and harder to keep my composure, to keep myself from jumping at every sound and shadow, like a rabbit frozen in the thrall of a fox. Every creak of the door is the gavel of doom about to fall. Every cough from the gallery is a gun pointed at my head, every rustle of paper is a grenade about to explode. I can feel the dizziness and nausea of the adrenaline starting to flow, the edges of my vision shimmering like a heat mirage - my spider-sense telling me that very very very very bad thing is about to happen but staying juuuuuust out of view. Despite that, I keep talking. I have to. I promised. "And what about the media?" Senator Wilson asks, his voice smooth and polished as a river stone. "How has their coverage influenced public perception of superhumans, in your view?" I take a shaky breath, trying to steady myself. "I think¡­ I think a lot of times, the media only shows one side of the story," I say carefully, my voice trembling a little. "Like, they''ll focus on the flashy fights and the big disasters, but they won''t talk about the everyday stuff, the small ways that superhumans make a difference. And that can make people scared, you know? It can make them think we''re all just ticking time bombs waiting to go off." My voice drops low, uncertain, as my eyes dart towards the door, which seems to be vibrating even though I know it''s completely stationary. I can see some of the senators exchanging glances, their eyebrows raised in surprise or concern. But Senator Merkley leans forward, his face creased with sympathy. "Is everything alright, young lady? You seem a bit¡­ on edge." My head buzzes with a sudden electricity, a sudden certainty that something is about to happen. My whole body quivers, my eyes widening like saucers behind my visor. Any possibility for subtlety or secrecy is gone. I''m not even aware that I''ve started to hyperventilate. But then¡­ nothing. The moment passes, the tension draining away like water through a sieve. I''m left feeling shaky and foolish, my cheeks burning with embarrassment beneath my helmet. "I¡­ I''m sorry," I stammer, my voice barely above a whisper. "It''s just¡­ it''s been a lot, you know? All of this, the whole¡­" I wave my hand vaguely, not sure how to put it into words. Senator Merkley nods, his eyes soft with understanding. "Of course. Take your time, we''re almost done here." I swallow hard, trying to gather my scattered thoughts. "I guess¡­ I guess I just want people to see us as people, you know? Not just as powers or threats or¡­ or anything else. Just¡­ people." My voice breaks a little on the last word, and I have to blink back the sudden rush of tears that threatens to overwhelm me. There''s a long moment of silence, a held breath that seems to stretch out forever. And then Senator Gantt clears his throat, his voice gentle but firm. "Thank you, Mrs. Bloodhound. I think that''s all we have for you today." I nod jerkily, my heart pounding in my throat as I rise unsteadily from my chair. "Thank you," I mumble, not sure who exactly I''m thanking or for what. And then I''m stumbling out of the room, my legs shaking and my head spinning as I try to remember how to breathe. The doors are mercifully closed behind me and the cool, crisp air of the hallway is a balm on my flushed skin. I''d rather be literally anywhere else than where I am right now. Literally anywhere. Please, Houdini, appear before me and show me the way. If you stumble upon this narrative on Amazon, it''s taken without the author''s consent. Report it. "You did great, kid," says a gruff voice, from somewhere behind me, and I jump a little, my heart leaping into my throat. But it''s just one of the aides, a stout, middle-aged man with a kind face and a receding hairline. He''s holding out a bottle of water, his eyes crinkled with concern. "Here, drink this. You look like you could use it." I take the bottle with shaking hands, fumbling with the cap as I try to unscrew it. "Thanks," I mutter, taking a long, grateful gulp. It tastes like plastic and minerals, but it''s the best damn thing I''ve ever had. "So?" he says after a moment, his voice low and conspiratorial. "How do you think it went in there?" I shrug helplessly, feeling suddenly very small and very young. "I¡­ I don''t know," I say honestly, my voice ragged and raw. "I feel like I said what I needed to say, but¡­ but I don''t know if it''ll make a difference. If any of it will." He nods sagely, his eyes distant and thoughtful. "That''s the thing about all this," he says, waving his hand in a vague, all-encompassing gesture. "You never really know what''s going to stick, what''s going to change things. All you can do is keep showing up, keep telling your truth. And hope that eventually, if you say it enough times, to enough people¡­ something will give." I swallow hard, feeling the weight of his words settling on my shoulders like a mantle. "Yeah," I whisper, my voice thin and thready. "I guess that''s all any of us can do, huh?" He smiles, a small, sad thing that doesn''t quite reach his eyes. "Welcome to Washington, kid." And then he''s gone, disappeared back into the labyrinthine halls of power, leaving me alone with my thoughts and my fears and my fragile, flickering hopes. I don''t have long to brood, though, before I''m being hustled off to some secure room deep in the bowels of the building, a cramped little room with bare white walls and two gently flickering fluorescent lights and a vending machine. They tell me to change out of my costume, to put on the clothes they''ve brought for me. A plain black hoodie, a pair of jeans, sneakers that are a size too big. The uniform of anonymity, of invisibility. I almost feel like the world''s weirdest VIP. I shed my armor, watching reality pixelate in the corners of my eyes, peeling away the layers of Kevlar and leather and sweat-stained cotton until I''m just Sam again, just a skinny little girl with bruises on her skin and fear in her eyes. It doesn''t feel as good as it should. It feels like I''m even more exposed, now. And then we''re moving again, through a warren of tunnels and stairwells, my eyes blinking owlishly in the sudden glare of daylight as we emerge into a loading dock somewhere on the edge of the Capitol complex. There''s a black SUV waiting for us, its engine idling and its windows tinted dark. My parents are there, their faces pale and drawn as they wrap me in fierce, desperate hugs. They hold me like they''re afraid I might disappear if they let go, like I might crumble into dust and ashes right there in their arms. "You were so brave," my mom whispers, her voice choked with tears. "So brave and so strong and so¡­ so¡­" "You did good, kiddo," my dad says gruffly, ruffling my hair with a trembling hand. "Real good." I lean into their embrace, feeling the warmth of their bodies seeping into my bones, thawing the icy numbness that''s been building there all day. And for a moment, just a moment, I let myself believe that it''s true. That I was brave, that I was strong, that I did something that mattered. Even if I''m not sure I believe it myself. The ride back to the train station is a blur, a smear of gray skies and rain-slicked streets and the distant, muffled hum of the city beyond the car''s windows. I don''t try to talk to my parents, don''t try to fill the silence with empty chatter or forced cheer. I just lean my head against the cool glass and watch the world go by, feeling the weight of everything that''s happened settling onto my shoulders like a leaden cloak. At some point, I must drift off, my exhaustion finally catching up with me in a rush of dark and dreamless sleep. Because the next thing I know, we''re pulling into Union Station, the grand old building looming over us like a cathedral in the misty twilight. My dad puts a gentle hand on my shoulder, startling me awake. "We''re here, Sam," he says softly, his eyes kind and worried behind his glasses. I nod groggily, rubbing at my eyes with the heel of my hand. "Okay," I mumble, my voice thick and slurred with sleep. "Wake me back up when we get to Philly." Chapter 116.1 The heavy bag swings lazily on its chain, rocking back and forth in time with the dull thud of gloved fists against worn leather. It''s a familiar rhythm, a steady beat that echoes through the cavernous space of the Delaware Valley Defenders'' gym, bouncing off the high ceilings and polished hardwood floors. But there''s something different about it today, something subdued and muted that hangs in the air like a pall. Maybe it''s the way everyone seems to be moving a little slower, a little more carefully, like they''re afraid of breaking something fragile if they push too hard. Or maybe it''s the way the usual chatter and laughter has been replaced by a tense, almost oppressive silence, broken only by the occasional grunt of exertion or the squeak of sneakers on the mats. It reminds me of the funeral for Liberty Belle. I try to shake off the feeling, focusing instead on the steady rhythm of my own breath, the burn of muscles as I work through a series of stretches and warm-up exercises. It helps, a little, to lose myself in the familiar motions, to let my mind go blank and just be in my body for a while. I forget, sometimes, how young I am, since it already feels like I''ve been through like two dozen wars. I wonder what the rest of my friends at school did for their summer break - went on vacation with their families? Went to camp? Worked a summer job? I spent mine testifying in front of the nation. And then I did it again right before Halloween. "Hey, Bee!" Lily calls out from across the room, waving me over with a grin that doesn''t quite reach her eyes. "You want to spar? I''ve been working on that two-man takedown you showed me last week, I think I''m getting pretty good at it." I hesitate for a moment, glancing around at the rest of the team. Jason is over by the free weights, his face set in a grim mask of concentration as he grunts out rep after rep. Amelia and Connor are stretching together in the corner, their heads bent close as they murmur to each other in low, urgent tones. And¡­ That''s it. That''s it, isn''t it? Just the five of us. I mean, I never felt particularly connected to anyone, but I don''t really feel particularly connected to most people nowadays. Like¡­ it''s like watching people stop showing up to your Boy Scouts meetings. You don''t realize just how big the gym is until it''s empty. I realize that they''re all giving me side-eye, like I''m the depressing thing that walked in, ever since I got back to Philly last night. I expected at least someone to say "you did a great job", or "you represented us well"¡­ but, I guess not. I haven''t been checking the news. I just got my homework and went to sleep. Maybe that''s on purpose. "Sure," I say finally, plastering a smile onto my face that feels about as genuine as a three-dollar bill. "Let''s do it." We square up on the mats, circling each other warily as we size each other up. Lily''s smaller than me, but she''s quick and agile, with a wiry strength that belies her slight frame. And she''s been training hard lately, putting in extra hours at the gym and drilling herself mercilessly on every technique and maneuver she can get her hands on. Like a lot of us, I guess. Like we''re all trying to make up for lost time, trying to cram a lifetime''s worth of training into a few short months. I don''t know what we''re gunning for, but it feels like it''s coming soon. She comes at me fast, ducking under my guard and trying to sweep my legs out from under me. I manage to keep my balance, but just barely, stumbling back a few steps as she presses her advantage. She''s good, I''ll give her that. But I''ve got a few tricks up my sleeve too. I feint left, then pivot suddenly to the right, using my momentum to drive my shoulder into her chest and knock her off balance. She staggers back, her eyes widening in surprise, and I press my advantage, grabbing her arm and twisting it behind her back in one smooth motion. She lets out a yelp of pain - and something else, too. Something that sounds almost like fear. I let go immediately, taking a step back and holding up my hands in apology. "Sorry," I mutter, feeling a flush of shame creeping up my neck. "I didn''t mean to¡­" "It''s fine," she says quickly, rubbing at her shoulder with a rueful grin. "I shouldn''t have let my guard down like that. You''re too fast for me, man." "Says the speedster," I cough, forcing a laugh, but it sounds hollow even to my own ears. "Not fast enough, apparently," I say, shaking my head. "Half the bad guys in this state already know what I look like in costume and out of it. Not much point in trying to be sneaky now, I guess." She gives me a sympathetic look, but before she can say anything else, there''s a sudden commotion by the door. I turn to look, my heart leaping into my throat as I see two familiar silhouettes emerging from the shadows of the darkened hallway. Support the creativity of authors by visiting the original site for this novel and more. "What the hell are you doing here?" Jason growls, his voice low and dangerous as he takes a step forward, putting himself between the intruders and the rest of the team. Then, he takes a second to actually assess who he''s looking at, and his face softens. "Easy there, big guy," Devonte says, holding up his hands in a placating gesture. "We come in peace, I promise. Just need to have a little chat with our girl Bee here, that''s all. Take me to your leader! Ha ha," he says, putting on an annoying tone, that deliberately nasal voice he used to fuck with Akilah all the time - but just like my laugh earlier, it''s hollow. "Right. Well. Welcome back, I guess," Jason mumbles. I blink in surprise. "Playback? Pup?" I ask, trying to keep my tone neutral even as my mind races with a thousand questions. "What''s with the surprise? You two need a third for your throuple or something?" Neither one of them are in costume - civvies as far as the eye can see - but I guess nobody deactivated their keycards. Akilah''s hair bounces off of her head in tight springs like fireworks, while Devonte, for one, isn''t wearing a beanie. Instead, he''s wearing a baby-blue backwards baseball cap. Both of them in similarly boring casualwear: sweaters for Devonte, gym clothes for Akilah. Akilah rolls her eyes, but there''s no real heat behind it. "Very funny," she says, her voice as dry as the Sahara. "You clearly have been taking after the Dad of the pairing. Anyway. Bee. We need to talk to you. Alone." "I''m the Dad? I thought I was the dead baby in the basement," Devonte quips, sounding genuinely hurt, somehow. Akilah punches him in the shoulder. I frown, my eyes darting between the two of them, then back to my confused team. "Why alone?" I ask slowly, feeling a prickle of unease running down my spine. "Great question," Jason asks, folding his arms over his chest. "I''d sure love to know, too." "Because it''s sensitive information," Devonte says, his voice uncharacteristically serious. That''s twice in one minute - a new record. "The kind that could get people hurt if it falls into the wrong hands. And right now, we''re not sure whose hands we can trust. No offense." He holds his hands up in a surrender pose, placating again. Like a dog afraid it''s losing a fight. "So you think we''re involved in something?" Connor asks, folding his arms with a concerned twang, conspicuously mirroring Jason. "No," says Akilah, more calmly. "But this is more Bee''s business, because Bee is the one that just spoke in front of Congress, unlike the rest of y''all." "So no offense taken, right?" finishes Devonte, with his usual grin. "Plus, this needs to be on the DL. No Jamal, no adults in the room. Sorry, if anyone''s eavesdropping." Fury Forge, sitting in the corner, looks up from her seat as if she''s just been called. She''s reading a book, although which, I can''t tell from here. She puts her face back down into it. "That doesn''t make any sense," says Lily, quietly. "If you didn''t want the NSRA or anyone to know you were saying anything, why come here at all instead of, like, Bee''s house?" "Do you think we know where Bee lives? What sort of a sick fuck do you take me for, stalking fifteen year old girls," replies Devonte, looking her in the eye and not relenting on his smile. "Cut it out," Akilah chides him. I hesitate for a long moment, weighing my options. On the one hand, I trust my team with my life. I trust them more than I trust the NSRA, or the FBI, or anyone else in this stupid game of whack-a-mole. But on the other hand, I know what it''s like to be out there on your own, without the safety net of a government paycheck and a fancy title to protect you. I know the kinds of risks you have to take, the kinds of sacrifices you have to make, just to stay one step ahead of the law and the lawless alike. I''ve been out there in the storm with Jordan. And the Pattinson''s Pals showed us just how fast things could change - how quickly the winds of power could shift, leaving you stranded and alone in the cold. I don''t want that for them - any of them. Not if there''s something I can do, some risk I can take, to shield them from that storm. "Okay," I say finally, my voice sounding strangely distant to my own ears. "Okay, sure. Do we need, like, a guarded cell or something? How private is this?" "But Sam-" Lily starts to protest. I fix her with a meaningful look, willing her to understand what I can''t say. She locks her jaw shut, her big eyes swirling with concern. I turn to the rest of my team. I''m surprised, for a moment, that Lily was the only one who commented. Connor makes eye contact with me, and in his lanky frame I can sense that same muscle tension that he had when he asked ''when are we going to do something?'' on the roof all those weeks ago. I hold up a hand. "Don''t. Anything you hear, you can be asked about later. And I don''t want you to have to lie." "You''re talking like we''re already defeated," he says sourly. "I''m talking like I don''t want anybody else involved in my drama if I can help it." I pull out my phone under the pretense of checking the time and tap on a button three times. "Look, guys, I promise - if it''s something you need to know, I will tell you myself. Until then¡­ it''s need-to-know." "I could have you arrested for insubordination," Jason replies, but it''s clear he doesn''t mean it. Nobody laughs anyway. Amelia just stares at him. "I''m joking! Come on. It''s fine¡­" They''re silent for a moment, just watching. The awkward silence between us is palpable - not only because we''ve stopped talking but because I can feel their resentment and worry oozing out of them like an open wound. I almost relent for a second. These are my friends. Right? I almost say something, but Devonte interrupts. "Look, we''re burning daylight here. Bee, you know a place?" I think of Jordan''s place, the Tacony Music Hall. How it was where I got to know them, and Derek, and so many other people who are now indispensable to me. How, in that quiet, empty space, we shared secrets and soda and everything in between. And I know that it''s the only place I can think of where I might feel safe enough to hear whatever bombshell Dev and Akilah are about to drop on me - and, it''s got a Faraday cage. Chapter 116.2 "Yeah," I say, my voice barely above a whisper. "Yeah, I know a place. There''s an old music hall in Tacony, totally abandoned, out by the Delaware River. Nice and private, totally off the grid." Dev nods, a flicker of relief passing over his face. "Good. Meet us there in an hour. Come alone, and make sure you aren''t followed." I nod, a lump forming in my throat. "Okay." But just as they turn to leave, Jason steps forward, his voice low and concerned. "Hold on just a goddamn minute," he murmurs, his face a mask of barely-contained anger, and something else a little more complex. "You can''t just waltz in here after weeks of radio silence and expect us to let you walk out without a word, without any explanation or assurances. That''s not how this works." Akilah''s face hardens, her eyes flashing with annoyance. "This isn''t a negotiation," she snaps, her voice as cold and unyielding as a glacier. "Either Bee meets with us, or she doesn''t. But either way, the information we have is too sensitive to share with anyone else. So if she wants in, she comes alone. End of story." She sets her jaw. "But-" Jason tries to protest. Akilah''s face whips towards him like a snake attacking. "Whatever you think might''ve existed, whatever you assume entitles you to demand my time, it''s not real," she says, and I feel something totally unspoken pass between them. "Consider us two concerned civilians coming in with a tip, and whom you otherwise have no connection to." "Speak for yourself. I''m doing PI shit now. And, you know, college," Devonte clears the air, trying to wave some sort of diplomacy towards Jason before he explodes. "We''re good. Don''t worry about us. There''s limits to what we could''ve been doing on the inside. Now there aren''t." "You don''t¡­ S¡­ Bee needs- You can''t-" Jason tries up again, like a chainsaw trying to rattle itself back to life. "Shut up, all of you. Christ." I raise my voice, surprising myself with how forceful I sound. I see the three of them tense. "This isn''t about you, Ramp. It''s not a divorce. This is a stupid argument to be having when a fully grown adult beat the shit out of me on live TV and a third of the country wants to elect him as president." I say, my voice still shaky. "If Dev and Akilah came all this way, it means it''s important. And I want to help if I can. Just like I know all of you would, if you were in my skin." I look around at the rest of the Young Defenders, feeling a swell of pride and affection and deep, deep annoyance for these weirdos, my weirdos. "I love you all. I told you, if it''s necessary for you all to know I''ll let you know. Civilian tipline is calling for Bloodhound. Chill out." Jason huffs what might be a sigh. "Fine. You have two hours, then I want you to text me that you''re okay. Got it?" I roll my eyes, but I can''t help the smile that tugs at my lips. The gesture is a bit over-dramatic, but it''s his way of worrying. He cares. "Got it, chief," I say, tossing off a half-assed salute that would get me torn apart by any real drill sergeant. "Try not to blow anything up while I''m gone." And with that, I turn to follow Dev and Akilah out of the gym, my heart hammering in my chest and my mind racing with possibilities. All the worst ones, combining together into one catastrophic mega-hypothesis, totally divorced from reality. What could possibly be worth a scene like that? I don''t know. But I guess I''m about to find out. One way or another. I shake my head, slipping out of the side entrance and into the maze of hallways that lead out of the building. First things first, I need to get home and change out of these sweaty workout clothes. The trip back home to Mayfair goes fast, my mind buzzing like a beehive behind my eyes. Just last week this time I was in Congress. Just last week this time I was doing something that was supposed to change the course of history - something so special and important that everyone would have to stop and take notice. It occurs to me, as I pack my helmet into a duffel bag, that people probably did notice. That''s why this is happening. I sigh, slinging the bag over my shoulder and locking up the house behind me. There''s a bus that goes out to Tacony, but it only runs once an hour, and I don''t have time to waste, and-- what am I, a child? It''s a fifteen minute walk. I''m a trained athlete, among other things. I move fast and quiet, staying off the main roads and sticking to the shadows where I can. Just like Belle taught me, during those fragile last days. Back when things were simpler - or at least, when they felt simpler. I follow the river, keeping the murky brown water to my left as I pick my way through abandoned lots and crumbling factories, the relics of a Philly that''s long since faded away into working-class irrelevance. This part of town always makes me sad in a way I can''t quite put into words - like I''m walking through a graveyard. I wonder if that''s how Dev and Akilah feel, looking at the state of the world today. Looking at people like Patriot and Egalitarian, with their shiny costumes and their big talk about law and order - as if they have any idea what real struggle looks like. Or maybe I''m just projecting my own thoughts onto this. I''m sure they''ll rope me in.
The author''s narrative has been misappropriated; report any instances of this story on Amazon. The Tacony Music Hall looms ahead of me like a tombstone, its faded brick fa?ade crumbling and pockmarked with age. The windows are boarded up, the doors sealed tight with rusted chains - but I know better than to be fooled by appearances. Jordan''s been putting in some extra elbow grease making the place look like a dilapidated shithole, but it''s not like you can''t see the neon LEDs on the inside if you look hard enough. Side entrance it is. The interior of the music hall is a total 180 from the outside, old recycled hardwood floor polished to a mirror sheen and the best furniture and carpeting the thrift store could buy. Jordan''s done an amazing job with this place, turning it from a crumbling ruin into a cozy, if slightly eccentric, hideout. Maybe once this whole superhero business is all said and done they could become an interior decorator. And there, waiting for me in the main room, are Devonte and Akilah, their faces grim and their postures tense. They''re seated on one of the mismatched couches that Jordan''s collected over the months, their knees almost touching as they lean towards each other. For a second I think they''re the only ones here, and then I see Jordan and Tasha, tucked away in one of the corners, watching me with wary eyes like scared cats. Maggie''s there too, bouncing on the balls of her feet like she''s about to vibrate out of her skin with nervous energy. Better than the alternative, I guess. People vibrating out of their skin is actually a real possibility these days. For a moment, nobody speaks. The tension in the room is so thick you could cut it with a knife, not a single awkward teenager not trying to avoid eye contact. And then Devonte clears his throat, breaking the silence with a sound that''s half-cough, half-laugh. "Damn, Bee," he says, shaking his head ruefully. "When you said ''private'', you weren''t kidding around. This place is like a fucking fortress." I shrug, trying to play it cool even as my heart hammers in my chest. "It''s not mine," I say, nodding towards Jordan. "It''s my¡­ associate''s. We use it for off-the-books work sometimes." Jordan doesn''t say anything, their eyes boring into Devonte like he''s a wriggling little grub that they''d like to squash beneath their boots. They lean back in the rickety computer chair I''ve seen them sit in and browse anime forums for literally hours on end. Next to them, Tasha just looks like a spooked deer, but I already knew that would happen. Akilah''s eyes narrow slightly, but she doesn''t push the issue. Instead, she leans forward, her elbows resting on her knees as she fixes me with a stare that could melt steel. "We don''t have a lot of time," she says, her voice low and urgent. "So let''s cut to the chase. Project Titan." I blink, taken aback by the sudden shift in topic. "What even is that?" I ask, trying to keep my voice level. "It sounds vaguely familiar." "They tried to put metahumans in the army in like the late 2000s," Jordan pipes up from behind me, like I''m stupid for not having heard of it. "It was in the news like¡­ five, six years ago? That''s probably why you might vaguely recall it. Was a huge deal for all of a month." Hmm. "We''ve been digging," Devonte says, his voice uncharacteristically serious. His cap is low over his eye. "Doing the gumshoe thing, you know? Hitting the streets, talking to sources, following leads. And what we''ve found¡­ it''s big, Bee. Like, ''holy shit, the world is even more fucked than we thought'' big." I swallow hard, my mouth sticky and dry. "Okay," I say slowly, dragging the word out like taffy. "Hit me." Akilah takes a deep breath, her eyes flicking over to Devonte for a moment before she begins. "Project Titan - like your associate said - was a black ops program," she says, her voice as steady as a surgeon''s hand. "Run by the military, with the NSRA''s full knowledge and cooperation. Their goal was to create an elite unit of enhanced soldiers, ones who could be deployed anywhere in the world to carry out missions that were too dangerous or too sensitive for regular troops." I feel a cold sweat break out on the back of my neck, my stomach twisting into knots. I''ve read about this kind of thing in Pop-Pop Moe''s comics, heard whispers and rumors on the streets. But to hear it laid out so plainly, so matter-of-factly, like it''s just another item on the evening news¡­ It freaks me the fuck out. "Fucking great," I mumble. "That''s not all," Devonte cuts in, leaning in right next to Akilah, like an over-eager kid at a slumber party. "They were also trying to figure out how to make more superhumans. Like, artificially. With drugs and shit. Obviously, none of it worked. Just a lot of cancer," It feels like a piece of a puzzle that''s been hovering in the back of my brain for months now drops into place, right in that second, and my face must change into something like someone lit dynamite next to me, because Devonte''s voice cuts off mid-revelation. Everyone looks at me, waiting for me to say something, but all I can manage is a strangled noise that sounds like a cross between a laugh and a frog ribbit. "Jump and Fly," I croak out. "They''re from Project Titan, aren''t they? The¡­ The soldiers, the drugs, the experiments. All of it, leading to the shit show we''re dealing with now." Akilah shakes her head slowly, her lips pressed into a thin line. "We can''t say for sure," she says, her voice measured and careful. "But it''s a hell of a coincidence, don''t you think? The timing. Something happened, we know that. You know that." "Don''t get her off track. I still think it''s a red herring," Devonte says, a little louder and more forcefully, like it''s the one thing he''s cared about his entire life. "Ultimately, not really important. Just, like, a fun little coincidence. Surprise!" I glance over at Jordan, but they''re not making eye contact. Neither are Tasha and Maggie, the two other members of our ragtag little crew present. They''re just huddled together in the corner, looking lost and scared and so, so young. Because that''s what they are. Children. Like me. I want to reach out to them, to fold them into my arms and tell them that everything''s going to be okay. But I don''t. Because it would be a lie. I take a distant breath, trying to center myself. To focus on the here and now, on the problem right in front of me. "Okay," I say, my voice sounding strange and distant to my own ears. "Okay. So what does this have to do with, you know¡­ everything else? Do we have a concrete tie to the Jump problem? Or, like, is there a shoe waiting to drop here, or¡­" Devonte and Akilah exchange a loaded glance, and I feel my heart sink in my chest. "Patriot." Akilah says, dropping the name like a brick onto my head. "Part of the initial batch of test subjects, before they even had a name for the project. You know he was a real no shit soldier? Overseas, during the war¡­ He did shit, Bee." "Anything above and beyond what soldiers normally get themselves into?" Jordan asks from their peanut gallery, clearly in that weird zone between disinterested and just interested enough where the snark lives. "No," "Yes," Devonte and Akilah both say, simultaneously. Akilah rolls her eyes. I feel like I''m going to be sick. Like the world is spinning around me, too fast and too bright and too loud. I clutch at the edge of the couch, my knuckles turning white as I try to ground myself. "What¡­ What kind of shit?" I ask, not sure I want to know the answer. Chapter 116.3 Akilah sighs, looking back at me. "The details are hard to come by," she admits. "A lot of it''s still classified, or buried under so much red tape bullshit that it might as well be. But what we do know is that Patriot was involved in some seriously shady operations during his time with the military. Extrajudicial killings, torture of prisoners, coverups of civilian casualties¡­ It''s all there, if you know where to look. I guess nobody cared to talk to their golden boy about it." I nod slowly, my mind reeling as I try to process this new information. It''s one thing to suspect that Patriot is a bad guy, to know in your gut that he''s rotten to the core. But to have it laid out so plainly, so inescapably¡­ It''s a lot to take in. But there''s something else that''s bothering me, some piece of the puzzle that''s still missing. "What about the rest of them?" I ask, my brow furrowing. "I mean, it''s not just him. There''s¡­ Hmm¡­" I rummage for the names. "Egalitarian. And some others, right? Is he, like, hoodwinking them, or do you think they just don''t care?" There''s a long, heavy pause, and then Akilah reaches into her bag and pulls out a small plastic baggie filled with something that looks like orange dust at first. But then it starts to move. It''s sand - orange, sparkly sand. Almost pretty. In another context it''d be gorgeous body glitter. It''s blood. Dried, powdered Jump-blood. Or Fly-blood. Who knows. I know it as soon as I see it, those telltale flecks of orange. My eyes go wide, my heart dropping into my stomach like a stone. "What the fuck," I breathe, my voice barely above a whisper. "Is that¡­ Is that what I think it is?" Devonte nods grimly, his face drawn. "Egalitarian''s blood. Courtesy of our anonymous source. Still twitching with trace amounts of whatever the fuck''s in Fly. We don''t know when she started using, or how long it''s been going on. But we do know that it''s happening, and that she''s going to great lengths to keep it under wraps." "We''re just smarter than her, that''s all. Couldn''t have happened to a nicer fascist," Akilah mumbles. "But why?" I ask, my mind spinning. "She''s already a superhuman. She''s already got powers, right? Wasn''t she a superhero before Fly was a thing? Why would she need to¡­ to juice herself up like this? Can you even do that?" "Evidently," Jordan calls out. "I thought if you got too many superpowers you just exploded, like Ricochet," I muse, half to myself, half to the room. Akilah shrugs, her face unreadable. "Could be a lot of reasons," she says. "Insecurity, fear of being replaced. Maybe she''s just a junkie, or maybe it''s part of some larger plan. Who knows? Fly''s a hell of a fucking drug. But whatever her reasons, it''s a serious liability. For her, for Patriot, for the whole fucking Pattinson''s Pals operation. If word gets out that one of their top enforcers is a goddamn tweaker¡­" "Hey, don''t say that shit. I''ve met plenty of tweakers nicer than her," Devonte grumbles, sounding, for maybe the first time in my life, genuinely offended. He even gives Akilah a little punch to the shoulder, like the kind she usually gives him. "Anyway, whatever she''s juicing with, maybe it''s, like¡­ a baby power. To jump up the edge? Or maybe something Brain-type that wouldn''t be visible. Maybe she''s dying of a brain tumor, dawg. Maybe, maybe, maybe." He trails off, letting the implication hang in the air like a noose. I swallow hard, feeling the sudden urge to grab Jordan and Maggie and just¡­ run. Leave the city, leave the costumes, leave all of this insane superhero business and everyone who''s gotten hurt by it behind. Forget it. Forget all of it. Go be a normal kid. But I know I can''t. I''m in too deep, now. I''m part of this world, whether I like it or not. And if Patriot and Egalitarian are out there, running around with this kind of power and this kind of disregard for human life¡­ Someone has to stop them. Someone has to try. "This is fucking insane," Jordan mutters, their arms folded tightly across their chest. They''re not usually so quiet - I wonder if they''re feeling as blindsided as I am, right now. "I always knew those pigs were dirty, but this¡­ And with Sam at the center of it all, right in their fucking crosshairs¡­" I glance over at Jordan, feeling a sudden rush of guilt and shame. I dragged them into this, didn''t I? Them and Maggie and Tasha and everyone else. I made them a part of my world, my fight, whether they wanted to be or not. I introduced them to a level of fear and distrust and paranoia that I don''t think any kid our age should have to deal with. Would it have been better if Jordan just remained a petty criminal, spent some time in Juvie, and then moved on with their life? If I never got myself involved in Illya''s business, and Maggie never almost died? If I was never Tasha''s friend, never dragged her or Kate or anyone else into their own personal hell? And for what? What have I accomplished, really, besides painting a big fat target on my back and the backs of everyone I care about? What good has any of this done, besides driving a constant stream of danger and hurt towards the people I keep trying to protect? I hit myself on the head, once, to stop the thoughts, and then twice more because it feels nice. Everyone looks at me like I''m crazy, but I wave my hand around a bit and take a deep breath. "Okay," I say slowly, dragging a hand down my face. "Okay. So we know Patriot''s a war criminal, and Egalitarian''s a drug addict. Great. Fucking fantastic. What are we supposed to do with this information, exactly?" If you discover this tale on Amazon, be aware that it has been unlawfully taken from Royal Road. Please report it. Devonte and Akilah exchange another one of those loaded glances, like they''re having a whole conversation without saying a word. "That''s the million dollar question, isn''t it?" Akilah says finally, leaning back on her hands. "We''ve got the intel, but what we do with it¡­ That''s up to you, Bee." "Me?" I ask incredulously, my voice cracking on the word. "Why me?" "Because you''re the one they''re after," Devonte says simply, like it''s the most obvious thing in the world. "You''re the one who testified in front of Congress, who put your neck on the line to try and change things. They hate your secret identity and they hate your superhero identity. And you''re the one we can trust. You think someone like Patriot is going to enjoy having a civilian oversight board, and at your costumed recommendation?" "That''s not true," I protest. "They want Jordan, really. I was just in the way." Jordan looks at me with a pitying look, like not even they believe what I''m saying. "They got my website down, but I''m just an embarrassment they lashed out at because of a narcissistic injury," Akilah scrunches her face a little. "You, unfortunately, young grasshopper, are a part of history now. I never testified to Congress. I just set them up to get videotaped punching a teenager in the face," Jordan breathes out, arms furled protectively over their own stomach. "I''m the spark, you''re the fire. Whatever you want to do, no matter what, I''m with you." I feel like I can''t breathe, like the walls are closing in around me. I want to scream, to cry, to throw something heavy and breakable against the wall just to watch it shatter. But I don''t. I can''t. Not here, not now. Not with everyone watching me, waiting for me to be the leader they think I am. The leader they need me to be. So I take a deep breath, and I push it all down. The fear, the anger, the overwhelming sense of helplessness that threatens to drown me every time I think too hard about the enormity of the task in front of me. I push it down, and I focus on what I know. What I believe. "Well," Tasha asks, softly. "What now?" I stand up, my hands clenched into fists at my sides. "Now," I say, my voice sounding a lot more sure than I feel, "we go talk to Patriot." There''s a stunned silence for a moment, and then the room erupts into chaos. Jordan leaps to their feet, their face twisted into a mask of fear and disbelief. "Are you out of your fucking mind?" they demand, their voice shaking with barely-contained fury. "After everything we just heard, you want to go talk to that psychopath? What the fuck is wrong with you?" Maggie nods vigorously in agreement, her eyes wide and frightened behind her goggles. "Sam, no," she pleads, her voice trembling. "It''s too dangerous. He''ll kill you, or worse. You can''t-" "I have to," I say, cutting her off with a sharp shake of my head. "Don''t you see? This is our chance to end this, once and for all. If we can confront Patriot with the truth, if we can make him see how far he''s fallen¡­ Maybe we can stop this before it goes any further." "And how well did that work out with Sparkplug, huh?" Jordan snaps, their voice dripping with sarcasm. "Or¡­ Or Mr. Polygraph, or Mr. T-Rex, or any of those other deranged freaks? You go 1 and 5 on talk-no-jutsuing a supervillain and now you think you can make everything sunshine and rainbows with a quick call-in?" I flinch like I''ve been slapped, the memory of Mr. T-Rex''s cold eyes and cruel grimace flashing through my mind like a bolt of lightning. I still dream about that night, sometimes - about the feeling of getting my foot turned into a fine soup. "You''ve been reading that fucking comic too much, man. It''s rotting your brain," Jordan protests, running a hand through their hair. "I''m gonna beat up your grandpa." "Hey!" I flare up, twisting myself around, rising to my feet on top of the sofa. "Leave my Pop-Pop out of this." "I admire your optimism, but I don''t think appealing to the morality of a man who has personally committed war crimes is what we call a winning formula," Akilah snarks. I pinch the bridge of my nose. "Look. Some kid from school invited me to a counterprotest, or a protest, or whatever. I guaran-fucking-tee you that Patriot will be there. I''d bet good money he doesn''t know that his best buttbuddy is a Flyhead. Make your backup copies and throw them on the internet when your site comes back, Jord. I''ll go to a crowded place, even more crowded than Homecoming dance, and if he decides to beat the paste out of me again, well, once is a fluke, twice is data. That''s what my Dad says." "Your dad''s stupid too," Jordan grumbles. "Will you shut the fuck up? I have a plan. Patriot has not beaten me nearly as bad as half the other dipshits I''ve fought with. Deathgirl left me limping for weeks. I''m already basically fine from his little show of force. I''m not just being a stupid fucking bullheaded optimist about this, but I don''t want to have to¡­ shiv anyone unless I really, really have to, you know?" I start yelling, my voice rising with every sentence. Eventually, it reaches a slight scream. "We can''t trust the fucking adults around us because they either can''t do anything because of red tape, can''t do anything because they don''t have superpowers, or, are like, an active threat to our health. You think the Senators I talked to don''t know everything about Project Thanatos or whatever it''s fucking called?" "Titan," Tasha corrects me. Unfortunately for her, my body sort of twists on its own. "I don''t care! What do you want me to do, go to Councilman Davis and go, hey, this guy who has half the country thinking its fine to beat a 15 year old girl bloody while being recorded has skeletons in his closet? Ooh, wow, that''ll really show him! Most of these people probably think him shooting someone overseas is awesome, man! If I leaked this to the press, ten dollars says his approval rating goes up! Superhuman terrorism is the issue du jour so we have some asshole killing terrorists like two decades ago? Fucking stoked to meet him, man! He sounds like just the sort of tough-as-nails thought leader we need running things! Can you guys just shut up for a fucking second? You think I''m gonna go convince him that being an asshole is bad when he already thinks murder is good? I said talk, not fellate." I take a breath. I take another couple of breaths, sweat beading on my forehead. Everyone is staring at me like I''m a bomb about to go off. "Jesus. I''m not mad at any of you. Just¡­ I do think about this stuff, believe me. It''s all I fucking think about since he smashed my skull against a wall. When a superhuman goes bad you''re supposed to talk to the NSRA, but, guess what, we have firsthand experience about how they''re all pieces of shit, and I''d bet good money they''re the ones that spearheaded Project Tightass in the first place. The only interesting thing here is the Fly. I''ll take this information and I''ll¡­ do what I can with it. And if that explodes in my face and I''m not dead then you can all get your yuks telling me you told me so. Alright? Deal?" It takes about a minute of me catching my breath for a murmur of assent to build in the room. I step into the kitchenette for some water. Then, because I''m only like twenty feet away, I step back in. "Now, how fast can we get everything you''ve got onto Jordan''s computer?" Chapter 117.1 The protest - the one Mike invited me to - is already in full swing by the time I arrive, a seething mass of bodies and noise that seems to fill the entirety of Dilworth Park. It''s a familiar scene, one that I''ve witnessed countless times over the past few months - the angry chants, the homemade signs, the palpable sense of tension and barely-contained violence hanging in the air like a thick, choking smog. I only take a cursory glance to look for Mike, and see him, somewhere near the back of the throng of bodies, with a couple of other kids from my school. It makes me happy. But I keep my distance. I have bigger things to attend to, right now. On one side, there''s the protesters themselves - a motley crew of young activists, old hippies, and everything in between, all united by their shared outrage at the latest round of Patriot''s bullshit. They''re a colorful bunch, decked out in a rainbow of red, black, and old denim, their signs a cacophony of slogans and demands. "Pigs out of Public Health!" "ALL POWER TO THE PEOPLE!" "Superpowers Don''t Make You Above Anything!" And on the other side, there''s the counter-protesters - a larger, more vocal group, made up mostly of middle-aged white men and women in red hats and American flag t-shirts. They''re here to support Patriot and his goons, to shout down anyone who dares to question their twisted version of law and order. "God Bless Our Patriot!" "KEEP OUR STREETS SAFE!" "Jordan Westwood is a Thug Who Needs To Be Arrested!" "F**K ALL FLYHAED PUSSIES" "So Much for ''Heroes'' For the People¡­" I stand there for a moment, taking it all in, feeling the familiar mix of anger and helplessness rising up in my throat like bile. I''m not in costume, not yet - just plain old Sam Small, another face in the crowd (albeit one wearing her superhuman costume under a layer of hoodie and sweatpants). Nobody gives me a second glance as I make my way through the throng, my eyes scanning the sea of faces for any sign of trouble. And there, at the center of it all, like the eye of a hurricane, is Patriot himself. He''s standing on a makeshift stage at the far end of the park, flanked by his usual crew of sycophants and thugs. Egalitarian is at his right hand, her body wrapped in that stupid dazzle camo bodysuit, looking for all the world like she just stepped out of some kind of fascist fitness video. "Zero" is on his left, his face hidden behind that ridiculous domino mask, his hands resting on the butts of the twin batons holstered at his hips. And then there''s the other two, ones I don''t know by name - the a strongfat woman with the guns and the big black guy in the high-vis gear. They look like they''re just itching for an excuse to start cracking skulls. But Patriot himself¡­ He looks different, somehow. Calmer, more in control. Like he''s finally figured out how to put on a mask - metaphorically - that doesn''t make him look like a raging psychopath. He''s got a wireless microphone headset strapped on, the amplification sending his hyper-enunciated syllable-crowding voice booming out over the crowd like the word of G-d Himself. "¡­and what do they expect us to do? Sit back and let the criminals take over? Let them flood our streets with drugs and violence while we cower in fear?" The emotion is dripping off of his words like maple syrup off of a waffle, so lathered on. He''s practically chugging pure corn syrup to fuel his nonstop bloviating. "No. No, my friends! We are the patriots, the guardians of truth and justice for this city. We are the defense that terrified good citizens rely on when their so-called "heroes" would rather spend their time playing politics on Capitol Hill. We are the ones who will fight for law and order, for the values that made this country great. And we will not be silenced by the howling mob!" Fuck me. He''s got them eating out of the palm of his hand, like a bunch of baby birds glomming for regurgitated worms. The crowd erupts in a roar of approval, a sea of fists pumping in the air as they chant his name. "Pa-tri-ot! Pa-tri-ot! Pa-tri-ot!" I feel my stomach turn, the taste of bile rising up in my throat. It''s one thing to know that people like him exist, but to see it in person, to witness the way he twists and manipulates the truth to suit his own twisted agenda¡­ It''s like some fascist Cirque de Soleil. But I force myself to push through the revulsion, to focus on the task at hand. I''ve got a job to do, and I can''t afford to let my personal feelings get in the way. I''m never sure whether I''m lying to myself when I say that. I take a deep breath, then start moving through the crowd, careful to keep my head down and my face hidden behind a pair of oversized sunglasses and a gray hoodie with the hood pulled up. I move like someone who is trying to move through the crowd as if I''m not moving through the crowd - like I just want to be not here, immersed in the mass of yelling so I can pop out the other side and have it be quiet again. If you encounter this story on Amazon, note that it''s taken without permission from the author. Report it. I eventually make my way to the edge of the park, where a line of police officers in riot gear are standing shoulder to shoulder, their faces impassive behind their clear plastic shields. I size them up for a moment, trying to gauge their mood, their readiness. They look tense - not the kind of people you want to mess with. But I know I don''t have a choice. With someone as dangerous as Patriot on the loose, any hope of a peaceful resolution went out the window a long time ago. I take one last look around, making sure I haven''t been spotted, then duck into a nearby alleyway, moving with quick, practiced efficiency as I strip off my street clothes and don my costume, going through the motions almost on autopilot. First, the heavy polymer underlayer that sits against my skin, protecting the important parts. Then, the lightweight plates overtop. Finally, the kevlar. Even with the underlayers, the costume isn''t that thick - two fingers, maybe. I''m not tanking rifle bullets with this thing - but there''s something comforting about having even the illusion of protection. The helmet goes on last, blocking everything but my eyes and my bruised lower jaw. I put on a breathing mask under it, letting it all click into place - a necessary precaution, given my line of work, but also something to disguise my face. I take a moment to orient myself, then step back out into the alley, taking a deep breath of filtered air as I try to ready myself for what''s to come. Only to nearly run smack into a young Black girl coming around the corner, her box braids whirling around her head in surprise as she stumbles back, eyes wide and startled. I can practically see myself reflected in her pupils - the hulking figure dressed in black and brown, faceless and blank and utterly inhuman. "Ah, shit," I mutter, wincing internally at the sound of my own voice coming through the helmet''s voice modulator, all deep and gravelly and not the tiniest bit feminine. "Sorry, kid. Didn''t mean to scare you." She just stares at me for a moment, her mouth hanging open in shock. Then, slowly, she raises a trembling hand and points at me, her voice barely more than a whisper. "You''re¡­ You''re Bloodhound." It''s not a question. I nod anyway. "That''s me." "Thanks," she says, her voice wavering but filled with a fierce, desperate¡­ something. "You saved my life. Back in August. You gonna fix this?" I feel my throat tighten, a sudden rush of emotion threatening to overwhelm me. I want to reach out to her, to pull her into a hug and tell her that everything''s going to be okay. But I can''t. Not like this. Not when I''m wearing the mask. So instead, I just nod again, hoping she can see the resolve in my eyes even through the helmet. "I''m gonna try, kid. I promise you that." I know the odds are stacked against me, know that I''m just one skinny teenager going up against a private army. But none of that matters now. All that matters is the tiny glimmer of hope I see flickering in little girl''s eyes, the shred of faith that there''s still someone out there willing to fight for them. To protect them. Even if she probably doesn''t even realize how old I am. I give her one last nod, then turn and head back out into the park, my steps steady and purposeful as I make my way through the churning mass of humanity. I catch sight of Patriot almost immediately, his gleaming blue-and-white costume standing out like a beacon amidst the sea of black and blue and khaki. It''s a tight outfit that seems like it''s almost exploding off of his body, like it''s stapled on. It reminds me of a too-small uniform on a cartoon character - except this one''s got twin armbands of red and blue and an eagle on his chest. He''s surrounded by a phalanx of security goons, with a line of cops trying to keep each of the protests from colliding into each other, but I don''t let that deter me. I walk right up to them, my hands held out to my sides in a gesture of peace (not that I couldn''t ball them into fists and start swinging at a moment''s notice). One of the security goons, a big, beefy guy with a shaved head and a neck like a tree trunk, steps forward to intercept me, his hand resting on the butt of his gun in a not-so-subtle threat. "That''s far enough," he growls, his eyes narrowing behind his mirrored sunglasses. "State your business." I stare at him for a moment, then reach into my pocket - extremely slowly - to grab my LUMA and flash it. I''m not concerned about Patriot seeing it from this angle, but I don''t let this guy scrutinize it for very long, either.. It''s not quite a pager to the President like Liberty Belle had, but it''s still a pretty fucking relevant position. "Bloodhound, Delaware Valley Defenders. I''m here to speak with Patriot. Hear his insights on the goings-on today, to maintain cordial and productive relationships between all of Philadelphia''s superpowered individuals. You know, stuff like that." The guy''s eyes flick down to the badge, then back up to my face, his expression unreadable. But after a moment, he gives a curt nod and steps aside, jerking his head towards Patriot in a silent "go ahead". I nod back, then push past him and into the small, open space that they''ve carved out around Patriot, like he''s some kind of untouchable idol. He''s talking to Egalitarian, his head bent close to hers as they confer in hushed tones, but he looks up as I approach, his eyes widening slightly in surprise (genuine or feigned, I can''t tell). "Ah, Bloodhound," he says, his voice dripping with false warmth as he turns to face me fully. "What an unexpected pleasure. I must say, I''m surprised to see you here. Shouldn''t you be off chasing down some cat in a tree or another?" There''s a barely-concealed jab in his words - like I''m somehow shirking my duties by showing up to do diplomacy instead of being a boy scout for the city. But I force myself to ignore it, keeping my own voice carefully neutral. "Just thought I''d come down and see how things were going. Make sure everything was staying peaceful. Gotta do what we can to keep a lid on these things, lest they start boiling over." He chuckles at that, as if I''ve just told a particularly amusing joke. "Oh, I think we''ve got things well in hand here. I don''t know if you''ve noticed, but my associates and I have a bit of a knack for keeping the peace. For making sure that the¡­ less savory elements stay in line." I glance around pointedly, taking in the seething mass of angry protesters on either side of the police line, the tension crackling in the air like electricity. "I noticed. Seems like a real powder keg you''ve got here. Surprised you''re not more worried about it all going up in flames." He waves a dismissive hand, his smirk never wavering. "Please. These people are all bark and no bite. They''ll shout and scream and wave their little signs, but at the end of the day, they know who''s really in charge. Just a question of having a firm hand on the wheel, is all." I feel a surge of anger at his flippant tone, at the casual way he dismisses the very real concerns and fears of the people he claims to protect. But I bite my tongue, knowing that getting into a shouting match with him here and now won''t accomplish anything. So instead, I decide to try a different tack, to see if I can get him to let his guard down a bit. Chapter 117.2 "Must be tough, being in charge all the time," I say. "Hard to find people you can rely on, people you can trust to have your back when the chips are down. Most people, they don''t know what it''s like. The kind of pressure that comes with being responsible for so many lives." I see something flicker in his eyes at that, a momentary crack in that smug facade he wears like a second skin. "You''d know all about that, though, wouldn''t you?" he says, his voice quieter now, more thoughtful. "I heard about the incident with Deathgirl over at the courthouse. Can''t imagine that was a walk in the park." "It wasn''t," I reply honestly, trying not to think too hard about the memory of her cruelty, the feeling of her spikes lancing through my thigh, leaving deep, bloody holes in their wake. "But we stopped her. That''s what matters." He cocks his head to the side, studying me with a newfound intensity. "Now when you say ''stopped'' her¡­" "I mean, Daisy is not going to be leaving her jail cell for a very long time," I say flatly. "I put her there, and she''s going to stay there. With any luck, she''ll get the help she needs to get her head on straight." Unlikely. I didn''t fight her any more after getting her trussed up, but I did have to listen to her unhinged ranting beforehand. "And Chernobyl? I heard you were the one who convinced that glowing bastard to turn himself in. How''d you manage that?" I pause for a moment, considering my words carefully (while trying very very hard not to take offense to "glowing bastard". I decide not to fight that battle today). "Mr. Federov is a complicated man," I say finally. "A man no different than you or I in some ways. He made some bad choices, did some terrible things¡­ but in the end, I think he just wanted to make things right. To atone for his sins. I think anyone can understand that - the desire to repay the world for one''s mistakes." Patriot frowns, deep and heavy, his face scrunched up like tissue paper, his brow furrowed in thought. "And you think that''s enough? A few pretty words and a half-assed apology, and suddenly all is forgiven?" I shake my head. "No, of course not. But Mr. Federov is in prison now, and he''s going to stay there for a long time. He''ll pay for what he''s done. It''s called ''restorative justice'' - the idea that punishment alone isn''t enough, that we need to focus on healing and rehabilitation as well." "Restorative justice," Patriot snorts, his lip curling in contempt. "That''s the kind of soft-hearted bullshit that''s going to get us all killed. You mark my words, Bloodhound. The day we start coddling these freaks and lunatics is the day we sign our own death warrants." There''s a coldness to his voice now, a hardness that wasn''t there before. The friendly, relaxed veneer is starting to crack, allowing the real man to peer through. The man who sees the whole world as a battlefield, everyone standing in opposition to him as the enemy - me included, I realize with a sinking feeling. G-d save anyone who winds up at ground zero of his blast radius. I can tell that the conversation is going downhill fast, that I''m not going to get anywhere by trying to appeal to his sense of compassion or mercy. But maybe I can still salvage something useful out of this whole mess, if I play my cards right. I just need to find the right angle, the right pressure point to get him talking¡­ "I suppose we all have our own ways of dealing with the burden," I say carefully, keeping my voice as neutral as possible. "Our own ways of coping with the things we''ve seen, the things we''ve had to do. I know that my experiences have changed me, sometimes in ways I''m not always proud of. Still working on trying to become the kind of hero this city deserves." I see his eyes narrow at that, a flicker of suspicion crossing his face. "What''s that supposed to mean?" I shrug, trying to keep my body language casual even as my mind races to find the right words, words that will set him at ease without revealing too much. "Only that none of us are perfect. That even the best of us make mistakes, do things we''re not proud of. The important thing is that we learn from those mistakes, that we don''t let them define us." Patriot lets out a bark of laughter, the sound harsh and grating against my ears. "Spare me the after-school special crap. You think I don''t know about mistakes? About the hard choices that come with wearing the uniform? I''ve been making those choices since before you were in diapers, kid." He leans in close, his eyes boring into mine with an intensity that sends a shiver down my spine. "You want to talk about duty? About strength? Let me tell you a little something about my time in the service." He straightens up, his chest puffing out with pride as he launches into his story. "I enlisted right out of high school, you know. Wanted to serve my country, make a difference in the world. Wound up overseas, fighting terrorists and insurgents. And let me tell you, those were some mean sons of bitches. Had to be, to survive in a place like that. But we were meaner. Had to be, to do what needed to be done." Royal Road is the home of this novel. Visit there to read the original and support the author. There''s a faraway look in his eyes now, like he''s seeing something that isn''t there. Something that I can''t even begin to imagine, even with all the hero-ing I''ve done. "We did what was asked us overseas. We did things that stay with you. Things that change you, in ways a small fry like you can''t even begin to understand. But we did what we had to do. What our country asked of us. And we did it without complaint, without hesitation. Because that''s what it means to be a soldier. To be a patriot. To do the dirty work, so everyone else stays clean." I nod slowly, trying to process everything he''s saying. Trying to reconcile the man in front of me with the monster I know him to be. "And is that what you''re doing now?" I ask quietly. "What your country is asking of you?" He blinks, his eyes refocusing on me with a sudden sharpness. "What I''m doing now is what needs to be done. What no one else has the guts to do. This city is tearing itself apart, Bloodhound. Criminals and deviants running wild in the streets, the so-called ''heroes'' too busy playing politics to do anything about it. Someone has to take a stand. Someone has to draw a line in the sand and say ''no more''." "Is that what you were doing at the homecoming dance?" I ask, my voice carefully neutral. "Drawing a line in the sand?" He stiffens at that, his eyes narrowing to slits. "That was¡­ an unfortunate incident. The girl was out of line, causing trouble where she had no business being. Protecting a criminal." "She''s fifteen years old," I say softly, feeling a cold knot of anger twisting in my gut. "A child." "Old enough to know better," he snaps, his voice sharp as a whip crack. "Old enough to understand that actions have consequences. What was I supposed to do, let her keep her terrorist friend safe? Convince everyone else that open rebellion to protect a threat to society is alright? No." My stomach churns with sudden nausea, but I force myself to ignore it. "She was wearing a suit. A nice, black suit, probably a rental. She was trying to be pretty, not protect a criminal." "Pretty?" He snorts. "I don''t care about how pretty she is. Physical appearance doesn''t mean anything to me. She was in the way. I don''t feel bad for insects that get splattered on the windshield when I''m driving." "She''s an insect to you?" I ask, trying to keep my tone as even as possible. His nostrils flare. "An insect raised by intellectuals. A pansy and a tax leech. I don''t care much for intelligentsia. As far as I''m concerned, as a species we''d probably be fine putting a stop sign right here and just focusing on keeping everything stable instead of constantly trying to change things. Let the socially liberal work out the last of their identitarian concerns, and then we can finish society. A nice final form, like a noble gas. With no room for rabble-rousers like the Smalls." I want to scream, to lash out at him with a roundhouse right hook, to make him suffer for even daring to talk about my parents like they''re some kind of disease. But I don''t. I keep my hands clenched to my sides, white-knuckling and silent. "You sure seem to know a lot about her," I say instead, my voice soft and dangerous. "About her family." "It''s my job to know," he says bluntly, utterly unaware of who he''s speaking to and the unbelievable amount of shit I could do to him for that comment alone if he wasn''t a superhuman and I didn''t have the moral high ground. "To keep tabs on potential troublemakers like her and her kind. So next time she decides to stick her face where it doesn''t belong, we''ll be ready." He says the last word like he''s talking about hunting season - grim but excited, like she''s a deer he bags every year. "Her kind?" I ask, my voice as cold as the grave, barely restraining the amount of pure acid that wants to leak out like venom. Like his blood, if I opened up his carotid right now. "You know exactly what I mean," he says, his lip curling in a sneer. "Have you ever read Francis Fukuyama, kid? You really should." I take a deep breath through clenched teeth, willing myself to stay calm. To stay focused. I can''t afford to lose control, not now. Not when I''m so close to getting what I need from him. "I''m not familiar," "His best work is this dense tome called ''the End of History'' - hold your horses, it''s not nearly as sinister as it sounds," he says, like that at all assuages me. "Just a compelling argument that liberal democracies like our own represent the ideal end goal, the natural way that all societies will end up. My handler in the NSRA made me read it about a decade ago. Really scratched my brain just right." I nod, feigning interest. "So you believe our system is the best possible outcome for society?" "Absolutely," he says, his eyes lighting up with fervor. "Look, I''ve seen what happens in countries that resist this natural progression. It''s chaos, bloodshed, oppression. Sometimes, for their own good, they need a push in the right direction. We need to topple homophobic theocrats and plutocratic dictators. It''s our duty as the shephards of western civilization." "Even if that push comes at the end of a gun?" I ask, careful to keep my tone neutral. He doesn''t flinch. "If necessary, yes. It''s not about race or religion or any of that identitarian nonsense. It''s about values. About protecting and promoting a system that works." "And what about people who come here, to America, from those other countries?" I probe, sensing a thread I can pull. Patriot''s jaw tightens. "That''s the real threat, isn''t it? They bring their old ways, their resistance to progress. They don''t understand what we''ve built here, what we''re trying to protect. It''s not about where they''re from or what they look like. It''s about what they believe, what they''re willing to do to undermine our way of life. They don''t even have to be doing it on purpose. I don''t think they are. But they can''t do it here. They either have to Americanize, or leave." Chapter 117.3 I fight to keep my expression neutral, even as my stomach churns. His logic is twisted, but I can see how he''s arrived at these conclusions. How he''s rationalized his actions, both past and present. "I heard some rumors recently," I say carefully, keeping my tone casual, like I''m just making small talk. "About some kind of military project. Project Titan, I think they called it. Ring any bells?" I want to spit after those words, like I''m cleansing my mouth of the filth that came out of his. But I don''t. He goes very still at that, his eyes flashing with something I can''t quite read. For a second, I''m sure I''ve tipped my hand, that he''s going to call me out on my bullshit and this whole thing is going to go sideways fast. But then he relaxes, just a fraction, and I know I''ve hit on something important. "Where did you hear that name?" he asks, his voice low and dangerous. I shrug, keeping my body language loose and easy. "Around. You know how people talk. Especially in our line of work." He grunts, his eyes darting around like he''s checking for eavesdroppers. "Project Titan was a long time ago. Ancient history. Nothing for you to concern yourself with." "Sounds like it was pretty heavy stuff," I press, careful not to overplay my hand. "Using superhumans in black ops missions, trying to artificially induce powers¡­ That''s some serious shit." His head snaps back around to face me, his eyes burning with a sudden intensity. "Watch what you say in public, girl." he hisses, his voice barely above a whisper. I hold up my hands in a placating gesture, trying to keep my own breathing steady. Like trying to calm down an angry chimpanzee before it rips you in half. "Hey, like I said, just rumors. But it got me thinking¡­ about what kind of person it would take to be a part of something like that. The kind of things they might have seen. Might have done. It''s a heavy burden to carry, I imagine." I''m not really expecting any grand revelations or sudden attacks of conscience at this point - I''m just fishing, trying to gauge his reactions. Trying to keep him off balance, steal control of the conversation even though he thinks he still holds it. But to my surprise, I see something flicker in his eyes at my words. Something that looks almost like¡­guilt? Regret? It''s gone as quickly as it appeared, replaced by that cold, hard mask of self-righteous certainty. But for just a second, I glimpse the man beneath the mask. The man who''s seen and done things that no one should have to see or do. For a second, I almost - almost - feel sorry for him. "Do you know what the most important quality is for a soldier, Bloodhound?" he asks, his voice suddenly quiet, almost contemplative. "It''s not strength, or skill, or even courage. It''s conviction. The unshakable belief that what you''re doing is right, no matter how hard it gets. No matter what you have to sacrifice." He looks away for a moment, his jaw working as he stares off into the distance. "I''ve made sacrifices for this country that you can''t even begin to imagine. Things that would give most people nightmares for the rest of their lives. And for the most part I sleep soundly, because I know without a shadow of a doubt that I''ve been doing the right thing - on foreign soil and in the homeland. I was doing the right thing. I''ve always done the right thing, whether anyone else had the stomach to do it or not." "And Egalitarian?" I put the name into the open air like I''m lighting a fuse. "Does she share that same conviction? She doesn''t seem quite as sure of herself as she used to. Some might say her devotion has started to wobble a bit." His eyes narrow slightly, a flicker of concern crossing his face before he schools his expression back to neutrality. He glances quickly towards where Egalitarian stands, yards away, then back to me. "I don''t know what you think you know about her," he says, his voice low and measured, "but her loyalty is beyond question. Beyond reproach. She is a true patriot, in every sense of the word." There''s a hint of tension in his voice, barely perceptible but there. It''s not quite doubt, but definitely curiosity mixed with concern. If you find this story on Amazon, be aware that it has been stolen. Please report the infringement. "So you''re saying it doesn''t bother you at all?" I press, keeping my voice low. He frowns, confusion evident in his expression. "What doesn''t bother me?" I lean in slightly, ensuring my voice doesn''t carry. "That she''s been using Fly. That she''s been juicing herself up with the same filthy poison that half your protesters are out here railing against." Patriot stiffens, his jaw clenching momentarily before he forces himself to relax. His eyes dart around, taking in the crowd surrounding us. "That''s a serious accusation," he says, his voice barely above a whisper. "One that I can''t just ignore. But this isn''t the place to discuss it." I nod, understanding his need for discretion. "I have proof," I say softly. "Her blood." He takes a deep breath, clearly processing this information. His gaze flicks back to Egalitarian, then to the protesters around us. "We can''t do this here," he says firmly. "Too many ears, too many eyes. We need somewhere private to discuss this further." "I agree," I reply. "How about Penn Treaty Park? Midnight. There''s an old abandoned warehouse by the Delaware that''ll give us the privacy we need." Patriot considers for a moment, his eyes still occasionally glancing towards Egalitarian. "Fine," he says finally. "But just us. No backup, no tricks. I want answers, and I want them straight." "Wouldn''t have it any other way," I assure him, sensing the tension in his voice. He nods, then pauses, seemingly weighing his next words carefully. "These are serious allegations. You better have some serious proof. You understand that, right?" I meet his gaze steadily. "I do. That''s why I''m bringing this to you directly. It''s not about taking anyone down. It''s about the truth." Patriot''s expression hardens. "The truth," he repeats, almost to himself. "Sometimes I wonder if we''re even capable of recognizing it anymore." "What do you mean?" I ask, genuinely curious about his perspective. He sighs, running a hand over his sweaty, bald head. "Look around us. Everyone''s got their own version of the truth. Their own agenda. It''s getting harder and harder to know who to trust." "Even within your own ranks?" I probe gently. His eyes snap back to mine, a flicker of anger crossing his face before he suppresses it. "My team is solid. Whatever you think you know about Egalitarian¡­ well, we''ll get to the bottom of it. But don''t think for a second that this changes anything about our mission or our methods. Sometimes people waver from the path. But if I need to, I''ll fix her." I hold up my hands in a placating gesture. "I''m not here to judge or condemn. I just want to understand." Patriot nods slowly, some of the tension leaving his shoulders. "Understanding. That''s a rare commodity these days. Most people are too busy shouting to listen." "And you?" I ask. "Are you willing to listen? Even if what you hear might be uncomfortable?" He''s quiet for a long moment, his gaze distant. When he speaks again, his voice is low, almost introspective. "I''ve seen things, Bloodhound. Let''s just say I''m no stranger to uncomfortable truths." "Is that why you do this?" I gesture to the protest around us. "To protect people from those truths?" He shakes his head. "No. I do this to protect them from the chaos that comes when those truths are ignored. When people forget what really matters." "And what''s that?" I challenge, quietly. "Order," he says firmly. "Stability. The knowledge that when you wake up in the morning, the world will still be there, still make sense. That''s what we''re fighting for. That''s what Egalitarian and I and the rest of us have dedicated our lives to preserving." I nod, processing his words. "And if that stability comes at a cost? If it requires¡­ compromises?" His expression hardens again. "Everything has a cost. The question is whether you''re willing to pay it. Whether you''re strong enough to do what needs to be done, even when it''s hard. Even when it hurts." "Is that what you''ll do if what I tell you tonight turns out to be true?" I ask softly. "Whatever needs to be done?" Patriot''s gaze is steely, unwavering. "I''ll do what''s necessary to protect this city, this country. Whatever that entails. You can count on that." We stand there for a moment, the weight of unspoken words hanging between us. Finally, I break the silence. "Midnight, then. Don''t be late." He nods curtly. "I won''t be. And Bloodhound? I hope, for everyone''s sake, that you''re wrong about this. But if you''re not¡­" He trails off, leaving the implication hanging in the air. "I understand," I say, and I do. As I turn to leave, Patriot calls out one last time. "And Bloodhound? Come alone. No tricks, no ambushes. Just you and me, laying our cards on the table. Understood?" He seems to think that I haven''t made some sort of decision already. And I''m not sure - have I? I expected him to fly into a rage, to throttle me in public, to be unable to work out his anger. To an extent, I''m still expecting that. I''m not under any illusion that there''s a high likelihood he''s trying to drag me into a trap, to get rid of any evidence that I''m bringing. I may be naive and idealistic, but I''m not stupid. I give a curt nod, my lips pressed into a thin line. "Understood." "Then midnight it is." He mirrors my nod, something flashing the faintest of glimmers of a smile dancing across his weighty, square features. Something angry and fearful. Something that triggers my primal fear state, something that hits me at the base of my brainstem and causes it to vibrate a little bit. "Don''t be late. I don''t like to be kept waiting." "I don''t plan on it," I reply, making my way back into the crowd, vanishing into the afternoon. Chapter 118.1 The abandoned warehouse looms before me, a hulking shadow against the night sky. Its rusted metal siding gleams dully in the moonlight, riddled with holes and graffiti tags. The windows are mostly broken, jagged shards of glass still clinging to their frames like rotting teeth. The whole place reeks of decay and neglect, a forgotten relic of Philadelphia''s industrial past. I''ve been here for hours already, pacing the perimeter, checking and double-checking everything. My heart is pounding so hard I can feel it in my teeth, a constant reminder of just how much is at stake tonight. I keep running through different scenarios in my head, trying to anticipate every possible outcome. But the truth is, I have no idea how this is going to go down. All I know is that I can''t afford to screw it up. The warehouse sits at the edge of Penn Treaty Park, right on the banks of the Delaware River. To my left, I can see the Benjamin Franklin Bridge stretching across the water, its lights twinkling like stars. To my right, the city skyline looms in the distance, a jagged silhouette against the night sky. It''s beautiful, in its way. A reminder of what I''m fighting for. I take a deep breath, trying to center myself. The cool night air fills my lungs, carrying with it the scent of the river - a mix of brine and pollution that''s uniquely Philly. I close my eyes for a moment, listening to the distant hum of traffic, the lapping of waves against the shore. It''s almost peaceful. Almost. But I can''t afford to relax. Not now. Not with Patriot on his way. I open my eyes and scan the area one last time, my gaze lingering on the spots where I''ve made my preparations. Everything looks good. As ready as it''s going to be, anyway. I check my watch. 11:55 PM. He''ll be here soon. As if on cue, I hear the sound of footsteps approaching. Heavy, purposeful strides that can only belong to one person. I turn towards the sound, my body tensing as I catch sight of a familiar silhouette emerging from the shadows. Patriot. He''s dressed in his full costume, the red, white, and blue of his uniform standing out against the gloom of the warehouse, the harsh yellow glow of the nearby streetlights, trickling in like clawmarks into the warehouse proper. His face is set in a grim expression, his eyes hard and cold as he approaches. He moves with the confident swagger of a man who''s used to getting his way, who''s never had to question his own authority. "Bloodhound," he says by way of greeting, his voice gruff and businesslike. "You''re early." I shrug, trying to project an air of casual confidence that I definitely don''t feel. "Figured I''d scope the place out. Make sure we weren''t walking into any surprises. I hope you didn''t bring Zero along?" "Zero, Egalitarian, Para, Bulldozer - they''re all crowd control. You''re not a crowd. You''re a junior hero," he replies, his eyes narrowing slightly as he takes in my appearance. Despite everything else about him, it comes across as genuine, not condescending. The implied ''you''re not worth the crowd control'' seems less like talking down to me and more pragmatism. I can almost hear the ''they have better things to do'' in his voice. "That''s quite the getup you''ve got there. Expecting trouble, or just getting ready for Halloween?" I roll over the words in my head, trying to scan them for sarcasm, but it comes out remarkably sincere in the wash. I glance down at myself, suddenly self-conscious of my heavily armored costume and the various gadgets strapped to my belt. "Just came from patrol," I lie smoothly. "Thought it was better to be over-prepared than under. These are my streets, after all. My house." His gaze lingers on the gauntlet strapped to my wrist, a flicker of something - curiosity? concern? - passing across his face. "I trust you - for now. That''s a fancy glove. New toy?" I flex my fingers, feeling the reassuring weight of the gauntlet. "Old toy, actually. Just a support device for my powers" I lie. "When you have something as niche as what I have, you get used to making do." "Hmm," he says, clearly not entirely convinced. "Well, I suppose we should get down to business then. You said you had proof about Egalitarian. Let''s see it." I take a deep breath, steeling myself for what''s to come. "Before we get to that, I think we need to talk about Project Titan." Patriot''s expression darkens, his jaw clenching visibly. "I told you before, that''s ancient history. It''s got nothing to do with what''s happening now." "I''m not so sure about that," I press on, knowing I''m treading on dangerous ground. "From what I''ve heard, it sounds like the kind of thing that could have some pretty serious long-term consequences. The kind of thing that might lead to, oh I don''t know, a sudden surge in metahuman drugs flooding the streets?" The story has been stolen; if detected on Amazon, report the violation. He barks out a harsh laugh, shaking his head. "You''ve got some imagination, kid. Project Titan was a military operation, pure and simple. We did what was necessary to protect this country, to keep people safe. Nothing more, nothing less." "And I''m sure all those ''necessary'' actions were completely above board, right?" I can''t keep the sarcasm out of my voice. "No war crimes or anything like that?" Patriot''s eyes flash dangerously, and for a second I think he might actually take a swing at me. But he controls himself, his voice low and tight when he speaks. "I hope you don''t think ''soldiers killing people'' is anything interesting, lady. Nobody wants to hear that. It''s old news. And I did what I was ordered to do - what was needed to be done." I bite back the urge to point out that that''s the same argument the Nazis used at Nuremberg. Instead, I press on. "And what about the experiments? The attempts to artificially induce superpowers?" He waves a dismissive hand. "Ancient history. Failed experiments, nothing more." "Are you sure about that?" I ask, my voice low and intense. "Because I''ve got a theory. A theory that those ''failed experiments'' might not have been so failed after all. That maybe, just maybe, they led to something. Something like, oh, I don''t know¡­ Jump? Fly?" Patriot goes very still, his eyes burning with a sudden, dangerous intensity. "That''s a hell of an accusation to make without proof," he says, his voice barely above a whisper. I reach into my pocket, slowly and deliberately, making sure he can see every move. "Who says I don''t have proof?" I pull out a small plastic baggie filled with what looks like orange glitter. Egalitarian''s blood, crystallized and sparkling in the dim light. Patriot''s eyes widen as he sees it, a flicker of recognition passing across his face. "What the hell is that?" he demands, even though we both know exactly what it is. "Egalitarian''s blood," I say simply. "Chock full of Fly. And DNA, if you want to take it back and test it yourself." His hand twitches towards the baggie, but I pull it back before he can grab it. "Ah ah ah," I chide. "That''s not all I''ve got." I reach into my pocket again, this time pulling out a small, folded photograph. I unfold it carefully, holding it up for Patriot to see. It''s a grainy image, clearly taken from a distance, but the subject is unmistakable - Egalitarian, her sleeve rolled up, a syringe pressed against her skin. Patriot''s face goes pale, then flushes with anger. "Where did you get that?" he snarls, lunging for the photo. I dance back, keeping it just out of reach. "Doesn''t matter. What matters is that I''ve got it. And a whole lot more where that came from." His eyes narrow dangerously. "Is that a threat?" I shake my head. "Not a threat. A fact. I''ve got a dead man''s switch set up. If anything happens to me, and I don''t show back up in one piece to my base of operations, all of this goes public. Every last dirty detail." Patriot barks out a harsh laugh. "You think I''d kill you over this? You really are green, aren''t you?" "Maybe not," I concede. "But I think you''d do just about anything to keep this quiet. To protect your team. Your mission." His face hardens, all traces of amusement vanishing. "You have no idea what you''re messing with here, lady. No idea of the forces you''re up against." "Then enlighten me," I challenge. "Because from where I''m standing, it looks like your team is compromised. Your second-in-command is using the very drug you''re out there railing against. How long before she slips up? Before someone else finds out? What will she do to get more?" Patriot''s fists clench at his sides, his whole body vibrating with barely-contained rage. "You don''t know what you''re talking about," he growls. "Egalitarian is a true patriot. A hero. Whatever she''s done, whatever she''s taken, it was for the good of the mission. For the good of this country." I shake my head, a sick feeling settling in my gut. "You really believe that, don''t you? That the ends justify the means? That you can just sweep all of this under the rug and pretend it never happened?" "What I believe," he snarls, taking a menacing step towards me, "is that you''re way out of your depth here, lady. You think you can just waltz in here with your half-baked theories and your stolen evidence and dictate terms to me? I''ve been doing this since before you were born. I''ve made the hard choices, sacrificed everything for this country. Who the hell are you to judge me?" I stand my ground, refusing to be intimidated. "I''m someone who believes in justice. In accountability. In doing the right thing, even when it''s hard. And that with great power comes great responsibility." He cackles like a hyena, his laughter ugly and grating like metal scraping against metal. "Alright, Peter Parker. Sure. Let''s do it your way, and see how long your child''s ideology hewn from stories for weak nerds lasts against the rigors of the real world. No, we do justice my way. The right way." "And what about the people you''re supposed to be protecting?" I demand. "Don''t they deserve to know the truth? To have a say in how their city, their country, is being run?" Patriot''s eyes narrow dangerously. "The people need to be protected. Sometimes from themselves. They don''t understand the threats we''re facing, the sacrifices that need to be made." "And you do?" I challenge. "You think you have the right to make those decisions for everyone else?" "Someone has to," he growls. "Someone has to be willing to do what needs to be done. To make the hard choices." I shake my head, feeling a mixture of pity and disgust. "And that someone is you? The great Patriot, judge, jury, and executioner all rolled into one?" His face twists with rage. "Watch your tone. You have no idea who you''re dealing with." "Oh, I think I do," I say, my voice hard and cold. "I''m dealing with a man who''s so convinced of his own righteousness that he''s lost sight of everything else. A man who''s willing to trample on the very ideals he claims to protect, all in the name of some twisted version of ''justice''." Patriot''s whole body goes rigid, his eyes blazing with fury. "You don''t know the first thing about justice," he snarls. "About what it takes to keep this country safe. You''re just a naive kid playing at being a hero. I''m not stupid. You can wear as much Halloween gear as you want, but it won''t make you an adult, Bloodpuppy." I feel my own anger rising to match his, my hands clenching into fists at my sides. "And you''re a washed-up soldier who can''t let go of the past. Who''s so scared of change, of losing control, that you''d rather burn everything down than admit you might be wrong." Chapter 118.2 For a moment, we just stand there, glaring at each other, the air between us crackling with tension. Then, Patriot speaks, his voice low and dangerous. "You want to play with the big boys, Bloodhound? Fine. Let''s play. But don''t think for a second that your little dead man''s switch or your fancy gadgets are going to save you. You''re in way over your head here." I lift my chin, meeting his gaze defiantly. "Maybe. But at least I''m not drowning in my own bullshit. I''m going to expose you, Patriot. You and Egalitarian and this whole rotten system you''ve built. The people deserve to know the truth." Something shifts in Patriot''s eyes then, a cold, calculating look replacing the raw fury. "No," he says quietly. "You''re not." I barely have time to react before his fist is hurtling towards my face, a blur of red, white and blue. Instinct takes over, my body moving on autopilot as I duck beneath the blow, using my smaller size to my advantage. I feel the rush of displaced air as his punch whistles past my ear, missing me by mere inches. But I don''t have time to savor the dodge. I''m already striking back, my own fist lashing out like a viper, aiming for Patriot''s solar plexus. I feel the impact reverberate up my arm as my knuckles connect with solid muscle, driving the air from his lungs in a surprised grunt. For a split second, I think I''ve got him. That I''ve managed to catch him off guard, to level the playing field just a bit. But Patriot is too stable to let a single blow take him down. He stumbles back a step, his eyes widening in surprise, but he recovers almost instantly, his body falling into a defensive stance. I don''t give him a chance to regain his footing. I reach for the remote killswitch at my belt, my fingers finding the button and pressing down hard. Instantly, the warehouse is plunged into darkness, the dim glow of the streetlights outside snuffed out like candles. Thanks, Tasha. I hear Patriot curse under his breath, his eyes straining to pierce the sudden gloom. But I know he''s not helpless - his senses are too sharp, too finely honed for that. I can practically feel him tracking my movements in the dark, his ears pricked for the slightest sound, his nose twitching as he tries to catch my scent. But two can play at that game. I retrieve another tool from my belt - a small vial of pig''s blood attached to a spray bottle nozzle. I point towards where his silhouette intersects towards the moonlight, depress, and pray. PFSHHT I feel the disturbance in the air a split second before Patriot''s foot lashes out in a powerful kick, aimed straight at my wrist, knocking my blood spray out of my hand and snapping against my palm. I can''t stop myself from taking a deep, pained breath - but the pig blood coats his foot, and now I can see him. The second kick is easy - I''m already moving, pivoting to the side and reaching out to grab his ankle with both hands. I channel all my momentum into a sharp twist, using an aikido technique Rampart drilled into me to redirect Patriot''s attack. I feel a grim sense of satisfaction as I hear him grunt in surprise, his body flailing as he''s thrown off balance. I don''t have much hope that he''ll stay down - he''s too good for that - but it buys me a precious second or two to catch my breath, to keep him on the carefully planned line I''ve set out for him. He goes head over ass and rolls against the ground, smashing into the wall with his own momentum. But Patriot is already recovering, his body coiling like a spring as he launches himself back to his feet. I can practically feel the rage radiating off of him, the fury at being caught off guard, at being made to look like a fool by some punk kid in a mask. He comes at me like a freight train, his fists flying in a blur of motion. It''s all I can do to stay ahead of him, my body weaving and dodging on pure instinct, relying on my blood sense to track his movements in the dark. I feel the rush of air as his punches whistle past my face, my chest, my gut, each one coming closer and closer to connecting. But I''m not just playing defense. Every chance I get, I lash out with my own attacks, my gloved fists striking at Patriot''s arms, his hands, trying to cut open his costume and spill something more. I feel the satisfying crunch of cartilage as one of my punches connects with his nose, the warm gush of blood spattering across my knuckles - and then I can see him. Patriot grunts in pain, one hand coming up to clutch at his face. But he doesn''t falter, doesn''t slow down. If anything, the pain seems to spur him on, to feed the rage boiling inside of him. He changes tactics, using the environment to his advantage. I hear the scrape of metal against concrete as he grabs hold of a loose pipe, ripping it free from the wall in a shower of dust and debris. He swings it in a wide arc, the heavy length of metal whistling through the air like a baseball bat. I drop to the ground, feeling the rush of air as the pipe scythes through the empty space where my head was, and let the fear of death slide off me like oil off a pan. I let my momentum carry me into a low sweep, my leg lashing out to catch Patriot behind the knees. I feel a surge of triumph as I connect, feeling his legs buckle beneath him, sending him stumbling off balance. But my victory is short-lived. Patriot is too well-trained, too experienced to be taken down by such a simple trick. He rolls with the impact, using his own momentum to carry him back to his feet in one smooth motion. His hand shoots out, faster than I can blink, latching onto my wrist in an iron grip. Pain lances up my arm as he wrenches it behind my back, the bones grinding together in their sockets. But I don''t hesitate, don''t even think. I just act, letting my body take over as I twist violently to the side, feeling the sickening pop as my shoulder dislocates from the force of the movement. Unauthorized usage: this tale is on Amazon without the author''s consent. Report any sightings. Patriot grunts in surprise, his grip loosening just a fraction as he tries to process what just happened. But that split second of hesitation is all I need. I rear back, slamming my helmeted forehead into his face with all the force I can muster. I feel the crunch of bone as his nose shatters under the impact, blood gushing down his face in a hot, sticky torrent. He reels back, one hand clutching at his ruined nose, his eyes watering from the pain. But even through the haze of agony, he can still work through his training, an impossible machine. His other hand lashes out, catching me in the ribs with a blow that feels like a sledgehammer to the chest. I feel my ribs crack under the impact, the pain exploding through my body like a supernova. But even as I gasp for breath, even as my vision swims with black spots, I can feel my healing factor kicking in, trying to hold my ribs together in a desperate attempt to keep me fighting. It''s not enough to make the pain go away - nothing could do that - but it''s enough to keep me on my feet, enough to keep me in the fight. And right now, that''s all that matters. "Is that all you''ve got, old man?" I taunt, my voice ragged with pain but dripping with mocking laughter. "No wonder they put you out to pasture. You''re losing your touch." Patriot snarls like a wounded animal, his bloody face broken out into a violent snarl. "You don''t know anything, girl." "I know enough," I shoot back, my words cutting like knives. "I know you''re just a glorified thug, a bully with a badge. You talk a big game about justice and order, but all you really care about is power. All you want is for people to bow down and kiss your shiny jackboots." He lunges at me, his fists swinging in wild, haymaker arcs. There''s less coordination, sure, but that doesn''t make him less dangerous - he''s throwing his entire body into scything blows that could probably snap my neck in half if he connected. But I can see in the dark, and he can''t. I keep him going, backing him up, pulling him into my web. I hear the twang of metal a split second before Patriot stumbles, his legs tangling in the near-invisible tripwire I''ve strung across the floor. He pitches forward, his arms windmilling as he tries to catch himself. But I''m already there, my fists lashing out in a flurry of blows, targeting his kidneys, his ribs, a knee with a single tooth at the end ramming into his stomach so hard he coughs up blood onto my kevlar. He grunts and groans under the onslaught, his body jerking like a feral mole trying to rip out grass. But even caught off guard, even in pain, he''s still a formidable opponent. One flailing arm catches me across the chest, sending me flying backwards into a stack of moldy wooden pallets. I hit the ground hard, my breath leaving me in a whoosh. But I force myself back to my feet, ignore the screaming protests of my body. He''s on the back foot. Before, he had the element of surprise. But now, we''re in my element. Patriot has already broken free of the tripwire, his face a mask of pure, unbridled fury. He comes at me like a runaway train, his huge fists clenched and ready to strike. I push my thumb into my exposed palm, the sliver opened up to the air through my gloves. I feel the sting of the cut, the hot gush of blood welling up in my cupped hand. And then I''m moving, whipping my arm forward and sending a spray of crimson droplets flying into Patriot''s eyes. He reels back, his hands coming up instinctively to claw at his face. But I''m not done yet. My other hand is already delving into my belt pouch, coming up with a small canister of pepper spray. I thumb off the safety and let loose a stream of the burning, blinding chemicals, aiming straight for Patriot''s vulnerable eyes and nose. He howls in agony, his hands scrabbling to wipe away the blood and the caustic spray. But I''m already closing in, my fists and feet lashing out in a relentless barrage of strikes. Kicks, punches, knees and elbows. "You fight like a pussy!" he screams, before receiving another palm strike to the face with my other hand. But even blinded, even in agony, Patriot is far from helpless. Even with his eyes shut. One huge hand shoots out, grabbing me by the front of my costume and yanking me off my feet, while the other hand grabs for my wrist and squeezes it so hard that I can feel it creaking. He pulls me in close, so close I can feel the heat of his breath on my face, smell the coppery tang of his blood. Crack. That''s all it took - a second of overconfidence, and my wrist is broken. I can''t stop the scream that comes out of me, at least for a second, but then I bite it back down, squirming in his grip. And then he''s spinning, whipping me around in a brutal arc and slamming me face-first into the warehouse wall. I feel something crack inside my helmet, feel the plastic splinter and give way under the force of the impact. I''m stunned, disoriented, my head ringing like a bell. But I force myself to keep fighting, to keep struggling even as Patriot''s hands close around my throat, squeezing with all the strength of a hydraulic press. My helmet falls away in pieces, clattering to the floor in a rain of shattered plastic. I tense one hand enough to turn the prepared lights back on, blindingly bright. And suddenly, I''m staring up into Patriot''s face, my features laid bare for him to see. His eyes widen in shock, in recognition, his grip on my neck loosening just a fraction. "Small?" he whispers, his voice hoarse with disbelief and physical agony. "Small?" A little louder this time, a little angrier. His mind is clearly racing as he tries to put the pieces together. But I don''t give him the chance to process. I''m already moving, already taking advantage of his momentary distraction, the loosening of his hands. I lash out with a brutal headbutt, feeling the bone crunch as my forehead collides with his already-broken nose. At the same time, my hand claws downward, scrabbling at Patriot''s leg until my fingers close around the holster of¡­ something. I don''t know. I rip it free and slam it into his face, my other hand reaching back down into my belt. I kill the lights, and toss his toy into the daarkness. Patriot howls like a scorched bear, one hand flying to his face to try to stem the tide of blood pouring from his ruined nose. But his other hand is back in action, locked again around my throat, still squeezing with enough force to make spots dance in front of my eyes. He yanks me in close, his brutal face twisted with rage. I can smell the blood on his breath, feel the heat radiating off him like he''s about to go nuclear. "You''ve just made the biggest mistake of your life," he snarls. "I am going to--" But whatever threat he was about to make is lost as my hand flashes up, teeth burying themselves in the side of his collarbone, ripping through the thinnest part of his costume, drawing blood. Patriot''s eyes go wide with shock, with disbelief, with pain. His hand falls away from my throat as he stumbles backwards, his fingers scrabbling weakly at the carved ravine in his flesh. I drop to the ground, gasping and retching. Every breath feels like spikes in my lungs, but I force myself to suck down air, force myself to stay focused. I look up at Patriot, see him swaying on his feet, blood pouring down his arm and face in crimson rivulets. For a moment our eyes lock, brown on blue. In that instant, I see the man behind the mask, see the pain and the anger and the bitter, aching emptiness that drives him. I see the boy who became a soldier, the soldier who became a monster. I see the toll this life has taken on him, the pieces of himself he''s sacrificed on the altar of his twisted ideals. And I know in that moment that he needs to be put down like an animal. Chapter 118.3 I use Patriot''s moment of shock to my advantage, wrenching myself free from his slackened grip with a desperate burst of strength. I stagger back, putting some distance between us, my hand fumbling at my belt for a syringe. I yank it free, holding it out in front of me like a talisman, like a shield against the fury I can see building in Patriot''s eyes, and then load it into my gauntlet. "You know what this is?" I rasp, my voice raw and broken from his chokehold. "A little gift from one of my vigilante friends. A nasty poison, cooked up special just for assholes like you." Patriot''s eyes narrow, his gaze flicking from the gauntlet to my face and back again. I can see the wheels turning in his head, see him trying to calculate the odds, trying to decide if I''m bluffing or not. I can also see him clocking who I am, my true identity. Knowing now that the person he beat to all hell weeks earlier lies underneath this mask. And I see that knowledge harden his resolve, see it turn his anger from hot to cold. "You think that little toy scares me, Small?" he growls, spitting my name like a curse. "You think anything scares me anymore? I''ve seen things, done things that would make your skin crawl. You''re just another obstacle in my way, another threat to be eliminated." I see the slightest of twitches run through one of his shoulder muscles, sense the blood flowing through him, a tell so subtle I almost miss it. He''s about to lunge. And lunge he does. The pain seems to only amplify the rage in his blue eyes as he propels himself forward with a brutal, animalistic roar, a guttural sound that seems to reverberate through my very bones. His fists are up, ready to pummel, to crush, to destroy. I meet his charge head-on, my own battered body screaming in protest as I throw myself forward. I take a glancing blow to the side of my head, feeling my ear explode with pain, but I push through it, letting my momentum carry me inside his guard. My shoulder, the one I dislocated earlier, slams into his chest, and I feel the joint pop out of its socket once again, the pain so intense it feels like my vision whitens out for a second. But it''s worth it, because now I''m close, now I''m inside his reach, and he can''t bring his full strength to bear. And now, the gauntlet is pressed against his bleeding shoulder, the needles poised over the open wound like the fangs of a snake. "You fought well, even if you''re still just a puppy," Patriot snarls, his face so close to mine I can feel his breath, hot and coppery with blood. "But it''s over now. You''re finished." "Funny," I hiss through gritted teeth. "I was just about to say that," KASHUNK! The sound seems to echo through the warehouse as I trigger the gauntlet, the twin syringes slamming into Patriot''s flesh, the plungers depressing and flooding his wound with the liquid. Patriot''s eyes go wide, his mouth falling open in a shocked ''O''. For a moment he just stands there, his body rigid, his face slack with disbelief. And then he starts to laugh, a harsh, broken sound that''s almost more terrifying than his roars of rage. "You stupid little bitch," he chuckles, shaking his head as if chiding a naughty child. "You think that''ll stop me? You think anything can stop me?" "No," I say, my voice surprisingly calm despite the hammering of my heart. "But it''ll sure as hell slow you down. And now that you''re poisoned, you''re going to have to come to the negotiating table if you want the antidote. Or your crusade will end as quickly as it started." For a long moment we just stand there, both of us battered and bleeding, both of us barely able to stay on our feet. The rage in Patriot''s eyes has dimmed to a smolder, replaced by a cold, calculating look that somehow scares me even more. He takes two steps back, then another two. "Alright," he says at last, his voice a low, dangerous rumble, like an elephant''s infrasound. "Tell me what you want. And I''ll tell you if you get to leave here in one piece or not." I nod, taking a step back, my hands held out in a placating gesture. "First things first. You''re going to stand down. Call off your dogs, wind down these protests. And you''re going to leave Jordan Westwood alone. They''re not a threat to you or your precious order. You stick to South Philly, and we won''t have any problems." Patriot barks out a harsh, humorless laugh. "You think you can dictate terms to me? After everything that''s happened? You''ve got balls, kid, I''ll give you that. But you''re in no position to make demands. You think I''ll get tricked by some water in a syringe? I''ve got better things to do. This is a mercy - I''ll throw you a single bone, but that''s it." My heart drops, but I try my best not to let it show. "Actually, I am. In a position, I mean," I counter, my voice hardening. "See, I''ve got more than just poison in my arsenal. I''ve got proof of Egalitarian''s drug use. Photos, videos, the works. How do you think that''ll play with your adoring public? Their great hero, nothing more than a filthy junkie?" Patriot''s jaw clenches, a muscle twitching in his cheek. "Not this shit again. You think they''ll care? You think I''m buying your little poison lie?" If you discover this tale on Amazon, be aware that it has been unlawfully taken from Royal Road. Please report it. "Are you willing to take that chance?" I ask. "You should know by now I don''t fight fair. If you didn''t buy it, you wouldn''t have stopped attacking me. That pepper spray must''ve tasted good, huh?" He''s silent for a long moment, his red, watery eyes boring into mine, searching for any sign of weakness, any hint of something that can be retaliated against. But I meet his gaze unflinchingly, my resolve unshakable. At any moment, I know if he doesn''t buy what I''m selling, this could all be over. There''s simply no way I can win a protracted fight, even with all my prep time, even with all my guerilla tactics and unfair fighting. My heart beats once. Twice. A third time. Finally, he nods, a single, curt jerk of his head, and I try not to breathe a sigh of relief. "Fine," he grits out, the word sounding like it''s being dragged out of him against his will. "We''ll do it your way. For now. But this isn''t over, Small. Not by a long shot." "No," I agree, a mirthless smile tugging at my split lips. "But it''s a start." "Now fix me," he growls in response. I hit the switch on my belt again, the lights flickering back to life, casting the warehouse in a harsh, unforgiving glare. Patriot and I stand there for a moment, sizing each other up, taking stock of our wounds, our weaknesses. We''re both barely standing, both just a hair''s breadth away from collapse. "Let''s be clear," I say, breaking the tense silence. "This is a mutual non-aggression pact. You stay out of my way, I stay out of yours. But if you slip up, if you step out of line even an inch, I will come for you. And I will bring the full weight of everything I have down on your head. You may have me beat in public, when I have to be a defenseless little princess, but I can make your life a nightmare in the shallows." Patriot''s eyes flash with barbarian fury, his fists clenching and unclenching at his sides. I can see the battle raging within him, the desire for revenge warring with his instinct for self-preservation. In the end, pragmatism wins out, but only just. "Understood," he says, the word sounding like it''s being pulled through broken glass. "But don''t think this means you''ve won, Small. Don''t think for a second that you''ve beaten me." I almost laugh at that, the absurdity of it all hitting me like a slap in the face. "Beaten you? No, Patriot. That was never my goal. My goal was to stop you, to protect the people I care about from your ridiculous crusade. And I''ve done that. Whatever happens next¡­ that''s up to you." I reach down to my belt, fumbling for the spare syringe of saline I''ve prepared, intending to reload the gauntlet as a show of good faith. But before I can even draw it out all the way, Patriot''s hand lashes out like a striking snake, snatching the syringe from my grasp. For a moment I think he''s going to use it as a weapon, to try to turn the tables on me one last time. But instead, he brings it to his own shoulder, jamming the needle into his flesh just above my previous injections. Saline on top of saline. Total nothing. There was never any poison, but I won''t tell him that. "There," he snarls, tossing the empty syringe aside. "Now we''re even." I just shake my head, too exhausted, too wrung out to even try to untangle his twisted logic. "Whatever helps you sleep at night, Patriot. But remember our deal. Remember what''s at stake." "What about your precious sidekick?" he shoots back, his voice dripping with venom. "You think I''ll just let her slide, after everything she''s done? After the chaos she''s caused?" "Jordan is my responsibility," I say, my voice hard and unyielding. "You focus on your own rabble-rousers. If Egalitarian steps out of line, if she so much as jaywalks, I will personally hand her over to District Attorney Alvarez. You know Carla, right? Mr. South Philly Hero. Well, she and I had a lovely chat after that congressional hearing. Now, I''m proud to call her a friend of mine - and she''s been just itching for a chance to make inroads on this Fly situation." I''ve never even met Alvarez, let alone considered her a friend. But Patriot doesn''t need to know that. All he needs to know is that I have the power to destroy everything he''s built, to bring his whole world crashing down around his ears. Mutually assured destruction for the cold war remnant he seems to be. For a moment, I think he might call my lie, might lash out in one final, desperate act of defiance. But then I see it, the tiniest flicker of doubt in his eyes, the barest hint of fear. He knows I''m not messing around. Knows that I hold all the cards, even if they''re really just post-its. And so we stand there in silence, two battered warriors at the end of a long and brutal fight. Patriot''s face is a mask of blood and bruises, his costume torn and stained. My own body feels like one giant wound, every breath sending fresh waves of agony coursing through me. Like this, our differences seem almost inconsequential - we are simply two damaged figures, united in our capacity to destroy one another. I watch as Patriot slowly, painfully lowers himself to the ground, his movements stiff and halting. For a moment I think he might be preparing for one last attack, but then I realize he''s simply trying to catch his breath, to gather his strength for the long journey back to wherever he calls home. And then, on impulse, I reach down to my belt one last time. Not for a weapon, not for a trick or a trap, but for the small first aid kit I always carry with me, just in case. I toss it to the ground at Patriot''s feet, the plastic clattering against the concrete. "Here," I say, my voice flat and emotionless. "Patch yourself up. I know you can''t regenerate like I can, and sepsis is an ugly way to die. Consider it a parting gift. One you sure as hell don''t deserve." Patriot looks up at me, his eyes narrowed in suspicion. For a moment I think he might refuse, might spit on my offer of aid as one final act of defiance. But then he reaches out, his fingers closing around the little white box. "I don''t need your charity," he growls. "It''s not charity," I reply, turning to leave. "It''s mercy." And with that, I hit the switch on my belt one last time, plunging the warehouse back into darkness. I can hear Patriot fumbling with the first aid kit, hear the rasp of his breath as he starts to patch himself up. But I don''t stick around to watch. I simply melt into the shadows, letting the night swallow me up, leaving Patriot alone with his wounds and his pride. It''s over. At least for now. But as I limp my way back out into the city, my body screaming with every step, I know that this is far from the end. We''re not done with each other. Not by a long shot. There will be other fights, other confrontations. He''ll be back. My bluffs will only hold him for so long. The dam will spill. For tonight, for this one brief moment¡­ I''ve won. I''ve evened the score. I''ve shown him I''m not just some kid he can abuse as he pleases. Will I still be victorious tomorrow? We''ll have to see. But I''m hopeful.

End of Arc 7: Security

IF.5.1 The armored truck jolts to a halt, the sudden absence of motion rousing me from my introspection. I hear the hiss of air brakes, the clank of metal on metal as the rear doors swing open. A gust of cold mountain air rushes into the vehicle, swirling around me like an invisible tide. I can''t feel it directly - my suit''s environmental systems try their best to maintain a constant 21¡ãC - but I can sense the change in pressure, the subtle shift in the suit''s homeostasis. "We''re here," one of the guards grunts, his voice muffled by his radiation-resistant helmet. "Aurora Springs. End of the line." I nod, more to myself than to him, and begin the laborious process of extricating myself from the truck''s reinforced containment cell. My movements are slow, deliberate, each step calculated to minimize stress on the suit''s joints and seals - and the truck''s. I can''t afford a leak, not now. Not after everything. Outside, the world is a riot of color and sound, the first time I''ve seen green in a long time. Something much different than the monochrome stillness of my confinement. The sky is a brilliant, piercing blue, the sun a blinding white disc high above the jagged peaks of the Rockies. Trees rustle in the breeze, their leaves a patchwork of autumnal reds and golds. Birds sing in the distance, their melodies carried on the crisp mountain air. I drink it in, letting the sensations wash over me, filtered and muted as they are through my suit''s audio pickups and visual displays. It''s been so long since I''ve seen anything but concrete walls and fluorescent lights and underground, abandoned places. So long since I''ve had even this faint echo of connection with the natural world. But I can''t savor it. Can''t let myself get lost in the beauty and the peace of this place. Because I know, with a bitter certainty, that this is not a reward. Not a respite. This is a prison, as surely as any concrete box or iron cage. Oh, the accommodations are undoubtedly more comfortable here. The cabins are spacious and well-appointed, a far cry from the spartan cells of more conventional facilities. And the sweeping grounds, the trickling brooks and sun-dappled glades, they almost make one forget the towering fences and watchful cameras that ring the perimeter. Almost. But I am not fooled by the veneer of civility, the illusion of freedom. I know that every moment of my life here will be monitored, controlled, regulated down to the smallest detail. My schedule, my activities, my very thoughts, all subject to the whims and dictates of my jailors. Perhaps that''s fitting. After all, isn''t that what I am? A prisoner of my own body, my own powers? Gamma rays pouring out of me every second of every day, saturating the air, the ground, anything and anyone foolish enough to stray too close. A walking nuclaer meltdown, they call me, a radioactive disaster just waiting to happen. They''re not wrong. I think of the precautions that have been taken, the extraordinary measures put in place to contain me. The 150-acre exclusion zone, the lead-lined walls, the hazmat suits for visitors. All necessary, all vital to protecting the world from the unrelenting poison that seeps from my every pore. But I think, too, of the damage already done. The lives lost, the futures cut short by my very existence. Oh, I tried to help her, in my fumbling, clumsy way. Tried to rig up shielding, filtration, anything to ease her suffering. But it was too little, too late. The damage was done, the die cast. My powers, my curse, claiming another victim. And then there are the unnamed, the unknown. The bystanders caught in the crossfire of my reckless sprees and desperate flights. How many of them, I wonder, will develop cancers, leukemias, wasting sicknesses years or decades hence? How many will suffer and die, all because they had the misfortune to cross my path? Too many. One is too many, and I know the true toll is far, far higher. These thoughts weigh on me as I''m escorted to my new home, a small but sturdy cabin nestled in a vale some distance from the main compound. The guards are vigilant, wary, keeping a safe distance even with their protective gear. They don''t speak to me, don''t even look at me if they can help it. I''m a thing to them, an object, a dangerous commodity to be handled with caution and a long set of tongs - and who could blame them? Perhaps that''s for the best. I have nothing to say to them, no words of comfort or contrition that could possibly bridge the gulf between us. What could I say? "I''m sorry for being a monster, a freak of nature and science?" "Forgive me for the pain I''ve caused, the destruction I''ve wrought, however unintentionally?" No. Those words would be hollow, meaningless, an insult to the gravity of my sins. Better to remain silent, to accept my penance with what little grace and dignity I can muster. And so I do. I allow myself to be led into the cabin, to be sealed inside like some volatile biohazard - which, of course, I am. The door clangs shut with an awful finality, the bolts slamming home like nails in a coffin. Fitting. I stand there for a long moment, listening to the retreating footsteps of the guards, the slow, steady beep of the radiation sensors as they monitor my every emission. The cabin is spacious by prison standards, likely the same square footage they allot to everyone else at this residential facility - although I''m likely the only one with such impressive locks. If you spot this tale on Amazon, know that it has been stolen. Report the violation. But there, in the corner, is a small oasis. A sanctuary. The heavily shielded saferoom, my one respite from the eternal prison of my suit. With trembling hands, I operate the airlock-like doors, cycling through the decontamination chambers and radiation buffers. The process is slow, nerve-wracking, each second an eternity as I pray that the seals will hold, that my poison will be contained. Finally, blessedly, I''m through. The last door hisses open and I practically stumble into the saferoom, my legs weak and shaky from the strain of the journey and the emotional toll of the day. Slowly, reverently, I begin to remove my suit. Each piece comes off with a hiss of releasing pressure, a pop of disconnecting seals. The helmet, the chestplate, the gauntlets and greaves. Piece by piece, I emerge, like a butterfly from a chrysalis, save that what comes forth is no delicate beauty, but a tired, broken man. I step out. Finally, I am free. Free of the suit, free of the constant hum of its systems, the incessant whir of its filters and pumps. Free to feel the air on my skin, to breathe deep of the crisp, cool, blessedly uncontaminated air. I stand there, essentially naked and shivering, feeling somehow newborn and ancient all at once. My body is pale, wan, my skin almost translucent from years hidden away from the sun. My muscles are atrophied despite my best efforts, from months in confinement, unable to exercise even my own body against my hydraulics. I am a ghost, a wraith, a shadow of the man I once was. But I am alive. I am human. And for this moment, however fleeting, I can almost remember what that feels like. Slowly, gingerly, I make my way to the cot in the corner of the saferoom, settle myself down on the soft, yielding surface of the mattress. Even this simple pleasure, the feeling of something other than hard metal and unyielding polymers against my body, is almost overwhelming after so long. I lay back, close my eyes, let the silence and the stillness envelop me like a blanket. But it is not a peaceful silence, not a restful stillness. My mind is awhirl, thoughts and memories chasing each other in dizzying spirals. I think of Yulia, my precious daughter, her sweet face and infectious laugh. I think of the last time I saw her, eyes wide with fear and confusion as her father was dragged away by men in suits and sunglasses, speaking dire words like "quarantine" and "containment". She was so young, so innocent. She didn''t understand. I don''t know if she understands even now. How could she? How could any child fathom the depths to which their father has fallen, the magnitude of the sins he has committed? I am a monster in her story, the villain who abandoned her, who ripped her life and her family asunder. And Olena, my beautiful, patient, long-suffering wife. How many years has it been since I looked upon her face, since I felt the warmth of her hand in mine? Too many, an eternity. An eternity in which she has had to be both mother and father to our child, had to bear the weight of my shame and my absence. I tried to help them, in my way. The money from the NSRA, from my "consulting work" as they so euphemistically called it, I funneled all of it to them through the labyrinth of offshore accounts and anonymous wire transfers. It was the least I could do, a paltry salve to my conscience. But I know it wasn''t enough. Could never be enough. And now, with the truth laid bare, with my crimes and my collusion with the government exposed for all to see, what must they think of me? The lurid headlines, the sensationalist news reports, painting me as some arch-villain, some radioactive boogeyman haunting the nightmares of a nation. But that''s not the worst of it. No, the worst is the insidious tendrils of fear and hatred, the xenophobic bile spewed by demagogues like Patriot. The whispers of "foreign threats" and "alien menaces", the fevered calls for border walls and deportation squads. My stomach churns, twists itself in knots. Is this to be my legacy, then? Not just a monster, but a catalyst, a spark to ignite the tinderbox of bigotry and intolerance? A convenient scapegoat for the small-minded and the hateful, a brush with which to tar all those who come to these shores seeking a better life? I wish I had an answer, a rebuttal, a way to drain the poison from the discourse. But I don''t. My words, my actions, however well-intentioned, have only ever seemed to make things worse. Better then to remain silent, to accept my punishment, my exile, as the scant penance that it is. Perhaps it is cowardice that prevents me from speaking out. Or perhaps it is clarity, a final, desolate understanding of my own limitations, my own impotence in the face of forces far beyond my control. In the end, I suppose it matters little. Here, in this cabin, in this saferoom, I am as removed from the world and its woes as it is possible to be. My world has shrunk down to these four walls, these few precious square meters where I can almost pretend to be a man again, rather than a walking catastrophe. How I wish I could share this little haven with Olena, with Yulia. To hold them, comfort them, beg their forgiveness for all the pain I''ve caused. But I know it''s impossible. The risk is too great, the specter of contamination too omnipresent. Even the specialized hazmat suits and visitation protocols can only do so much, can only reduce the danger, not eliminate it entirely. And what kind of life would that be for them anyway? To see their husband, their father, only through the distorting lens of a radiation-proof faceplate? To feel the warmth of his embrace only through layers of lead-lined rubber and impermeable polymers? No. Better to spare them that, to keep my poison, my pain, my penance to myself. They deserve better than to be shackled to my cross, dragged down into the mire of my mistakes. But oh, how I long for them. How I ache for the life, the love, the sheer mundane normalcy that was taken from me. Stolen by my own hubris, my own reckless pursuit of knowledge and power. There''s an old Yiddish saying, one my grandmother was fond of reciting: "Man plans, God laughs." I never put much stock in it, in my arrogance, and in my secular certainty. But now, lying here in the wreckage of my life, the fruit of all my schemes and ambitions, I can appreciate its bitter wisdom. For I had plans, such grand plans. To harness the awesome power of the atom, to bend the fundamental forces of the universe to my will. To usher in a new age of clean, limitless energy, to banish the specters of scarcity and want forever. And I did it. I achieved what I set out to do, tapped into the very heartbeat of creation. But at what cost? My work, my research, perverted into tools of destruction and oppression. My own body, transformed into a weapon, a conduit of unimaginable devastation. And my family, my life, shattered beyond any hope of repair. Yes, I had plans. But the saying is incomplete. It''s not just that God laughs at our plans. It''s that he laughs because he knows. Knows the follies we will commit, the hubris we will indulge, the ruin we will sow in our relentless pursuit of our petty desires and glorious delusions. And yet, even now, even here, I cannot quite bring myself to surrender to despair. Cannot entirely extinguish the flicker of hope, however feeble and forlorn, that gutters in my breast. IF.5.2 The days at Aurora Springs begin to blend together, each one a variation on a theme. But unlike the monotonous grind of my previous confinements, there''s a rhythm to life here, a structure that I find surprisingly comforting. My world may be small, constrained to the boundaries of my cabin and its surrounding exclusion zone, but within those limits, I find an unexpected freedom. Each morning begins the same way. I wake in my saferoom, the only place where I can exist without my suit, and go through a series of stretches and exercises. My body, atrophied from confinement and years where I could only barely exist outside my suit, protests at first. But day by day, I feel strength returning to my limbs, vitality coursing through my veins. The facility has provided me with a set of radiation-hardened exercise equipment - dumbbells, resistance bands, even a small treadmill. All designed to withstand the constant barrage of gamma rays emanating from my body. I throw myself into a rigorous workout routine, relishing the burn in my muscles, the sweat on my skin. It''s a tangible reminder that I''m alive, that I''m still human, despite everything. "You''re making good progress, Mr. Fedorov," Dr. Chen, the facility''s chief medical officer, tells me during one of our weekly check-ins. Her voice comes through the intercom system, tinny and distant. She''s watching me through a lead-lined observation window, her form a vague silhouette behind the thick, radiation-resistant glass. "Your muscle mass has increased by 12% since your arrival, and your cardiovascular health is improving steadily." I nod, allowing myself a small smile of satisfaction. "It feels good to move again," I admit. "To use my body for something other than destruction." Dr. Chen''s voice softens slightly. "That''s a healthy attitude, Mr. Fedorov. Remember, physical health and mental well-being are closely linked. Keep up the good work." After my morning workout and a decontamination shower, I don my suit once more. It''s a necessary evil, the only way I can interact with the world outside my saferoom. But even this has become easier. The facility''s engineers have made modifications to the design, improving its ergonomics and reducing the strain on my body. It''s still far from comfortable, but it''s a vast improvement over the cobbled-together monstrosity I wore during my years on the run. Breakfast arrives via a specialized delivery system - a series of lead-lined compartments and radiation-proof conveyor belts that snake through the walls of my cabin. The food itself is nothing spectacular - standard institutional fare, heavy on nutrition and light on flavor. But after years of scavenging and makeshift meals, even this tastes like a feast. Today''s menu: powdered eggs, reconstituted with purified water, a bowl of fortified oatmeal, and a cup of instant coffee. I eat mechanically, more out of necessity than enjoyment - I never enjoyed eating very much to begin with - my thoughts already turning to the day ahead. Because that''s the real surprise, the unexpected gift of my imprisonment here: I have work to do. Real, meaningful work that allows me to use my skills, my knowledge, in service of something other than my own survival. It started as a hesitant request, a tentative inquiry to my case worker about the possibility of resuming my engineering work. To my astonishment, they not only agreed but seemed eager to put my expertise to use. "We have a backlog of projects that could benefit from your unique perspective, Mr. Fedorov," my case worker, a no-nonsense woman named Ms. Patel, explained during our first meeting. "Containment systems, radiation shielding, power generation - all areas where your experience could be invaluable." Support creative writers by reading their stories on Royal Road, not stolen versions. And so, day by day, I find myself immersed in a world of schematics and calculations, of material stress tolerances and radiation flux densities. It''s challenging work, made more so by the constraints of my condition. I can''t use traditional computers or electronic devices - the constant flood of radiation from my body would fry their delicate circuitry in seconds. Instead, I work with specially designed, radiation-hardened tablets and input devices. The screens are thick, lead-glass affairs, the processors shielded behind layers of exotic alloys and composite materials, and my hands numbed through dense lead-lined gloves. They''re clunky, slow by modern standards, but they work. And more importantly, they allow me to create, to contribute, to feel useful again. Today''s project is particularly intriguing: a new design for portable radiation shielding, lightweight enough for emergency responders to use in crisis situations. As I pore over the specifications, tweaking variables and running simulations, I can''t help but feel a surge of pride. This, this is what I was meant to do. Not destruction, not chaos, but creation. Protection. The very antithesis of the havoc I''ve wreaked. Time slips away as I work, the hours melting into a focused blur of numbers and diagrams. It''s only when the lunch alarm chimes that I realize how long I''ve been at it. I lean back, stretching muscles cramped from hours of intense concentration. My stomach growls, reminding me that even radioactive monsters need to eat. Lunch is a more substantial affair than breakfast: a high-calorie protein shake, a plate of what the menu charitably calls "Salisbury steak," and a side of steamed vegetables. It''s all designed to meet my unique nutritional needs - my accelerated metabolism burns through calories at an astonishing rate, a side effect of my body''s constant struggle against its own radioactive nature. As I eat, I allow my mind to wander, to take stock of my situation. It''s strange, I reflect, how quickly one can adapt to even the most extraordinary circumstances. A year ago, the thought of spending the rest of my life in an isolated cabin would have seemed like a nightmare. Now¡­ now it feels like the closest thing to Heaven I could get. Here, I don''t have to worry about the harm I might cause to innocent bystanders. Here, I can work, can contribute, can atone in some small way for the damage I''ve done. It''s not freedom, not in the conventional sense. But it''s a kind of peace, a stability I haven''t known in years. After lunch, I return to my work, losing myself once more in the intricacies of radiation physics and materials science. The afternoon passes in a productive haze, broken only by the occasional consultation with the facility''s engineering team via secure video link. As evening approaches, I feel a familiar tightness in my chest, a heaviness in my limbs. It''s time for my daily radiation purge - a necessary and unpleasant process to prevent the buildup of dangerous levels of radioactive material in my body. It''s something my suit took care of automatically, through unpleasant means better left unelaborated on, but now, with so much time out of it, I''d forgotten just how much this took out of me. I make my way to a specially designed chamber in the corner of my cabin. It''s a stark, clinical space, all gleaming metal and blinking indicator lights. I step inside, sealing the door behind me. "Initiating purge sequence," a computerized voice announces. "Please remain still." I brace myself as the chamber fills with a fine mist, a cocktail of chemicals designed to bind to the radioactive particles in my system and flush them out. Bile rises up my throat, and I expunge. Before, the tubes throughout my suit helped, and I could run a line while I slept. Here, it''s an uncomfortable process, leaving me feeling weak and slightly delirious. But it''s a small price to pay for the relative normalcy of my days here. After the purge, I retreat once more to my saferoom, shedding my suit with a sense of relief. Dinner awaits me - another protein-rich meal, this time a passable attempt at chicken stir-fry. I eat slowly, savoring the relative quiet, the absence of the suit''s constant hum. As I finish my meal, a light on the intercom panel begins to blink. An incoming call. My heart leaps into my throat as I realize what day it is, what this must mean. IF.5.3 With trembling fingers, I accept the call. The screen flickers to life, and suddenly, there they are. Olena and Yulia, my wife and daughter, their faces beaming at me from behind the protective barriers of their own screens. "Papa!" Yulia cries, her voice a mixture of excitement and nervousness. "Can you see us? Can you hear us?" "Yes, my darling," I manage to choke out, my voice thick with emotion. "I can see you. You''ve grown so much." And she has. The little girl I left behind is gone, replaced by a young woman on the cusp of adulthood. Her hair is longer, her face more defined. But her eyes - her eyes are the same, bright and curious and full of life. Olena smiles, her eyes shining with unshed tears. "Hello, my love," she says softly. "It''s good to see you." We talk for hours, the conversation flowing more easily than I could have ever hoped. They tell me about their lives in Kyiv, about Yulia''s school and Olena''s work. I listen, hungry for every detail, every scrap of normalcy. "Are you¡­ are you angry with me?" I finally ask, the question that''s been gnawing at me for years finally forcing its way out. Olena shakes her head firmly. "No, Illya. We were never angry. Sad, yes. Confused, certainly. But we understood why you had to leave." "We knew where you were the whole time," Yulia adds, a hint of pride in her voice. "Mama made sure we kept track of you." I blink, surprised. "You did?" Olena nods. "Of course. You''re still our family, Illya. No matter what." The conversation turns to their upcoming visit - a real, physical visit, not just a video call. The U.S. government, in what I can only assume is some bizarre attempt at atonement, has arranged for them to come to Aurora Springs. "We''ll be there in two weeks," Olena tells me, her excitement palpable even through the screen. "They''re arranging everything - the flights, the special suits, all of it." "I can''t wait to see you in person, Papa," Yulia says, her smile wide and genuine. "Even if it is through a bunch of lead glass." We laugh together, and for a moment, it''s almost like old times. Almost like we''re a normal family again, separated by nothing more than distance and circumstance. As the call winds down, I feel a warmth in my chest that has nothing to do with radiation. Hope, I realize. For the first time in years, I feel hope. "We love you, Illya," Olena says as we prepare to sign off. "Never forget that." "I love you too," I reply, my voice barely above a whisper. "Both of you. So much." The screen goes dark, but the warmth remains. I lie back on my cot, staring up at the ceiling, my mind whirling with thoughts and emotions. It''s not a perfect life, this existence I''ve carved out here at Aurora Springs. It''s constrained, controlled, forever overshadowed by the specter of my past crimes and the ever-present danger of my condition. And it will likely be this way for the rest of my existence on this Earth. But it''s a life. A chance to work, to create, to connect with my family. A opportunity to make amends, in whatever small way I can. If you find this story on Amazon, be aware that it has been stolen. Please report the infringement. As I drift off to sleep, I find myself looking forward to tomorrow for the first time in years. There''s work to be done, problems to solve, a family to reconnect with. It''s not freedom, not in the conventional sense. But perhaps, I think as sleep claims me, it''s something even more precious: purpose. The next two weeks pass in a blur of anticipation and preparation. My days are filled with work, exercise, and an endless series of briefings and safety checks in preparation for Olena and Yulia''s visit. "Now remember, Mr. Fedorov," Dr. Chen reminds me for what feels like the hundredth time, "even with the protective suits and the lead-lined visitation room, we need to keep the exposure time to a minimum. One hour, maximum." I nod, trying to quell the mixture of excitement and anxiety roiling in my gut. "I understand, Doctor. I won''t do anything to put them at risk." She softens slightly, offering me a small smile. "I know you won''t. I just want this to go smoothly for all of you. You deserve this time together." The day of their arrival dawns bright and clear, the autumn sun painting the mountains in shades of gold and russet. I''m up before dawn, pacing my saferoom, too keyed up to eat or work. Finally, after what feels like an eternity, the intercom crackles to life. "Mr. Fedorov? Your family has arrived. We''re beginning the suiting-up process now. Please make your way to the visitation room." My heart pounding, I don my own suit and make my way through the series of airlocks and decontamination chambers that separate my living space from the visitation area. Each step feels both too fast and too slow, time stretching and compressing in strange ways. And then, suddenly, I''m there. Standing in a room divided by a thick wall of leaded glass, staring at two figures in bulky hazmat suits on the other side. For a moment, we all just stand there, frozen. Then Yulia''s voice comes through the intercom, slightly distorted but unmistakably hers. "Papa? Is that really you?" "Yes, my darling," I manage to choke out. "It''s me." And then we''re all talking at once, laughing and crying, pressing our hands against opposite sides of the glass. It''s surreal and beautiful and heartbreaking all at once. "You look good," Olena says, her eyes crinkling with a smile behind her faceplate. "Healthy." I laugh, a bit self-consciously. "The food here is better than what I''ve been living on. And they let me exercise." "You''re not as scary as I thought you''d be," Yulia blurts out, then looks embarrassed. "I mean¡­ with all the stories and everything¡­" "Yulia!" Olena admonishes, but I wave it off. "It''s alright," I assure them. "I know what the news has been saying about me. But I''m still just me. Still your papa." We talk for what feels like both an eternity and no time at all. About their lives in Kyiv, about my work here at Aurora Springs, about everything and nothing. It''s awkward at times, the weight of our separation and the bizarre circumstances of our reunion making themselves felt. But it''s also wonderful, a balm to a wound I didn''t fully realize I had. All too soon, Dr. Chen''s voice comes over the intercom, gentle but firm. "I''m sorry, but we need to wrap this up. We''re approaching the safe exposure limit." I nod, fighting back the surge of disappointment. "Just a moment more, please?" She hesitates, then sighs. "Two minutes. No more." I turn back to Olena and Yulia, trying to memorize every detail of their faces, even distorted as they are by the suits and the glass. "I love you both so much," I tell them, my voice thick with emotion. "Thank you for coming. For not giving up on me." "We''ll never give up on you, Papa," Yulia says fiercely. "Never." Olena nods, reaching out to place her gloved hand against the glass. I mirror the gesture, imagining I can feel the warmth of her touch even through all the layers separating us. "We''ll be back," she promises. "As often as they''ll let us." And then it''s over. They''re being ushered out, waving goodbye as they disappear down the corridor. I stand there for a long moment, staring at the empty space where they were, feeling both full and hollow at the same time. As I make my way back to my quarters, shedding my suit and submitting to yet another round of decontamination, I find myself smiling. It wasn''t perfect. It wasn''t normal. But it was something. A connection, a reminder of why I''m here, why I''m trying so hard to make amends. That night, as I lie in my bed, I find myself thinking not of the past, not of my crimes or my regrets, but of the future. Of the work still to be done, the problems still to solve. Of the next visit from my family, whenever that might be. Perhaps the old tales are true, I muse as I dive into a particularly thorny set of calculations. Perhaps lead can be turned to gold, ashes to beauty. Iron to steel, and monsters to men. Chapter 119.1

Begin Arc 8: Big

The rest of my Halloween night was a blur of pain and exhaustion. After my grueling confrontation with Patriot, I limped my way home, every step a fresh agony. By the time I made it back, it was late enough that my parents were already asleep, thinking I was out with friends. If only they knew the truth. I stumbled into my room, peeling off my battered costume with trembling fingers. My entire body felt like one giant bruise, a throbbing mass of aches and pains. But I couldn''t rest, not yet. I had to patch myself up, had to make sure I wasn''t bleeding out from some unseen wound. Thank G-d for my enhanced healing. As I sat there on the edge of my bed, slowly cleaning and bandaging my injuries, I could feel my body knitting itself back together, the pain receding like a tide. It was a strange sensation, almost an itch beneath the skin, a prickling warmth that spread through my muscles and bones. I thought about Patriot as I worked, about the things he''d said, the twisted ideology he clung to so desperately. How could someone so strong, so powerful, be so utterly misguided? So blinded by their own narrow worldview that they couldn''t see the damage they were causing, the people they were hurting? But then again, who was I to judge? I was just a kid playing dress-up, trying to make a difference in a world that seemed determined to tear itself apart. Maybe Patriot and I weren''t so different after all. Maybe we were both just fumbling in the dark, trying to find our way. I shook my head, wincing at the spike of pain the motion sent through my skull. No, that was bullshit. I wasn''t like him. I couldn''t be. Because if I was, then what was the point of any of this? What was the point of putting on the mask, of risking my life night after night, if I was just going to end up like him in the end? I finished bandaging the last of my wounds and stood up, testing my weight gingerly. Everything seemed to be in working order, more or less. I''d be sore as hell tomorrow, but I''d live. That was more than I could say for some of the people Patriot had hurt. I crawled into bed, my body screaming for rest. But even as I lay there, staring up at the ceiling, my mind wouldn''t stop racing. I kept replaying the fight in my head, analyzing every move, every mistake. What could I have done differently? How could I have ended it sooner, before either of us got too badly hurt? But there were no easy answers, no quick fixes. This was the life I''d chosen, for better or worse. The life of a hero, with all the pain and sacrifice that entailed. I closed my eyes, letting the exhaustion sweep over me like a wave. Tomorrow would bring new challenges, new battles to be fought. But for now, I needed to rest. I needed to heal. As I drifted off to sleep, my last conscious thought was of Maggie. Of her smile, her laugh, the way she looked at me like I was something special. Like I was a hero. I just hoped I could live up to that.
"This is Channel 6 Action News, reporting live from City Hall. In a stunning turn of events, Democratic nominee Maya Richardson is now projected to win the special election for the vacant City Council seat, with a sudden ten point lead since last polls." The newscaster''s voice, usually so calm and measured, now betrays no hidden disbelief as she delivers this shocking news. On the TV screen behind her, a graphic displays Richardson''s photo alongside the latest poll numbers, showing her with a commanding lead over her opponent. I sit on the couch in our living room, staring at the TV in a mix of disbelief and rising anger. Beside me, my parents wear similar expressions of shock and confusion, while Maggie, perched on the armchair to my right, seems to be split between excitement at some notion that I don''t understand, and mild sympathetic concern at our own concern. "Maya Richardson, owner of several successful local businesses and a well-known philanthropist, has had her run harried with allegations of ties to organized crime," the newscaster continues, her brow slightly furrowed. "Despite these allegations, Richardson''s campaign has gained significant traction in recent weeks, with many voters drawn to her message of economic revitalization and increased support for minority-owned businesses. After last week''s interviews, she is now the favorite to win the race." "Wait a minute," my mom says suddenly, leaning forward on the couch. "Isn''t that the woman who was with that awful T-Rex man last winter? The one who destroyed our house just before Hanukkah?" My dad''s eyes widen in recognition. "You''re right, Rachel. I knew she looked familiar. Sam, isn''t she one of those Kingdom people you''ve tangled with before?" Unauthorized usage: this tale is on Amazon without the author''s consent. Report any sightings. I nod grimly, my hands clenching into fists on my lap. "Yeah, that''s her. I couldn''t tell you her name, but she was there. She was there that night, with Mr. T-Rex, when they attacked our home. You think that''s her real name?" "Has to be. Don''t they run background checks when you try to become a politician, darling?" My dad asks, bouncing the question over to my mother. My mom rubs her chin in thought. "Regular background checks, yes. Postcognitive checks, no, at least not for something as minor as city council. How could they not have... dug up that she''s a gangster?" Maggie leans forward, her face a mix of confusion and excitement. "Hold on, Sam: can you give me the crash course? Who is this lady, and what''s her deal with the Kingdom?" I take a deep breath, trying to organize my thoughts. "Okay, so the Kingdom of Keys is this big organized crime group that operates in Philly and the surrounding areas. They''re into all sorts of shady stuff - drug trafficking, extortion, underground fight rings, you name it. And Maya - I guess that''s her name - I think she''s either at the top or up there. She was there that night with Mr. T-Rex - another Kingdom member who can transform into a literal dinosaur - when they came after me, thinking I was home. They wrecked our place pretty bad before I managed to drive them off with Rampart''s help." "And now she''s about to be elected to City Council? That''s insane!" Maggie exclaims, shaking her head in disbelief. "How can people not know what she really is? What she''s done?" My mom sighs, her face pinched with worry. "I don''t know, Maggie. It''s not like we have any proof. It was just our word against hers. And you know how these things go - people with money and power, they always seem to come out on top, no matter what they''ve done." I feel a hot surge of anger rise in my throat, threatening to choke me. "It''s not right," I growl, my fingernails digging into my palms. "She''s a criminal, a supervillain. She shouldn''t be anywhere near a position of authority. We have to do something." Dad rests a hand on my shoulder, his touch gentle but firm. "Sam, I know how you feel. Believe me, I''m just as outraged as you are. But we have to be careful. If what you say is true, then Mrs. Richardson is a very dangerous woman. And now she''s about to hold public office. Going after her openly could put us all at risk. Or, let''s be realistic: going after her openly could result in her doubling down against you specifically. I know you could take it - of course you could - but I don''t know if I want you to have to take it." Maggie nods, her fingers toying nervously with the hem of her shirt. "Your dad''s got a point, Sam. I mean, I''m totally on board with taking this lady down, but we can''t just go in guns blazing. We need a plan." I take a deep breath, trying to calm the storm raging inside me. They''re right, of course. As much as I want to just charge in and confront Richardson directly, I know it would be a disaster. She''s too powerful, too well-connected. If I''m going to take her on, I need to be smart about it. I need to gather evidence, build a case. Find a way to expose her for what she really is. "Okay," I say at last, my voice tight with barely-contained frustration. "I... No, I''m done. I can''t let her do this! I have to stop her before she gets elected!" Mom nods, her face set with grim determination. "Just be careful, Sam. Don''t take any unnecessary risks. Don''t your friends - don''t the Delaware Valley Defenders have someone from City Council involved? Maybe you should talk to him. Rope in some of the adults in the room. You don''t have to do it alone. We''re here to help you." I feel a sudden rush of gratitude, my anger momentarily eclipsed by the warmth of their support. "Thanks, Mom. Dad. Maggie. I don''t know what I''d do without you guys. Without all of you." "Probably get your butt kicked a lot more often," Maggie quips, a mischievous glint in her eye. "Good thing you''ve got me to watch your back now." I can''t help but smile at that, even as my cheeks flush slightly. Maggie''s only been training with me for a short while, but already I can''t imagine doing this without her. Her enthusiasm, her fearlessness, her unshakable moral compass - it''s like a light in the darkness, guiding me forward. But I can''t let myself get distracted. Not now, with so much at stake. I stand up from the couch, my body still aching from last night''s battle, but my resolve unwavering. "I''m going on a walk," I announce, my voice brooking no argument. "I need to clear my head, I don''t think I can watch any more news." "Are you going for a walk, or a walk?" Mom asks. Coded language. Right. Are you going for a walk, or are you going to do superheroics? I guess my face doesn''t look as busted up as it feels, or maybe the concealer I''m wearing is working overtime, because she doesn''t sound half as concerned as she should be. More... resigned. "Just a walk," I lie, as casually as breathing. "Maggie, you wanna come with?" Maggie practically leaps out of her seat, her face splitting into a massive grin. "Yeah! I don''t get the opportunity to check out other parts of Philly that often." Mom and Dad exchange a worried glance, but they know better than to try and stop me. "Just be careful out there, both of you," Dad says, his voice thick with concern. "Remember, that... bald man and his particular band of jerks are still out there trying to take advantage of the chaos. Avoid crowds. And get home before dark!" I successfully resist the urge to correct him. Patriot won''t be a problem anymore. I nod, meeting his eyes with a steady gaze. "I will, Dad. I promise." I glance over at Maggie, feeling a sudden surge of protective affection. "You watch my back, I''ll watch yours?" Maggie grins, holding out her fist for me to bump. "Always." And with that, we''re out the door, striding out into the cool November evening. The streets of Mayfair are quiet at this hour, the rowhouses and shops closed up tight against the encroaching darkness. Leaves skitter across the sidewalk, pushed by a chill breeze that sends a shiver down my spine. "Come on," I say, leading Maggie down a side alley, away from prying eyes. "Let''s get suited up. We''ve got work to do." Chapter 119.2 In the dimness of the alley, we quickly strip out of our civilian clothes, donning our respective costumes with practiced ease. As I pull on my padded body armor, feeling the familiar weight settle across my shoulders, I can''t help but steal a glance at Maggie as she changes. She''s a shock of color, even in the autumn gloom, her costume a mishmash of bright red sports equipment - shin guards, elbow pads, a battered bike helmet. Her eyes gleam behind thick goggles, her face obscured by a black cloth facemask. She looks like a cross between a roller derby player and a post-apocalyptic road warrior, and I feel a sudden rush of pride at the thought that she''s my partner, my trainee. I try not to stare as she wriggles into her costume, my cheeks flushing beneath my own wolf-shaped helmet. I don''t sit on the feeling. We are going to proceed to shove that way down and forget about it. "Looking good, Bloodpuppy," she says with a grin, flashing me a cheeky salute. I try not to wince at the same nickname I''ve heard from dozens of petty criminals and a handful of supervillains. "Ready to go kick some ass?" "You know it, Flashpoint," I reply, using her newly-minted hero name. "But let''s take it slow tonight, yeah? This is your first real patrol, and I don''t want you biting off more than you can chew." Maggie rolls her eyes, but I can see the excitement practically vibrating off her. "Yes, Mom," she snarks, her voice muffled slightly by the mask. "I''ll be a good little hero, I promise." I chuckle, reaching out to give her shoulder a friendly punch. "Hey, I''m serious. Being a hero isn''t all fun and games. It''s dangerous work, and I don''t want you getting hurt on my watch." Her expression softens, her eyes meeting mine through the lenses of our masks. "I know, Sam. I''ll be careful. I promise. But you gotta promise me the same thing, yeah? No stupid risks, no playing the lone wolf. We''re a team, right?" I feel a sudden lump in my throat, my chest tightening with emotion. "Yeah, Mags. We''re a team. Always." I take a deep breath, letting it out slowly. "Okay, rookie. Let''s hit the streets. Keep your eyes peeled and your wits about you. If you see anything suspicious, you let me know. Don''t engage unless I give the word, got it?" Maggie nods, her body practically thrumming with eagerness. "Got it, boss. Lead the way." As we step out of the alley and onto the darkened streets, I can''t help but feel a sense of trepidation mixing with the usual pre-patrol adrenaline. The city feels different tonight, charged with a strange energy that prickles at the back of my neck. Maybe it''s just the news about Maya Richardson''s impending election, the thought of a known criminal gaining legitimate power. Or maybe it''s something else, something deeper - a sense that the game is changing. Maggie, on the other hand, seems to be completely tuned in to all the little oddities and rarities around us. In the early November light, kids are all out, constantly adjusting their jackets or holding bits of their costumes from last night, with Maggie pointing out the occasional kid in a recognizable costume from some show or another, but I have to confess that I don''t really recognize any of them. Our cultural touchstones are different, but she doesn''t seem to mind filling me in. "So did you ever read Johnny the Homicidal Maniac as a kid?" She asks at some point over the course of our walk. I can''t say that I have. "Oh, man, it''s wild. Super violent, but it''s this whole metaphor for intrusive thoughts, isolation, and the search for meaning by its writer. It was the first really mature thing I ever read when I was little - made me realize maybe stories could be more than just good guys and bad guys and violence." "That''s pretty cool," I say, nodding, not wanting to rock her boat. "I mostly just read Baby-Sitters Club and, like, comic books. My grandpa''s comic books. And textbooks." "Really? I wouldn''t have guessed that." She says as we turn a corner, making our way further into Mayfair. "You seem more au courant than that. Don''t take offense, Sam, but you don''t really strike me as a follower. I get leader vibes off you." "I don''t really get what energy you''re talking about." I say, matter-of-factly. Half a block ahead, a gaggle of kids, all wearing jackets clearly fished out of a bin at the local thrift store, get in some kind of scrape; one of the kids gets shoved and falls off the curb onto the street, then immediately jumps up and starts chasing the giggling kid responsible. "I mean that in a good way. I feel like people probably follow you around a lot. Like Jordan, or... Not me, really, but you know what I mean. It''s magnetic and stuff." Maggie clarifies. It doesn''t really help me get her point. Ensure your favorite authors get the support they deserve. Read this novel on the original website. "Well, now there''s the Auditors, and you, and like the Young Defenders... But most of the time it''s a loose social group. More of a, uh, kibbutz than a hierarchy. Besides, Jordan''s always down to tell me how much of a pain in the ass I''m being." "''Kibbutz''? Is that Hebrew?" Maggie asks, raising an eyebrow. I catch a whiff of something at a crosswalk while I put my hand out to stop her as we wait for a car to pass - something rank, sour, but kind of musty at the same time. I''m not sure what it is. Maybe sulfur? "Yeah. Little socialist farming communes. I''m told they were, to quote my Pop-Pop, ''way cool''," I answer. The light turns, we walk. I still smell it, even as we cross the street. And then I look down, and Maggie''s stepped in dogshit. Fresh, too, from the looks of it. "Aw, beans," she mumbles. --- As we make our way through the streets of Mayfair, I can''t help but feel a strange mix of familiarity and unease. These are the same streets I''ve patrolled a hundred times before, the same rowhouses and corner stores I''ve passed by on countless evenings just like this one. But tonight, everything feels different somehow. Charged with a nervous energy that I can''t quite put my finger on. "You okay?" Maggie asks, her voice muffled slightly by her mask. "You seem kinda... I dunno, tense." I glance over at her, trying to force a smile beneath my own helmet. "Yeah, I''m fine. Just... thinking about everything that''s been going on lately. With Richardson, and Patriot, and all the rest of it." Maggie nods, her eyes sympathetic behind her goggles. "It''s a lot to deal with, huh? I can''t even imagine what it must be like for you, being in the thick of it all the time." I shrug, trying to play it off. "It''s not so bad. I mean, it''s not like I''m doing this alone, you know? I''ve got the Delaware Valley Defenders, and the Young Defenders, and the Auditors..." But even as I say it, I can feel the weight of it all pressing down on me, making my shoulders sag. I guess Maggie can see it too, because I see her unimpressed, dubious expression even behind her mask and goggles. "Anyway, I worked things out with Patriot," I say, trying to change the topic a little bit, using an extremely expansive definition of ''work things out''. "He won''t be a problem any more, at least. We can just focus on the one thing." Maggie''s eyes widen behind her goggles, and then narrow. "You ''worked things out''? That sounds like a euphemism, Blood. Did you have a chat or did he beat the shit out of you again?" I take a deep breath, letting it out slowly. "Well... it wasn''t exactly a friendly chat. More like a knockdown, drag-out brawl. He wanted me to back off, to stop messing with his plans. I told him where he could stick it. Kicked his ass too." Maggie''s quiet for a moment, her gaze searching my face. "Sam... are you sure that''s how it went down? Because I''m not gonna lie, those bruises on your jaw are telling a different story." I feel a flush of shame creep up my neck, my hand unconsciously coming up to touch the tender spots where Patriot''s fists had connected. "Okay, fine. Maybe it wasn''t as one-sided as I made it sound. But I blew his shoulder open, maced him, and bluffed him into concessions. And broke his nose, I''m sure. I can come back from that, he''ll be the one with a fucked up nose for the rest of his life." She nods, her expression sympathetic. "I believe you, Sam. I know how tough you are. But you don''t have to do this alone, you know? You''ve got people who care about you, who want to help. Like me. And Jordan and the others, if I''m too green for you." I feel a sudden lump in my throat, my chest tightening with unforeseen misery. "Yeah, I know." She reaches out to lay a hand on my shoulder. "I''m volunteering as your sidekick. Right?" I can''t help but laugh at that, the tension in my chest easing slightly. "Okay, okay. I guess I can''t argue with that logic." I could, but I don''t want to. I''m just filled with a pervasive, all-consuming exhaustion. I wish I could have a vacation. We continue on our patrol, winding our way through the quiet streets of Mayfair. I point out various landmarks as we go, sharing stories of minor incidents and events that have happened in each spot. The corner store where I once stopped a shoplifter, the alleyway where I helped a lost kid find his way home. Little things, but they all add up. They all matter. "Y''know, for somebody who''s probably gonna be a big hero someday, you sure spend a lot of time on the small stuff," Maggie muses as we turn down another side street. "Like, don''t get me wrong, I think it''s great. But most of the heroes I''ve read about in comics and stuff, they''re always fighting these big, flashy battles against supervillains and monsters and stuff. You''re out here giving out band-aids and walking little old ladies across the street. No offense." I shrug, a small smile tugging at my lips. "None taken. Here''s the thing, Mags: being a hero isn''t just about the big fights and the flashy powers. It''s about being there for people, in whatever way they need you. Sometimes that means taking down a supervillain, sure. But sometimes it just means lending a helping hand to someone who needs it. Supervillains are bad for your life expectancy. The world''s first superhero spent - spends - all his time doing, like, climate change stuff in flood-prone areas. No supervillain fights at all. I try to keep an 80/20 time ratio of rescuing cats to fighting--" As if on cue, a plaintive meow cuts through the evening air, drawing our attention to a nearby tree. There, perched precariously on a high branch, is a scrawny tabby cat, its yellow eyes wide with fear. "Speak of the devil," I mutter, already moving towards the tree. "Come on, let''s see if we can get this little guy down." Maggie follows close behind, her head tilted quizzically. "Uh, Sam? Not to be a downer, but how exactly are we gonna do that? I don''t know about you, but I left my climbing gear at home." I grin, tapping the side of my helmet. "Don''t need it. I''ve got a plan." Chapter 119.3 I tense my hands, grunt like I''m about to take a shit - sorry - and feel claws pop out of my fingertips like ice picks. I cram my hands against the bark of the tree, and make it one hand up, two hands up, before the bark peels off and I fall onto my ass, helmet thumping against the sidewalk. "Ow." "You alright down there?" Maggie asks, looming over me. "Do you have brain damage?" "I''m fine. Change of plans," I mumble, embarassed. "I need you to use your repulsion fields, very gently, to kind of... rattle the branch a little. Not enough to knock the cat off, just enough to make it want to come down on its own." Maggie nods, her brow furrowed in concentration. "Got it. One kitty-coaxing vibration, coming right up." I feel the air around us begin to hum, a subtle vibration that seems to emanate from Maggie''s outstretched hands. The branches begin to tremble slightly, the leaves rustling as if caught in a gentle breeze, and then, with a spike of force, the entire tree rattles. The cat, already on edge, lets out a startled yowl, its claws digging into the bark. But as the vibration continues, I can sense its tiny body relaxing, its fear giving way to curiosity. "That''s it," I murmur, my hand still outstretched. "Just a little more..." And then, with a final, cautious meow, the cat begins to descend, picking its way gingerly down the trunk of the tree. As soon as it''s within reach, I scoop it up into my arms, feeling its tiny heart hammering against my chest, small holes in my fingertips already filling up. Discarded teeth litter the concrete around my feet like spent bullet casings. Yeouch! "Well, would you look at that," a creaky voice says from behind us. "Superheroes rescuing cats from trees. Now I''ve seen everything." I turn to see an old man standing on the sidewalk, leaning heavily on a cane. He''s got a bushy white beard and a twinkle in his eye, and he''s looking at us with a mix of amusement and gratitude. "Thanks for your help, young ladies," he says, shuffling forward to take the cat from my arms. "I''ve been trying to get this little rascal down all day. Thought I was gonna have to call the fire department." "It was no trouble," I say, feeling a sudden rush of warmth in my chest. "We''re just happy we could help." The old man nods, tucking the cat under his arm. "Well, I appreciate it. You two take care now, you hear?" And with that, he''s off, shuffling down the sidewalk with the cat purring contentedly against his side. Maggie turns to me, a grin spreading across her face. "Okay, I take it back. That was pretty cool. I like old men." I blink at her a couple of times, staring through the small holes in my helmet. Maggie puts her hands up defensively. "Not like that! Gross! Ew! Shut up!" I chuckle, shaking my head, pulling the conversation back in like a fish on a f--like getting a dog''s attention with treats. "I don''t know about that. I mean, it''s not the first time I''ve gotten a cat out of a tree. Rampart and I used to do it all the time when I was just starting out. He always said it was like a rite of passage for young heroes. A symbolic passing of the torch." "Or maybe..." Maggie says, tapping her chin thoughtfully, "maybe it''s not symbolic at all. We''re real people, Sam, we don''t have symbolism." I laugh. "Real people experience signs and symbols all the time. Any person''s life, if you study it enough, will have, uh, semiotic signifiers. That''s what my mom says, at least." I try very hard to remember what a semiotic is. Maggie raises an eyebrow, a smirk playing at the corners of her mouth. "Do you expect me to know what the word ''semiotic'' means, poindexter?" I laugh out loud at that, the sound echoing off the quiet streets. "Not my fault I''ve got both brains and muscles. Better get back to work on your schoolwork when you get home. It''s the study of signs and symbols, and how you interpret them. That''s what my Mom says, at least." "The study of whatnow?" Maggie asks, her voice playfully incredulous. "Sam, I swear, you''ve got the weirdest brain of anyone I know sometimes. One second you''re all punching and attitude, the next you''re dropping ten dollar words like ''semiotics''." Love what you''re reading? Discover and support the author on the platform they originally published on. "I contain multitudes," I cough through a sharp grin. After a while, we come across a group of older boys, teenagers really, gathered on a street corner. They''re arguing about something, their voices rising and falling in sharp, staccato bursts. I tense up, ready to intervene if things get out of hand. "What do you think?" Maggie murmurs, her eyes fixed on the group. "Should we do something?" I hesitate, weighing our options. "Let''s just keep an eye on them for now. See if we can defuse the situation without resorting to powers." We approach the group slowly, hands held out in a placating gesture. "Hey there," I call out, keeping my voice calm and even. "Everything okay over here?" The boys turn to look at us, their faces a mix of surprise and wariness. "Who the hell are you?" one of them asks, his voice tight with barely-contained aggression. "This ain''t none of your business." "Maybe not," I say, nodding agreeably. "But we couldn''t help but overhear you guys getting a little heated. Thought maybe we could lend an ear, see if we can help sort things out." The boy scoffs, rolling his eyes. "What, you some kind of superheroes or something? Look, thanks for the offer, but we don''t need a couple of girls meddling in our shit." I feel a flash of anger at the dismissal, but I force myself to stay calm. "We''re not here to meddle. We''re here to listen. Sometimes just talking things out with a neutral party can help, you know?" The boys exchange glances, their postures loosening slightly. "I mean... I guess it couldn''t hurt," one of them mutters, running a hand through his hair. "It''s just some dumb shit anyway. Not worth fighting over." "So tell us about it," Maggie says, her voice gentle and coaxing. "What''s got you guys so worked up?" And so they do. They tell us about a girl, and a misunderstanding, and a whole tangled web of teenage drama and hurt feelings. Maggie and I listen, offering advice and perspective where we can, but mostly just letting them talk it out. By the time they are done talking, nobody really wants to fight anymore. I don''t think we really helped in a material way. I just think being forced to talk about it to two random superheroes - random kids in costumes, lets be real - made the fighting not fun anymore. No dopamine hit. In the end, there''s no grand resolution. No big emotional breakthroughs or tearful reconciliations. But the tension has eased, the anger drained away like water through a sieve. The boys shake our hands, mumbling awkward thanks before shuffling off into the night. "Well, that was anticlimactic," Maggie says as we watch them go. "I was kinda hoping for some big hero moment, you know? Like in the movies." I laugh, bumping her shoulder with my own. "Welcome to the glamorous world of street-level heroics, kid. Ninety percent of the time, it''s just talking to people. Listening to their problems and trying to help however you can." Maggie sighs, but there''s a smile tugging at the corners of her mouth. "And ten percent of the time?" "Oh, don''t worry," I say, grinning behind my mask. "That''s when you get your ass kicked." We make our way back towards my neighborhood, the streets growing more and more familiar with each passing block. We duck back into an alleyway, deposit our costumes in garbage bags hidden under other garbage bags, and turn ourselves back into normal humans again. As we approach my house, I see a figure standing on the front stoop, talking to another silhouetted figure through the screen door. My heart skips a beat as I realize it''s Maggie''s mom, chatting away with my own mother like they''re old friends. Which, I suppose, they kind of are now. It''s still a little surreal, seeing the different parts of my life collide like this. "Uh oh," Maggie mutters, echoing my thoughts. "Looks like the parental units have been conspiring in our absence." I chuckle, shaking my head. "Probably swapping embarrassing baby stories as we speak." We say our goodbyes at the foot of the steps, Maggie''s mom giving me a warm smile and a wave as I head inside. My own mom is waiting for me in the living room, her face a mix of worry and relief. "How was your walk?" she asks, her eyes searching my face for any signs of distress. "Just a walk, right?" "Yeah," I say, flopping down on the couch beside her. "Got a cat out of a tree but not, like, in a superhero way." She nods, her shoulders relaxing slightly. "Promise me no getting your friends involved with funny business?" "Promise," I reply, fingers crossed in my pocket. "She''s just a friend, not a sidekick." My mom smiles, reaching out to ruffle my hair like she used to when I was little. "I''m proud of you, Sam. I know this life isn''t easy, but you handle it with such grace and strength. Your dad and I... we couldn''t be more proud of the woman you''re becoming." I accept the compliment by scrunching my face up like I just ate a lemon. We sit there for a little while longer, just talking and decompressing from the day. But eventually, the dopamine starts to wear off, and I can feel the exhaustion setting in. "I think I''m gonna head to bed," I say, stifling a yawn. "I''ve got... stuff to do tomorrow, you know?" My mom nods, giving me a quick hug before sending me on my way. "Sleep tight, sweetheart. I love you. And stay safe." "Love you too," I murmur, already halfway up the stairs. In my room, I strip off my clothes and collapse onto the bed, feeling the familiar ache of the hours-long patrol route. But even as my body winds down, my mind can''t seem to quiet. I reach for my phone, scrolling through the messages that have piled up over the course of the evening. Most of them are from Jordan, their tone growing increasingly frantic as they fill me in on the latest developments in Maya Richardson''s campaign. "What the serious fuck, dude? Has this shit been going on the whole time we''ve been busy?" "There''s no way I''m letting some puppet politician ruin our shit, dude." "When are we going to stop getting blindsided by this shit? It''s like, every time we put out one fire, another one pops up." "I''m going to kill myself. I''m going to run myself over with a road roller." "FUUUUUUUUUUUUUUCK" I sigh, running a hand through my hair. They''re not wrong. It feels like we''re constantly playing catch-up, reacting to the latest crisis instead of getting ahead of it. I type out a quick reply to Jordan, promising to fill them in on everything in the morning. Then I set my phone aside, letting my eyes drift shut as I sink into the welcoming embrace of sleep. WORLD OF CHUM: Postcognitive Background Checks (1)

"NSRA''s New Vetting Process Sparks Constitutional Debate"

By Jennifer Lawson, Staff Writer for the Washington Post September 15, 2009 WASHINGTON ¡ª The National Superhuman Response Agency (NSRA) has implemented a controversial new vetting process for its employees and registered superhumans, igniting a fierce debate over privacy rights and the limits of governmental power in the age of metahuman abilities. The process, officially termed "Postcognitive Background Assessment," involves the use of individuals with superhuman abilities to peer into a subject''s past. This method, proponents argue, provides a level of insight and accuracy impossible with traditional background checks. "This is about ensuring the highest level of security for our nation," said NSRA Director Marcus Holbrook in a press conference yesterday. "With the immense responsibilities our agency bears, we must be certain about the integrity and history of those we employ and register." However, civil liberties groups and privacy advocates have raised alarm over the practice. The American Civil Liberties Union (ACLU) has already filed a lawsuit challenging the constitutionality of the process. "This is an unprecedented invasion of privacy," said ACLU attorney Sarah Goldstein. "It effectively eliminates the concept of a private life for anyone subjected to these checks. There are serious Fourth and Fifth Amendment concerns here." The controversy has drawn attention from lawmakers on both sides of the aisle. Senator John Mitchell (R-TX) voiced support for the NSRA''s decision, stating, "In these uncertain times, we need every tool at our disposal to ensure our nation''s safety." In contrast, Representative Maria Hernandez (D-CA) expressed deep reservations. "While I understand the NSRA''s motivation, we must be cautious about sacrificing our fundamental rights in the name of security," she said in a statement. Legal experts are divided on the constitutionality of the practice. Professor Alan Dershowitz of Harvard Law School believes the Supreme Court will ultimately have to weigh in. "This is uncharted territory," he said. "We''re dealing with abilities that the Founding Fathers could never have imagined. The Court will need to balance national security interests against individual privacy rights in a wholly new context." The NSRA has emphasized that the process is currently used only for vetting employees and registered superhumans, not for criminal investigations. They also stress that subjects must provide written consent before undergoing the assessment. However, critics argue that the line between vetting and investigation could easily blur, and that the requirement for consent is meaningless when it''s a condition of employment or registration. Unlawfully taken from Royal Road, this story should be reported if seen on Amazon. As the debate rages on, the eyes of the nation are on the NSRA and the courts. The outcome of this controversy could set a precedent for how superhuman abilities are integrated into government operations and regulated by law. The first legal challenge to the practice is set to be heard in the D.C. Circuit Court next month. Whatever the result, it seems certain that this issue will make its way to the Supreme Court, potentially reshaping the landscape of privacy rights in America for decades to come.

"Supreme Court Upholds NSRA''s Postcognitive Checks with Limitations"

By Jennifer Lawson, Staff Writer for the Washington Post June 15th, 2011 WASHINGTON ¡ª In a landmark 5-4 decision, the Supreme Court has upheld the National Superhuman Response Agency''s use of postcognitive background checks, but with significant limitations. The case, ACLU v. National Superhuman Response Agency, has been closely watched as it grappled with the intersection of superhuman abilities and constitutional rights. Chief Justice John Roberts, writing for the majority, stated that the practice of postcognitive background checks for NSRA employees and registered superhumans does not inherently violate the Fourth Amendment, but emphasized the need for strict oversight and limitations. "While the unique nature of postcognitive abilities presents novel challenges to our understanding of privacy," Roberts wrote, "the government''s interest in ensuring the security and integrity of its superhuman-focused agencies outweighs certain privacy concerns, provided appropriate safeguards are in place." The majority opinion, joined by Justices Scalia, Kennedy, Thomas, and Alito, outlined several key restrictions:
  1. Postcognitive checks must be limited to information relevant to the position or registration in question.
  2. Subjects must provide informed consent and have the right to decline without automatic disqualification.
  3. The process must be conducted by multiple postcognitives to ensure accuracy and fairness.
  4. Results cannot be used in criminal investigations without a separate warrant.
Justice Kennedy, in a concurring opinion, stressed the importance of adapting legal frameworks to address superhuman abilities: "Our Constitution must be interpreted in light of new realities, including the existence of metahuman capabilities." The dissenting opinion, authored by Justice Ginsburg and joined by Justices Stevens, Souter, and Breyer, argued that the practice represents an unconstitutional invasion of privacy. "Today''s decision opens the door to unprecedented government intrusion into the most intimate aspects of an individual''s life," Ginsburg wrote. "It sets a dangerous precedent that prioritizes speculative security benefits over fundamental privacy rights." The ruling has been met with mixed reactions. NSRA Director Marcus Holbrook called it "a crucial victory for national security," while ACLU attorney Sarah Goldstein expressed disappointment, stating, "While we appreciate the limitations imposed by the Court, we maintain that this practice is fundamentally incompatible with the right to privacy." Legal experts note that the decision leaves room for future challenges. "The Court has essentially created a new framework for evaluating superhuman-enhanced government procedures," said Constitutional law scholar Laurence Tribe. "We''ll likely see more cases as agencies and law enforcement attempt to expand the use of these abilities." The NSRA has announced it will revise its postcognitive check procedures to comply with the Court''s guidelines. Meanwhile, lawmakers are already discussing potential legislation to further regulate the use of superhuman abilities in government operations. As the nation grapples with the implications of this ruling, one thing is clear: the intersection of superhuman abilities and constitutional rights will continue to be a complex and evolving area of law for years to come. Chapter 120.1 The office of Richard Duvall, Republican candidate for the special City Council election, is a bustling hive of activity. Located in a nondescript office building in Center City, the space is cramped and cluttered, with staffers and volunteers darting to and fro like ants in a disturbed hill. Jordan and I navigate our way through the chaos, dodging stacks of flyers and boxes of campaign literature as we make our way towards Duvall''s inner sanctum. I can feel the tension in the air, the crackling energy of a campaign in its final days. The air feels thicker here. Heavier, somehow. More consequential. We''re ushered into Duvall''s office by a harried-looking aide, who barely spares us a second glance before rushing off to attend to some urgent task. The man himself is seated behind a large, imposing desk, his head bent over a stack of papers. He looks up as we enter, his eyes narrowing slightly as he takes us in. "Ah, yes. The young activists," he says, his voice dripping with condescension. "I was wondering when you''d come knocking on my door. Here to bother me about our boys in blue?" I bristle at his tone, but force myself to stay calm. We need his help, after all. Or at least, we need him to not actively hinder us. "Mr. Duvall, thank you for taking the time to meet with us," I say, my voice carefully neutral. "We know you''re very busy, but we have some information that we think you should be aware of." Duvall leans back in his chair, steepling his fingers in front of his face. "Is that so? And what, pray tell, could two teenage girls possibly have to tell me that I don''t already know? Particularly two teenage girls that have made an enemy of this entire city''s security apparatus." I feel Jordan tense beside me, their hands clenching into fists at their sides. I shoot them a warning glance, silently urging them to keep their cool. Getting into a pissing match with Duvall won''t help anyone. "It''s about your opponent, Maya Richardson," I say, my voice growing firmer. "We have reason to believe that she''s involved with a criminal organization known as the Kingdom of Keys." Duvall''s eyebrows shoot up, his expression a mix of surprise and skepticism. He leans forward, clearly interested. "That''s quite an accusation, young lady. I hope you have some evidence to back it up." I nod, reaching into my backpack and pulling out a flash drive. "We do. Or at least, we have something that we think points in that direction." I hand the drive over to Duvall, who takes it with a dubious expression. He plugs it into his computer, and a video begins to play on the screen. It''s grainy and shaky, clearly shot on a cell phone, but the image is unmistakable. A giant, angry Tyrannosaurus Rex, rampaging through the streets of Mayfair. One of about a dozen videos taken - of me, getting the shit beaten out of me by a giant angry Tyrannosaurus Rex. I watch Duvall''s face as the video plays, looking for any sign of recognition or concern. But his expression remains impassive, his eyes fixed on the screen with a kind of detached curiosity. "Well, that''s certainly... something," he says at last, as the video comes to an end. "But I''m afraid I don''t see what it has to do with Maya Richardson." "The T-Rex was working with her," Jordan blurts out, their voice tight with frustration. "We saw them together, before the attack. She was giving him orders. She can control the weather, we think - it wasn''t raining before, and the forecast that day was blue skies all day." Duvall leans forward, his eyes narrowing. "And do you have any proof of that? Any video or audio evidence linking Richardson to this... creature?" I feel my heart sink as I realize the answer is no. We don''t have anything concrete, just our own word and some circumstantial evidence. Duvall sees the look on my face and sits back, a smug smile playing at the corners of his mouth. "I thought as much," he says, his voice dripping with condescension. "Look, kids, I appreciate your concern. Really, I do. But I can''t go around making wild accusations about my opponent based on hearsay and conjecture. Especially not with the election so close." "But sir, if you''d just look into her background, her connections--" I start to say, but Duvall cuts me off with a wave of his hand. "I don''t need to look into anything," he says, his voice growing hard. "Maya Richardson is a respected businesswoman and philanthropist. She''s done a lot for this city, and the people here know it. Hell, she was even invited to Liberty Belle''s funeral. You think they let just anyone attend something like that?" I feel my stomach clench at the mention of Liberty Belle. The memory of that day, of seeing Mrs. Z standing among the mourners, approaching me like I was her best friend in the world, it''s still fresh in my mind, even after all these months. I remember thinking it was odd, a crime lord attending the funeral of the city''s most famous superhero, but like everything else in my life, I didn''t question it. I had bigger things to worry about at the time. "Plus, we all know about Mrs. Richardson''s powers. It''s not exactly a secret, her past life as Stormrise. You''re telling me a former superheroine has become a crime lord in addition to juggling all her business arrangements and philanthropy?" The narrative has been illicitly obtained; should you discover it on Amazon, report the violation. He snorts a little bit. "I''d almost say she deserves the spot if she could handle all that." Jordan, however, isn''t ready to let it go. "But that just proves our point!" they exclaim, leaning forward in their chair. "If she''s got enough pull to get invited to something like that, who knows what else she''s capable of? What other strings she might be pulling behind the scenes?" Duvall''s face hardens, his eyes flashing with anger. "Now you listen to me, young man--" "I''m not a--" Jordan starts to say, but Duvall barrels on as if they hadn''t spoken. "I don''t know what kind of game you two are playing, but I won''t be a part of it. Maya Richardson is my opponent, yes, but she''s also a fellow Philadelphian. And in this city, we don''t go around slandering people without proof. We don''t play that kind of politics. If you''ve got anything concrete, believe me, I''d love to have it - but I can''t go chasing plastic skeletons, you understand? This late in the game, I can''t afford to waste resources that I could be spending on get-out-to-vote initiatives." Jordan opens their mouth to argue, but I lay a hand on their arm, silencing them. "Mr. Duvall, I apologize. We didn''t mean any disrespect. We''re just... we''re worried. About the city, and what might happen if someone with ties to organized crime were to gain a position of power." Duvall''s expression softens, just a fraction. "I understand your concern. Truly, I do. But you have to understand, the world of politics is a complicated one. Everyone''s got skeletons in their closet, everyone''s got dirt that could be dug up if someone went looking hard enough. The question is, do we really want to go down that road? Do we really want to start a witchhunt, tearing down anyone who''s ever made a mistake or had a lapse in judgment? Without proof, the amount of digging that could be done in the next three days is minimal." He shakes his head, leaning back in his chair. "No, I don''t think that''s the kind of city we want to be. Philadelphia is better than that. We''re a city of second chances, of forgiveness and redemption. If Maya Richardson has truly turned over a new leaf, if she''s truly dedicated herself to serving the people of this city, then who are we to stand in her way?" I feel a flicker of doubt in my chest, a nagging sense that something about Duvall''s words doesn''t quite ring true. But I push it aside, forcing myself to nod along with his speech. "I guess you''re right," I say, my voice sounding hollow to my own ears. "We just... we wanted to do the right thing. To make sure the city was in good hands." "And that''s admirable!" Duvall says, his tone turning suddenly jovial. "Truly, it is. We need more young people like you two, people who are engaged and passionate about the future of our city. Tell you what, why don''t we change the subject to something a bit more positive? What do you think are the biggest issues facing Philadelphia right now?" I blink, thrown by the sudden shift in tone. "Oh, uh... I guess crime is always a big concern, especially with Jump and Fly going around. And poverty, and access to education and healthcare." Duvall smiles, but it doesn''t quite reach his eyes. "Ah yes, crime. A perennial favorite. But let me ask you this, Sam - may I call you Sam? Have you ever stopped to think about where crime really comes from? What the root causes might be?" I frown, not sure where he''s going with this. "I mean, I guess it''s a complex issue. There''s no one single cause, right? It''s a combination of factors - poverty, lack of opportunity, systemic inequalities..." I say, mirroring one of Playback''s many post-cheesesteak lectures to me on the topic. Duvall holds up a finger, wagging it back and forth. "No, no, no. You''re thinking too broad. The reality is, the majority of violent crime in this city happens in just a handful of neighborhoods. Think about that for a second. A handful of neighborhoods, dragging down the whole city. Does that seem fair to you?" I feel my skin start to crawl, a sinking feeling in my stomach. "I''m not sure what you''re getting at, Mr. Duvall." Jordan, however, has no such reservations. "It sounds like you''re saying that some neighborhoods are inherently more criminal than others. That''s a pretty fucked up thing to imply." Duvall''s smile fades, replaced by a cold, hard stare. "Watch your language, young lady. You might be a superhero, or whatever you call yourself, but you''re speaking to an adult, and a candidate for public office. Show some respect." "Respect is--" I hurriedly clamp my arm over Jordan''s, squeezing tight as a warning. "We apologize, Mr. Duvall. We weren''t trying to pick a fight. I think we''re veering a little bit off-topic." He doesn''t look appeased, but he seems to settle a bit. "I wasn''t implying anything. Simply stating a fact. Crime happens where it happens, and it''s not a coincidence. Tell me, have either of you ever been to Kensington? Or Tioga?" "I volunteer at a Kensington soup kitchen twice a week with my parents. Jordan lives a couple blocks from Tioga," I interrupt, my voice flat, wanting the conversation to end. The lies flow freely from me like honey. Duvall''s eyebrows raise, but he pushes on regardless. He doesn''t care that he''s making a fool of himself. "So you know what I''m talking about, then. The drugs, the gangs, the senseless violence. It''s a cancer on our city." Jordan looks like they''re about to blow a gasket, their jaw clenched so tightly I''m worried they might crack a tooth. "You--". I squeeze their arm again, harder this time. They get the message and fall silent, but I could see the anger radiating off them like heat from a furnace. "Cancer is not contagious, Mr. Duvall. I think we''re getting off-topic again," I say, my voice strained. "We came here to talk about your opponent, and whether she might be involved in organized crime. Do you have any thoughts on that?" Duvall waves a hand dismissively. "I''ve told you my thoughts. Without concrete proof, it''s all just hot air, and I can''t afford to waste my time on hot air. Let''s focus on my campaign and how we''re going to make Philadelphia safer and more prosperous for everyone." "Everyone except the people in Kensington and Tioga and Frankford, apparently," Jordan mutters under their breath. I shoot them a warning glance, but Duvall doesn''t seem to have heard. Or if he has, he chooses to ignore it. But I force myself to stay calm, to keep my voice level. "Thank you for sharing your thoughts, Mr. Duvall. You''ve given us a lot to consider." He smiles, leaning back in his chair with an air of smug satisfaction. "I''m sure I have. You know, Sam, you seem like a smart girl. A little misguided, maybe, but that''s to be expected at your age. If you ever want to learn more about how the real world works, about what it takes to make change happen..." He reaches into his desk drawer and pulls out a business card, sliding it across the desk towards me. "Give me a call. I''m always happy to mentor young people who show promise. And we do internships for college credit." Chapter 120.2 I stare down at the card, at the embossed letters spelling out "Richard Duvall, Republican Candidate for City Council." I can feel Jordan''s eyes on me, can sense their disbelief and disgust. I want to spit on it - I don''t want that guy within a mile of me ever again if I can help it - but I can''t make too deep of a stink. I might need to come back here again at some point. I don''t want to burn the bridges if I can afford it. I pick up the card and slip it into my pocket without looking at it, the rage and disgust still churning in my gut like some kind of venomous snake waiting to strike. "We should go," I mutter to Jordan, standing up abruptly. "We''ve taken up enough of Mr. Duvall''s time. I''m sure the man has a lot of puppies to kick before the end of the day." But Duvall leans forward, clearly nonplussed. "Now now, Sam. If you wanted to hear my opinion, then I''m more than happy to share it. But I''m sensing that you and your underage friend got a whiff of something you don''t understand and have bitten off more than you can chew on." Now it''s Jordan''s turn to yank on my arm warningly. They make surreptitious nodding motions towards the door with their head. I catch the very beginnings of that evil, mean, barking laughter from Duvall as we slip out of the office in a flurry of scattered papers. We don''t say a word in the elevator ride down to the street. We don''t say a word as we walk down the block and duck into an alley. I wait until we''re safely in the shadows to let out a low, guttural scream of frustration that bounces off the brick walls like a ricocheting bullet. "That fucking piece of fucking shit!" I snarl, slamming my fist into the side of a dumpster. It crumples at my blow, the sound of denting metal like music to my seething ears. "Did you hear the way he was talking?" Jordan leans against the opposite wall of the alley, their face a mix of disgust and resignation. "I know, right? What a complete and utter asshole. I feel like I need a shower just from being in the same room as him." I nod, still seething. "Did you hear the way he was talking about Kensington and Tioga? Like they''re just... just garbage dumps full of criminals, instead of neighborhoods full of real people with real lives and real problems?" "Yeah, I caught that," Jordan says, their voice dripping with sarcasm. "Real subtle, wasn''t he? About as subtle as a brick to the face." I pace back and forth in the narrow alley, my hands clenching and unclenching at my sides. "And the way he just dismissed everything we were saying about Richardson! Like we were just a couple of stupid kids playing detective or something." Jordan nods, their expression thoughtful. "Yeah, that was... frustrating. But you know, Sam, I hate to say it, but... maybe Richardson winning wouldn''t be the worst thing in the world." I stop dead in my tracks, whirling to face them. "Are you serious right now? Jordan, she''s a criminal! She''s part of the Kingdom of Keys! She''s responsible for... for everything that''s happened to us, to the city! Her guys shot us!" Jordan holds up their hands defensively. "I know, I know! Trust me, I''m not saying I like her or anything. But come on, Sam. You saw what Duvall is like. Can you imagine someone like that in a position of power? At least with Richardson, we know what we''re dealing with." I shake my head, unable to believe what I''m hearing. "So what, we just let a known criminal take office because the alternative is a racist asshole? That''s not how this is supposed to work, Jordan!" "And how is it supposed to work, Sam?" Jordan counters, their voice rising. "Because from where I''m standing, it looks like we''re screwed either way. At least Richardson seems to give a shit about the city, even if it''s just because she wants to exploit it. Duvall? He''d probably be happy if half the neighborhoods in Philly just disappeared overnight." Did you know this story is from Royal Road? Read the official version for free and support the author. I open my mouth to argue, then close it again, feeling a wave of confusion and frustration wash over me. The thought of someone like Duvall in a position of power makes my skin crawl. But the idea of just standing back and letting Richardson win, knowing what we know about her... it goes against everything I believe in as a hero. "I don''t know," I say at last, slumping against the wall next to Jordan. "I just... I feel like we''re stuck between a rock and a hard place here." Jordan nods, their expression softening. "Welcome to the wonderful world of adult politics, Sam. Where everything sucks and there are no good choices. Take solace in the fact that city council is not a really important position. God forbid she was mayor or something, then we might have had to consider assassination." I can tell they meant it as a joke, but it doesn''t feel funny in the moment. We stand there in silence for a moment, both lost in our own thoughts. The sounds of the city filter in around us - car horns, distant sirens, the chatter of people passing by on the street. It all feels so normal, so ordinary. "I wish I could just do it myself, man," I mumble, more to myself than anyone else. Jordan raises an eyebrow. "Are you saying you''d consider a career in politics, Samantha Small? Because I gotta say, I''m not sure the world is ready for Shark Girl: The Senator." I can''t help but laugh at that, the tension in my chest easing just a little. "God, can you imagine? I''d probably end up punching someone on the Senate floor in my first week." "Now that I''d pay to see," Jordan chuckles. "But seriously, Sam... what are we going to do about this?" I sigh, running a hand through my hair. "I don''t know. I mean, we can''t just sit back and do nothing, right? But what can we do? We don''t have any real proof against Richardson, and even if we did, would it matter? People seem to love her." Jordan nods, their expression thoughtful. "Maybe that''s the key, though. People love her because they think they know her. But they don''t know the real her, the one we''ve seen. If we could find a way to expose that..." "But how?" I ask, feeling a flicker of hope despite myself. "The election is in like... three days," I say, counting on my fingers. "Would anything we do swing the pendulum at this point?" Jordan shrugs. "I don''t know. But there''s got to be something we''re missing. Some angle we haven''t considered yet." I nod, my mind already racing with possibilities. "Maybe we need to talk to someone who knows more about how the system works. Someone who might have access to information we don''t." "Like who?" Jordan asks, raising an eyebrow. "Like Councilman Davis," I say, the idea solidifying in my mind. "He''s already on the City Council, and he''s the civilian head of the Delaware Valley Defenders. If anyone would know about Richardson''s background, or have the resources to look into it, it''d be him." Jordan sighs, pushing themselves off the wall. "I guess you''re right. It''s not like we''ve got anything to lose at this point." As we start to make our way out of the alley, I feel a sudden wave of exhaustion wash over me. It''s been a long day, and it''s not even noon yet. "Hey, Jordan?" I say, my voice soft. "Yeah?" "Thanks. For... for being here. For helping me with all this. I don''t know what I''d do without you." Jordan looks at me, their expression softening. "Hey, what are friends for? Besides, someone''s got to keep you from doing anything too stupid." I laugh, giving them a playful shove. "Shut up. I''m not that bad." "Oh really?" Jordan says, raising an eyebrow. "You went to fight a neo-Nazi with super strength by yourself. You are that stupid." I feel my shoulders raise. "And it worked! I got him to stand down!" As we walk, I find myself thinking about how much has changed since I first met Jordan. Back then, they were my enemy, and I was fully prepared to punch them in the middle of school. Now... now I can''t imagine my life without them. They''re my partner, my confidant, the one person I know I can always count on, no matter what. It''s strange, how quickly someone can become such an integral part of your life. How one day you''re strangers, and the next, you''re sharing your deepest secrets and wildest dreams. I wonder, briefly, if this is what it''s like for normal teenagers. If they all have friendships like this, or if it''s just another weird quirk of our superhero lives. "Hey, Jordan?" I say as we approach the imposing stone edifice of City Hall. "Yeah?" "No matter what happens in there... thanks for having my back. I couldn''t do this without you." Jordan looks at me, a rare smile crossing their face. "Don''t mention it, Smalls. Someone''s got to keep you from biting off more than you can chew." Chapter 120.3 I fidget nervously in the uncomfortable plastic chair, my eyes darting around the austere meeting room of the Delaware Valley Defenders headquarters. The walls are a dull beige, adorned with framed certificates and photographs of various heroes in action. It''s meant to be inspiring, I guess, but right now it just makes me feel small and out of place. Councilman Davis sits across from me, his expression neutral as he flips through a folder on the table between us. This is the first time I''ve ever requested a private audience with him, and my stomach flips with a mixture of apprehension and dread. "So, Samantha," he says, finally looking up from the folder. "You wanted to discuss Maya Richardson''s campaign for City Council. I have to say, I''m a bit surprised. I didn''t think local politics was really in your... wheelhouse." I resist the urge to roll my eyes. Adults always seem to think that teenagers are incapable of caring about anything beyond their own narrow interests. "It''s not usually, sir," I say, trying to keep my voice steady. "But I have some concerns about Mrs. Richardson that I think you should be aware of." Davis leans back in his chair, his eyes narrowing slightly. "Concerns? What kind of concerns?" I take a deep breath, steeling myself. "I have reason to believe that Mrs. Richardson is involved with the Kingdom of Keys. They''re responsible for a lot of the drug trafficking and violence in the city, and I think she might be one of them, if not one of their leaders. If you, um, remember last year when Mr. T-Rex attacked my home... she was there." Davis nods slowly, his expression thoughtful, lips pursed. "I believe you, Sam. In fact, we''ve had our suspicions about Mrs. Richardson - Mrs. Zenith - for some time now." I blink, taken aback. "Wait, you know she''s Mrs. Zenith? And you''re just... okay with that?" Davis sighs, leaning back in his chair. "It''s not that simple, Sam. We''ve known about her alter ego for a while now, yes. But knowing something and being able to prove it in a court of law are two very different things." I feel a flicker of frustration in my chest. "But if you know she''s a supervillain, why can''t you just... I don''t know, arrest her or something?" "Because we live in a society of laws, Sam," Davis says, his voice patient but firm. "We can''t just go around arresting people because we think they might be criminals. We need evidence, solid proof that will stand up in court." I slump in my chair, feeling deflated. "But we have evidence. We''ve seen her with our own eyes, working with the Kingdom. Doesn''t that count for anything?" Davis shakes his head. "Eyewitness testimony is notoriously unreliable, especially when it comes from... well, let''s say ''interested parties'' like yourself. With all respect - and I mean it, I''m not saying it just to condescend to you - your history with the Kingdom makes you a less than impartial witness." I bristle at that, but I can''t really argue with his logic. "So what, we just let her get elected to the City Council? Let a known supervillain have a say in how our city is run?" "It''s not ideal, I''ll grant you that," Davis says, rubbing his temples. "But the fact is, we''ve been trying to build a case against Richardson and the Kingdom for years now. They''re slippery, always one step ahead of us. Even with all our resources, all our best parallel construction, we just can''t get anything to stick. It''s the same problems that they had sticking down the old mob, too. Everything is done through intermediaries, soldiers, and associates, people without connections higher up the ladder. They''re paying off police officers to cover for them. And nobody can remember what that man in the suit looked like when there was a Tyrannosaurus Rex running down the street seconds earlier." I look at him with an eyebrow raised. "The mafia had dinosaurs?" "Well, maybe that one''s a bit of a new-age problem, I''ll admit..." he mumbles, chuckling to himself. I lean forward, my hands gripping the edge of the table. "Aren''t there people with, like, psychic powers that can do something about this? I''m sure she''s shot someone, I think you need to do that just to get initiated, like Mudslide did. And this girl I met named Sundial can read the past of a location. Doesn''t the government have anything like that?" Davis looks at me for a long moment, his expression unreadable. Then he sighs, reaching for a folder on the table in front of him. "I have an answer to that, but you''re not going to like it." I raise an eyebrow. "Try me." "Have you ever heard of postcognitive background checks?" Davis asks, opening the folder and spreading out a series of documents. I shake my head, feeling a mix of curiosity and apprehension. "No, what''s that?" "It''s a relatively new procedure," Davis explains, his voice taking on a lecturing tone. "We use individuals with postcognitive abilities - people who can see into the past - to conduct thorough background checks on candidates for high-level positions." I narrow my eyes. "Right, that''s exactly what I was suggesting." Davis shakes his head. "We don''t use them for something as minor as city council. They''re reserved for positions with higher security clearances - mayors, governors, senators, that sort of thing." If you stumble upon this tale on Amazon, it''s taken without the author''s consent. Report it. "Why?" I ask, genuinely curious. "Wouldn''t it make sense to use them for all elected officials?" Davis leans back in his chair, his expression grave. "Here''s the thing, Sam. Postcognitive checks are... invasive. They don''t just look at your public record or your credit history. They can see everything you''ve ever done, every mistake you''ve ever made, every secret you''ve ever kept. It''s a massive violation of privacy." I feel a chill run down my spine as I consider the implications. "That... that does sound pretty invasive," I admit. "But if it could catch criminals like Richardson before they get into power, isn''t it worth it?" Davis''s expression darkens. "Is it, though? Think about it, Sam. How would you feel if someone could look into your past and see everything you''ve ever done? Every embarrassing moment, every white lie, every time you''ve bent the rules or made a mistake? And not just you - your family, your friends, anyone you''ve ever interacted with. All laid bare for strangers to judge." I squirm uncomfortably in my seat, the full weight of what he''s describing settling over me. "I... I guess I wouldn''t like that very much," I admit. "But still, if it could stop bad people from getting into power..." "At what cost, though?" Davis counters. "Where do we draw the line? Today it''s high-level government officials, tomorrow it''s city council members, the next day it''s everyone applying for a job or trying to rent an apartment. It''s a slippery slope, Sam. Once we start down that road, it''s very hard to turn back." I feel a surge of frustration. "But surely you could make an exception? If you have suspicions about her..." "We could," Davis admits. "But there are... complications. Political considerations. Using postcognitive checks on a local election candidate without clear probable cause... it could be seen as an abuse of power. Especially given Richardson''s... background." I frown, not following. "Her background? You mean as a supervillain? Or, like, as an ex-superhero, as I found out earlier today?" Davis shakes his head. "No, I mean her background as a woman of color running for office. Using extraordinary measures to investigate her without solid evidence... it could be seen as discriminatory. We have to be very careful about how we use these tools, Sam." I nod slowly, trying to process everything he''s saying. "But... if we already have this, and we''re already using it for some positions, why not use it for Richardson? Especially if we already suspect her of being involved with the Kingdom?" Davis sighs, rubbing his forehead. "Because, Sam, we have to follow the rules. Even when - especially when - it''s inconvenient. If we start bending the rules every time we think it might be justified, pretty soon we won''t have any rules left at all. We''d be no better than the criminals we''re trying to stop." My face scrunches up again. "So we just let her get away with it? Let her take office and use her power to help the Kingdom?" "I didn''t say that," Davis says, holding up a hand. "We keep investigating. We keep building our case. And we trust in the system, flawed as it may be, to eventually bring her to justice." I slump back in my chair, feeling defeated. "It just... it doesn''t feel right," I mutter. Davis leans forward, his expression softening. "I know it doesn''t, Sam. Believe me, I understand your frustration. But part of being a hero - a real hero, not just someone with powers - is doing the right thing even when it''s hard. Even when it feels like the wrong thing in the moment." I nod, not entirely convinced but too exhausted to argue further. "I guess you''re right," I say, my voice barely above a whisper. Davis nods, his expression sympathetic. "I understand, Sam. Believe me, I''ve had many sleepless nights wrestling with these same issues. But the fact is, this is the world we live in now. We have to adapt, or we risk being left behind." "So what''s our next move?" I ask, trying to sound professional and mature. Davis leans back in his chair, his expression thoughtful. "For now, we continue to gather intelligence. We monitor Richardson''s activities, her associates, her finances. If she''s really involved with the Kingdom, she''ll slip up eventually. And when she does, we''ll be there to catch her." I nod, feeling a mix of annoyance and determination. "And in the meantime? We just... let her run for office?" "Unfortunately, yes," Davis says with a sigh. "Unless we can find concrete evidence of wrongdoing before the election, we have to let the democratic process play out. Even if we don''t like the outcome." I slump in my chair, feeling suddenly exhausted. "This sucks. I mean, I get it, I do. But it still sucks." Davis chuckles, his expression softening. "Welcome to the world of adult politics, Sam. It''s messy, it''s complicated, and it often leaves you feeling like you need a shower. But it''s the system we''ve got, and we have to work within it if we want to make any real change." I nod, pushing myself to my feet. "I guess you''re right. Thanks for... for being honest with me about all this. I know it can''t be easy, telling a kid about all the shady stuff that goes on behind the scenes." Davis stands as well, coming around the table to put a hand on my shoulder. "You''re not just a kid, Sam. You''re a hero. And part of being a hero is understanding the complexities of the world we''re trying to protect. It''s not always black and white, good guys versus bad guys. Often, it''s the uncomfortable shades of gray that really teach you what a person is like inside." I nod, feeling a strange mix of pride and uncertainty, thinking about Patriot, for some reason. "I''ll try to remember that." Davis studies me for a moment, his brow furrowed. "Sam, I need you to promise me something." I look up, meeting his gaze. "What?" "Promise me you won''t do anything reckless," he says, his voice deadly serious. "I know you''re frustrated, and I know you want to help. But going after Richardson on your own, or trying to expose her without solid evidence... it could backfire spectacularly. Not just for you, but for everyone working to bring her down legally." I feel a flicker of defiance in my chest, but I force it down. "I promise," I say, even as a part of me rebels against the words. "I won''t do anything stupid." Davis nods, seemingly satisfied. "Good. And Sam? I''m proud of you for bringing this to my attention. It shows real maturity and a commitment to doing things the right way." I force a smile, even as I feel a knot of unease forming in my stomach. "Thanks, Councilman Davis. I appreciate your time." As I turn to leave, Davis calls out one last time. "Sam? Be careful out there. Richardson and the Kingdom... they''re dangerous. Don''t underestimate them." I pause at the door, looking back over my shoulder. "I won''t. I''ve learned that lesson the hard way." As I make my way out of the Delaware Valley Defenders headquarters, my mind is spinning with everything I''ve learned. Part of me wants to call Jordan immediately, to share everything and start planning our next move. But another part of me, a quieter, more cautious part, whispers that maybe I should take some time to process all of this first. To really think about what it means, not just for our fight against the Kingdom, but for the world we live in. I pull out my phone, staring at the blank screen for a long moment. Then, with a sigh, I slip it back into my pocket. Chapter 121.1 The next two days pass in a blur of frantic activity. Jordan and I throw ourselves into our investigation with a desperate intensity, knowing that time is quickly running out. Every lead, no matter how small or seemingly insignificant, is pursued with dogged determination. We''re like bloodhounds on the scent, except the scent keeps disappearing and reappearing in random places and we''re not even sure what we''re smelling anymore. We start early on the first morning, meeting at the Music Hall before the sun has even fully risen. Jordan''s already there when I arrive, hunched over their laptop with a mug of coffee that''s more cream and sugar than actual coffee. They look up as I enter, their eyes ringed with dark circles. "You look like crap," I say by way of greeting. Jordan snorts. "Speak for yourself, Shark Girl. You look like you got into a fight with a hair dryer and lost." I run a hand through my tangled mess of hair, wincing as my fingers catch on a particularly stubborn knot. "Yeah, well, I didn''t exactly get much sleep last night. Too busy thinking about all the ways this could go horribly wrong." Jordan nods, their expression grim. "Join the club. I''ve been up all night trying to dig up anything I can on Richardson''s finances. It''s like trying to untangle a plate of spaghetti with chopsticks." I peer over their shoulder at the screen, which is filled with rows and columns of numbers that might as well be written in ancient Greek for all the sense they make to me. "Any luck?" Jordan shakes their head. "Nothing concrete. She''s got her fingers in a lot of pies, that''s for sure. Real estate, tech startups, charitable foundations¡­ but nothing that screams ''supervillain lair'' or ''secret criminal empire.''" I sigh, slumping into a chair next to them. "So what''s our next move?" Jordan cracks their knuckles, a determined glint in their eye. "We go old school. Hit the streets, talk to people, see what we can dig up. You up for some good old-fashioned gumshoe work, partner?" I grin despite myself. "Let''s do it."
Our first stop is the neighborhood where Richardson''s campaign headquarters is located. We spend hours walking up and down the streets, talking to anyone who will give us the time of day. Shop owners, street vendors, random passersby - we leave no stone unturned. "Excuse me, ma''am," I say, approaching a woman walking her dog. "We''re doing a school project on local politics. Do you know anything about Maya Richardson?" The woman looks at me suspiciously. "Aren''t you a little young to be out on your own?" I force a smile, trying to look as innocent and non-threatening as possible. "Oh, my mom''s just around the corner. She''s letting me do the interviews myself. For independence, you know?" The woman''s expression softens. "Well, isn''t that nice. Maya Richardson, you say? Oh, she''s a lovely woman. Always donating to local charities, helping out with community events. Did you know she funded the renovation of the local playground?" I nod, trying to hide my disappointment. It''s the same story we''ve heard a dozen times already. Richardson, the philanthropist. Richardson, the community pillar. Richardson, the saint. "Thank you for your time," I say, turning away with a sigh. Jordan''s waiting for me around the corner, their expression hopeful. "Any luck?" I shake my head. "Same old, same old. Either Richardson''s the best thing since sliced bread, or people don''t know anything about her at all." Jordan kicks at a pebble on the sidewalk, sending it skittering into the gutter. "This is getting us nowhere. We need to try something else." I nod, my mind racing. "What about her office? Maybe we could¡­ I don''t know, sneak in after hours or something?" Jordan''s eyes light up. "Now you''re talking my language. But we''ll need a distraction¡­"
The next day, we switch tactics. Jordan suggests we try dumpster diving - literally going through the trash outside Richardson''s campaign office to see if we can find any incriminating documents. "This is disgusting," Tasha mutters, holding a napkin over her nose as we root through a dumpster behind the office. "And probably illegal." "Only if we get caught," I reply, trying to sound more confident than I feel. "Besides, trash is considered abandoned property. We''re not technically doing anything wrong." This book was originally published on Royal Road. Check it out there for the real experience. Jordan snorts. "Tell that to the judge when we''re arrested for trespassing and¡­ I don''t know, garbage theft?" I''m about to reply when something catches my eye. "Wait, guys. I think I found something." I pull out a crumpled piece of paper, carefully smoothing it out. It''s a receipt for a large cash deposit at a local bank. The amount is¡­ substantial. "Holy shit," Jordan breathes, peering over my shoulder. "That''s a lot of zeros." Tasha frowns. "But is it illegal? Politicians deal with a lot of money, right? Campaign donations and stuff?" I chew my lip, considering. "Maybe, but this much cash? It''s suspicious, at least. We should-" I''m cut off by the sound of a door opening nearby. We all freeze, hardly daring to breathe. "Who''s out there?" a gruff voice calls. "This is private property!" We don''t stick around to explain ourselves. We bolt, scrambling out of the dumpster and running as fast as we can down the alley. It''s not until we''re several blocks away, gasping for breath in a park, that we stop to regroup. "Well," Jordan pants, doubling over with their hands on their knees. "That was¡­ exciting." Tasha collapses onto a nearby bench, shaking her head. "You guys are going to get us all arrested, you know that?" I can''t help but laugh, the adrenaline still coursing through my system. "Maybe. But at least we found something. It''s not much, but it''s a start."
That afternoon, I find myself standing outside Richardson''s campaign office, my heart pounding in my chest. The blonde wig itches, and the makeup feels heavy on my face. I take a deep breath, trying to calm my nerves. "You''ve got this, Sam," Jordan''s voice comes through the tiny earpiece they rigged up for me. "Just remember what we practiced." I nod, even though they can''t see me, and push open the door. The campaign office is bustling with activity, volunteers bustling about with stacks of flyers and phones ringing off the hook. I approach the receptionist, trying to look confident. "Hi, I''m Sarah from Temple University''s journalism program," I say, the lie tasting bitter on my tongue. "I was hoping to speak with Mrs. Richardson for a profile piece we''re doing on local candidates." The receptionist looks harried, barely glancing up from her computer. "Do you have an appointment?" I falter for a moment. "Uh, no, but-" "Then I''m afraid Mrs. Richardson isn''t available," she cuts me off. "She''s very busy with the campaign. You can leave your contact information and someone will get back to you if there''s an opening in her schedule." I open my mouth to argue, but Jordan''s voice in my ear stops me. "Don''t push it, Sam. We don''t want to draw too much attention." I force a smile, thanking the receptionist before turning to leave. As I''m heading towards the door, I nearly collide with someone entering. I look up, an apology on my lips, and freeze. It''s Richardson herself. She smiles at me, her expression warm and charismatic. "Oh, I''m so sorry! Are you alright?" I nod, my mind racing. This is my chance. "Actually, Mrs. Richardson, I was hoping to speak with you. I''m Sarah, from Temple''s journalism program. We''re doing a profile on local candidates, and I was wondering if I could ask you a few questions?" Richardson''s smile doesn''t falter, but I see something flicker in her eyes. Recognition? Suspicion? I can''t tell. "Of course, Sarah. I always have time for aspiring journalists. Why don''t we step into my office?" As I follow her, I hear Jordan''s voice in my ear, sounding panicked. "Sam, what are you doing? This wasn''t part of the plan!" I ignore them, my heart pounding as Richardson closes the office door behind us. She gestures for me to sit, taking a seat behind her desk. "So, Sarah," she says, her voice smooth as silk. "What would you like to know?" For the next twenty minutes, I ask her questions about her campaign, her policies, her vision for Philadelphia. She answers each one with practiced ease, her responses polished and rehearsed. I try to steer the conversation towards more sensitive topics - her business dealings, her connections in the city - but she deftly deflects each attempt. Finally, feeling desperate, I decide to take a risk. "Mrs. Richardson, there have been some rumors about your involvement with local organized crime. Would you care to comment on that?" Nothing flashes across her face - I''m watching. She laughs, the sound light and dismissive. She''s prepared. "Oh, Sarah. I''ve heard those rumors too. They''re completely baseless, of course. Just the kind of mudslinging you often see in local politics. I''m focused on serving the people of Philadelphia, not engaging in ridiculous conspiracy theories." I open my mouth to press further, but she stands, effectively ending the interview. "I''m sorry, but I''m afraid I have another appointment. It was lovely meeting you, Sarah. I look forward to reading your article." As she ushers me out of the office, I feel a mix of frustration and defeat. I didn''t get anything useful, and worse, I have a sinking feeling that she saw right through my disguise. Once I''m a safe distance from the campaign office, I yank off the wig, my hands shaking. Jordan''s voice comes through the earpiece, sounding worried. "Sam? Are you okay? What happened in there?" I take a deep breath, trying to calm my racing heart. "I don''t know, Jordan. I think¡­ I think she knew who I was. The whole time." There''s a long pause before Jordan replies. "Shit. Okay, let''s regroup at the Music Hall. We need to figure out our next move."
The next day, we''re back to pounding the pavement. We''ve got a list of Richardson''s known haunts - coffee shops, restaurants, the gym where she supposedly works out. We spend hours staking out these places, hoping to catch a glimpse of her, maybe overhear something useful. But it''s like she''s a ghost. Everyone we talk to has seen her at some point, but no one seems to know when she''ll be back. We wait for hours outside her favorite cafe, but she never shows. "This is useless," I mutter, slumping against a wall. We''ve been sitting on this bench for three hours, and the only thing we''ve accomplished is getting sunburned. "She''s probably holed up in her campaign office, getting ready for the election." Jordan nods, looking equally dejected. "Yeah, you''re probably right. But what else can we do? We''re running out of time." I sigh, running a hand through my hair. "I don''t know. Maybe¡­ maybe we should try talking to some of the other candidates? See if they know anything?" Jordan gives me a skeptical look. "You really think they''d tell us anything? We''re just a couple of kids." "We''re not just kids," I snap, more harshly than I intended. "We''re¡­ we''re trying to do the right thing. To protect the city. That has to count for something, right?" Jordan''s expression softens. "Yeah, I guess it does. Alright, let''s give it a shot. Who''s next on the list?" I pull out my phone, scrolling through the names. "Uh¡­ looks like there''s a guy named Frank Martinez holding a rally in Fairmount Park this afternoon. Want to check it out?" Jordan nods, pushing themselves to their feet. "Lead the way, Shark Girl." Chapter 121.2 The rally is in full swing by the time we arrive. There''s a decent-sized crowd gathered around a makeshift stage, where a man I assume is Martinez is speaking passionately about¡­ something. I can''t quite make out the words over the sound of the crowd. We push our way through the throng, trying to get closer to the stage. As we near the front, I start to catch snippets of Martinez''s speech. "¡­time for a change in this city! We need leadership that puts the people first, not the corporations and the fat cats!" The crowd cheers, and I exchange a glance with Jordan. This guy seems pretty fired up. "And let me tell you something about my opponent, Maya Richardson," Martinez continues, his voice rising. "She talks a big game about helping the community, but where does her money really come from? Who''s really pulling the strings?" My ears perk up at this. Maybe this guy knows something we don''t. As soon as Martinez finishes his speech and steps down from the stage, we make our move. Pushing past the crowd of supporters trying to shake his hand or get a selfie, we manage to corner him near a table laden with campaign literature. "Mr. Martinez," I say, trying to sound more confident than I feel. "We were hoping we could ask you a few questions about Maya Richardson." Martinez looks us up and down, his expression guarded. "And who might you be? You look a little young to be reporters." I falter for a moment, but Jordan steps in smoothly. "We''re student journalists, sir. Working on a piece about the upcoming election for our school paper." Martinez''s face relaxes into a smile. "Ah, well that''s different then. Always good to see young people taking an interest in local politics. What do you want to know?" "You mentioned something about Richardson''s money," I say, seizing the opportunity. "What did you mean by that? Do you know something about her finances?" Martinez''s smile fades, replaced by a more serious expression. "Look, kids, I can''t go throwing around accusations without proof. That''s not how this game works. But let''s just say that I''ve heard things. Rumors, you know? About where some of her campaign contributions are coming from. About certain¡­ business dealings that don''t quite add up." I lean in closer, my heart racing. "What kind of business dealings?" Martinez glances around, as if checking to make sure no one''s listening in. "There''s talk of shell companies. Offshore accounts. Money moving around in ways that don''t make sense for a legitimate business. But like I said, it''s all just rumors. Nothing I can prove. And certainly nothing I''d like to be on the record about." I nod, trying to hide my excitement. This is the closest thing to a lead we''ve had in days. "Do you have any idea where we might be able to find more information about this?" Martinez shakes his head, grimacing in fear as he looks at my notebook with a sort of delirious glower. "Sorry, kids. I''ve already said more than I should. You want my advice? Leave this alone. Richardson''s got powerful friends. It''s not safe to go digging too deep, if you catch my drift." With that, he turns away, moving to greet another group of supporters. Jordan and I exchange glances, both of us thinking the same thing: we might be onto something here. As we leave the rally, my mind is racing with possibilities. Shell companies, offshore accounts¡­ it''s not much, but it''s a start. Maybe if we can track down some of these companies, find out who''s really behind them¡­ If you spot this story on Amazon, know that it has been stolen. Report the violation. But even as I''m getting excited about this new lead, a part of me knows it''s probably too late. The election is tomorrow. Even if we could find concrete proof of Richardson''s wrongdoing in the next 24 hours - which seems unlikely - would it be enough to stop her from winning? I push the thought aside, focusing on the task at hand. We''ve got work to do.
The rest of the day passes in a blur of frantic activity. We hit the library, poring over business records and financial reports. Jordan does their best to navigate the labyrinth of online databases, while I make what feels like a million phone calls, trying to track down anyone who might have information about these mysterious shell companies. But it''s like trying to catch smoke with our bare hands. Every lead we follow turns into a dead end. Every promising bit of information turns out to be a false alarm. By the time the sun starts to set, we''re both exhausted and no closer to the truth than we were this morning. We trudge back to the Music Hall, our spirits at an all-time low. Tasha''s waiting for us when we arrive, her face lighting up with hope as we enter. "Did you find anything?" she asks eagerly. I shake my head, collapsing onto the worn-out couch that serves as our main piece of furniture. "Nothing concrete. Just more rumors and dead ends." Jordan slumps down next to me, their face a mask of frustration. "We''re out of time. The election''s tomorrow, and we''ve got nothing. Absolutely nothing." Tasha''s face falls, but she tries to rally. "Come on, guys. There''s got to be something we can do. What about that stuff Martinez told you about the shell companies?" I sigh, rubbing my temples. "We tried, Tash. But it''s like trying to solve a Rubik''s Cube blindfolded. Everything''s so tangled up and hidden behind layers of legal BS. We''d need a team of forensic accountants and about six months to even start making sense of it all." "And we''ve got neither," Jordan adds glumly. We sit in silence for a moment, the weight of our failure settling over us like a heavy blanket. I can''t help but think about all the people who are going to vote tomorrow, blissfully unaware that they might be electing a supervillain to the City Council. It makes me feel sick to my stomach. "Maybe¡­" Tasha starts, then trails off. "Maybe what?" I ask, looking up at her. She shrugs, looking uncomfortable. "I don''t know. Maybe we''re going about this all wrong. Maybe instead of trying to prove Richardson is guilty, we should be focusing on getting people to see how good the other candidates are?" Jordan snorts. "Yeah, because Duvall is such a shining beacon of hope and change." I wince, remembering our disastrous meeting with the Republican candidate. "Yeah, let''s maybe not go that route. But¡­ I don''t know. Maybe Tasha''s onto something. Maybe we need to think outside the box here." "The box is all we''ve got left," Jordan mutters. "Unless you''ve got some kind of mind-reading superpower you''ve been hiding from us." I shake my head, feeling the familiar ache of frustration and helplessness settling in my chest. "No such luck. Just my usual bag of shark-based tricks." We lapse into silence again, each lost in our own thoughts. The ticking of the old clock on the wall seems impossibly loud in the quiet room, a constant reminder of how little time we have left. Finally, I push myself to my feet. "Look, guys. I know things seem pretty hopeless right now. But we can''t give up. We''ve got one more day. One more chance to find something, anything, that might make a difference." Jordan looks up at me, their expression a mix of skepticism and grudging admiration. "And how exactly do you propose we do that, Oh Great and Toothy One?" I shrug, trying to project more confidence than I feel. "I don''t know. But we''ve got to try. We owe it to the city. To ourselves. To¡­ to Liberty Belle." At the mention of Diane see something shift in Jordan''s eyes. They nod slowly, pushing themselves up off the couch. "Alright. One more day. But if we don''t find anything by tomorrow night¡­" "Then we admit defeat and you can get us all high," I finish for them. "Deal?" Jordan''s face breaks out into a toothy grin. "Deal." Tasha looks between us, her expression determined. "Count me in too. I may not have any fancy powers, but I can still help. Someone''s got to keep you two from doing anything too stupid, right?" I laugh, feeling some of the tension ease out of my shoulders. "Right. Okay, team. Let''s get some rest. Tomorrow, we give it everything we''ve got." As we start to tidy up the Music Hall, getting ready to call it a night, I can''t help but feel a flicker of hope in my chest. Maybe we''re outmatched. Maybe we''re in way over our heads. But we''re not giving up. Not yet. Tomorrow is another day. Another chance to make a difference. Another chance to be the heroes this city needs. And who knows? Maybe miracles do happen. Maybe we''ll wake up tomorrow and Richardson will have been struck by lightning or something. Or maybe she''ll have a sudden attack of conscience and confess to all her crimes on live TV. Yeah, right. And maybe pigs will fly and I''ll grow a second row of teeth. But hey, a girl can dream, right? Chapter 121.3 The ancient TV in the Music Hall flickers to life, its picture grainy and occasionally distorted by static. We''re all gathered around it like it''s some kind of modern-day campfire, our faces illuminated by its blue-white glow. Jordan''s sprawled out on the couch, their legs dangling over the armrest. Connor''s perched on a rickety recliner that Jordan has since amateurishly reupholstered, his lanky frame folded up like some kind of human pretzel. Tasha''s on the floor, leaning against my legs as I sit cross-legged on top of an old milk crate with a pillow on top of it. The news anchor''s voice fills the room, a constant drone of numbers and percentages that make my head spin. I try to focus, to make sense of the flood of information, but it''s like trying to drink from a fire hose. "And we''re projecting that Democratic incumbent Samuel Rodriguez will win Pennsylvania," the newscaster''s voice cuts through my thoughts, drawing my attention back to the present. "This puts Rodriguez over the top, securing his re-election as President of the United States." A cheer goes up from our little group, though it feels somewhat hollow given our failure on the local front. Still, it''s something to celebrate, I suppose. "At least we don''t have to worry about President Dipshit for another four years," Jordan mutters, their voice a mixture of relief and lingering frustration. "Take that, you stupid Republican bastards!" Connor rolls his eyes, but there''s a hint of a smile on his face. "You know, not all Republicans are evil, Jordan." "Name one that isn''t," Jordan retorts. "Arnold Schwarzenegger?" "Are you sure you''re not thinking of someone else? That''s the guy that played the Terminator," Jordan replies, flicking Connor in the head. "He doesn''t do politics." I tune out their bickering, focusing back on the TV. The anchor''s moved on to the congressional results now. "¡­in a surprising turn of events, it appears the Democrats will retain control of the Senate, possibly even expanding their majority by one seat. However, the House of Representatives is projected to flip to Republican control¡­" A collective groan goes up from our group. "Great," Jordan mutters. "Two years of gridlock and endless investigations. Just what the country needs." I feel a knot form in my stomach. It''s not the worst-case scenario, but it''s not great either. I think about all the people who might be affected by this change - the families struggling to make ends meet, the kids who rely on social programs, the environment that''s already hanging by a thread. It makes me feel small and helpless, like no matter how hard we try, we can''t really change anything. "Hey," Tasha says softly, nudging my leg. "You okay?" I force a smile, nodding. "Yeah, just¡­ thinking." She gives me a knowing look but doesn''t press the issue. On the TV, they''re talking about the factors that influenced the election. "¡­analysts are pointing to several key events that shaped this election cycle. The series of terrorist attacks by the so-called ''Philly Phreaks'' in August certainly played a role, as did the aftermath of the highly publicized Chernobyl trial. But perhaps most significant has been the rise of ''Fly''-powered criminals across the country, bringing suburban anxieties about crime to the forefront of many voters'' minds." I feel a pang of guilt at that. We tried so hard to stop the spread of Fly, but it feels like we barely made a dent. And now it''s affecting national politics? It''s almost too much to wrap my head around. "However," the anchor continues, and something in her tone makes us all lean in closer, "a last-minute development may have prevented a total Republican sweep. I''m speaking, of course, about the now-infamous ''Homecoming Video''." My breath catches in my throat. On the screen, grainy cell phone footage starts to play. I recognize it immediately - it''s me, at the school dance, facing off against Patriot. I watch, feeling oddly detached, as he throws me across the room, as I get back up, as we trade blows that would have killed a normal person. Well, as he trades blows to me for free, and I get, like, one hit off. "The video, which shows known vigilante ''Patriot'' viciously attacking a teenager at Tacony Charter Academy High School''s homecoming dance, went viral just days before the election. This, combined with the revelations from an anonymous Philadelphia whistleblower site, caused a significant shift in public opinion." Jordan reaches over, squeezing my hand. I squeeze back, grateful for the support. "The impact was further amplified by the sudden disappearance of Richard Johnson, the man believed to be behind the ''Patriot'' mask. Other members of his organization, known as ''Pattinson''s Pals'', have refused to comment, citing legal advice. The entire movement seems to have deflated overnight, leaving many to speculate about what might have caused such a dramatic downfall." I exchange glances with Jordan and Connor. We know exactly what happened, of course. The memory of that night in the warehouse, of the fight with Patriot, is still fresh in my mind. The sound of his bones cracking under my fists, the look of defeat in his eyes when he finally yielded¡­ it''s not something I''ll forget anytime soon. It''s something I think about every day. On purpose. Because it felt great. "Some pundits are speculating that this counter-backlash may have been the only thing that prevented a total Republican victory on the national stage. The footage of a grown man attacking a teenage girl seems to have struck a chord with many voters, particularly in suburban areas where concerns about violent crime were already high. The recent ''Halloween Tapes'' and the Californian alligator incident may have also contributed to blunting what seemed like overwhelming Republican momentum on the local level." Connor lets out a low whistle. "Damn, Sam. You might have just saved democracy." I snort, shaking my head. "Yeah, by getting my ass kicked on camera. Not exactly how I planned to change the world." "Hey, whatever works," Jordan shrugs. "Maybe next time we need to swing an election, we can just arrange for you to get punched by increasingly ridiculous supervillains. ''Local Teen Defeats Man Made of Bees, Film at 11''." If you stumble upon this tale on Amazon, it''s taken without the author''s consent. Report it. That gets a laugh out of all of us, easing some of the tension that''s been building all night. But it doesn''t last long. The anchor''s voice draws our attention back to the screen. "And now, turning to local results¡­" I feel my stomach clench. This is it. The moment we''ve been dreading all night. "In the special election for Philadelphia''s vacant City Council seat, the results are in. With 100% of precincts reporting, Maya Richardson has secured a decisive victory, winning approximately 81% of the vote." The room goes silent. I feel like I''ve been punched in the gut. We knew this was coming, we knew our efforts probably wouldn''t make a difference, but hearing it confirmed¡­ it hurts. "Despite some last-minute rumors about her business dealings, Richardson''s campaign message of community investment and urban renewal seems to have resonated strongly with voters. Her opponent, Richard Duvall, conceded the race earlier this evening, citing what he called ''insurmountable differences in vision for the city''." Jordan snorts. "Yeah, his vision of turning Philly into some kind of fascist police state didn''t quite catch on. Who''d have thought?" I nod absently, still processing the news. Maya Richardson, supervillain and probable crime lord, is now an elected official. She has power, legitimacy. And we couldn''t stop it. "Well," Connor says after a long moment of silence, "I guess that''s that. What do we do now?" I look around at my friends, these amazing people who''ve stood by me through all of this. Who''ve risked their lives, their freedom, their futures, all because they believed in what we were doing. Because they believed in me. "We keep fighting," I say, surprised by the firmness in my voice. "Richardson might have won this battle, but the war''s not over. We know who she is, what she''s capable of. We''ll keep watching, keep digging. And when she slips up - because she will slip up eventually - I''ll be there." Tasha nods, her expression determined. "Damn straight. She might think she''s untouchable now, but we''ll prove her wrong." "Hell yeah," Jordan adds, raising an imaginary glass. "To the Auditors. May we always be a thorn in the side of corrupt politicians and supervillains everywhere." We all laugh at that, the tension breaking a little. But as the laughter dies down, I feel the weight of everything settling back onto my shoulders. It''s been such a long, exhausting few days. Weeks, really. Months. Sometimes it feels like my whole life has been leading up to this moment, and now that it''s here¡­ I don''t know. I just feel tired. I look over at Jordan, who''s watching me with a knowing expression. "Hey, J?" I say, my voice barely above a whisper. "Yeah, Smalls?" "Remember that deal we made? About what would happen if we didn''t find anything by election night?" Jordan''s eyebrows shoot up. "Haha, alright, man. It''s your funeral, Smalls." I nod. "Yeah. I think¡­ I think I need to not think for a while, you know?" Jordan studies me for a long moment, then nods. They reach into their pocket, pulling out a small glass bowl and a baggie of what I assume is weed, or oregano. "Alright, but we''re doing this right. Outside, fresh air. And you take it slow, okay? I don''t want to be responsible for Shark Girl getting the munchies and eating half of Philly." I manage a weak laugh at that. "Deal." As we head for the door, Connor and Tasha exchange glances. "Uh, should we¡­" Connor starts. "You guys can come if you want," Jordan says over their shoulder. "It''s legal now, you know. They put that on the ballot, like, two years ago." They nod, understanding. As Jordan and I step out into the cool night air, I hear the TV still droning on inside, more election results, more analysis, more noise. We find a quiet spot on the roof, away from prying eyes. The city stretches out before us, a sea of twinkling lights and shadowy buildings. Somewhere out there, Maya Richardson is probably celebrating her victory. Planning her next move. But right now, in this moment, I can''t bring myself to care. Jordan hands me the bowl, already packed and ready. "You sure about this, Sam? No judgment if you change your mind." I take it, turning it over in my hands. "Yeah, I''m sure. Just¡­ walk me through it, okay?" They nod, pulling out a lighter. "Okay, so you put your mouth here, like this. When I light it, you inhale slowly. Not too deep at first, just a little. Hold it for a few seconds, then let it out. Easy peasy." I follow their instructions, the smoke burning my throat as I inhale. I cough a little as I exhale, but it''s not as bad as I expected. "How do you feel?" Jordan asks, watching me carefully. I shrug. "I don''t know. The same, I guess?" Jordan grins. "Yeah, that''s about right. Want another hit?" I nod, and we pass the pipe back and forth a few times. The city below us starts to blur, the lights smearing into streaks of color. I lean back, looking up at the stars. They seem brighter somehow, more alive. "You know," I say after a while, my voice sounding strange and distant to my own ears, "I always thought I''d feel different after my first time smoking weed. Like, I don''t know, more rebellious or something. But I just feel¡­ tired. Really, really tired." Jordan nods, their eyes a little glassy. "That''s the indica for you. Good for relaxing, not so much for fighting crime." I snort out a laugh. "Indica-girl¡­" "I''m pretty sure that''s an actual hero in Cali. I''ll have to get back to you on that," We both dissolve into giggles at that, the absurdity of it all hitting us at once. When we finally catch our breath, I find myself staring out at the city again. "Do you think we made a difference?" I ask, the question slipping out before I can stop it. "With all of this, I mean. The investigation, the whistleblower site, everything. Did it matter at all?" Jordan is quiet for a long moment. "I don''t know, Sam. Maybe not in the way we wanted it to. But look at what happened with Patriot. Look at how many people saw that video, how many minds it might have changed. That''s something, right?" I nod slowly. "Yeah, I guess it is. It''s just¡­ I wanted to save the city, you know? To be the hero. And instead, I''m sitting on a roof getting high while a supervillain celebrates her election victory. It feels like I failed." Jordan reaches over, squeezing my hand. "You didn''t fail, Sam. You fought. You''re still fighting. That''s what matters. The rest¡­ we''ll figure it out as we go. We always do." I squeeze back, feeling a rush of affection for my friend. "Thanks, J. I don''t know what I''d do without you." "Probably get into a lot less trouble," they say with a grin. We lapse into comfortable silence after that, passing the pipe back and forth a few more times. The night stretches on, the sounds of the city fading into a distant hum. I feel myself drifting, my thoughts becoming loose and disconnected. I think about Maya Richardson, wonder what she''s doing right now. Is she celebrating with champagne in some fancy penthouse? Or is she already in a dark room somewhere, plotting her next move? I think about Patriot, wonder where he disappeared to. Did he really give up, or is he just biding his time? I think about all the people who voted today, all the lives that will be affected by these decisions. And then, unbidden, I think about Liberty Belle. About the video of her final confrontation with Chernobyl, the one that ended up being so crucial in his trial - one way or another. I wonder what she would think of all this. Would she be proud of us for trying? Disappointed that we couldn''t stop Richardson? I wish I could ask her, could get her advice one more time. "Hey, Jordan?" I say, my voice sounding thick and slow. "Mmm?" "Do you think Liberty Belle would be disappointed in me? For¡­ for this?" I gesture vaguely at the pipe, at the city, at everything. Jordan is quiet for a long moment, and I wonder if they''ve fallen asleep. But then they speak, their voice soft and serious. "I think¡­ I think she''d understand, Sam. I think she''d see how hard you''ve been trying, how much you''ve been carrying. And I think she''d tell you that it''s okay to take a break sometimes. To be human." I feel tears prickling at the corners of my eyes, and I blink them away furiously. "Yeah," I whisper. "I hope." We fall silent again after that, lost in our own thoughts. The night wears on, the sky gradually lightening as dawn approaches. I know we should go back inside, that we have school tomorrow (today?), that there''s still so much to do. But for now, I''m content to sit here, surrounded by the city I''ve sworn to protect, with one of my best friends by my side. Then, we run out of weed. The sun starts coming up, slowly peeking over the horizon. "Come on," I say, nudging them gently. "Let''s go inside. We''ve got work to do." DT.1.1 The Clover & Harp is a dive, dimly lit and hazy with a fog of cigarette smoke that clings to every surface. The air''s thick with the mingled scents of stale beer, cheap whiskey, and the acrid tang of old ashtrays. I''m nursing a pint of Guinness, the dark liquid leaving a creamy mustache on my lip as I keep my eyes glued to the battered old TV bolted above the bar. Some blow-dried pretty boy in an expensive suit is yammering on about the Dow Jones or the NASDAQ, but I''m only half-listening until a breaking news banner scrolls urgently across the bottom of the screen. "We interrupt this broadcast for an urgent update," the anchorman announces, his plastic smile replaced by a look of barely-contained excitement. "Moments ago, a masked vigilante singlehandedly thwarted an armed robbery at the First National Bank in downtown Chicago. Eyewitnesses report that the individual, who identified himself only as ''Windstorm'', appeared to create some sort of windstorm to disarm the would-be thieves and secure the building until authorities could arrive on scene." A chorus of irritated groans and colorful curses erupts from the bar patrons around me. I glance around, taking in the familiar faces - guys I''ve known for years, men I''ve worked with, fought beside, shared countless drinks with. Every last one of them wears the same expression of incredulous frustration. "You believe this malarkey?" Tommy O''Malley gripes from his usual perch at the end of the bar. He''s a scrawny little pissant, but the man''s got a head for figures like a steel trap. "First it was that Paragon mook in the Big Apple, now we got Mary Poppins in the Windy City. What''s next, some jabroni in Beantown who can shoot spaghetti out his eyes?" A gust of half-hearted laughter ripples through the bar, but beneath it there''s an undercurrent of unease. We''re all thinking the same thing, even if nobody wants to come right out and say it: this is a whole new ballgame. "It ain''t just Chicago," Mikey Flanagan pipes up, not looking up from where he''s thumbing through something on his phone. "Says here they''ve had sightings in L.A., Miami, even out in the sticks in Omaha. These masked marauders are croppin'' up everywhere." I take a long pull off my Guinness, relishing the rich, bitter flavor even as dread curdles in my gut. On the TV, they''re showing shaky camera footage of this Windstorm character in action. He''s decked out in some kinda high-tech getup that looks like it was ripped straight outta one of Derek''s comic books, all sleek angles and shiny black material. As I watch, he makes a gesture like he''s shoo-ing away a pack of seagulls and a gale force wind howls outta nowhere, sending the robbers ass-over-teakettle across the pavement. "Christ on a cracker," I mutter into my beer. "How the hell are we supposed to keep up with that?" Nobody''s got an answer for me. We all just sit there like a bunch of slack-jawed yokels, watching this Windstorm fella wrap up the would-be bank robbers in a twister that looks like it should be chasing Dorothy and Toto. It''s like something straight outta the funny pages, ''cept it''s really happening, right here in the real world. I find myself thinking about my boy, just a sprout at four years old. What kind of world is he gonna grow up in, a world where people can take to the skies, where they can whistle up a tempest without so much as scuffing their spats? It''s enough to make a man feel downright tiny, like everything I''ve fought for, everything I''ve bled to build, could be blown down by the Big Bad Wolf in a cape. Old Jimmy Sullivan, the barkeep, clears his throat pointedly from behind the taps. "Alright, boys," he declares, reaching for the remote. "Enough o'' this, yeah? The Sox are takin'' on the Yankees tonight. Grumble about that instead." There''s a rumble of approval from the assembled hard men, and soon enough the idiot box is awash in the familiar sights and sounds of America''s pastime. But there''s a pall hanging over the bar now, a miasma of doubt and insecurity that no amount of beer and bullshit can quite seem to pierce. In the space of a few minutes, everything we took for granted as immutable, inviolable, has been thrown into Barnum and Bailey levels of upheaval. I motion for Jimmy to refresh my pint glass, watching the dark liquid surge and foam. He meets my gaze as he slides it over, a flicker of grim understanding passing between us. The whole wide world''s tilting on its axis, and it''s on us to find our footing before we''re pitched into the void. As the night wears on and the booze keeps flowing, the chatter slowly migrates back towards more well-trod territory - schemes and scams, dames and deadbeats, cutthroat tales of the daily grind. But there''s a tension thrumming just below the surface, a jittery edge to the laughter and the ribbing. Every so often, some mook will cast a nervous glance towards the boob tube like he''s expecting to see Mighty Mouse come squeaking in to save the day and upend our entire raison d''etre. And as my mind drifts to the trials and tribulations of the past few months - the pinches and the turf squabbles, the ever-present specter of the G-men breathing down our necks - I can''t help but feel the walls closing in. The center cannot hold, as the poet said, and things fall apart. These masked interlopers capering about might just be the feather that breaks the camel''s back.
The memories come in flashes, like a fever dream: This novel is published on a different platform. Support the original author by finding the official source. Mikey Doyle, one of our best earners, getting picked up by the feds outside his kid''s school. The look on his face as they slapped the cuffs on him, a mixture of resignation and fury. A shootout with the Italians down by the docks, the air thick with gunsmoke and the smell of blood. Three of our guys dead, another two in the hospital. All over a fucking shipment of cigarettes. Sitting in a safe house, watching the news as they announce another round of indictments. Familiar names and faces scrolling across the screen, guys I''ve known for years reduced to mugshots and charges. The boss, old man Callahan, ranting and raving about loyalty and tradition while half the room is eyeing the exits. His words ringing hollow in the face of mounting evidence that the old ways just don''t work anymore. My boy, asking why Daddy has to go away so much. The guilt that twists in my gut every time I have to lie to him, every time I miss another milestone because I''m out doing the family''s dirty work. A late-night meeting with some of the younger guys, all of us trying to figure out how to adapt to this new world. Talk of going legit, of finding new revenue streams that won''t put us in the crosshairs of these super-powered freaks. The fear in everyone''s eyes, poorly disguised behind bravado and bullshit.
I give myself a mental shake, trying to dislodge the cobwebs of memory. The Clover & Harp has started to clear out, just a smattering of bitter-enders left huddled over their drinks, arguing the finer points of the Sox''s starting rotation. I steal a glance at my watch and do a double take - it''s later than I thought. I better hit the bricks, try to snatch a few winks before the big powwow with the head honchos tomorrow. As I heave myself up from my stool, Tommy O''Malley catches my eye. "Oi, Finn," he says, his voice pitched low and conspiratorial. "You hear about the sit-down tomorrow?" I bob my head. "Yeah, what of it?" Tommy makes a show of scoping out the joint, making sure no one''s eavesdropping. "Word ''round the campfire is, the big man''s thinking of shaking things up. Adjusting to the new lay of the land, if you catch my drift." A prickle of apprehension skitters down my spine. "Shaking things up how?" Tommy lifts a shoulder in a half-shrug. "Ain''t sure on the specifics. But I heard him jawing about maybe expanding our horizons, moving into some new markets. Maybe even¡­ you know, throwing in with some of these caped crusaders." I can feel my eyebrows skyrocketing at that little tidbit. The notion of our crew partnering up with a bunch of goody-goody superheroes seems about as plausible as the Pope popping up in Playgirl. But then again, the world''s gone topsy-turvy of late. "You sure your info''s on the up-and-up, Tommy? Sounds a few scoops shy of a sundae to me." "Hey, I calls ''em like I sees ''em," Tommy says, throwing up his hands. "But think on this, Finn. The times, they are a-changin''. Maybe we gotta roll with the punches, ya know?" I dip my chin, not sure how to counter that particular chestnut. "Yeah, could be. Guess we''ll see which way the wind blows tomorrow, huh?" Tommy hoists his glass in a sardonic salute. "From your mouth to God''s ear, boyo. From your mouth to God''s ear." The brisk night air is a slap to the face as I push through the doors of the Clover & Harp, a much-needed wake-up call. The streets of Southie are deserted at this hour, just the odd car beetling by and the far-off wail of a siren. I hoof it nice and slow, mitts jammed deep in my trouser pockets, my brain churning like a hamster on an exercise wheel. My thoughts keep circling back to my little fella, to the life I want for him. A life that feels more like a pipe dream with every day that passes. I flash back to the first time I cradled him in my arms, this squalling, red-faced little miracle. The way his itty-bitty fingers latched onto mine, the surge of love and fierce protectiveness that near knocked me on my ass. I made him a promise then and there that I''d always have his back, that I''d move heaven and earth to give him a better shake than I ever had. But how do I make good on that vow in a world that''s hurtling into uncharted territory? A world where mooks in tights can bend steel and shoot flames from their fingertips? Where the old rules that''ve kept us on the straight and narrow for generations are going the way of the dodo? I hang a louie onto my block and happen across a gaggle of neighborhood kids embroiled in a heated street hockey battle. They''re a whirling dervish of laughter and shit-talk, utterly absorbed in their game. One of ''em, a scrappy little carrot-top, glances up as I amble by. For a hot second, I swear it''s my boy''s face peering out at me, and it hits me like a sledgehammer to the solar plexus. What sorta role model am I for my boy? What kinda foundation am I laying for his future? The familiar smells of home embraces me as I let myself into my humble abode. Derek''s playthings are strewn hither and yon across the living room carpet, and I can hear Mrs. O''Brien, the sainted soul who watches him when I''m on the clock, sawing logs on the couch. I creep into Derek''s room on tiptoes. The little tyke''s sawing logs too, his orange fuzz sticking up every which way, his favorite plush pooch clutched to his chest. I just stand there for a long spell, watching the steady rise and fall of his breathing. He''s so calm, so blameless. Not a clue about the shitstorm brewing in the big, bad world beyond. He doesn''t understand death. He doesn''t even comprehend it. As I''m about to duck out, something on his nightstand snags my attention. It''s a finger painting he must''ve done at nursery school, a stick figure with arms like tree trunks and a cape flapping in the breeze. Underneath, in Mrs. O''Brien''s flowery script, it says "My Dad is a Superhero". I feel something buckle deep down in my guts. Like some inner levy giving way, unleashing a tsunami of pent-up feelings I''ve kept dammed up too damn long. All of a sudden, the prospect of marching into that meeting tomorrow, of staying on this treadmill I''ve been running on for years, feels ass-backwards. Like I''m selling out everything that truly counts. I lower myself onto the edge of Derek''s wee bed, mindful not to jostle him out of dreamland. I ain''t sure yet what my play is. But I know in my marrow that something''s gotta give. For Derek''s sake, for my own damn sanity. I can''t keep straddling two worlds, can''t keep acting like my actions don''t ripple outwards. Sitting there in the dark, my boy''s soft snores filling my ears, I come to a decision. Tomorrow, at that meeting, I''m gonna stand up on my hind legs. I''m gonna make a case for real, substantive change, not just some phony-baloney razzle-dazzle to kowtow to the higher-ups. And if they ain''t keen to listen¡­ well, then maybe it''s time I start giving some serious thought to a Plan B. I dip down and brush a teeny kiss against Derek''s forehead. "Love you to the moon and back, squirt," I rasp. "More than anything in this world. And I promise you, I''m gonna do right by you. No matter what it takes." DT.1.2 The next morning dawns grey and drizzly, fitting my mood perfectly. I dress carefully, choosing a suit that''s nice enough to show respect but not so flashy that it''ll draw attention. As I knot my tie, I catch sight of myself in the mirror. I look older than I remember, lines around my eyes that weren''t there a year ago. I wonder if it''s the stress of the job, or just the weight of all the choices I''ve made. Mrs. O''Brien shows up right on the dot, fussing over Derek as he wolfs down his Cocoa Puffs. I slip him a quick hug, swearing on a stack of Bibles I''ll be home for supper. As I''m shrugging on my coat, I overhear the little guy asking Mrs. O''Brien if she reckons caped crusaders dig into a bowl of sugary cereal in the morning. The wide-eyed innocence of the question just about rips my heart out. The meeting''s set up at one of our legitimate fronts, a trucking company near the ports. Pulling into the lot, I spot a mishmash of familiar wheels. The old timers are representing in force, their oversized sedans taking up the bulk of the good spots. But I spy some shinier models too, belonging to a few of the young bucks who''ve been pushing for change. Inside, the tension''s so thick you couldn''t cut it with a chainsaw. The conference room''s standing room only, every guy in the place trying to keep a lid on it while sneaking peeks at each other. I grab a seat in the back, nodding to a couple of my closest pals. The big boss, old man Callahan, makes his entrance flanked by his top two enforcers. The seasoned don looks like he''s been through the wringer, the bags under his eyes deeper and darker than ever. But he still carries himself with that unmistakable air of authority, the sense that he''s the one running the show, no questions asked. "Alright, fellas," he rumbles, his gravelly voice commanding attention. "Let''s get down to brass tacks." For the next hour, we listen as Callahan and his lieutenants read us the riot act. The outlook ain''t rosy. Busts are up, profits are down, and we''re ceding ground to competitors on critical turf. And then there''s the elephant in the room that nobody wants to talk about: the superheroes. "Now, I know some of you are getting your shorts in a twist over these clowns in capes," Callahan grumbles, waving a hand like he''s swatting a fly. "But mark my words. We were here long before they flew onto the scene, and we''ll be standing long after they''re yesterday''s news. We just need to wise up, be craftier in how we get things done." A few of the old guard mumble their assent, but I can tell the young guns aren''t buying it. One of them, a real go-getter named Sean who''s been stirring the pot lately, clears his throat. "With all due respect, boss," he says, "I think we need to do more than tinker around the edges. These super-powered types, they''re not some passing fad. They''re upending the natural order, and if we don''t fundamentally retool to meet the moment, we''re going to end up as dinosaurs." Callahan''s face clouds over like a thunderhead. "And just what exactly are you advocating, Sean? That we wave the white flag? That we flush generations of hard work down the tubes because some Long Johns decided to play superhero?" Sean doesn''t so much as blink. "I''m saying we need to branch out. Shift into sectors where these cape-chasers are less likely to stick their noses. Tech, finance, maybe even go legit with some of the businesses we''ve been using as cover. We''ve got the connections, the know-how. It''s just a matter of putting them to work in a new way." He sucks in air through his nose. "We don''t have to score off banks, you know." The room devolves into a shouting match. Some guys are bobbing their heads along with Sean, while others look ready to tear his throat out. I just sit there taking it all in, feeling like I''m witnessing a seismic shift in the bedrock of everything we''ve ever known. And then, almost as if I''m operating on autopilot, I find myself on my feet. "The kid''s onto something," I hear myself say. You could hear a mouse fart as every pair of eyes in the joint swivels to look at me. I''ve never been much for grandstanding, but it''s like the words are just bursting out of me now. "Hear me out, guys. We all came up in this world, cut our teeth in the family business. But Sean''s right on the money. The ground''s shifting under us as we speak, and we''ve got to shift with it if we want to keep our footing. These heroes aren''t some summer squall we can just ride out. And it''s not only them. The feds are getting cannier by the day, and all this fancy tech is making it damn near impossible to operate in the shadows like we used to. We stick to the tried and true, we''re going to wind up dead or buried alive in concrete. You think Bulger''s sleeping soundly? That poor bastard''s going to spend the rest of his life waiting for the other shoe to drop." I pause, sucking in a lungful of stale, smoke-riddled air. I can feel the weight of every stare boring into me, but I forge ahead. "I''ve got a little boy at home. I''d put good money on a lot of you being in the same boat. What kind of life are we handing down to them if we just keep beating our heads against the wall? We''ve got skills, resources out the wazoo. Why not put them to work building something with staying power, something we can point to with pride when we''re old and gray?" The silence after I finish is so complete you could perform open-heart surgery. Callahan''s glaring at me with murder in his eyes. I can practically see him imagining my mug on a milk carton. But I can also see some of the other guys nodding slowly, trading meaningful looks. You could be reading stolen content. Head to the original site for the genuine story. Tommy O''Malley, of all people, chimes in. "Finn''s onto something, boss. Maybe it''s high time we start playing the long game. I mean, take a look at what happened to the Italians last month. Half their top brass are behind bars because they couldn''t adapt. We need to be smarter than that." Callahan looks ready to explode, but one of his right-hand men leans in, whispering something in his ear. After a moment, the old timer''s expression shifts from rage to something more calculated. "Fine," he says tightly. "You boys want to shake things up? Be my guest. But let''s get one thing straight. We''re not abandoning our core business. We''re just diversifying. And you better believe your cut still better find its way into my hands on time, no matter what." The meeting wraps up soon after, with Callahan doling out assignments to different crews. As we file out of the room, there''s a current of nervous energy in the air, a blend of anticipation and uncertainty. We''re venturing into uncharted territory, and no one''s quite sure where it will lead. As I''m walking to my car, Sean catches up to me. "Finn, you crazy son of a gun," he says with a grin, clapping me on the shoulder. "Didn''t know you had that in you." I shrug, suddenly feeling bone-tired. "Yeah, well. Sometimes a man''s gotta speak his piece, you know?" Sean nods, sobering. "Hey, listen. A few of us are getting together later to game out our next steps. You want in on that?" I hesitate, thinking of Derek waiting for me at home, of my promise to be there for dinner. "Not tonight. Got some family matters to attend to. But keep me in the loop, alright?" Sean looks a bit disappointed but nods all the same. "Sure thing. We''re going to need guys like you in our corner if we want to make this work." My mind races the entire drive home. Did I do the right thing, speaking up like that? Or have I just painted a target on my own back? And even if Callahan goes along with these changes, will it be enough? Or are we just forestalling the inevitable? I keep picturing Derek, trying to envision the kind of future I want for him. A future where he doesn''t have to constantly look over his shoulder, wondering if today''s the day the law or some caped crusader finally catches up to us. A future where he can be proud of his old man, not ashamed. Maybe, just maybe, it''s time to contemplate a real change. Not just putting a new spin on the family business, but getting out altogether. Starting over somewhere new, somewhere Derek can grow up free of all this darkness and uncertainty. Lost in thought, I almost miss the sight of my boy playing on the stoop with some of the neighborhood kids as I pull up. When he spots me, his whole face lights up with pure joy. "Dad!" he yells, sprinting towards me. "You''re home!" I scoop him up into a hug, holding on tight. "I am, buddy. I am. And you know what? I think it''s about time you and I had a serious talk about the future. What do you say we go grab some ice cream?" As he chatters excitedly in my ear all the way to the ice cream shop, my resolve crystallizes into something solid and unshakeable. One way or another, come hell or high water, I''m going to give this kid the life he deserves. A life where he can hold his head high, where his dreams and ambitions can soar unfettered. And if that means leaving behind the only world I''ve ever known? Then so be it. No sacrifice is too great, not for my boy. Not for our future.
The ice cream parlor''s a madhouse. Kids hopped up on sugar zigzag between tables while harried parents try to coral them. Derek and I hunker down in a corner booth, a monstrous sundae between us. My boy''s got chocolate smeared from ear to ear, grinning like he''s won the lottery as he goes at that ice cream like it owes him money. "Ease up there, champ," I say, tossing him a napkin. "Thing''s not growing legs and walking off." Derek just giggles, diving back in. I watch him, and Christ, it hits me like a sucker punch - this love. This moment. Just¡­ this. "Dad?" Derek looks up, all big eyes and trust. "Are you a superhero?" I blink. "Come again?" He shrugs, shoulders nearly touching his ears. "Tommy at daycare. He said his dad''s a superhero. Fights bad guys and stuff." Something twists in my gut. Guilt? Fear? Both? "Nah, kiddo. Just a regular schmoe trying to keep up with you." Derek nods, mulling it over. "Okay. But you''re still my hero, Dad." I have to look away, throat tight. When I turn back, there''s Derek, face a warzone of ice cream and pure, uncut innocence. I ruffle his hair, wishing I could bottle this moment. But I can''t, can I? Outside our little bubble, the world''s shifting. And if I don''t roll with it, I might lose the only thing that matters. It''s a cheap shot, really - getting walloped by feelings like this. The universe pulling no punches. Walking home, I make a silent vow. To Derek. To myself. Whatever it takes to give this kid the life he deserves. Even if it means burning everything else to the ground. We''re barely through the door of our building when Mrs. O''Brien materializes from her apartment like some kind of geriatric ninja. "Well, look who it is!" she crows, accent thick as day-old porridge. "Thought you''d run off to join the circus, so I did." I snort, shaking my head. "Not today, Mrs. O. Just treating the little man here." Her face goes soft as she looks at Derek. "Ah, and doesn''t he deserve it. Good as gold, this one." We swap pleasantries for a bit before calling it a night. Inside our place, the familiar funk of home wraps around me. Derek bolts for his toys while I make for the kitchen. There''s something zen about the routine. Chop, brown, stir. Light-years from the life I lead outside these walls - all danger and violence and watching my six. I''m setting the table when Derek comes tearing in, waving a piece of paper like it''s the deed to the city. "Dad! Look what I made!" I take it, and Christ, it''s like a punch to the solar plexus. Two stick figures, big and small, holding hands. Up top, in wobbly crayon: "My Family". "It''s¡­ it''s something else, bud," I manage, voice rough. "That us?" He nods, chest puffed out. "Yeah! Did it at daycare. Mrs. O helped with the writing." I scoop him up, paper crushed between us. "It''s perfect. And you, you little monster? You''re everything." The rest of the night''s a blur - bath, books, bed. As I''m tucking him in, Derek looks up, eyelids at half-mast. "Dad?" he mumbles. "You''re not gonna go away like Mom, right?" "Not a chance," I say, voice hard as nails. "I''m right here. Always." Derek nods, eyes fluttering shut. "Promise?" I plant one on his forehead. "Cross my heart." I kill the lights on my way out. His nightlight flickers to life. DT.1.3 Southie at night''s a ghost town. Just the occasional mutt yapping in the distance, probably at its own shadow. I pull up to our little rendezvous spot - some decrepit warehouse by the waterfront. Sean''s ride''s already there, plus a couple I don''t recognize. Great. Climbing out of the car, I get that familiar cocktail of butterflies and dread in my gut. These pow-wows? Always a roll of the dice, even for an old hand like me. But Sean said it was urgent, something about our next play. I ease into the warehouse, one hand resting casual-like on the piece tucked in my waistband. Inside, Sean''s huddled up with a few faces from this afternoon''s shindig. They''re muttering like a bunch of altar boys, but clock me as I saunter over. "Finn," Sean nods, all business. "Glad you could pencil us in." "Cut the horseshit, Sean," I growl. "We already did the big circle jerk. What''s this about?" Sean trades looks with his chorus line. Something unspoken ping-pongs between ''em. "This ain''t about family business," he says finally. "It''s about what comes next. Our ticket to ride." I narrow my eyes. Don''t like the stink of this one bit. "The hell you on about?" "You heard Callahan last week," Sean presses on. "He''s just pissing in the wind. Talking change but keeping his feet planted in the mud. Some of us? We''re not keen on watching everything we''ve built turn to shit." My gut does a little jig. Nothing good ever came from a sentence starting with ''some of us.'' "Spit it out, Sean. What''re you cooking up in that Irish skull of yours?" He leans in close, voice dropping to a whisper that wouldn''t wake a mouse. "We''re thinking of jumping ship. Starting our own gig. One that''s ready for whatever clusterfuck is coming our way. And we want you on board, Finn." I stare at him, brain working overtime. A splinter group? It''s unheard of. The kind of play that gets you fitted for concrete shoes. But then again¡­ wasn''t I just chewing on this same bone? The need for real change, not just rearranging deck chairs on the Titanic? "You''re talking about giving Callahan and the family the finger," I say, measuring each word. "You boys have any idea how quick that''ll get us all six feet under?" Sean nods, face grim as a funeral director. "We know the score. But if we don''t evolve, we''re dead anyway. Just a matter of time before someone decides to put us out to pasture." I''m about to tell Sean where he can shove his evolution when the warehouse door explodes open. A pack of goons comes storming in, hardware out and ready to play. I recognize ''em right off - they''re from that crew we''ve been butting heads with. Russkies, I think. "Vell, vell, vell," their boss drawls, mangling his W''s like they owe him money. "Vat do ve have here? A little family gathering, da?" Sean and the others reach for their pieces, but it''s a losing hand. We''re outgunned and outmanned. I do some quick math - odds of us all walking out of here with a pulse? Maybe 10%, and that''s being generous. But before anyone can start the lead symphony, something happens that''ll be burned into my gray matter till they plant me. A figure drops from the rafters, landing smack in the middle of our little soiree. Moves like a cat, dressed all in black, face hidden behind a mask that''d give kids nightmares. For a hot second, everyone''s frozen. Then Captain Spandex speaks up, voice warped like he''s gargling gravel. "Gentlemen," he says, cool as you please, "I''m afraid I''ll have to insist you lower your weapons." The Russian boss lets out a laugh that''d curdle milk. "And who the fuck are you supposed to be? Batman''s retarded stepchild?" Masked wonder doesn''t bite. Instead, he moves. And brother, when I say move, I mean it''s like watching smoke dance. One second he''s standing there, the next he''s a blur. Guns go flying like they''ve grown wings. I watch, jaw on the floor, as he dismantles the Russkies one by one. It''s poetry in motion, if poetry could break bones and rupture internal organs. It''s like something ripped straight out of the funny pages. Only this ain''t funny, and it sure as hell ain''t pages either. When the dust settles, the Russians are a groaning heap on the floor. Our masked friend stands over them like the angel of death himself. He turns to us, and I swear on my mother''s grave, I can feel his eyes boring into me through that mask. "You have a choice," he says, calm as Sunday morning. "Continue down this road, and you''ll end up like these gentlemen. Or you can walk away. Start fresh. The decision is yours." And then, like someone hit a switch, he''s gone. Melted into the shadows like he was never there. The warehouse goes quiet as a tomb. Then Sean starts laughing, edge of hysteria in it. "Jesus, Mary, and Joseph," he wheezes. "Tell me you lads saw that too. Or has O''Malley''s rotgut finally pickled my brain?" I don''t answer. Can''t. I''m too busy staring at the spot where our friendly neighborhood vigilante stood, mind doing cartwheels. Because in that moment, something inside me shifted. Like tumblers in a lock finally clicking into place. I''ve spent my whole life in this world. Violence, crime, always looking over my shoulder. Told myself it was just the way things were, no other options on the menu. But seeing that masked figure move, watching him take apart a room full of armed thugs without breaking a sweat¡­ There''s always a choice.
The rest of the night''s a goddamn fever dream. Cops show up, of course. Sirens wailing like banshees, drawn by reports of lead flying. But by the time Boston''s finest grace us with their presence, the Russkies have vanished into the ether. No sign of our friendly neighborhood Batman, either. Just a bunch of mooks with a yarn no one in their right mind would swallow. Driving home, my brain''s doing the cha-cha with a million what-ifs. Sean''s sales pitch keeps looping in my head like a broken record. "We''re thinking of branching off. Starting our own operation." It''s got a certain ring to it, being my own boss. Building something that''s mine, not just another cog in Callahan''s machine. But then again¡­ If you spot this tale on Amazon, know that it has been stolen. Report the violation. I think of Derek, probably drooling on his pillow right about now. That promise I made him, to always be there. How the fuck am I supposed to keep that if I''m off playing Scarface, painting an even bigger target on my back? I need a second opinion. Someone to talk me off the ledge or give me a push. And I know just the sorry bastard for the job. I pull up outside Mikey Flanagan''s place. His porch light''s on, a warm little beacon in the night. Mikey and me, we go way back. To the days when running numbers in Southie was our idea of the big leagues. He''s the closest thing to a best friend a mook like me''s got in this life. He answers the door looking like death warmed over, bathrobe hanging off him like a deflated balloon. "Finn?" he squints at me, confusion written all over his mug. "The hell you doing here? It''s the ass-crack of dawn." "Yeah, I know," I shrug, trying to look apologetic and probably failing miserably. "I just¡­ I gotta bend your ear, Mikey. Some heavy shit went down tonight, and I''m swimming in the deep end here." He stares at me for a long moment, then lets out a sigh that sounds like it started somewhere around his toes. "Christ on a bike," he mutters, stepping back. "Get in here. I''ll put on some joe." We park ourselves at his kitchen table, nursing mugs of coffee that could strip paint. I spill my guts - the sitdown with Callahan, Sean''s grand plan, the warehouse shitshow. Mikey just listens, face screwed up in concentration like he''s trying to solve a Rubik''s cube. "I don''t know, Finn," he says when I finally run out of steam. "Going against the family¡­ that''s playing with fire. People have ended up in the harbor for less." I nod, staring into my coffee like it might have all the answers. "I hear ya. But I can''t shake this feeling, Mikey. Like if I don''t make a move, I''m gonna end up dead or wearing an orange jumpsuit. And where does that leave Derek?" Mikey goes quiet, fingers doing a little tap dance on the table. "Look," he says finally, "I get it. You want out. Want something better for the kid. Respect. But hitching your wagon to Sean and his merry band of idiots? That ain''t the ticket." I frown, not sure I''m following. "What''re you getting at?" Mikey leans in, face serious as a heart attack. "I''m saying, if you really want out, really want a clean slate¡­ maybe it''s time to think about blowing this popsicle stand altogether. Fresh start somewhere new. Where Finn Taylor''s just another schmuck, not a name that makes people nervous." I stare at him, the idea taking root like a weed. Leave Boston? It''s like someone suggesting I cut off my own arm. This city, this life¡­ it''s all I''ve ever known. But then Derek''s face pops into my head. The future I want for him. A future without looking over our shoulders, without the constant threat of violence that comes with this world. "Where the hell would I go?" I ask, voice barely above a whisper. Mikey shrugs. "Anywhere that ain''t here. New York, Chicago, Philly¡­ someplace they won''t come looking." It''s a batshit crazy idea. Packing up and vanishing like a fart in the wind, starting from scratch in a new city. But the more I chew on it, the more it feels right. Like the first step down a road I should''ve taken ages ago. "I''d have to be careful," I mutter, thinking out loud. "Make sure nobody gets wind of what I''m up to. And I''d need some kind of legit front, something to explain why I''m suddenly playing musical cities." Mikey nods, a sly grin creeping across his face. "Construction, maybe? Word on the street is Philly''s going through a growth spurt. Old neighborhoods getting a facelift. A smart cookie like you, with your, uh, ''experience''¡­ you could make that work." I lean back, the possibilities unfolding in my mind like a roadmap. It''s terrifying. Exhilarating. Like standing on the edge of a cliff, knowing the only way forward is to jump. "It''s not gonna be easy," I say, more to myself than to Mikey. "Gotta figure out how to move my money without raising flags. Set up a new identity. Find a school for Derek¡­ a new babysitter, too¡­" Mikey reaches across the table, claps me on the shoulder. "One step at a time, brother. Rome wasn''t built in a day, and neither was any decent escape plan." I look at him, really look at him. This guy who''s been by my side through thick and thin. "What about you, Mikey? You ever think about getting out?" He shakes his head, a sad smile on his face. "Nah. This is my world, for better or worse. But you? You''ve got something worth fighting for. Something worth leaving for." As the first light of dawn starts to creep through the kitchen window, I feel something I haven''t felt in years. Hope. It''s small, fragile, like a flickering candle. But it''s there. "Alright," I say, downing the last of my coffee. "Let''s do this. Let''s get me the fuck out of Boston."
The next few weeks are a goddamn three-ring circus of whispered phone calls and cloak-and-dagger bullshit. I''m burning up every favor I''ve got in Philly, calling in chits from guys who owe me or who I''ve pulled out of the fire over the years. Slowly, like a jigsaw puzzle put together by a drunk, a plan starts to take shape. I feed Callahan some song and dance about family drama, needing time off to sort it out. He ain''t thrilled, but he doesn''t push. Think the old bastard can smell which way the wind''s blowing, knows the good old days are circling the drain. Sean and his merry band of idiots are a tougher nut to crack. They keep yapping about their big plans, trying to rope me in like it''s the second coming of Christ. But I stand my ground, keep playing the worried dad card. "Gotta think about my boy," I tell ''em. "What''s best for him." It''s not even a lie, really. And through all this cloak-and-dagger bullshit, Derek''s my guiding light. My reason for not telling everyone to go fuck themselves and crawling into a bottle. Every night, tucking him in, I remember that promise. To be there, come hell or high water. Then, finally, D-Day arrives. I''ve spun some yarn about taking Derek to see his grandparents up in Maine for a couple weeks. But as I''m tetris-ing the last of our crap into the car, I know we ain''t coming back. I take a breather, looking up at the old brownstone we''ve called home for the last five years. It ain''t much, but it''s all Derek''s ever known. For a hot second, I wonder if I''m royally screwing the pooch here, yanking him out by the roots like this. But then I think about the flip side. About the life waiting for him if we stay put. And I know in my bones this is the only play left. Derek''s out cold in his car seat as I pull away from the curb, his face all peaceful in the glow of the street lamps. As I merge onto the highway, this weird calm settles over me. Like for once in my sorry life, I''m not completely fucking things up. And then, as I''m crossing the bridge out of Boston, I see it. A figure, honest to God, swinging between the buildings like some kind of urban Tarzan. For a second, I think I''ve finally lost my marbles. But then I catch the flutter of a cape, something glinting at the figure''s wrists. I ease off the gas, rubbernecking like a tourist. But quicker than a hiccup, the figure''s gone, swallowed up by the city''s shadows. I feel a grin tugging at my face. Because right then and there, I know I''m making the right call. The world''s shifting gears, and I''m shifting with it. Not by jumping on Sean''s half-assed bandwagon or trying to be the next Scarface, but by walking away. Choosing a different path entirely. As Boston''s lights start to fade in the rearview, I glance back at Derek, still dead to the world. "We''re gonna be alright, kiddo," I mutter, not sure if I''m talking to him or myself. "You and me? We''re gonna be just fine." The highway stretches out ahead, dark and empty. But for the first time in forever, it doesn''t feel like I''m driving into the unknown. It feels like I''m driving towards something. Something better. I think about that masked figure, about the choice he laid out for us in that warehouse. Continue down this road and end up like them, or walk away. Start fresh. Well, buddy, I''m walking away. And yeah, maybe I''m trading one set of problems for another. Maybe Philly won''t be the promised land. But at least it''s a chance. A shot at something different. As we cross the state line, leaving Massachusetts in the dust, I feel something I haven''t felt in years. Hope. Real, honest-to-God hope. It''s small, fragile, like a match flame in a storm. But it''s there. "Alright, Philly," I mutter, pressing down on the gas. "Show me what you got." Derek stirs in his sleep, mumbling something I can''t quite catch. I reach back, give his leg a gentle squeeze. "Sweet dreams, kiddo," I whisper. "When you wake up, it''s gonna be a whole new world." Chapter 122.1 I stride into the Music Hall, my mind already racing with ideas and plans. The election may be over, but our work is far from done. If anything, Maya Richardson''s victory just means we need to step up our game. We can''t afford to sit around waiting for leads to fall into our laps. It''s time to take the fight to the enemy. As I enter the main room, I find the rest of the Auditors already gathered. Jordan''s sprawled out on their usual couch, Connor''s perched on the edge of a chair, and even Maggie and Derek are here, sitting cross-legged on the floor. It''s a full house, outside of Tasha. Knowing her, she probably has midterms to deal with - something I''ve just sort of written off and accepted as something I''ll have to get a C on. "Alright, team," I say, clapping my hands together. "I''ve got a plan." Jordan sits up, their eyes sparkling with interest. "Does it involve mayhem and/or property damage?" I roll my eyes. "Not exactly. But it does involve the Kingdom of Keys." That gets everyone''s attention. Even Derek, who''s been staring moodily at his shoes, looks up. "I think it''s time we revisit the Crescent nightclub," I say, pacing in front of them. "Last time we were there, we barely scratched the surface. We need to dig deeper, gather more intel." Connor frowns, leaning forward. "Last time you were there, from what Jordan told me, you two nearly got killed. And that was before they knew your identities. Going back seems... risky." "Everything we do is risky," Derek counters, his voice rough. "But Sam''s right. We can''t just sit around waiting for the bad guys to make a move. We need to be proactive." I shoot him a grateful look. "Exactly. And this time, we''ll be better prepared. Better disguises, surveillance equipment, the whole nine yards." "Oh, oh, I can help with that!" Maggie pipes up, practically bouncing in her seat. "I''ve been working on my stealth skills, and I can totally-" I hold up a hand, cutting her off gently. "Maggie, I appreciate the offer. But this mission... it''s going to require a certain level of... maturity." In more ways than one, I think. Fooling those bouncers, you gotta be a good actor as much as a good fighter - and right now, she sort of reads like Huck Finn in drag. Maggie''s face falls, but she nods in understanding. "Right. Of course. I''ll just... stay here and hold down the fort." I give her a reassuring smile. "Next time, okay? I promise." She perks up a bit at that, and I turn my attention back to the group as a whole. "Okay, so here''s what I''m thinking. We start with the disguise..."
"Hold still," Gossamer says, her tongue poking out of the corner of her mouth as she focuses on hemming my pants. "I''m almost done." I try to stay as motionless as possible, which is harder than it sounds when you''re standing on a chair in the middle of a cluttered living room. Gossamer''s house is a maze of fabric bolts, sewing machines, and half-finished projects. It''s like walking into a textile tornado. "Thanks again for doing this, Amelia," I say, using her real name. It feels weird, but we''re not in costume, so it seems appropriate. "I know it''s last minute." She waves a hand dismissively, nearly stabbing me with a pin in the process. "Please, this is what I live for. Your butch chic look in particular is a breath of fresh air. If I have to make one more Spandex unitard, I''m going to scream. Do you know how annoying working with Spandex is?" "No," I laugh, then quickly suck in my stomach as she makes a particularly close pass with the needle. "Well, I''m glad my fashion sense is good for something. I was starting to think I was just a hopeless case." Gossamer makes a final snip, then steps back to admire her handiwork. "Nonsense. You''ve got great bone structure, and with the right clothes... voila! A whole new you." She holds up a mirror, and I have to admit, I''m impressed. The baggy jeans, layered tanks, and oversized flannel she''s put me in make me look like a completely different person. Add in the short, spiky hair, and the glasses, and the fake nose ring, and I hardly recognize myself. I almost look like a boy - the degree of transformation fills me with an odd sense of unease. If you encounter this story on Amazon, note that it''s taken without permission from the author. Report it. "Damn, Gossamer. You''re a genius," I say, turning to get a look at myself from all angles. She preens a bit at the praise. "It''s all in the details. The key is to create a persona, not just a costume. You have to think about how this character moves, talks, carries herself." I nod, trying to slip into the skin of this new me. I slouch a bit, letting my shoulders roll forward. I adjust my stance, widening my legs just a bit. "How''s this?" I ask, my voice a bit lower and raspier than usual. Gossamer grins. "Perfect. No one''s going to look at you and see Samantha Small, that''s for sure." I grin back, feeling a thrill of excitement. "Let''s hope not. I''d hate to blow my cover before I even make it through the door."
Back at the Music Hall, we gather around a makeshift model of the nightclub that Jordan''s put together. It''s crude, made mostly of cardboard and duct tape, but it gets the job done. "What can I say?" they said, presenting it earlier, "I love dioramas." "Okay, so here''s the plan," Jordan says, pointing at various spots on the model. "We''ve got three main objectives. One, plant surveillance devices in key locations. Two, make contact with potential informants inside the club - that is to say, convert informants. And three, get out without anyone being the wiser." They hold up a handful of small, black objects. "These are our eyes and ears. Wireless cameras and microphones, small enough to hide just about anywhere. I''ve modified them to transmit on a secure frequency, so we should be able to monitor them remotely without anyone picking up the signal." Connor leans in, studying the devices. "And where exactly are we putting these?" Jordan points to several spots on the model. "The main dance floor, obviously. That''s where most of the action happens. The bar, so we can keep tabs on who''s coming and going. And if possible, the VIP area on the second floor. That''s where the real heavy hitters tend to congregate. But, given the risks in last time... That one''s optional. Consider it a high value optional objective." I nod, committing the locations to memory. "And the informant? Who are we targeting?" Jordan shrugs. "That''s where you come in, Sam. We need someone on the inside, someone with access to information but not so high up the food chain that they''ll be suspicious. A bartender, a waitress, maybe even a low-level dealer. Someone who might be willing to talk for the right price... or the right motivation." I feel a flicker of unease at that last part, but I push it down. We''re the good guys. We''re not going to hurt anyone... Not more than necessary, anyway. "Okay. I think I can handle that." Derek frowns, his brow furrowed. "And the exit strategy? In case things go south?" "That''s my department," Connor says, speaking up for the first time. "I''ll be nearby, keeping watch. If anything looks hinky, I''ll create a distraction, give Sam a chance to slip away." I raise an eyebrow. "A distraction? What kind of distraction?" Connor grins, and it''s not entirely friendly. "Trust me, you don''t want to know. But it''ll be effective." I study him for a moment, then nod. "Okay. I trust you, despite my better judgment." "I wish I could help, but, you know. Werewolf at a night club. Not exactly a good time," Derek says. Connor waves him off. "Don''t worry about it. You go get your naps in." Jordan claps their hands together. "Alright, I think we''re as ready as we''re going to be. Sam, you good on your cover story?" I take a deep breath, slipping back into my new persona. "Yeah, I''m good. I''m Jessie, 21, from out of town. Here to party, maybe score some E. Just looking for a good time, you know?" Jordan belly laughs, their entire body convulsing a little bit. "Perfect. Remember, keep it simple. Don''t volunteer too much information. Let them fill in the blanks. And, uh, don''t ask about scoring E. Don''t do that. Don''t do that, please." I nod, feeling a flutter of nerves in my stomach. This is it. No turning back now.
The Crescent looks different in the harsh light of day. Without the pulsing music and flashing lights, it''s just another building, wedged between a pawn shop and a check cashing place. But as night falls and I approach the entrance, I can feel the energy building again, like a sleeping beast slowly waking up. The line to get in is already halfway down the block, a mix of clubbers in shiny dresses and sky-high heels, and rougher types in leather jackets and ripped jeans. I take my place at the end, trying to look simultaneously bored and eager. Like I''ve done this a thousand times before, but I''m still hoping tonight will be something special. As I wait, I take in the details I missed last time. The bouncers, for one. There''s two of them tonight, both big guys with shaved heads and muscles that strain against their black t-shirts. They''re checking IDs with a casual efficiency, barely glancing at the cards before waving people through or sending them packing. I finger my own fake ID in my pocket, silently thanking Jordan for their handiwork. They''ve assured me it will pass muster, but I can''t help but feel a twinge of anxiety as I inch closer to the front of the line. The girl in front of me is arguing with one of the bouncers, her voice getting higher and shriller with each passing second. "But I swear, I''m 21! I left my ID at home, can''t you just let me in? Please?" The bouncer shakes his head, unmoved. "No ID, no entry. Sorry, sweetheart. Next!" I step forward, my heart pounding so hard I''m sure everyone can hear it. I pull out my fake ID, not wondering exactly where it came from, and hand it over with what I hope is a casual smile. The bouncer takes it, holding it up to the light. For a moment, I''m sure he''s going to call me out, to demand to know who I really am. But then he hands it back with a curt nod. "Have a good time." I let out a breath I didn''t know I was holding, stepping past him into the club. The bass hits me like a physical force, vibrating in my chest. The smell of sweat and alcohol and cheap perfume fills my nostrils. For a moment, I''m overwhelmed, unsure where to start. Then I remember my training, my mission. I take a deep breath, centering myself. I can do this. I have to do this. I make my way to the bar, shouldering my way through the crowd. Time to get to work. Chapter 122.2 The Crescent is a sensory nightmare, a pulsing, living thing that threatens to swallow me whole. The music is a physical force, thrumming through my body and making my teeth vibrate. Strobe lights slice through the darkness, painting everything in stark flashes of color. The air is thick with the smell of sweat, alcohol, and something vaguely chemical that makes my nose itch. I take it all in, trying to sort through the chaos for anything useful. It''s like trying to find a specific drop of water in the ocean. Everyone looks suspicious when you''re looking for suspicious people. Is that guy by the DJ booth a drug dealer or just someone waiting for his song request? Is the woman in the sparkly dress dancing a little too close to that businessman a prostitute or just an enthusiastic clubber? Is there even a problem with prostitutes? I can''t think of one off the top of my head. I chew my gum a little harder, feeling the tension in my jaw. Focus, Sam. You''ve got a job to do. I scan the crowd, looking for anyone who might be Kingdom. But how can I tell? It''s not like they wear name tags or secret decoder rings. For all I know, half the people in here could be on their payroll. Or maybe it''s just the management and a few key players. Surely they don''t let every bartender and busboy in on their criminal secrets, right? That would be a logistical nightmare. A group of girls stumbles past me, giggling and clutching each other for balance. I catch snippets of their conversation as they go by. "¡­and then he was like, ''I don''t even like you,'' and I was like¡­" "¡­so fucking wasted last night, I swear I''m never drinking again¡­" "¡­heard they''ve got some new stuff, supposed to be even better than¡­" My ears perk up at that last bit, but they''re gone before I can hear more. I make a mental note to keep an eye on them. If there''s new product moving through the club, that could be valuable information. I reach up to scratch my ear, using the motion to activate the concealed earpiece Jordan rigged up for me. It looks like a hearing aid, just innocuous enough to avoid suspicion. "You getting all this?" I mutter, trying to look like I''m just talking to myself. Which, let''s be honest, isn''t that weird in a place like this. Jordan''s voice crackles in my ear, barely audible over the thumping bass. "Loud and clear, Smalls. Too loud, not really clear enough, with all that noise, but we win and we lose some. You see anything interesting yet?" I shake my head slightly, remembering too late that they can''t see me. "Nothing concrete. Lots of potential leads, but nothing solid. I''m heading to the bar now to see what I can dig up." "Roger that. Remember, play it cool. You''re just another face in the crowd." I snort. "Yeah, because I''m so good at blending in." "Hey, you''ve made it this far without getting thrown out. I''d call that a win." I can''t argue with that logic. I make my way to the bar, trying to move with the confidence of someone who belongs here. The crowd parts easily enough, though I do have to dodge a few errant elbows and spilled drinks along the way. The bar itself is a long, sleek affair, all polished wood and gleaming chrome. It''s packed, of course, with people jostling for position and waving money at the harried-looking bartenders. I manage to squeeze into a small gap between a couple who look like they''re about five seconds away from either making out or having a screaming match. I catch the eye of one of the bartenders, a guy who looks to be in his late twenties with a carefully trimmed beard and more tattoos than exposed skin. He nods at me, holding up a finger in the universal "one minute" gesture before turning to mix a complicated-looking cocktail for someone else. I use the moment to study him, trying to gauge if he might be a potential source of information. He moves with the easy confidence of someone who''s been doing this job for a while. His eyes are sharp, taking in everything around him even as his hands work on autopilot. Yeah, this guy''s seen some shit. He might know something useful. This tale has been unlawfully lifted without the author''s consent. Report any appearances on Amazon. When he finally makes his way over to me, I''m ready. I lean in, pitching my voice low enough to be heard over the music but not so loud that anyone else will catch it. "Whiskey sour, please. And make it a double. It''s been that kind of night." He nods, a flicker of amusement crossing his face. "Coming right up. You look like you could use it." As he starts mixing my drink, I keep my body language open, inviting conversation. "Yeah, you could say that. You ever have one of those weeks where everything that could go wrong, does?" He laughs, a short, sharp sound that''s more weary than amused. "Welcome to my life, kid. I mean, uh¡­ sir." He eyes me a little more closely, as if trying to gauge my age. I wave off his concern. "Nah, you had it right the first time. I might be legal, but I still feel like a kid most days. Especially in a place like this." I gesture vaguely at the club around us. He relaxes a bit, sliding my drink across the bar. "First time here?" I nod, taking a sip. Whiskey tastes like shit. I make a face, trusting on my super-liver or super-kidneys or whatever to just ignore the actual alcohol part. But it''s still not exactly pleasant. "That obvious, huh?" He shrugs. "You''ve got that wide-eyed look. Plus, you''re actually talking to the bartender instead of just barking drink orders. Trust me, that stands out." I laugh, feeling some of my nervousness ease. This guy seems alright. Maybe this won''t be as hard as I thought. "Guilty as charged. I''m Jessie, by the way." "Pete," he says, reaching across the bar to shake my hand. "So, Jessie, what brings you to our little corner of paradise?" I lean in, lowering my voice conspiratorially. "Would you believe me if I said I was running from the law?" Pete raises an eyebrow, looking more intrigued than alarmed. "Depends. We talking parking tickets or grand larceny?" I grin, warming to my role. "Oh, way worse than that. I stole a pack of gum from a convenience store. And I didn''t even feel bad about it." He clutches his chest in mock horror. "My God, we''ve got a real criminal mastermind here. Should I be calling the cops?" I waggle my eyebrows. "Only if you want to be an accessory after the fact. You did serve alcohol to a known gum thief, after all." Pete laughs, and this time it sounds genuine. "I like you, kid. You''re alright." I feel a little surge of pride at that. Maybe I''m better at this undercover stuff than I thought. "Thanks. You''re not so bad yourself. How long you been working here?" He shrugs, starting to mix another drink for someone down the bar. "Couple years now. It''s not a bad gig, all things considered. Pay''s decent, tips are good if you know how to work the crowd." I nod, trying to look interested but not too interested. "Yeah? Must see some pretty wild stuff, huh?" Pete''s eyes flick to mine, a hint of wariness creeping into his expression. "Nothing too crazy. Just your typical club scene, you know? Drunk people doing drunk people things." I backpedal a bit, realizing I might have pushed too hard too fast. "Right, right. I bet it all starts to blur together after a while. Honestly, I''m just glad to be somewhere that isn''t my crappy apartment for once." His expression softens a bit. "Rough week?" I sigh, deciding to lean into the sympathy. Maybe if I open up a bit, he''ll do the same. "You could say that. Got into a fight with my roommate. Again. I swear, if I have to listen to one more lecture about who''s turn it is to do the dishes¡­" Pete nods sympathetically. "Roommates, man. They''re the worst. Well, except when they''re paying half the rent, I guess." I laugh, taking another sip of my drink. "True that. Still, there are days I fantasize about just¡­ I don''t know, running away. Starting over somewhere new. You ever feel like that?" Something flickers in Pete''s eyes, there and gone so fast I almost miss it. "Sometimes," he says, his voice carefully neutral. "But you know what they say. Wherever you go, there you are." I nod, trying to look thoughtful. "Yeah, I guess. Still, can''t help but wonder what it would be like. To just¡­ disappear. Become someone else entirely." Pete''s quiet for a moment, wiping down the bar with a rag. When he speaks again, his voice is low, almost lost in the thump of the bass. "Trust me, kid. It''s not all it''s cracked up to be." I lean in, my heart racing. This feels like it could be something. "You sound like you''re speaking from experience." He looks up, meeting my eyes. For a moment, I think he''s going to say more. But then someone further down the bar starts yelling for service, and the moment''s gone. "Sorry, duty calls," he says, already moving away. "Try not to get into any more fights, alright?" I nod, watching him go. Damn. So close. I take another sip of my drink, mulling over what just happened. Pete definitely knows something. But is he Kingdom, or just another person with a past he''d rather forget? And how can I get him to open up more without blowing my cover? I''m so lost in thought that I almost miss my opportunity. Pete''s busy with another customer, his back turned to me. Without thinking, I reach into my pocket, pulling out one of Jordan''s bugs. It''s tiny, no bigger than a button. With a quick glance around to make sure no one''s watching, I stick it to the underside of the bar, right near where Pete was standing. My heart''s pounding so hard I''m sure someone''s going to notice. But no one does. Pete finishes with his customer and turns back to me, none the wiser. I pop my gum, using the motion to cover sliding the now-sticky wad over most of the bug. It''s not perfect, but it should be enough to keep it hidden unless someone''s really looking. "You need a refill?" Pete asks, nodding at my nearly empty glass. I shake my head, suddenly feeling the need to move. To do something. "Nah, I''m good. Think I''m gonna hit the dance floor for a bit. Work off some of this nervous energy, you know?" He nods, already turning to another customer. "Have fun. And remember, no fights!" I laugh, sliding off my barstool. "No promises!" Chapter 122.3 As I make my way towards the crowded dance floor, I can''t help but feel a little proud of myself. First bug planted, and I didn''t even get caught. Maybe I''m getting the hang of this spy stuff after all. The dance floor is a writhing mass of bodies, all moving more or less in sync to the pounding beat. I let myself get swept up in it, moving with the crowd while trying to keep my wits about me. It''s harder than I thought it would be. The music is so loud I can feel it in my bones, the lights so disorienting that it''s hard to focus on any one thing for too long. But I force myself to concentrate, to look for opportunities. There, by the DJ booth. That could be a good spot for another bug. And over there, near the VIP section. If I could just get close enough¡­ I dance my way across the floor, trying to look natural while scanning for security cameras or watchful eyes. It''s slow going, but I manage to plant two more bugs without incident. One under a table near the DJ booth, and another on the wall by the bathrooms. Speaking of which¡­ I really do need to use the restroom. Might as well kill two birds with one stone. I make my way to the ladies'' room, which is blessedly less crowded than I expected. As I''m washing my hands, I pull out another bug, eyeing the air vent above the mirror speculatively. If I could just reach it¡­ I''m on my tiptoes, stretching as far as I can, when the door swings open. I freeze, my heart leaping into my throat. A security guard stands there, his eyes narrowing as he takes in the scene. "What are you doing?" he asks, his voice gruff and suspicious. For a moment, my mind goes blank. I''m caught, I''m done for, I''m going to jail and my parents are going to kill me and- No. Focus, Sam. You''ve got this. I let my arm drop, affecting a sheepish grin. "Sorry, man. I, uh¡­ I thought I saw a spider up there. Big hairy fucker. Freaked me out. Was gonna smash the thing." The guard''s expression doesn''t change. "A spider." He raises an eyebrow. I''m going to get shot. I nod vigorously, trying to look appropriately embarrassed. "Yeah, I know, it''s stupid. But I''ve got this phobia, you know? Can''t stand the little bastards. My therapist says I should try to face my fears, but¡­" I shrug, letting out a nervous laugh. "Guess I''m not quite there yet." For a long moment, the guard just stares at me. I can feel sweat beading on my forehead, my heart pounding so hard I''m sure he must be able to hear it. Then, finally, he sighs. "Just¡­ don''t climb on anything, alright? Last thing we need is someone cracking their head open in the bathroom." I nod, relief washing over me. "Yes sir. No climbing, I promise. Scout''s honor." He grunts, turning to leave. "And if you see any more spiders, just tell one of the staff. We''ll take care of it. We know there''s¡­ some around." He phrases it delicately, like he''s trying to figure out how to word it. My brain flashes back to the horrible things that Mrs. X sent to my house, and I know. But I don''t say anything. "Will do," I call after him, my voice only shaking a little. As soon as the door closes behind him, I slump against the sink, letting out a shaky breath. That was too close. Way too close. I look down at the bug still clutched in my hand. No way I''m risking trying to plant it now. I''ll have to find another spot. As I make my way back to the bar, I can''t help but feel a little shaken. Maybe this wasn''t such a good idea after all. Maybe I''m in over my head. But then I think about Maya Richardson, sitting in her cushy City Council office. About all the people the Kingdom has hurt, will continue to hurt if we don''t stop them. No, I can''t give up now. I''ve come too far. I slide back onto my barstool, trying to look casual. Pete''s nowhere to be seen, probably on a break or something. Instead, there''s a different bartender behind the bar. A middle-aged guy wearing a button-up shirt that seems two sizes too small. My breath catches in my throat as recognition hits me like a punch to the gut. It''s him. The bartender from last time. The one who served me that Shirley Temple when Jordan and I first came here undercover. If you encounter this story on Amazon, note that it''s taken without permission from the author. Report it. For a moment, I''m frozen, panic coursing through my veins. Does he recognize me? Has my cover been blown? Should I run? No, breathe. Think. It''s been over a year. I look completely different now. There''s no way he''ll remember me. Right? But I can''t take that risk. Not when I''m so close. Before he can turn and see me, I slide off the stool and melt back into the crowd. My heart is pounding so hard I can barely hear the music over the rush of blood in my ears. I find a relatively quiet corner and lean against the wall, trying to catch my breath. Okay, Sam. Think. What would Jordan do? Probably something reckless and ill-advised, if I''m being honest. Jordan I don''t even think would bother with the skulduggery at this point in their life. I think if I were Jordan and I had made it this far I would''ve done something stupid in a different way. But maybe that''s what I need right now. A bit of recklessness. A dash of that Westwood chaos energy. I take a deep breath, steeling myself. Then I turn and wade back into the crowd, making my way back to the bar. The music seems to sync with my racing heartbeat, each bass drop matching the thud in my chest. I dodge elbows and sloshing drinks, my eyes fixed on the bar ahead. It''s amazing how different the club looks from this perspective ¨C less of a cohesive whole and more of a chaotic jumble of individual moments. A guy trying to impress his date with some truly awful dance moves. A group of friends taking selfies, their faces lit by the glow of their phones. A couple having an intense conversation in the corner, their body language screaming tension. I file these observations away, part of me still on mission even as another part screams at me to turn back, to run, to get out while I still can. But I''ve never been good at listening to that voice. So I press on. The middle-aged bartender is still there, mixing drinks with practiced efficiency. I slide onto a stool, forcing myself to look relaxed. Casual. Like I belong here. He turns to me, and for a heart-stopping moment, I''m sure he''s going to recognize me. But his eyes just slide over me, professional and impersonal. "What can I get you?" he asks, his voice barely audible over the thumping bass. I clear my throat, pitching my voice a little lower than usual. "Uh, just a soda, please. Trying to pace myself, you know? Pick a soda," I say, and immediately kick myself. Is that too young? Too innocent? Should I have ordered something stronger to fit in better? But the bartender just nods, no judgment in his eyes. Maybe he''s used to designated drivers, or people taking a break between stronger drinks. Or maybe he just doesn''t care. Either way, I''m grateful for the lack of questions. He nods, reaching for a glass. "Smart kiddo. You wouldn''t believe how many people I have to cut off in a night." I laugh, trying to sound worldly and experienced. "Oh, I can imagine. Must be a tough job, dealing with all the drunks." He shrugs, sliding my drink across the bar. "It has its moments. But it pays the bills, and hey, free entertainment, right?" I nod, taking a sip of my drink. It''s just regular cola, but it tastes like victory. He doesn''t recognize me. I''m in the clear. "So," I say, leaning in a bit. "You been working here long?" He eyes me for a moment, probably trying to figure out if I''m hitting on him or just making conversation. "Few years now. Why, you looking for a job?" I laugh, shaking my head. "Nah, just curious. This place seems¡­ intense. I bet you see some pretty wild stuff." He snorts, wiping down the bar. "Kid, you have no idea. But hey, that''s what makes it interesting, right? Never know what''s gonna happen on any given night." I nod, trying to look impressed. "Yeah, I bet. You ever, uh¡­ you ever see anything really crazy? Like, I don''t know, fights or anything?" He raises an eyebrow. "You some kind of adrenaline junkie or something? Looking for trouble?" I backpedal quickly. "No, no, nothing like that. Just, you know, curious. I get into fights sometimes. Not here! Just¡­ in general. It''s a problem." He studies me for a moment, then sighs. "Look, kid. If you''re looking for trouble, you''re in the wrong place. We don''t tolerate that kind of thing here. You want to fight, go join a boxing gym or something." I hold up my hands in surrender. "No, really, I swear I''m not looking for trouble. I''m just¡­ I don''t know. Trying to understand why I keep ending up in these situations, I guess." His expression softens a bit. "Ah. Well, that''s a different story. You want some free advice?" I nod eagerly. "Always." He leans in, his voice low and serious. "The world''s full of people looking for a fight. Don''t give them the satisfaction. Walk away. It''s not worth it." I blink, surprised by the sincerity in his voice. "That''s¡­ actually pretty good advice. Thanks." He shrugs, already turning to another customer. "Don''t mention it. And hey, if you ever need to talk¡­ well, that''s what bartenders are for, right?" I nod, feeling a strange mix of guilt and gratitude. Here I am, trying to pump this guy for information, and he''s giving me genuinely good life advice. It''s almost enough to make me reconsider this whole undercover thing. Almost. As I''m mulling this over, something catches my eye. Or rather, someone. A girl with bright pink hair and more piercings than I can count is weaving through the crowd, carrying a tray of empty glasses. I try to catch another sight through the other bar patrons, weaving my head a little bit to the left, a little bit to the right. There''s something familiar about her, but I can''t quite place it¡­ The bartender notices me staring and follows my gaze. "Ah, that''s Nina," he says, a note of fondness in his voice. "She''s one of our barbacks. Kind of like an apprentice bartender. Good kid, even if she does look like she fell into a tackle box." Nina. The name hits me like a bolt of lightning. Nina from the civilian superhuman support group. From¡­ what, almost a year ago now? The place where I met Derek. And a couple of other people that I really should be catching up with, staying in touch with - honestly, I can''t remember the last time I went. It must''ve been months ago, right? Before I can process this, Nina turns, catching my eye. She does a double-take, clearly recognizing me despite my disguise. For a moment, we just stare at each other, both of us frozen in surprise. The bartender, whose name I don''t recall catching, glances between the two of us, mostly to Nina, and then back to me. Then she starts making her way over, a confused smile on her face. "Hey," she says as she reaches the bar. "Don''t I know you from somewhere?" Chapter 123.1 The rhythmic thud-thud-thud of Rampart hitting the speedbag echoes through the training room as I push open the door. It''s a familiar sound by now, as comforting in its way as the smell of my mom''s challah baking or the crackle of my dad''s old vinyl records. The rest of the Young Defenders are scattered around the room, most of them buried in books or hunched over tablets. It''s study time, apparently. I make my way over to where Lily is curled up in an uncomfortable looking metal folding chair, her nose buried in what looks like a law textbook. "Hey," I say, flopping down on the floor next to her. "What''s the topic du jour?" She looks up, blowing a strand of purple-dyed hair out of her eyes. "Criminal procedure," she says with a grimace. "Specifically, the rules around admissibility of evidence gathered by superhumans. Did you know that in some states, using enhanced senses to eavesdrop on a conversation is considered a form of warrantless wiretapping?" I raise an eyebrow. "Seriously? That''s messed up. So what, if I happen to overhear a crime being planned because of my shark hearing, I''m supposed to just ignore it?" Lily looks at me funny. "You have shark hearing?" "No," I reply, glancing away from her. "I didn''t know you were into law." She smiles at me, reaching out to ruffle my hair. "I''m just bored. I don''t understand most of this, I''ll be honest." I bat her hand away, but I''m smiling. It''s nice, these little moments of normalcy. Sometimes I forget that under all the spandex and superpowers, we''re just a bunch of kids trying to figure out how to save the world without accidentally becoming the bad guys. Across the room, I spot Connor contorted into what looks like an incredibly uncomfortable position, his lanky frame twisted around itself as he peers at a tablet balanced on his knee. "Hey, Stretch Armstrong," I call out. "You know chairs exist, right?" He looks up, flashing me that goofy grin that always makes him look about five years younger than he actually is. "Chairs are for people with boring skeletons," he says, unfolding himself with a series of pops and cracks that make me wince. "Besides, this way I can feel like I''m training even while I''m studying." I roll my eyes. "Pretty sure that''s not how it works, but you do you, buddy." He ambles over, all seven feet of him somehow managing to look both graceful and awkward at the same time. It''s a uniquely Connor talent. "So, what brings you to our little nerd convention? I thought you''d be out patrolling or punching bad guys or whatever it is you do when you''re not here." I hesitate for a moment. This is it. The moment of truth. I take a deep breath, steeling myself. "Actually, I''ve got an idea I want to run by everyone. A plan, sort of." Connor''s eyebrows shoot up. "A plan? From Sam ''Leap First, Look Later'' Small? This I''ve got to hear." I punch him lightly in the arm, which is about as high as I can reach without standing on tiptoe. "Shut up. I can plan... sometimes." He holds up his hands in surrender, still grinning. "Hey, no judgment here. Some of the best ideas come from people who don''t usually have them. It''s like... beginner''s luck, but for thinking." I shake my head, trying to hide my own smile. "You''re impossible, you know that?" "It''s part of my charm," he says with a wink. By now, our conversation has attracted the attention of the others. Amelia looks up from where she''s been meticulously organizing a pile of fabric swatches. (Why she needs those for studying, I have no idea. Maybe it''s a textile intelligence thing.) Jason steps away from the speedbag, wiping sweat from his forehead with a towel. "What''s this about a plan?" he asks, his deep voice carrying easily across the room. I take another deep breath. Here goes nothing. "I want to go back to the Crescent," I say, the words coming out in a rush. "Undercover. To gather intel on the Kingdom." For a moment, there''s silence. Then everyone starts talking at once. "Are you crazy?" That''s Lily, her eyes wide with concern. "Ooh, espionage. Classy." Connor, of course. He already knew the plan from before. That''s not a surprise. "That sounds... risky." Amelia, her voice soft but worried. Jason just looks at me, his expression unreadable. "Everyone, quiet," he says, and the room falls silent. He turns back to me. "Explain." So I do. I tell them about Maya Richardson''s election, about the lack of concrete evidence linking her to the Kingdom. About the need to be proactive, to find out what they''re planning before they can hurt anyone else. As I talk, I can see the others'' expressions changing. Concern giving way to interest, skepticism to thoughtfulness. A case of theft: this story is not rightfully on Amazon; if you spot it, report the violation. When I finish, there''s another moment of silence. Then Amelia speaks up. "If you''re going undercover, you''ll need a disguise," she says, her eyes lighting up with excitement. "I can help with that. I''ve been working on some new fabric blends, and I''d really love to do something instead of repairing Multiplex''s shirts. With the right cut and style of clothing, we could make you look completely different." I blink, surprised by her enthusiasm. "Uh, thanks, Gossamer. That would be great." Jason holds up a hand. "Before we get too excited, we need to talk about the risks. Sam, what you''re proposing... it''s dangerous. Not just physically, but legally. If you get caught..." "I know," I say, meeting his gaze. "But the risk is worth it. We need this information, Jason. You know we do." He nods slowly. "I do. But that doesn''t mean I have to like it." "None of us like it," Lily chimes in. "But... Sam''s right. We can''t just sit back and wait for the Kingdom to make their next move." Connor scratches his head. "So, what, we''re all cool with sending our youngest member into the lion''s den? Just like that?" "Not ''just like that''," Jason says. "If you do this - and I''m not saying you are yet - we do it smart. You plan. You prepare. You have backup plans for our backup plans." I nod eagerly. "Absolutely. Whatever you guys think is necessary. I''m not going in half-cocked, I promise." Jason opens his mouth to respond, but before he can, a new voice cuts in. "What''s all this about going in half-cocked?" We all turn to see Captain Plasma standing in the doorway, his perfect hair somehow still immaculate despite the fact that I''m pretty sure he just flew here from across the city. Sometimes I wonder if his powers include some kind of anti-frizz field. "Captain," Jason says, straightening up instinctively. "We were just discussing a potential... intelligence gathering operation." Captain Plasma''s eyebrows rise. "Oh? Sounds interesting. Mind if I weigh in?" We all exchange glances. It''s not that we don''t trust Captain Plasma - he''s a good guy, really. But he''s also, well... a bit of a boy scout. He''s still adjusting to Philadelphia and I can *smell* the Los Angeles on his accent. His skin is still perfectly tanned, his hair done up with gel. But before any of us can come up with a polite way to say ''thanks but no thanks'', he''s already striding into the room, a concerned frown on his impossibly chiseled face. "Look, I don''t want to overstep," he says, which usually means he''s about to do exactly that. "But solo missions, especially undercover ones... they''re risky. More risky than you might realize." I bite back a sigh. "With all due respect, Captain, I know the risks. I''ve been training for this kind of thing." He holds up a hand. "I know, I know. You''re all very capable. But there''s a difference between training and real-world experience. Let me tell you a story." Oh boy. Here we go. "Back when I was about your age," he begins, and I have to resist the urge to roll my eyes. I catch Connor miming a yawn behind the Captain''s back and have to stifle a giggle. "I thought I was invincible. Plasma powers, flight, super strength - what could possibly go wrong, right?" He pauses, his expression growing serious. "I was in LA, tracking a gang that was using some kind of high-tech weapons. Thought I''d be clever, go in undercover as a potential buyer. Long story short, my cover got blown, and I ended up in a firefight with about a dozen heavily armed criminals. No backup, no exit strategy." Despite myself, I find I''m leaning in, interested despite myself. "What happened?" Captain Plasma''s mouth twists into a wry smile. "I got lucky. Very lucky. Managed to fly out of there by the skin of my teeth, but not before taking a few hits that even my powers couldn''t fully protect me from. Spent the next month in the hospital, and the gang got away clean, because all the evidence I gathered was inadmissable or exploded." He looks around at all of us, his gaze lingering on me. "The point is, no matter how prepared you think you are, things can always go wrong. And when they do, you want someone watching your back." I nod slowly. "I appreciate the concern, Captain. Really. But this isn''t the same situation. I''m not going in guns blazing - it''s just reconnaissance." "For now," he says. "But what happens if you uncover something big? Something that needs immediate action? Will you be able to walk away, or will you be tempted to play the hero?" I open my mouth to protest, but Jason cuts in. "He has a point, Sam. We need to consider all possibilities." I let out a frustrated sigh. "So what, we just do nothing? Let the Kingdom keep operating unchecked?" Captain Plasma shakes his head. "That''s not what I''m saying. Just... be careful. Plan for every contingency. And maybe consider having at least one teammate nearby for backup." I glance at the others, exchanging eyes with Connor. Lily looks worried, Amelia thoughtful. Connor is still making faces behind the Captain''s back, but even he looks a bit more serious than usual. "We''ll take it under advisement," Jason says diplomatically. "Thank you for your input, Captain." Captain Plasma nods, apparently satisfied. "Glad I could help. Just remember, there''s no shame in asking for help when you need it. That''s what teams are for, after all." With that, he gives us all one last stern-yet-kindly look (how does he manage that?) and heads out, hovering about an inch off the ground, probably off to rescue a kitten from a tree or help an old lady cross the street or help deliver a baby whatever it is perfect heroes do in their spare time. As soon as he''s gone, Connor lets out a theatrical groan. "Well, that was about as fun as a root canal performed by a drunken octopus." I snort. "Come on, he means well." "Yeah, well, the road to hell is paved with good intentions and people who can''t mind their own business," Connor grumbles. I feel a little bit of the Phreaks wriggle out from between his teeth, there, but I don''t comment on it. Jason shoots him a warning look. "Alright, that''s enough. Captain Plasma may be... overly cautious, but he''s not wrong about the risks." I nod reluctantly. "I know. But we can''t let fear stop us from doing what needs to be done." Jason studies me for a long moment, then nods. "Agreed. But we do this smart. Gossamer, you said you can help with the disguise?" Amelia nods eagerly. "Oh yes. I''ve been experimenting with some new techniques that should work perfectly for this. We''ll make Sam look so different, her own mother wouldn''t recognize her." I grin. "Sounds good to me. The less I look like myself, the better." Jason nods, then jerks his head towards the door. "Sam, a word?" Chapter 123.2 Jason nods, then jerks his head towards the door. "Sam, a word?" I follow him out into the hallway, my stomach doing nervous flips. Is he going to try to talk me out of this? But when he turns to face me, his expression is resolute. "I''m not going to tell you not to do this," he says, his voice low. "But you need to understand the situation we''re in. The political climate right now¡­ it''s not great for groups like us." I frown. "What do you mean?" He sighs, running a hand through his short-cropped hair. "I know you''re vaguely familiar, but it''s going from "idea" to "real" real fast. There''s been talk in City Hall and in Congress about increasing oversight on superhero teams, especially ones with underage members, even ones that are technically afterschool clubs or extracurricular organizations like ours. The recent Patriot stuff has really put a squeeze on us from every direction. Federal, state, and municipal - at least that''s what Davis tells me." My frown deepens. "But we''ve always been careful. We follow all the rules, try not to engage in dangerous shit, all that stuff." Well. Try is a big word. So is "dangerous shit". "I know," he says. "But perception is everything in politics. And right now, the perception is that we''re a potential liability. One wrong move, one mission gone bad, and we could be shut down." He puffs his chest out slightly. "I mean, maybe a world without a need for super-cop cadets would be better. But I don''t think we''re in that world yet." I feel a chill run down my spine, although I''m not sure why. "So what are you saying? Be straight to me. Not, not like that, I mean, like, tell me directly." He shakes his head. "I''m saying we need to be smart about this. If you do this mission - and I''m not saying you shouldn''t - it needs to be completely off the books. Plausible deniability all the way. As far as anyone outside this team is concerned, you were never there, you were never here, and we never knew about it. I don''t think any one of us can realistically come and help you, not directly." I nod slowly, understanding dawning. "So if I get caught¡­" "Then you''re on your own," he finishes grimly. "Officially, at least. We''ll do everything we can to help you behind the scenes, but publicly, we''d have to disavow any knowledge of your actions. That is, if people even make the connection between you and Bloodhound to begin with. Otherwise, you''re just some girl doing crazy shit." It''s a sobering thought. But oddly, it doesn''t make me want to back down. If anything, it makes me more determined. "I understand," I say. "And I''m willing to take that risk." Jason studies me for a long moment, then nods. "Alright then. Just remember - if you don''t get caught, we never had this conversation. Clear?" I nod back, a small smile tugging at my lips despite the seriousness of the situation. "Crystal."
I freeze, my heart in my throat. Shit. Shit shit shit. How does she recognize me? Is my disguise not as good as I thought? I thought I looked completely different! I thought I looked like a¡­ like a butch lesbian! Which I do not normally look like! Right? I force a confused smile, cocking my head to the side. "I''m sorry, I don''t think we''ve met. I''m new in town." New in town? What the fuck am I saying? This isn''t a sitcom. Nina frowns, peering at me more closely. "Are you sure? Because you look really familiar. Do you maybe have a sister or something?" I laugh, but it comes out sounding strained and unnatural. "Nope, no sisters. Just me. Maybe you''re thinking of someone else?" The bartender, whose name I still haven''t caught, is studying me too now, his eyes narrowed. "Wait a minute," he says slowly. "I know where I''ve seen you before. You''re that girl from the video!" My stomach drops. "Video? What video?" He snaps his fingers. "The homecoming video! The one that went viral a couple of weeks ago. You know, where that Patriot guy absolutely demolished some poor girl at a school dance?" Oh fuck. Of course. I literally just altered the outcome of national elections, no shit people have seen me. I briefly imagine Jamila teasing me, telling me I''m famous now. The thought makes something tighten in my chest, but I push it down. Not now. Focus, Sam. I force another laugh, this one slightly more convincing. "Oh, that? Yeah, I get that a lot. Crazy coincidence, right? I guess I just have one of those faces." Nina doesn''t look entirely convinced. "I don''t know. The resemblance is pretty uncanny. Are you sure you''re not her?" I shake my head, trying to project a mix of amusement and exasperation. "Pretty sure I''d remember getting my ass kicked by a superhero. Besides, didn''t that girl end up in the hospital with, like, a broken face or something? Look at me." I point to my face, giving them my best ''do I look like I''ve been punched recently'' look. "Nose''s fine. My entire body is as intact as it gets." Unauthorized content usage: if you discover this narrative on Amazon, report the violation. I really hope my nose looks fine. The bartender frowns, looking me over more closely. For a moment, I''m sure he''s going to call bullshit. But then his expression clears, and he nods slowly. "You know what, you''re right. That girl did look pretty roughed up. And it has only been a couple of weeks. There''s no way your nose would have healed that fast." I nod, feeling a rush of relief. "Exactly. Just a weird coincidence, that''s all." Nina still looks a little skeptical, but she doesn''t push it. "I guess. Still, it''s kind of freaky how much you look like her." I shrug, trying to look nonchalant. "Well, you know what they say. Everyone has a doppelganger out there somewhere." The bartender chuckles. "Ain''t that the truth. I once met a guy who looked exactly like my Uncle Frank, except he was about thirty years younger and had all his teeth. Weirdest thing." I force a smile, my heart still racing. "Ha, yeah. Weird." I glance around, suddenly desperate to be anywhere else. "Anyway, I should probably get back out there. Don''t want to miss any of the, uh, fun." Nina nods, already turning her attention to something else. "Yeah, no worries. Hey, if you see your twin out there, tell her I said hi!" I give her a weak thumbs up. "Will do." I walk away from the bar as casually as I can, resisting the urge to bolt. As soon as I''m out of sight, I let out a shaky breath, leaning against a wall for support. That was way too close. I need to be more careful. I take a moment to compose myself, then push off the wall and head deeper into the club, weaving through the crowd. My heart is still racing, adrenaline pumping through my veins. I feel like I''m vibrating, every sense on high alert. As I move, I strain my ears, trying to pick up any interesting conversations over the thump of the music. Most of it is just the usual club chatter - people shouting drink orders, flirting, gossiping about friends and enemies alike. But then I catch a snippet that makes me pause. "¡­heard they''re beefing up security," a guy in a black leather jacket is saying to his friend, leaning in close to be heard. "Ever since that shit with the Phreaks, the bosses are paranoid as fuck." I drift closer, trying to look like I''m just another clubgoer searching for a place to stand. The guy''s friend frowns, taking a swig of his beer. "The Phreaks? I thought they got shut down after that big raid last year." Leather Jacket shakes his head. "Nah, man, that''s a different gang. The Phreaks were the one that blew up a bunch of people by the courthouse. Remember?" It feels so strange, to capture the game of telephone as someone who was on the first end of the line. I''m so focused on eavesdropping that I almost don''t notice the familiar face in the crowd. But then he turns, and I get a clear look at his profile. My breath catches. I know him. Or at least, I know of him. His name is Ethan, but on the streets he goes by Slick. He''s a low-level Kingdom operative, one of the gophers. I''ve seen him around a few times, usually on the periphery of whatever crime scene we''re investigating. He''s never been directly involved in anything major, as far as I know. But he''s definitely connected. Before I can think better of it, I''m moving towards him, weaving through the crowd with purpose. If anyone can give me some insight into what the Kingdom is up to, it''s him. But as I get closer, I realize my mistake. Slick isn''t alone. He''s with a group of other guys, all of them wearing the same black-on-black uniform of Kingdom foot soldiers. They''re huddled together, talking intently about something. I can''t make out the words over the noise of the club, but their body language screams ''up to no good''. I hesitate, torn. Part of me wants to get closer, to try to overhear what they''re saying. But the rational part of my brain, the part that sounds annoyingly like Jason, reminds me that I''m here for information gathering only. Engaging with known criminals is the exact opposite of keeping a low profile. With a frustrated sigh, I turn away, melting back into the crowd. As much as it galls me, I know Jason is right. I can''t risk blowing my cover, not when I''m finally making progress. I spend the next hour or so drifting around the club, my ears pricked for any interesting conversations. It''s surprisingly easy to get people to talk, especially the drunker ones. A little harmless flirting, a few well-placed questions, and they''re spilling their guts like I''m their therapist. "I''m telling you, man, something weird is going on," slurs a guy in a rumpled business suit, his tie askew. He''s been rambling at me for the past ten minutes, and I''ve been nodding along sympathetically, making encouraging noises at appropriate intervals. "All these new people coming in and out at all hours, and not just the usual club crowd, you know? Suits. Real serious looking types." I lean in, widening my eyes. "No shit? That is weird. You think it''s, like, a mafia thing?" He shrugs expansively, nearly sloshing his drink onto my shirt. "Who knows? All I know is, the owner used to be around all the time, schmoozing with the VIPs. But lately? Nada. It''s like he''s disappeared." I frown, trying to look appropriately impressed and alarmed. "Wow. That''s¡­ kind of scary, actually. You don''t think he''s in trouble, do you?" Business Suit Guy shakes his head, then seems to immediately regret the motion, wincing. "Only with his wife! I heard he''s been seeing some lady at the docks. Tall, dark, and handsome. You think he''s cheating on her?" I nod slowly, my mind racing. The docks. I file that away for later. "I''m sure it''s nothing too shady. I mean, this place seems way too classy for anything really illegal, right? Probably just a normal midnight meeting with mysterious strangers." He gives me a bleary smile. "You''d be surprised, kid. But hey, what do I know? I''m just here for the overpriced drinks and the eye candy." Remembering that I''m supposed to be flirting, I give him a coy smile and a wink. "And here I thought you were just here for the stimulating conversation." He laughs, loud and braying. "Cute. You''re cute." He reaches out, tucking a strand of hair behind my ear. His fingers are clammy, and I have to fight not to recoil from his touch. "You know, if you''re looking for a good time, I ain''t never been with a deaf girl before¡­" I grit my teeth, forcing myself to keep smiling. "Tempting, but I''m going to have to pass. Early morning tomorrow, you know how it is. But thanks for the offer." He shrugs, somehow managing to make the gesture look sleazy. "Your loss, lady. I could''ve shown you things you''ve never even dreamed of." Okay, ew. I take a step back, my smile turning brittle. "Flattered, but I''m not really looking for that kind of fun tonight." His face falls, but he recovers quickly, shrugging. "Let me know if you change your mind." I highly doubt that, but I just keep smiling, extricating myself from the conversation as gracefully as I can. God, I feel like I need a shower. Or ten. I knew flirting with drunk assholes was going to be part of the assignment, but I didn''t realize how gross it would make me feel. How do people do this for a living? Chapter 123.3 I''m so busy trying not to shudder that I almost run smack into a woman coming out of the bathroom. I mutter an apology, sidestepping to let her pass, but she just waves me off, already teetering back towards the dance floor on impressively high heels. The flashing lights are starting to give me a headache, and my ears are ringing from the constant thump of the music. I''ve been here for hours, and while I''ve picked up some potentially useful tidbits, I still feel like I''m missing something. Something big. I need to go deeper. I need to get into the back rooms, the offices, the places where the real business happens. But how? As if in answer to my unspoken question, a door near the back of the club opens and a harried-looking woman in a Crescent staff uniform emerges, her arms full of what looks like cleaning supplies. She leaves the door propped open with her hip as she wrestles with her load, and in that brief moment, I catch a glimpse of a hallway stretching back into the depths of the building. Bingo. I scan the club, looking for any way into the back areas. That''s when I spot it: a nondescript door near the rear of the club, marked "Employees Only." It''s my best shot at finding something useful. But how to get past it without arousing suspicion? I need a distraction. I take a deep breath, steeling myself for what I''m about to do. It goes against every instinct I have as a hero, but sometimes you have to break a few eggs to make an omelet. Or in this case, start a fight to infiltrate a criminal organization. I make my way to the dance floor, weaving through the throng of bodies until I spot my target: a big guy with a mean look in his eye, clearly spoiling for a fight. There''s dozens of them, so I really just pick the baldest one. "Sorry!" I yell over the music as I ''accidentally'' bump into him, hard enough to spill his drink down his shirt. His reaction is immediate and predictable. "What the fuck?" he roars, shoving me back. I stumble, bumping into another dancer behind me. "Hey, watch it!" they shout, giving me a push of their own. I let it go, turning myself into a human pinball. Very quickly, within about 15 seconds, arguments start. Another thirty, and someone throws the first drunken fist, thankfully not at me. I take a tumble and get stepped on a little bit, but that''s okay. The dance floor erupts into chaos. Shouts and curses fill the air as people start shoving and throwing punches. I duck and weave, crawling a little big ignominiously until I can stand, slipping away from the melee I''ve created. I position myself near the employee door, waiting and watching as security guards rush past me towards the fight. In the commotion, no one notices as I slip through the door, letting it close softly behind me. Immediately, the sound of the club is muffled, reduced to a dull thumping that I can feel more than hear. The hallway stretches out before me, dimly lit and lined with doors. It smells like cleaning products and stale cigarette smoke. I tap my ear, activating my earpiece. "Jordan?" I murmur, keeping my voice low. "I''m in. How''s everything looking on your end?" There''s a beat of silence, then Jordan''s voice crackles to life in my ear. "Sam? Shit, hang on-" a rustling sound, like they''re adjusting their position. "Sorry, I couldn''t hear a fucking thing with all that noise. You''re in the back? Good job. Tell me how you did it later. How''s it looking?" I start down the hallway, trying to move quietly. My sneakers squeak on the linoleum, sounding impossibly loud in the relative quiet. "Lots of doors," I report back, my voice barely above a whisper. "No signs or anything. I feel like I''m in one of those mazes they use for mice experiments." Jordan snorts. "Knowing the Kingdom, it just might be. Be careful, okay? Those doors could lead anywhere." I nod, even though they can''t see me. "Got it. I''ll just-" I pause, hearing voices approaching from around a corner ahead. "Shit. Someone''s coming." "Act drunk," Jordan advises immediately. "Start mumbling to yourself, maybe sway a little. No one questions a drunk person stumbling around where they shouldn''t be." I take their advice, starting to weave slightly as I walk, letting my steps become heavier, less coordinated. I start muttering under my breath, a steady stream of nonsense. "Where''s the bathroom? I swear it was around here somewhere. Or maybe that was the kitchen? Why are there so many damn doors in this place?" Just as the voices round the corner, I let myself stumble, catching myself against a wall with a loud thump. Two men in suits appear, deep in conversation. They pause when they see me, eyebrows raising. I look up at them, blinking owlishly. "Oh, hi!" I say, my voice a little too loud, a little too bright. "I''m looking for the bathroom. Or maybe the exit. I think I''m lost." I dissolve into giggles, hiccuping a little for good measure. The men exchange a look, then seem to come to a silent agreement. "Bathrooms are back that way," one of them says, pointing back the way I came. "Big sign, can''t miss it." I nod vigorously, then wince, pressing a hand to my head. "Right. Yes. Sign. Thank you sooooo much." I push off the wall, staggering a little as I turn myself around. "You''re so nice. This is such a nice place. I love it here." I can feel their eyes on my back as I weave my way back down the hall, still muttering to myself. I let myself stumble a few more times, occasionally reaching out to touch the wall as if for balance. It''s not until I hear their voices fade behind me that I let myself breathe normally again. "Nice job," Jordan says in my ear. "Very convincing. I almost believed you were actually drunk." I roll my eyes. "Thanks. I''ve been practicing." I continue down the hallway, leaning against doorknobs as I go. Most of them are locked, or, as Jordan so subtly put it, "electronically impeded". Even if I could pick a lock, which I can''t, I wouldn''t be able to get through. I start to feel a prickle of frustration. What''s the point of sneaking back here if I can''t actually get anywhere? "Hey, Jordan," I murmur, after trying and failing to open yet another door. "I think we might have a problem. Everything''s locked up tighter than¡­ well, something that''s locked up really tight." There''s a crackle of static, then silence. I frown, tapping my earpiece. "Jordan? Do you copy?" Stolen from its original source, this story is not meant to be on Amazon; report any sightings. More silence. Shit. Something must be interfering with the signal. Some kind of electronic shielding? It would make sense, given how paranoid the Kingdom seems to be. I''m on my own. I keep moving, my senses on high alert. Without Jordan''s voice in my ear, I feel exposed, vulnerable. Like at any moment someone is going to jump out and demand to know what I''m doing back here. But no one does. The hallway remains quiet, deserted. I start to wonder if maybe I''m being too paranoid. Maybe this is just a normal back area, nothing sinister or secretive about it. There are spots on the wall that look like they used to hold a door there, once, maybe during a prior renovation, but are now just bricked over with slightly-unmatching patterns of brick. Then I see the door. It''s at the end of the hallway, set a little apart from the others. And unlike every other door I''ve tried, it''s not fully closed. There''s a sliver of light spilling out from the crack, and I can hear the faint hum of electronics from inside. Jackpot. "The bathroom!" I call out, just loud enough that whatever security devices - the angry red eyes of the cameras on the ceiling - are watching get to hear me. I glance around without turning my head, making sure the coast is clear, then sway towards the door, my heart pounding. This is it. Whatever''s behind this door, it''s important. I can feel it. I reach for the handle, my palm sweaty. Please don''t be locked, please don''t be locked, please don''t be- It turns. The door swings open silently, and I slip inside, pulling it shut behind me. I find myself in an office, dimly lit by the glow of computer monitors. There''s a desk, cluttered with papers and half-empty coffee cups. A filing cabinet in the corner. And on the far wall, a large map of Philadelphia. I approach it, my eyes widening. There are markings all over it, red circles and hastily scrawled notes. I recognize some of the locations. City Hall. The Zoo. A few high schools, including my own. And down by the waterfront, several spots marked along the docks. What the hell? I fumble for my phone, pulling it out and snapping a quick picture of the map. Getting caught by cameras be damned. This is a smoking gun. My hands are shaking, making it hard to focus. This is exactly the kind of thing we''ve been looking for. Proof that the Kingdom is planning something, something that involves the entire city. But before I can process this new development, I hear voices in the hallway. Coming closer. Fuck. I shove the papers back onto the desk haphazardly and lunge for the door. I crack it open, peering out. The hallway is still empty, but the voices are getting louder. I can''t make a run for it, they''ll definitely see me. Shit shit shit. Think, Sam, think. I look around wildly, searching for a place to hide. There''s a small closet in the corner, but it''s too obvious. Under the desk? No, they''ll look there for sure. My eyes land on the filing cabinet. It''s one of those big, multi-drawer ones, the kind that looks like it could hold a body. Or a curled-up teenage superhero. I don''t let myself think too hard about it. I wrench open the bottom drawer, wincing at the screech of metal on metal. Please be empty, please be empty¡­ It''s not empty. But the files inside are packed loosely enough that I think I can cram myself in there. It''s going to be a tight fit, and extremely uncomfortable, but it beats getting caught red-handed. I start pulling out handfuls of files, stacking them as neatly as I can on the floor. My heart''s pounding so hard I''m sure they must be able to hear it in the hallway. Hurry hurry hurry¡­ By the time I''ve cleared enough space, the voices are right outside the door. This is it. No more time. I hoist myself into the drawer, bringing my knees up to my chest and tucking my head down. It''s even more cramped than I thought it would be, the metal sides pressing in on me from all angles. I have to bend my neck at a weird angle to fit, and my legs are already starting to cramp. But I''m in. I''m hidden. I hold my breath as the door opens and two sets of footsteps enter the room. They''re still talking, something about shipments and timetables. I strain my ears, trying to catch any details, but it''s hard to focus past the thudding of my own heartbeat. Please don''t look in here, I chant silently. Please please please don''t look in here. I squeeze myself, trying to rustle one of the surveillance bugs - one of the last ones - out of my pocket. Gingerly, I manage to place it underneath some of the few papers remaining, sliding it into a spot where I don''t think it''ll be found, under the folders. Then, I squish myself a little more, trying to channel Connor. "¡­telling you, we need to move up the schedule," one of the voices is saying. It''s a woman, her tone sharp and annoyed. But it''s not Maya. "The last thing we need is another fiasco like the courthouse." "I know, I know," the other voice says placatingly. A man, his voice deep and rough. "But we can''t rush this. Everything has to be in place before we make our move. One wrong step and the whole thing falls apart." The woman sighs, and I hear the squeak of a chair as she sits down heavily. "I still don''t like it." "It''s a necessary risk," the man says. He sounds tired, like they''ve had this conversation before. "We have to coordinate with too many people to keep everything in our heads." They keep talking, but I''m finding it harder and harder to focus on their words. The air in the drawer is getting thin, stale and hot from my own panicked breathing. My muscles are screaming from being contorted into this unnatural position for so long. I''m starting to feel lightheaded, black spots dancing at the edges of my vision. Then, like a gift from the universe, I hear a phone ring. The woman curses, and there''s a rustle of fabric as she digs it out of her pocket. "What?" she snaps into the receiver. "No, I told you, I''m in a meeting." A pause. "What do you mean, she''s here? Well, stall her! I don''t care how, just do it. I''ll be there as soon as I can." She hangs up, and I hear her stand. "I have to go deal with this," she tells the man, annoyance dripping from every word. "Don''t go anywhere. We''re not done." He grunts an acknowledgment, and I listen to the click of her heels as she stalks out of the room, slamming the door behind her. Okay. One down, one to go. I just have to wait until he leaves, and then I can make my escape. Easy peasy. Except he''s not leaving. I can hear him shuffling papers on the desk, muttering to himself as he works. The minutes drag by, each one feeling like an eternity. I''m starting to worry that I really will pass out, or piss myself, or something else equally mortifying. Just as I''m about to give in to despair, I hear a knock at the door. The man sighs, and I hear his chair scrape back as he stands. "Come in," he calls. The door opens, and a new voice enters the mix. Another man, younger-sounding and slightly out of breath. "Sir, we have a situation. One of the bouncers found a wallet on the floor, says it belongs to a regular. He''s getting antsy, demanding to speak to a manager. Real tall type. Like, seven feet. Brown hair. You know him?" The older man curses under his breath. "Not anyone I know. Bet it''s one of Maya''s. You can''t handle it yourself because¡­?" "I tried, sir. But he''s not backing down. They say he won''t leave until they gets his wallet back, and he''s making a scene. We need to deal with this before it attracts too much attention." A long, tense pause. Then, a heavy sigh. "Fine. I''ll be right there. This better not take long." "Yes, sir. Of course, sir." Two sets of footsteps, moving towards the door. The creak of hinges, then blessed, blessed silence. I count to ten, slowly, making absolutely sure they''re gone. Then I start the arduous process of extricating myself from my hiding place. It''s even harder than getting in was. My muscles have locked up, joints stiff and uncooperative. I have to bite my lip to keep from crying out as I slowly unfold myself, inch by agonizing inch. By the time I''m standing on shaky legs, I''m drenched in sweat and trembling all over. But I''m out. I''m free. I don''t waste time celebrating. I lurch for the door, cracking it open and peeking into the hallway. Coast is clear, for now. But who knows how long that will last? I slip out of the office, easing the door closed behind me with a soft click. Then I''m moving, half-stumbling, half-running down the hallway on legs that feel like jelly. I retrace my steps as best I can, taking turn after turn, praying I''m going the right way. Then, I round into a hallway that I don''t recognize. I turn around, trying to get to a different fork, and immediately slam into a wall of flesh and cloth, met with the crinkling of a paper bag. A dissolved hole in the brick frames his body, vaguely human shaped, slowly reorganizing itself back into a solid structure. Mudslide adjusts his necktie with two hands, one on the knot, the other on the cloth. I can hear the smile in his voice. "Small," he croons. "It''s my lucky day." WORLD OF CHUM: Project Titan (1) CLASSIFICATION: TOP SECRET//NOFORN PROJECT TITAN: PHASE ONE ASSESSMENT AND TRANSITION PLAN 1. EXECUTIVE SUMMARY Project Titan, initiated in 2006, aimed to artificially induce superhuman abilities in military personnel. After two years of intensive research and experimentation, this report concludes that artificial induction of superhuman abilities is not currently feasible. This document outlines the project''s findings and proposes a transition to Phase Two, focusing on the integration of naturally occurring superhumans into military structures. 2. BACKGROUND 2.1 Project Inception Project Titan was conceived in response to the increasing prevalence of superhuman individuals globally and the potential national security implications. The Joint Chiefs of Staff authorized the project on 15 March 2006, with an initial two-year mandate. 2.2 Objectives
  • Develop reliable methods for artificial induction of superhuman abilities
  • Understand the underlying mechanisms of superhuman activation
  • Create a controllable source of superhuman military assets
3. METHODOLOGY 3.1 Experimental Approaches 3.1.1 Radiation Exposure
  • Controlled doses of various radiation types (gamma, cosmic, etc.)
  • Results: No successful activations. 12% of subjects developed severe health complications.
3.1.2 Chemical/Biological Agents
  • Synthesized compounds based on blood work from known superhumans
  • Results: 2 subjects displayed temporary enhanced strength, but effects were not replicable and led to organ failure.
3.1.3 Psychological Stress Tests
  • Simulated near-death experiences under controlled conditions
  • Results: 3 subjects activated latent abilities, but rate consistent with general population (0.15%).
3.1.4 Genetic Manipulation
  • CRISPR and other gene therapy techniques targeting theorized "superhuman genes"
  • Results: No successful activations. 1 subject developed uncontrolled cellular growth, terminated.
3.2 Volunteer Program
  • 500 volunteers recruited from various military branches
  • Rigorous physical and psychological screening
  • Informed consent obtained, with full disclosure of risks
  1. RESULTS AND ANALYSIS
4.1 Activation Statistics
  • Total Subjects: 500
  • Successful Activations: 3 (0.6%)
  • Activation Rate in General Population: 0.15%
  • Statistical Significance: p > 0.05 (not significant)
4.2 Health Impacts
  • Severe Complications: 67 subjects (13.4%)
  • Mild to Moderate Complications: 212 subjects (42.4%)
  • No Lasting Effects: 218 subjects (43.6%)
  • Fatalities: 3 (0.6%)
4.3 Psychological Impacts
  • PTSD Diagnosed: 89 subjects (17.8%)
  • Other Psychological Disorders: 134 subjects (26.8%)
  • No Significant Psychological Impact: 277 subjects (55.4%)
4.4 Cost Analysis
  • Total Project Cost: $1.2 billion
  • Cost per Activation: $400 million
  • Estimated Lifetime Healthcare Costs for Affected Subjects: $890 million
5. CONCLUSIONS 5.1 Feasibility of Artificial Induction Based on extensive experimentation and analysis, artificial induction of superhuman abilities is deemed not feasible with current technology and understanding. The activation rate achieved does not significantly differ from natural occurrence in the general population. 5.2 Ethical Considerations The high rate of adverse health effects and psychological trauma raises significant ethical concerns about continuing this line of research. 5.3 Resource Allocation The extreme costs associated with the project, both financial and human, are not justifiable given the lack of significant results. 6. RECOMMENDATIONS 6.1 Immediate Actions
  • Cease all artificial induction experiments effective immediately
  • Initiate comprehensive health monitoring program for all project participants
  • Classify all project data at TOP SECRET level
6.2 Transition to Phase Two It is recommended that Project Titan transition to a new phase focused on the integration and utilization of naturally occurring superhumans within military structures. 7. PHASE TWO: INTEGRATION AND UTILIZATION PLAN 7.1 Objectives
  • Identify and recruit existing superhumans within military and veteran populations
  • Develop training programs to integrate superhuman abilities into military operations
  • Create new command structures and protocols for superhuman units
  • Establish ethical guidelines for the use of superhuman abilities in warfare
7.2 Identification and Recruitment 7.2.1 Screening Process
  • Implement mandatory screening for all active duty personnel and new recruits
  • Offer voluntary screening for veterans and military families
  • Develop non-invasive testing methods to identify latent abilities
7.2.2 Recruitment Strategies Enjoying the story? Show your support by reading it on the official site.
  • Offer specialized career tracks for superhuman service members
  • Develop incentive packages for superhuman enlistment and retention
  • Create targeted marketing campaigns for civilian superhuman recruitment
7.3 Training and Integration 7.3.1 Superhuman Training Facilities
  • Establish dedicated training centers with power-resistant infrastructure
  • Develop simulation technologies for power use in combat scenarios
  • Create joint training programs for superhuman and non-superhuman units
7.3.2 Tactical Integration
  • Revise existing field manuals to incorporate superhuman abilities
  • Develop new tactical doctrines leveraging superhuman capabilities
  • Conduct war games and simulations to test superhuman-inclusive strategies
7.4 Command Structure Adaptation 7.4.1 New Positions and Ranks
  • Create superhuman liaison officers for each major command
  • Establish superhuman-specific ranks and promotion criteria
  • Develop protocols for superhuman chain of command integration
7.4.2 Unit Organization
  • Form specialized superhuman units within each branch
  • Integrate individual superhumans into existing special operations teams
  • Create rapid response superhuman task forces
7.5 Equipment and Technology 7.5.1 Adaptive Gear
  • Develop power-enhancing and control technologies
  • Create durable, adaptive uniforms for various superhuman abilities
  • Design communication systems resistant to superhuman interference
7.5.2 Containment and Countermeasures
  • Research and develop superhuman containment technologies
  • Create non-lethal suppression methods for hostile superhumans
  • Establish secure facilities for superhuman detention
7.6 Medical and Psychological Support 7.6.1 Specialized Medical Care
  • Establish dedicated medical facilities for superhuman personnel
  • Train medical staff in superhuman physiology and treatment
  • Develop protocols for power-related injuries and conditions
7.6.2 Mental Health Services
  • Create specialized counseling programs for superhuman service members
  • Research long-term psychological effects of superhuman military service
  • Develop support systems for families of superhuman personnel
7.7 Legal and Ethical Framework 7.7.1 Rules of Engagement
  • Develop new ROEs incorporating superhuman abilities
  • Establish protocols for proportional use of superhuman force
  • Create guidelines for superhuman involvement in different conflict types
7.7.2 International Law
  • Engage in diplomatic efforts to establish international superhuman warfare conventions
  • Develop policies compliant with existing laws of war
  • Create frameworks for superhuman POW treatment and exchange
7.8 Intelligence and Counterintelligence 7.8.1 Superhuman Intelligence Gathering
  • Develop protocols for using superhuman abilities in intelligence operations
  • Create safeguards against superhuman espionage and infiltration
  • Establish superhuman-enhanced HUMINT and SIGINT capabilities
7.8.2 Threat Assessment
  • Create databases of known foreign superhuman assets
  • Develop predictive models for superhuman threat scenarios
  • Establish early warning systems for superhuman attacks
8. RESOURCE REQUIREMENTS 8.1 Personnel
  • Superhuman Training Staff: 500
  • Research and Development Team: 1,000
  • Administrative and Support Staff: 2,500
  • Medical and Psychological Staff: 1,000
8.2 Facilities
  • 5 Dedicated Superhuman Training Bases
  • 3 R&D Centers
  • 2 Specialized Medical Facilities
8.3 Budget
  • Year 1: $5 billion
  • Year 2-5: $3 billion per year
  • Total 5-Year Budget: $17 billion
9. TIMELINE
  • Month 0-3: Project restructuring and initial recruitment
  • Month 3-6: Establish training facilities and protocols
  • Month 6-12: Begin superhuman integration and specialized training
  • Year 2: Full implementation of new command structures and tactics
  • Year 3-5: Continuous evaluation and adaptation of the program
10. RISKS AND MITIGATION 10.1 Public Relations Risk: Public backlash against superhuman military units Mitigation: Develop comprehensive media strategy and transparency protocols 10.2 International Tensions Risk: Escalation of arms race with other nations developing superhuman forces Mitigation: Engage in diplomatic efforts for international superhuman treaties 10.3 Internal Conflicts Risk: Tension between superhuman and non-superhuman personnel Mitigation: Implement integration training and conflict resolution programs 10.4 Power Control Risk: Accidental damage or casualties from untrained use of abilities Mitigation: Rigorous training programs and fail-safe protocols 11. CONCLUSION The transition of Project Titan from artificial induction to integration represents a crucial pivot in U.S. military superhuman strategy. While the initial phase did not yield the desired results, the lessons learned and infrastructure developed provide a strong foundation for Phase Two. The integration of superhumans into our military structure is essential for maintaining strategic superiority in an evolving global landscape. 12. RECOMMENDATION It is the recommendation of this committee that Project Titan immediately cease all artificial induction experiments and transition to Phase Two as outlined in this document. We request immediate approval and resource allocation to begin implementation. Respectfully submitted, [REDACTED] Project Titan Oversight Committee Date: August 12th, 2008 CLASSIFICATION: TOP SECRET//NOFORN WORLD OF CHUM: Project Titan (2) CLASSIFICATION: TOP SECRET//NOFORN MEMORANDUM FOR: Secretary of Defense FROM: General James D. Thurman, Project Titan Oversight Committee SUBJECT: Project Titan Phase Two - Final Assessment and Recommendations
  1. EXECUTIVE SUMMARY
This report provides a comprehensive assessment of Project Titan''s Phase Two, which focused on integrating superhuman individuals into U.S. military structures. The project, conducted from 2008 to 2013, has yielded valuable insights into the potential and limitations of superhuman integration in modern warfare. While we have made significant strides in certain areas, we have also encountered substantial challenges that require careful consideration for future planning.
  1. INTEGRATION AND OPERATIONAL EFFECTIVENESS
Our efforts to integrate superhuman service members into existing military structures have met with mixed success. We successfully incorporated approximately 65% of identified superhuman personnel into specialized units or existing forces. These individuals have shown remarkable adaptability and have significantly enhanced our capabilities in specific scenarios, particularly in rapid response situations and specialized operations. However, the integration process has not been without its challenges. A significant portion of superhuman service members (approximately 35%) struggled to adapt to traditional military structures. Issues ranged from difficulty in controlling their abilities in high-stress combat situations to challenges in following standard chains of command. This has led to some disciplinary issues and, in a few cases, honorable discharges. In terms of operational effectiveness, superhuman units have excelled in specific types of missions, such as hostage rescue, disaster response, and certain special operations. Their unique abilities have allowed for rapid deployment and execution of high-risk operations with reduced casualties among our conventional forces. Nevertheless, the effectiveness of superhuman units in large-scale, conventional warfare scenarios has been less pronounced than initially anticipated. The diverse and often unpredictable nature of superhuman abilities has posed significant challenges in terms of tactical integration and logistical support.
  1. TRAINING AND COMMAND STRUCTURE
We have made substantial progress in developing standardized training protocols for superhuman service members. However, the diverse nature of superhuman abilities necessitates a high degree of individualization in training regimens, which has proven resource-intensive. The integration of superhumans into the existing command structure has been an ongoing challenge. While we have successfully established new protocols and command hierarchies to accommodate superhuman units, there remain issues in seamlessly incorporating superhuman decision-making into traditional military operations.
  1. MEDICAL AND PSYCHOLOGICAL CONSIDERATIONS
Our medical teams have made significant advancements in understanding and treating superhuman-specific injuries and conditions. However, we have observed higher than anticipated rates of stress-related disorders among superhuman service members. The unique pressures of their roles, combined with the psychological impact of their abilities, have led to increased instances of PTSD and other mental health issues. Ensure your favorite authors get the support they deserve. Read this novel on the original website. Long-term health effects of sustained superhuman activity are still being studied, and we recommend continued monitoring and research in this area.
  1. ETHICAL AND LEGAL FRAMEWORK
We have established basic rules of engagement for superhuman warfare, which have been largely effective in guiding operations. However, many gray areas remain, particularly concerning the proportional use of superhuman abilities in combat situations. Efforts to develop international agreements on superhuman military use have been challenging, with many nations reluctant to engage in such discussions. This has led to some diplomatic tensions and concerns about potential arms race scenarios.
  1. RECRUITMENT AND RETENTION
Initial recruitment efforts for superhuman service members were highly successful, with many individuals eager to serve. However, as the program progressed, we observed increasing challenges in retention. Some superhuman service members have opted to leave the military, citing reasons such as stress, disagreement with military structure, or pursuing opportunities in the private sector.
  1. INTELLIGENCE AND COUNTERINTELLIGENCE
The integration of superhuman abilities has significantly enhanced our intelligence-gathering capabilities in certain areas. However, it has also presented new challenges in maintaining information security and preventing potential superhuman-enabled espionage.
  1. BUDGETARY CONSIDERATIONS
While the initial high investment in Project Titan was justified by potential gains, we have seen diminishing returns in recent years. The resource-intensive nature of superhuman integration, particularly in terms of specialized training and support, has led to budgetary strains that need to be addressed in future planning.
  1. RECOMMENDATIONS
Based on our findings, we recommend the following: a) Continue the integration of superhuman service members, but with a more targeted approach focusing on specialized operations where their abilities have proven most effective. b) Revise training protocols to better address the psychological challenges faced by superhuman service members. c) Develop more flexible command structures that can better accommodate the unique nature of superhuman abilities while maintaining necessary military discipline. d) Increase investment in medical research to address long-term health concerns of superhuman service members. e) Engage in diplomatic efforts to establish international norms regarding the use of superhuman abilities in warfare. f) Reassess budget allocations to ensure sustainable long-term integration of superhuman capabilities into our military structure.
  1. CONCLUSION
Project Titan has provided invaluable insights into the integration of superhuman individuals into military operations. While we have faced significant challenges, the potential benefits of continued superhuman integration are substantial. Moving forward, a more nuanced and targeted approach will be necessary to fully leverage these unique capabilities while addressing the complexities they introduce to modern warfare. Respectfully submitted, General James D. Thurman Project Titan Oversight Committee Date: 10/12/2013 CLASSIFICATION: TOP SECRET//NOFORN Chapter 124.1 For a moment, I can''t breathe. It''s like all the air has been sucked out of the hallway, leaving nothing but the oppressive weight of Mudslide''s presence. His face, wrapped in that ridiculous brown paper bag mask, is inches from mine, close enough that I can smell the stale cigarette smoke on his breath. I take an instinctive step back, my heart pounding so hard I''m sure he must be able to hear it. For the first time, I can see his facial features. Greying stubble. A chin that could cut glass. He looms over me, a smile playing at the edges of his lips. He''s wearing a suit, but not like the ones the other Kingdom goons are wearing. His is nicer, tailored, the kind of suit you wear when you want to impress someone. Or intimidate them. "I asked you a question, Small," he says, his voice deceptively mild. "What are you doing here?" "I... I don''t know what you''re talking about," I stammer, my mind racing. How did he recognize me? I look completely different! Did I not do as good a job as I thought? Mudslide''s lips curl into a sneer. "Don''t play dumb with me, Small. I''d know that self-righteous little face anywhere. Even if you''ve dolled yourself up like some two-bit hooker." My mind races, scrambling for an excuse, a lie, anything. But I''m coming up blank. All I can think is that I''m trapped, cornered by a man who can turn solid ground into quicksand with a touch. "I was just leaving," I manage to croak out, trying to edge around him. But he sidesteps, blocking my path. "Not so fast," he says, his smile widening. "You and I have some unfinished business, don''t we?" I swallow hard, my mouth suddenly dry. "Look, Mudslide," I start, trying to keep my voice steady. "I don''t want any trouble. I was just-" "Just what?" he interrupts, taking a step closer. I instinctively take a step back, and feel my heel sink into the floor. I look down and see that the tiles around my feet have turned to mud, sucking at my shoes like quicksand. "Just snooping around where you don''t belong? Just sticking your nose into Kingdom business?" I try to pull my feet free, but the mud holds fast. Shit. Shit shit shit. "I don''t know what you''re talking about," I say, trying for bravado. But even I can hear the tremor in my voice. "I''m just here for the music. And the overpriced drinks." I crack a smile, though I doubt it''s very convincing. Mudslide laughs, a harsh, grating sound. "Do you think I''m stupid, Small? Do you think I don''t know exactly who you are, even in that ridiculous getup?" I bristle at the insult, anger momentarily overriding my fear. "Fuck you," I spit before I can stop myself. "Careful, little girl," Mudslide says, his voice low and dangerous. "I can bury you ten feet deep in this concrete before you can even blink. Now, why don''t you tell me what you''re really doing here?" I swallow hard, trying to keep the panic out of my voice. "I told you, I don''t know what you''re talking about. I''m just here for a good time, same as anyone else." He laughs, a harsh, grating sound that sends chills down my spine. "A good time? In the back offices of the club? Try again, Small. I''m not as stupid as you seem to think I am." "Fine. You want to know so bad? I''ll tell you," I say, clenching my entire body up, twisting and wiggling my toes. Slowly, deliberately, I reach up to my ear. Mudslide tenses, his eyes tracking my every move. I pull out my earpiece, holding it up between us. "You know what this is?" I ask, trying to keep my voice steady. Mudslide eyes it suspiciously. "Some kind of hearing aid? Didn''t realize you were deaf." I shake my head. "GPS tracker. The Delaware Valley Defenders know exactly where I am right now. And if anything happens to me..." I let the implication hang in the air. For a moment, uncertainty flickers across Mudslide''s face. Then his eyes narrow again. "You''re bluffing." I raise an eyebrow, channeling every ounce of false bravado I can muster. "Am I? You really want to take that risk? Because I can guarantee you, if I don''t check in within the next five minutes, this place is going to be swarming with heroes. And I don''t think your bosses would be too happy about that, would they?" As I''m talking, I''m slowly, carefully working my feet inside my shoes. If I can just get them loose enough... Mudslide''s jaw clenches. I can almost see the gears turning in his head as he weighs his options. "Why would the Defenders send you in here alone? That doesn''t make any sense." I force a laugh. "Who said I was alone? My partner''s out in the club right now. Seven feet tall, brown hair, built like a stick figure? Hard to miss." Thank god for Connor''s perfect timing earlier. Unauthorized reproduction: this story has been taken without approval. Report sightings. Mudslide''s eyes widen slightly, and then narrow. "The contortionist," he mutters. I nod, pressing my advantage. "Exactly. So you see, harming me would be a very, very bad idea. For you and for the Kingdom. Now, why don''t you let me go, and we can both pretend this little encounter never happened?" He stares at me for a long moment, his expression unreadable. The mud around my feet has stopped rising, but it hasn''t receded either. I hold my breath, waiting. His expression is totally unreadable. Then, slowly, he reaches out and plucks the "hearing aid" from my hand, examining it closely. "Interesting," he murmurs, turning it over in his fingers. "Very interesting." I hold my breath. Okay, Sam, stay cool. Don''t let him see you sweat. Which is hard, because I''m definitely sweating. A lot. Just as I''m starting to wonder if he''s somehow figured out my bluff, he looks back up at me, his eyes hard. "So let me get this straight," he says, his voice cold. "You''re telling me that you, a lone teenage superhero, decided to infiltrate a notorious criminal organization''s base of operations, with only one backup, who just happens to be a known ex-villain. And now you expect me to believe that the DVD, the same organization that has been trying and failing to take down the Kingdom for years, is suddenly going to come riding to your rescue if I don''t let you go. That about sum it up?" Well, when he puts it like that. It does sound pretty implausible. But then, I knew my gamble was only gonna get me so far. I always knew a few of them. It can''t always going to come down to a battle of wits. I have to figure out some way to slip out of my shoes without getting caught. I can''t stand around here arguing forever. I try to swallow, but my throat is so dry it hurts. "That''s about the size of it, yeah," I say, trying for a nonchalant tone. Like this is all just a big misunderstanding, a funny story we''ll laugh about later. "So why don''t you just let me go, and we can both forget this ever happened. No harm, no foul, right?" For a moment, Mudslide just looks at me. Then he laughs, a dark, humorless sound that sends chills down my spine. "No harm, no foul," he repeats, shaking his head. "Samantha Small, do you enjoy lying?" For some reason, the question makes my chest hurt. My ankles twist slightly as I lean forward, straining against the liquefied tile. "Fuck you," I spit back, but it lacks bite. Mudslide''s smile fades, his expression turning hard. "You''ve got a mouth on you, Small. I can respect that. But respect only gets you so far in this world. Sooner or later, you''re going to have to learn to watch your tone. Especially around your betters. Let''s say I do believe you. That still doesn''t explain what you''re doing back here. What are you looking for?" I hesitate, my mind racing. I can''t tell him the truth, obviously - that I''m here to bug the whole place to kingdom come. But I need to give him something plausible. "Information," I say finally. "We know the Kingdom is planning something big. We''re just trying to figure out what it is before anyone else gets hurt." Mudslide''s eyes narrow. "And you thought you''d just waltz in here and find it all laid out for you? You really are as naive as you look." I shrug, trying to look nonchalant despite the fact that my heart is still pounding a mile a minute. "Worth a shot. Besides, it''s not like you guys have been particularly subtle lately. Maya Richardson? Really?" I see his jaw clench. His face darkens. "You think you''re so clever, don''t you? You have no idea what''s really going on. No idea at all." I raise an eyebrow. "Then enlighten me. What am I missing?" For a moment, I think he''s going to take the bait. But then his expression hardens. "Nice try, kid. But I''m not that easy to manipulate. Dump out everything in your purse," he says, his voice cold and flat. "Give me your earpiece. And after I break all your little recording devices, I''m going to shoot you in the fucking face. I don''t care anymore. You''ve crossed the line, fucked with me and mine for the last time." My heart stops. He''s not buying it. He''s calling my bluff. My blood runs cold. This isn''t how this was supposed to go. I open my mouth to protest, to try another angle, but he cuts me off. Slowly, carefully, he reaches into his jacket and pulls out a gun. A real gun, not a taser or a tranq pistol. The barrel gleams dully in the dim light of the hallway, pointed straight at my head. "Move nice and slow," he orders, his finger tightening on the trigger. "No sudden moves, or I decorate the wall with your brains. Understand?" I nod, my mouth too dry to speak. With shaking hands, I reach for my purse, never taking my eyes off the gun. I have to play along, at least for now. I have to make him think he''s won, that I''m beaten. A plan. I need a plan. Come on, Sam, think. You''ve gotten out of tighter spots than this before. You can do this. You have to do this. But my mind is blank, my thoughts scattering like leaves in a hurricane. All I can see is the barrel of that gun, the cold, merciless look in Mudslide''s eyes. He''s going to kill me, whether I comply or not. The only difference is the timing. As I slowly open my purse, my eyes dart around, looking for something, anything I can use. Underneath piles of change and folded-up notes from school, I have my tiny stash. The world''s smallest first aid kit. The world''s smallest can of mace. The world''s smallest little tazer. It''s not much. But it''s all I have. In one smooth motion, I kick off my shoes, feeling the faintly prickly sensation of the tile twisting around my feet. I grab the can of mace, my thumb finding the trigger almost on instinct. I don''t hesitate, don''t give Mudslide time to react. I just aim and spray, straight into his face. He''s nearly as tall as Connor, it feels like. It''s like graffiting a skyscraper. He screams, the sound raw and animal, his hands flying up to claw at his eyes. The gun goes off, the report deafening in the close confines of the hallway. White-hot pain lances through my upper arm as the bullet tears a deep furrow in the meat of my shoulder, and I feel a warm gush of blood, soaking into the sleeve of my jacket. But I don''t stop. I can''t stop. I lunge forward, my teeth growing out of my hands, and rip Mudslide''s cheek clean open, the thick snarl of flesh slapping down onto the bone. I drop the mace and grab the taser, jamming it into his neck and pulling the trigger. It''s not anything like a police-order taser. It''s small. It''s portable. It''s designed for self defense, for civilians against superhumans. It won''t put anyone on the floor for more than a couple of seconds, but that''s all I need. The gun goes off again, but this time it''s wide, the bullet embedding itself in the wall behind me. It drops from his spasming fingers, clattering to the ground. I shove him, hard, sending him sprawling back into the wall with a heavy thud. Then I''m running, grabbing for my dropped purse with my good arm and sprinting down the hallway as fast as my shaking legs will carry me. Behind me, I can hear Mudslide roaring, his voice choked with pain and rage. "SMALL!" he bellows, the sound echoing off the close walls. "I''LL FUCKING KILL YOU! YOU HEAR ME? YOU''RE FUCKING DEAD!" Chapter 124.2 I don''t look back. I just run, my breath coming in ragged gasps, my heart slamming against my ribs. I have to get out of here. I have to find a way out, before he recovers, before he comes after me. But this is Crescent''s back rooms. A twisting labyrinth of hallways and locked doors, with no clear exit. I''m lost, disoriented, my sense of direction completely shot by the surge of adrenaline pumping through me. Then I''m running, my feet slapping against the tile floor. I don''t know where I''m going, but anywhere has to be better than here. My arm is on fire, each step sending a fresh jolt of pain through me. I risk a glance down and immediately wish I hadn''t. There''s a deep gouge carved across my bicep, blood flowing freely down my arm and dripping onto the floor. The coppery scent of my own blood is heavy in my nostrils as I run, adding to my disorientation. But it''s not just my own blood I can smell. There are other scents too, other people''s blood, drifting on the air currents. Clubgoers who''ve partied too hard, maybe cut themselves on a broken glass. Employees who''ve nicked themselves shaving, or caught their finger in a door. Women on their periods, their scent faint but distinct among the sweat and smoke and spilled alcohol. I latch onto those scents like a lifeline, using them as a guide through the maze of hallways. If I can just get back to the main club, I can lose myself in the crowd, slip out before Mudslide catches up to me. But it''s not going to be easy. I can hear him behind me, his footsteps heavy and uneven, punctuated by the wet sound of melting brick and shattering tile as he uses his powers to charge straight through the walls. He''s not even bothering with doors anymore, just smashing through anything in his path like a human wrecking ball. And he''s gaining on me. I can hear him getting closer, his breath ragged with fury, his voice rising in a wordless howl of rage. He gets to cheat the labyrinth. I push myself harder, ignoring the burning in my lungs and the throbbing in my arm. I have to be faster. I have to be smarter. I duck and weave, taking sudden turns and doubling back on myself, trying to confuse his sense of direction. At one point, I even consider climbing into the ceiling, but quickly dismiss the idea. Too risky, too time-consuming. And besides, with my injured arm, I''m not sure I could even manage it. I follow the scent, moving as fast as I dare. The sound of destruction is getting closer, Mudslide''s enraged shouts growing louder with each passing second. I turn another corner and nearly sob with relief when I see a set of double doors at the end of the hallway. The pulsing beat of the club''s music is audible now, growing louder as I approach. I burst back into the main club. The pounding music and flashing lights are almost overwhelming after the muffled quiet of the back rooms, but I don''t let it slow me down. I plunge into the crowd, letting the mass of writhing bodies close around me, concealing me from view. I keep moving, keeping my head down, trying to blend in. I can feel eyes on me, curious glances and speculative looks as people take in my disheveled appearance, my torn and bloodied clothes. The sudden assault of noise and flashing lights is disorienting after the relative quiet of the back hallways. For a moment, I just stand there, blinking stupidly as sweaty bodies jostle around me. I, somewhat distantly, hear someone asking me if I''m okay. I wave them off. I''ll be fine. I make it to the edge of the dance floor, scanning the room frantically. Where''s Connor? I need to find him, need to tell him what happened. But the club is packed, bodies everywhere. Even someone as tall as Connor would be hard to spot in this chaos. A flash of movement near the entrance catches my eye. It''s Mudslide, shoving his way through the crowd. His face is red and swollen from the mace, his eyes wild as they sweep the room. Searching for me. Fuck. No time for Connor. I need to go, now. The narrative has been stolen; if detected on Amazon, report the infringement. I bolt for the exit, not caring who I bump into along the way. I hear shouts of annoyance behind me, but I don''t stop. Can''t stop. Not until I''m far, far away from here. I burst out onto the street, the cool night air a shock after the stuffy heat of the club. Without breaking stride, I start ripping at my clothes, tearing strips off my already ruined shirt. I wind them around my arm as I run, trying to staunch the bleeding. I duck into the first alley I see, my breath coming in ragged gasps. My legs feel like jelly, adrenaline fading and leaving exhaustion in its wake. I lean against the grimy brick wall, sliding down until I''m sitting on the damp pavement. Holy shit. I made it. I actually made it out. I reach up to tap my earpiece, desperate to hear Jordan''s voice. But my fingers touch only bare skin. The earpiece. Fuck. I must have dropped it during the fight with Mudslide. No, wait, he took it, remember? You never got it back, Small. First things first. I need to stop this bleeding. I look down at my makeshift bandage, already soaked through with blood. It''s not enough. I need something more substantial. I use my claws, still out, to rip up my shirt until I''m in nothing but the wifebeater underneath, and then fish out my mini-mini first aid kit from the bottom of my purse, which still smells faintly of mace. I breathe through my mouth, not my nose. Just in case someone walks by and gets curious. As I start treating my wound with shaking hands, I try to take stock of the situation. The good news: I''m alive. I got out. And I managed to plant most of the bugs before everything went to shit. The bad news: Pretty much everything else. Mudslide recognized me, which means the Kingdom knows we''re onto them. I lost my earpiece, which means I have no way to contact Jordan or the others. I''m injured, alone, and in the middle of enemy territory. And Connor¡­ God, I hope he''s okay. I hope Mudslide was too focused on me to go after him. I finish bandaging my arm as best I can with the limited supplies I have. It''s not pretty, but it''ll hold for now. I struggle to my feet, wincing at the pain that shoots through my shoulder. I need to get home. I need to contact the team, let them know what happened. But first, I need to make sure I wasn''t followed. I peek out of the alley, scanning the street. No sign of Mudslide or any other Kingdom goons. But that doesn''t mean they''re not out there, searching for me. I take a deep breath, steeling myself. Time to move. I can''t stay here forever.
The Music Hall looms before me, its weathered brick facade a welcome sight after the chaos of the night. I stumble up the steps, my arm throbbing with each movement. The door swings open before I can even reach for it, Jordan''s worried face appearing in the gap. "Sam! Jesus Christ, are you okay?" They grab my uninjured arm, pulling me inside. "We''ve been freaking out. What the hell happened?" I open my mouth to respond, but the words stick in my throat. Now that I''m here, safe, the adrenaline is fading fast, leaving me shaky and exhausted. "Connor," I manage to croak out. "Is he okay?" Jordan''s eyebrows shoot up. "Connor? Yeah, he''s fine. We asked him to start some shit when you went radio silent. But as soon as he saw Mudslide, he bolted. Smart move, really. Anyway, what happened to you?" Before I can answer, Tasha appears behind Jordan, her eyes widening as she takes in my appearance. "Sam! Oh my god, your arm!" I glance down at my makeshift bandage, now soaked through with blood. "Yeah," I say weakly. "It''s, uh, been a rough night." Tasha ushers me inside, her mother''s nurse instincts clearly kicking in. "Let''s get you cleaned up. That wound looks nasty." As we move into the main room, I spot Maggie sitting on one of the old theater seats, her legs swinging nervously. She jumps up when she sees me, her face pale. "Sam! Are you okay? What happened?" I manage a weak smile. "I''m fine, Mags. Just a little banged up." Tasha guides me to a chair, already pulling out a first aid kit of higher quality than my emergency one. She carefully peels away my blood-soaked bandages, her expression growing more concerned as she examines the wound. "This is a deep laceration," she says, her voice slipping into what I''ve come to think of as her ''nurse mode''. "It looks like it''s torn through the fascia and into the muscle tissue. You''re lucky it didn''t hit any major blood vessels." I wince as she starts cleaning the wound. "Yeah, well, I guess my luck had to hold out somewhere." Jordan hovers nearby, their face a mix of concern and curiosity. "So what happened? Did you get made?" I nod, hissing as Tasha applies antiseptic to the wound. "Yeah. Mudslide recognized me. Don''t ask me how, but he did. Things got¡­ messy." As Tasha works on my arm, I give them a quick rundown of what happened. The confrontation with Mudslide, my failed bluff, the desperate escape. By the time I finish, Tasha is already stitching up my arm, her movements quick and efficient. "Jesus," Jordan breathes. "That''s¡­ fuck, Sam. I''m sorry. We should''ve had a better exit strategy." I shake my head. "Not your fault. We couldn''t have known Mudslide would be there." Maggie pipes up, her voice small. "But you got out. That''s the important thing, right?" I manage a smile for her. "Yeah, Mags. I got out." Chapter 124.3 Tasha finishes the last stitch, tying it off neatly. "There. That should hold for now, but you''ll need to keep an eye on it. And probably get it looked at by a real doctor." I flex my arm experimentally, wincing at the pull of the stitches. "Thanks, Tasha. I owe you one." She waves me off. "Don''t mention it. Just try not to make a habit of getting shot, okay?" I chuckle weakly. "No promises." Jordan clears their throat. "So, uh, not to rush you or anything, but did you manage to find anything useful before everything went to shit?" I nod, reaching for my phone with my good arm. "Yeah, actually. I found an office with a map of Philadelphia. Had a bunch of locations marked. Here, look." I pull up the photo I took, holding it out for the others to see. Jordan leans in, their eyes narrowing as they study the image. "Holy shit," they mutter. "Fuck yeah." Tasha and Maggie crowd around too, their faces a mix of curiosity and concern. "What are all these marks?" Maggie asks, pointing at the red circles on the map. "Not sure," I admit. "But they''ve got to be important. There''s City Hall, a bunch of high schools, the Philadelphia Zoo for some reason, and a bunch of spots down by the docks." Jordan''s already pulling out their laptop, fingers flying over the keys. "I''m looking up these locations now. Maybe we can find a connection." I nod, then remember something else. "Oh, and I managed to plant one of the bugs in the office. Couldn''t get it anywhere good, but it''s there." Jordan looks up from their screen, their expression a mix of admiration and frustration. "Nice work, Sam. But¡­ I hate to break it to you, but that bug probably won''t do us much good." My heart sinks. "What? Why not?" They sigh, running a hand through their hair. "The back offices are probably electronically shielded, judging by how your transmitter just cut out. The bug won''t be able to transmit through that. And even if it could, it doesn''t have enough memory to record for very long. It''ll probably overwrite itself before we can get to it." "Oh," I say, deflating a little. "So it was all for nothing?" Tasha puts a hand on my shoulder. "Hey, don''t say that. You risked a lot to get this information. Just knowing these locations is huge. And who knows? Maybe some of the other bugs you planted will pick up something useful during off-hours." I nod, trying to shake off the disappointment. "Yeah, I guess you''re right." Jordan turns their laptop around, showing us a map with all the marked locations plotted out. "Okay, let''s see what we''ve got here. There''s City Hall, obviously. That''s not surprising. A bunch of high schools¡­ that''s concerning. The docks make sense, they''ve always had a presence there. But the Zoo? That''s weird." Maggie leans in, her brow furrowed. "Why would they be interested in the Zoo?" I shrug, then immediately regret it as pain lances through my injured arm. "No idea. But remember Mrs. Xenograft? She had those weird hybrid animals when they attacked my house. Maybe it has something to do with that?" Tasha nods slowly. "That''s possible. Or maybe they''re after something valuable at the Zoo? Like, I don''t know, rhino horns or elephant tusks?" Jordan snorts. "Not exactly the most efficient way to make money. I wish Connor or Derek were here - They''d probably have some insight into what a criminal would want with a zoo." The mention of Derek makes something click in my brain. "Wait a second. Derek. Elias. Chimera. Has anyone seen him since the Phreaks'' attack back in August?" The room falls silent as we all consider this. Finally, Jordan shakes their head. "Not that I know of. You think the Kingdom might have recruited him?" I shrug again, more carefully this time. "It''s possible. Anything''s possible." "What''s he do, again?" Tasha asks, glancing at Jordan and I. "He can turn his body parts into animal body parts. Like arms into bear paws," I recap her. "Ah," she squeaks. We spend the next hour debating which leads to prioritize. Jordan''s got tabs open on every location, cross-referencing news articles, public records, anything that might give us a clue. But it''s slow going, and we''re all exhausted. Finally, Jordan sits back, rubbing their eyes. "Okay, I think we need to divide and conquer here. Sam, you''ve had a rough night. Why don''t you take the Zoo lead? It''s probably low priority, and it''ll give you a chance to recover a bit." I nod, relieved. The thought of diving back into danger right now makes my stomach churn. "Sounds good to me." Jordan nods, then pulls out their phone. "I''m gonna call Connor, fill him in on what''s happening. See which lead he wants to take with Derek." As Jordan steps away to make the call, I find myself watching Maggie. She''s been quiet most of the night, her eyes darting between all of us with a mix of concern and curiosity. Part of me wants to ask if she''ll come with me to the Zoo. It''d be nice to have some company, and she''s been getting pretty good with her powers lately. But before I can say anything, Tasha speaks up. "I''ll go with Sam," she says, her voice leaving no room for argument. "Someone needs to keep an eye on that arm, make sure she doesn''t pop her stitches." I bite back a sigh. I''m not sure why. Jordan comes back, tucking their phone away. "Okay, Connor and Derek are going to check out one of the dock locations. Maggie and I will take City Hall. That work for everyone?" Did you know this text is from a different site? Read the official version to support the creator. We all nod, and Jordan claps their hands together. "Great. Now, one more thing we need to discuss. I think we need to tell the Delaware Valley Defenders about this." I blink, surprised. "Really? I thought we were trying to keep this on the down-low?" Jordan nods. "We were. But this is big, Sam. Too big for us to handle on our own. Even if superhero groups are laying low right now, the adults need to know what''s going on. This needs to be on their radars. I''m not saying go to the cops, but I trust the judgment of the people you trust." "Huh? Me?" I ask, blinking a couple more times. "Why?" Jordan looks at me like I''m stupid. "Because I trust you implicitly? Duh?" There''s a general murmur of assent from the other two, like I''m somehow a trustworthy individual now. It feels weird, and I''m not sure I like it. "Okay," I say slowly. "If you all think it''s for the best." Tasha puts a hand on my shoulder. "It is, Sam. We''re in over our heads here. We need backup." I nod, letting out a long breath. "Alright. We''ll tell them." As the others start gathering their things, preparing to head out, I find myself sinking deeper into my chair. The events of the night are starting to catch up with me, the adrenaline fading to leave exhaustion in its wake. I came so close to dying tonight. If Mudslide had been a little faster, a little more accurate with that gun¡­ I shudder, pushing the thought away. But it lingers, a cold knot of fear in my stomach. "Hey." I look up to see Jordan standing over me, their expression uncharacteristically serious. "You did good tonight, Sam. Really good. I know it didn''t go exactly as planned, but you got us valuable intel. And you got out alive. That''s what matters." I manage a weak smile. "Thanks, Jordan. I just¡­ I can''t help feeling like I screwed up. Like I should have been more careful, or-" They cut me off with a shake of their head. "Nope. None of that. You did the best you could with the information you had. That''s all any of us can do." I nod, not entirely convinced but grateful for their words nonetheless. Maggie pipes up from across the room. "Yeah, Sam! You were super brave. I don''t know if I could have done what you did." I feel a warmth in my chest at her words. "Thanks, Mags. I''m sure you could have, though. You''re tougher than you give yourself credit for." She beams at me, and for a moment, the weight of the night lifts a little. Tasha finishes packing up her first aid kit and comes over to join us. "Alright, Sam. You need rest. We''ll head to the Zoo over the next weekend, okay? For now, let''s get you home. And tomorrow, you can see a doctor to get it properly checked out." I nod, suddenly realizing how bone-tired I am. "Yeah, okay. Home sounds good." As we walk, I find myself falling into step beside Maggie. She glances at me, a small smile on her face. "Hey, Sam?" "Yeah?" "I''m glad you''re okay. And¡­ I think you''re really cool. You know that, right?" I feel a warmth spread through my chest, chasing away some of the lingering chill of fear. "Thanks, Mags. I think you''re pretty cool too." She grins, bumping her shoulder against mine gently. "We make a pretty good team, huh?" I nod, feeling a smile tug at my lips despite everything. "Yeah. Yeah, we do." The night air is cool against my skin as we make our way down the quiet streets. The adrenaline of the evening has long since faded, leaving me feeling hollow and drained. My arm throbs in time with my heartbeat, a constant reminder of how close I came to¡­ well, to not coming back at all. Tasha walks beside me, her eyes darting between me and our surroundings, ever vigilant. I know she''s worried about me, probably more than she''s letting on. It''s sweet, in a way, but also a little suffocating. I almost wish I''d gone with Jordan instead, or even headed home alone. But I know that''s just the exhaustion and residual fear talking. "You okay?" Tasha asks softly, breaking the silence that''s fallen between us. I nod, not trusting my voice just yet. She doesn''t look convinced. "It''s okay if you''re not, you know," she continues. "What you went through tonight¡­ it was intense. It''s normal to be shaken up." I swallow hard, fighting back the sudden lump in my throat. "I''m fine," I manage to croak out. "Just tired." She looks at me with a dubious expression. "Are you sure?" I force a smile, hoping it looks more convincing than it feels. "Really, Tasha. I''m okay. Just need a good night''s sleep, that''s all." She studies me for a long moment, then nods. "Alright. But if you need to talk, about anything, I''m here. Okay?" I nod back, grateful for her concern even as I chafe under it. "Thanks. I appreciate it." We walk in silence for a while longer, the streetlights casting long shadows across the sidewalk. I find my mind wandering, replaying the events of the night over and over. Could I have done something differently? Should I have noticed Mudslide sooner? Could I have talked my way out of it if I''d been smarter, faster, better? But no. That way lies madness. I did what I could with what I had. It wasn''t perfect, but I''m alive. I got out. That has to count for something. Still, the Kingdom knows we''re onto them now. They''ll be more careful, more ruthless. And next time, I think I will probably get shot in the face, and we will get to find out if I can heal from that or not. As we turn onto my street, I feel a mix of relief and apprehension. I''m glad to be home, to be somewhere safe and familiar. But I''m also dreading having to face my parents. How am I going to explain this? My clothes are torn and bloody, my arm is bandaged¡­ there''s no way I can hide this from them. Tasha seems to sense my anxiety. "Do you want me to come in with you?" she offers. "Help explain things to your parents?" I consider it for a moment, then shake my head. "No, thanks. I think¡­ I think I need to do this on my own." She nods, understanding in her eyes. "Okay. But call me if you need anything, alright? Any time, day or night." I manage a small smile. "I will. Thanks, Tasha." She pulls me into a gentle hug, careful of my injured arm. "That''s what friends are for, Sam. Get some rest, okay?" I nod, then watch as she turns and heads back the way we came. For a moment, I''m tempted to call her back, to ask her to stay. But no. I need to face this on my own. Taking a deep breath, I turn and walk up the path to my front door. My hand shakes slightly as I reach for the doorknob. Here goes nothing. As I step inside, I''m hit with the familiar smells of home. Mom''s lavender candles, Dad''s old books, the lingering scent of dinner in the air. It''s comforting and jarring all at once, the normalcy of it all a stark contrast to the chaos of the night. "Sam? Is that you?" Mom''s voice calls from the living room. I swallow hard, steeling myself. "Yeah, Mom. It''s me." There''s a rustling sound, then footsteps. Mom appears in the hallway, her face a mix of concern and relief. "Where have you been? We were worried sick-" She stops short as she takes in my appearance, her eyes widening in horror. "Oh my god. Sam, what happened?" I open my mouth to respond, but no words come out. Instead, to my absolute mortification, I burst into tears. Mom''s there in an instant, wrapping me in her arms. "Shh, it''s okay. You''re home now. You''re safe." And just like that, all the fear and tension and adrenaline of the night comes crashing down on me. I sob into her shoulder, my whole body shaking with the force of it. She holds me tight, murmuring soothing words, her hand stroking my hair like she used to do when I was little. I don''t know how long we stand there, me crying and Mom holding me. But eventually, the sobs subside, leaving me feeling wrung out and empty. Mom pulls back slightly, her hands on my shoulders as she looks me over. Her eyes linger on the bandage on my arm, the torn and bloodstained clothes. "Sam," she says softly, her voice tight with worry. "What happened?" I take a shaky breath. "It''s¡­ it''s a long story." She nods, her expression serious. "Come on, let''s go sit down. I''ll make some tea, and you can tell us everything." As I follow her into the living room, I can''t help but feel a mix of dread and relief. Dread at having to relive the events of the night, at having to see the fear and worry on my parents'' faces. But relief, too. As I sink onto the couch, Mom disappearing into the kitchen to make tea, I find myself thinking about what Jordan said earlier. About how I did good tonight, how I got valuable intel. How I got out alive. And for the first time since I left the Crescent, I feel a small flicker of pride. Yeah, things went sideways. Yeah, I got hurt. But I also stood my ground against¡­ my nemesis? My nemesis, I guess. I outsmarted him, outran him. I got information that could be crucial in stopping whatever they''re planning. As Mom comes back with the tea, Dad joining us with a concerned look on his face, I take a deep breath. Time to be honest. Chapter 125.1 My arm throbs dully beneath its bandages as I make my way into the maw of the Delaware Valley Defenders'' headquarters, a constant reminder of how close I came to disaster last night. The weight of what I''m about to do - the information I''m about to share - sits heavy in my gut. This isn''t just some routine debrief. This could change everything, or, at least, that''s what it feels like. Maybe it''s egotistical - something my Mom suggested last night - to assume that one little girl is going to change the course of history (Dad had words about that). But, then again, I already notably influenced the election. Am I letting it go to my head? It''s entirely possible. I feel important, thrumming with... I don''t know, renown? As I step into the lobby, I''m greeted by Clara''s familiar graying hair, looking a little more gray than it normally does. She''s engrossed in a stack of papers, her brow furrowed in concentration. When she spots me, her expression shifts to one of concern. "Sam," she says, her voice gentle. "Are you alright? We heard about what happened last night." I force a smile, trying to project more confidence than I feel. "I''m fine, Ms. Parker. Just a little banged up." She eyes my bandaged arm skeptically but doesn''t push it. "Well, I''m glad you''re okay. The others are waiting in the meeting room. Councilman Davis is particularly eager to hear your report." Great. No pressure or anything. As we make our way to the meeting room, I can''t help but fidget nervously. What if they think I screwed up? What if they decide I''m too much of a liability? What if- The electric lock on the door dings quietly - when did that even get there? - interrupting my spiral of anxious thoughts. We step out into the main conference room, where the rest of the team is already assembled. Multiplex - or rather, several versions of him - is (are?) standing at the head of the table, looking as stern and serious as ever. Bulwark is seated nearby, his massive frame making the reinforced chair look almost comically small. Fury Forge is tinkering with some gadget, her fingers moving with practiced precision. Captain Plasma is floating a few inches off his chair, his cape draped dramatically over the back, eyes furrowed in thought. And there, at the far end of the table, is Councilman Davis, his expression unreadable. As soon as I enter, all eyes turn to me. I resist the urge to shrink back, to hide behind Clara. Instead, I straighten my spine and meet their gazes as steadily as I can. I glance around, looking for the rest of the Young Defenders. I catch them - they''re clustered at the far end of the table, looking slightly out of place among the older heroes. I catch Gossamer''s eye as I sit down, and she gives me an encouraging smile. Rampart nods at me, his expression serious but not unkind. Blink looks like she''s barely restraining herself from jumping up and hugging me, her hands twisting nervously in her lap. "Bloodhound," Multiplex says, his voice carrying easily across the room. "We''ve been waiting for you. Please, have a seat." I nod, making my way to an empty chair. As I sit, I can''t help but notice the absence of my own team. My stomach spins like Charybdis. I glance around, realizing with a start that Spindle - Connor - is missing. A flicker of unease goes through me. Did something happen to him after we split up last night? Is he okay? "Now then," Multiplex continues, once I''m settled. "Why don''t you tell us exactly what happened last night?" "Right. So, as most of you know, I went undercover at the Crescent nightclub last night," I start, my voice sounding slightly shaky to my own ears. "I was trying to gather intel on the Kingdom''s plans, see if I could find out anything about what they''re up to." I pause, glancing around the room. Everyone is watching me intently, their expressions ranging from curious to concerned. "I managed to slip into the back offices," I continue, gaining a bit more confidence as I speak. "And that''s where I found it. A map of Philadelphia, with a bunch of locations marked on it." Fury Forge leans forward, her brow furrowed. "What kind of locations?" "Varied," I say. "City Hall, some high schools, the docks. And... the Philadelphia Zoo, for some reason." That gets a reaction. I see eyebrows raise, heads tilt in confusion. "The Zoo?" Captain Plasma repeats, sounding baffled. "Why would they be interested in the Zoo?" I shrug, wincing slightly as the movement pulls at my stitches. "I don''t know. But given what we know about Mrs. Xenograft and her abilities with animals..." I trail off, letting the implication hang in the air. Davis nods, his expression grim. "It''s concerning, to say the least," he says. "Please, continue Sam. What else did you find?" So I tell them. About overhearing conversations hinting at some larger plan. About planting the bug in the office, even though Jordan said it probably wouldn''t yield much. And finally, reluctantly, about my confrontation with Mudslide. There''s a moment of pained, miserable silence. Then, Taken from Royal Road, this narrative should be reported if found on Amazon. "This is completely unacceptable," Clara bursts out, her legal mind clearly running a mile a minute. "Do you have any idea how many laws were broken during this little escapade? Not to mention the potential liability issues if-" "Laws?" Bulwark interrupts, his deep voice rumbling with barely contained anger. "You are worried about laws when there are criminals plotting against our city? We should be taking action, not hiding behind legalities!" "And what action would you suggest?" Captain Plasma asks, his tone mild but his eyes sharp. "Storming into City Hall and accusing a newly elected official of criminal conspiracy based on overheard snippets of conversation?" "Of course not," Fury Forge chimes in, finally looking up from her gadget. "But we can''t just sit on our hands either. If the Kingdom is planning something big, we need to be prepared." "Prepared for what, exactly?" one of the Multiplexes asks, while another jots down notes furiously. "We don''t even know what their endgame is. For all we know, this could be a massive misdirection." "Or it could be the prelude to a citywide attack," Crossroads says quietly, speaking up for the first time. He''s flipping a coin absently between his fingers, his eyes distant. "Or some larger scheme." "Outcomes based on incomplete information," Councilman Davis points out, his voice cutting through the growing clamor. "We need more intel before we can make any definitive moves." I''ve been quiet up to this point, watching the back-and-forth like a spectator at a particularly intense tennis match. But something about Davis''s words snaps me out of my daze. "More intel?" I repeat, unable to keep the frustration out of my voice. "What do you think I''ve been trying to do? In case you forgot, I nearly got killed getting what we have now!" The room falls silent, all eyes turning to me once again. I feel a flush creeping up my neck, but I force myself to continue. "I know it''s not much. I know it''s not enough. But it''s something. And if we don''t act on it soon, people could get hurt. More people could die." Multiplex leans forward, his expression grave. "No one is dismissing your efforts, Bloodhound. But we have to be smart about this. We can''t just go charging in blind." "I agree," Captain Plasma says, nodding. "But maybe there''s a middle ground here. What if we reached out to Councilwoman Richardson officially? Under the guise of welcoming her to office, of course." Bulwark scoffs. "And give her a chance to cover her tracks? No. We need to strike now, while we have the element of surprise." "Strike at what?" Fury Forge asks, exasperation clear in her voice. "A bunch of red circles on a map? We don''t even know what those locations are for!" "Which is why we need more reconnaissance," another Multiplex chimes in. "But carefully. No more solo missions." I bristle at that. "I wasn''t solo. Spindle was there too." "And where is Spindle now?" Clara asks, her tone sharp. "Shouldn''t he be here for this debriefing?" I open my mouth to respond, then close it again. "Spindle is... occupied with other matters at the moment," Crossroads says smoothly, his eyes flicking to me for just a moment. "He''s been fully debriefed separately." Something about the way he says it makes me uneasy, but before I can dwell on it, Councilman Davis speaks up again. "Look," he says, his voice tired but firm. "We''re all dancing around the real issue here. Maya Richardson. We can''t ignore the elephant in the room any longer." The tension in the room ratchets up another notch. I can see the adults exchanging glances, a whole conversation happening in the silence. "What about her?" Captain Plasma asks finally, his tone carefully neutral. Davis sighs. "We''ve had suspicions about her for a while now. Nothing concrete, nothing we could act on. But this..." he gestures to me, to the notes spread out on the table. "This is the first real evidence we''ve had linking her to the Kingdom. The first bit of dirt under her fingernails." "Evidence?" Clara scoffs. "Overheard conversations and a map with some circles on it? That wouldn''t hold up for five seconds in court." "Which is why we''re not going to court," Bulwark rumbles. "Not yet, anyway." "Then what are we going to do?" I ask, frustration bubbling up again. "Just sit around and wait for something bad to happen?" "No," Multiplex says firmly. "We''re going to be smart about this. We''re going to gather more information, build a stronger case. And we''re going to do it carefully, without tipping our hand." "And how exactly are we supposed to do that?" Fury Forge asks, skepticism clear in her voice. "By using the resources we have," Crossroads says, that distant look back in his eyes. "Sam''s given us a starting point," he continues, nodding in my direction. "We know some of the places they''re targeting. We can start there, see if we can figure out the why and the how." "And in the meantime?" Bulwark asks, his arms crossed over his massive chest. "In the meantime, we watch. We wait. Keep the PPD roped in, maybe a national three letter agency, make sure there are eyes on those targets. Just in case." Crossroads says grimly. There''s a beat of heavy silence as his words sink in. I feel a shiver go down my spine, a sense of foreboding settling in my gut. "What about me?" I blurt out, unable to keep quiet any longer. "What should I do?" All eyes turn to me, and I feel a flush creeping up my neck. Maybe I should have just kept my mouth shut. "And what about Richardson?" Captain Plasma asks. "Do we just pretend everything''s normal while we investigate her?" Davis nods slowly. "For now, yes. We can''t afford to tip her off. We''ll maintain the appearance of normal relations, maybe even increase our public interactions with her office. Make her think she''s in the clear. In the meantime, I think it''s best if we keep this information closely held. The last thing we need is for word to get out and cause a panic." "Agreed," Multiplex says, his duplicates nodding in unison. "This stays in this room, at least until we have a better handle on what we''re dealing with." There''s a murmur of assent from around the table, everyone looking grim but determined. "So what now?" I ask, my voice sounding small even to my own ears. "What do you need me - us - to do?" Multiplex exchanges a look with Davis, then turns to me. "For now, we need you to keep your eyes and ears open. Report anything suspicious, no matter how small it might seem. But no more unauthorized missions, understand? Everything goes through us from now on." I nod, like a liar, relieved and disappointed in equal measure. "We''ll be in touch with more specific instructions soon," Davis adds, directly to me. "In the meantime, try to act normal. Go to school, patrol with your team, live your life. The last thing we need is for the Kingdom to realize we''re onto them. More than they might already know, at least." I nod again, feeling the weight of responsibility settling heavy on my shoulders. I find myself drifting towards the exit. My mind is reeling, trying to process everything that''s just happened. "Alright," Davis says, clapping his hands together. "I think that''s all we can do for now. Let''s adjourn for the day, but keep the lines of communication open. If anything new comes up, no matter how small, I want to hear about it." Chapter 125.2 Just as I''m about to leave, I feel a hand on my shoulder. I turn to see Crossroads standing there, his expression unreadable as always. "Sam," he says quietly. "A word?" I nod, following him to a quiet corner of the room. He''s flipping that coin again, the soft thapp of metal on skin oddly soothing in the midst of all this chaos. "You did good," he says finally, his eyes meeting mine. "I know it doesn''t feel like it right now, but you''ve given us a real chance here." I swallow hard, fighting back the sudden lump in my throat. "Thanks," I manage. "I just¡­ I wish I could have done more." He shakes his head. "You did plenty. More than we had any right to ask of you." I nod, then hesitate. There''s something I''ve been wanting to ask, but I''m not sure how. Finally, I just blurt it out. "Where''s Connor? Is he in trouble because of what happened at the club?" Crossroads''s expression softens slightly. "No, he''s not in trouble. He''s¡­" he pauses, flipping the coin one more time and checking it before continuing. "He''s meeting with his potential new foster parents today." I blink, surprised. "Foster parents? But I thought¡­" "It''s been in the works for a while," Crossroads explains. "We''ve been trying to find a more stable situation for him. Looks like we might have finally succeeded." I nod slowly, a mix of emotions swirling in my chest. Happy for Connor, of course. He deserves a real home, a family. But also¡­ sad? Jealous? I''m not even sure. It feels like everything''s changing so fast, and I can''t quite keep up. Like everything''s moving too fast. "That''s¡­ that''s good," I say finally. "I''m glad." Crossroads studies me for a moment, then nods. "It is good. Change can be hard, but it''s necessary. For all of us." I nod again, not trusting myself to speak. He gives my shoulder a gentle squeeze, then turns to rejoin the others. As I step out into the hallway, I bump into Blink, who is apparently just sort of waiting for me. She quickly pulls herself to her feet, her skates skidding against the ground sideways, a big smile on her face that''s only mostly masking the worry. "Bee! I felt totally useless in there. Like I was just sitting and waiting for the grown-ups to finish talking," she says all at once, giving me a quick arm-squeeze that she disguises as helping herself to her feet. "You were all brave and like, spycraft-y." "I¡­" I start to thank her? Comfort her? I don''t even know what to say. I guess I should find out if she actually feels that way first, or if it''s just a comfort thing. "I think I did at least¡­ like, two thirds useless things for every third of useful thing." "Don''t be so hard on yourself," she says. "You were awesome. You''re like a real spy now!" I can''t help but laugh at that. "I don''t know about that. I think I''m more like¡­ a real sneak. A real eavesdropper." She grins, falling into step beside me as we head for the elevators. "Still counts. It''s all part of the job, right?" "I guess so," I say, pushing the down button. "I just wish I could have found out more. Something concrete we could use." Blink nods, her expression turning more serious. "I know. But you did what you could. And that''s all any of us can do, really." As I make my way out of the building, my mind is a whirlwind of thoughts and emotions. The weight of everything we discussed, the implications of what we''re up against¡­ it''s almost too much to process. But underneath it all, I know what I''m going to have to do. The tale has been illicitly lifted; should you spot it on Amazon, report the violation. Violence.
I''m sitting cross-legged on my bed, phone pressed to my ear as I recount the events of the past few days to Akilah. My fingers absently trace the stitches on my arm as I speak, the tender skin throbbing dully with each tap. "¡­so that''s the situation," I conclude, letting out a long breath. "We''ve got leads, but nothing concrete yet. The Kingdom''s being careful." There''s a pause on the other end of the line, the crackle of static filling the silence. Akilah has never been one for small talk. "Sounds messy," she says finally, her voice as no-nonsense as I remember. "You sure you kids can handle this?" I bristle slightly at the implication, my shoulders tensing. "We''re not just kids, Akilah. In case you haven''t noticed, we''ve been doing this for a while now." Another pause. I can almost picture her expression, that slight furrow of the brow, the thin line of her lips. A puff of air escapes her - some sort of laugh. "You''ll always be kids to me," she says, bluntly. "Do you have it under control, or are you calling because you need me?" I open my mouth to respond, to assure her that we have everything under control. "Just¡­ calling to keep you in the loop," I say, choosing my words carefully. "I was hoping you and Playback could keep your ears to the ground, see if you pick up anything we might have missed." "We''re already doing that," she says, a hint of irritation creeping into her tone. "You don''t have to ask us to do our jobs." I resist the urge to roll my eyes. "Alright, noted. But I was also¡­ you know¡­" I trail off, unsure of how to phrase it. There''s a heavy silence on the other end, fraught with unspoken meaning. Finally, Akilah sighs. "You were checking in," she says, her voice softening ever so slightly. "Making sure we''re still breathing." I nod, then remember she can''t see me. "Something like that," I mumble, feeling my cheeks heat up. To my surprise, she chuckles. "I get it, Sam. You''re allowed to be concerned about Playback." I blink a couple of times and then feel a scowl forming itself against my will. "I''m concerned about you." "Sure thing, kid," she says, clearly humoring me. "Whatever helps you sleep at night." I open my mouth to argue, but she cuts me off. "Look, I appreciate you looking out for us. Really. But we can handle ourselves." There''s a pause, and then she adds, almost as an afterthought, "We''re not exactly teenagers anymore." I bristle again at the implication. "What''s that supposed to mean?" "Just what it sounds like," she says, her voice gaining an edge. "The whole superhero gig¡­ it''s great when you''re a kid, you know? Playing cops and robbers, fighting bad guys, saving the day. But eventually, you have to grow up." I feel my jaw clench involuntarily. "Is that what you think we''re doing? Playing as cops?" "Not at all," she says, backtracking slightly. "I know you take this seriously. Too seriously, sometimes. But there comes a point where you have to ask yourself - is this really what you want to be doing for the rest of your life?" I don''t respond, not immediately. "That''s why I left, you know," she continues when I don''t respond. "The whole Registered Superhuman Entity thing, jumping through government hoops, playing by their rules¡­ it just wasn''t for me anymore." "You left because you didn''t want to play by the rules?" I ask, unable to keep the skepticism out of my voice. "I thought it was because of the personality disorder." She laughs, a short, sharp sound. "I prefer to think of it as taking my destiny into my own hands. No more bureaucracy, no more red tape. Just me, doing what needs to be done." "Sounds dangerous," I say quietly. "It is," she agrees, her tone sobering. "But so is everything we do. At least this way, I''m calling my own shots." I nod slowly, considering her words. Part of me envies her certainty, her conviction. But another part of me wonders if she''s just running from her responsibilities. "So, what?" I ask finally. "You''re just going to ditch the whole ''Puppeteer'' thing? Start over with a new identity?" "Something like that," she confirms. "I was thinking of going by ''Marionette'' instead. Seemed fitting." I snort before I can stop myself. "Little on the nose, don''t you think?" "Maybe," she concedes. "But at least it''s honest. No more pretending to be something I''m not." There''s a weight to her words that I can''t quite put my finger on. A weariness, a sense of resignation. It makes me inexplicably sad. "We all have to grow up sometime," She says, quietly. I find myself humming in agreement. "Yeah. I guess we do." We lapse into silence, the crackling of the line the only sound between us. It stays that way for a couple of uncomfortable minutes, neither one of us hanging up. Finally, Akilah speaks again. "Listen, I gotta go. Got some¡­ business to take care of." I nod, even though she can''t see me. "Okay. Just¡­ be careful, okay?" She snorts. "Always am. You too, kid. Don''t do anything I wouldn''t do." I can''t help but laugh at that. "That doesn''t exactly narrow it down." "Exactly," she says, and I can hear the grin in her voice. "Take care of yourself, Sam. And if you ever need anything¡­" "Yeah, I know," I reply. "Take care." "You too," she says. The line goes dead. Chapter 125.3 The trek to the Music Hall is a familiar one by now, my feet carrying me almost on autopilot as my mind churns over the events of the day. The weight of what we''re up against, the sheer scale of it all¡­ it''s overwhelming. But I can''t let it paralyze me. Can''t let it stop me from doing what needs to be done. As I round the corner into the alley behind the Hall, I''m surprised to see Maggie already there, going through some kind of stretching routine next to the dumpsters. Tasha''s there too, perched on a milk crate, her nose buried in what looks like an anatomy textbook. They both look up as I approach, Maggie waving cheerfully. "Hey Sam! You''re just in time for training," she calls out, bouncing on the balls of her feet. "I was just warming up." "I can see that," I say, eyeing the small patch of dirt she''s claimed as her personal gym. "Very professional setup you''ve got here." She grins, unabashed. "Hey, you work with what you''ve got, right? Not all of us have access to fancy DVD training facilities." "Fair enough," I concede, dropping my bag next to Tasha''s impromptu study corner. "What''s with the sudden interest in anatomy?" I ask her, nodding at the book in her hands. Tasha marks her page and sets the book aside, shrugging. "Figured if I''m going to be patching you guys up all the time, I might as well know what I''m doing. Plus, you know, med school someday." I nod, impressed. "Smart. Maybe you can give me some pointers on how to avoid getting shot in the first place." "Step one: Don''t get shot," she deadpans. "Wow, thanks. Super helpful." Maggie giggles, then claps her hands together. "Okay, enough chit-chat. Let''s get to work! What''s on the training agenda for today, sensei?" I raise an eyebrow at the "sensei" bit but let it slide. "I thought we could work on some judo today. Figured it''d be good for us tiny girls to know how to throw around people bigger than us." "Oooh, fun!" Maggie says, bouncing again. "Where do we start?" "Well, I thought we''d go over some basic stances and how to fall without hurting yourself. Then maybe move on to some simple throws and holds. Sound good?" "Sounds great!" "There are all sorts of additional things you''ll want to avoid, if you grapple frequently," Tasha chimes in. "Joint hyperextensions primarily, but also compressive injuries." "See, this is why we keep her around," I say to Maggie in a stage whisper. "She''s like our own personal WebDoctor." Tasha rolls her eyes, but I catch the hint of a smile as she picks her book back up. The next hour or so passes in a blur of sweat, laughter, and the occasional yelp of pain as Maggie and I work our way through the basics of judo. It''s awkward at first, both of us self-conscious and unsure. But as we settle into a rhythm, the movements start to feel more natural, the throws more fluid. It''s almost meditative, in a way. A chance to focus on something physical and immediate, to let the rest of the world fall away for a little while. During our first water break, Maggie flops down next to Tasha, panting. "So," she says between gulps of water. "How''d the big meeting with the DVDs go? Did they freak out about the whole undercover mission thing?" I shrug, taking a swig from my own bottle. "Some of them did. Clara, mostly. Bulwark too, but for different reasons." Maggie frowns. "What reasons?" I sigh, trying to find the right words. "Bulwark''s¡­ he''s got a very black and white view of things. Bad guys are bad, good guys are good, and there''s no in between. He thinks we should just storm in and take down the Kingdom, consequences be damned." "But we can''t do that, right?" Maggie asks, looking worried. "I mean, we don''t even know what they''re planning." "Exactly," I say, nodding. "Which is what Davis and Crossroads were trying to get through to him. We need more info before we can make a move." Tasha looks up from her book, her expression pensive. "Clara''s not wrong though, about the legal side of things. If any of this gets out, if Richardson has a way to legally retaliate¡­ it could get messy fast." I frown, not liking the sound of that. "Messy how?" Tasha shrugs. "Obstruction of justice, for one. Vigilantism. Maybe even treason, if they can spin it right." "Treason?" Maggie echoes, her eyes wide. "I mean, probably not," Tasha says quickly. "But my point is, we''re operating in a real grey area here. Legally speaking." I nod slowly, chewing on that. It''s not like I haven''t considered the legal ramifications of what we do. I just don''t like hearing it out loud. "Well," I say finally, standing up and brushing the dirt off my pants. "I guess we''ll just have to be extra careful then. No one finds out, no one gets in trouble. Simple as that." Maggie and Tasha exchange a look, but neither of them argue. We get back to training after that, moving on to some basic throws and holds. I demonstrate the moves first, walking Maggie through each step. Then it''s her turn to try, with me acting as her practice dummy. It''s a strange feeling, being on the receiving end of these techniques. Even though I know Maggie''s not going to hurt me, there''s still a moment of instinctive panic as I feel my balance tip, my feet leave the ground. But I force it down, letting my body go loose and flowing with the motion. After a few reps, Maggie starts to get the hang of it, her moves becoming smoother, more confident. The tale has been taken without authorization; if you see it on Amazon, report the incident. As we work, we fall into an easy conversation, our words punctuated by the slap of hands on fabric, the thud of bodies hitting the mat. "So," Maggie says, her face scrunched in concentration as she tries to replicate a particular throw. "What do you think is going to happen with Richardson? Now that she''s on the City Council¡­" I grunt as I hit the mat, then roll to my feet. "Honestly? I don''t know. But whatever it is, it won''t be good." Maggie nods, wiping sweat from her brow. "Have you noticed all the extra police around lately? Especially in my neighborhood?" I frown, thinking back. Now that she mentions it, I have seen more cop cars patrolling the streets, more officers walking the beat. "Yeah, actually. I figured it was just because of the election." Maggie shakes her head. "I don''t think so. I heard my dad talking about it the other night. Apparently crime''s been way up, especially in the poorer parts of town. Lots of Jump-related stuff." "I''ve heard stories," Tasha chimes in, looking up from her book again. "From my parents, mostly. Apparently some neighborhoods are getting really bad. Like, warzone bad. Hasn''t hit our suburbs yet, mostly Northwest. Maybe it would be worthwhile to go do some charity¡­" My stomach twists at that. Warzone. In our city. It seems unthinkable. But then again, a lot of things have seemed unthinkable lately. And yet here we are. "G-d," I mutter, rubbing a hand over my face. "Okay, well¡­ I guess that''s one more thing to look into." "You think the Kingdom''s involved?" Maggie asks, her eyebrows raised. "I think at this point, it''d be weirder if they weren''t involved somehow," I say grimly. There''s a moment of heavy silence as we all digest that. Then Maggie claps her hands together, forcing a bright smile. "Okay, enough doom and gloom. What''s next on the training agenda, boss?" I push aside thoughts of drugs and crime and shadowy conspiracies, forcing myself to focus on the here and now. "Right. I thought we could try incorporating your powers into some of these moves. See how we can use them to our advantage in a fight." Maggie''s eyes light up at that. "Ooh, yes please! I''ve been dying to try out some new tricks." The next chunk of time flies by as Maggie and I workshop different ways to combine judo with her repulsion fields. It''s equal parts frustrating and exhilarating, the two of us getting creative as we problem-solve on the fly. At one point, Maggie tries using her fields to enhance a throw, only to send me flying halfway across the alley. We both freeze for a second, wide-eyed, before bursting into hysterical laughter. "Holy crap," Maggie gasps out between giggles. "Are you okay? I''m so sorry!" I pick myself up off the ground, still chuckling as I dust myself off. "I''m fine, I''m fine. But maybe dial it back a notch next time, yeah? At least until we''ve got a bit more control." "Yeah, good call," Maggie says, wiping tears of laughter from her eyes. "While we''re on the subject, though," I say, turning a bit more serious. "We should probably have a talk about power use in combat. Specifically, how much force is appropriate to use and when." Maggie sobers up at that, nodding slowly. "Right. Because we don''t want to accidentally really hurt somebody. Or¡­ or worse." My stomach twists in a way that I can''t tell if it''s good or bad or not. It just twists. Like a wrung towel. "I just keep thinking," Maggie says quietly, her voice barely above a whisper. "About how easy it would be to just¡­ to squeeze someone''s head. With my fields. Like a grape." I find my lips curling upwards but force them down. "Don''t do that," I say, just loud enough to be heard. "I know," she says quickly, shaking her head as if to dislodge the thought. "You are not your powers," I tell her, my voice firm but gentle. "You are in control. You decide what to do with them, not the other way around." We take a break after that, all of us needing a moment to decompress. Maggie flops down next to Tasha, stretching out her legs with a groan. "Ugh, I am going to be so sore tomorrow," she complains, flexing her fingers. "How do you do this every day?" I shrug, plopping down on her other side. "You get used to it. And also, lots of ibuprofen." Tasha snorts at that, marking her page and setting her book aside. "You know, as your unofficial team medic, I feel like I should probably discourage the rampant use of over-the-counter painkillers." I wave a hand dismissively. "Noted and ignored. My body, my choice." She rolls her eyes, but I can see the hint of a smile tugging at her lips. We sit in companionable silence for a few minutes, each of us lost in our own thoughts. Then Maggie sighs, picking at a loose thread on her sweatpants. "I don''t know how much longer I can keep doing this," she says quietly, not looking at either of us. "The whole ''secret hero'' thing. It''s starting to affect my school work, my relationships¡­ everything." I nod, understanding completely. It''s a balancing act, one that I struggle with every damn day. How to be a hero and a student and a daughter and a friend, all at the same time. How to save the world without letting your own life fall apart in the process. "I get it," I say, just as quietly. "Believe me, I do. But Maggie¡­ what we''re doing here, it''s important. It matters." "I know," she says, her voice small. "I do, I just¡­ I don''t want to disappoint anyone. My parents, my teachers¡­ you guys." "You could never disappoint us," Tasha says firmly, reaching over to squeeze Maggie''s knee. "We''re a team, remember? We''ve got your back, no matter what." Maggie gives her a grateful smile, but I can still see the worry in her eyes. "And hey, if it makes you feel any better, you''re not the only one struggling," I offer, bumping her shoulder with mine. "My parents are constantly on my case these days. ''Where are you going, what are you doing, why are you coming home covered in bruises all the time?''." "Oh god, same," Tasha groans, tipping her head back. "Except mine think I''m out doing God-knows-what with my ''troubled friend Kate''." My stomach clenches at the mention of Kate. I''ve been trying not to think about her too much, about the vicious, desperate way she came at me during our last fight. I push the thought away, focusing back on the conversation at hand. "Yeah, well. I think my parents have kind of accepted at this point that they can''t stop me from doing this. Doesn''t mean they''re thrilled about it, but¡­" "But they get it?" Maggie suggests, glancing at me. I nod, breathing out a heavy sigh. "Yeah. Or at least, they''re trying to." We lapse back into silence after that, each of us turning over our own anxieties and frustrations. The secret life of a teenage superhero, I think wryly. It''s not all glamour and glory, that''s for damn sure. After a few more minutes, I haul myself to my feet, groaning as my muscles protest. "Alright, break time''s over. Let''s run through a few cool-down stretches and call it a day." Maggie and Tasha follow suit, and soon we''re all in a loose circle, moving through a series of gentle stretches. As we do, I can''t help but let my mind wander back to the meeting with the DVDs, to the daunting task ahead of us. Taking on the Kingdom, trying to unravel their plans¡­ it''s going to take all of us working together, pooling our resources and knowledge. And probably more gunshots. Let''s be honest with ourselves. We toss around a few more ideas as we finish up our stretches, bouncing thoughts off each other and refining our plan of action. By the time we''re done, I''m feeling marginally better about our chances. Still daunted, still scared shitless if I''m being honest. But less alone in it all. As we gather up our things to head our separate ways, Maggie pauses, looking at me with a serious expression. "Hey Sam? Thank you. For today, for¡­ for everything. I know I can be a bit of a mess sometimes, but¡­ I''m really glad you''re my friend." I feel a warm glow in my chest at her words, a rush of affection for this brave, kind-hearted girl. "I''m really glad you''re my friend too, Mags." WORLD OF CHUM: Psionics (1) The Psychron Puzzle: Are We on the Verge of Understanding Superhuman Powers? By Jenna Roth, Special Contributor to Metascience Quarterly In the nearly five decades since superhuman abilities began manifesting across the world, one question has haunted scientists, philosophers, and metahumans alike: How do these powers work? While we¡¯ve made incredible strides in understanding the biology and physiology of superhumans (thanks to the burgeoning field of Dynology), the underlying mechanisms behind psychic or psionic abilities¡ªthose abilities that defy the mind-body separation¡ªremain as mysterious as ever. At the heart of the debate is the elusive psychronic particle¡ªsometimes referred to as the "psychron"¡ªa hypothetical entity that, if proven to exist, could unlock the secrets of telekinesis, telepathy-like abilities, precognition, and other anomalous sensory phenomena. But the psychron, like gravity waves before it, has remained stubbornly theoretical, leading to a schism in the scientific community. Is it a particle? A field? A wave? Something else entirely? Theories abound, but consensus? Not so much. Let¡¯s take a closer look at the different camps and their respective claims about what drives the anomalous cognitive powers that have captivated and baffled the world.
The Psychron Particle Theory First proposed in the late 1980s by Dr. Julian Feiner, the psychron particle was initially hypothesized to explain the way certain metahumans seem to influence objects, people, or events without any apparent physical force. According to Feiner¡¯s theory, psychrons behave similarly to the well-known particles of quantum mechanics¡ªelectrons, photons, and gluons¡ªexcept they interact with consciousness itself. The central claim of Psychron Theory is that psionic abilities (like telekinesis or clairvoyance) stem from the interaction of psychrons with both the brain and the external world. These particles, in theory, mediate the transfer of intent from the brain to physical objects, allowing metahumans to move objects or ¡°read¡± the nervous systems of others. Psychrons, if proven to exist, would represent a fifth fundamental force (in addition to gravity, electromagnetism, and the strong and weak nuclear forces) capable of acting over small or large distances depending on the individual¡¯s proficiency.

Current Status of Psychron Research

Unfortunately for the proponents of Psychron Theory, there is no direct experimental evidence yet for the existence of psychrons, despite numerous attempts. High-energy particle accelerators, like the ones used to confirm the existence of the Higgs boson, have so far failed to detect any sign of psychrons. However, there are tantalizing hints in the behavior of some superhumans that support this theory. For instance, telekinetics have been shown to exert force on objects without any detectable energy transfer in the form of heat, sound, or electromagnetism. Psychron advocates argue that this is because the transfer occurs via psychrons, a kind of mental particle exchange between brainwaves and matter. Dr. Feiner himself, now a Professor Emeritus at Stanford University, remains optimistic: ¡°I believe it¡¯s only a matter of time. Just as the quantum revolution took years to fully unfold, so too will the psychron be found.¡±
The Psionic Field Hypothesis If there¡¯s one theory that¡¯s gained considerable traction in recent years, it¡¯s the Psionic Field Hypothesis, which proposes that psychic abilities are not mediated by particles at all but rather by an invisible field¡ªsimilar to the Higgs Field¡ªthat permeates the universe and interacts with consciousness. Sometimes referred to as the "Psi Field" or the "Consciousness Field", this theory draws parallels between the mind¡¯s interaction with this field and the way mass interacts with the Higgs Field. The Psi Field is thought to be a non-physical energy field that allows the mind to interact directly with reality. Proponents argue that consciousness is not an emergent property of brain activity but is instead a fundamental force in the universe, just like gravity or electromagnetism. They theorize that the mind taps into this field, much like a radio receiving signals, and can influence physical objects or read the minds of others by altering local field strengths.

Support and Criticism

The Psionic Field Hypothesis is attractive because it provides a unified explanation for a wide variety of powers, from telekinesis to precognition, suggesting that the brain is merely a conduit for a larger, universal force. Supporters argue that this field may be what binds the fabric of space-time together and could explain quantum anomalies such as non-locality (the phenomenon where particles seem to instantaneously influence each other across great distances). The story has been taken without consent; if you see it on Amazon, report the incident. Critics, however, argue that the Psionic Field undermines much of established neuroscience, and some skeptics have pointed out that the field¡¯s existence would imply that consciousness is non-local¡ªwhich has deep and troubling implications for our understanding of free will, individuality, and even the concept of the self. If consciousness is everywhere, is it really ours? Moreover, many physicists dismiss the Psi Field Hypothesis as unfalsifiable. Since no current technology can detect or interact with this supposed field, it becomes difficult, if not impossible, to test the theory.
Quantum Psychophysics For those who find both psychrons and fields lacking, there¡¯s the emerging field of Quantum Psychophysics, which blends quantum mechanics with the study of consciousness. This theory suggests that quantum processes in the brain¡ªspecifically at the level of microtubules (tiny structures within neurons)¡ªmight allow the brain to interact with quantum phenomena, enabling superhuman cognitive powers. The key idea here is that the brain doesn¡¯t just operate on traditional biochemical processes but also quantum processes that can affect probability at a fundamental level. Precognition¡ªthe ability to perceive future events¡ªcould be explained by the brain accessing quantum superpositions, where multiple possible futures exist simultaneously. The brain could "collapse" these probabilities to see into future outcomes.

Debates and Controversies

This idea has sparked intense debate, as quantum mechanics is notoriously weird and difficult to reconcile with the macroscopic world we live in. Critics argue that quantum effects are too delicate to survive in the noisy, warm environment of the human brain, where classical processes dominate. Proponents, however, point to the fact that quantum biology is already a growing field. For instance, quantum effects have been observed in photosynthesis and avian navigation. Could the brain also be harnessing quantum mechanics in ways we don¡¯t yet understand?
Psionic Waves: A Bridge Between Classical and Quantum? Another theory emerging in the margins is the idea of Psionic Waves, which suggest that psionic phenomena might be wave-based rather than particle- or field-based. Much like electromagnetic waves, these psionic waves could travel through space-time and interact with the brain to produce psychic effects. Unlike the Psionic Field Hypothesis, which posits a static field, Psionic Waves would be dynamic, flowing across space and potentially subject to interference, resonance, or amplification¡ªjust like sound waves or radio waves. This would explain why certain environments (such as areas with high electromagnetic activity) seem to enhance or inhibit powers.

Testing the Hypothesis

Researchers have begun experimenting with high-sensitivity wave detectors to see if psionic phenomena produce detectable wave signatures in the environment. So far, the results have been inconclusive, but the promise of detecting psionic waves is enough to keep the research alive. If proven, Psionic Wave Theory could revolutionize our understanding of both superpowers and consciousness, providing a common framework for understanding many seemingly disparate phenomena.
The Consciousness-Centric Hypothesis (CCH) Finally, we arrive at the most philosophical of the theories: the Consciousness-Centric Hypothesis (CCH). This radical theory proposes that consciousness itself is the primary force in the universe, and that all physical reality is emergent from conscious thought. In this view, superhuman abilities are not some anomalous quirk of physics, but rather a natural consequence of certain individuals tapping into the true nature of reality¡ªwhere thought shapes matter, and the distinction between the mental and physical is an illusion.

Why It¡¯s Controversial

CCH has been roundly criticized by physicists and philosophers alike for being too metaphysical, bordering on the realm of spiritual mysticism. Yet, it has garnered a surprising amount of support among metahumans with cognitive powers, who often describe their abilities as an extension of their will or intent. Some proponents of CCH even argue that the very act of trying to "explain" superpowers through traditional science is misguided. In their view, the scientific community needs to embrace a post-materialist paradigm that views consciousness as the foundation of all reality.
Where Does This Leave Us? So, where does the science stand? Despite decades of research and experimentation, the mechanisms behind psychic and psionic abilities remain stubbornly elusive. The various theories¡ªpsychronic particles, psionic fields, quantum psychophysics, and psionic waves¡ªall have their merits, but none have yet emerged as the dominant explanation. As one senior researcher at the Institute for Advanced Dynology put it, ¡°We¡¯re at the point in the field where quantum mechanics was in the early 20th century. We know something is there, but we can¡¯t quite pin it down. Eventually, though, we¡¯ll get the breakthrough we need.¡± Until then, the mysteries of psychic powers¡ªand the elusive psychron¡ªremain tantalizingly out of reach.
Jenna Roth is a science writer who covers cutting-edge developments in Dynology, metahuman research, and speculative science. Chapter 126.1 The Philadelphia Zoo in mid-November is a different beast than the one I remember from childhood field trips. The air is crisp, carrying the scent of fallen leaves and the promise of snow. Most of the trees are bare now, their branches reaching up like skeletal fingers against the pale gray sky. It''s quiet, too. The usual cacophony of excited kids and harried parents is replaced by a sort of hushed anticipation, like the whole place is holding its breath, waiting for winter to truly set in. Tasha and I make our way through the entrance, flashing our tickets to the bored-looking attendant. I can''t help but notice the increased police presence - there''s an officer stationed near the ticket booth, another patrolling near the gift shop. It''s subtle, but it''s there. "So," Tasha says as we start down the main path, her breath puffing out in little clouds. "Where do you want to start? Primates? Big cats? Creepy crawlies?" I shrug, shoving my hands deeper into my pockets. "Honestly? I''m not really an animal person. This is more your territory." Tasha''s eyes light up at that, a mischievous grin spreading across her face. "Oh, excellent. Then you won''t mind if we start with the invertebrates exhibit?" I groan internally but force a smile. "Sure, why not? Lead the way, bug girl." As we make our way towards the invertebrate house, I can''t help but scan our surroundings, looking for anything out of place. It''s become a habit lately, this constant vigilance. Every shadow could be hiding a Kingdom operative, every stranger a potential threat. "You know," Tasha says, interrupting my paranoid musings, "the Philadelphia Zoo was actually the first true zoo in the United States. Opened in 1874." "Huh," I say, mildly interested despite myself. "That''s pretty cool, I guess. How''d you know that?" She shrugs, a slight blush coloring her cheeks. "I may have done some research before we came. Wanted to be prepared, you know?" I can''t help but smile at that. Classic Tasha, always doing her homework. "Well, consider me impressed. Any other fun facts you want to share?" "Oh, tons," she says, her eyes sparkling. "Did you know that the zoo has over 1,300 animals? Or that they have one of the most successful breeding programs for endangered species in the country?" "I did not know that," I admit. "But now I''m wondering why a criminal organization would be interested in a place like this. I mean, sure, there are probably some valuable animals here, but it''s not exactly Fort Knox, you know?" Tasha nods, her expression turning thoughtful. "That''s what I''ve been trying to figure out. Maybe it''s not about the animals themselves, but something else. The research they do here, maybe? Or the facilities?" We reach the invertebrate house, and Tasha''s face lights up like a kid on Hanukkah morning. She practically drags me inside, chattering excitedly about the different species we''re about to see. Her... infatuation with bugs isn''t exactly unknown to me but that doesn''t mean I have to enjoy it. I''m not exactly a huge bug fan myself. The first display we come to is filled with what looks like a bunch of leaves. I''m about to move on when Tasha grabs my arm, pointing excitedly. "Look! Leaf insects! Aren''t they amazing?" I squint, and suddenly the "leaves" come into focus. They''re insects alright, their bodies perfectly mimicking the shape and color of leaves. It''s honestly kind of creepy. "That''s... something," I manage, trying to sound impressed. Tasha either doesn''t notice my lack of enthusiasm or chooses to ignore it. She''s already moving on to the next display, this one filled with what looks like a tangle of branches. But as I watch, I realize the branches are moving. "Walking sticks," Tasha explains, her nose practically pressed to the glass. "They''re masters of camouflage. Some species can even change color to match their surroundings." As we move through the exhibit, Tasha keeps up a running commentary on each creature we see. Her enthusiasm is infectious, and I find myself getting drawn in despite my initial reluctance. There''s something fascinating about these tiny, alien-looking creatures, each perfectly adapted to its own niche in the world. We stop at a display of giant centipedes, their segmented bodies undulating in a way that makes my skin crawl. Tasha, of course, is enthralled. "Did you know that centipedes are venomous?" she says, her eyes wide with excitement. "They use modified legs called forcipules to inject venom into their prey." "Charming," I mutter, taking an involuntary step back from the display. "Remind me again why you like these things?" Tasha laughs, finally tearing her gaze away from the centipedes. "They''re just so incredibly well-designed, you know? Every part of them serves a purpose. It''s like... nature''s perfect little killing machines." I raise an eyebrow at that. "Careful there, Tash. You''re starting to sound like a supervillain." This text was taken from Royal Road. Help the author by reading the original version there. She rolls her eyes, but I can see the hint of a smile tugging at her lips. "Please. If I were a supervillain, I''d have way cooler minions than centipedes." "Oh yeah? Like what?" She taps her chin thoughtfully. "Hmm. Maybe an army of highly trained honey badgers. Or venomous platypuses." I snort, picturing an army of angry platypuses waddling into battle. "Okay, I''ll give you points for creativity. But I think I''ll stick with my shark powers, thanks." As we exit the invertebrate house, blinking in the sudden brightness, I notice another police officer walking by. He nods at us as he passes, his eyes scanning the area with practiced efficiency. "Is it just me," I mutter to Tasha, "or are there more cops here than usual?" She nods, her expression turning serious. "I noticed that too. Guess the DVDs are taking our intel seriously." We start walking again, heading towards the big cat exhibits. The path is lined with bare trees, their branches casting intricate shadows on the ground. It''s beautiful, in a stark, wintry sort of way. "So," Tasha says after a moment of companionable silence, "how are things going with you and Maggie?" I blink, caught off guard by the sudden change of topic. "Uh, fine? I mean, we''re friends. We train together. Why?" Tasha gives me a look that I can''t quite decipher. "Just curious. You two seem to be spending a lot of time together lately." "Well, yeah," I say, feeling strangely defensive. "She''s part of the team. And she needs training. What''s your point?" Tasha holds up her hands in a placating gesture. "No point. Just making an observation. You seem... happier when she''s around, that''s all." I feel a flush creeping up my neck and force it down. "She''s a good friend. And a good teammate. That''s all there is to it." "Uh-huh," Tasha says, sounding unconvinced. "Whatever you say, Sam." We reach the big cat enclosure, and I''m grateful for the distraction. The first exhibit we come to houses a pair of snow leopards, their thick fur gleaming in the weak sunlight. They''re lounging on a rocky outcropping, looking supremely unbothered by the chilly weather. "Now these," I say, gesturing to the leopards, "I can appreciate. Look at how chill they are. That''s the kind of energy I aspire to." Tasha laughs, shaking her head. "Of course you''d identify with the apex predators. Why am I not surprised?" We make our way around the big cat loop, stopping to admire the lions, tigers, and jaguars. Each animal is impressive in its own way, but there''s something about the snow leopards that keeps drawing my eye. Maybe it''s their quiet grace, or the way they seem so perfectly adapted to their environment. As we''re watching a pair of Amur tigers pace back and forth in their enclosure, a thought occurs to me. "Hey, Tash? You don''t think the Kingdom could be after any of these animals, do you? Like, for some kind of weird power experiment or something?" Tasha frowns, considering the idea. "It''s possible, I guess. But it seems like a lot of trouble to go through. There are probably easier ways to get exotic animals if that''s what they''re after." I nod, not entirely convinced but willing to let it go for now. We continue our loop, eventually ending up back at the snow leopard enclosure. As we watch, one of the leopards stretches languidly, then leaps down from its perch with impossible grace. It pads over to a small pool of water, lapping at it delicately. "You know," Tasha says, her voice quiet, "snow leopards are considered vulnerable to extinction. There are only about 4,000 left in the wild." I feel a pang of sadness at that. "That''s... really depressing, actually. Why are there so few?" "Lots of reasons," Tasha says, her eyes still fixed on the leopard. "Habitat loss, climate change, poaching. They''re incredibly adaptable animals, but they can only handle so much." We stand there in silence for a while, watching the leopards go about their day. It''s peaceful, in a way that I haven''t experienced in a long time. For a moment, I can almost forget about the Kingdom, about the weight of responsibility on our shoulders. It''s just me and Tasha, watching these beautiful creatures exist. Eventually, we tear ourselves away from the big cats and start wandering towards the primate exhibits. As we walk, Tasha pulls out a granola bar from her bag, offering me half. "Thanks," I say, taking the offered snack. "I''m starving." "Well, we have been walking around for a couple of hours," Tasha points out. "Want to grab lunch after we check out the primates?" I nod, my stomach growling in agreement. "Sounds good to me. As long as it''s not bug-themed." Tasha laughs, elbowing me gently. "Don''t worry, I''ll save the entomophagy lecture for another day." As we approach the primate area, I can''t help but notice the increased noise level. There''s a group of kids on what looks like a field trip, all clustered around the gorilla exhibit. Their excited chatter fills the air, a stark contrast to the quiet we''ve been experiencing for most of the morning. We hang back, waiting for the crowd to thin out a bit before approaching the enclosure. The gorillas inside seem largely unbothered by all the attention, going about their business with an air of quiet dignity. "You know," Tasha says, her voice pitched low so as not to disturb the animals, "gorillas are actually incredibly intelligent. They can learn sign language, use tools, and even understand complex emotions like empathy." I nod, watching as one of the gorillas carefully peels a banana. "They seem so... human-like. It''s kind of unsettling, honestly." "That''s because we''re more closely related to them than you might think," Tasha explains. "We share about 98% of our DNA with gorillas. They''re our closest living relatives after chimpanzees and bonobos." As we watch, one of the younger gorillas approaches the glass, studying us with curious eyes. I find myself holding my breath, struck by the intelligence in its gaze. For a moment, it feels like we''re looking at each other as equals, two sentient beings trying to understand one another across an impossible divide. Then the moment passes, and the gorilla loses interest, wandering back to join its family group. I let out a breath I didn''t realize I was holding, feeling strangely shaken. "You okay?" Tasha asks, giving me a concerned look. I nod, trying to shake off the weird feeling. "Yeah, I''m fine. Just... that was intense, you know?" She nods, understanding in her eyes. "Yeah, I know what you mean. It''s like looking in a mirror sometimes, isn''t it? Seeing how similar we are to them." We move on to the other primate exhibits, checking out the various monkeys and apes. Each species is fascinating in its own way, from the acrobatic gibbons to the colorful mandrills. But none of them quite match the intensity of that moment with the gorilla. As we''re leaving the primate area, I spot another police officer making his rounds. He catches my eye and nods, his hand resting casually on his belt. I nod back, trying to look as innocent and un-suspicious as possible. "So," I say to Tasha once we''re out of earshot, "any theories on what the Kingdom might want with a zoo? Because I''m coming up blank here." Tasha shrugs, looking as puzzled as I feel. "Honestly? I have no idea. Nothing we''ve seen so far seems particularly valuable or dangerous. Unless they''re planning some kind of mass animal breakout, which seems... unlikely." I snort at the mental image of Mrs. Xenograft leading an army of escaped zoo animals through the streets of Philadelphia. "Yeah, I don''t think that''s their style. Too chaotic, not enough profit." Chapter 126.2 We fall into thoughtful silence as we make our way towards the zoo''s central plaza, where most of the food vendors are located. The smell of grilled food and popcorn fills the air, making my stomach growl audibly. "Okay," Tasha says, laughing at the sound. "I think that''s our cue to take a lunch break. What are you in the mood for?" I scan the various food stands, considering our options. There''s the usual array of fast food and snacks - hot dogs, burgers, pizza slices. But there''s also a few healthier options, including a salad bar and a stand selling wraps and smoothies. "How about we split a pizza?" I suggest, eyeing the line at the pizza stand. "I''m in the mood for something greasy and terrible for me." Tasha grins, nodding in agreement. "Sounds perfect. I''ll grab us a table while you order?" I nod, and we split up. As I wait in line for our food, I find my mind wandering back to our conversation about the Kingdom. What could they possibly want with the zoo? Are we missing something obvious, or is this just another dead end? By the time I reach the front of the line, I''m no closer to an answer. I order a large pepperoni pizza and two sodas, then make my way over to where Tasha has claimed a table near the center of the plaza. "So," I say as I set down our food, "any brilliant insights while I was gone?" Tasha shakes her head, reaching for a slice of pizza. "Nope. Still as stumped as before. Maybe we''re overthinking this. Maybe the zoo was just a random location they picked to throw us off the scent." I frown, considering the possibility. "Maybe. But that doesn''t feel right, you know? The Kingdom doesn''t strike me as the type to do things randomly." We eat in silence for a few minutes, both lost in thought. The pizza is greasy and delicious, exactly what I needed after a morning of walking around. As I''m starting on my second slice, a thought occurs to me. "Hey, what if it''s not about the animals at all?" I say, my mouth still half-full of pizza. "What if it''s about the land the zoo is on? Or the buildings?" Tasha raises an eyebrow, intrigued. "Go on." I swallow my bite, wiping my mouth with a napkin. "Well, think about it. The zoo takes up a huge chunk of prime real estate in the city. What if the Kingdom is planning some kind of development project? Or maybe they want to use the zoo as a front for something else entirely?" Tasha nods slowly, her eyes lighting up with understanding. "That¡­ actually makes a lot of sense. The zoo would be perfect cover for all sorts of illegal activities. Lots of foot traffic to hide suspicious movements, plenty of storage space, a legitimate reason for strange deliveries¡­" "Exactly," I say, feeling a spark of excitement. "And with Richardson on the City Council now, they might have the political clout to push through whatever changes they need." We look at each other, the same realization dawning on both our faces. This could be it. This could be the breakthrough we''ve been looking for. "We need to tell the others," Tasha says, already reaching for her phone. "This could be huge." I nod, feeling a mix of excitement and dread. If we''re right about this, it means we''re one step closer to figuring out the Kingdom''s plan. But it also means we''re in for one hell of a fight. As Tasha starts texting the team, I lean back in my chair, surveying the plaza. Families and couples are scattered around, enjoying their lunch, completely oblivious to the potential danger lurking just beneath the surface of their peaceful day at the zoo. I catch sight of another police officer making his rounds, and for once, I''m grateful for the increased security. We''re going to need all the help we can get if we''re going to take on the Kingdom. After we finish our pizza, Tasha and I decide to explore the rest of the zoo. We''ve still got a good chunk of the afternoon left, and who knows? Maybe we''ll stumble across something else that could be useful. Plus, I''m kind of curious to see what other weird animals Tasha''s going to geek out over. We make our way towards the reptile house, Tasha practically bouncing with excitement. "Oh man, you''re going to love this," she says, grinning. "They''ve got some really cool snakes in here." I raise an eyebrow, skeptical. "Cool snakes? Isn''t that kind of an oxymoron?" She rolls her eyes, nudging me with her elbow. "Come on, give them a chance. Snakes are fascinating creatures. Did you know that some species can go months without eating?" "Huh," I say, mildly impressed despite myself. "That''s actually pretty cool. How do they do that?" And just like that, Tasha''s off, launching into an enthusiastic explanation of snake metabolism and hunting behaviors. I listen with half an ear as we enter the reptile house, the air inside noticeably warmer and more humid than outside. The first display we come to houses a massive python, coiled around a thick branch. Its scales shimmer in the dim light, creating a hypnotic pattern of browns and golds. I find myself leaning in closer, fascinated despite my usual aversion to snakes. "That''s a reticulated python," Tasha says, her voice hushed with awe. "They''re the longest snakes in the world. This one''s probably about 15 feet long, but they can grow up to 30 feet in the wild." "Jesus," I mutter, trying to imagine a snake twice as long as this one. "Remind me never to go to wherever they live in the wild." Tasha chuckles. "They''re native to Southeast Asia. But don''t worry, they''re not usually aggressive towards humans unless provoked." Enjoying this book? Seek out the original to ensure the author gets credit. We move on to the next display, this one housing a collection of colorful poison dart frogs. Their bright colors are a stark contrast to the muted tones of the python, almost painfully vivid in the dim light. "These little guys are some of the most toxic animals on the planet," Tasha explains, her eyes wide with excitement. "Just one of them contains enough poison to kill ten grown men." I take an involuntary step back from the display. "Okay, that''s terrifying. Why would anyone want to keep something that dangerous?" Tasha shrugs. "They''re important for medical research. A lot of their toxins have potential pharmaceutical applications. Plus, they''re not dangerous in captivity. They get their toxicity from their diet in the wild." We continue through the reptile house, Tasha providing a running commentary on each species we encounter. I have to admit, some of them are pretty impressive. The Komodo dragon, with its prehistoric appearance and powerful build. The Gila monster, with its beaded skin and venomous bite. Even the tiny leaf-tailed gecko, nearly invisible against its backdrop of branches and leaves. As we''re about to exit the reptile house, something catches my eye. Or rather, someone. A small, mousey woman with short dark hair and glasses, peering intently into one of the terrariums. There''s something familiar about her, but I can''t quite place it¡­ Then she turns slightly, and I feel my whole body go rigid. I grab Tasha''s arm, probably harder than necessary. "Tash," I hiss, nodding towards the woman. "Don''t move." Tasha follows my gaze, her eyes narrowing. "What?" I''m already moving, my body tensed for a fight. But before I can take more than a couple steps, Mrs. Xenograft turns and spots us. Her eyes narrow behind her glasses, and she holds up a hand in a clear ''stop'' gesture. "I wouldn''t if I were you, Miss Small," she says, her voice calm and clinical. "This is a public place, after all. We wouldn''t want to cause a scene, would we?" I freeze, caught off guard by her casual tone. Tasha comes up beside me, her presence a steadying force. "What are you doing here?" I demand, trying to keep my voice low. Mrs. Xenograft sighs, as if I''ve just asked a particularly stupid question. "I''m here to look at the animals, of course. That is generally what one does at a zoo, is it not?" I blink, thrown off balance. This¡­ isn''t how I expected this encounter to go. "But¡­ you''re¡­" "Dr. Trinh-Norwood, thank you very much," she interrupts, her tone sharp. "And I''m here because I happen to enjoy animals. Is that so hard to believe?" I exchange a bewildered look with Tasha. This has to be some kind of trick, right? Some elaborate ruse to¡­ to what? I''m not even sure. Dr. Trinh-Norwood - Mrs. Xenograft - whatever she wants to call herself, sighs again. "Look, I understand your suspicion. But I assure you, I''m not here on any nefarious business. I simply wanted to spend my day off appreciating some of nature''s marvels. Is that really so strange?" "Kind of, yeah," I say, unable to keep the skepticism out of my voice. "Considering, you know, everything." She rolls her eyes, an oddly human gesture that doesn''t quite fit with the conniving supervillain that I last met in a smoky nightclub a year ago. "Contrary to what you might believe, Miss Small, my entire life does not revolve around criminal activities. I have other interests. Passions, even." "Like what?" Tasha asks, her curiosity apparently overriding her caution. Dr. Trinh-Norwood''s eyes light up, and suddenly she''s off, words pouring out of her in an enthusiastic torrent. "Oh, where to begin? The intricate social structures of eusocial insects, the remarkable adaptations of deep-sea creatures, the complex symbiotic relationships in coral reefs¡­ But do you know what really fascinates me? The public''s misguided perception of certain animals. Take dolphins, for example." I blink, caught off guard by the sudden change in topic. "Dolphins?" "Yes, dolphins," she says, her voice taking on an edge of frustration. "Everyone thinks they''re these cute, friendly, intelligent creatures. The ''humans of the sea''. But do you know what they really are? Serial killers. Rapists. They''re violent, aggressive animals, harassing poor pufferfish to get high off their toxins, ganging up on baby sharks to beat them to death with their snouts. But because they have a permanent smile and do a few tricks, people think they''re adorable. It''s infuriating!" I exchange another look with Tasha, both of us clearly out of our depth here. This is¡­ not at all what I expected when I woke up this morning. "That''s¡­ fascinating," Tasha says carefully. "But, uh, if you don''t mind me asking¡­ why are you telling us all this?" Dr. Trinh-Norwood blinks, as if suddenly remembering who she''s talking to. "Because you seemed like you wanted to know more about animals. Is that not why you''re at the zoo?" Tasha and I both stare at her, unsure how to even respond. "What?" Tasha asks, slow and small. "We were more wondering why you''re here," I say, trying to steer the conversation back on track. "And what the Kingdom might want with a zoo." Her expression shutters, the enthusiasm draining away. "Ah. I see. Well, in that case, I should probably inform you that I''m wearing a wire - inspired by recent events." She opens her sweater coat slightly, revealing a small device taped to her chest. "So you might want to be careful about what you say in public, Miss Small. Some people might take offense." I feel my stomach drop. Shit. This complicates things. "Is that a threat?" I ask, my voice low. She shakes her head, looking almost¡­ disappointed? "No, Miss Small. It''s a warning. For your own good. There are people involved in this who are far less¡­ understanding than I am. It would be better for everyone if you simply stayed out of our way." "And why should I believe anything you say?" I challenge, feeling my temper rising despite the warning bells going off in my head. Dr. Trinh-Norwood sighs, pinching the bridge of her nose. "Because, contrary to what you might believe, I have no personal vendetta against you or your little team. My involvement with the Kingdom is purely financial. A job, nothing more. If it were up to me, I''d much rather spend my time studying the fascinating intricacies of the animal kingdom than dealing with human politics and criminality." I open my mouth to argue, but Tasha cuts in before I can. "So why do it at all? Why work for them if you don''t believe in what they''re doing?" For a moment, Dr. Trinh-Norwood''s mask slips, and I catch a glimpse of something¡­ tired. Frustrated. "Because research grants don''t pay the bills, Miss¡­ I''m sorry, I don''t believe I caught your name." "Tasha," she supplies, even after I shoot her a warning glance. "Tasha," Dr. Trinh-Norwood nods. "The sad reality is that my work, my true passion, requires funding. Funding that is not always easy to come by through traditional channels. The Kingdom provides that funding, no questions asked. In return, I provide my expertise when required. It''s a simple transaction." I feel my fists clench at my sides. "So you''re willing to hurt people, to help criminals, just for money?" She looks at me, her gaze steady behind her glasses. "I''m willing to do what''s necessary to continue my work. The work that I believe will actually make a difference in this world. Not running around in costumes playing at being heroes and villains." I feel like I''ve been slapped. "We''re not playing at anything," I spit out. "We''re trying to protect people. To make the city safer." Dr. Trinh-Norwood''s expression softens slightly. "I know you believe that, Miss Small. But the world is not as simple as you seem to think it is. There are no clear-cut heroes and villains, no matter how much you might wish there were. There are just people, all trying to survive and pursue their passions in whatever way they can." Before I can respond, a pair of men in dark suits appear at Dr. Trinh-Norwood''s side. They don''t look at us, keeping their attention focused solely on her. "Dr. Trinh-Norwood," one of them says, his voice low and respectful. "Your car is ready." She nods, then turns back to us. "Well, it seems our little chat has come to an end. It was¡­ interesting, talking with you both. I do hope you''ll take my advice to heart, Miss Small. For your own sake." And with that, she''s gone, escorted away by the two men. Tasha and I are left standing there, staring after her, both of us too stunned to speak. Chapter 126.3 Finally, Tasha breaks the silence. "What the actual fuck just happened?" I shake my head, still trying to process everything. "I have no idea. But I think we just got a glimpse into the mind of a supervillain, and it was¡­ not what I expected." We stand there for a moment longer, both lost in thought. Then, by unspoken agreement, we start making our way towards the exit. I think we''ve both had enough of the zoo for one day. As we walk, I can''t stop turning Mrs. Xenograft''s - Dr. Trinh-Norwood''s - words over in my head. The way she talked about animals, with such passion and enthusiasm. The tired resignation in her voice when she explained her reasons for working with the Kingdom. The warning she gave us, not so much a threat as a plea for us to stay out of it. It doesn''t fit with the image I had of her in my head. The cruel, calculating villain who sent hybrid monsters to attack my home. Who worked with people like Mudslide and Mrs. Heartstopper. How can that person be the same as this¡­ this nerdy scientist who gets worked up about people liking dolphins too much? "It doesn''t make sense," I mutter, more to myself than to Tasha. She glances at me, raising an eyebrow. "What doesn''t?" I gesture vaguely, struggling to put my thoughts into words. "Her. Mrs. Xenograft. Dr. Trinh-Norwood. Whatever she wants to call herself. How can she be¡­ like that, and still work for the Kingdom? How can she just ignore all the harm they''re causing?" Tasha is quiet for a moment, considering. "I don''t think she is ignoring it," she says finally. "I think¡­ I think maybe she''s just decided that her work is more important. That the good she believes she can do through her research outweighs the bad of working with criminals." I shake my head, frustrated. "But that''s bullshit. You can''t just¡­ balance out good and bad like that. It doesn''t work that way." "Doesn''t it?" Tasha asks, her voice gentle, prodding, like she''s testing me. "I mean, look at us¡­ I mean, well, you guys, mostly. We break laws all the time in the name of being heroes. We justify it by saying we''re doing it for the greater good. How is that really any different?" I open my mouth to argue, then close it again. "It''s not the same," I say finally, but even to my own ears it sounds weak. "I have a license," "You and Jordan semi-regularly assault people and take their belongings. Sure, they may be drug dealers or dog fighters or murderers, and those belongings might be cocaine or blood money that you spend on candy and electronics, but you know, it''s not as black and white as we might want it to be," Tasha interrupts me. "I know that was mostly before Jump hit the streets, but you can''t pretend we''re all squeaky clean." "You can''t either, Miss Mayfly," I find myself almost growling. Tasha''s brow furrows. "And we were doing what we could to help you. That''s what I mean. It''s not all easy answers." We exit the zoo in silence, both lost in our own uncomfortable thoughts and the silence of a near-argument. The sun is starting to set, casting long shadows across the parking lot. "Do you think she was telling the truth?" I ask suddenly. "About just being in it for the money?" Tasha considers for a moment. "I think¡­ I think she was telling her version of the truth. The way she sees it, anyway." I nod slowly. "Yeah. I guess that makes sense. It''s just¡­ it''s easier when the bad guys are just bad, you know? When you can look at them and say ''yep, that''s a villain'' and not have to think about it too much." This story has been taken without authorization. Report any sightings. Tasha laughs, but it''s a soft, sad sound. "Welcome to the real world, Sam. Where even the villains have their reasons, and the heroes aren''t always as heroic as we want them to be." I sigh, leaning back against the bench we''re sitting on. "I miss when things were simpler." "Were they ever really simple, though?" Tasha asks. "Or did we just think they were because we didn''t know any better?" I don''t have a good answer for her. The house is quiet when I enter, the soft glow of the living room lamp the only sign that anyone''s home. I kick off my shoes and pad into the kitchen, my stomach growling despite the pizza we had earlier. Stress always makes me hungry. As I''m rummaging through the fridge, I hear footsteps behind me. I turn to see my mom leaning against the doorframe, a mug of tea in her hands. "Hey sweetie," she says, her voice soft. "How was the zoo?" I pause, a jar of pickles in my hand, trying to figure out how to answer that. How do I explain that we ran into a supervillain who turned out to be a passionate scientist with a weird fixation on dolphins? That I''m questioning everything I thought I knew about good and evil? "It was¡­ interesting," I say finally, setting the pickles on the counter. "We saw a lot of cool animals." Mom raises an eyebrow, clearly sensing there''s more to the story. "Just cool animals? Nothing else interesting happened?" I sigh, closing the fridge door. "We¡­ ran into someone. Someone I wasn''t expecting to see there." Mom''s expression shifts, concern creeping into her eyes. "Someone dangerous?" I think about Dr. Trinh-Norwood, about her tired eyes and her passionate rants about animal behavior. "Not exactly," I say slowly. "Just¡­ complicated." Mom nods, not pushing for more details. She''s gotten good at that lately - knowing when to press and when to let things be. "Well, if you want to talk about it, I''m here. And if you don''t, that''s okay too." I manage a small smile, grateful for her understanding. "Thanks, Mom. I might take you up on that later. For now, I think I just need to process everything." She nods again, then gestures to the jar on the counter. "Want me to make you a sandwich to go with those pickles?" I feel a rush of affection for her. Even with everything going on, even with all the worry and stress that comes with having a superhero for a daughter, she still finds ways to take care of me. To remind me that I''m not just Bloodhound, but also Sam. Her daughter. "That would be great," I say, my smile feeling a little more genuine now. "Thanks, Mom." As she bustles around the kitchen, pulling out bread and sandwich fixings, I hop up onto one of the bar stools at the counter. I watch her work, the familiar movements soothing in their normalcy. "Hey Mom?" I say after a moment. "Hmm?" she responds, not looking up from the sandwich she''s assembling. "Do you ever¡­ I mean, with your work at the library. Do you ever feel like you''re not making enough of a difference? Like you should be doing more?" She pauses, looking up at me with a thoughtful expression. "Sometimes," she admits. "I think everyone feels that way now and then. Why do you ask?" I shrug, tracing patterns on the countertop with my finger. "Just something I''ve been thinking about. With everything going on in the city, with all the crime and corruption¡­ sometimes it feels like what we''re doing isn''t enough. Like we''re just putting band-aids on a gaping wound." Mom sets the finished sandwich in front of me, then leans on the counter, her eyes meeting mine. "Samantha," she says, her voice gentle but firm. "What you''re doing is important. Every life you save, every crime you stop¡­ it matters. But it''s not your responsibility to fix everything. You''re one person, sweetheart. A remarkable person, but still just one person." I nod, picking up the sandwich but not taking a bite yet. "I know. It''s just¡­ hard sometimes. To know where to draw the line. To know when enough is enough." She reaches out, tucking a strand of hair behind my ear. "That''s part of growing up, honey. Learning to set boundaries, to recognize your own limits. It doesn''t mean you''re giving up or that you don''t care. It just means you''re human." I think about Dr. Trinh-Norwood again, about her justifications for working with the Kingdom. Is that what she tells herself? That she''s just recognizing her limits, setting boundaries? "But what if¡­ what if by setting those boundaries, we''re letting bad things happen? What if we could do more, but we choose not to?" Mom is quiet for a moment, considering her words carefully. "I think¡­ I think that''s a question everyone has to answer for themselves. But sweetheart, you can''t save everyone. You can''t fix everything. And trying to will only burn you out in the long run." I take a bite of my sandwich, chewing slowly as I mull over her words. She''s right, of course. I know she''s right. But knowing it and accepting it are two different things. "Thanks, Mom," I say finally. "For the sandwich and the advice." She smiles, reaching out to squeeze my hand. "Anytime, kiddo. Now eat up and get some rest. Whatever''s going on, it''ll still be there in the morning." RS.1.1 The living room still smells like fresh paint and new carpet. I''ve been trying to mask it with scented candles, but there''s only so much Yankee Candle can do against the persistent odor of reconstruction. It''s been months since we moved back in, but sometimes I still expect to wake up in Moe''s guest room, surrounded by boxes of our salvaged belongings. Ben''s shuffling around in the kitchen, probably rearranging the crackers on the plate for the fourth time. His need for symmetry used to drive me up the wall, but after everything we''ve been through, it''s almost comforting. A little island of predictability in our chaotic lives. I check my phone again. No messages from Sam. She''s out with friends ¨C or at least, that''s what she told us. These days, I''m never quite sure if "hanging out with Tasha" means gossiping over frappuccinos or punching bad guys in dark alleys. I push the thought away. Tonight isn''t about Sam, not directly. It''s about us ¨C the adults who are supposed to have all the answers and instead are drowning in questions. The doorbell rings, and I hear Ben''s quick footsteps. He always beats me to the door, a habit from when Sam was little and we were paranoid about strangers. Now, I almost wish it was that simple. "Dad," Ben''s voice carries from the entryway. "Come in. It''s freezing out there." I stand up, smoothing down my sweater. It''s the nice one, the cashmere blend that I save for special occasions. As if dressing up will somehow make this evening less fraught. Moe bustles in, all smiles and hugs. He''s wearing the gaudy Hanukkah sweater I got him last year as a joke. On anyone else, it would look ridiculous. On Moe, it looks somehow dignified."Rachel, sweetheart," he says, enveloping me in a bear hug that smells of Old Spice and peppermint. "How are you holding up?" It''s a loaded question, and we both know it. I paste on a smile. "Oh, you know. One day at a time." Ben hovers nearby, hands fluttering like nervous birds. "Can I take your coat, Dad? We''ve got snacks in the living room. And wine. Do you want wine? Or tea? I can make tea." "Wine sounds great, son," Moe says, handing over his coat. "A little warmth for these old bones." We settle into the living room, perching on furniture that still feels too new, too perfect. The coffee table is laden with a spread that would make my therapist proud ¨C a perfect balance of healthy options and comfort food. Stress eating, with a side of guilt. Moe takes a sip of wine and lets out an appreciative hum. "This is good stuff. You''ve been holding out on me, Benji." Ben''s cheeks flush slightly at the childhood nickname. "It was on sale," he mumbles. I reach for a cracker, more for something to do with my hands than out of any real hunger. The room feels too small suddenly, despite the open floor plan we chose during the reconstruction. Too many elephants crowding in, waiting to be acknowledged. "So," Moe says, breaking the awkward silence. "How''s work treating you both? Still fighting the good fight in city planning, Ben?" Ben nods, launching into a detailed explanation of his latest project. Something about green spaces and urban renewal. I try to listen, I really do, but my mind keeps drifting. To Sam. To the bruises I pretend not to see when she changes for bed. "...and what about you, Rachel?" Moe''s voice cuts through my spiraling thoughts. "Any exciting new additions to the library?" I blink, realizing I''ve completely lost the thread of conversation. "Oh, um, yes. We just got a new collection of graphic novels. They''re really popular with the kids." Moe''s eyes light up. "Graphic novels, huh? You know, back in my day, we just called them comic books. But I guess everything needs a fancy name now." "They''re not just for kids anymore," I find myself saying, warming to the topic. "There''s some really complex storytelling happening in the medium. Art and literature coming together in fascinating ways." "Oh, I know," Moe chuckles. "I may be old, but I keep up. Did you know they''re doing a whole series now on real-life superheroes? Fascinating stuff. Really makes you think about the world we''re living in." And there it is. The elephant in the room, trumpeting loudly. I take a large gulp of wine, nearly choking on it. Ben clears his throat. "Dad, we don''t really... I mean, we shouldn''t be talking about..." "What?" Moe looks genuinely puzzled. "I''m not talking about Sam. I''m talking about literature. Art. The way society processes these huge changes through storytelling. It''s important stuff."The tale has been stolen; if detected on Amazon, report the violation. I set my glass down harder than I mean to. "Is it, though? Is it really important when there are real people ¨C real children ¨C out there risking their lives? When our daughter comes home with bruises and nightmares and we''re supposed to just... what? Pretend it''s normal? Write a comic book about it?" The words come out sharper than I intend, fueled by fear and frustration and too much wine on an empty stomach. Ben flinches, and I immediately feel guilty. This isn''t his fault. It isn''t anyone''s fault, really. Except maybe the universe''s sick sense of humor. Moe leans forward, his expression serious. "Rachel, honey, I know you''re scared. We all are. But Sam... she''s doing something incredible. Something important." "She''s almost sixteen," I snap. "She should be worrying about prom dates and college applications, not... not whatever the hell she was dealing with at the zoo the other day." Morris''s head snaps a little bit. "The zoo? What happened at the zoo?" I wave a hand dismissively. "Some villain spouting nonsense about evil dolphins or something. I don''t know. Sam was pretty vague about the details." "Evil dolphins?" Moe repeats, looking intrigued despite himself. "Now that''s a new one." "It''s not funny," I say, even as a hysterical little giggle threatens to escape. "None of this is funny. Our daughter is out there fighting criminals and mad scientists, and we''re sitting here eating crackers and talking about comic books." Ben reaches out, his hand hovering uncertainly near mine before retreating. "We''re not just sitting here, Rachel. We''re... we''re supporting her. In the ways we can." "Are we?" I challenge. "Are we really supporting her, or are we enabling her? Letting her put herself in danger because we''re too afraid to say no?" Moe sighs heavily. "It''s not that simple, and you know it. Sam''s powers... they''re a part of her now. We can''t just pretend they don''t exist." "I''m not saying we should pretend," I argue. "I''m saying we should be protecting her. Setting boundaries. Being parents." "We are being parents," Ben says quietly. "We''re doing the best we can in an impossible situation." I deflate a little at that. He''s right, of course. We are doing our best. It just never feels like enough. Moe reaches for another cracker, looking thoughtful. "You know, this reminds me of a story. Back when I was working on the Verrazano-Narrows Bridge..." Ben and I exchange a look. Moe''s stories are legendary ¨C part wisdom, part rambling nostalgia, with a healthy dose of exaggeration thrown in. But right now, I''ll take any distraction I can get. "Go on, Dad," Ben encourages. "Tell us about the bridge." Moe launches into his tale, painting a vivid picture of 1960s New York and the monumental task of connecting Brooklyn and Staten Island. As he talks, I feel some of the tension leave my shoulders. This is familiar territory ¨C Moe spinning yarns, Ben listening with rapt attention, me half-listening while my mind wanders. I get up to refill our wine glasses, letting the familiar cadence of Moe''s voice wash over me. When I return, he''s deep into an anecdote about a particularly stubborn rivet that just wouldn''t cooperate. "...and that''s when Jimmy says to me, ''Moe, sometimes you gotta know when to push and when to let things settle on their own.'' Wise words, especially coming from a man who''d just lost two fingers to a welding accident." Ben winces at the mental image, but I find myself nodding. "So, what? You''re saying we should just... let Sam figure things out on her own?" Moe holds up his hands. "I''m not saying anything of the sort. I''m just telling a story about a bridge." "Everything''s a story about a bridge with you," I mutter, but there''s no real heat behind it. Ben clears his throat. "I think... I think what Dad''s trying to say is that we need to find a balance. Between supporting Sam and protecting her." "Exactly," Moe nods approvingly. "You can''t control every rivet, every bolt. But you can make sure the foundation is solid." I take a sip of wine, mulling this over. "And how exactly do we do that? Build a solid foundation when the ground keeps shifting under our feet?" "We do what we''ve always done," Ben says softly. "We love her. We listen to her. We try to understand." "Even when what she''s doing terrifies us?" I challenge. "Especially then," Moe says firmly. "Fear... fear can make us do stupid things. Make us push away the people we''re trying to protect." I think about Sam, about the distance that''s been growing between us. The secrets and half-truths. The way she sometimes looks at me like I''m a stranger. "I don''t want to lose her," I whisper. Ben''s hand finds mine, squeezing gently. "We won''t," he says, with a certainty I wish I felt. "We''re in this together. All of us." Moe raises his glass. "To family," he says. "In all its messy, complicated glory." We clink glasses, the sound ringing out in the too-new living room. For a moment, I let myself believe that it really is that simple. That love and wine and Moe''s rambling stories can somehow shield us from the chaos of the world outside. Then my phone buzzes, and reality comes crashing back in. I reach for my phone, more out of habit than expectation. There''s a message from Sam: "On my way home soon. Maggie''s coming over, ok?" I show the message to Ben, who nods absently. "That''s fine. Maggie''s always welcome." Moe perks up. "Maggie? Is that the new friend Sam''s been spending so much time with?" "Yeah," I say, refilling my wine glass. "They''ve gotten pretty close lately." Ben shifts uncomfortably in his seat. "Do you think... I mean, after what happened with Jamila..." I raise an eyebrow. "You think Sam has a crush on Maggie?" "Well, I... it''s just..." Ben fumbles for words, his cheeks flushing. Moe chuckles. "Ah, young love. Always complicated, no matter who it''s with." I take a larger sip of wine than I probably should. "I don''t think it''s like that with Maggie. They''re just friends." But even as I say it, I''m not entirely sure. There''s something about the way Sam and Maggie interact, a closeness that goes beyond typical teenage friendship. It reminds me of the way Sam used to be with Jamila, before... well, before everything went sideways. "Would it be so bad if it was?" Moe asks, his tone gentle. "Sam''s a good kid. She deserves to be happy." Ben nods emphatically. "Of course! We''d support her no matter what. I just... I worry, you know? After how things ended with Jamila..." I feel a surge of protective anger. "That wasn''t Sam''s fault. Jamila made her choice." The room falls silent for a moment, the weight of unspoken truths hanging heavy in the air. We all know there''s more to the story of Sam and Jamila''s breakup than teenage drama, but it''s easier to pretend it''s just normal high school stuff. Easier than confronting the reality of what our daughter''s life has become. RS.1.2 Moe clears his throat. "So, tell me about this Maggie. What''s she like?" I hesitate, realizing I don''t know as much about Maggie as I probably should. "She''s... nice. Quiet, I guess. But she seems to really get Sam, you know?" Ben nods. "They''re always whispering and giggling about something. Inside jokes, I think." "Sounds like a good friend," Moe says approvingly. "Sam needs that. Especially now." The ''especially now'' hangs in the air, loaded with all the things we''re not saying. The dangers Sam faces, the secrets she keeps, the weight she carries on her too-young shoulders. I take another gulp of wine, feeling it warm my chest. "I just wish..." "Wish what?" Ben prompts when I trail off. I wave my hand vaguely. "I don''t know. That things were simpler, I guess. That Sam could just be a normal teenager with normal problems. Crushes and homework and... and not..." I can''t bring myself to finish the thought. Moe leans forward, his eyes serious. "Rachel, honey, there''s no such thing as a normal teenager. Every kid has their struggles, their secrets. Sam''s are just... a little more dramatic than most." I laugh, a short, bitter sound. "A little more dramatic? Pop-pop, she''s out there fighting criminals. Getting shot at. Coming home with bruises and... and God knows what else. That''s not drama, it''s... it''s..." "It''s her life," Ben says quietly. "Whether we like it or not." I deflate, feeling suddenly exhausted. "I know. I know it is. I just... I don''t know how to protect her anymore." Moe reaches out, patting my hand. "Maybe we can''t protect her the way we used to. But we can support her. Be here for her when she needs us." "And how do we know when that is?" I challenge. "She doesn''t tell us anything anymore. Not really." Ben shifts uncomfortably. "She tells us some things. Like... like that thing at the zoo the other day." Moe perks up. "Ah yes, the evil dolphins. I''ve been meaning to ask about that. What exactly happened?" I shrug, reaching for a cracker. "I don''t really know. Sam was pretty vague about the details. Something about running into a villain who started ranting about the moral failings of dolphins? It didn''t make much sense." "Dolphins, huh?" Moe muses. "You know, there''s actually some fascinating research about dolphin intelligence and social structures. Did you know they''re one of the few animals that have been observed using tools?" Ben latches onto this new topic with obvious relief. "Really? What kind of tools?" As Moe launches into a detailed explanation of dolphin behavior, complete with animated hand gestures, I find my mind wandering. I think about Sam and Maggie, heads bent close together, whispering and giggling. I think about the way Sam''s eyes light up when she talks about her "after-school activities" ¨C the careful euphemism we''ve all adopted for her superhero work. I think about the daughter I used to know, the one who would curl up next to me on the couch and read for hours. The one who used to tell me everything, from playground drama to her secret dreams. When did she become this strange, fierce creature I barely recognize sometimes? "...and that''s why some scientists argue that dolphins might actually have a complex moral system," Moe is saying as I tune back into the conversation. "It''s all quite fascinating, really." "It is," Ben agrees, looking genuinely interested. "I wonder if that''s what that villain was getting at? Some kind of... I don''t know, anti-dolphin agenda?" I snort, the wine making me bolder. "An anti-dolphin agenda. God, listen to us. This is what our lives have become. Sitting around speculating about supervillains and dolphin morality while our teenage daughter is out there..." I wave my hand vaguely, encompassing all the unknown dangers Sam might be facing. Ben reaches out, his hand hovering uncertainly near mine before retreating. "Rachel, we can''t... we can''t control everything. We have to trust Sam."This novel''s true home is a different platform. Support the author by finding it there. "Do we?" I challenge, earning a couple of blinks from Ben. Moe sighs heavily. "The world isn''t what it used to be, Rachel. Kids today are dealing with things we never could have imagined." "That doesn''t make it right," I insist. "We''re her parents. We''re supposed to protect her." "And how do you propose we do that?" Ben asks, a rare edge of frustration in his voice. "Lock her in her room? Take away her powers somehow? We can''t change what she is, Rachel." I deflate, the fight going out of me. "I know. I know we can''t. I just... I miss her, Ben. I miss my little girl." Moe clears his throat. "She''s still your little girl, Rachel. She''s just... growing up. Finding her place in the world." "Some world," I mutter, reaching for the wine bottle again. Ben gently intercepts my hand. "Maybe that''s enough for tonight, hon." I want to argue, but the concern in his eyes stops me. Instead, I nod, letting my hand fall back to my lap. Moe stands up, stretching with a groan. "Well, I don''t know about you two, but all this heavy talk has worked up my appetite. How about we start on those sandwiches? Sam and Maggie will probably be hungry when they get here." Ben nods, looking relieved at the chance to do something practical. "Good idea, Dad. I''ll get started." As they head to the kitchen, I remain on the couch, staring at the half-empty wine glass in front of me. The room feels too big suddenly, too quiet. I can hear Ben and Moe in the kitchen, their voices a low murmur punctuated by the occasional clatter of dishes. I pick up my phone again, scrolling through old photos. Sam at her bat mitzvah, grinning wide despite the braces. Sam and Kate at the beach two summers ago, before everything changed. Sam on her first day of high school, trying so hard to look cool and grown-up. My throat tightens as I swipe through the images. When did she get so old? When did I stop being able to fix everything with a hug and a band-aid? "Rachel?" Ben calls from the kitchen. "Do you want turkey or roast beef?" I take a deep breath, pushing down the swirl of emotions threatening to overwhelm me. "Turkey," I call back. "And extra mustard." As I stand up, my phone buzzes with a notification. It''s the tracking app we installed on Sam''s phone ¨C a necessity in these tense times. She''s about ten minutes away, walking. Enough time for one more difficult conversation. I make my way to the kitchen, where Ben and Moe are assembling sandwiches with the careful precision of men avoiding harder topics. "Sam''s about ten minutes out," I say, leaning against the doorframe. "She''s bringing Maggie," I repeat, almost blindly. Ben nods, carefully aligning the edges of a slice of cheese with the bread beneath it. "That''s good. Maggie''s a nice girl." "Yeah," I agree, then hesitate. The wine has loosened my tongue, made the fears I usually keep buried bubble to the surface. "Do you ever worry... I mean, with everything that''s happening... do you think Sam might..." I trail off, not sure how to voice the fear that''s been gnawing at me. Moe looks up, his eyes sharp despite the late hour and the wine. "Might what, Rachel?" he prompts gently. I swallow hard. "Might turn out like... like my father?" The kitchen goes silent. Ben''s hands freeze mid-sandwich assembly, and Moe''s expression darkens. They both know who I mean, even though we rarely speak of him. "Rachel," Ben starts, his voice soft but firm. "Sam is nothing like that man." "I know," I say quickly. "I know she''s not. It''s just... the violence, the fighting. It scares me sometimes. The way she throws herself into danger without hesitation." Moe sets down the knife he''s been using to spread mayonnaise, his movements deliberate. "Your father," he says, and I flinch at even this oblique reference, "was a cruel man who hurt people because he wanted to. Sam helps people because she has to. There''s a world of difference there." I nod, blinking back tears. "I know. Logically, I know that. But sometimes I see her come home with bruises, or hear about the fights she''s been in, and I just..." "You worry," Ben finishes for me. "We all do. But Sam has something your father never did." "What''s that?" I ask. "Us," Moe says simply. "She has a family who loves her, who supports her. Who will always be here to remind her of who she really is." I want to believe them. I desperately want to believe that love and support are enough to keep the darkness at bay. But I remember the wild look in my father''s eyes the night he crashed our wedding, the casual way he fought through Ben''s drunken cousins and relatives just to throw an envelope of money at our feet and leave without a word. The way he won. "It''s not genetic, you know," Ben says, as if reading my thoughts. "Violence isn''t something that''s passed down like... like eye color or height. It''s learned. And Sam..." he pauses, choosing his words carefully. "Sam has learned compassion. Bravery. Self-sacrifice. Those are the things she''s inherited from you, Rachel." I feel a lump form in my throat. Before I can respond, we hear the front door open. "Mom? Dad? We''re home!" Sam''s voice calls out, followed by the sound of shoes being kicked off and coats being hung up. Just like that, the moment shatters. I straighten up, plastering on a smile as Sam and Maggie appear in the kitchen doorway, cheeks flushed from the cold. "Perfect timing," I say, my voice only slightly strained. "We were just finishing up the sandwiches. Are you girls hungry?" As Sam launches into a story about their walk home, punctuated by Maggie''s quiet laughter, I catch Ben''s eye over their heads. He gives me a small, reassuring nod. The fears aren''t gone. They probably never will be. But for now, in this moment, with my family gathered in our too-new kitchen, I let myself believe that we''re going to be okay. That love really can be stronger than the shadows of the past. I hand Sam a plate, our fingers brushing as she takes it. Her hands are strong, calloused in ways I try not to think about too hard. But they''re also gentle. Caring. Nothing like the hands I remember from my childhood. "Thanks, Mom," Sam says, smiling up at me. And in her eyes, I see only warmth. Only love. I have to. Chapter 127.1 There''s something oddly satisfying about the way my knuckles crunch into a punching bag. It''s not quite the same as the real thing ¨C and by the real thing, I mean, like, punching a person, which, I guess isn''t actually that satisfying, but you know what I mean ¨C but it''s close enough. The heavy bag swings back and forth, a steady rhythm that I can follow with my fists. Thud. Thud. Thud. Each impact sends a jolt up my arm, but it''s not painful. It''s more like a reminder that I''m alive, that I''m here, that I''m doing something. I''m in the Delaware Valley Defenders'' HQ gymnasium, still just a big room filled with government surplus equipment. It''s not exactly state-of-the-art, but it gets the job done. The walls are a dull gray, and the floor is covered in those interlocking rubber mats that always smell like sweat and disinfectant. There''s a bunch of weights in one corner, some treadmills and bikes in another, and in the middle, where I am, there''s a bunch of punching bags and sparring equipment. Rampart is holding the bag steady for me. He''s a big guy, all muscle and solid frame, and he barely moves even when I''m putting my full strength into each punch. "Good form, Sam," he says, his voice gruff but encouraging. "You''re really getting your weight behind those hits." I grunt in response, too focused on my rhythm to form words. Left jab, right cross, left hook. Repeat. My fists are wrapped in tape, but I can still feel the impact of each punch. It''s a good feeling, like I''m actually accomplishing something. Which is more than I can say for the rest of my superhero career lately. "You know," Rampart continues, seemingly unfazed by my silence, "your strength is really impressive. It''s like you''re back in peak form after... well, you know." I stop punching for a moment, my fists still raised. "After Illya nuked me, you mean," I say, my voice flat. I''ve started correcting people a little more actively about it. Mrs. Gibson has kept me loosely updated - he''s been settling in peacefully with no fight in Aurora Springs, and he''s serving his time to society. The least I can do is respect that. Rampart winces slightly. "Right. Sorry. Illya." I shake my head and start punching again, harder this time. "It''s fine. I just... I don''t want to give him any more credit than he deserves, you know?" is what I say instead of all that other shit. "I get it," Rampart says, nodding. "And you''re right. He''s just a person, like any of us. But that doesn''t make what happened to you any less significant." I grunt again, putting extra force into my next punch. The bag rattles wildly on its hard plastic base, and even Rampart has to take a step back to steady it. "Yeah, well, what good is being in ''peak form'' if we''re not allowed to do anything with it?" That''s the crux of the issue, really. Ever since the whole mess with Patriot, the government has put the Young Defenders on ice - every superhero team on ice, basically, all the big important official ones and their satellites (like us). We''re basically just an after-school club now, all our official hero work suspended until further notice. Rampart lets out a heavy sigh. "I know it''s frustrating, Sam. Trust me, I feel it too. But we have to play by their rules for now. It''s the only way we''ll ever get back to doing real hero work." I stop punching and step back, wiping sweat from my forehead with the back of my hand, delicately not mentioning the work I''m doing with the Auditors on the side. "I know, I know. It''s just... it feels like we''re letting people down, you know? Like we''re not living up to our potential." "I get it," Rampart says, patting the punching bag. "But sometimes being a hero means knowing when to hold back. We can''t help anyone if we''re shut down completely." I nod, not entirely convinced but too tired to argue. "Yeah, I guess. So, what''s next? More bag work?" Rampart grins, a mischievous glint in his eye. "Actually, I was thinking we could do some sparring. You up for it?" I can''t help but grin back. Sparring with Rampart is always a challenge, but it''s also one of my favorite parts of training. "Oh, you''re on, big guy." We move to the sparring mat, a big blue square in the middle of the room. Rampart takes up a defensive stance, his arms raised and his feet planted firmly. I circle him, looking for an opening. Even though he''s way bigger than me, I know I can hold my own. I feint with my left, then come in with a quick right jab. Rampart blocks it easily, but I''m already following up with a low kick to his knee. He shifts his weight, absorbing the impact without budging an inch. We trade blows back and forth, neither of us really trying to hurt the other but both pushing our limits. It''s a dance of sorts, a physical conversation where we can work out our frustrations without words. Every now and then, someone else will poke their head in, watching us for a moment before moving on. "Looking good, kids!" Captain Plasma calls out as he passes by, his voice cheerful. "Just don''t break anything ¨C or each other!" I roll my eyes, but I can''t help smiling. It''s nice to know that even with all the restrictions, the older heroes still support us. Even if they can''t do much to change our situation.If you come across this story on Amazon, it''s taken without permission from the author. Report it. As we continue sparring, I can feel the tension slowly draining from my body. There''s something cathartic about physical exertion, about pushing your body to its limits. It''s like all the anger and frustration I''ve been feeling is being sweated out, leaving me tired but clearer-headed. After what feels like hours but is probably only about forty-five minutes, Rampart calls a halt. We''re both breathing heavily, covered in sweat. "Good work, Sam," he says, offering me a fist bump. "You''re definitely not pulling your punches anymore." I return the fist bump, grinning despite my exhaustion. "Well, I figured if I can''t use my powers to fight bad guys, I might as well use them to give you a workout." Rampart chuckles, shaking his head. "Trust me, you''re doing that alright. I think my arms are going to be sore for a week." We head over to the water fountain, gulping down water like we''ve been wandering in the desert for days. As I wipe my mouth with the back of my hand, I notice Rampart looking at me thoughtfully. "What?" I ask, suddenly self-conscious. "Do I have something on my face?" He shakes his head. "Nah, I was just thinking... you''ve come a long way, you know that? I remember when you first joined the team, you could barely throw a punch without hurting yourself. And then once you learned the form, you got nuked. Now you''ve got both." I feel my cheeks flush, and it''s not just from the exertion. "Yeah, well, I had a good teacher," I mumble, not meeting his eyes. Rampart grins, reaching out to ruffle my hair. I duck away, but not before he manages to mess it up even more than the sparring did. "Hey, don''t sell yourself short, kid. You''ve put in the work. You should be proud of yourself." I shrug, still not entirely comfortable with praise. "I guess. I just wish I could do more, you know?" Rampart''s expression turns serious. "I know. We all do. But for now, we''ve got to focus on what we can do. Speaking of which..." He trails off, heading over to a corner of the gym. When he returns, he''s carrying a large canvas bag that clinks ominously when he sets it down. "What''s that?" I ask, eyeing the bag suspiciously. "This," Rampart says with a grin, "is our new bone conditioning equipment." I groan, rolling my eyes. "Seriously? More bone conditioning?" Rampart nods, his grin widening. "Yep. But this time, we''re stepping it up a notch. Instead of rice, we''ve got..." He opens the bag, revealing a pile of small, round stones. "Gravel!" I stare at him, then at the gravel, then back at him. "Where did you even get that much gravel?" I''m not sure if I should be impressed or concerned. He shrugs, looking a bit sheepish. "Let''s just say I know a guy who knows a guy who works in construction. Don''t worry, it''s all above board." I raise an eyebrow, not entirely convinced, but decide not to push it. Instead, I sigh dramatically and hold out my arms. "Alright, let''s get this over with." Rampart nods approvingly and starts filling smaller bags with the gravel. Once he''s got a few ready, he hands me a pair and takes a pair for himself. "Okay, we''ll start with light taps. Just get a feel for the weight and texture." I nod, taking a deep breath before starting to tap the gravel bags against my forearms. It''s... not pleasant. The individual pieces of gravel shift and grind against each other, creating an uneven surface that''s much harder than the rice bags we usually use. And it''s spiky, even through the canvas. But I grit my teeth and keep going, reminding myself that this is all part of the training. As we work, Rampart keeps up a steady stream of encouragement and advice. "Good, Sam. Remember to breathe. Keep your muscles relaxed ¨C tension will just make the impacts hurt more. That''s it, nice and steady." Gradually, we increase the intensity, moving from light taps to more solid strikes. It''s uncomfortable, bordering on miserable, a new kind of pain. But I feel the adrenaline hit my brain and all that fades away. It starts feeling great. "You''re doing great," Rampart says after a particularly grueling set. "Your body''s really responding well to the training. I bet you could take a hit from a car now and barely feel it." I laugh, shaking out my arms. "Let''s not test that theory, okay? I''ve had enough near-death experiences for one lifetime." Rampart chuckles, but there''s a hint of concern in his eyes. "Yeah, let''s avoid those if we can. But seriously, Sam, you should be proud of how far you''ve come. Not just physically, but mentally too. You''ve been through a lot, and you''re still standing. That''s not nothing." I nod, not trusting myself to speak. It''s true, I have been through a lot. Sometimes it feels like too much. But then I remember all the people I''ve helped, all the friends I''ve made, and I know it''s worth it. Even if we''re sidelined right now, even if it feels like we''re not doing enough, we''re still making a difference. We''re still heroes. We continue with the bone conditioning for a while longer, alternating between arms, shins, and even (carefully) our torsos. By the time we''re done, I feel like I''ve been put through a meat grinder, but in a good way. It''s the kind of soreness that comes from a really good workout, the kind that lets you know you''ve pushed yourself to your limits and come out stronger. As we''re putting away the equipment, Rampart turns to me with a casual air that immediately makes me suspicious. "Hey, Sam," he says, his tone far too innocent. "You want to go get Wawa?" I narrow my eyes at him. We both know that "going to Wawa" is code for "going on an unofficial patrol". It''s not exactly against the rules ¨C we''re allowed to go out in public, after all ¨C but it''s definitely skirting the line. For a moment, I hesitate. Part of me, the responsible part that''s been trying so hard to play by the rules, wants to say no. But another part, the part that''s been itching for action, that''s been feeling caged and restless, is practically screaming yes. I look at Rampart, seeing the same conflict in his eyes. He''s supposed to be the responsible one, the team leader. But he''s feeling it too, the need to do something, to be out there making a difference. Finally, I nod. "Yeah," I say, trying to keep my voice casual. "A hoagie sounds pretty good right about now." Rampart grins, a mix of relief and excitement in his expression. "Great. Let''s get changed and head out." We quickly change into street clothes, opting for hoodies and jeans ¨C inconspicuous, but easy to move in if we need to. No costumes, of course. That would be too obvious. As we''re heading out, we run into Captain Plasma in the hallway. "Hey, kids," he says, his eyebrows raising slightly as he takes in our attire. "Where are you two off to?" "Just grabbing some food," Rampart says smoothly. "All that training works up an appetite, you know?" Captain Plasma looks at us for a long moment, and I''m sure he knows exactly what we''re up to. But instead of calling us out, he just nods. "Alright. Be careful out there. And bring me back a turkey sub, would you?" "A hoagie," I correct him. He laughs gently, like tinkling windchimes. We both nod, trying not to look too relieved. Chapter 127.2 The crisp autumn air hits us as we step outside, a welcome relief after the stuffy gym. The sky is a brilliant blue, dotted with puffy white clouds, and the trees lining the street are a riot of red and gold leaves. It''s the kind of day that makes you glad to be alive, that makes you want to go out and do something. "Relax, Sam," Rampart murmurs, noticing my tension. "We''re just two friends out for a walk. Nothing suspicious about that." I nod, taking a deep breath and trying to loosen my shoulders. "Right. Just a walk. No superhero business here, no sir." Rampart chuckles softly. "You know, sarcasm isn''t actually a superpower." "Could''ve fooled me," I shoot back, grinning despite myself. It feels good to banter like this, to fall back into our old rhythms. For a moment, I can almost forget about all the restrictions and red tape that have been holding us back. Rampart and I fall into step beside each other, our pace casual but purposeful. To anyone watching, we probably look like any other pair of friends out for a walk. But beneath the surface, we''re both on high alert, our eyes scanning the streets for any sign of trouble. Instead of costumes, the both of us have hoodies on, although my tiny little frame means that I''m dwarfed by mine, while Rampart''s perfect sportsman barrel chest strains his. "So," I say, keeping my voice low. "What''s the plan? Are we just going to wander around and hope we stumble across a crime in progress?" Rampart chuckles, shaking his head. "Not exactly. I''ve been keeping an ear to the ground, you know? There''s been some chatter about increased gang activity in the Olney area. Nothing major, just some petty theft and vandalism, but it could escalate if nobody steps in." I nod, impressed despite myself. Even with the restrictions on our official hero work, Rampart''s been staying on top of things. "Olney, huh? That''s a bit outside our usual patrol route." "Exactly," Rampart says with a grin. "Which means it''s less likely we''ll run into anyone who might recognize us. Plus, it''s an area that could use some help. The local cops are stretched thin as it is." As we walk, I can''t help but feel a mix of excitement and nervousness. It''s been weeks since we''ve done anything even remotely hero-like, and I''m itching for some action. But at the same time, I know we''re taking a risk. If we get caught, it could mean the end of the Young Defenders for good. We make our way towards Olney, taking a roundabout route to avoid any areas where we might be recognized. As we walk, Rampart fills me in on what he knows about the gang situation. Apparently, there''s a new group trying to establish themselves, muscling in on territory that used to belong to the Philly Phreaks before their capture. "The thing is," Rampart says as we turn onto a quieter street, "these new guys aren''t metas, as far as we know. They''re just regular thugs with delusions of grandeur and a couple of Jumpheads, as per usual. But they''re causing real problems for the community." I nod, understanding. It''s not the kind of high-stakes, world-saving action I''d like to bury my face in, but it''s important. These are real people being affected, their lives and livelihoods at risk. "So what''s the plan? We can''t exactly go in fists flying without our costumes." Rampart grins, a mischievous glint in his eye. "Who says we need costumes to be heroes? Sometimes, all it takes is being in the right place at the right time." As if on cue, we hear a commotion up ahead. Turning the corner, we see a group of young men harassing an older woman outside a small convenience store. They''re not being violent, not yet, but their body language is aggressive, intimidating. Rampart and I exchange a look. This is it. Our chance to do some good, even if it''s on a small scale. We quicken our pace, approaching the scene with purpose. "Hey!" Rampart calls out, his voice carrying easily across the street. "Is there a problem here?" The group turns to look at us, their expressions a mix of annoyance and wariness. The woman takes advantage of their distraction to slip into the store, the bell jingling as the door closes behind her. One of the young men, clearly the leader, steps forward. He''s trying to look tough, but I can see the uncertainty in his eyes. "This ain''t none of your business," he says, his voice gruff. "Why don''t you two keep walking?"If you come across this story on Amazon, it''s taken without permission from the author. Report it. I step up beside Rampart, my heart pounding but my voice steady. "We''re making it our business," I say. "Harassing people isn''t cool, guys. Why don''t you find something better to do with your time?" The leader scoffs, but I can see some of his buddies shifting uncomfortably. They''re not used to being challenged, especially not by a couple of random teenagers. "And who''s gonna make us? You?" Rampart smiles, but it''s not a friendly smile. It''s the kind of smile that makes you think twice about picking a fight. "Maybe. Or maybe we just call the cops. I''m sure they''d be very interested in what you guys are up to." That gets their attention. The leader glances at his friends, then back at us. For a moment, I think he might try to call our bluff. But then he shakes his head, spitting on the ground. "Whatever. This place is boring anyway. Let''s bounce, guys." As they slouch away, trying to look like it was their idea to leave all along, I feel a surge of satisfaction, mixed with equal parts boredom. A small, nasty part of me wishes they started a fight, but I don''t express it. Leave that one buried. Rampart turns to me, his expression a mix of pride and relief. "Nice work, Sam. That could have gone south real quick." I nod, still feeling the adrenaline coursing through my veins. "Yeah, but it didn''t. We actually helped someone, Rampart. It feels¡­ good." He claps me on the shoulder, grinning. "That''s what being a hero is all about, kid. It''s not always about the big fights and the flashy powers. Sometimes it''s just about being there, standing up for what''s right." "We''re basically the same age," I protest. We spend the next couple of hours walking the streets of Olney, keeping an eye out for trouble. We break up a few more minor incidents ¨C a heated argument that looked like it might turn violent, a kid trying to shoplift from a corner store. Nothing major, but each time, I feel that same sense of satisboredom. I almost wish a Jumphead would start flinging fireballs at me around the corner, just to give me a little more to work with. The cop cadet stuff is important, but totally anodyne (a word that means "a sort of overwhelming sweetness"). As the sun starts to set, painting the sky in brilliant oranges and pinks, Rampart checks his watch. "We should probably head back soon," he says, a hint of reluctance in his voice. "Don''t want to push our luck too much." I nod, understanding but also feeling a twinge of disappointment. Part of me wants to stay out all night, to keep doing this unofficial hero work. But I know he''s right. We''ve already taken a big risk coming out here at all. "Yeah, okay," I say. "But can we at least stop at Wawa on the way back? I''m starving, and we did promise Captain Plasma a hoagie." Rampart laughs, the tension of the day finally breaking. "Absolutely. Can''t go back empty-handed, after all."
As we walk back - ducking back and weaving in and out of older, more familiar ground - I notice little things that have changed since we were last here. A new mural on the side of a corner store, bright and colorful against the brick. A playground that''s been renovated, with shiny new equipment replacing the rusty old structures. It''s good to see these improvements, but I can''t help wondering if there are other changes ¨C less positive ones ¨C that we''re missing out on by not being able to do our job properly. Or that I''m missing out on by just not paying attention. Rampart, ever the observant one, seems to pick up on my mood. "Penny for your thoughts, Sam?" he asks as we turn onto a busier street. I shrug, trying to put my feelings into words. "I don''t know. It''s just¡­ do you ever feel like we''re missing stuff? Like, important stuff? There''s so much going on in the world, and we''re just¡­ walking around." He nods, his expression thoughtful. "I get it. It can feel like we''re not doing enough, especially when we''re used to being in the thick of things. But sometimes, just being present and aware can make a bigger difference than you''d think." As if to prove his point, a sudden commotion up ahead catches our attention. A young woman is arguing with a street vendor, their voices rising above the general hubbub of the city. As we get closer, I can make out snippets of their conversation. "¡­told you, I don''t want any trouble," the vendor is saying, his hands raised placatingly. "Just take your business elsewhere, okay?" The woman, visibly agitated, leans in closer. "You don''t understand," she hisses. "I need it. They said you''d have it. If you don''t¡­" She trails off as she notices us approaching, her eyes darting nervously between us and the vendor. Without another word, she turns and hurries away, disappearing into the crowd. The vendor lets out a relieved sigh as we reach his stand. "Thanks," he says, even though we didn''t actually do anything. "That was getting a bit intense." "No problem," Rampart says smoothly. "Everything okay here?" The vendor nods, but I can see the tension in his shoulders. "Yeah, yeah. Just a misunderstanding about¡­ merchandise." I raise an eyebrow, my curiosity piqued. "What kind of merchandise?" He shrugs, suddenly very interested in arranging the fruit on his stand. "Oh, you know. Just a normal misunderstanding. Nothing important." Rampart and I exchange a look. Something''s definitely off here, but I don''t think we can push too hard without causing an even bigger commotion, and I think Rampart knows it. We''re not in costume, after all. "Well, glad we could help," Rampart says, his tone casual but his eyes sharp. "You take care now." As we walk away, I lean in close to Rampart. "That was weird, right? It wasn''t just me?" He nods, his expression grim. "Definitely weird. And did you notice how nervous that woman was? She looked like she was expecting trouble." I bite my lip, thinking. "You don''t think¡­ could it be related to that new gang you mentioned? The one trying to muscle in on the Phreaks'' old territory?" Rampart''s eyes light up. "Could be. Good thinking, Sam. Let''s keep our eyes open." Chapter 127.3 As we continue walking, I find myself scanning the crowds more intently, looking for anything out of place. It''s not long before I spot something ¨C or rather, someone. A young man, probably not much older than me, is moving through the crowd with a nervous energy that sets my teeth on edge. He''s constantly looking over his shoulder, his hands shoved deep in his pockets. As he passes by a group of people, I see him slip something into a woman''s bag. "Rampart," I murmur, nodding in the guy''s direction. "Check it out." Rampart follows my gaze, his eyes narrowing. "Good catch. Let''s follow him, but keep your distance. We don''t want to spook him." We trail the nervous guy for a few blocks, watching as he repeats the same pattern ¨C approach someone in the crowd, slip something into their bag or pocket, then move on. It''s subtle enough that most people wouldn''t notice, but now that we''re looking for it, it''s clear as day. "He''s distributing something," Rampart says under his breath. "But what? And why so secretive?" As if in answer to his question, a bright red light flares to life in my mind''s eye, immediately putting someone''s circulatory system in my blood sense''s range. I can feel them, where they are in relation to me, in relation to the long-dried blood particles that decorate Philly''s streets like a LIDAR map. Where''s the cut, where''s the cut - there, in their side. Limping away. Not on Jump - it''d be too orange. "Rampart," I say, my voice tight. "I think someone''s bleeding nearby." His head snaps around, scanning the area. "Where?" I point down a nearby alley. "That way. It''s not bad, but¡­" Rampart nods, understanding. "Let''s check it out. Carefully." We make our way down the alley, our senses on high alert. As we turn a corner, we see a man leaning against a wall, clutching his side. There''s a small pool of blood forming at his feet. "Hey," Rampart calls out softly. "You okay, man?" The guy''s head snaps up, his eyes wide with fear. "Stay back!" he shouts, his voice trembling. "I don''t want any trouble!" I hold up my hands, trying to look non-threatening. "We''re not here to cause trouble," I say. "We just want to help. You''re hurt." He lets out a bitter laugh. "Help? Like those guys ''helped'' me?" He gestures vaguely down the alley. "No thanks. I''ll take my chances." Rampart steps forward slowly. "Look, we''re not with whoever hurt you. We''re¡­ we''re the good guys. Let us help you, and maybe you can tell us what happened?" The guy eyes us suspiciously for a long moment before his shoulders slump in defeat. "Fine. Not like I''ve got much choice, right?" As Rampart helps the guy sit down, I pull out my phone. "I''m going to call for an ambulance, okay?" The guy''s eyes widen in panic. "No! No cops, no ambulance. Please." I exchange a look with Rampart. This is getting more complicated by the minute. "Okay," Rampart says soothingly. "No ambulance. But we need to stop that bleeding. Sam, you got any first aid supplies in that backpack of yours?" I nod, pulling out a small kit. As I start cleaning and bandaging the wound ¨C which thankfully isn''t as bad as it looked at first ¨C Rampart gently questions the guy. It turns out his name is Mike, and he''s a regular ol'' drug dealer. The friendly, local kind - I''m not sure if I''m being sarcastic in my own head or not. He was approached by some guys who claimed to be part of a new crew moving into the area. They wanted him to start selling some new product for them ¨C Jump pills. "I told them no way," Mike says, wincing as I amateurishly disinfect and patch up the wound, remembering the first-aid drills Gossamer burnt into me. "That stuff is bad news, and I don''t need to be on the big dogs'' bad side. But they didn''t like that answer." "So they roughed you up," Rampart finishes for him. Mike nods. "Yeah. Said if I wouldn''t sell for them, I couldn''t sell at all. Took all my stuff, too." I finish bandaging Mike''s wound and sit back on my heels. "These guys, did they say anything about where they were operating from?" Mike shakes his head, then pauses. "Wait. Yeah, actually. One of them mentioned something about 9th Street. Said they were ''moving up in the world''. Whatever that means." Rampart and I exchange a look. This is definitely something worth checking out.The genuine version of this novel can be found on another site. Support the author by reading it there. "Thanks, Mike," Rampart says. "You should probably get that looked at by a real doctor, but the bandage should hold for now. And¡­ maybe consider a change of career?" Mike lets out a weak laugh. "Yeah, maybe. Thanks for the help. And¡­ be careful if you''re going after those guys. They''re not playing around." As we leave Mike in the alley (after making sure he has a safe way to get home), Rampart and I start walking towards 9th Street. It''s not far, just a few blocks away, but it feels like we''re crossing into another world. The streets here are always under construction, the constant rhythm of jackhammers and beeping trucks forming a chaotic urban symphony. "So," I say, trying to sound casual. "What''s the plan? We can''t just walk into their base and ask them to stop being bad guys, right?" Rampart chuckles, but there''s a tension in his voice. "No, definitely not. We need to be smart about this. We''re not in costume, we don''t have backup, and we don''t know exactly what we''re dealing with." I nod, my mind racing. "But we can''t just let them keep operating, either. They''re hurting people, Rampart. And if they''re pushing Jump¡­" "I know," he says, his expression grim. "We''ll figure something out. For now, let''s just see what we can find out. Reconnaissance only, okay?" "Okay," I agree, even as a part of me itches for action. "Recon only." As we approach 9th Street, the construction becomes more intense. There are barriers and detour signs everywhere, funneling pedestrians and traffic into narrow, confusing paths. It''s the perfect cover for any kind of illicit activity. We weave our way through the maze of construction, keeping our eyes peeled for anything suspicious. It''s not long before we spot something ¨C a group of guys, looking way too casual to be construction workers, squatted around a set of speakers and listening to the loudest 2010s metal I have heard in a long time. Have they no shame? "There," I whisper, nodding towards them. "What do you think?" Rampart studies them for a moment. "Could be our guys. Let''s get closer, see if we can hear anything." We edge closer, pretending to be confused pedestrians looking for a way through the construction. As we get nearer, I start to pick up snippets of their conversation. "¡­told you it was a bad idea," one of them is saying. "We should''ve waited." "Shut up," another snaps. "It''s fine. We got the stuff, didn''t we? And that punk won''t be causing us any more trouble." My fists clench at my sides. They''re definitely talking about Mike. These are the guys who hurt him. I feel unkindnesses building in my throat, but Rampart puts a steadying hand on my arm. He''s looking at something else ¨C a small pile of boxes, tucked away behind some construction equipment. The first guy is shaking one box wistfully, and a clear ''pill-bottle'' noise comes out. "Easy," he murmurs. "We need more information." Just then, one of the guys ¨C a skinny dude with a nervous energy about him ¨C stands up suddenly. "I gotta take a leak," he announces. As he walks away from the group, something strange happens. One moment he''s there, and the next he''s¡­ not. It''s like he blinks out of existence, only to reappear a few feet away a minute later. He doesn''t seem to notice, or if he does, he doesn''t react. Rampart and I exchange a look. "Jump," I mouth silently. He nods, his expression grim. The skinny guy disappears around a corner, and I make a decision. "We need to stop them," I say quietly. "They''re hurting people, they''re pushing Jump, and they''ve got at least one powered individual. This is exactly the kind of situation we''re supposed to handle." I fully expect Rampart to disagree with me, pull rank, and call in the cops. That''s just who he is as a person. But instead, he just looks at me and nods. "I agree. We either take care of this now, or it''ll fester." I nod, feeling a mix of excitement and¡­ well, I used to feel nervousness. But now, it''s just excitement. "You got any bright ideas?" Rampart thinks for a moment. "We go in hard and fast. Surprise them. I''ll take point, you watch our backs. We''re not supposed to be here, remember?" "This is really unlike you," I whisper. "Call it an itch to scratch," he whispers back. I nod again, trying to ignore the way my heart is racing. This is it. This is what we''ve been waiting for. Rampart starts walking towards the group, his posture shifting subtly into something more intimidating. I follow close behind, my senses on high alert. As we approach, the guys finally notice us. They stop talking, eyeing us suspiciously. "Hey," one of them calls out. "This area''s closed. You can''t be here." Rampart doesn''t slow down. "Funny," he says, his voice carrying easily across the space between us. "We were about to say the same thing to you." The guys exchange glances, clearly uncertain. They''re not used to being challenged, especially not by a couple of teenagers. But there''s something about Rampart''s confidence that gives them pause. "Look," another one says, standing up. "I don''t know who you think you are, but you''re making a big mistake. Walk away now, and we''ll forget this ever happened." I step up beside Rampart, my voice steady despite the adrenaline coursing through my veins. "We know what you''ve been up to. Pushing Jump, roughing up local dealers. It stops now." That gets their attention. The first guy, clearly the leader, narrows his eyes. "Who the fuck are you? Cops?" Rampart laughs, but there''s no humor in it. "No, not cops. Just concerned citizens. And you boys have given us plenty to be concerned about." The tension in the air is palpable. I can see the guys shifting nervously, their hands drifting towards pockets and waistbands. We''re outnumbered, and they probably have weapons. But we have training, experience, and the element of surprise on our side. Just then, the skinny guy reappears ¨C literally. He blinks into existence right next to the leader, his eyes wide with panic. "Guys," he hisses. "We''ve got company. I saw¡­" He trails off as he notices us, his face paling. "Oh shit." The leader''s expression hardens. "Well," he says, his voice dangerously calm. "Looks like we''ve got ourselves a situation here." Rampart squares his shoulders, his voice low and intense. "Last chance. Walk away now, leave the Jump behind, and we''ll let you go. Otherwise¡­" He lets the threat hang in the air. The guys look at each other, uncertainty clear on their faces. For a moment, I think they might actually take the offer. Then the leader pulls out a pocketknife, and flicks it clean open with an almost satisfying shwing. "I don''t think so," he snarls. "Ain''t nobody gonna ruin our big payday. We earned this!" "Hey, we should run, before the big dogs catch up," the teleporter almost whimpers, looking around for some sort of weapon. "We got our score, let''s bounce," "Fuck off, Slims, this is our street now. We gotta act like it," another of the group - one with a beanie - mumbles, projecting confidence that he certainly hasn''t earned. I crack my knuckles. "Yeah, yeah, yeah. Who''s first?" I ask, getting their attention. Concept Art (2) I am currently Having a Medical Time and do not have a backlog built up. So, today, you get concept art instead!
Alice Westwood
Aaron McKinley
Dr. Leonard Harris, Specialist in Metahuman Power Assessment for the National Superhuman Response Agency imagine youre the sort of person that does calculations on versus wiki to determine the exact amount of superman''s super strength or whatever. and then you find out that your world has superheroes and you can do that for a living. "what speed does spidermans'' webbing launch at" well lets take a high speed camera funded by taxpayer dollars and find out
Joshua Pleasants, AKA "Miasma". Independent vigilante, formerly of Philadelphia, currently operating in Boston.
Niles Nolan, AKA "Shrike". Currently serving multiple life sentences without parole in Daedalus Correctional Facility, in upstate New York, for multiple counts of murder in the first degree, as well as murder of a law-enforcement official in the first degree.
Camilla de Leon, Sam''s maternal grandmother.
Diane "Liberty Belle" Williams
Bianca "Fury Forge" Agnelli
Kwame "Bulwark" Adjei
Elijah "Multiplex" Brooks
City Councilman Jamal Davis
Clarissa "Clara" Parker
Rodney "Captain Plasma" Green
Derek "Fenrir" Taylor. Reluctant superhero, son of an Irish Mobster, turns into a werewolf. The usual.
Jerry Caldwell, Attorney at Law
NSRA Agent Evelyn Shaw
Olena Federova
Yulia Federova
Illya Federov, AKA "Chernobyl". Misses his wife and daughter. Fond of cats and jelly beans.
Illya''s v4 containment suit.
"Fenrir"
You might be reading a pirated copy. Look for the official release to support the author. Chapter 128.1 The leader''s knife glints in the dim light of the construction site. He''s got a red bandana tied around his neck, which strikes me as a little on-the-nose, but whatever. The other two guys ¨C one with a gaudy gold watch, the other wearing a ratty Phillies cap ¨C fan out, trying to flank us. The Jumphead, with his nervous energy and twitchy movements, hangs back, his eyes darting around like he''s not sure where he is. Rampart doesn''t waste any time. He charges straight at Red Bandana, moving faster than you''d expect for a guy his size. Red Bandana slashes with his knife, but Rampart''s already inside his guard. There''s a dull thud as Rampart''s fist connects with the guy''s solar plexus. Red Bandana doubles over, gasping for air. I sidestep to avoid Gold Watch''s wild haymaker. It''s sloppy, telegraphed from a mile away. He''s trying to wind up, tried, anyway, like that''ll make him hit harder. I grab his arm as it passes, using his momentum to throw him off balance. He stumbles, crashing into a pile of construction materials. The clatter of falling pipes and tools is almost comical. Phillies Cap comes at me with a length of rebar. He swings it like a baseball bat, but his grip is all wrong. I duck under the swing, popping up inside his reach. My palm strike to his sternum snaps his head back. He staggers, dazed, like I''ve just shoved alcohol into his veins. It''s all happening so fast, but at the same time, it feels... slow. Predictable. Like I''ve done this a thousand times before. Which, I guess, I kind of have. These guys might think they''re tough, but Jordan and I have beat up a great many ordinary street thugs, and I have more confidence in myself than they do in themselves... theirself? Whatever. Point is, being able to heal from getting stabbed means you''re not afraid of getting stabbed. It''s hard to overcome the psychological advantage, even if I am an (extremely well-built, but only) 15 and a half year old girl. Red Bandana''s recovered enough to take another swing at Rampart. The knife blade connects with Rampart''s arm, but it might as well be hitting concrete. The knife skitters off, leaving only a tear in Rampart''s sleeve. Red Bandana''s eyes go wide with shock. He almost manages to get out the first syllable of a word. Something with an Fr - freak? Rampart grabs the guy''s wrist, twisting until the knife clatters to the ground. A quick knee to the gut, and Red Bandana''s down for the count, reeling down and doubled over. Gold Watch is back on his feet, brandishing a piece of plywood like a shield. He charges at me, probably hoping to use his size to his advantage, but not able to see past the plank. I sidestep at the last second, sticking out my foot. He trips, momentum carrying him face-first into a stack of sandbags. He doesn''t get up, groaning in pain and embarassment. It''s almost slapstick. Phillies Cap''s smart enough to realize he''s outmatched. He turns to run, but Rampart''s there, blocking his path. Phillies Cap throws a desperate punch. Rampart doesn''t even try to dodge. The punch lands square on his jaw, and I swear I hear bones crack ¨C but not Rampart''s. Phillies Cap howls in pain, clutching his hand. A flicker of movement catches my eye. The Jumphead''s finally decided to join the fight. He blinks out of existence, reappearing right behind Rampart. But his timing''s off ¨C he materializes a foot too high, falling awkwardly to the ground. He scrambles to his feet, looking green around the gills. I feel a little sorry for him. That adjustment period is killer. Rampart''s dealing with Phillies Cap, so I turn my attention to Jumphead. He sees me coming and tries to teleport again. This time he appears to my left, stumbling as he rematerializes. I don''t even break stride, just pivot and keep moving towards him. He panics, blinking in and out of existence rapid-fire. It''s like watching a strobe light, flashes of a terrified face appearing and disappearing around me. But each time he reappears, he looks more disoriented, more sick. Finally, he pops into existence right in front of me, doubled over and retching. I almost feel bad for him as I grab his arm, twisting it behind his back in a standard hold. He doesn''t even try to resist. I look around, assessing the situation. Red Bandana and Gold Watch are both down for the count. Rampart''s got Phillies Cap pinned against a wall. The whole thing''s taken maybe two minutes, tops. And I''m... bored. Like, really bored. My heart''s barely even racing. Is this what it''s come to? Street thugs don''t even register as a threat anymore? Nobody here is older than eighteen, I bet - stubbly high school drop outs with maybe half a wrinkle between the four of them, looking to get rich on some other druggie''s stolen supply. Jumphead makes a weak attempt to teleport out of my hold, but he only manages to shift about a foot to the left without clipping me, so I grab his other arm and pin him once more. The sudden movement makes him gag again. "I wouldn''t do that if I were you," I tell him, not unkindly. "You''re just making yourself sick." He mumbles something that might be agreement, or might just be more retching. Rampart''s got Phillies Cap subdued, tied up with zip ties that I imagine he always has on his person. Red Bandana and Gold Watch are starting to stir, groaning and clutching various body parts.If you encounter this tale on Amazon, note that it''s taken without the author''s consent. Report it. "Sam," Rampart calls out. "You good?" "Yeah," I reply, surprised at how calm I sound. "No problem here." And that''s when Gold Watch, apparently not as out of it as I thought, launches himself at me from behind. His piece of plywood catches me in the back of the head, sending me stumbling forward. Stars explode in my vision, and for a moment, everything goes fuzzy. Now this is more like it. My heart beats twice, hard. The world snaps back into focus, sharper than before. I can feel my pulse quickening, adrenaline flooding my system, and possibly another concussion that I''ll shake off in a couple of hours. Maybe. I''ve been hit in the head much harder. I spin around on my heel and try to smash my arm through his piece of plywood, but it ends up being thicker than I expect, and I bounce off of it. We both reel back like two halves of a cymbal, and he recovers just a little faster than I do. I duck under his swing, pivoting on my heel. My elbow comes up, catching him under the chin. His head snaps back, and he crumples to the ground. The whole sequence takes maybe two seconds, but it feels like an eternity. For those brief moments, I''m fully alive, every nerve singing with electricity. And then it''s over. Gold Watch is down, this time for good. Jumphead''s power seems to have fizzled out ¨C he''s on his hands and knees, body shuddering. Red Bandana and Phillies Cap are both secured. Rampart looks at me, concern evident in his eyes. "You okay? That looked like a nasty hit." I nod, already feeling the ache in my head fading, replaced with a comfortable, fuzzy buzz, like what I imagine being drunk is like. My regeneration''s taking care of it. "I''m fine. Just caught me off guard." He nods, but I can tell he''s not entirely convinced. "Alright. Let''s see what these guys can tell us about their operation." As Rampart starts questioning Red Bandana, I find myself almost wishing for another fight. Something challenging, something that would make me feel... something. Anything other than this vague sense of disappointment. I turn my attention back to Jumphead, who''s finally stopped dry heaving and is now just sitting on the ground, looking miserable. Time to see what he knows about this whole mess. Rampart stands over the four subdued thugs, his imposing figure casting long shadows in the rapidly dimming light along 9th street. The air is thick with tension, the only sounds the ragged breathing of our would-be attackers and the distant hum of city traffic, skateboarders passing us by with a wide berth. It''s not like fights don''t break out here frequently enough. I can feel my pulse slowly returning to normal, the brief excitement from the fight already fading into a dull, familiar ache. "Alright, gentlemen," Rampart says, his voice low and controlled. "Let''s have a chat." The effect is immediate. Red Bandana and Gold Watch start squirming, their eyes darting around like cornered animals. "Look, man," Red Bandana blurts out, his tough-guy act crumbling. "We don''t want no trouble. We ain''t said nothing to nobody." Gold Watch nods frantically, wincing as the movement aggravates what''s probably a nasty headache. "Yeah, yeah. We''re just small-time, you know? We don''t know nothing important." Rampart holds up a hand, silencing their babbling. "Relax. We''re not cops. Didn''t you listen earlier?" That gets their attention. They exchange wary glances, confusion written all over their faces. I can almost see the gears turning in their heads, trying to figure out who we are and what we want. "Then what..." Gold Watch starts, but Rampart cuts him off. "We just want information," he says, his tone making it clear this isn''t a request. "Who''s really dealing the Jump? Who''s in charge of your operation?" Red Bandana laughs, a harsh, bitter sound. "Operation? Man, you think we''re some kind of big boys or something? We''re just trying to make a buck, same as anyone." I step forward, fixing them with a hard stare. "By pushing Jump? By roughing up other dealers?" My voice drips with disdain. "Yeah, real noble work you''re doing." Gold Watch at least has the decency to look ashamed. Red Bandana just shrugs, as much as he can while tied up. "It''s a living." "That''s the life, man. You gotta rub out the competition," Gold Watch says, earning an elbow from his compatriot. "Hey!" "We didn''t kill nobody. Just roughin'' up a couple guys on our turf. You know," Red Bandana clarifies. Rampart sighs, rubbing his temples. "Look, we don''t care about your petty deals. We''re after the big fish. Give us something useful, and we''ll let you walk." That perks them up. Red Bandana and Gold Watch exchange another look, this one filled with hope and a hint of desperation. "For real?" Gold Watch asks. "You''ll just let us go?" Jumphead retches quietly. Rampart nods. "As long as you give us something good. And maybe consider a career change." They both nod eagerly. "Yeah, yeah, sure," Red Bandana says. "Whatever you say, man." I can''t help but roll my eyes. It''s almost pathetic how quickly they''re willing to sell out their bosses to save their own skins. But then again, honor among thieves has always been more of a myth than a reality. "So?" I prompt. "Who''s calling the shots?" Red Bandana and Gold Watch look at each other, then at Jumphead, who''s still looking too nauseous to contribute much to the conversation. "Ask Jackie," Red Bandana says. "He''s the one with the connections." They turn to Phillies Cap - Jackie, apparently - who''s been suspiciously quiet this whole time. He suddenly looks like he''d rather be anywhere else in the world. His jaw is clenched tight, eyes wide with what looks like genuine fear. Rampart crouches down in front of him. "Jackie? You want to tell us what''s going on?" Jackie shakes his head frantically, his whole body tensing up. It''s like he''s physically trying to open his mouth, and it''s not working. I frown, stepping closer. "Come on, Jackie. We''re not here to hurt you. We just want to know who''s behind all this." The more we press, the more distressed Jackie becomes. His face is turning red with effort, veins bulging in his neck. It''s like he''s fighting some internal battle, and losing badly. "What''s wrong with him?" Gold Watch asks, sounding genuinely concerned. "Jackie, man, you okay?" Jackie doesn''t respond. He''s trembling now, sweat beading on his forehead. His eyes are darting around wildly, like he''s looking for an escape that isn''t there. Rampart and I exchange a worried glance. This isn''t normal. Something''s very wrong here. "Jackie," I say, trying to keep my voice calm and soothing. "It''s okay. You''re safe. Just take a deep breath and relax." Jackie does not look like he''s capable of taking a deep breath or relaxing even if he tried. I squat down on my heels, elbows on my knees. My brow furrows. I go for the kill shot. "Jackie, I''m going to need you to be honest with me," I say, getting ready to drop the motherlode. I know where it''s coming from. I remember Sparkplug, and his insane ranting. "Did you get it from Rogue Wave?" The effect is instantaneous and terrifying. Jackie''s eyes glaze over, all emotion draining from his face. For a split second, he''s perfectly still. Then, with a sound like a gunshot, the zip ties around his wrists snap. Chapter 128.2 Before I can even process what''s happening, Jackie launches himself at me with inhuman speed and strength. His hands are outstretched, thumbs aimed directly at my eyes. There''s no trace of the scared, conflicted guy from moments ago. His face is a mask of pure, murderous intent. I manage to get my arms up just in time to block his initial lunge, but the force of it sends me stumbling backward. I trip over a piece of debris and go down hard, Jackie on top of me. For a moment, all I can focus on is keeping his hands away from my face. His strength is unreal - it''s like trying to hold back a freight train with my bare hands. I can feel my arms trembling with the effort, muscles screaming in protest. "Rampart!" I yell, my voice strained. "A little help here!" I hear a scuffle, then Rampart''s there, grabbing Jackie and trying to pull him off me. But it''s like Jackie doesn''t even notice. His eyes are fixed on me, his entire being focused on one goal: my destruction. I manage to get a knee up between us, creating some space. With a burst of strength, I shove Jackie back, scrambling to my feet while Rampart gets the yoink. Rampart grabs Jackie by the wrists, trying to restrain him. But Jackie''s so focused on me that he doesn''t even seem to register Rampart''s presence. He keeps struggling, trying to get at me with single-minded determination. "What the hell?" I gasp, while Rampart tries to maneuver him into a bear hug without letting him get a swipe at me. "It''s like he''s possessed or something!" The other guys are freaking out, shouting and trying to back away. Jumphead looks like he''s about to pass out from sheer terror. I know how he feels. I''ve been in creepier situations than this, but this is definitely up there. Rampart''s wiggled Jackie into a bear hug now, keeping him pinned easily with his powers, but Jackie''s still trying to claw his way out, taking advantage of even the tiniest gap in Rampart''s squeeze. "Bee," he grunts, "get the others out of here!" I nod, quickly moving to untie Red Bandana and Gold Watch. "Go," I tell them, my voice urgent. "Get out of here, now!" They don''t need to be told twice. As soon as they''re free, they''re scrambling to their feet and running like the devil himself is after them. I turn to Jumphead, who''s still on the ground, looking shell-shocked. I grab his arm, half lifting him to his feet, and I practically smell the vomit on his breath. Bile and stomach acid. Gross. "Come on," I say, pushing him towards the exit. "You need to go. Now!" He stumbles forward, looking back at Jackie with wide, terrified eyes. "What¡­ what''s happening to him?" I shake my head. "I don''t know. But you need to get out of here. Go!" Finally, he turns and runs, following the others into the maze of construction, towards Master Street. I turn back to Rampart and Jackie. Rampart''s got him pinned to the ground now, but Jackie''s still struggling, his eyes fixed on me with murderous intent. It''s like he doesn''t even notice Rampart, like he''s not even there. "What do we do?" I ask, my voice shaky. "We can''t call the police, we''re not supposed to be here. We''re not supposed to be doing this." Rampart''s face is grim, his jaw clenched with light effort. "We might not have a choice. Whatever''s happened to him, it''s beyond our ability to handle." I bite my lip, weighing our options. Calling the Delaware Valley Defenders would mean admitting we''ve been doing unsanctioned hero work. We''d be in so much trouble - not legally, but, like, you know, with our authority figures. Our Role Models, TM. But looking at Jackie, at the inhuman strength and focus he''s displaying, his skin beginning to tear at the force of his writhing, I''m not sure we have any other choice. Before I can make a decision, Rampart takes a deep breath. His face contorts with a mixture of determination and regret. Then, in one swift motion, he clamps his hand over Jackie''s mouth and nose. For a moment, nothing changes. Jackie continues to struggle, his body straining against Rampart''s hold. But slowly, gradually, his movements become less frantic. His eyes start to lose focus, the murderous intent fading into confusion, then a gentle frustration. And then, finally, unconsciousness. Jackie goes limp in Rampart''s arms, his body sagging like a puppet with its strings cut. Rampart holds on for a few seconds longer, making sure Jackie''s really out, before gently lowering him to the ground.Support the creativity of authors by visiting Royal Road for this novel and more. We both stand there for a moment, breathing heavily, staring at Jackie''s unconscious form. The sudden silence is deafening. "What¡­" I start, then have to clear my throat and try again. "What the hell was that?" Rampart shakes his head, looking as shaken as I feel. "I don''t know. I''ve never seen anything like it." I take a step closer, peering at Jackie. His face is peaceful now, no trace of the murderous rage from moments ago. "It was like¡­ like he was a different person." "Yeah," Rampart agrees, his voice grim. "Whatever it was, it wasn''t natural. And it wasn''t Jump, either. This was something else." I nod, worrying my lower lip between my teeth. "Rogue Wave," I murmur. "That''s what set him off. When I mentioned Rogue Wave." Rampart looks at me sharply. "What do you think?" "You don''t remember?" I say, thinking back. "Sparkplug mentioned it, back when we busted him. He was ranting about it, but I didn''t think much of it at the time." Rampart''s brow dips down. "Right. Whoever they are. Or whatever, whoever it is, you know¡­ it''s a great big blank." I nod, but I can''t help the knot of dread forming in my stomach. "We''re going to be in so much trouble." Rampart sighs, running a hand through his hair. "Maybe. But this is too important to keep quiet. Whatever''s going on here, it''s dangerous. We can''t handle it on our own." I know he''s right, but it doesn''t make the prospect any more appealing. "So what do we do now?" Rampart looks around, taking in the scattered debris and signs of our fight. "For now, we clean up what we can. Make Jackie comfortable. Then we head back to headquarters and report everything." "Everything?" I ask, my voice small. Rampart meets my eyes, his expression serious but kind. "Everything. No secrets, Sam. This is too big for that now." I nod, resigned to the tongue-lashing I''m about to receive. "Okay. Let''s do it." We spend the next few minutes tidying up as best we can, making sure there''s no obvious signs of a superhuman fight. Rampart moves Jackie to a more comfortable position, propped up against some sandbags. We can''t just leave him here, but we can''t take him with us either. It''s an impossible situation, but we do our best. Finally, we''re ready to go. As we start walking back towards the Delaware Valley Defenders headquarters, the reality of what we''ve just experienced - and what we''re about to do - starts to sink in. "Hey," Rampart says, nudging my shoulder gently. "It''ll be okay. We did the right thing." I nod, trying to believe it. "Yeah. I guess so." We walk in silence for a while, our footsteps falling into an unconscious rhythm. Heading south on 9th Street, I find myself fixating on the patterns in the cracked sidewalk. Every few squares, a faded hopscotch grid appears, barely visible ghosts of chalk long washed away. As we cross Fairmount Avenue, my gaze drifts to the powerlines overhead. I count the shoes dangling from the wires - three pairs within two blocks. An old superstition flits through my mind, but I push it aside, focusing instead on the steady thrum of distant traffic. Approaching Spring Garden Street, I notice how the architecture shifts. Older row homes give way to newer constructions, their facades a patchwork of styles and eras. A neon "OPEN" sign flickers erratically in a bodega window, its green light painting fleeting patterns on the pavement. We turn right onto Callowhill, and I find myself cataloging the street signs we pass. 8th, 7th, 6th - each intersection a subtle reminder of our progress. The rumble of the El train vibrates through the soles of my shoes as we pass beneath it. As we near Broad Street, I count fourteen pigeons pecking at a spilled bag of chips on the corner. Their cooing provides a strangely soothing backdrop to our silent march. We cross, leaving behind the relative bustle of the eastern half of Center City. The quiet of the western district settles around us like a blanket. Here, my attention turns to the trees lining the streets, their leaves just beginning to show hints of autumn colors. I catalog each species as we pass - oak, maple, sycamore - a mental inventory to occupy my racing thoughts. As we near the headquarters, Rampart suddenly stops. "Oh, crap," he says. I look at him, confused. "What?" He grins, but it''s a tired, strained expression. "We forgot to get Captain Plasma his Wawa." Despite everything, I can''t help but laugh. It''s a slightly hysterical sound, but it breaks the tension. "I guess we''ll have to face him without a peace offering."
The Delaware Valley Defenders headquarters feels different at night. The usual bustle of heroes, support staff, and the occasional civilian visitor is replaced by an eerie quiet, broken only by the hum of electronics and the distant whir of the building''s HVAC system. As Rampart and I make our way through the corridors, our footsteps echo off the polished floors, each sound a reminder of the confrontation to come. The meeting room door looms before us, its sleek metal surface reflecting our distorted images back at us. I catch a glimpse of myself - disheveled hair, a smudge of dirt on my cheek, eyes wide with a mixture of adrenaline and apprehension. Rampart looks equally worse for wear, his usually immaculate uniform rumpled and torn in places, although his annoyingly perfect skin is flawless as ever. We exchange a glance, a silent moment of solidarity before he reaches out and pushes the door open. Rampart catches my eye, giving me a reassuring nod. "Ready?" I take a deep breath, squaring my shoulders. "As I''ll ever be." The door swings open, and I''m immediately hit by a wave of relief. The room isn''t packed with disapproving faces like I''d feared. Instead, there are only two people waiting for us: Captain Plasma and Fury Forge. It''s not ideal, but it could be worse. At least Multiplex isn''t here - I don''t think I could handle his particular brand of disappointment right now. Captain Plasma is leaning against the far wall, his arms crossed over his chest. His expression is neutral, but there''s a tension in his shoulders that betrays his unease. Fury Forge, on the other hand, is sitting at the table, her tattooed arms spread wide as she leans back in her chair. She looks¡­ tired. Not angry, not disappointed, just exhausted. The lines around her eyes are more pronounced than usual, and for a moment, I''m struck by how old she looks. Not that she''s ancient or anything, but in this moment, the weight of her responsibilities seems to have aged her a decade. Chapter 128.3 The clock on the wall ticks loudly in the silence as Rampart and I stand there, uncertain. Finally, Captain Plasma speaks, his voice carefully controlled. "Well," he says, pushing off from the wall. "I suppose we should be grateful that Multiplex isn''t here. He''d be chewing your ears off right about now." Fury Forge snorts, a sound somewhere between amusement and frustration. "Yeah, well, maybe that''s what they need. A good ear-chewing might knock some sense into them." I bristle at that, opening my mouth to defend myself, but Rampart puts a hand on my shoulder, silently urging me to stay calm. He''s right, of course. Getting defensive now won''t help our case. "We didn''t mean to cause trouble," Rampart says, his voice steady. "We were just trying to help." Fury Forge leans forward, her eyes narrowing. "Help? By beating up some street-level dealers? What exactly did you think you were going to accomplish?" "We got information," I interject, unable to keep quiet any longer. "Important information about-" "About what?" Fury Forge cuts me off. "About some low-level drug operation? Do you think that''s worth risking your safety, your reputation, the reputation of this entire organization?" I feel my face heating up, a mix of anger and embarrassment. "It wasn''t just some drug operation. There was something else going on, something bigger. We-" "Sam," Captain Plasma interrupts gently. "I know you think you were doing the right thing. But you have to understand the position you''ve put us in. What if those guys decide to press charges? Are you comfortable going to court to defend your actions? Your job is not to be judge, jury, and executioner." The question hits me like a bucket of cold water. My mind races, trying to find a justification, an explanation that will make them understand my point of view. If I just find the right combination of words, they''ll know what I meant to do, and they''ll understand. "But they were criminals," I protest weakly. "They stabbed someone. That''s how we found them in the first place." Fury Forge''s eyebrows shoot up. "So you punished them?" A small squeak comes out of my mouth. "Did you at least patch up the first guy?" Captain Plasma asks, sounding more exhausted than anything else. "Yes," I mumble. He nods at me. "Good job," he says, and it almost makes me feel better. I want to argue, to explain that it wasn''t like that at all, but the words die in my throat. I can explain this. I just need to find the right words and this can all be over. "They came at us first. We were being threatened," I try to say, but as soon as it comes out of me, Fury Forge''s look dumps another bucket of ice over my head. "Did you, or did you not, escalate an already volatile situation with people you knew were armed and willing to attack you? Yes or no," she says, and I can feel the period at the end of her sentence even if I can''t imagine it in the constantly-running closed captions in my brain. Rampart steps forward, drawing their attention. "It was my idea," he says firmly. "I take full responsibility. Sam was just following my lead." I whirl on him, indignant. "That''s not true! I was the one who-" "It doesn''t matter whose idea it was," Captain Plasma interrupts, his voice tinged with a gentle, painful frustration. "What matters is that it happened at all. You''re supposed to be setting an example, for your fellow young superheroes and people your age in general. What kind of message would this send if someone recorded it? What sort of message does it send to your teammates?" The silence that follows is deafening. I can feel the weight of their disappointment pressing down on me, making it hard to breathe. Part of me wants to keep arguing, to make them understand why we did what we did. If I chew my foot off enough times, I''m sure I can end this. Please. Please, G-d. Fury Forge sighs heavily, rubbing her temples. "Look," she says, her voice softer now. "I get it. You''re young, you''re passionate, you want to make a difference. But this¡­ this isn''t the way to do it. We''ve been failing you kids, and that''s on us. We should have been teaching you how to be real heroes, not just¡­ super-powered thugs." Her words sting, but there''s a vulnerability in her tone that catches me off guard. I''ve never heard Fury Forge sound so¡­ uncertain. It''s unsettling, like seeing a crack in a foundation you thought was unshakeable. "We''ve been so caught up in dealing with the aftermath of¡­ everything," she continues, her eyes distant. "We haven''t had time to focus on what really matters. Teaching you how to use your skills responsibly, how to investigate, how to think before you act."This content has been misappropriated from Royal Road; report any instances of this story if found elsewhere. Captain Plasma nods, his expression softening slightly. "They told me Diane was handling a lot of that. While everyone else had their nose in the criminal stuff. And¡­" He trails off, letting me finish the sentence in my head. I feel a lump forming in my throat. I want to say something, to reassure them that we''re not complete failures, that we have learned something. But before I can find the words, Rampart speaks up. "You''re right," he says quietly. "We should have known better. I should have known better. As the leader of the Young Defenders, it''s my responsibility to set a good example. I failed in that tonight." His admission seems to take some of the wind out of Fury Forge''s sails. She slumps back in her chair, looking more tired than ever. "It''s not just on you, kid. We all dropped the ball here. Ugh, I can''t believe I''m saying this, but maybe we need to take a step back, reevaluate how we''re doing things." Captain Plasma nods thoughtfully. "You might be right. But for now¡­" He turns to us, his expression serious. "We need to deal with the immediate fallout of this. You said you got some important information? Let''s hear it." I take a deep breath, trying to organize my thoughts. "Right. So, we were questioning these guys about their operation, trying to figure out who was really behind the Jump distribution. And then I mentioned Rogue Wave." The change in the room is immediate. Captain Plasma stands up straighter, his eyes sharpening with interest. Fury Forge leans forward, her exhaustion momentarily forgotten. "Rogue Wave?" she repeats. "The thing Sparkplug was ranting about?" "Right, I never forgot about it," I explain quickly. "I didn''t think much of it at the time, but¡­" I hesitate, unsure how to describe what happened next. Rampart picks up the thread. "When Sam mentioned Rogue Wave, one of the guys we were questioning¡­ changed. It was like he was possessed or something. He broke out of his restraints and tried to attack Sam. It took both of us to subdue him. His wrists were bleeding afterwards, I checked him - he just snapped right through the zip ties." Captain Plasma and Fury Forge exchange a loaded glance. "Possessed¡­" Captain Plasma says slowly. "Mmm," Fury Forge hums, her brow scrunched. "I don''t think you should make a habit of carrying around zip ties as a civilian but we''ll deal with that later. For now, it''s possible we have a mind controller running around, and that''s¡­ bad," Mind controller. The thought makes me intensely uncomfortable - makes the skin on the back of my neck feel like it wants to crawl off. I can almost see the gears turning in their heads, piecing together this new information with whatever they already know. "This is concerning," Captain Plasma finally says, after way too long. "If there''s some kind of mind control or conditioning at play here, it could be far more serious than we initially thought." Fury Forge nods grimly. "We need to look into this. Carefully. And properly." She fixes us with a stern look. "Which means no more unauthorized patrols or vigilante justice. Understood?" Rampart and I nod, chastened but also relieved. At least they''re taking our information seriously. "Good," Fury Forge continues. "Because as of now, the Young Defenders are grounded. Not in the ''you''re in trouble'' sense, but in the ''you''re not flying anywhere'' sense. We need to reevaluate our approach, figure out where we went wrong and how to fix it." "But-" I start to protest, but Captain Plasma holds up a hand. "No buts, Sam. This is for your own safety as much as anything else. Whatever''s going on with this Rogue Wave business, it''s clearly dangerous. We can''t risk sending you kids out there unprepared, especially if there''s someone out there operating with mind control powers. What if they got to you? At least us old folks have already burnt through most of our good time. You two have the rest of your superhero careers - and your normal lives - to think about. Don''t let it be tainted by a mind controller making you accessory to something heinous." I want to argue, to point out that we''ve faced dangerous situations before. But I can see in their faces that this decision is final. And if I''m being honest with myself, a small part of me is relieved. The memory of Jackie''s blank, murderous stare is still fresh in my mind, and the thought of facing something like that again without understanding what we''re up against is¡­ unsettling. The sort of blankness in a dog''s face, the fighting dogs Jordan and I rescued early on in our vigilante careers. When they don''t know how to do anything else but attack. Rampart nods, accepting the decision with his usual stoic grace. "We understand. What do you want us to do in the meantime?" Fury Forge stands up, stretching out her muscular arms. "For now? Go home. Get some rest. We''ll regroup tomorrow and start working on a new training regimen. One that focuses on the non-fighting parts, critical thinking, and responsible use of your powers." "And Sam?" Captain Plasma adds, his voice gentler now. "I know Bulwark and Crossroads would probably be disappointed if they were here. But they''d also be proud of you for owning up to your mistakes and trying to make things right." I nod, not trusting myself to speak. The emotional whiplash of the past few hours is starting to catch up with me, leaving me feeling drained and a little lost. As we turn to leave, Fury Forge calls out one last time. "Oh, and kids? Next time you promise to bring someone a hoagie, try to actually follow through. I think we could all use a little comfort food right about now." I can''t help but smile a little, but it comes out weird when one of my tooth caps catches on my lip and pulls itself off. I spend a couple of awkward seconds re-adjusting it. And then I smile again. As Rampart and I make our way out of the headquarters, the weight of everything that''s happened tonight settles over us like a heavy blanket. We walk in silence for a while, each lost in our own thoughts. Finally, as we reach the point where we''ll have to part ways, Rampart turns to me. "You okay?" he asks, his voice low and concerned. I shrug, not sure how to answer. "I don''t know," I admit. "Are you?" He lets out a long breath. "Not really. But we''ll figure it out. We always do." I nod, grateful for his steady presence. "Yeah. We will." He walks away. The street stretches out before me, quiet and familiar in the late-night calm. Somewhere out there, Jackie is probably waking up, confused and disoriented. Somewhere, the other guys we confronted are nursing their bruises, hopefully reconsidering their life choices. And somewhere, lurking in the shadows, is a mystery that needs solving. As I round the corner onto my street, I catch a glimpse of my reflection in a darkened shop window. For a moment, I see myself as others might see me - just a kid in a hoodie, looking a little lost and a lot tired. But then I blink, and I see something else. I''m not sure what it is, but it''s not a kid in a hoodie. WORLD OF CHUM: Psionics (2) The Telepathy Problem: Why We Can¡¯t Read Minds¡ªAnd What It Means for the Future of Dynology By Dr. Elise Roughton, Senior Contributor at SciNow! When superpowers first began appearing in the 1980s, the public imagination quickly turned to a question that seemed straight out of science fiction: telepathy. If people could fly, move objects with their minds, and control fire, surely the ability to read another person¡¯s thoughts wasn¡¯t far behind. And yet, after nearly fifty years of research into the limits of human metahuman capabilities, one fact has become glaringly apparent: telepathy¡ªat least, the kind where you can directly read someone¡¯s thoughts¡ªis impossible. In the world of Dynology, the ability to transmit thoughts or even control minds is well-documented. But no metahuman, no matter how powerful, has ever demonstrated the ability to receive someone¡¯s thoughts or perceive their innermost ideas directly from their brain. This strange limitation¡ªdubbed the Telepathy Problem¡ªhas not only stymied scientists for decades but also raised fundamental questions about the nature of thought, consciousness, and the human brain. What Exactly is the Telepathy Problem? The Telepathy Problem refers to the inability of any known metahuman to directly receive, interpret, or access the active thoughts of another person. While we have seen powers like mind control, where someone can influence or override another¡¯s mind, and even powers that allow for the transmission of thoughts (essentially ¡°pushing¡± thoughts into another person¡¯s head), the one-way nature of these abilities has puzzled researchers for years. Why can thoughts be pushed into someone¡¯s mind but not pulled from them? And why, despite everything we know about brainwaves, neurons, and electrical activity in the brain, can no one simply "listen in" on another person¡¯s thoughts? Dr. Lucia Solis, a leading expert in cognitive powers at the Dynological Institute of Madrid, sums up the paradox: ¡°It¡¯s as if every brain has a transmitter but no receiver. We can broadcast our intent outward in controlled ways, but receiving live, real-time thoughts? That¡¯s where we hit a wall.¡±
What We Can Do: Push, Control, and Manipulate Before diving into why the Telepathy Problem exists, it¡¯s important to clarify what is possible. Despite the limitations on direct thought reception, there are several well-documented mental abilities in the metahuman population:

1. Mind Control

The ability to influence another person¡¯s thoughts and actions¡ªsometimes subtly, sometimes directly¡ªis a known power. Mind controllers like the infamous villain "Hypnos" use their abilities to override a target¡¯s conscious thoughts and implant new commands. However, this process involves pushing signals into the brain, essentially hijacking neural activity, rather than reading existing thoughts.

2. Thought Transmission

Several metahumans possess the ability to transmit thoughts into the minds of others. These thoughts can take the form of commands, mental images, or even ideas and emotions. However, transmission is a one-way street: the person receiving the thought has no ability to transmit their own thoughts back or ¡°hear¡± the sender¡¯s ongoing mental chatter.

3. Memory Reading and Manipulation

Perhaps the closest thing to telepathy, some individuals can access and even alter the memories of others. This process, however, is distinct from reading active thoughts: memories are stored data in the brain, encoded in networks of neurons that remain largely static until recalled. This makes them more accessible than the dynamic flow of real-time thoughts, which are constantly changing and influenced by context, mood, and external stimuli.
Why Can¡¯t We Read Minds? The Theories Behind the Telepathy Problem Over the years, several theories have emerged to explain why direct telepathy remains out of reach. Here¡¯s a look at the leading ideas, as well as the implications they carry for both science and metahuman potential.

1. The Cognitive Noise Theory

One of the most prominent theories, the Cognitive Noise Theory, suggests that the human brain is simply too messy to allow for direct thought reception. The brain is constantly processing sensory input, managing bodily functions, retrieving memories, and running background operations like pattern recognition and language processing. According to Dr. Janine Klyne, a neurodynologist at Stanford University, ¡°The signals that represent ¡®thoughts¡¯ are buried beneath layers of other brain activity. Even if someone could tap into another person¡¯s neural network, what they¡¯d receive wouldn¡¯t be coherent thoughts¡ªit would be a garbled mess of electrical impulses, firing neurons, and subconscious processes.¡±Unauthorized tale usage: if you spot this story on Amazon, report the violation. In this view, the brain¡¯s electrical activity is more like static than a clear broadcast. Thoughts are highly subjective, influenced by a person¡¯s unique neural architecture, memories, and emotions. The sheer amount of background noise makes it nearly impossible for an outside party to isolate a single coherent train of thought from the chaos.

2. The "Brain-to-Brain Mismatch" Hypothesis

Another leading idea is the Brain-to-Brain Mismatch Hypothesis, which suggests that thoughts are too personalized to be understood by anyone other than the person who generated them. Essentially, no two brains are exactly alike, and the way we process and structure our thoughts is unique to our own biology and experiences. Imagine trying to read a book written in a language that has no known translation. That¡¯s what attempting to read someone¡¯s thoughts might be like. Every brain has its own ¡°language¡±¡ªan internal code of neurons firing in patterns shaped by a person¡¯s memories, experiences, and genetics. Even if a metahuman could perceive the electrical activity in another¡¯s brain, they wouldn¡¯t be able to interpret it because it¡¯s not formatted in a way they can understand. Dr. Solis puts it this way: ¡°Even if we could tap into another person¡¯s thoughts, it would be like trying to understand music by looking at a broken radio signal. The underlying patterns are there, but they¡¯re encoded in ways that don¡¯t make sense outside the person¡¯s own brain.¡±

3. The Quantum Mind Hypothesis

A more recent and controversial theory is the Quantum Mind Hypothesis, which suggests that conscious thought may operate on principles similar to quantum mechanics. According to this theory, thoughts exist in a kind of quantum superposition, where multiple potential ideas or actions are present until the person thinking them "collapses" them into a single coherent thought. If thoughts do operate at a quantum level, this would explain why telepathy is impossible: quantum states are notoriously difficult to observe without altering them. The very act of trying to perceive someone¡¯s thoughts could interfere with their mental processes, much like how observing a quantum particle collapses its superposition. Proponents of this idea, such as Dr. Kamil Zarif of the University of Prague, believe that consciousness itself might be a quantum phenomenon, meaning that thoughts exist in a highly fragile state. ¡°We might never be able to read thoughts,¡± Zarif argues, ¡°because the act of observing them would fundamentally change what we¡¯re trying to observe.¡±

4. The Privacy of Consciousness Theory

Perhaps the most intriguing idea comes from philosophers of mind, who argue that consciousness is inherently private. This Privacy of Consciousness Theory suggests that thoughts are not just neurological patterns but also subjective, first-person experiences that are inherently shielded from external observation. In this view, telepathy fails not because of limitations in biology or technology, but because thoughts are not external phenomena¡ªthey are internal experiences that can¡¯t be accessed by anyone else. Proponents argue that while the brain¡¯s neural activity can influence the outside world (as in mind control or memory alteration), the core of conscious thought remains locked inside the individual.
What Are the Implications of the Telepathy Problem? The Telepathy Problem has far-reaching implications not just for Dynology but also for fields as diverse as neuroscience, ethics, and philosophy. If direct thought reading is impossible, it challenges the very nature of how we understand consciousness and the limits of human interaction. Here are a few of the most significant implications:

1. Consciousness May Be More Complex Than We Think

The fact that we can¡¯t receive thoughts suggests that consciousness might be far more complex than we currently understand. It could be that the brain is not just a biological machine generating electrical signals, but something deeper¡ªsomething tied to quantum states or subjective experiences that we¡¯ve only just begun to comprehend.

2. Ethical Questions About Privacy and Power

If telepathy is impossible, it offers a small comfort in a world where mind control and thought transmission are real. For now, at least, our innermost thoughts remain private. However, the fact that memories can be read and altered raises important ethical questions about mental privacy. Are memories, as ¡°stored data,¡± fair game for those with the power to access them? And where should the line be drawn between mind control and ethical influence?

3. Future Research May Open New Doors

While the Telepathy Problem suggests limits to what we can do with thought reception, it¡¯s also a signpost for future research. If we can crack the code of how the brain processes and organizes thoughts, it might lead to advances in neuroscience, allowing us to better understand mental illness, consciousness disorders, and brain-machine interfaces. The inability to read thoughts may actually drive new innovations in artificial intelligence and cognitive technology.
Conclusion The Telepathy Problem has become one of the great unsolved mysteries of Dynology. While we may never be able to directly access someone¡¯s thoughts, the search for answers has already led us to deeper questions about the nature of consciousness, free will, and what it means to be human. As our understanding of the brain evolves, it¡¯s possible that new breakthroughs will shed light on these elusive questions¡ªor raise even more intriguing ones. For now, your thoughts remain your own. But the implications of the Telepathy Problem are far from settled.
Dr. Elise Roughton is a cognitive scientist and senior contributor to SciNow!, specializing in metahuman research, neurology, and speculative science. Chapter 129.1 The text from Jordan''s phone is punctuated with about a dozen exclamation points. "CPS AGENT COMING TO INTERVIEW US ASAP FOR CONNOR''S ADOPTION!!!!! NEED YOU HERE TO HELP CLEAN UP!!!" I''m already halfway to the Music Hall by the time I finish reading the message. Jordan''s barely literate textspeak is almost comically at odds with the urgency of the situation, but even their hyperbolic use of punctuation can''t diminish the sinking feeling in my gut. We''ve been dreading this moment for weeks now, ever since I told Jordan what Crossroads told me and Jordan was like "of course I know that already, stupid, we''re dating". As I run the remaining few blocks, I start mentally reviewing all the hasty "de-superheroing" measures we''ve taken at the Music Hall in preparation for this visit. The map room with its sprawling schematics and corkboards tracking criminal activity across Tacony has been stripped bare, the walls newly painted in an innocuous beige that I''m pretty sure is just called "Eggshell" by the hardware store. The many digital stations for research have been shoved into a closet. Even the security system has been toned down a notch. Then there''s the Faraday cage room. How the hell are we supposed to explain that away to a Child Protective Services case worker? I can already hear Jordan''s cover story about needing it for "cybersecurity testing purposes" ringing hollow in my mind. As I bound up the Music Hall''s front steps, I straighten my t-shirt and do a quick check to ensure my short hair isn''t a total mess from the moisture in the air and the gentle snow. I''ve put on a fresh pair of jeans without rips or frays, hoping to at least superficially present a more respectable appearance for our visitor. Not that I''m dressing to impress, per se, but any little bit could potentially help reinforce the image of a couple responsible young teenagers looking after an adopted teenager. Of course, the reality couldn''t be further from that wholesome picture. We''re a motley crew of untrained, unsupervised, and utterly unprepared teenage vigilantes barely keeping our dual lives from crashing down around us. But hopefully, with enough preparation and a convincing enough performance, the caseworker will get the impression we have our shit together. At least for one afternoon. I push open the doors and step into the lobby, ears immediately catching the faint sounds of hasty tidying wafting from the main hall. As I follow the noises, I find Jordan vigorously sweeping the already spotless hardwood floors, while Derek is busy dusting the bannister leading upstairs. They look up as I enter, mirroring expressions of tense anxiety on their faces. "She''s going to be here any minute," Jordan hisses, confirming what I had already suspected. "We''ve done what we can, but I can''t promise this place won''t still raise some red flags." Derek grunts in acknowledgment, continuing to buff the bannister with a dingy rag clutched in his calloused hand. "Well, nothing to be done about it now. We''ll just have to pray she''s satisfied with the cover story." My brow furrows in concern as I sling my backpack off and set it aside. "Speaking of which, what exactly is our cover story again? I feel like it keeps changing every time we discuss it." Jordan opens their mouth to respond, but the sudden buzzing of the intercom system cuts them off. The three of us instinctively freeze, sharing a series of panicked looks. "Hello?" a crisp, no-nonsense voice crackles through the speaker. "This is Anna Katz from Child Protective Services. I''m here for the home visit regarding Connor Spinelli''s adoption case." Jordan jolts into action, nearly dropping their broom as they scramble to press the button and reply. "Y-yes, of course! Come on in!" A tense silence falls over us as we wait for the sound of approaching footsteps in the five-square-foot lobby leading up to the stairwell. Derek shoots me a sidelong look, muttering under his breath. "Well, here goes nothing..." The footsteps soon reveal a middle-aged woman with graying auburn hair pulled into a tight bun atop her head. Even through the thick lenses of her glasses, her eyes are sharp and assessing, taking in every detail of the Music Hall''s lobby as she steps inside. It''s immediately clear this is a woman who misses nothing; the very embodiment of a tenacious social worker who won''t be easily fooled. She hasn''t even opened her mouth yet, but I can already tell this is going to be an uphill battle. Jordan puts on their best approximation of a welcoming smile, striding forward with an outstretched hand. "Ms. Katz, welcome! I''m Jordan, and this is my...uh, roommate, Sam. We''re the ones looking after Connor. Right now. I mean. Like, we keep everyone''s shit in order. We''re not his legal guardians."If you discover this narrative on Amazon, be aware that it has been stolen. Please report the violation. Ms. Katz firmly shakes Jordan''s offered hand, her expression carefully neutral. "A pleasure. Now, shall we get started with the tour?" I can''t help tensing up as those steely eyes briefly flick over to me, feeling like I''m being evaluated on some invisible metric. For someone trained to assess living situations, how much could she already be picking up on just from these brief initial moments? Pushing those concerns aside for now, I try to adopt a casual, easygoing demeanor as I usher her further into the building. "Of course, right this way! We''ve put a lot of work into making this place feel like a real home." Those words already taste like lies on my tongue, but I plow forward with forced cheer. "We''ll start in the common area just through those doors over there." As I push open the set of double doors leading into the main hall, Ms. Katz''s eyes immediately narrow with scrutiny. The spacious room stretches out before us, our makeshift recreational area centered around a cluster of worn but comfortable couches and armchairs arranged in a half-circle. An old TV sits opposite the seating arrangement, while shelves of dusty books, discarded games, and movie collections line the walls in a superficial facade of homeliness. But it''s obvious this space was never truly intended for such casual domestic purposes. The high, vaulted ceilings and polished hardwood floors practically scream "theater", not "living room". It''s a carefully constructed illusion that already seems in danger of unraveling under Ms. Katz''s piercing gaze. Although I doubt she doesn''t know what the purpose of the building labeled TACONY MUSIC HALL is, so... "I see..." she murmurs thoughtfully, already circling the space like a hawk eyeing its prey. "And do you often spend time together in this... common area?" I falter for just a moment, but Jordan swiftly steps in to cover for me. "Oh absolutely! We''re all really tight-knit around here. Movie nights, game tournaments, the whole nine yards. Just trying to create a real sense of community, you know?" Their breezy deflection only seems to pique Ms. Katz''s curiosity further as she drifts towards the nearest bookshelf, plucking a worn paperback from its place and flipping it over to examine the cover. "Are these the kinds of books you all read for leisure then? Hm... ''Espionage Tradecraft and Counterintelligence''. Riveting stuff, I''m sure." An awkward silence hangs in the air as Jordan and I share a brief, panicked look. Derek clears his throat gruffly from the back of the group. "That''s...uh, that''s for my craft. Writing. I''m an aspiring spy novelist..." I have to resist the urge to facepalm at the half-baked lie. Ms. Katz merely arches an eyebrow, clearly unconvinced as she slips the book back into its spot on the shelf. "I see. Well, why don''t we move on then? I''d love to see the rest of the residence, if you don''t mind." Shooting a warning glare at Derek, I force a tight smile and wave a hand towards the exit. "Of course, right this way! We''ll show you the upstairs living quarters next." As I lead Ms. Katz out of the common area, she casts one final sweeping look over the room, her expression utterly inscrutable. Whatever initial assessment she''s made, she''s keeping it tightly guarded behind that professional mask. This is going to be a long afternoon. The upstairs corridors are much easier to dress up in an aura of domesticity; rows of closed doors lining either side suggest innocuous bedrooms and private spaces. Of course, the reality is many of those rooms conceal far more, uh, interesting purposes - gadget closets, telescopes and directional microphones, secured data servers. But as long as we keep those particular doors closed and locked, hopefully Ms. Katz won''t feel the need to pry. Jordan throws open one of the bedroom doors, revealing a space that has been carefully staged to resemble Connor''s quarters. A twin bed stands pushed against one wall, surrounded by requisite teenage detritus - a cluttered desk, a hamper overflowing with laundry, even the odd stray pizza box or two. Artfully arranged amidst the chaos, a smattering of textbooks, sketchpads, and pencils suggest a space dedicated to academics and creative pursuits. "This is Connor''s room," Jordan explains, shooting me a sidelong look as Ms. Katz immediately begins her inspection. "We give him his space and privacy, but we''ve also tried to create an environment conducive to learning and personal growth." I can tell Ms. Katz isn''t entirely buying it as she sifts through the carefully curated clutter, her brow furrowing slightly as she picks up a sketchpad and flips through the pages. I tense, wondering if any of Connor''s sketches give too much away about his true...extracurricular interests. After a few agonizing moments, she simply sets the pad back down and moves towards the desk, examining the stack of textbooks resting atop it with detached scrutiny. I fight the urge to shift uncomfortably, well aware that some of those books are less focused on traditional academics and more on subjects like sleight of hand. Seemingly satisfied for now, Ms. Katz straightens and turns to face Jordan once more. "You mentioned creating a nurturing environment for personal growth. How would you characterize your relationship with Connor?" I have to hand it to Jordan, their poker face remains admirably impassive as they ponder the question. "Well, as I said, we try not to be overbearing. Give him his space while still providing guidance and mentor-" Jordan''s spiel is abruptly cut off as a sharp rapping sounds from the open doorway behind us. We all turn to find Derek leaning against the frame, arms crossed over his broad chest as he regards Ms. Katz with unveiled dislike. "I''m gonna go ahead and cut the bullshit here," he says brusquely. "Connor ain''t your typical teenager, lady. And we sure as hell ain''t your typical foster parents. But the kid''s been through enough already without getting bounced around the system again, you feel me?" Ms. Katz frowns at the interruption, clearly displeased by Derek''s bristling hostility. For a moment, it seems like she might rebuke him for his unvarnished manner. But then, to my surprise, she simply inclines her head with the barest hint of acknowledgment. "Obviously, you aren''t all foster parents. Not one of you looks a day over 18," "I''m twenty four!" Derek shouts, drawing a pained wince out of me. Chapter 129.2 Ms. Katz holds up a hand, forestalling Derek''s outburst. "I''m well aware none of you are actually foster parents. But it''s clear you have an¡­unconventional relationship with Connor that has kept him off the streets thus far. And that''s a good thing." My shoulders slump slightly at her blunt assessment. So much for keeping up appearances - she saw right through our charade from the moment she stepped inside. A part of me feels almost relieved, like a weight has been lifted. "You don''t have to keep up this facade," Ms. Katz continues, casting an appraising look around the staged bedroom. "I''m not an idiot; I can tell this living situation is¡­irregular, to say the least. So instead of continuing to insult us both with these transparently rehearsed cover stories, why don''t you just tell me what your actual relationships with Connor are?" An uncomfortable silence stretches out as Jordan, Derek and I exchange glances, momentarily at a loss. It''s Tasha''s voice that breaks the tense quiet, accompanied by the sound of approaching footsteps. "Everything okay up here? We were just wondering if you still needed help¡­" Tasha trails off as she and Maggie appear in the doorway, clearly picking up on the strained atmosphere in the bedroom. Ms. Katz takes their arrival in stride, impassively turning her attention to the newcomers. "Ah, and you two must be the rest of¡­whatever this group is," she remarks dryly. "Perhaps you can lend some insight as well. I''m simply trying to get a clear picture of the circumstances here." A muscle twitches in Jordan''s jaw as they evidently wrestle with how much to divulge. Before they can respond, however, I blurt out the first question burning in my mind. "Speaking of clear pictures, where is Connor right now? Is he¡­safe?" Ms. Katz''s expression softens ever so slightly at my naked concern. "He''s currently having dinner with his prospective adoptive family this evening. We''re simply tying up some loose ends before finalizing the placement process." A collective wave of relief washes over the room at her reassurance of Connor''s wellbeing. Still, the underlying tension remains thick and palpable in the air. "I understand you may have your reasons for being¡­shall we say, economical with the truth," Ms. Katz continues delicately. "But you should know Connor''s case file is less than complete, to put it mildly. There''s very little official documentation of his background or history prior to certain recent events." Her pointed look leaves little doubt as to which ''events'' she''s referring to. Fighting down a surge of dread, I swallow heavily and brace myself for the other shoe to drop. "We''re all aware of Connor''s affiliation with this city''s population of metahuman individuals," Ms. Katz states evenly, her gaze sweeping over each of us in turn. "As well as certain criminal associations in his past. Now, judging by the unique living arrangement I''ve found myself in, I can only assume the rest of you are also involved in similar activities, whether officially sanctioned or not." The words hang in the air like a challenge, daring any of us to attempt denying the obvious truth she''s laid bare. Derek is the first to break the loaded silence, an inscrutable look flitting across his face. "So you know the kid was mixed up with the Philly Phreaks back in the day," he says gruffly. "Yeah, no point denying that much, I guess. But he''s been trying to get his shit together since then, you feel me? We''ve been helping keep him on the straight and narrow." Ms. Katz arches one eloquent eyebrow, clearly unimpressed by Derek''s evasive non-answer. Her piercing gaze lands squarely on Jordan next.Enjoying the story? Show your support by reading it on the official site. "And what about you? How would you characterize your¡­relationship with Connor?" Her careful phrasing leaves no doubt as to the implications behind that last word. Jordan visibly tenses for a moment before forcing an air of nonchalance. "We''re partners," they reply simply. "In every sense of the word." A brief, uncomfortable pause follows before Ms. Katz gives a curt nod of acknowledgment. "I see. Well then, if you don''t mind, I''d like to speak with you privately for a few moments. The rest of you can wait outside." With that, she gestures towards the open doorway, brooking no argument. Exchanging apprehensive looks with the others, I reluctantly file out of Connor''s staged bedroom and make my way down the hall towards the common area. Tasha and Maggie follow close behind, while Derek lags a few paces back, muttering choice curses under his breath. Once we''re ensconced in the relative privacy of the main hall, an awkward silence descends over the group. Lowering myself onto one of the worn couches, I can''t help but fidget restlessly as my mind races. Just what exactly is Ms. Katz hoping to get out of questioning Jordan alone? My overactive imagination supplies a dozen increasingly paranoid scenarios, each more unsettling than the last. I''m abruptly jolted from my anxious reverie by Tasha''s voice piping up from across the room. "So¡­ crazy weather we''ve been having lately, huh?" Derek snorts derisively at the painfully obvious attempt at casual small talk. "Yeah, Mother Nature''s really going buck wild out there. Snow in November. Never before seen in the American Northeast. Crazy." Maggie bites her lip, regarding him with a mixture of reproach and uncertainty. "Should we¡­ maybe not joke about that kind of thing right now?" Tasha waves her off with a tight smile. "It''s fine, just trying to defuse the tension a little. So, uh, any fun weekend plans coming up?" I can''t quite stifle the incredulous look I shoot her way. Is she being serious right now? Still, I suppose meaningless small talk actually is preferable to dwelling on the interrogation taking place just down the hall. Forcing myself to lean back into the couch with a studied air of relaxation, I offer up a halfhearted response. "Actually, yeah, I''m planning to catch the new Cronenberged movie that just came out. The early reviews have been pretty positive, despite how aggressively weird his stuff tends to be." Judging by the blank stares I receive in return, my attempt at casual conversation doesn''t quite land. Clearing his throat, Derek leans forward in his seat, resting his forearms on his knees. "Don''t think any of us are really in the right headspace for idle chitchat about the Alternate Future Mononucleus movie slate, yeah? Pretty sure we''ve got bigger fish to fry at the moment." A sudden murmur of Jordan''s raised voice leaks through the floorboards above, immediately snapping all of our heads up in rapt attention. Unfortunately, the words are too muffled and indistinct for me to make out anything intelligible. But the sheer piqued tone is enough to communicate the clear strain of the conversation taking place. Derek''s jaw clenches almost imperceptibly and it''s all I can do to resist the urge to press my ear to the floor and eavesdrop fully. Instead, I settle for straining to catch the back-and-forth flow of the muted voices, worry gnawing insistently at my gut. Just what exactly is Ms. Katz grilling Jordan about up there? Are they laying everything out in the open - their status as rogue vigilante heroes, the reality of the Music Hall''s purpose, all of it? Or are they still trying to stick to the thin veil of lies and misdirection this whole visit kicked off with? Another indistinct swell of Jordan''s voice reaches my ears, colored with clear agitation. The exchange seems to be growing heated, making me increasingly antsy with each passing second. Suddenly, their raised tones abruptly cut off, leaving an ominous pall of silence hanging in the air. After what feels like an eternity, the sound of footsteps resumes, slowly growing louder as someone begins descending the nearby staircase. Tasha, Maggie, Derek and I all share a loaded look, tensing in unison as the footfalls finally reach the bottom landing. Ms. Katz emerges a moment later, her expression utterly inscrutable as she glances around at each of us in turn. Whatever happened upstairs, she''s clearly intent on keeping the conversation private for now. "Ms. Small?" she addresses me directly, her voice crisp and professional once more. "If you don''t mind, I''d like to have a brief, private discussion with you as well in a different room." My stomach drops like a lead weight even as I manage a jerky nod of assent. "Uh, yeah, sure. Whatever you need." As I reluctantly rise to my feet, Tasha shoots me a concerned look. But at Derek''s warning cough, whatever query was on her lips dies unspoken. Mustering what poise I can under the circumstances, I straighten my shoulders and follow Ms. Katz towards one of the other side rooms without protest. Whatever curve ball this social worker is preparing to throw at me, I can only hope my poker face proves up to the challenge. Something tells me we''re swiftly careening beyond the realm of ordinary teenage drama here. No more time for games or pretense - somehow, I get the feeling Ms. Katz isn''t going to let me off easy this time¡­ Chapter 129.3 The side room Ms. Katz ushers me into is one of the ones we dolled up a little less. Just sort of a chair room Heavy curtains cloak the windows, leaving the space''s sole illumination the soft pools of lamplight radiating from a lamp sitting on top of a folding chair. With a brief, curt gesture, my unexpected interrogator indicates that I should make myself comfortable in one of the overstuffed armchairs arranged before the desk. Sinking into the proffered seating, I can''t quite suppress the sensation of being ushered into the principal''s office or something equally forbidding. The expectant silence stretching between Ms. Katz and I as she settles herself behind the desk only amplifies the feeling of impending judgment descending. Offering up what I hope is a relaxed, open expression, I force myself to meet her shrewd gaze steadily. "So, Ms. Small¡­" she begins at length. "I imagine you''re well aware by now that you and your compatriots aren''t fooling anyone with these rather transparent attempts at obfuscation." Well, so much for any lingering hope of preserving plausible deniability. Swallowing hard, I simply nod in solemn acknowledgment. "I appreciate you aren''t able to be fully transparent about the circumstances here," Ms. Katz continues with a small, scrutinizing frown. "But I do need to get an accurate sense of Connor''s daily life and social environment if I''m to ensure this adoption proceeds smoothly. So I have to ask - what is the true nature of your relationship with him? And what sort of activities does his association with your extracurricular pursuits entail, exactly?" My palms turn clammy as I falter momentarily under her piercing gaze, wondering just how to even begin unpacking that loaded line of questioning. Tell her the whole, unvarnished truth about the Young Defenders? The extent of Connor''s heroic activities? My own alter ego as Bloodhound? For a brief, wild moment, the thought of outright lying even crosses my mind, conjuring up some feeble cover story that paints our situation in a more innocent light. But just as quickly, I discard the notion with a weary, internal sigh. No, this woman is too perceptive, too adept at cutting through the bullshit, for that to have any hope of working. She clearly knows more than she''s letting on already. "You might as well know the truth," I mumble at last, sitting up a bit straighter in my chair. "The fact is, Connor and I are both members of the Young Defenders superhero team active in the city. Under the codenames Spindle and Bloodhound, respectively. We, uh, we try to use our powers to help people, take down criminals, that kind of thing. But mostly boy scout stuff. Cats in trees, helping little old ladies across the street, stuff like that." Ms. Katz''s expression remains infuriatingly impassive as she regards me steadily. For a long moment, the room remains utterly silent save for the gentle ticking of an old-fashioned wall clock. "I see," she murmurs at long last, letting out a slow, measured breath. "Well, I certainly can''t say I''m terribly surprised by that revelation, Ms. Small. Like I said earlier, we''re well aware of Connor''s activities." Suddenly, it all clicks into place. The probing questions about living situations, activities, relationships - Ms. Katz''s intent was never to catch us off guard about our secret identities. She came into this already fully aware of our unique circumstances. "Then, why put us through all this?" I blurt out, feeling distinctly off-kilter and more than a little sheepish. "Why all the secrecy and evasiveness on your part if you knew the full situation already?" She raises an eyebrow. "I''m not quite sure what you mean, Miss Small," she says, genuinely confused. "You''re the ones who have been evasive and secretive to me." I feel a familiar sense of shame radiating through my face, turning it tomato red. Ms. Katz continues unabated. "My role is to help Connor find a safe, stable home environment that caters to his best interests and needs - not only physically, but psychologically. During these last interview stages, I was hoping to get a sense of the kind of environment you provide, given as you all are key figures in his life, even in an unofficial capacity. Metahuman abilities or not, you seem to have filled an important mentorship role for a young man who, if we''re being frank, has lacked such stabilizing presences for most of his life." All the air slowly leaks out of me, thoroughly abashed, as I realize how defensive and paranoid we''ve all been acting this entire time. Of course this woman wasn''t here to throw any of us in jail or blow our secret identities wide open to the world - from the sound of it, she simply wanted to assess whether our unorthodox group dynamic was ultimately a positive or negative influence in Connor''s life moving forward. A reasonable line of inquiry, really. "I¡­" I trail off briefly, struggling to find the right words. "I suppose we let our imaginations get the better of us. We''re used to having to be so guarded about certain aspects of our lives that it just became second nature to be evasive, even when there was no real need." Ms. Katz regards me for a long moment, seemingly digesting my words. Then, something subtle shifts in her expression, the faintest traces of warmth and understanding creeping into her demeanor. "You know, part of my job is to read between the lines and get a sense of the full truth beyond what''s merely on the surface," she remarks in a slightly gentler tone. "All the secrecy, the half-truths, the code-switching between your civilian and superhero personas - it all speaks to a level of compartmentalization in your lives that most adults would find incredibly stressful and psychologically taxing, let alone teenagers." My throat constricts with a sudden, visceral surge of emotion at her perceptive assessment, the weight of our situation laid so baldly bare. Unable to find adequate words, I simply nod mutely in acknowledgment. "It''s often all too easy for us adults to lose sight of those human factors when assessing cases like Connor''s," Ms. Katz continues, her expression turning pensive. "We get so caught up in scrutinizing the surface details and checking criteria boxes, we forget to account for the less quantifiable elements at play - the moral guidance, the sense of purpose and identity you provide that aimless young man. Whether we agree with the means or not, those are invaluable stabilizing forces for someone in his position." I find myself swallowing hard against the sudden lump swelling in my throat, taken aback by the compassion and insight lacing her words. Never could I have anticipated such a profound understanding from a stodgy government social worker, of all people. It''s enough to make me thoroughly rethink all my preconceptions and prejudices walking into this situation. "No one''s going to take that away from Connor, I promise you," Ms. Katz assures me, correctly reading the silent fear lingering behind my eyes. "My goal here isn''t to upend his whole life or support structure, just to ensure certain basic needs and safeguards are accounted for as we move into this next chapter. You have my word, I''ll do everything in my power to facilitate your team''s continued involvement in whatever capacity that relationship needs to take moving forward." A shuddering exhalation escapes my lips as the knot of tension gripping my chest slowly loosens. "Thank you," I murmur, sincere gratitude bleeding into my voice. "That¡­that really does mean a lot to hear, Ms. Katz."This tale has been unlawfully lifted from Royal Road. If you spot it on Amazon, please report it. She nods somberly in response, clearly sensing the profound weight her words have lifted from my shoulders. Ordinarily, I''m not one to place too much stock in the promises of random authority figures, but something about this woman''s earnest candor convinces me she''s one of the good ones. An ally, not an antagonist. Or, at least, I hope. "There''s a lot of bad CPS agents out there," she says, looking out towards the window, not at me. "Or, well, incompetent. Inflexible. Particularly when dealing with metahuman youth cases, flexibility is utterly necessary. It''s not unheard of to have young metahumans trafficked for their abilities, or have ill-intentioned foster families looking to ''adopt'' a tool for economic gain. Or even just for the thrill of being able to train a child into their own personal superhero, one that they can live vicariously through." She shoots me a meaningful look, and suddenly, I feel like glass. Like a window-pane. Like every part of me is see-through. My brain, inexplicably, tries to pull me back to Pop-Pop Moe and his dozens of conversations about superhero comics. I shake the thought away. "Something the matter?" She asks, trying to read my expression. "Just thinking a little too hard. Don''t read into it," I ask, trying to project more confidence than I feel. Our business seemingly concluded for the time being, Ms. Katz rises from her seat and smooths out the front of her blazer. "Well then, if that''s everything for now, I''ll leave you all to it," she says with a perfunctory air, already halfway to the door. "But I imagine this isn''t the last we''ll be seeing of one another, Ms. Small. Take care." With that blunt parting remark hanging in the air, she sweeps out into the hallway, leaving me alone to stew over everything that was just said. My head is almost swimmy with the intensity of my ricocheting thought processes, still trying to fully internalize the enormity of our collective sigh of relief. So many fears and preconceived notions upended in the span of less than an hour. Far from the jackbooted thug barging in to disrupt our operation, it seems Ms. Katz is actually an understanding, even compassionate advocate willing to preserve the unusual mentorship role we''ve assumed in Connor''s life. At least, that''s the impression she''s left me with - but I suppose only time will tell if her empathy bears out in practice. Rising wearily to my feet, I trudge back towards the upstairs hall with uncharacteristically heavy footfalls. Derek, Tasha and Maggie all look up expectantly from their various places of repose as I reenter, fixing me with questioning looks. Jordan sits amongst them, their expression unreadable except for the faintest lingering air of annoyance. "I''ll be in touch with the rest of you. Mist¡­ hmm, Jordan, we''ll be in touch in particular. Everyone else, you may or may not receive a request for additional interview at your places of residence. We''ll be in touch," she says. After an uncomfortable three seconds, her face goes red. "Oh, dear, I think I said that three times. Well, you know what I mean." She waves and descends the stairs at a reasonable pace. None of us dare meet her eyes as she leaves. None of us dare speak, either, for fear that she''ll turn around and start asking more questions. I imagine that we''ve just used up our miracle for the whole year on this one very cordial visit from Protective Services, and we''d be pushing our luck to expect anything else. Jordan''s jaw is clenched like a vice until the front doors close - and man, they can hear that all the way in the back. A full two seconds pass. Three. Four. Five. Six. Then, Jordan starts breathing normally again. They reach into their pocket, which I know they shouldn''t actually have anything in this particular pocket, and retrieves a blunt. "Where the hell did you hide that?" Derek asks, as Jordan lights it with the deft flick of a match pulled from, again, nowhere. "In my house," Jordan replies, their voice strained from how tightly they''ve got their teeth clenched around it. They pop out a lighter from the other pocket, spark up, take a deep drag, letting their head tilt so far back that their hair, medium-length and greasy and far too heavy to be defying gravity like that, swings behind their head. "Jeez Louise. I thought we were goners." "What did she ask you about? Because she kept pushing me on the foster parent thing and I told her that I''m technically Spindle''s mentor. Like for superhero stuff. And how that''s made it so we''re close without, uh, making it weird. Although maybe I did make it weird anyway," I blurt out. "She asked me about my living situation and I told her I''m emancipated," Jordan says, blowing smoke out through their nose. "And she bought that?" Maggie asks, frowning. "No," Jordan says, taking another drag. "Then why did you say that?" "Well, what was I supposed to say? ''Oh hey Mrs. Child Services agent, I''m a metahuman too also cohabitating (that means living with) a boy I''m dating without any parental supervision and also last year my mom burned down our house with me inside it so now I''m squatting in this building, haha, but anyway how''s the weather?''" "Your mom burnt down your house?" Tasha squeaks. "No," Jordan says, not looking at anyone. "But it''s close enough." "She could''ve taken you away too!" I shout, arms crossed. "Where? Foster Care? Like fuck am I going there. I''d rather chug an entire bottle of Draino. I am not becoming a ''foster child'' again by a long shot!" Jordan shouts, coughing up smoke mid-word but carrying on like a state trooper. "And, like, what are they going to do, arrest me for property theft? I have an agreement with the property owner, even if I don''t have a lease. I renovated this place for like, a tenth of what it would cost to hire someone. And out of pocket." "She already knew you were a superhero too, there''s no need to hide it. Like, she had all our files already," I point out. "I know that!" Jordan says, gesticulating with the blunt, ember floating dangerously close to one of the curtains. "But she didn''t know I was homeless. I need her to think I''m stable or she wouldn''t think I''m fit to be near Connor. Like, that''s a concern she''d have. Right? Maybe?" Jordan looks to Derek for advice on this. Derek sighs, running his fingers through his bright orange hair that''s starting to fade again. He shoots Jordan a Look, before shrugging. "¡­No, you''re probably right. If she finds out you''re a supervillain and in a relationship with Connor, he''s going to get split apart from you before he leaves. I saw it happen with some kids in my old neighborhood. Mom was a dealer and she had a ''close working relationship'' with the kids and their uncle, and they split those kids up all over the state, made sure they wouldn''t stay in contact," Derek says, an edge of dark memory in his voice. "Your mom?" Tasha asks. "No, the other kids'' mom. I don''t know my mom," Derek answers, bluntly. "See?" Jordan says, gesturing again at Derek as if he proves their point, which he does. "Well, it''s all over now," Tasha sighs. "At least we aren''t getting arrested or anything." "Yeah. That''s what matters. We did what we came here to do. Although, you know, it woulda been a bit easier if we actually had known everything she already knew going in," Derek grumbles. "Everything except the homelessness," Jordan says, before taking another drag. They hold it inside, their chest puffing up, before blowing a thin smoke ring into the air. "Ooh, I wanna try," Maggie says, and Jordan lightly shoves her away, before offering it to me. I shake my head. "I''m good," is all I say. I''m trying to digest everything that just happened - not just what Mrs. Katz said to me, but also, just wondering about what this means for the future. Connor is getting adopted by actual adults who know what his needs are that we aren''t able to provide. We''re going to go back to being just¡­ well, we''re not just his friends, but we''re stepping back from being his support network. And Jordan won''t have their boyfriend-slash-roommate anymore. Like, this is going to be a big change for everyone, even if it''s a good thing that happened. Even if it''s necessary. I should be happy about it, really - that Connor is getting a real family, a stable home, and a chance at a better life than what we could give him. But a tiny part of me feels a sting of sadness and loss as well. Pushing those thoughts aside, I clear my throat and glance around at our assembled group of misfits and makeshift heroes. "Well, I dunno about you all, but I''d say we dodged a serious bullet today. How bout we order some victory pizza to celebrate our narrow escape from the clutches of the law?" Derek snorts, a wry smirk tugging at his lips. "Careful, kiddo - don''t want to speak too soon. For all we know, this was just the opening volley in a long campaign to make our lives difficult." "Nah, I seriously doubt that," Jordan chimes in, waving Derek''s paranoia aside with a lazy hand. "You heard the lady - she''s on our side, or at least sympathetic to our whole deal. I don''t think we have to worry bout seeing more government goons darkening our doorstep anytime soon." Tasha purses her lips skeptically. "I dunno¡­ never underestimate the tenacity of a dedicated social worker. They''re like the Long Arm of the Law''s extra-judgmental cousin." The conversation gradually shifts to less pressing matters, like schoolwork and weekend plans. But the specter of Ms. Katz''s visit still lingers in the back of all our minds, a reminder of just how precarious our situation really is. We may have dodged a bullet this time, but who knows what the future holds? All we can do is stick together and hope for the best. And maybe invest in some better hiding spots for Jordan''s weed. WORLD OF CHUM: Power Laws (4)

"They Didn¡¯t Want Me, They Wanted My Power": The Frustrating Journey of Hollywood¡¯s First Metahuman Star

By Jonathan Medina, April 2013, Vanity Round In 2003, the world was just beginning to understand what it meant to live among metahumans. For most people, this new reality meant seeing superhuman feats on the evening news or hearing about the first ¡°meta-athletes¡± breaking records that seemed insurmountable just a few years earlier. But for Lana "Facsimile" Morales, a 19-year-old shapeshifter with a talent that should have made her Hollywood¡¯s hottest commodity, it meant something very different: a gauntlet of exploitative contracts, broken promises, and a film industry still too rigid to understand what to do with her. Today, at 29, Lana sits across from me in a caf¨¦ just a few blocks from her home in Los Feliz. She¡¯s noticeably tired, her curly black hair pulled into a loose bun, wearing jeans and a hoodie. Ten years ago, she was considered groundbreaking¡ªa metahuman starlet poised to revolutionize the way movies were made. But the bitterness in her voice suggests the road from industry pioneer to where she is now has been far from smooth. "They didn¡¯t want me. Not really," Lana says, sipping her iced coffee. "They wanted the idea of me." Breaking In: A Dream Deferred When Lana first arrived in Los Angeles in 2003, her ability to alter her appearance at will seemed like a filmmaker¡¯s dream. A young actress with the power to change her face, body, and even her voice¡ªinstantaneously and convincingly. She could play any role. Hollywood could save millions on prosthetics, makeup, and CGI by hiring her for monster roles or transformations that would have taken hours in post-production. But her journey into the industry wasn¡¯t quite what she had envisioned. "I remember going to my first casting call," Lana recounts, a mix of nostalgia and frustration in her tone. "It was for The Raven¡¯s Curse, this low-budget horror film. I figured, okay, they¡¯re probably going to want me to play some demon or ghost or whatever. But the director, Richie Bael, he takes one look at me and says, ¡®You can be anyone? Can you be Demi Moore?¡¯" She laughs, but it¡¯s a cold laugh. "They didn¡¯t want Lana Morales, the actress. They wanted me to shapeshift into people who were already famous." At the time, the film industry had yet to reckon with the legal implications of metahumans like Lana. Impersonation laws had been designed to protect the likenesses of actors and public figures from being misused¡ªby traditional impersonation. But in 2003, the industry wasn¡¯t prepared for someone like Lana, who could perfectly replicate an A-list celebrity without the need for trickery. "I was just 19, and these guys were pressuring me to do things I wasn¡¯t comfortable with," Lana recalls. "They wanted me to transform into Julia Roberts for a hundredth of the price. When I said no, they looked at me like I was some kind of inconvenience." The Impersonation Fight: New Laws, New Problems In response to actors like Lana, new legal precedents were quickly established. Impersonation clauses began appearing in actors'' contracts, and the Morales Act¡ªnamed after Lana herself¡ªwas passed in 2005. This law prevented metahumans from using their powers to replicate or impersonate living actors without explicit permission. It was a landmark moment for both the industry and the country¡¯s evolving legal landscape around metahumans. But while it was a victory for Lana in theory, it had a more insidious effect on her career. "I thought the Morales Act would protect me," she says, her eyes distant. "But all it did was pigeonhole me. It¡¯s like, instead of thinking about what I could bring to a role as an actor, they only ever wanted to talk about how my powers could be legally used. It wasn¡¯t about my talent anymore¡ªit was all contracts and loopholes." A Decade of Struggle: Facing the Industry¡¯s Worst Instincts In 2007, Lana landed her first major role in the dystopian sci-fi thriller Iron Skies, directed by Logan Crayton. She played a genetically altered rebel leader who could shift her form to outsmart government enforcers. The film was a modest success, but the buzz around Lana¡¯s performance was deafening. Everyone wanted to see what she would do next¡ªeveryone except, it seemed, Hollywood itself. "People loved Iron Skies," Lana admits, shrugging. "But the industry? They didn¡¯t see me as a breakout star. They saw me as a special effect. Every director I talked to after that only wanted me for the same thing: ¡®We need you to be this monster.¡¯ Or, ¡®Can you shapeshift into something really grotesque?¡¯" While Doug Jones was carving out a celebrated career embodying monsters and creatures, Lana¡¯s shapeshifting ability ironically worked against her. Directors like Stephen Reilly (The Nightmare Underneath) and Rachel Lynes (Body of Glass) wanted her to contort into new, inhuman forms, but rarely offered her roles where she could simply act as herself. "I admire Doug Jones so much," Lana says with a wistful smile. "He¡¯s such a phenomenal performer, and he worked his ass off to show that he¡¯s more than just a guy in makeup. But me? I could be the makeup, and that¡¯s all they wanted from me." Her frustrations came to a head in 2009, during the production of the critically panned Body Harvest. The film, directed by Vincent Vehlan, was a notorious flop that featured Lana as a shapeshifting alien antagonist. Vehlan pushed her to the limits, demanding she take on increasingly grotesque, painful transformations¡ªsomething that was taxing even for someone with her powers. "It was hell," Lana says bluntly. "They wanted these disgusting shapes, and I was constantly stretching and contorting. At one point, I thought I was going to tear my muscles apart. And for what? Some straight-to-video garbage no one even remembers." The Shifting Industry: New Meta-Talent, New Resentments By 2013, meta-talent was no longer a novelty in Hollywood. Performers like Lyle McCullen, with his grotesque body-modifying abilities, and Selena Gervais, who could regenerate on demand, were the new darlings of the horror and VFX scenes. The industry was full of meta-humans, and with them came new opportunities and new frustrations. "I see these kids coming in now, and they¡¯re treated like gods," Lana says, shaking her head. "Lyle¡¯s great, don¡¯t get me wrong. But he didn¡¯t have to fight the way I did. The directors know what to do with them now¡ªthey have union protections, specialized agents, even schools to help them hone their powers for the camera. When I started? I was just a freak to them." While Lana speaks with admiration about some of the newcomers¡ªparticularly Gervais, whom she praises as a "born performer"¡ªthere¡¯s a clear undercurrent of resentment when it comes to the current state of the industry. "It¡¯s not about talent anymore. It¡¯s about what you can do physically," she says. "No one wants to see me act. They just want me to shift into some horror show. The industry didn¡¯t change for the better, it just found new ways to exploit people like me." What Comes Next for Lana Morales? As the interview winds down, I ask Lana what her plans are for the future. Does she still want to work in Hollywood, or has the industry¡¯s treatment of her soured that dream for good?The story has been taken without consent; if you see it on Amazon, report the incident. "I¡¯m not done," she says, after a long pause. "I¡¯ve been doing some indie stuff. Roles where I get to be me, not some nightmare monster. There¡¯s a small studio I¡¯ve been working with, Phoenix Pictures, and they¡¯ve actually been writing roles for me¡ªhuman roles. It feels good. But I¡¯m never going back to the big studios." She leans back in her chair and sighs. "I guess, after everything, I just want people to see me as more than my power. I want to be seen as an actor." As I thank Lana for her time and prepare to leave, I can''t help but wonder what Hollywood lost by focusing on what Lana could transform into rather than who she already was. For the industry, she was an asset, a way to push boundaries and save money. But for Lana, the cost has always been personal. In a world that was changing faster than she could shift, Lana Morales was fighting to remain herself.

The Morales Act of 2005

Section 1: Short Title This Act may be cited as the "Morales Act of 2005." Section 2: Definitions (a) Shapeshifting: Defined as a superhuman ability to alter one¡¯s physical form, including but not limited to changes in facial structure, body type, vocal patterns, and other biometric characteristics, in such a way that the subject can resemble any other individual or organism, real or fictional. (b) Impersonation: The act of adopting the physical appearance, mannerisms, or voice of another individual through shapeshifting, including the replication of specific, identifiable characteristics such as facial features, gait, or vocal tone, without express authorization. (c) Public Figure: Any individual who has acquired prominence in public life, such as actors, politicians, athletes, or other individuals widely recognized by the public. (d) Private Individual: Any individual who does not meet the criteria of a public figure and whose identity is generally not of public interest. Section 3: Prohibition of Unauthorized Impersonation (a) Unauthorized Impersonation of a Public Figure: It is unlawful for any individual to use shapeshifting abilities to impersonate a public figure without express written consent from the individual or their legal representative. This includes appearances in films, television, commercials, public events, or any other form of media or public display. (b) Unauthorized Impersonation of a Private Individual: It is unlawful for any individual to use shapeshifting abilities to impersonate a private individual for any commercial, personal, or entertainment purposes without their explicit consent. This prohibition extends to but is not limited to interactions in public or private spaces where the impersonated individual would have a reasonable expectation of privacy. Section 4: Consent and Exceptions (a) Consent for Public Figures: For any instance in which a shapeshifter seeks to use the likeness of a public figure, a consent form must be signed by the public figure or their designated legal representative. This document must explicitly authorize the intended use, including the context and duration of the impersonation. (b) Exceptions:
  1. Law Enforcement: Shapeshifting for impersonation may be allowed as part of authorized law enforcement activity, provided there is a valid warrant or legal authorization in cases of criminal investigations.
  2. Parody or Satire: Shapeshifting into the likeness of a public figure for the purposes of parody or satire may be permissible under protections provided by existing free speech and artistic expression laws, provided that the portrayal is clearly identifiable as a non-serious interpretation and does not involve commercial gain without consent.
Section 5: Penalties and Enforcement (a) First Violation: Any individual found guilty of unauthorized impersonation, whether of a public figure or private individual, shall be subject to a fine ranging from $5,000 to $50,000, depending on the severity of the offense and the financial damage incurred by the victim. (b) Repeated Violations: Subsequent offenses of unauthorized impersonation will result in fines up to $100,000 per instance and may escalate to criminal charges with imprisonment of up to three years, particularly in cases where malicious intent or significant harm was caused. (c) Civil Damages: In cases where impersonation leads to financial, reputational, or emotional harm, the affected individual may seek civil damages, including compensatory payments for lost wages, emotional distress, and any other demonstrable damages resulting from the impersonation. Section 6: Impersonation in Media (a) Media Representation of Public Figures via Shapeshifting: The use of shapeshifters to impersonate public figures in any media format, including but not limited to film, television, advertisements, or stage performances, must comply with the Morales Act. Failure to do so will subject production companies, directors, and the shapeshifter in question to the penalties outlined in Section 5. (b) Documented Proof of Consent: Any media entity utilizing shapeshifters to replicate the likeness of a public figure must retain signed consent forms for a period of five years following the conclusion of the project. These records must be produced upon request by any regulatory or legal body. Section 7: Commercial Use of Shapeshifting (a) Prohibition on Commercial Likeness Exploitation: No individual or entity may commercially benefit from a shapeshifter''s ability to impersonate another individual without the written consent of the individual being impersonated, whether the subject is alive or deceased. (b) Posthumous Impersonation: The likeness of deceased individuals may only be replicated by shapeshifters with the express consent of the individual¡¯s legal estate. This includes film roles, advertisements, and any public use where the individual¡¯s image is employed for commercial gain. Section 8: Implementation (a) Effective Date: This Act shall come into effect 120 days after its enactment. (b) Regulatory Body: The National Superhuman Response Agency (NSRA) is tasked with overseeing the enforcement of the Morales Act, including issuing fines, monitoring compliance in the media industry, and maintaining a database of registered consent agreements. Chapter 130.1 You know, I really thought Tasha was onto something when she jokingly suggested we get a maid service for the Music Hall''s common area. But no, Jordan just had to insist on doing it themselves, like some sort of bizarro Martha Stewart who''s never met a trash bag they couldn''t overstuff. Unsurprisingly, the place is back to its usual state of carefully curated chaos barely twenty-four hours after Ms. Katz''s little inspection. I guess old habits die hard. It''s a chilly Saturday afternoon, and the six of us are all lounging around on the mismatched assortment of couches and armchairs, picking at the remnants of a pizza feast that would make the Teenage Mutant Ninja Turtles proud. Even though it''s only two weeks until Thanksgiving, the weather outside is more reminiscent of mid-January, with fat flakes of snow blanketing the city in a picturesque but treacherous coat of white. "Man, I still can''t believe Maya Richardson actually won that special election," Jordan muses around a mouthful of pepperoni and cheese. "Like, Like, what the hell does she think she''s going to accomplish as a city councilperson? Start commissioning freak snowstorms at random just to be a passive-aggressive dick to us?" Derek lets out a snort of derision from where he''s slouched in an overstuffed recliner, absently toying with the bright orange tips of his shaggy hair. "Get real, kid - you really think a bitter old lady gives enough of a shit bout a couple teenage troublemakers to abuse her powers like that? She''s got way bigger fish to fry." Popping the last bite of my slice into my mouth, I cast a sidelong glance at Jordan. "Yeah, I mean, Richardson''s whole deal lately has been courting the public eye through big, showy philanthropy stuff. Why would she suddenly jeopardize all that goodwill and publicity by using her powers for petty revenge against a bunch of randos?" "Because she''s a supervillain?" Maggie chimes in hesitantly from her perch on the floor. "I''m sorry, but weren''t we all there when she teamed up with freaking Mr. T-Rex to trash Sam''s house like a year ago? That seems pretty vengeful and villainous to me!" "Actually, only Jordan was there, and I made them leave anyway," I point out. "And my parents, I mean. Them too." Jordan sort of purses their lips at me. "Yeah, get me out of harms way so you can get your legs broken by a fucking dinosaur without letting me protect you." "Aw, it does have a heart," I joke. Jordan shoots me a withering glare, so I stick my tongue out between my teeth and wiggle it around a little bit in the gaps that the points make until Jordan recoils. "Some supervillain you turned out to be," "You''re disgusting," Jordan says, scowling at me like if they do it hard enough they''ll gain laser vision or some shit. "Don''t you ever close your mouth?" "Nice one," Derek says, rolling his eyes. "You''re supposed to put pizza in it, not play with your tongue. I thought you were supposed to be high." He turns to address Jordan directly though, raising an eyebrow. "Seriously, you have weed and you didn''t even share?" Jordan holds up their hands in a placating gesture, a shit-eating grin spreading across their face. "Hey, don''t get mad at me for trying to preserve my precious stash. You know how much harder it is to re-up when the whole city''s turned into a snow globe?" Tasha, who''s been quietly tapping away at her laptop this whole time, suddenly pipes up from her spot curled into the corner of the sofa. "Okay, so I just did some digging on our dear Councilperson Richardson, and it turns out she actually represents District 7. Which includes, drum roll please... Mayfair and Tacony!" A collective groan rises up from the assembled group at this revelation. Jordan throws their hands up in exasperation. "Oh, well that''s just fan-fucking-tastic! So not only is she a supervillain with a grudge, but now she''s literally our own personal representative in city government? Talk about a conflict of interest!" I frown, trying to wrap my head around the implications. "But like, how much power does a city councilperson really have? It''s not like she''s the mayor or anything. Maybe we''re overthinking this whole thing?" Connor, who''s been characteristically quiet up until now, suddenly leans forward with a quizzical expression. "Wait, I''m confused - why exactly are we supposed to be worried about this lady again? I mean, yeah, she''s got weather powers and a seat on the city council, but so what? It''s not like she can just start throwing lightning bolts around willy-nilly without people noticing." Tasha sighs, pushing her glasses up the bridge of her nose. "No, but she could potentially use her position to make life difficult for us in more subtle ways. Like, I dunno, pushing for stricter regulations on superhero activities, or funneling city resources away from our neighborhood. That kind of thing." Derek scratches at the stubble on his jaw, looking thoughtful. "Still, it seems like a lot of trouble to go through just to fuck with a bunch of teenagers. I mean, what''s her endgame here? It''s not like any of us have enough clout to really threaten her political career or anything." "Maybe it''s not about us specifically," I muse, chewing on my lower lip. "Maybe we''re just collateral damage in some larger scheme she''s got going on. Like, I dunno, consolidating power for the Kingdom or something?"Royal Road is the home of this novel. Visit there to read the original and support the author. Jordan snaps their fingers, eyes lighting up. "Oh shit, that''s a good point! We still don''t really know what the Kingdom''s deal is, or what their ultimate goals are. Maybe Richardson''s election is just one piece of a bigger puzzle we haven''t put together yet." "If our little powwow with Mrs. Xenograft earlier means anything," I say, glancing towards Tasha, making eye contact with her, "it''s probably just money. You know, like any good Mafia." Tasha nods, already typing away furiously on her laptop again. "Okay, let me see what else I can dig up on her background. Gimme a sec..." The room lapses into a tense silence as we all wait for Tasha to work her internet sleuthing magic. After a few minutes, she lets out a low whistle. "Well, well, well...look what we have here." "Spill," I say, only half a demand. Even Maggie leans in, interested to hear. "Turns out our friend Ms. Richardson used to be a superhero herself, back in the day. Went by the name ''Stormrise'' and everything. But she quit the game in 2012, right around the time a bunch of really strict regulations on weather control powers got passed." "I knew that somewhere," I reply, furrowing my brow, scrunching all the skin up. "But I can''t remember where. Someone mentioned that." Jordan''s brow furrows in confusion. "Weather control regulations? The fuck are you talking about?" "Yeah, apparently there was this whole big thing where the government cracked down hard on any supers with abilities that could potentially affect the environment on a large scale. Something about not wanting them to accidentally fuck up global weather patterns or cause natural disasters, I guess," Tasha explains. "Really heavy," Derek lets out a low whistle. "Damn, that''s some heavy shit. No wonder she quit." I lean over Tasha''s shoulder to get a better look at her screen, scanning the dense wall of text detailing the various restrictions and requirements. "Holy crap, this is insane! If you want to legally use weather manipulation powers, you need a freaking master''s degree in a relevant scientific field, government approval for every single proposed ''weather event'', sixty days of community input...and the fines for violations are huge! Like, five years suspended license and a million bucks?! And that''s only for- Christ, they don''t call it ''criminal violations'', they call it "civil violations!" Connor lets out a sharp bark of laughter tinged with disbelief. "That ain''t regulations, that''s a goddamn soft ban. Sure sounds like they wanted to make it pretty much fuckin'' impossible for anyone to actually jump through all those hoops. I mean, how many people ever actually get their proposals approved? How many weather-based heroes actually have advanced degrees anyway?" "Looks like maybe twenty per year on average, according to this?" Tasha says, squinting at some figures on the webpage. "And almost all of those are for hurricane or drought relief efforts. So yeah, not a lot of room for anything else." "So basically, they regulated her right out of the superhero game," Jordan summarizes, leaning back with a grimace. "That''s so fucked up. No wonder she turned to a life of crime instead." "Still seems like a pretty drastic pivot though," Maggie points out hesitantly. "I mean, going from beloved hero to straight up supervillain? That''s quite the heel turn." "I guess being told you''re illegal after years of service and praise would piss anyone off," Maggie says. A lightbulb suddenly goes off in my head as a thought occurs to me. "Hey, you don''t think...could Richardson be the reason it''s fucking snowing ash right now? Like, some kinda ''fuck you'' to the system that forced her out?" "Or to bother some annoying teenagers," Jordan chimes in, clearly not taking my proposal seriously. Derek rubs his chin, considering it. "Eh, maybe. But it''s not like the weather''s been normal in general lately. Global warming has been making everything go kinda haywire, even without bitchy supervillains throwing magical tantrums." Connor looks utterly baffled by this entire conversation. "Wait, I don''t get it - I thought you said she hasn''t used her powers in public since she quit being a hero in 2012? How would she even pull something like that off without anyone noticing? And why would global warming make it snow in November?" Jordan rolls their eyes, shooting Connor an exasperated look. "The woman''s a fucking supervillain, dude - they''re not exactly known for playing by the rules. I''m sure she''s got her ways." "I''ll explain the global warming thing later, Connor," Tasha says, shooting him a supportive thumbs up. I flop back against the cushions with a heavy sigh, my mind racing with all these new revelations and theories. Just when I think I''m starting to get a handle on the bigger picture, some new wrinkle always seems to pop up and complicate everything. It''s like trying to put together a puzzle when half the pieces are missing and the other half don''t even fit together right. As I lay there wondering, I can''t help but turn to Connor, the cogs in my head working in overdrive trying to piece it all together. "By the way, how did things go with your new foster parents the other day?" I ask, trying to change the subject to something a little less... well, less of a moral quagmire. Connor perks up at this, his face brightening into a small smile - a rare sight. "It was actually pretty great," he replies, sounding almost surprised at his own admission. "Mary and Steve, they''re called. They seem like really nice people. Mary''s a social worker, and Steve''s a high school teacher. They''ve got this cozy little place in the suburbs, with a spare room all set up for me and everything." Jordan raises an eyebrow, looking faintly impressed. "Damn, sounds like you hit the jackpot there, Stretch. Suburban respectability is a far cry from, well...all this." They wave a hand vaguely at our surroundings. The corners of his mouth twitch upward in a half-smile. "Yeah, I mean...don''t get me wrong, I''m gonna miss you assholes something fierce. But it''ll be kinda nice to have some actual adults looking out for me for a change, y''know? Making sure I''m eating real food and going to school and shit." I chuck a wadded up napkin at him playfully. "Aw, you''re not gonna go too soft on us out there, are you? Don''t forget, once a miscreant, always a miscreant." He laughs, batting the projectile away easily. "Yeah, yeah, I know. Gotta keep my street cred intact. Can''t let the ''burbs turn me into a total square." An almost wistful silence descends as we all contemplate this new chapter Connor''s life is about to take. It''s a little bittersweet, knowing our weird little rag-tag family''s about to change shape in such a significant way. But I also find myself feeling genuinely happy for him. The guy deserves some stability and normalcy for once. Chapter 130.2 "Mr. ESP," Jordan states, after an uncomfortable amount of silence, apropos of nothing. "I''ve been thinking about him." "In what way?" I ask, before my eyes widen fractionally. "Oh. From the Kingdom?" Derek nearly spills his drink, jolting upright at the mention of the name. "Mr. ESP?! Shit, don''t tell me that creepy asshole can actually read minds?" Jordan taps the side of their head ominously. "No, it''s even stupider. He gets a new ESP power every day, or something. Last time we met he mentioned ''waking up with remote listening''." Tasha frowns, worrying at her bottom lip. "Isn''t mind-reading impossible? Like, last I heard nobody''s ever met a true telepath for one reason or another. They can transmit but not receive, or something?" Jordan shakes their head. "Yeah, no mind reading. Just like... random new forms of ESP each day. I think he''s why we set up the Faraday cage room." "Well, if they gave it to him, it has to be what he calls them. Like maybe his name is Mr. Extra Sensory Perception. Or maybe it''s Mark Sam Patrick. Or Maximillian Sony PocketStation. He could be from anywhere. Even Florida," I say, frowning in deep thought at the idea of Florida. "Jeez, I''d sure hate to wake up each morning with a new form of ESP like Russian Roulette, not knowing if it''s gonna be inconvenient but mostly harmless or like, reading the intrusive thoughts of everyone around me. I get enough of those on my own." "Let''s hope Florida doesn''t seep into the water supply," Derek jokes. "You wanna pick up mindreading so we can send our thoughts back to Mister Spookyscary Peepers or whatever his name is? You''ve got that blood thing going on as it is." "Wait, you met this guy?" Maggie asks, a flare of panic coloring her tone. "Do... do you think they know about the Music Hall, then? The meeting rooms and everything?" "It was in the sewers in South Philly, right before the Chernobyl fight last year," I say, frowning. "And yeah, I think there''s a high likelihood he has this place scoped out. I think it''s a wonder we haven''t gotten just blown to bits with a bomb." Jordan''s face scrunches up a bit in thought. "It was an abandoned subway station," "You''re right. Abandoned underground subway station. Sorry, my memory is a little fuzzy given that I got nuked right afterwards," I correct myself. Tasha''s eyes widen as she connects dots in her own head. "It''s like a panopticon... no wonder he just outright told you what his powers were." I snap my fingers, nodding emphatically. "Even if he''s not actually doing it, just the fact that he could be completely changes how we have to operate. We have to account for the fact that they might know what we''re planning at any moment, and have to operate basically in the dark." "You need to take classes in game theory," Jordan teases. "And it''s called a ''nonzero chance''" Connor looks utterly lost, glancing between us all with a bewildered expression. "Okay, I''m officially confused again. What the hell is a panopticon? Nonzero chance?" "It''s this theoretical prison design," Tasha explains eagerly, clearly excited to show off her knowledge. "Basically, there''s a central guard tower surrounded by cells, and you never know if the guard is actually watching you at any given moment. So prisoners have to act as if they''re always being watched, even if they''re not." Derek lets out a low whistle. "Damn, that''s some Big Brother shit right there. No wonder y''all are so freaked out by these guys." Jordan throws up their hands in frustration. "Yeah, and it''s not like we can just go around wearing tinfoil hats all the time! Although..." They trail off, a speculative gleam entering their eye. I groan, already knowing where this is heading. "No, Jordan, we are not lining all our costumes with tinfoil." "I mean, it''s a thought at least," Jordan says, frowning at me suddenly. "Speaking of tinfoil, what exactly happened to you and Tasha at the Zoo? You, like, mentioned it offhand, but we haven''t really done a thorough debriefing yet." "Mrbl," I say, eloquently, before swallowing. "Well, it was mostly Tasha, anyway. But we were there investigating, and also going to the zoo, because the zoo is awesome," I pause, looking to Tasha for confirmation at that. She nods to me to continue. "We bumped into Mrs. Xenograft. She said hi to us in her civilian garb, real friendly-like, just started talking about her job and stuff. Not sure why. But she didn''t attack us or anything. And she sort of subtly threatened us that if we told anyone anything then we''d regret it." Tasha, who has been slowly regaining her color throughout my retelling, speaks up again. "Yeah, it''s like she was just...taking our emotional temperature or something. And also warning us off a bit. Like she wanted us to know she was there, and that she''s got her eye on us now." "Well, she tried to make us think she was just going to the zoo, but, like, I don''t believe that," I reply. "Too specific," Jordan looks grim at this news. "So, it was less of a social call and more of a reconnaissance mission in disguise. Great, that''s fucking fantastic. Anything else we should know about?" "Yeah, she said she''s just in it for the money, and that we have a very black and white view of the world, you know, nothing I haven''t been told by my therapist already," I say, shrugging. "Just to keep us from having an ethical crisis about it or something when we inevitably fight her in the future, I guess. And then she just walked off."Support creative writers by reading their stories on Royal Road, not stolen versions. Connor, bless his heart, looks like he''s about ten steps behind in this conversation. "Wait, so...this lady''s a supervillain, but she''s also a zookeeper? And she just casually threatened you guys while you were, what, looking at the monkeys or something?" I crack a smile. "She was just visiting, I don''t think she''s a zookeeper. You never met her when the Phreaks were cavorting with the Kingdom?" Connor shakes his head emphatically. "No way. I think any crazy shit, that was Stitches. I didn''t even know we had met the Kingdom, just that one day, she was telling us to take bigger risks and be meaner. Didn''t want in on that. And Deathgirl, too, Stitches brought her in and it was never quite the same," Jordan, however, isn''t in a laughing mood, sort of just letting Connor''s words pass through them. They''re staring intently at the map of Philadelphia spread out on the coffee table, tracing their finger over the various marked locations. "Speaking of things not making sense...what the hell do we think the Kingdom''s endgame is with all these targets? I mean, the zoo, the docks, City Hall, random high schools...it''s like they''re trying to hit every major landmark in the city." Derek leans forward, squinting at the markings. "Well, if I had to put money on it, I''d say the docks are probably their top priority. Lots of valuable cargo moving through there, easy access to the water for quick getaways..." "And it''s a great place to do shady shit too," Maggie adds, her freckles standing out starkly against the sudden wash of deep thought that floods her face. "Lotsa weird noises and ruckus to cover up less-than-legal behavior." "Rampart and I met this one guy," I say abruptly, like I''m worried if I don''t say it now it''ll fall out of my head like an ill-constructed tower of blocks. "While doing rounds in Mayfair. He just completely short circuited when we asked about this drug he had called Jump. Like he wanted to answer but all of a sudden, he couldn''t. Like someone was controlling him remotely and put up some kind of mental block." The others perk up at this, intrigue and alarm warring for dominance on their faces. "Mind control?" Tasha asks sharply. "That''s a new one. You think the Kingdom''s got another metahuman in their ranks we don''t know about?" I shake my head. "I mean, maybe. But I don''t know, none of the jumpheads we''ve ever pressed in the past couple of months, big or small, seemed to know anything about the Kingdom. You know how our usual guys are - professionals in suits. Everyone''s been getting Jump from dudes in sweatshirts. And there''s something with ''Rogue Wave'', something Sparkplug mentioned. He made it sound like a group, but maybe it''s a person? I don''t know." "Rogue Wave sure sounds like the name of a lame supervillain organization," Derek cracks, glancing at his watch. "Gotta go in about an hour, unless any of you have a dog crate." "I am not kenneling you when you go werewolf mode," Jordan jokingly snarls. "Oh, right, and the craziest fucking thing happened when I mentioned Rogue Wave to the guy Rampart and I were interrogating a couple of days ago," I say, coughing twice into my fist. "He went... I don''t know, like, he got possessed. I said ''Rogue Wave'' and he just stopped paying attention to Rampart at all. Every single bit of energy was spent trying to immediately kill me. Dude tried to put his thumbs in my eyes, and he wouldn''t stop going until Rampart choked him out," I recount, as if it''s the most normal thing in the world. I glance around to find the whole group all staring at me in mute horror and disbelief. "What?" I ask, feeling suddenly self-conscious. "Is there something on my face?" Jordan is the first to break the stunned silence, their voice strained with barely-contained emotion. "Sam. What the actual fuck. Why didn''t you lead with that?!" "I was getting there!" I protest, throwing my hands up defensively. "It''s not like I''m used to giving structured reports or anything. I just sort of...word vomit until all the relevant info is out there, you know that. Sorry for not starting with the headliner." Tasha pinches the bridge of her nose, taking a deep, steadying breath. "Okay, okay, let''s just...take a step back here. So, this guy, he went from being completely normal to, what, frothing at the mouth and trying to gouge your eyes out, all because you mentioned ''Rogue Wave''? That''s...not normal." "Definitely some kind of trigger phrase," Jordan agrees, their brow furrowed in thought. "Like, straight out of a Cold War spy novel or something. Bet my left nut - not that I have one - that this Rogue Wave character is the one pulling the strings. Either some new metahuman with mind control powers, or maybe some kind of cutting-edge brainwashing tech." Derek shakes his head, looking deeply unsettled. "Man, I''ve seen some fucked up shit in my day, but that''s...that''s next level. Turning people into fucking Manchurian Candidates or some shit." Maggie puts on a weak smile. "What''s Manchuria got to do with it?" Tasha immediately leans in, faster than Derek can, clearly excited to explain something that she just saw someone else not knowing in front of her. "It''s a movie reference, baby," she elbows her midsection gently, to where I imagine she must have her ribs. "There''s a really old movie from 1962 called ''The Manchurian Candidate'' where this guy gets abducted and brainwashed all Cold War-style by the North Koreans and Chinese and sent back to assassinate the presidential nominee. Only it was actually a hypnotic trick by his own mom to put herself in a position to be the most powerful woman in the world. It was remade in 1999 but they changed the Communist Chinese to the Communist Russians and made the incest subplot weirder. The movie''s real as hell." Maggie gets a studious look on her face. "Okay, I''ll put that on the list to watch," "Wh- Hold up," I say, furrowing my brow, and putting my hand up to point towards Tasha. "His own mom tried to put herself into a position to be the most powerful woman in the world? Why only woman?" Tasha chuckles, a sort of ''hah hah'' noise - I don''t know if other people visualize their laughs in text but I usually visualize them as those little speech bubbles you see in dictionaries and textbooks that have the text describing the sound written out - "I mean, have you met the government elite? They''re pretty sexist. And this was a movie from the 60s, Sam. Gotta take it with a grain of salt." "The first one went harder than the remake," Derek says, smiling mildly, crossing his arms. "1999 was really meat." Tasha''s jaw drops in mock outrage. "Oh my god, did you just call a movie ''meat'' in front of me? In my own home? The disrespect!" "Pretty sure it''s Jordan''s home, actually," I say, smiling. Sometimes I have a hard time telling when people are joking and when they''re being serious, but I think Tasha''s being pretty overt with her body language that she''s joking, and it feels like the tension is lifting a little bit if people are bickering about movie quality so I want to contribute. Jordan snorts, shaking their head. "Alright, alright, enough with the film criticism hour. We''ve got bigger fish to fry here. Like, oh I don''t know, the fact that there''s apparently a supervillain out there who can turn people into fucking mind-controlled sleeper agents?!" Everyone sobers up at that, the brief moment of levity evaporating like a shallow puddle under the harsh glare of the sun. Chapter 130.3 "Yeah, no, you''re right," I say, nodding. "This is...this is pretty serious. We need to figure out what the hell is going on, and fast. Before this Rogue Wave asshole can cause any more damage." Connor raises his hand hesitantly, like a kid in class who''s not quite sure if they''ve grasped the lesson. "So, uh...what exactly is our plan here? I mean, it''s not like we can just go around the city shouting ''Rogue Wave'' at random jumpheads and see who tries to kill us, right?" "Well, why not?" Derek retorts, clearly 100% serious. "Seems like a pretty efficient way to smoke out the bad guys to me. Hell, get some sort of broad spectrum audio and see what happens. Instantly find out who''s compromised." I groan, burying my face in my hands. "No, no, absolutely not. We are not running around playing Russian Roulette with potentially brainwashed drug dealers, that''s just asking for trouble." Tasha nods in agreement, already pulling out her phone and tapping away at the screen. "Sam''s right. We need to be smart about this. I''m gonna see if I can dig up any info on this ''Rogue Wave'' character online, see if there''s any chatter or rumors floating around that might give us a lead." I nod along, but purse my lips. "I don''t know if you''re gonna find anything. All I know how to do on a phone is check my grades and accidentally open six hundred tabs of random articles I''m never going to read but I''m hoarding because I think they''ll be useful in a conversation topic someday," I pause, trying to reorder my thoughts. "But I feel like if they were caught on a camera somewhere then like, all this mind controlled brainwashing stuff... wouldn''t be needed? Why rely on that when you can just like, get someone to blink lights in a window or put a dead drop in a park or something?" "Baby," Jordan says, smiling, shaking their head. "The difference between tradecraft and like, street level shit is kind of night and day. Guys on the street just use burner phones and stuff. No reason to make it complicated." "It''s a balance," Tasha says, sagely. "You don''t want easily trackable digital records, but you also don''t want to make it so arcane and obtuse that your couriers and shit just fuck up and forget their orders." "I don''t know, some of my least favorite things to do are remembering a list of shit when someone tells me to verbally," I reply, thinking about how sometimes, my mom will tell me to do a shopping run and give me like seven things and only five slots will be available in my head so I have to either write it down or forget things. "I always keep a notebook with me when I go to the store," And I pat my hip for emphasis, where indeed there is a little memo pad and a little golf pencil floating around in the pockets of my cargo shorts. "See, you want to avoid that if possible," Derek cuts in, gesturing to my pockets. "Physical records, man. Nothing beats a face-to-face conversation for sensitive shit." "Wait, really?" Maggie asks, looking genuinely surprised. "I thought everyone just used, like, that one app that deletes your messages as soon as they''ve been seen?" Tasha starts guffawing loudly. "Oh, poor thang," She says, barely choking out the words between great peals of belly laughter. Connor, however, doesn''t seem satisfied by this tangent. "Okay, but like...what are we actually gonna do? We can''t just sit around with our thumbs up our asses waiting for Tasha to magically find some secret villain lair on Google Maps or some shit." Which, credit to Connor, I had about fifty percent mentally checked out of the conversation already, but his words ground me back in. He''s right - we''re just sort of going around in circles, and I''m part of the problem there. I frown to myself, drumming my fingers on my knee as I ponder our options. It''s true, we can''t just go charging in blind, but we also can''t afford to just sit on our hands and do nothing while the Kingdom and Rogue Wave and whatever other alphabet soup villain groups are out there continue to wreak havoc. "Well, we keep our ear to the ground, for one," Jordan says, shrugging. "Scuttlebutt will circulate eventually, it always does. If there is a new player in town, people will notice something. And we work our contacts, our CIs, see if anyone''s picked up on anything weird going on." "We could also try to triangulate potential targets based on the map we found," I suggest, pointing to the haphazard scattering of red circles and lines decorating the slightly crumpled paper. "Maybe stake out some of the more likely spots, see if we can catch any suspicious activity in the act." Derek snorts derisively. "What, like a bunch of teenagers playing dress-up are gonna blend in at the goddamn docks or City Hall? Good fucking luck with that." I shoot him a glare. "I''m not saying we go in guns blazing, asshole. Just...keep an eye out. Watch for patterns, anything that seems out of place. We might get lucky and spot something the cops or the feds have missed."If you spot this story on Amazon, know that it has been stolen. Report the violation. "Yeah, because they''re gonna be real grateful for our help," Jordan snarks. But I know underneath it all, they''re already mentally cataloguing potential vantage points and escape routes for each location. They really do always have three exit strategies ready to go, the rascal. Tasha sighs, setting aside her phone for the moment. "Alright, It''s a start, at least. Better than nothing. I''ll keep digging on my end, see if any of my usual sources have heard any rumblings about new players in town, ''metanet'' included" She air-quotes ''metanet'', as if to say, the internet but for superheroes. Connor looks around at all of us, a determined set to his jaw. "Maybe I can ask the Phreaks," he mumbles, clenching his face up. "Wait, shit, they''re all in jail. Fuck!" "No, don''t- you shouldn''t," I say, quickly, putting a hand on his forearm. "Because of the jail, yes." Jordan nods in agreement, their expression softening a bit. "Sam''s right, Stretch. You''ve got a real shot at a fresh start here, and we don''t want to jeopardize that. Let us handle the dirty work for once, yeah?" Connor looks like he wants to argue, but after a long moment, he just sighs and nods, conceding the point. "Yeah, yeah, alright. I guess I''m not much use to anyone if I''m back in juvie or some shit." Maggie reaches over to give his hand a quick, reassuring squeeze. "Hey, you''re plenty useful just by being here and having our backs. Don''t sell yourself short, mister." "What if there''s a way we can be proactive?" Derek says, setting his own jaw. "Big words coming from you," I say, earning another withering glare. "Elaborate," "Can''t you... I don''t know, hack into the police radio or some shit? You''re a hacker, right, kid?" Derek says, his gaze lowering on Jordan''s extremely aggravated all of a sudden looking face. Jordan lets out a noise of pure frustration, throwing their hands up in the air. "For fuck''s sake, that''s not how hacking works! I can''t just magically tap into secure communications with a few keystrokes, this isn''t some bullshit TV show!" "Yeah, Derek, I know the media does a bad job of portraying computers," Tasha chimes in, looking a little flushed like she''s trying to hold back from laughing. "But you can''t just hax0r into ''the matrix'' or whatever." "How did you do that with your voice," Connor asks off to the side. "It''s all social engineering and throwing massive amounts of computational power at a problem until you get lucky," Jordan says, deflating a little as they start actually, legitimately explaining. For the briefest of moments I can hear the pain in their voice. "Phishing, spoofing, tailgating into buildings. The human stuff. Most systems are pretty well hardened against remote attacks these days. Didn''t I explain this to you when we did the chip spoofing for the Sparkplug operation?" "I wasn''t paying attention," Derek responds, picking his ear with his pinky. "So what can you do?" Connor asks, sounding genuinely curious. "I mean, I''m good at coding and pretty handy with hardware too," Jordan says, some of the fire leaving their voice. "Built my own custom rig and everything. But I''m not about to go breaking into government databases or some shit. That''s a one-way ticket to federal fuck-me-in-the-ass prison. And ever since supervillains who can read radio waves started popping up, police radio scanners have gotten crazy encrypted at every step of the way." Maggie screws up her mouth. "Can you decrypt?" Jordan rolls their eyes. "Sure, if you can get me the encrypted data in the first place. Which, again, not really in the cards unless one of you wants to go physically steal a cop''s phone or computer or whatever." And then, the corner of their mouth turns up slightly, because the idea of doing such a thing has entered their brain and they don''t 100% hate the idea. "They''d prob''ly catch me before I made it five feet outside the building," Derek says, shaking his head. "Cop sense tingles around me. I''m their kryptonite." There''s this lull in the conversation and I really don''t have anything to add to the meat of it, so I''m just content to let everyone sort of noodle in their own heads for a while. Jordan is checking their phone, Maggie is fiddling with her bag, Derek is... brooding. I think. He has kind of a resting brood face. Connor is sitting upside down on the couch with his legs hanging over the back, Tasha is back to clacking away at her laptop doing who knows what, though by the reflection in her eyes - I am sitting across from her and can kind of see her screen - I think she might be looking at, like, anatomy diagrams or bacterial cultures or some shit. Such a little scientist, that one. Eventually, the silence is broken by Connor letting out this really big yawn, the kind that sort of reverberates through his entire body and makes his legs kick out a little bit. "Man, I am straight up Jonesing for a Slurpee right now," he says, completely apropos of nothing. "Wait, really?" I ask, blinking rapidly a couple times as my brain tries to shift gears from contemplating the intricacies of our current predicament to the sudden topic of frozen sugary drinks. He just shrugs, grinning lazily. "Yeah, I don''t know. Something about all this heavy shit just makes me crave pure corn syrup and artificial flavoring, you know?" "It''s 40 degrees outside," Derek says flatly. "And snowing. You wanna go to fucking 7-Eleven in this weather?" Connor just shrugs again. "I want an ICEE, dawg." Jordan lets out a snort of laughter. "Christ, you''re a strange one, Stretch. But fuck it, I could actually go for one too. Sam, you in?" And I know I shouldn''t. I know we have more important things to worry about, that we should be focusing all our energy on unraveling this Rogue Wave mystery and figuring out the Kingdom''s next move. But goddamn if the idea of just...taking a break, even for a little while, isn''t so incredibly tempting. "Yeah, alright, fuck it," I say, pushing myself up off the couch with a grunt. "Let''s go get ourselves some diabetes in a cup." But before we can get anywhere, my blood sense lights up. Someone bleeding - bad, but coagulated. Everyone pays attention when I perk up like that. "Someone''s at the door," I say, before they actually get there. BAM, BAM, BAM "Sam?" Jordan asks, looking out the window. "One of yours, right?" I peek out over Jordan''s side. Playback??? WORLD OF CHUM: Psionics (3) IN THE SUPERIOR COURT OF THE STATE OF NEW YORK The State vs. Damon ¡°Marionette¡± Locke October 12, 2009 Judge: Honorable Florence Weber presiding Defendant: Damon Locke Defense Counsel: Mark Carlson, Esq. Prosecution: Assistant District Attorney Rachel Kim Court Reporter: William J. Burke
Transcript - Direct Examination of Witness Elizabeth Granger Prosecution: ADA Rachel Kim Defense Counsel: Mark Carlson, Esq.
ADA Rachel Kim: Ms. Granger, can you tell the court what happened on the morning of March 4th, 2009? Elizabeth Granger: Yes. I was working at the First Union Bank on 42nd Street. It was around 9:30 AM. I was at my desk, and I noticed a man, uh, later identified as... Mr. Locke, standing by the entrance. Kim: What did you notice about Mr. Locke? Granger: I... didn¡¯t think anything of him at first. He was just standing there, like a customer would. Then, uh, he looked at me, and... I don¡¯t really know how to describe it. There was this... pressure? And the next thing I knew, I was standing up from my desk. Kim: Standing up from your desk¡ªdid you make that decision consciously? Granger: No. It felt like¡ªlike my legs moved before I could even think about it. Kim: Did you attempt to stop yourself from standing? Granger: I mean, in my head I did. I didn¡¯t want to. But I couldn¡¯t stop it. My legs just¡ªjust moved, and I couldn¡¯t stop them. Kim: What happened after you stood up? Granger: I walked to the vault. Kim: Did anyone give you instructions to do that? Granger: No... not verbally. I just walked. Like my body knew what it was supposed to do, but it wasn¡¯t me deciding. Kim: And what happened when you reached the vault? Granger: I opened it. I used the key and the combination, and I opened it. Kim: Did you want to open the vault? Granger: No. Of course not. Kim: Were you aware of what was happening as you opened the vault? Granger: Yes. I knew exactly what I was doing. I could see everything... but I couldn¡¯t stop it. I¡ªit felt like my body wasn¡¯t mine. Like when your foot falls asleep and you try to move it but it doesn¡¯t respond, only this was my whole body. Kim: Once the vault was open, what happened? Granger: I started taking the money out. Stacks of it. I walked back toward the front of the bank with it in my hands, and I... I put it into the bags. The bags Mr. Locke brought. Kim: Did anyone say anything to you during this time? Granger: No. Everyone just¡ªeveryone just stood there, like they couldn¡¯t believe what they were seeing. Kim: And during all of this, did you ever feel in control of your actions? Granger: No. Not at all. Kim: Thank you, Ms. Granger. No further questions, Your Honor.
Cross-Examination by Defense Counsel Mark Carlson
Mark Carlson: Ms. Granger, good morning. Elizabeth Granger: Good morning. Carlson: You said that you weren¡¯t in control of your actions that day. That¡¯s correct? Granger: Yes. Carlson: But you were aware of what was happening, weren¡¯t you? I mean, you knew you were walking to the vault, right? Granger: I knew, yes. Carlson: And you knew you were opening it? Granger: Yes, I did. Carlson: But despite knowing, you¡¯re telling this court that you couldn¡¯t stop yourself? Granger: That¡¯s right. Carlson: Interesting. And when you were taking the money out of the vault, you were fully conscious, correct? Granger: Yes. Carlson: So, you knew what you were doing¡ªthere was no blackout, no gap in your memory? Granger: No, no gaps. I knew what I was doing, but I wasn¡¯t in control of it. Carlson: I see. Now, Ms. Granger, earlier you described feeling... pressure. Is that how you would describe it? Pressure? Granger: Yes. It was like a pressure pushing me. Carlson: And was that pressure physical? Did you feel it on your skin, or in your muscles? Granger: No, not exactly like that. It¡¯s... it¡¯s hard to describe. It wasn¡¯t like someone pushing me with their hands. It was more like... something inside my body was forcing me to move. Carlson: So, you felt this "pressure," but you don¡¯t believe it was physical?Stolen novel; please report. Granger: No, I¡ªit was physical in a way, but it wasn¡¯t like being touched. It was more like my body was moving on its own. Carlson: But you were aware, and you didn¡¯t lose control of your mind, correct? Granger: I... my mind was mine, but my body wasn¡¯t. Carlson: Thank you, Ms. Granger. No further questions.
Later in the Trial - Testimony from Dr. Alan Thorne, Neurophysiologist
ADA Rachel Kim: Dr. Thorne, you¡¯re a neurophysiologist, correct? Dr. Alan Thorne: Yes, I specialize in the study of motor control and the neural pathways that dictate voluntary movement. Kim: In your professional opinion, how would you describe the experience reported by Ms. Granger? Dr. Thorne: Based on what I¡¯ve reviewed, it sounds like Ms. Granger experienced a form of involuntary motor control, where her voluntary motor functions were overridden by an external influence. It¡¯s similar to what we see in certain neurological conditions, like alien hand syndrome, where patients experience movement they didn¡¯t initiate themselves. Kim: But in Ms. Granger¡¯s case, this was induced externally, by another person¡ªspecifically, by Mr. Locke? Thorne: That¡¯s correct. Based on the descriptions provided by the witnesses and victims, it seems likely that Mr. Locke¡¯s power involves an advanced form of neuromotor manipulation, effectively hijacking the voluntary motor control of his victims while leaving their cognitive awareness intact. Kim: So, Ms. Granger was fully aware of what was happening, but physically incapable of resisting? Thorne: Yes. Her cognitive awareness was unaffected, but the neural commands controlling her muscles were being overridden by Mr. Locke¡¯s ability. Kim: Thank you, Dr. Thorne. No further questions.
Cross-Examination by Mark Carlson
Mark Carlson: Dr. Thorne, you mentioned something called alien hand syndrome. Can you explain that in more detail? Dr. Thorne: Certainly. Alien hand syndrome is a rare neurological disorder where a person¡¯s limb, typically a hand, moves involuntarily, often performing complex actions without the individual¡¯s conscious control. The person can see what¡¯s happening, they¡¯re fully aware of it, but they can¡¯t stop the movement. Carlson: Would you say that the experiences of Mr. Locke¡¯s victims are similar to alien hand syndrome? Thorne: In a way, yes. The victims described experiencing movements that they didn¡¯t initiate or control. However, unlike alien hand syndrome, which is caused by neurological damage or disorder, this was induced by an external force¡ªMr. Locke¡¯s ability. Carlson: So, it¡¯s not exactly the same, is it? Thorne: No, it¡¯s not identical. But the principle is similar: voluntary movement being overridden by an external influence. Carlson: But you¡¯d agree that alien hand syndrome and what Ms. Granger experienced are both examples of the body acting independently of the mind, correct? Thorne: Yes, in both cases, the body is moving without conscious initiation from the individual. Carlson: Thank you, Doctor. No further questions.
Closing Arguments
Prosecution - Assistant District Attorney Rachel Kim ADA Rachel Kim: Ladies and gentlemen of the jury, I want to start by reminding you that this case is not about the victims. They are not on trial here. We¡¯ve heard powerful testimony from each of them, and the thread connecting their stories is painfully clear. The defendant, Damon Locke, stripped these people of their most fundamental right: control over their own bodies. Elizabeth Granger, Robert Vasquez, and the others¡ªeach of them knew exactly what they were doing. They watched, helpless, as their bodies moved, their limbs betrayed them, their hands executed actions they never wanted to perform. They were aware, but they were powerless. Damon Locke made them that way. He turned them into tools for his own gain, without their consent and without any regard for the psychological toll it would take. I want you to remember Elizabeth Granger''s testimony. She described the experience of walking toward the vault, of reaching out with her own hand to unlock it, all while her mind screamed for her to stop. This is the heart of the case, ladies and gentlemen. Locke''s power¡ªthis puppeteering¡ªis not just an attack on the body. It¡¯s an assault on the very essence of a person¡¯s autonomy. Every victim who took the stand shared this experience: watching their own bodies perform crimes while their minds were locked in terror. Locke knew exactly what he was doing. He didn¡¯t need to be at the scene of the crime physically¡ªhe sent his victims in his place, turning them into unwilling accomplices. But make no mistake: those crimes were his, not theirs. Locke¡¯s power might not leave bruises or scars, but the damage is there. His victims are left to live with the memories of their actions¡ªactions they had no control over. The defense will tell you that Locke wasn¡¯t "present" for these crimes, that he didn¡¯t lift the money, or pull the trigger, or open the vault himself. But I¡¯m asking you to see through that technicality. Damon Locke was present¡ªhe was there through the actions of every person he controlled. And because of that, he is responsible for every single crime committed under his influence. When you deliberate, I ask that you consider the facts we¡¯ve presented, the testimony of these victims who have lived with the horror of being forced to commit crimes they could not prevent. Hold Damon Locke accountable for the choices he made, not the choices they were denied. Thank you.
Defense - Mark Carlson, Esq. Mark Carlson: Ladies and gentlemen, we¡¯ve heard some very emotional testimony over the course of this trial. The victims shared their experiences with us, and no one here is denying the pain and distress they felt. But you¡¯re here today to determine whether Damon Locke is guilty beyond a reasonable doubt, and I submit to you that there¡¯s far more complexity here than the prosecution would have you believe. The facts are clear: Mr. Locke never stepped foot into those banks. He never touched the money. He never personally committed any of the physical acts we¡¯ve been discussing for weeks. What we are left with, ladies and gentlemen, is the question of how much control he truly had, and what his power actually did. We heard from Dr. Thorne, the neurophysiologist, about how Mr. Locke¡¯s ability works. He explained that the victims retained their mental faculties, their awareness, and¡ªimportantly¡ªtheir ability to process decisions, even if their bodies were acting beyond their control. Now, I¡¯m not saying that what Mr. Locke did wasn¡¯t wrong. But I am saying that the line between coercion and participation is not as clear-cut as the prosecution wants you to believe. Take Elizabeth Granger¡¯s testimony, for example. She told you that she knew what she was doing when she opened that vault. Her mind was active. Her actions were deliberate, even if she didn¡¯t feel in control of her body. I ask you, was Ms. Granger a complete puppet, or did she have some agency in those moments? Could she have tried to resist, even mentally? These are the kinds of questions we have to ask when dealing with a power like Mr. Locke¡¯s. Let me be clear: Mr. Locke did not act with the same intent as a bank robber who storms in with a gun and demands cash. He didn¡¯t terrorize his victims into compliance; he didn¡¯t even need to be there. His power is different from any traditional criminal act, and that should be taken into account. This is not a case of grand larceny or violent assault as we¡¯ve traditionally understood them. This is about a unique form of influence, one that blurs the lines of free will and intention. The prosecution wants to paint Locke as a master manipulator, but they¡¯ve failed to prove that he had the same kind of direct, violent intent we associate with these charges. Locke¡¯s power is psychological. It¡¯s neurological. We are in uncharted territory here, and it¡¯s not enough to convict him of the crimes his victims committed under influence without a deep understanding of how much control they still had. At the very least, I ask you to consider whether Locke''s actions rise to the level of the intentional, premeditated crimes he¡¯s been charged with. There¡¯s more than enough reasonable doubt here to prevent a conviction on the most serious charges. Thank you.
Judge Florence Weber''s Final Instructions to the Jury Judge Florence Weber: Members of the jury, it is now your duty to deliberate based on the evidence presented to you. You¡¯ve heard from the witnesses, the experts, and both counsel. You must now decide whether the State has proven, beyond a reasonable doubt, that Damon Locke is guilty of the charges brought against him. Keep in mind, you are to consider the facts and evidence presented during the trial and apply them to the law as I have instructed you. The question of free will, of autonomy, and the influence Mr. Locke had over the victims, is critical. Consider the testimony of the witnesses carefully, and weigh the arguments presented by both the prosecution and the defense. You are the ultimate judges of fact in this case. Thank you. You may retire to deliberate. DH.2.1 Fucking hell, it''s cold out. I''m talking bone-chilling, teeth-chattering, balls-shriveling cold. The kind of cold that makes you wonder why the fuck you ever thought living in a place that sees actual winters was a good idea. But here my Black ass is, trudging through the snow-covered docks of Philly like I''m on some sort of masochistic scavenger hunt. The things I do for this gig, man. I pull my coat tighter around me, trying to block out the wind that seems to be blowing in from every goddamn direction at once. The snow''s coming down hard now, fat flakes swirling through the air and sticking to every surface like the dandruff of some giant, frigid asshole in the sky. It''d almost be pretty if it wasn''t making my job a hell of a lot harder than it needs to be. I''m out here on a tip, see. Word on the street is that the Kingdom of Keys has some sort of operation going down at this particular dock, something to do with 5245 Bleigh Ave. Now, normally I wouldn''t give two shits what a bunch of criminal assholes are up to in their free time, but ever since Sam clued me in on their whole deal, I can''t seem to let it go. It''s like a fucking itch in my brain that I just gotta scratch, even if it means freezing my nuts off in the process. I pause for a second, ducking behind a stack of crates to catch my breath and scope out the scene. The dock''s bustling with activity despite the shitty weather, workers scurrying around like ants as they unload massive containers from the cargo ship that''s pulled up to the pier. I squint my eyes, trying to make out the details through the swirling snow. There, on the side of some of the equipment ¨C- "Tacony Metal Works". I''ve seen that name before, connected to some shell companies the Kingdom uses as fronts for their shadier business dealings. Bingo. Looks like I''m in the right place after all. Now I just gotta figure out what kind of fuckery they''re up to this time and put a stop to it before anyone gets hurt. Easier said than done, of course, especially with Marionette sitting this one out. Don''t get me wrong, the girl''s got skills, but she''s also got a stick up her ass the size of the Liberty Bell. Always going on about "proper procedure" and "gathering evidence" like we''re on some kinda shitty cop drama. Me? I prefer a more direct approach. I take a deep breath, feeling the cold air burn in my lungs as I ready myself for what''s to come. Thems powers are always ready to go. Time for these Kingdom bitches to learn that they can''t get away with their bullshit, not on my watch. Not in my motherfucking city. Creeping closer to the action, I stick to the shadows, marking every object I see for later soundjacking. I can feel their vibrations through my soles, singing softly through the thin leather of my sneaks. Ready to be snatched up at a moment''s notice. A forklift beeps loudly as it reverses, prompting a string of creative cursing from a giant of a dude in a hard hat. I collect both and save them for later. Never know when a good "fuck" might come in handy, even if the guy seems a little confused by one of his fucks disappearing. As I slip past the first layer of security, I can''t help but marvel at how easy it is, even without Marionette''s little jedi mind tricks. A quick burst of generic dock noise, played back from a crate I marked earlier, and the guards are off running in the wrong direction like a pair of bloodthirsty dogs chasing a steak on a string. Idiots. Who needs a high-vis vest, a clipboard, and the ability to look important, when you can just make people think a forklift is about to crash into something important? Their stupidity is my gain, though, and I press forward, hugging the walls as I strain my ears for any juicy tidbits of info. And oh, do I strike gold. Two goons in matching black beanies are huddled together, their gaze locked on a clipboard as they jabber on about something called "Operation Ivory". I recognize the one on the left, a graying Asian dude with a thick Philly accent. We''ve danced this jig before. "Make sure the climate control units are up and running," he says, tapping the clipboard with a stubby finger. "Boss says we gotta keep them elephants happy and healthy all the way to Joburg. Some rich fucks there gonna pay out they nose for this ivory." "Eles? I thought we was moving rhinos," the other one asks, scratching his balls through his jeans. "Nah, it''s them too. They''re bringing in a breeding pair from Cote d''Ivoire. Real rare shit, man. White rhinos. Got horns almost as magic as my johnson." I shake my head in disgust. Poaching, huh? I mean, I''m all for enterprising individuals getting they paper, but this? How... lazy. I store that little exchange away for later, making sure my phone is set to voice record. The two of them look around in confusion for a second as their sentences vanish in bits and pieces. "What? What''d you say?" the other one asks, and they chalk it up to the wind, or something. Deeper into the maze of shipping containers I creep, my breath puffing out in little clouds of mist. The snow''s coming down even harder now, blanketing everything in a layer of pristine white that almost ¨C almost ¨C makes this shithole of an operation look peaceful. But I know better. Wolves in sheep''s clothing, all of ''em. The "wolves" seem hush now, their conversations dropping to a low murmur as they eye their surroundings warily. Guess even they don''t fully trust their own people. Smart, if you ask me. Honor among thieves only goes so far when there''s this much cash on the line.Stolen story; please report. I spot a small group of them clustered around a shipping container that''s been tucked away behind some others, half-hidden from view. They''re moving awkwardly though, stiff like they ain''t used to the freezing temperature either. Dressed too nice for longshoremen. Something''s off. I slink closer, my ears strained to the limit. "Easy with that one," a sharp-dressed brother in a black pea-coat snaps. "Merchandise inside is incredibly delicate. Mark and Jonesy already dropped a crate and nearly let it take a tumble into the Delaware." "It won''t happen again," says a voice from inside the container. A woman wearing a hijab and snow goggles appears at the entrance, hopping down nimbly despite carrying a metallic case of some kind. Something rattles around inside it as she lands. "See that it doesn''t," Pea-Coat says coldly. "Mr. P won''t accept anything less than perfection. You saw what happened to Ernesto when he botched that Florida shipment." The woman stiffens, her grip tightening on the case. I don''t even wanna imagine what could make a battle-hardened vet like her go rigid at memory''s touch. But from the way Pea-Coat smiles, wolflike, I get the feeling that Ernesto didn''t exactly receive a gold watch and a happy retirement for his fuckup. I fumble for my directional mic and mark the receiver in my head - easier to steal when nobody notices they''re getting jacked from. Fuck, it''s cold. The sound of something shuffling inside the container makes my ears prick up. Then that same voice from before, softer and muffled: "Hey...should we be divvying up the extras between runs, or keeping them entirely separate? We still gotta work the second phase of the op." My eyes narrow. What are they talking about? Second phase? I creep in a little closer, trying to pick up more of the conversation, but I''m forced to duck back as two more goons amble past, their black boots crunching loudly in the fresh powder. "Weather''s only gonna worsen," Pea-Coat is saying as I tune back into the briefing. "We''ll have to move fast before the river ices over. Get that prime cargo loaded up ASAP, then come back for the smalls. Rhinos first, elephants by Christmas." So there''s a timetable, at least. Useful intel. Thanks Mr. PC. I''m already mentally mapping out my next steps, deciding which of my contacts are best equipped to handle such a large scale investigation. Maybe that new chick at the Inquirer. She seems hungry enough to make a name for herself. "What about the other...packages?" Hijab asks, hesitating on the last word. Pea-Coat waves a hand dismissively. "We''ll save those for phase two, once the heat dies down. Too risky to move it all at once, even with Richardson running interference." Richardson? As in Maya Richardson, on city council? The fuck does she have to do with all this? I feel a headache coming on, the kind that has nothing to do with the cold and everything to do with the tangled web of corruption that seems to infect every nook and cranny of this city. Hijab shifts uncomfortably, the metal case clinking gently at her side. She opens her mouth as if to protest, but Pea-Coat silences her with a glare. "Just do your job and don''t ask questions above your pay grade. We''ve got plans within plans. You''d do well to remember that." With that, he stalks off, barking orders to the rest of his crew. They hop to with a quickness that speaks to the kinda hell they''ll catch if they''re perceived as slacking. Fear''s a hell of a motivator. Easier than respect, and twice as potent. I stay crouched there for a minute, trying to parse everything I''ve just heard. Animals. Illegal ivory trade. Secret plans and second phases. And now a possible link to the government. It''s a lot to take in, even for a seasoned snoop like me. Usually the Kingdom''s ambitions aren''t so far-reaching, focused more on drugs and weapons and shaking down folks on their own turf. This feels¡­ different. Bigger, somehow. I''m so lost in thought that I barely notice the guard coming around the corner until it''s almost too late. For a heart-stopping moment, I''m sure I''m made. But years of thinking on my feet have honed my reflexes to a razor''s edge, and I''m marking and snagging the sound of that forklift from earlier in the span of a single blink. The whine of the forklift''s reverse alarm blares out from a spot some thirty feet to the guard''s left, sending him spinning around to investigate the perceived threat. Sucker. I use the distraction to slip away, heart pounding with the thrill of a narrow escape. A little too close for comfort, but that''s the game when you''re dealing with big fish like this. No risk, no reward, right? My quick escape route takes me even deeper into the maze of shipping containers, each one nondescript, yet menacing in their uniformity. Any one of them could be hiding untold horrors within their corrugated metal walls, and I''d be none the wiser. Or they could just be normal shipping containers. Who really knows? I know I''m pushing my luck by going in further, but something keeps me from turning back just yet. Call it gut instinct, call it a stubborn streak a mile wide, call it whatever the fuck you want, but I know there''s more to uncover here. The Kingdom''s plans within plans, as Hijab was so fond of reminding. I''ll be damned if I leave with a half-finished puzzle. So I press on, my sneaks now silent in the thickening snowdrifts that have begun to accumulate between the containers. My breath comes out in ragged puffs, each exhale a miniature cloud that dissipates into the swirling white. As I pick my way carefully through this labyrinth of metal and misery, I start to notice a change in the atmosphere. The noise of the docks is fading away, replaced by an eerie stillness that feels almost oppressive. It''s the kind of quiet that only exists in places where dark shit goes down on the regular. A palpable absence of life, of laughter, of anything resembling humanity. I''ve felt it before, in crackhouses and trap spots and abandoned warehouses where the only sounds are the skittering of rats and the whisper of ghosts. It''s the kinda silence that makes your skin crawl and your hair stand on end. Some primal part of you knows, just knows, that you''re walking on haunted ground. I''m about to call it quits, my sense of self-preservation finally overriding my curiosity, when I hear it. Voices, low and urgent, coming from just around the next stack of containers. They sound agitated, almost angry, like whoever''s talking is barely keeping their composure in check. I crouch down, pressing my back against the frigid metal, and strain my ears to listen. DH.2.2 "No, this is all wrong," one guy is saying, his words clipped and precise. "I told you it needed to be taken care of. Today." "I''m sorry, sir," the other voice responds, sounding young and terrified. "I didn''t¡­no one told me it was supposed to be so soon! I thought--" "You''re not paid to think," the first man snaps. "Do you have any idea who you''ve kept waiting with your incompetence?" There''s a long pause, the silence broken only by the rapid thud of my own heartbeat in my ears. Then, so softly I almost miss it: "Mrs. Heartbeat, sir. I didn''t realize she was coming to oversee the operation personally." Mrs. Heartbeat? Shit. That''s a new one to me. Maybe vaguely familiar - did Sam or Jason bump into her? But if this lackey''s reaction is any indication, she''s not the type you wanna piss off. I lean in closer, my breath coming shallow and fast, fogging up a small patch of metal near my mouth. "She''s on her way now," Irate Man continues. "And thanks to you, we have nothing to show for this phase except missed deadlines and excuses. Do you know what she does to people who disappoint her?" There''s a small, choked noise, like a whimper being strangled in the throat. "I¡­I''m sorry, sir. It won''t happen again, I swear. I''ll get the team to double our efforts, we''ll work around the clock to get everything ready for transport. Please, just¡­don''t tell her it was my fault." A mirthless chuckle. "You should have thought of that before you dropped the ball." I''ve heard about as much as I can handle without revealing myself and going apeshit on these clowns. I tense, readying myself to intervene, when the sudden hum of an approaching engine freezes me in place. A large black SUV with tinted windows pulls up to the edge of the containers, its presence radiating menace like a physical force. The doors open, and out steps a woman who can only be the infamous Mrs. Heartbeat. She''s Hispanic, late twenties at the earliest, dressed in a stylish dress coat like the rest of the higher echelons. Black. Red tie. Broad shoulders and a square jaw. But it''s her eyes that grab me, even from this distance. Cold. Assessing. The eyes of a predator sizing up her prey. I huddle back into my hiding spot, suddenly feeling like a rabbit that''s stumbled into a den of foxes. Every instinct screams at me to run, to get as far away from this woman and her aura of casual cruelty as I possibly can. But I force myself to stay put, biting down hard on my lower lip to keep from making any involuntary sounds. Mrs. Heartbeat surveys the scene in front of her, her gaze lingering on the petrified young man who was getting reamed out just moments ago. He seems to wither under her scrutiny, shrinking back like he wants to melt into the corrugated metal wall behind him. "Report," she says simply, her voice hard, deep, with a sort of forced squeak to it. Almost nasal, in a sense. Irate Man practically falls over himself to step forward, his earlier bluster evaporating like morning mist in the face of his boss''s arrival. "We''ve run into some¡­delays, ma''am. But I assure you, we''re doing everything in our power to get the operation back on track. The prime cargo will be ready for transport within the next forty-eight hours, and the¡­other items will follow shortly thereafter." She nods, a single sharp motion that conveys a world of meaning. "And the security risks? The ice?" "A temporary setback," Irate Man assures her. "The weather is turning in our favor, and we''ve doubled our patrols to ensure no one gets too curious about our little enterprise. It won''t be a problem." Mrs. Heartbeat smiles, a thin slash of red in the colorless landscape. "Good. Because you know how much I hate problems." She says the last word like it''s something foul, something to be scraped off the bottom of her steel-toed boots. Everyone present seems to collectively hold their breath, waiting for the axe to fall. But Mrs. Heartbeat simply clasps her hands in front of her, the picture of icy composure. "Upper management has put a great deal of faith in this operation, you know," she says, almost conversationally. "This may not be our usual line of business, but we''ve seen an opportunity to expand our empire, and we never let such opportunities go to waste. Isn''t that right?" A chorus of "Yes, ma''am"s and frantic nodding, the assembled goons falling over themselves to agree with the boss lady.You could be reading stolen content. Head to the original site for the genuine story. She continues as if they haven''t spoken. "This little side venture will give us the funding we need to move forward with our larger plans. Something to finally buy out the competition from DC. We cannot afford any missteps. Not when so much is riding on our success." A pause, heavy with unspoken threats. "And to be perfectly clear, gentlemen¡­ Upper management does not tolerate failure. Ever. Am I understood?" Another round of bobblehead impersonations. Christ, it''d almost be funny if these assholes weren''t planning on ripping off a bunch of endangered animals to line their pockets. Whatever "larger plans" they''ve got cooking, it can''t be good for anyone except maybe their bottom line. Mrs. Heartbeat seems satisfied with their display of groveling obedience. She nods again, a queen granting favor to her loyal subjects. "Wonderful. Now, let''s talk specifics, shall we? How soon can we--" But the sound of more tires squealing in makes me perk up. I lean in, peeking around the corner of my hiding spot, for just a moment, trying like a fool to get a better look at whoever it is. Cars don''t just normally pull up in spaces like this blaring their horns, right? A big - I mean BIG - white cadillac the size of a fuckin'' boat pulls up, tire marks painting the ground behind it black like calligraphy ink strokes. The kind of douchey pimpmobile that you only ever see in like, old movies from the 80s and 90s and shit. And just as quickly as it stops, the doors open, and stepping out is perhaps the biggest motherfucker I''ve ever seen in my life. He has to be seven feet tall, and nearly half that width, just a fuckin'' brick shithouse of muscle and carefully-groomed facial hair, in an immaculate three-piece suit. Black on black on black. The suit is solid black, not gray or charcoal or pinstripe or anything like that - black, like it''s in mourning for everyone who''s ever seen it. The most black suit I think I''ve ever seen someone wear without being at a funeral. And then the shirt underneath is also black, and the tie¡­ you fucking guessed it, black. His forehead reflects shiny under the winter sun, but even from here, I can see it. Salt and pepper patterns have completely taken over this guy''s hair. The blackest motherfucker - and I mean this descriptively - I have ever seen in my life, including myself. Everything about this man screams ''motherfucker'' to me. I try to lean in a little further and catch a glimpse of the action, but just as I do, I accidentally jostle some kinda equipment next to me - I''m getting sloppy. The clang of metal on metal rings out, echoing in the sudden silence like a gunshot. Every head snaps in my direction, Mrs. Heartbeat and her goons, and especially Scary Motherfucker, eyeing the stack of containers I''m crouched behind with laser-focus intensity. Fuck. Fuck fuck fuck, I''ve really done it now, haven''t I? I freeze, my mind racing as I try to figure out my next move. I barely hear the crunching footsteps. Do I stay put and hope they write it off as a random noise? Do I make a break for it and pray I''m faster than their bullets? Shit, I don''t know. All I know is that my heart is pounding so hard it feels like it''s about to bust out of my chest, and my palms are slick with sweat despite the biting cold. By the time I peek back over, Scary Motherfucker is gone. I am immediately about to shit myself. A hand clamps down on my shoulder from behind, hard enough to bruise. Cold metal and plastic. I whirl around, ready to swing, ready to scream, but my voice dies in my throat. A gun barrel, pointed right between my eyes. And Sam''s half-remembered stories burn back to life in the back of my head, where all the fear lives. Mr. Nothing - Scary Motherfucker - smiles, a humorless thing that doesn''t reach his eyes. "Hello, kid," he says, his voice a low rumble. "I was wondering how long it would take your nosey ass to show up for this little shindig. I had a bet going with Mrs. Heartstop that we wouldn''t hear a peep out of you tonight." "Listen, man, I see something skeevy going down in my city, I investigate. You know how I do. How else a brother gonna make a living?" I ask. His grip tightens, making me wince. He''s a strong fucker. "By minding your own goddamn business, that''s how. You and your little band of toddlers really think you can go poking your noses into our affairs without consequence? That the rules don''t apply to you because you fancy yourselves some kinda heroes?" Mrs. Heartbeat steps forward, her eyes glinting coldly in the fading light. "I told you someone''d come," she says to Mr. Nothing, sounding almost bored. "One of the brat pack. Had to be the most annoying one." "You keep tabs on me? I''m almost honored," I snark. "Don''t get a big head. We keep tabs on the Delaware Valley Defenders. We occasionally notice the little snot-balls dangling by their ankles. You''re certainly no Bloodhound, that''s for sure," Mr. Nothing says, coughing phlegm out from his chest. "Which one are you again?" "The handsome one," I answer, face scrunched up. "We warned you to stay out of our business," Mr. Nothing says, his tone hardening. "We gave you every opportunity to walk away, to live and let live. But you just couldn''t take the hint, could you?" "Robbing the zoo ain''t exactly ''live and let live''," I snap, indignant. "Don''t act like you fucks are just in the business of minding your own." He laughs, a harsh barking sound that holds no mirth at all. "Oh, that''s rich coming from you. You ever stop to think about how many shipments you''ve disrupted, how many deals you kids''ve ruined with your meddling? How many operations are we gonna beat out of you before you learn to leave well enough alone?" "That''s your problem. I never learn," I crack. He cracks his neck, suddenly jerking it to the left with a loud snap, and then whipping it to the right with another, before letting it twist back to settle on me. "Now, I''m not usually in the business of icing children--" "Gross," His eyebrows lower just a shade. "But you make it awfully tempting. We''ve got you dead to rights. And you know how many of our fucking operations you kids have fucked up by us not just shooting you in the fucking face at the nearest fucking opportunity? This would be, like¡­ what¡­ six? Seven? You''ve all become a problem." DH.2.3 "Use your head, Nothing. You think someone wouldn''t notice a smoking crater where this kid''s head used to be when they dig the corpse up from the Delaware? If history''s taught us anything, this kid has, like, five more rugrats waiting for him to come home and knowing exactly where he went. We won''t have time to do anything crazy," Mrs. Heartbeat says, withdrawing one glove from her hands, revealing sharp, red nails. "Let''s just do this the easy way. I''ll turn his heart off, and when they find him, everyone will assume it''s hypothermia. How''s that sound?" Mr. Nothing stares at me. Well, I can feel his eyes, behind big black sunglasses, boring a hole in the back of my head. He sighs. "Every fucking time, we have them dead to rights. Dead to fuckin'' rights! And there''s some stupid reason why we can''t just ice them. You know what? Fuck that, I''ll deal with the consequences later." Click. "Down on your knees, and prepare to meet your maker." "That''s not a very nice thing for a Christian man to say," I comment, even as I''m getting down on my knees and very vividly preparing to meet my maker. How would Sam get out of this? How would Sam get out of this? I''m trying to make noises but nothing''s happening, and I know it''s because of Mr. Nothing. "Can you let go of my fucking shoulder, at least?" "You think I''m retarded?" He asks, grabbing me tighter. He presses the barrel of the gun against my head. Every single regret in my life flashes through at once. I''m sorry, Amelia. I''m sorry, Amira. Mom, Dad. Jason, Sam, the others. Akilah, too, you were too good for me. Not, like, in a romantic-- BANG! The bullet sails right through the edge of my face, ripping off a chunk of my upper ear and carving a gouge across the side of my hair like a bad haircut. I can now say with 100% certainty that I am not really "cool" with getting shot, FUCK, OW. I''m used to working deaf, though. I just have to push through the pain, Bloodhound style. No problem. Why''d he miss? It''s only when I get yanked to my feet and given a running start do I have the smallest little bit of an idea. I catch sight of Akilah darting around from container to container, so I sweep out through every gun I can think and I start eating noises. I always keep a couple of gunshot noises and firecrackers ready, so I play them right on Mr. Nothing''s sunglasses and Mrs. Heartbeat''s earrings, too, as close to their ears as I can get them. I won''t bother mentally transcribing all the sound effects, you get it, man. The world explodes into chaos as Akilah appears out of nowhere, strings of invisible force whipping out and snatching goons off their feet like rag dolls. I don''t know where the hell she came from, but in that moment, I''ve never been happier to see her scrawny ass. All around me, Kingdom flunkies are shouting and scrambling for their weapons as Akilah flings them aside with deft, practiced movements. It''s like watching a master puppeteer at work, bodies flying every which way with a mere twitch of her fingers. Behind the mask of confusion and rage, I see more than a few of them start to put two and two together, tracking her erratic motions with their guns. I can''t let that happen. I''ve already eaten a bunch of gunshot noises, I blast it right in the faces of the closest gunmen. They reel back, clutching at their ears and howling in pain at the sudden deafening boom. Perfect opening. Springing to my feet, I book it for the nearest container, ducking behind it just as the first shots start ringing out. Bullets ping off the metal all around me, kicking up sparks and shredding the powdery snow. One of them just barely clips me, ripping a cut in my clothes. Too fucking close. "What the fuck was that?!" I hear Mr. Nothing bellow over the cacophony. "Who''s shooting us?" I chance a peek out from behind my cover and see Akilah zipping around the edges of the yard, using the containers for cover as she disarms goons left and right. She moves with a fluid grace, every tug of her invisible strings precise and economical, betraying not an ounce of wasted energy. I know she can''t keep it up forever though, not at this pace. Sooner or later, she''s gonna slip up, and then what? I shake my head, clearing my thoughts. No time for doubt, not with this shitshow unfolding. Right now, all I can do is try to buy us some breathing room and get the hell out of this deathtrap. I focus my powers on a nearby snow plow, the roar of its engine loud even through the clamor of battle.Stolen story; please report. With a flex of will, I snatch the noise for myself, leaving the plow eerily silent as it chugs along. It''s a lot louder when it gets blasted back in Mrs. Heartbeat''s face, directly in her nostrils, making her recoil into the snow, her face clenching up tight like she just got pepper sprayed. Have you ever listened to a bass-heavy song super loud in the car? You ever notice how the kick drum makes your eyes twitch? It''s weird, isn''t it? I use the distraction to slip out from behind my makeshift barricade, keeping low and using the stacks of containers as cover. Akilah sees me moving and with a tug of her invisible strings, yanks a heavy equipment crate into the path of our pursuers. It buys us a few precious seconds as they scramble to get around the obstacle. We keep leapfrogging our way towards the nearest exit, me running interference with phantom sounds while she clears our path. Every gunshot that rings out is met with the deafening retort of another pistol, snatched from who-knows-where and blasted right back into their stunned faces. It''s disorienting even for me, all these layered noises crashing together into a discordant symphony of violence and chaos. I spot a gap in the fences up ahead and angle for it, Akilah hot on my heels. More gunfire rips through the air around us, punching fist-sized holes in the containers and kicking up fans of snow with each impact. One lucky shot grazes my side, sending a blinding starburst of agony ripping through my body. I stumble, nearly going down, but Akilah''s there in an instant. With a flick of her wrists, an entire stack of empty crates goes toppling over, forming an impromptu barrier between us and our pursuers. I gasp for breath, pressing a hand to the ragged tear in my coat. It comes away slick and crimson, the sudden shock of seeing my own blood making my head swim. "C''mon, D, we gotta move!" Akilah shouts, grabbing me by the arm and hauling me bodily towards the exit. I grit my teeth against the blinding pain and force myself to keep moving, one agonizing step after another. We spill out into the streets, the sounds of pursuit fading into the howling blizzard. Akilah ducks us into a nearby alley, sheltered from prying eyes, and I slump against the filthy brickwork with a groan. "Shit, you''re hit bad," she pants, her face a mask of concern as she examines the wound. "We gotta get you some help, man." I try to play it cool, flashing her my most charming grin despite the way my vision is starting to tunnel. "What, this? Nah, baby, it''s just a scratch. You shoulda seen me last Tuesday." She''s not buying it though. Quick as a flash, she shrugs out of her coat, sitting atop her winterized costume, and starts bunching it up, pressing the makeshift bandage tight against my side. Pain lances through me, white-hot and all-consuming, but I force it down with gritted teeth. "Don''t give me that tough guy bullshit," she snaps, her eyes glinting with a mixture of fear and fury. "I saw how much blood you''re losing. We need to get you somewhere safe, ASAP." I nod, already feeling my strength fading as the adrenaline rush ebbs away. "You''re right, you''re right. I know a place not far from here. Just¡­help me up, okay?" She loops one of my arms around her shoulders and together, we stumble out into the street. I do my best to guide us, snatching snatches of conversation and ambient noise to mask our passage. Every step is agony, the world tilting dangerously from side to side with each shallow breath. At one point, I trip over a loose chunk of ice and nearly faceplant right onto the sidewalk. Akilah hauls me up with a grunt, her face set in a grim line of determination as she adjusts her grip. "Come on, stay with me. We''re almost there." I want to make some wisecrack about how heavy I am, but my mouth can''t seem to form the words properly. Everything feels leaden, disconnected, like I''m suddenly operating on a delay. The blood loss must be catching up to me finally. Somehow, I manage to guide us deeper into the frozen maze of side streets and back alleys that make up this area of Tacony. We stick to the shadows as best we can, doing our level best to avoid any groups or wandering patrols. Not sure how successful we are ¨C it''s all kind of a blur at this point. And then, finally, like a desert mirage, the battered old facade of the Tacony Music Hall looms into view. I nearly pass out from sheer relief at the sight of it. We made it, somehow. Must have burned through all my nine lives getting here, but hey, at least it''s not a total wash. Akilah slams on the door - BANG BANG BANG! And a rush of voices comes down from Heaven to meet us, my head swimming in barely-there delirium. Akilah shoulders her way through the busted front doors, practically dragging me at this point. I catch glimpses of familiar sights ¨C the dusty lobby, the chipped tile floor, the dimly-lit halls branching off in every direction. There''s a time I used to know every nook and cranny of this place, but right now, it all seems like ancient history. Voices echo out to greet us, familiar and concerned. I see shapes moving towards us, hands reaching out to help support my dead weight. Sam''s face swims into focus for a heartbeat, her weird razor-sharp teeth gleaming in the half-light. She''s saying something, I think. Or maybe screaming it, I dunno. Everything''s starting to go fuzzy around the edges now. Something is going into my cuts, and it''s stinging like a motherfucker. The last thing I''m aware of is Akilah gently lowering me to the floor, her lips moving in frantic words that I can no longer make out. Shapes and colors bleed together, the noises around me quickly fading into an ominous, all-encompassing silence. Chapter 131.1 Devonte twitches and groans as we lay him haphazardly across a spare shitty twin bed, blood tracing lines down his flank onto the fabric as we do. I can smell the copper of it staining the air, and I can feel my heartrate rise to the occasion, swelling in my chest. It''s thick, life blood, from arteries and veins, not just capillaries. The deep crimson of it glows in my mind''s eye, outlining his entire vascular system, every inch and centimeter of it. "Akilah! Get over here!" I shout out, watching as he tries to curl up, clutching his side. He''s mumbling something, but I can''t make out the words. I don''t know what to do. I don''t know what to do! "Tasha! Get Tasha!" Her mom''s a nurse. She''ll know. "What happened?" Tasha asks, skidding on her heels as she flings herself into the common area with the rest of us. "Dumbass went off on his own and got himself shot while we were trying to figure out what the Kingdom was up to. You know. The usual," Akilah growls, her tone an even mixture of bitterness and barely hidden concern. Connor, Maggie, and Jordan hover nearby, their expressions a mix of worry and confusion. Derek''s already halfway out the door, muttering something about needing to get home before sundown. Nobody gives him guff about it, although I can see Akilah staring blankly at the back of his radioactively orange head. I don''t blame him - the last thing we need right now is a werewolf loose in the Music Hall on top of everything else. I''ve seen what he can do firsthand. "Sam, you''ve got blood sense. Tell me where he''s hit," Tasha commands, her voice steady despite the tremor in her hands as she starts ripping open gauze packets. "Akilah, you did first aid training too, right? With the Young Defenders? I need you on this with me." "On it," I say, moving to Devonte''s side and placing my hands on his chest. I let my eyes fall closed, focusing inward, feeling the flow of blood, visualizing it in the same part of my brain that processes space. What was it again? Proprioception? The splatters and droplets dance before my mind''s eye, each one a glowing ember in the darkness. I can see it now, clear as day. The grazing wound across his side, the thin, barely-there slice - no more than a papercut - carved into his scalp, the chunk torn out of his ear by a bullet that came far too close for comfort. "He''s got a gash in his side," I report, my voice sounding distant even to my own ears. "About a third to half an inch deep. Didn''t hit anything vital, I don''t think, but it''s bleeding a lot. And there''s damage to his ear too. Looks like it went right through the cartilage." "Holy shit. That was way too close," Tasha murmurs, her brow furrowing in concentration as she starts packing the abdominal wound with gauze. "Let''s hope his eardrum''s not ruptured. Keep an eye on that ear, okay? Check his hearing once he''s conscious again. For now, just focus on keeping him stable until the ambulance gets here." I nod, taking a deep breath to steady myself. The coppery scent of blood fills my nostrils, thick and cloying. It''s almost too much, the way it seems to coat the back of my throat with each inhalation, but I force myself to push through it. This isn''t about me right now. "Akilah, can you hold this in place while I check his other injuries?" She nods, her jaw set in a grim line as she takes over applying pressure to the abdominal wound. I turn my attention back to his ear, gently probing the ragged edges of the injury with a wince. The bullet carved a furrow right across the top of his ear, taking a not-insignificant chunk of flesh with it. Blood oozes from the wound steadily, trickling down the side of his neck and staining his shirt collar with each passing second. "There''s so much blood," Maggie whispers, hugging herself tightly like she''s trying to ward off a sudden chill. "He''s not... there''s just a lot of blood everywhere." She''s right. It''s not exactly a pool but it''s dripping from his wounds, every passing second, onto what I can only pray is one of the least comfy beds we have in this place. The more blood outside his body the less is inside. Stupid. Stupid! "Head wounds bleed a lot, Maggie," I say, trying to sound reassuring even as my own heart races in my chest. "It looks way worse than it is, I promise. He''s gonna be okay." He has to be. He *has* to be, you hear me, G-d? "What about his hearing?" Connor asks softly, gnawing on his lower lip with worry. "That''s gotta be really fucked up from having a gun go off that close to his ear, right?" Akilah shakes her head, her eyes never leaving Devonte''s face as she keeps steady pressure on his side. "We won''t know for sure until he wakes up. But yeah, it''s definitely a possibility. Gunshots are loud as hell, and that was point blank range. Even if his eardrum''s intact, he''s probably got some serious hearing damage." I run through a list of possible symptoms in my head, trying to remember everything I learned from Gossamer as she passed down her first aid knowledge to me. No, fuck, focus, Sam! Tinnitus, vertigo, pain, bleeding from the ear canal. All signs of potential inner ear trauma. We''ll need to keep a close eye on him for any of those once he regains consciousness. "Alright, this wound''s as packed as it''s gonna get," Tasha announces, sitting back on her heels with a sigh. "Let''s get him into a more comfortable position and elevate his feet. Gotta keep that blood flowing to his brain." Together, we maneuver Devonte into the recovery position, careful not to jostle him too much in the process. Akilah slides a pillow under his head while I grab a spare blanket to drape over him, trying to stave off the beginnings of shock. His skin feels clammy to the touch, his breathing shallow and rapid. Not good signs, but not unexpected either, considering the trauma he just went through.Stolen from its original source, this story is not meant to be on Amazon; report any sightings. Maggie hovers nearby, chewing on her thumbnail as she watches us work. "Should we, like... call his mom or something? Let her know what happened?" Akilah grimaces. "No. That''s not a good idea. Devonte and his parents are not exactly on great terms, and his dad would probably consider him getting shot a sign of weakness. Definitely not a good idea now, maybe later," she says. In my head, though, I''m thinking that Maggie''s not exactly wrong either. She deserves to know her son''s hurt, even if we can''t give her all the gory details. "Let''s wait until he''s on his way to the hospital," I suggest, trying to find a middle ground. "We can have Connor call her from the road, give her a heads up so she can meet us there." Maggie opens her mouth like she wants to argue, but Akilah cuts her off with a sharp shake of her head. "Sam''s right. His mom''s gonna freak out no matter what, but at least this way, she won''t be getting in the way of the paramedics. Trust me." Maggie doesn''t look entirely convinced, but she nods anyway, settling back against the wall with her arms crossed tightly over her chest. I can practically see the gears turning in her head, trying to process everything that''s happened in the last...god, has it really only been like ten minutes since Devonte basically fell through our front door? Feels like a fucking lifetime. "Jordan, call 911," I say, almost absentmindedly. "Been on the phone with them for the past seven minutes, girl," Jordan calls back from the other room. "Should we be stitching him up?" Akilah asks, mostly to me, but a little bit to Tasha, too. "Is he dying? How panicked should I be?" She sounds almost eerily calm. I don''t need to close my eyes to see. It''s still stuck where it should be, somewhere above my eyes and a little backwards, behind my field of vision, sort of like it''s getting projected backwards. His heart is still beating and his blood is still moving around. Small clots are forming and collecting, slowly glomming together into bigger clots. "His blood flow is steady," I report after a moment, my brow furrowing in concentration. "Not as strong as it should be, but not getting any weaker either. I think the pressure we''re putting on the wounds is helping a lot." Tasha shakes her head. "No stitching. Just keep it compressed. Normally we should''ve cleaned the wound out too, but I think we''re all a little panicked. If there''s any saline in that first aid kit, let''s get him a little clean, and then put some fresh clean gauze in and keep his feet elevated. Ambulance should be here any time soon," Tasha explains, glancing towards me. "Right, Jordan?" "Yeah, they said ETA is 15 minutes," Jordan confirms with a nod. "Sam said it was like a third or half inch deep - not too bad, but they definitely need to get him to a hospital. Stop that bleeding for real." I nod absently, my attention still focused on the invisible web of arteries and veins weaving through Devonte''s body. As long as that network keeps intact and the blood keeps flowing, he should be okay. "We got this. He''s gonna be alright." The minutes drag by in tense silence, broken only by the occasional murmur or groan from Devonte as we work to keep him stable. My hearing is laser-focused, straining for any sign of the ambulance''s arrival over the howling winds outside. Part of me can''t help but wonder how it all went so wrong so fast. Was he following up on a lead? Investigating the Kingdom''s activities all alone? It wouldn''t be the first time he did something stupid like this. Still, this is a new level, even for him. Getting *shot*? What the hell was he thinking, stirring up that kind of heat? The sharp squeal of tires on pavement snaps me out of my thoughts. I whip my head around just in time to see the distinctive red-and-white blur of an ambulance pull up to the curb outside. About damn time! "They''re here!" I shout over my shoulder. "Someone go let them in!" Connor is already moving, fumbling with the locks as he rushes to throw open the front doors. A pair of EMTs burst through, their faces grim and professional as they take in the scene before them. One of them, a woman in her thirties or so, starts barking out rapid-fire questions as she sets her kit down beside Devonte''s prone form. "What happened here? How long has he been unconscious? Any allergies or medical conditions we should know about?" Her eyes flick over to the ragged gash in his side and she curses under her breath. "Jesus, what happened?" "Gunshot wound," Akilah reports stoically, not even bothering to sugarcoat it. "He got shot around twenty minutes ago by some drive by fuckers. Lost consciousness shortly after." The paramedic''s eyes narrow, clearly picking up on the implication that this wasn''t exactly an above-board situation, but she doesn''t press the issue. She''s a professional ¨C this probably isn''t the first shady injury she''s dealt with working in Philly. "Any other injuries we need to be aware of?" she asks instead, already starting to cut away Devonte''s shirt to fully expose the extent of the damage beneath. "Grazing head wound too," I chime in, keeping my voice as level as I can manage despite the anxious flutter in my chest. "Took a chunk out of his ear and might''ve ruptured his eardrum. Potentially some hearing damage as a result." The second EMT, a thickset Black guy who looks like he could probably bench-press a truck, winces in sympathy. "Damn, kid had himself a night, huh? Alright, we''d better get him loaded up and to the ER stat. Could be some inner ear trauma or skull fractures underlying all this." I nod mutely, fighting the urge to bite my lip as they transfer Devonte''s dead weight onto a gurney with practiced efficiency. The logical part of my brain knows they''re the professionals and he''s in good hands now. But a smaller, more primal part of me can''t help but instinctively recoil from handing over someone under my care, however briefly. Still, I force the feeling down with a tight swallow. "I''ll go with him," Tasha volunteers, already slipping into a jacket a little too big for her frame. Her voice is steady, focused. I have no doubts she''d make a hell of a first responder or nurse herself one day. "You guys hold down the fort here. Let the DVDs know what''s up, if you can." Connor nods. "Yeah, I''ll tag along too. Get him checked in at the hospital and all that." He pauses, his expression twisting with uncertainty. "Christ, how are we gonna explain all this?" "Leave that part to me," Akilah says with a humorless snort as the paramedics wheel Devonte towards the exit. And just like that, he''s gone, disappearing into the night amidst a swirl of flashing lights and howling wind. Shit. Chapter 131.2 An uncomfortable silence settles over the rest of us, broken only by the creak of the Music Hall''s ancient bones as the blizzard rages on outside. Nobody seems to know what to say or do next. We just kind of stand there, staring at the space Devonte''s gurney occupied mere seconds ago, the dark stain of his blood leaving an ominous imprint in the faded carpet. "So, now that the immediate crisis is over - what the fuck was that about?" I ask Akilah, trying not to sound angry at her. "Did he at least get shot for a good reason?" She stares at the bloody bed, and then sits down on the floor. "The Kingdom is going to heist a bunch of fucking rhinoceroses from the zoo." "What?" Jordan asks, while my mind immediately snaps back to the map in the nightclub I infiltrated. So that''s why the zoo was circled¡­ Wait, rhinos? What? "Devonte filled me in on what he had recorded while I was trying to keep him from passing out on the way here. ''Operation Ivory''. Fucking¡­ Rhino poaching, to sell them! Mr. Nothing and Mrs. Heartbeat were really whipping the goons''s ass about it, too," Akilah says, shaking her head. "What a stupid fucking plan." "It''s not so stupid," I muse, partially to myself. "Mrs. Xenograft can mix animals together, that''s her thing. I think they''re probably going to try and make Rhino-something hybrids. That''s my best guess." "That''s stupid," Jordan says, in the same tone of voice as Akilah. "Why would you possibly do that? What good reason is there to steal a rhino and make it into a monster?" "Why is pretty easy, Jordan¡­" I say, slumping down onto the floor next to Akilah, leaning my head back to rest against the bedframe. I close my eyes, every nanosecond of exhaustion in the previous fifteen minutes catching up to me. "Because they can. Because it''s mean. Because they want to hurt people. What''s hard is how. How the fuck would you even get one out? Those things are fucking huge." "It''s a good thing Devonte didn''t get killed over that secret if it''s that fucking dumb," Maggie says, folding her arms across her chest with a wince. She''s trying to look tough, but the way her voice trembles ever so slightly gives her away. I can practically feel the fear rolling off of her in waves. "I''m gonna get a headache if I keep thinking about this," I admit, pressing the heels of my palms against my eyes until I see stars. "Let''s just¡­ Clean up and regroup tomorrow, okay? When everyone''s had a chance to sleep on it." It''s a shitty plan and I know it. But right now, with Devonte''s blood still staining my hands and my voice going hoarse, it''s the best I''ve got. We''re all exhausted and traumatized and one wrong word away from snapping at each other like wounded animals. Akilah sighs heavily, pushing herself to her feet with a soft grunt. "Yeah. Yeah, you''re right. No use beating ourselves up over this now. Let''s just get this mess cleaned up and try to catch some Z''s." Nobody argues with that. We set about mopping up the blood (can''t leave biohazards laying around, after all) and stripping the bed in grim, mechanical silence. I focus on the task at hand, desperately trying not to think about how close we came to losing one of our own tonight. And all because he went off half-cocked without backup and got his dumb ass shot! It''s hard to stay mad when you''re scared, though. Trust me, I would know. Maggie tosses the bloodied sheets into a garbage bag with more force than strictly necessary, her jaw clenched so tight I can practically hear her teeth grinding. "This is so fucked up," she mutters, mostly to herself. "Shit like this shouldn''t be happening to kids like us." "No, it shouldn''t," Jordan agrees softly as they finish wiping down the now-bare mattress with bleach. "But that''s the life we chose, isn''t it? When we put on the helmet and decided to make a difference."This novel is published on a different platform. Support the original author by finding the official source. "Some difference," Akilah snorts bitterly. "Feel like all we do is get our asses kicked and watch our friends get shot these days." I don''t have a good response to that. I wish I did, but the truth is, she''s not wrong. It feels like we''re fighting an uphill battle every single day, and for what? Why do they need to put kids in the firing line? Well¡­ who''s "they"? Why do we feel the need to put ourselves in the firing line. Aren''t there adults to do this? What happened to relying on them? But then I think about all the people we''ve helped. The lives we''ve saved, the criminals we''ve stopped. The little old lady who thanked us for getting her cat out of a tree just last week. And I know, deep down in my bones, that it''s worth it. It has to be. I don''t know what I''d do with myself if it wasn''t. So I take a deep breath and square my shoulders, meeting Akilah''s gaze with a determined set to my jaw. "We bother because somebody has to," I say quietly, but firmly. "Because if we don''t stand up to assholes like the Kingdom, who will? The DVDs can''t be everywhere at once. And the cops sure as hell aren''t gonna do it. Patriot''s not gonna do it. Nobody''s seen him in a month anyway. Everyone''s got their hands full." "Sam''s right," Maggie chimes in, sounding a bit more like her usual self as she ties off the garbage bag with a resolute yank. "This city needs helpers. Maybe now more than ever. We can''t just give up because it''s hard or scary." Jordan raises an eyebrow at her, a faint smirk playing at the corners of their mouth. "Easy for you to say, you haven''t been in a fight yet." Maggie flips them the bird with a playful grin. The tension in the room breaks like a popped balloon, all of us dissolving into much-needed (if slightly hysterical) laughter. It feels good to remember that we''re still just dumb kids at the end of the day, superpowers or no. "Alright, alright," Akilah says after a moment, wiping at her eyes as she tries to catch her breath. "Let''s finish up here and hit the hay. We can regroup in the morning and figure out our next move then." I nod, feeling the exhaustion from earlier settling into my bones like wet concrete. Now that the adrenaline''s wearing off, all I want to do is curl up in a blanket pile and sleep for a week. But first things first. We finish cleaning up in record time, all of us moving with a newfound sense of purpose now that we have a plan. Maggie tosses the last of the soiled linens into the laundry pile as I give the room a final onceover for any missed spots. Satisfied that we''ve done all we can for now, we start filing out one by one, murmuring goodnights and promising to touch base first thing tomorrow. Jordan pauses at the threshold to the upstairs bedrooms, looking back at me with an unreadable expression. "You good, Sam?" they ask softly, their eyes searching my face for any sign of hidden distress. "I know tonight was¡­a lot." I take a deep breath and let it out slowly, trying to center myself the way Gossamer taught me after our first big throwdown with the Philly Phreaks. "Yeah. Yeah, I''m good," I say after a moment, and I''m surprised to find that I actually mean it. "I mean, I''m fucking exhausted and still kind of freaked out, but¡­I''ll be okay. We all will." They nod, seeming to accept that answer as they turn to go. "Get some rest, shark girl. We''ve got a long day ahead of us tomorrow." "You too, void gremlin," I shoot back with a tired grin. "Don''t let the existential dread bite." They flip me off over their shoulder as they disappear down the hall, but I can hear the smile in their voice as they call back, "No promises!" And then it''s just me and Akilah left in the common room, the silence settling over us like a weighted blanket. I turn to her, ready to tell her she did good tonight (and also maybe yell at her a little for not calling us sooner), but the words die in my throat when I see the look on her face. She''s staring at the spot where Devonte''s bed used to be, this horrible blankness in her eyes that I''ve only ever seen once before - when she told us she was stepping down as leader of the Young Defenders. "Akilah¡­" I start, hating how small my voice sounds in the cavernous space. "You okay?" But even as I say it, I know how foolish it sounds. How can any of us be okay right now? But I have to try, if only because everyone else is losing their minds too. She blinks, slowly, like she''s coming out of a dream. Or maybe a waking nightmare. "No," she says simply. Akilah quirks a tired half-smile at that, something almost nostalgic in the curve of her lips. Maybe she''s remembering her own first night out on the streets, scared shitless but determined to make a difference. I know I think a lot about my first few days, every time something bad happens. I don''t say that to her, though. I think she gets it without me having to. Chapter 131.3 "Rhinos?" Fury Forge asks, her brow furrowing in a mix of confusion and disbelief. "You''ve gotta be shitting me. What the hell would they want with zoo animals?" We''re gathered in Devonte''s hospital room, a motley crew of heroes and vigilantes all crammed into the too-small space. The fluorescent lights flicker overhead, casting harsh shadows across everyone''s faces as we try to make sense of the intel Devonte nearly died for. Multiplex leans against the wall, his arms crossed tightly over his chest as he surveys the room with a calculating gaze. I can practically see the gears turning in his head, trying to figure out the Kingdom''s angle. "It doesn''t make any sense," he mutters, mostly to himself. "Why go through all the trouble of stealing endangered animals? What''s the endgame?" "Mrs. Xenograft," I say quietly, drawing everyone''s attention to me. "She''s got the power to splice animals together, remember? Create hybrids and chimeras. I bet you anything they''re planning on using the rhinos as raw material for some kind of fucked up experiment." Sundial''s eyes widen in horror, her hand coming up to cover her mouth. "Oh my god. That''s¡­that''s monstrous. We can''t let them get away with this!" "And we won''t," Multiplex says firmly, his jaw set in determination. "But we need to be smart about this. The Kingdom''s not going to make a move like this without heavy security and contingency plans out the wazoo. Then, there''s transport. I wouldn''t be surprised if this was a real operation. We''ll need all hands on deck if we want to stop them." Devonte shifts in his hospital bed, wincing as the movement jostles his injured side. He''s been unusually quiet throughout the whole discussion, his gaze distant and unfocused. I can''t even imagine what must be going through his head right now - the pain, the trauma, the fear of losing his powers forever. He clears his throat, drawing everyone''s attention to him. "I want in," he says hoarsely, his voice still rough from disuse. "This is personal now. They shot me, they fucked up my ear¡­ I''m not gonna sit on the sidelines while they play Dr. Moreau with innocent animals." Fury Forge shakes her head, her expression softening with sympathy. "Kid, you''re in no shape to be running around playing hero right now. You need to focus on healing up and getting your strength back." "Fuck that," Devonte spits, his eyes flashing with anger. "I''m not some helpless child who needs to be coddled and protected. I knew the risks when I signed up for this life, same as all of you." Multiplex pinches the bridge of his nose, looking like he''d rather be anywhere else but here. "Playback, I understand your frustration, but Fury Forge is right. You''re benched until further notice. End of discussion." Devonte opens his mouth to argue - that he''s not under Multiplex''s jurisdiction anymore, that he''s not a Young Defender - but Akilah cuts him off with a sharp look. "Dev, please. Don''t make this harder than it needs to be. We''re all just trying to look out for you." He deflates at that, slumping back against his pillows with a defeated sigh. "Fine. Whatever. But I''m not happy about it." "Noted," Multiplex says dryly before turning his attention back to the rest of us. "Bianca, you know some of the zookeepers, right? I want you to reach out and rope them in. Zoo security, too. They deserve to know what''s coming." Fury Forge nods, already pulling out her phone to start making calls. "On it, boss." "Moonshot, Compass and I will reach out. We''re not the only street team in the city. If this is going to be a real siege, I imagine you big guys are going to need all the help you can get," Sundial says, brushing hair out of her face. "Even if some of them are unlicensed." "I can''t officially condone that," Multiplex says, letting the end of his sentence go unspoken. The unfinished but. Multiplex''s gaze lands on me, his expression hardening. "Sam, I know you and your little group are going to want to get involved in this, but I''m telling you right now - stay out of it. Leave this to the professionals." I bristle at his tone, my hackles rising in defiance. "With all due respect, sir, we''re just as much a part of this city''s defense as you are. We have every right to-" "No, you don''t," he cuts me off, his voice brooking no argument. "You''re children, Sam. Untrained, barely-licensed children who have done so much - too much - for this city, and who have no business getting mixed up in something this dangerous. No more. I''m putting a stop to it now." I open my mouth to argue, but the look in his eyes stops me cold. There''s a raw, haunted pain there, lurking just beneath the surface of his stern facade. I realize with a start that he''s not just being a hardass - he genuinely cares about us, in his own gruff way. The thought of one of us getting hurt again is tearing him up inside. "Okay," I say softly, swallowing my pride. "We''ll stand down. But if you need us, we''ll be ready." He nods, some of the tension easing from his shoulders. "Good. Let''s hope it doesn''t come to that."Love this novel? Read it on Royal Road to ensure the author gets credit. With that, the meeting starts to break up, everyone going their separate ways to start preparing for the coming battle. Sundial and Sandman slip out first, already murmuring to each other about patrol schedules and equipment needs. Fury Forge lingers for a moment, her hand resting on Devonte''s shoulder in a comforting gesture. "Hang in there, kid," she says gruffly, her voice thick with emotion. "We''ll get you fixed up with the best implants money can buy, I promise. You''ll be back out there kicking ass in no time." Devonte musters up a weak smile, reaching up to squeeze her hand. "Thanks, FF. I appreciate it. And I''m sorry for snapping earlier. I''m just¡­frustrated, you know?" "I know," she says softly, her eyes shining with understanding. "Believe me, I''ve been there. But trust me when I say that trying to push yourself too hard too fast will only make things worse in the long run. You''ve gotta give yourself time to heal, both physically and mentally." He nods, swallowing hard as he looks away. When he speaks, his voice is overloud, as if he''s not used to hearing it anymore. Like he''s struggling to compensate - he''s yelling, even as he''s speaking. "Yeah. I''m starting to get that." Fury Forge gives his shoulder one last comforting pat before heading for the door, pausing only to give me a pointed look. "Remember what Multiplex said, Sam. No heroics. Leave this one to us." "Yes, ma''am," I lie, trying not to let my irritation show. She quirks a smile, like she knows exactly what I''m thinking, but doesn''t call me on it as she slips out into the hallway. And then it''s just me, Akilah, and Devonte left in the too-quiet room, the beeping of his heart monitor the only sound breaking the heavy silence. I sink into the chair beside his bed, suddenly feeling bone-tired and about a hundred years old. It''s been a hell of a night. Akilah clears her throat, her gaze darting between the two of us like she''s not sure who to comfort first. "I should go check on the others," she says after a moment, her voice strained. "Make sure everyone''s holding up okay." I nod, mustering up a tired smile. "Yeah, good idea. I''ll stay here with Devonte for a bit, keep him company." She hesitates, looking like she wants to argue, but thinks better of it. "Alright. I''ll be back in the morning to relieve you. Try to get some rest in the meantime, yeah?" "No promises," I joke weakly, earning a small huff of laughter in return. It''s not much, but it''s something. A reminder that even in the darkest of times, there''s still room for a little light. Akilah slips out with one last backwards glance, leaving Devonte and I alone in the oppressive quiet. He stares down at his hands, picking at the IV taped to the back of his wrist with a distant expression. "You don''t have to babysit me, you know," he says after a long moment, his voice almost too soft to hear. "I''m not going to do anything stupid like try to escape out the window." I snort, shaking my head fondly. "I know that, dummy. I''m here because I want to be. Because you''re my friend and I care about you." He looks up at that, his eyes searching my face for any hint of pity or deception. Finding none, he relaxes slightly, some of the tension easing from his shoulders. "Yeah, well. Thanks. For being here. It means a lot." "Anytime," I say softly, reaching out to take his hand in mine. His fingers are cold, the skin dry and papery from the hospital air. But they tighten around mine all the same, clinging to the offered comfort like a lifeline. We sit like that for a long time, neither of us saying a word as the night ticks on around us. There''s a strange sort of peace in the stillness, a sense of being suspended in time, just for a little while. No kingdoms or conspiracies or life-or-death battles looming on the horizon - just two friends, holding onto each other in the darkness. Eventually, Devonte breaks the silence, his voice thoughtful. "You''re not really going to stay out of it, are you?" It''s not a question. I sigh, running my free hand through my tangled, short curls. "What do you think?" He nods, a rueful smile tugging at his lips. "Yeah." "Guess we have that in common," I shoot back, quirking a brow. He laughs at that, the sound rusty from disuse but genuine all the same. "Fair enough," he says, and I can almost hear the understated, subtextual "promise me you''ll be careful" that everyone LOVES telling me. But then it never comes out. "I can''t promise anything," I say, like he said it anyway. "Good," he says, grinning. "And I bet you''re too stubborn to let something like a blown ear keep you out for long, right?" I ask, more for my own sake than for his. His smile fades at that, a shadow passing over his face. "I don''t know, Sam," he says quietly, his voice heavy with doubt. "Maybe. My left ear is gone if I can''t get an implant. Everything''s real stuffy in the right one. It''s not looking great." I frown, tightening my grip on his hand. "Hey, none of that. You''re one of the strongest, bravest people I know, Devonte. A true hero, through and through. This setback doesn''t change that." "Doesn''t it, though?" he asks, trying to put on a brave face, unable to hide a bitter texture to his voice. "What good is a hero who can''t even hear his own theme music?" My heart breaks for him in that moment, seeing the despair and self-loathing etched into every line of his face. I wish I had the words to make it all better, to erase the pain and uncertainty twisting like a knife in his gut. But I know from experience that platitudes and empty reassurances will only make it worse. So instead, I scoot my chair closer to the bed and wrap my arms around him as best I can, mindful of his injuries. He stiffens for a moment, caught off guard by the sudden contact, but then melts into the embrace, his head coming to rest on my shoulder as he shudders out a shaky breath. "You''re more than your powers, Dev," I murmur into his hair, my own voice thick with emotion. "You''re smart and funny and brave and kind. You''re a brother to me, to all of us. And nothing, not even this, will ever change that." He doesn''t say anything, but I feel his arms tighten around me in silent gratitude. He doesn''t cry, although I wish he would. We stay like that for a long time, just holding each other as the night ticks on, with the steady beep of the monitor in the background. Eventually, his breathing evens out and his grip on me slackens as exhaustion pulls him under, the toll of the day''s events finally catching up to him. I ease him back onto the pillows, careful not to jostle him too much, and tuck the thin hospital blanket around his shoulders. He looks so young like this, his face slack and unguarded in sleep, the lines of pain and worry smoothed away. It hits me then, just how much he''s been through, how much we''ve all been through, in such a short time. He''s barely older than me. I settle back into my chair, propping my feet up on the edge of the bed as I get as comfortable as I can in the cramped space. The fluorescent lights flicker overhead, casting strange shadows on the walls, but I barely notice, my gaze fixed on Devonte''s sleeping face. "I''ve got you," I whisper, more to myself than to him. MR.2.1 The rain-slicked streets of Manhattan gleam beneath the yellow glow of streetlamps as my town car glides to a stop in front of Nobu Fifty Seven. I take a deep breath, centering myself before stepping out onto the sidewalk. The valet, a young man with carefully styled hair and an immaculate uniform, greets me with a respectful nod. "Good evening, Councilwoman Richardson," he says, his tone perfectly modulated to convey both deference and warmth. I smile, handing him the keys with a generous tip. "Evening, Charlie," I reply, pleased that I remembered his name from my last visit. It''s the little things that build loyalty, after all. As I walk towards the entrance, I can''t help but marvel at how far I''ve come. From the streets of West Philly to the halls of power in both the legitimate and shadow worlds. The irony isn''t lost on me ¨C I once swore to protect this country, and now I''m one of the very people I used to fight against. But the world isn''t as black and white as I once believed, and sometimes you have to work within the system to change it. The ma?tre d'' greets me warmly, leading me to a private room in the back of the restaurant. The space is a study in understated luxury ¨C soft lighting, plush seating, and exquisite artwork adorning the walls. But what catches my eye is the state-of-the-art security system discreetly integrated into the room''s design. Cameras with a 360-degree view, signal jammers, and what I suspect is a white noise generator to prevent eavesdropping. Upper Management doesn''t leave anything to chance. As I settle into my seat, I can''t help but think about the last time I was in New York, a quarter ago. It''ll be nice to report back. It''ll be annoying to see Ophelia. The door opens, and she saunters in as if summoned by my thoughts, her presence immediately filling the room. She''s dressed to the nines in a sleek blue dress that hugs her curves, her Jessica Rabbit-red hair looking like a blood-soaked halo around her pale skin and narrow, almond-shaped eyes. So clearly dyed. "Maya, darling," she purrs, air-kissing my cheeks. "So good to see you. Love the suit ¨C Armani?" I nod, forcing a smile. "Good eye, Ophelia. You''re looking well yourself." She preens under the compliment, settling into the seat across from me. There''s a tension between us, an undercurrent of rivalry that we both pretend doesn''t exist. Ophelia may be Upper Management''s right-hand girl, but I know who''s been here longer. She lucked into a nice position. I''ve got real experience. They''ll be renaming me "Mrs. Barometer" any day now, as soon as she crashes and burns. Wesley and Jacob arrive next, engaged in a heated discussion about the latest advancements in quantum computing. "I''m telling you," Wesley says, his voice low and intense, "the implications for our encryption protocols are staggering. We need to start preparing now, or we''ll be left in the dust." Jacob nods, his fingers absently tracing the outline of a fidget toy - probably a padlock - in his pocket. "Agreed. But the cost of implementation¡­" They trail off as they notice Ophelia and me, offering quick greetings before taking their seats. I can''t help but admire their focus ¨C even in social situations, they''re always thinking about the bigger picture, always planning three steps ahead. Nolan is the last to arrive, his usual swagger tempered by a hint of nervousness. He''s been on edge ever since that run-in with his own Toddler Squad last month ¨C a close call that could have exposed our operations in Baltimore. "Sorry I''m late," he says, sliding into the remaining seat. "Traffic was a bitch." Ophelia rolls her eyes, but I give him a reassuring smile. We''ve all had our close calls, our moments of doubt. What matters is how we bounce back. "No worries, Nolan," I say. "We were just getting started." He visibly relaxes, reaching for the sake bottle in the center of the table. As he pours himself a generous cup, I can''t help but notice the slight tremor in his hand. We''ll need to keep an eye on him, make sure he doesn''t crack under the pressure. As we wait for Upper Management to join us virtually, the conversation drifts to more mundane topics. Ophelia complains about the latest modern art exhibit at the MoMA, dismissing it as "pretentious drivel masquerading as profundity." Wesley chimes in with a surprisingly insightful analysis of the artist''s use of negative space, and soon they''re engaged in a spirited debate about the merits of contemporary art, and the needs of the art market. Jacob, meanwhile, is regaling Nolan with the tale of his latest conquest ¨C a redheaded bombshell he met at a speakeasy in Boston. "I''m telling you, man," he says, a grin spreading across his face, "she was something else. Legs for days and a mind like a steel trap. Turns out she''s some hotshot lawyer working for the DA''s office." Nolan whistles appreciatively, but I can see the wheels turning in his head, calculating the potential risks and rewards of such a liaison. I listen to their chatter with half an ear, my mind already racing ahead to the meeting to come. The Rogue Wave situation is spiraling out of control, and we need to come up with a plan to deal with it ¨C fast. And then there''s the issue of these kid heroes popping up all over the place, complicating our operations and stirring up public sentiment against us. Not to mention the constant juggling act of maintaining my public persona as a crusading city councilwoman while secretly running as the consigliere of one of the most powerful criminal organizations on the East Coast. I take a sip of my water, wishing it were something stronger. It''s going to be a long night.The narrative has been illicitly obtained; should you discover it on Amazon, report the violation. "So, Maya," Ophelia says, her voice cutting through my thoughts. "I heard you had a little run-in with some overzealous fans the other day. Care to share with the class?" I suppress a sigh, knowing exactly what she''s referring to. Last week, a group of environmental activists had ambushed me outside City Hall, demanding I take a stronger stance on climate change. It had taken all my self-control not to use my powers to blow them halfway across the city. "Just some concerned citizens exercising their First Amendment rights," I say smoothly. "Nothing I couldn''t handle." Ophelia''s eyes narrow, sensing there''s more to the story. "And I suppose the sudden gust of wind that scattered their protest signs was just a fortunate coincidence?" I shrug, neither confirming nor denying. "You know how unpredictable the weather can be in Philly. And you know how big the penalties for weather manipulation are." The others chuckle at our exchange, but I can see the calculation in their eyes. They''re always watching, always assessing, looking for any sign of weakness or vulnerability. It''s exhausting sometimes, this constant game of chess we play with each other. But it''s also exhilarating, a test of wit and will that keeps me sharp. I wouldn''t have it any other way. As the waiter enters with our first course ¨C an exquisite arrangement of sashimi and nigiri ¨C I settle back in my chair, ready for the games to begin. As we dig into the sashimi, the conversation turns to more personal matters. Nolan regales us with tales of his latest theatrical endeavor ¨C a community production of "Waiting for Godot" that he''s directing in his spare time. "It''s been a real challenge," he admits, gesturing with his chopsticks. "Getting amateur actors to understand the nuances of Beckett''s existentialist themes¡­ it''s like pulling teeth sometimes." Ophelia snorts delicately. "Darling, if you wanted to explore the futility of human existence, you could have just attended one of our budget meetings." This elicits a round of laughter from the group, even Jacob cracking a smile, fake as it might be. Wesley, who''s been quietly observing the exchange, leans forward. "Speaking of community involvement," he says, his voice low and measured, "I''ve been thinking about expanding our youth outreach programs in Boston." I raise an eyebrow, intrigued. Wesley''s always been the most civic-minded of our group, constantly looking for ways to build goodwill in the communities we operate in. It''s a strategy that''s paid off more than once, giving us a buffer of public support that''s proven invaluable during crackdowns. Who wants to snitch on the guy that owns the community center? "What did you have in mind?" I ask, genuinely curious. Wesley''s eyes light up, and he launches into an explanation of his plans for after-school coding programs and mentorship initiatives. As Wesley talks, I can''t help but marvel at the contradiction of it all. Here we are, some of the most dangerous criminals on the East Coast, casually discussing community service between bites of otoro. It''s a reminder of the complex web we weave, the delicate balance between our public and private lives. I glance around the table, taking in the faces of my colleagues ¨C my friends, if I''m being honest, except for Ophelia, who could get hit by a car on the way out and leave me all the happier for it. The waiter returns, clearing away our empty plates and replacing them with steaming bowls of miso soup. The rich, savory aroma fills the air, momentarily silencing our conversation as we savor the first sips. It''s Ophelia who breaks the comfortable silence, her voice taking on a more serious tone. "Have any of you been keeping up with the situation in Chicago?" she asks, her eyes scanning our faces. I feel a flicker of concern ¨C Chicago''s been a powder keg lately, with tensions between the old guard and the new players reaching a boiling point. "Last I heard, the Outfit was making moves to consolidate their power," Jacob says, his brow furrowed. "But there were rumors of some new player entering the scene, stirring things up." Ophelia nods, a grim smile playing at the corners of her mouth. "Those rumors are true," she confirms. "I got word from one of my contacts out there. Apparently, there''s a new crew calling themselves the ''Windy City Wreckers'' ¨C real original, I know." She pauses, taking a sip of her sake before continuing. "They''ve been hitting Outfit operations hard, disrupting supply lines, turning lieutenants. And get this ¨C word on the street is they''ve got some serious firepower backing them up. Military-grade stuff." A ripple of unease passes through the group. We all know what that could mean ¨C government involvement, or worse, some rogue agency looking to carve out their own piece of the pie. "Any connection to them?" Wesley asks, pinching the bridge of his nose, adjusting his sunglasses. "No," Ophelia says, and that''s that. Nobody''s been able to get into contact with them since the coup in Afghanistan. And it''s annoying, because I''d really like a refund on Deathgirl now that she''s stuck in the world''s most secure prison." "Have we confirmed any of this?" I ask, my mind already racing with the potential implications for our own operations. If this new player is as well-connected as Ophelia suggests, it could send ripples across the northern markets. Potentially bad for business. Ophelia shakes her head. "Not yet. My contact''s digging deeper, but it''s slow going. The Wreckers are keeping a tight lid on things." I nod, making a mental note to reach out to some of my own sources. We can''t afford to be blindsided by this, not with everything else we''re dealing with. "Keep me posted," I tell Ophelia. "If this spreads beyond Chicago, we need to be prepared." The mood at the table has shifted, the earlier levity replaced by a tense focus. We''ve all seen what happens when new players try to muscle in on established territory ¨C it never ends well, and the collateral damage can be catastrophic. As the main course arrives ¨C a stunning array of sushi rolls and grilled seafood ¨C the conversation naturally shifts to lighter topics. Nolan, his earlier nervousness seeming to have dissipated, launches into a hilarious story about a recent mishap during one of his heists. "So there I am, right?" he says, gesturing expansively with his chopsticks, "hanging upside down from this ventilation shaft, trying to bypass the laser grid, when suddenly ¨C" He''s interrupted by a sneeze, sending a small glob of wasabi flying across the table. It lands with pinpoint accuracy on Jacob''s sleeve, causing the usually stoic man to yelp in surprise. For a moment, we all freeze, the absurdity of the situation sinking in. Then, as one, we burst into laughter. For a group of murderous gangsters, it all sounds surprisingly genuine. Even I believe it, for a moment. MR.2.2 As if on cue, the speakerphone at the head of the table crackles to life. The laughter dies down immediately, replaced by a respectful silence as we all turn our attention to our leader. I check the clock. It''s exactly 8:00 PM. "We have exactly fifty-eight minutes and twenty-two seconds from the end of this sentence to finish our business. If you''re not being addressed, you can eat and drink. If you are being addressed, swallow fast and talk quickly but without yelling. You can enjoy dessert once we''re finished," Mr. A says, clearly speaking quietly, artificially amplified through the speaker of the phone into slightly brickwalled tinniness. "Zenith?" "Aye," I say, trying to swallow phlegm. "Congratulations on your recent election to the Philadelphia City Council. This is a significant achievement for both you and our organization. Please provide a brief overview of the strategic advantages and potential risks associated with your new position," Mr. A says, his voice maintaining its steady, measured cadence. I clear my throat, taking a moment to organize my thoughts. "Thank you, sir. The advantages are numerous. As a council member, I now have direct access to city planning and budget allocation discussions. This puts us in a prime position to influence development projects, zoning laws, and public works contracts in our favor. We can steer resources towards areas where we have vested interests while simultaneously building a reputation for community improvement." I pause, taking a sip of water before continuing. "Additionally, my position grants me access to sensitive information about law enforcement operations and city-wide security measures. This intelligence will be invaluable in helping us stay one step ahead of any potential crackdowns or investigations." "However," I add, my tone growing more serious, "the risks are equally significant. The increased public scrutiny that comes with the position means we''ll need to be even more cautious in our operations. Any slip-up could not only jeopardize our activities but also trigger a widespread investigation that could unravel everything we''ve built." Mr. A remains silent for a moment, likely processing the information. "And how do you propose to mitigate these risks, Zenith?" "Compartmentalization will be key," I respond without hesitation. "I''ve already begun creating firewalls between my public and private activities. We''ll need to be more careful than ever about communication channels and meeting locations. I''m also working on cultivating a network of trusted intermediaries who can act as buffers between my office and our operations. It''s possible this may be my last quarterly meeting in person. I may begin having to send Nothing in my stead." As I speak, I can feel the others watching me intently. Ophelia''s gaze is particularly sharp, her eyes narrowed as if trying to dissect every word. I ignore her, focusing instead on the speakerphone. "Very good, Zenith," Mr. A says after a brief pause. "Your foresight is appreciated. I trust you''ll keep us informed of any developments or opportunities that arise from your new position. Now, let''s move on to the next item on our agenda. ESP, what''s the latest on the Rogue Wave situation?" Wesley leans forward, his fingers steepled in front of him. "Our intelligence is still frustratingly limited," he begins, his voice tinged with a hint of frustration. "What we do know is that Jump and Fly are continuing to flood the market at an alarming rate. We''ve managed to intercept several shipments, but for every one we stop, three more seem to slip through. I''ve yet to receive a power readout that lets me extract any more useful information. There''s probably six actual operatives within the main cell, and I have reason to believe that all six have superpowers, but we haven''t had any success getting any further." He pauses, pulling out a small tablet and tapping on the screen. "We''ve analyzed the chemical composition of both drugs, and I have to say, the level of sophistication is¡­ impressive. Whoever''s behind this has access to cutting-edge biotech and a deep understanding of metahuman biology. This isn''t some back-alley operation we''re dealing with. It''s very likely whoever among them is manufacturing Jump and Fly is, themselves, metahuman, or has access to a metahuman to fully construct the drugs." "What about the users?" Jacob interjects, his fingers absently tracing the outline of his ever-present fidget toy. "Have we made any headway in tracking the long-term effects of these drugs?" Wesley shakes his head. "That''s another problem. The short-term effects are clear enough - temporary powers for Jump users, permanent but unpredictable abilities for Fly users. Long-term is unpredictable outside of the typical ''yellowing'' - ''jaundice, anemia, and altered blood chemistry, particularly increased bilirubin levels and blood pH'', so quotes the reports." he trails off, his expression grim. "Yellowing?" Ophelia presses, leaning forward with interest. "We''ve had reports of users experiencing extreme physical and psychological breakdowns," Wesley continues. "Over time, repeated Jump use causes your veins to degrade, and it''s very possible that this process also happens through Fly use. And, of course, there''s the highly publicized reports of individuals taking Jump or Fly and going on rampages totally unrelated to their life conditions or possible targets of revenge." A heavy silence falls over the room as we all process this information. Ophelia glances around furtively.The author''s content has been appropriated; report any instances of this story on Amazon. "Zenith," Mr. A''s voice cuts through the tension. "What are your thoughts on this situation? I know the Philadelphia market has been one of the most heavily hit." I take a deep breath, choosing my words carefully, while Ophelia glares daggers towards me that I deflect with a nonchalant hand gesture. "It''s clear that Rogue Wave poses a significant threat to our operations. The flood of Jump and Fly is undercutting our traditional markets, and the unpredictability of the drugs'' effects makes them a wild card we can''t afford to ignore." I pause, glancing around the table before continuing. "I believe our approach needs to be twofold. First, we need to aggressively target their distribution networks. Hit them hard, disrupt their supply chains, make it as difficult as possible for them to move product." "And second?" Ophelia asks, her tone challenging. "Second," I say, meeting her gaze steadily, "we need to start thinking about how we can turn this situation to our advantage. If we can''t beat them, maybe we need to consider¡­ redirecting them." The room falls silent, all eyes on me. I can see the curiosity piqued in their expressions, even Ophelia''s glare softening slightly with interest. "Elaborate, Zenith," Mr. A says, his voice cutting through the tension like a knife. I lean forward, lowering my voice slightly. "I''ve been working on something with Mrs. Xenograft. A potential way to¡­ hijack Jump and Fly. To put it simply, we''re exploring methods to use them as a biological precursor for our own, modified product." "How exactly would that work?" Jacob asks, his fingers unconsciously fiddling with his lock. I shake my head. "I can''t go into details right now. It''s still in the early stages, and I don''t want to overpromise. What I can say is that if it works, we could produce something that lets us corner the market in a way that Rogue Wave can''t account for. Mass reproduction of particular strains. With valuable medical byproducts that could be sold for a pretty side-penny." "That''s¡­ ambitious," Wesley says slowly, his brow furrowed in thought. "The biological and chemical challenges alone would be immense." "Which is precisely why we''re keeping it under wraps for now," I respond. "But think about the possibilities if we succeed. We could turn their own product against them and get a leg up in a burgeoning, legitimate market at the same time. Nobody''s out there using Jump and Fly to become superheroes. And Jump and Fly aren''t exactly well-loved by the good citizenry of this fair nation. We''d hit two angles at once." Ophelia scoffs, but I can see the wheels turning behind her eyes. "And if it fails? We''d be wasting valuable time and resources chasing a pipe dream while Rogue Wave continues to eat into our market share." "That''s why this is just one part of our strategy," I counter. "We continue to fight them on all fronts, but we also prepare for a future where we might be able to beat them at their own game." "Enough," Mr. A interrupts, his tone brooking no argument. "This is a discussion for another time. For now, we stick to our current strategy. Disrupt their operations where we can, gather more intelligence, and prepare contingencies. Zenith, I want a detailed proposal on your idea by next week. The rest of you, focus on shoring up our defenses and minimizing the impact on our existing markets." There''s a chorus of "Yes, sir" around the table. I lean back in my chair, mind already whirring with plans and possibilities. I can feel Ophelia''s glare burning into me, but I ignore it. She''ll come around eventually, or she''ll be left behind. "Now," Mr. A continues, "let''s address the issue of these ''child heroes''. Yellowjacket, I believe you''ve had some recent encounters?" Nolan shifts uncomfortably in his seat, the earlier lightness in his demeanor completely gone. "Yes, sir," he begins, his voice uncharacteristically somber. "Last month, during what should have been a routine operation in Baltimore, my team and I were ambushed by a group of powered kids. Couldn''t have been more than fifteen, sixteen at the most. Age-wise, not number-wise." He pauses, taking a long swig of sake before continuing. "They were¡­ They were good, sir. Coordinated, well-trained. They knew our tactics, our weaknesses. We barely made it out, and only because I¡­ I couldn''t¡­" he trails off, his face a mask of conflicted emotions. "You couldn''t bring yourself to use lethal force against children," Mr. A finishes for him, his tone neutral. Nolan nods miserably, looking clearly on the verge of tears. "I''m sorry, sir. I know it was a risk to our operation, but I just¡­ I couldn''t do it." The room falls into an uncomfortable silence. We''ve all been wrestling with this issue to some degree, but Nolan''s experience brings it into sharp focus. The rise of these kid hero teams is more than just a PR nightmare - it''s a genuine threat to our operations, one that exploits our own moral limitations. "That''s alright, Yellowjacket. That''s why you have soldiers." "The problem," Jacob says slowly, "is that these kids are being used as shields. The adult heroes know we can''t¡­ or won''t¡­ go all out against children. It''s a clever tactic, I''ll give them that." "Clever or not, it''s putting our people at risk," Ophelia snaps. "We need to send a message. Show them that using kids as weapons has consequences." I feel a chill run down my spine at her words. "And what exactly are you suggesting, Ophelia? That we start killing children? Because I can tell you right now, that''s a line I''m not willing to cross." Ophelia''s eyes narrow. "Always the self-righteous one, aren''t you, Maya? We''re criminals, in case you''ve forgotten. We don''t get to pick and choose our morals." "Quiet," Mr. A interjects, his voice sharp but even. "Blue Velvet is right. Zenith, if you''re not willing to handle what needs to be done, then we need to hear alternatives. Are you willing to delegate this to more hardened individuals under your command?" I take a moment to gather my thoughts, acutely aware of the weight of everyone''s gaze. "I said I''m not willing to kill a kid. There''s plenty I am willing to do to a kid. Or¡­ delegate others to do to a kid." "Elaborate," Mr. A says. I catch Jacob mouthing along with him, expecting the one-word response. "Children are stubborn but soft and pliable. You already saw for yourself the success Porcelain had with Project Hollywood - at least until these Toddler Squads got our favorite girl thrown in Daedalus. Deathgirl and the rest of the Phreaks are raving lunatics, highly accustomed to violence, extremely emotionally unstable. They have no social support net. They have nobody that cares about them. And now they''re all in jail. If they were our problem, then I''d consider this an uncontested success. They burnt out, committed a major terrorist incident, ruined their own lives, and are now all out of the picture," I explain, drawing increasingly mute stares from my cohorts. Nolan''s eyes are clearly running through fifteen different emotions right now. Then, he speaks. "Are you suggesting we psychologically torture children until they burn out?" Ophelia looks at me like I just curbstomped a puppy. "We''re criminals, in case you''ve forgotten. We don''t get to pick and choose our morals," I say, locking eyes with her. MR.2.3 She looks away, flinching. I lean back in the chair and continue to speak. "Chernobyl in Philadelphia, the US Mint in DC, the six different art museum heists that someone planned and all got interrupted by the same fucking three kids, our port operations getting shut down in Baltimore - it''s clear that the paradigm has changed in a way that we can''t accommodate. The natural tendency of the child is towards goodness, innocence, light, you know, sugar and sunshine. The goody-two-shoeses of the world can rely on that. We cannot. Project Hollywood produces two or three viable candidates a year, and we don''t have a blank check to outbid every other interested party, nor reliable contact with the organization. Something has to give." I wave my hands out. "Hello? Someone back me up here?" Wesley leans forward, adjusting his sunglasses. "While I''m sure we all appreciate Maya''s bluntness, I''ll tamp down expectations. I don''t think we need to be holding people in basements and waterboarding them. Just making sure to make life inconvenient in small, noticeable ways that leave us plausible deniability but send an undeniable message - ''stop fucking with us, or we can escalate''." "I have no problem waterboarding children," Jacob interrupts, matter-of-factly, drawing an amused chuckle from the rest of the room. The laughter dies down quickly, replaced by a tense silence. Mr. A''s voice cuts through the quiet, "Very well. Keys, ESP, you''ll work together on implementing a deterrent strategy. Nothing too overt, but effective. We need to send a clear message without crossing lines that could bring unwanted attention. Are we clear?" "Crystal," Jacob responds, nodding at Wesley. He returns the gesture, a silent agreement passing between them. "Good. Now, let''s move on to other matters," Mr. A says, his tone brooking no further discussion on the topic. "Keys, what''s the status on our expansion into Atlantic City?" Jacob straightens in his chair, all business now. "Progress is steady, sir. We''ve secured partnerships with two mid-tier casinos and are in talks with a third. Our sports betting operation is up and running, generating a respectable profit already. However, we''re facing some pushback from local outfits." "Continue," Mr. A prompts. "The Scarfo family - what''s left of it - isn''t happy about us moving into their territory," Jacob explains. "They''ve made some noise, roughed up a few of our guys. Nothing major yet, but it''s clear they''re not going to roll over without a fight." Ophelia leans forward, her eyes gleaming with her hideous sort of barely contained bloodlust. "Perhaps it''s time we showed them why we''re called the Kingdom. A demonstration of force might be in order." I shake my head. "No, that''s exactly what they''re expecting. We need to be smarter about this. Jacob, do we have leverage on them Scarfos?" Jacob smirks at me at the flub, pulling out his phone. "Funny you should ask. Obviously, lowlives like them are just lousy with bad gamblers. More than a handful of them are in deep with some offshore bookies. If we were to, say, acquire their debts¡­" "You could squeeze them without firing a shot," Wesley finishes, adjusting his sunglasses. "Make it happen," Mr. A orders. "Now, what about our operations in Newark? Yellowjacket?" Nolan, still looking a bit unsettled from our earlier discussion, clears his throat. "Uh, yes sir. Our protection racket is running smoothly. We''ve expanded into three new neighborhoods in the past month. Revenue is up 12% from last quarter." "And the competition?" Mr. A presses. "The Genovese family''s last sperms are still causing trouble, but nothing I can''t personally handle," Nolan assures. "GESSOC didn''t finish mopping up the trash seven years ago. I''ll make sure they end up in the dustbin. No interesting superhuman activity to note." The conversation continues, each of us reporting on our respective territories and operations. We discuss everything from our gun-running routes through upstate New York to our growing influence in the Philadelphia dock workers'' union. It''s a reminder of just how vast and complex our organization has become.Stolen novel; please report. As we near the end of our allotted time, Mr. A brings up one final point. "Before we conclude, I want to address the issue of our legitimate businesses. ESP, how are our tech startups performing?" Wesley adjusts his glasses, a hint of pride in his voice. "Exceptionally well, sir. Our cybersecurity firm, in particular, is gaining traction. We''ve landed contracts with three Fortune 500 companies in the past month alone. It''s proving to be an excellent cover for our more¡­ sensitive operations." "Good," Mr. A says. "Zenith, I want you to work with ESP on expanding our legitimate portfolio in Philadelphia. Use your new position to facilitate this. The more we can intertwine our operations with legitimate businesses, the harder it will be for anyone to untangle them." "Understood," I nod, already mentally cataloging potential opportunities. "Very well," Mr. A says, his tone indicating we''re nearing the end. "You all have your assignments. I expect progress reports in two weeks. And remember, discretion is paramount. We''ve come too far to let carelessness undo us now." There''s a chorus of agreement around the table. As we prepare to leave, I can''t help but feel a mix of pride and apprehension. We''re at the top of our game, but the challenges we face are greater than ever. But then again, that''s why we''re the Kingdom. We don''t just survive in this world ¨C we thrive in it. "Meeting adjourned," Mr. A says. "You have four minutes and forty-seven seconds to clear the room. Enjoy your desserts." The line goes dead, leaving us in thoughtful silence as we gather our things and prepare to face the world outside once more. As Mr. A''s final words hang in the air, we all rise from our seats in a practiced, fluid motion. There''s a palpable shift in the atmosphere; the tension of the meeting dissipates, replaced by a strange mix of camaraderie and wariness. We may be allies, but we''re also competitors, each of us always looking for an edge. Ophelia is the first to break the silence. "Well, that was fun," she says, her tone dripping with sarcasm as she gathers her designer purse. Her eyes meet mine, a challenge glinting in them. "Always full of surprises, aren''t you, Maya?" I offer her a thin smile, taking care not to touch the table directly. Last time we had a spat mid-meeting, I left it without the pads of my fingers. "I aim to keep things interesting, Ophelia. Wouldn''t want you getting bored up there in your ivory tower." She scoffs, but I catch a flicker of something - respect, maybe? - in her eyes before she turns away. Or maybe that''s just what I''d hope it was. Jacob and Wesley are already deep in conversation as they head for the door, no doubt strategizing about our Atlantic City situation. Nolan lingers behind, looking like he wants to say something. I raise an eyebrow at him. "Maya, I¡­" he starts, then glances around, lowering his voice. "What you said earlier, about the kids. Were you serious?" I study him for a moment, noting the conflict in his eyes. "Nolan, in our line of work, we can''t afford to be squeamish. But we also can''t afford to be monsters. Find the balance that lets you sleep at night." He nods, not looking entirely satisfied but seeming to accept my non-answer. "It''s a matter of numbers. Look, we have the opportunity to make fucktons of money. More than the police and the teenagers in our way could ever make in our lives. I donate regularly to the zoo, and to climate change funds, not to put my mind at ease or for the taxes but because I think their money is worth more in my hands, and that my causes are worth more than their donuts and treats." He coughs a couple of times, running a hand through his beautiful, salon-treated, back-length blonde hair. "Let me give you a reading list, okay, Nolan?" "Yeah, sure," he replies, taking his phone out. "Utilitarianism, John Stewart Mill. Meditations, Marcus Aurelius. Reasons and Persons, Derek Parfit. Beyond Good & Evil, Friedrich Neitzche. Go get a copy of each and read them. Or don''t, I''m not your mom," I rattle off for him. "Neitzche? Really?" He asks, unable to withhold a chuckle. "Fuck you," I answer. As we file out of the private room, the rest of the restaurant comes back into focus. The soft murmur of conversation, the clink of glasses, the subtle scent of soy and grilled fish - it''s a jarring return to normalcy after the intensity of our meeting. A few patrons glance our way, curiosity in their eyes. If only they knew who was walking past their tables. We pause in the lobby, exchanging final words and subtle nods. There''s an unspoken agreement not to leave all at once - no need to draw unnecessary attention. Ophelia and Jacob depart first, heading in opposite directions. Wesley lingers by the bar, striking up a conversation with a well-dressed woman who''s been eyeing him all night. Nolan slips out the side entrance, already on his phone, probably calling for his ride. I wait a few more minutes, savoring the last sip of my drink and people-watching. Finally, I decide it''s time to make my exit. The valet, Charlie, appears with my car almost as soon as I step outside. "I hope you had a pleasant evening, Councilwoman Richardson," he says, handing me the keys with a respectful nod. "It was productive," I reply, slipping him another generous tip. His eyes widen slightly at the amount. "Have a good night, Charlie." As I slide into the driver''s seat, I take a moment to center myself. The drive back to Philly is long, and I have a lot to process. The meeting''s discussions swirl in my mind - the Rogue Wave situation, our expansion plans, the unsettling talk about the kid heroes. I shake my head, pushing it all aside for now. There''ll be time to strategize later. I pull out into the late-night New York traffic, the city''s lights blurring into streaks as I accelerate. Chapter 132.1 Philadelphia in late November is a city transformed. The usual bustle and noise are muffled under a thick blanket of slush, turning the streets into a treacherous obstacle course of hidden potholes and deceptively deep puddles. The sky is a uniform gray, threatening more snow, or worse, freezing rain. My breath puffs out in front of me, reminding me of the dragons in those old claymation Christmas specials. I pull my scarf tighter around my face, grateful for the extra layer between me and the biting wind. I''m supposed to be heading to school, but my mind is anywhere but on geometry and American history. There''s a storm coming, and I don''t mean the weather. The Kingdom is planning something big, something absurd, and somehow I''ve found myself right in the middle of it all - or, well, I''m inserting myself in the middle of it all, against orders. I should be scared, I guess. Maybe I am, a little. But mostly, I''m just... ready. Ready to do something, to make a difference. Even if it means disobeying pretty much every adult in my life. I can''t sit here in the snow and not do something. My body aches for action. My phone buzzes in my pocket, probably Jordan asking where I am. I ignore it. I''ll see them soon enough, and right now, I need to focus. I''ve got a list of people to talk to, alliances to forge. It feels weird, thinking about it like that. Like I''m some kind of general planning a war. But I guess that''s kind of what this is, isn''t it? A war. Just not the kind with armies and tanks and stuff. At least, I hope not. Although with the Kingdom involved, who knows? A schoolgirl against a Kingdom. It''s almost like a fantasy story. I round the corner onto the street where my school sits, a squat, wiiiiide brick building that looks like it''s trying to huddle down against the cold. Kids are milling around outside, their voices carried on the wind in snatches and fragments. I catch sight of Jordan near the entrance, head bent over their phone. They look up as I approach, and I can see the worry in their eyes. They know what I''m planning, even if they don''t know all the details yet. I take a deep breath, steeling myself. Here we go. "Hey," I say, trying to sound casual. "Sorry I''m late. Had to take the long way around. There''s a monster puddle on Frankford that I swear is trying to eat people''s shoes." Jordan snorts, but I can see the tension in their shoulders. "Yeah, well, maybe if you''d answered your texts, you''d have known about it." I wince. "Sorry. I was... thinking." Jordan raises an eyebrow. "About the zoo?" I nod, glancing around to make sure no one''s listening too closely. "Yeah. I''ve got a few people I need to talk to. Spread the word, you know?" Jordan leans in, lowering their voice. "You sure about this, Sam? Kicking a hornet''s nest of this size? I mean, you know I''m for it, I just... want to make sure you know what whirlwind you''re summoning." I meet their eyes, trying to project a confidence I''m not entirely sure I feel. "I''m sure. We can''t just sit back and let them do... whatever it is they''re planning. Someone has to do something." Jordan grins devilishly. "Normally, the adults have to do something," "You still trust the adults in the room?" I ask. "No," they answer. The bell rings, cutting off any further discussion. We head inside, the warmth of the building a sharp contrast to the chill outside. As we walk to our lockers, I can''t help but think about how normal everything looks. Kids laughing, complaining about homework, making plans for the weekend. None of them have any idea what''s coming. I guess that''s kind of the point, though. We''re the ones who are supposed to keep it that way. The day passes in a blur of classes and whispered conversations. I''m only half-paying attention to most of it, my mind racing with plans and contingencies. By the time the final bell rings, I''m practically vibrating with nervous energy. I say goodbye to Jordan, promising to update them later, and head out into the cold afternoon. My first stop is a little coffee shop a few blocks from school. It''s one of those places that tries really hard to be trendy, with exposed brick walls and Edison bulbs hanging from the ceiling. I spot Bulldozer at a table in the corner, hunched over a mug that looks comically small in his massive hands. He looks up as I approach, his face impassive. "Bloodhound," he says, nodding slightly. "Didn''t expect to see you around these parts." I slide into the seat across from him, trying not to fidget. "I literally invited you here," I say, trying not to come across too aggressively. "It''s a long way from Patty''s. How are you holding up?" He shrugs, a movement that looks like a mountain shifting. "Can''t complain. Business as usual, you know how it is." I do know, actually. "Look, I''ll cut to the chase," I say, leaning in. "Something big is going down. The Kingdom''s planning something, and it''s not going to be pretty. I''m trying to get the word out, make sure everyone''s on their toes. Operation Ivory. They''re going to... They''re gonna steal a Rhinoceros, man."Unlawfully taken from Royal Road, this story should be reported if seen on Amazon. Sean''s expression doesn''t change, but I see a flicker of interest in his eyes. "That so? And what exactly do you expect us to do about it?" I shrug, trying to look nonchalant. "I''d expect friendly neighborhood heroes to care about Philly, but... Nothing, if you don''t want to. Just... you know, you''ve got professional contacts. You should at least let them know to keep their eyes on the zoo." He studies me for a long moment, and I resist the urge to squirm under his gaze. "Friendly?" He asks, laughing a big, barrel chest laugh. Finally, he nods. "Alright. We''ll keep an ear to the ground. But don''t expect any miracles, kid. We''ve got our own shit to deal with." I nod, relief washing over me. It''s not much, but it''s something. "Thanks, Sean. I appreciate it." "Go get yourself a crumb cake or something," he offers, tossing me a crumpled up five dollar note. I''m not one to look a gift dessert in the mouth, but by the time I''m back, he''s gone in the snow.
"Ow! Watch it with those pins, Amelia!" I yelp, trying not to squirm as Gossamer works on fitting my new costume. We''re in the back room of the Music Hall, which has been transformed into a makeshift tailor''s workshop. Bolts of fabric - various kinds I''ve never heard of before - in various shades of blue and gray are strewn about, along with sketches and half-finished pieces of armor. Jordan is hunched over a tablet, muttering to themselves as they tweak the design. Amelia rolls her eyes, but I can see the hint of a smile on her face. "If you''d stop fidgeting, I wouldn''t keep accidentally stabbing you. Now hold still, I need to check the fit on this shoulder piece." I try my best to stay motionless as Amelia works her magic. It''s really hard. "What are you even trying to make here?" Jordan looks up from their tablet. "Right, so we''ve got a base layer of thermal material to help with the cold. Over that, we''ve layered a cut-resistant fabric that should help protect you from knives - and Mudslide''s brick hurling thing. The outer layer is waterproof so you don''t get snowed over." Amelia nods, her fingers deftly adjusting a seam. "It''s designed to fit a kevlar vest underneath it. And we''ve added some extra padding in key areas, just in case." "Why do you even have kevlar just lying around?" Jordan asks, glancing over at a pile of half-finished gear. "Is this... like, a normal costume thing?" "I''ve got, like, four or five vests from various costumes." I shrug, twisting to avoid a stray pin. "Most of them are kinda busted up, honestly. And one¡¯s missing, but, you know¡ªprobably lost in the abyss of my closet." "Don¡¯t we all have an abyss closet," Jordan mutters, rummaging in a box nearby. ¡°Hey, you didn¡¯t forget the boots, right, Amelia? We got you some custom trail runners with those gnarly lugs for traction?" I whistle, impressed. "You guys really thought of everything, huh?" Amelia steps back, surveying her work. "We tried. Oh, and we''ve added some hidden pockets for your, uh, less orthodox tools. Pepper spray, zip ties, that kind of thing." "Speaking of which," Jordan says, reaching into a nearby box, "check this out." They pull out what looks like a dead ferret. "Fur trim. Totally waterproof. Super warm." I raise an eyebrow. "And where exactly did you get that?" Jordan grins. "Let''s just say I know a guy who knows a guy. Don''t worry, it''s all above board. Mostly." "Alright, I think we''re done for now," Amelia says, stepping back. "Take a look in the mirror and let me know what you think." I turn to face the full-length mirror in the corner, and for a moment, I hardly recognize myself. The beta costume is... sleek, winterized, without looking like it''s too bulky. But it''s padded, giving me a distinctly rectangular, genderless frame. Like a wolf in the wintertime. "Wow," I breathe. "You guys... this is amazing." Jordan and Amelia exchange a proud look. "Just promise us you''ll be careful out there," Amelia says, her voice soft. "This suit can only do so much." I nod, suddenly feeling the weight of violence to come. "I can''t promise that,"
The smell of my mom''s lasagna hits me as soon as I open the front door, and my stomach growls in response. For a moment, I''m just a normal kid coming home from school, looking forward to dinner with my family. Then reality crashes back in, and I have to take a deep breath to steady myself. I can do this. I can act normal. "Sam? Is that you?" my mom calls from the kitchen. "Yeah, it''s me," I call back, kicking off my boots and hanging up my coat. "Sorry I''m a little late. Got caught up talking to some friends after school." I head into the kitchen, where my mom is pulling the lasagna out of the oven. My dad is already at the table, nose buried in his tablet as usual. He looks up as I enter, smiling. "Hey, kiddo. How was school?" "Oh, you know," I say, sliding into my seat. "The usual. We''re starting a new unit in history about the Civil War. Should be interesting." My mom sets the lasagna on the table, and for a few minutes, conversation is replaced by the sounds of eating. I''m grateful for the distraction, using the time to gather my thoughts. I need to keep things casual, normal. No need to make them suspicious. "So," my mom says after a while, "any plans for the weekend? I was thinking we could maybe go see that new movie that just came out. What was it called? ''Captain Awesome'' or something?" I almost choke on my lasagna, caught off guard by the sudden mention of superheroes. "Uh, yeah, maybe," I manage after a moment. "I''ll have to check with Jordan, see if they''re free." My dad looks up from his tablet, raising an eyebrow. "Everything okay, Sam? You seem a little... distracted." I force a smile, hoping it looks more convincing than it feels. "Yeah, sorry. Just thinking about a big test coming up next week. You know how it is." He nods, seemingly satisfied with the explanation. As the conversation moves on to other topics, I find myself drifting again, thinking about the costume and the meetings I still need to have. I blink, realizing my mom has asked me a question. "Sorry, what?" She frowns slightly. "I asked if you wanted more lasagna. Are you sure you''re feeling alright?" "Yeah, sorry," I say quickly. "Just... tired, I guess. And no thanks, I''m full. Actually, is it okay if I go up to my room? I''ve got some homework I should really get started on." My parents exchange a look that I pretend not to notice. "Sure, honey," my mom says. "Just make sure you get some rest, okay?" I nod, clearing my plate and heading upstairs. As soon as I''m in my room, I pull out my phone, firing off a quick text to Rashad. We need to meet, I type. Tomorrow? His reply comes a few minutes later. Sure thing, little shark. See you then. I flop back on my bed, staring up at the ceiling. One more ally, hopefully. One step closer to being ready for whatever the Kingdom has planned. I just hope it''s enough. Chapter 132.2 The alley behind Geno''s Grocery smells like a mix of rotting vegetables and stale cigarettes. I''m trying not to breathe through my nose, which is probably a mistake because now I can taste it on the back of my tongue. Sandman''s leaning against the brick wall, looking like he''s about to doze off any second. How he can be so chill in a place like this is beyond me. We''re waiting for Rashad - Razor - and every passing minute makes me feel more like I''m in some low-budget crime movie. "You sure he''s coming?" I ask, trying to keep the nervousness out of my voice. I''ve never met Razor before, and Sandman''s whole "he''s good people, mostly" thing isn''t exactly reassuring. Sandman cracks open one eye, giving me a look that''s somehow both sleepy and amused. "Relax, Bee. Razor''s always fashionably late. It''s part of his charm." I''m about to ask what other charming qualities Razor might have when I hear footsteps approaching. A tall, lanky guy rounds the corner, moving with a kind of¡­ languid ease that makes me a little envious. He''s got this easy confidence, like he owns the alley and everything in it. Must be nice to feel that comfortable in your own skin. He looks like he knows how to throw a punch. "Yo, Sandy," he calls out, his voice carrying a hint of laughter. Then his eyes land on me, and I can practically see the gears turning in his head. "This sharky?" I bristle a bit - at what, I''mm not sure, feeling my hackles rise. "It''s Bloodhound, actually," I say, trying to inject some steel into my voice. It probably comes out more like aluminum foil, but whatever. "And yeah, that''s me." "Calm yourself, youngblood. We''re not enemies. Chill out," Razor says, flexing his fingers. He leans against a dumpster and makes it look dignified. G-d damn, I don''t know how he does it. I glance at Sandman, who gives me a barely perceptible nod. Right. This is my show now. I take a deep breath, trying to channel some of that easy confidence Razor''s got in spades. "Yeah, they''re planning something big. At the zoo. I''m trying to get the word out, maybe put together a team to stop them. Or at least, like¡­ you know, have people know. Once the news copters show up, we can all be like, oh, hey, that''s what Bloodhound was talking about, maybe I should get involved. Or something." Razor''s eyebrows shoot up, disappearing under the brim of his baseball cap. "The zoo? What, they running out of petting zoo animals at their villain daycare or something?" I can feel my face heating up, a mix of embarrassment and frustration. Why does everyone have to treat this like a joke? "It''s not funny," I snap. "They''re going to steal a rhino. Maybe all the rhinos. Maybe some elephants, too. It''s called Operation Ivory, and one of my teammates lost his hearing getting shot by one of them trying get us that information." Razor lets out a low whistle, looking impressed despite himself. "Damn, girl. You don''t think small, do you?" He looks at Sandman, his expression suddenly serious. "She for real?" Sandman nods, pushing himself off the wall. "She''s got good intel. Solid source. This ain''t no wild goose chase, Razor." Razor''s quiet for a moment, and I can practically see the gears turning in his head. He''s weighing the risks, trying to decide if it''s worth getting involved. Part of me wants to grab him by the shoulders and shake him, to make him understand how important this is. But I force myself to stay still, to let him come to his own decision. Why do I care this much? A small, bitter part of my brain says that it''s just rhinos. It''s¡­ you know, it''s not human trafficking, or drug running, or murder. Do I just want a fight? Finally, he shrugs, a fluid motion that seems to ripple through his whole body. "I''ll let people know. I can''t guarantee we''ll do anything. But if we''re in the neighborhood¡­" I nod, feeling a mix of relief and excitement coursing through me. Another ally. Maybe this crazy plan might actually work. "Got it. Thanks, Razor. Really." He grins again, all sharp edges and danger. "Don''t thank me yet, little shark. We ain''t done nothing but talk."
The common area of the Tacony Music Hall looks like a tornado hit a thrift store. Mismatched furniture is scattered around, covered in a layer of papers, snack wrappers, and the occasional piece of superhero gear. I''m sprawled out on the sagging couch, trying to explain my plan to crash the Kingdom''s zoo heist. Connor''s perched on the arm of an ancient armchair, his lanky frame somehow managing to look both comfortable and precarious at the same time. Jordan''s pacing back and forth, their goth attire a stark contrast to the chaos around us. Maggie''s sitting cross-legged on the floor, her eyes wide with a mix of excitement and worry. And Tasha, well, she''s made herself comfortable on a pile of cushions, munching on a bag of chips like we''re discussing weekend plans instead of a potential superhero showdown.The narrative has been taken without authorization; if you see it on Amazon, report the incident. "Let me get this straight," Connor says, scratching his head. "You want us to go up against the Kingdom at the zoo? Like, for real?" I sit up, feeling a surge of frustration. "It''s not just about the zoo. It''s¡­ it''s the principle of the thing. They think they can just waltz in and take whatever they want. Someone has to stand up to them." Jordan stops pacing, turning to face me. Their eyes are sharp behind their eyeliner. "And that someone has to be us? Like¡­ you heard what Devonte and Akilah have been telling us. This is looking like it''s gonna be an entire siege. A straight up battle. They''re gonna bring guns." I open my mouth to argue, but Tasha beats me to it. "Speak for yourself," she says, licking cheese dust off her fingers and trying to sound contemplative. "Some of us are just here for the snacks and the show." "Not helping, Tasha," Maggie mutters. I take a deep breath, trying to find the right words to make them understand. "Look, I get it. It''s dangerous. But that''s exactly why we need to do it. Why I need to do it. If this is a siege, then that''s going to have all the big players in one place - ready to get swooped on." Maggie pipes up, her voice hesitant but determined. "I believe you, Sam. But¡­ are we really ready for this? I mean, I can barely control my repulsion fields without sending myself flying across the room. I haven''t even really been in a real fight before, either." Jordan snorts. "Yeah, and I''m sure the Kingdom will be real intimidated by Connor folding himself into a suitcase, and my ability to make the bathrooms smaller." "Hey!" Connor protests. "I could¡­ I don''t know, sneak in somewhere small and eavesdrop or something." I feel a smile tugging at my lips. "No, I get it. I don''t think I need anyone to go with me. Except maybe Derek, but I think he''d probably just escalate any situation he found himself in. I just¡­ I don''t know, I want you guys to know that if this goes down and shit, and you see the news saying ''rhino raid in progress'', you know where I am. In case of¡­ Emergency. Sure. Okay?" Tasha sits up, her expression serious for once. "Sam, I get it. I do. But have you really thought this through? What''s your actual plan once you''re there? Are you just going to waltz in and start punching rhino thieves?" I hesitate, realizing I haven''t quite figured out that part yet. "I¡­ I''ll improvise. I always do, right? It''s worked so far." Tasha''s eyes narrow, their voice dripping with sarcasm. "Oh yeah, because ''winging it'' against a bunch of armed criminals trying to steal a multi-ton animal is a brilliant strategy. Sam, this isn''t like our usual patrols. These are serious criminals with serious firepower and likely multiple other metahumans on their side. And let''s not forget, you''re not exactly bulletproof." "No, but I heal," I counter, feeling a bit defensive. "That''s got to count for something. I can take risks you guys can''t." "It counts for you not dying immediately," Tasha interjects, her voice sharp. "Congrats. You''ll just be in excruciating pain while your body tries to push out bullets and knit itself back together. Sounds like a great time." Maggie leans forward, her face pinched with worry. "Sam, we''re just concerned. Healing or not, you could get really hurt. And what if¡­ what if your powers don''t work fast enough? What if Mr. Nothing gets his hands on you?" I feel a twinge of guilt at the fear in Maggie''s voice. Sometimes I forget how new she is to all this, how the dangers we face aren''t just abstract concepts to her. "Look, I appreciate the concern, really. But I can''t just sit back and do nothing. Not when I know what''s coming." Connor, who''s been uncharacteristically quiet, finally speaks up. "What if we called the cops? Anonymous tip or something? Let them handle the gunfight part?" Jordan scoffs, rolling their eyes. "Right, because the Philly PD has such a great track record with superhuman crime. They''d probably show up two hours late and shoot the rhinos themselves. Or worse, some of them might be on the Kingdom''s payroll." "Not helping, Jordan," I mutter. "That''s what I''ve been trying to do, anyway. You act like I''ll be there alone. I just want to¡­ add to the war effort. I presume that the Delaware Valley Defenders aren''t going to just let the Kingdom walk all over this city. Multiplex and Fury Forge promised me that much. So it won''t even be me. I probably won''t even be a big part." I''m just itching to dig my fists into some goon''s face, but I don''t need to say that part out loud. There''s a moment of tense silence as everyone processes what I''ve said. Tasha''s chip-crunching is the only sound, somehow making the atmosphere even more awkward. Finally, Jordan breaks the silence, their voice skeptical. "So, what you''re saying is¡­ you''re just going to be, what, an auxiliary force? Backup for the big leagues?" I shrug, trying to look nonchalant. "More or less. I mean, I''ll be there, but I''m not planning on taking on the entire Kingdom single-handedly or anything." Maggie''s face relaxes slightly, but there''s still worry in her eyes. "That¡­ actually sounds a lot more reasonable than what I was imagining. But still, Sam, promise us you won''t do anything reckless?" I force a smile, ignoring the little voice in my head that''s practically salivating at the thought of a good fight. "Of course not. I''ll be careful. Scout''s honor." Tasha narrows her eyes, clearly not entirely convinced. "Uh-huh. And what exactly does ''careful'' mean in Sam-speak?" "It means I''ll stick to the shadows, gather intel, and only step in if absolutely necessary," I say, hoping I sound more convincing to them than I do to myself. "The DVDs will handle the heavy lifting. I''m just there as¡­ extra eyes and ears, you know?" Connor nods slowly. "Okay, that doesn''t sound too bad. But maybe we should still prep some backup plans? Just in case?" Jordan sighs, running a hand through their hair. "Yeah, probably a good idea. Sam, you''re taking a comm link, non-negotiable. And we''ll set up some emergency protocols." "And I''m still putting together another first aid kit for you," Tasha adds firmly. I nod, feeling a mix of guilt and relief. They think they''re talking me down from something stupid, but really, they''re just giving me more tools to work with. "Thanks, guys. I really appreciate all of this. And hey, who knows? Maybe it''ll all go smoothly and I won''t even need to do anything." The others start discussing potential scenarios and backup plans, their voices becoming a comforting background hum. I lean back on the couch, letting my mind wander to the upcoming operation. Sure, I told them I''d be careful, that I''d stay on the sidelines. But if an opportunity presents itself¡­ well, I''ll cross that bridge when I come to it. For now, I''ll let them think they''ve convinced me to play it safe. It''s easier that way, and hey, maybe they''re right. Maybe I won''t need to get involved at all. Chapter 132.3 The cafe near UPenn is buzzing with activity, students hunched over laptops and textbooks, the air thick with the smell of coffee and stress. I''m trying not to fidget in my seat, feeling like I stick out like a sore thumb among all these college kids. Sundial sits across from me, her presence somehow both calming and intimidating. Next to her is Celine - Manta Rei, ''with an E-I, not an A-Y'', and wow, if I thought I felt out of place before, it''s nothing compared to how I feel looking at her. White as a ghost, with a good foot on me in height and negative ten pounds on me in weight. Sharp, pointy little dainty nose. "Sam, this is Celine," Sundial says, her voice low enough that it doesn''t carry to the nearby tables. "She''s part of the Schuylkill Sirens. I thought she might be interested in what you have to say." I nod, trying to look more confident than I feel. "Thanks for meeting me. Both of you." I resist the urge to start rambling about how cool I think they are. Focus, Sam. Celine leans forward, her eyes sharp and assessing. "Sundial says you''ve got some intel on the Kingdom. Something about the Philadelphia Zoo?" I take a deep breath, then launch into my explanation, keeping my voice low and trying to hit all the important points without going off on tangents. As I talk, I can see Celine''s expression shifting from skepticism to interest, her eyebrows inching higher with each new detail. It''s kind of satisfying, actually. "Huh," she says when I finish, leaning back in her chair. "Well¡­ it''s certainly inventive, as far as supervillain schemes go. Where''d you get this?" I hesitate, not sure how much to reveal. "The important thing is, this is happening," I say, ducking the question. "Soon. And I''m trying to get the word out, make sure people are ready. The other heroes in this city." I don''t want to think about how stupid I''ll look if this doesn''t happen. I''m not thinking about it. I''m not thinking about it! Celine exchanges a look with Sundial, some unspoken communication passing between them. Then she turns back to me, her expression serious. "Look, Sam, I appreciate the heads up. But my team, we''ve got our hands full dealing with the shit that goes down on campus. We can''t exactly drop everything for a maybe-heist at the zoo." I feel my heart sink, disappointment bitter on my tongue. But before I can argue, she continues. "That said, we''ll keep an ear out. I''ll keep an eye on the news. If things start happening, and we''re nearby¡­ we''ll figure something out." It''s not exactly what I was hoping for, but it''s something. I nod, trying to hide my frustration. "Thanks. I appreciate it. Really." As we''re getting up to leave, Celine catches my arm. Her grip is firm, her eyes intense as they meet mine. "Hey, Bloodhound. Be careful out there, alright? It''s not worth risking your life for a rhino or two." It makes me mad - she''s not the first person to say that, and every time, I feel like people aren''t understanding what''s at stake. Because they''re right, it''s not worth risking my life for a rhino. But it''s not about the rhino. It''s not even about the zoo. It''s about knowing who''s allowed to fuck with my city. But I don''t want to offend Celine, who looks very cool and very French, so I don''t say that. Instead, I nod. And I say "I won''t."
I''m sprawled across my bed, staring at the ceiling and trying to make sense of the past few days. My brain feels like it''s been through a blender, filled with faces and names and promises - some firm, some vague. I''ve talked to more superhumans in the last week than I knew existed in Philly. People knowing a guy who knows a girl who knows a guy. Everyone''s friends with someone. Razor, Bulldozer, Manta Rei¡­ and those are just the ones with actual names. There was that guy who could talk to pigeons (useless but interesting), the girl who could make her skin change colors like a chameleon (cool, but not exactly battle-ready), and a guy who can telekinetically control a single spoon. I mean, really? How do you have a near death experience that gives you the power to control a single, particular spoon? How is that even helpful?This text was taken from Royal Road. Help the author by reading the original version there. I try to do some mental math. If I''ve met, what, maybe thirty different powered individuals this week? And assuming that''s only a fraction of the total¡­ there could be hundreds of superhumans in Philly alone. It''s a dizzying thought. How many of them are actually trying to make a difference? How many are just living normal lives, pretending their powers don''t exist? My phone buzzes, interrupting my musings. It''s a text from Lily, reminding me about dinner tonight. Right. Thanksgiving at the Golden Panda Buffet. I glance at the clock and realize I need to start getting ready. As I''m pulling on my nicest pair of jeans (which, let''s be honest, isn''t saying much), I catch sight of my reflection in the mirror. For a moment, I barely recognize myself. When did I start looking so¡­ tired? When did my hair get so long? This isn''t the day of the week I set aside for mirror time. But then again, I think I left that juvenile habit back in the snow last time I got shot. Time to put Lily''s parents out of business.
The Golden Panda Buffet is decked out in a bizarre mix of Thanksgiving and Chinese New Year decorations. Paper turkeys sit next to red lanterns, and I''m pretty sure I spotted a Pilgrim hat on one of the Buddha statues. It''s chaotic and kind of perfect. Lily waves me over to a large table in the corner. She''s practically bouncing in her seat, her short dyed hair a riot of purple and white. "Sam! Over here!" I make my way over, nodding to Jiang Chen as he rushes past with a tray of steaming dumplings. He gives me a quick smile before disappearing into the kitchen. The place is packed, but our table feels like an island of familiar faces in the sea of strangers. Jason is already piling his plate high with a mix of turkey and General Tso''s chicken. Amelia is delicately picking at a plate of vegetables, while Connor seems to be attempting to fit an entire egg roll in his mouth at once. Jordan is huddled close to Connor, looking uncomfortable with the crowd but determined to be here. "Happy Thanksgiving, guys," I say, sliding into an empty seat. "Thanks for doing this. I owe my parents, like, a month of dishes for letting me come." Lily grins. "You should be here more often. It''d be better than meeting up in a smelly gym in a warehouse. No offense, Jason." "None taken," Jason responds between mouthfuls of food. "None taken," I laugh. "Pretty sure even she''d agree with you." As we start to dig in, the conversation flows easily. It''s nice, in a way I wasn''t expecting. For a little while, I can almost forget about the impending zoo heist, about the Kingdom, about all of it. We''re just a bunch of friends having dinner together. "So, Sam," Amelia says between bites of lo mein, "how''s school going? You mentioned something about a big history project, right?" I blink, momentarily thrown. School feels like it happened a lifetime ago. "Oh, uh, yeah. It''s¡­ coming along. You know how it is." Jason raises an eyebrow. "You haven''t forgotten about it, have you? With everything else going on?" I feel a twinge of guilt. He''s right, of course. I''ve been so focused on the Kingdom that I''ve let pretty much everything else slide. "I''ll get it done," I mutter, stuffing a piece of sweet and sour pork in my mouth to avoid saying more. Connor, bless him, changes the subject. "Hey, did you guys hear about that guy who can talk to cheese? Like, actual cheese communication?" Jordan snorts. "That''s not a real power. Is it?" As the others debate the merits of dairy-based superpowers, I catch Lily giving me a concerned look. I force a smile, hoping it''s convincing. She doesn''t need to worry about me. None of them do. Mei Chen stops by our table, refilling water glasses. "Everything okay? You need more food?" "Everything''s great, Mrs. Chen," I say quickly. "Thanks." She nods, patting Lily on the shoulder before moving on to the next table. I watch her go, suddenly struck by how normal this all feels. Here we are, a bunch of teenage superheroes, having Thanksgiving dinner at a Chinese buffet. And yet, to anyone looking in, we probably just look like any other group of kids. I glance around the table, taking in my friends'' faces. Jason, always the responsible one, sneaking worried glances at me when he thinks I''m not looking. Amelia, trying so hard to be perfect, to prove she belongs. Connor and Jordan, finding their comfort zone with each other and literally nobody else. And Lily, my rock, always there with a smile or a hug when I need it most. Almost makes me want to cry! "Earth to Sam," Lily''s voice breaks through my thoughts. "You okay? You kinda zoned out there." I shake my head, coming back to the present. "Yeah, sorry. Just¡­ thinking about how thankful I am. For all of you." There''s a moment of surprised silence, then Connor raises his glass full of Pepsi. "To friends," he says solemnly, then ruins it by adding, "and to hopefully not dying horribly in the near future!" "Connor!" Amelia hisses, but we''re all laughing. As I clink my glass with the others, I can''t help but wonder if this is the last normal moment we''ll have for a while. MR.3.1 There''s a knock at my door when I''m only half-expecting one, and it startles me out of my thoughts as I''m working on writing up some sort of proposal or another. The amount of paperwork I have to deal with as a city councilwoman is absurd - it''s like, 90% of the job. At least when I was a criminal, I only had to deal with paperwork 60% of the time. The other 40% was stealing shit or planning to steal shit. I''m already missing it. The knock comes again, and I call out, "Come in!" It''s probably just my secretary, but I''m surprised when the door opens and in walks Richard Duvall, the Republican I absolutely wrecked in the special election earlier this month. Speak of the devil and he shall appear - I was just thinking about how much I hated this rat bastard. He''s dressed like your typical office worker, tie and all, but I can see his fake smile from a mile away. His hairline is receding faster than glaciers in the Arctic, and I have to resist the urge to make a snide comment about it. "Richard," I say, plastering on my own fake smile, "what a surprise. To what do I owe the pleasure?" He chuckles, that fake, politician''s chuckle that makes my skin crawl. "Maya, Maya, Maya," he says, shaking his head like we''re old friends. "Can''t a guy just stop by to congratulate his opponent on a well-fought campaign?" I resist the urge to roll my eyes. Well-fought, my ass. I crushed him 80-20. It wasn''t even close. But I play along, standing up from my desk and walking around to greet him properly. "Of course, Richard. How thoughtful of you." I extend my hand for a shake, but he surprises me by going in for a hug instead. I stiffen for a moment before reciprocating, reminding myself to play nice. As we pull apart, he gestures to the window behind my desk. "Some weather we''re having, huh? All this snow¡­ you wouldn''t happen to have anything to do with that, would you?" I laugh, but it''s a hollow sound. "Oh, Richard, you know I haven''t used my powers in years. The government would fine me a million dollars for every unauthorized geometeorological event. Besides, I''m more of a sun and clear skies kind of girl." He nods, his eyes glinting with something I can''t quite place. "Right, right. Of course. Wouldn''t want to upset the bureaucrats, would we?" There''s an edge to his voice that puts me on alert. Something''s not right here. I decide to cut through the bullshit. "But clearly you''re not here to chat about the weather, so what is it you''re really here for, Richard?" His smile falters for just a second before he regains his composure. "Straight to the point as always, Maya. I like that about you." He pauses, clearly for dramatic effect. "I''ve been hearing some¡­ interesting rumors lately. About you." I raise an eyebrow, keeping my face carefully neutral. "Oh? And what kind of rumors might those be?" He leans in, lowering his voice conspiratorially. "Well, word on the street is that Maya Richardson, our newly elected city councilwoman, might have some¡­ connections to a certain organization. The Kingdom of Keys, I believe they''re called? Ring any bells?" I feel my heart rate pick up, but I don''t let it show on my face, because I''m a professional. I squeeze my brain until my heart beats normally. It takes seconds. A flutter, at most. Instead of responding, I laugh, loud and dismissive. "The Kingdom of Keys? That gang of superhuman mobsters causing trouble up and down the east coast? Richard, please. I thought you were smarter than that." He doesn''t back down, though. His eyes are locked on mine, searching for any sign of weakness. "Maybe I am, Maya. Maybe I''m smart enough to know when something doesn''t add up. Like how a former superhero suddenly decides to run for office, right when this Kingdom starts making big moves in Philly." I lean back in my chair, crossing my arms. "That''s quite a leap you''re making there, Richard. You got any proof to back up these wild accusations?" He smirks, and I feel a chill run down my spine. Not out of fear, just disgust. "Proof? Well, not yet. But I''ve got my ear to the ground. And you know what else I heard?" I raise an eyebrow, silently prompting him to continue. He leans in again, his voice dropping to a near-whisper. "They''re going to steal a rhinoceros. Can you believe that? A whole darn rhino." I can''t help it - I burst out laughing. "A rhinoceros? Really, Richard? That''s what you''re going with?" He looks taken aback by my reaction, which only makes me laugh harder. "I''ve heard the rumors too - baseless drivel from a schoolgirl riling up the local superhero population. The one who got her fifteen minutes of fame when that neo-Nazi Patriot beat her up at homecoming? Now she''s just spreading whatever wild stories she can come up with to stay relevant."Stolen content warning: this content belongs on Royal Road. Report any occurrences. Richard''s face falls, and I know I''ve hit the nail on the head. "How did you-" he starts, but I cut him off. "Richard, I''m a politician now. It''s my job to know what''s going on in this city. And right now, what''s going on is that you''re making a fool of yourself with these ridiculous accusations." I stand up, walking around my desk to face him directly. "Let me get this straight. You think that your political opponent, a known superhuman with known powers, is secretly a member of a notorious gang of other superhumans, and your plan is to¡­ what, exactly? Blackmail me? How do you foresee that going for you?" He stutters, clearly thrown off balance. "I¡­ I have evidence, Maya. Things that suggest a connection to the Kingdom. Skeletons in your closet that you might not want the public to know about." I laugh again, but this time it''s cold and harsh. "Evidence? Like what, Richard? Some vague rumors and a teenage girl''s wild imagination? You''re going to need a lot more than that if you want to play in the big leagues." He stands up straighter, trying to regain some of his bravado, as he reaches into his other pocket and pulls out a wad of folded papers, smacking them in his hands. "This evidence. And the digital evidence in my emails. You''re going to threaten me now? Make it rain in your office? Summon a little tornado? Get real, Maya. I did my research. I know what your powers are. You''re no threat to me." I smile, and it''s not a nice smile. It''s the kind of smile that makes people remember that I used to be a superhero, and that there''s a reason I was feared even then. "Oh, Richard. You''re adorable." He swallows hard, but he''s not backing down. Instead, he reaches for his pocket. "That''s okay. I recorded this entire conversation. I''m sure people would love to hear your vague threats towards me." My smile widens, straining my cheeks, and I hold up his tape recorder - the one I pickpocketed from him when we hugged earlier. The one in his other pocket. "Looking for this, Richard?" The color drains from his face as he realizes just how badly he''s fucked up. I toss the recorder from hand to hand, watching his eyes follow it like a cat tracking a laser pointer. "You know, Richard, I''m feeling generous today. So here''s what we''re going to do." I set the recorder down on my desk and start taking off my jacket. "We''re going to go for a little ride, you and I. Clear the air, so to speak." His eyes widen in panic. "What? No, I''m not going anywhere with you!" I laugh, holding my arms out to my sides. "Relax, Richard. Look, I''ll even let you pat me down. No guns, no tasers, nothing but my wallet and my phone. Unlike you, I don''t feel the need to engage in skulduggery." I turn around slowly, letting him see that I''m not hiding anything. "Come on, take a ride with me. I can''t hurt you if you''re not outside, right? I''ll tell you everything. Scout''s honor." He hesitates, clearly weighing his options. Finally, he nods, his curiosity apparently overcoming his fear. "Fine. But this better not be some kind of trick." I lead him out of my office and down to the parking garage, where my sleek black Audi is waiting. "Get in," I tell him, gesturing to the back seat. He complies, though I can see the tension in every line of his body. As I slide into the driver''s seat, he clears his throat. "Where exactly are we going?" I start the engine, the purr of it filling the enclosed space. "We''re getting lunch," I say casually, as if this is a perfectly normal situation. "I''m hungry. My treat. You like Checkers? There''s one on Broad Street - their mozzarella sticks are insane." He doesn''t respond, just stares at me like I''ve grown a second head. I pull out of the parking garage and onto the street, the snow falling gently around us. "We''re going to get food, and then I''m going to kick you out of my car in front of your house and you''ll go home and forget this happened. Sound good?" The silence in the car is thick enough to cut with a knife. Richard sits stiffly in the back seat, his eyes darting between me and the passing scenery outside. I can practically hear the gears turning in his head as he tries to figure out what my angle is. Me? I''m just enjoying the drive. Philly looks beautiful in the snow, all soft edges and muffled sounds. We pull into the Checkers drive-through, and I roll down my window to place our order. The kid at the window does a double-take when he sees me. "Councilwoman Richardson? Is that you?" I flash him my most winningest smile. "Sure is, honey. How''s your mom doing? She still working at the library?" The kid beams, clearly thrilled to be recognized. "Yes ma''am, she is! She''ll be so excited to hear I saw you!" I laugh, warm and genuine. "Tell her I said hi, will you? Now, let me get two orders of those amazing mozzarella sticks, a Big Buford for me, and¡­" I glance back at Richard, who''s looking increasingly bewildered. "What''ll you have, Richard?" He mumbles something about a chicken sandwich, and I relay the order to the kid, who''s still grinning from ear to ear. As we pull up to the window to pay and collect our food, I can''t help but notice the warm reception I get and the complete lack of recognition for Richard. It''s almost funny, in a sad sort of way. Here''s a man who thought he could be a big shot politician, and the kid at the drive-through window doesn''t even give him a second glance. We get our food and I pull out of the parking lot, heading in the general direction of Richard''s house. The smell of greasy fast food fills the car, and I dig into my burger with gusto. Richard picks at his chicken sandwich, clearly too nervous to have much of an appetite. After a few minutes of silence broken only by the sound of chewing, I decide it''s time to have our little chat. MR.3.2 "You know what I hate about you, Richard?" I say conversationally, as if we''re just two friends shooting the breeze. He stiffens in the back seat, but I continue before he can respond. "It''s the fact that you''re a Republican and you mean it. Sure, I may work for an organization of national interest, a mob of superhumans who commit various high-profile crimes for the sake of profit, but we try not to kill unless we have to." I take another bite of my burger, chewing thoughtfully before continuing. "You, on the other hand? You kill as a side effect of existing. I''ve only ever shot a couple of men in my life. Your policies, thank God they never got enacted, would lead to more people than that dying just on the second-order effects. Starvation. Medical bills. Homelessness. You''re a worse murderer than I am, and you don''t even know it." I glance in the rearview mirror to gauge his reaction. He''s gone pale, his chicken sandwich forgotten in his lap. "Or maybe you do know it and you don''t care," I muse. "At least when I shoot people in the fucking brain, it''s out of necessity. For you, it''s not even a matter of doing business. I never kill someone and rob them. I kill someone because they get in my way. You kill people¡­ for fun?" I shake my head. "You''re repugnant. You''re the human equivalent of a vomit stain in the carpet. People love me because I talk like them, I walk like them, I live in this city and I love this city. I live in this country and I love this country. I''m polite to the waiter. I never send back my food even if it sucks. The only person you love is yourself. You''re disgusting." Richard has been cycling through emotions as I speak - fear, anger, indignation, and now, oddly enough, boredom. He lets out a sigh that''s almost exasperated. "Is this supposed to be some kind of moral lecture? I''ve heard it all before, Maya. Of course I have to be individualistic - the only person you can trust in your life to get things done is yourself. If a couple of lowlifes can''t scoop themselves out of the gutter, that''s their problem, not mine." He shakes his head, a hint of confusion creeping into his voice. "What I don''t understand is how you can relate to them, what with your upbringing. You even went to a good school. You could''ve done anything you wanted." I let out a laugh that''s more like a bark. "Anything I wanted? You mean like becoming a superhero? Been there, done that, got the t-shirt. Or maybe you mean becoming a respectable politician like yourself?" I snort derisively. "Yeah, that worked out great for you, didn''t it?" I abruptly change topics, catching him off guard. "What do you know about ''secondary powers'', Richard?" He laughs, but it''s a nervous sound. "Are you trying to intimidate me? Yeah, I know that people with powers get side-effects that make it harder for their powers to hurt them. What, so you don''t get cold in the rain? You''re always a perfect 98 degrees internally even in windchill? Oh, I''m so frightened." The sarcasm in his voice is thick enough to spread on toast. But he is frightened. I smile, but it''s not a nice smile. It''s the kind of smile a shark might give right before it takes a bite out of you. "The reason I''m so beautiful," I say, my voice dripping with false modesty, "besides the fact that God loves me more than you, is because my skin and organs are hyper-elastic, so I look - and fuck - like a 25-year-old. My blood contains proteins that prevent the formation of gas bubbles in my circulatory system, and my body stores and carries oxygen better than yours does. There are extra tubes in my face. I never have problems with my ears popping on airplanes. I''ve never broken a bone." Richard laughs again, but there''s an edge of unease to it now. "This is all a little overkill for weather control. You going to pick a fight with me with your reinforced bones? You gonna knock my teeth in, little girl?" I laugh right back at him, and the sound fills the car. So much laughter going on today, and none of it genuine. "You think my power is weather control?" Richard''s laughter dies in his throat. He''s starting to sweat now, his face turning an interesting shade of red. "That''s what your LUMA says," he protests weakly. "I have the documentation right here in my hands." I shake my head again, hitting my turn signal as I merge onto another lane. "Oh, Richard. You poor, naive little man. In an enclosed space, 300 PSI is all that''s needed to collapse your organs and start breaking your bones. More than that would crush your ribs. I could turn you into a fine paste. I could crumple any vehicle you want to be in like a tin can against a frat boy''s head." As I speak, Richard starts gasping for breath. He''s squirming in the back seat, making undignified squealing noises. "This car is modified," I explain calmly, as if I''m giving a lecture. "A 300 psi differential would make any normal car explode. Even my beautiful baby wouldn''t like that much air pressure."Unauthorized use of content: if you find this story on Amazon, report the violation. Richard''s skin is bright red now. He''s frothing at the mouth, his eyes bulging in their sockets. My voice gets quieter, barely audible over the whooshing sound that''s filling the car, as the sound carries worse and worse. "But here''s the thing, Richard. I didn''t raise the air pressure. I lowered it." I watch him in the rearview mirror, narrating his final moments with a detached curiosity. "Soon, the interior of this car will be a vacuum. And while I can withstand hypoxia better than any normal human, you¡­ well, you can''t." There''s a loud hiss that sort of expels itself from the inside of his torso, as all the air inside of his lungs rather violently becomes out of his lungs. I park the car, feeling the lights starting to sparkle at the edges of my vision, my body straining against the near-perfect lack of air. I can''t tolerate this for long. He writhes with increasing effort and decreasing results. It takes no more than another 10 seconds for him to pass out. Then, his body gives one last, feeble twitch before he goes still, blood leaking from his nose as an embolism works its way through his body. He dies ignominiously, slumped in the back seat of my car, parked only a couple feet away from his home. I praise the snow. It''s basically impossible to see anything in these conditions. Makes my life easier. I release the vacuum, and the windows bow slightly with the sudden change in pressure. I take a deep breath, savoring the rush of oxygen back into my lungs, and let my vision return to normal. Then, moving quickly and efficiently, I get out of the car and open the back door. I pull on a pair of rubber gloves from the glove compartment - always be prepared, that''s my motto - and grab Richard''s body. It''s heavier than I expected, but I manage to drag it out of the car and up to his front door. I use the copy of his house key that I had made weeks ago - knowing his schedule better than he did himself was just good business, after all - and haul his corpse inside. I position him carefully in front of the TV, making it look like he simply fell asleep watching the news. A heart attack, maybe. Or a stroke. A normal, working man''s embolism. Something suitably mundane for a man who lived such a banal, uninteresting life. His wife will come home from her job, since obviously I have her schedule memorized, too, and find him dead. It''s as simple as that. Satisfied with my work, I dust off my hands and head back to my car. As I drive away, I can''t help but feel a sense of accomplishment. One less rat in the world. The snow continues to fall, covering my tracks and washing the city clean. I smile to myself, thinking about all the good I''ll be able to do for this city.
I pull into my reserved parking spot at City Hall, taking a moment to check my appearance in the rearview mirror. Not a hair out of place, not a hint of the violence I just committed visible on my face. Perfect. As I step out of the car, I''m greeted by a gust of cold wind that whips snow into my face. For a brief moment, I''m tempted to use my powers to calm the weather, to create a bubble of stillness around me. But old habits die hard, and the fear of those million-dollar fines is deeply ingrained. Instead, I pull my coat tighter around me and hurry towards the building. As I walk, I nod and smile at the various staffers and officials I pass. They all return my greetings warmly. Everyone loves me, as usual. Back in my office, I settle into my chair with a sigh. The adrenaline from my encounter with Richard is starting to wear off, leaving me feeling drained. But there''s no time to rest - I have a city to run, after all. I pull up my schedule for the rest of the day: meetings with constituents, a conference call with the zoning board, and prep work for tomorrow''s council session. It''s a far cry from planning heists or coordinating Kingdom operations, but in many ways, it''s just as challenging. And, if I''m being honest with myself, just as thrilling. There''s a certain rush that comes with wielding legitimate power, with knowing that your decisions can shape the lives of millions. Thousands, for now, but I''m sure it''ll be millions eventually. It''s a different kind of high than what I got from my criminal activities, but no less intoxicating. As I start reviewing documents for my next meeting, my phone buzzes with a text. It''s from Mr. Nothing. "Heard about Duvall from E. Clean job. The boys send their congratulations." I type out a quick response: "Just taking out the trash." The rest of the afternoon passes in a blur of meetings and phone calls. I find myself slipping easily into the role of dedicated public servant, listening to constituents'' concerns and promising to look into various issues. It''s not all an act, either. I genuinely do care about making this city better, even if my methods are unorthodox. And then, I''m ready to head home. God''s in his heaven, all is right with the world. Chapter 133.1 There are only so many times you can walk around a zoo before you memorize everything. At first, it was about mapping the place in my head, you know, figuring out all the paths and shortcuts. Where the snack stands are, where the bathrooms are. Which enclosures are closest to the exits, and which ones are hidden in weird little corners. That kind of thing. But now I''ve been here so much, I''ve started noticing stuff that I bet even the zookeepers miss. Like the way the flamingos don''t actually stand on one leg when it''s cold out. Or the exact number of times the big male orangutan in the Primate Reserve throws his banana peel before he loses interest and just eats it. Three. It''s always three. After Thanksgiving, it became kind of a routine. School, zoo, home, repeat. Every day I''d find something new to focus on, something to keep my brain busy while I watched. The animals were part of it, but mostly I was watching the people. The workers, the families, the couples on dates who thought they were the only ones who came up with the idea of a romantic zoo trip. And the construction crews. Those guys have been here since before Thanksgiving, moving bricks and tools and doing, like, construction things. I''m not an architect. And they sure are legitimately building shit in this here zoo. The first day I came, I thought I was being ridiculous. Who spends their afternoons watching construction workers? Me, apparently. I couldn''t help it. It''s not like they were doing anything suspicious. They were just fixing a wall or something near the Reptile House. But the way they moved, the way they looked around--like they were waiting for something--made my skin crawl. I''ve been around enough shady people to recognize the signs. Or at least I think I have. Maybe I''m just paranoid. But when you''ve fought a guy who turns bricks into shrapnel, you start to notice weird things about construction sites. Every day, after school, I''d head straight to the zoo. No stopping for snacks, no hanging out with friends. Just straight there, past the front gate, nodding to the same bored security guards who probably thought I was some kind of zoo superfan. By the third day, they barely even looked at me when I came in. I guess when a teenager shows up at a zoo every day, it stops being interesting. I spent a lot of time in Bear Country. Mostly because it''s quiet over there, tucked away from the main paths, and the bears are always out. Even when it''s freezing. There''s something about the way they move, slow and heavy, like nothing bothers them. It''s calming, in a weird way. I could watch them for hours. And sometimes I did. Just sitting there, watching them lumber around, wondering what it would be like to be a bear for a day. Probably a lot simpler. But even with the bears, I couldn''t shake that feeling in the back of my mind. That something was about to happen. That the Kingdom was watching, waiting, just like me. I tried to keep it together, to act like this was just some weird hobby I picked up, but every time I saw a new face or a group of guys in hard hats, my heart would start racing, like I was waiting for them to pull out guns or something. They never did. The penguins were another favorite. I''d go to Penguin Point when I needed to cool off. No pun intended. There''s something about watching a bunch of birds in tuxedos waddle around that makes you forget about, well, everything else. And when they dive into the water and pop back up like little rockets? It''s like they don''t even care how ridiculous they look. I admire that about penguins. On the third day, I started counting how many times the zookeepers came by to feed them. Once in the morning, once in the afternoon. Like clockwork. I made sure to note it. In case it ever became relevant. I wasn''t sure how it could be relevant, but when you''re scoping out a potential heist, you never know what details are going to matter. Maybe the Kingdom''s plan involved penguins. Maybe I was going insane. Most of the time, I tried not to let it get to me. The waiting. The feeling of impending doom. I''d walk from the rhino enclosure to the Reptile House and back, keeping an eye on everything, but pretending I was just a normal kid enjoying the zoo. I''d even stop to talk to the keepers sometimes, just to seem less suspicious. Most of them didn''t pay much attention to me. Except for Mack. Mack was one of those guys who was always around but never in a rush. Like, no matter what was happening, he had time to chat. I think that''s why I liked him. He was the kind of person who made you feel like there wasn''t anything urgent happening, even when you knew there was. I spent a lot of time pretending to be interested in the bears just so I could stand near him, listening to him talk about their hibernation schedules or how much they ate in the winter. It was weirdly comforting. One time, I asked him if the bears ever noticed when the zoo was empty. He just shrugged and said, "Bears don''t care about people, kid. They care about food and sleeping. And maybe the occasional tree to scratch their backs on." I guess that''s true. But I couldn''t help wondering if the animals knew something was up, too.Taken from Royal Road, this narrative should be reported if found on Amazon. The rhinos were a different story. I never really liked the rhino enclosure. There was something too... exposed about it. The fence was too low, the animals too big. It felt like one wrong move and they''d just barrel through the wall and into the city. I knew that wasn''t going to happen, obviously, but that didn''t stop me from feeling uneasy every time I walked by. And then there were the construction guys. Always hanging around, moving bricks, building things that never seemed to get finished. It was like they were waiting for something, but I didn''t know what. At first, I tried to tell myself it was just a coincidence. Maybe the zoo really did need this much construction work. Maybe it was just a busy season for renovations. But the longer I watched, the more I couldn''t shake the feeling that they weren''t here for the zoo at all. I started keeping track of the workers, too. How many there were, what they looked like, when they showed up. There were always about ten of them, give or take. Same faces, same uniforms. Except for one day, when there were eleven. A new guy. He was shorter than the others, kept his head down, didn''t talk to anyone. I watched him for almost an hour, just to see if he''d do something suspicious. But all he did was move bricks, and stack them, in the way that a construction worker probably does. Still, I wrote it down. Just in case. Diane would love to see my notes on this surveillance. The Reptile House was another spot I kept an eye on. It wasn''t as busy as the other parts of the zoo, especially in the winter. People don''t seem to care as much about snakes and lizards when it''s freezing outside. But I cared. I spent a lot of time in there, pretending to be interested in the animals, but really just watching the door. It was always warm in there, though, which made it a good place to thaw out after spending too much time outside. The snakes would just lie there, motionless, like they were conserving energy for something big. Maybe they were. I started wondering if the Kingdom would go after the reptiles. Stealing a bunch of snakes instead. To do what, assassinate someone? That''s stupid, surely they have better ways of doing this. A week. I''ll give it one more week, I told myself. One more week, and if nothing still happens, I''d cut my losses. It doesn''t have to be me. There are other heroes out there. That''s what I told myself. I''m not sure when it happened, but at some point, I started getting paranoid about the animals themselves. Like, what if the Kingdom wasn''t here to steal something? What if they were here to use the animals? What if Mrs. Xenograft was going to show up, fuse something crazy to something else crazy, and send it on a murder spree? I spent an entire afternoon watching the orangutans, waiting for one of them to start acting weird. But they didn''t. They just threw banana peels. Three times, like always. I even started keeping track of which animals seemed more active on certain days. The bears were always out, like I said, but the big cats? They barely moved when it got cold. I''d watch the tigers for hours, waiting for one of them to do something interesting, but they mostly just slept. Maybe they knew something I didn''t. Maybe they were just lazy and cold. And then there were the flamingos. I never spent much time watching them before, but after a week of coming to the zoo, I started noticing how they all stood in a circle when it snowed, like they were huddling together for warmth. I''m pretty sure that''s not a normal flamingo thing. I made a note of it, just in case. I don''t know what''s a normal flamingo behavior and what isn''t. The zookeepers probably thought I was weird. I''d spend hours just wandering from one exhibit to the next, not really saying anything, just watching, occasionally writing things down, always bundled up for the snow. I tried to blend in, to act like I was just another visitor, but after a while, I''m sure they noticed. I wasn''t exactly subtle about it. Mack was the only one who ever asked me what I was really doing there. "You''re not just here for the animals, are you, kid?" he said one day, leaning against the fence of the rhino enclosure. I shrugged, trying to play it off. "Maybe I just like zoos." He gave me this look, like he knew exactly what I was up to but didn''t feel like calling me out on it. "Well, if you''re planning to liberate the penguins or something, just let me know so I can take my break." I laughed, but it didn''t reach my eyes. I wasn''t planning to liberate the penguins. I was planning to catch a bunch of criminals in the act. But I couldn''t exactly say that. So I just kept coming back, every day, waiting for something to happen. By the time December rolled around, I was on edge all the time. Every little thing set me off. A new face in the crowd, a delivery truck that seemed out of place, a bird flying too close to the rhino enclosure. I couldn''t shake the feeling that something big was coming, and I wasn''t ready for it. I tried to keep my distance from the construction workers, but they were everywhere. No matter where I went, I could see them. Moving bricks, carrying tools, talking in low voices that I couldn''t quite hear. I started getting this sick feeling in my stomach every time I saw them. Like they were watching me, too. The worst part was that I couldn''t do anything about it. I couldn''t just walk up to them and ask what they were doing. I couldn''t call the cops, because what was I going to say? "Hey, I think these construction workers are planning something shady because they look suspicious and move bricks weird"? Yeah, that wasn''t going to fly. So I just kept waiting. And watching. And writing everything down. The number of workers, the times they showed up, the routes they took through the zoo. I even started drawing little maps in my notebook, marking the spots where they seemed to linger the longest. The Reptile House, the rhino enclosure, the entrance near the Bear Country. I wasn''t sure what I was expecting. Maybe a big announcement over the zoo''s PA system, like "Attention visitors, please evacuate immediately, a gang of supervillains is about to steal a rhinoceros." But it never happened. The days passed, and nothing changed. I can''t tell you why, but I know that today is different. Chapter 133.2 Today''s different. I''ve been telling myself that for hours now. It''s not just the snow, or the fact that I''m here all day instead of after school - thank the snow day. It''s something else, something I can''t quite put my finger on. Maybe it''s the way the air feels heavier, thicker, like the zoo itself is holding its breath. Maybe it''s the fact that there are more people here today, even though the animals aren''t exactly putting on a show. Or maybe it''s just the gnawing feeling in my gut that''s been building all week, the one that says this is it, this is the day. I''ve been walking the same paths, doing my usual rounds, but my eyes are darting around more than usual. The flamingos aren''t doing anything particularly interesting. They''re huddled together, their beaks tucked into their feathers, like they''ve given up on pretending they''re tropical birds and have fully embraced their inner snowbirds. The bears are out, of course. They''re always out. But even they seem slower today, like they''re conserving energy for something. Or maybe that''s just my imagination. Everything feels like a sign today. I catch sight of Mack near the rhino enclosure, talking to one of the newer keepers. They''re standing too close together, and I can''t hear what they''re saying, but there''s tension in the way Mack''s shoulders are hunched. He glances around, his eyes scanning the zoo like he''s expecting something, too. I walk over, pulling my scarf tighter against the cold, and when he spots me, his face softens just a little. "Kid," he says, nodding at me as I approach. "You look like you''re about to fight someone." "I''ve got that bad feeling again," I say, my voice low. "Today''s different, Mack. I don''t know why, but it is." He sighs, rubbing the back of his neck. "You''ve been saying that for a week." "Yeah, well, I''m saying it again. There''s more people here than usual. A lot more adults. They''re all bundled up, too, and not just because it''s cold. Look at them." I nod toward a group near the Reptile House. "They''re not looking at the animals. They''re not tourists. They''re¡­ something else." Mack follows my gaze, frowning. "You think they''re with those guys you were talking about before?" "I don''t know. Maybe. Probably. I''m not saying it''s a definite, but it''s weird, right? And those construction guys--they''re still here, even though it''s been snowing for two days straight. Who works in weather like this? They haven''t stacked a single brick. Who''s paying their overtime?" Mack doesn''t answer right away, other than a mild chuckle at my overtime comment. He looks down at his phone, then back at me, his expression unreadable. "I''ve been trying to keep an eye on things," he says finally. "I''ve told the other keepers to stay alert, just in case. But I can''t exactly sound the alarm without, you know, an actual alarm to sound." "I know," I mutter, glancing around again. "But I''m telling you, Mack, something''s up today. It''s too¡­ quiet." And it is. The whole zoo feels like it''s holding its breath. Even the animals seem off. The flamingos haven''t moved from their huddle. The bears are pacing, but slower than usual. And I haven''t seen the rhinos in over an hour. Not that I''m complaining about that last one--those things freak me out--but still. Something''s not right. "I''ll spread the word," Mack says, pulling out his phone again. "But you''ve got to promise me you won''t do anything stupid, alright? If something does happen, let the professionals handle it." I raise an eyebrow. "You calling me an amateur?" He doesn''t laugh, which makes me feel like I''ve been kicked in the stomach. Instead, he gives me that look, the one that says you''re a kid, stop trying to be a hero. I hate that look. But before I can say anything else, he''s already texting someone, probably one of the other keepers. "Just stay safe, okay? I''ve got a bad feeling, too." That''s the thing about bad feelings. When you''ve had them as often as I have, they stop being vague, abstract things. They start becoming almost real, like a physical weight in your chest. You can''t shake them, no matter how much you tell yourself you''re just being paranoid. And today? Today, it feels like there''s a brick sitting on my ribs. I''ve been on edge for days, but this is different. Today is different. I keep walking, my eyes scanning the crowd. The construction guys are still at their usual spot, stacking bricks like they''re building the world''s most boring snowman. There are more of them than usual today, too. I count twelve, maybe thirteen. Normally there''s about ten. That alone is enough to set off alarm bells in my head. I pull my phone out, my thumb hovering over the screen, debating whether to text Jordan or call Multiplex. The decision gets made for me. A loud crash, like metal being torn apart, echoes through the zoo. It''s so loud, it feels like the ground itself shudders beneath my feet. My head snaps toward the rhino enclosure, and my heart stops. Standing there, towering over the fence that''s now half-destroyed, is Mr. T-Rex. Full-on dinosaur mode, with a god damn dinosaur-sized blanket - a cloak? draped over his neck, tied with rope. His massive tail swipes through the air, knocking over a sign like it''s made of paper. His roar--oh God, that roar--is louder than I expected. Louder than anything I''ve ever heard besides the first time he roared a year ago. The families nearby are screaming, running in every direction, trying to get as far away from the giant dinosaur as possible.The story has been stolen; if detected on Amazon, report the violation. My brain freezes for a second, unable to process what I''m seeing. It''s not like I wasn''t expecting the Kingdom to show up eventually, but there''s something about actually seeing a T-Rex tearing through a fence that still manages to break whatever mental preparation I thought I had. Then, it hits me. This isn''t a heist. This is a siege. They''re not here to sneak around or pull off some clever trick. They''re here to take what they want and leave nothing but destruction behind. "Holy shit," I mutter under my breath, already moving toward the nearest cover. My heart is pounding, and my mind is racing through every possible scenario, every plan I''ve come up with for this exact moment. I had the vague impression that maybe Mr. T-Rex would come out to play, given the scales of the animals in question here, but not just¡­ show up. I don''t know, tow a truck or something. Not show up and start demolishing things. I grab my phone and call Multiplex. "Hey," I say, trying to keep my voice steady. "You need to get here. Now." His voice is calm, too calm, on the other end of the line. "I''m already here." Of course he is. I look up, and sure enough, I see two of his duplicates moving toward Mr. T-Rex, trying to corral him away from the fleeing crowds. It''s not going well. One of them gets swatted aside by the dinosaur''s tail, crashing into a nearby food cart, which promptly explodes into a cloud of snow and popcorn and a thin layer of green sludge. "Stay out of sight," Multiplex says. "This is going to get ugly." "You think?" I snap, ducking behind a bathroom building as the chaos spreads. The crowd is panicking, and the goons -- the ones who were pretending to be construction workers -- are already moving in, weapons drawn. I catch a glimpse of one of them pulling out a knife. Another gets a baseball bat out from under their clothes - no wunder they were bundled up. "Stay safe," Multiplex says, and then the line goes dead. I don''t have time to stay safe. I duck into the bathroom, my fingers trembling as I unzip my coat and start changing into my winterized suit. The sounds of battle are already getting louder, but I can''t focus on that right now. I can''t think about the fact that there''s a dinosaur loose in the zoo, or that people are probably getting hurt. I just have to get ready. I just have to help. "They''re going to take hostages," the pit in my stomach tells me. "As leverage, so they can escape." The thought feels too real to ignore, like it''s already happening, and I''m just now catching up. That''s how these things work, right? You don''t storm a zoo with a dinosaur unless you''re planning on leaving with something. I zip up the last of my winterized suit and glance out the bathroom window, heart racing. People are running in every direction, slipping in the snow, crashing into fences and walls. It''s a full-blown panic, and right in the center of it all is Mr. T-Rex, a giant, roaring, prehistoric nightmare. But it''s not just him. There are people in the crowd, too many people, all moving with too much purpose. The ones I saw earlier, bundled up in their thick coats and hats, are throwing off their disguises now. Knives. Bats. Batons. It''s chaos. One of the zookeepers near the lemur island stumbles as she tries to run, and two guys in black jackets make a beeline for her. My pulse quickens. Hostages. They''re going to grab her. I can feel it, like a wave of nausea rolling over me. This isn''t just a robbery. They''re rounding people up. I burst out of the bathroom, my boots crunching in the snow as I sprint toward her. There''s no time to think, no time to plan. I see the guy closest to her -- a big guy with a shaved head -- reaching out, and I tackle him from the side, my shoulder slamming into his ribs, my helmet''s ear jabbing into his side. He goes down with a grunt, and I barely have time to register the shock on his face before I''m up again, standing between him and the zookeeper. "Get out of here!" I shout at her. She doesn''t need to be told twice. She stumbles back to her feet and takes off running, her breath coming in panicked gasps. The guy on the ground groans, but before I can react, the second guy lunges at me, swinging a baton. I duck just in time, nearly feeling the wind of the swing as it passes over my head. I kick out, catching him in the shin, and he stumbles, cursing under his breath. In this knightly armor, I don''t think anyone can get the impression that I''m a girl, or a child. Just that I''m a threat. I hear a roar from behind me -- another one, not Mr. T-Rex this time -- and I turn just in time to see Multiplex, or at least one of his duplicates, grappling with another thug near the entrance to the Penguin Point. There are two of him now, one handling Mr. T-Rex, and the other trying to keep these smaller fires from spreading. But it''s not enough. There are too many bad guys, more than I expected, more than anyone expected. I swing back just in time to dodge another hit, this time from the guy I''d tackled. He''s back on his feet, looking angrier than before. His baton comes down hard, aiming for my shoulder, but I sidestep and grab his wrist, twisting it as hard as I can, starting to push teeth out from my fingertips. Something that never gets old. He lets out a yelp, but before I can finish the move, I hear Mack''s voice behind me. "I''ve got this one!" he shouts, and then I hear a hiss, followed by the big guy dropping his baton and clutching his face. Pepper spray. Mack''s got him, and he''s not pulling any punches. The guy falls to his knees, trying to rub the spray out of his eyes, but Mack kicks his baton out of reach and pulls me behind him. "Told you I wasn''t defenseless, kid." "I never doubted you," I say, my heart still pounding as I scan the area. "But we need to get these people out of here. They''re trying to take hostages." "No kidding," Mack mutters, glancing around. "But there''s too many of them. We''re going to need more than pepper spray." He''s right. There are more goons pouring in from every direction, some coming from the Reptile House, others from the construction site. They''re swarming the zoo, and it''s not just about the rhino anymore. This is about control. It''s about scaring people, taking them, using them as bargaining chips. And there are too many people in this zoo to protect. I look around frantically. "I need to slow them down. I need to--" A loud shout interrupts me, and I see a group of three thugs chasing after a mother and her kid, both slipping in the snow as they try to run. My heart leaps into my throat, and before I know it, I''m running again, my feet barely touching the ground. Chapter 133.3 I reach them just as one of the thugs grabs the mom by the arm, pulling her back. "Let go of her!" I shout, swinging my fist toward his face. He dodges, but barely. The mom stumbles backward, clutching her kid, and I position myself between them and the thugs. "You don''t want to do this," I say, my voice low, trying to keep it steady. "Let them go." The thug grins, his teeth blindingly straight and white. "Or what? You gonna stop us, kid?" I don''t answer. I don''t have time to. I lunge forward, grabbing the guy by the collar and yanking him down into the snow. He struggles, but I''ve got the leverage, and I bring my knee up into his stomach. He wheezes, the air knocked out of him, but before I can finish the move, one of the other thugs grabs me from behind, his arm wrapping around my neck. "Little hero thinks she can play with the big boys," the guy behind me sneers, tightening his grip. "Don''t look down on me," I hiss, sinking my fingertips into his arm and raking. He lets go with a loud, angry yelp as teeth jut out from my fingertips, cutting through his skin like butter. I can feel the warm pulse of his blood spreading under his skin, his whole circulatory system lighting up in my mind''s eye like a neon sign. He''s trying to pull away, but I know exactly where he''s moving before he even makes the decision. I twist my arm free, spinning around to face him, and he stumbles back, clutching at the shallow wounds I left on his arm. I can see the panic in his eyes now, the way he''s trying to mask it with bravado, but it''s not working. Not when I''m already thinking about where to strike next. "You think I''m just some kid?" I snap, my voice low and cold as I flex my knuckles, more teeth pushing out just beneath the surface. They''re not for show, and he knows it. "I eat pieces of shit like you for breakfast. You don''t want this." He hesitates, his eyes darting toward his buddy, but I don''t give him a chance to regroup. I throw a punch, fast and hard, the teeth jutting out from my knuckles as they connect with his chest. I don''t drive them in deep--just enough for him to feel the sharp edges biting into his skin, ripping through his clothes, exposing slivers of skin to the air. Just enough to make him realize how much worse it could be. "Get off!" he gasps, trying to shove me back, but I''m already moving, twisting out of his reach and shoving him down into the snow. His friend, the one with the baton, swings at me again, but I see it coming before he even raises his arm, out of the corner of my eye. He''s already bleeding - from what, I don''t know, maybe a scab, maybe another fight. His heart is hammering in his chest, too fast, too panicked. He''s already on the back foot, and he knows it. I duck under his swing, jabbing upward with my elbow. More teeth, smaller this time, jut out from my joint as it makes contact with his ribs. He staggers back, clutching his side, and I see the flash of recognition in his eyes. He knows who I am. "Bloodhound," he mutters, his voice thick with pain. "It''s her." "Yeah, it''s me," I say, not giving him a chance to recover. "So what are you gonna do about it?" He takes a step back, eyes flicking to the guy I''ve already taken down, then to the chaos erupting around us. "You know how much money--" he starts saying to the other guy. Not a smart move. Don''t gab in a fight unless you have the space for it. I close the distance between us in a second, my fist launching out and catching him in the ribs. I''m in peak human condition for a 15 year old girl and I know how to box - he''s a stumpy criminal with no training. He coughts up blood. "You came here thinking you''d just walk out with hostages, huh?" My knuckles press into his chest, the teeth grazing his skin, threatening to go deeper. "Guess again." He groans, his breath ragged, but I don''t let up. I can feel his blood, the way it pulses beneath his skin, slow and uneven now. "You''re going to walk out of here empty-handed, or you''re not walking out at all. Your choice." He doesn''t answer right away, his eyes darting around, looking for help. There''s none. At some point, the other guys around us fled like pussies. It''s just him, me, and the sound of his blood pounding in his veins. And then, as if realizing he''s got no other option, he nods, his body slumping in defeat. "Okay, okay¡­ I''m done." He raises his hands in surrender, his voice barely a whisper.Unauthorized content usage: if you discover this narrative on Amazon, report the violation. "Give me your shit," I say, ripping his weapons out of his hands. "All of it, or I will stab you in the throat." He dumps out stuff from his coat - another collapsible baton, a flip phone, car keys, just general assorted junk. I step on his phone and press down with my heel until it snaps. Then, I stare at him, my eyes just barely visible through my helmet. I don''t know how in G-d''s name this is intimidating to anyone, even with my unnaturally sharp teeth bared. But it works, and I don''t question it. I quickly zip tie his hands together and then haul him like a bag of garbage over to one of the public restrooms, dumping him down on the ground. I''m sure one of his criminal buddies will rescue him at some point, but judging by the chaos around me, I don''t have the time to dwell, to frog-march him to the police sirens I hear in the distance. I glance down at my hands, frowning at the blood left on my gloves. I hate the mess these things make, but there''s no time to think about it now. I flex my fingers, pushing the leftover teeth all the way out like empty bullet casings. They hit the snow with a soft thud, leaving me with nothing but the dull ache in my knuckles and the buzzing in the back of my head from all the adrenaline. But then I feel it--the air shifts, like someone''s moving behind me. It''s fast, faster than I expect, and for a second, I don''t react. I can''t feel him. No heartbeat, no blood trail lighting him up in my mind''s eye. He''s not bleeding. I barely have time to register that before I feel his arm snake around my throat from behind, squeezing hard. I gasp, clawing at his arm, but he''s strong. Stronger than I expected. He yanks me backward, my boots slipping on the icy ground. His grip tightens, cutting off my air, and the world starts to tilt sideways. "Dumb bitch," he growls, his breath hot on the back of my neck. "I''m gonna--" He doesn''t get to finish. A figure crashes into him from the side, the impact sending both of us sprawling into the snow. I gasp for air, rolling to my knees, coughing as I try to catch my breath. When I look up, I see Multiplex, one of them, standing over the guy who grabbed me. His fists are clenched, his expression hard. I don''t even see the moment he gets zip tied into uselessness. It''s all over too fast to catch - I only hear the clicking noise. "You alright?" he asks, not looking at me, his eyes still locked on the thug groaning in the snow. I nod, even though my throat feels raw and my chest is still tight. "Yeah. Thanks." Multiplex glances down at the guy for a second, then back at me, his jaw tight. "You shouldn''t even be here." I bristle, pulling myself to my feet, even though my legs feel shaky. "I''m fine. You don''t need to--" "You disobeyed orders," he snaps, cutting me off. His voice is low, but there''s a sharp edge to it. "You were told to leave this to the adults. To us." "I''m not a kid," I shoot back, wiping the snow off my gloves. "I knew what I was doing." "This isn''t a game, Bloodhound!" he hisses, stepping toward me, his eyes blazing. "This is serious. You''re going to get yourself killed. Don''t you hear the gunfire?" I bite back the immediate anger rising in my throat. "So ground me, then." For a second, I think he''s going to yell at me again, but then he just lets out a sharp breath, shaking his head. "Later," he mutters, turning away. "We''ll talk about this later." "Where are the others?" I ask him, trying to center myself, scanning the chaos for any sign of backup, watching people scatter in the distance. I know the Delaware Valley Defenders are on their way, but we need them now. We need them ten minutes ago. We need them yesterday. This isn''t just a fight anymore. This is a full-blown disaster. "Two minutes," Multiplex says, a fresh duplicate casually checking his phone before running off to who-knows-where to handle more of the crowd. Two minutes. We just need to hold out for two minutes. Easier said than done. "Kid!" comes a voice from behind me, getting closer with loud, heavy footfalls. "Mack!" I shout, turning back to him. "You need to get out of here. Get as many people as you can to safety." "I''m not leaving you here," he snaps, shaking his head. "I''m not--" "I''m fine," I say, my voice firmer than I feel. "But you need to go. You''re not going to be able to fight these guys off with pepper spray. You need to get people out of here." He hesitates, glancing around at the chaos, but finally, he nods. "Alright. But you better be right behind me, kid." "I will," I lie, turning away before he can argue. I watch him run toward the fleeing crowd, his broad shoulders cutting through the panic, guiding people toward the exits. He''ll be fine. I turn back to the fight, my heart pounding. The zoo is a war zone. Mr. T-Rex is still rampaging, his massive form crashing through fences and barriers, while the goons swarm the paths, grabbing anyone they can. I see a Multiplex going toe-to-toe with two thugs at once, but even he''s struggling to keep up. There''s only so many of him to go around I spot another group of hostiles heading toward the kiddie playground, where a group of kids are huddled with their parents. There''s no way I''m letting them get anywhere near those kids. I sprint toward them, my boots slipping in the snow, but I don''t slow down. One of the goons sees me coming and raises his gun, but before he can fire, I slide under him, my legs taking out his balance. He crashes to the ground, and I''m back on my feet in a second, swinging my elbow into the second guy''s face. He goes down, clutching his nose, blood pouring between his fingers. The third guy pulls a knife, but I''m ready for him. I duck under his swing and grab his wrist, twisting it until the knife falls into the snow. He yelps in pain, and I shove him backward, sending him sprawling. I don''t have time to catch my breath. More are coming. Always more. There''s a sound a bit like cannonfire, something loud enough that it makes all of us jump at once. I catch a glimpse of Mr. T-Rex over the tree-line, and then I see the source of the noise, as Captain Plasma accelerates past the sound barrier and slams into Mr. T-Rex hard enough to send him completely on his side. I hear an engine roar behind me, an ATV cramming its way through the emptied, snow-wet pathways, Fury Forge and Crossroads in tow. Finally. I can breathe. Chapter 134.1 The zoo isn''t supposed to feel like this. Zoos are noisy, sure -- animals, kids running around, the weird sounds you hear that you can never quite place. But not like this. This is the wrong kind of noise. It''s like there''s a filter over everything, and all the usual sounds -- the rustling of trees, the hum of people talking, the occasional animal call -- have been replaced with something much darker. Screams. Shouts. And the worst kind of silence. The kind that makes you realize you''re not hearing the things you should. I dart across an open patch of snow, keeping low behind one of the enclosures, and press myself up against the cold stone. It''s slick, icy, but I''m not feeling it through my costume. My focus is scattered, like trying to look at ten different things through one narrow tunnel. All I can really see right now are the hostages. Civilians. The ones the goons are keeping corralled near the snack stands. They''re not moving, and neither are the goons. That should be a good thing, right? They''re not hurting anyone. Not right now. But that''s what''s setting me off. I peek around the edge of the stone, my breath catching as I spot the guy in front. A thick coat, dirty from the snow, and he''s got a gun hanging loosely in one hand, his eyes locked on the group of civilians. They''re huddled together, quiet, scared, waiting. It''s always like this. They wait for you to break. They wait for you to give them a reason. But the thing is-he doesn''t look like he''s waiting for that at all. He''s... still. His shoulders are tense, but his eyes are dead calm, like he''s been told to just stand there and hold position. I watch him for a second longer, then shift my gaze to the others. I duck behind an enclosure wall-the one for the bears-and press my back up against the cold concrete, my breath coming out in short, sharp gasps. The air smells like snow and exhaust, and maybe a little bit like blood, but I''m hoping that''s just my imagination. My gloves are soaked from the melting snow, my fingers all stiff inside them, but I can''t worry about that now. There are too many things going on, and I''m trying to process everything all at once, but my brain is doing that thing where it skips from one thought to another like a broken DVD. Bears, okay, no, not bears, focus on the problem. Hostages. I peek around the edge of the enclosure. There''s a guy -- two guys, no, wait, three -- holding some civilians at gunpoint near the snack stand, and one of them is definitely chewing on a pill. Great. Jumpheads - expected, but unwelcome. The worst part isn''t even the fact that they''re hopped up on Jump, it''s that they don''t seem like they''re paying attention to anything except... holding the line? That''s weird. Normally, they''re more erratic, more chaotic, but these guys are stationed. Standing firm like they''re waiting for orders. And orders mean someone else is in charge. Someone bigger. It feels wrong. I pull back, pressing my gloved hands against the rough stone, forcing myself to breathe slower. The air stings in my throat, sharp and cold, and there''s this weird heaviness in the back of my mouth. My heart''s hammering, but that''s not new. It''s the usual mix of adrenaline and fear, only now it''s laced with something worse, this creeping sense of dread, like I''m standing in the eye of the storm and the other side is about to hit me all at once. I glance over my shoulder, searching for a familiar face. Multiplex is closest. His duplicates are everywhere, guiding civilians out, pushing them toward the gates. I can see him, one of him, near the big fountain, his voice cutting through the air, directing zoo staff with this sharp, no-nonsense tone that he always uses. I try to catch his eye, but he''s already moving, too busy with everything else. He''s managing the evacuation. He''s doing what he''s supposed to do. But me? I don''t know what I''m supposed to do. I clench my jaw, biting down hard enough that I can feel my shark teeth scrape together. That horrible grinding noise in the back of my head. It''s worse because I can''t see the real danger yet. I can hear Captain Plasma off in the distance. The sky keeps flashing like a thunderstorm, and the ground shakes every so often as Mr. Tyrannosaur stomps around, trying to crush anything in his path. There''s no mistaking the sound of Captain Plasma going toe-to-toe with him. The crackling, that weird hum in the air, the sonic booms, he''s the only one powerful enough to keep a literal dinosaur from turning civilians into pavement stains. But that''s not what''s setting off my alarms. It''s not the huge, obvious fight happening on the other side of the zoo. It''s this. Right here. Right now. Why aren''t they doing anything? I push myself away from the wall and start moving again, ducking low as I make my way toward the path where Multiplex is. My feet crunch through the snow, too loud in my ears, too sharp. I''m moving too slow. Or too fast. I don''t know. Everything feels wrong, and I can''t get my mind to stop running in circles long enough to figure it out. The civilians are still huddled near the snack stands, the Jumpheads still standing guard, and every time I glance at them, the feeling gets worse. They''re just holding position. Why? By the time I reach Multiplex, I''m almost out of breath, my heart slamming in my chest. It''s not the running. It''s the frustration, the feeling that I''m the only one seeing this for what it is. Everyone''s focused on the obvious. Captain Plasma is dealing with Mr. Tyrannosaur, Fury Forge is repurposing her firefighting gadgets to keep the Jumpheads down: smoke grenades, expanding foam, anything that can slow them down without putting civilians at risk. Bulwark is pushing his way through the fence near the bear enclosure, his stone armor crackling as he moves like a human steamroller. They''re all busy. All doing their jobs. But I''m watching the cracks in the plan, the things that aren''t adding up, and it''s making my skin itch. "Hey!" I call out, waving to get Multiplex''s attention. He''s mid-conversation with a zoo worker, but one of his duplicates breaks away to come over to me, forming out of him like a cell dividing - a green glob sort of peeling off of him. His expression is tight, focused, but there''s this edge of annoyance in his eyes when he stops in front of me.Unauthorized use of content: if you find this story on Amazon, report the violation. "What''s up, kid?" He''s still scanning the area, already halfway back into his evacuation routine, like I''m just another piece of the chaos to deal with. "I think something''s wrong," I say, trying to keep my voice steady. "The bad guys. They''re not pushing forward. They''re not retreating out the fence. They''re just standing there, like they''re waiting for something." Multiplex frowns, glancing past me toward the group of hostages. He watches for a second, his brow furrowing like maybe he sees it, maybe he understands, but when he looks back at me, his expression hardens again. "Look, we''ve got bigger problems right now," he says, his tone clipped, flicking his head towards Captain Plasma shooting through the air like a human missile. "Trying to keep this from becoming Jurassic Park. Just focus on getting the civilians out. We''ll handle it." I bite back the frustration that''s crawling up my throat, my hands balling into fists. "But they''re waiting for something. It doesn''t make sense. They should be doing more by now. This-" "Bloodhound," Multiplex interrupts, his voice sharper this time. "I said we''ll handle it. Go help with the evacuation." I stare at him, my mind racing, trying to find the words to make him listen, but they won''t come. Everything''s stuck, a mess of thoughts and feelings that I can''t untangle fast enough. I know I''m right. I know something''s wrong. But he''s already looking away, already moving on to the next thing. To him, I''m just another distraction in a sea of distractions. And that makes the knot in my stomach twist even tighter. "Fine," I mutter under my breath, turning away from him and biting down so hard on my lip I can taste blood. Fine. If no one''s going to listen to me, I''ll figure it out myself. I don''t need permission. I don''t need anyone to believe me. I just need to follow my gut. I take a few steps back, into the cover of a crumbling wall near the bird enclosure, letting myself fade into the background for a minute. I can hear the battle raging on around me. Mr. Tyrannosaur''s roar shakes the ground again, and somewhere across the zoo, there''s another massive crash as Captain Plasma throws him into something solid. The air buzzes, thick and heavy with energy, like the atmosphere''s been twisted inside out. The static charge prickles over my skin, sending goosebumps racing up my arms. I turn and watch as more heroes start to pour in, reinforcing the fight. Bulwark''s a walking fortress, with chunks of stone armor shifting and cracking around him as he barrels into a group of baddies, scattering them like bowling pins. His laugh echoes over the chaos, loud and booming, like this is just another brawl to him. Another day at work. A little farther down the path, Fury Forge is dealing with her own batch of problems, using something that strikes me as the world''s most complicated fire extinguisher to glue people in place with foam. I watch faces I''ve never seen before filtering in one at a time - someone flying in on brown and white bird wings, some dude charging in on a motorcycle with a baseball bat - all to the defense of the zoo. People I''ve never met. People who my message reached. I swallow hard, taking it all in. It feels good, but it feels bad too. Bittersweet. They don''t need me. Not here. Not for this. The cavalry has arrived in full force, and it''s not just them. I can see Sundial in the distance, a blur of movement as she moves through the battlefield like she''s walking on air, reading seconds into the future and dodging every hit before it even lands. Every kick, every punch, it''s like she''s already seen it happen. She''s handling her side of things, no problem. I even see Razor and Bulldozer - for a second. Charging in. Getting in the fray. Saving lives. And then there''s Multiplex, with his duplicates everywhere, guiding the evacuation efforts like clockwork. Civilians are being funneled out through the main gate, past the zebra exhibit, and every duplicate is barking orders, keeping people moving, keeping the chaos under control. They''ve got this covered. They''re in control. So why am I still standing here, feeling like my skin is crawling? I watch for another few seconds, feeling the weight of it pressing down on my chest. It''s not that I''m scared, though, okay, fine, maybe I''m a little scared. But this? This isn''t the fear I know. It''s not the same kind of fear I had when I first went up against these guys or when I realized just how powerful Mr. Tyrannosaur actually is. This is something else. Something deeper. My stomach churns, and I can''t shake the feeling that the longer I stand here, the more I''m missing. I don''t need to be here. They''ve got the big threats handled. The hostages, the fights, the destruction-it''s all being taken care of. My heart pounds harder, my mind racing. There''s something else, something I can''t shake, like the answer''s been right in front of me this whole time, but I''ve been too caught up in everything to see it. I don''t need to fight the main battle. I need to figure out what''s really going on. The thought settles in, cold and clear, like the snow that''s sticking to my boots. I take a breath, a deep one, and then slowly let it out. The others can handle the big stuff, the stuff everyone''s focused on. But I know better. If I were trying to steal something, why would I do it where everyone can see it? No. It''s too sloppy. For an operation so slick and sleek that they''ve been running the city underneath everyone''s nose - to the point where one of them is now in city council - this whole thing is an anomaly. This whole thing? The siege, the destruction, the panic... It''s all a smokescreen. I know it. My eyes drift across the chaos again, but now it''s different. I''m not looking for the obvious. I''m looking for the gaps. The things that should be there but aren''t. I let my gaze follow the winding paths, the snow-covered trees, the open spaces that are still too quiet despite the battle happening all around. And then I see it-off to the side, away from the main conflict. The Reptile and Amphibian House. It''s dark. No lights on inside. No civilians. No guards. No baddies. Just... nothing. My heart skips a beat, and before I can even think about it, I''m moving. My feet hit the snow in quick, light steps, slipping between the fighting, dodging where I can. I keep my head down, trying not to attract attention, trying to keep myself small. It''s not hard. Everyone''s too busy fighting the obvious threats to notice me. There''s smoke everywhere, from heroes I''ve never met, streaming in. I see, just for a second, Razor - that''s a face I wasn''t expecting - charging into the fray with a loud, boisterous laugh. They''re focused on the noise, on the big problems. I don''t know why. I don''t even know what I''m looking for. All I know is that the bad guys are herding their hostages away from the reptile house, towards everywhere else, towards the rhinoceroses. As I move farther away from the main battle, the noise starts to fade, replaced by a strange, eerie quiet. The kind of quiet that makes your ears buzz. I stop for a second, glancing around, expecting to see something, but there''s no one here. Not even the regular zoo staff. Everyone''s gone, except for the noises in the distance. That''s wrong. That''s so wrong. I start moving again, faster now. The reptile house is looming in front of me, dark and cold, like it''s waiting for something. Like it''s been waiting for me. I stop in front of the door, my breath fogging up in the cold air, and press my hand against the handle. Chapter 134.2 The door to the Reptile and Amphibian House groans as I push it open, the sound louder than it should be in the suffocating silence. I freeze for a second, my breath catching in my throat. No alarms, no shouts. Just the cold air rushing in from behind me, swirling in and mixing with the strange warmth of the building. I step inside, letting the door fall shut quietly, and stand still, listening. The snow that had clung to my boots melts almost instantly against the polished floors, leaving little wet spots in my wake. It''s quiet. Too quiet. Sorry. Everything feels wrong, like I''m walking into a place that doesn''t want to be disturbed. The air is humid, thick, carrying the scent of wet stone and the faint, almost earthy tang of reptile enclosures. My eyes adjust to the dim light, greenish hues glowing faintly from the overhead bulbs, reflecting off the glass tanks that line the walls. The tanks are filled with thick plants, branches, rocks, and small pools of water, designed to mimic the habitats of the reptiles and amphibians inside. But right now, none of the animals are moving. Not that I can see. The center of the room is dominated by the massive cobra statue, towering over the exhibits like some kind of ancient guardian, its eyes gleaming faintly in the artificial light. For a moment, the quiet hum of the heating lamps and the soft trickle of water in some of the exhibits almost makes me forget why I''m here. Almost. But... this place should be packed with civilians. Even with all the chaos outside, there should be people in here, trying to escape the cold. There should be staff, zoo workers running around, trying to keep the animals safe. There should be something. But there isn''t. No one''s here. Not even any bad guys, hiding out from the heroes. Nobody. The knot in my stomach tightens, twisting itself into something sharper, more urgent. This place was deliberately emptied. That''s what''s wrong. The hostages, the civilians, they''ve all been herded away from here. No one''s watching the Reptile House because they didn''t think anyone would be stupid enough to wander away from the main group. I swallow, my mouth dry despite the humidity, and crouch down behind one of the exhibits. The glass is cool under my hand as I press my back against the frame, peeking around the edge. The whole building has this eerie, unnatural calm, the kind of quiet that makes your skin crawl. It''s the kind of quiet that happens right before something bad -- really bad -- goes down. I take another step forward, keeping my body low, my footsteps light. The Reptile House isn''t huge, but its layout is weird-kind of like two figure eights stacked on top of each other at the middle, looping and winding around, with tanks in every corner. Or I guess like a four-leaf clover. It''s not hard to imagine why someone would think it''s a good spot to hide something-or someone. I move through the narrow paths, weaving between the tanks, and my eyes flick to the exhibits as I go. Two gigantic crocodiles, bigger than I assumed crocodiles could ever get, stare up at me from within a murky pool of water. Another tank is filled with thick vines, a snake coiled lazily around one of the branches, watching me with half-lidded eyes. I move deeper into the building, the weight in my chest growing heavier with every step. And that''s when I hear it. A soft crack, followed by a low rumble, like something heavy breaking apart. I freeze, pressing myself tighter against the wall, my heart pounding in my ears. The sound is coming from the back, near the farthest enclosures. I can''t see anything from here, but I know better than to charge in blind. I duck low, moving silently along the path, hugging the stone pillars that divide the exhibits. The floor is smooth under my boots, but I''ve had enough practice staying quiet to avoid making any noise as I creep forward. Another sound, this time the unmistakable splash of water. It''s followed by a deep, gruff voice. One that I recognize, unfortunately. "Move it, M," the voice says, sharp and commanding. "We don''t have time for this." Mr. Nothing. My blood runs cold, but I don''t stop. I move closer, my body pressed flat against the wall, peeking around the corner of the stone pillar. The room opens up into a wider area, where the largest tanks are kept, and that''s when I see them. Mudslide is hunched over one of the tanks, his hands pressed against the glass, his muscles straining as he liquefies the thick barrier between him and the frogs. The glass ripples and warps, melting heatlessly into a pool of sludge at his feet, exposing the habitat inside. The frogs, each one a tiny, vibrant, lethal dart, sit on the branches and leaves inside, unaware of the danger that''s unfolding around them.Reading on Amazon or a pirate site? This novel is from Royal Road. Support the author by reading it there. The frogs. The poison dart frogs!? Standing next to him is Mr. Nothing, tall, calm, and utterly unbothered by the chaos outside. His salt-and-pepper hair is slicked back, and his dark eyes are locked on the tank, watching as Mudslide finishes his work. And then there''s Mrs. Heartstopper, standing off to the side, her expression unreadable, as she holds a zookeeper by the arm, although not particularly tightly. The poor guy looks like he''s barely keeping it together-his face pale, his hands shaking as he points toward another tank. "That one," the zookeeper stammers, his voice weak. "He''s wild-caught. And, uh, that one, and that one. The other ones are captive-bred." Her other hand hovers over a small, brightly colored frog, her bare fingers brushing against its back. It barely has time to react before its tiny body goes gently slack, like it just fell asleep. Then, she gently scoops it up and places it in a small container next to her, completely unfazed. Mr. Nothing taps notes on his phone with audible clacks. "If only X was here to explain to us why this was important," he mutters dryly, not bothering to look up from his screen. "If only," Mudslide grunts sarcastically. "Hurry it up, Heartbeat. We don''t have all day." Wait, Heartbeat? Okay, adjusting my mental captions. Mrs. Heartbeat doesn''t say anything. She just nods once, her hand tightening slightly on the man''s arm as she leads him toward the next exhibit. Her movements are smooth, controlled, like she''s done this a thousand times before. There''s no hesitation, no second-guessing. She''s just doing her job. The guy flinches but obeys, pointing out another frog that''s perched on a leaf. "That one too. Wild-caught." I can feel my hands start to shake, my breath coming in shallow bursts as I watch them. This is it. This is the real heist. The rhino? The hostages? It was all a distraction. A show. They''re after the frogs. The poison dart frogs. Mr. Nothing glances up from his phone, giving Heartbeat a nod of approval. "X says to keep the wild ones separate. And make sure you don''t touch them without gloves," he says, his voice sharp, controlled. "We don''t need any accidents. They don''t have antivenom for this stuff." "Really? Not even with V?" She asks softly. "Yeah, not even her," Mr. Nothing confirms. Mrs. Heartbeat''s all business, her movements efficient as she herds the wild-caught frogs into a larger container, careful not to let her bare hands touch their brightly colored bodies. I can feel the tension radiating off her, like she''s in complete control of the situation but doesn''t want to waste a single second. Or that she really doesn''t want to touch a poison dart frog with her bare hands, even for a split second. I duck back behind the pillar, my heart slamming against my ribs. I need to tell someone. I fumble for my phone, my fingers numb from the cold and the adrenaline. I type out a quick message: "Reptile House. Frogs. It''s the frogs. Frog heist," and hit send, praying that someone, anyone, sees it in time. But as soon as the message goes through, I glance at my phone and realize what I''m up against. The heroes are all busy, dealing with the massive hostage situation and trying to keep Mr. Tyrannosaur from leveling the entire zoo. They don''t have time for this. I''m alone. It''s up to me. I bite my lip, forcing myself to think. I can''t just charge in there. Not without a plan. Not when it''s three against one, and I don''t even know what they''re capable of beyond what I''ve seen before. And there''s highly venomous animals around. Or are they poisonous? Meanwhile, Mudslide is still working on the tanks, his hands sinking into the glass, liquefying it into a puddle of sludge that drips down the sides of the exhibit. He''s grumbling under his breath, clearly annoyed by how long it''s taking. "This is a pain in the ass," he growls, wiping sweat from his forehead with the back of his arm. "If I''d known I''d be doing this today, I wouldn''t''ve shown up." Mr. Nothing barely glances at him. "Just do your job, Mudslide." Mudslide scowls, his thick, calloused hands digging into the next tank, and I watch as the glass turns to liquid under his touch, sliding down like melted plastic. His power is as messy as his attitude. He doesn''t care about finesse-he just wants to get it done. I need to do something. But what? I take a deep breath, trying to steady myself. The air is thick, almost suffocating, the humidity pressing in on me from all sides. My eyes flick back to the frogs, their tiny bodies still motionless in the tanks. Their bright colors seem to glow in the low light, so small, so fragile. And yet, they''re the key to whatever the Kingdom has planned. I can''t let them get away with this. I won''t. But I can''t just charge in blind. Not with Mr. Nothing here. He''d shut me down before I even got close. I have to be smart about this. Another deep breath. Focus. I hold my breath, fingers itching for a plan, any plan, but I''m drawing blanks. My pulse is loud in my ears as I glance around the room again. Mr. Nothing is calm, unflinching as he taps notes into his phone, glancing up occasionally to make sure Heartbeat''s handling the frogs carefully. Heartbeat herself is still moving between tanks, her hand brushing over the frogs, sending them into a sluggish, docile state as she gently herds them into containers. Mudslide''s still grumbling, his powers working slower than he''d like, but he''s making progress, liquefying the glass on the tanks one by one. They''re running out of time-I''m running out of time, to stop them. I clench up my hand in my gloves, slipping a couple of teeth out from the knuckles, so I can get to stabbing - I''m not here to take prisoners, I''m here to stop them. They press against my skin, sharp and ready, a little insurance policy for when I get close enough to make my move. I can''t wait for backup, I realize, my heart sinking. No one''s coming. They''re all busy outside, and by the time anyone does show up, it''ll be too late. I''m on my own. I creep closer, pressing myself low to the ground, inching forward between the tanks. The room is humid, heavy, making every movement feel like I''m swimming through syrup. I glance at the frogs again-small, delicate, and utterly lethal. I''m almost close enough to strike when- BZZZZZZT. My heart stops. No. BZZZZZZT. Chapter 134.3 The unmistakable notification vibration of my phone echoes through the silent Reptile House like a gunshot. My stomach drops, my fingers instinctively scrambling to silence it, but the damage is already done. I forgot to silence it. Before I can even react, I feel eyes on me. I glance up, and Mr. Nothing''s gaze is locked onto mine, calm, indifferent, like he''s been expecting this the whole time. He doesn''t rush. He doesn''t panic. He just moves. In one swift motion, he closes the distance between us, and before I can even blink, his hand shoots out and grabs me, right by the chin, the only part of me that''s exposed. My powers flicker out instantly, like a switch being flipped. One second, I''m all tension and preparation, my body ready to pounce, teeth at the ready-and the next, it''s all gone. I can''t smell blood. My muscles ache, sore in a way I haven''t felt in months, and my teeth suddenly feel even more uncomfortable, painful even, in my knuckles. The sharpness I''ve grown used to, the constant awareness of my surroundings, all of it vanishes in a heartbeat. I''m just... Sam. Tired, sore, and vulnerable. I try to twist away, to break his grip, but the pistol in his other hand-pointed right at my knee-makes me stop cold. "Don''t even think about it," he says, his voice low and calm. He presses the gun harder against my kneecap, the pressure uncomfortable against the padding of my costume, the kneepad''s hard surface pressing into my bones. His eyes are cold, unfeeling, and I know he''s not bluffing. "I know how fast you heal, Sam. But I also know how much it''s going to hurt when I make sure you can''t run anymore." I freeze. He''s right. I can''t move. Not without losing my kneecaps. The thought sends a cold, sick wave of panic rolling through me, but I try to shove it down, clenching my jaw. I can''t let him see how scared I am. I won''t. I hear Mudslide laughing, cackling like he''s having the time of his life. Suddenly, this whole mission became worth his while, but he doesn''t come over to taunt me. I guess they''ve taught him some discipline. "I''ve been told," Mr. Nothing continues, his grip tightening just enough to make me wince, "that ''upper management'' doesn''t want you dead. Not yet. But they''re fine with hurting you extremely badly." The gun presses harder against my knee, and my heart starts pounding in my chest, louder than before. I''ve fought plenty of villains before, some worse than him. But this is different. This isn''t a fight. This is cold, methodical violence, and I''m powerless against it. I''m staring down a gun, and I can''t do anything. Not a thing. "I know you think you''re tough," Mr. Nothing says, his voice almost conversational now, like we''re just discussing the weather. "I know you think you can handle a few bruises. I know that once I let go of you, you''ll start growing back just fine. But here''s the thing-there''s a difference between bouncing back and living with pain. And I can make sure you''re in a lot of pain for a long time. Do you want to take the gamble that your regeneration will work right if I shoot you while it''s turned off?" I want to move. I want to fight. But I can''t. Not without him pulling that trigger. And for the first time since all this started, I feel powerless. Truly powerless. No amount of recklessness will get me out of this. Sure, I could tackle him, but he''s right - I don''t know if my knee would heal right if it got shot out with my regeneration off. Would that fuck me up forever? Am I willing to gamble that? Maybe later in my life I might be more willing. But right now, all I can do is try not to feel the tears pricking my eyelids. Out of the corner of my eye, I see Mrs. Heartbeat still working methodically, moving from tank to tank as if nothing out of the ordinary is happening. She''s calm, focused, her fingers brushing over the frogs as she puts the next batch into a container. The captive-bred ones, the ones she can handle easily. The zookeeper''s pointing them out, his hand trembling as he indicates another frog. She doesn''t need to drag him around by the arm anymore. She''s cowed him enough. It''s a strange contrast. The calmness of her work, the gentle way she lowers the frogs'' heart rates, slipping them into that sedated state before she moves them, while I''m standing here, my heart racing out of control, powerless, and at the mercy of a man with a gun. The frogs don''t even know what''s happening to them. They''re just... asleep. Unbothered. Oblivious to the danger. And that''s when I realize: this is how they win. This is how the Kingdom does it. Not with big flashy fights, but with quiet, calculated control. With someone like Mr. Nothing keeping you right where they want you, making you feel like you can''t do a damn thing to stop them. Mr. Nothing''s grip on my chin tightens slightly, his thumb pressing into my jaw. "Now," he says softly, "we could keep this quiet. You sit here, don''t move, don''t make a sound, and I won''t have to do anything drastic. We walk out with our fucking frogs, and you walk out with your legs intact. Or..." He lets the word hang in the air, the weight of it heavy in my chest. I swallow hard, my throat dry. My teeth are still tucked into my knuckles, but without my powers, they''re just that-teeth. Bone. Not enough to get me out of this.Love what you''re reading? Discover and support the author on the platform they originally published on. And then, just as Mr. Nothing leans closer, his finger twitching on the trigger, there''s a sound. A faint whistle, like something flying through the air, sharp and fast. THWACK. A sudden, jarring impact. Mr. Nothing''s head snaps to the side, his body lurching as something - a baseball!? - hits him square in the temple. He staggers, his grip on me loosening just enough for me to rip myself free. I don''t wait -- I scramble backward, dropping low and skidding behind a nearby tank. My heart is hammering in my chest, adrenaline flooding my veins. I glance back just in time to see Mr. Nothing clutching his head, momentarily dazed. There''s a flash of red, a blur of something. And I realize someone else is here. Someone who just threw a fastball straight at his skull. Maggie. She''s hovering just inches above the ground, her arms at the ready, hands full of whatever she''s been stockpiling to throw-rocks, debris, pieces of rubble. Her posture screams tension, like a tightly coiled spring waiting to snap. The look on her face is hard to read under her helmet and goggles, but I don''t need to see it to know what she''s thinking. She shoots me a quick glance, just long enough for our eyes to meet, before turning her attention back to Mr. Nothing, who''s still recovering from the fastball to the head. "Flashpoint," I growl, spitting her name out with a mixture of relief and anger. "I told you to stay out of this!" Her only response is a sharp breath, then, cool as ever: "It''s what you would''ve done." God damnit. With a flick of her wrist, Maggie launches a small, flat stone straight at Mr. Nothing''s gun, while he''s still recovering from what has almost certainly given him a concussion. There''s a sharp crack as the projectile slams into the weapon, knocking it from his hand. The gun skitters across the floor, and Mr. Nothing swears under his breath, his calm demeanor cracking just a little. He''s shouting now, his voice cold and commanding. "Heartbeat! Mudslide! Get the hell out of here with the boxes!" Mrs. Heartbeat doesn''t need to be told twice. She''s already scooping up as many containers as she can carry, her expression unreadable, her movements as smooth and precise as ever. She turns to the zookeeper, her voice low, dangerous. "If you follow me, I will kill you." The zookeeper stiffens, fear flashing across his face as he nods quickly. He looks around, panicked, and then climbs into the opened up frog enclosure before ducking under some leaves and making himself as small as possible. Heartbeat doesn''t wait for a response. She''s already moving, gliding past the tanks and out the door, the boxes of frogs clutched tightly in her hands. I start moving to follow her, before my foot sticks fast in the ground. Mudslide? He''s not going anywhere. "I''M NOT GIVING UP ON THE ONLY PEOPLE I HAVE LEFT!" Mudslide roars, his voice echoing through the Reptile House. There''s something raw in his words, something almost admirable in the way he says it. The floor ripples like quicksand, swallowing my feet before I can leap away, locking me in place. I struggle, trying to pull myself free, but the more I move, the deeper I sink. "Blood, MOVE!" Maggie''s voice is sharp, cutting through the chaos. She''s skating around the room now, her foot fields allowing her to zip across the sticky quicksand floor without touching it. Mudslide''s quicksand can''t catch her. She''s not touching the ground, and he can''t exactly reach up to get her. Mudslide, meanwhile, is scrambling for a hammer, grabbing it from his belt and slamming it into one of the tanks. The glass shatters with a loud crash, and he dips his hands into the mess of broken shards, liquefying the glass into a thick, gooey substance. He scoops up a handful of the slop and, with a grunt, hurls it at Maggie. As soon as it leaves his hands, it solidifies mid-air, sharp, jagged shards flying straight at her. I strain against my own boots. The re-solidifying ground begins churning them out, but it''s not instantaneous, and by the time I''ve slipped out of them and into my socks, his scattershot is loose. Maggie twists mid-dodge, her foot fields carrying her just out of range, but she''s not fast enough to avoid all of it. A few shards cut into her side, the sharp edges slicing through her jacket, and she lets out a sharp gasp. Blood splatters onto the floor, dark against the polished stone. She grits her teeth, powering through it, but I can see the pain in her eyes. She''s wearing sports padding, not a real costume. It''s not enough. "Flash!" I shout, watching Mudslide bend down to put one hand back on the ground. I... I can''t play floor is lava with him. In an instant, the reptile house is sludge again, and my besocked feet are trapped. Mr. Nothing strains through the sludge, reaching for the gun between us with nothing but murder in his eyes, visible through his broken sunglasses. If he grabs me again, it''s over. I won''t give him the chance. As Maggie skates around the room, dodging Mudslide''s projectiles, chunks of liquefied floor, liquefied glass, even a chunk of wood, I see Mr. Nothing start to move toward his gun, the one Maggie knocked away earlier. I''m not going to let him. With a growl, I pull my hand free from the quicksand and slam my fist into the ground, shark teeth bursting from my fingertips. I drag them through the liquefied floor, using the sharp edges to pull myself out of the muck, grabbing for purchase like I''m using ice picks. The muscles in my legs and fingers burn from the effort, but I manage to wrench myself free, stumbling forward just as Mr. Nothing reaches for the gun. "No, you don''t," I snarl, lunging at him. He turns just in time, his hand inches from the weapon, but I''m faster. I slam into him, knocking him back before he can grab it. For a second, I think I''ve got the upper hand, but then a peal of glass flies into me from the side, ripping several gashes into my costume. One of the shards slinks through my upper arm, cutting a neat, tidy slice into it, and pain screams through me as my arm clenches without my permission. "I''m NOT leaving him behind!" Mudslide roars, his voice ragged, almost pleading. With a loud grunt of effort, he rips his hand towards the right, and I watch in horror as the sludge shifts and flows like a river of molasses. Taking the gun with it. Then, a sharp pain rips through my gut. I see it in my mind''s eye before I see it with my normal eyes - the gush of blood leaking out from my hip, over the switchblade''s bright, beautiful metal. Mr. Nothing''s hand pulls out, and the blood comes with it. I can''t pay attention to all these things happening at once. Maggie launches a handful of pebbles like buckshot and they scatter over me, ricocheting in a stippling spray across Mudslide''s face - I can feel every new welt and the fifteen small bloody pockmarks forming across his face and chest. I clench my hand up and swing it into Mr. Nothing''s face, feeling his jaw crack under me with a sense of grim satisfaction. BANG! Chapter 135.1 I don''t register it at first. My brain feels scrambled -- like it''s lagging, like my HIRC chats when I have bad cell reception, trying to keep up with the chaos happening around me. One second, I''m turning, trying to warn Maggie, and the next--

BANG! BANG!

--two more gunshots slam into her chest. The first one didn''t stop her, so he doubled down, firing two in rapid succession. I see Maggie jerk back, her body twisting, her face scrunching up in pain, but my ears... nothing. No sound. Just this dull, high-pitched ring filling every inch of my skull like someone jammed cotton into my head and turned the volume to zero. Everything goes quiet. It''s like the world decided to take a break, to go on mute. But there''s no relief. The silence is overwhelming, worse than any of the gunfire, worse than the impact of the shots. My heart pounds in my chest, too loud, too fast, but that''s all I can hear. The echo of my own pulse, thrumming through my veins, thick and nauseating. I try to call out to Maggie, but I can''t hear my own voice. Nothing. My mouth moves, but it''s swallowed by the void in my ears. I can''t hear anything. She''s wearing a bulletproof vest. Where did she get a bulletproof vest from? I only have time to think about that for a moment, running over the possibilities in the span of a third of a second. The flashes of brown underneath her cracked red athletic gear. It''s my bulletproof vest. She must have taken it from one of my old costumes in the music hall. I see Maggie stagger, her arms trying to raise, but they look shaky, unsteady. She''s holding on, but barely. Her body crumples forward a little, and I catch sight of her chest--the vest is doing its job, but damn, it''s not invincible. Even from here, I can see the bruising already forming under her shirt. She''s bleeding on the inside. Her ribs are broken. The way she''s moving, the sharp, shallow breaths--she''s in agony, and it''s a miracle she''s not already out for the count. Before I can even think to move toward her, the world jerks back into sharp focus. I feel it first before I see it - a sudden, searing pain in my shoulder. The switchblade. Mr. Nothing. He''s fast. Faster than I gave him credit for. While I was trying to check on Maggie, he went in for the kill. I don''t need to hear the sound of the blade scraping bone to feel it, and G-d, do I feel it. A deep, gut-wrenching pain as the knife digs into my shoulder, bouncing off the bone with a sickening grind. I jerk, trying to pull away, but he''s not done. Not even close. The knife slides back, not because he''s retreating but because he''s digging around, trying to wedge the blade in the wound and push past the armored fabric of my suit. He wants contact. He wants skin. He''s trying to turn me off, trying to find any shred of exposed flesh where he can touch me and shut down my powers. He''s not slick. I know exactly what he''s doing. I grit my teeth, biting back the scream that''s rising in my throat. My blood''s already starting to clot around the wound, my regeneration kicking in, but it doesn''t stop the pain. And it doesn''t stop him from digging deeper. "Not a chance," I growl, shoving back against him, although I''m sure he doesn''t hear me. It''s like trying to move a brick wall. He''s got size on me, way more size, way more mass, and he''s using it. Grabbing hold of me, trying to reach a slit or a cut in my costume, and keeping me grounded with his weight. If I want to stand up from over top of him, he''s going to make me have to carry him up with him. I swing my arm, shark teeth slipping from my knuckles, aiming for his wrist. He jerks back just in time to avoid a full hit, but I graze him, just enough to make him flinch. His grip on the knife loosens for half a second, and I use that split second to roll away, scrambling to put distance between us as the ground seems to be having trouble deciding whether or not it wants to be mud. The silence is still crushing, but I can feel everything happening behind me. The impact of projectiles: chunks of glass, bits of rock, slamming into the walls, the floor, the tanks. Maggie''s repulsion fields are still going strong, but she''s slowing down. Every time she dodges a hit, I see the strain on her face. Mudslide''s not letting up, and she''s bleeding on the inside. Bruises, broken ribs, internal damage, whatever else that bulletproof vest couldn''t protect her from. All the energy dispersed into her.You could be reading stolen content. Head to Royal Road for the genuine story. But I can''t focus on that right now. I''ve got my own problem to deal with. Mr. Nothing''s on me again in seconds, and this time, he''s not bothering with the knife. He tackles me, slamming me into the liquefying-and-resolidifying floor, pinning my back against the hard surface. The ground under us ripples, shifting between solid and sludge as Mudslide alternates between trying to help Mr. Nothing and trying to keep Maggie away, but Mr. Nothing doesn''t care. He''s focused. His fist comes down hard, aiming for my jaw, but I block it with my forearm, feeling the shockwave of the impact reverberate through my bones. I swing back, my fist colliding with his ribs. It''s a solid hit, and I feel something crack under my knuckles - maybe a tooth, maybe his bones - but it doesn''t slow him down. If anything, it makes him madder. He''s bigger than me. Stronger. Older. He''s got years of experience, and he''s not playing fair. I can see it in his eyes. Unlike every other time we''ve met, he''s playing for keeps, because he knows that he''s surrounded by superheroes on all sides, and if he doesn''t kill me and get away with it, he doesn''t walk out of this reptile house a free man. He''s not here to toy with me. He''s here to win, to neutralize me the best way he knows how. But I''m not giving up that easy. I twist my body, using the momentum to throw him off balance, just enough to get my feet under me. I lunge, aiming low, trying to knock him off his feet, but he catches me by the arm, his grip like a vice. He slams me back down, hard, his knee pressing into my stomach, forcing the air out of my lungs. My vision goes white for a second as the pain flares up, but I push through it, my hands clawing at his arms, at anything I can grab. My claws sink into the fabric of his sleeve, tearing it apart, trying to slice skin, but it''s not enough. He pulls the switchblade back out, and I see his eyes flicker to the exposed skin near my neck. I twist my body to keep it away from him, but he''s faster, and the blade comes down again, this time slicing across my forearm. The pain is sharp, immediate, but I don''t have time to process it. I need to get him off me. Now. I shove my knee into his side, right where I''d hit him earlier, and he grunts, momentarily loosening his grip. I use that moment to slam my elbow into his face, the sharp point of my bone meeting his jaw with a sickening crack. He stumbles back, his hand flying to his mouth, and I see blood dripping from his split lip. I don''t stop. I can''t stop. I charge at him again, my fists flying, each punch aimed with precision. I hit him in the ribs, the stomach, the face--anywhere I can reach. He blocks some, but not all. My shark teeth graze his skin, trying to punch holes in his padded clothing, leaving red lines in their wake, but he doesn''t slow down. Neither of us does. It''s a brutal, desperate fight. His strength versus my regeneration, his experience versus my instincts. Every punch, every hit, every scrape feels like it''s dragging me deeper into this chaotic, animalistic rage, but I can''t let myself get lost in it. I need to stay focused, stay in control, or he''ll win. It feels good again, to fight someone who can fight back, is what I think when his fist slams into my skull at top speed, rattling my brain around in my helmet. The fuzziness clears out of the corners of my eyes like I''ve been crying for the past fifteen minutes and just now, getting punched in the face, they''ve cleared it up. My hearing still hasn''t returned all the way, but that''s okay. I punch him in the jaw back and drag my teeth down. Every time they make contact with his body, I feel the pulse - my powers turning off for a split second, making my entire body ache, turning the teeth in my knuckles into sharp pinpricks of pain where they connect to the bone. Out of the corner of my eye, I catch a glimpse of Maggie--she''s still fighting, still dodging Mudslide''s attacks, but her movements are slower, more strained. She''s hurt bad, and I don''t know how much longer she can keep this up. I want to help her, but Mr. Nothing''s not giving me any room to breathe. He lunges at me again, his fist connecting with the side of my head, and stars explode in my vision. My body jerks to the side, my balance thrown off, but I catch myself before I hit the ground. I''m breathing hard now, every inhale sharp and painful, but I don''t back down. I swing at him again, but he catches my wrist, twisting my arm behind my back. The pain shoots up my shoulder, but I grit my teeth and push through it, using the momentum to throw my weight into him, slamming us both into the ground. I can hear it - just barely - a muffled thump beneath the buzzing in my ears. The floor ripples under us, shifting like quicksand, but I don''t let go. I pin him down, my knee pressing into his chest, and for the first time, I see something flicker in his eyes. Not fear--he''s too controlled for that--but something close. Like maybe he''s realizing he''s not going to walk away from this as easily as he thought. I slam my knee into his balls and his entire body goes stiff. I could smack him in the head, but I''ve heard too many horror stories of people getting concussions, getting hit in the head a second time, and instantly dying. Really, really don''t need that on my conscience. He thrashes under me, trying to break free, but I''ve got the upper hand now. I grab his arms, pinning them to the floor, and with one quick motion, I pull out the zip ties from my belt, looping them around his wrists. He struggles, but it''s too late. I''ve got him. With a sharp yank, I get his wrists tight together, stuck above his head. He''s still straining, trying to kick me off, so I knee him in the balls again and get a second pair of zipties around his forearms, before pressing down on his shoulders with my knees until he lets go of his switchblade. I''m not going to give him that opportunity. I smack it away, sending it skipping across the ground. Slowly, the sound starts coming back, and all I can hear is Maggie screaming at the top of her lungs like a berserker. Chapter 135.2 She''s a blur of wild motion, her body moving almost too fast for me to track, especially with my head still spinning from my fight with Mr. Nothing. The bruises and broken ribs should''ve put her down, but she''s fighting like someone who doesn''t even notice the pain--like she''s running on pure instinct, adrenaline numbing everything else. I watch as she slams Mudslide into the wall with a bone-shaking thud, his back impacting it first, a little to the side. The sound reverberates in the room, even though the ringing in my ears still hasn''t faded. His back hits the concrete, and for a second, he just hangs there, mouth gaping open, swallowing for air like a fish, but his eyes still seem alert and conscious. Maggie doesn''t stop. She''s not even slowing down. She skates across the ground, hovering an inch or two above the slush and debris, her eyes locked on Mudslide with a look like empty glass, like there''s a bonfire in her pupils, light glinting off pure blackness. She closes in, hands out, and that''s when I see it. Her repulsion fields. The space between her palms and his head starts to shimmer, barely visible. But I know what''s happening. Mudslide lets out a low groan, his arms flailing weakly, but it''s no use. Maggie''s got him. She brings her hands closer, her fingers curling like she''s gripping something invisible between them. Mudslide''s head jerks forward, then to the side, his face turning light red as he punches at her, his fingers clenching up into fists that beat on her stomach with all the force he can muster. A small peal of blood sprays out of Maggie''s mouth with the last impact of his fist into her stomach, past her mouthguard, onto his face. He doesn''t seem to notice. "Flash!" I try to shout, but my voice feels like it''s lost in the deafening report of the past three bullets, our eardrums still ringing. The bullets, the pain, the exhaustion--all of it has collapsed into this one moment of brutal clarity. All she sees is him. Her hands are moving closer. The space between her fingers and his head is almost nonexistent now, the pressure pushing his face into a grotesque contortion, the shredded paper bag wrapped around his head beginning to spin and churn like it''s caught in some vortex. "Flash!" I try again, louder this time, pushing through the pain in my shoulder. I stagger to my feet, my body screaming at me to just stop, but I have to stop her before she maims someone. I don''t know. It''s not like I haven''t done anything worse, but it feels like a threshold you can''t come back from. Two hundred Newtons on each side of his head. I try desperately to recall medical numbers in my brain - does that mean anything? How many Newtons does it take to break a bone? At least four thousand for a femur, but for the thin, delicate skull? A trickle of blood, not the violent spray I was expecting, leaks out of Mudslide''s bumpy nose. "Maggie!" I yell. She''s not hearing me. She''s not hearing anything. I lunge forward, grabbing her by the arm and yanking her back with all the strength I can muster. It''s not much, not in my condition, but it''s enough to jolt her. Her eyes widen, like she''s coming back to herself, like she''s seeing the room for the first time in minutes. The shimmer between her hands fades, and Mudslide slumps to the ground, gasping for air, his face swollen and bright red. I don''t let go of her arm, keeping her grounded, even as her body trembles with exhaustion. Her breaths are ragged, her chest heaving with the effort of staying upright. The adrenaline that''s kept her going is starting to fade, and I can see the pain creeping in, the realization of just how hurt she really is. "I¡­ I¡­" Maggie stammers, her voice weak, barely above a whisper. Her hand shakes, and for a moment, I think she''s going to collapse. But she doesn''t. Not yet. "I''ve got it from here," I say, my voice rough, as I gently push her toward the corner of the room. "Go sit down. I''ll finish him." Mudslide is still gasping for air, his whole body quaking as the repulsion fields'' effects start to wear off. He sees me, his eyes bloodshot, and swings at me in desperation. No powers. Just a fist. I catch it with one hand and quickly twist his wrist so hard that he jerks forward, leaning into me, with a wordless grunt of pain. I don''t have time to feel sorry for him. I drop to my knees beside him, yanking out a pair of zip ties from my belt, and quickly bind his wrists together behind his back. He barely struggles, too weak and dazed to resist as I cinch them tight. He starts mumbling again, and I can''t deal with whatever he''s ranting about right now, so I rip a scrap of fabric from my torn costume and shove it into his mouth, gagging him.You might be reading a stolen copy. Visit Royal Road for the authentic version. "Shut up," I mutter, wiping sweat from my brow with the back of my hand. My shoulder throbs where Mr. Nothing''s switchblade dug into me, but I grit my teeth and push through it. There''s no time to fall apart.
By the time the cavalry arrives, the Reptile House is an absolute wreck. Tanks are shattered, glass litters the floor, water pools around the debris, and the air is thick with the humid smell of the amphibians that were lucky enough to escape their enclosures. But for now, it''s over. Mr. Nothing and Mudslide are cuffed and being dragged out by the authorities, looking more like ragdolls than the dangerous enforcers they were half an hour ago. Mudslide is still muttering, his eyes half-lidded and unfocused, while Mr. Nothing''s jaw is set, his eyes darting from side to side, no doubt trying to calculate his next move. But it''s too late. They''re done. The hostages are being led out by the cops, and paramedics have swarmed the area, treating the civilians and the injured heroes. I collapse onto a bench, my whole body finally letting go of the tension I''ve been holding onto for what feels like hours. The adrenaline''s wearing off, and now all I feel is pain. My shoulder burns, the stab wound still bleeding sluggishly, and my muscles are screaming from the exertion. I''ve got bruises, cuts, and who knows what else, but I''m alive. That''s what matters. One of the paramedics spots me from across the wreckage, waving me over as she jogs closer with a trauma kit slung over her shoulder. I know her--can''t remember her name, but I''ve definitely been patched up by her before. She kneels down in front of me, giving me a quick once-over with sharp eyes that somehow manage to look both exhausted and amused at the same time. "Alright, Bloodhound," she says, snapping on a pair of gloves. "How bad are we looking this time?" I shrug, then wince as the motion pulls at the stab wound in my shoulder. "Could be worse. Got stabbed, bruised¡­ the usual. Nothing I can''t walk off." She raises an eyebrow but doesn''t argue. Instead, she presses a bandage over the wound, the pressure sending a jolt of pain through my arm. "Uh-huh. I swear, every time I see you, you''ve managed to get yourself even more torn up. You need to stop making a habit of this." "Tell that to the bad guys," I mutter through gritted teeth. She chuckles, but her hands are quick and methodical, cleaning out the gash in my shoulder as best she can before wrapping it tightly. "You know the drill--this should hold you until your¡­ thing," she says, gesturing vaguely, "kicks in. But you''ve got to stop testing it. Even regeneration can''t save you from getting stabbed in the wrong place." "I''ll keep that in mind." I say, but my mind''s not fully on the wound. I glance over to where Maggie''s being treated. She''s still sitting up, but just barely. Her paramedic has her shirt lifted, inspecting the damage to her ribs, his face a mix of concern and professionalism. I can see the bruises spreading like dark clouds under her skin, a vicious purplish-red across her chest and stomach. Three bullets--three freaking bullets--and she''s still breathing. It''s a miracle, honestly. The vest took most of the impact, but there''s no stopping broken ribs, internal bleeding, and God knows what else. The paramedic with her leans in, fingers probing her ribs gently, and she winces hard. "Yeah, you''ve definitely got a couple fractures in there. Looks like those ribs took a serious beating." "Uh-huh," Maggie mumbles, her voice strained. She''s trying to smile, but it''s more of a grimace. I catch her eye, and she gives me a weak smile. It''s lopsided, a little strained, but it''s there. Relief washes over me, and I feel the tightness in my chest loosen just a little. "You okay?" I ask, my voice hoarse. She laughs--well, it''s more of a wheeze. "Define ''okay.''" She winces again as the paramedic presses a little too hard on her ribs, testing for more fractures. "I''m¡­ not dead. So, yeah. I''m okay." "Internal bleeding, though," her paramedic cuts in, his voice neutral but firm. "That vest saved your life, but you''re going to need to be monitored. We''re talking possible damage to your organs. You''ll be feeling this one for a while." Maggie''s face tightens, but she nods. "Great. Just what I needed. Hospital time" I let out a breath I didn''t know I was holding. "I don''t want to have to explain to your parents why you got shot three times." Maggie grins, though it''s weaker now. "I''ll just tell them the T-Rex threw something heavy at me while I was rescuing civilians." I snort. "You think they''ll buy that?" Maggie grins a little wider, although it''s shaky. "No," My own paramedic finishes with my shoulder and moves on to inspecting the rest of me, lightly pressing at a few of the deeper bruises on my ribs and abdomen. I hiss as she hits a particularly sore spot. "Yup, bruised all over," she says matter-of-factly. "Anything feel broken?" "Just my pride," I joke, but it falls flat. My whole body aches from head to toe--bruises, lacerations, that constant burning throb in my shoulder where Mr. Nothing''s switchblade dug in. It''s like my body is slowly taking inventory of all the pain now that the adrenaline is draining out of my system. The paramedic isn''t having any of it. "You''re lucky nothing''s broken," she says, handing me a bottle of water. "But you''ve got some nasty cuts and bruises. I don''t care how fast you heal, you need to take it easy." I nod, even though we both know I won''t. "Thanks." Maggie groans as she''s helped into the back of the same ambulance. Her paramedic is wrapping her chest with an elastic bandage, trying to keep the broken ribs stabilized. I can see the tension in Maggie''s face, the way she''s holding herself so rigidly, like she''s barely keeping it together. She''s winded, hurting bad, but she still manages to give me a thumbs-up. Chapter 135.3 "Look at us," I say, trying to keep the mood light as I climb in after her. "Just a couple of badasses, right?" Maggie laughs--or tries to. It comes out as more of a strangled cough. "Yeah¡­ badasses who are probably gonna pass out in the next five minutes." As the paramedics work on her, I watch the chaos around us. There''s blood, debris, and more injuries than I can count, but no one''s dead. Somehow, we made it through. The hostages are shaken, but alive. The zoo staff is already scrambling to contain the animals that got out--one of the crocodiles is loose somewhere, somehow, its enclosure damaged in the chaos, but at least the poison dart frogs are still here. Well, most of them. I catch a glimpse of Crossroads being helped into an ambulance, clutching his side where a makeshift bandage is wrapped tight. He''s banged up, pale and shaky, but not dead. Fury Forge isn''t far behind, her arm in a sling, the broken bone already being set by the paramedics. She''s giving the paramedics hell about something, arguing with them while they try to get her to stay still. They''re both alive, too. I lean back against the bench, closing my eyes for just a second. My body aches, my mind is buzzing, and there''s a part of me that just wants to let it all go--to just stop for a minute. But I can''t. Not yet. The fight''s over, but it''s not really over, is it? The Kingdom got away with part of their plan. They still took some of the poison dart frogs, and even though we stopped them from taking all of them, it''s not a clean win. Maggie''s still clutching her side, her face pale and tight with pain, but she''s up, a little bit, and that''s a good sign. The paramedic hands her an oxygen mask, urging her to take a few slow, deep breaths. "You''re not bulletproof, you know," I say softly, eyeing the dark bruises spreading across her belly. Maggie pulls the mask away for a second, giving me a half-hearted smirk. "Neither are you. Not without your vest." I chuckle, though it hurts more than it should. "Touch¨¦." The paramedics are still working on Maggie, and she''s mostly quiet now, her face pale and lined with pain, but she''s holding herself together. The adrenaline that kept her going through the fight has finally drained, and now it''s just pain. Her eyes flutter shut for a moment as the paramedics finish binding her ribs, but she doesn''t say much. I glance over at her, my body heavy with exhaustion, and I can''t help but feel a mix of relief and frustration. She made it. We both did. But I''m still angry at her for getting involved. Before I can say anything, though, Multiplex walks over, flanked by a limping Crossroads, who''s nursing a stab wound. It looks nasty, but not fatal. Crossroads gives me a nod - no words, just acknowledgment, as usual. He''s a man of few words, and after the chaos we just went through, I don''t blame him. Multiplex, though, looks more tired than I''ve ever seen him. His usual confident, almost commanding air is muted now, replaced with something more¡­ human. He steps up beside me, his eyes scanning the scene, taking in the wreckage of the zoo, the injured civilians, the shattered tanks. His shoulders sag a little, like the weight of it all is pressing down on him. I start clenching my body up, preparing for the lecture. The life lesson. The moral hammer. He doesn''t say anything at first, just stands there, watching the paramedics move around us. Then he glances at me, and for the first time today, there''s no frustration in his eyes. No lecture. Just eye shine and exhaustion. "You did the right thing, Bloodhound," he says quietly, crossing his arms. "Without you, we would''ve missed the real heist. The frogs. They might''ve gotten away clean with all of them." It''s weird hearing him say it. I''ve spent so much time feeling like I''m always just one step behind, like no one ever takes me seriously. But now, in this quiet moment after the storm, he''s actually thanking me. He''s validating me. I nod, my throat tight. "Thanks, but¡­" I hesitate, glancing over at Maggie again. "It didn''t feel like enough. We didn''t stop them from getting some of the frogs. We didn''t catch them all." Multiplex exhales slowly, rubbing the back of his neck. "No, we didn''t. But we caught two key members of the Kingdom. That''s not nothing. And you''re right--we put a dent in their plans today. You made that happen." "Just the two?" I ask. I want to feel proud of that, and part of me does. But there''s still that gnawing feeling in the pit of my stomach, the one that tells me this isn''t over. It never is.If you find this story on Amazon, be aware that it has been stolen. Please report the infringement. "Mr. Tyrannosaur got six lackeys to trade themselves for him to cover his escape. All with the same batch of Jump. They knocked out Captain Plasma and he got the hell out of dodge with his prepared escape ride," Multiplex says, his face going a little tight. He notices my stare and puts a hand up. "Plasma is fine. It''ll take more than that to put him down. We''re going to be booking a lot of small fries today, too. Cleaning up the streets that much more." Crossroads shifts beside him, his face a little paler than usual, but he meets my gaze with that same quiet intensity he always has. "You did good, Sam," he says, his voice low but firm. "I would say that you can''t keep running off alone, but it worked out this time. And I know that no matter what I tell you, you''ll do it anyway." "Yeah," I laugh. Multiplex sighs, his eyes flicking back to the chaos around us, the wreckage of the day. "Listen," he starts, rubbing his temples. "Earlier¡­ when I brushed you off, it wasn''t because I didn''t think you had a point. It''s just¡­ when you''re in the middle of something like this, the first priority is protecting civilians. Keeping the body count at zero. Sometimes that means making decisions that feel wrong in the moment." There''s a pause, and for a second, I see something flicker in his expression. Doubt. It''s subtle, but it''s there, and it feels like a crack in the armor. "I can''t say there''s anything I would''ve done different. For me, civilian lives are always the first priority. I just don''t want to be the sort of Footloose bureaucrat constantly getting in your way and giving you nothing for it." I don''t know how to respond, so I just sit there, letting his words sink in. The validation feels warm in my chest, but not quite as good as I''d like it to taste. Not sweet enough. Crossroads speaks next. "On one hand, I think they counted on someone - if not you, someone - discovering their plans. If you or Playback hadn''t, I''m sure they would''ve leaked it themselves. Once there was enough of a tizzy on the outrageous rhinocerous heist, nobody would notice the smaller heist happening at the same time until it was too late to have done anything about it. You - we - played right into their hands that way," I wince a little bit, but he''s not wrong. It''s not even much of a ''we'' thing. I think he''s just saying that to make me feel better. "Do you think they counted on me seeing their map?" "No, I don''t think so. That was long enough ago that I''m of the opinion they worked you into their nascent plans as they were gestating. You know, still figuring out what exactly their heist plan was. But maybe they did count on you. They do have an ESPer, after all," Crossroads says, sighing, running his hand through his hair with a shaky palm. "We''ll just have to see what comes out of the interrogation room." Multiplex shakes his head, his mouth set in a tight line. "We''ll have to rethink some things. But for now¡­ just take care of yourself. Both of you." He glances at Maggie, who''s still slumped on the bench, her breathing shallow but steady. "I haven''t met you yet, but I can tell from the ramshackle costume and the life-threatening injuries that you''re a student of the Bloodhound school of superheroism." It comes out almost brutally honest, and then he corrects himself when neither one of us laughs. "The Diane school," he says, and that gets a wry little smile out of me. "Keep up the good work. You can put me into contact with your parents if you need a good excuse as to why you were out here." "That''d be good, thanks," Maggie croaks, her throat audibly dry. As Multiplex and Crossroads head off, probably to coordinate the cleanup and deal with the police, I slump back against the inside of the ambulance, letting out a long, shaky breath. The adrenaline''s gone, replaced by this deep, bone-weary exhaustion that seeps into every inch of my body. The paramedics are still around, working on the injured civilians, but the worst is over. I glance over at Maggie again. She''s quiet, her eyes half-closed, but she''s not asleep. The paramedics are finishing up, gently strapping her into a portable stretcher, just to make sure they can move her without causing more damage to her ribs. I can see her wincing with every slight movement, but she''s putting on a brave face. She always does. "You''re gonna be sore for days," I say, trying to keep my voice light, but it comes out more tired than I meant it to. Maggie cracks a weak grin, though it looks more like a grimace. "You think? Feels like someone ran over me with a truck." "Yeah, well, that''s what happens when you get shot." She lets out a wheezy laugh, but then immediately regrets it, clutching her side with a groan. "Ow. Okay, no more jokes. I''ll¡­ be quiet now." I smirk, but it''s half-hearted. The truth is, I''m still mad at her. I''m mad that she got involved, mad that she didn''t listen when I told her to stay out of it. But at the same time¡­ I can''t really blame her. She did exactly what I would''ve done. Is that what Diane would''ve done? And I know I haven''t even met him - but is that what Professor Franklin would''ve done? What about his mentor? The paramedics lift her all the way now into the ambulance, probably to head towards CHOP, and I push myself up to follow. My whole body aches, every step a reminder of the fight we just went through. But I''m still standing. Still walking. And that''s more than I can say for some of the others. As the sun sets over the zoo, casting long shadows across the wreckage, I can''t help but feel the weight of the day settle over me. Two Kingdom members are captured, but two of the biggest threats got away. And they still managed to steal some of the poison dart frogs, even if we stopped them from taking all of them. And we still have no idea what they''re even using them for. We won, but it doesn''t feel like much of a victory. Not yet. Maggie glances over at me as they load her into the ambulance, her eyes tired but still sharp. "We did good, right?" she asks, her voice soft, like she''s not sure of the answer. I nod, though the uncertainty still lingers. "Yeah," I say quietly. "We did good."

End of Arc 8: Big

WORLD OF CHUM: Minions & Goons (1)

"The Goon Economy: Why People Choose to Work for Supervillains"

Leslie Lester, for Psychology Today, October 2022 When asked why anyone would choose to work for supervillains, most people imagine costumed henchmen cackling maniacally while fighting Spider-Man. The reality is far more mundane - and more economically fascinating. "It''s just a job," says Former Employee X under the condition of anonymity, who worked security for a major East Coast villain organization. "Better benefits than Netsphere, better pay than private security, and yeah, higher risk, but you''ve got clear procedures for hero encounters. Most guys never even see a cape." The numbers support this pragmatic view. While exact figures are difficult to obtain, conservative estimates suggest supervillain organizations employ hundreds of thousands of workers across the U.S., from direct muscle to legitimate business employees. The total economic impact likely rivals major corporations. But why choose such high-risk employment? Dr. Sarah Chen, economist at MIT, suggests three key factors:
  1. Economic Pressure "In cities with active supervillain presence, these organizations often control major employment sectors - construction, shipping, waste management. Sometimes working for them isn''t really a choice."
  2. Risk vs. Reward The average "muscle" for a villain organization makes 1.5-2 times standard security work, with comprehensive health coverage and legal protection. "When you''re living paycheck to paycheck," Chen notes, "guaranteed medical care becomes very attractive."
  3. Systemic Integration Many workers start through legitimate businesses, becoming gradually involved in illegal activities. "It''s rarely a conscious choice to ''become a minion,''" Chen explains. "It''s more like finding out your company has mob ties - but you''ve got a mortgage and kids in school."
The psychology is equally complex. Dr. James Morrison of Harvard explains: "These organizations offer what many legitimate employers don''t: clear advancement paths, protection from both heroes and rivals, and often a sense of belonging. They''re filling gaps in our social safety net." The rise of powers-based crime has only increased this trend. "Supervillain organizations have better protocols for superhuman encounters than most legitimate businesses," Morrison notes. "If you''re working in a city where hero-villain battles are common, that matters." Consider the "Infinite Copse", a major West Coast criminal organization that arose in the power vacuum left after the Big Raid. They operate legitimate tech companies, control unions, and invest in community centers. An employee might start in their cybersecurity division, never knowing they''re working for "supervillains" until they''re already enmeshed in the system. "The question isn''t ''Why would someone work for villains?''" Chen concludes. "It''s ''Why wouldn''t they?'' In many urban areas, they''re offering better jobs, better security, and better futures than legitimate alternatives. Until that changes, the goon economy will continue to grow."A case of theft: this story is not rightfully on Amazon; if you spot it, report the violation. The numbers are staggering. A typical "street-level employee" in a major villain organization earns $45,000-65,000 annually, compared to the $35,000-45,000 for comparable private security work. Health insurance coverage averages $12,000 per employee annually - nearly double standard corporate plans, reflecting the hazard rates, and specialized doctors willing to work off the books provide thousands of dollars of additional value that goes unseen. "Legal retainers alone cost these organizations billions," notes Chen. "The Infinite Copse maintains a $50 million annual fund just for employee legal defense. That''s actually good business - it ensures employee loyalty and reduces turnover." The economic footprint extends far beyond direct employment. In cities with major villain presence, these organizations often control:
  • 30-40% of port labor
  • 25-35% of construction contracts
  • 40-50% of waste management
  • 15-20% of local small businesses (through protection rackets)
Traditional organized crime generates an estimated $150 billion annually in North America. Powers-based organizations like the Copse have integrated this existing infrastructure while expanding into new territories. Conservative estimates suggest they''ve increased traditional criminal revenue streams by 60-80%. "In Los Angeles alone, you''re looking at probably 60,000 people who depend directly on Copse-controlled businesses for employment," Chen explains. "Add indirect employment and family dependents, and you''re approaching 300,000 people economically tied to a single villain organization. That''s why law enforcement can''t just ''shut them down'' - they''re too integrated into the local economy." Risk factors are surprisingly moderate. Annual fatality rates for "muscle" positions average 0.8% - higher than construction (0.1%) but lower than what most assume. "Most villain organizations are pragmatic," Morrison notes. "Dead employees are bad for business. They have protocols to minimize hero-minion confrontations." The implications are sobering. With an estimated 200,000 to 300,000 Americans directly employed by supervillain organizations, and perhaps five times that number economically dependent on their operations, we''re looking at an economic force comparable to major industrial sectors. In cities like Philadelphia or Baltimore, villain organizations often represent the third or fourth largest "employer" when counting both direct and indirect employment. "We need to stop thinking about this as a law enforcement problem," Chen concludes. "When a villain organization can offer $75,000 starting salary with full benefits to people who''d otherwise make $35,000 with no healthcare, that''s not just a crime issue - it''s a systemic economic reality. The question isn''t why people work for villains. The question is why legitimate businesses aren''t competing for these workers." Until that fundamental economic imbalance is addressed, the goon economy will continue to thrive. As Former Employee X puts it: "Nobody dreams of being a henchman. But nobody dreams of being unable to pay their kid''s medical bills either. And when you''re working, you know, ''security'', and your boss says "hey, we just need you to watch these civilians for an hour, let them know if they move bad things will happen, and we''ll handle any legal problems"... you don''t want to lose that income telling him no, you know? It''s real easy to just... slip into it. You barely even notice, and it puts food on the table." In a world where powers fall randomly from the sky, perhaps it''s time to examine the very human economics that drive ordinary people into extraordinary crime. The real superpower, it seems, might just be a living wage. LTN.2.1 The quiet is uncomfortable. New York is a void this early on a Sunday morning. The street looks like a documentary I saw once on a depopulated island - a place that should hum with noise and people, now unsettlingly empty. I shift on the cold pavement, noting the skyscraper in front of me as I weigh its structural features against the preconceptions I''d built about New York City. Of all the places to summon me, Mr. Antithesis, in his wisdom, has chosen the heart of the business district--a choice that''s both textbook and, unfortunately, daunting. "Lena, I''m serious. Are you comfortable leaving Scylla with me?" Zenith breaks the silence, and it takes me a moment to register that she''s used my first name. Not ''Mrs. Xenograft'' or even the clinical ''Dr. Trinh-Norwood''--but Lena. I consider her question as her words unfold, calculating the angle: a personal reach disguised as professionalism. My gaze shifts to Scylla, standing tensely at my side. Her amber eyes stay on me, the way she does when she senses something unusual, a ripple of anticipation beneath her taut posture. Scylla was not made to be left with others; she was made to stay by me, vigilant, with her bulked-out, chimerized shell as strong and sturdy as the best steel. The question stirs a bit of aggravation, though I don''t let it show. Her use of my first name is a friendly gesture, I suppose, but it implies a kind of intimacy we don''t share. Scylla, standing at my side with her sleek, greyhound-lobster fusion body and faintly iridescent carapace, is the only one I''d allow such familiarity. And even then, I know what I am to her--provider, not friend. "No," I reply, with no intention of softening the blunt refusal. I glance back up at Mrs. Zenith, assessing her reaction with the same neutral scrutiny I''d apply to a hissing cat--she has that look, the subtle calculation behind her expression, each action carefully tailored, no detail left to chance. She exhales with a faint sigh that reads almost parental. I resist the urge to roll my eyes. "Lena," she says again, slower this time. "If Scylla''s¡­ enhanced by your powers, I have a strong feeling bad things will happen if she meets Upper Management. I don''t want anything bad to happen to her--or you." There''s something tired in her voice. Her words are persuasive but with an edge, a degree of insistence that falls like a gentle prod in my side. "Scylla wasn''t created with my powers," I correct, because the distinction is important. "She was born the normal way, from two perfectly ordinary greyhounds." A pause, an inhale, then, "I merely chimerized a dead lobster into her so that she would live forever." Scylla, on cue, gives a soft whine, as if to verify the statement. I give her a cursory scratch behind the ear, focusing on the familiar click of her hardened plates shifting beneath my hand. "Right," Zenith murmurs, gaze drifting to Scylla''s formidable shell, but she doesn''t press the point. For a moment, she watches me, as if weighing her next move, and I don''t miss the slight downturn of her lips. She''s far too still for comfort. I stay quiet, hoping my silence will signal the futility of trying to convince me otherwise. She stares back, patient. If I didn''t know better, I''d think she was trying to understand me. And then, something shifts. She sighs again, softer this time, almost a gesture of capitulation. "Fine. Scylla, stay with the friendly boss-lady." At this, Scylla tilts her head, her amber eyes fixed firmly on mine, a skeptical edge to her gaze. I reach down, giving her a reassuring scratch, though it feels like nothing of the sort. Part of me resents this--having to leave her, being made to walk into a meeting with a man I''ve never seen without her protective shadow. Still, orders are orders, and if I want to continue my research--unhampered by the mundane interruptions of academia--I know what''s required of me. As Scylla settles reluctantly beside Mrs. Zenith, I turn to the elevator, giving its polished doors a wary glance. Zenith''s gaze flicks to the black sample case in my hand, her curiosity unmistakable. She gestures to it with a raised eyebrow. "So¡­ are you still calling it ''anomalous compound J-237''?" she asks, her tone light but laced with expectation. I stifle the urge to roll my eyes. "Of course not. I spent an entire month brainstorming." Her brow arches, clearly doubtful. "Really? You? Alright then, what did you settle on?" The name sits proudly in my mind, like a perfectly formed thought finally given shape. I clear my throat, knowing how much she''ll appreciate it, and say, "Hypeman." For a split second, Zenith''s face is as still as the empty street outside. Then she bursts into laughter--a bright, unrestrained sound that only seems to grow louder as I maintain my unflinching gaze.Stolen from Royal Road, this story should be reported if encountered on Amazon. "That¡­ no, Lena, no," she manages between breaths. "That name sucks so bad." I blink. "What''s wrong with it? It fits." She''s still laughing, shaking her head as she holds the elevator door open. "We''re going to have to workshop that one." I don''t reply. I step into the elevator and allow the doors to close just as her laughter fades. The silence that follows is sudden, thick with an almost pleasant quiet. I can''t resist the faintest grin as I press the button for the top floor, and let the polished mirror-slick doors close in on me, trapping me with nobody but myself.
As the elevator doors slide open, I''m struck first by the stillness of the place, a near-sterile calm that feels unnatural. Every surface of the office gleams, from the mahogany desk, polished to such a degree I can nearly see myself in it, to the floors, so spotless they reflect the cold fluorescent light above. The air smells faintly of sanitizer, clean in a way that feels less like hygiene and more like compulsion. My eyes catch on the large, industrial-sized tub of hand sanitizer placed squarely on the desk, angled like an invitation--or a mandate. A metal wastebasket sits beside the desk, and within it, I see the mangled remains of countless stress balls, shredded beyond recognition. Their rubber shreds stick out at odd angles like splayed, twisted limbs, caught mid-scream. The man himself sits at the desk. I try to discern his face through the sterile, uncompromising atmosphere, but his eyes are still. Clinical. He assesses me with a directness that makes the small hairs on the back of my neck prickle. He''s not one for superfluities, that much is obvious. "Mrs. Xenograft," he says, his tone level. My spine stiffens, and the correction escapes before I can stop it. "Dr. Xenograft." His response is immediate, and cold: "No." A beat of silence passes as I process the flat refusal. I can''t tell if it''s some strange attempt at humor, and against my better judgment, I press. "Is... is that supposed to be a joke?" He meets my gaze without a hint of amusement, his face an impassive wall. "I don''t make jokes." He shifts, making it clear he''s finished with the matter. "In my organization, all senior members hold the titles of Mr. or Mrs. It''s not a form of disrespect. It''s a requirement." A curious rule, but curiosity isn''t enough to make me push further. Still, I can''t resist a final prod, dryly phrased: "And, er, what about transgender individuals?" There''s the slightest flicker of consideration in his eyes before he answers, cool as a clam, "We''ll figure that out when we get one." The hint of humor almost brings a smile to my face, but his demeanor silences it before it has a chance to emerge. He stands, motions for me to sit in a chair facing him, and gestures briefly to the bottle of hand sanitizer on his desk. "Before we begin." I hesitate, then give a perfunctory pump of the gel, the antiseptic scent sharp as it clings to my skin. He gives a slight nod, one that suggests I''ve done something necessary rather than welcome, and I take the seat opposite him. He''s... handsome, in a traditional sense. His eyes are almost the exact same shade of amber as Scylla, a brown so light that it looks orange in the setting four o''clock or so sun. Black hair, verging on stress-grey, individual strands of white and silver running through, slightly coiffed at the top so as to curl over his head almost like a cowlick with depression, although his sides are shorn down. Not a hint of stubble, but with that sort of dry sheen that suggests he''d shaved today, rather than being a babyface. "I understand you''ve been working on something substantial," he begins, his tone inflectionless. "Something that warrants the loss of two of our operatives." The tension in his voice is almost imperceptible, but it''s enough to remind me why I''m here. Steeling myself, I hold up the case with my sample, opening it to reveal a small vial containing an orange-hued substance, thick and viscous. "Yes," I reply, my voice steady, clinical. "This is the latest sample of Jump, or rather, its base, Compound A. Or, well, Compound J-237, which is a form of Compound A." He leans forward, studying the vial with an intensity that borders on uncomfortable, his gaze unreadable. "Explain." I take a deep breath, finding solace in the scientific explanation. "Compound A is¡­ unique. It can transmit powers to another organism, but in its raw form, it''s unstable. Whoever is designing Jump either is or knows someone with a lot of knowledge in pharmacokinetics. If you just swallowed this with Compound B - the one that sort of categorizes the powers - it would spread unevenly, first to your organs, and then blood vessels, then muscles, skin, and finally, your brain. If you got super strength, you''d fold in on yourself. Most of Jump is just normal binders, fillers, and prodrugs, so to stabilize and synthesize Compound A for distribution, I had to create a controlled biological vessel. The frog-bee hybrids." I can feel the faint tug of interest in his otherwise still face, but his eyes remain fixed on the vial. I continue. "Frogs, particularly poison dart frogs, have natural adaptations for handling toxins and strange metabolites, compounds similar in action to what we need for Compound A. They can store and sequester alkaloids that target nerve and muscle cells. But frogs alone can''t provide the necessary stability or production volume we need. I needed the poison dart frogs as a base because normal local frogs weren''t cutting it." He listens without interrupting, his gaze still focused on the vial. I feel a strange sense of relief; at least he''s letting me explain. "So I hybridized them with honeybees," I go on. "Honeybees have venom systems that allow them to process and store certain substances. By integrating the honey stomach from bees, the hybrids can safely store Compound A within their systems. There are chemical compounds in a bee''s body that help stabilize, and the honey stomach acts as a sort of bioreactor, refining Compound A to make it safer and reproducible without access to whoever is making the pills for Rogue Wave." I lean back slightly, watching his face for any reaction, any sign that he finds this useful or satisfactory. His eyes shift briefly from the vial to me, and he gestures for me to continue. LTN.2.2 "With this setup, the frog-bees can reproduce and process Compound A reliably, allowing us to harvest it in stable, large quantities. And the bonus is that their biochemistry produces byproducts that could have lucrative secondary uses." "Such as?" he prompts, his tone as even as the number two, though I sense the interest buried somewhere beneath it. "Epibatidine, for example. It''s a painkiller based on a natural alkaloid, altered to reduce its toxicity - there''s been a lot of hubbub about Epibatidine as a painkiller, but nobody has been able to synthesize a version with a wide enough gulf between "effective" and "lethal". Nobody besides me, of course. Then there''s Epi-Melittin, a compound of frog toxins and bee venom. It has both analgesic and cell-penetrating properties, making it exceptionally fast-acting. Finally, we have Pumilio-Apamin, a combination of pumiliotoxins and apamin, a neurotoxin. At low doses, it heightens reflexes and sensory perception; higher doses could induce psychoactive effects--useful for various¡­ applications. Like, drug applications. Street drugs." I meet his gaze, letting the words settle. "Each of these byproducts offers a range of possibilities, not only in their original forms but potentially as combinations. Their effects could be controlled, dosed, and tailored for anything from high-grade analgesics to stimulants, enhancers, or parties. But those samples are still at the lab. This is just Compound J-237. I have some cultured cells from Daisy Zhen that I''ve been able to isolate a sort of¡­ analogous form of Compound B from via the same bioreactor process as Compound A. Just taking the "power enhancing" part of her powers without any of the¡­ other stuff." Mr. Antithesis studies the vial for a few more seconds before setting it down, his fingers almost meticulously adjusting its position on the desk. "Impressive," he says at last, his tone still measured. "And these side products--how do you propose we utilize them, Mrs. Xenograft?" The faintest twinge runs through me at the title, but I suppress it, reminding myself of where I am and who I''m speaking to. "Controlled release. We can tailor products for specific effects, from refined enhancements for our own operatives to street-market versions for revenue. Hypeman alone--if properly branded and distributed--could corner a unique market as a power amplifier, creating demand from high-value targets." His eyes shift up to meet mine. "Hypeman?" I pause, sensing that he''s not entirely pleased with the name. "A working title," I say briskly, almost defensively. "The name is¡­ negotiable." Mr. Antithesis raises an eyebrow, looking almost amused. "That''s alright. We''ll workshop it." The office''s air has become sharper, somehow even more clinical, as Mr. Antithesis leans forward, resting his hands on the desk, fingers steepled. "Now¡­ walk me through the operation, Mrs. Xenograft. Why did it go wrong?" His tone is chillingly even, without the faintest suggestion of irritation or disappointment, a scalpel poised for incision. I take a breath, knowing he''ll accept only precise, surgical answers. "Operation Ivory was planned with specific objectives, including acquiring a breeding population of poison dart frogs for further bioproduct development. We accounted for the existing zoo security, and our personnel were to execute swiftly. But¡­ variables emerged." "Variables." His eyebrow raises slightly, unblinking. "Go on." "Our team encountered a previously unknown superhero, a young one with some sort of super strength or propulsive power. Samantha Small was there, too, but she was accounted for." I allow myself to sound clinical, to avoid any hint of defensiveness, though there''s a chill down my spine. "This other individual was not on the radar of known operatives in the area. She disrupted the final phases of the extraction, resulting in the capture of Mr. Nothing and Mr. Mudslide." He considers this, his gaze a touch distant as he processes. "Unexpected resistance. But that doesn''t explain your accountability in this. How did you assess and assign the risk?" My fingers itch to adjust my glasses, though I resist the impulse, keeping my hands still on the desk. "I was responsible for oversight on the operation and planned its technical aspects," I reply, voice calm. "The personnel selection was based on skill fit for the targets. Mr. Nothing''s infiltration abilities and Mudslide''s ability to break through the zoo''s defenses without sounding an alarm were necessary components. Under normal circumstances, they would''ve handled any anticipated opposition." Mr. Antithesis''s silence stretches, and I catch my reflection in his polished desk. Finally, he speaks. "And yet, here we are," he remarks, voice softer now, almost contemplative. "It appears your selection wasn''t quite as precise as it should''ve been." I meet his gaze, and this time, the flinch is real. I steady myself quickly. "Yes, sir. I take responsibility for the results. There were blind spots in our intelligence, and I''ll ensure resources are reallocated for both immediate and long-term contingencies. I''ll also be personally addressing their legal fees, as well as contingency planning for retrieval if necessary." He leans back slightly, his face giving nothing away, though his hands are still precisely positioned. I know he''s testing my resolve, waiting for me to deflect or equivocate. I remain silent. "Accountability," he says, almost musing, "is critical to this operation''s success. Which brings us to Hypeman." He gestures towards the vial of compound on his desk. "Is this viable, Mrs. Xenograft? Financially, chemically, what am I looking at in terms of returns?"If you encounter this story on Amazon, note that it''s taken without permission from the author. Report it. "Viable, sir, and profitable," I respond, tone clipped, knowing he won''t accept anything less than conviction. "Hypeman production costs are low, particularly since the frog-bee hybrids are sustainable, and the culture of Daisy Zhen''s cells requires only basic culture upkeep. I''d estimate a husbandry setup to be cheaper than your typical clandestine drug lab. The frogs themselves require minimal upkeep -- small enclosures, basic insect feed, moisture control." "And can we expect a competitive profit margin?" "Absolutely," I reply. "In fact, one of Hypeman''s most¡­ favorable qualities is its incompatibility with Jump. Any user attempting to combine the two will experience a, uh¡­ Well, remember when I mentioned that Jump would make you fold yourself in half without the pharmacokinetic bits?" His lips curl into a barely-there smile. "Explosive failure?" I nod, allowing a slight smile myself. "Exactly. While Jump may appeal to a general clientele, Hypeman will attract a different echelon of users - one with existing powers. It amplifies natural abilities, increasing their effectiveness across physical and cognitive domains." He''s silent again, his gaze fixed on the vial. "This makes it a specialty product," he says, more to himself than to me, before lifting his eyes to meet mine. "Specialties come with risks. And returns." I choose my next words carefully. "Hypeman''s effects are potent enough to entice high-value clients, even given the risks. Moreover, due to its formulation, only those with suitable experience can administer it effectively. We control access by controlling its distribution, preventing any careless combinations with Jump. As it stands, I am the only human being alive capable of producing the required precursors for Hypeman. It''s totally unable to be duplicated." He nods, then shifts slightly forward, and for the first time, I notice the raw skin on his hands, the slight traces of red, almost rubbed raw. He''s tense, perhaps more than he allows himself to appear. "And production oversight? I trust you''ll be managing this." "Yes," I answer, knowing full well he''ll take nothing less than complete ownership. "I''ll be setting up the husbandry and handling quality control personally. Frogs are sensitive, but with the right balance of humidity and nutrients, we can maintain consistency in each batch. My degrees in Zoology aren''t for nothing." He raises a hand. "Understood. And I presume you''ll be responsible for any operational hiccups?" "Absolutely," I respond without hesitation, sensing his gaze sharpen in approval. "If any personnel become liabilities, I''ll address it immediately. This is my project, and I''ll shoulder the results." His eyes linger on me for a moment longer. "Good. That''s exactly the level of dedication I expect. I don''t tolerate flippant handoffs or scapegoating here, Mrs. Xenograft. Results are what matter." He seems to be watching me, waiting for something, a flicker of hesitation or fear, perhaps. But I know better. As he studies me, I remind myself that this is business. He has no interest in theatrics. "You seem nervous, Mrs. Xenograft," he remarks, noticing the slight twitch in my left hand. I force myself to meet his gaze. "I''m fully prepared to accept responsibility for my part in Operation Ivory''s outcome, sir." To my surprise, he nods, his expression softening a touch. "I''m not interested in making an example out of you, Mrs. Xenograft. I''m not some comic book supervillain. Your research and your skills are valuable to the Kingdom. Punishing you would be counterproductive." He lets that word settle, letting its clinical neutrality reassure me. "Do you have anything else you''d like me to know?" I think for a moment. "I believe that covers it all," I say, after twenty extremely stressful seconds. "Good," he replies. He glances pointedly at the large tub of hand sanitizer on his desk, his gaze intent and unwavering. "Please sanitize once more before we shake." It''s not a request. I hesitate only for a moment, scanning his desk and catching sight of the faint redness marring the skin on his knuckles, as if he''s scrubbed them raw, over and over. Keeping my face impassive, I press the dispenser, letting the cool, clinical-smelling gel pool in my hands before rubbing it over my fingers and palms. "Thank you," he says, though his tone is detached. This isn''t so much a pleasantry as it is a procedural step, a final formality in the conclusion of our meeting. Something more ritual than anything else. He extends his hand, and I take it, our handshake brisk and functional, yet somehow carrying a weight that feels almost ceremonial, a tacit acknowledgment that I am indeed here on his terms. This is no longer an arrangement for grant money or academic funds. No, this is a contract, one bound as much by money as by trust and authority. When he releases my hand, his expression shifts into what might pass for satisfaction, or at least a form of approval. "I''ve reviewed your project and the reports you filed on the hybrids'' development," he says. "This level of initiative is exactly what we value. So you''ll be seeing a raise for your work, along with a share of Hypeman''s gross sales, in addition to your regular operating budget." For a moment, I''m stunned. A reward. Not just any raise, but a substantial cut of Hypeman''s revenue. I could expand the lab, even improve the habitats for the hybrids with minimal oversight. It''s a thrill I usually reserve for scientific breakthrough, but now I feel it at the prospect of resources, pure and unhindered. Despite myself, I feel a slight warmth unfurling. But his next words cool it just as quickly. "However, Mrs. Xenograft," he says, each word razor-sharp, "I expect this to be your only slip-up in our operations. Any further issues or oversights in judgment will directly impact your continuing employment here." I''m accustomed to stiff, corporate language from grant panels, but in his mouth, "continuing employment" feels far less like an offer to reconsider and far more like a door slamming shut. A finality looms in it, the reminder that while the Kingdom may not deal in comic book punishments, the stakes remain incredibly high. I force myself to nod, businesslike. "Understood, sir." "Good. It''s only fair that since this venture was your own brainchild, you have a substantial share in its returns," he adds. "But remember, that also means you bear responsibility for its failures. I hope that''s clear." Crystal clear. It''s the worst parts of arguing for research grants combined with something colder, something uncompromising. But compared to the other institutions I''ve dealt with, I remind myself, this might even be¡­ tolerable. With a curt nod, he turns his attention to the neat array of documents on his desk. Our meeting, it seems, is over. I step back, smoothing down my coat, feeling the quiet weight of his words settle on me. This isn''t academia. It''s something more severe, something less forgiving. And yet, for the first time, I feel as though the resources are truly mine to shape, free of the bureaucratic mess I''ve always loathed. I turn toward the door, and as I do, I catch a glimpse of the city skyline from his window, Manhattan sprawling out into the crisp Sunday afternoon. Maybe I''ll even take a cab around the city before I leave. I turn around and head back for the elevator, wiping my hands on my pants to get the last traces of hand sanitizer off. WORLD OF CHUM: Minions & Goons (2) "Doctor of Villains": The Anonymous Physician Who Treated Chicago''s Most Dangerous Employees By Dana Smith, The Chicago Review March 2024 In a quiet suburb on the edge of Chicago, one man hides in plain sight. Once, he was an upstanding doctor with a small private practice, a family, and dreams of making a difference in his community. Today, he''s an ex-"villain doctor," formerly entangled with one of Chicago''s most infamous powers-based criminal organizations, the Lakefront Syndicate, one of the few lucky survivors of the Big Raid. In an exclusive interview, he opens up for the first time about the dangerous world he left behind, a life shaped by unexpected choices and moral compromise.
"You Treat One Guy, and That''s How It Starts" The doctor--who we''ll call Dr. X--speaks softly, a man clearly worn down by years of anxiety, secrecy, and ethical conflict. His story began innocuously enough. "It started with one patient," he recalls. "I had this guy come in, asking for care outside office hours. Friendly enough, quiet. Said he''d pay in cash, and I figured he was just one of those guys who prefers to avoid hospitals." The man, as it turned out, was a "contractor" for the Lakefront Syndicate, a well-organized villain group with legitimate businesses that doubled as fronts for their real work. Initially, Dr. X thought nothing of it--he was just providing medical care, not asking questions. But soon, that patient told his friends and colleagues, who told others. More people started showing up with unexplained bruises, lacerations, and chemical burns, all with stories that didn''t add up. "By the time I realized who they all worked for, it was already too late," Dr. X explains. "My clinic was filling up with guys who didn''t exactly make eye contact and paid well to keep things off the books. My regular patients started to feel the tension, too. They stopped coming, which only made me more dependent on my new clientele."
Ethics in the Gray Zone For Dr. X, the ethical dilemma was immediate and heavy. In medical school, he''d been trained to treat every patient with dignity and confidentiality, to care without judgment. But here he found himself bound to a new clientele whose actions he increasingly found repugnant. "At first, I tried to rationalize it. I wasn''t helping them commit crimes; I was just treating their injuries. But when you''re patching up someone you know is going back out there to hurt others or reinforce a protection racket, it starts to eat at you." As more members of the Syndicate came to him for care, Dr. X found himself facing requests that blurred ethical lines further. Falsify a medical report here, administer painkillers without documentation there. Occasionally, he''d be called to private residences, where he''d treat higher-ups with wounds sustained in "hero encounters"--a euphemism for battles with vigilantes or even known superheroes.Love this story? Find the genuine version on the author''s preferred platform and support their work! "You start to see the damage these people do, and yet you''re treating them like anyone else," he says. "But they''re not like anyone else. They''re hurting the city, hurting innocent people. It didn''t feel like medicine anymore--it felt like complicity."
Held Hostage by Dependency Over time, Dr. X found it impossible to leave. The money was good, far better than he could have made in his small practice, but it came with invisible shackles. As he became the Syndicate''s trusted doctor, attempts to disengage were met with reminders of how much he owed them--financially and, in their words, "for his own safety." "They never threatened me directly. But the implication was always there, like a shadow over everything I did," he says. "And by the time I realized it, I didn''t know how to leave. I''d gone from being a doctor with a good reputation to someone whose entire practice was people who''d sooner hurt me than let me walk away." The emotional toll was immense. Isolated from colleagues, working in secrecy, and constantly on edge, Dr. X began to feel he was a prisoner in his own life. His family, unaware of the full extent of his involvement, worried for his health as he withdrew into a private shell. "It was like I was under siege," he says. "Constantly looking over my shoulder, second-guessing every decision, wondering if I''d be called in for something I couldn''t ethically handle."
Escape and Release In an unusual twist, Dr. X was eventually given permission to leave. After nearly a decade as their physician, he approached a high-ranking member of the Lakefront Syndicate and explained, carefully, that he needed to walk away for the sake of his health and family. Remarkably, they allowed him to leave on the condition of silence. "They let me go," he says with an almost disbelieving tone. "I''d been so tied up in this world that I didn''t think I''d ever get out. But they respected that I''d served them loyally for so long. I think, for them, loyalty runs both ways. They had new doctors - I wasn''t their old reliable anymore." With his departure came conditions. He couldn''t speak about his experience openly, especially not to law enforcement, and he was advised--gently but firmly--to keep a low profile. Returning to a traditional medical practice was impossible; his reputation had shifted too drastically. Today, he works in telemedicine, helping patients remotely while staying under the Syndicate''s radar. "It feels surreal to be free," he says. "There''s guilt, sure. But more than anything, there''s relief. I wish I could say I''d made the right choices from the beginning, but once you''re in that world, right and wrong blur together."
The Aftermath and Reflections Dr. X reflects on the gradual entrapment that pulled him into the underworld. "One patient turns into two, then into an entire clientele," he says. "Before you know it, you''re the doctor for the Syndicate, and there''s no way out." When asked what advice he would give to medical professionals facing similar situations, Dr. X pauses. "The best thing you can do is set boundaries early and stick to them. You think you''re just helping one person, doing a quick favor, but once you''re in, that world is hard to leave. No matter the money, no matter the loyalty, there''s no replacement for the peace of mind that comes from ethical practice." Today, Dr. X lives quietly, a man haunted by a world he once served but ultimately escaped. He may be free, but the shadows of the Lakefront Syndicate linger in every cautious step, every guarded answer. For now, he says, that''s enough. VB.1.1 Victor trails slightly behind his mother as they enter the zoo, a world that smells of animal fur, damp earth, and sharp, clear water. His mother is in front, smiling and glancing back at him, expecting excitement, maybe even a few questions about the zoo''s paths or the animals themselves. But Victor doesn''t have questions about the place. Instead, he''s already calculating how long it will take to see everything here-and how much time they might spend with each animal. "Look, Victor!" she says, tapping the glass of the map. "See here? We''ve got...oh, almost a hundred animals to see!" Victor squints at the tiny, winding paths and the words that spiral around them. "That''s a lot of walking," he says, like he''s tallying miles in his head. She laughs, her eyes softening. "Maybe it is, but I''ll bet we can see at least half of them. You think?" He considers it, then nods, more to satisfy her than himself. "Half''s probably a good number." As they make their way toward the first exhibit, his mother nudges him toward a group of colorful birds. Their voices grate against each other, a high-pitched tangle of chirps and squawks, and he winces slightly, averting his gaze. The birds are bright, almost too bright, and they keep darting to and fro, too fast for him to take in all the details. The sign says "Macaw" and has a little map of South America underneath it. But to Victor, the birds'' movement is more confusing than interesting. He tries to watch, but his eyes dart to other, quieter corners of the exhibit. A woman beside them sighs happily, looking at the birds. "Aren''t they beautiful?" she says, not particularly to anyone. Victor stares at her, then at the birds, clearly trying to connect the word "beautiful" with the shrieking, jittery movements. "They''re very loud," he says finally, as though that should say it all. The woman gives a surprised smile. "I guess they are. You know, they call them a flock, not just one bird. Flock means they have to work together." Victor nods slowly, processing. "They don''t look like they''re working together. More just flying in the same direction." His mother stifles a smile and looks at the woman. "He''s... direct," she says, patting Victor''s shoulder. The woman chuckles, but Victor doesn''t notice; his focus is already drifting away from the birds as he waits for them to move to the next exhibit. "Did you know they live in the jungle?" his mother says, reading the sign as though it might help him appreciate it more. Victor nods because he knows the answer is yes, and because he doesn''t want her to feel like she failed. She''s making that expression, the one that looks like a smile, but not all the way. He follows her as she moves on to the next exhibit, which has some sort of large, sleek creature prowling back and forth. Victor catches the word "Panther" on the sign, and while he watches it walk, he finds the movement steady, easier to follow. There''s a rhythm to it-a step, a flick of the tail, the turn, and then the step again. There''s something satisfying in its pace, but he can tell his mother wants him to say something about it, something that shows he''s paying attention the way she wants him to. But he doesn''t have anything to say about this one either. "What do you think of this one?" his mother asks, bending down beside him, going for the prompt. Victor keeps his eyes on the panther, barely blinking. "He''s on a path," he says. "I think he always knows where he''s going. I like him." His mother raises her brows. "You think so? He goes back and forth a lot. I''d think he was maybe a little confused." Victor shakes his head slightly, still watching. "No, he knows. He''s just going back to where he started. Like a... like a train track." She considers this and tilts her head, studying the panther a little more closely. "I never thought of it like that. That''s interesting." He decides instead to simply follow her lead. If they keep moving, he can just wait until the part he knows will be interesting. "Which way to the monkeys?" he asks, though he knows they''re coming soon. His mother laughs, and she''s genuinely smiling now. "They''re not far, I promise," she says. "But look, the elephants are just here!"The narrative has been illicitly obtained; should you discover it on Amazon, report the violation. The elephants don''t grab him either; they''re too large, moving slowly, as if each step is a massive chore. They have big, curious eyes, and he wonders briefly if they think anything about the crowd watching them. "Look how long it is!" his mother exclaims, smiling wide. "Imagine if you had one. You''d be able to reach right over my head." Victor squints, watching the trunk curl and uncurl as it grasps the branch. "It looks like an arm that doesn''t know it''s supposed to be an arm," he mutters. "Like, it forgot its own shape." A boy nearby snorts at Victor''s comment, muttering to his own father. "What a weird way to say it. It''s just a trunk." Victor''s mother catches the boy''s comment and looks to her son, her smile warm but slightly bracing. "I think it''s an interesting way to say it," she says, patting Victor''s shoulder again. "That''s how you see things, Victor." Victor looks up at her, searching her face for something like confirmation. "It just moves weird. Not like it''s sure it should be moving at all." She nods. "I know. It''s all right to see it that way." But they don''t have that spark, that snap of attention, that focus he''s been looking for without really being able to name it. He can see the intelligence in their eyes, but not the... something else. Something that he can''t name. He knows elephants stampede when they are scared. These elephants will never stampede. They''re never scared. Finally, after what feels like hours to him but has probably been ten minutes, they reach the primate house. He doesn''t wait for his mother to catch up this time and walks up to the first enclosure, where the glass separates him from the dense, dark eyes of a chimpanzee. Victor''s pulse quickens. The chimpanzee doesn''t move with the same rhythm as the panther, but there''s something sharper in the way it watches him back. It tilts its head, dark eyes unblinking, and he feels something that, for once, doesn''t have a name. A strange understanding passes between them, something that feels like a thread he can''t fully grasp. "You like them, don''t you?" she asks, folding her hands together, content to let him take his time. He nods, glancing over his shoulder. "They look at me," he says simply. "Not like animals, but like people." A zookeeper passes by, overhearing the comment. "Well, they''re pretty close to us, you know. Share almost all the same genes," he says, adjusting his cap. "Some say they might even be able to talk one day." Victor''s face softens, considering this. "Talk how?" "Well, with their hands. They''re smart, those chimps." Victor turns back to the chimpanzee, his own hands pressed to the glass. He raises one hand slowly, as though offering a silent greeting. The chimp studies him, its head tilted slightly, and then stretches its hand along the same line, mirroring him. He holds his breath, feeling an odd, prickling warmth in his chest. "He knows I''m here," he whispers, almost to himself. His mother watches, her expression tender as she listens. "He does. It''s like you both see each other, isn''t it?" Victor nods slowly. "Like he''s thinking. Not like the others, but really thinking. And he doesn''t mind that I''m here." She laughs softly, running her hand over his hair. "I think he likes you, Victor. Imagine that." As they move through the primate exhibits, his mother finally seems to relax too. She stands back, letting him wander from one enclosure to the next at his own pace. At the gorilla habitat, he stops dead in his tracks. The silverback sits on a rock, surrounded by a group of smaller apes, holding court without moving a muscle. Victor''s drawn to it instantly. The gorilla turns its head slowly, its heavy gaze settling on him. It watches him, unmoving, calm but with a quiet power that doesn''t need any noise to make itself known. Victor''s chest feels tight, and he realizes he hasn''t breathed for a moment. There''s something about the gorilla''s silence that he understands-its authority doesn''t come from loud sounds or fast motions. It just is. His mother moves beside him, her voice soft now. "He''s the leader of the group, you know? All he has to do is sit there, and the others know who''s in charge." Victor nods, eyes still on the gorilla. "It''s because he doesn''t need to do anything to be strong," he says, not realizing he''s spoken out loud. His mother blinks, looking at him with a kind of soft surprise, the smile on her face a little different this time. "Yes," she says slowly. "Yes, I think you''re right." "He doesn''t move a lot," he murmurs. "No," his mother says, watching him closely. "But he doesn''t have to, does he?" Victor shakes his head. "No." His mother looks from the gorilla back to her son, her hand resting on his shoulder. "Some people are like that too, you know. They don''t need to make a fuss." Victor glances at her, his mouth a straight line. "But they do anyway." She chuckles. "True. But not you." She watches him quietly, then adds, "You see things, Victor. Things I miss sometimes." Victor turns his gaze back to the silverback. "The gorilla wouldn''t be loud, though. He doesn''t need to be. He can be, but he doesn''t." They stand there for a long time, Victor watching the gorilla in silence while his mother lets him be, feeling like she''s learned something about him that maybe she wasn''t looking for but wanted all the same. They stay at the gorilla enclosure longer than anywhere else, and Victor notices his mother glancing at him, but this time she doesn''t seem to mind that he''s quiet. She''s just watching him as he watches the gorilla, as if maybe she''s seeing something new in him she hadn''t noticed before. As they leave, she buys him a small gorilla figurine at the gift shop. He turns it over in his hand, feeling the smooth, heavy plastic, and tucks it into his pocket. She tucks the figurine into his hand, pressing her fingers gently over his. "Now you have your gorilla. Maybe he''ll remind you of today." Victor closes his fingers around it, nodding. "I think he will." And they walk out of the zoo, mother and son, with Victor feeling a quiet warmth he doesn''t have a word for but decides to keep with him. He feels the feeling. VB.1.2 Victor sits in a straight-backed chair, his hands resting on his knees. His knuckles are bruised, red and swelling, and he absently flexes his fingers as though testing them. His father is beside him, leaning back with crossed arms, eyes sharp and unyielding. Across the desk, the principal''s mouth is set in a line so tight it looks more like a scar than a mouth. "Victor," the principal says, drawing out his name as though he''s chewing it over, "do you understand why you''re here?" Victor glances up, his expression flat. "Because they wanted me to react," he says, his voice measured, almost as though it''s an answer he''s memorized. The principal sighs. "No, Victor. You''re here because you broke another student''s nose." Victor tilts his head, eyes narrowing. "I broke a student''s nose, because he pushed me. "Another student''s nose" means that I''ve done this before. I haven''t." The principal sighs, likely deciding not to point out the many nosebleeds that Victor has handed out recently. His history of backhanding other pupils. Victor knows that he knows this. He wonders why the principal isn''t correcting him. His father would''ve corrected him. "Yes, but there are... there are better ways to handle these things than violence. You could''ve just walked away. Told a teacher." The principal''s face softens slightly, like he''s trying to coax Victor to see reason. "We don''t solve things with fists here." Victor stares back, puzzled. Why do adults always say "better" without telling him what "better" means? Better to who? His face remains blank. "That way doesn''t work. They wanted me to react." Victor''s father shifts in his seat, scoffing softly, all sharp edges and stubble. "Didn''t seem like a fist was the start of things, though, did it?" His voice is low and hard, like gravel under a boot. "The other kid laid hands on him first, right?" The principal clears his throat, his gaze flickering to Victor''s father before returning to Victor. "That doesn''t give him a free pass to hit back. The school has rules for a reason, Mr. Blanc, and we can''t just ignore them because your son decided to break someone''s nose." Victor''s father raises a brow. "Sounds like a pretty good reason to me. Kid didn''t wanna get hit, shouldn''t have started something he couldn''t finish. Don''t bring the fire if you''re not ready for the smoke." Victor''s eyes drift between the two of them, not really following the meaning behind their words, more focused on the pauses, the tension between the sentences. He feels like he''s missed something they''re both supposed to understand. Like there''s clearly some rule here that he violated, and he''s trying to figure out what that is. "He wanted me to react," Victor says again, matter-of-factly. "I did what he wanted. It turns out he didn''t know what he was asking for, plus I got him to stop. I think this is a good solution." The principal''s eyes narrow. "But do you think that''s the only way to make someone stop? Hurting them?" Victor thinks for a moment, his eyes fixed on a spot just above the principal''s head. "No. But it''s the way that works fastest. When I ask them to stop they make faces and mimic my voice like a macaw. I''m not a zoo animal." He said that without totally believing it. "I finished what they started," Victor finishes. His father nods approvingly. "There you go. Kid knows what he''s about." The principal lets out a heavy sigh, his hand pressing to his forehead like he''s trying to rub away a headache. "Mr. Blanc," he says, looking at Victor''s father, "we need to address this as a disciplinary matter. If you don''t agree with the school''s approach, you''re welcome to take this up with the board. But as it stands, Victor will need to face the consequences for his actions here." Victor''s father leans forward, his face hardening. "Consequences? For - for - for what, standing up for himself? I don''t see the point in punishing him for that." "He can''t just lash out, Mr. Blanc," the principal says, clearly holding his patience by a thread. "School is meant to teach children that there are better ways to handle these situations. We''re here to help Victor learn that violence isn''t always the answer." Victor''s father leans back again, crossing his arms and huffing a short laugh. His clothes crinkle up around him, a size too big. Victor always wondered why his dad wore clothes that were a size too big. Did he think it made him look bigger? "Ain''t much here that sounds like help, if you ask me."If you discover this narrative on Amazon, be aware that it has been stolen. Please report the violation. Victor''s gaze drifts down to his hands, to the bruises that line his knuckles like badges, some dark purple and others faintly yellow from older hits. He flexes his fingers, feeling the raw pull of the skin over bone. He tries to explain, his voice quiet but sure. "He laughed when he pushed me. Like he thought it''d be funny." The principal glances at Victor''s father, then back to Victor. "But it wasn''t funny to you." Victor shakes his head, brow furrowing. "No. I told him to stop, but he didn''t listen. He just went, ''stop, stop''. Then he called me a ''spastic dago''." Victor''s dad actually gasped, which wasn''t a noise he was used to hearing. Less a gasp, no, that was too feminine, gasping was something his mom did. Victor''s dad seethed. He sucked air in through his teeth. The principal sits back, nodding slowly. "Okay. So maybe next time you can find another way to handle it - like telling a teacher." Victor blinks, tilting his head. "The teacher wasn''t there." "Right," the principal says, struggling to keep his tone gentle. "But maybe you could''ve found a teacher afterward, or just ignored him. When you ignore them, they go away once they realize they''re not getting the reaction they want out of you." Victor''s eyes narrow again, his face blank. "Why would I ignore him? He wanted me to do something." The principal hesitates, looking to Victor''s father with an exasperated expression. "I think... What do you think, Mr. Blanc? Do you think you can explain it a little better?" His father smirks, shaking his head. "Vic just did what he had to. Didn''t start a thing but sure knew how to end it. That''s how we did it back in the war, and that''s how I taught him to stand up for himself. You need to keep these other kids on a tighter leash, calling him shit like that." "Language, please, Mr. Blanc," the principal mutters. "Sorry. Old habits," his father replies, not sounding sorry. Victor studies his father, sensing the approval in his voice even if he doesn''t entirely understand why. He isn''t used to feeling approval from people, much less his dad, and he doesn''t know what to make of it, except that it feels a little like what he imagines that gorilla felt - the silverback that just sat there, watching, completely certain of itself. "Look," the principal says, a little more forcefully, "this kind of behavior can''t continue. There''s a reason we have rules, and everyone has to follow them. You''re not special, Victor. You can''t act outside the rules." Victor''s father scoffs again, this time louder. "Special? Nobody''s saying he''s special. But he''s sure not gonna sit back and be somebody''s punching bag. Not while I''m around." The principal''s jaw tightens. "Mr. Blanc, if you want him to learn that lesson, there are better ways." Victor''s father shrugs, almost smirking. "Better ways, huh? Well, I''ll take care of that at home." His tone is cold, almost final, like he''s closing a door on the conversation. The principal''s face goes a little white, and then flushes with color. "Victor, if you can make it through the rest of the term without breaking another pupil''s nose - or without getting into a fight - I believe we could make it worth your while. Is that a reasonable offer?" Victor stares at the principal, who looks uncomfortable, his eyes darting to Victor''s hands again. His knuckles are lined with pale, raised scars, flecked with newer cuts-hands that look more like a man''s than a boy''s. The principal takes a deep breath, folding his hands in front of him as though he''s not sure how to move forward. "I''ll think about it," Victor says. Then, he clears his throat. "I don''t want you to worry about me. I didn''t like doing it. I didn''t feel bad but I didn''t like it either. I''m not like one of those Brooks'' boys that tortures caterpillars on the playground. It was just the way to get it to stop fastest." The principal stares at him, and Victor gets the sense that something in that sentence was wrong. But he''s not sure what. His mouth is hanging open a little, and Victor suppresses a tiny his-father-shaped-voice in the back of his head that is yelling at the principal to pick his jaw up or he''ll yank it off. Finally, he clears his throat. "All right. Here''s what we''re going to do. Victor, you''ll be excused from recess this week, and I''m going to inform your teachers to keep an eye on you a little closer. So you don''t feel tempted to hit your peers next time. Alright?" Victor nods once, not really understanding what this means for him, except that he won''t be outside. That suits him well enough - he doesn''t really like being on the playground with everyone else, anyway. His father stands, gripping Victor''s shoulder. "Fine. We''ll leave it at that." The principal watches them go, his expression somewhere between frustration and resignation. Victor glances back just once, noting the way the principal''s eyes linger on his father with that mix of respect and wariness he''s come to recognize. The way everyone looks at his father once he starts talking. They recognize him and his eyes. The eyes of someone who''s done time in Europe, plucked some of those poor Jews from the camps with his own two hands. Everyone respects his father. Outside, as they walk to the car, Victor''s father speaks, low and firm. "You don''t start fights. But you finish them. That''s how things are done," he says, before pausing for a second like he''s second-guessing himself. It looks weird on his face. It''s not something Victor is used to. "That''s how things are done," he reaffirms. "Don''t forget that. You''re my kid, not some sissy like that principal or those other cream puffs. We didn''t get those krauts with mean words." Victor nods, replaying his father''s words in his head. His father glances at him, brow raised. "You got something on your mind?" Victor shakes his head, though inside he feels a sense of calm, a reassurance he can''t quite name. He doesn''t need to say anything, just like the gorilla. As they walk, he keeps his gaze forward, feeling the weight of his father''s approval as steady as the ground beneath his feet. Chapter 136.1

Begin Arc 9: Sheol

It''s been weeks since the zoo siege, and I still feel like I''m walking around with my fists clenched, waiting for something to swing at. I keep telling myself it''s just the adrenaline left over from that night, the kind that sticks to your bones long after it''s supposed to be gone. But here I am, restless as ever, pacing around in the Tacony Music Hall, flipping a tooth over and over in my hand like a poker chip, or a copper-y coin. Every day feels the same now--school, train, patrol, sleep, repeat. And with Maggie stuck at home recovering, it''s mostly been just me out there. Sometimes with Jordan. Sometimes with Derek in the morning. Sometimes with Connor in the evening. Tasha likes to fly drones out. I catch glimpses of everything, sure, but it''s like everyone''s starting to drift. It feels like everyone''s got a "next step" but me.
It''s a Saturday afternoon, and I''m lounging in one of the beat-up armchairs in the Music Hall, flipping through my phone. The sunlight''s streaming through the dusty stained-glass windows, casting these weird, distorted patches of color all over the floor. Jordan''s pacing back and forth, waving their arms around as they talk. They''ve been going on about MIT for the past ten minutes, and honestly, it''s hard to keep up with their excitement. "...and they''re giving me a full ride!" Jordan''s practically bouncing as they say it, eyes shining. "Do you know how rare that is? Like, statistically?" I glance up, raising an eyebrow. "I don''t even know what ''statistically'' means half the time, so... no." Jordan snorts. "Well, it''s rare. This is MIT, Sam. They don''t just hand out full rides for fun. It''s because they see something in me." They flop down onto the couch across from me, grinning. I want to be as excited as they are, but something about it feels like a reminder, like an invisible line''s being drawn that I''m on the wrong side of. Instead, I manage a smile. "So you''re really going for it, huh?" Jordan hesitates for a second, then nods, looking at me almost apologetically. "I mean... yeah, it''s a huge opportunity. Plus, they''ve got this whole lab just for researching new tech for superhuman stuff. Maybe I could actually do something useful for us, you know? From, like... the other side of things, if the computer stuff works out." "Yeah, sure." I force myself to keep smiling, nodding along. "That''s... that''s awesome, Jordan." "Hey." Jordan leans forward, giving me this look like they''re trying to read my mind. "You know this doesn''t mean I''m abandoning you or anything, right? We''re still... you know, the Auditors." I shrug, trying to play it off. "Yeah, of course. It''s just... you''re moving on to bigger and better things, and I''m... well, I''m still here, I guess." Jordan''s face softens. They reach over and give my arm a nudge. "You''re doing important stuff, Sam. Don''t act like you''re dead or something. You''re, like, out there every night keeping this neighborhood from falling apart the best you can." I roll my eyes, but there''s a flicker of pride in my chest, even if I don''t want to admit it. "Yeah, I guess. Just feels like everyone''s moving on, and I''m... still punching the same people in the same alleys." They laugh, and for a second, it''s like nothing''s changed. But the moment doesn''t last. Jordan''s phone buzzes, and they''re up in an instant, lost in a flurry of texts and plans, leaving me alone with my thoughts again.
Later that week, I''m at Maggie''s house, sprawled on her bedroom floor while she sits propped up against a pile of pillows on her bed. She''s still moving slow, holding her side whenever she laughs too hard or shifts too quickly, and it drives her nuts. It''s almost funny watching her try to be patient. Almost. "So," she says, huffing as she adjusts the pillows behind her. "I heard you were patrolling alone again." I shrug, keeping my eyes on the ceiling. "It''s not like there''s a line of people waiting to jump in. Jordan''s busy, Connor''s... Connor, Derek is a werewolf 50% of the day and it''s winter, and you''re still out of commission. What am I supposed to do, sit at home?" She narrows her eyes at me, like she''s trying to read between the lines. "You know you don''t have to do everything yourself, right? We''re supposed to be a team." "Yeah, well, hard to be a team when the team''s scattered all over the place," I mutter, feeling a little sharper than I mean to. Maggie sighs, wincing as she shifts again. "I''ll be back out there soon. My ribs are healing, just... slower than I''d like. And besides, maybe you need the practice, huh? Might teach you a thing or two about patience."The author''s tale has been misappropriated; report any instances of this story on Amazon. I snort. "Patience? Me? You''re hilarious, Maggie." She grins, but there''s something softer in her expression, almost like pity, which makes me want to crawl out of my skin. "I''m serious, Sam. You''ve been carrying this whole thing on your shoulders for way too long. You don''t always have to be the one holding everything together." I don''t respond. Instead, I roll over onto my stomach, picking at the carpet fibers and trying not to think too hard about what she''s saying. It''s easy for her to say, sitting there with her busted ribs and her supportive parents and her house that doesn''t feel like it''s gonna collapse any second. But me? I don''t know what I''d do if I didn''t have this. I can''t even go back to soccer.
The following weekend, I''m back at the Music Hall, catching up with Connor, who''s filling me in on the latest in his adoption saga. He''s practically vibrating with excitement, his lanky frame stretched out across the couch as he talks about his soon-to-be "real family." "They''ve got this huge backyard!" he says, eyes wide. "Like, big enough for a trampoline and a fire pit and... and maybe even a treehouse or something. I mean, how cool is that?" I try to smile, but the whole thing feels surreal. "That''s, yeah, that''s cool, Connor." He doesn''t notice the edge in my voice. Or maybe he does, but he''s too excited to care. "And they''ve got a dog. His name''s Max, and he''s, like, this big fluffy mutt. He''s probably the only thing there as hyper as me." I chuckle, trying to imagine Connor with a dog. It''s not hard. "Guess you''re trading in the vigilante life for suburban bliss?" I ask, trying not to make it sound weird. Connor looks down, rubbing the back of his neck. "I mean, I''m not gonna stop, like, completely. Just, you know, maybe ease up a little. They''re not exactly jazzed about the whole ''spandex and saving people'' thing, so I gotta keep it low-key for now." "Right. Makes sense," I say, nodding along, even though the words feel like cotton in my mouth. Connor gives me a worried look, and his voice softens. "You know, Sam, you don''t always have to do this, either. You could I don''t know, maybe take a break? Let someone else handle it for once." I force a smile. "Yeah, I''ll take a break when Philly runs out of people who need saving." He laughs, but I can tell he''s not convinced. And, honestly, neither am I.
I don''t mention any of this to my parents, of course. They''d probably just tell me I''m overthinking things or that it''s "part of growing up" or some other clich¨¦. But it''s hard not to feel the gap widening, not just between me and my friends, but between me and... I don''t know. Normal life, I guess. Every night I go out on patrol, it''s like I''m digging myself deeper into something I can''t just walk away from, even if I wanted to. There''s this restlessness in my chest, this constant itch to be out there, doing something, anything, that makes a difference. School feels like a formality at this point, just an obstacle between me and what I really need to be doing. But everyone around me is looking forward, making plans, talking about the future, while I''m... still here. The Kingdom of Keys has been quiet. Too quiet. It''s like Philly''s holding its breath, waiting for something to go off. I''ve been in this gig long enough to know that villains don''t just disappear, not unless they''re planning something. And with all the chaos lately, it feels like the whole city''s a stack of powder kegs waiting for a single spark. Take Jump, for instance. The stuff''s everywhere now, like the city''s been painted with it. Police are cracking down harder than ever, but it''s not stopping anything. I heard a couple guys on the corner near Frankford Ave. talking about someone who went nuts, full-on attack mode, just because somebody asked where they got it from. People know about Rogue Wave now, and their curiosity is getting them killed. We already have people that have gotten choked out from this. Hopefully the gyre of proper investigations will uncover some dirt? Ha ha. And then there''s the frogs. The poison dart frogs the Kingdom took from the zoo--no one knows what they''re planning with them, barely anyone even knows they took them, and the not-knowing is driving me nuts. A dozen dangerous frogs missing from the zoo, the Kingdom lying low, Jump everywhere, and rumors of Rogue Wave''s name making people lose their minds. I can feel something heavy in the air, this kind of prickly sensation crawling up the back of my neck every time I''m out on patrol. Philly''s tense, and it feels like I''m the only one who cares enough to notice. With all that simmering in the background, I''ve been taking out my frustration the only way I know how: training until I can''t feel my muscles anymore. Today, it''s just me in the Music Hall''s old practice space. Jordan and Connor are off doing... whatever it is people with futures do. Maggie''s at home, still healing up. Derek''s chained up in his own basement. Tasha is here but sleeping on the couch. So here I am, alone in the cold, hitting an ancient punching bag until my knuckles are raw and every inch of me feels wrung out and sore. I''ve set up a makeshift obstacle course in the hall, jumping over crates and sliding under beams that Jordan rigged up with some old chains and scrap wood. It''s not the most high-tech setup, but it works. Keeps my mind focused, keeps me sharp. Plus, there''s a nice satisfaction in the raw, physical work. I punch, jump, roll, hit the bag again, throw myself into a corner, jump again, climb up on a ledge--it''s endless. Over and over, until the sweat''s pouring down my face, my arms are trembling, and my head feels blissfully, finally, empty. But it doesn''t last. It never does. As soon as I slow down, catch my breath, that empty space fills up with everything I''ve been avoiding: the quiet of the Kingdom, the creeping danger of Jump, the thought of everyone moving on while I''m just... here. I slam my fist into the punching bag again, harder than I meant to, and it swings wildly, threatening to snap the old chain holding it up. "Get it together, Sam," I mutter, glaring at the bag like it''s the problem. I''ve been telling myself that a lot lately. I''m not sure it''s working. Chapter 136.2 After a couple weeks of letting Maggie "recover" (as much as she''ll let herself), I figure it''s about time to check in. She''s still supposed to be taking it easy, but that''s about as likely as snow in August. So, I stop by her place one evening, in between her parents getting home and her sneaking out for one of her "walks." I knock on her window, and Maggie''s face pops into view, just barely visible under the collar of her fuzzy pink sweater. She opens the window, and I slide in, trying not to track too much street grime onto her floor. "Nice sweater," I say, smirking. She rolls her eyes. "You''re just jealous you don''t have one." She pulls the sweater''s collar up to her chin. "Warmest thing I own, and honestly, kind of stylish, right?" "Very ''mall trip with your mom'' stylish," I say, grinning as I flop down onto her bed. She shoves me a bit as she sits down beside me, pulling her legs up and wincing. "Shut up. This is fashion, and you just don''t get it." I laugh, but it''s a little forced. I hate seeing her still wincing, still hurting. I hate it even more that she''s trying so hard to hide it. "So... how''s the recovery?" I ask, already knowing the answer. Maggie shrugs, trying to look casual. "It''s fine. Just a couple broken ribs. Nothing I can''t handle." "Mags, you''re still supposed to be resting." I give her a look, raising an eyebrow. "You''re not going out on patrols, are you?" She hesitates, which is answer enough. "I''m not doing anything serious," she says quickly. "Just walking around the neighborhood. Keeping an eye out. Not like I''m out there fighting crime." She pauses, glancing at me. "Not like you." I swallow, feeling that familiar pang of frustration. "Maggie, it''s not the same. I... I can take risks, you know? I mean, I heal. You don''t. You''re not..." I trail off, not sure how to finish the sentence without sounding like a total jerk. "Not indestructible?" she says, her voice softer now. She''s not mad; she''s just... resigned, I guess. "Yeah," I say quietly. "Not indestructible." We both sit there for a minute, the silence settling over us like a heavy blanket. It''s not like I don''t know Maggie can handle herself, but knowing that doesn''t make it any easier. Especially when I can see the bruises still peeking out under her sleeves, the way she''s holding herself a little too carefully.
I''ve been keeping an eye on the news about Mr. Nothing. Or trying to, anyway. So far, the police haven''t gotten a word out of him. There''s footage of him being led into an interrogation room, stone-faced and dead silent, and apparently he''s refusing to answer any questions. He just sits there, hands clasped on the table, staring straight ahead like he''s made of granite. They tried to question him on the Kingdom, "Lawyer." on the zoo heist, "Lawyer." on the frogs, "Lawyer." Nothing. I''m not surprised, but it still makes my skin crawl a little, like he''s somehow still out there even though he''s locked up tight. I can only imagine what''s going on in his head, what plans he''s running through as he sits there, silent and smug. If he''s as careful as he seems, he''s probably three steps ahead of anyone trying to get information out of him. But I can''t shake the image of those frogs. Like, what are they planning? It''s not like they need frogs to start a crime spree or whatever. And it''s not like they''re hard to get if you just want them for... frog reasons. It''s like they''re setting something up, but for what, I have no clue.
Maggie sighs, breaking the silence in her room, pulling me out of my thoughts. "I get it, you know," she says, her voice softer. "You''re worried. But... I can''t just sit around doing nothing. And it''s not like I''m totally helpless. I''ve got my powers, too." "Yeah, but it''s not the same," I say, looking down. "You don''t heal like I do, Mags. You can''t just bounce back from stuff like... like bullets." She gives me a look, half-amused, half-annoyed. "Sam, you''re acting like I go looking for bullets." She pauses, glancing down at her hands. "But... I know what you mean. It''s just... hard, you know? Sitting around while everyone else is out there." I nod. I get it, more than she probably realizes. "Yeah, it''s hard. But that''s kind of... the thing, right? We have to be smart about this. I don''t want you to end up hurt." Maggie snorts, rolling her eyes. "You know, for someone who throws herself into danger on a regular basis, you sound pretty overprotective right now."Stolen from its rightful place, this narrative is not meant to be on Amazon; report any sightings. "Yeah, well, that''s kind of my thing," I say, grinning a little. "Overprotective shark-girl with a martyr complex." She laughs, and it''s genuine, which makes me feel a little better. But then her smile fades, and she looks at me, really looks at me, like she''s trying to see past all the jokes and bravado. "You know," she says, her voice softer now, "I don''t... expect you to protect me all the time. I chose this, too. I chose to go out there, to help people. It''s not just about you." I nod, not trusting myself to speak. She''s right, of course. But that doesn''t make it any easier. "Besides," she says, trying to lighten the mood, "if I didn''t go out there, who would make sure you didn''t do anything stupid?" I laugh, but it''s a little hollow. "I think you overestimate my ability to be stopped by reason." "Oh, trust me, I know you''re unstoppable," she says, smirking. "But someone''s gotta try." I''m about to reply, to make some sarcastic comment, when her mom''s voice calls from the kitchen. "Girls! Mac and cheese is ready!" We both sit there for a second, the tension lingering between us, and then Maggie grins, rolling her eyes. "Dinner calls." I follow her out, feeling a little better, but the worry''s still there, like a stone in my chest.
Shabbat at Pop-Pop Moe''s place in Ventnor means two things: first, that we''re actually getting out of Philly for a minute, and second, we''re getting Schlemiel. He''s a kitten still, but a big one--big eyes, a little too skinny, and constantly tripping over himself. But he''s Pop-Pop''s pride and joy now. Now it''s him, Schlemiel, and probably the most complete collection of classic sci-fi books outside a university archive. When we walk in the door, Schlemiel wobbles over to us, like he''s doing his best impression of a toddler learning how to impersonate two penguins taped together. "Sam, look at him--he''s trying to be social," my dad says, bending down to give Schlemiel a scratch on the head, even though the cat immediately stumbles over onto his side and just stays there, purring like a little motorboat. Pop-Pop shuffles over, grinning ear to ear. "That''s right, Schlemiel. Show ''em how you welcome guests. In my day, they just threw cats outside, you know. Now look, this one, he''s practically running the house. If he could hold a fork, he''d be in charge of the chicken." "Trust me, Moe, he''d try," my mom says, smiling and stepping forward to hug him. She gives him a quick kiss on the cheek before squeezing his arm. "You look good. I don''t think I''ve seen you this tan in a while." "Thank the patio," Pop-Pop says, gesturing out the back window, which shows the Jersey coastline in the distance, very far past More Houses. "And Costco''s SPF 80. Only the best." The entryway smells like it always does here--like old books and a little bit like the sea, and I already feel some of the week''s weight melting off. And I do feel lucky to be here, not just because I get to spend time with Pop-Pop, but because it''s just... normal. Or as normal as it can get. I mean, it''s been a while since I could do Shabbat without any looming "incidents" or last-minute calls pulling me out the door. Even the pressure that''s been building in Philly these past few weeks feels like it''s on pause tonight. Pop-Pop pulls out a chair for my mom at the dining table, which is already set up with challah, a couple of non-dairy sides (in small deli containers, courtesy of the kosher market), a half-eaten rotisserie chicken, and one fancy-looking bottle of wine, already open. "Wine''s from Trader Joe''s," he announces proudly, like this is something special. "It''s kosher and five dollars. G-d loves a bargain, I tell you." "Then I''ll take grape juice," Mom says, reaching for the big plastic jug on the table. Pop-Pop raises an eyebrow. "You sure? What, you''re swearing off wine now?" "Just a bit less," Mom says, pouring herself a small cup of grape juice instead. "It''s not even the wine, really. I just... think it''ll make me feel better. Just trying it out. Could be a phase." "Yeah, she''s in her grape juice context," I mutter, making Pop-Pop chuckle and Mom roll her eyes, but she''s grinning a little too. Dad sits down next to her and reaches for the challah. "Alright, ready to do this? Sam, you want to do the honors?" He nods toward the wine, the grape juice, and then the candle. "It''s been too long since you were here for this." We go through the blessings together, one for each thing, and it''s kind of nice--hearing our voices mixing together. Pop-Pop gets louder with each one, and by the end, he''s practically belting it out. Schlemiel''s ears flatten a little, like he''s annoyed by the noise, but he doesn''t leave his spot on the floor. Just keeps purring away. Once we finish, Pop-Pop raises his glass and nods to me. "Alright, now we can eat. Sam, you said you got news about your ''friends'' in the hero world?" I grin, glancing at Mom and Dad before I start. They know about the zoo, about the whole... well, most of it. They know about my ''extracurriculars,'' as they call them, but not that I was there for the whole thing. I figure, this time, I can actually talk about it with them. Or at least, as much as I can tell them without it becoming a whole interrogation. "Okay, so," I start, scooping a bit of potato salad onto my plate. "There was this big heist a couple months back, at the zoo--like, everyone knows about it by now. They made a huge show out of it, with rhinos and the whole Jurassic Park treatment. That one''s public knowledge. Mr. Tyrannosaur himself was there, remember?" Pop-Pop''s eyebrows shoot up. "Oh, I remember, alright. How could I forget? That no-goodnik wrecked your house, didn''t he? They had helicopters on him for, what, three hours?" "I don''t even know how he got away," Dad mumbles. I nod. "Yeah, that''s the one. But here''s the thing: that whole thing with the rhinos? That was basically just a distraction. They didn''t want the rhinos at all. They were actually after... a bunch of poison dart frogs. Like, hundreds of them." There''s a pause as everyone at the table blinks at me. "Frogs?" Pop-Pop says, sounding almost disappointed. "What, they didn''t want something cooler? They made a mess of an entire zoo for frogs?" I can''t help but laugh at his expression. "Hey, frogs are cool! Besides, they''re poison dart frogs, which means they''re highly toxic. But, yeah, I know--big animal rampage, Kingdom guys crawling all over, and they left with... frogs." Dad groans, reaching for a drumstick. "Oh, G-d, what do they even need frogs for? And more importantly, how the heck did they pull that off without getting busted on the way out? Like, what, did they have an armored terrarium waiting for them outside?" Mom shakes her head, obviously still trying to wrap her head around it. "Maybe it''s easier to steal frogs than rhinos. And if they''re poison, maybe they''re--" "A biological weapon," Pop-Pop finishes, his voice dropping in mock seriousness as he lifts his hands, like he''s about to cast a spell. "Imagine, a rain of frogs falling down on the city. Toadpocalypse!" He pauses, then shakes his head, chuckling. "But really, poison dart frogs? That''s some serious business. Seems like they''re aiming to make trouble in a... creative way." "Sounds like Passover," Dad jokes, his face a little clenched up. Chapter 136.3 "Could be," I say, trying to keep my tone light, but it''s hard not to feel the weight of it, knowing the Kingdom might be planning something even bigger. "The weirdest thing is how quiet they''ve been since the heist. Almost too quiet, you know?" Mom sighs, reaching for her grape juice. "It''s like they''re laying low, getting ready for something else. And I''m not sure I like what that ''something'' might be." "It''s the Kingdom, so anything''s on the table," I say, shrugging. "But yeah, the heroes didn''t want word getting out. You know, keeping things under wraps, avoid copycats and all that. But it''s hard to keep stuff quiet these days. And, anyway, it''s kinda freaky, thinking about what they might do with those frogs." Pop-Pop leans back, giving me a thoughtful look. "You mentioned this Kingdom group before, haven''t you? They''re the ones with that... what do you call her? The animal lady?" Mom nods, setting down her cup of grape juice. "Mrs. Xenograft, right? You told me about her. You ran into her at the zoo with Tasha, didn''t you?" I freeze for a split second, my fork hovering halfway to my mouth. I had told Mom about the trip, and the weird, borderline rant Mrs. Xenograft gave about dolphins and other "evil animals." It was not exactly a comforting conversation. Still, I keep my cool, setting my fork down before answering. "Yeah, that''s her. And... well, you guys remember that animal attack on the house, right? With the weird hybrids going after us?" I glance at Dad, who visibly shudders, shaking his head like he''s trying to erase the memory. "Don''t remind me," he mutters, reaching for the potato kugel. "That deer-thing with... And those teeth?" He visibly shivers, muttering under his breath, thinking about flowers. "No, I don''t want to think about that again very much." I nod, trying to suppress a grin at his reaction. "Yeah, that was her doing. She can mix animals together, splice them up however she wants. So, if anyone''s got a reason to make a grab for poison dart frogs... I mean, there''s a solid chance they''re planning for some, uh, creative recombination." Mom raises her eyebrows, clearly not thrilled by the idea. "Frogs combined with who knows what else, roaming around the city? Wonderful." Pop-Pop lets out a low whistle, leaning back in his chair. "So, we''re talking potential hybrid monsters with a poison upgrade? G-d, these villains just keep getting more imaginative. But if they wanted poison frogs, why not just head down to the Amazon? Easier to get ''em from the zoo, I guess?" "Yeah, probably fewer logistics involved. Plus, no dealing with customs," I say, chuckling. "But, I don''t know. It''s just... unsettling. Like, they went through all this trouble just for frogs? And since then, they''ve been completely quiet. It''s like they''re up to something big, but nobody knows what." Mom and Dad exchange a look, that shared worried glance that always makes me feel like I''m fifteen again, like I''m somehow a kid getting scolded for staying out too late. Dad clears his throat. "Well, I guess if they''re keeping quiet, it''s for a reason. But doesn''t it worry you a little, Sam? I mean, you''re out there, you''re... involved in all this. And these people, they''re not playing around." Pop-Pop scoffs, waving his fork dismissively. "Ben, she''s tougher than you give her credit for. She''s got shark powers, for G-d''s sake. She could probably bite their arms off if they get too close." He turns to me, raising an eyebrow. "And you wouldn''t let them get too close, right, Sammy?" I nod, smiling despite myself. "Don''t worry, Pop-Pop. I keep my distance when it counts." Schlemiel has managed to climb onto the table now, pawing gently at a small piece of challah near the edge. Pop-Pop doesn''t even notice; he just lets him go for it. He doesn''t chew on the bread, he just sort of starts licking it. "So," Mom says, breaking the momentary silence, "you''re telling me these villains somehow think poison dart frogs are a good idea. And the heroes, what, they''re just letting it go?" "Well," I say, trying to choose my words carefully. "They''re... investigating, I think. But they haven''t found much. And, honestly, I don''t think they even know what the Kingdom''s planning. We''re two steps behind everyone. Always reacting." Pop-Pop snorts, leaning back with a smirk. "Sounds about right. Villains these days, always with the elaborate plans. Used to be simpler back in the old days, when your parents were young. Rob a bank, steal some jewels, easy stuff. No crazy plans." Mom laughs, shaking her head. "Oh, yes, because robbing banks was so straightforward." "You laugh, but I bet a lot fewer people got hurt back then," Pop-Pop says, waving his fork around like he''s making a point. "Nowadays, it''s all biological weapons and weird animal splicing. Like something out of a Crichton novel. What''s next, frogs that shoot lasers?"The author''s narrative has been misappropriated; report any instances of this story on Amazon. "Who''s Crichton?" I ask, but they sort of talk over and around me. I find my arms folded over my chest. Dad chuckles, but he still has that serious look in his eyes, glancing over at me. "Just... if they do something, these guys, they already destroyed our house once. Let''s not make it round two, okay?" I sigh. "Don''t worry. I''m letting the adults handle them," I lie. He nods in approval. "That''s my girl. Just remember, villains are like bad deli meat--you deal with ''em once, but they keep coming back." "That sounds like something I''d say!" Pop-Pop laughs.
The sidewalk is crowded with kids all streaming out of the Tacony Charter Academy gates, everyone heading their separate ways. Alex is flapping his arms like he''s trying to fly off the pavement, and Jordan''s laughing at him in their usual, dry, affectionate way. They''re going back and forth about some new anime they started, and I''m only half-listening, mostly because the more they talk, the less sense it all makes. "I''m telling you," Alex says, his voice raised enough that a couple of freshmen glance over, probably wondering if they should recognize him, "they could''ve stopped the whole coup if Hoshi''s stardust cannon didn''t conveniently lose all its energy right at that moment! Like, they had just enough to beat the Emperor, but nooo, it had to happen right then. Lazy writing." Jordan makes this dramatic sigh, pushing up their glasses. "I don''t get you, dude. The point is Hoshi''s struggling with her powers. They''re on the edge of collapsing under the weight of her own, like, cosmic existential despair. She''s not a stardust machine. She''s a person. And she''s depressed!" I smirk, glancing sideways at Jordan. "So, she''s just a giant space laser, but make it... sad? Why do you guys even watch this stuff?" Alex rolls his eyes, nudging me in the shoulder with his elbow. "It''s more than that! It''s about her journey, Sam. Imagine if you had powers but they came from, I don''t know, like some weird celestial destiny you never asked for and--oh, oh, and then you''re trying to fight off this massive organization that wants to capture and use you. Kind of like you!" I snort, shoving his arm off. "Great, so I''m ''cosmic sad laser girl.'' I''m flattered." Jordan grins. "You should be. Hoshi''s pretty iconic. Anyway, it''s not just her; the whole cast is like these mythic heroes--only, like, super modernized and messy. They''re all kinda disasters, which makes it better." Alex pipes up, "Exactly! Like Ryoma, with his whole dark matter angst thing. But even if Hoshi''s my favorite, that finale left me drained. I needed three whole glasses of--" Jordan cuts him off. "If you say ''fizzy berry juice,'' I''m walking away right now." Alex just smirks. "I was gonna say grape-pom tea, actually, thank you very much." The banter keeps going, little jabs and inside jokes flying around, and I''m actually getting into it, even if I have no idea who Hoshi or Ryoma are, or why anyone would drink grape-pom tea on purpose. I''m still not sold on this "existential crisis but with lasers" genre they''re into, but it''s kind of fun listening to them. And for a minute, I forget all the other stuff. No Kingdom, no Kingdom-related nightmares. Just us, being normal, weird teenagers. Then we round the corner, and everything sort of slams back into reality. Ahead, there''s this crowd of kids, maybe a dozen or so, just... standing around, staring. And in the middle of them, there''s a garbage can burning bright red, flames shooting up in this wild, furious color, way too bright, like someone dropped a road flare in there. The fire looks almost... wrong, like it''s too vivid, too artificial. It''s giving off this intense red glow that''s stretching across the street, turning all the shadows on the ground into deep, flickering scarlet. Jordan stops mid-sentence, mouth open like they''re about to say something. But nothing comes out. They''re just staring, their eyes fixed on the flames. Alex goes quiet too, his face scrunched up in that kind of confused, squinting way, like he''s trying to figure out a riddle he didn''t even know he was supposed to solve. It''s not that there''s anything especially hypnotic about the fire. It''s a fire, sure, but it''s just... there. Sitting in the middle of a trash can right on the street, flames licking up in this intense, bright-red blaze, way too vivid for something so small. We''re all standing around it like it''s some kind of installation piece, something people are supposed to stop and look at, and I feel this weird discomfort rippling through the crowd. Like everyone''s baffled by the sheer strangeness of it being there at all, right outside the school gates. A couple of kids from Tacony High I vaguely recognize are standing off to the side, muttering to each other, probably wondering the same things we all are. Who did this? Why here? And why does it look so... wrong? My fingers start tapping against my thigh. I don''t even notice I''m doing it at first, but I feel this electric, jittery energy creeping through me, like my body''s just realizing it''s supposed to be on high alert. I tell myself it''s nothing--just some dumb kids messing around, trying to look cool or edgy or whatever--but my chest tightens up anyway, and suddenly it feels like there''s not enough air around. I can''t even explain it, but there''s this hot, clawing anxiety rising up inside, like I''m on the edge of... something. My heart''s hammering, and I feel this sick twist in my stomach. It''s just a fire, I tell myself, and for a second, I almost believe it. But it doesn''t feel right, not even close. "Is it... supposed to be that color?" Alex finally says, his voice shaky, like he''s not even sure if he should be asking. "I mean, that''s not, like, normal, is it? It looks like it''s... I dunno, too bright?" Jordan shakes their head slowly, not looking away from the flames. "That''s what road flares look like," they murmur, like they''re talking more to themselves than anyone else. "I saw it in a movie once. Or, maybe... whatever. But it''s just a garbage can, so... who set it off?" The more they talk, the worse I feel. Every little observation, every stupid question, it all just feeds into this gnawing dread clawing its way up my throat. I don''t know why I''m reacting this way, but it''s like my body''s on autopilot, revving up for a threat that my brain just can''t see. I start breathing faster, trying to shake it off. My eyes dart around, scanning the crowd, the street, the parked cars. Everything''s too loud, too bright, too... close, and suddenly it''s like I can feel every molecule of air around me pressing in, making it harder and harder to breathe. I can''t take it. I don''t know what''s happening, and I don''t know why, but I can''t stand here anymore. My chest is tight, my head''s spinning, and there''s this overwhelming need to just get away, to be anywhere but here. "Hey, are you--" Alex starts, but I don''t let him finish. I turn on my heel and bolt, pushing through the crowd of kids around me. WORLD OF CHUM: Superpower Analysis (5)

The Girl with the Quantum Mirage: How One Teen''s Superpower Could Change Physics Forever

By Talia Morgan, Science Weekly - January 2025 Meet Sarah Lopez, a 16-year-old with an extraordinary gift--and a magnetic personality that''s captured the curiosity of scientists and science fans alike. Sarah''s power? Laser vision. Not just heat rays, but actual lasers that emit from the surface of her eyes, reaching into the infrared and red spectrums. As strange as it sounds, Sarah has joined a rare group of individuals whose abilities have caught the attention of the scientific community. But there''s something even more curious going on here, and it''s led to a groundbreaking new experiment that may change how we understand the very nature of matter. Last month, a team of researchers announced results from a study involving Sarah''s powers that offers us our first glimpse into what scientists are now calling the Quantum Mirage Hypothesis. Their findings? Sarah''s laser vision seems to break some fundamental rules of quantum physics--specifically around a phenomenon known as entanglement. What''s Entanglement? To understand what''s so unusual about Sarah''s laser vision, we need to get a handle on entanglement--what Albert Einstein famously called "spooky action at a distance." Normally, when two particles become entangled, their properties are mysteriously linked, even if separated by vast distances. Measuring one particle will instantly affect the other. It''s one of quantum physics'' strangest and most confirmed phenomena. In Sarah''s case, the researchers wanted to know if her laser vision, which is technically a form of "Anomalously Originated Material" or AOM, had any unusual quantum properties. AOM is a type of matter that seems to appear out of nowhere, which some superhumans can create. But no one''s been quite sure how AOM works--until now. The Experiment To study her lasers, scientists created a duplicate laser that matched Sarah''s unique output in wavelength and intensity. They placed her AOM laser next to their duplicate laser in a carefully controlled lab experiment, observing how the two beams interacted. What they found was astonishing: Sarah''s laser wasn''t just shining like a normal laser--it was "borrowing" quantum properties from nearby particles. This was evident in a series of entanglement tests. Normally, when you measure a laser''s entangled photons, they should have stable, consistent properties. But Sarah''s laser didn''t seem to hold entanglement in the way a normal laser would. Instead, it was pulling entangled states from nearby particles--essentially "leeching" off of similar particles in its environment. And the closer those particles were to her laser, the stronger the entanglement effects became. What This Means: The Quantum Mirage Hypothesis The researchers believe they''ve stumbled upon a new quantum behavior. AOM, it turns out, might not be fully stable matter--but it''s more stable than initially thought. Sarah''s laser doesn''t lose stability if there are no nearby particles; rather, it seems to pull quantum properties from a broader range, potentially even from distant particles across the universe. However, when similar particles are nearby, the AOM laser "prefers" to borrow from them, forming stronger local entanglements.Unauthorized content usage: if you discover this narrative on Amazon, report the violation. Dr. Karen Liu, lead scientist on the project, explains: "It''s as if Sarah''s laser has a ''preference'' for nearby particles, but in the absence of anything close, it''s able to stabilize by reaching out to entangled particles further away. This behavior suggests that AOM can hold its form by drawing from its environment, both locally and distantly, adapting as necessary." A New Chapter in Physics This discovery has led to what scientists are now calling the Quantum Mirage Hypothesis. The hypothesis suggests that AOM, like Sarah''s laser, is a "quasi-material" that only holds its structure through continuous quantum borrowing. Think of it as a high-speed borrowing network, where particles in AOM continually swap properties with their neighbors, giving the illusion of solid matter. To further test this, scientists arranged a grid of laser pointers at varying distances from Sarah''s AOM laser. Their findings? The closest lasers showed the strongest entanglement patterns with Sarah''s laser, with the strength of entanglement dropping off as the distance increased. This confirmed that AOM "wants" to stabilize itself by borrowing from the closest available particles. While they''ve only tested this behavior in Sarah''s laser, scientists are now eager to see if other types of AOM show the same quantum mirage effect. Could this be a universal property of superhuman-generated materials? And could it eventually help us understand the bigger mystery--how superhuman abilities work in the first place? Sarah''s Role as a Science Micro-Celebrity For her part, Sarah has taken her role in stride, becoming a minor scientific celebrity. She''s joked that "getting paid to shoot lasers at stuff isn''t a bad gig" and recently shared on social media that she''s learning a lot about physics, thanks to "all these lab nerds." Her candid posts and humorous takes have made her popular among young fans who see her as both down-to-earth and, well, kind of a superhero in her own right. Beyond the celebrity, though, Sarah''s willingness to work with scientists has sparked an exciting wave of research and a renewed public interest in quantum physics. Her involvement has even led to an increased budget for AOM studies, with teams now planning to study other superhumans who might produce AOM in different forms--everything from shields to tools to entire energy constructs. What''s Next? While we still don''t understand the full scope of AOM''s properties, scientists hope that continued experiments will allow them to probe deeper into the quantum nature of reality. The Quantum Mirage Hypothesis could be a window into how improbable phenomena stabilize in our world, challenging the idea of what we consider "real" matter. For now, one thing is certain: Sarah''s laser vision has shown us that there''s more to reality than meets the eye. It''s rare for a single individual''s unique power to lead to new physics, but Sarah''s quantum mirage might just do that--giving us a tantalizing hint of a hidden structure to the universe and showing that, sometimes, the real magic is just science we haven''t understood yet. Chapter 137.1 I''m running east on Princeton and I can''t stop. My feet keep moving even though my brain is screaming at them to slow down, to think about this rationally, to process what just happened, but the rest of my body isn''t listening. The cold February air burns in my lungs with every gasp and my heart is hammering so hard I can feel it in my teeth. My actual teeth, not the ones I can grow - those are quiet right now, thank G-d, because the last thing I need is to start sprouting defensive dentition while having whatever this is. Panic attack? Is this what a panic attack feels like? My lithium is back at the Music Hall, which might as well be on the moon right now because I''m not stopping, can''t stop, have to keep moving. The fingers on my right hand are killing me. The tips of my fingers, where the claws usually come out when I grow teeth from them, hurt backwards, like everything''s moving the wrong direction, like someone''s jabbing needles up through my nailbed. For a second, I get this deep, miserable fear that my powers are going haywire and I''m about to explode like a bag of teeth. My heart feels like it''s about to burst out of me like a chestburster. It feels bad. I flex my hand as I run past the Wawa (three cars at the gas pumps, old guy smoking where he shouldn''t be, teenage cashier looking bored through the window), past O''Neill''s with its neon Coors sign that''s only half lit (even though it''s barely four PM), past Marinucci''s Auto Repair with its perpetual pile of tires out front (seventeen of them, stacked in three crooked columns). The ache doesn''t change or shift or get better or worse, it''s just there, constant, like it''s trying to tell me something but I don''t know what. My fingers look fine, and I''m not growing teeth anywhere weird where they shouldn''t be. So why do I feel like I''m getting attacked by something? My vision keeps trying to tunnel down to a pinpoint and I have to force myself to look around, to stay present, to not spiral completely out of control. The sidewalk is cracked and uneven under my feet (I count three major cracks, two spots where tree roots have pushed up the concrete, one section that''s been patched with asphalt instead of cement), and focusing on these details helps a little, gives me something concrete to latch onto besides the memory of that bright red fire and the way it made something in my hindbrain just shut down completely. I feel like a lizard afraid of a person, like I''m about to get stepped on. It wasn''t even that big of a fire - just a garbage can, probably some kid''s idea of after-school entertainment - but something about it was wrong. Yellow fire I can handle, that''s expected. Orange fire, sure, that''s normal. Even a blue fire is just a really hot one, right? But that particular shade of red, like a road flare or a signal light, it triggered something in me that I didn''t even know was there to trigger. It made me think about that last scene in The Thing, where neither one of them can tell which one is the alien imposter, so they just resign themselves to dying in the snow. There''s no snow here, just slush, sluicing around my shoes. It feels bad. I drag my heels through and the liquid part of it seeps into my socks, and once it seeps into my socks it starts wicking up my legs like wax up a candle wick. Immediately, it gets in my sweatpants, or maybe that''s just my running causing the slush to spray upwards. It snowed a ton on Valentine''s Day two days ago and now it''s all just melting into road-grey sludge like vomit. Damnit, I didn''t even get any chocolates. Why do I care about that now? RUN! Run, Sam, Run! Something''s chasing you! Scream! I avoid screaming - barely. Mostly because I''m too busy panting like a dog. Not out of exhaustion, because I''m in basically as good a shape an almost-16-year-old can be, maybe even better than that, but from something more animal than that. The Tacony Library looms ahead, red brick and white trim against the grey February sky, and my feet carry me around to the loading dock on the Knorr Street side without any conscious input from my brain. Mom doesn''t work here anymore - she''s over at Northeast Regional now - but this building still feels safe in a way I couldn''t explain if someone asked me to. There''s this little alcove behind the emergency exit where the dumpsters create a sort of private corner, blocked from street view on three sides, like a nuclear bunker made of garbage. The concrete platform is freezing through my sweats when I sit down, and I pull my knees up to my chest, trying to make myself as small as possible. A delivery truck rumbles past on Torresdale (I can tell it''s a delivery truck from the particular rhythm of the engine, the way it downshifts at the intersection, and from seeing the side that says exactly what company it''s delivering for - Coca Cola), and I press my back against the cold brick wall, counting the individual blocks I can feel through my hoodie. One, two, three, four - my fingernails throb in time with my heartbeat - five, six, seven - someone''s car alarm goes off in the distance and I basically almost shit myself - eight, nine... The back door creaks open and I nearly jump out of my skin, but it''s just Mrs. Chen taking out some recycling. She doesn''t see me, thank G-d, because I really don''t want to explain to anyone why I''m hiding behind the library having some kind of meltdown. The door clicks shut again and I try to get my breathing under control. Four counts in (my right hand won''t stop shaking), hold for seven (the brick is rough against my palm when I press it flat against the wall), eight counts out (I can smell old paper and car exhaust and someone''s cigarette smoke drifting over from Torresdale). None of it helps. Every time I close my eyes I see that red light again, feel that instinctive wave of wrong-wrong-wrong that sent me running in the first place.You could be reading stolen content. Head to Royal Road for the genuine story. What''s wrong with me? It''s not even like any of the supervillains or petty criminals I''ve fought before. I''ve only had a couple of fire guys, and only a couple of red guys, and none of them crossed over with each other. Most of them weren''t even interesting. Most of them were Jumpheads. Nobody who could make a road flare fire like that. But something about the way it just ate all the other light by being so much brighter than it, I don''t know. It''s like it hacked my brain. No, now I''m scared of some mind control villain. Didn''t Fury Forge mention that? Or someone in the DVD. There''s mind controllers. Be afraid of them. Boo! I hear footsteps approaching - boots on concrete, the specific click-clack rhythm that could only be Jordan in those ridiculous platforms - and tense up anyway until they round the corner, looking way too graceful for someone who just jogged six blocks in what are basically small stilts. They''re not even breathing hard, which is completely unfair. "Found you," they say, holding up their phone. "Your location sharing is still on. You okay? Because you kind of bolted back there and I''m pretty sure I saw Alex try to follow you for about ten feet before he remembered he''s not actually in shape." I try to answer but my throat closes up, so I just shake my head. Jordan sits down next to me, close enough that I can smell their stupidly expensive cologne (the one they definitely shoplifted from Macy''s) but not so close that we''re touching. "Need anything? Water? Meds? An elaborate heist to distract you from whatever this is?" Jordan asks. "Lithium," I croak, throat burning with painful dryness. Jordan props me up with one arm as we walk down Princeton, keeping just enough space between us to let me breathe without making it feel like they''re holding my hand. They keep glancing sideways at me like they''re waiting for me to keel over, and I know they''re just being careful, but it makes me feel pathetic. I take a deep breath, try to walk a little taller, or at least steady myself enough to keep from swaying. "You still look like you could use a little more stability," Jordan mutters, adjusting the bag slung across their shoulder. I can''t tell if they''re actually serious or just trying to make me feel better by pointing out how obvious my freakout was. The fingernail pain is still there but it''s dulled to a throb instead of a stab, which is something. I''m not sure if that''s progress or if my brain just got tired of processing it. "Yeah, thanks," I say, rolling my eyes even though the cold air is biting at them. "I''m fully aware." "Hey, just making sure we''re on the same page," they reply, hands shoved deep into their hoodie pockets. They do a quick sidestep around some black ice that''s spread across the sidewalk like a trap. I almost trip over it, but they nudge my shoulder just enough to keep me balanced. "Also, you probably shouldn''t take more than, like, the exact dose of your meds when we get back." "Can you overdose on lithium?" I ask, half-joking, but mostly because my brain''s too rattled to remember. They give me this look, like I''ve just asked the most basic question in the world. What are they, a pharmacist now? I thought you were a computer nerd, Jordan, not a psychiatrist. "Yes. Absolutely. Do not chug the whole bottle, please." When we finally get back to the Music Hall, I practically collapse on one of the old sofas once we''re up the stairs, fumbling through my bag for the meds. I don''t find it, not until I go hunting and find it on top of the filing cabinet, where I probably left it, but do not remember leaving it. I dump two pills into my hand, then look over at Jordan, who''s standing with their arms crossed, eyebrow raised. "What?" I say, holding the pills in my open palm like I''m waiting for them to disappear. "Just... thinking," they say. "Maybe we should NetSphere if you can double up safely." I huff, rolling my eyes as I toss back both pills with a quick swig of water from my bottle. "If I get liver damage, I''ll heal from it. Chill." "That is not a very good way of thinking about the world, Sam," they reply, but their mouth twists a little. "Okay, so, alternative coping mechanisms," Jordan says, watching me carefully as I swallow just double my usual dose instead of the whole bottle. "We could rob a pharmacy. No, hear me out - not for drugs, just like, maybe some fancy hand cream or something. Very low stakes crimes only." I give them a look and they hold up their hands defensively. "Or we could hack into the school''s grading system and give everyone straight C''s. Maximum chaos, minimal harm." I groan, pressing my palms into my eyes. "Jordan, please. I''m begging you to be a little bit helpful. And straight C''s would ruin people''s lives. And I don''t think you even know how to hack like that. And that''s still a crime," I point out, getting up from the couch so that I can instead be sinking into the beanbag chair that I''m pretty sure they stole from someone''s curb on bulk pickup day. It exhales a small cloud of static-charged foam pellets. "Besides, aren''t you still dealing with that whole whistleblower site thing?" Jordan''s face does that thing where they''re trying not to look annoyed but failing completely. "Don''t even get me started. The ISP guys basically told me ''stop being cheeky if they''re willing to file an injunction and a judge was willing to grant it.'' Like, sure, let''s just let the school keep covering up their racist bullshit because someone has more lawyers than we do." They start typing again, probably working on whatever complicated tech thing they''re always doing. "I could probably get around it if I really wanted to, but then we''re looking at actual criminal charges instead of just civil stuff, and-" They stop, looking at me. "You''re doing the thing where you ask about my problems to avoid talking about yours." "Is it working?" "No. Want to tell me what actually happened back there? Because I''ve seen you handle way worse than some random trash fire." Jordan''s voice is carefully neutral, which means they''re actually worried. "Did you recognize someone? Spot something suspicious?" I shake my head, trying to find words for the wrongness of that red light. "It wasn''t... I don''t know. It wasn''t normal fire. It was too red. Like a road flare or something. And my hand started hurting, and..." I flex my fingers again, still feeling that deep ache under the nails. "I think I need to go on patrol." "Yeah, no." Jordan spins their chair back around, pulling up something on one of their monitors. "That''s exactly what I would do, which means it''s probably the worst possible response. You know what we should do instead? Actual normal teenager stuff. When''s the last time you had a real sleepover?" "Jordan, I sleep here like half the time anyway," I again point out. "No, I mean an actual sleepover. With, like, stupid movies and junk food and painting our nails and stuff. Normal people things." They pause. "Well, as normal as we get, anyway. Come on, when''s the last time you did something that wasn''t either school or super stuff?" Chapter 137.2 "No, I mean an actual sleepover. With, like, stupid movies and junk food and painting our nails and stuff. Normal people things." They pause. "Well, as normal as we get, anyway. Come on, when''s the last time you did something that wasn''t either school or super stuff?" "I went to the movies last week," I protest, but Jordan''s already shaking their head before I finish the sentence. "You went to stake out the movie theater because you thought the Kingdom might be using it as a front," they say, typing something else that makes one of their screens light up blue. "That''s not the same thing as actually watching a movie. When''s the last time you just¡­ watched something? Without looking for suspicious activity or tracking blood trails or whatever?" I open my mouth to argue, then close it again because they''re right and I hate it. The beanbag chair makes a sad wheezing noise as I sink deeper into it. "Fine. But I''m not painting my nails. They''re already sore enough." My right hand throbs helpfully, like it''s trying to prove my point. "What did you have in mind?" "Well, first, you should probably text your parents that you''re staying over. And then we can order a pizza, and I can show you this absolutely batshit anime about-" "If you try to make me watch Evangelion again, I''m leaving." "It''s not- okay, first of all, you''re missing out on a classic, and second, it''s something completely different. Promise." They''re already pulling up some delivery app on their phone. "Also, we have those mini-sodas left from when Connor brought them over last week, and I think there''s still some of that weird Korean candy Tasha gave me¡­" After ordering the pizza, Jordan settles into their computer chair, spinning it around a few times before leaning over and setting up some kind of complex display on the biggest monitor. They¡¯ve got this whole setup at the Music Hall, with screens for every purpose, including one entirely dedicated to running shows and movies they¡¯ve torrented. Everything¡¯s organized and obsessively tagged, and they¡¯re scrolling through a folder labeled ¡°Psychological Stuff (Not Evangelion)¡± while muttering to themselves. ¡°Okay, so I¡¯m thinking either ¡®Perfect Blue,¡¯ because it¡¯s a masterpiece and you¡¯re missing out, or something a little lighter if you don¡¯t want your mind blown in a bad way.¡± They pause, then flash me a mischievous grin. ¡°There¡¯s also ¡®Nausica?,¡¯ which is way underrated. It¡¯s got giant bugs and this cool post-apocalyptic world, but in a chill way. You ever seen it?¡± I shrug. ¡°I mean, I know of it. It sounds familiar. But I¡¯m down for bugs. And anything that¡¯s not ¡®Evangelion'', because the more you tell me about it the less I want to watch it.¡± Jordan snickers. ¡°That¡¯s pigs. Nausica? it is. You¡¯re gonna love it.¡± They start the movie, and we settle in, leaning against the couch with a bowl of stale popcorn they find from somewhere, and that odd Korean candy Tasha left. I try to get into the movie, but there¡¯s this restlessness sitting just below my skin. The colors and music are beautiful, sure, but I keep glancing out the corner of my eye at the pizza tracker on their phone. It¡¯s not that I¡¯m dying for pizza; I just need some kind of event to look forward to. The thought of just sitting here without doing anything¡ªwithout moving or checking over my shoulder¡ªfeels unnatural, like I¡¯m waiting for some signal to jump up and go. Still, Nausica? is¡­ kind of cool, actually. There¡¯s this bit where she¡¯s walking over a field of weird spores, and Jordan practically gasps, clutching the edge of their seat. ¡°This part,¡± they whisper like it¡¯s a holy event, ¡°is amazing. Look at the detail in the spores. No rotoscoping, no shortcuts. Hand-drawn. Every frame a piece of art.¡± ¡°I get it, I get it,¡± I say, nudging them. ¡°You¡¯re gonna start tearing up or something.¡±The narrative has been taken without permission. Report any sightings. ¡°Just appreciating the craft, okay?¡± they say, but their tone is playful. ¡°And, okay, you might actually like this movie if you pay attention for two seconds. I swear, it¡¯s got¡­ Sam vibes.¡± I narrow my eyes. ¡°What exactly does that mean? And don¡¯t say ¡®giant bugs,¡¯ or I¡¯m leaving.¡± ¡°No, it¡¯s more the attitude,¡± they say, pushing the bowl of popcorn toward me. ¡°You and her, you¡¯ve got this thing where you¡¯re trying to fix everything, even though the whole world is messed up and it¡¯s kind of a pointless quest. But it¡¯s the principle that counts, right? And that¡¯s Nausica?. She¡¯s trying to make it better, even if it¡¯s hopeless.¡± "You saying my quest is a hopeless one?" I chew on a piece of popcorn, thinking that over. ¡°Rude. So she¡¯s stubborn. So what?¡± ¡°Stubborn, yes. Determined, also yes. And unlike you, she actually likes bugs, so maybe you could take a note or two.¡± They nudge me with their elbow. ¡°Who knows, might expand your horizons.¡± ¡°Bugs are not horizons, Jordan,¡± I say, smirking. ¡°But whatever, keep selling it.¡± They go back to the screen, absolutely glued to it, and for a few minutes, I let myself get lost in the movie, in the weirdly beautiful scenery and the calming background music. There¡¯s something oddly comforting about the way Jordan keeps giving me these little tidbits of info, talking over the movie like a really excitable encyclopedia page. It¡¯s¡­ nice, somehow, and I don¡¯t realize how much time¡¯s passed until the doorbell buzzes, and they practically leap to get the pizza. ¡°Food¡¯s here!¡± they announce, carrying the box over like it¡¯s the Ark of the Covenant. ¡°Pepperoni and extra cheese, as the universe intended.¡± ¡°Finally,¡± I say, grabbing a slice and sinking into the beanbag chair again, feeling some of that earlier tension slip away. "That took way too long," I mumble. "It''s, like, 1 AM," Jordan says, as if that makes it feel any less¡­ I don''t know, not frustrating, it''s not important enough to be frustrating. Mildly annoying. We devour the pizza while Nausica? ends, and Jordan immediately queues up something else, rambling excitedly about some cyberpunk anime from the 80s that¡¯s ¡°honestly underrated and criminally overlooked. They was going to be a sequel show in the early 2000s, but then the funding ran out, and¡­¡± Half of what they say goes over my head, but I let them go on, occasionally nodding and making little noises to show I¡¯m listening. After a while, I let my eyes close, just for a second, while they start explaining the plot of some other show. Or is it the same show? ¡°So, basically, it¡¯s this detective story, but with androids, and they¡¯ve got this intense backstory about a rogue AI, and¡ªhey, you falling asleep on me already?¡± I sit up quickly, rubbing my eyes. ¡°No, no. Just¡­ resting them. I¡¯m awake, promise.¡± They give me a side-eye. ¡°You¡¯re such a liar. Don¡¯t worry, I get it. Long day and all. Just glad you¡¯re finally chilling out a little.¡± I nod, not entirely sure what to say. ¡°Thanks for¡­ I don¡¯t know. For this. For making me stop.¡± ¡°Hey, don¡¯t thank me yet. We¡¯re still going through ¡®Ghost Blade¡¯ if you¡¯re not dead by morning,¡± they say, tossing me another piece of popcorn. ¡°Why are you so obsessed with all this weird old anime anyway?¡± I ask, genuinely curious. ¡°Like, what¡¯s so great about this weird stuff from Japan that American cartoons don''t have?¡± Jordan gives me a look like I¡¯ve just asked the world¡¯s most obvious question, leaning forward with that glint in their eye they always get when they¡¯re about to go off on a monologue. ¡°Okay, first of all, it¡¯s not ¡®weird stuff from Japan¡¯¡ªit¡¯s anime. And there¡¯s so much more to it than just cartoons. It¡¯s¡­ an art form. And they do stuff with stories that¡¯s, like, way beyond what American animation even tries to do.¡± ¡°Right, because ¡®Ghost Blade¡¯ is, what, a deep philosophical treatise?¡± I smirk, but I¡¯m only half-joking. I¡¯ve never actually seen Jordan get so serious about anything. ¡°Yes, actually!¡± they say, grabbing another slice of pizza and gesturing with it like a professor making a point. ¡°They¡¯re not afraid to get messy, or dark, or, like, seriously intense. ¡®Ghost Blade¡¯ has layers. It¡¯s not just about the action; it¡¯s about exploring human nature, survival, betrayal, loyalty¡ªlike, it digs deep, man. And it¡¯s gritty, but in a good way, you know?¡± I give them a skeptical look, leaning back against the beanbag chair. ¡°Yeah, but don¡¯t you ever get tired of reading subtitles? It¡¯s like¡­ I dunno, extra work. And half of the time, they¡¯re just yelling things like, ¡®I¡¯ll destroy you!¡¯ or whatever.¡± Jordan just shakes their head, looking almost offended. ¡°Sam. Subtitles are a vibe. They force you to focus. You actually pay attention. Plus, you get to hear the actual voices, which are usually way better, honestly. And it¡¯s like¡­ pure imagination. No limits. They go places American cartoons just¡­ wouldn¡¯t.¡± They settle back, pulling the bowl of popcorn onto their lap. ¡°It¡¯s like, these creators had a vision, and they just went for it. They weren¡¯t worried about, like, making it family-friendly or whatever. They made what they wanted to make. And that¡¯s¡­ rare.¡± I chew on a piece of popcorn, mulling that over. ¡°I guess I get it. Kind of.¡± I nudge their arm, smirking. ¡°But ¡®Ghost Blade¡¯ better be the ¡®deepest¡¯ thing I¡¯ve ever seen, or I¡¯m going back to ¡®Blubberpals¡¯ or something.¡± They burst out laughing. ¡°You¡¯re seriously comparing ¡®Blubberpals¡¯ to ¡®Ghost Blade¡¯? I can¡¯t believe this. I''m losing to a fifth grader''s TV show about whales. I¡¯m trying to expand your mind here, Sam.¡± I shrug, still smirking. ¡°Hey, I¡¯m just saying, at least that show doesn¡¯t require subtitles.¡± They roll their eyes, throwing a popcorn kernel at me. ¡°Illiterate.¡± We both dissolve into laughter, and for a moment, it¡¯s just us and the stupid movie playing in the background, the weird Japanese animation Jordan loves and the popcorn that¡¯s somehow getting staler by the second. And as much as I pretend not to get it, there¡¯s something¡­ nice about being here, hearing them ramble on about anime plots and ideas I barely understand. It¡¯s like their enthusiasm pulls me along, makes me want to get into it, even if just a little. Around two in the morning, they¡¯re starting to nod off, mid-rant about why ¡°Ghost Blade¡± is a game-changer and way better than American cartoons. I¡¯m still wired, probably from everything that happened today, so I turn down the volume, letting the movie hum in the background. They¡¯re half-asleep next to me, slouched in that weird chair with the beanbag stuffed underneath it, balanced in a way only Jordan could manage. That means I can actually get out now. Chapter 137.3 I''ve been pretending to doze off myself, counting Jordan''s breaths, watching the way their head dips lower and lower, finally settling into that awkward slouch that only someone as sleep-deprived as Jordan could pull off. It''s just me and the hum of synth music, some scene from the movie flashing on the screen, but I barely even register it. I''m too busy waiting for the right moment to slip away. My fingers twitch with that leftover itch from earlier, the faint, irritating throb under my nails reminding me of the panic that had me bolting down the street. The red light feels seared into the back of my mind, some primal wrongness I can''t scrub out. I flex my hand, trying to calm myself down. There''s no way I''m getting any actual sleep tonight, so I figure I might as well do something with the restless energy humming through me. I stand up slowly, watching to make sure Jordan doesn''t stir. Then I step carefully around the creaky spots in the old wood flooring, making my way toward the corner where I keep my stuff. Getting into costume is second nature by now, but doing it in almost complete darkness has me fumbling a little, especially when my stupid right hand twinges again, like it''s punishing me for trying to use it. My gloved fingers feel clumsy, my movements rougher than usual. I take a slow breath, trying to ignore it, focusing on the comforting feeling of my gear. As I tug on my helmet, I look around to make sure everything''s exactly where I left it. Jordan is out cold, the screen in front of them still flickering with the anime''s surreal colors, their face slack and peaceful. I take a step back, my eyes adjusting to the shadows of the Music Hall, noting every corner and shift of light. It feels good to move, to focus on something so specific, even if it''s just leaving without waking Jordan. There''s a brief moment of panic as I slip outside, right at the edge of the Music Hall''s sidewalk, where a red traffic signal glows against the wet, gray night. For a second, I freeze, thinking it''s that same wrong red from earlier. But it''s just a light, steady and predictable, blinking at the intersection up the block. My heart slows a little, and I let myself relax. The night is cold, the February chill creeping through the seams in my jacket. There''s still some slush on the sidewalks from the last snowfall, gritty and gray from all the foot traffic and car exhaust, just melting into gross puddles. Every few steps, I feel it glunching around my boots, cold and squishy, reminding me I probably should''ve planned this better. But there''s something grounding about the discomfort, something real that keeps me from drifting back into that spiral of fear. I start walking a slow loop around Tacony, keeping an eye out for anything that might need my attention. There''s not a lot going on -- just a couple of stray cats slinking between parked cars, the occasional muffled laugh or shout from a late-night straggler heading home. I push myself to keep going, making my circle wider each time, feeling like if I keep moving, maybe I can outrun that awful feeling that''s still sticking in my chest. When I don''t find any actual trouble, I start kicking at random trash along the sidewalk, trying to make it feel purposeful, like I''m doing some kind of unofficial community service. A crumpled-up wrapper, an old newspaper soaked through with slush, some plastic cups that got stomped flat by a bootprint. I bend down, picking each piece up, stuffing them into a crinkled grocery bag I found wedged under a car tire. It''s not much, but it''s something, and for a minute, it almost feels like I''m in control of the night. Three beer cans, seven wrappers, one soggy magazine cover. I sort each piece by type, keeping a little mental tally as I go, even though I''m pretty sure it''s pointless. There''s no one here to see, no one who''s gonna be impressed by me cleaning up a couple of sidewalks in the dead of night. But it gives me something to focus on, something that''s mine to control. My hands are freezing, and I feel the ache of cold against my knuckles, but my right hand is still throbbing with that weird, backward pain, like it''s trying to tell me something I don''t know how to understand. My mind drifts back to the past couple of weeks, to all the little scrapes and brawls I''ve been in. A couple of low-level Jumpheads hanging around the park, some wannabe gang members tagging storefronts--nothing major, nothing that made me feel like I was actually doing anything. I''ve taken on the kinds of guys who barely even register as villains, mostly just dumbasses looking for trouble or trying to score a quick buck. And yet, nothing to my hand. Nothing that would last this long, even if my regeneration is breaking down, which is itself kind of a terrifying prospect. Sure hope it isn''t! I try to shake the thought off, focusing instead on another piece of trash--an empty soda can, kicked halfway under a parked car. I crouch down to fish it out, tucking it into the bag with the rest. Three cans, eight wrappers, two cigarette packs. My fingers are getting numb through my gloves, but I keep going, bending down over and over until my knees start to ache. I try to make it feel like a mission, like I''m actually accomplishing something. But the more I pick up, the more ridiculous it starts to feel, like I''m just shoving random garbage into a bag because I don''t know what else to do. My right hand keeps throbbing, my fingers stiff and uncooperative, and I can''t shake the feeling that I''m just grasping at straws, trying to fix something that''s way beyond me. By the time I''ve filled three grocery bags with trash, my hands are so cold that they''ve gone stiff, my knuckles aching from the damp and the cold. I look down at the bags, at the mess I''ve collected, and feel this weird mix of satisfaction and frustration. I''ve done something, technically, but it doesn''t feel like it matters. It doesn''t feel like I''ve actually changed anything.The story has been illicitly taken; should you find it on Amazon, report the infringement. I kick at a puddle of slush, sending little icy droplets flying, and watch as they scatter across the pavement. The streetlights cast this weird, yellowish glow on the wet ground, making everything look sickly and washed-out. I glance down at my fingers again, flexing them slowly, watching the way my gloves stretch and pull. The pain is still there, sharp and insistent, and I feel like if I could just understand what it means, maybe I could figure out what''s really going on. I''m not stupid, just so that''s clear. I know that a year ago, plus or minus some change, someone named Aaron McKinley pried my fingernails off with a claw hammer. But his fire wasn''t red, so what the fuck? There''s nothing. Just the sound of cars in the distance, the hum of streetlights, and the faint drip of melting snow from the rooftops. I clutch the bags of trash in both hands, letting out a long breath that fogs up the air in front of me. I keep moving through the slushy streets for what feels like hours, the plastic bags cutting into my fingers as they fill up. I''m gathering litter on autopilot, shoving pieces into an old grocery bag, trying to organize them just to keep my brain focused. Three cans, two cigarette packs, one broken plastic spoon. By the time I''ve made it through a couple blocks surrounding the Music Hall, I''ve filled two bags. I''m grabbing stray bits almost automatically now, like my brain''s gone half-offline. The streetlights start dimming, the faintest gray light spreading from the east. It must be around 5 a.m. now, maybe later. I glance down at my hands--the ache under my nails now a dull, pulsing throb--and notice my gloves are soaked through from hours in the slush. My fingers feel stiff and unresponsive, and I flex them as best as I can, slowly making my way back to the Music Hall. The bags dangle from my hands, weighing me down. When I get back to the Music Hall, it''s mostly dark, but there''s a faint glow coming from the second-story window. I enter quietly, my footsteps echoing in the empty space, my muscles exhausted but my mind still wired. As I step up the stairs, I hear the soft tapping of keys from the room where Jordan has their computer set up. When I push open the door, I see Jordan, hunched over the keyboard, their face illuminated by the monitor''s bluish light. They glance up as I walk in, eyebrows shooting up when they see me, soaked and carrying bags of trash. "Did you at least find something worth punching?" they ask, voice low, like they''re careful not to disturb the stillness of early morning. I drop the bags with a thud, flexing my sore fingers. "No. Just trash." Jordan lets out a long breath, rolling their eyes but not looking away. "Just trash. You didn''t think to mention you were leaving? Maybe let me know what you''re doing at 3 a.m.?" There''s a bite to their words, a frustration I can feel, but it''s mixed with something else--concern, a little too obvious to be ignored. Guilt flickers through me, but I push it down. I''m too tired to fully deal with it. "I didn''t... I just needed to get out," I say, looking at the bags like they somehow justify my night. "And you were asleep." Jordan snorts, swiveling their chair to face me. "I was asleep because we were supposed to be having a ''normal'' night, remember? Look, if you needed to go out, fine. Just tell me next time. I could''ve at least monitored police scanners or something. Been ready to back you up if it got messy." I cross my arms, feeling the chill finally settling in, mixing with this tightness in my chest. "It wasn''t anything. Just... I don''t know. I felt weird, okay?" They''re quiet for a second, looking at me like they''re trying to figure me out. "You know, I''d get it if you really felt like you needed to go on patrol. But the way you just bolted? Like you had to handle something, and I wasn''t supposed to know about it--come on, Sam." "It wasn''t like that," I say, even though I know how it must''ve looked. "It''s just--I couldn''t stop thinking about that fire. The way it... felt." Jordan narrows their eyes, studying my face. "And you thought you''d get over it by running yourself ragged in the cold, cleaning up garbage?" I shrug, too tired to argue or even really defend myself. "Maybe. Maybe I thought I''d actually run into something. Do something that mattered." Jordan leans back in their chair, crossing their arms. "Is that what this is about? Things not ''mattering''? You''re just gonna keep doing this forever, hoping it''ll somehow feel different?" The question hits harder than I expect, and I fall quiet, staring at the wall to avoid their eyes. "Look," Jordan says, softer now. "I know you like... the superhero thing. But is this just... who you''re gonna be now? Running around with no plan, hoping to punch a solution out of thin air?" The words hang in the air, heavier than I want them to be. I shift, feeling defensive, not even sure why. "What, you think I should just quit?" "That''s not what I''m saying." They look away, and their expression softens. "But... do you even know what you want? After this year''s over, are you just going to keep doing this? You''re sixteen in a couple of months, Sam. You ever think about... something else?" Something else. The words echo in my mind, hitting a part of me I haven''t let myself think about in... months? Years, maybe. I let out a long breath, rubbing my fingers together, feeling the cold ache settling in. "Something else," I repeat quietly, like it''s in a foreign language. "Like what?" "I don''t know. Literally anything. What about that art class? You said you liked that, didn''t you? Or... going back to soccer?" They lean forward, watching me for any sign of agreement. "Just... something that''s actually for you." I shake my head slowly. "Soccer''s... a different life. Feels like it happened to someone else. And the art thing..." I trail off, looking down at my hands, the way they feel stiff and foreign after a night spent cleaning up other people''s messes. "I don''t know. None of that stuff feels like it fits anymore. And they don''t let people like me play sports normally, anyway." "So you''re just gonna... do this?" Jordan gestures around the room, at the bags of trash, my costume, at the whole rundown mess of the Music Hall. "Forever?" I don''t answer them. I just get the trash bags in the actual garbage bin. "Sam, what are you?" they ask, and I''m so jarred by the question that I blink at them like an owl. "What?" comes out. Jordan''s face scrunches up in sympathy. "Outside of your mask. What are you? Take off the helmet," I do, setting it down on a countertop. I blink at them like an owl again. "Helmet off," "Right. Who are you now?" Jordan asks. I don''t have an answer. I slump down onto the couch, sigh, and fall over like a corpse, drained dry. Sleep comes easy after that. Chapter 138.1 I wake up to the tap-tap-tapping of keys--quick, relentless typing that drills straight through the hazy cloud of sleep I''m barely clawing my way out of. I open one eye, and there''s Jordan, hunched over their laptop with the world''s worst posture, surrounded by a graveyard of empty energy drink cans and one very suspiciously orange bag of "high-caffeine snack wafers." I don''t even have to ask. The tabs open on their screen pretty much tell the whole story: "Pyrophobia and Trauma," "PTSD Symptom Checklist," "How to Identify a Trigger," and--most concerning--"How to Cure Fire Phobia (Guaranteed)." I sit up, rubbing the spot on my temple that''s throbbing the hardest. "Uh, good morning, WebDoc. How''s the diagnostic practice?" Jordan looks up, blinking at me with caffeine-glazed eyes. "Good, you''re up. So I''ve been researching--and it turns out that the whole ''fire-panic-attack'' thing is an actual Thing. And there''s this whole debate around PTSD and specific phobias. Apparently, some people get super freaked out by anything vaguely resembling their trauma, even if it''s not literally the same thing, you know?" "Oh, fantastic," I mumble, pushing myself off the couch. My right hand throbs at the memory of last night''s trash fire, my fingers curling involuntarily. "This feels a lot like the preamble to a really questionable experiment." "Correction," Jordan says, raising a finger. "This is the preamble to some controlled and very responsible science. Speaking of which..." They reach into their bag, and I see the telltale glint of a metal lighter. I narrow my eyes. "Are you seriously about to light something in here? This place is a fire hazard waiting to happen. One spark, and the whole Music Hall goes up faster than a bag of popcorn on high." "Relax, Sam." Jordan clicks the lighter open, but they don''t light it yet. "It''s just a test. And anyway, we''ll take it slow. This is all about helping you face your fears. Baby steps, see?" "Baby steps," I echo, not even slightly convinced. But they hold the lighter at arm''s length, eyebrows raised in a silent question, and I brace myself, gripping the armrest of the couch so hard my knuckles turn white. The lighter clicks again, sparking a tiny blue flame. And immediately, my chest tightens, my pulse spiking as I stare at the flame. My right hand starts to ache, that sharp pain under the fingernails flaring up again, like something''s pushing up from under them. My mouth goes dry, and I feel like I''m drowning on dry land, like my whole body is screaming at me to get out, to run, because there''s a fire inside this place. I swallow hard, gripping the couch tighter and hearing the fabric strain. "You--uh, Jordan, you''re not gonna... I mean, this place is old," I mumble, stumbling over my words, my eyes glued to the flickering light. "And, um, all this wood--it''s pretty much asking for trouble. You know, the whole thing could just... go up." Jordan watches me with this intense, bug-eyed stare, like I''m about to go feral at any second, which isn''t that far off. "So?" "So... yeah, I''m fine," I lie, heart still hammering, my gaze flicking back and forth from the flame to the walls. "Just... a little paranoid about, you know, all the dry, flammable wood around us and... stuff." My fingers are throbbing now, and I fight the urge to pull my hand back, forcing myself to look away from the lighter, my breathing shallow. Jordan''s still watching me, not entirely convinced, but I nod and force a thin smile, willing my heart rate to slow down. "I''m fine. Totally fine," I say, not even fooling myself. Just then, we hear a soft knock at the door, followed by Tasha''s voice drifting in. "Hey, is it safe for me to come in, or are we playing with fireworks in here?" Jordan smirks and flicks the lighter shut. "For now, you''re good. But you might want to grab some goggles or something because we''re conducting some groundbreaking research." They turn to me, wagging their eyebrows like they''re about to say something absolutely brilliant. "Experimental stuff. For science." I sigh. "Please. No more experiments until I''ve had, like, a full gallon of water and a breakfast sandwich." Tasha steps in, lugging a bag with a big red cross on it, plus an actual stack of borrowed nursing books. "Research, huh? I bet this is totally medically approved. But, hey, that''s what I''m here for." She holds up the books like she''s presenting me with the secrets of the universe. "Field medicine, patch-up techniques, trauma responses... and, y''know, some random stuff I thought might help." We settle in, with Tasha flipping through pages and taking over "Research Lead" duties because, as she puts it, "Jordan''s a computer person, not a trauma nurse." They roll their eyes but don''t argue, just snickering while Tasha explains the concept of isolation of variables to them. She pulls out a notebook and starts jotting down details, like which settings might impact my reactions. There''s a solid twenty minutes where they''re both going back and forth about "trigger nuances" and "environmental variables," using words I''m pretty sure they learned yesterday.Stolen from its rightful author, this tale is not meant to be on Amazon; report any sightings.
They start with the lighter again. It''s small, controlled, and Jordan holds it low enough that it''s more of a suggestion of fire than anything serious. I watch the flickering light and feel my shoulders tense, but it''s manageable. I''m fine, and I''m not about to piss myself on the couch. Jordan tilts their head and raises the lighter a bit higher, eyeing me. "How about here? Same thing?" "Jordan, stop holding it like you''re about to audition for the world''s worst horror movie," Tasha sighs, taking the lighter from them. She clicks it off and pulls out a sparkler from her bag. "Okay, we''re gonna try something small first. But, Sam, the idea is to let us know exactly what feels wrong about it, okay?" They light the sparkler. I brace, half-expecting to feel that intense dread again, but there''s nothing interesting. Just a little fizz and crackle of light as the sparks spray out in harmless little trails. I flinch whenever they make contact with the coffee table, but that''s about it. It''s almost... underwhelming. I''m so focused on how not-panic-inducing it is that I almost forget to respond until Tasha nudges me. "No reaction?" she asks, eyebrows raised. "Just... looks like the Fourth of July, honestly," I shrug, trying to play it cool. But I can feel the difference. It''s not triggering anything at all. "Guess it''s not just any fire that gets me." Jordan gives me a half-grin, like they''ve cracked some cosmic secret. "Okay, but what if we add a little something? Hold on." They dash off to the supply closet, coming back with a flashlight wrapped in some cheap red cellophane, looking very pleased with themselves. They flick it on, pointing the red light toward the sparkler. "How about now? Anything?" I stare at the absurd setup and can''t help but laugh. "That''s... that''s not even remotely the same thing, Jordan. It''s literally just a flashlight with plastic on it." "Oh, come on," they say, sounding a little disappointed. "It was worth a shot. You said the color was part of it, so--" "Not like that!" I protest. "I meant... well, I don''t even know what I meant. Just that yesterday''s fire was weirdly red and... bright. Different. I don''t know, the traffic light just made me jump last night because it startled me. The fire isn''t startling, it''s upsetting." Tasha cuts in, frowning. "We need to keep it basic, Jordan. Let''s stick to real flames, and only in spots Sam''s comfortable with. If it was about specific locations, maybe it''s tied to places she feels safe. Like here, or anywhere familiar." They both look at me, waiting for confirmation, and I nod slowly, not entirely sure myself. "What, you think I know any better? I didn''t even know I had, what''s it called, pyrophobia until like an hour ago." "Noted." Tasha jots that down, looking thoughtful. She pulls out another sparkler, this time without the theatrics, and lights it in a corner of the room. I watch carefully, noticing that while I''m still a little tense, there''s none of that gut-wrenching panic from before. "Let''s take it outside," Jordan suggests, waving me toward the back door. "Maybe it''s the enclosed space."
Out in the parking lot next to the Music Hall, Tasha sets up another sparkler, while Jordan watches me closely, waiting for the slightest sign of discomfort. The sparkler flares to life, red and yellow sparks dancing in the winter air, and while I''m still tense, it''s nothing like last night. No nail pain, no adrenaline rush--just the normal wariness anyone would feel standing near open flames in a semi-abandoned parking lot. "Still nothing?" Jordan sounds almost disappointed, like they were hoping for some breakthrough reaction. I shake my head. "Nope. Just... kinda pretty, actually." Tasha taps her pen against her notebook, her brow furrowing. "So, it''s not about the color or the setting. Maybe it''s... the size? Like, actual big fires versus little ones?" Jordan clicks the lighter again, holding it up for another test. This time, they add a bit of red paper they had leftover from something (no one asks what), holding it up like they''re performing some kind of weird science experiment with medieval alchemy. I roll my eyes, but Tasha just takes notes, muttering under her breath about control groups and variable isolation. It makes me flinch. I don''t like looking at it! It makes me uncomfortable and it makes my hand hurt. At one point, Jordan suggests testing out different flammable materials to see if the smoke or smell might have triggered something. Tasha shoots them down immediately, reminding them that "controlled" doesn''t mean "absolutely insane." They argue over "variable integrity" for a good five minutes, while I stand there shivering, the red sparkler still fizzing harmlessly on the floor. This whole thing feels surreal, like we''re all just pretending we know what we''re doing, grasping at straws because none of us have the slightest clue what''s actually going on in my head. And maybe that''s what''s bugging me the most--that I don''t know either.
Eventually, they run out of creative ideas, and Tasha puts away the last sparkler with a sigh. "Okay, I think we''ve officially exhausted our supply of home remedies. Maybe it''s just... whatever happened yesterday was an isolated thing. Could''ve just been a fluke." I nod slowly, though something inside me still doesn''t feel right. There''s this lingering itch of unease, this sense that whatever triggered me yesterday isn''t something I can just brush off. But for now, I keep that to myself, glancing between my friends, who both look ready to drop from exhaustion. "Fine, let''s call it," I say, forcing a grin. "But Jordan, if you even think about lighting another sparkler indoors, I''m reporting you to the fire marshal." Jordan grins back, flashing me a peace sign as they snatch the last empty energy drink can. "Noted. Although, technically, I think the fire marshal would just be impressed with our rigorous experimentation." Tasha sighs, rolling her eyes. "Please don''t let the fire marshal hear about any of this." I stop. "Hold on. Jordan, use your lighter again." Jordan stops mid-stride to do just that, turning around on their heels to present their blue-yellow flame to me. I can feel my skin crawl and my hand ache, and the closer they wave it to the brick facade of the Music Hall, the more I can feel myself start to sweat. Tasha looks at me, and then back at Jordan. Then, she steals the thoughts from my brain. "What if it''s the place?" Chapter 138.2 Tasha and Jordan set up the tests in different spots around the Music Hall first, keeping everything small and controlled. Jordan starts with a match-a single match-held out as far as possible from me, like they''re offering me some kind of sacrificial torch. The flame is tiny, flickering in the wind, barely even big enough to light a candle, let alone trigger anything serious. And yet, my pulse jumps a little. Not fear, exactly, but there''s this unsettled, crawling feeling just under my skin. I take a deep breath, shoving my hands deeper into my hoodie pockets. "I''m good. Fine. No big deal," I say, unconvincingly. Jordan raises an eyebrow, clearly not convinced. "Mhm. Sure." They snuff the match, tossing it into a metal tin they brought along specifically for that purpose. "Okay, so that''s the Music Hall baseline. Moving on." We head down to the corner store where I usually stop for snacks after school, the place with the faded Pepsi sign and the clerk who always gives me side-eye for loitering. Jordan lights up another match, watching me closely as the tiny flame springs to life. It''s the same little flicker as before, barely there, but my fingers start to tingle, the ache creeping back up my right hand like it''s waking up from a nap. I clench my fist, trying to keep it steady. Tasha notices immediately. "You''re tensing up more here than you were back at the Music Hall. Any particular reason?" I shrug, keeping my voice as nonchalant as possible. "I don''t know, maybe I just... associate this place with fire now. Like, in some roundabout way." Jordan grins, looking like they''re enjoying this way too much. "Hey, if this turns into some primal territory thing, that''s at least ten points for me on calling it early." I roll my eyes. "You''re not getting any points, Jordan. I''m not some wild animal defending its den." "Actually..." Tasha starts, and I can feel the gears turning in her head, the same way they do when she''s about to launch into one of her mini-lectures. "Humans do have similar instinct patterns to animals when it comes to territory. It''s just-" "Not helping," Jordan cuts in, holding up their hands in a peace offering before I can retort. We make our way to the alley behind the school next, the same spot where we''d seen the trash fire yesterday. My heart rate''s already picking up as we turn the corner, even before Jordan lights anything. This place... it feels tainted somehow, like the smell of smoke has seeped into the bricks and asphalt, and I can almost see that angry red flame from yesterday, bright and uncomfortably intense. My fingertips start to ache, harder this time, like a bad bruise right under the nail. Jordan clicks the lighter on, and it''s just a small flame again, barely bigger than a candle, but that familiar, gnawing dread starts creeping up my spine. The pain in my nails sharpens, as if the fire is pulling something out of me, like a magnet. I clench my right hand, pressing my fingers into my palm until they hurt for a different reason. Jordan extinguishes the lighter and frowns. "Alright, so this is obviously worse for you than the other places. Looks like we''ve got a strong reaction here. Any ideas why?" I shake my head, swallowing against the dryness in my throat. "I don''t know. It just... feels wrong. Like I''m being pushed out of my own space, somehow." Tasha scribbles something in her notebook, nodding to herself. "Interesting. The closer we get to areas you consider familiar, the stronger the reaction seems to be. But the size of the flame matters too." "So it''s not just fire, it''s fire invading... places that feel like mine." I chew on that thought, not sure if I like where it''s leading. It feels primitive, instinctive, like something that would make sense in a nature documentary but doesn''t fit with, you know, regular human logic. Jordan shrugs. "Hey, territorial instinct is a thing, even if it''s not exactly flattering. I mean, maybe it''s your brain''s way of dealing with whatever set you off yesterday. Trying to defend your turf or something." I wrinkle my nose. "I don''t have ''turf.'' I''m not a mob boss." "Yeah, but it''s not about that," Tasha jumps in, ever the science-minded one. "It''s just your brain categorizing familiar places as ''safe,'' and anything dangerous showing up here... violates that safety, even if it''s just a trash can fire."Unauthorized duplication: this narrative has been taken without consent. Report sightings. "Great. I''m a caveman," I mutter, shoving my hands back into my pockets. The pain in my fingers has dulled, but it''s still there, a reminder that whatever set me off yesterday wasn''t just in my head.
We test a few more places, moving further out and lighting little fires here and there. Some random stretch of sidewalk a few blocks away? No reaction. The middle of an empty parking lot? Mild nerves, but nothing close to what I felt behind the school. Tasha takes copious notes the entire time, murmuring to herself in that way she does when she''s deep in thought. Jordan''s just enjoying the process, goading me on with sarcastic commentary that would be funny if I wasn''t so keyed up. Finally, they light another match back in the alley by the school, this time directly over the same spot where yesterday''s trash fire had been. My fingers throb again, the ache in my nails so intense that I have to grit my teeth to keep from wincing. The memory of that vivid red flame burns in my mind, brighter than it should be, and I can feel my pulse spiking, my breathing picking up like I''m about to run again. "Okay, that''s it," Tasha says, snuffing the match out. "It''s definitely related to territory. The more familiar the place, the stronger your reaction to any kind of fire here. And the color thing... that was a red herring." She smirks a little at her own pun, but Jordan just groans. "So what are we saying here?" I ask, still flexing my hand to work out the lingering pain. "That I''m some kind of... territorial shark now? I thought this power set was weird enough without adding a caveman brain to the mix." Jordan shrugs, flicking the lighter a few more times just to watch me roll my eyes. "I mean, it makes sense if you think about it. You''re kind of a shark on land already. Why not add a little territorial flair?" I give them a look that could probably peel paint. "Not funny." "Hey, just saying." Jordan holds their hands up, grinning. "And besides, now we know that whatever happened yesterday was probably more about you feeling like your space was being... I dunno, invaded? It''s like fire showing up in ''your'' spaces messes with your head." I chew on that thought, feeling uneasy. It doesn''t exactly make me feel better to know that my brain has apparently added "protect my turf" to the list of things it thinks are important. It feels... animalistic. Primal. And I don''t like the idea that some part of me might be operating on a level that basic. "Alright, we''ve got a pattern," Tasha says, snapping her notebook shut. "Familiar spaces plus fire equals bad. Which means... we just avoid lighting fires around places that feel like home to you. Simple solution." "Great," I say dryly. "So I''ll just stick to patrols in totally random places where nothing means anything to me. Should be fine." Jordan grins, clapping me on the back. "Look at it this way, Bee-at least now we know what makes you tick. Mostly. Sort of." "Mostly sort of," I repeat, shaking my head as we start heading back toward the Music Hall. "What''s wrong with me?" "You have severe PTSD from almost two years of fighting supervillains as a teenager, and pyrophobia in addition to that?" Tasha summarizes. "When you put it like that, it almost sounds simple," I reply, sighing as melodramatically as I can. "Plus, all I can smell now is smoke. You guys have ruined my nostrils," "Huh?" Tasha asks, but I''m not sure what exactly what she''s "huh"-ing at. That is, of course, when the fire engine horn screams to life three blocks down, scaring me pissless. The moment that horn splits the air, my stomach does a full somersault, like it''s trying to drop out through my shoes. There''s no time to think-my body''s already moving before my brain fully catches up. Jordan''s right behind me, and I can tell from the urgency in their footsteps that they''re as rattled as I am, but trying not to show it. We round the corner at the same time, our favorite coffee spot - this tiny little place, Amy''s, you can''t miss it - looming up ahead. The acrid smell of smoke hits me full force, unmistakable and sharp, and I realize I hadn''t been imagining it after all. The building''s front windows are fogged with smoke, and I catch flashes of movement inside-people pushing and stumbling toward the back, trying to get away from whatever''s on fire. "Travel suits?" Jordan whispers, pulling a spray-painted motorcycle helmet out of their backpack and tugging it down over their head. It gives them this bug-eyed, almost alien look, almost like a Power Ranger, but it''ll do. I tug shit out of my backpack while I stumble through the slush, a padded jacket over top of my existing winterwear, and my own travel mask clipped out over my short hair. Then a facemask, strapped to my ears, since I have a sinking feeling this is gonna get a little smoky. We both take off down the street at a sprint, dodging pedestrians who barely glance at us, too busy fleeing from the fire, while Tasha watches from a safe distance. It''s not a secret that things go weird around here sometimes, and no one wants to get involved. By the time we skid to a halt in front of Amy''s, my pulse is pounding in my ears, and my chest feels tight, but I can''t tell if it''s from running or if it''s that same choking dread as before. The coffee shop''s main entrance is blocked, thick smoke seeping out around the edges of the door like it''s being pushed out by something inside. Even from here, I can catch the smell-something acrid and wrong, like burning rubber mixed with a hint of... garlic? My stomach twists again. That combination can''t be safe. "Let''s get in there before the whole place goes up," I mutter, grabbing a handful of the slushy snow piled up against the curb. I scoop it over my pants, wiping it down my arms too, because this might be stupid, but I''d rather be a little stupid than a lot burned. Jordan''s watching me, half-amused, but they don''t comment as they pull up the zipper of their padded jacket. Chapter 138.3 The front door''s hot to the touch, even through the slush, and I brace myself before shoving through, its hinges groaning loudly in molten protest. The second I step inside, the heat slams into me like a wall, heavy and suffocating. I grit my teeth and push forward, trying not to breathe too deeply as I scan the room. The smoke is everywhere, swirling around like thick fog, and there''s this weird red light glowing in patches across the walls and floors-the same color as yesterday''s trash fire. I don''t even know where to start looking for the source, but it feels like the whole room is bleeding heat from some central point, radiating out. Jordan steps in behind me, eyes narrowed as they take in the scene. They stretch out a hand, and I know they''re using their power to expand the space, giving everyone a little more room to move. The ceiling lifts, stretching upward until it feels like we''re in some surreal cathedral of smoke, with columns of white billowing up toward the roof. People are stumbling toward the back door, but there''s too many of them, pushing and jostling each other in a panic. I can hear someone crying, a couple of people coughing, and the general clamor of too many people and not enough air. Everyone''s panicking, pushing toward the back door in a frantic cluster, clearly seconds away from trampling each other in a bid to escape. I catch glimpses of faces through the haze, wide-eyed and coughing, some of them with tiny scrapes and cuts from where they''ve probably stumbled into tables or each other. There''s blood-small amounts, but enough to trigger my blood sense, pinging like tiny radar blips all around the room. The ceiling rises, expanding upward, the walls pulling back like the room itself is taking a deep breath. The space widens, giving everyone more room to breathe, less chance of being crushed in the crush. The crowd starts to calm down a bit, some of them realizing there''s more room now, that they don''t have to shove and push. Jordan''s still concentrating, beads of sweat starting to form at their temple. Their power isn''t effortless, and I doubt doing it with a room full of fire is easier than normal. "Go!" they yell over the noise, gesturing toward the back door. "There''s space! Take it slow, one at a time!" I turn to the closest group of people, waving them toward the back. "Alright, everybody, single file if you can manage it. Just follow the person in front of you and keep moving!" I say, trying to keep my voice steady despite the roaring in my ears. The heat''s worse as I make my way deeper into the room, closer to the core of the fire. My fingers ache, and I can feel the throbbing under my nails, a reminder that whatever''s going on here is worse than it looks. I sweep my gaze around, relying on my blood sense to pick up any traces of injuries more serious than the scrapes and bruises everyone else has. It''s so hard to focus. It''s just so red in here, that it feels hard to differentiate from my blood sense. That''s... a complication I didn''t ever think could happen. Still, when I shut my eyes, I can see them - someone in bad shape. The smoke stings my eyes, but I follow the faint trail of red in my mind, weaving through the scattered tables and chairs. There''s a woman slumped against one of the back booths, half-hidden by a tipped-over table and the billowing white smoke that smells like rotten garlic. Blood is trickling from her forehead, painting a dark streak down her cheek, and her eyes are closed, her face pale under the mask of soot and sweat. "Hey, you with me?" I crouch down next to her, keeping my voice low and steady. I can hear her breathing, shallow but there, and I reach out, carefully shaking her shoulder. She doesn''t respond, and my heart rate kicks up a notch as I try to gauge how bad it is. "Jordan!" I shout over my shoulder, but they''re already busy directing the last of the crowd toward the exit, their hands raised to keep the walls stretched outward. I don''t want to pull them away when they''re handling things so well, but I need to get this woman out of here, and she''s dead weight in my arms. The fires are spreading, little pockets of orange flaring up along the edges of the red. The air''s getting thicker, harder to breathe, and every breath I take feels like it''s coated in some bitter chemical residue. The metallic smell from the red flames is stronger up close, and it reminds me of blood in a way that makes my stomach churn. I brace myself and lift the woman, heaving her onto my shoulder as gently as I can. She''s not light, but adrenaline''s working in my favor, and I''m able to carry her toward the door without too much trouble. Jordan meets me halfway, their gaze flicking from the woman''s bleeding head to my face, and there''s a question there, but I shake my head. They nod, taking her from me and guiding her toward the exit, their power still holding the space around us wide and open. I can see the strain on their face, the effort it''s taking to keep everything stretched out like this, but they don''t let up, even as the flames creep closer.You might be reading a stolen copy. Visit Royal Road for the authentic version. The sprinklers overhead are silent, and that feels wrong in a way I can''t explain. I glance up, squinting through the smoke, and spot the broken nozzles, smashed or melted-it''s hard to tell through the haze. Whoever set this up wanted to make sure there''d be no chance of putting the fire out easily, which means they''re either an idiot or someone who really wanted this place to burn. Jordan''s voice snaps me back to the present. "Bee, we''re running out of time. I can''t hold this forever." "I know." I grit my teeth, scanning the room one last time. Most of the people have made it out, but there''s still a few stragglers-some huddling by the windows, others just staring blankly at the flames, too shocked or scared to move. I shout at them, urging them toward the back door, and finally they start to stumble forward, their faces pale and dazed. The red fires are spreading, lapping at the edges of tables and chairs, turning the polished wood to charred splinters. I can feel the heat biting at my skin, even through the slush and my jacket, and every instinct I have is screaming at me to get out, to get away from the fire that''s closing in around us. But there''s still one last person in here, bleeding and unconscious, and I can''t leave them. Jordan winds out through the kitchen with the last group of civilians, the walls slowly snapping back to their usual cramped dimensions as they keep their power steady, guiding everyone out. But the second Jordan steps past the door, the flames leap up behind the counter, catching like kindling and spreading fast. I watch the walls snap back around me, every inch of space shrinking, tightening, until it feels like the room is trying to squeeze me out. I''m alone. And the fire''s spreading. The girl I just rescued is slumped against the wall, and I know if I don''t get us both out in the next few seconds, I''ll be as good as toasted. The air''s so thick it feels like I''m breathing in syrup, and every gasping breath is getting harder, burning with every inhale. My winter coat is close to smoldering; I can smell the synthetic fibers searing, that acrid scent threading through the thick smoke. In a dazed, half-panicked kind of calm, I drop to my knees and gingerly lay her on the ground. I can feel my fingers tingling, that same familiar pain spiking beneath my nails, but I shove it down, focusing on what I need to do next. One more tooth, I think. I push down on my elbow, and my teeth shift under the skin, growing sharper, harder, until I feel the bite of bone slicing through flesh, right at the elbow. A sharp, curved tooth juts out, ready to use like a tool, and I grit my teeth against the wave of pain that follows. No time for nerves. This is the only way out that won''t lead straight through a wall of fire. I angle the tooth against the front window of the coffee shop, eyeing the warped glass. Heat''s already taken a toll on it, softened it, but it''s thick, Philadelphia-grade impact-resistant glass-designed to handle anything from a stray baseball to a full-force fistfight outside. Breaking through this is going to take everything I''ve got. I raise my elbow and slam the tooth against the glass. The impact reverberates up my arm, rattling every bone and sending a shock of pain straight to my shoulder. The first hit leaves nothing. Just a faint smear where the tooth struck. I bite down, tasting blood as I brace myself, ignoring the blaze roaring closer, licking at my heels. The second hit connects, and a single white crack blooms, a tiny hairline fracture that spiders out for just an inch. But it''s something. My arm''s shaking with the effort, and I barely feel my fingers anymore, the tooth digging in too deep, but I wind up one more time. The third hit causes a spiderweb of cracks to stretch across the glass, each line fracturing outward in tiny jagged patterns, weakening the whole pane. Just one more, I tell myself, choking on the bitter air. I can feel the heat getting worse, licking at my jacket, and the smell of melting rubber fills my head. I don''t have the time to think. The fourth hit shatters the window. Glass splinters outward in a sharp, crystalline rain, leaving a hole just big enough for us to crawl through. The fresh rush of air makes the flames leap higher, a hungry blaze that roars up as though someone threw fuel on it. The fire rages up toward the ceiling, hotter, angrier, more alive, like it''s trying to block me from getting out. Fat chance. I grit my teeth, ignoring the blood on my sleeve, and carefully lift the girl into my arms again, cradling her as best I can. There''s no diving through the opening like they do in movies-just a slow, careful step over the broken glass, keeping her close and tight against me to shield her from the jagged edges. Each step out into the open feels like I''m wading through molasses, my lungs burning, my head pounding, but the rush of cold February air on the other side is a relief so sharp it almost hurts. The fire engine pulls up just as I stumble out, lights flashing, sirens blaring, and the firefighters are already leaping out, moving toward me with focused, efficient motions. One of them reaches out, and I hand over the girl without a word, watching them carry her toward safety, away from the flames that are still raging behind me. And then I just... collapse. Right there on the wet sidewalk, gasping for air, trying to cough out the taste of smoke and chemicals that''s still coating the back of my throat. The cold concrete presses against me, grounding me, reminding me that I''m out, that I made it, even if it feels like every nerve in my body is still screaming. The firefighters are too busy with the blaze to notice me, sprawled out and coughing, and I take that as a small mercy. I can feel the ache in my bones, the sting in my throat, and the steady throb of pain beneath my fingernails, like a reminder of every terrible thing that just happened. I close my eyes, letting the chill of the pavement seep into me as I try to calm my racing pulse, the noise of the fire and sirens fading into the background. Chapter 139.1 The oxygen mask smells like rubber and antiseptic, and it''s clinging to my face like it''s got something to prove. Every breath feels like I''m drinking the world''s flattest soda, all fizz and no flavor, but at least it''s doing its job. I try to sit still while the paramedic--a gruff-looking guy in his forties with a beard so patchy it looks like he''s growing it out for a dare--checks my elbow. He''s got a flashlight, a penlight, and a level of patience I can only aspire to. "You''re lucky," he says, dabbing something that smells like rubbing alcohol onto the scrape I barely even noticed. "That glass could''ve done a lot worse. Take a deep breath, this is for the smoke inhalation." Buddy, I''ve been taking a deep breath. "Yeah, well, luck''s my middle name," I mumble, watching the firefighters through the gaps in the crowd. The coffee shop''s still smoking, the flames mostly gone but leaving behind the kind of destruction you only see on insurance commercials. The whole front of the building looks like it''s been chewed on by something big and angry, and the smell... it''s acrid and metallic, like someone set a scrapyard on fire and decided it was art. "Luck, huh?" The paramedic smirks. "Guess you didn''t need my help with that window, then." "I mean, I had it under control," I say, which is technically true. My elbow''s throbbing in time with my pulse, the joint stiff and swollen, but it''s already knitting itself back together--I can feel the dull, itchy tug of my body doing its thing. The paramedic doesn''t know that, of course. He''s got this calm, no-nonsense expression, like this is just another Saturday and not one of the weirdest days of his week. "But, uh, thanks for patching me up. Appreciate it. You wanna peek at my elbow real quick?" He bends down and frowns at the reddened skin, the small, bloodless hole where the tooth emerged, already shrinking, his fingers brushing over it in a way that makes the sharp pain flare for a second before subsiding. I''ve broken bones before, though. Definitely not broken. "Doesn''t look broken. Maybe a mild sprain. I''ll wrap it, but you should see a doctor if the swelling doesn''t go down." I nod, not bothering to tell him that the swelling will probably be gone before I even get home. That''s the fun thing about being me--nobody''s long-term medical advice applies. Jordan''s sitting a few feet away, their oxygen mask dangling around their neck as they poke at the phone in their lap. The reflective bug-eye visor of their motorcycle helmet is shoved up, and they''ve got the kind of expression that says they''re about one snarky comment away from making this paramedic''s day a lot more interesting. They''ve got a different paramedic fussing over them, but they keep glancing over at me, their eyebrows raised in a way that clearly says, Are you good? "This isn''t exactly how I pictured our Saturday going," they say, mid-glance. "I was thinking maybe coffee, maybe watching some terrible anime, not playing firefighter. But, hey, life''s full of surprises." "You''re welcome, by the way," I reply, giving them the flattest look I can muster through the mask. "For, you know, saving your favorite coffee spot." Jordan snorts. "Yeah, saving it from, like, half burning down. Great job, team. Truly heroic. I''m done, bee tee dubs," Jordan says to the paramedic, sitting up straight again and waving the guy off. "Seriously, you can go save a life or something. I just need some water and maybe a therapist." "Stay put," their paramedic replies, clearly unimpressed. He''s already turning away, muttering something into his radio as he moves toward the next cluster of people. My paramedic gives us a look like he''s debating whether or not to intervene, but thankfully he doesn''t say anything. Instead, he finishes wrapping my elbow with the kind of efficiency that comes from treating people way worse off than me and waves me off like he''s dismissing a particularly annoying fly. "You''re good to go, but keep that clean. Smoke inhalation might hit you harder later, so don''t ignore it if you feel off, alright?" I nod, pulling the mask down and letting the cold February air sting my lungs again. It''s not pleasant, but it''s better than feeling like I''m suffocating under all that rubber and antiseptic. The firefighters are still working on the building, hoses blasting arcs of water into the smoke-blackened windows. Amy''s is mostly gone now--burnt out in this skeletal, half-collapsed way that makes my stomach twist. The sign above the entrance is charred and unreadable, and the front wall looks like it''s about one solid push away from crumbling into the street. The fire started in the doorway, and the firefighters have it under control now, but at least 60% of the structure is just gone. Even from this distance, the air is heavy with the smell of wet ash and something sharper, metallic, like a hot iron left on too long. The firefighters start spraying down the last stubborn patches of flame while a few of them pick through the rubble near the entrance. One of them--this stocky guy with a mustache that belongs in an ''80s action movie--waves over the fire chief, who''s been standing near the truck with her arms crossed and an expression that could shatter glass.You could be reading stolen content. Head to the original site for the genuine story. "That''s Amy, right?" Jordan nudges me, nodding toward a woman standing near the firefighters. She''s in her fifties, with salt-and-pepper hair pulled back into a ponytail and an apron that''s seen better days. The front of it is smeared with soot, and her hands are shaking just enough to make me feel bad for even noticing. "Yeah, that''s her." I push myself up, ignoring the paramedic''s half-hearted attempt to tell me to sit back down, and make my way over. Amy''s talking to the fire chief--who looks exactly like someone named Chief Patterson should look: square-jawed, all business, and probably able to bench press a refrigerator--and they both turn as I approach. "I don''t know," she''s saying as I walk up, oxygen mask dangling loosely around my neck. "I wasn''t here when it started. I had a bad feeling yesterday, you know? Like, one of those gut instincts that tells you something''s off. But what am I supposed to do? Close up shop because of a vibe?" "Any idea what caused the fire yet?" Patterson asks, hands folded up in front of her arms almost defensively. Amy wrings her hands, her gaze flicking between me and Patterson. "I don''t know... it just happened so fast. One second I was at the counter, and the next..." She gestures helplessly toward the smoldering remains of her shop. "The sprinklers didn''t even go off. I thought those were supposed to kick in automatically." "When was the last time they were inspected?" Patterson asks, matter-of-factly. Amy rubs the back of her neck, looking embarrassed. "Last year? Maybe the year before. They''ve been fine so far, so I didn''t think... I mean, they should''ve worked. They''ve gone off before. It''s a coffee shop, we have a kitchen in the back, fires happen." I clear my throat, stepping closer. Both of them glance at me, the fire chief raising an eyebrow. "Uh, sorry to interrupt," I say, stuffing my hands in my pockets. "But I noticed something weird inside. The sprinklers? They didn''t just not go off--they were... broken. Or melted. I couldn''t really tell, but it looked deliberate." "Bloodhound, right?" Patterson''s voice is clipped, like she''s got better things to do than make small talk with costumed vigilantes. "Not to get off topic, but you did a good job in there." "Thanks," I say, trying not to sound too awkward. Compliments from authority figures always feel like they come with invisible strings. "You said it looked deliberate?" Patterson asks. "Very," I reply, curtly, professionally. Amy''s eyes widen, and she looks back at the fire chief, her voice sharp. "Like... Like someone sabotaged them?" "It''s a possibility," the fire chief says, his expression shifting into something grimmer. "But we won''t know for sure until we''ve had a closer look. Right now, we''re just focused on making sure the fire''s completely out." Amy''s face crumples, guilt written all over it. "I should''ve known something was wrong. Yesterday, there was this guy... I don''t know, he just gave me a bad feeling. He was sitting by the window, didn''t order anything, just kept... staring." "Staring at what?" Jordan pipes up, appearing at my side like they''ve been there the whole time. They''ve got their helmet visor down again, so it''s impossible to tell if they''re actually interested or just messing with her. Amy hesitates, glancing at the fire chief like she''s looking for permission. "At the doorway, mostly. And the counters. I thought he was just... I don''t know, weird. But now..." She trails off, wringing her hands harder. "What about the cameras?" I ask, glancing at Amy. "Do you have security footage?" She sighs, rubbing her temples. "No. They stopped working yesterday, some time between close and open this morning. I should''ve closed up shop, gotten it checked out..." There''s guilt in her voice, and it''s the kind that settles deep, the kind that''ll stick with her even though it''s not really her fault. The fire chief scribbles something on his clipboard and turns back to Amy. "We''ll do a full investigation once everything''s cooled down. In the meantime, you''ll want to get in touch with your insurance company. This kind of damage is... substantial." Amy nods, her shoulders sagging. "Yeah. Thanks. And, uh, thank you, too," she adds, glancing at me. "For... you know. Getting people out." "Just doing my job," I mumble, looking down at the ground. The pavement''s wet and slick with soot, reflecting the orange glow of the fire engines'' lights. Patterson lets out a low sigh, pinching the bridge of her nose. "If there''s anything else you or your partner have for us, Bloodhound, you can let us know or send a report to the station. Otherwise, we''ve got damage control to--" "The fires were red," I cut in, surprising even myself. My mouth''s moving before my brain can catch up, the details tumbling out in a rush. "Like, road flare red. And they smelled... metallic. Not like regular fire. You noticed that, right?" Patterson narrows her eyes, but she doesn''t brush me off. "Yeah. Strange signature on the burn patterns, too. Could be a chemical accelerant, but I''ve never seen anything like it." "Road flare," Jordan mutters, and I can tell they''re filing that away in their mental Rolodex. "So, what, some guy walked in here with a pocket full of flares and a grudge?" "It''s not impossible," Patterson admits, her expression softening just enough to suggest she''s as frustrated as we are. "But fires don''t start themselves. Someone did this, and they knew exactly what they were doing." Amy lets out a shaky breath, her eyes darting toward the firefighters still picking through the rubble. "Do you think... was this some kind of--?" "Superhuman arson?" Jordan finishes for her, their tone halfway between sarcastic and serious. "Probably. I mean, fires don''t usually sabotage sprinkler systems and smell like the inside of a battery." "Not helping," I mutter, elbowing them in the ribs. "Look, Chief, if there''s anything we can do--" Patterson cuts me off with a sharp wave of her hand. "We''ll handle it. You''ve done enough for one day. Let us do our jobs. Take a break." It sounds dismissive, but I think that''s just what this person is like. I nod, stepping back but keeping my gaze fixed on the smoldering wreckage. My fingers twitch at my sides, my right hand painful. Chapter 139.2 The coffee shop employees are clustered together on the sidewalk, wrapped in mismatched coats and emergency blankets. One of them--a young guy with a buzzcut and an apron that''s more soot than fabric--keeps glancing back at the wreckage like it might spring back to life if he looks away. His hands are shaking, and the paper cup of water he''s holding is spilling all over his boots, but he doesn''t seem to notice. I approach slowly, hands in my jacket pockets, trying not to come off as intimidating. Bloodhound might not be the scariest name in the city, but there''s a vibe people expect, and I''m trying not to give it off too hard. "Hey," I start, keeping my voice low. "You good to answer a few questions?" Buzzcut doesn''t answer right away. One of the other employees, a barista with bright green hair pulled into twin buns, nudges him. "He''s fine," she says, her voice sharp. "Just a little freaked out." "I can tell," I say, glancing at the coffee-soaked boots. "Sorry, but anything you remember about what happened could really help. Did you see how it started?" Buzzcut blinks a few times before finally looking up. "I... I don''t know," he says, his voice shaky. "It was normal, you know? Like, people were coming and going, and then... there was this weird light." "Weird how?" I ask, leaning forward just enough to keep him talking. He hesitates, chewing on his lip. "It was... red. Like, really red. Not like fire. It was brighter, almost like... like one of those emergency strobes? It was coming from the front, near the door. And then there was smoke, and everything just... went nuts." "Red light first, then smoke?" I repeat, trying to piece it together. He nods, clutching the cup tighter. I glance at Green Buns, who''s listening but not saying much. "What about you? Did you see anything?" She shrugs, but her eyes dart toward the wreckage. "I was in the back, stacking cups. Didn''t see the light, but I smelled something. Metallic. Like burning wires, you know? I thought it was the espresso machine overheating or something. Next thing I know, everyone''s shouting, and the smoke''s pouring in." I chew on that, trying to line it up with what I saw. "And the fire? Did it start with the smoke, or--?" "Before," she says quickly. "The smoke was first. The fire came after." That''s weird. Fires usually come first. Smoke follows. Not the other way around. "What about evacuation?" I ask, pulling my focus back. "Did you see anything on the way out? Anyone suspicious?" Buzzcut snorts, bitter. "Too busy trying not to die to take anything in. People were pushing, yelling, trying to get out through the back. Sprinklers didn''t work, alarms barely made a sound... it was chaos." Green Buns nods. "We tried to keep it calm, but..." She gestures toward the crowd of evacuees, her face tight. "Not everyone listens when they''re panicked, you know? Some girl fell, hit her head. Is she okay?" My pulse ticks up, and then back down. "I got her covered, don''t worry." Green Buns points toward the paramedics clustered near the fire engines. "Over there. She was at the front, closest to the door. Might''ve seen more." "Thanks," I say, stepping back. "You did good getting everyone out. Seriously." Green Buns gives a small nod, but Buzzcut just stares at his boots again, muttering something I don''t catch. I leave them to their blankets and water and head toward the paramedics.
The girl they mentioned is sitting on the edge of the open ambulance, a bandage wrapped around her forehead and an ice pack pressed to her temple. She''s young, maybe early twenties, with dark curls and sharp, hazel eyes that narrow as she spots me. "Bloodhound, right?" she asks, her voice a little slurred but still steady. "That''s me," I say, stopping a few feet away. She squints at me like she''s trying to figure out what''s under the mask, and I can''t tell if it''s curiosity or suspicion. "You''re shorter than I thought," she says, and I bite back a groan.This text was taken from Royal Road. Help the author by reading the original version there. "Yeah, well, cameras add height," I reply, trying not to sound too defensive. "How''s your head?" She lifts the ice pack, showing off the bandage with a wry smile. "Doc says I''ll live. Just a bump, nothing serious." "That''s good to hear," I say, shifting my weight awkwardly. "Are you good to talk?" She nods at me, her eyes twinkling a little bit. "Can you walk me through what happened? Anything you saw before or during the fire?" I ask. She frowns, leaning forward a little. "I was sitting near the front, working on this essay--well, procrastinating on this essay, if I''m being honest--and there was this... I don''t know, this flash? Like, bright red, out of nowhere. And then the smoke started pouring in. Or maybe the smoke came first, it was hard to tell, but it was really close together. It was so fast, like someone flipped a switch. I barely had time to grab my stuff before everyone was screaming and shoving toward the back." "What about the fire?" I ask. "Did you see it start?" "Not exactly," she says, shaking her head. "The smoke was so thick, I couldn''t see much of anything. But there was this... smell. Metallic, kind of sharp. Like burning coins or something." That tracks with what the others said. I nod, filing it away. "Anything else? Anyone acting weird beforehand?" She hesitates, her eyes darting to the ground. "There was this guy by the window. He wasn''t doing anything, just sitting there, but he kept staring at the door. Like... really staring. It was creepy, but I figured he was just waiting for someone." "And after the fire started?" I prompt. "Gone," she says, shrugging. "Didn''t see him after that. He must''ve bolted like everyone else." I glance toward the wreckage, my thoughts racing. Staring at the door. Smoke before fire. Metallic smell. None of this adds up to anything good. "Hey," she says, pulling me out of my thoughts. "Thanks for pulling me out of there. Seriously. You saved my ass." "Just doing my job," I say, but she shakes her head. "No, really. You don''t have to do the stuff you do, but you do anyway. That takes a lot, you know?" Her tone shifts, a little too warm, and I can feel the awkwardness creeping in. "Uh, thanks," I mumble, taking a step back. She grins, clearly amused by my sudden discomfort. "You single, or is Bloodhound off the market?" I nearly choke, my brain short-circuiting. "Uh, not really the time," I manage, and she laughs, waving me off. I can tell that she''s college-aged, and for a second I''m almost ready to get seriously pissed off, and then I remember that I''m wearing a mask and that she probably can''t tell my age under all the bulk. "Fair enough. But seriously, thanks. I owe you one." I nod quickly, mumbling something about staying safe, and make a beeline for the other side of the lot before she can say anything else. Jordan''s there, leaning against the fire engine with their phone in hand, their visor tilted down just enough to hide their expression. "Make a new friend?" they ask without looking up, their voice dripping with amusement. "Shut up," I mutter, crossing my arms. "What''re you looking at?" Jordan tilts their phone toward me, the screen glowing with a news alert. "Another garbage fire. A couple blocks from here. Same weird red light, same metallic smell." My stomach drops. "You think it''s connected?" "Yeah," they say, scrolling through the report. "And so does everyone else. Forums are already lighting up--pun intended--with theories. People are freaking out, Bee. They think it''s a serial arsonist, maybe even a super." I glance back at the coffee shop, the charred remains still smoldering in the cold February air. My hand aches, the pain sharp and insistent, and I can''t shake the feeling that this is just the beginning. "I have my theories," I say, already pinning a name to the top of my internal list. "Let''s skedaddle?" Jordan nods, their grip tightening on the phone. "Yeah. Let''s."
The Music Hall feels colder than usual when we trudge up the stairs, each step creaking under our weight like it''s groaning at the sheer effort we''ve put into the day. My clothes reek of smoke--so does Jordan''s--and every inhale reminds me of the burning coffee shop, the metallic tang of the air, and the heat crawling up my skin. My elbow throbs faintly as I shrug out of my jacket, hanging it over the back of a chair in the common area. It''s fine now, just the residual pain leaking out. Jordan tosses their helmet onto the couch with a little more force than necessary, then flops into their chair at the computer setup, their fingers already dancing over the keyboard. "I swear," they mutter, pulling up what looks like five tabs of local news and forums, "if this turns out to be some Jumphead with a flamethrower, I''m gonna lose my mind." "Flamethrower would''ve been easier to spot," I mumble, yanking off my gloves and draping them over a radiator that doesn''t really work but might dry them faster than leaving them. The helmet comes last, the familiar weight leaving my head and neck feeling weirdly light. I set it on the counter next to Jordan''s helmet and glance around the room. The hall''s emptier than it usually feels, the air heavy in a way that isn''t just the smell of burning fabric. "You still smell like fire," Jordan calls over their shoulder, not looking up from their screens. "So do you," I shoot back, grabbing one of the extra hoodies from a hook on the wall and pulling it over my head. It smells faintly of mothballs, but it''s better than the lingering scent of ash. I drop onto the couch, pulling my knees up and scrolling through my phone as Jordan starts muttering to themselves. The Tacony HIRC is already buzzing, post after post about the coffee shop fire, speculation running rampant. A few people mention the weird red light; others talk about seeing smoke rising from alleys or dumpsters in the neighborhood. "I hate this," I mutter, throwing my phone onto the cushion next to me. "Everyone''s panicking, and we don''t even have a clue who or what''s behind it." Jordan swivels in their chair, one eyebrow raised. "Well, lucky for you, I''ve been getting a suspect list going. Wanna play detective?" Chapter 139.3 "Hit me," I say, stretching my legs out and pretending my hand doesn''t ache from earlier. "Who''s our first contestant?" Jordan spins back to their monitors, pulling up a profile that looks like it was ripped from some low-budget crime database. "First up: Hotwire. Electricity-based powers, sparks fires by overloading circuits. We caught them once about six months ago trying to light up a warehouse." I shake my head. "Hotwire needs direct contact. They can''t just light things on fire from a distance." "True," Jordan admits, clicking to the next tab. "Okay, how about Johnny Matchstick? Pyrokinetic, pretty small-time. He''s got that whole ''firefighter turned arsonist'' backstory. Classic villain stuff." "Can''t generate fire," I point out. "He can only manipulate it. Unless someone handed him a pocket full of flares, he''s out." Jordan groans, rubbing their temples dramatically. "Fuck, right, I remember that. Will o'' Wisp?" "The floating flame lady?" I ask, sitting up straighter. "Isn''t she usually blue?" "Always blue," Jordan confirms, scratching that name off the virtual list. "Damn it, Bee, you''re making this hard." "Not my fault your suspects are terrible," I reply, smirking despite myself. "What else you got?" Jordan flips through a few more tabs, pulling up names and faces I don''t recognize. There''s T-4, who turned out to be a Jumphead, so they''re out of the running entirely. Torch Tongue, whose name makes me cringe, but they''re currently locked up in a facility outside Pittsburgh. Every option feels like a dead end, and the longer the list gets, the more frustrated I feel. "This isn''t going anywhere," I mutter, standing up and pacing the room. "We''re missing something. Someone." "Or something," Jordan says, spinning their chair to face me. "What if it''s not a person? Could be some kind of malfunctioning tech. A bot or something." "Robots aren''t real, Jordan. And they don''t sabotage sprinklers," I snap, my voice sharper than I mean it to be. Jordan raises their hands in mock surrender, but I can see the tension in their jaw. I take a deep breath, forcing myself to calm down. "Sorry. It''s just... this doesn''t feel random. The coffee shop, the dumpsters, the garbage fire by the school--it''s all too... specific." Jordan narrows their eyes, leaning back in their chair. "Specific how?" I stop pacing, turning to face them. "It''s places I go. Or... places I''ve been. The coffee shop''s where we stop after school. The dumpsters were behind that corner store I hit last week. The school... obviously. It''s like they''re targeting my territory." Jordan''s eyebrows shoot up. "Your territory? You''re not a mob boss, Sam. You said so yourself." "You''re not helping," I mutter, rubbing the back of my neck. "I''m just saying, what if this isn''t random? What if it''s about me?" Jordan''s quiet for a moment, their gaze flicking back to their monitors. "You''re saying someone''s tracking you. Targeting places you''ve been." "Maybe," I say, my voice hesitant. "Or maybe it''s just a coincidence, but... it doesn''t feel like one." Jordan nods slowly, their fingers drumming on the arm of their chair. "Alright. Let''s work with that. If it''s someone targeting you, who''d have the motive? Anyone we''ve pissed off recently? I mean, besides the guys already named?" I snort. "That list''s longer than your suspect list." "Fair," Jordan says, smirking. "But seriously, who''s got the means and the grudge? Maybe it''s another Kingdom agent we''re not aware of? They''ve got a bunch, I wouldn''t put it past them to have a Mrs.... Uh... Mrs. Fire. Or Mr. Prometheus - no, that wouldn''t work... Mr... Roadflare, or something. With that whole alphabet thing going on." "Alphabet thing?" I ask, incredulously. "What?" "You haven''t noticed?" Jordan asks back. "What are you talking about?" I ask back, back. "None of the guys we''ve met had overlapping names. They have, like, a name scheme. Mr. or Mrs. X-Y-Z. Mrs. Zenith, Mr. T-Rex, Mr. Polygraph, Mr. Nothing, Mrs. Heartstopper, Mrs. Xenograft, Mr. ESP... See? No overlaps. You really haven''t noticed?" I stop to think about it for a second. "What the fuck? That''s..." "Right? They have an alphabet thing going on," Jordan sums up. "Mr. ESP, if you''re listening, I think your organization''s alphabet thing is clown shoes," I shout out to nobody in particular. "Oh my god, the Kingdom of Keys. Like on a keyboard," "FUCK!" Jordan shouts. "That''s so fucking stupid. How did I miss that." I flop back onto the couch, my mind racing through the past year of encounters. Small-time villains, rogue Jumpheads, angry civilians who thought vigilantes were a menace--it could be anyone. And yet, nothing about this lines up with anyone I''ve faced. No one with this sort of power. "It definitely could be a Kingdom person." Jordan''s fingers fly over the keyboard, pulling up a map of Tacony with little red dots marking the fires. "Alright, let''s look at the pattern. Dumpster fire here, coffee shop here, school here..." They trail off, frowning at the screen. "It''s like they''re drawing a... I don''t know, a weirdly specific circle." "A circle around what?" I ask, leaning over to look at the map. "Good question," Jordan says, zooming out to reveal more of the city. "But if this keeps up, we''re gonna find out the hard way." Jordan swivels in their chair, pulling up another map on the screen. This one''s not just the fires we already knew about--there are new markers now, little red dots scattered along streets and alleys, connected by faint lines like constellations. I sit up straighter, the hairs on the back of my neck prickling as I realize where this is going. "Alright," Jordan says, their voice too casual for the intensity of the screen in front of them. "So, I cross-referenced the new reports with your usual patrol routes, and guess what? They line up. It''s not a perfect fit, but, uh, I think you might be getting stalked." I shake my head, pushing off the couch to pace again. "It''s just a coincidence. Tacony''s not that big. The fires are bound to overlap with places I''ve been."This narrative has been unlawfully taken from Royal Road. If you see it on Amazon, please report it. Jordan raises an eyebrow, spinning the chair to face me fully. "Sure, because garbage fires spontaneously appear in nice little patterns wherever you''ve happened to show up recently. Totally normal." I glare at them, but it doesn''t stick. The tension in my chest is back, that creeping sense of dread that''s been building since the coffee shop. My right hand twitches at my side, the faint throb in my fingers like a distant alarm I''m trying to ignore. "Even if they are following my routes, that doesn''t mean they''re targeting me." Jordan leans forward, their tone softening. "Sam... come on. You''re smarter than this. Someone''s doing this on purpose, and it''s not just some random pyromaniac." I bite my lip, my mind racing through possibilities I don''t want to consider. I know his name, but I don''t say it. I don''t want to be the one to say it first. "Alright, fine. Let''s say it''s not random. What''s the pattern? What''s the goal?" Jordan turns back to the screen, tracing the lines between the red dots with a fingertip. "It''s not just about where you''ve been. Look at this." They zoom in, highlighting the cluster around my school, sweeping their mouse around to emphasize the point. "It''s forming a circle. A slow, deliberate, block-by-block circle. And guess what''s smack dab in the middle?" The school. My school. Tacony Charter Academy High School. My heart sinks, and my hand aches worse now, the pain spreading up my arm like it''s trying to tell me something I already know but don''t want to hear. I shake my head again, more to myself than to Jordan. "That doesn''t make any sense. Why the school? Why now?" Jordan hesitates, their fingers still on the keyboard. When they finally speak, their voice is cautious, like they''re trying to disarm a bomb. "What if it''s Aaron?" "No," I snap, the word coming out sharper than I intend. My pulse spikes, the ache in my hand flaring as I turn to glare at them. "It''s not him." Jordan doesn''t flinch, but they don''t back off either. "You don''t know that." "Yes, I do," I insist, pacing faster now. "Aaron''s fire is yellow, remember? It smells like rotten eggs. This isn''t him. These fires are red. They smell like... like road flares. And that smoke? Totally different. It''s not him. He doesn''t make big plumes of white smoke like that." Jordan tilts their head, watching me with that annoyingly patient expression they get when they know I''m lying to myself. "You should know yourself that people can discover more aspects of their powers, Mrs. "Grows-Teeth-Wolverine-Claws". And you said it yourself--these fires feel intentional, like someone''s planning them. He''s got plenty of reason to plan." I scoff, crossing my arms. "Aaron? Plan? The guy who couldn''t even pull off a simple drug run without screwing it up? He''s not smart enough for this." Jordan doesn''t argue that point, which almost makes it worse. They just keep watching me, their gaze steady, like they''re waiting for me to run out of excuses. I stop pacing, my hands curling into fists at my sides. My nails dig into my palms, the pain grounding me just enough to stop my voice from shaking when I speak again. "He''s not here anymore," I say firmly. "Not Philly. He ran away, remember? He''s gone. End of story. I haven''t seen him since. Surely he would''ve tried to hit me earlier if he was here." Jordan sighs, leaning back in their chair. "You want me to say you''re right? Fine. Maybe it''s not him. But you''ve gotta admit, he''s a good match." "He''s not a match," I snap, but my voice wavers this time, betraying the knot of fear tightening in my chest. "He''s not... he''s not here." They don''t press further, but the silence that follows is worse than anything they could''ve said. I can feel their eyes on me, can feel the weight of their unspoken thoughts pressing down like a stone on my chest. My hand throbs again, sharp and insistent, like it''s trying to force me to acknowledge something I''m not ready to face. Jordan breaks the silence first, their tone gentle but firm. "Sam, if it is him, we need to be ready. I''m not saying it is, but we can''t ignore the possibility." I close my eyes, taking a deep breath that does nothing to steady the storm in my head. "It''s not him," I mutter, more to myself than to Jordan. But the words feel hollow, like I''m trying to convince myself of something I stopped believing the moment they said his name. Jordan doesn''t argue. They just nod, turning back to the monitors and pulling up another map, their fingers moving with practiced precision. "Alright. Then let''s figure out who it really is." I sink back onto the couch, my hands trembling in my lap. The pain in my right hand is still there, dull and constant, like a warning I can''t quite decode. My mind keeps circling back to the same thoughts, the same memories I''ve been trying to bury since the last time I saw Aaron McKinley. Jordan''s typing slows, the staccato rhythm of the keys fading into a tense silence. I glance up from where I''m hunched on the couch, rubbing my aching hand as if that''ll somehow make the throbbing stop. Their screen glows faintly in the dim room, and I can see the reflection of their helmet visor pushed up, revealing a pinched expression that sends a jolt of unease through me. "What?" I ask, sharper than I mean to. The ache in my hand feels sharper now, like a warning bell. Jordan tilts the screen slightly toward me. "There''s something you need to see." I get up slowly, the weight in their voice dragging at my movements. Crossing the room, I perch on the arm of their chair, leaning in to see the map they''ve pulled up. It''s not Tacony this time--it''s a broader view, stretching northward into Bucks County. Little markers dot the map, pinned to reports that Jordan has somehow dug up from who knows where. "These are arson reports from the past year," Jordan says, their voice flat but loaded with implication. They hover the cursor over one of the markers, clicking it to pull up a brief blurb. "Red fires, like the ones we''ve been seeing. And blue fires. Yellow, too." I blink, staring at the list of incidents popping up on the screen. A car fire outside a shopping center in Langhorne. A residential blaze in Bensalem. A trash can fire--red, like a road flare, specifically noted in the report--in Village Shires. "Invisible fire," I murmur, squinting at the words in one of the reports. "What the hell does that even mean?" Jordan shrugs, pulling up another file. "Witnesses said they couldn''t see the flames, but they could feel the heat and smell something burning. And that the fire "just started out of nowhere". Shady guy in a hoodie. Sounds familiar, doesn''t it?" My stomach tightens, and I step back, shaking my head. "No. It''s just... it''s a coincidence. There''s no way Aaron could... he wouldn''t know how to do that." I take a step closer, my hands curling into fists at my sides. My nails dig into my palms, the ache in my right hand flaring again as I stare at the screen. The words blur together, the weight of them pressing down on my chest like a physical thing. "Aaron''s power doesn''t work like that," I say, my voice coming out sharper than I intended. "He sets stuff on fire. It''s yellow, it smells like sulfur. This... this isn''t him." Jordan gives me a look, their expression carefully neutral. "Are you sure? Because it kinda seems like his power might be more complicated than we thought. Like, half of these are his yellow fire, smells like rotten eggs. And they''re all earlier. Time goes on, fewer of the reports are yellow, the more are red and blue." "Powers don''t evolve," I snap, pacing again to shake off the crawling feeling under my skin. "That''s not how it works. You don''t just wake up one day with new abilities. It''s static. I said that already! It''s static! What you get when you Activate is what you''ve got for life." "Sure," Jordan says, leaning forward with their elbows on their knees. "Remember what I said like two minutes ago? What if it''s not about evolution? What if Aaron''s power was always capable of this, but he didn''t know it? Or he didn''t know how to use it." No. I refuse to believe it. "He''s not that smart," I say, more to myself than to Jordan. "He wouldn''t even know where to start. Powers don''t change like that!" Jordan doesn''t argue, but their silence says enough. They look at me like I''m a kicked puppy and it makes me want to start yelling. My mind races, memories of Aaron flashing behind my eyes like a bad slideshow, my head suddenly throbbing right where a crowbar hit it a year ago. The sound of a notification ping cuts through the room, and Jordan swivels back to their monitors. "Oh, great," they mutter, pulling up a new HIRC thread. "Looks like we''ve got another one." I step closer, peering over their shoulder as the screen fills with a string of messages. The chat thread reads: Weird Red Fire Near Torresdale--WTF Is Going On? My stomach sinks as I skim the posts, each one describing the same thing: a garbage fire, burning bright red, with that same metallic smell. "Anyone see this?" "WTF?" "Smells like shit", and it''s close. Too close. "Torresdale," I whisper, my chest tightening. "That''s... that''s right near here." Jordan nods, their jaw set. "Yeah. Like, a block away." The ache in my right hand spikes, sharp and sudden, like a warning bell. The pattern isn''t just closing in--it''s tightening around us. Around me. I feel it in my bones, in the pit of my stomach, in the way every nerve in my body is screaming at me to move, to act, to do something before it''s too late. This is a warning shot. And I''m the one being warned. Chapter 140.1 The Music Hall feels like it''s holding its breath. The usual creaks and groans of the old building have faded into a tense silence that matches the weight pressing down on my chest. Jordan''s still glued to their monitors, fingers flying over the keyboard in bursts of motion that almost look frantic if you don''t know them. I do, though. This is what they do when they''re trying to stay calm: work themselves into a fugue state of data and pixels so they don''t have to think about what''s happening outside. I''m not much better. My hand hasn''t stopped aching since the coffee shop fire, a dull, persistent throb under my nails that makes it impossible to sit still. I''ve been pacing for what feels like hours, my boots scuffing against the worn wooden floor with every step. Every so often, I glance at my phone, like the notification for some magical solution is just waiting to pop up. Nothing. Just HIRC updates about more garbage fires, each one closer to home. "They''re not answering," I say, breaking the quiet for the third time in as many minutes. The Young Defenders group chat sits open on my phone, the little read receipts staring back at me like taunts. Jason saw my message but hasn''t responded. Amelia sent a thumbs-up emoji and nothing else. Spindle, predictably, is MIA - handling things with his new family. I try not to feel resentful and sour grapes about it. "Why aren''t they answering?" "Because it''s Saturday," Jordan replies without looking up, their voice clipped. "Normal people are doing normal things, not tracking some psycho arsonist through Tacony." "Yeah, well, we''re not normal," I snap, pacing faster. "And neither is Aaron. If this is him--" "They don''t know it''s him," Jordan cuts in, their fingers pausing on the keyboard just long enough to give me a pointed look. "And until we do, freaking out isn''t gonna help. Sit down or something, you''re gonna wear a hole in the floor." I glare at them but drop onto the couch anyway, my legs bouncing with restless energy. "What if it is him? What if he''s--" Jordan holds up a hand, stopping me mid-spiral. "Okay, let''s think about this rationally. If it''s Aaron, what''s his endgame? He''s not exactly the ''big plan'' type, so why would he be setting fires in your backyard?" "To piss me off," I mutter, crossing my arms. "Or to send a message. He''s done it before." Jordan tilts their head, conceding the point with a small shrug. "Fair. But he''s not the only one who could''ve done this. We''ve pissed off plenty of people in the last year. Maybe it''s someone new." I open my mouth to argue but close it again when my phone buzzes. For half a second, hope flares in my chest, only to fizzle out when I see the notification: a new HIRC post about another fire. This one''s barely two blocks from the Music Hall. My heart sinks as I skim the details--same red light, same metallic smell, same ominous lack of witnesses. "Jordan," I say, holding up the phone. "It''s getting closer." They don''t respond, their attention locked on their screen. I lean over to see what they''re looking at, but it''s just a tangle of maps and spreadsheets, the kind of chaos only Jordan can make sense of. "Can''t the DVD handle this?" I ask, half to myself. "It''s their job, right? Superhuman arsonist in their territory, they should be all over it." Jordan snorts, shaking their head. "Yeah, because the Delaware Valley Defenders are totally on top of things." I grimace. "It''s their job. I''m calling them anyway," I say, pulling up the hotline number. "Knock yourself out," Jordan mutters, their focus already back on the monitor. "The Defenders are currently handling an active situation in West Philadelphia," the dispatcher says, their tone clipped and efficient. "If this is an emergency requiring immediate assistance, we recommend contacting local law enforcement." "This is local law enforcement," I snap back, pacing again. "It''s Bloodhound. I''ve met you in person, Jean. They''re already dealing with the fires. I''m just saying, if someone can spare five minutes--" "Please leave a detailed message, and we''ll follow up as soon as possible," they interrupt. "I''m sorry, Bee. I don''t want to seem callous. We''re just stretched so thin right now," I grunt and hang up on her mid-sentence. "Great," I say, forcing a smile she can''t see. "Thanks for nothing." I hang up and toss my phone onto the couch, resisting the urge to throw it harder. Jordan glances over, one eyebrow raised. "How''d that go?" "About as well as you''d expect," I mutter. "They''re busy. Big surprise." Jordan hums in acknowledgment, their fingers flying across the keyboard. "So, what''s the plan? Sit here and hope someone else takes care of it, or...?" I glare at them, but the frustration bubbling in my chest isn''t aimed at Jordan. They''re just the only person here. I dangle my phone in my hand, staring at text messages that all say the same thing. "I don''t know, okay? Everyone''s either busy or ignoring me. Jason''s out of town visiting NYC, Amelia''s useless in a fight, Lily hasn''t answered yet, and Connor--" I break off, shaking my head. "He''s probably doing family stuff. I don''t want to drag him into this."This tale has been unlawfully lifted without the author''s consent. Report any appearances on Amazon. "And tall, dark, and handsome?" Jordan asks, referring to Crossroads. "You still have his phone number, even though he graduated, right?" "Yeah. He said ''don''t worry about it''," I say, worrying about it. Jordan smirks, but it''s fleeting. The tension in the room feels like it''s about to snap, and I don''t know how to fix it. My hand aches, my chest feels too tight, and all I can think about is how close that last fire was. Too close. My phone buzzes again, and this time it''s a text from Lily. Sorry, can''t make it tonight. Family emergency. Be safe, okay? "Great," I mutter, tossing the phone aside again. "Just great." Jordan leans back in their chair, spinning it in a slow circle as they watch me. "You know, we could just... not do anything. Let the fires burn themselves out. See what happens." I whip around to glare at them, my hand curling into a fist at my side. "Are you serious?" "No," Jordan says, rolling their eyes. "But you need to calm down before you do something stupid. Running out there without a plan isn''t gonna solve anything." "And sitting here is?" I shoot back, my voice rising. "People are scared, Jordan. They''re counting on us to do something." Jordan doesn''t respond right away, their gaze flicking back to the monitors. When they finally speak, their voice is quiet but firm. "They''re counting on you to not get yourself killed." The words hit harder than I want to admit. I sink back onto the couch, my head in my hands as I try to pull myself together. The ache in my hand is worse now, sharp and insistent, like it''s trying to tell me something I don''t want to hear. "We''ll figure this out," Jordan says, their tone softer. "But you''ve gotta stop acting like it''s all on you. It''s not." I nod at Jordan''s words, my jaw tight as I pick up my phone again. I scroll through my contacts, my thumb hesitating over Akilah''s name. Then, lacking other options, I decide. She''s nearby, and she''s got experience, and will probably be available. I exhale sharply, more a huff of frustration than an actual sigh, and hit call. She picks up on the second ring. "Bee," she says, voice sharp and familiar. "What''s going on?" "Hi, Akilah. Aaron might be back," I say, not bothering with pleasantries. "Or someone like him. Fires, weird patterns, targeting my routes. It''s getting bad, and Jordan and I can''t handle this alone." There''s a pause, just long enough for me to hear the faint sound of traffic on her end. "And you''re calling me because...?" "Because you''re in the area," I reply, trying to keep the edge out of my voice. "I don''t need you to do anything huge, just... keep watch. Help cover us at night. I can''t make myself investigate right now. I''ll do something stupid." Another pause, then a sigh. "I''m not interested in going door-to-door looking for an arsonist, if that''s what you''re angling for." "I''m not," I say quickly. "I just need someone who knows what they''re doing. Someone who can--" "Someone who can watch your back," she interrupts. "Got it. I''m not far. I''ll swing by." She hangs up before I can respond, leaving me staring at my phone like it might give me a follow-up explanation. It doesn''t. "She''s coming," I tell Jordan, who doesn''t even look up from their monitors. "Great," they mutter, the sarcasm barely there this time. "Puppeteer to the rescue. Bet she''ll be a real ray of sunshine, that girl who choked you out because she was mad that you upstaged her." "It''s Marionette now, and you also dragged my entire skull through a row of canned soup. People change," I shoot back. "Meh," Jordan replies. True to her word, Akilah arrives less than twenty minutes later. The Music Hall''s back door creaks as it opens, and she steps inside like she owns the place. She''s in costume - black and purple and brick browns designed to blend into the old streets of North Philadelphia. Her dark eyes sweep the room, taking in the monitors, the cluttered workbench, and finally me and Jordan. "Cozy," she says, the corner of her mouth quirking up. "Looks a little less like shit every time I come in here," Jordan raises an eyebrow but doesn''t bother with a retort, just gestures vaguely at the couch. "Feel free to sit wherever. Or don''t. Whatever." Akilah turns her attention to me, her expression unreadable. "What''s the plan?" "Not much of one yet," I admit. "Just... stay here tonight. Keep an eye on things. Maybe patrol the area if you''re up for it." "Patrol''s easy," she says, crossing her arms. "What about during the day? You expecting this guy to keep to a schedule?" "Not exactly," I say, glancing at Jordan, who''s still glued to their screen. "But the fires have been mostly at night so far. That''s when we''re vulnerable." Akilah nods slowly, then tilts her head toward the monitors. "What''s the latest?" Jordan fills her in with a quick, efficient summary, their tone neutral but not unfriendly. Akilah listens without interrupting, her sharp gaze flicking between the screens and Jordan''s face like she''s sizing them up. When Jordan finishes, she turns back to me. "And you think it''s Aaron?" "I don''t know," I say, my voice tighter than I want it to be. "Could be. Might not be. But he''s the best guess I''ve got." Her lips press into a thin line, but she doesn''t push. "Alright. I''ll keep watch. You''ve got my number if anything happens." "Thanks," I mutter, though the word feels awkward coming out. Akilah shrugs like it''s nothing and turns her attention to the room. "How''s Devonte?" I ask, the question slipping out before I can think better of it. Her shoulders stiffen slightly, but she doesn''t look at me. "Still adjusting. The implant surgery''s scheduled for next month. Until then, he''s... managing." "That''s good," I say, and I mean it. What happened to him wasn''t fair, but fairness doesn''t mean much in our line of work. Akilah doesn''t respond, just nods curtly and steps toward the nearest window, her posture straight and purposeful as she scans the street below. "Alright, that''s enough brooding," Jordan declares, spinning their chair around to face me. "You, couch. We''re watching something stupid." "What?" I blink at them, caught off guard. "Anime night," they say, grabbing a remote and gesturing for me to sit. "You''re doing a Girls and They''s Night, and I''m not letting you leave this hall until you chill the fuck out." I glance at Akilah, who raises an eyebrow but doesn''t comment. "You''re serious?" "Dead serious," Jordan replies, already scrolling through their streaming queue. "Pick your poison: space ninjas or giant robots?" I sigh, dropping onto the couch with a groan. "Fine. Giant robots." Jordan grins triumphantly and hits play. The screen lights up with an overly dramatic intro sequence, all flashing lights and power chords, and for the first time all day, I feel a flicker of something resembling normalcy. Akilah stays by the window, silent but watchful. Every so often, she glances back at us, her expression unreadable. I can''t tell if she''s judging us or just keeping her distance, but I decide not to push it. Chapter 140.2 The morning--or technically afternoon--slips in quietly, with sunlight spilling through the dusty Music Hall windows in thin, reluctant streaks. It''s a dim kind of brightness, the kind that comes with February mornings where the cold still clings to everything, and the gray skies don''t seem to want to clear. I groan, blinking blearily at the room around me. The couch is predictably uncomfortable, my neck stiff from sleeping at a weird angle. Jordan''s sprawled on the other side, a blanket half-slipped off their shoulders, and the TV is still on, though it''s paused on some ridiculous frame from the robot anime they picked. Giant mechas are mid-pose, frozen in a dramatic battle against whatever monster-of-the-week they were fighting when we crashed. I glance toward the window, and there''s no sign of Akilah. My stomach sinks a little--not because I expected her to hang around all day, but because her presence last night had been¡­ grounding. The knowing kind of grounding, like when someone competent is around and you can just let yourself breathe for a second. Jordan stirs as I stretch, their face half-buried in the couch cushions. "Ugh¡­ what time is it?" they mumble, voice muffled and thick with sleep. "Almost noon," I reply, rubbing at the back of my neck. "Guess we''re officially night owls now." "You''re welcome," they grumble, pulling the blanket over their head. "Akilah still here?" "Nope," I say, nodding toward the spot she''d been keeping watch by the window. There''s a note stuck to the edge of the windowsill, its corners weighed down with a pair of batteries. I get up to grab it, the stiffness in my legs protesting the movement. The handwriting is precise and no-nonsense--exactly what I''d expect from her: "Patrolled until 11 AM. No sign of anything unusual. Lucky I''m not counting this as billable hours. Stay sharp." I roll my eyes but can''t help the faint smile tugging at my lips. Typical Akilah. Always acting like she''s all business, but the fact that she stuck around as long as she did says otherwise. "Let me guess," Jordan says, sitting up enough to squint at me. "She left some snarky note about how she''s too good for us?" "Basically," I say, tossing the note onto the coffee table. "But she patrolled all night. So, you know. She cares." "Shocking," Jordan mutters, running a hand through their bedhead. "Guess we''re lucky she didn''t charge us. Not like she needs the cash, though. Isn''t her family loaded or something?" "Something like that," I lie, heading toward the kitchenette to rummage for coffee. Truth be told, I don''t know a lot about her. I know that she used to be a gymnast, I know all the stuff she told me at the inpatient facility, but other than that, she''s just sort of a ghost - a person lingering on the edge of my life. My muscles protest every step, sore from yesterday''s chaos and whatever weird positions I slept in. "You want anything?" "Coffee," they say immediately, their voice perking up like the word itself is a spell. "And whatever snacks we''ve got left. I need fuel if we''re gonna keep figuring this out." "On it," I say, digging through the meager supplies we keep in the Music Hall''s kitchenette. It''s not much--instant coffee, some granola bars, and a half-empty bag of trail mix--but it''s enough to get us moving. The coffee machine groans as it starts up, and Jordan shuffles over to join me, leaning heavily against the counter. "So, what''s the plan?" they ask, their tone still halfway between groggy and sarcastic. "Figure out what''s next," I say, pouring two mugs of steaming, questionably brown coffee and handing one to them. "Keep an eye on the HIRC, see if there are more fires. Maybe call Akilah later and see if she--" Jordan snorts into their mug. "Oh, yeah, she''ll love that. ''Hey, Akilah, can you babysit us again?'' She''ll probably send us an invoice just to mess with you." "Maybe," I admit, sipping at the bitter coffee and wincing. "But it''s not like we''ve got a lot of options. She''s better at this than we are, and she knows it." Jordan doesn''t argue, just sips their coffee and nods. The silence stretches for a moment, broken only by the faint hum of the coffee machine and the creaks of the old building settling around us. "Alright," Jordan says finally, setting their mug down with a decisive clink. "Let''s get to work. If this thing''s not gonna solve itself, we might as well hit the ground running." "What, you mean going out?" I ask, already reaching for my actual costume, not just the lightweight travel version.Support the author by searching for the original publication of this novel. "Obviously," they scoff. The Music Hall''s front door squeals like a dying accordion as I shove it open, letting the cold February air slap me in the face. Jordan trails behind, dressed in their usual non-costume layers of dark hoodie, jeans, and a puffy jacket. Their only concession to stealth is the baseball cap pulled low over their messy curls. Meanwhile, I''m fully suited up as Bloodhound, hood drawn and mask pulled tight. It''s more than a costume--it''s armor. And right now, I feel like I need it. "Are you sure about this?" Jordan asks, hands shoved deep into their pockets. They''re carrying the portable police-scanner-hijacker they cobbled together last year, a weird Frankenstein of plastic casing and salvaged tech that looks more like a 90s camcorder than any actual piece of surveillance equipment. "Nope," I reply, stepping over a puddle of something that''s probably not water. "But we''re doing it anyway." Jordan makes a small, skeptical noise but doesn''t argue. The streets of Tacony are quiet in the way neighborhoods get after something big happens, like the collective anxiety has sucked all the sound out of the air. The coffee shop fire is only a few blocks away, and as we round the corner, the quiet is replaced by the unmistakable buzz of a media frenzy. News vans line the street, their satellite dishes pointed skyward like a flock of metallic vultures. Reporters with microphones and cameras mill around, some trying to interview locals, others rehearsing their lines in overly dramatic tones. The police have set up a cordon around the burned-out husk of the coffee shop, the charred remains of the building still smoldering faintly in the cold air. Fire investigators in heavy jackets are poking through the wreckage, their faces grim. "Great," Jordan mutters, stopping just short of the cordon. "It''s a circus." The media circus is almost palpable--bright lights, booming voices, and the clatter of camera equipment competing with the lingering smell of smoke. It makes my teeth itch, in that specific way everything does when there are too many people and too much noise to focus on one thing. Jordan hangs back by a lamppost, half-hidden in the shadow of a defunct mailbox, while I tug my hood lower and stride toward the chaos. "I don''t like this," Jordan mutters, just loud enough for me to hear. "Too many cops, too many cameras. We''re begging to get made." "We won''t," I say, more to convince myself than them. "Nobody''d do anything with this many cops around." Jordan doesn''t reply, but I can feel their skepticism like a hand on my shoulder. I push forward anyway, weaving between clusters of reporters and locals who''ve stopped to gawk at the scene. The cops are doing their best to look like they''re in control, but it''s all for show--they''ve roped off the area, stationed a few patrol cars strategically, and called it a day. Their real job is managing the reporters, not solving anything. One officer stands near the edge of the cordon, her gloved hands raised to ward off a particularly persistent journalist. "No comment!" she barks, but her voice carries that tired, exasperated note of someone who''s repeated the phrase a hundred times too many. The journalist just steps back far enough to make it look like they''re respecting boundaries, their mic still held high, ready to pounce on the next soundbite. I keep my head down and scan the crowd, looking for something useful. Anything that isn''t the endless cycle of "tragic community loss" talking points the news crews are eating up. Then I see her - Sundial, standing near the burned-out shell of the coffee shop, just inside the cordon. She''s in full gear, her tattered white gi and padded armor making her look like a martial artist who wandered out of a time travel movie. The small visor-mask thing she wears covers her eyes and part of her nose, but her posture--straight-backed and confident--makes her unmistakable. Her hands are raised, not in surrender but in focus, her fingers splayed like she''s feeling the air for something invisible. The slight tilt of her head and the way she shifts her weight tell me she''s doing her thing, "reading" the site''s timeline. "She''s here," I mutter, angling myself toward her. Jordan follows my gaze and snorts. "Of course, she is. She gets invited to this stuff." "Yeah, because she''s good at it." "And we''re not?" Jordan quips, though it lacks their usual edge. "It''s her wheelhouse," I sort of half-ask. "Right?" "Iunno," I shoot them a look but don''t bother answering. Sundial''s in her element, moving slowly through the wreckage like she''s walking through an invisible movie of what happened. I watch her pause near the remains of a table, crouching to run her fingers over the charred edge. She doesn''t touch it directly--smart--but the way her head tilts tells me she''s picking up something. Her lips press into a thin line. I step closer to the cordon, trying to catch her eye. She''s not looking at anyone, though, her focus entirely on the space around her. "What''s she doing?" Jordan asks, their voice low. "Time thing," I say, my eyes still on Sundial. "She can rewind, basically. See what happened up to a day ago." "That''s¡­ creepy." "It''s useful," I counter, watching as Sundial stands and brushes ash from her gloves. A police officer says something to her, probably asking if she''s done. She shakes her head, curt but polite, and moves to another part of the wreckage. Jordan''s voice drops even lower. "Think she knows it''s not one of the usuals?" I grimace. "She probably thinks it''s Hotwire or Johnny Matchstick. Or maybe someone new." "Not Aaron?" "Doubt she''s even heard of him," I admit. "He''s sort of a very personal nemesis." "I thought you barely even thought of the guy. Now he''s your nemesis?" Jordan asks, quirking an eyebrow. "He pried off all the nails from my right hand with a claw hammer. You don''t really forget stuff like that," I mutter. "That being said, if we''re going by sheer volume, it''s gotta be Mudslide." "What a maroon," Jordan sighs. "That guy''s an embarrassment, through and through." Sundial finally looks up, her gaze scanning the crowd until her eyes -- at least, I think they''re her eyes under the visor -- land on me. Her head tilts slightly, a question in the gesture, but she doesn''t approach. Instead, she motions subtly toward the edge of the cordon, away from the press and most of the cops. "She wants to talk," I murmur to Jordan, already moving. "Good luck with that," they mutter, sinking further into the shadows. Chapter 140.3 I slip around the side of the crowd, keeping my head down until I reach the spot Sundial indicated. She''s waiting, her arms crossed and her expression unreadable. "Bloodhound," she says, her voice calm but firm. "Didn''t expect to see you here." "Didn''t expect to be here," I reply, my tone equally neutral. "What''d you find?" Her lips twitch, almost a smirk, but she doesn''t answer right away. Instead, she glances past me, her gaze briefly catching on Jordan''s distant silhouette. "Jordan staying back?" "They''re¡­ observing," I say. "This isn''t their scene." She nods like she understands, though I''m not sure she does. "The fire was deliberate," she says after a moment. "Very specific, very targeted, very superpowered. Whoever did this wanted it to burn hot and fast." "Any guesses?" I ask, though I already know what she''s going to say. Sundial''s eyes narrow slightly. "Not yet. But it doesn''t feel random. This isn''t a ''bored pyro'' situation." I nod, my jaw tight. "We''ve been keeping an eye on the pattern. It''s¡­ escalating." Her brow furrows. "And you think it''s someone specific?" I hesitate, then shrug. "Could be. Just trying to figure out who before it gets worse." Sundial studies me for a long moment, her gaze sharp. "You''ve got something you''re not saying." "Maybe," I admit, glancing toward the burned-out coffee shop. "But I''m not sure yet. And I don''t want to waste your time chasing a maybe." "Come with me," Sundial says, grabbing me by the wrist. My heart does a weird flutter as she drags me - very easily - over to one of the police officers. "Good to see you, Bloodhound. I heard about what you did yesterday," the officer says, driving more of a blush out of me. "You need something, Sundial?" "Pen and paper, please," Sundial insists, her tone clipped but polite. The officer hesitates for only a second before nodding and pulling a small notebook and pen from her jacket pocket, handing them over without a word. Sundial doesn''t thank her--she''s already moving, dragging me toward the edge of the cordon where the coffee shop''s charred frame looms against the gray February sky. She flips the notebook open and clicks the pen, her movements brisk and efficient. "Stay here," she tells me, gesturing for me to hang back while she steps closer to the wreckage. "I need to concentrate." I hover near the cordon, my hands jammed into my pockets to keep them from fidgeting. The cold bites at my exposed eyes, but it''s nothing compared to the nausea. Sundial''s doing her thing now--her head tilts, her shoulders square, and her entire body radiates focus as she stares at the blackened ruins. It''s like she''s watching something invisible unfold in front of her, her gaze darting from one piece of rubble to another. My mouth is dry. I know what she''s going to find--I know it--but I can''t say it out loud. Not yet. "Accelerants," Sundial murmurs, her voice distant, like she''s talking to herself. "High heat, quick burn. Methodical placement. This wasn''t random. Kindling taped to the bottom of tables, bottom of chairs, where it wouldn''t be found." I force myself to speak, my voice raspier than I''d like. "Can you¡­ see who did it?" "Give me a minute," she replies without looking at me. Her hand moves, sketching lines and shapes on the notebook''s page, but her eyes stay fixed on the ruins. Her movements slow, her head tilting further as she steps toward the scorched remains of what was once a doorway. She crouches, her fingers hovering over the ground, not quite touching the ash. "Male," she says finally, her voice sharper now. "Mid to late twenties, maybe thirty. White. Five foot¡­ eight, maybe nine. Well-built. A little cheek fat. Tattoos--tribal, partial, not full sleeves. They peeked out of his hoodie." The knot in my stomach tightens. A little cheek fat? It doesn''t really match the thin, lanky man who almost beat me to death with a crowbar - but everything else does. I swallow hard, my hands curling into fists inside my pockets. "What else?" She stands, her pen scratching across the notebook in quick strokes. "Undercut," she continues, her tone clinical. "Two long braids. Casual clothes. Not trying to disguise himself, but his hood was up. He moved¡­ methodically. Not panicked or rushed. Like he knew exactly what he was doing." I can feel my pulse pounding in my ears as the pieces slot into place, one by one. The description is too specific, too familiar. My chest feels stiff and crunchy, like the cold air has frozen my lungs. Sundial moves again, tracing an invisible path through the wreckage. "He stood here," she says, pointing to the doorway. "Just¡­ staring. Not moving. Then the doorframe caught fire. It wasn''t immediate--more like a buildup--but it happened right where he was looking." I''m not breathing. My heart is hammering against my ribs as I force out the words. "What did he do after that?" "Looked surprised," she says, turning to me with a faint frown. "Like he didn''t expect it to catch, or maybe he didn''t expect it to catch the way it did. He moved inside, but the fire followed him. Someone knocked over a chair, and it hit his leg. That''s when it got weird." "Weird how?" I ask, trying to keep myself from yelling or yelping. "The smoke," she says, her gaze shifting back to the ruins. "Went from making fire to making smoke. White, thick, almost like¡­ like it was coming from him. It started tracking wherever he looked." She wrinkles her nose. I swallow again, my throat dry and tight. My mind is racing, screaming Aaron''s name over and over, but I can''t say it. Not yet.If you spot this narrative on Amazon, know that it has been stolen. Report the violation. "He stayed there, didn''t flee the scene, not yet," Sundial continues, her tone matter-of-fact, her eyes looking somewhere far away, sort of past me. "Blended into the crowd. If I skip forward¡­" She pauses, her head tilting again, her expression tightening. "There. He was here during the rescue. Right next to you." My stomach drops, the ground feeling like it''s tilting under my feet. "What?" The word comes out more as a squeak than anything else. "He was there," she repeats, her voice steady. "Standing with the others, looking as panicked as everyone else. Didn''t do anything to stand out. He just¡­ left." I dig my nails into the palms of my gloves, fighting the nausea rising in my throat. My head feels light, like I''m not getting enough air. "Why didn''t he¡­ why didn''t he attack me? Or Safeguard?" Sundial glances at me, her expression unreadable. "Could be a lot of reasons," she says. "Maybe he didn''t want to draw attention. Maybe he wasn''t ready. Maybe he doesn''t even know who you are." "That doesn''t make sense," I mutter, my voice shaking. "He''s--he--" I cut myself off, shaking my head. I can''t explain Aaron without spilling everything, and Sundial doesn''t need to know. Not yet. "Doesn''t matter why," Sundial says, her tone firm. "What matters is figuring out how to stop him." I nod, though it feels more like a reflex than a decision. My brain is stuck on the image of Aaron standing in the middle of the chaos, watching everything burn. "What about the sprinklers?" I ask, desperate to focus on something else. "Did he¡­ did he mess with them?" Sundial frowns, stepping toward the edge of the ruins again. "They were already damaged when he got here," she says after a moment. "Twisted out of place, but not melted. There''s gum in the valves, clogging them." "Sabotage," I say, feeling a hair calmer about it, for reasons I can''t explain. Sundial nods. "Deliberate. Whoever did this wanted it to burn." My legs feel shaky, and I force myself to stand still, clenching my fists until my nails bite into my palms through the cloth of my gloves. "Okay," I say, my voice tight. "Thanks. That¡­ that helps." Sundial studies me for a moment, her gaze sharp again. "You''ve got a name in mind, don''t you?" "His name''s Aaron McKinley. He used to run this small time gang of losers, the Tacony Coyotes," I say, folding my arms over my chest in a very bad attempt at keeping myself still and sane. "Familiar?" "Vaguely. Someone bumped off all four of them about a year and a half ago, always thought it was a random drive-by," she answers. That makes my brain feel like it''s clenching up. Firstly, Sundial, there were five of them, and also, what the fuck? The other four are dead? Someone shot them? But I don''t say that out loud. I just think it very hard. I chew on my lip as I rephrase. "There were five of them. Aaron was the only one with any powers, and we have¡­ a complicated history," "That''s what people say when they hook up with someone. Consider rephrasing," she suggests humorlessly. I bite down an exaggerated gag. "No, he has like¡­ a weird psycho murder boner for me. I guess I was the first person to not bow down and kiss his boots right or whatever. I don''t know what his problem is. But he''s definitely here to try and get back at me." "I see," Sundial responds. "Can you get that sketch to the police? Like¡­ I want to know if we can see this guy before he burns my bedroom down while I''m sleeping. It''s been kind of a rough week," I ask, trying to sound less meek than I feel. "Why do you think I was making a sketch? Nothing I see with my psychometry is admissable as evidence but the police like to call me down to see if I can get sketches of local criminals anyway. Among other reasons," she says, trailing off into a slightly shy sounding mumble. She sees the question before I''m about to start asking it and waves her free hand over my face. "Don''t worry about it. The legal stuff is a conversation for later." The air crackles faintly, the faint static of a neighborhood too tense for its own good, as Sundial flips her notebook closed and tucks it under her arm. Before I can ask what she''s planning, the distant sound of whirring catches my attention. I glance up just in time to see Moonshot descending in a slow, deliberate arc - I guess the rest of the Titans are flowing in, now. Moonshot straightens, adjusting her flight goggles before gently, steplessly sliding along the ground towards Sundial. "Heard you might need backup," she says, her voice cool and professional. "Bloodhound." "Moonshot," I reply, equally curt. A few beats later, Compass rounds the corner on foot, her hood up against the biting wind. Her long strides eat up the distance quickly, and she stops just short of the group, her sharp eyes flicking between Sundial, Moonshot, and me. "I was nearby," she says simply, her tone a weird mixture of flat and eager. "What''s the situation?" Sundial gestures toward the smoldering wreckage. "Arson. Deliberate. Suspect''s methodical, probably local. Bloodhound has some context." I bite back a groan. Context. Sure, let''s call it that. Moonshot''s gaze sharpens. "Do we think this is the same pattern as those other fires in the area?" "Looks like it," Sundial says, her tone calm but clipped. "But the target''s changed. It''s getting more¡­ specific." I feel the weight of three sets of eyes landing on me, and my shoulders stiffen instinctively. "Yeah, okay, fine," I say, folding my arms again over my chest. "I think it''s about me. He''s been circling my patrols, my school, my routes." Compass''s brow furrows. "Territorial behavior. Makes sense. This kind of escalation usually leads to a confrontation." "Which is what I want to avoid," I snap, the words coming out sharper than I mean. "I don''t need this guy showing up on my doorstep." Sundial holds up a hand, her expression measured. "No one''s saying you should. I''m going to get Sandman to keep watch on your block until this boils over." I blink, caught off guard by the offer. "Seriously? You know where I live?" "Seriously," Sundial replies. "I meant more you and Safeguard, but sure, we can guard your parents, too." "That''s not," I start, before sighing and throwing my hands up. "Fine. I appreciate it, sorry." "Don''t worry about it. We keep us safe," Compass says, slapping a hand on my shoulder that makes me jump.
Back at the Music Hall, the tension hasn''t faded--it''s just changed shape, settling into an anxious buzz that fills every corner of the room. Jordan''s at the monitors, Maggie''s curled up on the couch with a blanket draped over her shoulders, and Tasha is leaning against the kitchenette counter, nursing a mug of hot cocoa like it''s a lifeline. Maggie glances up as I walk in, her face lighting up with a smile that only makes me feel guiltier. "Hey, Sam. Heard you needed some moral support." I shoot a look at Jordan, who shrugs unapologetically. "Figured you could use it," they say, not bothering to look away from the screen. Maggie pats the couch next to her, and I drop into the seat with a sigh. "Thanks for coming," I mutter, my voice tight. "But you''re not patrolling. Not with that rib." "I know," she says, her tone patient. "I''m just here to hang out." Tasha snorts softly. "Maggie, you''re the only person I know who can make ''hang out'' sound like a battlefield strategy." "It''s a gift," Maggie replies with a grin, but her voice is quiet. The blanket shifts slightly, and I catch a glimpse of the brace still wrapped around her midsection. My chest tightens. The TV hums faintly in the background, tuned to the local news. A reporter stands in front of the burned-out coffee shop, the smoke and rubble making for a grim backdrop. "Authorities have yet to identify the individual responsible for this string of fires, but eyewitness accounts suggest--" My breath catches as the screen cuts to a sketch. Sundial''s sketch. It''s him. Aaron. The undercut, the braids, the tattoos. Even through the static-y resolution of the broadcast, it''s unmistakable. Talking about how the fires have "suddenly stopped" - yeah right, he just knows the pressure is on. Why would you start a fire when there''s fifteen news vans down the block? "Sam," Jordan says quietly, their voice pulling me back. "You okay?" I tear my eyes away from the screen, my stomach twisting. "Yeah," I lie. "Just¡­ tired." Jordan doesn''t look convinced, but they don''t push. The conversation shifts around me, Maggie and Tasha talking softly about school, Jordan muttering something about logistics, but it all feels distant. My thoughts are stuck on that sketch, on the way the newscaster''s voice had described him: methodical, dangerous, rapidly escalating. WORLD OF CHUM: Tech (5)

The Promise Protocol: A Decentralized Computational Marketplace

Dr. Elena Carver, Prof. Julian M. Patel, and Dr. Li Zhang

Institute for Decentralized Systems Research (IDSR), 2006


Abstract

This paper proposes a system for managing distributed computation through cryptographically verifiable tokens, termed Promises. Each Promise serves as a voucher for computational work, backed by verifiable output. Promises are transferable, traceable to their source machine, and cryptographically secure. By aligning computational demand with idle resources in a decentralized manner, the Promise Protocol establishes a scalable, trustless marketplace for distributed computation. This approach democratizes access to computational infrastructure while incentivizing participation through tangible, tradeable rewards.

1. Introduction

The demand for computational power has risen exponentially with advancements in data processing, machine learning, and scientific simulation. Centralized solutions such as corporate-owned data centers or commercial cloud computing services introduce single points of failure, scalability bottlenecks, and high operational costs. Simultaneously, advances in distributed computing platforms (e.g., SETI@home, Folding@home) have demonstrated the potential of harnessing idle consumer hardware for large-scale computation. However, such systems rely on altruistic participation and lack mechanisms to ensure fairness, accountability, or reward. The Promise Protocol addresses these challenges by introducing a market for distributed computation. Promises act as cryptographically verifiable tokens tied to specific computational outputs. This system incentivizes participation, ensures trust through decentralized verification, and introduces a reputation mechanism that enhances long-term reliability.

2. System Design

The Promise Protocol is built on four core components: Promises, Verification, Reputation, and Transferability. 2.1 Promises A Promise is a cryptographic token representing either:
  • Unfulfilled Promises: Commitments to perform specific computations.
  • Fulfilled Promises: Verified proof of completed computational work.
Each Promise contains:
  • A Task Descriptor: The computation to be performed, expressed in a standardized format.
  • A Verification Hash: Parameters for validating the output.
  • A Source Signature: The unique hardware identifier of the originating machine.
  • A Timestamp: Issuance or completion date.
  • A Transfer Ledger: Record of ownership.
Promises are issued by computational buyers (e.g., corporations, researchers) and distributed through the network. 2.2 Verification Completed computations are validated through a multi-node verification system, ensuring trust without central authority:
  1. Each computational task is divided into discrete units.
  2. Units are distributed redundantly to multiple nodes.
  3. Nodes return results to the network for cross-verification.
  4. Consistency across results certifies task completion and triggers Promise fulfillment.
This decentralized verification process mitigates fraud and ensures computational integrity. 2.3 Reputation Reputation is an emergent property of fulfilled Promises:
  • Machines accrue reputation through a history of successful, verified computations.
  • Reputation enhances the value of future unfulfilled Promises issued by the machine.
  • Reputation data is cryptographically linked to machine identifiers, fostering transparency and reliability.
Reputation incentivizes long-term participation and ensures a high-quality pool of computational resources. 2.4 Transferability Promises are transferable, enabling secondary markets:
  • Unfulfilled Promises represent futures contracts for computation.
  • Fulfilled Promises function as a tradeable currency backed by verified computational output.
The ledger system ensures traceability while preserving pseudo-anonymity. Machines can transfer Promises without compromising their reputation history.

3. Economic Model

The Promise Protocol integrates computation into a market economy by linking supply (idle hardware) and demand (computational tasks).This content has been misappropriated from Royal Road; report any instances of this story if found elsewhere. 3.1 Value of Promises Promise value derives from:
  • The computational difficulty of the task.
  • Demand for specific types of computation (e.g., GPU-heavy vs. CPU-heavy tasks).
  • Reputation of the issuing machine.
  • Market conditions for transferable Promises.
3.2 Market Dynamics Promise trading occurs in decentralized markets, resembling financial futures exchanges:
  • Buyers issue Promises for tasks requiring computation.
  • Sellers (nodes) fulfill tasks to earn Promises.
  • Promises can be traded on secondary markets, with value influenced by origin and market demand.
This system fosters competition, efficiency, and scalability.

4. Security and Scalability

The Promise Protocol leverages existing cryptographic standards and distributed systems to ensure robustness against both conventional and technopath-specific threats. 4.1 Hardware Identification Each machine participating in the network is identified through cryptographic signatures linked to hardware characteristics. These signatures, derived from tamper-resistant hardware modules (e.g., Trusted Platform Modules or similar technology), mitigate the risk of identity spoofing. This defense is particularly critical in a world where technopaths could manipulate or forge digital identities at the hardware level. 4.2 Resilience Against Technopathic Threats The decentralized nature of the Promise Protocol provides intrinsic resilience to technopath interference by:
  1. Distributed Verification: Tasks are redundantly distributed across multiple nodes, requiring consensus for validation. A technopath would need to compromise a majority of nodes participating in a given computation¡ªa challenge in a widely decentralized system.
  2. Encrypted Communication: All task assignments and result verifications occur over end-to-end encrypted channels, ensuring that even intercepted data cannot be tampered with or exploited.
  3. Hardware-Level Trust Anchors: Technopaths targeting software or network layers are thwarted by cryptographic signatures tied directly to physical hardware, ensuring that only verified devices can participate in the network.
  4. Dynamic Task Assignment: Computational tasks are dynamically assigned to nodes without centralized control, making it difficult for technopaths to predict or target specific machines in the network.
4.3 Scalability Tasks are modular, allowing dynamic scaling across millions of nodes. The protocol incentivizes participation from both high-end hardware farms and individual consumer devices, with additional emphasis on:
  • Task Obfuscation: To protect sensitive computations from technopaths, tasks can be fragmented into smaller, encrypted units that are incomprehensible unless verified and assembled by the network.
  • Redundant Cross-Validation: Even if a technopath compromises one node, redundant task distribution ensures that the true result is verified by honest participants.

5. Applications

The Promise Protocol enables diverse use cases across industries:
  • Scientific Research: Accelerating simulations, genomic analyses, and climate modeling.
  • Corporate Computation: Outsourcing rendering, data analysis, and AI training.
  • Personal Projects: Democratizing access to distributed computational resources for individuals.

6. Limitations and Future Work

The Promise Protocol introduces significant benefits but also faces challenges:
  1. Energy Consumption: Large-scale participation increases global electricity demand.
  2. Economic Inequity: Access to high-performance hardware may create disparities.
  3. Fraud Resistance: Ensuring security against sophisticated attacks requires ongoing refinement.
Future research will focus on:
  • Enhancing verification protocols.
  • Reducing environmental impact through energy-efficient hardware.
  • Expanding secondary markets for Promises.

7. Conclusion

The Promise Protocol represents a paradigm shift in distributed computing, merging cryptographic trust with economic incentives. By aligning idle computational resources with global demand, this system fosters innovation, decentralization, and accessibility. Promises establish a scalable, equitable marketplace for computational work, transforming how humanity leverages its collective processing power.

References

  1. Carver, E. "Cryptographic Signatures for Distributed Trust," Journal of Decentralized Computing, 2005.
  2. Patel, J. M., & Zhang, L. "Reputation Metrics in Distributed Systems," Proceedings of the International Symposium on Networked Economies, 2004.
  3. Lang, R., & Nguyen, T. H. "Market Dynamics in Tokenized Economies," Computational Economics Review, 2006.
  4. Morrison, A. "Energy Costs in Distributed Computing Systems," Green Tech Journal, 2005.
WORLD OF CHUM: Sports & Hyperball (1) Breaking the Game: The Ban on Superhumans in Professional Sports Sparks Outrage Miranda Holcomb, Sports Correspondent for the New York Times May 12, 2008 What began as whispers in locker rooms and hushed boardroom meetings has exploded into a full-blown reckoning for the world of professional sports. Yesterday, the International Athletic Federation (IAF), alongside major governing bodies for basketball, soccer, and baseball, announced sweeping rules effectively banning superhuman athletes from competition. This landmark decision has thrown sports into turmoil, igniting fierce debates across dinner tables, newsrooms, and social media feeds. The ban comes in the wake of the now-infamous Marko Varga Incident, in which the Croatian basketball phenom, revealed to possess superhuman strength and enhanced reflexes, shattered scoring records during the 2006 European Basketball League (EBL) finals. Varga''s abilities made headlines not just for his seemingly supernatural performance on the court, but for the ethical and logistical chaos his presence unleashed. After the EBL revoked his MVP award and struck his team''s victory from the record books, the controversy rippled outward, drawing sharp lines in the sand between supporters and detractors of superhuman inclusion in sports. Now, with the ban officially codified, the conversation has shifted from "if" to "what next."

A Sudden and Sweeping Decision

The new rules, backed unanimously by the IAF and adopted rapidly by organizations like FIFA, the NBA, and Major League Baseball, explicitly prohibit athletes with "physiological advantages derived from superhuman abilities" from competing in traditional leagues. This includes enhanced strength, speed, reflexes, or other "non-normative traits." IAF President Lucas Baines, in a statement issued yesterday, framed the decision as one of fairness: "Sports must be about skill, dedication, and the human spirit. Superhuman abilities undermine these core principles, creating an uneven playing field incompatible with the essence of athletic competition." The decision followed mounting pressure from sponsors, broadcasters, and rival players after leaked reports suggested other professional athletes were quietly undergoing ¡°enhancement screenings¡± to identify latent powers. The rapid rollout, however, has drawn sharp criticism from both within and outside the sporting world. Emma Nwoko, the star striker of Arsenal FC and vocal advocate for inclusion, described the move as "a tragedy for sports. This is about fear and prejudice, not fairness."

The Backlash

The backlash has been swift and impassioned. A coalition of athletes, including several current and former pros, has formed to challenge the decision. Their argument: superhuman athletes deserve the same chance to showcase their skills and pursue their dreams as anyone else. "I''ve played with superhumans," said veteran baseball pitcher Jose Calderon in a televised interview. "It doesn''t make the game easier. If anything, it''s harder. They push you to be better, and that''s what sports are supposed to be about." Outside stadiums in cities like New York, Madrid, and Tokyo, protests have erupted, with fans demanding the reinstatement of players who have been banned overnight. Superhuman advocacy groups, long fighting against systemic bias in employment and healthcare, see the ban as yet another form of discrimination. One group, the International Superhuman Athletes Coalition (ISAC), has already filed an injunction against the IAF, citing violations of anti-discrimination laws in several countries. ¡°This is a moral failure,¡± said ISAC spokesperson Dr. Rhea Voss. ¡°It sends a message that being extraordinary is something to be ashamed of.¡±

The Institutional Purge

The new rules don¡¯t just ban current players¡ªthey also implement rigorous protocols to screen out superhumans during recruitment and draft processes. Starting this season, athletes across most major leagues will be required to undergo comprehensive genetic testing and performance evaluations to identify ¡°superhuman markers.¡± Contracts now include clauses mandating immediate withdrawal should latent abilities manifest in the future. For high school and collegiate athletes, the implications are dire. Dr. Lana Orlov, a leading sports ethicist, warns, ¡°These measures will trickle down, creating barriers for young athletes who may not even know they have powers yet. We¡¯re setting a precedent that talent is suspect if it doesn¡¯t fit neatly into human norms.¡± Retroactive audits have also swept through professional leagues, voiding contracts, titles, and even merchandise deals tied to superhuman athletes. The suddenness of these measures has left teams scrambling to distance themselves from implicated players, often at the expense of public goodwill.

Social Responses: The Divide

The public is sharply divided. A poll conducted by Global Sports Review found that 62% of respondents support the ban, citing fairness and integrity as key reasons. However, 35% opposed it, emphasizing that superhumans bring excitement and diversity to the game. In the wider superhuman community, the bans are seen as a grim echo of past discrimination. "We''ve been shut out of workplaces, schools, and now even entertainment," said Shawn Malik, a former track star whose career ended after being revealed as a superhuman. "It''s not about fairness. It''s about fear." Meanwhile, some sports purists welcome the decision, citing the chaos of the Varga Incident as proof that superhumans "don''t belong." Online forums and call-in radio shows have been flooded with debates over whether superhumans have "ruined" sports or whether their exclusion is a necessary step.

The Rise of Superhuman Sports

For all the controversy, the bans have inadvertently created new opportunities. Superhuman-focused leagues, once seen as niche or experimental, are poised for explosive growth. The Professional Hyperball League (PHL), founded in 2008, has already reported a 40% increase in ticket sales since the IAF announcement. Other leagues, like the nascent Superhuman Combat Circuit, are vying for attention, hoping to turn outrage into opportunity. "This could be the beginning of something incredible," said Adrian Wang, PHL commissioner. "Sports are evolving. We''re building a space where superhumans don''t just belong--they thrive."

What''s Next?

The long-term consequences of these bans remain unclear. Will traditional sports lose their luster without the dynamism that superhuman athletes brought? Will superhuman leagues carve out their own niche in the cultural landscape, or will they forever be seen as secondary? For now, one thing is certain: the playing field, for better or worse, will never look the same.The narrative has been taken without authorization; if you see it on Amazon, report the incident.
Inside the Chaos: A First Look at the 2010 Hyperball Championship Michael Harridan, ESPN Senior Writer June 18, 2010 The first thing you notice about a Hyperball match isn¡¯t the players, the goals, or even the pulsating roar of the crowd¡ªit¡¯s the balls. They¡¯re everywhere. Hurtling across the field like unruly fireworks, each one different: some spinning furiously, others ricocheting unpredictably, one wobbling lazily in a defiance of physics that feels almost comedic until it smashes into the ground with a resounding thud. I¡¯m sitting in a plastic stadium seat in Miami¡¯s freshly christened Vanguard Arena, a venue as futuristic as the sport it¡¯s hosting. This is the Professional Hyperball League¡¯s (PHL) crowning event: the 2010 Hyperball Championship. The finalists, the Phoenix Steamrollers and the Stockholm Vikings, are locked in what the announcer breathlessly describes as ¡°a clash of speed and strategy!¡± To me, it looks more like chaos, albeit chaos with rules that everyone but me seems to understand. Hyperball: Sport or Spectacle? Let¡¯s back up a moment. If you¡¯re not familiar with Hyperball, don¡¯t worry. Until last week, my understanding of it was limited to blurry highlight reels and late-night talk show jokes. The sport, created less than a decade ago, is the answer to a question the world¡¯s major leagues have been wrestling with for years: What happens when you let superhumans play? Here, the answer is apparently: everything. Hyperball is played on a field divided into three zones: two End Zones, where teams defend their goals, and the Middle Zone, where most of the action happens. Seven players on each team use their powers to pass, shoot, or kick a selection of pre-drafted balls into their opponent¡¯s goal. The balls are as much a character in the match as the players themselves: some bounce erratically, some are near-impossible to catch, and others weigh enough to dent steel if you¡¯re not careful. Powers are allowed¡ªencouraged, even¡ªbut only to manipulate the ball or move oneself. No physical contact, no hitting your opponent with a telekinetic wave. Today¡¯s match is showcasing the full absurdity and genius of this setup. I watch as Phoenix¡¯s Riko Amara, a telekinetic with a penchant for the unpredictable, sends the Silicone Octahedron careening towards the Vikings¡¯ goal. It bounces off the goalkeeper¡¯s forcefield (a dazzling display of bioluminescent energy) before spinning wildly into the hands of another Viking, who flings it back with all the precision of a quarterback on game day. A League of Their Own The PHL, founded in 2008, bills itself as ¡°the next evolution of sports,¡± a home for athletes whose abilities were banned from traditional leagues. Its players are a mix of former stars¡ªmany sidelined by superhuman bans¡ªand up-and-coming talent who never had a chance at the old world of professional sports. ¡°I couldn¡¯t sit back and let my career end just because of something I was born with,¡± says Julia Reyes, captain of the Steamrollers and a former collegiate volleyball star who can leap five stories in a single bound. ¡°Hyperball saved me. It gave me back the thrill of the game.¡± Reyes isn¡¯t alone in her sentiment. Among the fans I spoke with in the concourse¡ªmost of whom sport jerseys emblazoned with team logos and player nicknames like ¡°Shockwave¡± and ¡°The Blur¡±¡ªthere¡¯s a palpable sense of pride. Many see Hyperball as more than a sport. It¡¯s a rebellion against exclusion, a celebration of what the world¡¯s traditional leagues rejected. But pride alone doesn¡¯t guarantee longevity. The Business of Hyperball PHL Commissioner Adrian Wang, the charismatic mastermind behind the league, is well aware of the challenges ahead. Over coffee in the VIP lounge (which, despite its upscale branding, smells faintly of popcorn and spilled soda), Wang is candid about the league¡¯s ambitions. ¡°Look, we¡¯re not here to replace basketball or soccer,¡± he says, gesturing emphatically. ¡°Hyperball is its own thing. It¡¯s chaotic, it¡¯s unpredictable, and yeah, it¡¯s weird. But people are drawn to that. They want to see the extraordinary.¡± The numbers, so far, support him. Ticket sales for the championship sold out in under an hour, and the league¡¯s merchandise¡ªparticularly its signature ¡°ball packs¡± for backyard play¡ªhas been flying off shelves. But critics argue that Hyperball¡¯s reliance on spectacle could limit its appeal. ¡°Sports thrive on narrative,¡± says sports analyst Dana Marcotte. ¡°Rivalries, dynasties, underdog stories. Hyperball has energy, sure, but can it build history? Can it hold an audience after the novelty wears off?¡± A Glimpse of the Future Back on the field, the Phoenix Steamrollers are surging. Julia Reyes, their captain, is leading the charge, leaping high above the chaos to snatch the Giant Plastic Ball from midair. With a thunderous kick that seems to defy physics, she sends it soaring toward the Vikings¡¯ goal. The ball wobbles like a wayward planet caught in orbit before slipping past the bioluminescent forcefield of Stockholm¡¯s goalkeeper, landing squarely in the goal. The crowd erupts, and the scoreboard lights up: Phoenix 9, Stockholm 7. For the next five minutes, the Vikings fight to regain control. Their captain, Magnus ¡°Stormrider¡± Karlsson, channels the icy calm that earned him his nickname. Using precise air currents, he deftly maneuvers the Regulation Leather Ball toward the Steamrollers¡¯ goal. It slams in, and the next ball bounces onto the field, then the next, and the next. His teammate, a towering defender named Ana Linde, picks up the Vulcanized Rubber Ball¡ªa behemoth of a sphere that demands strength and strategy¡ªand launches it with a two-handed toss. It careens toward the goal, only to be deflected by a well-timed telekinetic shove from Amara. This back-and-forth struggle is what defines Hyperball: no moment of safety, no time to rest. The players are everywhere¡ªrunning, leaping, diving¡ªpowers augmenting, but never replacing, their raw athletic skill. The crowd feels this, their cheers building to a deafening crescendo as the timer ticks down. With less than a minute on the clock, the Steamrollers are clinging to a narrow lead. Reyes signals to her team, and they shift into a defensive formation, spreading out to cover the field. The Vikings, sensing their moment slipping away, go all-in. Karlsson launches the Flat Disc, a precision projectile, across the field. It zips through the air, arcing toward the goal at an impossible angle. But Reyes is ready. With a midair twist that seems straight out of an action movie, she intercepts the disc with her bare hands, landing smoothly before sprinting to the Middle Zone. As the seconds tick away, she tosses the disc to Amara, who flings it high into the air¡ªtoo high for the Vikings to reach. The buzzer sounds. Game over. The Steamrollers¡¯ Victory Phoenix 11, Stockholm 8. The Steamrollers are crowned the 2010 Hyperball Champions. The field erupts into celebration. Reyes and her team collapse into a pile of hugs and cheers, while the Vikings, though visibly disappointed, graciously shake hands with their rivals. The trophy¡ªa sleek, modern design that looks more like an art installation than a sports award¡ªis presented to Reyes, who lifts it high above her head to thunderous applause. The postgame ceremony feels like a testament to what Hyperball is striving to be: not just a sport, but a spectacle. Fireworks light up the Miami sky as fans chant the Steamrollers¡¯ name. Children in oversized jerseys wave team flags, and the PA system blares an energetic mix of pop and rock anthems. Even skeptics like me can¡¯t help but get caught up in the energy. What Comes Next? Watching the players celebrate, their powers blending seamlessly with raw athleticism, it¡¯s hard not to be impressed. The skill is real, the stakes are high, and for the fans in the stands, this is every bit as exhilarating as a World Cup final or a Game 7. Yet, questions remain. Hyperball, for all its excitement, is still finding its footing. Will the league build the kind of long-term rivalries and traditions that sustain sports fandom, or will it burn bright and fade fast, another victim of short attention spans and overexposure? The players are extraordinary, but can the sport itself weather the pressures of an increasingly competitive entertainment landscape? Walking out of Vanguard Arena into the humid Miami night, I find myself both skeptical and hopeful. For now, Hyperball has captured something rare¡ªa spark of the extraordinary, wrapped in raw human emotion. Whether that spark becomes a lasting flame is a story still waiting to be told. Chapter 141.1 I haven''t slept. Or, I guess I''ve barely slept, but that''s not the same thing. Barely sleeping is its own kind of punishment--like teetering on the edge of unconsciousness, but every time I''m about to fall in, something jerks me awake. A creak in the Music Hall. The hum of Jordan''s computer. My own thoughts chewing through the same cycle of worries over and over again, like a dryer that won''t turn off no matter how many times you hit the button. By the time Jordan pries me off the couch this morning, I''m not just tired. I''m a walking dead girl, complete with zombie shuffle and the subtle but distinct sensation that my body has started eating itself. Jordan hands me a granola bar on the way out the door, which I guess is thoughtful, but it doesn''t do much to fix the fact that my stomach feels like it''s full of wet cement. The February cold hits me like a slap as soon as we step outside, sharp and cutting, but it still isn''t enough to make me feel fully awake. Jordan trudges along beside me, one hand jammed deep into their coat pocket, the other balancing their coffee like it''s a religious artifact. They don''t say much. Neither do I. Tacony feels quieter than usual this morning, the streets carrying that weird, hollow silence that only happens after something bad. A lot of the neighbors are staying inside if they can help it, but the ones we do pass don''t look much better than me--tired eyes, quick steps, muttered conversations. The news vans are gone, but their presence still lingers in that subtle way you can always tell a neighborhood''s been in the spotlight. I keep glancing at windows. At rooftops. At street corners. I don''t know what I''m looking for exactly, but I can''t stop myself. My brain keeps running through worst-case scenarios, which is just what happens when you know someone might be out to get you. My backpack feels heavier than usual. My legs feel slower. The whole walk to school is just a haze of paranoia and exhaustion, until finally, finally, we reach the gates.
If I have to describe the vibe inside Tacony Charter Academy today, I''d probably go with "powder keg." The hallways are filled with whispers, the kind of low, buzzing chatter that never quite lets up because every group is having the same conversation. I hear snippets of it everywhere I go. "...fires..." "...right by where my uncle lives..." "...think it''s one of those supervillains..." I pull my hood tighter over my head and try to look as invisible as possible, which isn''t exactly easy when you''re me. People tend to notice you when you''re the girl who got into a public fistfight with a racist superhero at homecoming. They definitely notice you when you''ve got eye bags the size of dinner plates and keep flinching every time someone closes a locker too loudly. Jordan peels off to head toward their first-period class, leaving me alone to face the gauntlet. I don''t know why I think that would make things easier. If anything, it just makes the whole day feel ten times longer By second period, my brain has settled into a pattern:
  • Walk into class.
  • Scan the room for exits.
  • Try to focus on the lesson.
  • Fail miserably.
  • Stare at the windows, wondering how fast I could get out of here if something happens.
Repeat. It''s not just paranoia, though that''s definitely part of it. My nerves are stretched so thin I can practically feel them buzzing under my skin, like electric wires just waiting to snap. Every sound feels too loud. Every movement feels like a threat. I don''t know how to explain it to anyone, so I don''t. Not even to Jordan, although I''m sure they can get it. The teachers are too nice about it, which somehow makes everything worse. Mrs. Patel gives me one of those concerned looks when I walk into English class, the kind that says she''s absolutely about to ask if I''m okay, only to think better of it at the last second. Mr. Banner in history just straight-up lets me sit in the back and zone out, which is probably for the best because I couldn''t answer a question even if I wanted to. But the worst part is lunch. It''s not like I have a ton of friends of my own these days--most people just know me as That Girl Who Got Suspended For Judo-Throwing a Security Guard. Jordan''s group doesn''t mind, though, the usual people that I hang on the edge of like a caterpillar''s cocoon dangling off the edge of a branch. Today, though, I can''t follow a single word. My brain won''t let me relax enough to join in, even a little - at this point, everyone expects me to be the one asking questions so they can launch into long-winded infodumps about their favorite anime. Not today. I pick at my lunch without eating, my gaze darting around the cafeteria like I''m expecting someone to jump out at me. It''s not subtle. "Sam?" I look up, startled, and realize someone is standing next to me. Melissa. A person whom I recognize exists within the same school and the same context as me, but otherwise is just sort of purely on the periphery. Melissa''s the kind of person who exists quietly on the edges of things. She''s not part of Jordan''s group, but she knows them well enough to say hi in the hallways. She''s in my gym class, too, this year, which is probably why she looks vaguely concerned as she stares down at me.Stolen from its original source, this story is not meant to be on Amazon; report any sightings. "Hey," I say, trying to sound normal and definitely failing. "What''s up?" "You okay?" she asks, frowning. "You look... I don''t know. Jumpy?" "I''m fine," I say automatically, which is probably the least convincing lie I''ve told all day. Melissa doesn''t buy it. She shifts her weight, glancing between me and Jordan''s group, then back again. "Look, I know things are kind of... weird right now," she says. "With the fires and everything. But if you want to talk--" "I''m good," I interrupt, my voice sharper than I mean. "Really." She doesn''t flinch, but her expression softens. "Okay. Just... thought I''d offer." I stare at her without blinking, at least until my eyes start to feel weird and the blink forces itself upon me. She lingers for a second longer, then takes a step back, hesitating. "Actually, wait. There''s, um... something you might be interested in. If you''re, like, worried about what''s going on." I raise an eyebrow. "What do you mean?" "Some of us have been doing these, like... community defense walks," she says. "Since November, I mean. After all that stuff happened last semester. We just walk around in groups, keeping an eye out for anything sketchy. It''s not, like, official or anything, but we''ve got the cops and some of the local heroes on speed dial, so..." She trails off, looking uncertain, then adds, "There''s a meeting tonight. After school. If you want to come." I blink at her, caught off guard. "You''re inviting me?" "Well... yeah," she says. "You''re kind of, like... famous? For standing up to that security guard? And the hero thing? People remember stuff like that. You''re, like, one of the good ones." I feel my face heat up, which is stupid because it''s not even a compliment, not really. "Uh... sure," I mumble. "I''ll think about it." Melissa smiles faintly and hands me a scrap of paper with an address scribbled on it. "It''s just a couple blocks from here. Around six. No pressure, though." She leaves before I can say anything else, disappearing into the crowd of students milling around the cafeteria. I stare at the paper in my hand for a long moment, then stuff it in my pocket.
By the time the last bell rings, I''m half-convinced I''ve hallucinated the whole conversation. But when I pull the paper out of my pocket and see the address again, the reality of it hits me. I tell Jordan I''m going to check it out. They give me a look like I''ve just announced I''m joining the circus, but they don''t argue. "Just don''t get yourself into trouble," they say, which feels a little rich coming from them, but I let it slide. The address isn''t far, like Melissa said. Just a few blocks from the school, tucked away in a quiet part of the neighborhood where the houses all have barred windows and the streetlights are spaced too far apart. When I get there, I find a small group of people already gathered outside--a mix of teenagers and adults, some holding flashlights, others carrying first-aid kits or walkie-talkies. Melissa spots me right away and waves me over. "Hey! You made it." "Yeah," I say, feeling awkward as I shuffle into the group. "So, uh... how does this work?" Melissa grins. "It''s pretty simple. We split up into pairs or small groups, walk around the neighborhood for a couple hours, and keep our eyes open. If we see anything weird, we call it in." "That''s it?" I ask, trying not to sound skeptical. I know I''m here voluntarily, but the whole idea sounds like something you''d pitch at a community center meeting, not something that actually works in real life. "Well, we also talk to people," Melissa says. "Like, shop owners, neighbors, anyone who''s out and about. Just to let them know we''re here. It helps people feel safer." Before I can ask anything else, a voice interrupts us. "Melissa. You want to introduce your friend?" I turn toward the voice and feel my stomach drop. Two women are standing a few feet away, looking very much in charge of the whole operation. The one who spoke has short brown hair and an easy smile that doesn''t quite reach her eyes. The other one--oh, no. Oh, no, no, no. Short black hair. Lean, muscular frame. That cold, no-nonsense look I recognize anywhere. It''s her. Egalitarian. I feel my breath hitch, and I clench my fists so hard my nails dig into my palms. She''s not in costume--not wearing the black and white dazzle gear she had that night--but I''d know her anywhere. And I can tell from the way her eyes narrow when she looks at me that she recognizes me, too. Melissa doesn''t seem to notice my sudden shift in mood. She waves me over, oblivious. "This is Sam," she says. "She''s, uh... one of the good ones. You remember that thing at Homecoming? She''s the one who stood up to that racist superhero guy." "Oh, I remember," Egalitarian says, her tone smooth but cool. Her gaze locks on me, and I feel a shiver run down my spine. Does Melissa not remember that she was there too? That she was helping him? The brown-haired woman steps forward, offering her hand. "I''m Parabellum," she says, all business. Her handshake is firm, and her voice is clipped, military-esque. She''s decked out in full body armor--heavy tactical vest, reinforced kneepads, combat boots. She looks like she just walked out of a military recruitment poster. "Glad to have you with us tonight." I force myself to nod, though my throat feels tight. "Thanks," I manage, my voice stiff. Melissa looks between us, oblivious to the tension. "Parabellum and Egalitarian are the ones who''ve been organizing these walks. They''ve been rotating around Philly for the last couple of months, helping neighborhoods set up their own patrols. It''s been super effective so far." "Happy to help," Parabellum says, her tone neutral but professional. "We''re just here to give you the tools you need to keep your own community safe. Tonight, we''ll split into two groups to cover as much ground as possible. I''ll take one group, and Egalitarian will take the other." Melissa nods enthusiastically. "Great! Sam, you can come with me and Parabellum." Oh, great. Wonderful. Just what I needed. I glance at Egalitarian, who''s still watching me with that cold, unreadable expression, and feel a wave of nausea rise in my chest. I don''t want to be anywhere near her, but the idea of being stuck with Parabellum and her bootlicker energy isn''t much better. But what choice do I have? Melissa is looking at me like this is the greatest idea in the world, and if I make a scene, I''m just going to draw attention to myself. And the last thing I need right now is attention. "Sure," I say, forcing the word out through gritted teeth. "Sounds good." Chapter 141.2 Parabellum claps her hands together, the sound sharp and commanding enough to make a few people around us flinch. "Alright, everyone. Let''s get moving. Andres, you''ve got the flashlight, right? John, you''re on watch duty. Eyes open, ears sharp. If you see or hear anything, you let me know immediately. Got it?" I nod stiffly, not trusting myself to speak. I want to point out that I don''t exactly need instructions for something as basic as "keep your eyes open," but I''m too busy swallowing the knot of unease in my throat. My brain is already buzzing with the sheer awkward horror of this situation. Of all the nights, of all the neighborhoods, of all the people organizing these walks--it has to be them. The group splits into two smaller teams, as planned, and we head out into the cold, dark streets of Tacony. Parabellum leads our trio with a sense of purpose that feels almost cartoonishly intense, like she''s trying to make the act of walking feel tactical. Every step she takes is deliberate, every movement crisp and precise, like she''s marching through some imaginary battlefield instead of a quiet Philly neighborhood. Even her gear--loaded down with body armor, pouches, and a radio clipped to her vest--gives off this vibe that she''s prepared for war, not a casual evening stroll. Melissa, bless her oblivious heart, doesn''t seem fazed. She walks a little behind Parabellum, chatting brightly and asking questions like she''s shadowing someone for a school project. "So, what''s the first thing you look for on a patrol?" she asks. Parabellum glances over her shoulder, her expression stoic. "Anomalies," she says, her voice low and serious. "Anything that stands out. Broken locks, busted windows, unfamiliar cars parked too long in the wrong spots. People loitering where they shouldn''t be." Melissa nods, her flashlight bobbing with the motion. "Got it. Like, sketchy people hanging around?" "Not just people," Parabellum replies. "Anything out of the ordinary. The point is to establish a baseline. When you know your neighborhood--every street, every building, every alley--you can tell when something doesn''t fit." I keep my mouth shut and my eyes forward, letting their conversation wash over me. My brain latches onto the phrase "sketchy people" like it''s a hook, though, and my stomach twists. I know exactly what kind of people they mean. Or at least, I think I do. We walk in silence for a while after that, the only sounds coming from the occasional crunch of our boots on salt-strewn sidewalks or the distant hum of traffic. The air feels heavy, like the neighborhood is exhausted, just as exhausted as I am. Most of the windows we pass are dark, curtains drawn tight against the cold and the fear that''s been gripping Tacony lately. A few shops are still open, their neon signs flickering in the gloom, but the streets feel almost deserted. "It''s eerie, isn''t it?" Melissa says after a while, her voice quieter now. "Like, you can tell people are scared. Nobody wants to be out after dark anymore." "Can you blame them?" Parabellum asks, her tone flat. "With everything that''s been happening? The fires, the break-ins... People are right to be cautious." Melissa nods, and then, almost as an afterthought, she adds, "I just wish the cops would do more, you know? It feels like they''re not even trying." Parabellum snorts, a short, sharp sound. "The cops are overwhelmed. They always are. That''s why groups like this exist. If you want something done, you have to do it yourself." Her words hang in the air like smoke, and I feel my chest tighten. There''s something in the way she says it--matter-of-fact, almost cold--that makes my skin crawl. I can''t tell if it''s the statement itself or the conviction behind it. Maybe both. We stop at a corner shop, where a man in his sixties is locking up for the night. He looks up as we approach, his eyes darting between us. Parabellum steps forward with her hands raised in what I think is supposed to be a reassuring gesture, though her body armor kind of ruins the effect. "Evening," she says. "We''re just doing a community patrol. Have you noticed anything unusual around here lately? Anyone hanging around who shouldn''t be?" The man hesitates, his gaze lingering on her vest and gear. "Uh... no. Nothing like that," he says. "It''s been quiet. Too quiet, honestly." Alright, man. We get it, life has turned into a movie. Don''t lay it on thick.Stolen from its rightful author, this tale is not meant to be on Amazon; report any sightings. Parabellum nods, her expression neutral. "Good. If you see anything, don''t hesitate to call it in. We''ve got people watching out for the neighborhood." The man nods back, though he still looks uneasy, and we move on. As we walk, the conversation starts to drift. Melissa keeps asking questions, and Parabellum keeps answering, her tone somewhere between "grizzled soldier" and "frustrated teacher." They talk about everything from situational awareness to how to de-escalate a potential conflict (Melissa: "So you don''t just, like, tackle them?" Parabellum: "Only if they''re an immediate threat."). It''s all very practical, very reasonable on the surface. But every so often, Parabellum''s words take on a sharper edge. "Most of the time, people like that aren''t looking for a fight," she says at one point. "They''re cowards. They''ll run as soon as they see you''re not afraid of them." Melissa nods, wide-eyed. "What about, like... superpowered people? Do you think there''s one of them behind the fires?" "It''s possible," Parabellum admits, her voice dropping slightly. "Lots of other superpowered individuals are dangerous, especially if they''re unstable. That''s why it''s important to be vigilant. If you see something that doesn''t feel right, don''t second-guess yourself. Trust your instincts." "It''s not like you can know in advance, what with all the Jump going around," I say, trying to at least get a little bit of ideological diversity in this crowd of concerned civilians. "How do you tell the good supers from the bad ones?" Parabellum turns her head to smile at me, sharp, owlish, like a contented cat, eyes taking in everything about me in an instant. I feel seen through, like my skin has just suddenly converted into glass, and she can see all the little organs and veins inside of me. "Good supers are the ones that either stop crime or don''t get in our way. Bad supers commit crimes or get in our way." "Our way?" I ask, trying to get an elaboration. Our way? Our way? Every permutation of the sentence feels like bitter licorice in my brain. "Yes," she non-answers. I keep my head down, my hands shoved deep into my pockets. The air feels colder now, or maybe it''s just me. Every word out of Parabellum''s mouth feels like a needle, poking at something raw inside me. I know she''s not talking about me, not directly. But it still feels like she is. Like she''s warning Melissa about people like me. We pass a small group of teenagers hanging out near a corner store, their laughter echoing down the street. Parabellum slows, her eyes narrowing slightly as she watches them. "See that?" she murmurs to Melissa. "They''re not doing anything wrong, but they''re out here when most people are staying inside. That''s the kind of thing you keep an eye on. Patterns. Anomalies." Melissa nods like she''s being let in on some great wisdom. She even tilts her flashlight in the group''s direction, the beam sweeping across them for just a second before flicking back to the ground. "So, like... they could be casing the place or something?" "Exactly," Parabellum replies, her tone warm, almost approving. "It''s about being aware. People don''t just stand around for no reason. There''s always a context, a motive." The teenagers, oblivious or maybe just used to this kind of scrutiny, start to move off. They melt into the shadows of the side streets, their laughter gone. I don''t miss the way one of them glances back over their shoulder, a brief, wary look that makes something in my chest clench. "They''re just kids," I say, my voice quieter than I mean it to be. Parabellum turns her head toward me, her expression perfectly neutral. "Maybe. Or maybe they''re the lookout for something bigger. You can''t assume innocence when the stakes are this high." My jaw tightens. I don''t know what to say to that. Melissa, for her part, nods along like she''s taking mental notes. "Yeah, I guess it''s better to be safe than sorry." Better to be safe than sorry. That phrase rolls around in my head, bitter and sharp. Safe for who? Sorry to who? I stare at the pavement as we walk, trying to keep my thoughts from spiraling into something too obvious. Parabellum''s steps remain steady, deliberate. She doesn''t look back at me again, but her presence feels inescapable, like a weight pressing down on the entire block. She watches them go, her expression unreadable. "It''s not about being paranoid," she says after a moment. "It''s about being prepared." I don''t respond. By the time we loop back toward the meeting point, my entire body feels like it''s buzzing with tension. Every word, every glance, every step of this patrol has felt like walking a tightrope. The whole thing is surreal--this mix of well-meaning community effort and barely-hidden paranoia, all wrapped up in a package that feels way too close to something dangerous. When we finally reach the others, I spot Egalitarian standing at the edge of the group, her arms crossed and her expression as cold and unreadable as ever. She looks up as we approach, her gaze locking on mine for just a second before flicking away. "So," she says, her voice sharp and clear. "How''d it go?" Parabellum gives her a quick rundown of our route, her tone brisk and professional. Melissa chimes in with her usual enthusiasm, talking about how much she''s learned tonight and how safe she feels knowing people like Parabellum and Egalitarian are around. I stay quiet, my eyes fixed on the ground. Egalitarian listens, nodding occasionally, but her gaze keeps flicking toward me. It''s subtle, but I can feel it, like a weight pressing down on my shoulders. I don''t know if she''s waiting for me to say something or if she''s just trying to remind me that she knows who I am. Either way, it''s working. When Parabellum finishes, Egalitarian nods once. "Good. Sounds like a productive night." Her eyes linger on me for just a moment longer, and then she turns away. I exhale a breath I hadn''t realized I was holding. Chapter 141.3 The walk back to Mayfair feels like it takes forever, even though it''s just a few blocks. Parabellum insists on leading the group all the way to each person''s door, her boots crunching against the pavement with the same deliberate, military precision as before. Egalitarian hangs back, trailing the group like a shadow, her sharp eyes scanning every street corner and alleyway as we go. Melissa chatters the whole way, of course. She''s practically vibrating with excitement, like this is the most thrilling thing she''s ever done. "This was so cool," she says, her breath puffing in the cold air. "I feel like we actually made a difference, you know? Like, we''re really out here, keeping people safe." "Mm-hmm," I murmur, my hands stuffed deep into my coat pockets. My legs feel like they''re made of lead, and every step toward home just makes the knot in my stomach tighter. I don''t have the energy to match Melissa''s enthusiasm, not with Parabellum and Egalitarian looming so close. Not with the weight of everything that''s happened tonight pressing down on me. The rowhouses of Mayfair come into view, their stoops lined with chipped flowerpots and forgotten snow shovels. The streets are quiet, the kind of quiet that only happens in neighborhoods like this after dark. A few porch lights are still on, casting pale yellow pools of light onto the sidewalks, but most of the houses are dark, their windows shuttered against the cold. Parabellum halts abruptly at the corner, her head swiveling like she''s listening for something. Melissa almost walks into her and lets out a sheepish laugh. "Sorry." Parabellum waves it off and motions for the group to continue. "Stay alert," she says, her voice low and clipped. "We''re almost done." I exchange a quick glance with Melissa, who just shrugs and keeps walking. Egalitarian lingers a few paces behind, her hands tucked into her jacket pockets, her gaze darting toward every parked car and shadowed doorway. I can''t decide if it''s comforting or unnerving. Probably both. By the time we reach my street, my chest feels like it''s tied in a knot. The warm glow of my rowhouse''s porch light is just a few steps away, but the weight of the night still clings to me. Parabellum stops in front of my house and gestures for me to go ahead. "This you?" she asks. "Yeah," I say, my voice quieter than I''d like. "Thanks for... you know. Walking me back." "Of course," she says, her tone brisk but not unkind. "Get inside safe." Melissa waves at me, her smile as bright as ever. "See you tomorrow, Sam!" I nod, forcing a small wave in return. "Yeah. See you." They wait until I''ve climbed the front steps and pulled my keys out of my pocket. I can feel their eyes on me, their presence heavy and watchful, and I fumble with the lock for a moment before pushing the door open just far enough to drop my bag inside. The door clicks shut behind me, but I don''t step all the way inside. Instead, I glance down the street, where a figure is huddled against the side of a building, wrapped in a ratty blanket. The dim light from a nearby streetlamp casts long shadows across the sidewalk, but even from here, I can see the outline of a scruffy beard and a weathered hat pulled low over the figure''s face. A homeless guy. Not exactly unusual in Tacony, especially in winter. I hesitate, my keys still clutched in one hand. The group is starting to move again, Parabellum leading the way toward their next destination. Before I can overthink it, I step off the stoop and head down the street, my boots crunching against the frozen slush on the pavement. "Hey," I say softly, stopping a few feet away. "You okay? Need anything?" The figure shifts slightly, and the blanket slips just enough to reveal a familiar face under the scraggly fake beard - dark skin but with the pallor of someone who gets out absolutely none, and floppy dreadlocks tucked under a beanie. My stomach does a weird little flip. "Hey, kid," Sandman says, his voice low enough that it doesn''t carry. "Fancy seeing you here." "What the--" I lower my voice to a whisper, glancing around to make sure no one''s watching. "What are you doing? Are you... are you pretending to be homeless?" He grins, pulling the blanket tighter around himself. "It''s called ''blending in.'' You should try it sometime," he says casually. "You know, surveillance stuff. It''s more convincing than standing on a rooftop with binoculars." I gape at him, my brain struggling to keep up. "You''re supposed to be watching my block, right? Sundial said--" "Exactly," he says, nodding like this is the most reasonable thing in the world. "And what better way to keep an eye on things than being right here? Besides..." He pulls a battered old phone out of his pocket and waves it at me. "I''ve got food, a battery pack, and about fifteen different documentaries to catch up on. I''m good." I blink at him, unsure whether to laugh or yell. "You''re insane." "Maybe," he says, shrugging. "But it works. And hey, you''re safe, aren''t you?" I glance back toward the group. They''re almost out of sight now, their voices fading into the cold night air. "You''re totally nuts," I mutter. "I''ve done this like thirty times. Nobody ever expects the sleeping guy with their eyes shut to be listening to every footstep. Don''t worry about it," he answers to my unspoken question. His grin widens. "Now go get some sleep. You look like you need it."Enjoying the story? Show your support by reading it on the official site. "Yeah, okay," I say, taking a step back. "Just... don''t freeze to death out here, alright?" "Wouldn''t dream of it," he says, tipping an imaginary hat. "I''ve got a serial arsonist to look out for. So you don''t burn to death either, aiight?" My face clenches up for a second. He cracks an eye open towards me and grimaces. "I''ll try my best," I reply, unconvincingly. I can feel sort of in his eyes that he wants to apologize for the off-color joke, but, unlike me in similar situations, he keeps the apology to himself. He eats it and swallows it. Instead, he just smiles a little bit wider. "Goodnight, Sam." "Goodnight," I mumble, turning back toward the house. The porch light feels brighter now, warmer, and I climb the steps with a little less hesitation. When I finally step inside and shut the door behind me, the warmth of the house hits me like a wave, and for a moment, everything feels almost normal. The familiar creak of the floorboards, the faint hum of the heater, the smell of whatever my mom cooked for dinner--it''s all so mundane, so comforting, that I almost forget about the chaos outside. "Sam?" My mom''s voice drifts in from the living room, and I can hear the concern in it even before I see her. She''s sitting on the couch with my dad, a blanket draped over her lap and a mug of tea in her hands. "You''re home late." "Yeah," I say, kicking off my boots and dropping my jacket onto the nearest chair. "I was out with Melissa, from school. Some... community thing." My dad raises an eyebrow. "Community thing?" "Yeah," I say again, not meeting his eyes. "Just, like... a neighborhood walk. Nothing big." "I heard about those," Dad says, folding his arms, looking thoughtful. "Some local superheroes organizing neighborhood watches. I think there''s the seed of a good idea there," "Maybe. But don''t put yourself in any more danger than... than you normally do, okay, Samantha, darling?" Mom asks. I feel my stomach do a weird lurch, because being called by my full name is the danger zone indicator - that she''s been up all night worrying about me. I don''t know if she''s doing it on purpose as some sort of signal to let me know that she''s been worrying, but she''s been worrying. She doesn''t use my full name unless she''s worrying. Or if she''s mad, but if she''s mad, I''d know. "I''m staying safe. No heroics," I say, running my hand through my hair. I decline to mention the fire I jumped into. I''m sure they saw me on the news, or heard from someone who heard from someone that Bloodhound and Safeguard rescued civilians from a burning coffee shop. I''m sure they''ve heard, directly or indirectly, about the suspected arsonist in North Philly. Have they connected the dots? My mom and I make eye contact, until it becomes painful two seconds later, and I look above her head and a little bit to the left. "Alright," she says quietly. "There''s food in the fridge if you''re hungry." "Thanks," I respond, already heading for the stairs, not hungry. "Goodnight." "Goodnight, sweetheart," she calls after me. I collapse onto my bed without even bothering to change out of my clothes. My body feels heavy, like the weight of the day is pressing me into the mattress. My mind is still buzzing, replaying every awkward moment, every tense word, every glance from Egalitarian, every pereson wearing a hoodie that we passed by. But the exhaustion is stronger. Upstairs, my room feels almost untouched by the chaos of the day. The posters on the walls, the cluttered desk, the unmade bed--it''s all so familiar, so ordinary, that it feels out of place in the rest of my life. I''m sleeping here only half the time, like I''m already a foot in one world, a foot in the other, like Persephone. I''ve eaten the superhero''s pomegranates. Do I get to come back for the summer? I close my eyes, and for the first time all day, I let myself stop thinking. The hum of the heater, the distant sound of cars outside, the faint creak of the house settling--it all fades into the background as sleep pulls me under. And for a few hours, at least, the world goes quiet.
Morning comes too fast, as always. I wake up tangled in my sheets, my alarm blaring like it''s trying to shake me out of the half-dream I''ve been stuck in all night. My heart pounds as I reach over to silence it, and for a moment, I sit on the edge of my bed, staring at the floor and trying to remember how to breathe. Just another day. Just school. Just people. Nothing I haven''t done a thousand times before. I drag myself through the morning routine. Teeth brushed without looking at my face in the mirror, face washed, hair pulled into a ponytail, adjusted to the center of the back of my head. I throw on my hoodie and jeans, grab my bag, and head downstairs. Breakfast is a granola bar wolfed down on the way to the door, my parents'' usual morning chatter barely registering as I mutter something about needing to leave early. The walk to school with Jordan is quieter than usual. They''ve got their headphones in, scrolling through something on their phone, and I''m too lost in my own head to ask what. The cold air bites at my face, but I barely notice it. My thoughts are spinning, caught somewhere between the patrol last night and the memory of Sandman''s grin under that ridiculous fake beard. Everything feels heavier than it should, like the weight of the day is pressing down on my shoulders before it''s even started. By the time I reach my locker, I''ve already gone through the mental checklist of everything I need for the day three times. It''s a habit, a way to keep my brain from spiraling. Math homework? Check. English notes? Check. Gym clothes? Check. Nothing missing, nothing out of place. I open the locker door and start arranging my books, the motions automatic. It''s almost comforting, the normalcy of it. Then something slips out and flutters to the ground, landing by my feet. I freeze, staring down at it. A plain white envelope. Unremarkable. No markings, no name, no address. Just a rectangle of paper, sitting there like it''s been waiting for me. My throat tightens as I pick it up, my hands trembling. It''s light, barely weighing anything at all, but it feels heavier than it should. I glance around the hallway, my heart pounding in my chest. Nobody''s paying attention to me. Just kids talking, laughing, rushing to class like it''s any other morning. Nobody''s watching. With a shaky breath, I tear the envelope open. Inside is a gift card, the kind you''d get at any random corner store. "Happy Nails & Spa" is printed across the front in cheerful pink letters, complete with a little cartoon nail polish bottle. My brain stutters, trying to process it. A gift card? For a nail salon? No. No, no no. No. No. Stop. No, no. No. I don''t want this. My stomach twists, and my hands feel clammy as I flip the card over. On the other side, a sticker - cartoonish, brightly colored. A small, round sticker of a hammer, the kind you''d get from a kid''s craft kit. My vision tunnels. My breathing turns shallow, each inhale sharp and stinging in my chest. The hallway feels like it''s tilting under my feet, like the walls are closing in. I can''t think. I can''t move. All I can do is stare at that stupid sticker, my fingers digging into the edges of the card like it''s the only thing keeping me tethered to reality. Stop it. Stop it. Stop it. Stop it. My heart is racing, my chest tightening until it feels like I''m suffocating. The sounds of the hallway blur into a distant hum, the laughter and chatter distorted and meaningless. My body feels frozen, every muscle locked in place as my brain screams at me to run, to hide, to do something. The card trembles in my hand, the hammer sticker taunting me with its cheerful simplicity. I swallow hard, my throat dry and tight, and shove the card back into the envelope, cramming it into my pocket like that will somehow make it disappear. The bell rings, sharp and jarring, snapping me out of my stupor. Class. Gotta get to class. Gotta shove it down. Everything''s fine. Chapter 142.1 Skipping class isn''t exactly my style. I don''t like the attention it brings, the whispers that follow when I show up later like nothing happened. But today? Today''s a little different. My heart''s pounding in my chest like it''s trying to break out, and my hands are clenched so tight I''m half-worried I''ll crack my knuckles open. My brain is running loops of pure static, and if I don''t figure out who put that damn letter in my locker, I''m going to explode. Not figuratively. Literally. I''m going to explode, and the janitors will have to scrape me off the ceiling. I try not to stomp as I make my way down the hall, but it''s not exactly working. My boots hit the floor like gunshots, and everyone within a five-foot radius seems to sense the storm brewing. Kids pull their backpacks in tighter as I pass. Conversations cut off mid-sentence. Even the security guards--the ones who usually strut around like they own the place--seem content to stay out of my way. They''re watching me, though, I can feel it. Probably remembering that one time I judo-threw one of their coworkers. Not my proudest moment. But useful now, apparently. By the time I reach Principal Heckerman''s office, I''m so wound up that I barely register the secretary''s polite attempt at stopping me. Something about waiting my turn, about how Mr. Heckerman might be busy right now. She might as well be speaking Greek. I mutter something that sounds vaguely like "urgent," push past her, and shove the door open. Heckerman looks up from his desk, startled but not exactly surprised. "Samantha," he says, setting his pen down and folding his hands neatly in front of him. "To what do I owe this... visit?" I don''t answer right away. My chest is still heaving, and I feel like I might actually vibrate out of my skin. Without thinking, I pull the letter from my pocket and slap it onto his desk. It lands with a pathetic little flutter. Not exactly the dramatic effect I was going for. "I need security footage," I blurt out. He blinks at me, then at the letter. "Excuse me?" "Security footage," I repeat, louder this time. My voice is shaking, but I ignore it. "From the lockers. Yesterday. I need to see who put that in my locker." His eyes flicker to the envelope, his expression unreadable. He doesn''t reach for it. Instead, he leans back in his chair, studying me with that calm, measured look that all administrators seem to master at some point. "Miss Small," he says, his tone carefully even, "I''m going to need you to take a deep breath and explain what this is about." I don''t want to explain. Explaining takes time, and every second that ticks by feels like another second closer to... something. Something bad. But I can see it in his face--he''s not budging until I give him something. I try to keep my voice steady. "Someone left this in my locker. I don''t know who. I need to find out." He tilts his head slightly, like he''s trying to read between the lines of what I''m not saying. "And why is that, exactly? Is this... a threat?" "It''s personal," I snap. Too sharp. I see him flinch slightly, and I force myself to take a breath. "It''s not a threat. I mean, it is, but... Not exactly. But I need to know who''s behind it." He leans forward now, his elbows resting on the desk. He doesn''t look annoyed. He looks... concerned. Which is almost worse. "Miss Small, if you believe someone is targeting you, this is something that needs to be reported to the authorities. That''s not something we can handle internally--" "I don''t want the police involved," I interrupt, my voice rising. "They can''t help me with this. You can. You have cameras. I just need to see them." He lets out a slow, measured sigh, like he''s trying to defuse a bomb without touching it. "Sam," he says gently, which makes my stomach churn - I don''t need his sympathy - "I understand that you''re upset. But this is a school. There are protocols for these things. If someone is harassing you--" "They''re not harassing me," I cut in, almost shouting now. "It''s not like that. I just--" I stop myself, my throat tight. My hands are shaking, and I shove them into my pockets to hide it. "I just need to know who it was. That''s all. Please." He studies me for a long moment, his gaze flicking between my face and the letter on the desk. "Alright," he says finally. "Let''s take a step back. Can you tell me when this happened? A specific time would make this a lot easier." "I don''t know," I admit, my voice barely above a whisper. "Sometime yesterday, I think. Maybe during second period? Or lunch? I don''t know. Between last time I opened my locker and now. Maybe it was just the end of the day." "That''s a lot of footage to sift through," he says, his tone careful. "It''s going to take time." I can feel the frustration bubbling up again, hot and sharp in my chest. The words are out of my mouth before I can stop them. "If you don''t give me the footage, I''m going to--" I stop, swallowing the rest of the sentence. What, Sam? Start roughing people up? Great plan. Really productive. I close my eyes and take a shaky breath. When I open them, Heckerman is still watching me, his expression unreadable but... softer, somehow. Like he''s waiting for me to say something that makes sense.This story has been unlawfully obtained without the author''s consent. Report any appearances on Amazon. I don''t. Instead, I sit down. Not because I want to, but because my legs feel like they might give out if I don''t. I press my palms against my knees and stare at the floor, trying to keep the tears from spilling over. My throat feels tight, like there''s a fist wrapped around it. Heckerman doesn''t say anything right away. I hear the sound of a drawer opening, then the faint rattle of something plastic. When I finally look up, he''s holding out a small bowl of M&Ms. "Take one," he says, his voice oddly gentle. "It helps. Trust me." I stare at him like he''s grown a second head. "What?" "It''s a psychological thing," he says with a faint shrug. "A little sugar can help calm you down. Try it." I don''t want M&Ms. I want answers. But the way he''s looking at me--like I''m a fragile, spooked animal that might bolt at any second--makes it hard to argue. Reluctantly, I reach out and grab one. Red. It tastes like waxy chocolate and shame. He leans back in his chair, folding his hands again. "Now," he says, his tone calm but firm, "let''s start over. I need you to tell me exactly what''s going on. Why is this so important?" I don''t answer right away. My eyes are locked on the bowl of M&Ms, my thoughts racing. I could lie. Make up something vague enough to get him to give me what I need. But the truth is stuck in my throat, heavy and impossible to swallow. "I just..." I force the words out, my voice cracking. "I just need to know who it was. That''s all." He leans back in his chair again, letting out a deep sigh that feels like it''s been sitting in his chest since the first day of school. His fingers lace together as he watches me, his expression softening but still measured. "Look, Samantha," he says, and I know I''m in deep water because he''s breaking out my full name. "Everyone my age has seen Ferris Bueller''s Day Off. I''m not a cartoon principal you get to boss around nor a pointy-haired bureaucrat getting in your way. I don''t want to be one of those adults you''ll end up talking about on the news when you''re twenty-five and famous--God willing, of course--and saying, ''No one listened to me.'' I don''t want to obstruct you, but there are processes, rules. You''re my pupil, and as much as I appreciate the work you''ve done for this city, you''re under my tutelage while you''re in this school. It''s my responsibility to protect you. And I don''t need to know exactly what this..." He gestures vaguely at the envelope on his desk. "Nail salon gift card means to you. But I can tell it''s unpleasant." I stay silent, trying not to look at the card. The edges of the sticker still poke out like a sick joke. He sighs again, softer this time. "If there''s a real threat to you--one that puts the rest of the school at risk--I need to know so we can handle it the right way. What exactly are we dealing with here?" My first instinct is to lie. To keep the details vague and manageable, just enough to get him to give me what I need. But he''s staring at me like he can already see the truth bubbling under my skin, like he knows I''ll break if he waits long enough. So I say it. Flat, direct, because sugarcoating it makes me feel stupid. "A serial arsonist is trying to kill me. Or scare me into killing myself. Whichever comes first." I watch the words sink in. His face doesn''t change much, but there''s a slight twitch in his jaw, the kind of subtle reaction you only notice when you''re looking for it. He adjusts his glasses and clears his throat. "I see," he says evenly. "And this is related to that coffee shop incident from the news?" "Yup," I say, popping the p like it''s the only bit of power I have in this room. He leans back, processing. "Right. Well," he says slowly, "in that case, I''ll email a copy of the footage to the local law enforcement and--" "No," I cut in, sharper than I mean to. "No law enforcement. I need it. For me. I need to know if he broke into my locker or if he just got a patsy to do it. That''s it, nothing else. I don''t need to make this a big, huge deal. I don''t want to get more people in the line of fire." I don''t feel rational. I feel like an animal in a corner. Surely the cops could help. If Aaron broke into our school, I bet the cops would want to know about that. His lips press into a thin line, not angry, just... firm. "Samantha, you can''t do this alone. You''re not an island. There are people who can help you with this--professionals. If you really need to, you can lie about why I''m sending it. It''ll come from my secretary with only the bare minimum information required, as requested by an acting member of the Young Defenders, for an investigation. You walk in with your mask on and get what you need. Everyone''s happy." I shake my head, my pulse spiking again. "Nobody needs to put themselves at risk except me." He unfolds his hands, steepling them thoughtfully under his chin. "Sam," he says, like he''s trying to talk me off a ledge. "I understand that this is personal, but we can''t just hand out security footage like candy. There are laws - data privacy laws, protocols - especially when it comes to footage involving other people''s children. You''re not the only student here. Your life may feel more dramatic than others, but they all have lives too. Not only the legal risk, but the very physical risk of danger. If what you are saying is true, and I do believe you, let me just say, then it puts the safety of the entire school at risk. I''ll have to get the sprinklers checked by the fire department and so on and so forth." I feel myself bristle at that but bite my tongue. Barely. He leans forward slightly, his tone softening again. "After school," he says. "Come back to my office, and we''ll look through the footage together. I''ll help you find what you''re looking for. And I don''t want to set you off, but I will need to alert the authorities, especially if this man broke into the school to leave a threat in your locker. I can keep it separate from you - an anonymous student tip - but an arsonist is a big deal. We will have to deal with this like we''d handle a potential bomb threat, or some other act of - presumably superhuman - terrorism. This isn''t the first public school threatened by supervillains and it won''t be the last, but I''m not going to let it put the other students in danger." I chew the inside of my cheek, torn between frustration and reluctant relief. It''s not what I want, but it''s better than nothing. "Fine," I mutter. "After school. Do you want a nail salon gift card while we''re at it?" For the first time since I barged into his office, he smiles. It''s small, almost imperceptible, but it''s there. "Sure," he says lightly. "I''ll take the gift card, you take some more M&Ms?" It''s stupid. It''s dumb. But I can''t help it--I laugh. Just a little. Just enough to let some of the tension drain from my chest. I grab another red M&M from the bowl and pop it into my mouth before standing. I look at him and I can tell he''s putting on just as much of a brave face as I am. Something about the sweat along his widow''s peak, the creases in his very slightly livermarked skin. I''m sure I''m scaring him just as much as I''m scaring myself. "See you after school," I say, shoving the envelope back into my pocket. "See you then," he replies, his tone steady. "And Sam?" I pause in the doorway, glancing back. "Stay safe," he says quietly. Chapter 142.2 Principal Heckerman''s office feels heavier after school, the muted tones of the wood-paneled walls and the faint hum of the overhead lights pressing down on me as I sit across from his desk. The bowl of M&Ms is back in its rightful place, and Heckerman himself is hunched over his computer, clicking through tabs with the kind of deliberation that makes me think he might be a little too used to taking his time. "Alright, Miss Small," he says, leaning back slightly and cracking his knuckles, and then wincing. "Where should we start?" I glance at the monitor, my nerves coiled tight. "Uh, halfway through yesterday?" I suggest. "Then we can work backward or forward depending on what we find. It''s like a binary search--Jordan taught me this--where you start in the middle and--" He cuts me off with a wave of his hand. "Miss Small, I''m sixty years old. I know what a binary search is." I blink. "Oh, alright." He leans forward, resting his elbows on the desk with a faint, amused smile. "I didn''t spend my formative years overseeing temperamental VCRs and fighting with floppy disks for nothing, young lady. I''ve done my fair share of searching for needles in haystacks." "Right," I mutter, my face warming slightly. "Sorry." "No need to apologize," he says, his tone even. "Just let me handle the technology." He navigates to the school''s security system with the practiced ease of someone who''s done this a hundred times. The footage pops up, grainy and monochrome, and he rewinds to just before the end of the school day. "Here we are. Yesterday afternoon. Let''s see what we''ve got." The screen flickers, and the camera feed from my locker''s hallway fills the monitor. Students mill about, moving in and out of frame, their movements jerky and sped up as Heckerman scrubs through the footage. My stomach tightens with every second, my eyes locked on the screen. "Patience," Heckerman murmurs, not looking at me. "This isn''t exactly CSI, Miss Small." "I know," I say, my voice sharper than I intend. "I just--" "There," he says suddenly, pausing the footage. He clicks to slow it down, and the image smooths out. The timestamp reads 3:27 PM. A figure steps into frame, walking toward my locker with casual confidence. It''s Melissa. She''s not even trying to hide it. She''s got the envelope in her hand, out in the open, like she''s delivering a flyer for the bake sale. She glances around once, slips the envelope into my locker, and walks away without so much as a backward glance. "Well," Heckerman says, sitting back in his chair, arms folded over his chest in triumph. "There''s your culprit. Mrs. Marshall seems to have left our little note." "That''s Melissa?" I say, my voice caught between disbelief and a strange, hollow betrayal. "Melissa Marshall? That''s her last name?" Heckerman snorts softly, a sound that seems to surprise even him. "What''s funny?" I ask, my tone sharper than I mean. "Nothing," he says, waving a hand dismissively. "You''re friends with her and you don''t know her last name yet? It''s a very nice name, I''ll give her that. Something earnest about it. Very ''Peter Parker''." "Earnest," I repeat flatly, trying so hard to resist the urge to roll my eyes. "Not the point," he concedes, gesturing toward the screen. "Let''s focus. That''s your friend, yes?" "She''s not my friend," I mutter. "She''s... someone I know. You know, a classmate. She... exists in my orbit." "Ah," Heckerman says, nodding slightly. "I understand that well enough." I cross my arms, glaring at the screen. "Why would she do this? Is she working for him? Is he paying her? Did he threaten her?" "Let''s not jump to conclusions," Heckerman says, his voice measured. "When you''ve been in this business as long as I have, you see a lot of notes dropped into lockers. Most of the time, it''s something harmless. Sometimes it''s a favor. Sometimes it''s a dare. Sometimes it''s for money. But rarely, if ever, does the messenger know the full story of what they''re delivering." I clench my jaw as Heckerman goes on about favors and dares. Does he not get how serious this is? That people like Aaron don''t just stop? Everything he''s saying makes sense--fine, I''ll give him that--but it doesn''t make me feel any less like I''m falling behind, like I''m already losing this fight. I shake my head, my frustration bubbling over. "You''re saying she might not even know what she''s doing?" "I''m saying it''s possible," he says. "Look, she doesn''t seem to be stressed out at all. You''d think someone working for an alleged serial arsonist would be a bit more nervous about it. Wouldn''t you?" "Nothing alleged about it," I mumble. The thought of her being manipulated or paid off doesn''t make me feel any better. If anything, it makes me feel worse. My anger fizzles into something duller, heavier, sitting in my chest like a weight I can''t shake. Heckerman leans back, his gaze steady but not unkind. "This is why we take a step back and assess the situation before we act. Rushing in with assumptions only makes things messier."This book''s true home is on another platform. Check it out there for the real experience. I glance at the monitor again, at the frozen image of Melissa walking away from my locker. "She didn''t even try to hide it," I say quietly. "Like it wasn''t a big deal." Heckerman nods. "Like I said, if she thought it was something sinister, she probably wouldn''t have been so casual about it." "Or she''s just stupid," I mutter. "That''s another possibility," he says dryly. "But I find it''s usually more productive to assume ignorance before malice. They call that "Hanlon''s Razor", you know." I don''t respond, my eyes still locked on the screen. The longer I stare at it, the more the image blurs, Melissa''s figure melting into the grainy static, like when you look up at the night sky and all you can see are those individual photons, every shade and color of black poking at your eye nerves. Heckerman clears his throat, pulling my attention back. "Miss Small," he says, his tone firm but not unkind. "I know this feels personal. I can see that. But if there''s one thing I''ve learned in my years of dealing with teenagers--and I''ve dealt with more than my fair share--it''s that people are rarely as malicious as they seem. Sometimes they''re just... caught in the middle of something bigger than they can handle." I swallow hard, my throat tight. "Yeah," I say quietly. "Maybe." He leans forward slightly, his expression softening. "You''ll figure this out. But you don''t have to do it alone." The words hang in the air between us, heavy and unspoken. I don''t know what to say, so I just nod. "After all," he adds, his tone lighter, "you''re not the only person in this school with problems, though yours might be the most exciting at the moment." I let out a faint, humorless laugh. "Thanks, I guess." He smiles faintly, reaching for the mouse to close out the footage. "Now, if you''ll excuse me, I have a very important meeting with the fire department about the state of our sprinklers. And you, Miss Small, have a neighborhood to tend to. Or at least, a school to navigate without causing any more scenes." I stand, slipping the envelope back into my pocket. "Thanks," I mutter. "For, you know. Helping." "Anytime," he says, his tone warm but steady. "Take care of yourself. Go get some ice cream. I''d give you money for the truck, but I''m not allowed to give money to students, and it''s February." "I''ve seen the ice cream truck in February," I mutter, mostly to myself, on my way out the door. I don''t give him a second glance back - already, I''m trying to put him and his little bowl of M&Ms behind me.
I trudge through the streets, my feet dragging against the uneven pavement as I try to shake off the day. The bundle of blankets where Sandman had been huddled last night is gone, leaving just a faint impression in the slush-covered sidewalk. Probably still around, just smarter than I am about keeping out of the cold. Or maybe not--maybe he decided my block wasn''t worth his time anymore. Who could blame him? The air is sharp, biting at my cheeks and ears. Even bundled in my hoodie and jacket, I feel exposed, like the cold is slicing straight through to my bones. Tacony''s streets are quieter than usual--quieter than I like. The kind of quiet that doesn''t just settle; it crawls into your skin and sits there. By the time I make it to my block, my jaw is clenched so tight I almost don''t notice the flickering blue glow of the TV through the living room window. I step inside, the familiar warmth of the house rushing to meet me. My mom''s voice drifts in from the kitchen, steady and soothing as she talks to my dad about some coworker drama. "Sam!" my mom calls as I kick off my boots by the door. "Dinner''s almost ready. Go wash up." I grunt something resembling acknowledgment, shuffle to the bathroom, and splash cold water on my face. It does nothing to clear the fog in my head. By the time I join my parents at the table, the smell of my mom''s chicken stir-fry has filled the room, warm and comforting in a way that feels almost mocking. "How was school?" my dad asks as I slide into my usual seat. "Fine," I mutter, poking at my food. My appetite feels like it got left on the sidewalk somewhere. Mom exchanges a glance with Dad, the kind of glance that says they''re both trying to figure out how much to push. "You look tired, sweetheart," she says gently. "Are you sleeping okay?" I stab a piece of broccoli with my fork, wishing I could sink into the chair and disappear. "Yeah. Just... school stuff. You know." Dad clears his throat, shifting in his seat. "Well, if you need to talk about anything--" "I''m fine," I cut in, sharper than I mean to. "Really." The awkward silence that follows is almost worse than the conversation. I shove a bite of chicken into my mouth, chewing mechanically as the TV in the living room drones on in the background. "...marking the end of the third day of the blockade at the Penn Medicine facility. Professor Poppet, the notorious supervillain known for his autonomous creations, has reportedly surrendered after extensive negotiations with the Delaware Valley Defenders..." The newscaster''s voice grates against my nerves, every word digging a little deeper. Seriously? That''s what they''ve been dealing with? Three days of babysitting some unhinged inventor while we have an arsonist tearing through Tacony? My jaw tightens as I swallow the bite of chicken, the bitterness of my own thoughts mixing with the taste. "...no injuries reported, and authorities are praising the Defenders for their nonviolent resolution of the crisis..." "Great," I mutter under my breath. My mom looks up, frowning slightly, but I wave it off. "Nothing. Just... tired." She doesn''t push, just nods and goes back to her plate. Dad makes a quiet comment about the news, something about how it''s nice that nobody got hurt. I tune it out, my focus drifting back to my food, the flavors muted and distant. Every bite feels like a chore, but I force it down anyway. I can''t deal with the concerned looks my parents give me when I don''t eat. After dinner, I mumble something about homework and head upstairs before they can corner me with any more questions. My room feels colder than usual, the air heavy with the kind of stillness that presses against your ears. I close the door behind me and drop onto my bed, staring up at the ceiling. The envelope is still in my pocket, minus one gift card, its weight digging into my hip like a stone. I pull it out and toss it onto my desk without looking at it, the motion sharp and angry. It lands on top of a pile of notebooks after doing about two and a half flips. I don''t want to think about it. I don''t want to think about Melissa, or Aaron, or Heckerman, or any of it. I just want to stop feeling like my skin is too tight and the world is too small. My laptop sits on the desk, dark and unassuming. I open it and start pulling up old soccer highlights, the familiar sound of commentary filling the room like white noise. It drowns out the silence without demanding anything from me. No stakes. No expectations. I curl up on my bed, pulling the blanket over me as the highlights play on. The screen flickers with images of players weaving through defenders, the crowd roaring in the background. It''s so far removed from everything I''m dealing with that it almost feels like stepping into another life. My thoughts keep circling back, no matter how hard I try to focus on the game. Melissa''s face, frozen on the security footage. The hammer sticker. The newscaster''s voice, praising the Defenders for their heroics. Sandman''s stupid grin under that fake beard. I close my eyes, willing my brain to shut up, to just let me rest for once. The commentary fades into a dull hum, blending with the faint creaks of the house settling around me. I don''t know when I finally fall asleep, but when I do, it''s restless, the kind of sleep that leaves you more tired when you wake up. Chapter 142.3 Wednesday. The air in Tacony Charter feels heavier than usual, the kind of weight that makes it hard to breathe. The fire department has set up camp, double-checking every sprinkler, fire extinguisher, and alarm system in the building. Bright yellow jackets fill the hallways, accompanied by ladders, toolboxes, and a palpable sense of unease. I spot Fury Forge among them, and try not to stare at her face, and then not at her arms, either. She''s in full gear, a sleek black and red suit with faint scorch marks along the edges, a huge backpack full of, I''m sure, the most advanced firefighting gadgets and gizmos the world has ever seen before or since. She''s talking to one of the fire marshals, her tone calm but authoritative. I feel... Dull relief. Like a sense that I''m being taken seriously, finally, if only by proxy. Nobody''s tied any of this to me. Not yet. The tension in the school isn''t about me--it''s about the fires, the arsonist, the sketch on the news. Aaron''s sketch. I haven''t slept much since it aired, but it looks like he has. The fires have stopped, and he''s laying low, waiting. Watching. I can feel it. The whole morning feels claustrophobic, the usual din of student chatter muted by nervous glances and hushed whispers. Teachers try to act normal, but I catch the way they''re glancing at the fire marshals out of the corners of their eyes. It''s like everyone''s holding their breath, waiting for the next spark. I''m not waiting. I''m hunting. Lunch rolls around, and I don''t waste time. Melissa Marshall--earnest, oblivious Melissa--is sitting with her usual group near the back of the cafeteria. They''re laughing about something, but I can''t hear what over the sound of my pulse hammering in my ears. I grab my tray, steel myself, and make a beeline for her table. She looks up when I sit down, her smile faltering for half a second before settling into something polite but wary. "Hey, Sam," she says. "What''s up?" I set my tray down and lean forward, keeping my voice as calm as I can manage. "Why did you put a letter in my locker yesterday?" Melissa blinks, tilting her head slightly. "Oh," she says, like I''ve asked her where she bought her shoes. "John from my math class asked me to." I stare at her, waiting for more. She blinks again, like she doesn''t understand why I''m still staring. "He was like, ''Oh, you know Sam Small, right?'' And I was like, ''Yeah, I''m in classes with her.'' And he said some guy paid him forty bucks to put it in your locker, but he didn''t know which one was yours. So I was like, ''Well, if you give me ten of that, I''ll do it.''" She shrugs, taking a bite of her sandwich. "Why? It was a love note, right?" I don''t answer. I''m too busy trying to process the sheer ridiculousness of what she''s just said. Ten dollars. She did it for ten dollars. Melissa keeps chewing, waiting for me to say something. When I don''t, she swallows and adds, "Was it not a love note?" "No," I say finally, my voice flat. "It was not a love note." Her face scrunches up in confusion. "Oh. Sorry?" I can''t tell if she''s lying, but she doesn''t seem nervous. She doesn''t seem anything. Just earnest, like Heckerman said. Earnest and completely, bafflingly oblivious. If she had a cut on her, or if she was on her period, I could read her heartbeat, and see if this conversation was stirring anything. But somehow, even without my bloodsense, I can tell she is being totally honest. No, Sam, don''t be mean. She''s being polite and friendly, she has no way of knowing, and you''re sure she''s perfectly adequate in terms of education and literacy. You need to calm down. You''re lashing out in your head. Thanks, the small version of my therapist that lives inside my brainstem. I needed that. I take a slow breath, trying to steady myself. "Okay," I say, forcing the words out. "You tell John from your math class, or whatever, that I need to talk to him. Today."The narrative has been taken without authorization; if you see it on Amazon, report the incident. Melissa nods, like I''ve asked her to pass a note in class. "Sure thing. He''s probably in the library right now." "Thanks," I mutter, standing up. "Enjoy your sandwich." I walk away before she can respond, my thoughts racing. It''s not that I feel betrayed--how could I? Melissa clearly doesn''t understand what she''s done. No, what I feel is... offended. Like the whole situation is some kind of cosmic joke at my expense. Forty dollars. Just to fuck with me.
I''m walking to class when a kid I''ve never seen before steps into my path, shifting awkwardly from foot to foot, a slacker''s hoodie and patchy facial hair that is not doing him any favors. Maybe in another life he could''ve been a linebacker, but right now anything interesting about him is buried under a gentle weed perfume. "Uh, hey," he says, his voice low. "Melissa said you wanted to talk to me?" I stop, narrowing my eyes. "You''re John?" "Yeah," he says, scratching the back of his neck. "Uh, look, if it''s about the envelope thing, I don''t really know much about it. Some dude gave it to my dealer, who gave it to me. Said to put it in your locker, that''s all." I blink. "Wait. Your dealer?" John shrugs. "Yeah, you know. Just this guy I buy weed from sometimes. He was like, ''Hey, some dude paid me to get this envelope into Tacony Charter. Some girl''s locker. I know some of you guys go there.'' And I guess I was the lucky winner. I think he thought it was some trap girl thing." "You''re telling me," I say slowly, my voice tight, "that some random guy handed an envelope to your weed dealer, who handed it to you, and you just... went with it?" He nods, like this is the most normal thing in the world. "He gave me forty bucks. What was I supposed to do, say no? Do you know how much weed forty bucks can buy?" I stare at him, my brain short-circuiting. "Are you kidding me? You didn''t think that was at all suspicious?" He raises an eyebrow. "Why would I? It''s not like he asked me to blow up the school or something. It was just an envelope." "You didn''t ask what was in the envelope?" My voice is rising, and I have to force myself to take a step back, to unclench my fists. "You didn''t think, ''Hey, maybe this is sketchy as hell and I shouldn''t get involved?''" John looks at me like I''m the one who''s being unreasonable. "I mean, it''s not like I opened it or anything. The guy who gave it to my dealer said it was just a message for someone. I figured it was, like, a love letter or something." "A love letter?" I repeat, my voice cracking slightly with disbelief. Why does everyone think it''s a fucking love letter? Why does nobody think it might''ve been a bomb, or anthrax? The more reasonable part of my brain tries pulling the brakes. People generally do not set bombs for individual, unremarkable teenage girls. Sam, you are an exception, not the rule, and there is no way for this poor kid to know that. Nobody is anthraxing Samantha Small, Unremarkable Athlete. He shrugs again. "I don''t know, man. I was just like, well, what''s the harm? It''s not like they can fit a bomb into a letter, you know?" I''m so mad I can''t even think straight. My nails are digging into my palms, and there''s a sharp, biting heat rising in my chest. I open my mouth to yell at him, but the sheer absurdity of it all hits me like a brick. My anger collapses into something bitter and tired, and I let out a humorless laugh instead. "Unbelievable," I mutter, more to myself than to him. "Do you know the guy your dealer got the envelope from? Do you have any idea who he might''ve been?" "Nope," John says cheerfully, like this conversation is just a mild inconvenience in his otherwise perfect day. "Didn''t see him. My dealer just said it was some dude. Didn''t really ask for details." I throw my hands up in frustration. "You know there''s a sketch of him on the news, right? He''s the arsonist they''re looking for. You just played middleman for a serial arsonist." John''s expression falters, his mouth opening slightly. "Oh. Uh... I don''t really watch the news. My parents don''t let me." I can''t do this. I can''t talk to this kid for one more second without my head exploding. "Okay, man," I say, my voice dripping with exasperation. "Go to class. Forget I exist. I. Alright. Just go about your day. Enjoy your forty bucks." "Cool," he says, clearly relieved. He shuffles off, disappearing into the crowd of students like a cockroach under a spotlight. I watch him go, shaking my head. The worst part isn''t even how ridiculous this all is. The worst part is how little it matters. Aaron didn''t have to show up in person. He didn''t have to put himself at risk. He spent forty bucks, passed an envelope through three lazy hands, and managed to rattle me so hard I can barely think straight. Sent me on a wild goose chase to find the world''s least interesting patsies, almost made me start crying in the hallway... what, for a lark? He didn''t even have to show up. Was it just to show me that he could hurt me from this far away? It''s so petty it''s almost funny. Almost. But I''m done fucking around. If he wanted to scare me, this stupid dipshit stunt backfired, because I''ve gone from just being scared to being scared and angry. I stare at the clock, watching it tick by, knowing that as soon as I''m done school, I''m going to go grab Fury Forge by the ear, steal one of her axes, and go hunting for coyotes. Chapter 143.1 The school auditorium feels alien after hours. The rows of chairs, usually filled with restless teenagers, sit empty, their shadows stretched long across the polished floor. A makeshift command center dominates the stage, cluttered with fire department equipment, scattered binders, and a large foldout map of the city pinned to an easel. I hesitate at the entrance, feeling like an intruder in a space that''s both familiar and completely foreign. Fury Forge spots me before I have a chance to announce myself. She''s crouched by a crate of what looks like fire suppression gear, her muscular frame seeming even more imposing in the dim light. She straightens up, wiping her hands on her flame-resistant jumpsuit. Her red-and-black uniform has a few new scorch marks since the last time I saw her, and the faint smell of burnt rubber lingers around her. "Mrs. Forge!" I call out, waving, pretending to not be aware of the fact that we are, in a sense, teammates. "Girlie," she calls back, her voice carrying easily across the empty seats. "Didn''t expect to see any students in here. Thought you''d all be off doing algebra or whatever it is teenagers pretend to care about these days." I manage a half-smile as I navigate between the rows. "I finished algebra last year. We''re into geometry now. Big leagues." She snorts, folding her arms over her chest. "Geometry, huh? Useful stuff. You know, firefighting''s all about angles. Sometimes you''ve got to figure out just the right trajectory to knock down a door or get a hose line where it needs to be." "Yeah," I say, though my heart''s not in it. My eyes are drawn to the map on the easel, where little red pins dot the city in an uneven pattern. Each one represents a fire, I realize. Each one represents... Aaron? No way. These are all over Philly - how would he have had the time? Fury Forge follows my gaze, her expression hardening. "Got your message from the dispatcher," she says quietly, then raises her voice back to normal volume as a technician passes behind us. "Wish I could''ve been here sooner. Professor Poppet kept us busy longer than we''d planned. And even with him in custody, it''s not exactly quiet out there." "How so?" I ask, though I already know the answer from the map. She lets out a slow, annoyed breath. "Copycat arsons. At least, that''s what we''re calling them for now. No way to tell yet if it''s connected to the Tacony guy or just opportunists seeing a big, flashy story and deciding to get creative." My stomach twists. "Copycats? How many?" "Too many," she says grimly. "All over the metro area. Mostly small stuff--trash cans, abandoned buildings--but we''ve had some close calls. A convenience store near Drexel, a bathroom fire in a Starbucks in South Philly. We''ve been putting them out as fast as they pop up, but it''s like playing Whac-A-Mole. And every time one of these fires hits the news..." She trails off, shaking her head. "It just eggs on the next idiot," I finish. My mouth goes dry as the weight of it settles over me. Copycats. Fires spreading like a virus. And it''s not just fires--it''s me. It''s Aaron. It''s all of this. If I''d never been at Tacony Charter, if I''d never crossed paths with him... "Girlie?" Fury Forge''s voice cuts through my spiral. "You still with me?" I blink, nodding quickly. "Yeah. Sorry. Just... processing." She gives me a long look, her sharp eyes taking in more than I''d like. "Look, I''m not saying these are your responsibility. If anything, this kind of stuff happens every time a big-name villain pulls something flashy. We had the same thing after that whole debacle with Emberstrike in 2018. Some people just see chaos and think it''s an invitation." "Do you think it''s him?" I ask, my voice quieter than I mean it to be. "Emberstrike?" I add, trying to fish for information without being obvious. "Or someone else?" She exhales sharply, rubbing the back of her neck. "Honestly? No clue. Could be him, could be copycats, could be someone selling cheap Jump strains that mimic his powers. We''re trying to keep it quiet for now, asking for a voluntary moratorium on the news coverage. Whenever a fire gets reported on, two more pop up." I chew the inside of my cheek, studying the pattern of pins. "Right. Makes sense. Do you think it''s important that they started in Tacony?" I venture. "D''you think whoever''s started this is, I don''t know, targeting something or someone in particular?" For a moment, there''s nothing but the faint hum of the overhead lights and the muffled sounds of voices from somewhere backstage. When Fury Forge breaks the silence, her tone is softer than before. "I think if someone is targeting someone else, that someone else should be concerned with staying around friends and letting the big guys handle it."Unauthorized usage: this tale is on Amazon without the author''s consent. Report any sightings. I stare sort of past her eyes, my face going flat. Her lips twitch, almost like she wants to smile but doesn''t quite let herself. Instead, she turns to the crate she was digging through earlier, pulling out a handful of items. "Speaking of staying alive, I do think there is some direct assistance I can proffer to you and, uh, the rest of your school. Think of it as a beta test for our new student emergency preparedness initiative. The latest shit I''ve been working on." I raise an eyebrow as she hands me a compact bundle wrapped in bright orange fabric. "What''s this?" "Fire blanket," she says. "Lightweight, heat-resistant, and small enough to carry around without looking like a total dweeb. You ever get caught in a fire, wrap this around yourself and get out. It won''t stop you from breathing smoke, but it''ll keep you from turning into barbecue." "Thanks," I say, unfolding it slightly to inspect the material. It''s softer than I expected, almost like a heavy-duty scarf. She holds up a small canister next, about the size of a travel deodorant. "Foam capsules. Pop the cap, aim, and squeeze. Expands on contact to smother flames. Good for putting out small fires or creating a barrier between you and the heat." I take it from her, turning it over in my hands. "This is... cool. Like, really cool." "And last but not least," she says, producing a sleek black mask with an almost futuristic design. "Foldable smoke mask. Filters out most airborne toxins, including carbon monoxide. You''ll still want to get to fresh air as fast as you can, but this''ll make sure you pass out from the heat before you pass out from the smoke. Fits in your pocket, or on a necklace." I stare at the mask, my throat tightening. It''s not just gear. It''s acknowledgment. Someone taking me seriously enough to arm me against the kind of danger that''s been shadowing me for weeks. "Thank you," I manage, my voice barely above a whisper. Fury Forge shrugs, her tone casual. "Like I said, beta test. I''ll want feedback. Let me know if the straps pinch or if the capsules explode in your bag. I''m still working out the kinks." I can''t help but smile, just a little. "Will do." She leans back against the stage, crossing her arms again. "Listen, Girlie. You know what the first rule of firefighting is? You can''t save anyone if you''re dead. Sometimes the smartest thing to do is wait for backup, secure your position, make sure you''ve got all your equipment in order." I hesitate, my grip tightening on the fire blanket. "And if backup isn''t coming?" Her expression hardens. "Then you''d better make damn sure you know what you''re walking into before you open that door. Fire''s not like other threats. It''s patient. It''s methodical. And it only needs one mistake." "I understand," I say quietly. "Good," she replies, turning back to her map. "Now get out of here. Go study geometry or whatever it is you''re supposed to be doing." I leave the auditorium with the package tucked under my arm, turning her words over in my head. Wait for backup. Know what you''re walking into. But Aaron isn''t going to wait, and backup isn''t coming. Which means I need to open that door.
The walk home feels heavier than usual, the world pressing in from all sides. Fury Forge''s gear sits at the bottom of my bag, its compact weight both comforting and suffocating. I''m not in costume--won''t be today, at least--but just knowing it''s there makes me feel like I''m walking a line between normal and... not. I drag my shoes through the slush toward my front door. Sandman is on my block again, pretending to be asleep. Or maybe he actually is asleep but somehow still conscious? I know his powers involve sleep but the details escape me. Either way, I nod at him, and he cracks an eye open to nod back. When I step inside, the warm smell of dinner hits me, and for a moment I''m back in a world that feels too small for all the chaos in my head. My mom''s voice floats in from the kitchen, steady and familiar. "Sam, is that you? Dinner''s almost ready." "Yeah," I call back, kicking off my boots and setting my bag by the door. I don''t even make it halfway to the stairs before my dad emerges from the living room, his expression balanced between relief and wariness. "Hey, kiddo," he says, leaning against the doorframe. "You doing okay?" I shrug, aiming for casual. "Yeah. Long day." He nods, his eyes lingering longer than I''d like. "We were just watching a news report about that arsonist. The one in Mayfair? You hear anything about it at school?" "Not really," I lie, brushing past him toward the stairs. "Everyone''s just nervous with the fire department everywhere." "Good, I heard," he says, his voice a little too loud, trying too hard. "Just... be careful, okay? Stay close to your teachers." "I''m not five, Dad," I mutter, but there''s no real bite to it. I can''t blame him for worrying. "Hey, Ben, let her go," my mom calls from the kitchen. "She just got home." I glance back, offering a faint smile. "I''m fine, really. Just tired." He sighs, stepping back. "Alright. Dinner in ten, though." I retreat to my room, closing the door with a quiet click. The house feels so normal, so insulated from everything outside, that it''s almost surreal. My parents don''t know--can''t know--that the arsonist isn''t just some random guy terrorizing Mayfair. They don''t know it''s Aaron. They don''t know it''s my fault. I pull the envelope from my bag, turning it over in my hands. The hammer sticker stares back at me, bright and cartoonish, like it''s mocking me. I run my fingers along the edges, feeling the cheap paper give slightly. There''s nothing special about it--nothing that screams, This is the work of a serial arsonist! But I know better. A crime lab could dust it for fingerprints, maybe pull something useful. But even if Aaron''s prints are on it, what good would that do? I know he''s out there. I know what he''s capable of. The envelope''s been passed through too many hands--John, Melissa, John''s dealer, and who knows who else. It''s a dead end. A loose thread with no hope of being tied up. I toss it onto my desk, leaning back with a frustrated sigh. My mind churns, replaying the past few days in an endless loop. The fires. The envelope. Fury Forge''s map. Aaron''s face, burned into my memory like a scar. I can only see everything in retrospect - the shape the fires take, their position on a map, but I can''t trace it backwards. Can I? I sit up, my gaze snapping back to the envelope. My fingers drum against the desk as the thought takes shape, slow and uncertain at first, but gaining momentum. The chain of custody is messy, sure. But it''s still a chain. A trail. Just not a trail a normal person could follow. Chapter 143.2 I don''t feel great about skipping school, but after the week I''ve had, it''s not like I''m going to get much out of classes. Instead, I''m sitting on the cold, uneven floor of what used to be a Tacony thrift store, waiting for Derek to show up. The building''s been condemned for years, but the city''s slow crawl toward demolition means it''s still standing--barely. The roof leaks, the windows are boarded up, and the air smells faintly of mildew and old fabric softener. It''s perfect. I sent Derek a message at midnight. I knew he wouldn''t see it until morning--because, well, wolf stuff--but I still felt guilty when the reply came through at dawn, short and to the point: "You better have a good reason for this. I hate being in North Philly." The sound of boots crunching over broken glass pulls me from my thoughts. Derek steps into view, his orange hair catching the weak sunlight filtering through the boards. He looks annoyed, which is pretty much his default expression, but his scowl deepens when he sees me sitting cross-legged on the floor. "This better be important," he says, voice low and gravelly. He''s wearing his usual uniform: battle jacket covered in patches, jeans, hoodie underneath for the February chill. An unlit cigarette dangles from his mouth. I stand, brushing off my jeans. "It is. Thanks for coming." He snorts, crossing his arms. "Yeah, well, you''re lucky I didn''t have plans. What''s so urgent it couldn''t wait until school let out?" I hold up the envelope. The hammer sticker catches the dim light. "I need you to smell this." Derek stares at me, unblinking. "You''ve got to be kidding." "I''m not," I say firmly, stepping closer. "It''s from a serial arsonist who''s targeting me direc-- haven''t you been following the group chat, man?" "No," he answers flatly. I sigh. "He left it in my locker. I need to figure out where it came from." He takes a half-step back, holding up his hand. "First of all, I don''t care who it''s from. That''s disgusting. Second, what am I, your personal bloodhound?" "Ha, ha," I cross my arms, meeting his glare. "Come on, don''t make me fight you for it. You''re the only person I know who can do this." Derek groans, dragging a hand down his face. "Why me?" he mutters, but he doesn''t leave. Instead, he flicks the unlit cigarette into a corner and snatches the envelope from my hand. "Fine. But if this smells like gym socks, I''m out." I bite back a smile as he lifts the envelope to his nose, his face scrunching in concentration. After a moment, he lowers it, brow furrowed. "There''s a lot here," he says, tone begrudgingly serious. "Paper, ink, cheap adhesive... and something chemical. Like nail polish remover." "Nail polish remover?" I echo, pulse quickening. "Yeah." He sniffs again, then hands it back. "It''s faint, but it''s there. You said this guy''s an arsonist? Could be accelerant residue. Or he just got lazy with his mom''s office supplies." I tuck the envelope into my bag, mind racing. "Either way, it''s a lead. Thanks." Derek narrows his eyes. "You''re not going after this guy alone, are you?" "Of course not," I lie. "I just need to figure out where he''s been." He doesn''t look convinced but doesn''t push it. Instead, he jerks his thumb toward the door. "Let''s get this over with. Where are we headed?" "Happy Nails & Spa," I say, pulling up my hood. "I think it''s the last place he hit before the envelope made its way to me. The gift card was the letter, I mean." Derek raises an eyebrow. "You think he left a scent trail? And why''d he send you a gift card? Thought this guy was trying to kill you." "Long story," I say, feeling a flicker of hope. "He''s never met you. I doubt he''d wear enough cologne to fool a tracking hound." "Yeah, well, don''t get excited," Derek says, pulling up his own hood. "If he''s as careful as you say, he probably covered his tracks." "Maybe," I admit, stepping outside. "But if he didn''t, he''s screwed."
The walk to Happy Nails & Spa is quiet, but tension squeezes the air from my lungs. Derek keeps pace beside me, hands in pockets, eyes scanning the street like he''s expecting an ambush. Our cloth masks make conversation awkward, but I don''t mind the silence. It gives me time to think. Aaron messed up. He thinks he''s untouchable, that he can play his little games without consequences. But he doesn''t know about Derek. He doesn''t know that I''m not just scared anymore - I''m angry. And when I''m angry, I don''t stop. We''re half a block from the spa when Derek stiffens, head tilting slightly. I follow his gaze, heart pounding. "What is it?" I whisper. He doesn''t answer immediately, eyes narrowing as he sniffs the air. Then he exhales sharply, shoulders relaxing. "Nothing," he mutters. "Thought I smelled something, but it''s gone now." I nod, forcing myself to stay calm. "Let''s keep moving." We round the corner to Happy Nails & Spa, its neon sign flickering in the gray afternoon light. The place hums with its usual activity--chairs full of women leaning back for manicures, feet soaking in warm water, the chemical tang of acetone hanging in the air. The workers move with practiced precision, filing nails, scrubbing feet, applying polish. Derek sniffs the air as we step inside. A small bell jingles overhead, and I''m hit with a wall of warmth and overlapping conversations. "Busy," Derek mutters. "Yeah," I say, pulling out the envelope and the printed sketch of Aaron. My heart picks up as I glance around. Everything feels normal--totally normal--and that''s almost worse than the alternative. The woman at the counter looks up as we approach, polite but curious. She''s young, maybe early twenties, with straight black hair in a low ponytail. Her nails are painted coral, matching the salon''s tidy decor.You might be reading a stolen copy. Visit Royal Road for the authentic version. "Hi," I say, sliding the envelope and sketch across the counter. "Sorry to bother you, but I need to ask about something." She glances at the sketch, eyebrows pulling together. "What''s this about?" "It''s complicated," I say, keeping my voice steady. "This guy--he''s been causing trouble. I think he might''ve been through here recently." Her frown deepens, but then her eyes flick to me, widening slightly. "Wait--Ms. Small?" I blink. "Uh, yeah?" "You used to come here with your mom, right?" A small smile tugs at her lips. "It''s been a while, but I remember your eyes." "Oh," I say, caught off guard. "Yeah. Few years now." "I always remember the regulars. Even the ones who only came five or six times." "Guess I made an impression," I say awkwardly, glancing at Derek. He''s still sniffing the envelope, muttering something about chemicals. The woman looks back at the sketch, her smile fading. "He does look familiar. Think he was here last week. Got a manicure, bought a gift card on his way out." My stomach drops. "You''re sure?" She nods. "Pretty sure. Just another customer at the time. But if he''s dangerous..." "He''s on the news," I say carefully. "Have you seen?" "Ah... I don''t think I have. I would''ve reported him if I did," she says, jaw tightening. "He was here about a week ago. He didn''t do anything weird. Just got his nails done, paid cash, left." "That would be before the news report, so that makes sense," I mutter. I glance at Derek, who''s still sniffing the air, face scrunched in concentration. "Anything?" "Envelope matches," he mutters. "Nail polish remover, acetone, dude smell, marijuana. But there''s something else--faint, but it''s here." "What kind of ''something else''?" Derek shakes his head. "Don''t know yet. Could be cologne, could be accelerant. Need to keep following it. Metallic, though. Smoky." The woman watches us, concerned. "Is he dangerous?" "Very," I say bluntly. "But we''re trying to stop him before he does anything worse." She nods slowly, fingers tapping the counter. "I''ll ask if anyone remembers anything else, but he didn''t stand out much." "That''s already a huge help," I say, managing a small smile. "Thanks." Derek straightens. "We should go. Burning sunlight." "Right," I say, giving the woman a quick nod. "Thanks again." "Be careful," she calls as we step back into the cold.
We step back out into the cold, the warmth of the salon fading as the door closes behind us. Derek sniffs the envelope again, his eyes narrowing as he catches something. "This way," he mutters, jerking his head toward the main street. "It''s old, but it''s there." The next few hours blur together as we follow Aaron''s trail through Tacony. Derek moves methodically, stopping at corners to reorient himself, explaining what he''s picking up as we go. The scent is distinctive--something chemical underneath the human smell, sharp and artificial. "Road flares," Derek says around noon, after we''ve covered maybe half of Tacony. "That''s what I couldn''t place before. He smells like road flares and sweat." I pull my hoodie tighter against the chill and follow him. The streets are quiet, amplifying every sound--passing cars, distant shouts, gravel crunching under our feet. Derek moves with purpose, but he''s careful, taking time at each new location to build a picture of Aaron''s movements. "So what''s the verdict?" I ask, trying to keep my voice steady. "Are we actually tracking him?" "Yeah," Derek says, checking his phone. Almost two o''clock now. "But it''s complicated. He''s been all over, different times of day. The fresher the smell, the more recent the visit." I chew the inside of my cheek, my mind racing. The idea that Aaron had been methodically mapping my neighborhood makes my stomach churn. I shove my hands into my pockets to keep them from trembling. We cross another street, and Derek slows, tilting his head. "Strong here," he mutters. "Really strong. Recent too--maybe yesterday. But he didn''t stick around long." The afternoon wears on as Derek weaves us through back alleys and side streets. The further we go, the more the pieces start to fall into place. Aaron''s trail snakes past my school, looping around to the side entrances and staff parking lot. Derek stops in front of one of the gates, his expression grim. "Heavy concentration here," he says, voice low. "Multiple visits. Some old, some fresh. He''s been coming back." My chest tightens. "You think he was watching the school?" Derek shrugs, but there''s no mistaking the tension in his shoulders. "Maybe. Probably. You think it''s a coincidence?" "It''s not," I cut in, my voice sharper than intended. "He''s been watching me. He knows where I go. What I do." Derek doesn''t argue. Just turns and starts walking again, his nose leading us further along the trail. We pass by the park where Jordan and I sometimes hang out, the corner deli where I grab snacks, even the Music Hall. Each stop feels like a punch to the gut, a reminder of how thoroughly Aaron has mapped out my life. "He doubled back here," Derek says, stopping in front of the Music Hall. The sun''s getting low now--we''ve maybe got two hours before he needs to head home. "More than once. Most recent was yesterday." I glance at the building, its familiar silhouette suddenly feeling foreign and exposed. "He was looking for me," I say quietly. "Probably," Derek says, tone clipped. "Checking if you were inside. When he couldn''t tell, he''d leave and come back later. You should probably let Jordan know." The idea of Aaron circling the Music Hall, trying to figure out if I was inside, makes me want to yank my skin off. I grit my teeth, forcing myself to focus. "Where''s the trail leading now?" Derek sniffs the air again, then starts moving with renewed purpose. "It''s stronger this way. Heading east. And fresher--maybe just a few hours old. He''s been moving while we''ve been tracking." We follow the scent toward the Delaware, the streets growing quieter as we leave the busier parts of Tacony behind. The trail thickens as we approach the Tacony-Palmyra Bridge, the air colder and sharper near the water. The winter sun hangs low, painting everything in long shadows. "He spends a lot of time around here," Derek says, stopping at the edge of an overgrown lot. "The scent''s layered. Old and new, like he keeps coming back. Most recent is..." He sniffs again. "Today. This morning, maybe." I stare at the bridge in the distance, its steel beams cutting against the darkening sky. "Why here?" I ask, more to myself than to Derek. "Could be a hideout," Derek says, checking his phone again. We''re running out of time before he needs to go to his cage. "Could be nothing. But the trail''s fresh, and it leads right here." "Let''s check it out," I say, my voice steady despite the knot in my stomach. "You''ve got time for one more stop before sunset?" Derek hesitates, but nods. His jaw sets as he starts walking again, the trail pulling us toward the bridge and whatever waits beneath it. The trail leads us down Levick Street, under the looming shadow of the Tacony-Palmyra bridge. The winter sun is getting dangerously low, painting long shadows across the construction site that stretches out before us. Chain-link fences line the perimeter, topped with rusted barbed wire, but there are gaps where the metal has pulled away from the posts. Derek stops abruptly, his whole body going rigid. "He''s here," he says, voice barely above a whisper. "Right now. The scent''s fresh--minutes old, not hours." I scan the area, taking in the scattered construction equipment, the piles of gravel and concrete barriers, the bridge utility station squatting beneath the massive steel spans overhead. My heart pounds against my ribs as I realize Aaron could be watching us right this second. "Where exactly?" I ask, trying to keep my voice steady. Derek''s eyes narrow as he scents the air. "Under the bridge. Near that utility building. And..." He hesitates, checking his phone. "Sam, I''ve got maybe forty minutes before I need to start heading back." I nod, mind racing. Aaron''s been living here, using the bridge as cover. Probably sleeping in his car, maybe breaking into the utility station for warmth. It''s perfect--hidden from view but with clear sightlines to watch anyone approach. Just like an underpass. Just like last time. "You think he can see us?" I ask, though I already know the answer. "Almost definitely." Derek''s shoulders are tense, his eyes constantly moving. He turns to me, jaw set. "We should take care of this now." I blink, surprised. "What? But you just said--" "Yeah, I know what time it is," he cuts me off. "But think about it. He''s seen us. If we leave now, he''ll just find somewhere else to hide, and we''ll have to start all over. Plus..." He grins, showing too many teeth. My brain inserts the word "Glaswegian" but I couldn''t tell you why, or even what that means. "Two on one. Better odds than you usually get." He has a point. Aaron''s not exactly known for standing his ground when the odds aren''t in his favor. And if we leave now... I catch movement in my peripheral vision--just a flash, maybe nothing. But it confirms what I already knew: Aaron''s watching. And now he knows that we''re hunting him. "Okay," I say quietly, squaring my shoulders. "Let''s end this." Derek''s grin widens as he checks his phone one last time. "Forty minutes," he says. "Better make them count." Chapter 143.3 Derek and I walk in tense silence as we approach the stretch of cars parked haphazardly along the edge of the construction site. The smell of diesel and rust clings to the air, mingling with the distant sound of traffic overhead. The sun dips lower, the shadows stretching long and jagged, cutting sharp angles across the ground. My heart feels like it''s going to hammer its way through my ribs. Aaron is here. I can feel it, like a static charge building under my skin. Derek''s shoulders are hunched, his movements deliberate as he scans the rows of vehicles. His nose twitches faintly, and he slows to a stop just short of a faded red Camry. "Pretend we''re checking car by car," he mutters under his breath, barely audible over the rush of my own thoughts. "But it''s this one. Red Camry." I nod, clenching my fists at my sides as we move toward the nearest vehicle. I tap lightly on the driver''s side window, peering inside like I''m looking for something, anything. Derek does the same, his movements exaggerated as he knocks against the next car, then the next, working his way toward the Camry. We reach it after what feels like an eternity, each second drawing tighter around me like a noose. Derek stands beside the driver''s side door, his gaze fixed on the tinted window. Without a word, he bends down, picks up a loose brick from the ground, and starts tapping it lightly against the glass. The sound is hollow, rhythmic, almost casual. "What are you doing?" I hiss, glancing nervously around. "Getting his attention," Derek says, his voice low and even. He taps the brick harder, the sound turning sharper. "We don''t have time to screw around." Before I can respond, the Camry''s interior begins to fill with smoke--thick, gray billows that swell rapidly, completely obscuring the inside. The windows crack open, and the smoke pours out, rolling toward us in dense waves that burn my eyes and throat. I stumble back, coughing, my heart racing as I try to make sense of what''s happening. "Stay back!" Derek barks, raising the brick. His muscles coil as he swings it forward, shattering the windshield with a single, sickening crunch. The glass spiderwebs and collapses inward, shards cascading onto the dashboard. Derek''s arm snaps forward, and the brick strikes something solid with a dull thud. The smoke shifts just enough for a pair of eyes to flash through--a glimpse of pale, cold intensity--before they vanish into the swirling gray. Derek stumbles back with a startled curse, batting at his arm as yellow flames lick up his sleeve. "Shit!" he growls, frantically patting the fire down with his other hand. "Derek!" I shout, moving toward him, but before I can reach him, the driver''s side door whips open. It slams into me with bone-rattling force, sending me sprawling into the side of a nearby truck. My head cracks against the metal, and for a moment, the world tilts and blurs. Pain radiates down my shoulder and side, but I grit my teeth and force myself to move, rolling onto my hands and knees. Aaron''s already in motion. Through the haze of smoke, I see him lean into the car, his movements quick and precise. Derek surges forward, raising his arms to strike, but the car lurches forward suddenly, engine growling as the tires screech against the asphalt. "Get back!" Derek yells, and I barely scramble out of the way as the Camry veers forward. For a split second, I think Aaron''s trying to run us down--but then I see it: the brick Derek had thrown is jammed against the accelerator, pinning it down. The car jerks forward, slamming into another parked vehicle with a sickening crunch. The metal groans, buckling under the impact, but the engine keeps roaring, trying to push the wreckage further. The moment Aaron dives out of the car, there''s no hesitation. No pause to size up his odds, no calculating his escape. He barrels straight for me like a missile, tackling me to the ground before I can so much as breathe. My back hits the pavement with a sickening thud, knocking the air from my lungs. Before I can register what''s happening, his fists are raining down on me. My instincts kick in before my brain catches up. I twist, raising my arms to block, his blows glancing off my forearms and shoulders instead of my face. Pain shoots through me with each impact, but I keep moving, turning my head away from his fists. One of them glances off my cheekbone, hard enough to send stars flashing in my vision. My body screams at me to get away, but he''s on top of me, his weight pinning me to the ground. I can hear Derek shouting something, but it''s lost in the roar of my own heartbeat and the ragged sound of Aaron''s breathing. He''s relentless, his fists hammering down like he''s trying to crack me open. My muscle memory takes over, my training keeping me alive--barely. I block, I twist, I push against him, but it''s not enough to dislodge him. Suddenly, Aaron''s weight shifts, and there''s a loud thud as Derek''s boot connects with his ribs. Aaron is yanked off me with a growl, landing a few feet away. Derek''s sleeve is still smoldering, but the flames are out, his jacket scorched and torn.Enjoying this book? Seek out the original to ensure the author gets credit. "You okay?" Derek barks, his eyes darting between me and Aaron. "Fine," I gasp, rolling to my knees. My arms throb where they blocked Aaron''s hits, but I shove the pain aside, adrenaline taking over. I charge headfirst towards Aaron and shoulder ram him into the nearest car, feeling something go crack in between me and him. Even if I get nothing else, I''m gonna make sure he leaves with an injury or two. He buckles beneath me, and then goes limp, before slamming his forehead into mine. I stumble back, and so does he, or, well, he stumbles sideways. Aaron scrambles to his feet, his eyes locking on mine. There''s no taunting, no smug grin--just raw, unfiltered hatred. He doesn''t speak until his gaze sharpens, and the air between us shimmers with heat. Fire explodes between us in a wall of brilliant red, so bright it burns afterimages into my vision. The heat is intense, oppressive, nothing like the yellow flames I remember from our last encounter. This is different. Hotter. More focused. "Small." Aaron''s voice carries over the roar of the flames, dripping with a kind of deranged glee that makes my skin crawl. "I''m so *happy* to see you. Burn." The world erupts in red. I dive forward, rolling under the first wave of fire as it passes over my head. The heat is incredible, like being inches from a blast furnace. My jacket starts to smolder, and I tear it off, throwing it aside as I come up in a crouch. Derek charges through the flames, his clothes singed but his momentum carrying him forward. Aaron''s gaze snaps to him, and another burst of crimson fire erupts, forcing Derek to dive sideways. The fire follows his movement, tracing bright lines through the air like road flares. I reach for the fire blanket Fury Forge gave me, yanking it from my bag. "Derek!" I shout, throwing it to him as Aaron''s gaze swings back toward me. The red fire comes in a concentrated beam this time, and I barely manage to duck behind a concrete barrier. The edge of the barrier hums cherry-red where the flames hit it. Derek catches the blanket, using it to shield himself as he moves closer to me. Aaron''s laugh echoes across the construction site, high and manic. More fire rains down, but Derek holds the blanket up, creating a barrier between us and the flames. "Pass it here!" I call out. Derek tosses the blanket to me just as Aaron unleashes another barrage. I catch it and sweep it up in front of me, feeling the heat press against the other side. Through the shimmer of superheated air, I see Aaron''s expression change--confusion flickering across his face as his flames fail to penetrate. He snarls, his eyes blazing with intensity as he focuses his gaze. But something''s wrong. Instead of the brilliant red fire, thick white smoke begins pouring from the points where his gaze lands. It billows outward rapidly, the same dense smoke from the Camry, quickly filling the space between us. "What the hell?" Derek coughs, stumbling back as the smoke engulfs us. It''s acrid, burning my eyes and throat. I can barely see three feet in front of me. Aaron''s silhouette moves through the smoke like a ghost, his yellow flames now cutting through the haze in brief, angry bursts, like lightning bolts in a storm cloud. Do his powers only work when he has clear line of sight? That makes sense. That doesn''t stop a small gash in the smoke from forming with a wave of Aaron''s hand, and, following that, a spray of yellow fire across Derek''s chest. "Derek!" I try to move toward the sound, but another blast of yellow fire forces me back. The smoke is everywhere now, thick and choking. My lungs burn with each breath, and my eyes water so badly I can barely keep them open. Through the haze, I hear Derek''s coughing turn to retching. He''s going to pass out if this keeps up. My hands fumble in my bag, searching desperately until they close around the oxygen mask Fury Forge gave me. I pull it out, expanding it with shaking fingers. "Hold on!" I shout, following the sound of Derek''s coughing. I find him on his hands and knees, barely conscious. Without hesitation, I press the mask over his face, holding it there as he takes deep, desperate breaths. Another burst of yellow flame cuts through the smoke nearby, but it''s weaker now, less focused, and I can see just in the edge of my stinging vision Aaron making a break for it as far as his shitty orange sneakers will carry him. Derek pushes himself to his feet, still holding the mask to his face. His other hand finds my shoulder, and we support each other as we stumble away from the construction site. The sun has dipped even lower, painting the sky in deep purples and reds that seem to mock the fire we just escaped. I grab Derek''s arm, dragging him toward the edge of the construction site. Every step feels like a battle, the smoke clinging to me like it''s alive. My head spins, my lungs screaming for oxygen, but I force myself forward, one step at a time. Finally, we break free, stumbling into the cold evening air. I drop to my knees, coughing violently, every breath feeling like fire in my chest. Derek collapses beside me, the oxygen mask still pressed to his face, his breathing ragged but steady. For a moment, we just sit there, the world spinning around us, the distant sound of traffic the only reminder that life continues outside this nightmare. "He got away," Derek rasps, his voice muffled by the mask. "We need to get you home," I say, my voice raw from the smoke. "Before--" "Don''t worry about it. I''ve got twenty minutes before the danger zone," he wheezes. "I''ll call a taxi." We make it about half a block before having to stop, leaning against a wall as we catch our breath. My whole body aches, and I can feel bruises forming where Aaron''s fists connected. "His fire changed," I say, more to myself than to Derek. "From red to white to yellow. Like he couldn''t control it." Derek pulls the mask away from his face long enough to speak. "That guy''s fucking crazy. Who hits someone with a car door? Psycho." "Hey, man, I''m... I don''t know. At least I maybe broke one of his ribs. And we know for sure that he''s here. And fucked his car. I doubt he can get far now," I say, trying to scramble for silver linings. "Hey. Worry about silver linings later," Derek pulls the thought from my head. "Let''s get me home before I rip you in half, and then you can get yourself patched up, kid." "Sure," I say, watching Derek''s burnt arm shakily stumble through the taxi app menu. "Let''s." WORLD OF CHUM: Sports & Hyperball (2)

Blood, Money, and Powers: Inside Trenton''s Underground Fight Scene

by David Chen for The New Republic March 2022 Edition The diner coffee tastes like it was brewed during the Reagan administration. That''s fine - I didn''t come to this fluorescent-lit slice of midnight New Jersey for the coffee. I''m here to meet someone we''ll call Marcus, a man who makes his living organizing what he euphemistically terms "alternative athletic entertainment." "Twenty years in the business," Marcus says, absently stirring creamer into his own cup. He''s a big man, probably handsome once, with the kind of face that''s been rearranged a few times. His knuckles tell stories his words won''t. "Started with regular fights. Boxing, mostly. Some mixed martial arts when that got big. But powers?" He shakes his head. "That changed everything." The waitress refills our cups without asking. If she recognizes Marcus, she doesn''t show it. In Trenton, knowing too much is bad for your health. "First powered fight I ever saw?" Marcus leans back, eyes distant. "2009. Strength type versus strength type. Simple match, you''d think. Right up until one of them picked up my ring and threw it through the wall. That''s when I learned lesson one: you need the right venue." These days, Marcus operates out of abandoned factories, defunct warehouses, anywhere property damage can be written off or ignored. "You get creative," he says. "Old basement speakeasies from prohibition, those are gold. Already soundproofed, usually got good ventilation. Perfect for the pyros." He grins. "Though sometimes they still melt the pipes." The finances are more complex than the venues. "Betting''s where the real money is," Marcus explains. "But you can''t just run it like regular fights. Powers change everything. You got to understand not just fighting styles, but power interactions. Plus you got to keep it fair enough that people keep betting, brutal enough that they keep watching, and controlled enough that nobody dies. Dead fighters are bad for business." I ask about the unwritten rules that keep the circuit running. Marcus ticks them off on scarred fingers: "No cameras. No real names. No cops, no capes. You break those rules, you''re done. Not just with me - with everyone. And trust me, you don''t want to be the guy who brought heat on this scene." He pauses as a truck rumbles past outside, his eyes tracking the headlights across the window. When he''s satisfied it''s moving on, he continues. "Medical care''s crucial. We got doctors who don''t ask questions, healers who need cash. Good ones, too - you''d be surprised how many licensed professionals got gambling debts. But mainly you prevent problems by making smart matches. You don''t put a pyrokinetic against someone who can only generate force fields unless you want a snuff film." The clientele is as varied as the powers themselves. "You got your rich thrill-seekers," Marcus says, "guys in suits who want to feel dangerous for a night. They bet big, drink expensive scotch, and never get their hands dirty. Then you got the real players - crime families sizing up talent, powered folks looking to prove themselves, underground bookies building their networks."If you discover this tale on Amazon, be aware that it has been stolen. Please report the violation. He won''t talk specific numbers, but his slight smile when I mention six-figure bets tells its own story. "Look, people love violence. They always have. But powered fighting? That''s something else. That''s spectacle. You haven''t lived until you''ve seen a guy who can manipulate metal go three rounds with someone who can generate magnetic fields. The whole ring becomes a weapon. Had to replace every screw and nail in the place after that one. Though nothing beats the outdoor matches - had this one guy who could turn into a fucking dinosaur, if you can believe it. Real deal T-Rex, bigger than a house. Put him against one of our top strength types out in the woods. Crowd went absolutely nuts. Rex Rampage, they called him. That''s the kind of show you don''t forget." The betting system has evolved its own complex language. "We got power classes, like weight classes but for abilities. Categories, combinations, histories. You learn what powers match up well, what makes a good show. Strength versus strength is classic, sure. But put someone who can teleport against someone with enhanced reflexes? Now that''s art. Though sometimes you got to get creative with the venues - can''t exactly put a dinosaur fight in a warehouse, you know what I mean?" Some powers are banned entirely. "No mind control," Marcus says firmly. "No probability manipulation. Nothing that could affect the betting. And nothing that leaves lasting damage - we had a guy once who could rot things he touched. That''s not fighting, that''s just ugly. But big, flashy powers? Transformation stuff? That''s gold. People want to see the impossible." The hierarchy of the circuit is as rigid as any professional sport. Up-and-comers start in the small venues, building their reputations. The best fighters develop their own followings, known by code names and abilities rather than their real identities. "Slice, Rex Rampage, the Ghoul - it''s like pro wrestling, but we''re all real, no bullshit. Who wants to watch the Undertaker pretend to be a zombie when we''ve got a real zombie here?" Marcus''s phone buzzes - an ancient flip phone, the kind drug dealers used to favor. He checks it, nods once. "Business," he explains. "Never stops. You know what the hardest part is? Not the cops. Not the heroes. It''s keeping people from getting greedy. Everyone wants to be the next big thing, build their own circuit. But this only works because we keep it controlled. Professional." He tells me about the next generation of fighters coming up. Kids who grew up with powers, who learned to fight in back alleys and school yards. "They''re different," he says. "More control, more technique. Used to be powered fighting was all raw ability. Now they''re developing styles, combinations. Had a kid last week who could generate ice - used it like a boxer uses footwork, changing the terrain, controlling space. Beautiful to watch." The diner''s starting to fill up with the pre-dawn crowd - truckers, nurses ending their shifts, other people who live in the hours normal folks pretend don''t exist. Marcus glances at them, then back to me. "Last thing I''ll say is this: everybody thinks powered fighting is about the powers. It''s not. It''s about the fighters. Powers just make it interesting. But at the end of the day, it''s still just two people in a ring, trying to prove something to themselves or the world. That part hasn''t changed since the first caveman threw a punch." He stands, drops a fifty on the table. "Coffee''s on me," he says, then pauses. "You know what the real difference is between my fights and the ''legitimate'' ones they show on TV? Honesty. We might be breaking the law, but at least we''re not pretending we''re something we''re not. People want to see powered people fight. We just give them what they want." With that, he''s gone, leaving me with cold coffee and a notebook full of glimpses into a world most people pretend doesn''t exist. Somewhere in Trenton tonight, in a basement or abandoned factory, powers will flare and bets will be placed. The fights go on, as they always have, just with higher stakes and brighter fireworks. Chapter 144.1 I stand by the curb, my arms crossed against the cold as the taxi''s taillights disappear into the swirling winter night. The driver hadn''t seemed thrilled about the idea of ferrying someone with singed clothes and a raw, hacking cough, but Derek had shoved cash into his hand before the guy could say a word. Now, it''s just me, the faint sting of smoke in my throat, and the dull throb in my head reminding me that I''ve taken more hits today than I care to regularly handle. Derek''s out of commission for the night, but he''ll be fine after he goes wolf mode and back. Me? I''ll be fine. Probably. My vision swims slightly as I turn toward the Music Hall, but I shake it off, blinking hard. Smoke inhalation, a slight concussion, and what feels like a thousand bruises--nothing I haven''t handled before. Nothing that won''t knit itself back together overnight. The last time I got a mild concussion, the doctor even said, you know, Sam, normally we''d be very worried, but it looks like your skull is just... Fine. I''m fine! I''m fine. The walk to the Music Hall feels longer than usual, the streets unusually quiet. Or maybe I''m just hyperaware of every sound, every shadow, every pair of headlights cutting through the dark. My thoughts chase each other in circles, spinning out endless possibilities: Aaron limping away into some hole to lick his wounds, or doubling back, ready to finish what he started. I know which one is more likely. He''s not the retreating type. He''s going to try again. He has to. By the time I reach the Hall, my lungs burn from the cold, and the faint smell of mildew and wood polish feels almost comforting. The familiar creak of the door echoes as I push it open, stepping into the dimly lit interior, up the rotting stairs, past what looks like a fire blanket draped over the Bannister. Jordan''s voice carries from the main hall, a low murmur punctuated by Tasha''s sharper tones. "You look like hell," Jordan greets me, glancing up from a battered laptop perched on a makeshift table. Their black hoodie is pulled low over their face, but the sharp glint of their eyeliner cuts through the shadows. "Thanks," I mutter, dropping my bag onto the floor with a heavy thud. "Nice to see you too." "You okay?" Tasha asks, her voice laced with concern. She''s sitting cross-legged on the floor, a notebook in her lap, pen poised as if she''s about to jot down an observation about my coughing fit. "I''m fine," I lie, sinking onto one of the mismatched chairs lining the wall. The room spins slightly as I sit, and I grip the armrests until it steadies. "Derek''s on his way home. He''ll be out of commission until morning." Jordan shuts the laptop with a quiet snap, leaning forward. "And you?" I wave them off. "Nothing major. Just smoke and a bump to the head. I''m good." They don''t look convinced, but they let it slide. Instead, they gesture to the map spread across the table, dotted with sticky notes and thumbtacks. "We''ve been trying to figure out where he''ll go next. Tasha''s pulling up fire department reports, but it''s a mess out there." Tasha nods, flipping a page in her notebook. "There''s been chatter about copycats, but Aaron''s pattern doesn''t match most of the new incidents. If anything, he''s been moving more erratically. Either he''s lost his usual hideouts, or he''s trying to throw us off." "Or he''s desperate," I say, leaning forward to study the map. My voice sounds steadier than I feel. "He''s injured, no car, and no resources. He''ll either run or retaliate." Jordan snorts. "Knowing him, I''m guessing the latter. Wait, injured?" Jordan raises an eyebrow, their posture stiffening. "How do you know that? Did you see him?" I realize I''ve skipped a step. My mouth opens, then closes, as I try to decide how much to say. But this is Jordan and Tasha. They''re here for the whole thing. It''s not like I can brush it off with a casual "don''t worry about it." "Uh, yeah," I say, scratching the back of my neck. "So...Derek and I found him. Earlier. Like, under the bridge. He, uh, may have tried to hit me with a car door. Among other things." Jordan''s tablet clatters onto the table as they gape at me. "You what?" Tasha''s head snaps up from her notes, her eyes wide. "You went after him? Sam, are you serious?" I raise my hands defensively. "Okay, first of all, he went after me! We just followed the trail to see if we could figure out where he was hiding. It''s not like I invited him to ambush us. And anyway, I''m fine. Derek''s fine. Mostly." "Mostly," Jordan repeats, deadpan. "You''re telling me you went shark-jaws-first into a fight with Aaron and dragged Derek into it, and now you''re sitting here acting like that''s just...a normal Thursday?" I wince. "When you put it like that--" "Because it''s insane," Tasha interjects. Her voice isn''t angry, but there''s a tightness to it that makes me feel worse than if she''d shouted. "Sam, what were you thinking? You could''ve gotten yourself killed. Or Derek." "I was thinking," I insist, though it comes out more defensive than I intended. "I was thinking that Aaron is out there, and every second we don''t do something about it is another second he''s planning something worse. I couldn''t just sit around and wait for him to light up half the city!"If you spot this story on Amazon, know that it has been stolen. Report the violation. Jordan exhales sharply, running a hand through their hair. "Okay, I get it. But maybe you could''ve looped us in before diving headfirst into the arsonist''s den." I cross my arms, looking between them. "You''re right. I probably should''ve. But I didn''t, and now we know where he''s been and what he''s capable of. And, for what it''s worth, I did give him a few good hits. Pretty sure he''s nursing a broken rib or two." Tasha shakes her head, muttering something about "self-destructive tendencies" as she goes back to her notes. Jordan, however, doesn''t look away. Their gaze is sharp, scrutinizing me like they''re trying to figure out what makes me tick. Jordan lets out a breath, leaning back in their chair. Their fingers drum against the table as they glance at the map, then back to me. "So, what''s the plan, Fearless Leader? Because if you''re going to keep poking the bear, we might as well be ready for when it pokes back." Tasha raises an eyebrow at Jordan''s tone but doesn''t comment. Instead, she flips a page in her notebook. "Sam''s right about one thing--Aaron''s running out of options. If he''s desperate, that makes him more dangerous. We can''t just wait around for him to make a move." I nod, grateful for the shift in focus. "Agreed. We don''t have time to play defense forever. He knows where we operate. He knows us." Jordan tilts their head, smirking faintly. "Yeah, well, he doesn''t know me half as well as he thinks he does. We''ve got the upper hand here if we''re smart about it." "Exactly," I say, straightening. My voice feels steadier now, like I''ve got a grip on the chaos swirling around us. I glance at the scattered sticky notes and thumbtacks dotting the map. "Look, he''s like a cornered animal. Running doesn''t come naturally to him. He''s going to lash out. And he knows where to find us." "He knows where to find us?" Tasha asks, incredulously. "What?" "Derek smelled him doubling around the Music Hall. He definitely suspects I''m here frequently, even if he doesn''t know for sure. And I don''t think he''s the kind of person that confirms these things," I explain. Tasha makes a face and starts looking around for a fire extinguisher. "Surveillance," Jordan says immediately. "We''ve got the advantage now. He''s stuck in our territory, and we know his moves. If we keep eyes on the key spots, we''ll see him coming before he gets close." "And if he does get close?" Tasha asks, raising an eyebrow. "We deal with it," I say firmly. "He''s on the defensive now. We just need to stay one step ahead." Jordan''s gaze sharpens, their tone turning skeptical. "You''re really leaning into this whole ''hunt him down'' thing, huh?" I meet their eyes, my jaw tightening. "You saw what he did at the coffee shop. He''s not stopping unless we make him." For a moment, they hold my gaze, their expression unreadable. Then they lean back in their chair, folding their arms. "Fine. But if this goes sideways, don''t say I didn''t warn you." "It won''t," I say, the words more for myself than for them. "I''ll take the first watch," Jordan offers, their voice still tinged with reluctance. "You need rest, Sam. You look like you''re about to keel over." "I''m fine," I insist, though the room feels too warm, the edges of my vision a little too soft. "But thanks." Jordan doesn''t argue, which is somehow worse than if they had. Instead, they stand, brushing past me to grab their coat. "Go sleep or something. You''re no use to us if you pass out in the middle of a fight." The night stretches long, the kind that feels like it''s wrapping around you, heavy and close. The Music Hall is quiet, save for the low hum of the space heater in the corner and the occasional creak of the old wooden floors. Jordan and Tasha are huddled on the couch, an anime playing on Jordan''s laptop. The volume is low, barely more than a whisper of sound, the characters moving in exaggerated expressions of panic or joy. I don''t recognize the show--something with robots or space, probably--but none of us are paying attention anyway. It''s just noise to fill the space between the waiting. I''m by the window, leaning against the sill, my fingers drumming a soft, restless rhythm on the cold brick. The street below is still, save for the occasional passing car. The air smells faintly of snow that hasn''t fallen yet, sharp and clean. My breath fogs the glass as I peer out, scanning for movement. My body aches from earlier--every joint, every bruise, a reminder of how close things came to going sideways under the bridge. "You''ve been staring out that window for an hour," Jordan says, not looking up from their laptop. Their voice cuts through the quiet like a blade, but there''s no real bite to it. Just the kind of weary sarcasm that settles in when you''re running on fumes. "I''m fine," I say, though my back aches and my head is still buzzing from earlier. I can''t sit down. Not yet. "Someone''s gotta watch." "Tasha''s turn in ten," Jordan replies, flipping a hand toward the couch. "You''re not doing anyone any favors by staying up all night and keeling over in the morning, you know." Tasha glances at me, her eyes soft with concern, but she doesn''t say anything. She knows better than to push. "I said I''m fine," I repeat, more to myself than to them. The minutes crawl by. Shadows stretch long across the floor, cast by the dim lamp on the table. The Music Hall feels too big, the corners too dark, like there are spaces that weren''t there before. Every sound feels sharp, amplified--the ticking of the clock, the rustle of a page in Tasha''s notebook, the distant hum of the city outside. My fingers keep drumming on the sill, a nervous, relentless rhythm. Then I hear it. A sound so faint I almost miss it. A metallic scrape, somewhere out back. I freeze, my breath catching. It comes again--faint, deliberate. The rattling of something against the back entrance, near the dumpsters. "Shh." I hold up a hand, and both Jordan and Tasha go still, their heads snapping up to look at me. The anime on Jordan''s laptop continues to play, oblivious, a character yelling something about honor or betrayal. "What?" Jordan whispers, their eyes narrowing as they follow my gaze toward the back of the building. "Listen," I murmur, my voice barely audible. Another sound. A quiet thud, followed by a softer scrape, like someone testing the door. My stomach tightens. "Someone''s out there," I say, stepping away from the window. My hand brushes the edge of the table, instinctively searching for anything I can use as a weapon. Tasha rises slowly, her notebook forgotten. "You''re sure?" "Yeah," I say, keeping my voice low. "Back entrance." Jordan''s already on their feet, their movements quick and precise as they shut the laptop and grab a baseball bat from the supply corner. "Stay here," they say, glancing at Tasha. "Like hell I''m staying," I whisper back, my pulse quickening. "It''s my fight." Jordan doesn''t argue. They just nod, their expression grim, and motion for me to follow. The three of us move toward the back of the building, the air heavy with tension. Every step feels loud, every creak of the floorboards like a shout in the silence. The shadows seem deeper here, the dim light from the hallway barely enough to guide us. We stop just before the door to the back entrance, our breaths shallow and quiet. The rattling comes again, louder this time. My heart pounds in my chest as I press my ear to the door, straining to catch any other sound. SLAM! Chapter 144.2 The rattling turns into a sharp metallic crack just as Jordan tightens their grip on the bat, mouthing a quick "Stay back" to Tasha. Before I can fully register what''s happening, the back door creaks open, and Aaron shoves his way inside. Greasy, definitely not as skinny as he was when we first met. He looks well fed, not in a fat way, but in a "recovering from anorexia" way, like he''s been on a vacation all this time, his skin tan and smooth. Even in the winter, he''s not wearing nearly enough, a ripped-open wifebeater exposing those tattoos I''m sure he thinks are so cool. But Jordan doesn''t hesitate. They swing the bat in a clean arc, catching him square in the stomach with a satisfying thud. Aaron doubles over with a gasp, but before Jordan can follow through, he recovers, staggering back with wild eyes and a manic grin. His hand snaps upward, fingers curling as a sharp, angry burst of yellow flame erupts from the floor. There''s no distance to cross - his fire is instantaneous when he needs it to be. The fire splashes against the metal doorframe, spitting embers into the hallway. The air fills with the acrid stench of burning paint and singed wood, and for a split second, everything is chaos. "Get it!" Tasha shouts, already fumbling for the fire extinguisher in her hands. I hear, don''t see, the sound of spraying foam, belching out just like it sounds on the TV. The flames sputter and crawl along the walls as Aaron stumbles back through the door, clutching his side. The scorch marks around the metal door tell the story--he couldn''t burn his way through, not with brick and steel standing in his way. This was desperation, a last-ditch effort. "He''s mine," I say, already moving. Jordan''s about to protest, but I cut them off. "Stay here. Help Tasha with the fire. He''s not getting far." I don''t wait for a response. The cold night air hits me like a slap as I burst through the back door, my eyes locking on Aaron''s retreating figure. He''s moving fast, but his gait is uneven, favoring one side where Derek and I probably cracked a rib or two earlier. He glances back once, just enough for me to catch the wild panic in his expression. "Don''t run!" I shout, even though I know he won''t listen. "We were just getting started!" He bolts, and I take off after him. The streets of Tacony blur around me as I push myself forward, my sneakers pounding against the pavement. Aaron''s ahead, weaving through parked cars and slipping into alleys, his breath visible in the frigid air. He''s fast--faster than I expected for someone so banged up--but I''m faster. My legs burn with the effort, every stride bringing me closer. He glances back again, his face twisted in frustration. I see the flicker of yellow in his eyes as he twists his head, his arm snapping up. A quick burst of flame shoots out, wild and unfocused, and I dart to the side, feeling the heat as it splashes against a parked car. The air smells of melted plastic and scorched metal. "What''s the matter, Aaron," I call out, my voice carrying over the sound of our footfalls. "Scared of a little girl?" Aaron doesn''t answer. He doesn''t even look back this time. His focus is entirely on the path ahead, darting through the maze of Tacony''s narrow streets. I''m gaining on him, my breaths coming hard and fast, but I can feel the adrenaline surging, drowning out the ache in my muscles and the lingering sting of smoke in my lungs. We cut through a side alley, our shadows stretching long and jagged against the brick walls. Aaron stumbles, catching his foot on a discarded crate, and I almost reach him, my fingers brushing the back of his jacket before he surges forward again. He turns his head, just enough to let out another flare of yellow fire, forcing me to drop back as the flames burst against a dumpster. He''s slowing down, though. I can see it in the way he moves, the way he clutches his side. He''s running out of steam. So am I. The chase spills out onto a wider street, the orange glow of streetlights reflecting off the wet pavement. Aaron veers left, heading toward a small park, its skeletal trees casting spidery shadows across the grass. I follow, my shoes slipping slightly on the damp ground as I close the gap between us. "Give up!" I shout, my voice raw. "You can''t outrun me!" Aaron spins suddenly, his feet skidding in the mud. His eyes lock on mine, and for a moment, I think he''s about to surrender. But then something changes. His gaze sharpens, his body tensing like a spring about to snap. And then the world goes white. It''s not fire--not like the yellow flares he''s been throwing. This is something else entirely. The light is blinding, a searing, unnatural brilliance that makes me throw up my arms to shield my eyes. The heat is immediate, oppressive, like standing in front of an open oven, and I can feel it scorching the air around me. It''s hard to express just how much brighter and hotter it is than any other fire he''s given me, anything else I''ve seen. Even this tiny flare lights up the park like a spotlight. "What the hell?" I stumble back, blinking against the afterimages burned into my vision. Aaron doesn''t wait, but for a moment, I can see it in him, too - he''s just as surprised as I am. He takes off again, leaving a trail of smoldering grass and singed leaves in his wake. The white fire sputters out quickly, far faster than the usual fires, but its impact lingers, the ground around it scorched black and smoking.Enjoying this book? Seek out the original to ensure the author gets credit. I force myself to move, my legs heavy, my lungs burning. The chase isn''t over--not yet. But Aaron''s gaining ground now, his desperation giving him a second wind. He''s leaving small fires in his wake, little flashes of white and yellow that lick at the edges of trash cans and street signs. "Dammit," I mutter, pushing myself harder. He''s slipping away, and I can''t let him. Not after everything. But then he rounds a corner, disappearing into the night, and when I follow, he''s gone. The street is empty, save for the faint, acrid smell of - what, ammonia? - and the lingering heat in the air. I slow to a stop, my hands on my knees as I gulp in lungfuls of icy air. My chest heaves, my heart hammering against my ribs as I scan the shadows, my ears straining for any sound. Nothing. He''s gone. FUCK!
The walk back to the Music Hall feels like trudging through molasses. My legs are heavy, my lungs still ache from the magnesium smoke, and my thoughts are a scattered mess of frustration and exhaustion. Aaron got away again. Every time I think I''ve got him cornered, he finds a new trick, a new way to slip through my fingers. And now, I''m dragging myself back to a building that almost burned down, because of him. The smell of charred wood and chemical extinguishers greets me as I push through the back door. The fire''s out, but the air inside still feels thick and heavy. Jordan and Tasha are huddled in the main room, Tasha perched on a crate with her phone in one hand and a fire extinguisher in the other. Jordan is pacing, their face set in a tight scowl, an unlit cigarette twitching between their fingers. "Welcome back," Jordan says dryly, not bothering to look at me. "Guessing you didn''t catch him?" "No," I mutter, slumping against the nearest wall. My legs buckle, and I slide to the floor, the cold of the brick seeping into my back. "He got away." "Shocker," Jordan deadpans, tossing the cigarette onto the table. "Meanwhile, we were here, saving your sorry ass from living in a pile of ashes." I glance around, taking in the blackened walls near the back entrance and the faint scorch marks creeping up the beams. It could''ve been worse--probably should''ve been worse--but they kept it contained. "How bad was it?" I ask, my voice hoarse. "Bad enough." Jordan gestures to the ceiling, where faint wisps of smoke still linger. "The flames started licking at the electrical wiring. If Tasha hadn''t grabbed the extinguisher when she did, we''d be calling the fire department right now. This piece-of-shit building''s older than anyone here. It''s practically begging to go up in flames." Tasha nods, her expression tired but resolute. "The wood''s so dry, it might as well be kindling. We got lucky." I let out a slow breath, guilt gnawing at my edges. "Thanks," I say quietly. "For...you know. Saving the base." Jordan finally stops pacing, their sharp eyes settling on me. "We''ve got this covered, Small. You don''t have to keep pushing yourself like this." "He''s not coming back tonight," Tasha adds, her voice gentle but firm. "Go home. Get some sleep. We''ll regroup tomorrow." I want to argue, but the weight of the night presses down on me, dragging my body toward the floor. They''re right. Aaron''s not coming back--not tonight, anyway. And if I''m going to face him again, I need to be ready. Rested. "Fine," I mumble, hauling myself to my feet. "But call me if anything happens." Jordan smirks, raising an eyebrow. "Don''t worry, mom. We''ll be fine." I shoot them a tired glare, but it''s half-hearted at best. The warmth in their sarcasm is still there, beneath the frustration, and it''s enough to push me out the door with a little less guilt.
The sky is starting to brighten by the time I trudge through my front door. The faint glow of dawn seeps through the windows, casting everything in a soft, sleepy haze. My mom is already up, standing by the kitchen counter with a steaming mug of coffee in her hands. Her work uniform is crisp and neat, her hair pulled back into a bun that looks more functional than fashionable. "Sam?" she asks, blinking at me in surprise. "What are you doing up this early?" "Late night," I say vaguely, kicking off my sneakers and shuffling toward the couch. "Just...couldn''t sleep." She frowns but doesn''t press the issue. "You should get some rest. You''ve got school in a couple of hours." I mumble something incoherent, collapsing onto the couch with my bag still slung over one shoulder. The last thing I hear before sleep claims me is the soft clink of her coffee mug against the counter.
I wake up to the smell of eggs and toast, my body protesting every movement as I sit up. The living room is awash in pale morning light, and the clock on the wall reads just past seven. My mom is at the stove, humming softly to herself as she flips a pancake. "Morning, sleepyhead," she says over her shoulder. "You''ve got about thirty minutes to get ready." "Yeah," I croak, rubbing at my eyes. "I''m up." She slides a plate onto the table, the toast perfectly golden and the eggs arranged like a smiley face. I sink into a chair, the warmth of the food and the familiarity of the moment settling something fragile inside me. As I pick at my breakfast, Mom sits across from me, her own plate untouched. "Did you hear about the library?" she asks, her tone too casual. I freeze, my fork halfway to my mouth. "What about it?" "There was a fire last night, near the dumpsters around the back," she says, laughing nervously. "Can you believe that? The Tacony Library, of all places. Thankfully, everyone''s been getting their sprinklers and fire alarms checked recently, so I don''t think there was any real damage. Good thing I don''t work there anymore, huh?" Her words hit me like a kick in the pelvis. Of course. Aaron. I don''t even need to guess - I know it''s him. He''s lashing out, trying to hit me where it hurts. And... I don''t know if he watched me freak out behind the library, or if he''s been spying on my parents, or what, but he''s trying to shoot closer and closer. "I guess so," I say, forcing a weak smile. My appetite disappears, but I keep picking at my food, trying to act normal. "People are getting crazier every day," Mom mutters, shaking her head. "I hope they catch whoever did it. That crazy guy on the news, I bet." "Yeah," I murmur, my voice hollow. "I hope they catch him too." I should tell her. Warn her. But the words stick in my throat, heavy and unformed. The clock ticks closer to 7:30, and I shove the rest of the toast into my mouth, forcing myself to move. "Gotta get ready," I say, already backing toward the stairs. Mom watches me with a faint frown but doesn''t stop me. "Alright. Don''t forget your lunch." "Thanks," I call over my shoulder. "And, Mom?" "Yes, pumpkin?" She asks. "Do you think you could stay a little overtime at work today? And tell Dad to, too? Call it, uh, an. Extracurricular hunch," I say, trying to keep my voice steady. She looks at me a couple of times, her eyes widening, and then narrowing, in a sort of pained recognition. "Do you think we need to go to Moe''s for the weekend?" I swallow hard and it hurts. "Might be a good idea to give him a call over lunch." She nods. She breathes, and I keep up the stairs to take a shower. To rinse the ash off. Chapter 144.3 The morning at Tacony Charter Academy High starts the same way it always does, with the slow shuffle through the metal detectors and the low murmur of half-awake conversations. My backpack feels heavier than usual, probably because I''m carrying around the weight of the entire city in it--or at least that''s how it feels. My lungs hurt, my head is pounding, and every part of me is screaming to crawl back under a blanket and disappear for a week. But I''m here, because it''s Friday, and skipping school two days in a row would raise questions I don''t want to answer. In homeroom, I slump into my usual seat by the window, trying to focus on the announcements. Mr. Calhoun drones on about next week''s science fair, a bake sale for the soccer team, and a reminder that cell phones should remain off and out of sight during class. None of it sticks in my brain. My head''s too foggy from exhaustion and smoke inhalation to make sense of anything more complicated than "sit down" and "don''t look suspicious." "Hey, Sam," Melissa whispers from the desk behind me, tapping my shoulder with her pencil. "Did you hear about the playground?" I blink, forcing myself to turn around. Melissa''s grinning, clearly eager to share whatever juicy piece of gossip she''s picked up. "What about it?" I ask, my voice raspier than I''d like. "Someone said there was, like, a superhero chase there last night. At Dorsey. My brother swears he saw, like, a flare or something. He said it lit up the whole sky for, like, two seconds." I stiffen, gripping the edge of my desk. "Really? What time?" "Midnight or something," she says, twirling her pencil. "I don''t know. He''s always making stuff up, but my mom said there was a weird smell in the air this morning when she went for her jog. Like... cat litter?" "Probably just fireworks," I say, forcing a shrug. My throat tightens as I turn back around, my brain racing. Of course people noticed the fire, the chase. It was impossible to miss. But if Melissa''s brother saw the chase, that means Aaron''s antics are bleeding into places I can''t control. "Maybe," Melissa muses. "But, like, what if it was that Big Bad Wolf lady? People are saying they''ve been around Tacony more, right? Doing a lot of patrols." "What if," I unrespond, keeping my eyes fixed on the front of the room. The last thing I need is for Melissa or anyone else to connect those dots.
The rest of the day drags on in a haze of monotony and rising tension. Classes blur together, the steady rhythm of lectures and note-taking clashing against the constant hum of worry in the back of my mind. I manage to answer a few questions in history and scribble something coherent enough to pass for an essay in English, but my heart isn''t in it. My thoughts keep drifting back to the Music Hall, to the library, to Aaron. At lunch, the cafeteria is its usual chaotic mess of overlapping conversations and clattering trays. I pick at a peanut butter and jelly sandwich, my appetite nonexistent. Across the table, Alex and Jordan are deep in a heated debate about some anime I''ve never watched, their voices rising and falling in a rhythm that feels more like background noise than actual dialogue. "Sam, back me up here," Alex says suddenly, jabbing his fork in my direction. "Jordan''s shown you Nausica?, right? You think she could take out a Chevalier?" "Huh?" I blink, dragging myself back into the moment. "Uh, sure. Why not?" Jordan snorts, rolling their eyes. "That''s not an answer." "It''s the answer you''re getting," I say, managing a weak smile. "Sorry. My brain''s fried today."The tale has been taken without authorization; if you see it on Amazon, report the incident. "Big mood," Alex says, leaning back in his chair. "You okay? You look like you pulled an all-nighter." "Just tired," I lie, shoving the rest of my sandwich into my mouth to avoid further questions. Jordan glances at me but doesn''t say anything.
By the time the second-to-last bell rings, I''m ready to collapse. The weight of the day has settled into my bones, dragging down every step as I shuffle toward the front doors. The hallway buzzes with the usual end-of-day energy, students laughing and shouting as they push their way to their last classes. For a moment, it feels almost normal--like nothing''s wrong, like the city isn''t burning one block at a time. But then I catch snippets of conversation--someone mentioning the library fire, another kid talking about a "weird explosion" they heard near the river. The threads of the day start pulling together, tightening around me like a noose. Aaron''s not just after me anymore. He''s leaving a trail of chaos in his wake, and people are noticing. I grip the straps of my backpack, forcing myself to keep moving. There''s nothing I can do about it here, not with so many eyes and ears around. All I can do is keep my head down, blend in, and hope the rest of the day passes without incident.
The day is finally winding down, and I''m just starting to think I might make it through without any major catastrophes. My desk feels harder than usual, and my notebook is full of half-scribbled notes from a math class I barely registered. I''m zoning out, staring at the clock ticking down the last five minutes of the school day, when it happens. The fire alarm goes off. It''s not a polite little chime or a low whoop. It''s a full-on assault of sound, blaring and shrieking through the halls like it''s personally offended by the idea of peace and quiet. The first burst makes me jump so hard my knees hit the underside of my desk, sending my pencil clattering to the floor. Several people around me yelp or curse, their reactions blending with the deafening noise. "Holy--!" someone shouts, but it''s swallowed up in the cacophony. The teacher, Mr. Calhoun, raises his hands, shouting over the alarm. "Alright, everyone! Calmly and quietly--let''s go! You know the drill." Except it''s not a drill. Everyone knows that immediately. There''s no warning beforehand, no calm announcement over the intercom about a scheduled safety exercise (not that there usually is one). This is real. Or at least, it''s supposed to be. I grab my bag and follow the flow of students heading toward the door, my heart pounding for reasons that have nothing to do with the noise. There''s no smoke, no smell of fire--nothing to suggest an actual emergency. My gut twists. This isn''t random. It can''t be. Not today. Firefighters keeping us on our toes? They wouldn''t, right? "Keep moving!" Mr. Calhoun calls, ushering us into the hallway. The other classrooms are emptying out too, kids and teachers filing toward the exits in what''s supposed to be a calm, orderly line. It''s more like controlled chaos, everyone jostling and muttering as the alarm continues to scream overhead. I force myself to move with the crowd, my feet dragging a little more than they should. Part of me wants to break away, to run and check every corner of the school for signs of Aaron or whatever disaster is brewing. But I know the rules. Once we''re outside, they''ll take attendance. Anyone missing will stick out like a sore thumb. And if I try to slip away, I''ll only make things worse. So I shuffle along, clutching my bag like it''s a lifeline, my ears ringing from the alarm. The noise feels like it''s drilling into my skull, each pulse ratcheting up the tension in my chest. My breathing''s too shallow, too quick, but I can''t stop to calm down. I can only keep moving, step by step, down the hall and toward the main doors. Outside, the cold air hits me like a slap, cutting through the lingering fog of the alarm. Students and teachers gather in clusters on the grass, their voices rising in confused murmurs. I spot my homeroom group near the flagpole and head that way, trying to blend in. No one''s panicking. There''s no smoke, no fire trucks yet--just the blaring alarm and a whole lot of speculation. I scan the crowd, my eyes darting toward the building, toward the parking lot, toward every possible angle Aaron could use. Nothing. Not yet, anyway. A group of firefighters arrives a few minutes later, stepping out of their truck with practiced efficiency. They don''t look rushed, which means they''re not seeing smoke either. One of them carries a toolkit instead of a hose, heading straight for the fire panel near the entrance. "Just a malfunction, maybe," someone says nearby, but I don''t believe it. Not for a second. The teachers start taking headcounts, calling out names and marking clipboards. I respond when Mr. Calhoun calls mine, keeping my voice steady despite the growing knot in my stomach. My hands are stuffed into my jacket pockets, fists clenched so tight my nails bite into my palms. Then, my sleeve bursts into flames. Chapter 145.1 The fire is instantaneous, as if the air itself decides to combust. One moment I''m standing there, waiting for attendance to finish, and the next, my right sleeve is a burst of red fire, searing heat licking up my arm. The world slows down, sound and sight merging into one overwhelming, incomprehensible blur. It takes a second--just one stupid second--for my brain to catch up to what''s happening. Then it hits. Pain. Pain like nothing else, raw and sharp and all-consuming, the kind of pain that turns your thoughts to static. My breath catches, my lungs seize, and I can''t think, can''t process, can''t even scream. But instinct kicks in where logic fails--I yank at my jacket, trying to tear it off, my body moving on autopilot. Around me, chaos explodes. The alarm''s blaring mixes with the rising shrieks of students and the shouts of teachers trying desperately to regain control. Kids scatter, some running, others frozen in place, their faces masks of terror. Somewhere to my left, someone yells, "Oh my God, she''s on fire!" as if I need the reminder. My sleeve burns hotter, the flames devouring fabric and licking at skin. The pain sharpens, white-hot and almost unbearable, and I know, somewhere deep down, that this isn''t normal fire - the thought seems almost funny. Of course it isn''t. It''s blood red, it''s so much hotter than every bonfire I''ve ever seen in my life. I grit my tooth caps together, almost breaking them in an attempt to not scream. As if my day would be even better if everyone saw my crazy shark teeth. I drop to my knees, slamming my arm into the wet grass, trying to smother the flames. The ground is slick with half-melted frost, but the fire doesn''t care--it clings stubbornly to my sleeve, refusing to die. I can feel it now, eating through the fabric, searing into my skin, my body screaming in protest. "Get it off!" someone shouts, and suddenly, hands are on me, rough and panicked. A teacher, I think--Mr. Calhoun?--tries to rip my jacket away, but it''s fused to my arm now, the edges curling and blackened. The fire''s spread to the hem of my shirt, creeping toward my shoulder, and I bite back a scream as the cold air hits raw, blistering skin. A burst of white foam sprays over me, dousing the flames with a loud hiss. The chemical stench fills my nose, making me gag, but the fire finally sputters out, leaving behind charred fabric and angry red burns. My arm feels like it''s been dipped in acid, the pain radiating up to my shoulder and down to my fingers. I clutch it instinctively, my breath coming in shallow, ragged gasps. Around me, the chaos continues. More flames erupt, scattered across the crowd, licking at the edges of jackets and backpacks. A girl near the front of the line lets out a piercing scream, her ponytail catching fire before a teacher throws his coat over her head, smothering the flames. Students shove and trip over each other, trying to get away from the invisible threat. Some run back toward the building, others bolt for the parking lot, their fear turning the evacuation into a stampede. The firefighters move in quickly, their shouts cutting through the noise like a blade. "Stay calm! Form a line! Move toward the sidewalk--now!" They work with practiced efficiency, hoses and extinguishers spraying foam across the scattered fires. The air fills with smoke and chemical mist, the acrid taste clinging to my tongue. "Let me see," someone says, their voice firm but gentle. A firefighter crouches in front of me, his gloved hands reaching for my arm. I flinch instinctively, pulling back, but he holds steady, his expression calm and focused. "You''re okay. We''ve got you." I nod, swallowing hard, my throat raw from the smoke. My arm feels like it''s been flayed open, every movement sending fresh waves of pain shooting through me. The firefighter cuts away the remaining fabric with a pair of scissors, his touch careful but brisk. The cold air stings as it hits the burns, and I have to clench my teeth to keep from crying out. "Second-degree," he mutters, his brow furrowing as he examines the damage. "You''re lucky--it could''ve been worse." Lucky. Sure. If this is luck, I''d hate to see what unlucky feels like. Another firefighter steps in, spraying more foam over the remnants of the fire on my arm. The sensation is cold and shocking, like being hit with a bucket of ice water. It clings to my skin, soaking into the burns and making the pain flare briefly before it starts to dull, the chemicals doing their job. My teeth chatter as the rest of the foam settles over me, the wet fabric of my clothes sticking to my skin. I glance around, trying to pinpoint where Aaron is. He has to be here, watching. His fire doesn''t leave tracers--no smoke trail, no glowing ember to follow. Just heat and destruction, coming from nowhere. I scan the parking lot, the rows of cars, the clusters of students and teachers huddling together for safety. Anywhere with a line of sight could be a firing point. Anywhere. He could be in the crowd. On the roof. Across the street. I can''t see him. "Sam!" Melissa''s voice cuts through the fog, high and frantic. She''s running toward me, her face pale and stricken. "Oh my God, are you okay? What happened?" I open my mouth to answer, but my voice catches, the words sticking in my throat. I can''t tell her. Not here. Not now. "I''m fine," I manage, though my arm feels like it''s on fire all over again, even with the foam. "I''m fine." She doesn''t look convinced, but the firefighter steps in, raising a hand to keep her back. "Miss, we need to get her to the ambulance. Please stay with your class." "Wait--" I start to protest, but the firefighter''s already helping me to my feet, his grip firm and steady. The world tilts slightly as I stand, the pain and adrenaline making my head swim. My arm hangs limp at my side, wrapped in a loose layer of gauze that doesn''t do much to hide the angry red burns beneath. "Come on," the firefighter says, guiding me toward the edge of the parking lot. The ambulance is parked there, its doors open and waiting. I can hear the faint murmur of a radio, the crackle of static as someone relays instructions. The crowd parts as we move, their eyes following me with a mix of fear and curiosity. Whispers ripple through the students, fragments of questions and speculation carried on the cold wind. "Did you see her arm?" "How did it start?" "Is she gonna be okay?"Unauthorized duplication: this tale has been taken without consent. Report sightings. I keep my head down, focusing on putting one foot in front of the other. Every step feels like a struggle, my body weighed down by exhaustion and the lingering sting of the burns. The cold bites at my skin, the wet foam making it worse, but I grit my teeth and keep moving. As we reach the ambulance, the firefighter helps me up onto the edge of the open door, his hands steadying me as I sit. The paramedic inside glances at me, her eyes sharp and assessing. "Burns?" she asks, already pulling on a pair of gloves. "Right arm and shoulder. Second-degree," the firefighter replies, his tone clipped. "Clothes caught fire during the evacuation." The paramedic nods, her hands moving with practiced efficiency as she unwraps the gauze. I bite back a hiss as the cool air hits my skin again, the raw flesh exposed to the elements. She doesn''t say much, just murmurs instructions and reassurances as she applies a soothing gel to the burns, her touch light but deliberate. The pain dulls slightly, the gel working its magic, but my mind is still racing. Aaron''s out there. Somewhere. Watching. Planning his next move. And I can''t do a damn thing about it while I''m stuck here, playing the role of the helpless victim. "Hang tight," the paramedic says, wrapping my arm in fresh gauze. "We''ll get you to the hospital to check for infection, but you''re stable for now." I nod, not trusting myself to speak. My throat feels tight, the weight of everything pressing down on me like a vice. The world outside the ambulance blurs slightly, the voices of the crowd fading into background noise. All I can think about is Aaron--where he is, what he''s planning, and how I''m going to stop him.
The ride to the hospital is every bit as miserable as I expect. The ambulance bumps along the uneven roads, jostling me just enough to send fresh waves of pain radiating from my arm. The paramedic sitting beside me adjusts the straps on the gurney, her expression a perfect mask of professional detachment. I can tell she''s trying to keep me calm, but I''m not sure if she knows how irritating that makes her. "How''s the pain, sweetheart?" she asks, her voice saccharine enough to make my teeth ache. "Fantastic," I mutter, wincing as we hit another pothole. "Ten out of ten. Would recommend." Her lips twitch like she''s trying not to smile. "We''ll have you on some better pain meds as soon as we get to the hospital. Just hang tight." I roll my eyes but don''t say anything else. My arm feels like it''s still on fire, the burns raw and throbbing under the layers of gauze. The gel helps, but only just. Every time the ambulance lurches, the pain flares, sharp and insistent. I clench my jaw, trying to focus on anything else. The paramedic across from me, a guy with tired eyes and a five o''clock shadow, fiddles with his clipboard, jotting down notes. "Alright, Samantha, we''ve got second-degree burns on the right arm and shoulder, no loss of consciousness, no head trauma. Anything else we should know? Any other injuries?" "Nope," I say, forcing the word out through gritted teeth. "Just the arm." He glances at me over the clipboard, his expression skeptical. "You sure? You took a pretty big hit." "I''m fine," I insist, more forcefully than I mean to. The last thing I need is for them to dig deeper. "It''s just the arm." The paramedic shrugs, going back to his notes. "Alright. We''ll let the doctors take a closer look, just to be safe." "Great," I say, slumping back against the gurney. "Looking forward to it." The woman beside me chuckles softly, shaking her head. "You''ve got a mouth on you, don''t you?" "I spontaneously ignited," I mutter, my eyes fixed on the ceiling. "Sorry if it''s making me a little testy," The fluorescent lights flicker slightly, casting uneven shadows that dance across the cramped space. I try to focus on the rhythm of the bumps and turns, anything to keep my mind off the pain. The siren wails above us, cutting through the usual noise of the city. I can only imagine the scene we left behind--students scattered across the lawn, firefighters trying to calm the chaos, the lingering smell of smoke and extinguished flames. And somewhere out there, Aaron is probably watching it all unfold with that smug grin on his face. Not for long. Not if I can help it.
The hospital is as chaotic as I expected. The paramedics wheel me through a maze of hallways, fluorescent lights glaring down at me from every angle. Nurses and doctors move with practiced efficiency, their voices blending into a steady hum of medical jargon and clipped instructions. I''m ushered into a small room with a curtain separating me from the rest of the ER. A nurse with short-cropped hair and a no-nonsense expression sets to work unwrapping the gauze from my arm, her movements brisk but careful. The gel clings to the burns, and every touch feels like sandpaper against raw skin. "You''re lucky," she says, her voice neutral. "Could''ve been a lot worse." "Yeah," I mumble, wincing as she applies a fresh layer of gel. "That''s what they keep telling me." She doesn''t respond, just keeps working. I glance around the room, my eyes landing on a clipboard hanging from the edge of the bed. It''s filled with notes and diagrams, documenting the extent of my injuries in painstaking detail. Second-degree burns, partial thickness, covering approximately 30% of the right arm and shoulder. I can already see how this is going to complicate things later. Hospitals love paper trails, and mine''s growing by the second. The curtain pulls back suddenly, and a man steps into the room. He''s wearing a police uniform, his badge catching the harsh light. His face is lined, his expression unreadable as he takes in the scene. "Samantha Small?" he asks, his voice low and steady. "That''s me," I say, trying to keep my tone casual. He pulls out a small notepad, flipping it open with a practiced motion. He''s not someone I recognize. I don''t know, intuitively, if he knows about my other persona. Best play it safe for now. "Officer Harper, 15th District. I need to ask you a few questions about what happened at the school." I glance at the nurse, who''s still working on my arm. She doesn''t seem fazed by the intrusion, her focus entirely on her task. I turn back to the officer, nodding slightly. "Sure. What do you need to know?" "For starters, can you tell me exactly what happened? From the beginning." "I was outside with the rest of my class," I say, carefully. "We were doing the fire drill, and then...I don''t know. My sleeve just...caught fire. Out of nowhere." "Out of nowhere," he repeats, his pen poised above the notepad. "Yeah," I say, forcing myself to meet his gaze. "I didn''t see anything. No one near me. It just...happened. It was bright red like that coffee shop fire." He frowns slightly, jotting something down. "And you didn''t notice anyone acting suspicious? Anyone out of place?" "No," I say quickly. Too quickly. "I mean, there were a lot of people around. It was chaotic. But nobody that looked like they could set me on fire remotely." He nods slowly, his pen scratching against the paper. "Alright. We''ve got officers on scene interviewing other students and staff. If anything comes to mind, you let us know." "Of course," I say, plastering on a weak smile. He closes his notepad, tucking it back into his pocket. "We''ll be in touch. Take care of yourself." As he steps out, I exhale slowly, my shoulders slumping. The nurse glances at me, her expression unreadable. "Anything you want to tell me?" she asks, her tone light but pointed. "Nope," I say, shaking my head. "Worse things have happened to me this week," She snorts softly, finishing her work and stepping back. "Alright, you''re good for now. The doctor will be in to check on you shortly." "Great," I mutter, leaning back against the bed. The gel numbs the worst of the pain, but the throbbing ache in my arm is still impossible to ignore. At least in here, it''s safe. Nobody''s going to come and light me on fire again while I''m sitting in a hospital cot. They''ve got security guards. That''s what I''m telling myself, at least. Chapter 145.2 The curtain rustles, and three figures step into the tiny hospital room. Even before my eyes adjust to the movement, I know who it is. Multiplex, Crossroads, and Captain Plasma. The Delaware Valley Defenders, walking into my life like they own it. Multiplex is in the lead, his suit crisp and spotless despite the chaos I know he''s been dealing with all day. He''s got that same unflinching, focused expression he always wears, like he''s already analyzed every possible move I could make in this conversation and decided which one he wants me to take. Crossroads follows close behind, his eyes scanning the room with that sharp, detached intensity that always makes me feel like I''m being dissected under a microscope. He doesn''t say anything, or look like he''s about to. He just looks at me - through me - calculating possibilities in the air. And then there''s Captain Plasma, towering over the others, still as blonde-haired and blue-eyed as ever. He gives me a small wave, like we''re old friends catching up, not heroes about to grill a sixteen-year-old in a hospital bed. "Miss Small," Multiplex says, his tone clipped and professional. He doesn''t sit, just stands at the foot of the bed with his arms crossed. "How are you feeling?" "Peachy," I mutter, shifting slightly to make room for my heavily bandaged arm. "Nothing like a surprise barbecue to brighten up a school day." Captain Plasma chuckles softly, though the concern in his eyes doesn''t waver. "Glad to see you''re keeping your sense of humor." I force a tight smile, but it doesn''t reach my eyes. "Yeah, well, what''s the alternative?" Multiplex''s gaze sharpens, and I immediately regret the quip. He doesn''t respond, instead pulling out a slim tablet from the inside of his jacket. The screen glows faintly as he flips through what I assume are notes from the scene. "We''re here because the situation at the school escalated beyond local jurisdiction," he says, not looking up from the tablet, pretending like we don''t know each other already in case there''s doctors or nurses eavesdropping. "This attack fits the pattern of a known superhuman arsonist operating in Tacony. Based on your proximity to the incident and previous encounters, we need to ask a few questions." "Of course you do," I say, trying to keep my tone light. Captain Plasma winces slightly. Crossroads, unsurprisingly, says nothing. Multiplex just keeps scrolling, his expression unreadable. "You''ve encountered this individual before," Multiplex continues, his tone not so much accusatory as it is definitive. "Crossroads briefed us on your... altercation with him last year." My stomach twists, but I keep my face carefully neutral. "Yeah," I say slowly. "When he pulled my fingernails off and smacked me in the head with a crowbar. Among other things." "And now it''s escalated," Captain Plasma says, stepping forward slightly. His voice is warm, almost gentle, but there''s an edge of urgency beneath it. "This is no longer a one-off incident. He''s repeatedly attacking public spaces, endangering lives. Today''s attack could have been catastrophic. Six other students were injured." "I know," I say quietly, my fingers curling into the scratchy hospital blanket. "I was there." Crossroads finally speaks, his voice low and measured. "We''re not here to assign blame, Sam. But if there''s anything you can tell us about where he''s hiding or where he attacked you from, we need to know. We''re dealing with someone who''s clearly escalating, and we need to stop him before this happens again." I meet his gaze, and for a moment, I see the faintest flicker of sympathy in his expression. It doesn''t last long, but it''s enough to make me hesitate. They''re right. He''s dangerous. He''s hurt people--kids, even--and he''ll keep doing it unless someone stops him. But handing him over to them, letting them sweep him up into their system and lock him away in some super-prison? That''s not enough. Not after everything he''s done to me. Done to everyone else. "I wish I could point him out for you," I say finally, forcing the words out. "But I didn''t see him today. I didn''t even know he was there until... you know." Multiplex narrows his eyes slightly, his fingers tapping against the tablet. "You''re certain?" "Positive," I say, meeting his gaze with what I hope is enough conviction to sell it. "If I had seen him, I would''ve said something. I don''t exactly have a soft spot for guys who torture me." Captain Plasma nods, his expression thoughtful. "Fair enough. But if you do know anything, you need to tell us. We''re coordinating with the police and other teams to track him down, but every detail helps." "Of course," I say, nodding earnestly. "I''ll let you know if he comes to finish the job. Can I talk to Crossroads privately?" Multiplex studies me for a moment longer, then nods curtly. "Sure. We''ll be in touch." He and Captain Plasma both turn around and leave. Crossroads stays. He flips a coin in his hand, only checking it every so often, fidgeting. "Are you scoping out the rest of the conversation you''re about to have?" I ask, raising an eyebrow. "Cheating to get information from the future?" He smiles, tight-lipped. "We need to know about Aaron if we''re going to stop him. So I need you to tell me everything he''s capable of," Ping! Thwp. Ping! Thwp. Crossroads and I stare at each other. A small trickle of blood leaks out his nose, and suddenly his vascular system lights up. He''s using his powers overtime, that''s the only reason he gets nosebleeds like that.The story has been stolen; if detected on Amazon, report the violation. "Here, let''s save my oxygen. Heads, I''ll tell you. Tails, I won''t. Does that polarize it enough?" I say, pre-committing to the course of action. Thinking about what I''d tell him. The different fires, how he used to only be able to do the smelly yellow fire, but now he''s got a whole rainbow - red, blue, yellow, white, and that blinding, noxious smoke. How I beat him up, stole his drugs, broke his shoulder, and ruined his life, and now he needs to get back to me. His crazy sociopath lecture on how getting beat by his dad taught him the value of pain. His smile widens a little bit - it''s a weird expression to see on him - and he flips his coin again. It smacks into his palm, and he turns it over onto the back of his hand. "Tails. But that''s okay. You''ve told me as much as we need to know. " "Your power is such a fucking cheat, dude," I crack, smiling with him, hoping that the alternate-future-me he''s interrogated doesn''t reveal anything about getting out on the streets and beating Aaron bloody. For the first time in what seems like forever, Crossroads''s face breaks out into a grin. He lingers for half a second as the others turn to leave, his eyes flicking over me like he''s trying to pull the truth out of my head by sheer force of will. I hold his gaze, refusing to flinch, until he finally nods and follows the others out of the room. The curtain swishes shut behind them, and I let out a long, shaky breath, my shoulders slumping against the pillows. My arm throbs dully under the bandages, but it''s nothing compared to the knot of tension coiled in my chest.
The next person to walk through the curtain isn''t a superhero or a cop, but a doctor in scrubs, clipboard in hand and a look of tired efficiency on her face. She doesn''t bother with pleasantries, just nods briskly and pulls up a stool next to the bed. "I''m Dr. Patel," she says, scanning the chart clipped to her board. "Samantha Small. Sixteen. Female. Second-degree burns on the right arm, shoulder, and hand." She pauses, glancing up at me. "How''s the pain?" "Manageable," I say, forcing my voice to stay steady. The pain is less sharp now, dulled by the gel and whatever they''ve been feeding into the IV, but it''s still a constant, hot throb that makes it impossible to forget. Dr. Patel raises an eyebrow, clearly unconvinced. "On a scale of one to ten?" "Seven," I say after a moment''s thought. Not so bad that I can''t function, but bad enough to make me want to crawl out of my skin. "Maybe six if I don''t move it." She nods, making a note on the chart. "We''ll get you a prescription for something stronger before you go home, but I''d like to avoid anything too heavy if we can. You''ll need to stay on top of the pain management, though--burns like this can get worse if they''re not treated properly." "Right," I say, not bothering to correct her assumption that I''ll be sticking around long enough for prescriptions and pain management to matter. My body heals on its own schedule, and it doesn''t include month-long recoveries. By tomorrow, this''ll be a dull ache. By Monday, it''ll just be a bad memory. She pulls on a pair of gloves and carefully unwraps the bandages covering my arm. I bite down on the inside of my cheek, willing myself not to flinch as the cool air hits the raw, exposed skin. The burns are angry and red, blistering in places where the fire lingered too long. It looks worse than it feels, and that''s saying something. "You''re lucky," Dr. Patel says, her tone clinical. "The burns are deep, but they didn''t penetrate the full thickness of the dermis. No permanent damage to the muscles or tendons, as far as we can tell." "Great," I say, though the word tastes bitter in my mouth. I know she means it as reassurance, but it''s hard to feel lucky when you''ve just been set on fire in front of your entire school. She leans in closer, inspecting the burns with a critical eye. "The healing process will take time. You''ll need to keep the area clean and covered, change the dressings daily, and apply the prescribed ointments. Physical therapy may be necessary to regain full mobility in the hand and shoulder. I''d estimate three to four months for full recovery, assuming there are no complications." "Three to four months?" I echo, forcing a laugh that sounds hollow even to me. "Guess I''d better clear my schedule." I run the calculations in my head. It usually takes me about 16 hours to recover from a moderate concussion, minutes for small cuts, baseline of - what, four times? That means about 3-4 weeks at worst. Best case, probably something closer to 4-5 days. That''s fast, but I don''t have time to lose and worry about it. I''ll just have to push through. Dr. Patel doesn''t laugh. She just sets down the clipboard and starts applying a fresh layer of gel, her movements brisk but gentle. "Burns are serious injuries, Samantha. Even with proper treatment, the skin will take time to regenerate. And there''s a high risk of infection if you''re not careful." "I''ll be careful," I lie automatically, wincing. Careful doesn''t exactly fit into the plan forming in the back of my mind. Not when Aaron''s still out there, planning his next move. She doesn''t respond, just finishes wrapping the bandages and straightens up, peeling off her gloves. "We''ll be keeping you overnight for observation just to make sure you don''t acquire any immediate secondary infections by tomorrow. If everything looks good and not filled with pus, we''ll have the nurses bring you the discharge papers. We''ve already gone ahead and let your parents know. In the meantime, do you have any questions?" I shake my head, my gaze fixed on the floor, trying not to think about my parents. "No. Thanks." She studies me for a moment, her expression softening just slightly. "If you''re feeling overwhelmed, that''s normal. A traumatic event like this can take a toll, both physically and emotionally. We have counselors available if you''d like to talk." "I''m fine," I say, the words coming out sharper than I intended. "Really." Dr. Patel doesn''t push, just nods and leaves the room, the curtain swishing shut behind her. The silence that follows is hungry, swallowing me. I stare at the neatly wrapped bandages on my arm, my thoughts spiraling in a dozen different directions. Three to four months. That''s how long a normal person would take to heal from this. That''s how long I''m supposed to be out of commission, stuck at home or in physical therapy, pretending like everything''s fine while Aaron keeps lighting up the city. But I''m not normal. I can feel it already, the faint buzz beneath the pain that tells me my body is working overtime to patch itself up. By tomorrow, the blisters will shrink. By the weekend, the skin will start knitting back together. By the time anyone realizes I''m not following the recovery timeline, I''ll be gone--out there, hunting him. I can''t wait for the system to catch up. I can''t wait for justice to crawl its way through red tape and bureaucracy. Aaron made this personal, and he''s not going to stop until someone stops him. My fingers curl into the blanket, the coarse fabric scratching against my skin. The throbbing pain in my arm is just background noise now, swallowed by the fire building in my chest. This isn''t about revenge. It''s about making sure he can''t do this to anyone else. It''s about protecting the people he''s hurt, the people he''ll hurt if I don''t act. The nurse comes in with some extra medication, her smile warm but distant. She goes over things with the same rehearsed script I''ve heard a dozen times before--rest, hydration, follow-up appointments, prescriptions. I nod and smile in all the right places, but my mind is already elsewhere, mapping out the next steps. How to slip away without raising suspicion. How to track Aaron before the Defenders or the police get to him. They''re hunting him. A full-scale manhunt, with the weight of the Defenders and the police behind it. He''ll be caught. It''s inevitable. But not yet. Not before I finish what he started. Chapter 145.3 The phone feels heavier in my hand than it has any right to. I swipe to dial Mom''s number, my thumb hesitating for a fraction of a second before pressing the button. The dial tone rings loud in my ear, and for a moment, I hope it''ll go to voicemail, that I won''t have to face whatever mixture of concern and anger she''s brewing. But of course, that''s not how this works. She picks up after two rings. "Sam!" Her voice is sharp, teetering between relief and panic. "Oh my G-d, are you alright? The doctors called--they said you were attacked? At school?" I wince, pulling the phone slightly away from my ear. "Yeah, uh, I''m fine. It''s not as bad as they made it sound." "Not as bad?" she echoes, her voice rising. "Your arm is burned, Sam! They said second-degree!" "It''s just a little crispy," I say, forcing a chuckle that falls flat. "They''ve got me wrapped up like a mummy. I''ll be good as new in no time. You already know how fast I heal." There''s a pause on the other end, filled with the faint clatter of dishes and the low hum of Pop-Pop Moe''s voice in the background. He''s singing, something Hebrew I don''t quite catch, the cadence warm and familiar. "Sam," Mom says, her tone softening but no less insistent. "This is serious. Your father and I are terrified. We were talking about driving up--" "You don''t have to do that," I cut in quickly. "Seriously. The hospital''s got me covered, and, uh, some of the local heroes are keeping an eye on things. I''m perfectly safe here. And I need you to be perfectly safe in Ventnor, or I''ll make myself sick just worrying about you guys." "Heroes?" she asks, her voice tinged with skepticism. "Like who?" "Multiplex," I say, hoping the name will carry enough weight to ease her worry. "Captain Plasma. Crossroads was here, too. They''re on it." There''s a faint rustle as she shifts the phone, probably turning to relay the information to Dad. His voice murmurs something in the background, low and steady. I hear - faintly - a joke - "who''s protecting who here?". Pop-Pop''s singing continues, accompanied by the rhythmic chop of a knife against a cutting board. "Okay," Mom says finally, though her tone suggests she''s far from convinced. "If the Defenders are involved, that''s something. But I still don''t like the idea of you being there alone."This book''s true home is on another platform. Check it out there for the real experience. "I''m not alone," I say, leaning back against the stiff hospital pillows. "There are nurses, security guards, a whole SWAT team of superheroes combing Mayfair. I''m basically in Fort Knox." "Fort Knox," she repeats, her voice flat. "And you''re okay? Really okay?" "I promise," I say, my voice softening. "I''m okay, Mom. And I''m staying put. They won''t let me leave even if I wanted to." "That''s not exactly reassuring," she mutters, but the tension in her voice eases slightly. "Alright. But if anything changes--anything--you call us. Do you hear me?" "Loud and clear," I say, forcing a smile she can''t see. "How''s Pop-Pop? Is he... chopping onions?" "Onions, parsley, potatoes. He''s making latkes," she says, the faintest hint of a smile creeping into her voice. "He says you''re missing out." "I''ll make it up to him," I say, swallowing the lump in my throat. "Tell him I''ll be there next week to eat him out of house and home." "Better keep that promise," she says, her voice soft but firm. "We love you, Sam." "I love you, too," I say, the words catching slightly as I force them out. We hang up, and the room feels unbearably quiet in the absence of her voice. I stare at the phone for a moment before setting it on the bedside table, my hand lingering over the screen. The TV flickers in the corner, the sound low and tinny as a cartoon character screeches something incomprehensible. I''ve left it on for appearances, a distraction in case anyone walks in, but the bright colors and rapid movement only make my head ache. Outside the window, the city is painted in streaks of orange and pink as the sun dips below the horizon. I can see the faint silhouettes of heroes patrolling in the distance, their movements purposeful but relaxed. They''re not expecting anything to happen tonight. Not with the hospital locked down tighter than a drum. I shift in the bed, my bandaged arm brushing against the blanket. The dull throb of pain is a constant reminder of what''s waiting for me out there. Aaron''s not going to stop. Not until someone makes him. I glance toward the door, listening for the faint hum of voices or footsteps in the hallway. The protection detail is thorough, but they''re human. They''ll get distracted, pulled away by something more urgent than a bandaged teenager in a hospital bed. I slide my feet over the edge of the bed, wincing as the motion pulls at my shoulder. My clothes are folded neatly on the chair by the door, and I reach for them, moving as quietly as I can. Every rustle of fabric feels deafening in the stillness. The hospital gown slips to the floor, replaced by the familiar weight of my hoodie and jeans. The movement tugs at the bandages, but I grit my teeth and keep going, my focus sharp and unwavering. I lace up my sneakers, the knot trembling slightly under my fingers. The bathroom excuse is ready in my head, rehearsed and simple. If anyone stops me, I''ll play the part of the tired, slightly disoriented patient looking for the restroom. Most people won''t question it. I watch. I listen. I wait. At some point near midnight, or maybe 1 AM, there''s a perfect moment, a car accident or something like that, that has people rushing out and focusing on anything other than me. Squeaky hospital bed wheels scraping along the linoleum floor. Rushed voices barking orders. All eyes off me. I step toward the door, my heart hammering in my chest. The faint glow of the hallway light spills through the gap at the bottom, shadows shifting as someone passes by. I wait, my breath caught in my throat, until the shadows move on. Then, with a deep, steadying breath, I slip out into the night. WORLD OF CHUM: Power Laws (5) Going Dark: Inside America''s Powered Underground

The Atlantic | March 2022

By Rebecca Solnit The house fire that changed Sarah''s life started in her family''s kitchen. A faulty wire, the fire marshal would later determine. But what happened next wasn''t in any official report. "I remember the heat," says Sarah, now 17, her voice barely above a whisper. "The smoke was everywhere. I couldn''t breathe. And then suddenly..." She trails off, gesturing vaguely. "The flames just... moved. Away from us. Like they were listening to me." We''re sitting in what her "handler" - we''ll call him Michael - terms a "waystation," one of countless anonymous apartments across America where unregistered powered individuals find temporary shelter. The furniture is sparse: a folding table, some chairs, a mattress on the floor. The windows are covered with heavy curtains. Sarah''s family isn''t here; they haven''t seen her in eight months. "It was safer this way," Michael explains. A former social worker, he''s been helping unregistered powered individuals navigate life off the grid for nearly a decade. "Her parents are undocumented. Registering for LUMA would have put the whole family at risk." The License to Utilize Metahuman Abilities (LUMA) system, implemented under the Stewart administration, requires all powered individuals to register their abilities with the government. The fees are modest - $40 for initial registration and $20 for biennial renewal. But for many, the real cost isn''t measured in dollars. "People think it''s about the money," says Dr. Elena Rossi, a civil rights attorney who provides legal counsel to unregistered powered individuals. "But for most of my clients, forty dollars isn''t the barrier. It''s what comes with registration - the scrutiny, the surveillance, the way your entire life becomes subject to government oversight." Sarah''s story is far from unique. Across America, an estimated 30,000 powered individuals live outside the LUMA system. They form a hidden community connected by whispered referrals, encrypted chat rooms, and people like Michael - the self-styled "handlers" who help them navigate an increasingly hostile landscape. These networks operate through a loose coalition of safe houses, healthcare providers, and employment contacts. Communication happens primarily through ancient IRC channels and private forums, with constantly changing servers and strict security protocols. "You learn to be careful," Michael says. "One slip-up could expose dozens of people." Dr. Maya Rodriguez works at what she calls a "shadow clinic" in Seattle, providing medical care to unregistered powered individuals. "Many of these abilities have physical side effects," she explains. "The Bracing Effect can cause vascular problems. Power use can lead to exhaustion, muscle strain, even neurological issues. Without access to regular healthcare, people suffer needlessly." The network also provides power control training - crucial for individuals who might otherwise struggle to manage their abilities. "It''s not just about keeping them hidden," says Rebecca Torres, a powered individual who runs training sessions in Los Angeles. "It''s about preventing accidents, helping people live normal lives. The government acts like registration is the only way to ensure public safety. We prove otherwise every day."If you find this story on Amazon, be aware that it has been stolen. Please report the infringement. Not everyone in the underground stays there forever. Some emerge when their circumstances change, paying the registration fees and entering the LUMA system. Others remain perpetually off-grid, building entire lives in the shadows. The reasons for avoiding registration are as varied as the powers themselves. "I couldn''t risk them knowing what I can do," says Marcus (not his real name), a former military contractor whose abilities allow him to access other people''s memories. "They''d either lock me up or put me to work. Neither option appealed." He now works as a handyman, paid in cash, moving between cities every few months. Another underground resident, who asks to be called Jenny, manifested the ability to manipulate electronic systems during a car accident. "I looked at the LUMA requirements, saw how they classify different power types. Someone like me? I''d be flagged as a potential security risk. Limited job options, travel restrictions, constant monitoring. That''s not a life." The network includes numerous former government employees who became disillusioned with the system they once served. "Maria" worked as a LUMA registration officer for three years before leaving to join the underground. "I watched them classify a twelve-year-old as a potential weapon of mass destruction because she could influence plant growth. Preparing to ship her off to Aurora Springs. That was my breaking point. She was twelve." The legal community remains divided on the underground network''s activities. While some lawyers work openly to reform the LUMA system, others secretly provide assistance to the underground. "We''re operating in a grey area," admits one attorney who requested anonymity. "Technically, what we''re doing violates a litany of laws, oversights, regulations. But so was helping escaped slaves. Sometimes the law is wrong." Back at the waystation, Sarah is preparing to move to her next location. She can now control her pyrokinetic abilities well enough to prevent accidental fires, thanks to training from the underground network. She dreams of someday becoming a firefighter but knows that''s impossible without registration. "The best part of my week is Sunday dinner," Sarah says, carefully folding a hand-knitted sweater into her backpack. The underground network arranges regular family meetings at rotating safe locations - restaurants, parks, sometimes even rented cabins outside the city. "Mom still makes her enchiladas. Dad tells the same jokes. My little brother''s getting so tall." Her smile is genuine, unguarded. "It''s not perfect, but we make it work. The network helps us stay a family." Michael explains that maintaining family bonds is a priority for the underground, especially with younger powered individuals. "Isolation breeds desperation. We learned early on that keeping families connected, even if they can''t live together, is crucial. Happy people are careful people." Michael will drive her to the next safehouse tonight, another link in a chain that stretches across the country. As we leave, he shares a final thought: "Everyone focuses on the powers, but this isn''t about that. It''s about human dignity. It''s about the right to exist without having to justify yourself to a system that sees you as a threat first and a person second." The underground network continues to grow, adapting to increased surveillance and evolving registration requirements. Its members see themselves not as criminals but as resistors, part of an American tradition of civil disobedience in the face of unjust laws. For Sarah and thousands like her, the choice between registration and life underground isn''t really a choice at all. It''s a question of survival, of maintaining basic human dignity in a world that increasingly views powers as something to be controlled rather than protected. Chapter 146.1 The thing about hospitals is, they''re full of people who aren''t supposed to be paying attention to you, but somehow they always are. It''s not because they care, necessarily--although I''m sure they''d claim they do--but because hospitals are built around the idea that you''ll stay put and follow their plan. Their plan isn''t my plan, though, and I''ve got somewhere to be. Right now, the universe is being polite to me. There''s been some kind of car accident nearby, and every nurse, doctor, and security guard in this place has decided that the guy with a steering wheel-shaped bruise on his chest is more pressing than the bandaged teenager trying not to make eye contact with anyone. I''ve got my hoodie on, my sneakers laced, and my backpack slung over one shoulder. The only thing still tying me to this room is the stupid hospital bracelet on my wrist, which I''ll deal with once I''m outside. Step one: get out of here without someone deciding I look suspicious. Step two: don''t think about step two yet, because step one is hard enough. I peek out into the hallway, the fluorescent lights buzzing faintly overhead. The air smells like antiseptic and a hint of overcooked cafeteria soup. Voices echo from the nurses'' station down the hall, sharp and purposeful, but no one''s heading my way yet. Perfect. I''m halfway to the elevator when it happens. "Excuse me?" The voice freezes me mid-step. It''s light, polite, but there''s an edge of authority that makes my stomach twist. A nurse. Late twenties, maybe, with auburn hair pulled into a tight bun and a badge that says "M. Larson, RN." She steps into my path, her expression caught somewhere between friendly concern and professional suspicion. "Can I help you?" she asks, her eyes flicking over me, from the hoodie pulled low over my face to the hospital bracelet glaring like a neon sign on my wrist. I swallow hard, forcing myself to meet her gaze. My mind races. What would a regular patient say? What would a regular patient do? "Uh, yeah," I say, scratching at the back of my neck in what I hope passes for casual embarrassment. "I was just--bathroom. Couldn''t find anyone to ask, so I figured I''d look for it myself." Her eyes pull over me, examining me, deciding whether or not I need an escort. Looking at my bandaged arm. My fingers twitch instinctively, curling into my sleeve to hide it. "The bathrooms are just around the corner," she says after a moment, her voice cautious. "But you really shouldn''t be wandering around. Let me find someone to escort you back to your room." "Thanks," I say quickly, too quickly. "But I''ve got it from here. Seriously. I''ll head right back after." I flash what I hope is a convincing smile, but it feels more like a monkey''s grimace. She hesitates, her eyes searching mine for something I can''t name. For a second, I''m sure she''s going to call for backup, demand my name, ask which room I came from. Shoot me in the face, maybe. Then, mercifully, she steps aside. "Don''t wander too far, alright, darling?" "Of course," I say, nodding earnestly. "Thank you." I turn the corner before she can say anything else, my heart pounding in my ears. The adrenaline buzzes through me, sharp and electric, and I force myself to keep walking, to resist the urge to break into a run. Running would draw attention. Running would scream guilty. The elevator is out of the question--too exposed, too risky. I don''t want to get stopped on it by someone who knows I shouldn''t be just leaving. I head for the stairs instead, slipping through the door and into the dimly lit stairwell. It smells like old concrete and cleaning supplies, the faint echoes of distant footsteps bouncing off the walls. Down. Just keep going down. The hospital is a maze, but it''s a maze I know well. I''ve been here enough times--too many times--to not have it memorized. I push through the doors, stepping out into the crisp night air. The sky above Philadelphia is a murky mix of orange and gray, the city lights reflecting off low-hanging clouds. It''s not raining, but the air feels damp, heavy with the promise of bad weather. Perfect for sneaking around. The parking lot is mostly empty, just a few scattered cars and an ambulance idling near the entrance. I pull my hood up tighter, tilting my head down as I walk past the EMTs loading a burn victim onto a stretcher. The air around him smells faintly of smoke, sharp and acrid, and I catch a glimpse of his arm--charred and blistered, the skin blackened in places. My stomach twists, but I keep moving. Can''t think about him. Can''t think about any of them. Not yet. I make it to the sidewalk and take a deep breath, ripping the hospital bracelet off my wrist and stuffing it into my pocket. The plastic digs into my fingers as I crush it into a tiny, crumpled ball. It''s not much, but it feels like shedding a layer of control, like the first step toward being myself again.You could be reading stolen content. Head to Royal Road for the genuine story. Jefferson Frankford sits on a stretch of road that feels like it''s trying to be suburban but can''t quite commit. The buildings are a mix of old brick rowhouses and ugly concrete blocks, with the occasional chain restaurant or gas station thrown in for good measure. I pick a direction--northeast, towards Mayfair--and start walking, keeping to the shadows where the streetlights don''t quite reach. The hoodie is a shield, the backpack slung over my shoulder a feeble attempt at blending in. I keep my head down, my pace steady but unhurried, as I move away from the hospital. Each step, I''m waiting for someone to rush out and stop me. I''m sure once they notice I''m not in my bed, they''ll start calling my parents, and that''ll be a problem. I''ll deal with that when it becomes a problem. The streets are alive with movement, the hum of the city amplified by the tension that clings to the air. Philadelphia isn''t at war--not yet--but you can feel the edges fraying, the cracks spreading. They''ve been spreading for months now, but it''s only been getting worse. Sirens wail in the distance. A group of kids loiters on a corner, their voices rising in bursts of laughter. A patrol car idles by the curb, its lights flashing lazily as the officers inside talk into their radios. Nobody notices me. Nobody cares. I''m invisible. The chill seeps through my clothes, the fabric of my hoodie clinging to my skin with all the sweat. My arm throbs beneath the bandages, a dull, persistent ache that refuses to be ignored. I clench my teeth against it, pushing the pain to the back of my mind. It doesn''t matter. I''m fine. I cut through an alley, the narrow space hemmed in by graffiti-covered walls. The scent of garbage and damp concrete fills my nose, but it''s quieter here, the city''s noise muffled by the buildings on either side. A stray cat darts across my path, its eyes flashing briefly in the dim light before it disappears into the shadows. Mayfair isn''t far. I can feel it, the pull of familiarity guiding me forward. My steps quicken slightly, the weight of the hospital fading with each block I put between us. The thing about walking alone at night is, every sound feels like it''s meant for you. A car door slams two blocks over, and my heart skips. A dog barks somewhere in the distance, and my muscles tighten, just for a second. Even the wind, rustling through the brittle remains of leaves, feels like it''s whispering something I don''t want to hear. I tug my hood lower, adjusting the strap of my backpack as I move through the city. The streets are alive, but not in the way I''m used to. Philadelphia''s always had its rhythms--the sharp percussion of car horns, the steady hum of distant traffic--but tonight, everything''s offbeat. Sirens wail intermittently, weaving in and out of the background noise like a sinister melody. The air tastes like smoke, even when there''s none in sight. I cut through another alley, stepping over a broken beer bottle that glints faintly in the dim light. The graffiti here is newer than I remember--angry black text that shouts "I FUCKING LOVE JUMP"... is that - scorched into the wall? The implication makes my nose scrunch. Or maybe the smell of charcoal. I shake it off and keep moving. As I emerge from the alley, the city stretches out before me, its edges blurred by the haze of light and smoke and slush and cold. Mayfair''s still a ways off--at least another thirty minutes if I don''t get distracted--but the path ahead feels like a gauntlet. The streets are more crowded here, even this late, but not with the kind of people you''d expect. The usual crowds of bar-goers and late-night wanderers have been replaced by something else entirely. A group of civilians stands on the corner, their reflective vests catching the glow of a nearby streetlight. They''ve got a mishmash of gear--helmets, heavy boots, and what looks like borrowed firefighter jackets. One of them holds a flashlight, the beam slicing through the gloom as they scan the area. Their voices are low, tense, as they talk amongst themselves. A name slips through the conversation, carried by the wind: Aaron McKinley. I haven''t been watching the news. I guess the manhunt has, uh, intensified a bit. I duck my head and keep walking, my pulse quickening. They don''t notice me, too focused on their patrol, but the tension in the air presses down like a vice. These aren''t heroes, not in the official sense, but they''re trying. It''s hard not to feel for them, even if I know they''re just making things messier. As I pass a corner store, a squad car roars by, its lights painting the street in harsh flashes of red and blue. The officer in the passenger seat leans out the window, shouting something into a megaphone--words I can''t quite make out over the blaring sirens. They''re not slowing down, though. Whatever''s happening, it''s not here. The world feels like it''s unraveling. Smoke rises in thin tendrils from a building a few blocks away, its shape barely visible against the dark sky. It could be a copycat arson or just another accident, but the distinction doesn''t matter to the people scrambling to contain it, the glow of an orange-green fire licking up the bricks. A firetruck idles near the scene, its hoses snaking across the pavement, while firefighters shout instructions to each other. Civilians cluster nearby, watching helplessly. I pick up my pace, slipping past the scene without drawing attention. The smell of smoke grows stronger the closer I get, sticking to the back of my throat like a bad memory. I force myself to breathe through my nose, shallow and quick, trying to ignore the way it makes my chest tighten. Somewhere in the distance, a gunshot rings out--sharp, definitive, and too close for comfort. The sound freezes me in place for half a heartbeat, my ears straining for anything that might follow. Nothing. Just the faint echo of the shot, swallowed by the city''s noise. I don''t wait to see if it repeats. My feet move on autopilot, carrying me further away. The streets blur together as I weave through the city, each block a mixture of loud and soft. There''s no pattern to it, no logic. One moment, I''m passing a block so deserted it feels like a ghost town; the next, I''m dodging a group of teenagers getting into fistfights. On one block, someone seems to be testing some kind of pyrokinesis - I recognize that curious stare, Maggie-style. The way they watch the fire dance between their fingers. I don''t stop them, or stop for them. I pass another patrol--this one smaller, just two guys in hoodies holding baseball bats. They''re not wearing badges or uniforms, but their posture is unmistakable. They''re looking for someone, and it''s not hard to guess who. Everyone''s looking for him. Everyone wants to be the one to bring him in. As I approach Tacony, the city shifts again. The streets grow narrower, the buildings closer together, their windows dark and watchful while the roofs...rooves? squat down, lower than Center City. I stop under a streetlight, the faint hum of the bulb the only sound, buzzing like a mosquito. My breath puffs out in small, uneven clouds, the cold finally sinking through the adrenaline. I pull my hood tighter and take one last look around. Mayfair''s just ahead. Tacony''s at my feet. And Aaron is waiting for me, somewhere. Chapter 146.2 Philadelphia''s skies are rarely empty. Tonight, they''re crowded. As I move through the narrowing streets, I catch glimpses of familiar figures cutting through the air or prowling the sidewalks. Above, Moonshot soars low, her dark hoodie flapping against her back as she glides between rooftops. She keeps close to the ground, her trajectory purposeful but erratic, scanning for anything out of place. Moonshot doesn''t fly like Captain Plasma--there''s no flashy trail of light, no confident arcs through the sky. I stick to the ground, keeping my pace steady and unassuming. No sudden movements. No eye contact. Further ahead, I spot one of Multiplex''s duplicates near a police cruiser, taking notes as a cop talks animatedly with him. The cop gestures toward a hand-drawn map spread across the hood of the car, his flashlight illuminating patches of red and yellow scribbled across it. Multiplex doesn''t react, just nods and writes something down, his face impassive. Another duplicate stands nearby, talking into a radio. Watching him is like looking at a chessboard mid-game--every piece precisely placed, every move calculated. Even knowing how many versions of him there are, I can''t help but wonder: does he ever sleep? The streets of Mayfair are different from Tacony. The rowhouses here feel tighter, their brick walls lined up like teeth. The glow of the city feels dimmer, more comfortable. Home. It''s less chaotic, more accustomed to people, not businesses. It''s quiet in the way that makes you listen harder, waiting for a sound - any sound. And then my phone buzzes. The sound makes me jump. It''s faint - buried under my hoodie - but in the stillness of the street, it feels as loud as a siren. I fumble it out of my pocket, glancing at the screen. Dad. My stomach twists. "Hey," I say, trying to keep my voice steady as I answer. The wind carries my words away as soon as they leave my mouth, but I know he''s heard them. "Hey?" His voice is sharp, cutting through the weak signal. "Sam, the hospital just called. What the hell are you doing? Where are you?" I wince, pulling the phone closer to my ear. "Dad, calm down-" "Calm down?" he snaps. "You''re supposed to be in a hospital bed, recovering, and instead I get a call saying you''ve vanished? What were you thinking?" "I''m fine," I say quickly, forcing as much conviction into the words as I can muster. "I''m fine, Dad. Really. I just... I needed to get out of there." "You needed-" He cuts himself off, and I hear him take a deep, shaky breath. When he speaks again, his voice is tighter, quieter. "Sam, this isn''t a joke. You were lit on fire. You''re hurt. You need to be somewhere safe." "I am somewhere safe," I lie. "I''m with a friend. A superhero friend. You know, one of the good ones." "Which one?" he demands, and for a second, I''m thrown. He never asks for details like this. He never digs. But tonight, he''s not playing along. "Um," I stall, my brain scrambling for a name. "S-Sputnik." He exhales sharply. "Sam, I don''t care if you''re with Sputnik or Superman himself. I need to know where you are." I hesitate, my breath catching. "I''m in West Philly," I say finally. "Far away from Mayfair. Far away from him." There''s a beat of silence, filled only by the faint crackle of static. "You''re lying," he says, audibly clenched. "I can hear it in your voice. You''re lying to me, Sam." "I''m not-" "Don''t," he interrupts, his voice breaking slightly. "Don''t lie to me. I can''t - I can''t do this. Not tonight." The crack in his voice makes my chest ache. I can picture him now, pacing the living room, one hand gripping his phone and the other clenched into a fist. He''s scared. Scared in a way I don''t know how to fix. "Dad," I say softly, my steps slowing as I round another corner. "I''m okay. I promise. I''m not doing anything reckless. I just... I needed to get out of the hospital. There are so many people coming in. I didn''t want to take up a bed when someone else might need it more." "That''s not your call to make!" he says, his voice rising again. "You''re sixteen! You don''t have to be a hero, Sam. You don''t have to do this." I stop walking, my hand tightening around the phone. "I''m not trying to be a hero," I say, the words coming out softer than I intended. "I just need to handle this my way." "What does that mean?" he asks, his tone equal parts frustration and desperation. "What way, Sam? Running away? Putting yourself in danger again?"If you encounter this narrative on Amazon, note that it''s taken without the author''s consent. Report it. "No," I say firmly. "It means being smart. Being careful. It means making sure I''m okay and that I''m hidden." He doesn''t respond right away, but I can hear him breathing--shallow, uneven, like he''s trying not to cry. "You don''t have to prove anything to anyone," he says finally, his voice barely above a whisper. "You''re enough, Sam. You''ve always been enough. I don''t care what Pop-Pop has been telling you about powers and responsibility and saving people. You don''t have to carry that." The lump in my throat makes it hard to speak, but I force the words out anyway. "I know," I say. "And I love you. Both of you." There''s a pause, then a quiet, broken laugh. "You''re lucky your mother''s not on the phone right now," he says, and the faintest hint of a smile creeps into his voice. "She''d have my head for letting you talk your way out of this. And Moe--he''d probably tell me to let you do whatever you want. Says it''s your ''duty.'' I''m just stuck in the middle here." "She''d let you off the hook," I say, smiling despite myself. "Eventually." "Maybe," he concedes. "But Sam, you need to promise me something. Call the hospital back. Tell them you''re safe. Let them know you''re not just... missing. For G-d''s sake, they probably think you were abducted by a supervillain!" I hesitate, my fingers tightening on the phone. "Can you call them?" I ask, my voice soft. "Just so it''s... official? If it''s coming from me, they might not believe me." For a moment, I think he''s going to argue, but then he exhales sharply, the sound more tired than frustrated. "Fine. I''ll call them. But you''d better answer your phone if they ask for a follow-up." "I will," I say quickly, the weight in my chest lifting just enough to breathe again. "And I''ll call you in a few hours. Promise." "You''d better," he says. "Stay safe, Sam." "You too, Dad," I say softly, and the call ends with a click. I stand there for a moment, the phone still pressed to my ear, the streetlights casting long shadows across the pavement. The street ahead is quieter than I expected. Even in Mayfair, where the houses huddle close, there''s usually some sign of life this late--a dog barking, a window lit up with the glow of a TV, the faint bass of music from a party someone didn''t invite me to. Tonight, though, there''s none of that. Just the distant hum of the city, muffled by the rowhouses like they''re trying to keep it out. I tug my hood a little lower and glance up and down the street. I''m almost home. Just a few more steps, a few more houses. The temptation to run is real, but I keep my pace steady. Blending in means acting like I belong here, even though every part of me feels like it''s buzzing with static. "Bloodhound," The voice is low, familiar, and just behind me. I whirl around, fists up before I can think better of it. Sandman, raises both hands in mock surrender. For the first time I think in ever, his smile shows teeth. "Whoa there, champ," he says, his tone amused but careful. "I come in peace. Mostly." "Jesus, Sand," I hiss, lowering my fists but not my guard. "What the hell are you doing?" He jerks a thumb over his shoulder, toward a spot on the sidewalk where a rumpled blanket and a battered backpack sit abandoned. "Keeping watch, as per royal decree. Until the Aaron situation gets resolved, the other Titans don''t want me being burnt to death. So, I get to babysit your street, because we all know he''s gunning after you." "You''ve been sleeping on the sidewalk? I thought you were just going home or, I don''t know, finding someplace more comfy than my street corner," I half-joke, rubbing the back of my head. "Sleep is a strong word," he says, stretching exaggeratedly. "Mostly, I''ve been watching. Thinking. Freezing my ass off. Hurting my tailbone. Thanks for that, by the way. My PT bills are going to be astronomical." "Get a better chair next time," I mutter, crossing my arms. The burn in my shoulder protests, but I ignore it. "Have you seen him?" His smirk fades, replaced by something sharper and more focused. He steps closer, his eyes scanning my face like he''s looking for something he doesn''t like. "Aaron? No. But if I had, you''d be the first to know. You do know how bait works, right? You don''t dangle it in front of the shark and then dive in after it." "Not funny," I snap, though the irony isn''t lost on me. "Not meant to be," he says, his tone hardening. "What are you even doing out here, Sam? Shouldn''t you be at the hospital, letting the professionals handle this?" I laugh, short and sharp. "Yeah, because the ''professionals'' have been doing such a bang-up job. Aaron''s been tearing up Tacony for a week, and they haven''t even come close to catching him. You think I''m gonna sit on my hands while he burns the neighborhood down, and his copycats get the rest of the city?" "You''re not exactly in fighting shape," he points out, nodding toward my arm. "And last I checked, you''re not invincible." "No," I say, my voice dropping. "But I''m not going to let him keep hurting people. He needs to be stopped." "Stopped," Sandman echoes, his eyes narrowing. "Or punished?" I don''t flinch. "That''s a strange question," He sighs, running a hand through his short dreadlocks. "The difference, Sam, is whether you''re doing this for them or for you. If you''re trying to protect people, that''s one thing. But if this is just about payback--" "It''s not," I cut in, my voice sharp. "This isn''t about revenge." "Really?" he says, his tone skeptical. "Because the way I see it, you''re not exactly thinking clearly right now. You''re pissed off, and you''re scared, and those are not the emotions you want driving you into a fight with someone like Aaron." "I''m not scared," I lie, the words coming out too quickly. "I''m--" "You''re terrified," he interrupts. "And that''s okay. Hell, it''d be weird if you weren''t. But you can''t let that fear make your decisions for you. Not when the stakes are this high." I clench my fists, my nails digging into my palms. "I don''t have a choice." "There''s always a choice," he says, stepping closer. His voice softens, just enough to take the edge off. "You don''t have to do this alone, Sam. That''s why we''re here. The Titans, the Defenders, the cops--hell, even the wannabe vigilantes with their baseball bats. We''re all trying to stop him. You don''t have to carry this weight by yourself." "It''s not about the weight," I say, my voice breaking slightly despite my best efforts. "It''s about making sure he can''t come back. Can''t do this to anyone else. Knowing what the consequences are for starting a fight he can''t finish." "And you think beating him to a pulp is the only way to do that?" he asks, his tone carefully neutral. I look him in the eye, feeling my resolve harden. "He needs to know that he can''t fuck with me." "Sam," he says, his voice soft but insistent. "This isn''t you." "You don''t know me," I snap, the words out before I can stop them. "Not really. You don''t know what he''s done. What he''s capable of." "Maybe not," he admits. "But I know what you''re capable of. And I know you''re better than this." Instead of responding, I turn away, my eyes fixed on the darkened windows of my house just a few steps ahead. Chapter 146.3 Sandman exhales through his nose, his gaze steady on mine. His posture doesn''t change--still relaxed, leaning slightly to one side like he doesn''t have a care in the world--but his eyes tell a different story. They''re sharp, calculating, scanning my face like he''s trying to peel away the layers and get to whatever truth I''m not saying out loud. "And you think breaking him is the solution?" he asks, his voice calm but firm. "That''s what makes him stop?" "I don''t think," I snap, "I know. He''s not afraid of the cops. He''s not afraid of the Delaware Valley Defenders or the Tacony Titans or the Auditors or anyone else in a cape. But he''s afraid of me." Sandman tilts his head slightly, considering me. "And what happens if you''re wrong?" "I''m not." The certainty in my voice surprises even me, but it doesn''t shake him. He crosses his arms, the motion slow and deliberate. "You don''t know that, Sam. You can''t. People like Aaron don''t scare easy. Pain doesn''t teach them lessons. It just makes them worse." "That''s bullshit," I say, the words bursting out before I can stop them. "You think he''s going to stop just because someone slaps cuffs on him and locks him in a box? He''s not afraid of the system, Sand. He doesn''t give a damn about consequences. The only thing he understands is power." "And you think you showing him yours is going to change that?" His tone sharpens just enough to sting. "He''s a rabid dog, Sam. You don''t tame that. You don''t fix it. You put it down." My breath catches in my throat, and for a second, I can''t respond. His words hang in the air, heavy and cold, and I feel the sting of them settle deep in my chest. "I''m not a killer," I say finally, my voice low and tight. "I know you''re not," he says, softer now, almost apologetic. "But you''re talking like one." That stings more than I want to admit. "I''m talking like someone who''s tired of letting people like him run the board," I say, my voice rising despite myself. "He ripped my nails off with a fucking hammer, Sandman. Today, he lit me on fire. In broad daylight. In front of my entire school, along with like six other students. And why? Because he knows I care about the people he''s hurting. That''s it. That''s the only reason. He''s not some nihilistic lunatic trying to watch the world burn. He''s doing this to fuck with me." Sandman doesn''t flinch, doesn''t interrupt. He lets me talk, his expression steady and unreadable, but the silence only pushes me further. "If he stayed in the underworld, dealing with people who expect violence, I could almost let it slide. Let the cops, the Defenders, whoever deal with it. But he''s not. He''s burning down family businesses. Schools. Neighborhoods. He''s dragging innocent people into his bullshit, just to get at me. And I can''t let that happen. I can''t let him keep thinking he can hurt people to get what he wants." "And you think beating him to a pulp sends the message you''re hoping for?" Joshua''s tone is still calm, but there''s a new edge to it--frustration, maybe, or something close to it. "Yes," I say, my voice firm. "Because if he''s not scared of me, he''s never going to stop." Sandman sighs, long and slow, and rubs a hand over his face. "Sam, you''re not going to scare him straight. He''s not going to have some epiphany where he realizes he''s been wrong all along and decides to turn his life around." "I don''t need him to turn his life around," I snap. "I just need him to stop coming after mine." We stare at each other, the air between us taut like a wire stretched too thin. I can feel the weight of his judgment pressing down on me, but I don''t back down. "You''re not going to let this go, are you?" he asks finally, his voice resigned. "No," I say, the word coming out more softly than I intended. "I can''t." For a moment, I think he''s going to argue again, to try one more time to talk me out of it. But instead, he just exhales sharply and shakes his head. "You''re a stubborn little shit, you know that?"The tale has been stolen; if detected on Amazon, report the violation. "Takes one to know one," I shoot back, a faint smile tugging at the corner of my mouth despite everything. He chuckles, but it''s humorless. "Fine. Do what you''ve got to do. But don''t come crying to me when it all blows up in your face." "It won''t," I say, though the words sound hollow even to me. "Sure," he says, his smirk returning. I don''t respond. There''s nothing left to say, not really. He steps back, his hands slipping into the pockets of his jacket as he studies me for a moment longer. "Don''t be an idiot, Sam." My gaze hardens. "I won''t be." "Good," he says, turning away and heading back toward his makeshift camp. "Because if you get yourself killed, I''m not explaining it to your parents." I watch him go, his figure disappearing into the shadows, before turning back toward my house. The street is quiet again, but the tension in the air hasn''t lifted. If anything, it feels heavier now, pressing down on my shoulders like a weight I can''t shake. I take a deep breath, steadying myself, and start walking. There''s still so much to do. The house is dark when I step inside, making the space feel bigger than it is. I kick off my sneakers by the door, the rubber soles squeaking faintly against the tile, and shrug off my hoodie. The chill clings to me for a moment before the warmth of the house takes over, wrapping around me like a heavy blanket. I don''t bother turning on the lights. It''s better this way--less inviting, less noticeable. The glow from the streetlights outside filters through the blinds, painting faint patterns on the walls. It''s enough to see by. The stairs creak faintly under my weight as I make my way up to my room. The familiarity of it all--the way the floorboards groan, the faint smell of pine cleaner lingering in the air--feels almost surreal. Like I''ve stepped into a memory instead of reality. Once I''m upstairs, I head straight for my closet. The duffel bag is right where I left it, tucked in the back corner beneath a pile of old soccer jerseys and mismatched shoes. I pull it out and unzip it, the sound sharp and satisfying in the quiet room. Inside, everything is exactly as I packed it: Fury Forge''s firefighting gadgets neatly arranged in their compartments. The pellets sit in their reinforced case, tiny spheres of concentrated suppressant foam. The smoke mask rests beside them, its filter pristine and ready. And the fire blanket, folded tightly, feels heavier in my hands than it should. Along that is the remains of Miss Mayfair''s gear, but I doubt I''ll need to inject anyone with fake poison or fly a drone into Aaron''s face. Maybe next time. I set everything out on the bed, arranging it with the precision of a mortician. My fingers move automatically, checking each item, running through the mental checklist that''s become second nature by now. Bandages next. I sit on the edge of the bed and unwrap the ones from the hospital, wincing as the cool air hits the burns. The gel they gave me has dulled the pain, but the skin is still raw and tender, every movement sending little jolts of discomfort up my arm. I get my first aid kit and re-wrap new, fresh gauze around my arm. Good as new. My stomach growls, breaking the silence, and I realize I haven''t eaten since... I can''t even remember. The fridge downstairs is probably full of leftovers. Mom''s tendency to overprepare for every culinary contingency means there''s always something waiting, even when they''re not here. Mom and Dad. My chest tightens at the thought of them, safe in Ventnor with Pop-Pop Moe, exactly where they should be. I told them to stay there, convinced them it was for their own safety, but the weight of that decision sits heavy on me now. If Aaron is willing to light me up in broad daylight, he''d go after them in a heartbeat. They''re better off far away from this. From me. I head downstairs, the faint glow of the fridge lighting up the dark kitchen as I rummage through it. Leftover chicken, some roasted vegetables, and a bowl of rice. Can''t go vigilante on some guy''s ass on an empty stomach. I pile it onto a plate and pop it in the microwave, the hum filling the silence as I lean against the counter. When it''s done, I eat standing at the counter, one hand holding the plate while the other peels back the bottom half of my mask. The fabric settles around my neck, loose and familiar. It''s strange, eating like this--half in costume, half out--but it feels right. Like I need to be ready at a moment''s notice. The food tastes bland, the flavors muted by the thoughts swirling in my head. Plans, contingencies, routes through the city--it''s all jumbled together, a chaotic mess that I can''t quite untangle. I force myself to finish anyway, scraping the last bit of rice onto my fork before setting the plate in the sink. As I start to rinse it, something catches my attention. A faint smell, sharp and acrid, curling around the edges of the room. Smoke. I freeze, my hand hovering over the faucet. Did my mom leave something in the oven? Did I leave something in the microwave? I glance around the kitchen, my eyes scanning for anything out of place, but everything looks normal. The faint glow from the streetlights filters through the blinds, soft and steady. Then I see it. A flicker of light, faint and orange, through the front window. My heart skips, and I move to the door, my footsteps quick and quiet against the tile. The cool night air hits me as I step onto the porch, and the smell of smoke is stronger now, unmistakable. I look around, my gaze sweeping the quiet street. Everything seems normal at first--the rows of parked cars, the dark windows of sleeping houses--but then I see it. Around the corner, on the row behind this street. A place I know by heart, by distance, even if I haven''t been over in two years. Kate Smith''s house is on fire. Chapter 147.1 The smell of smoke is sharper than I expect. It''s not like campfire smoke or the damp, sticky haze of burnt leaves. It''s chemical and bitter, curling into my throat and lungs even from blocks away. My stomach twists as I pick up speed, sprinting toward the alley that cuts through the row of homes. The dark brick walls blur on either side of me, but my focus stays locked ahead. Kate''s house is on fire. I knew things were bad--fires cropping up across the city, a chaos of sirens and screaming--but this is different. This isn''t random. Aaron knows. Somehow, he knows. The street where her house sits feels impossibly still compared to the buzz of adrenaline in my chest. I cut down the alley, my sneakers scraping against uneven pavement. The buildings crowd me on either side, their brick facades radiating residual heat from the fire up ahead. I can feel it now, a furnace glow against my skin even before I make the turn. When I do, the sight stops me cold. Kate''s house is a rowhome like the others, but the fire is already claiming it. The flames pour out through the second-story windows, bright and hungry against the cold night. It''s a traditional fire--yellow-orange tongues curling out into the air, with none of Aaron''s signature colors. That doesn''t make it less terrifying. If anything, it feels worse, because it blends in. Ordinary. A fire you could explain away as accidental. Except it''s not. "How?" I mutter under my breath, barely aware of the words. "How could he know?" I shake it off, my mind snapping back to the present as I pull out my phone and hit the number for Crossroads. My thumb hovers as I glance toward the distant sound of sirens, nowhere close enough. The line picks up on the second ring. "Sam?" Crossroads''s voice is sharp, tight with the kind of urgency that makes me feel like he''s been waiting for this call. "House fire in Mayfair," I say, my words coming out too fast, too clipped. "It''s bad. Kate Smith''s house. I''m here, but I need backup. Please--dispatch the DVD. Anyone." "On it," he says, and I can hear the rapid clack of keys on a laptop. "Where exactly?" "Revere and Longshore," I say, forcing my voice to steady. "I''m going in. I''ll keep you updated." "Wait--" he starts, but I hang up. There''s no time to wait for his reassurances, no time for anything but moving forward. The fire hasn''t spread to the neighboring homes yet--not visibly, at least--but that won''t last long. Rowhomes are basically matchboxes when a fire gets going, as my father taught me once when I accidentally set the oven ablaze trying to make brownies. Kate''s house is the epicenter, its second story engulfed while the first simmers with flickering light behind the windows. The outside walls hold, their brick stained with soot but unyielding. That''s the thing about these old homes--they''re stubborn, even when they''re dying. My mask slides into place with a sharp tug, the filter locking into position as I activate the oxygen supply. The air flows in cool and clean, and I take a deep breath, centering myself. Limited resources. No backup yet. High likelihood of collapse if I screw this up. The tactical side of my brain kicks in automatically. The fire looks like it started inside, probably one of the upstairs bedrooms based on the flames bursting from those windows first. It''s spread fast--faster than it should have--but not impossibly so. The old wood framing under the plaster walls would''ve lit up like a Christmas tree once the fire breached the surface. And judging by the way the smoke billows, thick and choking, something synthetic--carpet, upholstery--is fueling it now. The acrid edge cuts through even the mask''s filter, stinging my eyes. "Hello?" A voice snaps me out of my assessment. A man stumbles into view, his silhouette wavering against the hellish backdrop of the flames. "Help! My--my daughter, she''s--" Kate''s dad. He''s barefoot, dressed in sweatpants and a stained T-shirt that clings to his chest. His face is streaked with soot, his hair matted and wild. He stares at the house like he''s seeing the fire for the first time, his body trembling as if it''s not sure whether to move toward it or collapse. "She''s still inside," he says, his voice cracking. His hands are raw, red, clearly burnt and blistered, but he barely seems to notice. "Upstairs. Bedroom. I tried--I couldn''t get her--" The words hit me like a fist to the chest. Kate. Inside. Upstairs. "Stay here," I say, my voice firm but not unkind. He doesn''t seem to register the words, his eyes glued to the flames, his breathing shallow and erratic. I step closer, putting myself directly in his line of sight. "Hey! Look at me!" His eyes snap to mine, wide and glassy. "I''m going to get her," I say. "I need you to stay here. I need you to..." I consult my thoughts. I look around, and I think. If Kate''s upstairs... "Get a blanket from a neighbor. Get the neighbors," I say, watching as people begin to flow out of their homes like water, trickling in an even stream out onto the street.Support creative writers by reading their stories on Royal Road, not stolen versions. He nods, a jerky, disjointed motion that makes me doubt he even heard me. But there''s no time to double-check. The fire isn''t slowing down, and Kate''s upstairs. I glance back at the house, my mind running through the checklist of tools in my bag. Oxygen mask, check. Fire blanket, check. Extinguisher pellets--six of them, no more. Each one can clear a patch of fire for maybe thirty seconds before it reignites. Enough for a small room, not a burning house. The front door is a no-go. The flames pouring from the windows have already weakened the frame, and the heat coming off the wood is enough to make me step back even from the sidewalk. The side alley between the homes is tight--so tight I have to turn sideways to squeeze through--but the rear kitchen window might give me an opening. I move quickly, my shoulder brushing against the brick as I navigate the narrow path. The sound of the fire is deafening up close--a constant roar, punctuated by sharp cracks as the wood gives way. Every step is measured, deliberate, the soles of my shoes crunching against shattered glass and charred debris. The kitchen window is shattered, jagged edges glinting in the firelight. Smoke pours out in heavy waves, but I can see inside--a cluttered countertop, a fridge scorched but still standing, the faint outline of the back stairs leading up. I squeeze one of the foam pellets and aim for the center of the window frame before I pitch. The pellet bursts on impact, spraying a fine mist of suppressant foam that clings to the edges of the fire like wet snow. It won''t last long, but it''s enough to buy me a path inside. The heat hits me like a wall as I climb through the window, the oxygen mask straining to keep the air breathable. Every surface inside is charred, blackened with soot, and the firelight dances wildly off the reflective edges of broken appliances. The stairs are just ahead, but the fire''s already licking at their base, orange and yellow flames consuming the wood like a living thing. I can still hear the crackle of the fire, the low groans of the house as it begins to weaken under the heat. Upstairs feels impossibly far away, but I force myself to move. One step at a time. One breath at a time. I can do this. The heat hits me the second I climb through the shattered kitchen window. Even with the oxygen mask filtering out most of the smoke, the oppressive warmth is everywhere, clinging to my skin, soaking through my hoodie. I stay low, crouching on the scorched tile floor, the rough texture scraping against my knees. The air smells of burnt plastic and chemicals, every breath carrying a sting that makes my eyes water. The kitchen feels wrong. The familiar space--a place I used to sneak cookies and tease Kate about her overly organized fridge--is alien now, transformed by fire. The countertops are warped, their laminate surfaces peeling back like burnt paper. The fridge hums faintly, the sound discordant against the constant crackle of flames licking at the walls. The cabinets have been blackened, their edges crumbling into ash that floats on the hot air like snowflakes. Everything here used to make sense. Now it''s a maze, every step forward unsure, every surface too hot to trust. I inch toward the back stairs, staying as low as I can. The fire is hungry, its flames devouring the base of the wooden steps. The heat radiates outward, forcing me to pause, to reassess. Every instinct tells me to charge forward, but I know better. Fire doesn''t care about urgency. It doesn''t care about me. It eats, and it eats, and it keeps eating until there''s nothing left. The extinguisher pellets are my only real weapon here, and even those feel pitiful against the scope of this hell. I pitch another one, aiming carefully at the base of the stairs. The pellet bursts with a hiss, a fine mist of suppressant foam spraying over the flames. The fire recoils, shrinking back for a moment, and I use the window of time to move. The stairs groan under my weight as I climb, the wood splintering slightly beneath my shoes. I keep one hand on the railing--what''s left of it--and my head low. The oxygen mask is working overtime, but the smoke is relentless, seeping into every gap, clinging to my clothes and skin. My burns throb under the layers of bandages, a sharp reminder of how close I came to worse. I force the pain to the back of my mind, focusing on the task ahead. Upstairs. I need to get to Kate. The second floor is a nightmare. The smoke is thicker here, a choking blanket that makes it hard to see more than a foot in front of me. The floorboards creak ominously under my weight, their stability a question I don''t want to test. The hallway stretches out ahead of me, familiar and wrong all at once. I used to race Kate down this hall, our laughter echoing off the walls. Now it''s unrecognizable, the wallpaper curling away in blackened ribbons, the once-bright carpet reduced to smoldering threads. I move carefully, my hands brushing against the walls to guide me. The heat is worse here, the fire eating its way through the rooms around me. The crackle of flames is a constant backdrop, punctuated by sharp pops as the wood buckles under pressure. Somewhere behind me, a loud crash echoes--something collapsing downstairs. I don''t look back. I reach out with my blood sense, letting the familiar pulse guide me. The world shifts as it always does when I focus on it, the ambient noise of life narrowing to a single point, all the color draining in my mind''s eye and turning into red-on-black. Kate''s blood is close--too close. I feel it before I see her, a rhythm weaker than it should be, scattered like drops from a broken faucet. My chest tightens. She''s bleeding. I round the corner, my blood sense leading me to her room. The door is slightly ajar, hanging crookedly on its hinges. I push it open with my shoulder, the movement sending a plume of smoke into the hallway. The room is worse than I expected. The fire hasn''t fully consumed it yet, but the air is thick with heat and smoke, and the ceiling above groans ominously. Kate is on the floor, slumped against the far wall. Her arms are limp, streaked with blood from jagged cuts that run lengthwise. I recognize them instantly, the pattern too deliberate to be anything but intentional. My stomach churns, a sharp ache that I don''t have time to process. She''s unconscious, her chest barely rising and falling with shallow breaths. I cross the room in three strides, kneeling beside her. "Kate," I say, my voice muffled by the mask. "Kate, can you hear me?" She doesn''t respond. Her skin is pale, her lips tinged with blue. Smoke inhalation. She needs air, now. I pull off my oxygen mask, the straps snapping free with a sharp tug. The smoke rushes into my lungs immediately, hot and acrid, but I ignore it. I press the mask to her face, adjusting it to form a seal over her nose and mouth. The oxygen flow hisses to life, and after a moment, her chest rises more steadily. "Come on," I mutter, my fingers brushing against her wrist to check her pulse. It''s weak, but it''s there. I tighten the straps of the mask, making sure it stays in place. The fresh air will buy her time, but it leaves me with nothing. I cough, the smoke scratching at my throat, but I don''t let go of her. The fire''s roar is louder now, closer. I glance back toward the hallway. The flames are licking at the edges of the doorway, their light casting frantic shadows across the walls. The stairs are already lost--I can feel it in the way the house groans, the way the floor beneath me trembles with the shifting weight. Then I hear it. A crack, sharp and definitive, followed by the unmistakable sound of wood splintering. The stairs collapse in on themselves, the sound echoing through the house like a death knell. My exit is gone. Chapter 147.2 "Shit," I hiss, my voice hoarse. I look back at Kate, her unconscious form cradled against me. The oxygen mask hisses softly, a cruel reminder of the air I no longer have. Think, Sam. Think. I scan the room, my eyes darting to the window. The glass is cracked but intact, the firelight reflecting off its surface. Outside, the air is dark and cool, the kind of air I desperately need. It''s a long drop to the ground, but there''s no other choice. The fire''s closing in, the heat pressing against my back like a living thing. I shift Kate carefully, wrapping one arm under her shoulders and the other beneath her knees. Her body feels too light, too fragile, as I lift her. The burns on my arm scream in protest, but I grit my teeth and push through it. We''re getting out of here. One way or another. The floor shifts under me, groaning like it''s alive, the sound reverberating up through my shoes. The heat is unbearable, radiating through the soles of my sneakers as if the fire itself is trying to pull me down. I adjust my grip on Kate, the effort making my already labored breathing even worse. My lungs feel raw, each breath a mix of scorching air and whatever scraps of oxygen are left. The fire isn''t waiting. It doesn''t care about timing or plans. It''s clawing at the edges of the room now, creeping along the walls and ceiling, consuming everything in its path. I glance at the doorway, where the flames are licking closer, the smoke pouring in like a flood. The fire suppressant pellets I''ve got left aren''t enough to kill it, but they might buy me some time. I shift Kate''s weight carefully, setting her down on the floor near the window. Her body is limp, the oxygen mask still clinging to her face, hissing faintly. Her pulse is steady but weak, her chest rising and falling with each shallow breath. She''s alive. That''s all I can focus on right now. I reach for the fire blanket tucked into the back of my costume, my fingers fumbling slightly as the heat and exhaustion dull my movements. The blanket feels heavier than it should as I unfold it, the metallic surface reflecting the dancing flames. I drape it over both of us, the edges brushing the floor, and immediately feel a small but noticeable difference in the heat. It won''t stop the fire, but it''ll keep us from roasting alive for a little while longer. The window looms ahead, cracked and streaked with soot. The glass is a barrier and an escape route all at once, a thin line between this burning hell and the cold air outside. I crawl toward it, keeping Kate close, the fire blanket shielding us as best it can. Each movement feels sluggish, my muscles weighed down by the heat, the smoke, and the sheer effort of staying conscious. Outside, the sounds of shouting and movement reach me through the chaos. Neighbors, civilians--Kate''s dad. I can just make out his voice over the crackling flames, frantic and desperate. "Kate! Kate, are you in there?" I force myself to the window, gripping the edge of the frame with trembling hands. "Hey!" My voice is hoarse, barely audible over the noise. I pound on the glass with the side of my fist, the sharp sound cutting through the chaos outside. "Hey! Up here!" Faces turn toward me, a mix of neighbors and strangers drawn by the flames. Kate''s dad is in the front yard, his face pale and streaked with soot, his eyes wide with terror. He spots me--well, Bloodhound--and freezes for a moment before his expression shifts to something halfway between hope and panic. "She''s here!" I shout, coughing through the words. My throat feels like sandpaper. "She''s alive, but she''s out cold! I need your help!" He doesn''t hesitate, rushing closer to the house. "What do you need? Tell me what to do!" I glance down at the yard, at the group of neighbors huddled near the curb, some of them clutching blankets and phones. "Get everyone you can! Remember when I yelled for a blanket? We need something to catch her!" "What--" His voice falters, his eyes darting to the second-story window, then back to me. He realizes what I mean. "You''re going to--?" "There''s no other way!" I cut him off, my voice sharper than I intend. "Get the blanket ready! Now!" He turns, shouting orders to the others. They scatter, rushing toward their houses and cars, grabbing anything that might help. I pull back from the window, coughing into my sleeve, the movement sending a fresh wave of heat washing over me. The fire is closer now, the edges of the room blurring in the flickering orange light. The building groans again, the sound a low, ominous rumble that makes my stomach lurch. I don''t have time for this. The floor won''t hold much longer, and I can''t risk waiting for the fire department or the Defenders to show up. It''s now or never. I glance at Kate, still unconscious under the fire blanket. Her arms are bloodied, her breathing shallow, but she''s alive. She has to stay that way. "Okay," I mutter, more to myself than to her. "Okay, Kate. We''re getting out of here."If you spot this story on Amazon, know that it has been stolen. Report the violation. I grab one of the suppressant pellets from my utility pouch, the small sphere cool and smooth against my fingers. I lob it at the base of the doorway, aiming for the flames creeping closer. The pellet bursts on impact, releasing a cloud of suppressant foam that clings to the wood, the fire recoiling slightly. It''s not enough to put it out, but it''ll slow it down. I throw the second pellet near the corner of the room where the flames are crawling up the walls. It lands with a soft thud, the foam spreading out in a thin layer, smothering some of the smaller flames. It buys me a precious minute, maybe two. I was hoping to save these for beating Aaron''s ass, but, well... more important duties call. I turn back to the window, the fire blanket still draped over me like a makeshift shield. The air is hotter now, each breath searing my lungs despite the protection. My head feels light, the edges of my vision blurring slightly. The heat is exhausting, pulling at me like quicksand. Every second I spend in this house is a second closer to collapse. "Are you ready?" I shout down to the crowd below, my voice raw and strained. Kate''s dad looks up at me, his hands clutching the edges of a thick quilt stretched out between him and three neighbors. Others are scrambling to add more blankets underneath, layering them for extra cushioning. "We''re ready!" he yells back, his voice shaky but determined. "Do it!" I nod, swallowing hard. My hands shake as I lift Kate, her body limp and unresponsive. The fire blanket slips off her shoulders as I adjust my grip, her weight pressing down on my arms like an anchor. My burns scream in protest, the raw skin beneath the bandages flaring with pain, but I don''t let go. "I''m sorry," I whisper, more to myself than to her. "I''m so, so sorry." I edge closer to the window, the smoke swirling around me in thick, choking plumes. My hands tremble as I brace Kate''s body against the frame, angling her toward the makeshift catch system below. Every instinct in me screams not to do this, not to throw an unconscious girl out of a second-story window, but there''s no other choice. The stairs are gone. The fire is closing in. This is the only way. "Hold tight!" I shout down to the group below. "She''s coming down!" I close my eyes for a moment, forcing myself to focus. My breath is shallow, my chest tight, the heat pressing down on me like a physical weight. I picture the trajectory in my head, the angle, the fall, the impact. It has to work. It has to. "Three... two... one!" I push her forward, the movement deliberate and careful, releasing her into the air. The moment she leaves my hands, time slows, every detail burned into my memory: the way her body arcs downward, the quilt stretching taut beneath her, the gasps from the crowd as they brace for impact. She hits the blankets with a muffled thud, the fabric billowing around her like a parachute. "She''s down!" someone shouts. "She''s okay!" Relief washes over me, brief and fleeting, as I see Kate''s dad kneel beside her, checking her pulse. She''s alive. She''s safe. But I''m not out yet. The fire surges behind me, the heat unbearable now, the smoke choking every breath. I look back at the room, at the flames consuming everything in their path, and realize my time is up. The floor trembles beneath me, the wood groaning in protest, ready to give way. I don''t think. I just move. I climb onto the windowsill, the fire blanket clutched tightly in one hand, and leap. The fall isn''t like any I''ve taken before. Two stories isn''t skyscraper-level, but it''s no small leap either, and for all the training I''ve had with the Young Defenders--gymnastics, parkour drills, controlled drops--it still feels like the ground rushes up at me faster than it should. The fire blanket clutched in my hand flaps wildly, offering no comfort. My legs and core scream at me to control the descent, but it''s all happening too fast. I hit the blanket below with a force that snaps through my body like a coiled spring let loose. My shoulder takes most of it, and for a split second, I''m sure I''ve dislocated it. The air is forced from my lungs, a guttural sound escaping my throat as I bounce slightly and tumble sideways onto the grass. The world goes black. It''s only for a second, maybe two. When I come to, I''m gasping for air, the acrid taste of smoke still clawing at the back of my throat. My head pounds in time with my heartbeat, my vision swimming as I try to focus on the blurry shapes moving around me. Someone''s shouting my name--or rather, my moniker. "Bloodhound! Hey, Bloodhound, are you okay?" I force myself upright, the movement sharp and disorienting, my body protesting every inch. My shoulder feels like it''s been wrenched out of alignment, and my burns throb angrily beneath the fresh bandages. None of it matters. I scramble to my feet, the fire blanket still clutched tightly in one hand, and turn toward Kate. She''s been placed on a quilt near the edge of the yard, a small crowd of neighbors and onlookers gathered around her. Her dad is kneeling beside her, his face pale and streaked with soot, his hands shaking as he holds one of hers. Her body is limp, her skin ghostly beneath the layer of soot and ash that clings to her like a second skin. The oxygen mask is still strapped to her face, but even from here, I can see that her chest is barely moving. "Move!" I shout, the command ripping out of me with more force than I intend. The crowd parts instinctively, a ripple of shocked faces as I drop to my knees beside her. Her dad looks up at me, his eyes wide with desperation. "She''s not--she''s not--" "She''s breathing," I say, cutting him off, though I''m not entirely sure. "Barely. I need space." I press two fingers to the side of her neck, searching for her pulse. It''s faint--weak and thready, like a whisper against my skin--but it''s there. Her chest rises and falls, but the motion is shallow, uneven. Each breath is accompanied by a faint wheezing sound, like her throat is trying to close off completely. She''s fading. I don''t think. There''s no room for hesitation, no space for doubt. I yank the oxygen mask off her face and tilt her head back, pinching her nose shut as I seal my mouth over hers. The first breath goes in, but her chest barely rises. The second meets the same resistance, the wheezing sound growing louder, more strained. "Shit," I mutter, pulling back. Her airway is swelling shut. The smoke and heat have scorched her throat and lungs, making it nearly impossible for her to take in air. My mind races, replaying every first aid lesson Gossamer drilled into us during our training sessions. The basics. Focus on the basics. "Come on, Kate," I whisper, my hands shaking as I interlock them over her sternum. "Stay with me." Chapter 147.3 I start compressions, pressing down hard and fast, counting under my breath. The motion is rhythmic, almost mechanical, but every push sends a jolt of determination through me. Her chest rises slightly with each compression, but it''s not enough. Her pulse is weaker now, her breaths shallower, her body trembling faintly with the effort of staying alive. "Is she--?" her dad starts, his voice breaking. "She''s going to make it," I snap, though the words feel more like a plea than a promise. "But I need quiet. If any of you have hoses, start spraying down the neighbors before the fire eats the entire row." He nods, stepping back, his hands clenched into fists at his sides. The neighbors are still gathered nearby, their faces a mix of horror and helplessness. One of them--a middle-aged woman with a scarf wrapped tightly around her face--steps forward, holding out a water bottle. "Do you need--?" "No," I say sharply, not looking up. "Just give us space." Kate''s dad claps his hands together, loudly, his voice taking on a raw, almost angry sort of edge to it. "Hoses, everyone!" Alright, Mr. Smith. Get it covered. I switch back to rescue breaths, tilting Kate''s head back again and trying to force air into her lungs. It''s like blowing into a clogged pipe, the air meeting resistance and refusing to go where it''s needed. I can hear the wheezing now, louder and more urgent, each breath sounding like it could be her last. My mind reels, grasping at every piece of training I''ve ever had, every scrap of knowledge that might make a difference. The swelling in her throat is the biggest problem, cutting off her airway entirely. If this were a hospital, they''d intubate her--force a tube down her throat to open the airway--but out here, I don''t have the tools or the time. "Crossroads, where the hell are you?" I mutter under my breath, my fingers trembling as I check her pulse again. It''s weaker now, barely there, and my chest tightens with a mix of fear and frustration. I go back to compressions, the rhythm pounding through my head like a drumbeat. Thirty compressions, two breaths. Thirty compressions, two breaths. My arms ache, the burns on my right arm flaring with every motion, but I don''t stop. I can''t stop. Around me, the world blurs into a haze of noise and motion. The crackling of the fire, the faint wail of distant sirens, the murmurs of the crowd--it all fades into the background, eclipsed by the sound of Kate''s wheezing breaths and the frantic pounding of my own heart. I glance up briefly, my eyes scanning the street for any sign of help. Nothing. No ambulances, no fire trucks, no Defenders. Just the faint glow of the fire reflecting off the surrounding buildings and the thin layer of smoke hanging in the air like a shroud. "Come on," I whisper again, my voice cracking. "Don''t you dare give up on me." I switch back to rescue breaths, the oxygen mask abandoned beside me. Her chest still isn''t rising properly, the swelling in her airway acting like a dam. My thoughts spiral, racing through every possible solution, every desperate idea. Tracheotomy. The word leaps to the front of my mind, unbidden and terrifying. It''s a last resort--a procedure that involves cutting into the throat to create a new airway--but it''s something I''ve only read about in training manuals. I don''t have the tools. I don''t have the expertise. And if I screw it up, I could kill her. "No," I mutter, shaking my head. "Not an option." I go back to compressions, my arms trembling with the effort. The world tilts slightly, my vision swimming as the heat and exhaustion press down on me like a weight. My own lungs feel raw, each breath a struggle, but I push through it. Kate''s still alive. She has to stay that way. The minutes drag on, each one feeling like an eternity. The neighbors are restless, their murmurs growing louder, but I block them out. I focus on Kate, on the steady rhythm of compressions, on the faint pulse beneath my fingers. And then, finally, I hear it. The distant roar of an engine, growing louder with each passing second. Headlights sweep across the street, cutting through the smoke and darkness, and a familiar figure steps out of the vehicle, his movements sharp and purposeful. Behind him, the bright lights of an ambulance bathe the street in harsh, clinical clarity. "Bloodhound!" Crossroads'' voice cuts through the chaos like a lifeline. He''s running toward me, paramedics close on his heels. His coin flips idly between his fingers as he assesses the situation, his sharp gaze darting between me and Kate. "About time," I rasp, my voice barely audible. "She''s crashing."Love this story? Find the genuine version on the author''s preferred platform and support their work! He nods, stepping back as the paramedics move in, their movements quick and practiced. One of them, a woman with short-cropped hair and a no-nonsense expression, drops to her knees beside Kate, taking over the chest compressions with an efficiency that makes my arms sag with relief. Another paramedic sets up an oxygen tank, the hiss of compressed air mingling with the chaos around us. "Get her airway secured," the first paramedic says sharply, her hands never stopping as she keeps the compressions steady. "And prep for transport." I sit back on my heels, my chest heaving as I gulp in air, the acrid taste of smoke burning in my throat. My head feels light, the edges of my vision blurring, but I fight it, clenching my fists until my nails dig into my palms. My regeneration is working overtime to keep me conscious, but it doesn''t stop the pain--the deep, itching ache in my lungs that feels like it''s clawing its way out. "Hey, kid," the second paramedic says, his voice cutting through the haze. He''s kneeling beside me now, his hands on my shoulders as he guides me down to sit. "You need to stay still. You''re not looking great." "I''m fine," I say, though the words come out slurred. My body feels heavy, my limbs sluggish, but I force myself to stay upright. "Just... focus on her." "We''re doing everything we can," he says, his tone calm but firm. "Let us handle it." I nod weakly, my gaze fixed on Kate as the paramedics work around her. Her chest rises faintly as they get the oxygen flowing again, and for the first time since I pulled her out of the house, I feel a flicker of hope. Somewhere behind me, I hear the distant wail of sirens--fire trucks, closing in fast. Help is here. Finally. The adrenaline rush from the fire hasn''t worn off, and my head feels like it''s swimming in a fog of smoke, exhaustion, and raw emotion. The sight of the paramedics working on Kate should give me some kind of relief--should make me feel like I''ve done my job, like I''ve protected someone. But all I can think about is how close it was. How thin the line is between saving someone and losing them entirely. And how Aaron is still out there, probably watching. I turn to Crossroads, who''s standing a few feet away, watching the scene unfold with the quiet, deliberate calm he always wears. His coin flips between his fingers in a rhythm that grates against my nerves, and I feel something snap. "Where is he?" My voice is hoarse, raw from smoke and shouting, but I push through it. "You can see up to two hours into the future, right? Just tell me where he''s going to be." Crossroads blinks, his expression unreadable. The coin pauses mid-flip, catching the light before he pockets it. "Sam--" "Don''t ''Sam'' me," I snap, cutting him off. "You know he started this fire. You know it. I know it. Everyone knows it. So why are we standing here instead of hunting him down?" He exhales sharply, running a hand through his hair. "It''s not that simple." "It is that simple!" My voice cracks, but I don''t care. The words tumble out like they''ve been building for hours, and I can''t stop them. "You''ve got powers that can literally pinpoint where he''s going to be. So use them! Flip that stupid coin as many times as it takes until you narrow down the street he''s hiding on." "It doesn''t work that way," he says, his tone even but laced with frustration. "I can see inflection points. Decisions. Outcomes. But I can''t just... pluck an address out of thin air." "Then flip the coin!" I shout, stepping closer, my fists clenched at my sides. "You''re always flipping that damn thing anyway. Just flip it! Heads, he''s in Tacony. Tails, he''s in Mayfair. Heads, he''s east. Tails, he''s west. Keep going until you narrow it down to the fucking house!" "Sam," Crossroads says, his voice low but firm. "You''re asking me to use my powers to surveil someone without probable cause. You know I can''t do that." "Don''t give me that legal bullshit," I hiss. "He lit a fucking house on fire! He''s a terrorist. What more probable cause do you need?" "It doesn''t matter if he''s guilty," Crossroads says, his expression hardening. "The law still applies. If I use my powers to find him and it gets out, the case against him gets thrown out. Everything he''s done, every person he''s hurt--it all goes away because we didn''t follow the rules. You want that?" I stare at him, the words bouncing around in my head like they don''t belong. "He''s out there burning down houses," I say, my voice trembling. "He tried to kill me. He tried to kill my friend. And you''re worried about rules?" "I''m worried about doing this the right way," Crossroads says, his voice quiet but unyielding. "Because if we don''t, he wins." It''s like a punch to the gut, but I can''t let it sink in. Not now. My hand moves before I even realize it, and the crack of the slap echoes in the smoky air. His head snaps to the side, but he doesn''t flinch, doesn''t step back. He just stands there, his cheek reddening where my palm landed, his eyes fixed on the ground. "Do you even care?" I whisper, the words barely audible. His eyes flick up to meet mine, and for a moment, I see something break through his stoic mask. Something raw and human and painful. "Of course I care," he says softly. "But caring doesn''t give me the right to break the law." I shake my head, tears stinging my eyes, but I blink them away. "He''s going to kill someone," I say, my voice cracking. "You know he is. He won''t stop until someone stops him. And you''re just standing here, flipping your coin, acting like you''re above it all." "I''m not above anything," Crossroads says, his voice calm but tired. "But if we start cutting corners, if we start using our powers the way he uses his--then we''re no better than he is." "Don''t compare me to him," I snap, my fists trembling. "Don''t you dare." "I''m not," he says, holding up his hands. "But you need to think about what you''re asking me to do. If we do this the wrong way, we lose. You know that." A paramedic steps toward us, probably drawn by the escalating tension and the soot on my costume, but the glare I shoot them sends them right back to Kate''s side. Crossroads doesn''t even acknowledge them, his focus still locked on me. I take a deep breath, my chest aching from the smoke and the shouting and the sheer weight of everything. "Fine," I say finally, my voice low and steady. "I''ll go and I''ll smash everyone''s doors down until I find him hiding in someone''s basement. Would you rather I do that?" Crossroads doesn''t respond right away. His eyes search mine, and for a moment, I think he''s going to argue again. But then he nods, slowly, and pulls the coin from his pocket. "I''ll do what I can," he says quietly. "But if this backfires, it''s on you." "I''ll take the blame," I say, my voice firm. "Just find him." He flips the coin, the motion fluid and practiced, and the faint glint of metal catches the firelight. Chapter 148.1 The roar of the fire engine fades into the distance as I follow Crossroads through Mayfair--my own personal ghost town. My throat burns raw with every breath, a dry, scraping ache I can''t ignore. My ankle protests each step, the lingering pain spiking up through my leg like glass splinters every time I land too hard. But I don''t stop. I don''t even slow down. Aaron did this. He set Kate''s house on fire. He knew exactly where to hit me. He picked her because he knew she mattered, and that thought keeps ringing in my head louder than anything else. Crossroads walks a few steps ahead, his coin flipping endlessly in his hand--the steady ping-thwp, ping-thwp grinding against my nerves like nails on glass. His jaw is tight, his movements purposeful, but he''s slower than I want him to be. "We''re wasting time," I say, my voice hoarse. The words scrape like sandpaper up my throat, and I wince. I''m sweating through my hoodie, the heat from the fire still clinging to me like some ghost I can''t shake. Crossroads doesn''t stop walking. "We''re not wasting time. We''re being smart about this." "You don''t get it," I snap, almost stumbling as my ankle twinges hard enough to send stars sparking behind my eyes. "He''s probably packing up his little campfire right now while we stroll through the neighborhood playing Sherlock Holmes." "And what''s your plan, Bee?" he says, spinning on his heel to face me. The coin stops midair, pinched between two fingers. "Kick down every door in Mayfair? Scare the hell out of families who have nothing to do with this? I''m trying to keep you from doing something you''ll regret." "You think I''ll regret it?" I laugh, short and humorless. "The only thing I''ll regret is not catching him." His expression doesn''t change, but his voice softens. "No. You''ll regret where this takes you." I don''t respond to that. I can''t. He''s wrong. He has to be. Crossroads sighs and pinches the bridge of his nose, muttering something under his breath. He flips the coin again, and the familiar ping-thwp pulls my focus back. "Fine. You''re not going to listen to me. So let''s do this your way." "Finally," I mutter. He holds up the coin, staring at me like he''s measuring something I can''t see. "But you need to understand what we''re doing here. I can''t just see Aaron sitting in a condemned house and wave you over to him. That''s not how this works." "Then how does it work?" I ask. I''m trying to sound sharp, but my voice comes out ragged. "You precommit," he says. "You pick a street, or a block, or a corner, one per side of the coin. And I look ahead to see if you find anything. If the answer''s no, we eliminate it and try again. If a street gives us something, we note it down and keep going." "Great. That doesn''t sound hard," I say, clenching my fists to stop my hands from shaking. Crossroads doesn''t smile. "It is. It''s a massive Fourth Amendment violation, and you''re lucky I don''t care as much about legal gray areas as Multiplex does. You realize that if this ever got out, it''d be a public storm the likes of which you''ve never seen before. Heads will roll." "I don''t care," I say, too quickly. "If we''re caught, I''ll take the blame. I''m the one kicking down doors, remember? Not you." His eyes narrow, searching me for something I don''t want to show him. After a long moment, he flips the coin again and catches it without looking. "Pick a street." I glance around, my vision swimming for half a second. I blink hard and force my brain to focus. Pine? No. Too obvious. "Revere. Start with Revere. That''s heads. Pine on Tails." Crossroads tilts his head, the coin glinting as he flips it again. "You''re sure?" "Yeah," I say, pressing my teeth together as another jolt of pain shoots through my neck. "Let''s go." He doesn''t move. Instead, he flips the coin again. Ping-thwp. It feels like a heartbeat now, steady and sickening. "No. Revere''s clean. Pine''s clean. New set." "You''re sure?" I ask, my voice a little sharper than I mean it to be. "That''s the point, Bee. I''m sure," he says flatly. "Pick again." We keep moving like that, block by block, street by street. Revere''s clean. Hawthorne''s a dead end. Unruh--nothing there. I pick. Crossroads flips. And the world slowly narrows around me, squeezing tighter and tighter until every street starts to look the same. I''m limping now, my ankle throbbing so hard it makes my vision blur. My neck feels stiff, the muscles locking up every time I turn my head too quickly. "Magee," I say finally, pointing toward the dark stretch of rowhomes up ahead. The streetlights flicker, and I feel the prickle of static in the air. Crossroads flips the coin. Ping-thwp. He pauses, holding it in his hand, his brow furrowing. "Something happens here." "What?" I ask, already moving toward the street. "Not here," he says quickly, falling into step beside me. "Nearby. People saying they''ve seen a ratty looking guy lurking around at night. Unruh Street." He doesn''t finish. He flips the coin again, and his nose starts to bleed. Just a little, a trickle of red that he wipes away without comment. "Charles," I reply, folding my arms over my chest, and then unfolding when it hurts too much. "Heads, Charles. Tails, Wells." He flips his coin, eyelid twitching against his will. He stares at the result in his hand. He doesn''t say anything.Unauthorized use of content: if you find this story on Amazon, report the violation. "What happens?" I press. He stops walking and looks at me, his eyes suddenly very, very tired. "Vogt Park." The words hit me like a fist to the gut. Vogt Park. A stone''s throw from where I live, no more than a 10 minute walk, a ten minute jog. Close enough that he could''ve been watching the fire the whole time. I swallow hard and nod, my pulse thundering in my ears. "Then that''s where we go." Crossroads''s face hardens, and for the first time, he steps directly in my path. "No. Not we. You''re not going alone." "Yes, I am," I say, my voice calm and steady despite the chaos in my head. "Bee, don''t be an idiot," he snaps. "You''re hurt. You can barely walk, let alone fight." "I''ll manage," I say, pushing past him. "I can heal. You can''t. You''re more valuable to soc--" "That''s not the point!" he says, grabbing my arm and spinning me around. The pain shoots through my shoulder like a hot knife, and I jerk away, gritting my teeth against the scream that tries to claw its way out of my throat. "It is the point," I bite out. "I know what I''m doing, Crossroads. This isn''t your fight." "You think that matters to me?" he says, his voice quieter now, almost pleading. "You think I''m just going to let you walk into this alone? You''re my friend. And my teammate, even if I graduated." "Yes," I say simply. "Because you don''t belong in this hole with me." He stares at me for a long moment, his coin stilling in his hand. Finally, he exhales and shakes his head. "Fine. You want to be stupid? I can''t stop you. But I''m not walking away completely." "What does that mean?" I ask warily. "It means you get an hour," he says. "One hour, Sam. I''ll call dispatch, get a cop car and paramedics to Vogt Park. You do what you have to do, but when that hour''s up, I''m coming back with everything we''ve got." "Deal," I say immediately, because I know I don''t need an hour. This will be over in five minutes. He doesn''t look happy about it, but he flips the coin one last time and walks away, pulling his radio from his belt. I can''t have him in this fight with me. I don''t want him witnessing what I want to do to Aaron. I stand there for a moment, staring at the dark line of Vogt Park up ahead, the trees shifting in the cold wind like shadows come to life. My neck aches, my ankle throbs, and every breath burns like fire in my chest. None of it matters. I start walking. Aaron''s waiting.
The front door is barely a door at all. I shove through it, the damp, moldy wood scraping against the frame as it splinters apart, bits of rotten plank crumbling under my fingers. It creaks like it doesn''t want me here, and I don''t blame it. The whole house looks like it should''ve been torn down a decade ago--condemned, graffitied, and sinking in on itself like it''s tired of standing. My feet stick to something wet and grimy as I step inside, and I resist the urge to gag. "What is it with you and abandoned houses?" I call out, my voice echoing off cracked walls and water-stained ceilings. I pause, listening for movement. Nothing yet. Just the faint creak of wood settling around me. "Don''t have enough money to rent a place? You could hit a Motel 6 for, like, forty bucks." Silence. I take another step, my boots squelching in something I don''t want to identify. It''s dark--so dark I can''t see more than a few feet in front of me. The only light comes from what little spills in through gaps in the boards covering the windows. Shadows crowd the corners of the room like they''re alive, twitching with every slight movement I make. "C''mon, Aaron," I say, my voice steady even though my throat still itches like I swallowed glass. "You''re not even gonna say hello? I know you''re here." Nothing. But the house *feels* occupied. It''s a pressure in the air, like the walls are holding their breath. I step forward into what used to be a living room--a crumbling couch shoved against one wall, an overturned coffee table in the center, and a damp carpet that squelches underfoot. The smell of mildew and old smoke is so thick it coats the back of my tongue. And then--finally--a voice. "Didn''t take you long." I stop cold, every nerve in my body snapping to attention. His voice isn''t coming from a single direction. It''s muffled, distorted, like it''s seeping through the walls. "That''s a good nose you got there, Sammy." His tone is light, almost conversational, but there''s a sharpness to it, a casual menace that makes my skin crawl. "Sniffed me out all the way from Mayfair, huh?" "Yeah," I say, forcing my voice to stay level. "You''re not subtle." The floor creaks above me. Or maybe below me. My head snaps toward the sound, every muscle tense, but I don''t see anything. The whole house feels alive with him--his voice, his presence, like he''s everywhere at once. "What''s wrong?" Aaron taunts, his voice still drifting through the rotting plaster. "Lost your sense of direction? Or maybe you''re just scared." "Scared?" I scoff, stepping carefully around a hole in the floor. "You''re the one hiding in the walls, Aaron. What''s the matter? Don''t want me to see your face?" "Oh, I think you''ve seen enough of my face," he replies, his tone almost smug. "I mean, you''re the one who rearranged it for me, right? Gave me that brand new nose. Three stitches on my face. I look better than ever." "You earned that." He chuckles, the sound low and hollow. "Maybe I did. And you know what? You were right." I freeze. "What?" "You were right to put me in the dirt," Aaron says, his voice softening, almost thoughtful. "Because it''s the only place I could grow. You ever hear that, Sammy? How pressure makes diamonds? How steel gets forged in fire?" I grit my teeth, every word crawling under my skin. He''s stalling. Keeping me talking. "I went to therapy after you fucked me up," he continues. "Sat there, week after week, learning all about my issues. Anger. Control. Boundaries." His voice twists, mocking the words. "And you know what I realized? They weren''t problems. They were gifts. I just needed to learn how to use them." "And burning down people''s houses is you using them?" I snap, my eyes scanning every shadow, every crack in the boarded-up walls. "You think this makes you better?" Another creak--below me this time. I turn sharply, my gaze locking onto the edge of a doorway leading to the basement. I try the knob - slowly, carefully, but it doesn''t budge. Locked from the inside. "Better?" Aaron echoes, like he''s considering the word. "I am better. I know what I''m capable of now. Turns out, there''s more to me than anger. You wouldn''t believe what I can do when I''m not just pissed off." "You sound like you want me to be proud of you." "No, Sam," he says, his voice lowering into something darker, heavier. "I just want you to know. Everything I am is your fault. I couldn''t have gotten this good without you." "You were already like this," I snap. "Don''t pin that on me." "Is that what you tell yourself?" he sneers, and for a second, I swear his voice is right behind me. I whirl, fists clenched, but there''s nothing there. Just empty space and damp walls. "That this isn''t your fault? That you didn''t start this? We both know that''s bullshit." "You''re delusional," I growl. "This isn''t about me." "Of course it''s about you." His voice drips through the ceiling now, directly above me. "Everything I do is about you. You think I''d still be here if you hadn''t put me in the ground? You gave me a reason to get back up. I should thank you." The whole house feels like it''s listening to us. The walls, the floor, the ceilings--all of it soaked in him. And something else hits me: the dampness. The whole place is wet, every surface I touch clammy and slick. He soaked this place down, didn''t he? Watered it like a garden so he wouldn''t accidentally burn it to the ground with himself inside. "Where are you?" I demand, my voice hard and sharp. "You don''t have line of sight to me, Aaron. If you did, I''d already be on fire." "Smart girl," he replies, and now there''s laughter in his voice--low and mocking. "Go on, then. Take a guess. You''re the detective, right? Go play superhero. Find me." I stare at the basement door, trying to see through it - a chair on the other side, wedged under the door. It''s obvious now. He''s down there, under me, trying to find an angle. Trying to find line of sight through the holes in the wood. I''m already standing on the edge of a deathtrap. "Are you stalling for time?" I say, narrowing my eyes at the door. "Waiting for something?" "No," he says softly. "I just want you to know how much you mean to me." BWOOMF! Chapter 148.2 The stairs groan under my weight as I take them two at a time, each step a jarring reminder of how much my ankle hates me right now. The whole house feels like it''s holding its breath, the damp air thick with mildew, smoke, and something sharper--an acrid tang I can''t quite place. Bursts of red fire flare to life around me, BWOOMF, BWOOMF, BWOOMF, each one threatening to catch me alight again all over. They cascade over my jacket, hitting my fur lining and starting it smoldering. For a second, I think about how mad Gossamer is going to be at me, and then stop worrying about it. "There''s nothing up there for you, Sammy!" he taunts. I ignore him. My blood pounds in my ears as I hit the landing. The ache in my ankle spikes with each step, but I push through it. My lungs are burning, my throat''s raw, and my ribs feel like someone''s trying to twist them into a pretzel. None of it matters. This ends now. I reach the spot I''m aiming for, and test the second floor''s floor, feeling it rapidly begin to creak inward at all the fire being thrown around. Great. That''s just what I wanted. I pull off my jacket, bundle it around my arms, and then wrap the fire blanket around my good shoulder. "There''s height, asshole!" I yell. Then I throw myself backward, leading with my elbow, and let gravity do the rest. The floorboards crack like a gunshot as I hit them, my weight driving down with every ounce of force I can muster. The wood groans, splinters, and gives in one smooth motion, sending me plummeting into the darkness below. The fire blanket is wrapped tightly around me, shielding me from the worst of the debris as I crash through in a shower of rotten planks and splintered beams. The landing isn''t graceful. I hit the ground shoulder-first, the impact sending a shockwave of pain through my already-battered body. The air rushes out of my lungs, leaving me gasping and coughing as I roll to my side. The fire blanket falls away as I scramble to my feet, the darkness of the basement swallowing me whole. The air is lousy with smoke, choking and blinding, and every breath feels like sandpaper scraping down my throat. Where''s my oxygen mask? Did I leave it with Kate? Fuck. I might''ve. No, it''s in my jacket - I snatch it out, pull aside the bottom part of my helmet, and clamp it on. It''ll muffle my voice a little bit, but oh well. "Well, that''s one way to make an entrance," Aaron says, his tone unimpressed. I can''t see him, but I don''t need to. My hand darts to my palm, a quick, practiced motion cutting the soft flesh against the tooth I''ve grown there. The sharp sting of pain is followed by the familiar rush of clarity as my blood sense kicks in. That''s one of us - now I can see myself. "You can make this easier if you just give up now. We''re already getting this place surrounded." "If I''m going to jail for life, I might as well make it worth my while!" Aaron shouts, making his intentions clear. A tiny shaft of moonlight lights up his glinting, perfect teeth. Did he get dental work done? Crazy. Before I can respond, a flash of light erupts in the darkness, blinding white that sears through my closed eyelids. I stagger back, my arms instinctively shielding my face as the heat washes over me, the fire blanket eating enough of the heat that I can feel it. He comes through the flare swinging, something thin and hard smacking into my stomach and forcing bile out and up my tongue. If I was feeling cocky, I''d say that was the wrong move. Now I know where he is. I lunge forward, aiming low. My shin connects with his leg, and I feel the impact ripple through both of us. He grunts, stumbling back, but he recovers faster than I expect, swinging what I imagine is a pipe towards me. I duck just in time, feeling the whoosh over my head. "Missed me," I snap, my voice raw and hoarse, teeth sliding cleanly through from the slots in my gloves. "You won''t be saying that for long," he growls, the fire in his voice burning hotter. I close the gap, driving my knuckles into his forearm and punching, drawing first blood. The thin, sharp lines register instantly through my blood sense--a high cut, shallow but enough to track him. He roars in pain, yanking his arm back, but it''s too late. He''s pinpointed. His retaliation is immediate. He charges, slamming into me like a freight train, and I don''t have time to dodge. The impact drives me into the damp, crumbling basement wall, the back of my head slamming against the plaster hard enough to make stars explode behind my eyes. He grabs my collar, lifting me just enough that my feet barely scrape the ground. "You really don''t know when to quit, do you?" he sneers, his breath hot and sour against my face.Stolen content warning: this tale belongs on Royal Road. Report any occurrences elsewhere. "Why Kate?" I rasp, clawing at his grip. "Why her?" He smirks, his teeth gleaming in the dim light. "You think I remember every match I''ve lit? C''mon, Sammy. Surely you of all people understand what complete life destruction means." He pulls the bottom half of my helmet off and tosses it away. I''ll need to replace that, if I survive. I grit my teeth and spit blood into his face, the sharp tang hitting my tongue as I aim for his eyes. He flinches, just for a second, but it''s enough to weaken his grip on my costume, and I jerk myself free with a harsh twist. There. A headbutt. I lower myself down and slam my shoulder into his belly, sending us both hurtling to the ground. The fall knocks the wind out of me, but I roll to my feet as quickly as I can. Aaron''s already grabbing for something--a loose pipe from the debris--and he swings it wide, the metal cracking against the side of my helmet with a sickening clang. The world spins, my vision swimming as I stumble back. My head feels like it''s been split open, but I force myself to focus, my blood sense keeping him locked in my mind''s eye. "Get up," he growls, his voice low and dangerous. "I''m not done with you yet." "Likewise," I mutter, blinking away the dizziness. I can almost feel something delicious coursing in my brain, like the world''s best soup. Sure, it''s another on an increasingly large stack of concussions (very worrying), but it feels so good. Like I can finally breathe. He charges again, swinging the pipe in a wide arc, but I duck low, driving my elbow into his ribs. He grunts, the air rushing out of him as I follow up with a quick strike to his jaw. For a moment, I think I''ve got the upper hand. But Aaron''s bigger, stronger, and he knows it. He grabs me by the arm, twisting hard enough to make my shoulder scream in protest, and slams me into the ground. Pain explodes through my ribs as his weight presses down on me, pinning my arms with his knees. "You should''ve stayed down," he says, his hand reaching for my helmet. "No thanks," I mutter, and with a sharp twist, I buck upward, slamming my forehead into his nose. He yells, reeling back as blood gushes from his face. The pressure on my arms eases, and I drive my elbow into his side, forcing him off me. I scramble to my feet, panting and clutching my ribs. Aaron''s already getting up, his face twisted in fury, but I don''t wait for him to recover. Aaron staggers back, clutching his nose, blood pouring between his fingers. For a moment, the dim light of the growing fire makes the whole scene look like something out of a nightmare. The squalor of the basement stretches before me--an old, grimy mattress shoved against the wall, stacks of prepackaged food covered in dust, the hum of a cheap dehumidifier fighting a losing battle against the damp air. Canisters, piles of Duraflame firestarters, the kind for people who are bad at campfires. It reeks of mold, sweat, and something sharper. Then my eyes land back on the canisters. Fuck. It''s gasoline. His eyes flick to the closest one, the barest hint of a smile curling his lips. I see the glint too late. His fingers twitch, and a sickly yellow flame bursts to life, snaking toward the canister. "Shit!" I yell, throwing myself backward. The explosion rocks the basement, a deafening roar that leaves my ears ringing. The gasoline ignites with a blinding flash, liquid fire spraying across the floor and up the walls. The heat slams into me like a wave, so intense I can feel it through my mask. Flaming debris rains down around us, the chaos swallowing everything. Smoke curls thick and black, coiling into my lungs even as my oxygen mask fights to keep me breathing. The flames paint the basement in hellish shades of orange and red. Aaron is still moving, his shadow flickering in the firelight, but I''ve got the edge. My blood sense keeps me locked on him, tracking every twitch and stumble through the chaos. I stay low, weaving through the inferno. The smoke clings to me, thick and suffocating, but I keep moving. He tries to follow, his eyes scanning the flames for movement, but he''s slow. He doesn''t have my blood sense. He doesn''t know where I''ll come from next. I grab a loose plank from the wreckage, the wood splintering in my grip, and swing hard. It connects with the side of his head, the crack of impact cutting through the roar of the fire. He stumbles, cursing, but retaliates instantly. A burst of red flame arcs toward me, too fast to dodge. The heat sears through my costume, forcing me to drop the plank as the fabric smolders. The fight shifts, chaotic and primal. We collide again, grappling like animals. His size gives him an advantage, but I''m faster. I drive my knee into his stomach, the teeth I''ve grown into my shin cutting deep. He howls, his voice raw and furious, and swings wildly. His fist catches my ribs, sending me sprawling into the debris. Pain blossoms sharp and bright, but I force myself back up, the adrenaline numbing just enough to keep me moving. "You''re just like me, you know that?" Aaron says, his voice hoarse but triumphant. "You need me, Sammy. You need this fight." "I need you like a fish needs a bicycle," I snap. My voice is a rasp, raw and broken, but I make sure he hears every word. "I''ve already got a nemesis, and there''s no room for second fiddles." His smile falters. For a second, there''s something else in his eyes--doubt, fear--but then it''s gone. He''s still bleeding, his arms, his face, his sides, but he doesn''t stop. He doesn''t back down. Good. I feint left, my movements quick and erratic, drawing his focus. His eyes track me, narrowing as he anticipates my next move. But I''m faster. I lunge right, slamming into him with all the force I can muster. We hit the burning wall together, the impact sending a cascade of sparks flying around us. The fire roars louder, licking at the edges of my vision, but I don''t stop. Aaron gasps, the air rushing out of him, and I seize the opening. My hand darts to my belt, fumbling for one of the fire suppressant pellets. My fingers close around it, and I yank it free, smashing it into his face. The pellet bursts, a thick foam spraying out in a chaotic explosion. He screams, clawing at his face as the foam blinds him, covering his eyes and cutting off his ability to see. The firelight catches on the wet sheen of the suppressant, the chemical smell overwhelming even through the smoke. I stagger back, panting, every muscle in my body screaming in protest. The heat presses down on me, the flames closing in, but I don''t care. Aaron is disoriented, flailing wildly, and for the first time, I see the cracks in his confidence. He''s bleeding. He''s blind. And he''s not invincible. Chapter 148.3 Aaron reels, the fire suppressant foam clinging to his face, obscuring his vision and dampening the flames he usually wields so effortlessly. He bends low, groping blindly through the wreckage until his hand closes around something solid--a claw hammer. His breathing is ragged, panicked, but his swings are wild and powerful, each one a deadly arc through the smoky air. I duck, the hammer''s edge whistling past my head, close enough that I can feel the disturbed air against my cheek. He swings again, and I weave to the side, my blood sense keeping me one step ahead of his blind strikes. Each missed blow throws him further off-balance, his frustration building like the heat around us. I go low, pivoting on my good leg and driving a kick into his knee. The impact lands with a sickening crunch, and Aaron collapses forward with a guttural roar. Before he can recover, I step into him, bringing my elbow down hard into his ribs, the jagged teeth I''ve grown there tearing into his flesh. He howls in pain, the sound raw and animalistic, but he doesn''t fall. Not yet. His massive arm lashes out blindly, catching me in the side with enough force to send me sprawling into a smoldering corner of the basement. The heat bites through my costume, scorching the fabric and searing my skin. I bite back a scream, rolling away from the fire before it can catch. My ribs protest every movement, sharp pain stabbing with each shallow breath. I can''t take much more of this. Aaron''s voice cuts through the chaos, raw and venomous. He''s shouting loud enough that I have no doubt the neighbors will here. "You think we''re done? I''ll crawl out of this fire just to light you up again, Sam! You can''t stop me. I''ll burn all those cops to a cinder and walk out of here a free man." I wipe blood from my mouth with the back of my hand, my glare cutting through the smoke like a blade. "You''re delusional," I rasp. "It''s over." He swings the hammer again, but this time I''m ready. I duck under the wild arc and charge him, my shoulder slamming into his chest with everything I have left. The impact drives him backward, his feet skidding across the wet, flaming floor. He crashes into the dehumidifier, the machine toppling over with a metallic clang. Water spills across the floor in a sudden rush, hissing and steaming as it meets the fire. Aaron slips, his footing lost, and he goes down hard. I don''t give him a chance to recover. I throw myself onto him, my fists lined with teeth as I give him everything my arms will offer. I feel bones creak and pop, ribs, shoulders, his nose, his jaw, my knuckledusters carving pockmarks into his skin through his clothes. The jacket of my costume rips free in the convection current, fluttering behind me in a burning halo. Aaron catches my wrist mid-swing, his grip like iron, halting my momentum. His strength is staggering, and he twists hard, forcing my arm behind my back. Pain explodes through my shoulder as he wrenches my body sideways, nearly dislocating the joint. A gasp escapes me, but I grit my teeth, refusing to give him the satisfaction of a scream. I pivot, using the force of his hold to my advantage. My head snaps forward, my helmet cracking against his nose with a bone-jarring crunch. He yells, releasing me as blood gushes from his already mangled face. We''re both panting now, the smoke and heat draining every ounce of energy we have left. The flames lick higher around us, the air suffocating, but I can''t stop. Not yet. Not until this is finished. Aaron reels back, blood pouring freely down his face as he clutches at his nose. His breathing is a wet, ragged rasp now, and his eyes--though wild--flicker with something closer to desperation than malice. The heat presses down on us like a living thing, the flames dancing across the walls and floor, closing in with every second. His hand gropes blindly for the hammer, but it''s just out of reach. He curses, the words choked and guttural, and turns his gaze back to me. Even blinded by blood and foam, his movements still have weight, still radiate danger. But now, for the first time, there''s hesitation. "You''re running out of tricks, Aaron," I say, my voice low and hoarse, every word scraped raw by the smoke. My ribs scream with each breath, but I square my stance, teeth glinting faintly from the cracks in my gloves. "And I''ve got nowhere to be but here." "Shut up," he spits, lurching forward in a clumsy attempt to tackle me. I sidestep, my blood sense mapping his staggered movement before it even fully registers. His weight throws him off-balance, and I capitalize, slamming my knee into his gut, the serrated edges of my shin ripping into him like a sawblade. He doubles over with a strangled gasp, and I drive a hammerfist into the back of his head, sending him sprawling face-first onto the smoldering floor. The heat radiates upward, curling my costume and filling the air with the acrid stench of burnt fabric and flesh. Aaron groans, his hands scrabbling weakly against the debris, but I don''t let up. My adrenaline surges like a tidal wave, drowning out the pain and exhaustion.The story has been taken without consent; if you see it on Amazon, report the incident. "You think this is about you," I rasp, my words barely audible over the roar of the fire. "But you''re just a parasite. You''re nothing." He rolls onto his back, his chest heaving as he glares up at me through blood-matted hair. "I''m a survivor," he growls, his voice shaking. I cut him off with a sharp kick to his side, the impact drawing a wet, rattling cough from his lungs. "Parasites survive. You can live off my shit the rest of your life if you want." Aaron lashes out suddenly, his hand closing around a jagged piece of debris. He swings it upward, aiming for my face, but I twist aside, the shard scraping harmlessly against my helmet. His movements are slower now, weaker, the fight draining out of him with every labored breath. I grab his wrist, twisting it sharply until the makeshift weapon clatters to the ground. His scream is raw and guttural, echoing off the basement walls. I yank him up by the collar, forcing him to meet my gaze. I''m reaching my limit. There''s nothing more in me to give. But there''s just one thing left I have to do before I pass out and burn to death. Aaron coughs, the sound wet and ragged, his body trembling as he struggles to keep himself upright in the pool of water spreading across the basement floor. The flames lick higher around us, snapping and hissing like they''re alive, closing the circle with every passing second. Smoke curls thick and dark, coiling around his battered form as he tilts his head back to look at me. His smirk is faint, bloodied, and weak, but it''s still there. "You can''t do it," he rasps, his voice cracking. "You need me. We''re Mr. Orange and Mr. White. You''re the Batman to my Joker. You''ll never kill, you don''t have the balls. You can''t exist without me. Admit it." I stare down at him, my breath coming in shallow, painful gasps. Every inch of me aches--my ribs scream with every movement, my ankle feels like it''s on fire, and my throat feels like it''s been scraped raw from the inside out. And yet, there''s a clarity in his words that cuts through the haze of pain and exhaustion. Is that what this is about? Could this all have been avoided? No. I don''t think so. "I don''t need anyone," I say, my voice low and cold. The words aren''t loud--they don''t need to be. They cut through the smoke and the fire like a blade. I step forward, planting my boot squarely on his shoulder, the one I tore into almost two years ago. His smirk falters as I press down, slowly, deliberately, until I feel the joint creak and pop beneath my weight. There''s a sickening crack, and his grunt of pain is loud and guttural, echoing off the crumbling walls. He doesn''t scream, though. I''ll give him that much. I lean down, grabbing his wrist with one hand and twisting until something gives in his elbow. It''s not a break--not quite--but the sharp snap of a dislocation sends his arm hanging limp and useless at his side. His face twists in agony, his breath coming in short, panicked bursts as he fights not to cry out. It''s more mercy than he deserves. And he knows it. "Don''t bring the fire if you''re not ready for the smoke," I say, feeling the words bubble up from inside me like boiling acid. I let his wrist go, his arm falling uselessly into the water, and straighten up. The flames are everywhere now, consuming the walls, the ceiling, the floor. The heat presses down on me, suffocating and relentless, but it''s not enough to drown out the raw satisfaction thrumming through my veins. I limp toward the remains of the stairs, barely more than charred wood and ash. "Crossroads will be here soon. Enjoy your last stand." Behind me, Aaron sputters something--another taunt, another empty boast--but I don''t bother listening. He''s finished. Whatever fire he had is gone, snuffed out by his own hubris and the weight of his defeat. I haul myself up the broken stairs, each step a battle against the screaming protests of my body. The firefighters'' hoses spray water down through the gaps in the house, the sudden rush of steam hissing and boiling as it meets the inferno below. The air is thick with mist and smoke, but I push through, my hand gripping the charred banister as I drag myself forward. The moment I emerge into the open air, the night slams into me like a wave. Cool, damp, and alive with the sounds of chaos--shouting voices, the wail of sirens, the crackle of fire being extinguished. The world blurs around me, my vision swimming, but I manage to raise one arm in a gesture of surrender as I stumble forward. "Bloodhound!" Crossroads'' voice cuts through the noise, sharp and urgent. He''s running toward me, his figure outlined by the flashing lights of the police cars and fire trucks surrounding the scene. "I''m fine," I croak, though the words are barely audible. I''m not fine. My lungs are burning, my ribs are screaming, and every step feels like it might be my last. But I''m standing. That''s enough. Crossroads catches me before I collapse, his arms steady and firm as he helps me to the paramedics waiting nearby. "You look like hell," he mutters, his tone half-joking, half-concerned. The obvious response eludes me. "I don''t believe in Hell, sorry," is what I end up saying instead. The paramedics pull me onto a stretcher, their hands gentle but efficient as they begin treating my burns and checking my oxygen levels, one of them pulling the oxygen mask off of me, replacing it with a more professional one, something designed to keep my lungs alive. I don''t fight them. I don''t have the energy. My eyes flicker over to the house, still smoldering, as the firefighters work to douse the last of the flames. It doesn''t take long for them to drag Aaron out. He''s cuffed before he even hits the ground, his arm immobilized in a makeshift sling, his face a mask of defeat and scabs and red. The firelight glints off his bloodied features as the officers shove him toward the back of a squad car. He doesn''t look at me. Not once. I watch from the ambulance, silent and still, as they haul him away. The paramedics are talking to me, asking questions, but I barely hear them, and I definitely don''t respond. My focus is on Aaron, on the slump of his shoulders and the flicker of fear in his eyes as the car door slams shut behind him. END OF ARC 9: SHEOL MM.3

Jefferson Frankford Hospital ¨C Admission Report Patient Name: Kaitlyn Smith MRN: 489125 Date of Admission: Saturday, February 22, 2025 Time of Admission: 2:12 AM Admitting Facility: Jefferson Frankford Hospital, Emergency Department Attending Physician: Dr. Michael Abernathy, MD

Chief Complaint Unconscious following rescue from a residential fire. Presenting with severe respiratory distress, suspected carbon monoxide poisoning, and thermal exposure.

History of Present Illness (HPI) Patient was rescued from a second-story bedroom during an active house fire. Prolonged exposure to smoke and heat is suspected, as patient was unresponsive at the time of rescue and required immediate oxygen supplementation. Initial responders reported shallow breathing and cyanosis. Lacerations to the forearms were noted but described as superficial. Patient is currently intubated and sedated for airway protection and oxygenation. Observations indicate that the level of particulate matter in the patient¡¯s lungs appears disproportionately low relative to the severity of the fire and her respiratory symptoms.

Past Medical History (PMH)
  • Previous lightning strike injury (recovered), with residual Lichtenberg scarring and minor cardiovascular irregularities noted at prior evaluations.
  • No known chronic illnesses.
  • No known allergies.

Physical Examination General Appearance: Unresponsive, pale, with soot-streaked skin and visible thermal damage. Oxygen mask replaced with endotracheal intubation for respiratory support. Peripheral cyanosis noted on extremities. Vitals:
  • Heart Rate: 126 bpm (elevated, likely stress and hypoxia-induced).
  • Respiratory Rate: 18 breaths/min (mechanically ventilated).
  • Blood Pressure: 110/72 mmHg (normal range, stable).
  • Oxygen Saturation: 89% on mechanical ventilation with FiO2 of 60%.
  • Temperature: 98.4¡ãF.
Respiratory:
  • Intubated and ventilated.
  • Coarse breath sounds bilaterally.
  • Minor wheezing in upper airways, indicative of irritation or swelling from smoke inhalation.
  • No visible burns to external airway; however, inflammation of the oropharynx is consistent with inhalation of hot gases.
Skin:
  • First-degree burns to face, neck, and forearms. Erythematous areas without blistering.
  • Lichtenberg scarring from prior injury visible on left flank, upper torso, left shoulder, and lower back. No new electrical burns.
  • Superficial, linear lacerations on forearms, consistent with sharp object injury. Clean and non-infected.
Cardiovascular:
  • Tachycardic but with regular rhythm.
  • Peripheral cyanosis suggests ongoing hypoxia.
  • Capillary refill delayed (4 seconds).
Neurological:
  • Glasgow Coma Scale (GCS): 3T (intubated, unresponsive).
  • Pupils equal, round, and reactive to light.
Musculoskeletal:
  • No deformities or fractures noted.
  • Generalized muscle rigidity, likely secondary to prolonged hypoxia.

Diagnostic Tests Ordered Imaging:
  • Chest X-ray: Moderate bilateral opacities consistent with smoke inhalation and pulmonary inflammation. No evidence of pneumothorax or foreign bodies.
  • CT Scan (Head): Normal, no acute intracranial hemorrhage or edema.
Laboratory:
  • Carboxyhemoglobin Level: 24% (critical, consistent with carbon monoxide poisoning).
  • Arterial Blood Gas (ABG):
    • pH: 7.28 (acidotic).
    • PaCO2: 55 mmHg (elevated).
    • PaO2: 58 mmHg (low).
    • HCO3-: 22 mEq/L (normal).
  • CBC:
    • Hemoglobin: 11.2 g/dL (slightly low, likely hemodilutional).
    • WBC: 14.6 ¡Á 10^9/L (elevated, stress response).
  • Electrolytes:
    • Sodium: 140 mEq/L (normal).
    • Potassium: 3.8 mEq/L (normal).
    • Creatinine: 0.9 mg/dL (normal).

Diagnosis
  1. Acute respiratory distress secondary to smoke inhalation:
    • Hypoxia.
    • Upper airway irritation.
    • Carbon monoxide poisoning.
  2. First-degree burns (face, neck, forearms).
  3. Superficial forearm lacerations.
  4. Carbon monoxide poisoning with critical carboxyhemoglobin levels (24%).
  5. Mild metabolic acidosis secondary to hypoxia.

Plan Respiratory Management:
  • Continue mechanical ventilation with high FiO2 to maintain oxygen saturation >92%.
  • Administer hyperbaric oxygen therapy to expedite CO elimination and reduce carboxyhemoglobin levels.
  • Monitor for signs of airway swelling or respiratory failure; prepare for potential bronchoscopy if obstruction or soot is suspected in the airways.
Burn Care:
  • Cleanse affected areas with saline and apply silver sulfadiazine cream to prevent infection.
  • Non-adherent dressings applied to burned areas.
  • Monitor for secondary infection or progression of burn severity.
Carbon Monoxide Poisoning:
  • Initiate hyperbaric oxygen therapy immediately.
  • Monitor serial carboxyhemoglobin levels every 4-6 hours until levels fall below 5%.
Lacerations:
  • Clean and suture as needed under sterile conditions.
  • Apply topical antibiotic ointment.
Neurological Monitoring:
  • Frequent neurological checks to assess for improvement in consciousness and oxygenation status.
  • Monitor for signs of hypoxic brain injury or delayed neurotoxicity.
Observation and Long-Term Care:
  • Admit to ICU for close monitoring of respiratory and neurological status.
  • Daily labs to monitor oxygenation, CO levels, and inflammatory markers.
  • Evaluate for long-term respiratory rehabilitation needs once stabilized.

Prognosis Patient¡¯s carboxyhemoglobin levels are critically high, placing her at risk for delayed neurocognitive effects and further respiratory compromise. While intubation and hyperbaric oxygen therapy provide immediate stabilization, long-term recovery will depend on the extent of hypoxia-induced tissue damage. Burn injuries and superficial lacerations are expected to heal without complications. Neurological outcomes remain guarded until hypoxia resolves and consciousness is regained. Physician Notes: Patient¡¯s apparent ¡°low particulate burden¡± relative to the severity of the fire warrants further investigation. It is unclear whether this reflects physiological variability or a unique, unidentified factor in the patient¡¯s condition. Continued observation and documentation are advised. Prepared by: Dr. Michael Abernathy, MD

Jefferson Frankford Hospital ¨C Admission Report Patient Name: "Bloodhound" (legal name redacted per LBMH Privacy Act) MRN: 7c-7321 Date of Admission: Saturday, February 22, 2025 Time of Admission: 4:17 AM Admitting Facility: Jefferson Frankford Hospital, Emergency Department Attending Physician: Dr. Elena Marques, MD

Chief Complaint Severe injuries sustained during firefighting and apprehension of superpowered criminal, including burns, blunt force trauma, inhalation injury, and pre-existing conditions.

History of Present Illness (HPI) Patient is a regenerator with a 4x baseline healing factor who self-reports as able to "drink seawater without issue" and "immune to alcohol intoxication but capable of being anesthetized." Patient was brought to the emergency department by paramedics following a house fire and associated combat injuries sustained during vigilante activities. Injuries include:
  • Burns (second-degree and superficial) exacerbated by prolonged exposure to fire and heat.
  • Blunt force trauma, including suspected rib fractures, shoulder strain/dislocation, and a head injury.
  • Smoke inhalation, resulting in respiratory compromise.
  • Exacerbation of pre-existing injuries, specifically second-degree burns to the right arm and shoulder from prior incidents.
Patient arrived in-costume and lucid, providing a detailed account of injuries and baseline healing abilities.

Past Medical History (PMH)
  • Healing factor (self-reported 4x baseline healing rate).
  • Chronic exposure to injury as a result of vigilante activities.
  • Second-degree burns to the right arm sustained <48 hours prior to admission.
  • Multiple prior head injuries (history of concussions).
  • Ankle sprain (right).
  • Hypertrophic laceration scarring noted along the right flank, consistent with prior deep soft tissue injury.
  • Scattered minor hypertrophic laceration scarring (<3 cm in size each) across body, primarily upper back, upper arms, and hands.

Physical Examination General Appearance: Alert but visibly fatigued, sitting upright on stretcher. Burned clothing in multiple areas; minor soot staining on exposed skin. Vitals:
  • Heart Rate: 112 bpm (elevated, likely due to pain).
  • Respiratory Rate: 24 breaths/min (tachypneic).
  • Blood Pressure: 135/92 mmHg (slightly elevated, pain-related).
  • Oxygen Saturation: 94% on ambient air.
  • Temperature: 99.1¡ãF (normal).
Respiratory:
  • Persistent dry cough, hoarseness, and raw throat.
  • Mild stridor auscultated in the upper airway (indicative of inhalation injury).
  • Lung sounds diminished bilaterally at bases, with scattered rhonchi.
Skin:
  • Second-degree burns:
    • Right arm (posterior and lateral surfaces): Blistered, erythematous, with evidence of worsening damage from exposure to heat during this incident.
    • Superficial burns across shoulders, upper back, and sides of neck: Erythema with occasional blistering.
  • No signs of infection or excessive fluid loss at this time.
  • Scattered abrasions on hands and forearms (minor, no significant bleeding).
  • Ecchymosis across extremities and lower torso consistent with repeated blunt force trauma.
Cardiovascular:
  • Tachycardic but regular rhythm. No murmurs or signs of cardiac stress.
Musculoskeletal:
  • Right shoulder: Palpable tenderness with limited range of motion; possible partial dislocation or ligamentous strain.
  • Ribs: Point tenderness over the right lateral ribcage; likely fracture(s).
  • Right ankle: Swelling, ecchymosis, and instability consistent with sprain.
  • Generalized muscle fatigue and soreness.
Neurological:Unauthorized usage: this tale is on Amazon without the author''s consent. Report any sightings.
  • Glasgow Coma Scale (GCS): 15 (normal, fully alert).
  • Reports dizziness, headache, and nausea consistent with mild concussion.
  • No focal neurological deficits noted during initial exam.

Diagnostic Tests Ordered Imaging:
  • X-ray (Chest): Confirms at least two fractured ribs (6th and 7th, right side), with no evidence of pneumothorax.
  • X-ray (Right Shoulder): Possible AC joint strain without dislocation.
  • X-ray (Right Ankle): No fracture; soft tissue swelling noted.
  • CT Head: No acute intracranial hemorrhage or swelling.
Laboratory:
  • CBC: Mildly elevated WBC (12.5 ¡Á 10?/L) consistent with stress response.
  • ABG: Mild respiratory acidosis (pH 7.32, pCO2 49 mmHg) likely due to smoke inhalation.
  • Carboxyhemoglobin Level: 7% (elevated but not critical).
  • Electrolytes/Renal Panel: Normal, unremarkable.

Diagnosis
  1. Second-degree burns (right arm, shoulders, upper back).
  2. Smoke inhalation injury with mild respiratory compromise.
  3. Fractured ribs (right lateral, 6th and 7th).
  4. Partial dislocation or strain of right shoulder joint.
  5. Right ankle sprain (exacerbation of chronic injury).
  6. Mild concussion with headache and dizziness.

Plan Burn Management:
  • Clean burns with saline and apply silver sulfadiazine cream to prevent infection.
  • Cover with non-adherent dressing.
  • Pain management with IV ketamine (preferred due to patient history).
Respiratory Care:
  • Provide humidified oxygen via mask (5 L/min).
  • Monitor for signs of airway edema or worsening respiratory distress.
Musculoskeletal Injuries:
  • Immobilize right shoulder with sling; schedule follow-up with orthopedics for MRI to rule out ligament tears.
  • Apply compression wrap to right ankle; elevate and ice to reduce swelling.
  • Prescribe physical therapy referral for ankle and shoulder rehabilitation.
Rib Fractures:
  • Encourage incentive spirometry to prevent atelectasis.
  • Pain management with ketamine and adjunct acetaminophen.
  • Avoid binding or tight bandages (to prevent hypoventilation).
Concussion:
  • Recommend rest and monitoring for worsening symptoms (e.g., vomiting, confusion).
Observation and Discharge:
  • Admit to short-term observation unit to monitor burns and respiratory function.
  • Discharge plan to include:
    • Topical burn care supplies.
    • Physical therapy referral.
    • Pain management plan with ketamine or alternative based on tolerability.

Prognosis Patient¡¯s 4x baseline healing factor is expected to significantly reduce recovery time for burns, musculoskeletal injuries, and rib fractures. Full recovery anticipated within 3-4 weeks for most injuries, with ongoing therapy for ankle instability. Physician Notes: Patient¡¯s unique physiology necessitates adjustment in medication dosing, particularly pain management and sedatives. Future admissions should prioritize direct-acting anesthetics or IV administration routes for efficacy. Patient¡¯s self-reported seawater tolerance and alcohol immunity align with hyper-efficient hepatic and renal function, warranting careful drug selection. Prepared by: Dr. Elena Marquez, MD

Jefferson Frankford Hospital ¨C Admission Report Patient Name: Aaron McKinley MRN: 512487 Date of Admission: Saturday, February 22, 2025 Time of Admission: 5:45 AM Admitting Facility: Jefferson Frankford Hospital, Emergency Department Attending Physician: Dr. Clara Nguyen, MD Security Detail: Officer John Martinez (Philadelphia PD)

Chief Complaint Severe blunt force trauma and musculoskeletal injuries sustained during apprehension following alleged arson and violent altercation. Patient is conscious but uncooperative. Presented with multiple acute injuries exacerbating prior poorly healed fractures.

History of Present Illness (HPI) Patient was apprehended at the scene of a violent altercation and transported to the emergency department under heavy law enforcement security. Blindfolded to prevent suspected use of gaze-based pyrogenetic abilities. Law enforcement reports significant blunt force trauma during the altercation, primarily to the shoulder, ribs, and head. Patient has an extensive history of injuries due to prior violent encounters, including poorly healed fractures managed by non-professional medical care. Patient is conscious but hostile, non-compliant with questioning, and restrained (handcuffed to stretcher). Requires frequent redirection and monitoring for agitation. Additionally, patient exhibits signs of chronic lung damage likely related to prolonged inhalation of particulate matter from his own pyrogenetic activity, compounded by acute smoke inhalation from the recent fire.

Past Medical History (PMH)
  • Prior musculoskeletal injuries (poorly healed):
    • Right knee fracture (misaligned healing noted on imaging).
    • Nasal fracture with cosmetic deviation.
    • Left elbow joint sprain (ligamentous damage visible on prior imaging).
    • Right shoulder fracture (suspected improper healing; secondary fractures noted).
    • Multiple rib fractures (evidence of previous injury to 5th and 6th ribs on imaging).
    • Sprained right ankle (chronic instability).
  • Chronic soft tissue damage, scars, and minor untreated injuries.
  • Lung damage: History of impaired pulmonary function attributed to chronic inhalation of smoke and particulates from pyrogenetic activities, presenting as early-onset emphysema-like symptoms during prior evaluations.

Physical Examination General Appearance:
  • Agitated and restrained, blindfolded per law enforcement request. Conscious, poorly groomed, with visible signs of prior and current trauma. Cooperative only under duress.
Vitals:
  • Heart Rate: 98 bpm (mildly elevated).
  • Respiratory Rate: 20 breaths/min.
  • Blood Pressure: 136/88 mmHg.
  • Oxygen Saturation: 97% on room air.
  • Temperature: 98.9¡ãF.
Respiratory:
  • Persistent dry cough and mild wheezing noted.
  • Evidence of chronic pulmonary damage:
    • Reduced breath sounds at lung bases bilaterally.
    • Diminished pulmonary function consistent with chronic exposure to particulate matter.
  • Acute findings:
    • Coarse breath sounds and scattered rhonchi, indicative of acute smoke inhalation injury.
    • No stridor or immediate airway compromise.
    • Chest X-ray shows bilateral patchy opacities consistent with acute pulmonary irritation and possible early pneumonitis.
Skin:
  • Extensive bruising over torso, arms, and legs, with visible lacerations on forearms and face.
  • Superficial abrasions across knuckles, likely from altercation.
  • Scattered scars on extremities and torso, consistent with history of violent trauma.
Cardiovascular:
  • Tachycardic but with a regular rhythm. Capillary refill within normal limits.
Musculoskeletal:
  • Right shoulder: Severe pain, limited range of motion, and swelling. Palpable deformity suggests acute fracture exacerbating prior malunion.
  • Right elbow: Significant tenderness and swelling; likely ligament sprain and possible exacerbation of prior injury.
  • Right knee: Mild swelling and tenderness; no acute deformity but misalignment noted on prior fracture.
  • Ribs: Pain and crepitus over 4th¨C7th ribs on the right side. Imaging confirms new fractures with signs of poorly healed prior injuries.
  • Ankle: Mild swelling of right ankle; chronic instability noted.
  • Generalized soft tissue tenderness with significant ecchymosis over back and flanks.
Neurological:
  • Alert and oriented x3 but uncooperative. No focal deficits noted.
  • Reports headache and dizziness; likely mild concussion.

Diagnostic Tests Ordered Imaging:
  • X-ray (Chest): Acute fractures of right 4th, 5th, and 6th ribs with evidence of prior malunion. Patchy opacities consistent with acute smoke inhalation injury. No pneumothorax.
  • X-ray (Right Shoulder): Acute comminuted fracture of the proximal humerus with prior malunion evident.
  • X-ray (Right Elbow): Ligamentous injury suspected; no acute fractures.
  • CT Scan (Head): No intracranial hemorrhage or swelling; mild concussion suspected.
  • X-ray (Right Knee): Evidence of prior fracture with mild malalignment; no acute changes.
  • X-ray (Right Ankle): Chronic instability; no acute fractures.
Laboratory:
  • CBC: Mildly elevated WBC (11.8 ¡Á 10^9/L) consistent with stress response.
  • Electrolytes: Within normal limits.
  • Carboxyhemoglobin Level: 6% (elevated but not critical, reflecting partial exposure to smoke).
  • Arterial Blood Gas (ABG): Mild hypoxemia with pO2 at 65 mmHg.

Diagnosis
  1. Acute comminuted fracture of the right proximal humerus (exacerbation of prior malunion).
  2. Rib fractures (right 4th¨C7th ribs) with prior poorly healed fractures.
  3. Right elbow ligament sprain (exacerbation of prior injury).
  4. Chronic musculoskeletal injuries (right knee, right ankle, nasal fracture).
  5. Soft tissue trauma and bruising (extensive).
  6. Mild concussion with headache and dizziness.
  7. Chronic pulmonary damage consistent with prolonged inhalation of particulate matter.
  8. Acute smoke inhalation injury with early signs of pneumonitis.

Plan Orthopedic Management:
  • Immobilize right shoulder with sling; consult orthopedics for surgical evaluation due to comminuted fracture and prior malunion.
  • Apply compression wrap to right elbow; follow-up with MRI for ligament evaluation.
  • Encourage physical therapy upon stabilization for chronic knee and ankle instability.
Pain Management:
  • Administer IV ketamine for pain (to avoid respiratory depression and manage agitation).
  • Supplement with acetaminophen.
  • Avoid opioids unless absolutely necessary due to incarceration risk.
Respiratory Care:
  • Provide humidified oxygen to maintain oxygen saturation >92%.
  • Incentive spirometry to prevent atelectasis from rib fractures.
  • Monitor for worsening pulmonary symptoms or development of pneumonitis.
  • Follow-up chest X-ray to evaluate progression of inflammation or complications.
Neurological Monitoring:
  • Observe for worsening concussion symptoms (e.g., vomiting, confusion).
Security and Legal Notes:
  • Maintain restraints as ordered by law enforcement.
  • Secure medical clearance for transport to correctional facility upon stabilization.
  • Document all findings meticulously for potential legal proceedings.
Observation and Discharge:
  • Admit to secure observation unit with police detail.
  • Prepare discharge plan for coordination with correctional medical services.

Prognosis Patient¡¯s injuries are severe but not life-threatening. Chronic musculoskeletal damage will complicate healing and require long-term management. Without surgical intervention, right shoulder function may be permanently impaired. Pulmonary function is expected to further decline without strict avoidance of particulate exposure. Patient is stable for transfer to correctional facility upon completion of medical care. Physician Notes: Patient¡¯s history of prior injuries reflects poor-quality care and likely contributes to recurrent complications. Law enforcement protocols have been observed throughout evaluation. Chronic lung damage from pyrogenetic activity is noted as a significant risk factor for long-term pulmonary decline. Close monitoring required due to patient¡¯s pyrogenetic abilities and uncooperative behavior. Prepared by: Dr. Clara Nguyen, MD RS.2.1 The house feels impossibly small with this many people crammed into it. It''s early--too early for most of them--but Liam is already at the kitchen table, poring over the same pile of paperwork I''ve seen him with every morning this week. He''s wearing his reading glasses, the ones Kate got him for Father''s Day two years ago, and the lines on his forehead seem deeper today. There''s a cup of coffee by his elbow, half-empty, probably cold by now. I grab my own mug from the cabinet, careful to keep quiet. The kids are still asleep--well, most of them. Sam''s room is packed, and I don''t know how they managed it. Maggie, Jordan, Tasha, and Kate all stayed over last night, and I''d swear it felt like a clown car in there. Sam on the bed, Jordan on the floor, Tasha on the tiny inflatable mattress we dragged out of the basement, and Kate on her own setup next to the wall. I half expected them to revolt after one night like that, but they seemed fine. Teenagers can tolerate a lot, apparently. "Coffee''s still fresh," Liam says, glancing up. He looks like he hasn''t slept much, but I know better than to ask. I''ve had those sleepless nights too. "Thanks." I pour myself a cup and settle across from him at the table. Papers are spread out everywhere--insurance forms, bank statements, some official-looking correspondence I don''t want to think too hard about. "Any progress?" He lets out a low sigh, running a hand over his short-cropped hair. "Not really. They''ve got a certified fire investigator looking into it, which is... good, I guess. But until they make a ruling on whether it was a supervillain attack, the payout''s frozen. I don''t know, I guess I didn''t worry enough about supervillains to get specific insurance against them. I was more concerned with regular old fire." "Supervillain attack," I echo, bitterness creeping into my voice. "Because that''s such an easy thing to define." Liam huffs a quiet laugh, more air than sound. "Yeah. Apparently, they need to determine if Aaron McKinley''s actions were deliberate or incidental. If the fire was just collateral damage, it might qualify as... ordinary arson." "Ordinary," I say, shaking my head. "Like that makes it any better." He shrugs, and for a moment, I see the exhaustion weighing on him. "It is what it is. At least we''ve got the emergency housing funds. That''s something." "Not enough," I mutter. I don''t mean it to sound harsh, but the words come out anyway. Liam doesn''t flinch, though; we''ve known each other too long for him to take it personally. We lapse into silence for a moment, sipping our coffees. Outside, the sun is just starting to rise, casting a faint glow through the blinds. The house creaks faintly, its old bones protesting the chill morning air. "Kate seems..." I start, then hesitate. Liam looks up, waiting. "She seems okay. Considering everything." He nods, but his mouth twists like he''s not sure he believes it. "She''s tough. Always has been." "She gets that from you," I say, and he lets out a small laugh. "I don''t know about that," he says. "She''s a lot tougher than I ever was." The sound of feet thumping down the stairs breaks the quiet. Sam appears in the doorway, hoodie half-zipped, her hair sticking out at odd angles. Her eyes flick between us, landing briefly on the stack of papers before she turns toward the fridge. When did she get her ears pierced? I take a mental note to ask her about that some other time. Two circular black studs, one per ear. I didn''t even know she could do that. I figured her... healing would squeeze them out. "Morning," she mumbles. "Morning," I say, watching as she rummages for a yogurt. "The others still asleep?" "Maggie''s up," she says, voice muffled by the fridge door. "She''s hogging the bathroom." "Of course she is," Liam says dryly, and Sam cracks a small smile. She grabs a yogurt and leans against the counter, eating silently. I try not to stare, but it''s hard not to notice the way she holds her right arm close to her body, the stiffness in her movements. Even with the oversized hoodie, I can see the outline of the bandages underneath. The burns are healing, slowly but surely, but they''re still a painful reminder of everything she''s been through. Yeah, she''ll be better physically way faster than any of us would''ve been... but will she be better, you know, mentally? Emotionally?This content has been unlawfully taken from Royal Road; report any instances of this story if found elsewhere. I can''t imagine being set on fire is very fun. I sip my coffee and glance at Liam, who''s watching her too, his brow furrowed. "You ready to waterproof that before we head out?" I ask Sam gently. She nods, pushing off the counter. "Yeah. I''ll grab the stuff." She disappears down the hall, and Liam leans back in his chair with a sigh. "She''s a lot tougher than she lets on." "She gets that from you," I say again, and this time it earns a quiet laugh from both of us. By the time the rest of the house stirs to life, the kitchen is full of people and noise. Maggie comes in first, still toweling off her wet hair, followed by Jordan and Tasha in matching sweats. Kate appears last, quieter than a mouse, clutching her inhaler like a talisman. The kitchen table becomes a battlefield of toast, cereal boxes, and stray mugs. Ben joins us at some point, yawning and blinking like an owl as he pours himself a cup of coffee. There''s a rhythm to it, a strange kind of choreography as we navigate around each other in the cramped space. "Who''s riding with who?" Maggie asks, already halfway through a bowl of Lucky Charms. "Sam, Jordan, and Maggie with me and Ben," I say, wiping crumbs off the counter. "Liam, you''ve got Kate and Tasha." Maggie groans. "Why can''t I ride with Kate? She''s more fun." Kate raises an eyebrow but doesn''t say anything. Sam matches her almost simultaneously. It''s Liam who speaks, his tone light but firm. "Because I don''t trust you to navigate without getting us lost." "You have a GPS!" Maggie protests. "And yet," Liam says, smiling faintly as he sips his coffee. Sam doesn''t join the banter. She''s sitting on the couch, fiddling with the zipper on her hoodie. I can see her watching Kate out of the corner of her eye, her expression unreadable. I don''t know what happened between them--I just know that something did. They''ve been distant since the fire, their conversations stilted and awkward in a way that doesn''t make sense to me. They were best friends once, inseparable for years. I wonder if Kate notices the way Sam glances at her. If she feels the same gulf that I do. It takes longer than it should to get everyone out the door. Liam checks the straps on the roof rack twice before loading up his car. Ben insists on rearranging the bags in the trunk for maximum efficiency, which earns him an exasperated look from Sam. Maggie argues with Jordan about who gets shotgun before Ben shuts them both down (he is not sitting in the back squeezed between two teenagers, he argues successfully), and Tasha quietly slides into the backseat of Liam''s car with her headphones already in place. By the time we pull out onto I-95, the sun is fully up, the faint haze of morning giving way to a bright, clear day. The highway stretches out ahead of us, and for a moment, it feels like we''re leaving the weight of the week - the month, the year, the life - behind. In the car, Maggie is humming along to the radio, her voice light and carefree. Jordan is scrolling through their phone, occasionally chiming in with sarcastic commentary. Sam leans against the window, her head resting on the glass, her eyes half-closed. I glance at her in the rearview mirror, my chest tightening. She looks so tired, and I know it''s not just from lack of sleep. She carries so much more than she should have to, more than any sixteen-year-old should. "Everyone okay back there?" I ask, more to fill the silence than anything else. "We''re fine," Maggie says brightly, kicking Sam''s foot lightly. "Right, Sam?" "Yeah," Sam mutters without opening her eyes. I keep my eyes on the road, the hum of the tires steady beneath us. It''s a long drive to the Poconos, but maybe that''s a good thing. Maybe the distance will give us all a chance to breathe.
The hum of the highway fills the car, a steady backdrop to the faint sounds of the radio. Maggie has commandeered the station, flipping between pop hits and 90s throwbacks with the persistence of someone who can''t sit still for long. Jordan sits quietly beside her, one arm draped lazily over the window, occasionally rolling their eyes at Maggie''s choices. Sam leans against the window in the backseat, her face turned toward the blur of trees and overpasses. She hasn''t said much since we left, but I catch glimpses of her in the rearview mirror--eyes half-closed, almost peaceful. The drive feels timeless, the kind of quiet that settles deep in your chest. Ben and I switched half an hour ago - I felt myself getting highway hypnosis and didn''t want to let it become a problem. He has one hand on the wheel and the other on the armrest, his fingers drumming idly in time with the music. Every so often, he mutters something under his breath about the way other people drive, and I smile faintly, letting his voice ground me. We pass a sign for a Wawa at the next exit, and Ben flicks his turn signal. "We''ll meet them here," he says, mostly to himself. Liam''s car is a little behind us, and the stop feels like a natural point to regroup. Maggie cheers from the back seat, already proclaiming her need for snacks. When we pull into the lot, Liam''s car isn''t far behind. He parks two spaces over, and I watch as Tasha unfolds herself from the backseat, her headphones still perched over her ears. Kate slides out of the passenger side, her movements careful and deliberate. She lingers near the car, stretching as Liam heads toward the store with a nod in our direction. The air is brisk but not biting, the kind of cool that wakes you up after a long stretch of highway. Sam steps out slowly, favoring her left side, but she doesn''t complain. Maggie bounds out after her, spinning on her heel to look at Jordan. "Coffee run," Maggie declares. "You in?" Jordan smirks, unfolding themselves from the passenger seat. "If it gets me through another hour of your playlist, sure." I glance at Ben, who shrugs and follows them. "I''ll grab us something too," he says, his hand brushing my arm lightly before he heads inside. For a moment, it''s just me and Liam in the lot. He looks tired, but his smile is easy, the kind you wear when you''re trying not to think too hard about everything else. "Making good time," he says, nodding toward the cars. "Not bad," I reply, watching as Sam and Kate exchange a few quiet words by the curb. There''s a strange distance between them, but it''s hard to tell if it''s the moment or something deeper. Liam follows my gaze, but he doesn''t comment. Instead, he lets out a long breath, his shoulders relaxing slightly as Tasha joins the others in the store. "Feels nice to get out of the city," he says. RS.2.2 The parking lot is already crowded when we pull into Kalahari, families unloading carfuls of kids and bags with the same harried energy we''ve been juggling all morning. Ben barely manages to wedge our car into a spot, and even then, it takes some creative maneuvering to get everyone and everything out without bumping into the car beside us. "Everyone grab your stuff," I say, juggling my tote bag and trying to keep an eye on Maggie, who is bouncing on the balls of her feet like she''s already had three sodas. "We''re not leaving anything behind." "Shotgun that towel bin," Maggie declares to Sam, pointing toward a group of kids heading toward the entrance. Sam shakes her head but trudges after her with Jordan close behind. Liam pulls into a spot a few rows down, and Kate and Tasha climb out, their motions more subdued but efficient. Tasha has her headphones tucked around her neck now, looking up at the sprawling entrance with something like quiet awe. Kate, on the other hand, looks like she''s bracing herself for battle, her face set and unreadable. "Let''s get this over with," Liam mutters as he joins us, hefting a bag onto his shoulder. "I swear, these places are designed to be as chaotic as possible." "You mean you don''t love the dulcet tones of screaming children?" Ben quips, falling into step beside him. Inside, the lobby is a whirlwind of color and noise. Brightly painted walls, water-themed d¨¦cor, and the ever-present sound of splashing water spill into the space. A line snakes toward the check-in desk, parents corralling kids who are already whining about when they''ll get to swim. "Stay together," I say, raising my voice above the noise. It feels futile--Maggie is already pointing out something to Jordan, and Sam is shifting her bag awkwardly, her good arm taking the brunt of the weight. I resist the urge to take it from her. She hates when I fuss, but watching her struggle sends a pang through my chest. We eventually reach the desk, where an overly cheerful employee checks us in, rattling off a series of rules and procedures I only half hear. I catch Liam''s eye as he tries to juggle their key cards and a waiver form, his exasperated expression mirroring mine. "Finally," Maggie says as we''re handed our wristbands. She snaps hers on with a flourish and heads toward the locker area, dragging Sam and Jordan along in her wake. "Stay with them," I call after her, and Jordan gives me a thumbs-up without looking back.
The locker rooms are crowded and humid, the air thick with the smell of chlorine and the sound of flip-flops slapping against tile. I stake out a corner near one of the benches, rummaging through my bag for my minicomputer while Ben helps Liam figure out the locker system. Sam is the last to change, waiting until the others have scattered to nearby stalls. I watch her carefully, trying not to hover but unable to stop myself from keeping an eye on her. She pulls her hoodie off first, revealing the tank top underneath, and I catch the faint wince she tries to hide as she moves her right arm. Her torso is still a mosaic of scars and burns, the angry red of the newer ones standing out against the older, paler marks that crisscross her arms and back. I''ve seen them before--when we were wrapping her arm this morning, or when I catch her changing out of the corner of my eye--but seeing them here, in the harsh fluorescent light of the locker room, feels different. They''re raw and undeniable. Everything she''s been through, all at once. Sam catches me looking and tenses, her good hand gripping the hem of her tank top. "It''s fine," she says quietly, her tone sharp but not unkind. I force myself to nod, swallowing the protective instincts that rise unbidden in my chest. "Just make sure your wraps stay on in the water, okay?" "Okay," she says, and her voice softens just slightly. She finishes changing quickly, pulling on the wetsuit she insisted on bringing for extra coverage. It''s not subtle--the thick material and extra waterproofing layers make her look like she''s gearing up for deep-sea diving--but it does the job. She tugs the sleeves down carefully, and for a moment, I think I see her relax.
The water park itself is obvious sensory overload. The massive indoor space stretches as far as the eye can see, a cacophony of water slides, wave pools, and neon-colored play areas. The air is warm and damp, the faint tang of chlorine clinging to every surface. Kids dart around in every direction, their shouts and laughter echoing off the high ceilings. We find a spot near one of the quieter pool areas to set up our "base camp." Ben spreads out towels on a couple of lounge chairs while Liam and I arrange the bags and snacks we brought along. There are tables nearby for parents to sit and supervise, though most of the adults are either chasing toddlers or trying to wrangle overly excited tweens. Maggie and Jordan are already racing toward the wave pool, Maggie dragging Sam behind her with single-minded determination. Sam doesn''t protest--at least, not visibly--but I notice the way she hesitates at the edge of the water, her hand brushing the edge of her wetsuit. She glances back at Kate, who is lingering near the chairs, her inhaler clutched tightly in one hand.A case of theft: this story is not rightfully on Amazon; if you spot it, report the violation. "Go on," Liam says gently, giving Kate an encouraging nudge. "You don''t have to do much. Just dip your feet in if you want." Kate doesn''t look convinced, but she nods and moves toward the water, her movements careful and deliberate. Tasha follows quietly, a small smile tugging at the corners of her mouth, leaving her headphones with us. I settle into one of the lounge chairs, pulling out my tablet and adjusting the brightness to compensate for the overhead lights. Ben sits beside me, flipping through his phone, while Liam heads off to grab drinks from a nearby stand. The kids are already scattered across the park--Maggie is climbing the stairs to one of the slides with Jordan, Sam is floating cautiously in the wave pool, and Kate and Tasha are sitting on the edge, their feet dangling in the water. It''s a strange kind of peace, watching them from here. The noise of the park fades into the background as I open the library app on my minicomputer, scrolling through the latest articles on collection development and outreach programs. It feels good to focus on something concrete, something manageable, even if only for a little while. "Quiet moment?" Liam asks as he returns, setting a drink down on the small table between us. "For now," I say, glancing toward the wave pool where Maggie is splashing Jordan with unbridled glee. "Give it fifteen minutes." He chuckles, leaning back in his chair. "You''re probably right." Ben looks up from his phone, raising an eyebrow. "Are we taking bets on who falls first? Because my money''s on Maggie." "Bold choice," Liam says. "I was going to go with Tasha. She''s too quiet--she''ll get dragged into something, mark my words." I smile faintly, letting their banter wash over me. The kids are happy, for now. That''s enough for me.
The minutes stretch into an hour, the rhythm of the park settling into something almost soothing. The kids flit between the wave pool, the slides, and the lazy river, their laughter and shouts blending into the ambient noise. I keep one eye on Sam, noting the way she moves carefully, avoiding the faster-paced attractions in favor of floating or wading near the edge. She''s cautious, but she''s smiling--small, fleeting smiles that feel like victories. "Looks like she''s having fun," Liam says, following my gaze. "She needs it," I reply quietly. "They all do." Liam nods, his expression thoughtful. "You think they''ll talk?" It takes me a moment to realize he''s talking about Sam and Kate. I glance toward the pool, where Sam is standing near the edge, her gaze flicking briefly toward Kate before shifting away. Kate is laughing at something Tasha said, her usual guarded expression momentarily replaced by something softer. "I hope so," I reply.
The air around the pool is warm and humid, a constant haze of chlorine and echoing laughter. The kids have scattered again, off to explore the slides and lazy river, leaving the adults at the table. Ben and Liam are locked in a surprisingly passionate debate about the merits of various grilling techniques - such a stereotypically fatherly thing it makes me question, for a moment, who I married - but their voices fade into the background as Sam approaches. She moves carefully, as she always does these days, her steps measured and deliberate. Her wetsuit clings awkwardly to her frame, bulkier than anything else around her, but she doesn''t seem to care. Or maybe she does, and she''s just good at pretending. "Hey, Mom," she says, stopping just short of the table. I look up from my minicomputer, setting it aside. "Hey, sweetheart. Done swimming already?" "Taking a break," she says, glancing toward the water. Maggie and Jordan are racing each other across the wave pool, their laughter cutting through the noise. "Can I... can I talk to you? Alone?" My chest tightens at the request, but I keep my face neutral. "Of course. Let''s find somewhere quieter." We end up at the edge of the park near the snack bar, where the noise is muffled and the smell of nachos and popcorn hangs in the air. Sam sits on the edge of a low wall, her hands folded in her lap, her posture tense. I don''t press her to start. I''ve learned to wait, to let her find the words when she''s ready. "It''s about... something that happened last week," she says finally, her voice low. "Something with, um, a bad guy." I don''t say anything, just nod for her to continue. She hesitates, fiddling with the edge of her wetsuit. "You saw the news, right? About the fire? The one at Kate''s house?" "I did," I say carefully. "I also saw you on the news," I continue. Her head snaps up, eyes wide, but I press on before she can say anything. "I figured it was you. And I figured that fire wasn''t random. It was Aaron McKinley, wasn''t it? The arsonist." Sam''s silence is answer enough. "And I figured," I continue, my voice steady, "it probably wasn''t just about Kate. He came after her because of you, didn''t he?" Sam exhales sharply, like a balloon deflating. "I told you to go stay with Pop-Pop for the weekend," she says quietly. "I figured it was personal," I say, reaching out, covering her hand with mine. "I''m not mad at you for protecting us, Sam. I''m just trying to understand what happened." Her gaze drops to her lap. "He tried to kill me," she says, the words blunt and unvarnished. "And... he almost did. He set Kate''s house on fire. She wouldn''t have made it out if I hadn''t gotten there." I nod, my stomach twisting. "And what happened to him?" Her jaw tightens. "I stopped him," she says, and there''s an edge to her voice, something raw and defensive. "I--" She stops, shakes her head, and tries again. "I broke his shoulder. And his elbow. He couldn''t fight back after that. He was already on the ground, and I just wanted to make sure he understood that I... you know, I don''t know, that I meant business. That his actions had consequences. But, I mean... Did I need to do that? The police were already there. He was in a corner." I stay quiet, letting her find her way through it. "I found out yesterday," she continues, her voice barely above a whisper. "Through the grapevine. The surgery didn''t go well. They put pins in his shoulder and elbow, but... it wasn''t enough. He''ll never be able to use that arm the same way again." She finally looks up, her eyes searching mine. "I feel... bad. I expected it to feel good, you know? Like justice or something. And it did, at the time. It felt satisfying in this... gross, animal way. Like what a cat probably feels when they catch a bird. But now I just feel awful. Like I ruined his life. He was already going to get arrested, why did I make it worse?" RS.2.3 "You didn''t ruin his life," I say after a moment, my voice firm. "He ruined his own life." Sam looks away, her brow furrowed. "But I didn''t have to do it. He was already cornered, Mom. The cops were there, he couldn''t go anywhere, and I still--" Her voice falters. "I still broke him. That wasn''t self-defense. That was... extra." Her words hang between us, heavy and uncomfortable, and for a moment, I don''t know what to say. Because she''s right. It wasn''t self-defense. It wasn''t about survival. And no amount of parental wisdom or platitudes is going to change that. "Why did I do it?" she asks quietly, almost to herself. "Why did I feel like that was the right thing to do in the moment? It''s not like it made anything better. He was already done." I exhale slowly, leaning back against the low wall. "I don''t know, Sam," I admit. "But I think... sometimes, in the heat of the moment, we do things we don''t fully understand. Because we''re angry, or scared, or because part of us thinks it''ll make the pain stop. Or because we want to prove something--to ourselves, or to them." Her eyes flick up to mine, searching. "Prove what?" "That we''re stronger," I say quietly. "That they can''t hurt us anymore. That we''re not afraid of them." She doesn''t say anything, but the way her jaw tightens tells me I''ve hit close to the mark. Victor never needed a reason to hurt people; it came to him as naturally as breathing. He wasn''t some cackling villain twirling his mustache--he was just a man who saw violence as the solution to every problem. The first solution. The easiest one. I wonder, sometimes, if someone had stopped him earlier--if someone stronger, meaner, had taken him down the way Sam took down McKinley--would it have made a difference? Would it have spared my mother, or me, or his other children? Or would it just have been another act of violence in a long, endless chain? What if someone had stopped his father? What if someone had stopped his father? I hate that I don''t have an answer. "You''re not him, Sam," I say suddenly, my voice sharper than I intended. Sam blinks, startled. "Who?" "McKinley," I say, a little too fast. "Or... anyone like him. You''re not the kind of person who hurts people just because you can. I know that about you." Her expression softens, but only slightly. "Then why did it feel so... satisfying?" she asks. "In the moment, it felt like--like I had to do it. Like if I didn''t, he''d think he could keep getting away with it." I hesitate, choosing my words carefully. "Because you''re human. And humans have instincts. We want to protect ourselves, our people, our homes. And sometimes those instincts are messy, or ugly, or hard to reconcile with who we think we are." Sam frowns, her gaze dropping to her hands. "So what? I''m supposed to just... chalk it up to instincts and move on?" "No," I say firmly. "You''re supposed to think about it. To ask yourself why you did it, and whether you''d do it again, and if that''s who you want to be." She looks up, her eyes wary. "And what if I don''t like the answers?" "Then you change them," I say simply. "You''re not an automaton. You have free will. Or do you?" The silence stretches between us again, and I wonder if I''ve said too much or not enough. I wish I could give her a clear answer, a neat little box to put this in, but life doesn''t work that way. It never has. Everything goes quiet, for a couple of minutes. "Hey, Mom?" she says after a particularly harsh inhale. "Yeah?" She looks up at me, her expression tentative. "Thanks. For, you know... not yelling at me. Or saying I''m a bad person." I smile faintly, brushing a strand of hair out of her face. "You''re my daughter, Sam. I''m always going to love you. Even when you mess up. Especially then."
The smell of fried food and sugary drinks greets us as we gather at one of the park''s larger food courts for a late lunch. The kids are red-cheeked and damp-haired, their towels draped haphazardly over their shoulders. Maggie is animatedly recounting a near-miss on one of the tallest slides, waving her hands in a way that makes her fries wobble precariously on the tray.This book was originally published on Royal Road. Check it out there for the real experience. Sam listens with a faint smile, nodding at all the right moments but staying quieter than usual. Her wetsuit has been swapped for a baggy hoodie and sweatpants, and she looks more relaxed than I''ve seen her in weeks, slumped into her chair like she doesn''t have to hold herself upright for anyone. Kate picks at her food, occasionally chiming in when Maggie''s exaggerations demand correction. Tasha eats with quiet efficiency, her eyes scanning the bustling food court as though taking mental notes. Jordan alternates between teasing Maggie and sharing knowing looks with Sam, their easy banter filling the gaps in conversation. Liam sits beside me, nursing a soda while the kids chatter. Ben''s returned to his familiar role as snack-distribution manager, divvying up napkins and sauces like he''s running a small cafeteria. He even intercepts one of Maggie''s wild hand gestures, catching a nearly airborne fry before it hits the floor. "Did you ever imagine it like this?" Liam asks suddenly, his voice low enough that only I can hear. I glance at him, noting the tired set of his shoulders, the way his eyes linger on Kate. "Like what?" "Parenthood," he says, gesturing subtly at the scene before us. "A pack of damp teenagers taking over a water park while we sit here wondering how we got old." I laugh softly, though it''s not as lighthearted as I''d like. "No," I admit. "I didn''t imagine it would be like this." Liam nods, a rueful smile tugging at the corner of his mouth. "Sometimes I think... maybe I wasn''t cut out for this. For being the dad of someone who''s been through what Kate''s been through." "Me too," I say quietly, watching Sam as she reaches for another fry. "I mean... I love her more than anything, but sometimes I wish..." I stop, shaking my head. "Never mind." He doesn''t press, just waits until I find the words. "Sometimes I wish it wasn''t her," I say finally. "That someone else had to... I mean, you saw what happened on the news. At her school. But then I think about how every parent probably feels the same way. How no one wants it to be their kid." I remind myself, for a second, that Sam probably wouldn''t want me spilling her superheroic secrets to her best friend''s dad. Liam hums in agreement. "At least one set of parents somewhere in the world is gonna be disappointed," he says, echoing my thoughts. "Guess we''re just the unlucky ones." "Maybe," I say, though my voice lacks conviction. "Luck, fate, who knows?" Liam doesn''t respond right away, his gaze fixed on Kate. "She''ll be okay," he says eventually. "Sam too. They''re tougher than we give them credit for."
The day winds down slowly, the energy of the park fading into a kind of comfortable weariness. The kids gather their things, wet towels and stray flip-flops stuffed haphazardly into bags. Ben supervises the packing process with the same efficiency he brings to unloading the dishwasher, while Liam handles the logistics of locker returns. I take a moment to check that nothing''s been forgotten, circling back to grab one of Kate''s inhalers that''s rolled under a chair. By the time we make it to the parking lot, the sun is dipping low in the sky, casting long shadows across the rows of cars. The kids are quieter now, their earlier energy dimmed but not extinguished. Maggie yawns loudly as she climbs into the backseat of our car, followed by Jordan and Sam. The drive home is calmer, the noise of the park replaced by the steady hum of the highway. Maggie dozes off almost immediately, her head lolling against Jordan''s shoulder. Jordan scrolls through their phone, the glow of the screen illuminating their face in the dim light. Sam leans against the window, her eyes half-closed, her breath slow and even. Ben hums softly along to the radio, his fingers drumming lightly on the steering wheel. I rest my head against the seat, letting the rhythm of the tires and the faint scent of chlorine lull me into a peaceful daze. My thoughts drift, circling back to the conversation I had with Sam earlier. I think about the superheroes I see on the news--the ones who fight monsters and save cities and carry the weight of the world on their shoulders. They''re all so young. Most of them in their twenties or thirties. When was it - 1981? 82? That''s when the first ones started being born. The oldest ones are only 40-some years old. I wonder if their parents feel the same way I do. If they wish it had been anyone but their child. At least one set of parents, somewhere in the world, has to carry that disappointment. Pigeonhole principle and all that, right, Ben? I glance back at her in the rearview mirror, her head resting against the window, her face softened in sleep. She looks so young in moments like this, so vulnerable, and I wonder how long she can keep walking this path before it takes more from her than she can give. But then I think about the way she smiled at lunch, the way her shoulders relaxed in the water, the quiet determination in her voice when she said she''d try to do better. And I let myself believe that she''s doing the right thing. That''s what Moe says. Maybe I should trust him.
By the time we pull into the driveway, the sky is dark, the neighborhood quiet. Liam''s car parks behind us, and I can see Kate and Tasha yawning as they gather their bags. "Home sweet home," Ben murmurs, stretching as he steps out of the car. I nudge Sam gently, her eyes fluttering open as she stirs. "We''re here, sweetheart," I say softly. She blinks groggily, her movements slow as she gathers her things. Ben carries most of the bags inside, while I linger by the door, watching as the kids shuffle sleepily into the house. The warmth of home wraps around me as I step inside, the familiar smell of fresh paint mingling with the faint aroma of coffee from this morning. The house feels full but peaceful, the kind of quiet that only comes after a long, satisfying day. Sam disappears upstairs with a murmured goodnight, and I hear the faint creak of her bed as she settles in. I pause in the hallway, my hand resting on the banister, and let out a slow, deep breath. Chapter 149.1 The room smells like leather and hand sanitizer, which is weird, because I thought those two smells couldn''t exist in the same universe. But apparently, that''s the vibe we''re going for in this lawyer''s office. The chairs are all stiff and oversized, like they''re trying to make me feel smaller than I already am. They''re winning. I''m sitting in one of those chairs, still in my costume--mask on, teeth hidden, everything buttoned up except my brain, which is busy screaming. My right arm feels heavy and awkward with all the bandages wrapped around it, even though the burns underneath are mostly scabbing over already. It''s not like the people here haven''t been briefed on my powers, I assume. I just need to pretend for school, and I haven''t really had time to change out of my bandages and gauze. Across from me, Assistant District Attorney Patel is flipping through a thick folder with all the enthusiasm of someone reading a tax code. Her bangs are perfectly straight and cut just above her eyebrows, not a single strand out of place. I wonder if she cuts them herself or pays someone. It feels like something you''d have to do yourself to get them that precise. "So, just to go over the basics again," Patel says without looking up, "you''re here to provide testimony regarding Aaron McKinley''s apprehension. The defense will ask questions; you''ll answer honestly and to the best of your ability. If you don''t know something, say you don''t know. And if you''re unsure about answering something, look at me. I''ll jump in if needed." "Got it," I say, trying to sound confident and failing spectacularly. My voice comes out flat and raspy, like I swallowed a mouthful of pool water two days ago and it still hasn''t fully left my throat. Which, okay, maybe I did. But still. Patel finally looks up, her dark eyes locking onto mine--or where she thinks mine are, behind the lenses of my mask. "This won''t be like Chernobyl''s trial," she says. "The defense attorney here is Katherine Huang. She''s sharp, thorough, and experienced. She''s not going to throw you softballs." I nod, because what else can I do? My tongue feels like it''s glued to the roof of my mouth. The only thing I can manage is a quiet, unnoticed "Illya, not Chernobyl." Patel closes the folder with a soft thwap and stands, smoothing out the sleeves of her blazer. "Let''s go. They''re ready for us." My legs don''t really feel like cooperating, but I stand anyway, my boots squeaking against the polished hardwood floor. Patel leads the way out of the small meeting room we were in and down a narrow hallway lined with paintings that all scream, I am expensive art for lawyers. They''re just big squares of color, none of them particularly exciting. One''s entirely beige. I''m guessing that one''s meant to inspire confidence in someone who really likes oatmeal. When we reach the door to the deposition room, Patel stops and turns to me. "You''ll be fine," she says, her tone clipped but not unkind. "Just remember: Answer only the question you''re asked. Don''t offer more than necessary." I nod again, swallowing hard. My hands are clammy inside my gloves. It feels gross, and I want to peel them off, but there''s no way I''m showing up barehanded to this. Bloodhound keeps her gloves on. Bloodhound doesn''t fidget. Bloodhound... needs to pull it together. Patel opens the door, and we step inside. The room is exactly what I imagined: wood-paneled walls, a long conference table that looks like it could double as a dining table for a very fancy Thanksgiving dinner, and a little nest of recording equipment set up at one end. There''s a woman sitting at the table, her posture so straight it makes my spine hurt just looking at her. She''s got dark hair pulled into a sleek bun, a tailored black blazer that looks like it could cut glass, and glasses perched on her nose that somehow make her seem both intimidating and approachable. Like a teacher who gives you extra credit but won''t let you retake a test if you bomb it. "Bloodhound," she says, standing and extending a hand toward me. "Katherine Huang. I''ll be representing Aaron McKinley." Her handshake is firm but not crushing, the kind of handshake that says, I mean business, but I''m not here to break your fingers. I try to match it, but my bandaged arm feels like dead weight at my side, throwing off my balance. My left hand does its best to compensate. "Hi," I say, my voice coming out way too quiet. I clear my throat and try again. "Nice to meet you." "Likewise," Huang says, her eyes flicking over my costume, taking in every detail without lingering on any one thing. It''s like she''s filing away observations in some mental database. "I appreciate you taking the time to participate in this deposition." She says it like it''s a polite formality, but there''s an edge underneath, like a scalpel hidden in a velvet case. I can already tell she''s not going to let me skate through this. Patel sits at the table, motioning for me to do the same. I lower myself into one of the chairs, which is just as stiff as it looked, and fold my hands in my lap to keep from picking at the edges of my gloves. The room feels too quiet, even with the faint hum of the recording equipment. My heartbeat thrums in my ears. Huang sits across from me, adjusting a stack of papers in front of her. "Before we begin, I''d like to clarify a few things," she says. "You''re aware that this deposition is being recorded, both audio and video?" "Yes," I say, keeping my voice steady. "And you''ve agreed to provide testimony voluntarily, correct?"Unauthorized duplication: this tale has been taken without consent. Report sightings. "Yes." Her eyes narrow just slightly, like she''s testing the waters before diving in. "And for the record, your real identity is protected under the terms of this deposition. I''ll refer to you only as Bloodhound. Does that work for you?" "Yes," I say again, though my stomach twists at the reminder of how thin that layer of protection really is. Huang nods, making a note on one of the papers in front of her. "Good. Let''s get started." The DA shifts slightly in her seat, and I catch a brief glance between her and Huang. There''s something there--mutual respect, maybe, or just mutual acknowledgment of how difficult this is going to be. Either way, it doesn''t make me feel any better. Huang looks back at me, her pen poised over her notepad. "Bloodhound, before we discuss the events leading up to Aaron McKinley''s arrest, can you confirm how you first became aware of his whereabouts?" My breath catches in my throat. Here we go. Huang leans forward slightly, her pen hovering above her notepad. "Let''s start at the beginning. Can you confirm that you were present at the fire at Liam Smith''s house on February 21st?" "Yes," I say. My voice is steady, but inside, I''m bracing for the next question. "And what brought you there?" I glance at Patel again, and she gives me the faintest nod, like she''s reminding me of what we practiced. Keep it simple. Keep it truthful--mostly. "I was patrolling the area," I say. "I noticed the fire and went to help." Huang doesn''t write that down. Instead, she fixes me with a look that''s way too calm for my liking. "Patrolling the area. Is that a usual part of your activities?" "Sometimes," I say. "If I hear about something suspicious going on, or if there''s been trouble in a neighborhood, I check it out." "Trouble like what?" "Gang activity, mostly," I say, shrugging with my good shoulder. "Drugs, fights, stuff like that. It''s not exactly quiet out there." Huang finally makes a note. "So, you arrived at the fire. What happened next?" "I saw smoke and flames coming from the house," I say, careful to keep my tone matter-of-fact. "There were people still inside. I went in to get them out." "And you succeeded?" "Yes." Huang looks up at me again, her pen still for a moment. "Was Aaron McKinley one of the people you found inside?" "No," I say. "He wasn''t there. I didn''t see him until later." "Later, when?" "A couple hours later," I say, shifting slightly in my chair. "When I found him near Vogt Park." Her pen scratches across the notepad, the sound almost louder than her voice. "Let''s talk about how you found him. You''ve publicly stated that you used your powers to track him down. Can you elaborate on that?" This part we rehearsed. I take a deep breath, letting my hands relax just a little in my lap. "My powers include something called ''blood sense,''" I say. "I can pick up on traces of blood in the air. If someone''s bleeding, I can track them." "And Aaron McKinley was bleeding?" "Yes," I say. "Just a little, but it was enough. He had cuts on his arms." Her eyebrows raise slightly. "Do people have unique blood signatures, then? Like fingerprints?" I nod. "Sort of. It''s hard to explain, but yeah--different people''s blood smells or... feels different, I guess. Once I''ve picked up on someone''s signature, I can recognize it again." Huang tilts her head, watching me like she''s trying to spot a crack in the plaster. "You''d encountered Aaron McKinley before, hadn''t you?" "Yes," I say. "We''d crossed paths a few times." "Meaning you''d fought him." "Yeah," I admit. "I fought him." "And during those fights, did you use your powers to detect his blood?" "Yes." "So you recognized his ''signature'' on February 22nd?" "Yes." She jots something down, then looks back at me. "But that''s not all you relied on, is it? You''ve also mentioned that you suspected he was hiding in abandoned houses near Vogt Park. Why there?" I sit up a little straighter, trying to sound like I have my act together. "Because I know the neighborhood. I grew up there. There are certain places that get used for hiding out--abandoned houses, old factories, that kind of thing. McKinley has a pattern. He used places like that before." "And you searched them methodically?" "Yes." Huang''s pen pauses again, and she taps it lightly against the notepad. "How many locations did you search before you found him?" "Five or six," I say. "It wasn''t random. I focused on the ones I thought he''d go for--abandoned, out of the way, easy to get in and out of." Her expression doesn''t change, but I can feel the weight of her skepticism settling on my shoulders. "And you did this alone?" "Yes," I say, without hesitation. "No assistance from anyone else?" "No," I lie, keeping my face as neutral as I can. "Since the Young Defenders were put on ice a couple of months ago, I''ve been working solo." "Interesting," she says, her tone still maddeningly calm. "Because the timeline here is... tight. You responded to the fire at Kate Smith''s house on the 21st, sustained significant injuries, and yet within four hours, you not only identified McKinley''s general location but also tracked him down in a specific building. That''s impressive work." I swallow hard, feeling the sweat start to build under my gloves again. "Thanks," I say, like this is a compliment and not a trap. Huang leans back slightly, her eyes still fixed on me. "Did you notify the police immediately after locating him?" "Yes," I say. "As soon as I confirmed he was there. I relayed the information to one of my old teammates, who called it in. I knew he would be able to get backup faster than me. He''s an adult now, not a minor. So, yeah, I confirmed he was there and then... called." "How did you confirm it?" "I picked up his blood signature," I say. "When someone''s actively bleeding, I can see their entire vascular system. So if someone''s inside a house and they''re bleeding, I can see that a person is there. So, I knew where he was." "And you didn''t go in yourself?" I hesitate, just for a fraction of a second. "Not for a bit. I called it in, but... I didn''t want to risk him getting away before they showed up." "So you entered the building." "Yes." Huang makes another note, her pen moving in small, deliberate strokes. "We''ll come back to that. For now, let''s focus on the search. You mentioned using your powers to detect his blood. Can you describe how that works? What it feels like?" I pause, not because I don''t know the answer but because I''m not sure how much to say. "It''s... hard to describe," I start slowly. "When I pick up on blood, it''s like everything else fades out. In my head, it''s just red and black. Blood is red; everything else is black. I can follow the red." Her pen pauses again, and this time she looks directly at me. "That sounds... precise. Almost clinical." I shrug. "It''s not perfect. It works best when the blood is fresh, and even then, I have to be close enough to pick up the scent. A couple blocks on a good day." "And you were close enough near Vogt Park." "Yes." Her pen taps against the notepad, a rhythmic little click-click-click that makes my skin crawl. "So, to summarize: You suspected Aaron McKinley would be hiding in an abandoned building near Vogt Park based on your knowledge of his patterns and the neighborhood. You methodically searched several locations using your blood sense to narrow down his exact position. Once you confirmed he was there, you called the police and entered the building to ensure he didn''t escape. Is that correct?" "Yes," I say, the word sticking in my throat like a splinter. Huang leans back, her expression unreadable. "Thank you, Bloodhound. I think we''re ready to move on." Chapter 149.2 The critical moment comes, like a thundercloud rolling in. Katherine Huang''s eyes flick down to her notes and back up at me, and I know what''s coming next. "Let''s discuss the apprehension itself," she says, her voice smooth and measured. "You''ve testified that you located Aaron McKinley in an abandoned building near Vogt Park on the morning of February 22nd. Could you describe what happened after you entered the building?" I grip my gloves tighter under the table. "He attacked first," I say, my voice steady. That part''s the truth, at least. "He started using his powers quickly." "And his power is...?" Huang prompts, tilting her head slightly. "He can ignite things by staring at them," I say, careful to keep my tone neutral. "When we met for the first time, it was just a yellow fire with a weird smell and a weird light. But recently, it became bright red and metallic." "Did you feel that your life was in immediate danger?" "Yes," I say, without hesitation. "He''d already set a house fire earlier that day that almost killed a teenager. I knew what he was capable of." Huang leans forward slightly, her pen hovering over the notepad. "How did you proceed?" I take a breath, keeping my answers short. "I tried to close the distance. I needed to neutralize him before the fire spread." She nods, making a note. "Neutralize him. Could you elaborate on what that entailed?" I force myself to stay calm. "I disarmed him," I say carefully, ignoring the spike of guilt at the word. "He had set up a sniper''s nest in the basement, so I broke through to close the distance. Then, he came at me, and there was... combat in the process of lawful apprehension." "A sniper''s nest?" She asks, raising an eyebrow. "A fortified position. Where he had line of sight on me for his powers, but I couldn''t see him," I answer. "No, uh, no guns were involved, to my knowledge." Huang doesn''t look up, her pen scratching lightly across the page. "And in the process, you broke his shoulder and elbow. Correct?" "Yes," I say, my jaw tightening. "But that wasn''t intentional. It was... incidental. He was struggling, and I didn''t have a lot of options." She finally meets my eyes--or where she thinks they are behind my mask. "So, to be clear: You''re testifying that Aaron McKinley sustained those injuries during the course of his active resistance?" "Yes," I say again. "I didn''t go in planning to hurt him. I just wanted to stop him." Her pen pauses, the silence stretching like an over-tightened rubber band. Then she nods once, writing something down. "Understood. And after you subdued him?" "I knew the paramedics were outside at that point, and the house was rapidly going up in smoke," I say. "I didn''t stick around. He had set booby traps in the house with... gasoline, and I didn''t want to stick around to let him get a last shot at me. So I left before my injuries became too severe." Huang raises an eyebrow. "Speaking of your injuries, the hospital report lists second-degree burns across your right shoulder, arm, and hand, along with multiple fractures. Would you agree that those injuries are consistent with what you described--being attacked with McKinley''s power?" "Yes," I say, my voice firm. "He was aiming for me, and he got me." She scribbles another note before closing her folder with a quiet snap. "Thank you, Bloodhound. That concludes my questions." Patel straightens in her chair, her lips pressing into a thin line. "The deposition is adjourned, then." The recording equipment clicks off with a faint whir, and the room seems to exhale. Huang gathers her papers with methodical precision, not sparing me another glance. Patel, on the other hand, gives me a tight nod. "Good work," she says quietly. I nod back, but the knot in my stomach doesn''t loosen. My hands feel clammy inside my gloves, and I can''t tell if it''s from the heat of the room or something else entirely.
In the hallway, the low hum of distant conversations filters through the wood-paneled walls. Patel is already on her phone, pacing a few steps away, and I lean against the wall, letting myself breathe for the first time in what feels like hours. That''s when I hear Huang''s voice, calm and clipped, coming from just around the corner. "I still don''t understand why Tremont & Fairfax is involved in this," a man says, his voice low and tense. "You''re a senior partner. This case is small-time." "It''s a favor for a long-time client," Huang replies smoothly. "You know how this works." "And the funding?" he presses. "''Concerned citizens for due process''? That doesn''t strike you as odd?" "It''s not my job to question who foots the bill," Huang says, her tone sharpening. "My job is to ensure that Mr. McKinley receives fair representation. If you have an issue with that, I suggest you take it up with the partners'' board." There''s a pause, heavy with unspoken tension. I can picture the man shaking his head. "This isn''t just about due process, is it?" Huang doesn''t answer right away. Then, with a faint note of finality, she says, "Everything I do is about due process. Now, if you''ll excuse me, I have another meeting."This story is posted elsewhere by the author. Help them out by reading the authentic version. The sound of footsteps approaches, and I step away from the wall just as Huang rounds the corner. She stops when she sees me, her expression unreadable but not exactly surprised. "Bloodhound," she says with a polite nod. "Can I help you with something?" I hesitate, glancing over her shoulder at the man she was talking to. He ducks into a side room without another word, leaving the two of us alone. "Yeah," I say, swallowing hard. "Off the record... Can you make sure Aaron doesn''t say my real name on the stand? He knows who I am, and I don''t trust him not to use that against me." Huang''s eyebrows lift slightly, but she doesn''t look surprised. "I''ll keep it in mind," she says. "But I''d recommend speaking to the assistant DA about that. A gag order would be up to the judge." "I will," I say quickly. "But you know him, I''d assume. You know he''ll do whatever he can to screw with me." Her lips press into a thin line, and for a moment, I think she''s going to argue. But then she nods. "I''ll see what I can do." "Thanks," I mutter, even though it doesn''t feel like enough. Huang doesn''t reply, just gives me another polite nod before striding down the hallway. I watch her go, the knot in my stomach tightening again. I try to un-knot it - it doesn''t work.
When I get home, the first thing I notice is how quiet it is. It''s not the comfortable kind of quiet, like when everyone''s off in their own corners doing their own thing. This is heavier, like the house is holding its breath. I kick off my boots by the door, careful not to make too much noise, and hang my jacket on the hook. The smell of coffee lingers faintly in the air, mixed with the sharper, cleaner scent of lemon disinfectant. My mom''s handiwork, probably. She''s been on a cleaning spree ever since Kate and Liam moved in, like scrubbing the counters will somehow make the situation less awkward. The faint shuffle of papers draws me toward the kitchen, where I find Kate sitting alone at the table. She''s hunched over a workbook, her hair tied back in a messy ponytail, a pencil tapping rhythmically against the edge of the table. There''s a tall glass of water next to her, along with a small plastic device that looks like a weird cross between a whistle and a thermometer. She''s been using it pretty religiously since the fire - something supposed to help rebuild her lung capacity. She doesn''t look up when I walk in, which is probably for the best. Our conversations have been... weird. Not hostile, exactly, but strained in a way that makes every word feel like it''s teetering on the edge of something sharp. "Hey," I say, grabbing a glass from the cabinet and filling it with water. Kate glances up briefly, then back down at her workbook. "Hey." I lean against the counter, sipping my water and trying to think of something to say that doesn''t sound forced. The tension between us feels like a rubber band stretched too tight, ready to snap at the slightest tug. "You working on homework?" I ask finally, nodding toward the table. "Yeah," she says, her voice flat. "Geometry. I''m still catching up." I take another sip, stalling for time. "Need any help?" She shrugs, which isn''t a no but also isn''t exactly a yes. I set my glass down and slide into the chair across from her, glancing at the workbook. It''s the same curriculum we use at Tacony Charter - I think it''s standardized across the state - but she''s about two weeks behind. That''s not bad, considering everything she''s been through. "Let me see," I say, pulling the workbook a little closer. The page is filled with diagrams of triangles and theorems, the kind of stuff that feels more like a puzzle than actual math. "What''re you stuck on?" Kate sits back a little, crossing her arms over her chest. "This one," she says, pointing to a problem about calculating the area of a triangle using Heron''s formula. I skim the problem, trying to push past the awkwardness settling in my chest. "Okay, so Heron''s formula is all about the semi-perimeter," I say, picking up her pencil. "You take the lengths of the sides, add them up, divide by two to get the semi-perimeter, and then plug it into the formula." Kate watches as I write out the steps, her expression unreadable. She doesn''t say anything, but she doesn''t stop me, either. "See?" I say, pushing the workbook back toward her. "You just follow the formula from there." She nods slowly, picking up the pencil and tracing over my work. "Thanks," she mutters. "No problem." I sit back, letting the silence settle again. It''s not comfortable, but it''s better than nothing. For a while, the only sounds are the scratch of Kate''s pencil and the occasional shuffle of paper. I tap my fingers lightly against the edge of the table, the rhythm uneven and restless. My eyes drift to the doohickey sitting next to her water glass. "You been keeping up with that thing?" I ask, nodding toward it. Kate glances at it, her lips pressing into a thin line. "Yeah. Three times a day." "Good," I say, and then immediately regret how patronizing that sounds. "I mean, it''s important. Keeps your lungs strong." She doesn''t respond right away, just picks up the doohickey and turns it over in her hands. "It''s annoying," she says finally. "Feels like I''m trying to blow up a balloon that never inflates." I can''t help but snort a little at that. "Yeah, but at least it''s not, like, actual surgery or something." Kate gives me a look that''s equal parts tired and annoyed. "I think I''d take surgery over this. At least with surgery, it''s over quick. This is just... every day." I don''t know what to say to that, so I just watch as she raises the thingamabob to her lips and takes a slow, deep breath. The little ball inside the tube wobbles upward, hovering for a moment before dropping back down. She sets the device down with a sigh, her shoulders slumping. "You''re doing good," I say, and this time I mean it. Kate shrugs again, her fingers picking at the edge of the workbook. "Not good enough. I still can''t run without feeling like my chest is gonna explode. It''ll be a while before I can play basketball again." "You''ll get there," I say, trying to sound reassuring. "It takes time." Her gaze flicks up to meet mine, and for a moment, there''s something angry and unguarded in her expression, like an angry lion, or maybe an alligator. "You didn''t die in that fire, Sam. I did." "You mean almost die, right?" I ask, before I can think about what I said. Kate looks away, her fingers tightening around the edge of the workbook. "I thought I was done for," she says, her voice barely above a whisper. "When it got too hard to breathe and I blacked out, I was sure that was it." I swallow hard, the weight of her words settling heavily on my chest. "But it wasn''t," I say. "You made it out." "Barely," she mutters, her tone bitter. "And only because of you." The silence stretches between us, heavy and suffocating. I don''t know how to respond, so I reach for her workbook again, flipping to the next problem. "Let''s try another one," I say, my voice a little too bright. I feel... fake. Bad. Kate doesn''t argue, but the tension in her shoulders doesn''t ease. She picks up her pencil and starts working through the problem, her movements slow and deliberate. I watch her for a moment, the way her brow furrows in concentration, and I can''t help but wonder how much of this is her pushing through the pain. When she finishes the problem, she sets the pencil down and leans back in her chair, her arms crossed over her chest again. "There," she says. "Happy?" I glance at the workbook, checking her answer. It''s right, of course. "Yeah," I say, giving her a small smile. "Nice work." Kate doesn''t smile back, but there''s a flicker of something in her eyes--maybe not quite gratitude, but something close enough. She picks up the thingamabob again, and I watch as she takes another slow, measured breath. The little ball rises, wobbles, and falls, just like before. It spins and spins like a death roll. "Keep at it," I say, standing and grabbing my glass from the table. "You''ll get there." Kate doesn''t respond, just sets the doohickey down and picks up her pencil again. As I head toward the sink, I hear the faint scratch of graphite on paper, steady and relentless. Chapter 149.3 The Music Hall feels warmer than usual, the air thick with the scent of dust and something faintly metallic, like the old radiator in the corner is working overtime. Maggie''s stretched out on the couch, legs thrown over one of the cushions, while Jordan is sitting cross-legged on the floor in front of the coffee table, sorting through a bag of microwave popcorn like it''s a treasure hoard. The TV is muted, stuck on a commercial for some kind of vitamin supplement that promises to fix all your problems if you take it twice a day. I sit down on the couch next to Maggie, my burn-dressed arm resting awkwardly on my lap. My shoulder still feels stiff, but at least it doesn''t hurt as much anymore. "So," I start, grabbing one of the popcorn bags Jordan has abandoned, "Patel told me some interesting stuff after the deposition today." Jordan glances up, their eyebrows raised. "Oh yeah? How''d that go?" I shrug with my good shoulder. "About as well as it could. Aaron''s lawyer is sharp. Like, ''reads the Constitution for fun'' sharp. She was asking all these questions about how I found him, how I handled it... It''s like she''s building this whole case about excessive force or something." Maggie snorts from her spot on the couch. "Of course she is. It''s her job to make you look bad." "I''m not exactly going to say I approve of cop-oid justification," Jordan groans. I shoot them a glare. "Yeah? I''m waiting for the ''but''," "You won''t find me ever saying that Aaron doesn''t deserve to get knocked down a peg. I''m not exactly a live-and-let-live type," Jordan shoots back. "Just don''t want you accidentally giving supercops precedent for breaking arms willy nilly." "Yeah, well, I''m sure she''ll make me look as bad as possible," I mutter, grabbing a handful of popcorn, just to confirm that I still don''t like it. It fits weird between my sharp teeth, and the kernels do not produce satisfying sensations when I lack proper molars to grind them between. Yep. Don''t like it, still. "Anyway, after it was done, Patel was saying that pretrial motions for Mr. Nothing and Mudslide are almost wrapped up. She wanted to give me a heads-up since, you know..." I trail off, gesturing vaguely. "The zoo." Jordan''s face darkens, and they sit back on their heels. "I''m guessing they''re still in PICC?" "For now," I say. "But Patel said they''re probably being moved soon. Somewhere more secure." Maggie perks up, her eyes narrowing. "Why? I thought the superhuman wing was, like, top-tier lockdown behind one of the Hells." "Apparently not," I say, reaching for a single delicate gummy worm from a small bowl instead of the popcorn, which is much more palatable. "They''re worried the Kingdom might try something. Patel didn''t give me details, but it sounds like they''re prepping for a worst-case scenario." Jordan exhales sharply, their fingers drumming against the coffee table. "Mr. Nothing is a game-changer. I''m sure they aren''t going to leave him to rot." Maggie raises an eyebrow. "Do we not care about Mudslide? He was there, too." "I never really got the impression they cared about Mudslide," Jordan replies. "Like... he''s a gap-filler person. A step higher than a patsy on the ladder." "He did almost kill me a couple of times. And almost got Maggie," I remind Jordan. She rolls her eyes, throwing a piece of popcorn at me. "Yeah, yeah, ''you could''ve gotten hurt, Maggie.'' Newsflash: I did get hurt, and I still saved your butt, so you''re welcome." Jordan smiles faintly, but their eyes stay on the TV. "You think it''s gonna be on the news?" They don''t wait for an answer. They grab the remote and flip the TV off mute, and then start sliding through channels. I''m honestly not even sure how Jordan managed to get cable in here, I''m going to be totally honest. The familiar voice of the local news anchor fills the room, accompanied by a stock photo of the Philadelphia Industrial Correctional Center''s imposing concrete walls. "Sources close to the case have confirmed that Darnell Hayes, known by the nom-de-crime of Mr. Nothing, and Evan Williams, known by the nom-de-crime of Mr. Mudslide, are being relocated to a high-security facility following concerns about their safety and the integrity of the Philadelphia Industrial Correctional Center," the anchor says, their voice ramrod still, designed to tickle your eardrums and get you to suddenly twist your attention to the screen. "Court filings regarding the move remain sealed, but an anonymous source suggests the decision was influenced by their ties to the Kingdom of Keys, a well-known superhuman criminal organization."Did you know this story is from Royal Road? Read the official version for free and support the author. Jordan freezes, their hand hovering over the remote. "Well. That''s not great." "That''s an understatement," I mumble, a sinking feeling in my gut. Maggie sits up straighter, her hands gripping the edge of the couch. "Wait, they''re seriously moving them? Isn''t that just, like, handing the Kingdom a roadmap?" "Not necessarily," Jordan says, though their tone is uncertain. "The details are sealed for a reason. If the Kingdom doesn''t know when or where the transfer''s happening, they can''t plan an ambush. The Hells are the most secure supervillain supermaxes, and the most infamous, but there''s a handful of small facilities out there, like, specifically for this. Modular. Like mini-Daedaluses. Daedali?" "Mini-Daedaluses," I repeat, testing the word on my tongue. "Doesn''t exactly inspire confidence." Jordan shrugs, their focus still on the TV as the anchor drones on about "anonymous sources" and "heightened security concerns." "They''re supposed to be designed for short-term holding. Modular means they can''t be in one place for too long--makes it harder for anyone to track them down. But... yeah, it''s not foolproof." Maggie grabs the gummy worm bowl, now half-empty, and munches on one as she frowns. "I don''t know, guys. This whole thing feels off. Like, if the Kingdom wanted to make a statement, they couldn''t ask for a better opportunity than a high-profile transport." "Yeah, but that''s what makes it risky for them, too," I say. "They''d need to be fast, precise, and ready to go up against whatever escort the authorities have planned. The DA''s office isn''t just gonna let them walk out of there." Jordan gives me a sharp look. "You think the Kingdom cares about risk? These are the same people who brought a literal T. Rex to a zoo robbery." "The T-Rex wasn''t even the important part. That was just a distraction for the frogs," I reply, exhaling slowly, leaning back against the couch. My arm brushes against the edge of the cushion, sending a dull ache through my shoulder. It''s not bad enough to make me wince, but it''s a reminder that I''m not exactly in peak condition right now. None of us are. "And we still don''t even know what they stole a bunch of frogs for." "What if they don''t wait for the transport?" Maggie says suddenly, her tone thoughtful. "What if they hit the PICC before the move happens?" Jordan raises an eyebrow. "You think they''d go after a heavily fortified superhuman wing, with all the guards and countermeasures in place, just to avoid taking a risk on the road?" "I don''t know," Maggie admits, chewing on her lip. "But if I were them, I''d be thinking about all the ways this could go sideways. Maybe they figure the element of surprise is worth the gamble." Jordan leans back against the couch, staring at the TV like it holds the answers to all the questions spinning through their head. "If the Kingdom tries something, it''s going to get ugly. They don''t half-ass anything." "Yeah, that''s what I''m worried about," I say, rubbing my thumb along the edge of the gummy worm bowl. "It''s not like the Kingdom''s gonna let two of their heavy hitters rot in prison without putting up a fight. And Patel made it sound like the DA''s office is bracing for something big. The sealed filings, the relocation... they know something we don''t." Maggie swings her legs down from the couch and leans forward, her elbows on her knees. "So, what do we do? Just sit here and wait for the fireworks?" "Pretty much," I say, my voice tinged with frustration. "I mean. Like... Neither of you are built to take hits. And there''s only so much my regeneration can compensate for, especially when I''m already injured. And they''re not gonna let two unregistered, untrustable vigilantes and a Bloodhound randomly show up and help with the security detail. We''d get in the way." Maggie makes a face, like the idea physically pains her. "Blech." The news cuts to a commercial break, and the room falls into an uneasy silence. Jordan fidgets with the remote, flipping through channels without really paying attention, while Maggie slumps back against the couch, her expression stormy. I stare down at the bowl of gummy worms, my thoughts racing uncomfortably fast, uncomfortably... uncontrollably. I push myself up from the couch, wincing slightly as my shoulder protests the movement. "I need to get some air," I say, grabbing my jacket from the back of a chair. "You coming, Maggie?" She blinks up at me, her expression shifting from frustration to curiosity. "Where?" "The lot," I say, nodding toward the back of the Music Hall. "Thought we could play some catch. Shake off the nerves." Maggie''s face lights up, and she springs to her feet, grabbing her own jacket. "Now you''re talking. I''ll grab the ball." Jordan raises an eyebrow as Maggie bounds toward the kitchenette, rummaging through a drawer for the slightly scuffed baseball we''ve been using for months. "You sure this is a good idea?" they ask, their tone cautious. "It''s just catch," I say, shrugging with my good shoulder. "Nothing flashy. Nothing illegal." Jordan doesn''t look convinced, but they don''t argue. "Just don''t overdo it," they say, settling back into the couch. "And keep an eye out. The last thing we need is more attention." "Got it," I say, already heading for the door. Maggie follows close behind, clutching the baseball like it''s her ticket to freedom. The lot behind the Music Hall is dimly lit, the streetlights casting long shadows across the cracked pavement. It''s quiet, the kind of quiet that feels almost eerie after the buzz of the city. Maggie tosses the ball into the air, catching it with an audible smack against her palm. "Ready?" she asks, her grin wide and infectious. "Yeah," I say, stepping back a few paces and holding up my good hand. "Take it easy on me, though. I''m still a little... crispy." Maggie snorts, winding up for a throw. "No promises." The ball arcs through the air, and I catch it easily, the leather cool against my palm. I throw it back, my movements careful and deliberate. Maggie catches it with a flick of her wrist, her repulsion fields snapping into place just long enough to deflect the ball back toward me. We fall into an easy rhythm, the ball bouncing between us in a steady, satisfying cadence. "Think the Kingdom''s really gonna try something?" Maggie asks after a particularly sharp throw, her tone more serious now. "Probably," I say, catching the ball and rolling it between my fingers. "They''ve got too much invested in those two to just let them sit there. And if they do try something..." Concept Art (3)
Samantha Small, age 16
Bloodhound, as of Arc 9
Aaron McKinley (updated art)
Victor Blanc. Trucker. Grew up in a stable but emotionally vacuous and physically dangerous home, raised by a WW2 vet and a housewife. Found solace in the draft, where Vietnam provided him the structure - and bodies - he craved. Passed violence down to his daughter. It remains to be seen if she passed it to her daughter. Loves gorillas.
Harlan & Eleanor Blanc (Samantha Small''s great-grandparents, Victor Blanc''s parents)
Maya Richardson, AKA "Mrs. Zenith". Ex-superhero. Acting boss of the Kingdom of Keys'' Philadelphia Branch. City Councilwoman
Jacob Hastings, AKA "Mr. Keys". The acting boss of the Washington, DC branch of the Kingdom of Keys, his powers allow him to telekinetically lock and unlock physical key mechanisms and tumblers. Used to be a librarian, sometimes regrets leaving library science behind.
Lucas "Mr. Polygraph" Donovan, the head negotiator and consigliere of the Philadelphia branch of the Kingdom of Keys. His superpowers cause a small itch inside of his skull whenever someone lies (or believes they are lying) to him. Works best on direct questions. Power does not function based on an objective truth.
Darnell "Mr. Nothing" Hayes. One of those people who deliberately presents themselves as "not really into anything" so that nobody tries to talk to them. Loves Megadeth. Has successfully killed four superheroes, but doesn''t brag about it, because he has self-preservation skills.
Evan "Mr. Mudslide" Williams. Wears a paper bag "to remind him of his working class roots". Two-bit thief. Sore loser. Hates rich people (perhaps his only admirable quality), but not for any good reasons.
"Mr. Antithesis", real name unknown, powers unknown. The "shadowy leader" of the Kingdom of Keys. Insists on operating his supervillain organization like a business, insists on meeting all subordinates one-on-one only, and insists on hand sanitizer before every handshake. Every single one.
Nolan Ramirez, AKA "Mr. Yellowjacket". Certified Prettyboy?? and community theatre manager. Also, acting boss of the Kingdom of Keys'' Baltimore branch. His power allows him to fire bursts of compressed air from his fingers with fingerguns and the word "BANG!". Loves Shakespeare. Terrible at being a mobster.
Wesley "Mr. ESP" Chen. Wakes up with a new form of extrasensory perception every day - not guaranteed to be unique or useful. Wears sunglasses indoors because he thinks it makes him look distinctive and intimidating.
Dr. Lena "Mrs. Xenograft" Trinh-Norwood. Formerly "Dr. Xenograft", changed at the behest of her new employer. Only part of a criminal supervillain organization because it pays better than PhD veterinary science research. Funnels her money towards PhD veterinary science research. Extremely, extremely autistic.
Mariana Valdez, AKA "Mrs. Heartbeat". An ex-nurse with the power to control heartbeats with a touch, Mariana sticks with the Kingdom of Keys because their gender-affirming care policy is surprisingly robust compared to that of the local hospitals. Addicted to Bejeweled ripoffs.
Blake "Mr. Tyrannosaur" Matthews. The Kingdom''s lead enforcer and muscle, at least for the Philadelphia branch. His superpower lets him turn into a paleontologically accurate Tyrannosaurus Rex. He did not realize he had feathers until someone pointed it out to him (he was very confused). Loves b-movies. Ambivalent about Jurassic Park.
Thomas "Mr. Bomb" Abrams. Could turn any object into a rule-activated bomb - the more complex and hard-to-trigger the rules, the stronger the explosion. Corrupt lawyer. Former member of the Kingdom of Keys. Killed in action.
Vincent Rose, AKA "Mr. Xerox". KIA October 2021 during a fight with the superhero Cryptid. Possessed the ability to create functional duplicates of inanimate objects, typically used this to save on ammunition costs and cheat at poker.
Finn Taylor, ex-member of the Irish Mob. Previously specialized in armed robbery and "odd jobs". High tolerance for squeamishwork.
Stolen story; please report. Chapter 150.1 The car smells like hand sanitizer and fabric softener, which is a weirdly sterile combination for my mom¡¯s beat-up Toyota. She¡¯s been trying to keep it cleaner lately, probably because Kate and her dad ride with us now. It¡¯s the kind of effort that would be sweet if it weren¡¯t so obviously about distracting herself from the fact that we¡¯re cramming two families into a house that already felt too small. Kate¡¯s in the passenger seat, hunched over her breathing apparatus - the incentive spirometer, I think - like it¡¯s some kind of sacred relic. She¡¯s wearing her hoodie, but I can see the straps of the ventilator harness peeking out around her shoulders, and every so often she lifts the little plastic tube to her lips and takes a deep, deliberate breath. The ball inside the tube wobbles up, then sinks back down, over and over again. It¡¯s almost hypnotic. I¡¯m in the backseat, squished up against the door with my burn-wrapped arm resting awkwardly on my lap. The pressure of the bandages is supposed to be "therapeutic," but mostly it¡¯s just annoying. I can¡¯t exactly argue with the results, though; the skin underneath has gone from looking like melted wax to something resembling a scabbed-over sunburn. Progress, I guess. Mom glances at Kate as we hit a red light, her hands tightening on the steering wheel. ¡°How¡¯s the breathing thing going, Kate?¡± she asks, her voice way too chipper for this early in the morning. Kate doesn¡¯t look up from the tube. ¡°It¡¯s fine,¡± she says, her voice muffled but clear enough. She¡¯s gotten better at hiding the wheeze lately, but I¡¯ve still got a good ear for it. It¡¯s there, lurking at the edge of her words like a snake at the edge of the grass. ¡°Good,¡± Mom says, nodding like that¡¯s the end of the conversation. But of course, it¡¯s not. ¡°Your dad mentioned you¡¯ve been using it more often. That¡¯s great! The more you practice, the stronger your lungs will get.¡± Kate nods without saying anything, lifting the tube to her lips again. The little ball wobbles. Up. Down. Up. Down. It¡¯s like she¡¯s trying to tune us out entirely. Honestly, I don¡¯t blame her. Mom switches gears, probably hoping for an easier target. ¡°Sam, how¡¯s your arm feeling today?¡± ¡°Fine,¡± I say automatically, which is a lie. It¡¯s stiff and itchy and feels like someone¡¯s stapled a layer of plastic wrap to my skin, but ¡°fine¡± is easier than explaining all that. She glances at me in the rearview mirror, her eyebrows pulling together. ¡°You¡¯re not pushing yourself too hard, are you?¡± ¡°Nope,¡± I say, popping the ¡°p¡± for emphasis. ¡°Being a model patient.¡± Kate snorts quietly but doesn¡¯t look up. I shoot her a quick glare, but she doesn¡¯t notice, or maybe she just doesn¡¯t care. The light turns green, and Mom focuses back on the road. For a while, the only sounds are the hum of the engine, the faint whoosh of passing cars, and the rhythmic wobble of Kate¡¯s breathing tube. I tap my fingers against my knee, trying to fill the silence, but it¡¯s like throwing pebbles into a bottomless well. The quiet just swallows everything up. After a couple more tries at conversation that go absolutely nowhere, Mom finally gives up. She turns on the radio, and the tinny sounds of a pop station fill the car. It¡¯s not great, but it¡¯s better than nothing. I glance out the window, watching the neighborhood blur past. The bare trees look like skeletons against the gray sky, their branches swaying gently in the wind. It¡¯s not quite warm enough to feel like spring, but the snow is mostly gone, leaving behind soggy lawns and piles of dirty slush. The therapist¡¯s office is in one of those buildings that¡¯s trying way too hard to look fancy but just ends up looking like a dentist¡¯s waiting room. There¡¯s a big glass door with gold lettering, a little patch of landscaping with half-dead bushes, and a parking lot that¡¯s always way too full. Mom pulls into a spot near the entrance and turns off the engine. "Okay," Mom says, putting the car in park. "Sam, you¡¯re with Miss Friedman today, right? And Kate, you¡¯re with Dr. Alvarez?" ¡°Got it,¡± I say, opening my door. The cold air hits me like a slap, and I pull my jacket tighter around myself as I climb out. Kate follows suit, clutching her breathing apparatus like it¡¯s a lifeline. For all I know, maybe it is. Kate grabs her backpack, sliding out of the car without a word. I unbuckle my seatbelt and start to follow her, but Mom stops me with a hand on my arm. "Hey," she says, her voice low. "Be nice, okay?" I frown at her, confused. "I am being nice." She gives me a look, the kind that says she knows I¡¯m full of it. "Just... try a little harder," she says. "She¡¯s going through a lot." I bite back the urge to say that I¡¯m going through a lot too and just nod. "Okay," I mutter, slipping out of the car before she can lecture me any further. Kate¡¯s already halfway to the building, her bag slung over one shoulder and her breathing thing clutched in her hand. I hurry to catch up, falling into step beside her. She doesn¡¯t say anything, and I don¡¯t either. The sound of her measured breaths fills the space between us, steady and deliberate, like she¡¯s counting each one.A case of content theft: this narrative is not rightfully on Amazon; if you spot it, report the violation. Mom watches us as we head toward the building, her expression unreadable. I can feel her eyes on my back, but I don¡¯t turn around. I know what she¡¯s thinking. She¡¯s wondering how we ended up here, how everything got so tangled and messy. She¡¯s wondering if there¡¯s anything she could¡¯ve done differently.
I¡¯m sitting on the edge of a padded table, rolling my good shoulder while trying not to jostle my right arm too much. Miss Friedman is across the room, checking something on her clipboard. "How¡¯s the range of motion today?" she asks without looking up. "Better," I say, which is true. Kind of. I can move my arm more than I could last week, but it still feels stiff, like there¡¯s a rubber band wrapped around my shoulder, pulling everything tight. She glances at me, raising an eyebrow. "Better how? Be specific." I sigh, rolling my good shoulder again to buy myself a second. "I can lift it higher, but not for long," I admit. "And it still feels weird when I try to rotate it." She nods, jotting something down. "Weird how?" "Like... tight," I say, fumbling for the right words. "And kind of... sharp? Not all the time, just if I push too far." "Got it," she says, setting the clipboard aside. "Okay, let¡¯s start with some basic stretches. Same as last time. And remember, no pushing past a six on the pain scale." "Yeah, yeah," I mutter, grabbing the resistance band she hands me. "I know the drill." The stretches are slow and deliberate, each movement designed to pull me just to the edge of discomfort without tipping over into pain. My right arm feels heavy and awkward, like it doesn¡¯t quite belong to me. The burn scars make the skin feel tight and stiff, and every time I reach for something, it¡¯s like my body is reminding me not to overdo it. Miss Friedman watches me like a hawk, stepping in to adjust my posture or correct my grip when I get sloppy. "You¡¯re compensating with your left side again," she says, tapping my shoulder lightly. "Keep it balanced." "I¡¯m trying," I say through gritted teeth. The resistance band stretches and contracts, the tension just enough to make my muscles ache in a way that¡¯s more annoying than painful. After a few sets, she takes the band away and hands me a small foam ball. "Let¡¯s work on your grip strength," she says. "Squeeze it slowly, ten reps." I do as I¡¯m told, but halfway through, she starts talking about my recovery timeline, and I can feel my frustration bubbling up before she even finishes her sentence. "With your healing factor, you¡¯re making great progress," she says, her tone light, quiet, but firm. "But you still need to be cautious. The scar tissue is delicate, and if you push too hard, you could set yourself back." I stop mid-squeeze, my jaw tightening. "How long are we talking?" "It depends," she says, crossing her arms. "If you¡¯re careful and stick to the plan, you could regain full range of motion in maybe five, six weeks. But if you reinjure yourself..." "Six weeks?" I cut in, my voice sharper than I intended. "I¡¯m already healing faster than normal. Why is it taking so long?" She gives me a look, the kind that says she¡¯s heard this argument a hundred times before. "Because faster doesn¡¯t mean invincible," she says, her tone patient but firm. "Your body is doing a lot of work right now, and if you don¡¯t let it finish the process, you¡¯re just going to make things worse." I bite back a retort and focus on the foam ball, squeezing it until my hand starts to cramp. Six weeks. It feels like forever, even though I know it¡¯s not. I just can''t promise I won''t do something stupid in that time. A door opens across the room, and Kate walks in, her breathing thing in one hand and a water bottle in the other. She looks a little tired, but there¡¯s a determination in her step that I haven¡¯t seen in a while. Her therapist, a tall guy with a friendly smile, follows behind her, carrying a clipboard. "Ready for the obstacle course?" he asks, his tone teasing. Kate rolls her eyes but doesn¡¯t argue. "Yeah, let¡¯s get it over with," she says, setting her stuff down on a nearby bench. I watch as they set up a series of cones and hurdles, each one spaced just far enough apart to make it challenging. Kate stretches her arms and legs, moving with a kind of deliberate precision that makes me feel like I¡¯m slouching just by existing. "You want to race?" I ask before I can stop myself. Kate looks at me, her eyebrows raised. "You¡¯re kidding, right?" "Why not?" I say, standing up and flexing my good arm. "I can still move. And it¡¯s not like you¡¯re running a marathon." She smirks, her eyes narrowing. "Alright," she says. "But don¡¯t cry when I leave you in the dust." "Please," I say, already moving toward the starting line. "I¡¯m basically part shark. You don¡¯t stand a chance." Miss Friedman gives me a warning look but doesn¡¯t stop me, probably because she knows I¡¯m stubborn enough to do it anyway. Kate¡¯s therapist counts us off, and we¡¯re off. The first cone comes up fast, and I weave around it without too much trouble. My shoulder protests a little, but I ignore it, focusing on the next hurdle. Kate¡¯s ahead of me, her movements smooth and efficient, but I manage to keep pace, my competitive streak kicking in. By the time we reach the last cone, I¡¯m out of breath and my shoulder is screaming, but I push through anyway, crossing the finish line just a step behind Kate. "Not bad," she says, panting a little as she leans against a nearby bench. "For someone who¡¯s half-bandaged." "Not bad yourself," I say, trying to catch my breath. "For someone who... almost died." Her smile falters for a second, but she recovers quickly, giving me a playful shove. "Next time, I¡¯m leaving you in the dust." "Next time," I agree, sitting down on the bench and letting my head fall back against the wall. Miss Friedman appears a moment later, her expression half-annoyed, half-amused. "That wasn¡¯t exactly part of the plan," she says, crossing her arms. "Yeah, well," I say, waving a hand. "Plans are overrated." She shakes her head but doesn¡¯t push the issue. Kate¡¯s therapist gives her a thumbs-up, and she heads back to her breathing exercises, leaving me to stretch out my arm and pretend I¡¯m not completely wiped. By the time we''re done, Mom¡¯s car is already waiting in the parking lot, the engine idling as she scrolls through her phone. Kate and I climb into the backseat, both of us too tired to say much. She leans her head against the window, her breathing thing resting on her lap, while I stretch out as much as my sling will allow. "How¡¯d it go?" Mom asks, glancing at us in the rearview mirror. "Fine," I say, my voice muffled as I adjust my position. "Same as usual." "Kate?" "Good," Kate says, her tone clipped. "Better than last time." Mom nods, her eyes flicking between us for a moment before she pulls out of the lot. The car is quiet again, the only sounds the faint hum of the engine and the soft tapping of Kate¡¯s fingers against her water bottle. Chapter 150.2 The Music Hall feels quiet tonight, the kind of quiet that''s not quite lonely, but close. I''m sprawled out on the worn couch, scrolling through my phone with my unbandaged hand. My shoulder aches, but it''s a dull, manageable pain now, the kind I can almost ignore if I focus on something else. Maggie''s somewhere upstairs--probably taking a nap--and I''m left alone with my thoughts and the faint hum of the heater. Kate''s at home with her dad, and I figured she could use some time without me hovering around. It''s not like I mean to hover--it just happens. Maybe it''s the whole hero thing. You save someone''s life, and suddenly you feel responsible for their emotional state too. Not that Kate would ever admit she needs space, but I''ve been friends with her long enough to know when to back off. The knock on the door is loud enough to make me jump. I sit up, wincing as my shoulder protests the sudden movement. "It''s open!" I call, not really bothering to check who it is. The door creaks open, and Jordan steps in, carrying a box that looks way heavier than it probably is. They''re grinning, their scarf trailing behind them like they just came back from a particularly brisk walk. "Guess what I''ve got," they say, kicking the door shut behind them. "Hopefully something edible," I reply, eyeing the box with mock suspicion. "But knowing you, it''s probably something nerdy." Jordan snorts, dropping the box onto the coffee table with a thud. "Not nerdy. Tactical," they say, their voice dripping with mock seriousness. "This, my friend, is the future of crime-fighting." I raise an eyebrow, leaning forward to get a better look. The box is plain, with only a small logo in the corner: SignalTrack Pro XT-5000. The name doesn''t ring any bells, but the packaging screams "expensive gadget." "What is it?" I ask, poking at the edge of the box. "A drone? Some kind of laser thing?" Jordan grins, sliding onto the floor to sit cross-legged in front of the coffee table. "Better. It''s a police scanner. High-end. Trunking style." I blink. "You spent money on a police scanner?" "Not just any police scanner," they say, their tone mock-offended. "This baby can decode trunked radio systems, which means we can listen in on all kinds of emergency communications without getting lost in a sea of static." They open the box with the kind of reverence most people reserve for opening presents on Christmas morning. Inside is a sleek black device with a digital display, a small antenna, and a mess of cords and manuals. I whistle low. "Looks fancy. How much did that set you back?" Jordan shrugs, their grin widening. "I''ve been saving up. This thing''s been on my wishlist for months, and I finally decided to bite the bullet. It''s got digital decoding, multi-band coverage, and the ability to lock onto encrypted channels--well, sort of. It can pick up the signal, but it can''t actually decrypt anything, because, you know, legal stuff." "Legal stuff," I echo, crossing my arms. "Isn''t owning one of these... borderline illegal?" Jordan waves a hand dismissively. "Not if you know what you''re doing. The tricky part is how you use it. Listening isn''t the problem. Acting on what you hear--that''s where it gets dicey." "Dicey how?" I ask, leaning back against the couch. "Well," Jordan says, pulling out the manual and flipping through it, "there was that case a few years back--what was it called? Oh, right. Collins v. New York. Some superhero was using a scanner to intercept police communications during a high-speed chase, and they ended up causing more damage than the actual criminal they were trying to stop. The court ruled that accessing those channels without proper authorization violated state wiretapping laws, even though they weren''t technically recording anything." I frown. "So just listening is okay, but acting on it isn''t?" "Basically," Jordan says, nodding. "There''s also People v. Radford. Some vigilante--probably not unlike us--used a scanner to set up an ambush for a gang deal. It worked, but the gang''s lawyer argued that their Fourth Amendment rights were violated because the vigilante wasn''t a cop and didn''t have the authority to use police intel. The court agreed, and the whole thing got thrown out." "So... where does that leave us?" I ask, gesturing to the shiny new scanner. Jordan smirks. "In a gray area, as usual. But as long as we''re careful--like, only using it to monitor things and not intervening based solely on what we hear--we should be fine. Besides, it''s not like we''re the only ones doing this. Plenty of journalists and hobbyists use these things to keep tabs on public safety." I pick up the scanner, turning it over in my hands. It''s lighter than I expected, with buttons and dials that look like they belong in a spaceship cockpit. "And how does this help us, exactly?"Enjoying this book? Seek out the original to ensure the author gets credit. "Information is power," Jordan says, their tone serious now. "This thing can pick up fire department, EMS, and even some federal bands if we''re lucky. It''s all about staying ahead of the curve. Knowing where the action is before it hits the news." I nod slowly, setting the scanner back on the table. "Okay, but what about encrypted channels? You said it can''t decrypt them, right?" "Not legally," Jordan says, their grin returning. "But that''s what makes it interesting. Most police departments use a combination of trunking systems and encryption to keep their communications secure, but there are still gaps. If we''re smart about it, we can figure out patterns without breaking any laws." "Patterns," I repeat, smirking. "You mean you''re going to play detective with a scanner?" "Exactly," Jordan says, their eyes lighting up. "And if we pick up anything interesting, we can use it to plan ahead. Like, say there''s a fire in a known Kingdom hotspot--" "--we can be there before they even know what hit them," I finish, nodding. "Okay, I see the appeal." Jordan leans back, looking smug. "I knew you''d come around." I pick up the manual, flipping through it idly. The pages are filled with diagrams and technical jargon that might as well be in another language. "So, how long until you figure out how to use this thing?" Jordan shrugs. "Give me a day or two. It''s not my first rodeo." I raise an eyebrow. "You''ve used one of these before?" "Sort of," they admit. "Not this model, but I''ve played around with similar stuff. It''s all about understanding the frequencies and knowing what to listen for. Besides, this one''s got a programmable interface, so I can set it up to scan specific bands automatically." "Fancy," I say, leaning back against the couch. "So what''s the plan? Just sit here and listen to static until something interesting comes up?" "Pretty much," Jordan says, grinning. "Welcome to the exciting world of vigilante surveillance." Jordan leans back against the coffee table, the glow from the scanner''s display reflecting in their eyes. Their fingers flick across the buttons, adjusting frequencies and tweaking settings like they were born to do it. The hum of static fills the room, occasionally broken by bursts of garbled speech or a faint beep. It''s kind of mesmerizing, watching them work. Jordan''s always had this way of diving into technical stuff that makes it look effortless. They''ve been like this as long as I''ve known them--sharp, focused, and weirdly good at making complex things seem manageable. Like they''re in control, even when everything else is chaos. "So," Jordan says, their voice breaking the comfortable silence. "This is pretty sweet, huh?" "Yeah," I say, leaning forward to watch as they program in another frequency. "You''ve outdone yourself." "Damn right I have," they say with a smirk, but there''s something behind it--something softer, more thoughtful. They pause, their fingers hovering over the buttons, and glance up at me. "You know, it''s kind of wild." "What is?" I ask, grabbing a gummy worm from the bag on the couch and chewing it absently. "This," they say, gesturing at the scanner. "All of this. Us, sitting here, setting up a police scanner like it''s just another Tuesday. A couple years ago, I never would''ve thought I''d be doing something like this. And now... I can''t imagine not doing it." "Because it''s awesome," I say, grinning. "And because you like being the smart one." Jordan laughs, shaking their head. "Okay, yeah, maybe. But that''s not what I mean. I mean... this whole thing. The Auditors, the vigilante stuff. I never planned on being... this." I raise an eyebrow. "What, a hero?" Jordan snorts. "Hero. That''s a strong word. But yeah, I guess. A better person, maybe. And that''s, like, 90% your fault, just so we''re clear." I throw the gummy worm bag at them, and they catch it easily, laughing. "You''re welcome," I say. "I think you''ve always been a good person at heart, even when you slammed my head through a row of soup cans. You just... needed direction. Somewhere to focus yourself. How many petty crimes have you done?" "Direction," they repeat, like they''re tasting the word. "Fewer than I''d like, I''ll admit. You think I''m a good person even if I shoplift and steal from drug dealers?" I laugh again. "You''re like Robin Hood, man." They look back at the scanner, their expression unreadable. "That''s why it''s so hard to think about leaving." The words hit me like a punch to the gut, even though I''ve known this was coming for months. My stomach drops out from under me and I immediately feel all the blood drain from my face. It shouldn''t hurt - I should be happy - but it does. A wave of nausea washes over me. "Yeah," I say quietly. "I guess it would be." Jordan glances at me, their eyes searching mine. "Don''t get me wrong, I''m excited. I mean, MIT? That''s, like, the dream. And I can''t wait to dive into all the cool tech stuff and, you know, become a big shot software engineer or whatever. But... it''s also terrifying. Leaving this city, leaving all of you... it feels like I''m leaving a part of who I am." "You''re not leaving us," I say, trying to sound more confident than I feel. "You''re just... taking a break. Expanding your horizons. Or whatever people say." They smile faintly, but it doesn''t reach their eyes. "Yeah, maybe. But you know as well as I do that I can''t do this forever. None of us can. We have to be more than superheroes, some day. June''s coming up fast." The knot in my stomach tightens. I don''t want to think about what that means--about what it''ll be like when Jordan''s not here, when it''s just me and Maggie and... whoever''s left. Derek? Will Connor even still be here? The thought makes my chest ache. Jordan reaches over and nudges my good shoulder lightly. "Hey, don''t look so sad. You''re Bloodhound. You''re gonna be fine." "Easy for you to say," I mutter, picking at the edge of the couch cushion. "You''re the one who gets to go off and live your dream. I''m the one who has to stick around and pick up the pieces." "That''s not fair," they say, their voice quiet but firm. "I''m not abandoning you, Sam. I''m just... I need to... continue my life. This isn''t a living. And yeah, it''s gonna be hard, but that doesn''t mean I don''t care. I do. More than you know." I glance at them, surprised by their extremely unusual honesty. "I''m glad you''re my friend," they say, their voice soft. "You''ve made me better, Sam. And that''s not something I say lightly. In fact, this is the first and only time you''ll ever get to hear it, so enjoy it while it lasts." I can''t help but smile, even as my chest tightens with barely contained misery. It''s hard to believe this dipshit was the first real shit supervillain I ever fought. Weird things happen, huh? "I''m gonna hold you to that," I say, my voice a little shaky. "No take-backs." "Deal," they say, grinning. "Now, can we stop being all sappy and get back to work? This scanner''s not gonna set itself up." Chapter 150.3 The scanner crackles again, cutting through the quiet hum of the Music Hall. The voice on the other end is clipped and professional, just enough static to make me lean closer. "Unit 432, responding to reports of noxious smoke at the intersection of Longshore and Marsden. Repeat, noxious smoke reported, suspected arson." The words noxious smoke send a chill down my spine, and my focus locks in like a laser. I sit up, staring at the scanner like I can force it to spit out more details. "...thick black smoke, limited visibility. No active flames reported at this time," the voice continues. "FD notified. Units en route." Jordan glances at me, their eyebrow raised. "Sam." "I know," I say, my voice tight with tension. "But it''s arson." "It''s suspected arson," Jordan corrects, pulling the scanner closer to study the display. "All they''re saying is smoke. Nobody''s even seen a fire." "That doesn''t mean there isn''t one," I argue, already moving to grab the bag I keep stashed under the couch. My hand shakes just a little as I unzip it, adrenaline kicking in hard and fast. "Jordan, this is like... three blocks from here," I say, standing and yanking out the lightweight undersuit that makes up the base of my costume. "We can''t just sit here and wait for the police to handle it." "You mean you can''t just sit here," Jordan corrects, crossing their arms. "I can. Very easily, in fact. It''s one of my best skills." "Ha ha," I say, pulling the bag open and yanking out the first piece of my suit. "You know I have to check this out. Arson doesn''t just happen randomly, especially not here." "And what exactly are you planning to do when you get there?" they ask, their voice heavy with skepticism. "Stare menacingly at the flames until they go out? Your arm''s still healing, Sam. You''re not exactly in top shape for firefighting." I glare at them, pulling on the lightweight undersuit that makes up the base of my costume. "I''m not going to fight the fire. I just want to see what''s going on. And if someone''s responsible for this, I want to know who." Jordan sighs, running a hand through their hair. "You''re not going to let this go, are you?" "Not a chance," I say, grabbing the vest and fastening it over my torso. It''s a little snug with the bandages, but it''ll do. They shake their head, muttering something under their breath. "Fine. But I''m coming with you." "You don''t have to--" "Yeah, I do," they say firmly. "If you''re going to throw yourself into a potential inferno, someone''s gotta make sure you don''t end up crispy again. And besides, it''s not like I''m gonna let you have all the fun." I grin despite myself, the tension in my chest easing just a little. "Fair enough. But you better keep up." Jordan rolls their eyes, standing and heading for the storage cabinet where they keep their gear. "Please. I was born to keep up." As I finish adjusting my pads and guards, I can hear the sound of Jordan unzipping their cloak and pulling out the modified lining. Fury Forge''s experimental fire blanket is stitched into the inside, a gleaming silver material that looks like it could double as a space-age cape. It''s not exactly subtle, but it''s better than nothing. "You know," Jordan says, fastening the cloak around their shoulders, "we could always, I don''t know, wait for backup. Let the professionals handle this." "Yeah, and miss out on all the excitement?" I say, pulling on my gloves. "Where''s the fun in that?" They snort, grabbing their helmet and slipping it over their head. "You''re impossible, you know that?" The walk down Longshore feels longer than it should, even though it''s just a few blocks. Jordan keeps pace beside me, their cloak fluttering lightly in the breeze. The streets feel colder than usual, but the snow''s been gone for weeks. "You know," Jordan says, their tone almost conversational, "if there''s no fire, I''m going to be a little annoyed. All that prep about fireproof cloaks and your lightweight, breathable outfit? For nothing." I glance at them, my lips twitching toward a smile. "Don''t jinx it." "Please," Jordan says, throwing their arms wide. "Look at this place. Not a flicker in sight. Bet the smoke''s just some idiot burning tires or--" Their words cut off abruptly as we round the corner onto Marsden. The scene in front of us is... not what I expected. No flames, no roaring inferno, but a thick, black haze hangs low in the air, curling like a living thing. It smells acrid, sharp, the kind of smell that makes your lungs tighten and your eyes water.If you spot this narrative on Amazon, know that it has been stolen. Report the violation. "Okay," Jordan says slowly, pulling their cloak up to cover their nose and mouth. "So, maybe not tires." I take a cautious sniff, and the scent hits me like a slap. Underneath the thick, charred smell is something else, something familiar. My nose stings, my throat burns, and my eyes immediately start to water. I jerk back, coughing. Jordan gives me a look, one eyebrow raised. "What was that?" "Pepper spray," I manage, waving a hand in front of my face like it''ll help. It doesn''t. "Mixed with the smoke. That''s what it is." Jordan stares at me like I''ve grown a second head. "And how exactly do you know what pepper spray smells like?" "Part of my training," I say quickly, not meeting their gaze. "Don''t worry about it." "Sure," they say, their tone dripping with skepticism. "Definitely not something I''ll be circling back to later." We''re close enough now to see the crowd gathered at the corner of Longshore and Marsden. A handful of people stand in clusters on the sidewalk, watching something ahead but keeping a careful distance. Some of them are holding their sleeves to their faces, trying to block out the acrid smoke still drifting lazily through the air. "There," I say, pointing toward the boarded-up house at the center of the commotion. The house is a classic Tacony special--a squat, ugly thing with peeling paint and warped boards nailed haphazardly over the windows. Everyone knows what it is: a dump where squatters and low-level dealers crash. Nobody calls the cops unless things get really bad. Jordan tilts their head, surveying the scene. "Looks like the usual--except for, you know, the part where everyone''s coughing up a lung." We push closer, slipping through the crowd until we''re at the edge of the commotion. A couple of guys are sprawled out on the sidewalk, one on his back, the other on his hands and knees, hacking like his lungs are about to revolt. There are more of them, too--three, maybe four, no, three, slumped against the wall or curled up on the pavement, their faces pale and slick with sweat. Pocket knives, switchblades, and cheap knockoff multitools litter the ground around them, gleaming faintly in the streetlights. The weapons look pathetic, almost laughable, but there''s something chilling about the way they''ve been left scattered, like someone made a point of taking these guys apart without leaving them any options. Jordan whistles softly. "Well, someone had a busy night." I scan the scene, my blood sense flickering faintly with the pulse of the people around me. Nobody''s bleeding out--thank God--but some of these guys don''t look great. I clip my oxygen mask into place and adjust the straps, the familiar weight settling over my face. "Keep the crowd back," I say, pulling a small first-aid kit from my bag. "I''m gonna check on them." Jordan nods, stepping up onto the curb and spreading their arms. "Alright, folks, you''ve had your show. Let''s give the lady some space to work her magic, yeah?" The onlookers shuffle back reluctantly, murmuring to each other but keeping their distance. I crouch beside the first guy on the ground, a skinny teenager who can''t be older than eighteen. His breathing is shallow, his face streaked with tears and soot, and his hands are clutching at his throat like he''s trying to keep something inside. "It''s okay," I say, my voice muffled by the mask. "You''re gonna be fine. Just take slow breaths." He doesn''t respond, but his eyes flick toward me, glassy and red-rimmed. I open the kit and pull out a bottle of saline, flushing his face gently to clear away some of the residue. The second guy isn''t much older--early twenties, maybe--with a patchy beard and a busted lip. He''s coughing so hard it sounds like he might crack a rib, but at least he''s conscious. I hand him a damp cloth and tell him to hold it to his face while I check for any more serious injuries. Jordan calls out behind me, their tone light but firm. "Anybody know what happened here? Or are we all just enjoying the ambiance?" "Smoke," someone mutters from the crowd. "Came out of nowhere. Thought the place was on fire." "But it wasn''t," Jordan says, glancing at the house. "No flames, no damage. Just... pepper spray smoke. Right?" A few people nod, but nobody volunteers any more information. I move to the next guy, who''s slumped against the wall with his knees drawn up to his chest. He''s coughing less than the others, but his eyes are swollen shut, and his hands are trembling. I check his pulse--steady, if a little fast--and tilt his head back slightly to help him breathe. "Who did this?" I ask quietly, more to myself than anyone else. "They got Gracie," the guy mumbles, spit spilling out over his lower lip. "They got my dealer, man..." Jordan answers anyway, their voice low and dry. "Somebody who really doesn''t like sharing air, apparently." I stand slowly, my eyes sweeping over the scene again, filing information out for later. The smoke is thinner now, but the smell lingers, sharp and biting. Whoever did this didn''t just show up to scare these guys--they wanted to make a statement. Where''s this Gracie? That''s a girl''s name - I don''t see any girls, but I don''t see or smell any blood, either. Did someone get abducted? Scared off? "Vigilante?" Jordan guesses, watching me carefully. "Maybe," I say, though the word feels heavy in my mouth. "Or someone who wants it to look like one." Jordan tilts their head, their expression thoughtful. "You''re thinking... what? New player? Or old player with a new playbook?" "I don''t know yet," I admit, my gaze lingering on the house. "But this doesn''t feel random. Somebody wanted these guys out of commission. And they didn''t stick around to take credit." Jordan nods slowly, their cloak rustling softly as they shift their weight. "Which means they either don''t care about the credit... or they''ve got bigger plans." "Exactly." I glance back at the first guy I helped. His breathing is steadier now, his eyes half-closed as he leans against the curb. The others are in similar shape--shaken, miserable, but alive. "Took all the stuff, man," he mumbles, clearly more upset about the drugs than anything else. I make a note to myself to check for this ''Gracie''. Local dealer, I''m assuming. Jordan steps closer, their voice low. "You thinking what I''m thinking?" "Probably," I say, though I''m not ready to say it out loud. Not yet. We stay like that for a moment, the weight of the scene settling over us like the smoke still clinging to the air. Somewhere in the distance, I hear the faint wail of sirens, getting closer. "Time to go," Jordan says, their tone brisk. I nod, stepping back and slipping my first-aid kit into my bag. The crowd is starting to disperse, their curiosity replaced by the instinct to avoid answering any awkward questions when the cops show up. Whoever did this wasn''t just cleaning house--they were sending a message. WORLD OF CHUM: Power Laws (6) Powers and Precedent: A Conversation with Jennifer Martinez ABA Journal, November 2022 Jennifer Martinez has built one of the nation''s most respected practices defending powered individuals, but she didn''t set out to specialize in superhuman law. A former public defender in Philadelphia, Martinez found herself increasingly drawn to the complex intersection of traditional criminal defense and emerging powers legislation. Today, her firm Martinez & Associates handles some of the most challenging powered defense cases in the country. We sat down with her to discuss the evolving landscape of powered criminal defense. ABA Journal: How did you transition from traditional criminal defense to powered cases? Martinez: It wasn''t a planned transition. In 2012, I was assigned a case involving a defendant who activated during a convenience store robbery. The prosecution wanted to classify his enhanced strength as a weapon under Davis, which would have significantly increased his sentence. That case forced me to really dig into the implications of Davis and how it intersects with traditional criminal law. After that, powered cases just kept coming my way. ABA Journal: How has U.S. v. Davis shaped your approach to powered defense? Martinez: Davis created this framework where powers can be classified as weapons, but it''s not automatic. The prosecution has to demonstrate that the power was used in furtherance of a crime. This creates interesting opportunities for the defense. For example, I recently handled a case where my client''s electromagnetic abilities accidentally disabled security cameras during a trespassing incident. The prosecution wanted to enhance the charges under Davis, but we successfully argued that the power activation was involuntary and therefore couldn''t constitute weapon use. ABA Journal: What are the unique challenges in jury selection for powered cases? Martinez: Voir dire becomes incredibly complex when powers are involved. You''re dealing with both explicit and implicit biases against powered individuals, plus the challenge of finding jurors who can truly separate the existence of powers from the elements of the crime. We''ve developed specific voir dire protocols focused on identifying jurors who may harbor anti-power prejudices while being careful not to create appellate issues by excluding jurors solely based on their views on powered individuals. ABA Journal: How does LUMA registration status affect defense strategy? Martinez: LUMA status is often central to these cases. An unregistered defendant faces additional challenges, but the prosecution''s focus on registration status can sometimes work in our favor. We''ve successfully argued in several cases that the prosecution was inappropriately focusing on LUMA violations to prejudice the jury against our clients regarding the underlying charges. Courts are increasingly receptive to separating LUMA compliance from other criminal allegations. ABA Journal: How do you approach cases involving powers that are inherently dangerous or difficult to control? Martinez: These cases require carefully structured defense strategies. The prosecution often tries to argue that merely possessing certain powers constitutes reckless endangerment or criminal negligence. We''ve had success countering this by bringing in experts to testify about power control development and the Bracing Effect. In one recent case involving a client with pyrokinetic abilities, we demonstrated that his level of control was actually above average for his time since activation, which helped contextualize the incident in question.If you spot this story on Amazon, know that it has been stolen. Report the violation. ABA Journal: What special considerations come into play regarding evidence in powered cases? Martinez: Chain of custody becomes extraordinarily complex when powers are involved. For example, how do you maintain evidence integrity when dealing with objects affected by matter manipulation powers? We recently handled a case where the prosecution''s evidence had been collected from a crime scene affected by temporal manipulation. We successfully argued that without establishing a baseline temporal reference, they couldn''t prove the evidence reflected the scene at the time of the alleged crime. ABA Journal: How has the emergence of the "goon economy" affected powered defense work? Martinez: The organized nature of powered crime has created new legal challenges. We''re seeing more RICO cases involving powered individuals, which requires expertise in both traditional organized crime defense and powers legislation. The courts are still working out how to handle cases where traditional criminal enterprise laws intersect with power-specific regulations. It''s crucial to stay current with these evolving interpretations. ABA Journal: What''s your approach to handling the media attention these cases often attract? Martinez: Media management has become a crucial part of powered defense work. We have to balance our ethical obligations to our clients with public safety concerns and media interest. I''ve found it''s essential to maintain strict policies about media engagement and to work closely with court information officers to ensure accurate reporting of power-related legal issues. This helps prevent sensationalism from affecting jury pools or creating security issues. ABA Journal: How do you handle cases involving multiple powered defendants? Martinez: Joint defense agreements become particularly complex in powered cases. Beyond traditional conflict considerations, you have to account for power interactions and potential amplification effects. We''ve developed specific protocols for cases involving multiple powered defendants, especially when their abilities might interact in ways that affect criminal liability. This often requires bringing in power interaction experts early in the case planning process. ABA Journal: What do you see as the next major legal battleground in powered defense? Martinez: I think we''re going to see significant litigation around privacy rights for powered individuals and vice versa, particularly regarding individuals with "detection" powers. There are already cases working through the system challenging whether powers that operate as passive detection via forms of extrasensory perception constitute a search under the Fourth Amendment. We''re also seeing interesting questions about whether certain powers should be protected under attorney-client privilege ¨C for instance, if a client''s powers give them perfect recall of conversations with counsel. ABA Journal: Your firm''s New York office has become particularly notable for handling complex powered cases. What unique challenges does practicing in New York present? Martinez: New York presents fascinating jurisdictional challenges due to the density of powered activity. We often deal with cases that cross multiple precincts and districts, sometimes involving both state and federal charges. The Southern District of New York has developed some of the most comprehensive powered case law in the country, which creates both opportunities and challenges for the defense. The concentration of corporate interests in New York also adds complexity to powered defense work. We frequently handle cases involving powered individuals accused of corporate espionage or securities violations, which requires expertise in both powered defense and white-collar criminal law. The intersection of powers and financial crimes is becoming an increasingly significant part of our practice. ABA Journal: Any final advice for attorneys considering powered criminal defense? Martinez: First, invest in understanding the science. The Bracing Effect, power classification systems, activation theory ¨C these aren''t just academic concepts. They have real implications for defense strategy. Second, build a strong network of expert witnesses and power specialists. And finally, remember that despite all the complexity powers add to criminal defense, our fundamental obligation remains the same: ensuring every defendant, powered or not, receives a fair trial and zealous defense under the law. Jennifer Martinez is the founding partner of Martinez & Associates, with offices in New York and Philadelphia. She teaches Advanced Powers Legislation at Columbia Law School and serves on the ABA''s Task Force on Powered Individual Rights. Chapter 151.1 The coffee''s my doing--I found the ancient pot buried in a corner and decided it was worth resurrecting. The stack of freshly printed documents on the table? Also mine. Jordan may have bought the printer, but they''d probably explode if they admitted it was for me. Jordan''s sprawled across one of the mismatched chairs, their laptop balanced precariously on their knees, while the police scanner hums faintly in the background. On the other end of the table, my own laptop chugs along with its usual wheeze, the ancient fan working overtime to keep up with the tabs I''ve got open. The TV''s muted, but the closed captions roll across the bottom of the screen. Some talking head is droning about local crime statistics and city ordinances, their face frozen in an expression that''s somehow both smug and concerned. "Okay," Jordan says, dragging their finger across the trackpad and squinting at the screen. "I''ve got something on Tremont & Fairfax''s pro bono history. These guys love a good underdog story. Look at this--''assisting displaced tenants in South Boston,'' ''defending small business owners from corporate buyouts,'' and, oh, here''s a gem: ''securing the release of a wrongly convicted man who spent twenty years in prison.''" I glance over the rim of my coffee mug. "So they''re the good guys?" Jordan snorts, their scarf slipping off one shoulder as they adjust their chair. "Not exactly. They''ve got a weird split personality. Sure, they do a ton of charity work--like, a ridiculous amount--but dig a little deeper, and you find their real bread and butter: corporate law and hedge fund management. They''re representing billion-dollar companies on one side and handing out free legal advice on the other." "That doesn''t scream shady to you?" I ask, flipping through one of the printouts. "I mean, who funds a legal arm that big just to be nice?" Jordan tilts their head, considering. "It''s not totally unheard of. Big firms like this use pro bono work to boost their image or recruit talent. But Tremont & Fairfax feels... different. Look at this." They turn the laptop toward me, the screen filled with a dizzying array of case summaries. "A lot of their pro bono cases? Supervillain defense. Not the big names, but mid-tier players, up-and-comers, people you''d never hear about unless you were paying attention." I set my mug down, leaning in to get a better look. "And they win these cases?" "More often than they should," Jordan says, their voice low. "But it''s not just about winning. It''s the patterns. They pick cases that seem random, but there''s a thread connecting them. Like they''re testing the waters or setting something up." I frown, tapping the edge of the table with my good hand. "Like what? Building a network? Creating debts?" "Maybe both," Jordan says, scrolling through more files. "Or maybe they''re just keeping certain people out of jail. The kind of people who might be useful down the line." I lean back in my chair, letting out a slow breath. The printer whirs to life again, spitting out another stack of papers. Jordan reaches over to grab them, sorting them into piles with the kind of precision that makes me feel like a chaotic mess in comparison. My own method is... less organized. I''ve got sticky notes stuck to the edges of my laptop, scribbled reminders in the margins of printouts, and a mental map of connections that only makes sense to me. "Here," I say, sliding one of my sticky notes across the table. "This guy--Martin Calloway. He''s listed as a junior partner at Tremont & Fairfax, but I found an article linking him to a shell company that used to own a warehouse in Kensington. That warehouse? Burned down six months ago in what was officially called an accident but smelled a lot like arson." Jordan raises an eyebrow. "Kensington. Isn''t that Rogue Wave turf?" "Exactly," I say, a hint of satisfaction creeping into my voice. "And guess who was seen hanging around the ruins a week later? Some Kingdom of Keys lackeys. No arrests, of course, but it''s a little too convenient to ignore." Jordan''s grin is sharp and approving. "You might actually be onto something, Bloodhound." I shrug, trying to play it cool. "It''s just a lead." "Just a lead," Jordan echoes, their tone dripping with mock humility. "Says the person who''s probably going to crack this case wide open with their gut instinct and questionable NetSphere searches." "Hey, my NetSphere searches are very questionably good," I shoot back, smirking. Jordan laughs, and for a moment, the tension in the room eases. It''s been like this a lot lately--these moments where we work together, our methods clashing and complementing each other in equal measure. Jordan''s the brains, the one who dives into data and comes up with theories that make my head spin. I''m... not that. But I''ve got instincts, and sometimes that''s enough. "Alright," Jordan says, tapping their laptop like it''s a magic lamp. "Let''s focus. Tremont & Fairfax''s supervillain cases. Who''ve they defended that might be connected to the Kingdom?" I glance at the printouts, my eyes scanning the names. None of them jump out at me--not like the big players I''m used to dealing with. But that''s the thing about the Kingdom. They''re not about flashy names or big headlines. They''re about staying under the radar, building power quietly, and hitting hard when no one''s expecting it. "I don''t recognize anyone," I admit, leaning back in my chair. "But that doesn''t mean they''re not connected. What about Huang? Does she have a pattern?" Jordan nods, flipping to another tab. "She''s mostly worked on cases involving due process violations--stuff like illegal searches, excessive force, procedural errors. It''s not a bad angle, honestly. A lot of supervillains get caught because they screw up their rights, not because they''re guilty." "Which explains why she''s defending Aaron," I say, my stomach twisting a little at the thought of him. "But who''s paying her? There''s no way McKinley can afford someone like her." "That," Jordan says, pointing dramatically at me, "is the question. And I think the answer might be hiding in Tremont & Fairfax''s client list. If we can figure out who''s bankrolling her, we''ll have a better idea of what''s really going on."If you discover this narrative on Amazon, be aware that it has been stolen. Please report the violation. I nod, my mind racing. There''s something here--I can feel it. We just have to dig deep enough to find it. The TV cuts to a bright red BREAKING NEWS banner, and both of us turn toward the screen. The muted audio gives way to a reporter standing in front of City Hall, their breath visible in the cold air, a crowd behind them. "...announcement expected regarding a controversial new ordinance set to impact Philadelphia''s superhuman community," the reporter says, their tone carefully neutral. "Details remain scarce, but sources suggest the proposal could have significant implications for vigilantes and registered superheroes alike..." The livestream blares from the old TV, the bright graphic of BREAKING NEWS lingering in the corner of the screen like a warning flare. Councilman Ward stands at a podium on the steps of City Hall, his dark suit and blue tie immaculate against the gray stone backdrop. Beside him, the Philadelphia flag flaps lazily in the wind, its yellow and blue stripes vivid against the overcast sky. "Good morning," Ward begins, his voice clear and authoritative. "Today, we take a significant step toward restoring order and safety in our city. The chaos caused by unchecked superhuman activity cannot be ignored any longer. That''s why I am proud to announce the proposed Superhuman Activity Regulation Act, a bipartisan effort to bring structure to a situation that has spiraled out of control." Behind him, a small group of other councilmembers and aides stand in a neat formation, their faces solemn. One figure steps forward--Maya Richardson, dressed in a sharp maroon blazer that practically radiates confidence. She takes her place beside Ward, giving him a quick nod before addressing the crowd. "This is not about stifling heroism," Maya says, her voice smooth and measured. "This is about ensuring that heroism doesn''t come at the cost of our neighborhoods, our families, or our future. The Superhuman Activity Regulation Act aims to provide clear guidelines for superhuman involvement, especially among our younger citizens." Jordan leans forward, their hand frozen on the stack of notes they were sorting. "Oh, this is gonna be bad," they mutter, their eyes locked on the screen. I don''t respond, my attention fixed on Maya as she continues. "Under this ordinance, individuals under the age of 18 will no longer be permitted to engage in vigilante activities, even with a LUMA. Instead, minors will be encouraged to channel their abilities into structured programs--education, training, and community service. For adults, the act will enforce stricter oversight and accountability for all LUMA-approved activities." Ward picks up where she leaves off, his tone a little too polished. "We understand the concerns this may raise, but let''s be clear--this is not about targeting heroes. This is about targeting chaos. Criminals don''t have LUMAs. Superpowered gangs don''t have LUMAs. Jumpheads especially don''t have LUMAs. This legislation gives our law enforcement and registered superhuman entities the tools they need to bring these offenders to justice." My stomach knots as I listen. It''s not hard to read between the lines. Jordan sits back, their hands folded behind their head. "Well, there it is. The ''Jumpheads are ruining everything'' speech, wrapped up in a shiny bipartisan package." On the TV, a reporter''s voice cuts in, summarizing the ordinance with bullet points as the screen flashes a list of proposed regulations.
  • No vigilante activities for individuals under 18, regardless of LUMA status.
  • Increased oversight and accountability for adult LUMA holders.
  • Expansion of the Registered Superhuman Entity program to include greater civilian enforcement powers.
Jordan tilts their head, their expression dark. "You know what this is, right?" I nod slowly, my mind catastrophizing all the billions of ways I''m about to get turbo-arrested. "She''s making us illegal." "Exactly," Jordan says. "Maya''s smart. She knows how to frame this so it looks like a public safety measure. And Ward? He''s just here to make it look bipartisan." Maya steps forward again, her expression perfectly calibrated to convey authority and concern. "We cannot allow this epidemic of superpowered street violence to continue unchecked. Philadelphia has suffered enough. We are no longer allowing rogue pyrogenetics to burn down significant swathes of Northeast Philadelphia unchecked, or crazed scientists looking to hold entire hospitals hostage for days at a time. This legislation is not about limiting opportunities--it''s about protecting them." My hands clench into fists, the paper I was holding crumpling slightly. Protecting opportunities? For who? Jordan glances at me, their sharp gaze softening slightly. "You okay, Sam?" "No," I admit, barely able to tear my eyes away from the screen. "She''s not even trying to hide it. This is about us. Me. Maggie. Maybe even you, by association." They nod, their expression grim. "It''s personal, alright. She''s using Ward to make it look like this isn''t about targeting specific people, but you know she''s got your name circled in red on some internal memo." I grab one of the printed documents from the table and flip it over, the blank side staring back at me like a challenge. Grabbing a pen, I start jotting down numbers, counting on my fingers as I go. "Okay," I mumble, more to myself than to Jordan. "Let''s do some math." Jordan watches me with raised eyebrows, clearly amused. "Math? From you? This should be good." "Shut up," I snap, though there''s no heat behind it. "Look, the average law firm of this size handles, what, twelve or thirteen supervillain-related cases a year? That''s defense, prosecution, corporate stuff, whatever. But Tremont & Fairfax averages nineteen. That''s... that''s a big gap, right?" Jordan leans over to glance at my notes, their expression shifting from amused to impressed. "Okay, that''s actually a good point. But you''re just looking at raw case numbers. What about per-lawyer? A bigger firm could naturally handle more cases just because they''ve got more people." I pause, the pen hovering over the paper. "How many lawyers do they have?" Jordan pulls their laptop back into their lap, typing furiously. "Let''s see... Their website lists 76 attorneys across all their branches. That''s a little on the high side for a firm like this, but not by much." "Okay," I say, scribbling furiously. "So if we divide the number of cases by the number of lawyers--" "Now you''re inventing statistical analysis from scratch," Jordan interrupts, grinning. "Sam, are you sure you''re not secretly a math prodigy?" "I''m not even taking Stats," I mutter, shoving the paper toward them. "Here. You do the number-crunching." Jordan takes the notes, their grin widening. "You''re not bad at this, you know. Just a little... rough around the edges. Like, you''re building a calculator out of duct tape and vibes, but it works." I roll my eyes, leaning back against the couch. "Whatever. Just tell me if I''m onto something." Jordan''s still muttering to themselves about "statistical significance" and "standard deviations" when my phone buzzes against the table. I pick it up, my stomach dropping when I see the notification: Young Defenders HIRC Priority Ping. It''s been months since anything important popped up in the group chat--ever since we were unofficially grounded. I swipe the notification, opening the message. Councilman Davis: "Young Defenders, your presence is requested at City Hall ASAP. This is a critical matter. Please confirm receipt." I glance at Jordan, who''s too absorbed in their number crunching to notice the change in my expression. "Hey," I say, my voice tight. "I need to step out for a bit." Jordan looks up, their brow furrowed. "What''s up?" "Councilman Davis wants to meet. Something about the ordinance, I think." I stand, shoving my phone into my pocket. "I''ll be back soon." Jordan''s eyes narrow slightly, but they don''t argue. "Be careful, Sam. This thing? It''s bigger than it looks." "Yeah," I say, grabbing my jacket. "I know." As I head for the door, the TV continues to blare in the background, Maya''s voice ringing out like a warning bell. "This is not the end of heroism," she says, her tone firm. "It''s the beginning of something better." Chapter 151.2 The gym at the DVD headquarters is colder than it has any right to be. The floor is polished concrete, the kind that always looks damp even when it''s dry, and the overhead lights buzz faintly, their white glare casting long shadows across the room. The place is bare. Functional. A space for action, not conversation. There''s a small cluster of chairs set up in the middle, though, and that''s where we''ve been directed to gather. It''s not a cozy setup. I''m sitting cross-legged on the floor, my burn-wrapped arm resting in my lap, while Rampart leans against the wall, arms crossed over his chest. Blink''s pacing back and forth, her sneakers squeaking on the floor with every step, and Gossamer is perched on one of the folding chairs, her hands fidgeting with a scrap of fabric she pulled from her pocket. Connor''s sitting on the floor near me, his long legs sprawled out like he''s got nowhere better to be, but there''s a tension in his shoulders that makes it clear he''s as wound up as the rest of us. At the center of the room, Councilman Davis stands beside Clara, who''s got a thick folder tucked under one arm and an expression like she''s bracing for impact. "This isn''t a surprise," Davis starts, his voice calm but firm, the kind of tone you''d use to explain bad news to a kid without sugarcoating it. "We knew this was coming." "Did we?" Rampart cuts in, his deep voice echoing slightly in the cavernous space. "Because I don''t remember anyone telling us we were about to get legislated into nonexistence." Davis sighs, pinching the bridge of his nose. "Jason, we''ve talked about this. The city''s been under pressure for months--between the property damage, the gang fights, the arsons--" "Property values," Gossamer says softly, not looking up from her fabric. Her voice is almost drowned out by the hum of the lights. "What was that?" Davis asks, turning to her. "I said, ''property values,''" Gossamer repeats, louder this time. "That''s what this is really about, isn''t it? All those neighborhoods getting trashed? It''s not the fires or the fights that bother them--it''s the fact that they''re making rich people nervous." Davis opens his mouth, but Clara steps in before he can respond. "It''s not just about property values," she says, her tone measured. "This is about public safety. The council''s framing this as a way to curb the violence and chaos caused by unregulated superhuman activity. They''re playing on fear." "And it''s working," Connor mutters, stretching his legs out further. "My foster dad''s been watching the news nonstop. Every time they show a burning building or a gang fight, he gives me this look. Like he''s waiting for me to say, ''Surprise! That was me.''" "It''s not just the news," Blink says, finally stopping her pacing to face the group. "You see the way people look at us? Even when we''re in costume, doing good? It''s like they''re waiting for us to snap." "That''s the point," Davis says, spreading his hands. "They''re painting a picture of unchecked superhuman violence, and this ordinance is their solution. They''re saying, ''Look, we''re not against heroes. We''re just against the ones who aren''t following the rules.''" "And the rules," Rampart says, his voice heavy with sarcasm, "just happen to make it impossible for people like us to operate. Convenient." Davis doesn''t argue, which is almost worse than if he had. Instead, he looks at Clara, who steps forward, her folder clasped tightly in both hands. "If this ordinance passes--and it will--there''s no way to continue as we are now," Clara says. "The Young Defenders will have to dissolve." The words land like a punch to the gut. My stomach twists, and I glance around the room, trying to gauge everyone''s reactions. Blink looks like she''s been slapped, her face pale and her hands clenched into fists. Rampart''s jaw tightens, but he doesn''t say anything. Connor doesn''t even flinch; he just stares at the floor, his expression unreadable. Gossamer finally looks up, her fingers still fidgeting with the fabric. "Good," she says quietly. Everyone turns to stare at her. "What?" Blink asks, her voice sharp. "How is that good?" Gossamer shrugs, her gaze steady. "I don''t want to do this forever. I''m not like you guys--I don''t want to fight people and burn myself out trying to save a city that doesn''t even want us. I just want to... make things. Be a costumier. Is that so bad?" "No," Connor says, his voice unexpectedly gentle. "It''s not bad. It''s smart." Blink glares at him. "You too? What, you''re just gonna walk away?" Connor shifts uncomfortably, running a hand through his hair. "Yeah. Probably. My foster dad''s been on me about getting my GED, about staying out of trouble. And... he''s right. I''m not a genius or a fighter or whatever. I''m just a guy who can fold himself into a pretzel. Maybe it''s time I stop pretending I''m more than that."This story has been unlawfully obtained without the author''s consent. Report any appearances on Amazon. The room falls into an uneasy silence. Even Rampart, who''s usually the loudest voice in any argument, doesn''t say anything. I feel like I should speak up, defend us, but my throat feels tight, and my head''s spinning. "We can''t all do this forever," Clara says softly, her gaze sweeping over the group. "And that''s okay. But for those of you who want to keep going, there''s a path forward. You can register as RSEs. Davis and I will do everything we can to fast-track you." "What about me?" I blurt out before I can stop myself. My voice comes out sharper than I intended, and everyone turns to look at me. Clara hesitates, her expression softening. "You''re not 18, Sam. You can''t register as an RSE." The words hit me like a bucket of ice water. I knew it already, of course. But hearing it out loud, in this room, surrounded by my team--it makes it real in a way it wasn''t before. "So what am I supposed to do?" I ask, my voice shaking. "Just... quit?" Davis steps forward, his expression carefully neutral. "We''ll figure something out, Sam. But for now--" "For now," I interrupt, "you''re saying I''m screwed." "No one''s saying that," Clara says quickly, but the look on her face tells me she doesn''t really believe it. Blink is the first to break the silence, her voice sharp as she turns to Clara. "So that''s it?" she asks, throwing her arms wide. "We all just go our separate ways and pretend this never happened?" "No one''s saying that," Clara replies, her voice calm but firm. "But the reality is, the Young Defenders as you know it can''t continue. Not with this ordinance." "What if we don''t care about the ordinance?" Blink shoots back. "What if we just keep going, ordinance or no ordinance?" "You''d be criminals," Clara says bluntly. "Unregistered superhumans operating in violation of city law. And the consequences wouldn''t just fall on you--it would affect everyone you work with, everyone you care about." "Then I guess I''m a criminal," Blink snaps, crossing her arms. "Because I''m not going anywhere." "Same," I say before anyone else can speak. The word comes out before I''ve even thought about it, but once it''s out, it feels solid. Final. "I''m not quitting. I couldn''t stop even if I wanted to." Blink shoots me a grateful look, her stance relaxing slightly. "Where Bloodhound goes, I go." Rampart lets out a long sigh, running a hand through his hair. "You''re not thinking this through, Lily. Neither of you are." "And you are?" Blink fires back. "You''re just gonna let them shut us down?" "I''m not letting anything happen," Rampart says, his voice steady but tinged with frustration. "I''m stepping up. Joining the DVDs. It''s the only way to keep doing this without getting arrested." "That''s not fair," Blink says, her voice rising. "You''re just leaving us to fend for ourselves?" "I''m trying to set an example," Rampart snaps, his patience clearly wearing thin. "If we work within the system, maybe we can change it. But if we go rogue, we lose everything." "Change it from the inside," Gossamer murmurs, her tone skeptical. "That always works." Rampart turns to her, his expression softening slightly. "What''s your plan, Amelia? Sit on the sidelines and wait for someone else to fix it?" Gossamer''s cheeks flush, but she doesn''t back down. "My plan is to figure out what I actually want, instead of diving headfirst into a fight I can''t win, Jason." "And you think we can''t win this?" Blink challenges, her voice full of defiance. "I think..." Gossamer hesitates, her fingers tightening around the scrap of fabric in her hands. "I think that I''m not sure what to do. And I don''t know what I can do about this. And I don''t have a good answer for anyone." Connor shifts uncomfortably, his gaze flicking between Gossamer and Blink. "She''s not wrong," he says quietly. "I just think it''s over. For me, at least. It was fun. I... appreciate you guys..." he stops to search for the word. "Rescuing me," "Connor," Blink says, her voice softer now. "You''re really leaving?" He nods, looking down at his hands. "Yeah. I''ve got my GED to focus on, and... I''m not like you guys. I''m not a leader or a fighter or whatever. I''m just a guy who got lucky enough to tag along for a while. But it''s time for me to move on. Legu... Luh... Legitimize. And my, uh, partner is moving away anyway. I think it''s time to keep my life moving. Keep rolling, rolling, rolling, et cetera." Blink looks like she''s about to argue, but I put a hand on her arm, shaking my head slightly. "Let him," I say quietly. "If that''s what he wants." Connor gives me a small, grateful smile. "Thanks, Sam." Rampart crosses his arms again, his expression unreadable. "So that''s it. Connor''s out, Gossamer''s on the fence, and the rest of you want to go rogue?" "I didn''t say that," Gossamer says, her tone defensive. "I just... don''t know yet. I need time to think." "And what about you, Sam?" Rampart asks, his gaze locking onto mine. "What''s your plan?" I straighten my shoulders, even though the weight of the question feels like it''s pressing me down. "I''m not quitting," I say firmly. "But I''m not joining the DVDs, either. I can''t. Not even legally." "That doesn''t leave you many options," Clara says gently. "Whatever you do, you better be smart about it. And careful." That''s not exactly not an endorsement. "I''ll figure it out," I say, my voice steady. "I always do." The room falls into a tense silence, the weight of everything unsaid pressing down on us. Blink''s pacing again, her sneakers squeaking against the floor, while Gossamer stares at the fabric in her hands like it holds all the answers. Connor''s gaze is fixed on the ground, his shoulders slumped, and Rampart''s still standing like a statue, arms crossed and jaw tight. Davis clears his throat, stepping forward. "Look," he says, his tone measured. "I know this isn''t what any of you wanted to hear. But this ordinance is happening, whether we like it or not. And we need to decide how we''re going to respond." "We''ve already decided," Blink says, her voice sharp. "Sam and I aren''t quitting." "And I''m stepping up," Rampart says. "Joining the DVDs. It''s the only way I can keep doing this." "I need time," Gossamer says quietly. "I''m out," Connor says, his voice steady but soft. Davis nods, his expression unreadable. "Okay," he says. "That''s where we stand, then. But whatever happens, I want you all to remember one thing: You''re a team. You''ve been through a lot together, and that doesn''t just go away because things are changing." "We''ll see," Blink mutters, but there''s a hint of uncertainty in her voice now. Clara steps forward, her gaze sweeping over all of us. "No matter what you decide, you''re not alone. We''re here to support you, whatever path you choose. But you need to be smart about this. The city isn''t playing games, and neither can you. Until the ordinance passes, we''ll cram whatever support we can legally give you down your throats, and after that... We''ll... see what we can do within the law. Okay?" For maybe the last time as a team, we''re in sync; "Okay," Chapter 151.3 Jordan''s new printer hums softly from the corner, its little green light blinking like it''s mocking me. Half the coffee table is covered in printouts and Jordan''s laptop, the rest taken up by empty snack wrappers and half-full cups. Blink sits cross-legged on the couch, her hands wrapped around a mug of tea I found in the cupboard but never drink. She''s still in her casual clothes, the DVD logo visible on the strap of her free merch bag, which she tossed onto the couch as soon as we got back. We walked home together, catching up in the low, rhythmic beats of a conversation about everything that wasn''t life-or-death. It was good. Easy. I asked Connor if he wanted to come too, but he just shook his head and muttered something about not being able to talk to Jordan right now. "Trouble in paradise?" I''d joked, but he hadn''t laughed. File that away for later. Now, Jordan''s pacing in front of us, their cloak half-draped over one shoulder like they''re a theater kid who wandered into a lecture by mistake. "Alright," they say, holding up one of the freshly printed sheets. "Here''s what I''ve got." Blink glances at me, raising an eyebrow. "Should I be scared?" "Probably," I say. "But mostly confused." Jordan''s pacing has settled into a rhythm, punctuated by the occasional slap of a freshly printed sheet landing on the coffee table. Blink leans forward on the couch, her mug of tea cradled in her hands as she watches Jordan with a mix of curiosity and confusion. I''m sitting cross-legged on the other end, poking at the pages like they''re going to rearrange themselves into something I can understand. "Alright," Jordan says, holding up one of the printouts, "let''s talk stats. This," they tap the top of the page, "is the distribution of superhuman criminal defense cases handled by the nation''s twenty biggest law firms over the last ten years." They point to a column of numbers that means absolutely nothing to me. Blink glances at me, and I shrug. "What you''re looking at," Jordan continues, "is the mean proportion of superhuman cases to total criminal cases. Across the board, it''s about 11.8 percent with a standard deviation of 2.3 percent. Most of these firms cluster pretty tightly around that average." "Okay," Blink says slowly. "So where does Tremont & Fairfax fit in?" Jordan''s grin widens as they slap down another sheet, this one with a line graph that looks suspiciously like a heart monitor. "T&F is an outlier. They''re at 19.2 percent, which puts them about three standard deviations above the mean." Blink raises an eyebrow. "And that''s bad, right?" "It''s weird," Jordan corrects, tapping the graph for emphasis. "Three standard deviations is rare--like, less than 0.3 percent rare, statistically speaking. But here''s the kicker: They''re not alone." They shuffle through the pile and pull out another sheet, this one covered in bar charts. "Four other firms--Halverson-Levine, Pritchard-Bowen, Perkins-Clyne, and Atwood-Brandt--are all between two and three standard deviations above the mean. T&F''s on the high end, sure, but they''re not unique." I frown, trying to piece it together. "So what you''re saying is... they''re doing something unusual, but it''s not just them?" "Exactly," Jordan says, tossing the paper onto the pile. "If it were just T&F, we could argue they''re deliberately targeting powered clients. But with four other firms showing similar patterns, it starts to look more like a trend in the industry." Blink leans back, her mug resting on her knee. "A trend, or a cover?" "That''s the million-dollar question," Jordan says, their expression sharp. "Are these firms independently skewed, or is there some underlying factor tying them together? Because right now, we''ve got correlation but no causation." I pick up a printout with yet another graph, this one with lines crisscrossing like spaghetti. "Could it be that they just have more resources? Like, maybe bigger firms are more likely to take these cases because they can afford the risk?"A case of content theft: this narrative is not rightfully on Amazon; if you spot it, report the violation. "Good question," Jordan says, looking genuinely impressed. "You''re thinking about confounding variables, which is great. And yeah, T&F is one of the largest firms in the country, so their case volume is higher across the board. But even when you adjust for size--cases per lawyer instead of total cases--they''re still an outlier. They''re averaging 2.1 superhuman cases per lawyer per year, compared to a mean of 1.4 with a standard deviation of 0.5." Blink whistles. "So they''re still way above average." "Way above," Jordan agrees. "But again, so are the other four. That''s the frustrating part. We''ve found a pattern, but it''s too broad to pin anything on T&F specifically." I slump back against the couch, frustration bubbling in my chest. "Great. So we''ve got a bunch of maybe-suspicious law firms but no actual proof that they''re up to something shady. Awesome." Blink''s brow furrows. "Could we dig deeper? Look at individual cases, see if there''s a common thread?" "We''d need access to sealed records," Jordan says, their tone grim. "Internal communications, client lists--the kind of stuff we can''t just NetSphere. Right now, all we''ve got is what''s publicly available, and even that''s limited." The room falls quiet for a moment, the weight of the dead end settling over us. Blink - Lily - sips her tea, her gaze drifting around the room, face framed by short purple hair. "You know," she says, breaking the silence, "I''ve never been here before. It''s pretty convenient. Close to home." Jordan snorts. "Yeah, yeah, we know. It''s a prime location for all your totally legal, definitely-not-vigilante activities." She grins, nudging me with her elbow. "You gonna give me the grand tour?" I shrug. "Sure, but it''s not that exciting. Just a big, empty building with a bunch of old junk we keep around for nostalgia." "Don''t let her undersell it," Jordan says, grabbing another stack of papers. "The Music Hall is basically the Batcave, if the Batcave was designed by a bunch of broke teenagers with no aesthetic sense." Lily laughs, the sound cutting through the tension in the room. "Sounds perfect. Guess I''ll be spending a lot more time here, huh?" Jordan raises an eyebrow. "Oh, definitely. But don''t get too comfortable. We''ve got a whole initiation ritual and everything. You ever been branded before?" The sound of the TV jolts us out of our conversation. The familiar breaking news alert flashes across the screen, and the anchor''s voice cuts through the low hum of the police scanner. "We have just received breaking news regarding the Philadelphia Industrial Correctional Center. Details of an upcoming transfer of high-profile inmates have been leaked online. The leaked documents include specific information about transfer routes, timing, and security measures. Officials have yet to comment, but sources say the inmates being moved include individuals linked to superhuman criminal activity." I exchange a look with Jordan, my stomach already tying itself into knots. Lily sets her mug down carefully, her brow furrowed. "That''s... not good." Jordan grabs the remote and turns up the volume as the anchor continues. "The leak appears to have been coordinated, with multiple news outlets receiving the documents simultaneously. Law enforcement sources are calling the breach a significant security risk, raising questions about who might have orchestrated it--and why." "Coordinated," Jordan mutters, their eyes narrowing. They lean forward, typing furiously on their laptop. "This isn''t just someone getting lucky. This is surgical." Lily sits up straighter, her focus locked on the screen. "Surgical like... the Kingdom?" Jordan doesn''t answer immediately, their attention on the document that''s just popped up on their screen. "Got it," they say, pulling up a series of maps and tables. "This is the leaked schedule." The three of us crowd around the laptop, scanning the data. The document is a masterpiece of detail--every route mapped, every checkpoint listed, every security measure cataloged down to the number of guards and their shifts. It''s the kind of thing that shouldn''t exist outside of an internal briefing. "This is bad," Jordan says, their voice low. "Like, really bad. Whoever put this together didn''t just steal the information--they polished it. Look at these annotations. They''re pointing out weak spots in the plan." Lily leans in closer, her expression grim. "So, what? This is bait? A trap?" "Maybe," Jordan says, scrolling through the document. "Or it''s a flex. A way of showing whoever''s in charge that they''re vulnerable." I cross my arms, my jaw tight. "Or it''s both. They could be setting up for an ambush and letting everyone know they''re in control." Jordan nods slowly, their fingers drumming against the edge of the laptop. "And if it''s the Kingdom, they''ll make it loud. They''ll want everyone to see." Lily glances at me, her eyes sharp. "What do we do?" Before I can answer, the TV flashes to a live feed from outside the PICC. A line of police vehicles is parked at the entrance, their lights cutting through the dusk. Reporters swarm the scene, microphones out, cameras rolling. "This is a power play," Jordan says quietly, their eyes never leaving the screen. "The question is... whose?" The camera zooms in on a police officer speaking into a megaphone, his voice muffled by the distance. Behind him, the dark shape of the correctional center looms like a warning. I feel a shiver run down my spine as the anchor''s voice cuts back in. "Authorities are urging the public to avoid the area as tensions rise. Stay tuned for updates." RG.1.1 The alarm vibrates on the metal nightstand, and for a moment, I mistake it for the hum of my powers warming up. I blink, rubbing the grit from my eyes as the motel room around me comes into focus. Thin curtains let in just enough light from the streetlamps outside to make me aware of how awful 2:30 AM feels. I sit up, swinging my legs over the side of the bed. The familiar tingle of electromagnetic energy dances along my skin, faint but constant. It''s a comfort, even at this hour. I stretch my arms over my head, rolling my shoulders until I hear the satisfying pop that says I''ll make it through another long shift. The phone buzzes with a text from Cryptid: On-site already. Journalists swarming. You''re up, Sunshine. "Sunshine," I mutter with a tired grin. If I had a dollar for every nickname Cryptid''s thrown my way, I''d own the motel I''m currently regretting. A quick splash of water on my face in the cramped bathroom is enough to shake off the worst of the grogginess. My uniform is laid out on the chair by the window, freshly cleaned and pressed. It''s a small thing, but keeping it pristine feels like a promise--to myself and to everyone else who looks to Captain Plasma for... something. Hope, I guess. By 2:45, I''m out the door and in the rental car, driving toward the Philadelphia Industrial Correctional Center. The roads are quiet, just the occasional truck rumbling past, its lights reflecting off the rain-slick asphalt. The city looks different at this hour--emptier, lonelier. It''s a reminder of why I do this, even when the odds feel impossible. Someone has to hold the line.
The PICC looms ahead, its gray concrete walls and tall fences lit up like a stage. Floodlights sweep over the perimeter, cutting through the pre-dawn gloom. A handful of news vans are parked just outside the main gate, their antennas pointed skyward like a flock of mechanical birds. As soon as I step out of the car, the cameras swivel toward me. I feel the eyes on me even before the first reporter calls out. "Captain Plasma! Over here!" "Rodney!" another voice shouts, less formal. It''s someone I recognize--Janine from the Philadelphia Inquirer. She''s a good reporter, but she doesn''t let up. I hold up a hand, smiling as politely as I can manage. "Morning, folks. Early one, huh?" They close in like moths to a flame, notebooks and microphones at the ready. I keep moving, heading for the gate with purpose. "Sorry, no interviews right now. You know how it is." "Come on, Cap," Janine presses, falling into step beside me. "This isn''t just a regular transfer, is it? Why the extra security? The blackout?" "Classified," I say, keeping my tone light but firm. "You know the drill, Janine. I''m not at liberty to discuss operational details." "And the Kingdom of Keys?" she pushes. "Are they involved?" I stop just long enough to meet her gaze. "We''re prepared for any eventuality," I say, then glance at the rest of the crowd. "That''s all I can say for now. Thanks for understanding." I''m through the gate before they can ask more, nodding at the guard who waves me in. He''s young--too young, really--but his posture is straight and his eyes are sharp. "Welcome, sir," he says, his voice steady despite the chaos outside. "Thanks," I reply, clapping him on the shoulder. "You''re doing good work." The transport yard is a hive of activity. Vehicles line up in careful formation, their black paint gleaming under the floodlights. The armored prison transport sits at the center, flanked by SUVs and decoys, their engines idling. Teams of officers move with practiced efficiency, checking equipment and finalizing routes. The air buzzes with the tension of something about to happen. I spot Cryptid near the command center, their lean frame unmistakable even in the crowd. He''s leaning against one of the SUVs, arms crossed, watching everything with the kind of intensity that makes people nervous. "You''re late," he says as I approach, though there''s no heat in it. "You''re early," I counter, grinning. "Couldn''t sleep?" "Couldn''t trust," he replies, his tone flat. "Not with all this noise." I nod, glancing around. "You think the journalists are just noise?" Cryptid shrugs. "Maybe. Maybe not. Either way, I''m not taking chances." Before I can respond, a third voice cuts in. "You two done bonding?" Agent "Basilisk" steps out of the shadows. Her voice is dry, clipped, but not unkind, and her professional outfit makes her stand out among us men-and-women-in-tights here. The lights glint off her dark skin and buzz cut, like it''s not welcome to forming her outline. Still never got her name. I get a feeling she''ll never tell me. "We''re wheels up in ten. You ready?"The narrative has been stolen; if detected on Amazon, report the infringement. "Born ready," I say, though it''s mostly for show. Inside, I feel the familiar knot of nerves tightening in my chest. Transfers like this are high-risk, even without the added pressure of a public leak. Basilisk doesn''t respond, just nods and disappears back into the crowd. Cryptid watches her go, then turns back to me. "So what''s the plan, Sunshine?" "Stick to the script," I say. "Nothing flashy. Just get them from point A to point B without any surprises." Cryptid snorts. "Yeah, because that always works." We both know they''re right, but I don''t say it. Instead, I clap them on the back. "Come on. Let''s get to our truck."
Our private armored truck is parked near the rear of the convoy, unmarked and nondescript. Peregrine is already inside, perched on one of the bench seats like she''s waiting for a flight to board. She looks up as we climb in, her sharp eyes scanning us like she''s taking inventory. "Morning," she says, her tone brisk but warm. "Everyone ready?" "Ready as we''ll ever be," I reply, settling into my seat. The hum of the truck''s engine vibrates through my body, almost in sync with the electromagnetic pulse I can feel under my skin. It''s a strange kind of comfort--a reminder that I''m connected to something bigger than myself. Cryptid takes the seat opposite me, his expression unreadable as always. Peregrine leans back, crossing her arms. "Basilisk on comms?" "Always," Cryptid says. "She''ll be our shadow." I glance out the small window, watching the convoy begin to move. The gates open slowly, the vehicles rolling out one by one into the dark, empty streets. The city feels different at this hour--quiet, vulnerable. "We''ll get them there," I say softly, more to myself than anyone else. Peregrine smiles faintly. "Of course we will. We''re superheroes, remember?" Cryptid doesn''t smile, but he nods. "Let''s hope the Kingdom of Keys remembers that too." The truck lurches forward, and we''re on our way.
The hum of the truck''s engine is a low, constant vibration under my boots, like a heartbeat. It''s soothing in its own way--white noise against the tension crackling in the air. Basilisk sits next to me, one hand resting lightly on my forearm. Her touch is barely there, but it''s enough to send a faint pulse of warmth through my skin, like static electricity. Cryptid sits across from us, his arms crossed, the faint scrape of his gloves against his sleeves filling the gaps in the silence. "This is cozy," Cryptid mutters, his voice low and dry. He leans his head back against the wall, his sharp features cast in shadow by the dim overhead light. "Just three friends crammed into a metal box. Nothing like bonding over a potential ambush." I smirk. "Could be worse. At least we''re on the inside. Remember the Anaheim riot? I spent six hours sitting on top of an APC. In the rain." Cryptid grunts. "That was your own fault. Who told you to make yourself a lightning rod?" "Hey," I say, holding up a finger. "It worked, didn''t it?" Basilisk snorts softly, the sound almost lost under the rumble of the truck. "Barely. You were half-fried by the time we got to you." "I prefer ''well-done,''" I say, grinning. Cryptid rolls his eyes but doesn''t press the point. He shifts slightly, his boots scraping against the metal floor. "How''s the field feel?" he asks Basilisk, his tone more serious now. "Stable," she replies, her voice quiet but steady. "No interference yet. But if anyone''s trying to ping us, they''re wasting their time." Her fingers tighten slightly on my arm, and I can feel the faint hum of her power like a second pulse. It''s not intrusive--just there, a constant reminder that we''re moving through this city as ghosts. Undetectable. Invisible to the ESPers who might be watching. "Must be nice," Cryptid says, his tone neutral. "Being the one person in the room who always knows when someone''s looking at you." Basilisk tilts her head, her expression unreadable. "It''s not as comforting as you think. Knowing doesn''t mean you can stop it." I glance between them, sensing the edge in her words. "Well, for what it''s worth," I say, keeping my tone light, "I appreciate the anti-creep shield. Makes it a lot easier to focus." "Don''t get used to it," she says, though there''s a hint of warmth in her voice now. "I''m not exactly portable." "Shame," Cryptid says, his lips twitching into a faint smile. "You''d make a great accessory. Anti-ESP charm bracelet." "Careful," Basilisk says, arching an eyebrow. "I might decide you''re too much trouble to keep around." Cryptid chuckles, low and rough. It''s a rare sound, but it carries more weight than most people''s laughter. It''s the sound of someone who doesn''t waste breath on things that don''t matter. The truck rocks slightly as we hit a bump, and I brace my hand against the wall to steady myself. "Twenty minutes in," I say, checking the time on my watch. "We''re exiting Center City." Peregrine nods from the other end of the truck, already standing. Her metal wings are folded neatly against her back, their polished surfaces catching the dim light. She adjusts the straps securing them, her movements quick and practiced. "Guess that''s my cue," she says, her tone brisk but warm. She glances at me, her sharp eyes sparkling with a mix of excitement and focus. "Keep the seats warm for me, will you?" "You sure you don''t want to stick around?" I ask, grinning. "We''re having such a great time in here." She laughs, the sound bright and easy. "Tempting, but I think I''ll take the scenic route." The truck slows just enough for her to hit the release on the back hatch. The door drops open, letting in a rush of cool night air and the distant glow of the city. Peregrine steps to the edge, her movements fluid and confident, and with a single leap, she''s airborne. Her wings spread wide, catching the air with a faint metallic whisper. They''re not functional, just decoration, but the way she moves makes them seem alive. Within seconds, she''s a shadow against the city lights, her silhouette shrinking as she climbs higher. "She''s something, huh?" I say, watching her disappear into the night. Cryptid shrugs. "She''s fast, I''ll give her that." "Fast doesn''t cover it," I say, leaning back against the wall. "She''s been doing this longer than most of us. Seen more, too. And she still manages to smile." "Doesn''t mean she''s not tired," Cryptid says, his voice low. "Everyone gets tired eventually." Basilisk doesn''t say anything, but I can feel her eyes on me. It''s not a judgmental look--more like she''s waiting to see how I''ll respond. I let out a slow breath, the tension in my chest easing slightly. "We all get tired," I say quietly. "But that doesn''t mean we stop. Not when people are counting on us." Cryptid leans forward, resting his elbows on his knees. "And what happens when we can''t keep going? What happens when we''re not enough?" I meet his gaze, my expression steady. "We don''t have to be enough. We just have to be here." I peek out the back, watching Peregrine''s silhouette streak out through the sky, thinking about all the other heroes packed in the decoy convoys. Hopefully, tonight is quiet. RG.1.2 The Pennsylvania Turnpike stretches out ahead, a dark ribbon of asphalt lit by the faint glow of the convoy''s headlights. It''s quiet, but not the peaceful kind of quiet--more like the silence right before a storm. My nerves buzz, not just from the constant hum of electromagnetic energy under my skin, but from the tension coiling tighter with each passing mile. Thirty-five minutes out, everything still seems fine. The convoy moves in perfect rhythm, each vehicle keeping its distance but staying close enough to cover the others. The outposts and watchers along the route have been radioing in, nothing but routine updates. Forty minutes. I glance at Cryptid, who''s leaning back against the wall, arms crossed, his face calm but watchful. Basilisk sits next to him, her hand resting lightly on the truck''s inner wall, her focus elsewhere. She''s extending her field outward, keeping us invisible to anyone trying to track us psychically. Forty-three. BANG! The noise doesn''t build. There''s no warning. One second it''s quiet, and the next, the world turns inside out. The first explosion shakes the truck, followed by a metallic screech as the convoy vehicle ahead of us swerves, tires fighting for grip on the now-shattered asphalt. I throw myself against the wall, bracing against the lurching truck as Cryptid growls, "What the hell was that?" "Trouble," I mutter, forcing the back hatch open. The scene outside is chaos. Rubble and debris fly as chunks of the road erupt into the air, hurled by bursts of invisible force. I spot one of the SUVs spiraling off the shoulder, its lights flickering. A second later, another explosion punches into the asphalt, ripping apart the path ahead. It''s not random. Someone is targeting the convoy vehicles, forcing them to scatter like panicked animals. And then I see them: a black woman in a bright pink business suit, small and round, but with a confident posture that makes her look twice her size. Her hands grip the wheel of one of the hijacked convoy trucks, its reinforced body now a weapon in her control. Behind her, a man on a motorcycle weaves in and out of the chaos. His finger--literally his finger--aims at the back tires of another convoy vehicle. When he "fires,", his arm kicking back like it''s feeling real recoil, the vehicle shudders, skidding wildly as the tire bursts into shredded rubber. The man''s face is wrapped up in a helmet, but even I can hear his screamed "BANG!" over the whipping wind. The truck jerks again as Basilisk''s voice cuts through the chaos, her tone sharp and steady. "They''ve hijacked one of ours." "No kidding," Cryptid snaps, pulling himself upright and reaching for his tactical gear, starting to unpack and assemble the biggest gun I''ve ever seen in my life. Before I can reply, the side of the hijacked truck peels away, a near-perfect rectangle of reinforced metal tearing loose like it''s made of cardboard. I don''t have time to think about how they managed it -- who brings a welding torch to a convoy hijacking? -- my instincts take over, and I''m already in the air, the truck''s back hatch swinging shut behind me. The wind hits me like a wall as I accelerate, the charge in my body syncing with the faint magnetic pulse of the Earth below. My vision narrows, locking onto the chaos unfolding ahead. BOOM. A sound like thunder roars from the road as I breach the sound barrier, and I see it--a towering figure emerging from the highway, from a strategically stopped car, ripping it open from the inside. Even in the dim light, there''s no mistaking the hulking frame, the massive tail swishing with enough force to shatter guardrails. Ugh. Of course. The last time I saw Mr. Tyrannosaur, he was tearing through the zoo, taking a beating from yours truly before vanishing into the sunset in a way I still don''t understand. One minute he was there, and the next, he was gone, not even a footstep to be heard. And I have pretty good hearing. His leathery skin gleams in the headlights, but this time, it''s reinforced with crude but effective kevlar plates strapped across his skull and belly. Clever. But clever won''t save him. The convoy panics. Officers open fire, small-arms rounds ricocheting off his armored hide. The roar of gunfire mixes with the guttural bellow of the T-rex, his massive jaws snapping at the nearest SUV. He''s blocking the road, forcing the convoy to slow just as the explosions pick off the stragglers. I push harder, my electromagnetic field wrapping around me like a cocoon. The wind screams in my ears as I barrel toward the oversized lizard, my fists crackling with energy. "Rodney, wait!" Basilisk''s voice buzzes in my earpiece. "Don''t engage yet!" "Not an option!" I shout back, dodging a chunk of debris as it sails past. The convoy can''t afford to stop--not with Mr. Nothing and Mudslide onboard. If they''re delayed even for a second, this whole operation falls apart. I angle myself toward Mr. Tyrannosaur, aiming for his exposed flank. He''s too focused on the convoy to notice me, so when I collide with his flank with the force of a human cannonball, he goes rearing back, his massive feet skidding into the ground, ripping up asphalt and kicking a cloud of dust around himself.This tale has been unlawfully lifted from Royal Road. If you spot it on Amazon, please report it. "Nice try, big guy," I mutter, landing on the roof of a nearby SUV. My boots skid against the metal, and I crouch low, my eyes scanning for an opening. Behind me, the pink-suited woman maneuvers the hijacked truck like it''s a battering ram, slamming it into one of the escort vehicles. Sparks fly as metal crunches against metal, and the convoy scatters further. I try to aim another punch, hearing something about "anti-materiel rifles" in my earpiece, but something fast, invisible, bulletesque slams into my side. My entire body pulses as my electromagnetic fields dampen the worst of the impact, but it still stings, and I still need a second to catch my balance. Motorcycle guy. "Peregrine, can you take out motorcycle guy?" I chatter between grit teeth, pushing myself a couple of inches off the surface of the vehicle, no longer tethered to its forward velocity. I squeeze my face shut, focusing back on Mr. Tyrannosaur. The kevlar plates make him tougher, sure, but they also slow him down. If I can keep him occupied long enough for the convoy to regroup, we might still have a chance. "Rodney, what''s your play?" Cryptid''s voice cuts in, steady but urgent. "Keep the big guy busy," I say, charging forward. "You and Basilisk handle the hijackers. I''ll clear the road." "You better," Cryptid growls. "We''re not losing this cargo." The truck rocks again as the convoy barrels forward, the rumble of engines mixing with the sharp staccato of gunfire. I don''t have time to process everything--every second counts, and every delay inches us closer to disaster. Ahead, Mr. Tyrannosaur roars, his armored frame gleaming in the flickering lights. Behind us, the Motorcycle Guy, who I''ve decided I hate the most, zigzags across the road, his invisible airburst attacks punctuating the chaos like a percussion line. From my perch on a convoy SUV, I catch sight of him lining up another shot with his makeshift "finger gun." The air around his hand distorts, a ripple of compressed force spiraling toward the rear tires of a trailing escort vehicle. The tire explodes in a shower of shredded rubber, and the SUV skids violently, the driver barely managing to pull it back under control. "Motorcycle Guy is on me," Peregrine''s voice crackles through the comms, cutting sharply over the din. "I''ll flush him out." I glance up just in time to see her dive from above, wings folding close to her body as she rockets toward Motorcycle Guy. The convoy vehicles blur beneath her as she closes the distance in seconds, her agility unmatched even at this speed. He doesn''t flinch. He pivots sharply, using his... fingergun powers to slam his bike into a tight turn that sends him skimming dangerously close to the highway barrier. Peregrine is hot on his heels, weaving effortlessly between vehicles, her body a blur of motion. I force myself to focus forward. Tyrannosaur is the bigger threat--literally--and the convoy can''t afford to slow down. He''s holding his ground ahead, his massive tail sweeping across the road like a wrecking ball, scattering debris and forcing the convoy into tighter formations. "Rodney, I need a clear shot!" Cryptid''s voice cuts through the comms. "Get out of the way!" "Working on it!" I shout, launching myself into the air again. My trajectory is clean, a straight line toward Tyrannosaur''s exposed side. My fists crackle with energy as I close the gap, aiming for the weak points between the kevlar plates strapped across his hide. He doesn''t see me coming until it''s too late. The impact sends him skidding, his massive feet gouging the asphalt as he struggles to regain balance. I press the advantage, driving him toward the shoulder of the highway. My muscles scream with effort as I push against his sheer weight, the electromagnetic charge in my body amplifying every ounce of force. I need to keep his flank open. Expose his belly. His head. "Cryptid, now!" I yell. From the escort vehicle, Cryptid snaps the bolt on his high-powered sniper rifle into place. The weapon looks almost absurdly oversized, like something out of a military sci-fi movie, but I know better than to underestimate it. I really need to ask, one of these days, what exactly that gun is. The first shot rings out, a deafening crack that echoes across the highway. The impact punches through Tyrannosaur''s armored plating, leaving a bloody gouge in his leathery skin. He roars in pain, swinging his head wildly as another shot follows, carving deeper into his side. SWAT snipers join the assault, their rounds hammering into Tyrannosaur''s frame with brutal precision. He staggers, his movements slower now, his roars laced with desperation. Behind me, Peregrine makes her move against Motorcycle Guy. She dives low, her metal baton flashing as it catches the faint light. Motorcycle Guy tries to swerve, firing an airburst that grazes her wing, but she''s faster. The baton connects with his motorcycle''s engine, sending sparks flying as the bike lurches and skids. It flips over, and then hits a horizontal pose, screeching across the ground and nearly slamming into the space underneath a vehicle before everyone''s combined momentum carries him away. We careen past him, and he vanishes into the darkness. Peregrine pulls up sharply, catching her breath as the disabled motorcycle smokes in the center of the road. "He''s grounded," she reports, her voice breathless but steady. "He''s on foot." "Let him go," Cryptid barks. "Focus on the convoy." Mr. Tyrannosaur, realizing the tide has turned against him, lets out another deafening roar. His tail swings one last time, narrowly missing a convoy truck, before he rears back and unleashes a massive cloud of steam. The temperature spikes, the air around me suddenly thick and scalding. It hurts - it really stings in a way that most things don''t, and for a minute, I''m flying totally blind, just maintaining speed. "Rodney, what''s happening?" Basilisk''s voice is sharp in my earpiece. "Steam," I cough, squinting through the haze. "He''s... transforming again." The steam clears just in time for me to see the faint silhouette of Tyrannosaur''s human form whoosh past me, into the distance. He''s already out of reach, blending into the chaos of the highway like a ghost. Just like last time. Damnit! We careen past him, and he vanishes into the darkness. I hover for a moment, my fists still crackling, before forcing myself to return to the convoy. The vehicles are regrouping, the drivers steering back into formation with practiced precision. Peregrine lands lightly on one of the trucks, her wings folding neatly behind her as she surveys the scene. "Is he gone?" she asks, her voice tinged with relief. "For now," I say, landing beside her. "But he''ll be back. They''re testing us." Cryptid climbs out of the escort vehicle, his sniper rifle slung across his back. His face is grim, his eyes scanning the road ahead. At some point, the hijacked convoy hit an exit - are they going to rejoin us? I bet so. "They''re not done," he says flatly. "This was just the opening act." Basilisk emerges next, her movements quick but methodical as she reloads her sidearms. She glances at me, her expression unreadable. "Field''s still holding," she says. "If someone''s trying to scry us, I''m not getting any pings." "Good," I say, taking a deep breath to steady myself. "We need to stay sharp. They''ve already got the drop on us once. It won''t happen again. Peregrine, can you scout the next onramp? We need eyes on that hijacked truck." She nods, takes a minute to crack her shoulders, and jumps. We careen past her, and she vanishes into the darkness. RG.1.3 The convoy is barely holding together. Vehicles realign into a staggered formation, drivers barking orders over the comms as they recover from the chaos. I hover above the road, scanning the highway ahead for signs of another ambush, but my gut tells me I don''t need to look far. They''re coming back. Of course they''re coming back. A sharp crack splits the air--gunfire. Peregrine dives low, her wings cutting through the air as she tracks the stolen convoy truck. The jagged hole in its side flashes like a beacon under the headlights, a clean-edged rectangle that tells me someone planned for this. Inside, I catch a glimpse of Pink Suit--small, round, and terrifyingly calm--shouting orders from the driver''s seat. Beside her, the SWAT passenger leans out of the window, rifle in hand, lining up a shot. "Taking fire!" Peregrine snaps over the comms. "Passenger seat of the stolen truck--someone''s got a rifle!" "Focus on dodging," Cryptid growls. "We''ll handle it." "I''m fine," Peregrine retorts, but there''s tension in her voice. She banks sharply to avoid another shot, the bullet whizzing past her wingtip. The stolen truck swerves violently, and for a moment, my eyes are drawn to the gaping hole in its side. A lithe figure crouches just inside, her dark hair whipping in the wind. She reaches out, her fingertips brushing the frame of a nearby convoy SUV. The SUV jerks as if yanked by an invisible hand, its rear wheels lifting off the ground. Time slows as it tips, its weight shifting unnaturally before it flips completely, hurtling through the air like a toy. The headlights spin wildly, and the world tilts with it. I''m already moving, the charge in my body surging as I push myself faster. My arms lock around the airborne SUV, the electromagnetic field snapping into place as I brace against the momentum. The weight is staggering--a ton of metal and glass hurtling at freeway speeds--but I grind my teeth, forcing it to stop. The impact radiates through me like a shockwave, but I hold firm, easing the SUV to the ground as carefully as I can. "Rodney, another one!" Basilisk''s voice cuts through the comms, sharp with urgency. I glance up just in time to see the figure--Ballerina, I decide--reaching out again. Her fingertips graze another SUV, and it flips just as violently, its center of gravity shifting like a puppet on strings. I catch sight of her slipping back inside the truck, disappearing into the shadows as if nothing had happened. The convoy erupts into chaos. Headlights flood the highway as a swarm of stolen vehicles emerges from the darkness. Cars and trucks barrel toward us, their drivers aiming straight for the convoy like battering rams. Sporadic gunfire cracks through the air, low-caliber rounds sparking off the reinforced convoy trucks. A heavy-duty pickup roars into the fray, its front bumper reinforced with a crude metal plow. It slams into the side of an escort vehicle, sending it skidding off the road. "Hold formation!" Cryptid barks, his voice sharp over the comms. "Focus on the rammers!" I dive again, intercepting a speeding sedan before it can slam into the rear truck. My fists crackle with energy as I hit the hood, shoving it off-course and sending it skidding into the guardrail. The driver barely has time to react before the car crams itself against the metal, and his airbag deploys. Phew. Inside the stolen truck, Pink Suit jerks the wheel, maneuvering the vehicle like a battering ram of her own. It cuts dangerously close to the convoy, forcing two SWAT vehicles to swerve. The rogue SWAT passenger takes another shot, this time aiming at Peregrine. The shot misses, but just barely. "Take her out!" I shout into the comms, my voice taut with urgency. "Working on it!" Peregrine snaps, darting between vehicles as she tries to close the gap. Her focus is split--dodging bullets and keeping pace with the stolen truck. "Watch it! Friendly fire!" The convoy vehicles scramble to avoid collisions, and I spot the rogue SWAT passenger leaning out again, rifle raised. Basilisk''s voice buzzes in my ear. "Rodney, we''re losing control. Focus!" "I''m trying!" I snap back, my muscles straining as I catch another flipped vehicle, this time a police cruiser, and shove it back into a stable position. The driver inside gives me a shaky thumbs-up before accelerating to rejoin the convoy. Ahead, Pink Suit glances into her side mirror, her face set with cold determination. Beside her, the SWAT passenger barks something I can''t hear, their voice lost in the chaos. The hole in the truck''s side flashes again, and Ballerina emerges just enough to press her hand to the frame of another escort vehicle. The truck flips, its front axle snapping as it tumbles onto its side, blocking half the highway.Unauthorized usage: this narrative is on Amazon without the author''s consent. Report any sightings. "Basilisk, can you deal with her?" I shout, frustration bleeding into my voice. "Not unless she comes outside," Basilisk replies, her tone clipped. "She''s using the hole as cover." Cryptid''s voice cuts in, steady but urgent. "Basilisk, focus on the field. Rodney, keep the convoy moving. I''ll get her through the walls." "Got it," I reply, gritting my teeth. I don''t want to think about what an anti-materiel round will do to a human body like that, but I also don''t want to think about the mayhem Mr. Nothing and Mr. Mudslide will cause if they get out. The stolen truck veers closer, its driver weaving through the chaos with terrifying precision. Every time I move to intercept, they slip just out of reach. This isn''t random. It''s surgical. Behind me, gunfire erupts again as the criminal horde closes in. Stolen vehicles slam into the convoy like battering rams, the impact rippling through the formation. I spot a delivery van weaving erratically, its driver aiming for the rear truck. My fists crackle with energy as I intercept it, slamming the van off-course and sending it skidding into the median. The convoy is falling apart. Vehicles swerve and skid, the scattered headlights painting streaks of light across the asphalt. Ballerina doesn''t just aim for our trucks anymore--she''s taking down her own side too, flipping stolen cars like she''s rearranging chess pieces. One slams into the convoy''s lead SUV, forcing it into a sharp turn that nearly topples it. Another careens toward me mid-air. Is she insane? She''s going to hurt someone! On her own side, too! I twist, the electromagnetic field humming around me as I brace for impact. The flipped car crashes into my outstretched arms, the force rattling through my body like a gong. I catch it, but the effort leaves me open, and a second vehicle slams into my side. "Clear the path, Plasma!" Cryptid''s voice roars in my ear, sharp and commanding. "We''ll handle the stragglers!" I shove the wreckage away, sending it spinning off to the side before lowering the first car to the ground. My vision blurs for a second, and I force myself to focus. Basilisk''s field is still holding, keeping us off ESP grids, but it''s not enough. There are too many moving pieces, too many threats closing in. Ahead, Ballerina''s stolen truck zigzags between the chaos, the hole in its side flashing like a warning. Cryptid takes aim from the armored truck''s roof, the anti-materiel rifle braced against his body and set to the ground. The first shot tears through the stolen vehicle''s rear quarter-panel, the impact throwing sparks into the air, and Cryptid''s body visibly clenches up with recoil - so too, for that matter, does the car, gently swaying back and forth before the driver compensates. "Direct hit," Cryptid mutters, already lining up another shot. CRAK! The rifle thunders again, and the round punches a hole clean through the truck''s side. But it''s not enough. The other vehicle swerves, the driver--the SWAT imposter--adjusting effortlessly to keep it moving, spinning the wheel like mad and laughing like a maniac. Mind control? Must be. Ballerina reappears in the gap, reaching out to flip another SUV with terrifying precision. "They''re not stopping!" Peregrine shouts over the comms. "What''s the play?" I glance back, my mind racing. If we keep this up, the convoy will be completely overrun. We''re losing trucks, losing cohesion. I grit my teeth, making a decision. "Pull back!" I yell. "Regroup and protect the cargo. I''ll clear the path." "You can''t do this alone," Cryptid snaps, his voice as sharp as the crack of his rifle. "I don''t have a choice!" I shoot back, diving toward another flipped vehicle. My arms lock around its chassis, the electromagnetic charge surging as I haul it out of the convoy''s path. "Get the others out of here!" The comms erupt in arguments, but I don''t have time to sort them out. Another wave of flipped cars barrels toward the convoy, forcing me into a desperate rhythm of intercept, catch, and redirect. My muscles burn, the electromagnetic hum in my body growing erratic as I push myself harder than ever before. And then I feel it--a shift in the air, a faint ripple against my skin. Something''s wrong. Before I can react, something wet and heavy slams into my back. It engulfs me, wrapping around my torso and neck with a sickening, gelatinous squelch. I stumble mid-air, the charge in my body flickering as the substance invades every inch of my senses. "What the--?" My words choke off as the goo forces its way into my throat, cutting off my air. I claw at it, my fingers slipping uselessly against its slimy surface. My enhanced strength means nothing--it''s like trying to punch water. "Rodney?" Basilisk''s voice crackles in my ear, distant and distorted. "What''s happening?" I can''t answer. My lungs burn as the gelatinous mass tightens around me, every movement drawing it deeper into my throat. My vision blurs, dark spots blooming at the edges as I struggle to stay conscious. I crash into the highway shoulder, the impact sending a shockwave through my body. My electromagnetic field dampens most of it, but the goo doesn''t loosen its grip. It pulses, shifting like it''s alive, and my mind races, piecing together the only explanation. The rogue SWAT. They took over driving. That means this must be Pink Suit. I almost feel proud of myself, for a moment, for the deductive reasoning. Then, reality meets me facefirst. I slam my fist into the ground, trying to push myself upright, but my strength is fading. The air grows thinner, the world dimming around me. The convoy noise fades into the distance, replaced by the sickening squelch of the gelatin tightening its hold. Somewhere in the haze, I feel the goo shift. It peels away, retreating like a predator satisfied with its kill. My lungs heave as I gasp for air, the cold night air searing against my throat. My vision clears just enough to see the blob-like mass slither away, disappearing into the chaos. The last thing I hear before the darkness claims me is the rumble of engines, the sound of the convoy moving further and further out of reach. BM.2.1 It''s a plumbing van, or at least that''s what the slapdash lettering on the side says. "Ace Flow Solutions," or something equally generic. The Kingdom spares no expense on disguises, except they do, and this piece of junk rattles like it''s held together with duct tape and prayers. I shift in my seat, grimacing as the movement tugs at the gash on my side. Kevlar''s good for a lot of things. Anti-material rounds ain''t one of ''em. "You''re gonna rip it open worse," Jellyjam says, perched in the front seat like a queen on her throne. She''s angled toward me, one hand on the headrest, her pink suit looking almost clean despite the chaos we just crawled out of. "Sit still, Blake." "It''s already open worse," I grunt, peeling the blood-soaked edge of my undershirt back from the wound. There''s a shard of something metal lodged in there, glinting under the van''s dim overhead light. "Not like I can make it worse-worse." Mudslide chuckles from the corner, his paper bag mask crinkling with the motion. "Man''s got a point. Besides, he likes this stuff. Probably makes him feel like a real action hero." "Yeah, because action heroes patch themselves up in busted vans," I mutter, digging a pair of tweezers out of the first aid kit. The kit''s a joke--like someone packed it for a high school field trip instead of a supervillain team. "Real glamorous." "You wanna glamor, you join the movies," Mudslide says. "We''re in crime, baby." "Sure feels like it," I say, pinching the shard of metal with the tweezers and giving it a good yank. Pain lances through my side, sharp and hot, but the metal comes free with a wet squelch. "This, uh..." I hold up the shard, squinting at it in the low light. "This looks like it''s from one of those anti-material rounds." "Anti-materiel," Mrs. Laceration corrects from across the van. She''s sitting cross-legged on the floor, sharpening one of her knives like we''re not all jammed into the same sardine can. "With an E. It''s French." "What''s French about it?" I ask, glancing at her. "The spelling," she says without looking up. "Materiel means equipment. Material means, like, raw stuff. Different words." "That''s the dumbest thing I''ve ever heard," Mudslide says. "Why not just say anti-equipment rounds, then?" "Because it sounds stupid," Laceration says, picking dirt and blood and metal shavings out from under her nails. "And this isn''t stupid. It''s precise." "Precise," I repeat, dabbing at the wound with alcohol-soaked gauze. "Yeah, nothing says precise like shooting a dinosaur with a cannon." "That cannon shredded your fancy armor," Yellowjacket chimes in from the back, his long blond hair falling over his shoulder as he stretches. "So maybe they''re onto something." "Fancy?" I snort, glancing at the torn remains of the kevlar plates piled in the corner. "That stuff''s about as fancy as you, pal." Yellowjacket grins, leaning back against the van wall. "It''s all about the illusion, baby." Jellyjam rolls her eyes. "You''re all ridiculous." "We''re also alive," Doppelganger says, her voice soft and clipped. She''s sitting near the back door, her legs crossed primly at the ankles, even with all the blood and grit on the floor. Her bandaged face is unreadable, as always. "Which is more than I expected after that mess." "You expected us to fail?" Fulcrum asks, her tone sharp. She''s perched on a toolbox, one leg bouncing with barely contained energy. "No," Doppelganger says calmly. "But I don''t make assumptions. Keeps me alive." "Smart," I say, tossing the bloody gauze into an old takeout bag. "But you''re forgetting one thing." "And what''s that?" Doppelganger asks, tilting her head. I grin, sharp and toothy. "We''re the Kingdom. We don''t fail." For a second, the van goes quiet, except for the hum of the engine and the soft scrape of Laceration''s nail kit. Then Mudslide laughs again, loud and raspy. "Man, you really believe that, don''t you?" "Course I do," I say, leaning back against the van wall. "We just yanked two of ours out from under their noses. And now we''re getting steak on Zenith''s dime. That''s a win."This book was originally published on Royal Road. Check it out there for the real experience. "Yeah, about that," Jellyjam says, turning to face the rest of us. "We''re laying low in Lancaster for the night. Upper Management''s orders. No phones, no contact. Just steak and silence." "Lancaster?" Yellowjacket groans, throwing his head back dramatically. "What are we, Amish?" "You''re whatever Zenith says you are," Jellyjam snaps. "And right now, you''re hungry and quiet." Yellowjacket mimes zipping his lips, but his grin doesn''t fade. Fulcrum rolls her eyes at him, muttering something under her breath about "drama queens." I glance at the others--Laceration with her nails, Doppelganger with her unsettling calm, Mudslide fiddling with his bag mask, Yellowjacket being, well, Yellowjacket. Then there''s me, still bleeding, still grinning. "We''re fugitives now, you know," I say, breaking the silence. "More than usual?" Mudslide asks. "Way more," I say. "This wasn''t just a heist. We kicked the hornet''s nest." "Good thing we''re good at swatting," Laceration says, testing the edge of her lacquered nails with her thumb. "Yeah," I say, leaning my head back and closing my eyes. "Good thing." "You''re sure about the steak, right?" Yellowjacket pipes up, pulling a rubber band from his wrist and twisting it around his long hair. "I''m not wasting a night in Lancaster for some greasy burger." "Steakhouse," Jellyjam confirms, her voice clipped. "Zenith said it''s one of ours. Nobody''s gonna ask why a bunch of bruised-up weirdos are eating filet mignon at two in the morning." "Filet mignon," Yellowjacket repeats, stretching the words like they''re magic. "Now we''re talking." "Not for you, though," Fulcrum snaps, shooting him a look. "You look like a flank steak guy. Overcooked and covered in ketchup." Mudslide cackles, his whole body shaking with the sound. "She got you there, Jacket." Yellowjacket waves her off, grinning. "Say what you want, but I''m getting the biggest steak they''ve got. Medium rare. Maybe a lobster tail on the side." "Lobster?" I groan, shifting in my seat. "Christ, you''ve got expensive taste for a guy who probably rides a bike with a gas leak." "Hey," Yellowjacket shoots back, mock-offended. "First off, that''s custom tuning. Second, we just risked our asses to pull this job. If I''m getting a bonus, I''m eating like a king." "Kings don''t eat steak in Lancaster," Doppelganger mutters, her voice cutting through the banter like a scalpel. She adjusts her tie--perfectly straight, of course--and leans back against the door. "They eat it in Paris. Or Tokyo. Somewhere civilized." "We''re not kings," Mudslide says, folding his arms and slumping against the van wall. "We''re working men and women. Well, some of us." He throws a pointed look at Fulcrum and Yellowjacket. "You calling me lazy, baghead?" Fulcrum snaps, but there''s no heat in it. Mudslide smirks, lifting his hands. "Nah, just saying some of us got the scars to prove we''re here for the work." That earns a low whistle from Laceration, who hasn''t looked up from her hands once. "Speaking of scars," she says, flicking her eyes toward Mudslide. "What''s with the bag, anyway? You ever gonna tell us why you hide your face?" The van goes quiet. Even Yellowjacket, who usually can''t shut up, leans forward slightly, his eyes narrowing with curiosity. Mudslide stiffens for a second, glancing around like he''s weighing his options. "I don''t hide my face," he says finally. "It''s a uniform." "A bag," Fulcrum says, deadpan. "Is a uniform." "Exactly," Mudslide replies, nodding like that clears everything up. "You gotta explain that one, buddy," I say, leaning forward despite the pain in my side. "What kind of uniform is a paper bag? You some kind of mascot?" "No," he says, his tone sharpening. "It''s a statement." "About what?" Jellyjam asks, turning halfway around in her seat to look at him. "You''re not exactly marching in a union protest, Muddy." "About us," he says, jabbing a finger toward the rest of us. "About people like us. We''re not the rich guys, or the geniuses, or the ones with fancy tech or perfect teeth. We''re the ones who scrape by. The ones who make do with what we''ve got. And you know what? That''s enough. The bag says, ''Yeah, I''m just a guy. But I''m still here. And I''ll still kick your ass.''" For a second, nobody says anything. Mudslide leans back, crossing his arms like he''s proud of his little speech. "Okay," Yellowjacket says, breaking the silence. "But it''s still a bag, dude." Mudslide groans, throwing his hands up. "You don''t get it." "No, no," I say, holding up a hand. "I get it. It''s, uh... symbolic. Like when people wear those pins for causes. Only yours is recyclable." Mudslide glares at me, but there''s a hint of a smirk hiding under it. "Yeah, laugh it up. You''re just mad ''cause your whole thing is a suit and bad cigars." "Hey," I snap, pointing at him with the bloodied tweezers. "These cigars are imported." "From Newark?" Fulcrum quips, and I feel Jellyjam shaking with silent laughter up front. "And the suit is everyone''s thing," Jellyjam reminds us. "At least my uniform doesn''t get soggy when it rains," I shoot back, leaning against the van wall again. Mudslide rolls his eyes, but there''s no real malice in it. "Whatever. I''ll get a new bag when we stop. And when I do, you''ll all remember why it works." "Sure," Laceration says, testing her nail against her thumb. "I don''t get it, man, you''re too pretty to hide your face. Could''ve been a movie star. You''ve got, like, that mafioso face. Very dignified," she says, making a fake camera rectangle with her pointer fingers and thumbs, framing him in it. "Been there, done that," Yellowjacket quips. "You work community theater, hoss, that is not the same thing," Laceration retorts. The van erupts into low, tired laughter, the kind that comes after too many close calls and not enough rest. Even Doppelganger cracks a small smile, though it''s gone as quick as it came. "Hey, at least we''re alive," I say, pulling my jacket tighter over the gash in my side. The wound''s still bleeding, but it''s slowed, and the shard''s out. I can deal with the rest later. "And we''re getting steak. I''ll call that a win." "For now," Jellyjam mutters, her eyes flicking to the rearview mirror. "Just hope the cops aren''t hungry too." BM.2.2 The restaurant looks like every other mom-and-pop steakhouse you''d find in a small town: low-hanging wooden beams, red-checkered tablecloths, and walls plastered with photos of smiling families and outdated Americana. The kind of place you''d bring your grandparents for a Sunday dinner, not an elite team of criminals licking their wounds from a federal ambush. But this isn''t just any steakhouse. It''s our steakhouse--or more accurately, the Kingdom''s. Owned, staffed, and operated by people who know better than to ask questions when a bunch of bloodied strangers show up at 6 AM, demanding steak and silence. Lancaster''s waking up slowly, the sky just starting to lose its deep blue, but the place feels like it''s in another world--quiet and tucked away from all the chaos we just barely escaped. "Why do we own a steakhouse in Lancaster?" Fulcrum asks, stepping out of the van with her arms stretched above her head. She squints at the building, her energy as sharp as ever despite the long night. "I mean, really? Who''s sitting around thinking, ''You know what the Kingdom needs? A fine dining establishment in Amish country.''" Yellowjacket''s the first to respond, naturally. He tosses his long hair over his shoulder like he''s starring in a shampoo commercial. "Money laundering, obviously. Gotta wash the cash somehow, sweetheart." Fulcrum gives him a deadpan look. "So why not a car wash? Or a laundromat? You know, places that make sense?" Yellowjacket grins as he opens the door to the steakhouse, holding it theatrically wide for the rest of us. "Because steak is classy. And classy sells." Mudslide groans as he drags himself out of the van, adjusting the paper bag on his head. "Classy sells? You can''t even spell classy." "I can spell steak," Yellowjacket shoots back, his grin unfazed. "And besides, it''s not just about classy. Restaurants are cash-heavy businesses. Easy to fudge the numbers. You say you sold 500 steaks, but really you sold 50. Who''s gonna check? Nobody, that''s who." Fulcrum rolls her eyes. "Yeah, until the IRS shows up asking questions." "They don''t ask questions here," Jellyjam cuts in, stepping out of the passenger seat and adjusting her pink blazer. "It''s Lancaster. They don''t even have phones." "See?" Yellowjacket says, pointing at her like she''s just proven his point. "This is why I''m in management. I understand these things." "You''re the only one who''s even met Upper Management," Laceration points out, hopping down from the van with an easy grace. She adjusts her belt and glances at him, her tone casual but curious. "What''s he like?" The mood shifts a little, a subtle tension rolling through the group as everyone looks at Yellowjacket. He scratches his chin, genuinely thoughtful for once. "Intense," he finally says, his usual smirk replaced by something more serious. "Just... intense." "That''s it?" I grunt, following the group into the restaurant. My side still aches, the gash throbbing under my jacket, but I''ll deal with that soon enough. "You can''t give us more than that?" Yellowjacket shrugs, leading the way into the dimly lit dining room. The place smells like wood smoke and garlic, the kind of smell that makes your stomach growl no matter how tired or beat up you are. "What do you want me to say, Blake? He told me to wear gloves and to speak at a low volume. He''s got hair. He made me use hand sanitizer twice. You want something more interesting than that?" "That''s comforting," I mutter, sliding into one of the leather booths. The seat creaks under my weight, and I shift a little, trying not to tear the upholstery with my bulk. The rest of the crew filters in around me, filling the booth and the adjacent table. It''s a tight squeeze, but we''ve had worse. Jellyjam, ever the queen bee, takes charge. She claps her hands once, sharply, and the kitchen door swings open as if on cue. A server--a burly guy with a thick neck and the kind of expression that says he''s seen too much--emerges with a tray of glasses filled with water. "Steaks are already on the grill," he says gruffly, setting the glasses down in front of us. "How do you want ''em?" "Medium rare," Yellowjacket says immediately, leaning back in his seat with a self-satisfied grin. "And bring me a lobster tail while you''re at it." The server gives him a flat look but doesn''t comment. "No. Anyone else?" "Same for me," Fulcrum says, glancing at Yellowjacket with mock disdain. "Minus the lobster. I''m not that pretentious." "Rare," Laceration says, her tone clipped. "And don''t over-season it." Jellyjam rolls her eyes. "Medium well. I don''t trust any of you." "Medium rare, please and thank you," Doppelganger says, a little too quietly. I nod toward the server, trying not to wince as the movement pulls at my side. "Medium. And make it big." Mudslide doesn''t even look up from the menu he''s pretending to read. "Whatever''s cheapest. I''m not picky." "Cheapest?" Jellyjam echoes, raising an eyebrow. "Muddy, we just pulled off one of the riskiest operations in our life, and you''re going cheap?" "I''m a man of principle," Mudslide replies, deadpan. "And my principle is not spending more than I have to." "You''re not even spending it," Jellyjam sighs, pinching the bridge of her nose. The banter continues as the server heads back to the kitchen, and I lean back in the booth, closing my eyes for a moment. The adrenaline''s finally wearing off, leaving me feeling every bruise, cut, and scrape from the night''s chaos.The narrative has been taken without permission. Report any sightings. "So what''s the bonus for this job, anyway?" Fulcrum asks, leaning forward with her elbows on the table. "We risked our necks for those two," she nods toward Mudslide and Nothing, who''ve been mostly silent since we arrived. "I assume we''re getting more than just a steak dinner out of it." "Zenith said something about hazard pay," Jellyjam replies, swirling her glass of water. "And a vacation fund." "Vacation fund," I repeat, snorting. "Where are we gonna go? We''re on every wanted list from here to DC." "Somewhere quiet," Jellyjam says, her tone sharp. "And somewhere far away. Maybe the Bahamas. Or Iceland." "Yeah, because nothing says ''lay low'' like a bunch of supervillains hanging out in Iceland," Fulcrum says, rolling her eyes. "We could go to Paris," Yellowjacket offers, grinning. "I hear the steak''s better there." "Kings eat steak in Paris," Mudslide mutters, his voice low but audible. "We eat it in Lancaster." That earns a chuckle from the table, and for a moment, the tension eases. The sound of sizzling meat drifts in from the kitchen, and the smell of smoke and spices fills the air. Nothing doesn''t say anything. He stares at the table, blinking a couple of times behind his sunglasses. You almost forget he''s there. And tonight, I don''t feel like provoking him. "Think they''ll come after us?" I ask, breaking the lull in conversation. "They always come after us," Doppelganger replies, her voice calm and steady. "The question is, how long before they do? And how close to they get?" "Long enough for us to enjoy this steak," Yellowjacket says, raising his glass in a mock toast. "To surviving." "To surviving," I echo, clinking my glass against his. The steaks arrive not long after, sizzling on cast iron plates that hiss and pop as they''re set down in front of us. They''re big, thick cuts of meat, cooked perfectly, with sides of roasted potatoes and steamed vegetables. For a moment, the table goes quiet as everyone digs in, the sound of forks and knives replacing the usual chatter. It''s good. Better than good, actually. The kind of meal that makes you forget, just for a second, that you''re a wanted fugitive eating in a steakhouse owned by a criminal syndicate. "Not bad," I say around a mouthful of steak, glancing at Yellowjacket. "You might''ve been onto something with this whole ''classy sells'' thing." "See?" he says, pointing at me with his fork. "I told you. Trust the process." Fulcrum snorts. "The process of turning crime into fine dining. Yeah, real classy." "Hey," Jellyjam cuts in, her tone sharp but playful. "Less talking, more eating. We''ve got a long day ahead." "Why?" Mudslide asks, glancing up from his plate. "Aren''t we laying low?" "We are," she replies, her eyes flicking toward the window. "But laying low doesn''t mean sitting around. We''ve got cleanup to do. Loose ends to tie up." "And by ''we,'' you mean us," I mutter, taking another bite of steak. "You''re just here for the lobster." "Allergic to shellfish, buddy," Jellyjam replies. "Where''d you even get ''Jellyjam'' from, anyway? Did Upper Management pick that one for you?" I ask, trying not to talk with my mouth full. I ignore the pointed glance Yellowjacket and Jellyjam share with each other - the two Baltimoreys. A sort of not-this-fucking-question-again look. "It''s from a Goosebumps book," she says at last, her tone casual but clipped, like she''s daring me to question her. "I read it when I was a kid." Mudslide blinks from behind his paper bag. "Wait, isn''t Goosebumps for kids?" Jellyjam sighs deeply, dragging a hand across her face. "Yes, dipshit, that''s why I said I read it as a kid. Were you paying attention?" "Hang on," Fulcrum interjects, leaning forward on her elbows. "Which Goosebumps book are we talking about? Wasn''t that the series by the guy who got in a car accident? What was his name--Stephen King?" "No, no, Stephen King''s the one who died in that airplane crash," Yellowjacket says with absolute confidence, leaning back in his chair like he''s just dropped some profound literary knowledge. "Stephen King didn''t die in a plane crash," Laceration cuts in, finally looking up from her plate. "He''s alive. He''s still writing." "Then who am I thinking of?" Yellowjacket muses, scratching his chin. "I think you''re mixing him up with someone else," Fulcrum says, picking at her steak. "Maybe John Grisham?" "Says here Stephen King got in a plane crash, it just didn''t kill him," Yellowjacket notes, pointing on his phone but not showing anyone. I think he''s too stupid to lie to people, but I don''t say that out loud. Mudslide''s voice cuts through, muffled but firm. "John Grisham didn''t write Goosebumps. Come on, you idiots. That was R.L. Stine." "Thank you!" Jellyjam exclaims, throwing her hands up. "Finally, someone who knows how to use their brain." "What''s the book about, then?" I ask, wiping my mouth with a napkin. "The one you got your name from." "It''s called The Monster at Camp Jellyjam," she says, her voice dropping into the kind of ominous tone you''d hear on a campfire ghost story. "It''s about an evil summer camp blob monster. I was told when I joined I needed a J name, and it came to me. You''d love my original, what''s the word, nom du crime?" Mudslide leans forward, resting his elbows on the table. "So... your supervillain name is based on a kids'' horror book about a blob monster?" "Nom de crime," Fulcrum corrects, in accurate sounding Italian. "Yeah," Jellyjam says, unapologetic. "What of it?" Mudslide shrugs. "Just saying. Kind of a weird choice for a name." "Better than ''Mudslide,''" Fulcrum quips, smirking. "What are you, a natural disaster or a dessert?" "Hey!" Mudslide snaps, pointing a finger at her. "My name''s symbolic. We went over this in the van! I didn''t even have to change it, you guys had M open." Nothing snorts quietly. "Yeah, yeah, the whole ''scrappy underdog'' thing," Laceration says, waving him off. "Can we get back to the money laundering? I was actually interested in that. I don''t want to hear about children''s horror novels." "Not even a novel. Like, 150 pages tops," Fulcrum snipes. Yellowjacket perks up immediately, ready to slide back into the spotlight. "Ah, yes. Money laundering. Where was I?" "You said restaurants are good for fudging numbers," Laceration says, cutting into her steak with precise, surgical strokes. "Keep going." "Right," Yellowjacket says, sitting up straighter. "So here''s the thing about cash-heavy businesses like this one. You take the dirty money from, say, a heist or some other job, and you mix it in with the clean money from the legit sales. You claim you sold more steaks than you actually did, and boom--your dirty cash is now clean." "And nobody notices?" Fulcrum asks skeptically, her fork poised mid-air. "Well," Yellowjacket admits, "it''s not foolproof. You gotta keep your numbers realistic, or the tax people start asking questions. But with a good accountant--someone on the inside--you can make it work." Laceration nods, her expression thoughtful. "Huh. Makes sense. And that''s why we own this place?" "Exactly," Yellowjacket says, flashing his signature grin. "It''s all about diversifying. You got your drug trade, your weapons deals, your extortion rackets--and then you''ve got your steakhouses. Keeps the feds on their toes." "Sounds like a lot of work," I say, leaning back in my seat. "Why not just stash the cash in a safe and call it a day?" "Because," Yellowjacket says, leaning forward like he''s explaining to a child, "if you don''t launder the money, you can''t spend it without raising red flags. Try buying a house with a duffel bag full of unmarked bills and see how far that gets you." "I''d just buy a house with cash," I say with a shrug. "You would," Jellyjam mutters, shaking her head. "And then you''d wonder why the IRS is banging down your door." "I''d eat ''em," I retort, grinning as I bite into another piece of steak. "Problem solved." Yellowjacket rolls his eyes. "God, you''re such a dinosaur." Scattered chuckles around the room. Chapter 152.1 I''m hunched over the police scanner Jordan set up, my notebook open to a fresh page, scribbles and half-written codes filling the earlier ones. A reference book sits next to me, dog-eared and marked up from hours of cross-referencing. My bad arm rests in my lap, the bandages itching under the sling, but I ignore it. I need to keep listening. I''ve been at this for weeks now, trying to teach myself the language of the scanner. Ten codes, signals, dispatch jargon--it''s a lot, but it feels like progress. It feels like something I can do. Something I can control. Most of what comes through is routine: noise complaints, traffic stops, the occasional stolen car. The kind of stuff that makes you wonder how cops stay awake on night shifts. Every so often, there''s a burst of excitement--a foot chase, a burglary in progress--but nothing major. Nothing that feels like it''s worth waking Jordan or Maggie for. Jordan''s asleep in the next room. I can hear their faint snoring, just barely, over the low hum of the scanner. It''s comforting in a weird way, knowing someone else is here, even if they''re unconscious. The Music Hall feels bigger at night, emptier, the shadows stretching long and heavy across the walls. The air smells faintly of old wood and stale coffee, and the only light comes from the desk lamp I''ve propped up next to the scanner. "Unit 214, report to a possible 10-16 in progress," the scanner crackles. "4200 block of Richmond Street. Caller advises they hear yelling and breaking glass." I jot it down out of habit, even though it''s not the kind of thing I care about right now. Domestic disturbances aren''t exactly my area of expertise. Another call comes through--a reckless driver on the Roosevelt Boulevard--and then the chatter dies down again. I sip at the lukewarm coffee I poured an hour ago, grimacing at the bitter taste, and flip through the reference book. Half these codes are outdated or only used in specific districts, which makes piecing things together a nightmare. But I''m learning. Slowly. Then, something shifts. A burst of static crackles through the scanner, followed by a voice that''s lower, calmer than the usual dispatchers. "Unit 601, confirm encrypted activation on Channel 7-Alpha. Transport protocols engaged." I sit up straighter, my pen hovering over the page. That''s not routine. Another voice cuts in, this one sharper, more urgent. "Confirmed. Westbound I-78, mile marker 49. All units switch to encrypted channel. 601, secure comms." The scanner goes silent for a beat, and I feel the weight of it settle in my chest. Encrypted channels don''t go active for routine calls. Something''s happening. Something big. I flip to the back of the reference book, scanning for anything about Channel 7-Alpha. Nothing. It''s not listed. I write it down anyway, underlining it twice. The silence breaks with another burst of static, then a clipped voice, almost too fast to catch. "Transport Bravo reporting escalation. Code 10-33, repeat, 10-33. Officer needs assistance, westbound I-78 near Allentown. Multiple suspects. Units en route." A 10-33. Officer in immediate danger. My pulse picks up, and I grip the pen tighter, scribbling down everything I can catch. "Central to all units, priority response requested. Maintain perimeter integrity. Additional assets mobilizing. Over." More static, then another voice, this one panting, frantic. "601 to Central, we need backup now. There''s a fucking dinosaur," My pen stops mid-word and my stomach suddenly is sitting where the shit comes out. I lean closer to the scanner, my heart hammering against my ribs. The voices overlap now, urgent and chaotic, and I can barely keep up. "Multiple hostiles on approach! We''ve got a--what the hell is that?" "10-97 at designated checkpoints. Unit 345, deploy spike strips at--" "They''re inside the convoy! Repeat, suspects have breached--" The static cuts out again, leaving only silence, and I can feel the isolation pressing in on me like a vice. I''m too far away. I can''t see what''s happening. I can''t help. I check the clock. 3:52 AM. The seconds tick by, each one louder than the last, and I want to do something--call someone, jump on my bike, anything--but there''s nothing I can do. I don''t have a car. I don''t even know where they''re headed, beyond "westbound." I''m just stuck here, alone, listening to the chaos unfold dozens if not hundreds of miles away. Another burst of static. "Transport Alpha compromised. Requesting immediate backup from all available units. Repeat; Transport--" The voice cuts out mid-sentence, replaced by a long, shrill tone that makes my stomach turn. I''ve heard it before. It''s the sound of an emergency beacon, activated when a unit goes dark. My hands shake as I write it down, the letters coming out jagged and uneven. Emergency beacon. Westbound I-78. Near Allentown. The scanner crackles one last time, then goes silent. Completely silent. Even the routine chatter is gone now, replaced by an eerie, oppressive quiet that makes my skin crawl. Then, the chatter returns, but I''m barely listening. Backup from anyone available. Philly cops en route - but I already know what they probably already know. Philly to the I-88? They''ll be long gone by the time any backup arrives. Dawn creeps in slowly, bleeding through the blinds in streaks of pale orange and gray. The Music Hall feels heavier now, like the silence of the early morning has turned into something thicker, harder to shake. I sit cross-legged on the couch, clutching my coffee mug like it''s the only thing anchoring me to reality. The TV is on, muted, the live helicopter footage playing over a banner that screams Breaking News in bold red letters.Did you know this text is from a different site? Read the official version to support the creator. The aerial shots make my stomach twist. Burned-out cars are scattered across the westbound lanes of I-78 like someone dumped them out of a toy chest. Chunks of asphalt are missing, creating craters that swallow whole sections of the road. A pickup truck is flipped on its side, twisted open like a crushed soda can. Smoke still rises from parts of the highway, but it''s thinner now, more like a memory than an active threat. I turn the volume up, just enough to catch the reporter''s voice over the hum of the coffee maker in the kitchen. "Authorities are still piecing together the details of what occurred early this morning on the Pennsylvania Turnpike. While initial reports indicate a coordinated attack during the transport of two high-profile inmates, officials have yet to confirm the identities of those responsible. Witnesses describe chaotic scenes involving large explosions, overturned vehicles, and what some are calling a ''dinosaur''--though authorities have declined to comment on these claims." The footage cuts to shaky cellphone video, the kind you''d expect from someone hiding under an overpass. The angle is bad, but you can clearly see Mr. Tyrannosaur towering, just for a moment, rearing back, and then the loud snap of gunfire. The clip ends abruptly, replaced by more helicopter footage. I grab my phone, opening the HIRC chatroom for "Philadelphia Superhuman Affairs". It''s chaos. Messages are flying by so fast I can barely read them, but the overall sentiment is clear: What the hell just happened? Screenshots of news articles and forum threads dominate the feed. Someone posts a zoomed-in frame of Mr. Tyrannosaur from the cellphone video, followed by a list of known Kingdom operatives who match witness descriptions. "Has anyone confirmed who was in the transport?" someone asks. "Mr. Nothing and Mr. Mudslide, apparently," comes the reply. "Remember the leaked prison transport stuff? This was that." The TV cuts to a press conference. A Philadelphia Police Department spokesperson stands behind a podium, flanked by a few stern-looking officers. Her voice is calm but firm, the kind of tone designed to project control even when everything''s falling apart. "While we cannot comment on the specifics of the operation or the identities of the perpetrators, we can confirm that multiple officers were injured in the line of duty. Their bravery and quick action prevented what could have been an even greater tragedy." I switch back to the chatroom, scrolling through the flood of messages. Someone posts a link to a news story confirming that all the heroes involved in the transport are alive, though Captain Plasma is recovering from pneumonia due to inhaling smoke during the fight. Twenty-four officers were injured, along with several FBI agents and SWAT team members. Casualties are listed as "minor," but the details are vague. No names, no numbers. I set my phone down and rub my face with my good hand, the bandages on the other crinkling faintly. The helplessness is suffocating. I hate sitting here, watching everything unfold like a bad movie I can''t turn off. I want to do something, but what? I''m just a teenager in a sling, stuck in a city hours away from where this all went down. The coffee maker beeps, and I pour myself another cup, letting the routine steady me. The first sip is too hot, burning my tongue, but I barely notice. My mind''s already racing ahead. The phone in my pocket buzzes, and for a second, I think it''s another update from the group chat. But when I check, it''s just the time: 7:02 AM. Before I can second-guess myself, I''m dialing Councilman Davis''s number. He picks up on the second ring. "Sam?" His voice is clear, not groggy at all. "Why are you calling me at seven in the morning? Shouldn''t you be asleep?" "Shouldn''t you be asleep?" I counter, pacing the length of the room. "Touch¨¦," he says, and I can almost hear the smile in his voice. "What''s on your mind?" I take a deep breath, trying to organize my thoughts. "The Kingdom," I start. "This whole... thing on the Turnpike. Why can''t we just--why can''t someone go after them? Don''t we know their names? Their faces? Why can''t we seize their assets or freeze their accounts? They have accounts, right?" Davis sighs, and I can already tell this is going to be a long conversation. "Sam, I get it. Believe me, I get it. I''ve spent nights thinking the same thing. But it''s not that simple. The Kingdom doesn''t operate like a street gang. They''re a network. Layers of shell companies, cash businesses, offshore accounts. You''ve heard of RICO laws, right?" "Uh... sure?" I frown, stopping in place. "That''s, like, for organized crime?" "Exactly. It lets us go after whole organizations by proving they''re part of a criminal enterprise. But even with RICO, the burden of proof is huge. We can''t just point and say, ''They''re the bad guys, arrest them.'' Every account we freeze, every asset we seize has to be tied to specific crimes, or they''ll argue it wasn''t theirs. And most of the time, they''re three steps ahead, moving their money faster than we can track it." "But we know who Mr. Tyrannosaur is," I insist, throwing up a hand. "Can''t we just... arrest him? Doesn''t he have a house somewhere? A hideout? Something?" "Probably," Davis says, his voice calm but weighted now. "On paper, he might have an address. But guys like him don''t settle down with a mortgage and a neighborhood watch. They move constantly. Safehouses, underground bunkers, who knows what else. And even if we find him? Look, you know as well as I do what happens if we rush it. He''s a guy who turns into a dinosaur, Sam. Do you think he''s just going to sit quietly while we read him his Miranda rights?" I open my mouth, but nothing comes out. I hate that he''s making sense. He sighs again, softer this time, like he''s choosing his words carefully. "You know, part of me wants to charge in, too. Make it stop. Make them pay. But we can''t. The law''s only as precise as we build it, and if we start bending it--justifying shortcuts because we''re on the right side--it''ll snap back. People like The Kingdom can afford to fight back in court. They''ll weaponize every misstep we make. And if we make it easier to take them down, what happens when the wrong people get that power? What happens when bad cops, or worse, the bad guys themselves, use it against us?" I chew on that for a moment, the frustration boiling just under the surface. "So what? We just let them get away with it? Every time? It still feels like we''re playing catch-up while they wreck everything." "It feels like that because sometimes it''s true," he admits, his voice tightening with restrained frustration. "But it''s not hopeless. Every piece of evidence we gather, every shell company we connect to their network--that''s progress. It''s slow, but it''s how we take them down for good. If we cut corners, if we get sloppy, all we do is hand them a way out. And that''s worse than doing nothing." I slump back against the couch, staring at the floor. "It just feels like they''re untouchable." "They''re not," Davis says firmly, the steadiness back in his voice. "They''re just persistent. And yeah, we''ll keep getting knocked down, but that doesn''t mean we stop standing back up. You know this, Sam." I nod, even though he can''t see me. "Thanks," I say quietly. "For explaining all this." I don''t feel very thankful. "Anytime," Davis replies, his tone softening. "But listen, Sam--try to get some rest, okay? This fight takes time, and burning yourself out won''t help anyone." "Yeah," I say, though I don''t mean it. "I''ll try." We hang up, and I stare at the phone in my hand for a long moment before setting it down. The sun''s fully up now, the light streaming through the windows and making the room feel a little less empty. The TV is still on, the news anchor rattling off updates I''ve already heard. I glance at the clock. 7:30 AM. Time to get ready for school. Chapter 152.2 The announcement for the assembly crackles through the school''s intercom during seventh period, and a collective groan ripples through the classroom. Assemblies are the universal signal for wasted time, and nobody''s particularly excited about spending the end of the day crammed into the auditorium instead of zoning out during study hall. For me, though, the timing feels like a punch in the gut. The helicopter footage from this morning is still looping in my head, and the idea of sitting through a dog-and-pony show from whoever''s on stage makes my skin crawl. I close my notebook with a snap and shove it into my bag, trying not to let my annoyance show. The last thing I need is someone asking why I look like I''m about to explode. The hallway is a slow-moving stampede as students shuffle toward the auditorium, a mix of apathy and mild curiosity hanging in the air. I spot Jordan leaning against a locker near the science wing, and they catch my eye, jerking their head toward the crowd. "Guess we''re doing this," they say, falling into step beside me. "Guess so," I mutter, tightening my grip on the strap of my bag. The auditorium is already half-full when we get there, the usual chaos of teenagers trying to find their friends and claim the best seats. Jordan and I slip into an empty row near the back, and I slouch into the uncomfortable plastic chair, pulling my hoodie tighter around me. The hum of chatter dims as the stage lights come on, and a line of city officials files onto the platform, their polished shoes clicking against the wood. And there she is. Maya Richardson, perfectly composed in a tailored blazer that probably costs more than my mom''s car. She stands front and center, flanked by a few other council members and a man I recognize as the principal of one of the other high schools in our district. The audience quiets, and Maya steps up to the podium, her expression one of calm authority. "Good afternoon, students," she begins, her voice carrying easily across the room. "I want to thank you all for taking the time to be here today. I know assemblies aren''t always your favorite way to spend an afternoon, but what we''re here to talk about is important--not just for you, but for the future of our city." Jordan leans over slightly, whispering, "She''s good. I''ll give her that." I nod stiffly, my eyes locked on Maya. Good isn''t the half of it. She''s a master at this--at walking the line between approachable and commanding, at making you feel like she''s on your side even as she''s twisting the knife. "As many of you have probably heard, early this morning there was an incident on the Pennsylvania Turnpike involving the transport of two dangerous criminals," Maya continues, her tone grave but measured. "Thanks to the brave efforts of law enforcement and registered heroes, the situation was contained, but it serves as a stark reminder of the challenges we face in ensuring the safety of our community." She pauses, letting the weight of her words settle over the room. The students around me are mostly quiet, a few shifting uncomfortably in their seats. Jordan glances at me, their expression unreadable, and I clench my jaw, forcing myself to stay still. "These individuals," Maya says, her voice rising slightly, "were not LUMA-approved heroes. They were criminals. And the attack this morning was carried out by other unregistered superhumans, operating outside the law. This is exactly why we need legislation like the Superhuman Activity Regulation Act. To bring order to chaos. To ensure that those who wield power are held accountable, and that those who wish to help are properly trained and supported." She''s so calm, so reasonable. It makes me want to scream. "And let me be clear," she says, her gaze sweeping over the audience. "This legislation is not about punishment. It''s about protection. Protection for our neighborhoods, for our families--and for you." Her tone softens as she shifts gears, and I can feel the mood in the room change with her. She''s good at this. Too good. "Imagine," she says, her voice almost gentle now, "being a young person with powers, feeling the weight of responsibility to do something good, but not knowing how. Imagine going out there, trying to help, and finding yourself face-to-face with someone like the man described this morning--a man who can turn into a Tyrannosaurus rex. Can you imagine a child in that situation?" A ripple of murmurs spreads through the room, and I glance around, watching as Maya''s words land. She''s not just talking to the students. She''s talking through us--to the parents who''ll hear about this later, to the voters who''ll tune in to the local news tonight. "This legislation," she continues, "is about giving young people the time and resources they need to grow into their abilities safely. To focus on their education, their training, and their futures--not on putting themselves in harm''s way." She steps back slightly, giving the audience a moment to absorb her words. The principal takes the mic next, saying something about how proud he is to have Councilwoman Richardson as a representative for our district, but I barely hear him. My thoughts are spinning too fast.The tale has been taken without authorization; if you see it on Amazon, report the incident. "She knew," I whisper, barely moving my lips. Jordan hears me anyway. "Of course she did," they whisper back, their voice tight. "She''s part of the Kingdom. She probably planned it." It''s not just that she knew. It''s that she''s using it. Spinning the whole thing into a perfectly crafted argument for her legislation. None of those criminals had LUMAs. None of those officers were kids. But here she is, painting a picture of chaos and danger, making it sound like anyone who isn''t on her side must be rooting for anarchy. The students around us clap politely, not because they care, but because clapping means the assembly''s one step closer to being over. For most of them, this is just another boring speech they''ll forget by the time the buses pull out of the parking lot. But for me, it''s personal. And for Maya, it''s deliberate. She''s laying the groundwork, planting seeds. She knows how this works. Kids go home and tell their parents what they heard. Parents talk about it at the dinner table, at work, at church. The narrative grows, spreads, takes root. "She''s smart," Jordan mutters, their arms crossed tightly over their chest. "I hate how smart she is." I grit my teeth, forcing myself to stay quiet. It''s not just smart. It''s calculated. She''s not even trying to convince us, the kids in this room. We''re not her audience. We''re just the delivery system. "And let''s not forget," Maya adds, stepping forward again, "that this isn''t hypothetical. Some of you were at the homecoming dance earlier this year. Some of you saw firsthand what happens when vigilantes act without restraint." My stomach twists, and I can feel Jordan tense beside me. She''s talking about me. About Patriot. About the night he beat me to a pulp in front of half the school. The crowd murmurs again, and I force myself to keep my face neutral, to look forward like none of this is getting to me. But it is. God, it is. "How could you not be for this?" Maya asks, her voice ringing with conviction. "How could anyone not want to make our city safer, our heroes stronger, our future brighter?" The students clap again, a little louder this time, and Maya steps back from the podium, smiling like she''s just won an award. She hasn''t even finished yet, but it already feels like she''s scored her victory. The principal announces a Q&A session, and a line begins to form at the microphones stationed in the aisles. Maya steps forward again, her expression calm and welcoming, like she''s ready to field any question with grace and authority. Jordan leans over to me, their voice low. "You think anyone''s actually gonna ask her something real?" I shake my head. "Doubt it. But if they do, she''ll spin it. She''s too good at this." I fold my arms tighter, trying to keep my hands from shaking. The line to the microphone is crawling forward, one student at a time, each asking questions so dull it makes me want to scream. "How does the legislation account for superhumans with, like, disabilities or impairments?" one girl from the debate team asks. "That''s an excellent question," Maya Richardson replies, her voice smooth as polished glass. She''s sitting at the edge of the stage now, leaning forward just enough to make it look like she actually cares. "The registration system allows for a comprehensive assessment of every superhuman''s unique abilities and needs, ensuring no one is left behind. It''s about fairness." The girl nods, satisfied. Some kids clap politely. Jordan, slouched in their seat next to me, mutters, "Fairness, my ass." I want to laugh, but my throat feels too tight. I glance down at my lap, my fingers curling into fists. My notebook is still in my bag, but I don''t need it. The words are already burning a hole in my chest. "Sam," Jordan whispers, their voice low and sharp. I glance sideways, and they''re staring at me like they already know what I''m about to do. "Don''t." "Don''t what?" I mutter back, my voice a little too innocent. Jordan narrows their eyes. "You''re thinking something stupid. I can feel it." "Relax," I say, but I can hear the tremor in my own voice. I stand as the line shifts forward again, stepping into place behind a kid from the robotics club. "Remember what you told me when we first met?" "Yeah?" Jordan asks, trying to grab for my wrist. "I''m being the thing that happens to someone," I say, moving out of their reach. The kid in front of me drones on about something technical--"Will the registration program incorporate superhuman-friendly STEM pathways?"--and I tune out, my pulse hammering in my ears. I don''t even hear Maya''s response this time. All I can think about is her smile. That perfect, calculated smile that''s been plastered on her face since this whole circus started. That, and the way she spun my moment. The Homecoming incident. Me. It''s one thing to use a nameless hypothetical to sell her agenda, but she named the exact event. My humiliation, my pain. She used it like a tool, a shiny little prop to hold up in front of the room, and she barely even flinched when she said it. Except she will flinch. I''ll make her. I step forward when it''s my turn, the microphone cool and steady in my hand. The room is quiet, polite, expectant. I can feel the weight of their eyes on me--the students, the teachers, the city officials scattered along the edges of the auditorium. A couple of kids near the front whisper to each other, pointing. They recognize me. Of course they do. "Hi," I start, my voice clear and steady, even though I can feel my heart pounding against my ribs. "Sam Small, sophomore." Maya''s head tilts slightly, her smile freezing for just a fraction of a second. She knows who I am too. Good. "Earlier this year," I continue, my fingers tightening around the mic, "a vigilante beat me to a pulp at Homecoming." The room shifts, murmurs rippling through the crowd. A few kids lean forward in their seats, suddenly more interested than they''ve been all day. Maya doesn''t move. "Anyway," I say, my tone almost conversational, "I heard the incident you mentioned from this morning was carried out by the Kingdom of Keys. Aren''t those the same supervillains who assassinated your political rival, Richard Duvall, a couple weeks after you got elected and framed it as a heart attack? I heard they have someone who can stop people''s hearts by touching them. Any comment?" For the first time, Maya Richardson looks rattled. I can swear that I can see the sweat droplets on her forehead. The twitch in her cheek. But maybe I''m just imagining that. I''m not imagining the silence. The murmuring swells louder. A couple of students laugh nervously, and someone from the back of the room actually whistles. The adults in the room are already moving, stepping toward the stage, toward me. But I''m not nervous. This isn''t nerves. This is a fistfight. I love fistfights. The mic cuts off with a sharp click, leaving my last word hanging in the air like a thunderclap. Chapter 152.3 Maya recovers fast¡ªfaster than I expected. She straightens in her chair, folding her hands neatly in her lap, and her smile creeps back into place like armor. She glances toward the adults rushing to the stage, holding up a hand to stop them. "It¡¯s unfortunate," she says finally, her voice perfectly calm again, "that such a reckless and baseless rumor has spread. And even more unfortunate that some people choose to repeat it." She pauses, just for a moment, but it¡¯s too long. The murmuring grows louder again, and the shadow of her hesitation lingers in the air. "But let me be clear," she continues, her tone firmer now. "The Kingdom of Keys is a dangerous and ruthless organization. I understand the frustration and fear they inspire¡ªbelieve me, I share it. That¡¯s why legislation like the Superhuman Activity Regulation Act is so important. It¡¯s about giving our law enforcement the tools they need to protect us. To protect you." The murmuring dies down, and the students clap politely, but the energy in the room is different now. Less focused. Fractured. Maya¡¯s still talking, spinning her narrative with her usual precision, but I¡¯m not listening anymore. I step back from the microphone, the adults ushering me firmly away, and return to my seat next to Jordan. Something about waiting for official news conversation. I don''t care. I''ve thrown my punch. They¡¯re staring at me like I¡¯ve just set the auditorium on fire. They reach a hand out for a below-the-belt high five, which I, of course, return. "Where the fuck did that come from?" Jordan hisses. "What, you didn''t know about Duvall? It was all over the news, like, for two days after it happened. Don''t you remember Mrs. Heartstopper or whatever?" I respond, just as quietly. Jordan shakes their head, laughing under their breath. "He died of an embolism, dude. Not a heart attack or cardiac arrest. I was paying attention." "Oh, was it an embolism? Oops," I reply, grinning.
The bell rings right after the assembly ends, and the auditorium erupts into chaos as students shuffle toward the exits. There¡¯s an electric buzz in the air, like someone lit a fuse but everyone¡¯s waiting to see how long it¡¯ll take to explode. I catch snippets of whispers as I shoulder my way out into the hallway: "Did she actually just say that?" "Who the hell is Richard Duvall?" "Wait, was that Sam Small?" Phones are out everywhere, faces lit up by glowing screens. It doesn¡¯t take a genius to guess what they¡¯re searching. I can already picture it¡ª"Richard Duvall + death + Kingdom of Keys." Half the student body probably just learned what an embolism is. The other half is probably trying to figure out who Maya Richardson even is. Jordan keeps pace with me, their grin practically splitting their face. "You¡¯re a menace, you know that, right?" "I¡¯ve been told," I say, deadpan. I can feel people staring as I walk past, but it¡¯s not new. I¡¯ve always been "that girl"¡ªthe one who judo-threw a security guard, the one who got her ass kicked by Patriot, the one who punches first and thinks later. But this? This is different. The stares feel sharper, like people are waiting to see if I¡¯ll combust right in front of them. We turn a corner toward our lockers, and Alex Garcia materializes out of nowhere, almost tripping over his own feet in his rush to catch up. His phone¡¯s in his hand, an article already pulled up. "Sam!" he half-shouts, his voice cracking just a little. "Did you know Duvall was, like, super corrupt? Like, he was in trouble for taking bribes and trying to rig zoning laws before he died. And you¡¯re saying the Kingdom killed him?" "That¡¯s what I said, yeah," I reply, spinning the lock on my locker with one hand and yanking it open. My books spill out in a landslide, but I don¡¯t even flinch. "That¡¯s insane," Alex says, his eyes wide. "I mean, it makes sense¡ªlike, why else would he just drop dead right after the election¡ªbut saying that out loud? In front of everyone? Dude, you¡¯re crazy." Jordan leans against the locker next to mine, still grinning. "She¡¯s not crazy. She¡¯s a hero. Somebody had to say it." I roll my eyes, stuffing books into my bag. "Can you two stop gawking and let me get to class?" Alex doesn¡¯t budge, his thumbs flying across his phone screen. "You¡¯re trending on NetSphere, by the way. Somebody filmed the whole thing, and now there¡¯s a thread with, like, three hundred comments. People are arguing about whether you¡¯re a conspiracy nut or a badass."This content has been unlawfully taken from Royal Road; report any instances of this story if found elsewhere. "Let me guess," I say, slamming my locker shut. "You think I¡¯m both?" "Obviously," Alex says, grinning. "You¡¯re, like, a real life Asu--." "If you finish that sentence I''m punching you in the throat," Jordan interrupts him. "Thanks," I chuckle, slinging my bag over my shoulder. "Love the vote of confidence."
The rest of the day is a slow-motion train wreck. Everywhere I go, people are whispering, their eyes darting to me like I¡¯ve grown a second head. Teachers keep glancing at me, their expressions a mix of concern and that "please don¡¯t start anything" wariness they¡¯ve perfected over the years. Even Mr. Petrakis, who usually can¡¯t be bothered to care about anything, gives me a raised eyebrow when I walk into Chemistry. At lunch, Jordan and Alex sit with me at our usual table, but the vibe is different. People keep passing by, pretending not to look at me while obviously looking at me. One girl actually trips over her own feet trying to get a better angle for a sneaky photo. "Do I have something on my face, or is this just my life now?" I ask, stabbing at my mashed potatoes with way more aggression than necessary. "Definitely your life now," Jordan says, stealing a fry off my tray. "You¡¯re the school¡¯s number-one hot topic. Enjoy your fifteen minutes." Alex shoves his phone in my face again. "Oh my God, look at this comment. ¡®If that girl isn¡¯t careful, she¡¯s gonna end up like Duvall.¡¯ Dude, they¡¯re calling you out!" I shove his phone away, not bothering to read it. "Let them. I don¡¯t care." Jordan gives me a sidelong look. "You care." "Okay, maybe a little," I admit. "But I¡¯m not backing down. If Maya can use me as her prop, I can throw it right back in her face." Alex whistles. "You¡¯ve got guts. I¡¯d be hiding under a desk right now." "I¡¯m not scared of her," I say, and it¡¯s not a lie. I¡¯m angry. Furious, even. But scared? No. Not yet.
Halfway through the afternoon, the inevitable happens: I get called to the principal¡¯s office. The announcement crackles over the PA during History, and the whole class goes quiet. I can feel everyone¡¯s eyes on me as I stand, grabbing my bag with a casualness I don¡¯t feel. "Don¡¯t forget to grab a hall pass," Mr. Taylor says, his voice dripping with forced cheer. "Wouldn¡¯t want you getting into any more trouble, right?" The walk to the office feels longer than usual, every step echoing in the empty hallway. By the time I get there, I¡¯m bracing for the worst. Principal Heckerman¡¯s door is open, and he gestures for me to come in without looking up from his desk. What''s the order of the day today - suspension? Expulsion? "Mrs. Small," he says, folding his hands on the desk. "Do you have any idea how many emails I¡¯ve gotten today because of you?" "I¡¯m guessing more than zero," I say, slouching in the chair. He pinches the bridge of his nose. "You¡¯re not wrong. Listen, I get it. You¡¯re passionate. You care about... whatever it is you were trying to accomplish with that stunt in the assembly. And I understand your... situation," he says, gesturing to my burnt arm still wrapped up in a sling. "But you can¡¯t just go around accusing city officials of murder in front of the entire school." "It wasn¡¯t an accusation," I say, crossing my arms. "It was a question." Heckerman gives me a look. "Samantha, do you think I am an idiot?" I bristle a little bit. "Sam," he repeats. "What?" I say, feigning innocence. "It¡¯s not my fault if people interpreted it that way. I¡¯m just curious." He sighs again, rubbing his temples. "Look, I¡¯m not here to argue with you. I just need you to understand that there are consequences for this kind of behavior. You¡¯ve put the school in a very awkward position." "Because I asked a question?" I shoot back. Heckerman leans back in his chair, looking even more tired than usual. "Sam. I understand that you have... had a rough go of things the past couple of years. Believe it or not, I do care about my students, and I count you among that number. Just... consider that your actions might have consequences for the rest of the school." He stares at me. I match his gaze. He pushes his bowl of M&Ms slightly towards me. Then again, until I take a handful and angrily stuff them into my mouth. I feel like an annoyed chipmunk. "I''m semi-familiar with the McKinley case - that serial arsonist you mentioned, I did my research. I''m not going to blame you, because he''s clearly a nut, but we have to recognize the elephant in the room that several of your classmates got set on fire as collateral damage, presumably, to get to you. I don''t know what you and Mrs. Richardson know about each other, and I don''t want to know, but I''ll tell you what I told you last month; This isn¡¯t the first public school threatened by supervillains and it won¡¯t be the last, but I¡¯m not going to let it put the other students in danger." I resist the urge to snark at him. My first impulse is to say "your point being?", but I shove it down with a swallow full of chocolate. "Okay," I say, trying to draw out the rest of his lecture. "Just... don''t do it again, please, okay? I don''t think detention, suspension, or expulsion will really do anything to change your behavior. So this is me asking you as an adult in a very tough situation to please consider the safety of the other students before you accuse politicians of murder. Please?" "Fine," I say, half through a breath. I''m not sure if I mean it or not - I feel bad pushing against his obvious sincerity, but, like... I can''t make any promises, John. Sorry! "Thank you," he says, clearly relieved. "You can go back to class now."
By the time the final bell rings, the whispers have died down a little, but the looks haven¡¯t. People are still watching, still waiting for me to do something else stupid. But I¡¯m not giving them the satisfaction. Not today. Jordan catches up with me at the lockers, their scarf trailing behind them like a superhero cape. "So, how was the principal¡¯s office?" "Same as always," I say, slamming my locker shut. "He told me not to do it again, and I told him I wouldn¡¯t. End of story." Jordan smirks. "And by ''end of story,'' you mean you¡¯re definitely doing it again." "Well, hopefully the next politician that is also an evil supervillain won''t come directly knocking into my school. So I won''t have to," I say, grinning. "You know, next time." Jordan shakes their head, laughing. "You¡¯re gonna get yourself killed one day, you know that?" "Yeah," I say, slinging my bag over my shoulder. "But not today." WORLD OF CHUM: Power Laws (7)

Following the Power Trail: How RICO Cases Adapt to Superhuman Crime

Corporate Counsel Quarterly, Fall 2023 When federal prosecutors successfully convicted members of the "Steel Circuit" criminal enterprise last month, the case hinged not on traditional financial records or witness testimony, but on an unlikely source: insurance claim patterns. Over three years, investigators traced a consistent signature of structural damage across properties in five states, all showing distinctive marks of enhanced-strength forced entry. Combined with a web of specialized equipment purchases and medical insurance claims, these patterns helped establish the organized nature of the enterprise. "This represents the new face of RICO prosecution," says Elena Vasquez, former federal prosecutor and partner at Williams & Chang. "When traditional evidence becomes unreliable due to powered interference, we have to look for different kinds of patterns." The Steel Circuit case exemplifies how the Racketeer Influenced and Corrupt Organizations Act has evolved to address powered criminal enterprises. While RICO''s core purpose remains unchanged - targeting criminal organizations rather than individual actors - the methods of establishing organizational patterns have undergone significant transformation. RICO, enacted in 1970 to combat organized crime, allows prosecutors to connect seemingly unrelated criminal acts into a single case by proving they''re part of an ongoing criminal enterprise. A crucial tool in dismantling traditional organized crime, the statute has become even more vital in an era where powers can make traditional evidence gathering nearly impossible.

New Patterns, New Problems

Traditional RICO cases relied heavily on following money trails and communication records. However, powered criminal enterprises often operate outside these traditional channels. Technopathic abilities can compromise digital records, while physical cash movement becomes harder to track when strength-enhanced individuals can transport large amounts without traditional banking systems. "We''ve had to develop new frameworks for establishing criminal patterns," explains Marcus Thompson, who heads the Powered Crime Division of the U.S. Attorney''s Office in Chicago. "When you can''t trust the digital paper trail, you look for physical ones - power signatures at crime scenes, specialized equipment purchases, distinctive property damage patterns." Insurance investigations have become particularly crucial in establishing these patterns. "Every powered incident leaves a distinctive insurance footprint," says Diana Chen, Senior Investigator at UltraShield Insurance''s Special Investigation Unit. "A strength-type breaking through a wall creates fundamentally different damage patterns than a pyrokinetic melting through it. When you see the same patterns across multiple claims in different jurisdictions, that''s often your first indicator of organized activity." These insurance investigations frequently reveal broader criminal patterns that traditional law enforcement might miss. "Insurance companies maintain detailed databases of power-related claims," Thompson notes. "By collaborating with claims departments, we can identify clusters of similar incidents that suggest coordinated criminal enterprise rather than isolated powered crime. A single powered burglar might hit random targets, but an organization leaves patterns in claim types, timing, and geographic distribution that become evident when you analyze the aggregate data."Unauthorized usage: this tale is on Amazon without the author''s consent. Report any sightings.

Corporate Complications

The integration of powered individuals into legitimate businesses has created additional challenges for RICO prosecution. Companies may legally employ powered individuals while simultaneously using their abilities for criminal enterprises, creating complex questions of authorized versus unauthorized power use. "Corporate power use documentation has become crucial evidence," says Sarah Chen, corporate compliance attorney at Berkman LLP. "Companies need to maintain detailed records of authorized power use - not just to protect themselves, but to help distinguish legitimate business activities from criminal enterprise."

The LUMA Factor

The License to Utilize Metahuman Abilities (LUMA) system has become an increasingly valuable tool for RICO investigations. While originally implemented as a regulatory framework, LUMA''s documentation requirements create multiple advantages for law enforcement tracking organized powered crime. "LUMA records help establish patterns of power distribution within organizations," explains Thompson. "When you see certain power types consistently appearing in particular geographic areas or organizational structures, it helps establish the non-random nature of these associations." The system''s legal requirements also create additional leverage for prosecution. Using powers without a valid LUMA automatically enhances the degree of any criminal charges, providing prosecutors with significant bargaining power when building RICO cases. "An unregistered individual facing enhanced charges is more likely to cooperate with investigations into larger criminal enterprises," notes Jerome Williams, Assistant U.S. Attorney for the Southern District of New York. LUMA registration histories can also help establish organizational hierarchies. "Criminal enterprises often pay for their powered members'' LUMA fees and renewals," says Chen. "These payment patterns, combined with timing and location data from registration records, help us map organizational structures." The system''s renewal requirements create regular contact points that aid investigation. "Every two years, powered individuals must update their registration," Williams explains. "This creates a paper trail of addresses, employment information, and power development that can be invaluable for establishing long-term patterns of criminal enterprise activity." These advantages extend to international investigations. LUMA''s standardized documentation makes it easier to track powered individuals across state lines and coordinate with international law enforcement agencies. "When we''re dealing with multi-jurisdiction RICO cases, LUMA records provide a common framework for establishing patterns of organized activity," Thompson notes. "The LUMA system has essentially created a map of powered activity across the country," concludes Chen. "While individual criminals might operate outside it, organized enterprises nearly always leave traces in the system, even when trying to avoid it."

Looking Forward

As criminal enterprises continue to adapt, RICO prosecution methods will likely evolve further. Current trends suggest increased focus on:
  • Physical evidence pattern analysis
  • Resource acquisition tracking
  • Insurance and damage claim analysis
  • Corporate power use documentation
  • Healthcare provision patterns
  • Specialized equipment supply chains
"The fundamental principle of RICO hasn''t changed," Vasquez concludes. "We''re still proving organized criminal activity. We''ve just had to expand our definition of what constitutes evidence of organization." Rachel Goldman is Legal Affairs Editor at Corporate Counsel Quarterly Chapter 153.1 The common area of the Music Hall always feels like it''s stuck in time, like the world outside could be burning down and this place would still smell like coffee, marker fumes, and stale popcorn. It''s late afternoon, but the heavy curtains keep the light low and the mood heavier. The mismatched furniture--half thrift store finds, half dumpster rescues--has been rearranged again, probably by Jordan in another bout of obsessive tidying. Their desk is a battlefield of notebooks, pens, and a pile of flashcards they''ve been shuffling and restacking for the last hour. I''m slouched on the couch, my legs stretched out, a chemistry textbook propped up on my lap for show. The HIRC channel is open on my phone, the constant stream of messages barely holding my attention. Every few minutes, I refresh, even though I know nothing''s going to change until the council announces the results of the vote. It doesn''t stop me from checking. Over and over. Lily, curled up in the armchair across from me, is the picture of faux-relaxation. Her legs are tucked under her, and she''s flipping through a math workbook like it personally insulted her. Her fingers drum against the armrest in an arhythmic pattern, a little too fast, a little too loud. "Can you not?" Maggie mutters from her spot on the floor. She''s sitting cross-legged with her back against the coffee table, a paper ball hovering a few inches above her palm. Every so often, she lets it drop, only to snap it back up with a flick of her fingers. It''s like a gravity-defying game of catch, except she''s the only player, and it''s not fun to watch after the first twenty minutes. Lily shoots her a glare but stops drumming, only to pick up a pencil and start tapping it against her knee instead. Maggie rolls her eyes and goes back to her one-woman paper ball Olympics. I glance over at Tasha, who''s sprawled out on the rug with her laptop open in front of her. She''s wearing her big noise-canceling headphones, the kind that make her look like she''s DJing a rave instead of pretending to do calculus homework. She hasn''t said much all afternoon, but her occasional sighs and the way she keeps flipping between tabs tell me she''s just as distracted as the rest of us. The police scanner hums faintly in the background, a steady stream of white noise broken up by bursts of static and dispatch chatter. Jordan insisted on leaving it on, "just in case," even though nothing interesting ever comes through during the day. So far, we''ve heard about a shoplifting incident in Fishtown, a fender bender on I-95, and someone''s pet pig escaping in Kensington. Riveting stuff. Jordan leans back in their chair, tossing the flashcards onto the desk with a frustrated huff. "Okay, I give up. How is it possible to know something''s going to happen and still feel completely unprepared for it?" Maggie snorts. "Welcome to literally every test I''ve ever taken." "Except this one determines whether we''re officially screwed or just regular screwed," Lily mutters, not looking up from her workbook. I glance down at my textbook, the words blurring together into meaningless lines. "We already know how it''s going to go. Maya Richardson didn''t spend the last month making speeches just to lose." "That''s not the point," Jordan says, their voice sharp. "The point is--ugh, I don''t know what the point is. I just hate waiting." "We all do," Tasha says, her voice muffled by the headphones she''s pulled halfway off. "But unless one of us has a secret plan to infiltrate City Hall and swap out the ballots, we''re stuck waiting." Maggie lets the paper ball drop to the floor and leans her head back against the table. "I vote we start brainstorming Sam''s next big public stunt. Maybe this time you can accuse Maya of being an actual lizard person." "Don''t make lizard people jokes, please," I say, grimacing, remembering my mom''s long lectures the first time I made a crack like that. "Sorry," Maggie crinkles, like tissue paper rolled up. The scanner crackles to life again, a garbled voice cutting through the static. "Unit 427, 10-65 at Market and 12th. Suspect is male, mid-30s, wearing--uh, a pirate hat? Repeat, pirate hat. Approach with caution." Tasha raises an eyebrow. "Did they just say pirate hat?" "Yup," I say, popping the ''p.'' "Philly''s finest, ladies and gentlemen." The moment of levity doesn''t last long. The room falls back into an uneasy quiet, the only sounds the occasional tap of Lily''s pencil, the hum of the scanner, and the soft click of Jordan''s pen as they absentmindedly disassemble and reassemble it.Love what you''re reading? Discover and support the author on the platform they originally published on. I pick up my phone again, refreshing the HIRC chat. Still nothing. "Why are we even doing this?" Maggie asks, breaking the silence. She sounds tired, more tired than I''ve ever heard her. "Sitting around, pretending like this isn''t a complete waste of time." "It''s not a waste," Jordan says, their voice firm. "If they vote yes, we need to be ready." "Ready for what?" Maggie snaps. The paper ball hits the floor with a thud, rolling under the couch. "We''re already illegal. A vote doesn''t change that." "No," I say quietly, my eyes still on my phone. "But it makes it official. And that''s when things get dangerous." The room goes silent again, the weight of my words settling over us like a lead blanket. It''s not something any of us want to say out loud, but it''s the truth. This isn''t just about losing the Young Defenders or having to hang up our costumes. It''s about what happens when people like Maya get to decide who''s allowed to be a hero--and who isn''t. The notification hits like a sucker punch: a single message from Councilman Davis in the group chat, delivered with devastating simplicity: Councilman Davis: "It passed. 12-5." I blink at my phone, rereading the message as if the numbers might rearrange themselves into something better. They don''t. My stomach twists. The room feels too quiet, the hum of the police scanner suddenly oppressive. Around me, the others blur into the background, their movements slowed to a crawl. In the HIRC chat, the conversation starts immediately. Rampart: "We knew this was coming." I can practically see him, arms crossed, leaning back like he''s sitting at the head of some table that only exists in his head. The weight of authority in his tone is heavy, but there''s a sharpness to it--like he''s biting off the edges of his own frustration. Connor: "Yeah, but it still sucks." Connor''s voice is quieter in my mind, less certain. I picture him rubbing the back of his neck, like he does when he''s uncomfortable but trying to act like everything''s fine. Blink: "What happens now?" She''s right next to me, physically in the room, but even her words feel like they''re coming from somewhere far away. I don''t need to look to imagine the tight set of her jaw, the way her fingers drum against the armrest of the chair. Rampart: "Now we follow the law. B will have to wait two years and get registered. Anyone else, well, you know the options." He sounds like someone rehearsing a script he doesn''t believe in. Stern. Frustrated. Pragmatic. Like a disappointed dad trying to explain why bedtime is non-negotiable. Connor: "You mean you follow the law." There''s no malice in it, just resignation. I see him shrugging, slouched against a doorframe, already half-checked out. Gossamer: "Do we have to talk about this now?" Her words come slow and deliberate, like she''s weighing every syllable before hitting send. I can imagine her sitting cross-legged on the floor, her gaze distant, fingers idly fidgeting with a piece of fabric she''s pulled from her sleeve. Councilman Davis: "Yes." Davis''s reply is sharp, cutting through the static. He''s not here, but his presence is heavy, like a shadow in the corner of the room. His voice is always calm but firm, the kind that makes you feel like you''re being lectured even when he''s not trying to. Gossamer: "Fine. Then what''s the point? We''ve already been told we''re not allowed. This just makes it official." Her tone in my head is quiet but tired. No anger, no fire, just a kind of resigned weight, like she''s been holding this in for too long. Blink: "We''re not actually going to stop, right?" I glance at her, her question floating in the air like smoke. She doesn''t look at me, just stares at her phone, her leg bouncing restlessly. Rampart: "Some of us are." Ouch. I hear the edge in his voice--pointed, cutting. I picture him looking straight at me when he says it, even though he''s not here. Connor: "Guys, can we not?" His voice is softer now, almost pleading. I see him stepping back, his shoulders hunched, the way he always does when the tension gets too thick. Gossamer: "This isn''t helping." She sounds... tired. Not just physically, but in that deep, bone-weary way that makes you want to close your eyes and shut out the world. Councilman Davis: "We all need to take a breath. The ordinance is law now. That''s the reality. We can be upset, but we need to figure out our next steps carefully." His words feel like a hand on the back of your neck, steady and unrelenting. Blink: "What are the next steps, then? Do you even have a plan?" There''s heat in her voice now, a kind of simmering frustration she''s barely keeping in check. Rampart: "It doesn''t matter. The law is the law. This is the system we have to work through now." I picture him standing tall, arms crossed, his voice like a gavel. Blink: "Simple? Seriously? What about Sam? What about all of us who can''t follow your perfect little rulebook?!" She''s sitting upright now, her fists clenched. Her voice is sharp, biting. I don''t hear it - all I hear are her fingernails clicking on her phone. But I hear it. Connor: "I''m out." It''s so quiet in my head that I almost miss it. But it''s there. Final. Gossamer: "Spindle..." Connor: "I''ve been out for a while. This just makes it official. Sorry." The weight of his words hangs heavy in the air, even in the imaginary space of the chat. I swallow hard, my throat tight. Gossamer: "I''m outside. Can I come in?" The message snaps me back to reality so fast it almost hurts. I blink at my phone, rereading the message like it''s written in another language. Outside? Private message? I push off the couch, ignoring the questioning looks from Lily and Jordan. My feet move automatically, carrying me toward the heavy metal door at the back of the Music Hall. I crack it open just enough to peek outside, and there she is--Amelia, leaning against the wall, her hands shoved deep into the pockets of her jacket. "Can I come in?" she asks, her voice soft. Chapter 153.2 Gossamer steps inside, the sharp edges of the Music Hall''s cold air closing around her like a handshake. She takes a tentative step forward, scanning the room with an expression that''s halfway between skepticism and curiosity. Amelia''s not really the "kick back and relax" type--at least, not in any version of her I''ve gotten to know--but there''s something guarded about her now, like she''s already planning her exit route. She''s not dressed to the nines for once in something pretty. Just bundled up for the cold postwinter weather, with a scarf around her face like a shield, her narrow eyes peeking out from over top of it like a cat. Jordan, of course, steps into the gap immediately. They have this way of filling space, not physically - they''re built like a question mark made of spaghetti - but with their presence. They''re already moving toward her, hand outstretched in exaggerated welcome, their cloak flapping behind them like they''re auditioning for a Shakespeare in the Park production of Batman. "Gossamer!" they say, dragging her name out like it''s the most exciting thing they''ve ever heard. "Welcome to the illustrious halls of the Auditors, where chaos reigns, snacks are communal, and the Wi-Fi is spotty at best." Amelia raises an eyebrow but takes their hand anyway. "I''m not sure I''m joining anything yet," she says, her voice measured but not unfriendly. "Pfft," Jordan waves off her hesitation like it''s a gnat. "Come on. Of course you are. Who wouldn''t want to join a team this dysfunctional?" "I--" "Exactly," they interrupt, clapping her on the shoulder. "Now, first things first. What''s your real name again? Can I call you something that''s not ''Goss''? Because, no offense, but it sounds like a brand of overpriced organic yogurt." She blinks, startled, but then lets out a soft laugh. "Amelia. My name''s Amelia." "Amelia," Jordan repeats, like they''re testing the taste of it. They nod, satisfied. "Great. Nice to meet you, Amelia. Welcome to the Auditors. Sometimes there''s an Irish Werewolf around. But not today." Amelia looks at me, her lips twitching into a half-smile. "Is it always like this?" "Always," I say, deadpan. "But don''t worry. You''ll get used to it." Lily--Blink--leans back on the couch, crossing her arms with a theatrical frown. "Wait a second. Is that what the name is? Auditors? Did we get to vote on this? Because I don''t remember voting." "You didn''t," Jordan says, spinning dramatically to face her. "This isn''t a democracy, Lily. It''s a benevolent dictatorship. And I''m the dictator." "Benevolent?" Maggie pipes up from her spot by the window, where she''s still half-heartedly tossing a crumpled ball of paper into the air with her repulsion field. "That''s a stretch." "Yeah, I''m with Maggie," Tasha adds from the corner, where she''s sprawled on a beanbag like a queen surveying her kingdom. "I''d say you''re more of an eccentric tyrant." Jordan gasps, clutching their chest in mock offense. "Et tu, Tasha?" "Whatever," Lily says, waving them off. "I just think if we''re gonna have a team name, we should at least get a say in it. Like... a vote or something." "Too late," I chime in, flipping my notebook closed with a snap. "The name''s already on the Wi-Fi router. It''s legally binding now." "It''s a cool name," Maggie says, tossing the paper ball a little higher. "Auditors. Makes us sound mysterious and official. Like we''re about to send someone an invoice for their crimes." "That''s exactly what it is," Jordan says, pointing at her like she''s just won a prize. "We audit the chaos. We''re the checks and balances. The unsanctioned IRS of superhero nonsense." Lily groans, dragging her hands down her face. "This is the worst." "You''ll learn to love it," I say, grinning at her. "Just think of all the bad guys we can make panic by saying, ''You''re being audited.''" Lily glares at me, but there''s a flicker of amusement in her eyes. "Fine. But only if we get team jackets." "Oh, absolutely," Jordan says, already pulling up their phone. "Matching jackets. Maybe cloaks. Definitely badges." Amelia watches the back-and-forth with an expression I can''t quite place--something between bemusement and disbelief. When the chatter finally dies down, she shifts her weight, her arms crossed loosely over her chest. "For the record," she says, her voice quieter now, "I''m not sure I''m going to be doing anything. Not if vigilantism''s outlawed."This novel''s true home is a different platform. Support the author by finding it there. The room goes still for a moment, the weight of her words settling over us like a low-hanging fog. Jordan opens their mouth, probably to launch into another speech, but Amelia cuts them off before they can start. "But," she says, glancing at me and Lily, "I''ll stick around. With you two. Because I trust where you''re going. And I don''t trust Rampart''s judgment. Or Playback''s." There''s a small silence, the kind that feels like everyone''s waiting for someone else to speak first. It''s Jordan, of course, who breaks it, their voice unusually soft but still carrying that undercurrent of humor. "Well," they say, spreading their arms, "if you''re going to hang around, you might as well have a cool name to do it under." Amelia snorts, but it''s the kind of sound that feels like a crack in the armor. She glances at the group, her expression softening just enough to let us see the person underneath. "Fine," she says. "But I''m not promising anything." Jordan grins, stepping back and gesturing grandly to the room. "That''s all we ask. Welcome to the chaos, Amelia." She shakes her head, but there''s a faint smile on her lips as she leans against the arm of the couch. The tension in the room eases, just a little, and for a moment, it almost feels normal. Like we''re not standing on the edge of something huge and terrible.
Amelia''s stuff is piled precariously on the back of a faded red scooter parked just outside the Music Hall. The paint is chipped in a few places, and one of the mirrors is taped in place, but the thing has character. It''s also completely not what I expected her to show up with. I don''t know why, but I was under the impression she had walked here. "You have a scooter?" I blurt out, standing in the doorway as she starts unstrapping a set of bungee cords. "Obviously," Amelia replies, not looking up. She tosses a duffle bag onto the pavement with a thud. "What, did you think I was going to show up in a jetpack or something?" "Well, I didn''t think that, but--" I gesture vaguely at the scooter. "When did you get a scooter? And why?" She glances at me, raising an eyebrow. "Oh, my powers are great for transportation. Let me just summon my magical threads to carry me through the city while simultaneously hauling thirty pounds of gear. Oh wait--they don''t do that." She unclips another strap and hefts a plastic crate onto the sidewalk, her tone dripping with mock cheer. "This? This is reliable. It''s not flashy, but it gets me and my stuff where we need to go." I cross my arms, watching as she unloads what seems like an infinite amount of bags, boxes, and random supplies. "What''s in all this?" "Materials," she says, bending to pull a sewing machine case off the back of the scooter. "Needles, thread, fabric, adhesives, scissors, bandages, medical tape, gloves--basically everything you guys should already have but don''t." I blink. "You''ve got first aid stuff in there?" She straightens up, brushing a strand of hair out of her face, and gives me a look. "Sam, I''ve seen enough of your ''team dynamics'' to know that if anyone''s carrying a first aid kit, it''s probably two years out of date and buried under a pile of empty chip bags." Jordan pokes their head out the door, scarf trailing behind them. "Hey, the chip bags are organized, thank you very much." Amelia snorts, grabbing another bag and slinging it over her shoulder. "Sure they are. Now, where''s this ''workspace'' you keep bragging about? I need a corner to claim before I start unpacking."
It doesn''t take Amelia long to pick her spot--a disused chamber just off the Music Hall''s common floor, half-hidden behind a heavy curtain. The space is dusty and cluttered with random furniture and ancient-looking boxes, but she surveys it with the calculating eye of someone who sees potential in every mess. "This''ll do," she says, dropping her bags in the center of the room. "Give me ten minutes." Jordan leans against the doorway, arms crossed. "Ten minutes? To do what? Invent an entirely new aesthetic?" "You''ll see," Amelia replies cryptically, already pulling supplies out of her duffle bag. True to her word, the space transforms almost instantly. Within minutes, she''s cleared off a worktable, arranged rows of thread and fabric in neat, color-coded stacks, and set up a sewing machine that looks both ancient and indestructible. Another corner is dedicated to first aid supplies, with bandages and antiseptics laid out like a mini-clinic. It''s like watching a time-lapse video in real life--one second, it''s a storage room; the next, it''s a functional workshop. Jordan whistles, genuinely impressed. "Okay, I take it back. This is kind of amazing." Amelia doesn''t even look up. "Kind of?" I step into the room, taking in the shelves of neatly organized supplies and the faint smell of antiseptic that now permeates the air. "This is... a lot." "It''s called being prepared," Amelia says, turning to face us. "How many lives have you guys been saving from here? Or is this more of an excuse to beat people up and play Robin Hood?" The words land harder than she probably meant them to. My face heats up, and I glance at the ground, shifting uncomfortably. I think about the bandages we''ve grabbed from Jordan''s bathroom in emergencies, the times I''ve wrapped someone''s injuries with ripped t-shirts or duct tape because we didn''t have anything better. Even with the first aid kit I carry with me, I deal with enough scrapes that it''s not always... replenished. Auughaaauah. I don''t like this emotion! "Right," I mutter, rubbing the back of my neck. "Good point." Amelia watches me for a moment, her expression softening. She doesn''t say anything else, just turns back to her worktable and starts sorting spools of thread. The awkward silence is broken by the sharp crackle of the police scanner in the next room. I don''t even register the words at first--something about a breaking and entering--but then my brain catches up, and I''m already moving before my feet have registered anything. The nice part of Tacony. A couple of blocks away. Smoke spotted. The words sort of filter in through my... what, my limbic system? Without really being consciously perceived. "Wait, what''s happening?" Lily calls after me, her voice tinged with alarm. Tasha scoots back out, examining Amelia''s new workspace, while Maggie is already up and following me - she''s been suited up. "B&E," I shout over my shoulder, grabbing my travel mask from the hook by the door and slamming it on over my head. Can''t believe I have a travel mask. "Tacony. Couple blocks away. Come on!" "Sam, wait--" Jordan starts, but I''m already halfway out the door, slamming the mask over my face as I go. I don''t wait for them to catch up. I don''t need to. This is what I do. Chapter 153.3 Gossamer''s scooter is even more cramped than it looks, which is saying something because it already looks like the kind of thing built for one person with a personal bubble the size of a postage stamp. Amelia grudgingly hands me a helmet--safety first, I guess--before slipping on her own and swinging a leg over the seat. She adjusts her scarf to cover the lower part of her face, the edges of her costume peeking out from under her jacket. "Are you sure this is necessary?" she asks, her tone hovering somewhere between resigned and annoyed. "Yes," I say firmly, jamming the helmet onto my head. "We don''t have time to walk, and Jordan can''t drive. Besides, I need to guide you. Blink can keep up on her skates." Blink, already fastening her inline skates, gives Amelia a thumbs-up. "I''ll be fine. I skitch shit on the reg." Amelia mutters something under her breath that I''m pretty sure isn''t complimentary but revs the scooter''s engine anyway. It sputters like it''s about to give up, but then it roars to life. Well, maybe "roar" is too strong a word--it''s more of a determined wheeze. "Fine," she says, gripping the handlebars tightly. "But if this thing breaks down because you overloaded it, you''re paying for repairs." "Deal," I say, hopping onto the back and grabbing the sides of the seat for dear life. There''s no way I''m wrapping my arms around her waist. I have some dignity. "Don''t scratch the paint," Amelia snaps as she kicks the scooter into gear. We lurch forward, and I immediately regret not holding on tighter because this thing moves faster than it looks. Blink skitches behind us, easily keeping pace as we zip down the quiet streets of Tacony, her wheels letting out a quiet sort of hissing crackle as she helps juice the engine with her powers. The ride is... interesting. Amelia handles the scooter like a pro, weaving through side streets and alleys with an ease that makes me think she''s been doing this a lot longer than she let on. Blink, true to her word, glides effortlessly behind us, helping compensate for the weight of three almost fully grown women, her hands squeezing onto the seat for dear life. We don''t have to guess where we''re going. Even from a couple of blocks away, the black plumes of smoke curling into the sky are impossible to miss. My stomach tightens at the sight of it, and I lean forward, tapping Amelia on the shoulder. "There," I say, pointing toward the source of the smoke. "That''s the house." Amelia slows the scooter as we approach, pulling up a block away to avoid drawing too much attention. The house is one of the nicer ones in this part of Tacony--two stories, clean white paint, a well-manicured lawn. Or at least it was. The front window has been smashed in, shards of glass glittering on the porch, and the faint smell of smoke hangs in the air. The front door is shut, but the smoke is clearly coming from inside. Amelia cuts the engine and turns to me, her voice low. "I''ll stay out here. Someone''s gotta be the getaway driver." "Good plan," I say, hopping off the scooter. "Stay ready. We might have to bolt fast if the cops show up." Blink skids to a stop beside us, adjusting her gloves. "What''s the play?" "We go in, figure out what''s going on, and deal with it before the cops get here," I say, already moving toward the house. "Stay behind me." The faint wail of sirens in the distance spurs me forward. We''ve got maybe three minutes before this place is swarming with uniforms. Plenty of time if we''re quick. The front door doesn''t budge when I try it, so I motion for Blink to follow me around the side of the house. The broken window gives us an easy way in, though climbing through it is less "graceful infiltration" and more "awkward scramble." The shards of glass still clinging to the frame catch on my jacket, but I manage to get inside without cutting myself. Blink follows right behind me, landing lightly on the carpeted floor. The living room is a mess--couch cushions thrown everywhere, picture frames knocked over, drawers yanked open and emptied onto the floor. The air is thick with smoke, but there''s no sign of fire. I pull my mask tighter over my face and move toward the kitchen, motioning for Blink to stay close. The source of the commotion isn''t hard to find. A figure in a hoodie, baggy clothes, and a gas mask is rifling through the kitchen drawers, tossing anything valuable into a backpack slung over one shoulder. A purse lies on the counter, already emptied of its contents. Before I can say anything, the figure straightens up and turns to face us. The gas mask hides their face completely, the black lenses making it impossible to see their eyes, but their posture stiffens when they see me.Unauthorized tale usage: if you spot this story on Amazon, report the violation. "Bloodhound," they say, their voice muffled and distorted. "And... friend. Get out of here. I''ve got this scumbag." It takes me a second to process what they just said. "Excuse me?" The figure gestures vaguely around the kitchen. "This place. This guy. He''s a scumbag. I''m cleaning him out." I blink, my brain scrambling to catch up. "Wait, you think we''re... what? On your side?" The figure tilts their head slightly. "Aren''t you?" "No," I say, taking a step forward. "We''re here to stop you. This isn''t your house, is it?" They shrug, unbothered. "Doesn''t matter. The guy who lives here deserves it. He''s got money, he''s fine." Blink shifts beside me, her voice sharp. "That''s not how this works." The figure doesn''t respond, just starts rifling through another drawer like we''re not even here. My patience snaps. "Hey!" I bark, stepping closer. "Put the bag down and step away from the counter. Now." They freeze for a moment, their shoulders tensing, but then they turn back to face me, their posture more defensive now. "You don''t get it. People like him--people like this--they''re the reason--" "I don''t care," I cut them off, my voice firm. "You don''t get to decide who deserves what. That''s not your job. Now put the bag down and step away." For a moment, neither of us moves. The sirens are louder now, probably only a block or two away. Blink shifts her weight, ready to act, and I tighten my stance, preparing for whatever''s about to happen. The figure''s shoulders rise and fall in a deep sigh, their hands still half-raised. "You don''t know who lives here, do you?" their voice crackles, distorted through the gas mask. There''s something tired in their tone, like they''re explaining basic math to someone who just doesn''t get it. "What do you even know about Mayfair? About Gregory Winters?" I open my mouth to respond, but they press on, their words tumbling out in a rush. "He''s a loan shark. He preys on desperate people. Single moms. Immigrants. Anyone too scared or too broke to go to a bank. And when they can''t pay him back? You don''t even want to know what happens then." They pause, glancing at the window, the sirens growing louder by the second. "He''s tied up in his bedroom. Alive. I''m not going to hurt him any more than I already have, but someone had to stop him. Someone had to--" They gesture at the backpack on the counter. "--return some of his ill-gotten goods, turn his financials in to the authorities. You know how many lives this guy''s ruined?" The words hang in the smoky air, thick and heavy. I glance at Blink, who''s watching the figure with narrowed eyes, her hands flexing at her sides like she''s ready to move. I know what she''s thinking because I''m thinking it too: this isn''t that different from what we do. Not really. But the difference, the line, is that we don''t tie people up in their bedrooms and ransack their houses. We don''t decide who deserves what. And we definitely don''t fill a house with smoke and leave a mess for the cops to untangle. When Jordan and I rob bad guys, it''s in their hideouts, in the dark shadowy places, where we steal their drugs and dispose of them. That''s... different. It''s different. It''s different! "I get it," I say, my voice quieter now but no less firm. "You think you''re doing the right thing. Maybe you even are. But you''re not the judge, jury, and executioner. That''s not how this works." The figure tilts their head, and I swear I can feel the weight of their stare through the mask. "Isn''t it, though? You''ve got blood on your hands too, Bloodhound. Don''t act like you''re above this." My stomach tightens. I''m trying to grab for a way to counter them, but really, wasn''t I just suggesting this to Davis? Can''t we just find out where they live and take the fight to them? But I don''t have time to argue the finer points of morality because Blink steps forward, her voice sharp and cutting through the tension like a knife. "Yeah, okay, great speech," she says. "But here''s the thing--you''re still breaking into someone''s house. You''re still making a mess of things. And now you''re wasting our time." The figure takes a step back, their hands lowering slightly. "I don''t want to fight you," they say, their voice calm but edged with something that feels like resignation. "But I will if I have to." Blink doesn''t hesitate. "Yeah, you will," she snaps, reaching for one of the bolas clipped to her belt. Before she can throw it, the figure raises their hands, palms facing us, and everything shifts. Smoke pours from their hands in thick, curling tendrils, but it''s not just smoke. The air is suddenly filled with a noxious mix of irritants--pepper spray, Febreze, something that smells like burning plastic. My eyes water instantly, my throat burning as I choke on the fumes. Blink stumbles back, coughing violently, and I drop to one knee, pulling my mask tighter over my face. It barely helps. The air feels heavy and sharp, every breath a struggle. "Stay down," the figure says, their voice muffled and distant through the haze. "You don''t want this." I hear Blink''s bola whiz through the air, the sound cutting cleanly through the chaos, but there''s no telltale thwack of impact. Instead, there''s a loud crash--probably the bola hitting the wall or a cabinet--and then silence. When I manage to force my eyes open, blinking rapidly against the stinging smoke, the figure is gone. Blink is on her hands and knees beside me, coughing so hard it sounds like she''s about to hack up a lung. I crawl toward her, my own chest heaving as I try to catch my breath. "We... good?" I rasp, my voice barely audible. Blink waves me off, wheezing but nodding. "Fine," she manages, her voice rough. "Totally... fine. Love this for us." The distant wail of sirens pulls me back to reality. "Cops," I croak, grabbing Blink''s arm and pulling her to her feet. "We''ve gotta go." We stumble back through the house, every step a struggle as the smoke clings to our clothes and skin. By the time we make it to the broken window, I can see the flashing red-and-blue lights reflecting off the nearby houses. We climb out as quickly as we can, coughing and stumbling toward the scooter where Amelia is waiting, her eyes wide behind her scarf. "What the hell happened in there?" she demands as we collapse onto the pavement beside her. "Later," I wheeze, waving her off. "Just--go. Now." She doesn''t argue. The scooter sputters to life, and we''re off, speeding away from the house as the first police car pulls up to the curb, my costume covered in a fine layer of soot. So.1.1 The room smells like stale beer, cheap weed, and a faint undercurrent of mildew that clings to everything, even the cracked linoleum underfoot. A radio in the corner is blaring something with a heavy bassline, drowning out the quieter conversations. A group of guys and one girl sit in a loose circle on mismatched chairs and a lumpy couch, all leaning in like they''ve got something real important to discuss. They don''t. Not really. Just the usual: where they''re going to move their next shipment, who''s fighting who on whose turf, which dealer got busted and who''s next in line to pick up the slack. It''s late--past midnight--but the energy in the room is alive, vibrating with the restless hum of people who live their lives on the fringes. The kind of people who don''t set alarms because they don''t need to wake up for anything. A phone screen flickers in someone''s hand, casting pale light over the small table cluttered with empty beer cans and crumpled fast food wrappers. "Man, I told you," one guy mutters, leaning forward, his voice low but urgent. "I can''t say where I got it from. You ask again, I''m out." The others laugh, but it''s not the kind of laugh that says they think he''s joking. More like the kind that says they think he''s full of shit. The girl leans back, her arms draped over the couch like she owns it, her smirk razor-sharp. "You can''t say," she drawls. "That''s cute. Like we don''t all know what that means." "It means shut up," he snaps, his eyes darting to the door like he''s expecting someone to walk in any second. "You wanna talk about it in the open, fine. But don''t come crying to me when someone drops your name." The room quiets for a beat, the bass from the radio filling the silence. It''s not hard to figure out what they''re talking about. The guy''s hand slips to his pocket, brushing over something with the nervous reverence of a kid hiding candy from their parents. Jump. No one says it out loud, but it''s there, hovering in the air between them. "Alright, alright," one of the others says, holding up his hands in mock surrender. "You''re the big man. Nobody''s asking questions." Another nervous laugh ripples through the group, and the tension eases--just a little. Someone cracks open another can, the sharp hiss breaking the rhythm of the music. The girl on the couch starts scrolling through her phone, her nails clicking against the screen, and for a moment, it feels like everything''s going back to normal. That''s when they notice me. I''m standing in the corner, leaning against the peeling wall like I''ve been there the whole time. Maybe I have. It''s hard to say who spots me first. The guy with the Jump looks up, his eyes catching the faint glint of light bouncing off the black lenses of my mask, and he freezes. The girl with the phone is next, her hand stopping mid-scroll as she follows his gaze. "Shit," someone breathes. There''s a pause--just long enough for them to wonder if I''m a hallucination, some trick of the light. The mask makes it easy to play ghost. The hood pulled over my head, the loose black hoodie and cargo pants blending into the shadows. The only thing giving me away is that faint reflection off the lenses, and even that''s faint enough to make them second-guess themselves. But then I step forward. The guy with the Jump shoots up from his seat, his hand already halfway to his waistband. I don''t flinch. I just tilt my head slightly, the faint creak of my mask straps the only sound I make. He freezes again, his fingers twitching like they''re not sure if they want to grab the gun he probably has or just bolt for the door. "Relax," I say, my voice muffled and flat through the filter of the mask. "I''m not here to make this a problem." They don''t relax. Of course they don''t. The girl on the couch narrows her eyes, her phone still clutched in her hand like she''s debating whether to call someone or use it as a weapon. The other guys shift in their seats, their postures rigid, like a pack of feral dogs deciding whether to snarl or run. "What the fuck are you doing here?" the Jump guy snaps, his voice sharp with fear he''s trying to hide. "You with somebody?" I don''t answer right away. Instead, I drop my backpack onto the table, the thud of it making them all flinch. Slowly, deliberately, I unzip it, pulling the flap back to reveal the contents: pill bottles, baggies of powder, a couple of preloaded syringes. Nothing I''m planning on using myself, but the kind of stuff that makes people pay attention. I''m no druggie. But I can give these lowlives just enough rope to hang themselves with. "I''m not with anyone," I say, keeping my voice steady. "I''m here to trade." "Trade?" the girl echoes, her tone dripping with skepticism. "Trade what? What the hell is this?" I gesture to the bag, then nod toward the guy with the Jump. "You''ve got something I want. And I''ve got a whole lot of things you might want. Fair deal, right?"Unauthorized duplication: this tale has been taken without consent. Report sightings. They don''t move. They''re still trying to figure out if this is a setup, if I''m here to sting them or rob them or worse. I can see it in the way their eyes dart between me and the bag, their brains working overtime to fill in the blanks. The guy with the Jump steps closer, his hand still hovering near his waistband. "What do you want?" I take a slow breath, the filter of the mask making it sound like a mechanical sigh. "Jump." The word lands heavy, like a brick dropped into a still pond. The air in the room shifts, the tension thickening until it''s almost tangible. They''re looking at me like I''ve just grown a second head, their suspicion cranked up to eleven. "Why the fuck would you want that?" the girl demands, her voice rising. "What are you, some kinda junkie?" I shake my head. "Not for me. Just part of the program." That throws them. They glance at each other, their confusion clear. The guy with the Jump narrows his eyes, his hand finally dropping from his waistband--not because he trusts me, but because he''s trying to figure out what kind of game I''m playing. "What program?" he asks, his tone cautious. "The one where you give me your Jump," I say, pulling the backpack open wider, "and I give you enough of this to keep your operation running for a while. No questions asked." It''s a lie, of course. I don''t care about keeping their operation running. I care about getting the Jump off the streets, and if it costs me a few pills or powders to do it, that''s a price I''m willing to pay. But they don''t need to know that. All they need to know is that I''m serious. The room goes quiet again, the music from the radio still pounding in the background. They''re weighing their options, trying to decide if this is worth the risk, if I''m worth trusting. I can see the doubt in their eyes, the way they keep glancing at the door like they''re expecting a SWAT team to bust in any second. Finally, the guy with the Jump speaks. "You think we''re just gonna hand it over? Like that?" I shrug. "Think about it. Jump''s hot right now. Cops are cracking down, everyone''s paranoid. You hang onto it, you''re just painting a target on your back. Give it to me, and you walk away with no heat. Seems like a win to me." The girl snorts. "And what do you walk away with?" "That''s not your problem," I say simply. For a moment, no one says anything. They''re still wary, still trying to figure out if I''m bluffing or crazy or both. I don''t move, don''t flinch, just stand there like a statue, letting the silence work in my favor. The guy''s fingers drum against the table, his eyes darting between the bag of drugs and me. "And you''re just gonna walk out of here after, huh? No funny business?" "That''s the idea," I say. My voice stays calm, flat, even as my pulse quickens. I can feel the weight of their eyes on me, the air crackling with tension. I''ve been in rooms like this before--rooms where desperation stinks as much as the sweat-soaked walls. You learn how to read people fast. These ones? They''re nervous, sure, but they''re also weighing the odds. Trying to figure out if they can flip the script before I get what I want. "Yeah, see, that''s a problem," the girl on the couch says, leaning forward with a sly grin. Her voice is sweet and sharp, like broken glass dipped in honey. "We don''t know you. You don''t just walk into someone''s house with a bag full of goodies and expect everyone to play nice. How do we know you''re not gonna screw us over?" I reach up, flicking the small switch on the side of my mask. The CPAP kicks on with a low hum, the mechanical hiss filling the room as the pump starts to work. It''s a sound I''ve come to associate with control. For them, though, it might as well be the sound of a guillotine being sharpened. The air cycling through the mask makes my voice deeper, more distorted, when I speak again. "You don''t," I say simply, my breath coming in steady mechanical bursts. Hooough... hufff... hooough..., just like Darth Vader "But you also don''t have a lot of choices. If you try anything, you''re not getting the Jump, and I''m sure as hell not leaving the drugs." The guy with the Jump stiffens, his jaw tightening. "You think you can just come in here and make the rules?" "I''ve already taken Jump before," I say, tilting my head slightly. My lenses glint again in the dim light, and I watch his grip on his waistband tighten. "It takes a few minutes to kick in, right? You know that, I''d hope. I can''t take it and get any powers without getting shot. You can''t take it and get any powers without me shooting you. We''re at an impasse. If you don''t like my offer, just say so, and I''ll leave and we can pretend this never happened." The silence stretches, the air in the room feeling heavier by the second. They''re processing what I just said, turning it over in their heads, and I can see the cracks forming. Doubt is a beautiful thing. Once it''s there, it spreads like mold. But then the guy does exactly what I was hoping he wouldn''t do. He pulls his gun. "No," he says, leveling it at me. His voice is steady, but his hand isn''t. "I don''t think there''s an impasse. I think you brought us a bag of free shit, and now you''re gonna drop it and walk out of here." The others tense up, their eyes darting between me and the gun. The girl on the couch looks like she''s waiting for an excuse to lunge, and the guy closest to the door shifts his weight like he''s considering running. All of them are on edge, their instincts kicking into overdrive. I raise my hands slowly, palms out, my body language screaming surrender. "Alright," I say, my voice calm but just a little louder now, cutting through the tension like a knife. "You''ve got me. No need to make this messy." But it''s already messy. And it''s about to get worse. Call a doctor - but not for me. The tiniest hiss escapes from my hands as I start releasing the gas. Carbon monoxide, colorless, odorless, creeping into the room like a ghost. The hiss is quiet enough to go unnoticed, blending into the louder mechanical breathing of my mask. They don''t know what''s happening yet. They''re too busy trying to figure out if I''m about to pull something. "Just keep your hands up," the guy says again, his grip on the gun tightening. I can see the tension in his arm, the way his knuckles whiten around the handle. "And back the hell away." I take a couple of steps back, edging closer to the locked door. The guy closest to the door blinks a little too hard, his movements sluggish. The girl on the couch frowns, her hand going to her temple like she''s got a sudden headache. The room is too small - all the carbon monoxide is concentrating faster than it would if we were outside, and my powers are keeping me safe from hypoxia. I feel a little discomfort, but not what they''re feeling. Next addition to the mask - oxygen supply. Just to keep myself from getting winded. Note to self. So.1.2 "What the..." she mutters, her voice trailing off. She shifts in her seat, her smirk fading as her eyelids droop. The guy with the gun doesn''t notice right away. He''s too focused on me, his finger twitching on the trigger. But then his arm wavers, just slightly, and his brow furrows in confusion. "What the fuck is..." He blinks hard, like he''s trying to shake off a fog. His aim falters, the barrel of the gun dipping as his grip grows unsteady. The others are worse off now. The guy by the door stumbles, catching himself on the wall, while another slumps forward in his chair, his head lolling. The girl on the couch tries to stand but ends up collapsing back into the cushions, her movements sluggish and uncoordinated. "Hey!" the guy with the gun snaps, his voice cracking as he struggles to stay upright. He tries to raise the weapon again, but his hand shakes violently, and when he finally pulls the trigger, the shot goes wide, burying itself in the wall behind me with a dull thud. I try not to flinch - I''m still getting used to gunfire. He tries to pull the trigger again, but his fingers cramp up, or slip up off the trigger, or something - it doesn''t take. "Shit!" he hisses, his knees buckling. The gun slips from his fingers, clattering to the floor. One by one, they drop. Some slide out of their chairs, others slump where they sit, their bodies going limp as the gas takes hold. The girl on the couch tries to say something, her lips moving soundlessly before her head lolls to the side. The guy by the door crumples, his back against the wall, his eyes rolling back. The last to go is the one with the Jump. He stares at me, his expression a mix of anger and confusion, before his legs give out and he collapses to the floor, the gun lying useless beside him. I wait a moment, standing perfectly still as the room falls silent. My mask hisses softly, the sound almost soothing now. Then I step forward, crouching down to pick up the gun. I unload it, slipping the bullets into my pocket before tossing the empty weapon onto the couch. I love carbon monoxide. Not the easiest to get, but easy to recycle. "Shame," I mutter, more to myself than to them. My voice sounds hollow, almost bored, as I survey the scene. "Could''ve been easy." I reach down, placing my hands on the floor, and start pulling the gas back into my body. The process is smooth, practiced, the faint hiss of the gas flowing back through my skin the only sound in the room. Within seconds, the air is clear again, the faint haze dissipating as if it were never there. Once it''s done, I straighten up, dusting off my hands. Then I go to work. The bag of Jump pills goes into my backpack first. Then the money--crumpled bills and loose change scattered across the table. Finally, the drugs they''d been guarding so carefully, now mine to do with as I please. When I''m done, I take one last look at the room. The guy with the Jump is still breathing, his chest rising and falling faintly. They''ll wake up in a couple of hours, groggy and confused, but alive. "Thanks for the donation," I say quietly, slinging my backpack over one shoulder. "Mayfair appreciates your charity." Then I slip out the door, disappearing into the night like a spider in a corner.
The air is heavy with the smell of bleach and ammonia, a sharp, acrid tang that stings my nose even through the mask. I crouch in the corner of a crumbling warehouse near the waterfront¡ªone of the many skeletons of Northeast Philly¡¯s past industrial glory. It¡¯s a place nobody visits unless they¡¯re desperate or hiding something, which makes it perfect for me.Stolen content warning: this content belongs on Royal Road. Report any occurrences. The little aluminum pan in front of me crackles as the mix of cleaning chemicals bubbles and releases thin tendrils of smoke. I¡¯ve done this enough times to get the proportions right by instinct, even with my hands shaking from exhaustion. The fire beneath the pan is weak, fed by scavenged scraps of cardboard and broken wood, but it¡¯s enough. The faint wisps of vapor rise lazily into the air, and I breathe deep through my hands, my skin tingling as the chemical cocktail seeps into me. There''s no high involved. This isn''t a drug - it''s a weapon. The smoke fills my chest with a dull warmth, a small reprieve from the constant ache of everything else. The cuts on my arms and legs throb in rhythm with my heartbeat, reminding me that they need attention. The warehouse is dark except for the small fire and the faint glow of a distant streetlamp filtering through a broken window. It¡¯s quiet, too, the kind of silence that feels almost sacred. I lean back against the wall, pulling my mask off for the first time in hours. The air stings my face, cool and sharp against my skin. I run a hand over my short, damp hair, my fingers brushing against the edges of a shallow cut near my temple. The blood¡¯s dried by now, but it¡¯s still sticky, and I grimace as I reach for the small first aid kit in my backpack. The kit is a joke¡ªa collection of dollar store bandages, antiseptic wipes, and gauze that barely holds together. But it¡¯s all I¡¯ve got, and it¡¯s better than nothing. I rip open a wipe with my teeth and press it to the cut, hissing as the antiseptic burns. The rest of my injuries get the same treatment: a jagged scrape on my forearm, a bruise blooming across my ribs, a gash on my knee that probably needed stitches an hour ago. I''ll tell my dad that I got scraped up doing some urban exploration. That''ll get the questions out of the way. Most of these came from earlier in the week¡ªgetting thrown into a pile of broken pallets during a fight with a couple of drunk dealers who thought they could take me. One of them had a knife, but they didn¡¯t know how to use it. The others are older, faint lines and patches of scar tissue that map out the last couple of months of my life. Battle scars, I guess, if you want to call them that. I slap a bandage over the worst of the cuts, then pull my hoodie back on, wincing as the fabric brushes against my sore ribs. My body feels like a patchwork quilt, barely held together with tape and stubbornness, but that¡¯s nothing new. Pain is a constant, like hunger or the sound of sirens in the distance. The fire in front of me gutters, and I reach over to add more wood. It doesn¡¯t take much¡ªjust enough to keep the smoke coming. I lean forward, resting my elbows on my knees, and let the smoke pour over me like a blanket. It¡¯s comforting, in a way, even though I know it shouldn¡¯t be. Most people would choke on the fumes, their eyes burning and lungs screaming for air, but for me, it¡¯s like breathing in relief. The chemicals swirl inside me, replenishing the reserves I¡¯ve burned through this week. Smoke and smog and other things. Cleaning supplies. Stuff that shouldn''t be mixed. I glance at the pile of stuff I¡¯ve dumped from my backpack: cash, drugs, and Jump. A lot of Jump. The pills gleam faintly in the dim light, their green coating almost iridescent. I stare at them for a moment, my mind wandering to the last time I took one. The rush of power, the way the world seemed to sharpen and slow down at the same time. The feeling of invulnerability. But I know that it''s not for me - I know enough to know that stacking powers is a bad idea. I can''t go that route anymore, and I can''t guarantee the powers of any of these pills. I''m going to have to figure out something to do with them. I shove the thought away, burying it deep. This isn¡¯t for me. None of it is. The money¡¯s for Mr. Smith¡ªto keep the rent paid and the lights on. The drugs will get traded for more supplies, more money, or dumped if I can¡¯t find a safe way to offload them. The Jump¡­ I don¡¯t know yet. Maybe I¡¯ll destroy it. Maybe I¡¯ll save it for when I really need it. Or maybe I¡¯ll find someone who can actually do something with it. The sound of footsteps outside pulls me from my thoughts. My head snaps up, and I reach for the knife tucked into my boot, my heart pounding. The warehouse is supposed to be empty¡ªnobody comes here unless they¡¯re looking for trouble. I press myself against the wall, holding my breath as the footsteps draw closer. They stop just outside the door, and for a moment, everything is silent again. Then, the door creaks open, the rusty hinges groaning loud enough to make my teeth clench. A figure steps inside, silhouetted against the faint light from outside. My grip tightens on the knife, and I stay perfectly still, waiting. As they step closer, I catch a glimpse of their face¡ªor rather, their mask. The sharp lines of her red mask, the faint gleam of its edges in the dim light, the familiar shape that¡¯s haunted the edges of my thoughts for weeks now. Bloodhound. I don¡¯t move. Don¡¯t breathe. But I can feel my pulse pounding in my ears, a mix of anticipation and dread. I expected her to show up eventually¡ªI¡¯m not stupid¡ªbut I didn¡¯t think it would be this fast. Her head tilts slightly, her stance relaxed but deliberate. She¡¯s not rushing in, not attacking, but there¡¯s an energy to her presence that sets my nerves on edge. Of course she found me. She always does. So.1.3 The moment Bloodhound steps into my makeshift sanctuary I feel my chest tighten. Not because I''m scared. That''s not it. It''s... something else. A mix of annoyance and an uncomfortable tug at the edges of my memories. There''s no mistaking her. She''s got that same presence she''s always had. Reckless. Loud. Not loud in the way she talks (though she''s got a knack for that too), but in the way she takes up space, like she''s daring the universe to challenge her right to be here. She moves like she''s got something to prove--fast, headstrong, the kind of energy that could bowl you over if you''re not careful. And, of course, she''s smiling. Not the friendly kind, though. This smile''s sharp, full of teeth. The kind of smile a predator gives when it''s cornered something it''s been stalking for a while. "You''re hard to pin down, Soot," she says, hands on her hips. Her tone''s casual, like we''re two old friends bumping into each other at a coffee shop. But her eyes? They''re not casual. They''re digging into me, trying to pull me apart and figure out what makes me tick. I don''t respond right away. I snap my mask into place instead, letting the filter muffle any hint of emotion that might''ve slipped into my voice. "That''s on purpose, Bloodhound." She tilts her head, like she''s trying to decide if I just complimented her or insulted her. "Yeah, maybe. But you''re still a special case. You''re leaving care packages for people in Mayfair--cash, sweepstakes letters, all these weird little ways to drop money into their hands without them knowing where it came from. But then you turn around and rob convenience stores? Pick fights with dealers? You''re all over the place. What''s your angle?" I shrug, leaning against the cracked concrete wall behind me. The rough surface digs into my shoulder, but I don''t care. "Maybe I just like keeping people guessing." "Bullshit," she snaps, stepping closer. "Nobody does all that without a reason. I''ve been following your little trail for weeks now, and you don''t make sense. You act like you''re Robin Hood one second and the boogeyman the next. So what is it? Some kind of warped sense of justice? Or are you just bored?" Her words land with more weight than I want them to. I don''t let it show. I cross my arms over my chest, keeping my voice even. "Why do you care? You''ve got bigger fish to fry, don''t you? Or are you that desperate for a mystery?" That gets a reaction. Her jaw tightens, just for a split second, but it''s enough to tell me I hit a nerve. Good. "This isn''t about me," she says, her tone dropping into something harder. "It''s about you running around my neighborhood, leaving chaos in your wake. If you''re trying to help people, you''re doing a shitty job of it." "Your neighborhood?" I snort, the sound muffled by my mask. "Last I checked, Philadelphia didn''t belong to anyone. Not even you, princess." Her eyes narrow, and for a second, I think she''s going to lose it. But then she does that thing she always does--pushes the anger down, channels it into something sharp and biting instead. "Funny. You don''t strike me as the type who cares about titles, so why keep calling yourself ''Soot''? What, did you run out of edgy names?" "That''s rich," I fire back. "Coming from someone who named themselves after a dog." She grins, sharp and humorless. "I''d rather be a dog than a pile of cinder." "That''s the point," I say, pushing off the wall and taking a step closer to her. We''re almost the same height now--I didn''t used to be, but I''ve been having a growth spurt recently. We''re both probably 5''8" now. But I''ll probably keep growing, knowing what my mom and dad look like. Even with my mask on, I feel small under her gaze. She doesn''t back down. Of course she doesn''t. Bloodhound''s never been the type to let things go. "You can''t keep dodging the question. What''s your endgame, Soot? You''re playing both sides--helping people and hurting them. Which is it?" My heart''s hammering in my chest, and I hate that she''s getting to me. I hate that her words are digging under my skin, making me question things I''ve already decided are non-negotiable. I glance at the faint orange glow of the embers still smoldering in the can I used earlier. The fire''s almost out, the smoke fading, but I can still taste the remnants of it in the back of my throat. That sharp, acrid taste that reminds me of who I am now. What I''ve become. "You ever think the world doesn''t work in black and white?" I ask, my voice low. "That maybe some people don''t get the luxury of picking a side? Not everyone gets to be the hero, Bloodhound." She crosses her arms, leaning slightly to the side as if to block my escape. "That sounds like a cop-out. You''re doing all this--whatever it is--for a reason. And I''m not leaving until I figure out what it is. You''re not with Rogue Wave. You''re not with the Kingdom. You''re making enemies on every side it''s possible to make enemies with. Do you have a death wish?" The determination in her voice makes me want to laugh. It''s almost endearing, how she can''t seem to let this go. How she has to know the answer, like it''s a puzzle she''s been handed and can''t walk away from.The tale has been taken without authorization; if you see it on Amazon, report the incident. "Fine," I say, stepping closer. "You want answers? Let''s start with you. What gives you the right to play judge, jury, and executioner, huh? You think just because you''ve got a name and a mask, you get to decide who''s good and who''s bad?" Her expression hardens. "I don''t ''decide'' anything. I follow the facts. I find the truth and protect people." "Truth? Protection?" I laugh, and it''s a bitter, ugly sound. "High-minded ideals for people who have something to lose. Were you protecting people when you broke Aaron McKinley''s arm? Were you protecting people when you tried to stop me from reclaiming money from a loan shark? I kept people fed for weeks with that. You just want an adrenaline high." Her face flickers, just for a moment. It''s there and gone so fast I almost miss it. But I know her well enough to recognize it for what it is: guilt. Doubt. Maybe even regret. "I know the system''s broken," she says finally, her voice softer now. "But breaking more shit doesn''t fix it, Soot. And robbing convenience stores sure as hell isn''t justice." "It''s survival," I snap. "And sometimes survival means getting your hands dirty. But I wouldn''t expect you to understand that, Bloodhound." Bloodhound doesn''t flinch when I step closer. She doesn''t back down, either. Her jaw tightens, her hands flex at her sides. I can tell she''s ready for a fight if it comes to that. I''m not in the mood to fight her. Not tonight. "You don''t get it," I say, my voice low but sharp, like the edge of a broken bottle. "You think this is all just... action and reaction. You do good, and good things happen. You do bad, and the world slaps you on the wrist. That''s not how it works." Her head tilts slightly, her grin turning into a grimace. "Enlighten me, Soot. How does it work, then?" I glance at the ember-filled can near the wall, the faint smoke curling up in lazy spirals. My hands itch to light another fire, but I don''t. Instead, I look back at her, that smile of hers like a hook pulling at something raw in my chest. "It''s about sin," I say finally, trying, struggling to articulate how I feel. Her grin falters, just a little. "Sin," she repeats, the word rolling off her tongue like it''s something foreign. "You really believe in that? What, like heaven and hell, angels and demons?" I shake my head, the motion making the mask straps creak faintly. "Not the cartoon version, no. But sin? That''s real. It''s not some invisible mark on your soul. It''s what you carry with you. The weight of the shit you''ve done, the harm you''ve caused. It piles up, and if you''re lucky, you pay it off before it crushes you." "Sounds exhausting," she says, but her voice is softer now, less biting. "I don''t buy into that. Never did." "Figures." I cross my arms, leaning against the wall. "You wouldn''t, would you? What did you grow up with? A neat little set of rules about right and wrong? A world where every bad thing gets weighed and measured, and if you''re sorry enough, you get a gold star?" She doesn''t answer right away. Instead, she shifts her weight, watching me like she''s waiting for me to slip up. Finally, she says, "I didn''t grow up thinking about rewards or punishments. You do good because being a good person is its own reward. You do bad, and the punishment is that you did bad. There''s nothing waiting for you after. Just what you leave behind." The words hit me harder than I expect. Not because I agree with her--because I don''t. But because I can hear the conviction in her voice, the way she actually believes it. She really thinks the world is that simple. That you can just... do good for its own sake and call it a day. It makes my chest ache. "That''s a nice thought," I say, trying honestly not to sound sarcastic. "Must be comforting, thinking you can just be ''good'' and everything works out. But some of us don''t get that luxury, Bloodhound. Some of us have to get our hands dirty just to keep breathing." Her body tightens again, and I know I''ve struck a nerve. Good. "And that''s your excuse?" she asks, stepping closer. We''re nearly nose-to-nose now, her breath hot against my mask, my lenses fogging up. It would be so easy to punch her from this close. Or kiss her. No, that''s not allowed. "You steal. You hurt people. And you call it justice?" "I call it paying my debt," I snap. "You wouldn''t understand survival." She scoffs, crossing her arms. "Try me." I take a step back, just enough to get some breathing room. My chest feels tight, like the weight of this conversation is pressing down on me, but I push through it. I glance at the small pile of tools and gear scattered across the floor of my makeshift sanctuary. Headquarters. "My dad," I say finally, the words coming out sharper than I mean them to. "He''s a good man. Better than I''ll ever be. He works hard, keeps his head down, tries to do right. And what does he get for it? Bills he can''t pay, bosses who don''t care if he lives or dies, a world that chews him up and spits him out. He doesn''t deserve that." Bloodhound''s expression shifts, something softer flickering in her eyes. Pity. It makes me want to knock her teeth out. "So you''re what?" she asks. "Trying to make up for his suffering? Take it all on yourself so he doesn''t have to?" "Something like that," I mutter, my voice tight. "Someone has to. Someone has to make sure he''s okay. Even if it means I burn for it afterwards. That''s fine by me, as long as his hands stay clean." Bloodhound doesn''t move, doesn''t speak, just watches me with that sharp, searching gaze of hers. I hate how much she sees. How much she seems to understand, even if she doesn''t agree. Finally, she says, "You don''t have to burn, Soot. There''s another--" "Don''t," I snap, my voice harsher than I intend. "Don''t try to save me, Bloodhound. I don''t need saving." Her eyes narrow, but she doesn''t argue. Instead, she steps back, giving me just enough space to breathe. "Fine. But don''t expect me to just stand by while you burn everything down around you." I laugh, the sound bitter and hollow. "I don''t need your permission." "I''ll stop you if it comes to that. There''s only so many tricks you can pull out before I figure you out," she replies, more of a promise than a threat. That''s how she''s always been, though. The tension between us is thick enough to choke on, but then I reach into my backpack and pull out a small, crumpled brown paper bag. It''s heavier than it looks, stuffed to the gills with little green pills. I hold it out to her, my hand steady despite the tremor in my chest. "Here. Do what you want with it. Dispose of it, turn it in, snort it, I don''t care. Just leave me alone to handle my own business, okay, doggy?" She stares at the bag for a long moment, her expression unreadable. Then, slowly, she takes it, her fingers brushing against mine for just a second before she pulls back. "I''m not your enemy, Soot," she says quietly. "You don''t have to do this alone." I don''t respond. I just turn away, pulling my hood up and letting black smoke leak out from under my fingernails until it starts to swallow me. Bloodhound stands there for a moment longer, the weight of her gaze pressing against my back, before she finally leaves. I''ve got work to do. Chapter 154.1 The thing about living with your best friend who isn¡¯t your best friend anymore is that it feels a lot like living with a ghost. Except ghosts don¡¯t hog all the hot water or leave their stupid mugs all over the kitchen counter. I don¡¯t know why Kate even has a favorite mug. It¡¯s not like she drinks anything besides water these days. But at least she and her dad are moving out sooner than we thought. Turns out someone¡ªa whole bunch of someones, according to the very polite but totally vague note they sent¡ªchipped in and paid off their debts. Cash in the mail. Like, actual physical bills, wrapped up with little notes about community and kindness and hope or whatever. Dad called it ¡°a miracle of neighborly goodwill,¡± and Mom cried about it in the pantry for twenty minutes. Me? I don¡¯t know what to think. Maybe I¡¯m just not built to believe in miracles. Or maybe I¡¯m too busy wondering if one of those ¡°concerned neighbors¡± smelled like smoke. Either way, it¡¯s not my business. I mean, it is my business¡ªI¡¯m the one who dragged Kate out of that fire¡ªbut if I spend too much time trying to figure out who¡¯s behind all the weird little coincidences in my life, I¡¯ll end up like one of those conspiracy guys who thinks birds aren¡¯t real. It¡¯s better if I focus on what I can do. Like patrol. The Auditors, at least, are starting to feel like a real thing. We¡¯re not exactly the Avengers or anything¡ªmore like a bunch of scrappy kids trying to duct-tape a team together¡ªbut it¡¯s working. Kind of. Gossamer¡¯s become our unofficial chauffeur since she¡¯s the only one with a license. Her Vespa¡¯s basically the backbone of our entire transportation strategy, even though it can only carry one other person at a time. It¡¯s not glamorous, but it beats walking when we¡¯re trying to move fast and stay out of sight. We¡¯re running night ops now, waiting for the police to clear out before we make our moves. It¡¯s not glamorous¡ªmostly breaking up fights between junkies or chasing down Jump dealers¡ªbut it¡¯s something. And Maggie¡¯s ribs are finally healed, so she¡¯s back in action, throwing up those repulsion fields like it¡¯s second nature. It¡¯s almost scary how fast she¡¯s picking it up. I think I¡¯ve only seen her faceplant, like, twice this week. That¡¯s been the other big thing. The Jump problem¡¯s getting worse. No matter how much of it we take off the streets, there¡¯s always more. Less of it¡¯s going to other cities now, which means whoever¡¯s making it is clearly trying to flood Philadelphia with the stuff. A couple of the dealers we¡¯ve run into actually seemed relieved when we confiscated their stashes, like they knew the heat was coming and wanted out before it got worse. It¡¯s like watching a tidal wave roll in and knowing you¡¯re only holding a bucket.If you discover this tale on Amazon, be aware that it has been unlawfully taken from Royal Road. Please report it. The cops are barely keeping up. Vigilantes like us are picking up the slack, even at risk of getting arrested. And then there are the ¡°community defense groups,¡± which is a fancy way of saying ¡°a bunch of pissed-off neighbors with baseball bats and nothing to lose.¡± I get it, but it makes me nervous. Nobody wants to see what happens when a bunch of regular people try to play hero and end up getting in over their heads. Meanwhile, the Kingdom of Keys? Silent. Not even a whisper. Mr. Nothing, Mr. Mudslide, even Mr. Tyrannosaur¡ªgone. It¡¯s creepy. They don¡¯t seem like the kind of people who just... stop. It feels like the calm before the storm, and every instinct I have is screaming that it¡¯s going to be a bad one. And then there¡¯s Soot. I still don¡¯t know what to do about them. I know their name now, which feels like progress, but everything else? Dead ends. We¡¯ve crossed paths a couple of times¡ªnone of it productive. They¡¯re frustrating, like trying to play chess with someone who keeps flipping the board. And no matter what I do, they¡¯re always one step ahead, always disappearing into the smoke before I can figure them out. It¡¯s driving me insane. Jordan thinks I¡¯m obsessed. Which... okay, fair. But it¡¯s not like I¡¯m camping outside Kate¡¯s door or anything. She¡¯s out of the house a lot these days, and I¡¯m trying to give her space. It¡¯s just... hard, you know? She¡¯s right there, but she¡¯s not. And I keep thinking about what she said in the warehouse, about sin and survival and how some people don¡¯t get to be heroes. It¡¯s been stuck in my head like a splinter I can¡¯t pull out. At least school¡¯s back to normal. Sort of. Nobody asks about the bandages anymore, probably because they¡¯re gone. My arm healed weeks ago, but I kept it wrapped longer than I needed to, just to keep the questions at bay. It¡¯s funny¡ªpeople will look at you like you¡¯re a freak if you¡¯ve got shark teeth, but slap a couple of bandages on, and suddenly you¡¯re just another injured kid in the crowd. Oh, and I think I might have actually dented Maya Richardson¡¯s approval rating. Nine points. That¡¯s not nothing, right? Or maybe it was the anti-vigilante ordinance. Either way, I¡¯ll take the win. Aaron¡¯s trial, on the other hand, is going nowhere fast. Katherine Huang and her Tremont & Fairfax army of lawyers are dragging it out as much as possible. They¡¯re like the legal equivalent of molasses¡ªslow, sticky, and impossible to get rid of. Every time I think we¡¯re getting somewhere, there¡¯s another delay, another excuse. It¡¯s infuriating, but what else is new? At least the fires are mostly over. The city¡¯s still scarred, though. There are places that still smell like ash and places that never will again, no matter how much bleach they use. Sometimes I catch a whiff of it on my way to school or patrol, and it feels like it¡¯s following me. Like it¡¯s in my clothes, in my skin. But that¡¯s just my imagination, right? Chapter 154.2 It''s the smell that gets me first. Not the usual Kensington perfume of car exhaust, stale beer, and whatever''s rotting in the dumpsters--this is sharper, fresher. Blood. I stop mid-step, grabbing Maggie''s arm to keep her from walking into me. She stumbles a little, giving me a look like, What gives? I don''t answer right away, sniffing the air like I''m one of those bomb dogs at the airport. I don''t actually need to sniff--the blood sense doesn''t work like that--but it helps me focus. There''s a faint tug, like a thread pulling me toward something. I see the outline in red, superimposed on all the blood particles that form an outline of the streets and the sidewalks, like a 3D map of the world around me. "Someone''s bleeding," I whisper. Maggie adjusts her gloves, the ones she likes to pretend are tactical but are really just bike gloves she bought online. "Fresh?" "Yeah." I point toward an alley off to the right. The blood trail is faint, but it''s there, pulling me along like a fishhook. "This way." It''s late, past midnight, so the streets are mostly dead. Not in the safe, everyone''s-sleeping kind of way, though. Kensington never really sleeps--it just pauses between bad decisions. The air feels heavy tonight, the kind of heavy that makes you check over your shoulder even when there''s nothing there. A dog barks somewhere, sharp and angry, and it echoes off the crumbling rowhouses. Maggie follows close behind me, trying to step where I step, but she''s not great at quiet. Her sneakers scuff the sidewalk, and I wince. "Careful," I murmur. She rolls her eyes. "Sorry, Sam." I stop and glare at her. "Don''t call me that out here." "Sorry, Bloodhound," she whispers back, dragging out my... appellation? like she''s five. She''s impossible, but I can''t exactly bench her for being annoying. The blood scent gets stronger as we approach an intersection. It''s faint, not enough for someone to be bleeding out or anything, but enough to tell me there was a fight. Or maybe an accident. Either way, my stomach knots up because in this neighborhood, it''s never good. We reach the corner and duck into the shadow of a boarded-up storefront. I press my back against the wall, peeking out around the edge. Maggie leans over my shoulder, and I swat her back a step because her mostly-uncovered but extremely pale face glows in the streetlights like a neon sign saying, HEY, WE''RE RIGHT HERE. "What do you see?" she whispers. "Shh." I wave her off, focusing on the scene in front of me. There are two groups, maybe six or seven people total, spread out across the cracked asphalt. They''re not exactly subtle--there''s yelling, arm waving, and a lot of posturing. Two guys are front and center, facing off like it''s some kind of old-school showdown. One''s holding a crowbar, gesturing with it like he''s making a point. The other guy''s just standing there, arms crossed, calm as a freaking cucumber. The guy with the crowbar is wiry and sharp-edged, like he''s been living off cigarettes and adrenaline for years. His voice carries, even though I can''t make out all the words. Something about "this is our turf" and "you don''t belong here." Typical territorial crap. The calm guy, though? He''s built like a bulldozer, with hands that look like they could crush a basketball. He doesn''t shout back. He just stares the crowbar guy down, his shoulders squared like he knows he doesn''t have to try to be intimidating. It''s working, too--crowbar guy keeps glancing at his buddies like he''s checking to see if they''ve got his back. They don''t look thrilled. "Big Hands," I whisper to Maggie. "That''s gotta be him. I''ve heard about him. You... keep an accounting of the local names when you''re on patrol enough." "Who?" Maggie whispers back, squinting like that''ll help her see better. "Small-time player. Keeps things calm until they''re not. Sells drugs." "And the other guy?" I shrug. "Not sure, but he''s got that vibe. Like, I want you to think I''m scarier than I actually am." I pause. "Crowbar''s not helping his case." One of the guys in the background catches my attention. A woman, actually--she''s jittery, her hands twitching like she''s trying to shake something off. Every so often, her fingers flick toward the ground, and I notice little glints of light reflecting off... something. It takes me a second to put it together: metal. She''s got powers, and they''re already sparking. Plus, there''s orange and yellow crust across cuts on her arms. That''s the killer feature. "That one," I say, nudging Maggie. "She''s on Jump." Maggie frowns. "How can you tell?" "Look at her scabs. They''re yellow, not brown. Jump fucks your blood up and makes it turn orange, and your scabs scab up yellow." I point as a stray nail skitters across the ground, dragging itself toward her foot. Maggie leans forward to get a better look, and I grab her hoodie to pull her back into the shadows. "Stop that," I hiss. "What? I''m curious!" "Curious gets you caught," I mutter, but my focus shifts to the other side of the group. There''s another big guy standing behind Big Hands--taller than him, even, and built like a concrete wall. He''s not moving, not yelling, not even blinking, just watching. It''s eerie.Reading on this site? This novel is published elsewhere. Support the author by seeking out the original. "That''s their muscle," I say softly. "See the big guy?" Maggie nods. "What''s his deal?" "No idea." The two groups keep shouting, their voices overlapping now, and I catch bits and pieces of what they''re saying. It''s all about turf, supply, and respect. The usual gang stuff. But there''s an edge to it tonight, like they''re both trying harder than usual to prove something. "What do we do?" Maggie asks, her voice barely a whisper. I don''t answer right away. My eyes flick to the rowhouses nearby, where a few faces are pressed to the windows. There''s a homeless guy sitting on the curb, watching like it''s the evening news. A little farther down, I see a woman clutching a baby, half-hiding behind a trash bin. They''re all too close. "We wait," I say finally. "If they break out the weapons, we step in." Maggie frowns. "There''s already a crowbar." "Something worse than that," I clarify. I feel my jaw tighten, the faint taste of blood prickling in the back of my throat. "This is gonna get messy." She doesn''t argue, but I can tell she wants to. I can feel her energy buzzing behind me, like she''s ready to leap in at the first sign of trouble. I keep one hand on her arm, just in case. The Jumphead girl flexes her fingers again, and a chunk of rebar pulls itself loose from the ground. She doesn''t swing it yet, but it floats in the air beside her, wobbling like she''s not entirely in control. Big Hands glances at her but doesn''t react. The guy''s a statue. Crowbar guy keeps yelling, stepping closer, and I feel my stomach twist. This isn''t going to end with words. It never does. "Maggie," I whisper. "Be ready." "For what?" "Anything." Crowbar guy''s voice cuts through the night, sharp and biting. "You think you can roll up on my street, huh? You don''t belong here, you oversized piece of shit." He jabs the crowbar toward Big Hands like it''s a sword, though he''s holding it too loosely for it to look convincing. Big Hands just stares at him, unbothered. "Your street? That''s cute." His voice is calm, almost soft, but it carries like a bass note through the air. "We both know you''re just renting space here. You don''t own shit, Slim." I can almost hear Crowbar guy - Slim - grinding his teeth from where I''m crouched. "You don''t get to come in here and say that, not after what you pulled with Manny." Big Hands shrugs. "Manny shouldn''t have made promises he couldn''t keep." Whatever Slim''s reply is, it''s lost in the movement that follows. He lunges, swinging the crowbar in a wide arc that''s more desperation than skill. Big Hands doesn''t flinch. He sidesteps the swing like he''s done this a hundred times before, and Slim nearly overbalances, catching himself just before he faceplants. Then Carla moves. She''s been hanging back, jittery and waiting, but the second Slim stumbles, she steps forward. Her hand flicks toward the ground, and the chunk of rebar she''s been holding aloft whips toward the big guy like a striking snake. It whistles through the air, fast enough to make me flinch. The big guy - Big Guy, I''ve named him in my head - doesn''t flinch. He lifts one massive arm, letting the rebar hit him dead-on. It bounces off with a dull clang, falling to the ground like a discarded toy. He doesn''t even look at it. Powers. Okay. "Try harder," he says, his voice low and even. Carla growls--actually growls--and pulls more debris from the street. A rusted hubcap, a bent pipe, and a handful of nails rise around her, orbiting her like she''s the sun. Her breathing is heavy, her hands twitching as she struggles to keep everything in control. Maggie shifts next to me, her hands flexing like she wants to jump in. "She''s gonna lose it," she whispers. "I know," I murmur back. My pulse is pounding. This isn''t just a fight--it''s a bomb waiting to go off. Slim''s yelling something at Carla now, his words fast and frantic. "Finish it, Carla! What are you waiting for? Take him down!" Carla snarls, hurling the hubcap at the biggest guy. He ducks, the hubcap skimming over his head and slamming into the side of a parked car. The window shatters with an ear-splitting crack, and an alarm starts blaring. Lights flicker on in the rowhouses around us, faces appearing in windows. "Shit," I hiss. Civilians. This just got worse. "Sam?" Maggie''s voice is tight, anxious. "Stay close," I tell her. "We keep them safe. That''s priority one." She nods, and we move together, slipping out of the shadows and into the chaos. I feel every eye in the street snap toward us for half a second before returning to the fight. Carla''s throwing debris like a malfunctioning catapult, and Big Guy is absorbing it all like he''s made of granite. Slim''s pacing behind her, shouting directions she''s ignoring, and Big Hands is watching it all with this infuriating smirk on his face. "Hey!" I yell, my voice cutting through the noise. "Stop! You''re gonna kill someone who isn''t even in this!" Carla barely spares me a glance. Her eyes are wild, bloodshot, her face slick with sweat. She doesn''t care. Another chunk of metal flies toward Big Guy, and I have to lunge to grab a stray shard before it slices into a nearby tent. My hands sting as the rough edge bites into my palms, but I don''t let go. I toss it aside and keep moving. Maggie''s right behind me, her hands glowing faintly with the telltale shimmer of her repulsion fields. She dives in front of a trash bin where a woman is crouched, shielding a baby in her arms. A shard of metal bounces off Maggie''s field, ricocheting harmlessly into the street. The woman looks up at her with wide, terrified eyes. "Get out of here!" Maggie barks, her voice sharper than usual. "Now!" The woman stumbles to her feet, clutching her baby, and runs for cover. Maggie turns back to me, panting. "How are we supposed to stop this?" "I don''t know yet!" I snap, ducking as another piece of debris sails overhead. "Just keep them off the civvies!" Slim notices us now, his eyes narrowing. "What the hell are you two supposed to be?" he sneers. "Girl Scouts?" "Yeah," I shoot back, "and you''re about to lose your cookie privileges." That gets a laugh from someone in Slim''s crew, but Slim isn''t amused. He takes a step toward me, his crowbar gripped tight, but Big Hands holds up a hand. "Let them be," Big Hands says. "They''re not here for us." Slim glares at him but doesn''t argue. He turns back to Carla, who''s starting to wobble under the weight of her own power. The debris around her is shaking now, spinning erratically. She looks like she''s about to collapse, but she keeps pushing, keeps hurling shards of metal at Big Guy with reckless abandon. Big Guy finally moves. He steps forward, swatting away a piece of rebar like it''s a fly. His expression hasn''t changed--it''s still calm, still unnervingly focused. He grabs a loose pipe from the ground, hefting it like a baseball bat, and swings it at Carla. The pipe connects with a deafening clang, hitting her makeshift shield of debris. Carla stumbles back, her powers faltering for a moment, but she recovers quickly, pulling the metal back into place. It''s not enough. Big Guy steps closer, his sheer weight making the ground shudder under his feet. Slim''s shouting something at Carla again, but she''s not listening. Her focus is entirely on Big Guy, and it''s clear she''s losing. Her movements are sloppy now, her breathing ragged. The Jump is wearing off. Big Guy notices. He pauses, watching her struggle, then reaches into his pocket. My stomach drops when I see the autoinjector. It''s sleek and black, like an epipen but dangerous. Something manufactured. Moneyed. "Don''t," I say, but my voice is too quiet, too far away. He doesn''t even hear me. He presses the injector to his neck and clicks it. Chapter 154.3 Big Hands sees the injector and his smirk twists into something sharper. "Fuck ''em up, Bash," he says, his voice low but carrying like a gunshot. "Bash," I mutter under my breath, locking the name away in the mental catalog. Yeah. He sure looks like a guy who named himself Bash. The autoinjector clicks, and Bash doesn''t move for a second. Then his body seems to shift, the weight of him settling deeper into the pavement, like the ground itself is straining to hold him up. He rolls his shoulders once, testing his movement, and when he steps forward, I swear the sidewalk cracks under his foot. Carla doesn''t notice at first. She''s too busy pulling everything she can find into her orbit. A loose street sign wobbles and tears itself free with a screech, the metal twisting as it hurtles toward him. Bash doesn''t even try to dodge. It smashes against his chest, crumpling like foil, and falls to the ground. Carla freezes, her breathing ragged. Her powers stutter for a moment, the debris in her orbit faltering before snapping back into place. "What the fuck?" she spits, her voice shaking. Another piece of rebar whips toward him, faster this time, but the result''s the same. It hits him dead-on, and he doesn''t even blink. "Sam, what''s he on?" Maggie whispers. Her voice is tight, laced with panic. "I don''t know," I say, my teeth gritting. "That''s not Fly." Carla takes a shaky step back, her powers flaring again. A hubcap rises from the ground, wobbling in midair. She''s running out of steam, and Bash knows it. He steps forward, one deliberate, heavy footfall at a time, and it''s like the air in the street changes. Everything feels heavier, like we''re caught in some kind of gravity well. Even breathing feels harder. But I might just be having anxiety - hard to tell. "Stay back!" Carla yells, but it''s hollow. She''s not yelling at Bash--she''s yelling at her fear, trying to shout it down. It''s not working. She hurls the hubcap, and Bash lets it hit him square in the chest. It bounces off with a dull thunk, and before she can pull anything else, he closes the distance. His fist lashes out, slow enough to see but impossible to stop. It connects with her gut, and she folds around it like paper, her body flung backward like a ragdoll. She slams into the side of a parked car, the metal crumpling like aluminum foil under her weight, and the impact echoes through the street like a thunderclap. "Shit," I hiss, my blood sense flaring. I can see the injuries bloom inside her--the cracked ribs, the burst blood vessels, the bruising spreading like ink under her skin. She''s alive, but that hit wasn''t clean. She''s teetering on the edge of real danger. Maggie''s already moving, darting between pieces of debris to check on the civilians still lingering too close. A guy in a hoodie stumbles out of a doorway, his face pale as he stares at Bash, and Maggie pushes him back toward the alley with a sharp, "Move! Now!" Bash doesn''t even glance at her. His focus is entirely on Carla, slumped against the wrecked car, barely conscious. She coughs weakly, a spray of orange blood staining her lips. The fight''s over--she''s done--but Bash doesn''t back off. He takes another step toward her, slow and deliberate. I dart forward, putting myself between them. "Enough!" I shout, my voice cracking. "You won. She''s down. Just go!" Bash stops, his eyes locking onto mine. They''re dark, unreadable, and there''s no hint of emotion in them--no anger, no satisfaction, nothing. Just weight. For a second, I think he''s going to keep coming. My heart''s pounding so hard it feels like it might burst out of my chest, but I don''t move. I can''t. If he decides to push through me, I''m toast, but if I back off, Carla''s done. "Go," I repeat, my voice steadier this time. "She''s not a threat anymore." Big Hands steps forward, his smirk replaced with something colder. "Listen to the girl, Bash," he says. "We made our point. Let''s not make this messier than it needs to be." Bash stares at me for a moment longer, and I swear I feel the weight of him pressing down on my bones. Then he turns, his movements slow and deliberate, and walks away. The pavement groans under his feet, his steps leaving faint indentations in the cracked asphalt. Big Hands follows, throwing a glance back at Slim and his crew. "See you around," he says, his tone casual, almost bored. Like they hadn''t just trashed half the street. Slim mutters something under his breath, but he doesn''t argue. His crew''s already scattering, dragging Carla''s crumpled form away from the car. She''s still breathing, but her head lolls to the side, her body limp as they pull her onto a piece of plywood like a makeshift stretcher. I kneel next to her, my hands hovering just above her chest. I can see everything--the jagged lines of her ribs, the angry red fractures spreading through her body. "She needs a hospital," I say, more to myself than anyone else. "Maggie, call an ambulance." Maggie''s at my side in an instant, her phone already in hand. "On it."This book is hosted on another platform. Read the official version and support the author''s work. The street around us is clearing out now, the civilians retreating back into their homes and hiding spots. The car alarm finally cuts off, leaving a heavy, suffocating silence in its wake. I look down at Carla, her face pale and drawn, and I feel a knot of something ugly tighten in my stomach. "What the hell was that?" Maggie asks nobody in particular, her voice barely a whisper. "No, no, no," I mutter, stepping forward and crouching beside Carla. "Set her down--now. Gently." Slim and his guys hesitate, their faces twitching with uncertainty. Bloodhound, the Big Bad Wolf of Tacony, throwing herself at Carla''s side like she''s about to save the day. I can almost hear the gears grinding in their heads, trying to figure out if this is some kind of setup. "Now!" I snap, my voice sharp enough to cut through their doubt. They flinch and lower her onto the ground, the plywood thumping against the asphalt. It''s not gentle, but it''s not a drop either. Carla groans faintly, her head lolling to the side. Her pulse is weak, her breaths shallow. I take a breath and focus. I''ve done this before, and I know what to look for: jagged breaths, irregular pulse, blood pooling under the surface. I unzip a pocket on my jacket, pulling out a roll of gauze and a compact pair of trauma shears. They pause when they see the gear, like they can''t believe it''s real. I ignore them. "She needs to be stabilized," I mutter, mostly to myself, as I cut away the sleeve of Carla''s jacket. The blood vessels under her skin look wrong--bright yellow, glowing faintly orange in my blood sense, like fluorescent ink running through her veins. "Her blood vessels are dissolving from the inside out. Get her to lay off the Jump," I say, just loud enough to make sure Slim hears it. Maggie kneels beside me, her phone still in hand. "Ambulance is coming," she says, her voice steady. Then she looks up at Slim. "We''ll trade questions for first aid, deal?" A little rougher than I''d have expressed it but, yeah, okay, Maggie. Slim shifts his weight, glancing at his crew like he''s hoping one of them will have a better idea. They don''t. "What kind of questions?" he asks, his voice wary. "What the hell was in that syringe Bash used?" Maggie says, getting right to the point. "And who''s getting Carla''s Jump? From where?" Slim stiffens. His jaw works like he''s chewing on his own words, and then his face starts to screw up. Before Slim can answer, one of the other guys--a scrawny kid with a busted lip--pipes up, his voice high and shaky. "He can''t answer you, man! That''s the rules!" Maggie catches it immediately, her eyes narrowing. "What rules?" she asks, trying to sound both polite and intimidating at the same time. "Who''s enforcing them?" Slim raises his hands, palms out, like he''s trying to fend off a rabid dog. "I... can''t," he strains, like he''s taking the biggest shit of his life. His nose starts... bleeding? I can swear that a blood vessel in his face just pops. Is that his brain? Why is his brain bleeding? No, false alarm, that''s just a blood vessel near his skull, but still. Maggie''s face scrunches up. "Bull and shit," "Stop, Flashpoint," I cut in, not looking up from Carla. "He can''t can''t." I pause, glancing up at Slim. "Am I right?" Slim can''t even answer that. Any sort of acknowledgment is too much acknowledgment. "You gotta chill or he''s gonna lose it!" the scrawny kid desperately explains, trying to prevent some sort of boil-over. Maggie adjusts her domino mask and folds her arms over her chest. I turn back to Carla, pressing gauze against a cut on her shoulder to slow the bleeding. Her blood is sticky and too bright, drying yellow under my fingers. "Chronic Jump use messes you up," I say, addressing Slim even though I don''t really expect him to listen. "It makes your blood vessels weak. Like tissue paper. She''s bleeding way more than she should be for these injuries." Slim''s face tightens, but he doesn''t say anything. "She needs a hospital," I continue, my voice flat. "I can keep her stable for now, but if you care about her at all, you''ll make sure she gets real help. And maybe..." I pause, glancing at him, "...maybe use this as a wake-up call to reconsider your chosen career. Because if you keep going the way you''re going, you''re all gonna end up like her." Slim doesn''t answer. His jaw works, his hands fidget, but he doesn''t argue. One of his crew mutters something under his breath, and Slim throws him a sharp look that shuts him up immediately. Good. Maggie touches my shoulder. "Ambulance is here." I look up and see the flashing red and blue lights cutting through the night. The paramedics pull up first, the cops right behind them. I hear the sirens die, the car doors slam, and the sound of boots on asphalt. "Alright," I say softly, turning back to Carla. "You''re gonna be okay. Just hang on a little longer." The paramedics rush over, their gear clattering as they drop to their knees beside me. I step back to give them room, my hands stained orange and red. One of them glances at me, her eyebrows raising when she notices my gear. "You did first aid?" she asks. "Yeah," I say, standing up. "Rib fractures, damaged lungs, and a ton of bruising. She''s bleeding internally, and she''s a chronic Jump user. That''s all I have for you." The paramedic nods, already turning back to Carla and taking her away into the dark night - or the early morning, time isn''t real. I step away, wiping my hands on a rag from my jacket pocket. The street feels quieter now, the crowd dispersed, but the weight in my chest hasn''t lifted. Slim and his crew are gone. I''m not surprised. The second the sirens showed up, they bolted, leaving Carla behind. Good. I glance at Maggie, who''s watching the paramedics work with a frown. "Ready to go?" I ask. She nods. "Yeah. Let''s--" "Stop right there!" a sharp voice barks, cutting her off. I turn to see two cops striding toward us, their hands resting on their belts. "Both of you--stay where you are." My stomach sinks. "For what?" I ask, my voice tighter than I mean it to be. The taller of the two officers looks us over, his gaze sharp and assessing. "Obstruction," he says. "Interfering with a crime scene. Endangering public safety." "Seriously?" Maggie blurts, throwing up her hands. "We just stopped them from tearing each other apart!" The second cop, a woman with a stiff expression, gives her a pointed look. "And now you''re interfering with our job. Turn around, hands behind your backs." I grit my teeth, glancing at Maggie. Her face is flushed, her fists clenched like she''s ready to argue, but I shake my head. It''s not worth it. Fighting this here isn''t going to help. "Fine," I mutter, raising my hands. The cold metal of the cuffs snaps around my wrists a second later, the weight of them settling like lead. Maggie sighs and follows my lead, muttering under her breath as the female cop cuffs her too. "We just saved a life, and this is the thanks we get," she grumbles. "Save it," the male cop says. "You can explain yourself at the station." MR.4.1 The rental space is an exercise in plausible deniability. One of those sterile coworking spots you can book online with a credit card and a made-up name. No cameras, no curious staff hanging around. Just a key code, some mismatched office furniture, and the kind of fluorescent lighting that makes me wonder if the architect hated human beings. I get there early, as always. Not because I have to--hell, I could walk in last like I own the place and they''d wait--but because it gives me time to set the stage. Bottled water lines up like little soldiers on a folding table, a smattering of snacks in a plastic tray to make it feel less like an interrogation room. A whiteboard at the front with "OUR MISSION" scrawled across it in my best attempt at neutral handwriting. Clean, simple, professional enough to put them at ease, but not so polished that they''ll think I''m trying too hard. The chairs are mismatched. I like that. A little imperfection helps people open up, even if they don''t realize it. I''m straightening the last chair when the door buzzes. Right on time. I adjust my blazer, put on my best "trust me, I''m the reasonable one here" face, and open the door. Patriot is first, as I expect. He looks exactly like he always does--like a white dude who just walked out of a military recruitment ad. Bald head shinier than polished china, jaw clenched like he''s physically restraining himself from saluting me. Off-brand Captain America costume clinging to his tits like crazy. "Maya," he says, nodding stiffly as he steps inside. "Councilwoman Richardson works fine," I reply, keeping my tone breezy as I shut the door behind him. "You''re early." "Early is on time," he says, scanning the room like he''s assessing it for hidden threats. His lip curls slightly when his gaze lands on the whiteboard. "This doesn''t exactly scream professional." "It''s private," I counter, "and neutral. Nobody''s watching, nobody''s listening. I figured you''d appreciate that." He doesn''t answer, but his expression says, We''ll see. He picks one of the sturdier chairs and sits down, positioning himself so he can see the door and the rest of the room at the same time. Predictable. The next one comes ten minutes late. The faint smell of rot hits me before the door even opens. Miasma shuffles in, head down, his hazmat suit hissing faintly with each step. The patches on his suit are worn, some fraying at the edges, and the mask is the old kind--the kind that makes him look more like a walking corpse than he already does. "Miasma," I greet, giving him a nod. "Glad you could make it." "Didn''t have much choice, did I?" he replies, his voice muffled by the mask. He doesn''t bother shaking my hand or even looking at me as he makes his way to a chair as far from Patriot as possible. He sits down heavily, the faint hiss of his suit filling the awkward silence. Patriot doesn''t hide his reaction. He wrinkles his nose, leaning back slightly like the smell might reach him if he gets too close. "Charming." "I''m not here to charm you," Miasma says flatly. "I''m here because I have no better options. Same as you." "Let''s hold off on assumptions," I say smoothly, stepping between them before Patriot can fire back. "We''re not here to bicker. We''re here to get results." The door buzzes again, cutting off whatever Patriot is about to say. I open it to find Turbo Jett leaning against the frame, her hair a wild mess of neon streaks, her leather jacket hanging loose over a bright blue bodysuit. She grins as soon as she sees me, popping her gum obnoxiously. "Nice digs," she says, sauntering past me and immediately making a beeline for the snack table. "Very ''startup that''s about to go under.'' You should''ve sprung for the beanbags." "Beanbags didn''t fit the budget," I reply, letting the door close. "Help yourself." "Oh, don''t mind if I do," she says, already tearing into a bag of pretzels. She spins on her heel, scanning the room as she chews. "Okay, so which one of you is the narc?" Patriot stiffens, his jaw clenching visibly. Miasma doesn''t even react, which I can tell throws her off a little. "Turbo," I say, giving her a pointed look. "Play nice." "What?" she says innocently, popping another pretzel in her mouth. "I''m just saying, we''ve got Hazmat Harry over there, and then Captain America''s racist cousin--" "That''s enough," I say, sharp enough to cut her off without raising my voice. Her grin fades, and she backs off, flopping into the nearest chair with an exaggerated sigh. "Fine, fine. I''ll behave. For now." The last one shows up late. Fifteen minutes late, to be exact. The door buzzes again, and I open it to find Captain Jersey Devil--Captain Devil for short--standing there with his hands stuffed in his pockets, looking like he''d rather be anywhere else. "Maya," he says, his voice low and gravelly. "This better not be a waste of my time." "Come in and find out," I reply, stepping aside to let him in. He moves slowly, his eyes darting around the room like he expects an ambush. He''s tall and broad-shouldered, with a dark red scarf wrapped around his neck and a duster that gives him a vaguely Hellboy-esque silhouette. Fitting. He doesn''t bother greeting anyone else as he takes a seat, slouching in a way that makes him look simultaneously bored and dangerous. Turbo Jett gives him a once-over, her eyebrows raising slightly, but she doesn''t say anything. Patriot and Miasma just watch him, each in their own way--one stiff and judgmental, the other detached and calculating.Stolen from its original source, this story is not meant to be on Amazon; report any sightings. With everyone seated, I step to the front of the room, positioning myself near the whiteboard. Four pairs of eyes turn to me, each carrying its own flavor of suspicion, skepticism, and barely restrained ego. This is going to be fun. "All right," I begin, clapping my hands together lightly. "Let''s get started. First off, I''m glad you all came. I know you don''t exactly trust me--or each other, for that matter--but we''re here because we have a common goal." "Do we?" Patriot asks, folding his arms. "Because right now, it looks like we''re here because you think you can manipulate us." I smile, not bothering to deny it. "Call it what you want. The fact is, the streets are crawling with Jump, and none of us are happy about it. I have the means to fix that. You have the skills." Turbo Jett snorts. "Oh, great. A team-up. What''s next, matching uniforms?" "If you''d prefer solo work, by all means, go ahead and try, with the new vigilantism bill in place," I say coolly. "But you''ll accomplish more together. And like it or not, you''re all in the same boat. Missteps. Tarnished reputations. Legal troubles that haven''t quite caught up with you yet." That shuts her up. Miasma leans forward slightly, his mask reflecting the fluorescent light. "And what''s in it for you?" "Stability," I say simply. "I have my reasons, but let''s keep it simple for now. You get clean slates, financial backing, and the chance to do some actual good. In return, I get results. Everybody wins." Captain Devil finally speaks, his voice a low rumble. "And if we don''t?" I smile again, just enough to show teeth. "Then you walk out that door, and I find someone else. No hard feelings." The room goes quiet, the weight of my words settling over them like a low-pressure system. I give them a moment to think it over, watching as their expressions shift--doubt, curiosity, calculation, resignation. "Let''s get one thing straight," I say, my voice steady. "You don''t have to like me. You don''t have to trust me. But you want to fix this city? You want to clear your names? Then this is how we do it. Together." I let the silence settle for a moment after my opening. You have to let them sit with it, let the gears turn. People don''t commit when they''re rushed--they commit when they convince themselves it''s their idea. Patriot is the first to break the quiet, leaning forward in his chair like he''s ready to grill me. "You''ve got my attention," he says, his tone clipped. "But you haven''t convinced me yet. What''s the play?" I smile, because of course he''d frame it like a mission briefing. He needs structure. Needs to feel like he''s in control, even when he isn''t. "The play," I say, "is a Registered Superhuman Entity team. You''ll operate under my civilian oversight, fully legitimized and above board. No more dodging cops. No more worrying about the new vigilantism bill tying your hands. You''ll have resources, legal protection, and public support. But most importantly, you''ll have the chance to make a real difference." Patriot crosses his arms, skeptical as ever. "And you''re the one overseeing this? A politician?" "Yes," I say simply, letting the word land. "Because I''m the only one who can make this happen. I know how the system works--how to bend it without breaking it. You''ve been out there long enough to see how broken it is. Tell me, Patriot, how many times have you stopped a crime only to see the criminals back on the streets the next week? How many times have you felt like you were fighting a losing battle because the system doesn''t back you up?" His jaw tightens. I can tell I''m hitting a nerve. "This is your chance to fix that," I continue. "America needs heroes who aren''t afraid to stand for its values. And you can lead the charge. Show them why your methods work. Lead by example." He doesn''t say anything, but the way he straightens in his chair tells me I''ve struck the right chord. Patriot wants to believe he''s the good guy, the one who can set things right. I can work with that. I shift my gaze to Miasma. He hasn''t moved much since he sat down, his hazmat suit hissing softly. He''s harder to read, but I''ve done my homework. Pragmatists like him don''t need flattery--they need results. "This is the best chance you''ll have to clean up Jump," I say, keeping my tone matter-of-fact. "You know it, I know it. We can''t trust anyone else to handle this as effectively as we can." He tilts his head slightly, the only indication he''s listening. "You''ve seen what it''s doing out there," I press. "Not just to the people taking it, but to the neighborhoods, the communities. It''s tearing this city apart. The cops can''t stop it. The Defenders won''t touch it. And you''re smart enough to know why." "They don''t want to dirty their hands," Miasma says quietly. "Exactly," I say, nodding. "But we can. We will. This team isn''t about being friends or holding hands--it''s about getting the job done. A necessary evil. And I think you can tolerate that, can''t you?" He doesn''t answer, but I can see the wheels turning behind that mask. He isn''t sold, not yet, but he isn''t walking out either. Progress. Turbo Jett is the easiest read in the room. She''s been fidgeting the whole time, tapping her fingers on the armrest, bouncing her leg, glancing at the door like she''s debating leaving just to see what I''d do. I turn my attention to her next, softening my tone. "Jasmine," I say, and she blinks, startled that I''ve used her name. "You''re a street-level hero. You''ve always done what''s right, even when the system screwed you over." She snorts, crossing her arms. "Yeah, and look where that got me." "Exactly," I say, leaning forward slightly. "The system failed you. But this? This is your chance to prove to them--and to yourself--that you''re better than that. That you''re more than the mistakes they pinned on you." Her lips press into a thin line, but she doesn''t interrupt. Encouraging. "You''re capable of so much more than they gave you credit for," I say. "Let me help you show them." She rolls her eyes, but there''s a flicker of something in her expression--pride, maybe, or the ghost of it. She wants to believe me. She just doesn''t want to admit it yet. Finally, I turn to Captain Devil. He''s been quiet, watching the whole exchange with the detached interest of someone who isn''t sure if he cares. But I know better. Andy doesn''t say much, but he feels everything. He wouldn''t be here if he didn''t care. "Andy," I say, keeping my voice low and even. "You''re a hero, no matter what anyone says. You''ve made mistakes, sure, but who hasn''t? You wouldn''t be here if you didn''t want to set things right." His jaw tightens, but he doesn''t look away. "This team gives you the chance to remind people of who you are," I continue. "The real you. The one who doesn''t give up when things get hard. The one who still believes in doing the right thing, even when it''s messy. You have a choice. You can keep hiding, or you can step back into the light." For a moment, I think he might say something, but he just nods, barely perceptible. That''s enough for now. I let the room settle again, watching their faces. Each one of them is running the math in their heads, weighing the risks against the rewards. That''s how you win people over--you give them the pieces, let them put the puzzle together themselves. "You don''t have to answer now," I say finally. "But think about this: the streets are changing. The world is changing. If we don''t adapt, we''ll get left behind. This team isn''t just about clearing your names or cleaning up Jump--it''s about shaping the future. Together." I stand, smoothing out my blazer. "Take your time. I''ll be here when you''re ready to talk details." And then I step back, letting them stew in the silence. The ball''s in their court now, and I know better than to rush a sale. MR.4.2 The rental space is quiet, save for the faint hum of fluorescent lights overhead. I dismissed everyone hours ago; no one else needs to be here for this. The air feels colder now, heavier, and I can''t tell if it''s the old building''s failing HVAC or my nerves finally catching up with me. The table in front of me is bare except for a folder and a small bottle of water--presentation matters, even if I have no idea what I''m walking into. I don''t hear him come in. One second, I''m alone in the room; the next, he''s filling the doorway like a shadow come to life. Big. Looming. A dark military jacket stretches across his broad frame, combat boots heavy enough to crack the cheap laminate flooring with every step. His beard, thick and neatly braided, ends in a gold cap, like a bottle lid--or the finishing touch on some old-style Pharaoh. "Porcelain," I say, keeping my voice steady as I stand. I make a point not to extend my hand; something tells me he isn''t the type to shake on things. "Welcome. Can I get you anything?" He steps fully into the room, and it feels like the walls shrink in response. "I''m fine," he says, his voice low and deliberate, as if every word has been weighed before leaving his mouth. Accented. Middle-Eastern, although I can''t quite pin it down. Not Iraqi. Not Iranian. Jordanian...? He doesn''t sit, doesn''t move to the table. Just stands there, looking at me like he''s already calculating something. I gesture to the chair opposite me, the only other one in the room. "Please. I''d prefer we didn''t stand the whole time." Porcelain nods once, a slow, deliberate motion, and moves to sit. The chair creaks under his weight and visibly bows down but doesn''t give way. He places his hands on the table--calloused, scarred, and leathery. "Thank you for making time," he says, like this meeting is for my benefit, not his. "I''m happy to," I reply, sitting down across from him. "Though I have to admit, I wasn''t expecting such a high-ranking member of... your organization to come in for little old me." His mouth twitches--almost a smile, but not quite. "We don''t operate like the Kingdom. Your Upper Management is free to hide in his office all day with his secretary. I handle my own affairs." Right. Because Red Calf doesn''t operate like the Kingdom. Or Rogue Wave. Or anyone else who plays this game. Not really a crime syndicate. Not really a supervillain team. Not really... anything. Just a coalition of the world''s best killers. "I heard about the Mudslide and Nothing extractions," he says, leaning back in his chair so delicately that it looks like he''s trying not to snap it in half. "Efficient work. Clean. No collateral beyond injuries. That''s good. It means they won''t come after you as hard." "That''s the goal," I say, watching him carefully. Compliments from someone like Porcelain aren''t compliments; they''re leverage, groundwork for whatever he''s about to ask. "But I doubt you''re here to talk about past successes." "No," he says simply. "I''m here to talk about what comes next." The air feels heavier. I fold my hands on the table, a picture of calm I don''t feel. "I''m listening." Porcelain tilts his head slightly, as if weighing how much to say. "I need someone extracted from Daedalus." I feel the noose tighten around my neck. I keep my face neutral, but my thoughts are already racing. "That''s a tall order." "You''ve proven you can handle tall orders," he says evenly. I hold his gaze. "Why her?" Porcelain''s expression doesn''t change. "She''s valuable." "She was valuable," I correct, keeping my tone even. "The Kingdom got what it needed from her. She''s burned out. Dangerous, sure, but unpredictable. Unreliable. There''s no more return on investment. She''s a totaled car. A spent shell casing." Porcelain leans forward slightly, just enough to make the room feel smaller. His fingertips rasp against one another audibly as they touch. "That''s not for you to decide."This story has been taken without authorization. Report any sightings. The words aren''t a threat, but they carry weight. My jaw tightens. "I''m not questioning your priorities. I''m questioning the logistics. Breaking into Daedalus isn''t just risky; it''s catastrophic. Even if we got her out, there''s no way to do it without heat. It would make global news in minutes. And that''s if we succeed." He doesn''t flinch. "You''re capable." "And you''re asking me to risk everything I''ve built in Philadelphia for a single asset," I say, my voice sharper now. "That''s not strategy; that''s hubris." Porcelain''s gaze doesn''t waver. "You''re thinking too small." I want to snap back, to remind him of my bona fides, my long-term plans. But something in his tone stops me. He isn''t condescending. He isn''t even challenging me. He''s stating a fact, as if he genuinely believes I don''t see the bigger picture. That I''m incapable--and all I need is tutoring. "Enlighten me," I say, leaning back in my chair. "She''s not just an asset," he says. "She''s a demonstration. A weapon. There are men out there who could kill me. One of your own incapacitated Captain Plasma like she was stealing candy from a baby, it was so easy. I''d like to make sure my asset is in the right hands, learning the right things, being trained the right way." "And whose hands are the ''right'' ones?" I ask, raising an eyebrow. Porcelain''s mouth twitches again, that almost-smile. "Ours." The simplicity of the answer makes it more unsettling. He isn''t trying to sell me on a vision or ideology. He isn''t even asking for my agreement. He''s just... stating it. I take a breath, keeping my composure. "Let''s say I agree to this. What''s your plan for when the entire world notices we''ve cracked open Daedalus?" "My organization will reward you with whatever necessary aid," he says. "In our usual way. If necessary." I almost laugh. That means killing people. Killing many people. Even worse for business. "What if I say no to your help? I''d prefer not to turn this into an F-rank mission of Assassin 2." Porcelain shrugs, a slow, deliberate motion. He doesn''t react to the video game reference. I imagine a guy like him is a little too busy destabilizing small countries to play video games in his free time. "Then you deal with the fallout. Are you not the best in the business? You''re a city councilwoman, Mrs. Zenith. You don''t become a politician without knowing how to handle a crisis." The casualness of it makes my skin crawl. This isn''t a negotiation; it''s an order wrapped in a polite suggestion. "I''ll need time," I say finally, choosing my words carefully. "To assess the risks. Plan accordingly. And consider the second-order effects. Work things into my plans." "Of course," Porcelain says, standing. The chair groans in relief as he rises to his full, towering height. "Take all the time you need." The implication is clear: as long as "all the time you need" doesn''t take too long. He moves toward the door without another word, his footsteps heavy but unhurried. At the threshold, he pauses, turning back to me. "You''ve built something impressive here, Zenith. Don''t let it go to waste." The air seems to grow heavier as he lingers, like he''s not quite done yet. "I''ve also heard about your recent ventures," he adds, his tone measured. "Hypeman, was it? Efficient. Functional. The rollout''s been... impressive." The compliment feels more like reconnaissance than praise, but I incline my head slightly. "We''ve had success," I say, keeping my tone even. Porcelain''s dark eyes lock onto mine, assessing. "I''d like to make a purchase for my people. Field testing. Who handles your procurement?" I pause, my mind already flipping through the logistics. This isn''t a small ask, but there''s no point in saying no. Not to him. "Hold on," I say, standing and moving to the small desk against the wall. I grab a blank legal pad and scrawl an address and a phone number in clean, deliberate letters. No hesitation, no second thoughts. Just the cost of doing business. Tearing the sheet free, I walk back to him, folding it once before slipping it into the pocket of his jacket. I know trying to get him to grab a piece of paper would probably just result in it disintegrating. "This will get you in touch with the right people. They''ll handle everything from there." Porcelain looks down briefly, the faintest hint of a nod acknowledging my gesture. "Thank you." He doesn''t say more. His presence lingers in the room even as he turns and finally steps out. The door clicks shut behind him, the sound sharper than it should be, and suddenly the room feels larger. Or maybe I''m just smaller. I stand there for a moment, staring at the closed door, letting the weight of the conversation settle over me. My fingers brush against the edge of the table, a small, grounding gesture as my mind races. I''ve survived bigger risks than this. I''ve outmaneuvered people just as dangerous than Porcelain. But that doesn''t make him any less of a threat. The only reason he''s not getting her himself is because he''s trying to test me - to recruit me? Maybe. But I know he could just walk through Daedalus like it was made of cardboard. So I have to start considering his ulterior motive - but what? Why? I exhale slowly, moving back to my seat. The legal pad is still on the desk, a single sheet missing but the imprint of my handwriting visible on the page beneath it. The thing about power--real power--is that it''s never just yours. It''s borrowed, leveraged, pulled from everyone around you. Loaned, with interest. I lean back in the chair, staring at the ceiling. The fluorescent lights buzz faintly, the only sound in the otherwise silent room. My mind keeps circling back to his parting words: Don''t let it go to waste. I reach for the water bottle on the table, twisting the cap off and taking a long sip. It''s lukewarm, flat, but it steadies me. Because tomorrow, the game continues. And I''m not about to lose. WORLD OF CHUM: Private Superheroing (2) Central Intelligence Agency: Special Activities Division (SAD)

CONFIDENTIAL Subject: Operational Analysis of Private Military Contractor "Red Calf" Compiled By: Special Activities Division, Counter-Terrorism Task Force (CTTF) Date: September 2024

1. Overview of Red Calf

Official Name: Red Calf Incorporated Classification: Private Military Contractor (PMC) Headquarters: Suspected Zurich, Switzerland (Corporate Offices) Operations Range: Global, with significant activity in Sub-Saharan Africa, Southeast Asia, Eastern Europe, and occasional operations in the Americas. Operational Focus: Red Calf positions itself as a premium PMC, offering high-end military and paramilitary services. It boasts a roster of elite operatives, including numerous superhuman contractors (referred to internally as "specialist personnel"). The organization''s clients include nation-states, multinational corporations, and private individuals seeking solutions to high-value military objectives. Red Calf has successfully positioned itself as a ¡°clean,¡± reliable alternative to less reputable contractors, maintaining an official stance of adhering to international law.

2. Public Mission Statement

"To provide effective, ethical, and innovative military solutions to governments and organizations committed to the pursuit of global security."
While the mission statement emphasizes ethical operations, independent investigations suggest that Red Calf frequently accepts contracts in "gray zones" of legality, including regime destabilization, counterinsurgency, and high-profile assassinations.

3. Organizational Structure

Red Calf is publicly structured like a modern corporation, with clearly delineated divisions and a hierarchical leadership model. The following outlines the known organizational structure based on intelligence reports: Chief Executive Officer (CEO): Alexander Staedler Swiss national. Former banking executive with no known combat experience. Staedler oversees contract negotiations and ensures compliance with international regulations to maintain Red Calf¡¯s legitimacy. Chief Financial Officer (CFO): Dr. Emiliana Cardoso Brazilian economist and former IMF strategist. Cardoso handles Red Calf¡¯s financial operations, ensuring payments and assets remain untouchable through offshore networks. Director of Public Relations: Kevin Mahoney American political strategist with ties to U.S. senators and major corporations. Mahoney crafts narratives to frame Red Calf as a legitimate global necessity. Chief Legal Officer (CLO): Grace Yamaguchi Japanese-American international lawyer specializing in war crimes and defense contracts. Yamaguchi handles Red Calf¡¯s legal defense, ensuring compliance with international laws while exploiting loopholes to shield the organization from accountability. Head of Recruitment: Kasim Jafari Pakistani recruiter with a background in controversial private security. Jafari draws talent from failed states, criminal networks, and disbanded militaries. Chief Operations Officer (COO): Lt. Gen. Dominic Hartley (Ret.) Former British SAS officer. Hartley directs all field operations, from strategic planning to tactical execution. Notable for aggressive recruitment practices, including the hiring of ex-supervillains and former law enforcement officers with checkered pasts. Director of Tactical Training: Col. Ilya Dragunov (Ret.) Russian Spetsnaz defector. Dragunov is responsible for developing the PMC¡¯s rigorous training regimens. His focus is on integrating conventional and superhuman combat techniques, ensuring Red Calf operatives are prepared for any scenario. Quartermaster-General: Anders Falk Former grey-market arms dealer from Norway. Falk manages Red Calf¡¯s supply chain, ensuring that operatives are equipped with state-of-the-art weaponry and custom gear. He¡¯s also responsible for procuring experimental equipment tailored to specific superhuman abilities.

4. Operational Highlights

Red Calf¡¯s success lies in its ability to blend conventional and superhuman warfare. Intelligence reports highlight the following characteristics of their operations: A. Superhuman Integration Red Calf employs a disproportionately high number of superhumans compared to other PMCs, with estimates suggesting they make up 30¨C40% of its active operatives. These individuals are often used for:
  • Strategic assassinations.
  • Disabling infrastructure.
  • High-intensity combat missions requiring unique capabilities.
B. Notable Engagements
  • "Operation Coldlight" (March 2021): Intelligence suggests Red Calf played a role in the destabilization of the Kravchenko regime in Eastern Europe, leading to a significant shift in regional power dynamics. Superhuman operatives were deployed for precision strikes on critical infrastructure.
  • "The Cassava Crisis" (May 2024): Red Calf contractors were confirmed on the ground in Sub-Saharan Africa during a regional conflict tied to control of agricultural resources. Satellite imagery confirmed the use of advanced explosives and aerial reconnaissance likely conducted by superhuman assets.
C. Equipment and Tactics Red Calf operatives use custom-designed equipment, often tailored to individual superhuman capabilities. This includes adaptive body armor, advanced sensor systems, and unconventional weaponry not widely available on global arms markets.This story originates from a different website. Ensure the author gets the support they deserve by reading it there.

5. Risk Assessment

While Red Calf is not officially designated as a terrorist organization, its activities in destabilizing regions and undermining democratic institutions present a clear and growing threat to U.S. interests. The organization''s willingness to operate in legal gray areas, coupled with its elite roster, makes it one of the most dangerous PMCs globally. Known Risks Include:
  1. High-Level Contracts: Red Calf frequently takes on high-profile, high-risk operations, including the assassination of political figures and sabotage of critical infrastructure.
  2. Clientele: Red Calf''s willingness to work for both legitimate governments and private interests blurs ethical boundaries and complicates accountability.
  3. Superhuman Threats: The high concentration of superhuman operatives increases the lethality of their operations and poses unique challenges for counteraction.

6. Known Personnel of Interest

While Red Calf''s inner workings remain opaque, several high-profile operatives have been identified:

Chezki Espinosa ("Porcelain")

Known Affiliations: Former Mossad operative, current Red Calf contractor. Operational Role: High-lethality field operative specializing in assassination and sabotage. Capabilities: Espinosa¡¯s enhanced physiology (extreme durability and strength) makes him impervious to most small arms and able to neutralize armored threats in close combat. He is highly trained in unarmed combat, small arms, and demolitions. Espinosa is one of the few G10 rated superhumans on record (see attached PERKS assessment). Operational History: Espinosa has been linked to assassinations of high-ranking officials in North Africa and the Middle East, as well as infrastructure sabotage missions targeting oil pipelines and military supply chains. Assessment of Threat: Espinosa¡¯s abilities and tactical acumen make him one of the most dangerous individuals within Red Calf. His presence on a mission almost guarantees operational success. Intelligence Gaps: Details on his command authority within Red Calf remain unknown, though he is suspected to report directly to senior leadership. Recommendation: Priority surveillance target. Countermeasure development against his enhanced physiology is a critical need.

Jared Cross ("Tarbaby")

Known Affiliations: Former Royal Engineers (UK), now a high-profile saboteur within Red Calf. Operational Role: Infrastructure sabotage expert and infiltration operative. Capabilities: Proficient in demolitions, electrical systems, and mechanical engineering. Known for creating cascading failures in logistical networks and infrastructure. Operational History: Cross has been tied to the catastrophic failure of a high-speed rail system in Southeast Asia and the disruption of naval operations in the Mediterranean through targeted supply chain attacks. Assessment of Threat: Cross¡¯s expertise in infrastructure sabotage makes him a significant risk to critical national infrastructure. His use of subtle and delayed effects makes detection and attribution difficult. Intelligence Gaps: Unclear how Red Calf deploys Cross or selects his targets. No confirmed sightings in the past 12 months. Recommendation: Monitor international infrastructure failures for Cross¡¯s operational signature.

Samuel Royce ("Gallows")

Known Affiliations: Former U.S. Marine Corps scout sniper; dishonorably discharged following allegations of unlawful combat actions. Operational Role: Precision marksman and overwatch specialist. Capabilities: Royce¡¯s sniper proficiency includes confirmed hits from extreme ranges under adverse conditions. His stealth capabilities and knowledge of counter-sniper tactics make him a top-tier marksman. Operational History: Linked to high-profile assassinations in Central Asia and the Caribbean, often targeting political leaders or military officials. Known to operate solo but capable of coordinating with small tactical units. Assessment of Threat: Royce¡¯s precision and stealth make him a near-undetectable threat in open combat or assassination scenarios. His presence in operational zones indicates high-value targets are at risk. Intelligence Gaps: Limited data on his support networks and operational methods. Recommendation: Prioritize counter-sniper training for personnel in regions where Red Calf operates.

Anika Voss ("Lotus")

Known Affiliations: Former intelligence officer for the Slovak Information Service (SIS), defected under unknown circumstances in 2016. Operational Role: Psychological operations specialist and undercover operative. Capabilities: Voss excels in long-term infiltration and psychological manipulation, exploiting political, cultural, and military tensions to sow chaos. She is fluent in seven languages, including Russian, Arabic, and Mandarin, and demonstrates an exceptional ability to cultivate trust and access classified information. Operational History: Believed to have orchestrated disinformation campaigns and political scandals in Eastern Europe, including destabilization efforts in Belarus and Georgia. Credited with exacerbating ethnic divisions during civil unrest in Central Africa, likely on behalf of Red Calf clients. Assessment of Threat: Voss represents a significant strategic threat due to her capacity to destabilize regions covertly. Her operations are subtle and often only detectable through their long-term fallout. Intelligence Gaps: Limited insight into her current role within Red Calf. Most recent confirmed activity suggests involvement in political unrest in a Southeast Asian nation. Recommendation: Cross-reference her operational signature with political destabilization events and maintain HUMINT assets in high-risk zones where Voss may operate.

7. Strategic Recommendations

1. Continued Monitoring: Intelligence agencies must prioritize surveillance of Red Calf¡¯s operations, particularly its superhuman personnel. 2. Limit U.S. Contracts: Any engagement with Red Calf risks public exposure and backlash. While Red Calf remains an asset in certain operations, its long-term destabilizing effects outweigh its utility. 3. Counter-Superhuman Strategy: Enhanced training and equipment are necessary to counteract Red Calf¡¯s superhuman operatives in the field. Consider increased funding for domestic programs targeting superhuman integration into U.S. military units.

8. Conclusion

Red Calf represents a unique and growing threat in the private military sector. Its integration of superhuman capabilities, high-profile clientele, and willingness to operate outside legal boundaries position it as a critical target for continued intelligence efforts. While not yet labeled a terrorist organization, its activities warrant close scrutiny. Chapter 155.1 The holding cell smells like stale coffee and some kind of industrial cleaning solution that definitely isn''t doing its job. The air''s cold enough to make me wish I''d worn an extra hoodie under the costume, but hindsight''s 20/20, right? At least the bench is wide enough for me to stretch out a little without feeling like I''m glued to Maggie''s side. Not that Maggie''s bothered by any of this. She''s sitting next to me, kicking her legs like we''re just hanging out at the park or something. Her foot keeps tapping the wall, like, thunk-thunk-thunk, and it''s driving me insane, but I don''t tell her to stop. Not yet, anyway. "You know," Maggie says after a while, her voice cutting through the quiet, "this isn''t actually as bad as I thought it''d be. Like, on TV, it''s all bars and rats and scary guys screaming at each other, but this is just... kinda boring." I glance at her. "That''s what you''re thinking about right now? The Yelp review for holding cells?" She grins, wide and toothy. "I''m just saying. Three stars. Needs better seating, maybe a vending machine." I snort, leaning back against the wall. My mask''s pulled down around my neck, which makes me feel weirdly exposed, but the cops made me take it off when they brought us in. Something about protocol. Maggie''s still got hers shoved up on her forehead like a headband, which is such a Maggie move it almost makes me laugh. Almost. "You''re way too chill about this," I say, crossing my arms over my chest. "We just got arrested, Maggie. Like, actual arrested. This is not a chill situation." She shrugs, her shoulders bouncing like it''s no big deal. "I mean, yeah, it''s not great, but it''s not like they''re gonna throw us in juvie or anything. We''re minors, and there''s laws about this kind of thing." "Laws," I repeat, raising an eyebrow. "You really think the law''s gonna save us? The same law that says we''re not allowed to do any of the stuff we just did?" "Not that law," she says, rolling her eyes like I''m the one being ridiculous. "I''m talking about the SJSA. The Superhero Juvenile Safety Act?" I blink at her. "What?" "You don''t know about the SJSA?" She looks genuinely shocked, like I just told her I don''t know how to tie my shoes. "Sam, come on. How do you not know about this? It''s, like, the one good law for us out there." "I don''t know," I say, throwing up my hands. "I didn''t even realize there was a law for that. What, do you go to the library or something?" "You don''t?" Maggie replies, blinking at me. I scrunch my face up under my mask. Maggie shakes her head, looking way too smug for someone who''s currently in a holding cell. "Okay, fine. Let me educate you. The SJSA is this law they passed a while back that says cops can''t just unmask us or out our identities unless they''ve got, like, a really good reason. It''s supposed to protect minors with powers from getting targeted or exploited or whatever." I squint at her. "So, what, they''re just gonna let us go because of some rule in a law book?" "No," she says, dragging the word out like she''s explaining multiplication to a toddler. "But it means they can''t, like, ruin our lives over this. Worst case, they call our parents, give us a slap on the wrist, and tell us not to do it again." I stare at her. "That''s your worst case? Getting ratted out to my parents is literally the worst thing I can think of right now." "Oh, come on," Maggie says, nudging me with her elbow. "Your mom''s cool. She probably won''t even yell." "She doesn''t yell," I say. "She just looks at you like you broke her heart, and then you feel like crap for a week. My dad, though? He''s gonna flip." "Okay, fair," Maggie says, leaning back and propping her hands behind her head. "But still. Better than jail, right?" "Sure," I mutter, even though I''m not entirely convinced. I''m trying not to think about what''s waiting for me at home. Or how much worse this is gonna get if word gets out. Bloodhound arrested. Great headline. Really inspiring stuff. The door at the far end of the room creaks open, and we both snap our heads up. A cop steps inside, a middle-aged guy with a mustache that looks like it belongs in a different decade. He doesn''t say anything at first, just gives us that cop look--the one that makes you feel guilty even if you didn''t do anything. Which, okay, maybe I did do something, but still. "Ladies," he says, his voice gruff but not exactly unfriendly. "You''re up next. Stay put. Someone''ll come get you in a minute." "Cool," Maggie says, giving him a thumbs-up like this is all perfectly normal. He stares at her for a second before shaking his head and leaving.If you discover this narrative on Amazon, be aware that it has been stolen. Please report the violation. As soon as the door closes, I turn to her. "What the hell was that?" "What?" she says, blinking at me. "The thumbs-up," I say, mimicking her gesture. "What was that supposed to do?" She shrugs again. "I don''t know. Seemed polite." I bury my face in my hands. "We''re so screwed." "Relax," Maggie says, patting my shoulder like she''s trying to calm a skittish cat. "Just be cool, answer their questions, and we''ll be out of here in no time." "Yeah, no," I say, dropping my hands. "Rule number one: don''t talk to cops. You wait for a lawyer." Maggie frowns. "Do we even get lawyers for this?" "We''re supposed to," I say, even though I''m not entirely sure how that works. "That''s what they always say on TV, right? ''You have the right to an attorney'' and all that?" "I guess," Maggie says, her frown deepening. "But we didn''t even get Miranda''d. Do they still do that?" "I don''t know," I admit, the knot in my stomach tightening. "But I''m not saying anything without a lawyer. And you shouldn''t either." Maggie looks like she wants to argue, but the door creaks open again before she can. This time, it''s a younger cop, maybe late twenties, with a clipboard in one hand and a bored expression on his face. He doesn''t even look at us as he says, "Small, O''Brien. Let''s go." The room they take us to is cold. Like, not regular cold, but the kind of cold that feels deliberate. The kind of cold that says, You''re not welcome here. There''s a metal table bolted to the floor, and the chair creaks ominously when I sit down. Maggie''s across from me, fidgeting with the hem of her hoodie, and I can tell she''s trying really hard not to look as nervous as she feels. It''s not working. The younger cop--the one with the clipboard from earlier--is sitting on the other side of the table, flipping through some paperwork like he''s trying to look busy. He hasn''t said a word since we walked in, which is somehow worse than if he''d started yelling at us. I cross my arms and lean back, trying to look unbothered. It''s harder than I want it to be. "So," he says finally, without looking up. "Bloodhound and Flashpoint." My stomach twists, but I keep my face neutral. Maggie, of course, pipes up immediately. "That''s us," she says, forcing a grin that''s way too big for the situation. "Hi." He looks up at her, raising an eyebrow. "You think this is funny?" Her grin falters. "No, sir. Just, uh... trying to be polite." The corner of his mouth twitches like he''s trying not to laugh, but it''s gone in a second. "Polite," he repeats, leaning back in his chair. "You kids think you''re real polite, huh? Out there in the streets, smashing up property, sticking your noses where they don''t belong?" "We weren''t smashing anything," I say, my voice sharper than I mean it to be. A smaller, more reasonable part of my head says STOP SAYING THINGS, STOP TALKING TO THE COPS, SHUT THE FUCK UP, but I''m too angry to listen. "We were helping. If we hadn''t shown up, someone could''ve died." He turns his gaze to me, and it''s like staring down a spotlight. "And you think that makes it okay? Running around in masks, breaking the law, putting yourselves and everyone else at risk?" I don''t flinch. "We didn''t break anything. We stopped a fight. We protected people. Isn''t that what you''re supposed to do?" His jaw tightens, and I can tell I''ve hit a nerve. Good. But before he can say anything, the door opens, and a second cop walks in. This one''s older, with a face like he''s carved out of granite and a voice to match. "Enough," he says, and Clipboard immediately shuts up. Granite Face takes a seat next to him, folding his hands on the table like he''s about to tell us a bedtime story. "Listen," he says, his tone calm but heavy. "We''re not here to ruin your lives, okay? You''re kids. We get that. But you need to understand something--you''re playing a dangerous game." I glance at Maggie, and she''s staring at him like he''s a particularly intense teacher giving her a lecture. "We''re not playing anything," she says, her voice quiet but steady. "We''re trying to help." Granite Face sighs. "Help. Right. You think you''re helping by putting yourselves in the middle of a gang war? You think those people out there care about your good intentions? They don''t. They''ll chew you up and spit you out without a second thought." "We''re not scared of them," I say, even though the memory of Bash and his stupid syringe is still fresh in my mind. "We can handle ourselves." "Oh, yeah?" He leans forward, his eyes narrowing. "And what happens when you can''t? What happens when one of you doesn''t come home? You think your parents are gonna be okay with that?" I bite the inside of my cheek, hard enough to taste blood. Maggie''s the one who answers, her voice softer now. "We''re careful," she says. "We don''t take unnecessary risks." Granite Face snorts. "Unnecessary risks? You were in the middle of Kensington, breaking up a fight between two gangs armed to the teeth. If that''s not a risk, I don''t know what is." I open my mouth to argue, but Maggie kicks me under the table. I glare at her, and she shakes her head slightly, like she''s telling me to drop it. I don''t want to, but... fine. For now. "We''re not here to charge you," Granite Face says, leaning back in his chair. "Not this time. But you need to understand something--we''re watching you. And if you keep this up, if you keep putting yourselves in danger and making things worse, we''re not gonna look the other way. Got it?" Neither of us says anything, but he takes our silence as agreement. Clipboard clears his throat, looking awkward. "Alright," he says, glancing at his watch. "Let''s get this over with. Names, fingerprints, and then you''re out of here."
The processing part is somehow worse than the lecture. They take our names, our fingerprints, even a photo. Maggie makes a joke about it being like a yearbook picture, but the cop taking the photo doesn''t laugh. Neither do I. The whole thing feels weird and... wrong. Like we''re being cataloged. It makes my skin crawl. By the time we''re done, my hands feel sticky from the fingerprint ink, and I''m so ready to leave I could scream. But, of course, we can''t just walk out. They''ve called our parents. Because of course they have. The waiting area is quieter than the holding cell, but it''s the bad kind of quiet. The kind where you know something''s coming, and it''s not gonna be good. Maggie sits next to me, tapping her foot against the floor, and I can tell she''s nervous now. The bravado from earlier is gone, replaced by that jittery energy she gets when she''s about to do something dumb. I nudge her with my elbow. "Relax," I mutter. "It''s not the end of the world." "Easy for you to say," she whispers back. "Your mom''s cool. Mine''s gonna ground me for a year." "Better than jail," I say, but it doesn''t make her look any less freaked out. Chapter 155.2 The door to the waiting area creaks open, and I look up, half-hoping it''s someone else''s turn. Nope. It''s Mom, and she''s in full storm mode--cardigan slung over her arm, hair frizzed out from too much fidgeting. Dad''s right behind her, looking even worse. He''s wearing wrinkled pajamas that he clearly just pulled out of the laundry. He''s got that set to his jaw, the one that means nothing good is about to come out of his mouth. It''s almost 3 AM. No one''s at their best. "Samantha," Mom says sharply, her voice low but cutting through the quiet. She only calls me that when she''s so mad she can''t even think straight. "Let''s go." I glance at Maggie, who''s shrinking into her seat like she''s hoping to disappear. "Uh... okay," I mumble, pushing myself up. My legs are stiff from sitting so long. Dad waves off the officer behind the desk, who says something about "next steps" and "advice for the future." Mom doesn''t even acknowledge him, just turns on her heel and walks out the door. Dad follows, motioning for me to hurry up. I glance back at Maggie one last time, mouthing good luck before I jog to catch up. Outside, the air is cool and damp, the kind of sticky Philadelphia spring night where the pavement smells like rain even though it hasn''t rained. Mom''s pacing in the parking lot, her cardigan still draped over her arm, and Dad''s leaning against the car with his arms crossed. Their faces are lit by the harsh glow of the streetlights, making them look even more tired than they probably feel. "What were you thinking?" Mom snaps the second I step into the open. "No, don''t answer that--because clearly, you weren''t." "I was--" "Stop," Dad interrupts, holding up a hand. His voice is calm, but it''s that deadly kind of calm that''s way worse than yelling. "Before you even start: don''t. You''re not going to talk your way out of this." I shut my mouth, my fingers curling into fists at my sides. This isn''t fair. I didn''t do anything wrong. Not really. "We told you," Mom says, her voice trembling as she points a finger at me, "we told you to keep your head down. Do you have any idea what kind of risk you''re taking every time you go out there? And now this? Arrested? Fingerprinted?" "They didn''t charge me," I say, trying to keep my voice steady. "It''s fine." "It''s not fine, Sam!" Mom practically yells, and I see her catch herself, glancing around the empty parking lot before lowering her voice. "You think just because they let you go, you''re in the clear? The police are not your friends. They''re not here to help you. They''re here to enforce the law, and right now, the law is against you." "That''s not fair," I say, my chest tightening. "I''m trying to help people. I''m not a criminal." "That doesn''t matter," Dad says sharply, pushing off the car to step closer. "You think they care about your intentions? About why you''re out there? All they see is another vigilante breaking the rules. And do you know what happens if you get arrested again? Or worse?" I don''t answer, because I don''t know. And I don''t want to. "You think this is a game, but it''s not," Dad continues, his voice rising just enough to make me flinch. "Every time you put that mask on, you''re painting a target on your back--not just from the criminals, but from the cops. And if they decide they''ve had enough? If they decide you''re more trouble than you''re worth? Do you think they''ll hesitate to unmask you? To ruin your life?" I look down at the pavement, my jaw clenched. "I''m careful," I mutter, but it sounds weak even to me. "Careful?" Mom throws up her hands, the cardigan slipping to the ground. "You call this careful? You''re sixteen, Samantha. Sixteen! You shouldn''t even be out that late, let alone doing... this!" "It''s not like I was robbing a bank," I snap, my frustration boiling over. "I was stopping people from getting hurt. Isn''t that what you raised me to do? To help people?" "We raised you to be smart," Dad says, his voice cold. "To know when the risks outweigh the rewards. This isn''t just about you, Sam. If something happens--if you get hurt, or arrested again, or worse--how do you think that affects us? How do you think we''re supposed to live with that?"The tale has been taken without authorization; if you see it on Amazon, report the incident. I don''t have an answer for that, so I don''t say anything. The silence stretches, heavy and suffocating, until another car pulls into the lot. Maggie''s parents. Mr. O''Brien steps out first, slamming the door hard enough to make me jump. He''s a big guy, with a presence that practically fills the lot, and the look on his face is pure thunder. He''s got salt-and-pepper hair and a scowl that could melt steel Mrs. O''Brien is right behind him, her heels clicking against the pavement like a countdown to an explosion. She''s smaller, thin, almost mousey. They''re sort of opposites to my parents, in that way. Maggie - who has been staring out the window - sort of slinks through the door towards them, looking like she''d rather crawl under a rock than face this. I''ve never seen her look this nervous before--not even when we''re out on patrol. "Magdalene O''Brien," Mrs. O''Brien snaps, her voice like ice. "Get over here." Maggie shuffles toward them, her head down. "Hi, Mom. Hi, Dad." "Don''t you ''hi'' me," Mrs. O''Brien says, her hands on her hips. "What were you thinking? Out at this hour, doing God knows what--" "We weren''t doing God knows what," Maggie mutters, barely loud enough to hear. "We were training." "Training?" Mr. O''Brien cuts in, his voice sharp. "That''s what you call getting arrested? Training?" "We didn''t get arrested," Maggie says quickly, glancing at me like I can somehow back her up. "Not really. They didn''t charge us." "That doesn''t make it okay!" Mrs. O''Brien snaps, throwing her hands in the air. "Do you have any idea how dangerous this is? How irresponsible? You could''ve been hurt--or worse! Do you even think about what this does to us? To your family?" "I was fine," Maggie says, her voice cracking just a little. "I wasn''t doing anything wrong--" "Oh, don''t you dare," Mrs. O''Brien cuts her off, stepping forward like she''s about to grab Maggie by the shoulders and shake her. "You were out in the middle of the night, fighting God knows who, risking your life for what? For what? Some... some childish idea of heroism? Do you even realize what you''re putting us through? You think this is some kind of game?" "It''s not a game!" Maggie shoots back, her hands balling into fists. "I know it''s dangerous. I know what I''m doing!" "You clearly don''t," Mrs. O''Brien spits, her face red. "If you did, we wouldn''t be here right now, would we?" "She wasn''t alone," Mom says suddenly, her voice cutting through the escalating tension. All eyes turn to her, and her tone is as sharp as broken glass. "Our daughter was with her. They''re both to blame for this." Mrs. O''Brien''s eyes narrow, and I can feel the storm brewing before she even opens her mouth. "Oh, is that so? Well, maybe if your daughter hadn''t dragged mine into this ridiculous mess--" "Dragged her into this?" Mom''s voice rises, the edge of fury creeping into her words. "Maybe you should take a closer look at your own daughter before you start pointing fingers. You think Sam has a monopoly on bad decisions? Maggie''s not exactly innocent in all this." "Oh, don''t you try to turn this around," Mrs. O''Brien snaps, stepping closer, her arms crossed like she''s bracing for a fight. "We''ve been dealing with your daughter''s influence for months now. Maggie wouldn''t even think about pulling this kind of stunt if it weren''t for her." "Influence?" Mom''s voice goes cold, her hands clenching into fists at her sides. "Are you seriously blaming my daughter for your kid''s choices? Because let me tell you something--Sam didn''t force Maggie to put on a mask. She didn''t force her to go out there tonight. Your daughter made that decision all on her own." "And where do you think she got the idea?" Mrs. O''Brien shoots back, her voice rising to match Mom''s. "Maggie didn''t even care about this stuff until Sam - until Sam dragged her into it. You think we don''t see what''s happening here?" "She saved my life," Maggie almost whimpers, but I think it just gets lost in the crescendo. Which is true! Man. It''s so much easier when it''s Jordan''s shithead mom. "Excuse me?" Mom''s voice is like a whipcrack now, and even I flinch. "You don''t know the first thing about my daughter. She''s out there risking her life to help people because someone has to, and maybe if more parents raised their kids to care about the world around them--" "Oh, don''t you dare lecture me about parenting," Mrs. O''Brien snaps, cutting her off. "Your daughter''s been playing superhero for what, two years now? And what has it gotten her? A trip to the ER every other month? A criminal record? You think that''s something to be proud of?" "Okay," Dad says loudly, stepping between them before things can escalate any further. His voice is firm, his hands up in a gesture of calm. "That''s enough. We''re not doing this here." He''s right. No one wants to be here--standing in a parking lot at 3 AM, arguing like idiots while the cops inside probably listen through the windows. Mrs. O''Brien huffs but doesn''t argue, grabbing Maggie by the arm and leading her to their car. Mr. O''Brien follows, his glare burning into me like he''s blaming me for all of this. When they''re gone, Mom turns back to me, her face pale and tired. "We''re going home. Now."
The car ride is silent, but the kind of silence that presses down on you, heavy and suffocating. Mom''s staring out the window, her arms crossed, while Dad grips the wheel so tightly his knuckles are white. I sit in the back, staring at my hands and trying to ignore the fingerprint ink still stuck to my skin. "You can''t keep doing this, Sam," Dad says finally, his voice quiet but firm. "One of these days, it''s not going to end with a warning. And when that happens..." He doesn''t finish the sentence, but he doesn''t need to. I already know. Chapter 155.3 The music hall is quieter than usual when I walk in, which makes sense--it''s the middle of the day, and none of us are supposed to be here. I had to promise my parents I''d keep my location tracker on and wouldn''t even think about putting on my mask, and they still almost didn''t let me come. Mom made me swear on Mom-Mom''s grave that I wouldn''t do anything "reckless" until further notice. Which, fine. I guess they deserve that much after last night. Doesn''t mean I have to like it. The hall itself smells like wood polish and dust, like it''s trying to remember the days when it hosted actual music instead of a bunch of teenage vigilantes with bad sleep schedules and worse judgment. Tasha''s perched on one of the old couches with her laptop, headphones on, completely tuned out. Lily''s sprawled on the floor doing some kind of stretches that look like they''re one step away from yoga. Amelia''s leaning against the counter near the kitchenette, arms crossed and looking like she''s already over whatever''s about to happen. And then there''s Jordan, sitting cross-legged on top of the ping-pong table, grinning like they''ve just won the lottery. "Well, well, well," Jordan says, drawing the words out like they''re savoring them. "If it isn''t our fearless leader, fresh from her brush with the law." I roll my eyes. "Don''t start." "Oh, I''m starting," they say, hopping down from the table with an exaggerated bow. "Ladies and gentlemen--oh wait, it''s just us ladies and me--let''s all give a big round of applause to Samantha Small, defender of the innocent, breaker of minor ordinances, and recent graduate of Police Holding Cell 101!" Lily claps enthusiastically from the floor. Amelia doesn''t bother, but I catch the faintest twitch at the corner of her mouth, which is basically a standing ovation coming from her. "Thanks," I mutter, dragging a hand down my face. "Really appreciate the support." Maggie''s voice crackles from the phone in my pocket. "Hey, I''d clap too if I wasn''t stuck at home. Turbo grounded, remember?" "Right," I say, pulling the phone out and putting it on speaker so she doesn''t feel completely left out. "Everyone say hi to Maggie." "Hi, Maggie," they all say in unison, except Tasha, who just waves without looking up from her laptop. "Hi, guys," Maggie chirps. "Hope you''re having fun without me." "We''re not," I say quickly, glaring at Jordan when they open their mouth to argue. "Anyway, let''s get this over with. What''s the big deal?" Jordan crosses their arms, looking way too pleased with themselves. "First of all, I''d like to announce that I am officially done with all my assignments and finals for the year." "It''s April," I say flatly. "What the hell are you talking about?" They shrug, their grin turning almost sheepish. Like they weren''t expecting anyone to actually question that. "I, uh, kind of... got permission to finish everything early?" "You what?" Maggie yells through the phone, her voice distorted by the speaker. "How is that even possible?" "Because you''re a huge nerd," I snipe. "And a teacher''s pet." "J''accuse!" Jordan scoffs. "Moi?" "That''s not how you use that," Tasha yells, just loud enough to be heard. "Anyway, I told them that I had MIT stuff I needed to focus on, which is not a total lie," Jordan explains, not looking anyone in the eye. Amelia snorts. "Of course you did." "Anyway," Jordan says, waving off the teasing, "the point is, I''m free to focus on important stuff now. Like planning revenge, and keeping all of you out of jail." "Wow, thanks," I say, pretending to be offended. "Really inspiring vote of confidence there." "Do the rest of you guys even have time to do your homework?" Tasha asks. "We manage," Maggie crackles. "Oh, you''re welcome," Jordan shoots back to me. "So. How''d your little adventure go last night? I heard there was drugs involved?" I groan, flopping onto the couch next to Tasha, who finally pulls off her headphones to join the conversation wholeheartedly. "Yeah, about that. Bash--this big guy who was definitely not on Jump--used some kind of drug mid-fight and basically turned into a walking tank. Like, went from "strong" to "crazy" instantly." Jordan frowns, leaning forward. "What kind of syringe?" "Black," I say, trying to remember the details. "Sleek, professional-looking. Like something you''d see in a hospital, not, you know, on the street." "That doesn''t sound like Fly," Tasha says, typing something into her laptop. "Fly''s a mess. I think you get it out of a vial or out of like... scavenged, refilled epipens." "Exactly," I say, nodding. "These were like... manufactured and shit. No label. Not that I got a good look at it, I think the police scooped the thing up." "Any idea who they were working for?" Amelia asks, her tone skeptical. "Not directly," I admit. "But it''s gotta be connected to the Kingdom somehow, or Rogue Wave. There''s no way something like that isn''t part of a bigger plan."Unauthorized content usage: if you discover this narrative on Amazon, report the violation. Jordan rubs their chin, their eyes narrowing in thought. "Okay. So we''ve got a new drug--or enhancement, or whatever--that''s not Jump, but it''s showing up on the same streets. And the cops aren''t charging you, but they''re definitely keeping an eye on us. Anything else?" "Yeah," I say, holding up my phone. "This. My parents made me promise to keep my location tracker on, and they''re watching it like hawks. No patrols for me anytime soon, or so they say." "Lucky," Maggie mutters through the phone. "At least you got to leave the house." "Barely," I shoot back. "You''re not missing much." Jordan claps their hands together, breaking the tension. "Alright, so here''s the deal. First of all, Derek''s still out of commission for our purposes. Daytime''s a no-go because of the vigilante laws, and nighttime''s a no-go because werewolf. Not factoring him into our plans. while you were off playing cop last night, I was getting things in order. First of all, I''m transferring the lease on this place to you." "What?" I blink, completely caught off guard. "Why?" "Because I''m leaving in a couple of months," Jordan says simply. "I''m going to MIT, remember? And someone''s gotta take care of the music hall." "But... you can''t just hand it over to me," I say, floundering. "I don''t know anything about managing a building." "Relax," they say, waving a hand. "It''s not like I''ve been running a real business here. Just keep the lights on and don''t let it fall apart. The guy who owns the property will talk to you about it in like July. You''ll be fine." I don''t have time to argue, because Maggie''s voice cuts in from the phone. "Wait, back up. MIT? Like, the UK?" "No, the one in Nevada," Jordan says dryly. "Loser." "Rude," Maggie mutters. "Focus," I say, holding up a hand. "We''re not done talking about this. What''s the plan?" Jordan''s grin turns sharp, and for the first time since I walked in, I feel a flicker of unease. "Funny you should ask," they say, pulling out a folded piece of paper from their jacket. The music hall feels a little too quiet as Jordan unfolds the piece of paper they''ve been holding like it''s a map to buried treasure. Maggie''s still chirping through the phone on speaker, but even she quiets down as Jordan lays the paper on the ping-pong table. I step closer, my curiosity overpowering my lingering annoyance at how smug they''ve been acting. "This," Jordan says, tapping the paper, "is our next move." I glance at the paper. It''s a map of Philadelphia, one of those touristy ones with little drawings of landmarks. Jordan''s scribbled all over it with a black Sharpie--circles, arrows, and what I''m pretty sure is a crude doodle of a smoke cloud with an angry face. "What are we looking at?" I ask, trying to make sense of it. "A private marina in Pennsport," Jordan says, pointing to one of the circles. "It''s one of several spots where Jump is being funneled into the city. According to our source, next weekend, there''s going to be a major delivery. Like, a huge one. Think sweepstakes-level." "Source?" Amelia cuts in, her arms crossed tightly. "What source?" Jordan''s grin falters for a split second. "Soot." The room goes dead quiet. Even Maggie, who''s still stuck at home, doesn''t say anything. I can feel the tension spike like someone just plugged the air into an electric socket. "You''ve got to be kidding me," Amelia says finally, her voice sharp enough to cut glass. "You''re taking intel from Soot? The same Soot who--" "Who has been more effective at gathering intel on this drug war than we have?" Jordan interrupts, their tone calm but firm. "Yeah. That Soot." Amelia looks like she''s about to explode, but Jordan doesn''t give her the chance. "Before you start," they say quickly, "let me explain. Last night, while you and Lily were... hanging back--" "Assuming you were fighting," Lily mutters. "--I was talking to Soot. And, yes, they''re rough around the edges, but they''re not wrong about this. They showed me videos. Multiple dealers, multiple interrogations, all saying the same thing. Pennsport''s marina is going to be packed next weekend. Jump''s coming in like it''s Black Friday, and every dealer in the city is invited." Amelia''s jaw tightens. "And how, exactly, did Soot get this information?" Jordan hesitates, which is not a great sign. "Let''s just say... Soot has their methods." "That''s not an answer," Amelia snaps. "It''s not relevant," Jordan says sharply, their calm cracking for just a moment. "Look, I get it. Soot''s not exactly a paragon of virtue. But we''re not in a position to be picky about where our intel comes from. They''re right about this. I''m sure of it." "How can you be sure?" I ask, though my voice is less accusatory and more curious. Jordan''s usually more careful about this kind of thing. "They showed me the videos," Jordan says simply. "Different people, different times, all saying the same thing. Either Soot somehow managed to stage an elaborate conspiracy just to mess with us, or this is real. And I don''t think they''d go to that much trouble." I glance at Amelia, whose expression has shifted from anger to something more cautious. She still doesn''t look convinced, but she''s not arguing anymore. "Okay," I say, stepping in before things can derail again. "Let''s assume Soot''s right. What''s the plan?" Jordan''s grin returns, but it''s not the smug one from earlier. This one''s sharper, more determined. "We''re going to the marina," they say. "While the cops are busy rounding up street-level guys, we''re going to slip in, stay out of sight, and see what we can find. Best-case scenario, we get some solid intel on who''s behind this whole operation, we finally get some fucking info on Rogue Wave. Worst-case scenario, we disrupt their plans enough to make a dent, maybe sink someone''s boat or two. Because fuck yachters." "And by ''stay out of sight,'' you mean what, exactly?" Lily asks, tilting her head. "Because we''re not exactly subtle." Jordan shrugs. "That''s what this week is for. We''ve got time to prep, fix up our costumes, work out the logistics. If we do this right, nobody even knows we were there." "And if we do it wrong?" Amelia asks, raising an eyebrow. "Then we improvise," Jordan says, like it''s the easiest thing in the world. Maggie''s voice cuts through the tension. "I can''t believe I''m missing this." "You''re grounded," I remind her. "You''re grounded too!" she yells. "Yes, but I''m better at lying to my parents," I say, only feeling a twinge of guilt. "Besides. A week is enough time for them to forgive me, I think." "Stupid Irish Catholics," Maggie mumbles. "What about the cops?" I ask, focusing back on Jordan. "They''re going to be all over this. If we get caught..." "We won''t," Jordan says firmly. "We''re not sticking around for the takedown. Our goal is information. Get in, get what we need, and get out before anyone even knows we were there." Amelia still looks skeptical, but she doesn''t argue. Lily, meanwhile, looks almost excited, like she''s ready to jump into action right now. She''s practically vibrating. "Alright," I say finally, my mind already racing with possibilities. I do feel bad, part of me, for what I''m about to do. For worrying my parents like this. I feel like I''m letting them down. Lying to them. I feel guilt. I feel shame and upset. But I think about letting these guys get away with ruining this city and that makes me feel even worse. I don''t think I could live with myself if I don''t do this. If Jordan goes on their own and something happens, or even just the team needs me and I''m not there. If I could fix something and I''m not there. If I could save a life. I want to stay in, accept my grounding, and not engage in all this slinking around... but I can''t not do anything. I mean it. I can''t. I mean... I... can''t. I should stop myself, but I can''t. Even if I wanted to. "Let''s do it," I breathe out, not realizing I was holding my breath. "On three, kids; "Fuck Rogue Wave", ready?" Jordan starts, sticking a hand over the coffee table. Chapter 156.1 The marina''s packed. Not just busy, but shoulder-to-shoulder, people-moving-in-herds packed. The whole place smells like saltwater, gasoline, and burnt weed, and there''s enough noise that my ears keep trying to tune out the wrong sounds--like the way some of the boats creak when they move in the current or the distant hum of a container ship''s horn. This isn''t what I expected. I was bracing for something grimy, tense, maybe a little desperate--like one of those handshake deals in a back alley where nobody makes eye contact. But this? It''s got all the charm of a pop-up street market. Card tables and folding chairs are scattered across the dock, each station marked by a little handwritten sign in Sharpie. FREE JUMP DISTRIBUTION BECOME A VENDOR--SEE US FOR DETAILS SAMPLES AVAILABLE--ASK NICELY Rogue Wave''s guys are playing the part, too. They''re handing out boxes like they''re running a food drive, chatting up dealers like old friends, making sure nobody''s feeling rushed or stressed. I watch a guy in a puffer vest and sunglasses pass a pre-rolled joint to one of the handlers while they both chuckle over something I can''t hear. The whole thing is weirdly... organized. Polished. It''s a business conference for drug dealers. And I''m standing right in the middle of it. I pull my hoodie down a little further and adjust my mask. It''s just a black fabric thing, cheap and nondescript. It makes me blend in about as well as I can, which isn''t much, considering I still look like a teenage girl walking solo through a marina full of grown men making felony deals. But nobody''s paying me much attention. There''s too much going on, too many other faces, and the general rule of places like this seems to be: if you don''t act like a problem, nobody makes you a problem. In my ear, I catch a bit of static before Tasha''s voice kicks in. "Alright, I''m logged in. PPD chatter''s running normal so far, no mobilization. Looks like we still have time." "Copy," I mutter under my breath. Tasha''s back at the music hall, sitting in front of a secondhand police scanner and a laptop with five tabs open. She''s our early-warning system. If the cops decide to roll in before we''re ready, she''ll be the first to know. Amelia''s hanging way back, somewhere near the entrance to the marina, parked by a stack of cargo crates like she''s waiting for someone to pick her up. She''s got a first-aid kit slung over one shoulder and a taser clipped to her belt. If something goes sideways, she''s our emergency exit. Jordan and Lily are... busy. Their plan is secret, even from me, which makes me nervous as hell, but they swore up and down that it was foolproof, so fine. They better not get caught doing something stupid. Which just leaves me. Unmasked. Alone. Posing as a dealer. I keep moving, slow and casual, scanning faces as I go. Most of these people are nobodies. Street dealers, runners, middlemen. People trying to make a living, whether that means moving Jump or just staying in the game long enough to buy their way out. I don''t have the luxury of seeing them all as villains. I know better than that. Still, some of them are dangerous. Some of them don''t see a difference between "getting by" and "burning everything down." And some of them, if they realized who I was, would have me in a chokehold before I could even think about fighting back. So, you know. No pressure. I pause by one of the tables and pretend to read the sign, mostly so I can keep listening. The guy behind it--some scruffy dude in an old Phillies hoodie--is chatting up a dealer who looks about my age, maybe a little older. She''s got a sleek black jacket, a Bluetooth earpiece, and that kind of tired, skeptical look that says she''s been in this game long enough to know when someone''s feeding her a line. I don''t catch the first part of their conversation, but I do catch her response: "--not stupid, dude. No such thing as free. What''s the catch?" Phillies Hoodie laughs like she just asked him if water''s wet. "No catch. You take a box, you sell it, you keep the cash. If you like the business, you come back and sign up for regular shipments. You work on your own terms. That''s it." She folds her arms. "And if I decide I don''t like the business?"Taken from Royal Road, this narrative should be reported if found on Amazon. He shrugs. "Then you walk away. No hard feelings." She doesn''t believe him. I don''t believe him either. But she takes the box. I start moving again before Phillies Hoodie decides to notice me standing around. I follow the dealer as she steps away, watching the way she tucks the box under her arm like she''s not sure if it''s about to bite her. I don''t mean to talk to her. I really don''t. But before I can talk myself out of it, my mouth opens. "That your first time?" She glances up at me, startled, like she didn''t realize I was there. Then her eyes narrow. "What?" "With Jump," I say, nodding at the box. "First time selling?" She stares at me, weighing whether I''m a cop or just annoying. Finally, she exhales sharply. "First time selling this, yeah." I nod like I knew that already, even though I didn''t. "It''s weird, right?" She makes a face. "Weird how?" I gesture vaguely at the whole scene. "All this. The setup. The ''free'' product. The little cardboard signs. It''s like, I dunno... a PTA fundraiser. But for super-drugs." She snorts. "Yeah. You''re not wrong." She shifts her grip on the box, frowning down at it. "Honestly, I don''t even know if I wanna sell this shit. I just needed to see for myself." "See what?" "If it''s legit." I tilt my head. "And?" She exhales through her nose. "Looks legit. Which is worse, honestly. Means they''re serious. And when people get serious, people get hurt." I don''t have an answer for that. So I don''t try to give one. Instead, I just nod, let the silence sit for a second, and keep moving. There''s too much to take in all at once, but I try. I weave through the crowd, head down, ears open, watching the way things run. It''s methodical. That''s what makes it so weird. People aren''t pushing, aren''t rushing to grab what they can. They''re waiting in loose, uneven lines, some making conversation, some quiet. The guys running the tables--goons, low-level but competent--are keeping things moving smoothly. There''s a system to it, even if it looks casual. A box gets handed off, a nod gets exchanged, and then the next person steps up. Like clockwork. No shouting. No scrambling. No paranoia. At least... not from the ones in charge. I notice the outliers after a few minutes. The people hanging too far back, looking around too much, hands in pockets. Some of them are just nervous, unsure about all this. Others are watching like I''m watching--scoping things out, looking for angles. Could be cops. Could be other players seeing if this is worth muscling in on. Could just be people like me, looking for answers. I slow down by another table, pretending to check my phone while I listen in. The guy manning it is maybe twenty, Hispanic, buzzed hair, wiry. He''s not handing out boxes--he''s standing just behind the action, leaning against a crate, scanning the crowd with the sharp, wary energy of someone who''s seen deals go south before. I don''t know why I talk to him. Maybe because he looks like he knows what''s really going on here. Maybe because I need to talk to someone who isn''t part of my team, just to ground myself. Or maybe because he looks about as skeptical as I feel. "You buyin'' or sellin''?" he asks before I can even open my mouth. His voice is low, not unfriendly, just cautious. "Neither," I say. "Just looking." He snorts. "Everybody''s here for something." I shrug. "Guess I haven''t figured out what yet." He eyes me, like he''s trying to decide if I''m wasting his time or worth humoring. Then he tilts his head toward the distribution tables. "You ever seen anything like this before?" I shake my head. "Yeah," he mutters. "Me neither." There''s a pause. We both watch a dealer in a gray hoodie walk off with a box, tucking it under his arm like it''s a carton of off-brand cigarettes. The guy next to me exhales sharply through his nose. "They want us to think it''s easy," he says, mostly to himself. "That''s how they get you." I glance at him. "You don''t buy the sales pitch?" He lets out a short, humorless laugh. "You kidding? It''s too smooth. Too friendly. That''s not how this works." He shifts his weight, rubbing his thumb over his knuckles like a nervous tic. "I''ve been doing this since I was fifteen," he mutters. "Never seen an operation run this clean. Means one of two things: either they''re just that good, or they''re setting up something worse." "Or both," I say. His mouth quirks in something that''s not quite a smile. "Yeah. Or both." Another pause. I chew the inside of my cheek, then ask, "You ever deal Jump before?" His face darkens, just a little. "Not really. Sold other shit, back when I needed to. But Jump? Nah. That''s a whole different thing." He nods toward the boxes. I let that sit for a second. Then, I ask the question I probably shouldn''t. "Why are you here, then?" He hesitates. It''s the first time he looks at me fully, his eyes sharp, scanning like he''s trying to figure out exactly what my deal is. Then he shrugs. "Same reason as you, I guess." I raise an eyebrow. "And what''s that?" He exhales through his nose again, glancing back toward the tables. "Trying to figure out if I''m better off walking away." And for a second, I wonder--if I had been a different kind of kid, if I had made different choices, if I hadn''t been forced into this whole superhero thing--would I be standing where he is? Would I be looking at this setup, weighing the odds, trying to figure out if I could make this work for me? It''s not a comfortable thought. "Anyway," he says, pushing off the crate. "If you''re looking to get in, pick a table. If you''re looking to get out, you better do it before shit gets weird." I glance at him. "You expecting it to?" He gives me a flat look. "It''s drugs." I nod, more to myself than to him, and pull my mask down for half a second to rub at my nose. The air''s thick with smoke--cigarettes, weed, whatever else people are burning--and it''s making my sinuses feel like they''ve been lined with sandpaper. I barely get the fabric back up before I hear-- "Wait--" I glance up. The guy''s staring at me now, eyes narrowed, head tilted just slightly like he''s trying to line up a picture in his head. His nose twitches. His face scrunches "...Ain''t you that girl who got stomped by a superhero at prom?" I freeze. Chapter 156.2 It''s like my brain trips over itself and forgets how to function for a full second. Every instinct is screaming at me to react--deny, deflect, bolt--but I shove it down, force my jaw to unlock, and say, "Homecoming." The guy blinks. "Huh?" "It was homecoming," I say, keeping my voice even. "Not prom." He stares at me for a beat, then snorts. "Yeah, my bad. Thought I remembered a tiara or something." "Not really my style." I tug at my hoodie, making a show of brushing off the topic like it doesn''t matter. Like it''s not a neon sign over my head screaming Recognized, Recognized, Recognized. "Anyway--yeah. That was me. Why do you care?" The guy doesn''t answer right away. He shifts his weight, giving me another once-over, but it''s not the kind of stare I''m used to. It''s not suspicion. It''s something closer to... confusion? "You''re in high school," he finally says. "And like from a nice high school, too. What the hell are you doing here?" I huff a laugh, shaking my head. "Man, what the hell do you think I''m doing here?" I gesture vaguely at the makeshift drug expo around us. "Same as everyone else. Looking to take some control back." His mouth quirks, not quite a smile, not quite a smirk. "Control, huh?" "Yeah," I say, leaning against the crate again, mirroring his earlier stance. "I mean, you saw it, right? The video? The whole city did. Some dude named Patriot--fucking Patriot--decided I needed my ass kicked in front of everybody I know, and guess what? No consequences for him. Not even a slap on the wrist." I tilt my head. "Tell me that doesn''t sound familiar." He doesn''t reply, but something shifts in his expression. I press on. "I''m guessing you didn''t have a great time in school either. Let me take a wild guess--some jackass in a uniform decided you needed to be taught a lesson. Maybe you fought back, maybe you didn''t, but either way, it didn''t matter, ''cause they had all the power and you had jack shit. And when people with power decide to put you down, you either take it or you do something about it." I keep my tone casual, like I''m just talking, just throwing ideas out there. But I can feel the words settling between us, taking shape. He exhales, slow and measured. "So that''s what this is? Your big revenge plan? Gonna do something stupid in school?" I shrug. "No, nothing stupid. Just having some pocket insurance in case someone tries to fuck with me again. Isn''t that what we''re here for?" He doesn''t answer right away. He just studies me, like he''s trying to make up his mind about something. The din of the marina hums around us--laughing, shouting, the occasional hiss of a lighter sparking up--but for a second, it feels like we''re just two people at the edge of it all, weighing our options. Finally, he nods. Just a little. "Yeah," he says. "I get that." I don''t know if I''m relieved that I sold the lie, or freaked out that it might not be a lie at all. I tilt my head at him. "Alright, fair''s fair. You called me out, now I get to ask--what are you here for?" He raises an eyebrow, like it should be obvious. "I''m here to get Jump to sell." "Obviously," I deadpan. "But you don''t exactly seem thrilled about it." He snorts. "Because I ain''t thrilled about it." He gestures loosely toward the crowd. "Most of these guys? They''re here to pump their veins full and play superhero for three hours. Maybe get some heat off their backs, maybe start some heat just for fun. I''m here because I got mouths to feed. They''re here because they got greed to feed." I pause at that. I give him another once-over, trying to gauge if that''s just a line or if there''s actual weight behind it. He doesn''t look like some overworked single dad--hell, he barely looks old enough to drink. I gesture at his barely-there wispy mustache. "Mouths to feed? You look like you''re not even older than me."Unauthorized usage: this narrative is on Amazon without the author''s consent. Report any sightings. That gets a real laugh out of him--short, rough, but real. He rubs at his upper lip like he''s suddenly self-conscious. "Yeah, yeah, I get it. This shit ain''t exactly coming in thick yet." He shakes his head, still grinning. "Bad decisions in high school." I raise an eyebrow. "Different kind of bad decision than me, I''m guessing." "Yeah. Not the fun kind either." He exhales through his nose. "It is what it is." I lean back against the crate, arms crossed. "So what''s the profit margin on this stuff, anyway?" He gives me a wary look. "Why? You trying to get in on it?" "Just curious," I say. "I hear about Jump everywhere, but nobody ever talks about the business side of it." He shrugs. "Not a lot to say. Standard Jump runs thirty bucks a pill." "Thirty bucks?" I echo. "For one?" "Yep. Three hours, instant badass." He gestures vaguely. "That''s ten dollars an hour. Worth it for you?" I purse my lips, thinking about it. "Dunno," I admit. "What''s the return policy?" That gets another laugh out of him, though this one''s quieter. "No refunds." "Figures." I exhale, watching the flow of people around us. The tables are busier now, the crates a little emptier. Whatever this really is, the business part of it is moving along just fine. The whole scene has a weird energy to it--like a block party hosted by people who are a little too friendly, a little too eager to make everyone feel comfortable. It''s not tense, exactly. More like... staged. Artificial. Rogue Wave''s people are good at this, whatever this is.The goons running the tables are chatty, relaxed, like they''re handing out pamphlets instead of controlled substances. Some of them even have matching windbreakers, which feels so absurdly corporate that I almost want to laugh. This isn''t some back-alley drug deal. This is a well-run operation. They''re having fun. Why are they having fun? Tasha''s voice crackles in my earpiece, quiet and crisp. "No chatter on the scanner. If the cops are planning anything, they''re keeping it off the books." I can''t respond--not without drawing attention--but I tuck that info away. Either the PPD is waiting for something, or they''re staying the hell away from this. Neither answer makes me feel any better. "Status check on Jordan?" Tasha asks. A beat. Then Jordan''s voice, smooth and casual. "I''m in place." I resist the urge to sigh. I don''t really have any faith in their extremely silly plan but I''ve been shocked by stranger things before. The crowd has thickened, a slow-moving current of dealers, users, and opportunists. I can''t tell who''s here to buy, who''s here to sell, and who''s just looking for trouble. The guy I was talking to earlier has already slipped away, probably toward one of the tables. Then, right as I''m scanning the faces around me, a metallic clang splits the air. It''s loud, sharp, and deliberate--enough to shut down most of the background noise. Another clang. Then another. I turn toward the source just as the crowd starts shifting, people craning their necks, conversations trailing off. Up near the docks, right by the edge of the boats, a man in a hard plastic monkey mask - the kind you get from dollar store Spirit Halloween is banging two metal pans together like a deranged school cafeteria worker. CLANG. CLANG. CLANG. And then, in a voice way too clear for someone wearing a mask: "HEY! HEY! UP HERE! EVERYBODY SHUT THE FUCK UP FOR A SECOND!" The murmuring stops. This man is trained in public speaking. He can project. Even with the mask on, I can tell this guy is grinning. He''s tall--probably six foot, maybe a little over. Limber. Thin as a wire. The kind of guy who looks like he''s constantly in motion, even when he''s standing still. He''s wearing a business suit that fits too well to be cheap, but there''s something off about it--like he picked it out just to be obnoxiously formal in a setting where everyone else is dressed like background characters in a crime drama. His suit''s just part of the costume. Next to him? The biggest woman I have ever seen. And I work with superheroes for a living. Six-six, easy. Broad shoulders, arms that I couldn''t wrap both hands around even if I tried. Full military kit--actual tactical gear, though I can see the scuffs on it, like she picked it up secondhand. No rifle, no sidearm, but her vest is loaded with pouches. Stuffed with somethings. Her face looks extremely unamused. She''s wearing a plastic birthday hat. Like one of those cheap party store cone hats, the elastic strap tucked under her chin, the kind you get for small children or for fucking with your friends. A domino mask covers her eyes, but I can feel the way she''s scanning the crowd. Sizing people up. Monkey Mask Guy claps his hands together, rubbing them like he''s about to pitch a start-up idea to a bunch of investors. "Amazing! Beautiful! I love a crowd that listens!" He throws his arms out wide, like he''s embracing all of us at once. "Now, I know what you''re thinking--who is this incredibly well-dressed man with impeccable showmanship, and why does he have a monkey mask on?" He gestures to himself. "Friends, my appellation is Monkey Business." He throws a hand toward the woman next to him. "This extremely intimidating woman beside me is my associate, Birthday Suit. You may note that despite her name, she is fully clothed and wearing body armor. I assure you, this is for your protection. She will not sleep with you. We don''t mix business and pleasure here, folks." That gets a few scattered laughs. Nervous ones. Monkey Business grins--or at least, I think he does. The mask is rigid plastic, no expression, but something about his whole presence makes it feel like he''s grinning hard. His mask''s mouth line is flat but I can swear I see the glinting of teeth. "If you are law enforcement or vigilante personnel and you are here to apprehend us," he continues, "know that if you try, it will fail, and then she--" he gestures to Birthday Suit "--will shoot you in the face." A ripple of unease moves through the crowd. Monkey Business raises his hands in mock-reassurance. "I highly recommend you hear us out before doing anything rash." I swallow hard. Chapter 156.3 Monkey Business clasps his hands together and takes a slow, measured step forward, like he''s about to present a college lecture on the finer points of international crime. The suit moves with him, sharp creases and clean lines, making him look polished in a way that''s wrong for a guy in a plastic Halloween mask. This guy should be speaking in a boardroom meeting, not... here. "If you are here for the free Jump," he announces, his voice crisp, professional, cheerful, "our associates on the left side of the marina are distributing as we speak. One box per person. Please, do not attempt to double dip, as that will result in immediate and deeply unpleasant consequences. The consequences are that we will immediately and unpleasantly shoot you in the face." The way he says it--flat, simple, matter-of-fact--makes my stomach twist. A couple of scattered laughs, some of them nervous, some of them genuine, breach through the surface of the crowd like bubbles in boiling water. He gestures grandly. "Now, if you would like to become a distributor, you will need to sign a contract." He pauses, lets the word sit in the air for a moment. "Before you get nervous--this is a very fair contract. Legally binding, yes. Psychologically and physiologically binding, also yes. But fair. I am going to be very clear and tell you that I am not using figurative language. The contract is psychologically and physiologically binding. That means it can affect your thoughts and actions. I cannot emphasize enough that this is not a joke, and you need to understand this before you sign, or it won''t work." Some murmuring in the crowd. Someone laughs, like it''s a joke, but Monkey Business keeps going, ignoring the laugher. "To save everyone time," he continues, "I will verbally go over the terms of the contract before you step up to sign. The paper will simply say that you agree to the verbal contract as expressed, as well as re-outlining the terms. This will qualify for activation of my powers, should you understand and agree to the terms." He presses a hand to his chest like he''s a game show host about to reveal the grand prize. "Because we care about transparency, and because it won''t work otherwise. We play fair here. My powers will not operate under individuals who are under duress or are doing the fingers crossed behind your back thing." I swallow hard, fighting the urge to glance around. Nobody''s leaving. Nobody''s walking away. The smart move--the obvious move--would be to turn around, blend into the crowd, and put as much distance between myself and this freak as humanly possible. Monkey Business tilts his head slightly, just enough for the rigid monkey mask to catch the dim marina lights, almost glittering with late April humidity. "Upon signing, your right eye will desync from your left for approximately five seconds. This is a minor but inimitable means of physiological control that acts as our indicator that you understand the terms of the contract. No lazy eye, no deal." The murmuring in the crowd gets louder. More than a few people shift on their feet, uncomfortable now. Not nervous enough to leave--just uneasy. I''d be uneasy too if I felt like I was literally about to make a deal with the devil. Who is this guy? Monkey Business spreads his arms. "Here are the terms you will be agreeing to." He raises a single gloved finger. "One: You will provide your full legal name when signing this contract. No aliases, no cute nicknames. Our delivery guy needs your name to find you. If you do not give us your name, we will not be able to find you later. Don''t worry, we don''t comply with subpoenas or court orders." A second finger joins the first. "Two: You will receive at least two shipments of product from us per month. You are free to sell it or distribute it however you see fit. This includes giving it away. However, you will only be able to retain one out of every ten pills for personal use. The other nine per ten will have to go to someone else, somehow." Third finger. "Three: You will report all income from sales truthfully and fairly to us and pay a twenty-five percent cut of your net profits after shipment received. Net profits means all the money over and beyond what you spent for a sale. If you spend ten bucks on gas money to get to a crack house and sell 10 pills for two hundred and fifty dollars, you owe us twenty-five percent of the two hundred and forty dollar profit. We will bring calculators." Someone in the crowd whistles. I have no idea if it''s admiration or alarm. Monkey Business ignores it. "Four: You will not disclose where or how you obtained your shipments, nor any operational details about the organization known as Rogue Wave." Five fingers now, his hand wide and open. "Five: If anyone questions you about Rogue Wave more than once, you will immediately attack them through whatever means possible until they are unconscious or out of your range of sight and hearing." A ripple goes through the crowd--that one landed. Someone actually steps back. And now I know. This is the guy.You could be reading stolen content. Head to Royal Road for the genuine story. This is the guy. Monkey Business does not stop. He raises the thumb on his other hand. "Six: You will follow the orders of any agents of the mother cell of Rogue Wave as necessary. Birthday Suit and I are both designated agents of the mother cell of Rogue Wave. If you are a distributor, you may meet more. Only agents of the mother cell possess authority to add new individuals to your mental model of who is and isn''t an agent. No cop will be able to trick you in this way." Then, just like that, he drops his hands to his sides. "That is all." The silence that follows is thick and ugly. It sits in my ears, presses against my skull. Monkey Business waits, patient, almost relaxed. He wants the discomfort. He''s letting it breathe. Then--without looking--he gestures to Birthday Suit. She shifts, raises her chin slightly, and in a voice that carries over the stillness, she says: "Si necesita un traductor, por favor, ac¨¦rquese despu¨¦s de que termine el discurso." Then again, in Mandarin. Then in something that sounds like Russian. Then Arabic? I vaguely recognized that one. Something else? Another barked sentence, and another. People are watching now. This isn''t some half-baked gang operation. This isn''t a bunch of street pushers trying to offload their supply. People start moving preemptively, lining up. Monkey Business claps his hands together one more time. "Alright, now that we''ve established the ground rules, let''s get moving, shall we?" And somewhere, in the back of the crowd, a nervous-looking guy with a duffel bag slung over his shoulder steps forward. I feel my heart drop as more than half the crowd goes to the right side - to become a distributor. I look to my left, to try and find the guy I was just talking to, but when I can''t see him, I do another scan of the crowd to see him already halfway down the line. Only a small handful of people are hanging back. It''s quick. Efficient. People who didn''t understand the speech are talking with a handful of Rogue Wave guys by the boats, and I can clip out the scattered foreign words. "One last thing! You can keep moving, just keep your ears open and listen, alright?" Monkey Business shouts above the din. Monkey Business pivots smoothly, his energy still bright, still playful, but the edge of something sharp glints underneath now. He scans the crowd, like he''s picking out familiar faces in an audience, like he already knows the people here who shouldn''t be. And maybe he does. "Now," he says, voice honey-smooth, "I''d like to take a moment to address some very special guests in our audience tonight." Something shifts in the air. The wind starts blowing the Delaware''s funk towards us like an aura. "This is, of course, a public event. We welcome all walks of life here. And some of you, I imagine, walked into this gathering with the best of intentions. Maybe you''re just curious. Maybe you were looking for an opportunity." He spreads his arms, inviting, benevolent. "Maybe you''re a journalist. Or an activist. Or a concerned citizen looking for answers. I love that. I encourage that. You can even walk out of here with some free Jump. Lucky you!" His hands come together again, a slow, deliberate clap. "And maybe you''re a law enforcement officer who thought you were clever." The silence sharpens. Monkey Business tilts his head. "I see you," he says, the words almost affectionate, like he''s speaking to a child. "I see all of you." I swallow. People shift uneasily. Some in the crowd are nodding, like yeah, yeah, we knew some narcs were here, but others--others look like they just realized they are the narcs. Or at least, standing way too close to one. Monkey Business keeps going, cheerful and insolent. "Now, I''m not a cruel man," he says, pacing slowly across the dock. "I understand hesitation. I understand second thoughts. Maybe you got here and realized this isn''t your scene. Maybe you''re starting to wonder if this is a bad idea. You''re about to get involved with the latest problem destroying society, after all." His voice drops just slightly in pitch, but not in volume. This is a man who knows how to play a room. "If that''s you, then I highly encourage you to leave now. I''m so extremely serious I cannot express it to you enough. Nobody will bug you. You are under my protection. Birthday Suit and our guys will keep watch and you can make it past the obvious police cordon surrounding the area. I''m serious! Go! Leave!" A few people shift like they''re considering it. Nobody moves. Monkey Business claps his hands. "Because if you think you can wiggle out of this contract after you sign it--if you think you can just play along and figure out a loophole later--you are wrong." His mask scrunches up a bit with a plasticine crunch - is he grimacing? Or just smiling? "If you sign it, you are bound by it. I do not write loopholeable contracts. You just became the newest, most valuable mole in the Philadelphia Police Department, and I will own you, and if I ask you to shoot your friends on the force in the face you will do it because I asked. I don''t mean in a you will do it because we''re friends way, I mean your body will stop acting according to your own instructions and start acting because of mine. And I do not have compunctions about death." A beat of silence. Then, Monkey Business raises his arms again. "And, finally--while we''re here--" His tone stays light, like bubblegum. But something in my stomach drops before the words even hit. "If you are already a distributor," he says, "until you leave this area or an hour has passed, please find and restrain the nearest police officer or vigilante within this gathering through whatever means available to you. Collaboration is acceptable. That''s all for real, go have fun! It''s a beautiful night!" The marina goes deathly still. There''s not even any music from anyone''s speakers. Just the wind and the sound of boats rocking back and forth in the Delaware. And then--slowly, methodically--about a quarter of the crowd goes ramrod stiff. The same look in their face as the one random Jumpheads get when I ask them too much about Rogue Wave, and they go zombie mode. I feel my breath catch in my throat. I try to headcount. At least twenty people, before I lose track of who''s who in all the milling about. The line continues to shuffle forward, but there''s more of a nervous, ha ha what the fuck? energy to it. They aren''t attacking. Not yet. They''re just standing there. Silent. Searching. Scanning the faces around them with cold, detached efficiency. I barely have time to process what I''m seeing before someone in the right-side line, the growing line full of newly minted distributors, moves out of the way. Like he''s trying to casually slip out of the queue. Like he just realized--too late--what this actually is. And I see him, really see him for the first time. A guy in his forties. Cheap baseball cap. Nondescript windbreaker. Looks stunningly out of place in a crowd of twenty-something hustlers and street kids. You can even see the walkie stuffed under the edge of his pants. He''s wearing a belt. What drug dealer do you know wears a belt? Plainclothes. I barely get a breath in before two guys--two completely normal looking guys, guys I wouldn''t have picked out of the crowd five minutes ago--turn toward him in perfect, synchronized motion. And they start walking. Not rushing. Not charging - Just approaching. Like a decision has already been made. Chapter 157.1 I see it happen before it happens. The plainclothes cop--mid-forties, windbreaker, belt--takes half a step back, eyes wide, body tensing. A nervous tic, maybe. Or maybe just that deep, primal instinct people have when they realize they''re about to get swallowed whole. And then the sleepers move. It''s subtle at first--just the smallest shift in posture, the quick, synchronized flicker of twenty pairs of eyes locking onto him. But it''s enough. Enough to set off that awful, too-familiar lurch in my gut. Enough to make my hands itch for a fight before the first fist is even thrown. The first one to move is a woman in an oversized hoodie, her face blank, eerily serene. Her fingers twitch, flex, curl into fists. And then she lunges. The cop barely gets a yelp out before she''s on him, swinging wild. He stumbles back, trying to bring his hands up, but then the next one moves--a guy in a leather jacket, then another in a windbreaker, and then it''s a pile-on, limbs and bodies colliding in a mass of sudden, chaotic violence. I don''t think. I don''t hesitate. I move. My shoulder slams into the first goon hard enough to send him stumbling sideways. I get my hands between the next one and the cop, knocking an elbow away before it can land. My blood sense flares hot and sharp--someone''s lip splitting, someone''s knuckles scraping raw--but I can''t afford to focus on that right now. I throw myself into the mess, twisting, blocking, redirecting, moving. A fist grazes my ribs, but I barely register it before I''m pivoting, planting a heel against someone''s shin hard enough to knock them off balance. Then someone else moves. Not a sleeper, not a cop, not a dealer--someone cutting through the crowd like a knife, their presence shifting the air itself. I feel it before I see him, that instant, awful lurch in the atmosphere, that split-second charge before the moment crashes down like a hammer. Someone in the crowd spots him before I do. "Oh, fuck, it''s Patriot!" The effect is immediate. The tension in the air snaps like a rubber band. Every dealer, every runner, every nervous kid with a box of Jump under their arm suddenly seems to remember somewhere else they need to be. And then the stampede starts. The crowd surges in every direction at once, pushing, shoving, desperate to get out, to get away, to disappear into the night before the hammer drops. Someone shoulder-checks me in their scramble to escape, nearly knocking me off my feet. I catch myself against the edge of a crate and whirl, searching-- There. Patriot moves through the chaos like a tank, utterly unbothered by the panic around him. He''s got the whole aesthetic going--patriotic blues and whites, a star on his shoulder, the kind of crisp, perfect costume that screams government funding. His eyes sweep the crowd like he''s searching for something, someone. And then-- "SHIFTING TO GEAR TWO!" The voice comes out of nowhere, high and sharp and way too enthusiastic for the situation. A blur of red and blue explodes into the crowd like a missile, sending bodies sprawling. What the hell-- And then I see her. A girl--tan, brunette, athletic, decked out in a full-body leotard with hot rod flames running up the legs and a red jacket flaring behind her like a cape. She moves fast, way faster than she should be able to, zipping between people like a pinball, grabbing, twisting, moving. She''s zip-tying people. Randomly. There''s no strategy to it, no method--just pure, chaotic, indiscriminate force. Someone flinches, she takes them down. Someone tries to run, she''s on them in a blink, flipping them onto their stomach and binding their wrists before they can even process what''s happening. Someone throws a punch at her. She catches it, grins, and slams them into the pavement so hard they bounce. Okay. Alright. This is happening. I move. A guy in a hoodie stumbles, nearly tripping over a toppled crate. I catch his shoulder, yank him back before he can get trampled. Then someone else gets knocked down, and my blood sense flares. I whip around--blood, fresh and sharp, oozing from a split lip, a busted nose, someone groaning through gritted teeth. It''s not a bad injury, but it''s enough. Enough to tell me that this is already spiraling. That people are getting hurt. Patriot is moving through the chaos like an inevitability, unbothered, unflinching. People scramble out of his way without him even having to touch them. He''s got that kind of presence, the kind that makes people want to comply. The girl--whoever she is--is not unbothered. She''s thrilled. She grins, tosses someone into the dirt, and yells, "RESISTANCE IS FUTILE! YOU CAN''T OUTRUN TURBO JETT!" Who the hell is this?Support creative writers by reading their stories on Royal Road, not stolen versions. I don''t have time to figure it out. Another movement--one of Monkey Business''s goons, the ones who clocked me helping the cop, turns on me. His eyes flash with something cold, something detached, something that knows. Vigilante. I''m a target now. Fine. I dodge the first punch, catch the second one on my forearm, twist under his arm and drive my elbow into his ribs hard enough to make him wheeze. He stumbles, tries to recover, but I''ve already moved, sweeping his leg out from under him and sending him crashing to the ground. Then another one moves--this time with a crowbar, swinging high. I duck. The metal whooshes past my head, missing by inches. I don''t wait for him to swing again. I lunge, drive my shoulder into his gut, and feel the air whoosh out of his lungs as I force him back, away from the civilians, away from the mess. And then-- Gunfire. Not close. Not at me. Just--somewhere. Distant. Maybe a warning shot, maybe someone getting desperate, maybe just a bad call from one of the plainclothes officers trying to establish control. Whatever the case, it immediately makes things worse. The stampede surges again, people shoving, scrambling. Someone crashes into me from behind, knocking me forward. I catch myself against a crate, but it''s too late-- The dealers are turning. And they do not like being told what to do. A guy in a bomber jacket shouts something--angry, defiant, furious. Another one echoes him. A third picks up the crowbar my guy just dropped. The undercover cops--there''s more than one, I realize, way more--try to pull badges, try to shout orders. It doesn''t work. It really doesn''t work. A slingshot cracks through the night air. The marble whistles past my ear, slicing through the chaos in a perfect arc--straight for Monkey Business. And then, just as it''s about to land-- Thunk. It redirects. Like it wants to hit something else. Like something in the air itself twists its trajectory. It slams straight into Birthday Suit. She absorbs it like a stone statue. Her muscles flex under her tactical vest, but she doesn''t flinch. The marble bounces off her chest, hits the dock, rolls to a stop. She exhales through her nose. And Blink doesn''t stop. Another shot, another whistling crack of the slingshot--another thunk. Same result. "I am literally hitting the guy," Blink snaps through the comms. "Why am I not hitting the guy?!" She''s out of hiding now--perched on the marina''s scaffolding, barely visible under the sick yellow glow of the lights. She loads another marble, takes another shot. It veers, bends midair, redirects, slamming straight into Birthday Suit''s shoulder. Birthday Suit rolls her shoulders like she''s shaking off a stiff breeze. "I don''t like this," Blink growls. "I really, really don''t like this." I barely have time to register why that''s happening before something else shifts in the air. A chemical bite. Not blood. Something synthetic, something sharp. It threads through the marina, lacing through the smoke and salt and sweat, distinct enough to snap my attention toward the source-- There. Of course Soot has to be here. Smoke is pouring from them, but they direct it like a conductor. Not with any sort of obvious telekinetic effect, but something gestural, sending it in ropes, in coils, towards specific people, aiming ten feet ahead of where they''re going to be in ten seconds. A deeper, blacker smoke, the scent of burning wood, pours out from the inside of their hoodie, blanketing them in darkness and rolling along the ground. I see it happen in real time. A dealer mid-run breathes in, and rolls over, hacking and coughing until they throw up right then and there. Someone else screams about burning, an inarticulate garble of words, and they mash their hands over their eyes, trying to claw something out of them. Soot steps over them, gently kicking dirt in their faces, and then scans the crowd, visibly trying to pick out someone. Soot isn''t attacking at random. They''re picking specific people. I shove a guy off me--one of Monkey Business''s goons, swinging wild and fast--and throw myself back into motion, my blood sense flaring as my boots skid against the dock. The crowd is a mess of fleeing bodies and violent outbursts, of scattered dealers and scattered cops and the few of us still standing in the middle of it all, trying to keep things from getting worse. And then Turbo Jett yells. "GEAR THREE!" I whip around just in time to see her burn. Not literally. Not yet. But her skin is steaming in the cold night air, waves of heat rolling off her in visible shimmers. Her grin is too big, too manic, eyes wide and wild and loving this. And then she moves. The dock shudders under the force of her leap, her whole body blurring with heat and motion as she slams into a group of fleeing dealers like a wrecking ball. People go flying. Someone crashes into a wooden crate hard enough to splinter it. Someone else gets caught in a headlock, yoinked into a zip-tie before they even register what''s happening. "Tasha, we are out of time," I bark into the tiny little mic clipped on the inside of my hoodie. "Where''s our exit?" Static crackles. Then: "Scanner just went nuts--they''re sending everyone down here. You have minutes, if that." "We need Jordan," Blink snaps. "We need to get them out of there." Jordan''s voice cuts in, calm, sharp. "No, you don''t." "Jordan--" "I''ll make my own exit," they interrupt. "I need to stay where I am. You need to go. Now." I don''t like it. I hate it. But I don''t have time to argue. I pivot, scanning the mess, tracking movements, prioritizing. Civilians first. Then us. I shove some gauze into the hands of a guy on his knees, his hands still shaking, arms riddled with cuts. "Get up," I snap, yanking him to his feet. "Run. Patch yourself up." "Where?" he chokes. I grab his collar, yank him forward, shove him in the right direction. "That way. South end. Run till you hit a street." He stumbles forward, his legs finally catching up with his body. I spot another--someone doubled over, holding their ribs. I move, lift, push them toward Gossamer''s position. "Go!" A swing-- I duck. A fist whooshes past my head. A second one follows. I twist, catch the wrist mid-motion, yank the guy forward--he overbalances, stumbles--I kick his shin out from under him and keep moving. The docks are a war zone. Cops trying to pull authority they don''t have. Dealers hating them for it. Monkey Business''s goons locking in on targets like programmed machines. Every badge that flashes up causes a new wave of motion rippling through the sleepers. And Turbo Jett-- Still shouting, still laughing, still escalating. She''s grinning. She loves this. I hate her. I throw another guy back, scan the crowd, track the movement--find the next one who needs help. Move. Move. My blood sense spikes--someone takes a hit, someone drops. I move, grab, pull, push them toward Gossamer. "You guys need to get out of there," Tasha hisses. "Like now." "Still grabbing civvies," I mutter. "You don''t have time," she snaps. "If you don''t go now, you will get boxed in." I grit my teeth. I don''t have a choice. "Blink--" "I know!" Blink barks. "I''m trying, but my hands aren''t working right!" I see her--still perched on the scaffolding, still trying to hit Monkey Business, her aim perfect--but every shot keeps twisting, bending, slamming into Birthday Suit instead. "I can''t hit him!" she growls. "It''s like he''s got-- I don''t know! My hands won''t work!" "Because of Birthday Suit," I breathe. "She''s redirecting everything." "I noticed!" Blink snaps. I shove one last guy toward the south end. "We''re out of time. Blink, move. Jordan--" "I told you," Jordan says, voice steady. "Don''t worry about me. Get out."* I hate this. But I move. I break into a sprint, Blink dropping down beside me. "We''re coming back for Jordan," she mutters, her voice low and sharp. "Obviously," I say. "Now run. I''ll handle Soot before they kill someone." Chapter 157.2 I don''t have time to think. Soot is fast. Not faster than me, but they don''t have to be. They fight like someone who''s been here before, who knows what happens next before it even starts. Every step they take is deliberate. Every movement is small, economical. No wasted energy. No wasted smoke. The gas pours from them like smoke off dry ice, curling along the ground, rising in thin tendrils where they move. Not all of it goes where they want, but enough does. It spreads just ahead of them, cutting through the marina air, hitting dealers like a brick wall. I watch one guy take a breath, stumble, then go down hard, gagging like he''s drowning in something I can''t see. I launch at Soot, aiming for a single-leg takedown, but they pivot at the last second, twisting their hips just enough to break my angle. Their knee comes up, fast and sharp--I barely block in time, my forearm taking the brunt of it. It stings. I ignore it. I don''t stop moving. I pivot right into a jab, testing their guard, then feint low and grab for their wrist--zip ties clutched in my other hand. I can feel the muscle shift under my fingers, but Soot reacts before I can lock the grip, twisting their arm out and wrenching mine into an awkward position. Then they outgas again. Right at me. The mask dampens the sound, but I still hear it--sharp and controlled, like a boxer exhaling with a punch. The gas stings before I can stop it. My eyes water, my throat burns. My grip falters for half a second. Soot takes advantage. They pull their arm free and go for a sweep, trying to knock my legs out from under me. I see it coming and hop back, breaking contact, clearing space. But I can already feel my lungs clenching up. Whatever they just hit me with, it''s not the same as the other guys. Less brutal, but still enough to make my head spin. They''re holding back. I cough, shaking it off, dragging in air that doesn''t hurt as much. Soot stays crouched low, feet planted, waiting. Their hoodie still leaks smoke, tendrils of it curling from their sleeves and the edges of their mask. Even now, their head keeps turning, scanning the chaos like they''re still looking for someone else. They don''t want this fight. That makes two of us. I close the gap again, swinging high, aiming for a distraction more than a hit. Soot leans just out of range, but I catch the movement, use the momentum to drop into a low hook--real this time. My fist cracks into their ribs. I feel the hit sink in. Soot grunts, stumbles half a step, then recovers. Their hand flicks out, fast as a snake, snapping a jab at my collarbone. It lands, but it''s not clean--more meant to keep me back than to hurt me. "Stand down," I snap, still on the offensive, pushing into their space again. "You first, Smalls," they breathe out. I don''t know what I was expecting. They exhale sharply and take a step back, dropping low again, shifting weight onto the balls of their feet. Ready to keep going. One of the zombies--the controlled dealers--slams into us, their body jerking like a puppet pulled by invisible strings. I break away, barely ducking the wild swing aimed at Soot''s head. Soot spins, fluid and fast, twisting under the blow and catching the guy by the wrist. A sharp jerk, a shift of weight, and they send him sprawling face-first into the dock. I don''t get a chance to react before another one comes at me from the side. A woman, face blank, hands reaching for my throat. I shove her back, but she doesn''t even hesitate--just keeps coming, silent and steady, like she doesn''t even know why she''s doing it. It''s a mess. Soot and I aren''t the fight anymore--we''re the target. Another one grabs for my arm, and I yank free, twisting into a hard elbow strike that sends him reeling. But they keep coming. I see Soot move in my peripheral vision, shifting, dodging, sweeping the legs out from another one, stepping over a third who just collapsed, gasping. Monkey Business really did a number on these guys. I don''t have time to fix it. A crack of movement from the other side of the marina pulls my focus for a split second--Turbo Jett? No, not yet. Not her. But another burst of energy, another blur of motion-- And then I see him. Patriot. He''s still on the other side of the chaos, wading through the wreckage of a fight already half-won. He moves like a sledgehammer, methodical and heavy, each step forward a statement. People scatter when they see him, pushing past each other, trying to get out before he notices them.Unauthorized content usage: if you discover this narrative on Amazon, report the violation. His eyes sweep the dock, taking in the damage, the fights still in motion. His jaw tightens. Then he looks at me. For a second--just one--everything else blurs. Recognition. I see it in the way he stops, in the way his stance shifts. His expression doesn''t change, but something in it goes sharp, focused. He knows who I am. He knows exactly who I am. I force my breathing steady. My ribs ache. My throat still stings. The zip ties in my hand are digging into my palm. I don''t move. Neither does he. Then the moment snaps. A guy tries to rush him--probably not one of Monkey Business''s, just some idiot thinking he can get a shot in while Patriot''s distracted. Patriot doesn''t even break eye contact with me as he catches the guy mid-swing, twists his arm behind his back, and shoves him to the ground. Then, just like that, we''re cut apart by the movement of the fight. I turn back toward Soot. They''re already watching me. I step forward. They breathe in. I throw myself at them. Soot doesn''t hesitate. The moment I step forward, they move to meet me, weight shifting low, shoulders squared. I can''t see their expression through the mask, but I don''t need to. Their posture says everything. They''re not backing down. I come in fast, leading with a jab to test their guard. They swat it away like they saw it coming a mile off. I feint, ducking low, trying to slip inside their range--but they pivot just as fast, keeping me at a distance. Their hands flick out in short, controlled motions, trying to bait me in while they keep shifting position. It''s frustrating. I need to get my hands on them, pin them down, but they won''t let me. "You need to stand down," I say, circling with them. My throat still burns from earlier, but I keep my voice steady. "This isn''t gonna go how you want it to." Soot exhales sharply through the mask, their head tilting just slightly. "You think you know what I want?" I take my chance. I lunge forward, catching their wrist, twisting hard--but before I can lock my grip, they break free, twisting in the opposite direction. Their knee comes up, aiming for my ribs. I block, barely, but the impact still sends a jolt through my side. Soot moves fast. I move faster. They step back, trying to create space, but I close in again, hands grabbing for fabric, anything to get control. They breathe out hard, and I catch a lungful of something sharp and acrid--tear gas, maybe, something close to it. My vision blurs for half a second, my throat clenching, but I push through it. I will not go down like the rest of them. Soot exhales another cloud between us. It rolls out like a tide, curling around us, thick and cloying. I ignore the sting in my lungs, focusing on their shape through the shifting darkness. They''re still holding back. I can tell. They could be hitting me harder. I don''t know why that pisses me off so much. "You''re not on my list, lady," they say, their voice a low rasp through the mask. "Get out of here before you get hurt." I shake off the creeping nausea, forcing my body forward again, my muscles protesting with every movement. "Not happening." I roll out my shoulders, crack my neck, and get ready to swing. I barely see the blur of motion before Turbo Jett slams into my side with a perfect spear, knocking the air from my lungs, her skull colliding with me like a cannonball. The hit sends me stumbling, nearly putting me on my knees. My ribs scream in protest. She''s fast--too fast. I recover just in time to see her pivot, lashing out at Soot with a spinning back kick. Soot barely dodges in time, rolling out of the way, vanishing into their own smoke. Turbo Jett grins. "Oh, c''mon, don''t run now." I groan, pushing myself up. "You," I hiss. She turns to me, hands on her hips, beaming like we''re in the middle of a game instead of a three-way brawl. "Me! And you must be, uh..." Her head tilts, like she''s trying to remember. "Some girl. What, you''re a baby! Come on, don''t make me fight a baby." She doesn''t wait for a response. She moves first. I throw up my arms in time to block, but the impact sends me skidding back. My heels dig into the dock, and I barely stop myself from crashing into a toppled crate. I shake out the ache spreading through my arms, forcing my body upright again. I don''t know if she''s fractured my radius but it sure feels like it. Turbo Jett flexes her fingers, still grinning. "You''re funny." Soot shifts through the smoke, staying low, waiting. Turbo Jett''s got all her attention on me, which means she''s ignoring them entirely. Soot moves first this time. They duck low, sweeping at Turbo Jett''s legs, trying to catch her off-balance. Turbo Jett barely reacts in time--she jumps back, but not before Soot lands a solid strike to her knee. It doesn''t stop her. She shakes it off with a laugh, bouncing on her heels. "Okay, ow," she says. "Now we''re talking." Soot doesn''t respond, only dripping more smoke out from their exposed fingertips, pink nails shimmering in the light through their fingerless gloves. Pink nails? Okay, do I need to mentally amend my-- you know what, now''s not the time. Somewhere in the background, I hear the last stragglers of the crowd still running, the fight thinning out as more and more of Monkey Business''s controlled goons go down. I hear Blink''s voice somewhere in my earpiece, shouting something about evacuating civilians. I don''t have time to focus on it. Not with Turbo Jett closing the distance again. She lunges at Soot this time, a fast, brutal straight punch. Soot twists to the side, dodging, but she adjusts in real time, swinging her knee up and catching them square in the ribs. They stumble, sucking in a breath. I move without thinking, rushing in to intercept before she can follow up. She whirls on me instead. I barely block the next hit, her fist slamming against my forearm. My bones rattle. I feel something crinkling, and a small, fine white dust drifts out of my hoodie. Huh? Okay, don''t think about that too much. Just go. Soot is already moving again, ducking out of the way, slipping back into the smoke. Turbo Jett turns, but it''s too late. Soot takes their opening and lets out a final, thick burst of pitch-black soot, denser than anything they''ve put out before. The docks disappear in an instant. The smoke swallows everything, thick as tar, clogging the air, killing visibility in every direction. I can see the general shape of everything with my blood sense, but it''s hard to focus on that when I''m trying not to cough my lungs up. Turbo Jett coughs, waving a hand in front of her face. "Oh, that''s cheap," stagger back, wiping my sleeve across my face, lungs burning. No good-- can''t fight like this. Can''t see, can''t breathe. My ''s already screaming the last few hits, and Turbo Jett''s still standing like this is just warm-up. need an out. Turbo Jett groans, still swatting at the air. "Ugh, whatever. ''m over this." She pulls pair of zip ties her belt, snapping them taut with sharp grin. "C''mon, kid. Let''s wrap this up." Chapter 157.3 The zip ties click shut around my wrists. Cheap plastic, tight enough to bite into my skin but not enough to cut off circulation. I don''t fight it. No use pretending I can''t break out whenever I want. Better to let Turbo Jett think she''s won. "Let''s get it over with," I mutter, letting her shove me toward the growing pile of bodies. Most of them are groaning, some are out cold, a couple are still coughing from whatever Soot hit them with. The air still stinks of burnt chemicals and sweat, but the worst of the smoke is clearing, thinning out over the marina. I take a deep breath, testing my ribs. Bruised, maybe cracked, but nothing new. I''ve had worse. Turbo Jett doesn''t even look at me. She''s already turning back to the main event. "Okay, now for you," she growls, practically vibrating with energy. She plants her feet, throws her arms back, and shouts loud enough to shake the docks: "GEAR THREE!" The air around her shimmers like heat off asphalt. Her whole body flexes, veins bulging, steam rolling off her in waves. She''s burning so hot I can feel it from where I''m standing. Then she lunges--straight for Monkey Business. Or, at least, she tries to. She moves fast, too fast for any normal person to dodge, but before her fist can connect, her entire body twists mid-air. Not like she stumbled or mistimed her punch--her whole trajectory just shifts, like someone grabbed her by the shoulders and yanked her sideways. Instead of slamming her fist into Monkey Business''s smarmy face, she plows into Birthday Suit. And Birthday Suit doesn''t budge. Well, that''s not true, she maybe budges backwards an eighth an inch, and I watch the air press out from her teeth in a slight grimace. Her domino mask wrinkles a little bit while she flares her nostrils. But - to use a word I''ve adopted from Jordan - it''s a no sell. Birthday Suit just doesn''t move. Turbo Jett stumbles back, blinking like she''s trying to process what just happened. "Oh, come on." Monkey Business, completely unbothered, is standing at the helm of a motorboat, methodically flipping switches. "She can''t help it," he calls over his shoulder, voice bright and amused. "She just loves the attention." Birthday Suit rolls her shoulders, flexing her knuckles. "Try again, sweetheart." Turbo Jett does. She snarls and rushes forward, aiming even lower this time, putting her full weight behind the punch-- And her fist jerks again, veering off course at the last second. Like a magnet yanking a compass needle sideways. She punches Birthday Suit in the gut. Again. Birthday Suit still doesn''t care. It''s almost comedic. Monkey Business sighs dramatically as he pulls the throttle. The boat starts moving, water foaming up behind it. "Well, ladies, it''s been fun, but we''ve got a schedule to keep--" Okay, that''s my cue. I roll my wrists and let my teeth grow in. My body adjusts automatically, new bone pushing through skin, long and sharp as boxcutter blades. I flex, twist-- And snap. The zip ties shred like paper. Turbo Jett doesn''t notice. She''s too busy throwing another punch, screaming in frustration when it again redirects into Birthday Suit''s stomach. Birthday Suit, exasperated now, finally retaliates--grabbing Jett mid-swing and pivoting into a perfect Jiu-Jitsu redirect. Against someone slower than Turbo Jett, it probably would''ve worked, too, but Jett just flips around her neck like she''s turned into a human scarf, wrapping her legs around and trying to do the most complicated throwing maneuver I have ever seen in my life. It''s almost exactly like that thing in that one video game anime movie that Jordan showed me that I absolutely did not absorb. No, wait, I have a better frame of reference - it''s a perfect headscissor takedown. And it simply does not work, because Birthday Suit is probably 300 pounds even without the body armor, but points for trying. Even with whatever sort of crazy strength Jett''s power is giving her, it just doesn''t work against raw leverage and center of mass advantages. Or maybe it''s Birthday Suit''s power. Hard to tell, given that I have no idea what either one of them can do besides some educated guesses. I shake out my hands, letting the teeth retract back into my skin. That''s one problem solved.This novel''s true home is a different platform. Support the author by finding it there. Now for the other. I scan the dock. The brawl''s almost over--Monkey Business''s goons are down, the dealers who haven''t been zip-tied are long gone, and the cops--both plainclothes and uniformed--are swarming in, boxing the whole area in. And standing between me and my escape is Patriot. He''s finishing off the last of the zombified dealers, moving like he''s been dropped into a training exercise, systematic and efficient. One last guy takes a swing at him, but Patriot ducks, weaves, and puts him down hard with a single blow to the gut. The guy collapses, gasping. Patriot straightens, breathing steady, barely winded. His shoulders square as he turns, scanning for the next target-- And then his eyes land on me. I feel it in my bones before it even fully registers. That moment of recognition. He knows exactly who I am. And I know exactly who he is. My nose aches sympathetically. Neither of us move. For half a second, the chaos around us fades. The sirens, the shouting, the sounds of fighting--it all goes muffled, like someone just dunked my head underwater. Then, a voice--somewhere behind me, groaning, weak-- "Help." I turn to face the pile of zip-tied people around me. Drug dealers. Ne''er-do-wells. Even that guy - mouths to feed guy, and he even signed one of those deals. A bunch of Monkey Business''s zombies are still trying to capture Patriot even as their bodies are just not capable of it. They''re all a mess. Some are barely conscious, bruised and beaten, others are twisted up on the ground, bleeding from who-knows-what injuries. I count at least an easy dozen, but given that everyone is in a big pile, it''s hard to tell. You know, at least a dozen. Drug dealers. That''s what they are. I know that. I should leave. I should. Patriot straightens, rolling his shoulders like he''s about to lecture a kid for stepping out of line. His gaze is steady, unreadable, but there''s something in his stance--something rigid, like he''s already decided how this is going to go. "You''re not stupid, Bloodhound." His voice is level, almost patient. "Walk away. I''ll let you go." I flex my fingers. He clocks the movement, eyes narrowing just slightly. "You want to be a hero?" he continues. "Be a good sport. You did your best. But this is done." He glances at the pile of battered dealers. "They made their choices. You don''t have to make it your problem." He doesn''t get it. It''s already my problem. I take a breath. Grow the teeth in my fingertips, sharp and jagged like broken glass. They split through the skin, fresh and raw. Just like taking a shit. Push it out. There we go. "I''m not walking away," I tell him. "I have a duty to save civilians. You know that." Patriot exhales, disappointed. "Alright, then." Then he moves. I barely brace myself before he closes the distance, lunging straight at me-- CRACK. His head jerks sideways, a blur of red and white. He staggers a step, blinking, jaw tight, and spits out blood. I feel his entire body - so far unmarred - bloom to life, bright red, and I can see him. Then his hand snaps up to his cheek. He touches his face. Looks at his fingers. Examines the split-open skin, the rapidly developing bruise. Then, he and I both look at the source at the same time. I don''t need to check my earpiece to know who it was. "Oh, I got him!" Blink''s voice crackles through. "Holy shit, I got him! I almost knocked a tooth loose!" Patriot''s expression barely changes. He breathes out through his nose, straightens, and tilts his head up slightly, scanning. Blink doesn''t let him think. THWACK. Another shot, this one bouncing off his shoulder. Then another, and another--small, high-speed marbles raining down from above, slamming into him like tiny, furious hailstones. From her sniper''s nest up high - apparently, commandeering a random civilian''s apartment, judging from the way she''s peeked out the window - she can handle hurling all sorts of hellfire his way. He lifts his arm to block, pivoting slightly. He''s still standing, still solid, but I see the slight wince, the faint tension in his jaw. No, none of this will kill him. But it''s hurting him, and distracting him, and I bet he needs it to stop. It''s enough of an opening. I move. Drop down, grab the nearest set of zip ties, yank them apart with my claws, just let my momentum carry me through. The guy underneath them groans, half-conscious, but his eyes flicker open in recognition. I haul him up to sitting, trying not to bite into his shoulders. "Run," I order. He doesn''t hesitate. Next. Another zip tie. Another person. Another moment of brief, sluggish eye contact before they stumble to their feet. They''re not going to make it. Not all of them. I know that. Turbo Jett is still out here, and once she''s done playing Wrestlemania with Birthday Suit, she''ll be back here. And she likes rounding people up. But I can''t do nothing. I don''t know why I''m doing this. These people are all drug dealers. Or people who want to be drug dealers. What''s wrong with me? Why can''t I just shut off my empathy engine? Is it because I saw Patriot, and now I''m pissed? Am I just reacting to him - like I''ve gotta put myself on whatever side is opposite to him? Jump has caused so much pain and suffering. I really should not be helping. I tell myself that I''d rather they run out into the police cordon than get pounded into the dirt again by Patriot. Whatever he''s up to here, and whoever this new girl is he''s recruited to his Pals, I don''t want him to be the one meting out mob justice. I know how that goes. Someone gasps as I slice through their bindings. Someone mutters something slurred, something like why are you-- but I don''t stop. A few of them are starting to get it now. The ones I''ve freed are scrambling, pushing, half-stumbling toward whatever gaps they can find in the chaos. It''s a long shot. But it''s a shot. Then I hear it. A rustle of fabric. A shift of weight. A grunt of effort. I look up. Patriot has someone. Grabbed by the back of the neck, hoisted up with one hand like this tiny little drug dealer is a ragdoll. Patriot''s standing straight, blood drying against his jaw, one of the zip-tied dealers held upright in front of him like a human shield, right between him and Blink. The guy in his grip makes a choked sound, weakly twisting, trying to pull away. Patriot doesn''t let him. He barely even looks at him. His gaze is still locked on the apartment window that Blink is peeking out over top of. My earpiece crackles. "...Okay." Blink''s voice, low and sharp. "Okay. Time to go." I breathe in. Hold it. Is that guy - mouths to feed guy - is he safe? I look around. I don''t see him. Alright. This is fine. I''m cool with this. I run. Chapter 158.1 Jordan slams the door open like they own the place, which, technically, they kind of do. Tacony Music Hall isn''t exactly theirs, but they live here, and they run the Auditors out of here, and they''re the one who rigged up the motion sensors and the reinforced locks, so if anyone has squatters'' rights, it''s them. I don''t look up right away. I''ve got an ice pack pressed to my ribs, and if I move too fast, I''ll lose the exact angle that makes it less excruciating to breathe. My phone is propped up against my knee, cycling through news coverage. Everything is either about the marina or the anti-vigilante law. I''m about to read something about the marina - always interested to see how my work is interpreted - before Jordan''s arrival shakes me out of it. Jordan kicks their backpack to the floor and throws themselves into the armchair like they just won the lottery. They look like they''ve been through hell, and they''re grinning. Clothes rumpled, hair a mess, a scrape on their cheek that wasn''t there before, but they look energized. Like they thrived on whatever fresh disaster they just crawled out of. "Hey, team," they announce, sprawling dramatically. "Miss me?" Lily stops sorting bandages long enough to give them a dead-eyed stare. Amelia doesn''t even look up, just keeps stacking gauze packets. Tasha, from her seat at the desk, mutters, "This better be good." I close my eyes. Take a breath. Feel the ache of my ribs complain about it. Then I open my eyes again and turn my full attention to Jordan, who is way too pleased with themselves for someone who was almost arrested yesterday. "How did you get out?" I ask. Jordan leans back, folds their hands behind their head. "Oh, that''s not important right now." I stare at them. Lily snorts. "Yeah, okay, but it''s kind of important." "Like, it is the most important thing," Amelia adds. "Especially if it''s something we can actually use again." "Or something we should never, ever, ever try again," Tasha mutters, still half-listening to police scanner chatter. Jordan swings their legs over the arm of the chair like a kid about to tell a campfire story. They are so ready to milk this moment. "Alright, alright. You want to know? I''ll tell you. But first - " They reach into their jacket pocket and pull out a crumpled candy bar. Unwraps it. Takes a slow, agonizing bite. I sit up too fast and regret it immediately, my ribs protesting with sharp, unfriendly pain. "Jordan." They hold up a hand. Chew. Swallow. Look so goddamn smug while doing it. Then, finally, they say, "Okay, so you know how my power works, right?" "Oh my god," Amelia groans. "Of course we know how your power works," Lily says. "Do you know how your power works?" I ask. Jordan makes a pfft noise, like that''s a dumb question. Which, to be fair, it kind of is. If there''s one thing Jordan knows, it''s how to break their power in weird ways. "So, here''s the thing," they continue. "Connor and I were talking a while back - " "You mean before he retired?" Amelia cuts in. "Yes, before he retired, thank you for that reminder of our tragic loss," Jordan says, placing a dramatic hand over their heart. "Anyway, we were brainstorming ways to use my power for smuggling, hypothetically speaking, and we came up with this." They dig through their backpack, which they so casually chucked to the floor a minute ago, and pull out a beat-up old cardboard box. It''s... big, like the kind you''d have kept a chair in. Looks like it used to hold office supplies or something. They set it on the coffee table with way too much reverence for a piece of trash, unfolding it from its previous position folded into quarters. I squint at it. "That''s your big escape plan? A box?" Jordan grins. "Not just any box. The perfect box." They flip it over. The bottom has been cut out and replaced with a false bottom, a thin layer of cardboard separating two compartments. There''s a tiny hole near the corner, barely big enough for a fingertip. "So here''s the genius part," Jordan says, leaning in. "I get in the fetal position - " "Oh my god," Amelia groans again. " - inside the bottom part of the box, see? Then, I use one hand to expand the false bottom just enough to make myself comfortable. Not too much, because I don''t want the weight to feel wrong if someone picks it up." Lily leans forward, grinning, like she knows where this is going. "And the top part - " " - hey, don''t ruin my moment, gets filled with fake drugs and real money. But mostly fake drugs. Because if you recall," Jordan gestures grandly, "when I expand a space, my power duplicates objects inside it to make it look full. So I just stick my finger through this little hole here and, bam, endless supply of fake product." There''s a beat of silence. I tilt my head. "That was your master plan?" Jordan beams. "And it worked!" "You hid in a cardboard box and bet your life on the fact that nobody would look inside?"This content has been unlawfully taken from Royal Road; report any instances of this story if found elsewhere. "Pretty much, yeah." I stare at them. Amelia looks like she''s reconsidering her entire life. Lily has the exact same expression she did when she tried to install a new lock last week and got it to work. Jordan, undeterred, slaps a bunch of post-it notes on the table, grinning like they just won a war. "And this is what I got while I was in there." I pick one up. The writing is messy, but dense with information. Jordan crosses their arms, smug as hell. "You''re welcome." Amelia rubs her temples. "I cannot believe that actually worked." "Yeah, and you said I take too many risks," I mutter, flipping through the post-its. "Alright," I say, exhaling slowly. "Let''s see what we''ve got." Jordan is thrilled with themselves. They''re vibrating in their seat, legs bouncing, eyes darting between all of us like they expect someone to declare them a genius. Amelia is carefully stacking the post-it notes into categories - known names, unknown names, locations, dates - trying to make sense of what we''ve got before Tasha even finishes running the first check. Lily is sitting on the couch, stretching out her arms like she''s psyching herself up for a marathon, even though she''s barely moved since Jordan got here. And I''m sitting in the same damn spot, peeling back the edge of my bandages, very carefully not wincing as Amelia catches me and immediately glares. "Don''t start," I mumble. "I don''t have to," Amelia says, already reaching for the medical kit. I sigh, lean back, and let her work. The skin around my ribs is bruised to hell, the swelling down but the ache persistent, a deep, dragging kind of pain that makes me feel heavy. My arms are still raw from last night, the scrapes and burns half-healed but not fully there yet, and I know if I say anything, Amelia will go into full nurse mode, so I just bite my tongue and let her swap out the bandages without complaint. Jordan, meanwhile, is rambling. "So here''s the thing, right - Monkey Business''s contracts? Completely unbreakable. Like, no wiggle room, no loopholes. If he says ''You''re under contract,'' you are under contract. Only way out is if he breaks it first. That''s why none of those dealers last night flipped on him. They couldn''t." Tasha nods distractedly, still focused on her screen. "Not surprising. The guy''s whole brand is being an evil lawyer." "Yeah, but here''s where it gets really interesting - there''s this guy named Jackpot who is somehow essential to Jump production. Like, the key ingredient." "Human ingredient or chemical?" Lily asks, rubbing at her temples. Jordan tilts their head. "Both? Neither? Not sure yet. But Rogue Wave is keeping tabs on superhumans with interesting powers. Like, actively tracking them. And get this - they have about a thousand signed contracts in Philly." There''s a beat of silence. Amelia stops mid-bandage swap. Lily lowers her arms. Tasha finally looks up from her screen. "A thousand?" I repeat. "Yeah. A thousand." "That''s..." Amelia trails off. Jordan grins. "Horrifying? Terrifying? Unbelievable? All of the above?" Lily exhales. "That''s a small army." "A loyal small army," I correct. "If the contracts are unbreakable." "And the way they handle logistics is - honestly? Kind of genius," Jordan continues. "First delivery is free, right? But then they use a guy named Rush Order to deliver contracts directly to the users, and those contracts make the users come to Rogue Wave instead of the other way around. It''s a closed-loop system. You never meet your supplier until you''re already locked in." Tasha clicks her tongue. "Explains why nobody''s been able to track their hubs. They don''t have hubs. They don''t need them." "Right," Jordan says, still way too excited about this. "And here''s the kicker - they see the Kingdom as their number one enemy. Like, this is war. The new drug the Kingdom''s been pushing? The black syringes? Huge threat to them. But they''re not worried. They''re planning for a full-scale gang war. Like, inevitable, inevitable. And their big move?" They pause, grinning, like they''re waiting for a drumroll. "Jordan," Amelia says flatly. "They''re gonna activate all their sleeper agents at once." The room goes still. Tasha''s fingers hover over her keyboard. Lily''s leg stops bouncing. Amelia''s hands, which were adjusting my bandage, go stiff. I exhale. Slowly. "Jesus Christ," I mutter. Jordan spreads their arms like, Ta-da! "Philly''s about to turn into an actual war zone. Thoughts? Feelings? Concerns?" "Do they have a timeline?" Tasha asks, already scanning her files for any possible red flags. Jordan shakes their head. "Not that I saw. But if I had to guess? Soon. They''re waiting for something. I just don''t know what." Lily shifts uncomfortably. "So what do we do about it?" "Great question," Jordan says. "Lemme know when you figure it out." I drop my head back against the couch. "You''re so goddamn helpful." Jordan salutes. "I try." Amelia mutters something under her breath, finishing my bandages. I roll my shoulders experimentally, wincing, but at least the fresh wrapping helps. My ribs still feel like garbage, though, and I know I should be resting, but resting doesn''t stop the fact that an entire gang war is about to explode, and we''re right in the middle of it. My phone buzzes against my leg. I glance down. Maggie: I am grounded until I die. They might bury me in my room. I snort, but my ribs protest, so I immediately regret it. I text back: Cool. I''ll send flowers. Maggie responds immediately. Don''t waste money. They''ll just take them from me. It''s a prison system in here. I have no rights. I roll my eyes. Maggie is so dramatic. Lily leans over. "Maggie?" "Yeah. She''s suffering." "Bad," Amelia mutters. Jordan is still grinning like they love the fact that we''re staring down a full-scale superhuman war. Lily, on the other hand, looks genuinely nervous. "You okay?" I ask her. She shrugs, rubbing at her arm. "I dunno. This just... feels big. Like, too big. Kingdom and Rogue Wave tearing the city apart? What the hell are we supposed to do about that?" "Stay alive," I say. Jordan gestures vaguely. "And, you know. Probably pick a side at some point." Amelia glares at them. "That''s not funny." Jordan raises their hands. "Who said I was joking? At some point, we''ll be in a position to play kingmaker. All they need to find out in the end is which side we hate more." Tasha makes a noise from the desk, something between a sigh and a scoff. "Speaking of positions¡ªanyone wanna hear how the news is spinning last night?" Oh, right, I was reading that. "Yeah, gimme my phone back, I''ll read it for everyone," I say, making a gimme gimme motion with my hands. "When did you take my phone?" "A magician never reveals her secrets," Tasha replies, as I stare down the headline like it owes me money. THIRTY-FIVE ARRESTED IN MARINA RAID ¨C PPD, FEDERAL AGENTS SHUT DOWN ILLEGAL OPERATION I read the first paragraph out loud. "Last night, Philadelphia police, in collaboration with federal agents, executed a successful sting operation against an unlicensed superhuman drug ring in Pennsport. Thirty-five individuals were taken into custody, including high-profile traffickers and multiple armed suspects. Officials credit swift police work and intelligence-gathering efforts for the operation''s success¡­" I stop. Blink at the screen. Turn it around like maybe the words will change if I look at them from another angle. "Okay," I say. "So, just checking¡ªdo we count as federal agents now?" Lily shifts in her seat. "No mention of powered individuals?" "Nothing," I mutter, scrolling further. "No Monkey Business, no Birthday Suit, no Rogue Wave, no Patriot, no Turbo Jett - just thirty-five criminals taken down by good old-fashioned law enforcement." "Of course," Amelia mutters. "They don¡¯t want to admit there was an all-out brawl with metahumans. They want people to think it was just a normal gang bust, totally under control, nothing to worry about," Tasha says, gently combing her hair out while I sweep the page. I exhale through my nose. My ribs ache, my skin still stings from the bandage swap, and now my brain is buzzing with irritation. Because it¡¯s not just about credit - it¡¯s about what this means. The second they admit superpowers were involved, they have to explain how and why. They¡¯d have to acknowledge the scale of this fight, and they don¡¯t want to do that. Because if people knew what was actually happening? They¡¯d realize nobody¡¯s in control at all. Chapter 158.2 School lunch always feels like it exists in a completely different universe from the rest of my life. The fluorescent lights are a little too bright, the noise is constant, and nothing about it feels high stakes - just a room full of teenagers who are either half-asleep, half-starving, or halfway through a hyperfixation rant about their latest special interest. It''s the one place where nobody cares what I''ve been up to, because whatever I''ve been up to is automatically less interesting than someone''s latest speedrun attempt or the school''s latest TikTok drama. Jordan is midway through a story about MIT admissions, gesturing wildly with one hand while picking at a container of sushi with the other. Alex, on the other hand, is listening with the patience of someone who has heard this exact story five times already. I stab my fork into my pasta. "Wait, why are you even at school today? I thought you finished all your assignments early." Jordan waves a hand. "Oh, I did. I am completely done with high school. Academically, legally, and spiritually. But, you know, I like hanging out with you guys, and it gives me something to do all day." Alex raises an eyebrow. "There''s a billion things to do in this city." "Yeah, but most of them involve money or effort." I roll my eyes. "So, what, you''re just gonna keep showing up to school every day even though you don''t have to?" "Hey, the way I see it, this is free entertainment. I get to loiter, annoy my favorite people, and watch teenagers struggle through the American education system in real-time. It''s fascinating." One of the goths - Spencer? Steve? I have no idea - adjusts their fishnet gloves and sighs dramatically. "I mean, if you have all this free time, you could at least, like, go get a job." Jordan makes a face. "Ew. No." Alex smirks. "You don''t need to get a job when you can just commit minor fraud with your superpowers." Jordan brightens. "Exactly. This man gets it." I squint at them. "You don''t actually, though, right? That''s behind you, right?" Jordan just grins. I squint harder. "Jordan," Alex leans forward. "Okay, so, real talk - when do you actually leave for MIT? Like, do we get a couple more months of this, or are you disappearing soon?" Jordan twirls their chopsticks between their fingers, thinking. "July? Maybe August? Depends on housing stuff. I already have my full ride, but I wanna see if I can finesse an even better deal before I fully commit." The goth on my left - Milo? Max? - perks up. "Wait, better than a full ride?" Jordan gestures vaguely. "I want a paid dorm. Food stipend. A research position within the first month. They''re not gonna get rid of me, so they might as well just give me free money to exist there." Alex laughs. "You are the most annoying person alive." Jordan grins, still way too pleased with themselves. "And yet, you''d all be devastated if I left right now." Alex snorts. "That''s a strong word." I open my mouth to add something - probably something about how MIT doesn''t know what''s about to hit them - when the first phone buzzes. It''s loud, but nobody really reacts at first, because it''s just one phone, and a phone buzzing isn''t a weird thing in a cafeteria. Then another one goes off. Then another. Then a whole cluster of them, a discordant, harsh buzz that''s way too aggressive for a normal notification. People start shifting, pulling out their phones, frowning. The sound keeps spreading, more and more students getting hit with the same thing, the cafeteria filling with that horrible, grating alarm tone - The Amber Alert sound. That''s when the mood shifts - now it''s not just one person''s emergency. It''s everyone''s emergency. I stiffen, already feeling my stomach drop as I reach for my own phone, my ribs protesting the movement. The screen is already lighting up, and I barely have to glance at it before I read the message: "ATTN ALL PHILADELPHIANS. TURN ON NBC10 NOW. WEB CAST OR TELEVISION. THIS IS NOT A DRILL." Jordan''s still holding their chopsticks midair, their expression frozen somewhere between mild interest and deep concern. Alex lowers his fork, frowning at his screen. Around us, the cafeteria noise dips, the usual low-level chatter and clatter of trays giving way to a growing unease. More people check their phones. The alert sound keeps rippling outward, a slow cascade of realization spreading through the room. A few teachers get up from their seats at the far end of the cafeteria, pulling out their own phones, checking the same message. I see Mr. Nunez, the chemistry teacher, mutter something under his breath before turning toward the staff lounge, probably heading for the TV in there. The Amber Alert sound is still going. Someone at the next table laughs, nervously, like maybe this is some weird government mistake.This content has been misappropriated from Royal Road; report any instances of this story if found elsewhere. But it keeps going. And it keeps going. And nobody knows what the hell is happening. For a long, long moment, the cafeteria is just buzzing phones and held breaths. Then, finally, the noise cuts out - not all at once, but in waves, like whatever system pushed the alert is finally finishing its job. But the silence that follows is somehow worse. Jordan, who has been completely still for the last thirty seconds, finally blinks. Looks at me. Looks at their phone. Looks at Alex. "Well, that''s not good." The cafeteria isn''t loud anymore. It''s wrong. The usual mix of shouting, laughing, scraping chairs, and people loudly complaining about how bad the fries are today has been replaced with something worse - a muffled, panicked hush. Some phones are still buzzing, but it diminishes, one after another, first ones to start are the first ones to leave. Some people are fumbling with their phones, trying to unlock their screens with shaking hands, while others just stare at their laps, frozen, like maybe if they don''t acknowledge the alert, it''ll go away. A few students have started crying, not loudly, but enough that I feel it before I hear it. Someone nearby is hyperventilating, breaths coming fast and shallow, the kind of breathing that makes your whole body lock up. I get it. Are we about to get hit with a nuclear bomb? Do I have time to call my parents? I take a deep breath - if we are about to get nuked, there''s nothing I can do about it. Breathe, Sam. I shift in my seat, ribs still sore, but that''s not what''s bothering me. My blood sense is going wild, and I can see a good statistical cutaway of the entire lunchroom It''s always uncomfortable in big crowds, especially when there are a lot of people with periods, open cuts, healing bruises - the stuff that leaks a little under the skin. Right now, it''s worse. Heart rates are spiking everywhere. I can feel it, a rising tide of panic, pulses hammering too fast, too hard, like a collective thrum of dread sitting under my ribs. I swallow, push past it, focus. Jordan is already pulling up the stream, their hands moving fast but deliberate. I can tell they''re keeping their own nerves in check, forcing themselves into problem-solving mode, but they''re just as rattled as the rest of us. Alex is still gripping his phone but hasn''t moved or blinked, like he''s waiting for the moment where he wakes up from this. Across the room, teachers are scrambling, trying to get people to stay calm, but it''s not working. Someone yells something about going to the office, but nobody is moving. Nobody wants to miss what''s coming next. The cafeteria isn''t a cafeteria anymore. It''s a waiting room for something terrible. Jordan mutters, "Come on, come on, load faster, you piece of - " and then the stream kicks in, and the room collectively stops breathing. I hear the chime from about 20 other phones more or less at the same time. We don''t see the NBC10 newsroom. No desk, no anchors, no familiar background. Instead, it''s a cleared-out office space, something generic and bland - cheap carpet, exposed wiring, overhead lights that make everything look a little too bright, too sterile. Six people stand in the center of the shot. And I recognize two of them immediately. Monkey Business, front and center, looking exactly like he did at the marina - his stupid monkey mask, his body stretched out into a perfectly tailored suit, sitting on top of a desk with a stack of papers next to him. And another stack of papers on the floor. Even more papers. More than that. Like, a stupid amount, at least ten reams. Birthday Suit beside him, arms crossed, silent, imposing, and impossible to ignore, domino mask barely hiding her disdain. Jordan inhales sharply beside me. I try to look at the four behind Monkey Business, but he and Birthday Suit are just covering them up with their bulk. I can only see bits as they shuffle around awkwardly, red and white and green and black. I don''t even have time to process any of this before Monkey Business gestures to the camera with an easy, theatrical confidence, like he''s hosting a game show instead of hijacking a major news station. "Philadelphia!" His voice is bright, chipper, like this is the best day of his life. "Good afternoon, and thank you for joining us. We know you didn''t exactly have a choice, but hey, sometimes the best surprises are the ones you weren''t expecting, right?" He spreads his arms, stepping forward, and the camera adjusts smoothly, like they''ve actually thought about framing, like this is produced. "You may have heard of us," he continues, grinning behind his mask. "We call ourselves Rogue Wave." The group spreads out behind him, dramatically. Practiced and rehearsed. Come on. "To my right, you''ve got Rush Order, the best deliveryman an operation of this complexity could ask for." Rush Order tips his head, still grinning, tapping two fingers against his temple in a lazy little salute. Lean, tall, broad, just like Birthday Suit, but if there''s any muscle to him I can''t see it. Bright red bomber jacket with more red underneath, slacks, a beret cocked at a perfect angle, perfectly circular orange-tinted glasses that catch the overhead lights just enough to be annoying. His grin is too sharp, too eager - he''s thrilled to be here. Jordan sucks in air through their nose. "What''s with the Flash cosplay?" "To my left, we have Dr. Snake Oil, the man who makes this all possible. Don''t worry, unlike real snake oil, his drugs work," Snake Oil tilts his head, adjusting his glasses like he''s barely tolerating this introduction. Stocky, broad-shouldered, wearing a rubber snake mask that''s hiding the rest of his face. I think I recognize the exact mask from Spirit Halloween. White labcoat, teal shirt underneath, he looks exactly like the sort of person you''d expect to be trying to be a mad scientist. Monkey Business keeps going, stepping between the last two. "Then we''ve got Dead Drop - tracker, hunter, master of staying unseen - " Dead Drop doesn''t react, just shifts her weight slightly, like she''s calculating something, eyes invisible behind a domino mask. She''s tiny, barely, what, 5''1"? She''s wearing all black, looking all the world like Jordan''s kind of person, a long-sleeve unitard with a cropped hoodie sitting on top of it, skull elbow pads, skull kneepads, gigantic spiked boots, gigantic spiked collar. Chains gently hover around her, coiling around her wrists and her neck like snakes. "And finally, Jackpot, the luckiest guy you''ll ever meet - if you''re on his good side." Jackpot, standing with his hands in his pockets, his vest and bowtie too crisp, too clean, freshly laundered, smirking like an idiot. His skin''s tan and his hair is greased back, dressed up exactly like a casino dealer, bright red vest over a white button-down, crisp silk gloves, a thin, shitty little peach fuzz mustache that looks like he''s been trying for months to grow something more impressive. Middle of the road, probably as tall as I am. He winks at the camera. Dead Drop elbows him in the ribs, and he lets out a muffled little "ow," Monkey Business claps his hands together, the sound too loud in the dead silence of the cafeteria. "Finally, my name is Monkey Business, and this hot piece of ass next to me is my bodyguard, Birthday Suit. Now, here''s the deal," He tilts his head, leaning slightly toward the camera. "We have hijacked this station with a suicide bomber carrying this very special VHS tape that you are now watching. This is a recording, not live." My breath catches. "If you don''t want him to blow up NBC10," he continues, tone light, playful, like he''s explaining the rules to a game, "then you''ll all stay watching. Because here''s the fun part - " He wags a gloved finger. "We''re watching the viewership numbers. And if they drop too much? A beloved Philadelphian institution goes up in flames. Boom!" He snaps his fingers for emphasis. I hear someone let out a choked little sob. Monkey Business leans back, delighted, spreading his arms like he''s embracing the moment. "Now - let''s get started." Chapter 158.3 Monkey Business shifts his stance, weight rolling lazily from one foot to the other like he''s got all the time in the world. His voice is smooth, casual, almost amused - like he''s explaining something simple, something obvious, something we should have figured out already. "If you haven''t heard of us, that''s okay," He spreads his arms, slow, deliberate. "We''re here to make an impact." The silence in the cafeteria isn''t just quiet anymore. It''s crushed. Pressurized. Like nobody wants to move, like shifting even a little might make something snap. I see people white-knuckling their phones, eyes locked on the screen, shoulders tight, breathing shallow. Someone near the front of the room lets out a tiny, panicked hiccup and immediately slaps a hand over their mouth. Monkey Business keeps talking. "We have forced NBC10 to play this video, and used another operative to commandeer the emergency alert system. That''s why you''re all here with us right now. It''s a group activity. Our suicide bombers are under the effect of my power, which creates a psychologically and physiologically compelling contract between me and the guy on the other end. You can call it a "geas". Don''t feel too bad for them, they knew what they were signing up for." I don''t move. I don''t blink. My blood sense is screaming, but it''s useless. I can feel the tension running through the cafeteria, the uneven rhythms of panicked heartbeats, but there''s no focus to it, no direction, just a mass of fear sitting like a stone in my chest. The goth sitting next to Alex - Max, maybe? - makes a soft, strangled sound. Someone across the room whispers something frantic, voice trembling. A chair scrapes against the tile as one of the teachers - Mr. Nunez - steps forward, but he doesn''t say anything, doesn''t move toward the front of the room, just looks at his phone like he''s expecting it to give him an out that isn''t coming. Jordan exhales through their nose, quiet, controlled. "Dude really knows how to work a room." I glance at them. They aren''t smiling. Monkey Business continues, voice calm, level, and completely detached from the chaos he''s causing. "You might find this to be needlessly brutal, but we believe our actions are in the best interest of a society that has become sclerotic, arthritic, unable to adapt to a world where the best and worst among us possess the ability to do miracles on a daily basis." His head tilts just slightly, like he''s waiting for someone to argue with him. Nobody does. Someone at the far end of the cafeteria is shaking too hard to hold their phone steady, their hand half-covering the screen, but they don''t look away. Nobody looks away. Jordan shifts in their seat, lowering their voice. "He''s enjoying this too much." I nod, barely. Monkey Business steps back just enough to gesture grandly to the people behind him. "We reject this order of mediocrity. This is our manifesto - we will destroy society as it stands and ensure a true meritocracy, where all people have access to the superpowers they deserve, and the rules are made by those with the expertise and willpower to forge those rules into being. No more bureaucrats. No more paperwork. Only miracles and those that know what to do with them. This is our world." A sharp inhale from someone a few tables over. A muttered curse. Someone else whispering what the hell does that even mean? He keeps going. "We currently have 30,000 contracted individuals in Philadelphia alone, as you can see from this huge stack of papers next to me. This doesn''t even account for our operatives in every other city in the eastern seaboard. Rogue Wave numbers 60,000 strong, with cells in every city and town from Maine to Florida."If you stumble upon this narrative on Amazon, it''s taken without the author''s consent. Report it. Jordan doesn''t even hesitate. "Lie." I exhale. "Obviously. But who''s it for? Us, or the cops?" I whisper, too quiet. Jordan''s fingers tap a quick rhythm against their knee, too controlled to be nerves, more like calculating. "No way they have sixty thousand. Not even close. But he wants people to think they do." "Scare tactic." "Yeah, but a good one. Who''s gonna call your bluff when you have two remote suicide bombers set up?" The cafeteria is so quiet, I can hear the sound of someone''s fingernails tapping against the back of their phone, fast, erratic, barely keeping still. Teachers are still frozen, still waiting, like they don''t know if trying to calm people down will just make it worse. People are whispering, just enough that I know they''re whispering, but not what they''re saying. I glance back at the screen. Monkey Business is still standing center frame, still completely at ease, still acting like he''s telling us something inevitable. My ribs ache. He claps his hands together again, his favorite motion in the world, the sound loud and sharp in the suffocating silence of the cafeteria. His voice is still bright, pleasant, almost casual, like he''s just giving a morning briefing at a tech startup. "If you are one of those contracted individuals, you will now receive additional instructions." The room shifts, subtle but unmistakable. People glance around, scanning faces, searching for some kind of reaction, but nobody moves. Nobody would. Not if they were smart. I hear someone mutter what the fuck?. I see people scrutinizing the faces of their friends. Do you have a contract? Do you? "You will do your best to undermine the influence of the organization known as ''the Kingdom of Keys'' without revealing your nature as one of our contractors, through any means available to you." A ripple of confusion across the room, barely audible - someone whispers holy shit, another person swears under their breath. My blood sense pulses uncomfortably, the cafeteria still a mess of elevated heart rates, rising tension, fear curling under people''s skin like it''s settling in for the long haul. Jordan lets out a slow breath through their nose. "Oh, this is new. Well, that obviates one piece of intel." "If an individual you trust expresses interest in Rogue Wave''s ideology," Monkey Business continues, voice smooth as ever, "get them to sign their legal name on a piece of paper and bring it with you the next time we are in touch. Rush Order will get in contact with them and welcome them to the fold." I don''t like the way he says it. I grip my fork just a little too tight, the dull ache in my ribs grounding me. "Decentralized recruiting. How do you even handle this?" I ask Jordan, who stares at me with the most haunted look I''ve ever seen in their face. This isn''t fun anymore, not to them. A shiver rolls through me. My stomach turns. Jordan mutters, "God, it''s that easy. Just a signature, and bam. New cult member." I swallow. "They don''t even have to know what they''re signing up for." Monkey Business spreads his arms, palms open, expression hidden but undeniably smug. "With your help, we can create a better, fairer world. One free of despots and tyrants, where the words ''Democrat'' and ''Republican'' have no meaning, and where we can use our miracles productively, to produce abundance for anyone willing to reach out and take it." Nobody in the cafeteria moves. A kid across the room is staring at the screen so hard it looks like he''s trying to disappear into his chair. A group near the back is huddled together, their phones held up at slightly different angles, the overlapping stream delay making an eerie echo of Monkey Business''s words. Monkey Business gestures off-screen, rolling his shoulders like he''s wrapping things up. "Now, NBC10 guys and emergency alert system guys, our hostage will stand still and allow you to pull out the blue wire from their bomb, followed by the green wire, which will disable it. I may be a horrendous terrorist and threat to the social order, but one thing you''ll come to understand as we have more of these little chats is that I am not a liar." There''s a pause. A beat where the entire cafeteria is still holding its breath. "After you''ve disabled their bombs," he continues, grinning, "you can throw them to the cops or do whatever, I don''t give a shit. They''ll be paralyzed until the top of the hour anyway." His gloved fingers snap together. "Peace out." And then the stream cuts to black. The cafeteria doesn''t move. Nobody speaks, nobody breathes. Phones stay lit up, glowing in the dimness, the silence so complete that I can hear the buzz of the cafeteria lights overhead, hear the slow, unsteady inhales of at least three people nearby. Then, somewhere to my left, a phone drops onto a tray, and everyone begins talking at once. Chapter 159.1 I look around the chatter and try to pick out something interesting. Security guards try to remain as stone-faced and unaffected as possible. A lunchlady gives someone extra nuggets because they''re clearly having an anxiety attack. The world murmurs on around me. Jordan grabs my sleeve and gives it a tug. "Sam, I''m about to do something extremely stupid. Can you physically back me up in case a fight breaks out?" they whisper. "I''m really not supposed to be getting into fights anymore," I whisper back, trying to scrunch away. "Not at school, at least," "Pussy," Jordan mutters, and then they shake my sleeve again and yank me into eye contact. For the first time in what seems like ever, I see something besides confidence in Jordan''s eyes. Something a little rawer. A little shakier. I should probably tell them no. I should probably listen to my mom¡¯s voice in my head, reminding me how much worse this could get. "Dude, I''m like on strike two and they''ll probably expel me if I start shit again unless there''s a damn good reason," I answer, feeling the phantom of my mom sitting on top of my brain stem. "I can''t... ruin my future over a stupid fight," "Great news, this is a very rational fight with a good reason to happen. Can you tell with your blood sense if anyone here is affected by the geas that just got announced?" Jordan asks. I scrunch my face up. I can feel every drop of blood in here, but that doesn''t give me any useful information besides "almost everyone on their period is also panicking". "If they''ve got a thousand contractors across all of Philadelphia, that''s like, less than a 0.01% chance any given person has a contract," I think, doing some quick mental math, counting decimal places on my fingers. "Then you have to cross that with the amount of people bleeding in here - not a huge number - and I don''t think there''s any way to differentiate who''s freaking out because they''re scared and who''s freaking out because their contract just activated," Jordan sighs and squares me up. They grab me by the shoulders and spin me around on the uncomfortable plastic slash metal stools that all of us sit on for lunch all the time. "Samantha H. Small," "Not my middle name--" "Whatever. Remember when we first met? And I told you that you have to stop reacting to things? You have to be the bullet?" Jordan says. I can tell from their breath - heavy, cloying, smelling like soy sauce, shaking - that they''re prepping themselves for something. Something stupid. I scrunch my face up harder. "What about it?" "Remember when our first plan together, the first ever scheme, was to fake a superhero supervillain fight for internet cred and news fame?" Jordan asks. "Jordan," I say back, a little louder than a whisper. The goths, anime nerds, and Alex at the table all turn to look at Jordan. "If there''s one thing I want you to burn into your brain from our entire friendship, it''s this; be the bullet, not the vest. Be the thing happening, remember?" they summate. Before I can grab Jordan''s sleeve and yank them down, Jordan grabs their lunch tray, grabs my lunch tray, climbs up onto the lunch table, and starts smacking them together. "Hey! Tacony Charter Academy High School Lunchroom! Everyone! Shut up! Shut the fuck up!" That starts getting people''s attention, but not all at once. A couple of people laugh like it''s a joke. Some dude near the snack machines yells "Shut up, bitch!" and keeps talking to his friends. Some of the goths start clapping along to Jordan smacking trays together like it''s a bit. Jordan does not stop. They smack the trays together harder, sharper, rhythmically, like an animal marking its territory. "Shut up. Shut up. Shut. The fuck. Up." The sound cuts through the room like a fight about to break out. The laughter dies down. The whispering slows. The security guards, across the room, start moving. My heart jumps up, and my palms start sweating. "My name is Jordan Westwood, and you may remember when I fucked up homecoming this year because a bunch of police officers and a superhero came to arrest me. And then they beat the shit out of my friend in front of everyone, and it went super viral on the news and shit. Remember that? Hey! Shut the fuck up! I''m talking! Give me your undivided attention for two minutes!" Jordan yells, watching, measuring, and occasionally smacking their trays together a couple more times until everyone has, indeed, shut the fuck up. I see Officers Ridley and Nguyen at the front of the security guard heap - good to know they''re still employed. But they''re getting closer, talking amongst themselves. What are they saying, I wonder? Who gets their pick of the troublemaker? "They had a good reason for that! I''m a supervillain that has been working undercover for the Kingdom of Keys. I can create temporary duplicates of things so I make fake drugs to cheat people out of money. Check this out!" Jordan shouts, kicking their backpack onto the floor. That''s not Jordan''s power. But everyone''s focused on the backpack - nobody''s watching the walls or ceiling. Jordan huffs with exertion, and the room pulls apart at an angle. Tables are lightly stretched with duplicate laminate woodplastic, but where there was once one backpack, now there is two. "Now you know my bona fides are real! And I''m just going to say to any Rogue Wave bitches in here - if you think you''re going to stop us, think fucking again!" Jordan almost screams, their legs visibly shaking, almost buckling, although whether that''s from fear or just how hard it is to stand on a lunch table in platforms, I can''t tell. The Jordan I know isn''t someone that experiences fear. Not in a way they''d ever show me.This story has been unlawfully obtained without the author''s consent. Report any appearances on Amazon. I''m watching the crowd. Someone. Anyone. We all heard the order - "You will do your best to undermine the influence of the organization known as ¡®the Kingdom of Keys¡¯ without revealing your nature as one of our contractors, through any means available to you." - so who''s going to step up to stop them? I''m watching for students, and all the students are glancing at each other. Surely, someone else has made this connection. Monkey Business stated his terms in broad daylight. So who''s going to stop them? Anyone here? The odds are low. 0.01% chance, if Rogue Wave''s numbers are real. 500 students at this school. Statistically, that''s... maybe one person? Maybe none? A fractional human. But contracts aren¡¯t spread evenly. And if Monkey Business isn''t lying¡ªif it''s 30,000 Philadelphians instead ¡ª then it''s not 0.01%, it''s closer to... what, 2%? That means ten students in this school. Maybe more. The real answer is somewhere in the middle. Somewhere in this room. A ripple moves through the cafeteria. Not a big one, but small things. A couple of kids look at each other too fast and then away. A girl near the back grips her phone like she¡¯s about to break it. A guy near the vending machine shifts in his seat, like he just realized he might need to run. "Alright, Westwood, fifteen minutes of fame are over, let''s get you down from there," I hear from behind me. I whirl around to come face to face with Officer Ridley - he still has a job? Where''s the justice? - looking beet red and slightly grayer in the hair than when I first aikido threw him in Septemberish. "Out of the way, Small, we don''t want a repeat of last time," Jordan looks at me. I look at Jordan. I look at Officer Ridley. I sigh, and stick my leg out to trip him. He''s too focused on Jordan to notice, stumbles, and swipes at empty air with open handcuffs while Jordan takes a step back, accidentally stepping on Alex''s sandwich ("Hey!"). "Hey, Ridley, long time, no see. You still a part of Rogue Wave?" Jordan asks. Knowing Officer Ridley as a racist idiot, I fully expect this to go nowhere - he just wants an excuse to handcuff a student for his jollies. I am... not exactly happy when his body goes stiff as a board and his eyelids start twitching. Really, happy is the least accurate emotion, but there is a twitch of some sort of vindication to it. He swipes again for Jordan, and without thinking - or I guess, with a sort of instinctive thought - I switch seats and just put myself in his way. Passively. Not Aikido throwing him again. I know I''d get suspended if I did! He makes a sort of strangled noise and Jordan takes another step back, gently scraping sandwich off their boot. "Hey, everyone, pull your jaws off the floor and watch me closely," Jordan shouts, exuberantly, terrified, literally shaking so hard that it''s starting to rattle the lunch table. "Ridley, you better tell me everything you can about your contract with Rogue Wave!" Ridley''s face goes blank, pale, and drooping, like he''s just had a stroke. Officer Nguyen, among the others, immediately catch what''s wrong first, before anyone else does besides me. Ridley''s pupils dilate, and then shrink to a pinprick. Then, he draws his taser. Before I can yell for Jordan to get down, two electrodes are spinning through the air, twirling, unfurling, almost bullet fast, ripping through Jordan''s hoodie and I assume embedding in the skin. I assume this because Jordan''s already shaky legs immediately cramp up and they go head-over-ass down towards the ground, off the lunch table. "Catch them!" I find myself yelling, shoving Ridley out of the way while two of the goths - and a watcher from the next table over - jump loose to grab Jordan before their head cracks open on the tile of the cafeteria floor. Ridley isn''t focused on me, though - he''s focused entirely on Jordan, shoving Alex out of the way with a meaty, sausagine hand. Jordan clenches up, their body pulling up into a fetal position, twitching, convulsing, pained, wet grunts escaping their throat, while the students helping them down cluster protectively around their body. No thrashing, just twitching. No more. "Ridley! Stand down!" Nguyen shouts, but it''s about as effective as a fart in the wind. I''m already up and moving, but things are happening fast. Ridley draws a baton with his free hand and pulls the trigger again on his taser to give Jordan another shock. Ridley doesn''t even say anything, he just swings, and people duck out of his way. He pulls the trigger again. Jordan lets out a pained, wet gasp. I cut off Officer Nguyen at the pass and pull myself up on Ridley''s back, hooking my legs around his waist, wrapping my arm all the way around his neck. Since my growth spurt it''s become way easier to put people in headlocks, but he''s still got a good two, three inches on me, plus all that pork muscle in his throat, so it''s hard to get my forearm all the way around under his chin. "Lift his head up! We gotta knock him out!" I shout to the other security guards. "Everyone else, scatter!" But people aren''t scattering. People are trying to pull Ridley off of Jordan, while he climbs on top of them, knees to knees. I try to fit my arm under his chin but it''s just not working, and Jordan isn''t being given a moment''s rest before he pulls the trigger on the taser again. Someone - I don''t see who, probably another one of the security guards - yanks the taser out of Ridley''s hand and kicks it away. Ridley isn''t thinking anymore. His body is on pure kill mode. The kind of hysterical strength moms get when their kids are trapped under cars or inside burning buildings, but laser-focused on his task of killing a high school student. With his now-free hand, he grabs Jordan by the hair, wrenches their face upwards, and uses the other hand to try and crush their throat with his baton. "Get down, Small!" I hear from behind me - a woman, Nguyen? - and I duck my face down against Ridley''s shoulder before a baton goes sailing into the side of Ridley''s shoulder, dazing him just enough that another of the anonymous mass of hands surrounding me can grab him by the greasy hair and tug his head straight up. My forearm finds purchase in the curve of his neck, right up against the important arteries, my other arm starts levering my wrist, and the headlock goes in. Come on. One Mississippi. Two Mississippi. Three Mississippi. His state means that he barely even seems to notice the crowd around him. He''s leveraging all of his body weight, all two hundred fifty, three hundred some pounds of force against Jordan, bearing down on them, violently, violating. Blood trickles out of his nose and I see his heartbeat - perfectly even, uninterested in the situation. His carotid arteries pulse against my arms, and the world narrows to a sharp point. His pulse fights me, hammering too fast, too strong - his body''s in full kill mode, and the choke isn¡¯t dropping him as fast as I want. Six Mississippi. Seven Mississippi. Come on! Pass out already! Hands slip underneath his baton, trying to make space for Jordan''s throat to not get crushed. I can already smell the bruises forming across Jordan''s windpipe and neck. Drool puddles on the tile floor. Nine Mississippi, and he starts weakening. Ten Mississippi, and all the hands grabbing for him start to pull, and jerk, and drag him away. Eleven Mississippi, and he goes totally slack, collapsing into the crowd and getting thrown off like a drunk guy on a bucking bull. I let go, and his body wheezes out from under me like a deflating balloon. Ridley slumps, a twitch running through his fingers like a dead fish in a shallow pond. His chest rises once, sharply, before settling into that eerie, boneless stillness, dragged away by the morass while Jordan slowly, shakily comes to their feet. Chapter 159.2 The cafeteria holds its breath. Ridley''s body slumps against the tile floor, his chest rising and falling in shallow waves. Nobody moves. Nobody speaks. The only sound is the soft hum of fluorescent lights and Jordan''s ragged breathing as they pull themselves up using the edge of the lunch table. My arms ache. My blood sense is still screaming, still tracking too many elevated heart rates, too many people breathing too fast. I can''t tell who''s scared and who''s processing what they just saw. Who''s thinking about contracts. Who''s wondering if they''re next. The security guards move first. Two of them drop down beside Ridley, checking his pulse, his breathing. Officer Nguyen stands between us and the crowd, her hand hovering near her belt, her eyes sharp and alert. She barks something to the others--"Get him stable, watch his head"--but she doesn''t take her eyes off us. Jordan wobbles on their feet. Their hoodie is torn where the taser barbs hit, and their throat is already starting to bruise, a dark band forming where the baton pressed down. But they''re grinning. Because of course they are. "Okay," they rasp, their voice rough and shaky. "That went about how I expected." Nguyen''s eyes narrow. "Both of you. Principal''s office. Now." Jordan raises a hand, still trembling. "Wait. One more thing." The crowd shifts. Phones are out--some still recording, some texting frantically, some just held like lifelines. Whispers ripple through the room. I catch fragments: "Holy shit" and "Did you see--" and "Is he dead?" Jordan clears their throat. Winces. Takes a breath. "Just to clarify," they say, their voice gaining strength. "I''m not actually a criminal mastermind. That was a bit. Thanks for playing along." A nervous laugh from somewhere in the crowd. Jordan''s grin widens, but there''s something sharp behind it now. Something serious. "See, here''s the thing about those contracts Monkey Business was talking about," they continue. "They respond to exposure. If you ask the wrong question--" They gesture to Ridley''s prone form. "Well. You saw what happens." The whispers die down. The phones lower. Everyone''s watching now. "So if you signed something for Rogue Wave--maybe you thought it was a joke, or easy money, or even a good cause--you need to understand something." Jordan''s voice drops, deadly serious. "You are not in control anymore. You need to tell someone. Your parents, your teachers, the police--I don''t care who. But you need help." Behind me, Ridley stirs. His eyes flutter open, unfocused, confused. The security guards help him sit up, but he doesn''t look at anyone. Doesn''t say a word. Just pushes himself to his feet and starts walking--not running, but moving fast, purposeful. Embarrassed. Caught. He knows he''s in deep shit, contract or no contract. Jordan watches him go, their expression unreadable. Then they turn back to the crowd. "And if you think someone else might be contracted? Don''t push them. Don''t try to trick them into admitting it. Don''t even hint at it. Because if you ask the wrong question--if you make them think about Rogue Wave for even a second--they will try to kill you." Their voice cracks on the last words. "They won''t have a choice." The fluorescent lights buzz. Someone''s tray clatters against a table. A phone chimes, the sound sharp and sudden in the silence. "That''s what this is about," Jordan says, softer now. "That''s what we''re dealing with. So be careful. Look out for each other. And if you''re one of them--if you signed something--get help before someone asks you the wrong question." Officer Nguyen steps forward, her jaw tight. "Are you done?" Jordan''s shoulders slump. The trembling in their hands is getting worse, but they manage one last grin. "Yeah. Yeah, I''m done. You can haul me off now." Nguyen gestures to the door. "Let''s go." As we follow her out, I catch fragments of conversation starting up behind us. Nervous laughter. Urgent whispers. The sound of chairs scraping against tile as people remember how to move again. Jordan stumbles slightly. I catch their arm, steadying them. "You okay?" I mutter. They laugh, then wince. "Ask me again when the taser burns stop tingling." "That was stupid," I tell them. "Yeah." They grin, rubbing at their throat. "But it worked." I can''t argue with that. So I just help them walk, trying not to think about what comes next. About suspensions or expulsions or whatever fresh hell we''ve just bought ourselves. Behind us, the cafeteria erupts into noise--everyone talking at once, processing what they just saw, what it means. Trying to make sense of a world where asking the wrong question can get you killed. I don''t look back. I just keep walking, keeping Jordan upright, following Nguyen down the hallway toward whatever consequences are waiting. At least we gave them something to think about.
Principal Heckerman''s office feels smaller than usual. Maybe it''s because we''re all crammed in here--me, Jordan, my parents, Officer Nguyen by the door. Or maybe it''s just that Heckerman looks like he''s aged ten years since this morning, hunched over his desk like the weight of the whole school just landed on his shoulders. Jordan''s still grinning, but they''re sitting weird, like their muscles haven''t quite figured out how to work right after the taser. Their throat is starting to bruise properly now, a dark band across their neck that makes me wince every time I look at it. My dad keeps glancing at it too, his jaw tightening each time. My mom''s hand hasn''t left my shoulder since she got here. I can''t tell if she''s trying to comfort me or hold me in place. Heckerman shuffles some papers on his desk. Probably trying to figure out which handbook section covers "student nearly gets murdered by mind-controlled security guard." "This," he finally says, his voice tired and strained, "cannot keep happening."Did you know this text is from a different site? Read the official version to support the creator. Nobody argues. Not even Jordan, which is probably a first. "Ms. Small." Heckerman looks at me directly. "This is the third violent incident you''ve been involved in this year. The third time you''ve physically engaged with staff members. I understand there were extenuating circumstances--" "Extenuating circumstances?" My dad cuts in, his voice sharp. "A security guard tried to kill a student!" "Ben," my mom murmurs, squeezing my shoulder. "No, Rachel, this is--" He stops, takes a breath. "My daughter just had to stop a man from committing murder in the cafeteria. That''s not ''extenuating circumstances,'' that''s--" "Mr. Small," Heckerman interrupts, "I am well aware of the severity of what occurred. Officer Nguyen has provided a full account." He gestures to Nguyen, who''s standing by the door like a statue, her face carefully neutral. "But this is exactly my point. These incidents keep escalating. And your daughter keeps being at the center of them." I shift in my chair. "So what was I supposed to do? Just let him kill Jordan?" "Sam," my mom warns. "No, really!" The words burst out before I can stop them. "Jordan exposed a sleeper agent in our school. Someone who could have hurt anyone here. Are we just supposed to ignore that because it''s inconvenient?" "What you were supposed to do," Heckerman says, his voice getting that edge it gets when he''s trying very hard to stay calm, "was alert staff to any concerns about security personnel. What you were not supposed to do was deliberately provoke an incident--" "I didn''t--" "You switched seats to block Officer Ridley''s path," he continues. "You tripped him. You escalated the situation before it became violent." "Because Jordan asked for help!" I protest. "Because they knew--" "And you, Mr... Mrs... Mr. Westwood." Heckerman turns to Jordan, who''s still somehow maintaining their smirk despite looking like they might pass out. For once, Jordan does not correct the honorific, which... probably means nothing. "You deliberately created this situation. You publicly claimed to be working for a criminal organization. You incited panic in a crowded cafeteria. You directly challenged individuals you suspected of being compromised." Jordan shrugs, then winces at the movement. "Worked, didn''t it?" Heckerman''s expression could curdle milk. "That is not the point." "It kind of is, though." Jordan''s voice is still raspy, but they lean forward slightly. "We proved there are sleeper agents in the school. We proved how dangerous they are. Doesn''t that matter more than whether we followed proper procedure?" "What matters," Heckerman says, "is that I cannot allow students to repeatedly endanger themselves and others, regardless of their intentions." He picks up a thick folder--my disciplinary file, probably--and lets it thump onto his desk. "Ms. Small, you were explicitly warned about further incidents. You were told that any more altercations would result in immediate expulsion." My stomach drops. My mom''s hand tightens on my shoulder. "By the letter of our policies," he continues, "by every zero-tolerance rule in this district, you should both be expelled. Immediately. No appeals." Jordan starts to say something, but Heckerman holds up a hand. "However," he breathes. "However," he repeats, "I am capable of understanding context. And Officer Nguyen''s report makes it clear that your actions, while reckless and unauthorized, likely prevented serious harm." He leans back in his chair, looking suddenly very tired. "So. One week suspension. Both of you. And detention three times a week for the remainder of the school year." Jordan perks up. "Wait, that''s it?" "That''s not it," Heckerman says. "You''ll both be required to meet with the school counselor weekly. You''ll write formal apologies to the staff for disrupting school operations. And you will maintain perfect attendance in those detentions, or we will revisit the question of expulsion. Is that clear?" My dad starts to say something - I''m not sure what - but my mom cuts him off. "That''s more than fair." "Mom--" "No, Sam." She squeezes my shoulder again. "You''re lucky. You know you''re lucky. Take the suspension." Jordan shifts in their chair, wincing slightly. "So when you say suspension--" "I mean suspension, Mr. Westwood. Not vacation. Not extra time to cause trouble. Your teachers will provide assignments. You will complete them. And you will not use this time to plan any more... demonstrations." "But--" "And you," my mom cuts in, "should be thinking very carefully about the target you just painted on yourself." Jordan blinks. "What?" "If this Rogue Wave organization is real--if they''re really as dangerous as you just proved they are--you just made yourself their enemy. Very publicly." She glances at the bruises on Jordan''s throat. "Maybe spending some time where there are actual security guards isn''t the worst idea." "The non-mind-controlled kind," my dad mutters. Heckerman ignores that. "As for you, Ms. Small." He fixes me with a look that could probably strip paint. "I cannot enforce this, but I strongly recommend that your parents keep you at home for the duration of your suspension. You shouldn''t be out there looking for trouble when trouble will almost certainly be looking for you." "What?" I start to protest, but my parents are already nodding. "What about Jordan?" "I am technically homeless," Jordan points out. Heckerman does a double take, and then swallows it down. "We''ll talk about that later." "Don''t worry about it," Jordan mutters, waving him away. "My adoptive parents are trying to get a word in edgewise," they mumble off into a silent ellipses, glancing towards my mom and dad. "We''ve tried being understanding," my mom says. "We''ve tried to work with your... extracurricular activities. But this has to stop." "I was helping--" "You were lucky," my dad cuts in. "Again. But luck runs out, Sam. And I don''t care what''s happening in this city--you are not getting a felony on your record before you graduate high school. Once you''ve got your diploma, you can... I mean, I can''t promise anything. You should go to college. But if you want to register and make... this your full-time business, I won''t stop you." "The detentions will limit your patrol time," my mom adds, her voice gentler but still firm. "Which, I mean, I-- I mean... Good! You shouldn''t be patrolling. Yes, you did the right thing today. But there were smarter ways to handle this. Ways that didn''t involve putting yourself or others at risk." I slump in my chair. I want to argue. Want to point out that we exposed a serious threat, that we probably saved lives, that sometimes you have to act fast and deal with the consequences later. But I look at Jordan, still trembling slightly from the taser, their throat marked with evidence of how wrong this could have gone. Look at my parents, their faces tight with worry. Look at Heckerman, who''s probably wondering if his school is full of sleeper agents ready to snap at any moment. "Fine," I mutter. "House arrest. Whatever." Jordan opens their mouth, probably to say something that''ll get us both in more trouble, but Heckerman cuts them off again. "Against my better judgement, we will... utilize your methods, Westwood, to ensure that no compromised security guards are handling watching the two of you in detention," Heckerman says, and Jordan''s eyes light up like they just won the lottery. "I will now accept literally any punishment you deign fit now, my liege," Jordan babbles, 110% sincere. "And, Mr. and Mrs. Small, I will speak with the board to see what resources are available to ensure the security of your home. It''s not exactly the place of a school to be doing this, and I don''t want your daughter and her friend to think I am rewarding their behavior," Heckerman says flatly, letting the unfinished sentence hang in the air. "But. I did not make it forty years being a school principal in this God damn city''s public school system by being an idiot. Because the next incident--if there is a next incident--will result in immediate expulsion and transferal to another school. I don''t care if you''re fighting aliens or saving the president. Six students were lit on fire only a couple months ago. Including you, Samantha." I want to protest. The words "that''s not my fault" form in my throat, but Heckerman''s glower pierces my skull like an acupuncture needle. "Other students are beginning to withdraw from the school. Parents are informing us that, even with the increased security measures, they do not feel safe enrolling their children in the next school year. Every withdrawn student due to these superhuman incidents reduces our budget, which reduces the amount of security, and resources, and books, that we can provide to the rest of the student body. This is not a novel or a comic book. This is real life. There are second, and third, and fourth order effects to consider. Nothing happens in isolation, including your heroics." I look down at my feet, unable to muster any sort of defiant response, or really a response at all. My mom squeezes my shoulder, but it feels placating, insincere. "We''re done here," he says, cold but clearly not uncaring. "Go home. Both of you. Think about the consequences of your actions. And be very, very grateful that you''re getting a second chance." He pauses, then adds, "Or in your case, Ms. Small, a fourth chance." I can''t really argue with that either. Chapter 159.3 I drop my backpack by the door and step inside like I''m crossing the threshold into a new, worse reality. Which, technically, I am. The reality where I''m grounded, suspended, and under house arrest because I choked out a security guard in the middle of the cafeteria. I mean. Technically, I prevented a murder. But sure, let''s focus on the part where I put a grown man to sleep in front of half the school. Mom doesn''t say anything when I walk in. Just points toward the stairs like she''s casting a curse, silent and efficient. I sigh dramatically--because if I''m getting sent to my room, I''m at least making it clear I''m suffering--and trudge upstairs, taking my time. The second I shut my door, I exhale. The room still feels like my room, but there''s little reminders that I''m not the only one living here. Kate''s fold-out desk in the corner, stacked with schoolwork. A small array of nail polishes lined up on the inflatable bed, sorted by shade like she spent actual time considering them. A faint smell of nail polish remover lingers in the air, mixing weirdly with the remnants of whatever deodorant I threw on this morning. She''s not here right now, which isn''t weird. Kate is frequently not here - but I''m also frequently not here, and it occurs to me that I don''t actually know how often she''s gone. I sit on my bed, pressing my hands into the mattress, feeling the weird, unsettling weight of having nowhere to be. My body is restless, still keyed up from everything that happened today, still running hot like there''s another fight coming. Instead, I get to sit here and stare at my ceiling and think about the fact that Jordan is probably thrilled right now, because my suspension means I''m going to have more time to work with them. They definitely think this is a win. Except it isn''t, because my parents are enforcing a hard curfew. I''ve made them mad, sure. I''ve disappointed them. But this is different. I saw it in my mom''s face, the set of her jaw, the way her hands kept flexing like she wanted to hold onto something. And I don''t know what to do with that. I kick off my shoes, pull out my phone, and start scrolling mindlessly, letting the familiar, comfortable flow of useless information carry me for a while. I don''t even think about schoolwork. Schoolwork is a Future Sam Problem. I don''t even hear Kate come home. The door creaks open just slightly, enough that I catch movement from the corner of my eye. I glance up, and there she is--standing in the doorway like she''s just as surprised to see me as I am to see her, smelling faintly like laundry.Ensure your favorite authors get the support they deserve. Read this novel on the original website. "Oh," she says. "You''re here for once," I say, tossing my phone onto my pillow. Kate steps inside, kicking the door closed behind her, shrugging off her bag. "You haven''t moved out yet?" she shoots back, perfectly deadpan. I huff. "Turns out my parents like me too much to let me be homeless." Kate snorts, but it''s the kind of snort that means she''s actually amused, not just being polite. She drops onto her inflatable bed, and it groans under her weight like a dying whale. She ignores it, pulling off her hoodie and tossing it onto the floor. I look at the little rows of nail polish lined up on her desk. "You getting into nails, or just stealing colors from other people?" Kate stretches out, cracking her knuckles. "Nah, just bored. And I figured, if I''m stuck living here, I should at least have something to do besides exist in your space." I watch her for a second. She looks tired. Like actually tired, not just bored. "Still planning on moving out?" I ask. Kate exhales through her nose. "Trying. But..." She makes a vague gesture, like she''s drawing an invisible question mark in the air. "Turns out the money my dad got wasn''t enough. Even though it was a lot." Something unsettles in my chest. "I thought it was supposed to cover everything." "So did we." Kate pulls one of her nails between her teeth, frowning. "We don''t know if we''re gonna get any more of those... anonymous benefactors." I do not like the way she says that. "You don''t know who paid you?" "Nope. Neither does my dad." "That''s... sketchy." "Yeah, no shit." I glance at her. She''s not looking at me. Kate has always been hard to read, but this is something else. She''s thinking about something. Holding something back. But before I can start poking at that, I remember the other, infinitely more insane thing that happened today. "I got suspended from school," I announce. Kate turns her head slightly, giving me the kind of look that says she''s debating whether or not to care. "You wanna hear about it?" There''s a beat of silence. Then, Kate sighs and shifts, sitting up, crossing her legs. "Fine," she says. "Go ahead. Give me the highlight reel." I lean back against the wall, stretching my arms overhead. "So. You know Jordan, right?" Kate rolls her eyes. "Yeah, I know Jordan." "Yeah, so Jordan decided they needed to single-handedly flush out any Rogue Wave sleeper agents in our school. And their plan was to fake being a supervillain in front of the entire cafeteria." Kate actually looks interested now. "They what." "Oh, yeah. Got up on a lunch table, started yelling about working for the Kingdom of Keys, did some flashy-ass power demonstration, then just stood there waiting to get murked." Kate stares at me. "Are they, like. Okay?" "No." Kate snorts again. "And you got suspended because...?" I wave a hand vaguely. "Oh, you know, just putting a security guard in a chokehold until he passed out." Kate doesn''t react right away. Just blinks once. Slowly. Then she laughs. Not like a polite, that''s funny kind of laugh. A real laugh. I narrow my eyes. "What?" "You--" Kate shakes her head, still laughing. "You just can''t stop getting in fights, huh?" Chapter 160.1 I am officially losing my mind. I am sprawled out on my bed, back against the wall, laptop balanced on my stomach, watching the emergency city council session like it¡¯s some kind of slow-motion train wreck. The room feels smaller than usual, like the walls are creeping in by millimeters, like my suspension is physically altering the space around me. I can¡¯t leave. I can¡¯t do anything. I am stuck. And outside of this room, people who don¡¯t know what they¡¯re doing are about to make decisions that are going to screw everything up even worse. On-screen, the council chamber is packed, and everybody looks exactly like I feel¡ªexhausted, wired, vaguely nauseous. There¡¯s a long wooden table, arranged with perfect, fussy symmetry, nameplates, water bottles, microphones, all meticulously placed so that everything looks just right for the cameras. There are fourteen council members total, which is too many people for a table like this, so a couple of them are visibly craning their necks to stay in the frame. They don¡¯t matter. Only three of them are going to say anything worth listening to. Councilman Ward starts. He looks like he was drawn from memory based on the words "senior law enforcement official," the kind of guy who probably uses the phrase "law and order" unironically. He clears his throat into the mic, folds his hands together, and leans forward like he¡¯s about to deliver a eulogy. "This council has always prioritized public safety. What we saw yesterday was an attack¡ªon our city, on our institutions, and on the people we are sworn to protect. The use of the emergency alert system to spread terror is unprecedented. The infiltration of our communications infrastructure is a violation of every principle we stand for." He lets that sit for a second, like it¡¯s the kind of thing that could stand on its own without being backed up by literally any specifics. Then he exhales, shaking his head just enough to be visible. "I want to be absolutely clear. We will not allow fear to dictate our actions. We will not be intimidated. We are in control of this city, and we will act decisively to ensure nothing like this ever happens again." I roll onto my side and press my forehead into my pillow for exactly two seconds before forcing myself back up. I already knew it was going to be like this, but hearing it out loud is making my ribs ache again. Davis is next - the one I like, the adult in the room. He has to sound responsible. Measured. Ready to handle the superhuman situation. That''s his job, after all. "We owe a tremendous debt of gratitude to the first responders who acted quickly to ensure the public''s safety. I also want to acknowledge the civilian eyewitnesses who provided crucial information, ensuring law enforcement could act effectively. This city has always been resilient, but we cannot afford to be complacent. The presence of metahuman organizations operating outside the law presents an ongoing security concern, and yesterday¡¯s events illustrate the importance of continued coordination between registered heroes and law enforcement." He pauses, his expression shifting just slightly, like he¡¯s trying to find the next set of words without accidentally revealing what he actually thinks. "That said, while we must remain vigilant, we must also remember that not all metahumans are our enemies. Rogue Wave does not represent the hero community. It does not represent the future of this city. But if we do not act with clarity and purpose, we risk allowing others to define that future for us." Jordan would have a field day with this. The careful threading of the needle. The unspoken but obvious suggestion that some metahumans might be a problem. The studied neutrality of it all. He¡¯s trying not to tip the scales too hard, because if he does, the press will be on him like vultures. Then, finally, Maya Richardson. She¡¯s been sitting still this whole time, not reacting, not shifting, just waiting for the other two to get their words in before she takes over. And when she does, it¡¯s like the energy in the room changes, not because she¡¯s loud¡ªshe¡¯s not¡ªbut because she knows how to make people listen. "What we saw yesterday was not simply a disruption. It was a declaration of war." She says it evenly, like it¡¯s just a fact, something as simple and obvious as it¡¯s raining outside. "Rogue Wave is not a gang. They are not criminals in the way we have traditionally understood them. They are an insurgency. They are organized, they are ideological, and they have just demonstrated that they are willing to use any means necessary to push their agenda. This is not a problem that can be addressed with conventional enforcement methods alone. If we are to meet this threat, we must be prepared to think differently. To act differently." She pauses. Just long enough for the weight of it to settle. "I will not stand here and pretend that we can solve this problem overnight. But I can promise that we will not sit idly by while our city is threatened. This afternoon, we will be holding a press conference to introduce a new initiative, one designed to meet this challenge head-on. We will not wait for the next attack. We will not allow criminal organizations to dictate the terms of engagement. This city belongs to its people. And we will take it back." My fingers curl tight into the blanket. Here it comes. The Kingdom fights back through her. Ward leans back in his seat, nodding sagely, like she just confirmed something he already knew. "We¡¯ll now open the floor to questions from the press," he announces, gesturing broadly at the rows of reporters packed into the chamber. Immediately, hands shoot up. "Councilwoman Richardson¡ª" A woman in the front row speaks first, her voice crisp, professional. "You said this initiative will involve acting preemptively against criminal organizations. Does this mean we¡¯ll see an escalation of law enforcement activity against suspected Rogue Wave operatives?" "Law enforcement will continue to do its job," Richardson replies smoothly. "But it is clear that we need a broader approach¡ªone that does not rely solely on reactive policing." A man in the second row cuts in, voice sharp. "Can you confirm reports that Rogue Wave has infiltrated local security firms or the police department?"Unauthorized duplication: this tale has been taken without consent. Report sightings. Richardson doesn¡¯t blink. "We are investigating all possibilities. At this time, we have found no conclusive evidence to suggest large-scale infiltration. However, we are not dismissing the possibility." Another journalist, younger, leans forward. "There are concerns about the legality of any preemptive measures. Will these actions involve extrajudicial force?" Davis is the one who answers this time, his voice measured. "We are committed to upholding the law. Any initiative we introduce will be fully compliant with all applicable regulations and oversight mechanisms." Jordan would be dying laughing right now. Fully compliant. Like that means anything. A fourth reporter stands. "Can you confirm the identities of the individuals involved in the Rogue Wave transmission? Are they still in custody?" Ward clears his throat. "The individuals used in the broadcast were identified as two low-level drug offenders with no prior violent history. They were subjected to coercion and did not act of their own free will. Both individuals are currently in custody, and negotiations are ongoing regarding their legal status." "Negotiations," I mutter, closing my eyes. Meaning they haven¡¯t figured out whether they¡¯re going to prosecute the people who were literally used as puppets. The questions keep coming. The answers keep being exactly what they were meant to be¡ªcalm, measured, saying nothing while sounding like they¡¯re saying everything. And I sit here, stuck in my room, my hands clenched into my blanket, feeling the world move without me. This afternoon, Richardson¡¯s going to announce whatever this is. This afternoon, the city changes again. I eat my grilled cheese while watching the press conference, and it¡¯s the worst grilled cheese I¡¯ve ever had, even though it¡¯s actually fine. Probably because it¡¯s accompanied by the slow, gut-churning realization that I am watching history happen, and I can¡¯t do a damn thing about it. The screen is filled with carefully arranged optics. Richardson is at the podium, framed by the kind of government-seal backdrop that makes everything look official and inevitable. Behind her, four heroes stand like chess pieces¡ªPatriot, stiff as ever; Turbo Jett, practically vibrating out of her skin; Miasma, lurking at the edge of the stage, unreadable behind his hoodie and hazmat suit; and someone new. He¡¯s big. Broad. Black. The kind of person whose sheer presence demands space, even though he doesn¡¯t seem to be doing much to take it. A long duster over slacks, domino mask, a hat pulled low over his face. And a scarf¡ªa big, red scarf that seems to just exist in a constant state of dramatic billowing, even though there¡¯s no wind. I don¡¯t know him, which immediately makes me nervous. Miasma being here also makes me nervous, but in a different way. I¡¯d worked with him before, back when things were¡­ well, not simpler, because things were never simple, but at least the lines felt clearer. And now he¡¯s standing behind Richardson like a soldier at attention. Something about this doesn¡¯t sit right. Richardson grips the edges of the podium like she¡¯s grounding herself, scanning the cameras and reporters in the crowd. She¡¯s good at this. She doesn¡¯t have a single hair out of place, her expression is perfectly controlled, and when she speaks, it¡¯s with the kind of deliberate weight that makes people lean in. "Philadelphia is under siege." I swallow a too-hot bite of grilled cheese and immediately regret it. "For too long, we have watched as criminal organizations have embedded themselves into the fabric of our city. We have watched the Jump epidemic spiral out of control. We have watched gang wars escalate. We have watched as superhuman violence has spilled into our schools, our streets, our neighborhoods." She pauses. Just long enough. "And we have watched our systems fail to stop it." I feel a weird, crawling itch under my skin. She¡¯s not wrong. Not really. That¡¯s the problem. The best lies are built on something true. "We have tried waiting," she continues. "We have tried asking. We have tried trusting the system to fix itself. But crime should not outpace justice." Patriot doesn¡¯t move, doesn¡¯t react, just stands there like a marble statue while she says it. I wonder what¡¯s going through his head. "We will not wait for another mass tragedy. We do not have time to wait for the bureaucracy to catch up to superhuman crime." She¡¯s pacing herself, letting each sentence land. Setting up the pivot. "This is not just a policing matter. This is a war. And wars are not won by standing still." She exhales, slow, measured, and then straightens, shoulders squared. "We need action. And that is why I am proud to introduce the next phase in Philadelphia¡¯s security¡ªArgus Corps." I set my plate down too hard, rattling the laptop. "Argus Corps is the answer to this crisis. A specialized, government-sanctioned task force dedicated to eliminating the infrastructure that allows these criminal networks to thrive. We do not wait. We do not ask permission. We go in, and we take what we need." I close my eyes for half a second. "We do not believe in being reactive. We believe in preemptive deterrence. That means identifying threats before they happen. That means using intelligence, not just force. That means ensuring that criminals have nowhere to hide." Oh, they workshopped the hell out of that one. Nobody wants to say "extrajudicial force" out loud. Sounds bad when you say it out loud. So you dress it up, make it sound smart, reasonable, like the only logical choice. Richardson gestures behind her. "The heroes standing with me today are among the first members of this initiative. Some of you already know them. Some of you will soon." She moves her hand slightly, indicating her four pet superheroes. "Patriot, Turbo Jett, Captain Devil, and Miasma. These are our founding members, but we will be looking to bolster our numbers soon." Captain Devil. Sounds like a minor league baseball team mascot. Turbo Jett visibly rocks on her heels, practically daring someone to ask her something so she can explode about it. Miasma doesn¡¯t move at all. I want to know what he¡¯s thinking. Richardson presses forward. "Now, I want to be clear about what Argus Corps is, and what it is not." This is the part where she heads off the pushback. "We are not here to police the innocent. We are not here to register every powered individual, nor criminalize those who have done no wrong. We are here to eliminate the structures that allow crime to flourish. We are here to remove the barriers that prevent law enforcement from acting decisively. We are here to ensure that this city does not fall into the hands of those who would see it burn." She lets that sit. Lets people imagine exactly what "those who would see it burn" means. Lets them fill in the blanks with whatever they¡¯re most afraid of. "The people who sell Jump & Fly, Rogue Wave and the Kingdom of Keys, those who hide in the shadows¡ªthey are watching this broadcast too." Her voice dips, just slightly. "And they are afraid." The camera zooms in just a little, like it knows this is the moment. "If you are one of them, if you think you can hide¡ªyou can¡¯t. We see everything. And we are coming." The screen holds for half a second before the Q&A starts, reporters launching into their questions. I hear many, many people shouting the name Patriot, not in a good way, before the crowd of journalists is hushed down into a polite, orderly silence. Maya nods to one of them, and I miss the question over the sound of crunching toasted bread, but not the response. "While we''re aware of the allegations surrounding Patriot, you can rest assured that he is being kept on an extremely short leash. All of them are. The Argus Corps will be how they make amends and better their communities - all people deserve that much, if they''re willing to do good by society." I shut my laptop and scream into my pillow. It doesn¡¯t help. Chapter 160.2 I''m back on my bed, but this time, I''m not watching the news. I''m holding a tiny, broken piece of mechanical pencil lead in my palm, staring at it like it holds the secrets of the universe. This was supposed to be smart. This was supposed to be clever. I spent actual, valuable brain cells positioning it just so in the hinge of our bedroom door, wedged so delicately that even the slightest motion would snap it. It was supposed to tell me if Kate came home while I was asleep. And now, staring at the tiny, pitifully broken fragment in my hand, I realize: I have learned absolutely nothing. Because, yes, obviously, Kate came home. I can see her. She is literally right there, asleep in bed, breathing in and out, completely unbothered by my incredible detective work and MacGuyvered spycraft. Wow. Amazing. Fantastic. What an absolutely crucial breakthrough. I press the heels of my hands into my eyes and groan. This is so stupid. I keep doing this--coming up with these clever, convoluted little ways to outsmart reality, but when the dust settles, I''m left holding useless scraps of information that don''t actually help me. It''s like--like, I can assemble this massive conspiracy wall in my head, linking together all the little pieces of evidence, but I can''t get the damn thumbtacks to stay in the corkboard. Because here''s what I do know.
  1. Kate is always out. I don''t know where she goes, but she''s not here most nights. And she''s quiet about it. Not sneaky, exactly--just precise. A person who''s used to getting around unnoticed.
  2. Kate has painted nails. Not shocking. But so does Soot. And they''re both white, lily white. Like, their skin, not their nails. Sure, Kate''s nails aren''t the same color as Soot''s last time I saw Soot, and Kate doesn''t have that shade of pink in her lineup, but couldn''t she just have painted over them?
  3. Soot and Kate have never existed in the same place at the same time. And yes, okay, that''s the kind of logic that makes conspiracy theorists look stupid, but still. It''s a pattern.
  4. Liam got money, a ton of money, from "anonymous benefactors in the community". I don''t know why. I don''t know from who. But it came exactly when Soot started working the city.
  5. Kate nearly died in a house fire from smoke inhalation. And then a new vigilante, who controls smoke, appeared. Wow! Crazy.
It''s all right there. It''s been right there for weeks, but I''ve been too busy running at full sprint to actually sit down and process it. And now that I finally have time--now that I''m stuck in this room with nothing but my own thoughts--I can''t shake the feeling that I am so close to the answer, like a name on the tip of my tongue. I''m not stupid. I''m not oblivious. I just need proof. I need one undeniable, concrete piece of evidence that I can confront her with and then I can move on with my life. Instead, I have... a piece of broken pencil lead. I let out another groan and flop onto my back. The ceiling stares back at me in judgment. I really thought that was going to work? My phone buzzes next to me, shaking me out of my spiral. I glance at the screen: Maggie:
You ever see Misery?
I frown and type back. Me:
The book or the movie?
Maggie:
Either. You''re Annie Wilkes. The pencil lead thing is the taped hair on the door handle.
I scowl at my phone. Me:
I''m not about to hobble Kate for going outside.
Maggie:
Just saying. I bet she''d hate that you''re doing this.
Me:
Then she should stop being suspicious.
Maggie:
LMAO okay. I''ll let her know.
I let my phone drop onto my chest, exhaling sharply. It''s not like I want to be doing this. It''s just--if Kate is Soot, and I don''t figure it out before things get worse, how am I supposed to live with that? This whole sequence of events is my fault. She wouldn''t have been Soot - if she is - if Aaron never came back for revenge. I roll onto my side and scroll absently through my messages. Jordan, naturally, has sent ten different voice messages to the group chat in the last hour, none of which I am going to listen to. Instead, I just type: Me:
I hate being on house arrest.This tale has been unlawfully lifted from Royal Road. If you spot it on Amazon, please report it.
Jordan:
If I had a dollar for every time you texted me that, I''d have enough to bail you out of house arrest.
Me:
I tried a whole clever surveillance trick and got literally nothing.
Jordan:
Oh my god are you overcomplicating things again
Me:
Shut up.
Jordan:
Just set up your laptop camera.
I blink. Me:
???
Jordan:
Point it at the door. Leave it running overnight.
Me:
G-d damnit.
Jordan:
You''re mad you didn''t think of it first.
I purse my lips. I refuse to admit this.
By the time I actually start setting up my laptop, I have fully committed. I sit cross-legged on the floor, screwdriver in hand, carefully prying open the screen casing. I am thorough. I am not an amateur. I know that everything that records stuff has the little red light. I don''t need Kate getting suspicious about a weird little glowing dot in the dark. Once I manage to wedge a tiny square of electrical tape inside, I carefully snap the screen back into place and lean back, satisfied. No indicator light. No way to tell it''s recording. This is the kind of stuff that makes my neurons do a happy little jig. I think Diane would be proud of me. I set the laptop up on my desk, angle the camera toward the door, and open the recording software. The preview window stares back at me--a grainy, low-light image of my room, the door just barely in frame. I click record. And then I get into bed, roll over, and sleep like a dumbass.
Thursday morning comes with an uninteresting shade of grey. I sit up, stretch, and reach for my laptop with entirely too much confidence. Click. Open the file. That''s weird, why did it stop recording on its own? I press play. For thirty solid minutes, my empty room stares back at me. Then--black screen. I blink. Click around. The recording stops after half an hour exactly. I think in my heart I already know what happened, but I don''t want to think it too loud. Slowly, I go to my power settings. Power saver mode: enabled. Auto-sleep after 30 minutes of inactivity. I stare at it. I close my laptop. I bury my face in my hands.
I''m flipping between my homework and my actual work, which means I am getting neither done. The spreadsheet on my laptop is half-filled with timestamps and location markers, cross-referenced with news alerts, group chat messages, and Mappo''s online GPS. I should be working on my math homework, but every time I try, I end up tabbing back to the spreadsheet. It''s fine. It''s productive procrastination. At least I''m not just staring at the wall. I''m calculating the maximum range of travel time between our house and the last confirmed Soot sighting when I hear a knock on my door. I stiffen instinctively, but force myself to exhale through my nose, keeping my expression neutral. "Yeah?" Dad steps inside, casual but deliberate, and without even glancing at the screen, I already know he clocked that I wasn''t actually doing homework. I also know he''s not here to call me on it. Not yet. He doesn''t sit at my desk or lean against the doorframe. Instead, he crosses the room and sits on my bed--next to me, not across from me, which means this isn''t going to be a lecture. He''s signaling something else. I keep typing, keeping my attention locked on the screen. If I don''t look at him, maybe he''ll change his mind and leave. No such luck. "You look busy," he says, voice even. "Homework," I reply automatically. There''s a pause. Not the judging kind--more like he''s giving me a chance to correct myself. I don''t. "And how''s that going?" "Same as always," I say, still not looking at him. He doesn''t push. He doesn''t pry. He just waits, and I hate how effective it is. Finally, after way too long, he exhales and says, "You know, I was your age once." I glance at him, skeptical, no longer typing. "No offense, but you were in school before smartphones, so." He snorts. "Before superhumans, too," he says. I smirk a little, but the humor doesn''t stick, because when I look back at him, he isn''t smiling anymore. "Which means I had less to worry about," he says. I set my laptop aside. "Okay. What''s this actually about?" "It''s about how you''ve been acting," he says. "Not just lately. For a while now." I sit cross-legged, watching him, already braced for whatever he thinks he''s figured out. I''m sure he''s got a perfect read on me - not. He sighs, rubbing his hands together, choosing his words carefully. "When I was your age, I thought adults had everything figured out. That there was some point where you wake up and just... know how to handle things. But you don''t. You fake it, and hope no one notices. Hell, I''m-- you know, I''m old, but I still feel like I''m 18 and just going through the motions. Once you reach a certain point that''s just you now." I brace for impact while he glances at me. "The problem is, you don''t even try to fake it." I frown. "What does that mean?" He holds my gaze, voice steady. "It means you act like someone who doesn''t expect to be around long enough to have to figure it out." Something tightens in my chest. I cross my arms. "I''m not planning to die, Dad." "No," he agrees. "You just act like it wouldn''t be a problem if you did." I exhale through my nose, annoyed. Frustrated. This is--it''s not like that. It''s not. "I''m not throwing myself in front of bullets for fun," I snap. "I just--this stuff needs to get done. I can do it. So why wouldn''t I?" "Because that''s not how you see other people," he says, his response immediate. I blink. "What?" Dad leans forward slightly, resting his elbows on his knees, his voice calm but firm. "If Jordan got hurt like you did fighting Chernobyl, you''d be losing your mind. If I threw myself into traffic because someone had to do it, you''d be furious." He doesn''t wait for me to respond--just keeps pushing, keeps pressing. "But when it''s you? When you''re the one getting hurt? It''s just--next thing, next problem, move on." I look away, fingers curling into the fabric of my sweatpants. It''s not the same. Jordan--Dad--they''re not me. They don''t have this, the way I do. I can take it. I can handle it. "That''s different," I say. "How?" "Because I can come back," I snap. Dad exhales through his nose. "That''s not an answer. You weren''t just in a coma," he says after a beat. "You missed months of your life." I go rigid. I don''t want to talk about this. "How much do you even remember from last year, February? The spring?" he asks, and it''s--he''s not asking it like a gotcha, like a trap. He''s asking it like he already knows what I''m going to say. I set my jaw. "I was recovering." "No," Dad says, quieter. "You were waiting." Something in my stomach twists. "You weren''t recovering. You weren''t healing. You were just waiting until you could get back in the fight." He hesitates, watching me, then says, "And I think that''s the part that scares me." I cross my arms, bristling. I hate this. I hate how he''s framing it like I--like I don''t care. "So what," I mutter. "I''m supposed to just sit back and let other people take the hit? How is that fair?" Dad''s quiet for a long moment. Then, voice low, he says; "You''re not supposed to pretend the hit doesn''t matter." He doesn''t move. He doesn''t stand up, doesn''t act like this conversation is over. He''s still on my bed, still waiting for me to actually hear him. I pick at my sleeve, jaw tight. I want to tell him he''s wrong. I want to tell him this is stupid, that I know what I''m doing, that I''ve already thought about all of this and none of it changes anything. Chapter 160.3 Dad doesn''t push me for an answer. He just lets the words hang between us, like he''s waiting to see if I''ll sit with them long enough to hear what he''s actually saying instead of what I want to argue with. I don''t. Not out loud, anyway. I pull my knees up, arms looped around them, staring at the laptop screen like I can will myself back into caring more about triangulating Kate''s movements than whatever this is supposed to be. But it''s not working, because Dad''s still here, still sitting on my bed like he actually means it, like this isn''t just a speech he rehearsed with Mom before coming in here. I don''t know what I was expecting. Maybe some version of the same old argument: Sam, you have to stop getting into fights, you''re going to get expelled, what do you think is going to happen when you graduate, blah blah blah, real life isn''t a comic book. But that''s not what this is. He''s not lecturing. He''s just looking at me, carefully, like he''s trying to make sure I''m still hearing him. "You''re smart," he says, finally. "And you remind me a lot of your Pop-Pop." That makes me look up, because that''s not usually how this conversation goes. Pop-Pop Moe is the one who lets me get away with things, who thinks my superheroics are fine, actually, because I''m good at them and I have a strong moral compass and someone has to do the hard things in this world, so why shouldn''t it be me? Dad sighs, rubbing his hands together like he''s working out how to put something delicate into words. "Your Pop-Pop is the smartest man I''ve ever met. He designed things that hold back floods. He ran calculations in his head that would take other engineers hours. And he had to be right, every time. Because if he wasn''t, people died. Horvath-Small Ltd. is one of the best in the industry, and I don''t say that just because he''s my dad. He''s really, just very good at what he does, which is extremely complicated mathematics designed to withstand the worst conditions this planet can throw at it. And, in his lifetime, that also started including superhumans." I don''t say anything. I know all this. I''ve heard the stories. Dad leans forward, resting his elbows on his knees. "So in his world, the answer was always obvious. If something''s broken, you fix it. If something''s wrong, you correct it. That''s how he thinks. That''s how he sees the world." He looks at me, eyes sharp. "And that''s how you see it too, isn''t it?" I keep my face neutral, but I know he''s right. The thing is, I do see the world that way. It''s how I''ve always seen it. The rules are just there to be sorted out, the problems just need a solution. That''s how you deal with things. That''s how you get from point A to point B. You don''t sit around talking about how complicated it all is, you don''t wait for permission--you just do it. When I played soccer, planning was for the other kids. I just hit the ball into the net when it was passed to me, and I was great at it. "But people aren''t equations," Dad says, before I can come up with an argument. "You can''t just brute-force solutions with enough effort. You can''t just decide that the problem has to give way to your determination. That''s not how it works." I scowl, shifting my weight, arms still locked around my legs. "So what? You''re saying I should just give up? Walk away?" Dad shakes his head. "No. I''m saying you should stop seeing yourself as the one acceptable cost." I hate how calm he sounds. Like he''s not just making a point, but stating a fact I should have already understood. "You want to change things?" he says, voice steady. "Then live long enough to see it through." I scoff under my breath, looking away. "That''s easier said than done." "I know." Something in his voice makes me look back at him. He doesn''t sound frustrated. He doesn''t sound like he''s trying to win an argument. He just sounds... tired. "I know you, Sam," he says. "You don''t just want to fix things. You want to fix everything, and you want it fixed now. You''re not patient. You don''t wait. You see a problem, and you go after it, and I--" He exhales sharply. "I get it. I do. But if you keep pushing yourself like this, if you keep treating yourself like you don''t matter, then you''re not going to get there."You could be reading stolen content. Head to the original site for the genuine story. I grit my teeth. "I don''t care if it''s hard." Dad nods, like he was expecting that. "I know. But do you care if it''s impossible?" My fingers tighten on my sleeves, because I don''t have a good answer for that. Dad exhales again, rubbing the back of his neck. He''s done pushing. He''s said what he wanted to say. But before he leaves me with it, he reaches out and squeezes my shoulder, voice quieter now, more careful. "I don''t have all the answers. Neither does Pop-Pop. If you want to talk to him, go ahead. Get his perspective. I''m sure he''ll tell you something different. I expect him to. But just... think about it, Sam. If you really want to win, then don''t make yourself easier to break than you have to be." I don''t say anything. Dad lets out a breath, nods to himself, and stands. "I''ll let you get back to your homework." I roll my eyes, but don''t argue. He heads for the door, and I listen to his footsteps as he goes downstairs, the sound disappearing into the background hum of the house.
The house is quiet in the way only a house full of sleeping people can be. There''s a certain weight to it, a stillness pressing against my ears, making my own movements feel too loud no matter how careful I am. The tiny click of my laptop waking up sounds like a gunshot in my room. My heart is already hammering like I''m about to pull off a heist instead of just hitting "record" on a camera. This time, I make sure everything is actually set up right. Power settings adjusted. Screen brightness turned all the way down. Hard drive space double-checked. No stupid mistakes. No wasted time. I tell myself it''s just an experiment. A little test. Nothing major. But I can already feel it gnawing at me, that crawling anticipation, that something is about to happen feeling I get right before a fight. It''s ridiculous. I''m just recording my own bedroom door. It''s not like I''m about to catch a supervillain breaking into my house. Or maybe I am. I shove that thought down before it can get its teeth in me. Instead, I turn my focus to the group chat, watching messages roll in from Jordan and the rest of the Auditors. They''ve been monitoring Soot sightings all night, trying to track anything relevant. So far, it''s mostly scattered reports--nothing concrete yet.
Jordan: one confirmed sighting at 11:40pm in Germantown. Gone by 12:20. No repeat sightings yet. Maggie: good god do any of you sleep Jordan: says the girl texting at 1am Maggie: i have insomnia it''s different Sam: did anyone see them leave? Or just disappear? Jordan: vanished. just like last time.
My fingers hover over the keyboard, but I don''t reply. Just like last time. Every report about Soot ends the same way. No dramatic escapes. No lingering evidence. They just... stop being there. Which means they have somewhere to be. I glance toward Kate''s side of the room. Her bed is empty, the covers barely disturbed. I swallow, ignoring the weird twisting feeling in my stomach, and flip the laptop towards the door. It''s fine. I''ll know in the morning.
I wake up before my alarm. The sky outside is still more black than blue, the kind of early morning where the world feels like it hasn''t rebooted properly yet. I stare at the ceiling for exactly three seconds before my brain catches up with my body, and then I''m sitting up, reaching for my laptop with the urgency of someone checking for a test score they already know they bombed. The screen flickers to life, and my stomach is in knots before I even press play. Hours of nothing. My closed bedroom door, the hallway light spilling under the crack, the occasional flicker of shadows passing by. I fast-forward through it, eyes flicking between the screen and the timestamp. Midnight. 1 AM. 2 AM. Then--at 3:04 AM--movement. I hit pause. Rewind. Play it back in real time. Kate steps inside, shutting the door behind her. She doesn''t turn on the light. She moves like she''s done this a hundred times before--silent, precise, no wasted motion. Slips out of her jacket, kicks off her shoes, disappears into bed like nothing happened. I press my fingers against my mouth, breathing hard through my nose. I don''t need to rewatch it. I already know. Kate came back at 3 AM. The last confirmed sighting of Soot was at 12:20. I start doing the math. It''s pretty easy deductive reasoning, all things considered. If Kate leaves the house at 11 PM, and Soot is sighted between 11:30 and 12:20, then Kate is out during the same window that Soot is active. If Kate returns home at 3 AM, and Soot hasn''t been seen since 12:30, then that means Soot stopped while Kate was still out. It doesn''t prove anything. Not technically. But we''re bumping up against the Batman problem. Are Kate and Soot ever seen in the same area? I rub my hands over my face, trying to untangle the buzzing mess of thoughts in my head. I have no smoking gun. No footage of Kate in the costume - she doesn''t come home in a hoodie and her clothes don''t smell like anything. I''d know. No firsthand witness statement. Just a timeline that lines up too neatly, the way a fake alibi starts to unravel when you look too close. And that''s the problem. What if Kate just sneaks out for something else? What if Soot is someone else entirely? What if I say something, and it blows up in my face, and I lose the only chance I have to actually figure this out? Or, probably more importantly - great prioritization, Small - what if I destroy what''s left of our friendship? The, like, extremely tattered, strained threads that are already a baby''s breath away from snapping. I press my fingers against my temples, breathing slow. No. I need more. I shut my laptop quietly, scrunch my face up, and go back to bed. MR.5 CONFIDENTIAL - INTERNAL USE ONLY Proposal for the Formation of ARGUS CORPS Prepared by: Maya Richardson, Councilwoman Legal Review by: Katherine Huang, Esq. Submitted to: National Superhuman Response Agency (NSRA), Office of Municipal Superhuman Affairs

1. Executive Summary

In response to the escalating threat posed by organized superhuman crime, particularly the activities of Rogue Wave, the Kingdom of Keys, and the proliferation of unauthorized Jump/Fly distribution, the City of Philadelphia seeks authorization for the formation of a specialized municipal task force: Argus Corps. Argus Corps will operate as a Registered Superhuman Entity Organization (RSO) under the oversight of the NSRA, functioning as a preemptive security and intervention force dedicated to dismantling the infrastructure of superhuman criminal networks. Unlike traditional law enforcement and existing municipal RSOs such as the Delaware Valley Defenders (DVD), which primarily operate in disaster response and post-crime intervention, Argus Corps will focus on proactive disruption of criminal enterprises before they can manifest significant threats. This initiative is proposed under the legal framework of NSRA Special Directive 14-B, allowing for the creation of nontraditional security assets in response to emergent threats. The Corps will also be structured in compliance with Municipal & State Law Enforcement Partnership Program (M-LEPP) statutes, granting it limited detention powers under state and local jurisdiction.

2. Purpose and Justification

A. The Rising Threat of Superhuman Crime Superhuman criminal enterprises are expanding at an unprecedented rate, posing a direct challenge to conventional law enforcement. Data from the NSRA indicates:
  • A 54% increase in metahuman-involved violent crimes over the last two years.
  • An unprecedented rise in the distribution of illicit metahuman-enhancing substances (Jump/Fly).
  • A growing presence of paramilitary-style organizations such as Rogue Wave and the Kingdom of Keys, which actively oppose law enforcement efforts.
Existing response strategies have proven insufficient, as these organizations leverage mobility, anonymity, and decentralized command structures to avoid detection and counteraction. B. The Need for Proactive Security Unlike the DVD and traditional law enforcement, Argus Corps will not wait for criminal actions to escalate. Its mandate is to identify, track, and neutralize superhuman criminal threats before they endanger public safety. Argus Corps will accomplish this through:
  • Intelligence-led operations targeting key nodes in illicit superhuman infrastructure.
  • Specialized tactical deployment for rapid intervention in developing threats.
  • Proactive deterrence, ensuring that known offenders face immediate and overwhelming consequences.
This initiative fills an existing gap in municipal security by combining tactical capability, investigative intelligence, and direct action to protect Philadelphia from superhuman criminal networks.

3. Legal and Operational Framework

A. Oversight and Accountability Argus Corps will operate under the direct supervision of Councilwoman Maya Richardson, with oversight provided by a designated municipal review board. Quarterly reports will be submitted to the NSRA Office of Municipal Superhuman Affairs, and all operations will be subject to external audit to ensure compliance with existing laws and policies. Key compliance measures include:
  • Mandatory Ethics & Performance Reviews (quarterly) for all Corps members.
  • Strict Use of Force Protocols, with body-camera footage required for all engagements.
  • Civilian Oversight Panel, empowered to review and recommend disciplinary actions.
B. Legal Authority Under Municipal & State Law Enforcement Partnership Program (M-LEPP) provisions, Argus Corps members will be deputized with detainment but not arrest authority, as per traditional RSO standards.The narrative has been taken without permission. Report any sightings. They will be empowered to:
  • Engage and subdue active threats during criminal investigations.
  • Detain individuals involved in superhuman criminal activity until law enforcement can process them.
  • Seize illicit superhuman-enhancing substances and technology under emergency public safety mandates.
All detainment actions will be logged and reviewed by NSRA-affiliated legal advisors.

4. Personnel and Structure

A. Core Membership Initial members of Argus Corps will be drawn from veteran metahumans with prior enforcement experience, including those with prior LUMA suspensions who are now eligible for reinstatement under the LUMA Reformation Initiative. Founding RSE Members:
  • Richard ¡°Patriot¡± Johnson ¨C Former military asset with peak human enhancements.
  • Jasmine ¡°Turbo Jett¡± Perez ¨C High-speed movement specialist with thermodynamic resistance.
  • Joshua ¡°Miasma¡± Pleasants ¨C Regenerative strategist specializing in chemical warfare deterrence.
  • Andrew ¡°Captain Devil¡± Mitchell ¨C Supernatural sensory enhancement and telekinetic combat applications.
These individuals will be reinstated with strict operational conditions under NSRA and municipal law. B. Civilian Oversight & Support Personnel Argus Corps will employ a dedicated civilian support staff to manage logistics, intelligence, legal affairs, and medical triage. This staff will be composed of:
  • Legal consultants to oversee detainment and evidence handling.
  • Data analysts for intelligence-gathering and strategic planning.
  • Emergency medical personnel for field triage and post-mission assessment.
  • Dedicated dispatchers & operations management for coordination of time-sensitive missions.

5. Projected Outcomes & Risk Mitigation

A. Expected Outcomes Argus Corps aims to achieve the following within its first operational year:
  • 50% reduction in active superhuman gang presence within Philadelphia.
  • Major disruption of Jump/Fly distribution networks.
  • Capture or neutralization of 10+ high-priority superhuman criminal figures.
  • Successful integration with municipal law enforcement operations.
B. Risk Management & Controversy Mitigation Given the controversial nature of this initiative, risk mitigation is a key component. To address concerns:
  • Strict Operational Transparency: Regular press briefings and public Q&A sessions.
  • Civilian Oversight Board: Independent review panel for misconduct allegations.
  • Rehabilitation & Redemption Narrative: Public messaging campaign emphasizing the role of Argus Corps members as "heroes seeking redemption."

6. Conclusion

The establishment of Argus Corps represents a necessary evolution in the fight against superhuman crime. By leveraging intelligence, rapid-response tactics, and an aggressive preemptive strategy, Philadelphia will become a hostile environment for metahuman criminal enterprises. With the support of the NSRA, municipal leaders, and the Philadelphia community, Argus Corps will serve as the sword to the DVD¡¯s shield, ensuring that superhuman justice is no longer reactionary¡ªbut proactive. We request immediate approval for the Argus Corps initiative, along with the appropriate licensing and operational clearances under the NSRA Special Directive 14-B. Signed, Maya Richardson Councilwoman, Philadelphia Argus Corps Civilian Sponsor
Attachments:
  1. LUMA Reinstatement Petitions (Johnson, Perez, Pleasants, Mitchell)
  2. Projected Operational Budget & Staffing Plan
  3. NSRA Compliance & Oversight Framework Agreement
Chapter 161.1 Maggie is the first one to say it out loud. "I''m losing my goddamn mind." You said it first, sister. Just kidding. I said it first. There''s a brief pause where I hear her mom yelling something in the background, and then a muffled, "Sorry, sorry--I''m losing my gosh darn mind," like that actually makes a difference. "You''re turbo-grounded," I remind her, flopped sideways on my bed, phone balanced on my stomach, earphones in. "You''re not even supposed to be on HIRC right now. What, did you break into your router settings again?" "I''m a political prisoner," Maggie declares, which is not an answer. "They''re denying me the right to free speech." "They''re denying you the right to commit crimes," Jordan corrects, their voice scratchy over the mic. "Because, and I cannot stress this enough, you did get arrested." "Was it a crime crime, though? Or was it just, like, a technicality?" Maggie argues, and I hear some rustling on her end. She''s probably on her bed, upside down, tossing a stress ball at the ceiling or something. "Like jaywalking. They only arrested me because they could." "They arrested you because you violated city ordinance abolishing the idea of vigilantism," Jordan reminds her. "A fascist ordinance, but an ordinance nonetheless." "Okay, but in my defense, that was--" Lily cuts in before Maggie can get the rest out. "We can argue about this later, but right now, Argus Corps." And just like that, the frustration that''s been simmering under my ribs all day ignites again. "Yeah, let''s talk about Argus Corps," I say, pushing up on my elbows. "Let''s talk about how Maya Richardson somehow managed to rehabilitate Patriot''s image enough to shove him back onto a stage without the entire city throwing rotten fruit at him. Let''s talk about how she got Miasma standing next to him like we''re all just supposed to accept that now. I don''t give a shit about those other two but I''m sure I''ll hate them soon enough." "That''s what''s really throwing me," Jordan says, and I can hear the frown in their voice. "Miasma''s not a sellout. He''s a paranoid wreck with a righteous streak a mile wide. And now he''s standing behind Maya Richardson?" "And Patriot," I say again, just to make sure we''re all on the same page about how stupid this is. There''s another silence. The kind that comes when everyone''s thinking the same thing but nobody really wants to be the first to say it. Eventually, Maggie exhales, long and frustrated. "Okay, just--explain it to me," she says. "Like I''m a dumbass. I thought Miasma hated the NSRA. I thought he was all about tearing down the people who let Chernobyl off his leash. And now he''s taking orders from them?" "He doesn''t just hate the NSRA," Jordan says, rubbing the bridge of their nose. "He''s got a whole universe of things he hates. Cops. The government. Capitalists. People who drink the wrong brand of bottled water. You name it, he''s got a conspiracy theory about it." "Yeah, but his thing was anti-corruption," I say. "Like, aggressively. Like, went on an entire two-year campaign exposing coverups and cartel ties. He practically had a scoreboard. I don''t get how you go from ''I will personally tear down every institution with my bare hands'' to ''sign me up for the fascist goon squad'' in less than a year." "Maybe he didn''t have a choice," Lily suggests. "What if they threatened him? Or blackmailed him? Maybe they''re holding something over his head." "Like what?" I ask, because I cannot fathom a world where Joshua Pleasants, Miasma, would let himself get bullied into submission by anyone, let alone Patriot and Maya Richardson. "What do you even threaten a guy like that with? He lost everything already. He has no family, no money, no official identity. You can''t ruin his career because he doesn''t have one. He''s already a fugitive. His entire thing is burning bridges and never looking back." Jordan hums like they''re considering it. "It''s weird, yeah," they admit. "Even after the NSRA thing. I mean, we know that was a setup, but the damage was real. They gutted his reputation. He can''t show his face anywhere without getting flagged. But if that was enough to break him, why now? Why suddenly pop up, perfectly rehabilitated, standing next to Patriot like nothing ever happened?" "Maybe he actually believes in it," Maggie says, repeating Jordan''s earlier theory. "Maybe they just found a way to sell it to him in a way he could swallow. He''s all about prevention, right? About stopping bad things before they happen?" The words sit heavy in the call. I press my fingers into my temple, frustration bubbling under my ribs. "I swear to G-d," I mutter, "if they got him with the ''if you don''t, someone worse will'' speech, I''m gonna scream." "That''s what''s scary about it, though," Jordan says, tone thoughtful. "Miasma''s not stupid. He''s actually really smart. And he''s careful. He doesn''t just get swept up in things. If he''s in, it''s because he wants to be in."This novel is published on a different platform. Support the original author by finding the official source. Lily makes a distressed noise. "But he knows what Patriot is! He knows what this looks like!" "And maybe he doesn''t care," Jordan says. "Or maybe he does, but not in the way we expect." I chew on my lip, watching the slow crawl of my laptop screen as I flip between tabs. My email inbox is still empty. No new responses. I have so many Freedom of Information requests pending and none of them are ever going to get approved. "Whatever the reason," I say, "it''s still bad. Like, really bad. You heard the language Maya was using." Maggie groans. "Yeah. ''Philadelphia is under siege,'' blah blah blah, ''we must take decisive action.'' I swear to Christ, every fascist on the planet reads from the same f--freakin'' playbook." There''s a brief pause while her mom yells at her again for swearing, and then she comes back on, sounding only slightly winded. "It''s not even subtle," I say. "They''re framing it like an invasion. Like the city''s been ''compromised'' and they have to ''take it back.''" I make air quotes with my fingers even though no one can see me. "It''s not about fighting crime, it''s about occupying territory." "Which means they''re going to be looking for excuses," Jordan says, voice tight. "Maya''s got a very clear idea of what she thinks Philadelphia should look like." "They''re gonna burn it out," I say, stomach twisting. There''s another heavy silence. "Okay," Lily says, voice small. "So what do we do?" I look at my laptop screen again. At the empty inbox. At the paused press conference video, Maya''s face frozen mid-sentence. At Patriot, standing behind her, looking every inch the perfect soldier. "Jordan," I say, because I need to get it out before I start overthinking it. "Jordan. I''m mad and I want to do something about it." Jordan hums, unbothered, like this is a normal and expected statement from me. Which, okay, fair. "Yeah?" "Yeah," I say. "Isn''t there anything we can actually dig up about Argus Corps? This didn''t just come out of nowhere. They have, like... paperwork, right?" "Of course they do," Jordan says, already typing. I can hear the clack clack clack of their keyboard over the voice chat. "Every registered superhuman team has public filings. It''s a government thing. They want accountability or whatever. You don''t even need to FOIA it." I stare at my inbox, full of unopened Freedom of Information Act request responses, all politely informing me that my inquiries have been denied or are pending review for an indeterminate period of time. "...Right," I say. "Totally knew that." Jordan drops the link in chat. "You''re kidding," I say. "Nope," they say. "Maya actually filed this. She didn''t just wake up one day and decide she could start a superhuman black ops unit--she had to put it on paper." I click the link immediately. It''s a municipal site, the kind of thing that looks like it hasn''t been updated since the early 2000s, complete with a broken header image and a sidebar that''s about fifty pixels too wide. But the PDF is real. It''s right there. I open it. I skim the first few paragraphs, already feeling my blood pressure rising. Proactive deterrence. Immediate and overwhelming consequences. Intelligence-led operations targeting key nodes in illicit superhuman infrastructure. "Jesus Christ," I mutter. "What?" Lily asks. I can hear the distant sound of a spoon clinking against a mug on her end. "This is actually worse than I thought," I say. "Like, I knew it was going to be bad, but I didn''t know they were just gonna say the quiet part this loud." "Give me the highlights," Maggie says. "I''m reading like, an elementary school speed right now." Jordan beats me to it. "They''re not even pretending this is about anything but control. It''s not crime-fighting. It''s ''neutralizing'' and ''deterring'' anyone they think is a problem." "Neutralizing?" Maggie repeats, voice going sharp. "Like... neutralizing-neutralizing?" "They''re being very careful about their wording," Jordan says. "But yeah. They''re setting up something that exists to take out ''threats'' before they happen." Lily lets out a long breath. "God." Jordan keeps scrolling. "Oh, wow, look at this--controversy mitigation. They knew people were gonna freak out about this, so they put a whole PR strategy in the filing." Maggie groans. "God, they workshopped the hell out of this. They couldn''t just say ''extrajudicial force'' so they put it in fancy corporate jargon." "They even have a whole section about rehabilitation," Jordan says, and I can hear the disgust in their voice. "They''re selling this as Patriot''s redemption arc." "Oh, come the fuck on," I say, shoving my hair out of my face. "I can''t believe they''re seriously trying to rehab him. After everything." "It''s not just him," Jordan says. "They''re doing the same thing for all of them. Turbo Jett, Captain Devil, Miasma." I chew my lip. Miasma still doesn''t make sense. Lily hesitates. "Do you think maybe they''ve got something on him? Like, leverage?" "Maybe," I say. "Or maybe they made him an offer he couldn''t refuse." Nobody answers that. Instead, we keep scrolling, picking out the most stomach-churning lines and throwing them back and forth. Strict Operational Transparency. Proactive deterrence ensures known offenders face immediate and overwhelming consequences. Civilian Oversight Panel. It''s all carefully tailored to make something that is fundamentally horrifying sound reasonable. I start to feel sick. "We need to get eyes on their attached files," I say. "The stuff about their oversight. The reinstatement petitions. They didn''t put that in the public doc." "Good luck with that," Jordan says. "They''d need to be FOIA''d, and that takes months. Even if they weren''t just gonna bury it." I glare at my inbox, full of pending FOIA requests I am never going to get responses to. Maggie sighs. "Great. So we just have to sit here and watch this happen." "We could put something together," Lily says, hesitant. "A statement, maybe? A press thing?" "Sure, we could get, like, two retweets," Maggie says. "Real effective." Jordan makes a frustrated noise. "We need more than just being mad about it. This is big. Really big. But we need something we can act on. Some kind of angle." I keep scrolling, rereading parts I already read. The words blur together--Registered Superhuman Entity Organization (RSO)... preemptive security... Office of Municipal Superhuman Affairs... Then I stop. I squint. Scroll back up. My fingers curl tight around my mouse. "Wait," I say. "Hold on. Hold the fuck on." "What?" Jordan asks. I don''t answer immediately. I''m staring at a name, highlighted in my head like a neon sign. Katherine Huang, Esq. That''s Aaron''s lawyer. "That''s Aaron''s lawyer," I hear myself saying unconsciously, loud enough to be heard. I feel my pulse in my ears. "Wait, hold on," Jordan says again. "Tremont & Fairfax. She works for Tremont & Fairfax. Why''s a New York lawyer filing out this random paperwork?" Chapter 161.2 "Alright, so what''s the marching orders, boss?" Jordan asks, tone light but expectant. "What do you mean?" I frown, adjusting my grip on my phone. The voice chat''s quiet now, like everyone else is waiting for me to answer something I don''t even understand. "You''re the boss," Jordan says, like it''s obvious. "Where do we go from here?" "No, I''m not?" I say immediately, because I''m not. That''s their job. The Auditors is their thing, their project, their squad. I just showed up and stuck around. "This is, like, your baby? I''m just here to punch things." There''s a silence. The kind of silence that makes my skin prickle, like I just walked into a room where I''m the last to get the joke. I''m imagining everyone staring at their computer screen, and I don''t like it. Jordan sighs. "Sam. C''mon. This little taco party is all you." I blink. "What?" "You heard me," Jordan says. "I mean, look at the roster. Maggie''s only got superpowers because you saved her life in the first place. You met Derek--wherever he is--at group therapy. Lily and Amelia are from the Young Defenders, so again, through you. Tasha''s your friend from middle school. The only person I dragged into this was Connor, and he''s retiring, and he was also in the Young Defenders. You''re the central nexus through which the Auditors revolve. The wheel spoke. The gyre." I open my mouth to argue, but nothing actually comes out. "Like father, like child," Jordan continues, because they know me too well to let me off the hook. I get the impression that this sentence is about to continue, and is not designed to reference my-- yep, Jordan''s talking again. "I''m leaving in a month. I''m gonna be a deadbeat dad and foist the Auditors off to you. Congrats, you''re inheriting my awful teenagers." Maggie snorts. "I refuse to call you ''dad,'' Westwood." "Please don''t," Jordan says. "But you get the point. You''re the one holding this together, Sam. I''m just the strategist. I''m just your sidekick. So. I''ll ask again--what''s the marching orders?" I exhale, flopping onto my back and staring at the ceiling. My mind races through everything we just found, all the stray pieces of information clicking together in weird, imperfect ways. We know Huang is involved. That much is obvious. Finding her professional details is easy, but that''s what makes it weird. She''s a legitimate legal partner at Tremont & Fairfax. She specializes in due process cases. That''s what her name is on. Not superhuman law. Not municipal contracts. Not the kind of paperwork that city council members typically file. So why her? I push up on my elbows, rubbing my temple. "Okay," I say. "Let''s think about this. Huang''s legit. She does business stuff, but all her pro bono work is due process and criminal defense. Which means her handling the paperwork for Argus Corps makes no goddamn sense." Maggie makes a noise of agreement. "Right? Shouldn''t Maya have, like, a guy for this? She''s a city councilwoman." "Exactly," I say, pointing even though she can''t see me. "If Maya was doing things above-board, she wouldn''t need an out-of-town megafirm to handle this. She''d have a local firm, a local attorney, someone specialized in superhuman law. Someone from Philadelphia - she might even tap Clara. Uh, the legal counsel for the Delaware Valley Defenders. That''s someone for whom this is their whole life. That''s what makes this weird - why Huang?" "But it doesn''t tell us why it''s weird," Jordan says, picking up the thread. "Okay, let''s zoom out. Tremont & Fairfax is shady, but they''re not unique. Like I printed out, hold on, let me get my spreadsheets, there..." they continue, and the microphone is slapped with the awful, peaky sounds of rustling papers right against the speaker: "are four other firms that are similarly overinvolved in superhuman criminal defense--Halverson & Levine, Pritchard & Bowen, Perkins & Clyne, and Atwood & Brandt. All of them big names. Three in New York City, one in DC. No members in common. But all handling more superhuman cases than any firm should, statistically speaking. None of them are in Philly. They don''t even have satellite offices." "They''ve got no connections between each other?" Lily asks. "No obvious ones," Jordan says. "Which doesn''t mean nothing''s there. Just that we''d have to dig harder to find it." I stare at the screen, tapping my fingers against the bedspread. "So, best case, they''re just an expensive firm that takes on weird cases. Worst case..."This tale has been unlawfully obtained from Royal Road. If you discover it on Amazon, kindly report it. "They''re a pipeline," Jordan says, voice flat. "A way to launder people in and out of legal trouble. A way to keep the right people out of jail and the wrong people in." I chew the inside of my cheek. "Okay. Then we need to know what cases they''ve handled recently. What they''re doing right now." Jordan hums. "Yeah. That''d help. Cases should be public, at least some of them." "So can we pull them?" I ask, sitting up properly for the first time in this entire conversation. "Is there a way to look up what cases T&F has been involved in lately?" There''s a pause. Then Lily, voice tentative, asks, "I mean--okay, but is there any possibility that this is, like, a weird misunderstanding?" Maggie snorts. "Oh, yeah, sure, they just accidentally ended up working for both Maya Richardson and Aaron McKinley at the same time. Oopsie-daisy, total coincidence." Lily makes an exasperated sound. "I''m just saying! We''re doing a lot of assuming here." I rub my forehead, exhaling sharply. "Yeah, we are. But here''s the thing." I sit up properly, adjusting my headset. "We''re not cops." Jordan cuts in immediately, completely flat: "Thank God." Maggie, deadpan: "Hallelujah." Lily: "I wasn''t saying we should be cops--" "But we''re not," I push through, ignoring them. "That means we don''t have to operate through due process. We can go off hunches. We can connect dots without absolute certainty and see if the picture looks like something or if we''re just making shapes out of noise." Maggie clicks her tongue. "Starting to sound a lot like Argus Corps there, boss." I point at my laptop screen, jabbing the air for emphasis, even though nobody can see it. "No. See, that''s the difference. I''m not about to go terrorize Huang or raid her house or zip-tie her to a chair and start demanding answers. I''m not even looking at her. We''re looking at her employer. There''s a gap between ''following a lead'' and ''beating the shit out of people on live TV.''" "Just a little gap," Jordan mutters. I gesture broadly. "Argus Corps, as we literally just saw at the marina, uses their lack of oversight to concuss people, throw them in piles, cause crazy amounts of property damage, hold hostages, and zip-tie them so hard their wrists bleed. We''re using our lack of oversight to follow a pretty reasonable leap of logic and see if it gives us a direction to aim our investigation." I take a breath. "So that, if we do uncover something, we can actually turn it over to someone who gives a shit and won''t terrorize them." Lily''s quiet for a second. "And if Huang''s innocent?" "Then we''re not targeting her," I say, firm. "And we''re making sure that the people here aren''t getting buried in something they have no idea about. If this is a rot that starts at the head of Tremont & Fairfax, then the rest of the firm is just collateral. If we take this thread and find something real, then we''re saving them from going down with the ship when the cannon gets fired." Jordan lets out a low whistle. "Sure hope she''s innocent, though." Maggie snorts. "Sam, you cannot possibly think that this giant corporate lawyer from New York is secretly a good person." "I don''t," I say. "I just--she didn''t strike me as corrupt." "Ah, yes," Jordan says dryly. "The ''they seemed fine'' heuristic. Historically bulletproof." "Stop interrupting me," I groan, throwing a pillow at my laptop screen on instinct, which bounces off and rolls over to my bed. "The point is, if Argus Corps was running this investigation, they''d already be storming the office, rounding up interns at gunpoint. We''re taking a step back and actually looking at what makes sense before we do something stupid." Maggie clicks her tongue. "Bold of you to assume we won''t still do something stupid." I roll my eyes. "Jordan. Can you do that search?" Jordan doesn''t answer immediately, and I know them well enough to recognize that hum--the one that means they''ve been doing exactly what I just asked for this whole time. "I was typing during your entire little speech, don''t worry. I won''t bore you with the details, Sammy, but I have a script that lets me paste a comma-separated list of terms into this little box, and it runs a bunch of NetSphere searches automatically." "A web scraper?" Lily asks. Jordan freezes for half a second. "Yes?" What the hell is a web scraper? Actually, you know what, I''m too afraid to ask. I don''t want to know. I just hear Lily delicately slurping tea on her end of the microphone. "Anyway," Jordan says, recovering. "I have a bunch of scraped links now for every court case Tremont & Fairfax has been involved in that I can find public records on." They lean back in their chair, satisfied. "This and their partners. I can spend a weekend sifting through it." I frown. "No. Hold on. I''m changing my mind." Jordan raises an eyebrow verbally. "No?" "I mean, I''m sure the court cases are interesting," I say, rubbing the back of my head, "but I don''t think they''re gonna give us anything actionable. Or at least, not anything actionable enough to do something with." I can hear the rustle of Jordan''s hoodie as they tilt their head. "Go on." "Superheroes and authorities get involved in court proceedings all the time. If anything weird was popping up there, the authorities would already be on it. If we want to find something they haven''t yet, we need to look somewhere they aren''t looking." Jordan doesn''t necessarily agree--I can hear it in their silence--but they don''t argue. Instead, they just say after a five second pause, "Alright. You''re the boss." I blink. "No, I''m not." Jordan snorts. "Not doing this bit again." I take a breath. "Okay anyway. Anyway. If Tremont & Fairfax is compromised, it''s not gonna show up in their legal work--it''s gonna show up in their business work." Jordan snaps their fingers. "Now that, I can do." I frown. "That fast?" Jordan smirks. "Sammy. Do you know how much shit is legally required to be filed in the US? Publicly? The Pennsylvania Department of State has it all in a nice, neat little webpage for you. It''s even asynchronous, it doesn''t look like it was made in 1995, which is a rarity for government webpages." Maggie laughs. "Oh, that explains why corruption never happens." Jordan cracks their knuckles. "Give me, like, an hour. Go make yourself a sandwich." Chapter 161.3 Jordan exhales sharply, rolling their shoulders back before cracking their knuckles. "Alright, kids. Time for some good old-fashioned digital archaeology." Their screen-share flickers onto my laptop, a mess of open tabs, databases, and text files. A municipal website from the Pennsylvania Department of State sits in one window, its bland blue-and-white UI a far cry from anything that should look important. But it is. Somewhere in this absolute sludge of corporate filings is what we need. "So, quick recap," Jordan says, already typing something into a search field. "We know that the Kingdom uses shell companies. We''ve tracked a bunch of them before--Tacony Metal Works, Harbinger Holdings, Eclipse Enterprises. But all the ones we''ve got on record? Filed for bankruptcy already. Meaning they''ve rolled over their assets somewhere else." "And we''re assuming that ''somewhere else'' is through Tremont & Fairfax," Maggie says, sprawled on her bed in what I assume is a pile of homework she''s ignoring. "Because what, they''re handling all their legal shit?" "That''s the theory," Jordan says. "If T&F is compromised, and they''ve been structuring businesses for Kingdom-adjacent projects, we just need to find one--one--new business entity that links back to them. Then we start pulling. Find a thread, unravel the whole sweater." Lily hums, sipping from what is probably the same tea she''s been nursing for the last hour. "Wouldn''t they be careful about that? Like, wouldn''t they use different addresses?" Jordan grins, leaning closer to their mic. "Oh, they definitely are. But that''s the thing. You can''t register a company in Pennsylvania without a business address. And some of these registration firms handle thousands of businesses, meaning they clump together. A lot of shell companies use the same handful of services, because setting up a bespoke LLC under a unique address for every operation? That''s too much work." I rub my temple, thinking it through. "So what we''re looking for isn''t just a new company--it''s a company that shares a registration service with an old Kingdom shell?" Jordan snaps their fingers. "Bingo. If we can pin an address overlap between a new business and an old Kingdom front, we can narrow it down. From there, we check when they were formed, who filed them, and whether any of the agents tie back to Tremont & Fairfax." "How many businesses are we sifting through?" Maggie asks, stretching like a cat. Jordan opens another window, dropping a search filter into a list. A number populates at the top. "For Pennsylvania? 14,982 new LLCs formed in the last year." A long silence. "Okay, so we narrow it down," I say, adjusting my seating. "T&F is a big-shot New York firm. Are they gonna bother with, like, a Pittsburgh car dealership?" "Probably not," Jordan agrees. "We prioritize businesses registered in Philadelphia County first. That drops us down to 2,317. Already much better." Maggie whistles. "Still a lot." "We''re not done filtering yet," Jordan says, tapping at their keyboard. "We know Kingdom operations tend to deal with things that need high liquidity. Think real estate, logistics, pharmaceuticals. The businesses they hide behind tend to be money-moving entities, not, like, a barbershop. If they were funneling money through something small, we''d already know about it." I tap my fingers against my laptop. "So we ignore anything that looks like a normal small business?" "Yep," Jordan confirms. "That takes out another 800, because a ton of these are restaurants, boutiques, and bodegas. Now we''re at 1,517." "Still too many to just randomly pull records for," Lily points out. "How much does that cost again?" "Fifteen bucks per request," Jordan mutters, sounding personally offended. "Which means we gotta narrow this down a lot before I start emptying my savings account." "And we do that by finding overlap," I say, chewing the thought over. "Okay. What addresses did Tacony Metal Works and the other fronts use?" Jordan flips through a tab, then pins a separate note to the side of their screen. "Tacony used an address in Kensington that turned out to be a mail forwarding service. Harbinger Holdings used a virtual office service in Center City. Eclipse Enterprises was tied to a storage unit address that was also linked to four other sketchy LLCs." "So we filter for companies using those same addresses," Maggie says, catching on. "If they recycled a registration site, we''ve got a match." Jordan hums, typing something out. The search runs, filtering down again. Numbers blink and shift. It''s not really much of a search so much as Jordan doing some crazy tech shit I don''t understand - it looks like a CTRL-F but then all the other boxes, with the non-matching addresses, just sort of vanish from the page. No refresh.If you find this story on Amazon, be aware that it has been stolen. Please report the infringement. "Okay. That just axed us down to 74. Much better," Jordan says, exhaling. "Now, next step: check for agents. Businesses need a registered agent to handle official correspondence. These agents can be individuals or companies, and if we find one tied to known Kingdom work..." "Then we''re golden," I finish. "Exactly," Jordan says, grinning. "Give me a second." The screen flickers, a series of data points scrolling by too fast for me to follow. Jordan mutters to themselves, occasionally adjusting a query. The chat is quiet, the kind of silence that feels like a held breath. Then Jordan makes a noise. "Well, well, well. Look at this." "What?" Lily asks, perking up. Jordan leans back, arms crossed, looking entirely too pleased. "You remember that warehouse? 4547 Trenton? The one we know for sure was a Kingdom front, because we saw someone get shot there? They had that whole stupid meeting. Mr. Polygraph. Halloween?" "Yeah?" I say, pulse picking up. Jordan clicks something. "Well, turns out someone else just registered a company right down the block. About three months ago. It''s brand new. That''s not abnormal, it''s a warehouse block, people use warehouses, most people use them for extremely legitimate reasons. Want to know the weird thing?" We''re all staring at Jordan''s screen, watching the answer, but nobody says anything because it''s more fun to hear Jordan narrate. The stunned delay lasts a little too long, so Maggie breaks it. "What''s the weird thing?" "I''m so glad you asked. Why is a biomed company - Stheno Pharmaceuticals, hosted in a random warehouse?" Jordan asks us. That gets a longer silence. The kind where you can hear everyone thinking at once. Lily shifts on the other end of the line, and I can hear the faint clink of a spoon in a mug. Maggie says, "That is weird, right? I don''t know how - what, medicine? companies normally work, but that sounds weird." "It''s weird," Jordan confirms, clicking through. "Most biomedical companies don''t operate out of North Philly warehouse blocks. And they sure as hell don''t incorporate in places like Trenton Avenue unless they''re running a skeleton crew, setting up a research skunkworks, or using it for storage." I press my fingers into my temple, already feeling that familiar knot of tension forming. "Okay, okay. So we''ve got a name. Can we do anything with that?" Jordan hums, already typing. "We can get business records. Costs money, though. Fifteen bucks per record." "Ugh," Maggie groans. "That''s, like, my entire month''s allowance." Jordan snorts. "Yeah, well, some of us don''t have allowances. But I do have an internet debit card, and since I''m about to vanish to MIT in a month, I might as well blow what''s left of my vigilante slush fund." There''s a pause, and then Lily asks hesitantly, "Wait, why do you have a vigilante slush fund?" "Good financial planning," Jordan says, as if that explains everything. Then they pause, turning off their screen share. "Okay, nobody watch me type in my card numbers." I roll my eyes, stretching back against my pillows while we wait. I listen to Jordan mutter something about stupid government bureaucracy and thank god it''s all digitized now and if I have to fill out a robotest one more time I swear to Christ, and then--there''s a brief silence. Then, Jordan laughs. "Oh, come the fuck on," they say. "What? What?" I bolt upright, my laptop almost sliding off my stomach. "What''s so funny?" Jordan flips the screen share back on, and there it is. Filing information. Incorporation documents. Registered on January 7th, 2025. Standard stuff. All looks above board at first glance. Except for the name in the incorporator field: Martin Calloway. I exhale hard through my nose. Maggie''s voice gets a little louder as they get closer to the mic, and I can hear her squinting at the screen. "Okay, who''s Martin Calloway again? Do I know this guy?" I rub a hand over my face. "Junior partner at T&F. Couple weeks ago, we found his name attached to a shell company in Kensington. A shell company that burned down under suspiciously arson-like circumstances." Jordan grins. "And guess who was seen hanging around the ruins of that warehouse afterward? Kingdom goons. No arrests, no charges, but enough circumstantial evidence that it stinks." I let out another held breath. "So now he''s registering a biomedical company, in a warehouse right next to the old Kingdom front, using the same law firm that''s handling Aaron''s defense and Argus Corps." Jordan nods. "Bingo." "Okay, but," Maggie starts, and I can hear the gears turning in her head, "if this Calloway guy is, like, a big-shot lawyer in New York, why would he even care? Like, wouldn''t this be beneath him?" Jordan snaps their fingers. "That''s the thing--this is small-time for him. He doesn''t have to care. All he did was handle the incorporation. That''s it. And it makes it easier for people like him to claim plausible deniability when someone comes knocking." "He doesn''t even have to know what he''s facilitating," I mutter. "He could just be a useful idiot, running paperwork without looking twice. There''s dozens, hundreds of extremely normal businesses along Trenton Avenue. It''s a major road in North Philadelphia - if you Mappo it I''m sure you wouldn''t get anything suspicious." "Or," Jordan says, "he does know, but it doesn''t matter to him. One of hundreds of filings he handles in a year. One more shell company doesn''t mean shit to him." I glance at the screen, tapping my laptop with restless fingers. "Still begs the question--why hire a junior partner at a prestigious NYC law firm to file your paperwork if you''re just some startup biomed company? That''s expensive as hell, isn''t it? I''m not sure what a junior partner is exactly, but it sounds expensive." Jordan nods, eyes glinting. "They are expensive - and it''s not a real biomed company. Here, check out their website." Jordan clicks around. "Legit-looking. Paperwork all filed. Research into novel medical agents derived from--hold on, hold on, this is good--''lab-grown bioreactors designed for scalable compound synthesis.''" They pause, then add, "Which is a very fancy way of saying we make weird drugs with weird methods." Maggie sits forward. "What kind of drugs?" Jordan keeps scrolling. "Nothing specific. But they''re very interested in--hold on, gotta love corporate jargon--''proprietary methodologies for novel analgesics.''" I put my head in my hands. "Oh, come on." "They make new kinds of painkillers," Jordan translates for everyone else. "Kinds that aren''t already in the market. I''ll let you translate on your own time." Silence again. Heavy. Hanging. "So what''s the call?" Maggie asks. I swallow. This is it. This is the thing. The moment. One last mission. I exhale, slow and measured. "We need to find out what''s inside that warehouse." WORLD OF CHUM: Superhuman Entity Report: Lily "Blink" Chen PERKS Assessment: Lily Chen (Blink) Classified Level: Confidential Date: April 2023
I. Power Classification Adjust: Acceleration Manipulation Code: A4/S/P/T Rationale: Blink possesses the ability to double the acceleration vector of any object she is in contact with on a single axis per activation, occurring once per second per target. This ability is classified under Adjust, as it modifies an existing variable (acceleration) rather than creating or removing motion. Her power is self-targeting (S), physical in nature (P), and functions at touch range (T), requiring direct physical contact with an object for activation. II. Power Ranking: Power Ranking: 4/10 Blink''s ability significantly enhances movement, projectile usage, and can be used creatively for support purposes. However, the requirement for direct contact and the external forces limiting velocity buildup prevent this power from scaling indefinitely. While potent in tactical scenarios, the power''s reliance on continuous touch limits its applicability in large-scale engagements. III. Control Rating Control: 6/10 Blink exhibits strong control over the intentional activation of her ability, requiring a deliberate muscular action and conscious intent to engage it. She can direct the acceleration to any single vector upon touch, but the precision of her use is limited by her cognitive ability to process rapid motion, as well as her ability to perceive an object as a single unit. IV. Hostility Rating: Hostility: 0/10 Blink is an overtly altruistic individual with no documented hostile intent toward state actors or the public. She has expressed a strong personal moral code against lethal force, preferring to use her abilities for mobility, escape tactics, and non-lethal takedowns. While her power could theoretically be weaponized in dangerous ways, her personality and tactical use reflect restraint and situational awareness. V. Collateral Damage Potential: Collateral Damage: 4/10 Blink''s power is not inherently destructive but has theoretical potential for high-speed impacts and environmental hazards. Because her ability modifies acceleration, it can escalate dangerous conditions (e.g., doubling the collapse rate of a failing structure). However, her cautious nature and personal limitations on use mitigate large-scale risks. VI. Overall Threat Level Threat Level: 3/10 Blink is a low-threat, high-mobility asset with significant tactical applications in combat, pursuit evasion, and emergency response. Her ability to rapidly reposition herself and allies makes her a valuable superhuman, though her power''s reliance on touch and diminishing returns prevent it from being a large-scale hazard.
PERKS Assessment Comments for Lily Chen (Blink) 2021: Officer''s Comments: Lily''s initial interview was a whirlwind. She is excessively energetic, enthusiastic, and deeply empathetic--a teenager who genuinely wants to help but doesn''t fully grasp the scope of her powers yet. I''m approving her JLUMA on a provisional basis with required monthly check-ins. I have also encouraged her to get in touch with the Young Defenders, to help train and make the best use of her powers. --Officer M. Reynolds 2022: Officer''s Comments: Blink continues to display strong moral reasoning but poor impulse control. She skates faster than most cars and doesn''t always think through high-speed maneuvering. However, joining the Young Defenders has provided a valuable outlet for her abilities and a place where she can train them unimpeded, among peers. --Officer M. Reynolds 2023: Officer''s Comments: At 17, Blink has gained significant experience but remains reckless. She still doesn''t fully grasp acceleration physics, but she has learned to use her power conservatively in populated areas. Notably, she has become a key mobility asset for her team. She expressed interest in "getting better at the numbers" behind her power, though I suspect that means asking her teammates to do it for her. Given her track record and commitment, I''m approving her LUMA transition upon turning 18. Additionally, based on information from the NSRA, we are changing her powers from H3/G2 to a single power of A4. --Officer M. Reynolds Interviewing Officer: Michael Reynolds Date: April 12th, 2023 Civilian Clerk: Jennifer Lang Date: April 12th, 2023
Confidential Report: Power Assessment of Lily Chen (Blink) Assessment Agent: Dr. Leonard Harris Date: June 30, 2023 I. Introduction: This report provides a detailed analysis of the superhuman abilities of Lily Chen, known as Blink, a member of the Young Defenders. The focus is on the mechanics of her acceleration manipulation, its functional limitations, and its practical applications. Initial assessments categorized her power under Hopper or Gigant classifications due to her enhanced mobility, but further analysis determined that her ability is best classified under Adjust, as it modifies an existing variable rather than creating or nullifying motion.The narrative has been taken without authorization; if you see it on Amazon, report the incident. II. Power Overview: Blink possesses the ability to double the acceleration vector of any object she is in physical contact with along a single axis per activation. This effect lasts for one second and does not inherently revert, meaning acceleration continues naturally unless countered by external forces such as friction, drag, or counterthrust. She can apply this effect once per second to a given object, allowing for successive stacking of acceleration. III. Mechanics and Functionalities: Vector-Based Acceleration: Blink¡¯s power does not add velocity directly but instead modifies the rate of change of velocity. This means that stationary objects do not suddenly gain motion unless they already possess an initial force acting upon them. Environmental Resistance and Diminishing Returns: Air resistance and surface friction place practical limits on the acceleration stacking effect. Objects experiencing high velocities will encounter increasing drag, reducing the effectiveness of successive activations. Perceptual Object Unity: Blink''s power functions based on her cognitive perception of an object as a single entity. This allows her to apply acceleration to objects like her inline skates or a meteor hammer as cohesive units, even though they are composed of multiple parts. Duration of Acceleration Effect: Once an acceleration boost is applied, it remains until external forces act upon it. If an object is given a downward acceleration boost, it will fall faster than normal, but gravity will return to its default acceleration rate once the effect dissipates after one second. IV. Limitations: Touch Requirement: Blink must maintain physical contact with an object to apply her ability. This makes it ineffective for long-range applications and requires her to remain close to targets she wishes to influence. Cognitive Load and Timing: Although her power is simple in principle, practical use requires precise timing, particularly when applying boosts to moving objects. Reaction Time Constraints: Blink¡¯s own ability to perceive and respond to her increased acceleration imposes limits on her safe maximum velocity. G-Force Tolerance and Biological Resilience: Unlike natural speedsters, Blink does not receive automatic protection from the physical strain of high-speed movement. Testing suggests that her body possesses an anomalous reinforcement that mitigates the effects of sudden acceleration shifts, allowing her to function under conditions that would incapacitate a normal human. However, this effect has limits, and extreme acceleration stacking may exceed her biological tolerance threshold. V. Tactical Applications: High-Speed Mobility: Blink''s primary use of her power is personal acceleration, allowing her to achieve significant speeds while skating. Enhanced Striking Power: By applying acceleration boosts to objects mid-flight, Blink can significantly increase their impact force. She frequently employs this ability with thrown objects, slingshots, and other projectile weapons to disable opponents without lethal force. Kinetic Disruption: By selectively boosting the acceleration of certain objects, Blink can manipulate the balance of adversaries, knocking them off course or disrupting movement. Emergency Evasion: The ability to instantly alter her acceleration allows Blink to escape dangerous situations rapidly, particularly when combined with urban traversal techniques such as skitching onto vehicles or propelling herself off solid surfaces. VI. Recommendations: Kinematic Calculation Training: Improved understanding of acceleration physics would allow Blink to maximize her power¡¯s effectiveness and reduce unintended miscalculations. Further training in applied physics and projectile motion is recommended. Situational Awareness Drills: Increased emphasis on spatial perception and reaction-based training would enhance her ability to process high-speed movement safely. G-Force Tolerance Monitoring: Further analysis of her biological resilience to acceleration forces is necessary to determine long-term health impacts. If necessary, development of protective equipment to counteract high-G effects should be explored. VII. Conclusion: Lily Chen¡¯s acceleration-based ability offers significant tactical advantages, particularly in mobility and precision impact applications. While the power has inherent limits due to environmental physics and reaction time constraints, her ability to manipulate acceleration grants her a high degree of versatility in both combat and traversal scenarios. With continued refinement and strategic training, Blink is projected to be an invaluable member of the Young Defenders. Dr. Leonard Harris Specialist in Metahuman Power Assessment for the National Superhuman Response Agency Chapter 162.1 Maggie¡¯s house is the most Irish place in the world. I¡¯m not saying that like she is the most Irish person in the world¡ªthere are people with like, stronger accents or whatever¡ªbut her house? The house itself is fundamentally Irish. You walk in, and it¡¯s like stepping into a distilled essence of Ireland that¡¯s been lovingly applied to every single available surface. Wood-paneled walls? Check. Celtic knots on like, everything? Check. A picture of JFK in the dining room like he¡¯s a long-lost uncle? Also, unfortunately, check. The living room smells like beef stew and generational trauma, and the second you step inside, somebody¡¯s dad is yelling at the TV. It¡¯s not her dad¡ªhe¡¯s at work¡ªit¡¯s her uncle. Maggie has an unreasonable number of uncles. There are always one to three uncles present in this house, like a rotating stock. Today, Uncle Brian is the one on duty, which means we get a squint from the couch and a barely-audible ¡°girls¡± in acknowledgment before he goes back to being furious about a Sixers game from five years ago that they¡¯re replaying on ESPN Classic. ¡°Hey, Brian,¡± Maggie calls, already halfway up the stairs. ¡°Don¡¯t get up.¡± ¡°Wasn¡¯t gonna,¡± he replies, eyes glued to the screen. Amelia lingers in the doorway for half a second too long, like she¡¯s trying to process the energy of this house. This is her first time at Maggie¡¯s, and she¡¯s looking at everything like she¡¯s collecting evidence. She barely even nods at Brian, which is a mistake, because now he¡¯s squinting at her harder. ¡°Who¡¯s this?¡± ¡°That¡¯s Gossamer,¡± I say, dragging Amelia inside before she dies on the threshold like a vampire. ¡°She¡¯s with me.¡± Brian grunts and goes back to the game. Amelia, wisely, chooses not to engage further. Maggie¡¯s already upstairs, so I take the steps two at a time, letting Amelia catch up at her own pace. The second floor is much quieter, which is good, because the downstairs was borderline uninhabitable for anyone who isn¡¯t used to perpetual background noise. Maggie¡¯s room is exactly what you¡¯d expect. Sports posters, random trophies from when she actually gave a shit about school sports, laundry on every available surface, a desk covered in notebooks and disassembled hardware, and a twin-sized bed that looks like it has never, ever been properly made. She¡¯s already flopped across it, spread-eagle, dramatically sighing at the ceiling. ¡°I¡¯m gonna die in this house,¡± she declares. ¡°This is my tomb.¡± ¡°Wow,¡± Amelia says, stepping carefully over a pile of mismatched sneakers, ¡°you weren¡¯t kidding about the dramatics.¡± ¡°She¡¯s been like this for a week,¡± I say, shoving some probably-clean laundry off a chair so I can sit down. ¡°I assume she¡¯s been laying there for that entire time, unmoving.¡± Maggie doesn¡¯t deny it. Instead, she rolls over onto her stomach, chin propped up on her hands, and squints at us. ¡°Tell me something cool. Something exciting. Anything. I¡¯ve been in this house so long, I¡¯m losing my sense of self.¡± Amelia raises an eyebrow. ¡°You went to school.¡± ¡°Did I?¡± Maggie says. ¡°Or was that just an elaborate punishment simulation designed to break my will?¡± I shrug. ¡°School¡¯s school. Same as ever.¡± Maggie groans into her arms. ¡°Okay, but real talk,¡± she says, voice muffled. ¡°Did they throw a parade for you, or¡­?¡± I make a face. Returning to school after a one-week suspension was an event. It wasn¡¯t a parade, but it felt like one, which was arguably worse. The second I walked back into the building, it was like I had single-handedly won a war. I was getting high-fives from freshmen I don¡¯t even know. Some kid in the cafeteria yelled ¡°Smalls in the building!¡± like I was a WWE wrestler making my entrance. Which, in theory, sounds cool. The attention was too much, but at the same time, it wasn¡¯t even the right kind of attention. They weren¡¯t excited about me, they were excited about the story. About the idea of ¡°Sam Small, Slayer of Security Guards.¡± They didn¡¯t care about what actually happened, or how close things got to going really, really bad. They just liked that it was loud. It got even worse when I got to detention. Because Jordan was there, and Jordan does not like not making a scene. So, obviously, they were there first, set up in the back of the room, and waited for me to walk in just so they could throw their arms out like an asshole and yell ¡°Ah, my fellow war criminal!¡± in front of the whole room. I almost turned around and walked out on instinct. Why the teacher babysitting us didn''t intervene, I have no idea. At least Ridley got turbo-fired. One of the security guards told me that himself. ¡°Dude,¡± I tell Maggie, pulling myself back to the present, ¡°it sucked. I mean, I¡¯m not saying I expected a hero¡¯s welcome, but I also didn¡¯t expect every single sophomore to be acting like they¡¯re my number one fan.¡± Maggie grins. ¡°C¡¯mon. You¡¯re a legend now. Gotta get used to it.¡± ¡°I don¡¯t gotta get used to it,¡± I grumble. ¡°I just gotta wait for them to get bored.¡±This story has been taken without authorization. Report any sightings. Amelia snorts. ¡°You could just go full antihero and start brooding on rooftops.¡± ¡°I¡¯d rather die.¡± Maggie sits up just enough to actually look at us, eyes narrowing. ¡°So what¡¯s in the bag?¡± Right, that. The actual reason we''re here. Let''s get on with that - I pull the duffel onto my lap, unzipping it just enough to flash her the first layer of black fabric. ¡°New costumes,¡± Amelia says, leaning forward with way too much pride. Maggie lights up immediately, rolling onto her knees so she can snatch the bag and start rifling through it. ¡°No way,¡± she says, pulling out the first piece of gear¡ªa black, high-collared jacket with reinforced padding along the shoulders and forearms. ¡°No way.¡± ¡°Way,¡± Amelia says. Maggie holds it up like it¡¯s the holy grail. ¡°Dude,¡± she says, turning it over in her hands. ¡°This is so much better than my old one. My old one was, like, a clearance rack abomination.¡± ¡°Yeah,¡± I say, ¡°your old one was basically discount lacrosse gear.¡± ¡°I was doing my best!¡± Amelia leans back, arms crossed, smug. ¡°I made them practical. Stealth colors. Reinforced in the places that matter. And lightweight, because somebody¡ª¡± she gestures to Maggie, ¡°¡ªlikes to launch herself at high speeds directly into things. And if you go loud, you can reverse some of it to get that abominable cherry red you like so much.¡± Maggie looks appropriately guilty. ¡°Anyway,¡± Amelia continues, ¡°we made you look like an actual hero.¡± Maggie runs a hand over the fabric, her expression shifting just slightly. Like she¡¯s actually letting it hit her that this is hers, now. Not just stuff she threw together, not just borrowed sports gear. It¡¯s hers. She clears her throat, playing it off like it¡¯s not a big deal. ¡°So, uh,¡± she says, flipping the jacket over her shoulder. ¡°How soon are we testing these out?¡±
The Bloodhound stealth suit is sick as hell. I¡¯m standing in the lobby of the music hall, rolling my shoulders, twisting at the waist, testing the range of motion. It¡¯s sleek, it¡¯s light, it¡¯s comfortable¡ªa little less padded than my usual winter suit, a little less color, but so much easier to move in. The gloves are tighter, reinforced at the knuckles, and I can already feel the subtle texture differences in the material¡ªwhere Amelia strengthened things, where she left some flex, where she knew exactly what I was going to do to this poor, undeserving fabric. The real showstopper, though? The helmet. Amelia holds it up, turning it slightly so the overhead lights catch the finish. It¡¯s black and white, sleeker than my usual one, with sharper angles and a longer snout. My old one looked like something a football player would wear if they lost a bet. This one? This one looks like a predator. ¡°You look less like a dog and more like a wolf now,¡± Amelia says, smirking a little. "Hero Support kinda people stick together. So I called in a favor from one of my friends who owns a resin printer." "A what? You printed this?" I ask, staring at her, mouth slightly agape. She tosses me the helmet, grinning and not answering. I catch it out of the air, flipping it over in my hands. It¡¯s light, but sturdy¡ªI can tell it¡¯s been reinforced in all the right places. Black padding on the inside. Little... plates, I''m unsure if it''s metal or kevlar, but something hard and reinforced under the soft bits. ¡°All your measurements from last time were wrong, by the way,¡± Amelia adds, very pointedly. ¡°You¡¯ve been growing like a weed. This is fitted for you right now, as a sixteen-year-old. Happy belated birthday.¡± I pause, helmet halfway to my head. For a second, I don¡¯t really know what to say. She¡¯s not wrong¡ªI have been growing. My old suit was starting to feel tight in all the wrong ways. But hearing her say it like that¡ªso matter-of-fact, like a mom picking out school clothes for next year¡ªit hits weirdly. Man. I should''ve had, like, a better birthday party, huh? ... Man, I''ve been superheroing for almost two years? I''m not sure how much I like that. I pull the helmet on, adjusting the fit. It¡¯s perfect. The visor snaps down smooth, and when I tilt my head side to side, it moves with me¡ªno wobble, no lag. It clamps around my face like a facehugger and latches smoothly in the back. It''s immediately sweaty. It¡¯s mine. And it looks sick as hell. But Amelia isn¡¯t done. ¡°Now, for the pi¨¨ce de r¨¦sistance,¡± she says, dramatically shifting gears, because she loves this shit. She steps back and reaches for something on the worktable. I already know what it is, and I already feel weirdly nervous. She holds up a gauntlet. It¡¯s ugly as sin. A Frankenstein of a thing. The casing is cobbled together from like five different sources, the seams are a little rough, and it¡¯s got all the aesthetic grace of a RadioShack clearance bin. But! It''s mine. It¡¯s not the same gauntlet I inherited from Miss Mayfly. Scrapped for parts and wire and re-assembled into something with half the size and much more flexibility. New skin over old bones. I flex my fingers inside the reinforced knuckles. It¡¯s not perfect¡ªit¡¯s a little bulky, a little stiff¡ªbut it works. And I can feel that it¡¯s been made for me. ¡°I had to teach myself electrical engineering for this,¡± Amelia says, like she¡¯s casually announcing she built a time machine. ¡°It¡¯s not pretty, but the wiring is solid, and I did all the testing myself. Based on what you¡¯ve told me about your prior fights, I loaded in the essentials.¡± She taps the underside of the wrist. ¡°Nozzles here. Left button sprays watered-down pig¡¯s blood for you to track and mark objects¡ªso you stop licking things like a freak¡ª¡± ¡°My powers don''t¡ª¡± ¡°¡ªand the right button is pepper spray, because you fight like a rabid raccoon.¡± Jordan snorts, and I shoot them a withering glare that they ignore. ¡°Strategic slots for your teeth¡± Amelia continues, pretending to be normal about it, ¡°and reinforced knuckles, just in case you need to make some direct contact.¡± I turn my wrist, examining the seams. It¡¯s not smooth, but it¡¯s good. The wires are hidden, the buttons are placed just right, and I can tell¡ªshe put real effort into this. This wasn¡¯t just some side project. This was something she built because she knew I needed it. I don''t know if I need it because it''s useful, or if I need it because it connects me back to Kate. I hope she''s alright. I know she''s leaving at night, coming back late, and I just hope that if she''s Soot she''s not putting herself too much in harm''s way. I exhale, rolling my shoulders again, adjusting to the weight of everything. And then¡ªAmelia claps her hands together. ¡°Right! Next!¡± she pivots, already grabbing the next piece of gear. Jordan steps forward, casual as ever, and catches the helmet she tosses them. ¡°Your motorcycle helmet was fine,¡± Amelia says, already moving on, ¡°but this one has a slimmer form factor and a tinted visor. Same protection, but makes it harder to see your face. I understand what you''re going for with the white making it hard to focus on your body, but we don''t want anyone focusing on you at all. I''d recommend going without the cape cloak thing.¡± Jordan tilts their head. ¡°I like my fireproof cloak.¡± ¡°Keep it,¡± Amelia says. ¡°It fits over top. I''d just recommend against it for this particular mission. We''re going into a warehouse, presumably there are valuable things in it, and I''m doubtful that fire will be a risk we''ll be encountering.¡± Jordan turns the helmet in their hands, eyebrow raised. ¡°You know I don¡¯t fight, right?¡± ¡°You still stick your head in places it doesn¡¯t belong,¡± Amelia deadpans. ¡°I¡¯d rather not spend another afternoon plucking glass shards out of your scalp.¡± Jordan mutters something rude, but doesn¡¯t argue. Then¡ªAmelia turns to Lily, and she holds up the last set of gear. ¡°Blink,¡± she says, nodding. ¡°You get your normal costume, inline skates included. But in black. All black everything.¡± Lily blinks. Then¡ªslowly, carefully, in a voice full of hard-earned skepticism¡ª ¡°You didn''t take my measurements like you did with everyone else. Did you already have them?¡± Amelia grins. ¡°I have known you for like four years. We''re both done growing, buddy. I also got you a helmet. You really should be wearing one.¡± Jordan bursts out laughing while I scrunch my face up, testing the way my skin contacts the padding on the inside of my helmet. The gear feels right. The team feels ready. Now, all we have to do is pull this off. Chapter 162.2 Trenton Avenue at night is a whole different world. The kind of place where the streetlights aren''t bright enough to actually light anything up, just tint everything an ugly, sickly yellow. The kind of place where the city just sort of forgets to send maintenance crews, so there''s always trash clumped in the gutters, half-ripped posters stuck to telephone poles, and potholes deep enough to eat a bike tire whole. It''s not abandoned--not like some parts of the city--but it''s quiet. The kind of quiet that''s only possible in places people pass through but don''t really live in. During the day, this stretch of warehouses and loading docks is busy as hell, trucks and forklifts and warehouse workers keeping the whole supply chain monster moving. At night, though? It''s different. It''s the lull between shifts. The hour where the people who work here have gone home, but the people who use places like this are just getting started. Flashpoint and I are crammed into the narrow space between a dumpster and a loading dock, half-hidden in the shadow of a busted floodlight. The air is thick with the smell of hot asphalt, oil, and whatever''s rotting in the dumpster next to us. It''s gross, but it''s good cover. Nobody looks at dumpsters. She shifts her weight slightly, balancing on the balls of her feet, adjusting her mask. "Cool uncle was watching sports," she mutters, half a conversation late. "He never tattles. As long as I don''t get arrested again, he doesn''t care what I do." "Convenient," I whisper back. "Yeah, well, my mom thinks I''m asleep, so let''s try not to screw this up," she says, rolling her shoulders. I nod, focusing back on the warehouse entrance. People come and go in small groups, moving slow, casual. Nobody''s sprinting. Nobody''s acting like they''re doing anything illegal. They don''t have to. You don''t get cops out here unless someone''s already bleeding out on the sidewalk. There''s a guy standing by the roll-up door, leaning against the wall, scrolling through his phone like this is just another shift. Could be Kingdom. Could be Rogue Wave. Could be one of the million other crews running things out here. The thing about North Philly is that crime isn''t a couple of big organizations fighting for turf--it''s a mess of little ones, tangled together like tree roots, with just enough structure to keep things from completely imploding. Some of these guys probably work for multiple factions. Some of them don''t even know who they''re actually working for. It''s too much to track all at once. I try not to think about it too hard. Some of these warehouses are probably just like... normal warehouses. Like Jordan said - normal people work here. The front door opens again, and a new pair steps out, talking just loud enough to carry in the still night air. "...tell me why they need another shipment now. We just ran a batch three days ago." "It''s not for them, it''s for new clients. I dunno, they don''t tell me that part. It''s moving fast, though." I glance at Flashpoint. She glances back. New clients. That means distribution. That means something is moving through here. It doesn''t mean, exactly, that we''re right, but that it''s suspicious. I press a finger to the comm in my ear. "Safeguard, we''ve got movement. They''re talking about shipments. My heart of hearts tells me that they are talking about drugs." There''s a short pause before Jordan''s voice comes through, steady, almost bored, and whisper-light. "Copy that. Keep eyes on them. Don''t move yet. Also, it''s probably just normal Kensington stuff. Don''t go crazy if it''s not Jump or Cocaine or whatever that new thing is." Flashpoint exhales through her nose, shifting slightly. "They better not have us squatting behind a dumpster all night." "Patience, Flashy," Jordan says, the dry amusement in their voice barely masked. "Some of us have real jobs to do before we make our grand entrance." I resist the urge to roll my eyes. Flashpoint just mutters, "Drama queen." I go back to watching the warehouse, ignoring the itch of sweat under my helmet, the sticky heat of the city at midnight, the faint hum of distant traffic, the buzz of a streetlight flickering somewhere down the block.This book was originally published on Royal Road. Check it out there for the real experience. Nothing''s happening yet. But it''s about to. The door clicks, and a little electronic buzz hums through the quiet. It''s soft--so quiet I might have missed it if we weren''t already listening for it. The latch shifts, the side entrance nudging open just an inch, and then Jordan''s gloved fingers curl around the edge and ease it open the rest of the way. They don''t say anything--just tilt their head slightly, the dim light from inside catching the edge of their visor. If their face was visible at all, I know they''d be grinning. Flashpoint and I move fast. Silent. We''re inside in three seconds, door easing shut behind us. No alarm. No red lights flashing. Just still air and the faint hum of an industrial ventilation system, filtering out whatever fumes this place is constantly pumping into the air. Jordan''s voice comes through the comm, barely a whisper. "Don''t get near strange cardboard boxes, kids." I glance at them, raising an eyebrow behind my visor. "Seriously?" They shrug. "Security guy got too close to the wrong crate. Keycard got cloned. Not my fault." Flashpoint shakes her head, but she doesn''t say anything. We''re moving now, sticking close to the wall, eyes sweeping the aisles. The warehouse stretches out ahead of us, rows upon rows of metal racks stacked high with chemical drums, IBC totes, and crates marked with barcodes and manufacturer labels. The air smells weird--not strong, not overwhelming, but a lingering chemical bite at the edge of my senses. It reminds me of science class. That sharp, plasticky scent of lab gloves and ethanol wipes. But it''s mixed with something else, something heavier. Industrial. The kind of smell that sticks in your nose even after you leave. Flashpoint breathes out slow, turning her head slightly to look at me. "Are we gonna talk about the fact that we''re basically standing in the middle of a supervillain Costco right now?" I don''t answer. I''m too busy reading the labels. Some of them are totally normal--solvents, adhesives, chemical compounds with long, complicated names that I only vaguely recognize from the time I tried to pay attention in chem. Others... others are more suspicious. Barrels marked with coded labels. Drums of unregistered compounds. A few crates marked Stheno Biopharma--Restricted Handling. Flashpoint tilts her head slightly, staring up at the stacks. "Should we be, like... worried about breathing this in?" "Ventilation''s running," Jordan says, calm as ever. "If there was anything airborne, you''d already be dead." "Wow, thanks," Flashpoint mutters. "Super reassuring." Jordan doesn''t react, already moving ahead, leading us into one of the aisles. Their voice stays low, steady. "Storage takes up most of the first floor. Chemicals, precursors, synthesis materials--some of this is probably legitimate industrial supply, but a lot of it isn''t. Far side of the building is the processing area. That''s where the good stuff happens. Manufacturing, mixing stations, whatever active synthesis they''ve got going." I glance toward the back, where the rows start to thin out into open floor space. A few metal tables, workbenches covered in tubing and glassware. A chemical fume hood. A fridge with a biohazard sticker slapped onto it. "And security?" I ask. "Office is back right," Jordan says. "That''s where the cameras are. Maybe a safe. Maybe someone watching the feeds. Haven''t gotten a look inside yet." "And upstairs?" "Break room and a supervisor''s office," they say. "Second floor is small. Just a couple of rooms overlooking the floor. Could be someone in there, could be empty. Hard to tell without going loud." I don''t like the unknowns. I don''t like how big this place is, how much space there is to cover, how much we don''t know yet. We''re not here to burn the place down. We''re not here to get into a fight. We''re here to find something--evidence, information, anything we can use to prove what this place really is--but the longer I look at the sheer amount of stuff in here, the more I realize how much harder that''s gonna be. How do you find the one thing you need in a sea of everything? Flashpoint nudges me. "We''re moving or what?" I nod, pushing the thoughts back. No time to spiral. One step at a time. We keep close to the shelves, ducking into the blind spots Jordan points out--places where the racks block the line of sight from the second-floor office, where the light doesn''t quite reach, where we won''t cast obvious shadows. We move slow. Controlled. Listening for footsteps. Nothing, yet. Just the hum of machinery. The distant creak of a metal beam settling. The faint beep of a forklift backup alarm from outside. Jordan pauses at the end of an aisle, glancing around the corner before motioning us forward. "Footsteps upstairs. One person, maybe two. Slow pacing." I glance toward the upper level. The office window overlooks the storage floor, but the blinds are drawn. No movement behind the glass. Flashpoint exhales through her nose. "You think they''re watching the cameras?" "Probably," Jordan says. "Depends how lazy they are." I don''t like it. If someone''s watching the security feed, that means we have a time limit. If they get up to stretch their legs and do a walkthrough, that time limit gets even shorter. I tap my comm. "Blink, you picking up anything from outside?" There''s a soft crackle before Lily''s voice comes through. "Nothing weird. Same rotation of people. Truck just left about five minutes ago." "Good," I say. "Keep watching." I glance at Jordan. "We need to get to the processing area. See what they''re actually making." Jordan nods once. "I''ll keep an eye on the security office." I exhale slowly, shifting my weight. The walls feel closer now, the ceiling lower. The air feels thicker. Chapter 162.3 The cameras are everywhere. Little black domes, perched in the corners where the shelves meet the ceiling, swiveling in that slow, deliberate arc, like they know we''re here and they''re just waiting to catch us. Most of them are standard--cheap, basic, but functional. But some of them? Some are the full 360-degree kind, their lenses constantly adjusting, covering every possible angle. It makes my skin crawl. But Jordan? Jordan''s loving it. They''re crouched ahead of us, fingers pressed to the concrete floor, helmet tilted just enough that I know they''re grinning under there. The air around them warps slightly--a barely perceptible shimmer, like the heat rising off asphalt in summer. I watch as the space between us and the next camera starts to... stretch. The hallway, which was maybe twenty feet long a second ago, is now double that, the space cut cleanly by a parallelogram-ular prism. I don''t know the word for it. A diagonal cut. The camera, now staring into an extended void, keeps sweeping back and forth, oblivious to the fact that it''s covering empty space that wasn''t there five seconds ago. Jordan glances back at us, voice low in my ear. "Alright, Bloodhound, Flashpoint--come on." Flashpoint slides past me first, crouching low, hovering whisper-quiet over the concrete as she glides through the warped space. I follow close behind, my footsteps careful but quick, feeling a weird existential tremor run through me as I do so. It''s not physically different--the ground is still solid, the air still breathable--but my body knows something''s wrong. This is space that isn''t there. In a second, it will be gone, and the universe will have forgotten it. We make it past the camera''s sweep, and then Jordan lets the space snap back into place. There''s a soft, almost infinitesimal pop in the air, and the hallway looks normal again. Just rows of metal shelves, concrete floor, chemical drums stacked high, labels with long chemical names I can''t pronounce. "Smooth," Flashpoint whispers, glancing around. "You been practicing that?" Jordan huffs. "You think this is the first building I''ve been in that I shouldn''t be?" "Great grammar," Flashpoint needles. I roll my eyes but don''t say anything. We''ve got work to do. We start moving again, keeping low and using the shelves as cover. This place is huge--way bigger than it looked from the outside. The kind of warehouse that feels like it just keeps going, rows upon rows of industrial storage, all of it filled with chemicals and supplies that could be used for... well, a lot of things. Some of them perfectly legal. Some of them... less so. We stop at one of the barrels near the edge of the storage floor. It''s massive--probably fifty gallons--marked with a simple white label: ACETIC ANHYDRIDE. Flashpoint leans over, frowning. "This is... normal, right? Like, this is a real thing?" "Depends," Jordan says. "It''s used in a lot of legitimate industrial processes. But it''s also used in drug synthesis." I snap a picture of the label with my phone, making sure to get the serial number and any shipping info. We keep moving. More barrels, more labels. SODIUM HYDROXIDE. TOLUENE. ETHYL ACETATE. Some of them I recognize from high school chemistry. Others are totally alien. We take pictures of everything, careful not to touch or move anything that might look out of place. Jordan guides us through the storage floor, pointing out more cameras as we go. They keep doing their thing--stretching space, creating blind spots, slipping us through without triggering anything. It''s almost hypnotic, the way they move, the ease with which they manipulate the space around us. We hit the edge of the storage area and find ourselves staring at the processing section. It''s different here--less industrial, more... lab-like. There are metal workbenches lined with glassware--beakers, flasks, tubing connecting everything in these weird looping systems. Chemical fume hoods line one wall, their fans humming quietly. There are mixing stations, too--big industrial tanks with pipes running overhead, valves and gauges monitoring pressure and temperature. Flashpoint lets out a low whistle. "This is... intense." I nod, moving closer to one of the workbenches. There''s a small tray with hypodermic needles scattered across it. None of them are black--the kind we''re looking for--but they''re still unsettling. I snap a picture. Jordan''s voice cuts in. "No sign of the black syringes yet?" "Nothing," I mutter, frustration creeping into my tone. "Just regular stuff. No injectors, no branding, nothing." "We''re still early," Jordan says. "Keep looking." We spread out, keeping within eyesight of each other but covering different workstations. I find a clipboard with a shipping manifest, the pages stained with something brown and sticky. I flip through them, trying to decipher the messy handwriting. Most of it looks normal--chemical shipments, lab supplies, some heavy machinery parts--but there''s one entry that catches my eye. Inbound: STN-BPH-456. Qty: 200 units. I squint at it. "Jordan. Flashpoint. Got something." They both move in, peering over my shoulder. "STN-BPH?" Flashpoint reads aloud. "What''s that?" "Could be shorthand for Stheno Biopharma," I suggest. "But it''s vague as hell." Jordan taps the page. "Two hundred units. That could be syringes. Or it could be lab equipment. No way to tell." Support the creativity of authors by visiting Royal Road for this novel and more. I snap pictures of the manifest, flipping through the other pages, but nothing else stands out. "We need more," I say, frustrated. Jordan nods. "Let''s hit the security office next. Might be some logs, invoices--something with clearer info." We move carefully, sticking to the shadows as we approach the far side of the warehouse. The security office is a small room elevated above the main floor, accessible by a metal staircase. From here, the cameras could easily catch us--if Jordan wasn''t doing their thing. They stretch the space again, pulling the staircase out of view of the cameras, and we slip up quickly, crouching low as we reach the top. Jordan holds up a hand, signaling for us to wait. I freeze, listening. There''s a faint sound--someone inside the office, typing on a keyboard. A single guard, from the sound of it. Jordan leans in close, voice a whisper in my ear. "I''ll handle this. Stay here." Before I can respond, they pull a small bolt or pebble from their pocket--something they must''ve grabbed earlier--and toss it down the metal staircase with a soft clink. It bounces once, then again, loud enough in the silence to make the hairs on my arms stand up. Inside the office, the typing stops. I hold my breath as the guard''s chair scrapes back. A moment later, the door creaks open, and the guard steps out, squinting into the dimly lit warehouse. He moves toward the staircase, eyes scanning the shadows, his flashlight beam cutting through the darkness. Jordan waits until he''s a few steps down, then slips past the open door and into the office without making a sound. The guard mutters something under his breath, still focused on the noise he heard, before shaking his head and heading back up the stairs. But by the time he reaches the top again, the door is already closed and locked behind Jordan. A few seconds pass, tense and tight, before the door cracks open. "All clear," Jordan whispers. We step inside. The security office is small, cluttered with monitors showing various camera feeds. A desk in the corner holds stacks of papers, a couple of file folders, and a half-eaten sandwich. The guard is slumped in the far corner, zip-tied at the wrists, a gag over his mouth, eyes wide but unharmed. Jordan glances at him briefly before turning to us. "He''ll be fine. No alarms tripped." I exhale, tension easing out of my chest. Much better. "Sorry, man. I promise we''re not here to hurt you," I say, crouching next to the guard. I start pulling stuff from his pockets--walkie-talkie, keycard, a set of jangly keys, and a taser--stacking them neatly in a little pile by his feet. "Play nice and I''ll untie you when we''re done. Don''t play nice, and... well, then we do it the concussion-y way. Sound fair?" He nods, wide-eyed, probably hoping for the first option. I get moving. Jordan''s already at the desk, flipping through files, their gloves moving quick and precise. I drift over to the monitors, eyes scanning the feeds. Most show the usual--dim aisles stacked with chemical drums, forklifts sitting idle, empty loading bays--but then one screen makes me pause. "Hey," I say, pointing at the monitor. "I think I found something." Flashpoint leans over my shoulder. "What is that? Those black cases? That could be it, right?" At first glance, it looks promising. A separate room near the back of the warehouse, lined with shelves holding sleek, black units. Some have little green and red lights blinking on them, all uniform and neat. My brain immediately starts piecing together the worst-case scenario--rows of black injectors, ready to ship out. But Jordan glances up and squints at the screen, then shakes their head. "That''s not it. That''s a server yard." I blink, doing a double-take. Now that they''ve said it, I can see it--the blinking lights, the cabling, the faint haze from the cooling system. Servers, not injectors. For a second, I feel like an idiot. "Camera angle threw me off," I mutter. Jordan''s already back to flipping through files. "It makes sense. If this place is running shady operations, that''s where they''d keep the data. Probably the most secure spot in the building. We hit that last. I doubt my random security card keycard clone is gonna do anything but trip the alarms. That spot''s on lockdown, guarantee it." I nod, even though my gut twists, itchy with the need to dig deeper. "Right. Servers last. In case anything trips." We snap pictures of everything we can--shipping logs, manifests, inventory lists--but it''s all frustratingly mundane. Chemical orders, generic industrial supplies, invoices for equipment that looks above-board on paper. No mention of the black injectors. No smoking gun. "Still nothing," I murmur, flipping through another folder. "Feels like we''re close, though." Flashpoint crouches next to me, peeking at the papers. "Or they''re hiding the good stuff somewhere deeper." Jordan doesn''t look up. "That''s why we''re still here." I glance back at the server room on the monitor, its blinking lights almost taunting. The answers are there. We just have to get to them. Jordan pockets a USB drive from the desk, just taking everything not nailed down, and we head back down, slipping past the cameras again with the help of their space-warping. We regroup near the center of the warehouse, hidden between two massive stacks of crates. "We''re running out of time," I whisper. "If someone checks in on that guard--" "They won''t," Jordan says, but I can tell they''re not totally confident. Jordan pockets a USB drive from the desk--because when in doubt, steal everything that''s not nailed down--and we head back out, slipping past the cameras again as they pull at the edges of space, stretching hallways just long enough to make us invisible. We regroup near the center of the warehouse, tucked into the shadows between two towering stacks of crates. It''s quieter here, the hum of machinery distant, the smell of chemicals thick in the air. "We''re running out of time," I whisper, keeping my voice low. "If someone checks in on that guard--" "They won''t," Jordan says immediately, but their voice has that edge--the kind where they''re trying to convince themselves as much as me. Which is, of course, exactly when things go wrong. I hear it first--the rapid scrape of boots on metal, the clatter of someone moving fast up above. Then voices--muffled at first, but growing louder. "Shit," I hiss, pressing back against the crates. We all freeze, listening. There''s a heavy thunk--someone slamming a door open--and then I spot the movement. Up on the second floor, a figure pushes out of the break room. Big. Towering. It takes me a second to place him, but when I do, my stomach sinks. "That''s Bash," I whisper. Maggie cranes her neck for a better look, then grimaces. "Oh, come on." It''s definitely him--Bash, from Kensington. I remember his face from the marina fight. He had one of the black autoinjectors then, powering him up like some walking wrecking ball. And now he''s here, in a white tank top stretched across his wide chest, vaguely professional slacks, moving with that same unsettling ease. Not bulky, not muscular--he''s built like a powerlifter. Strong in a way that doesn''t need to show off. "What''s he doing here?" Maggie mutters. "Working security, maybe?" I say. "Getting his share." Bash ambles across the upper floor, heading toward the observation deck, but something''s off. He stops, sniffs the air, and then cups his hands to his mouth. "Lenny! We''ve got company!" His voice booms through the warehouse, echoing off the walls. Lenny? Great. Another wildcard. I pull back into the shadows, heart racing. But that''s when Jordan points, sharp and tense. "Look." I follow their finger, squinting through the dim lighting, and then I see it--curling tendrils of smoke, snaking through the gaps between shelves. It''s thick, heavy, and rising fast, but something''s wrong. There''s no smell. No heat. No crackling fire. "Is that... smoke?" Maggie asks. "Yeah," I say, voice tight. "But it''s not burning anything." Jordan swears under their breath. "We didn''t trigger anything. Someone else is here." The smoke drifts closer, spilling into the aisles. It looms above the racks, crawling along the ceiling like it''s alive, blanketing the security cameras'' view. Bash doesn''t notice us. He''s heading down the stairs, following the trail of smoke, his massive frame cutting through the haze like it''s nothing. We press deeper into the shadows, staying low. "Who the hell is Lenny?" I whisper. "No idea," Jordan replies, eyes tracking Bash as he disappears into the fog. The smoke keeps coming, thicker now, curling over the shelves, swallowing the rows in a dense gray haze. Something is happening in here--something way beyond our plan. Soot. Chapter 163.1 The smoke keeps curling in, thicker by the second, swallowing the edges of the warehouse until everything feels smaller, tighter. Like the air''s folding in on itself. I crouch lower, my back pressed against a stack of chemical drums, the metal cold even through my gloves. My breath feels loud inside my helmet, fogging the visor just enough to be annoying. Jordan''s a few feet ahead, peeking around the shelving, their body language calm, deliberate, like none of this is unexpected. But my mind''s moving way too fast. I stare into the haze, trying to piece it together. Soot. It has to be Soot. Nobody else throws down a smoke screen like that--dense but controlled, creeping exactly where it needs to be, covering sightlines without choking the place out. It''s surgical. Like they planned this. But why? Why here? Why now? How did they know to come here? My stomach twists in that familiar way. If Soot really is Kate--and I don''t know that, I can''t know that, not for sure--but if they are, then this is my fault. All of it. She wouldn''t be here if I hadn''t dragged her into this world in the first place. She was normal before this. Well. Not normal, but she wasn''t this. Wasn''t sneaking into warehouses full of chemical drums and superpowered gangsters. Wasn''t throwing herself into danger. I keep telling myself that people make their own choices. That Kate--if it''s her--knew what she was doing. But the guilt''s still there, sticky and sharp, gnawing at the edges of my brain. Every time I see Soot, that feeling doubles down. It''s like watching someone drown while holding the rope that could''ve pulled them out, but you threw it too late. I glance at Jordan. They''re focused on the smoke, calculating angles, probably already working out the most efficient way to stretch space and get us closer to the server room. Efficient. Focused. No emotional baggage cluttering up their brain. Not like me. The smoke thickens, and that''s when I see the second figure. Not Bash--he''s still lumbering through the fog like a wrecking ball--but someone else. Leaner. Twitchier. A white guy, probably in his late twenties, covered in tattoos that crawl up his neck and spill over the sides of his shaved head. He''s wearing a hoodie, jeans, hardly professional security attire, but the glowing blue veins, electric cyan pulsing up the sides of his face, tell me why a lout like him is in a place like this. That''s gotta be Lenny. He moves through the smoke like it''s not even there, eyes scanning sharp, like he knows exactly what he''s looking for. His hands twitch at his sides, like he''s waiting to punch someone out but doesn''t know where they are yet. I swallow hard. This is where it all clicks--the mission''s already loud. Soot forced it loud the second they showed up, and there''s no walking that back. Bash is hunting. Lenny''s here, veins glowing with something that''s definitely not legal. Security''s gonna close in fast, and Soot? Soot''s out there in the middle of it all, alone, probably already fending them off. I shift in my crouch, glance at Jordan again. My mind''s racing, trying to justify what I already know I''m about to do. I can''t just sit here while Soot gets torn apart. Morally, ethically--none of this sits right. And even if I shove all that aside, it''s still the smart call. Soot''s the perfect distraction. They''re keeping security focused somewhere else, giving Jordan and Maggie the window they need to break into the server room and pull whatever files we can get before Argus Corps shows up. But that''s not why I want to run out there. I want to run out there because if Soot is Kate, I can''t let her get killed. I tighten my grip on the edge of the shelving unit, the cool metal biting into my gloves as I turn to Jordan, trying to explain, to give them something, anything, that justifies what I''m about to do. "I''m gonna--" But Jordan cuts me off with a sharp flick of their hand. "Sam. Go." I blink. "Wait, I--" "I get it," they say, voice low but steady. They don''t even turn to look at me, their focus still on the shifting smoke and the shadows moving through it. "Soot''s out there alone, and we both know you''re not gonna sit here and twiddle your thumbs while that happens. You''re the leader. You make the calls." "I--" I start again, but it dies in my throat. My chest feels tight, words jamming up behind my ribs. I want to argue, to lay out my logic--that this is strategic, that Soot being alive is helpful, that this isn''t just about me being soft. But Jordan doesn''t need to hear any of that. They already know. "I trust you," they add, finally turning to glance at me, helmet tilted just enough for me to feel the weight behind the words. "So stop wasting time." I swallow the lump in my throat and nod, something loosening in my chest. The sounds of chaos in the warehouse are getting louder--heavy footsteps pounding against the concrete, metal scraping as security teams reposition. Somewhere deeper in the smoke, I hear a dull thud, like someone''s body hitting a wall, followed by a sharp hiss of smoke twisting tighter. Soot''s holding their own. For now. Jordan turns to Maggie, who''s been bouncing on the balls of her feet, eyes darting between us and the rising smoke. "Flashpoint," Jordan says, "your repulsion fields--do they go through objects, or do they stop at surfaces?" Maggie squints, like she''s just now realizing she''s about to become a wrecking ball. "Uh... I think they go through? Like, walls don''t really stop them? But I haven''t exactly tried to break into a reinforced security door before." This tale has been unlawfully obtained from Royal Road. If you discover it on Amazon, kindly report it. Jordan hums, already running a gloved hand over the rough metal surface of the door to the security room. "Doesn''t matter. We were gonna find someone with access, but this is faster. We don''t need the whole door gone--just the right parts." "Like the hinges?" Maggie suggests, tilting her head. "Maybe the keypad," Jordan suggests, gesturing to the panel next to the door. "If we fry the electronics, it might pop the lock, or if we just punch the keypad through we can reach in and disengage the lock manually." Maggie squints at the door, then shakes her head. "You''d end up locking it down harder." Jordan pauses, considering that, but Maggie steps forward, tapping the door near the handle. "If I slam the deadbolt against the strike plate, or maybe aim the other way around, I might be able to jimmy it out. But if it''s magnetically closed... No, we could just bust the strike plate out. Yeah. I can probably break the screws out." Jordan blinks, turning to look at her properly. "Wait, how do you even know that?" Maggie shrugs, a little too casual. "I help my uncle fix up houses sometimes. Learned some stuff." Jordan chuckles, sounding genuinely impressed. "Well, look at you, Ms. DIY. Alright, let''s hit the strike plate." Maggie grins wide under her mask, already pulling off her gloves to get better control over her fields. "I like this plan. Less people-punching, more door-punching." Jordan chuckles, but then their helmet snaps back toward me. "And you--" they point, "--why are you still here?" I hesitate, heart thudding loud in my ears, but then I hear it--the sharp sound of fists colliding with something hard, the echo of footsteps scrambling over metal, and the low growl of someone--probably Bash--somewhere deeper in the smoke. I don''t wait any longer. I bolt. The sounds of Maggie and Jordan talking fade behind me as I weave through the shifting clouds, my heart racing and my stomach knotted tight. The smoke swirls thick around my legs, and I can already hear the scuffle ahead--grunts, gasps, the slap of shoes against concrete, the metallic clang of something heavy being thrown. The smoke thickens fast, curling into dense pockets between the shelves, swallowing everything in a gray-blue haze. Somewhere deeper in the warehouse, there''s the heavy thud of boots against concrete, the low growl of Bash''s voice cutting through the fog. I can''t see him, but I can feel it -- the dull reverberation of something massive moving with way too much force for a normal human. Every step makes the metal shelving creak like it''s seconds away from folding in on itself. But what catches my eye first isn''t Bash--it''s the sudden, sharp-edged glow slicing through the smoke. A wall. Bright cyan-blue, flat and gleaming, rising out of nowhere like someone just hit "spawn" in a game. Another one snaps into place perpendicular to it, boxing off a chunk of the smoke, forcing it to billow upwards and around the edges, cut off from the rest. Soot''s trying to keep the fog spread out, but these new barriers are cutting it off, corralling it into useless corners. Then I spot him--the guy behind the walls. Lanky, wiry, jeans sagging low and a loose hoodie that''s at least three sizes too big, sleeves rolled up to his elbows. His skin''s pale, but the veins are what really get me--thin, jagged, glowing cyan, crawling up his forearms and branching across his neck like cracks in glass. Lenny. He snaps one hand through the air, and another wall slams down just inches from a fresh swirl of smoke, slicing through it like a guillotine. The vapor recoils, bouncing helplessly against the forcefield before curling upward, denied entry. The weirdest part? The smoke doesn''t burn off or get blown aside--it just hits the wall and dies. With his other hand, he flicks his fingers sideways, tracing invisible lines, and more barriers snap into place--clean, sharp, simple slabs. He''s building a maze, penning Soot in tighter with every flick of his wrist. But here''s the thing--he''s so focused on Soot, he''s not watching his own back. I keep low, weaving through the thickest parts of the smoke. It curls around me, hiding my movements, and the uneven concrete scrapes against my gloves as I crawl forward. My knees slide across oily patches, but I keep going, hugging the shadows. One of Lenny''s walls juts out over my head, but I duck under it, sliding close enough now to hear him muttering--something about "damn smoke freaks" and "should''ve stayed home." I lunge at him, my shoulder slamming into his back, square between his shoulder blades, catching him off guard. He stumbles forward, a strangled yelp breaking out, and I wrap an arm around his neck, dragging him down with me. But before I can pin him properly, one of his existing barriers scrapes sideways--fast, like a glass door slamming shut--and clips me across the ribs. It''s not hard enough to break anything, but it knocks the air out of my lungs and sends me sprawling across the concrete. I roll with the impact, scrambling back to my feet. Lenny spins to face me, wide-eyed, veins pulsing brighter now. "What the hell--who--" I don''t let him finish. I''m already charging. He tries to throw up another wall between us, but I''m faster. I duck low, sliding under the half-formed barrier before it solidifies, and slam my gauntlet into his side, right under the ribs. The reinforced knuckles hit hard--there''s a deep, meaty thud, and Lenny gasps, doubling over. It''s not enough to knock him out, but enough to break his focus. A nearby forcefield flickers and collapses, letting a fresh wave of smoke pour through. Thick, white, curling in like a living thing. It''s heavier now--denser--and smells like fireworks. Soot must''ve popped a smoke bomb somewhere around the corner. That''s when I hear it -- Thoom. Thoom. Heavy steps, shaking the concrete beneath me, getting closer with each impact. I can''t see him through the smoke, but I know exactly who it is. Bash. His footsteps sound like someone''s slamming a wrecking ball into the ground, each one heavier than the last. He''s moving fast--too fast for someone his size. I press against the nearest stack of crates, ducking low as the vibrations rattle through the metal shelves. I still can''t see him, but I hear the snarl, low and guttural, and the crash as something--probably one of Soot''s barriers--shatters under the weight of Bash''s charge. He''s tunnel-visioned on Soot. I can hear it in the way he''s stomping, the focused, unrelenting direction of it. The sound of his boots slamming down, the crack of something metal bending under pressure. I risk a glance around the edge of the crates, but the smoke''s too thick--I can only make out vague silhouettes. Then, through the haze, I spot Soot''s shape--further down the row, half-hidden behind a stack of barrels, smoke swirling thick around their legs. They flick their wrist and lob something--another smoke bomb--that bounces once before exploding into a dense cloud of white. Bash coughs hard, his charge stalling for a second, but he barrels through anyway, the thick smoke clinging to him like oil. He doesn''t stop. He''s going straight for Soot. Soot''s head turns slightly, almost like they''re expecting me. They don''t wave, don''t call out, but there''s this flicker--like they knew I''d be here. I adjust my grip on the gauntlet, breathing through the haze. Lenny''s still scrambling to get up, his veins glowing brighter, his hands shaky as he starts to summon another barrier. The cyan light glints off the swirling smoke, outlining the maze he''s trying to rebuild. I clench my jaw and raise my gauntlet. "Hey, Soot!" I shout through the fog, voice rough. "Looks like you could use a hand!" They don''t respond. Of course they don''t. But they don''t tell me to leave either. Which, coming from Soot, is basically an invitation. Chapter 163.2 I don''t wait for an answer. No time. Lenny''s still scrambling to pull himself together, his glowing veins pulsing brighter as he throws up another angled barrier, boxing Soot in tighter. And Bash--Bash is still moving through the smoke like a wrecking ball, massive arms swinging wide, slicing through the fog, forcing Soot to duck and weave between industrial shelves and toppled crates. His footsteps hit the ground with deep, shuddering thuds, but I notice something weird. He''s not going all out. I clock it right as he barrels past a stack of chemical drums--huge metal cylinders with hazard symbols plastered across the sides--and instead of crashing through them, he swerves. Clumsy, but careful. His foot drags wide, throwing him off-balance for half a second, but he catches himself and keeps charging. It''s subtle, almost like instinct, but it''s there. He''s holding back... Not because of me. Not because of Soot. Because of what''s in this warehouse. Whatever he''s juiced up on might make him dense as hell, but even Bash doesn''t want to be the guy who blows the whole place sky-high or throws acid on himself. Good. I can use that. I dart forward, weaving through the swirling fog, staying low as Lenny snaps another barrier into place just above my head. His walls are sharp-edged, gleaming that same eerie cyan-blue, but I''m getting a rhythm now--there''s a half-second delay when he''s distracted, and that''s my opening. I cut left, weaving my head down like a bobbing duck, and pop up right next to him. "Shit--" Lenny whirls, trying to throw up another barrier between us, but I''m already too close. I slam my gauntlet into his ribs, hitting the left button. A thin spray of watered-down pig''s blood shoots out, turning into a cloud of particles that outlines his upper body as it clings to him like cling-wrap. He stumbles backward, swiping at the blood. "What the--what the hell is this?!" I ignore him, already pulling back, my blood sense kicking in. Lenny lights up in my mind now--a jagged outline, pulsing where the blood sticks to his skin. Through the fog, he''s crystal clear. One down. I pivot, dropping into a sprint, the gauntlet still slick with blood as I duck behind a stack of crates. Bash''s thudding footsteps echo nearby--closer than I want--and I catch a glimpse of his silhouette through the smoke. Still focused on Soot, still moving fast. Soot''s darting between shelves, hurling another fireworks smoke bomb into the open. It pops with a dull pfft, releasing thick white smoke that spills out, mingling with the gray haze. Bash lunges forward, aiming a wide swing at Soot, but Soot ducks under a shelf, sneaking between rows, crawling across the floor in a practiced move. The swing misses, and Bash''s fist slams into a metal support beam instead, making the entire structure shudder. I take my chance. I sprint forward, closing the distance. Bash''s back is massive, broad muscles flexing under his sweat-soaked tank top. I leap, grabbing onto his shoulder for leverage, and slam my gauntlet against his back, spraying more pig''s blood. The blood splatters across his shirt in a thin mist, quickly soaking it red-brown, spilling out like tie-dye into the fabric. Bash stiffens, and I barely have time to jump back before he spins around, knocking over a shelf of chemical canisters in the process. They clatter to the ground but don''t break--thank G-d--but now his eyes are on me, narrowed and burning. "You again," he growls, his voice like gravel. I backpedal, trying to keep distance, my gauntlet still raised. "Yeah, funny seeing you here. Didn''t peg you for the warehouse type." His grin is sharp and mean, blood still dripping down his shoulder. "Was hoping some day I could see what you''d got. Annoying that it''s now." "Maybe pick somewhere without flammable chemicals next time," I taunt. Bash lunges forward, but I dart away, slipping behind another stack of crates. He follows, heavy footsteps echoing through the fog, but now I''ve got both of them tagged. My blood sense lights up Lenny and Bash like warning beacons in my head--two glowing outlines moving through the dense haze. "Soot--I''ve got eyes!" I bellow, hoping they''ll understand, that my reputation precedes me or that they just sort of get the picture. There''s a beat, then the smoke shifts, like someone flipped a switch. Soot dumps everything. Thick, dark clouds pour out, so dense it almost feels solid. The smoke floods the entire area, rolling in waves, blanketing everything. I lose sight of the shelves, the crates, the scattered debris--it''s all just swirling gray now, smelling like burning cardboard, plastic, and paper, with only a hint of wood and leaves. Smoke leaks out from Soot''s fingertips and under their hoodie in deep, swirling plumes, wrenching control of the battlefield away from the terrible twosome. Now, nobody can see each other. Love this story? Find the genuine version on the author''s preferred platform and support their work! But I can still see them. Lenny panics first. "What the--? I can''t see--" His voice echoes somewhere to my left, barriers snapping up wildly, cutting through the smoke in jagged lines, but he''s swinging blind now. Bash doesn''t flinch. He''s still coming for me, but slower now, more cautious, each step calculated. I grin under my helmet. Now the fight''s on my terms. The smoke swells around me--dense, heavy, thick enough that I can barely see my hand in front of my face. Even with Gossamer''s filters built into my helmet, tiny little things scrapped from cloth masks - how polite of her, it''s almost like she knew Soot was going to show up eventually - it''s a struggle to breathe. Every inhale feels like I''m sucking through a clogged straw, and the smoke stings my eyes even through the visor. Soot is going all in, pumping the space full of dense fog, making it a nightmare for everyone else. Except them. They move like they were born in it--silent, weightless, flowing with the smoke instead of fighting against it. I catch flashes of their silhouette as they duck behind a toppled metal shelf, their body wrapped in the swirling haze like it''s armor. The only reason I can keep track of anything is the blood sense. Thin, glowing traces stretch out in my mind, mapping the positions--Bash''s massive, dense form pulsing like a beacon, Lenny a jittery, spiky outline further back, both of them marked with the pig''s blood I sprayed. Bash stomps forward, coughing hard as he swats at the smoke with his arms, trying to avoid turning this place into a bomb or pissing off his employers. But that sort of caution is working against him, and Soot knows it. Soot flicks their wrist, releasing another burst of pepper spray into the cloud, adding a nasty bite to the air. I feel it sear into my throat, even through the filters, and I cough, hard, forcing it down. Bash? He gets the full brunt of it. His deep, raspy coughs echo through the smoke, followed by the sound of his boot smashing into a metal shelf in frustration. "Goddamn--" he sputters, voice hoarse. I duck behind a stack of crates, glancing up as a wave of the smoke starts to thin out--only to see one of Lenny''s forcefield panels sweeping through the fog like a giant, slow-moving fan. He''s using his barriers like air brooms, pushing the smoke away, trying to clear a pocket for Bash. I watch as the swirling haze parts in front of Bash, giving him a clear line of sight--at least until Soot lobs a smoke bomb right into the open space, refilling it with choking fog. "Persistent little shits," Lenny mutters somewhere behind me, and I see another forcefield slide into place, cutting off part of the smoke again. The fog thickens around me, swirling in these uneven, dense clumps, and I can hear the voices cutting through the static--Lenny''s panicked swearing, Bash''s hoarse coughs, and now... footsteps. Fast. Heavy. From the far end of the warehouse. "Capes in the smoke--moving in now! Keep your mouth covered!" a voice crackles through Lenny''s walkie-talkie, and my stomach drops. Security. At least three by the sound of the centipedesque footsteps, close enough that I can hear the rubber soles squeaking against the concrete. "Shit," I hiss under my breath, glancing at the shifting fog. I can still see Lenny and Bash through my blood sense--their glowing outlines like beacons in my mind--but the guards? I''m flying blind. I haven''t tagged them, haven''t even seen them yet, and I''m not about to spray more blood into the air - I''m not sure what will happen with the smoke. I''m not a physicist. Would it just get stuck? Would it drift out and give me a great view of everywhere? Now''s not the time to take that kind of risk. No experiments. I duck lower behind the crates, heart pounding. Five-on-two. Not great odds, even with the smoke cover and the element of surprise. And I know Soot--they''re good at disappearing, at making chaos--but they can''t take on all of this alone. Neither can I. I peek through a gap between the crates, spotting Bash''s hulking silhouette still staggering through the smoke, one arm shielding his face as he coughs violently. Good. He''s slowed down, distracted. Lenny''s forcefields are still cutting through the fog in sharp lines, trying to clear space, but he''s overextending--too many barriers at once, and they''re starting to flicker at the edges. His sixth barrier looks a lot thinner than the previous five. I need to thin this out before the guards get here. I slip out from behind the crates, moving low, fast, blood sense still pinging Lenny''s position like a radar. He''s crouched behind an overturned shelving unit, breathing hard, hands splayed out as he tries to hold up at least four barriers at once. Two of them are cutting into the smoke like giant fans, one''s hovering above his head as a shield, and the fourth--he''s aiming it toward Soot, trying to box them in completely. "Hey, glowstick!" I yell, sprinting straight at him. Lenny''s head snaps up, wide-eyed. "What the--" I slam into his side before he can react, driving my shoulder into his ribs and knocking him sideways into one of his own forcefields. There''s a sharp, glassy crack as the barrier splinters on impact, collapsing into nothing as he hits the ground hard. "Fuck!" he gasps, scrambling to his feet, but I''m already on him. "Say ''Aahh'' and shut your eyes!" I instruct him, hitting him with just a light dose of the pepper spray. I feel a little bad - the coughing and hacking will absolutely make him inhale a lot of smoke, and I don''t want to give my enemies emphysema, but also, they''re trying to kill and/or detain us and are working for murderous criminals, so it sort of evens out. You get half a dose as a compromise. Okay, Lenny? He screams, hands flying to his eyes, forcefields vanishing all at once. Taking notes - can only keep them up as long as you''re concentrating. Good to know! One down. At least for a minute, but the screaming gives me away. I take Lenny''s walkie, hurl it through the smoke, and scamper off him like a dog. "Visual on one--moving in!" another guard yells, and I hear boots pounding toward me through the fog. I pivot, heart racing, and spot two figures cutting through the smoke--both in security uniforms, tasers out, cloth masks pulled up over their faces. They''re moving fast, using the thinning smoke Lenny cleared to zero in on me. I dive behind another crate, breathing hard. "Soot! We''ve got company--security''s on us!" No response, of course. Just more smoke pouring into the space, thinner than before. They must be running out. The guards'' footsteps echo closer, and I can hear their radios crackling. "Capes confirmed--Bloodhound''s here. Orders?" "Subdue if possible. Avoid lethal force, backup en route" another voice replies, but there''s hesitation there, like the person giving the order isn''t entirely sure they care if it goes sideways. And ''backup en route''. Great. Figures. Chapter 163.3 I push my back harder against the crate, trying to steady my breathing, but the smoke''s making it worse. It''s everywhere now, thick and cloying, worming its way past the filters in my helmet. My throat burns with each inhale, and I can already feel my lungs starting to tighten, like I''m breathing through a straw that someone keeps pinching closed. The guards are closer now--two of them moving in fast, boots thudding against the concrete, cutting through the smoke with their flashlights. The beams sweep across the haze, but it''s too dense for them to get a clear view. I''m still invisible in here. Mostly. I glance around the crate, tracking their outlines through the swirling gray. One of them''s got his taser raised, the prongs glinting in the flashlight beam, while the other''s covering him with what looks like a collapsible baton. Neither of them''s got proper gas masks--just the same cloth face coverings--but they''re pushing through the smoke anyway, eyes watering, shoulders tense. Perfect. I shift my weight forward, crouching low, and grab one of the metal rods that toppled over during the chaos. It''s bent at one end, probably from Bash''s earlier rampage, but it''ll work. I grip it tight, adjusting my stance, and wait for the right moment. The first guard steps too close. I swing the rod low, sweeping his legs out from under him. He goes down hard, his taser skidding across the floor with a clatter, and before he can recover, I''m already moving. I lunge forward, planting my knee on his chest, and slam the rod against his arm, knocking his baton away. He thrashes beneath me, coughing through his mask, but I grab the gauntlet on my wrist and give him a quick spray of pig''s blood right across his face. It soaks into the cloth, dark and sticky, and I feel the outline light up in my blood sense--another one tagged. "One down," I mutter, even though I know there are way too many left. But I don''t have time to celebrate. The second guard''s already on me, swinging his baton down hard. I twist away, but the edge clips my shoulder, sending a sharp jolt of pain down my arm. I hiss, my balance thrown off, and roll backward, the baton swinging again, narrowly missing my ribs. "Hands where I can see them!" he barks, but his voice is muffled by the mask, strained from breathing in the smoke. I scramble to my feet, my back hitting a metal shelf, and raise my hands mockingly. "Like this?" He charges. I duck low, letting his momentum carry him forward, and slam my shoulder into his stomach. He stumbles but doesn''t go down. I grab his arm, twisting hard, and yank the baton from his grip before landing a solid elbow to the side of his head. He staggers, dazed, and I take the chance to spray him too--pig''s blood misting over his chest and neck. Now I''ve got both of them glowing in my head, bright outlines moving through the haze. I back away, lungs burning, coughing hard as the smoke thickens again. My helmet''s filters are definitely starting to fail--the pepper spray, the onion fumes, the smoke itself--it''s all too much. I slam my back against a support beam, breathing shallowly, and glance around. Through my blood sense, I see Bash still lumbering through the fog, slower now, but still moving. His massive form glows like a beacon in my head, each footstep sending tremors through the concrete. He''s not chasing me, though--still hunting for Soot. I shout through my helmet, my voice coming out rough and strained. "Soot... they''re getting closer. You need to move!" No response. I glance toward the far end of the warehouse, where the guards are regrouping. One of them''s coughing violently, slumped against a crate, while the other is waving his flashlight through the fog, trying to get a visual. The smoke is everywhere now--so thick I can barely see my own hands. My helmet''s visor is fogging up from the inside, the filters hissing with each breath, struggling to keep up. I can feel my heartbeat pounding in my ears, my head starting to spin. I need air. I duck low, crawling along the floor where the smoke''s thinner, trying to find some clearer space, but even down here, it''s choking. I cough hard, my throat burning, vision blurring. My blood sense flickers for a moment, the outlines of the guards and Bash blinking in and out like a bad signal. "Blood!" Jordan''s voice crackles through the comms, sharp and urgent. "Status?" I choke down another cough. "Holding... barely. Soot''s still in here. Guards closing in." "Sam, listen," Jordan says, their tone more serious now. "We got what we need. It''s time to go. Get Soot, if you can, but don''t die trying. Alarms are tripped and I''d bet cops are on the way. We''ve got two minutes, tops, before this goes totally out of our control." This story originates from a different website. Ensure the author gets the support they deserve by reading it there. The words hit me hard. Two minutes. I scan the area again, my blood sense barely holding on. Soot''s flaring in my blood sense, bleeding into their hoodie, although I''m not sure from what injury. They''re running low on smoke--less of it is coming out now--but they''re still managing to stay ahead of Bash. I push off the beam, trying to stand, but my legs are shaky, unsteady. My lungs feel like they''re filled with cement, each breath a struggle. I cough again, my throat raw, and force myself forward, stumbling through the fog. A loud crash echoes nearby--Bash slamming into another stack of crates. Metal groans and bends under his weight, but I can tell he''s slowing down, too. The smoke''s getting to him, even with whatever drugs he''s juiced up on. I take a shaky step forward, then another, following the glowing outlines in my head. The two guards I tagged are moving again, trying to regroup, but they''re slower now, more cautious. The smoke''s getting to them, too. One of them coughs hard, dropping to a knee, while the other stumbles blindly, flashlight beam flickering. I duck behind another crate, my body screaming for air, and key the comms again. "Jordan... I don''t know if I can--" My voice cracks, another coughing fit cutting me off. "You can," Jordan snaps. "You''ve got this. Just grab Soot and get out. We''re almost there." I grit my teeth, forcing down the coughs, and push forward again. The smoke is suffocating now--my helmet''s filters are shot, barely keeping anything out. My vision swims, and I can feel my pulse pounding in my head. I stumble into a clearer patch, coughing hard, and finally spot Soot''s silhouette through the haze, lining it up with where it sits in my blood sense. They''re crouched low, near a stack of chemical drums, still releasing smoke from their hands, but they''re moving slower now, too. I can see the exhaustion in the way their shoulders slump, the way they keep glancing over their shoulder at Bash. "Soot!" I call out, my voice hoarse. "We need to go! Now!" They don''t respond, but they turn slightly, their head tilting like they heard me. Then they flick their wrist, releasing another burst of smoke, but it''s thinner this time, more transparent. They''re running out. I start toward them, forcing my legs to move, but then a loud crash echoes through the warehouse--Bash slamming into another shelf, sending crates flying. One of them clips my shoulder, knocking me sideways. I hit the ground hard, the wind knocked out of me, and for a moment, everything blurs. I cough violently, trying to suck in air, but it''s useless. The smoke is too thick. My lungs feel like they''re on fire, my head spinning. "Sam!" Jordan''s voice cracks through the comms again. "Get out of there!" I try to push myself up, my arms shaking, but my vision keeps blurring. I glance toward Soot--they''re still there, still crouched low, but now they''re looking at me, their face obscured by the smoke. I force myself to my feet, swaying, and stagger toward them. "Soot! We need to go!" But before I can reach them, a loud, metallic creak echoes through the warehouse, followed by a booming voice. "GEAR THREE!" The metallic creak grows louder, the shutter groaning under immense strain as it''s forced upward. Through the gaps in the rising door, I catch the flash of bright red gloves, fingers curled under the edge like hooks. The whole thing lifts slowly, the metal screaming in protest, dust and debris raining down from the warped hinges. And there she is--Turbo Jett--grinning like she''s about to set a world record. Her red jacket glints in the warehouse''s flickering lights, flame decals swirling around her legs as she plants her feet and forces the shutter higher, muscles rippling with each pull. She huffs through her nose, then, with one last heave, slams it into its holding above her head. Then she lets go. The shutter slams down behind her with a deafening clang, sealing us all in, along with the silhouettes flanking her side. A deeper voice chimes in from the haze, lazy and unimpressed. "Could''ve just ripped it open." Captain Devil steps through the swirling smoke, massive and deliberate. His trench coat sways with each step, his red scarf fluttering behind him like a banner. His face is mostly hidden behind his domino mask, mouth set in a firm line, but even without seeing his eyes, I feel them. Like a weight pressing down on my chest. The wrongness creeps in, slow but steady, like ice water seeping into my veins. My brain tries to logic through it, but something deeper--instinctual--pushes past all that. Fight or flight. Predator. I tense, hands shaking slightly, heart racing like it knows something I don''t. Every part of me is screaming to get away, even though he hasn''t done a damn thing yet. Turbo Jett bounces on her heels, completely unfazed. "Come on, Cap! It''s way more fun this way," she says, flashing a grin at him over her shoulder. "Fun," Captain Devil replies, flat and cold, without breaking stride. And then the smell hits--sharp, acrid, something like rot and bleach mixed together. I cough hard, my lungs already burning, but this makes it worse. It seeps through the filters in my mask, wrapping around my throat like smoke that''s not smoke. Double smoke. Smoke squared. A figure steps through the doorway next, yellow hazmat suit practically glowing against the dark warehouse. Miasma. His skeletal mask stares straight ahead, the wide, grinning jaw molded into a permanent sneer. He shuts his hazmat suit back up. "No loading bay ripping," Miasma says, voice hollow and distorted through the mask. He waves a gloved hand through the air, casual. "Job''s to avoid collateral damage, remember? We''re here to look good for Maya." Turbo Jett laughs. "Pfft. You sound like a dad." "Worse things to sound like," Miasma deadpans, the skeletal grin making it worse. I cough harder, pressing a hand to my chest. The smoke around us is starting to thin--not because of any powers, but from the sheer displacement as these four push deeper inside. And then the heavy boots hit the ground, each step deliberate, echoing through the space. "As a wise man once said... ''I''m made of metal, my circuits gleam. I am perpetual, I keep the country clean.''" Patriot enters, bald head gleaming under the warehouse lights, the eagle insignia on his chest practically shining. He carries his shield slung over his back, hands clenched into fists at his sides. Every step feels calculated, like he''s done this a thousand times before and already knows how it ends. He scans the warehouse once--just once--before barking out his order. "Detain the capes. Get the civvies out. Let''s roll." Turbo Jett claps her hands together, giddy. "Finally!" WORLD OF CHUM: Gadgeteering (2)

The Impossible Lab: Inside the Department of Applied Anomalous Sciences

By Rachel Lin, PopSci Weekly, April 5th 2025 On the outskirts of Baltimore, tucked between a disused industrial park and a suburban sprawl, sits a nondescript gray building with no signage. To the average passerby, it looks like an office complex that might house an insurance firm or maybe a tech startup that never quite made it. Inside, however, is one of the most ambitious¡ªand perplexing¡ªscientific institutions in the world: the Department of Applied Anomalous Sciences, or DAAS. Founded in 2011, the Department of Applied Anomalous Sciences (DAAS) emerged in response to a growing reality that science could no longer ignore: Brain-type superhumans were breaking the laws of physics¡ªand doing so in ways that produced tangible, usable results. Unlike other superhumans whose abilities were mainly limited to their own bodies, Brain-types created gadgets and materials that defied known science, tools you could hold in your hand and use yourself. The Brain-type category doesn¡¯t just include ESPers or people with telescopic vision¡ªit spans individuals with super-intelligence, hyper-accelerated sensory processing, and, most significantly, those with intuitive, hyper-specialized knowledge in specific fields. These superhumans were crafting devices that shouldn¡¯t function, forging materials that contradicted chemistry, and achieving results that traditional labs couldn¡¯t replicate. DAAS was founded with a simple yet daunting mission: to understand the impossible. A Lab for the Anomalous Walking through DAAS feels like wandering into a science fiction novel mid-chapter. On one floor, a researcher in safety gear studies a sheet of textile that seems to ripple and twist on its own, as if caught in an invisible breeze. On another, a team is huddled around what looks like a medieval cannon, except this one apparently fires two projectiles from a single shell¡ªwithout breaking conservation of mass. But the most fascinating part isn¡¯t the gadgets themselves¡ªit¡¯s the people who make them. DAAS employs some of the most specialized superhumans in the world, primarily Brain-types with a hyper-intuitive understanding of a single scientific field. There¡¯s Dr. Marisol Vega, who can design self-healing polymers in her sleep but struggles to explain how they work in conventional terms. Or Frankie Yoon, whose innate grasp of fluid dynamics allows him to create liquids with selective densities, yet he couldn¡¯t tell you the boiling point of water. Alongside these hyper-specialized geniuses, DAAS also recruits a select number of Employ-types¡ªsuperhumans who can imbue objects, people, or locations with new properties¡ªand Create-types, who can conjure objects or substances from thin air. The materials produced by Create-types, known as Anomalously Originated Material (AOM), often defy traditional chemistry and physics. DAAS prioritizes recruiting Employ and Create-types with the most scientifically intriguing powers, hoping their abilities can help bridge the gap between impossible inventions and usable science. ¡°They¡¯re not omnidisciplinary geniuses,¡± says Dr. Alan Reeve, director of DAAS. ¡°They¡¯re savants in extremely narrow fields. One of our top researchers can create alloys that shouldn¡¯t exist, but he can¡¯t fix a leaky faucet.¡± The "Microscope Breaker" Problem The core issue DAAS grapples with is the so-called ¡°Microscope Breaker¡± phenomenon. Many of the materials and gadgets created by Brain-types exhibit properties that defy analysis. Put them under an electron microscope, and the readings come back scrambled¡ªor worse, entirely blank. Chemical assays often fail to register expected elements, and mass spectrometry data can loop endlessly, unable to process the sample. Unauthorized duplication: this tale has been taken without consent. Report sightings. ¡°It''s like trying to read a book written in a language you know, only every time you look at the page, the letters rearrange themselves,¡± says Reeve. This makes traditional reverse-engineering impossible. Instead, DAAS relies on a hybrid approach: pairing superhuman researchers with baseline scientists who attempt to translate intuitive creations into functional, reproducible science. Sometimes, they get lucky. A Brain-type specializing in textiles might develop a self-repairing fabric, and while the exact mechanism remains elusive, baseline chemists can extract enough insight to create more durable materials for public use. Other times, they hit dead ends. ¡°We have a device in storage that can teleport anything one inch due east seemingly instantaneously,¡± Reeve admits. ¡°We have no idea how it works, no idea how to shut it off, and it is currently busy eating dust particles, because the last time we tried to move it, something exploded, and we''re not quite sure how that happened either.¡± Physics Collisions and Synthesis One of DAAS¡¯s more experimental projects involves orchestrating pairs of superhumans from different specializations to see if their fields overlap in productive ways. The hope is that two conflicting anomalies might cancel each other out or, better yet, result in a stable, usable technology. In one recent success, a Brain-type specializing in ceramic materials collaborated with a fluid dynamics expert. The result? A new form of non-Newtonian fluid that remains malleable under pressure but hardens instantly upon impact¡ªa breakthrough now being tested for next-generation body armor, and is cheaper to reproduce than comparable fluids, with more commonly available materials. But such successes are rare. More often, these collaborations result in devices that behave unpredictably. There¡¯s an entire wing of DAAS known as the ¡°Zoo¡±, a containment area for unstable artifacts: a perpetual motion machine that only works when no one is observing it, a mirror that reflects objects that don¡¯t exist, and a vial of liquid that evaporates and recondenses elsewhere in the building at random. Due to the properties of objects produced by superhumans, many of the devices in the Zoo degrade in functionality anywhere from hours to years after their production, never remaining functional forever, but cleaning this immense warehouse of the strange is a daunting task - you never know when that pair of boots might literally jump out and bite you. The Bureaucracy of the Impossible Running a place like DAAS isn¡¯t just a scientific challenge¡ªit¡¯s a bureaucratic nightmare. Every new creation has to go through rigorous safety testing, even if no one fully understands what the device does. There are entire teams dedicated to assessing the liability risks of gadgets that could implode, explode, or cause localized time distortions. Legal issues abound as well. Who owns the rights to a device that can¡¯t be replicated? Can patents be filed for gadgets that defy known laws of physics? For now, most DAAS creations fall under a legal gray area, classified as ¡°non-replicable anomalous artifacts¡±, which shields them from standard intellectual property laws. Why It Matters Despite the chaos, DAAS has produced tangible benefits. Advances in materials science, energy efficiency, and even medical technology have emerged from partial understandings of Brain-created artifacts. While no fully reproducible ¡°impossible¡± technology has yet made it to market, the insights gained have rippled outward, inspiring new lines of research in more traditional fields. Dr. Reeve remains optimistic. ¡°Science has always advanced by studying anomalies¡ªthings that didn¡¯t fit our models. DAAS is just doing that on a much bigger scale.¡± For now, the impossible remains just that. But in the sterile, humming labs of DAAS, the boundary between known and unknown is thinner than anywhere else on Earth¡ªand if there¡¯s a place where the rules of reality might finally crack open, it¡¯s here. Chapter 164.1 The smoke''s so thick I can''t see my own hand in front of my face. It curls and billows around me, swallowing the metal shelving and chemical drums, swallowing Soot, swallowing the sounds of footsteps that could be Bash, Lenny, or maybe just one of the guards tripping over a fallen crate. I''m crouched low, my back against a metal beam, lungs burning with every inhale. Even with Gossamer''s filters in my helmet, it''s too much--pepper spray, fireworks smoke, and whatever else Soot mixed in to make this place a literal death trap. The earpiece crackles, and for a second I think it''s just interference, but then I hear Tasha''s voice, sharp and panicked: "Sam, Jordan, everyone--" I press my hand to my ear, trying to tune out the dull thud of Bash''s footsteps in the distance. "Say again?" I whisper. "Argus Corps just pulled up. No cop cars. No sirens. It''s them." Her voice wobbles, like even saying it out loud makes it worse. I blink, my mind catching up a half-second too late. "Argus?" Maggie whispers, barely audible over the hissing smoke in my other ear. "Yeah," I say, breath catching. "I''m staring at them right now." There''s a beat of radio silence before Jordan cuts in, flat and sharp, "They sent Argus? No cops? No sirens?*" "Nothing," Tasha confirms. "They came in a beat-up sedan. No markings. No lights." "So this is off the books," Jordan mutters, and I can picture them running a hand over their helmet, thinking fast. "Okay. We''re burning the clock. Gossamer, order the cab. Maggie, prep for evac. Sam--get out of there. Now." But before I can even move, I hear it--a deep, booming voice cutting through the smoke like it owns the place. No hesitation, no doubt. "Argus Corps, lock it down." I freeze for half a second, heart slamming in my chest. That''s Patriot. Of course it''s him. His voice carries through the warehouse, sharp and commanding, every word landing like a punch. "Jett--Bash is yours. Keep him busy, don''t let him punch through anything explosive." There''s a titter of laughter somewhere deeper in the warehouse--probably Turbo Jett kicking into another gear--and the sound of metal creaking as Bash starts moving faster, heavier. I can''t see them, only hear and feel them, rumbling transmitting through every metal strut and shelf. "Captain Devil, on the smoke freak. Keep them cornered." That''d be Soot. Great. Like they didn''t have enough problems already. I catch a glimpse through the haze--a shadow moving toward Soot, the smoke bending away in wide, clean arcs. Captain Devil. Even through the fog, it''s like he''s got a direct line to them. "Miasma," Patriot''s voice cuts again, "that gray wolf''s yours." It takes me a beat to realize he means me. Does he know that there''s not two wolf-themed... no, Derek, I mean... does... You know what? Never mind. I can''t tell if he''s being dismissive or if he genuinely thinks it''s not me. Either way, I''m not looking forward to fighting Miasma. "I''ll mop up the trash," Patriot finishes, and I know exactly who he means. Lenny. The guards. The ones who aren''t worth his time. Because that''s how he works--heroes, villains, civilians--it''s all just a tactical problem for him to solve. I press my back tighter against the metal beam, lungs burning. "Jordan?" I whisper into the comms, "I think we''ve got our matchups. They don''t know you or Flash are here." "Copy that," Jordan replies, voice clipped. "New plan: stall, escape, survive." I''m already trying, but there''s a shape moving through the smoke--tall, broad, and way too calm for the chaos around us. Captain Devil. He moves like the smoke isn''t there. Not like Turbo Jett''s palm thrusts and wild kicks that blow it apart, but in smooth, sweeping arcs, the haze bending around him like someone took a massive invisible paintbrush and dragged it through the air, clearing wide, clean paths. His face--what little I can see--is half-shrouded under his scarf, but his head tilts like he''s watching me, even though I''m buried deep in the smoke. I duck behind a stack of crates, holding my breath, but I swear I can still feel him closing in. No clue how--echolocation? Super smell? Something worse? I don''t know, and that''s the problem. He''s just... finding people. "Sam?" Jordan''s still in my ear. "You moving?" "I''m moving," I whisper, forcing my legs to keep going even though my lungs are practically clawing for air. "But I think Captain Devil''s tracking me. Not sure how, but the smoke isn''t slowing him down." "We''re working on it," Jordan says, but there''s a tightness in their voice. They know we''re outclassed here. We all do. I keep low, sliding between two rows of stacked chemical drums, trying to get to the edge of the smoke where I might have a chance to breathe. My heart''s racing, every nerve on edge. Royal Road is the home of this novel. Visit there to read the original and support the author. Then I hear it--crack-crack-crack--like concrete splitting. I turn just in time to see the smoke in front of me blow out in a straight line, like someone just fired a cannon through it. Turbo Jett. She zips into view, blurring at the edges, her goggles fogged but still locked onto me. "Found one!" she chirps, voice distorted through her cloth mask. "God, I love warehouses. So much junk to bounce off." Her boots skid along the concrete as she stops, sliding into a crouch before kicking off again with a sudden boom. She''s barely even paying attention to me. I scramble backward, trying to find cover, but I''m moving slow compared to her. Real slow. She''s fast--faster than she should be--but there''s something else. Heat. The air around her shimmers, almost like a heatwave rippling off asphalt. Whatever she''s doing, it''s not just speed. "Jordan?" I choke into the comms, ducking low. "I could really use some help here." "On it," Jordan replies, and then I hear a loud snap--space compressing--and the shelving units on my right slam together, crushing into each other like a giant trash compactor. The sudden movement forces the smoke to swirl back in, cutting off Turbo Jett''s sightlines, but she slips out from between it before it can actually crush her. "Move now," Jordan says. I bolt through the gap, coughing hard as I duck between two collapsing shelves, the steel beams groaning and bending overhead. I don''t stop running until I''m behind a thicker wall of smoke, the sounds of Turbo Jett cursing fading behind me. "There''s more bogeys, or wolf girl has some space compression power!" I hear her yelling, loud enough for everyone to hear. "You''re good?" Jordan asks. "For now," I pant, pressing my back to the wall. "But Captain Devil''s still tracking me. He''s... different." "We''re trying to pull him off. Maggie''s moving in. Blink''s got shots lined up if she can see an opening." "And Soot?" I ask. Silence. For a beat too long. "We can''t save them all, Sam," Jordan says finally, but I can hear the edge in their voice. I grit my teeth, ignoring the burning in my lungs. "I''m going for them." "Sam--" "No time," I cut in. "They''re about to get boxed in. Captain Devil''s pushing them hard." I duck lower, feeling the weight of the comm go silent before Jordan mutters, "Fine. But get out fast." The smoke shifts again--wide, clean arcs cutting through the haze, the edges curling like the air itself is being sliced. Captain Devil. Still moving closer. I crouch lower, trying to hold my breath, but it''s hard. The smoke stings worse now, and my helmet filters are already struggling. None of them are having any trouble because none of them are breathing the smoke. Patriot - I can glimpse his silhouette for a moment or two - is dancing around the edges, and Miasma, well, I''m not sure if he even needs to breathe. Speaking of which, I round the corner and nearly slam into Miasma. He just stares at me, and then turns around, pretending he didn''t see me. I stumble but push forward, heart hammering. "Not today," I mutter, more to myself than to him. "Sam--Soot''s moving," Jordan says suddenly, their voice urgent. "Captain Devil''s off them now. We''ve got a window." "Then I''m taking it." I break into a sprint, pushing through the smoke, the arcs of cleared air still sweeping around me, but I stay low, weaving between the thicker clouds. Miasma still behind, but I don''t look back. Ahead, I spot Soot--barely a silhouette in the swirling haze. They''re still moving, but slower now, like they''re running on fumes. Their hands flicker, thin streams of fog leaking out, but it''s weaker--barely enough to keep them hidden. "Soot!" I call out, but they don''t turn. Of course they don''t. I slide next to them, grabbing their arm. "We need to go." They yank away but don''t bolt. There''s, what, something they need to do? "Safeguard''s got an exit lined up. We just need to--" I start. The whole warehouse shudders as another of Jordan''s spatial compressions snaps through the space, slicing a section of shelving near the back diagonally. It snaps the labyrinth, changes the configuration. Nothing''s getting crushed, but it''s hard to move in zero visibility when the walls keep changing around you. "That was me," Jordan confirms, breathing hard. "We''ve got a path. But you need to move--now." I tighten my grip on Soot''s arm, pulling them along as the smoke thickens around us again. Captain Devil''s still behind, but Jordan''s compressions are forcing detours, slowing him down. "Gossamer''s getting the cab out front," Tasha says over the comms. "And Blink''s lining up shots if anyone follows." I try to respond, but all I can manage is a sharp cough. My lungs are burning--like, really burning now. Every breath feels like I''m sucking in glass shards, my helmet filters long since overwhelmed. The air is thick with whatever cocktail of smoke Soot mixed together--fireworks, pepper spray, maybe actual chemical fumes at this point--and I can''t tell what''s worse: breathing it in or holding my breath and feeling my vision blur from lack of oxygen. I stumble, knees almost giving out, but catch myself against a metal shelf. The whole thing wobbles, and for a terrifying second, I think it''s about to tip over on top of us. But no--it stays upright. I blink hard, trying to focus, but my vision''s swimming at the edges, like the world is tilting sideways and spinning at the same time. Somewhere deeper in the warehouse, I hear shouting--someone grunting, a loud thud as a body hits the floor, metal clattering against concrete. It echoes through the space in a way that makes it impossible to tell how far away it is. Jordan''s compressions aren''t helping--they''re saving our asses, yeah, but it''s disorienting as hell. Like being stuck in a maze where the walls keep moving and you can''t even see the next turn because there''s a literal fog of war clouding everything. I can barely keep track of my own body, let alone anyone else. I cough again, harder this time, and I feel it--wet and sharp in my throat. My head''s swimming now, the edges of my vision going soft, and my legs feel shaky, like they might just fold underneath me. And then, over all of it--the smoke, the coughing, the yelling--I hear something new. Soot. Speaking. Their voice cuts through the haze, low and muffled, but still clear enough to make my stomach drop. The gas mask makes them sound mechanical, distant, but the words come through anyway. "Everyone needs to leave." I freeze, blinking hard, trying to make sure I actually heard that. "Soot?" I choke out, still half-doubled over from coughing. "Now," they say, more forceful this time. "I''ll handle this." The words echo in my head, distorted through the mask and the comms, but there''s no mistaking the meaning. Soot isn''t planning to run. "Wait, what? No--" I start, but my voice cracks from the smoke. I can barely get the words out. "Just go," Soot snaps, yanking their arm out of my grip. Their body language is tense--determined, almost--but there''s something else there too. Like this was always their plan. Like this was what they came here for. "Unless you like chlorine gas." No. They''re going to nuke the whole warehouse. Chapter 164.2 The smoke''s still thick, curling in dense sheets around us, but there''s a pocket of clearer air here--just enough to see Soot standing there, the swirling fog leaking from their gloves like steam from a broken pipe. They''re breathing heavy, gas mask hissing with each inhale, but their stance is steady. Like they''ve already made peace with what they''re about to do. I cough hard, my lungs burning worse with every breath. "What... what the hell are you doing?" I manage, stumbling closer. "You can''t fill this place with chlorine. You''ll kill everyone." Soot doesn''t even flinch. "I''ve got about eighty cubic feet stored up," they say, calm. Too calm. "Not enough to drown the whole warehouse, but enough to mix with the smoke. Make it impossible to avoid. They''ll have to respect it." Jordan''s voice crackles over the comms, sharp and tense. "Wait--chlorine? Soot, are you out of your mind? This place is packed with chemicals." A pause, then, "I''m no chemist, but some of this stuff plus chlorine... that''s an exothermic reaction waiting to happen. You''ll cause a runaway. One barrel bursts, leaks into another, and boom--whole warehouse goes up." I feel my stomach twist. The chemicals--the barrels we passed earlier--acetic anhydride, toluene, sodium hydroxide. I don''t know the exact science, but I know enough to realize this place is basically a powder keg. I turn back to Soot, heart racing. "You can''t do this! You''ll kill everyone in here--Argus, the guards, Bash, Lenny--" "They brought this on themselves," Soot snaps, voice flat through the mask. "Argus, maybe!" I shoot back. "But what about the guards? The security guy we tied up upstairs? Bash and Lenny? They''re scumbags, yeah, but they don''t deserve to die for this!" Soot scoffs, folding their arms. "You''re way too soft, Bloodhound. This place is a hub for bad guys. You got what you needed, didn''t you? Jordan has the data. So get out. Let this place burn." BANG! Not like a gunshot, more like a body being thrown against shelves. "We''re not executioners," I say, the words flying out before I can stop them. "This isn''t how we do things." "''We?''" Soot tilts their head. "You''re not my team, Bloodhound." That hits harder than I want it to, but I force it down. This isn''t about me. It''s about the dozen people in this warehouse--some bad, some worse, but none of them signed up to be poisoned and blown to bits. Jordan''s still on the comms. "Blood, we''ve got maybe two minutes before Turbo Jett punches through a wall or--" There''s a loud BANG! in the distance, followed by the groaning creak of metal. "--or that. This place isn''t going to hold." I press a hand to my helmet, breathing hard. "We can''t let this blow. Soot, come with us. We can still--" "No," Soot cuts me off. "This is the only way to make sure this place doesn''t keep running. I''m not risking the Kingdom covering their tracks. Let the explosion happen--it''ll blow up millions of dollars'' worth of chemicals and ruin their plans for months. It''ll get people investigating Stheno Biopharma," they say, spitting the name, "and start drawing their own connections." I glance around--the smoke, the towering shelves of chemicals, the spreading chaos--and my mind races. Would this actually fix things? I mean, this was the goal, right? Wreck the Kingdom''s operation, grab the evidence, screw up their whole supply chain. If the place goes up in flames, that''s millions in product gone, no chance for them to clean up the scene, and the smoke alone would draw half the city''s emergency services here in minutes. No chance they bury this. And the security footage--if it hasn''t been wiped yet, the explosion would take care of that, too. No trace of us ever being here. Clean. I swallow hard, the weight of it pressing in. "I get it," I say, voice low. "I really do. Burning this place to the ground... it would hit them where it hurts. But it''s not about the chemicals or the evidence. It''s about the people. Argus, Bash, Lenny, the guards--they''re still in here." Soot scoffs, waving a hand through the smoke. "Eighty cubic feet of chlorine isn''t enough to fill even a fraction of this place, even if it was 100% pure. They''ll be fine--if they''re smart. But once it mixes with the smoke, it''ll turn the whole warehouse into a no-go zone. They''ll have to respect it. Get out or choke." Stolen novel; please report. I open my mouth to respond when--BANG! A deep metallic groan echoes through the warehouse, followed by the crack of collapsing shelves somewhere deeper inside. The whole floor shudders under my feet, and the smoke swirls in sudden, jagged eddies. I spot Miasma in between a crack in the shelves, just for a moment, grabbing Captain Devil''s wrist and tugging it smoke-ward before a giant pane of Lenny''s forcefields smacks into both of them, clipping them. I watch Bash''s silhouette fight for its life dozens of feet away through my blood sense. And then my stomach drops. The security guard upstairs. The one we zip tied. I feel the panic rush in, cold and sharp. "Shit," I breathe, panic flooding in, sharp and cold. "The guard. He''s still tied up!" Jordan and Maggie both look at me like someone just shot a dog in front of them. Soot turns away from the three of us - if there''s an expression behind their gas mask, I can''t read it, but their body stiffens up like a board. My fingers ache and the bridge of my nose feels like it''s been broken again. It''s too much thinking. They''re waiting for me to make a call. All three of them. That, of course, is when Patriot slides through the smoke like a phantom, nostrils closed - was he just holding his breath through it? He opens his face up, exhales, and inhales. "Smells like victory." "Go!" I yell, turning on my heel and beginning my run towards the stairs. I break into a dead sprint toward the back of the warehouse, lungs burning like someone''s taken sandpaper to them. The smoke thins a little as I move--less dense here--but it doesn''t help. My throat''s raw, each breath scraping deeper, every chemical Soot''s dumped into the air chewing at the inside of my lungs. Pepper spray, fireworks smoke, onion fumes--whatever''s next--it''s all mixing in my head, making my vision swim. The metal stairs loom ahead, stretching up to the security office where the guard''s still tied up. I push harder, ignoring the dizziness clawing at the edges of my vision. Then I hear it--boots hitting the ground. Heavy. Steady. Close. I don''t look back, but I know who it is. I hear him behind me, footsteps precise, measured--like this is just another drill to him. He''s not even rushing. Just... closing in. There''s a beat--a sharp exhale through the comms--and then Jordan''s voice, tense but focused. "Flash, take the keycard--open the side door, now! Soot, start venting--" I can hear them setting up the escape plan, moving into position, but the pounding in my ears makes it hard to focus. Jordan keeps talking, their voice cutting in and out as I sprint. "I''m gonna slice the warehouse across this line so you can disperse it directly into the cen--" But then I hit the stairs--metal on metal, my boots clanging with every frantic step--and their voice gets drowned out in the noise. I risk a glance over my shoulder, and Patriot is gaining, rapidly. He''s not even struggling--just powering forward in that picture-perfect army sprint, arms pumping, legs moving like pistons. I''ve hit my growth spurt, sure, but he''s got the kind of stride that swallows distance in seconds. I push harder, lungs screaming, but he''s still gaining. "Blood, you better know what you''re doing! We''re getting out of here!" Jordan''s voice crackles in my ear, but I don''t have the air to respond. The stairs creak under my weight as I throw myself up them, two steps at a time, heart hammering like it''s going to punch through my ribs. I''m almost at the top--just a few more steps. I feel his hand close around my ankle, hard--steel-trap fingers locking tight around the joint--and then he yanks and squeezes, and something very quickly goes pop that shouldn''t be. Pain shoots up my leg as I lose my footing, my body pitching forward. I slam down on the top stair, elbows scraping against the metal, air punched out of my lungs. Patriot''s grip tightens, and I feel it--the pressure around my ankle like he''s about to crush the bones into paste. I should be panicking. I should be terrified. All rational parts of me should be firing at 100% fear. The only fear I feel? It''s not for me--it''s for the security guard. The one still tied up upstairs. The one who doesn''t get to fight back. The thing I''m feeling, funny enough, is a weird sense of giddiness, like I just got tickled. The corners of my mouth curl up and I don''t even have any conscious control over it. I twist my torso hard, sucking in a shallow breath through gritted teeth, and plant my free foot against the metal stair. Then, with every ounce of strength I can muster, I snap my leg backward in a brutal donkey kick. CRACK. My heel slams straight into Patriot''s face. I hear the crunch--bone, cartilage, something giving way--but his grip doesn''t loosen. Not yet. "C''mon!" I snarl, pushing through the searing pain in my ankle. I swing my leg up and over, an axe kick aimed squarely at the top of his head. It connects with a solid thud, snapping his head forward--and that''s when his fingers slip, just for a second. It''s enough. I twist my other leg hard--too hard--and feel the sickening slide as my ankle fully dislocates, tendons stretching past where they''re supposed to. Pain tears through me, but I grit my teeth and pull free, scrambling forward onto the landing. The second my foot clears his grip, there''s a sharp, deafening SNAP. The entire warehouse shifts beneath me--space folding in on itself as Jordan compresses a massive chunk of the structure. The staircase splits--literally--right beneath me. The metal cleaves clean apart, a sharp, wide discontinuity running through the diagonal stairs like someone sliced the world with a giant knife. I stumble, grabbing onto the railing, just as Patriot lunges upward again--momentum carrying him forward--but there''s nothing in front of him anymore. The stairs have been severed. He pitches forward, arms outstretched, trying to grab me again--but his reach comes up short. His body slides under me, past the broken edge, and then he falls almost unceremoniously, down the 12 feet, maybe more. I don''t wait to see where he lands. I shove myself to my feet--my dislocated ankle screaming in protest--and limp toward the security office, heart hammering, lungs burning, grin still on my face. I love being a superhero. Chapter 164.3 I shove the door open and almost trip over the guard because he''s already thrashing, his head jerking side to side, trying to breathe through the gag. His eyes are wide, darting around like he''s expecting a firing squad to march in any second. The air in here''s a little clearer, but the chlorine''s creeping in--just enough to set off every alarm bell in his head, even if it''s not lethal yet. Good. He''s got survival instincts. I don''t slow down. My hands are already flexing, something shifting under my skin, and I barely feel it as my fingernails peel back and new teeth shove their way up through my fingertips, curving out into short, jagged claws. Not pretty. Not clean. But sharp enough. I crouch next to him, grab the zip tie around his wrists, and slice through it in one pull. Plastic snaps, and his arms jerk forward like he wasn''t expecting to get loose that fast. "Listen," I say, moving straight to the tie around his ankles. "I don''t care if you rat me out to the cops, press charges, or try to get me arrested tomorrow. That''s a problem for Future Me. But just because you work--intentionally or not--for the Kingdom, does not mean I''m letting you die in a chemical explosion." I yank the gag out of his mouth. "A what?" he croaks. I rip the last tie and stand, ejecting my teeth-claws like shotgun shells, the same way I always do. My face scrunches behind my helmet. "This place is extremely likely to go up in smoke in seconds. You want to live? Jump." He stares at me like I just suggested self-immolation. I don''t have time for disbelief. I tap the side of my helmet, flicking the comms back on. "Safe, Flash--if you''re outside, I''m gonna need some cushioning from the security office. There''s a Nazi and trench warfare going on beneath us. Only way out is through the window." I hear the deep crunch of something heavy hitting metal outside, followed by a distant voice cursing in what sounds like Turbo Jett''s exaggerated Jersey accent. Jordan''s voice crackles back through my earpiece, tense but clipped. "On it. Get ready to drop." The guard''s still frozen, his brain probably trying to process how his night shift turned into a Mission: Impossible stunt sequence. I don''t give him time to argue. I grab him by the front of his shirt and haul him toward the window. I stare at it, the glass smudged and dusty but still intact, and then push a tooth out of my wrist. It''s slow--slower than the fingers--but I don''t need speed, just something hard enough. It pushes through the skin in a dull, grinding ache, curling out sideways like a malformed spike. My wrist protests hard as I flex my fingers, the bone shifting in ways that bones aren''t supposed to, but I shove that aside. I pull my arm back and slam the tooth into the glass. CRACK. The whole pane fractures, spiderwebbing out from the impact. My wrist flares with pain, sharp and electric, but I ignore it and keep swinging. Again. Again. The tooth''s too strong to break--but my wrist isn''t. Every hit sends a shock up my arm, rattling my bones. My vision pulses black at the edges. By the third hammer blow, the cracks give way, and jagged panels start collapsing outward, tumbling into the alley below. I shake out my hand, blinking past the sting in my knuckles, and just barely catch the sound of a moped''s tiny, angry engine roaring around the corner outside. I glance down and immediately get a slight wave of vertigo. Jordan''s already there, yanking their fireproof cloak off, the reinforced fabric unfurling like a tarp as Blink hops off the moped. She skates into position, grabbing one end while Jordan grips the other. They stretch it out between them, arms tense, feet braced, a makeshift landing pad. I turn to the security guard, yanking him forward by his sleeve. "You got one shot. Move, or I''m moving you." For a second, he just stares at me like I''ve told him to throw himself off a building for fun. That''s when the first BANG goes off. Not a full explosion--not yet--but something metallic and deep, like a drum popping under heat, followed by a rumble rolling through the warehouse. The air shudders, and I can feel the heat prickling at the back of my neck. I don''t wait for his hesitation to catch up. I shove him forward. The author''s content has been appropriated; report any instances of this story on Amazon. "GO!" He stumbles, hesitates for one last, dumb second, then jumps. I see his arms flail midair, but Blink and Jordan catch him clean, the cloak dipping with the weight before snapping back just enough to soften the landing. He rolls out of it, dazed but alive, hitting the ground with a grunt before scrambling away. He doesn''t look at us, doesn''t pull out his phone to call the cops or anything, he just runs. I don''t watch where he goes, because I don''t care, and because I feel the heat starting to rise behind me. Or something else, a sort of not-heat. Air. Not fire--not yet--but pressure, like the whole building just exhaled hot air behind me. The BANGS are getting louder. Faster. Cascading into each other like a row of dominoes punching out drums of chemicals one by one. I punch out the rest of the window with my wrist, feeling my arm scream in protest, but it doesn''t matter. I need to give myself a little more space. Unlike the security guard, I don''t have someone to shove me. I step up onto the ledge. Something hits the door behind me. The whole security office shakes like someone just drove a car into the wall, and I feel the door crumple inward, ripped off its hinges, folding like tinfoil. I jump. For half a second, I feel nothing. Just air, the streetlights blurring below me, the alley stretching wider--, and then, the impact. The cloak catches, bends, stretches, and then--just a little bit--tears. I hit hard, rolling into it, tucking my limbs, trying not to land directly on my crushed ankle, but failing, because the second my foot takes weight again, something in my leg goes white-hot with pain and I almost black out right then and there. I''m on my back, sucking air through my teeth, blinking up at Jordan and Blink, who are already talking. "The cab''s a block away," Blink says, shaking her arms out, looking zero percent winded. "We don''t have time." "Goss''s with it," Jordan adds, pulling the cloak in, examining the slight tear near the middle. Their mouth presses into a thin line. Blink turns, eyes flicking to me. "Blood, you ever drive a moped?" I blink. "No?" She looks at Jordan. "You drive." No room for argument. No time for argument. Jordan just grabs the handlebars and kicks the engine up. Blink taps the moped''s rear with her palm, and it lurches forward as she skates alongside it, trailing behind. For a moment, I consider asking where Jordan learned to drive a moped, but then reconsider as a question better suited for a later time. We don''t even give the security guard the time of day, because we are leaving. Argus Corps? Bash and Lenny? The other two security guards? I hope they''re out of there, because I''m going to feel really bad if anyone dies today. The smoke is billowing out of the warehouse now, rolling in fat, ugly plumes, and I can still feel the heat inside. Maggie, Tasha, and Gossamer are waiting at the end of the alley, with a bright, bumblebee-yellow taxicab, looking shiny and freshly washed. Gossamer reclaims the moped, helping me into the back of the cab with a firm hand so I don''t lean too hard on my bad leg. Tasha''s already in. Gossamer yanks her helmet on, throws a leg over the moped, and grabs Tasha''s wrist. "Hold tight," she says, kicking off. Jordan, Blink, and Maggie pile into the cab behind me, squeezing in, knees bumping. Man, I really fuck this ankle up a lot, huh? The driver--a slightly bewildered Indian guy who has probably seen some weird shit driving this late but not this weird--gives me a look in the rearview mirror, eyebrows raised. I point a finger forward. "Anywhere but here." We pull off just as the windows of the warehouse burst outward, glass raining down, the whole structure shuddering like it''s about to collapse inward on itself. Then, as we round the corner, leaving the warehouse behind-- We hear it. BBBOOMMM. Not a single blast, not a mushroom cloud, not a single fireball, but a chain reaction, one after the other, rapid fire, a rolling thunder of chemical ignitions, each setting off the next. The street lights up behind us, shadows flickering against the cab windows as the heat chases our tail. The taxi driver looks like he''s about to shit himself. Jordan laughs, and I feel it too, bubbling up from inside me like nervous vomit. It doesn''t take more than a couple of seconds before the four of us are laughing crazy, even the taxi driver nervously chuckling along, clearly unsure whether or not he just got made the accessory to a crime. "Alright, buddy," Jordan starts between giggles. "I''ll tip you extra if you''re willing to take us to Collingswood, wait like twenty minutes with us, and then drive us back. No, wait, no bridge. You got a favorite cheesesteak spot in South?" The driver, thickly accented, stares at Jordan in the rear-view mirror. "It''s two AM, sir. Nothing''s open that isn''t a convenience store." "Yeah, that''s fine. Just take us to South Street, wait twenty minutes, and then you can drive us back. Like I said, I''ll tip you a ton. Like, here, here''s forty bucks right now," Jordan answers, shaky hands reaching under their re-asserted cloak and pulling out two crisp, slightly wrinkly twenty dollar bills. They pass it through the little taxi window thing while Philadelphia becomes a slow blur around us. The driver, just as shaky if not moreso, grabs the bills and tucks them into his cupholder. Finally, I let out the breath I''ve been holding, and the pain in my ankle rushes back to me. "You''ve got it, boss," he says, rounding the corner at a streetlight. For a second, I can swear that I see Soot on a nearby rooftop, staring down at us - but I blink, and she''s gone. Already, I hear fire engine screams, ambulances, police sirens, headed their way towards this chemical explosion in North Philly. I slump my shoulders. We win. End of Arc 10: Plume END OF YEAR TWO End of Prologue "So who''s in charge in here Barking out loud so clear? ''Cause I''d really like to meet him" EOA1 Q&A + The Genesis Of Chum Hi! Let''s start with the Q&A, assembled from the Chumcord, the website, the comments here, and my private messages.
wow incredible first arc!!! I have several questions but I think the biggest is: does an activation event require physical harm? does something like, for instance, getting chased through the woods by wolves, where you absolutely will die if nothing changes, but there aren¡¯t currently any problems with you, does that count as a near death experience for the purpose of an activation event?
Yes, that counts as ¡°near death¡±, you dont need to be actively injured, just in a situation where if nothing changes you will die.
Question: Will we ever meet Daisy¡¯s parents or learn about them? I¡¯m very curious about who they are and how Daisy got her powers.
Yes. The Zhens are still alive and will be being introduced either in the next Daisy interlude or the one after that. They have been looking for their daughter for quite some time.
question: why would someone at the kingdom tell people not to kill Sam.
This is actually a question I think about often that I think has a good non-bullshit answer. Part of the reason why the state apparatus of violence allows the existence of "Youth Vigilantes" at all, a patently ridiculous category, is that, to be blunt, they are all sort of... hostages? Any sort of retaliatory action is allowable in response to learning that someone has killed a child or teenager, which allows adults to launder investigatory actions or even outright offensive ones through these young superheroes. This means that supervillains dealing with young vigilantes are at an extreme disadvantage because, well, if you know they are kids you can''t really do anything about it unless you''re willing to deal with the long arm of the law. There¡¯s no rule against killing Sam because "villains don¡¯t kill kids"¡ªit¡¯s because the law has set up a perverse incentive structure where leaving her alone is actually the smarter move. It''s not an accident that until Maya''s ordinance, youth vigilantes have been allowed to exist and have gone relatively unmolested. I think strategically from her part what she did was quite smart because it begins a process of removing that grey zone to turn it back into shades of black - if an *illegal* youth vigilante gets KIA, you can at least make the argument that they were asking for it by picking fights with criminals in abandoned warehouses, wheras if you kill a sanctioned one that''s sort of publicly unforgivable. At least, that''s how I see it. But, believe me, there are internal factions in the Kingdom and in the criminal world in general that do chafe against this (chiefly Mr. Nothing, as you''ve seen before - he was perfectly willing to shoot Playback in the face), and I think that it won''t be long before criminals start bringing genuine lethal force against youth vigilantes. The wheels have to come off eventually.
Question: Be honest, is Mudslide actually hot?
As a person who is attracted to men, I think Mudslide as a character design has a very classically attractive face. Working as a villain has hardened his features a little muscle wise but he''s broad-shouldered and has a classic mobster face, sharp jawline, dense eyebrows, nice hair. I would say for most people he would be considered "conventionally attractive".
Q: be honest, was the spoon and bird guy not at the zoo raid because they were taking on the main Kingdom force outside of the zoo?
Sure, that''s canon now.
Q: Does Kate have permanent damage from the drugs that gave her powers?
She only ever took a single pill of Jump. Any damage that she got from that has likely filtered out of her system by now - you only get the weird blood while the Jump is active and it only sticks around if you use it chronically. What''s more worrying about her in the long term is the REDACTED REDACTED CENSORED CENSORED ;)
Is Soot Kate?
What do you think? Soot''s identity was never intended to be a huge major mystery. The intrigue comes from what Sam is going to do about it.
Are there really 26 members of the Kingdom of Keys because the alphabet has 26 letters?
Not at first there weren''t, but then I decided it would be funny, and then there were. Then, I just sort of built the idea around it - what sort of leader would feel the need to have such a silly theme for their extremely serious criminal enterprise? The answer is Mr. Antithesis, who you will get to know much more clearly in Act 2. He is the opposite of a silly person.
Where did the name "Chum" come from?
It''s a shark-themed rip on Worm.
Where did you get "Sam Small" from?
Classic comic book superhero name. Alliterative, heavy on the mouthy, powerful consonant sounds and a/e vowels. Peter Parker. Clark Kent. Samantha "Sam" Small. Fun fact! She was, in fact, originally supposed to get a shark-themed name and identity too, but I thought it''d be a fun first-episode twist that her teammates see the teeth, the blood smell, and the horrendous stubbornness and go "oh, okay, a wolf". She will be getting a proper shark-themed alter ego at some point.
Are Playback and Puppeteer okay?
They are currently apprenticing for a PI in North Philly. They will be re-entering the story reasonably soon. Marionette/Puppeteer is being tapped to take over the agency already when the guy running it retires, she just needs to be properly licensed first.
Who are the strongest characters we''ve met?
In no particular order per tier; S-Tier: Mr. Antithesis, Daisy A-Tier: Porcelain, Captain Plasma B-Tier: Rampart, Patches, Mr. Tyrannosaur, Citizen Zero, Professor Franklin Major cities like New York, Chicago, London, LA, Hong Kong, Tokyo, etc. have a lot more A-listers and are much closer in power scale to Worm or more traditional superhero comics. Philadelphia seems like a gritty Daredevil-esque street level thing because it''s a small pond, and A-listers have no real reason to be here. Yet.
Does Sam have a rogue''s gallery yet?
Yes. I would consider (in no particular order) Patriot, Mudslide, Aaron McKinley, Mrs. Zenith, and Daisy to be very important and particular enemies. Illya sort of counts here but he was never really a villain villain. Soot is Sam''s Catwoman.
Will Elias ever come back?
Maybe! He was actually supposed to be part of the zoo raid sequence - he had apparently been shapeshifted into a rhinoceros the whole time and was hiding out there this whole time - but I determined that was both a: silly and b: added too much complexity to the entire sequence. I would definitely like him to come back - I never write a character intending to never use them again. If a character has shown up, they are fair game to return. I''m sure Derek is still looking for him, they''re very close in a possibly not heterosexual way (up to your interpretation). Find this and other great novels on the author''s preferred platform. Support original creators!
Why was that one interlude in third person?
To show the level of everyday dissociation that Victor Blanc goes through and grew up in. He is extremely detached from his own emotional processing, and has what I''d affectionately refer to as "turbo autism" (this does not make him any less reprehensible as a person, but it''s not because of the autism). You''ll meet him soon enough!
Is there a reason you keep bringing up monkey smiles and monkey grimaces or is that just an author tic?
Monkeys = unrestrained violence. It is an extremely intentional motif. Monkey Business is an intentional subversion of that motif (for now).
Let me tell you a little bit about Chum. Chum was born as an idea when I was like... eight? Nine? Like many young autistic children I would invent elaborate fantasy scenarios in my head and then run around the room play-acting them out and throwing myself against every surface available. The seeds of what would eventually become Chum were this one particular idea-plex about an escaped government experiment named Twitchy Dan, whose power was being extremely fast, having super long, extremely sharp talons, and just generally being an unkillable murder machine. I was very into stick figure animations at the time, so I liked to imagine these long, elaborate fight scenes featuring Dan just bodying hundreds and hundreds of faceless mooks before a fight with a big red devil guy. This Big Red Devil eventually evolved into the first antagonist of Chum''s prototype ideas - Harris Beelzle (very subtle). Harris had been sort of a recurring character through my fantasyscapes, always the BBEG, always part of a decades or centuries long conspiracy behind the setting''s settingness, and always with the appearance of a mild-mannered but red-skinned individual in formal businesswear who was secretly ripped as hell and had crazy super strength. Around this time I also started getting extremely into running quests on /tg/, back when I cared about 4chan - Harris, in one way or another, meandered his way into my quests, which never got anywhere because I had all the follow-through of your average 14-15 year old. Around this time I also did my first of four NaNoWriMos. They all sucked and I don''t have any of the files for them anymore, but this one was about a young technopath in a post-post-apocalyptic (i.e everything had rebuilt normal now but people had superpowers) city. Harris, in this particular story, was the guy who set off the antimatter explosions that spread "exotic particles" through the atmosphere resulting in the birth of superhumans, and his big scheme was that he had the power to radar detect other people''s powers, and would capture, kill, dissect, and replicate the useful ones for industrial/capitalistic purposes. Brutal! Also around this time, my fantasyscape had evolved significantly due to my growing interest in things like comic books and anime, giving me a broader range of stylistic sources to draw from. With like 8 years between Twitchy Dan''s first appearance and then, of course, there were many many evolutions, but now it was basically a generic superhero setting featuring a girl whose power was to get stronger the more injured she was - this was the prototype Sam Small. She also had many teammates, the only one that I can concretely remember being a guy who could control his own personal gravity and did so to fly - the power would get recycled in Moonshot (one of the Tacony Titans) but the guy himself has long since vanished into my idea ether. This nameless girl had two primary enemies - "The Berserker" (a very unimaginative supervillain name), a sort of hit the decks everyone''s fucked Jack Slash type whose power was that he got stronger for every bleeding person around him (and he could smell people''s blood loss), and used a big fuckoff waraxe as a weapon. The other was Porcelain, who... basically survived completely intact 13 years later throughout the ideation process, which is extremely rare for my ideas. At some point, my questing experience - hold on, for the unfamiliar; Quests are basically reader driven stories where at the end of each chapter or post or whatever the Quest Master, or QM, polls the collective readership for what action the protagonist should take next, and then they write that. Okay. At some point, my questing experience had me starting a quest of which the name I can no longer remember, which was the true prototype for Chum, featuring Sam Small with shark powers in Philadelphia in a street-level, "realistic" superhero setting. That lasted all of like a week before I got bored (I had an extremely bad habit of starting and never finishing quests because I have very poor follow through and really bad adhd). Sam Small was always the opposite of a typical superhero protagonist, with a big friend group, a loving family that was never intended to die, no interest in nerdy things, and being a sporty athlete type. She was never the underdog, except in the way she was thrown into the deep end. Harris Beelze was the main antagonist doing basically the same thing he was doing in the previous superhero story. Liberty Belle still had basically the same role in the story as the mentor who Sam smelt the stomach cancer on, but Sam did it at a public gathering instead of Liberty Belle approaching her due to serendipity. Chernobyl was named "Chernobyl Tank" for reasons I don''t recall, but was also otherwise the same in terms of like... everything else. And, finally, Miasma was intended to be Sam''s main mentor figure, and was a much less developed character philosophically. Porcelain was sort of intended to be introduced but it never really got far enough. Sam''s best friend was a guy named Sebastian, who was the Proto-Marcus and Proto-Kate - a nerdy guy with all the interest in superheroes and intelligence who sort of was Sam''s "guy at the desk", and who would eventually get superpowers and become villainous or antiheroic after a bad falling-out with Sam. The difference got split here. Then, I finished college, got a job, moved away from my parents, and was in a stable, secure enough environment to think hey. What if I just wrote that again. But this time I had some actual follow through and just like... wrote it. Really wrote it. So then I did, and now we''re here. There isn''t really an "original draft" of Chum and I write as I go along. I have the general idea of a beginning, middle, and end of the story, and points I''d like to hit along that journey, but when it comes to planning I usually plan one arc at a time. I enjoy the process of writing myself into, and then subsequently, out of a corner, and I find this facilitates my enjoyment most efficiently. Let me end this diatribe by giving you some trivia about things that did and didn''t happen. -Kate was always going to become Sam''s Catwoman but the exact how was always very variable - I didn''t have her powers locked down at all until it came time to start planning Arc 9. -The Kingdom of Keys was originally keys like for doors, not keyboards (and still probably is in-universe). Mr. Bomb was the original Mr. B, but I had another draft villain named "Black Velvet" who I thought would be better as Mr. A''s right hand woman so I switched them out, realized too late that referencing "Mrs. B" after "Mr. B" might be confusing, and then wrote it so that Mr. Bomb was fucking dead. Problem solved! This is also basically what happened in-universe, too - Black Velvet got recruited and became Mrs. Blue Velvet. -Relatedly, I only made it an alphabet thing once I realized Mr. Polygraph, Mr. Nothing, and "Mr." Mudslide made MNP and I was like hah. That''s funny. What if there was one for each letter of the alphabet. -Rogue Wave was designed with four main members in mind - "The Alchemist", "The Businessman", "The Doctor", and "The Muscle". They were unnamed and undesigned until basically the chapter before it was time to introduce Monkey Business. The Alchemist, Businessman, and Doctor all had their powers already fully fleshed out, because The Businessman''s contract geas was extremely important to foreshadow, but The Muscle (who became Birthday Suit) was not fleshed out in the slightest. Rush Order and Dead Drop came after. I knew there had to be six members but the last two had to take some thinking and were not part of the original pitch, so to speak. -Red Calf was originally called "The Group" and was otherwise unchanged. However, the Kingdom of Keys member Mrs. Venom (who you haven''t met yet and might not) was originally a member of proto-Red Calf during planning. I decided "The Group" as a name fucking sucked. -The three main villain groups (The Kingdom, Rogue Wave, and Red Calf) are themed after the three Buddhist poisons - Greed, Delusion, and Violence. Not in-universe, just out of universe, and it''s pretty loose themeing. Don''t read into it too much. -Moe was not part of the original story and sort of sprung to life in Chapter 2. He is loosely based on my own grandfather (extremely loosely). However, Sam and Sam''s Parents are not really based on me or anyone in my life in any way at all. Schlemiel is based off a good friend''s cat. -The Young Defenders were more or less invented on the spot, and were not a part of the original outline - before, as in the prototype quest version, Sam was training directly under Liberty Belle more or less as her apprentice, and Liberty Belle operated solo (albeit with an agency behind her, like a talent agency for superheroes sort of thing). -Jordan was always intended to be extremely divisive. I did not anticipate just how successful this would be. Hopefully if you''re this far in the story you have come to appreciate them a little bit. -Jordan''s assigned gender at birth will literally never be revealed. Whatever you think it is, it''s probably the opposite of that. -Aaron was never intended to return like in a real sense. As I mentioned before - I like to keep a well-stocked zoo of characters so I can reach in and grab one if the need arises, but he was sort of intended to be a one-shot filler villain to demonstrate Sam''s growing comfortableness with vigilantism, and then someone on the Discord mentioned, like, hey, if Aaron is a big time drug dealer, those aren''t his drugs that he''s selling - he''s selling for someone else and they aren''t going to be happy that he lost them. That put a spark in my brain of directly connecting him to the Kingdom, and one thing led to another, and then he''s burning Sam''s neighborhood down in revenge a year and a half later. -Originally during their first fight, Aaron successfully lit Sam''s eyes on fire and she had to handle the rest of the fight using only her other senses and her blood sense. This version actually got posted, but I decided it was a little too cruel for 14 year old Sam (fair game now) and edited it quickly out. Annnd I think that''s all the interesting information about the story! The Future of Chum on Royal Road? Hey everyone! As we move into Chum Act II, I¡¯ve been considering something that some manga and web serials do¡ªsplitting it into a separate story on Royal Road, effectively making Chum II its own distinct sequel. Why?
  • Easier for new readers ¨C A fresh entry point with a ¡°How We Got Here¡± summary, so people don¡¯t feel like they need to tackle a massive backlog just to get started.
  • Manageable scope ¨C If Act II and Act III are the same size as Act I, which I anticipate they will be, Chum will be around 3, 3.5, 4 million words by the time its done. I think if anyone saw that on the sidebar in Royal Road, their eyes would bug out and they would go no thanks!
  • A clear new phase ¨C The story is evolving, and this would mark that shift in a big way. Sam now is a different person than she was at the start - we''re starting with a clean, new slate. This effectively marks Chum II as a sequel-style continuation - and it will be starting with a bit of a time skip, which may be confusing if it''s all wrapped up in one big uberstory.
  • Keeping the Followers Invested ¨C Chum right now has 900 followers. I am sure a nonzero amount of them no longer read Chum for one reason or another; this is very silly of me but I would hate to clog up their notifications, and this way we can keep things clean for the people who are truly following along into the next major phase of the story.
Would love to hear your thoughts¡ªwould you prefer everything to stay in one place, or does a Chum II sequel setup make sense? Let me know what you think! Vote now on your phones; Taken from Royal Road, this narrative should be reported if found on Amazon. As a bonus for you - Chum II cover!