¡°I need two engineers,¡± Alexia said. Two men stepped forward, dressed in fatigues and weighed down by nearly seventy pounds of equipment. ¡°Run cables to the railgun and override its controls. Everyone else, secure the rooftop and prepare to defend.¡±
The engineers unpacked their gear and ran to a control panel, cables in hand, their spools unraveling behind them. A steel door concealed a railgun that would tower sixty feet into the air once deployed. It was part of the planetary defense system, a network of weapons meant to defend Artemis against invasion. A defense system that failed its purpose. Humanity never considered the possibility of an advanced civilization waging war. Now, the Vanghul penetrated deep into the inner colonies.
The wind whipped Alexia¡¯s matted hair into her face, her bun long since unraveled by battle. She watched the Vanghul ship hovering above the valley, her first encounter with the enemy. It¡¯s black exterior devoured the surrounding light as it eclipsed Artemis¡¯ sun. Command named the ship, Omen. It¡¯s presence sent shivers down her spine. It truly was an omen of death. Below, it¡¯s fighters swarmed, sending barrages of plasma into military convoys. The forest blazed and smoke filled the sky above.
A voice freed her from her thoughts. ¡°We¡¯ll make it, Lex,¡± Tassos said, ¡°Once we get this railgun online, we¡¯ll blast those fuckers out of the sky and have our revenge.¡±
¡°I¡¯m not so sure¡±¡ªshe looked to the sky¡ª¡°How can we beat them?¡± An orbital battleship broke through the clouds, leaving a trail of smoke and flames in its wake. It crashed against a far off mountain and after a moment, the shockwave blew past her platoon. She faced Tassos, ¡°Three thousand people dead. Just like that. Even if we take down Omen, how do we win?¡±
¡°All we can do is what we¡¯re trained to do. To keep moving forward.¡± Tassos placed his hand on her shoulder and she relaxed¡ªfor a moment.
¡°Ma¡¯am, we¡¯re connected. Give us the order and we¡¯ll take control.¡±
¡°Do it. And make it fast. Once it¡¯s powered we¡¯ll be overrun by fighters.¡±
The engineers connected their field computers and began the sequence to take control. The steel doors lurched free and the railgun ascended. The enemy fighters changed course, ignoring beaten down convoys in favor of a new threat.
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¡°Shit. The railgun¡¯s moving too slow.¡± Alexia turned to her platoon. ¡°I need shields covering the cables, now! Ready your MANPADS and fire when they¡¯re within one thousand yards. Protect the railgun!¡± Her platoon scrambled into position. Soldiers deployed their energy shields and panels of light shot into the air along the cables and before the embrasures of the rooftop bunker. ¡°Railgun¡¯s nearly out, get ready!¡±
¡°Fire!¡± Smoke filled the air as rockets raced towards their targets. Of the first barrage, ten hit their mark and Vanghul fighters dropped from the sky engulfed in flames. A second volley struck the fighters as they returned fire. Charges of plasma rained down on the platoon, crashing into shields. The plasma electrified the air and filled it with bright blue light. Other charges found their mark and incinerated soldiers caught out in the open.
The first wave of fighters passed overhead, giving the soldiers a brief moment of respite. ¡°Reload and reposition! We don¡¯t have time to waste,¡± Alexia said. She rallied her troops and prepared for the second wave. There were fewer but a single plasma charge could end the mission.
The world flashed with light and an explosion rocked the bunker. Alexia fell to the ground, her ears ringing, temporarily blinded from the assault. The world came into focus. Smoldering bodies littered the rooftop, the shields now destroyed. Alexia pulled herself up to the embrasure. The first wave of fighters returned in the direction they originally came. Had they turned around that fast? she thought. She looked up, the railgun was aimed at its target but its firing sequence had halted.
¡°They knocked the cable loose,¡± Tassos said, pointing to the control panel. ¡°I¡¯ll take care of it.¡±
Alexia moved to stop him but she was too slow. Tassos sprinted through falling plasma fire. Concrete erupted around him as the second wave passed. He reached the control panel and secured the cable, giving affirmation to Alexia with a wave. ¡°Start the firing sequence. The second wave will turn around soon!¡±
The engineers keyed in their code and the whine of electromagnetic coils pierced her ears. Alexia eyes darted between Tassos and the railgun. Her heart raced. The railgun fired. And another explosion knocked her to the floor, blinding Alexia once again. Engines roared and the second wave passed overhead.
Alexia fell to the ground and crawled through the entrance as she regained her vision. Tassos lay just outside the bunker, covered in blood, his arm and leg missing and body charred. She sat behind him, leaned against the bunker wall, and pulled him into her arms, his upper back against her stomach.
She looked up and saw Omen. The railgun hit its mark, dead center of its engines. Now the ship sank to the ground, it¡¯s once black exterior red with flames as fire spread. Alexia placed her hand on Tassos and lifted his head. ¡°Look. You did it, Tassos.¡± Her vision blurred, from the light that blinded her and now from the tears that filled her eyes. Tassos raised his burnt hand and rested it on her arm. ¡°You struck down Omen. You had your revenge.¡±
She leaned down to kiss his head and his hand fell.
¡°I¡¯ll keep moving forward.¡±
Stone Soldiers
¡°For how long have you dedicated yourself to carving these?¡± the Emperor asked.
Ten thousand stone soldiers stood motionless in perfect alignment before him, each solider an exact copy of the next¡ªevery hair, every button, every crease in their uniforms, the details a testament to the mastery of their creator. The image sparked a sense of unease in the Emperor as he walked through their ranks. His retinue followed, careful not to disturb decades of artisan labor.
¡°Nearly one-hundred years, your Imperial Majesty.¡± The creator¡¯s face wrinkled as he spoke. ¡°The first soldier took form when I was merely eight.¡± The Emperor offered an arm to the old man as they climbed the steps to the palace. The man shook his head and continued on his own. His legs trembled upon each step despite the assistance of his wooden staff.
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¡°You know, your Majesty, when I was a boy, I climbed these very steps. That was a long time ago.¡±
¡°During my great-grandfather¡¯s reign, yes?¡±
¡°Indeed.¡±
The pair turned to face the stone army and the man breathed in deep, savoring the moment. His eyes glistened as he looked upon his creations. ¡°I climbed these steps after my father. He was a great stone worker too, you know, but he refused your great-grandfather that day we were summoned.¡± The man raised his staff and struck the ground. The impact reverberated through the ground and a ring of dust washed over the world. He struck again and the air stilled. And again. The world silenced. ¡°And for that he was killed.¡±
And he struck the ground once more. The world froze and the Emperor stared back at the man, consternation written upon his face. His stomach sank as the earth convulsed. A cloud of dust billowed up from the courtyards below. And the stone army marched.
¡°I watched my father¡¯s head roll down these steps from the very spot I now stand. Today I will watch yours.¡±
Watercolor Children
The woman lifted her brush from the canvas and her face flushed with joy. On the canvas was a boy painted in vibrant watercolors, swirled and pooled flourishes accenting the boy¡¯s soft face, its drying paint bringing the portrait to life. A month of work and it was done. The woman studied her creation, tracing his locks of hair with her eyes, each ending in wild wisps. She smiled.
¡°Anita, madam, pardon me,¡± a man said, ¡°your new student has arrived.¡±
¡°Thank you, Jeffrey. I will be down in a moment.¡±
¡°Is that Alexander, madam?¡± Anita turned to face him, her smile grew and her eyebrows raised. ¡°I must say, your skills have grown tremendously over the years. It is as if he himself were standing before us. It¡¯s unfortunate he died so young¡ªsuch a studious boy.¡±
Anita nodded at the affirmation and her steward returned to his stately duties. She lifted the canvas. It¡¯s time for you to meet the others, my dear, she thought. Each painting reminded of her purpose. Though how could she forget? Every stroke of her brush immortalized those she painted. No longer would she forget those she cared for, her precious students. Not like she forgot her son.
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She opened a door, beyond it a gallery. She stepped in and the temperature dropped. Her hairs raised, making her skin course with bumps. She walked along corridors, walls lined with watercolor portraits of boys, and stopped at an empty spot on the wall. Anita placed the fresh portrait in its spot and turned to an altar against the far wall of the corridor.
She stared at a painting sitting on a bed of flowers atop the altar, its colors dull. Globs of old paint marked frequent mistakes. Anita reached out and touched the boy¡¯s cheek. It was lifeless. It was a painting which could not immortalize who her son was and could have been. And so she wept.
¡°I will get better. I will paint you the way you should be, I promise.¡±
She turned away, tears still dragging mascara down her cheeks. The portraits towered over her, their eyes following as she walked past. Their presence pushed down upon her as chills shot down her back. So full of life, not at all dull like her dear son. Their colors were bright and vibrant. Why was it she could bring all those others back to life but not her own child?
In Love and War
¡°Gather around! Gather around. This is a show you must not miss,¡± the carny said, ¡°This is a show that will change your lives forever. And for the better. Look around, boys and girls, and you will see that you are not alone. Be not afraid! Come closer.¡±
The man danced on stage as he called out to vagrant children. He caught their curiosity with colorful ribbons pulled from hidden places. And the children gathered around. The long war halted the flow of visitors and there was now little to distract the children from the harsh reality of the world they occupied. The city lacked empathy for them, no food or water given, and certainly no entertainment¡ªand so the allure of the mysterious man was too great of an enchantment.
¡°Yes, my dear children. So sweet but so rejected. Today, will be a very special day and a special day just for you.¡± The man bowed as more than a hundred children huddled together and sat. ¡°For today I bring a gift¡ a brief moment of respite to help you through your troubled days¡ And now, we begin.¡±
The man pulled back the curtain hanging over the stage and disappeared into the evening shadows cast onto the caravan by the surrounding buildings. Behind the curtain, a robed figured stood silently, its face covered by a tribal mask painted white with merlot stains around sunken, black eyes. White cloth draped over its body, concealing a hunched back and gangly limbs, the robe¡¯s ends flowing freely in the light breeze. The children turned to one another for reassurance, their faces marked with unease as the creature¡¯s gaze bore into their psyche. Tears flooded the eyes of younger children not yet inured by years of vagrancy.
The sudden beat of drums snapped the children to attention and the creature began to move. A devil¡¯s dance. It moved with unnatural precision as its body shifted and morphed beneath its robe, hidden limbs tearing at the cloth in an attempt to free itself. A dance practiced by witches and necromancers of the olden days. The children squirmed but remained seated, drawn into the performance by unseen forces. The drums stopped. And the creature froze.
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Its mask cracked and ash spewed from the fissures, coating the crowd in soot. The children silenced and their bodies stiffened. From the dark recesses of the stage, a crusader stepped forth. His armor shined brilliantly in the firelight. The children cheered for their hero, a knight sworn to defend them from the evils of the world, a warrior they¡¯ve only glimpsed through crowded streets during parades celebrating their return from conquest. The children leaned forward, delighted to witness the champion¡¯s power.
The crusader unsheathed his sword and readied the blade above his head as the creature coiled itself to strike. The creature launched and the crusader swung. Blood stained its once white robe as it fell to the ground and a black mist erupted from the wound, shrouding the stage and children in darkness. A voice called out to the children.
¡°My dear children, witness the power of your hero! Know that you too can be a hero. The devils have invaded your city. You must rise up and defeat them as you have witnessed your hero do so today. Now go.¡±
The last light of the sun dipped below the distant mountains and dark clouds blotted out the stars. The black mist dispersed, revealing an empty stage and bewitched children. They rose in unison and marched out into the city.
***
The door to the caravan opened and the crusader walked in, joined by the creature. ¡°Is this really necessary? They¡¯re children. Unwanted ones at that. Why not let, at least them, live in peace?¡±
The carny looked up from his mirror as he removed his makeup, his clothes already changed from his earlier performance. ¡°Do not forget what these people have done to ours. You wear the armor of a fallen crusader not their faux badge of honor.¡± The carny stood from his chair to face his comrades. ¡°These children have been abandoned by their own people. Let those people die at the hands of their repudiated. The children will die regardless¡ªat least they will die heroes of their own mind.¡±
The crusader paused for a long while. ¡°Then let us leave, this city will be gone come dawn.¡±
Flowers
¡°Papa, what are those?¡± She pointed to a painting on the wall, a green field littered with pricks of blues, yellows, and reds and a bright sky hanging above.
¡°Those are flowers, Amy.¡± The old man placed his fork on the table and stood to grab the painting. ¡°I painted this when I was a boy just about your age. I used to live near this field. Every day during spring I sat under a big oak tree and just watched the world. Bugs, rabbits, birds, deer, and of course, the flowers.¡±
¡°So, they¡¯re real?¡±
¡°As real as you or me.¡±
The man handed Amy the painting. ¡°This was just before the Migrant Wars. I left soon after¡ªalong with everyone else. This is the only painting I¡¯ve finished and something I hold dear, memories of a much better time.¡± He leaned back in his chair, closed his eyes, and dreamed of a world full of color. A world full of life where kids just like his great-granddaughter played and laughed. Not at all like the world they now lived in. The world outside was barren.
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¡°You know, I went back there. Just after your parents were born. They¡¯re still there, those flowers. The bugs and the animals too. They¡¯re different now but I think the world I once knew has become something even more magical.¡±
¡°I want to see it too!¡±
¡°Maybe when you¡¯re older. And maybe your great-grandchildren¡¯s grandchildren will be able to return and live there again. But Earth has rejected man and made itself uninhabitable to us. Yet it still remains so full of life just to spite us.¡±