《UnSouled (Unwind Dystology #3)》


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    Part One


    Flightless


    ¡°Surely this new medical technology will free us rather than enslave us, for it is my firm belief that human compassion outweighs human greed. To that end, I hereby found Proactive Citizenry to be a stalwart watchdog over the ethical use of neurografting. I am confident that abuses will be the exception rather than the rule.¡±


    ¡ªJanson Rheinschild


    ¡°I am become death, the destroyer of worlds.¡±


    ¡ªJ. Robert Oppenheimer


    The Rheinschilds


    ¡°They signed it. The Heartland War is over.¡±


    Janson Rheinschild closes the front door, throws his coat on the sofa, and collapses into an armchair, as if all his joints have become internally undone. As if he¡¯s been unwound from the inside out.


    ¡°You can¡¯t be serious,¡± Sonia says. ¡°No one in their right mind would sign that hideous Unwind Accord.¡±


    He looks at her with a bitterness that isn¡¯t meant for her, but it has nowhere else to go. ¡°Who,¡± he asks, ¡°has been in their right mind for the past nine years?¡±


    She sits on the arm of the sofa as close to him as she can get and takes his hand. He grasps it with a sort of desperation, as if her hand is the only thing keeping him from the abyss.


    ¡°The new chairman of Proactive Citizenry, that narcissistic weasel Dandrich, called me before they made any official announcement, to let me know the accord was signed. He said that I should know first ¡®out of respect.¡¯ But you know as well as I do, he did it to gloat.¡±


    ¡°There¡¯s no sense torturing yourself, Janson. It¡¯s not your fault, and there¡¯s nothing you can do about it.¡±


    He pulls his hand away from her and glares. ¡°You¡¯re right¡ªit¡¯s not my fault. It¡¯s our fault. We did this together, Sonia.¡±


    She reacts as if he¡¯s slapped her across the face. She doesn¡¯t just turn away from him. She gets up and moves away, beginning to pace the room. Good, thinks Janson. She needs to feel a little bit of what I feel.


    ¡°I did nothing wrong,¡± she insists, ¡°and neither did you!¡±


    ¡°We made it possible! Unwinding is based on our technology! Our research!¡±


    ¡°And it was stolen from us!¡±


    Janson gets up from his chair, unable to bear even one sedentary moment. Sitting feels like acceptance. It feels like admitting failure. Next he¡¯ll be lost in that armchair with a drink in his hands, swirling the ice to hear it clink, feeling the alcohol numbing him into submission. No, that¡¯s not him. It will never be him.


    There¡¯s some shouting in the street. He looks out the living room window to see some neighborhood kids being rowdy with one another. ¡°Ferals,¡± the news now calls them. Feral teens. ¡°Something must be done about the feral teens this war has created,¡± the politicians bleat from their legislative pens. Well, what did they expect when educational funding was diverted to the war? How could they not know public education would fail? With no schools, no jobs, and nothing but time on their hands, what did they think these kids would do other than make trouble?


    The mob in the street¡ªbarely a mob at all, numbering only four or five¡ªpasses without incident. They¡¯ve never had trouble at their house even though theirs is the only home on the street without window bars and an iron security gate. On the other hand, several of the security doors on the street have been vandalized. These kids, they may be lacking in education since the school closures, but they¡¯re not stupid. They see distrust all around them, and it makes them want to deliver their anger all the more. ¡°How dare you distrust me?¡± their violence says. ¡°You don¡¯t know me.¡± But people are too wrapped up in their own fearful security measures to hear it.


    Sonia comes up behind him now, wrapping her arms around him. He wants to accept her comfort, but can¡¯t allow himself. He can¡¯t be consoled or find a sense of peace until he¡¯s undone this terrible wrong.


    ¡°Maybe it will be like the old Cold War,¡± Sonia suggests.


    ¡°How do you figure?¡±


    ¡°They have this new weapon,¡± she says, ¡°unwinding. Maybe just the threat of it is enough. Maybe they¡¯ll never actually use it.¡±


    ¡°A cold war implies a balance of power. What do these kids have if the authorities start unwinding them?¡±


    Sonia sighs, finally seeing his point. ¡°Not a chance in hell.¡±


    Now at last he can take some comfort that she understands. That he¡¯s not alone in seeing the murky depths to which this new law could lead.


    ¡°It still hasn¡¯t happened,¡± she reminds him. ¡°Not a single feral teen has been unwound.¡±


    ¡°No,¡± Janson says. ¡°Because the law doesn¡¯t take effect until midnight.¡±


    And so they decide to spend the rest of their evening together, holding each other close like it¡¯s the last night of civilization. Because in a very real sense, it is.


    1 ? Connor


    It begins with roadkill¡ªan act so random and ridiculous that it boggles the mind to consider the events to which it leads.


    Connor should have pulled off the road to sleep¡ªespecially on a windy night like this. Certainly his reflexes behind the wheel would be much better in the morning, but the burning need to get himself and Lev to Ohio keeps pushing him harder each day.


    Just one more exit on the interstate, he tells himself, and although he had resolved to stop once they crossed into Kansas, that marker came and went half an hour ago. Lev, who is good at talking sense into Connor, is no help tonight, slumped in the passenger seat, fast asleep.


    It¡¯s half past midnight when the unfortunate creature leaps into Connor¡¯s headlights, and Connor has enough time only to register a brief impression of it as he jerks the wheel in a desperate attempt to avoid a collision.


    That can¡¯t be what I think it is . . . .


    Even though he swerves wide, the stupid thing bolts right into the car¡¯s path again as if it has a death wish.


    The ¡°borrowed¡± Charger slams into the creature, and it rolls over the hood like a boulder, shattering the windshield into a million bits of safety glass. Its body wedges in the windshield frame, with a twisted wiper blade embedded in its slender neck. Connor loses control of the steering wheel, and the car leaves the asphalt, careening wildly through the roadside chaparral.


    He screams and curses reflexively, as the creature, still clinging to life, rips at Connor¡¯s chest with its talons, tearing fabric and flesh, until finally Connor pulls enough of his wits together to slam on the brakes. The abominable creature dislodges from the windshield, launching forward as if shot from a cannon. The car keels like a sinking ship, comes to a sudden stop in a ditch, and finally the air bags deploy, like a faulty parachute opening upon impact.


    The quiet that follows feels like the airless silence of space, but for the soulless moan of the wind.


    Lev, who woke up the second they hit the thing, says nothing. He just gasps for the breath that was knocked out of him by the air bag. Connor has discovered Lev to be more of an opossum than a screamer. Panic makes him freeze.


    Connor, still trying to process the previous ten seconds of his life, checks the wound in his chest. Beneath the tear in his shirt is a diagonal gash in his skin maybe six inches long. Oddly, he¡¯s relieved. It¡¯s not life-threatening, and flesh wounds can be dealt with. As Risa would have said when she ran the infirmary at the airplane graveyard, ¡°Stitches are the least of all evils.¡± This wound will take about a dozen. The biggest problem will be where a fugitive-presumed-dead AWOL can get medical attention.


    Both he and Lev get out of the car and climb up from the ditch to examine their roadkill. Connor¡¯s legs are weak and wobbly, but he doesn¡¯t want to admit it to himself, so he concludes that he¡¯s merely shaky from the adrenaline rush. He looks at his arm¡ªthe one with the shark tattoo¡ªand pumps the hand into a fist, coopting the brutal strength of that stolen arm for the rest of his body.


    ¡°Is that an ostrich?¡± asks Lev, as they look down on the huge dead bird.


    ¡°No,¡± snaps Connor, ¡°it¡¯s the freaking Road Runner.¡± Which was actually Connor¡¯s first irrational thought when the giant bird had first loomed in his headlights. The ostrich, which had still been alive enough to rip into Connor¡¯s chest a minute ago, is now very dead. Its torn neck is twisted at a severe angle, and its glassy eyes stare at them with zombielike intensity.


    ¡°That was some bird strike,¡± Lev says. He seems no longer fazed by it, just observational. Maybe because he wasn¡¯t driving, or maybe because he¡¯s seen things far worse than a roadkill raptor. Connor envies Lev¡¯s calm in a crisis.


    ¡°Why the hell is there an ostrich on the interstate?¡± Connor asks. His answer comes with the rattle of a fence in a sudden gust of wind. Passing headlights illuminate the limb of an oak tree brought down by the wind. The bough was heavy enough to take out a piece of the chain-link fence. Long-necked shapes move behind the fence, and a few ostriches have already come through the breach, wandering toward the road. Hopefully they¡¯ll have better luck than their comrade.


    Connor has heard that ostrich farms were becoming more common as the price of other meat soared, but he¡¯d never actually seen one. He idly wonders whether or not the bird¡¯s death was suicide. Better roadkill than roast.


    ¡°They used to be dinosaurs, you know?¡± says Lev.


    Connor takes a deep breath, only now realizing how shallowly he¡¯s been breathing¡ªpartially from the pain, partially from the shock of it all. He shows Lev his cut. ¡°As far as I¡¯m concerned, they still are. The thing tried to unwind me.¡±


    Lev grimaces. ¡°You okay?¡±


    ¡°I¡¯ll be fine.¡± Connor takes off his windbreaker, and Lev helps him fix it tightly around his back and across his chest as a makeshift tourniquet.


    They look back at the car, which couldn¡¯t be more totaled if it had been hit by a truck rather than a flightless bird.


    ¡°Well, you did plan to ditch the car in a day or two, right?¡± Lev asks.


    ¡°Yeah, but I didn¡¯t mean in an actual ditch.¡±


    The waitress who was kind enough to let them take her car said she wouldn¡¯t report it missing for a few days. Connor can only hope she¡¯ll be happy with the insurance money.


    A few more cars pass on the interstate. The wreck is far enough off the road not to be noticed by someone who¡¯s not looking. But there are some people whose job it is to look.


    A car passes, slows a hundred yards up, and makes a U-turn across the dirt median. As it makes the turn, another car¡¯s headlights illuminate its black-and-white coloring. A highway patrol car. Maybe the officer saw them¡ªor maybe he just saw the ostriches, but either way, their options have suddenly been cut short.


    ¡°Run!¡± says Connor.


    ¡°He¡¯ll see us!¡±


    ¡°Not until he shines his spotlight. Run!¡±


    The patrol car pulls to a stop by the side of the road, and Lev doesn¡¯t argue anymore. He turns to run, but Connor grabs his arm. ¡°No, this way.¡±


    ¡°Toward the ostriches?¡±


    ¡°Trust me!¡±


    The spotlight comes on, but it fixes on one of the birds nearing the road and not on them. Connor and Lev reach the breach in the fence. Birds scatter around them, creating more moving targets for the patrolman¡¯s spotlight.

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    ¡°Through the fence? Are you crazy?¡± whispers Lev.


    ¡°If we run along the fence, we¡¯ll get caught. We have to disappear. This is the only way to do it.¡±


    With Lev beside him, Conner pushes through the broken fence, and like so many other times in his life, he finds himself running blind into the dark.


    FOLLOWING IS A PAID POLITICAL ADVERTISEMENT


    ¡°Last year, I lost my husband of thirty-five years to a burglar. He just came in through the window. My husband tried to fight him off and was shot. I know I can never bring my husband back, but now there¡¯s a proposition on the ballot that can finally make criminals truly pay for their crimes, flesh for flesh.


    ¡°By legalizing the unwinding of criminals, not only do we reduce prison overcrowding, but we can provide lifesaving tissues for transplant. Further, the Corporal Justice law will allow for a percentage of all proceeds from organ sales to go directly to victims of violent crime and their families.


    ¡°Vote yes on Proposition 73. United we stand; divided criminals fall.¡±


    ¡ªSponsored by the National Alliance of Victims for Corporeal Justice


    They can¡¯t stay at the ostrich ranch. Lights are on in the farmhouse; more than likely the owner has been notified of the problem on the interstate, and the place will be crawling with farmhands and police to wrangle the birds.


    Down a dirt road, a half mile from the farm, they come across an abandoned trailer. There¡¯s a bed with a mattress, but it¡¯s so mildewed, they both decide their best bet is to sleep on the floor.


    In spite of everything, Connor falls asleep in minutes. He has vague dreams of Risa, whom he hasn¡¯t seen in many months, and may never see again, as well as dreams of the battle at the airplane graveyard. The takedown operation that routed the place. In his dreams, Connor tries dozens of different tactics to save the hundreds of kids in his care from the Juvenile Authority. Nothing ever works. The outcome is always the same¡ªthe kids are all either killed or put in transport trucks bound for harvest camps. Even Connor¡¯s dreams are futile.


    When he wakes, it¡¯s morning. Lev isn¡¯t there, and Connor¡¯s chest aches with every breath. He loosens the tourniquet. The bleeding has stopped, but the gash is red and still very raw. He puts it back on until he can find something other than his bloodstained Windbreaker to cover it.


    He finds Lev outside, surveying their surroundings. There¡¯s a lot to survey. What at night appeared to be just a lone trailer is actually the central mansion of an entire rust-bucket estate. All around the trailer is a collection of large, useless objects. Rusted cars, kitchen appliances, even a school bus so old it retains none of its original color, not a single window intact.


    ¡°You have to wonder about the person who lived here,¡± Lev says.


    As Connor looks around the veritable junkyard, it strikes him as disturbingly familiar. ¡°I lived in the airplane junkyard for more than a year,¡± he reminds Lev. ¡°Everyone¡¯s got issues.¡±


    ¡°Graveyard, not junkyard,¡± Lev corrects.


    ¡°There¡¯s a difference?¡±


    ¡°One is about a noble end. The other is about, well . . . garbage.¡±


    Connor looks down and kicks a rusted can. ¡°There was nothing noble about our end at the Graveyard.¡±


    ¡°Give it up,¡± says Lev. ¡°Your self-pity is getting old.¡±


    But it¡¯s not self-pity¡ªLev should know that. It¡¯s about the kids who were lost. Of the more than seven hundred kids in Connor¡¯s care, over thirty died, and about four hundred were shipped off to harvest camps to be unwound. Maybe no one could have stopped it¡ªbut it happened on Connor¡¯s watch. He has to bear the weight of it.


    Connor takes a long look at Lev, who, for the moment, seems content to examine a wheelless, hoodless, roofless Cadillac so overgrown by weeds inside and out, it looks like a planter.


    ¡°It has a kind of beauty, you know?¡± says Lev. ¡°Like how sunken ships eventually become part of a coral reef.¡±


    ¡°How can you be so stinking cheery?¡± Connor asks.


    Lev¡¯s response is a toss of his overgrown blond hair and a grin that is intentionally cheerful. ¡°Maybe because we¡¯re alive and we¡¯re free,¡± Lev says. ¡°Maybe because I singlehandedly saved your butt from a parts pirate.¡±


    Now Connor can¡¯t help but grin as well. ¡°Stop it; your self-congratulation is getting old.¡±


    Connor can¡¯t blame Lev for being upbeat. His mission succeeded with flying colors. He walked right into the middle of a no-way-out battle and not only found a way out, but saved Connor from Nelson, a disgraced Juvey-cop with a grudge who was hell-bent on selling Connor on the black market.


    ¡°After what you did,¡± Connor tells Lev, ¡°Nelson will want your head on a stake.¡±


    ¡°And other parts, I¡¯m sure. But he¡¯s got to find me first.¡±


    Only now does Lev¡¯s optimism begin to rub off on Connor. Yes, their situation is dire, but for a dire situation, things could be worse. Being alive and free counts for something, and the fact that they have a destination¡ªone that may just give them some crucial answers¡ªadds a fair amount of hope into the mix.


    Connor shifts his shoulder and the motion aggravates his wound¡ªa reminder that it will have to be taken care of sooner rather than later. It¡¯s a complication they don¡¯t need. Not a single clinic or emergency room will do the work without asking questions. If he can just keep it clean and dressed until they get to Ohio, he knows Sonia will get him the care he needs.


    That is, if she¡¯s still at the antique shop.


    That is, if she¡¯s even alive.


    ¡°The last road sign before we flipped the bird said there was a town just ahead,¡± Connor tells Lev. ¡°I¡¯ll go jack a car and come back for you.¡±


    ¡°No,¡± says Lev. ¡°I traveled across the country to find you¡ªI¡¯m not letting you out of my sight.¡±


    ¡°You¡¯re worse than a Juvey-cop.¡±


    ¡°Two sets of eyes are better than one,¡± says Lev.


    ¡°But if one of us gets caught, the other can make it to Ohio. If we¡¯re together, then we risk both of us getting caught.¡±


    Lev opens his mouth to say something, but closes it again. Connor¡¯s logic is irrefutable.


    ¡°I don¡¯t like this at all,¡± Lev says.


    ¡°Neither do I, but it¡¯s our best option.¡±


    ¡°And what am I supposed to do while you¡¯re gone?¡±


    Connor offers him a crooked grin. ¡°Make yourself part of the reef.¡±


    ? ? ?


    It¡¯s a long walk¡ªespecially for someone in pain. Before leaving, Connor had found some ¡°clean¡± linens in the trailer, as well as a stash of cheap whiskey, perfect for cleaning a wound. Painful, too, but as all the world¡¯s sports coaches say, ¡°Pain is weakness leaving the body.¡± Connor always hated coaches. Once the stinging had stopped, he created a more secure dressing, which he now wears under a faded flannel shirt that belonged to the trailer¡¯s final resident. It¡¯s too warm a shirt for such hot weather, but it was the best he could do.


    Now, sweating from the heat and aching from the wound, Connor counts his steps along the dirt road until it becomes paved. He has yet to see a passing car, but that¡¯s fine. The fewer eyes that see him, the better. Safety in solitude.


    Connor also doesn¡¯t know what to expect ahead of him in this small town. When it comes to cities and suburbs, Connor has found that most are fairly identical¡ªonly the geography changes. Rural areas, however, vary greatly. Some small towns are places you¡¯d want to come from and eventually go back to: warm, inviting communities that breathe out Americana the way rain forests breathe out oxygen. And then there are towns like Heartsdale, Kansas.


    This is the place where fun came to die.


    It¡¯s clear to Connor that Heartsdale is economically depressed, which is not that uncommon. All it takes these days for a town to give up the ghost is for a major factory to shut down or pick up its skirt and do an international waltz for cheaper labor. Heartsdale, however, isn¡¯t just depressed; it¡¯s ugly in a fundamental way and on more than one level.


    The main drag is full of low, flat-faced architecture, all in shades of beige. Although there are farms in abundance that Connor had passed, thriving and green in the July sun, the town center has no trees, no green growth except for weeds between pavement cracks. There¡¯s an uninviting church built out of institutional mustard-colored bricks. The sermon message on the billboard reads WHO W LL ATONE FOR YOUR S NS? B NGO ON FR DAYS.


    The town¡¯s most attractive building is a new three-story parking garage, but it isn¡¯t open for business. The reason, Connor realizes, is the empty lot next to it. There¡¯s a billboard for a modern office building to be erected there, which may one day need three levels of parking, but the forlorn state of the lot betrays the fact that the office complex has been in the planning stages for perhaps a decade and will probably never be built.


    The place isn¡¯t exactly a ghost town¡ªConnor sees plenty of people going about their morning business, but he has an urge to ask them, ¡°Why bother? What¡¯s the point?¡± The problem with a town like this is that anyone with even a rudimentary survival instinct managed to get out long ago¡ªperhaps finding themselves one of those other small towns in which to live. The kind with the heart that Heartsdale lacks. Left behind are the souls that kind of got stuck to the bottom of the pan.


    Connor comes to a supermarket. A Publix. Its blacktop parking lot shimmers with waves of heat. If he¡¯s going to jack a car, there are plenty here to choose from, but they¡¯re all out in the open, so he can¡¯t do it without the risk of being exposed. Besides, his hope is to find a long-term parking lot where a stolen car might not be missed for a day or more. Even if he manages to get away with a car from this lot, it will be reported stolen within the hour. But who is he kidding? A long-term parking lot implies the owners of the vehicles parked there had somewhere to go. The folks in Heartsdale don¡¯t seem to be going anywhere.


    It¡¯s hunger, however, that pulls him toward the market, and he realizes he hasn¡¯t eaten in half a day. With twenty-some-odd dollars in his pocket, he reasons that there¡¯s nothing wrong with buying something to eat. It¡¯s easy to remain anonymous in a market for a whole of five minutes.


    As the automatic door slides open, he¡¯s hit with a blast of cold air that is at first refreshing, then makes his sweaty clothes cold against his body. The market is brightly lit and filled with shoppers moving slowly through the aisles, probably here to get out of the heat as much as they are to shop.


    Connor grabs premade sandwiches and cans of soda for himself and for Lev, then goes to the self-checkout, only to find that it¡¯s closed. No way to avoid human contact today. He chooses a checker who looks disinterested and unobservant. He seems a year or two older than Connor. Skinny, with straggly black hair and a baby-fuzz mustache that just isn¡¯t working. He grabs Connor¡¯s items and runs them across the scanner.


    ¡°Will that be it for you?¡± the checker asks absently.


    ¡°Yeah.¡±

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    ¡°Did you find everything all right?¡±


    ¡°Yeah, no problem.¡±


    He glances once at Connor. It seems he holds Connor¡¯s gaze a moment too long, but maybe he¡¯s been instructed to make eye contact with customers, as well as ask his standard rote questions.


    ¡°You need help out with that?¡±


    ¡°I think I can handle it.¡±


    ¡°No worries, man. Keep cool. It¡¯s a scorcher out there.¡±


    Connor leaves without further incident. He¡¯s back out in the heat and halfway across the parking lot, when he hears¡ª


    ¡°Hey, wait up!¡±


    Connor tenses, his right arm contracting into a habitual fist. But when he turns, he sees that it¡¯s the checker coming after him, waving a wallet.


    ¡°Hey, man¡ªyou left this on the counter.¡±


    ¡°Sorry,¡± Connor tells him. ¡°It¡¯s not mine.¡±


    The checker flips it open to look at the license. ¡°Are you sure? Because¡ª¡±


    The attack comes so suddenly that Connor is caught off guard. He has no chance to protect himself from the blow¡ªand it¡¯s a low one. A kick to the groin that registers a surge of shock, followed by a building swell of excruciating pain. Connor swings at his attacker, and Roland¡¯s arm doesn¡¯t fail him. He connects a powerful blow to the checker¡¯s jaw, then swings with his natural arm, but by now the pain is so overwhelming, the punch has nothing behind it. Suddenly his attacker is behind him and puts Connor in a choke hold. Still Connor struggles. He¡¯s bigger than this guy, stronger, but the checker knows what he¡¯s doing, and Connor¡¯s reaction time is slowed. The choke hold cuts off Connor¡¯s windpipe and compresses his carotid artery. His vision goes black, and he knows he¡¯s about to lose consciousness. The only saving grace is that being unconscious means he doesn¡¯t have to feel the agony in his groin.


    PUBLIC SERVICE ANNOUNCEMENT


    ¡°I used to make jokes about clappers until three of them senselessly targeted my school and detonated themselves in a crowded hallway. Who would have thought that the simple act of bringing your hands together could create so much misery? I lost a lot of friends that day.


    ¡°If you think there¡¯s nothing you can do to stop clappers, you¡¯re wrong. You can report suspicious teens in your neighborhood, since it¡¯s been documented that most clappers are under twenty. Be aware of people who wear clothing too heavy for the weather, as clappers often try to pad themselves so that they don¡¯t detonate accidentally. Also be aware of people who appear to walk with exaggerated caution, as if every footfall might be their last. And don¡¯t forget to lobby for a ban on applause at public events in your community.


    ¡°Together we can put an end to clappers once and for all. It¡¯s our hands against theirs.¡±


    ¡ªSponsored by Hands Apart for Peace?


    Connor snaps awake, fully conscious, fully aware. No bleary-eyed moments of uncertainty; he knows he was attacked, and he knows he¡¯s in trouble. The question is how bad will this trouble be?


    The wound on his chest aches, his head pounds, but he pushes thoughts of the pain away and quickly begins to take in his surroundings. Cinder-block walls. Dirt floor. This is good: It means he¡¯s not in a jail cell or a holding pen. The only light is a single dangling bulb above his head. There are food supplies and cases of bottled water piled against the wall to his right, and to his left, concrete stairs lead to a hatch up above. He¡¯s in some sort of basement or bunker. Maybe a storm cellar. That would account for the emergency supplies.


    He tries to move but can¡¯t. His hands are tied to a pole behind his back.


    ¡°Took you long enough!¡±


    Connor turns to see the greasy-haired supermarket checker sitting in the shadows by the food supplies. Now that he¡¯s been spotted, he scoots forward into the light. ¡°That choke hold I gave you knocks people out for ten, maybe twenty minutes usually¡ªbut you were out for nearly an hour.¡±


    Connor doesn¡¯t say anything. Any question, any utterance, is a show of weakness. He doesn¡¯t want to give this loser any more power than he already has.


    ¡°If I held you ten seconds more, it woulda killed you. Or at least given you brain damage. You don¡¯t got brain damage, do you?¡±


    Connor still gives him nothing beyond a cold stare.


    ¡°I knew who you were the second I laid eyes on you,¡± he says. ¡°People said the Akron AWOL was dead, but I knew it was all lies. ¡®Habeas corpus,¡¯ I say. ¡®Bring me his body.¡¯ But they couldn¡¯t do it, because you¡¯re not dead!¡±


    Connor can¡¯t hold his tongue any longer. ¡°That¡¯s not what habeas corpus means, you moron.¡±


    The checker giggles, then pulls out his phone and takes a picture. The flash makes Connor¡¯s head pound. ¡°Do you have any idea how cool this is, Connor? I can call you Connor, right?¡±


    Connor looks down and sees that the wound on his chest has been redressed with actual gauze and surgical tape. The fact that he can see the bandage brings to his attention the fact that he¡¯s shirtless.


    ¡°What did you do with my shirt?¡±


    ¡°Had to take it off. When I saw the blood, I had to check it out. Who cut you? Was it a Juvey-cop? Did you give as good as you got?¡±


    ¡°Yeah,¡± says Connor. ¡°He¡¯s dead.¡± Hopefully his continued glare implies, And you¡¯re next.


    ¡°Wish I coulda seen that!¡± said the checker. ¡°You¡¯re my hero. You know that, right?¡± Then he goes off into a twisted reverie. ¡°The Akron AWOL blows the hell out of Happy Jack Harvest Camp, escaping from his own unwinding. The Akron AWOL tranqs a Juvey-cop with his own gun. The Akron AWOL turns a tithe into a clapper!¡±


    ¡°I didn¡¯t do that.¡±


    ¡°Yeah, well, you did the rest, and that¡¯s enough.¡±


    Connor thinks about Lev waiting for him back at the field of junk and begins to feel sick.


    ¡°I followed your career, man, until they said you died¡ªbut I never believed it, not for a minute. A guy like you don¡¯t get taken down so easy.¡±


    ¡°It wasn¡¯t a career,¡± Connor says, disgusted by this guy¡¯s particular brand of hero worship, but it¡¯s as if he doesn¡¯t hear Connor.


    ¡°You tore up the world. I could do that too, y¡¯know? Just need the opportunity. And maybe a partner in crime who knows what he¡¯s doing. Knows how to mess with the powers that be. You know where I¡¯m going with this, right? Sure you do¡ªyou¡¯re too smart not to know. I always knew if we¡¯d met, we¡¯d be friends. We¡¯d click¡ªkindred spirits and all that.¡± Then he laughs. ¡°The Akron AWOL in my storm cellar. Can¡¯t be an accident. It was fated, man! Fated!¡±


    ¡°You kicked me in the nuts. That wasn¡¯t fate; it was your foot.¡±


    ¡°Yeah, sorry about that. But, see, I had to do something or you¡¯d just leave. It hurts, I know, but there¡¯s no real damage. I hope you won¡¯t take it the wrong way.¡±


    Connor laughs bitterly at that. He can¡¯t help himself. He wonders if anyone saw the attack happen. If someone did, they didn¡¯t care, or at least they didn¡¯t care enough to stop it.


    ¡°Friends don¡¯t tie friends up in a cellar,¡± Connor points out.


    ¡°Yeah, sorry about that, too.¡± But he makes no move to untie him. ¡°Here¡¯s the quandary. You know what a quandary is, right? Sure you do. See, if I untie you, you¡¯ll probably bolt. So I have to convince you I¡¯m the real deal. A decent guy in spite of knocking you out and tying you up. I gotta make you see that a friend like me is hard to find in this screwed-up world and that this is the place where you want to be. You don¡¯t gotta run anymore. See, nobody looks for nobody in Heartsdale.¡±


    His captor stands and paces, gesturing with his hands. His eyes get wide as he talks as if he¡¯s telling a campfire story. He¡¯s not even looking at Connor anymore as he weaves his little fantasy. Connor just lets him talk, figuring in his verbal diarrhea, he might expel some piece of information that Connor can use.


    ¡°I got it all figured out,¡± he continues. ¡°We¡¯ll dye your hair as dark as mine. I know a guy who¡¯ll do pigment injections in your eyes on the cheap so they¡¯ll look the same hazel as mine¡ªalthough I can see one of your eyes is slightly different from the other, but we can get them to match, right? Then we¡¯ll tell folks you¡¯re my cousin from Wichita, on account of everyone knows I got family in Wichita. With my help, you¡¯ll disappear so good, no one¡¯ll know you¡¯re not dead.¡±


    The thought of being made to look like this guy in any way is almost as unpleasant as a kick to the groin. And disappearing in Heartsdale? That¡¯s the stuff of nightmares. Yet in spite of everything, Connor dredges up the warmest smile he can muster.


    ¡°You say you want to be friends, but I don¡¯t even know your name.¡±


    He looks offended. ¡°It was on my name tag at the market. Don¡¯t you remember?¡±


    ¡°I didn¡¯t notice.¡±


    ¡°Not too observant, are you? A guy in your situation should learn to be more observant.¡± And then he adds, ¡°Not your situation here. I mean your situation out there.¡±


    Connor waits until his captor finally says, ¡°Argent. Like Sergeant without the S. It means money in French. Argent Skinner at your service.¡±


    ¡°Of the Wichita Skinners.¡±


    Argent looks a bit shocked and increasingly suspicious. ¡°You heard of us?¡±


    Connor considers toying with him, but decides that Argent won¡¯t look kindly upon it once he figures it out. ¡°No¡ªyou said so before.¡±


    ¡°Oh, right.¡±


    Now Argent just stares at him, grinning until the trapdoor swings open and someone else clambers down the steps. The woman looks somewhat like Argent, but a couple of years older, taller, and a little doughier¡ªnot fat, but a bit heavyset and unshapely. Dowdy¡ªif a woman so young could be called dowdy. Her expression is a bit vaguer than Argent¡¯s, if indeed that¡¯s possible.


    ¡°Is that him? Can I see him? Is it really him?¡±


    Suddenly Argent¡¯s whole demeanor changes. ¡°You shut your stupid hole!¡± he shouts. ¡°You want the whole world to know who we got visitin¡¯?¡±


    ¡°Sorry, Argie.¡± Her broad shoulders seem to fold at the reprimand.


    Connor quickly sizes her up to be Argent¡¯s older sister. Twenty-two or twenty-three, although she carries herself much younger. The slack expression on her face speaks of a dullness that isn¡¯t her fault, although Argent clearly blames her for it.


    ¡°You want to keep us company, then go sit in the corner and be quiet.¡± Argent turns back to Connor. ¡°Grace has got a problem using her indoor voice.¡±


    ¡°We¡¯re not indoors,¡± Grace insists. ¡°The shelter¡¯s in the yard, and that¡¯s outside the house.¡±


    Argent sighs and shakes his head, giving Connor an exaggerated long-suffering look. ¡°You see how it is?¡±


    ¡°Yeah, I see,¡± says Connor. He logs one more bit of information. This cellar is not in the house, but in the yard. Which means if Connor manages to escape the cellar, he¡¯s maybe a dozen yards closer to freedom. ¡°Won¡¯t it be hard to keep it a secret that I¡¯m down here,¡± Connor asks, ¡°once everyone else gets home?¡±

 Page 4

    ¡°No one else comin¡¯,¡± Argent says. This was the news Connor was fishing for. He¡¯s ambivalent about it. On the one hand, if there were other members of this household, someone might be rational enough to stop this before it gets any further. But on the other hand, a rational person would most likely turn Connor over to the authorities.


    ¡°Well, I figured you¡¯ve got a house, so you must have a family. Parents maybe.¡±


    ¡°Dead,¡± says Grace. ¡°Dead, dead, dead.¡±


    Argent throws her a severe warning look before turning back to Connor. ¡°Our mother died young. Our father kicked the ghost last year.¡±


    ¡°Good thing too,¡± adds Grace, grinning. ¡°He was gonna unwind Argent¡¯s sorry ass for the cash.¡±


    In one smooth motion, Argent picks up a water bottle and hurls it at baseball speed at Grace. She ducks, but not fast enough, and the bottle careens off the side of her head, making her yelp with pain.


    ¡°HE WAS JUST SAYING THAT!¡± yells Argent. ¡°I WAS TOO OLD TO BE UNWOUND.¡±


    Grace holds the side of her head, but remains defiant. ¡°Not too old for parts pirates. They don¡¯t care how old you are!¡±


    ¡°DIDN¡¯T I TELL YOU TO SHUT IT?¡± Argent takes a moment to let his fury dissipate, then looks for an ally in Connor. ¡°Grace is like a dog. Sometimes you gotta shake a can at her.¡±


    Connor can¡¯t hold back his own seething fury. ¡°That was more than shaking.¡± He looks over at Grace, still holding her head, but Connor is sure her spirit is hurt more than anything else.


    ¡°Yeah, well, unwinding is nothing to joke about,¡± says Argent. ¡°You know that more than anyone. Truth be told, our father woulda unwound us both if he could, so he didn¡¯t have our mouths to feed. But Grace wasn¡¯t ever eligible since there¡¯s laws against unwinding the feebleminded, and not even parts pirates¡¯ll do it. He couldn¡¯t do me either, because he needed me to take care of Grace. You see how it is?¡±


    ¡°Yeah, I see.¡±


    ¡°Low-cortical,¡± grumbles Grace. ¡°I ain¡¯t feebleminded. I¡¯m low-cortical. It¡¯s the less insulting way.¡±


    Although low-cortical always sounded pretty insulting to Connor. He twists his wrists, gauging the tightness of the knots. Apparently Argent is very good with knots, because the ropes don¡¯t give at all. His hands are tied individually, so he¡¯ll have to squirm out of both sets of bonds to free himself. It makes Connor think of how he had tied Lev to a tree after Connor had first rescued him. He had kept Lev against his will to save his life. Well, thinks Connor, what goes around comes around. Now he¡¯s at the mercy of someone who believes he¡¯s holding Connor captive for his own good.


    ¡°Did you happen to keep the sandwiches I bought?¡± Connor asks. ¡°Because I¡¯m starving.¡±


    ¡°Nah. They¡¯re still in the parking lot, I imagine.¡±


    ¡°Well, if I¡¯m your guest, don¡¯t you think it¡¯s rude not to feed me?¡±


    Argent considers this. ¡°Yeah, that is rude. I¡¯ll go fix you something.¡± He orders Grace to give Connor some water from their stockpile of survival rations. ¡°Don¡¯t do anything stupid while I¡¯m gone.¡±


    Connor¡¯s not sure if he¡¯s talking to him or to Grace, but decides it doesn¡¯t really matter.


    After Argent is gone, Grace visibly relaxes, freed from her brother¡¯s sphere of influence. She holds out the water bottle for Connor to take, then realizes he can¡¯t take it. Grace unscrews the cap and pours it into Connor¡¯s mouth. He gets a good gulp, although most of it spills on his pants.


    ¡°Sorry!¡± says Grace, almost in a panic. Connor knows why.


    ¡°Don¡¯t worry. I¡¯ll tell Argent that I pissed myself. He can¡¯t get mad at you for that.¡±


    Grace laughs. ¡°He¡¯ll find a way.¡±


    Connor looks Grace in the eye. There¡¯s an innocence there that¡¯s slowly breaking. ¡°He doesn¡¯t treat you too well, does he?¡±


    ¡°Who, Argie? Nah, he¡¯s okay. He¡¯s just mad at the world, but the world isn¡¯t around to be mad at. Just me.¡±


    Connor smiles at that. ¡°You¡¯re smarter than Argent thinks.¡±


    ¡°Maybe,¡± Grace says, although she doesn¡¯t seem too convinced. She looks back toward the closed cellar door and then to Connor again. ¡°I like your tattoo,¡± she says. ¡°Great white?¡±


    ¡°Tiger shark,¡± Connor tells her. ¡°Only it¡¯s not mine. It belonged to a kid who actually tried to strangle me with this same arm. He couldn¡¯t do it, though. Chickened out at the last second. Anyway, he got unwound, and I wound up with his arm.¡±


    Grace processes it and shakes her head, getting a little red in the face. ¡°You¡¯re making that up. You think I¡¯m dumb enough to believe the Akron AWOL would take an Unwind¡¯s arm?¡±


    ¡°I didn¡¯t have a choice. They slapped this thing on while I was in a coma.¡±


    ¡°You¡¯re lying.¡±


    ¡°Untie me and I¡¯ll show you the scar where it was grafted on.¡±


    ¡°Nice try.¡±


    ¡°Yeah, it would have worked better if I had my shirt on and you couldn¡¯t see the scar for yourself.¡±


    Grace comes closer, kneeling down, examining Connor¡¯s shoulder. ¡°I¡¯ll be damned. It is a grafted arm!¡±


    ¡°Yeah, and it hurts like hell. You can¡¯t tie a grafted arm back like this.¡±


    Grace looks at him¡ªmaybe searching Connor¡¯s eyes the way Connor searched hers.


    ¡°You got new eyes, too?¡± Grace asks.


    ¡°Just one of them.¡±


    ¡°Which one?¡±


    ¡°Right. The left one is mine.¡±


    ¡°Good,¡± says Grace. ¡°?¡¯Cause I already decided that¡¯s the honest one.¡± She reaches behind Connor for the ropes. ¡°I¡¯m not gonna untie you¡ªI¡¯m not that dumb¡ªbut I¡¯ll loosen the rope on this arm a little so it don¡¯t pull at your shoulder so much.¡±


    ¡°Thank you, Grace.¡± Connor feels the rope loosen. He wasn¡¯t lying. His shoulder was burning from the strain. As the rope gives, Connor tugs his hand. It slips through the loop, and his hand¡ªRoland¡¯s hand¡ªis free. It closes reflexively into a fist ready to swing. Connor¡¯s own instinct is to do it, but Risa¡¯s voice, ever present in his head, as if it has been transplanted there, stops him. Think, Risa would say. Don¡¯t do anything rash.


    The fact is, only one of his hands is free. Will he be able to knock Grace out with one blow, then free his other hand and escape before Argent gets back? In his current state, will he be able to outrun the two of them, and what will the consequences be if he fails? All this flashes through Connor¡¯s mind in a fraction of a second. Grace still stares at Connor¡¯s freed fist in shock, not knowing what to do. Connor makes a decision. He takes a deep breath, loosens his fingers, and shakes his hand. ¡°Thanks. That feels much better,¡± he says. ¡°Now quick. Tie up my hand again before Argent comes back¡ªonly not as tight this time.¡±


    Relieved, Grace redoes the bonds, and Connor allows her to do it without resisting. ¡°You won¡¯t tell him I did that, will you?¡± Grace asks.


    Connor smiles at her. It¡¯s easier to pull off a smile for Grace than for Argent. ¡°It¡¯ll be our secret.¡±


    In a few moments, Argent returns with a BLT heavy on mayo and light on bacon. He feeds it to Connor by hand, never noticing the subtle shift in dynamics. Grace now trusts Connor more than she trusts her own brother.


    2 ? Clapper


    The clapper has misgivings, but he¡¯s beyond the point of no return.


    For many months before today, he had suffered on the streets. The things he had to do to survive were horrifying and demoralizing. They were dehumanizing to the point that there wasn¡¯t much left of him that felt remotely human anymore. He had surrendered to the shame of it, resigning himself to a marginal life on the seediest back streets of Sin City.


    He¡¯d gone to Las Vegas thinking an AWOL Unwind could more easily disappear there, but Las Vegas treats no one who lands there well. Only those who are free to leave get VIP treatment¡ªand although most of them leave with empty pockets, it¡¯s better than remaining as an empty shell.


    By the time he was recruited, the clapper had lost his ability to care. It had been pounded out of him on every level. He had been perfectly ripe for picking.


    ¡°Come with me,¡± the recruiter had said. ¡°I¡¯ll teach you how to make them pay.¡±


    By ¡°them,¡± he meant everyone. The universal ¡°not me¡± who was responsible for ruining his life. Everyone else was at fault. Everyone must pay. The recruiter understood that, and so the deal was made.


    Now, two months later, he walks gingerly with the girl of his dreams into a neighborhood sports club in Portland, Oregon. It¡¯s far from Las Vegas, far from what had once been his life before that. The farther the better. This new life, brief though it may be, will be bright. It will be loud. It will be impossible to ignore. This random target was chosen for them by someone farther up the clapper chain. Funny, but he never thought of clappers as being so organized¡ªbut there is definitely a structure and a hierarchy behind the chaos. It gives him some comfort to think that there¡¯s a method behind the madness.


    His is a cell of two. He and the girl have been prepped, primed, and pointed by a gung-ho trainer who must have been a motivational speaker in a previous life.


    ¡°Randomness will change the world,¡± they¡¯d been told. ¡°Your act will be smiled upon years from now¡ªand in the meantime, your revenge will be sweet.¡±


    The clapper cares less about changing the world and more about revenge. He knows he would have died ignobly on the streets, but now at least his bitter end will have meaning. It will be under his control by the sheer power of his applause. Or is he just deluding himself?


    ¡°Are you ready for this?¡± the girl asks as they approach the gym.


    He doesn¡¯t share his doubts with her. He wants to be strong for her. Resolute. Brave. ¡°Maximum carnage,¡± he says. ¡°Let¡¯s do this.¡±


    They go into the gym. He holds the door for her, and she smiles at him. Such smiles and gentle moments between them is the furthest their relationship will ever go. They wanted more, but it was not to be. Their explosive blood had made intimacy an impossibility.


    ¡°Can I help you?¡± asks the guy at the front desk.


    ¡°We¡¯d like to talk to someone about a gym membership.¡±


    ¡°Excellent! Let me get someone to help you.¡±


    The girl takes a deep, shuddering breath. The boy holds her hand. Gently. Always gently, because you don¡¯t always need a detonator to set yourself off. The detonators make it quick and clean, but accidents do happen.


    ¡°I want to be with you when we . . . complete our mission,¡± she tells him.


    ¡°Me too, but we can¡¯t. You know that. I promise I¡¯ll be thinking about you.¡± Their orders are to be at least ten meters apart. The farther apart they are, the more effective they¡¯ll be when their mission completes.


    A ripped dude with an expensive smile approaches them. ¡°Hi, my name is Jeff. I¡¯m the new member coordinator. And you are?¡±

 Page 5

    ¡°Sid and Nancy,¡± the clapper says. The girl chuckles nervously. He could have said Tom and Jerry; it didn¡¯t matter. He could even have given their real names, but fake names somehow add to the authenticity of the deception.


    ¡°Come on. Let me give you both the grand tour.¡± Jeff¡¯s wholesome smile is reason enough to blow the place sky-high.


    He leads them past the manager¡¯s office. The manager, on the phone, glances out at the clapper, catching a moment of eye contact. The clapper looks away, feeling read. He feels as if every stranger he sees can read his intentions, as if his hands are already spread wide, ready to swing together. But the manager has a real air of suspicion. The clapper moves out of his sight range quickly.


    ¡°Over here we have our free weight area. Our resistance machines are to the right. All state of the art, of course, with holographic entertainment consoles.¡± Neither of them is listening, but Jeff doesn¡¯t seem to notice. ¡°Our aerobics deck is upstairs.¡± Jeff beckons for them to follow him up the stairs.


    ¡°You go, Nancy,¡± the clapper says. ¡°I¡¯m going to check out the free weights.¡± They share a brief nod. Here is where they put distance between themselves. Here is where they say good-bye.


    He moves away from the stairs and toward the free weight area. It¡¯s five o¡¯clock¡ªa crowded time. Does he feel remorse for coming at this time of day? Only when he looks at people¡¯s faces, so he tries not to. They are not people¡ªthey are ideas. They are just extensions of the enemy. Besides, he didn¡¯t choose to come at the gym¡¯s most crowded time. They were told to come precisely now, precisely on this day¡ªand when an event is this big, it¡¯s easy to hide behind ¡°I¡¯m just following orders.¡±


    Stepping behind a pillar, he reaches into his pocket and pulls out the circular Band-Aid-like detonators, affixing them to his palms. This is real. This is going down. Oh my God. Oh my God¡ª


    And as if to echo his thoughts, he hears, ¡°Oh Jesus.¡±


    He looks up to see the manager standing there, catching him with the penny-sized detonators glaring from the clapper¡¯s palms like stigmata¡ªthere¡¯s no mistaking what he means to do.


    The manager grabs his wrists, keeping his hands apart.


    ¡°Let go of me!¡±


    ¡°There¡¯s something you need to know before you do this!¡± the manager hisses in a loud whisper. ¡°You think this is random, but it¡¯s not. You¡¯re being used!¡±


    ¡°Let go or I swear¡ª¡±


    ¡°You¡¯ll what? Blow me up? That¡¯s what they want. I¡¯m an organizer with the Anti-Divisional Resistance. Whoever sent you here has been targeting us! This isn¡¯t about chaos. It¡¯s about taking us out! You¡¯re working for the wrong side!¡±


    ¡°There are no sides!¡±


    He pulls away, ready to swing his hands together . . . but suddenly not as ready as he was a moment ago. ¡°You¡¯re ADR?¡±


    ¡°I can help you!¡±


    ¡°It¡¯s too late for that!¡± He can feel his adrenaline surge. He can feel his heartbeat in his ears and wonders if a pounding heart is enough to detonate him.


    ¡°We can clean your blood! We can save you!¡±


    ¡°You¡¯re lying!¡± But he knows it¡¯s possible. They disarmed Lev Calder, didn¡¯t they? But then the clappers came after him and tried to kill him for not clapping.


    Finally one of the various self-absorbed weight lifters notices the nature of the conversation and says, ¡°Clappers?¡± and backs away. ¡°CLAPPERS!¡± he yells, and makes a beeline to the door. Others quickly size up the situation, and the panic begins¡ªbut the manager doesn¡¯t take his eyes off the clapper.


    ¡°Let me help you!¡±


    Suddenly an explosion rocks the gym, and the cardio deck comes crashing down upon the first floor. She did it! She did it! She¡¯s gone, and he¡¯s still here.


    Bloody people stumble past him coughing, wailing, and the manager grabs him again almost hard enough to detonate him. ¡°You don¡¯t have to follow her! Be your own man. Fight for the right side!¡±


    And although he wants to believe there is a right side¡ªthat this hint of hope is real, and not false¡ªhis head is as confused as the burning rubble still raining down around him. Can he betray her? Can he close the door that she opened and refuse to finish what she has begun?


    ¡°I can get you to a place of safety. No one has to know you didn¡¯t detonate!¡±


    ¡°Okay,¡± he says, making his decision. ¡°Okay.¡±


    The manager breathes a gasping sigh of relief, letting him go¡ªand the instant he does, the clapper holds his hands wide and swings them together.


    ¡°Nooo!¡±


    And he¡¯s gone, along with the ADR organizer, the rest of the gym, and any question of hope.


    3 ? Cam


    The world¡¯s first composite human being is in black-tie attire.


    His tailored tuxedo is of the highest quality. He looks handsome. Impressive. Imposing. He looks older in the tux¡ªbut as age is a fuzzy concept for Camus Comprix, he can¡¯t quite say how old he should look.


    ¡°Give me a birthday,¡± he says to Roberta as she works on his tie. Apparently of all the sundry bits and pieces of kids in his head, not a single one of them knew how to tie a bow tie. ¡°Assign me an age.¡±


    Roberta is the closest thing he will ever have to a mother. She certainly dotes on him like one. ¡°Choose your own,¡± she tells him as she tucks, tugs, and tightens the bow tie. ¡°You know the day you were rewound.¡±


    ¡°False start,¡± Cam says. ¡°Every part of me existed before I was rewound, so it¡¯s not a day to celebrate.¡±


    ¡°Every part of everyone exists before they are presented to the world as an individual.¡±


    ¡°Born, you mean.¡±


    ¡°Born,¡± Roberta admits. ¡°But birthdays are random. Babies come early; babies come late. Defining one¡¯s life by the day one was cut from an umbilical cord is completely arbitrary.¡±


    ¡°But they were born,¡± Cam points out. ¡°Which means I was born. Just not all at the same time, and to multiple mothers.¡±


    ¡°Very true,¡± says Roberta, stepping back to admire him. ¡°Your logic is as impeccable as your looks.¡±


    Cam turns to look at himself in the mirror. The many symmetrical shades of his hair have been cut and combed into a perfect style. The various skin tones bursting forth from a single point in the center of his forehead only add to the stunning nature of his looks. His scars are no longer scars, but hairline seams. Exotic, rather than horrible. The pattern of his skin, his hair, his whole body is beautiful.


    So why would Risa abandon me?


    ¡°Lockdown,¡± he says reflexively, then clears his throat and tries to pretend he didn¡¯t say it. Lockdown is the word that comes out of him lately whenever he wants to purge a thought from his mind. He can¡¯t stop himself from saying it. The word brings an image of iron blast doors falling into place, locking the thought in, refusing to give it purchase anywhere in his mind. Lockdown has become a way of life for Cam.


    Unfortunately, Roberta knows exactly what the word means.


    ¡°October tenth,¡± Cam says quickly, before Roberta has a chance to commandeer the conversation. ¡°My birthday will be October tenth¡ªColumbus Day.¡± What could be more appropriate than a day commemorating the discovery of a land and people who were already there and didn¡¯t need discovering? ¡°I will be eighteen on the tenth of October.¡±


    ¡°Splendid,¡± says Roberta. ¡°We¡¯ll throw you a party. But right now we have another party that requires our attention.¡± She gently takes him by his shoulders, forcing him to face her, and she adjusts the angle of his tie the way she might straighten a picture on the wall. ¡°I¡¯m sure I don¡¯t need to tell you how important this gala is.¡±


    ¡°You don¡¯t, but you will anyway.¡±


    Roberta sighs. ¡°It¡¯s not about damage control anymore, Cam,¡± she tells him. ¡°Risa Ward¡¯s betrayal was a setback, I¡¯ll admit, but you¡¯ve moved past it with flying colors. And that¡¯s all I¡¯ll say on the matter.¡± But apparently not, because she adds, ¡°Public scrutiny is one thing, but now you are under the scrutiny of those who actually make things happen in this world. You cut a striking image in that tuxedo. Now show them you are as glorious inside as out.¡±


    ¡°Glory is subjective.¡±


    ¡°Fine. Then subject them to it.¡±


    Cam looks out of the window to see their limousine has arrived. Roberta grabs her purse, and Cam, always the gentleman, holds the door for her as they leave Proactive Citizenry¡¯s lavish Washington town house and head into a steamy July night. Cam suspects that the powerful organization owns residences in every major city throughout the nation¡ªmaybe throughout the world.


    Why has Proactive Citizenry put so much of their money and influence behind me? Cam often wonders. The more they give him, the more he resents it, because it makes his captivity increasingly apparent. They have elevated him on a pedestal, but Cam has come to understand that a pedestal is nothing more than an elegant cage. No walls, no locks, but unless one has wings to fly away, one is trapped. A pedestal is the most insidious prison ever devised.


    ¡°A penny for your thoughts,¡± Roberta asks coyly as they pull onto the beltway.


    Cam grins, but doesn¡¯t look at her. ¡°I think Proactive Citizenry can afford more than a penny.¡± And he shares none of his thoughts with her, regardless of the cost.


    It¡¯s dusk as the limo rides along the Potomac. Across the river, bright lights already illuminate the monuments of DC. Scaffolding surrounds much of the Washington Monument, while the Army Corp of Engineers struggles to correct the pronounced tilt it¡¯s taken on over the past few decades. Bedrock erosion and seismic shift has given the city its own leaning tower. ¡°From Lincoln¡¯s chair, it leans to the right,¡± political pundits have been known to say, ¡°but from the Capitol steps, it leans to the left.¡±


    This is Cam¡¯s first time in DC¡ªbut he has memories of being here nonetheless. A memory of riding a bike down the paths of the National Mall with a sister who was clearly umber. Another memory of a vacation with parents of Japanese descent, who are livid that they can¡¯t contain the irascible behavior of their little boy. He has a color-blind memory of a huge Vermeer canvas hanging in the Smithsonian¡ªand a parallel memory of the same work of art, but in full color.


    Cam has come to enjoy comparing and contrasting his various recollections. Memories of the same places or objects should be identical, but they never are, because the various Unwinds represented in his brain each saw the world around them in very different ways. At first Cam had found this confusing and disconcerting¡ªa cause for panic and alarm¡ªbut now he finds it curiously illuminating. The varied textures of his memories give him mental parallax on the world. A sort of depth perception beyond the limited point of view of a single individual. He can tell himself that and it would be true¡ªyet beneath it, there is a primal anger brewing at each point of conversion. Each time merging memories contradict, the dissonance reverberates to the very core of his being, as a reminder that not even his memories are his own.

 Page 6

    The limo turns up the semicircular driveway of a plantation-style mansion that is either very old or very new but made to look old, like so many things are. Town cars and limos line the driveway. Valets scramble to park the cars of the nonchauffeured guests.


    ¡°You know you¡¯re in the highest echelon of society,¡± Roberta remarks, ¡°when having to valet park a car is an embarrassment.¡±


    Their limo stops, and the door is opened for them.


    ¡°Shine, Cam,¡± Roberta tells him. ¡°Shine like the star you are.¡±


    She gives him a gentle kiss on the cheek. Only after they step out and her attention is on the path ahead of them, does he wipe off the remnants of the kiss with the back of his hand.


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    ¡°Is it true what they say about you?¡± the pretty girl asks.


    She wears a dress that¡¯s a little too short for an event filled with gowns and tuxedos. She¡¯s one of the only people Cam¡¯s age at the gala.


    ¡°That depends,¡± he tells her. ¡°What do they say?¡±


    They are in a den in the mansion, away from the hustle and bustle of the crowded party. There¡¯s a wall of leather-bound legal books, a comfortable chair, and a desk too large to be of any practical use. Cam wandered in here to escape from ¡°shining¡± for the various rich and powerful guests. The girl had followed him in.


    ¡°They say that everything you do, you do like no other.¡± She moves toward him from the door. ¡°They say that every part of you was handpicked to be perfect in every way.¡±


    ¡°That¡¯s not me,¡± he says slyly. ¡°I believe it¡¯s Mary Poppins who claims to be practically perfect in every way.¡±


    She chuckles as she gets closer to him. ¡°You¡¯re funny, too.¡±


    She is beautiful. Clearly she is also starstruck. She wants to bask in his light, and he wonders if he should let her.


    ¡°What¡¯s your name?¡±


    ¡°Miranda,¡± she says gently. ¡°Can I . . . touch your hair?¡±


    ¡°Only if I can touch yours . . .¡±


    She reaches for him tentatively at first, patting his hair, then running her fingers through the varied textures and colors.


    ¡°You¡¯re so . . . exotic. I thought I¡¯d be frightened to see you in person, but I¡¯m not.¡±


    She smells of vanilla and wildflowers¡ªa scent that pings his memories in several nonspecific places. It¡¯s a popular perfume among popular girls.


    ¡°Risa Ward is a bitch,¡± she tells him. ¡°The way she dumped you on national TV. The way she played you, then tossed you away. You deserve someone better. Someone who can appreciate you.¡±


    ¡°Lockdown!¡± Cam blurts.


    She smiles and saunters to the door. ¡°There¡¯s no lock,¡± she says, ¡°but I can certainly close it.¡±


    She shuts the door and is back in his airspace in an instant. He can¡¯t even remember her moving there; it¡¯s like she dissolved from the door into his embrace. He¡¯s not thinking clearly. There¡¯s too much input to handle, but for once that¡¯s a good feeling.


    She undoes his bow tie. He knows he can¡¯t tie it again, but he doesn¡¯t really care. He holds her in his arms, and she leans forward, kissing him. When she pulls away from the kiss, it¡¯s only for a moment to catch her breath. She looks at him with intense mischief in her gaze. She leans in for another kiss that is far more explorative than the first. Cam finds he¡¯s no slouch when it comes to this. Muscle memory, he supposes, for the tongue is most definitely a muscle.


    She pulls away again, even more breathless than before. Then she presses her cheek against his, with her lips by his ear, and she whispers so quietly he can barely hear her.


    ¡°I want to be your first,¡± she says. She presses closer to him, the fabric of her dress hissing on the fine weave of his tuxedo.


    ¡°You seem like a girl who gets what she wants.¡±


    ¡°Always,¡± she tells him.


    Cam didn¡¯t come here looking for this. He could turn her away, but why? Why refuse this when it¡¯s offered to him so freely? Besides, he finds that the mention of Risa has made him defiant. It¡¯s made him want even more to be here in the moment with this girl whose name he¡¯s already forgotten.


    He kisses her again, matching her building aggression.


    That¡¯s when the door swings open.


    Cam freezes. The girl steps away from him, but it¡¯s too late. Standing in the doorway is a distinguished man looking even more intimidating in his tuxedo than Cam looks in his.


    ¡°Get your hands off my daughter!¡±


    As his hands are already off the man¡¯s daughter, there¡¯s not much more he can do but stand there and let this play out.


    ¡°Daddy, please! You¡¯re embarrassing me!¡±


    Now others arrive, curious at the building drama. The man¡¯s glare never falters, as if he¡¯s practiced it professionally. ¡°Miranda, get your coat. We¡¯re leaving.¡±


    ¡°Daddy, you¡¯re overreacting. You always overreact!¡±


    ¡°You heard me.¡±


    Now waterworks abound. ¡°Why do you always have to ruin everything!¡± Miranda wails, then stomps out in tears, wearing her humiliation like a war wound.


    Cam is not sure how to respond to all this, so he doesn¡¯t. He slips his hands into his pockets, lest he still be accused of having them all over Miranda as she races down the hall, and he keeps a resolute poker face. The furious man looks like he might spontaneously combust.


    Roberta arrives, hesitates, and asks, ¡°What¡¯s going on here?¡± She sounds uncharacteristically weak and powerless, which means this must be even worse than Cam thinks it is.


    ¡°I¡¯ll tell you what¡¯s going on,¡± growls the man. ¡°Your . . . thing . . . was trying to have its way with my daughter.¡±


    ¡°Actually, she was trying to have her way with me,¡± Cam says. ¡°And she was succeeding.¡±


    That brings forth muted laughter from several in attendance.


    ¡°Do you expect me to believe that?¡± He stalks forward, and Cam pulls his hands out of his pockets, ready to defend himself if necessary.


    Roberta tries to come between them. ¡°Senator Marshall, if you¡¯ll just¡ª¡±


    But he pushes her aside and wags a finger in Cam¡¯s face. Part of Cam wants to reach up and break that finger. Part of him wants to bite it. Another part wants to turn and run, and yet another part wants to laugh. Cam reins in all those conflicting impulses and holds his ground without flinching as the senator says:


    ¡°If you come anywhere near my daughter, I will see to it that you are taken apart piece by bloody piece. Do I make myself clear?¡±


    ¡°Any clearer,¡± says Cam, ¡°and you¡¯d be invisible.¡±


    The senator backs off and turns his rage to Roberta. ¡°Don¡¯t come looking for my support for your little ¡®project,¡¯?¡± he hisses, ¡°because you won¡¯t get it.¡± Then he storms out, leaving an air of oppressive silence in his wake.


    Roberta speechlessly looks to Cam with helpless disbelief. Why? Those eyes say. Why have you spat on all I¡¯ve tried to give you? You¡¯re ruined, Cam. We¡¯re ruined. I¡¯m ruined.


    And then in the silence one man begins to applaud. He¡¯s slightly older and larger around the middle than Senator Marshall. His heavy hands let loose a frightful peal as he brings them together. Clappers must envy him.


    ¡°Well done, son!¡± says the large man with a heavy Southern drawl. ¡°I¡¯ve been trying to get under Marshall¡¯s skin for years, and you¡¯ve managed to do it in a single evening. Kudos to you!¡± Then he lets loose a grand guffaw, and the tension bursts like a soap bubble.


    One woman in a shimmering gold gown and a champagne glass in hand puts her arm around Cam and speaks with a slight alcoholic slur. ¡°Trust me. You¡¯re not the first boy Miranda Marshall has tried to devour whole. The girl is an anaconda!¡±


    That makes Cam giggle. ¡°Well, she did try to wrap herself around me.¡±


    Laughter from all those gathered. The large man shakes his hand. ¡°But we haven¡¯t properly met, Mr. Comprix. I¡¯m Barton Cobb, senior senator from Georgia.¡± Then he turns to Roberta, who looks as if she¡¯s just stepped off a roller coaster. ¡°You have my unconditional support for your project, Miss Griswold, and if Marshall doesn¡¯t like it he can stick it where the sun don¡¯t shine ¡¯cept Tuesday.¡± He guffaws again, and as Cam looks around, it seems as if the entire party has moved into the library. Introductions are made¡ªeven people he¡¯s already shaken hands with step forward to introduce themselves again.


    Cam had arrived at the party as a novelty¡ªa decorative mascot to add some flavor¡ªbut now he¡¯s the very center of everyone¡¯s attention. That¡¯s a role he¡¯s much more at home with, and so the more attention he gets, the more relaxed he becomes. The more spotlights, the fewer shadows.


    Roberta is also at her best when he¡¯s the center of attention. A tiger moth beating about his light. He wonders if she has the slightest clue how much he despises everything she stands for. And the odd thing of it is, he doesn¡¯t even know what she really stands for, which makes him despise it even more.


    ¡°Cam,¡± she says, gently taking his elbow and manipulating him toward a man in uniform who clearly doesn¡¯t move for anyone. ¡°This, Cam, is General Edward Bodeker.¡±


    Cam shakes the man¡¯s hand and gives a polite obligatory bow. ¡°An honor, sir.¡±


    ¡°Mutual,¡± says the general. ¡°I was just asking Miss Griswold if you¡¯ve considered a future in the military.¡±


    ¡°I don¡¯t rule out anything, sir,¡± Cam tells him. It¡¯s his favorite nonanswer.


    ¡°Good. We could put a young man like you to good use.¡±


    ¡°Well, sir, the only problem with that is that there are no ¡®young men like me.¡¯?¡±


    And the general laughs warmly, clapping a fatherly hand on his shoulder.


    The tension from just a few minutes ago is completely forgotten. Apparently he¡¯s made the right enemy, because now he has many, many friends.


    4 ? Night Manager


    It¡¯s a disease, plain and simple, rotting out the world from the inside out. Clappers! Goddamn clappers. Everywhere. A disease.


    The night manager of the 7-Eleven on Palm Desert Drive has nothing much to do for most of his nights but mull over the state of his middle-aged life, the modern-age world, and the tabloids, which, aside from alien and dead celebrity sightings, just love to report on clapper carnage. Blood and gore at a fifth-grade reading level for your entertainment and pleasure. An office building taken out here, a restaurant blown sky-high. The latest clapper attack was at a freaking fitness club, for God¡¯s sake. They just walked into the gym without as much as a hello-how¡¯dya-do, and boom! Poor bastards working out didn¡¯t stand a chance. Not much you can do to escape lead weights flying like shrapnel.

 Page 7

    At 2:15 a.m. a customer shuffles in and buys a ToXin Energy drink and a pack of gum. Shady-looking guy. But then, anyone who shows up at a roadside 7-Eleven at this time of night looks questionable and has got a story you don¡¯t want to hear.


    The man notices the tabloid the night manager is reading. ¡°Crazy, huh? Clappers. Where do they come from, right?¡±


    ¡°I know where they go,¡± says the night manager. ¡°They oughta take all the clappers and AWOLs and ferals, put ¡¯em on a plane and crash it.¡±


    He had thought he¡¯d found a sympathetic ear, but the customer looks at him with shock. ¡°All of ¡¯em, huh? Didn¡¯t a planeload of AWOLs go down in the Salton Sea a couple of weeks ago?¡±


    ¡°Good riddance. I wish I¡¯d been close enough to see it.¡± There¡¯s an awkward silence between them. ¡°That¡¯ll be $5.65.¡±


    The customer pays, but makes a point of making chilly eye contact with the night manager as he drops all of his change in the charity box for Runaway Rescue, which helps straighten out feral teens before someone can shove an unwind order up their worthless asses. It¡¯s a cause the night manager despises, but keeping that charity box there is company policy.


    The customer leaves, and the night manager has something else to grumble to himself about. Bleeding hearts. Way too many people are not willing to take a hard line on the unwindable. Sure there are ballot measures up the wazoo this year. Shall we set aside X billion to construct new harvest camps? Yes or no? Shall we allow for partial unwinding and slow sequential division? Yes or no? Even the constitutionality of the Cap-17 law is being challenged.


    But with the population evenly divided in their support of unwinding, it all comes down to that huge 30 percent who either don¡¯t have an opinion or are afraid to voice it. ¡°The wishy-washy masses,¡± the night manager calls them, too weak to take a stand. If the glacier huggers and feral forgivers start to outnumber sensible folk, all the hard-line unwinding legislation could fail, and then what?


    At 2:29 a woman with more baggage under her eyes than stuffed in her cluttered car buys chips and flashes a medical tobacco license for a pack of Camels.


    ¡°Have a good one,¡± he says as she leaves.


    ¡°Too late for that.¡±


    Her rust bucket of a Volkswagen drives off with a backfire and spews thick blue smoke that the night manager can smell inside. Some people oughta be unwound just to protect the environment. It makes him chuckle. Protect the environment¡ªwho¡¯s the glacier hugger now?


    The night becomes unusually quiet. Nothing but crickets and the occasional rumble of a passing car. Usually he enjoys an empty shop, but tonight there¡¯s an air of tension about that silence. Intuition being a night manager¡¯s most useful tool, he checks beneath the counter to make sure that his sawed-off shotgun is there. He¡¯s not supposed to have one, but a man¡¯s gotta protect himself.


    At 3:02 the ferals descend on the 7-Eleven out of nowhere, pouring in through the door. Dozens and dozens of them, swarming like a cloud of locusts as they grab things from the aisles. The night manager reaches for the shotgun, but before he can grab it, there¡¯s a gun aimed at his face, and another, and another. The three kids hold their aim steady.


    ¡°Hands where I can see them,¡± one of them says. It¡¯s a tall girl with short hair and man shoulders. She definitely looks tough enough to blow his brains out without a second thought. Still he says, ¡°Go to hell!¡±


    It makes her smile. ¡°Be a good little lowlife and do as you¡¯re told, and you might live to sell more chips tomorrow.¡±


    Reluctantly, he puts his hands up and watches as kids flood in and out, filling trash bags with everything they can get their hands on. All the drinks from the coolers, the snacks from the aisles, even the toiletries. Then suddenly he realizes who these kids must be. These must be the survivors from that plane that went down in the Salton!


    A kid saunters in wearing an unpleasant musk of superiority. Clearly he¡¯s the one in charge. He¡¯s not tall, but he¡¯s muscular, with a mop of red hair with much darker roots. There¡¯s also something about his left hand. It¡¯s bandaged with layer after layer of gauze, as if he had slammed it in a car door, or worse. He comes up to the counter, and offers the night manager a smile.


    ¡°Don¡¯t mind us,¡± he says jovially. ¡°We¡¯ll be on our way in a minute. Your convenience store was just too convenient to pass up.¡±


    The cashier would spit in his face if he thought it wouldn¡¯t get him killed.


    ¡°Now comes the moment where I ask you to open the register and you point to the sign that says ¡®Cashier Does Not Have More Than Twenty Dollars in Change,¡¯ but I make you open it anyway.¡±


    The night manager opens the cash drawer to reveal the sign is true to its word. ¡°See? All the money goes into the cash box, and I don¡¯t have a key, scumbag.¡±


    The kid is unfazed. ¡°Your attitude reminds me of our pilot. If you¡¯d like to visit him, he¡¯s at the bottom of the Salton Sea.¡±


    ¡°We could send you there too,¡± says the girl, still holding her gun on him.


    The kid in charge reaches over to the cash drawer and grabs a dime. Then he grabs a few lotto scratchers, lays them on the counter, and with his good hand, he uses the coin to scratch away the silver boxes. All the while, the three other kids keep their guns aimed at the night manager¡¯s face, and the swarm of kids behind them continue their relentless ransack, carrying everything off in their greedy little arms.


    ¡°Look at that!¡± says the kid in charge. ¡°I won five bucks!¡± Then he flicks the winning scratcher card at the cashier. ¡°Keep it,¡± he says. ¡°My gift to you. Buy yourself something nice.¡±


    Then he leaves, followed by the rest of his brood. Only the girl with the gun remains until everyone else is gone; then she backs out, keeping the gun trained on the night manager until she¡¯s out the front door. The second she leaves, he goes for the rifle and hurries out after them. He fires into the dark at the retreating shapes, but no one goes down. He wasn¡¯t fast enough. He screams after them, curses, swears he¡¯ll get them, but knows he won¡¯t and that just angers him even more.


    He turns to go back into the store and just stares. There¡¯s virtually nothing left. The store hasn¡¯t just been robbed. It¡¯s been gutted of everything not nailed down. They chewed through the place like piranhas.


    There on the floor, having fallen behind the counter, is the Runaway Rescue box. To hell with it¡ªthe night manager reaches in and pockets whatever money it has. The ferals it tries to save don¡¯t deserve that money any more than these AWOLs do, and he¡¯ll be damned if he¡¯ll let them get any of it. Lock ¡¯em up, cut ¡¯em up. Let them serve society in pieces rather than tear it down whole.


    Shall we give more power to the Juvenile Authority? Yes or no? There¡¯s no question where the night manager¡¯s vote is going.


    5 ? Lev


    He should never have agreed to let Connor go off alone to get them a car. He wasn¡¯t back by the afternoon, or by the evening, or during the night. Now it¡¯s dawn of the following day. Connor¡¯s been gone for twenty-four hours, and Lev¡¯s anxiety grows, as well as his aggravation at both himself and at Connor. A better plan would have been to tail Connor at a distance so that if something did go wrong, at least Lev would see it and would know. Now it¡¯s the uncertainty that¡¯s killing him. He gets out his frustration by kicking the side of a rusty old industrial dryer lying half-buried in the weeds. He has to stop because the thing rings out like a bell with each kick, and he knows people can probably hear it for miles. He sits down in the shade of the dryer, trying to figure out what to do now. He has very few choices. If Connor doesn¡¯t show up soon, he¡¯s going to have to go on alone to Ohio, to find an antique store where he¡¯s never been, to speak to an old woman he doesn¡¯t know about a man who disappeared before Lev was born.


    ¡°Sonia could be the key to everything,¡± Connor had told Lev. Connor explained how the old woman¡ªa key player in the Anti-Divisional Resistance¡ªran a safe house for AWOL Unwinds, getting them off the street. She had given shelter to Connor and Risa during those early days on the run. What Connor hadn¡¯t known at the time was that her husband was Janson Rheinschild¡ªthe scientist whose advances in medical science made unwinding possible . . . and a man who was meticulously and systematically erased from history by the very organization he founded to prevent the misuse of his technology.


    ¡°If she knows something worth knowing,¡± Lev had asked Connor on their long drive from Arizona, ¡°why didn¡¯t Proactive Citizenry make her disappear as well?¡±


    ¡°Maybe they don¡¯t see her as a threat,¡± Connor had answered. ¡°Or maybe they don¡¯t know she¡¯s alive any more than they know I¡¯m alive.¡±


    Proactive Citizenry isn¡¯t exactly a household name to Lev. He¡¯s heard of them, though. Everyone¡¯s heard of them, but no one pays much attention. They¡¯re just one of many charitable organizations you hear about but have no idea what they actually do. Or how powerful they really are.


    No matter how powerful Proactive Citizenry is, though, one thing is certain: They¡¯re afraid of Janson Rheinschild. The question is, why?


    ¡°If you want to mess with things,¡± Connor had said, ¡°that¡¯s where we start.¡±


    But as far as Lev is concerned, he¡¯s messed¡ªand has been messed with¡ªenough. He had turned himself into a bomb but chose not to detonate. He had been the target of a clapper vengeance attack. He had been coddled and sequestered and treated like a god by a mansion full of tithes saved from their unwindings. And he had entered a battle zone to save a kid whom he considered to be his truest, and maybe only, friend.


    With all that behind him, what Lev wants more than anything else is normality. His dreams aren¡¯t of greatness or of power, wealth, or fame. He¡¯s had all of those things at one time or another. No, what he wants is to be a kid in high school, with no more worries than what teachers he¡¯ll get stuck with and whether or not he¡¯ll make the baseball team.


    Sometimes his fantasies of the simple life include Miracolina, the tithe who was so determined to be unwound, she despised him and everything he stood for. At least at first. His current fantasies put them at the same suburban school¡ªit doesn¡¯t matter which suburb. They do class projects together. Go to the movies. Make out on the couch when her parents aren¡¯t home. She cheers for him at his baseball games, but not so loudly that she¡¯s heard above the crowd, because she¡¯s not that type.


    He has no idea where she is now, or if she¡¯s even alive. And now he¡¯s facing the same uncertainty with Connor. Lev has come to realize that he¡¯s strong, but there¡¯s only so much he can take.


    Lev resolves to wait one more hour before heading out alone. Unlike Connor, he doesn¡¯t know how to hot-wire a car. Technically, he doesn¡¯t know how to drive either, although he¡¯s done it before with marginal success. His best bet for getting to Ohio would be to stow away, which means going into town and finding a truck, bus, or train headed in the right direction. No matter what, though, it would put him at serious risk. He broke the terms of his parole, so he¡¯s a fugitive. If he¡¯s caught, there¡¯s no telling what will happen to him.

 Page 8

    Lev is still hemming and hawing, building up the fortitude it will take to leave Connor behind, when a visitor arrives. Lev does not have the option of hiding¡ªhe¡¯s spotted the second the car pulls up and the woman steps out. Rather than running, Lev calmly goes inside the old trailer and looks through the drawers until he finds a knife large enough to do damage but small enough to conceal.


    Lev has never stabbed anyone. He had once, in a moment of sheer fury, threatened to beat a man and woman with a baseball bat. They had unwound their son¡ªand a part of their son¡¯s brain had come back in another kid¡¯s body, begging their forgiveness.


    This is different though, Lev tells himself. This isn¡¯t about righteous rage; it¡¯s about survival. He resolves he will use the knife only in self-defense.


    Lev comes out of the trailer but stands on the lip of the doorway because he knows it makes him look taller. His visitor stands ten feet away, shifting weight from one leg to the other and back again. She¡¯s in her early twenties by the look of it. Tall and just a little pudgy. Her face is reddened from the sun, probably from driving around in the convertible¡ªa T-Bird in a condition too poor for the car to be considered classic. There¡¯s an off-center bruise on her forehead.


    ¡°This is private property,¡± Lev says with as much authority as he can muster.


    ¡°Not yours, though,¡± says his visitor. ¡°It¡¯s Woody Beeman¡¯s¡ªbut Woody¡¯s been dead for two years now.¡±


    Lev pulls a fiction out of thin air. ¡°I¡¯m his cousin. We inherited the place. Right now my dad¡¯s in town renting a forklift to get rid of all this junk and clean the place up.¡±


    But then the visitor says: ¡°Connor didn¡¯t tell me it would be you. He just said a friend was here. He shoulda told me it was you.¡±


    All of Lev¡¯s spontaneous lies evaporate. ¡°Connor sent you? Where is he? What¡¯s happened?¡±


    ¡°Connor says he wants you to go on without him. He¡¯s staying with us here in Heartsdale. I won¡¯t tell no one you were here. So you can go.¡±


    The fact that Connor has managed to get Lev a message gives Lev a wave of intense relief. But the message itself makes no sense. Clearly it¡¯s a distress signal. Connor is in trouble.


    ¡°Who¡¯s ¡®us¡¯?¡± Lev asks.


    The visitor shakes her head and kicks the ground almost like a child might. ¡°Can¡¯t tell you that.¡± She looks at Lev and squints against the rising sun. ¡°Can you still blow up?¡± she asks.


    ¡°No.¡±


    The woman shrugs. ¡°Right. Anyway, I promised I¡¯d tell you what I told you, and I did. Now I gotta go before my brother finds out I¡¯m gone. Nice to meet you, Lev. It is Lev, right? Lev Calder?¡±


    ¡°Garrity. I changed my name.¡±


    She nods approvingly. ¡°Figures. Guess you wanted no part of a family that would raise you to want your own unwinding.¡± Then she turns and lumbers back to the car.


    Lev considers going after her¡ªtelling her he wants to stay in Heartsdale too¡ªbut even if she falls for it, getting in that car would be a bad idea. Whatever trouble Connor is in, it would be folly to volunteer for more of the same.


    Instead Lev hurries to the old crumbling school bus and climbs to the hood and then to the roof, avoiding patches that have rusted all the way through. From his high vantage point, he watches the T-Bird kick up dust on the dirt road until it turns left onto a paved road. Lev tracks it as long as he can until it disappears into Heartsdale. Now that he knows the general direction the T-Bird has gone, he can wander the streets until he finds it again.


    Maybe Connor wants Lev to go on without him, but Connor knows Lev better than that.


    FOLLOWING IS A PAID POLITICAL ADVERTISEMENT


    ¡°My Grandma won¡¯t talk about it, but she remembers a time when cars burned in the street and bars on windows weren¡¯t enough to keep the danger out. She remembers when feral teens terrorized our neighborhood and no one felt safe.


    ¡°Well, it¡¯s happening again. The Cap-17 law let thousands of seventeen-year-old incorrigibles back into the streets and severely limits the age for which parents can choose unwinding.


    ¡°Last week a boy on my block was stabbed by one of them on his way to school, and I¡¯m afraid I¡¯ll be next.


    ¡°Call or write your congressperson today. Tell them you want the Cap-17 law repealed. Let¡¯s make the streets safe again for kids like me!¡±


    ¡ªSponsored by Mothers Against Bad Behavior


    Lev heads out into the scorching day on his reconnaissance mission. He keeps his head low but his eyes wide open. The T-Bird, Lev had observed, was dirty enough to suggest it was left out in the elements instead of in a garage¡ªbut Heartsdale is a rat¡¯s warren rather than a grid, and a systematic search of the streets proves difficult.


    By two in the afternoon, he¡¯s desperate enough to risk contact with the citizens of the town. He prepares himself by buying a Chevron baseball cap at a gas station and a pack of gum. He wears the cap to further hide his face and chews several sticks of gum until the sugar is blanched out. Then he spreads half of the gum wad in his upper gums above his front teeth and the other half in his lower gums. It¡¯s just enough to change the shape of his mouth without making him look too weird. Maybe his paranoia that he will be recognized is a little extreme, but as AWOL Unwinds are fond of saying, ¡°Better safe than severed.¡±


    There¡¯s a Sonic that he had passed that morning, where pretty servers on roller skates bring food to parked cars, as they have done since the beginning of recorded fast-food history. If anyone knows the cars of this town, it will be the Sonic servers.


    Lev goes to the walk-up window and orders a burger and a slushy, faking an accent that sounds way too deep-South drawly to be from Kansas, but it¡¯s the best he can do.


    After he gets his food, he sits at one of the outdoor tables and zeroes in on one of the roller girls who sits at the next table, texting between orders.


    ¡°Hey,¡± says Lev.


    ¡°Hey,¡± she says back. ¡°Hot enough for ya?¡±


    ¡°Five more degrees, you can fry an egg on my forearm.¡±


    That makes her smile and look over at him. He can practically read her mind in her facial expressions. He¡¯s not a regular. He¡¯s cute. He¡¯s too young. Back to texting.


    ¡°Maybe you can help me,¡± Lev says. ¡°There was this car with a ¡®for sale¡¯ sign parked by the side of the road the other day, but now I can¡¯t find it.¡±


    ¡°Maybe it sold,¡± she suggests.


    ¡°Hope not. See, I¡¯m gettin¡¯ my license in a couple of months. I was really hoping for that T-Bird. It¡¯s a green convertible. Do you know it?¡±


    She continues texting for a moment, then says, ¡°Only green convertible around here belongs to Argent Skinner. If he¡¯s selling it, he must be having a harder time than usual.¡±


    ¡°Or maybe he¡¯s buying somethin¡¯ better.¡±


    She gives a dubious chuckle, and Lev gives her a winning smile with slightly puffy lips. She takes a moment to reassess, decides even with a driver¡¯s license he¡¯s still too young for her attention, and says, ¡°He¡¯s on Saguaro Street, two blocks up from the Dairy Queen.¡±


    Lev thanks her and heads off with his burger and slushy. If he appears overeager, it¡¯ll just play into his cover story.


    Having passed the DQ earlier that morning, he knows exactly where to go¡ªbut as he reaches the corner, he hears something that sounds out of place in a town like Heartsdale. The rhythmic chop of an approaching helicopter.


    Even before it arrives, a series of police cars pull onto the street. Their sirens are off, but their speed speaks of urgency. There are more than a dozen vehicles. There are Juvey squad cars, black-and-whites, and unmarked cars as well. The helicopter, now overhead, begins to circle the neighborhood, and Lev gets a sick feeling deep in the pit of his gut.


    Rather than following the cars, he comes at the scene from an adjacent street, cutting through a few backyards, so as not to be seen. Finally he finds himself peering through the slats of a wooden fence at an unkempt ranch-style house that is in the process of being surrounded.


    A house with a green convertible T-Bird parked on the driveway.


    6 ? Connor


    That same morning, Argent comes down with a TV and plugs it into the outlet attached to the single dangling light fixture.


    ¡°All the comforts of home,¡± he happily tells Connor.


    Argent, who must watch bad TV and infomercials all night long, didn¡¯t wake up until after Grace had been gone and back, delivering her message to Lev. ¡°Mum¡¯s the word,¡± she had said. Connor has never known anyone else who actually used that expression. Now, as she enters behind Argent, she gives Connor a surreptitious zipped-mouth gesture.


    The little TV pulls in a weak wireless signal from the house that makes everything painful to watch.


    ¡°I¡¯ll figure out how to make it work better,¡± Grace tells Conner.


    ¡°Thanks, Grace. I¡¯d appreciate that.¡± Not that Connor has any interest in watching TV, but showing Grace more appreciation than Argent shows her is key.


    ¡°No worries,¡± Argent says. ¡°We don¡¯t need a signal or cable to watch videos.¡±


    By Connor¡¯s reckoning, he¡¯s been in captivity for about twenty-four hours now. Lev better have gone on without him. An antique shop near the high school in Akron where they first got separated. That should be enough for Lev to find it.


    Argent, who called in sick at the supermarket, spends the morning playing his favorite videos, his favorite music, his favorite everything for Connor.


    ¡°You¡¯ve been out of circulation for a while,¡± Argent tells him. ¡°Gotta reeducate you on what¡¯s cutting-edge in the world,¡± as if he thinks Conner was literally hiding under a rock for two years.


    Argent¡¯s theatrical tastes lean toward violent. Argent¡¯s musical tastes lean toward dissonant. Connor¡¯s seen enough real violence not to be entertained by it much anymore. And as for music, knowing Risa has broadened his horizons.


    ¡°Once you let me out of this cellar,¡± Connor tells Argent, ¡°I¡¯ll take you to see bands that will blow you away.¡±


    Argent doesn¡¯t respond to that right away. Since yesterday, Connor¡¯s been mentioning things that they might do together. As buds. Connor suspects that whatever time frame Argent has in his head for Connor¡¯s conversion, the turning point has not yet been reached. Until it is, anything Connor says will be suspect.


    Argent leaves Connor with Grace to run some errands, and she is quick to bring out a plastic chessboard, setting up the pieces. ¡°You can play, right? Just tell me your move, and I¡¯ll make it for you,¡± Grace tells him.


    Connor knows the game but never had patience to learn strategy. He won¡¯t deny Grace the game, though, so he plays.


    ¡°Classic Kasparov opening,¡± she says after four moves, suddenly not sounding low-cortical at all. ¡°But it¡¯s no good against a Sicilian Defense.¡±


    Connor sighs. ¡°Don¡¯t tell me you have a NeuroWeave.¡±


    ¡°Hell no!¡± says Grace proudly. ¡°The brain¡¯s all mine, such as it is. I just do good at games.¡± And then she proceeds to trounce Connor with embarrassing speed.

 Page 9

    ¡°Sorry,¡± says Grace as she sets up a second game.


    ¡°Never apologize for winning.¡±


    ¡°Sorry,¡± says Grace again. ¡°Not for winning, but for being sorry for winning.¡±


    Throughout the next game, Grace gives a blow-by-blow analysis, pointing out all the moves Connor should have made and why.


    ¡°Don¡¯t worry about it,¡± Grace says, capturing Connor¡¯s queen with a bishop hiding in plain sight. ¡°Morphy made that slip against Anderssen, but still won the freaking match.¡±


    Connor isn¡¯t so lucky. Grace wipes the floor with him again. Actually, Connor would have been disappointed if she didn¡¯t.


    ¡°Who taught you to play?¡±


    Grace shrugs. ¡°Played against my phone and stuff.¡± Then she adds, ¡°I can¡¯t play games with Argent. He gets mad when I win, and even madder when he wins, because he knows I let him.¡±


    ¡°Figures,¡± Connor says. ¡°Don¡¯t let me win.¡±


    Grace smiles. ¡°I won¡¯t.¡±


    Grace leaves and returns with an old-fashioned backgammon board¡ªit¡¯s a game Grace has to teach Connor how to play. She¡¯s not very good at explaining, but Connor gets the gist of it.


    Argent comes back during the second game, and with a single finger, flips the board. Brown and white pieces scatter everywhere.


    ¡°Stop wasting the man¡¯s time,¡± Argent tells Grace. ¡°He doesn¡¯t want to do that.¡±


    ¡°Maybe I do,¡± Connor tells him, making sure to force a smile when he says it.


    ¡°No, you don¡¯t. Grace just wants to make you look stupider than her. And anyway, she¡¯s useless. She couldn¡¯t once get her game on in Las Vegas.¡±


    ¡°I don¡¯t count cards,¡± mumbles Grace morosely. ¡°I just play games.¡±


    ¡°Anyway, I got something much better than board games right here.¡± And Argent shows Connor an antique glass pipe.


    ¡°Argie!¡± says Grace, a little breathless. ¡°You shouldn¡¯t be using great-grandpa¡¯s bong!¡±


    ¡°Why not? It¡¯s mine now, isn¡¯t it?¡±


    ¡°It¡¯s an heirloom!¡±


    ¡°Yeah, well, form follows function,¡± says Argent, once more completely missing the actual meaning of the expression. This time Connor doesn¡¯t bother to point it out.


    ¡°Wanna smoke some tranq?¡± Argent asks.


    ¡°I¡¯ve been tranq¡¯d enough,¡± Connor tells him. ¡°I don¡¯t need to smoke the stuff.¡±


    ¡°No¡ªsee it¡¯s different when you smoke it. It doesn¡¯t knock you out. It just throws you for a loop.¡± He pulls out a red and yellow capsule¡ªthe mildest kind used in tranq darts¡ªand puts it in the bowl with some common yard cannabis. ¡°C¡¯mon, you¡¯ll like it,¡± he says as he lights it.


    Connor had done his share of this sort of thing before his unwind order was signed. Being hunted kind of killed his taste for it.


    ¡°I¡¯ll pass.¡±


    Argent sighs. ¡°Okay, I¡¯ll admit something to you. It¡¯s always been one of my fantasies to do tranq with the Akron AWOL and talk some deep spiritual crap. Now you¡¯re actually here, so we have to do it.¡±


    ¡°I don¡¯t think he wants to smoke tranq, Argie.¡±


    ¡°Not your business,¡± he snaps without even looking at Grace. Argent takes a hit from the pipe, then puts it over Connor¡¯s mouth, holding Connor¡¯s nose so he has no choice but to suck it in.


    The physiological response is quick. In less than a minute, Connor¡¯s ears feel like they¡¯re shrinking. His head spins, and gravity seems to reverse directions a few times.


    ¡°You feeling it?¡±


    Connor doesn¡¯t want to dignify him with a response. Instead he looks to Grace, who just sits helplessly on a sack of potatoes. Argent takes a second hit and forces Connor to do one as well.


    As Connor¡¯s mind liquefies, memories of his life before unwinding come rushing back to him. He can almost hear his parents yelling at him and him yelling back. He can remember all the things¡ªboth legal and otherwise¡ªthat he did to numb the feeling of being troubled and troubling in a dull Ohio suburb.


    He sees a little bit of his old self in Argent. Was Connor ever this much of a creep? No¡ªhe couldn¡¯t have been. And besides, he got past it, but Argent never did. Argent is maybe twenty, but he¡¯s still wallowing in the loser mud hole, letting it turn into a tar pit beneath his feet. The anger that Connor feels toward Argent dissolves into the liquid of his thoughts, spreading into a thin, wide layer of pity.


    Argent takes another hit and reels. ¡°Oh man, this is good stuff.¡± He looks bleary-eyed at Connor. The combination of tranq and weed have made Connor emotional. He knows it¡¯s about his own past, but Argent takes it as a connection between them.


    ¡°We¡¯re the same, Connor,¡± he says. ¡°That¡¯s what you¡¯re thinking, right? I coulda been you. I can still be you.¡± He starts giggling. ¡°We can be you together.¡±


    The giggle is contagious. Connor finds himself giggling uncontrollably as Argent makes him take another hit.


    ¡°Gotta show you this,¡± Argent says. ¡°You¡¯ll get mad, but I gotta show you anyway.¡± Then Argent pulls out his phone and shows him one of the pictures he took with Connor yesterday.


    ¡°Good one, right? I put it up on my Facelink profile.¡±


    ¡°You . . . did what?¡±


    ¡°No big deal. Just for my friends and stuff.¡± Argent giggles again. Connor giggles. Argent laughs, and Connor finds himself laughing hysterically.


    ¡°Do you know how bad that is, Argent?¡±


    ¡°I know, right?¡±


    ¡°No, you don¡¯t. The authorities. The Juvenile Authority. They¡¯ve got facial tracing bots on the net.¡±


    ¡°Bots, right.¡±


    ¡°They¡¯ll take down this house. I¡¯ll get taken in. You¡¯ll both get five to ten for¡±¡ªConnor can¡¯t control his laughter¡ª¡°for aiding and abetting.¡±


    ¡°Ooh, this is bad, Argie,¡± says Grace from the corner.


    ¡°Who asked you?¡± Argent says. Being wasted doesn¡¯t temper his treatment of his sister.


    ¡°We gotta get out of here, Argent,¡± Connor says. ¡°We¡¯ve gotta go now. We¡¯re both fugitives now.¡±


    ¡°Yeah?¡± Argent still doesn¡¯t quite grasp it.


    ¡°We¡¯ll be on the run¡ªyou and me.¡±


    ¡°Right. Screwing with the world.¡±


    ¡°It was fated, just like you said.¡±


    ¡°Fated.¡±


    ¡°Argent and the Akron AWOL.¡±


    ¡°Triple A!¡±


    ¡°But you have to untie me before they come to take us out!¡±


    ¡°Untie you . . .¡±


    ¡°There¡¯s no time. Please, Argent.¡±


    ¡°I can really trust you?¡±


    ¡°Did we or did we not just do tranq together?¡±


    That¡¯s enough to clinch the deal. Argent puts the pipe down, then goes behind Connor to undo his hands. Connor flexes his fingers and rolls his aching shoulders. He doesn¡¯t know whether the numbness in his arms is from being tied up or from the tranq.


    ¡°So where do we go?¡± Argent asks.


    Connor¡¯s response is a glass pipe to the head. The pipe catches Argent just above his jaw and shatters, cutting the left side of Argent¡¯s face in at least three places. Argent¡¯s legs slip out from under him, and he hits the ground, groaning¡ªstill half-conscious, but unable to get up. His face gushes blood.


    Grace stands staring at Connor, dumbfounded. ¡°You broke great-grandpa¡¯s bong.¡±


    ¡°Yeah, I know.¡±


    She doesn¡¯t go to help Argent. Instead she just looks at Connor, unsure whether she¡¯s just been betrayed or liberated.


    ¡°Is it true what you said about the police coming after us?¡± she asks.


    Connor finds he doesn¡¯t need to answer. Because he can hear cars screeching to a halt outside and the steady beat of a helicopter overhead.


    7 ? Grace


    Grace Eleanor Skinner fears death as much as anyone else. She fears pain even more. Once, a long time ago, Argie had made her go up to the high-dive platform while they were on vacation. She had squandered her willpower, mustering the guts for waterslides and such, but once she had made the climb to the ten-meter platform, she found herself weak. The pool below looked small and very far away. Hitting the water would hurt. As she stood on the edge, toes curled on the concrete lip, Argie had heckled her from down below.


    ¡°Don¡¯t be a stupid wimp, Gracie,¡± he yelled for all to hear. ¡°Don¡¯t think about it¡ªjust jump.¡±


    Behind her, others were getting impatient.


    ¡°Gracie, jump already! You¡¯re making everyone mad!¡± In the end, Grace had backed away and gone down the ladder in shame.


    That¡¯s what this feels like today. Only now the threat is far more real. Argie¡¯s words from that day come back to her. Don¡¯t think about it¡ªjust jump. She follows the advice this time.


    She pushes open the cellar door and bursts forth into the light of day. This is a game, she tells herself. I win games.


    There are sharpshooters in the yard, but they don¡¯t see her at first. Their rifles are trained on the house, and the cellar is at the far back of the yard. They haven¡¯t gone in yet. The force is still positioning.


    ¡°Don¡¯t shoot! Don¡¯t shoot!¡± she yells, running out into the weedy yard, pulling the sharpshooters¡¯ attention. Immediately all the rifles turn to her. She doesn¡¯t think they¡¯re loaded with tranqs.


    ¡°Don¡¯t shoot,¡± she says again. ¡°It¡¯s this way. He¡¯s over here. Don¡¯t shoot!¡±


    ¡°On the ground!¡± one of the sharpshooters orders. ¡°On the ground now!¡±


    But no. Rule one¡ªnever allow capture unless it gives you an advantage.


    ¡°This way! Follow me!¡± She turns around, hands still flailing in the air as she runs back to the cellar. She half expects to be shot, but the other half wins; they don¡¯t fire. She races down the stairs into the cellar and waits. In a moment, the sharpshooters are there, covering one another, aiming at her and into the dim light of the cellar like soldiers in hostile territory. Although her heart feels like its exploding and she wants to scream, she says calmly, ¡°You don¡¯t need guns. He¡¯s unarmed.¡±


    The marksmen still hold their ground, covering for an officer in a suit who follows them down the stairs.


    ¡°I knew it was a bad idea,¡± Grace tells him. ¡°I told Argie, but he wouldn¡¯t listen.¡±


    The officer sizes Grace up quickly, dismissively, just as everyone does. He guesses she¡¯s low-cortical and pats her shoulder. ¡°You¡¯ve done a good thing, miss.¡±


    More officers come into the cellar, making it crowded.


    The figure tied to the pole is limp and semiconscious. The lead officer grabs his hair to lift his head and looks into his face.


    ¡°Who the hell is this?¡±


    ¡°My brother, Argent,¡± Grace says. ¡°I told him not to steal all this stuff from the supermarket. I told him he¡¯d be in big trouble. I knocked him out and tied him up. I had to hurt him, see, so he wouldn¡¯t get shot. He¡¯s not resisting, right? So you¡¯ll go easy on him, won¡¯t you? Won¡¯t you? Tell me you¡¯ll go easy on him!¡±

 Page 10

    The officer is no longer kind to Grace. Instead he glares at her. ¡°Where¡¯s Lassiter?¡±


    ¡°Who?¡±


    ¡°Connor Lassiter!¡± Then he pulls out the picture of Argent with the Akron AWOL that he must have downloaded off the net.


    ¡°Oh, that? Argie made that up on the computer. It was a gag for his friends. Looks real, don¡¯t it?¡±


    The other officers look to one another. The lead man is not pleased in the least. ¡°I¡¯m supposed to believe that?¡±


    Grace shakes her brother¡¯s shoulder. ¡°Argie, tell them.¡±


    Grace waits. Argie might have a lot of faults, but he¡¯s pretty good at self-preservation. Like Conner said, ¡°aiding and debating¡±¡ªor whatever it¡¯s called¡ªis a serious crime. But only if you get caught.


    Argent glares at Grace through his blood-clouded eyes. He radiates a sibling hatred that could kill if it were set free. ¡°It¡¯s the truth,¡± he growls. ¡°Gag photo. For my friends.¡±


    It¡¯s not what the officer wants to hear. The other men chuckle behind his back.


    ¡°All right,¡± he says, trying to seize what¡¯s left of his authority. ¡°Untie him and get him to a hospital¡ªand go through the house anyway. Find the original file. I want that picture analyzed.¡±


    Then they cut Argie¡¯s ropes and haul him out. He doesn¡¯t complain, doesn¡¯t resist, and he doesn¡¯t look at Grace.


    After the others leave, one of the local deputies lingers, looking around at the stockpile of food. ¡°He stole all this huh?¡±


    ¡°You still gonna arrest him?¡±


    The deputy actually laughs. ¡°Not today, Gracie.¡±


    Now she recognizes him as a man she went to school with. She recalls he used to tease her, but he seems to have mellowed¡ªor at least redirected his bad into good.


    ¡°Thank you, Joey,¡± she says, remembering his name, or at least hoping she remembered it right.


    Grace thinks he¡¯s going to leave, but he takes a second look around at the stockpiles of emergency supplies. ¡°That¡¯s an awful lot of potatoes.¡±


    Gracie hesitates and shrugs. ¡°So? Potatoes is potatoes.¡±


    ¡°Sometimes they are, and sometimes they¡¯re not.¡± Then he pulls out his pistol, keeping his eyes trained on the large pile of potato sacks. ¡°Out of the way, Gracie.¡±


    8 ? Connor


    The deputy only suspects Connor¡¯s presence, but doesn¡¯t really believe it. Clearly he doesn¡¯t give Grace credit enough to be harboring a fugitive. He thinks she¡¯s too dim-witted to pull it off. Once he finds Connor, he¡¯s just as likely to shoot him on the spot as not, because killing the Akron AWOL is just as good as capturing him. All Connor has in his favor now is the element of surprise, but that will be gone once he¡¯s discovered¡ªso the instant the deputy begins poking around the potato sacks, Connor makes his move, lunging out of the sack he¡¯s hiding in, grabbing him by the ankles, and pulling his feet out from under him.


    The man goes down, shouting in surprise, and his weapon, which he was not holding on to the way a deputy should, flies free. Grace goes for the weapon as the man lands in a stack of water bottles, sending them bouncing and rolling all over the ground.


    Connor¡¯s arms are still wrapped around the guy¡¯s ankles, and he finds there¡¯s only one thing he can say under the circumstances.


    ¡°Nice socks.¡±


    Grace stands above them, aiming the gun at the deputy¡¯s chest. ¡°Don¡¯t move and don¡¯t call to the others or I swear I¡¯ll shoot.¡±


    ¡°Hold on there, Gracie,¡± he says, trying to charm himself out this. ¡°You don¡¯t want to do this.¡±


    ¡°You shut up, Joey! I know what I do and don¡¯t want to do, and right now I want to see you in your underwear.¡±


    ¡°What?¡±


    Connor laughs, immediately getting what Grace has in mind. ¡°You heard the lady. Strip down!¡± Connor wriggles the rest of the way out of the burlap sack and begins stripping down too, exchanging his clothes for the deputy¡¯s. While Connor had thought he¡¯d be in charge of his own escape, he lets Grace take the lead. He¡¯s awed by what she¡¯s managed to accomplish up till now, and as the Admiral once told him, ¡°a true leader never puts his ego ahead of his assets.¡± And Grace Skinner is an asset of the highest order.


    ¡°What¡¯s the game, Grace?¡± Connor asks, as he puts on the deputy¡¯s pants.


    ¡°The kind we win,¡± she says simply. Then to the deputy, ¡°Go on¡ªthe shirt too.¡±


    ¡°Grace . . .¡±


    ¡°No backtalk or I¡¯ll fill ya full a¡¯ lead!¡±


    Connor chuckles at the silver-screen gangland clich¨¦. ¡°Technically bullets aren¡¯t made of lead anymore¡ªand let¡¯s not even mention the ceramic ones they use on clappers.¡±


    ¡°Yeah, yeah¡ªno backtalk from you, either.¡±


    Joey the deputy, Connor notes, wears plain gray boxers that have seen better days, sitting limply under a pale belly that has probably gone from six-pack to kegger since his high school days. If Grace really did have an interest in seeing him in his skivvies, she must be disappointed.


    ¡°Where d¡¯ya think you¡¯re gonna run, Gracie? You¡¯ve never been out of Heartsdale. This guy¡¯ll dump you at the first rest stop, and then what?¡±


    ¡°Why should you care?¡±


    ¡°Put your back against the pole, please,¡± Connor says. Connor ties him as tightly as he can, but then Grace grabs a jagged piece of the broken bong from the floor and puts it into the deputy¡¯s bound hands so that he can eventually cut himself free.


    ¡°They¡¯ll all be after you the second I get loose. You know that, don¡¯t you?¡±


    Grace shakes her head. ¡°Nope. The second you get loose, you¡¯re gonna scoot yourself upstairs and hide in the bushes.¡±


    ¡°What?¡±


    ¡°That¡¯s right¡ªyou¡¯ll hide there till everyone else is gone. Then you¡¯re gonna stroll on over to the Publix parking lot and collect your car, because that¡¯s where we¡¯re gonna leave it, keys and all. Then you¡¯re gonna go about the rest of your day like nothin¡¯ ever happened, and when people ask where you were, you were out gettin¡¯ lunch.¡±


    ¡°You¡¯re crazy! Why would I do that?¡±


    ¡°Because,¡± says Grace, ¡°if you don¡¯t keep this a secret, everyone in Heartsdale is gonna know you were outsmarted by dumb old Grace Skinner, and you¡¯ll be a laughingstock till the cows come home, and they ain¡¯t comin¡¯ home anytime soon!¡±


    Connor just smiles, watching the deputy¡¯s face get beet-red and his lips purse into angry slits. ¡°You low-cortical bitch!¡± he growls.


    ¡°I should shoot you in the kneecap for that,¡± Grace says, ¡°but I won¡¯t because I¡¯m not that kinda girl.¡±


    Connor puts on the deputy¡¯s hat. ¡°Sorry, Joey,¡± he says. ¡°It looks like you¡¯ve been double-gammoned.¡±


    9 ? Lev


    It¡¯s only a hunch. And if he¡¯s wrong, his actions will make things worse¡ªbut he foolishly acts on his gut, because he needs it to be true. Because if it¡¯s not true, then Connor is done for.


    There is a whole series of observations that are feeding into this hunch:


    ¡ªThe fact that the deputy comes from behind the house rather than walking out through the front door.


    ¡ªThe fact that he seems to intentionally avoid the other officers.


    ¡ªThe fact that his hat is pulled low on his forehead, shielding his face like a sombrero.


    ¡ªThe easy way he grips the arm of the woman he¡¯s taking into custody¡ªthe same one who came to give Lev the message. The deputy escorts her to a police car by the curb, and Lev can tell that her behavior is off too. It¡¯s as if she¡¯s anxious to get to the car, rather than resistant.


    And then there¡¯s the way that officer walks¡ªwith one arm stiff and pressed to his side, as if he¡¯s in pain. Maybe from a wound on his chest.


    The two get in the police car and drive off¡ªand although Lev can¡¯t get a clear enough look at the deputy¡¯s face, the hunch is pinging Lev¡¯s brain on all frequencies. Only after the squad car has driven away does Lev convince himself that this is Connor in disguise, effecting a clever escape right beneath the noses of law enforcement.


    Lev knows that when the car reaches the end of the street, it will have to turn right on Main, and now he¡¯s thankful that he had spent most of the day searching the town, because he knows things he might not otherwise know. Such as the fact that Main is in the midst of heavy construction, and all traffic will be diverted down Cypress Street, two blocks away. If Lev can cut through a series of front and back yards, he can get there first. He takes off, knowing if he makes it there, it will only be by seconds.


    The first yards have no fences. Nothing dividing one property from another except for the state of the grass¡ªwell tended in one yard, neglected in the next. In a moment, he¡¯s tearing across an adjacent street to the second set of yards. There¡¯s a picket fence in the front yard of the next house, but it¡¯s a low one, and he¡¯s quickly able to get over it, onto artificial turf of a weird aquamarine shade.


    ¡°Hey, whad¡¯ya think you¡¯re doing?¡± a man shouts from the porch, his toupee as artificial as his lawn. ¡°This here¡¯s private property!¡±


    Lev ignores him and runs down the side yard to the back, coming to his only major obstacle: a wooden fence six feet high that divides one backyard from another. On the other side of that fence a dog begins barking as Lev climbs. He can tell it¡¯s no small dog either.


    Can¡¯t think about that now. He reaches the top and drops down so close to a huge German shepherd mix, the dog is taken aback. It barks its head off, but its brief hesitation gives Lev the advantage. He bolts down the side yard, through an easy latched gate, and to a front yard, where the owner opted for low-maintenance river stones instead of grass. This is Cypress Street, where more traffic flows than would usually be the case when the main drag isn¡¯t closed for construction. Lev can see the police car accelerating down the street toward him. The only thing between him and the street is a dense hedge, just high enough to be a problem, and he thinks how stupid if, after everything, he¡¯s screwed because of some lousy bush. He hurdles the hedge, but all that adrenaline-pumped momentum takes him too far, and there are no sidewalks on these streets. He lands on the asphalt of Cypress Street, right in the path of the approaching police car.


    10 ? Connor


    ¡°Of all the freaking days to have roadwork!¡± Connor had been certain that they were going to be made. That one of the other drivers caught in the construction traffic was going to look into the car and see that he¡¯s not deputy Joey at all.


    ¡°It¡¯s not just today,¡± Grace tells him. ¡°They been diggin¡¯ up that sewer pipe for weeks. Stinks to high heaven too.¡±


    Connor had been careful to avoid the traffic cones and any eye contact with the utility workers. Having followed the detour arrows, he now floors the accelerator down Cypress Street, speed limit be damned. Who¡¯s gonna pull over a cop car for speeding?

 Page 11

    Then suddenly some kid leaps into the road in front of him, and he immediately flashes back to the damnable ostrich¡ªbut if there¡¯s roadkill today, it will be a lot worse than a dead bird. Connor slams on the brakes. He and Grace lurch forward. He hears the thud as the reckless kid connects with the front bumper. The car finally stops, and mercifully there is no telltale lurch of the car climbing over the kid¡¯s body. He was hit, but not run over. He had been hit pretty solidly, though.


    ¡°Ooh, this is bad, Argie!¡± Grace says, probably not even realizing she just called Connor Argie.


    Connor considers just speeding off and leaving the scene¡ªbut he considers it for only a fraction of a second before dismissing it. That¡¯s not him. Not anymore. Some things have grown larger in him than primal self-preservation. Instead he gets out of the car to assess how bad this is and makes a pact with his survival instinct. If the kid is dead, then Connor will speed off and add hit-and-run to his list of offenses. Staying at the scene will not help a dead kid. But if he¡¯s alive, Connor will stay and do what must be done until help arrives. And if it means capture, then that will be that.


    The figure lying sprawled on the road is groaning. Connor is relieved that he¡¯s alive but gripped with the fear of what will happen now. Then those feelings are slapped out of his head by shock and absolute disbelief when he sees who it is.


    Lev¡¯s face is a grimace of pain. ¡°It is you,¡± Lev says. ¡°I knew it.¡±


    Speechless doesn¡¯t even begin to describe Connor¡¯s state.


    ¡°Is he dead?¡± Grace asks, stepping out of the car and covering her eyes. ¡°I don¡¯t wanna look¡ªis he dead?¡±


    ¡°No, but . . .¡± Instead of saying anything more, he lifts Lev up, and Lev releases a helpless wail. Only now does Connor notice that Lev¡¯s shoulder is bulging forward in a very unnatural way. Connor knows he can¡¯t allow himself to think about that now.


    ¡°It¡¯s him?¡± says Grace, having uncovered her eyes. ¡°What¡¯s he doing here? Did you plan this? It wasn¡¯t a very good plan, if you did.¡±


    On porches around them, people have come out to observe the little drama. Connor can¡¯t think about that now either. He gingerly puts Lev into the backseat and has Grace sit with him. Then he gets back in himself, feigning calm, and drives off.


    ¡°Hospital¡¯s up on Baxter,¡± Grace says.


    ¡°Can¡¯t,¡± Connor tells her. ¡°Not here.¡± Although he knows he means not anywhere. Medical attention brings other attention, too. If they bring Lev to a hospital, they¡¯ll know who he is within minutes. Not only did Lev break house arrest; he ran from the people protecting him from the Juvenile Authority. Which means there¡¯s no place safe to take him between here and Sonia¡¯s.


    Grace leans closer to Lev, looking at his shoulder. ¡°Dislocated,¡± she says. ¡°Happened to Argent once. Playing Ping-Pong. Rammed his shoulder into a wall. Blamed me for it, a¡¯ course, since I sent him chasing the ball. Won the point too.¡± She puts both her hands on Lev¡¯s shoulder. ¡°This is gonna hurt like a son of a bitch.¡± Then she shoves with the full force of her weight.


    Lev releases a siren wail of pain that makes Connor swerve out of his lane. Then Lev sucks in a breath and screams again. The third one is more of a whimper. When Connor looks back, he sees that Lev¡¯s shoulder has popped into place.


    ¡°Like diving into a cold pool,¡± Grace says. ¡°Gotta do it quick before you start thinkin¡¯ on it.¡±


    Even in his pain, Lev has the presence of mind to actually thank her for fixing his shoulder, but there must be more going on inside that they can¡¯t see, because Lev grimaces in pain every time he shifts position.


    Following Grace¡¯s plan, they pull into the supermarket parking lot and leave the squad car there, along with the keys and the deputy¡¯s gun¡ªbecause a missing gun will beg too many questions. Leave the man his car and his gun, and he might just keep quiet to save himself from humiliation.


    Connor hot-wires a blue Honda, out in the open, caution be damned, and in two minutes they¡¯ve switched vehicles and are on the road again, heading for the interstate. It¡¯s not a pleasant vehicle. The entire car smells of ass sweat and stale potato chips. The steering wheel shimmies, betraying poor alignment. But as long as it gets them the hell out of Heartsdale, it¡¯s a magic coach as far as Connor is concerned. The town itself, however, seems to have taken umbrage against them. They hit every vindictive pothole and every pointless red light Heartsdale has to offer. Lev groans, grimaces, and hisses at every jolt.


    ¡°It¡¯ll get worse before it gets better,¡± Grace says, stating the obvious, and Connor must suppress an urge to yell at her the way Argent might. Unlike Argent, Connor knows that it¡¯s not Grace he¡¯s frustrated with; it¡¯s the entire situation.


    At the last stop light before the interstate, Connor turns to look at Lev and asks him to lift his shirt.


    ¡°Why do you want him to do that?¡± asks Grace.


    ¡°Because there¡¯s something I need to see.¡±


    Lev lifts his shirt, and Connor grimaces as his worst fear is realized. The accident didn¡¯t just dislocate Lev¡¯s shoulder. His whole side has turned sunset purple. There¡¯s internal bleeding, and there¡¯s no way to know how bad it is.


    ¡°Lordy, lordy, lordy,¡± Grace says, her voice shaky. ¡°You shouldn¡¯t a¡¯ hit him! You shouldn¡¯t a¡¯ hit him!¡±


    ¡°Okay,¡± Connor says, feeling himself getting light-headed. ¡°Okay, now we know.¡±


    ¡°What do we know?¡± warbles Grace in a panic. ¡°We don¡¯t know nothin¡¯!¡±


    ¡°You know my deep dark secret,¡± Lev says lazily. ¡°I¡¯m turning into an eggplant.¡± He tries to laugh at his own joke, but the laugh is aborted because it causes him too much pain.


    Risa would know what to do, Connor thinks. He tries to hear her voice in his head. The clarity of her thought. She ran the infirmary at the Graveyard better than a professional. Tell me what to do, Risa. But today she¡¯s mute and feels farther away than she ever did. It only increases Connor¡¯s longing for her and his despair. When they get to Sonia, she¡¯ll have a whole list of physicians supporting the cause, but this is still Kansas. Ohio never felt so far away.


    He glances at the glove compartment. People sometimes keep ibuprofen or Aspirin in there, although he doesn¡¯t expect that much luck, considering how his luck has been running lately. Luck, however, is too dumb to remain consistent, and as he reaches over and opens the glove box, a clatter of orange vials spills out.


    Connor releases a breath of sheer relief and begins tossing them to Grace in the back. ¡°Read me what they are,¡± Connor says, and Grace almost preens at the request. Whatever developmental issues she has, difficulty in reading complicated words is not one of them. She rattles off medication names Connor probably couldn¡¯t even pronounce himself. Some of them he recognizes; others he is clueless about. One thing¡¯s for sure¡ªwhoever belongs to this car is either very sick, a hypochondriac, or just a druggie.


    Among the medications in the dashboard pharmacy are Motrins the size of horse pills and hydrocodone caplets almost as big.


    ¡°Great,¡± he tells Grace. ¡°Give Lev those two. One of each.¡±


    ¡°With nothing to drink?¡± asks Grace.


    Connor catches Lev¡¯s gaze in the rearview mirror. ¡°Sorry, Lev¡ªeither swallow them dry or chew them. We can¡¯t stop for drinks right now, and better you get those meds in your system now than wait.¡±


    ¡°Don¡¯t make him do that!¡± Grace complains. ¡°It¡¯ll taste bad.¡±


    ¡°I¡¯ll deal,¡± Lev says. Connor doesn¡¯t like how weak his voice sounds.


    Lev works up some saliva, pops both pills at once, and manages to swallow them with just a little bit of gagging.


    ¡°Okay. Good,¡± says Connor. ¡°We¡¯ll stop in the next town and get ice to help with the swelling.¡±


    Connor convinces himself that Lev¡¯s situation isn¡¯t all that bad. It¡¯s not like bone is poking through the skin or anything. ¡°You¡¯ll be fine,¡± Connor tells Lev. ¡°You¡¯ll be fine.¡±


    But even after they get ice ten miles down the road, Connor¡¯s mantra of ¡°you¡¯ll be fine,¡± just isn¡¯t ringing true. Lev¡¯s side is darkening to a dull, puffy maroon. His left hand and fingers are swelling too, looking cartoonish and porcine. It¡¯ll get worse before it gets better. Grace¡¯s words echo in Connor¡¯s thoughts. He catches Lev¡¯s gaze in the rearview mirror. Lev¡¯s eyes are wet and rheumy. He can barely keep them open.


    ¡°Stay awake, Lev!¡± Connor says a bit too loudly. ¡°Grace, make him stay awake.¡±


    ¡°You heal when you sleep,¡± Grace tells him.


    ¡°Not if you¡¯re going into shock. Stay awake, Lev!¡±


    ¡°I¡¯m trying.¡± His voice is beginning to slur. Connor wants to believe it¡¯s because of the medication, but he knows better.


    Connor keeps his eyes fixed on the road. Their options are slim and the reality severe. But then Lev says, ¡°I know a place we can go.¡±


    ¡°Another joke?¡± asks Connor.


    ¡°I hope not.¡± Lev takes a few slow breaths before he can build up the strength, or perhaps the courage, to tell them. ¡°Get me to the Ar¨¢pache Rez. West of Pueblo, Colorado.¡±


    Connor knows Lev must be delirious. ¡°A ChanceFolk reservation? Why would ChanceFolk have anything to do with us?¡±


    ¡°Sanctuary,¡± Lev hisses. ¡°ChanceFolk never signed the Unwind Accord. The Ar¨¢pache don¡¯t have an extradition treaty. They give asylum to AWOL Unwinds. Sometimes.¡±


    ¡°Asylum is right!¡± says Grace. ¡°No way I¡¯m going to a SlotMonger rez!¡±


    ¡°You sound like Argent,¡± Connor scolds. That gives her pause for thought.


    Connor considers their options. Seeking asylum from the Ar¨¢pache would mean turning around and heading west, and even if they pushed the car, it would take at least four hours to get to the reservation. That¡¯s a long time for the state that Lev¡¯s in. But it¡¯s either that, or turn themselves in at the nearest hospital. That¡¯s not an option.


    ¡°How do you know all this about the Ar¨¢pache?¡± Connor asks.


    Lev sighs. ¡°I¡¯ve been around.¡±


    ¡°Well,¡± says Connor, more than a little bit nervous, ¡°let¡¯s hope you¡¯re around a little while longer.¡± Then he turns the car across the dirt median and heads west, toward Colorado.


    11 ? Rez Sentry


    In spite of all the literature and spin put forth by the Tribal Council, there is nothing noble about being a sentry at an Ar¨¢pache Reservation gate. Once upon a time, when the United States was just a band of misfit colonies, and long before there were fences and walls marking off Ar¨¢pache land, things were different. Back then, to be a perimeter scout was to be a warrior. Now all it means is standing in a booth in a blue uniform, checking passports and papers and saying h¨ª¨ªsi¡¯ honobe, which roughly translates to ¡°Have a beautiful day,¡± proving that the Ar¨¢pache are not immune to the banality of modern society.

 Page 12

    At thirty-eight, the rez sentry is the oldest of three on duty today at the east gate, and so, by his seniority, he¡¯s the only one allowed to carry a weapon. However, his pistol is nowhere near as elegant and meaningful as the weapons of old, in those times when they were called Indians rather than ChanceFolk . . . or ¡°SlotMongers,¡± that hideous slur put upon them by the very people who made casino gaming the only way tribes could earn back their self-reliance, self-respect, and the fortunes leeched from them over the centuries. Although the casinos are long gone, the names remain. ¡°ChanceFolk¡± is their badge of honor. ¡°SlotMongers¡± is their scar.


    It¡¯s late afternoon now. The line at the nonresident entry gate just across Grand Gorge Bridge is at least thirty cars deep. This is a good day. On bad days the line backs up to the other side of the bridge. About half of the cars in the line will be turned away. No one gets on the rez who doesn¡¯t either live there or have legitimate business.


    ¡°We just want to take some pictures and buy some ChanceFolk crafts,¡± people would say. ¡°Don¡¯t you want to sell your goods?¡± As if their survival were dependent upon hawking trinkets to tourists.


    ¡°You can make a U-turn to your left,¡± he would politely tell them. ¡°H¨ª¨ªsi¡¯ honobe!¡± He would feel for the disappointed children in the backseat, but after all, it¡¯s their parents¡¯ fault for being ignorant of the Ar¨¢pache and their ways.


    Not every tribe has taken such an isolationist approach, of course, but then, not many tribes have been as successful as the Ar¨¢pache when it came to creating a thriving, self-sustaining, and admittedly affluent community. Theirs is a ¡°Hi-Rez,¡± both admired and resented by certain other ¡°Low-Rez¡± tribes who squandered those old casino earnings rather than investing in their own future.


    As for the gates, they didn¡¯t go up until after the Unwind Accord. Like other tribes, the Ar¨¢pache refused to accept the legality of unwinding¡ªjust as they had refused to be a part of the Heartland War. ¡°Swiss Cheese Natives,¡± detractors of the time had called them, for the ChanceFolk lands were holes of neutrality in the midst of a battling nation.


    So the rest of the country, and much of the world, took to recycling the kids it didn¡¯t want or need, and the Ar¨¢pache Nation, along with all the rest of the American Tribal Congress, proclaimed, if not their independence, then their recalcitrance. They would not follow the law of the land as it stood, and if pressed, the entire Tribal Congress would secede from the union, truly making Swiss cheese of the United States. With one costly civil war just ending, Washington was wise to just let it be.


    Of course, court battles have been raging for years as to whether or not the Ar¨¢pache Nation has the right to demand passports to enter their territory, but the tribe has become very adept at doing the legal dance. The sentry doubts the issue will ever be resolved. At least not in his lifetime.


    He processes car after car beneath an overcast sky that threatens rain but holds its water like an obstinate child. Some people get through; others get turned away.


    And then he gets a car of AWOLs.


    He can spot AWOLs the second they pull up. Their desperation wafts out at him like a musk. Although no tribe supports unwinding, the Ar¨¢pache is one of the few that gives sanctuary to AWOL Unwinds, to the constant consternation of the Juvenile Authority. It¡¯s not something they advertise or openly admit, but word gets around, so dealing with AWOLs is just another part of his day.


    ¡°Can I help you?¡± he asks the teenage driver.


    ¡°My friend is injured,¡± he says. ¡°He needs medical attention.¡±


    The sentry looks in the backseat, where a kid in poor shape rests his head in the lap of a girl in her early twenties who looks a little bit off. The kid in back doesn¡¯t appear to be faking it.


    ¡°Best if you turn around,¡± the sentry tells him. ¡°There¡¯s a hospital in Ca?on City¡ªit¡¯s much closer than the reservation¡¯s medical lodge. I¡¯ll give you directions if you like.¡±


    ¡°We can¡¯t,¡± says the driver. ¡°We need sanctuary. Asylum. Do you understand?¡±


    So he was right after all. They¡¯re AWOLs. The sentry scans the line of cars waiting to get through the bottleneck. One of the other guards looks at him to see what he¡¯ll do. Their policy is very clear, and he must set an example for his coworkers. Being a rez sentry is not noble.


    ¡°I¡¯m afraid I can¡¯t help you.¡±


    ¡°See?¡± says the girl in the back. ¡°I knew this was a bad idea.¡±


    But the kid driving won¡¯t be deterred. ¡°I thought you take in AWOLs.¡±


    ¡°AWOLs must be sponsored before we can let them in.¡±


    The kid can¡¯t hold in his frustration. ¡°Sponsored? Are you serious? How would AWOL Unwinds get sponsored?¡±


    The sentry sighs. Does he really have to spell it out? ¡°You have to have a sponsor to enter officially,¡± he says. ¡°But if you can find your way in unofficially, chances are you¡¯ll find someone to sponsor you.¡± Only now does the sentry notice something familiar about his face, but he can¡¯t place where he¡¯s seen him before.


    ¡°We don¡¯t have time for that! Do you think he¡¯s going to climb a fence?¡± The driver indicates the semiconscious kid in the back, who, come to think of it, also looks familiar. Considering that kid¡¯s sorry state, the sentry considers stepping forward to sponsor them himself, but he knows it will cost him his job. He¡¯s paid to keep people out, not find ways to let them in. Compassion is not part of his job description.


    ¡°I¡¯m sorry, but¡ª¡±


    And then the injured kid speaks up, as if out of a dream. ¡°Friend of Elina Tashi¡¯ne,¡± he mumbles.


    That surprises the sentry. ¡°The medicine woman?¡± There are many thousands on the rez, but there are those whose reputation is well known. The Tashi¡¯ne family is very highly regarded¡ªand everyone knows about the terrible tragedy they endured. Cars in line begin to honk, but he ignores them. This has gotten interesting.


    The kid driving looks back at his delirious friend, as if this is a surprise to him as well.


    ¡°Call her,¡± the injured kid says; then his eyes flutter closed.


    ¡°You heard him!¡± says the driver. ¡°Call her!¡±


    The sentry calls the medical lodge and is quickly transferred to Dr. Elina. ¡°Sorry to bother you,¡± he tells her, ¡°but there are some kids here at the east gate, and one of them claims to know you.¡± He turns to the kid in the back, but he¡¯s gone unconscious, so he asks the driver, ¡°What¡¯s his name?¡±


    The driver hesitates, then finally says, ¡°Lev Garrity. But she probably knows him as Lev Calder.¡±


    The sentry does a double take. All at once he recognizes Lev, and the driver, too. He¡¯s that kid they call the Akron AWOL. Connor something-or-other. The one who¡¯s supposed to be dead. As for Lev, he was infamous on the rez before he became ¡°the clapper who wouldn¡¯t clap.¡± You can¡¯t speak the name of poor Wil Tashi¡¯ne without also thinking of Lev Calder and his involvement in that tragedy. And his friends here probably don¡¯t even know. He imagines Lev wouldn¡¯t talk much about what happened that awful day.


    The sentry tries to hide his shock, but he doesn¡¯t do a good job of it. Connor registers mild disgust. ¡°Just tell her, okay?¡±


    ¡°Brace yourself,¡± he says into the phone. ¡°It¡¯s Lev Calder. And he¡¯s injured.¡±


    A long pause. The honking cars continue to build into a dissonant chorus. Finally Dr. Elina says, ¡°Send him in.¡±


    He hangs up the phone and turns to Connor. ¡°Congratulations,¡± he says, feeling just the slightest bit noble. ¡°You¡¯ve got yourselves a sponsor.¡±


    Part Two


    Fine Young Specimens


    GLOBAL ORGAN HARVESTING A BOOMING BLACK MARKET BUSINESS; A KIDNEY HARVESTED EVERY HOUR


    By J. D. Heyes


    NaturalNews / Sunday, June 3, 2012


    In this age of instant, mass communication, it¡¯s hard to cover up virtually anything, and yet there¡¯s one story that has yet to be told on a wide scale¡ªhow organ trafficking has ballooned into a global business and that the practice is so widespread, one organ is sold every hour.


    That¡¯s according to the World Health Organization, which said recently in a report that there are new fears the illegal organ trade may once again be rising . . . .


    Kidneys are in high demand


    The World Health Organization says wealthy patients in developed nations are paying tens of thousands of dollars for a kidney to India-, China-, and Pakistan-based gangs, who harvest them from desperate people for as little as a few hundred dollars.


    Eastern Europe, the U.N.¨Cbased health organization says, is becoming fertile ground for black-market organs; recently the Salvation Army said it rescued a woman who had been brought to the United Kingdom to have her organs harvested.


    The illicit kidney trade makes up 75 percent of the black-market organ trade . . . experts say that is likely due to the diseases of affluence such as diabetes, high blood pressure and heart problems.


    And, since there is such disparity between wealthy and poor countries, there isn¡¯t much chance the illicit trade will end anytime soon.


    The full article can be found at:


    http://www.naturalnews.com/036052_organ_harvesting_kidneys_black_market.html


    The Rheinschilds


    It¡¯s begun. The newly established Juvenile Authority, as its first official act, has announced its first unwinding facility. Cook County Juvenile Temporary Detention Center, in Chicago, the largest facility for juvenile incarceration in the country, is to be retrofitted with three operating rooms and a thirty-three member surgical staff.


    Janson Rheinschild reads the article in his research office, nestled in a building named for him and his wife on the campus of Maryland¡¯s Johns Hopkins University. The article about the unwinding center is small and buried so deep in the newsfeed, no one who¡¯s not looking for it will find it.


    Unwinding creeps in on the hushed feet of angels.


    There is no call from Proactive Citizenry to gloat. They have dismissed him and Sonia as irrelevant. He looks to the gold medallion across the room sitting in a clear glass display case. What does a Nobel Prize in science mean when your lifesaving work has been transformed into an excuse to end life?


    ¡°But life doesn¡¯t end,¡± the smiling proponents of unwinding all insist. ¡°It just transforms. We like to call it ¡®living in a divided state.¡¯?¡±


    As he prepares to leave his office, on sudden impulse he punches the display case and the glass shatters. Then he stands there feeling stupid for what he¡¯s done. The medallion lies amid the shards, knocked off its base. He rescues it, shoving it into his jacket pocket.


    ? ? ?


    As he pulls up his driveway, he sees that the pickup is gone. Sonia is at it again. Garage sales and flea markets, which means it must be Saturday. Janson has lost track of the days. Sonia drowns her disillusionment by hunting for knickknacks and old furniture that they don¡¯t need. She hasn¡¯t been to her own research offices for weeks. It¡¯s as if she¡¯s given up on medical science completely and has retired at forty-one.

 Page 13

    The front door is unlocked¡ªcareless of her to leave it that way. But a moment later, as he crosses from the foyer into the living room, he learns in no uncertain terms that it wasn¡¯t her doing. He¡¯s hit in the head with one of his wife¡¯s heavier knickknacks and falls to the ground. Dazed, but still conscious, he looks up to see the face of his attacker.


    It¡¯s just a kid of maybe sixteen. One of the ¡°ferals¡± the news and neighbors keep complaining about. The lawless, vicious by-product of modern civilization. He¡¯s gangly and malnourished, with an anger in his eyes that was only partially relieved by smashing a stranger in the head.


    ¡°Where¡¯s the money?¡± he demands. ¡°Where¡¯s the safe?¡±


    Even in pain, Janson can almost laugh. ¡°There is no safe.¡±


    ¡°Don¡¯t lie to me! A house like this always has a safe!¡±


    He marvels at how the boy can be so dangerous and so naive at once. But then again, ignorance and blind cruelty have been known to go hand in hand. On a dark whim, Rheinschild reaches into his coat pocket and tosses the kid his medal.


    ¡°Take it. It¡¯s gold,¡± he says. ¡°I have no use for it anymore.¡±


    The kid catches the medal in a hand that¡¯s missing two fingers. ¡°You¡¯re lying. This ain¡¯t gold.¡±


    ¡°Fine,¡± says Rheinschild. ¡°So kill me.¡±


    The kid turns the medallion over in his hands a few times. ¡°The Nobel Prize? I don¡¯t think so. It¡¯s fake.¡±


    ¡°Fine,¡± says Rheinschild again. ¡°So kill me.¡±


    ¡°Shut up! I didn¡¯t say anything about killing you, did I?¡± The teen hefts it, feeling its weight. Rheinschild pulls himself up to a sitting position, still feeling his head spin from the blow. He may have a concussion. He doesn¡¯t care.


    The kid then looks around the living room, which is filled with awards and citations that Janson and Sonia received for their groundbreaking work. ¡°If this is real, whad¡¯ya win it for?¡±


    ¡°We invented unwinding,¡± Rheinschild says. ¡°Although we didn¡¯t know it at the time.¡±


    The kid lets loose a bitter, disbelieving guffaw. ¡°Yeah, right.¡±


    The young burglar could leave with his prize, but he doesn¡¯t. Instead he lingers. So Rheinschild asks, ¡°What happened to your fingers?¡±


    The kid¡¯s distrustful gaze notches toward anger again. ¡°Why is that your business?¡±


    ¡°Was it frostbite?¡±


    His attacker is taken aback, surprised by Rheinschild¡¯s guess. ¡°Yeah, it was. Most people think it was fireworks or something stupid like that. But it was frostbite last winter.¡±


    Rheinschild pulls himself up into a chair.


    ¡°Who said you could move?¡± But they both know the kid¡¯s posturing is now all for show.


    Rheinschild takes a good look at him. It appears he hasn¡¯t been introduced to a shower in this lifetime. Rheinschild can¡¯t even tell the color of his hair. ¡°What is it that you need?¡± Rheinschild asks him.


    ¡°Your money,¡± he says, looking down his nose at him.


    ¡°I didn¡¯t ask you what you want. I asked you what you need.¡±


    ¡°Your money!¡± he says again, a little more forcefully. Then he adds a bit more gently: ¡°And food. And clothes. And a job.¡±


    ¡°What if I gave you one of the three?¡±


    ¡°What if I bashed your head in a little deeper than I already did?¡±


    Rheinschild reaches into his pocket, pulls out his wallet, intentionally revealing that there are a few bills in there, but instead of the bills he tosses the boy his business card.


    ¡°Come to that address at ten on Monday. I¡¯ll put you to work and pay you a livable wage. If you want to buy food and clothes with it, that¡¯s fine with me. If you want to squander it, that¡¯s fine with me too. Just as long as you show up every day, five days a week. And you take a shower before you do.¡±


    The kid sneers at him. ¡°And you¡¯ll have the Juvey-cops waiting there for me. Do you think I¡¯m stupid?¡±


    ¡°There¡¯s not enough empirical evidence to make that judgment.¡±


    The kid shifts his weight from one foot to another. ¡°So what kind of work is it?¡±


    ¡°Biological. Medical. I¡¯m working on something that could end unwinding, but I need a research assistant. Someone who isn¡¯t secretly on Proactive Citizenry¡¯s payroll.¡±


    ¡°Proactive Who?¡±


    ¡°Good answer. As long as you can say that, you¡¯ll have job security.¡±


    The kid considers it, then looks at the medallion in his three-fingered hand. He tosses it back to Rheinschild. ¡°You shouldn¡¯t walk around with this. You should frame it or something.¡±


    Then he leaves with nothing more than he had when he broke in, except for a business card.


    Rheinschild is sure he¡¯ll never see the kid again. He finds himself pleasantly surprised when the boy shows up at his research office on Monday morning, wearing the same filthy clothes, but freshly showered beneath them.


    12 ? Risa


    She cannot believe the position she¡¯s put herself in.


    All this time surviving against overwhelming odds and now, thanks to her own stupidity, she¡¯s going to die.


    She blames her own arrogance for her downfall. She was so certain she was too clever, too observant, to be snagged by a parts pirate¡ªas if somehow she existed on a higher plane.


    A crumbling barn on a marginally functional farm in Cheyenne, Wyoming. She had found it in the midst of a storm and had gone in to take shelter from the rain. In one stall there was a shelf stocked with food.


    Stupid, stupid, stupid! What was food doing in a deserted barn? If she had been thinking, she would have run and risked the lightning, but she was tired and hungry. Her guard was down. She reached for a bag of chips, hit a trip wire, and a spring-loaded steel cable wrapped around her wrist. She was caught like a rabbit. She tried to tug free, but the slipknot cable was designed to ratchet tighter and tighter the more she pulled.


    The parts pirate had been careless enough to leave various farm tools within her reach, but none of them were of the type to cut a steel cable. After an hour of struggling, Risa realized there was nothing to do but wait¡ªand envy wild animals who had the good sense to gnaw off their own limbs to escape from traps.


    That was last night. Now as morning comes, Risa, having not slept at all, must face a fresh hell. The parts pirate comes an hour after sunrise. He¡¯s a middle-aged man with a bad scalp job. His mop of boyish blond hair doesn¡¯t make him look boyish, just creepy. He practically dances a jig when he sees that his trap has done the job.


    ¡°Been there for months and nothing,¡± he tells Risa. ¡°I was ready to give up¡ªbut good things come to those who wait.¡±


    Risa seethes and thinks of Connor. She wishes she could have been more like him last night. Connor would never be so foolish as to allow himself to be captured by an imbecile.


    Clearly this guy¡¯s an amateur, but as long as he¡¯s got the goods, the black-market harvesters won¡¯t turn him away. He doesn¡¯t recognize her. That¡¯s good. The black market pays more for the infamous¡ªand she doesn¡¯t want this man to get paid what she¡¯s worth. Of course that assumes he gets that far. Risa has had all night to come up with a plan of action.


    ¡°Selling you might just get the banks off my back,¡± he tells her jovially. ¡°Or at least get me a decent car.¡±


    ¡°You have to cut me loose first before you can sell me.¡±


    ¡°Indeed I do!¡±


    He looks at her a little too long, his grin a little too wide, and it occurs to Risa that selling her to a black-market harvester is only at the end of his list of planned activities. But whatever his plans, he¡¯s the type who has to have everything just right. He goes around the stall and begins cleaning up the mess Risa made in her frustrated attempts to escape.


    ¡°You sure were busy last night,¡± he says. ¡°Hope you got it out of your system.¡±


    Now Risa begins to taunt him. She knows what sorts of things will push this man¡¯s buttons¡ªbut she begins with some easy, glancing blows. She begins with slights against his intelligence.


    ¡°I hate to kill the dream,¡± she says, ¡°but the black market won¡¯t deal with morons. I mean, you have to know how to read if you¡¯re going to sign a contract.¡±


    ¡°Very funny.¡±


    ¡°Seriously, maybe you should have gotten some brains to go along with that hair.¡±


    It only makes him chuckle. ¡°Bad-mouth me all you want, girlie. It¡¯s not gonna change a thing.¡±


    Risa thought there was no way she could possibly hate this man more . . . but calling her ¡°girlie¡± opens up a whole new level of loathing. She begins her next round of attacks¡ªthis time against his family. His gene pool. His mother.


    ¡°So did they slaughter the cow that gave birth to you, or did it die of natural causes?¡±


    He continues his stall tidying, but his focus is gone. Risa can tell he¡¯s getting rankled. ¡°You shut up. I don¡¯t gotta take crap like that from a dirty Unwind bitch!¡±


    Good. Let him curse at her. Because the angrier he gets, the more it plays in Risa¡¯s favor. Now she delivers her final salvo. A series of cruel assertions about the man¡¯s anatomy. Assertions of severe inadequacy. At least some of them must be true, because he loses it, getting red in the face.


    ¡°When I¡¯m done with you,¡± he growls, ¡°you ain¡¯t gonna be worth what you are now¡ªthat¡¯s for sure!¡±


    He lunges for her, his big hands out in front of him¡ªand as he throws himself forward, Risa raises the pitchfork that she¡¯s concealed in the hay. She doesn¡¯t have to do any more than that: just hold the thing up. His weight and momentum do all the work.


    The amateur parts pirate thoroughly impales himself and pulls back, taking the pitchfork with him.


    ¡°Whad¡¯ya do to me! Whad¡¯ya do!¡±


    The pitchfork flails back and forth like an appendage in his chest as he curses and screams. Risa knows it¡¯s hit some vital organ because of all the blood and the speed at which he goes down. In less than ten seconds, he collapses against the far wall of the stall and dies with his eyes open and staring not quite at her, but off to her left, as if maybe in his last moments he saw an angel over her shoulder, or Satan, or whatever a man like him sees when he dies.


    Risa considers herself a compassionate human being, but she feels no remorse for this man. She does, however, begin to feel a deepening sense of regret. Because her hand is still caught in the cable. And the only human being who knows she¡¯s here is now lying across the stall, dead.


    And Risa cannot believe the situation she¡¯s put herself in. Again.


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 Page 14

    ¡ªSponsored by the Tyler Walker Foundation.


    The parts pirate, who had no intention of dying, had left the barn door open. A coyote comes to visit that night. When Risa first sees it, she yells at it, throws hay, and heaves a garden hoe. The hoe hits it on the nose hard enough to make it yelp and leave in a hurry. Risa knows nothing of wild animals, their natures, or habits. She does know that coyotes are carnivorous but she¡¯s not sure if they hunt alone or in packs. If it returns with its mangy brethren, she¡¯s done for.


    It comes back an hour later, alone. It takes little interest in her, other than to note whether or not she¡¯s still in a throwing mood. The point is moot, since there¡¯s nothing left in her reach to throw. She yells at it, but it ignores her, focusing all of its attention on the parts pirate, who isn¡¯t putting up any resistance.


    The coyote dines on the man, who is already beginning to grow rancid in the summer heat. Risa knows the stench will only get worse until, in a day¡¯s time, maybe two, the stench of her own flesh will join his. Perhaps the coyote is smart enough to know that she will eventually die as well and is prioritizing. As far as the coyote is concerned, her continued life is better than refrigeration. It can make several meals of the parts pirate, knowing that, when all is said and done, fresh meat will be waiting.


    Watching the coyote eat eventually desensitizes her to the horror of it. She finds herself objective, almost as if watching from a safe distance. She idly wonders which is crueler, man or nature. She determines it must be man. Nature has no remorse, but neither does it have malice. Plants take in the light of the sun and give off oxygen with the same life-affirming need that a tiger tears into a toddler. Or a scavenger devours a lowlife.


    The coyote leaves. Dawn breaks. Dehydration begins to take its toll on Risa, and she hopes the thirst will kill her before the coyote finds her alive but too weak to fend off its advances. She slips in and out of consciousness, and her life begins to scroll before her eyes.


    The flashing of one¡¯s life, Risa finds, is by no means complete; nor does it take into account the value of memories. It is as random as the stuff of dreams, just a little more connected to what once was.


    The Cafeteria Fight


    She¡¯s seven years old and fighting another girl who insists that Risa stole her clothes. It¡¯s a ridiculous assertion, because everyone in the state home wears the same basic utilitarian uniforms. Risa¡¯s too young at the time to know that it¡¯s not about clothes but about dominance. Social position. The girl is larger than her, meaner than her¡ªbut when the girl pins her to the ground, Risa gouges the girl¡¯s eyes, flips her, and spits in her face¡ªwhich is what the girl was trying to do when she pinned Risa. The girl cries foul when the teachers pull them apart, claiming Risa started it and that she fights dirty. But no adult really cares who started it as long as it ends, and as far as they¡¯re concerned, all fights among state home orphans are dirty. The interpretation among the kids, however, is much different. What matters to them is that Risa won. Few people pick fights with her after that. But the other girl gets no peace from her peers.


    A Practice Room


    She¡¯s twelve and playing piano in a small acoustic-tiled room of Ohio State Home 23. The piano is out of tune, but she¡¯s used to that. Risa plays the Baroque piece flawlessly. In the audience, disembodied faces observe, stony and impassionate, in spite of the passion with which she plays. This time she does fine. It¡¯s only when it matters four years later that she chokes.


    The Harvest Camp Bus


    The administration has decided that the best way to deal with budget cuts is to unwind one-tenth of the home¡¯s teen population. They call it forced downsizing. The glitches and clunkers in Risa¡¯s pivotal piano recital leave her firmly placed within that 10 percent. Sitting next to her on the bus is a mealy boy by the name of Samson Ward. An odd name for a scrawny kid, but since all state home orphans are, by law, given the last name of Ward, first names tend to be, if not entirely unique, at least fairly uncommon and often ironic because they¡¯re not chosen by loving parents, but by bureaucrats. The kind who might think giving a sickly premature baby the name ¡°Samson¡± is droll.


    ¡°I¡¯d rather be partly great than entirely useless,¡± Samson says. This memory has the perspective of hindsight. Samson, she discovered much later, had a secret crush on her, which expressed itself in the person of Camus Comprix. Cam had received the part of Samson¡¯s brain that did algebra and apparently also had fantasies about unattainable girls. Samson was a math genius¡ªbut not enough of one to keep him out of the unlucky 10 percent.


    Looking at Stars


    Risa and Cam lying on the grass on a bluff on a Hawaiian island that had once been a leper colony. Cam announces the names of the stars and constellations, his accent suddenly tweaking New England as he engages the piece of the person in his head who knows everything about stars. Cam loves her. At first she despised him. Then she endured him. Then she came to appreciate the individual he was becoming¡ªthe spirit that was exerting itself above and beyond the sum of his parts. She knows she will never feel for him what he feels for her, though. How could she when she is still so in love with Connor?


    Connor.


    Months before that stargazing night in Molokai. He¡¯s massaging her legs as she sits in a wheelchair in the shade of a stealth bomber in the Arizona desert. She cannot feel her legs. She doesn¡¯t know that in a few short months her spine will be replaced and she¡¯ll walk again. All she knows in the moment is that Connor can¡¯t truly be with her the way she wants him to be. His mind is too full of responsibilities. Too full of the hordes of kids he¡¯s hiding and protecting in the airplane graveyard.


    The Graveyard.


    Now true to its name. Violently emptied of its occupants as thoroughly as a World War II ghetto. All those kids were either killed or sent off to harvest camps to their eventual unwinding¡ªor ¡°summary division,¡± as the paperwork officially calls it. And where is Connor? She knows he must have gotten away, because if he had been caught or killed, the Juvenile Authority would have had a field day with it in the media. It would be a death blow to the Anti-Divisional Resistance¡ªwhich has become as effective as a flyswatter against a dragon.


    And it is dusk once more in the barn. The coyote comes back again, this time with a mate to share in the feast. Risa yells so as to not appear weak and to remind them that she still has some strength left, although it¡¯s waning quickly. They don¡¯t bother with her. Instead they tear cruelly at the dead man, and as they do, Risa realizes something. From where she¡¯s caught¡ªeven when she stretched herself as far as she could¡ªshe was still two feet away from the dead man.


    But the coyotes have pulled him away from the wall.


    With all the energy that she has left, she stretches herself across the ground toward him. Reaching with her left hand, she manages to snag the cuff of his pant leg with her forefinger.


    She begins to tug him closer, and as he begins to move, the coyotes realize that tomorrow¡¯s meal has become a threat to today¡¯s. They bare their teeth and growl at her. She doesn¡¯t stop. She pulls on him again. This time one of the animals bites her arm, clamping down. She screams and uses her old trick of gouging its eye. The animal is hurt enough to loosen its grip, and Risa breaks free long enough to pull the dead man closer. She can reach the edge of his pocket¡ªbut the other coyote leaps for her. She has only a second. She reaches into the dead man¡¯s pocket hoping, for once, that luck is in her favor, and she finds what she¡¯s looking for just as the second coyote grabs on to her upper arm. But the pain is only secondary to her now. Because she has his phone.


    Risa pulls away and withdraws into the corner. The coyotes yap and snarl angry warnings. She stands on shaky legs and they back off, still intimidated by her height. Soon they¡¯ll realize that there¡¯s no fight to this foe and they¡¯ll do to her what they¡¯ve done to the parts pirate. Her time is limited.


    She turns on the phone to find it has only a tiny bit of battery life left, which means her life now depends on the capricious whim of a lithium battery.


    Who does a fugitive call? There¡¯s no one she personally knows who would take such a call, and the standard emergency numbers will rescue her right into a world worse than death. There is one number she knows, however. It¡¯s a number she thinks she can trust, even though she¡¯s never called it before. She dials. The battery holds out for one ring . . . two rings. Then a man answers on the other end.


    ¡°The Tyler Walker Foundation. Can I help you?¡±


    A deep breath of relief. ¡°This is Risa Ward,¡± she says. Then she speaks the three words she despises above all others. ¡°I need help.¡±


    13 ? Cam


    There are many Mirandas.


    An endless glut of girls, all bored with the dull familiarity of ordinary boys, hurl themselves at Cam as if they¡¯re hurling themselves off a cliff. They all expect his strong rewound arms to catch them. Sometimes he does.


    They want to run their fingers along the symmetrical lines of his face. They want to lose themselves in the depths of his soulful blue eyes¡ªand knowing the eyes really aren¡¯t his at all makes them want to lose themselves even more.


    Cam has very few events as fancy as the Washington gala, so a tuxedo is rarely required. Mostly it¡¯s speaking engagements. He wears a tailored sports coat and tie, with slacks that are just casual enough to keep him from looking too corporate. Too much like the creation of Proactive Citizenry¡ªwho silently bankrolls everything he does.


    Cam and Roberta are on a tour on the university lecture circuit. Fairly small events since most universities are quiet in the summer¡ªbut the upper faculty still have their research to oversee, and it¡¯s those highly esteemed academics on whom they are focusing.


    ¡°We need the scientific community to see you as a worthwhile endeavor,¡± Roberta has told him. ¡°You¡¯ve already won the hearts and sympathy of the public. Now you must be respected on a professional level.¡±


    The speaking events always begin with Roberta and her flashy multimedia presentation laying out in fine academic fashion the nuts and bolts of how Cam was created¡ªalthough she doesn¡¯t call it that. Proactive Citizenry¡¯s spin doctors have decided that Cam was not created; he was ¡°gleaned.¡± And his rewound bits and pieces are all part of his ¡°internal community.¡±


    ¡°The gleaning of Camus Comprix took many months,¡± Roberta tells their audiences. ¡°We first had to identify the high-level qualities we wanted his internal community to have. Then we had to find those qualities within the population of Unwinds awaiting division . . . .¡±


    Like the opening act at a concert, Roberta primes the audience for the main event, and then¡ª¡°Ladies and gentlemen, I give you the culmination of all of our medical and scientific efforts: Camus Comprix!¡±


    A spotlight appears, and he steps into it to the sound of applause¡ªor snapping in the places where public applause has been banned due to clapper attacks.


    At the podium Cam delivers his prepared speech, written by a former presidential speech writer. It is thoughtful, intelligent, and memorized word for word. Then comes the Q and A¡ªand although both he and Roberta are on stage to receive questions, most are directed at Cam.

 Page 15

    ¡°Do you find you have problems with physical coordination?¡±


    ¡°Never,¡± he answers. ¡°My muscle groups have all learned to get along.¡±


    ¡°Do you remember the names of any of the constituents of your internal community?¡±


    ¡°No, but sometimes I remember faces.¡±


    ¡°Is it true you speak nine languages fluently?¡±


    ¡°Da, no v moyey golove dostatochno mesta dlia escho neskolkikh,¡± he says. Yes, but there¡¯s room up here for a few more. That brings chuckles from any Russian speakers in the room.


    He has mastered all of his answers¡ªeven to questions that are intentionally belligerent and incendiary.


    ¡°Admit it¡ªyou¡¯re nothing but a kit-car,¡± one heckler says during his appearance at MIT. ¡°You¡¯re just a model put together from parts in a box. How can you call yourself human?¡±


    Cam¡¯s response to questions like this is always tactful and puts the heckler in his or her place.


    ¡°No, I¡¯m more like a concept car,¡± Cam tells the man, without any of the animosity with which the question was asked. ¡°The sum of the imaginations of all the experts in the field.¡± Then Cam smiles. ¡°And if by ¡®model,¡¯ you mean something worth striving toward, I agree.¡±


    ¡°What about those who gave their lives so that you might live?¡± someone shouts out from the audience of his UCLA event. ¡°Do you feel any remorse for them?¡±


    ¡°Thank you for asking that,¡± Cam says in the charged silence that ensues. ¡°Remorse would imply I had anything to do with their unwinding, and I did not. I¡¯m just on the receiving end. But yes, I do grieve their loss¡ªso I choose to honor them by giving voice to their hopes, their dreams, and their talents. After all, isn¡¯t that what we do to honor those who came before us?¡±


    When the time for questions ends, each event is wrapped up with music. Cam¡¯s music. He brings out a guitar and performs a classical piece. His music is so flawless and so heartfelt, it often brings forth a standing ovation. Of course, there are those in the audience who will never stand¡ªbut their numbers are diminishing.


    ¡°Come fall, we should speak in bigger theaters,¡± he tells Roberta after one highly successful evening.


    ¡°Would you prefer a stadium?¡± Roberta offers with a twisted grin. ¡°You¡¯re not a rock star, Cam.¡±


    But he knows otherwise.


    LETTER TO THE EDITOR


    With regards to your recent editorial ¡°THE CONTROVERSY OF CAMUS COMPRIX,¡± forgive me, but I don¡¯t see anything that should be controversial at all. Indeed, I think the members of the media have, as usual, stirred up a tempest in a teapot. I attended one of Mr. Comprix¡¯s presentations, and I found him to be eloquent, personable, and respectful. He appears both intelligent and humble¡ªthe kind of young man I wish my daughter could, for once, bring home instead of the string of miscreants that continue to grace our doorstep.


    Your editorial implied that his parts were gleaned without permission, but I ask you¡ªother than tithes, what Unwind ever gives permission to be unwound? It¡¯s not a matter of permission. It¡¯s a matter of social necessity, as unwinding has always been, since its inception. So why not avail ourselves of the finest attributes of these Unwinds to build a better being? If I, in my youth, had been designated for unwinding, I should think I¡¯d be honored to know that a part of me was worthy to be chosen for inclusion in Mr. Comprix.


    Proactive Citizenry, and Dr. Roberta Griswold in particular, are to be commended for their vision and for their selfless commitment to the betterment of the human condition. Because, if even our most incorrigible youth can be rewound into such a fine young specimen, it gives me hope for the future of mankind.


    Every event has its greenroom¡ªa guarded space designed for the comfort of those about to go on stage, or to relax after the blare of spotlights and barrage of questions. Roberta always busies herself with the bigwigs in the theater lobby, shaking hands and making those critical personal connections. This has allowed Cam to become the master of the greenroom, picking and choosing who gets to keep him company as he winds down after an event. His guests are almost always female. An endless parade of Mirandas.


    ¡°Play something just for us, Cam,¡± they would say with a gentle pleading lilt to their voice as if their hearts hang on his answer. Or they would invite him to some party he knows he can¡¯t attend. Instead he tells those girls that the party is right here. They always like the sound of that.


    He entertains three such girls in the greenroom after his successful MIT presentation. Now he sits between two of them on a comfortable sofa, while a third occupies a chair nearby, giggling and starstruck as she awaits her turn, like a little kid waiting for Santa¡¯s lap. Cam has, at the request of his guests, removed his shirt to show his curious seams. Now one of the girls explores those seams and the varied skin tones of his chest. The other girl snuggles with him and feeds him Jordan almonds, sweet and crunchy.


    Eventually Roberta pops in, as he knew she would. It is, in fact, something he counted on. It has become their pattern.


    ¡°Look, it¡¯s my favorite party pooper!¡± Cam says jovially.


    Roberta glowers at the girls. ¡°Playtime is over,¡± she says coldly. ¡°I¡¯m sure you young ladies have places to be.¡±


    ¡°Not really,¡± says the one with her hand on Cam¡¯s chest. In the nearby chair, the giggler giggles some more.


    ¡°Aw, please, Grand Inquisitor,¡± says Cam. ¡°They¡¯re so cute¡ªcan¡¯t I take them home?¡±


    Now all three girls giggle as if they¡¯re drunk, but Cam knows the only thing they¡¯re drunk on is him.


    Roberta ignores him. ¡°You girls have been asked to leave. Please don¡¯t make me get security.¡±


    As if on cue, the guard steps in, looking guilty but ready to throw them out in spite of the cash Cam paid him to let them in.


    Reluctantly, the girls get up. They all leave in their own personal manner, one strutting, another strolling, and the third sneaking, trying to suppress her unending case of the giggles. The guard follows to make sure they don¡¯t linger and closes the door behind him. Now Roberta¡¯s glare is aimed at Cam. He tries to hide his smirk.


    ¡°Spanking? Time out? Bed without supper?¡± Cam suggests.


    But Roberta is certainly not in a teasing mood. ¡°You should not be objectifying those girls.¡±


    ¡°Double-edged sword,¡± Cam says. ¡°They objectified me first. I was just returning the favor.¡±


    Roberta growls in exasperation. ¡°Did you believe anything you said out there about being a ¡®model¡¯ for others to strive for?¡±


    Cam looks away. The things he tells audiences is certainly what Roberta believes¡ªbut does he believe these things himself? Yes, he is made of the best and the brightest¡ªbut those are just parts, and what do parts truly say about the whole? What he wants more than anything is to make the question go away.


    ¡°Sure I believe it.¡±


    ¡°Then show some common comportment.¡± She takes his shirt and tosses it to him. ¡°You¡¯re better than this. So act it.¡±


    ¡°And what if I¡¯m not better?¡± he dares to suggest. ¡°What if I¡¯m nothing more than ninety-nine compounded adolescent lusts?¡±


    ¡°Then,¡± says Roberta, taking the dare, ¡°you can slice yourself back down into ninety-nine pieces. Shall I give you a knife?¡±


    ¡°Machete,¡± he answers. ¡°Much more dramatic.¡±


    She sighs, shaking her head. ¡°If you wish to impress General Bodeker, this type of behavior won¡¯t fly.¡±


    ¡°Ah yes, General Bodeker.¡±


    Cam isn¡¯t quite sure what to make of the man and his intentions, but he can¡¯t deny that he¡¯s intrigued. Cam knows he would be shepherded through his training directly into officership, like some American prince. Then, once he was wearing the crisp, sharp dress of an officer, all pressed linen and brass buttons, the bitter voices that suggest he has no right to exist would be silenced. No one can hate an honored Marine. And he¡¯d finally have a place to belong.


    ¡°Irrelevant,¡± Cam says. ¡°The general won¡¯t care about my personal downtime adventures.¡±


    ¡°Don¡¯t be so sure,¡± Roberta tells him. ¡°You need to be more discerning about your choice of companions. Now get your shirt on. The limo is waiting.¡±


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    Cam jolts awake at thirty-six thousand feet. For a moment he thinks he¡¯s in a dentist¡¯s chair, but no. He had fallen asleep before extending the chair to its full reclining position.


    Proactive Citizenry has provided this richly appointed private jet for his speaking tour, although it¡¯s not all that private. Roberta slumbers in her own sleeper chair in the alcove behind his, her breathing steady and regulated, just like everything else in her life. There is a concierge¡ªwhich is the private aircraft equivalent of a flight attendant¡ªbut he is also asleep at the moment. The time is 3:13 a.m., although Cam is not sure what time zone that¡¯s reflecting.


    He tries to bring back his dreams for analysis, but can¡¯t access them. Cam¡¯s dreams have never made sense. He has no idea how much sense the dreams of normal people make, so he can¡¯t compare. His dreams are plagued by snippets of memories that lead nowhere, because the rest of those memories are in other heads, living different lives. The only memory that is clear and consistent is the memory of being unwound. He dreams of it way too often. He dreams not of just one unwinding, but many. The bits and pieces of dozens of divisions blend together into one unforgettable, unforgivable whole.


    He used to wake up screaming from those dreams. Not from the pain of it, for unwinding is, by law, painless. But there are things worse than physical pain. He would scream from the terror, from the sheer helplessness each of those kids felt as the surgeons moved closer, limbs tingled and went numb, medical stasis coolers were carried away in their peripheral vision. Each sense shutting down and each memory evaporating, always ending with a silent cry of hopeless defiance as each Unwind was shuffled into oblivion.


    Roberta is in the dream, for she was there at each unwinding¡ªthe only person in the room not wearing a surgical mask. So you would see me, hear me, and know me when the parts were united she had told him¡ªbut she hadn¡¯t counted on how horrible that knowledge would be. Roberta is part of the terror. She is the author of hopelessness.

 Page 16

    Cam has learned to bite back the scream in his dreams, holding it inside until he drags himself from the rancid soup of his nightmare and into the living, breathing world, where he is himself and not the particulated bits of his ¡°inner community.¡±


    Tonight he is alone. He knows there are people around him, but in a private jet soaring through an icy black sky, he cannot help but feel alone in the universe. It is in these moments of profound loneliness that the questions posed by the more judgmental audience members haunt him, for their questions are his own.


    Am I truly alive? Do I even exist?


    Certainly he exists as organic matter, but as a sentient being? As a someone rather than a something? There are too many moments in his life when he just doesn¡¯t know. And if, in the end, each individual faces judgment, will he stand to face it too¡ªor will the constituents of his inner community return to their true owners, leaving a void where he once stood?


    He curls his hands into fists. I am! he wants to shout. I exist. But he knows better than to voice these concerns to Roberta anymore. Better if she thinks his weaknesses lie in youthful lust.


    This is the fury that fills him when no one is watching. Fury that the hecklers in the audience may be right and he may be nothing more than medical sleight of hand. A trick of the scalpel. A hollow shell mimicking life.


    In these dark nihilistic moments when the universe itself seems to be rejecting him the way people¡¯s bodies used to reject transplanted organs, he thinks of Risa.


    Risa. Her name explodes into his mind, and he fights the urge to put his mind in lockdown. Risa did not despise him. Yes, at first she did, but she came to truly know him and to see him as an individual who is more than the sum of his parts. In the end, she came to care for him in her own way.


    When he was with Risa, Cam felt real. When he was with her, he felt more than a patchwork of science and hubris.


    He cannot deny how much he loves her¡ªand the pain of that longing is enough to make him know that he lives. That he is. For how could he feel such anguish if he had no soul?


    Yet in many ways he feels as if she took his soul with her when she left.


    Do you know what that feels like, Risa? he wants to ask her. Do you know what it¡¯s like to be un-souled? Is that how you felt when your precious Connor died at Happy Jack Harvest Camp? Cam knows beyond a shadow of a doubt he could fill that void in her, if only she loved him enough to let him. It would be the one thing that would make him feel whole.


    Mild turbulence rattles the jet, sounding so much more ominous than it really is. He hears Roberta stirring, then settling back into the depth of sleep once more. The woman has no idea how fully she has been duped. She, so clever, so shrewd, so aware, and yet so blind.


    He knows she will see though any pretense he puts forth, so all his deceits must be thickly coated with truth, like the candy coating of a Jordan almond.


    Yes, it¡¯s true Cam does enjoy the attention of pretty girls who are drawn to his unique gravity. And yes, it¡¯s true that in his more glorious moments Cam does feel inebriated by his own existence, drunk on a heady brew of human ambrosia¡ªthe humanity that was unwound to create him. He has learned how to summon that feeling¡ªto draw it like a bath and luxuriate in it when he needs to. It is the candy coating on the kernel of truth that only he knows, but shares with no one.


    I am nothing without Risa.


    So he will play the role of the spoiled star, allowing Roberta to think his hedonistic ways are real. And he will enjoy himself just enough to fool her and make her think arrogance and excess are all she needs to wrangle.


    The plane begins its descent to wherever it is they¡¯re going next. More audiences. More Mirandas. A pleasant way to bide his time. Cam smiles, remembering the secret pledge he made with himself. If the one thing that Risa wants more than all else is the utter destruction of Proactive Citizenry, then Cam will find a way to provide it for her. More than just undermining Roberta, he will wedge himself in the gears of the entire Proactive Citizenry machine. He will find a way to shut it down, and Risa will know that he was the one who did it.


    Then she will truly love him, returning every last bit of his affections. And she will restore to him his soul.


    14 ? Manager


    The Redwood Bluff Campground is sold out.


    The manager of the Northern California campground should be happy, but he¡¯s troubled in the worst way. For him, the worst way means in his wallet.


    A huge portion of the campground is taken up by Camp Red Heron¡ªa summer camp for underprivileged kids. The bright crimson camp shirts are everywhere.


    The afternoon before they¡¯re scheduled to leave, the manager comes into the midst of the campground of teens, who all admittedly look underprivileged. There are at least a hundred of them. They seem a little stressed when they see him, but quickly get back to their business. Mostly they act like kids on vacation, throwing balls, climbing trees¡ªbut there¡¯s a fear in their eyes and a sense of distrust in their actions. It betrays something their camp T-shirts are trying to hide.


    ¡°Excuse me. Who¡¯s in charge here?¡±


    A girl who could have been a bouncer in a previous life comes forward. ¡°He¡¯s busy,¡± she tells him. ¡°You can talk to me.¡±


    ¡°I¡¯ll talk to the person in charge,¡± the manager insists. ¡°And I¡¯ll talk to him in private.¡±


    The big girl sneers. ¡°You won¡¯t get much privacy among our campers.¡± She folds her arms in defiance of his request. ¡°I¡¯ll tell him you came by.¡±


    ¡°I¡¯ll wait,¡± he says.


    Then from behind the girl, he hears, ¡°It¡¯s okay, Bam. I¡¯ll talk to him.¡±


    From a gaggle of kids, emerges a teen¡ªcouldn¡¯t be any older than sixteen. He¡¯s short, but well built. Red hair with substantially long brown roots. He, like the girl, wears a red polo shirt with a logo indicating camp staff. He also wears a leather glove on one hand, but not the other. For all intents and purposes, he appears like a fine young man¡ªbut appearances are often deceiving.


    He gestures to the manager. ¡°Walk with me.¡±


    They leave the clearing, taking a path through the redwoods. The massive, ancient trees never cease to amaze the manager¡ªone of the reasons why he took the job, even though it pays so little. Today, however, he¡¯s confident his fortunes will change.


    He knows the path by heart and takes it only as far as the nearest campsite that¡¯s not occupied by Red Herons. A large family with lots of toddlers running around in diapers. He makes sure to keep the campsite, and the people there, in sight, because he suspects it¡¯s not a good idea to go any deeper into the woods alone with this young man.


    ¡°If you¡¯re worried about us cleaning up the campsite,¡± the kid says, ¡°I promise it will be done.¡±


    ¡°I didn¡¯t get your name,¡± the manager says.


    He smirks. ¡°Anson.¡± The smirk is so blatant and broad, it¡¯s clear that this isn¡¯t his real name.


    ¡°Awfully young to be in charge of all these kids, aren¡¯t you?¡±


    ¡°Looks are deceiving,¡± he says. ¡°I got the job because I look closer to their age.¡±


    ¡°I see.¡± He looks down at the young man¡¯s left hand. ¡°What¡¯s with the glove?¡±


    The kid holds up his hand. ¡°What¡¯s the matter? You have a problem with Louis Vuitton?¡±


    The manager notes that the fingers of that hand don¡¯t seem to move. ¡°Not at all. It just seems like an odd accessory for a camping trip.¡±


    The kid puts down his hand. ¡°I¡¯m a busy man, Mr. Proctor. It is Proctor, isn¡¯t it? Mark Proctor?¡±


    The manager is caught off guard that this kid knows his name. Most people who book campsites at Redwood Bluff barely know he exists, much less know his name.


    ¡°If it¡¯s about payment,¡± the young man says, ¡°we already paid in full, and we paid in cash. I¡¯m sure that¡¯s better than most people.¡±


    The manager decides to get to the point, because he¡¯s beginning to feel that the longer he draws this out, the more likely this kid will find a way to squirm off the hook.


    ¡°Yes, you did. One problem, though: I did some checking, and there is no Camp Red Heron. Not in this state or any other.¡±


    ¡°Well,¡± says the kid in a slick, condescending tone, ¡°you obviously haven¡¯t been looking in the right place.¡±


    Mark Proctor will not be mocked. ¡°As I said, there is no Camp Red Heron. What there are, however, are reports of a gang of renegade Unwinds. And one of them is an AWOL cop killer named Mason Michael Starkey. The picture looks an awful lot like you, ¡®Anson.¡¯ Without the red hair, of course.¡±


    The boy only smiles. ¡°How can I help you, Mr. Proctor?¡±


    Proctor knows he¡¯s in the driver¡¯s seat now. He¡¯s got this Starkey kid by the short hairs. He gives the kid back his mocking, condescending tone. ¡°I would be shirking my civic responsibility if I didn¡¯t turn you and your little menagerie over to the Juvenile Authority.¡±


    ¡°But you haven¡¯t done it yet.¡±


    Proctor takes a deep breath. ¡°Maybe I could be persuaded not to.¡±


    He has no idea how much money these kids have, or where it comes from, but clearly they have enough to keep their little charade going. Proctor doesn¡¯t mind relieving them of some of that cash.


    ¡°All right,¡± says Starkey. ¡°Let me see if I can persuade you, then.¡± He reaches into his pocket, but instead of producing a billfold, he produces a photograph. He deftly flips it in the fingers of his ungloved hand like a magician presenting a playing card.


    The picture is of Proctor¡¯s teenaged daughter. It appears to have been taken recently, from right outside of her bedroom window. She¡¯s in the middle of doing her evening aerobic exercises.


    ¡°Her name is Victoria,¡± Starkey says, ¡°but she goes by Vicki¡ªdid I get that right? She seems like a nice girl. I sincerely hope nothing bad ever happens to her.¡±


    ¡°Are you threatening me?¡±


    ¡°No, not at all.¡± The picture seems to vanish before Proctor¡¯s eyes as Starkey moves his fingers. ¡°We also know where your son goes to college¡ªhe¡¯s there on a swimming scholarship, because you certainly can¡¯t afford Stanford on your salary, can you? It¡¯s sad, but sometimes the best of swimmers have been known to drown. They get a little too sure of themselves, from what I understand.¡± Starkey says nothing more. He just smiles with false pleasantness. A bird high above in the redwoods squawks as if amused, and a toddler in the nearby campsite begins to cry, as if mourning the loss of Mark Proctor¡¯s dignity.


    ¡°What do you want?¡± Proctor asks coldly.


    Starkey¡¯s smile never loses any of its warmth. He puts his arm around Proctor¡¯s shoulder and walks them back the way they came. ¡°All I want is to persuade you not to turn us in¡ªjust as you suggested. As long as you say nothing about us¡ªeither now or after we¡¯ve left¡ªI can personally guarantee that your lovely family will remain just as lovely as ever.¡±


    Proctor swallows, realizing that the sense of power he had only a few moments ago was nothing but an illusion.


    ¡°So do we have a deal?¡± Starkey prompts. He holds out his gloved hand for Proctor to shake, and Proctor grabs it, shaking it with conviction. Starkey grimaces as Proctor pumps his hand, but even the grimace is a show of strength rather than weakness.

 Page 17

    ¡°As you said, you¡¯re paid in full,¡± Proctor says. ¡°Nothing more is needed at this time. It was a pleasure to have Camp Red Heron here, and I hope to see you next summer.¡± Although both of them know that¡¯s the last thing he wants.


    As Proctor leaves, his legs a little wobbly, he realizes something. The picture of his daughter that seemed to have vanished during their conversation has now appeared in his shirt pocket. As he gazes at it, tears come to his eyes. Rather than feeling anger, he feels gratitude. Gratitude that he was not so much of a fool as to bring harm to her or to her brother.


    15 ? Starkey


    ¡°Don¡¯t move,¡± Bam says. ¡°If this stuff gets in your eyes, it burns like you can¡¯t believe.¡±


    It¡¯s after dark at the campsite now. Starkey sits in a lawn chair, his head leaning back. One kid holds a bucket of water; another kid is ready with towels. Bam, wearing rubber gloves, smears a sharp-smelling solution into Starkey¡¯s hair, massaging it into his scalp, all beneath the collective spotlight of four other kids holding flashlights.


    ¡°Can you believe it? The guy actually tried to blackmail us,¡± Starkey tells Bam, closing his eyes.


    ¡°I wish I could have seen his face when you turned it around on him.¡±


    ¡°It was classic¡ªand it proves that our backup plan works.¡±


    ¡°Jeevan deserves a medal,¡± says one of the flashlights.


    ¡°But Whitney took the picture,¡± says the kid with the water bucket.


    ¡°But Jeevan thought of it.¡±


    ¡°Hey,¡± says Starkey. ¡°I didn¡¯t ask either of you.¡±


    Actually, it was Starkey who decided to put Jeevan in charge of intelligence. He¡¯s a smart kid with computer know-how who¡¯s good at thinking ahead. It¡¯s true that it was Jeevan¡¯s idea to gather information on the people they deal with¡ªbut what to do with that information is entirely up to Starkey. In this case blackmail for blackmail was the right move, and the man caved, just as Starkey had known he would. Even the hint of harm to his precious children was too much for the man. Incredible. It never ceases to amaze Starkey how far society will go to protect the children it loves and to discard the ones it doesn¡¯t.


    ¡°So where do we go now?¡± asks the kid with the towel. Starkey opens one eye, because the other one is already starting to sting. ¡°It¡¯s not for you to worry about. You¡¯ll know when we get there.¡±


    As leader of the Stork Club, Starkey had learned the art of information control. Unlike Connor¡ªwho held nothing back when he ran the Graveyard¡ªStarkey metes out information in bite-sized rations and only when absolutely necessary.


    Since their plane crashed in the Salton Sea almost three weeks ago, things have not been easy for the Stork Club. Not at first anyway. Those first days, they hid out in the bare mountains above the Salton Sea, finding shallow caves and crevices to huddle in, so they couldn¡¯t be seen by reconnaissance aircraft. Starkey knew a ground search would be mounted, which meant they had to get far away, but they could travel only at night and on foot.


    He had not thought of how to provide food or shelter or first aid for the kids who were injured in the crash, and they resorted to ransacking roadside convenience stores, which kept giving away their position to the authorities.


    It was a trial by fire for Starkey, but he came through the flames, and thanks to him they remained alive and uncaptured. He kept those kids safe in his fist, in spite of his shattered hand. His hand is now the kind of war wound that legends are made of and has brought him even greater respect, because if he was tough enough to break his own hand in order to save them, he¡¯s tough enough to do anything.


    In Palm Springs, they came across a hotel that had shut down but had not yet been demolished, and their fortune began to change. The place was isolated enough that they could hole up there and take the time to come up with a survival plan more effective than stripping 7-Elevens to the bone.


    Starkey began to send kids out in small teams, choosing kids who didn¡¯t have an innately suspicious look about them. They stole clothes from unattended laundry rooms and groceries right from supermarket loading docks.


    They stayed there for almost a week, until some local kids spotted them. ¡°I¡¯m a stork, too,¡± one of the kids said. ¡°We won¡¯t tell on you; we swear.¡±


    But Starkey has never trusted kids who come from loving families. He has a particular dislike of storks whose adoptive parents love them like their own flesh and blood. Starkey knows the basic statistics of unwinding. He knows that 99 percent of all storked kids are in warm loving homes, where unwinding would never be an issue. But when you¡¯re in that remaining 1 percent, and you¡¯re surrounded by other throwaway kids, those loving homes seem too distant to matter.


    Then Jeevan came up with a stroke of genius. He tapped into the bank account of the Stork Clubs¡¯ parents¡ªbecause quite a few of the kids either knew, or could figure out, their adoptive parents¡¯ passwords. The operation went down all at once, with a few computer clicks¡ªand by the time anyone knew what was going on, the Stork Club had amassed more than seventeen thousand dollars in an offshore account. Accessing it was as simple as linking a counterfeit ATM card.


    ¡°Somebody somewhere is investigating this,¡± Jeevan told Starkey. ¡°In the end it won¡¯t lead them to us, though. It will lead them to Raymond Harwood.¡±


    ¡°Who¡¯s Raymond Harwood?¡± Starkey had asked.


    ¡°A kid who used to pick on me in middle school.¡±


    That had made Starkey laugh. ¡°Jeevan, have I ever told you that you¡¯re a criminal genius?¡±


    He hadn¡¯t seemed too comfortable with the thought. ¡°Well, I¡¯ve been told I¡¯m a genius . . . .¡±


    Starkey often wonders why Jeevan¡¯s parents would choose to unwind a kid so bright¡ªbut it¡¯s an unspoken rule that you just don¡¯t ask.


    The money gave the storks a little bit of freedom, because money buys legitimacy. All they needed was a simple subterfuge¡ªan illusion that no one would question¡ªand if there¡¯s one thing that Starkey knows as an amateur magician, it¡¯s the art of illusion. Misdirection. Every magician knows that an audience will always follow the hand that moves and will always believe what is presented to the eye until there¡¯s a reason not to.


    Camp Red Heron was Starkey¡¯s own brainstorm. All it took to make the illusion real was an order of 130 camp T-shirts, staff shirts, and a few matching hats as icing on the cake. As Camp Red Heron, they were able to travel on trains and even charter buses, because the illusion ran on the power of assumption. People saw a camp on a field trip, and it became part of their reality without a second thought. Ironically, the more boisterous, the more visible they were, the more powerfully the illusion held. Even if people were watching a news report about the band of fugitive Unwinds, Camp Red Heron could march right past them, loud and obnoxious, and no one¡ªnot even law enforcement¡ªwould bat an eye. Who knew that hiding in plain sight could be so gratifying?


    The first order of business was getting out of Southern California to a place where the authorities would not be searching for them. Having had enough desert for a lifetime, Starkey deemed that they take the Amtrak north to greener, lusher pastures. At their first campsite, near Monterey, they had no trouble whatsoever. Then they continued north, reserving their space at Redwood Bluff. All had gone well until today¡ªbut even so, today¡¯s crisis was easily managed.


    Bam finishes rinsing the bleaching solution out of Starkey¡¯s hair, and the towel boy hurries to dry it.


    ¡°So, if the campground manager squeals, will you really hurt one of his kids?¡± Bam asks.


    Starkey is annoyed that she¡¯s asked such a question in front of the flashlights, the towel, and the water bucket.


    ¡°He won¡¯t squeal,¡± Starkey says, tousling his hair.


    ¡°But if he does?¡±


    He turns to the towel kid. He¡¯s one of the younger groupies who¡¯s always trying to win Starkey¡¯s favor. ¡°What do I always say?¡±


    The kid takes on a terrified pop-quiz look. ¡°Uh . . . smoke and mirrors?¡±


    ¡°Exactly! It¡¯s all smoke and mirrors.¡±


    That¡¯s the only answer he gives Bam¡ªand even the answer is a foggy deflection, a nonanswer that avoids the question. Would he hurt them? Although Starkey would rather not think about it, he knows he¡¯ll do whatever is necessary to protect his storks. Even if it means making an example of someone.


    ¡°Speaking of mirrors, have a look,¡± Bam says, and hands him a mirror that she tore off the side of someone¡¯s car.


    It¡¯s hard to get a full view of himself¡ªhe keeps having to shift the mirror to catch the entire visual effect. ¡°I like it,¡± he says.


    ¡°You look good as a platinum blond,¡± she tells him. ¡°Very surfer dude.¡±


    ¡°Yeah, but surfer dude doesn¡¯t exactly inspire trust from adults,¡± Starkey points out. ¡°Cut it. Make it short and neat. I want to look like an Eagle Scout.¡±


    ¡°You¡¯ll never be an Eagle Scout, Starkey,¡± she says with a grin, and some of the other kids laugh. It actually hurts, although he won¡¯t show it. He first got interested in magic when he was younger because of its value as a Boy Scout merit badge. Funny how things change.


    ¡°Just do it, Bambi,¡± he says. Which makes her scowl, as he intended. The other kids know not to laugh at her actual given name, lest they face her formidable wrath.


    When Bam is done, Starkey could pass for the boy next door when he smiles, or a Hitler Youth when he doesn¡¯t. His scalp still stings from the bleaching solution, but it¡¯s not a bad feeling. ¡°You know, I¡¯m not the only one who needs to change identities,¡± he tells Bam, after the other kids have left.


    She laughs. ¡°Nobody¡¯s touching my hair.¡±


    Bam has hair just short enough to be low maintenance. Her clothes are mannish, but only because she detests prissiness. Once and only once she made a pass at Starkey, but it was quickly deflected. Another girl might have folded and turned painfully awkward around him, but Bam took it in stride and carried on. Even if Starkey had been attracted to her, he knows acting on it would have been a bad idea. He¡¯s not foolish enough to think that a relationship here in the relative wild will last, and adding that kind of complication to his relationship with his second in command would be foolhardy. As for other girls, the fact that he can have any girl he wants is a perk of his position he knows he must apply with careful discretion. He gives the same eye contact, the same lingering smile to every girl¡ªand even to the boys that he can tell have an interest. It¡¯s all part of his subtle control. Keep them all thinking they¡¯re special. That they can be more than just a face in the crowd. These little touches carry big weight. The illusion of hope, combined with a healthy fear of him, keeps all his storks in line.


    ¡°I don¡¯t mean changing your identity, Bam,¡± Starkey says. ¡°I mean our identity. This guy did figure out who we are. To be safe, we can¡¯t be Camp Red Heron anymore.¡±


    ¡°We could be a school¡ªthat way it won¡¯t just get us through the rest of the summer, but will work once the school year starts too.¡±

 Page 18

    ¡°Excellent idea. Let¡¯s make it a private school. Something that sounds exclusive.¡± Starkey runs through his mind all the storklike species he knows. ¡°We¡¯ll call ourselves the ¡®Egret Academy.¡¯?¡±


    ¡°I love that!¡±


    ¡°Get that artsy girl what¡¯s-her-face to design the shirt again¡ªbut not so bright as the camp¡¯s. The Egret Academy will be all about beige and forest green.¡±


    ¡°Can I come up with the school¡¯s history?¡±


    ¡°Knock yourself out.¡±


    There is a fine line between hiding in plain sight and flaunting their status as a fugitive band¡ªStarkey knows how to ride the edge of illusion like a tightrope walker.


    ¡°Make it sound legit enough to fool the Juvies, if we come across any.¡±


    ¡°The Juvenile Authority is a pack of idiots.¡±


    ¡°No, they¡¯re not,¡± Starkey tells her, ¡°and that kind of thinking will get us caught. They¡¯re smart, so we need to be smarter. And when we do strike, we have to strike hard.¡±


    Since their ill-fated flight, there have been no stork liberations. Starkey had rescued several storked kids about to be unwound back during their stay at the airplane graveyard, but Connor was the one with the lists of kids about to be rounded for unwinding. Without a list, there¡¯s no way to know who needs to be rescued. But that¡¯s all right¡ªbecause while saving individual kids and burning their homes as a warning is fine and dandy, Starkey knows he is capable of far more effective measures.


    He has a brochure for a harvest camp that he keeps in his pocket. He pulls it out when he needs reminding. Like all harvest camps brochures, it features pictures of beautiful bucolic scenery and teens that are, if not happy, at least at peace with their fate.


    A bittersweet journey, the brochure proclaims, can touch many lives.


    ¡°Finally giving up, Starkey?¡± Bam asks, when she catches him studying it later that night. ¡°Ready to be unwound?¡±


    He ignores the suggestion. ¡°This harvest camp is in Nevada, north of Reno,¡± he tells her. ¡°Nevada has the weakest Juvenile Authority in the nation. It also has the highest concentration of storks waiting to be unwound. But check this out: This particular harvest camp has a shortage of surgeons. The population is bursting, and they can¡¯t unwind them fast enough.¡± Then he gives her the boy-next-door grin. He¡¯s kept this to himself long enough. Time to start sowing the seeds of glorious purpose. He might as well begin with Bam.


    ¡°We¡¯re not going to take down individual homes and liberate one stork at a time anymore,¡± Starkey proudly tells her. ¡°We¡¯re going to liberate an entire harvest camp.¡±


    And God help anyone who gets in his way.


    16 ? Risa


    HUMAN INTEREST NEWS CLIP


    Today Eye-On-Art focuses on the provocative sculptures of Paulo Ribeiro, a Brazilian artist who works in a radical medium. As you can see from these images, his work is stunning, intriguing, and often disturbing. He calls himself an ¡°Artist of Life,¡± because every piece of work is crafted from the unwound.


    We caught up with Ribeiro at a recent exhibition in New York.


    ¡°It is not so unusual what I do. Europe is full of cathedrals adorned in human bones, and in the early twenty-first century, artists like Andrew Krasnow and Gunther Von Hagens were known for their work in flesh. I have simply taken this tradition a logical step further. I hope not just to inspire but to incite. To bring to art patrons an aesthetic state of unrest. My use of the unwound is a protest against unwinding.¡±


    Pictured here is what Ribeiro considers to be his finest piece¡ªboth haunting, and intriguing, the piece is a working musical instrument he calls Org?o Organico, which now resides in a private collection.


    ¡°It is a shame that my greatest work should be privately owned, for it was meant to be heard and seen by the world. But like so many unwound, it now will never be.¡±


    Risa dreams of the stony faces. Pale and gaunt, judgmental and soulless as they gaze at her¡ªnot from a distance this time¡ªbut so close she could touch them. However, she can¡¯t touch them. She¡¯s sitting at a piano, but it will not bring forth music because Risa has no arms with which to play. The faces wait for a sonata that will never come¡ªand only now does she realize that they are so close to one another they cannot possibly have bodies attached. They truly are disembodied. They are lined up in rows, and there are too many for her to count. She¡¯s horrified, but can¡¯t look away.


    Risa can¡¯t quite discern the difference between the dream and waking. She thinks she might have been sleeping with her eyes open. There¡¯s a TV turned low, directly in her line of sight, that now shows an advertisement featuring a smiling woman who appears to be in love with her toilet bowl cleanser.


    Risa rests on a comfortable bed in a comfortable place. It¡¯s a place she¡¯s never been, but that¡¯s a good thing, because it can only be an improvement over the places she has been lately.


    There¡¯s a lanky umber kid in the room, who just now turns his gaze to her from the TV. It¡¯s a kid she¡¯s never met, but she knows his face from more serious television ads than the one on now.


    ¡°So you¡¯re the real deal,¡± he says when he sees she¡¯s awake. ¡°And here I thought you were some crazy-ass crank call.¡± He looks older than he does in the commercials. Or maybe just wearier. She guesses he¡¯s about eighteen¡ªno older than her.


    ¡°You¡¯ll live. That¡¯s the good news,¡± the umber kid says. ¡°Bad news is your right wrist is infected from that trap.¡±


    She looks to see her right wrist puffy and purple and worries that she might lose it¡ªperhaps the pain being the cause of her armlessness in the dream. She instantly thinks of Connor¡¯s arm, or more accurately, Roland¡¯s arm on Connor¡¯s body.


    ¡°Give me someone else¡¯s hand, and I¡¯ll brain you,¡± she says.


    He laughs and points to his right temple and the faintest of surgical scars. ¡°I already got brained, thank you very much.¡±


    Risa looks to her other arm, which also has a bandage. She can¡¯t remember why.


    ¡°We also gotta test you for rabies because of that bite. What was it, a dog?¡±


    Right. Now she remembers. ¡°Coyote.¡±


    ¡°Not exactly man¡¯s best friend.¡±


    The bedroom around her is decorated in gaudy glitz. There¡¯s a mirror in a faux-gold frame. Light fixtures with shimmering chains. Shiny things. Lots and lots of shiny things.


    ¡°Where are we?¡± she asks. ¡°Las Vegas?¡±


    ¡°Close,¡± her host says. ¡°Nebraska.¡± Then he laughs again.


    Risa closes her eyes for a moment and tries to mentally collate the events that led her here.


    After she made the call, two men had come for her in the barn. They arrived after the coyotes had left and before they came back. She was semiconscious, so the details are hazy. They spoke to her, but she can¡¯t remember what they said and what she said back. They gave her water, which she threw up. Then they gave her lukewarm soup from a thermos, which she kept down. They put her in the backseat of a comfortable car and drove away, leaving the coyotes to find their next meal somewhere else. One of the men sat in the backseat with her, letting her lean against him. He spoke in calming tones. She didn¡¯t know who they were, but she believed them when they said she was safe.


    ¡°We got a pair of lungs with a doctor attached, it you get my meaning,¡± the umber kid tells her. ¡°He says your hand¡¯s not as bad as it looks¡ªbut you might lose a finger or two. No big thing¡ªjust means cheaper manicures.¡±


    Risa laughs at that. She¡¯s never had a manicure in her life, but she finds the thought of being charged by the finger darkly funny.


    ¡°From what I hear, you really did a number on that parts pirate.¡±


    Risa pulls herself up on her elbows. ¡°I just took him out; it was nature that wolfed him down.¡±


    ¡°Yeah, nature¡¯s a bitch.¡± He holds out his hand for her to shake. ¡°Cyrus Finch,¡± he says, ¡°But I go by CyFi.¡±


    ¡°I know who you are,¡± she tells him, shaking his hand awkwardly with her left.


    Suddenly his face seems to change a bit, and so does his voice. It becomes harsher and loses all of its smooth style. ¡°You don¡¯t know me, so don¡¯t pretend you do.¡±


    Risa, thrown for a bit of a loop, is about to apologize, but CyFi puts his hand up to stop her before she does.


    ¡°Don¡¯t mind my lips flapping: That¡¯s Tyler talking,¡± he says. ¡°Tyler don¡¯t trust folks far as he can throw ¡¯em¡ªand he can¡¯t throw no one, as his throwing arm has left the building; get me?¡±


    It¡¯s a little too much for Risa to process, but the cadence of his forced old-umber speech is soothing. She can¡¯t help but smile. ¡°You always talk like that?¡±


    ¡°When I¡¯m me and not him,¡± CyFi says with a shrug. ¡°I choose to talk how I choose. It pays respect to my heritage, back in the day, when we were ¡®black,¡¯ and not ¡®umber.¡¯?¡±


    Her only knowledge of Cyrus Finch, aside from the TV commercial, is from what little she saw of his testimony to Congress¡ªback when it was all about limiting the age of unwinding to under seventeen, instead of eighteen. Cyrus helped push the Cap-17 law over the top. His chilling testimony involved Tyler Walker describing his own unwinding. That is to say, the part of Tyler that had been transplanted into Cyrus¡¯s head.


    ¡°I gotta admit I was surprised to get your call,¡± CyFi tells her. ¡°Big shots with the Anti-Divisional Resistance don¡¯t usually give us the time a¡¯ day, as we just deal with folks after the unwinding¡¯s done, not before.¡±


    ¡°The ADR doesn¡¯t give anyone the time of day anymore,¡± Risa tells him. ¡°I haven¡¯t been in touch with them for months. To be honest, I don¡¯t know if they still exist. Not the way they used to.¡±


    ¡°Hmm. Sorry to hear it.¡±


    ¡°I keep hoping they¡¯ll reorganize, but all I see in the news are more and more resistance workers getting arrested for ¡®obstructing justice.¡¯?¡±


    CyFi shakes his head sadly. ¡°Sometimes justice needs obstructing when it ain¡¯t just.¡±


    ¡°So where exactly in Nebraska are we, Cyrus?¡±


    ¡°Private residence,¡± he tells her. ¡°More of a compound, actually.¡±


    She doesn¡¯t quite know what he means by that, but she¡¯s willing to go with it. Her lids are heavy, and she¡¯s not up for too much talk right now. She thanks CyFi and asks if she can get something to eat.


    ¡°I¡¯ll have the dads bring you something,¡± he says. ¡°They¡¯ll be happy to see you¡¯ve got your appetite back.¡±


    FOLLOWING IS A PAID POLITICAL ADVERTISEMENT


    ¡°Hi, I¡¯m Vanessa Valbon¡ªyou probably know me from daytime TV, but what you might not know is that my brother is serving a life sentence for a violent crime. He has put himself on a list for voluntary cranial shelling, which will happen only if Initiative 11 is passed this November.


    ¡°There¡¯s been a lot of talk about shelling¡ªwhat it is and what it isn¡¯t, so I had to educate myself, and this is what I learned. Shelling is painless. Shelling would be a matter of choice for any violent offender. And shelling will compensate the victim¡¯s family, and the offender¡¯s family, by paying them full market value for every single body part not discarded in the shelling process.

 Page 19

    ¡°I don¡¯t want to lose my brother, but I understand his choice. So the question is, how do we want our violent offenders to pay their debts to society? Wasting into old age on tax payers¡¯ dollars¡ªor allowing them to redeem themselves, by providing much-needed tissues for society and much-needed funds for those impacted by their crimes?


    ¡°I urge you to vote yes on Initiative 11 and turn a life sentence . . . into a gift of life.¡±


    ¡ªSponsored by Victims for the Betterment of Humanity.


    Risa sleeps, then sleeps some more. Although she usually loathes lethargy, she decides she¡¯s earned little bit of sloth. She finds it hard to believe it¡¯s been barely three weeks since the Graveyard take down¡ªand the night she exposed Proactive Citizenry¡¯s devious endeavors on national news. Truly, it was another lifetime ago. A life of being in the media spotlight had become a life of hiding from searchlights.


    It had been the shadowy movers and shakers of Proactive Citizenry that had gotten the charges against her dropped and allowed her to come out of hiding in the first place. But¡ªbig surprise¡ªnew charges were filed after the night she made herself their enemy. There are claims that she had stolen huge sums of money from the organization¡ªwhich she had not. There are claims that she had helped to arm the AWOL Unwinds at the Graveyard¡ªwhich she did not. All she had done during her tenure at the Graveyard was administer first aid and treat colds. The truth however, is of no interest to anyone but her.


    CyFi¡¯s fathers¡ªboth of whom are as sienna-pale as CyFi is dark¡ªdote on her in equal measure, bringing her meals in bed. They were the ones who came all the way out to Cheyenne to get her, so they¡¯ve taken a vested interest in her health. Being treated like a delicate flower tires for Risa quickly. She begins to pace the room, still amazed every time she swings her feet out of bed and walks on her own. Her wrist is stiff and aches, so she carries it carefully, even after the doctor-in-residence concludes that her fingers are fine and she will have to pay full price for any future manicures, and happily, she doesn¡¯t have rabies either.


    Her window gives her a view of a garden and not much more, so she really doesn¡¯t know how big the place is and how many are here. Occasionally there are people tending the garden. She would go out to meet them, but her door is locked.


    ¡°Am I a prisoner?¡± Risa asks the taller, kinder-looking of CyFi¡¯s dads.


    ¡°Not all locks are about restraint, dear,¡± he tells her. ¡°Some are merely about timing.¡±


    On the following afternoon, the timing must be right, because CyFi offers to give her the grand tour.


    ¡°You¡¯ve got to understand, not everyone here is sympathetic to you,¡± CyFi warns. ¡°I mean, yeah, people know all that whack campaigning you did in favor of unwinding was bogus. Everyone knows you were being blackmailed¡ªbut even so, that interview where you talk about how unwinding is the least of all evils?¡± He grimaces. ¡°It¡¯s a dish that sticks to your bones, if you know what I mean.¡±


    Risa can¡¯t meet his gaze. ¡°I do.¡±


    ¡°You best be reminding people that the new spine you got is something you didn¡¯t ask for and something you regret having. That¡¯s a sentiment we can all relate to.¡±


    As CyFi had said, the place is more than just a home; it¡¯s a full-fledged compound. Risa¡¯s room is in the main house¡ªbut the house has large wings that were clearly added on recently, and across the large garden are half a dozen sizeable cottages that Risa couldn¡¯t see from her window.


    ¡°Land is cheap in Nebraska,¡± CyFi tells her. ¡°That¡¯s why we came here. Omaha¡¯s close enough for folks that got business to go about it and far enough out that strangers leave us alone.¡±


    Some of the people she passes glance at her, then look away without a greeting. Others give her a solemn nod. A few smile, although the smile is forced. They all know who she is¡ªbut no one knows what to make of her, any more than she knows what to make of them.


    This afternoon there are several people tending to the garden as Risa and CyFi stroll through. On closer inspection, the garden isn¡¯t just ornamental¡ªthere are vegetables growing in rows. Off to the left are pens with chickens and maybe other animals Risa can¡¯t see.


    CyFi answers her question before she asks it. ¡°We¡¯re fully sustainable. We don¡¯t slaughter our own meat though, ¡¯cept for the chickens.¡±


    ¡°Who, may I ask, is ¡®we¡¯?¡±


    ¡°The folk,¡± CyFi says simply.


    ¡°ChanceFolk?¡± Risa guesses¡ªbut looking around, none of the people here look Native American.


    ¡°No,¡± CyFi explains. ¡°Tyler-folk.¡±


    Risa doesn¡¯t quite catch his meaning yet. It seems quite a lot of the people she sees have grafted bits about them. A cheek here, an arm there. It isn¡¯t until she sees one bright blue eye that perfectly matches someone else¡¯s that it begins to dawn on her what this place is.


    ¡°You live in a revival commune?¡± Risa is a bit awed and maybe a bit frightened, too. She¡¯s heard rumors of such places, but never thought they were real.


    CyFi grins. ¡°The dads were the first to call it a ¡®revival commune¡¯ when we got started. I kinda like it, don¡¯t you? It sounds kinda . . . spiritual.¡± He gestures to the cottages and land around him. ¡°Most everyone here got a part of Tyler Walker,¡± CyFi explains. ¡°That¡¯s what the Tyler Walker Foundation is all about. Putting together places like this, for people who feel the need to reunite the Unwind they share.¡±


    ¡°Cyrus, that¡¯s twisted.¡±


    CyFi doesn¡¯t seem fazed by her judgment. ¡°A lot less twisted than some other things. It¡¯s a way to cope, Risa¡ªcope with something that never shoulda happened in the first place.¡± Then his jaw tightens, his gaze turns dodgy, and she knows it¡¯s Tyler talking now.


    ¡°You go put yourself in a room with the arms, legs, and thoughts that belong to that spine of yours, and you¡¯ll look at this place a whole lot differently.¡±


    Risa waits a moment for Tyler to go back to drafting behind CyFi again, as CyFi¡¯s much more pleasant to talk to.


    ¡°Anyways,¡± says CyFi, not missing a beat, ¡°this place was the first, but now we¡¯ve set up more than thirty revival communes across the country¡ªand there¡¯s more on the way.¡± He folds his arms and smiles proudly. ¡°Pretty cool, huh?¡±


    Out in front of one of the cottages, Risa spots the doctor who¡¯s been tending to her wrist. CyFi calling him ¡°a pair of lungs,¡± suddenly makes more sense now. The man is throwing a ball with a young boy who is clearly his son.


    ¡°So people just dropped everything and came here with their families?¡± Risa asks.


    ¡°Some brought families with them; others left families behind.¡±


    ¡°All to join the cult of Tyler Walker?¡±


    CyFi takes a moment before answering. Maybe it¡¯s a moment to keep Tyler from shouting out something they might both regret. ¡°Maybe it¡¯s a cult, and maybe not¡ªbut if it fills a need and doesn¡¯t hurt anyone, who are you to judge?¡±


    Risa holds her tongue, realizing the more she talks the more she insults her host.


    CyFi is happy to change the subject. ¡°So, how¡¯s the Fry?¡±


    ¡°Excuse me?¡±


    He rolls his eyes, like it should be obvious. ¡°Our mutual friend. How is he? Do you hear from him?¡±


    Risa is still at a loss.


    CyFi looks at her incredulously. ¡°The one, the only Levi Jedediah Small-Fry Calder. He never told you he knew me?¡±


    Risa finds herself stuttering. ¡°Y-you know Lev?¡±


    ¡°Do I know Lev? Do I know Lev? I traveled with him for weeks. He told me all about you and Connor kidnapping him and stuff. The way you saved him from getting tithed.¡± CyFi gets a little wistful. ¡°I took care of him until he had to take care of me. He took care of me real good, Risa. No way I¡¯d be here today if it weren¡¯t for him. Life woulda hit me like a train if he hadn¡¯t been there to stop it.¡± CyFi stops walking. He looks down. ¡°When I saw he became a clapper, I nearly crapped my pants. Not Fry¡ªnot that good kid.¡±


    ¡°He didn¡¯t blow himself up.¡±


    He snaps his eyes to her. She doesn¡¯t know whether it¡¯s CyFi or Tyler. Maybe it¡¯s both of them. ¡°Of course he didn¡¯t! You think I don¡¯t know that?¡± CyFi takes a moment to mellow. ¡°Do you have any idea where he is now?¡±


    Risa shakes her head. ¡°There was an attack on his home. Last I heard he went into hiding.¡±


    CyFi purses his lips. ¡°Poor little Fry. Hope he turns out less screwed up than the rest of us.¡±


    Risa knows that, as horrifying as it was that Lev had become a clapper, she would have been unwound long ago if his clapper friends hadn¡¯t taken down Happy Jack Harvest Camp. ¡°Small world, isn¡¯t it?¡± she tells CyFi. ¡°Lev¡¯s still here because of us¡ªbut we¡¯re both here because of him.¡±


    ¡°See, we¡¯re all interconnected,¡± CyFi says. ¡°Not just us Tyler-folk.¡±


    As they pass the last of the cottages, a middle-aged woman with no outward surgical signs smiles warmly at Risa from her porch, and Risa smiles back, finally beginning to feel comfortable with the idea of this place. CyFi touches his chest, indicating to Risa that the woman has Tyler¡¯s heart.


    They round back toward the main house, and Risa¡¯s wrist begins to ache, reminding her that she¡¯ll have to take it easy for a while. Her running from the powers that be will have to slow to a walk for a while. She could think of worse places than this to have to lie low.


    FOLLOWING IS A PAID POLITICAL ADVERTISEMENT


    ¡°This is actor Kevin Bessinger, asking you to vote no on Initiative 11. Initiative 11¡ªthe ¡®pound-of-flesh¡¯ law¡ªis not what it appears. It says it will allow for the voluntary shelling of inmates¡ªin other words, the removal and disposal of their brains, followed by the unwinding of the rest of their bodies. It might seem like a sensible idea¡ªuntil you read what the initiative actually says.


    ¡°Initiative 11 states that shelling would be voluntary¡ªbut it also allows prison administrators to override that and mandate the shelling of any prisoner they choose. In addition, it brings into the mainstream the unethical black-market practice of selling unwound parts at auction. Do you really want our lawmakers in the black market?


    ¡°Vote no on Initiative 11. The pound-of-flesh law is not a solution we can live with.¡±


    ¡ªSponsored by the Coalition for Ethical Unwinding Practices


    Dinner that night for Risa is not room service but a feast in the large dining room of the main house. The long table seats two dozen, and Risa is seated toward the middle, after refusing to be seated at the head. CyFi¡¯s fathers, who, Risa learned, had given up lucrative law and dental practices to run the Tyler Walker Foundation, are not present.


    ¡°Twice a week we have a special dinner,¡± CyFi explains. ¡°Just Tyler-folk¡ªno spouses or family. It¡¯s a time just for us¡ªand tonight you get to be one of us.¡±

 Page 20

    Risa¡¯s not sure how to feel about that.


    The doctor takes it upon himself to introduce Risa, stealing CyFi¡¯s thunder. He offers Risa up in the best possible light. A loyal member of the ADR forced by the enemy to testify against her own conscience. ¡°She believed that by doing their bidding, she was saving hundreds of kids from being unwound,¡± the doctor explains, ¡°but in the end she was double-crossed, and those kids are now in harvest camps awaiting ¡®summary division.¡¯ Risa is a victim of the system, as we all are, and I, for one, welcome her with open arms.¡±


    Those gathered applaud, although there¡¯s still some reluctance. Risa supposes that¡¯s the best she¡¯s going to get.


    The meal is brisket and flavorful home-grown vegetables. It¡¯s like Sunday dinner among a big family. Everyone eats with minimal conversation until CyFi says, ¡°Yo, maybe you all oughta introduce yourselves.¡±


    ¡°Names, or sharings?¡± someone asks.


    ¡°Sharings,¡± someone else answers. ¡°We might as well tell her the Tyler.¡±


    CyFi begins. ¡°Right temporal lobe.¡± Then he looks to his left.


    Reluctantly the man next to him says, ¡°Left arm.¡± He holds up his hand and waves.


    Then the woman beside him says, ¡°Left leg below the knee.¡± And around the table it goes:


    ¡°Right eye.¡±


    ¡°Left eye.¡±


    ¡°Liver and pancreas.¡±


    ¡°A substantial part of the occipital lobe.¡±


    Part after part is announced until it comes all the way around the table, back to Risa. ¡°Spine,¡± she says awkwardly. ¡°But I don¡¯t know whose.¡±


    ¡°We could find out for you,¡± the woman who received Tyler¡¯s heart offers.


    ¡°No, that¡¯s all right. I¡¯d rather not know,¡± Risa tells her. ¡°At least not now, anyway.¡±


    She nods with understanding. ¡°It¡¯s a personal choice¡ªno one will pressure you.¡±


    Risa looks around the table. They¡¯re all still eating, but now the attention is focused on her.


    ¡°So . . . every single piece of Tyler Walker is at this table?¡±


    CyFi sighs. ¡°No. We don¡¯t got spleen, left kidney, intestinal tract, thyroid, or any part of his right arm. And there¡¯s also a bunch of smaller brain bits that didn¡¯t have enough of him to feel the pull¡ªbut about seventy-five percent of him is here around the table.¡±


    ¡°And the other twenty-five percent can take a flying leap,¡± says left-auditory-tract man. Everyone laughs.


    Risa also learns that the garish decor in every room is also for Tyler. He had an overwhelming attraction to shiny things. Stealing them was part of the reason he was unwound.


    ¡°But everything here is bought and paid for,¡± the Tyler-folk are quick to tell her.


    ¡°Does the Tyler Walker Foundation pay you all to stay here?¡±


    ¡°More like the other way around,¡± the doctor says. ¡°Sure, when we first heard the idea, we were all dubious¡±¡ªhis eyes go a little euphoric¡ª¡°but when you¡¯re here, in the presence of Tyler, you realize you don¡¯t want to be anywhere else.¡±


    ¡°I sold my home and gave everything to the foundation,¡± someone else says. ¡°They didn¡¯t ask for it. I just wanted to give it.¡±


    ¡°He¡¯s here with us, Risa,¡± CyFi tells her. ¡°You don¡¯t have to believe it, but we all do. It¡¯s a matter of faith.¡±


    It¡¯s all too strange, too foreign for Risa to embrace. She thinks of the many other ¡°revival communes¡± that have sprung up, thanks to the Tyler Walker Foundation. Their existence is another unexpected consequence of unwinding¡ªa convoluted solution to an even more convoluted problem. She doesn¡¯t fault CyFi or any of these people. Instead she blames the world that made this place necessary. It galvanizes her more than ever to bring an end to unwinding once and for all. She knows she¡¯s only one girl, but she also knows she¡¯s a larger-than-life icon now. People love her, fear her, despise her, revere her. All these elements can make her a force to be reckoned with, if she plays her cards right.


    That night, before everyone goes to bed, there¡¯s a ritual that CyFi lets her witness.


    ¡°We played with a bunch of ideas¡ªsilly stuff mostly¡ªlike lying on the ground in the shape of a body, in our respective positions. Or huddling together in a little room, all squeezed in like clowns in a car, to reduce the space between us. But all that crap just felt weird. In the end we settled upon this circle. Simpler is better.¡±


    The circle, which is at the center of the garden, is marked by stones, each one engraved with the name of a part¡ªeven the parts that aren¡¯t there have a place. Everyone sits in front of their respective stone, and someone¡ªanyone¡ªbegins to speak. There seem to be no rules beyond that. It¡¯s a free-for-all, and yet they never seem to speak over one another. Risa notices that it¡¯s the people who got Tyler¡¯s brain that seem to motivate most of the conversation, but everyone participates.


    ¡°I¡¯m pissed off,¡± someone says.


    ¡°You¡¯re always pissed off,¡± someone else responds. ¡°Let it go.¡±


    ¡°I shouldn¡¯t have stolen all that stuff.¡±


    ¡°But you did, so get over it.¡±


    ¡°I miss Mom and Dad.¡±


    ¡°They unwound you.¡±


    ¡°No! I can stop them. It¡¯s not too late.¡±


    ¡°Read my lips: They . . . unwound . . . you!¡±


    ¡°I feel sick to my stomach.¡±


    ¡°I¡¯m not surprised the way you scarfed down that brisket.¡±


    ¡°It tasted like Grandma¡¯s.¡±


    ¡°It was. I convinced Mom to give us the recipe.¡±


    ¡°You talked to her?¡±


    ¡°Well, to her lawyer.¡±


    ¡°It figures.¡±


    ¡°I remember Mom¡¯s smile.¡±


    ¡°I remember her voice.¡±


    ¡°Remember how cold she was toward the end?¡±


    ¡°Sorry, not part of my memory.¡±


    ¡°There¡¯s so much stuff I wanna do, but I can¡¯t remember what it was.¡±


    ¡°I remember at least one thing. Skydiving.¡±


    ¡°Yeah, like that¡¯s gonna happen.¡±


    ¡°Maybe it will,¡± says CyFi. Then he asks, ¡°How many of you would skydive for Tyler?¡±


    About half the hands go up immediately, then a bunch more with mild reluctance. There are only a couple of holdouts.


    ¡°Great,¡± says CyFi. ¡°It¡¯s a done deal. I¡¯ll have the dads make the arrangements. Tyler¡¯s going skydiving!¡±


    Risa feels like the ultimate outsider, and she can¡¯t help but feel these people are deluding themselves . . . but she also can¡¯t help but wonder if maybe, just maybe, Tyler is really here in some real but immeasurable way. Whether it¡¯s an illusion or not, she¡¯ll never know. Like CyFi said, it¡¯s a matter of faith.


    One thing¡¯s for sure, though. If Tyler really is ¡°present,¡± then he¡¯s got a lot of growing up to do. Risa wonders if a divided person can grow up. Or if they¡¯re stuck at the age at which they were unwound.


    When the circle chat is through, CyFi walks Risa back to her room, and Risa can¡¯t keep herself from giving at least one opinion.


    ¡°It¡¯s all well and good what you¡¯re playing at here, Cyrus,¡± Risa says, ¡°but when you stood in front of Congress and fought for the Cap-17 law, you were doing something truly important.¡±


    ¡°Yeah¡ªand look what good it did. We got Cap-17 through, and now there are even more crackdowns by the Juvies and ads convincing people what a good thing unwinding is. They use all our good intentions against us¡ªyou should know that more than anyone. I¡¯m pretty damn smart, but no way am I smart enough to beat that.¡±


    ¡°That doesn¡¯t mean you give up trying. Now what are you doing? Nothing but indulging the childish whims of a troubled unwound kid.¡±


    ¡°Watch yourself, Risa,¡± CyFi warns. ¡°People have given up a lot to indulge that troubled kid.¡±


    ¡°Well, then, maybe Tyler needs someone to tell him to man up.¡±


    ¡°And that person is you, I suppose?¡±


    ¡°I don¡¯t see anyone else doing it. You¡¯re all fixated on what Tyler was and what he wanted before he got himself unwound. Why don¡¯t you start thinking about what he¡¯d want three years later?¡±


    For once, CyFi has no wisecrack answer. But Tyler does.


    ¡°You suck,¡± Tyler says out of CyFi¡¯s mouth. ¡°But yeah, I¡¯ll think about it.¡±


    FOLLOWING IS A PAID POLITICAL ADVERTISEMENT


    ¡°My name is Captain Lance Reitano, and I¡¯m a decorated firefighter. Let me tell you why I¡¯m voting yes on Initiative 11. By the voluntary shelling and unwinding of violent offenders, Initiative 11 provides crucial tissues and organs¡ªand the initiative has a provision allowing burn victims to receive them for free. When you¡¯ve been in the field as long as I have, you know how important that is.


    ¡°Opponents of Initiative 11 claim some sort of ¡®moral high ground¡¯¡ªbut you want to know the truth? They¡¯re the ones with an unethical agenda. They, and the Juvenile Authority, want Initiative 11 to fail, because they want to repeal the Cap-17 law instead. Not only that, but these same self-serving billionaires are fighting for a constitutional amendment that would bump the legal age of unwinding all the way up to 19, allowing even more kids to be unwound¡ªwhich would increase their profits and their stranglehold on the organ industry.


    ¡°I don¡¯t know about you, but I¡¯d rather see a killer unwound than the kid next door. Vote yes on Initiative 11!¡±


    ¡ªSponsored by Patriots for Sensible Shelling


    Although Risa had resolved to stay a second week, her antsiness, and desire to do something becomes overwhelming. On her eighth day, she decides to leave.


    ¡°Where will you go?¡± CyFi asks as he escorts her to the main road. ¡°If the ADR is the full-on mess you say it is, do you even have a place to go?¡±


    ¡°No,¡± she admits, ¡°but I¡¯ll take my chances out there. There¡¯s got to be someone left in the ADR. If not, I¡¯ll start my own Anti-Divisional Resistance.¡±


    ¡°Sounds pretty iffy to me.¡±


    ¡°My whole life¡¯s been iffy¡ªwhy should this be any different?¡±


    ¡°All right, then,¡± says CyFi. ¡°You take care of yourself, Risa, and if you happen to run into Lev, tell him to come on by. I¡¯ll cook some nice old-fashioned smorgasbash.¡± CyFi smiles. ¡°He¡¯ll know what it means.¡±


    17 ? Argent


    Argent Skinner¡¯s left cheek is torn. Not beyond repair, but beyond any repair he can afford. Three jagged rifts, now stitched together like a baseball, spread out from beneath his eye to below his ear. Another inch and it would have cut his carotid artery. Maybe he wishes it had. Maybe he wishes his hero had taken his life, because then, in some twisted way, Argent and Connor Lassiter would be connected forever. Then he would not have to face the fallout from what should have been the greatest event of his meager existence.


    The idea of Grace on the run with Connor is something he just can¡¯t wrap his mind around. The two of them taking off like some ridiculous Bonnie and Clyde would make Argent laugh if he weren¡¯t so lethally pissed off. He had the Akron AWOL in his damn cellar! For just a moment he had the world at his feet¡ªor at least in kicking distance. Now what does he have?

 Page 21

    When he showed up for his shift the next morning, half his face in a bandage, customers and coworkers all feigned to care.


    ¡°Oh my, what happened?¡± they all asked.


    ¡°Gardening accident,¡± he told them, because he couldn¡¯t come up with anything better at the time.


    ¡°Wow, musta been one nasty hedge.¡±


    At home he stews, he curses, then stews some more, for what else can he do? Argent knows he can¡¯t tell the police the truth of what happened. He can¡¯t tell anyone, because his fool friends have bigger mouths than he does. The Juvenile Authority and FBI have dismissed him as a dumbass yokel who concocted a lie and almost made it stick. They see him as a joke. Even his own half-wit sister managed to turn him into a joke of a man, and all because of Connor Lassiter.


    Can you despise your personal hero?


    Can you long to share in his light and at the same time want to slit his throat the way he almost slit yours?


    Argent¡¯s only consolation is that Grace is no longer his problem. He doesn¡¯t have to feed her; he doesn¡¯t have to scold her and make her mind. He doesn¡¯t have to worry about her leaving the water running, or the gas on, or the freaking back door open for the raccoons. He can have his own life. But what is that life, really?


    Argent knows that these thoughts will fill his head for months to come as he mindlessly scans canned corn and pocket-damp coupons. ¡°Did you find everything okay?¡± his mouth will say. ¡°Have a good one!¡± But his heart will be wishing them worms in their meat, disease in their produce, and swollen, rancid canned goods. Anything that will inflict upon them a small fraction of the misery that now resides within him.


    ? ? ?


    A week after Connor¡¯s escape, a visitor shows up at Argent¡¯s door just before he¡¯s about to leave for his morning shift.


    ¡°Hello,¡± the man says. His voice is a little bit ragged and his smile suspiciously broad. ¡°Would you happen to be Argent Skinner?¡±


    ¡°Depends on who¡¯s asking.¡± Argent figures this might be one of the feds, come to tie up loose ends. He wonders if he¡¯s going to be arrested after all. He wonders if he cares.


    ¡°May I come in?¡±


    The man steps forward a bit, and now Argent can see something that was hidden by the oblique morning light. There¡¯s something wrong with the right half of the man¡¯s face. It¡¯s peeling and infected.


    ¡°What¡¯s the deal with your face?¡± Argent asks, point-blank.


    ¡°I could ask the same of you,¡± he answers.


    ¡°Gardening accident,¡± Argent volunteers.


    ¡°Sunburn,¡± the man counters¡ªalthough to Argent it looks more like a radiation burn. A person would have to lie beneath an unforgiving sky for hours to get a burn that bad.


    ¡°You oughta take care of that,¡± Argent says, not even trying to mask his disgust.


    ¡°I will when time allows.¡± The man steps forward again. ¡°May I come in? There¡¯s something I need to discuss with you. Something of mutual interest and benefit.¡±


    Argent is not so stupid as to let a stranger into his house at the crack of dawn¡ªespecially one who looks as wrong as this man does. He blocks the threshold and takes a stance that would resist any attempt for the man to barge his way in. ¡°State your business right there,¡± Argent tells him.


    ¡°Very well.¡± The man smiles again, but his smile seems like a silent curse. Like the smile Argent gives people in the ten-items-or-less line who violate the limit. The smile he gives them while wiping just a little bit of snot on their apples.


    ¡°I happened to catch that picture you posted of you and Connor Lassiter.¡±


    Argent sighs. ¡°It was a fake, all right? I already told the police.¡± Argent steps back to close the door, but the man moves forward, planting his foot in just the right spot to keep the door from budging.


    ¡°The authorities may have fallen for your story¡ªmainly because they truly believe that Lassiter is dead¡ªbut I know better.¡±


    Argent doesn¡¯t know what to make of this. Half of him wants to run, but the other half wants to know what this guy is all about.


    ¡°Yeah?¡± he says.


    ¡°Just like you, I caught him, yet he managed to slither away. And just like you, I want to make him pay for what he¡¯s done.¡±


    ¡°Yeah?¡± Now Argent begins to get the slightest glimmer of hope. Maybe his life won¡¯t be all about ringing up groceries in this town.


    ¡°Now can I come in?¡±


    Argent steps back and lets him enter. The man closes the door gently and looks around, clearly unimpressed by the lived-in look of the house.


    ¡°So did he screw up your face too?¡± Argent asks.


    The man glares at him, but then his gaze softens. ¡°Indirectly. This was the fault of his accomplice. He left me unconscious by the side of the road, and when morning came, I roasted in the Arizona sun. Not a pleasant thing to wake up to.¡±


    ¡°Sunburn,¡± says Argent. ¡°So you were telling the truth.¡±


    ¡°I¡¯m an honest man,¡± Nelson says. ¡°And I¡¯ve been wronged, just like you. And just like you, I want to settle the score. That¡¯s why you¡¯re going to help me find Connor and his little friend.¡±


    ¡°And my sister,¡± Argent adds. ¡°She took off with Connor.¡±


    The idea of going after Connor and Grace had crossed Argent¡¯s mind, but not seriously. It¡¯s not the kind of thing you do alone. But now he wouldn¡¯t be alone. Then it occurs to Argent what this man is.


    ¡°Are you some kind of parts pirate?¡±


    That smile again. ¡°The best there is.¡± He tips an imaginary hat. ¡°Jasper T. Nelson, at your service.¡±


    Parts pirates, Argent knows, are like cowboys of old. Lawless bounty hunters who play by their own rules, bringing in AWOL Unwinds and collecting official rewards¡ªor better yet¡ªselling those Unwinds for more money on the black market. Argent can see himself living life on the edge like that. He lets the idea linger, trying on the label like a new pair of jeans. Argent Skinner, parts pirate.


    ¡°The fact is, you¡¯re in a lot of trouble, son. You just don¡¯t know it yet,¡± Nelson tells him. ¡°You may think the authorities are done with you, but tomorrow, or the next day, or the day after that, someone in some lab is going to run a routine forensic analysis of that picture you took, and they¡¯re going to discover that it¡¯s not a fake after all.¡±


    Argent tries to swallow, but his throat is too dry. ¡°Yeah?¡±


    ¡°Then you will be arrested. And interrogated. And interrogated some more. You will be charged with obstruction of justice, harboring a known criminal, and maybe even conspiracy to commit terrorism. You¡¯ll end up in prison for a good long time. You might even get unwound if one of those new laws pass allowing the unwinding of criminals.¡±


    Argent feels the blood drain from his sore face. He has to sit down, but doesn¡¯t, because he¡¯s afraid he might not have the strength to get up. So instead he locks his knees and sways a little bit on feet that suddenly feel too far away from the floor.


    And all this because of Connor Lassiter.


    ¡°I¡¯m sure if they interrogate you, you¡¯ll sing to them everything Lassiter told you. But I would much prefer it if you sang for me instead. And you do have things to sing about, don¡¯t you?¡±


    Argent racks his brain for anything useful Connor might have said, but nothing comes to mind. Still, that won¡¯t be what the parts pirate wants to hear.


    ¡°He told me some stuff,¡± Argent says. Then more forcefully, ¡°Yeah. He told me stuff. Maybe enough to figure out where he¡¯s going.¡±


    Nelson laughs gently. ¡°You¡¯re lying.¡± He pats the good side of Argent¡¯s face. ¡°That¡¯s all right. I¡¯m sure there are things you know that you don¡¯t even know you know. And besides, I need an associate. Someone to whom catching Connor Lassiter is personal, because that¡¯s the only kind of person I can trust. I would have preferred someone a bit higher on the evolutionary ladder, but one takes what one can get.¡±


    ¡°I¡¯m not stupid,¡± Argent tells him, intentionally avoiding the word ¡°ain¡¯t¡± to prove it. ¡°I¡¯m just unlucky.¡±


    ¡°Well, today your luck has changed.¡±


    Perhaps it has, Argent thinks. Maybe this partnership is fated. The right side of Nelson¡¯s face is ruined, as is the left side of Argent¡¯s. They both bear the marks of their struggle with the Akron AWOL. It makes them a team perfectly suited for the mission.


    Nelson looks toward the window, as if checking to see if the coast is still clear. ¡°Here¡¯s what you¡¯re going to do, Argent. You¡¯re going to fill a backpack with only the things you need, and you¡¯ll do it in less than five minutes. Then you¡¯ll come with me to take down the Akron AWOL once and for all. What do you say to that?¡±


    Argent offers a feeble smile on the side of his face that still can. ¡°Yo-ho, yo-ho,¡± Argent says. ¡°A pirate¡¯s life for me.¡±


    Part Three


    Sky-Fallers


    Documented cases of cellular memory being transferred to heart transplant recipients:


    CASE 1) A Spanish-speaking vegetarian receives the heart of an English speaker and begins using English words that were not part of his vocabulary but were words habitually used by the donor. The recipient also begins craving, and eventually eating, meat and greasy foods, which were mainstays of the donor¡¯s diet.


    CASE 2) An eight-year-old girl receives the heart of a ten-year-old girl who was murdered. The recipient begins having nightmares about the murder, remembering details that only the victim could know, such as when and how it happened and the identity of the murderer. Her entire testimony turns out to be true, and the murderer is caught.


    CASE 3) A three-year-old Arab child receives the heart of a Jewish child, and upon waking, asks for a Jewish candy the child had never heard of before.


    CASE 4) A man in his forties receives a heart from a teenaged boy and suddenly develops an intense love of classical music. The donor had been killed in a drive-by shooting, clutching his violin case as he died.


    CASE 5) A five-year-old boy receives the heart of a three-year-old. He talks to him like an imaginary friend, calling him Timmy. After some investigation, the parents discovered the name of the donor was Thomas. But his family called him Timmy.


    A total of 150 anecdotal cases have been documented by neuropsychologist Paul Pearsall, PhD.


    http://www.paulpearsall.com/info/press/index.html


    The Rheinschilds


    She¡¯s worried about him. He¡¯s always been obsessed with their work, but she¡¯s never seen him like this. The hours he spends in his research lab, the dark circles beneath his eyes, all the mumbling in his sleep. He¡¯s losing weight, and no wonder; he seems to never eat anymore.


    ¡°He¡¯s like this superbrain with no body,¡± says Austin, his research assistant, who has grown from an emaciated beanpole to a much more healthy weight since Janson hired him six months ago.


    ¡°Will you tell me what he¡¯s working on?¡± Sonia asks.


    ¡°He said you didn¡¯t want any part of it.¡±

 Page 22

    ¡°I don¡¯t. But I have a right to know what he¡¯s doing, don¡¯t I?¡± It¡¯s so like Janson to take everything she says literally. Shutting her out to spite her, like a child.


    ¡°He says he¡¯ll tell you when he¡¯s ready.¡±


    It¡¯s no sense trying to get anything out of the boy¡ªhe¡¯s got the loyalty of a German shepherd.


    She supposes this obsession of Janson¡¯s is better than the despair he felt before. At least now he has something to focus on, something to take his thoughts away from the cascade of events that the Unwind Accord has brought about. Their new reality includes clinics that have popped up nationwide like mushrooms on an overwatered lawn, each of them advertising young, healthy parts. ¡°Live to 120 and beyond!¡± the ads say. ¡°Out with the old and in with the new!¡± No one asks where the parts are coming from, but everyone knows. And now it¡¯s not just ferals that are being unwound¡ªthe Juvenile Authority has actually come up with a form that parents can use to send their ¡°incorrigible¡± teen off for unwinding. At first she doubted anyone would use the form. She was convinced its very existence would finally spark the outcry she¡¯d been waiting for. It didn¡¯t. In fact, within a month, there was a kid in their own neighborhood who had been taken away to be unwound.


    ¡°Well, I think they did the right thing,¡± one of her neighbors confided. ¡°That kid was a tragedy waiting to happen.¡±


    Sonia doesn¡¯t talk to either of those neighbors anymore.


    Day to day, Sonia watches her husband waste away, and none of her pleas for him to take care of himself get through. She even threatens to leave him, but they both know it¡¯s an empty threat.


    ¡°It¡¯s almost ready,¡± he tells her one evening as he moves his fork around a plate of pasta, barely putting any into his mouth. ¡°This¡¯ll do it, Sonia¡ªthis will change everything.¡±


    But he still won¡¯t share with her exactly what he¡¯s doing. Her only clue comes from his research assistant. Not from anything the boy says, but because he began his employment with three fingers on his left hand. And now he has five.


    18 ? Lev


    He bounds through a dense forest canopy, high up where the leaves touch the sky. It¡¯s night, but the moon is as bright as the sun. There is no earth, only trees. Or maybe it¡¯s that the ground matters so little, it might as well not exist. Stirred by a warm breeze, the forest canopy rolls like ocean waves beneath the clear sky.


    There is a creature leaping through the foliage in front of him, turning back to look at Lev every once in a while. It has huge cartoonish eyes in its small furred face. It¡¯s not fleeing from Lev, he realizes; it¡¯s leading him. This way, it seems to say with those soulful eyes that reflect twin images of the moon.


    Where are you leading me? Lev wants to ask, but he can¡¯t speak. Even if he could, he knows he won¡¯t get an answer.


    Branch to branch Lev leaps with an inborn skill that he did not possess in life. This is how he knows he¡¯s dead. The experience is too clear, too vivid to be anything else. When he was alive, Lev never cared much for climbing trees. As a child, it was discouraged by his parents. Tithes need to protect their precious bodies, he was told, and climbing trees can lead to broken bones.


    Broken.


    He was broken in a car accident and left with deep damage inside. That damage must have been worse than anyone thought. His last memory is a cloudy recollection of pulling up to the eastern gate of the Ar¨¢pache Rez. He remembers hearing his own voice telling the guard something, but he can¡¯t remember what it was. His fever was soaring by then. All he wanted to do was sleep. He was unconscious before he learned whether or not the guard would let them in.


    But none of that matters now. Death has a way of making the concerns of the living feel insignificant. Like the ground below, if indeed there is ground.


    He leaps again, his pace getting faster. There is a rhythm to it, like a heartbeat. The branches seem to appear right where he needs them to be.


    Finally he reaches the very edge of the forest at the very edge of the world. Star-filled darkness above and below. He looks for the creature that was leading him, but it is nowhere to be seen. Then he realizes with a dark sort of wonder that there never was a creature. He is the creature, projecting his anima before him as he launches through the treetops.


    Up above, the full moon is so clear, so large, that Lev feels he could reach out and grab it. Then he realizes that is exactly what he is meant to do. Bring down the moon.


    It will be a devastating thing if he plucks the moon from the sky. Tides will change, and oceans will churn in consternation. Lands will flood, while bays will turn to deserts. Earthquakes will re-form the mountains, and people everywhere will have to adapt to a new reality. If he tears down the moon, everything will change.


    With infinite joy and absolute abandon, Lev leaps to his purpose, soaring off the edge of the world and toward the moon with his arms open wide.


    ? ? ?


    Lev opens his eyes. There is no moon. There are no stars. There is no forest canopy. Only the white walls and ceiling of a room he hasn¡¯t seen for a long time. He feels weak and wet. His body hurts, but he can¡¯t yet identify the location of the pain. It seems to come from everywhere. He¡¯s not dead after all¡ªand for a moment he finds himself disappointed. Because if death is a joyous jaunt through a forest canopy for all eternity, he can live with that. Or not live, as the case may be.


    This room is where he hoped he¡¯d find himself when he awoke. There¡¯s a woman sitting at the desk across the room, making notes in a file. He knows her. Loves her, even. He can count on one hand all the people in his life whom he would be happy to see. This woman is one of them.


    ¡°Healer Elina,¡± he tries to say, but it comes out like the squeak of a mouse.


    She turns to him, closing the file, and regards him with a pained smile. ¡°Welcome back, my little Mahpee.¡±


    He tries to smile, but it hurts his lips to do it. Mahpee. ¡°Sky-faller.¡± He had forgotten they had called him that. So much has changed since he was last here. He¡¯s not the boy he was when they first took him in as a foster-fugitive. That was the beginning of his dark days¡ªbetween the time he left CyFi and the time he showed up at the airplane graveyard.


    Elina comes over to him, and immediately he notices the gray infiltrating her braid. Was it there a year and a half ago and he hadn¡¯t noticed, or is it new? She certainly has reason to have new gray hairs.


    ¡°I¡¯m sorry,¡± he rasps out.


    She seems genuinely surprised. ¡°For what?¡±


    ¡°For being here.¡±


    ¡°You should never apologize for existing, Lev. Not even to all those people out there who wish you didn¡¯t.¡±


    He wonders how many of those people are right here on the reservation. ¡°No . . . I mean I¡¯m sorry I came back to the rez.¡±


    She takes a moment to look at him. No longer smiling, just observing. ¡°I¡¯m glad you did.¡±


    But Lev notices that she didn¡¯t say ¡°we.¡±


    ¡°I decided that once you were stable, you were better off here in my home than in the medical lodge.¡± She checks the IV leading into his right forearm. He hadn¡¯t even noticed it was there before. ¡°You¡¯re looking a little puffy, but you¡¯re probably just overhydrated. I¡¯ll turn this off for a bit.¡± She shuts down the fluid infuser. ¡°That¡¯s probably why you sweat so much when your fever broke.¡± She looks at him for a moment, probably assessing what he needs to know, then says, ¡°You have two broken ribs and suffered quite a lot of internal bleeding. We had to give you a partial thoracotomy to stop the bleeding¡ªbut it will heal, and I have herbs that will keep it from scarring.¡±


    ¡°How¡¯s Chal?¡± Lev asks. ¡°And Pivane?¡± Chal, Elina¡¯s husband, is a big-shot Ar¨¢pache lawyer. His brother Pivane isn¡¯t one to leave the rez.


    ¡°Chal has a major case in Denver, but you¡¯ll see Pivane soon enough.¡±


    ¡°Has he asked to see me?¡±


    ¡°You know Pivane¡ªhe¡¯ll wait until he¡¯s invited.¡±


    ¡°My friends?¡± Lev asks. ¡°Are they here?¡±


    ¡°Yes,¡± Elina says. ¡°It seems my household is overrun by mahpees this week.¡± Then she goes to an entertainment console, fiddles with it a bit, and music begins to play. Guitar music.


    He recognizes the piece from his first time on the rez, and it pulls at his heartstrings. That first time, he had climbed over the southern wall to get in and was injured in the fall. He woke to find himself in this same room. An eighteen-year-old boy was playing guitar with such amazing skill, Lev had been mesmerized. But now all that remains of him is a recording.


    ¡°One of Wil¡¯s songs of healing,¡± Elina says. ¡°Wil¡¯s music goes on, even if he doesn¡¯t. It¡¯s a comfort to us. Sometimes.¡±


    Lev forces a smile, his lips not hurting quite so bad this time. ¡°It¡¯s good to be . . . here,¡± he says, almost saying ¡°home¡± instead of ¡°here.¡± Then he closes his eyes, because he¡¯s afraid to see what her eyes will say back.


    19 ? Connor


    ¡°He¡¯s awake,¡± Elina says. That¡¯s all, just ¡°he¡¯s awake.¡± She is a woman of few words. At least few words for Connor.


    ¡°So, can I see him?¡±


    She folds her arms and regards him coolly. Her lack of response is his answer. ¡°Tell me one thing,¡± she finally says. ¡°Is it because of you he became a clapper?¡±


    ¡°No!¡± says Connor, disgusted by the suggestion. ¡°Absolutely not!¡± And then he adds, ¡°It¡¯s because of me that he didn¡¯t clap.¡±


    She nods, accepting his answer. ¡°You can see him tomorrow, once he¡¯s a little stronger.¡±


    Connor sits back down on the sofa. The doctor¡¯s home¡ªin fact, the entire rez¡ªis not what he expected. The Ar¨¢pache have steeped themselves in both their culture and modern convenience. Plush leather furniture speaks of wealth, but it is clearly made by hand. The neighborhood¡ªif one can call it that¡ªis carved into the red stone cliffs on either side of a deep gorge, but the rooms are spacious, the floors are tiled with ornate marble, and the plumbing fixtures are polished brass or maybe even gold¡ªConnor¡¯s not sure. Dr. Elina¡¯s medical supplies are also state of the art, although different in some fundamental way from medical supplies on the outside. Less clinical, somehow.


    ¡°Our philosophy is a little different,¡± she had told him. ¡°We believe it¡¯s best to heal from the inside out, rather than from the outside in.¡±


    Across the room, the boy playing a board game with Grace growls in frustration. ¡°How can you keep beating me in Serpents and Stones?¡± he whines at Grace. ¡°You¡¯ve never even played it before!¡±


    Grace shrugs. ¡°I learn quick.¡±


    The boy, whose name is Kele, has little patience for losing. The game, Serpents and Stones, appears to be a lot like checkers, but with more strategy¡ªand when it comes to strategy, Grace cannot be beat.


    Once the kid storms away, Grace turns to Connor. ¡°So your friend the clapper is gonna be okay?¡± she asks.

 Page 23

    ¡°Please don¡¯t call him that.¡±


    ¡°Sorry¡ªbut he¡¯s gonna be okay, right?¡±


    ¡°It looks like it.¡±


    They¡¯ve been here for nearly a week, and Connor has yet to feel welcome. Tolerated is more like it¡ªand not because they¡¯re outsiders, for Elina and her brother-in-law, Pivane, have been more than kind to Grace¡ªespecially after they realized she¡¯s low-cortical. Even when she stitched up Connor¡¯s ostrich wound, Elina was cool and impassionate about it. ¡°Keep it clean. It¡¯ll heal,¡± was all she said. She offered no ¡°your welcome,¡± to Connor¡¯s ¡°thank you,¡± and he couldn¡¯t tell whether it was a cultural thing, or if her silence was deliberate. Perhaps now that Elina knows he wasn¡¯t responsible for Lev becoming a clapper, she might treat him with a little less frost.


    Kele returns with another board game, fumbling with black and white pieces of different sizes.


    ¡°So what do you call this game?¡± Connor asks.


    He looks at Connor like he¡¯s an imbecile. ¡°Chess,¡± he says. ¡°Duh.¡±


    Connor grins, recognizing the pieces as he places them. Like everything else on the rez, the game is hand carved and the pieces unique, like little sculptures¡ªwhich is why he didn¡¯t recognize it right away. Grace rubs her hands together in anticipation, and Connor considers warning the kid not to get his hopes up, but decides not to: He¡¯s much too entertaining as a sore loser.


    Kele is twelve, by Connor¡¯s estimate. He¡¯s not family, but Elina and her husband, Chal, took him in when his mother died a year ago. While Elina has offered Connor no information on anything, Kele, whose mouth runs like an old-time combustion engine, has been filling Connor in on a part of Lev¡¯s life that Lev never spoke about.


    ¡°Lev showed up here maybe a year and a half ago,¡± Kele had told Connor. ¡°Stayed for a few weeks. That was before he got all scary and famous and stuff. He went on a vision quest with us, but it didn¡¯t turn out so good.¡±


    Connor placed Lev¡¯s weeks at the rez somewhere between the time he and Risa lost Lev at the high school in Ohio and the time he showed up at the Graveyard, markedly changed.


    ¡°He and Wil became good friends,¡± Kele told Connor, glancing at a portrait of a teenaged boy who looked a lot like Elina.


    ¡°Where is Wil now?¡± Connor asked.


    It was the only time Kele got closemouthed. ¡°Gone,¡± he had finally said.


    ¡°Left the rez?¡±


    ¡°Sort of.¡± Then Kele had changed the subject, asking questions about the world outside the reservation. ¡°Is it true that people get brain implants instead of going to school?¡±


    ¡°NeuroWeaves¡ªand it¡¯s not instead of school. It¡¯s something rich stupid people do for their rich stupid children.¡±


    ¡°I¡¯d never want a piece of someone else¡¯s brain,¡± Kele had said. ¡°I mean, you don¡¯t know where it¡¯s been.¡±


    On that, Connor and Kele were in total agreement.


    Now, as Kele concentrates intently on his game of chess with Grace, Connor tries to catch him off guard enough to get some answers.


    ¡°So do you think Wil might come back to the rez to visit with Lev?¡±


    Kele moves his knight and is promptly captured by Grace¡¯s queen. ¡°You did that on purpose to distract me!¡± Kele accuses.


    Connor shrugs. ¡°Just asking a question. If Wil and Lev are such good friends, he¡¯d come back to see him, wouldn¡¯t he?¡±


    Kele sighs, never looking up from the board. ¡°Wil was unwound.¡±


    Which doesn¡¯t make sense to Connor. ¡°But I thought ChanceFolk don¡¯t unwind.¡±


    Finally Kele looks up at him. His gaze is like an accusation. ¡°We don¡¯t,¡± Kele says, then returns to the game.


    ¡°So then how¡ª¡±


    ¡°If you wanna know, then talk to Lev; he was there too.¡±


    Then Grace captures one of Kele¡¯s rooks, and Kele flips the board in frustration, sending pieces flying. ¡°You eat squirrel!¡± he shouts at Grace, who laughs.


    ¡°Who¡¯s low-cortical now?¡± she gloats.


    Kele storms off once more, but not before throwing Connor a glare that has nothing to do with the game.


    20 ? Lev


    Lev sits in shadow on the terrace, looking out at the canyon. It¡¯s nowhere near as dramatic as the great gorge that separates Ar¨¢pache land from the rest of Colorado, but the canyon is impressive in its own way. Across the dry stream bed, the homes carved into the face of the opposing cliff are filled with dramatic late-afternoon shadows and activity. Children play on terraces with no protective rails, laughing as they climb up and down rope ladders in pursuit of one another. When he was first here, he was horrified, but he quickly came to learn that no one ever fell. Ar¨¢pache children learn a great respect for gravity at an early age.


    ¡°We built America¡¯s great bridges and skyscrapers,¡± Wil had told him proudly. ¡°For us, balance is a matter of pride.¡±


    Lev knew he had meant that in many ways¡ªand nowhere in his own life had Lev felt more balanced than when he was here at the rez. But it was also here that he was thrown so off-kilter that he chose to become a clapper. He hopes that maybe he can find some of the peace he once had, if only for a little while. Yet he knows he¡¯s not entirely welcome. Even now, he sees adults across the canyon eying him as he sits there. From this distance, he can¡¯t tell if it¡¯s with suspicion or just curiosity.


    Lev¡¯s shoulder itches, and there¡¯s a faint throbbing with every beat of his heart. His left side feels hot and heavy, but the pain he had felt in the car has subsided to a dull ache that only sharpens when he moves too fast. He has not seen Connor or Grace since awakening. As long as he knows they¡¯re all right, he¡¯s fine with that. In a way, his life has been compartmentalized into discrete little boxes. His life as a tithe, his life as a clapper, his life as a fugitive, and his life on the rez. He had been here for only a few weeks that first time, but the experience looms large for him. The idea of merging this delicate oasis of his life with the rest of his tumultuous existence is something he must get used to.


    ¡°When the council cast you out, it broke my heart.¡±


    Lev turns to see Elina coming out onto the terrace, carrying a tray with a teapot and a mug, setting it down on a small table.


    ¡°I knew you weren¡¯t responsible for what happened to Wil,¡± she tells him, ¡°but there was a lot of anger back then.¡±


    ¡°But not now?¡±


    She sits in the chair beside his and hands him a mug of steaming tea instead of answering. ¡°Drink. It¡¯s getting chilly.¡±


    Lev sips his tea. Bitter herbs sweetened with honey. No doubt a potent brew of healing steeped by the modern medicine woman.


    ¡°Does the council know I¡¯m here?¡±


    She hesitates. ¡°Not officially.¡±


    ¡°If they know officially, will they cast me out again?¡±


    Unlike her tea, her answer is honest and unsweetened. ¡°Maybe. I don¡¯t know for sure. Feelings about you are mixed. When you became a clapper, some people thought it heroic.¡±


    ¡°Did you?¡±


    ¡°No,¡± she says coldly, then with much more warmth says, ¡°I knew you had lost your way.¡±


    The understatement is enough to make Lev laugh. ¡°Yeah, you could say that.¡±


    She turns to look across the ravine at the lengthening shadows and the neighbors trying to look as if they¡¯re not looking. ¡°Pivane took it very hard. He refused to even speak of you.¡±


    Lev is not surprised. Her brother-in-law is very old-school when it comes to dealing with the world outside of the rez. While her husband, Chal, seems to spend more time off the rez than on, Pivane is a hunter and models his life much more on ancestral ways.


    ¡°He never liked me much,¡± Lev says.


    Elina reaches out to touch his hand. ¡°You¡¯re wrong about that. He wouldn¡¯t speak of you because it hurt too much.¡± Then she hesitates, looking down at his hand clasped in hers rather than in his eyes. ¡°And because, like me, he felt partially responsible for you becoming a clapper.¡±


    Lev looks to her, thrown by the suggestion. ¡°That¡¯s just stupid.¡±


    ¡°Is it? If we had gone against the council. If we had insisted you stay¡ª¡±


    ¡°¡ªthen it would have been horrible. For all of us. You would look at me and remember how Wil sacrificed himself to save me.¡±


    ¡°And to save Kele and all the other kids on that vision quest.¡± The doctor leans back in her chair. Still unable to look at him for any length of time, she looks across the arroyo and waves to a staring neighbor. The woman waves back, then self-consciously adjusts the potted plants on her terrace.


    ¡°Look at me, Elina,¡± Lev says, and waits until she does. ¡°When I left here, I was on my way to a terrible place. A place where all I wanted to do was share my anger with the world. You didn¡¯t make that anger. My parents did. The Juvies did. The lousy parts pirates who took Wil did. Not you!¡±


    Lev closes his eyes, trying to ward off the memory of that one awful day. Like Pivane, Lev finds the pain of it too much to bear. He takes a deep breath, keeping the memory and all the emotions it holds at bay, then opens his eyes once more. ¡°So I went to that terrible place inside . . . . I went to hell. But in the end I came back.¡±


    Elina grins at him. ¡°And now you¡¯re here.¡±


    Lev nods. ¡°And now I¡¯m here.¡± Although he has no idea where he¡¯ll be tomorrow.


    ? ? ?


    Lev comes out to the great room after the sun sets.


    ¡°You¡¯re alive,¡± Connor says when he sees him. Connor is tense, but his stress level does look a little bit lower.


    ¡°Surprised?¡±


    ¡°Yeah, every time I see you.¡±


    Connor wears a designer Ar¨¢pache shirt with a coarse weave and a tailored fit, to replace the rank shirt he had taken from the deputy. It looks good on him, but it¡¯s also an odd disconnect. Lev finds it hard to allow Connor and the rez to share the same space in his mind.


    ¡°Love the ponytail,¡± Connor says, pointing at his hair.


    Lev shrugs. ¡°It¡¯s just because my hair is so tatted. But maybe I¡¯ll keep it.¡±


    ¡°Don¡¯t,¡± Connor tells him. ¡°I lied. I hate it.¡±


    That makes Lev laugh, which makes his side hurt, and he grimaces.


    The greetings now begin to feel like a receiving line. Kele comes up to Lev, looking awkward. He was a head shorter than Lev when they last saw each other. Now he¡¯s almost the same height.


    ¡°Hi, Lev. I¡¯m glad you came back and that you didn¡¯t come back dead.¡±


    Kele will continue to grow, but Lev will not. Stunted growth. That¡¯s what he gets for lacing his blood with explosive chemicals.


    Pivane is there, cooking dinner. A stew of fresh meat¡ªsomething he probably shot in the wild today. Pivane¡¯s greeting, reserved at first, ends in a hug that hurts, but Lev doesn¡¯t let on. Only Grace keeps her distance, ignoring Lev. Even after their desperate road trip here, she¡¯s still not sure what to make of him. It isn¡¯t until the middle of dinner that she finally speaks to him.

 Page 24

    ¡°So how do you know you won¡¯t still blow up?¡±


    And in the awkward silence that follows, Kele says, ¡°I was kinda wondering that too.¡±


    Lev makes his eyes wide. ¡°Maybe I will,¡± he says ominously, then waits a few seconds and shouts ¡°BOOM!¡± It makes everyone jump¡ªbut no one quite as much as Grace, who spills her stew and lets loose a stream of curses that makes everyone burst out laughing.


    After dinner everyone goes about their own business, and Connor gets him alone.


    ¡°So what¡¯s the deal here?¡± he asks quietly. ¡°How do you know all these people?¡±


    Lev takes a deep breath. He owes Connor an explanation, although he¡¯d rather not give it. ¡°Before I showed up at the Graveyard, I came here, and they gave me sanctuary for a while,¡± Lev tells him. ¡°They almost adopted me into the tribe. Almost. It all got ruined by parts pirates. They cornered a bunch of us out in the woods, and Elina¡¯s son¡ª¡±


    ¡°Wil?¡±


    ¡°Yes, Wil. He offered himself in exchange for the rest of our lives.¡±


    Connor considers this. ¡°Since when do parts pirates negotiate?¡±


    ¡°They were looking for something special. And Wil was something special. I¡¯ve never heard anyone play guitar like he played. Once they had him, they didn¡¯t care about the rest of us. Anyway, since I was there, and I was an outsider, I kind of became the scapegoat. There was no staying after that.¡±


    Connor nods and doesn¡¯t press for more details. Instead he looks toward the window. Outside not much can be seen in the dark but the lights of other homes across the ravine. ¡°Don¡¯t get too comfortable here,¡± Connor warns.


    ¡°I¡¯m already comfortable,¡± Lev tells him, and leaves before Connor can say anything more.


    ? ? ?


    The cliff-side home is spacious. The individual bedrooms are small but numerous, and all of them open to the great room, which serves as living room, dining room, and kitchen. Perhaps out of morbid curiosity, Lev checks out the room that was Wil¡¯s. He thinks they might have kept it as it was, but they haven¡¯t. They haven¡¯t redesigned it for anyone else either. Wil¡¯s room is now empty of furniture and decorations. Nothing but bare stone walls.


    ¡°No one will use this room again,¡± Elina tells Lev. ¡°At least not in my lifetime.¡± As everyone begins to settle down for the night, Lev goes looking for Pivane. There¡¯s been more awkwardness between them than Lev has found with anyone else, and Lev hopes he can bridge the gap. He expects to find the man down on the first floor, creek-bed level, in the workroom, tinkering with something. Perhaps preparing hides for tanning. Instead he finds someone he wasn¡¯t expecting.


    She sits there at the workbench, her hair pulled back in a colorful tie, looking exactly the same as Lev remembers. Una.


    Una was Wil¡¯s fianc¨¦e and must have been more devastated than anyone when Wil was taken by the parts pirates and unwound. After that, his petition to join the tribe was quickly denied, Pivane had driven him to the gate, and Lev was set loose without ever saying good-bye to Una. Lev had been glad for that at the time. He¡¯d had no idea what to say to her then, and he has no idea what to say now, so he lingers in the shadows, not wanting to step into the light.


    Una is absorbed in cleaning a rifle that Lev recognizes as Pivane¡¯s. Does she know that he¡¯s here on the rez? Elina was very clear that his presence was to be kept low-key. His question is answered when Una says, without looking up, ¡°Not very good at lurking, are you, Lev?¡±


    He steps forward, but Una keeps her attention focused on the rifle without looking at him.


    ¡°Elina told me you were back,¡± she says.


    ¡°But you didn¡¯t come to see me.¡±


    ¡°Who says I wanted to?¡± Finally she spares a look at him, but she keeps her poker face. ¡°Anyone ever teach you how to clean a bolt-action rifle?¡±


    ¡°No.¡±


    ¡°Come here. I¡¯ll show you.¡±


    She takes Lev through the steps of removing the bolt and scope. ¡°Pivane has been teaching me to shoot, and I¡¯ve been finding a desire to do it,¡± Una tells him. ¡°When he gets his new rifle, he¡¯ll give me this one.¡±


    ¡°A little different from making guitars,¡± Lev says, which is what Una does.


    ¡°Both will have their place in my life,¡± Una tells him, then directs him in cleaning the inside of the rifle barrel with solvent and a copper brush. She says nothing about what happened the last time he was on the rez, but it hangs as heavy and as dark as gunmetal between them.


    ¡°I¡¯m sorry about Wil,¡± he finally says.


    Una is silent for a moment, then says, ¡°They sent back his guitar¡ªwhoever ¡®they¡¯ is. There was no explanation, no return address. I burned it on a funeral pyre because we had no body to burn.¡±


    Lev holds his silence. The idea of Wil¡¯s guitar turned to ash is almost as horrifying as the thought of his unwinding.


    ¡°I know it wasn¡¯t your fault,¡± Una says, ¡°but Wil would not have helped lead that vision quest if it hadn¡¯t been for you and would never have been taken by those parts pirates. No, it wasn¡¯t your fault, little brother¡ªbut I wish you had never come here.¡±


    Lev puts down the rifle barrel. ¡°I¡¯m sorry. I¡¯ll go now.¡±


    But Una grabs his arm. ¡°Let me finish.¡± She lets go of him, and now Lev can see the tears in her eyes. ¡°I wish you had never come, but you did¡ªand ever since you left, I wished you would come back. Because you belong here, Lev¡ªno matter what the council says.¡±


    ¡°You¡¯re wrong. There¡¯s nowhere I belong.¡±


    ¡°Well, you certainly don¡¯t belong out there. The fact that you almost blew yourself up proves it.¡±


    Lev doesn¡¯t want to talk about his days as a clapper. Not to Una. Instead he decides to share something else. ¡°I haven¡¯t told anyone this, but I had a dream before my fever broke. I was jumping through the branches of a forest.¡±


    Una considers it. ¡°What kind of forest? Pine or oak?¡±


    ¡°Neither. It was a rainforest, I think. I saw this animal covered in fur. It was leading me.¡±


    Una smiles, realizing what Lev is getting at. ¡°Sounds like you¡¯ve finally found your animal spirit. Was it a monkey?¡±


    ¡°No. It had a tail like a monkey, but its eyes were too big. Any idea what it could have been?¡±


    Una shakes his head. ¡°Sorry. I don¡¯t know much about rain forest animals.¡±


    But then Lev hears a voice behind him. ¡°I think I know.¡± He turns to see Kele standing in the doorway ¡°Big eyes, small mouth, really cute?¡±


    ¡°Yeah . . .¡±


    ¡°It¡¯s a kinkajou.¡±


    ¡°Never heard of it.¡±


    Una smirks at Lev. ¡°Well, it¡¯s heard of you.¡±


    ¡°I did a report on kinkajous,¡± Kele says. ¡°They¡¯re like the cutest animals ever, but they¡¯ll rip your face off if you mess with them.¡±


    The smirk never leaves Una¡¯s face. ¡°Small, cute, and not to be messed with. Hmm . . . Who does that remind me of?¡±


    That makes Kele laugh and Lev scowl.


    ¡°I am not cute,¡± Lev growls.


    ¡°Matter of opinion, little brother. So tell me, did your guide give you any sort of task?¡±


    Lev hesitates, but then decides to tell her, no matter how ridiculous it sounds. ¡°I think he wanted me to pull the moon from the sky.¡±


    Una laughs. ¡°Good luck with that one.¡± Then she snaps the rifle closed with a satisfying clang.


    21 ? Cam


    Cam and Roberta¡¯s Washington town house becomes the place to be invited to. Dinner soirees abound with international dignitaries, political movers and shakers, and pop culture icons, all of whom want a proverbial piece of Camus Comprix. Sometimes their attention is so aggressive, Cam wonders if they actually do want a piece of him as a souvenir. He dines with the crowned prince of a small principality he didn¡¯t know existed until the entourage showed up at the door. He does an after-dinner jam with none other than music superstar Brick McDaniel¡ªthe artist who comes to mind when you think of the words ¡°rock star.¡± Cam is actually so starstruck, he becomes a gushing fan¡ªbut when they jam side by side on guitar, they are equals.


    The heady lifestyle he leads is addictive and all-encompassing. Cam keeps having to remind himself that this is not the prize¡ªnor is it the path to the prize. All this glitz and glamour are merely distractions from his purpose.


    But how can you bring down the people who¡¯ve given you this extraordinary life? he occasionally asks himself in weaker moments. Like the moment when Brick McDaniel actually asked for his autograph. He knows he must be careful to ride the tornado¡ªand not be drawn into it.


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    ¡°At Proactive Citizenry, we know the first person to live forever is alive today. And it¡¯s you!¡±


    ¡°I¡¯m needed back on Molokai,¡± Roberta tells him one evening. She¡¯s come down to the basement where they¡¯ve set up a full gym for him. His old physical therapist, back when he was first rewound, used to say that his muscle groups didn¡¯t work and play well with others. If only he could see Cam now.


    ¡°I¡¯ll return in a couple of days. In time for our luncheon with General Bodeker and Senator Cobb.¡±


    Cam doesn¡¯t let her announcement interrupt his set at the bench press station. ¡°I want to come,¡± he tells her, and finds that it¡¯s not just posturing¡ªhe does want to go back to the compound on Molokai, the closest thing to home that he knows.


    ¡°No. The last thing you need after all your hard work is Hawaiian jet lag. Rest up here. Focus on your language studies so you can impress General Bodeker with your Dutch.¡±


    Dutch, one of the various languages that wasn¡¯t included in the nine he came with, has to be learned by Cam the old-fashioned way. His knowledge of German helps, but it¡¯s still a chore. He prefers when things come easier.


    ¡°Just because Bodeker has Dutch ancestry doesn¡¯t mean he speaks it,¡± Cam points out.


    ¡°All the more reason for him to be impressed that you do.¡±


    ¡°Is my whole life now about impressing the general and the senator?¡±


    ¡°You have the attention of people who make things happen. If you want them to make things happen for you, then the answer is yes¡ªimpressing them should be your primary focus.¡±


    Cam lets the weights drop heavily, with a resounding slam.


    ¡°Why do they need you on Molokai?¡±


    ¡°I¡¯m not at liberty to say.¡±


    He sits up and looks at her with something between a grin and a sneer. ¡°?¡®Not at liberty to say.¡¯ They should put that on your grave. ¡®Here lies Roberta Griswold. Whether or not she rests in peace, we¡¯re not at liberty to say.¡¯?¡±

 Page 25

    Roberta is not amused. ¡°Save your morbid sense of humor for the girls who fawn over you.¡±


    Cam blots his face with a towel, grabs a sip of water, and asks, as innocently as he can, ¡°Are you building a better me?¡±


    ¡°There is only one Camus Comprix, dear. You are unique in the universe.¡±


    Roberta¡¯s very good at telling him the things she thinks he wants to hear¡ªbut Cam is very good at getting past that. ¡°The fact that you¡¯re going to Molokai says otherwise.¡±


    Roberta is careful in her response. She speaks as if navigating a minefield. ¡°You are unique, but my work doesn¡¯t end with you. It is my hope that yours will be a new variation of humanity.¡±


    ¡°Why?¡±


    It¡¯s a simple question, but Roberta seems almost angered by it. ¡°Why do we build accelerators to find subatomic particles? Why did we decode the human genome? The exploration of possibility has always been the realm of science. The true scientist leaves practical application to others.¡±


    ¡°Unless that scientist works for Proactive Citizenry,¡± Cam points out. ¡°I want to know how creating me serves them.¡±


    Roberta waves her hand dismissively. ¡°As long as they allow me to do my work, their money is far more important to me than their motives.¡±


    It¡¯s the first time Roberta has referred to Proactive Citizenry as ¡°they¡± instead of ¡°we.¡± Cam begins to wonder if the whole debacle with Risa has put Roberta in the organization¡¯s dog house. He wonders how far she¡¯ll go to get back into their good graces.


    Roberta goes upstairs, leaving Cam to finish his workout, but his heart is no longer in it. He does take a moment, though, to examine his physique in the mirrored wall.


    There were no mirrors when Cam was first rewound¡ªwhen the scars were thick ropy lines all over his body and horrible to look at. Those scars are now gone, leaving behind smooth seams. And now there can never be enough mirrors for him. His guiltiest pleasure is how much he enjoys looking at himself and this body they¡¯ve given him. He loves his body, yet that still falls short of loving himself.


    If Risa loved me¡ªtruly and without coercion¡ªthen I could bridge that gap and feel it myself.


    He knows what he has to do to make that happen¡ªand now that Roberta will be five thousand miles away, he can begin the work necessary to bring this about without fear of her persistent scrutiny of everything he does. He¡¯s been stalling for much too long.


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    As soon as the limo spirits Roberta off the following morning, Cam gets to work on the computer in his room, moving his hands across the large screen as if casting a spell. He creates a nontraceable identity on the public nimbus¡ªthe global cloud so dense it would plunge the world into eternal darkness were it real instead of just virtual. He knows all his activity is monitored, so he piggybacks on an obsessive gamer somewhere in Norway. Anyone monitoring him will think he¡¯s developed an interest in Viking raids on drug-dealing trolls.


    Then, obscured within the nimbus, he tweaks and strokes the firewall of Proactive Citizenry¡¯s server until it opens for him, giving him access to all sorts of coded information. But for Cam, making sense of the random and disjoint is a way of life. He was able to create order within the fragmented chaos of his rewound brain, so pulling order out of Proactive Citizenry¡¯s protective scramble will be a walk in the park.


    22 ? Risa


    Omaha. Arguably the geographic center of the American heartland. But Risa does not feel very centered. She needs to be elsewhere, but has no destination, no plan. More than once she has felt that leaving the protection of CyFi¡¯s little commune was a mistake¡ªbut she was an outsider among the people of Tyler. Now Risa must live in the shadows. She sees no way out of it. She sees no future that doesn¡¯t involve hiding.


    She keeps hoping she¡¯ll see signs of the Anti-Divisional Resistance¡ªbut the ADR has fallen apart. Today, she keeps thinking. Today I¡¯ll find a path to follow. Today I¡¯ll be hit by a revelation and I¡¯ll know exactly what I need to do. But revelation has become a scarce commodity in Risa¡¯s solitary existence. And beside her, she hears:


    ¡°It¡¯s a birthday gift, Rachel¡ªone that your father and I will be paying a pretty penny for. At the very least you could be grateful.¡±


    ¡°But it¡¯s not what I asked for!¡±


    Risa has come to realize that train stations like this one have two layers that don¡¯t mix. They don¡¯t even touch. The upper layer are the wealthy travelers like the mother and daughter down the bench from her, taking high-speed trains with every amenity to get them from one exclusive place to another. The lower layer are the dregs who have nowhere else but the station to hang their hat.


    ¡°I said I wanted to learn violin, Mom. You could have gotten me lessons.¡±


    Risa knows she cannot board any of these trains. There¡¯s too much security, and too many people know her face. She would be met at the next stop by a phalanx of federal officers who would be thrilled to take her into custody. The train, just like any other legitimate mode of transportation, is nothing but a dream for Risa.


    ¡°No one wants to learn an instrument, Rachel. It¡¯s grueling repetition¡ªand besides, you¡¯re too old to start. Concert violinists who learn the traditional way begin when they¡¯re six or seven.¡±


    Risa can¡¯t help but listen to the irritating conversation between the well-dressed woman and her fashionably disheveled teenaged daughter.


    ¡°It¡¯s bad enough they¡¯d be messing in my brain and giving me a NeuroWeave,¡± the girl whines. ¡°But do I have to have the hands, too? I like my hands!¡±


    The mother laughs. ¡°Honey, you¡¯ve got your father¡¯s stubby, chubby little fingers. Trading up will only do you good in life, and it¡¯s common knowledge that a musical NeuroWeave requires muscle memory to complete the brain-body connection.¡±


    ¡°There are no muscles in our fingers!¡± the girl announces triumphantly. ¡°I learned that in school.¡±


    The mother gives her a long-suffering sigh.


    The most troubling thing about this conversation is that it¡¯s not an isolated incident. It¡¯s becoming more and more common for people to get vanity transplants. You want a new skill? Buy it instead of learn it. Can¡¯t do a thing with your hair? Get a new scalp. Operators are standing by.


    ¡°Think of them like a pair of gloves, Rachel. Fancy silk gloves, like a princess wears.¡±


    Risa can¡¯t stand it anymore. Making sure her hood is low enough so that her face can¡¯t be seen, she gets up, and as she walks past them, she says, ¡°You¡¯ll have someone else¡¯s fingerprints.¡±


    Princess Rachel looks horrified. ¡°Ew! That¡¯s it! I¡¯m not doing it.¡±


    Leaving the train station, Risa goes out into the steamy August evening. She knows she has to look like she¡¯s occupied. Like she¡¯s going somewhere with purpose. Looking indolent will make her a target for Juvies and parts pirates¡ªand after her last run-in with a parts pirate, she does not want to repeat the experience.


    She has a pink backpack she stole from a school playground, featuring hearts and pandas, slung over her shoulder. A police officer is coming down the street in her direction, so she pulls out a phone that doesn¡¯t actually work and makes fake conversation into it as she walks.


    ¡°I know. Isn¡¯t he just the cutest! Oh, I would die to sit next to him in math.¡±


    She must appear to have a place to go and vapid people to talk to about her vapid life. She knows the look of an AWOL and has to give the impression of anything but.


    ¡°Ugh! I know! I hate her¡ªshe is such a loser!¡±


    The officer passes and doesn¡¯t even glance at Risa. She¡¯s got this illusion down to a science. It¡¯s exhausting though¡ªand as the night ticks away, it will be too late for any respectable girl to be on a downtown Omaha street. No matter what image she tries to push forth, she¡¯ll draw suspicion.


    The train station was good for about an hour, but it¡¯s a classic hangout for kids on the run. She knew she couldn¡¯t stay very long. Now she reviews her options. There are some older landmark office buildings with old-fashioned fire escapes. She could climb up and find an unlocked window. She¡¯s done that before and has always managed to avoid the nighttime cleaning staff. The risk is being spotted while breaking in.


    There are plenty of parks, but while older vagrants can get away with sleeping on park benches, a young fugitive can¡¯t. Unless she can break into a maintenance shed, she wouldn¡¯t risk staying in a park. Usually she¡¯ll scope out such places earlier in the day. When the shed is open, she¡¯d replace the lock with one that she has the key to. Then when the groundskeeper locks up, he¡¯ll have no idea he¡¯s only locked himself out. But she was lazy today. Tired. She didn¡¯t do her due diligence, and now she¡¯s paying for it.


    There¡¯s a theater on the next street playing a revival of Cats, which mankind will likely have to suffer through for the rest of eternity. If she can pickpocket a single ticket, she can get in, and once inside, she can find a place to hide. Hidden space high above the flies. Basement crannies filled with props.


    She cuts through a back alley to get to the theater. Mistake. Halfway down the alley, she encounters three boys. They look to be eighteen or so. She pegs them right away as either AWOLs who lived long enough to outgrow the threat of unwinding, or maybe they were among the thousands of seventeen-year-olds set free from harvest camps when the Cap-17 law passed. Sadly most of those kids were just hurled out into the streets with nowhere to go. So they got angry. Rotten, like fruit left too long on the vine.


    ¡°Well, well, what do we have here?¡± says the tallest of the three.


    ¡°Really?¡± says Risa, disgusted. ¡°?¡®What do we have here?¡¯ Is that your best line? If you¡¯re going to attack a defenseless girl in an alley, at least try not to be clich¨¦ about it.¡±


    Her attitude has the desired effect. It catches them off guard and makes the leader¡ªa prime douche, if ever there was one¡ªtake a step back. Risa makes a move to push past, but a beefy kid, fat enough to block her way, eclipses her view of the end of the alley. Damn. She really hoped this didn¡¯t have to get messy.


    ¡°Porterhouse don¡¯t like uppity girls,¡± says the Prime Douche. He smiles, showing two of his front teeth are broken.


    The fat kid, who must be Porterhouse, frowns and solidifies his mass like a nightclub bouncer. ¡°That¡¯s right,¡± he says.

 Page 26

    It¡¯s kids like these, thinks Risa, that made people think unwinding was a good idea.


    The third kid lingers, saying nothing, looking a little bit worried. Risa marks him as her possible escape route. None of them have recognized her yet. If they do, their motives will instantly compound. Rather than trying to have their way with her, then leaving her there in the alley, they¡¯ll have their way, then turn her in for the reward.


    ¡°Let¡¯s not get off on the wrong foot, now,¡± Prime Douche says. ¡°We could be of service to you.¡±


    ¡°Yeah,¡± says Porterhouse. ¡°If you¡¯re of ¡®service¡¯ to us.¡±


    Sleaze number three snickers at that and moves forward, joining the other two. So much for an escape route. Prime Douche takes a bold step toward her. ¡°We¡¯re the kind a¡¯ friends a girl like you needs. To protect you and such.¡±


    Risa locks eyes with him. ¡°Touch any part of me, and I break a part of you.¡±


    She knows that a guy like this, with more bravado than brain, will take that as a dare¡ªwhich he does. He grabs her wrist¡ªthen braces himself for whatever she might try to do.


    She smiles at him, lifts her foot, and jams her heel into Porterhouse¡¯s knee instead. Porterhouse¡¯s kneecap breaks with an audible crunch, and he goes down, screaming and writhing in pain. It¡¯s enough to shock Prime Douche into loosening his grip. Risa twists free and elbows him in the nose. She¡¯s not sure if she¡¯s broken it, but it does start gushing blood.


    ¡°YOU THTINKING BITH!!¡± he yells. Porterhouse is in such agony, he can only wail wordlessly. Sleaze number three takes this as his cue to exit, running off down the alley, knowing he¡¯ll be next if he doesn¡¯t.


    Then Prime Douche produces more bad news. He pulls out a knife and starts swinging at Risa, trying to cut any part of her he can. His sweeping slashes are wild, but deadly.


    She uses her backpack to block, and he slices it open. He swings again, coming dangerously close to her face. Then suddenly she hears¡ª


    ¡°In here! Hurry!¡±


    There¡¯s a woman poking her head out of the back door of a shop. Risa doesn¡¯t hesitate. She lurches into the open door, and the woman tries to close it behind her. She almost gets it closed, but Prime Douche gets his hand in, stopping it¡ªso the woman slams the door on his hand. He screams on the other side of the door. Risa throws her shoulder against the door, slamming it on his fingers again. He screams even louder. She releases the tension just enough for him to pull his swelling fingers back, then pushes the door fully closed while the woman locks it.


    They endure the furious barrage of bile¡ªa vitriolic burst of curses that sound increasingly impotent, until the douche and Porterhouse stumble off, vowing vengeance.


    Only now does Risa look at the woman. Middle-aged, wrinkles she tries to hide with makeup. Big hair. Kind eyes.


    ¡°You all right, hon?¡±


    ¡°Fine. My backpack might not pull through though.¡±


    The woman throws a quick glance at the backpack. ¡°Pandas and hearts? Hon, that thing needed to be put out of its misery.¡±


    Risa grins, and the woman holds her gaze just a moment too long. Risa can clock the exact moment of recognition. The woman knows who she is¡ªalthough she doesn¡¯t let on right away.


    ¡°You can stay here until we¡¯re sure they¡¯re gone for good.¡±


    ¡°Thanks.¡±


    A pause, then the woman drops all pretenses. ¡°I suppose I should ask you for your autograph.¡±


    Risa sighs. ¡°Please don¡¯t.¡±


    The woman gives her a sly grin. ¡°Well, being that I¡¯m not turning you in for the reward money, I figured I could sell the signature someday. It might be worth something.¡±


    Risa returns the grin. ¡°You mean after I¡¯m dead.¡±


    ¡°Well, if it was good enough for van Gogh . . .¡±


    Risa laughs, and her laughter begins to chase away the anxiety of just a few moments ago. She still feels adrenaline making her fingers tingle. It will take longer for her physiology to recognize safety.


    ¡°Are you sure all the doors are locked?¡±


    ¡°Hon, those boys are long gone, licking their wounds and icing their bruised egos. But yes. Even if they came back, they couldn¡¯t get in.¡±


    ¡°It¡¯s boys like that who give the rest of us teenagers a bad name.¡±


    The woman waves her hand at the suggestion. ¡°Bottom-feeders come in all ages,¡± she says. ¡°I should know. I¡¯ve dated my share of them. You can¡¯t just unwind the young ones, ¡¯cause once they¡¯re gone, others¡¯ll sink down to take their place.¡±


    Risa carefully gauges the woman, but she¡¯s not all that easy to read. ¡°So you¡¯re against unwinding?¡±


    ¡°I¡¯m against solutions that are worse than the problem. Like old women who want their hair dyed the color of shoe polish to hide the gray.¡±


    Risa finally takes a moment to look around and quickly understands why the woman made the comparison she did. They¡¯re in the back room of a salon¡ªa retro kind of place with big hair dryers and notched black sinks. The woman introduces herself as Audrey, the proprietor of Locks and Beagles¡ªan establishment specializing in salon services for people who absolutely, positively must bring their dog with them everywhere.


    ¡°You¡¯d be surprised how much some of these ladies will pay for a shampoo and cut if their Chihuahua can sit in their lap.¡±


    Audrey looks Risa over, like a prospective client. ¡°Of course, we¡¯re closed now, but I wouldn¡¯t be disagreeable to an after-hours makeover.¡±


    ¡°Thank you, but I¡¯m good,¡± Risa says.


    Audrey frowns. ¡°Come now. I thought you¡¯d have better survival instincts than that!¡±


    Risa bristles. ¡°Excuse me?¡±


    ¡°What, do you think hiding under a hood is doing you any good?¡±


    ¡°I¡¯ve done fine until now, thank you very much.¡±


    ¡°Don¡¯t get me wrong,¡± Audrey says. ¡°Smarts and instinct go a long way¡ªbut when you get too proud of how very clever you are at outwitting the powers that be, bad things are bound to happen.¡±


    Risa begins to subconsciously rub her wrist. She had thought she was too good to fall for a trap¡ªwhich is why she ended up getting caught. Changing her look would play to her advantage, so why is she so resistant?


    Because you want to look the same for Connor.


    She almost gasps at the realization. He¡¯s been on her mind more and more, clouding her judgment in ways she never even considered. She can¡¯t let her feelings for him get in the way of self-preservation.


    ¡°What kind of makeover?¡± Risa asks.


    Audrey smiles. ¡°Trust me, hon. When I¡¯m done, it¡¯ll be a whole new you!¡±


    ? ? ?


    The makeover takes about two hours. Risa thinks Audrey must be bleaching her hair blond, but instead she gives Risa just a lighter shade of brown with highlights and a light perm.


    ¡°Most people think it¡¯s hair color that changes a person¡¯s looks¡ªbut it¡¯s not. It¡¯s all about texture,¡± Audrey tells Risa. ¡°And hair¡¯s not even the most important thing. The eyes are. Most people don¡¯t realize how much of recognition is in the eyes.¡±


    Which is why she suggests a pigment injection.


    ¡°Don¡¯t worry. I¡¯m a licensed ocular pigmentologist. I do it every day and never had complaints, except from the people who¡¯d complain no matter what I did.¡±


    Audrey goes on to talk about all her high-society patrons and their bizarre requests, from phosphorescent eye colors that match their nails, to midnight-black pigment injections that make it look like the pupil has swallowed the iris altogether. Her voice is soothing and as anesthetic as the drops she puts into Risa¡¯s eyes. Risa lets her guard down and doesn¡¯t notice until it is too late that Audrey has clamped her arms against the arms of the chair and has secured her head in place against the headrest. Risa begins to panic. ¡°What are you doing? Let me go.¡±


    Audrey just smiles. ¡°I¡¯m afraid I can¡¯t do that, hon.¡± And she turns to reach for something Risa can¡¯t see.


    Now Risa realizes that Audrey¡¯s agenda has nothing to do with helping her. She wants the reward after all! A single call and the police will be here. How stupid Risa was to trust her! How could she have been so blind!


    Audrey comes back with a nasty-looking device in her hand. A syringe with a dozen tiny needles at the tip, forming a small circle.


    ¡°If you¡¯re not immobilized, you might move during the process¡ªeven grab the device reflexively, and that could damage your cornea. Locking you down is for your own protection.¡±


    Risa releases a shuddering breath of relief. Audrey takes it as anxiety from the sight of the injection needles. ¡°Don¡¯t you worry, hon. Those eye drops I gave you are like magic. I promise you won¡¯t feel a thing.¡±


    And Risa finds her eyes welling with tears. This woman truly does mean to help her. Risa feels guilty for her burst of paranoia, even though Audrey never knew. ¡°Why are you doing this for me?¡±


    Audrey doesn¡¯t answer at first. She focuses on the task at hand, injecting Risa¡¯s irises with a surprise shade that Audrey promised Risa would like. Risa believed her because the woman was so overwhelmingly confident about it. For a moment Risa feels as if she¡¯s being unwound, but wills the feeling away. There is compassion here, not professional detachment.


    ¡°I¡¯m helping you because I can,¡± Audrey says, as she works on her other eye. ¡°And because of my son.¡±


    ¡°Your son . . .¡± Risa thinks she gets it. ¡°Did you¡ª¡±


    ¡°Unwind him? No. Nothing like that. From the moment he arrived on my doorstep, I loved him. I would never dream of unwinding him.¡±


    ¡°He was a stork?¡±


    ¡°Yep. Left at my door in the dead of winter. Premature, too. He was lucky to survive.¡± She pauses as she checks how the pigments are taking, then goes for a second layer of injections. ¡°Then, when he was fourteen, he was diagnosed with cancer. Stomach cancer that had spread to his liver and pancreas.¡±


    ¡°I¡¯m so sorry.¡±


    Audrey leans back, looking Risa in the eyes, but not to gauge her own handiwork. ¡°Honey, I¡¯d never take an unwound part for myself. But when they told me the only way to save my boy¡¯s life was to basically gut him and replace all his internal organs with someone else¡¯s, I didn¡¯t even hesitate. ¡®Do it!¡¯ I said. ¡®Do it the second you can get him in that operating room.¡¯?¡±


    Risa says nothing, realizing this woman needs to give her confession.


    ¡°You want to know the real reason unwinding keeps going strong, Miss Risa Ward? It isn¡¯t because of the parts we want for ourselves¡ªit¡¯s because of the things we¡¯re willing to do to save our children.¡± She thinks about that and laughs ruefully. ¡°Imagine that. We¡¯re willing to sacrifice the children we don¡¯t love for the ones we do. And we call ourselves civilized!¡±


    ¡°It¡¯s not your fault that unwinding exists,¡± Risa tells her.


    ¡°Isn¡¯t it?¡±


    ¡°You had no other way to save your son. You had no choice.¡±

 Page 27

    ¡°There¡¯s always a choice,¡± Audrey says. ¡°But no other choice would have kept my son alive. If there were any another option, I would have taken it. But there wasn¡¯t.¡±


    She releases Risa¡¯s bonds, then turns away to clean up her injection tray. ¡°Anyway, my son¡¯s alive and in college, and he calls me at least once a week¡ªusually for money¡ªbut the fact that I can even get that call is a miracle to me. So my conscience will ache for the rest of my life, but that¡¯s a small price to pay for having my son still on this earth.¡±


    Risa offers her a nod of acceptance, no more, no less. Can Risa blame her for using every means at her disposal to save her son¡¯s life?


    ¡°Here you go, hon,¡± Audrey says, turning her around to face the mirror. ¡°What do you think?¡±


    Risa can hardly believe the girl in the mirror is her. The perm was gentle enough that her hair, rather than being wide and poofy, falls in a gentle cascade of auburn ringlets, lightly highlighted. And her eyes! Audrey did not give her the obnoxious sort of pigmentation so many girls go for these days. Instead she boosted Risa¡¯s eyes from brown to a very natural, very realistic green. She¡¯s beautiful.


    ¡°What did I tell you?¡± Audrey said, clearly proud of her handiwork. ¡°Texture for hair, color for eyes. A winning combination!¡±


    ¡°It¡¯s wonderful! How can I ever thank you?¡±


    ¡°You already did,¡± Audrey told her. ¡°Just by letting me do it.¡±


    Risa admires herself in a way she¡¯s never taken the time to do before. A makeover. That¡¯s something this misguided world is long overdue for as well. If only Risa knew how to make that happen. Her mind goes back to Audrey¡¯s heartfelt tale about her son. It used to be that medicine was about curing the world¡¯s ills. Research money went into finding solutions. Now it seems medical research does nothing but find increasingly bizarre ways to use Unwinds¡¯ various and sundry parts. NeuroWeaves instead of education. Muscle refits instead of exercise. And then there¡¯s Cam. Could it be true what Roberta said¡ªthat Cam is the wave of the future? How soon until people start wanting multiple parts of multiple people because it¡¯s the latest thing? Yes, perhaps unwinding is kept alive by parents desperate to save their children, but it¡¯s the vanity trade that allows it to thrive with such gusto.


    If there were any other option . . . It¡¯s the first time Risa truly begins to wonder why there isn¡¯t.


    23 ? Nelson


    J. T. Nelson, formerly of the Ohio Juvenile Authority, but now a free agent, considers himself an honest man making due in a dishonest world. Nelson came by his current van legitimately. He bought it in cash from a used-car dealer in Tucson the day after he was so unceremoniously tranq¡¯d by a fourteen-year-old. The tithe-turned-clapper who left him unconscious by the side of the road to be gnawed on by scavengers and, come morning, to fry in the Arizona sun, hadn¡¯t thought to relieve Nelson of his wallet. Thank heaven for small miracles. It allowed Nelson the luxury of remaining an honest man.


    The used-car dealer was, by definition, a swindler and was happy to part Nelson from more money than the ten-year-old blue whale of a van was worth¡ªbut Nelson didn¡¯t have time to dicker. All the money he had made from his last two Unwind sales went into the purchase, but stealing a set of wheels was out of the question, for when one is involved in such an illicit business as parts pirateering, it¡¯s best to keep oneself legit in other ways. Crimes will compound. At least now he doesn¡¯t have to look over his shoulder for the highway patrol.


    When Nelson saw the picture on the news¡ªthe one that Argent Skinner had so obliviously posted¡ªit was treated as a farce. Something to laugh at¡ªbecause it had already been dismissed by the Juvenile Authority and the FBI as a hoax. Nelson, however, knew that it wasn¡¯t. Not just because he knew Connor was still alive¡ªbut because in the picture he was still wearing the same ridiculous blue camouflage pants he had worn at the Graveyard. He did his research on Argent before paying him that fateful visit. A dim bulb with a menial job and a pathetic little criminal record of drunk driving and bar-room brawling. Still, he could be of use to Nelson¡ªand in the shape he¡¯s currently in, Nelson could use someone on his side. Although he tries not to show it, those hours unconscious in the Arizona wild have taken a toll that goes deeper than the painful molting burns on his face. There are the animal bites. Infected, some of them are. And who knows what diseases those animals carried. But he can¡¯t let himself be sidetracked by that now. Not until he has his prize.


    24 ? Argent


    He must be smart. Smarter than anyone gives him credit for. Smarter than even he believes himself to be. He must rise to the occasion . . . because if he doesn¡¯t, he may end up dead.


    ¡°Talk to me, Argent,¡± Nelson says. ¡°Tell me everything Lassiter said while you had him in your basement.¡±


    It¡¯s day one: They¡¯ve just left Heartsdale not half an hour ago, heading north. This man behind the wheel¡ªthis parts pirate¡ªis intelligent and knows his business. But there¡¯s something about his eyes that hints that he¡¯s lingering near the edge of the world. Balancing on the brink of sanity. Driven there, perhaps, by Connor Lassiter. If Nelson has truly lost his edge, perhaps he and Argent are on even footing.


    ¡°Tell me anything you remember. Even if you think it¡¯s insignificant, I want to know.¡±


    So Argent starts talking and doesn¡¯t stop much. He goes on and on about the things Connor said and a whole lot of things he didn¡¯t say.


    ¡°Yeah, we got to be tight,¡± Argent brags. ¡°He told me all this crap about his life before. Like how his parents changed the locks on him during his last stint at juvey, before they signed the unwind order. Like how he resented his kid brother for being such a goody-goody all the time.¡± These are things Argent had read about the Akron AWOL long before he turned up to buy sandwiches at Argent¡¯s register. But Nelson doesn¡¯t need to know that.


    ¡°You were so tight that he cut up your face, huh?¡± Nelson says.


    Argent touches the stitches on the left side of his face¡ªbare now that the gauze has been removed. They itch something terrible, but they ache only when he touches them too hard. ¡°He¡¯s a mean son of a bitch,¡± Argent says. ¡°He don¡¯t treat his friends right. Anyway, he had places to go, and I wouldn¡¯t let him unless he promised to take me with him. So he cut me, took my sister hostage, and left.¡±


    ¡°Left where?¡±


    Now comes the part Argent has to sell. ¡°Never talked much about it except, of course, when we were high on tranq.¡±


    Nelson looks over at him. ¡°The two of you smoked tranq?¡±


    ¡°Oh yeah, all the time. It was our favorite thing to do together. And the good stuff too. High grade, prime tranq.¡±


    Nelson eyes him doubtfully, so Argent decides to pull back on his story a little bit. ¡°Well, I mean, as prime as you can get in Heartsdale.¡±


    ¡°So he talked when he was high. What did he say?¡±


    ¡°Ya gotta remember, I was buzzing up there too, so it¡¯s all kind of fuzzy. I mean, it¡¯s still up in my noggin, I¡¯m sure, but I gotta tease it out.¡±


    ¡°Dredge is more like it,¡± Nelson says.


    Argent lets the insult slide. ¡°There was this girl he talked about,¡± Argent offers. ¡°?¡®Gotta get there; gotta get there,¡¯ he said. She was gonna give him stuff. Not sure what, though.¡±


    ¡°Risa Ward,¡± Nelson says. ¡°He was talking about Risa Ward.¡±


    ¡°No, not her¡ªI would have known if he was talking about her.¡± Argent wrinkles his brow. It hurts to do it, but he does it anyway. ¡°It was someone else. Mary, her name was. Yeah, that¡¯s it. Mary, something French. LeBeck. Or LaBerg. LaVeau! That¡¯s it. Mary LaVeau. He was gonna meet with her. Drink themselves some bourbon.¡±


    Nelson is silent after that, and Argent doesn¡¯t give him anything more. Let him chew on that for a while.


    ? ? ?


    Day two: Crack of dawn. Cheapo motel room in North Platte, Nebraska. To be honest, Argent had expected better. Nelson wakes Argent when the sky is still predawn gray.


    ¡°Time to go. Get your lazy ass out of bed; we¡¯re turning around.¡±


    Argent yawns. ¡°What¡¯s the rush?¡±


    ¡°Mary LaVeau¡¯s House of Voodoo,¡± Nelson tells him. He¡¯s been a busy boy doing his research. ¡°Bourbon Street, New Orleans¡ªthat¡¯s what Lassiter was talking about. For better or worse, that¡¯s where he¡¯s headed, and he¡¯s got a week-long lead. He¡¯s probably there already.¡±


    Argent shrugs. ¡°If you say so.¡± He rolls over and presses his face into the pillow, hiding his smile. Nelson has no idea how thoroughly he¡¯s been played.


    ? ? ?


    Day three: Fort Smith, Arkansas. The blue piece-of-crap van breaks down in the afternoon. Nelson is furious.


    ¡°Cain¡¯t get parts for that on a weekend,¡± the mechanic says. ¡°Gotta special order it. Get here Monday, maybe Tuesday.¡±


    The more Nelson blusters, the calmer the mechanic gets, extracting a kind of spiritual joy from Nelson¡¯s misery. Argent knows the type. Hell, he is the type.


    ¡°The way to deal with this guy is to beat the crap out of him,¡± Argent advises Nelson, ¡°and tell him you¡¯ll do the same to his mother if he don¡¯t fix the car.¡±


    But Nelson doesn¡¯t take his sound advice. ¡°We¡¯ll fly,¡± he says, and he pays the mechanic to drive them to Fort Smith Regional Airport only to find out that the last flight out¡ªa twenty-seat puddle jumper to Dallas¡ªleaves at six, and although there¡¯s four open seats, the airport¡¯s security gate closes at five. TSA officers are still in their office eating corn dogs, but will they open security for two passengers? Not on your life.


    Argent suspects Nelson might kill them if they didn¡¯t have weapons of their own.


    In the end Nelson uses one of his false IDs to rent a car that they have no intention of returning anytime soon


    ? ? ?


    Day four: Bourbon Street after dark. Argent has never been to New Orleans, but had always wanted to go. Not a place he could take Grace, but Grace isn¡¯t his problem anymore, is she? He strolls down Bourbon Street with a hurricane in his hand and beads around his neck. Raucous catcalls and laughter fill the street. Argent could do this every night. He could live this. Half the hurricane is already swimming in his head. Imagine! Drinking in the street is not only legal, but encouraged. Only in New Orleans!


    He and his buds talked about coming here for Mardi Gras, but it was always just talk ¡¯cause none of them had the guts to get out of Heartsdale. But now Argent has a new bud. One who was more than happy to take a road trip to New Orleans, thinking it was his own idea. Argent¡¯s apprenticeship won¡¯t last for long, though, if he doesn¡¯t earn his keep. Prove himself useful. Indispensable.


    Argent isn¡¯t sure where Nelson is now. Probably harassing whoever runs Mary LaVeau¡¯s House of Voodoo. He will find no answers there. No leads as to the whereabouts of Connor Lassiter, no matter what methods of information extraction a parts pirate is apt to use. It¡¯s a wild-goose chase if ever there was one. He will be furious and will blame Argent.

 Page 28

    ¡°Hey, you¡¯re the one who said go to New Orleans, not me,¡± will be Argent¡¯s response, but Nelson will still hold him responsible. So Argent needs a peace offering. One that will open Nelson¡¯s eyes to Argent¡¯s true value.


    Instead of going back to their Ramada, which smells like disinfectant and burnt hair, Argent looks for trouble. And finds it. And befriends it. And betrays it.


    ? ? ?


    Day five: Nelson sleeps off a binge of the alcohol and painkillers he doused himself in when his search for Connor Lassiter came up short. Argent, out all night, returns to the Ramada at dawn, to wake him.


    ¡°I got something for you. Something you¡¯re gonna like. You gotta come now.¡±


    ¡°Get the hell out of here.¡± Nelson is not cooperative. Argent didn¡¯t expect he would be.


    ¡°It won¡¯t keep for long, Jasper,¡± Argent says. ¡°Trust me on this one.¡±


    Nelson burns him a killer gaze. ¡°Call me that again, and I¡¯ll slit your throat.¡± He sits up, only slightly successful in his battle with gravity.


    ¡°Sorry. What should I call you?¡±


    ¡°Don¡¯t call me anything.¡±


    After pumping a pot of hotel room coffee into the man, Argent brings Nelson to an old burned-out bar in a crumbling neighborhood that looks postapocalyptic. Probably hasn¡¯t been inhabited by legitimate folk since the levies last failed.


    Inside are two AWOLs, bound and gagged. A boy and a girl.


    ¡°Made friends with them while you were dead to the world,¡± Argent proudly tells Nelson. ¡°Convinced them I was one of them. Then I used my choke hold on them. Same hold I used on you-know-who.¡±


    The two AWOLs have since regained consciousness. They can¡¯t speak through their gags, but their eyes are a study in terror. ¡°They¡¯re prime,¡± Argent tells Nelson. ¡°Gotta be worth good money, you think?¡±


    Nelson regards them with hangover-subdued interest. ¡°You captured them yourself?¡±


    ¡°Yep. Coulda got more if I¡¯d found more. Whatever you get for them, keep the money. They¡¯re my gift to you.¡±


    And Nelson says, ¡°Let them go.¡±


    ¡°What?¡±


    ¡°We¡¯re too far from my black-market contact, and I¡¯m not going to haul them all around creation.¡±


    Argent can¡¯t believe it. ¡°I put them right into your lap and you¡¯re just gonna throw good money away?¡±


    Nelson looks at Argent and sighs. ¡°You get an A for effort. It¡¯s good work, but we¡¯re after a bigger catch.¡± Then Nelson just walks out.


    Furious, Argent spews vitriol at the gagged kids, who can¡¯t answer back. ¡°I oughta just leave you here to rot, is what I oughta do.¡± But he doesn¡¯t. He doesn¡¯t free them either. Instead he makes an anonymous call to the Juvies to come pick them up, giving away his first payday as parts pirate for free. His only consolation is that Nelson was maybe a little bit impressed by the catch.


    He heads back to the Ramada, all the while scheming up the next leg of their wild-goose chase and ways to make Nelson think that he¡¯s driving it. There are plenty of places besides New Orleans that Argent would like to go. Plenty of places Nelson will take him, as long as Argent is skillful in dropping bread crumbs.


    25 ? Connor


    He does not want to be on the reservation. He has nothing against the Tashi¡¯ne family; they seem accommodating enough, if somewhat cool toward him¡ªand they genuinely care for Lev¡ªbut the rez should have been nothing more than a quick pit stop on the way to their destination. The days here, as slow as they seem to pass, also pass at an alarming speed somehow. Their pit stop has stretched to two weeks. Yes, Lev needed a lot of healing time, but he¡¯s well enough to be on the road now. Just because things on the rez don¡¯t change, that doesn¡¯t mean the rest of the world stops spinning. The harvest camps keep unwinding, Proactive Citizenry continues lobbying for stricter laws against Unwinds. Every day they remain here is another day for things to get worse out there.


    The solution, or at least part of it, has to lie with Janson Rheinschild. Trace, Connor¡¯s right-hand man at the Graveyard, was convinced of it, and Trace was right about so many things. Since the moment Connor learned that Rheinschild had been Sonia¡¯s husband, the man sat heavy in Connor¡¯s gut like bad meat. The sooner they get to Sonia, the sooner he can purge it.


    ¡°What¡¯s so important about getting to Ohio anyway?¡± Grace asks him as she snacks on Ar¨¢pache fry bread. ¡°Argent says it¡¯s nothing but cold and full of fat people.¡±


    ¡°You wouldn¡¯t understand,¡± Connor tells her.


    ¡°Why? Because I¡¯m stupid?¡±


    Connor grimaces. He hadn¡¯t meant it that way, but he knows that¡¯s how it came out. ¡°No,¡± he tells her, ¡°it¡¯s because you¡¯re not an AWOL. You¡¯ve never had to face unwinding and until you have, you¡¯ll never understand why it¡¯s worth risking everything to stop it.¡±


    ¡°I might not be an Unwind, but I¡¯m AWOL, sure enough. AWOL from my brother, who¡¯ll kill me soon as look at me if he ever finds me.¡±


    Connor tries to dismiss that, but can¡¯t entirely. Clearly Argent has hit her quite a lot in the past¡ªbeaten her, maybe¡ªbut is Argent a killer? Maybe not an intentional one, but Connor can imagine him beating Grace to death in blind fury. And even if he¡¯s not capable of that, it¡¯s a very real threat in Grace¡¯s mind. Like him and Lev, she¡¯s a fugitive, but for a different reason.


    ¡°We¡¯ll never let him hurt you again,¡± Connor tells her.


    ¡°Ever?¡±


    Connor nods. ¡°Ever.¡± Although he knows it¡¯s a promise with no teeth, because he and Lev won¡¯t be in her life forever.


    ¡°So who is this guy you¡¯re chasing after?¡±


    Connor considers giving her a ¡°just some guy,¡± sort of response, but instead decides to give her the kind of respect she¡¯s never gotten before. He tells her what he knows. Or, more accurately, what he doesn¡¯t know.


    ¡°Janson Rheinschild developed the neural-grafting technology that made unwinding possible. He founded an organization called Proactive Citizenry.¡±


    ¡°I heard of them,¡± Grace says. ¡°They save poor children in India and stuff.¡±


    ¡°Yeah, probably so they can harvest their organs. The thing is, Rheinschild didn¡¯t intend his work to be used for unwinding. In fact, he set up Proactive Citizenry as a watchdog organization to prevent any abuse of his technology. But in the end, other people took control, and it became just the opposite. Now it promotes unwinding, it manipulates the media¡ªand there are rumors that it even controls the Juvenile Authority.¡±


    ¡°That sucks,¡± Grace says with a mouth full of food.


    ¡°Right¡ªand what sucks even more is that they vanished Rheinschild off the face of the earth.¡±


    ¡°Killed him?¡±


    ¡°Who knows? All we know is that he¡¯s been deleted from history. We were able to find him only because one article misspelled his name. Anyway, Lev and I figure an organization like that wouldn¡¯t make the man disappear for just speaking out against them. We think he knew something so dangerous, he had to be snuffed. And anything dangerous to Proactive Citizenry is a weapon for us. Which is why we have to get to his wife, Sonia, who¡¯s been living in secret all these years.¡±


    Grace licks grease from her fingers. ¡°I knew a Sonia once back in Heartsdale. She had a mean temper and a thing on her face the size of dog turd. She went in to have it removed, but had a heart attack on the table and died before they could get her a replacement heart. Argent says he was surprised she even had a heart to begin with. Made me sad, though. It¡¯s stupid to die because of a turd growing on your face.¡±


    Connor has to smile. ¡°Truer words were never spoken.¡± As far as he¡¯s concerned, Proactive Citizenry is like a turd on the face of humanity. But whether or not it can be excised without killing the patient, only time will tell.


    ¡°So who¡¯s in charge of Proactive Citizenry now?¡± Grace asks.


    Connor shrugs. ¡°Damned if I know.¡±


    ¡°Well, tell me when you find out. ¡¯Cause that¡¯s someone I¡¯d love to play in Stratego.¡±


    ? ? ?


    The dynamic between Connor and Lev has changed. Before, they were a team, single-minded in purpose, but now their relationship is strained. Any talk of moving on is met by Lev¡¯s thinly veiled impatience, or a quick exit from the room.


    ¡°After all he¡¯s been through, he deserves a little bit of peace,¡± Una tells him after one such exit. Connor likes Una. She reminds him of Risa¡ªif not in appearance, then in the way she won¡¯t take crap from anyone. Risa, however, would be urging Lev to get on with it rather than planning his vacation.


    ¡°We don¡¯t deserve peace until we¡¯ve earned it,¡± Connor tells her.


    She smirks. ¡°Did you read that on a war memorial somewhere?¡±


    He glares at her, but says nothing because, actually, he did. The Heartland War Memorial. Sixth-grade field trip. He knows he¡¯s going to need a better argument than granite-carved clich¨¦s if he¡¯s going to stand toe-to-toe with Una.


    ¡°From what I understand,¡± says Una, ¡°he saved your life, and you came pretty close to ending his when you hit him with that cop car. At the very least, you could cut him enough slack to recover from his wounds.¡±


    ¡°He threw himself in front of the car!¡± says Connor, beginning to lose his temper. ¡°Do you honestly think I meant to hit him?¡±


    ¡°Race headlong and blind, and you¡¯re bound to hit something. Tell me, was nearly killing your only friend the first obstacle in your journey, or were there more?¡±


    Connor pounds the wall with Roland¡¯s hand. He holds a clenched fist, and although he doesn¡¯t release it, he forces the fist down to his side. ¡°Every journey has obstacles.¡±


    ¡°If the universe is telling you to slow down, maybe you should listen instead of putting your head in the ground like an ostrich.¡±


    He snaps his eyes to her, wondering if Lev told her about the ostrich¡ªbut nothing in her expression gives away whether she said it intentionally or if it¡¯s only a coincidence. He can¡¯t say anything about it, though, because if he did, she¡¯d probably insist that there are no coincidences.


    ¡°He feels safe here,¡± insists Una. ¡°Protected. He needs that.¡±


    ¡°If you¡¯re his protector,¡± Connor asks, ¡°where were you when he was turning himself into a bomb?¡±


    Una looks away, and Connor realizes he¡¯s gone too far. ¡°I¡¯m sorry,¡± he says. ¡°But what we¡¯re doing . . . it¡¯s important.¡±


    ¡°Don¡¯t flatter yourself,¡± says Una, still stinging from his jab. ¡°Your legend might be larger than life, but you¡¯re no bigger than the rest of us.¡± Then she storms off so quickly, Connor can feel a breeze in her wake.


    ? ? ?


    That night he lay in bed, his thoughts and associations spilling into one another, a product of his exhaustion. The small stone room feels more like a cell, in spite of how comfortable the bed is.

 Page 29

    Perhaps it¡¯s just because he¡¯s an outsider, but to Connor, the Ar¨¢pache live a life of contradiction. Their homes are austere and yet punctuated by pointed opulence. A plush bed in an undecorated room. A simple wood-burning fire pit in the great room that¡¯s not so simple because logs are fed and temperature maintained by an automatic system so that it never goes out. With one hand they rebuke creature comforts, but with the other they embrace it¡ªas if they are in a never-ending battle between spiritualism and materialism. It must have been going on so long, they seem blind to their own ambivalence, as if it¡¯s just become a part of their culture.


    It makes Connor think of his own world and its own oxymoronic nature. A polite, genteel society that claims compassion and decency as its watch cry, and yet at the same time embraces unwinding. He could call it hypocrisy, but it¡¯s more complex than that. It¡¯s as if everyone¡¯s made an unspoken pact to overlook it. It¡¯s not that the emperor has no clothes. It¡¯s that everyone¡¯s placed him in their blind spot.


    So what will it take to make everyone turn and look?


    Connor knows he¡¯s an idiot to think he can do anything to change the massive inertia of a world hurtling off its axis. Una¡¯s right¡ªhe¡¯s no bigger than anyone else. Smaller really¡ªso small that the world doesn¡¯t even know he exists anymore, so how can he hope to make a difference? He tried¡ªand where did that get him? The hundreds of kids he¡¯d tried to save at the Graveyard are now in harvest camps being unwound, and Risa, the one good thing in his life, has gone as far off the radar as him.


    With the impossible weight of the world on their shoulders, how tempting it must be for Lev to imagine disappearing here. But not for Connor. It¡¯s not in his nature to be one with nature. The sound of a crackling fire doesn¡¯t calm him, only bores him. The serenity of a babbling brook is his version of water torture.


    ¡°You¡¯re an excitable boy,¡± his father used to say when he was little. It was a parent¡¯s euphemism for a kid out of control. A kid uncomfortable in his own skin. Eventually his parents weren¡¯t comfortable keeping him in his skin either and signed the dread unwind order.


    He wonders when they truly made the decision to unwind him. When did they stop loving him? Or was lack of love not the issue? Were they conned by the many advertisements that said things like ¡°Unwinding¡ªwhen you love them enough to let them go,¡± or ¡°Corporeal division; the kindest thing you can do for a child with disunification disorder.¡±


    That¡¯s what they call it. ¡°Disunification disorder,¡± a term probably coined by Proactive Citizenry to describe a teen who feels like they want to be anywhere else but where they are and in anyone else¡¯s shoes. But who doesn¡¯t feel like that now and then? Granted, some kids feel it more than others. Connor knows he did. But it¡¯s a feeling you learn to live with, and eventually you harness it into ambition, into drive, and finally into achievement if you¡¯re lucky. Who were his parents to deny him that chance?


    Connor shifts positions in his bed and punches his swan-down pillow with his left fist, but switches, realizing it¡¯s far more satisfying when he uses Roland¡¯s hand for punching. Connor has built up his left arm so that it¡¯s almost a match to his right, but when it comes to sheer physical expression, Roland¡¯s arm is the one that makes his brain release endorphins when violently used.


    He can¡¯t imagine what it would be like to have an entire body wired to wish damage on everyone and everything around it. Sure, Connor had a little bit of that in him all along, but it only came in fits and starts. Roland, however, was a bashing junkie.


    Sometimes, when he knows no one¡¯s watching or listening, Connor will say things to his surgically grafted limb. He calls it ¡°talking to the hand.¡±


    ¡°You¡¯re a basket case, you know that?¡± he¡¯ll say, when the hand won¡¯t stop clenching. Occasionally he¡¯ll give himself the finger and laugh. He knows the impetus for the gesture is his, but imagining that it¡¯s Roland¡¯s is both satisfying and troublesome at the same time, like an itch that gets worse with each scratch.


    Once, at the Graveyard, Hayden had slipped Connor some medicinal chocolate to get him to mellow out a bit. Pharmacologically compounded, genetically engineered cannabis, Connor learned, packs a hallucinogenic wallop much more severe than smoking tranq. The shark on his arm spoke to him that night, and in Roland¡¯s voice, no less. Mostly it spat out strings of cleverly conceived profanities¡ªbut it did say a few things of note.


    ¡°Make me whole again, so I can beat the crap out of you,¡± it said, and, ¡°Bust a few noses; it¡¯ll make you feel better,¡± and ¡°Spank the monkey with your own damn hand.¡±


    But the one that keeps coming back is ¡°Make it mean something, Akron.¡±


    What exactly did the shark mean by ¡°it¡±? Did it mean Roland¡¯s unwinding? Roland¡¯s life? Connor¡¯s life? The shark was maddeningly vague, as hallucinations often are. Connor never told anyone about it. He never even acknowledged to Hayden that the chocolate had any effect on him. After that, the shark, its jaw fixed in a predatory snarl, never spoke to Connor again, but its enigmatic request for meaning still echoes across the synapses between Roland¡¯s motor neurons and his own.


    Roland¡¯s fury at his parents had been far more directed than Connor¡¯s. A nasty triangle of pain there. Roland¡¯s stepfather beat his mother, so Roland pummeled the man senseless for it¡ªand then his mother chose the man who beat her over the son who tried to help her, sending Roland off to be unwound.


    Make it mean something . . . .


    The fury that Connor feels against his own parents burns like the ever-burning fire pit in the great room, but unlike Roland¡¯s, Connor¡¯s fury is as random as leaping flames in search of purchase. His fire isn¡¯t fueled by their choice to unwind him, but by the unanswered questions surrounding that choice.


    Why did they do it?


    How did they make the decision?


    And most important: What would they say to him now if they knew he was alive . . . and what would he say back?


    He¡¯s rushing to Ohio to find Sonia, but in the back of his mind, Connor knows that it also brings him painfully close to home. He wonders if, beneath everything, that¡¯s the real reason he¡¯s making this trip.


    So he furiously tosses and turns in a luxurious bed, in a Spartan room, emotionally unwinding himself with his own ambivalence.


    26 ? Lev


    Lev knows staying on the rez ticks off Connor¡ªbut hasn¡¯t he earned the right to be selfish just this once?


    ¡°You can stay as long as you want to,¡± Elina had told him.


    Pivane, on the other hand, was a little more practical. ¡°You can stay as long as you need.¡± So the question is¡ªhow much of Lev¡¯s desire to stay is need, and how much is want?


    His side is still badly bruised, and without speed-healing agents¡ªwhich the Ar¨¢pache don¡¯t use¡ªhis ribs and bruised organs will take time to heal. He can make an argument that he needs to stay that entire time, but he knows Connor won¡¯t hear of it¡ªand his frustration would be justified. They have a mission and can¡¯t be sidetracked by the lures of comfort. What Lev needs is a mission of equal magnitude.


    Then, toward the end of their second week on the rez, the entire situation takes a sharp turn that leaves everyone more than a little shell-shocked.


    It¡¯s dinnertime. A small gathering tonight¡ªjust the three guests, joined at the table by Elina, Kele, and Chal, Elina¡¯s husband, who is finally back from his court case. From the moment he arrives, he treats Lev with lawyerly reserve and courtesy, as if he¡¯s afraid to commit to any specific action or emotion with regards to Lev. ¡°Elina told me everything. I¡¯m glad you¡¯re here,¡± Chal says when he greets Lev¡ªbut whether he means it or is just being obliging is something Lev can¡¯t read in his voice. The man¡¯s response to Connor and Grace is also reserved and measured.


    Pivane arrives late for dinner today, wearing a look of concern that diffuses Elina¡¯s irritation. ¡°You need to see this,¡± he says. First to Elina and Chal, but then he turns to Lev and Connor. ¡°All of you need to see this.¡±


    As everyone rises from the dinner table, Pivane turns on the TV across the great room. He flips through channels until finding a news station.


    If there was any question as to what kind of evening this will be, all doubts are chased away by what they see:


    Connor¡¯s face is on a screen behind the news anchorman.


    ¡° . . . and the Juvenile Authority, putting an end to rumors and wild speculation, has confirmed that Connor Lassiter, presumed dead for over a year, is actually alive. Lassiter, also known as the ¡®Akron AWOL¡¯ was a key figure in the Happy Jack Harvest Camp revolt that resulted in nineteen deaths and the escape of hundreds of Unwinds.¡±


    Connor and Lev can only stare in disbelief. The anchorman continues.


    ¡°It is believed that he may be traveling with Lev Calder and Risa Ward, both of whom played prominently in the revolt.¡±


    Risa and Lev¡¯s pictures appear on the screen as well. Not Lev as he is now, but as he was in the old days. Clean-cut, innocent, and ignorant.


    ¡°Is this bad?¡± Grace asks, then answers her own question. ¡°Yeah, this is bad.¡±


    The news cuts to an interview with a pompous representative of the Juvenile Authority, holding a picture of Connor with a grungy-looking guy, who Lev assumes is Grace¡¯s brother. The Juvey rep appears irritated that he must divulge this information, yet needy for the public¡¯s help.


    ¡°Our analysts have determined that this picture is authentic and taken a little over two weeks ago. The young man in this picture, Argent Skinner, and his sister, Grace Skinner, are now missing, and we believe Lassiter either kidnapped them or killed them.¡±


    ¡°What!¡± It comes out of Connor like a quack.


    ¡°Anyone who has any information on this fugitive should contact the authorities immediately. Do not try to approach him as he is considered armed and dangerous.¡±


    Lev turns his attention from the TV to Connor, who is quickly slipping into fury mode. To anyone who doesn¡¯t know him, he would look pretty dangerous at this moment.


    ¡°Take it easy, Connor,¡± Lev says. ¡°They want you to be angry. The angrier you are, the more mistakes you¡¯ll make and the easier you¡¯ll be to catch. The fact that they felt a need to go public with it means they have no clue where you¡¯ve gone, which means you¡¯re still safe.¡±


    But right now, it seems Connor won¡¯t hear anything but the turmoil in his own head. ¡°Damn them! If they could pin the whole goddamn Heartland War on me, they would. Sure, I wasn¡¯t even born then, but they¡¯d find a way to blame me for it!¡± Connor punches the wall with his grafted arm and grimaces from the pain of it.


    ¡°A lie,¡± Elina says calmly, ¡°is a powerful weapon that the Juvenile Authority certainly knows how to wield.¡±


    Grace looks at each of them, a little bit frightened. ¡°Why¡¯s Argent missing? What happened to him?¡±


    And then from behind them. ¡°Who¡¯s Argent? Is he really dead? Did Connor kill him?¡±

 Page 30

    They turn to see Kele, who, in these reeling moments, had been forgotten.


    Lev and Elina¡¯s logic could not calm Connor down, but apparently the fearful look on Kele¡¯s face does the trick.


    ¡°No, he¡¯s not, and no, I didn¡¯t,¡± Connor tells him, his voice a little more under control. ¡°Wherever he is, I¡¯m sure he¡¯s fine.¡±


    Kele seems only half-convinced, and that worries Lev. He knows the kid is a bit of a loose cannon. While Lev¡¯s presence here is ¡°unofficially¡± known, no one knows that the infamous Akron AWOL is here as well. Kele had promised to keep his presence here a secret, but could he still, now that the secret looms so large?


    ¡°So what do we do?¡± Lev asks Elina, knowing what she¡¯ll say¡ªor at least hoping.


    ¡°You¡¯ll stay in our care, of course,¡± Elina says.


    Lev releases his breath. He hadn¡¯t even realized he¡¯d been holding it.


    ¡°Like hell we will!¡± snaps Connor.


    Lev grabs his shoulder to keep him from storming away. ¡°It¡¯s the smart thing to do. No one out there knows we¡¯re here. We can lie low until we¡¯re out of the news.¡±


    ¡°We¡¯ll never be out of the news, Lev! You know that.¡±


    ¡°But it won¡¯t always be the big story like it is today. Give it a few weeks. And maybe by then we can keep under the radar. Taking off now is the stupidest thing we could possibly do.¡±


    ¡°While we¡¯re sitting here, kids from the Graveyard are being unwound!¡±


    ¡°And how much will it crush their spirit if you¡¯re caught?¡± Lev points out. ¡°As long as you¡¯re free, they have hope.¡±


    ¡°Cowards hide!¡± says Connor.


    ¡°But warriors lie in wait,¡± Elina says. ¡°The only difference is whether you¡¯re motivated by fear or purpose.¡±


    That shuts Connor up, at least for the moment. Elina is always good at choking people on food for thought. His eyes burn for a moment more; then Connor drops into a dining room chair, resigned. He looks at his knuckles¡ªRoland¡¯s knuckles¡ªwhich are bleeding and raw. It must hurt, but he seems to draw some satisfaction from the pain.


    ¡°They think we¡¯re with Risa,¡± Connor says. ¡°I wish we were that lucky.¡±


    ¡°If she¡¯s sees the report,¡± Lev points out, ¡°then she¡¯ll know that you¡¯re still alive¡ªso that¡¯s a good thing.¡±


    Connor throws him a quick and mildly disgusted glance. ¡°Your ability to see the bright side of everything makes me sick.¡±


    The news has gone on to the clapper attack of the week, and Pivane turns off the TV. ¡°How long can we realistically keep Connor¡¯s presence here a secret?¡±


    Lev notices that Kele has taken on a growing look of silent guilt, so Lev asks him point-blank. ¡°Who did you tell, Kele?¡±


    ¡°No one,¡± he says, and when Lev doesn¡¯t look away, Kele tells the truth. ¡°Just Nova. But she promised not to tell, and I trust her.¡± Then he adds, ¡°I figured he was safe, since it¡¯s the Juvenile Authority that¡¯s after him, and Connor¡¯s not juvenile anymore, right?¡±


    ¡°It doesn¡¯t matter,¡± Chal explains. ¡°His so-called crimes happened when he was under their jurisdiction, which means they can chase him into old age.¡±


    Pivane begins pacing, Elina rubs her forehead, as if getting a headache, and Kele looks miserable and forlorn like his dog just died. Lev can already see this beginning to cascade like a rock slide.


    ¡°If word does get out,¡± Chal says, ¡°and the Juvenile Authority calls for us to give him and Lev over, we can refuse. I can make a case for political asylum¡ªand without an extradition treaty, there¡¯s nothing the Juvenile Authority can do.¡±


    Elina shakes her head. ¡°They¡¯ll put pressure on the Tribal Council and the council will give in, like they always do.¡±


    ¡°But it will buy time¡ªand I can keep throwing up roadblocks to stall things.¡±


    And then Grace chimes in. ¡°You know what¡¯s better than roadblocks?¡± she says. ¡°Detours!¡±


    Lev and the others take it as Grace being obtuse, but Connor, who knows her better, takes it seriously.


    ¡°Explain what you mean, Grace.¡±


    Now that she¡¯s the center of attention, she gets animated and excited, gesturing with her hands so much, it almost resembles old-world sign language. ¡°See, if you stop them with roadblocks, they¡¯ll break through each one soon enough. A better strategy would be to send them down some winding path that goes on and on, so¡¯s they think they¡¯re makin¡¯ progress, but really they¡¯re just spinnin¡¯ their wheels.¡±


    Stunned silence for a moment, and Pivane grins. ¡°That actually makes sense.¡±


    Lev looks to Connor, raising his eyebrows. Clearly there¡¯s more to Grace than meets the eye.


    Chal gets a far-off, but intense look, like he¡¯s pondering an equation. ¡°The Hopi are desperate for me to represent them in a major land dispute. I could agree to do it, and in return, the Hopi council could agree to announce that they¡¯re giving Connor and Lev asylum.¡±


    ¡°So,¡± says Connor, putting it all together, ¡°even if people around here start talking, the Juvies won¡¯t hear it, because they¡¯ll be all over the Hopi¡ªand when they finally find out we¡¯re not there, they¡¯ll be back to square one!¡±


    The mood, which just a moment ago lay flat with despair, is quickly rebounding toward hope. Lev, however, feels a sizeable lump in his throat. ¡°Would you go out on that much of a limb for us?¡± he asks his hosts.


    They don¡¯t answer for a moment. Pivane won¡¯t meet his eye, and Elina defers to Chal. Finally Chal speaks for all of them. ¡°We did wrong by you before, Lev. This is a chance to make things right.¡±


    Pivane grasps Lev¡¯s shoulder hard enough that it hurts, but Lev doesn¡¯t let it show. ¡°I must admit I take a little bit of pride to be harboring modern folk heroes.¡±


    ¡°We¡¯re not heroes,¡± Lev tells him.


    At that Elina smiles. ¡°No true hero ever believes that they are one,¡± she tells him. ¡°So you go ahead, Lev, and keep denying it with every fiber of your being.¡±


    27 ? Starkey


    Mason Starkey knows he¡¯s a hero. He knows this beyond any shadow of doubt. The many lives he¡¯s saved proves it. The evidence is all around him¡ªhis storks, all spirited from the death throes of the airplane graveyard, kept alive and safe through cleverness and well-placed sleight of hand. But it¡¯s only a beginning. The groundwork has been laid for a great work¡ªand for his own personal greatness, which he will more than earn. Starkey knows that there¡¯s a grand destiny waiting for him, and his first foray into the limelight of history is about to begin.


    ¡°The Egret Academy,¡± says the pleasant woman, reading the logo on his forest-green T-shirt, as Starkey signs the guest registry. ¡°Is that a parochial school?¡±


    ¡°Nondenominational,¡± Starkey tells her. ¡°I¡¯m the youth minister.¡±


    She smiles at him, taking him at his word. How could she not? His clean-cut, blond, well-groomed appearance reeks of honesty and integrity.


    ¡°Is the school here in Lake Tahoe?¡±


    ¡°Reno,¡± he says without hesitation.


    ¡°Too bad. I¡¯m looking for a good school for my own kids. One with the right moral values.¡±


    Starkey gives her his most winning smile. He knows the names of her kids and her home address. Not that he¡¯ll need the information this time, but it¡¯s turned out to be a solid protective policy for the storks.


    This time it¡¯s not a campground but a high-end retreat. The Egret Academy has rented all ten cabins for the next four days. It¡¯s an expense, but Jeevan has managed to squeeze even more money from the storks¡¯ parental accounts, more than enough to pay for four days of comfort . . . and considering what¡¯s coming next, his storks deserve it.


    While the storks explore their new environment themselves, all in their new Egret Academy shirts, the woman gives Starkey the grand tour.


    ¡°The dining hall is to the left¡ªyou provide your own food of course, but the kitchen is fully stocked with cookware, dinnerware, and everything you¡¯ll need. Tennis court and pool is up the hill. Come. I¡¯ll show you the clubhouse. It¡¯s down by the lake. We have a theater-quality TV, a classic arcade¡ªeven a bowling alley.¡±


    ¡°And a cloud connection?¡± Starkey asks. ¡°We have to have a high-speed connection to the public nimbus.¡±


    ¡°Well, that goes without saying.¡±


    BROCHURE


    For more than twenty years, The Egret Academy has brought together knowledge and character in order to inspire our students to be leaders of the future. Our strong academic program is designed to pull information from the widest variety of sources and impart learning through experiential hands-on experience. At the Egret Academy, we strive to give every student a unique and personal education.


    Through spiritual retreats and eye-opening field trips, we expose our students to the past, present, and future¡ªall in a nurturing environment that encourages self-reliance as well as trust and camaraderie among fellow egrets.


    Our emphasis on personal accountability and social responsibility is exemplified in our Peer Leadership Program, in which our youth ministers organize and run retreats of up to a hundred students at a time. By combining traditional education with special programs, projects, and activities, our faculty is dedicated to creating well-educated, well-rounded, ethically responsible students with the ability and the confidence to take on the world!


    ¡°You really outdid yourself this time, Mason. This place is fantastic.¡± Bam peers over Starkey¡¯s shoulder at the computer screen that he and Jeevan strategize over. ¡°I mean a bowling alley? I can¡¯t even remember the last time I bowled.¡±


    Starkey can¡¯t help but be irritated by Bam¡¯s intrusion, but he tries not to show it. ¡°Enjoy it while you can,¡± he tells her. That sobers her up a bit.


    ¡°When are we going to tell the others the whole plan?¡±


    ¡°Tomorrow,¡± he tells her. ¡°It will give them time to prepare themselves.¡±


    Yet another clatter of bowling pins from the other side of the clubhouse sets Starkey¡¯s nerves on end. The clubhouse is one big open space. He would much prefer quiet privacy right now.


    ¡°Bowl a game for me,¡± he tells Bam. I would but¡±¡ªhe holds up his stiff hand¡ª¡°I bowl lefty.¡± It isn¡¯t true, but it gets her to leave them alone.


    On screen is a schematic of Cold Springs Harvest Camp, north of Reno. ¡°I think I¡¯ve figured out a way to jam communications,¡± Jeevan says. ¡°I¡¯ll need a few kids to help me out, though. Smart ones.¡±


    ¡°Choose whoever you want for your team,¡± Starkey tells him. ¡°And anything you need, just let me know.¡±


    Jeevan nods but, as always, seems nervous, concerned. He¡¯s a kid who can never just relax and go with the flow.


    ¡°I¡¯ve been thinking of after,¡± he says, ¡°and how, after we hit Cold Springs, we won¡¯t be able to be out in public anymore. At all.¡±

 Page 31

    ¡°So give me options.¡±


    Jeevan pecks at the computer, swipes various windows off the screen, and pulls up a map covered in blinking red dots. ¡°I¡¯ve isolated a few possibilities.¡±


    Starkey clasps him on his shoulder with his good hand. ¡°Excellent! Find us a new home, Jeevan. I have every faith in you.¡±


    Which only makes Jeevan squirm.


    As Starkey strolls through the clubhouse, the cacophony of his storks enjoying themselves transforms from a distraction to a testimony of all he has accomplished for them. But it¡¯s only a glimpse of what he has planned for their future.


    Yes, Mason Starkey is a hero. And in just a few days, the entire world will know.


    28 ? Risa


    ¡°Close your eyes,¡± Risa says. ¡°I don¡¯t want to get soap in them.¡±


    The woman leans back, her Pomeranian in her lap. ¡°Check the water first. I don¡¯t like it too hot.¡±


    This is Risa¡¯s fourth day residing in Audrey¡¯s salon. Each day she tells herself she¡¯s going to leave, yet each day she doesn¡¯t.


    ¡°And make sure you use the shampoo for dry hair,¡± the woman commands. ¡°Not the kind for very dry hair, the kind for mild to moderately dry hair.¡±


    It all stems from that first night. Audrey had spent the night there in the shop with Risa, because ¡°a girl shouldn¡¯t be alone after a thing like that.¡± Which she supposes is true for girls who have the luxury of not being alone. Risa rarely has that luxury, so she was glad for the company. Apparently, the attack in the alley affected Risa much more deeply than she thought, because she had a string of nightmares all night. The only one she can recall is her recurring dream of countless pale faces looming over her and a sense that she could not escape them. On that night, dawn could not come soon enough.


    ¡°You¡¯re not the usual shampoo girl, are you? I can tell because the other one has the most hideous breath.¡±


    ¡°I¡¯m new. Please keep your eyes closed while I lather you up.¡±


    Until today, Risa had paid for Audrey¡¯s kindness by organizing the stockroom, but when one of her stylists called in sick today, she begged Risa to man the shampoo sink in a back alcove.


    ¡°What if someone recognizes me?¡±


    ¡°Oh, please!¡± Audrey had said. ¡°You have a totally new look. And besides, these women don¡¯t see anything past their own reflections.¡±


    So far Risa has found that to be true. But washing the hair of wealthy women is not exactly her job of choice and is even more thankless than dispensing first aid at the Graveyard.


    ¡°Let me smell that conditioner. I don¡¯t like it. Get me another.¡±


    Tonight I¡¯ll leave, Risa tells herself. But nighttime comes and, again, she doesn¡¯t. She¡¯s not quite sure if her inertia is a problem or a blessing. Even though she didn¡¯t have a specific destination before arriving here, she always had a vector¡ªa direction to be moving. True it changed from day to day depending on what seemed the most likely direction of survival, but at least there was momentum. Now her momentum is gone. If she leaves here, where will she go? A place of greater safety? She doubts there is one.


    That evening when Audrey closes shop, she treats Risa to something special.


    ¡°I¡¯ve noticed your nails are in pretty bad shape. I¡¯d like to give you a manicure.¡±


    That makes Risa laugh. ¡°Am I your Barbie doll now?¡±


    ¡°I run a beauty shop,¡± Audrey says. ¡°It comes with the territory.¡± Then she does the oddest thing. She comes to Risa with scissors, snips off an inconspicuous lock of hair and shoves it into the compartment of a small machine that looks like an electric pencil sharpener. ¡°Have you ever seen one of these?¡±


    ¡°What is it?¡±


    ¡°Electronic nail builder. Hair and nails are basically made of the same stuff. This device breaks down the hair, then applies it in fine layers on top of your nails. Put your finger in.¡± The hole, Risa now realizes, is not pencil-sized, but large enough for a woman¡¯s fingertip. She¡¯s hesitant, as putting one¡¯s finger into a dark hole is a very counterintuitive thing, but in the end she acquiesces, and Audrey turns it on. It buzzes, vibrates, and tickles for a minute or two, and when she pulls her finger out, her nail, which had been uneven and ragged, is now smooth with a perfect curve.


    ¡°I programmed it for the shortest setting,¡± Audrey tells her. ¡°Somehow I can¡¯t imagine you with long nails.¡±


    ¡°Neither can I.¡±


    Risa endures the process for all ten nails. It takes almost an hour.


    ¡°Not very efficient, is it?¡±


    ¡°No. You¡¯d think they¡¯d make one that can do a whole hand at once, but they don¡¯t. Something to do with limitations on the patent. Anyway, I use it only when someone has patience and can actually appreciate the thing.¡±


    ¡°So it doesn¡¯t get much use at all, does it?¡±


    ¡°Nope.¡±


    Audrey, Risa realizes, is probably around the same age as her own birth mother, whoever she is. She wonders if a mother-daughter relationship would be something like this. She has no way to judge. All the kids she knew growing up didn¡¯t have parents, and after she left the state home, she only knew kids whose parents had thrown them away.


    Audrey leaves for the night, and Risa settles in the comfortable niche she¡¯s made herself in the storeroom, complete with a bedroll and comforter that Audrey provided. Audrey has offered her the foldout in her apartment, and even the stylists, who are all as kind as Audrey, have offered to take her in, but there¡¯s only so much hospitality Risa¡¯s willing to accept.


    That night she dreams of the cold, impassive multitude again. She¡¯s playing a Bach ¨¦tude much too fast on a piano that¡¯s hopelessly out of tune, and right in front of her are the countless looming faces lined up and stacked like shelves of trophies. Deathly pale. Disembodied. Alive and yet not alive. They open their mouths but they don¡¯t speak. They would reach for her but they don¡¯t have hands. She can¡¯t tell if they mean her ill, but they certainly don¡¯t mean her well. They reek of need, and the deepest terror of the dream is not knowing what it is they so desperately desire from her.


    When she pulls herself out of it, her fingers, new nails and all, are drumming against her blanket, still struggling to play the ¨¦tude. She has to turn on the light and leave it on for the rest of the night. When she closes her eyes, she can still see those faces like afterimages on her retina. Is it possible to have the afterimage of a dream? She can¡¯t help but feel she¡¯s seen these faces before, and not just in a dream. It¡¯s something real, something tangible that she can¡¯t place. Whatever it is, she hopes she never sees it¡ªnever sees them again.


    ? ? ?


    First thing in the morning¡ªjust five minutes after opening, two Juvey-cops come into the salon, and Risa¡¯s heart nearly stops. Audrey¡¯s already there, but none of her stylists are. Risa, knowing that turning and running will not go over well, hangs her hair in her face and turns her back to them, pretending to stock one of the stylist¡¯s stations.


    ¡°You open for business?¡± one of them asks.


    ¡°That depends,¡± says Audrey. ¡°What can I do for you, Officer?¡±


    ¡°It¡¯s my partner¡¯s birthday. I¡¯m giving her a makeover.¡±


    Now Risa dares to look. One of the Juvies is a woman. Neither of them takes much notice of her.


    ¡°Perhaps you could come back when my stylists arrive.¡±


    He shakes his head. ¡°Shift starts in an hour. Gotta do it now.¡±


    ¡°Well, I guess we¡¯ll have to work with that, then.¡± Audrey comes over to Risa, speaking sotto voce. ¡°Here¡¯s some money; go get us doughnuts. Go out the back way and don¡¯t come back until they¡¯re gone.¡±


    ¡°No,¡± Risa says, not realizing she would say it until she does. ¡°I want to do her shampoo.¡±


    The Juvie doesn¡¯t have a dog on her lap, but she does have a chip on her shoulder. ¡°I don¡¯t go for nothing foo-foo,¡± she says. ¡°Just keep it simple.¡±


    ¡°I intend to.¡± Risa drapes her with a smock and leans her back toward the sink. She turns on the water, making sure it¡¯s nice and hot.


    ¡°I¡¯d like to personally thank you,¡± Risa says. ¡°For keeping the streets safe from all those bad boys and girls.¡±


    ¡°Safe and clean,¡± says the Juvey-cop. ¡°Safe and clean.¡±


    Risa glances out to the waiting area, where her partner obliviously reads a magazine. Audrey peers in at Risa nervously, wondering what she¡¯s up to. With this woman leaning her head back, totally at Risa¡¯s mercy, Risa feels like the Demon Barber of Omaha, ready to slit her throat and bake her into pies. But instead she just dribbles shampoo into the corners of her closed eyes.


    ¡°Ah! That stings.¡±


    ¡°Sorry. Just keep your eyes closed. You¡¯ll be fine.¡±


    Risa then proceeds to wash her hair with water so hot she can barely stand it herself, but the woman doesn¡¯t complain.


    ¡°Catch any AWOLs yesterday?¡±


    ¡°As a matter of fact, yes. Usually we just patrol the detention facility, but a kid slated for unwinding went AWOL on our watch. We brought him down, though. Tranq¡¯d him from fifty feet.¡±


    ¡°My, that must have been . . . thrilling.¡± It¡¯s all Risa can do not to strangle her. Instead she opts for concentrated bleaching solution, rubbing it unevenly into her dark hair after rinsing out the shampoo. That¡¯s when Audrey intercedes, a moment too late to stop her.


    ¡°Darlene! What are you doing?¡± Darlene is Risa¡¯s salon pseudonym. Not her choice, but it works.


    ¡°Nothing,¡± she says innocently. ¡°I just put in some conditioner.¡±


    ¡°That wasn¡¯t conditioner.¡±


    ¡°Oops.¡±


    The Juvie tries to open her eyes, but they still sting too much. ¡°Oops? What kind of Oops?¡±


    ¡°It¡¯s nothing,¡± Audrey says. ¡°Why don¡¯t I take over from here?¡±


    Risa snaps off her gloves and drops them in the trash. ¡°Guess I¡¯ll go get those doughnuts now.¡± And she¡¯s gone just as the woman begins to complain about her scalp burning.


    ? ? ?


    ¡°What were you thinking?¡±


    Risa doesn¡¯t try to explain herself to Audrey, and she knows Audrey really doesn¡¯t expect her to. It¡¯s a motherly question though, and Risa actually appreciates it.


    ¡°I was thinking that it¡¯s time for me to go.¡±


    ¡°You don¡¯t have to,¡± Audrey tells her. ¡°Forget about this morning. We¡¯ll pretend it never happened.¡±


    ¡°No!¡± It would be so easy for Risa to do that, but being that close to a Juvey-cop¡ªhearing what she had to say, the blatant disregard for the fate of the AWOL they took down¡ªit¡¯s knocked Risa out of this local eddy and given her a vector again. ¡°I need to find whatever¡¯s left of the ADR and do what I can to save kids from cops like the ones we saw this morning.¡±


    Audrey sighs and nods reluctantly, already knowing Risa well enough to know that she can¡¯t be dissuaded.


    Now Risa understands her awful recurring dream of the disembodied faces. It is the faces of the unwound that haunt her, forever separated from everything that they were, looming over her in desperate supplication, begging her, if not to avenge them, then to make sure their numbers do not increase. She¡¯s been complacent for too long. She can¡¯t deny their pleas anymore. The mere fact that she¡¯s alive¡ªthat she survived¡ªbonds her to their service. And giving a spiteful hairdo to a Juvey-cop, while satisfying to her, does nothing to save anyone from unwinding. Her place is not in Audrey¡¯s salon.

 Page 32

    That afternoon Risa says her good-bye, and Audrey insists on stocking Risa up with supplies and money and a sturdy new backpack that has neither hearts nor pandas.


    ¡°I guess now is as good a time as any to tell you,¡± Audrey says, just before she leaves.


    ¡°Tell me what?¡±


    ¡°It was just on the news. They announced that your friend Connor is still alive.¡±


    It¡¯s the best news Risa¡¯s gotten in a long time . . . but then she quickly comes to realize the announcement is not a good thing at all. Now that the Juvenile Authority knows he¡¯s alive, they¡¯ll be beating every bush for him.


    ¡°Do they have any idea where he is?¡± Risa asks.


    Audrey shakes her head. ¡°No clue. In fact, they think he¡¯s with you.¡±


    If only that were true. But even when Connor shows up in her dreams, he¡¯s not with her. He¡¯s running. He¡¯s always running.


    29 ? Cam


    Lunch with the general and the senator is in the dark recesses of the Wrangler¡¯s Club¡ªperhaps the most expensive, most exclusive restaurant in Washington, DC. Secluded leather booths, each in its own pool of light, and a complete lack of windows gives the illusion that time has been stopped by the importance of one¡¯s conversation. The outside world doesn¡¯t exist when one dines in the Wrangler¡¯s Club.


    As Cam and Roberta are walked in by the hostess, he spots faces he thinks he recognizes. Senators or congressmen, perhaps. People he¡¯s seen at the various high-profile galas he¡¯s attended. Or maybe it¡¯s just his imagination. These self-important folk, wheeling and dealing, all begin to look alike after a while. He suspects that the ones he doesn¡¯t recognize are the real power brokers. That¡¯s the way it always is. Lobbyists for surreptitious special interests he couldn¡¯t begin to guess at. Proactive Citizenry does not have a monopoly on secret influence.


    ¡°Best foot forward,¡± Roberta tells Cam as they are led to their booth.


    ¡°And which one is that?¡± he asks. ¡°You¡¯d know better than me.¡±


    She doesn¡¯t respond to his barb. ¡°Just remember that what happens today could define your future.¡±


    ¡°And yours,¡± Cam points out.


    Roberta sighs. ¡°Yes. And mine.¡±


    General Bodeker and Senator Cobb are already at the table. The general rises to meet them, and the senator also tries to slide out of the booth, but he¡¯s foiled by his copious gut.


    ¡°Please, don¡¯t get up,¡± says Roberta.


    He gives up. ¡°The burgers win every time,¡± he says.


    They all settle in, share obligatory handshakes and obsequious niceties. They discuss the unpredictable weather, raining one minute, sunny the next. The senator sings the praises of the pan-seared scallops, which is today¡¯s special.


    ¡°Anaphylactic,¡± Cam blurts out. ¡°That is, I mean, I¡¯m allergic to scallops. At least my shoulders and upper arms are. I get the worst rash.¡±


    The general is intrigued. ¡°Really. But just there?¡±


    ¡°And I¡¯ll bet he can¡¯t do any brown-nosing on account of his nose is allergic to chocolate,¡± says Senator Cobb, and guffaws so loudly it rattles the water glasses.


    They order, and once the appetizers arrive, the two men finally get down to the business at hand.


    ¡°We see you as a military man, Cam,¡± says the general, ¡°and Proactive Citizenry agrees.¡±


    Cam moves his fork around in his endive salad. ¡°You want to make me into a boeuf.¡±


    General Bodeker bristles. ¡°That¡¯s an unfair characterization of young people who are military minded.¡±


    Senator Cobb waves his hand dismissively. ¡°Yes, yes, we all know the official military opinion of the word¡ªbut that¡¯s not what we¡¯re saying Cam. You¡¯d bypass traditional training and go straight into the officer program¡ªand on the fast track, to boot!¡±


    ¡°I can offer you any branch of the military you like,¡± Bodeker says.


    ¡°Let it be the Marines,¡± Roberta says, and when Cam looks at her, she says, ¡°Well, I know you had that in mind¡ªand they have the crispest uniforms.¡±


    The senator puts out his hand, as if chopping wood. ¡°The point is, you would float through the program, learn what you need to learn lickety-split, and emerge as an official spokesperson for the military, with all the perks that come with it.¡±


    ¡°You¡¯d be a model for young people everywhere,¡± adds Bodeker.


    ¡°And for your kind,¡± adds Cobb.


    Cam looks up at that. ¡°I don¡¯t have a ¡®kind,¡¯?¡± he tells them, which makes the two men look to Roberta.


    She puts down her fork and composes her response carefully. ¡°You once described yourself as a ¡®concept car,¡¯ Cam. Well, what the good senator and general are saying is that they like the concept.¡±


    ¡°I see.¡±


    The main course arrives. Cam ordered the prime rib¡ªa favorite of someone or another in his head. The first taste brings him back to a sister¡¯s wedding. He has no idea where, or who the sister is. She had blond hair, but her face did not make the cut into his brain. He wonders if that kid¡ªif any kid inside him¡ªwould have ever been offered a crisp uniform. He knows the answer is no, and he feels insulted for them.


    Brakes in the rain. He must apply them slowly, so as not to set this meeting fishtailing out of control. ¡°It¡¯s a very generous offer,¡± Cam says. ¡°And I¡¯m honored to be considered.¡± He clears his throat. ¡°And I know you all have my best interests at heart.¡± He meets eyes with the general, then with the senator. ¡°But it¡¯s not something I want to do at this¡±¡ªhe searches for a suitably Washingtonian word¡ª¡°at this juncture.¡±


    The senator just stares at him, all jovialness gone from his voice. ¡°Not something you want to do at this juncture . . . ,¡± he repeats.


    And, predictable as clockwork, Roberta leaps in with, ¡°What Cam means to say is he needs time to consider it.¡±


    ¡°I thought you said this would be a slam dunk, Roberta.¡±


    ¡°Well, maybe if you were a little more elegant in your approach¡ª¡±


    Then General Bodeker puts up his hand to silence them.


    ¡°Perhaps you don¡¯t understand,¡± the general says with calm control. ¡°Let me explain it to you.¡± He waits until Cam puts down his fork, then proceeds. ¡°Until last week you were the property of Proactive Citizenry. But they have sold their interest in you for a sizeable sum. You are now the property of the United States military.¡±


    ¡°Property?¡± says Cam. ¡°What do you mean, ¡®Property¡¯?¡±


    ¡°Now, Cam,¡± says Roberta, working her best damage control. ¡°It¡¯s only a word.¡±


    ¡°It¡¯s more than a word!¡± insists Cam. ¡°It¡¯s an idea¡ªan idea that, according to the history expert somewhere in my left brain, was abolished in 1865.¡±


    The senator starts to bluster, but the general keeps his cool. ¡°That applies to individuals, which you are not. You are a collection of very specific parts, each one with a distinct monetary value. We¡¯ve paid more than one hundred times that value for the unique manner those parts have been organized, but in the end, Mr. Comprix . . . parts is parts.¡±


    ¡°So there you have it,¡± says the senator bitterly. ¡°You wanna leave? Then go on; git outta here. Just as long as you leave all those parts of yours behind.¡±


    Cam¡¯s breathing is out of control. Dozens of separate tempers inside of him join and flare all at once. He wants to dump the table. Hurl the plates at their heads.


    Property!


    They see him as property!


    His worst fear is realized; even the people who venerate him see him as a commodity. A thing.


    Roberta, seeing that look in his eyes, grabs his hand. ¡°Look at me, Cam!¡± she orders.


    He does, knowing deep down that making a scene will be the worst thing he can do for himself. He needs her to talk him down.


    ¡°Thirty pieces of silver!¡± he shouts. ¡°Brutus! Rosenbergs!¡±


    ¡°I am not a traitor! I am true to you, Cam. This deal was made without my knowledge. I¡¯m as furious as you, but we both must make the best of it.¡±


    His head is swimming. ¡°Grassy knoll!¡±


    ¡°It¡¯s not a conspiracy either! Yes, I knew about it when I brought you here¡ªbut I also knew that telling you would be a mistake.¡± She throws an angry glare at the two men. ¡°Because if it were your choice, the technical issue of ownership need never have come up.¡±


    ¡°Out of the bag.¡± Cam forces his breathing to slow and his flaring temper to drop into a smolder. ¡°Close the barn door. The horses are gone.¡±


    ¡°What the hell is he babbling about?¡± snaps the senator.


    ¡°Quiet!¡± Roberta orders. ¡°Both of you!¡± The fact that Roberta can quiet a senator and a general with a single word feels like some sort of victory. Regardless of who and what they own, they are not in charge here. At least not at this juncture.


    Cam knows that anything out of his mouth will be just another spark of metaphorical language¡ªthe way he spoke when he was first rewound, but he doesn¡¯t care.


    ¡°Lemon,¡± he says.


    The two men glance around the table in search of a lemon. ¡°No.¡± Cam takes a bite of prime rib, forcing himself to calm down enough to better translate his thoughts. ¡°What I mean is that no matter what you paid for me, you¡¯ve thrown away your money if I don¡¯t perform.¡±


    The senator is still perplexed, but General Bodeker nods. ¡°You¡¯re saying that we bought ourselves a lemon.¡±


    Cam takes another bite. ¡°Gold star for you.¡±


    The two men look to each other, shifting uncomfortably. Good. That¡¯s exactly what he wants.


    ¡°But if I do perform, then everybody gets what they want.¡±


    ¡°So we¡¯re back where we started,¡± says Bodeker, with waning patience.


    ¡°But at least now we understand each other.¡± Cam considers the situation. Considers Roberta, who is all but wringing her hands with anxiety now. Then he turns to the two men. ¡°Tear up your contract with Proactive Citizenry,¡± he says. ¡°Void it. And then I¡¯ll sign my own contract that commits me to whatever you want me to do. So that it¡¯s my decision rather than a purchase.¡±


    That seems to baffle all three of them.


    ¡°Is that possible?¡± asks the senator.


    ¡°Technically he¡¯s still a minor,¡± Roberta says.


    ¡°Technically I don¡¯t exist,¡± Cam reminds her. ¡°Isn¡¯t that right?¡±


    No one answers.


    ¡°So,¡± says Cam. ¡°Make me exist on paper. And on that same paper, I¡¯ll sign over my life to you. Because I choose to.¡±


    The general looks to the senator, but the senator just shrugs. So General Bodeker turns to Cam and says:


    ¡°We¡¯ll consider it and get back to you.¡±


    ? ? ?


    Cam stands in his room in his DC residence, staring at the back of the closed door.


    This town house is the place he comes back to after the various speaking trips. Roberta calls it ¡°going home.¡± To Cam this does not feel like home. The mansion in Molokai is home, and yet he hasn¡¯t been back there for months. He suspects he may never be allowed to go back again. After all, it was more a nursery than a residence for him. It was where he was rewound. It was where he was taught who he was¡ªwhat he was¡ªand learned how to coordinate his diverse ¡°internal community.¡±

 Page 33

    General Bodeker, for all of his ire at the use of the word ¡°boeuf¡± for military youth, apparently had no problem skirting euphemisms and calling Cam¡¯s internal community ¡°parts.¡±


    Cam does not know who to despise more¡ªBodeker for having purchased his quantified flesh, Proactive Citizenry for selling it, or Roberta for willing him into existence. Cam continues to stare at the back of his door. Hanging there¡ªstrategically placed by some unknown entity while he was out¡ªis the full dress uniform of a US Marine, shiny buttons and all. Crisp, just as Roberta had said.


    Is this a threat, Cam wonders, or an enticement?


    Cam says nothing about it to Roberta when he goes down for dinner. Since their meeting with the senator and the general last week, all their meals have been alone in the town house, as if being ignored by powerful people is somehow punishment.


    At the end of the meal, the housekeeper brings in a silver tea service, setting it down between them¡ªbecause Roberta, an expat Brit, must still have her Earl Grey.


    It¡¯s over tea that Roberta gives him the news. ¡°I need to tell you something,¡± Roberta says after her first sip. ¡°But I need you to promise that you¡¯ll control your temper.¡±


    ¡°That¡¯s never a good way to begin a conversation,¡± he says. ¡°Try again. This time full of springtime and daisies.¡±


    Roberta takes a deep breath, sets down her cup, and gets it out. ¡°Your request to sign your own document has been denied by the court.¡±


    Cam feels his meal wanting to come back, but he holds it down. ¡°So the courts say I don¡¯t exist. Is that what you¡¯re telling me? That I¡¯m an object like¡±¡ªhe picks up a spoon¡ª¡°like a utensil? Or am I more like this teapot?¡± He drops the spoon and grabs the pot from the table. ¡°Yes, that¡¯s it¡ªan articulate teapot screeching with hot air that no one wants to hear!¡±


    Roberta pushes her chair back with a complaint from the hardwood floor. ¡°You promised to keep your temper!¡±


    ¡°No¡ªyou asked, and I refuse!¡±


    He slams the teapot down, and a flood of Earl Grey ejects from the spout, soaking the white tablecloth. The housekeeper, who was lurking, makes herself scarce.


    ¡°It¡¯s a legal definition, nothing more!¡± insists Roberta. ¡°I, for one, know that you¡¯re more than that stupid definition.¡±


    ¡°Sweatshop!¡± snaps Cam, and not even Roberta can decipher that one. ¡°Your opinion means nothing, because you¡¯re little more than the sweatshop seamstress who stitched me together.¡±


    Indignation rises in her like an ocean swell. ¡°Oh, I¡¯m a little more than that!¡±


    ¡°Are you going to tell me you¡¯re my creator? Shall I sing psalms of praise to thee? Or better yet, why don¡¯t I cut out my stolen heart and put it on an altar for you?¡±


    ¡°Enough!¡±


    Cam slumps in his chair, a twisted rag of directionless anger.


    Roberta puts down her napkin to help blot the tea, a task beyond the abilities of the tablecloth. Cam wonders if the tablecloth would resent the napkin¡¯s absorbency were it legally granted personhood.


    ¡°There¡¯s something you need to see,¡± Roberta says. ¡°Something you need to understand that might give you some perspective on this.¡±


    She gets up, goes into the kitchen, and returns with a pen and a blank piece of paper. She sits down beside him, folds back the tablecloth, and puts the paper down on a dry patch of wood.


    ¡°I want you to sign your name.¡±


    ¡°What for?¡±


    ¡°You¡¯ll see.¡±


    Too disgusted to argue, he takes the pen, looks down at the paper, and writes as neatly as he can ¡°Camus Comprix.¡±


    ¡°Good. Now turn the paper over and sign it again.¡±


    ¡°Your point?¡±


    ¡°Humor me.¡±


    He flips the paper, but before he signs, Roberta stops him. ¡°Don¡¯t look,¡± she says. ¡°This time look at me while you¡¯re signing. And talk to me too.¡±


    ¡°About what?¡±


    ¡°Whatever is in your heart to say.¡±


    Looking at Roberta, he signs his name while delivering an appropriate quote from his namesake: ¡°The need to be right is the sign of a vulgar mind.¡± Then he hands the page to Roberta. ¡°There. Are you happy?¡±


    ¡°Why don¡¯t you look at the signature, Cam?¡±


    He looks down. At first he thinks he sees his signature as it should be. But a switch seems to flick in his head, and the signature he sees is not his at all. ¡°What is this? This isn¡¯t what I wrote.¡±


    ¡°It is, Cam. Read it.¡±


    The letters are a bit scrawled. Wil Tash . . . Tashi . . .¡±


    ¡°Wil Tashi¡¯ne,¡± Roberta says. ¡°You have his hands, and his corresponding neuro-motor centers in your cerebellum, as well as crucial cortical material as well. You see. It¡¯s his neural connections and muscle memory that allow you to play guitar and accomplish a whole host of fine-motor skills.¡±


    Cam cannot look away from the signature. The switch in his head keeps flicking on and off. My signature. Not my signature. Mine. Not mine.


    Roberta regards him with infinite sympathy. ¡°How can you sign a document, Cam, when not even your signature belongs to you?¡±


    ? ? ?


    Roberta hates when Cam goes out alone, especially at night, but on this night, there¡¯s nothing she can say or do that will stop him.


    He strides fast, down a street still wet with the day¡¯s rain, but feels like he¡¯s getting nowhere. He doesn¡¯t even know where he wants to go¡ªonly away from whatever spot he occupies at the moment, unable to feel right in his own skin. What is it the advertisements call it? That¡¯s right¡ªBiosystemic Disunification Disorder. A bogus condition that conveniently can be cured only by unwinding.


    All his scheming, all his daydreams of bringing down Proactive Citizenry¡ªof being the kind of hero Risa requires¡ªit all amounts to nothing if he is just a piece of military property. And Roberta¡¯s wrong. It¡¯s more than just a legal definition. How can she not see that when you are defined, you lose the ability to define yourself? In the end he will become that definition. He will become a thing.


    What he needs is some sort of proclamation of existence that trumps anything legal. Something he can hold on to in his heart in the face of anything they have on paper. Risa could give that to him. He knows she can, but she¡¯s not here, is she?


    But there might be other places he could find it.


    He begins to scour his memory, seeking out moments that ring with a spiritual connection. He had First Communion, a Bar Mitzvah, and a Bismillah ceremony. He saw a brother baptized in a Greek Orthodox church and a grandmother cremated in a traditional Buddhist funeral. Just about every faith is represented in his memories, and he wonders if this was intentional. He wouldn¡¯t put it past Roberta to have, as part of her criteria for his parts, that all major religions be represented. She¡¯s just that anal.


    But which one will give him what he needs? He knows if he speaks to a rabbi or a Buddhist priest, he¡¯ll get very wise responses that point to more questions instead of an answer. ¡°Do we exist because others perceive our existence, or is, indeed, our own affirmation enough?¡±


    No. What Cam needs is some meat-and-potatoes dogma that can give him a concrete yes or no.


    There¡¯s a Catholic church a few blocks away. An old one with impressive stained-glass windows. He puts together from his internal community a sizeable posse of believers¡ªenough to give him a sense of reverence and awe as he steps into the sanctuary.


    There are a few people present. Mass is over, and confessions are winding down. Cam knows what he has to do.


    ? ? ?


    ¡°Forgive me, Father, for I have sinned.¡±


    ¡°Tell me your sins, child.¡±


    ¡°I¡¯ve broken things. I¡¯ve stolen things. Electronics. A car¡ªmaybe two. I may have become violent with a girl once. I¡¯m not sure.¡±


    ¡°You¡¯re not sure? How could you not be sure?¡±


    ¡°None of my memories are complete.¡±


    ¡°Son, you can confess only to the things you remember.¡±


    ¡°That¡¯s what I¡¯m trying to tell you, Father. I have no complete memories. Just bits and pieces.¡±


    ¡°Well, I¡¯ll accept your confession, but it sounds like you need something more than the sacrament of the confessional.¡±


    ¡°It¡¯s because the memories are from other people.¡±


    ¡° . . .¡±


    ¡°Did you hear me?¡±


    ¡°So you¡¯ve received bits of the unwound?¡±


    ¡°Yes, but¡ª¡±


    ¡°Son, you can¡¯t be held responsible for the acts of a mind that isn¡¯t yours, any more than you can be responsible for the acts of a grafted hand.¡±


    ¡°I have a couple of those, too.¡±


    ¡°Excuse me?¡±


    ¡°My name is Camus Comprix. Does that name mean anything to you?¡±


    ¡° . . .¡±


    ¡°I said my name is¡ª¡±


    ¡°¡ªyes, yes, I heard you, I heard you. I¡¯m just surprised you¡¯re here.¡±


    ¡°Because I¡¯m soulless?¡±


    ¡°Because I very rarely hear confessions from public figures.¡±


    ¡°Is that what I am? A public figure?¡±


    ¡°Why are you here, son?¡±


    ¡°Because I¡¯m afraid. I¡¯m afraid that I might not . . . be . . . .¡±


    ¡°Your presence here proves you exist.¡±


    ¡°But as what? I need you to tell me that I¡¯m not a spoon! That I¡¯m not a teapot!¡±


    ¡°You make no sense. Please, there are people waiting.¡±


    ¡°No! This is important! I need you to tell me . . . . I need to know . . . if I qualify as a human being.¡±


    ¡°You must know that the church has not taken an official position on unwinding.¡±


    ¡°That¡¯s not what I¡¯m asking.¡±


    ¡°Yes, yes, I know it¡¯s not. I know. I know.¡±


    ¡°In your opinion as a man of the cloth . . .¡±


    ¡°You ask too much of me. I am here to give absolution, nothing more.¡±


    ¡°But you have an opinion, don¡¯t you?¡±


    ¡° . . .¡±


    ¡°When you first heard of me?¡±


    ¡° . . .¡±


    ¡°What was that opinion, Father?¡±


    ¡°It is neither my place to say, nor your place to ask!¡±


    ¡°But I do ask!¡±


    ¡°It is not to your benefit to hear!¡±


    ¡°Then you¡¯re being tested, Father. This is your test: Will you tell the truth, or will you lie to me in your own confessional?¡±


    ¡°My opinion . . .¡±


    ¡°Yes . . .¡±


    ¡°My opinion . . . was that your arrival in this world marked the end of all things we hold dear. But that opinion was borne of fear and ignorance. I admit that! And today I see the awful reflection of my own petty judgments. Do you understand?¡±


    ¡° . . .¡±


    ¡°I confess that I am humbled by your question. How can I speak to whether or not you carry a divine spark?¡±


    ¡°A simple yes or no will do.¡±


    ¡°No one on earth can answer that question, Mr. Comprix¡ªand you should run from anyone who claims they can.¡±

 Page 34

    ? ? ?


    Cam wanders the streets aimlessly, not knowing or caring where he is. He¡¯s sure that Roberta has put out a search party already.


    And what happens when they find him? They¡¯ll take him home. Roberta will soundly chastise him. Then she¡¯ll forgive him. And then tomorrow, or the next day, or the next, he¡¯ll try on the crisp uniform hanging on the back of his door, he¡¯ll like how it looks, and he¡¯ll allow himself to be transferred to his new owners.


    He knows it¡¯s inevitable. And he also knows that the day that happens is the day any spark he has within him will die forever.


    A bus approaches down the street, its headlights bobbing as it hits a pothole. Cam could take that bus home. He could take it far away. But neither of those choices is the idea pinioning his mind at that moment.


    And so he prays in nine languages, to a dozen deities¡ªto Jesus, to Yahweh, to Allah, to Vishnu, to the ¡°I¡± of the universe, and even to a great godless void.


    Please, he begs. Please give me a single reason why I shouldn¡¯t hurl myself beneath the wheels of that bus.


    When the answer comes, it comes in English¡ªand not from the heavens, but from the bar behind him.


    ¡° . . . have confirmed that Connor Lassiter, also known as the Akron AWOL, is still alive. It is believed he may be traveling with Lev Calder and Risa Ward . . . .¡±


    The bus rolls past, splattering his jeans with mud.


    ? ? ?


    Forty-five minutes later, Cam returns home with a new sense of calm, as if nothing has happened. Roberta scolds him. Roberta forgives him. Always the same.


    ¡°You must stop these reckless surrenders to your momentary moods,¡± she chides.


    ¡°Yes, I know.¡± Then he tells her that he¡¯s accepting General Bodeker¡¯s ¡°proposal.¡±


    Roberta, of course, is both relieved and overjoyed. ¡°This is a great step for you, Cam. A step you need to take. I¡¯m so very proud of you.¡±


    He wonders what the general¡¯s response would have been had Cam not accepted. Certainly they would come for him anyway. Forced him into submission. After all, if he¡¯s their property, it¡¯s in their right to do anything they want to him.


    Cam goes to his room and heads straight for his guitar. This is not an idle kind of playing tonight; he plays with a purpose only he knows. The music brings with it the impressions of memories, like an afterimage of a bright landscape. Certain fingerings, certain chord progressions have more of an effect, so he works them, changes them up. He begins to dig.


    His chords sound atonal and random¡ªbut they¡¯re not. For Cam it¡¯s like spinning the dial of a safe. You can crack any combination if you¡¯re skilled enough and you know what to listen for.


    Then finally, after more than an hour of playing, it all comes together. Four chords, unusual in their combination, but powerfully evocative, rise to the surface. He plays the chords over and over, trying different fingering, finessing the notes and the harmonies, letting the music resonate through him.


    ¡°I haven¡¯t heard that one,¡± Roberta says, poking her head in his room. ¡°Is it new?¡±


    ¡°Yes,¡± Cam lies. ¡°Brand-new.¡±


    But in reality it¡¯s very old. Much older than him. He had to dig deep to coax it forth, but once he found it, it¡¯s as if it was always there on the tips of his fingers, on the edge of his mind waiting to be played. The song fills him with immense joy and immense sorrow. It sings of soaring hopes and dreams crushed. And the more he plays it, the more memory fragments are drawn forth.


    When he heard that news report coming from the bar¡ªwhen he stepped in and saw the faces of the Akron AWOL, his beloved Risa, and the tithe-turned-clapper on the TV screen, he was stunned. First by the revelation that Connor Lassiter was alive¡ªbut on top of that, a sense of mental connection that made his seams crawl.


    It was the tithe. That innocent face. Cam knew that face, and not just from the many articles and news reports. This was more.


    He was injured.


    He needed healing.


    I played guitar for him.


    A healing song.


    For the Mahpee.


    Cam had no idea what that meant, only that it was a spark of connection¡ªa synapse within his complex mosaic of neurons. He knows Lev Calder¡ªor at least a member of his internal community does¡ªand that knowledge is somehow tied to music.


    So now Cam plays.


    It¡¯s two o¡¯clock in the morning when he finally gleans enough from his musical memory to understand. Lev Calder had once been given sanctuary by the Ar¨¢pache Nation. No one searching for him will know that, which means he has the perfect place to hide. But Cam knows. The heady power of that knowledge makes him dizzy¡ªbecause if it¡¯s true that he¡¯s traveling with Risa and the Connor, then the Ar¨¢pache Reservation is where they¡¯ll be¡ªa place where the Juvenile Authority has no authority.


    Had Risa known Connor Lassiter was alive all along? If she had, it would explain so many things. Why she could not give her heart to Cam. Why she so often spoke of Lassiter in the present tense, as if he were just waiting around the corner to spirit her away.


    Cam should be furious, but instead he feels vindicated. Exhilarated. He had no hope of battling a ghost for her affections, but Connor Lassiter is still flesh and blood¡ªwhich means he can be bested! He can be defeated, dishonored¡ªwhatever it will take to kill Risa¡¯s love for him, and in the end, when he has fallen from Risa¡¯s favor, Cam will be there to keep Risa from falling as well.


    After that, Cam can personally bring the Akron AWOL to justice, making himself enough of a hero to buy his own freedom.


    It¡¯s three a.m. when he slips out of the town house, leaving his semblance of a life behind, determined not to return until he has Risa Ward under his arm and Connor Lassiter crushed beneath his heel.


    Part Four


    The Scent of Memory


    ¡°FOUNDLING WHEELS¡± FOR EVERY ITALIAN HOSPITAL?


    By Carolyn E. Price


    Feb 28, 2007


    Italy tests out the ¡°foundling wheel,¡± a concept first introduced in Rome in the year 1198 by Pope Innocent III.


    A well-dressed, well-looked after three- or four-month-old baby, maybe Italian, or maybe not, and in excellent health, was abandoned on Saturday evening in the ¡°foundling wheel,¡± a heated cradle that was set up at the Policlinico Casilino. The foundling wheel was created for women to put their infants in when the child is unwanted or is born into seriously deprived conditions.


    The baby boy is the first to be saved in Italy thanks to an experimental system that was devised to stop babies from being abandoned in the street. The baby ¡°foundling¡± has been named Stefano in honor of the doctor who first took charge of him.


    For health minister Livia Turco, the project is ¡°an example to follow.¡± Ms. Turco¡¯s colleague, family minister Rosy Bindi, wants a modern version of the foundling wheel ¡°in every maternity ward in every hospital in Italy.¡±


    The head of the neonatology department at the Policlinico Casilino, Piermichele Paolillo, notes: ¡°We wouldn¡¯t have been surprised to find a newborn in the cradle, but we didn¡¯t expect to see a three- or four-month-old baby . . . . Who knows what lies behind this episode . . . ?¡±


    Published with permission of DigitalJournal.com


    Full article at: http://www.digitaljournal.com/article/127934


    The Rheinschilds


    Finally a time to celebrate! Tonight the Rheinschilds dine at Baltimore¡¯s most expensive, most exclusive restaurant. This splurge is long overdue.


    Sonia holds Janson¡¯s hand across the table. They¡¯ve already sent the waiter away twice, not wanting to be rushed with their order. Bubbles rise in their champagne flutes while the bottle of Dom P¨¦rignon chills beside them. This night must not pass too quickly. It must linger and last, because they both deserve it.


    ¡°Tell me again,¡± Sonia says. ¡°Every last bit of it!¡±


    Janson is happy to oblige, because it was the kind of meeting worth reliving. He wishes he had found a way to record it. He tells her once more of how he went into the office of the president of BioDynix Medical Instruments and presented to him what he considers to be ¡°his life¡¯s work¡±¡ªjust as he had presented it to Sonia a few days before.


    ¡°And he had vision enough to see the ramifications right away?¡±


    ¡°Sonia, the guy was sweating with greed. I could practically see fangs growing. He told me he needed to speak to the board and would get back to me¡ªbut even before I left the building, he called me back in to make a deal.¡±


    Sonia claps her hands together, having not heard that part before. ¡°How perfect! He didn¡¯t want you to show it to his competitors.¡±


    ¡°Exactly. He made a preemptive bid on the spot¡ªand he didn¡¯t just buy the prototype; he bought the schematics, the patent¡ªeverything. BioDynix will have the exclusive rights!¡±


    ¡°Tell me you went straight to the bank with the check.¡±


    Janson shakes his head. ¡°Electronic transfer. I confirmed it¡¯s already in our account.¡± Janson takes a sip of champagne; then he leans forward and whispers, ¡°Sonia, we could buy a small island with what they paid for it!¡±


    Sonia smiles and raises her champagne glass to her lips. ¡°I¡¯ll be satisfied if you just agree to take a vacation.¡±


    They both know it¡¯s not about the money. As it was once before, it¡¯s about changing the world.


    Finally they order, their champagne flutes are refilled, and Janson raises his glass in a toast. ¡°To the end of unwinding. A year from now it will be nothing but an ugly memory!¡±


    Sonia clinks her glass to his. ¡°I see a second Nobel in your future,¡± she says. ¡°One that you don¡¯t have to share with me.¡±


    Janson smiles. ¡°I will anyway.¡±


    The meal comes¡ªthe finest they¡¯ve ever had, on the finest evening they¡¯ve ever shared.


    It isn¡¯t until the following morning that they realize something¡¯s wrong . . . because the building in which they work¡ªwhich had been named for them¡ªis no longer the Rheinschild Pavilion. Overnight the big brass letters above the entrance have been replaced and the building renamed for the chairman of Proactive Citizenry.


    30 ? Hayden


    Hayden Upchurch cannot be unwound. At least not today. Tomorrow, who can say?


    ¡°Why am I at a harvest camp if I¡¯m overage?¡± he had asked his jailers after he had been deposited there along with the rest of the holdouts from the Communications Bomber at the Graveyard.


    ¡°Would you rather be in prison?¡± was the camp director¡¯s only answer. But eventually Director Menard couldn¡¯t keep the truth to himself¡ªthe truth being so delectably sweet.


    ¡°About half the states in this country have a measure on this year¡¯s ballot that will allow the unwinding of violent criminals,¡± he had told Hayden with an unpleasant yellow-toothed grin. ¡°You were sent to a harvest camp in a state where it¡¯s sure to pass and will go into effect most quickly¡ªthat is, the day after the election.¡± Then he went on to inform Hayden that he would be unwound at 12:01 a.m. on November sixth. ¡°So set your alarm.¡±

 Page 35

    ¡°I will,¡± Hayden had told him brightly. ¡°And I¡¯ll make a special request that you get my teeth. Now that you good people have had my braces removed, they¡¯re ready for you. Of course, my orthodontist would suggest you wear a retainer for two years.¡±


    Menard had just grunted and left.


    It boggles Hayden that he¡¯s been labeled a violent criminal when all he tried to do was save his life and the lives of other kids. But when the Juvenile Authority has a grudge against you, it can spin things any way it wants.


    A year and a half ago, when Connor had arrived at Happy Jack Harvest Camp, he was paraded before all the Unwinds, a humbled, broken prisoner. They thought it would demoralize the other kids, but instead it practically turned Connor into a god. The falling, rising Unwind.


    Apparently, the Juvenile Authority had learned from its mistake, and for Hayden they went about things differently. With Hayden¡¯s Unwind Manifesto still getting more hits online than a naked celebrity, they needed to damage his street cred.


    Like Connor, they had immediately separated him from the other kids, but instead of making an example of him, Director Menard chose to treat Hayden to steak meals at the staff table and give him a three-room suite in the guest villa. At first Hayden was worried that the man was harboring some sort of romantic interest¡ªbut he had an altogether different agenda. Menard was spreading rumors that Hayden was cooperating with the Juvenile Authority and helping them round up the kids that escaped from the Graveyard. Although the only ¡°evidence¡± was the fact that Hayden was being treated remarkably well, the kids at the harvest camp believed. The only ones who didn¡¯t fall for it were kids like Nasim and Lizbeth, who knew him from before.


    Now when he¡¯s walked through the dining room, the kids boo and hiss, and his escort of guards¡ªwho at first were there to make sure he didn¡¯t escape, or tell anyone the truth¡ªnow are there to protect him from the angry mob of Unwinds. It¡¯s a masterful bit of manipulation that Hayden might appreciate were he not the butt of the joke. After all, what could be lower than a traitor to the traitors? Now, thanks to Menard, Hayden will leave this world shamed on all possible fronts.


    ¡°I won¡¯t bother taking your teeth,¡± Menard had told him. ¡°But I may put your middle finger on a key chain, to remind me of all the times you¡¯ve flipped it at me.¡±


    ¡°Left or right?¡± Hayden had asked. ¡°These things are important.¡±


    But as summer pounds inexorably toward autumn and his postelection unwinding, Hayden finds it harder and harder to make light of personal impending doom. He¡¯s beginning to finally believe his life as he knows it will end in the Chop Shop of Cold Springs Harvest Camp.


    31 ? Starkey


    There¡¯s an unwind transport truck on a winding road on a bright August day, and although it¡¯s painted in pastel blues, pinks, and greens, nothing can hide the ugliness of its purpose.


    The northern Nevada terrain is arid and rugged. There are mountains that seemed to see where they were headed and gave up before they were fully pushed forth from the earth, deciding it wasn¡¯t worth the effort. Everything in the landscape is the neutral beige of institutional furniture. Now I know why tumbleweeds roll, Starkey thinks. Because they want to be anywhere else but here.


    Starkey sits shotgun beside the driver of the transport truck. Although today it should be called ¡°riding pistol,¡± because that¡¯s the weapon he has pressed to the driver¡¯s ribs.


    ¡°You really don¡¯t need to do this,¡± the driver says nervously.


    ¡°This thing is bigger than you, Bubba. Just go with it, and you might actually live.¡± Starkey doesn¡¯t know the man¡¯s name. To him all truck drivers are Bubba.


    As they come down into the valley toward Cold Springs Harvest Camp, Starkey gets a good view of the facility. Like all harvest camps, its calculated attention to design is part of the crime, putting forth an illusion of tranquillity and comfort. At a harvest camp, even the building where kids go in and never come out could be as inviting as Grandma¡¯s house. Starkey shudders at the thought.


    The builders of Cold Springs Harvest Camp tried to take architectural cues from its surroundings, attempting a natural Western look¡ªbut a huge oasis of green artificial turf in the midst of stucco buildings is a glaring reminder that there is nothing natural about this place at all.


    Bubba sweats profusely as they approach the guard gate. ¡°Stop sweating!¡± says Starkey. ¡°It¡¯s suspicious.¡±


    ¡°I can¡¯t help it!¡±


    To the guard at the gate, it¡¯s business as usual. He checks the driver¡¯s credentials and reviews the manifest. He seems not to care, or just doesn¡¯t notice the driver¡¯s perspiration. Nor does he pay attention to Starkey, who is dressed in the light gray coveralls of an Unwind transport worker. The guard goes back into his booth, hits a button, and the gates slowly swing open.


    Now it¡¯s Starkey¡¯s turn to sweat. Until this moment it¡¯s all been hypothetical. Even coming down the valley toward the camp seemed surreal and one step removed from reality, but now that he¡¯s inside, there¡¯s no turning back. This is going down.


    They pull up to a loading dock, where a team of harvest camp counselors wait to greet their new arrivals with disarming smiles, then sort them and send them to their barracks to await unwinding. But that¡¯s not going to happen today.


    As soon as the back doors of the transport truck are swung open, the staff is met not with rows of restrained teenagers, but with an army. Kids leap out at them, screaming and brandishing weapons.


    The instant the commotion begins, the driver leaps from the cab and runs for his life. Starkey doesn¡¯t care, since the man has done his job. The shouts give way to gunfire. Workers race away from the scene, and guards race toward it.


    Starkey gets out of the cab in time to see some of his precious storks go down. The east tower has a clear view of the loading dock, and a sharpshooter is taking kids out. The first couple of shots are tranqs, but the sharpshooter switches rifles. The next kid to go down, goes down for good.


    Oh crap this is real this is real this is¡ª


    And then the sharpshooter aims at Starkey.


    He dodges just as a bullet puts a hole in the door of the truck with a dainty ping. Panicked, Starkey leaps behind a boulder, smashing his bad hand on the way down, spitting curses from the pain.


    The storks are spreading out. Some are going down, but more are gaining ground. Some use the counselors as human shields.


    I can¡¯t die, Starkey thinks. Who will lead them if I die?


    But he knows he can¡¯t stay crouched behind a boulder either. They have to see him fighting. They have to see him in charge. Not just the storks, but the kids he¡¯s about to set free.


    He pokes his head up and aims his pistol at the shadowy figure in the tower, who is now firing at kids running across the artificial turf. Starkey¡¯s fourth shot is lucky. The sharpshooter goes down.


    But there are other guards, other towers.


    In the end, salvation for all of them comes from the kids of the camp itself. The grounds are filled with Unwinds going about their daily activities¡ªsports and dexterity exercises all designed to maximize their divided value and physically groom them for unwinding. When they see what¡¯s happening, they abandon their activities, overpower their counselors, and turn an attack into a revolt.


    Starkey strides into the midst of it, amazed by what he¡¯s witnessing. The staff running in panic, guards overpowered, their weapons pulled from them and added to the storks¡¯ growing arsenal. He sees a woman in a white coat race across the lawn and behind a building, trying to use a cell phone¡ªbut the joke¡¯s on her. Even before the storks ambushed the transport truck, Jeevan and a team of techies had jammed the two wireless towers feeding the valley and took out the landline. No communication of any sort is getting in or out of this place unless it¡¯s running on two feet.


    The rebellion feeds itself, fueled by desperation and unexpected hope. It grows in intensity until even the guards are running, only to be tackled by dozens of kids and restrained with their own handcuffs. It¡¯s like Happy Jack! thinks Starkey. But this time it¡¯ll be done right. Because I¡¯m the one in charge.


    Overpowered by sheer numbers, the staff is subdued, and the camp is liberated in fifteen minutes.


    Kids are overwhelmed with joy. Some are in tears from the ordeal. Others tend to dead and dying friends. Adrenaline is still high, and Starkey decides to use it. Let the dead be dead. He must focus them now on life. He strides out into the middle of the common area, beside a flagpole poking out of the artificial turf, and draws their attention away from the human cost of their liberation.


    He grabs a machine gun from one of his storks and fires it into the air until everyone is looking his way.


    ¡°My name is Mason Michael Starkey!¡± he announces in his loudest, most commanding voice, ¡°and I¡¯ve just saved you from unwinding!¡±


    Cheers all around, as it should be. He orders them to separate into two groups. Storks to his left, the rest to his right. They are reluctant at first, but his storks wave their weapons and make the order stick. The kids divide themselves. There seem to be about a hundred storks and three hundred other kids. No tithes, thankfully. This is a titheless camp. Starkey addresses the nonstorks first, gesturing to the main entrance.


    ¡°The gate is wide open. Your path to freedom is there. I suggest you take it.¡±


    For a moment they linger, not trusting. Then a few turn and head toward the gate, then a few more, and in an instant it becomes a mass exodus. Starkey watches them go. Then he turns to the storks who remain.


    ¡°To you I give a choice,¡± he tells them. ¡°You can run off with the others, or you can become part of something larger than yourselves. All your life you¡¯ve been treated like second-class citizens and then handed the ultimate insult. You were sent here.¡± He gestures wide. ¡°We are all storks here, condemned to be unwound¡ªbut we¡¯ve taken back our lives, and we¡¯re taking our revenge. So I ask you¡ªdo you want revenge?¡± He waits and receives a few guarded responses, so he raises his voice. ¡°I said, do you want revenge?¡±


    Now primed, the answer comes in a single chorus blast. ¡°Yes!¡±


    ¡°Then welcome,¡± Starkey says, ¡°to the Stork Brigade!¡±


    32 ? Hayden


    Shortly before the liberation, Hayden takes a shower¡ªwhich he now does almost obsessively three times a day, trying to wash off the filth of his situation. He knows no amount of scrubbing can do it, but it feels good all the same. The other Unwinds there hate him as much as they hate their jailers because they believe he¡¯s one of them. So smooth was Camp Director Menard in creating the spin¡ªin making everyone there believe that Hayden had been turned and was now working for the Juvenile Authority. He would rather die, of course, than ever do anything to help the Juvenile Authority, but it¡¯s all about perception. People believe what they think they see. No, he¡¯ll never wash away Menard¡¯s lies, but they can¡¯t stop him from trying.


    When he steps out of his shower today, however, he discovers that his world has completely changed.


    He immediately hears the gunfire¡ªround after round of staccato, arrhythmic blasts that seem to be coming from multiple directions. Although his lap-of-luxury suite has a veranda, he¡¯s not allowed on it, so it¡¯s locked. Still, he can see what¡¯s going on. The harvest camp is under attack by a team of kids with weapons¡ªand each time a guard falls, a new weapon is added to their arsenal. Unwinds from the camp have joined with them, turning this into a full-scale revolt¡ªand Hayden allows himself a glimmer of hope that perhaps the date set for his unwinding might be wrong after all.

 Page 36

    A bullet catches the corner of the sliding glass veranda door, but leaves little more than a ding. It¡¯s bulletproof glass. Apparently the builders decided that anyone who would be invited to the visitor¡¯s suite of a harvest camp might be the kind of person likely to get shot at. His only way out is the door to the suite, but it¡¯s locked from the outside.


    The sound of gunfire diminishes, until it¡¯s gone entirely¡ªand the sight of kids still running outside tells Hayden that the invading force was victorious.


    He pounds on his door over and over again, screaming at the top of his lungs, until someone comes.


    It¡¯s a kid at the door, and he looks familiar. Hayden quickly recognizes him as a message runner from the Graveyard.


    ¡°Hayden?¡± the kids says. ¡°No way!¡±


    ? ? ?


    He is led by three fugitives he knew from the airplane graveyard out into the common area, where the artificial turf swelters in the midday sun. There are bodies strewn everywhere. Some are tranq¡¯d; others clearly dead. Most are kids. A few are guards. To the left, the harvest camp workers are being bound and gagged. To the right, there are vast numbers of kids racing out the camp¡¯s gate, claiming their freedom. But not everyone is leaving.


    The rest are being addressed by someone wearing the pastel-gray coverall uniform of an Unwind transport worker.


    Hayden stops short when he realizes who it is.


    Somewhere in the back of his mind, he was holding out hope that it was Connor come to rescue them. Now he wonders if it¡¯s too late to go back to his guest suite.


    ¡°Hey,¡± the kid who unlocked his door shouts. ¡°Look who we found!¡±


    When Starkey lays eyes on Hayden, there¡¯s a moment of fear in Starkey¡¯s eyes, which is quickly engulfed by steel. He smiles a little too broadly. ¡°What was it you always said at the Graveyard, Hayden? ¡®Hello. I¡¯ll be your rescuer today.¡¯?¡±


    ¡°He¡¯s one of them!¡± someone shouts before Hayden can come up with a clever response. ¡°He¡¯s been working for the Juvies! They even let him pick who gets unwound!¡±


    ¡°Oh, is that the latest news? You know you can¡¯t trust a thing the tabloids say. Next I¡¯ll be giving birth to alien triplets.¡±


    Bam is there¡ªshe looks at Hayden, somewhat amused. ¡°So the Juvenile Authority made you their bitch.¡±


    ¡°Nice to see you too, Bam.¡±


    Shouts of ¡°Leave him,¡± and ¡°Tranq him,¡± and even ¡°Kill him,¡± spread through the crowd of Cold Springs Unwinds, but the kids who knew him rise to his defense enough to spread at least a few seeds of doubt. The crowd looks to Starkey for a decision, but he doesn¡¯t seem ready to make one. He¡¯s spared, though, because three strong storks approach with the struggling camp director.


    The crowd parts, and someone has the bright idea to spit on Menard as he passes, and pretty soon everyone¡¯s doing it. Hayden might have done it if he had thought of it first, but now it¡¯s just conformism.


    ¡°So this must be the guy in charge,¡± Starkey says. ¡°Get on your knees.¡±


    When Menard doesn¡¯t obey, the three kids manhandling him push him down.


    ¡°You have been found guilty of crimes against humanity,¡± Starkey says.


    ¡°Guilty?¡± wails Menard desperately. ¡°I¡¯ve had no trial! Where¡¯s my trial?¡±


    Starkey looks up at the mob. ¡°How many of you think he¡¯s guilty?¡±


    Just about every hand goes up, and as much as Hayden hates Menard, he has a bad feeling about where this is going. Sure enough, Starkey pulls out a pistol. ¡°There¡¯s twelve in a jury, and that¡¯s definitely more than twelve people,¡± Starkey tells Menard. ¡°Consider yourself convicted.¡±


    Then Starkey does something Hayden was not expecting. He hands the gun to Hayden.


    ¡°Execute him.¡±


    Hayden begins to stammer, staring at the gun. ¡°Starkey, uh¡ªthis isn¡¯t¡ª¡±


    ¡°If you¡¯re not a traitor, then prove it by putting a bullet in his head.¡±


    ¡°That won¡¯t prove anything.¡±


    Then Menard doubles over and begins to pray. A man who kills kids for a living praying for deliverance. It¡¯s enough to make Hayden aim at Menard¡¯s hypocritical skull. He holds it there for a good ten seconds, but he can¡¯t pull the trigger.


    ¡°I won¡¯t,¡± Hayden says. ¡°Not like this.¡±


    ¡°Fine.¡± Starkey takes back the gun, then points to a random kid in the crowd, who looks to be no older than fourteen. The kid steps forward, and Starkey puts the gun in the kid¡¯s hand. ¡°Show this coward what it means to be courageous. Carry out the execution.¡±


    The kid is clearly terrified, but all eyes are on him. He¡¯s been put to the test and knows he must not fail. So he grimaces. He squints. He puts the muzzle of the gun to the back of Menard¡¯s head and looks away. Then he pulls the trigger.


    The pop is not loud; it¡¯s just a pop. Like a single stray firecracker. Menard crumples, dead before he hits the ground. It¡¯s quick and clean. Just an entrance wound in the back of the head and an exit wound right beneath the chin, with the bullet itself claimed by the artificial turf. There are no exploding brain bits and pieces of skull¡ªStarkey and the crowd seem disappointed that an execution, in the end, is far less dramatic than the buildup.


    ¡°All right, move out!¡± Starkey orders, giving instructions to commandeer any vehicle for which they can find keys.


    ¡°What about him?¡± Bam asks, sneering at Hayden.


    Starkey spares Hayden a brief glance and the tiniest hint of a superior grin before saying, ¡°We¡¯ll take him with us. He still might be useful.¡± Then he turns back to all those gathered and says in a powerful voice, ¡°I hereby announce that this harvest camp is officially closed!¡±


    Starkey gets the cheers and adulation he¡¯s craving, and Hayden, looking at the dead director . . . and the dead guards . . . and the dozens of dead kids littering the grounds . . . wonders whether he should be cheering or screaming.


    33 ? Connor


    Waiting is not in Connor¡¯s arsenal of personal skills. Even before his parents signed his unwind order, he was impatient and had little tolerance for downtime. Back then, quiet time made him think about his life, thinking about his life made him angry, and anger made him do the kinds of impetuous, irresponsible, and occasionally criminal things that always got him in trouble.


    Since the day he ran from his home, however, there has been no downtime¡ªat least not until arriving on the Ar¨¢pache Reservation. Even when sequestered in Sonia¡¯s basement, there was a whole petri dish of viral angst to deal with. His guard had to be up at all times to protect himself, to protect Risa, and to keep an eye on Roland, who could have taken him out at any instant.


    He still wonders if Roland, in the right circumstances, really would have killed him.


    At Happy Jack, he had cornered Connor, pinned him against a wall, and tried to strangle him with the very hand that now is a part of Connor¡ªbut Roland couldn¡¯t go through with it. In the end, Roland could have been all bark and no bite¡ªbut no one will ever know.


    Connor, on the other hand, has killed people.


    He fired deadly weapons in a war against the Juvies at the Graveyard. He knows some of his bullets hit their mark and took people down. So does that make him a killer? Is there any way to be redeemed from that?


    This is why Connor despises downtime. All that thinking can drive him mad.


    His one consolation is a growing feeling of safety. Normalcy¡ªif anything about this situation can be called normal. The Tashi¡¯ne family have been kind hosts, in spite of their initial coolness to him. From the moment it became public that Connor is alive, they have truly made their home his.


    During the day, however, no one is there. Kele is off at school¡ªwhich is a good thing because Connor has little patience for Kele¡¯s lack of patience. Chal is off working his magic with the Hopi, Elina spends her days at the pediatric wing of the medical lodge, and Pivane, who does come over for dinner each night¡ªis usually off hunting.


    Connor, Grace, and Lev¡ªwho can¡¯t go out for fear of being spotted¡ªare left to their own devices.


    ? ? ?


    It¡¯s late afternoon a week into August¡ªtheir twentieth day there. The light coming through the windows is a rich amber, reflected by the ridge across the ravine. Shadows become long quickly in these cliff-side homes, and when the sun sets, it¡¯s gone. There¡¯s little room for twilight in the ravine.


    Grace, who is very good at entertaining herself, had proclaimed, ¡°There¡¯s lots of stuff here,¡± on their first day. Today she¡¯s ransacked yet another closet, then reorganized it with frightening precision. Lev, still recovering from the car accident, has a mat spread out on the marble floor in the middle of the great room, doing some physical therapy Elina taught him, while Connor sits on the overstuffed sofa nearby. Having found a pocketknife that must have belonged to long-lost Wil, Connor has started carving wood, but for the life of him doesn¡¯t know what to make, so he just ends up whittling larger sticks into smaller ones.


    ¡°You should take this time to educate yourself,¡± Lev told Connor on the first day the three of them were left alone in the Tashi¡¯ne home. ¡°You kicked-AWOL in, what, tenth grade? You never finished high school; how do you expect to get a job when this is all over?¡±


    The thought of this ¡°all being over¡± makes Connor laugh. He tries to imagine what his life might be like in some alternate universe, where staying whole was a given, rather than a privilege. He supposes his natural skill with electronics could have eventually gotten him work as a repair technician somewhere. So, when this is ¡°all over,¡± and if some miracle allows him to lead a normal life, what will that life be about? Alternate-universe Connor might be content repairing refrigerators, but the Connor from this universe finds the idea vaguely horrifying.


    All this thinking time is getting him angry again¡ªan old pattern coming back¡ªand although he no longer misdirects it into bursts of stupidity, he¡¯s troubled by the emergence of this old mental subroutine because he knows there are other things, other feelings that come with it.


    ¡°I hate this,¡± Connor says, throwing down the useless stick he¡¯s carving.


    Lev uncurls himself from an awkward-looking stretch and watches in that opossum way of his to see where this is going.


    ¡°I hate it here,¡± says Connor. ¡°Being in someone¡¯s house, being ¡®taken care of.¡¯ It¡¯s turning me into someone I¡¯m not¡ªor at least someone I¡¯m not anymore.¡±


    Lev holds that long look at Connor, to the point that it¡¯s uncomfortable. Connor refuses to be stared down.


    ¡°You were never good at being a kid, were you?¡± Lev says.


    ¡°What?¡±


    ¡°You stunk at it. You were a total screwup. You were the kind of kid who would use a poor unsuspecting tithe as a human shield.¡±


    ¡°Yeah,¡± says Connor, more than a little indignant, ¡°but don¡¯t forget I saved that tithe¡¯s life!¡±


    ¡°An added bonus¡ªbut that¡¯s not the reason why you first grabbed me that day, is it?¡±

 Page 37

    Connor doesn¡¯t say anything, because they both know he¡¯s right¡ªand it ticks Connor off.


    ¡°My point is that you¡¯re afraid of going back to being that same screwup you were two years ago¡ªbut I don¡¯t see it happening.¡±


    ¡°And why is that, O wise clapper tithe?¡±


    Lev throws him a dirty look, but lets it go. ¡°You¡¯re kind of like Humphrey Dunfee. We both are. Torn apart by everything that¡¯s happened to us, then put back together again. Who you are now is nothing like who you used to be.¡±


    Connor considers it and nods, accepting Lev¡¯s observation. It¡¯s a comfort to know that Lev truly thinks he¡¯s changed, but Connor¡¯s not all that convinced.


    ? ? ?


    Two things happen at dinner that night. Which of the two is worse depends on one¡¯s particular perspective.


    Elina arrives home just after dark, followed by Pivane, who brings a pot of rabbit stew he¡¯s had simmering all day. Connor is thankful he didn¡¯t have to see the animal skinned and prepared. As long as there¡¯s no bunny face in the stew, he¡¯ll be fine. At the dinner table, Kele is all blabber about how the kids with predatory animals as their spirit guides have started to bully the kids with tamer animal spirits.


    ¡°It¡¯s soooo unfair¡ªand I know that half those kids made up their animals on their vision quest anyway.¡±


    It makes Connor think of Lucas¡ªhis own brother¡ªwho turned every little event in middle school into high drama. Connor gets a sudden chill from the memory. Not because he thought of his brother¡ªbut because he realizes how long it¡¯s been since he¡¯s thought about him at all. Lucas would now be getting close to the age Connor was when he kicked-AWOL.


    ¡°Could somebody pass the stew down this way?¡± Connor asks. Better to focus on the food than get caught in a minefield of reflection.


    ¡°They¡¯ll get over themselves,¡± Pivane tells Kele. ¡°And if they don¡¯t, they¡¯ll pay the price for it in the end. Birds fly north as well as south,¡± which Connor assumes is the Ar¨¢pache version of ¡°What goes around, comes around.¡±


    ¡°Hello!¡± calls Conner to the end of the table. ¡°We need some stew down here.¡±


    While Lev has patience to wait, Connor¡¯s hunger demands attention.


    Grace, who always sits right next to Elina, has filled her bowl to overflowing. The tureen is in front of Elina, but she doesn¡¯t notice because she¡¯s also involved in Kele¡¯s drama.


    ¡°I can¡¯t tell you how many injuries I see at the medical lodge because kids think their animal guides will protect them from broken bones.¡±


    Then Connor calls loud and clear: ¡°Mom! Pass the stew!¡±


    It¡¯s the way that Lev snaps his eyes to Connor that makes Connor realize what he¡¯s just said. The feeling of normalcy¡ªthe thoughts of family¡ªsomehow made the word surface like an unexpected belch.


    Everyone looks to Connor like he just dropped a turd on the table.


    ¡°I mean, just¡ªpass the stew. Please.¡±


    Elina passes the stew to him, and Connor thinks his slip can just slip on by until Kele says, ¡°You let him call you Mom now? I don¡¯t even get to call you Mom.¡±


    After that, no one knows where to pick up the conversation, and so Elina decides to drive the nail home rather than let it sit halfway to nowhere.


    ¡°Do I remind you of her, Connor?¡±


    Connor ladles himself stew and answers without looking at her. ¡°Not really. But dinner¡¯s kind of the same.¡±


    ¡°Betcha didn¡¯t have rabbit,¡± says Grace through a mouthful of stew.


    Connor wishes that some sort of black hole could suck away everyone¡¯s attention from this embarrassing faux pas. About five seconds later, Connor gets schooled in being careful for what he wishes.


    The main window in the great room suddenly shatters, and stone chips fly from a small hole in the back wall¡ªa hole that hadn¡¯t been there a second ago.


    ¡°Down!¡± Connor yells. ¡°Under the table! Now!¡± He has instantly flipped into battle mode and takes charge. He doesn¡¯t know if anyone else realizes it was a bullet, but they¡¯ll figure it out. What matters is that he gets them out of harm¡¯s way. Everyone does as they¡¯re told. ¡°Kele¡ªno, over here¡ªout of the window¡¯s sight lines!¡±


    As Kele moves closer, Connor bolts across the room to the light switches and turns them off, leaving them in darkness, so the shooter can¡¯t see them. With sudden adrenaline pumping through his retinas, his eyes adjust remarkably quickly to the dark.


    ¡°Pivane!¡± cries Elina. ¡°Call the police.¡±


    ¡°We can¡¯t call the police,¡± he says. That realization hits them all at once. If they call the police, they¡¯ll have to explain why they were shot at. Connor, Lev, and Grace will be exposed.


    Then Pivane stands up and strides toward the shattered window.


    ¡°Pivane!¡± yells Connor. ¡°What are you, crazy? Get down!¡±


    But Pivane just stands there. It¡¯s Grace who points out what only she and Pivane have come to understand.


    ¡°That shot was all the way across the room,¡± Grace says. ¡°Kinda like in old war movies. A shot across our bow. They didn¡¯t mean to kill no one.¡±


    ¡°A warning?¡± suggests Lev.


    ¡°A message,¡± answers Pivane. Still, the rest are reluctant to move from under the table.


    Connor steps away from the light switch to stand next to Pivane, looking out into the darkness. There are some lights in the homes across ravine. It could have come from just about anywhere. There is no second shot.


    ¡°Someone knows we¡¯re here,¡± Connor says, ¡°and wants us gone.¡±


    ¡°I¡¯m sorry!¡± Kele pleads. ¡°Nova promised she wouldn¡¯t tell anyone, but she must have. It¡¯s my fault.¡±


    ¡°Maybe so and maybe not.¡± Pivane turns to Connor. ¡°Either way, it¡¯s not safe for you in this house. We¡¯ll need to move you.¡±


    ¡°The old sweat lodge?¡± suggests Kele, which somehow sounds appropriate, since this is making them all sweat.


    Pivane shakes his head. ¡°I know a better place.¡±


    34 ? Una


    The knock on the shop door is so quiet, Una barely hears it from upstairs. She has just put a steak on the skillet. Had the skillet been sizzling any louder, she might not have heard the knock. She descends from her upstairs apartment into the luthier shop where she used to apprentice but now runs. As she crosses through the workroom, her bare feet smart from sharp wood shavings on the floor. She continues on through the showroom, where her handmade guitars hang from above like sides of beef.


    Pivane is at the door with Lev, Connor, and Grace. She waits for an explanation before inviting them in.


    ¡°Something happened,¡± Pivane tells her. ¡°We need your help.¡±


    ¡°Of course.¡± She opens the door to allow them entrance.


    Sitting on stools in the back room of the shop, Pivane explains the events of the evening. ¡°They need a safe haven,¡± Pivane tells her.


    ¡°It won¡¯t be for long,¡± Connor says, although he probably has no idea how long it will be. None of them do for sure.


    ¡°Please, Una,¡± says Pivane, holding intense eye contact. ¡°Do our family this favor.¡±


    ¡°Yes, certainly,¡± says Una, trying to hide the trepidation in her voice. ¡°But if whoever shot at them knows they¡¯re here¡ª¡±


    ¡°I do not think any more shots will be taken,¡± Pivane says, ¡°but just in case, you should keep your rifle at the ready.¡±


    ¡°That goes without saying.¡±


    ¡°It¡¯s good that I gave it to you,¡± Pivane says, ¡°for if it¡¯s used in their protection, it will be used well.¡±


    Pivane gets up to go. ¡°I¡¯ll be back to check on them tomorrow with supplies, food, anything they might need. If Chal is successful with the Hopi and it draws the Juvenile Authority off track, they¡¯ll be able to leave the reservation soon and continue their journey.¡±


    Una notices that Lev shifts his shoulders uncomfortably at the suggestion.


    ¡°I believe,¡± says Pivane, giving her once again the all-encompassing full focus of his eyes, ¡°that this is the safest place for them. Do you agree?¡±


    Una holds his gaze. ¡°Maybe you¡¯re right.¡±


    Satisfied, Pivane leaves, the bell on the shop door jingling behind him as he goes out. Una makes sure the door is locked, then escorts her guests upstairs.


    Her steak is burning, filling the kitchen with smoke. Cursing, she turns off the burner, turns on the fan, and drops the skillet into the sink, dousing it with water. The steak is about as ruined as her appetite.


    ¡°Cajun Blackened Steak, my brother calls that,¡± says Grace.


    The small apartment has two bedrooms. She offers Grace her room, but Grace insists on the sofa. ¡°The less space I have to bump around, the better I sleep,¡± she says. She lies down and seems to be snoring instantly. Una covers her with a blanket and scares up blankets for the boys. ¡°The spare bedroom has one bed and a bedroll on the floor.¡±


    ¡°I¡¯ll take the bedroll,¡± says Connor quickly. ¡°Lev can have the bed.¡±


    ¡°No argument,¡± says Lev.


    Una now notices that Connor is wearing one of Wil¡¯s shirts. The fact that he wears it so obliviously makes it all the more infuriating. He should apologize to every thread of the garment. He should apologize to her. But Una won¡¯t tell him this. All she says is, ¡°You don¡¯t quite fill out that shirt, do you?¡±


    Connor offers a smile that is apologetic, but not apologetic enough. ¡°It¡¯s not like I had much of a choice, considering.¡±


    ¡°Yes, considering,¡± she echoes. She expects him to try to charm her, maybe sidle closer to her, because she assumes this is the kind of boy he is. When he doesn¡¯t, she is almost disappointed. She wonders when it was that she started looking for reasons to dislike people. But she knows the answer to that. It started the day she put Wil¡¯s guitar on the funeral pyre and watched as the guitar burned in his place.


    She hands the two their bedding and fetches her rifle, leaning it against the wall near the stairs. ¡°You¡¯ll be safe as long as you¡¯re here.¡±


    ¡°Thank you, Una,¡± says Lev.


    ¡°My pleasure, little brother.¡±


    She catches Conner smirking when she calls Lev that. Una doesn¡¯t care. Let him smirk. Outsiders always do.


    35 ? Lev


    The bedroom has more pictures of Wil than in the Tashi¡¯ne home, all from long before the brief time that Lev knew him. In fact, the room has the uneasy sense of being a shrine.


    ¡°Ya think she¡¯s got issues with her lost love?¡± says Connor blithely.


    ¡°Her fianc¨¦,¡± Lev corrects. ¡°They knew each other all their lives¡ªso try to be a little more sensitive.¡±


    Connor puts up his hands in surrender. ¡°Okay, okay. I¡¯m sorry.¡±


    ¡°If you want to win her over, wash that shirt and leave it here when we go.¡±


    ¡°Winning her over isn¡¯t high on my list of priorities.¡±


    Lev shrugs. ¡°Guess you won¡¯t be getting any discounts on guitars.¡±

 Page 38

    After he¡¯s settled in his bed, Lev closes his eyes. It¡¯s getting late, but he can¡¯t sleep. He can hear Una in the kitchen, cleaning up her burned dinner, tidying up so that she can pretend the messy apartment they saw tonight was just their imagination come morning.


    Although Connor isn¡¯t moving on his bedroll, it seems his head is far from sleep as well.


    ¡°Tonight at dinner was the first time I¡¯ve said that word in almost two years,¡± Connor confesses.


    It takes Lev a few seconds to recall the moment, which was much more traumatic for Connor than for him. He notes that Connor won¡¯t even repeat the M word. ¡°I¡¯m sure Elina knows that and understands.¡±


    Connor rolls over to face Lev, looking up at him from the floor in the dim light. ¡°Why is it that it¡¯s easier for me to deal with a sniper shot than to deal with what I said at the table tonight?¡±


    ¡°Because,¡± offers Lev, ¡°you¡¯re good in a crisis and you suck at normal.¡±


    It makes Connor laugh. ¡°?¡®Good in Crisis; Sucks at Normal.¡¯ That about sums up my whole life, doesn¡¯t it?¡± He¡¯s silent for a moment, but Lev knows there¡¯s more coming, and he knows exactly what it will be.


    ¡°Lev, do you ever¡ª¡±


    ¡°No,¡± Lev says, shutting him down. ¡°And neither should you. Not now, anyway.¡±


    ¡°You don¡¯t even know what I was going to ask.¡±


    ¡°It¡¯s the parent question, right?¡±


    Connor stews a bit, then says, ¡°You were annoying as a tithe, and you¡¯re still annoying.¡±


    Lev snickers and flips his hair back. It¡¯s become a habit. Anytime someone reminds him of his days as a tithe, he takes comfort in that shock of long, unruly blond hair.


    ¡°I¡¯m sure my parents know I¡¯m alive now,¡± Connor says. ¡°My brother must know too.¡±


    That catches Lev¡¯s attention. ¡°I never even knew you had a brother.¡±


    ¡°His name is Lucas. He got the trophies, and I got detention slips. We used to fight all the time¡ªbut you must know all about that. You¡¯ve got a whole busload of siblings, right?¡±


    Lev shakes his head. ¡°Not anymore. As far as I¡¯m concerned, I¡¯m now a family of one.¡±


    ¡°I think Una might see that differently, ¡®little brother.¡¯?¡±


    Lev has to admit there¡¯s comfort in that, but not comfort enough. He decides to tell Connor something he¡¯s yet to tell anyone¡ªnot even Miracolina during the many desperate days they spent together.


    ¡°When the clappers blew up my brother¡¯s house, my father¡ªwho I hadn¡¯t seen for over a year¡ªdisowned me.¡±


    ¡°That¡¯s harsh,¡± says Connor. ¡°I¡¯m sorry.¡±


    ¡°Yeah. He basically said I should have blown myself up that day at Happy Jack.¡±


    Connor offers no response to that. How could he? Yes, Connor¡¯s parents sent him off to be unwound, but what Lev¡¯s father did¡ªthat¡¯s a whole other level of heartless.


    ¡°It hurt more than anything, but I survived and changed my name from Calder to Garrity, after Pastor Dan, who died when the house blew. I disowned my family right back. I suppose if the hurt ever comes back, I¡¯ll deal with it, but I won¡¯t go looking for it.¡±


    Connor rolls away from him. ¡°Yeah,¡± he says with a yawn. ¡°Probably best if we don¡¯t.¡±


    ? ? ?


    Lev waits until Connor¡¯s breathing is the steady and deep rasp of sleep; then he ventures out into the living room. Una sits in a comfortable chair with a cup of steaming tea¡ªfrom the scent of it, one of Elina¡¯s herbal elixirs. Una appears lost in thought as complex as the flavorful brew.


    ¡°Which one is it?¡± Lev asks.


    She¡¯s startled at first to hear his voice. ¡°Oh¡ªElina calls it t¨¦ce¡¯ni hinent¨¦¨¦ni. ¡®Night Recovery.¡¯ Calms the soul and stomach. I think it¡¯s mostly chamomile and ginseng.¡±


    ¡°Any left for me?¡±


    She pours him a cup, and he lets the leaves steep, watching them rise and fall in the currents of the cooling liquid. Una sits across from him, content with silence. The only sound is Grace¡¯s gentle snoring across the room. Usually Lev is at peace with silence as well, but what hangs in the air between them demands words.


    ¡°Do you think Pivane knows you¡¯re the one who fired that shot through the window?¡±


    Una makes no move of surprise at Lev¡¯s suggestion. She just slowly sips her tea. ¡°I¡¯m insulted by your accusation, little brother,¡± she finally says.


    ¡°I¡¯ve always respected you, Una,¡± Lev says. ¡°Respect yourself enough not to lie.¡±


    She glances at him¡ªperhaps a dozen thoughts playing in her eyes before she puts down her cup and says: ¡°Pivane knows. I¡¯m sure he does. Why else would he have brought you here and make me promise to protect you?¡± She glances to the rifle beside her. ¡°Which I will. Even if it¡¯s myself that I¡¯m protecting you from.¡±


    ¡°Why?¡± Lev asks. ¡°Why did you do it?¡±


    ¡°Why?¡± Una mocks, beginning to lose her temper. ¡°Why, why, and why! That¡¯s always the question, isn¡¯t it? I ask ¡®why¡¯ all the time, and the only answer I get are rustling leaves and the shrill chirps of mating birds.¡±


    Lev says nothing. He can see that her eyes are moist, but she doesn¡¯t allow tears to build.


    ¡°I did it because where you go, terrible things follow, Lev. The first time you came, the parts pirates came in your wake and took Wil. And now you bring the most wanted AWOL in the history of unwinding. I thought that shot would get the Tashi¡¯nes to see reason and send you all on your way, but I suppose I got what I deserved.¡±


    ¡°You said you wanted me to stay.¡±


    ¡°I did and I didn¡¯t. I do and I don¡¯t. Today was a bad day. Today I wanted you and your friends gone.¡±


    ¡°And tonight?¡±


    ¡°Tonight I¡¯m drinking tea.¡± And she goes back to sipping silently.


    Lev can accept her ambivalence, although he can¡¯t deny it hurts. Is she betraying him by wishing he would leave . . . or is he betraying her by being here at all? Una leans closer, and Lev finds himself leaning away to maintain the distance.


    ¡°You, little brother, are the harbinger of doom,¡± she tells him. ¡°And I know, just as sure as we¡¯re sitting here, that because of you, something much worse is coming.¡±


    36 ? Cam


    Camus Comprix is amazed by the ability of music to change the world. Just a few simple chords. It is fuel more potent than uranium, and it powers his journey. It holds together fragments of memories like stars in a constellation. Connect the lines and you can see the whole image.


    Now, as he moves through the dense pine forest, fifteen hundred miles away from the cushy town house in DC, he wonders what Roberta must be doing. Her favorite act of damage control, no doubt. He¡¯s an AWOL Rewind now¡ªsomething new under the sun. He wonders if the Juvenile Authority will be called in to aid in the search. He is a fugitive, just like the fugitives he seeks. It¡¯s both frightening and empowering at once.


    If he¡¯s right and Risa is on the Ar¨¢pache Reservation, he wonders what she¡¯ll say to him and what he¡¯ll say back. What will he do when he comes face-to-face with the Akron AWOL? No matter how much he tries to plan for these moments, he knows nothing will prepare him.


    Just as night begins to fall, he comes to something wholly out of place, yet wholly expected. A wall of stone, stretching endlessly left and right and rising thirty feet high.


    The wall appears impenetrable at first, but as Cam gets closer, he can see that between many of the granite blocks that make up the wall are jutting pieces of shale. It could be just the aesthetics of the wall, but it seems more than just an attempt to make the wall pleasing to the eye. The more he looks at them, the more Cam realizes those jutting stones serve a different purpose. They are a message. A message that says ¡°Go no farther . . . unless your need is greater than the wall is high.¡±


    He surveys the relative positions of the jutting stones, then begins to climb. It is not an easy task. The Ar¨¢pache apparently give sanctuary only to AWOLs who can pass the test. He wonders if any have fallen and died in the process.


    At the top of the wall, the sun, which has been blocked by the granite stones, strikes him with such intensity, he almost loses his grip. He thought it was already below the horizon, but instead it lingers on the treetops. He wonders if anyone can see him. There certainly isn¡¯t anyone nearby¡ªthe forest extends on the other side of the wall. In the distance, though, he can see a town in a valley. He can also see a gorge with what appears to be homes carved right into the cliff sides. He knows this place. Or at least a small part of him knows it.


    He climbs down the other side of the wall and makes his way toward the village.


    ? ? ?


    It¡¯s long after dark before he comes out of the forest. The town is both quaint and modern at once. Sparkling white adobe and brown brick, sidewalks not of concrete but of lacquered mahogany planks. Expensive-looking cars are everywhere, yet there are also hitching posts for horses. The Ar¨¢pache live well and choose their technology rather than letting it choose them.


    It¡¯s a small town, but not so small that it doesn¡¯t have some nightlife. The central part of town stays busy after dark. There, the restaurants and shops that cater to a younger crowd are bright, inviting, and full of people. He steers clear of them, but does dare to venture onto another commercial street with banks and other daytime businesses, all closed at this time of night. The occasional passerby offers him either hello, or tous, which he assumes means the same in Ar¨¢pache¡ªhe can¡¯t be sure because he received no part of Wil Tashi¡¯ne¡¯s language center. He returns the greeting, being sure to keep the hood of his dark sweatshirt pulled over his hair and dip his face so that it stays in the shadows.


    Wil Tashi¡¯ne will have memories of these streets. Most of them will be lost to Cam, part of other people¡¯s brains now. The rest drift within him like scents on the wind. They swirl, they eddy, they move his feet in directions his conscious mind can¡¯t fathom, but he knows to trust them.


    One such eddy pulls him down a side street. He doesn¡¯t even remember making the turn¡ªit just happened like something so habitual, it precluded any need for thought. The scent of memory is very powerful here. He lets it lead him to the rosewood door of a shop. The lights are off¡ªthe shop, like all the shops on this little side street, is closed.


    He tries the doorknob, finds it locked, as he¡¯d known it would be. But there is something more to this door. Thinking about it doesn¡¯t solve the door¡¯s mystery, but he notices that his fingers tingle. He touches the brick of the building just beside the door. Yes¡ªhis fingers know something the rest of him does not! He slides a hand along the brick, feeling the rough texture and the rougher patches of cement in between the bricks until his fingers find what they¡¯re looking for. There is a spare key lodged in a mortar gap in the brickwork. The things his hands know! Even when he looks at the key, he has no memory of it.

 Page 39

    He slips the key into the lock, turns it, and slowly opens the door.


    Immediately he recognizes the shapes hanging from the ceiling. Guitars. Did Wil work here? Cam searches his memories, but can¡¯t find evidence of that. There are songs from this place, though. They¡¯ve begun playing in his head, and he knows if he gives voice to them, more connections will be made.


    A guitar sits on the counter. It must have been played recently because he finds it in decent tune. A twelve string. His favorite. He breathes in the woody, earthy smell of the guitar shop and begins to play.


    37 ? Una


    She dreams of Wil again. She dreams of him way too often. At times she wishes he would leave her alone, because the waking is always so painful. This time, however, when she awakes, the music he played in her dream continues. It¡¯s faint, but it¡¯s still there.


    At first she thinks she must have left one of his recordings playing in the living room. Or maybe Grace, who tends to dig out everything from every drawer, has found one and is playing it¡ªbut when she goes into the living room, she finds Grace asleep on the sofa. Connor and Lev are asleep as well in the spare room, and the music, she realizes, is coming from downstairs.


    Una opens the door, and the volume rises. She hears it echoing in the stairwell, ghostly, but very much real. It¡¯s not a recording; it¡¯s live¡ªit¡¯s a song of Wil¡¯s that only he can play, and her heart nearly bursts from her chest. He¡¯s alive! He¡¯s alive, he¡¯s come home, and he¡¯s greeting her with a serenade!


    She hurls herself down the stairs, her bathrobe billowing behind her. She knows what she¡¯s thinking can¡¯t be¡ªbut she wants so desperately for it to be true that it shuts down all logic within her.


    Una bursts into the shop to see a figure sitting on a stool playing a guitar she had just prepared for a customer to pick up in the morning. Although she can¡¯t see his face, she can see the way he holds himself that it¡¯s not Wil.


    ¡°Who are you?¡± she demands, barely able to restrain her fury. It¡¯s not Wil. ¡°What are you doing in my shop?¡±


    He stops playing, looks at her just for a moment, then gets up. She notices something off about his face before he turns away. He puts the guitar down on the counter. ¡°I¡¯m sorry. I didn¡¯t know there was anyone here.¡±


    ¡°So you think you can just break in?¡±


    ¡°It wasn¡¯t locked.¡±


    Which is a lie¡ªever since Lev and the others came to stay with her a few days ago, she¡¯s constantly checking that lock. Then on the counter beside the guitar, she sees the spare key. No one knew about that key. Even she had forgotten about it. So how did this intruder find it?


    ¡°I didn¡¯t mean to disturb you.¡±


    ¡°Wait!¡±


    Una knows she should let him go. She knows that if she reaches to pull this strand of hope, any number of things could unravel. Everything could unravel. But she has to know. ¡°That song you were playing . . . where did you hear it?¡±


    ¡°I heard it played once by an Ar¨¢pache boy,¡± he tells her, ¡°and I remembered it.¡±


    But she knows this, too, is a lie. Even those with the skill to play something after hearing it only once could never capture the nuances and the passion. That belonged to Wil alone, and yet . . .¡±


    ¡°Come a little closer.¡±


    He¡¯s hesitant, but does as she asks. Now, as he steps into the light, she realizes what the oddness about his face was. His entire face is covered in thick pancake makeup¡ªlike a vain old woman trying to hide her wrinkles.


    ¡°I have a skin condition,¡± he tells her.


    His eyes are engaging. Persuasive. ¡°Are you an AWOL? Because if you are, don¡¯t look for sanctuary from me. You¡¯ll have to find someone else to sponsor you.¡±


    ¡°I¡¯m looking for some friends,¡± he tells her. ¡°They mentioned this guitar shop.¡±


    ¡°What are their names?¡±


    He pauses before he speaks. ¡°I can¡¯t tell you their names, or it would compromise their safety. But if you know them, then you know who I¡¯m talking about. They¡¯re AWOLs. Notorious AWOLs.¡±


    So he¡¯s come for Lev and Connor. Or maybe he¡¯s there for Grace, to take her back to whatever life she was plucked from. His eyes speak of honesty, but so much about this visitor seems wrong. He could be working for the Juvenile Authority¡ªor worse¡ªa bounty hunter hoping to bring Connor and Lev in for a hefty reward. She decides not to telegraph her suspicion, though. Not until she has a better idea of his intentions.


    ¡°Well, if you can¡¯t tell me their names, tell me yours.¡±


    ¡°Mac,¡± he says. ¡°My name is Mac,¡± and he holds out his hand for her to shake.


    It¡¯s the feel of his hand that gives him away. The firmness and texture of his grip. Sense memory knows that hand before she¡¯s even consciously aware of it. When she looks down at it, she almost gasps, but keeps it in. She turns the hand slightly in hers to notice a tiny scar on the third knuckle of the index finger¡ªfrom when Wil cut himself as a boy. Now she has visual proof. She forces her breathing to stay calm and in control. She has yet to fully comprehend what this means, but she will.


    Una releases his hand and turns away, for fear that something in her face might give her away. ¡°I¡¯ll tell you about your friends, Mac¡ªunder one condition,¡± she says.


    ¡°Yes, anything.¡±


    She grabs the guitar from the counter and holds it out to him. ¡°That you play for me again.¡±


    He smiles, takes the guitar, and sits down on the stool. ¡°My pleasure!¡±


    He begins, and the song grabs the thread of hope that Una so foolishly tugged at and sails away with it, rending Una down to her very essence. The song is haunting. It is beautiful. It is Wil¡¯s music alive but in someone else. She lets the strains of melody and harmony caress her. Then she comes up behind him, kabongs him over the head with a heavy guitar so forcefully that it breaks, and he falls unconscious on the floor.


    She listens to make sure there is no stirring from upstairs. She must not wake the others. Satisfied that no one has heard, she heaves ¡°Mac¡± onto her shoulders like a sack of flour. Although she¡¯s a small woman, she¡¯s strong from working the lathe, plane, and sander. It tests the limit of her strength and endurance, but she manages to move through the night streets and finally into the woods.


    Una knows the woods well. Wil was at home there, and so she came to feel that way, as well. She carries him nearly a half mile through the forest with nothing to light her way but the moon, until she reaches the old sweat lodge¡ªa place once used to begin the traditional vision quest for Ar¨¢pache youth who were of age, before a more modern one was built.


    Once inside, she tears off his jacket and shirt and uses them to string him up between two poles six feet apart. She knots the fabric so tightly only a knife could undo it. The rest of his unconscious body slumps on the ground, his arms outstretched above him in a supplicative Y.


    This is how she leaves him for the night.


    When she returns at dawn, she brings a chain saw.


    38 ? Cam


    Cam knows this is not going to be a good day the moment he sees the chain saw.


    His head hurts in so many places, he can¡¯t begin to know where he was actually hit. It feels as if all the members of his internal community have taken up arms against one another and are slicing his brain to bits.


    The young woman sitting beside the chain saw hefts a rock in one hand.


    ¡°Good, you¡¯re awake,¡± she says. ¡°I was running out of stones.¡±


    He notices that there are rocks all around him. She¡¯s been throwing them at him to wake him up. Smaller aches on his body attest to that¡ªand throbbing in his shoulders attest to the fact that his arms are tied to poles on either side¡ªstrung up with his own clothes. He gets up on his knees to relieve the strain on his shoulders, surprised that his seams haven¡¯t split¡ªbut then, Roberta always told him his seams were stronger than the flesh they held together.


    He takes in his surroundings before speaking. He¡¯s in a large dome-shaped structure made of stones and mud¡ªor at least made to look that way. Morning sunlight spills through gaps in the stone. It¡¯s far more primitive than anything else he¡¯s seen on the reservation. There¡¯s a washed-out pile of ashes in the middle, and on the other side of the ashes, sits the girl and her chain saw. The light pouring through the hole up above illuminates her face just enough for him to recognize her as the girl from the guitar shop.


    His last memory was playing for her. And now he¡¯s here. He can only guess what transpired in between.


    ¡°I guess you didn¡¯t like my song.¡±


    ¡°It wasn¡¯t your song at all,¡± she responds. He can feel her anger from across the room like a blast of radiation. ¡°And by the look of you, that¡¯s not the only thing that isn¡¯t yours.¡± She gets up, grabs the chain saw, and steps over the pile of ashes toward him.


    He struggles to get to his feet. She touches the silent chain saw to his bare chest. He can feel the cold steel of the dormant chain as it caresses his skin. She uses its curved tip to trace the seams.


    ¡°Up and down and around¡ªthose lines go everywhere, don¡¯t they? Like an old shaman¡¯s sand drawings.¡±


    Cam says nothing as she moves the chain saw along his torso and then across his neck. ¡°The shaman¡¯s lines are meant to trace life and creation¡ªis that what your lines are for too? Are you a creation? Are you alive?¡±


    The question of questions. ¡°You¡¯ll have to decide that for yourself.¡±


    ¡°Are you that man-made man I¡¯ve heard tell of? What is it they call you? ¡®Sham Complete¡¯?¡±


    ¡°Something like that.¡±


    She takes a step back. ¡°Well, you can keep all those other parts, Sham. But those hands deserve a proper funeral.¡± Then she starts the chain saw, and it roars to life, puffing forth acrid, hellish smoke and releasing an earsplitting report that makes Cam¡¯s seams ache in alarm.


    ¡°Brakes! Red light! Brick wall! Stop!¡±


    ¡°Did you think I wouldn¡¯t figure it out when you came last night?¡±


    His eyes are fixed on the deadly blade, but he tears his gaze away to focus on her¡ªto get through to her. ¡°I was drawn here. He was drawn here¡ªand if you take these hands, you¡¯ll never hear him play again!¡±


    It was the wrong thing to say. Her face contorts into a mask of sheer hatred. ¡°I¡¯d already gotten used to that. I¡¯ll get used to it again.¡±


    And she swings the blade toward his right arm.


    Cam can do nothing but brace himself. He readies himself for the surge of pain, watching as the chain saw comes down¡ªbut then at the last instant, she twists her arm, aborting the attack, and the momentum veers sideways, cutting his knotted jacket, and setting his right arm free from the pole.


    She hurls the chain saw across the room, screaming in frustration, and Cam thrusts his free arm toward her. He means to grab her by the neck and hurl her to the ground, but instead he finds his hand reaching behind her to the ribbon in her hair and pulling it free.


    Her long dark hair flares out from behind her as the ribbon falls to the ground, and she backs away, staring at him in horrified disbelief.

 Page 40

    ¡°Why did you do that?¡± she demands. ¡°Why did you do that?¡±


    And Cam suddenly understands. ¡°Because he likes your hair free. He always pulled out your hair ribbons, didn¡¯t he?¡± He lets loose a sudden laugh, as the emotion of the memory hits him all at once like a sonic boom.


    She stares at him¡ªher face is hard to read. He doesn¡¯t know whether she¡¯s going to run in terror, or pick up the chain saw again. Instead she bends down to pick up her ribbon and rises, keeping her distance.


    ¡°What else do you know?¡± she asks.


    ¡°I know what I feel when I play his music. He was in love with someone. Deeply.¡±


    That brings tears to her eyes, but Cam knows they are tears of anger.


    ¡°You¡¯re a monster.¡±


    ¡°I know.¡±


    ¡°You should never have been made.¡±


    ¡°Not my fault.¡±


    ¡°You say you know he loved me¡ªbut do you even know my name?¡±


    Cam searches his memory for her name, but there are neither words nor images in his personal piece of Wil Tashi¡¯ne¡¯s psyche. There is only music, gestures, and a disconnected history of touch. So instead of a name, he shares with her what he does know.


    ¡°There¡¯s a birthmark on your back he would tickle when you danced,¡± Cam says. ¡°He liked toying with an earring in the shape of a whale. The feel of his guitar-callused fingertips in the crook of your elbow made you tremble.¡±


    ¡°Enough!¡± she says, taking a step back. Then more quietly, ¡°Enough.¡±


    ¡°I¡¯m sorry. I just wanted you to see that he¡¯s still here . . . in these hands.¡±


    She¡¯s silent for a moment, looking at his face, looking at his hands. Then she comes closer, pulls out a pocketknife, and cuts the shirt that ties him to the other pole.


    ¡°Show me,¡± she says.


    And so he reaches up, abandoning thought, and putting all trust in his fingertips the way he did when searching for the key to her shop. He touches the nape of her neck, moves a finger across her lips, and remembers the feel of them. He cups her cheek in his palm; then he brings the fingertips of his other hand drizzling down her wrist, over her forearm, to that singular spot in the crook of her elbow.


    And she trembles.


    Then she raises the heavy stone she¡¯s been hiding in her other hand and smashes him in the side of the head, knocking him out cold again.


    ? ? ?


    When he regains consciousness, he¡¯s tied to the poles once more. And once again, he¡¯s alone.


    NEWS UPDATE


    In Nevada today, a coordinated attack on a harvest camp has left 23 dead, dozens wounded, and hundreds of Unwinds unaccounted for.


    It began at 11:14 local time, when communication lines were cut to and from Cold Springs Harvest Camp, and by the time communication was restored an hour later, it was all over. Staff were tied up and forced to lie facedown while the armed attackers set loose hundreds of violent adolescents designated for unwinding.


    Early reports suggest that the camp director was murdered execution style. While the investigation is ongoing, it is believed that Connor Lassiter, also known as the Akron AWOL, is responsible for the attack.


    39 ? Starkey


    In the claustrophobic confines of the abandoned mine where the storks are holing up, Starkey kicks the dark stone walls. He kicks the rotting beams. He kicks everything in sight, searching for something breakable. After all his effort and all his risk, every last measure of his victory has been stolen from him and attributed to Connor Lassiter!


    ¡°You¡¯ll bring down the whole freaking mine if you keep kicking the beams like that,¡± yells Bam. Everyone else is smart enough to stay deeper in the mine and keep their distance from him, but she always has to shove herself into his business.


    ¡°So let it come down!¡±


    ¡°And bury us all¡ªthat will really help your cause, won¡¯t it? All those storks you say you want to save, buried alive. Real smart, Starkey.¡±


    Out of spite, he kicks a support beam one more time. It quivers, and flecks of dust rain down on them. It¡¯s enough to make him stop.


    ¡°You heard them!¡± he yells. ¡°It¡¯s all about the Akron AWOL.¡± It should be Starkey¡¯s face on the news. He should be the one the experts are profiling. They should be camping out at his family¡¯s door, prying into what his private life was like before they cut him loose to be unwound. ¡°I do all the work, and he gets all the credit.¡±


    ¡°You call it credit, but out there it¡¯s called blame. You should be happy they¡¯re looking elsewhere after that bloodbath!¡±


    Starkey turns on her, wanting to grab her and shake some sense into her, but she¡¯s taller than him, bigger than him, and he knows Bam is a girl who fights back. How would it look to the others if she floored him? So instead he smacks her down with words.


    ¡°Don¡¯t you dare accept their spin! I know you¡¯re smarter than that. What we did was a liberation! We freed nearly four hundred Unwinds and added more than a hundred storks to our number.¡±


    ¡°And in the process more than twenty kids died¡ªplus, we still don¡¯t have an accurate count of how many were tranq¡¯d and got left behind.¡±


    ¡°It couldn¡¯t be helped!¡±


    He looks farther down the low-roofed tunnel to see, lit by the dim hanging incandescents, a cluster of kids eavesdropping. He wants to yell at them, too, but he¡¯s in control enough now to rein in that urge. He brings his voice down so only Bam can hear.


    ¡°We¡¯re at war,¡± he reminds her. ¡°There are always casualties in war.¡± He steels his eye contact, trying to make her look away, but she doesn¡¯t. But she also doesn¡¯t argue. He reaches out, putting a comforting hand on her shoulder, which she doesn¡¯t shake off.


    ¡°The thing to remember, Bam, is that our plan worked.¡±


    Now she finally looks away from him, signaling her acquiescence. ¡°That valley was pretty isolated,¡± she says. ¡°It was a long road out for those kids who went running through the gate. I don¡¯t know if you heard the latest, but nearly half of them have already been captured.¡±


    He moves his hand from her shoulder to her cheek and smiles. ¡°Which means half of them got away. The glass is half-full, Bam. That¡¯s what we need to remind everyone. You¡¯re my second in command, and I need you to focus on the positive instead of the negative. Do you think you can do that?¡±


    Bam hesitates; then her shoulders slump at his gentle touch, and she gives him a reluctant nod, as he¡¯d known she would.


    ¡°Good. That¡¯s what I like about you, Bam. You take me to task, as you should, but in the end, you always see reason.¡±


    She turns to go, but before she leaves, she tosses him one more question. ¡°Where do you see this ending, Starkey?¡±


    He smiles at her even more broadly than before. ¡°I don¡¯t see it ending. That¡¯s the beauty of it!¡±


    40 ? Bam


    Bam moves through the tunnels and chambers of the mine, taking mental snapshots.


    A kid in tears, mourning the death of a friend.


    A terrified new arrival, calmed by an older stork.


    A hapless fourteen-year-old ¡°medic¡± trying to suture a leg wound using dental floss.


    She sees scenes of hope and despair around her and doesn¡¯t know which to give more credence.


    She passes one kid sharing his ration of food with another, while beside them a young girl teaches an even younger girl how to use one of the automatic rifles they confiscated from Cold Springs.


    And then there¡¯s the boy who was forced to shoot the harvest camp director, sitting alone, staring off into nowhere. Bam would comfort him, but she¡¯s not the comforting type.


    ¡°Starkey¡¯s proud of all of you and happy with our victory today,¡± she tells them. ¡°We took the battle to the enemy, and we made history!¡±


    She primes them, but she holds back, because she knows she mustn¡¯t steal Starkey¡¯s thunder. She¡¯s Bam the Baptist, preparing the way for the Savior of Storks.


    ¡°He¡¯ll be gathering everyone before dinner. He¡¯s got a lot to tell you.¡± Of course it¡¯s really not about telling them anything; it¡¯s about rallying them and keeping them focused on the positive, just as he told Bam. He¡¯ll have gentle words for the dead, but will move past it. Gloss over it. Direct the audience¡¯s attention elsewhere. He¡¯s so very good at that. It¡¯s why they¡¯ve gotten so far. Bam is in awe of the way Mason Starkey can work magic in the world around him. He¡¯s kept their hoard virtually invisible for more than a month now, keeping them clothed and fed with money that no one can trace. Yes, she¡¯s in awe of him, and she¡¯s also a little more afraid of him every day. That¡¯s normal, she decides. A good leader should be just a little bit frightening in the way he or she wields power.


    When she¡¯s done priming the masses for Starkey, she turns down a side passageway that should be familiar, but she bumps her head for the umpteenth time on a jutting piece of stone. So many of these tunnels are alike; she always knows exactly where she is when she hits that damn stone. The walls begin to spread, opening into a wider cavern. The lights, which are strung around the edge, create an odd sense of darkness in the very center of the space, as if there¡¯s a black hole in the middle of the room.


    This is the storage room, where food and supplies are kept. This is also where Hayden is currently stationed, with an armed guard at all times who is there for both his protection and to make sure he stays on his best behavior.


    ¡°He¡¯s a flight risk, but we can¡¯t make him look like a prisoner,¡± Starkey had said. ¡°We¡¯re not the Juvenile Authority.¡±


    Of course, Hayden is a prisoner¡ªbut God forbid they make him look like one.


    It was Bam¡¯s suggestion that he be put in charge of food distribution. First because it was what he did when he first arrived at the Graveyard, so he had experience. Second because the kid who had been doing it was killed today.


    She finds him taking inventory of their canned goods and being very chatty with the guard, gleaning information about the plane crash and everything that happened since then from the 7-Eleven raids and their stint at the abandoned Palm Springs hotel to Camp Red Heron and the Egret Academy. Bam is going to have to make sure the guards know enough not to talk about anything with Hayden that doesn¡¯t involve Spam and canned corn.


    The guard asks if he can go to the bathroom, which is quite a hike from this spot in the mine, and she lets him go. ¡°I¡¯ll watch Hayden until you get back.¡± He offers her his Uzi, but she refuses it.


    Hayden has a pad and jots down notes about their food supply.


    ¡°You have way too much chili,¡± he says, pointing to a stack of gallon-sized cans. ¡°And it¡¯s not like you can disguise it to be anything but chili.¡±


    Bam crosses her arms. ¡°I knew you¡¯d already be complaining. In case you forgot, we just set you free. You should be grateful.¡±


    ¡°I am. In fact, I¡¯m ecstatic. But incarceration at a harvest camp must have left me a little brain damaged because suddenly I¡¯m putting larger concerns ahead of my own.¡±


    ¡°Like having too much chili?¡±

 Page 41

    He doesn¡¯t respond to that¡ªhe just moves around the room continuing his inventory. Bam glances off, wondering when the guard will be back. She came here because she considers it her job to keep an eye on Hayden, but she doesn¡¯t like him¡ªnever did. Hayden¡¯s the kind of guy who gets in your head, but only goes there to amuse himself.


    He looks up from his inventory pad, catching Bam¡¯s gaze. He holds it¡ªlonger than a glance, but shorter than a look. Then his attention is back on his pad again. But not really.


    ¡°You realize he¡¯s going to get you all killed, don¡¯t you?¡±


    Bam is caught off guard¡ªnot by Hayden¡¯s comment, but by how it infuriates her. She feels her cheeks flushing in outrage. She must not allow him to put thoughts into her head. Especially when those thoughts are already there.


    ¡°Say one more thing about Starkey, and the next sound you hear will be your head cracking like an egg at the bottom of the nearest mine shaft.¡±


    Hayden just smirks. ¡°That¡¯s clever, Bam. I had never counted you among the clever!¡±


    She scowls, not sure whether to take that as a compliment or an insult. ¡°Just keep your mouth shut and do what you¡¯re told, unless you want to be treated like a prisoner.¡±


    ¡°I¡¯ll make a deal with you,¡± Hayden says. ¡°I won¡¯t say a thing to anyone else, but I get to speak my mind with you. Fair enough?¡±


    ¡°Absolutely not! And if you try, I¡¯ll rip your lousy tongue out and sell it to the highest bidder.¡±


    He guffaws at that. ¡°Point for Bam! You truly do excel in disturbing imagery. Someday I may want to study under you.¡±


    She shoves him¡ªnot hard enough to knock him down, but enough to push him back and off balance. ¡°What makes you think I¡¯d want to hear anything that comes out of your mouth? And what makes you think you know better than Starkey? He¡¯s doing amazing things! Do you have any idea how many kids we saved today?¡±


    Hayden sighs and looks to the stacks of canned food he¡¯s been counting, as if each can represents another kid saved. ¡°I won¡¯t begrudge Starkey the statistics of salvation,¡± he tells her. ¡°But I wonder what it will mean in the long run.¡±


    ¡°It means all those kids won¡¯t get unwound.¡±


    ¡°Maybe . . . Or maybe it means they¡¯ll be unwound more quickly once they¡¯re caught¡ªalong with every other kid awaiting unwinding.¡±


    ¡°Starkey¡¯s a visionary!¡± she yells. Her voice is so loud, she hears it echoing from the stone around her. She wonders who might be listening. In these tunnels there¡¯s always someone listening. She forces herself to use her indoor voice, although it comes out in an angry hiss. ¡°To Starkey, it¡¯s not only about taking down harvest camps. It¡¯s about making a stand for storks.¡± She slowly strides toward Hayden as she speaks, and Hayden moves away, trying to keep a healthy distance between them. ¡°Can¡¯t you see he¡¯s igniting a stork revolution? Other storks who think they have no hope¡ªwho know they¡¯re second-class citizens¡ªwill rise up and demand fair treatment.¡±


    ¡°And he¡¯ll do this by terrorist attacks?¡±


    ¡°Guerilla warfare!¡±


    By now she has Hayden backed against the wall, and yet he appears at ease. Instead she feels like the one who¡¯s cornered.


    ¡°Every outlaw is eventually brought down, Bam.¡±


    Bam shakes her head, forcing the thought into submission. ¡°Not if they win the war.¡±


    He slides away from her, to the other side of the room, and sits on the stack of chili cans. ¡°Although it unsettles the stomach as much as this chili will, I have to give you at least some benefit of the doubt,¡± he says. ¡°It¡¯s true that history is full of self-important madmen who managed to claw their way to power and lead their people successfully. Offhand I can¡¯t think of any, but I¡¯m sure they¡¯ll come to me.¡±


    ¡°Alexander the Great,¡± Bam suggests. ¡°Napol¨¦on Bonaparte.¡±


    Hayden tilts his head slightly and narrows his eyes, as if trying to visualize it. ¡°So then, when you look at Mason Starkey, do you see any of the qualities of Alexander or Napol¨¦on¡ªaside from being short?¡±


    Bam hardens her jaw and says, ¡°I do.¡±


    And there¡¯s that slithery smirk from Hayden again. ¡°I¡¯m sorry, miss, but if you want the part, you¡¯ll have to do a much better job of acting than that.¡±


    Although Bam would like to knock out a few of Hayden¡¯s perfectly straightened teeth, she won¡¯t let her anger rule her now. Not after seeing how Starkey let his anger take control today. ¡°We¡¯re done here,¡± she tells Hayden, deciding not to wait until his guard returns.


    Hayden¡¯s smirk broadens into a condescending smile, which is even more infuriating. Maybe she¡¯ll punch him after all. ¡°But you haven¡¯t heard the best part yet,¡± he says.


    She should just leave now, before she becomes the butt of yet another one of his personal jokes, but she just can¡¯t do it. ¡°And what might that be?¡±


    Hayden stands and saunters toward her¡ªwhich means that maybe he¡¯s going to say something that won¡¯t risk losing him some teeth. ¡°I know you and Starkey are going to continue to liberate harvest camps, for better or for worse,¡± he says. ¡°That being the case, I¡¯d like to help keep more of your storks alive. Remember, I was the head of tech at the Graveyard. I know a thing or two that could help.¡±


    Now it¡¯s Bam¡¯s turn to smirk. She knows Hayden too well.


    ¡°And what do you want in return?¡±


    ¡°Like I said before, all I want is your ear¡ªand not in an unwinding sense.¡± Then he gets quiet. Serious. She¡¯s never seen Hayden serious. This is something new. ¡°I want your promise that you¡¯ll listen to me¡ªreally listen to me¡ªwhen I have something to say. You don¡¯t have to like it; you just have to hear it.¡±


    And although she had refused the same request five minutes ago, this time she agrees. Even though she feels like she¡¯s making a deal with the devil.


    41 ? Connor


    Were Connor to come face-to-face with Camus Comprix under any other circumstances, he would hate the Rewind with every measure of his soul. Connor certainly has reason to despise him. For one, Cam is the darling of Proactive Citizenry. He¡¯s the shining star of all those who promote unwinding as a natural and acceptable consequence of civilization. Second¡ªbut even more important to Connor¡ªis Cam¡¯s connection to Risa. Just imagining the two of them together¡ªeven if Risa was being blackmailed to be with him¡ªdraws his hand into a fist so tight his nails cut into his palm. It¡¯s Connor¡¯s jealousy and Roland¡¯s anger all rolled up into that powerful hand. No, there would be no hope that Connor and Cam could be anything but bitter enemies under any other circumstances.


    However, the circumstance of their first encounter gives Connor some unexpected and unwanted pause for thought.


    It begins with Una.


    It¡¯s Connor, Lev, and Grace¡¯s eighth day holed up in her small apartment. With the announcement that Connor attacked a harvest camp in Nevada, word from Chal is that the Hopi are not too keen on giving him fictitious asylum. Even though the news recanted the accusation the next day, Chal is still having trouble making the deal, which means they¡¯re in a holding pattern here for who knows how long.


    If the Tashi¡¯ne home gave Connor cabin fever, being stuck in Una¡¯s place is like being packed in a shipping crate again. Even Grace, who can always find ways of entertaining herself, keeps asking with an ¡°are we there yet¡± sort of persistence, if she can go out and do something.


    ¡°Just a walk. Maybe some shopping. Pleeeeeeeeeze?¡±


    Only Lev seems unfazed by all of this, which Connor finds maddening.


    ¡°How can you just sit there and do nothing all day?¡±


    ¡°I¡¯m not doing nothing,¡± Lev responds, holding up a worn leather-bound tome he¡¯s been glued to. ¡°I¡¯m learning the Ar¨¢pache language. It¡¯s actually very beautiful.¡±


    ¡°Sometimes, Lev, I just want to smack you.¡±


    ¡°You already hit him with a car,¡± Grace tosses in from the other room. Connor¡¯s response is a growl that doesn¡¯t do much of anything but at least makes him feel a tiny bit better. He¡¯s sure Pivane would say he¡¯s connecting with his animal spirit.


    ¡°You forget that I was under house arrest for a year,¡± Lev points out. ¡°I got used to semi-incarceration.¡±


    Una spends most of her time down in the shop, either tending to customers or crafting new instruments in the workshop. The whine of drills and the gentle tapping of a hammer and chisel have become accustomed sounds. It¡¯s when those sounds stop that Connor wonders what¡¯s going on.


    Two days ago, and then again yesterday, Connor heard Una locking up the shop, and he peeked through the blinds to see her leaving. He wouldn¡¯t have thought much of it, except for the fact that she was carrying a guitar in one hand and her leather rifle case in the other. Where she might be going with both a guitar and a rifle did not take Connor¡¯s imagination to happy places.


    ¡°Una has issues,¡± was Lev¡¯s entire assessment of the situation.


    Connor, however, suspects that it¡¯s more than that.


    Later that afternoon, she leaves again, and Connor decides to follow, against Lev¡¯s warnings to just let her be. ¡°We should be grateful she¡¯s letting us hide out here. Don¡¯t repay her by messing in her business.¡±


    But he doesn¡¯t have time to argue if he¡¯s going to effectively tail her. He pushes past Lev, down the stairs to the shop, then out into the street, where he sees her turning the corner. There are people in the streets, but Connor wears a woolen Ar¨¢pache hat he found in Una¡¯s closet, so no one pays him much attention. Besides, it¡¯s not like Una is seeking out crowded places. Even though the rifle is in a carrying case, it¡¯s pretty obvious what it is. Wherever she¡¯s going, she probably doesn¡¯t want to be questioned about it, which, Connor reasons, is why she¡¯s taking only the quietest side streets to get wherever it is that she¡¯s going.


    At the edge of town, Una lingers until there are neither cars nor pedestrians on the street; then she crosses to a narrow footpath that leads into the woods. Connor follows, giving her a long lead.


    Although he can¡¯t see her in the dense woods, the ground is soft from an early-morning rain, and he can follow her footprints. There are several sets of them. She¡¯s been back and forth on this path many times over the past few days. About half a mile in, he comes to a building¡ªif it can really be called a building. It¡¯s an odd-looking structure, the shape of an igloo, but made of mud and stone. He hears two voices inside. One is Una, and the other is male¡ªbut doesn¡¯t sound like anyone Connor¡¯s already met on the rez.


    His first thought is that Una is meeting a lover here for a secret liaison and perhaps they should be left alone . . . but the argument inside doesn¡¯t sound like a lover¡¯s spat.


    ¡°No, I won¡¯t do it!¡± shouts the male voice. ¡°Not now and not ever again!¡±

 Page 42

    ¡°Then you¡¯ll be left here to die,¡± Una says.


    ¡°Better that than this!¡±


    There¡¯s only one door, but the apex of the dome is in disrepair and full of holes. Carefully, quietly, Connor climbs the curving surface of the stone and mud structure until he can peer through a gap where the stones have given way.


    His first impression hits a chord in him as resonant as any instrument Una could build. He sees a young man about his age with odd multitextured hair of different shades. He¡¯s tied to a pole, struggling to pull himself free. By the smell of the place and the look of him, he¡¯s been here for a while, in this helpless, hopeless situation, without even the freedom to relieve himself anywhere but in his clothes.


    Connor¡¯s immediate gut reaction is identification. This prisoner is me. Me being held in Argent¡¯s basement. Me desperately trying to escape. Me struggling to hold on to hope. The sense of empathy is so strong it will flavor everything that transpires between them.


    Una is not Argent, Connor must remind himself. Her motives, whatever they are, must be different. But why is she doing this? Connor waits and watches, hoping she¡¯ll give him a clue.


    ¡°Either you have to let me go, or you have to kill me,¡± her captive says. ¡°Please do one or the other, and let this end!¡±


    To that, Una responds with a single, simple question. ¡°What¡¯s my name?¡±


    ¡°I told you, I don¡¯t know! I didn¡¯t know yesterday, I don¡¯t know today, and I won¡¯t know tomorrow!¡±


    ¡°Then maybe today the music will remind you.¡±


    Then Una undoes his bonds. He doesn¡¯t even try to run¡ªhe must know it¡¯s no use. Instead he sobs, his arms going limp. And into those limp arms Una puts the guitar she brought.


    ¡°Do it,¡± Una says. Now she speaks gently, and she caresses his hands, lifting them into position on the instrument. ¡°Give it life. It¡¯s what you do. It¡¯s what you¡¯ve always done.¡±


    ¡°That wasn¡¯t me,¡± he pleads.


    Una moves away from him and sits down facing him. Taking her rifle from its case, she lays it across her lap. ¡°I said do it.¡±


    Her prisoner reluctantly begins to play. Sorrowful strains fill the space and echo, the entire building becoming like the tone chamber of the guitar. Connor feels it resonating in his chest.


    This music is beautiful. This prisoner of Una¡¯s is a true master of the instrument. He¡¯s not sobbing anymore. Instead it¡¯s Una who sobs. She holds her gut as if there¡¯s great pain there. Her sobs grow into wails that resonate with the music like some great chanting of grief.


    Then Connor shifts positions, and a pebble the size of a marble dislodges from the edge of the hole and drops to the ground inside.


    In an instant Una leaps to her feet and swings her rifle into position, aiming it at him through the gap in the stones.


    Connor pulls back reflexively, but loses his balance and falls over backward, tumbling down the outside shell of the building, bumping and bruising himself on the rough stone. He lands on his back, the wind knocked out of him, and when he tries to rise, Una is there with the rifle barrel just inches away from his nose.


    ¡°Don¡¯t you dare move!¡±


    Connor freezes, half-convinced that she really is going to blow him away if he moves. Then, her prisoner, seeing his chance, bolts into the woods.


    ¡°H¨ª¨ªko!¡± she curses, and takes off after him. Connor gets to his feet in pursuit, to see where this little psychotic drama will end.


    As she closes in on her escaping prisoner, Una drops her rifle and launches herself at him, landing on his back and bringing him down. She struggles with him, her long hair like a dark shroud covering both of them as they thrash on the ground, and Connor realizes that he is suddenly the one with a distinct advantage. He picks up Una¡¯s rifle and aims it at both of them.


    ¡°Up! Both of you! Now!¡±


    And when they don¡¯t listen, he fires the rifle into the air.


    That gets their attention. They stop struggling, and they both rise to their feet. Only now does Connor notice that there¡¯s something odd about this guy¡¯s face.


    ¡°What the hell is all this about?¡± Connor demands.


    ¡°None of your business!¡± Una snaps. ¡°Give me back my rifle!¡±


    ¡°How about I just give you one of the bullets?¡± Connor keeps the rifle trained on her but shifts his gaze to her prisoner. The odd patchwork nature of his face¡ªa starburst of flesh tones that seem to continue into the shades and textures of his hairline¡ªis unnatural, yet familiar.


    All at once it strikes Connor who this is. He¡¯s seen him enough in the media¡ªimagined him enough in his nightmares. This is that abominable Rewind! The recognition must be mutual, because the Rewind¡¯s stolen eyes register recognition as well.


    ¡°It¡¯s you! You¡¯re the Akron AWOL!¡± And then, ¡°Where is she? Is she here? Take me to her!¡±


    The only thing Connor knows for sure at this moment is that there¡¯s too much flying at him to process. If he tries to sort it all out in his head right now, he¡¯ll make a crucial mistake, one of them will get ahold of this rifle, and someone else will end up dead¡ªmaybe him.


    ¡°This is what we¡¯re going to do,¡± he says, forcing calm into his voice but keeping the rifle raised. ¡°We¡¯re all going back to the igloo thing.¡±


    ¡°Sweat lodge,¡± snarls Una.


    ¡°Right. Whatever. We¡¯re going back there, we¡¯re going to sit our asses down, and we¡¯re going to sweat this whole thing out until I¡¯m satisfied. Got it?¡±


    Una glares at him, then storms back toward the sweat lodge. The Rewind isn¡¯t as quick to move. Connor trains the rifle on him. ¡°Move it,¡± he says. ¡°Or I¡¯ll turn you back into the pork and beans you were made from.¡±


    The Rewind gives him a condescending glare from his stolen eyes, then heads back toward the sweat lodge.


    ? ? ?


    Connor knows his name, but calling him by a name implies too much humanity for Connor¡¯s liking. He¡¯d much prefer to just call him ¡°the Rewind.¡± As the three of them sit in the sweat lodge, they are both reluctant to tell Connor anything¡ªas if they resent him for cutting into this dark dance they¡¯ve been doing.


    ¡°He has Wil¡¯s hands,¡± Connor prompts, having already figured that much out. ¡°Let¡¯s start there.¡±


    Una explains the details of Wil¡¯s abduction¡ªor at least what she was told by Lev and Pivane. The Tashi¡¯ne family never got any answers as to what happened to their son and never expected to. Kids who are taken by parts pirates rarely turn up at harvest camps; they¡¯re sold piece by piece on the black market. But apparently Wil Tashi¡¯ne was a special case. Connor can¡¯t imagine the kind of pain Una must feel, knowing this creation before them has the hands of the boy she loved and has his talent literally woven right into its brain. His talent, his musical memory, and yet no memory of her. It could drive anyone mad¡ªbut to hold him prisoner like that?


    ¡°What were you thinking, Una?¡±


    ¡°Una!¡± The Rewind smiles triumphantly. ¡°Her name is Una!¡±


    ¡°Quiet, Pork-n-beans,¡± Connor says. ¡°I¡¯m not talking to you.¡±


    ¡°I wasn¡¯t thinking clearly,¡± Una admits quietly, looking down at the dirt floor of the sweat lodge. ¡°I¡¯m still not.¡± Instead of talking about the Rewind, she talks about Wil again. How he would tune and test all of her guitars before they were sold. ¡°He put his soul into his music. I always felt that a tiny bit of him was left resonating in the instrument after he played it. Once he was gone, the guitars never felt the same. Now when they play, it¡¯s only music.¡±


    ¡°So you thought you¡¯d make our friend here your little guitar slave.¡±


    She raises her eyes to burn him a glare¡ªbut she doesn¡¯t seem to have the strength for it anymore. She casts her eyes down again.


    Connor turns to the Rewind, to find his eyes locked on Connor, practically drilling into him. Connor tightens the grip on the rifle in his lap.


    ¡°Why are you here?¡± Connor asks. ¡°How did you even know to come here?¡±


    ¡°I have enough of Wil Tashi¡¯ne¡¯s memory to know that this is where your friend the clapper would run to hide,¡± he says. ¡°And I think you know why I¡¯m here. I¡¯m here for Risa.¡±


    Hearing her name coming from his mouth brings Connor¡¯s blood toward a boil. She hates you, Connor wants to tell him. She wants nothing to do with you. Ever. But he sees and smells the Rewind¡¯s urine-stained pants and remembers the helplessness of the Rewind¡¯s captivity, so much like his own in Argent¡¯s basement. Sympathy is the last thing Connor wants to feel, but it¡¯s there all the same, undermining his hatred. Desperation just about oozes out of the Rewind¡¯s seams, and as much as Connor wants to add to this creature¡¯s pain, he can¡¯t find it in himself to do it.


    ¡°So, you¡¯re going to blackmail her into being with you, like before?¡±


    ¡°That wasn¡¯t me! That was Proactive Citizenry.¡±


    ¡°And you want to bring her back to them.¡±


    ¡°No! I¡¯m here to help her, you idiot.¡±


    Connor finds himself mildly amused. ¡°Careful, Pork-n-beans¡ªI¡¯m the one with the rifle.¡±


    ¡°You¡¯re wasting your time,¡± pipes in Una. ¡°You can¡¯t reason with him. He¡¯s not human. He¡¯s not even alive.¡±


    ¡°Je pense, donc je suis,¡± the Rewind says.


    Connor doesn¡¯t speak French, but he knows enough to decipher it.


    ¡°Just because you think, doesn¡¯t mean you are. Computers claim to think, but they¡¯re just mimicking the real thing. Garbage in/garbage out¡ªand you¡¯re just a whole lot of garbage.¡±


    The Rewind looks down, his eyes glistening. ¡°You don¡¯t know a thing.¡±


    Connor can tell he¡¯s struck a nerve in the Rewind¡ªthis whole subject of life. Of Existence with a capital E. Again, Connor feels that unwanted wave of sympathy.


    ¡°Of course, Unwinds aren¡¯t legally alive either,¡± Connor says, making Cam¡¯s argument for him. ¡°Once an unwind order is signed, as far as the law is concerned, they¡¯re nothing but a bunch of parts. Like you.¡±


    The Rewind lifts his eyes to him. A single tear falls, absorbed by the knee of his jeans. ¡°Your point?¡±


    ¡°My point is, I get it. Whether you¡¯re a pile of parts, or a sack of garbage, or a full-fledged person has nothing to do with what I, or Una, or anyone else thinks¡ªso do us all a favor and stop making it our problem.¡±


    He nods and looks down again. ¡°Blue Fairy,¡± he says.


    ¡°You see!¡± snaps Una. ¡°He is like a computer¡ªhe spouts garbage that makes no sense.¡±


    But Connor finds himself making an unexpected leap of insight.


    ¡°Sorry, Pinocchio, but Risa¡¯s not your Blue Fairy. She can¡¯t turn you into a real boy.¡±


    Cam looks at him and grins. Connor finds the grin disarming, which makes him grip the rifle more tightly. He will not be disarmed in any way.


    ¡°How do you know she hasn¡¯t already?¡±

 Page 43

    ¡°She¡¯s pretty amazing, but not that amazing,¡± Connor says. ¡°You want magic, talk to Una. I¡¯m sure the Ar¨¢pache are more tuned in to magical stuff than the rest of us.¡±


    Una stiffens and frowns at him. ¡°I don¡¯t have to take insults from a runaway Unwind.¡±


    ¡°I was actually being sincere,¡± Connor admits. ¡°But I¡¯m happy to insult you, if that¡¯s what you want.¡±


    Una holds her glare a moment more before returning her gaze to the ground.


    ¡°You said you want to help Risa,¡± Connor asks the Rewind. ¡°Help her how?¡±


    ¡°That¡¯s between me and her.¡±


    ¡°Wrong,¡± Connor tells him. ¡°I¡¯m between you and her. You talk to me, or you don¡¯t talk at all.¡±


    The Rewind seethes, breathing through his nose like a dragon about to flare. Then he backs down. ¡°I can help her bring down Proactive Citizenry. I have all the evidence she needs. But I won¡¯t share it with anyone but her.¡±


    The Rewind seems sincere¡ªbut Connor knows he¡¯s not the best judge of character. He made a crucial mistake trusting Starkey. Connor won¡¯t make the same mistake again. ¡°You expect me to believe that? Why would you bring down the people who made you?¡±


    ¡°I have my reasons.¡±


    ¡°Are you going to tell him?¡± Una asks Connor, her patience failing. ¡°Or do you intend to string him along all day?¡±


    ¡°Tell me what?¡± Cam looks back and forth between them.


    Connor thought he¡¯d relish giving him the news, but now it just feels empty. ¡°Sorry to disappoint you, Pork-n-beans . . . but Risa¡¯s not here.¡±


    The despair in the Rewind¡¯s eyes is as soulful as any legitimate human being. Connor wonders if maybe the Blue Fairy paid him a visit after all.


    ¡°But . . . but . . . the news said she was traveling with you!¡±


    ¡°Yeah, the news also said I attacked a harvest camp in Nevada. You of all people should know not to trust the media.¡±


    ¡°So, where is she?¡±


    ¡°I don¡¯t know,¡± Connor tells him, then adds, ¡°But if I did, I wouldn¡¯t tell you.¡±


    The Rewind stands in frustration. ¡°You¡¯re lying!¡± Connor rises just as the Rewind lunges toward him. Connor levels the gun at his chest, and he stops in midlunge.


    ¡°Just give me a reason, Pork-n-beans!¡±


    ¡°Stop calling me that!¡±


    ¡°He¡¯s telling the truth,¡± says Una. ¡°It¡¯s just him, Lev, and some low-cortical girl. Risa Ward wasn¡¯t with them when they showed up.¡±


    It¡¯s more information than Connor wants him to know, but now he seems to accept the truth. He drops to the ground, putting his head in his hands.


    ¡°Sisyphus,¡± he mumbles. Connor doesn¡¯t even try to figure that one out.


    ¡°You realize I can¡¯t let you go. I can¡¯t take the chance that you¡¯ll tell the authorities where we are.¡±


    ¡°I¡¯ll tie him up again,¡± says Una, advancing toward the Rewind. ¡°No one comes out to this old sweat lodge anymore.¡±


    ¡°No,¡± Connor decides. ¡°We¡¯re not doing that either. We¡¯ll take him back with us to your place.¡±


    ¡°I don¡¯t want him there!¡±


    ¡°Too bad.¡± Connor looks at both of them, judging their frame of mind as somewhat stable, and he clicks the safety back on the rifle. ¡°Now, we¡¯re going to leave here and walk to Una¡¯s place like three old friends back from an afternoon of hunting. Are we clear?¡±


    Both Cam and Una agree reluctantly.


    Then he turns to the Rewind. ¡°Whether you deserve dignity or not, I¡¯m going to give you some.¡± And although Connor finds this hard, he says, ¡°Should I call you Camus?¡±


    ¡°Cam,¡± he says.


    ¡°All right, Cam. I¡¯m Connor¡ªbut you already know that. I¡¯d say ¡®pleased to meet you,¡¯ but I don¡¯t like to lie.¡±


    Cam nods his acceptance. ¡°I appreciate your honesty,¡± he says. ¡°The feeling is mutual.¡±


    ? ? ?


    Pivane is there when they get back to the shop. Connor hears his deep voice upstairs talking to Lev as they enter.


    ¡°He can¡¯t know about Cam,¡± Una says. ¡°The Tashi¡¯nes must never know about Wil¡¯s hands. It will destroy them.¡±


    The way it destroyed you? Connor wants to say, but instead he just says, ¡°Understood.¡±


    Una sends Cam down into the basement. He¡¯s too weary and spent to protest.


    ¡°I¡¯ll wait here and make sure he stays put,¡± Una says. ¡°Can I please have my rifle back?¡± And when Connor hesitates, she says, ¡°Pivane will have a lot of questions if he sees you coming upstairs with that rifle.¡±


    Although the last thing Connor wants to do is put that rifle in her hands, he gives it to her¡ªbut only after taking out the shells.


    Una takes it, leans it up against the wall, then reaches into her pocket, pulling out several more rifle shells, showing them to Connor in defiance. But rather than loading the weapon, she just puts the shells back into her pocket and sits herself down on a stool near the basement door. ¡°Go upstairs and find out why Pivane¡¯s here.¡±


    Connor resents being given orders, but he recognizes Una¡¯s need to feel in control again¡ªespecially in her own domain. He heads upstairs, leaving her to guard Cam.


    ¡°Do I want to know why you were out?¡± Pivane asks as soon as Connor walks in.


    ¡°Probably not,¡± Connor tells him, and leaves it at that. He glances at Lev, who clearly wants to know what happened but is wise enough not to ask in front of Pivane.


    Grace is all smiles. ¡°The Hopis got the Juvies¡¯ panties in a wad! Look at this!¡± She turns up the TV volume. It¡¯s a press conference in which a spokesman for the Hopi tribe ¡°will neither confirm nor deny¡± rumors that they¡¯re giving sanctuary to the Akron AWOL. The reporters, however, seem to have plenty to go on. A shaky video of someone being moved in shadows into the Hopi council building. Media leaks from an ¡°inside source,¡± insisting that the Akron AWOL is there. It looks like Chal worked his magic after all.


    ¡°Leave it to my brother,¡± Pivane says. ¡°He could get milk from a stone.¡±


    ¡°My idea!¡± Grace reminds them. ¡°Send the Juvies on a detour, I said.¡±


    ¡°Yes, you did, Grace,¡± Connor says, and she gives him a hug for agreeing with her.


    ¡°With the authorities distracted,¡± Pivane says, ¡°now¡¯s the time to get on with your business. Elina¡¯s arranging for an unregistered car to be left at a rest stop just outside the north gate. I¡¯ll drive you there tomorrow. After that, you¡¯re on your own.¡±


    Connor never told anyone on the rez where they were going¡ªand he hoped Lev kept his mouth shut about it as well. Even if they¡¯re among friends, the fewer people who know, the easier it will be to disappear. But there¡¯s an added wrinkle now. What are they going to do about Cam?


    42 ? Nelson


    Currently Nelson¡¯s biggest problem is not the inflamed, peeling burns on the right half of his face. Nor is it the infected bites on his arms and legs from various unidentified desert wildlife. It¡¯s the scrawny supermarket checker who¡¯s been riding shotgun beside him these past few weeks.


    ¡°How much farther do you think?¡± Argent asks. ¡°Are we still a day out? Two days?¡±


    ¡°We¡¯ll be there by morning, if we drive through the night.¡±


    ¡°Is that what we¡¯re doing? Driving through the night?¡±


    ¡°We¡¯ll see.¡± The sun is behind them now, low in the sky. Argent has offered to drive since they left New Orleans, but Nelson will not surrender the wheel. He¡¯s tired. He¡¯s fighting a fever, but he won¡¯t let on.


    After more than a week of searching, New Orleans turned out to be a bust. If Connor Lassiter had business at Mary LaVeau¡¯s, that business was done¡ªand no one there could be persuaded to offer him information as to his whereabouts. Although New Orleans was a hot bed of illicit activity, none of it seemed to involve sheltering AWOLs. They wasted three more days heading north to Baton Rouge and searching there for signs of Lassiter or an Anti-Divisional underground that might be giving him sanctuary.


    For more than a week they wandered, chasing hunches that Nelson had all over the deep South, until the damn checker said, ¡°I don¡¯t know why we just don¡¯t go on to New York.¡±


    ¡°Why would we go there?¡± Nelson had asked.


    The checker had looked at him with the stupid blinking brainlessness of a rodent. ¡°I told you the other night.¡±


    ¡°You didn¡¯t tell me anything.¡±


    ¡°Yeah, I did. Of course, you were storkfaced on whatever it was you were drinking. That and those pills of yours.¡±


    ¡°You didn¡¯t tell me anything!¡±


    ¡°Okay, suit yourself,¡± Argent said, way too smug. ¡°I didn¡¯t tell you anything.¡±


    In the end Nelson had to play into it like a goddamn knock-knock joke. ¡°What did you tell me?¡±


    ¡°It was that news report about the Statue of Liberty. How they¡¯re replacing her arm with an aluminum one on account of the copper one¡¯s too heavy.¡±


    Nelson didn¡¯t have much patience for this. ¡°What about it?¡±


    ¡°So it made me remember that Connor talked about having a date with the lady in green. You really don¡¯t remember?¡±


    Nelson had no memory of being told this, but to admit this to the rodent would give him way too much satisfaction. ¡°Now I remember,¡± Nelson had said.


    It wasn¡¯t exactly the smoking gun Nelson wanted¡ª¡°the lady in green¡± could mean a whole lot of things . . . but then again, wasn¡¯t the statue a favorite protest spot for AWOL sympathizers? What was Lassiter planning?


    What finally propelled Nelson to head north was the news report that he knew would eventually come. Argent¡¯s picture with his hero, the Akron AWOL. Argent had been wandering out in the open for days. Someone will have recognized him; someone would turn him in.


    Nelson knew he ought to cut his losses and take off alone, leaving Argent for the lions, but he found within himself the tiniest shred of pity and maybe even sentimentality. Argent had actually captured two AWOLs for him. A useless gesture, but the thought did count for something¡ªbecause seeing those two bottom-feeders bound and gagged and practically gift-wrapped for him had brought some cheer to an otherwise miserable day. In time Argent could even be useful as a mole, infiltrating packs of AWOLs for him. So he hadn¡¯t cut Argent loose. Instead he took him with him, following the threadbare lead to New York.


    Now, as they cross from West Virginia into Pennsylvania, Nelson¡¯s doubts begin to feel like roadblocks before them, and Argent will not shut his mouth.


    ¡°We should stop in Hershey,¡± Argent suggests. ¡°They say the whole town smells like chocolate. There¡¯s roller coasters there too. You like roller coasters?¡±


    A sign up ahead says, PITTSBURGH 45 MILES. Nelson feels his fever coming back. His joints are aching, and his face stings from his own sweat. He resolves to take the night in Pittsburgh. He¡¯s not up to driving through the night. He doesn¡¯t even have the strength to shut Argent up.

 Page 44

    ¡°Yeah, New Orleans was something. I could spend some real time there,¡± Argent rambles. ¡°I¡¯ll bet that voodoo shop was something too. Saw a thing about it on TV once. You shoulda got us a voodoo doll of the Akron AWOL. Make him feel some of our pain.¡±


    And now Nelson is glad he let Argent talk because it has turned out to be oh so informative. ¡°Right. Make him feel our pain.¡± Nelson resolves to treat himself well tonight and do a full reassessment of the current situation.


    Mary LaVeau¡¯s House of Voodoo. Not something Argent heard out of Connor Lassiter¡¯s mouth, but something he saw on TV. The rodent has no idea how thoroughly he¡¯s just crucified himself.


    43 ? Argent


    His mother always said, ¡°When life gives you lemons, squirt ¡¯em in someone¡¯s eyes.¡± Argent knows that¡¯s not the actual expression, but she was right. Turning your misfortune into a weapon is much more useful than making lemonade. He¡¯s proud of the way he¡¯s effectively blinded the parts pirate.


    ¡°I¡¯ll bet there¡¯ll be plenty of AWOLs for us to catch in New York, huh?¡± Argent asks as rural Pennsylvania gives way to the suburbs of Pittsburgh.


    ¡°Like rats,¡± Nelson tells him.


    ¡°Maybe you could catch a few,¡± Argent suggests. ¡°Show me how it¡¯s done. I mean, if I¡¯m gonna be, like, your apprentice, I gotta know these things.¡±


    The thought of traveling the country with a bona-fide parts pirate and learning the tricks of the trade actually excites him. It¡¯s a career he could enjoy. He¡¯s got to keep stringing Nelson along, though. Making him believe that he needs Argent¡ªuntil Argent can really show him what a good apprentice he can be. Make himself a valuable asset. That¡¯s what he has to do. But until then, he¡¯ll keep Nelson dangling.


    The man¡¯s already given him some basic lessons, just in the course of conversation.


    ¡°Most AWOL Unwinds are smarter than the Juvenile Authority gives them credit for,¡± Nelson had said. ¡°You set a stupid trap, and all you¡¯ll get are stupid AWOLs. Worth a lot less on the black market. If the brain scan shows a high cortical score, you can double your money.¡±


    So much to know about the art of entrapment!


    While last night was a cheap motel, tonight in Pittsburgh, Nelson treats them to a two-bedroom suite in a fancy-schmancy place with doormen and half a dozen flags over the entrance.


    ¡°Tonight we indulge,¡± Nelson tells him. ¡°Because we owe it to ourselves.¡±


    If this is the life of a parts pirate, Argent¡¯s ready to go all in.


    The suite is huge and smells of fresh flowers instead of mildew. Argent orders expensively from the room service menu, and Nelson doesn¡¯t bat an eye.


    ¡°Nothing¡¯s too good for my apprentice,¡± he says, and raises his wineglass to emphasize the point. His own father was never so generous, either in wallet or in spirit. Nelson¡¯s breathing seems labored. The good side of his face is taking on a pale sheen. Argent doesn¡¯t think anything of it; right now Argent is all about his T-bone steak.


    As their meal winds down, Argent drops his guard and Nelson begins to talk casually of the days ahead.


    ¡°New York¡¯s a great town,¡± Nelson says. ¡°Have you ever been?¡±


    Argent shakes his head and swallows before he speaks, so as not to appear too uncultured for a room service meal. ¡°Never. Always wanted to go, though. When our parents were alive, they used to say they¡¯d take us to New York. See the Empire State Building. A Broadway show. Promised us the world, but we never went anywhere but Branson, Missouri.¡± He takes another bite of steak, imagining the food will be even better in the Big Apple. ¡°I swore to myself I¡¯d go there someday. Swore I¡¯d make it happen.¡±


    ¡°And so you did.¡± Nelson wipes his mouth with a silk napkin. ¡°We¡¯ll have to make time for some sightseeing while we¡¯re there.¡±


    Argent grins. ¡°That¡¯d be sweet.¡±


    ¡°Sure.¡± Nelson smiles kindly. ¡°Times Square, Central Park . . .¡±


    ¡°Heard about this club in an old factory,¡± Argent says, nearly frothing at the mouth with excitement. ¡°A different famous band plays there every night, but you never know who it¡¯s gonna be.¡±


    ¡°Did you hear about that on TV?¡± Nelson asks. ¡°Like the House of Voodoo?¡±


    It takes a moment to settle, bouncing around Argent¡¯s mind like a pinball until it drops dead center. Game over.


    When he looks up at Nelson, there is nothing kind about his smile. It¡¯s more predatory. Like a tiger anticipating its kill.


    ¡°Lassiter never said anything about Mary LaVeau or ¡®the green lady,¡¯ did he?¡±


    ¡°I . . . I was gonna tell you . . .¡±


    ¡°When? Before or after you got your all-expense-paid tour of New York?¡± Suddenly he flips the table. Dinnerware flies, a plate smashes against the mantel, and Nelson pounces, pinning Argent against the wall so hard Argent can feel the light switch digging into his back like a knife¡ªbut it¡¯s nowhere near as deadly as the steak knife Nelson now holds to his throat.


    ¡°Did you say anything that wasn¡¯t a lie?¡± He presses the knife harder against his neck. ¡°I¡¯ll know if you¡¯re lying now.¡±


    Argent knows the truth won¡¯t help him, so he avoids the question. ¡°If you kill me, there¡¯ll be a lot of blood,¡± he says desperately. ¡°And you wouldn¡¯t have fed me if you really meant to kill me!¡±


    ¡°Every man deserves a last meal.¡± His presses the knife harder, drawing a bead of blood.


    ¡°Wait!¡± Argent hisses, pulling out the only ace he has to play. ¡°There¡¯s a tracking chip!¡±


    ¡°What are you talking about?¡±


    ¡°My sister! When she was little she always used to wander off, so my parents had them put this tracking chip in her skin behind her ear. If she¡¯s still with Lassiter, we can find them. But I¡¯m the only one who knows the chip¡¯s tracking code. Kill me and the code dies with me.¡±


    ¡°You son of a bitch. You knew about that chip all along!¡±


    ¡°If I told you, you¡¯d have no use for me!¡±


    ¡°I have no use for you now!¡± He drops the knife and uses his bare hand to close off Argent¡¯s windpipe. No blood. No mess. ¡°Now that I know, I can find that code without you.¡± Argent tries to fight him off, figuring he¡¯ll lose and that this is the end¡ªbut to Argent¡¯s surprise, he¡¯s stronger than Nelson. In fact, the man seems uncharacteristically weak. He pushes Nelson off, and Nelson stumbles, falling to one knee.


    ¡°Stay still and let me kill you!¡± Nelson says.


    Argent grabs the knife from the ground, ready to defend himself. But Nelson doesn¡¯t come after him. His eyes roll. His lids flutter. He tries to stand, but falls again, this time on all fours.


    ¡°Damn it!¡±


    Then his elbows give way, and he lands facedown on the carpet, as unconscious as if he¡¯d been tranq¡¯d.


    Argent waits a moment. Then a moment more.


    ¡°Hey. You alive?¡±


    Nothing. He reaches down to feel Nelson¡¯s neck. There¡¯s a pulse, rapid and strong¡ªbut he¡¯s hot. Really hot.


    Argent can run. He can just take off and get the hell out of this situation . . . but he hesitates and stares at the unconscious parts pirate on the floor before him. He lets the pinball bounce around in his head a bit, then puts the knife gently down on the mantel. The ball is still in play, and there are plenty of points left to be scored.


    44 ? Nelson


    When he regains consciousness, it takes him a few moments to realize where he is. The OmniWilliam Penn in Pittsburgh. The presidential suite. A detour on a wild-goose chase he should never have allowed himself to be on.


    The TV in his bedroom plays an action movie at low volume. The waste-of-life grocery checker sits there watching it while eating room service French fries. He turns to Nelson and, seeing he¡¯s awake, pulls his chair over.


    ¡°Feeling better?¡±


    Nelson doesn¡¯t dignify him with a response.


    ¡°This hotel¡¯s so fancy, they got a doctor on call,¡± Argent says. ¡°Had him come to check you out. Don¡¯t worry. I cleaned up the mess before he got here and put you all snug in the bed. You talked to him a little. You remember talking to him?¡±


    Nelson still refuses to say a thing.


    ¡°Nah, didn¡¯t think you would. You mumbled crazy crap about a graveyard and a tornado. The doctor said those bites you got on your arms and legs¡ªwhatever they are¡ªthey¡¯re infected. He gave you a shot of antibiotics. Tried to convince me to take you to the emergency room, but I paid him cash and he shut up about it. I got it from your wallet. Hope you don¡¯t mind under the circumstances. Didn¡¯t cheat ya or anything. There¡¯s a receipt. From the pharmacy too, on accounta I filled the prescription for more antibiotics. Take three times a day, with meals.¡±


    Nelson is like a boulder in this stream of words. He gets some of it; the rest just flows past.


    ¡°What are you doing here?¡± Nelson finally asks.


    ¡°Couldn¡¯t just leave you on the floor to die, could I? We¡¯re a team. Right half, left half, and all.¡±


    ¡°Get out of my sight.¡±


    When Argent doesn¡¯t move. Nelson turns his head to look the other way. Moving his head just the slightest bit makes him feel like he¡¯s on a carnival ride.


    ¡°I don¡¯t blame you for being pissed at me,¡± Argent says. ¡°And maybe you woulda killed me and maybe not. But if I¡¯m gonna be your apprentice, I know I gotta put up with a lot.¡±


    Nelson forces himself to look at Argent again. ¡°What universe do you think you¡¯re living in?¡±


    ¡°Same as you,¡± Argent says. He looks at the label of the pill vial and puts it on the nightstand, pointedly out of Nelson¡¯s reach. ¡°Whether you like it or not, you need me right now. As long as you need me, you won¡¯t get rid of me. You might even teach me a thing or two about being a parts pirate. One hand washes the other, as they say. And both our hands are kind of dirty. So I stay, and we both get what we need.¡±


    The fact that he is now entirely dependent on Argent Skinner makes Nelson want to laugh, if it didn¡¯t hurt so much to do so. ¡°Are you my male nurse now?¡±


    ¡°I¡¯m what you need, when you need it,¡± Argent tells him. ¡°Today you need a nurse, so that¡¯s what I¡¯ll be. Tomorrow maybe you¡¯ll need someone to help you set an Unwind trap again, so that¡¯s what I¡¯ll be tomorrow. And when you do track down Connor Lassiter and you need help bringing him down, you¡¯ll be real happy you kept me around.¡± Then he opens the room service menu. ¡°So, I¡¯m thinking soup for you. And if you¡¯re good, maybe some ice cream after.¡±


    ? ? ?


    It¡¯s another day until Nelson feels strong enough to move around the suite. He¡¯s given up trying to fight Argent. The kid might be an idiot, but he¡¯s a shrewd idiot. He knows how to make himself indispensable to Nelson¡ªat least for now.


    ¡°I know you¡¯ll kick me to the curb the moment you see fit,¡± Argent tells him. ¡°It¡¯s my job to make sure you never see fit.¡±

 Page 45

    They don¡¯t talk about their mission. Nelson doesn¡¯t ask him for the tracking code because he knows Argent won¡¯t surrender his one bargaining chip until he¡¯s good and ready. Besides, as much as Nelson wants to move forward, he knows he¡¯s in no condition. He has little choice but to convalesce in the presidential suite.


    ¡°Being a parts pirate must pay pretty good if you can afford a place like this,¡± Argent comments more than once, baiting Nelson to talk about his profession. Although making conversation with Argent isn¡¯t exactly on his list of enjoyable activities, Nelson is a captive audience, so he endures it. He even tells Argent some of the things he wants to know, explaining the details of his best traps. The concrete tunnel lined with glue. The cigarette carton on a mattress perched over a pit. Argent hangs so fully on every word, Nelson begins to enjoy bragging about his best catches.


    ¡°I once had an AWOL swallow a miniature poison grenade, and I told him I¡¯d set it off remotely if he didn¡¯t turn over his friends. He led five other kids right to me¡ªeach one of them a better specimen than him.¡±


    ¡°Did you detonate the grenade?¡±


    ¡°It wasn¡¯t a grenade,¡± Nelson tells Argent. ¡°It was a cranberry.¡±


    It makes Argent laugh, and Nelson finds that his own laughter is genuine.


    Nelson can¡¯t say that he¡¯s beginning to like Argent¡ªthere really isn¡¯t much about him to like. But he¡¯s coming to accept the necessity of Argent¡¯s presence. Like the AWOL who surrendered his friends, Argent Skinner has value to Nelson. For his services, Nelson had set the cranberry-eating AWOL free, because, after all, fair is fair, and Nelson has always seen himself as a man of integrity. In the end, Nelson will make sure Argent gets his just reward.


    ? ? ?


    They set out the next day, Nelson feeling stronger, if not fully recovered. The bites are still red and swollen, the burned half of his face still raw and peeling, but at least his fever has broken. He endures the troubled gazes from other hotel guests as he checks out, just as he endured them when he had checked in.


    ¡°Are you gonna tell me where we¡¯re going?¡± Argent asks. Now that Nelson has regained his strength, Argent has gotten shifty and uncertain about his tenure.


    ¡°Not New York,¡± is all Nelson is willing to offer, which sets Argent rambling on about other places he¡¯s never been, but would like to go, fishing for any hints that Nelson might give. ¡°Doesn¡¯t make sense to be going unless we know where we¡¯re going.¡±


    ¡°I know where we¡¯re going,¡± Nelson tells him, taking great pleasure in Argent¡¯s discomfort.


    ¡°After all I done, least you could do is give me a clue.¡±


    Once they cross the Allegheny River and Pittsburgh falls behind them, Nelson reveals at least part of his hand. ¡°We¡¯re going to Sarnia.¡±


    ¡°Sarnia? Never heard of it.¡±


    ¡°It¡¯s in Canada, across the border from Port Huron, Michigan. I¡¯m going to introduce you to my contact in the black market, assuming he¡¯s not on one of his airborne jags. A gentleman by the name of Divan.¡±


    Argent twists his face like he¡¯s smelled something foul. ¡°Funny name. We sold Chicken Divan at Publix.¡±


    ¡°You¡¯d be wise not to insult him. Divan runs the most successful harvest camp on the black market this side of Burma. State of the art. I bring him all the AWOLs I catch, and he¡¯s always treated me fairly and honorably. If you want to be a parts pirate, he¡¯s the man you need to know.¡±


    Argent shifts uncomfortably. ¡°I heard stories about the black market. Rusty scalpels. No anesthesia.¡±


    ¡°You¡¯re talking about the Burmese Dah Zey. Divan is the opposite. A gentleman, and an honorable one at that. He¡¯s always done right by me.¡±


    ¡°Okay,¡± says Argent. ¡°Sounds good to me.¡±


    ¡°And,¡± adds Nelson, ¡°in return for this show of good faith on my part, I expect some good faith from you in return. I want the code for your sister¡¯s tracking chip.¡±


    Argent turns his eyes to the road ahead of them. ¡°Maybe later.¡±


    ¡°Maybe now.¡±


    Then Nelson calmly pulls the car to the shoulder of the highway. ¡°If not, I¡¯ll be happy to leave you here, say good-bye, and let you live your miserable life with no interference from me.¡±


    Cars whiz past. Argent looks like he might be ill. ¡°You¡¯ll never find Lassiter without that code.¡±


    ¡°There¡¯s no guarantee your sister will still be with him anyway. If she¡¯s half as annoying as you, he probably ditched her an hour out of Heartsdale.¡±


    Argent considers it. He fidgets with his hands. He picks nervously at the stitches on his face.


    ¡°You promise you won¡¯t kill me?¡±


    ¡°I promise I won¡¯t kill you.¡±


    ¡°Left half, right half, right? We¡¯re a team?¡±


    ¡°By necessity, if not by design.¡±


    Argent takes a deep breath. ¡°We¡¯ll meet this Divan guy. And then I¡¯ll tell you.¡±


    Nelson pounds the steering wheel in fury. Then calms down. ¡°Fine. If that¡¯s the way you want it.¡± Then he pulls out his tranq gun, pulls the trigger, and tranqs Argent in the chest.


    Argent¡¯s eyes are wide in shock at the betrayal.


    ¡°I can¡¯t tell you how good that felt,¡± Nelson says.


    Argent slumps in his seat, and Nelson is left supremely satisfied. If he must endure the presence of Argent Skinner on his way to finding Connor Lassiter and his stinking tithe friend, then Nelson will endure him. Although frequent unconsciousness on Argent¡¯s part may be required to make life bearable. Nelson smiles. In the end, perhaps he¡¯ll put Argent out of his misery the same way he plans to kill Lev Calder for leaving him tranq¡¯d on an Arizona road. Or maybe he¡¯ll let Argent live. It¡¯s all within the realm of possibility and all within Nelson¡¯s power. He has to admit even when he was a Juvey-cop he enjoyed having power over life and death. As a parts pirate that feeling is so much more raw and visceral. He¡¯s come to love it. It all comes down to tracking Argent¡¯s sister. Then it¡¯s only a matter of time now until he achieves Lev Calder¡¯s death and earns Connor Lassiter¡¯s eyes. Plus the huge bounty Divan will pay for the rest of him, of course.


    Nelson punches his destination into the GPS, and it plots the fastest route to Sarnia. Then, checking his rearview mirror, he pulls onto the freeway in blissful, satisfied silence.


    45 ? Hayden


    Collaborating with the enemy. It¡¯s a crime that Hayden was convicted of in the court of public opinion without the benefit of a trial or the display of a single fact. In the eyes of the kids from Cold Springs Harvest Camp, he is 100 percent guilty, regardless of the fact that he¡¯s 100 percent innocent. He never even gave Menard, or anyone in the Juvenile Authority, a single stitch of information. His only consolation is that it¡¯s just the kids from Cold Springs who hate him. To the rest of the world he¡¯s still the same kid who delivered the Whollie¡¯s Manifesto¡ªand called for a second teen uprising when he was taken into custody at the Graveyard. For once the media did him a favor.


    Hayden can¡¯t say he¡¯s unhappy that Menard is dead. The man made Hayden¡¯s plush detention a living hell at Cold Springs, and there were many times Hayden might have killed the man himself if he¡¯d had the means. However, the manner of his death¡ªthat cold-blooded execution on Starkey¡¯s dictatorial order¡ªwas far more wrong than it was right. It reeked of cruelty rather than justice. Hayden knows he¡¯s not the only one with such misgivings, but he can¡¯t voice it aloud¡ªnot when the survivors of Cold Springs Camp already think that he sold them out to the Juvies.


    By the good grace of Starkey, Lord of Storks, Hayden has been allowed computer access in order to help Jeevan find their next target and a path to harvest camp liberation that doesn¡¯t leave a whole lot of dead kids behind.


    Their ¡°computer room¡± is a utility space near the entrance of the mine, still filled with rusty relics. A huge fan and ducts that, in theory, bring fresh air to the depths of the mine. Being so far from anything resembling civilization, Jeevan had jury-rigged a dish hidden in the brush outside the mine¡¯s entrance to tap into some poor unsuspecting satellite and provide them with full connectivity.


    So now Hayden¡¯s working for Starkey. It¡¯s the first time he truly feels like he¡¯s collaborating with the enemy.


    ¡°If it means anything, sir, I don¡¯t believe what those kids are saying about you,¡± says Jeevan, who sits behind him, watching over his shoulder as he chips away at various firewalls. ¡°I don¡¯t believe you¡¯d ever help the Juvenile Authority.¡±


    Hayden doesn¡¯t look up from the computer screen. ¡°Does it mean anything to me? I suppose it means all it can mean coming from someone who betrayed Connor and led to hundreds of Whollies being captured.¡±


    Jeevan swallows with an audible click in his Adam¡¯s apple. ¡°Starkey says it would have happened anyway. If we didn¡¯t get out, we¡¯d have been caught too.¡±


    Although Hayden wants to argue the point, he knows his friends are few and far between here. He can¡¯t afford to alienate the ones he has. He forces himself to look at Jeevan and dredge up something resembling sincerity.


    ¡°I¡¯m sorry, Jeeves. What happened, happened, and I know it wasn¡¯t your fault.¡±


    Jeevan is visibly relieved by Hayden¡¯s conciliation. Even now, he sees Hayden as some sort of superior officer. Hayden has to be careful not to lose that respect.


    ¡°They say he¡¯s alive,¡± Jeevan says. ¡°Connor, I mean. For a while they even thought he was with us.¡±


    ¡°Yeah, well, I think this is the fifth of his nine lives, so he¡¯s got a few more left.¡±


    That just leaves Jeevan baffled, and Hayden has to laugh. ¡°Don¡¯t think too hard on it, Jeeves. It¡¯s not worth it.¡±


    ¡°Oh!¡± A lightbulb practically appears over Jeevan¡¯s head. ¡°Like a cat. I get it!¡±


    There are two guards assigned to Hayden now, plus Jeevan. One guard is there to make sure he¡¯s not attacked by angry AWOLs from Cold Springs seeking payback. The second guard is to make sure he doesn¡¯t bolt, since the computer room is so close to the mine¡¯s entrance. Jeevan¡¯s job is to spy on Hayden¡¯s online activities, to make sure he¡¯s not doing anything suspicious. Trust is not a part of Starkey¡¯s world.


    ¡°You keep coming back to this one harvest camp,¡± Jeevan points out.


    ¡°So far it has the most potential.¡±


    Jeevan studies the satellite image and points to the screen. ¡°But look at all those guard towers at the outer gate.¡±


    ¡°Exactly. All their security is outwardly focused.¡±


    ¡°Ahh.¡±


    Clearly Jeevan doesn¡¯t get it yet, but that¡¯s all right. He will.


    ¡°Tad¡¯s dead, by the way.¡±


    Hayden hadn¡¯t planned on saying it. He hadn¡¯t even been thinking about it. Perhaps the memory was tweaked by the heat of the computer room reminding him of that last awful day in the ComBom. The day that Hayden and his team of techies would have died had he not shot out the plane¡¯s windshield. There are still dark moments when he thinks he made a mistake. That he should have honored their wishes and let them die rather than be captured.

 Page 46

    ¡°Tad¡¯s dead?¡± The look of horror on Jeevan¡¯s face is both satisfying and troubling to Hayden.


    ¡°He fried to death in the ComBom. But don¡¯t worry. That¡¯s not Starkey¡¯s fault either.¡± He doesn¡¯t know if Jeevan reads the sarcasm¡ªhe¡¯s about as literal as computer code. Maybe it¡¯s best if he doesn¡¯t.


    ¡°I haven¡¯t seen Trace here. He flew the plane, didn¡¯t he?¡±


    Jeevan looks down. ¡°Trace is dead too,¡± he tells Hayden. ¡°He didn¡¯t survive the crash.¡±


    ¡°No,¡± says Hayden. ¡°I imagine he wouldn¡¯t have.¡± Whether Trace¡¯s death was a result of the crash or secret human intervention is something Hayden supposes he¡¯ll never know. The truth most certainly died with Trace. Or without a trace, as the case may be.


    Hayden hears footsteps coming up the steep slope from deeper in the mine. The way the guard steps aside so obediently telegraphs to Hayden who the visitor is even before he comes into view.


    ¡°Speak of the devil! We were just talking about you, Starkey. Jeevan and I were reminiscing about your magic tricks. Especially the one where you made a commercial jet disappear.¡±


    ¡°It didn¡¯t disappear,¡± says Starkey, refusing to be goaded. ¡°It¡¯s at the bottom of the Salton Sea.¡±


    ¡°He didn¡¯t actually call you the devil,¡± Jeevan tells Starkey. Literal as code.


    ¡°We have a common enemy,¡± Starkey points out. ¡°The devils are all out there¡ªand it¡¯s time they got their due.¡±


    Starkey dislodges Jeevan from his seat with the slightest flick of his head. He takes his place, studying the image on the screen.


    ¡°Is that a harvest camp?¡±


    ¡°MoonCrater Harvest Camp, to be exact. Craters of the Moon, Idaho.¡±


    ¡°What about it?¡± Starkey asks.


    ¡°All of its security is focused outward!¡± blurts Jeevan, as if he actually knows why that matters.


    ¡°Yes,¡± says Hayden. ¡°And they don¡¯t have eyes in the backs of their heads.¡±


    Starkey crosses his arms, making it clear that he doesn¡¯t have all day. ¡°And why does that matter?¡±


    ¡°Here¡¯s why.¡± Hayden drags up another window, showing schematics, and a third that shows a standard geological survey. ¡°Craters of the Moon National Park is a lava field riddled with caves, and all the camp¡¯s utility conduits use the caves. Electricity, sewerage, ventilation, everything.¡± Hayden zooms in on a schematic of the camp¡¯s main dormitory and starts pointing things out. ¡°So, if we create a diversion at the main gate in the middle of the night¡ªsome smoke and mirrors, if you will¡ªit will draw all their attention. Then, while the security forces are all focused on the gate, we go in through this utility hatch in the basement of the dormitory, bring all those kids down into the caves¡ªand exit the caves here, almost a mile away.¡±


    Starkey is genuinely impressed. ¡°And by the time they realize their Unwinds are gone, we¡¯ll be free and clear.¡±


    ¡°That¡¯s the general idea. And no one gets hurt in the process.¡±


    He claps Hayden on the back hard enough that it stings. ¡°That¡¯s genius, Hayden! Genius!¡±


    ¡°I thought you might appreciate a ¡®vanishing act,¡¯ approach.¡± He touches the screen, changing the angle of the schematic to show the levels of the dormitory. ¡°Boys are on the ground floor, girls on the second, and harvest camp staff on the third. There¡¯re only two stairwells, so if we man them and tranq any staff that tries to come down, we could theoretically be in and out before anyone figures out what¡¯s going on.¡±


    ¡°How soon can we do this?¡±


    There¡¯s a kind of greed in Starkey¡¯s eyes that makes Hayden close the computer¡¯s open windows so it doesn¡¯t prompt further scheming. ¡°Well, after Cold Springs, I figured you¡¯d want to lie low for a while.¡±


    ¡°No way,¡± Starkey says. ¡°We should strike while the iron¡¯s hot. One-two punch. You plan the rescue. I¡¯ll take care of the diversion. I want this to go down in less than a week.¡±


    Hayden shudders at the thought of something so theoretical becoming real too quickly. ¡°I really don¡¯t think¡ª¡±


    ¡°Trust me. If you want to clean up your reputation around here, this is the way to do it, my friend.¡± Starkey stands, his decision set in stone. ¡°Make it happen, Hayden. I¡¯m counting on you.¡±


    And Starkey leaves before Hayden can offer any more reservations.


    Once Starkey is gone, Jeevan takes his seat next to Hayden again. ¡°He called you his friend,¡± Jeevan points out. ¡°That¡¯s a really good thing!¡±


    ¡°Yes,¡± says Hayden. ¡°It thrills me no end.¡± Jeevan takes that at face value, as Hayden knew he would.


    Starkey had said they had a common enemy. So then is my enemy¡¯s enemy my friend? wonders Hayden. Somehow the old adage doesn¡¯t ring true if that friend is Mason Starkey.


    ? ? ?


    The Stork Brigade hits MoonCrater Harvest Camp six days later. Hayden and a team consisting entirely of kids who knew Hayden from the Graveyard, map out the caves two days in advance. For the actual event, Starkey leads the way with his special-ops detail, but admits that it would be a good idea to have Hayden and his team there as well. Leaving a trail of flares in the jagged lava tunnels, they reach the camp¡¯s plumbing and conduit lines at 1:30 a.m. and follow them to the basement hatch, which is locked from the other side. They wait.


    Then, at 2:00 a.m., a burning truck filled with ammunition crashes through the harvest camp¡¯s outer gate, and gunfire erupts from the volcanic wasteland beyond. Bam is in charge of the diversion, and Hayden does not envy her. She has her work cut out for her¡ªshe and her own team of storks must make this look like a real assault on the camp, and they must make it last for at least twenty minutes.


    The moment the gunfire starts outside, the inside operation begins.


    ¡°Blow the hatch,¡± Starkey orders his fairly psychotic demolitions kid. ¡°Do it now!¡±


    ¡°No,¡± says Hayden. ¡°Not yet.¡± Hayden knows that the building up above is going into lockdown mode¡ªa security measure that will work to their advantage. Steel shutters are rolling down over the windows. Emergency doors are sealing. No one will be able to get in or out of the dormitory until the security system is reset.


    Hayden counts to ten. ¡°Okay, now!¡±


    The hatch blows, and armed with only tranq weapons, they pile through the hole toward whatever awaits them.


    The Unwinds in the dormitory, already awakened by the explosions and gunfire outside, are primed for death or rescue. Tonight, it will be the latter.


    The rescue force tranqs a guard and a counselor on their way up the stairs to the main floor¡ªa single huge communal room lined with row after row of beds. The space is dim. Only emergency lights shine now, hitting the beds at oblique angles, making the plywood headboards look like tombstones. The sounds of the battle outside are muted by the steel shutters. No one can see out, but that means no one on the outside can see in. With all the camp¡¯s attention on the fake assault on the outer gate, the rescue team is effectively invisible.


    Starkey wastes no time. ¡°You¡¯ve just been liberated,¡± he announces. The PFFTT of tranq pistols being fired herald several more staff members taken down by Starkey¡¯s special-ops team, all of whom are disturbingly good shots. ¡°Everyone to the basement. Don¡¯t take anything but the clothes on your back and your shoes. Let¡¯s move it!¡±


    Then he goes upstairs to announce the girls¡¯ liberation, leaving Hayden and his team to move the masses down and out.


    In ten minutes, nearly three hundred kids are taken down into the caves and are on their way to freedom. Only the tithes, who are in a different building, and rescue-resistant by their very nature, must be left behind.


    Hayden and his team lead the liberated Unwinds through the lava cave to the exit point, where four dark delivery trucks ¡°borrowed¡± for the evening¡¯s festivities wait on a lonely road to spirit them all away.


    Gunfire from the fake assault still rages as they emerge from the caves, but it¡¯s far away, like the sound of a distant battlefront. As the trucks are quickly packed with kids, Hayden dares to think that maybe, just maybe, he can turn Starkey¡¯s guerilla war into something meaningful, and even admirable. Perhaps the road ahead isn¡¯t all that bleak after all.


    He has no idea that Starkey, who is still nowhere in sight, has just paved them a fresh road to hell.


    46 ? Starkey


    Performing magic was never just about the tricks for Starkey. There must be style. There must be showmanship. There must be an audience. Making three hundred kids vanish is, admittedly, quite the trick, but liberating a harvest camp is about more than just freeing its Unwinds. Starkey sees a bigger, much more glorious picture.


    Once the girls on the second floor are on the move toward the basement and Hayden is occupied getting everyone through the caves, Starkey takes a moment to study the high ceiling of the large dormitory, taking note of the ceiling fans. None of them are spinning, but that¡¯s fine. In fact, it¡¯s better that way.


    ¡°I need you to go upstairs and bring me six staff members,¡± he tells his team. ¡°Tranq anyone who gives you trouble, but make sure the ones you bring me are conscious.¡±


    ¡°Why?¡± one of them asks. ¡°What are we doing?¡±


    ¡°We¡¯re sending a message.¡±


    They return with three men and three women. Starkey has no idea what their positions are here. Administrators, surgeons, cooks¡ªit doesn¡¯t matter. To Starkey they¡¯re all the same. They¡¯re all unwinders. He orders them bound and gagged with duct tape. He looks up to the ceiling fans once more. There are six fans, suspended about ten feet from the ground. And Starkey brought plenty of rope.


    No one in his special-ops team knows much about tying knots. The nooses are crude and inelegant, but aesthetics don¡¯t matter as long as they hold. With the diversionary battle still raging outside like the shores of Normandy, Starkey and his team stand the six captives on chairs and lasso a blade of a ceiling fan above each of their heads with the other end of their respective ropes, pulling the ropes tight enough so that their captives can feel it, but not tight enough to actually hurt them. Once they¡¯re all in place, Starkey steps forward to address them.


    ¡°My name is Mason Michael Starkey, the leader of the Stork Brigade. You have been found guilty of crimes against humanity. You¡¯ve unwound thousands of innocent kids¡ªmany of them storks¡ªand there must be a reckoning.¡± He pauses to let it sink in. Then he approaches the first captive¡ªa woman who can¡¯t stop crying.


    ¡°I can see that you¡¯re frightened,¡± he says.


    The woman, unable to speak through the duct tape, nods and pleads with her tearful eyes.


    ¡°Don¡¯t worry,¡± he tells her. ¡°I¡¯m not going to hurt you¡ªbut I need you to remember everything I¡¯ve said. When they come to set you free, I want you to tell them. Can you do that for me?¡±


    The woman nods.


    ¡°Tell them that this is only the beginning. We¡¯re coming for everyone who supports unwinding and mistreats storks. There¡¯s nowhere you people can hide from us. Make sure you tell them. Make sure they know.¡±

 Page 47

    The woman nods again, and Starkey pats her arm with his good hand, giving her a measure of comfort, and leaves her there on her chair, unharmed.


    Then he goes to the five others, and one by one kicks the chair out from beneath them.


    Part Five


    A Murder of Storks


    CHARLIE FUQUA, ARKANSAS LEGISLATIVE CANDIDATE, ENDORSES DEATH PENALTY FOR REBELLIOUS CHILDREN . . . .


    The Huffington Post | By John Celock


    Posted: 10/08/2012 1:29 p.m. Updated: 10/15/2012 8:08 a.m.


    In . . . Fuqua¡¯s 2012 book, the candidate wrote that while parents love their children, a process could be set up to allow for the institution of the death penalty for ¡°rebellious children,¡± according to the Arkansas Times. Fuqua . . . points out that the course of action involved in sentencing a child to death is described in the Bible and would involve judicial approval. While it is unlikely that many parents would seek to have their children killed by the government, Fuqua wrote, such power would serve as a way to stop rebellious children.


    According to the Arkansas Times, Fuqua wrote:


    The maintenance of civil order in society rests on the foundation of family discipline. Therefore, a child who disrespects his parents must be permanently removed from society in a way that gives an example to all other children of the importance of respect for parents. The death penalty for rebellious children is not something to be taken lightly. The guidelines for administering the death penalty to rebellious children are given in Deut 21:18¨C21: This passage does not give parents blanket authority to kill their children. They must follow the proper procedure . . . . Even though this procedure would rarely be used, if it were the law of the land, it would give parents authority . . . and it would be a tremendous incentive for children to give proper respect to their parents.


    Full article: http://www.huffingtonpost.com/2012/10/08/


    charlie-fuqua-arkansas-candidate-death-penalty-rebellious-children_n_1948490.html


    ¡°I think my views are fairly well accepted by most people.¡±


    ¡ªCharlie Fuqua


    The Rheinschilds


    Janson and Sonia Rheinschild have been asked to resign from their positions at the university. The chancellor cites ¡°unauthorized use of biological material¡± as the reason. They could either resign or be arrested and have their names¡ªand their work¡ªdragged through the mud.


    BioDynix Medical Instruments has not returned Janson¡¯s calls for weeks. When he demands to know why, the receptionist, a bit flustered by his surliness, claims that they have no records of his previous calls, and in fact, they have no record of him in their system at all.


    But the worst is yet to come.


    Janson, unshaven and unshowered for maybe a week, shuffles to answer the doorbell. There¡¯s a kid there, eighteen or so. It takes a moment for Janson to recognize him as one of Austin¡¯s friends. Austin¡ªJanson¡¯s research assistant, rehabilitated from the streets¡ªhas been living with them for the past year. Sonia¡¯s idea. They had converted their basement into an apartment for him. Of course, he has his own life, so the Rheinschilds don¡¯t follow his comings and goings, and he¡¯s been known to be away for days at a time when there¡¯s no work to be done. That being the case, his current absence hasn¡¯t been cause for alarm¡ªespecially now that Janson has neither an office nor research lab anymore.


    ¡°I don¡¯t know how to tell you this, so I¡¯ll just say it,¡± the kid says. ¡°Austin was taken away for unwinding last night.¡±


    Janson stammers for a moment in protective denial. ¡°That can¡¯t be. There must be some mistake¡ªhe¡¯s too old to be unwound now! In fact, he celebrated his birthday just this past weekend.¡±


    ¡°His actual birthday¡¯s tomorrow,¡± the kid says.


    ¡°But . . . but . . . he¡¯s not a feral! He has a home! A job!¡±


    The kid shakes his head. ¡°Don¡¯t matter. His father signed an unwind order.¡±


    And in the stunned silence that follows, Sonia comes down the stairs. ¡°Janson, what¡¯s wrong?¡±


    But he finds he can¡¯t tell her. He can¡¯t even repeat the words aloud. She comes to his side, and the boy at the door, wringing a woolen hat in his hands, continues. ¡°His dad, see¡ªhe¡¯s got a drug problem¡ªthat¡¯s the reason Austin was on the streets to begin with. From what I hear, someone offered him a lot of money to sign those papers.¡±


    Sonia gasps, covering her mouth as she realizes what has happened. Janson¡¯s face goes red with fury. ¡°We¡¯ll stop it! We¡¯ll pay whatever we have to pay, bribe whomever we need to bribe¡ª¡±


    ¡°It¡¯s too late,¡± says the kid, looking to the welcome mat at his feet. ¡°Austin was unwound this morning.¡±


    None of them can speak. The three stand in an impotent tableau of grief until the kid says, ¡°I¡¯m sorry,¡± and hurries away.


    Janson closes the door and then holds his wife close. They don¡¯t talk about it. They can¡¯t. He suspects they¡¯ll never speak of it to each other again. Janson knows this was intended as a warning¡ªbut a warning to do what? Stay quiet? Embrace unwinding? Cease to exist? And if he tries to rattle his saber at Proactive Citizenry, what good will it do? They haven¡¯t actually broken the law. They never do! Instead they mold the law to encompass whatever it is they wish to accomplish.


    He lets go of Sonia and goes to the stairs, refusing to look at her. ¡°I¡¯m going to bed,¡± he tells her.


    ¡°Janson, it¡¯s barely noon.¡±


    ¡°Why should that make a difference?¡±


    In the bedroom, he draws the shades, and as he buries himself in the covers, in the dark, he thinks back to the time Austin broke into their home and hit Janson in the head. Now Janson wishes that the blow would have killed him. Because then Austin might still be whole.


    47 ? Connor


    Starkey. He should have known it was Starkey. The numbers of the dead reported from the crash in the Salton Sea didn¡¯t match with the numbers he knew escaped. He was foolish enough to think that either Starkey had been among the dead, or would lie low, content with his petty principality of storks. As Connor prepares to leave Una¡¯s apartment and continue the journey to Ohio, he can¡¯t help but be drawn in by the news reports coming in on every station about the attack on MoonCrater Harvest Camp.


    ¡°You mean you know this guy?¡± Lev asks.


    ¡°He¡¯s the one who stole the escape plane,¡± Connor explains. ¡°You saw it take off from the Graveyard, didn¡¯t you? He took all the storks and left the rest of us for the Juvies.¡±


    ¡°Nice guy.¡±


    ¡°Yeah. I was an idiot for not seeing his psycho factor before it was too late.¡±


    The premeditated lynchings at MoonCrater is Starkey¡¯s line in the sand, and it¡¯s quickly deepening into a trench. Five staff members hung and a sixth one left alive to tell the tale. The media scrutiny is turning Mason Starkey into a swollen image much larger than his five-foot-six stature, and Connor realizes, as much as he hates to admit it, that they are in the same club now. They are both cult figures in hiding, hated by some, adored by others. Vilified and lionized. He wouldn¡¯t be surprised if someone starts making T-shirts featuring both of them side by side, as if their renegade status makes them in any way comrades in arms.


    Starkey claims to speak for storks, but people don¡¯t differentiate when it comes to AWOLs. As far as the public is concerned, he¡¯s the maniacal voice of all Unwinds¡ªand that¡¯s a big problem. As Starkey¡¯s trench in the sand fills with blood, the fear of AWOLs will grow, tearing apart everything Connor has fought for.


    He used to impress upon the Whollies at the Graveyard the importance of keeping their wits about them and using their heads. ¡°They think we¡¯re hopelessly violent and better off unwound,¡± he would tell them. ¡°We have to prove to the world that they¡¯re wrong.¡±


    All it might take to destroy everything that Connor has worked for is Starkey kicking out five chairs.


    Connor turns off the TV, his eyes aching from all the coverage. ¡°Starkey won¡¯t stop there,¡± he tells Lev. ¡°It¡¯s only going to get worse.¡±


    ¡°Which means there are three sides in this war now,¡± Lev points out, and Connor realizes that he¡¯s right.


    ¡°So, if the first side is driven by hate and the second by fear, what drives us?¡±


    ¡°Hope?¡± suggests Lev.


    Connor shakes his head in frustration. ¡°We¡¯re gonna need a lot more than that. Which is why we have to get to Akron and find out what Sonia knows.¡±


    Then from behind him he hears, ¡°Sonia who?¡±


    It¡¯s Cam, stepping out of the bathroom. He¡¯s been locked in the basement for safekeeping, but Una must have sent him up on one of his regular bathroom runs. Connor feels fury rise in him, not so much at Cam, but at himself¡ªfor having given away two crucial pieces of information. Their destination and a name.


    ¡°None of your goddamn business!¡± Connor snaps.


    Cam raises his eyebrows, causing the pattern of multiracial seams in his forehead to compress. ¡°Hot button,¡± Cam says. ¡°This Sonia must be important for you to react like that.¡±


    Their plan has been to leave Cam in Una¡¯s basement until Lev and Connor are too far away for him to pick up the trail. That way, although he knows where they¡¯ve been, he won¡¯t know where they¡¯re going and can¡¯t bring the information back to his creators¡ªbecause in spite of his claims to have turned on them, there¡¯s been no proof to back up the claim.


    However, Cam now has a name as well as the city they¡¯re headed to. If he does go back to Proactive Citizenry, it won¡¯t take long for them to realize that this particular Sonia is the long-lost wife of their disavowed founder.


    Connor realizes that everything has now changed, and their lives have become infinitely more complicated.


    48 ? Lev


    More things have changed than Connor even realizes¡ªbut Lev is not about to hit him with his own big announcement just yet.


    He watches as Connor grabs Cam¡¯s arm a little too hard, but then Lev realizes that he¡¯s using Roland¡¯s hand to do it, so that¡¯s understandable. He pulls him toward the stairs with troubling purpose.


    ¡°What are you going to do?¡± Lev asks.


    Connor gives him a bitterly sardonic smile. ¡°Have a meaningful discussion.¡± Then Connor pulls Cam down the stairs, leaving Lev alone with Grace, who had eavesdropped on everything from the safety of Una¡¯s room. Grace, Lev knows, is another variable to be dealt with. Throughout all of this, she¡¯s kept her distance from Lev, and they¡¯ve said very little to each other.


    ¡°So is Cam coming to Ohio?¡± she asks.


    ¡°Why on earth would Connor take him to Ohio?¡±


    Grace shrugs. ¡°Friends close, enemies closer kind of thing,¡± she says. ¡°Seems to me there¡¯s three choices. Leave him, take him, or kill him. Since he knows too much, that brings it down to the last two, and Connor don¡¯t seem the killing type. Even though he runned you down with a car.¡±


    ¡°It was an accident,¡± Lev reminds her.


    ¡°Yeah¡ªanyways, best strategy is to bring him along. You watch. Connor¡¯s going to come back and tell you that you¡¯ve gained a travel buddy.¡± She hesitates for a moment, glances at him, then glances away. ¡°When are you gonna tell him that you¡¯re not coming?¡±

 Page 48

    Lev looks to her, a little shocked, a little angry. He had told no one of his decision yet. No one. How did she know?


    ¡°Don¡¯t look at me so funny. It¡¯s obvious to anyone with half a brain. You keep talking about Connor going to Ohio and his mission to find Sonia. You¡¯ve already cut yourself out of that picture in your head. Which is why I gotta go with him. So there¡¯s two of us to keep Cam in line.¡±


    ¡°You¡¯re relieved that I¡¯m not coming, aren¡¯t you?¡±


    Grace looks away from him. ¡°I never said that.¡± Then she adds, ¡°It¡¯s because I know you don¡¯t like me!¡±


    Lev grins. ¡°No, actually, you¡¯re the one who doesn¡¯t like me.¡±


    ¡°That¡¯s because I keep thinking you¡¯re gonna blow up! I know you say you can¡¯t, but what if you can? People step on mines that aren¡¯t supposed to work no more and blow themselves up, so what if you¡¯re like one of those mines?¡±


    Lev responds by swinging his hands together. Grace flinches, but nothing comes from Lev¡¯s clap but a clap¡ªand not even a loud one.


    ¡°Now you¡¯re just making fun of me.¡±


    ¡°Actually,¡± says Lev, ¡°there are a lot of people I¡¯ve come across that think ¡®once a clapper, always a clapper.¡¯ But I didn¡¯t blow us all sky-high when I got hit by the car, did I? If I was gonna blow, that would have done it.¡±


    Grace shakes her head. ¡°You¡¯re still not safe. Maybe you won¡¯t blow up, but you¡¯re not safe in other ways. I can just tell.¡±


    Lev isn¡¯t exactly sure what she means, but he senses that she¡¯s right. He¡¯s not a clapper anymore, but neither is he the model of stability. He¡¯s not sure what he¡¯s capable of¡ªgood or bad. And it scares him.


    ¡°I¡¯m glad you¡¯re going with Connor,¡± Lev tells her. ¡°And he¡¯ll take good care of you.¡±


    ¡°I¡¯ll take care of him, you mean,¡± Grace says, a bit offended. ¡°He needs me, because you can¡¯t win a thing like this without the brains. I know they call me low-cortical and all, but even so, I got this one corner of my brain that¡¯s like Grand Central Station. Stuff that other people can¡¯t figure out comes easy to me. Argent always hated that and called me stupid, but only because it made him feel stupid.¡±


    Lev smiles. ¡°Connor told me all about how you got him out during the raid at your house. You were the one who thought to send the Juvies looking elsewhere for us, and you also figured out the shooter wasn¡¯t trying to kill us.¡±


    ¡°Right!¡± Grace says proudly. ¡°And I even know who the shooter was¡ªbut like my mama always said, tellin¡¯ all you know just gets your head empty. Anyways, I thought on it and saw no need to tell.¡±


    Lev feels himself really warming to Grace for the first time. ¡°I figured it out too. And I agree with you. No one needs to know.¡± But, thinks Lev, maybe there are things Grace needs to know. He thinks about the situation with Starkey and realizes that if Grace is the strategist she appears to be, perhaps the challenge should be put to her. ¡°I have a train for you to run through Grand Central Station,¡± he says.


    ¡°Send it on through.¡±


    ¡°The question is: How do you win a three-sided war?¡±


    Grace frowns as she considers it. ¡°That¡¯s a tough one. I¡¯ll think on it and give you an answer.¡± Then she crosses her arms. ¡° ¡¯Course I can¡¯t give you an answer if you don¡¯t come with us, can I?¡±


    Lev offers her an apologetic smile. ¡°Then don¡¯t give the answer to me. Give it to Connor.¡±


    49 ? Connor


    Holding tightly to Cam¡¯s arm, Connor escorts him down the stairs. Una is in the back room of her shop, building a new guitar, escaping into her work.


    ¡°You sent him up there without warning any of us!¡±


    Una looks up from her work with only mild interest, as if, in her mind, they¡¯ve already left. ¡°I sent him to the bathroom. It¡¯s not like he was going to escape.¡±


    Connor doesn¡¯t bother to explain his anger. It¡¯s a waste of his breath. He continues down to the basement with Cam, who doesn¡¯t resist.


    ¡°So,¡± says Cam, with irritating nonchalance. ¡°Someone named Sonia in Akron.¡±


    Connor lets him loose. ¡°We could have the Ar¨¢pache lock you up as an enemy of the tribe, and you¡¯ll rot in a tribal jail for the rest of your miserable life.¡±


    ¡°Maybe,¡± says Cam, ¡°but not without a trial¡ªand everything I tell them will become a matter of public record.¡±


    Connor turns away from him, clenching his fists, growling in utter frustration¡ªthen turns back and finds Roland¡¯s hand swinging, connecting with Cam¡¯s jaw. Cam is knocked down, falling over a rickety wooden chair, and Connor prepares to hit him again. But then he looks at the arm. He holds eye contact with the shark. This might be satisfying, but it¡¯s not helping the situation. If he lets Roland¡¯s muscle memory rule that arm, then Connor loses more than just his temper. In a sense he loses a part of his soul.


    ¡°Stop,¡± he tells the shark. Reluctantly, the muscles of Roland¡¯s fist relax. Cam is the prisoner here, not Connor. He has to remind himself that no matter how compromised he feels, he still has the upper hand in the situation. He reaches down, rights the chair, and backs away. ¡°Take a seat,¡± he tells Cam, folding his anger back in on itself.


    Cam gets up off the dusty ground and pulls himself into the chair, rubbing his jaw. ¡°That grafted arm of yours has its own set of talents, doesn¡¯t it? And is that someone else¡¯s eye, too? That puts you two steps closer to being just like me.¡±


    Connor knows Cam is trying to goad him into losing control again, but Connor won¡¯t let it happen. He brings the focus back to the matter at hand.


    ¡°You have nothing but a name and a city,¡± Connor says, with relative calm. ¡°It¡¯s more than I want you to know, but even if you bring it back to the people who made you, it won¡¯t make a difference. And Sonia¡¯s just a code name, anyway.¡±


    ¡°A code name, huh?¡±


    ¡°Of course.¡± Connor shrugs it off like it¡¯s nothing. ¡°You don¡¯t think I¡¯d be stupid enough to say a real name when anyone could hear.¡±


    Cam gives him a Cheshire smile. ¡°Like a rug,¡± he says. ¡°I believe there¡¯s a brain bit in my right frontal lobe that¡¯s a BS detector, and it¡¯s pinging in the red.¡±


    ¡°Believe what you want,¡± Connor says with no choice but to stick to his story. ¡°Una will keep you locked in this basement as long as she feels like it, and when she lets you go¡ªif she lets you go¡ªyou can tell Proactive Citizenry whatever you want; they still won¡¯t find us.¡±


    ¡°Why are you so convinced I¡¯ll crawl back to them? I already told you, I hate them just as much as you do.¡±


    ¡°Do you expect me to believe you¡¯d bite the hand that made you?¡± says Connor. ¡°Yes, maybe you¡¯d do it for Risa, but not for me. The way I see it, you¡¯ll go to them, and they¡¯ll take you back with open arms. The prodigal son returns.¡±


    And then Cam asks a question that will linger in Connor¡¯s mind for a long, long time. ¡°Would you ever go back to the people who wanted to unwind you?¡±


    The question throws Connor for a loop. ¡°Wh¡ªwhat has that got to do with anything?¡±


    ¡°Being rewound was a crime every bit as heinous as unwinding,¡± Cam tells him. ¡°I can¡¯t change the fact that I¡¯m here, but I owe nothing to the people who rewound me. I would uncreate my creators if I could. I was hoping Risa would help me do that. But in her absence, it looks like I¡¯ll have to rely on you.¡±


    Although Connor doesn¡¯t trust him, there¡¯s a deep and indelible bruise to his words. His pain is real. His desire to bring down his creators is real.


    ¡°Prove it,¡± Connor says. ¡°Make me believe you want to tear them down as much as I do.¡±


    ¡°If I do, will you take me with you?¡±


    Connor has already realized they have little choice but to take him, but he plays this hand close. ¡°I¡¯ll consider it.¡±


    Cam is silent for a moment, holding emotionless eye contact with Connor. Then he says ¡°P, S, M, H, Y, A, R, E, H, N, L, R, A.¡±


    ¡°What?¡±


    ¡°It¡¯s a thirteen-character ID on the public nimbus. As for the password, it¡¯s an anagram of Risa Ward. You¡¯ll have to figure it out for yourself.¡±


    ¡°Why should I care what you have stored on the cloud?¡±


    ¡°You¡¯ll care when you see what it is.¡±


    Connor looks around the cluttered basement, finding a pen and a notepad among the debris on a table. He tosses them to Cam. ¡°Write down the ID. Not all of us have photographic memories stitched into our heads. And I¡¯m not guessing at passwords, so you¡¯ll write that down too.¡±


    Cam sneers at him, but obliges the request. When Cam is done, Connor takes the paper, putting it in his pocket for safekeeping, then locks Cam in the basement and returns to Una¡¯s apartment.


    ¡°I¡¯ve decided to take Cam with us,¡± he tells Lev and Grace, neither of whom seem surprised.


    50 ? Lev


    He breaks the news to Connor in the morning¡ªjust a few hours before Pivane is due to take them to the car that¡¯s waiting for them outside the north gate. He thinks Connor will be furious, but that¡¯s not his reaction. Not at first. The look on Connor¡¯s face is one of pity¡ªwhich Lev finds even worse than anger.


    ¡°They don¡¯t want you here, Lev. Whatever fantasy you¡¯ve got in your head about staying here, you¡¯ve gotta lose it. They don¡¯t want you.¡±


    It¡¯s only half-true, but it hurts to hear all the same. ¡°It doesn¡¯t matter,¡± he tells Connor. ¡°It¡¯s what I want that matters, not what they want.¡±


    ¡°So you¡¯re just going to disappear here? Pretend you¡¯re a ChanceFolk kid, living the simple life on the rez?¡±


    ¡°I think I can make a difference here.¡±


    ¡°How? By going hunting with Pivane and reducing the rabbit population?¡± Now Connor¡¯s voice starts to rise as his anger comes to the surface. Good. Anger is something Lev can deal with.


    ¡°They need to start listening to outside voices. I can be that voice!¡± he tells Connor.


    ¡°Listen to yourself! After all you¡¯ve been through, how can you still be so naive?¡±


    Now it¡¯s Lev¡¯s turn to get angry. ¡°You¡¯re the one who thinks talking to some old woman is going to change the world. If anyone is deluding themselves, it¡¯s you!¡±


    That leaves Connor with nothing to say, maybe because he knows Lev is right.


    ¡°How can you walk away,¡± Connor finally says, ¡°when they¡¯re about to overthrow the Cap-17 law?¡±


    ¡°Do you really think anything you or I can do will change that?¡±


    ¡°Yes!¡± Connor yells. ¡°I do. And I will. Or I¡¯ll die trying.¡±


    ¡°Then you don¡¯t need my help. I¡¯ll just be an anchor around your neck. Let me do something useful here instead of just tagging along.¡±

 Page 49

    Connor¡¯s expression hardens. ¡°Fine. Do whatever the hell you want. I don¡¯t care.¡± Which he obviously does. Then he tosses a card at Lev, which he fumbles a bit before catching.


    ¡°What¡¯s this?¡±


    ¡°Read it. It was supposed to be your new identity once we left the rez.¡±


    It¡¯s a fake Ar¨¢pache ID, with a bad picture of him he doesn¡¯t remember taking. The name on the ID is ¡°Mahpee Kinkajou.¡± It makes Lev smile. ¡°I like it,¡± Lev says. ¡°I think I¡¯ll keep my new identity. What name did they give you?¡±


    Connor looks at his own ID. ¡°Bees-Neb Heb¨ª¨ªte,¡± Connor says. ¡°Elina says it means ¡®stolen shark.¡¯?¡± He looks at the shark on his arm for a moment and opens his fingers, releasing his fist.


    ¡°Thank you for getting me out of the Graveyard,¡± he tells Lev, his anger resolving into a reluctant acceptance of the situation and maybe a begrudging respect for Lev¡¯s choice. ¡°And thanks for saving me from the parts pirate. I¡¯d probably be shipped around the world in pieces by now if it weren¡¯t for you.¡±


    Lev shrugs. ¡°It¡¯s nothing. It wasn¡¯t so hard.¡± Which they both know isn¡¯t true.


    51 ? Una


    Una thought she¡¯d be relieved that her obligation to Pivane was now over and her uninvited house guests would be leaving. However, the prospect of being alone with the knowledge of where Wil¡¯s hands have gone and where all his talent resides¡ªa knowledge she can share with no one¡ªis a difficult burden to bear. Things may go back to the way they were, but for Una, they will never be normal again.


    She wishes her parents were here, or Elder Lenna, her mentor who left her the luthier shop¡ªbut they have all retired to Puerto Pe?asco, a resort town on the Sea of Cortez that caters to ChanceFolk retirees. Perhaps Una could retire at nineteen¡ªjust pick up and move down there, spending her days like an old widow who never actually had the chance to marry.


    The Tashi¡¯nes are expected to come at nightfall, removing her guests and leaving her in ambivalent solitude. Now Cam will be going as well. She had thought she would be asked to sequester him a little while longer before flinging him back into the world, but he¡¯ll be gone with the others.


    She busies herself that afternoon working on a new satinwood guitar, bending and bracing the sides by hand; then just before dark, she hears music coming from the basement. She knows it must be Cam, and try as she might, she cannot bring herself to ignore it. She unlocks the door and slowly descends.


    Cam sits in a chair, playing an old flamenco guitar he must have found in some forgotten corner and tuned on his own. The music coming from that old guitar seems to suck the oxygen out of the room. Una can¡¯t catch her breath. It¡¯s a powerful tune he plays, laden with rage and regret, but also with peaceful resolve. This is nothing Wil had ever played in his life, but is most definitely of Wil¡¯s unique composition.


    Cam is too absorbed in the music to look up, but he knows Una is there. He must know. She doesn¡¯t want to speak, for words will break the spell woven by Wil¡¯s fingers on the strings. Cam crescendos, holds on the penultimate chord, then allows the song its conclusion, those final tones resonating in every hollow of the basement, including the hollow that Una knows resides within her. The silence that follows feels as important as the music that came before it, as if it¡¯s also a part of the piece. She finds she can¡¯t break that silence.


    Finally Cam looks to her. ¡°I wrote that for you,¡± he says. The expression on his face is hard to read, for, like her, he is filled with the many emotions the song carried.


    In some inexplicable way, Una feels violated. How dare he push so deeply into her with his music? His music, because Cam has layered his own soul upon Wil¡¯s. Something new, built upon the foundation laid down by the monsters who created him.


    ¡°Did you like it?¡± he asks.


    How can she answer that question? That piece of music wasn¡¯t just for her; it was her. Somehow he distilled every ounce of her being into harmony and dissonance. He might as well ask if she likes herself¡ªa question that has become just as complicated as the tonal qualities of the song.


    Instead of answering, she says, with her voice catching in her throat, ¡°Promise me you will never play that again.¡±


    Cam is surprised by her request. He considers it and says, ¡°I promise that I will never play it for anyone but you.¡± Then he puts down the guitar and stands. ¡°Good-bye, Una. Knowing you has been¡±¡ªhe hesitates in search of the word¡ª¡°necessary. For both of us, maybe.¡±


    Una finds herself drawn by his gravity, as she has been since he first appeared in her shop. Now she finds herself unable to resist it. She steps close to him. Looking to his left hand, she clasps it and caresses it. Then she looks to his right hand and takes it as well. Never looking up from those hands, she intertwines her fingers with his.


    ¡°You¡¯re not going to hit me with a rock again, are you?¡± he asks.


    She closes her eyes, basking in the feel of those hands, which she loves still. She brings his right hand to her face, and he caresses her cheek. She feels that old shiver again, and this time she embraces the feeling, all the while hating herself for it.


    Finally she looks into his eyes, unexpectedly shocked to see the eyes of a stranger. And as she kisses him, she knows she¡¯s kissing the lips of a stranger as well. How can his music be so in tune with her soul and the rest of him so disconnected? So out of joint? She should never have allowed this to happen, but she can¡¯t let go of his ill-gotten hands. And she finds it almost as hard to break away from the kiss.


    ¡°Once you leave here,¡± she tells him, ¡°never come back.¡± And then she whispers desperately, passionately into his ear, ¡°I despise you, Camus Comprix.¡±


    52 ? Connor


    They must travel by night, because a carload of young people is always suspect. At night it¡¯s easier to hide their identities, and the highway patrol will leave them alone as long as Connor doesn¡¯t speed or do anything to draw attention. Also, the car is a purple sedan. Not exactly low profile. Another reason why driving at night is called for.


    ¡°It was the best we could do,¡± Elina told them as they saw them off. The Tashi¡¯ne family had said their good-byes at Una¡¯s shop¡ªand Una had volunteered to drive them to the car that was waiting just outside the northern gate of the reservation. It was the only way to keep Cam¡¯s presence a secret from them.


    Lev¡¯s farewell to Connor was subdued and stilted, neither of them very good at saying good-bye.


    ¡°Do good. And stay whole,¡± Lev had said to Connor.


    Connor had thrown him the slightest of grins. ¡°Get a haircut,¡± he said, ¡°by the next time I see you.¡±


    It¡¯s midnight when they cross from Colorado into Kansas. Cam and Grace are both in the back¡ªConnor not trusting Cam enough to let him ride shotgun, but also not trusting him enough to leave him in the backseat by himself. With an unpleasant blast of d¨¦j¨¤ vu, Connor sees the sign for the Heartsdale exit and the approximate spot where he hit the ostrich. The bird is long gone, but Connor still grips the wheel, in case another one launches a suicide run into their path.


    ¡°Homesick, Grace?¡± he asks, as they near the town.


    ¡°Home always makes me sick,¡± she says. ¡°Drive on.¡±


    Connor finds himself holding his breath as they pass the exit, as if the place will reach out tentacles and drag them in. Once they¡¯re past, the air in the car seems to lighten. Connor knows it¡¯s just his imagination, but he¡¯s grateful for the sense that their journey is back on track.


    While Connor wants to drive through the night, drowsiness overtakes him a little after three in the morning.


    ¡°You can let me drive,¡± Cam says. ¡°There are a few excellent drivers in my internal community. I¡¯m sure I can rally them to do the job.¡±


    ¡°Thanks, but no thanks.¡± Putting Cam in control of anything is still far beyond Connor¡¯s level of trust¡ªand anyone who talks about an ¡°internal community¡± really shouldn¡¯t be behind the wheel of an automobile anyway.


    They pull off in the town of Russell, Kansas, in search of an inconspicuous place to spend the night. Most hotels require interaction with people, and any interaction will mean trouble, but like most interstate towns, there¡¯s an iMotel in Russell that dispenses its room keys via vending machine. All it requires is an ID and cash. As they stand before the vending kiosk, Cam grabs Connor¡¯s ID to look at it and is irritatingly amused.


    ¡°?¡®Bees-Neb Heb¨ª¨ªte.¡¯ There¡¯s a mouthful.¡±


    ¡°He¡¯s the bees knees!¡± says Grace, and laughs.


    Connor grabs the ID back and inserts it into the slot. ¡°If it does the job, it¡¯s the best name in the world.¡± Sure enough, the vending kiosk accepts the ID without a problem. Connor feeds in some of the money the Tashi¡¯nes provided, and they have their room for the night. No worry, no hassle. They hunker down in a room with two beds that they¡¯ll have to share, but since only two of them will be asleep at any given time, the arrangement is just fine.


    ¡°You want me to keep an eye on Cam till dawn so¡¯s you can sleep?¡± Grace asks Connor, and although Cam protests that he doesn¡¯t need to be guarded, Grace sets herself up in a chair by the door, so even were she to doze, Cam would have to go through her to escape, and amuses herself by watching old war documentaries on the History Channel.


    ¡°I¡¯d think you¡¯d be more interested in the Game Show Network,¡± Connor says innocently. ¡°I mean, the way you like games.¡±


    Grace glares at him, insulted. ¡°Those shows are all dumb luck and dumber people. I like watchin¡¯ wars. Strategy and tragedy all rolled up in one. Keeps your interest.¡±


    Connor falls asleep in minutes to the faint sounds of twentieth-century artillery barrages. He wakes a few hours later to the sun streaming in through a slit in the curtains and the TV playing old cartoons almost as violent as the war documentaries.


    ¡°Sorry,¡± says Grace. ¡°I couldn¡¯t close them tighter than that.¡± Connor can hear activity in the rooms around them. Other muffled TVs, showers turning on and off, doors slamming as travelers leave to wherever it is they¡¯re going. Cam sleeps, without a care in the world it seems, and Connor relieves a grateful Grace, who takes Connor¡¯s space on the other bed and is snoring in a matter of minutes.


    The room, which Connor had taken little notice of when they arrived, is the standard, unmemorable efficiency sleep space that dots highway off-ramps around the globe. Beige institutional furniture, dark carpet designed to hide stains. Comfortable beds to assure a return visit to the chain. There¡¯s also a computer interface built into the desk¡ªalso standard these days. Connor pulls out the slip of paper with the ID and password Cam had given him and logs in, to see if Cam¡¯s information is worth the trouble of having him along.


    It turns out that Cam wasn¡¯t bluffing. Once logged in, he¡¯s given access to page after page of files Cam was hiding on the public nimbus. Files that had been digitally shredded but painstakingly reconstituted. These are communications within Proactive Citizenry that no one else was ever supposed to see. Much of it seems useless: Corporate e-mails that are mind-numbingly bland. Connor has to resist the urge to just skim through them. The more he reads however, the more key phrases begin to stand out. Things like ¡°targeted demographic¡± and ¡°placement in key markets.¡± What¡¯s also curious are the domains where many of these e-mails are going to and coming from. These messages seem to be communications between the movers and shakers of Proactive Citizenry and media distributors, as well as production facilities. There are e-mails that discuss casting and expensive advertisements in all forms of media. It¡¯s pretty vague¡ªintentionally so¡ªbut taken together it begins to point in some frightening directions.

 Page 50

    Connor views some of the ads the communications seem to indicate. If Connor is piecing it all together correctly, then Proactive Citizenry, under different nonprofit names, is behind all the political adds in support of teenage unwinding. That¡¯s no surprise¡ªin fact, Connor had already suspected that. What surprises him is that Proactive Citizenry is also behind the ads against the unwinding of teenagers but in favor of shelling prisoners and the voluntary unwinding of adults.


    ¡°Eye-opening, isn¡¯t it? Even if one of those eyes isn¡¯t yours.¡±


    Connor turns to see Cam sitting up in bed, watching him wade through the material. ¡°And this is just the opening of the rabbit hole,¡± Cam says. ¡°I guarantee you there¡¯s darker, scarier stuff to find, the deeper we go.¡±


    ¡°I don¡¯t get it.¡± Connor points to the various windows of political ads on the desktop, ads that blast the Juvenile Authority and call the unwinding of kids unethical. ¡°Why would Proactive Citizenry play both sides?¡±


    ¡°Two-headed coin,¡± Cam says. Then he asks the strangest question. ¡°Tell me, Connor, is this the first time you¡¯ve been pregnant?¡±


    ¡°What?¡±


    ¡°Just answer the question, yes or no.¡±


    ¡°Yes. I mean no! Shut up! What kind of stupid-ass question is that?¡±


    Cam smiles. ¡°You see? You¡¯re damned no matter how you answer. By playing both sides, Proactive Citizenry keeps people focused on choosing between two different kinds of unwinding, making people forget that the real question . . .¡±


    ¡°Is whether or not anyone should be unwound at all.¡±


    ¡°Nail on the head,¡± says Cam.


    Now it makes perfect sense. Connor thinks back to all the things Trace Neuhauser had told him back in the Graveyard about the shrewd, insidious nature of Proactive Citizenry¡¯s dealings. Their subtle manipulation of the Juvenile Authority. The way they used the Admiral to warehouse Unwinds for them, all the while the Admiral¡ªand then Connor¡ªtruly believing they were giving safe sanctuary to those kids.


    ¡°So whichever side wins, it keeps the status quo,¡± Connor says. ¡°People get unwound and the Unwinding Consortium still gets rich.¡±


    ¡°The Unwinding Consortium?¡±


    ¡°It¡¯s what a friend once called all the people who make their money from unwinding. The companies who own the harvest camps, hospitals who do the transplants, the Juvenile Authority . . .¡±


    Cam considers it with a single raised eyebrow that throws the symmetrical seams on his forehead out of balance and says. ¡°All roads lead to Rome. Unwinding is the single most profitable industry in America¡ªmaybe even the world. An economic engine like that protects itself. We¡¯ll have to be smarter than they are to break it down.¡± And then Cam smiles. ¡°But they made one big mistake.¡±


    ¡°What¡¯s that?¡±


    ¡°They built someone who¡¯s smarter than they are.¡±


    ? ? ?


    Cam and Connor pore over the information for another hour. But there¡¯s so much, it¡¯s hard to pull out what¡¯s important and what¡¯s not.


    ¡°There are financial records,¡± Cam tells Connor. ¡°They show huge amounts of money disappearing, as if into a black hole.¡±


    ¡°Or a rabbit hole,¡± suggests Connor.


    ¡°Exactly. If we can figure out where that money¡¯s going, I think we¡¯ll have the sword upon which Proactive Citizenry will impale itself.¡± Then Cam gets quiet. ¡°I think they¡¯re funding something very, very dark. I¡¯m almost afraid to find out what it is.¡±


    And although Connor won¡¯t admit it, he is too.


    53 ? Bam


    She carries out orders. She takes care of the new arrivals. She tries not to think about the MoonCrater five. That¡¯s what the media calls the harvest camp workers whom Starkey hung. They¡¯re martyrs now¡ªevidence, according to some political pundits, of why certain incorrigible teens simply need to be unwound.


    Two storks were killed and seven injured in the fake battle that Bam waged at the outer gate, for while Bam and her team weren¡¯t actually trying to kill anyone, the guards firing at them were. That they even made it out of there was a miracle. In the end, their assault served its purpose. It appeared to be a botched attempt to break into the camp¡ªuntil the security force released the dormitory building from lockdown and found what they found.


    Five people lynched in the MoonCrater dormitory.


    The pictures are as disturbing as anything Bam has seen in history books.


    Busy. She must keep herself busy. The storks were separated from the nonstorks right after they arrived back at the mine. This time rather than just leaving the unchosen to fend for themselves in the middle of nowhere, Bam arranged for them to be taken to Boise¡ªthe nearest major city. They¡¯d be on their own, but at least they¡¯d have the camouflage of concrete and crowds to keep them hidden. And who knows, maybe the ADR will find them and give them sanctuary. That is if the ADR even exists anymore.


    Five people.


    The boys¡¯ head counselor, a janitor, an office worker, a chop-shop nurse, and the chef¡¯s boyfriend, who was visiting the wrong place on the wrong weekend.


    And now, thanks to the one woman whose life he spared, everyone knows the name Mason Michael Starkey.


    ¡°Congratulations,¡± she told him when she had calmed down enough to speak to him without raging. ¡°You¡¯re now Public Enemy Number One.¡± To her disbelief, it actually made him smile.


    ¡°How could that possibly be a good thing?¡±


    ¡°I¡¯m feared,¡± he told her. ¡°I¡¯m a force to be reckoned with. They know that now.¡±


    And in the two days since the MoonCrater liberation, the fervent, ferocious, and almost viral support he gets from storks attests to his new larger-than-life status. It¡¯s not just from the Stork Brigade, either. Whole online communities have sprung up out of nowhere. ¡°Storks unite!¡± they proclaim and ¡°Ride, Starkey, ride,¡± like he¡¯s some sort of Jesse James robbing stagecoaches. It seems everyone who¡¯s ever known him has tried to hop on his coattails to steal their own fifteen minutes of fame, posting stories and pictures of him, so the world knows every bit of his pre-AWOL life and every angle of his face.


    It comes to light that he shot and killed one of the Juvey-rounders who picked him up from his home for unwinding, painting him in an even more dangerous light¡ªand yet incredibly, the more vilified he is by polite society, the more support he gets from the disenfranchised.


    Wrap it all together, and Starkey has achieved exactly what he wanted. His name has eclipsed the name of Connor Lassiter.


    Because he hung five people in cold blood. Who knows how many it will be next time?


    No! Bam can¡¯t let herself think that way. It¡¯s her job to shed light on the positive side. Hundreds of Unwinds saved. A rattling of the status quo. Bam reminds herself that she agreed to be a part of this. Back in the airplane graveyard, Starkey had put his faith in her when no one else would. He chose her to be his second in command in all things¡ªif not his confidant, then at least his sounding board. She owes him allegiance in spite of everything. He¡¯s taken on this mission to be the Savior of Storks, to be a voice for the voiceless, and he¡¯s succeeding. Who is she to question his methods?


    But Hayden has been questioning since the moment he arrived, if only to her and only when she will put up with it. He defied Starkey right to his face, though, when he found out about the hangings, refusing to return to the computer, wanting nothing to do with the next liberation. Starkey was furious, of course. He roared like a hurricane, but Hayden, who Bam never thought had much of a backbone, stood up to him.


    ¡°I won¡¯t work for a terrorist,¡± Hayden had told him. ¡°So behead me right here, or get the hell out of my face.¡± Had it been in front of anyone other than Bam and Jeevan, Starkey might actually have obliged an old-fashioned head rolling, to set an example for the storks. Those of them who still believed Hayden had collaborated with the Juvies would have welcomed it. But then Starkey¡¯s anger suddenly broke and he began laughing, which somehow gave him more power in the moment than his anger had. If you can¡¯t win, then make a joke out of it. That had always been Hayden¡¯s MO, but Starkey had now stolen that from him.


    ¡°Never try to be serious, Hayden¡ªit¡¯s too funny.¡± Then he put Hayden back on food inventory, as if it had been his plan all along. ¡°A menial job for a mediocre mind.¡±


    Well, apparently, Hayden¡¯s mind isn¡¯t as mediocre as Starkey would like to think, because a day and a half later, Starkey sends Bam on a mission to coax Hayden back to the computer room. As if she¡¯ll have any more sway than Starkey. Gentle persuasion is not one of Bam¡¯s gifts¡ªand Hayden has already shown that he won¡¯t be bullied. It¡¯s a fool¡¯s errand, but lately, she¡¯s been feeling very much the fool.


    She finds Hayden in the supply room, sitting against a support beam in that central patch of darkness. He¡¯s not doing much in terms of inventory and distribution, it seems. Although he¡¯s writing in the inventory notebook. When the guard on Hayden duty sees her, he stands and hefts his weapon, trying to pretend like he hadn¡¯t been dozing on a sack of rice.


    Hayden doesn¡¯t even look up at her as she approaches.


    ¡°Why are you writing in the dark?¡±


    ¡°Because I¡¯m such an awful writer, it¡¯s best no one sees it¡ªnot even me.¡±


    She steps into the pool of darkness to find it¡¯s not all that dark after all. It just seems that way when coming from the lighter edge. He doesn¡¯t stand up to greet her; he just continues writing.


    ¡°So what is it?¡±


    ¡°I¡¯m keeping a journal of my time here. That way, when it¡¯s our turn to hang for the things we¡¯re doing, there¡¯ll be a record of what really happened. I¡¯m calling it ¡®Starkey¡¯s Inferno,¡¯ although I¡¯m not quite sure which level of hell this is.¡±


    ¡°They don¡¯t hang people anymore,¡± Bam points out. Then she thinks of Starkey¡¯s lynchings. ¡°Or at least they don¡¯t hang people officially.¡±


    ¡°True. I suppose they¡¯ll just shell us. Or at least they will if those shelling laws pass.¡± He closes the notebook and looks up at her for the first time. ¡°The Egyptians were the first to think of shelling. Did you know that? They mummified their leaders to preserve their bodies for the afterlife¡ªbut before they sent them on their unmerry way, they sucked their brains out of their heads.¡± He pauses to consider it. ¡°Geniuses, those Egyptians. They knew the last thing a pharaoh needs is a brain of his own, or he might do some real damage.¡±


    Finally he stands to face her. ¡°So what are you doing here, Bam? What do you want?¡±


    ¡°We need you to show Jeevan how to break through firewalls. You don¡¯t have to do any of the breaking; you just need to show him.¡±


    ¡°Jeevan knows how to defeat firewalls¡ªhe did it all the time at the Graveyard. If he¡¯s not doing it, it¡¯s because he doesn¡¯t want to but he¡¯s afraid to tell the Stork Lord.¡±


    ¡°The Stork Lord¡ªis that what the media¡¯s calling him now?

 Page 51

    ¡°No. It¡¯s my own term of endearment,¡± Hayden admits. ¡°But if they did start calling him that, I¡¯m sure Starkey would love it. I¡¯ll bet he¡¯d build himself an altar so that the common folk may worship in song and sacrifice. Which reminds me¡ªI¡¯ve been toying with the idea of an appropriate Stork Lord salute. It¡¯s like a heil Hitler thing, but with just the middle finger. Like so.¡± He demonstrates, and it makes Bam laugh.


    ¡°Hayden, you really are an asshole.¡±


    ¡°Coming from you, I take that as a compliment.¡± He gives her a hint of his condescending smirk. She¡¯s actually glad to see it.


    He hesitates for a moment, takes a glance over at his guard, who is dozing on the rice again; then he steps closer to her and says quietly, ¡°You¡¯d be a better leader than Starkey, Bam.¡±


    There¡¯s silence between them. Bam finds she can¡¯t even respond to that.


    ¡°You can¡¯t tell me you haven¡¯t thought of it,¡± Hayden says.


    He¡¯s right; she has thought about it. And she also dismissed the idea before it could take root. ¡°Starkey has a mission,¡± she tells him. ¡°He has a goal. What do I have?¡±


    Hayden shrugs. ¡°Common sense? A survival instinct? Good bone structure?¡±


    Bam quickly decides this is not a conversation she¡¯s going to have. ¡°Put down the notebook and start doing your job. There wasn¡¯t enough food yesterday¡ªmake sure there is tonight.¡±


    He gives her a middle-finger heil, and she leaves, chucking a potato at the sleeping guard to wake him up.


    ? ? ?


    It¡¯s that afternoon when Bam¡¯s world, already dangerously off-kilter, turns upside down entirely. It¡¯s because of the Prissies. That¡¯s always been her special word for the kind of girls she hates most. Dainty little things who have lived a carefree life of privilege, whose troubles are limited to choice of nail color and boyfriend woes and whose names sound normal but are weirdly spelled. Even among the Stork Brigade there are girls who qualify as Prissies, ever aloof and pretentious even as their clothes tatter into rags. Somehow, in spite of all the hardships they¡¯ve endured, they manage to be pretty and petty and as shallow as an oil slick.


    There are three in particular who have formed their own little click over the past few weeks. Two are sienna, one umber, and all three are annoyingly beautiful. They didn¡¯t participate in either harvest camp liberation¡ªin fact, they never seem to do much of anything but talk among themselves and whisper derision of others. More than once Bam has heard them snarking behind her back about her height, her arguably mannish figure, and her general demeanor. She avoids them on principle, but today Bam¡¯s feeling belligerent. She wants to pick a fight, or at least to make others feel miserable¡ªand who better to make miserable than girls who have a dainty figure instead of good bone structure?


    She finds them in the area of the mine designated as ¡°girls only.¡± It¡¯s where they go to avoid unwanted advances from the hormonal male population when they¡¯ve tired of flirting. Bam hasn¡¯t noticed them flirting lately. She doesn¡¯t think anything of it at first.


    ¡°Starkey needs munitions moved deeper into the mine,¡± she tells them. ¡°I¡¯ve elected you three to do it. Try not to blow yourselves up.¡±


    ¡°Why are you telling us?¡± Kate-Lynn asks. ¡°Get some of the boys to do it.¡±


    ¡°Nope. It¡¯s your turn today.¡±


    ¡°But I¡¯m not supposed to be lifting heavy things,¡± whines Emmalee.


    ¡°Right,¡± says Makayla. ¡°None of us are.¡±


    ¡°According to who?¡±


    They look at one another like none of them wants to say. Finally Emmalee becomes the spokeswoman of the clique. ¡°Well . . . according to Starkey.¡±


    That Starkey would give special privileges to the Prissies irritates Bam even further. Well, she¡¯s his workhorse around this place¡ªshe can take away any privileges she chooses.


    ¡°Every stork contributes,¡± Bam tells them. ¡°Get off your lazy butts and get to work.¡±


    Makayla whispers something into Kate-Lynn¡¯s ear, and Kate-Lynn throws a telepathic sort of gaze at Emmalee, who shakes her head and turns back to Bam, offering an apologetic smile that¡¯s not apologetic at all.


    ¡°We really do have special permission directly from Starkey,¡± she says.


    ¡°Permission to do nothing? I don¡¯t think so.¡±


    ¡°Not to do nothing, but to take care of ourselves. And each other,¡± Kate-Lynn says.


    ¡°Right,¡± parrots Makayla. ¡°Ourselves and each other.¡±


    Every word out of their mouths makes Bam want to just slap them silly. ¡°What on earth are you talking about?¡±


    They share that three-way telepathic gaze again; then Emmalee says, ¡°We¡¯re really not supposed to talk about this with you.¡±


    ¡°Really. Did Starkey tell you that?¡±


    ¡°Not exactly.¡± Finally Emmalee rises to face Bam, holding her gaze and speaking slowly. ¡°We have to take care of ourselves . . . because Starkey¡¯s made us unwind proof.¡± Bam is not a stupid girl. She¡¯s not much when it comes to school smarts, because her attitude always got in the way¡ªbut she¡¯s always been a quick study in the school of life. This, however, is so far out of the realm of Bam¡¯s concept of reality, she just doesn¡¯t get it.


    Now the other Prissies stand. Makayla puts a sympathetic hand on Bam¡¯s shoulder. ¡°Unwind proof for nine months,¡± she says. ¡°Do you understand now?¡±


    It hits her like a mortar blast. She actually stumbles back into the wall. ¡°You¡¯re lying! You have to be!¡±


    But now that it¡¯s out, their eyes take on a strange ecstatic look. They¡¯re telling the truth! My God, they¡¯re telling the truth!


    ¡°He¡¯s going to be a great man,¡± Kate-Lynn says. ¡°He already is.¡±


    ¡°We might all be storks, but his children won¡¯t be,¡± says another. Bam doesn¡¯t even know which one it is. They¡¯re all the same to her now. Three talking heads on a single body, like some horrible, beautiful hydra.


    ¡°He promises he¡¯ll take care of us.¡±


    ¡°All of us.¡±


    ¡°He swears he will.¡±


    ¡°And you don¡¯t know what it¡¯s like.¡±


    ¡°You can¡¯t know what it¡¯s like.¡±


    ¡°To be chosen by him.¡±


    ¡°To be touched by greatness.¡±


    ¡°So we can¡¯t carry munitions today.¡±


    ¡°Or tomorrow.¡±


    ¡°Or ever.¡±


    ¡°So sorry, Bam.¡±


    ¡°Yes, so sorry.¡±


    ¡°We hope you can understand.¡±


    ? ? ?


    Bam storms through the maze of the mine in search of Starkey, losing track of where she¡¯s been, her thoughts and emotions in such a tailspin, it¡¯s all she can do not to blow up like a clapper.


    She finds him at the computer looking over Jeevan¡¯s shoulder at their next target, but right now, there¡¯s no room for that on Bam¡¯s radar. She¡¯s out of breath from running through the mine. She knows her emotions are on her sleeve, staining as brightly as blood. She knows she should have just run deeper into the mine and paced and stewed and broiled until her anger and disgust had faded. But she couldn¡¯t do it.


    ¡°When were you going to tell me?¡±


    Starkey regards her for a moment, takes a sip from his canteen, and sends Jeevan away. He knows from the look on her face exactly what she¡¯s talking about. How could he not know?


    ¡°Why do you think it¡¯s your business?¡±


    ¡°I am your second in command. You don¡¯t keep secrets from me!¡±


    ¡°There a difference between a secret and discretion.¡±


    ¡°Discretion? Don¡¯t you dare talk to me about discretion after scoring your little hat trick.¡±


    ¡°This is a dangerous thing I¡¯m doing out there. I¡¯m not entirely blind to that. I know it might be messed up, but I want to leave something behind if I don¡¯t survive¡ªand it¡¯s not like I forced them.¡±


    ¡°You never force anyone, do you, Mason? You just hypnotize them. You dazzle them. And before you know it, people are willing to do anything for you.¡±


    Then Starkey slices through to the one thing hanging in the air between them¡ªthe one thing that shouldn¡¯t be said.


    ¡°You¡¯re just pissed off because you¡¯re not one of them.¡±


    Bam slaps him so hard he stumbles, nearly knocking over the computer. And when he comes back at her, anger in his eyes, she¡¯s ready. She grabs his ruined hand and squeezes it. Hard. The reaction is immediate. His legs buckle beneath him, and he falls to his knees. She squeezes harder.


    ¡°Let . . . go . . . ,¡± he squeaks. ¡°Please . . . let . . . go . . . .¡±


    She grips his hand a moment longer, then releases it, prepared for whatever he does to her next. Let him throw her to the ground. Let him spit in her face. Let him hit her and hit her again. At least that would be something. At least there¡¯d be some passion from him launched in her direction.


    Instead of retaliating, he just grabs his ruined hand, rises, and closes his eyes until the pain passes.


    ¡°After all I¡¯ve done for you,¡± she says. ¡°After all I¡¯ve been for you, you go off with them?¡±


    ¡°Bambi, please¡ª¡±


    ¡°Don¡¯t call me that! Never call me that!¡±


    ¡°If it were you instead of them, you couldn¡¯t be out there with me changing the world, could you? It would be too dangerous!¡±


    ¡°You could have given me the choice!¡±


    ¡°And then what? How could you be my second if that¡¯s between us?¡±


    Bam finds she has no answer to that, and Starkey must know he¡¯s having an effect on her, because he takes a step closer. His voice becomes kinder. ¡°Don¡¯t you know how much you mean to me, Bam? What we have is something I¡¯ll never have with those girls.¡±


    ¡°And what they have, I¡¯ll never have.¡±


    He regards her. Gauging. Assessing. ¡°Is that what you really want, Bam? Is that what would make you happy? Really?¡± Then he steps deep into her airspace. She¡¯s so tall that standing this close, he seems even shorter than he really is.


    He cranes his neck to kiss her, but their lips are still an inch away, and instead of suffering the indignation of rising on his tiptoes, he reaches behind her head, pulling her down into the kiss. That kiss is like a conjurer¡¯s act. It¡¯s artful, it¡¯s worthy of applause, it is everything Bam ever dreamed it might be . . . but nothing will change the fact that it¡¯s only a trick, and today there is no audience to applaud it.


    ¡°I¡¯m sorry I hurt you, Bam. And you¡¯re right; you deserve something real from me.¡±


    ¡°That wasn¡¯t real, Mason.¡±


    He offers her something between a grin and a grimace. ¡°It¡¯s as real as I get.¡±


    ? ? ?


    Bam wanders the mine, feeling spent in every possible way. Her fury at Starkey no longer knows where to go. Neither do any of her emotions. She feels the longing for something unnamable that¡¯s been lost. If she were more naive, she¡¯d call it her innocence, but Bambi Ann Covalt has not been innocent for a very long time.

 Page 52

    She bumps her head hard on a rock jutting from the low-slung ceiling. She doesn¡¯t even realize where she was going until her head smacks that rock.


    ¡°You again?¡± Hayden says when he sees her. This time, he¡¯s actually loading a cart with food for the evening meal.


    Bam turns to his guard. ¡°Go get me something to drink.¡±


    He looks confused. ¡°But all the water and stuff is in here.¡±


    ¡°Fine. Then go get me some sushi!¡±


    ¡°Huh?¡±


    ¡°Could you really be that stupid? Just get the hell out of here!¡±


    ¡°Yes, Miss Bam.¡± He hurries out, practically tripping over his weapon.


    Hayden is amused. ¡°?¡®Miss Bam.¡¯ Sounds like a good name for a kindergarten teacher. Have you ever considered the profession?¡±


    ¡°I don¡¯t like children.¡±


    ¡°You don¡¯t like adults much either. Or, for that matter, anything in between.¡±


    For some reason, that makes tears rise like bile in her, but she bears down and holds them in, refusing to let Hayden see them.


    ¡°You¡¯re bleeding,¡± Hayden says. Concerned, he takes a step toward her, but she waves him off.


    ¡°I¡¯m fine.¡± She touches her head. There¡¯s a small cut where she bumped it on the ceiling. The least of her problems. She¡¯ll make an appointment with the kid with the dental floss. ¡°We need to talk.¡±


    ¡°About?¡±


    She checks to make sure the guard hasn¡¯t come back and they are truly alone. ¡°I promised you¡¯d have my ear. So bend it. Now.¡±


    54 ? Force


    The raid comes without warning, like a team of Juvie-rounders in the night. A real special-ops team¡ªnothing like the playacting kids Starkey calls special ops. The invaders tranq the storks guarding the entrance to the mine before they can even raise their weapons and flood into the tunnels, tranq¡¯ing anyone who comes into view. Their directive is simple: Get to Mason Starkey.


    The commotion wakes kids deeper in the mine in time for them to scramble for weapons, which they¡¯ve learned to use without hesitation and without fear. They bring several of the intruders down, but there are more behind them¡ªand this force is armed with weapons the storks have never seen: squad machine guns that spray tiny tranq-tipped darts at such an alarming rate, they create an inescapable wall of unconsciousness before them. The layers of protection surrounding Starkey peel away until he¡¯s exposed and vulnerable before the invading force.


    Starkey swings his own weapon up, but fumbles with it just long enough for his attackers to grab it and grab him.


    The entire operation is over in less than five minutes.


    55 ? Starkey


    It was madness to believe he was untouchable. He knows that now. The storks¡¯ hiding place was well concealed, but the Juvies are skilled at ferreting out the most resistant of AWOLs. Starkey struggles, but it¡¯s no use¡ªand his ruined hand is in such pain from the iron grip of his assailants that the rest of his body drains of strength, just as it had when Bam had grabbed him.


    All around him in the tunnels are the unconscious bodies of his precious storks with tiny spots of blood dotting their clothes where the tranq darts embedded in their skin. No one¡¯s fighting anymore. Anyone still conscious is on the run. The storks know they are outarmed and outclassed.


    ¡°Go deeper into the mine!¡± Starkey yells to them. ¡°Deep as you can go. Don¡¯t let them take you alive.¡±


    Although he¡¯s terrified, he holds in his heart the anger that he¡¯s wielded so well and the knowledge that as a martyr he will live forever.


    Wind whips the entrance of the mine, but it¡¯s not a natural wind. A helicopter darker than the night descends from above, tumbleweeds exploding out from its landing spot, as if racing to escape its crushing weight. This time Starkey has no trick up his sleeve to escape capture, so he embraces it. I am important enough to be taken by helicopter, he thinks.


    The door is opened, and he¡¯s thrown inside, landing on all fours. His left hand feels like it will shatter all over again. Why don¡¯t they tranq me? I can¡¯t bear this. I want it over.


    He feels the vertical acceleration of the helicopter lifting off, and when he looks up, he sees within this large industrial helicopter a sight he was not expecting. The space, rather than being filled with steel restraining chairs, is richly appointed. It¡¯s a lavish sanctuary of leather, brass, and polished wood, more like the cabin of a yacht than the inside of a helicopter.


    A man in dress slacks and a comfortable sweater sits in one of several plush chairs facing a television screen. He pauses the TV with a remote, swivels to face Starkey¡ªand Starkey wonders, as nausea and disorientation fill him, if maybe he was tranq¡¯d after all, and this is a momentary hallucination before he passes out entirely. But his vision holds; the scene before him is real, and his dizziness is nothing more than the motion of the helicopter.


    ¡°Mason Michael Starkey,¡± says the man. ¡°I¡¯ve been looking forward to meeting you.¡±


    He has dark hair, graying at the temples. He speaks crisp English with no hint of any regional accent and diction so perfect, it¡¯s unsettling.


    ¡°What¡¯s going on?¡± Starkey asks, knowing he must, even if he doesn¡¯t want to know the answer.


    ¡°Not what you think,¡± the man tells him. ¡°Come sit. We have things to discuss.¡± He points a remote at the TV, starting a paused recording. It¡¯s a collection of news bytes, all featuring Starkey. ¡°You¡¯re an overnight sensation,¡± the man says.


    Starkey rallies his fortitude and struggles to stand. The helicopter lists slightly starboard, and he has to hold the wall for balance. He moves no closer.


    ¡°Who are you?¡±


    ¡°A friend. That¡¯s all you really need to know, isn¡¯t it? As for my name, well, a name is a curious thing. Names can define us, and I do not wish to be defined. At least not in the current context.¡±


    Starkey, however, overheard a name mentioned while he was being captured. In the turmoil, he hadn¡¯t grasped it, but he does remember the first letter. ¡°Your last name,¡± says Starkey in defiance of the man, ¡°starts with a ¡®D.¡¯?¡±


    The man bristles, but only slightly. He pats the chair beside him. ¡°Please sit, Mason. You never know when we¡¯ll hit some unexpected turbulence.¡±


    Reluctantly Starkey takes a seat. He figures this guy is going to try to offer him a deal¡ªbut what kind of deal could it possibly be? They¡¯ve already captured him and the Stork Brigade. Perhaps they think he knows the whereabouts of Connor Lassiter¡ªbut even if he did, Starkey¡¯s now a bigger prize for the Juvenile Authority. Why would they even negotiate?


    ¡°You¡¯ve created quite a lot of consternation and confusion out there,¡± the man says. ¡°People hate you; people love you¡ª¡±


    ¡°I don¡¯t care what people think,¡± Starkey snarls.


    ¡°Oh, you most certainly do,¡± the man says with such condescension, Starkey wants to strike out at him but knows that wouldn¡¯t be wise. ¡°We should all monitor our image in this world. Give it the proper spin to meet our best interests.¡±


    He knows this man is toying with him, but toward what end? Starkey hates this sense of not being in control.


    Finally the man turns off the TV and swivels his chair so that he¡¯s fully facing Starkey. ¡°I represent a movement that very much approves of your actions and the apparent madness of your methods because we know it¡¯s not madness at all.¡±


    Again, this is not what Starkey was expecting. ¡°A movement?¡±


    ¡°I¡¯d call it an organization, but just like a name, it would define us far more than would be prudent.¡±


    ¡°You still haven¡¯t told me what you want.¡±


    He smiles broadly. It is neither warm nor comforting. ¡°We want the liberation of harvest camps, and more to the point, the punishment of those who run them. That¡¯s something we¡¯d very much like to see more of.¡±


    This still feels like it must be a trick. ¡°Why?¡±


    ¡°Our movement thrives on chaos because disruption brings about change.¡±


    Starkey suspects he knows what the man is talking about, although he¡¯s almost afraid to say the word aloud. ¡°Clappers?¡±


    He offers that cool smile again. ¡°You¡¯d be amazed how deep the roots of the movement go and how committed people are. We¡¯d like you to join us, if you¡¯re willing.¡±


    Starkey shakes his head. ¡°I will not become a clapper.¡±


    The man actually laughs. ¡°No, we¡¯re not asking you to. What a waste that would be for everyone. We simply want to help you in your efforts in any way we can.¡±


    ¡°And what do you want in return?¡±


    The man turns on the video again. On the screen is a shot looking down the long room of the girls¡¯ dormitory at MoonCrater and the five lifeless workers lynched from ceiling fans. ¡°More iconic images such as you¡¯ve created here,¡± he says brightly. ¡°Images that will haunt the souls of mankind for generations.¡±


    Starkey considers the scope of the undertaking. The power it will bring for the storks. The notoriety it will bring him. ¡°I can do that.¡±


    ¡°I hoped you would say that. We have a wealth of state-of-the-art weaponry and dedicated, if somewhat fanatical, followers willing to sacrifice themselves to create trigger points of mayhem.¡± Then he holds out his hand for Starkey to shake¡ªbut it¡¯s his left hand held out, not his right. He¡¯s done that intentionally. ¡°Consider us your partner, Mason.¡± And although Starkey¡¯s left hand is still throbbing with pain, he extends it and lets the man grasp it. He bites back the searing sting, because Starkey knows, when it comes to alliances, it¡¯s the pain that seals the pact.


    ? ? ?


    The helicopter flight is a journey to nowhere. It circles back when the conversation is over and the partnership has been struck, leaving Starkey off where he was picked up, near the entrance to the mine.


    There is a heightened sense of reality to everything around Starkey now. A sense that he¡¯s not so much walking but levitating a fraction of an inch above the ground. As he steps into the cavelike entrance of the mine, everything around him seems to be moving differently¡ªnot so much in slow motion, but a sort of lateral peeling, as if the world is parting for his presence. Kids in the mine are beginning to regain consciousness. The fast-acting tranq darts were also short-lived, for the purpose was not to catch the storks but to incapacitate them long enough to pull Starkey out for his summit meeting.


    Kids who managed to avoid the darts are doing their best to revive the others. When they see Starkey, they stand in awe. It must be what the kids at Happy Jack felt when they saw Connor Lassiter walking out of the Chop Shop alive.


    ¡°He escaped!¡± they yell, relaying the good news down into the deeper tunnels of the mine. ¡°Starkey escaped!¡±


    Jeevan comes up to him. ¡°What happened?¡± he asks. ¡°How did you get away? Why didn¡¯t they take us?¡±


    ¡°No one¡¯s taking us anywhere,¡± Starkey tells him. ¡°We¡¯ve got a lot of work to do¡ªbut it can wait until morning.¡± He orders the unconscious to be covered with blankets and moves through the mine, calming fears and telling everyone to get a good night¡¯s rest. ¡°We have exciting days ahead.¡±

 Page 53

    ¡°Where did they take you?¡± a wide-eyed stork asks.


    ¡°Into the sky,¡± Starkey tells him. ¡°And we have friends in very high places.¡±


    56 ? Hayden


    Supplies come like manna from the heavens. The food is far superior to anything they¡¯ve been subsisting on. Vacuum-packed roasts that need no refrigeration. Vegetables in such quantities they don¡¯t need to ration. Hayden finds his inventory job becomes a full-time endeavor. But it¡¯s the other things that these new ¡°partners¡± bring that is deeply disturbing to Hayden. There are weapons coming in that are like nothing Hayden¡¯s ever seen. Things like bazookas and what looks like handheld missile launchers that are heavier than the kids who are supposed to wield them. Starkey has said nothing about who these new benefactors are, and Hayden wonders who would be insane enough to arm angry teenagers with weapons that were clearly meant for armies. More terrifying, though, is how Starkey might use them.


    Starkey doesn¡¯t bother with Hayden anymore. As far as Starkey is concerned, Hayden¡¯s a nonentity, too small to be concerned with but too dangerous to let go.


    ¡°Why haven¡¯t you escaped yet?¡± Bam asks Hayden. ¡°There were so many times you could have slipped away from that one inept guard.¡±


    ¡°And leave all you fine people?¡± Hayden says. ¡°I wouldn¡¯t dream of it.¡±


    The fact is, as much as he wants to bolt from this nightmare and save himself, he can¡¯t do it knowing that he¡¯s leaving all these kids to burn in the furnace of Starkey¡¯s ego. Yes, many of them worship the ground Starkey walks on, but only because they desperately need a hero. Hayden has no desire to be a hero. He just wants to survive and spread some of that survival around.


    As Hayden feared, Starkey picks the Stork Brigade¡¯s next target quickly. Jeevan has broken down and used his skills to get through the firewalls. Now they have all the information they need for an attack. This time it won¡¯t be a subtle, secret attack, or even a mad dash at the gate. The storks will be going in with an iron fist. Hayden considers himself smart, crafty even, but he can¡¯t figure out a way to stop Starkey short of putting a bullet in his head, which Hayden just can¡¯t do.


    Bam had asked Hayden to bend her ear and tell her what he thinks, as well as what he knows¡ªand so as Starkey prepares his storks for the next attack, Hayden takes Bam to the computer room and shows her some of the things he¡¯s been finding out there in the world.


    He begins to pull up one political advertisement after another. ¡°There have been more and more of these online and on TV. They¡¯re blitzing the airwaves.¡± He shows her impassioned calls to rescind the Cap-17 law and allow older teens to be unwound again.


    There are advertisements about measures, propositions, and initiatives on the ballots calling for the mandatory unwinding of teenaged ¡°undesirables,¡± the further downsizing of state orphanages through unwinding, state bonds to build more harvest camps, and more.


    Bam dismisses it. ¡°So what? There are always a ton of those ads out there. There¡¯s nothing new about that.¡±


    ¡°Yes, but look at this.¡± He shows her a graph depicting the frequency the ads have been appearing. ¡°Look how the ads started to flood the airwaves right after the Cold Springs liberation¡ªand then they almost doubled after MoonCrater.¡± Hayden takes a moment to look around to make sure they¡¯re unobserved but speaks in a whisper anyway. ¡°Everything the Stork Brigade does might be freeing kids from harvest camps, but people out there are getting scared, Bam¡ªand all of these laws that didn¡¯t have a hope in hell of passing a few months ago are now gaining more and more support. Starkey wants a war, right? But as soon as people see it as war, they¡¯ll have to choose sides, and the more fear there is, the more people lean toward the side of the Juvenile Authority. Which means that if it turns into a war . . . we lose.¡±


    Hayden can already imagine the results. Martial law would be declared against juveniles, just as it had during the teen uprising. Kids will be dragged from their homes and unwound for the slightest infractions, and the public will allow it to happen, out of fear.


    ¡°For every harvest camp we bring down, two more will pop up in its place.¡± He leans close to her, trying to drive the point home. ¡°Starkey¡¯s not stopping unwinding, Bam. All he¡¯s doing is making sure it never, ever ends!¡±


    He can see by the pale look on Bam¡¯s face that she¡¯s finally getting it. He continues. ¡°These people funding Starkey¡¯s war may want to mess with the system, but that kind of messing will only make the system stronger and give the Juvenile Authority more power.¡±


    Then Bam says something that Hayden hasn¡¯t even considered. ¡°What if that¡¯s what they want? What if the people funding Starkey want the Juvies to have more power?¡±


    And Hayden shivers, because he realizes Bam may have just found a vein in this old mine that leads right to the mother lode.


    57 ? Lev


    All is peaceful. All is calm. The oasis of the Ar¨¢pache Rez hides the reality of what¡¯s going on beyond its gates and walls. Calls to rescind Cap-17 and raise the legal age of unwinding back to eighteen and possibly beyond. Removing the brains of convicted criminals and unwinding the rest of their bodies. Allowing people to voluntarily submit themselves to unwinding for cash. It¡¯s all looming on the horizon, and any or all of it might come to pass, and worse, if it¡¯s not stopped. Like Connor, he knows he must do something.


    ¡°Throw a stone in a river, and it just sinks to the bottom,¡± Elina tells him, ¡°Put a boulder in its path and the river just flows around. What happens will happen, no matter what you do.¡±


    Elina has many fine qualities, but her passive, fatalistic view of the world is not one of them. Unfortunately, too many people on the rez share it.


    ¡°Enough boulders builds a dam,¡± Lev counters.


    Elina opens her mouth to deliver another metaphoric salvo¡ªperhaps about how dams burst, causing floods worse than a river¡ªbut she thinks better of it and instead says, ¡°Have some breakfast; you¡¯ll be less cranky.¡±


    Lev complies, munching down on yam cakes that, according to Elina, used to be served with agave syrup, but since the agave extinction, they¡¯ve had to make due with maple. Lev can¡¯t deny that part of his choice to stay here was to be sheltered from the world, among people whom he genuinely cares for, and genuinely care for him, but there was a larger purpose for it.


    There¡¯s an expression among ChanceFolk. ¡°As go the Ar¨¢pache, so go the nations.¡± As the most financially successful, and arguably the most politically important ChanceFolk tribe, policy that¡¯s put in place here often spreads to other tribes. While the Ar¨¢pache are still the most isolationist, instituting borders that require passports, many other tribes¡ªparticularly the ones that don¡¯t rely on tourism¡ªhave made their territory harder to access as well, taking their lead from the Ar¨¢pache. On the outside, most people have no idea how many boulders are already in the river. If Lev can find a way to pull those boulders together, the course of history may very well change.


    The problem is Wil Tashi¡¯ne and what happened the first time Lev was here.


    Like Una, the Ar¨¢pache see Lev as a harbinger of doom. A victim of his own society perhaps, but like a bearer of the plague, he brings to them a taste of things they¡¯d rather not know about. If he¡¯s going to have any sway here, he¡¯s going to have to win them over.


    ? ? ?


    On Saturday he tells the Tashi¡¯nes he¡¯s going into town.


    ¡°There¡¯s a band playing in H¨¦¨¦tee Park,¡± he tells them. ¡°I¡¯d like to hear them.¡±


    ¡°Do you think it¡¯s wise to be so visible?¡± Chal asks him. ¡°The council is happy to look the other way as long as you keep a low profile, but the more visible you are, the more likely they are to take issue with your presence.¡±


    ¡°I can¡¯t hide forever,¡± he tells him. He keeps to himself what he¡¯s really planning.


    Although Kele begs to come, he¡¯s been grounded for cursing in Ar¨¢pache¡ªsomething he thought he could get away with, but didn¡¯t. A good thing too. The last thing Lev wants is to put Kele in the middle of this. He needs to go alone.


    ? ? ?


    The concert has already started when Lev arrives. There are maybe two hundred people spread out on blankets and lawn chairs picnicking and enjoying the warm August day. The band is good. They play a curious mix of traditional native music, pop, and oldies. Something for everyone.


    Lev lingers, trying to be as inconspicuous as possible, but he sees the occasional person spot him and whisper to the person beside them. Well, they¡¯ll have plenty more to gossip about in a few minutes.


    Lev makes his way toward the front, and as soon as the band finishes their first set, he pulls two pieces of paper from his pocket and climbs to the stage. He pulls the lead singer¡¯s microphone down a few inches so he can speak without it blocking his face.


    ¡°Excuse me,¡± he says. ¡°Excuse me, can I have your attention!¡± He¡¯s startled by how loud and resonant his voice sounds. ¡°My name is Levi Jedediah Garrity¡ªbut you probably know me as Lev Calder. I was a Mahpee taken in by the Tashi¡¯ne family.¡±


    ¡°We know who you are,¡± someone shouts dismissively from the audience. ¡°Now get off the stage.¡±


    A smattering of agreement¡ªsome derisive laughter. He ignores it all. ¡°I was there when Wil Tashi¡¯ne offered himself to parts pirates in exchange for more than a dozen lives¡ªincluding mine. Although one of the parts pirates died there, the two who lived took Wil, sold him to be unwound, and got away.¡±


    ¡°Yeah, tells us something we don¡¯t know,¡± yells another heckler.


    ¡°I plan to,¡± Lev says. ¡°Because I¡¯ve found out their names, and I know where to find them.¡±


    Then he holds out the two pieces of paper¡ªeach one featuring an enlarged image of a parts pirate. One with a missing ear, the other with a face like a goat.


    Suddenly the entire crowd is silent.


    ¡°Chandler Hennessey and Morton Fretwell. They hunted AWOLs for a while in Denver, but now they¡¯re trolling Minneapolis.¡± Then he puts the pictures down and gets as close to the microphone as he can. ¡°I¡¯m going to track them down and bring them back here to face justice.¡± And then, in perfect Ar¨¢pache:


    ¡°Who will help me?¡±


    The silence continues.


    ¡°I said, who will help me?¡±


    For a long moment, Lev thinks no one will come forward, but then he hears a single voice¡ªa woman¡¯s voice¡ªfrom the back of the crowd.


    ¡°I will,¡± she says in Ar¨¢pache.


    It¡¯s Una. Lev hadn¡¯t even seen her here. He¡¯s both grateful and troubled. He was hoping to put together a good old-fashioned posse. If it¡¯s just the two of them, what chance do they have of bringing in these pirates? What chance do they have of even surviving the attempt?


    As Una moves through the crowd toward the stage, someone shouts, ¡°C¡¯mon! Clap for the clapper!¡±

 Page 54

    People begin applauding. It starts slow, but it builds until the crowd is cheering by the time Una reaches the stage. Now any doubts he had are gone. His bid to win over the Ar¨¢pache people has begun¡ªand if he succeeds, he knows he¡¯ll be able to pull them into the battle against unwinding. He¡¯ll finally have his dam!


    ¡°Are you sure you know what you¡¯re doing, little brother?¡± Una asks him over the cheering crowd.


    Lev smiles at her. ¡°I¡¯ve never been more sure of anything in my life.¡±


    Part Six


    Akron


    TERRORISTS PLAN ATTACK ON BRITAIN WITH BOMBS INSIDE THEIR BODIES TO FOIL NEW AIRPORT SCANNERS


    By Christopher Leake, Mail On Sunday Home Affairs Editor


    UPDATED: 17:01 EST, 30 January 2010


    Until now, terrorists have attacked airlines, underground trains, and buses by secreting bombs in bags, shoes, or underwear to avoid detection. But an operation by MI5 has uncovered evidence that Al Qaeda is planning a new stage in its terror campaign by inserting ¡°surgical bombs¡± inside people for the first time.


    A leading source added that male bombers would have the explosive secreted near their appendix or in their buttocks, while females would have the material placed inside their breasts in the same way as figure-enhancing implants.


    Experts said the explosive PETN (Pentaerythritol tetranitrate) would be placed in a plastic sachet inside the bomber¡¯s body before the wound was stitched up like a normal operation incision and allowed to heal.


    Security sources fear the body bombers could pretend to be diabetics injecting themselves in order to prevent anyone stopping their suicide missions.


    Patrick Mercer, chairman of the Commons Counterterrorism Subcommittee, said: ¡°Our enemies are constantly evolving their techniques to try to defeat our methods of detection. This is one of the most savage forms that extremists could use, and while we are redeveloping travel security, we have got to take this new development into account.¡±


    Senior government security sources confirmed last night that they were aware of the new threat of body bombs, but were not prepared to make any official comment.


    Published by permission of The Mail on Sunday.


    See the full article here:


    http://www.dailymail.co.uk/news/article-1247338/Terrorists-plan-attack-Britain-bombs-INSIDE-bodies-foil-new-airport-scanners.html


    The Rheinschilds


    Dr. Janson Rheinschild sits in a chair, in a room, in the dark, alone. His wife has gone to bed, but he cannot. After spending so many hours in bed, for so many weeks, he¡¯s plagued by crushing insomnia, an unyielding headache, and a hollowness in his soul that he cannot describe.


    Were he more shallow, he could be a very happy man¡ªafter all, he¡¯s got millions in his bank account. He and Sonia could go anywhere they want and live out their lives in extravagant luxury . . . . But what would be the point? And where can they go that they won¡¯t be reminded of the darkness they leave behind?


    Unwinding is spreading. China was the first to jump on the bandwagon, then Belgium and the Netherlands and the rest of the European Union. The Russians claimed to have come up with the idea themselves, as if it were something worth claiming, and in third-world nations, where laws change as quickly as governments, the black-market trade in human organs has grown into a major industry.


    And what of his attempt to change all that? What of his ¡°life¡¯s work that would end unwinding¡±? After one final attempt to get some answers out of BioDynix Medical Instruments, he was slapped with a cease-and-desist lawsuit and a restraining order that prevents him from coming within one hundred yards of any BioDynix employee.


    Every day, the very existence of their basement reminds him that Austin¡ªwhom Janson and Sonia had come to care about like a son¡ªis gone, and as if this cake needed any further icing, both he and Sonia have been virtually unwound themselves. Before Janson had been ousted from Proactive Citizenry for actually wanting to do some good in the world, they were working on digital footprint removal. It was supposed to be a way to protect one¡¯s privacy on the web by removing unwanted and unauthorized references and pictures of oneself.


    But like everything else, Proactive Citizenry found a way to weaponize it.


    Now any and all references to Janson or Sonia Rheinschild have been eliminated from the digital memory of the world. Not only don¡¯t they exist, but according to public records, they never existed. Those who know them will eventually forget them, and even if they don¡¯t, those people will eventually die. Janson¡¯s and Sonia¡¯s footprints on this earth will be washed as clean as a beach at high tide.


    And so Janson Rheinschild sits alone in his chair, turning all of his anger, his disillusionment, and his disappointment inward, until finally he feels his heart seize in his chest, knotting in the lethal cramp of cardiac arrest.


    And he¡¯s glad for it. He¡¯s grateful that at last the universe has chosen to show him some mercy.


    58 ? Connor


    The sign on the highway reads WELCOME TO AKRON, THE RUBBER CAPITAL OF THE WORLD. The dark, threatening skies feel anything but welcoming. Connor finds himself white-knuckling the steering wheel and has to loosen his grip. Calm down. Calm down. It¡¯s only a sign.


    ¡°The scene of the crime,¡± comments Cam from behind Connor, and then softens it by adding, ¡°Of course, that depends on your definition of ¡®crime.¡¯?¡±


    Grace, still beside Cam in the backseat, is content to decipher personalized license plates and analyze them. ¡°SSADAB. Dumbass spelled backward. ¡®?&SEOUL.¡¯ Some Korean guy who got an Unwind¡¯s heart.¡± Grace seems immune to the heightened level of tension in the car until they approach a highway patrol car parked on the shoulder.


    ¡°Go slow! Go slow! Go slow!¡± she says.


    ¡°Don¡¯t worry, Grace,¡± Connor tells her. ¡°I¡¯m right at the speed limit.¡± How stupid if they get caught for speeding and captured at this point.


    The woods are now broken by suburban subdevelopments, and as the road rolls by, Connor tries to find the spot where his, Risa¡¯s, and Lev¡¯s lives converged. He doesn¡¯t even know if this is the same freeway. It feels like something not just from another life, but from another world entirely. A world into which he¡¯s just initiated reentry. He feels like Frodo at the gates of Mordor. Who would have guessed that Ohio could hold such dark portent?


    ¡°Do you know what you¡¯re looking for?¡± asks Cam from the backseat. ¡°Akron¡¯s a big town.¡±


    ¡°Not so big,¡± is Connor¡¯s only response.


    Connor knows that Cam¡¯s presence on this journey is a necessary evil, but he wishes Cam were not sitting right behind him where Connor can¡¯t see him, except for suspicious glances in the rearview mirror. Cam¡¯s offerings of information have not won Connor over. There¡¯s something fundamentally underhanded and opaque about the Rewind, or at least about his intentions. Giving him the benefit of the doubt could damn them all.


    ¡°I imagine you must know Akron pretty well.¡±


    ¡°Not at all,¡± Connor tells him. ¡°I¡¯ve been here only once.¡±


    That makes Cam laugh. ¡°And yet they call you the Akron AWOL.¡±


    ¡°Yeah, funny how that works.¡± Connor is actually from a suburb of Columbus, hours away, but Akron is where he turned the tranq on Nelson. Akron is where he became notorious. He didn¡¯t even know where he was at the time. He only knew it had been Akron once they gave him the irritating ¡°Akron AWOL¡± label.


    ¡°Center-North!¡± Connor blurts.


    ¡°Center-north what?¡± Grace asks.


    ¡°That¡¯s the name of the school. Center-North High. I knew I¡¯d remember it eventually.¡±


    ¡°We¡¯re going to a school?¡±


    ¡°That¡¯s ground zero. We¡¯re looking for an antique shop near the school. I¡¯ll know it when I see it.¡±


    ¡°You sure about that?¡± asks Cam. ¡°Memory¡¯s a funny thing.¡±


    ¡°Only yours,¡± says Connor. He punches the name of the school into the GPS and a gentle voice directs them with confident, if somewhat soulless, purpose. In fifteen minutes, they¡¯re on the east side of town. They turn a corner and things look troublingly familiar to Connor.


    The school looks exactly the same. Three stories of institutional redbrick that somehow looks as intimidating to him as the Texas School Book Depository had when Connor¡¯s family traveled to Dallas and took a tour of the infamous building where Oswald shot Kennedy. Connor takes a deep, shuddering breath.


    It¡¯s midmorning on a Tuesday, so school is in session. It¡¯s just about the same time of day that the fire alarm went off and all hell broke loose. Connor rolls them slowly past. Across the street are homes, but up ahead is a main commercial street.


    ¡°Anything specific we should be looking for?¡± asks Cam. ¡°Any defining characteristics of this antique shop?¡±


    ¡°Yeah,¡± Connor says, ¡°old stuff,¡± which makes Grace laugh.


    He wonders what Sonia will do when she sees him. Then a horrible thought crosses Connor¡¯s mind: What if she¡¯s dead? Or what if she was caught and arrested for harboring Unwinds? He doesn¡¯t voice his concerns, because if he doesn¡¯t speak them aloud, maybe they won¡¯t be true.


    Connor slams the brakes, nearly running a red light. A pedestrian crosses the street glaring at them.


    ¡°Not much of a driver, are ya?¡± says Grace, then turns to Cam. ¡°Did you know he almost killed Lev?¡±


    ¡°My driving¡¯s fine,¡± Connor insists, ¡°but this place is eating my brain.¡± He looks around, waiting for the light to change. ¡°I don¡¯t recognize any of this, but I know the shop can¡¯t be more than a block or two away.¡±


    ¡°So drive around the school in a spiral that gets bigger,¡± suggests Grace. And then she adds, ¡°Although since the streets ain¡¯t round, it¡¯s kinda a square spiral.¡±


    ¡°That¡¯s called an Ulam spiral, by the way,¡± Cam says. ¡°A way of graphing prime numbers. Not that you would know that.¡±


    Connor gives him a disgusted look in the rearview mirror. ¡°Is everyone in your internal community an ass?¡± Connor asks. It shuts Cam up.


    They widen their search pattern until Connor hits the brakes suddenly again, but not because of a red light.


    ¡°There it is. It¡¯s still there.¡±


    The unprepossessing storefront of the corner shop has an understated sign that reads GOODYEAR HEIGHTS ANTIQUES. Being that it¡¯s two blocks off the main thoroughfare, it doesn¡¯t seem to be getting much business. Connor parks across the street, and they sit there in silence for about ten seconds. Then he unbuckles his seat belt.


    ¡°Well,¡± he says, ¡°let¡¯s go antiquing.¡±


    59 ? Sonia


    She¡¯s not surprised that the Lassiter boy has come here, but she is surprised by the company he¡¯s keeping. That blasted Rewind is the last travel companion she¡¯d expect to see him with. She doesn¡¯t show her surprise though¡ªand she doesn¡¯t show how happy she is to see Connor either. As far as Sonia is concerned, authentic emotions are a liability. They always come back to bite you. Her poker face has served her well over the years, and on many occasions it has saved her life.

 Page 55

    ¡°So you¡¯re back,¡± she says to Connor, putting down a lamp she had just repaired. ¡°And with friends, no less.¡±


    She makes no move to embrace him or even to shake his hand. Neither does Connor. He holds his distance¡ªhe too having learned the fine art of defensive dispassion. Still, he¡¯s not as good at it as Sonia. She can tell how relieved he is to be here and how happy he is to see her. Even if he doesn¡¯t wear it on his face, she can sense it in his general aura.


    ¡°Hello, Sonia,¡± he says, then smirks. ¡°Or should I say Dr. Rheinschild?¡±


    This is a surprise. She hasn¡¯t heard the name spoken aloud in years. Her heart misses a beat, but she still doesn¡¯t let the emotion show on her face, and she chooses not to respond to his accusation¡ªfor an accusation is exactly what it is¡ªalthough she knows a nonresponse is as good as an admission.


    ¡°Are you going to introduce me to your little posse?¡± she asks. ¡°Or have you still not learned any manners?¡±


    He starts with the chunky, vague-looking woman who seems out of place in this trio¡ªalthough to be honest, none of them really seem to fit together.


    ¡°This is Grace Skinner. She saved my life a few weeks ago.¡±


    ¡°Hiya,¡± Grace says. She¡¯s the only one who steps forward to force a handshake on Sonia. ¡°I hear you saved his life too, so I guess we¡¯re in the same club.¡±


    Then Connor reluctantly introduces the Rewind. Sonia, however, stops him before he speaks the name.


    ¡°I know who he is.¡± She steps closer to Cam, peering through glasses as antique as anything else in her shop¡ªthe wage of refusing new eyes. ¡°Hmph,¡± she says. ¡°No scars at all¡ªjust seams. My compliments to your construction crew.¡±


    He appears uncomfortable at her scrutiny, although she imagines he¡¯s used to it. ¡°They were surgeons, not construction workers,¡± he says a bit bristly.


    ¡°And they say you speak nine languages.¡±


    ¡°Plus I¡¯ve been studying a few more.¡±


    ¡°Hmph,¡± she says again, irritated by the arrogant lilt in his voice. ¡°I¡¯m sure it¡¯s no surprise to you that your existence is disgusting to me.¡±


    ¡°Understood,¡± he says with a resigned sigh. ¡°You¡¯re not the first to tell me that.¡±


    ¡°I won¡¯t be the last, I¡¯m sure¡ªbut as long as we understand each other, we¡¯ll be fine.¡±


    Outside a young couple walks by, engaged in conversation. Sonia watches them until she¡¯s sure they¡¯re not coming into the shop. They pass by and she¡¯s relieved. It makes her realize she¡¯s spent too much time in clear view with her visitors.


    ¡°Come in the back room,¡± she tells them. ¡°Unless you want to man the register.¡±


    ¡°I have a lot of questions,¡± Connor says as he leads the others through the curtain to the back room.


    ¡°Then you¡¯ll be disappointed, because I have no answers.¡±


    ¡°You¡¯re lying,¡± he says, point-blank. ¡°Why are you lying?¡±


    That makes Sonia grin. ¡°A little wiser than when you left, I see. Or maybe just a little more jaded.¡±


    ¡°Both, I guess.¡±


    ¡°And a little taller too. Or is it just that I¡¯ve shrunk?¡±


    He gives her a wiseass smirk. ¡°Both, I guess.¡±


    Then she catches sight of the shark on his arm. It makes her shiver, and she tries to look away, but it commands her attention. ¡°I definitely don¡¯t want to know about that,¡± she says, although she knows all about it already, from a different source.


    ¡°How are things in your basement?¡± Connor asks. ¡°Still up to your old tricks?¡±


    ¡°I¡¯m a creature of habit,¡± she tells them. ¡°And just because the ADR fell apart doesn¡¯t mean I have to.¡± Then she glances to Cam, who seems to be taking mental snapshots of everything he sees, like a spy. ¡°Can he be trusted?¡± she asks Connor.


    Cam answers the question himself. ¡°Similar objectives,¡± he says. ¡°Under any other circumstance, I would say no, you couldn¡¯t trust me¡ªbut I want to take down Proactive Citizenry as much as my AWOL friend does. So for all intents and purposes, Ich bin ein AWOL.¡±


    ¡°Hmph.¡± Sonia only half believes him, but she accepts Connor¡¯s judgment for the other half. ¡°Necessity makes strange bedfellows, as they say.¡±


    ¡°The Tempest,¡± Cam responds as if chiming in on a game show. ¡°Shakespeare. It¡¯s actually misery that makes strange bedfellows, but necessity works too.¡±


    ¡°Fine.¡± Sonia grabs her cane, which leans against her desk, and taps it on the old steamer trunk in the center of the cluttered back room. ¡°Make yourself useful and push this aside.¡±


    Cam does so. Sonia notices Connor focused a bit deerlike on the trunk. He¡¯s the only one who knows its significance. What it contains and what it conceals.


    Once the trunk is pushed aside, Connor takes it upon himself to roll away the dusty Persian rug beneath to reveal the trapdoor. Sonia, who is far less feeble than she lets on, reaches down, pulls on the iron ring, and lifts open the door. Somewhere downstairs whispers quickly give way to silence.


    ¡°I¡¯ll be right back,¡± she says. ¡°And don¡¯t touch anything.¡± She wags a finger at Grace, who¡¯s been touching just about everything.


    As Sonia stomps heavily but slowly down the steep wooden steps, she conceals a devious smile. She knows this is going to be complicated. She dreads it, but she also looks forward to it. An old woman needs some excitement in her life.


    ¡°It¡¯s only me,¡± she says as she reaches the bottom step, and all her AWOLs come out of hiding. Or at least the ones who care.


    ¡°Lunch?¡± one of them asks.


    ¡°You just had breakfast. Don¡¯t be a pig.¡±


    She makes her way to a little alcove in the far corner of the cluttered maze of a basement, where a girl with stunning green eyes and gentle brown curls with amber highlights organizes a cache of first-aid supplies.


    ¡°You have visitors,¡± Sonia tells her.


    The look on the girl¡¯s face is too guarded to be hopeful. ¡°What sort of visitors?¡±


    Sonia smiles wickedly. ¡°The angel and the devil on your shoulders, Risa. I hope you¡¯re wise enough to know which is which.¡±


    60 ? Risa


    It wasn¡¯t coincidence that brought Risa and Connor¡¯s lives converging once more on Akron. It was an absolute absence of other options.


    In all of Risa¡¯s desperate wanderings since being loaded on the bus to be unwound, Sonia¡¯s basement was the only place that had any hope of being safe. The Graveyard had been purged, Audrey¡¯s shop was a nice respite, but had her on edge every day, and as for the safe houses she¡¯d been shuttled to in the dark, Sonia¡¯s was the only one of which she knew the actual location.


    She could backtrack and stay under the odd protection of CyFi¡¯s commune¡ªbut she knew she wasn¡¯t really welcomed by most of the Tyler-folk. For obvious reasons she could never feel part of that community. That left only a life on the streets, or a life in hiding alone. She¡¯d had enough of looking over her shoulder, sleeping in Dumpsters like a fresh AWOL, just waiting to be recognized in spite of her makeover. It would only be a matter of time until someone reported her to the authorities, collected the reward, and handed her over to Proactive Citizenry, who would no doubt have many plans for her.


    That left only one viable option. Sonia.


    When Risa arrived a few weeks ago, there were customers in the antique shop, haggling with Sonia over an unremarkable end table. Risa strategically meandered down another aisle, marveling at how so many items could be precariously perched on one another and yet not fall¡ªempirical evidence that Ohio is not prone to earthquakes.


    Finally the couple had left, struggling with their table, for which Sonia offered no help beyond, ¡°Mind the step; it¡¯s crooked.¡± Once the rusty hinges on the door squeaked closed, Risa stepped forward, presenting herself to be noticed.


    Sonia pursed her lips when she saw here there, perhaps affronted that she had snuck in unobserved. ¡°Something I can help you find?¡± Sonia asked.


    Risa had been a bit tickled that Sonia didn¡¯t recognize her right away. And when she finally did, the old woman let out a howl of uncharacteristic joy and dropped her cane so she could wrap her arms around Risa.


    And in that moment Risa realized it was the closest she might ever come to knowing what it felt like to be home.


    Now, two weeks later, Risa finds herself playing Wendy to the Lost Boys, for lately, it seems the only AWOLs who are getting as far as Sonia¡¯s are boys, attesting to the sad fact that more female AWOLs are falling prey to parts pirates and other bottom-feeders.


    When Sonia tells Risa she has ¡°visitors,¡± Risa starts up the stairs apprehensively, but she picks up her pace as that apprehension turns to excitement. There are very few people Sonia would send Risa upstairs for.


    She doesn¡¯t dare hope which of those few people it might be, because she doesn¡¯t want disappointment to show on her face if it were someone like Hayden or Emby, both of whom she¡¯d be happy to see, were she not hoping for something more.


    She flies through the open trapdoor, almost banging her head on the edge of the floor panel, and she sees him right away. She says nothing because for an instant she¡¯s sure it¡¯s her imagination. That her mind has pasted Connor¡¯s face on top of someone else¡¯s, because she so much wants it to be him. But it¡¯s not her imagination. It is him, and his eyes reflect her own surprise.


    ¡°Risa?¡±


    The voice isn¡¯t coming from Connor, and her eyes dart slightly to the right. It¡¯s Cam. His own astonishment has already turned into a broad grin.


    Risa finds her head beginning to quiver. ¡°Cuh . . . cuh . . .¡± She doesn¡¯t know which of their names to say first. The sight of the two of them in the same visual image hits her like a concussive shock and she takes a step backward, hitting the edge of the trapdoor. It slams shut an instant after Sonia cleared it. Had the woman not been faster up the stairs than she had been down, it would have crushed her skull.


    Risa can¡¯t reconcile what she¡¯s seeing: These two separate parts of her life juxtaposed upon each other. It feels as if the universe itself has betrayed her. Exposed her, leaving her raw and vulnerable to all attacks. She didn¡¯t leave either Connor or Cam on the best of terms. Suddenly defensive, her surprise at seeing them decays into suspicion.


    ¡°Wh-what¡¯s going on here?¡±


    Cam, still dazed by the sight of her, takes a step forward, only to be fully eclipsed by Connor stepping in front of him, not even aware that he had done it. ¡°Aren¡¯t you even gonna say hello?¡± Connor asks cautiously.


    ¡°Hi,¡± she says, with such weak impotence she¡¯s angry at herself. She clears her throat, and only now notices there¡¯s someone else here as well. A girl she doesn¡¯t know, who, for the moment, is content to observe.


    With the prospects of this grand reunion fizzling like wet fireworks, Sonia raps her cane on the ground in frustration to get their attention. ¡°Well, don¡¯t just stand there,¡± she says. ¡°Give us a love scene worthy of the ages, or at least a viral meme.¡±

 Page 56

    ¡°Happy to oblige,¡± says Cam, so arrogantly Risa wants to slap him.


    ¡°She wasn¡¯t talking to you,¡± Connor says with such dismissive disdain, Risa wouldn¡¯t mind slapping him, too.


    This isn¡¯t how this moment was supposed to be! Over these many months, she had pictured her reunion with Connor a dozen times in a dozen different ways. None of them were so rife with ice-cracking unease. As for Cam, she had thought she¡¯d never see him again, so never entertained the idea of a reunion. Oddly, she finds herself more pleased to see him than she ever expected she would. It steals Connor¡¯s thunder, and a part of her resents both of them for it. They shouldn¡¯t be allowed to muddy each other¡¯s moments. The clouding of her emotions should not be permitted by a sane, compassionate universe. But then, when has life deigned to show her any compassion?


    Cam has come out from behind Connor¡¯s eclipsing presence now. They stand there side by side as if waiting for Risa to choose. Suddenly Risa realizes that she has no idea how this is going to play out. She finds that as terrifying as being caught in a parts pirate¡¯s trap.


    It¡¯s the girl¡ªthat unknown quantity in the room¡ªwho comes to her rescue.


    ¡°Hiya, I¡¯m Grace,¡± she says, pushing between Connor and Cam, grabbing Risa¡¯s hand and vigorously shaking it. ¡°You can call me Grace or Gracie¡ªI don¡¯t mind either way¡ªor even Eleanor, ¡¯cause that¡¯s my middle name. It¡¯s an honor to meet you, Miss Ward. Can I call you Risa? I know all about you from my brother, who kind of worshipped you¡ªwell, he worshipped Connor more, but you were there too, although you looked different then, but I guess that¡¯s on purpose. Smart to change your eye color. People think it¡¯s the hair, but it¡¯s the eyes that make a person look different.¡±


    ¡°Yes¡ªthat¡¯s what the stylist who did it said,¡± says Risa, a little flustered by Grace¡¯s barrage of enthusiasm.


    ¡°So is there stuff for us to eat in that basement down there, ¡¯cause I¡¯m starved?¡±


    It¡¯s only later that Risa realizes how effectively Grace¡¯s rude intrusion completely defused an explosive situation. Almost as if she had planned it that way.


    61 ? Cam


    This changes everything.


    The fact that Risa is now smack in the middle of it all forces Cam to have to reevaluate his goal as well as his methods to achieve them. As a fugitive himself, he needed this shaky collaboration with Connor. Survival demanded it, and although in his heart he knows Connor is an enemy, he can only have one enemy at a time, and right now, it¡¯s Proactive Citizenry.


    Cam has to admit that from the moment he met Connor, he was as fascinated by him as much as he despised him. The way he showed compassion¡ªeven empathy¡ªwhen Una did not. Connor probably saved his life that day at the sweat lodge. Had the roles been reversed, Cam would not have done the same. It made Connor worthy of study.


    The plan, from that moment on, was to get to know Connor¡ªand to use him to help bring down Proactive Citizenry. Then, once Roberta and all of her high-and-mighty cronies have been hobbled, Cam would know Connor well enough to hobble him as well. He must clearly understand the pedestal that Risa has put the Akron AWOL on before he can engineer the pedestal¡¯s collapse, leaving Connor Lassiter as nothing in Risa¡¯s eyes.


    But now that Risa is actually here, Cam feels like he¡¯s been reduced to being an ape having to pound his chest before her to win her affections. Is that all it comes down to, then? Primitive mating rituals sublimated to appear civilized? Perhaps¡ªbut Cam knows he¡¯s a step forward in human evolution. A composite being. He has faith that his internal community will galvanize to outshine Connor at every turn. But why does it have to be now?


    Sonia does not bring them down to the basement with the AWOLs-in-hiding.


    ¡°They¡¯ll tear this one apart the second they see him.¡± She points her thumb at Cam like she¡¯s hitching a ride.


    ¡°Talking about someone in the third person is rude,¡± Cam tells her coolly.


    ¡°Really?¡± says Connor. ¡°When you¡¯re a hundred people, wouldn¡¯t third person be a compliment?¡±


    Cam is fully prepared to snipe back at Connor, but he catches Risa¡¯s gaze and chooses not to. Let her see him as the model of restraint.


    Sonia then takes a moment to look at Connor. ¡°You don¡¯t want to be in that basement either with all those ogling eyes. You¡¯ve probably had enough hero worship to last a lifetime.¡±


    ¡°I haven¡¯t,¡± chimes in Grace, who must feel like a mortal among gods.


    ¡°Consider yourself lucky, then,¡± Sonia tells her. ¡°In these times, the less noticed you are, the better your chances of living long enough to see things change.¡±


    ¡°Well said!¡± Cam offers, but Sonia only scowls at him.


    ¡°Nobody asked you.¡±


    She takes them to the back alley where an old Suburban in need of major washing waits, and she ushers them all into it. Although Cam makes every effort to sit beside Risa, Grace barges her way in right after her in a ¡°ladies first¡± sort of way and sits beside her. Risa makes eye contact with Cam and gives him a purse-lipped grin as if to say, ¡°Better luck next time.¡± He can¡¯t read her at all. He doesn¡¯t know whether she¡¯s relieved that Grace is there or disappointed. He glances at Connor, who appears not to care where he sits. Appears. That¡¯s the key word with Connor. He¡¯s extremely good at hiding what goes on in that perplexing space between his ears.


    Being the last one in, Cam tries to sit shotgun, but Sonia won¡¯t allow it. ¡°There¡¯s less of a chance you¡¯ll be seen in the back, since those windows are darker. And besides, your ¡®multicultural¡¯ face is too damn distracting for an old woman trying to drive a large vehicle.¡± So the shotgun seat is left empty, and Cam ends up sitting in the back with Connor.


    ¡°So where are we going?¡± Connor asks.


    Risa turns around to answer and offers him a grin. ¡°You¡¯ll see.¡±


    Cam can¡¯t tell if it¡¯s the exact same grin she offered him a moment before, or if there¡¯s more warmth to it. He can¡¯t stand not knowing. The frustration of it makes his seams begin to itch. He knows it¡¯s all in his mind, but the crawling of his seams feels very real. The unspoken, undefined relationship between Risa and Connor is maddening.


    Sonia drives with the practiced caution of the elderly, yet still manages to hit every bump and pothole in the road and issues forth curses that could make a longshoreman blush. Five minutes later, she pulls into the driveway of a modest two-story home.


    ¡°Did you warn her?¡± Risa asks as they come to a stop.


    Sonia puts the car in park with a decisive thrust. ¡°I don¡¯t warn,¡± Sonia says. ¡°I act, and people deal.¡±


    Cam idly wonders if Roberta will be like this if she lives long enough to be that old. It gives him an unexpected and unwanted shiver.


    Once out of the Suburban, Sonia quickly leads them to a side gate, where a shih tzu has already begun barking and shows no sign of ceasing anytime soon. ¡°We live in a backdoor world,¡± Sonia tells them, ¡°so move your collective asses before the neighbors get nosy.¡± Sonia opens the gate, ignoring the dog, which tries to nip at everyone¡¯s heels at once, in futile defense of its territory.


    ¡°One of these days,¡± says Sonia, as she leads them to the backyard, ¡°I¡¯ll punt that fool dog into Central Time.¡± And off of Grace¡¯s concerned look, Risa assures her that Sonia doesn¡¯t mean it.


    With a high wooden fence around the perimeter of the yard, the back door is much less conspicuous than the front. Sonia raps loudly, and then raps again, not patient enough to wait for it to be answered. Finally a woman comes to the door. She seems to be in her midforties and is holding a toddler wearing a Minnie Mouse dress. A stork-job, Cam figures. Middle-aged people always seem to get babies dropped on their doorsteps these days.


    ¡°Oh good Lord. What now?¡± the beleaguered woman asks.


    Then Connor gasps. ¡°Didi?¡± he says, looking at the toddler.


    Although the little girl regards him without a hint of recognition, the woman holding her appears both pleased and taken aback at the same time by the sight of Connor. ¡°I changed her name to Dierdre.¡±


    ¡°Well, I still call her Didi,¡± says Risa. ¡°You remember Hannah, don¡¯t you, Connor?¡± Risa says, clearly a prompt to save him the embarrassment of not remembering the woman¡¯s name.


    When the woman looks at Cam, her face blanches, and Cam can¡¯t resist saying, ¡°Trick or treat,¡± although Halloween is months away.


    Hannah puts Dierdre down and tells her to run inside and play, which she is more than happy to do, and the shih tzu, still unable to stop itself from barking, follows her just far enough to guard the threshold between the kitchen and the dining room.


    ¡°You¡¯re full of surprises, Sonia,¡± Hannah says, her eyes still locked on Cam. Then she herds them all in before they draw unwanted neighborhood attention. Cam finds the house a little too warm, but maybe it¡¯s just in contrast to the chill of the overcast day.


    ¡°I spend my days helping Sonia,¡± Risa says, ¡°but Hannah¡¯s been kind enough to let me spend my nights here for the past few weeks.¡± Now that they¡¯re safely inside, she introduces the rest of them to her, saving Cam for last, rather self-consciously calling him ¡°the one and only Camus Comprix.¡±


    ¡°Are you ADR?¡± Cam asks as he shakes Hannah¡¯s hand.


    She eyes him with the same suspicion that everyone does. Everyone who isn¡¯t starstruck, that is. ¡°No. I was never a part of the Anti-Divisional Resistance. I¡¯m just a concerned citizen.¡± Then she turns to Sonia. ¡°We should talk. Alone.¡±


    Hannah pulls Sonia into another room. She spares a glance back at them and says, ¡°Risa, keep an eye on Dierdre. The rest of you, make yourselves comfortable,¡± then adds, ¡°But not too comfortable.¡±


    Risa, now their temporary hostess, escorts them into a living room filled with the primary-colored detritus of preschool toys strewn haphazardly on the floor. Dierdre ignores the visitors, content to throw plastic blocks in the direction of the dog, who retrieves them, no longer interested in territorial defense.


    The room has many clocks. Hannah must be a collector. They all show different times, as none of them are wound or plugged in. Well, almost none. There¡¯s one clock ticking, but Cam can¡¯t figure out where the sound is coming from. How appropriate, he thinks, that the house of an AWOL sympathizer is all about the importance of time, yet the timepieces are all at odds with one another.


    Risa draws the curtains as they settle into their new holding pattern until Sonia and Hannah¡¯s summit meeting can bring about a decision as to what to do with them. ¡°So,¡± says Risa with an absolute awkwardness that is completely unlike her, ¡°here we are.¡±


    ¡°And here be dragons,¡± Cam says, he himself not even knowing exactly why he says it or what it means. All he knows is that in some odd way, it¡¯s true. He knows that Risa is still trying to process his and Connor¡¯s presence here. She doesn¡¯t even ask how they¡¯ve come to be together, which tells Cam that she¡¯s so far from dealing with it, she doesn¡¯t even want to know.

 Page 57

    They all sit spaced apart on a sectional sofa and the two chairs facing it, trying to keep this from feeling as awkward as it is. Grace is the only one who doesn¡¯t sit yet. She wanders around the room, seemingly immune to the tension, examining photographs and knickknacks and digging her hand into a jar of Jolly Ranchers on a shelf too high for Dierdre to get at.


    Cam wishes he could dig into at least one part of himself that retains that much innocence. Not even the tithes he has residing within him are naive enough to feel safe in Hannah¡¯s comfortable living room. The memory bits of his tithes are more about feeling superior, so all he can dredge forth from them is aloofness. That¡¯s not going to endear him to Risa.


    ¡°Hannah¡¯s the teacher who saved Connor and me from the Juvey-cops when we were first on the run,¡± Risa explains.


    ¡°Oh,¡± says Cam impotently. ¡°Good to know.¡± All her explanation does is reinforce the history Risa has with Connor. Cam hates having to hear it.


    Grace, happy to fly beneath the radar of conversation, lines up her cache of candies on the living room¡¯s coffee table. The bowl of Jolly Ranchers is still half-full, and the sight of it sparks absurd discord in Cam. Option Anxiety, he¡¯s come to call it. ¡°One man¡¯s meat,¡± he mumbles to himself, but realizes it¡¯s loud enough for the others to hear, so he explains. ¡°It¡¯s not just taste buds that create a preference for flavors,¡± he tells them. ¡°My internal community is always at odds when it comes to things like those candies. A part of me loves the green apple and another the grape. Someone has a particular affinity for the peach ones¡ªwhich they don¡¯t even make anymore¡ªand someone else finds the whole concept of Jolly Ranchers nauseating.¡± He sighs, trying to dismiss his pointless Option Anxiety. ¡°Bowls of mixed things are the bane of my existence.¡±


    Connor looks at him with a blank zombie stare that must be well practiced. ¡°You talk as if someone actually cares.¡±


    Risa offers that slim grin to Cam again. ¡°How can people be interested in the inner workings of your mind, Cam, when they can¡¯t figure out the inner workings of their own?¡± It sounds like a sideways snipe against Connor, but then she gently pats Connor¡¯s hand, turning a perfectly good snipe into a playful barb.


    ¡°Why don¡¯t you choose a flavor for me?¡± Cam asks Risa, trying to be playful too, but Risa avoids the issue by saying, ¡°After the trouble Roberta went through to find you such nice teeth, why rot them?¡±


    ¡°I got my favorites, but that don¡¯t matter,¡± Grace announces. She indicates her well-spaced row of candies and puts a definitive end to the subject by saying, ¡°I always eat them in alphabetical order.¡±


    Cam decides to obey the sense memory that doesn¡¯t like hard candy and doesn¡¯t take any.


    ¡°How are your friends at Proactive Citizenry?¡± Risa asks Cam tentatively.


    ¡°They¡¯re no more my friends than they are yours,¡± he tells her. He¡¯s about to tell her that he¡¯s turned on them and has given up the shining spotlight to help her, but Connor steals the reveal from him.


    ¡°Camus showed me some damaging evidence we can use against them.¡±


    Cam regrets having shared it with Connor at all. Had he known he¡¯d come face-to-face with Risa here in Akron, he would have saved it all for her. Now he resents Connor for even knowing.


    ¡°And there¡¯s more,¡± Cam adds. ¡°You and I can talk later,¡± he tells Risa.


    Connor shifts uncomfortably and turns his attention to the pictures around the room. ¡°My guess is that Hannah is divorced or recently widowed. There are pictures of a man with her in some photos, including one with Dierdre¡ªbut Hannah¡¯s not wearing a wedding ring.¡±


    ¡°Definitely widowed,¡± says Grace without looking up from her candy organization. ¡°You don¡¯t keep pictures out of a guy you divorced.¡±


    Connor shrugs. ¡°Anyway, it looks like she¡¯s really taken to raising this Dierdre as her own.¡±


    ¡°She has,¡± Risa admits. ¡°It was a good choice for us to leave her with Hannah. Not that we had much of a choice.¡±


    The direction of the conversation makes Cam uncomfortable. ¡°Exactly whose kid is it?¡±


    Connor smirks at Cam and puts one arm around Risa. ¡°Ours,¡± he says. ¡°Didn¡¯t you know?¡±


    For a moment Cam believes him, for he knows Risa has many secrets yet to be discovered. Cam is disheartened until Risa slides deftly out of Connor¡¯s embrace.


    ¡°She was a storked baby that Connor picked up from a doorstep,¡± Risa explains. ¡°We took care of her for a brief time; then Hannah volunteered to take her off of our hands before we were shuttled to the next safe house.¡±


    ¡°And did you find motherhood an interesting experience?¡± Cam asks, relieved enough to be amused at the thought.


    ¡°Yes,¡± says Risa, ¡°but I¡¯m in no hurry to repeat it.¡± Then she stands, moving away from both Cam and Connor. ¡°I¡¯ll see what¡¯s in the refrigerator. You must be hungry.¡±


    After she¡¯s gone, Connor¡¯s demeanor changes a bit. He becomes dark. A brooding gray like the sky outside. ¡°You¡¯ll keep your eyes and your hands off of her. Is that clear? You will not cause her any more grief than you already have.¡±


    ¡°Ah! The green-eyed monster which doth mock the meat it feeds on!¡± Cam says. ¡°She told me you were the jealous type, but you¡¯re a weak and pale Othello.¡±


    ¡°I¡¯ll unwind you with my bare hands if you don¡¯t leave her alone.¡±


    That makes Cam genuinely laugh. ¡°Your pointless bravado will be your downfall. All that arrogance with nothing to back it up.¡±


    ¡°Arrogance? You¡¯re the one who¡¯s full of himself! Or full of others, I should say.¡±


    It¡¯s like a sword has finally been drawn in the duel. Grace looks up from her Jolly Ranchers, even Dierdre and the dog, way across the room, seem to tune in. How will Cam respond? Although the wild parts of himself want to lash out in anger, he reins them in. Anger is what Connor wants. It¡¯s what Connor knows how to deal with. Cam won¡¯t oblige.


    ¡°The fact that I¡¯m physically, intellectually, and creatively better than you is not arrogance or conceit; it¡¯s a simple fact,¡± Cam says with forced calm. ¡°I¡¯m the better man because I was made to be. I can¡¯t help what I have any more than you can help what you don¡¯t.¡±


    They hold hard gazes until Connor backs down. ¡°If you want to joust over Risa, now¡¯s not the time. Right now we all need to be friends.¡±


    ¡°Allies don¡¯t gotta be friends,¡± Grace points out. ¡°Take World War II. We couldn¡¯t a¡¯ won it without Russia, even though we hated each other¡¯s guts then.¡±


    ¡°Point taken,¡± says Cam, once more impressed by Grace¡¯s unexpected wisdom. ¡°For now, let¡¯s agree that Risa is off-limits. A demilitarized zone.¡±


    ¡°You¡¯re mixin¡¯ your wars,¡± Grace says. ¡°The Demilitarized Zone was Korea.¡±


    ¡°She¡¯s a person, not a zone,¡± says Connor. Then he goes over and plays with Dierdre, putting an end to all negotiations.


    ¡°You¡¯re forgetting,¡± Cam says to Grace, who also noted the documentaries that so absorbed her at the motel, ¡°that the United States and Russia almost nuked each other to smithereens after World War II.¡±


    ¡°I¡¯m not forgettin¡¯ nothin¡¯,¡± Grace says, returning to her candies. ¡°When the two of you really go at it, I expect I¡¯ll build myself a bomb shelter.¡±


    62 ? Connor


    This changes everything.


    Connor¡¯s initial thrill at seeing Risa is quickly crushed under the weight of the reality. Not the reality of Cam, but the reality of their situation. Now that Risa is with them, she¡¯s no longer out of harm¡¯s way. Connor had longed for her¡ªthere is no question about that. For all these months, he has ached to hear her voice and to be comforted by her words. He longed to massage her legs even though he knew she was no longer paralyzed. His feelings for her have not changed. Even when he thought she had betrayed the cause and had become a public voice in favor of unwinding, he knew deep down she could not be doing it of her own accord.


    Then, when she came on live television to reveal it was a sham and thoroughly slapped down Proactive Citizenry, he loved her even more. After that, she vanished into hiding, just as completely as Connor had¡ªand there was comfort in that. He could look out into the night and know she was out there somewhere, using her formidable wits to keep herself safe.


    Connor, however, is anything but a safe harbor now. With what they mean to expose about Proactive Citizenry¡ªand what he might potentially learn from Sonia¡ªshe is in much greater danger in his company than not. His journey is now into the flames, not away from them¡ªand of course she¡¯ll want to go with him. And Cam¡¯s words still echo in his mind.


    ¡°I¡¯m the better man because I was made to be.¡±


    For all of his handpicked intelligence, Cam is an imbecile to think jealousy is what this is all about. Yes, Connor admits that a certain amount of jealousy is there to cloud things, but competing for Risa¡¯s affections feels like a petty endeavor compared to Connor¡¯s need to protect her from both himself and from Cam.


    As Connor plays with Dierdre on the living room floor, he tries to let his anger dissipate. It won¡¯t help the situation. Giving into his jealousy will only distract him.


    Dierdre lies back and puts her feet in Connor¡¯s face.


    ¡°Tricker treat! Smell my feet!¡±


    Her feet smell like the baby food she must have stepped in, orange globs of sweet potato marring the pattern of ducklings swimming all over her socks.


    ¡°Nice socks,¡± Connor says, still amazed that this was the same baby he took from the doorstep of the fat, beady-eyed woman and her fat, beady-eyed son.


    ¡°Ducky socks!¡± says Dierdre happily. ¡°Fishy arm!¡± She touches the shark on his arm with a sticky index finger. ¡°Fishy arm. Army fish!¡± And she giggles. The giggle opens an escape valve in Connor; his frustration is soothed by Dierdre.


    ¡°It¡¯s a shark,¡± he tells Dierdre.


    ¡°Shark!¡± repeats Dierdre. ¡°Shark shark shark!¡± Dierdre snaps a woman¡¯s plastic head on a little plastic body of a firefighter. ¡°Your mommy see the shark there? She mad at it?¡±


    Connor sighs. Little kids, he¡¯s decided, are like cats. They always like to hop in the laps of people who are allergic. Connor wonders if Dierdre has any clue that the topic she just put in his lap is enough to make him break out in hives.


    ¡°No,¡± he tells her. ¡°My mommy doesn¡¯t know about the shark.¡±


    ¡°You¡¯ll get in trouble?¡±


    ¡°No worries,¡± Connor says.


    ¡°No worries,¡± Dierdre repeats, and snaps a tire on top of the little plastic figure¡¯s head, making it look like an oversized Russian hat.


    Dierdre doesn¡¯t know that there¡¯s a letter in a trunk in Sonia¡¯s back room. There are actually hundreds of letters. All written by AWOLs, all written to the parents who gave them over for unwinding. From the moment Connor saw the trunk earlier that day, he¡¯s been imagining what it would be like to hand deliver that letter and watch from a hidden location as his parents read it. Just thinking about it now causes Roland¡¯s arm to tighten into a fist. He imagines punching through a windowpane, grabbing the letter back from them before they can read it¡ªbut he chases the thought away, consciously releases his fingers and directs the hand to get back to the business of preschool play.

 Page 58

    Roland¡¯s hand snaps together Legos just as efficiently as Connor¡¯s natural hand, proving it can create as well as it destroys.


    ? ? ?


    Sonia¡¯s powers of persuasion must verge on superhuman, because Hannah consents to keeping them all under her protection.


    ¡°Grace can bunk with Risa. You boys can share my sewing room. There¡¯s a daybed in there¡ªyou¡¯ll have to either share it or slug it out,¡± Hannah tells them. ¡°I¡¯ll make this very clear. I am not a safe house. I am doing this just because it¡¯s the right thing to do¡ªbut do not take advantage of my good nature.¡± She goes on, instructing them to stay away from windows and hide if anyone comes to the door.


    ¡°We know the drill,¡± Connor is quick to tell her. ¡°It¡¯s not like we¡¯re new to this.¡±


    ¡°Some of us are,¡± Cam says, and indicates Grace. ¡°From what I understand, you dragged her into this.¡±


    ¡°I dragged myself,¡± Grace tells him, keeping Connor from being drawn into a battle with Cam, ¡°and I can hide as good as anyone.¡±


    Satisfied that the situation is under control, Sonia leaves. ¡°Gotta feed the gremlins in my basement before they get restless,¡± although Connor knows from experience that they¡¯re always restless.


    A storm hits twenty minutes later¡ªa steady stream of rain and distant lightning that threatens to draw closer but never does. Hannah orders in pizza for dinner¡ªa bit of absurd normality in the midst of their situation.


    The sewing room is upstairs with the rest of the bedrooms. A tiny space with a frilly daybed that insults the very concept of masculinity.


    ¡°I¡¯ll sleep on the floor,¡± Cam offers, making sure Risa can see his selfless generosity. Risa¡¯s response is to grin at Connor. ¡°He beat you to it.¡±


    ¡°Yeah,¡± says Connor. ¡°I¡¯ll have to be quicker next time.¡±


    Cam, still locked in competition mode, is not amused. For the rest of the day Risa does her best to avoid being in the room with both of them at the same time, and since Cam won¡¯t let Connor out of his sight, their only interactions with Risa are her quick forays into their cramped room with blankets, towels, and toiletries. ¡°We keep a collection of stuff for the kids in Sonia¡¯s basement,¡± she says as she hands Connor toothpaste and Cam a toothbrush.


    ¡°So are we supposed to share it?¡± Cam asks with an annoyingly rakish grin.


    Risa, flustered, apologizes. ¡°I¡¯ll find another one.¡±


    Connor has never seen Risa flustered. He would dislike Cam all the more for making her so¡ªbut he knows it¡¯s not Cam, but the combination of the two of them. Connor wonders how Risa would be with him were the presence of Camus Comprix not a factor.


    He finds out after dinner, while Cam¡¯s taking a shower.


    Grace has taken to entertaining Dierdre. The giggles from the nursery attest to her success. Connor struggles to find a comfortable position on the dusty daybed. When Risa appears at the doorway, she just stands at the threshold. The sound of the shower down the hall makes it clear that Cam won¡¯t be back for at least a few minutes.


    ¡°Can I come in?¡± she asks tentatively.


    Connor sits up on the bed, trying to be less fidgety than he feels. ¡°Sure.¡±


    She sits on the room¡¯s only chair and smiles. ¡°I¡¯ve missed you, Connor.¡±


    This is a moment Connor has longed for. A moment that he¡¯s held in his mind to keep him going¡ªbut as much as Connor wants to return her affection, he knows he can¡¯t. They cannot be together. He cannot draw her back into this battle now that she¡¯s safe. But neither can he push her toward Cam.


    So he clasps her hand, but doesn¡¯t hold it all that tightly. ¡°Yeah,¡± he says. ¡°Same here.¡± But he says it without the conviction he really feels.


    She studies him, and he hopes she doesn¡¯t see through his cool facade. ¡°All those things I said¡ªthe commercials, the public service announcements in favor of unwinding¡ªyou know I was being blackmailed, don¡¯t you? They were going to attack the Graveyard if I didn¡¯t do it.¡±


    ¡°They attacked the Graveyard anyway,¡± Connor points out.


    Now she begins to get concerned. ¡°Connor, you don¡¯t think¡ª¡±


    ¡°No, I don¡¯t think you betrayed us,¡± he tells her. He can¡¯t mislead her about his feelings that much. ¡°But a lot of Whollies died that night.¡± What he really wants to do is take her into his arms and hold her tightly. He wants to tell her that thinking of her is the only thing that kept him going. But instead he says, ¡°They died. Let¡¯s just leave it at that.¡±


    ¡°Next you¡¯ll be blaming me for Starkey.¡±


    ¡°No,¡± says Connor. ¡°I blame myself for that.¡±


    Risa looks down. For a moment he sees tears building in her eyes, but when she looks up at him again, her expression is hard. Her vulnerability is once more protected by armor. ¡°Well, I¡¯m glad you¡¯re alive,¡± she tells him, taking her hand back from him. ¡°I¡¯m glad you¡¯re safe.¡±


    ¡°As safe as can be expected,¡± says Connor, ¡°considering I have a rogue parts pirate, Proactive Citizenry, and the Juvenile Authority after me.¡±


    Risa sighs. ¡°I guess we¡¯ll never be safe.¡±


    ¡°You¡¯re safe,¡± Connor says before he can stop himself. ¡°Do yourself a favor and stay that way.¡±


    Now she looks at him with suspicion. ¡°What¡¯s that supposed to mean?¡±


    ¡°It means you¡¯ve settled into this life with Hannah and Didi. Why throw it away?¡±


    ¡°Settled in? I¡¯ve been here two weeks! That¡¯s hardly settled in¡ªand now that you¡¯re here¡ª¡±


    Connor never considered himself much of an actor, but now he feigns irritation for all he¡¯s worth. ¡°Now that I¡¯m here, what? You think you¡¯re going to join me in raging against the machine? What makes you think I want that?¡±


    Risa is speechless, as he hoped she would be. With the first emotional punch thrown, Connor follows up with ¡°Things are different now, Risa. And what we had at the Graveyard . . .¡±


    ¡°We had nothing,¡± Risa says, saving him the pain of yet another lie¡ªreplacing it with a different kind of pain. ¡°We just got stuck smack in each other¡¯s way.¡± Then she stands up just as Cam makes his appearance at the door. ¡°But we¡¯re not in each other¡¯s way anymore.¡±


    Cam has a beach towel wrapped around his lower half, but his upper half is on display. The perfect package of six-pack abs and sculpted pecs. He came in here like that on purpose, Connor decides. Because he knows Risa is here.


    ¡°What did I miss?¡±


    Risa puts her hand unabashedly on his chest, tracing the lines where his flesh tones meet. ¡°They were right, Cam,¡± she says gently. ¡°Those seams healed perfectly. No scars at all.¡± She smiles at him and gives him a peck on the cheek before she strides out of the room.


    Conner hopes her sudden attention to Cam is merely a jab against him, but he can¡¯t be sure. Rather than thinking about it, Connor looks to his grafted arm, letting it draw his focus. He¡¯s conscious to keep the fingers from contracting into a fist. Some people wear their emotions on their sleeves. Connor wears his in the skin of his knuckles, pulled tight in a gesture both offensive and defensive. He concentrates on the shark on his wrist now. Its fiery unnatural eyes. Its oversized teeth. The muscular curve of its body. Such an ugly thing, yet disturbingly graceful. He hates it. In fact, he¡¯s come to love how much he hates it.


    Cam closes the door and immodestly exposes the rest of himself as he dresses, as if Connor cares. He¡¯s all smiles the next time he looks at Connor, as if he knows more than he does.


    ¡°No surprise which way the wind is blowing when it comes to Risa,¡± Cam says.


    ¡°The wind¡¯s gonna blow sand in your eyes if you¡¯re not careful,¡± Connor responds.


    ¡°Is that a threat?¡±


    ¡°You know what? You¡¯re not half as smart as you think you are.¡± Then he goes to take his own shower¡ªa cold one that can hopefully numb the heat in his head.


    63 ? Grace


    While playing with Dierdre is a treat, it¡¯s only to settle Grace¡¯s mind. Powerful forces are at work in this house, and those forces are a hairbreadth away from tearing each other apart. Cam and Connor had been so united in purpose until now, in spite of their rivalry. And although Grace considers herself just along for the ride, she knows she sees the things that the others don¡¯t.


    For instance¡ªshe sees Connor: She knows he loves Risa and is intentionally pushing her away to save her. He will not save her. Risa will push back, acting out against his cold shoulder by throwing herself into the war against unwinding even more recklessly than before. By trying to save her, he may just get her killed.


    And Risa: She would have stayed here had Connor not shown up, but now it¡¯s out of the question. Connor will never see that. He¡¯s convinced he knows her better than he truly does.


    And Cam: He¡¯s the real loose cannon. He¡¯ll foolishly lap up any attention Risa gives him, whether that attention is real or calculated. In the end, whatever she gives will not be enough for him. He will feel betrayed and used¡ªand even if Risa chooses him over Connor, he won¡¯t believe it. He won¡¯t trust it. His confused fury will fester. Grace knows that someday soon Cam will blow, and God help anyone near enough to get caught by the shrapnel.


    So Grace plays with harmless Dierdre but hears every word, sees every move the others make, knowing nothing she can say will affect this doomed board of play.


    ? ? ?


    Late that night Grace lies awake, staring at the ceiling. Shadow tree limbs crawl ominously across the ceiling with each passing headlight.


    Risa gets up and quietly goes to the door.


    ¡°Don¡¯t,¡± Grace says. ¡°Please don¡¯t.¡±


    ¡°I¡¯m just going to the bathroom.¡±


    ¡°No, you¡¯re not.¡±


    Risa hesitates, then stiffens a bit. ¡°I have to.¡± Then adds, ¡°It¡¯s not your business anyway.¡± But Grace knows she¡¯s wrong about that.


    Risa leaves, and Grace closes her eyes, hearing the door to the boys¡¯ room creak open. She knows what will happen in there.


    Risa will sit on Connor¡¯s bed, gently waking him up, if he¡¯s not already awake. Cam, who sleeps on the floor will not be asleep, but will pretend that he is. He¡¯ll hear everything.


    Risa will whisper something to Connor along the lines of ¡°We need to talk,¡± and Connor will try to delay it. ¡°In the morning,¡± he¡¯ll say. But she¡¯ll touch his face, and that will make him look at her. They won¡¯t see each other¡¯s eyes but for a pinprick on their pupils of the reflected streetlight outside. It will be enough. Even in the darkness, Connor¡¯s facade will fall away, and Risa will know. They won¡¯t speak, because, after all, it was never about words, but about connection without words. A connection that can¡¯t be denied. They¡¯ll step just outside the door. Close it, but only partway, so that it doesn¡¯t make a sound.

 Page 59

    Connor will initiate the kiss, but Risa will return the passion twofold. Any questions about their feelings for each other will be gone in a moment that they think only the two of them share. Just one kiss, and Risa will leave and sleep like a baby for the rest of the night, satisfied.


    But Cam will know. And he will begin to make plans.


    Grace has no idea what those plans will be, but she knows they won¡¯t help anybody. Not even himself.


    She sees no hope for a winning outcome¡ªuntil something drastic comes into play. It begins with a lack of shadow. A dark ceiling without the squirmy tree shadow . . . and yet there is the deep rumble of a car. No¡ªtwo cars¡ªbut no headlights. Why would they be driving this time of night without headlights?


    She looks out of the window to see a dark van and a dark sedan idling by the curb. The back doors of the van open, a team of armed men pile out, and without a sound they steal across the lawn toward the house.


    Grace feels her heart kick into high gear. Her ears and cheeks grow hot from an adrenaline flush. They¡¯ve been found!


    She hears voices¡ªwhispers¡ªand she locks onto them, hoping something they say can give her an advantage.


    ¡°You three around back,¡± the team leader whispers. ¡°Wait for the signal.¡±


    Then someone else whispers, ¡°He¡¯s here. I can almost smell him.¡±


    Suddenly Grace knows all she needs to know.


    She bursts out of the room to see Risa and Connor in the midst of that kiss she knew they¡¯d take.


    ¡°Grace!¡± says Risa ¡°What are you¡ª¡±


    But before she can finish, they all hear the double crash of both the back and front doors being kicked in. She pushes them into Cam and Connor¡¯s room, closing the door behind her. Cam leaps to his feet fully awake, as Grace knew he would be. She takes control, knowing they don¡¯t have much time. She knows this particular brand of salvation is only a fifty-fifty chance at best.


    ¡°Risa!¡± she whispers. ¡°Get under the bed. Connor¡ªfacedown in your pillow. Now!¡± Then she turns to Cam. ¡°And you¡ªstay exactly where you are!¡±


    Cam stares at her in disbelief ¡°Are you nuts? They know we¡¯re here!¡±


    Pounding footsteps on the stairs. Only seconds now.


    ¡°No,¡± Grace tells him, just before she squeezes beneath the bed with Risa. ¡°They know you¡¯re here.¡±


    64 ? Cam


    Two men in black armed with silenced tranq Magnums burst into the room. One aims his weapon at Cam, and Cam reflexively puts his hands up, furious to be caught so easily, but he knows that resisting will only get him tranq¡¯d.


    The second attacker doesn¡¯t hesitate, however, in tranq¡¯ing the kid on the bed. Connor flinches from the shot and goes limp.


    ¡°You¡¯re a hard man to find, Mr. Comprix,¡± says the guard with the weapon aimed squarely at Cam¡¯s chest. It almost makes him laugh.


    ¡°Me? Do you have any idea who you just tranq¡¯d?¡±


    ¡°We don¡¯t care about the SlotMongers you¡¯ve been slumming with,¡± he says. ¡°We¡¯re here for you.¡±


    Cam stares at him in amazement¡ªand suddenly he realizes the awful and awesome power he¡¯s been handed. The power to save and to destroy. He instantly knows now that even in capture he will be a hero no matter what he does. The question is what kind of hero does he want to be? And to whom?


    65 ? Roberta


    She does not enter the house until she¡¯s been given the all clear by the team leader. Inside, the men continue in high alert, even though their quarry has been caught. The shrill cries of a small child blare like a car alarm.


    ¡°We tranq¡¯d the mother,¡± the team leader tells her, ¡°but we¡¯re worried about tranq¡¯ing the kid. The dosage might kill it.¡±


    ¡°Good call,¡± says Roberta. ¡°We lost neither our element of surprise, nor our humanity tonight.¡± Still, the crying child is a nuisance. ¡°Close its door. I¡¯m sure it will cry itself back to sleep.¡±


    She follows the team leader upstairs, where two more of Proactive Citizenry¡¯s takedown force have Cam pushed up against a wall in a dark bedroom and are in the process of handcuffing him behind his back. She reaches over and flicks on the light.


    ¡°Must these things always be done in the dark?¡±


    Once the handcuffs are snapped shut, she approaches him slowly. ¡°Turn him to face me.¡±


    He¡¯s turned toward her, and she looks him over. He says nothing. ¡°You don¡¯t look much worse for the wear,¡± she says.


    He glares at her. ¡°The fugitive life suits me.¡±


    ¡°That¡¯s a matter of opinion.¡±


    ¡°So how did you find me?¡±


    She runs her fingers through his hair, knowing he hates when she does that but also knowing he can¡¯t stop her while handcuffed. ¡°You had already disappeared off the standard grid by the time I realized you were gone. I had thought you left the country, but you were far more clever than that. It never occurred to me that you¡¯d take refuge on a ChanceFolk reservation¡ªor that they¡¯d even give you refuge. But People of Chance are an unpredictable lot, aren¡¯t they? In the end your thumbprint¡ªor should I say Wil Tashi¡¯ne¡¯s thumbprint¡ªcame up when the ID of someone named Bees-Neb Heb¨ª¨ªte was scanned at an iMotel.¡±


    He grimaces, probably remembering the exact time and place he touched that ID, thereby leaving the incriminating print.


    Roberta clicks her tongue at him. ¡°Really, Cam, an iMotel? You were made for Fairmonts and Ritz-Carltons.¡±


    ¡°Now what am I made for?¡±


    ¡°Undecided.¡± She looks at the unconscious young man lying on the bed. ¡°Can I assume I have the pleasure of meeting Mr. Heb¨ª¨ªte?¡±


    A pause, and then Cam says, ¡°Yep. That¡¯s him.¡±


    She sits down on the bed, not even bothering to inspect the unconscious kid. ¡°He must have been the star of the reservation parading you around there,¡± Roberta says, mostly just to get a rise out of Cam. ¡°If you stayed there, you might have evaded us for a good long time. Why didn¡¯t you?¡±


    Cam shrugs and finally gives her his famous grin. ¡°Phileas Fogg,¡± he says. ¡°I wanted to see the world.¡±


    ¡°Well, you didn¡¯t quite make eighty days, but I hope it was sufficient.¡± She turns to the team leader. ¡°Time to wrap this up.¡±


    ¡°Do we take the others?¡±


    ¡°Don¡¯t be ridiculous,¡± Roberta chides. ¡°We¡¯ve gotten what we came for. I have no desire to complicate things with kidnapping.¡±


    ¡°But taking me¡ªthat¡¯s not kidnapping?¡± Cam asks.


    ¡°No,¡± Roberta says, happy to take the bait. ¡°According to the law, it would be considered the retrieval of stolen property. In fact, I could press charges against everyone in this house, but I won¡¯t. I¡¯ve no need to be vindictive.¡±


    They haul him out to the car, but gently so, by Roberta¡¯s orders. Upstairs the child continues to cry, but the sound is greatly muffled when they pull the fractured front door closed. The mother, whoever she is, and the rest of this unseemly crew will eventually regain consciousness to take care of the irascible toddler. If not by morning, then a few hours later.


    They drive off with Cam seated in the back of the sedan next to Roberta, handcuffs still on, although he¡¯s not struggling against them. Now that Cam has freed his grin, he won¡¯t stop. She has to admit it¡¯s a bit unnerving.


    ¡°I assume the senator and the general were fuming when I left.¡±


    ¡°On the contrary,¡± Roberta tells him happily. ¡°They never knew that you left. I told them that you and I were going back to Hawaii for a few weeks before you reported to them. That you wished to spend some time at the clinic for a motivational makeover. And, of course, that¡¯s where we¡¯re now going. So that you can have some mild cortical retuning.¡±


    ¡°Cortical retuning . . . ,¡± he echoes.


    ¡°Only to be expected,¡± Roberta tells him. ¡°You¡¯ve been prone to quite a lot of wrongful thinking ever since you were first rewound. But I¡¯m happy to tell you that I have an effective way of taking what¡¯s wrong within that wonderful mind of yours . . . and making it right.¡±


    Roberta can¡¯t help but take pleasure in her victory as she watches the grin finally leave his face.


    66 ? Connor


    Connor opens his eyes to the same room and the same bed he had been traq¡¯d in. He knows this can¡¯t be right. They came for them, didn¡¯t they? No, he thinks. Grace knew better. They came for Cam.


    ¡°Welcome back from Tranqistan.¡±


    He turns his head to see Sonia sitting in a chair beside him. He tries to push himself up, but feels dizzy, so he lets his elbows slide out from under him, and his head hits the pillow, his brain clanging inside him like the clapper of a bell.


    ¡°Easy now. I¡¯d think with all the times you¡¯ve been tranq¡¯d, you know to take it slow.¡±


    He¡¯s about to ask where Risa is, but then she appears at the door. ¡°Is he awake?¡±


    ¡°Barely.¡± Sonia grabs her cane and rises with a grunt, vacating the seat for Risa. ¡°It¡¯s almost noon. Time to open up shop, or the crowds may bust the door down.¡± But before she leaves the room, she pats Connor comfortingly on the leg. ¡°We¡¯ll talk later. I¡¯ll tell you everything you want to know about my husband. Or at least what this fool brain of mine still remembers.¡±


    Connor smiles at that. ¡°I¡¯m sure you remember things back to the Stone Age.¡±


    ¡°Don¡¯t be a wiseass.¡±


    Then she waddles out, and Risa takes the seat. She also takes Connor¡¯s hand. He squeezes back, and unlike the day before, he does it wholeheartedly.


    ¡°I¡¯m glad we let you sleep it off without waking you. You needed it.¡±


    ¡°You don¡¯t get rest during tranq sleep. You just go away.¡± He clears his throat, to remove a persistent frog. ¡°So what happened?¡±


    Risa explains how she and Grace were never even found under the bed and how Cam was collared, then taken away. Connor is amazed with their luck¡ªbut maybe he shouldn¡¯t be. If the mission of that task force was to simply capture Cam, they couldn¡¯t care less about his travel companions. Get in, get out. Their mission was accomplished, and they had no idea the forest they had missed for the tree.


    ¡°Cam could have turned us all in, but he didn¡¯t,¡± Risa says. ¡°He sacrificed himself for us.¡±


    ¡°He was going down anyway,¡± Connor points out. ¡°It wasn¡¯t exactly a sacrifice.¡±


    ¡°Give him some credit¡ªby turning us in he would have bought himself some serious bargaining power.¡± She thinks for a moment, her grip on Connor¡¯s hand loosening slightly. ¡°He¡¯s not the monster you think he is.¡±


    She waits for Connor to respond to that, but he¡¯s still too tired and cranky from the tranquilizer to agree with her. And he might agree¡ªafter all, Cam had given them the information on Proactive Citizenry. Still, his motives seem to have too many layers to be anything but cloudy.


    ¡°Cam saved us, Connor¡ªat least give him that.¡±

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    He gives her something that could, from a certain angle, be considered a reluctant nod. ¡°What do you think they¡¯ll do with him?¡±


    ¡°He¡¯s their golden child,¡± Risa says. ¡°They¡¯ll clean up the tarnish and make him shine again.¡± Then she smiles, her thoughts drifting off to him. ¡°Of course, Cam would point out that gold doesn¡¯t tarnish.¡±


    That smile is a little too warm, and although Connor knows he¡¯s playing with fire, he dares to say, ¡°If I didn¡¯t know better, I¡¯d think you were in love with him.¡±


    She holds his gaze, a little coolly. ¡°Do you really want to go there?¡±


    ¡°No,¡± Connor admits.


    But Risa takes him there anyway. ¡°I love what he did for us. I love that his heart is purer than anyone else believes. I love that he¡¯s far more innocent than he is jaded, but doesn¡¯t even know it.¡±


    ¡°And you love that he¡¯s completely infatuated with you.¡±


    Risa smiles and tosses her hair like a shampoo model. ¡°Well, that goes without saying.¡± The move is so unlike her, it makes them both laugh.


    Connor sits up, his head no longer spinning when he does. ¡°I¡¯m glad you chose me before they came for him.¡±


    ¡°I didn¡¯t chose anything,¡± Risa says, just the slightest bit annoyed.


    ¡°Well, I¡¯m just glad,¡± says Connor gently. ¡°That¡¯s all.¡± He touches her face with Roland¡¯s hand, the shark only inches away, but finally realizes that it will never be close enough to bite.


    ? ? ?


    Sonia, still downstairs, decides that taking a tranq for the team is more than enough to ask of Hannah. She can¡¯t ask Hannah to keep fugitives in her home after last night¡¯s attack.


    ¡°I¡¯m sorry¡ªbut I¡¯ve got Dierdre to think about now,¡± Hannah tells them with tears in her eyes. Holding the toddler in her arms, she wishes them all Godspeed. Connor finds he has a lump in his throat for the storked baby he saved and will never see again.


    Sonia drives him, Risa, and Grace back to her shop in her dark-windowed Suburban. She decides to keep the shop closed today, and there in the back room, the five of them talk of issues weighty enough, it seems, to collapse the floor beneath them. Connor insists that Grace be included because, although she bounces her knees impatiently and appears to have little interest in the conversation, all of Grace¡¯s appearances are deceiving.


    ¡°A reliable source working with Proactive Citizenry told me a very interesting story,¡± Connor begins. He has no idea if Trace Neuhauser even survived the crash in the Salton Sea. He thinks not, because Trace would never have allowed the massacres that Starkey is now orchestrating in the name of freedom. But at least Trace was able to pass what he knew on to Connor before he was forced to pilot that plane for Starkey. ¡°My source talked about how the name of Janson Rheinschild still strikes fear into the hearts of Proactive Citizenry¡¯s inner circle.¡±


    Sonia gives a satisfied and somewhat sinister laugh. ¡°Glad to hear it. I hope he¡¯s always the ghost in their lousy machine.¡±


    ¡°So it¡¯s true that they¡±¡ªConnor tries to choose his words carefully, but realizes there¡¯s no delicate way to say it¡ª¡°that they took him out?¡±


    ¡°They didn¡¯t have to,¡± Sonia says. ¡°When you tear a man down to his roots, it doesn¡¯t leave much behind. Janson died a broken man. He willed himself to die along with his dreams, and I couldn¡¯t stop him.¡±


    Risa, who¡¯s hearing all this for the first time, asks, ¡°Who was he?¡±


    ¡°My husband, dear.¡± And then Sonia heaves a sorrowful sigh. ¡°And my partner in crime.¡±


    That gets Grace¡¯s attention, although she doesn¡¯t say anything just yet.


    ¡°Proactive Citizenry wiped him from their history,¡± Connor says.


    ¡°Their history? They wiped him from world history! Did you know we won the Nobel Prize?¡±


    Risa just stares at her dumbfounded, and her expression makes Sonia laugh.


    ¡°Bioscience, dear. Back then antiquing was just my hobby.¡±


    ¡°This was before the Heartland War?¡± she asks.


    Sonia nods. ¡°Wars have a way of reinventing people. And making too many things disappear.¡±


    Connor¡¯s chair scrapes on the wooden floor as he pulls it forward. ¡°Lev and I looked for his name everywhere online. Totally gone. But there was one article that misspelled it¡ªthat was the only way we found him.¡± Then Connor adds, ¡°Your picture was in the photo. That¡¯s how we knew you were somehow involved.¡±


    Sonia turns to spit on the ground. ¡°Deleting us from history was the ultimate insult. But it made it easier for me to disappear from them. From everyone.¡±


    ¡°We know you started Proactive Citizenry,¡± Connor says, noting Risa¡¯s jaw drop again.


    ¡°That was Janson. I was out of it by then. I saw the writing on the wall and knew it was in blood¡ªbut he was an idealist. His finest trait and his deepest flaw.¡± Her eyes get moist and she points to a tissue box on the cluttered desk. Grace hands it to her. She blots her eyes once, then doesn¡¯t tear up again.


    ¡°We know Proactive Citizenry was supposed to be a watchdog organization,¡± Connor says, ¡°protecting the world against the abuse of biotech. What went wrong?¡±


    ¡°We let the genie out of the bottle,¡± Sonia says sadly. ¡°And a genie is loyal to no master.¡±


    From down below they can hear the grumbles of her hidden AWOLs arguing. Sonia bangs her cane on the trapdoor three times and they fall silent. Secrets below. Secrets above. Connor finds himself leaning closer as she begins to tell her tale.


    ¡°Janson and I pioneered the neurografting techniques that allowed every part of a donor body to be used in transplant. Every organ, every limb, every brain cell. The idea was to save lives. To better the world. But there¡¯s a road to hell for every good intention.¡±


    ¡°The Unwind Accord?¡± says Connor.


    Sonia nods. ¡°It hadn¡¯t even been thought of when we perfected our techniques¡ªbut the Heartland War was raging, and with school systems failing all over the country, feral teens were filling the streets in massive numbers. People were scared, and people were desperate.¡± Sonia¡¯s eyes seem to go far away as she drags back the memory. ¡°The Unwind Accord took our lifesaving technology and weaponized it to use against all those kids that no one wanted to deal with. The board of Proactive Citizenry went along with it¡ªpushing Janson out¡ªbecause they saw more than just dollar signs: They saw an entire industry waiting to be born.¡±


    Connor finds himself taking a deep, shuddering breath at the suggestion of unwinding being ¡°born.¡±


    ¡°It happened so quickly,¡± Sonia continues. ¡°When no one was looking. The Juvenile Authority was established without public outcries and without much resistance. Everyone was so glad just to end the Heartland War and get the feral teens out of sight and out of mind. No one wanted to consider where they were going. Now there was a supply of anonymous parts for anyone who wanted them. And even if you didn¡¯t want younger hands or brighter eyes, there were advertisements everywhere to convince you that you did. ¡®A new you from the inside out!¡¯ the billboards said. ¡®Add fifty years to your life.¡¯?¡± Sonia shakes her head bitterly. ¡°They created want . . . and want turned to need . . . and unwinding became woven into the fabric of everything.¡±


    No one says a word. It¡¯s like a moment of silence for the many kids lost to that great unwinding machine. The industry, as Sonia had called it. A mill of commerce trafficking in flesh, working outside the realm of ethics yet within the law and with the complete consent of society.


    But then Connor realizes something. ¡°There¡¯s more to the story, isn¡¯t there, Sonia? There has to be¡ªor else why would Proactive Citizenry still be afraid of the man they defeated? Why would Janson Rheinschild¡¯s name still make them shake in their boots?¡±


    Now Sonia smiles. ¡°What word strikes fear into the heart of any industry?¡± And when no one answers, she whispers it like a dark mantra.


    ¡°Obsolescence . . .¡±


    ? ? ?


    Out in the antique shop, in a dingy corner that generally doesn¡¯t see much traffic, is a stack of dusty old computers stacked one on top of another, daring gravity to topple it, which it never does. This is where Sonia leads them. ¡°I keep these because every now and then a collector comes in looking for older machines¡ªbut not too often¡ªand when they do, they never pay very much.¡±


    ¡°So why are we here?¡± Connor asks.


    She taps him more lightly than usual with her cane. ¡°To illustrate a point. Technology doesn¡¯t age well¡ªnot like a fine piece of furniture.¡± And she sits herself down on one of those fine pieces of furniture¡ªa curvy wooden chair with a red velvet seat. The chair probably goes for more than all the computers combined.


    ¡°When they passed the Unwind Accord, I gave up. I was disgusted by my own unintentional role in making it happen. But Janson, he fought it down to the day he died. Now that people were hooked on parts, Janson knew the only way to end unwinding was to give them cheaper parts that you didn¡¯t have to harvest. Take away the need for harvesting, and suddenly people would rediscover their consciences. Unwinding would end.¡±


    ¡°ChanceFolk use their spirit animals for transplant,¡± Connor points out. ¡°That¡¯s how they got around it.¡±


    ¡°I¡¯ll do you one better,¡± says Sonia. ¡°What if you could grow an endless supply of cultured cells, put them into a machine, like¡ªoh, say, a computer printer¡ªand print yourself out an organ?¡±


    Everyone looks to one another. Connor¡¯s not quite sure if she¡¯s being rhetorical, making a joke, or if she¡¯s just plain nuts.


    ¡°Like . . . an electronic nail builder?¡± Risa suggests.


    ¡°A variation on a theme,¡± says Sonia. ¡°Similar technology taken a huge leap forward.¡±


    ¡°Uh . . . ,¡± says Connor, ¡°a picture of a liver isn¡¯t gonna help anyone much.¡±


    Then Sonia gets a funny look in her eye. A hint of the scientist she once was. ¡°What if it¡¯s not just a picture?¡± she asks. ¡°What if you could keep printing layer after layer of cells on top of one another, making it thicker and thicker? What if you were able to solve the blood flow problem by programming gaps in the printing sequence and lining those gaps with a semipermeable membrane that would mature into blood vessels?¡±


    Now she moves her gaze, locking on each of them as she speaks. The passion behind her eyes is hypnotic. Suddenly she¡¯s no longer an old woman, but an impassioned scientist filled with a fire she¡¯s been holding within her for years.


    ¡°What if you invented a printer that could build living human organs?¡± Sonia rises from her chair. She¡¯s a short woman, but right now Connor could swear she¡¯s towering over them. ¡°And what if you sold the patent to the nation¡¯s largest medical manufacturer . . . and what if they took all of that work . . . and buried it? And took the plans and burned them? And took every printer and smashed it, and prevented anyone from ever knowing that the technology existed?¡±

 Page 61

    Sonia¡¯s whole body shakes, not out of weakness, but out of fury. ¡°What if they made the solution to unwinding disappear because too many people have too much invested in keeping things exactly . . . the way . . . they are.¡±


    Then in the shivering silence that follows, comes a single unpretentious, unassuming voice.


    ¡°And what if there¡¯s still one organ printer left,¡± says Grace, ¡°hiding in the corner of an antique shop?¡±


    Sonia¡¯s rage resolves into the most perfect grandmotherly smile.


    ¡°And what if there is?¡±


    Epilogue: The Widow Rheinschild


    Years before Connor, or Risa, or Lev are even born, Sonia batters the bitter cold of a February day to carry a heavy cardboard box from her car to a storage unit¡ªjust one among many anonymous units in a large complex.


    Her husband¡¯s funeral was only a week ago, but Sonia¡¯s not the kind of woman to wallow in self-pity for long.


    Her storage unit is the largest one offered. Big enough to fit all the furniture, knickknacks, and objects of desire she and her late husband had collected over the years. Truth be told, it was mostly her collection. Janson was not a materialistic man. All he ever wanted was a comfortable chair and a place in history. Well, he was robbed of one and died in the other.


    The lock on the unit is covered in frost. Only a week since the movers piled everything in, and already it has the semblance of something ancient. She tries to fit the key into the lock, but her gloves are too thick. In the end she must remove them and bear the cold on her fingers as she inserts the key, turns it, and tugs on the lock.


    Everything has been moved to this storage unit. Her house is now empty¡ªbut it won¡¯t be for long. It¡¯s been sold to a lovely family, or so she was told by the Realtor. Sonia priced it way under market to make sure it would sell quickly.


    As for all the money that was paid to Janson for the rights to the organ printer, she¡¯s chosen to give the bulk of it to Austin¡¯s friends. They say they¡¯re starting a secret organization to fight unwinding. The Anti-Divisional Underground, or something like that. Well, if they can use that money to save as much as a single Unwind from going under the knife, it will be worth it.


    With a grunt, Sonia raises the rolling door and is faced with the trappings of her life, everything placed with puzzlelike precision so it all will fit. How odd that the objects of one¡¯s world can all be squeezed into such a compact space. The neutron star of life¡¯s tenure.


    Looking on it brings her a moment of despair¡ªbut like the snow flurries outside, she doesn¡¯t let it stick. If there¡¯s one lesson she has learned from her late husband, it¡¯s that one cannot let the events of one¡¯s past murder one¡¯s future. And future is all that Sonia has now that her past has been so effectively erased. She actually had to purchase a counterfeit passport and driver¡¯s license, since her real ones were now invalid. She kept her first name, though, choosing to maintain a shred of her identity to spite those who would happily send her sailing into nameless oblivion.


    While not bound for oblivion, Sonia is leaving, however. She doesn¡¯t care where¡ªbut when purchasing an airline ticket one must have a destination¡ªso before the movers came, she had gone to the globe in Janson¡¯s study. She spun it, closed her eyes, and jabbed her finger at it. Her finger came down in the Mediterranean, on the island of Crete, so that is where she will go. She speaks no Greek, but she will learn, and the island will be the alpha and omega of her life for a good long while.


    She searches the jam-packed storage space for a safe spot to leave the heavy box she carries. Its contents are too sensitive to have allowed the movers to handle. This is something she wanted to do for herself. Janson would be glad that she¡¯s doing it, too. She can feel him smiling at her the way he did on that wonderful night of giddy fantasy, when they ate the city¡¯s most expensive meal, drank champagne, and dared to dream that they were moving from the darkness back into the light.


    Sonia is wise enough to know that she¡¯s moved through times of light and darkness all of her life. Now is a time of intense darkness¡ªbut she cannot let it consume her, as it consumed Janson. In time, perhaps she¡¯ll find herself in a place of light again with the courage and resolve enough to take a stand. To rise up and do something about the road to hell their good intentions have paved¡ªor more accurately, the road that others had paved for them. But that¡¯s for a distant tomorrow. For now she¡¯s tired, and broken and just needs to run away.


    At last she finds a suitable spot in the storage unit for the box and sets it down gently, making sure it¡¯s in a place where it can¡¯t fall and nothing will fall on it. Then she looks at the stacks of belongings around her.


    ¡°So much stuff,¡± she says aloud. She could open up an antique shop with all the junk she¡¯s collected! If she ever does come back to the States someday, perhaps she will.


    Satisfied, she wends her way to the entrance of the unit, pulls down the rolling door, and locks away her old life for ten, maybe twenty years.


    As she drives away, she¡¯s surprised to find herself smiling in spite of everything. Yes, the very organization Janson founded ultimately turned on them to destroy their lives and tried to destroy every last glimmer of hope.


    But that¡¯s where they failed.


    Hope can be bruised and battered. It can be forced underground and even rendered unconscious, but hope cannot be killed. The blueprints to the organ printer are gone. So are all the large prototypes. Smashed and melted and buried in some unmarked grave of scuttled technology.


    But no one knew about the smaller prototype. The one that gave Austin back his missing fingers¡ªthe one that Janson kept hidden in a cardboard box in his study.


    Sonia gets on the highway, heading for the airport, and as she does, she turns on the radio, finds a station playing classic rock from her childhood, and she sings along, ignoring the icy winds that rattle the car.


    There¡¯s no doubt about it; Janson¡¯s dream is dead . . . but when the time is right and the winds begin to change, even the deadest of dreams can be resurrected.